classes ::: room, noun,
children :::
branches ::: chamber

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object:chamber
class:room
word class:noun

see also :::

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
DND_DM_Guide_5E
Epigrams_from_Savitri
Faust
Life_without_Death
Modern_Man_in_Search_of_a_Soul
Process_and_Reality
Savitri
The_Book_of_Gates
The_Divine_Companion
The_Epic_of_Gilgamesh
The_Externalization_of_the_Hierarchy
The_Heros_Journey
The_Imitation_of_Christ
The_Interior_Castle_or_The_Mansions
The_Odyssey
The_Use_and_Abuse_of_History
The_Yoga_Sutras

IN CHAPTERS TITLE
1.049_-_The_Chambers
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.pbs_-_A_Romans_Chamber
1.wby_-_The_Chambermaids_First_Song
1.wby_-_The_Chambermaids_Second_Song
1.ww_-_From_The_Dark_Chambers_Of_Dejection_Freed

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.01_-_The_Approach_to_Mysticism
00.04_-_The_Beautiful_in_the_Upanishads
0.00_-_INTRODUCTION
0.03_-_The_Threefold_Life
0.07_-_Letters_to_a_Sadhak
01.01_-_A_Yoga_of_the_Art_of_Life
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.04_-_The_Secret_Knowledge
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
0_1964-06-27
0_1964-11-14
0_1965-09-25
0_1967-02-21
0_1967-10-25
0_1969-07-26
0_1972-04-02a
02.02_-_The_Kingdom_of_Subtle_Matter
02.05_-_Robert_Graves
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.11_-_New_World-Conditions
02.14_-_The_World-Soul
03.02_-_The_Adoration_of_the_Divine_Mother
03.04_-_The_Body_Human
03.04_-_The_Vision_and_the_Boon
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.04_-_Evolution_of_the_Spiritual_Consciousness
04.06_-_Evolution_of_the_Spiritual_Consciousness
05.03_-_Satyavan_and_Savitri
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.03_-_The_Entry_into_the_Inner_Countries
07.05_-_The_Finding_of_the_Soul
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
10.03_-_The_Debate_of_Love_and_Death
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
1.00_-_Preliminary_Remarks
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Description_of_the_Castle
1.01_-_Economy
1.01_-_Foreward
1.01_-_NIGHT
1.025_-_The_Criterion
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_BOOK_THE_SECOND
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_On_detachment
1.02_-_Self-Consecration
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Human_Soul
1.02_-_The_Recovery
1.02_-_The_Refusal_of_the_Call
1.034_-_Sheba
1.03_-_Preparing_for_the_Miraculous
1.03_-_Some_Practical_Aspects
1.03_-_Supernatural_Aid
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_To_Layman_Ishii
1.049_-_The_Chambers
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_Feedback_and_Oscillation
1.04_-_GOD_IN_THE_WORLD
1.05_-_Bhakti_Yoga
1.05_-_Solitude
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_War_And_Politics
1.06_-_BOOK_THE_SIXTH
1.06_-_On_Thought
1.07_-_BOOK_THE_SEVENTH
1.07_-_On_mourning_which_causes_joy.
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.080_-_Pratyahara_-_The_Return_of_Energy
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_Information,_Language,_and_Society
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_Saraswati_and_Her_Consorts
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
1.10_-_BOOK_THE_TENTH
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.11_-_BOOK_THE_ELEVENTH
1.11_-_The_Master_of_the_Work
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.12_-_God_Departs
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.13_-_System_of_the_O.T.O.
1.17_-_M._AT_DAKSHINEWAR
1.18_-_DONJON
1.18_-_M._AT_DAKSHINESWAR
1.21_-_Tabooed_Things
1.22_-_ADVICE_TO_AN_ACTOR
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.26_-_Sacrifice_of_the_Kings_Son
1.29_-_The_Myth_of_Adonis
1.34_-_The_Myth_and_Ritual_of_Attis
1.39_-_The_Ritual_of_Osiris
1.40_-_The_Nature_of_Osiris
1.46_-_The_Corn-Mother_in_Many_Lands
1.55_-_The_Transference_of_Evil
1.57_-_Public_Scapegoats
1.59_-_Killing_the_God_in_Mexico
1.60_-_Between_Heaven_and_Earth
17.01_-_Hymn_to_Dawn
18.02_-_Ramprasad
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1970_04_03
1.ac_-_The_Wizard_Way
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_Others_have_told_me
1.anon_-_The_Epic_of_Gilgamesh_Tablet_II
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Collapsing_Cosmoses
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_Hypnos
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Polaris
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Evil_Clergyman
1f.lovecraft_-_The_Green_Meadow
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1.fs_-_Resignation
1.fs_-_The_Walk
1.ia_-_Wild_Is_She,_None_Can_Make_Her_His_Friend
1.jh_-_Lord,_Where_Shall_I_Find_You?
1.jk_-_Calidore_-_A_Fragment
1.jk_-_Endymion_-_Book_II
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Imitation_Of_Spenser
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_King_Stephen
1.jk_-_Lamia._Part_II
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Otho_The_Great_-_Act_III
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Eve_Of_St._Agnes
1.jwvg_-_Autumn_Feel
1.jwvg_-_Longing
1.jwvg_-_The_Visit
1.kbr_-_To_Thee_Thou_Hast_Drawn_My_Love
1.lb_-_Bringing_in_the_Wine
1.lb_-_Moon_at_the_Fortified_Pass_by_Li_Po
1.lb_-_Moon_Over_Mountain_Pass
1.lb_-_The_Moon_At_The_Fortified_Pass
1.lovecraft_-_The_Poe-ets_Nightmare
1.mbn_-_The_Soul_Speaks_(from_Hymn_on_the_Fate_of_the_Soul)
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_And_like_a_Dying_Lady,_Lean_and_Pale
1.pbs_-_A_Romans_Chamber
1.pbs_-_Charles_The_First
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Ginevra
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Hymn_to_Intellectual_Beauty
1.pbs_-_I_Arise_from_Dreams_of_Thee
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Lines_Written_During_The_Castlereagh_Administration
1.pbs_-_Lines_Written_in_the_Bay_of_Lerici
1.pbs_-_Ode_To_Heaven
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Prometheus_Unbound
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Indian_Serenade
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Waning_Moon
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_The_Zucca
1.poe_-_A_Paean
1.poe_-_The_Raven
1.poe_-_The_Sleeper
1.rb_-_Andrea_del_Sarto
1.rb_-_Bishop_Orders_His_Tomb_at_Saint_Praxed's_Church,_Rome,_The
1.rb_-_Garden_Francies
1.rb_-_In_A_Gondola
1.rb_-_Introduction:_Pippa_Passes
1.rbk_-_Epithalamium
1.rbk_-_He_Shall_be_King!
1.rb_-_O_Lyric_Love
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Protus
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rmr_-_Elegy_X
1.rt_-_Urvashi
1.rwe_-_Dirge
1.rwe_-_Gnothi_Seauton
1.rwe_-_Heroism
1.rwe_-_May-Day
1.rwe_-_The_Adirondacs
1.rwe_-_The_World-Soul
1.rwe_-_Threnody
1.sig_-_Come_to_me_at_dawn,_my_beloved,_and_go_with_me
1.sig_-_Where_Will_I_Find_You
1.snt_-_You,_oh_Christ,_are_the_Kingdom_of_Heaven
1.tm_-_A_Practical_Program_for_Monks
1.wby_-_A_Man_Young_And_Old_-_Complete
1.wby_-_A_Man_Young_And_Old_-_XI._From_Oedipus_At_Colonus
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_The_Chambermaids_First_Song
1.wby_-_The_Chambermaids_Second_Song
1.wby_-_The_Old_Age_Of_Queen_Maeve
1.wby_-_The_Three_Bushes
1.wby_-_The_Witch
1.wby_-_To_Dorothy_Wellesley
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_When_Lilacs_Last_in_the_Dooryard_Bloomd
1.whitman_-_Yet,_Yet,_Ye_Downcast_Hours
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_Book_Fourteenth_[conclusion]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_From_The_Cuckoo_And_The_Nightingale
1.ww_-_From_The_Dark_Chambers_Of_Dejection_Freed
1.ww_-_Mark_The_Concentrated_Hazels_That_Enclose
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_Vaudracour_And_Julia
2.01_-_Habit_1__Be_Proactive
2.02_-_Meeting_With_the_Goddess
2.03_-_On_Medicine
2.04_-_ON_PRIESTS
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.07_-_The_Knowledge_and_the_Ignorance
2.08_-_On_Non-Violence
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_The_Primordial_Kings__Their_Shattering
2.17_-_December_1938
2.18_-_January_1939
2.19_-_Feb-May_1939
2.19_-_THE_SOOTHSAYER
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.21_-_1940
2.24_-_The_Message_of_the_Gita
2.25_-_The_Triple_Transformation
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.4.1_-_Human_Relations_and_the_Spiritual_Life
30.01_-_World-Literature
3.01_-_Love_and_the_Triple_Path
3.02_-_Aridity_in_Prayer
3.02_-_King_and_Queen
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.09_-_The_Return_of_the_Soul
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
31_Hymns_to_the_Star_Goddess
3.3.03_-_The_Delight_of_Works
33.18_-_I_Bow_to_the_Mother
3-5_Full_Circle
3.7.1.07_-_Involution_and_Evolution
38.04_-_Great_Time
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.04_-_THE_REGENERATION_OF_THE_KING
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Instruments_of_the_Spirit
4.0_-_NOTES_TO_ZARATHUSTRA
4.19_-_THE_DRUNKEN_SONG
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.20_-_THE_SIGN
4.3_-_Bhakti
5.02_-_THE_STATUE
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.4.01_-_Notes_on_Root-Sounds
6.0_-_Conscious,_Unconscious,_and_Individuation
7.02_-_Courage
7.06_-_The_Simple_Life
7.14_-_Modesty
7.5.56_-_Omnipresence
Aeneid
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
Book_of_Exodus
Book_of_Genesis
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_X._-_Porphyrys_doctrine_of_redemption
COSA_-_BOOK_IV
COSA_-_BOOK_IX
COSA_-_BOOK_VIII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
For_a_Breath_I_Tarry
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
LUX.03_-_INVOCATION
Medea_-_A_Vergillian_Cento
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
r1914_06_28
Sayings_of_Sri_Ramakrishna_(text)
Tablet_1_-
Tablets_of_Baha_u_llah_text
Talks_026-050
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_the_Prophet_Isaiah
the_Castle
The_Divine_Names_Text_(Dionysis)
The_Dwellings_of_the_Philosophers
the_Eternal_Wisdom
The_Gold_Bug
The_Gospel_According_to_Luke
The_Gospel_of_Thomas
The_Hidden_Words_text
The_Immortal
The_Last_Question
The_Library_of_Babel
The_Library_Of_Babel_2
The_Lottery_in_Babylon
The_Pilgrims_Progress
The_Shadow_Out_Of_Time
Timaeus
Verses_of_Vemana

PRIMARY CLASS

room
SIMILAR TITLES
chamber

DEFINITIONS


TERMS STARTING WITH

chamber ::: 1. Archaic or poetic: A room in a private house, esp. a bedroom. 2. An enclosed space; compartment. chamber"s, chambers, work-chamber.

chambered ::: enclosed in or as in a chamber.

chambered ::: imp. & p. p. --> of Chamber ::: a. --> Having a chamber or chambers; as, a chambered shell; a chambered gun.

chamberer ::: n. --> One who attends in a chamber; a chambermaid.
A civilian; a carpetmonger.


chambering ::: p. pr. & vb. n. --> of Chamber ::: n. --> Lewdness.

chamberlain ::: n. --> An officer or servant who has charge of a chamber or chambers.
An upper servant of an inn.
An officer having the direction and management of the private chambers of a nobleman or monarch; hence, in Europe, one of the high officers of a court.
A treasurer or receiver of public money; as, the chamberlain of London, of North Wales, etc.


chamberlainship ::: n. --> Office of a chamberlain.

chambermaid ::: n. --> A maidservant who has the care of chambers, making the beds, sweeping, cleaning the rooms, etc.
A lady&


chamber ::: n. --> A retired room, esp. an upper room used for sleeping; a bedroom; as, the house had four chambers.
Apartments in a lodging house.
A hall, as where a king gives audience, or a deliberative body or assembly meets; as, presence chamber; senate chamber.
A legislative or judicial body; an assembly; a society or association; as, the Chamber of Deputies; the Chamber of Commerce.
A compartment or cell; an inclosed space or cavity; as,


chambertin ::: n. --> A red wine from Chambertin near Dijon, in Burgundy.

Chamber - Particle with the same mass but opposite charge (and some other properties) as another particle under normal earth conditions.


  


Chamberlain, Neville ::: (1869-1940) British Prime Minister from 1937 to 1940. He concluded the Munich Agreement in 1938 with Adolf Hitler in the mistaken hope that it would bring "peace in our time."


TERMS ANYWHERE

1. A building, room, or chamber used as a storage place for valuables; treasury. 2. A place or source where things of value or worth may be found. Also, treasure-house.

Admiral's Men, The: A company of Elizabethan actors directed by Henslowe, who were rivals to The Lord Chamberlain 's Men (later The King's Men). Shakespearewrote for both parties.

adytum ::: n. --> The innermost sanctuary or shrine in ancient temples, whence oracles were given. Hence: A private chamber; a sanctum.

adytum ::: the innermost part of a temple; the secret shrine whence oracles were delivered; a most sacred or reserved part of any place of worship; hence, fig. a private or inner chamber, a sanctum.

air chamber ::: --> A chamber or cavity filled with air, in an animal or plant.
A cavity containing air to act as a spring for equalizing the flow of a liquid in a pump or other hydraulic machine.


air vessel ::: --> A vessel, cell, duct, or tube containing or conducting air; as the air vessels of insects, birds, plants, etc.; the air vessel of a pump, engine, etc. For the latter, see Air chamber. The air vessels of insects are called tracheae, of plants spiral vessels.

Alba Petra (Latin) White stone; “To him that overcometh will I give to eat of the hidden manna, and will give him a white stone, and in the stone a new name written, which no man knoweth saving he that receiveth it” (Rev 2:17). The meaning of the white stone is initiation, the purified nature of the adept-initiate. The new name written in it is a way of expressing the new man who is thus reborn in the initiation chamber; and because he has thus become a new man, he is entitled to the new name which is that of adept-initiate. Clearly, no man knows this new name except him who receives it.

ALONE. ::: To be alone with the Divine is the highest of all privileged states for the sadhaka, for it is that in which inwardly he comes nearest to the Divine and can make all existence a communion in the chamber of the heart as well as in the temple of the universe. That is the beginning and base of the real oneness with all.

Also a sacred plant spoken of in Buddhist legends; and a name of a famous cave of seven chambers where Gautama Buddha taught esoteric truths to his select circle of arhats, located near Mount Baibhar in Rajagriha, the ancient capital of Mogadha; it was the Cheta cave of Fa-hian (SD 1:xx).

Ananda Temple. A monumental THERAVADA Buddhist monastery located outside the Tharba Gate in the medieval Burmese capital of Pagan. The Ananda was built around 1105 by King Kyanzittha (r. 1084-1111), third monarch of the Pagan empire, and is dedicated to the four buddhas who have appeared during the present auspicious age: Krakucchanda (P. Kakusandha), Kanakamuni (P. KonAgamana), KAsYAPA, and GAUTAMA. In architectural style, the Ananda represents a fusion of Bengali, Burmese, and Pyu (precursors of the ethnic Burmans) elements. Legend states that eight ARHATs from Mount Gandhamadana in India visited King Kyanzittha, and he was so impressed that he constructed a monastery for them, and next to it founded the Ananda. Like all temples and pagodas of the city of Pagan, the Ananda is built of fired brick and faced with stucco. It is cruciform in plan following a Pyu prototype and crowned with a North Indian style tower, or sikhara. Its interior consists of two circumambulatory halls pierced by windows that allow a limited amount of light into the interior. The hallways are decorated with terracotta plaques depicting episodes from the PAli JATAKAs, the MahAnipAta, and NIDANAKATHA. The inner hall contains niches housing numerous seated images of the Buddha that are rendered in a distinctive Pala style. The temple is entered from four entrances facing the four cardinal directions, which lead directly to four large inner chambers, each containing a colossal standing statue of a buddha. Two of the statues are original; a third was rebuilt in the eighteenth century; and the fourth has been repaired. Three of the statues are flanked by smaller images of their chief disciples. The exception is the statue of Gautama Buddha, located in the western chamber, which is flanked by what is believed to be portrait statues of King Kyanzitha and SHIN ARAHAN, the Mon monk said to have converted Pagan to TheravAda Buddhism, who was also Kyanzittha's preceptor.

AnAthapindada. (P. AnAthapindika; T. Mgon med zas sbyin; C. Jigudu zhangzhe; J. Gikkodoku choja; K. Kŭpkodok changja 給孤獨長者). In Sanskit, "Feeder of the Defenseless"; a wealthy merchant from the city of sRAVASTĪ who became such a great patron of the SAMGHA that the Buddha declared him to be chief among laymen (UPASAKA) in his munificence. His personal name was Sudatta; AnAthapindada was a sobriquet suggesting his philanthropic qualities. AnAthapindada's father-in-law introduced him to the Buddha, and he was quickly converted, becoming in the process a stream-enterer (SROTAAPANNA). AnAthapindada built numerous dwellings, guest houses, and residential parks for the Buddha and his monastic order and was unstinting in his donation of requisites. The most famous of the residences he built was the JETAVANA park on the outskirts of srAvastī, which he purchased from the prince JETA (JetakumAra) by covering the entire property with gold coins. Prince Jeta himself donated the entrance to the park, over which he built a splendid gate. AnAthapindada had numerous buildings constructed at the site-including the Buddha's own residence, the GANDHAKUtĪ, or perfumed chamber-to serve the Buddha and the monastic community during the rains retreat (VARsA). The very same spot had served as a monastery and rains retreat center for previous buddhas as well, although the extent of the establishments varied. Jeta's Grove was said to be the Buddha's favorite residence and, according to tradition, he passed nineteen rains retreats there. After the laywoman VIsAKHA built the grand monastery MṚGARAMATṚPRASADA in srAvastī, the Buddha would alternate between both residences, spending the day at one and the night at another. The Buddha preached numerous sermons to AnAthapindada who, in turn, was fond of debating with ascetics and teachers of other religions. Although skilled in business, AnAthapindada was in his later years reduced to penury. He is said to have died shortly after feeding the monks with gruel prepared from his own cooking pot. One of the more poignant exchanges in the PAli canon involves AnAthapindada and is recorded in the AnAthapindikovAdasutta, the 143rd sutta in the PAli MAJJHIMANIKAYA (a recension of unidentified affiliation appears in the Chinese translation of the EKOTTARAGAMA). When AnAthapindada was on his deathbed, the Buddha sent sARIPUTRA, one of his two chief disciples, along with ANANDA as his attendant, to visit him. Learning that AnAthapindada was in great pain, sAriputra taught him a fairly standard discourse on how to guard the senses (INDRIYASAMVARA) so as to remain unattached toward sensory experience and thereby develop a state of consciousness that clings to nothing. At the conclusion of the discourse, AnAthapindada was brought to tears; seeing him weep, sAriputra asked him whether he was deteriorating. AnAthapindada said that he was actually lamenting the fact that, throughout his years of attending the Buddha and his monks, he had not once heard this kind of instruction. sAriputra responded that such teachings were intended for the monks, not the laity, but AnAthapindada begged him to make such teachings available to the laity as well, since some of them had "little dust in their eyes" and would be able to understand. Soon afterward that evening, AnAthapindada was reborn in TUsITA heaven and, as a young divinity (DEVA), visited the Buddha and praised the virtues of the Jetavana and of sAriputra, of whom AnAthapindada was especially fond.

Angkor Thom. Twelfth-century Khmer (Cambodian) temple city constructed by Jayavarman VII (r. 1181-c. 1220) and dedicated to AVALOKITEsVARA. Built shortly after the Khmer capital was sacked by invading Chams from the region of today's central Vietnam, Angkor Thom is surrounded by a hundred-meter-wide moat and an eight-meter-high wall. Arranged in the shape of a perfect rectangle oriented toward the cardinal directions, its walls are pierced at their center by gates that connect the city to the outside world via four broad avenues that bridge the moat. The avenues are flanked by massive railings in the form of a cosmic snake (NAGA) held aloft on one side by divinities (DEVA) and on the other by ASURAs, a motif recalling the Hindu creation myth of the churning of the cosmic ocean. The avenues run at right angles toward the center of the city complex, where the famous funerary temple of BAYON is located. Constructed of sandstone and in the form of a terraced pyramid, the Bayon represents among other symbols Mt. SUMERU, the axis mundi of the Hindu-Buddhist universe. The temple is entered through four doorways, one on each side, that lead through galleries richly carved with bas-reliefs depicting scenes from contemporary life and Hindu mythology. The temple is crowned with fifty-two towers, the largest of which occupies the center and pinnacle of the structure. The four sides of every tower bear colossal guardian faces that are believed to be portraits of Jayavarman VII in the guise of the bodhisattva Avalokitesvara. The Bayon is the first of Angkor's many temples dedicated to a MAHAYANA Buddhist cult; those built earlier were exclusively Hindu in affiliation. Beneath the central tower is a chamber that once housed a buddha image protected by a hooded nAga. This image was situated above a receptacle intended to receive the king's ashes at death. The Bayon thus combines the function and architectural elements of a Hindu temple and a Buddhist STuPA; and Jayavarman's identification with Avalokitesvara was but an extension of Angkor's long-standing Hindu devarAja (divine king) cult, which identified the reigning monarch as an incarnation of siva. Angkor Thom was the last of several temple cities that cover the large area known today as Angkor, each city having been built by a successive Khmer king and crowned with an elaborate funerary shrine at its center. The most famous of these is the nearby ANGKOR WAT, the largest religious structure in the world, built by Suryavarman II between 1131 and 1150.

antechamber ::: n. --> A chamber or apartment before the chief apartment and leading into it, in which persons wait for audience; an outer chamber. See Lobby.
A space viewed as the outer chamber or the entrance to an interior part.


antechambers ::: 1. Chambers or rooms that serve as waiting rooms and entrances to larger rooms or apartments; anterooms. 2. Any areas that are entrances to other areas.

antichamber ::: n. --> See Antechamber.

aptychus ::: n. --> A shelly plate found in the terminal chambers of ammonite shells. Some authors consider them to be jaws; others, opercula.

archchamberlain ::: n. --> A chief chamberlain; -- an officer of the old German empire, whose office was similar to that of the great chamberlain in England.

Asrama(Sanskrit) ::: A word derived from the root sram, signifying "to make efforts," "to strive"; with the particlea, which in this case gives force to the verbal root sram. Asrama has at least two main significations. Thefirst is that of a college or school or a hermitage, an abode of ascetics, etc.; whereas the second meaningsignifies a period of effort or striving in the religious life or career of a Brahmana of olden days. Theseperiods of life in ancient times in Hindustan were four in number: the first, that of the student orbrahmacharin; second, the period of life called that of the grihastha or householder -- the period ofmarried existence when the Brahmana took his due part in the affairs of men, etc.; third, the vanaprastha,or period of monastic seclusion, usually passed in a vana, or wood or forest, for purposes of innerrecollection and spiritual meditation; and fourth, that of the bhikshu or religious mendicant, meaning onewho has completely renounced the distractions of worldly life and has turned his attention wholly tospiritual affairs.Brahmasrama. In modern esoteric or occult literature, the compound term Brahmasrama is occasionallyused to signify an initiation chamber or secret room or adytum where the initiant or neophyte is strivingor making efforts to attain union with Brahman or the inner god.

auget ::: n. --> A priming tube connecting the charge chamber with the gallery, or place where the slow match is applied.

Aureole [diminutive of Latin aureus golden] Either a special spiritual radiance adorning the heads of saints and martyrs, or a golden halo surrounding the head or whole body of a holy man. The matter is clearly explained in The Mahatma Letters as: “a counterpart of what the astronomers call the red flames in the ‘corona’ may be seen in Reichenbach’s crystals or in any other strongly magnetic body. The head of a man — in a strong ecstatic condition, when all the electricity of his system is centered around the brain, will represent — especially in darkness — a perfect simile of the Sun during such periods [eclipses]. The first artist who drew the aureoles about the heads of his Gods and Saints, was not inspired, but represented it on the authority of temple pictures and traditions of the sanctuary and the chambers of initiation where such phenomena took place” (p. 162).

auricle ::: n. --> The external ear, or that part of the ear which is prominent from the head.
The chamber, or one of the two chambers, of the heart, by which the blood is received and transmitted to the ventricle or ventricles; -- so called from its resemblance to the auricle or external ear of some quadrupeds. See Heart.
An angular or ear-shaped lobe.
An instrument applied to the ears to give aid in hearing;


Babel (Hebrew) Bābāh The inner meaning of the Tower of Babel, by which it was hoped that divinity might be reached or attained, is a house of initiation, a gate, portal, opening, or entrance to the divine. The physical tower was both the building set aside to house and protect the initiation chambers, together with the ceremonies that take place in them, and an architectural emblem to signify a raising up towards heaven. The tower may have either a divine or evil significance, either haughty pride and self-sufficiency or spiritual aspiration. Similar is the lightning-struck tower of the Tarot cards, and the Arabian Nights story of the man who built a palace completely except only for a roc’s egg to hang in the dome, and when the egg is thus hung, the whole palace collapses. The work of the black magician, building from below upwards, is impermanent and, when it strikes the sky, is blasted. If such a tower and system be followed by adepts of the left-hand path for ultimate and foredestined confusion, it is one thing; but if the tower and its inner mysteries be in the charge of adepts of the right-hand path, it is another. The concentration of the narrator in the Bible concerning the Tower of Babel seems to have been entirely upon its aspect of left-hand magic.

base-burner ::: n. --> A furnace or stove in which the fuel is contained in a hopper or chamber, and is fed to the fire as the lower stratum is consumed.

Bast is regarded as the personification of the power of the sun which manifests in the form of heat, a position which she holds together with the goddess Sekhet. But she is also intimately connected with the moon, especially in her connection with the cat — Khensu being a lunar god. Thus when she is depicted as a lioness her attributes are solar; when as a cat, lunar. This dual aspect bears a close analogy with the moon, which is further indicated when Bast is represented as being one of the goddesses of the birth chamber; and her son Khensu was declared to make women fruitful and make the human germ grow, especially in his character of the moon, the lightbearer.

Bayon. One of the most important Buddhist temples sites at ANGKOR THOM, the temple-city of the ancient Khmer kingdom; built by the Khmer king Jayavarman VII (r. 1181-c. 1220). The Bayon is a funerary temple located at the center of the Angkor Thom city complex. Constructed of sandstone and in the form of a terraced pyramid, the Bayon represents among other symbols Mt. SUMERU, the axis mundi of the Hindu-Buddhist universe. The temple is entered through four doorways, one on each side, that lead through galleries richly carved with bas-reliefs depicting scenes from contemporary life and Hindu mythology. The temple is crowned with fifty-two towers, the largest of which occupies the center and pinnacle of the structure. The four sides of every tower bear colossal guardian faces that are believed to be portraits of Jayavarman VII in the guise of the bodhisattva AVALOKITEsVARA. The Bayon is the first of Angkor's many temples specifically dedicated to a MAHAYANA Buddhist cult; those built earlier were exclusively Hindu in affiliation. Beneath the central tower is a chamber that once housed a buddha image protected by a hooded cobra. This image was situated above a receptacle intended to receive the king's ashes at death. The Bayon thus combines the function and architectural elements of a Hindu temple and a Buddhist STuPA, while Jayavarman's identification with Avalokitesvara was but an extension of Angkor's long-standing Hindu devarAjan (divine king) cult.

chamber ::: 1. Archaic or poetic: A room in a private house, esp. a bedroom. 2. An enclosed space; compartment. chamber"s, chambers, work-chamber.

chambered ::: enclosed in or as in a chamber.

chambered ::: imp. & p. p. --> of Chamber ::: a. --> Having a chamber or chambers; as, a chambered shell; a chambered gun.

chamberer ::: n. --> One who attends in a chamber; a chambermaid.
A civilian; a carpetmonger.


chambering ::: p. pr. & vb. n. --> of Chamber ::: n. --> Lewdness.

chamberlain ::: n. --> An officer or servant who has charge of a chamber or chambers.
An upper servant of an inn.
An officer having the direction and management of the private chambers of a nobleman or monarch; hence, in Europe, one of the high officers of a court.
A treasurer or receiver of public money; as, the chamberlain of London, of North Wales, etc.


chamberlainship ::: n. --> Office of a chamberlain.

chambermaid ::: n. --> A maidservant who has the care of chambers, making the beds, sweeping, cleaning the rooms, etc.
A lady&


chamber ::: n. --> A retired room, esp. an upper room used for sleeping; a bedroom; as, the house had four chambers.
Apartments in a lodging house.
A hall, as where a king gives audience, or a deliberative body or assembly meets; as, presence chamber; senate chamber.
A legislative or judicial body; an assembly; a society or association; as, the Chamber of Deputies; the Chamber of Commerce.
A compartment or cell; an inclosed space or cavity; as,


chambertin ::: n. --> A red wine from Chambertin near Dijon, in Burgundy.

bedchamber ::: n. --> A chamber for a bed; an apartment form sleeping in.

bedpan ::: n. --> A pan for warming beds.
A shallow chamber vessel, so constructed that it can be used by a sick person in bed.


belemnite ::: n. --> A conical calcareous fossil, tapering to a point at the lower extremity, with a conical cavity at the other end, where it is ordinarily broken; but when perfect it contains a small chambered cone, called the phragmocone, prolonged, on one side, into a delicate concave blade; the thunderstone. It is the internal shell of a cephalopod related to the sepia, and belonging to an extinct family. The belemnites are found in rocks of the Jurassic and Cretaceous ages.

bicameral ::: a. --> Consisting of, or including, two chambers, or legislative branches.

black rod ::: --> the usher to the Chapter of the Garter, so called from the black rod which he carries. He is of the king&

BodhgayA. (S. BuddhagayA). Modern Indian place name for the most significant site in the Buddhist world, renowned as the place where sAKYAMUNI Buddha (then, still the BODHISATTVA prince SIDDHARTHA) became a buddha while meditating under the BODHI TREE at the "seat of enlightenment" (BODHIMAndA) or the "diamond seat" (VAJRASANA). The site is especially sacred because, according to tradition, not only did sAkyamuni Buddha attain enlightenment there, but all buddhas of this world system have or will do so, albeit under different species of trees. BodhgayA is situated along the banks of the NAIRANJANA river, near RAJAGṚHA, the ancient capital city of the MAGADHA kingdom. Seven sacred places are said to be located in BodhgayA, each being a site where the Buddha stayed during each of the seven weeks following his enlightenment. These include, in addition to the bodhimanda under the Bodhi tree: the place where the Buddha sat facing the Bodhi tree during the second week, with an unblinking gaze (and hence the site of the animesalocana caitya); the place where the Buddha walked back and forth in meditation (CAnKRAMA) during the third week; the place called the ratnagṛha, where the Buddha meditated during the fourth week, emanating rays of light from his body; the place under the ajapAla tree where the god BRAHMA requested that the Buddha turn the wheel of the dharma (DHARMACAKRAPRAVARTANA) during the fifth week; the lake where the NAGA MUCILINDA used his hood to shelter the Buddha from a storm during the sixth week; and the place under the rAjAyatana tree where the merchants TRAPUsA and BHALLIKA met the Buddha after the seventh week, becoming his first lay disciples. ¶ Located in the territory of MAGADHA (in modern Bihar), the ancient Indian kingdom where the Buddha spent much of his teaching career, BodhgayA is one of the four major pilgrimage sites (MAHASTHANA) sanctioned by the Buddha himself, along with LUMBINĪ in modern-day Nepal, where the Buddha was born; the Deer Park (MṚGADAVA) at SARNATH, where he first taught by "turning the wheel of the dharma" (DHARMACAKRAPRAVARTANA); and KUsINAGARĪ in Uttar Pradesh, where he passed into PARINIRVAnA. According to the AsOKAVADANA, the emperor AsOKA visited BodhgayA with the monk UPAGUPTA and established a STuPA at the site. There is evidence that Asoka erected a pillar and shrine at the site during the third century BCE. A more elaborate structure, called the vajrAsana GANDHAKUtĪ ("perfumed chamber of the diamond seat"), is depicted in a relief at BodhgayA, dating from c. 100 BCE. It shows a two-storied structure supported by pillars, enclosing the Bodhi tree and the vajrAsana, the "diamond seat," where the Buddha sat on the night of his enlightenment. The forerunner of the present temple is described by the Chinese pilgrim XUANZANG. This has led scholars to speculate that the structure was built sometime between the third and sixth centuries CE, with subsequent renovations. Despite various persecutions by non-Buddhist Indian kings, the site continued to receive patronage, especially during the PAla period, from which many of the surrounding monuments date. A monastery, called the BodhimandavihAra, was established there and flourished for several centuries. FAXIAN mentions three monasteries at BodhgayA; Xuanzang found only one, called the MahAbodhisaMghArAma (see MAHABODHI TEMPLE). The temple and its environs fell into neglect after the Muslim invasions that began in the thirteenth century. British photographs from the nineteenth century show the temple in ruins. Restoration of the site was ordered by the British governor-general of Bengal in 1880, with a small eleventh-century replica of the temple serving as a model. There is a tall central tower some 165 feet (fifty meters) in height, with a high arch over the entrance with smaller towers at the four corners. The central tower houses a small temple with an image of the Buddha. The temple is surrounded by stone railings, some dating from 150 BCE, others from the Gupta period (300-600 CE) that preserve important carvings. In 1886, EDWIN ARNOLD visited BodhgayA. He published an account of his visit, which was read by ANAGARIKA DHARMAPALA and others. Arnold described a temple surrounded by hundreds of broken statues scattered in the jungle. The MahAbodhi Temple itself had stood in ruins prior to renovations undertaken by the British in 1880. Also of great concern was the fact that the site had been under saiva control since the eighteenth century, with reports of animal sacrifice taking place in the environs of the temple. DharmapAla visited BodhgayA himself in 1891, and returned to Sri Lanka, where he worked with a group of leading Sinhalese Buddhists to found the MAHABODHI SOCIETY with the aim of restoring BodhgayA as place of Buddhist worship and pilgrimage. The society undertook a series of unsuccessful lawsuits to that end. In 1949, after Indian independence, the BodhgayA Temple Act was passed, which established a committee of four Buddhists and four Hindus to supervise the temple and its grounds. The Government of India asked AnagArika Munindra, a Bengali monk and active member of the MahAbodhi Society, to oversee the restoration of BodhgayA. Since then, numerous Buddhist countries-including Bhutan, China, Japan, Myanmar, Nepal, Sikkim, Sri Lanka, Thailand, Tibet, and Vietnam-have constructed (or restored) their own temples and monasteries in BodhgayA, each reflecting its national architectural style. In 2002, the MahAbodhi Temple was named a UNESCO World Heritage Site.

Bor Bitachon ::: (Heb. Security Hole) Fortified subterranean chambers located across Israel. The hole functions as a quick and safe means to dispose of bombs.

bour ::: n. --> A chamber or a cottage.

Brahmapura (Sanskrit) Brahmapura [from brahma + pura city, abode] The abode or city of Brahmā, the creative or Third Logos. “The inmost chamber, the chamber of the Heart, and the abode of the World’s Mother” (VS 9), one of the mystic powers latent in all human beings, but called into activity by advanced yogis. Brahmapura can signify the heart or indeed the entire body. It is also the name of the so-called capital of Brahma on Mt. Kailasa in the Himalayas or on Mount Meru.

Brahmasrama (Sanskrit) Brahmāśrama [from brahman the supreme principle + āśrama sacred building, hermitage] Mystically, an esoteric seat, an initiation chamber, or secret room where the initiant strives to attain union with Brahman or the inner god. Also a temple, in which the sacred mysteries of the wisdom-religion are taught. Used as well to signify the headquarters of an esoteric school.

'Bras spungs. (Drepung). In Tibetan, literally "Rice Heap"; one of the three monastic seats (GDAN SA GSUM) of the DGE LUGS sect of Tibetan Buddhism; located eight kilometers west of the Tibetan capital of LHA SA. The monastery is named after the Dhanyakataka stupa in AMARAVATĪ in southern India, where the Buddha is said to have first taught the KALACAKRATANTRA. It was founded in 1416 by 'JAM DBYANGS CHOS RJE BKRA SHIS DPAL LDAN, one of TSONG KHA PA's leading disciples, and after only a few years in operation already housed over 2,000 monks. In the early sixteenth century, the second DALAI LAMA Dge 'dun rgya mtsho (Gendün Gyatso, 1475-1542) became the monastery's abbot; in 1530, he established a residence and political institution there called the DGA' LDAN PHO BRANG or "Palace of TUsITA." Following him, Bsod nams grags pa (Sonam Drakpa, 1478-1554) became the abbot. Thereafter, until the ascendancy of the Dalai Lamas, the most powerful religious dignitaries in the monastery were the Dalai Lamas and the reincarnations of Bsod nams grags pa. In the seventeenth century, under the direction of the fifth Dalai Lama NGAG DBANG BLO BZANG RGYA MTSHO, the Dga' ldan pho brang (also known as the gzims khang 'og ma or "lower chambers" to distinguish it from the "upper chambers," gzims khang gong ma, where the incarnations of Bsod nams grags pa resided), was moved to the PO TA LA palace. There it functioned as the seat of the Tibetan government until the Chinese occupation of Tibet in 1959. The monastery is an enormous complex of assembly halls, temples, chapels, living quarters and mountain hermitages. At the time of the fifth Dalai Lama, 'Bras spungs housed over 10,000 monks divided into seven (and later four) colleges (grwa tshang), more than fifty regional dormitories (khams tshan), and occupied an area of some 180,000 square feet, easily forming the largest monastery in Tibet. At the height of its florescence, 'Bras spungs drew applicants from all quarters of the Tibetan cultural world including the far east and northeast in A mdo, as well as Mongolia, Kalmykia, and Buryatia. The monastery was large enough to accommodate individuals of a wide range of capacities and interests. A large percentage of its monks engaged in little formal intellectual study, instead choosing to work for the institution as laborers, cooks, and ritual assistants. Even so, 'Bras spungs's numerous monastic colleges also attracted some of Tibet's most talented and gifted scholars, producing a line of elite academicians and authors. The complex was sacked a number of times, first by the King of Gtsang (Tsang) during a civil war in 1618, then by the Mongol army in 1635, and again by Lha bzang Khan in 1706. It was most recently plundered by the People's Liberation Army during the Chinese Cultural Revolution but opened again in 1980 with five hundred monks.

breech ::: n. --> The lower part of the body behind; the buttocks.
Breeches.
The hinder part of anything; esp., the part of a cannon, or other firearm, behind the chamber.
The external angle of knee timber, the inside of which is called the throat. ::: v. t.


bridal ::: n. --> Of or pertaining to a bride, or to wedding; nuptial; as, bridal ornaments; a bridal outfit; a bridal chamber.
A nuptial festival or ceremony; a marriage.


bridechamber ::: n. --> The nuptial apartment.

Spark Chamber - Device used to detect path of charged subatomic particles by a spark that jumps along path of ionization created in a gas.


  


camarilla ::: n. --> The private audience chamber of a king.
A company of secret and irresponsible advisers, as of a king; a cabal or clique.


camera ::: n. --> A chamber, or instrument having a chamber. Specifically: The camera obscura when used in photography. See Camera, and Camera obscura.

camera obscura ::: --> An apparatus in which the images of external objects, formed by a convex lens or a concave mirror, are thrown on a paper or other white surface placed in the focus of the lens or mirror within a darkened chamber, or box, so that the outlines may be traced.
An apparatus in which the image of an external object or objects is, by means of lenses, thrown upon a sensitized plate or surface placed at the back of an extensible darkened box or chamber variously modified; -- commonly called simply the camera.


camerate ::: v. i. --> To build in the form of a vault; to arch over.
To divide into chambers.


camerlingo ::: n. --> The papal chamberlain; the cardinal who presides over the pope&

Carter, Angela: Carter was an English novelist and journalist, born on 7 May 1940. She is best known for her writings on feminism and science fiction. Notable works by Carter include the set of short stories The Bloody Chamber and The Passion of New Eve. She died on 16 February 1992

casemate ::: n. --> A bombproof chamber, usually of masonry, in which cannon may be placed, to be fired through embrasures; or one capable of being used as a magazine, or for quartering troops.
A hollow molding, chiefly in cornices.


cavern ::: a large underground chamber, as in a cave. caverns, cavern-passages.

Cecil AN {object-oriented} language combining {multi-methods} with a classless object model, object-based {encapsulation} and optional {static type checking}. It distinguishes between {subtyping} and {code inheritance}. Includes both explicit and implicit parameterisation of objects, types, and methods. {(ftp://cs.washington.edu/pub/chambers/cecil-spec.ps.Z)}. ["The Cecil Language: Specification and Rationale", C. Chambers, TR 93-03-05, U Wash (Mar 1993)]. (1994-10-28)

Cecil ::: AN object-oriented language combining multi-methods with a classless object model, object-based encapsulation and optional static type checking. It distinguishes between subtyping and code inheritance. Includes both explicit and implicit parameterisation of objects, types, and methods. .[The Cecil Language: Specification and Rationale, C. Chambers, TR 93-03-05, U Wash (Mar 1993)]. (1994-10-28)

Chamber - Particle with the same mass but opposite charge (and some other properties) as another particle under normal earth conditions.


  


Chamberlain, Neville ::: (1869-1940) British Prime Minister from 1937 to 1940. He concluded the Munich Agreement in 1938 with Adolf Hitler in the mistaken hope that it would bring "peace in our time."

chum ::: n. --> A roommate, especially in a college or university; an old and intimate friend.
Chopped pieces of fish used as bait. ::: v. i. --> To occupy a chamber with another; as, to chum together at college.


Churchill, Winston ::: (1875-1965) British Prime Minister, 1940-1945. He succeeded Chamberlain on May 10, 1940, at the height of Hitler's conquest of Western Europe. Churchill was one of the very few Western politicians who recognized the threat that Hitler posed to Europe. He strongly opposed Chamberlain's appeasement policies.

cloaca ::: n. --> A sewer; as, the Cloaca Maxima of Rome.
A privy.
The common chamber into which the intestinal, urinary, and generative canals discharge in birds, reptiles, amphibians, and many fishes.


close-stool ::: n. --> A utensil to hold a chamber vessel, for the use of the sick and infirm. It is usually in the form of a box, with a seat and tight cover.

clothing ::: p. pr. & vb. n. --> of Clothe ::: n. --> Garments in general; clothes; dress; raiment; covering.
The art of process of making cloth.
A covering of non-conducting material on the outside of a boiler, or steam chamber, to prevent radiation of heat.


cockle ::: n. --> A bivalve mollusk, with radiating ribs, of the genus Cardium, especially C. edule, used in Europe for food; -- sometimes applied to similar shells of other genera.
A cockleshell.
The mineral black tourmaline or schorl; -- so called by the Cornish miners.
The fire chamber of a furnace.
A hop-drying kiln; an oast.


coffer ::: n. --> A casket, chest, or trunk; especially, one used for keeping money or other valuables.
Fig.: Treasure or funds; -- usually in the plural.
A panel deeply recessed in the ceiling of a vault, dome, or portico; a caisson.
A trench dug in the bottom of a dry moat, and extending across it, to enable the besieged to defend it by a raking fire.
The chamber of a canal lock; also, a caisson or a


columbarium ::: n. --> A dovecote or pigeon house.
A sepulchral chamber with niches for holding cinerary urns.


columbiad ::: n. --> A form of seacoast cannon; a long, chambered gun designed for throwing shot or shells with heavy charges of powder, at high angles of elevation.

commode ::: n. --> A kind of headdress formerly worn by ladies, raising the hair and fore part of the cap to a great height.
A piece of furniture, so named according to temporary fashion
A chest of drawers or a bureau.
A night stand with a compartment for holding a chamber vessel.
A kind of close stool.


concamerate ::: v. t. --> To arch over; to vault.
To divide into chambers or cells.


concameration ::: n. --> An arch or vault.
A chamber of a multilocular shell.


Concerning the labyrinth of ancient Egypt, “Herodotus, preserved for posterity the remembrance of that wonder of the world, the great Labyrinth. . . . Herodotus says that he found therein 3,000 chambers; half subterranean and the other half above-ground. ‘The upper chambers,’ he says, ‘I myself passed through and examined in detail. In the underground ones (which may exist till now, for all the archaeologists know), the keepers of the building would not let me in, for they contain the sepulchres of the kings who built the Labyrinth, and also those of the sacred crocodiles. The upper chambers I saw and examined with my own eyes, and found them to excel all other human productions’ ” (IU 1:522-3).

crypt ::: 1. An underground vault or chamber, especially one beneath a church that is used as a burial place. 2. A cellar, vault or tunnel. 3. A location for secret meetings, etc. crypts.

cubicular ::: a. --> Belonging to a chamber or bedroom.

Cyclon B ::: Crystalline hydrogen cyanide used in gas chambers during the Holocaust.

Dachau ::: Erected in 1933, Dachau was the first Nazi concentration camp. Used mainly to incarcerate German political prisoners until late 1938, whereupon large numbers of Jews, Gypsies, Jehovah's Witnesses, homosexuals, and other supposed enemies of the state and anti-social elements were sent as well. Nazi doctors and scientists used many prisoners at Dachau as guinea pigs for experiments. During the war, construction began on a gas chamber, but it never became operational. Dachau was liberated by American troops in April 1945.

deputy ::: n. --> One appointed as the substitute of another, and empowered to act for him, in his name or his behalf; a substitute in office; a lieutenant; a representative; a delegate; a vicegerent; as, the deputy of a prince, of a sheriff, of a township, etc.
A member of the Chamber of Deputies.


dome ::: n. --> A building; a house; an edifice; -- used chiefly in poetry.
A cupola formed on a large scale.
Any erection resembling the dome or cupola of a building; as the upper part of a furnace, the vertical steam chamber on the top of a boiler, etc.
A prism formed by planes parallel to a lateral axis which meet above in a horizontal edge, like the roof of a house; also, one of the planes of such a form.


dungeon ::: a dark, often underground chamber or cell used to confine prisoners. (Sri Aurobindo employs the word as an adjective.)

Dunhuang. (J. Tonko; K. Tonhwang 敦煌). A northwest Chinese garrison town on the edge of the Taklamakan desert in Central Asia, first established in the Han dynasty and an important stop along the ancient SILK ROAD; still seen written also as Tun-huang, followed the older Wade-Giles transcription. Today an oasis town in China's Gansu province, Dunhuang is often used to refer to the nearby complex of approximately five hunded Buddhist caves, including the MOGAO KU (Peerless Caves) to the southeast of town and the QIANFO DONG (Caves of the Thousand Buddhas) about twenty miles to the west. Excavations to build the caves at the Mogao site began in the late-fourth century CE and continued into the mid-fourteenth century CE. Of the more than one thousand caves that were hewn from the cliff face, roughly half were decorated. Along with the cave sites of LONGMEN and YUNGANG further east and BEZEKLIK and KIZIL to the west, the Mogao grottoes contain some of the most spectacular examples of ancient Buddhist sculpture and wall painting to be found anywhere in the world. Legend has it that in 366 CE a wandering monk named Yuezun had a vision of a thousand golden buddhas at a site along some cliffs bordering a creek and excavated the first cave in the cliffs for his meditation practice. Soon afterward, additional caves were excavated and the first monasteries established to serve the needs of the monks and merchants traveling to and from China along the Silk Road. The caves were largely abandoned in the fourteenth century. In the early twentieth century, Wang Yuanlu (1849-1931), self-appointed guardian of the Dunhuang caves, discovered a large cache of ancient manuscripts and paintings in Cave 17, a side chamber of the larger Cave 16. As rumors of these manuscripts reached Europe, explorer-scholars such as SIR MARC AUREL STEIN and PAUL PELLIOT set out across Central Asia to obtain samples of ancient texts and artwork buried in the ruins of the Taklamakan desert. Inside were hundreds of paintings on silk and tens of thousands of manuscripts dating from the fifth to roughly the eleventh centuries CE, forming what has been described as the world's earliest and largest paper archive. The texts were written in more than a dozen languages, including Chinese, Tibetan, Sanskrit, Sogdian, Uighur, Khotanese, Tangut, and TOCHARIAN and consisted of paper scrolls, wooden tablets, and one of the world's earliest printed books (868 CE), a copy of the VAJRACCHEDIKĀPRAJNĀPĀRAMITĀSuTRA ("Diamond Sutra"). In the seventh-century, a Tibetan garrison was based at Dunhuang, and materials discovered in the library cave also include some of the earliest documents in the Tibetan language. This hidden library cave was apparently sealed in the eleventh century. As a result of the competition between European, American, and Japanese institutions to acquire documents from Dunhuang, the material was dispersed among collections world-wide, making access to all the manuscripts difficult. Many items have still not been properly catalogued or conserved and there are scholarly disputes over what quantity of the materials are modern forgeries. In 1944 the Dunhuang Academy was established to document and study the site and in 1980 the site was opened to the public. In 1987 the Dunhuang caves were listed as a UNESCO World Heritage site and today are being preserved through the efforts of both Chinese and international groups.

echauguette ::: n. --> A small chamber or place of protection for a sentinel, usually in the form of a projecting turret, or the like. See Castle.

“Empty and cold is the chamber of the Bride;”

endotheca ::: n. --> The tissue which partially fills the interior of the interseptal chambers of most madreporarian corals. It usually consists of a series of oblique tranverse septa, one above another.

extractor ::: n. --> One who, or that which, extracts
A forceps or instrument for extracting substances.
A device for withdrawing a cartridge or spent cartridge shell from the chamber of the barrel.


Famensi. (法門寺). In Chinese, "Dharma-Gate Monastery," located approximately seventy miles outside the city of Chang'an (present-day Xi'an) in Shaanxi province, China. Though the exact dates of its construction are unknown, the monastery claims to have been built during the Eastern Han dynasty but more likely dates from the Northern Wei period (386-534). One of only four monasteries in China to house a relic (sARĪRA) of the Buddha, Famensi was particularly renowned for its four finger-bone relics, which were displayed in the Tang-dynasty capital several times during the seventh and eighth centuries. Famensi's renowned thirteen-story, octagonal brick pagoda (STuPA) collapsed in 1981 after a torrential rainfall, and excavations in 1987 revealed three secret stone chambers under the foundations, which had remained unopened since the ninth century. The chambers housed a large number of precious objects, including incense burners (see GANDHAGHAtIKĀ), jewelry, and textile items, as well as 122 gold and silver objects that are exhaustively inventoried in two stone tablets written in 874 and left with the cache. An exquisite, gilded reliquary casket containing a nested series of smaller reliquaries was also discovered in the chamber. One of the purported finger-bone relics of the Buddha was found intact within the innermost reliquary; the other three were located elsewhere in the chambers.

filter ::: n. --> Any porous substance, as cloth, paper, sand, or charcoal, through which water or other liquid may passed to cleanse it from the solid or impure matter held in suspension; a chamber or device containing such substance; a strainer; also, a similar device for purifying air.
To purify or defecate, as water or other liquid, by causing it to pass through a filter.
Same as Philter.


foraminifera ::: n. pl. --> An extensive order of rhizopods which generally have a chambered calcareous shell formed by several united zooids. Many of them have perforated walls, whence the name. Some species are covered with sand. See Rhizophoda.

fountain ::: n. --> A spring of water issuing from the earth.
An artificially produced jet or stream of water; also, the structure or works in which such a jet or stream rises or flows; a basin built and constantly supplied with pure water for drinking and other useful purposes, or for ornament.
A reservoir or chamber to contain a liquid which can be conducted or drawn off as needed for use; as, the ink fountain in a printing press, etc.


fourneau ::: n. --> The chamber of a mine in which the powder is placed. html{color:

gandhakutī. (T. dri gtsang khang; C. xiangshi; J. koshitsu; K. hyangsil 香室). In Sanskrit and Pāli, "perfumed chamber," the name given to the Buddha's personal dwelling place in JETAVANA monastery. Later in India, a room called the perfumed chamber, where an image of the Buddha was installed, became a standard component in many traditional Indian monasteries, symbolizing that the Buddha himself was in residence and presiding over the administration of the monastic institution. When ĀNANDA was asked by the Buddha to be his personal attendant, one of Ānanda's conditions for acceptance was that he not be given his own "perfumed chamber," to avoid any suspicion that he would receive special treatment as the Buddha's attendant. See also AJAntĀ.

Gas Chamber ::: Method in which poisonous gas is placed into a confined area with the intent to kill those inside. used by the Nazis for “efficient” mass murder. During the Holocaust, the Nazis developed both mobile and stationary gas chambers as early as December 1939.

girandole ::: n. --> An ornamental branched candlestick.
A flower stand, fountain, or the like, of branching form.
A kind of revolving firework.
A series of chambers in defensive mines.


Glücks, Richard (1889-1945) ::: In 1936 Glücks became chief aide to Theodor Eicke and eventually succeeded Eicke as the inspector of the Nazi concentration camps. Glücks was responsible for the construction of Auschwitz and the creation of the gas chambers. In 1942 he was made head of an SS Wirtschafts-Verwaltunghauptamt unit. He died in May 1945, presumably a suicide.

gomer ::: n. --> A Hebrew measure. See Homer.
A conical chamber at the breech of the bore in heavy ordnance, especially in mortars; -- named after the inventor.


groom ::: n. --> A boy or young man; a waiter; a servant; especially, a man or boy who has charge of horses, or the stable.
One of several officers of the English royal household, chiefly in the lord chamberlain&


Guan Wuliangshou jing. (S. *Amitāyurdhyānasutra; J. Kan Muryojukyo; K. Kwan Muryangsu kyong 觀無量壽經). In Chinese, "Sutra on the Visualization of [the Buddha of] Immeasurable Life"; often called simply the Guan jing, or "Visualization Scripture." Along with the AMITĀBHASuTRA and SUKHĀVATĪVYuHASuTRA, the Guan Wuliangshou jing has been considered one of the three central scriptures of the PURE LAND tradition(s) (JINGTU SANBU JING). The Guan jing was extremely influential in East Asian Buddhism for advocating specific types of visualizations or contemplations (guan) on the person of the buddha AMITĀBHA (C. Wuliangshou; S. Amitāyu), and for encouraging oral recitation of Amitābha's name (chengming; see NIANFO). Early commentaries on the scripture were written by SHANDAO (613-681), an important Chinese exponent of pure land practice, as well as by TIANTAI ZHIYI (538-597), and JINGYING HUIYUAN (523-592), all attesting to the text's centrality to the East Asian Buddhist tradition. Although the Guan Wuliangshou jing purports to be a translation by the monk KĀLAYAsAS (fl. c. 383-442), no Sanskrit or Tibetan recension is known to have ever existed; Uighur versions of the Guan Wuliangshou jing are extant, but they are translations of the Chinese version. The scripture also contains specific Chinese influences, such as references to earlier Chinese translations of pure land materials and other contemplation sutras (guan jing), which has suggested to some scholars that the text might be a Chinese indigenous composition (see APOCRYPHA). It is now generally accepted that the scripture outlines a visualization exercise that was practiced in Central Asia, perhaps specifically in the TURFAN region, but includes substantial Chinese admixtures. ¶ The Guan Wuliangshou jing tells the story of prince AJĀTAsATRU who, at the urging of DEVADATTA, imprisons his father, king BIMBISĀRA, and usurps the throne. After Ajātasatru learns that his mother, queen VAIDEHĪ, has been surreptitiously keeping her husband alive by sneaking food in to him, he puts her under house arrest as well. The distraught queen prays to the Buddha for release from her suffering and he immediately appears in her chambers. Vaidehī asks him to show her a land free from sorrow and he displays to her the numerous buddha fields (BUDDHAKsETRA) throughout the ten directions (DAsADIs) of the universe. Queen Vaidehī, however, chooses to be reborn in the buddha AMITĀBHA's pure land of SUKHĀVATĪ, so the Buddha instructs her in sixteen visualizations that ensure the meditator will take rebirth there, including visualizations on the setting sun, the lotus throne of Amitābha, Amitābha himself, as well as the bodhisattvas AVALOKITEsVARA and MAHĀSTHĀMAPRĀPTA. The visualizations largely focus on the details of sukhāvatī's beauty, such as its beryl ground, jeweled trees, and pure water. In the last three visualizations, the Buddha expounds the nine grades of rebirth (JIUPIN) in that land, which became a favorite topic among exegetes in China, Korea, and Japan. The Guan Wuliangshou jing has also exerted much influence in the realm of art. A number of exquisite mural representations of sukhāvatī and the sixteen contemplations adorn the walls of the DUNHUANG cave complex, for example.

Holy City Many spiritual traditions symbolize the goal of human attainment or the abode of the gods as a holy city. With the Hindus, Brahmapura is the capital of Brahma on Mt. Kailasa in the Himalayas or on Mt. Meru, as well as being the inmost chamber of the heart. According to the Chhandogya Upanishad (8:1:1), within the Brahmapura “is an abode, a small lotus-flower; within it is a small space (antarakasa). What is within that, should be searched out; that, assuredly, is what one should desire to understand.” Hiranyapura (golden city) stands for the sun and for the invisible, etheric regions of space; while the Siddhapura or White Island is both the indestructible home of adepts on earth and the poles of the earth or Mt. Meru.

howitzer ::: n. --> A gun so short that the projectile, which was hollow, could be put in its place by hand; a kind of mortar.
A short, light, largebore cannon, usually having a chamber of smaller diameter than the rest of the bore, and intended to throw large projectiles with comparatively small charges.


Hridayaguha: The cave or chamber of the heart.

hypocaust ::: n. --> A furnace, esp. one connected with a series of small chambers and flues of tiles or other masonry through which the heat of a fire was distributed to rooms above. This contrivance, first used in bath, was afterwards adopted in private houses.

IMPURITY. ::: The Anaoda descending cannot be held if there is too much sexual impurity creating an intoxicant or degrading mixture ; the Power recedes, if there is ambition, vanity or other aggressive form of lower self, the Oght if there is an attachment to obscurity or to any form of the Ignorance, the Presence if the chamber of the heart has not been made pure.

In a more mystical sense, the same series of ideas is connected with emblems such as the solar boat of ancient Egypt carrying the seeds of life across the waters of space from one cosmic world to another; even the navis or nave of a temple or church was connected with the original idea of the birth of the new person, the nave being but a later popular appearance of the initiation chamber of the sanctuary, which was the womb of the new life giving birth to the reborn — the dvijas of ancient India.

inchambered ::: imp. & p. p. --> of Inchamber

inchambering ::: p. pr. & vb. n. --> of Inchamber

inchamber ::: v. t. --> To lodge in a chamber.

incameration ::: n. --> The act or process of uniting lands, rights, or revenues, to the ecclesiastical chamber, i. e., to the pope&

Infiltration Gallery ::: A subsurface groundwater collection system, typically shallow in depth, constructed with open-jointed or perforated pipes that discharge collected water into a water-tight chamber from which the water is pumped to treatment facilities and into the distribution system. Usually located close to streams or ponds.



infrabranchial ::: a. --> Below the gills; -- applied to the ventral portion of the pallial chamber in the lamellibranchs.

In seeking to explain the meaning of these records we are faced with the difficulty of interpreting an ancient science into terms of modern ideas. The science of those days was a comprehensive whole, which has become decomposed into sundered fragments, which seem to us, because of having lost the keys to the ancient wisdom which brought about the construction of these noble monuments, to be unrelated to each other. Were the pyramids initiation chambers, records of astronomical data, of mathematical truths, or of standard measurements? They were all of these and more. When the candidate passed through the processes of initiation he enacted in his own person the self-same processes which occur on the cosmic scale, on the principle of the master-key of analogy, the size, shape, and orientation of the passages and chambers signifying at once cosmic and human mysteries.

interseptal ::: a. --> Between septa; as, the interseptal spaces or zones, between the transparent, or septal, zones in striated muscle; the interseptal chambers of a shell, or of a seed vessel.

Jesus [Latin of Greek Iesous from Hebrew Yēshūa‘ contraction of Yĕhōshua‘ a proper name meaning savior or helper, or that which is spacious or widespread] Indubitably a historical character, whose life as narrated in the Gospels is pure allegory, a story of the initiation chamber. There is a story current from medieval times among the Jews, mentioned in the Sepher Toledoth Yeshua‘ (Book of the Generations of Jesus), to the effect that the Jesus of the Gospels was a Jehoshua ben Panthera, a Jewish adept living about 100 BC. Jesus illustrates the typical sequence in occult history: 1) the coming of a leader or teacher to a people needing to be led and taught; 2) his passing, followed by the adoration, even worship, of his followers; 3) the gradual transformation of historic facts into more or less embroidered legends or mythological tales, which in time cluster so thickly about his memory that his identity as a person, and even his name, are lost; 4) the myth, allegory, or legend; and 5) the efforts of other, later teachers to explain, interpret, and reinstate this earlier teacher, now a purely mythic figure or else materialized and misunderstood.

Jetavana. (T. Rgyal byed kyi tshal; C. Zhishu Jigudu yuan; J. Giju Gikkodokuon; K. Kisu Kŭpkodok won 祇樹給孤獨園). In Pāli and Sanskrit, "Prince Jeta's Grove" (C. Zhishu), located in "Anāthapindika's Park" (S. Anāthapindadārāma; P. Anāthapindikārāma; C. Jigudu yuan); a park located to the south of the city of sRĀVASTĪ (P. Sāvatthi), which was donated to the Buddha and his disciples by the banker ANĀTHAPIndADA (P. Anāthapindika). The park, which is also called Jetavanārama, is named after its original owner, Prince Jeta (Jetakumāra), from whom Anāthapindada purchased it for an extraordinary price. Anāthapindada had invited the Buddha to srāvastī and resolved to provide him with a suitable residence during his sojourn in the city. Knowing that Jetakumāra's park on the city's outskirts was the loveliest place in town, he offered to buy the park from the prince. But Jeta was unwilling to sell the property and rebuffed Anāthapindada, stating that the banker would have to cover the entire site in coins if he wanted to buy it. Undeterred, Anāthapindada brought the case before the city fathers, who agreed that if he could gather Jeta's stated purchase price, he would be entitled to Jetakumāra's park. Anāthapindada had his servants bring cartloads of gold coins from his treasury, some eighteen crores in total, with which he was able to cover the entire grounds of the park, except for the entrance. Impressed by the banker's generosity, Jetakumāra donated that spot himself, and with the vast purchase price he received, erected a grand entrance over it. Anāthapindada built numerous buildings at the park to serve the Buddha and the monastic community during the rains retreat (VARsĀ). Among these was the Buddha's own residence, the so-called perfumed chamber, or GANDHAKUtĪ. The same spot had served as a monastery and rains-retreat residence for previous buddhas also, although the extent of the grounds varied. According to Pāli sources, during the time of the buddha Vipassī (S. VIPAsYIN), the merchant Punabbasumitta built a monastery that extended a league, while during the time of the buddha Vessabhu, the merchant Sotthika built another that extended half a league. Anāthapindada's monastery covered eighteen karīsa (a square measure of land). Traditional sources often state that Jetavanārāma was GAUTAMA Buddha's favorite residence and he is said to have is passed nineteen rains retreats there. After the laywoman VIsĀKHĀ built another grand monastery named Migāramātupāsāda in srāvastī, the Buddha would alternate between both residences, spending the day at one and the night at another. ¶ Jetavana also refers to a monastery built at ANURĀDHAPURA in the fourth-century CE by the Sinhala king MAHĀSENA for the elder Sanghamitta. Sanghamitta felt great animosity toward the monks of the MAHĀVIHĀRA sect, which prompted him to lobby the king to confiscate its property and pass it on to the Jetavana.

Jhumur: “Prakriti, the human embodiment in the spirit of earth in which the Divine, the bridegroom comes. It is in the realm of the spirit where they meet, Radha and Krishna, Purusha and Prakriti. But if the God retires then the chamber becomes empty.”

Jonah, Jonas (Hebrew) Yōnāh Dove; a Hebrew prophet, son of Amitai, about whom the Bible story relates that he heard the voice of the Lord commanding him to go to Nineveh and cry out against the city because of its wickedness. But instead of following the command, Jonah set off upon a vessel bound to Jaffa, was subsequently cast overboard and swallowing by a “big fish,” in which he remains three days. This is reminiscent of the three days allotted to the initiation experience, and also of the fact that fish is a mystery-term imbodying the idea of either an advanced adept whose consciousness swims in the ether of space or, as in this place, an emblem of the initiation chamber. Further, primitive Christians often spoke of Jesus as the big fish and of themselves as little fishes (pisciculi).

jorden ::: n. --> A pot or vessel with a large neck, formerly used by physicians and alchemists.
A chamber pot.


Kālī Kururagharikā. (C. Jialijia; J. Karika; K. Kariga 迦梨迦). Lay disciple of the Buddha, whom he declared to be foremost among laywomen who are able to generate faith even from hearsay; she was also well known as the mother of the arahant (ARHAT) SOnA-KOtIKAnnA (S. srona-Kotikarna). According to the Pāli account, Kālī was born in Rājagaha (RĀJAGṚHA) but lived with her husband in the city of Kururaghara in the kingdom of AVANTI. When she was pregnant with her son Sona, she returned to her parent's house, and there one evening, while relaxing on a balcony of the house, she overheard two disciples of the Buddha discuss the marvelous qualities of their teacher and his teachings. As she listened, faith (saddhā; S. sRADDHĀ) grew in her and she became a stream-enterer (sotāpanna; S. SROTAĀPANNA). That same night she gave birth to Sona. When Kālī returned to Kururaghara, she devoted herself to serving the arhat MAHĀKĀTYĀYANA, who was a family friend and who frequently visited their town. Her son became a merchant, but on a caravan journey he encountered a series of frightful visions that inspired him to take ordination under Mahākātyāyana, who served as his preceptor (upajjhāya; S. UPĀDHYĀYA). When Sona later visited the Buddha, Kālī prepared a costly rug and asked that he spread it out in the Buddha's chamber. Sona had won praise from the Buddha for his eloquence (PRATIBHĀNA), and, on his return to Kururaghara, Kālī requested that he preach to her in the same manner as he had before the Buddha. Kālī Kururagharikā was considered the most senior of female disciples to have attained stream-entry. She was the devoted friend and companion of KĀTIYĀNĪ, another eminent laywoman praised by the Buddha.

kiln ::: n. --> A large stove or oven; a furnace of brick or stone, or a heated chamber, for the purpose of hardening, burning, or drying anything; as, a kiln for baking or hardening earthen vessels; a kiln for drying grain, meal, lumber, etc.; a kiln for calcining limestone.
A furnace for burning bricks; a brickkiln.


King’s Chamber (Pyramid of Cheops) An initiation chamber and holy of holies of the Egyptian Mysteries, a symbol of the womb of nature and of regeneration through rebirth. “On the days of the Mysteries of Initiation, the candidate, representing the solar god, had to descend into the Sarcophagus, and represent the energizing ray, entering into the fecund womb of Nature. Emerging from it on the following morning, he typified the resurrection of life after the change called Death. In the great Mysteries his figurative death lasted two days, when with the Sun he arose on the third morning, after a last night of the most cruel trials. While the postulant represented the Sun — the all-vivifying Orb that ‘resurrects’ every morning but to impart life to all — the Sarcophagus was symbolic of the female principle” (SD 2:462; cf. SD 2:466&n). See also INITIATION

Kiva: A subterranean or semi-subterranean ceremonial chamber in Pueblo Indian villages, used mainly and especially for religious rites of mystic significance.

Kizil. [alt. Qizil]. A complex of some 230 Buddhist caves from the ancient Central Asian kingdom of KUCHA, located about seventy kilometers northwest of the present-day city of Kucha on the bank of the Muzat River in Baicheng County, in the Uighur Autonomous Region of China's Xinjiang province. The Kizil caves represent some of the highest cultural achievements of the ancient Indo-European petty kingdom of Kucha, an important oasis along the northern SILK ROAD connecting China to the bastions of Buddhist culture in the greater Indian cultural sphere. Construction at the site perhaps began as early as the third century CE and lasted for some five hundred years, until the region succumbed in the ninth century to Islamic control. Given the importance of the Kucha region in the development and transmission of Buddhism along the ancient Silk Road, scholars believe that the DUNHUANG murals were influenced by the art of Kizil. Although no statuary remains at the Kizil site, many wall paintings are preserved depicting events from the life of the Buddha; indeed, Kizil is second only to the Mogao caves of Dunhuang in the number of wall paintings it contains. The layout of many of the intact caves includes a central pillar, forming both a front chamber and a rear chamber, which often contains a PARINIRVĀnA scene. The first modern studies of the site were conducted in the early twentieth century by the German explorers Alfred Grünwedel and Alfred von Le Coq. The nearby site of Kumtura contains over a hundred caves, forty of which contain painted murals or inscriptions. Other cave sites near Kucha include Subashi, Kizilgaha, and Simsim.

Klu khang. (Lukang). In Tibetan, the "NĀGA Temple"; a small temple located in the middle of an artificial lake behind the PO TA LA Palace in LHA SA, Tibet, reached by a stone bridge. Its full name is Rdzong rgyab klu khang, the "Nāga Temple Behind the Fortress [i.e., the Po ta la]." According to legend, the regent of the fifth DALAI LAMA, SDE SRID SANGS RGYAS RGYA MTSHO, negotiated an agreement with the king of the nāgas at the time of construction of the Po ta la, receiving the king's permission to dig up the soil in return for building a temple in honor of the nāga king in the center of the lake that formed in the pit from groundwater. The temple was constructed around 1700 during the reign of the sixth Dalai Lama, who is said to have used the upper chamber for romantic assignations. The temple is a small three-storied pavilion in the shape of a MAndALA, with doors in each of the cardinal directions. The temple was rebuilt by the eighth Dalai Lama in 1791 and restored by the thirteenth Dalai Lama, who used it as a retreat. The temple is renowned for a magnificent set of murals on the second and third floors. The murals depict the eighty-four MAHĀSIDDHAs, PADMASAMBHAVA and his chief disciples, illustrations of the human body drawn from Tibetan medicine, a wide arrary of RDZOGS CHEN practices, scenes from the life of the renowned treasure revealer (GTER STON) PADMA GLING PA, and the peaceful and wrathful deities of the BAR DO.

Kooknikim ::: Followers of Rav Kook. ::: Korczak, Dr. Janusz (1878-1942) ::: Educator, author, physician and director of a Jewish orphanage in Warsaw. Despite the possibility of personal freedom, he refused to abandon his orphans and went with them to the gas chamber in Treblinka.

Kosa: Sheath; bag; scabbard; a sheath enclosing the soul; there are five such concentric sheaths or the chambers one above the other, namely, the sheaths of bliss, intellect, mind, life-force and the gross body.

Labyrinth [from Greek labyrinthos probably from laura crypt] The complex prison built for King Minos of Crete by Daedalus to house the Minotaur. Theseus succeeded in finding his way out with the aid of the thread given him by the king’s daughter, Ariadne. Symbolically, it may be the celestial labyrinth, into which the souls of the departed plunge, and also its earthly counterpart, as shown in the tortuous subterranean chambers in ancient Egypt, or similar constructions under temples in various ancient lands. These labyrinths also symbolized the races of mankind, and the succession of gods, demigods, and heroes who preceded mortal kings. These underground chambers in general were used as initiation chambers in the Mysteries, where candidates were taught by actual experience various truths regarding human destiny after death; hence there was an exact analogy between the physical construction of these chambers and the truths thus symbolized. The labyrinth therefore refers both to an inner and outer mystery. One of the coins unearthed at Knossos in Crete showed a diagram of such a maze, and this identical pattern, exact to the last important detail, has been found among the Pima Indians of Arizona (cf Theosophical Path, April 1925). Clearly its real significance was common knowledge to initiates in all parts of the world.

lagenian ::: a. --> Like, or pertaining to, Lagena, a genus of Foraminifera having a straight, chambered shell.

lantern ::: n. --> Something inclosing a light, and protecting it from wind, rain, etc. ; -- sometimes portable, as a closed vessel or case of horn, perforated tin, glass, oiled paper, or other material, having a lamp or candle within; sometimes fixed, as the glazed inclosure of a street light, or of a lighthouse light.
An open structure of light material set upon a roof, to give light and air to the interior.
A cage or open chamber of rich architecture, open below


lithophyse ::: n. --> A spherulitic cavity often with concentric chambers, observed in some volcanic rocks, as in rhyolitic lavas. It is supposed to be produced by expanding gas, whence the name.

liveryman ::: n. --> One who wears a livery, as a servant.
A freeman of the city, in London, who, having paid certain fees, is entitled to wear the distinguishing dress or livery of the company to which he belongs, and also to enjoy certain other privileges, as the right of voting in an election for the lord mayor, sheriffs, chamberlain, etc.
One who keeps a livery stable.


lobby ::: n. --> A passage or hall of communication, especially when large enough to serve also as a waiting room. It differs from an antechamber in that a lobby communicates between several rooms, an antechamber to one only; but this distinction is not carefully preserved.
That part of a hall of legislation not appropriated to the official use of the assembly; hence, the persons, collectively, who frequent such a place to transact business with the legislators; any persons, not members of a legislative body, who strive to influence its


lock-weir ::: n. --> A waste weir for a canal, discharging into a lock chamber.

lodge ::: n. --> A shelter in which one may rest; as: (a) A shed; a rude cabin; a hut; as, an Indian&

Madhav: “The allusion is to the Vedic legend which narrates how the dark powers of the nether regions, i.e. the subconscient—and the still below—steal and hide the riches of the Gods in their subterranean chambers. They are called the Panis, thieves.” The Book of the Divine Mother

magazine ::: n. --> A receptacle in which anything is stored, especially military stores, as ammunition, arms, provisions, etc.
The building or room in which the supply of powder is kept in a fortification or a ship.
A chamber in a gun for holding a number of cartridges to be fed automatically to the piece.
A pamphlet published periodically containing miscellaneous papers or compositions.


Mahābodhi Temple. (T. Byang chub chen po; C. Daputisi; J. Daibodaiji; K. Taeborisa 大菩提寺). The "Temple of the Great Awakening"; proper name used to refer to the great STuPA at BODHGAYĀ, marking the place of the Buddha's enlightenment, and hence the most important place of pilgrimage (see MAHĀSTHĀNA) in the Buddhist world. The Emperor AsOKA erected a pillar and shrine at the site in the third century BCE. A more elaborate structure, called the VAJRĀSANA GANDHAKUtĪ ("perfumed chamber of the diamond seat"), is depicted in a relief at Bodhgayā, dating from c. 100 BCE. It shows a two-storied structure supported by pillars, enclosing the BODHI TREE and the vajrāsana, the "diamond seat," where the Buddha sat on the night of his enlightenment. The forerunner of the present structure is described by the Chinese pilgrim XUANZANG. This has led scholars to speculate that the temple was built between the third and sixth centuries CE, with subsequent renovations. Despite various persecutions by Hindu kings, the site continued to receive patronage, especially during the Pāla period, from which many of the surrounding monuments date. The monastery fell into neglect after the Muslim invasions that began in the thirteenth century. British photographs from the nineteenth century show the monastery in ruins. Restoration of the site was ordered by the British governor-general of Bengal in 1880, with a small eleventh-century replica of the monastery serving as a model. There is a tall central tower some 165 feet (fifty meters) in height, with a high arch over the entrance with smaller towers at the four corners. The central tower houses a small shrine with an image of the Buddha. The structure is surrounded by stone railings, some dating from 150 BCE, others from the Gupta period (300-600 CE), which preserve important carvings. The area came under the control of a saiva mahant in the eighteenth century. In the late nineteenth century, the Sinhalese Buddhist activist Anagārika Dharmapāla (see DHARMAPĀLA, ANAGĀRIKA), was part of a group that founded the MAHĀBODHI SOCIETY and began an unsuccessful legal campaign to have control of the site returned to Buddhists. In 1949, after Indian independence, the Bodhgayā Temple Act was passed, which is established a joint committee of four Buddhists and four Hindus to oversee the monastery and its grounds.

Mahāthupa. In Pāli, "great STuPA"; the great reliquary mound built by the Sinhalese king DUttHAGĀMAnĪ in the first century BCE, erected after he had vanquished the Damilas and reunited the island kingdom under his rule. The Mahāthupa was erected in the MAHĀMEGHAVANA grove near ANURĀDHAPURA at a spot visited by all four of the buddhas who had been born thus far in the present auspicious eon (P. bhaddakappa; S. BHADRAKALPA). The monument, which was 120 cubits high and designed in the shape of a water drop, was crowned with a richly adorned relic chamber that housed physical relics (S. sARĪRA) of the Buddha acquired from the NĀGA MAHĀKĀLA. The arahant MAHINDA is said to have once indicated to King DEVĀNAMPIYATISSA the site where the Mahāthupa was to be built. DevānaMpiyatissa wished to construct the shrine himself, but Mahinda informed him that that honor was to go the future king, Dutthagāmanī. To commemorate that prophecy, DevānaMpiyatissa had it inscribed on a pillar at the site. It was the discovery of that pillar that prompted Dutthagāmanī to take up the task. Thousands of saints from various parts of the island and JAMBUDVĪPA (meaning India in this case) gathered at the Mahāmeghavana to celebrate the construction of the Mahāthupa. Dutthagāmanī fell ill and died just before the monument was completed. The royal umbrella was raised above the Mahāthupa by his brother and successor, Saddhatissa.

Mastaba (Arabic) [from maṣṭaba, stone bench] A long, low oblong ancient Egyptian structure, with sloping sides and flat top, used as a mortuary chapel and place for depositing offerings; it generally covered a sepulchral pit which led to the burial chamber, where the mummy was placed. “These tombs of the ancients were symbolical like the rest of their sacred edifices, and . . . this symbology points directly to the septenary division of man. But in death the order is revered; and while the Mastaba with its scenes of daily life painted on the walls, its table of offerings, to the Larva, the ghost, or ‘Linga-Sarira,’ was a memorial raised to the two Principles and Life which has quitted that which was a lower trio on earth; the Pit, the Passage, the Burial Chambers and the mummy in the Sarcophagus, were the objective symbols raised to the two perishable ‘principles,’ the personal mind and Kama, and the three imperishable, the higher Triad, now merged into one. This ‘One’ was the Spirit of the Blessed now resting in the Happy Circle of Aanroo” (TG 209).

Mengele, Josef (1911-1978?) ::: SS physician at Auschwitz, notorious for pseudo-medical experiments, especially on twins and Gypsies. He “selected” new arrivals by simply pointing to the right or the left, thus separating those considered able to work from those who were not. Those too weak or too old to work were sent straight to the gas chambers, after all their possessions, including their clothes, were taken for resale in Germany. After the war, he spent some time in a British internment hospital but disappeared, went underground, escaped to Argentina, and later to Paraguay, where he became a citizen in 1959. He was hunted by Interpol, Israeli agents, and Simon Wiesenthal. In 1986, his body was found in Embu, Brazil.

mesentery ::: n. --> The membranes, or one of the membranes (consisting of a fold of the peritoneum and inclosed tissues), which connect the intestines and their appendages with the dorsal wall of the abdominal cavity. The mesentery proper is connected with the jejunum and ilium, the other mesenteries being called mesocaecum, mesocolon, mesorectum, etc.
One of the vertical muscular radiating partitions which divide the body cavity of Anthozoa into chambers.


midfeather ::: n. --> A vertical water space in a fire box or combustion chamber.
A support for the center of a tunnel.


miliola ::: n. --> A genus of Foraminifera, having a porcelanous shell with several longitudinal chambers.

monothalaman ::: n. --> A foraminifer having but one chamber.

monothalama ::: n. pl. --> A division of Foraminifera including those that have only one chamber.

monothalamous ::: a. --> One-chambered.

muladhara ::: root vessel or chamber; the physical consciousness centre [cakra]

multiseptate ::: a. --> Divided into many chambers by partitions, as the pith of the pokeweed.

Munich Agreement ::: Agreement made at Munich between Hitler, Chamberlain, Mussolini, and Daladier on Sept. 10, 1938, providing for the cession of the Sudetenland by Czechoslovakia to Germany.

nasopalatine ::: a. --> Connected with both the nose and the palate; as, the nasopalatine or incisor, canal connecting the mouth and the nasal chamber in some animals; the nasopalatine nerve.

nautilus ::: n. --> The only existing genus of tetrabranchiate cephalopods. About four species are found living in the tropical Pacific, but many other species are found fossil. The shell is spiral, symmetrical, and chambered, or divided into several cavities by simple curved partitions, which are traversed and connected together by a continuous and nearly central tube or siphuncle. See Tetrabranchiata.
The argonaut; -- also called paper nautilus. See Argonauta, and Paper nautilus, under Paper.


nummulites ::: n. --> A genus of extinct Tertiary Foraminifera, having a thin, flat, round shell, containing a large number of small chambers arranged spirally.

observatory ::: n. --> A place or building for making observations on the heavenly bodies.
A building fitted with instruments for making systematic observations of any particular class or series of natural phenomena.
A place, as an elevated chamber, from which a view may be observed or commanded.
A lookout on a flank of a battery whence an officer


OOGE chamber 78

opisthodome ::: n. --> A back chamber; especially, that part of the naos, or cella, farthest from the main entrance, sometimes having an entrance of its own, and often used as a treasury.

orbitolites ::: n. --> A genus of living Foraminifera, forming broad, thin, circular disks, containing numerous small chambers.

orthoceras ::: n. --> An extinct genus of Paleozoic Cephalopoda, having a long, straight, conical shell. The interior is divided into numerous chambers by transverse septa.

oven ::: n. --> A place arched over with brick or stonework, and used for baking, heating, or drying; hence, any structure, whether fixed or portable, which may be heated for baking, drying, etc.; esp., now, a chamber in a stove, used for baking or roasting.

overture ::: --> An opening or aperture; a recess; a recess; a chamber.
Disclosure; discovery; revelation.
A proposal; an offer; a proposition formally submitted for consideration, acceptance, or rejection.
A composition, for a full orchestra, designed as an introduction to an oratorio, opera, or ballet, or as an independent piece; -- called in the latter case a concert overture.


pandemonium ::: n. --> The great hall or council chamber of demons or evil spirits.
An utterly lawless, riotous place or assemblage.



   Wilson Cloud Chamber




   Chamber containing supersaturated vapor through which ionizing radiation leaves trails of visible droplets.



pederero ::: n. --> A term formerly applied to a short piece of chambered ordnance.

pelled from the inner chamber.) What Zakun’s

perilymph ::: n. --> The fluid which surrounds the membranous labyrinth of the internal ear, and separates it from the walls of the chambers in which the labyrinth lies.

phragmocone ::: n. --> The thin chambered shell attached to the anterior end of a belemnite.

Planetesimal Hypothesis A modification of the nebular hypothesis — put forward by Lockyer and See, and developed by Chamberlin and Moulton in the early 20th century — according to which the nebulae from which planets originated were not gaseous but made up of a multitude of planetesimals or solid bodies varying in size from a mere particle up to a planetoid. According to theosophy, at a certain later stage in the formation of worlds there does take place such a concretion of large bodies out of small bodies and out of cosmic dust; but a particular and minor phase in the physical stage of development is far from a complete account of the origin of the solar system. It ignores all ultraphysical conditions, and therefore has to begin by assuming nine-tenths of the whole process, such as the eternity of physical matter, and the independent existence of such abstractions as gravitation, inertia, etc.

podium ::: n. --> A low wall, serving as a foundation, a substructure, or a terrace wall.
The dwarf wall surrounding the arena of an amphitheater, from the top of which the seats began.
The masonry under the stylobate of a temple, sometimes a mere foundation, sometimes containing chambers.
The foot.


polythalamia ::: n. pl. --> A division of Foraminifera including those having a manychambered shell.

polythalamous ::: a. --> Many-chambered; -- applied to shells of Foraminifera and cephalopods. See Illust. of Nautilus.

prenasal ::: a. --> Situated in front of the nose, or in front of the nasal chambers.

presence ::: 1. The state or fact of being present; current existence or occurrence. 2. A divine, spiritual, or supernatural spirit or influence felt or conceived as present. 3. The immediate proximity of someone or something.

Sri Aurobindo: "It is intended by the word Presence to indicate the sense and perception of the Divine as a Being, felt as present in one"s existence and consciousness or in relation with it, without the necessity of any further qualification or description. Thus, of the ‘ineffable Presence" it can only be said that it is there and nothing more can or need be said about it, although at the same time one knows that all is there, personality and impersonality, Power and Light and Ananda and everything else, and that all these flow from that indescribable Presence. The word may be used sometimes in a less absolute sense, but that is always the fundamental significance, — the essential perception of the essential Presence supporting everything else.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” Essays Divine and Human

"But if we learn to live within, we infallibly awaken to this presence within us which is our more real self, a presence profound, calm, joyous and puissant of which the world is not the master — a presence which, if it is not the Lord Himself, is the radiation of the Lord within.” *The Life Divine

"The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” *The Life Divine

"If we need any personal and inner witness to this indivisible All-Consciousness behind the ignorance, — all Nature is its external proof, — we can get it with any completeness only in our deeper inner being or larger and higher spiritual state when we draw back behind the veil of our own surface ignorance and come into contact with the divine Idea and Will behind it. Then we see clearly enough that what we have done by ourselves in our ignorance was yet overseen and guided in its result by the invisible Omniscience; we discover a greater working behind our ignorant working and begin to glimpse its purpose in us: then only can we see and know what now we worship in faith, recognise wholly the pure and universal Presence, meet the Lord of all being and all Nature.” *The Life Divine

"The presence of the Spirit is there in every living being, on every level, in all things, and because it is there, the experience of Sachchidananda, of the pure spiritual existence and consciousness, of the delight of a divine presence, closeness, contact can be acquired through the mind or the heart or the life-sense or even through the physical consciousness; if the inner doors are flung sufficiently open, the light from the sanctuary can suffuse the nearest and the farthest chambers of the outer being.” *The Life Divine

"There is a secret divine Will, eternal and infinite, omniscient and omnipotent, that expresses itself in the universality and in each particular of all these apparently temporal and finite inconscient or half-conscient things. This is the Power or Presence meant by the Gita when it speaks of the Lord within the heart of all existences who turns all creatures as if mounted on a machine by the illusion of Nature.” *The Synthesis of Yoga

"For what Yoga searches after is not truth of thought alone or truth of mind alone, but the dynamic truth of a living and revealing spiritual experience. There must awake in us a constant indwelling and enveloping nearness, a vivid perception, a close feeling and communion, a concrete sense and contact of a true and infinite Presence always and everywhere. That Presence must remain with us as the living, pervading Reality in which we and all things exist and move and act, and we must feel it always and everywhere, concrete, visible, inhabiting all things; it must be patent to us as their true Self, tangible as their imperishable Essence, met by us closely as their inmost Spirit. To see, to feel, to sense, to contact in every way and not merely to conceive this Self and Spirit here in all existences and to feel with the same vividness all existences in this Self and Spirit, is the fundamental experience which must englobe all other knowledge.” *The Synthesis of Yoga

"One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right time He will reveal His Presence.” *Letters on Yoga

"They [the psychic being and the Divine Presence in the heart] are quite different things. The psychic being is one"s own individual soul-being. It is not the Divine, though it has come from the Divine and develops towards the Divine.” *Letters on Yoga

"For it is quietness and inwardness that enable one to feel the Presence.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” *Essays Divine and Human

The Mother: "For, in human beings, here is a presence, the most marvellous Presence on earth, and except in a few very rare cases which I need not mention here, this presence lies asleep in the heart — not in the physical heart but the psychic centre — of all beings. And when this Splendour is manifested with enough purity, it will awaken in all beings the echo of his Presence.” Words of the Mother, MCW, Vol. 15.


presence ::: n. --> The state of being present, or of being within sight or call, or at hand; -- opposed to absence.
The place in which one is present; the part of space within one&


prorhinal ::: a. --> Situated in front of the nasal chambers.

protoconch ::: n. --> The embryonic shell, or first chamber, of ammonites and other cephalopods.

Purna. (P. Punna; T. Gang po; C. Fulouna; J. Furuna; K. Puruna 富樓那). In Sanskrit, "Fulfilled," a famous ARHAT and disciple of the Buddha, often known as Purna the Great (MAHĀPuRnA). There are various stories of his origins and encounter with Buddha, leading some scholars to believe that there were two important monks with this name. In some cases, he is referred to as Purna Maitrāyanīputra (P. Punna Mantānīputta) and appears in lists of the Buddha's ten chief disciples, renowned for his skill in preaching the DHARMA. In the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), Purna is listed among the SRĀVAKAs who understand the parable in the seventh chapter on the conjured city; in the eighth chapter of that sutra, the Buddha predicts Purna's eventual attainment of buddhahood. According to Pāli accounts, where he is known as Punna, he was a brāhmana from Kapilavatthu (S. KAPILAVASTU), the son of Mantānī, who was herself the sister of ANNā KondaNNa (ĀJNĀTAKAUndINYA), the first of five ascetics (P. paNcavaggiyā; S. PANCAVARGIKA) converted and ordained by the Buddha at the Isipatana (S. ṚsIPATANA) deer park (MṚGADĀVA) after his enlightenment. After preaching to the five ascetics, the Buddha traveled to Rājagaha (S. Rājagṛha); ANNā KondaNNa instead went to Kapilavatthu, where he proceeded to ordain his nephew Punna. ANNā KondaNNa retired to the forest while Punna remained in Kapilavatthu, devoting himself to the study of scripture and the practice of meditation, soon becoming an arahant (S. ARHAT). He gathered around him five hundred disciples, all of whom became monks, and taught them the ten bases of discourse he had learned. All of them became arahants. At Sāvatthi (sRĀVASTĪ), the Buddha taught the dhamma to Punna in his private chambers, a special honor. While Punna was dwelling at the Andhavana grove, Sāriputta (S. sĀRIPUTRA) visited him to question him on points of doctrine. Punna was able to answer all of Sāriputta's queries. It was while listening to Punna's explication of causality that Ānanda became a stream-enterer (P. sotāpanna; S. SROTAĀPANNA). ¶ Other stories, most famously the Purnāvadāna of the DIVYĀVADĀNA, tell of a different Purna, known as Punna Suppāraka in Pāli sources. His father was a wealthy merchant in the seaport of Surpāraka in western India. The merchant became ill and was cured by a slave girl, who eventually bore him a son, named Purna, who became in turn a skilled merchant. During a sea voyage with some merchants from sRĀVASTĪ, he heard his colleagues reciting prayers to the Buddha. Overcome with feelings of faith, he went to see the Buddha and was ordained. After receiving brief instructions from the Buddha, he asked permission to spread the dharma among the uncivilized people of sronāparāntaka, where he converted many and became an arhat in his own right. He later returned to his home city of Surpāraka, where he built a palace of sandalwood and invited the Buddha and his monks for a meal. Events from the story of Purna are depicted in cave paintings at AJAntĀ in India and KIZIL in Central Asia along the SILK ROAD. A similar story of Purna's life as a merchant from a border region is recounted in still other Pāli accounts. After the Buddha preached the Punnovādasutta to him, he is said to have joined the saMgha and became an arahant. Punna won many disciples in his native land, who then wished to build a sandalwood monastery for the Buddha. The Buddha flew in celestial palanquins to Sunāparanta in the company of Punna and five hundred arahants in order to accept the gift. Along the way, the Buddha converted a hermit dwelling atop Mount Saccabandha and left a footprint (BUDDHAPĀDA) in the nearby Narmada River so that the NĀGA spirits might worship it. Sunāparanta of the Pāli legend is located in India, but the Burmese identify it with their homeland, which stretches from Middle to Upper Burma. They locate Mount Saccabandha near the ancient Pyu capital of Sirīkhettarā (Prome). The adoption of Punna as an ancient native son allowed Burmese chroniclers to claim that their Buddhism was established in Burma during the lifetime of the Buddha himself and therefore was older than that of their fellow Buddhists in Sri Lanka, who did not convert to Buddhism until the time of Asoka (S. AsOKA) two and half centuries later.

refrigeratory ::: a. --> Mitigating heat; cooling. ::: n. --> That which refrigerates or cools.
In distillation, a vessel filled with cold water, surrounding the worm, the vapor in which is thereby condensed.
The chamber, or tank, in which ice is formed, in an


Regeneration [from Latin re again + generare to beget] Renewal, regrowth, spiritual rebirth; as rebirth follows upon death, regeneration follows upon destruction, hence it implies immortality. It is one meaning of the serpent or dragon symbol. The Holy of Holies of the Hebrews, and the King’s Chamber in the Egyptian pyramid of Cheops, were symbols of regeneration with the ancients, but in certain materializing interpretations became transformed into symbols of generation. Siva in the Hindu Trimurti, sometimes described as representing destruction, is better called the regenerator. The end of one cycle is the birth of another, as typified in the rebirth of the year, the festival of Easter, etc.

resting chamber ::: a shelter for repose or sleep.

revolver ::: n. --> One who, or that which, revolves; specifically, a firearm ( commonly a pistol) with several chambers or barrels so arranged as to revolve on an axis, and be discharged in succession by the same lock; a repeater.

Room 101: a.k.a. the White Room, Black Room, or Red Room; general name for a heavily secured chamber used for Social Conditioning, intimidation, interrogation, and punishment; your worst nightmare.

room ::: n. --> Unobstructed spase; space which may be occupied by or devoted to any object; compass; extent of place, great or small; as, there is not room for a house; the table takes up too much room.
A particular portion of space appropriated for occupancy; a place to sit, stand, or lie; a seat.
Especially, space in a building or ship inclosed or set apart by a partition; an apartment or chamber.
Place or position in society; office; rank; post; station;


sahasrara ::: Sahasrara The 7th chakra, the thousand-petalled spiritual energy center at the crown of the head (the cranial chamber of the soul body), where one experiences the highest states of consciousness.

sakra. (P. Sakka; T. Brgya byin; C. Di-Shi; J. Taishaku; K. Che-Sok 帝釋). Sanskrit name of a divinity who is often identified with the Vedic god INDRA (with whom he shares many epithets), although it is perhaps more accurate to describe him as a Buddhist (and less bellicose) version of Indra. Typically described in Buddhist texts by his full name and title as "sakra, the king of the gods" (sAKRO DEVĀNĀM INDRAḤ), he is the divinity (DEVA) who appears most regularly in Buddhist texts. sakra is chief of the gods of the heaven of the thirty-three (TRĀYASTRIMsA), located on the summit of Mount SUMERU. As such, he is a god of great power and long life, but is also subject to death and rebirth; the Buddha details in various discourses the specific virtues that result in rebirth as sakra. In both the Pāli canon and the MAHĀYĀNA sutras, sakra is depicted as the most devoted of the divine followers of the Buddha, descending from his heaven to listen to the Buddha's teachings and to ask him questions (and according to some accounts, eventually achieving the state of stream-enterer), and rendering all manner of assistance to the Buddha and his followers. In the case of the Buddha, this assistance was extended prior to his achievement of buddhahood, both in his previous lives (as in the story of Vessantara in the VESSANTARA JĀTAKA) and in his last lifetime as Prince SIDDHĀRTHA; when the prince cuts off his royal locks and throws them into the sky, proclaiming that he will achieve buddhahood if his locks remain there, it is sakra who catches them and installs them in a shrine in the heaven of the thirty-three. When the Buddha later visited the heaven of the thirty-three to teach the ABHIDHARMA to his mother MĀYĀ (who had been reborn there), sakra provided the magnificent ladder for his celebrated descent to JAMBUDVĪPA that took place at SĀMKĀsYA. When the Buddha was sick with dysentery near the end of his life, sakra carried his chamber pot. sakra often descends to earth disguised as a brāhmana in order to test the virtue of the Buddha's disciples, both monastic and lay, offering all manner of miraculous boons to those who pass the test. In the Pāli canon, a section of the SAMYUTTANIKĀYA consists of twenty-five short suttas devoted to him.

Sapta-tathagatas (Sanskrit) Sapta-tathāgata-s [from sapta seven + tathāgata thus come and gone, name applied to the Buddha] “The chief seven Nirmanakayas among the numberless ancient world-guardians. Their names are inscribed on a heptagonal pillar kept in a secret chamber in almost all Buddhist temples in China and Tibet. The Orientalists are wrong in thinking that these are ‘the seven Buddhist substitutes for the Rishis of the Brahmans’ ” (TG 290). See also TATHAGATHA-GUPTA

Sarcophagus (Greek) Flesh-eating; limestone in Assus in the Troad had the property of consuming the bodies placed in coffins made of it, and so was called sarcophagos lithos (flesh-eating stone) or lapis Assius (stone of Assus), and the name came to be applied to stone coffins in general. A sarcophagus was placed in the adytum of a temple and mystically signified the matrix of nature and resurrection. In initiation ceremonies the candidate, representing the energizing ray, descended into the sarcophagus representing nature’s fecund womb, and emerged therefrom, which symbolized resurrection after death. In the King’s Chamber of the Great Pyramid, the candidate descended into the sarcophagus, where his body was entranced while his spiritual ego confabulated with the gods, descended into Amenti or the Underworld, and did works of charity to invisible beings; being carried during the night before the third day to the entrance of a gallery where the beams of the rising sun awoke him as an initiate.

scaphite ::: n. --> Any fossil cephalopod shell of the genus Scaphites, belonging to the Ammonite family and having a chambered boat-shaped shell. Scaphites are found in the Cretaceous formation.

Selection (Selektionen) ::: Euphemism for the process of choosing victims for the gas chambers in the Nazi camps by separating them from those considered fit to work (see Mengele, Josef).

septum ::: n. --> A wall separating two cavities; a partition; as, the nasal septum.
A partition that separates the cells of a fruit.
One of the radial calcareous plates of a coral.
One of the transverse partitions dividing the shell of a mollusk, or of a rhizopod, into several chambers. See Illust. under Nautilus.
One of the transverse partitions dividing the body cavity


seven-shooter ::: n. --> A firearm, esp. a pistol, with seven barrels or chambers for cartridges, or one capable of firing seven shots without reloading.

sheliju. (J. sharigu; K. sarigu 舍利具). In Chinese, a "reliquary container" containing the relics (sARĪRA) of the Buddha or a sage; also written as SHELIQI. The relics were deposited in a set of nested caskets and were placed inside or buried below the foundation of a STuPA. A tiny glass bottle placed inside several layered caskets served as the innermost container for the crystalline relic-grains remaining after cremation. The shape of the caskets differed according to time and region, from a stupa shape to the shape of a bowl or tube, and the caskets were made of gold, silver, gilt bronze, lacquered wood, porcelain, or stone. The sides of the caskets were often incised with buddha images or guardian deities. In addition to the relic, the donors frequently deposited a multitude of objects of intrinsic or artistic value in the containers, including beads, pearls, jewelry, or coins. The earliest known reliquary is a steatite casket found in the stupa of Piprāwā (fifth-fourth centuries BCE) in India. In China, the reliquary chamber excavated at the FAMENSI pagoda is the most widely researched. In contrast to most Chinese reliquary chambers, which were only accessible prior to the construction of a pagoda, the Famensi relic was escorted to and from the imperial palace. Further outstanding examples of reliquaries have been excavated at Songnimsa and Kamŭnsa in Korea. Both reliquaries date from the Silla period and show the refined amalgamation of foreign influences and native Silla craftsmanship. The center of the Songnimsa reliquary is a small green glass bottle, placed in a green glass cup decorated with twelve rings of coiled glass, which derives from Persian or Syrian prototypes. The Kamŭnsa reliquary contains a vessel in the shape of a miniature pavilion and an outer container decorated on each side with the four heavenly kings, pointing to the LOKAPĀLA cult that thrived in Silla society at that time.

siphonium ::: n. --> A bony tube which, in some birds, connects the tympanium with the air chambers of the articular piece of the mandible.

siphuncle ::: n. --> The tube which runs through the partitions of chambered cephalopod shells.

six-shooter ::: n. --> A pistol or other firearm which can be fired six times without reloading especially, a six-chambered revolver.

sleet ::: n. --> The part of a mortar extending from the chamber to the trunnions.
Hail or snow, mingled with rain, usually falling, or driven by the wind, in fine particles. ::: v. i. --> To snow or hail with a mixture of rain.


Sokkuram. (石窟庵). In Korean, "Stone Grotto Hermitage"; a Silla-period, man-made grotto located high on Mt. T'oham behind the monastery of PULGUKSA, which houses what is widely considered to be the most impressive buddha image in Korea. According to the SAMGUK YUSA ("Memorabilia of the Three Kingdoms," written c. 1282-1289), the master builder Kim Taesong (d. 774), who also designed Pulguksa, constructed the cave as an expression of filial piety toward his deceased parents. However, because the grotto directly faces the underwater tomb of the Silla king Munmu (r. 661-680) in the East Sea/Sea of Japan, the site may be also have been associated with a funerary cult surrounding the Silla royal family or with state-protection Buddhism (K. hoguk Pulgyo; C. HUGUO FOJIAO). The construction of both monasteries began around 751 CE, during the reign of the Silla king Kyongdok (r. 742-764), and the grotto temple was completed a few years after Kim Taesong's death in 774 CE. The site was originally named SoKPULSA, or "Stone Buddha Monastery." Since the Korean peninsula has no natural stone grottos like those found in India or Central Asia, the cave was excavated out of the mountainside, and some 360 large granite blocks in various shapes were used to create the ceiling of the shrine. In addition, granite carvings were attached to the inner walls. The result was what appears for all intents and purposes to be a natural cave temple. The finished grotto combines two different styles of Buddhist architecture, the domed rotunda design of the CAITYA halls of India and the cave-temple design of Central Asia and China as seen in DUNHUANG and others sites along the SILK ROAD. At the Sokkuram grotto, a rectangular antechamber with two guardians carved on either side leads into a short, narrow passageway that opens onto the thirty-foot-(nine m.) high domed rotunda. In the vestibule itself are carvings of the four heavenly kings as guardians of the dharma. The center of the rotunda chamber enshrines the Sokkuram stone buddha, a seated-buddha image in the "earth-touching gesture" (BHuMISPARsAMUDRĀ). This image is 10 ft. 8 in. (3.26 meters) in height and carved from a single block of granite; it sits atop a lotus-throne base that is 5 ft. 2 in. (1.58 meters) high. The image is generally accepted to be that of sĀKYAMUNI Buddha, although some scholars instead identify it as an image of VAIROCANA or even AMITĀBHA. In the original layout of the grotto, the morning sunshine would have cascaded through the cave's entrance and struck the jeweled uRnĀKEsA in the Buddha's forehead. On the inner walls surrounding the statue are thirty-nine carvings of Buddhist figures, including the Indian divinities BRAHMĀ and INDRA, the two flanking bodhisattvas SAMANTABHADRA and MANJUsRĪ, and the buddha's ten principal ARHAT-disciples. On the wall directly behind the main image is a carving of the eleven-headed AVALOKITEsVARA. The combination of exquisite architectural beauty and sophisticated design is widely considered to be the pinnacle of Silla Buddhist culture. Despite its fame and reputation during the Silla kingdom, Sokkuram fell into disrepair during the suppression of Buddhism that occurred during the Choson dynasty (1392-1910). Almost everyone except locals had forgotten the grotto until one rainy day in 1909, when a weary postman traveling over the ridge of Mt. T'oham accidentally rediscovered the grotto as he sought shelter from a sudden thunderstorm. He found a narrow opening to a small cave, and as his eyes adjusted to the dark, he was startled to see the massive stone image of the Buddha along with exquisite stone wall carvings. In 1913, the Japanese colonial government spent two years dismantling and repairing the structure, using cement and iron, which later collected moisture and began to decay, threatening the superstructure of the grotto. In 1920, the earth was removed in order to secure the foundation and tar and asphalt were used to waterproof the roof. No further renovations were made until a UNESCO survey team came to evaluate the cave temple and decided to aid the Korean government in further restoring the site between 1961 and 1964. Nowadays, visitors enter the grotto from the side, rather than its original front entrance, and must view the buddha image from behind a protective glass window. Sokkuram is Korean National Treasure No. 24 and was also added to the list of UNESCO World Heritage Sites in 1995.

sokushin jobutsu. (C. jishen chengfo; K. chŭksin songbul 即身成佛). In Japanese, "attainment of buddhahood in this very body." This doctrine is generally first attributed to KuKAI (774-835), the founder of the SHINGONSHu, who argued in a work entitled Sokushin jobutsugi ("The Meaning of Attaining Buddhahood in This Very Body") that the ultimate goal of practice was to attain awakening in this lifetime. By strictly adhering to Kukai's ritualization of the body (through gestures, or MUDRĀ), speech (through spells, or MANTRA) and mind (as a MAndALA), one could therefore align oneself with the cosmic buddha, MAHĀVAIROCANA, and become a buddha in one's own right. Kukai's contemporary, SAICHo (767-822) of the TENDAISHu, located the notion of sokushin jobutsu in the exoteric teachings of the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"). By following its teachings, he believed that anyone could achieve universal salvation and become a buddha. In contrast to Kukai's esoteric interpretation of sokushin jobutsu, however, Saicho presumed this process of achieving buddhahood would require several lifetimes to complete. Given the two models, it is easy to understand the appeal of Kukai's esoteric version, which promised immediate transformation into buddhahood, over the traditional Tendai doctrine cited by Saicho. As the interest in esotericism increased among the aristocracy during the Heian period (794-1185), Tendai Buddhism became more associated with esoteric ritual and less with practice derived from the Saddharmapundarīkasutra. This shift toward esoteric Buddhism was completed under the Tendai master ANNEN (841-889?), who asserted not only that sokushin jobutsu was attainable in a single lifetime, but that it was central to the Tendai ordination procedure. Given that the two dominant institutions of Heian Buddhism relied heavily on the doctrine of sokushin jobutsu, it is not surprising that SHUGENDo, a movement heavily influenced by both of these schools, would also develop its own interpretation of this doctrine. The means Shugendo advocated for attaining buddhahood, however, were quite varied, as most Shugen mountains operated independently up until the Tokugawa period. One common ritual performed in both the Yoshino/KUMANO region and on Mt. Haguro, for instance, was passage through the ten realms of being (J. jikkai, S. DAsADHĀTU). Physical structures placed along a pilgrimage route, such as torii gates and steps, served as symbolic gateways through the realms. By progressing from the lowest realm of the hells (see S. NĀRAKA) to the highest realm of the buddhas, the pilgrim could ritually enact his journey toward his own attainment of buddhahood. Furthermore, the concept of mountain geography as a mandala in Shugendo created a space through which one entered the sacred realm of buddhahood. By crossing the border separating the mundane from the sacred, the practitioner would undergo a spiritual transformation by directly encountering the Buddha and immediately awakening. In a more severe example, ascetics at Mt. Yudono known as isse gyonin (lifetime ascetics) practiced sokushin jobutsu during the Tokugawa period by undergoing strict austerities in the mountains for from one to three thousand days. Once this period ended, a handful of these gyonin ascetics, following the alleged precedent of Kukai, entered a nearly air-tight, underground chamber to die. Soon afterward, they were mummified as buddhas "in this very body" and venerated by their followers. During the Kamakura period, NICHIREN (1222-1282), who, like Saicho, emphasized the superiority of the Saddharmapundarīkasutra, further claimed that chanting the title (DAIMOKU) of the sutra could lead to the attainment of buddhahood in this very body. Relying on the FAHUA XUANYI, an important commentary on the Saddharmapundarīkasutra by the Chinese monk TIANTAI ZHIYI (538-597), Nichiren claimed that the essence of the sutra was distilled in its title and that chanting the title (see NAMU MYoHoRENGEKYo) could therefore lead to the attainment of sokushin jobutsu.

solar ::: a. --> A loft or upper chamber; a garret room.
Of or pertaining to the sun; proceeding from the sun; as, the solar system; solar light; solar rays; solar influence. See Solar system, below.
Born under the predominant influence of the sun.
Measured by the progress or revolution of the sun in the ecliptic; as, the solar year.
Produced by the action of the sun, or peculiarly affected by


Somapura. A large Buddhist monastery in northern Bangladesh, near the modern town of Ompur, probably built in the early-ninth century by the Pāla dynasty ruler Devapāla (r. 810-850 CE), the son of Dharmapāla, who had built VIKRAMAsĪLA. Somapura was a mahāvihāra, or "great monastery," under royal supervision and was known as the Dharmapāla Mahāvihara of Somapura. The monastery, which had a unique architectural style, included 177 monks' cells organized on four floors around a courtyard. It was one of the largest monasteries of its day, probably housing some eight hundred monks at the apex of its influence. The most architecturally significant element of the monastery is the Pāhārpur Temple, which is unlike other Indian temples, Hindu or Buddhist. It has a cruciform base, a terraced structure with inset chambers, and a pyramid form, quite similar to Buddhist temples in Burma, Java, and Cambodia. It remains a matter of controversy whether Somapura monastery might have served as a model for Southeast Asian temple architecture. In the mid-eleventh century, the monastery was burned by a Hindu king, but seems to have been restored. It is said that ATIsA DĪPAMKARAsRĪJNĀNA stopped at Somapura on his way to Tibet, translating there BHĀVAVIVEKA's MADHYAMAKARATNAPRADĪPA into Tibetan.

stanza ::: n. --> A number of lines or verses forming a division of a song or poem, and agreeing in meter, rhyme, number of lines, etc., with other divisions; a part of a poem, ordinarily containing every variation of measure in that poem; a combination or arrangement of lines usually recurring; whether like or unlike, in measure.
An apartment or division in a building; a room or chamber.


star-chamber ::: n. --> An ancient high court exercising jurisdiction in certain cases, mainly criminal, which sat without the intervention of a jury. It consisted of the king&

states-general ::: n. --> In France, before the Revolution, the assembly of the three orders of the kingdom, namely, the clergy, the nobility, and the third estate, or commonalty.
In the Netherlands, the legislative body, composed of two chambers.


stockwork ::: n. --> A system of working in ore, etc., when it lies not in strata or veins, but in solid masses, so as to be worked in chambers or stories.
A metalliferous deposit characterized by the impregnation of the mass of rock with many small veins or nests irregularly grouped. This kind of deposit is especially common with tin ore. Such deposits are worked in floors or stories.


Subconscient, The ::: The subconscious in us is the extreme border of our secret inner existence where it meets the Inconscient, it is a degree of our being in which the Inconscient struggles into a half consciousness; the surface physical consciousness also, when it sinks back from the waking level and retrogresses towards the Inconscient, retires into this intermediate subconscience. Or, from another view-point, this nether part of us may be described as the antechamber of the Inconscient through which its formations rise into our waking or our subliminal being.
   Ref: CWSA Vol. 21-22, Page: 439


Tabernacle Used mainly to describe the portable sanctuary instituted during the wandering of the Israelites. The references in the Jewish history before Deuteronomy are different from later writings in the Old Testament which mention a very elaborate edifice containing a courtyard, outer and inner chambers, with sacrificial and atoning rituals, albeit erected so that it could readily be taken down and transferred to another place. The sanctuary referred to in the Priestly Code, however, is the sanctuary of the ark (in Hebrew3 mishkan ha‘eduth, “the tabernacle of revelation”), i.e., the receptacle in which lay the ark of testimony, the chest in which it is alleged that the stones containing the inscriptions of the decalog were placed.

Thalamus, Optic [from Greek optikos visual from op to see + thalamos chamber] The optic thalami are the two great posterior ganglia at the base of the brain, forming part of the wall of the third ventricle. They are the bed from which the optic fibers arise, as well as a special center for the correlation and transmission of sensory, motor, and ideational impressions which, consciously and subconsciously, interact between the body and the brain. The thalami are a central station for the reception, condensation, and transmission of all the intercommunicating lines between the conscious, thinking person and the external world.

thallium ::: n. --> A rare metallic element of the aluminium group found in some minerals, as certain pyrites, and also in the lead-chamber deposit in the manufacture of sulphuric acid. It is isolated as a heavy, soft, bluish white metal, easily oxidized in moist air, but preserved by keeping under water. Symbol Tl. Atomic weight 203.7.

The Holy of Holies, however, must not be confused with initiation chambers also contained in many temples and caves of antiquity, in which during the rites of initiation the neophyte entered, was initiated, and thereafter left the sacred precincts as reborn. In ancient Egypt the holy of holies par excellence of this latter type was the King’s Chamber in the Great Pyramid; and the coffer there was the sarcophagus used for initiation purposes. The sarcophagus was symbolic of the female principle, as from the feminine principle of nature, as a mother, was born the new “child” or disciple, now become a twice-born. The idea of the twice-born was that the physical birth came from the human mother, while the mystic birth took place from the womb of nature, of which the initiation chamber was the emblem. Hence at a much later date arose the phallic idea of the Jews that the human female womb was the maqom (the place).

  “The initiated adept, who had successfully passed through all the trials, was attached, not nailed, but simply tied on a couch in the form of a tau tau(in Egypt) of a Svastika without the four additional prolongations (thus: cross, not svastika ) plunged in a deep sleep (the ‘Sleep of Siloam’ it is called to this day among the Initiates in Asia Minor, in Syria, and even higher Egypt). He was allowed to remain in this state for three days and three nights, during which time his Spiritual Ego was said to confabulate with the ‘gods,’ descend into Hades, Amenti, or Patala (according to the country), and do works of charity to the invisible beings, whether souls of men or Elemental Spirits; his body remaining all the time in a temple crypt or subterranean cave. In Egypt it was placed in the Sarcophagus in the King’s Chamber of the Pyramid of Cheops, and carried during the night of the approaching third day to the entrance of a gallery, where at a certain hour the beams of the rising Sun struck full on the face of the entranced candidate, who awoke to be initiated by Osiris, and Thoth the God of Wisdom” (SD 2:558).

The King’s Chamber in the Pyramid of Cheops is an Egyptian adytum, in which the candidate for initiation, representing the solar god, descended into the sarcophagus, thus representing the energizing ray entering the fecund womb of nature; whence, after a mystic death, he rose again.

“The presence of the Spirit is there in every living being, on every level, in all things, and because it is there, the experience of Sachchidananda, of the pure spiritual existence and consciousness, of the delight of a divine presence, closeness, contact can be acquired through the mind or the heart or the life-sense or even through the physical consciousness; if the inner doors are flung sufficiently open, the light from the sanctuary can suffuse the nearest and the farthest chambers of the outer being.” The Life Divine

The seats of initiation were often situated on mountains, which because of this were regarded as holy mountains. Often rocky caves or recesses in mountains were chosen for their inaccessibility, and used as initiation crypts or chambers for teaching; in ancient Egypt the Great Pyramid was an initiation temple.

The series of chambers in the labyrinth was an attempt to portray in the Mysteries by means of a construction — whether subterranean or above ground — the peregrinations of the human monad in its postmortem destiny, as it wandered from chamber to chamber — from sphere to sphere or globe to globe — in the celestial spaces, finally returning to its point of departure, in this instance to human reimbodiment.

The temple then is the shrine of the divine presence, and as such plays a predominant role in all cults, appearing as a Holy of Holies, a tabernacle, etc., and with many elaborations and accessories, such as special chambers, images, sacred vessels, and the like. The word becomes equivalent to all those signifying the receptive side of universal nature, such as moon, ark, and womb. The object of making inner understanding and inner vision seem more real to the mere man, by constructing edifices consecrated to divine worship and designed to draw down divine presences, is one that can readily be understood, and which may be either an assistance or a drawback according to whether the spirit of the worshiper is less or more materialistic.

toilet ::: n. --> A covering of linen, silk, or tapestry, spread over a table in a chamber or a dressing room.
A dressing table.
Act or mode of dressing, or that which is arranged in dressing; attire; dress; as, her toilet is perfect.


Towers An edifice which rests on earth and, mystically speaking, aspires upwards toward heaven; coming under the general description of high places appropriate, like mountaintops and other natural and artificial elevations, to the worship of celestial powers. Found in many parts of the world, their origin is lost in the obscurity of ages. Prominent among them are the round towers found in Ireland, Scotland, Corsica, Sardinia, etc., undoubtedly used for different purposes at different times: by warriors as fortresses, by priests as sanctuaries and initiation chambers, or as watchtowers, belfries, or places of refuge. The cylindrical shape indicates symbolically the great positive and active principle in nature. In the Bible the tower is erected physically, and spoken of metaphorically, as an emblem of might and aspiration.

tromp ::: n. --> A blowing apparatus, in which air, drawn into the upper part of a vertical tube through side holes by a stream of water within, is carried down with the water into a box or chamber below which it is led to a furnace.
Alt. of Trompe


turbinal ::: a. --> Rolled in a spiral; scroll-like; turbinate; -- applied to the thin, plicated, bony or cartilaginous plates which support the olfactory and mucous membranes of the nasal chambers. ::: n. --> A turbinal bone or cartilage.

turbine ::: n. --> A water wheel, commonly horizontal, variously constructed, but usually having a series of curved floats or buckets, against which the water acts by its impulse or reaction in flowing either outward from a central chamber, inward from an external casing, or from above downward, etc.; -- also called turbine wheel.

tympanum ::: n. --> The ear drum, or middle ear. Sometimes applied incorrectly to the tympanic membrane. See Ear.
A chamber in the anterior part of the syrinx of birds.
One of the naked, inflatable air sacs on the neck of the prairie chicken and other species of grouse.
The recessed face of a pediment within the frame made by the upper and lower cornices, being usually a triangular space or table.


underchamberlain ::: n. --> A deputy chamberlain of the exchequer.

unicameral ::: a. --> Having, or consisting of, a single chamber; -- said of a legislative assembly.

usher ::: n. --> An officer or servant who has the care of the door of a court, hall, chamber, or the like; hence, an officer whose business it is to introduce strangers, or to walk before a person of rank. Also, one who escorts persons to seats in a church, theater, etc.
An under teacher, or assistant master, in a school. ::: v. t.


Vase Breathing ::: A breathing technique that involves vizualizing filling the lower abdomen first on the inhale followed by the upper chambers of the lungs and then reversing the process on the exhale.

ventricle ::: n. --> A cavity, or one of the cavities, of an organ, as of the larynx or the brain; specifically, the posterior chamber, or one of the two posterior chambers, of the heart, which receives the blood from the auricle and forces it out from the heart. See Heart.
The stomach.
Fig.: Any cavity, or hollow place, in which any function may be conceived of as operating.


vestibule ::: n. --> The porch or entrance into a house; a hall or antechamber next the entrance; a lobby; a porch; a hall.

vestibules ::: passages, halls, or antechambers between the outer door and the interior parts of a house or building.

Votan is “probably the same as Quetzal-Coatl; a ‘son of the snakes,’ one admitted ‘to the snake’s hole,’ which means an Adept admitted to the Initiation in the secret chamber of the Temple” (TG 366).

water cell ::: --> A cell containing water; specifically (Zool.), one of the cells or chambers in which water is stored up in the stomach of a camel.

wicket ::: n. --> A small gate or door, especially one forming part of, or placed near, a larger door or gate; a narrow opening or entrance cut in or beside a door or gate, or the door which is used to close such entrance or aperture. Piers Plowman.
A small gate by which the chamber of canal locks is emptied, or by which the amount of water passing to a water wheel is regulated.
A small framework at which the ball is bowled. It consists




QUOTES [17 / 17 - 1433 / 1433]


KEYS (10k)

   8 Sri Aurobindo
   1 Sri Ramana Maharshi
   1 Richard P Feynman
   1 Ramakrishna
   1 J. Tauler
   1 id
   1 Henry James
   1 Franz Kafka
   1 Anselm
   1 Sri Ramakrishna

NEW FULL DB (2.4M)

  505 Oswald Chambers
  145 Becky Chambers
  101 Diane Chamberlain
   52 Joanna Chambers
   50 Aidan Chambers
   36 Wilt Chamberlain
   34 Robert W Chambers
   24 Whittaker Chambers
   15 J K Rowling
   14 Holly Chamberlin
   12 Joshua Chamberlain
   12 Joseph Chamberlain
   12 Jimmy Chamberlin
   9 Anonymous
   7 Neville Chamberlain
   6 Sri Aurobindo
   6 Justin Chambers
   6 John Chamberlain
   5 Richard Chamberlain
   5 Emily Dickinson

1:In my heart's chamber lives the unworshipped God. ~ Sri Aurobindo, Collected Poems, Omnipresence,
2:Let not him then who cannot enter into the chamber of hidden treasure complain that he is poor and has no part in these riches. ~ J. Tauler, "Institutions." 27, the Eternal Wisdom
3:As the darkness of centuries is scattered when the light is brought into a chamber, so the accumulated faults of numberless births vanish before a single shaft of the light of the Almighty. ~ Sri Ramakrishna,
4:A lonely soul passions for the Alone,
The heart that loved man thrills to the love of God,
A body is his chamber and his shrine. ~ Sri Aurobindo, Savitri, The Debate of Love and Death,
5:If the chamber's door is even a little ajar,
What then can hinder God from stealing in
Or who forbid his kiss on the sleeping soul? ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,
6:As the darkness of centuries is scattered when the light is brought into a chamber, so the accumulated faults of numberless births vanish before a single shaft of the light of the Almighty. ~ Ramakrishna, the Eternal Wisdom
7:Experience is never limited and it is never complete; it is an immense sensibility, a kind of huge spider web of the finest silken threads suspended in the chamber of consciousness and catching every airborne particle in its tissue. ~ Henry James, The Art of Fiction,
8:Enter the inner chamber of your mind; shut out all thoughts. Keep only thought of God, and thoughts that can aid you in seeking him. Close your door and seek him. Speak now, my whole heart! Speak now to God, saying, I seek your face; your face, Lord, will I seek. ~ Anselm,
9:A sumptuous chamber of the spirit's sleep
At first she made, a deep interior room,
Where he slumbers as if a forgotten guest. ~ Sri Aurobindo, Savitri, 02.06,
10:Knowledge comes not to us as a guest
Called into our chamber from the outer world;
A friend and inmate of our secret self,
It hid behind our minds and fell asleep
And slowly wakes beneath the blows of life. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Little Mind,
11:What do I advise? Forget it all. Don't be afraid. Do what you get the most pleasure from. Is it to build a cloud chamber? Then go on doing things like that. Develop your talents wherever they may lead. Damn the torpedoes - full speed ahead!
   If you have any talent, or any occupation that delights you, do it, and do it to the hilt ~ Richard P Feynman,
12:8. Now let us turn at last to our castle with its many mansions. You must not think of a suite of rooms placed in succession, but fix your eyes on the keep, the court inhabited by the King.23' Like the kernel of the palmito,24' from which several rinds must be removed before coming to the eatable part, this principal chamber is surrounded by many others. However large, magnificent, and spacious you imagine this castle to be, you cannot exaggerate it; the capacity of the soul is beyond all our understanding, and the Sun within this palace enlightens every part of it. ~ Saint Teresa of Avila, The Interior Castle,
13:The truth is that Tolstoy, with his immense genius, with his colossal faith, with his vast fearlessness and vast knowledge of life, is deficient in one faculty and one faculty alone. He is not a mystic; and therefore he has a tendency to go mad. Men talk of the extravagances and frenzies that have been produced by mysticism; they are a mere drop in the bucket. In the main, and from the beginning of time, mysticism has kept men sane. The thing that has driven them mad was logic. ...The only thing that has kept the race of men from the mad extremes of the convent and the pirate-galley, the night-club and the lethal chamber, has been mysticism - the belief that logic is misleading, and that things are not what they seem. ~ G K Chesterton, Tolstoy,
14:MATT: Okay. You spiral upward and upward and upward, climbing an extremely long period of time.

Your legs begin to ache a little bit. Then another floor opens up. It appears the tower is now divided into two chambers. From the bottom floor up, it's now two sides to a tower and you're on the right side. The hallway curves around the outer edge of the tower. On the opposite side, you can see the staircase continues upward. The interior of this chamber appears to be an incredible arcane laboratory, occupying the center space of the tower inside. You see six overlapping circles of dulled runes and glyphs that encompass the entire 30-foot walkway between here and the stairs. Shelves and tables of countless glass tubes and metallic vices lay out across tables, organized in a near-OCD pattern. Tomes and books line the inner chamber walls. What do you guys do? ~ Matt Mercer, Critical Role,
15:The greatest value of the dream-state of Samadhi lies, however, not in these more outward things, but in its power to open up easily higher ranges and powers of thought, emotion, will by which the soul grows in height, range and self-mastery. Especially, withdrawing from the distraction of sensible things, it can, in a perfect power of concentrated self-seclusion, prepare itself by a free reasoning, thought, discrimination or more intimately, more finally, by an ever deeper vision and identification, for access to the Divine, the supreme Self, the transcendent Truth, both in its principles and powers and manifestations and in its highest original Being. Or it can by an absorbed inner joy and emotion, as in a sealed and secluded chamber of the soul, prepare itself for the delight of union with the divine Beloved, the Master of all bliss, rapture and Ananda.
   ~ Sri Aurobindo, The Synthesis Of Yoga, Part Two: The Yoga of Integral Knowledge, Chapter 26, Samadhi, pg. 503,
16:7. The Meeting with the Goddess:The ultimate adventure, when all the barriers and ogres have been overcome, is commonly represented as a mystical marriage of the triumphant hero-soul with the Queen Goddess of the World. This is the crisis at the nadir, the zenith, or at the uttermost edge of the earth, at the central point of the cosmos, in the tabernacle of the temple, or within the darkness of the deepest chamber of the heart. The meeting with the goddess (who is incarnate in every woman) is the final test of the talent of the hero to win the boon of love (charity: amor fati), which is life itself enjoyed as the encasement of eternity. And when the adventurer, in this context, is not a youth but a maid, she is the one who, by her qualities, her beauty, or her yearning, is fit to become the consort of an immortal. Then the heavenly husband descends to her and conducts her to his bed-whether she will or not. And if she has shunned him, the scales fall from her eyes; if she has sought him, her desire finds its peace. ~ Joseph Campbell,
17:O soul, it is too early to rejoice!
Thou hast reached the boundless silence of the Self,
Thou hast leaped into a glad divine abyss;
But where hast thou thrown Self's mission and Self's power?
On what dead bank on the Eternal's road?
One was within thee who was self and world,
What hast thou done for his purpose in the stars?
Escape brings not the victory and the crown!
Something thou cam'st to do from the Unknown,
But nothing is finished and the world goes on
Because only half God's cosmic work is done.
Only the everlasting No has neared
And stared into thy eyes and killed thy heart:
But where is the Lover's everlasting Yes,
And immortality in the secret heart,
The voice that chants to the creator Fire,
The symbolled OM, the great assenting Word,
The bridge between the rapture and the calm,
The passion and the beauty of the Bride,
The chamber where the glorious enemies kiss,
The smile that saves, the golden peak of things?
This too is Truth at the mystic fount of Life. ~ Sri Aurobindo, Savitri, The Adoration of the Divine Mother,

*** WISDOM TROVE ***

1:One need not be a chamber to be haunted. ~ emily-dickinson, @wisdomtrove
2:No man is a hero to his valet de chamber ~ georg-wilhelm-friedrich-hegel, @wisdomtrove
3:A healthy body is the guest-chamber of the soul; a sick, its prison. ~ francis-bacon, @wisdomtrove
4:Harvard gave me an education, but Junior Chamber gave me an education for life. ~ john-f-kennedy, @wisdomtrove
5:Perched upon a bust of Pallas, just above my chamber door,- Perched, and sat, and nothing more. ~ edgar-allan-poe, @wisdomtrove
6:All the unhappiness of men arises from one single fact, that they cannot stay quietly in their own chamber. ~ blaise-pascal, @wisdomtrove
7:One need not be a chamber to be haunted; One need not be a house; The brain has corridors surpassing Material place. ~ emily-dickinson, @wisdomtrove
8:At least to pray is left - is left Oh Jesus - in the Air - I know not which thy chamber is - I'm knocking everywhere. ~ emily-dickinson, @wisdomtrove
9:Dearest Jesus, holy child, make thee a bed, soft, undefiled, within my heart, that it may be a quiet chamber kept for thee. ~ martin-luther, @wisdomtrove
10:For if Chloe likes Olivia and Mary Carmichael knows how to express it she will light a torch in that vast chamber where nobody has yet been. ~ virginia-woolf, @wisdomtrove
11:Here and there, human nature may be great in times of trial, but generally speaking it is its weakness and not its strength that appears in a sick chamber. ~ jane-austen, @wisdomtrove
12:And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"‚ here I opened wide the door; ‚ Darkness there, and nothing more. ~ edgar-allan-poe, @wisdomtrove
13:Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like. ~ haruki-murakami, @wisdomtrove
14:Sorrow is not a raven perched persistently above a chamber door. Sorrow is a thing with teeth, and while in time it retreats, it comes back at the whisper of it's name. ~ dean-koontz, @wisdomtrove
15:When you meditate, go into the solitude of a forest, or a quiet corner, and enter into the chamber of your heart. And always keep your power of discrimination awake. ~ sri-ramakrishna, @wisdomtrove
16:Alas, alas, that ever love was sin! I ever followed natural inclination Under the power of my constellation And was unable to deny, in truth, My chamber of Venus to a likely youth. ~ geoffrey-chaucer, @wisdomtrove
17:I think it not improbable that man, like the grub that prepares a chamber for the winged thing it never has seen but is to be - that man may have cosmic destinies that he does not understand. ~ oliver-wendell-holmes-jr, @wisdomtrove
18:Science is a first-rate piece of furniture for a man's upper chamber, if he has common sense on the ground-floor. But if a man hasn't got plenty of good common sense, the more science he has, the worse for his patient. ~ oliver-wendell-holmes-sr, @wisdomtrove
19:When it comes to the pinch, human beings are heroic. Women face childbed and the scrubbing brush, revolutionaries keep their mouths shut in the torture chamber, battleships go down with their guns still firing when their decks are awash. ~ george-orwell, @wisdomtrove
20:The only thing that has kept the race of men from the mad extremes of the convent and the pirate-galley, the night-club and the lethal chamber, has been mysticism - the belief that logic is misleading, and that things are not what they seem. ~ g-k-chesterton, @wisdomtrove
21:When I have occasionally set myself to consider the different distractions of men, the pains and perils to which they expose themselves I have discovered that all the unhappiness of men arises from one single fact, that they cannot stay quietly in their own chamber. ~ blaise-pascal, @wisdomtrove
22:Those tragic comedians, the Chamber of Commerce red hunters, the Women's Christian Temperance Union smellers, the censors of books, the Klan regulators, the Methodist prowlers, the Baptist guardians of sacred vessels-we have the national mentality of a police lieutenant. ~ h-l-mencken, @wisdomtrove
23:Give up all sorts of fears, worries, anxieties and cares. Do not be disheartened by failures and setbacks. Draw strength and courage from God dwelling in the chamber of your heart. Pain is the best thing in the world. It is an eye-opener. It awakens your dormant faculties. Never forget this. ~ sivananda, @wisdomtrove
24:The town was glad with morning light; places that had shown ugly and distrustful all night long, now wore a smile; and sparkling sunbeams dancing on chamber windows, and twinkling through blind and curtain before sleepers’ eyes, shed light even into dreams, and chased away the shadows of the night. ~ charles-dickens, @wisdomtrove
25:So this is it," said Arthur, "We are going to die." "Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried. "What? Where?" cried Arthur, twisting round. "No, I was only fooling," said Ford, "we are going to die after all. ~ douglas-adams, @wisdomtrove
26:And the silken sad uncertain rustling of each purple curtain Thrilled me ‚ filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door ‚ Some late visitor entreating entrance at my chamber door; ‚ This it is, and nothing more. ~ edgar-allan-poe, @wisdomtrove
27:The rich, sweet smell of the hayricks rose to his chamber window; the hundred perfumes of the little flower-garden beneath scented the air around; the deep-green meadows shone in the morning dew that glistened on every leaf as it trembled in the gentle air: and the birds sang as if every sparkling drop were a fountain of inspiration to them. ~ charles-dickens, @wisdomtrove
28:Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore&
29:Heaped on the floor were turkeys, geese, game, poultry, brawn, great joints of meat, sucking pigs, long wreaths of sausages, mince-pies, plum-puddings, bartrels of oysters, re-hot chestnuts, cherry-cheeked apples, juicy oranges, luscious pears, immense twelfth-cakes, and seething bowls of punch that made the chamber dim with their delicious steam. ~ charles-dickens, @wisdomtrove
30:And the Raven, never flitting, Still is sitting, still is sitting On the pallid bust of Pallas Just above my chamber door; And his eyes have all the seeming Of a demon's that is dreaming, And the lamplight o'er him streaming Throws his shadow on the floor, And my soul from out that shadow, That lies floating on the floor, Shall be lifted - nevermore. ~ edgar-allan-poe, @wisdomtrove
31:Dwell, O mind, within yourself; Enter no other's home. If you but seek there, you will find All you are searching for. God, the true Philosopher's Stone, Who answers every prayer, Lies hidden deep within your heart, The richest gem of all. How many pearls and precious stones Are scattered all about The outer court that lies before The chamber of your heart! ~ sri-ramakrishna, @wisdomtrove
32:When I shall be dead, the principles of which I am composed will still perform their part in the universe, and will be equally useful in the grand fabric, as when they composed this individual creature. The difference to the whole will be no greater betwixt my being in a chamber and in the open air. The one change is of more importance to me than the other; but not more so to the universe. ~ david-hume, @wisdomtrove
33:If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I'd go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the &
34:To draw an analogy: a man's suffering is similar to the behavior of a gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative. ~ viktor-frankl, @wisdomtrove
35:One need not be a Chamber - to be Haunted - One need not be a House - The Brain - has Corridors - surpassing Material Place - Far safer, of a Midnight - meeting External Ghost - Than an Interior - Confronting - That cooler - Host. Far safer, through an Abbey - gallop - The Stones a'chase - Than Moonless - One's A'self encounter - In lonesome place - Ourself - behind ourself - Concealed - Should startle - most. ~ emily-dickinson, @wisdomtrove
36:Alas," said the mouse, "the whole world is growing smaller every day. At the beginning it was so big that I was afraid, I kept running and running, and I was glad when I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I must run into." "You only need to change your direction," said the cat, and ate it up. ~ franz-kafka, @wisdomtrove
37:It struck him that in moments of crisis one is never fighting against an external enemy, but always against one’s own body... On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth. ~ george-orwell, @wisdomtrove
38:The car shot forward straight into the circle of light, and suddenly Arthur had a fairly clear idea of what infinity looked like. It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity‚distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself. ~ douglas-adams, @wisdomtrove
39:When Satan cannot get a great sin in he will let a little one in, like the thief who goes and finds shutters all coated with iron and bolted inside. At last he sees a little window in a chamber. He cannot get in, so he puts a little boy in, that he may go round and open the back door. So the devil has always his little sins to carry about with him to go and open back doors for him, and we let one in and say, &
40:Observers in the full enjoyment of their bodily senses pity me, but it is because they do not see the golden chamber in my life where I dwell delighted; for, dark as my path may seem to them, I carry a magic light in my heart. Faith, the spiritual strong searchlight, illumines the way, and although sinister doubts lurk in the shadow, I walk unafraid towards the Enchanted Wood where the foliage is always green, where joy abides, where nightingales nest and sing, and where life and death are one in the Presence of the Lord. ~ hellen-keller, @wisdomtrove
41:The Inner Teachings of all great religions contain references to a Silent Place of the Soul in which the Individual Spirit communes with the Infinite Spirit of Life. Many are the references to the Inner Chamber, the door to which will be opened to him who gives the Right Knock. Many are the admonitions to “Enter into thine Inner Chamber and shut the Door.” This Inner Chamber is not the physical place which so many have considered it to be. It is the Quiet Place of the Soul— the Sanctuary of the Spirit— the state of Spiritual Consciousness. ~ william-walker-atkinson, @wisdomtrove
42:I can easily believe it. Women of that class have great opportunities, and if they are intelligent may be well worth listening to. Such varieites of human nature as they are in the habit of witnessing! And it is not merely in its follies, that they are read; for they see it occasionally under every circumstance that can be most interesting or affecting. What instances must pass before them of ardent, disinterested, self-denying attachment, of heroism, fortitude, patience, resignation&

*** NEWFULLDB 2.4M ***

1:Conscience is the chamber of justice. ~ Origen,
2:Tyranny sets up its own echo-chamber. ~ Bruce Chatwin,
3:There'll be no smoking in the gas chamber. ~ Jimi Hendrix,
4:One need not be a chamber to be haunted. ~ Emily Dickinson,
5:I will make a Star-chamber matter of it. ~ William Shakespeare,
6:Solitude is the audience-chamber of God. ~ Walter Savage Landor,
7:No man is a hero to his valet de chamber ~ Georg Wilhelm Friedrich Hegel,
8:Poetry reading is the chamber music of the actor's craft. ~ Robert Lacey,
9:The 9th chamber, leave you trapped inside my hallway ~ Ghostface Killah,
10:Chamber music - a conversation between friends. ~ Catherine Drinker Bowen,
11:Tis some visiter entreating entrance at my chamber door  ~ Edgar Allan Poe,
12:and the Chamber of Commerce was handing out cyanide capsules. ~ Carl Hiaasen,
13:He wants to put his basilisk into your Chamber of Secrets! ~ Chelsea M Cameron,
14:She had set it on the Internet, its own peculiar echo chamber. ~ Sherry Turkle,
15:I feel—as though a new chamber of my heart has opened.” “Listen. ~ Eleanor Catton,
16:Laura Brandt knew all about coming out of a suspension chamber. ~ Peter F Hamilton,
17:The Chamber Of Secrets had been opened. Enemies of the heir, beware. ~ J K Rowling,
18:THE CHAMBER OF SECRETS HAS BEEN OPENED. ENEMIES OF THE HEIR, BEWARE. ~ J K Rowling,
19:There are two ways to go to the gas chamber, free and not free. ~ Jean Paul Sartre,
20:The Chamber Of Secrets had been opened.
Enemies of the heir, beware. ~ J K Rowling,
21:A work of art is an echo chamber which repeats what people say about it. ~ Mason Cooley,
22:It was Hagrid, Ron. Hagrid opened the Chamber of Secrets fifty years ago. ~ J K Rowling,
23:I began like all composers, writing for small groups. Chamber groups. ~ David Del Tredici,
24:Of all Mother’s punishments, I hated the gas chamber game the most. Towards ~ Dave Pelzer,
25:We follow instructions to my destination, a chamber for my preparation. ~ Suzanne Collins,
26:Think of it! A second chamber selected by the Whips. A seraglio of eunuchs. ~ Michael Foot,
27:dwells in the silent chamber of the heart of everyone and everything. ~ Maharishi Mahesh Yogi,
28:It had rocked him to the core, finding the woman he loved in that torture chamber. ~ Anonymous,
29:Harvard gave me an education, but Junior Chamber gave me an education for life. ~ John F Kennedy,
30:It is not vain glory for a man and his glass to confer in his own chamber. ~ William Shakespeare,
31:Milord, Knight in Shining Armor, methinks thou hast a present in thy chamber. ~ Sherrilyn Kenyon,
32:The satyagrahi enters the jail cell as the bridegroom enters the bridal chamber ~ Mahatma Gandhi,
33:The Voice Chamber hatches a new and healthy experience of the vibrational universe ~ W A Mathieu,
34:Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged servant. ~ J K Rowling,
35:In my heart’s chamber lives the unworshipped God. ~ Sri Aurobindo, Collected Poems, Omnipresence,
36:I throw myself down in my chamber, and I call and invite God and his angels thither. ~ John Donne,
37:The first thing I did when they opened the chamber was puke on the guy’s shoes. ~ Victor Gischler,
38:In a universe of love there can be no heaven which tolerates a chamber of horrors. ~ John Robinson,
39:Janner woke with a start and leapt to his feet. The chamber was completely dark. ~ Andrew Peterson,
40:South Dakota... is like the world's first drive-through sensory deprivation chamber. ~ Bill Bryson,
41:Suddenly I heard a tapping, as of someone gently rapping, rapping at my chamber door ~ C J Roberts,
42:Mohammed? Are you kidding? He was dreamed up by the Mecca Chamber of Commerce. ~ William S Burroughs,
43:Be the time he finds his way out of the chamber and the planetarium, he has become me. ~ Dexter Palmer,
44:There is but an inch of difference between the cushioned chamber and the padded cell. ~ G K Chesterton,
45:Only in the chamber of death writhed the world's most piteous thing—a childless mother. ~ W E B Du Bois,
46:There is but an inch of difference between a cushioned chamber and a padded cell. ~ Gilbert K Chesterton,
47:you should take your consciences with you, and leave your politics in the chamber.’ Lord ~ Jeffrey Archer,
48:needs locks when you have a pair of beefcake warlocks to guard your secret chamber of evil? ~ Tim Waggoner,
49:TO go into solitude, a man needs to retire as much from his chamber as from society. ~ Ralph Waldo Emerson,
50:On that day he came forth from the bridal chamber as one born of a bridegroom and a bride. ~ Marvin W Meyer,
51:Oy, pea-brain! yelled Ron from the other side of the chamber, and he threw a metal pipe at it. ~ J K Rowling,
52:The word for 'book' in all the known languages of the earth is vallon, 'chamber of words'... ~ Sofia Samatar,
53:If you want to know whether the emperor is truly divine, ask the man who empties his chamber pot. ~ Anonymous,
54:I look forward to the day when the Westminster Parliament is just a council chamber in Europe ~ Kenneth Clarke,
55:I couldn’t end my life sealed in a chamber. My long sleep was approaching. The one I had chosen. ~ Rhett C Bruno,
56:Perched upon a bust of Pallas, just above my chamber door,- Perched, and sat, and nothing more. ~ Edgar Allan Poe,
57:The asteroid was longer on the inside than it was on the outside. The seventh chamber went on forever. ~ Greg Bear,
58:Nobody outside of a baby carriage or a judge's chamber believes in an unprejudiced point of view. ~ Lillian Hellman,
59:both her secret life and her despair lay in the same inner chamber of her heart, inaccessible to me. ~ Julian Barnes,
60:She seemed to be occupied with of inner chamber of ideas and to have slight need for visible objects. ~ Thomas Hardy,
61:Nothing is as secret as a secret secured within the chamber of secrets that is attorney-client privilege. ~ Anonymous,
62:The sensory deprivation chamber has been the most important tool that I've ever used for developing my mind ~ Joe Rogan,
63:I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music. ~ Tod Machover,
64:All the unhappiness of men arises from one single fact, that they cannot stay quietly in their own chamber. ~ Blaise Pascal,
65:And it’s been so long since most of our boys have sailed they hardly know a poop deck from a chamber pot! ~ Andrew Peterson,
66:Even the positioning of the King's Chamber inside the the Great Pyramid of Giza was temporally allocated! ~ Ibrahim Ibrahim,
67:Yes, darling. It’s not a torture chamber. It’s my pleasure room.” Yes, that’s a good way to phrase it to her. ~ Avery Aster,
68:The confessional is not a torture chamber, but the place in which the Lord's mercy motivates us to do better. ~ Pope Francis,
69:Green Chamber. That oldest area of the catacombs housed the bodies of the first rulers and heroes of Lythnia. ~ Daniel Arenson,
70:Her scream of utter horror and fright was a sound that no one in the chamber would ever forget.
~Crispin.~ ~ J L Clayton,
71:Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti. ~ Neville Marriner,
72:The night was screams, and the smell of gunpodwer, and my gun snapping shut with a fresh round in the chamber. ~ Alwyn Hamilton,
73:In its beginnings, music was merely chamber music, meant to be listened to in a small space by a small audience. ~ Gustav Mahler,
74:I say, `Woe to them that have a nose, a real nose,
and come to look round the torture-chamber! Aha, aha, aha! ~ Gaston Leroux,
75:Lord, what wilt thou have me to do?" Leave not thy chamber this morning without enquiring of the Lord. ~ Charles Haddon Spurgeon,
76:I arise from dreams of thee, And a spirit in my feet Has led me- who knows how? To thy chamber-window, Sweet! ~ Percy Bysshe Shelley,
77:Maybe he was the same. A bullet in a chamber, spending his whole life waiting for the moment he would have direction. ~ Leigh Bardugo,
78:One need not be a chamber to be haunted; One need not be a house; The brain has corridors surpassing Material place. ~ Emily Dickinson,
79:The piano is really the featured instrument of a 10-piece chamber orchestra. The construction is the harmonic language. ~ Howard Shore,
80:Whiskeyjack’s eyes widened as a crowd of excited guests poured out from the main chamber and gathered on the terrace. ~ Steven Erikson,
81:At least to pray is left - is left Oh Jesus - in the Air - I know not which thy chamber is - I'm knocking everywhere. ~ Emily Dickinson,
82:Greater magics than mine are afoot in this chamber, where blade and cup and dram are met with love such as yours. ~ Meredith Ann Pierce,
83:What passes for real debate in Washington often seems more like an echo chamber, with politicians talking at politicians. ~ Bill Delahunt,
84:Wilmer’s head was smiling at least.” “What about Myra?” “You don’t want to know.” They spilled into another chamber, ~ Michael J Sullivan,
85:The sports world is an echo chamber. All it takes is one quote from a general manager and a thousand sports columns bloom. ~ Michael Lewis,
86:a kind of wonder at the secret chamber at the center of every human heart whose contents are unguessable from the outside. ~ Naomi Alderman,
87:Dearest Jesus, holy child, make thee a bed, soft, undefiled, within my heart, that it may be a quiet chamber kept for thee. ~ Martin Luther,
88:Nebraska Democrat Bob Kerrey summed up the prevailing upper-chamber opinion in five words: “Santorum—that’s Latin for ‘asshole. ~ Anonymous,
89:Nothing remained now but to take my freedom to my chamber, to carry it with me to my bed and see what I could make of it. ~ Charlotte Bront,
90:If you were going to carry a gun, you kept a round in the chamber. Didn’t do you much good when you needed it if you didn’t. We ~ M D Massey,
91:Science is a first-rate piece of furniture for a man's upper chamber, if he has common sense on the ground floor. ~ Oliver Wendell Holmes Sr,
92:I arise from dreams of thee,
And a spirit in my feet
Has led me- who knows how?
To thy chamber-window, Sweet! ~ Percy Bysshe Shelley,
93:Take thou of me, sweet pillowes, sweetest bed; A chamber deafe of noise, and blind of light, A rosie garland and a weary hed. ~ Philip Sidney,
94:Homogeneity breeds weakness: theoretical blind spots, stale paradigms, an echo-chamber mentality, and cults of personality. ~ V S Ramachandran,
95:The chamber grew suddenly silent, the only other person with first-hand knowledge of the matter staring pensively at the floor. ~ Marcha A Fox,
96:The tyrant now Trusts not to men: nightly within his chamber The watch-dog guards his couch, the only friend He now dare trust. ~ Joanna Baillie,
97:This is like playing Russian roulette with a Luger rather than a revolver. One bullet, one chamber - and we're pulling the trigger. ~ Mark Lynas,
98:We force ourselves to step outside our inner chamber of habitual thoughts and connect to the world, to other people, to reality. ~ Robert Greene,
99:You, alone, chose and accepted responsibility for your path, and that is why you will leave this chamber on your own two feet. ~ Jennifer Turner,
100:As a scientist Throckmorton knew that if he were ever to break wind in the echo chamber, he would never hear the end of it ~ Edward Bulwer Lytton,
101:I have discovered that all the unhappiness of men arises from one single fact, that they cannot stay quietly in their own chamber. ~ Blaise Pascal,
102:One need not be a chamber to be haunted, One need not be a house; The brain has corridors surpassing Material place.—EMILY DICKINSON ~ Karen White,
103:The way into the hall of success always passes through the chamber of decision. Decide to be a success; success is deliberate! ~ Israelmore Ayivor,
104:condoms are about as effective against AIDS as a twenty-four-chamber gun instead of a six-chamber gun when playing Russian roulette. ~ Peter Kreeft,
105:My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats. ~ Kool Moe Dee,
106:Was sheathed tightly, stroked by Derek’s clenching muscles, swelling in its prince’s chamber, even as Rico started to rock back and forth. ~ Amy Lane,
107:But a sad fatality hung over this young girl. She had been given to seven husbands, all of whom had perished in the bride-chamber. ~ S ren Kierkegaard,
108:Gas chamber, gallows. Electric chair, stake, firing squad. Hang by the neck till you’re dead, dead, dead, and may God recycle your soul. ~ John Varley,
109:Her scream of utter horror and fright was a sound that no one in the chamber would ever forget.
~ J L ClaytonCrispin.~ J L Clayton ~ J L Clayton,
110:I took my mother-in-law to Madame Tussaud's Chamber of Horrors, and one of the attendants said: 'Keep her moving sir; we're stock-taking.' ~ Les Dawson,
111:Every Senator in this Chamber is partly responsible for sending 50,000 young Americans to an early grave. This Chamber reeks of blood. ~ George McGovern,
112:Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. ~ William Shakespeare,
113:Together they went to the chamber and performed a number of erotic exercises, after which Cugel collapsed into a sleep of utter exhaustion, ~ Jack Vance,
114:One need not be a Chamber — to be Haunted —
One need not be a House —
The Brain has Corridors — surpassing
Material Place — ~ Emily Dickinson,
115:Beast looks as if he wishes to put his head down on the table and weep. Or perhaps lock Sybella up in her chamber for the next few weeks. ~ Robin LaFevers,
116:A successful current affairs television show seems to be more and more a cross between a music hall turn and a scene in a torture chamber. ~ Harold MacMillan,
117:For if Chloe likes Olivia and Mary Carmichael knows how to express it she will light a torch in that vast chamber where nobody has yet been. ~ Virginia Woolf,
118:However, there is something worse than idealizing the past—or presenting it to ourselves and our children as a chamber of horrors: forgetting it. ~ Tony Judt,
119:Personally I didn't believe God had a private torture chamber. Hell was being cut off from God, cut off from his power, his energy, Him. ~ Laurell K Hamilton,
120:Dance Dance Revolution was, however, no enticement whatsoever to one who had tasted the delights of the King of Sacramento's shadowed chamber. ~ Frank Portman,
121:Be stern in the council-chamber, [Show no weakness, and insist on your plans being ratified by the sovereign.] so that you may control the situation. ~ Sun Tzu,
122:Goosey, Goosey, Gander
GOOSEY, goosey, gander,
Whither will you wander?
Upstairs and downstairs,
And in my lady's chamber!
~ Beatrix Potter,
123:Let not him then who cannot enter into the chamber of hidden treasure complain that he is poor and has no part in these riches. ~ J. Tauler, “Institutions.” 27,
124:... she had insisted on keeping the doors and windows shut, as if a sealed chamber could prevent death from entering, or life from leaving her. ~ Peter Cameron,
125:What does this mean, Albus?” Professor McGonagall asked urgently. “It means,” said Dumbledore, “that the Chamber of Secrets is indeed open again. ~ J K Rowling,
126:Romance," said Antony. "A con so crazy that by the time the bullet's in the chamber, you don't know if you've taken someone or you've been taken. ~ Jeffrey Ford,
127:The dimensions of the Great Pyramid of Giza are coupled with the dimensions of the King's Chamber inside of it through the constant of 100 PI. ~ Ibrahim Ibrahim,
128:Before the castle gate all was as the fox had said: so the son went in and found the chamber where the golden bird hung in a wooden cage, and below ~ Jacob Grimm,
129:It's been so important that the Chamber of Commerce, for example, has hosted hiring fairs that are specifically targeted to military communities. ~ Michelle Obama,
130:So I find every pleasant spot In which we two were wont to meet, The field, the chamber, and the street, For all is dark where thou art not ~ Alfred Lord Tennyson,
131:The soul of a young girl should not be left in the dark; later on, mirages that are too abrupt and too lively are formed there, as in a dark chamber. ~ Victor Hugo,
132:The word for “book” in all the known languages of the earth is vallon, “chamber of words,” the Olondrian name for that tool of enchantment and art. ~ Sofia Samatar,
133:When the door to my writing chamber gasps shut and the almost imperceptible sigh of a rose petal falls on my desk, I know that my muse is present. ~ Brandi L Bates,
134:And I know that God made the heart the most fragile and resilient of all organs, that a lifetime of joy and pain might be encased in one mortal chamber. ~ Tosca Lee,
135:I'm not going anywhere!" said Harry fiercely. "One of my best friends is Muggle-born; she'll be first in line if the Chamber really has been opened... ~ J K Rowling,
136:For us, genocide was the gas chamber - what happened in Germany. We were not able to realize that with the machete you can create a genocide. ~ Boutros Boutros Ghali,
137:I am not looking to escape the pressure. I am embracing it. Pressure is what builds up in the chamber behind a bullet before it explodes out of the gun. ~ Ronda Rousey,
138:The Internet is just one big gossip chamber - that's why it's so fascinating and entertaining. It's a fabulous platform for superficial communication. ~ Sufjan Stevens,
139:One need not be a Chamber - to be Haunted -  One need not be a House -  The Brain has Corridors - surpassing  Material Place - ~ Emily Dickinson, Poem 670 (1863).,
140:So I find every pleasant spot
In which we two were wont to meet,
The field, the chamber, and the street,
For all is dark where thou art not ~ Alfred Tennyson,
141:Don't accommodate complains in your chamber, else you have a sleepless and restless night. Keep them away and fall in love with actions for solution! ~ Israelmore Ayivor,
142:Emerging onto the main level, Mappo and Fiddler were accosted with the harsh echo of a shouting voice, bouncing down the hallway from the altar chamber. ~ Steven Erikson,
143:Here and there, human nature may be great in times of trial, but generally speaking it is its weakness and not its strength that appears in a sick chamber. ~ Jane Austen,
144:Please take General Crinkle to the torture chamber. There you will kindly slice him into thin slices. Afterward you may feed him to the seven-headed dogs. ~ L Frank Baum,
145:heir alone would be able to unseal the Chamber of Secrets, unleash the horror within, and use it to purge the school of all who were unworthy to study magic. ~ J K Rowling,
146:However senior or accomplished, they were not allowed into the college’s senior common room but instead had to take their meals in a more utilitarian chamber ~ Bill Bryson,
147:have from all quarters received. Be in your chamber then at that hour, and do not take it amiss if your visitor wear a mask. “This is indeed a mystery, ~ Arthur Conan Doyle,
148:I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth. ~ Mac DeMarco,
149:The werewolf hit the exsanguination chamber in a vicious storm of fang and claw and began unceremoniously tearing everything apart. Including the scientists. ~ Gail Carriger,
150:I want you to slip it under Mademoiselle d’Albon’s chamber door. If she opens it and throws an axe at you, come and tell me. If not, you may go back to bed. ~ Dorothy Dunnett,
151:Man beset by anarchy, banditry, chaos and extinction must at last resort turn to that chamber of horrors, human enlightenment. For he has nowhere else to turn. ~ Robert Ardrey,
152:The heir alone would be able to unseal the Chamber of Secrets, unleash the horror within, and use it to purge the school of all who were unworthy to study magic. ~ J K Rowling,
153:There's this Tea Party wing, the Republican Party with the Chamber of commerce folks and all of those other people. They are not anti-immigration, by the way. ~ Julie Roginsky,
154:One of my favorite things - and I am sure everybody else's in this Chamber - is to give away money. You really don't get much opposition when you give away money. ~ Michael Enzi,
155:I ordered Clyde to guard while I retrieved Frankie’s .45 from under the couch, verified there wasn’t a round in the chamber, then shoved the gun into my belt. I ~ Barbara Nickless,
156:One day we were taken in groups to experience the altitude chamber, a sealed room in which the air pressure is slowly lowered to simulate an altitude of 25,000 feet. ~ Scott Kelly,
157:The chamber where the good man meets his fate  Is privileg’d beyond the common walk  Of virtuous life, quite in the verge of heaven. ~ Edward Young, Night-Thoughts (1742–1745),
158:And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. ~ Edgar Allan Poe,
159:I would have it inscribed on the curtains of your bed and the walls of your chamber: "If you do not rise early you can make progress in nothing." ~ William Pitt 1st Earl of Chatham,
160:Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like. ~ Haruki Murakami,
161:I did take composition lessons when I was in high school, so I wrote piano pieces. I wrote some chamber music. I don't think any of that was particularly interesting. ~ Tod Machover,
162:Meanwhile, the secretive Senate met upstairs in a chamber without a spectator section. For the first five years, senators conducted their business behind closed doors. ~ Ron Chernow,
163:Sorrow is not a raven perched persistently above a chamber door. Sorrow is a thing with teeth, and while in time it retreats, it comes back at the whisper of its name. ~ Dean Koontz,
164:100 multiples of the Fine Structure Constant charges the King's Chamber volume based on a ratio of GPG's Base Diagonal Length Squared over the Speed of Light value. ~ Ibrahim Ibrahim,
165:I forgot that there were fields, woods, rivers, seas, an ever-changing sky outside the steam-dimmed lattice of this sick-chamber; I was almost content to forget it. ~ Charlotte Bront,
166:Mishkin even took $124,000 from the Iceland Chamber of Commerce to write a paper endorsing the country’s economic model, just a few years before it collapsed.59 ~ Christopher L Hayes,
167:Sorrow is not a raven perched persistently above a chamber door. Sorrow is a thing with teeth, and while in time it retreats, it comes back at the whisper of it's name. ~ Dean Koontz,
168:The heir alone would be able to unseal the Chamber of Secrets, unleash the horror within, and use it to purge the school of all who were unworthy to study magic.” There ~ J K Rowling,
169:The last thing Janner knew as he drifted off was the low groan of the ghost of Brimney Stupe. It filled the chamber and whipped the torch flame in an unseen breeze. ~ Andrew Peterson,
170:If you have one strong idea, you can't help repeating it and embroidering it. Sometimes I think that authors should write one novel and then be put in a gas chamber. ~ John P Marquand,
171:When you meditate, go into the solitude of a forest, or a quiet corner, and enter into the chamber of your heart. And always keep your power of discrimination awake. ~ Sri Ramakrishna,
172:No man lives in the external truth, among salt and acids, but in the warm, phantasmagoric chamber of his brain, with the painted windows and the storied walls. ~ Robert Louis Stevenson,
173:The only type of humor that is excused lower classness is satire, and satire is the chamber music of comedy - a joke that many people profess to enjoy, but few actually get. ~ A A Gill,
174:This must be how I broke through the concrete in Warner's torture chamber. Which means I still have no idea how I broke through the concrete in Warner's torture chamber. ~ Tahereh Mafi,
175:Tread carefully when using a Time-Turner, stop searching for the Chamber of Secrets — unless you're a Parselmouth — and don't linger too long before the Mirror of Erised. ~ J K Rowling,
176:Haida preferred to listen to instrumental music, chamber music, and vocal recordings. Music where the orchestral component was loud and prominent wasn’t to his liking. ~ Haruki Murakami,
177:A censure would put an indelible scar on the president's place in history, .. Monica Lewinsky is not Watergate. Let he who has no sin in this chamber cast the first stone. ~ Bob Menendez,
178:At night I sit in my chamber and read the bible. Far in the distance roars the sea. Then I lie down and think for a long time about the calm and pale man from Nazareth. ~ Joseph Goebbels,
179:Because no civilized man greets the woman working in the courtyard by waving his cock out the window and pissing on her sachet flowers. He uses a chamber pot, don’t you think? ~ Ginn Hale,
180:I see it only that thyself is here, and art and nature, hope and fate, friends, angels and the supreme being shall not be absent from the chamber where thou sittest. ~ Ralph Waldo Emerson,
181:Let us, then, take all our perplexities to Him, and say, "Lord, what will you have me to do?" Leave not your chamber this morning, without enquiring of the Lord. ~ Charles Haddon Spurgeon,
182:Oh, get out of the way, Percy,” said Fred. “Harry’s in a hurry.” “Yeah, he’s off to the Chamber of Secrets for a cup of tea with his fanged servant,” said George, chortling. ~ J K Rowling,
183:On Asking to Have the Candy Passed to Me During Schindler’s List “What do you want—the candy? They’re throwing people in the fucking gas chamber, and you want a Skittles? ~ Justin Halpern,
184:On a wall of her burial chamber, Ramesses summed up his love for her as such: "My love is unique and none can rival her ... Just by passing, she has stolen away my heart. ~ Michelle Moran,
185:The significance of King's Chamber of the Great Pyramid of Giza is not only demonstrated through its positioning inside the pyramid structure, but also through its size. ~ Ibrahim Ibrahim,
186:And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more. ~ Edgar Allan Poe,
187:He came forth rejoicing as a bridegroom and suffered the pangs of love. Then He returned to His secret chamber in the silence and stillness of the everlasting Fatherhood. ~ Meister Eckhart,
188:On Asking to Have the Candy Passed to Me During Schindler’s List “What do you want — the candy? They’re throwing people in the fucking gas chamber, and you want a Skittles? ~ Justin Halpern,
189:A lonely soul passions for the Alone,
The heart that loved man thrills to the love of God,
A body is his chamber and his shrine. ~ Sri Aurobindo, Savitri, The Debate of Love and Death,
190:I consider any gun that can chamber a round and send a projectile down its barrel at a high rate of speed into my body - causing me injury or death - to be an assault weapon. ~ Henry Rollins,
191:Oh, get out of the way, Percy,” said Fred. “Harry’s in a hurry.”
“Yeah, he’s off to the Chamber of Secrets for a cup of tea with his fanged servant,” said George, chortling. ~ J K Rowling,
192:So who is guilty? Everyone, or no one? Why should the worker assigned to the gas chamber be guiltier than the worker assigned to the boilers, the garden, the vehicles? The ~ Jonathan Littell,
193:They [Federalist European Politicians] divide their time between court room, prison and debating chamber - giving a whole new meaning to the term 'conviction politician'. ~ Margaret Thatcher,
194:I'll show ye to your chamber."
"So long as it's also your chamber," William said, shifting his oilskin pack on his shoulder. "Or has it slipped your mind that ye're my wife? ~ Mia Marlowe,
195:...for no man lives in the external truth among salts and acids, but in the warm, phantasmagoric chamber of his brain, with the painted windows and the storied wall.
~ Robert Louis Stevenson,
196:The rich women, to avoid dividing the inheritance among many, kill their own fetus in the womb and with murderous juices extinguish in the genital chamber their children. ~ Saint Ambrose of Milan,
197:They say she has all the gentlemen of the king’s privy chamber, one after another. She don’t like delay so they all stand in a line frigging their members, till she shouts, “Next. ~ Hilary Mantel,
198:I'm sick and tired of having a forest and a torture chamber in my house... I want to have a nice quiet flat with ordinary doors and windows and a wife inside it, like anybody else! ~ Gaston Leroux,
199:No, he is not vicious, nor is he in the least demented. His mind is a wonder chamber, from which he can extract treasures that you and I would give years of our life to acquire. ~ Robert W Chambers,
200:not sit while the wind went by. Is the literary man to live always or chiefly sitting in a chamber through which nature enters by a window only? What is the use of the summer? ~ Henry David Thoreau,
201:All the gentlemen accorded her the courtesy of standing when she entered the chamber. One second of recognition, then her gender would be completely forgotten when the discussions began. ~ Anonymous,
202:Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment. ~ James Ellroy,
203:Alas, alas, that ever love was sin! I ever followed natural inclination Under the power of my constellation And was unable to deny, in truth, My chamber of Venus to a likely youth. ~ Geoffrey Chaucer,
204:It's funny that people think because you don't have a movie or record out, you disappear into a frozen chamber someplace. They think you're dead when you're not in the public eye. ~ Jason Schwartzman,
205:And private in his chamber pens himself,
Shuts up his windows, locks fair daylight out,
And makes himself an artificial night.
Black and portentous must this humor prove ~ William Shakespeare,
206:Mr. Speaker, there are some in this Chamber who believe that Christians, like well-behaved children, should be seen and not heard... Christians will not remain silent. We are here to stay. ~ Tom DeLay,
207:Do not have as your motive the desire to be known as a praying man. Get an inner chamber in which to pray where no one knows you are praying, shut the door, and talk to God in secret. ~ Oswald Chambers,
208:I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the house-tops. ~ Oscar Wilde,
209:Like every good teacher and preacher, he turned the ear into an eye and helped people to see spiritual truth. He knew that the mind is not a debating chamber—it is a picture gallery. ~ Warren W Wiersbe,
210:Should your naughty new neighbors resist your suggestions, invite them over to see your new media room. The fact that it doubles as a torture chamber should encourage them to toe the line! ~ Josie Brown,
211:Some time around 1932, Adolf Loos, the noted Viennese architect, said, “There is a great difference between an urn and a chamber pot, and in this difference there is leeway for culture. ~ Timothy Samara,
212:The Brother's hood fell back, and his silvery hair shone out in the dim chamber like starlight. All the air rushed out of Tessa's lungs in a single instant. The Silent Brother was Jem. ~ Cassandra Clare,
213:Because every one of us has our box, a dark chamber stowing the thing that lanced our heart. It contains what you do everything for, strive for, wound everything around you. ~ Marisha Pessl,
214:First of all, Harry, I want to thank you,” said Dumbledore, eyes twinkling again. “You must have shown me real loyalty down in the Chamber. Nothing but that could have called Fawkes to you. ~ J K Rowling,
215:If the chamber’s door is even a little ajar,
What then can hinder God from stealing in
Or who forbid his kiss on the sleeping soul? ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,
216:Marco Rubio doesn't go to the United States Senate. I must say, if I were a United States senator, I would be so honored to be in that magnificent chamber voting for the people of Florida. ~ Donald Trump,
217:A sumptuous chamber of the spirit’s sleep
At first she made, a deep interior room,
Where he slumbers as if a forgotten guest. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Greater Life,
218:And what more should I say since it expels the whole host of the virtues from the chamber of the human heart and introduces every barbarous vice as if the bolts of the doors were pulled out. ~ Peter Damian,
219:Christianity in particular should be dubbed a great treasure-chamber of ingenious consolations, such a store of refreshing, soothing, deadening drugs has it accumulated within itself. ~ Friedrich Nietzsche,
220:I don’t know what you will say to me for introducing you into the privacy of Mr. and Mrs. Jenkins’s bed-chamber, but it is really necessary to do so. We cannot very well get on without it. ~ Mrs Henry Wood,
221:The difference between an echo chamber and a filter bubble in my mind is an echo chamber you choose to in with likeminded people, a filter bubble chooses you and you don't really see it. ~ Edward Greenspon,
222:The way to the hall of failure passes through the chamber of indecision. The way to the hall of success passes through the chamber of decision. Success and failure are deliberately won! ~ Israelmore Ayivor,
223:Guns aren't just history's props and agents: they're history itself, spinning alternate futures in their chamber, hurling the present from their barrel, casting aside the empty shells of past ~ Tom McCarthy,
224:You are free to leave, as well." Khalid resumed his trek toward his chamber.
Jalal cut it front of Khalid. "You look terrible." His eyes were bright, and his forehead was lined with worry. ~ Ren e Ahdieh,
225:As the darkness of centuries is scattered when the light is brought into a chamber, so the accumulated faults of numberless births vanish before a single shaft of the light of the Almighty. ~ Sri Ramakrishna,
226:I had a Chicago Street Fight a couple of years back in Ring of Honor that was really bloody and really violent. That is probably the closest thing to the Extreme Elimination Chamber I can think of. ~ CM Punk,
227:Actually I'd had a certain amount of experience in Europe in the inter-war period, as a banker, and I was also a member of the Board of Directors of the International Chamber of Commerce. ~ W Averell Harriman,
228:All my contemporaries—
hundred-and-fivers or convicts—
will tell you how we lived
in barely sentient fear, raising
children for the executioner,
prison, or the torture chamber. ~ Anna Akhmatova,
229:And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even. ~ Elvis Costello,
230:As the darkness of centuries is scattered when the light is brought into a chamber, so the accumulated faults of numberless births vanish before a single shaft of the light of the Almighty. ~ Sri Ramakrishna,
231:So who would do all this?’

‘I should,’ Richard said. ‘Even to sleeping in your own chamber.’

‘That I baulk at,’ Lymond said. ‘The rest you can have. One cock per pen is enough. ~ Dorothy Dunnett,
232:I have hitched and hiked over every state and half the nations, through blizzards and under rainbows, in deserts and cities, backward and side-ways, upstairs, downstairs and in my lady's chamber. ~ Tom Robbins,
233:The fate of the country... does not depend on what kind of paper you drop into the ballot-box once a year, but on what kind of man you drop from your chamber into the street every morning. ~ Henry David Thoreau,
234:I am grateful that I have rights in the proverbial public square - but, as a practical matter, my most cherished rights are those that I possess in my bedroom and hospital room and death chamber. ~ Jacob M Appel,
235:Information of fundamental importance to the general problem of atomic structure has resulted from systematic studies of the cosmic radiation carried out by the Wilson cloud-chamber method. ~ Carl David Anderson,
236:I have ne'er been in a chamber with a lawyer when I did not wish either to scream with desperation or else fall into the deepest of sleeps, e'en when the matter concern'd my own future most profoundly. ~ Erica Jong,
237:It is a common architectural strategy to build courtrooms without windows, to enhance the effect of a chamber isolated from the everyday world, a theater for the great and timeless work of the law. ~ William Landay,
238:The day comes when love means something beyond a reflection of ourselves, when there is more behind than ahead and the house of mind is haunted in every chamber with old songs, old ghosts, old hopes. ~ Parke Godwin,
239:The heart of tradition, everyone agreed, but few understood Britain as well as Karamat Lone did and knew that within the deepest chamber of that heart of tradition was the engine of radical change. ~ Kamila Shamsie,
240:But thou, when thou prayest, enter into thine inner chamber, and having shut thy door, pray to thy Father which is in secret, and thy Father which seeth in secret shall recompense thee.'—Matt. vi. 6. ~ Andrew Murray,
241:[Patrick Leonard] is such a magnificent composer. I don't think there is anybody working today with those kind of skills that could translate one of my tunes into that really beautiful chamber music. ~ Leonard Cohen,
242:The courtroom was an austere place, a large dark chamber clearly designed for Justice rather than, for instance, for Pleasure. You wouldn’t hold a dinner party there – at least, not a successful one. ~ Douglas Adams,
243:Brenna jumped to her feet the second Father Sinclair entered the chamber. "I'm so happy to see you," she cried out. "Be happy sitting down," Jamie ordered, hovering over her patient like a mother hen. ~ Julie Garwood,
244:For each, God has a different response. With every man He has a secret—the secret of a new name. In every man there is a loneliness, an inner chamber of peculiar life into which God only can enter. ~ George MacDonald,
245:If you are in an improv jazz ensemble or a small chamber group, you learn to think fast on your feet and how to be flexible and to collaborate and compromise, and that may yield a creative outcome. ~ J Richard Hackman,
246:While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead. ~ Percy Bysshe Shelley,
247:I think it not improbable that man, like the grub that prepares a chamber for the winged thing it never has seen but is to be - that man may have cosmic destinies that he does not understand. ~ Oliver Wendell Holmes Jr,
248:Wracking sobs rip from the innermost chamber of my heart, and I give into them, allowing them to fully take over. Pain lances me on all sides, and I bury my head in my knees, giving in to the heartache. ~ Siobhan Davis,
249:Amy gritted her teeth. "King Louis XVI even put Franklin's picture on a chamber pot!" Jonah looked at his dad. "Do we have souvenir chamber pots?" "No." His dad whipped out his phone. "I'll make the call. ~ Rick Riordan,
250:There is no difference between the saint who gives food to starving children and the worker who operates the gas chamber to kill them, except that one is making money and the other is losing it. ~ Nicholas Lamar Soutter,
251:I'd studied piano first and switched over to cello when I was about seven. I played mostly chamber and solo classical music. I got really involved with rock music when I was a teenager. I wired up my cello. ~ Tod Machover,
252:TOIL and grow rich,
What's that but to lie
With a foul witch
And after, drained dry,
To be brought
To the chamber where
Lies one long sought
With despair?

~ William Butler Yeats, The Witch
,
253:If people around the world knew how well people at Guantanamo Bay are treating prisoners, they would not fall prey to the accusations that some in our Chamber are making. They are all receiving judicial review. ~ Robin Hayes,
254:Satisfactory in that we have a four per cent chamber failure rate amongst the cargo,’ she told him flatly. ‘For just short of two millennia, I think that counts as satisfactory. It could have been worse. ~ Adrian Tchaikovsky,
255:The lobby was a large chamber carpeted in ancient maroon pile, its darkness only slightly relieved by a few small candles. Stairs rose off into black heights, and the mouths of corridors yawned on either side. ~ Marc Laidlaw,
256:Amy gritted her teeth. "King Louis XVI even put Franklin's picture on a chamber pot!"
Jonah looked at his dad. "Do we have souvenir chamber pots?"
"No." His dad whipped out his phone. "I'll make the call. ~ Rick Riordan,
257:I am not a member of the chamber of commerce for show business, believe me, but there are some really good people in the business, and [Tom] Hanks has this everyman decency onscreen, but he actually is that guy. ~ Kurt Fuller,
258:The main problem with being president is the constant sense that you are inside a glass bowl for everyone to see, or in a kind of barometric chamber with an artificial atmosphere where you must stay all the time. ~ Boris Yeltsin,
259:But it is the same thing we are all seeing,
Our world. Go after it,
Go get it boy, says the man holding the stick.
Eat, says the hunger, and we plunge blindly in again,
Into the chamber behind the thought ~ John Ashbery,
260:TO go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. ~ Ralph Waldo Emerson,
261:To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. ~ Ralph Waldo Emerson,
262:Most people want easy answers to life. They will agree with whatever the echo chamber around them says as long as it means they don’t have to think for themselves. Only a precious few can cope with ambiguity and carry on. ~ J D Horn,
263:Ideology is the opposite of philosophy. Philosophy is the curiosity which guides its inquiry according to universal principles. Ideology is a prior prejudice that seeks out an echo-chamber of reaffirming information. ~ Stefan Molyneux,
264:make a good showing among all the monied bigwigs in the Mazarile chamber of commerce, he’d brought both of us along for the evening. We were meant to be on our best behaviour. Prim and proper educated young ladies. ~ Alastair Reynolds,
265:Vannay, with his limp and his sweet but distracted smile, taught them that violence worsened problems far more often than it solved them. He called it the hollow chamber, where all true sounds became distorted by echoes. ~ Stephen King,
266:A part of eugenic politics would finally land us in an extensive use of the lethal chamber. A great many people would have to be put out of existence simply because it wastes other people's time to look after them. ~ George Bernard Shaw,
267:Come slowly, Eden!
Lips unused to thee,
Bashful, sip thy jasmines,
As the fainting bee,

Reaching late his flower,
Round her chamber hums,
Counts his nectars—enters,
And is lost in balms! ~ Emily Dickinson,
268:I throw myself down in my chamber, and I call in, and invite God, and his Angels thither, and when they are there, I neglect God and his Angels, for the noise of a fly, for the rattling of a coach, for the whining of a door. ~ John Donne,
269:Nothing is more incendiary to an ill-advised, unanticipated tryst than to be enclosed in a darkened, plush-upholstered, moving chamber. Privacy, Intimacy, Darkness, Transience: the Four Whorsemen of the Apocalypse. ~ John MacLachlan Gray,
270:The message, which one fall or another of the coin would eventually give him, was how to get himself out of his chamber and into Nepenthe's, so that he could tell her why he had not come to tell her why he had not come. ~ Patricia A McKillip,
271:As a boy I used to go to the Chamber of Horrors at the annual fair, to look at the wax figures of Emperors and Kings, of heroes and murderers of the day. The dead now had that same unreality, which shocks without arousing pity. ~ Ernst Toller,
272:The attendants of the bridal chamber have only one name, and that is rest. When they are together, they need no other form, [for they are in] contemplation…perception. They are superior…among those in…the glories of glories…. ~ Marvin W Meyer,
273:Deborah dropped the magazine out of the pistol, worked the action, and looked in the chamber. “This isn’t the siege of Khe fucking Sanh,” she said, and she slammed the magazine back into the pistol. “I’ll take this one.” Chutsky ~ Jeff Lindsay,
274:That's where Time magazine lives ... way out there on the puzzled, masturbating edge, peering through the keyhole and selling what they see to the big wide world of chamber of commerce voyeurs who support the public prints. ~ Hunter S Thompson,
275:The difference between the Pyramids in Egypt and the ones in Mexico is there is nothing inside the Mexican Pyramids. In the African Pyramids, the whole inside is a burial chamber. So they were really gravesites to nobility. ~ John Henrik Clarke,
276:Science is a first-rate piece of furniture for a man's upper chamber, if he has common sense on the ground-floor. But if a man hasn't got plenty of good common sense, the more science he has, the worse for his patient. ~ Oliver Wendell Holmes Sr,
277:Some women's love of being loved is insatiable; and so, often, is their love of loving; and in the last case they may find that they can't give it continuously to the chamber-officer appointed by the bishop's license to receive it. ~ Thomas Hardy,
278:Let us guess that whenever we read a sentence & like it, we unconsciously store it away in our model-chamber; & it goes, with the myriad of its fellows, to the building, brick by brick, of the eventual edifice which we call our style. ~ Mark Twain,
279:Some women’s love of being loved is insatiable ; and so, often, is their love of loving; and in the last case they may find that they can’t give it continuously to the chamber-officer appointed by the bishop’s licence to receive it. ~ Thomas Hardy,
280:This,' opening another door, 'is my chamber. I read here when the family suppose I have retired to rest. Sometimes I injure my health rather more than I can quite justify to myself, by doing so; but art is long and time is short. ~ Charles Dickens,
281:When it came time to retire to his chamber for the night, the khan had his pick of beautiful young women, all of whom had been tested to make sure that they did not snore, have bad breath, or discharge any unpleasant body odors. ~ Jack Weatherford,
282:about four inches down, he suddenly came into a small chamber in the cool-damp sand and there lay eggs, many eggs, almost perfectly round eggs the size of table tennis balls, and he laughed then because he knew. It had been a turtle. ~ Gary Paulsen,
283:Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every air-borne particle in its tissue. ~ Henry James,
284:I respect and reverence you, dear father-in-law, I wish I had chosen death rather than following your son, leaving behind my bridal chamber, my beloved daughter, my dear childhood friends and my kin. But I did not, and I pine away in sorrow. ~ Homer,
285:It looked, at first sight, like a portable windmill that had been attacked by an enormous insect, and at second sight like a touring torture chamber for an Inquisition that wanted to get out and about a bit and enjoy the fresh air. ~ Terry Pratchett,
286:As a chamber hung round about with looking-glasses represents the face upon every turn, thus all the world doth the mercy and the bounty of God; though that be visible, yet it discovers an invisible God and his invisible properties. ~ Anthony Burgess,
287:Each of us has within him a dark chamber where the real desire flowers; and the horror of it is that they never see the light of another's understanding, those strange blooms. It is as lonely as it is dark, that chambers of the heart. ~ Anne Rampling,
288:If we know, then we must fight for your life as though it were our own-which it is-and render impassable with our bodies the corridors to the gas chamber. For if they come for you in the morning, they will be coming for us that night. ~ James Baldwin,
289:The first woman handed him over to the second. Tag-team style. ‘Mr Caufield is waiting for you in conference room C,’ the second woman said, her voice low, as if conference room C were a clandestine chamber in the bowels of the Pentagon. ~ Harlan Coben,
290:I expected to die. At no time before the trial did I expect to escape with my life. Yet being executed in the gas chamber did not necessarily mean defeat. It could be one more step to bring the community to a higher level of consciousness. ~ Huey Newton,
291:When it comes to the pinch, human beings are heroic. Women face childbed and the scrubbing brush, revolutionaries keep their mouths shut in the torture chamber, battleships go down with their guns still firing when their decks are awash. ~ George Orwell,
292:Are you ready ?" she asked, spinning the chamber.
Kell gazed through the gate at the waiting castle. "No."
At that, she offered him the sharpest edge of a grin.
"Good," she said. "The ones who think they're ready always end up dead. ~ V E Schwab,
293:For each, God has a different response. With every man He has a secret—the secret of a new name. In every man there is a loneliness, an inner chamber of peculiar life into which God only can enter. I say not it is the innermost chamber. ~ George MacDonald,
294:He continued: “I should warn you that the chamber we are about to pass into does not literally exist within our planet. It is a little too … large. We are about to pass through a gateway into a vast tract of hyperspace. It may disturb you. ~ Douglas Adams,
295:All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful. ~ Umberto Eco,
296:Congress suffers a great deal of criticism for its partisan acrimony. But while we may disagree politically, and air our opposition in this chamber, it is the conversation behind the scenes that cements and defines our relationships. ~ Kay Bailey Hutchison,
297:You are the drop,and the ocean you are kindness,you are anger, you are sweetness,you are poison. Do not make me more disheartened. you are the chamber of the sun, you are the abode of venus, you are the garden of all hope. Oh, Beloved, let me enter. ~ Rumi,
298:Come Slowly
Come slowly,
Eden
Lips unused to thee.
Bashful, sip thy jasmines,
As the fainting bee,
Reaching late his flower,
Round her chamber hums,
Counts his nectars -alights,
And is lost in balms!
~ Emily Dickinson,
299:(this was a rare instance of wizards copying Muggles, because hitherto they simply relieved themselves wherever they stood, and vanished the evidence), the entrance to the Chamber was threatened, being located on the site of a proposed bathroom. ~ J K Rowling,
300:Here and there, human nature may be great in times of trial; but generally speaking, it is its weakness and not its strength that appears in a sick chamber: it is selfishness and impatience rather than generosity and fortitude, that one hears of. ~ Jane Austen,
301:Said Gilgamesh to him, to Uta-napishti the Distant:
'O Uta-napishti, what should I do and where should I go?
A thief has taken hold of my flesh!
For there in my bed-chamber Death does abide,
and wherever I turn, there too will be Death. ~ Anonymous,
302:What isn’t on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.) ~ Michele Norris,
303:It's like a sealed, forgotten chamber in me; I shan't feel complete until I've discovered its entrance.'
'Sounds like a tomb. Aren't you afraid of what you'll find in there?'
'It's a library; only the stupid and the evil are afraid of those. ~ Iain Banks,
304:I've only suffered writer's block badly once, and that was during the writing of Chamber of Secrets. I had my first burst of publicity about the first book and it paralysed me. I was scared the second book wouldn't measure up, but I got through it! ~ J K Rowling,
305:The U.S. Chamber of Commerce, the American Petroleum Institute, and other industry representatives, it turned out, had created a “grassroots” group called Energy Citizens that joined Tea Party organizations in packing the town halls with protesters. ~ Jane Mayer,
306:I idly wished for something else, for any situation that was neither this forsaken chamber nor the tenseness of Burrich’s room. For a restfulness that perhaps I had once known somewhere else but could no longer recall. And so I drowsed into oblivion. ~ Robin Hobb,
307:But please remember, that in 1991 in the Sejm [lower chamber of polish parliament] I didn't demand the abolishment of Special Economic Zones. I demanded the creation of a single Special Economic Zone - which would encompass the whole country! ~ Janusz Korwin Mikke,
308:I mounted to my chamber; locked myself in; fell on my knees; and prayed in my way—a different way to St. John’s, but effective in its own fashion.  I seemed to penetrate very near a Mighty Spirit; and my soul rushed out in gratitude at His feet.  ~ Charlotte Bront,
309:The only thing that has kept the race of men from the mad extremes of the convent and the pirate-galley, the night-club and the lethal chamber, has been mysticism - the belief that logic is misleading, and that things are not what they seem. ~ Gilbert K Chesterton,
310:What you get is the opening of your mind. I'm not preaching any new religion; I'm ritualizing everyday activities. You drink the water. You count the rice. You sit in Crystal Cave. You lie in Levitation Chamber. You push yourself to a new level. ~ Marina Abramovic,
311:where we came in. And this is that branch we ran into —see, like a Y? So this must be where we are now, which puts the Sun Chamber here.” Benjamin raised his eyebrows and repeated, “Must be where we are?” “Is,” Cameron asserted. “This is where we are. ~ Sean Platt,
312:Twitter isn’t designed to help you get in and get out with the best information as quickly as possible—it’s supposed to suck you into either a contentious world of argument and debate or an echo chamber that reassures you everyone thinks like you do. ~ Ryan Holiday,
313:If you judge your thoughts worth hearing, pronounce them proudly, push them to every corner of the chamber, fill the hall with your hopes and desires and make every listener share them! If you are ashamed of your thoughts, better to leave a silence. ~ Joe Abercrombie,
314:It was not until February 11, 1801, that votes cast by presidential electors in the various states were actually opened in the Senate chamber, confirming what was already common knowledge: that Jefferson and Burr had tied with seventy-three votes apiece. ~ Ron Chernow,
315:upon a midnight dreary, while I pondered weak and weary, over many a quaint and curious volume of forgotten lore, while I nodded, nearly napping, suddenly there came a tapping, as of someone gently rapping, rapping at my chamber door.” [- Edgar Allan Poe] ~ C J Archer,
316:1184
Water Makes Many Beds
Water makes many Beds
For those averse to sleep Its awful chamber open stands Its Curtains blandly sweep Abhorrent is the Rest
In undulating Rooms
Whose Amplitude no end invades Whose Axis never comes.
~ Emily Dickinson,
317:Fill with mingled cream and amber, I will drain that glass again. Such hilarious visions clamber Through the chamber of my brain — Quaintest thoughts — queerest fancies Come to life and fade away; What care I how time advances? I am drinking ale today. ~ Edgar Allan Poe,
318:I long to put the experience of fifty years at once into your young lives, to give you at once the key of that treasure chamber every gem of which has cost me tears and struggles and prayers, but you must work for these inward treasures yourself. ~ Harriet Beecher Stowe,
319:Sharing is the essence of teaching. It is, I have come to believe, the essence of civilization...Without it, the imagination is but the echo of the self, trapped in a soundproof chamber, reverberating upon itself until it is spent in exhaustion or futility. ~ Bill Moyers,
320:Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore —
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door. ~ Edgar Allan Poe,
321:Recognizing the structure of your psychology doesn't mean you can easily rebuild it. The Chamber of Unreasonable Guilt is part of my mental architecture, and I doubt that I will ever be able to renovate that particular room in this strange castle that is me. ~ Dean Koontz,
322:Even though I started playing the violin when I was four, my early chamber music experiences helped build a strong foundation for my solo work, as all music is a rich language and dialogue that is shared on stage, no matter what the size of the ensemble. ~ Anne Akiko Meyers,
323:Sharing is the essence of teaching. It is, I have come to believe, the essence of civilization . . . Without it, the imagination is but the echo of the self, trapped in a soundproof chamber, reverberating upon itself until it is spent in exhaustion or futility ~ Bill Moyers,
324:Light indeed glowed on the panels ahead, but it was not any light that the moon gives. Terrible and piercing was the shaft of ruddy refulgence that streamed through the Gothic window, and the whole chamber was brilliant with a splendour intense and unearthly. ~ H P Lovecraft,
325:But here we are; and, if we tarry a little, we may come to learn that here is best. See to it, only, that thyself is here;-and art and nature, hope and fate, friends, angels, and the Supreme Being, shall not be absent from the chamber which thou sittest. ~ Ralph Waldo Emerson,
326:Not his real home, his real home, the one he never named any more, was the dark and sooty chamber in his heart that contained his sister and his brother and, because it was an accommodating kind of space, the entire filthy history of the industrial revolution. ~ Kate Atkinson,
327:She did find that the books displayed prominently in every chamber had been dusted, but the spines were pristine and uncreased. They had the sad, untouched air of literature paraded for display purposes but never actually used. It was profoundly depressing. ~ Genevieve Cogman,
328:What stood in one corner of the cell was disgusting: two empty disinfectant canisters and one well used and well stained piss pot, the sort of chamber pot that people would train their babies to be potty trained on before they would learn to use the toilet. ~ Stephen Richards,
329:All the gentlemen accorded her the courtesy of standing when she entered the chamber. One second of recognition, then her gender would be completely forgotten when the discussions began. ~ Cheryl Bolen From The Earl, the Vow, and the Plain Jane by Cheryl Bolen ~ Cheryl Bolen,
330:That’s the first thing that strikes an
American woman about Europe – that it’s unsanitary. Impossible for
them to conceive of a paradise without modern plumbing. If they
find a bedbug they want to write a letter immediately to the
chamber of commerce. ~ Henry Miller,
331:By the sympathy of your human hearts for sin, ye shall scent out all the places — whether in church, bed-chamber, street, field, or forest — where crime has been committed, and shall exult to behold the whole earth one stain of guilt, one mighty blood-spot. ~ Nathaniel Hawthorne,
332:With chamber music you can get people who work on the music for months, rehearsing it every day for a couple of hours, and if they get it in a different way than you do, which is entirely possible, it's not as a result of anything other than their good musicianship. ~ Nico Muhly,
333:Not erotic life, but the pleasure of the mind filling like the lower chamber of an hourglass with the slow-moving grains of a perfect day—sky, carnations, walking, reading, writing, Toasted Cheese, the presence of another who wishes to be so still, so silent too. ~ Patricia Hampl,
334:I desired that the Senate of Rome might appear before me in one large chamber, and a modern representative, in counterview, in another. The first seemed to be an assembly of heroes and demi-gods; the other, a knot of pedlars, pick-pockets, highwaymen, and bullies. ~ Jonathan Swift,
335:If you know me at all, then you'll know this isn't an empty threat from a pussy who likes to knock women around. This is coming from a man. A man who'll laugh all the way to the gas chamber as your mother cries all thew ay to your fucking grave. Do you understand me? ~ Gail McHugh,
336:She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more — this idea was as sweet as the vision of a cool bath in a marble tank, in a darkened chamber, in a hot land. ~ Henry James,
337:You are the drop,and the ocean
you are kindness,you are anger,
you are sweetness,you are poison.
Do not make me more disheartened.

you are the chamber of the sun,
you are the abode of venus,
you are the garden of all hope.
Oh, Beloved, let me enter. ~ Rumi,
338:When I have occasionally set myself to consider the different distractions of men, the pains and perils to which they expose themselves I have discovered that all the unhappiness of men arises from one single fact, that they cannot stay quietly in their own chamber. ~ Blaise Pascal,
339:Royal guards lined the hall to the king's chamber, and Alucard stood outside the doors, leaning back the wood and flipping through the pages of a book.
"This is your idea of guarding him?" said Kell.
The man pointedly turned a page. "Don't tell me how to do my job. ~ V E Schwab,
340:I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral and chamber pieces have got dramatic elements which might even suggest an unspecified dramatic plot of some kind or other, even though it's not in my mind at the time. ~ Peter Maxwell Davies,
341:It flashed upon Miss Pross's mind that the doors were all standing open, and would suggest the flight. Her first act was to shut them. There were four in the room, and she shut them all. She then placed herself before the door of the chamber which Lucie had occupied. ~ Charles Dickens,
342:It is a tragic hour, that hour when we are finally driven to reckon with ourselves, when every avenue of mental distraction has been cut off and our own life and all its ineffaceable failures closes about us like the walls of that old torture chamber of the Inquisition. ~ Willa Cather,
343:Those tragic comedians, the Chamber of Commerce red hunters, the Women's Christian Temperance Union smellers, the censors of books, the Klan regulators, the Methodist prowlers, the Baptist guardians of sacred vessels-we have the national mentality of a police lieutenant. ~ H L Mencken,
344:She did find that the books displayed prominently in every chamber had been dusted, but the spines were pristine and uncreased. They had the sad, untouched air of literature paraded for display purposes but never actually used. It was profoundly depressing. Wyndham’s ~ Genevieve Cogman,
345:(The mystics claim that their ecstasy reveals to them a circular chamber containing a great circular book, whose spine is continuous and which follows the complete circle of the walls; but their testimony is suspect; their words, obscure. This cyclical book is God.) ~ Jorge Luis Borges,
346:As he made his way back to his estate, Baruk recalled his lone meeting with Vorcan, only a few nights after her awakening. She had entered the chamber with her usual feline grace. The wounds she had borne were long healed and she had found a new set of clothes, loose and ~ Steven Erikson,
347:But the whole class was now hanging on Professor Binns’s every word. He looked dimly at them all, every face turned to his. Harry could tell he was completely thrown by such an unusual show of interest. ‘Oh, very well,’ he said slowly. ‘Let me see … the Chamber of Secrets … ~ J K Rowling,
348:Every hangover feels like the worst hangover you’ve ever had, but this one was definitely a classic. One for the ages. He felt like all the water had been forcibly sucked out of his body, like an apricot in a dehydration chamber, and replaced with venom from an angry adder. ~ Lev Grossman,
349:someone's sent a loving note in lines of returning geese and as the moon fills my western chamber as petals dance over the flowing stream again I think of you the two of us living a sadness apart a hurt that can't be removed yet when my gaze comes down my heart stays up ~ Orson Scott Card,
350:Knowledge comes not to us as a guest
Called into our chamber from the outer world;
A friend and inmate of our secret self,
It hid behind our minds and fell asleep
And slowly wakes beneath the blows of life. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Little Mind,
351:It's a dirty little secret that most New Yorkers are pleasant, thoughtful, patient, and polite. The Chamber of Commerce must work overtime to maintain the surly, off-putting image that is widely believed to define the city. In truth, niceness is nearly epidemic in this town. ~ Judith Kelman,
352:O how gently and how lovingly dost thou lie awake in the depth and centre of my soul, where thou in secret and in silence alone, as its sole Lord, abidest, not only as in Thine own house or in Thine own chamber, but also as within my own bosom, in close and intimate union. ~ Juan de la Cruz,
353:I think the good part of the crisis is that finally, everybody is going to have to come to the table. That means the mayor's office, the board (of supervisors), the labor council, the chamber, small business. You end a recession healthier than you were when you went into it. ~ Warren Hellman,
354:Problem is, Jews don’t believe in hell, so there isn’t the same readily accessible chamber of fear the Catholics have up their sleeve to poison the nervous system of their youth. You can’t turn to a young Jewish boy and say, “You see that pit of fire? That’s where you’re going. ~ Steve Toltz,
355:The problem with 'the crown jewel of Chinese literature' [Dream of the Red Chamber] is that it has two thousand pages and an equal number of characters, and the hero is an effeminate ass who should have either been spanked or decapitated, both ends being equally objectionable. ~ Barry Hughart,
356:And like a dying lady, lean and pale,
Who totters forth, wrapped in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east,
A white and shapeless mass.

~ Percy Bysshe Shelley, The Waning Moon
,
357:Fill with mingled cream and amber
I will drain that glass again.
Such hilarious visions clamber
Through the chamber of my brain -
Quaintest thoughts - queerest fancies
Come to life and fade away;
What care I how time advances?
I am drinking ale today. ~ Edgar Allan Poe,
358:You might say that he had lost the gift of evoking the perfumes of life: sea water, the smoke of burning hemlock, and the breasts of women. He had damaged, you might say, the ear's innermost chamber, where we hear the heavy noise of the dragon's tail moving over the dead leaves. ~ John Cheever,
359:Fill with mingled cream and amber,
I will drain that glass again.
Such hilarious visions clamber
Through the chamber of my brain —
Quaintest thoughts — queerest fancies
Come to life and fade away;
What care I how time advances?
I am drinking ale today. ~ Edgar Allan Poe,
360:I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamber pots, with no chance of beauty or color or light in my life, stretched before me like a landscape of flat land where, a long way off, the sea is visible but can never be reached. ~ Tracy Chevalier,
361:Birds of a feather: Your contacts are too homogeneous, all like you. •   Network lag: Your network is about your past, not your future. •   Echo chamber: Your contacts are all internal; they all know each other. •   Pigeonholing: Your contacts can’t see you doing something different. ~ Anonymous,
362:The cutthroat savagery of high school romance inspired in nearly all adults a collective amnesia. Having survived it themselves, they locked those memories far away in some dark chamber of their subconscious where things that are too terrible to contemplate are permanently stored. ~ Richard Russo,
363:In the end, of the one thousand fifty-six who had left, in a body, from the Tiburtina station, a total of fifteen came back alive.
And of those dead, the luckiest were surely the first eight hundred and fifty. The gas chamber is the only seat of charity, in a concentration camp. ~ Elsa Morante,
364:I followed her into the library. The pale light from our chamber below dissipated in the room, but I could still make out – my heart leapt at the sight – row after row, shelf above shelf, floor to ceiling, a city of books. Speck turned to me and asked, Now, what shall we read first? ~ Keith Donohue,
365:Man, full of emptiness and torn apart with homesickness for the desert has had to create from within himself an adventure, a torture-chamber, an unsafe and hazardous wilderness- this fool, this prisoner consumed with longing and despair, became the inventor of 'bad conscience'. ~ Friedrich Nietzsche,
366:Take all your dukes and marquesses and earls and viscounts, pack them into one chamber, call it the House of Lords to satisfy their pride and then strip it of all political power. It's a solution so perfectly elegant and preposterous that only the British could have managed it. ~ Charles Krauthammer,
367:The path turned a hard right and then dumped into a rocky stream. It looked as if a giant had tossed white boulders and the rocks the way children toss marbles. They lay in scrambled heaps, some as large as carriages, others the size of chamber pots. A weak stream trickled around them. ~ Eloisa James,
368:The chamber-maid had left no ******* *** under the bed:—Cannot you contrive, master, quoth Susannah, lifting up the sash with one hand, as she spoke, and helping me up into the window seat with the other,—cannot you manage, my dear, for a single time to **** *** ** *** ******? ~ Laurence Sterne,
369:We crossed one of the subterranean rivers, then wound our wag through the library quarter and the Chamber of Birds.

(Carter says I should tell you why it's called that. It's a cave full of all sorts of birds. Again--duh. [Carter, why are you banging your head against the table?]) ~ Rick Riordan,
370:copies were passed to the cryptanalysts, who sat in little kiosks, ready to tease out the meanings of the messages. As well as supplying the emperors of Austria with invaluable intelligence, the Viennese Black Chamber sold the information it harvested to other powers in Europe. In 1774 an ~ Simon Singh,
371:There's a fake Facebook me. There's a fake me Twittering. Sometimes, when it was at the height of right-wing nonsense picking on me, there would be a fake me writing letters to the editor. Just totally not even something I've ever said, that will then become part of the echo chamber. ~ Janeane Garofalo,
372:Don’t all writers have a hidden nerve, call it a secret chamber, something irreducibly theirs, which stirs their prose and makes it tick and turn this way or that, that identifies them, like a signature, though it lurks far deeper than their style, or their voice, or other telltale antics? ~ Andr Aciman,
373:My mother once tried to frighten me with an appalling story of a ghost in a dark chamber. I went there immediately, and expressed my disappointment at having missed the ghost. Mother never told me another horror tale. Moral: Look fear in the face and it will cease to trouble you. ~ Paramahansa Yogananda,
374:All this is a blessing and a curse. It's a blessing because it helps people establish what they value; they understand the sort of ideas they identify with. The curse is that they aren't challenged in their views. The Internet becomes an echo chamber. Users don't see the counterarguments. ~ Edward Snowden,
375:Kit bowed to all in the manner of a single wave of obeisance and left the chamber in some anger and disquiet. Outside the door he saw Baines waiting for entrance. Kit spat and said: No buboes yet? The devils of the plague know their own. Baines said:
&emdash; That is not friendly. ~ Anthony Burgess,
376:Mary awoke from her nightmare with a pounding heart, convinced that she had only imagined Elizabeth's cruel plot. A full moon was shining into her chamber, illuminating everything around her in silvery light. That was when she noticed for the first time that there were bars on her window. ~ Margaret George,
377:We are all bundles of wild and warrantless convictions, especially about one another, and when one gets an accidental glimpse of someone else's candid mind, the sight is dread-inspiring. For his cozy chamber of horrors - and particularly his facts - are owned and enjoyed in complete faith. ~ Jacques Barzun,
378:This time I did not have to question the source of his snarls and hisses, and of the fear which made him sink his claws into my ankle, unconscious of their effect; for on every side of the chamber the walls were alive with nauseous sound - the verminous slithering of ravenous, gigantic rats. ~ H P Lovecraft,
379:Let's just say that during my travels I've become acquainted with interior states that collapse the distance between people. Sometimes, despite how far apart we are physically, I have drawn very close to you, right up into your innermost chamber. I can feel what you're feeling. From here. ~ Jeffrey Eugenides,
380:In 1959 Corrie was part of a group that visited Ravensbruck, which was then in East Germany, to honor Betsie and the 96,000 other women who died there. There Corrie learned that her own release had been part of a clerical error; one week later all women her age were taken to the gas chamber. ~ Corrie ten Boom,
381:Bone of my bone. Flesh of my flesh. To remember you it’s my own body I touch. Thus she was, here and here. The physical memory blunders through the doors the mind has tried to seal. A skeleton key to Bluebeard’s chamber. The bloody key that unlocks pain. Wisdom says forget, the body howls. ~ Jeanette Winterson,
382:For in the night, unseen, a single warrior, In sombre harness mailed, Dreaded of man, and surnamed the Destroyer, The rampart wall has scaled. He passed into the chamber of the sleeper, The dark and silent room, And as he entered, darker grew, and deeper, The silence and the gloom. ~ Henry Wadsworth Longfellow,
383:We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there. ~ Campbell Newman,
384:There were piles of horse manure in the entrance court and noisome heaps of refuse that would not bear investigating on the street outside the kitchen door. In some wings the stench of chamber pots was pervasive; in others the odor was unidentifiable and indescribable, but just as overpowering. ~ Jennifer Blake,
385:The self does not stand alone; as we’ve seen, the self is not a thing, let alone a thing in itself. Rather, we experience selfhood as a renewable capacity to construct and field identities. Like evanescent particles in a cloud chamber, the existence of the self is inferred from its byproducts. ~ Robert W Fuller,
386:elected directly by the people based on proportional representation. The House would select members of an upper chamber, the president, and the judiciary. Franklin had long favored a legislature with only one directly elected house, seeing little reason to place checks on the democratic will of ~ Walter Isaacson,
387:My mother once tried to frighten me with an appalling story of a ghost in a dark chamber. I went there immediately, and expressed my disappointment at having missed the ghost. Mother never told me another horror tale. Moral: Look fear in the face and it will cease to trouble you. “Another ~ Paramahansa Yogananda,
388:Give up all sorts of fears, worries, anxieties and cares. Do not be disheartened by failures and setbacks. Draw strength and courage from God dwelling in the chamber of your heart. Pain is the best thing in the world. It is an eye-opener. It awakens your dormant faculties. Never forget this. ~ Sivananda Saraswati,
389:The town was glad with morning light; places that had shown ugly and distrustful all night long, now wore a smile; and sparkling sunbeams dancing on chamber windows, and twinkling through blind and curtain before sleepers’ eyes, shed light even into dreams, and chased away the shadows of the night. ~ Charles Dickens,
390:Blaise decided that the thing he would remember most about this London was the sour stink of it. The overripe foulness of the streets made him gag, and when a woman emptied a chamber pot from a top window, nearly catching him in its spray, he bent over and wretched, much to the Nightsneaks' amusement. ~ Teresa Flavin,
391:But I do know anything is possible,” Despina finished softly. “So long as there is a strong will behind it.” She reached for the handle of the chamber door, resolve flowing through her veins. No. Her child would never bow to anyone. The world would fall to its knees first. Despina would make sure of it. ~ Ren e Ahdieh,
392:But when reflexion begins to play upon these objects... like some trick of magic each object is loosed into a group of impressions - colour, odour, texture... And if we continue to dwell in thought on this world... the whole scope of observation is dwarfed into the narrow chamber of the individual mind. ~ Walter Pater,
393:To every man of great age - to Sir Wlater Bentham himself - the idea of suicide has once at least been present in the ante-room of his soul; on the threshold, waiting to enter, held out from the inmost chamber by some chance reality, some vague fear, some painful hope.
The Man of Property, p. 363 ~ John Galsworthy,
394:It seemed somehow unnaturally dark and silent, even for a ship whose two-man crew was at that moment lying asphyxicated in a smoke-filled chamber several miles beneath the ground. It is one of those curious things that is impossible to explain or define, but one can sense when a ship is completely dead. ~ Douglas Adams,
395:I liked the way smack made me feel. I liked watching the needle glide into my vein and feeling the chamber empty into my body. I liked how it took me away into a dream where I didn’t have to think about my past or future or make any decisions. Everything inside me and around me was beautiful when I was high. ~ Marni Mann,
396:I nod, checking the chamber of the gun before loading and cocking it. I holster it alongside the other pistol Jack gave me. I briefly think about grabbing even more weaponry, but if two pistols aren’t going to be enough to keep me safe, I don’t know what will do the job.", Celestra Caine in FADE by Kailin Gow ~ Kailin Gow,
397:When cool-climate relatives and friends are astonished to hear such temperatures, Pico Mundians put a chamber-of-commerce spin on our meteorology, noting that the humidity is a mere fifteen or twenty percent. Our average summer day, they insist, isn’t like a sweltering steam bath but like a refreshing sauna. ~ Dean Koontz,
398:Ah, when, within our narrow chamber The lamp with friendly lustre glows, Flames in the breast each faded ember, And in the heart, itself that knows. Then Hope again lends sweet assistance, And Reason then resumes her speech: One yearns, the rivers of existence, The very founts of Life, to reach. ~ Johann Wolfgang von Goethe,
399:This is serious business: you’re representing the Laundry in front of the Black Chamber and some very big defence contractors, old school tie and all that.”
“I went to North Harrow Comprehensive,” I sat wearily, “they didn’t trust us with neckties, not after the upper fifth tried to lynch Brian the Spod. ~ Charles Stross,
400:Her sobs echo in the chamber, filling our space with her grief, until, eventually, they slowly subside and she finally looks up and stares at the ceiling. "Why do they hate me?" "Because they hate themselves," I say. "They hate their own weakness. And you remind them of just how much they have left to learn. ~ Karpov Kinrade,
401:It has been confidently related, with many embellishments, that Johnson one day knocked Osborne down in his shop, with a folio, and put his foot upon his neck. The simple truth I had from Johnson himself. ‘Sir, he was impertinent to me, and I beat him. But it was not in his shop: it was in my own chamber.’ A ~ Samuel Johnson,
402:Slytherin, according to the legend, sealed the Chamber of Secrets so that none would be able to open it until his own true heir arrived at the school. The heir alone would be able to unseal the Chamber of Secrets, unleash the horror within, and use it to purge the school of all who were unworthy to study magic. ~ J K Rowling,
403:The Celestial Sphere which the Great Pyramid of Giza projects through its height is bigger in size than the volume of the King's Chamber by a multiple (of this same volume of the KC) which equals to the area covered by 360th of the height multiplied with the diagonal. As above, so below on the Giza Plateau! ~ Ibrahim Ibrahim,
404:They who know the agonies of an ambitious, indolent, doubting, self-accusing man,—of a man who has a skeleton in his cupboard as to which he can ask for sympathy from no one,—will understand what feelings were at work within the bosom of Sir Thomas when his Percycross friends left him alone in his chamber. ~ Anthony Trollope,
405:Nothing whatever but the constitutional law, the political structure, of these United States protects any American from arbitrary seizure of his property and his person, from the Gestapo and the Storm Troops, from the concentration camp, the torture chamber, the revolver at the back of his neck in a cellar. ~ Rose Wilder Lane,
406:At Least—to Pray—is Left—is Left
502
At least—to pray—is left—is left—
Oh Jesus—in the Air—
I know not which thy chamber is—
I'm knocking—everywhere—
Thou settest Earthquake in the South—
And Maelstrom, in the Sea—
Say, Jesus Christ of Nazareth—
Hast thou no Arm for Me?
~ Emily Dickinson,
407:Omort, put a muzzle on your pet, or I’ll make her one from her intestines.” She rapped her silver-tipped claws together, and the sound rang out in the chamber. Hettiah lifted her chin, but she’d paled. Sabine had in fact plucked an organ from her. On several occasions. She kept them in jars on her bedside table. ~ Kresley Cole,
408:Only this morning, for instance, I took a wrong turning on the way to the bathroom and found myself in a beautifully proportioned room I have never seen before, containing a really rather magnificent collection of chamber pots. When I went back to investigate more closely, I discovered that the room had vanished. ~ J K Rowling,
409:someone's sent
a loving note
in lines of returning geese
and as the moon fills
my western chamber
as petals dance
over the flowing stream
again I think of you
the two of us
living a sadness
apart
a hurt that can't be removed
yet when my gaze comes down
my heart stays up ~ Orson Scott Card,
410:a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. ~ Viktor E Frankl,
411:When Dumbledore addressed him, Lockhart looked over his shoulder to see who he was talking to.
“Professor Dumbledore,” Ron said quickly, “there was an accident down in the Chamber of Secrets. Professor Lockhart —“
“Am I a professor?” said Lockhart in mild surprise. “Goodness. I expect I was hopeless, was I? ~ J K Rowling,
412:While I am usually in despair when a movie abandons its plot for a third act given over entirely to action, I have no problem with the way Harry Potter and the Chamber of Secrets ends, because it has been pointing toward this ending, hinting about it, preparing us for it, all the way through. What a glorious movie. ~ Roger Ebert,
413:If we know, and do nothing, we are worse that the murderers hired in our name. If we know, then we must fight for your life as though it were our own - which it is - and render impasssable with our bodies the corridor the the gas chamber. For, if they take you in the morning, they will be coming for us that night. ~ James Baldwin,
414:The purpose of the deep work chamber is to allow for total focus and uninterrupted work flow,” Dewane explains. He imagines a process in which you spend ninety minutes inside, take a ninety-minute break, and repeat two or three times—at which point your brain will have achieved its limit of concentration for the day. ~ Cal Newport,
415:The sickness rolled through me in great waves. After each wave it would fade away and leave me limp as a wet leaf and shivering all over and then I would feel it rising up in me again, and the glittering white torture chamber tiles under my feet and over my head and all four sides closed in and squeezed me to pieces. ~ Sylvia Plath,
416:Your green eye is a reducing chamber. If I look into it long enough, I wil become as small as my own reflection, I will diminish to a point and vanish. I will be drawn down into that black whirlpool and be consumed by you. I shall become so small you can keep me in one of your osier cages and mock my loss of liberty. ~ Angela Carter,
417:A man is known by the books he reads, by the company he keeps, by the praise he gives, by his dress, by his tastes, by his distastes, by the stories he tells, by his gait, by the notion of his eye, by the look of his house, of his chamber; for nothing on earth is solitary but every thing hath affinities infinite. ~ Ralph Waldo Emerson,
418:Because every one of us has our box, a dark chamber stowing the thing that lanced our heart. It contains what you do everything for, strive for, wound everything around you. And if it were opened, would anything be set free? No. For the impenetrable prison with the impossible lock is your own head. ~ Marisha Pessl,
419:The note, which had been written on one of the pads I kept around for grocery lists, said, "My lover, I came in too close to dawn to wake you, though I was tempted. Your house is full of strange men. A fairy upstairs and a little child downstairs- but as long as there's not one in my lady's chamber, I can stand it". ~ Charlaine Harris,
420:But that after-midnight conversation, and any news it brought about the nature of Lisa's work, has gone away to hide in the place where all the other moments they share end up: in a secret chamber of Sarah Jane's heart, where the person she'd hoped to be by now has set up shop and is making do with available materials. ~ John Darnielle,
421:I would rather die than be in the United States Senate. I would be bored to death. Could you imagine me, banging around that chamber with 99 other people, asking for a motion on the amendment in the subcommittee? Forget it...You'd watch me just walk out and walk right into the Potomac River and drown. That would be it. ~ Chris Christie,
422:I think if you look at where things are in this current political climate, you'll see that everything is polarized. Everyone has their own eco chamber that they can operate in; there aren't a lot of people interacting with each other. For me, with something like film, that's an opportunity to try to bridge those gaps. ~ Robert Schenkkan,
423:Sexton! My Master's Sleeping Here
96
Sexton! My Master's sleeping here.
Pray lead me to his bed!
I came to build the Bird's nest,
And sow the Early seed—
That when the snow creeps slowly
From off his chamber door—
Daisies point the way there—
And the Troubadour.
~ Emily Dickinson,
424:Birds sing in vain to the ear, flowers bloom in vain to the eye, of mortified vanity and galled ambition. He who would know repose in retirement must carry into retirement his destiny, integral and serene, as the Caesars transported the statue of Fortune into the chamber they chose for their sleep. ~ Edward Bulwer Lytton 1st Baron Lytton,
425:She’d dissected Margaret’s body without interference, preserving her with formalin, zinc salts, salicylic acid and glycerin. Her organs had been removed and packed in salt for conservation. The family mausoleum had been the perfect resting chamber, as the stone made it easier to keep the body at optimal cold temperature. ~ Claire Delacroix,
426:The Great Pyramid was the theological machine known as the 'primeval mound' sealing off the womb/chamber (i.e. Grand Gallery) against the deceased king's access. It is hence the barque carrying Osiris' throne which is expected to be placed on top of the pyramid instead of a globe/sphere as several other researchers claim. ~ Ibrahim Ibrahim,
427:Yes, we are totally exposed when we are vulnerable. Yes, we are in the torture chamber that we call uncertainty. And, yes, we’re taking a huge emotional risk when we allow ourselves to be vulnerable. But there’s no equation where taking risks, braving uncertainty, and opening ourselves up to emotional exposure equals weakness. ~ Bren Brown,
428:Dead?' said Rincewind. In the debating chamber of his mind a dozen emotions got to their feet and started shouting. Relief was in full spate when Shock cut in on a point of order and then Bewilderment, Terror and Loss started a fight which was ended only when Shame slunk in from next door to see what all the row was about. ~ Terry Pratchett,
429:I think at the moment we did not even want to break the seal [on the inner chamber of the tomb of Tutankhamen], for a feeling of intrusion had descended heavily upon us... We felt that we were in the presence of the dead King and must do him reverence, and in imagination could see the doors of the successive shrines open one. ~ Howard Carter,
430:They sat together long into the night, basking in the glow of their newly professed love, talking until the light of day began to creep over the horizon in deep purple streaks and Alex was unable to keep her eyes open. Placing one final kiss on her forehead, Blackmoor snuck into the hallway and, unseen, found his own chamber. ~ Sarah MacLean,
431:So this is it," said Arthur, "We are going to die." "Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried. "What? Where?" cried Arthur, twisting round. "No, I was only fooling," said Ford, "we are going to die after all. ~ Douglas Adams,
432:Yes, we are totally exposed when we are vulnerable. Yes, we are in the torture chamber that we call uncertainty. And, yes, we’re taking a huge emotional risk when we allow ourselves to be vulnerable. But there’s no equation where taking risks, braving uncertainty, and opening ourselves up to emotional exposure equals weakness. MYTH ~ Bren Brown,
433:What do I advise? Forget it all. Don't be afraid. Do what you get the most pleasure from. Is it to build a cloud chamber? Then go on doing things like that. Develop your talents wherever they may lead. Damn the torpedoes - full speed ahead!If you have any talent,or any occupation that delights you,do it, and do it to the hilt ~ Richard P Feynman,
434:Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore--While I nodded, nearly napping, suddenly there came a tapping, As if some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door--Only this and nothing more. ~ Edgar Allan Poe,
435:In the central place of every heart there is a recording chamber. So long as it receives a message of beauty, hope, cheer, and courage — so long are you young. When the wires are all down and your heart is covered with the snow of pessimism and the ice of cynicism, then, and only then, are you grown old. — GENERAL DOUGLAS MACARTHUR ~ Michael J Gelb,
436:The media largely exists in an echo chamber, where they tell themselves that they’re important and the Grand Senators believe them, because if they weren’t telling the truth it would be on the news. But if we can get out an alternate story, it will sound more believable because there’s already a strong reservoir of distrust. ~ Christopher G Nuttall,
437:To draw an analogy: a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. ~ Viktor E Frankl,
438:Why is it that you and I suppose that if we want something, it must come to pass?” Charles’s lips quirked up into a smile so colored by grief that it felt almost as if other people had been brought by that tiny expression into the hushed solitude of the chamber. “There’s an old saying: ‘be careful what you wish for; you might get it. ~ Kate Elliott,
439:There was some people hurt far worst than I was in that hospital, let me tell you. Poor old boys with arms and legs and hands and who knows what else missing. Boys what had been shot in their stomach and chests and faces. At night the place sound like a torture chamber - them fellers be howling and crying and calling for their mamas. ~ Winston Groom,
440:Every Senator in this chamber is partly responsible for sending 50,000 young Americans to an early grave... This chamber reeks of blood... it does not take any courage at all for a Congressman or a Senator or a President to wrap himself in the flag and say we are staying in Viet Nam, because it is not our blood that is being shed. ~ George S McGovern,
441:Pacuvius, who by long occupancy made Syria his own,8 used to hold a regular burial sacrifice in his own honour, with wine and the usual funeral feasting, and then would have himself carried from the dining-room to his chamber, while eunuchs applauded and sang in Greek to a musical accompaniment: "He has lived his life, he has lived his life! ~ Seneca,
442:What do I advise? Forget it all. Don't be afraid. Do what you get the most pleasure from. Is it to build a cloud chamber? Then go on doing things like that. Develop your talents wherever they may lead. Damn the torpedoes - full speed ahead!
   If you have any talent, or any occupation that delights you, do it, and do it to the hilt ~ Richard P Feynman,
443:So this is it," said Arthur, "We are going to die."
"Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried.
"What? Where?" cried Arthur, twisting round.
"No, I was only fooling," said Ford, "we are going to die after all. ~ Douglas Adams,
444:Tis not fair, you know. I have no life left, not even enough to get up, and you are footslogging around this chamber as if you have fire under your…” She paused.

“My what?” He was grinning at her.

“Your big feet.”

He laughed loud and heartily and tossed the towel aside. “You know what the old wives say about big feet. ~ Jill Barnett,
445:The essence and foundation of House of Commons debating is formal conversation. The set speech, the harangue addressed to constituents, or to the wider public out of doors, has never succeeded much in our small wisely-built chamber. To do any good you have got to get down to grips with the subject and in human touch with the audience. ~ Winston Churchill,
446:This was the Bad Science strategy in a nutshell: plant complaints in op-ed pieces, in letters to the editor, and in articles in mainstream journals to whom you’d supplied the “facts,” and then quote them as if they really were facts. Quote, in fact, yourself. A perfect rhetorical circle. A mass media echo chamber of your own construction. ~ Naomi Oreskes,
447:At moments of important decision-making, the mind could be considered as a parliament, a debating chamber. Different factions contended, short- and long-term interests were entrenched in mutual loathing. Not only were motions tabled and opposed, certain proposals were aired in order to mask others. Sessions could be devious as well as stormy. ~ Ian McEwan,
448:And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more. ~ Edgar Allan Poe,
449:The Chairman of the Board, Gentle—men! In like manner, but in a still more stentorian voice, he ushered the chairman through the public office, where some humble clients were transacting business, into an awful chamber, labelled Board-room; the door of which sanctuary immediately closed, and screened the great capitalist from vulgar eyes. ~ Charles Dickens,
450:The Chamber is only a room, though a magical one, and you will enter it when the time comes. Duke Roger is only a man, for all he wields sorcery. He can be met and defeated. But you, my daughter - learn to love. You have been given a hard road to walk. Love will ease it. Much depends on you, Alanna of Trebond. Do not fail me!" - The Goddess ~ Tamora Pierce,
451:Indeed the early history of rocket design could be read as the simple desire to get the rocket to function long enough to give an opportunity to discover where the failure occurred. Most early debacles were so benighted that rocket engineers could have been forgiven for daubing the blood of a virgin goat on the orifice of the firing chamber. ~ Norman Mailer,
452:Perhaps, she thought, people were more like ammonites than one would suppose. Perhaps they too built shells on a consistent, unchanging factor—some quality or circumstance established in their youth. Each chamber in the shell just an enlargement of the previous. Growing year after year, until they spiraled around and locked themselves in place. ~ Tessa Dare,
453:We are silver houses of noble and ancient blood, allied with rebels, criminals, servants and thieves. Abilities or not, our ways of life stand in direct opposition. Our goals are not the same. The council chamber is a powder keg. If I'm lucky it will explode. Blow apart any threat of marriage. Destroy the cage they want to put me back in. ~ Victoria Aveyard,
454:But now, since you have given me accurate proof describing our bed, which no other mortal man beside has ever seen, but only you and I, and there is one serving woman, Aktor's daughter, whom my father gave me when I came here, who used to guard the doors for us in our well-built chamber; 230 so you persuade my heart, though it has been very stubborn. ~ Homer,
455:Muzzle control has to be a religion. You cannot point that weapon at one of your brothers-or yourself. Know where you barrel is at all times, and know the condition of your weapon-loaded or unloaded, bolt forward or to the rear, round in the chamber or not, safety on or off. Keep your finger off the trigger unless you're going to kill something. ~ Dick Couch,
456:Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door
Only this and nothing more. ~ Edgar Allan Poe,
457:Presently my soul grew stronger; hesitating then no longer, “Sir,” said I, “or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you” — here I opened wide the door; — Darkness there, and nothing more. ~ Lynn Cullen,
458:When the pope sits on the chamber pot to shit, does he believe in his own infallibility? Does not every imposter occasionally recognize his own hairy, homely humanity? Perhaps not; worn long enough, sometimes the Mask of Authority becomes the man. Even looking in a mirror, he will see the sacred Mask and not his own ordinary human face. ~ Robert Anton Wilson,
459:death ... so seldom happens nowadays in the awesome quiet of a familiar chamber. Most of us die violently, thanks to the advance of science and warfare. If by chance we are meant to end life in our beds, we are whisked like pox victims to the nearest hospital, where we are kept as alone and unaware as possible of the approach of disintegration. ~ M F K Fisher,
460:The exact science of human regeneration is the Lost Key of Masonry, for when the Spirit Fire is lifted up through the thirty-three degrees, or segments of the spinal column, and enters into the domed chamber of the human skull, it finally passes into the pituitary body (Isis), where it invokes Ra (the pineal gland) and demands the Sacred Name. ~ David Wilcock,
461:The PI multiples of the natural Logarithm Constant deviates from the Electric Constant figure by an amount which equals to one tenth of PI. When a circle is shaped using that equation, its area delivers a solid angle equals to the King's Chamber volume with a radius of 100 multiples of GPG's Height of a sphere's solid angle (i.e., 41252.96). ~ Ibrahim Ibrahim,
462:The rich, sweet smell of the hayricks rose to his chamber window; the hundred perfumes of the little flower-garden beneath scented the air around; the deep-green meadows shone in the morning dew that glistened on every leaf as it trembled in the gentle air: and the birds sang as if every sparkling drop were a fountain of inspiration to them. ~ Charles Dickens,
463:She stretched in his arms, and he settled her even closer, so that he could revel in her slowing heartbeat. An asshole might try to claim that bodily harm would result from getting all stirred up and being left unsatisfied, but his penis was like a gun. It would still fire just fine next time, even if he left a bullet in the chamber, so to speak. ~ Ann Aguirre,
464:The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. ~ Stephen King,
465:but the flower continued her beauty preparations in the shelter of her green chamber, selecting her colors with greatest care and dressing quite deliberately,adjusting her petals one by one.She had no desire to emerge all rumpled, like the poppies. She wished to appear only with full radiance of her beauty. Oh yes, she was quite vain! ~ Antoine de Saint Exup ry,
466:If love makes you sad, you acquire a little depth, a little compassion. If it makes you happy, you learn how to be joyous. Every relationship should color your soul to a certain degree, don't you think? Every friendship, every love affair - each one should build up the chambers of your heart the way a sea creature builds the chamber of his shell. ~ Sharon Shinn,
467:It's now or never, thought Otto.
Now, now! thought Witmeyer.
And so Ram kissed Thundercat, and suddenly neither bed of roses nor mountain slope could compare with Her Majesty's sewer for romance. In fact, from this moment on, Otto Malarkey could never so much as sniff a chamber pot without a faraway look creeping into his eyes. ~ Eoin Colfer,
468:This apartment, which you no doubt profanely suppose to be the shop of Will Wimble the undertaker --a man whom we know not, and whose plebeian appellation has never before this night thwarted our royal ears --this apartment, I say, is the Dais-Chamber of our Palace, devoted to the councils of our kingdom, and to other sacred and lofty purposes. ~ Edgar Allan Poe,
469:Every man supposes himself not to be fully understood; and if there is any truth in him, if he rests at last on the divine soul, I see not how it can be otherwise. The last chamber, the last closet, he must feel, was never opened; there is always a residuum unknown, unanalyzable. That is, every man believes that he has a greater possibility. ~ Ralph Waldo Emerson,
470:For the longest time I studied revenge to the exclusion of all else. I built my first torture chamber in the dark vaults of imagination. Lying on bloody sheets in the Healing Hall I discovered doors within my mind that I'd not found before, doors that even a child of nine knows should not be opened. Doors that never close again. I threw them wide. ~ Mark Lawrence,
471:For the longest time I studied revenge to the exclusion of all else. I built my first torture chamber in the dark vaults of imagination. Lying on bloody sheets in the Healing Hall I discovered doors within my mind that I’d not found before, doors that even a child of nine knows should not be opened. Doors that never close again. I threw them wide. ~ Mark Lawrence,
472:He’sh gone,” he said. “Dead?” said Rincewind. In the debating chamber of his mind a dozen emotions got to their feet and started shouting. Relief was in full spate when Shock cut in on a point of order and then Bewilderment, Terror and Loss started a fight which was ended only when Shame slunk in from next door to see what all the row was about. ~ Terry Pratchett,
473:It was a singular bedroom, with its high walls of brown volumes, but there could be no more agreeable furniture to a bookworm like myself, and there is no scent so pleasant to my nostrils as that faint, subtle reek which comes from an ancient book. I assured him that I could desire no more charming chamber, and no more congenial surroundings. ~ Arthur Conan Doyle,
474:Very well!” he said. “You shall prove your worth by facing me in a joust!” I’d never heard of an undead lich king challenging someone to a joust. Especially not in a subterranean burial chamber.
“All right,” I said uncertainly. “But won’t we be needing horses for that?”
“Not horses,” he replied, stepping away from his throne. “Birds. ~ Ernest Cline,
475:I would have got past Mr. Rochester's chamber without pause; but my heart momentarily stopping its beat at that threshold, my foot was forced to stop also.  No sleep was there: the inmate was walking restlessly from wall to wall; and again and again he sighed while I listened.  There was a heaven-a temporary heaven-in this room for me if I chose. ~ Charlotte Bront,
476:Heaped on the floor were turkeys, geese, game, poultry, brawn, great joints of meat, sucking pigs, long wreaths of sausages, mince-pies, plum-puddings, bartrels of oysters, re-hot chestnuts, cherry-cheeked apples, juicy oranges, luscious pears, immense twelfth-cakes, and seething bowls of punch that made the chamber dim with their delicious steam. ~ Charles Dickens,
477:With most people suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The two other bullets are impossible to name, but that doesn't mean the chambers were empty. ~ Jeffrey Eugenides,
478:Birkmann waved that away. "I'm not religious. Going to church - it's a magic show, in my opinion. Don't tell the Chamber of Commerce I said that."

"I'm not talking about religion. I'm talking about God," Virgil said. "I'm a Lutheran minister's kid, and, believe me, there's a difference between a religion and God. I sorta cut out the middleman. ~ John Sandford,
479:And the Raven, never flitting, Still is sitting, still is sitting On the pallid bust of Pallas Just above my chamber door; And his eyes have all the seeming Of a demon's that is dreaming, And the lamplight o'er him streaming Throws his shadow on the floor, And my soul from out that shadow, That lies floating on the floor, Shall be lifted - nevermore. ~ Edgar Allan Poe,
480:We are more connected than ever before, more able to spread our ideas and beliefs, our anger and fears. As we exercise the right to advocate our views, and as we animate our supporters, we must all assume responsibility for our words and actions before they enter a vast echo chamber and reach those both serious and delirious, connected and unhinged. ~ William J Clinton,
481:He stood in the doorway to a side chamber, bared to the waist and dripping. He propped one shoulder against the doorway and clutched the kilt before him with his free hand. His pose was a classic contrap-posto. He looked like a Renaissance David, sculpted not from cool, stoic marble but from impatient flesh.
A thin trail of dark hair drew her gaze lower. ~ Tessa Dare,
482:I’m in favor of hiding in your chamber for the remainder of the week.” A smile twitched across his lips as I raised a brow. “Drinking, kissing, debauching ourselves until we arrive in New York.” He sighed dreamily. “You must admit, we’d be safe from the murderer. Deliriously happy. And both of those options are much better than standing over cadavers. ~ Kerri Maniscalco,
483:Since the time of Voltaire and two-chamber Government, which is at bottom simply distrust and personal self-examination, and gives the popular mind that bad habit of being suspicious, the Church of France seems to have realised that books are its real enemies. ~ Stendhal,
484:And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more. ~ Edgar Allan Poe,
485:I am Ungit.' My voice came wailing out of me and I found that I was in the cool daylight and in my own chamber....Without question it was true. It was I who was Ungit. That ruinous face was mine. I was that Batta-thing, that all-devouring womblike, yet barren, thing. Glome as a web—I was the swollen spider, squat at its center, gorged with men's stolen lives. ~ C S Lewis,
486:I, who cannot stay in my chamber for a single day without acquiring some rust, and when sometimes I have stolen forth for a walk at the eleventh hour of four o'clock in the afternoon, too late to redeem the day, when the shades of night were already beginning to be mingled with the daylight, have felt as if I had committed some sin to be atoned for. ~ Henry David Thoreau,
487:We are perhaps permitted tragedy as a sort of merciful comedy: because the frantic energy of divine things would knock us down like a drunken farce. We can take our own tears more lightly than we could take the tremendous levities of the angels. So we sit perhaps in a starry chamber of silence, while the laughter of the heavens is too loud for us to hear. ~ G K Chesterton,
488:My country's history, Mr. President, tells us that it is possible to fashion unity while cherishing diversity, that common action is possible despite the variety of races, interests, and beliefs we see here in this chamber. Progress and peace and justice are attainable. So we say to all peoples and governments: Let us fashion together a new world order. ~ Henry A Kissinger,
489:The moonlight on the water outside the chamber window throws the reflection of ripples onto the whitewashed ceiling of the room, so they look as if they are underwater, floating with Melusina in the fountain. But I know that they are both gone from me, and our water mother is singing them on their journey down the sweet river to the deep springs of home. ~ Philippa Gregory,
490:My objective is that before the end of the millennium Europe should have a true federation. The Commission should become a political executive which can define essential common interests... responsible before the European Parliament and before the nation-states represented how you will, by the European Council or by a second chamber of national parliaments. ~ Jacques Delors,
491:Dwell, O mind, within yourself; Enter no other's home. If you but seek there, you will find All you are searching for. God, the true Philosopher's Stone, Who answers every prayer, Lies hidden deep within your heart, The richest gem of all. How many pearls and precious stones Are scattered all about The outer court that lies before The chamber of your heart! ~ Sri Ramakrishna,
492:Why the devil was the house never plumbed?”
“Theo said that according to his father, there was no reason for it when they had so many servants.”
“Of course. Such a delightful activity, running up and down the stairs with heavy cans of water. Not to mention chamber pots. How thankful the servants must be that no one has yet deprived them of such enjoyment. ~ Lisa Kleypas,
493:Don’t worry,” said Lizzy brightly, dancing into the chamber in a peculiar costume that was part Robin Hood and part Paris frock. “I have my crossbow.”
Nicolas regarded the costume appreciatively. “That is a most unusual ensemble, mademoiselle. But becoming.”
“I know,” said Lizzy. “And I still have my crossbow.”
Nicolas bowed his head in acknowledgment. ~ Lauren Willig,
494:On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth. ~ Anonymous,
495:All right, all right, so I love Lubbock. I never claimed to have exquisite taste. I’ll be there with the diehards to the end, trying to explain, “No, this is a griddle with some Monopoly houses on it: this is Lubbock.” Still, the life of all us Lubbock-lovers would be a lot easier if the Chamber of Commerce hadn’t adopted the slogan “Keep Lubbock Beautiful.” Keep? ~ Molly Ivins,
496:And the silken, sad, uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more. ~ Edgar Allan Poe,
497:In the end, then, suffrage for women came down to the vote of one young man, influenced by his mom. It was rumored that “the anti-suffragists were so angry at his decision that they chased him from the chamber, forced him to climb out a window of the Capitol and inch along a ledge to safety.”15 Thus suffrage arrived in the United States, kicking and screaming. ~ Michael Shermer,
498:Once upon a midnight dreary, while I pondered, weak and weary,  Over many a quaint and curious volume of forgotten lore,  While I nodded, nearly napping, suddenly there came a tapping,  As of some one gently rapping, rapping at my chamber door.  "'Tis some visiter," I muttered, "tapping at my chamber door—                           Only this, and nothing more. ~ Edgar Allan Poe,
499:In this country, a federal grand jury probe is the closest thing to Courts of Inquisition or a Star Chamber that exists. There are few rights, nothing that comes close to cross-examination, and no right to counsel inside the jury room. There are no real rules of evidence. The only thing they can’t do is torture you, and on that you must take the government’s word. ~ Steve Martini,
500:The death-change comes. Death is another life. We bow our heads At going out, we think, and enter straight Another golden chamber of the king's Larger than this we leave, and lovelier. And then in shadowy glimpses, disconnect, The story, flower-like, closes thus its leaves. The will of God is all in all. He makes, Destroys, remakes, for His own pleasure, all. ~ Philip James Bailey,
501:To be controlled by moods is to be a part of matter. If you keep your mind on the resolve to never lose your peace, then you can attain godliness.
Keep a secret chamber of silence within yourself, where you will not let moods, trials, battles or inharmony enter. Keep out all hatred, revengefulness and desires. In this chamber of peace God will visit you. ~ Paramahansa Yogananda,
502:It had been so silent in the wake of that commotion, a kind of potent silence that seemed to contain everything. The songs of the birds and the creak of the trees. The dying snow and the unseen gurgling water. The glimmering sun. The certain sky. The gun that didn't have a bullet in its chamber. And the mother. Always the mother. The one who would never come to me. ~ Cheryl Strayed,
503:Eventually, they were allowed to sit down in the cold mud and each given a small portion of some watery substance. It quickly became apparent that the bowls they shared had been used as chamber pots. The salty liquid slopped into these vessels was evil-smelling and inedible but the women pinched their noses and forced it down in a futile attempt to quench their thirst. ~ Wendy Holden,
504:The second objection is that some of the language is obvious metaphor. David painted the sun as a bridegroom coming out of his chamber or of being summoned by God and responding like a human. This is called anthropomorphism and is obviously poetic. But the problem here is that the metaphors still reinforce the sun doing all the moving around a stationary immobile earth. ~ Brian Godawa,
505:And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor:
And my soul from out that shadow that lies floating on the floor
Shall be lifted — nevermore! ~ Edgar Allan Poe,
506:Maybe such questions bothered me so much because they are being asked about me, all the time, within the echo chamber of my own fallen psyche and by unseen rebel angels all around. Are you really a son of the living God? Does your God really know you? Does this biblical story really belong to you? Are these really your brothers and sisters? Do you really belong here?… ~ Russell D Moore,
507:I was born in the late '70s and grew up in the deep South, and I was very much still of an era where racism was a casual part of white people's public and private lives, though it had been pushed more into its own little echo chamber by then. As a five year old, I saw a fully costumed Klan circle, complete with burning cross, on a town square in rural Alabama at high noon. ~ Nate Powell,
508:ALBUS DUMBLEDORE  CURRENTLY  HEADMASTER  OF  HOGWARTS Considered by many the greatest wizard of modern times, Dumbledore is particularly famous for his defeat of the Dark wizard Grindelwald in 1945, for the discovery of the twelve uses of dragon’s blood, and his work on alchemy with his partner, Nicolas Flamel. Professor Dumbledore enjoys chamber music and tenpin bowling. Harry ~ J K Rowling,
509:A man's suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the 'size' of human suffering is absolutely relative. ~ Viktor E Frankl,
510:a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the “size” of human suffering is absolutely relative. ~ Viktor E Frankl,
511:I didn’t know if we were heading for the gallows or an interrogation chamber. The night had passed without sleep; save for a swig from the German’s flask, there hadn’t been a sip to drink since the rooftop of the Kirov; a lump the size of an infant’s fist had swelled where my forehead had cracked the ceiling- it was a bad morning, really; among my worst- but I wanted to live. ~ David Benioff,
512:Mr. Sambridge possessed a remarkably good mouthful of natural teeth for someone his age, whether ritually maintained or expensively corrected I could not tell.

As someone who has spent hours of agony strapped down in Dr. Frankenstein's chamber of dental horrors in Farrington Street, I could only respect—and hate—anyone who still possessed such a spotless set of choppers. ~ Alan Bradley,
513:a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the “size” of human suffering is absolutely relative. It ~ Viktor E Frankl,
514:He could not hope to discover, let alone understand, what thoughts moved her as she sat holding his hand to her cheek. He was alone, in the smallness of the room, in the space within him. And yet they were both together, alone. He understood, as if the knowledge had been waiting for him in this windowless chamber. That was, at bottom, what it amounted to. To be alone, together. ~ Naomi Alderman,
515:But Shia scholars would maintain that Muhammad had long before made the divinely guided choice of his closest male relative—his son-in-law Ali—as his successor. He had done so many times, in public, they would say, and if Ali’s enemies had not thwarted the Prophet’s will, he would certainly have done so again, one last time, as he lay dying in that small chamber alongside the mosque. ~ Anonymous,
516:I'm a Christian, but if God is truly a God of love, then why would he have a private torture chamber where he put people that he was suppose to love and forgive to punish forever? if you actually read the Bible, the idea of hell like in the movies and most books was invented by a writer. Dante's inferno was ripped off by the Church to give people something to ba afraid of... ~ Laurell K Hamilton,
517:I will tell you a few—each one with a moral!” Sri Yukteswar’s eyes twinkled with his warning. “My mother once tried to frighten me with an appalling story of a ghost in a dark chamber. I went there immediately, and expressed my disappointment at having missed the ghost. Mother never told me another horror-tale. Moral: Look fear in the face and it will cease to trouble you. ~ Paramahansa Yogananda,
518:So with the endorsement of the Chamber of Commerce, in 1980 Sparky Harper invited fifty travel writers from all newspapers all across North America to come to Miami during Orange Bowl Week and sail the Friendship Cruise. Of course, 1980 was the year of the Liberty City Riots and the Mariel Boatlift, so only nine travel writers showed up, several of them carrying guns for protection. ~ Carl Hiaasen,
519:Adventure is humdrum and routine unless one assimilates it, unless one relates it to a central core which grows within and gives it contour and significance. Raw experience is empty, just as empty as the forecastle of a whaler as in a chamber of a counting house; for it is not what one does, but in a manifold sense, what one realizes that keeps existence from being vain and trivial. ~ Lewis Mumford,
520:By chance there were no guards, no dogs, no watchtowers in the photo, though I'm sure they were there - just a lonely woman with a baby in her arms and her other two children holding tight to her skirt. Stoic, unwavering, supporting their tiny lives - helping them as best as any mother could - she walked them towards the gas chamber. You could almost hear the silence, smell the terror. ~ Terry Hayes,
521:Emptiness. He saw no one, only a large chamber with pewlike rows of seats and, at the far end, a casket surrounded by flowers. Off in a small sideroom an old-fashioned reed pump organ and a few wooden folding chairs. The mortuary smelled of dust and flowers, a sweet, stale mixture that repelled him. Think of all the Iowans, the thought, who've embraced eternity in this listless room. ~ Philip K Dick,
522:I.
In the cave which wild weeds cover
Wait for thine aethereal lover;
For the pallid moon is waning,
O'er the spiral cypress hanging
And the moon no cloud is staining.

II.
It was once a Romans chamber,
Where he kept his darkest revels,
And the wild weeds twine and clamber;
It was then a chasm for devils.



~ Percy Bysshe Shelley, A Romans Chamber
,
523:The moon went slowly down in chastened loveliness, she departed like some sweet bride into her chamber, and long veil-like shadows crept up the sky through which the stars peeped shyly out. Soon, however, they too began to pale before a splendour in the east, and then the quivering footsteps of the dawn came rushing across the new-born blue, and shook the planets from their places. ~ H Rider Haggard,
524:All drunks, particularly those who grew up in alcoholic homes, have that same sense of angst and trepidation, one that has no explainable origins. The fear is not necessarily self-centered, either. It’s like watching someone point a revolver at his temple while he cocks and dry-fires the mechanism, over and over again, until the cylinder rotates a loaded chamber into firing position. ~ James Lee Burke,
525:And yet and yet! That strained look on her face! A gnawing sorrow is there all the time. Her very soul is in her eyes and she would give worlds to be in the privacy of her own familiar chamber where, giving way to tears, she could have a good cry and relieve her pentup feelings.
Though not too much because she knew how to cry nicely before the mirror. You are lovely, Gerty, it said. ~ James Joyce,
526:The day it happened, the week after it happened-those were not times I wanted to go back to. How I felt like I was trapped in a chamber of my own noise. Sitting in class and not being there at all. Sitting in a chair and fragmenting at the same time. Clutching to the random facts. Thinking the concept of a fact was itself a fiction. Because we live in a blur. All of us live in a blur. ~ David Levithan,
527:There’s a consensus catching on between the different walks of life:  whether bare-foot or wing-tipped, the shop doors close behind them; whether sundress or pantsuit, the chairs are pulling back; whether uniformed or tank-topped, the generic filing system plays out.  Only-a-second becomes only-a-year; only-a-year becomes a five-year-plan; the five-year-plan turns into one-in-the-chamber.  ~ Anonymous,
528:The Mufti was one of the initiators of the systematic extermination of European Jewry and had been a collaborator and adviser of Eichmann and Himmler in the execution of this plan... He was one of Eichmann’s best friends and had constantly incited him to accelerate the extermination measures. I heard him say, accompanied by Eichmann, he had visited incognito the gas chamber of Auschwitz.7 ~ David Rub n,
529:When I shall be dead, the principles of which I am composed will still perform their part in the universe, and will be equally useful in the grand fabric, as when they composed this individual creature. The difference to the whole will be no greater betwixt my being in a chamber and in the open air. The one change is of more importance to me than the other; but not more so to the universe. ~ David Hume,
530:Moscone and Milk were the dynamic duo of San Francisco’s progressive revolution. They never forgot what they were elected to do: to fight for the burdened and afflicted, for those whose voices were never heard in the halls of power. They fought for the rights of workers, minorities, gays, and renters. And they made the same enemies: the chamber of commerce, developers, realtors, the SFPD. ~ David Talbot,
531:Surprisingly, it was Jackal who finally smiled and stepped back, raising his hands. "Okay, bloodbag," he said, looking past me to Zeke. "Fine. I can be civil. For now. Observe." He made a great show of looking around the chamber. "Nice place you got here. Love what you've done with it. If I'd known, I would've brought a housewarming gift. A shag rug to go with the lovely piles of garbage. ~ Julie Kagawa,
532:If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I'd go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the 'Hallelujah Chorus'. ~ D H Lawrence,
533:Annas responded quickly, “My colleague Joseph is taking Scripture out of context. David was speaking metaphorically, and Isaiah’s Suffering Servant is Israel, not Messiah.” A voice interrupted their debate. “I can see my tardiness has inspired you to discuss the matter of Messiah in my absence.” Pilate paused at the entrance of the chamber, with his personal guard. Everyone stood in respect. ~ Brian Godawa,
534:In all outward aspects he remained patient and mild now, not caring even to speak against heretics; he knew that he was likely to die soon enough, but the prospect of death was not an unwelcome one (...). More retained his hair shirt as he dwelled in his chamber, and is reported to have whipped himself for penitence; he fasted on the appointed days, sang hymns and prayed both day and night. ~ Peter Ackroyd,
535:The game is my version of Russian Roulette. I’m sure you’ve heard of it. The rules are as follows. The gun will have one bullet in it. I will place the bullet in the chamber and spin it. We will then each take a turn pulling the trigger with the gun pointed at our heads. You’ll point the gun and pull the trigger on the children’s turns. We will continue to do this until one of us is dead. The ~ Ethan Cross,
536:I blinked as I heard chamber music coming from the other room. “What are you listening to?”
“I picked up a DVD for Luke while I was out. Something with Mozart and sock puppets.”
A grin rose to my lips. “At this stage I don’t think Luke can see more than ten inches beyond his face.”
“That explains his lack of interest. I thought maybe he preferred Beethoven.”

-Ella & Jack ~ Lisa Kleypas,
537:It was the combination of many factors... With most people, suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty. ~ Jeffrey Eugenides,
538:Maybe – as my friend the documentary maker Adam Curtis emailed me – they’re turning social media into ‘a giant echo chamber where what we believe is constantly reinforced by people who believe the same thing.’ We express our opinion that Justine Sacco is a monster. We are instantly congratulated for this – for basically being Rosa Parks. We make the on-the-spot decision to carry on believing it. ~ Jon Ronson,
539:True love meant being willing to live for the woman who was the other chamber of your heart, to work yourself threadbare for her if necessary, to know her mind as you knew your own, to love her as you loved yourself, to cherish her above all earthly things unto the end of your years. There was the valiant and exhilarating life, more thrilling than ten thousand expeditions up ten thousand Amazons! ~ Dean Koontz,
540:The bride, the beautiful princess, a royal daughter is glorious. She waits within her chamber, dressed in a gown woven with gold. Wearing the finest garments, she is brought to the King. Her friends, her companions, follow her into the royal palace. What a joyful, enthusiastic, excited procession as they enter the palace! She comes before her King, who is wild for her!
-OLD TESTAMENT, PSALM 45 ~ Holly Wagner,
541:To draw an analogy: a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the “size” of human suffering is absolutely relative. ~ Viktor E Frankl,
542:Truth and courage aren’t always comfortable, but they’re never weakness. Yes, we are totally exposed when we are vulnerable. Yes, we are in the torture chamber that we call uncertainty. And, yes, we’re taking a huge emotional risk when we allow ourselves to be vulnerable. But there’s no equation where taking risks, braving uncertainty, and opening ourselves up to emotional exposure equals weakness. ~ Bren Brown,
543:Win demagnetized and then pried off the power chamber faring and tossed it aside. Then he started to laugh. And dance. And slap Dirck on the back. And dance some more. He was laughing so hard he was crying.
'Hey,' Dirck said, the entertainment value of his friend's behavior rapidly depreciating. 'Don't you think we ought to do what we have to and get out of here, before they send another veke? ~ Marcha A Fox,
544:Big money and big business, corporations and commerce, are again the undisputed overlords of politics and government. The White House, the Congress and, increasingly, the judiciary, reflect their interests. We appear to have a government run by remote control from the U.S. Chamber of Commerce, the National Association of Manufacturers and the American Petroleum Institute. To hell with everyone else. ~ Bill Moyers,
545:The Republican leadership in Congress is trying not to cede control to its freelance responders. In an effort led by Ms. McMorris Rodgers, members shuffling out of the House chamber after Mr. Obama’s address will be steered toward one of several rapid-response booths, which will bear a Republican slogan and be stocked with iPads and other devices to allow them to record six-second videos through Vine. ~ Anonymous,
546:To draw an analogy: a man's suffering is similar to the behavior of a gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative. ~ Viktor E Frankl,
547:Half a world away, on the same Friday, the Chamber of Deputies in France opened debate on paying the United States a debt of 25 million francs (about $5 million) as an indemnity for French damage to American shipping during the Napoleonic wars. France had agreed to pay the money under an 1831 treaty, but after four days of consideration, by a margin of eight, France declined to honor its obligations. ~ Jon Meacham,
548:How easy it is to create ghosts, he thinks as he begins to die a minute later, feeling his mind closing chamber by chamber, the memory of Naheed contained in each one. And despite it all it means much to have been loved. Just before the world vanishes, a hope surfaces in him that this wasn’t necessarily everything, that he will return somehow.
His arm rises, remembering when it used to be a wing. ~ Nadeem Aslam,
549:I am not asking everyone to be activists. I am not asking everyone to march on the front lines. I am not asking every writer, public figure, or celebrity to lead social movements. I am not asking them to make speeches on how they have a dream. I am, however, challenging people not to stay silent as the world crumbles. You do not have to yell. Even a whisper of truth matters in an echo chamber of lies. ~ Luvvie Ajayi,
550:Someday someone will write a pathology of experimental physics and bring to light all those swindles which subvert our reason, beguile our judgement and, what is worse, stand in the way of any practical progress. The phenomena must be freed once and for all from their grim torture chamber of empiricism, mechanism, and dogmatism; they must be brought before the jury of man's common sense. ~ Johann Wolfgang von Goethe,
551:As she moved swiftly and noiselessly through the vast palace cellar, odd noises weltered toward her. Voices and echoes of water rippled through the air as if, in some magic chamber, whales and dolphins cavorted among young maidens in great tanks of water. When she reached it, all the fish turned into laundry, stirred and beaten in steaming cauldrons by glum, limp-haired women as wet as mackerels. ~ Patricia A McKillip,
552:I promised I'd save him, take him home! I promised him!" . . . Thomas hugged Chuck to his chest, squeezed him as tightly as possible, as if that could somehow bring him back, or show thanks for saving his life, for being his friend when no one else would. Thomas cried, wept like he'd never wept before. His great, racking sobs echoed through the chamber like the sounds of tortured pain. (pg 358 hardback) ~ James Dashner,
553:The right eloquence needs no bell to call the people together, and no constable to keep them. It draws the children from their play, the old from their arm-chairs, the invalid from his warm chamber: it holds the hearer fast; steals away his feet, that he shall not depart; his memory, that he shall not remember the most pressing affairs; his belief, that he shall not admit any opposing considerations. ~ Ralph Waldo Emerson,
554:The origin of the modern labels of left and right can be traced to the French Assembly of 1789 on the eve of the French Revolution, in which the delegates who favored preservation of the Ancien Régime (the Old Order) of France sat on the right side of the chamber, while those who favored change sat on the left.91 Since then, the terms left and right have stood for liberalism and conservatism, respectively. ~ Michael Shermer,
555:Another testing procedure required that the Roadsters go into a special cooling chamber to check how they would respond to frigid temperatures. Not wanting to pay the exorbitant costs to use one of these chambers, the Tesla engineers opted to rent an ice cream delivery truck with a large refrigerated trailer. Someone would drive a Roadster into the truck, and the engineers would don parkas and work on the car. ~ Ashlee Vance,
556:In this century history stopped paying attention to the old psychological orientation of reality. I mean, these days, character isn't destiny any more. Economy is destiny. Ideology is destiny. Bombs are destiny. What does a famine, a gas chamber, a grenade care how you lived your life? Crisis comes, death comes, and your pathetic individual self doesn't have a thing to do with it, only to suffer the effects. ~ Salman Rushdie,
557:risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own. His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene ~ Arthur Conan Doyle,
558:Since Husk’s downfall, Brother Fir had quietly and sensibly taken control of the situation. He had told the islanders of the long ago time when a squirrel king had committed murder and sacrifice in that chamber. He had opened it, blessed it, filled it with candlelight, watched, prayed, and sung in it, night and day, cleansing it of its past. It was now the Chamber of Candles, a place of prayer and peace. ~ Margaret McAllister,
559:She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more - this idea was as sweet as a vision of a cool bath in a marble tank, in a darkened chamber, in a hot land. ... but Isabel recognized, as it passed before her eyes, the quick vague shadow of a long future. She should never escape; she should last to the end. ~ Henry James,
560:One need not be a Chamber - to be Haunted - One need not be a House - The Brain - has Corridors - surpassing Material Place - Far safer, of a Midnight - meeting External Ghost - Than an Interior - Confronting - That cooler - Host. Far safer, through an Abbey - gallop - The Stones a'chase - Than Moonless - One's A'self encounter - In lonesome place - Ourself - behind ourself - Concealed - Should startle - most. ~ Emily Dickinson,
561:She glanced behind her and saw Addolgar. He gave her a small wink and the tiniest smile, and, Braith would be forced to admit, she’d never felt so . . . safe before. Not safe in the sense that her head would not go rolling across the chamber floor, but just that someone, other than herself or her still-missed mother, actually cared for her. That someone was watching out for her.

And that someone was Addolgar. ~ G A Aiken,
562:Ward was overflowing with a rumbustious Jacobean appetite for all forms of the world around him. He loved wine and beer, he ate far too much cheese, he laughed too much, he loved eavesdropping on other people’s conversations, he lusted after women and had exciting dreams about ‘the grievous sinnes in T[rinity] Colledg, which had a woman which was [?carried] from chamber in the night tyme’, and was far too jolly. ~ Adam Nicolson,
563:What I do want people to remember is the fact that the movement around the demand for my freedom was victorious. It was a victory against insurmountable odds, even though I was innocent; the assumption was that the power of those forces in the US was so strong that I would either end up in the gas chamber or that I would spend the rest of my life behind bars. Thanks to the movement, I am here with you today. My ~ Angela Y Davis,
564:Whoever believes, fears. Whoever fears is humble. Whoever is humble becomes gentle. Whoever is gentle pacifies the unruly forces of desire and aggression and begins to keep the commandments. Whoever keeps the commandments is purified. Whoever is purified is illuminated. Whoever is illuminated is made a spouse of the divine Logos-Bridegroom and shares with him the bridal chamber of mysteries. —Maximos the Confessor ~ John R Mabry,
565:It led on and on; vistas of forgotten metal; moribund, stiff in a thousand attitudes of mortality; with not a rat, not a mouse; not a bat, not a spider. Only the Lamb, sitting in his high chair with a faint smile upon his lips; alone in the luxury of his vaulted chamber, where the red carpet was like blood, and the walls were lined with books that rose up...up... volume after volume until the shadows engulfed them. ~ Mervyn Peake,
566:And thank goodness that's the way things are, because the day we lose the spark that makes us want to know things, and young people are content with the nonsense dressed in tinsel sold to them by the current popes of bullshittery--be it a miniature electrical appliance or battery-run chamber pot--and become incapable of understanding anything that lies beyond their backsides, we'll return to the age of the slug. ~ Carlos Ruiz Zaf n,
567:Here and there, human nature may be great in times of trial, but generally speaking it is its weakness and not its strength that appears in a sick chamber; it is selfishness and impatience rather than generosity and fortitude, that one hears of. There is so little real friendship in the world! – and unfortunately' (speaking low and tremulously) 'there are so many who forget to think seriously till it is almost too late. ~ Jane Austen,
568:There it is,” he’d say reverentially. “The box represents the mysterious threshold between reality and make-believe. [..] Because every one of us has our box, a dark chamber stowing the thing that lanced our heart. It contains what you do everything for, strive for, wound everything around you. And if it were opened, would anything be set free? No. For the impenetrable prison with the impossible lock is your own head. ~ Marisha Pessl,
569:Alas," said the mouse, "the whole world is growing smaller every day. At the beginning it was so big that I was afraid, I kept running and running, and I was glad when I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I must run into." "You only need to change your direction," said the cat, and ate it up. ~ Franz Kafka,
570:So live, that when thy summons comes to join The innumerable caravan which moves
To that mysterious realm where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night,Scourged to his dungeon; but, sustain'd and soothed
By an unfaltering trust, approach thy grave,Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams."
Thanatopsis ~ William Cullen Bryant,
571:Good day, my lord. What brings you here today?”
He made a show of glancing curiously about the chamber. “Empty, your highness? In the absence of your brother and the queen, is your butler instructed to turn away all rogues and scoundrels except me?”
“Oh, no,” she said with a light wave of her hand. “All the other rogues and scoundrels have made appointments for later. You are simply early.”

-Jacqueline & Cam ~ Katharine Ashe,
572:Just as he was an Elk, a Booster, and a member of the Chamber of Commerce, just as the priests of the Presbyterian Church determined his every religious belief and the senators who controlled the Republican Party decided in little smoky rooms in Washington what he should think about disarmament, tariff, and Germany, so did the large national advertisers fix the surface of his life, fix what he believed to be his individuality. ~ Sinclair Lewis,
573:He will be lowered into a vat of liquid nitrogen and frozen. From here he will progress to the second chamber, where either ultrasound waves or mechanical vibration will be used to break his easily shattered self* into small pieces, more or less the size of ground chuck. The pieces, still frozen, will then be freeze-dried and used as compost for a memorial tree or shrub, either in a churchyard memorial park or in the family’s yard. ~ Mary Roach,
574:I’m Christian, but if God is truly a God of love, then why would he have a private torture chamber where he put people that he was supposed to love and forgive to be punished forever? If you actually read the Bible, the idea of hell like in the movies and most books was invented by a writer. Dante’s Inferno was ripped off by the Church to give people something to be afraid of, to literally scare people into being Christian. ~ Laurell K Hamilton,
575:Your life has been made up of chambers, a series of chambers, so the interlocutor said, his hand on my arm — and in each chamber it is difficult to remember exactly what it was like to be in the previous room. You can remember that certain things happened when you were a child. But, what it was like to be there, to be a child, it really is lost to you. Our world is a difficult succession of losses, vaguely remembered, vaguely enshrined. ~ Jesse Ball,
576:In one corner of the chamber, she saw the tip of a thick green vine force its way between the painted tiles, cracking them. More vines appeared next to the first; they poked through the wall from the outside and spread across the floor, covering it in a sea of writhing, snakelike appendages.
Watching them crawl toward her, Nasuada began to chuckle. Is this all he can think of? I have stranger dreams nearly every night. ~ Christopher Paolini,
577:I took a measure of morbid pride in their professionalism and their fear. Tony Flowers and a couple of goons stripped me to my boxers. They chained me in the center of a ten-by-twenty concrete subbasement cell. I’m a big man, so the fellows used a lot of chain. The chair was solid wrought iron and looked as if it had been unbolted from the deck of a trawler. Dirty fluorescent bulbs pulsed overhead. The chamber reeked of bleach and mildew. ~ Laird Barron,
578:Senate Majority Leader Mitch McConnell needs to get business lobbyists in a car and drive them around with a gun to their heads for an hour, explaining: We can give you regulatory reform, OSHA reform, tax relief, tort reform. But if we give you immigration, we won’t be in a position to give you anything else, ever again, and you’ll have to take your chances with Nancy Pelosi. The Chamber of Commerce has got to learn: You can’t have it all. ~ Ann Coulter,
579:She loved your mother', Taliesin said gently. 'This is her farewell.'

As he spoke, a chanted melody began inside the chamber, a song without words. Yet it spoke of the beauty in the heart of the flame, of the passing glory of the white bird on the wing, and the blossom of the sea spray under the shining prow. It sang of a mother with her baby, of the hard love between men and women, and the gentle rest that comes at last to all. ~ Rosalind Miles,
580:The corridor of Rostau starts from the northern shaft's opening in the Great Pyramid and ends at the southern shaft's opening. When the Fourth Hour begins, the dead god (in his form as, Afu-Ra) leaves his boat and travels using a snake boat; his journey starts from that corridor's entrance down to the King's Chamber (which is called the, Aheth Chamber). And when the Fifth Hour comes, he proceeds upwards to the southern shaft's opening. ~ Ibrahim Ibrahim,
581:the inquisitors of yesteryear knew only too well, as do the country snatchers of today: torture is useless for protecting people. It is only good for terrorizing them. The bureaucracy of pain tortures in order to perpetuate the power of the powers it serves. A confession extracted by torture is worth little or nothing. But in the torture chamber the powerful do drop their masks. By torturing, they confess that fear is their daily bread. ~ Eduardo Galeano,
582:The man running toward me is not a man, he is a boy. A shaggy-haired boy with a crease between his eyebrows. Will. Dull-eyed and mindless, but still Will. He stops running and mirrors me, his feet planted and his gun up. In an instant, I see his finger poised over the trigger and hear the bullet slide into the chamber, and I fire. My eyes squeezed shut. Can't breathe. The bullet hit him in the head. I know because that's where I aimed it. ~ Veronica Roth,
583:The next chamber is full of songbirds, if I remember right. Their music is like turtleweed. It will put you to sleep if you listen to it. They sleep most of the time, so the best thing is to pass through without waking them up. If they do awaken, then you must sing loud enough to drown out their music."
"Great," Han said. "Whose idea was that?"
"It seemed like a good idea at the time," Crow said. "I was an excellent singer. ~ Cinda Williams Chima,
584:She had to get a hold of herself. She had to run. Did she have a chance of making it out alive? Something told her “no.” Definitely no. The chamber exit, a narrow doorway, led to an even narrower passage that would dump her back into the dark jungle. She wouldn’t make it two feet before he barreled down on her with those powerful thighs. Yes, powerful thighs. Ummm. She ground her palm into her forehead. Tramp! Get a hold of yourself. ~ Mimi Jean Pamfiloff,
585:It was starting to rain, big sloppy drops spilling onto the windshield. No thunder yet. His driving was stymied by a clobbering sensation of loss. But what exactly had he lost? Himself as he had been, firm-bodied and flabby-minded? Some clarity of vision he once had possessed? Or was it the old, dormant chamber of his bicameral mind calling out to him, reminding him of the days when rocks and trees and statues had spoken with the voices of gods? ~ Jennifer Egan,
586:The campaign of character assassination waged [against President Clinton] by the right was a singular, unprecedented effort. Nothing like it exists on the left. What I object to on the right is the obsessive hatred, the bigotry, and the personal savaging of their opponents, all achieved through an echo chamber of talk radio, the Internet and Rupert Murdoch's media outlets. That kind of well-funded disinformation campaign has no analog on the left. ~ David Brock,
587:In short, the Germans not merely enlarged the dimensions of the ancient megamachine, but made important innovations in the techniques of mass control: innovations that later corporate megamachines are now perfecting with the aid of spying devices, opinion polls, market research, and computerized dossiers on private life. In the background, the torture chamber and the crematorium, if not planetary incineration, are still ready to complete the job. ~ Lewis Mumford,
588:But didn't everyone have a shell? Hard, external armor protecting the soft, vulnerable creature beneath?
Perhaps, she thought, people were more like ammonites than one would suppose. Perhaps they too built shells on a consistent, unchanging factor- some quality or circumstance established in your youth. Each chamber in the shell just an enlargement of the previous. Growing year after year, until they spiraled around and locked themselves in place. ~ Tessa Dare,
589:One woman approached me as she walked past and, pointing to her four children who were manfully helping the smallest ones over the rough ground, whispered: 'How can you bring yourself to kill such beautiful, darling children? Have you no heart at all?' One old man, as he passed me, hissed: 'Germany will pay a heavy penance for this mass murder of the Jews.' His eyes glowed with hatred as he said this. Nevertheless he walked calmly into the gas-chamber. ~ Rudolf Hoss,
590:Titles available in the Harry Potter Series (in reading order): Harry Potter and the Sorcerer’s Stone Harry Potter and the Chamber of Secrets Harry Potter and the Prisoner of Azkaban Harry Potter and the Goblet of Fire Harry Potter and the Order of the Phoenix Harry Potter and the Half-Blood Prince Harry Potter and the Deathly Hallows Other titles available: Quidditch Through the Ages Fantastic Beasts and Where to Find Them The Tales of Beedle the Bard ~ J K Rowling,
591:But I must object to your dooming Colonel Brandon and his wife to the constant confinement of a sick chamber, merely because he chanced to complain yesterday (a very cold damp day) of a slight rheumatic feel in one of his shoulders."

"But he talked of flannel waistcoats," said Marianne; "and with me a flannel waistcoat is invariably connected with the aches, cramps, rheumatisms, and every species of ailment that can afflict the old and the feeble. ~ Jane Austen,
592:If other ages felt less, they saw more, even though they saw with the blind, prophetical, unsentimental eye of acceptance, which is to say, of faith. In the absence of this faith now, we govern by tenderness. It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber. ~ Flannery O Connor,
593:I, who cannot stay in my chamber for a single day without acquiring some rust,... confess that I am astonished at the power of endurance, to say nothing of the moral insensibility, of my neighbors who confine themselves to shops and offices the whole day for weeks and months, aye, and years almost together. I know not what manner of stuff they are of,--sitting there now at three o'clock in the afternoon, as if it were three o'clock in the morning. ~ Henry David Thoreau,
594:One of the great unresolved psychological enigmas of the modern western world is the question of what or who has persuaded us to accept as virtually axiomatic a self-view and a world-view that demand we reject out of hand the wisdom and vision of our major philosophers and poets in order to imprison our thought and our very selves in the materialist, mechanical and dogmatic torture-chamber devised by purely quantitative and third-rate scientific minds. ~ Philip Sherrard,
595:The chowdry, or burqa -- the Saudi, North African, and Central Asian version of the head, face, and body shroud -- is a sensory deprivation isolation chamber. It is claustrophobic, may lead to anxiety and depression, and reinforces a woman's already low self-esteem. It may also lead to vitamin D deficiency diseases such as osteoporosis and heart disease. Sensory deprivation officially constitutes torture and is practiced as such in the world's prisons. ~ Phyllis Chesler,
596:For three decades, Senator Arlen Specter served the people of Pennsylvania with independence, toughness, determination and an unflinching devotion to the best interests of his constituents and our country. From the committee room to the Senate chamber, Senator Specter offered a voice of reason and passion in every debate - always willing to reach across the aisle and work across party lines to get the job done, regardless of political gamesmanship or gain. ~ Nancy Pelosi,
597:Sparky Harper and the Greater Miami Chamber of Commerce adored travel writers because travel writers never wrote stories about street crime, water pollution, fish kills, beach erosion, refugees, AIDS epidemics, nuclear accidents, cocaine smugglers, gun-runners, or race riots. Once in a while, a daring travel writer would mention one of these subjects in passing, but strictly in the context of a minor setback from which South Florida was pluckily rebounding. ~ Carl Hiaasen,
598:Next I prayed to Allah, whose ears are deaf; then did I beseech his fallen twin, the Devil Hornprick, who sits upon his thorn of fire, gloating upon his constellations and counting his bloody seeds. In Baclava it is said Hornprick once caught a glimpse of the First Woman, as she sat singing to her snake in her chamber of sacred mud. Dazzled by her sight, the light of love and lust, he fell. He is still falling. For all eternity her breasts orbit his dreams. ~ Rikki Ducornet,
599:Did you ever notice how many survivors they have? Did you ever notice that? Everybody - every time you turn around, 15,000 survivors meet here, 400 survivors convention there. I mean, did you ever notice? Nazis sure were inefficient, weren't they? Boy, boy, boy! ...You almost have no survivors that ever say they saw a gas chamber or saw the workings of a gas chamber...they'll say these preposterous stories that anybody can check out to be a lie, an absolute lie. ~ David Duke,
600:Love is an honorable thing to base a life upon, Addo says, swabbing the crumbs off his face with the back of his hand. "What that's not what you've got here, because love is like an amazing Bordeaux, or properly aged Gouda, or pickles. It's got to have time to ferment on a shelf in a quiet chamber, and then to be proven good, despite itself." He adds, "What you've got right now is more like a cheese stick...with some moonshine and cucumbers. ~ Misty Paquette Misty Provencher,
601:Over the past few years, the Supreme Court was six times more likely to accept cases from an elite group of 66 lawyers than it was from more than 99 percent of those who petitioned the court. That's the finding of a recent Reuters special report called "The Echo Chamber." It illustrates how almost half the appeals accepted by the court over a nine-year period came from this cadre of elite lawyers--many of whom have personal connections to the nine justices. ~ Dahlia Lithwick,
602:The bomb was necessary to awaken England from her dreams. We dropped the bomb on the floor of the assembly chamber to register our protest on behalf of those who had no other means left to give expression to their heart-rending agony. Our sole purpose was to make the deaf hear and give the heedless a timely warning. Others have as keenly felt as we have done and from such seeming stillness of the sea of Indian humanity, a veritable storm is about to break out. ~ Bhagat Singh,
603:We don't all make it out the other side, not all of us. But somewhere, there's the click of a pen, a proud signature, a father's hand on a young man's shoulder, and we reload. That's the sound of our collective gun cocking, the click of a pen. That's us racking another round in the chamber. Fire that boy out, hope you hit something. If he gets three before he goes home in his own bag, then the numbers look good. That father gets his medal. No one else to wear it. ~ Hugh Howey,
604:When the Duke [W.J.C. Scott-Bentinck] died, his heirs found all of the aboveground rooms devoid of furnishings except for one chamber in the middle of which sat the Duke's commode. The main hall was mysteriously floor less. Most of the rooms were painted pink. The one upstairs room in which the Duke had resided was packed to the ceiling with hundreds of green boxes, each of which contained a single dark brown wig. This was, in short, a man worth getting to know. ~ Bill Bryson,
605:It excites world wonder in the Parliamentary countries that we should build a Chamber, starting afresh, which can only seat two-thirds of its Members. It is difficult to explain this to those who do not know our ways. They cannot easily be made to understand why we consider that the intensity, passion, intimacy, informality and spontaneity of our Debates constitute the personality of the House of Commons and endow it at once with its focus and its strength. ~ Winston Churchill,
606:The past was neither as good nor as bad as we suppose: it was just different. If we tell ourselves nostalgic stories, we shall never engage the problems that face us in the present - and the same is true if we fondly suppose that our own world is better in every way. The past really is another country: we cannot go back. However, there is something worse that idealising the past - or presenting it to ourselves and our children as a chamber of horrors: forgetting it. ~ Tony Judt,
607:To Thee Thou hast drawn my love, O Fakir!
I was sleeping in my own chamber,
and Thou didst awaken me;
striking me with Thy voice, O Fakir!
I was drowning in the deeps of the ocean of this world, and
Thou didst save me: upholding me with Thine arm, O Fakir!
Only one word and no second-
and Thou hast made me tear off all
my bonds, O Fakir!
Kabr says, 'Thou hast united Thy heart to my heart, O Fakir! '

~ Kabir, To Thee Thou Hast Drawn My Love
,
608:Wallis Budge informs us that the three-headed serpent reflects the hidden image of the Aheth Chamber of Seker in the Underworld. This further proves the validity of my discovery (of Rostau's corridor being in the Great Pyramid) because it projects the same number of chambers found in that structure. Once the Fifth Hour arrives (i.e. into the King's Chamber), we see no more three-headed snakes, but rather two-headed in reference to the other remaining chambers. ~ Ibrahim Ibrahim,
609:Enclosure, upon its completion, was the record which represented the achievement of all the musical goals I had been aiming at for the previous 5 years. It was recorded simultaneously with Black Knights' Medieval Chamber, and as different as the two albums appear to be, they represent one investigative creative thought process. What I learned from one fed directly into the other. Enclosure is presently my last word on the musical statement which began with PBX. ~ John Frusciante,
610:There is a day of grace for you now--be thankful for that, but it is a limited season and grows shorter every time that clock ticks. Here in this silent chamber, on this first night of another month, I speak to you as best I can by paper and ink, and from my inmost soul, as God's servant, I lay before you this warning, "It is time to seek the Lord." Slight not that work, it may be your last call from destruction, the final syllable from the lip of grace. ~ Charles Haddon Spurgeon,
611:Wracking sobs rip from the innermost chamber of my heart, and I give into them, allowing them to fully take over. Pain lances me on all sides, and I bury my head in my knees, giving in to the heartache.
I cry for my parents.
For my lost life.
For the threat that Addison poses, scaring me in ways it shouldn’t.
For a boy I can’t have and shouldn’t want.
For the never-ending gut-wrenching hollow ache in my chest and the soul-crushing loneliness I feel. ~ Siobhan Davis,
612:We seemed about to enter an Olympian age in this country, brains and intellect harnessed to great force, the better to define a common good... It seems long ago now, that excitement which swept through the country, or at least the intellectual reaches of it, that feeling that America was going to change, that the government had been handed down from the tired, flabby chamber-of-commerce mentality of the Eisenhower years to the best and brightest of a generation. ~ David Halberstam,
613:Your soul rages. You cannot control your spirits within your body, so you need this to force others to your will." The king stepped boldly toward Meklos, holding the dragonstaff in front of him, the Eye shining even in the dim light of the temple chamber. "You need this---this crutch to compel the great spirits, and they rebel against you, Meklos! They are fighting you and calling the gods' displeasure against you. Your life is diminished by the length of this rod! ~ Tracy Hickman,
614:A daughter is a rainbow - a curve of light through scattered mist that lifts the spirit with her prismatic presence. Is a shadow - a reminder of something brilliant ducking out of sight, too easily drawn away. She is an aria, swelling within the concern chamber, an echo reverberating across a miniature sea. She is a secret, whispered, a hint of what we cannot know until it finds us. She is a sliver of her father, a shard of her mother. A daughter is a promise, kept. ~ Ellen Hopkins,
615:A Reminiscence
It is so long gone by, and yet
How clearly now I see it all!
The glimmer of your cigarette,
The little chamber, narrow and tall.
Perseus; your picture in its frame;
(How near they seem and yet how far!)
The blaze of kindled logs; the flame
Of tulips in a mighty jar.
Florence and spring-time: surely each
Glad things unto the spirit saith.
Why did you lead me in your speech
To these dark mysteries of death?
~ Amy Levy,
616:The Republicans don't want Donald Trump to define the Republican Party agenda. They are very loyal. They owe a lot to their donors. The donors hate Trump. The Chamber of Commerce hates Trump. All of these people that the Republicans think they can't get elected without don't like Trump. So it has been a stonewall. This behavior by the House and Senate Republican leadership isn't anything new. All you had to do was to listen what they were saying during the campaign. ~ Rush Limbaugh,
617:The store of fairy tales, that blue chamber where stories lie waiting to be rediscovered, holds out the promise of just those creative enchantments, not only for its own characters caught in its own plotlines; it offers magical metamorphoses to the one who opens the door, who passes on what was found there, and to those who hear what the storyteller brings. The faculty of wonder, like curiosity can make things happen; it is time for wishful thinking to have its due. ~ Marina Warner,
618:Irene had always thought that some awakenings were better than others. For instance, waking up in bed on a morning with nothing urgent to do, a pile of books next to you, and a mug of coffee within arm's reach could be described as good. Waking up in the deserted tunnels of the London Underground to the sound of distant werewolf howls was bad. Waking up to find yourself hanging in chains in a private Inquisition Chamber was really bad. (And hell on the shoulders.) ~ Genevieve Cogman,
619:Like Nazi concentration camps, labour camps in North Korea use confinement, hunger and fear to create a kind of Skinner box: a closed, closely regulated chamber in which guards assert absolute control over prisoners. Yet while Auschwitz existed for only three years, Camp 14 is a fifty-year-old Skinner box, an ongoing longitudinal experiment in repression and mind control in which guards breed prisoners whom they control, isolate and pit against each other from birth. ~ Blaine Harden,
620:Titles available in the Harry Potter Series (in reading order):   Harry Potter and the Sorcerer’s Stone Harry Potter and the Chamber of Secrets Harry Potter and the Prisoner of Azkaban Harry Potter and the Goblet of Fire Harry Potter and the Order of the Phoenix Harry Potter and the Half-Blood Prince Harry Potter and the Deathly Hallows     Other titles available:   Quidditch Through the Ages Fantastic Beasts and Where to Find Them The Tales of Beedle the Bard     Read ~ J K Rowling,
621:John Cadman says that he and the acoustic engineers are demonstrating that the King‘s chamber and the coffer in the Great Pyramid are tuned to resonate at a specific frequency, i.e. 440Hz. This confirms my discovery of the theological application of the Great Pyramid since the projecting factor that triggers that frequency equals to 3 (i.e. 440/146.6) which happens to be the same factor that modulates the flow of the barque in one single step (i.e. 440 * 0.5236/77). ~ Ibrahim Ibrahim,
622:The young comte thought nothing worthy his attention except what tended to give his country two chamber government. He left Mathilde, who was the prettiest person at the ball, with alacrity, because he saw a Peruvian general come in. Desparing of Europe such as M. de Metternich had arranged it, poor Altamira had been reduced to thinking that when the States of South America had become strong and powerful they could restore to Europe the liberty which Mirabeau has given it. ~ Stendhal,
623:good things that we have in life are on temporary loan, at best, and can be taken away from us in an instant. The borderline between good fortune and disaster, between plenitude and paucity, between the warm hearth of love and the cold chamber of loneliness, was a narrow one. We could cross over from one to the other at any moment, as when we stumbled or fell, or simply walked over to the other side because we were paying insufficient attention to where we were. ~ Alexander McCall Smith,
624:The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people. ~ Bun B,
625:Some of us, white and black, know how great a price has already been paid to bring into existence a new consciousness, a new people, an unprecedented nation. If we know, and do nothing, we are worse than the murderers hired in our name.

If we know, then we must fight for your life as though it were our own - which it is - and render impassable with our bodies the corridor to the gas chamber. For, if they take you in the morning, they will be coming for us that night. ~ James Baldwin,
626:Disease generally begins that equality which death completes; the distinctions which set one man so much above another are very little perceived in the gloom of a sick chamber, where it will be vain to expect entertainment from the gay, or instruction from the wise; where all human glory is obliterated, the wit is clouded, the reasoner perplexed, and the hero subdued; where the highest and brightest of mortal beings finds nothing left him but the consciousness of innocence. ~ Samuel Johnson,
627:After taking a shell from her apron pocket and putting it carefully into the weapon’s chamber, she pointed the shotgun away from the house and Dancer, who was tethered nearby, and drew back on the trigger. There was a deafening explosion, and Lily was flung backwards onto the ground, the butt of the shotgun striking her square in the stomach as she fell. It sure wasn’t anything like using a .22 caliber to hunt grouse. “Damnation!” she shouted, struggling back to her feet. ~ Linda Lael Miller,
628:Death stood on the other side of the chamber doors. Today I would not meet it in my usual armor of leather and chain-mail, but in the armor of silk and cosmetics. One might think one armor was stronger than the other, but a red lip was its own scimitar and a kohl darkened eye could aim true as a steel-tipped arrow. Death might be waiting, but I was going to be a queen. I would have my throne if I would have to carve a path of blood and bone to get it back. Death could wait. ~ Roshani Chokshi,
629:Look at it,' he said, gesturing. 'This window looks down upon hundreds more panes of glass, and behind those panes live thousands upon thousands of lost souls. When I feel cast down and helpless, scores of other men do as well, and when I am bitterly angry at feeling cast down and helpless, countless other people languish in concert with me. When I'm happy, it's the same. It's a bit like...I used to play chamber music. It's like a vast orchestra. And so I shan't ever be alone. ~ Lyndsay Faye,
630:Science with its retorts would have put me to sleep; it was the opportunity to be ignorant that I improved. It suggested to me that there was something to be seen if one had eyes. It made a believer of me more than before. I believed that the woods were not tenantless, but choke-full of honest spirits as good as myself any day,--not an empty chamber, in which chemistry was left to work alone, but an inhabited house,--and for a few moments I enjoyed fellowship with them. ~ Henry David Thoreau,
631:Every time we make assumptions about what other people feel, do or think, we imprison them and us in a separate reality. When we believe in those assumptions and act accordingly, this separate reality becomes an existential torture chamber for them and ultimately for us. All the terror and pain that we experience or see in the world is the result of our assumptions. Assumptions are the greatest crime in human consciousness. Hence let's start to create an assumption-free world. ~ Franco Santoro,
632:Then he went straightway to the presence-chamber; and he spoke in the speech of men; and he told his lord of that frail wife's dishonor, and said, 'Arise I cast her off, and be strong as thou ever hast been.' But the king, mad with rage, would not hearken; he leaped down from his ivory throne, and drew bis dagger out from his girdle, and thrust it into the heart of Ilderiui. 'So serve I the foes of my angel!' he cried; and Ilderim fell at his feet. 'I forgive,' he said simply,—and died. ~ Ouida,
633:One by one, members of the Commons, speaking in turn at a lectern in the center of the chamber, added their charges and complaints. The King’s councillors, they said, had grown rich at the cost of impoverishing the nation; they had deceived the King and wasted his revenues, causing the repeated demands for fresh subsidies. The people were too poor and feeble to endure further taxation. Let Parliament discuss instead how the King might maintain the war out of his own resources. ~ Barbara W Tuchman,
634:Perhaps the most striking thing about the 2015 State of the Union address was not the president at the podium but the audience in the seats. The joint session of Congress listening to President Obama Tuesday night included 83 fewer Democrats than the group that heard Obama's first address in 2009 - 69 fewer Democrats in the House and 14 fewer in the Senate. The scene in the House Chamber was a graphic reminder of the terrible toll the Obama years have taken on Capitol Hill Democrats. ~ Byron York,
635:Where the heart is, there the muses, there the gods sojourn, and not in any geography of fame. Massachusetts, Connecticut River, and Boston Bay, you think paltry places, and the ear loves names of foreign and classic topography. But here we are; and, if we tarry a little, we may come to learn that here is best. See to it, only, that thyself is here;--and art and nature, hope and fate, friends, angels, and the Supreme Being, shall not absent from the chamber where thou sittest. ~ Ralph Waldo Emerson,
636:That is another chamber of my heart that shows no electrical activity - the chamber that used to flicker into life when I saw a film that moved me, or read a book that inspired me, or listened to music that made me want to cry. I closed that chamber myself, for all the usual reasons. And now I seem to have made a pact with some philistine devil: if I don't attempt to re-open it, I will be allowed just enough energy and optimism to get through a working day without wanting to hang myself. ~ Nick Hornby,
637:Vader completed his meditation and opened his eyes. His pale, flame-savaged face stared back at him from out of the reflective black transparisteel of his pressurized meditation chamber. Without the neural connection to his armor, he was conscious of the stumps of his legs, the ruin of his arms, the perpetual pain in his flesh. He welcomed it. Pain fed his hate, and hate fed his strength. Once, as a Jedi, he had meditated to find peace. Now he meditated to sharpen the edges of his anger. ~ Paul S Kemp,
638:I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth. ~ Tom Robbins,
639:Oh, lady bright! can it be right-
The window open to the night?
The wanton airs, from the tree-top,
Laughingly through the lattice drop -
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully - so fearfully -
Above the closed and fringéd lid
'Neath which thy slumb'ring soul lies hid,
That, o'er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear? ~ Edgar Allan Poe,
640:Professor J. B. S. Haldane was one of the most celebrated scientists in Britain. A pioneering and broad-ranging thinker, he developed a mathematical theory of population genetics, predicted that hydrogen-producing windmills would replace fossil fuel, explained nuclear fission, and suffered a perforated eardrum while testing a homemade decompression chamber: “Although one is somewhat deaf,” he wrote, “one can blow tobacco smoke out of the ear in question, which is a social accomplishment. ~ Ben Macintyre,
641:It struck him that in moments of crisis one is never fighting against an external enemy, but always against one’s own body... On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth. ~ George Orwell,
642:I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.'
Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth. ~ Tom Robbins,
643:Strange to say, at that epoch, people still imagined that a wedding was a private and social festival, that a patriarchal banquet does not spoil a domestic solemnity, that gayety, even in excess, provided it be honest, and decent, does happiness no harm, and that, in short, it is a good and a venerable thing that the fusion of these two destinies whence a family is destined to spring, should begin at home, and that the household should thenceforth have its nuptial chamber as its witness. And ~ Victor Hugo,
644:told them, Worse and worse: he also set to talking to them again; but they began to be hardened. They also thought to drive away his distemper by harsh and surly carriages to him: sometimes they would deride, sometimes they would chide, and sometimes they would quite neglect him. Wherefore he began to retire himself to his chamber, to pray for and pity them, and also to condole his own misery; he would also walk solitarily in the fields, sometimes reading, and sometimes praying: and thus for ~ John Bunyan,
645:The car shot forward straight into the circle of light, and suddenly Arthur had a fairly clear idea of what infinity looked like. It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity—distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself. ~ Douglas Adams,
646:The story-high house of hewn logs is clean and neat, with many rooms,” he wrote, “so that one can be alone if one wishes to.” The central room featured a massive stone hearth with trophy heads gazing down from the walls and buffalo robes covering the couches. His own chamber held a rubber tub for bathing and rough shelves for his favorite books—“Parkman and Irving and Hawthorne and Cooper and Lowell”—along with a growing assortment of volumes sent from New York by his devoted sister. ~ Doris Kearns Goodwin,
647:I think that speaking is the most important thing we can do, but let's talk about what it means to speak effectively. We can talk in an echo chamber to our friends on social media and otherwise - and that's important, that's how we encourage and educate one another.But speech that leads to action is critical. And it doesn't sound very sexy, but one of the most important ways to speak in a way that makes an impact is to vote. Speaking at the ballot box is the most important place that we speak. ~ Wendy Davis,
648:Webster Street is one of the nicer areas in Chamber, which is one of the nicer towns in Florida. It has about thirty-five thousand people, a couple of decent movie theatres, a bookstore where the owner calls me whenever a new Flip the Weasel cartoon collection comes out, nice schools, nice parks, nice restaurants, and a guy who mutters memorable television quotes while wandering the streets giving the finger to unsuspecting motorists. If you're ever looking to relocate, you could do much worse. ~ Jeff Strand,
649:A hush of expectancy descended in the chamber as all waited to hear the request. What treasure could he want? Laren inventoried in her mind all the precious trappings of the castle she could think of -jewels, weapons, art-and she saw that the others must be doing the same. What did the Sacoridians possess that would be good enough for the Eletian prince?
"My brother," Graelalea said, "requires many pounds of dark chocolate fudge and Dragon Droppings. We must visit the Master of Chocolate. ~ Kristen Britain,
650:For all the good things it has brought our society, the Web has also fostered ideological hermits, who only talk to folks who believe exactly what they do. This creates an echo chamber that only further convinces people that they are right, and everyone else is not only wrong, but an idiot or worse. So when an incident like this one arises, it's not enough to point out an error; they must prove that the error had nefarious origins. In some places on the Web, everything happens on a grassy knoll. ~ James Brady,
651:Roan prepared herself, held her breath, and turned her head. It wasn’t Iver. In the glow of the green light, she saw Persephone, Moya, and Arion sitting near the center of the stone chamber. Everything came back. She wasn’t at home; she was trapped in a foreign land a mile beneath the world in a stone tomb with no water and little food, and there was a demon who would soon break through their barricade and kill them. Oh, thank you, Mari! Thank you! She sighed in relief and relaxed. ~ Michael J Sullivan,
652:The Prince found Buttercup waiting unhappily outside his chamber doors. It's my letter,' she began. 'I cannot make it right.' Come in, come in,' the Prince said gently. 'Maybe we can help you.' She sat down in the same chair as before. 'All right, I'll close my eyes and listen; read to me.' Westley, my passion, my sweet, my only my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup.' She looked at Humperdinck. 'Well? Do you think I'm throwing myself at him? ~ William Goldman,
653:There are those who in their very first seeking of it are nearer to the Kingdom of Heaven than many who have for years believed themselves of it. In the former there is more of the mind of Jesus, and when He calls them they recognize Him at once and go after Him; while the others examine Him from head to foot, and finding Him not sufficiently like the Jesus of their conception, turn their backs and go to church or chapel or chamber to kneel before a vague form mingled of tradition and fancy. ~ George MacDonald,
654:Because I remembered your words,” she said quietly. “I remembered that you liked me least. You said it in my palace chamber. ‘Have one of the others wake me, for I like you least.’” She turned to face him and brushed tears fiercely from her face. “Sometimes when I see what’s left of Quintana of Charyn through my own eyes, I think I can learn to love her. But when I see her through your eyes, I despise her.” If she saw Quintana of Charyn through Froi’s eyes, he knew she’d see a part of himself. ~ Melina Marchetta,
655:Perhaps more importantly, the ants used all the sugar lumps they could steal to build a small sugar pyramid in one of the hollow halls, in which, with great ceremony, they entombed the mummified body of a dead queen. On the wall of one tiny hidden chamber they inscribed, in insect hyeroglyps, the true secret of longevity.
They got it absolutely right and it would probably have important implications for the universe if it hadn't, next time the University flooded, been completely washed away. ~ Terry Pratchett,
656:Study history, Alleluia. In this century history stopped paying attention to the old psychological orientation of reality. I mean, these days, character isn't destiny any more. Economics is destiny. Ideology is destiny. Bombs are destiny. What does a famine, a gas chamber, a grenade care how you lived your life? Crisis comes, death comes, and your pathetic individual self doesn't have a thing to do with it, only to suffer the effects. This Gibreel of yours: maybe he's how history happens to you. ~ Salman Rushdie,
657:Hello again,’ she said, shivering in the night air.‘Good eve, fair lady, your forgiveness we implore, to come so brashly tapping, tapping at your chamber door.’‘Oh, well, this isn’t exactly my chamber door. More like a window, actually.’The Raven bobbed his head. ‘I made some alterations for the sake of the rhyme.’‘I see. Well – good evening, fair Raven, my forgiveness I bestow, for this uncanny meeting outside of my window.’A boisterous laugh startled Catherine, sending her heart into her throat. ~ Marissa Meyer,
658:The car shot forward straight into the circle of light, and suddenly Arthur had a fairly clear idea of what infinity looked like.

It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity—distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself. ~ Douglas Adams,
659:Here, you carry these. I may need my hands free.

Why the hell are we taking ‘The Dream of the Red Chamber?’ Light reading, if we get stuck on the subway?

No, in case we get stopped by some of Qing Song’s minions who can’t read Chinese.

Oh. Right. Hey, that’s not a bad thought. Though if we’re going to be throwing them away anyhow, why not take ‘The Investiture of the Gods’...

Because I like ‘The Investiture of the Gods’ and I don’t like ‘The Dream of the Red Chamber’. ~ Genevieve Cogman,
660:How do you know that? he asked himself. Going away can be final. Walking out the door can be final. Any form of real betrayal can be final. Dishonesty can be final. Selling out is final. But you are just talking now. Death is what is really final. I wish Ara and Willie would get back. They must be rigging that hulk up like a chamber of horrors. I’ve never liked to kill, ever. But Willie loves it. He is a strange boy and very good, too. He is just never satisfied that a thing cannot be done better. ~ Ernest Hemingway,
661:He is here with me in this chamber of mine: I must not trifle. He leans over me, he puts his finger along the lines, I can see his pierced hand: I will read it as in his presence. I will read it, knowing that he is the substance of it,—that he is the proof of this book as well as the writer of it; the sum of this Scripture as well as the author of it. That is the way for true students to become wise! You will get at the soul of Scripture when you can keep Jesus with you while you are reading. ~ Charles Haddon Spurgeon,
662:Only this morning, for instance, I took a wrong turning on the way to the bathroom and found myself in a beautifully proportioned room I have never seen before, containing a really rather magnificent collection of chamber pots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five-thirty in the morning. Or it may only appear at the quarter moon — or when the seeker has an exceptionally full bladder. ~ J K Rowling,
663:the autumn of 1944, the SS constructed a gas chamber at the women’s prison camp. They gassed several thousand before the liberation by Soviet forces in April 1945. Rebekah Weizmann made it all the way through to February of that year. Then, one day, she just disappeared. “It was often the way at Ravensbrueck. One day, someone was there, another, they were gone,” said Avigail. “I was heartbroken, of course, but I don’t recall crying. There were no tears left by that stage, and I had her daughter to protect. ~ Dan Eaton,
664:The Prince found Buttercup waiting unhappily outside his chamber doors.
It's my letter,' she began. 'I cannot make it right.'
Come in, come in,' the Prince said gently. 'Maybe we can help you.' She sat down in the same chair as before. 'All right, I'll close my eyes and listen; read to me.'
Westley, my passion, my sweet, my only my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup.' She looked at Humperdinck. 'Well? Do you think I'm throwing myself at him? ~ William Goldman,
665:That sounds strangely little like "justice," Tisipohone jibed gently.

"On the contrary." Alicia jacked a discarding sabot round into the M-97's chamber and settled her left hand briefly on the forestock to activate its computer systems. "I won't do a thing to them unless they intend to do something to me."

Indeed?

"Indeed. But if they do have something planned, I intend to do unto them first."

So there are times you see things my way after all.

"Never said there weren't. ~ David Weber,
666:When Satan cannot get a great sin in he will let a little one in, like the thief who goes and finds shutters all coated with iron and bolted inside. At last he sees a little window in a chamber. He cannot get in, so he puts a little boy in, that he may go round and open the back door. So the devil has always his little sins to carry about with him to go and open back doors for him, and we let one in and say, 'O, it is only a little one.' Yes, but how that little one becomes the ruin of the entire man! ~ Charles Spurgeon,
667:Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore." And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore! ~ Edgar Allan Poe,
668:She looked down at the letter she had clutched in her hand. It could wait until tomorrow.
Silently she turned and went to get something soothing to drink. Or, at the very least, some hard ale. She needed something to help her sleep because the last image she’d witnessed before turning away from the chamber would have her awake and obsessing for hours. The image of Annwyl the Bloody, known terror of the Dark Plains, lovingly running her hand down Fearghus’s snout . . . and Fearghus the Destroyer letting her. ~ G A Aiken,
669:with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour ~ H Rider Haggard,
670:Paris around, doubtless, was awakening to its utmost gayety, its wildest whirl of pleasure; but here we knew nothing of it—we only knew that bread would be dearer, and that the very aged and the very young would soon perish of cold, and that wood would be scarce for the stove, and that in the little chamber under the roof there lay a woman dying. Ah! that is all the poor ever do know of what there is on earth. That there is pain, and there is cold, and there is death. With other things they have no part nor portion. ~ Ouida,
671:they’d slept in two nights before. It was heavy and shiny and had probably never been fired. The bullets in the revolver’s chamber were fatter than what she was used to, so she assumed it would pack a hefty kick. But she hadn’t had a chance for target practice. Until now. She fished it from her pack and leaned more heavily against the tree, taking some of the weight off her injured leg. If she fired the gun, Zapheads would come from miles around. The weapon was a last resort. Five down, and the last bullet ~ Scott Nicholson,
672:The Moon

And, like a dying lady lean and pale,
Who totters forth, wrapp'd in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east
A white and shapeless mass.

Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy? ~ Percy Bysshe Shelley,
673:Is it safe?” John asked, hovering by the doorway. “Safe?” Richard asked. “What mean you by that?” John entered the chamber slowly. Richard blinked at the enormous discoloration on John’s face. “Saints, man, have you and Jessica been brawling?” “Jessica? Richard, you fool, ’twas you who struck me! And twice, no less!” “Me? Have you gone daft? Why would I do such a thing?” John shrugged. “You were out of your head with fever. Jessica was the fortunate one. You only nicked her. I took the full brunt of your blows. ~ Lynn Kurland,
674:Yet it is possible to practice the art of living even in a concentration camp, although suffering is omnipresent. To draw an analogy: a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the “size” of human suffering is absolutely relative. It ~ Viktor E Frankl,
675:Ramblings of a madwoman might be deadly. The same words, spoken in sanity: treason. This truth I have discovered to my woe. Yet, imprisoned within my cell, I find it hard to discern the difference. What is truth? What is lie? God alone knows, for by my soul, I do not. Still, death silences all. And death waits for me beyond this vaulted chamber, its walls etched with the words of prisoners who came before me. Their names haunt me; their pleas for mercy mock me, letters chipped into stone during endless hours. ~ Ella March Chase,
676:He was split, one part of him never left this mental chamber that pictured itself as a sphere full of light fading into dark, because there was no way out. But motion in this world depended on rest in the world outside. A man is in bed, wanting to sleep. A rat is behind the wall at his head, wanting to move. The man hears the rat fidget and cannot sleep, the rat hears the man fidget and dares not move. They are both unhappy, one fidgeting and the other waiting, or both happy, the rat moving and the man sleeping. ~ Samuel Beckett,
677:[Chamber of Reflection off of Salad Days]I think it's probably that one. There's no guitar on that song, I've never recorded a song with absolutely no guitar, which is interesting. The idea behind it, well it's a Free Mason reference because before they become Free Mason's they had to go into this room called the Chamber of Reflection where they think about the life they brought with them, the life they've lived up until this point and all their wrong and right doings. And that's basically what I did with this album. ~ Mac DeMarco,
678:I want to remind priests that the confessional must not be a torture chamber but rather an encounter with the Lord’s mercy which spurs us on to do our best. A small step, in the midst of great human limitations, can be more pleasing to God than a life which appears outwardly in order but moves through the day without confronting great difficulties. Everyone needs to be touched by the comfort and attraction of God’s saving love, which is mysteriously at work in each person, above and beyond their faults and failings. ~ Pope Francis,
679:If the youth is content to abandon his previous associates and to throw in his lot whole-heartedly with the rulers, he may, after suitable tests, be promoted, but if he shows any regrettable solidarity with his previous associates, the rulers will reluctantly conclude that there is nothing to be done with him except to send him to the lethal chamber before his ill-disciplined intelligence has had time to spread revolt. This will be a painful duty to the rulers, but I think they will not shrink from performing it. ~ Bertrand Russell,
680:It surprised M not at all to discover that though the library had technically been closed for hours, there was a small door in the back that was still open, and that it led to a long, hushed corridor, and then into a chamber, which was more like the nave of an immense cathedral than the checkout room in a library. Libraries—like train stations, crossroads, church belfries, and attics—are places where worlds leak together, where the Management, in its ineffable wisdom, tends not to look too closely on what goes on. ~ Daniel Polansky,
681:But this thing that almost never was still beckons, I wanted to tell him. They can never undo it, never unwrite it, never unlive it, or relive it—it's just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false.

Their life is like a garbled echo buried for all time in a sealed Mithraic chamber. ~ Andr Aciman,
682:Rosemary
For the sake of some things
That be now no more
I will strew rushes
On my chamber-floor,
I will plant bergamot
At my kitchen-door.
For the sake of dim things
That were once so plain
I will set a barrel
Out to catch the rain,
I will hang an iron pot
On an iron crane.
Many things be dead and gone
That were brave and gay;
For the sake of these things
I will learn to say,
"An it please you, gentle sirs,"
"Alack!" and "Well-a-day!"
~ Edna St. Vincent Millay,
683:Observers in the full enjoyment of their bodily senses pity me, but it is because they do not see the golden chamber in my life where I dwell delighted; for, dark as my path may seem to them, I carry a magic light in my heart. Faith, the spiritual strong searchlight, illumines the way, and although sinister doubts lurk in the shadow, I walk unafraid towards the Enchanted Wood where the foliage is always green, where joy abides, where nightingales nest and sing, and where life and death are one in the Presence of the Lord. ~ Helen Keller,
684:On the Monday evening, furnace fires and clanking hammers on the banks of the canal, warned us that we approached the termination of this part of our journey. After going through another dreamy place—a long aqueduct across the Alleghany River, which was stranger than the bridge at Harrisburg, being a vast low wooden chamber full of water—we emerged upon that ugly confusion of backs of buildings and crazy galleries and stairs, which always abuts on water, whether it be river, sea, canal, or ditch: and were at Pittsburg. ~ Charles Dickens,
685:Just as the group dynamics within the cult pushed them toward their horrific conclusion, so too did the group dynamics within law enforcement. Both groups tragically disregarded input that did not fit their world view, their templates. The law enforcement echo chamber magnified rumors about Koresh beyond belief; at one point, there was actually concern that he’d developed a nuclear weapon and was planning to deploy it at the compound. Both groups listened primarily to people who simply confirmed what they already believed. ~ Bruce D Perry,
686:On The Threshold
O God, my dream! I dreamed that you were dead;
Your mother hung above the couch and wept
Whereon you lay all white, and garlanded
With blooms of waxen whiteness. I had crept
Up to your chamber-door, which stood ajar,
And in the doorway watched you from afar,
Nor dared advance to kiss your lips and brow.
I had no part nor lot in you, as now;
Death had not broken between us the old bar;
Nor torn from out my heart the old, cold sense
Of your misprision and my impotence.
~ Amy Levy,
687:One room in the hospital had not been cleaned up. No one, not even the nuns, had had the courage to enter the obstetric ward. When Joel Breman and the team went in, they found basins of foul water standing among discarded, bloodstained syringes. The room had been abandoned in the middle of childbirths, where dying mothers had aborted fetuses infected with Ebola. The team had discovered the red chamber of the virus queen at the end of the earth, where the life-form had amplified through mothers and their unborn children. (95) ~ Richard Preston,
688:Fanaticism can often be a normalized phenomenon, and the unwritten recipe suggests that it starts and ends with absolute certainty. If you are always certain about everything, you might just live in an echo chamber, or there might be a lack of ideological diversity among your sources and friends. Only, there is no size limit to this echo chamber as long as there is consensus: and the bigger the chamber the more solidified the fanaticism, and the more solidified the fanaticism the more the outlier will be seen the liar and the fanatic. ~ Criss Jami,
689:From whence it happens, that they which trust to books, do as they that cast up many little sums into a greater, without considering whether those little sums were rightly cast up or not; and at last finding the error visible, and not mistrusting their first grounds, know not which way to clear themselves; but spend time in fluttering over their books, as birds that entering by the chimney, and finding themselves enclosed in a chamber, flutter at the false light of a glass window, for want of wit to consider which way they came in. ~ Thomas Hobbes,
690:The king took the club and urged his horse after the ball which he had thrown. He struck it, and then it was hit back by the courtiers who were playing with him. When he felt very hot he stopped playing, and went back to the palace, went into the bath, and did all that the physician had said. The next day when he arose he found, to his great joy and astonishment, that he was completely cured. When he entered his audience-chamber all his courtiers, who were eager to see if the wonderful cure had been effected, were overwhelmed with joy. ~ Anonymous,
691:My dear fellow,' Burlingame said, 'we sit here on a blind rock careening through space; we are all of us rushing headlong to the grave. Think you the worms will care, when anon they make a meal of you, whether you spent your moment sighing wigless in your chamber, or sacked the golden towns of Montezuma? Lookee, the day's nigh spent; 'tis gone careening into time forever. Not a tale's length past we lined our bowels with dinner, and already they growl for more. We are dying men, Ebenezer: i'faith, there's time for naught but bold resolves! ~ John Barth,
692:Titles available in the Harry Potter Series (in reading order):   Harry Potter and the Sorcerer’s Stone Harry Potter and the Chamber of Secrets Harry Potter and the Prisoner of Azkaban Harry Potter and the Goblet of Fire Harry Potter and the Order of the Phoenix Harry Potter and the Half-Blood Prince Harry Potter and the Deathly Hallows     Other titles available:   Quidditch Through the Ages Fantastic Beasts and Where to Find Them The Tales of Beedle the Bard     Read on for the first chapter of the next book in the Harry Potter series... ~ J K Rowling,
693:The bride says, “The watchmen who go about the city found me; I said, ‘Have you seen the one I love?’ Scarcely had I passed by them, when I found the one I love. I held him and would not let him go, until I had brought him to the house of my mother, and into the chamber of her who conceived me” (3:3,4). The watchmen of the city represent church leaders. Some brides fall in love with them and with their ornate services and beautiful sermons and forget to seek the Bridegroom. Jesus is found only when every creature has been left behind. ~ Richard Wurmbrand,
694:I Have A Gentil Cock
I have a gentil cock
croweth me day
he doth me risen early
my matins for to stay
I have a gentil cock
comen he is of great
his comb is of red coral
his tail is of jet
I have a gentil cock
comen he is of kind
his comb is of red sorrel
his tail is of inde
his legs be of azure
so gentil and so small
his spurs are of silver white
into the wortewale
his eyes are of crystal
locked all in amber
and every night he pertcheth him
in my lady`s chamber
~ Anonymous,
695:All too many people in power in the governments and universities of the world seem to carry a prejudice against the natural world -and also against the past, against history. It seems Americans would live by a Chamber-of-Commerce Creationism that declares itself satisfied with a divinely presented Shopping Mall. The integrity and character of our own ancestors is dismissed with "I couldn't live like that" by people who barely know how to live at all. An ancient forest is seen as a kind of overripe garbage, not unlike the embarrassing elderly. ~ Gary Snyder,
696:It is easy enough to call men
from the edges of the earth.
It is easy enough to summon them to my feet
with a thought–
it is beautiful to see the tall panther
and the sleek deer-hounds
circle in the dark.
It is easy enough
to make cedar and white ash fumes
into palaces
and to cover the sea-caves
with ivory and onyx.

But I would give up
rock-fringes of coral
and the inmost chamber
of my island palace
and my own gifts
and the whole region
of my power and magic
for your glance. ~ H D,
697:Fearghus entered what he now considered her chamber, but immediately ducked the book flung at his head. Clearly she’d been waiting for him. And she was not happy.
“He’s the one supposed to be helping me,” she roared at him.
“Did you just throw a book at me? In my own den?”
“Yes. And I’d throw it again!”
Fearghus scratched his head in confusion. He’d never met a human brave enough—or stupid enough, depending on your point of view—to challenge him. “But,” he croaked out, amazed, “I’m a dragon.”
“And I have tits. It means nothing to me! ~ G A Aiken,
698:My Dear Grandpapa,

I’m appealing to your kindness for the sum of 13 francs that I would like to ask Monsieur Nathan for, but that Mamma prefers that I ask you for. Here is why. I so needed to see a woman to cure my bad habit of masturbating that papa gave me 10 francs to go to a brothel. But in my first agitated state I broke the chamber pot, 3 francs, and second, in this same agitated state, I was unable to screw. So here I am, still awaiting each hour 10 francs to satisfy myself and in addition, 3 francs for the chamber pot.

-M. ~ Marcel Proust,
699:That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. ~ Rainer Maria Rilke,
700:There was a not-quite-secret stairway in the back of the library building that led up to a balcony bordered by delicately arched windows. These looked out over a small courtyard lined with sour-orange trees. Across from this were the royal baths- which connected directly to the audience chamber, banquet hall, and eventually the throne room itself. That had sounded strange until Jasmine explained to Aladdin that sultans often entertained foreign guests and consulted with top advisers while enjoying a pleasant mint-scented sweat in the steam rooms. ~ Liz Braswell,
701:The Mother’s Visit
LONG years ago she visited my chamber,
Steps soft and slow, a taper in her hand;
Her fond kiss she laid upon my eyelids,
Fair as an angel from the unknown land:
Mother, mother, is it thou I see?
Mother, mother, watching over me.
And yesternight I saw her cross my chamber,
Soundless as light, a palm-branch in her hand;
Her mild eyes she bent upon my anguish,
Calm as an angel from the blessed land;
Mother, mother, is it thou I see?
Mother, mother, art thou come for me?
~ Dinah Maria Mulock Craik,
702:I Have A Gentil Cock
I have a gentil cock
croweth me day
he doth me risen early
my matins for to stay
I have a gentil cock
comen he is of great
his comb is of red coral
his tail is of jet
I have a gentil cock
comen he is of kind
his comb is of red sorrel
his tail is of inde
his legs be of azure
so gentil and so small
his spurs are of silver white
into the wortewale
his eyes are of crystal
locked all in amber
and every night he pertcheth him
in my lady`s chamber
~ Anonymous Americas,
703:It is quite clear from what has been said and written that, time after time after time, there has been a conspiracy between the Conservative Front Bench in this House and the inbuilt Conservative majority in the House of Lords to defeat legislation that has passed through the House of Commons... I warn the House of Lords of the consequences... it is our strong view that the House of Lords should recall that its role is not that of a wrecking chamber, but of a revising chamber. In recent weeks, it has been wrecking legislation passed by this House. ~ James Callaghan,
704:Argentina. The word itself had lost little of its power to startle and had, due to my ignorance of the physical place it occupied on the globe, assumed a peculiar life of its own. There was the harsh Ar at the beginning, which called up gold, idols, lost cities in the jungle, which in turn led to the hushed and sinister chamber of Gen, with the bright, interrogative Tina at the end—all nonsense, of course, but then it seemed in some muddled way that name itself, one of the few concrete facts available to me, might itself be a cryptogram or clue. ~ Donna Tartt,
705:I Have A Gentil Cock
I have a gentil cock
croweth me day
he doth me risen early
my matins for to stay
I have a gentil cock
comen he is of great
his comb is of red coral
his tail is of jet
I have a gentil cock
comen he is of kind
his comb is of red sorrel
his tail is of inde
his legs be of azure
so gentil and so small
his spurs are of silver white
into the wortewale
his eyes are of crystal
locked all in amber
and every night he pertcheth him
in my lady`s chamber
~ Anonymous Olde English,
706:Some time later he heard a scratching coming from the door. G shook his head, chalking the noise up to random castle creaks and groans, but then he heard it again. A distinct scratching sound.
He raised the candle, which only had an inch of light left, and walked cautiously to the door, just in time to see two beady little eyes peeking underneath. He barely had time to register the eyes when an entire furry body snaked its way inside his chamber, flat against the ground.
G yelped and stepped back. (He definitely did not scream like a little girl.) ~ Cynthia Hand,
707:The dial revolves like the chamber of a six-shooter, and suddenly turning from station to station becomes a harmless form of Russian roulette. If I change the channel, I might miss something. If I don’t, I might miss something on one of the other channels. I start to understand why Bill kept them all running simultaneously. At the same time, while we’re all sitting around waiting for something to happen on the television, the world outside is passing us by. Imagine how many things flicker into and out of existence while we wait for incoming transmissions. ~ Kirk Jones,
708:I thought about the fox. I wondered if he’d returned to the fallen tree and wondered about me. I remembered the moment after he’d disappeared into the woods and I’d called out for my mother. It had been so silent in the wake of that commotion, a kind of potent silence that seemed to contain everything. The songs of the birds and the creak of the trees. The dying snow and the unseen gurgling water. The glimmering sun. The certain sky. The gun that didn’t have a bullet in its chamber. And the mother. Always the mother. The one who would never come to me. ~ Cheryl Strayed,
709:Many more details confirm my work: For example, Sokar (who is located in the 5th hour domain) is a chthonic deity of canals and underground tombs. He is the god of the Mysterious Region which could be identified as the Grand Gallery. This passageway could possibly be recognized as the oval island of Sokar which were guarded by large granite blocks from Afu-Ra's path. The granite slabs were probably securing the pathway to the Grand Gallery from the King's Chamber rather than from the pyramid's entrance against tomb robbers as Mark Lehner's hypothesized. ~ Ibrahim Ibrahim,
710:Years may wrinkle the skin, but to give up interest wrinkles the soul. You are as young as your faith, as old as your doubt; as young as your self-confidence, as old as your fear; as young as your hope as old as your despair. In the central place of every heart there is a recording chamber. So long as it receives messages of beauty, hope, cheer and courage, so long are you young. When your heart is covered with the snows of pessimism and the ice of cynicism, then, and then only, are you grown old. And then, indeed as the ballad says, you just fade away ~ Douglas MacArthur,
711:But storing magazines full of bullets was a bad idea. Leave them long enough, the spring in the magazine learns its compressed shape and won’t function right. More jams are caused by tired magazine springs than any other single reason. Better to keep the gun with a single shell locked in the chamber and all the other bullets loose. You can fire once right-handed while you thumb loose shells into an empty magazine with your left. Slower than the ideal, but a lot better than pulling the trigger and hearing nothing at all except a dull click. He closed the kitchen ~ Lee Child,
712:Her face flamed and her breasts prickled. She did not think again of the sheriff or of his unmarried daughter. She thought instead of herself, and of the man who led her so unerringly through the hall to an adjoining antechamber. They passed even the minstrel, watching over his lute. Blue eyes were brightly knowing; his smile was meant for her. Inside the chamber Locksley boomed shut the door behind her. Marian looked past him, noting chairs, candle racks, tapestried walls. At least, she thought wryly, it does not have a bed. That much he will spare me. ~ Jennifer Roberson,
713:In the home we make certain distinctions about functions of rooms and corridors; we do not deliver the groceries straight into the baby's crib. In hospitals we do not take the food trolleys right through the operating chamber, and we rarely have the recreation room next to the convalescent room. We sort out the functions. We have to sort out the functions of the city and the streams of traffic and re-create arterial systems that allow us to breathe ... the shape, pattern and sense of community which you expect if it were a home. ~ Barbara Ward Baroness Jackson of Lodsworth,
714:One Dignity Delays For All
98
One dignity delays for all—
One mitred Afternoon—
None can avoid this purple—
None evade this Crown!
Coach, it insures, and footmen—
Chamber, and state, and throng—
Bells, also, in the village
As we ride grand along!
What dignified Attendants!
What service when we pause!
How loyally at parting
Their hundred hats they raise!
Her pomp surpassing ermine
When simple You, and I,
Present our meek escutheon
And claim the rank to die!
~ Emily Dickinson,
715:I just asked her if she'd seen anything odd, and she started to say-"

"Oh - that - that's nothing to do with the Chamber of Secrets," said Percy at once.

"How do you know?" said Ron, his eyebrows raised.

"Well, er, if you must know, Ginny, er, walked in on me the other day when I was - well, never mind - the point is, she spotted me doing something and I, um, I asked her not to mention it to anybody. I must say, I did think she'd keep her word. It's nothing, really, I'd just rather--"

Harry had never seen Percy look so uncomfortable. ~ J K Rowling,
716:The Promise Of Sleep
Put the sweet thoughts from out thy mind,
The dreams from out thy breast;
No joy for thee--but thou shalt find
Thy rest

All day I could not work for woe,
I could not work nor rest;
The trouble drove me to and fro,
Like a leaf on the storm's breast.
Night came and saw my sorrow cease;
Sleep in the chamber stole;
Peace crept about my limbs, and peace
Fell on my stormy soul.
And now I think of only this,-How I again may woo
The gentle sleep-- who promises
That death is gentle too.
~ Amy Levy,
717:of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be ~ H Rider Haggard,
718:Gmorning to your heart,
pumping that oxygen-rich blood to every part of you,
dedicating every chamber to your survival;
and even when you SWEAR it’s broken,
it keeps beating,
it keeps time,
it keeps you right here with us,
bless your heart

Gnight to your miraculous mind,
running the whole show,
doing its best to organize itself and your place in the world, an impossible task, given the world;
Give it breaks,
Give it rest,
Give it music (that bumps in both hemispheres)
Give it help,
Give yourself what you need ❤️ ~ Lin Manuel Miranda,
719:What old illusion of hope is not here forever repeated! Says the soul of the toiler
to itself, "I shall soon be free. I shall be in the ways and the hosts of the merry. The
streets, the lamp, the lighted chamber set for dining are for me. The theatres, the halls,
the parties, the ways of rest and the paths of song—these are mine in the night." Though
all humanity be still enclosed in the shops, the thrill runs abroad. It is in the air. The
dullest feel something which they may not always express or describe. It is the lifting of
the burden of toil. ~ Theodore Dreiser,
720:History is, above all else, the creation and recording of that heritage; progress is its increasing abundance, preservation, transmission, and use. To those of us who study history not merely as a warning reminder of man's follies and crimes, but also as an encouraging remembrance of generative souls, the past ceases to be a depressing chamber of horrors; it becomes a celestial city, a spacious country of the mind, wherein a thousand saints, statesmen, inventors, scientists, poets, artists, musicians, lovers, and philosophers still live and speak, teach and carve and sing. ~ Will Durant,
721:Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! — quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!” Quoth the raven, “Nevermore.” And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon that is dreaming, And the lamp-light o’er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted — nevermore! ~ Edgar Allan Poe,
722:What can I say that I have not said before?
So I’ll say it again.
The leaf has a song in it.
Stone is the face of patience.
Inside the river there is an unfinishable story
and you are somewhere in it
and it will never end until all ends.

Take your busy heart to the art museum and the
chamber of commerce
but take it also to the forest.
The song you heard singing in the leaf when you
were a child
is singing still.
I am of years lived, so far, seventy-four,
and the leaf is singing still.

(from, “What Can I Say”) ~ Mary Oliver,
723:As the private correspondence and public claims of the men leading this charge make clear, this new ideology was designed to defeat the state power its architects feared most—not the Soviet regime in Moscow, but Franklin D. Roosevelt’s New Deal administration in Washington. With ample funding from major corporations, prominent industrialists, and business lobbies such as the National Association of Manufacturers and the US Chamber of Commerce in the 1930s and 1940s, these new evangelists for free enterprise promoted a vision best characterized as “Christian libertarianism. ~ Kevin M Kruse,
724:The moment we face it frankly we are driven to the conclusion that the community has a right to put a price on the right to live in it ... If people are fit to live, let them live under decent human conditions. If they are not fit to live, kill them in a decent human way. Is it any wonder that some of us are driven to prescribe the lethal chamber as the solution for the hard cases which are at present made the excuse for dragging all the other cases down to their level, and the only solution that will create a sense of full social responsibility in modern populations? ~ George Bernard Shaw,
725:First Love Remembered
PEACE in her chamber, wheresoe'er
It be, a holy place:
The thought still brings my soul such grace
As morning meadows wear.
Whether it still be small and light,
A maid's who dreams alone,
As from her orchard-gate the moon
Its ceiling showed at night:
Or whether, in a shadow dense
As nuptial hymns invoke,
Innocent maidenhood awoke
To married innocence:
There still the thanks unheard await
The unconscious gift bequeathed:
For there my soul this hour has breathed
An air inviolate.
~ Dante Gabriel Rossetti,
726:I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare's 'Dream') at transforming my humble chamber into a bower of aromatic perfume. ~ Marcel Proust,
727:Now, had Tashtego perished in that head, it had been a very precious perishing; smothered in the very whitest and daintiest of fragrant spermaceti; coffined, hearsed, and tombed in the secret inner chamber and sanctum sanctorum of the whale. Only one sweeter end can readily be recalled—the delicious death of an Ohio honey-hunter, who seeking honey in the crotch of a hollow tree, found such exceeding store of it, that leaning too far over, it sucked him in, so that he died embalmed. How many, think ye, have likewise fallen into Plato's honey head, and sweetly perished there? ~ Herman Melville,
728:Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say. ~ Veronica Roth,
729:It was at Harvard not quite forty years ago that I went into an anechoic [totally silent] chamber not expecting in that silent room to hear two sounds: one high, my nervous system in operation, one low, my blood in circulation. The reason I did not expect to hear those two sounds was that they were set into vibration without any intention on my part. That experience gave my life direction, the exploration of nonintention. No one else was doing that. I would do it for us. I did not know immediately what I was doing, nor, after all these years, have I found out much. I compose music. ~ John Cage,
730:We find people of value,' she said, speaking like a teacher addressing a small child, 'and we determine what story they need to hear. It's the story that they're already telling themselves, don't you see? It's the nightmare they believe in. Once you understand that nightmare, you join them in it. Their fear becomes your fear. It's all a shared experience then. And once you have that, once they feel that is the truth, all the way down to their core, then your coping strategy becomes theirs. It's a natural progression. This is the power of a shared narrative. Of the echo chamber. ~ Michael Koryta,
731:There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love. ~ Michael Jackson,
732:I can easily believe it. Women of that class have great opportunities, and if they are intelligent may be well worth listening to. Such varieites of human nature as they are in the habit of witnessing! And it is not merely in its follies, that they are read; for they see it occasionally under every circumstance that can be most interesting or affecting. What instances must pass before them of ardent, disinterested, self-denying attachment, of heroism, fortitude, patience, resignation-- of all the sacrifices that ennoble us most. A sick chamber may often furnish the worth of volumes. ~ Jane Austen,
733:I, who cannot stay in my chamber for a single day without acquiring some rust, and when sometimes I have stolen forth for a walk at the eleventh hour, or four o'clock in the afternoon, too late to redeem the day, when the shades of night were already beginning to be mingled with the daylight, have felt as if I had committed some sin to be atoned for,—I confess that I am astonished at the power of endurance, to say nothing of the moral insensibility, of my neighbors who confine themselves to shops and offices the whole day for weeks and months, aye, and years almost together. ~ Henry David Thoreau,
734:We have to consider that a man who has been under such enormous mental pressure for such a long time is naturally in some danger after his liberation, especially since the pressure was released quite suddenly. This danger (in the sense of psychological hygiene) is the psychological counterpart of the bends. Just as the physical health of the caisson worker would be endangered if he left his diver's chamber suddenly (where he is under enormous atmospheric pressure), so the man who has suddenly been liberated from mental pressure can suffer damage to his moral and spiritual health. ~ Viktor E Frankl,
735:To do what you imply would require nothing short of divine intervention. you must change man, not systems. Can you and our vapouring friends of the Literary Chamber of Rennes, or any other learned society of France, devise a system of government that has never yet been tried? Surely not. And can we say of any system tried that it proved other than failure in the end? My dear Philippe, the future is to be read with certainty only in the past. Ad actu ad posse valet consecutio. Man never changes. He is always greedy, always acquisitive, always vile. I am speaking of Man in the bulk. ~ Rafael Sabatini,
736:I turned and held the blade above us all as an ineffective shield.
The bloodstain on the ceiling now spread almost wall to wall; in our corner, a single triangle of clean space remained. Elsewhere torrents of blood fell in curtains, roaring, driving, gusting like rain waves in a thunderstorm. The floor was awash. It pooled between the floorboards and lashed up against the wainscoting. The chandelier dripped with it: the crystals shone red. Now I knew why the chamber was without furniture of any kind, why it had been deserted for so many years. Now I knew why it had the name it did. ~ Jonathan Stroud,
737:To do what you imply would require nothing short of divine intervention. You must change man, not systems. Can you and our vapouring friends of the Literary Chamber of Rennes, or any other learned society of France, devise a system of government that has never yet been tried? Surely not. And can they say of any system tried that it proved other than a failure in the end? My dear Philippe, the future is to be read with certainty only in the past. Ab actu ad posse valet consecutio. Man never changes. He is always greedy, always acquisitive, always vile. I am speaking of Man in the bulk. ~ Rafael Sabatini,
738:The location of this entryway was forgotten in the following centuries, and when the Moslem caliph AI Mamoon attempted to enter the pyramid in 820 A.D., he employed an army of masons, blacksmiths and engineers to pierce the stones and tunnel his way into the pyramid's core. What prompted him was both a scientific quest and a lust for treasure; for he was apprised of ancient legends that the pyramid contained a secret chamber wherein celestial maps and terrestrial spheres, as well as "weapons which do not rust" and "glass which can be bent without breaking" were hidden away in past ages. ~ Zecharia Sitchin,
739:Cort taught them to navigate by the sun and stars; Vannay showed them compass and quadrant and sextant and taught them the mathematics necessary to use them. Cort taught them to fight. With history, logic problems, and tutorials on what he called "the universal truths," Vannay taught them how they could sometimes avoid having to do so. Cort taught them to kill if they had to. Vannay, with his limp and his sweet but distracted smile, taught them that violence worsened problems far more often than it solved them. He called it the hollow chamber, where all true sounds became distorted by echoes. ~ Stephen King,
740:He looked at a world of incredible loveliness. Old distaff Celt's blood in some back chamber of his brain moved him to discourse with the birches, with the oaks. A cool green fire kept breaking in the woods and he could hear the footsteps of the dead. Everything had fallen from him. He scarce could tell where his being ended or the world began nor did he care. He lay on his back in the gravel, the earth's core sucking his bones, a moment's giddy vertigo with this illusion of falling outward through blue and windy space, over the offside of the planet, hurtling through the high thin cirrus. ~ Cormac McCarthy,
741:From parent to teenager, I love you is not I love you the way our interactions leave me feeling useful and appreciated and like I am definitely in the top percentile of parents working today. It's Even though I delivered you at permanent expense to my genitals and you rolled your eyes at me when I tried to hit the dab, and you trapped me in that modern-day torture chamber of club music and olfactory assault, Abercrankie and Filth, then later that day, impatient to be taken to Bridget's house, you beeped at me from the passenger's seat in the driveway, like maybe I worked for you, I love you. ~ Kelly Corrigan,
742:I once told you that I am not a saint, and I hope never to see the day that I cannot admit having made a mistake. So I will close with another confession. Frequently, along the tortuous road of recent months from this chamber to the Presidents House, I protested that I was my own man. Now I realize that I was wrong. I am your man, for it was your carefully weighed confirmation that changed my occupation. The truth is I am the peoples man, for you acted in their name, and I accepted and began my new and solemn trust with a promise to serve all the people and do the best that I can for America. ~ Gerald R Ford,
743:And God is all in all. He is ever seeking to get down to us—to be the divine man to us. And we are ever saying, "That be far from thee, Lord!" We are careful, in our unbelief, over the divine dignity, of which he is too grand to think. Better pleasing to God, it needs little daring to say, is the audacity of Job, who, rushing into his presence, and flinging the door of his presence-chamber to the wall, like a troubled, it may be angry, but yet faithful child, calls aloud in the ear of him whose perfect Fatherhood he has yet to learn: "Am I a sea or a whale, that thou settest a watch over me? ~ George MacDonald,
744:we spend a lot of our time navel gazing. We talk about church decline, and whether or not to sell our buildings, and what our new denominational structures will look like. We run to the next new church vitality prophet and listen for something that will “save” us. And then, when all of this fails to revive our churches, we do it again. It becomes an echo chamber, and we get so focused on ourselves that we get nothing done. But when we are at our best, we become people of work. The transformative work that the church is capable of doing, when we get our heads out of the clouds, is extraordinary. ~ Emily C Heath,
745:8. Now let us turn at last to our castle with its many mansions. You must not think of a suite of rooms placed in succession, but fix your eyes on the keep, the court inhabited by the King.23' Like the kernel of the palmito,24' from which several rinds must be removed before coming to the eatable part, this principal chamber is surrounded by many others. However large, magnificent, and spacious you imagine this castle to be, you cannot exaggerate it; the capacity of the soul is beyond all our understanding, and the Sun within this palace enlightens every part of it. ~ Saint Teresa of Avila, The Interior Castle,
746:One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.

Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.

Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.

Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.

The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near. ~ Emily Dickinson,
747:There is also a response, not to familiar surroundings, but to cosmic forces. Every fortnight, on the moon's quarter, a batch of eggs is fertilized and taken into the brood chamber to begin its development. And at the same time the larvae that have been made ready during the previous fortnight are expelled into the sea. By this timing-this precise synchronizing with the phases of the moon-the release of young always occurs on a neap tide, when neither the rise nor the fall of the water is of great extent, and even for so small a creature the chances of remaining within the rockweed zone are good. ~ Rachel Carson,
748:The Eiffel Tower wasn’t just the largest thing that anyone had ever proposed to build, it was the largest completely useless thing. It wasn’t a palace or burial chamber or place of worship. It didn’t even commemorate a fallen hero. Eiffel gamely insisted that his tower would have many practical applications—that it would make a terrific military lookout and that one could do useful aeronautical and meteorological experiments from its upper reaches—but eventually even he admitted that mostly he wished to build it simply for the slightly strange pleasure of making something really quite enormous. Many ~ Bill Bryson,
749:I walked about the chamber most of the time.  I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple—or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity—and that now I was left in my natural element, and beginning to feel the stirring of old emotions. ~ Charlotte Bront,
750:Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears. ~ Charles Dickens,
751:I love you, Mommy,” Marah said. To the world at large, perhaps this was an ordinary moment in an ordinary day, but to Kate it was extraordinary. This was the reason she’d chosen to stay home instead of work. She judged the meaning of her life in nanoseconds, perhaps, but she wouldn’t trade this instant for anything. “I love you, too. That’s why we’re playing hooky for the rest of the day. We’re going to go to a matinee of Harry Potter and the Chamber of Secrets.” Marah slid out of the booth, grinning. “You’re the best mommy ever.” Kate laughed. “I just hope you remember that when you’re a teenager. ~ Kristin Hannah,
752:Oh I would never dream of assuming I know all Hogwarts' secrets, Igor," said Dumbledore amicably.n"Only this morning, for instance, I took a wrong turning on the way to the bathroom and found myself in a beautifully proportioned room I have never seen before, containing a really rather magnificent collection of chamber pots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five-thirty in the morning. Or it may only appear at the quarter moon — or when the seeker has an exceptionally full bladder. ~ J K Rowling,
753:Several hundred men filled the main chamber. Women’s voices could be heard from beyond the cloth screens running down the eastern wall. The gathering quieted for the service, which followed the same pattern as in Judea: a song and then a Scripture reading from the Torah scrolls, followed by a prayer from the Psalms. Some men departed to begin their day, but most remained. Jacob stayed where he was, repeating silently the Psalms that resonated with the emotions filling his heart. How precious, O God, is your constant love. You let us drink from the river of your goodness. You are the source of all life. ~ Davis Bunn,
754:The vault above us is not deaf because the universe is an idiot; the silence is not the heartless silence of an endless and aimless world. Rather the silence around us is a small and pitiful stillness like the prompt stillness of a sick room. We are perhaps permitted tragedy as a sort of merciful comedy, because the frantic energy of divine things would knock us down like a drunken farce. We can take our own tears more lightly than we could take the tremendous levities of the angels. So we sit perhaps in a starry chamber of silence while the laughter of the heavens is too loud for us to hear. ~ Gilbert K Chesterton,
755:They also found a burial chamber, didn’t they?’ Richard asked. ‘Yes.’ ‘Do you think it was used by the king?’ Pa Anozie gave Richard a long, pained look and mumbled something for a while, looking grieved. Emeka laughed before he translated. ‘Papa said he thought you were among the white people who know something. He said the people of Igboland do not know what a king is. We have priests and elders. The burial place was maybe for a priest. But the priest does not suffer people like king. It is because the white man gave us warrant chiefs that foolish men are calling themselves kings today. ~ Chimamanda Ngozi Adichie,
756:Clementa Carlos Pinckney rose from his seat in the South Carolina state senate chamber, in the capital city of Columbia. An unusual politician, Pinckney held master’s degrees in both public administration and divinity. In addition to representing the 45th senatorial district of South Carolina, which is comprised of parts of seven Lowcountry counties,61 Pinckney was an ordained minister of the African Methodist Episcopal Church. Having delivered many eulogies, he was adept at helping audiences wring meaning from death, and the eulogy he gave after the passing of Walter Scott was similarly affecting. ~ Marc Lamont Hill,
757:In that silent chamber of yours, there sits by your side One whom you have not seen, but whom you love; and often when you do not know it, He comforts you in your affliction and softens the place of rest. You are in poverty; but in your lovely house the Lord of life and glory is a frequent visitor. He loves to come into these desolate places, that He may visit you. Your friend sticks closely to you. You cannot see Him, but you may feel the pressure of His hands. Do you not hear His voice? Even in the valley of the shadow of death He says, “Fear not, for I am with you; be not dismayed, for I am your God.”1 ~ Anonymous,
758:The man's true life, for which he consents to live," wrote Robert Louis Stevenson, "lies altogether in the field of fancy. The clergyman, in his spare hours, may be winning battles, the farmer sailing ships, the banker reaping triumph in the arts: all leading another life, plying another trade from what they chose....For no man lives in the external truth, among salts and acids, but in the warm, phantasmagoric chamber of his brain, with the painted windows and storied walls." Snoopy, dining by candlelight on the top of his doghouse, with his stained-glass window and Van Gogh below, would agree. ~ Kay Redfield Jamison,
759:I could have been someone from the book if you’d told me in advance.”
“Yes, well, today you’d make a really great Moaning Myrtle.”
Peter gives me a blank look, and disbelieving, I say, “Wait a minute…have you never read Harry Potter?”
“I’ve read the first two.”
“Then you should know who Moaning Myrtle is!”
“It was a really long time ago,” Peter says. “Was she one of those people in the paintings?”
“No! And how could you stop after Chamber of Secrets? The third one’s the best out of the whole series. I mean, that’s literally crazy to me.” I peer at his face. “Do you not have a soul? ~ Jenny Han,
760:And you, my lord?” Vivi said politely. “Are you not tired after your long day?” “No. I find myself feeling rather energized.” Ella and Vivi looked at each other, and Vivi tried again, with a slightly firmer tone, “Perhaps you would feel differently if you found your chamber, my lord.” “I don’t think so.” The corner of Will’s mouth twitched, betraying his amusement. “William, you would try the patience of a saint,” Vivi said with a smile. “Must I ask you to escort two young women frightened of the dark upstairs?” He laughed aloud. “You two? Frightened of something? I find that very difficult to believe.” Ella ~ Sarah MacLean,
761:... there was one new metallic monstrosity stacked in one corner that she hadn’t seen the last time she was a visitor to his strange chamber, it appeared to be a mass of hard drives all fused together, but they looked too sophisticated to be merely hard drives.
“What on earth is that?”
“That’s my Kung Fu,” he said proudly, patting the top of the futuristic-looking stack.
“Is that what you wanted to show me?”
“No, but it’s impressive, isn’t it?”
“If you say so.”
Steves sighed and shook his head, so few people could appreciate the intellectual complexity of an almost untraceable hacking device. ~ E A Bucchianeri,
762:FLOURISH greener, as ye clamber,
Oh ye leaves, to seek my chamber,

Up the trellis'd vine on high!
May ye swell, twin-berries tender,
Juicier far,--and with more splendour

Ripen, and more speedily!
O'er ye broods the sun at even
As he sinks to rest, and heaven

Softly breathes into your ear
All its fertilising fullness,
While the moon's refreshing coolness,

Magic-laden, hovers near;
And, alas! ye're watered ever

By a stream of tears that rill
From mine eyes--tears ceasing never,

Tears of love that nought can still!
~ Johann Wolfgang von Goethe, Autumn Feel
,
763:The little prince, who was present at the first appearance of a huge bud, felt
at once that some sort of miraculous apparition must emerge from it. But
the flower was not satisfied to complete the preparations for her beauty in the
shelter of her green chamber. She chose her colours with the greatest care. She
adjusted her petals one by one. She did not wish to go out into the world all
rumpled, like the field poppies. It was only in the full radiance of her beauty
that she wished to appear. Oh, yes! She was a coquettish creature! And her
mysterious adornment lasted for days and days. ~ Antoine de Saint Exup ry,
764:The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire. ~ Stephen King,
765:His soul swayed in a vertigo of moral indecision. He had only to snap the thread of a rash vow made to a villainous society, and all his life could be as open and sunny as the square beneath him. He had, on the other other hand, only to keep his antiquated honour, and be delivered inch by inch into the power of this great enemy of mankind, whose very intellect was a torture-chamber. Whenever he looked down into the square he saw the comfortable policeman, a pillar of common sense and common order. Whenever he looked back at the breakfast-table he saw the President still quietly studying him with big, unbearable eyes. ~ G K Chesterton,
766:One way of ensuring against such a challenge is to surround yourself with people who agree with you. In our dispersed and media-driven society, people are able to immerse themselves in a self-constructed social network where the norm is entirely consistent with their own views. They restrict their information sources to carefully selected news media, websites, blogs, and publications—the so-called echo chamber—that reinforce their views. Tea Party members and environmental activists alike share a distrust of the mainstream media and depend on information sources that speak specifically to their interests and values. ~ George Marshall,
767:He belted his sword around his hips, threw a cloak over his shoulder, and knelt on one knee beside the bed. He kissed her with his eyes open and she understood completely because she couldn’t rob herself of one last sight of him either. “Mend my hose while I’m gone,” he said, straightening. “Don’t count on it.” He smiled, the brief satisfied smile of a man who knew in whose hands his heart was kept, then turned and left the room without saying anything else. Jessica rose and pulled a blanket around her. Then she knelt on the hard stone floor of a medieval tower chamber and prayed that she hadn’t just seen the last of him. ~ Lynn Kurland,
768:Tonight shall be the very beginning.'

'Was it?'

'It shall be. For me.'

'My beginning was the albatrosses.'

'That is a good beginning; I am glad it is yours. Tonight shall be mine.'

'Ought we to have different ones?'

'Different beginnings? I think we must.'

'Will there be more of them?'

'A great many more. Are your eyes closed?'

'Yes. Are yours?'

'Yes. Though it's so dark it hardly makes a difference.'

'I feel—more than myself.'

'I feel—as though a new chamber of my heart has opened.'

'Listen.'

'What is it?'

'The rain. ~ Eleanor Catton,
769:and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming ~ H Rider Haggard,
770:As the two bullets left the chamber of Princip’s Browning revolver, Europe was a continent of empires. Italy, France, Austro-Hungary, Germany, Russia, Ottoman Turkey, Britain, Portugal, the Netherlands, even tiny Belgium, only formed in 1831, controlled vast territories across the world. At the moment of impact, the process of turning them back into local powers began. Within a matter of years, gone were the emperors who had sailed on each other’s yachts and appointed each other to grand chivalric orders; gone were some colonies and dominions overseas—and others were starting to go in an inexorable progression to independence. ~ Peter Frankopan,
771:Daily her tactics grew more sly and underhanded. Last night the audacious wench had picked the lock to his
chamber! Because he'd had the foresight to barricade the door with a heavy armoire, she'd then gone to his door in
the corridor and picked that lock. He'd been forced to escape out the window. Halfway down he'd slipped, crashed the last fifteen feet to the ground, and landed in a prickly bush. Since he'd not had time to don his trews, his
manly parts had taken the brunt of his abrupt entry into the bush, putting him in a foul mood indeed.
The wench sought to unman him before his long-anticipated wedding night. ~ Karen Marie Moning,
772:Sometimes I look a the Moon, and I imagine that those darker spots are caverns, cities, islands, and the places that shine are those where the sea catches the light of the sun like the glass of a mirror...I would like to tell of war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries or the bones with the marrow. All the stories I would like to write persecute me when I am in my chamber, it seems as if they are all around me, the little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful'. ~ Umberto Eco,
773:But to tell even a tenth part of the marvels rich and beautiful that were in the house of Krothering: its cool courts and colonnades rich with gems and fragrant with costly spices and strange blooms: its bed-chambers where, caught like Aphrodite in her golden net, the spirit of sleep seemed ever to shake slumber from its plumes, and none might be waking long in those chambers but sweet sleep overcame their eyelids: the Chamber of the Sun and the Chamber of the Moon, and the great middle hall with its high gallery and ivory stair: to tell of all these were but to cloy imagination with picturing in one while of over-much glory and splendour. ~ E R Eddison,
774:Do You Want Affidavits?
THERE'S a hole in the bottom of the sea.
Do you want affidavits?
There's a man in the moon with money for you.
Do you want affidavits?
There are ten dancing girls in a sea-chamber off Nantucket waiting for you.
There are tall candles in Timbuctoo burning penance for you.
There are-anything else?
Speak now-for now we stand amid the great wishing windows-and the law says
we are free to be wishing all this week at the windows.
Shall I raise my right hand and swear to you in the monotone of a notary public?
this is 'the truth, the whole truth, and nothing but the truth.'
~ Carl Sandburg,
775:At the time when Pope Pius VII had to leave Rome, which had been conquered by revolutionary French, the committee of the Chamber of Commerce in London was considering the herring fishery. One member of the committee observed that, since the Pope had been forced to leave Rome, Italy was probably going to become a Protestant country. “Heaven help us,” cried another member. “What,” responded the first, “would you be upset to see the number of good Protestants increase?” “No,” the other answered, “it isn’t that, but suppose there are no more Catholics, what shall we do with our herring?”—Alexandre Dumas, Le grand dictionnaire de cuisine, 1873 ~ Mark Kurlansky,
776:So she was disappointed to answer his summons to the Great Solar early one morning, only to find the chamber filled with what looked like every house-slave at Kyneston. One of her friends from the kitchens explained that it was the annual pre-Christmas deep clean. Everyone mucked in. Abi was reluctantly collecting a duster when Jenner appeared at her elbow. “Not you, Miss Hadley, if I may? I was hoping you might help me in the library.” He led her there, then dithered over whether or not to shut the door. Abi wasn’t much of an expert at “reading the signs,” as a flirty schoolfriend had once termed it. But the situation seemed somehow promising. ~ Vic James,
777:Come to me at dawn, my beloved, and go with me, for my soul thirsts to see the sons of my people. For thee I shall lay golden couches in my chamber I shall spread for thee a table, I shall make ready for thee my bread I shall fill for thee a bowl, from the clusters of my vineyard -- Drink to thy heart's delight, may my taste be pleasing to thee for with thee I shall rejoice, as the scion of my people the son of thy servant Jesse, the prince of Bethlehem. [1482.jpg] -- from Music of a Distant Drum: Classical Arabic, Persian, Turkish & Hebrew Poems, Translated by Bernard Lewis

~ Solomon ibn Gabirol, Come to me at dawn, my beloved, and go with me
,
778:I would like to tell about war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries, or the bones with the marrow. All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.' Then I realize that an equally beautiful story can be told, inventing an original duel, for example, a man fighting and convincing his adversary to deny God, then running him through so that he dies damned.... ~ Umberto Eco,
779:One Need Not Be A Chamber To Be Haunted,
One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.
Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.
The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.
~ Emily Dickinson,
780:On the morning of March 4, in an extraordinary sequence of events, the House approved the bill right before the noon deadline. Senators had already adjourned to the Capitol for the inauguration. They were abruptly rounded up and herded back into the Senate chamber, the hands of the clock were turned back twenty minutes, and, to tempestuous applause, they approved Grant’s bill. Chester Arthur hurried to the Capitol to sign it. As his last presidential act, he nominated Grant, and President Cleveland renewed his commission as general of the army. Chester Arthur instructed the president pro tempore of the Senate to send Grant a congratulatory telegram. ~ Ron Chernow,
781:But this laughter is the reason why the Tuscans invented science and the clear Tuscan drawing in their cool paintings; laughter means distance. Conversely: where laughter is absent, madness begins. Every time I've had a chance to observe an outbreak of psychosis or a first-rate clinical anxiety neurosis the signal has been given in the absence of humor—the moment one takes the world with complete seriousness one is potentially insane. The whole art of learning to live means holding fast to laughter; without laughter the world is a torture chamber, a dark place where dark things will happen to us, a horror show filled with bloody deeds of violence. ~ Jens Bj rneboe,
782:The attempt to develop a sense of humor and to see things in a humorous light is some kind of a trick learned while mastering the art of living. Yet it is possible to practice the art of living even in a concentration camp, although suffering is omnipresent. To draw an analogy: a man's suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative. ~ Viktor E Frankl,
783:The attempt to develop a sense of humor and to see things in a humorous light is some kind of a trick learned while mastering the art of living. Yet it is possible to practive the art of living even in a concentration camp, although suffering is omnipresent. To draw an analogy: a man's suffering is similar to the behaviour of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefor the "size" of human suffering is absolutely relative. ~ Viktor E Frankl,
784:One day Cunegonde, while walking near the castle, in a little wood which they called a park, saw between the bushes, Dr. Pangloss giving a lesson in experimental natural philosophy to her mother’s chamber-maid, a little brown wench, very pretty and very docile. As Miss Cunegonde had a great disposition for the sciences, she breathlessly observed the repeated experiments of which she was a witness; she clearly perceived the force of the Doctor’s reasons, the effects, and the causes; she turned back greatly flurried, quite pensive, and filled with the desire to be learned; dreaming that she might well be a sufficient reason for young Candide, and he for her. ~ Voltaire,
785:What do you think an artist is? An imbecile who only has eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war. ~ Pablo Picasso,
786:For the man in the street, the philosophies of opposites, particularly Good and Evil, have served as a torture chamber, a crucifix made from metaphor. Thrust into a world which views him as the property of Gods and States and overwhelmed by an unrepayable debt, the metaphysics of slavery and the facts of pain, pleasure and death; bolstered by science, whose theorists have become the whores of the state, man is now informed that he is ill. The proof of this is his refusal to submit completely. The world debt is due to his saying 'no' to total slavery. He will not obey. We are at War, and man is the enemy. The question is: Who is on the other side? ~ Christopher S Hyatt,
787:The attempt to develop a sense of humor and to see things in a humorous light is some kind of a trick learned while mastering the art of living. Yet it is possible to practice the art of living even in a concentration camp, although suffering is omnipresent.
To draw an analogy: a man's suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative. ~ Viktor E Frankl,
788:As I explain at some length in 'The Crystal Sun' this particular angle, which we can call the 'golden angle,' is the precise value of the acute angle of of a right-angled 'golden triangle' that embodies the golden mean proportion ....

The Danish art historian Else Kielland established with conclusive and absolutely overwhelming evidence and analysis that this angle was the basis for all Egyptian art and architecture. She did this in her monumental work 'Geometry in Egyptian Art' .....

The King's Chamber inside the Great Pyramid embodies no fewer than eight occurrences of the golden angle, and the coffer in the chamber embodies yet more. ~ Robert K G Temple,
789:The Home-Coming
This was our house. To this we came
Lighted by love with torch aflame,
And in this chamber, door locked fast,
I held you to my heart at last.
This was our house. In this we knew
The worst that Time and Fate can do.
You left the room bare, wide the door;
You did not love me any more.
Where once the kind warm curtain hung
The spider's ghostly cloth is flung;
The beetle and the woodlouse creep
Where once I loved your lovely sleep.
Yet so the vanished spell endures,
That this, our house, still, still is yours.
Here, spite of all these years apart,
I still can hold you to my heart!
~ Edith Nesbit,
790:To the extent that we believe we can skip steps, avoid the process, magically gain power through political connections or easy formulas, or depend on our natural talents, we move against this grain and reverse our natural powers. We become slaves to time—as it passes, we grow weaker, less capable, trapped in some dead-end career. We become captive to the opinions and fears of others. Rather than the mind connecting us to reality, we become disconnected and locked in a narrow chamber of thought. The human that depended on focused attention for its survival now becomes the distracted scanning animal, unable to think in depth, yet unable to depend on instincts. ~ Robert Greene,
791:Hymn
(FROM THE GERMAN OF MARTIN LUTHER)
O heart of mine! lift up thine eyes
And see who in yon manger lies!
Of perfect form, of face divine-It is the Christ-child, heart of mine!
O dearest, holiest Christ-child, spread
Within this heart of mine thy bed;
Then shall my breast forever be
A chamber consecrate to thee!
Beat high to-day, O heart of mine,
And tell, O lips, what joys are thine;
For with your help shall I prolong
Old Bethlehem's sweetest cradle-song.
Glory to God, whom this dear Child
Hath by His coming reconciled,
And whose redeeming love again
Brings peace on earth, good will to men!
~ Eugene Field,
792:But I must say that I’ve never seen him look at anyone the way he looked at you tonight. And he was once betrothed — but that was a strange situation, and I don’t have time to tell you about that. It was only for a short time. At least, she was only here for about two days before we found out that she was in love with my other brother—but you don’t want to hear about that. Anyway, you must be completely exhausted. I confess I’m quite tired myself, and I didn’t dance for two hours! You will sleep in my chamber with me. Kirstyn and Adela will probably already be asleep when we get there, so we should be quiet. I have a nightdress for you to sleep in.” Gisela ~ Melanie Dickerson,
793:Emerson said that a library is a magic chamber in which there are many enchanted spirits. They wake when we call them. When the book lies unopened, it is literally, geometrically, a volume, a thing among things. When we open it, when the book surrenders itself to its reader, the aesthetic event occurs. And even for the same reader the same book changes, for the change; we are the river of Heraclitus, who said that the man of yesterday is not the man of today, who will not be the man of tomorrow. We change incessantly, and each reading of a book, each rereading, each memory of that rereading, reinvents the text. The text too is the changing river of Heraclitus. ~ Jorge Luis Borges,
794:She shielded her eyes with a salute to the afternoon sun. “Right there, where the ground is blackened, just to the left of that cloud, that’s where the Presidential Palace stood.” Rotating in a slow circle, her index finger pressed the past into the empty panorama. The market selling Levi’s two decades before any licensed clothing store. The music college, where some years earlier a prodigy had learned to play the viola by listening to the two-hundred-year history of chamber music lilting through those open windows. She reconstructed the square for Akhmed—her voice raised every edifice from the dust, replanted every linden tree—because that was easier than apology. ~ Anthony Marra,
795:He was possessed of a belief that nothing existed, or to be more precise, that only when things were perceived could we be sure that they existed. He troubled himself in arguments, therefore, that when he was not in his chamber, and no one else was in his chamber, there was no one who could say beyond a shadow of a doubt that his desk still existed... or that the bed had not simply frayed into atoms...[Dr. 03-01] developed the habit of quietly leaving company quite suddenly and charging above-stairs to his bedchamber, throwing open the door, and crying "Ah ha!" He found, always, that matter had retained its dubious solidity in his absence; but this did not deter him. ~ M T Anderson,
796:Maggie, in her brown frock, with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it. No wonder, when there is this contrast between the outward and the inward, that painful collisions come of it. ~ George Eliot,
797: Omnipresence
He is in me, round me, facing everywhere.

Self-walled in ego to exclude His right,
I stand upon its boundaries and stare
Into the frontiers of the Infinite.

Each finite thing I see is a facade;
From its windows looks at me the Illimitable.

In vain was my prison of separate body made;
His occult presence burns in every cell.

He has become my substance and my breath;
He is my anguish and my ecstasy.

My birth is His eternity's sign, my death
A passage of His immortality.

My dumb abysses are His screened abode;
In my heart's chamber lives the unworshipped God.
Sonnets
~ Sri Aurobindo, - Omnipresence
,
798:Forgive me, cousin.—Ah, dear Juliet,
Why art thou yet so fair? Shall I believe
That unsubstantial death is amorous,
And that the lean abhorrèd monster keeps
Thee here in dark to be his paramour?
For fear of that, I still will stay with thee,
And never from this palace of dim night
Depart again. Here, here will I remain
With worms that are thy chamber maids. Oh, here
Will I set up my everlasting rest,
And shake the yoke of inauspicious stars
From this world-wearied flesh. Eyes, look your last.
Arms, take your last embrace. And, lips, O you
The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death. ~ William Shakespeare,
799:Do crazy things if you must, they told me all the while, forever prying to unearth the mysterious, tel tale signs of heartbreak which, in their clumsy, intrusive, devoted way, both would instantly wish to heal, as if I were a soldier who had strayed into their garden and needed his wound immediately stanched or else he’d die. You can always talk to me. I was your age once, my father used to say. The things you feel and think only you have felt, believe me, I've lived and suffered through all of them, and more than once—some I've never gotten over and others I’m as ignorant about as you are today, yet I know almost every bend, every toll-booth, every chamber in the human heart. ~ Andr Aciman,
800:How Many Times These Low Feet Staggered
187
How many times these low feet staggered—
Only the soldered mouth can tell—
Try—can you stir the awful rivet—
Try—can you lift the hasps of steel!
Stroke the cool forehead—hot so often—
Lift—if you care—the listless hair—
Handle the adamantine fingers
Never a thimble—more—shall wear—
Buzz the dull flies—on the chamber window—
Brave—shines the sun through the freckled pane—
Fearless—the cobweb swings from the ceiling—
Indolent Housewife—in Daisies—lain!
~ Emily Dickinson,
801:A Pause
They made the chamber sweet with flowers and leaves,
And the bed sweet with flowers on which I lay;
While my soul, love-bound, loitered on its way.
I did not hear the birds about the eaves,
Nor hear the reapers talk among the sheaves:
Only my soul kept watch from day to day,
My thirsty soul kept watch for one away:-Perhaps he loves, I thought, remembers, grieves.
At length there came the step upon the stair,
Upon the lock the old familiar hand:
Then first my spirit seemed to scent the air
Of Paradise; then first the tardy sand
Of time ran golden; and I felt my hair
Put on a glory,and my soul expand.
~ Christina Georgina Rossetti,
802:The Painter On Silk
There was a man
Who made his living
By painting roses
Upon silk.
He sat in an upper chamber
And painted,
And the noises of the street
Meant nothing to him.
When he heard bugles, and fifes, and drums,
He thought of red, and yellow, and white roses
Bursting in the sunshine,
And smiled as he worked.
He thought only of roses,
And silk.
When he could get no more silk
He stopped painting
And only thought
Of roses.
The day the conquerors
Entered the city,
The old man
Lay dying.
He heard the bugles and drums,
And wished he could paint the roses
Bursting into sound.
~ Amy Lowell,
803:She had stepped into the thin strip of earth that they claimed as their own. Bound by the last building on Brewster and a brick wall, they reigned in that unlit alley like dwarfed warrior kings. Born with the appendages of power, circumcised by the guillotine, and baptized with the steam from a million non reflective mirrors, these young men wouldn't be called upon to thrust a bayonet into an Asian farmer, target a torpedo, scatter their iron seed from a B-52 into the wound of the earth, point a finger to move a nation, or stick a pole into the moon--and they knew it. They only had that three-hundred-foot alley to serve them as stateroom, armored tank, and executioner's chamber. ~ Gloria Naylor,
804:As to industrial conditions, however, Babbitt had thought a great deal, and his opinions may be coordinated as follows: "A good labor union is of value because it keeps out radical unions, which would destroy property. No one ought to be forced to belong to a union, however. All labor agitators who try to force men to join a union should be hanged. In fact, just between ourselves, there oughtn't to be any unions allowed at all; and as it's the best way of fighting the unions, every business man ought to belong to an employers'-association and to the Chamber of Commerce. In union there is strength. So any selfish hog who doesn't join the Chamber of Commerce ought to be forced to. ~ Sinclair Lewis,
805:David’s Child
IN face of a great sorrow like to death
How do we wrestle night and day with tears;
How do we fast and pray; how small appears
The outside world, while, hanging on some breath
Of fragile hope, the chamber where we lie
Includes all space.--But if sudden at last
The blow falls; or by incredulity
Fond led, we--never having one thought cast
Towards years where 'the child' was not--see it die,
And with it all our future, all our past,-We just look round us with a dull surprise:
For lesser pangs we had filled earth with cries
Of wild and angry grief that would be heard:-But when the heart is broken--not a word.
~ Dinah Maria Mulock Craik,
806:I adopted all the expedients that would naturally occur to a young medical man to end these enervating experiences, but without avail. I dieted. I exercised. I would get up and dress, go out either on foot or in my car, in spite of a strong fear resistance. Fear pursued me out of those dreams. The nightmare quality hung about me and could not be shaken off. I was awake and still dreaming. Never have I seen such sinister skies as I did on those night excursions. I felt such a dread of unfamiliar shadows as I had not known even in childhood. There were times on those nocturnal drives when I could have shouted aloud for daylight as a man suffocating in a closed chamber might shout for air. ~ H G Wells,
807:Contrasts

The windows of my poetry are wide open on the boulevards and in the shop windows

Shine

The precious stones of light

Listen to the violins of the limousines and the xylophones of the linotypes

The sketcher washes with the hand-towel of the sky

All is color spots

And the hats of the women passing by are comets in the conflagration of the evening


Unity

There's no more unity

All the clocks now read midnight after being set back ten minutes

There's no more time.

There's no more money.

In the Chamber

They are spoiling the marvelous elements of raw material

("Contrasts") ~ Blaise Cendrars,
808:The danger we face does not come from religion. It comes from a growing intellectual bankruptcy that is one of the symptoms of a dying culture. In ancient Rome, as the republic disintegrated and the Caesars were deified, as the Roman Senate became little more than an echo chamber of the emperor, the population’s attention was diverted by a series of frontier wars and violent and elaborate spectacles in the arena. The excitement of entertainment consumed ancient Rome’s emotional and intellectual life. It poisoned civic and political discourse. Social critics no longer had a form in which to speak. They were answered with ridicule and rage. It was not prerogative of the citizen to think. ~ Chris Hedges,
809:The danger we face does not come from religion. It comes from a growing intellectual bankruptcy that is one of the symptoms of a dying culture. In ancient Rome, as the republic disintegrated and the Caesars were deified, as the Roman Senate became little more than an echo chamber of the emperor, the population’s attention was diverted by a series of frontier wars and violent and elaborate spectacles in the arena. The excitement of entertainment consumed ancient Rome’s emotional and intellectual life. It poisoned civic and political discourse. Social critics no longer had a forum in which to speak. They were answered with ridicule and rage. It was not prerogative of the citizen to think. ~ Chris Hedges,
810:Grimaud left the chamber, and led the way to the hall, where, according
to the custom of the province, the body was laid out, previously to
being put away forever. D'Artagnan was struck at seeing two open coffins
in the hall. In reply to the mute invitation of Grimaud, he approached,
and saw in one of them Athos, still handsome in death, and, in the
other, Raoul with his eyes closed, his cheeks pearly as those of the
Palls of Virgil, with a smile on his violet lips. He shuddered at seeing
the father and son, those two departed souls, represented on earth by
two silent, melancholy bodies, incapable of touching each other, however
close they might be. ~ Alexandre Dumas,
811:Conscious Am I In My Chamber
679
Conscious am I in my Chamber,
Of a shapeless friend—
He doth not attest by Posture—
Nor Confirm—by Word—
Neither Place—need I present Him—
Fitter Courtesy
Hospitable intuition
Of His Company—
Presence—is His furthest license—
Neither He to Me
Nor Myself to Him—by Accent—
Forfeit Probity—
Weariness of Him, were quainter
Than Monotony
Knew a Particle—of Space's
Vast Society
Neither if He visit Other—
Do He dwell—or Nay—know I—
But Instinct esteem Him
Immortality—
~ Emily Dickinson,
812:After Jefferson was done, they reconvened in the House chamber on the ground floor of Congress Hall for the presidential inauguration of John Adams.49 As Adams recalled it, George Washington seemed cheerful—even relieved: “Methinks I heard him think ‘Ay, I am fairly out and you fairly in! See which of us will be happiest.’ ”50 Jefferson thought Washington a lucky man. “The President is fortunate to get off just as the bubble is bursting, leaving others to hold the bag,” he wrote Madison.51 Privately, Jefferson repeated his claims of satisfaction at the results of the election. “The second office of this government is honorable and easy,” Jefferson said.52 “The first is but a splendid misery. ~ Jon Meacham,
813:had indeed received his call for reinforcements. Mortimer was upon them.                     CHAPTER EIGHT     Toby wasn’t sure how long she had been awake, staring at half of a pillow with the other side of her face buried in it. Only one eye was able to open. She blinked, having no idea where she was and finally lifting her head to look about. Still, she did not recognize the place. It was a larger chamber, dusty, with a broom and a pile of debris in one corner. The fire in the hearth was faded to hot cinder, radiating some heat into the room. As Toby looked around, disoriented, her mind became more lucid and her memory unmercifully returned. Ailsa. The remembrance of her sister’s name ~ Kathryn Le Veque,
814:She disliked him more for having mastered her inner will. How dared he say that he would love her still, even though she shook him off with contempt? She wished she had spoken more - stronger. Sharp, decisive speeches came thronging to her mind, now that it was too late to utter them. The deep impression made by the interview was like that of a horror in a dream; that will not leave the room although we waken up, and rub our eyes, and force a stiff rigid smile upon our lips. It is there - there, cowering and gibbering, with fixed ghastly eyes, in some corner of the chamber, listening to hear whether we dare to breathe of its presence to anyone. And we dare not; poor cowards that we are! ~ Elizabeth Gaskell,
815:It was a French Christmas; a debonair Christmas full of frolic and folly; a spry, Gallic unctuous Christmas. Henry of France, at last roused to boldness and the cunning exercise of spite, had sent a small fleet to Scotland, and in it money for the Queen Dowager, and French military experts for her guidance and the better security of her fortresses. The military experts, tricked out in scent and white satin, danced like well-mannered clouds and talked in the Council Chamber of chests of money and major landings of troops waiting to come with better weather. The Government blew a sigh of relief, eyed the cut of the white satin and, flinging its armour out of the window, bawled for its valet. ~ Dorothy Dunnett,
816:Several months after the death of his father, in December of 1787, Mozart’s primary ambition came to fruition: he obtained an appointment from Emperor Joseph II, as the emperor’s chamber composer. The position itself was not as lofty as Mozart would have hoped: it was part-time, with a salary of just over 800 florins a year. Mozart’s sole duty as chamber composer was to craft dances for the annual balls at Hofburg Palace. It is a matter of court record that the emperor offered this appointment to Mozart to discourage the musician from leaving Vienna in pursuit of better prospects in the future, which suggests the emperor perhaps had other plans for Mozart to come, though they never materialized. ~ Hourly History,
817:The embassy’s front door was of bulletproof steel lined with a veneer of English oak. You attained it by touching a button in a silent lift. The royal crest, in this air-conditioned stillness, suggested silicone and funeral parlours. The windows, like the doors, had been toughened to frustrate the Irish and tinted to frustrate the sun. Not a whisper of the real world penetrated. The silent traffic, cranes, shipping, old town and new town, the brigade of women in orange tunics gathering leaves along the central reservation of the Avenida Balboa, were mere specimens in Her Majesty’s inspection chamber. From the moment you set foot in British extraterritorial airspace, you were looking in, not out. — ~ John le Carr,
818:The attempt to develop a sense of humor and to see things in a humorous light is some kind of a trick learned while mastering the art of living. Yet it is possible to practice the art of living even in a concentration camp, although suffering is omnipresent. To draw an analogy: a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the “size” of human suffering is absolutely relative. It also follows that a very trifling thing can cause ~ Viktor E Frankl,
819:This chamber held a mystery for the early explorers who entered its confines, a mystery that has baffled people for decades. The chamber was coated with a layer of black dust, which, upon analysis, turned out to be exuviae, or the cast-off shells and skins of insects. There were no living insects found in the Great Pyramid, which made this discovery even more mysterious. What prompted hordes of insects to single out this one sealed chamber and shed their skins? It is a mystery that has never been satisfactorily explained. In fact, there has not been any attempt to explain it, and because there is no logical answer that fits in with any previously proposed theory, no one has given it much attention. ~ Christopher Dunn,
820:Sonnets 12: Cherish You Then The Hope I Shall
Forget
Cherish you then the hope I shall forget
At length, my lord, Pieria?—put away
For your so passing sake, this mouth of clay
These mortal bones against my body set,
For all the puny fever and frail sweat
Of human love,—renounce for these, I say,
The Singing Mountain's memory, and betray
The silent lyre that hangs upon me yet?
Ah, but indeed, some day shall you awake,
Rather, from dreams of me, that at your side
So many nights, a lover and a bride,
But stern in my soul's chastity, have lain,
To walk the world forever for my sake,
And in each chamber find me gone again!
~ Edna St. Vincent Millay,
821:Vadim swallowed, felt his throat too tight to move, then, still staring at the bottle, smelling the desert and Dan, and himself, his hand reached to his side, opened the holster of the pistol. Took out the mag, took the bullet from the chamber, clicked the mag in place again, rolled the bullet between his fingers.

He looked at Dan, sideways, saw the man stare at him, all eyes, dark eyes, and the way the pale desert moon made his face a place of shadows.

He reached for Dan’s hand, opened the fingers and placed the bullet into the palm.

“This is the bullet you’ll use to kill me if I walk away again.” Because if I walk away again, I’ll be in so much pain I’m better off dead anyway. ~ Aleksandr Voinov,
822:Sonnet Xxxv: The Lamp's Shrine
Sometimes I fain would find in thee some fault,
That I might love thee still in spite of it:
Yet how should our Lord Love curtail one whit
Thy perfect praise whom most he would exalt?
Alas! he can but make my heart's low vault
Even in men's sight unworthier, being lit
By thee, who thereby show'st more exquisite
Like fiery chrysoprase in deep basalt.
Yet will I nowise shrink; but at Love's shrine
Myself within the beams his brow doth dart
Will set the flashing jewel of thy heart
In that dull chamber where it deigns to shine:
For lo! in honour of thine excellencies
My heart takes pride to show how poor it is.
~ Dante Gabriel Rossetti,
823:Your past self's family was rich. Filthy rich.You'll see when you meet her.She goes by Lucinda and thinks your nickname is an absolute abomination, by the way." Bill pinched his nose and lifted it hight in the air,giving a pretty laughable imitation of a snob. "She's rich, yes,but you, my dear, are a time-traveling intruder who knows not the ways of this high society. So unless you want to stick out like a Manchester seamstress and get shown the door before you even get to have a chat with Lucinda, you need to go undercover. You're a scullery maid. Serving girl. Chamber-bot changer. It's really up to you.Don't worry,I'll stay out of your way.I can disappear in the blink of an eye. ~ Lauren Kate,
824:The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long. ~ John Darnielle,
825:We could express this power in the following way: Most of the time we live in an interior world of dreams, desires, and obsessive thoughts. But in this period of exceptional creativity, we are impelled by the need to get something done that has a practical effect. We force ourselves to step outside our inner chamber of habitual thoughts and connect to the world, to other people, to reality. Instead of flitting here and there in a state of perpetual distraction, our minds focus and penetrate to the core of something real. At these moments, it is as if our minds—turned outward—are now flooded with light from the world around us, and suddenly exposed to new details and ideas, we become more inspired and creative. ~ Robert Greene,
826:make out two major factions that vied for control of the Sanhedrin council, Sadducees and Pharisees. Sadducees were mostly the rich aristocracy, while the Pharisees had popular support. In the current scenario, the Sadducees seemed to dominate the proceedings with their numbers. Since Pilate was late, the chattering and small talk had evolved into a full-blown debate between the factions. These Jews love to argue, thought Longinus as he observed the group from his seat at the pillared entrance. The Chamber of Hewn Stone was a fairly large, open area in a high-ceilinged room that gave him the impression of loftiness toward heaven, despite the very earthy and emotionally charged argumentation unfolding before him. ~ Brian Godawa,
827:Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more. ~ Edgar Allan Poe,
828:An old girlfriend is a gun in your belly. It's no longer loaded, so when you see her, all you feel is the hollow mechanical click in your gut, and possibly the ghost of an echo, sense memory from when it used to carry live rounds. Occasionally, though, there's a bullet you missed, lying dormant in its overlooked chamber, and when that trigger gets pulled, the unexpected gunshot is deafening even as the forgotten bullet rips its way through the tissue and muscle of your midsection and out into the light of day. Seeing Carly is like that. Even though we haven't spoken in almost ten years, it's an explosion, and in that one instant every memory, every feeling, comes flooding back as fresh as if it were yesterday. ~ Jonathan Tropper,
829:My gaze returns to earth and when it does, it’s her eyes I see. Not the way I used to see them—around every corner, behind my own closed lids at the start of each day. Not in the way I used to imagine them in the eyes of every other girl I laid on top of. No, this time it really is her eyes. A photo of her, dressed in black, a cello leaning against one shoulder like a tired child. Her hair is up in one of those buns that seem to be a requisite for classical musicians. She used to wear it up like that for recitals and chamber music concerts, but with little pieces hanging down, to soften the severity of the look. There are no tendrils in this photo. I peer closer at the sign. YOUNG CONCERT SERIES PRESENTS MIA HALL. ~ Gayle Forman,
830:As I noted at the beginning of this chapter, one reason the Russian misinformation campaign was successful was that our country's natural defenses had been worn down over several years of powerful interests that sought to make it harder for Americans to distinguish between truth and lies. If you feel like it's gotten tougher to separate out fringe voices from credible journalists, especially online, or you find yourself arguing more and more with people over what should be knowable facts, you're not going crazy. There has been a concentrated effort to discredit mainstream sources of information, create an echo chamber to amplify fringe conspiracy theories, and undermine Americans' grasp of objective truth. ~ Hillary Rodham Clinton,
831:Like Newt Gingrich shifting the focus from local to national, social media has transformed politics from the public to the personal. Whereas, in the past, people associated with their friends and families based on proximity, common history, or blood relation, social media gives the person the power to structure their relationships based on common interests and shared political goals. This grouping, often called an echo chamber, creates a world in which people are rarely confronted by disparate opinions or facts and ensures their persuasion goes unchallenged. And the more they become entrenched in their opinions, and the more they see others touting similar belief structures, the more the user's beliefs deepen. ~ Jared Yates Sexton,
832:You’ll not go anywhere,” he announced. “Yes, I will,” she said, through gritted teeth. “You’ll use a chamber pot.” “I will not!” He thrust his hand in front of her face. The heavy silver ring sat prominently on his middle finger. “This says you’ll obey me,” he growled. “You’ll use the chamber pot because I command you to do so!” “You’ll have to hold me there and that just isn’t going to happen,” Jessica argued. “What is the difference between that and—” “Richard!” He made a sound of impatience. “’Tis nothing to be ashamed of, Jessica. I would expect the same care from you. And if memory serves, I had it when I had the fever before. Isn’t that so?” “It was different.” “Aye, ’twas me with my arse bared to the daylight! ~ Lynn Kurland,
833:James Potter sat up in his bed, stifling a gasp. He listened very intently, peering around the darkened sleeping chamber. All around him were the small sounds of sleeping Gryffindors. Ted rolled over and snorted, muttering in his sleep. James held his breath. He’d awakened a few minutes earlier with the sound of his own name in his ears. It had been like a voice in a dream: distant and whispered, as if blown on smoke down a long, dark tunnel. He had just about convinced himself that it had, in fact, been the tail of a dream and drifted back to sleep when he’d heard it again. It seemed to come out of the walls themselves, a faraway sound, still somehow right next to him, like a chorus of whispers saying his full name. ~ G Norman Lippert,
834:One of those chaps would make short work of a fellow. Pick the bones clean no matter who it was. Ordinary meat for them. A corpse is meat gone bad. Well and what's cheese? Corpse of milk. I read in that Voyages in China that the Chinese say a white man smells like a corpse. Cremation better. Priests dead against it. Devilling for the other firm. Wholesale burners and Dutch oven dealers. Time of the plague. Quicklime feverpits to eat them. Lethal chamber. Ashes to ashes. Or bury at sea. Where is that Parsee tower of silence? Eaten by birds. Earth, fire, water. Drowning they say is the pleasantest. See your whole life in a flash. But being brought back to life no. Can't bury in the air however. Out of a flying machine. Wonder ~ James Joyce,
835:Genes,” he said, frowning. “Is there a Bengali word?” I asked. He searched his inner lexicon. There was no word—but perhaps he could find a substitute. “Abhed,” he offered. I had never heard him use the term. It means “indivisible” or “impenetrable,” but it is also used loosely to denote “identity.” I marveled at the choice; it was an echo chamber of a word. Mendel or Bateson might have relished its many resonances: indivisible; impenetrable; inseparable; identity. I asked my father what he thought about Moni, Rajesh, and Jagu. “Abheder dosh,” he said. A flaw in identity; a genetic illness; a blemish that cannot be separated from the self—the same phrase served all meanings. He had made peace with its indivisibility. ~ Siddhartha Mukherjee,
836:Paine’s pamphlet appealed to a wide range of colonial opinion angered by England. But it caused some tremors in aristocrats like John Adams, who were with the patriot cause but wanted to make sure it didn’t go too far in the direction of democracy. Paine had denounced the so-called balanced government of Lords and Commons as a deception, and called for single-chamber representative bodies where the people could be represented. Adams denounced Paine’s plan as “so democratical, without any restraint or even an attempt at any equilibrium or counter-poise, that it must produce confusion and every evil work.” Popular assemblies needed to be checked, Adams thought, because they were “productive of hasty results and absurd judgements. ~ Howard Zinn,
837:Sonnet 04: Not In This Chamber Only At My Birth
Not in this chamber only at my birth—
When the long hours of that mysterious night
Were over, and the morning was in sight—
I cried, but in strange places, steppe and firth
I have not seen, through alien grief and mirth;
And never shall one room contain me quite
Who in so many rooms first saw the light,
Child of all mothers, native of the earth.
So is no warmth for me at any fire
To-day, when the world's fire has burned so low;
I kneel, spending my breath in vain desire,
At that cold hearth which one time roared so strong,
And straighten back in weariness, and long
To gather up my little gods and go.
~ Edna St. Vincent Millay,
838:The truth is that Tolstoy, with his immense genius, with his colossal faith, with his vast fearlessness and vast knowledge of life, is deficient in one faculty and one faculty alone. He is not a mystic; and therefore he has a tendency to go mad. Men talk of the extravagances and frenzies that have been produced by mysticism; they are a mere drop in the bucket. In the main, and from the beginning of time, mysticism has kept men sane. The thing that has driven them mad was logic. ...The only thing that has kept the race of men from the mad extremes of the convent and the pirate-galley, the night-club and the lethal chamber, has been mysticism - the belief that logic is misleading, and that things are not what they seem. ~ G K Chesterton, Tolstoy,
839:Whereas At Morning In A Jeweled Crown
Whereas at morning in a Jeweled Crown
I bit my fingers and was hard to please,
Having shook disaster till the fruit fell down
I feel tonight more happy and at ease:
Feet running in the corridors, men quick—
Buckling their sword-belts, bumping down the stair,
Challenge, and rattling bridge-chain, and the click
Of hooves on pavement—this will clear the air.
Private this chamber as it has not been
In many a month of muffled hours; almost,
Lulled by the uproar, I could lie serene
And sleep, until all's won, until all's lost,
And the door's opened and the issue shown,
And I walk forth Hell's Mistress—or my own.
~ Edna St. Vincent Millay,
840:God’s voice is glorious in the thunder.        We can’t even imagine the greatness of his power. 6 “He directs the snow to fall on the earth        and tells the rain to pour down. 7 Then everyone stops working        so they can watch his power. 8 The wild animals take cover        and stay inside their dens. 9 The stormy wind comes from its chamber,        and the driving winds bring the cold. 10 God’s breath sends the ice,        freezing wide expanses of water. 11 He loads the clouds with moisture,        and they flash with his lightning. 12 The clouds churn about at his direction.        They do whatever he commands throughout the earth. 13 He makes these things happen either to punish people        or to show his unfailing love. ~ Anonymous,
841:Thousands of times the French saw, over the course of those four years, in shop windows, bottles of Saint-Emilion or of Meursault arranged in neat pyramids. They’d approach the window, enticed, only to read on a placard: artificial display. So it was with Paris: it was nothing more than an artificial display. Everything was hollow and empty: the Louvre without paintings, the Chamber without deputies, the Senate without senators, the Lycée Montaigne without students. The artificial existence that the Germans maintained, the theatrical events, the races, the miserable and lugubrious festivals held only in order to show the universe that France was saved because Paris still lived: all were the strange consequence of centralization. ~ Jean Paul Sartre,
842:I believe that almost all our sadnesses are moments of tension that we find paralyzing because we no longer hear our surprised feelings living. Because we are alone with the alien thing that has entered into our self; because everything intimate and accustomed is for an instant taken away; because we stand in the middle of a transition where we cannot remain standing. For this reason the sadness too passes: the new thing in us, the added thing, has entered into our heart, has gone into its inmost chamber and is not even there any more, — is already in our blood. And we do not learn what it was. We could easily be made to believe that nothing has happened, and yet we have changed, as a house changes into which a guest has entered. ~ Rainer Maria Rilke,
843:the vampires in this vast chamber?” He looked around those gathered. “Strangely, the young ones are not affected similarly. Those of us who are older, however…” His gaze flicked into the shadows. I followed his look, but saw only empty space. I needed to get me one of those sheets! “Male and female alike, we are driven half mad with desire.” The vampire’s dark gaze hit me again, intelligence and fire. “You know your effect; I can see that. Tell me, what is it? I must know.” “Perspiration and a little deodorant.” Or, in this case, a lot of deodorant working very hard. A smile lifted his shapely lips. “You have secrets, Reagan, do you not?” “All girls have secrets.” “And so they do.” His manicured nails tapped the armrest. “You are filled to the brim ~ K F Breene,
844:They were a mile from Grant’s place at eight-fifteen. The day before, they’d spotted a diner with a strong and reliable Wi-Fi and no protection, with parking on the side and in back, out of sight from the street. Kidd signed on from a laptop and dialed up another laptop, which was hooked into his cell phone, back at the condo. His phone made a call to a friend who, at that moment, was playing a violin in a chamber quartet at the birthday party for a St. Paul surgeon’s wife. Kidd let the call ring through to the answering service, left a message that suggested handball on Friday. “Done,” he said, when he’d hung up. An alibi. Both of their desktop computers would be roaming websites all through the evening, and they’d send out a couple of e-mails. ~ John Sandford,
845:Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......

Percy was deeply disapproving of this behavior.

"It is not a laughing matter," he said coldly.

"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."

"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.

Ginny didn't find it amusing either.

"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met. ~ J K Rowling,
846:Van sealed the letter, found his Thunderbolt pistol in the place he had visualized, introduced one cartridge into the magazine, and translated it into its chamber. Then, standing before a closet mirror, he put the automatic to his head, at the point of the pterion, and pressed the comfortably concaved trigger. Nothing happened - or perhaps everything happened, and his destiny simply forked at that instant, as it probably does sometimes at night, especially in a strange bed, at stages of great happiness or great desolation, when we happen to die in our sleep, but continue our normal existence, with no perceptible break in the fakes serialization, on the following, neatly prepared morning, with a spurious past discreetly but firmly attached behind. ~ Vladimir Nabokov,
847:Take the case of prostitutes, a group more or less available every night. As a young man, Proust had been a compulsive masturbator, so compulsive that his father had urged him to go to a brothel, to take his mind off what the nineteenth century considered to be a highly dangerous pastime. In a candid letter to his grandfather, sixteen-year-old Marcel described how the visit had gone: I so badly needed to see a woman in order to stop my bad habits of masturbating that papa gave me 10 francs to go to the brothel. But, 1st in my excitement, I broke the chamber pot, 3 francs, 2nd in this same excitement, I wasn’t able to have sex. So now I’m back to square one, constantly waiting for another 10 francs to empty myself and for 3 more francs for that pot. ~ Alain de Botton,
848:Destiny had decreed that the Gauls were still to feel the true meaning of Roman valor, for when the raiders started on their mission Rome's lucky star led them to Ardea, where Camillus was living in exile, more grieved by the misfortunes of his country than by his own. Growing, as he felt, old and useless, filled with resentment against gods and men, he was asking in the bitterness of his heart where now were the men who had stormed Veii and Falerii - the men whose courage in every fight had been greater even than their success, when suddenly he heard the news that a Gallic army was near. The men of Ardea, he knew, were in anxious consultation, and it had not been his custom to assist at their deliberations; but now, like a man inspired, he burst into the Council chamber. ~ Livy,
849:The ceremony was fast so we wouldn't be caught. When it was over, the men all whispered 'Mazel tov' and climbed back onto their shelves. I went up to the boy and pressed the wooden horse into his hands, the only present I could give him. The boy looked at me with big, round eyes. Had I ever been so young?

'We are alive,' I told him. 'We are alive, and that is all that matters. We cannot let them tear us from the pages of the world.'

I said it as much for me as for him. I said it in memory of Uncle Moshe, and my mother and father, and my aunts and other uncles and cousins. The Nazis had put me in a gas chamber. I had thought I was dead, but I was alive. I was a new man that day, just like the bar mitzvah boy. I was a new man, and I was going to survive. ~ Alan Gratz,
850:I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright.
I arise from dreams of thee,
And a spirit in my feet
Has led me -who knows how?
To thy chamber-window, Sweet!

The wandering airs they faint
On the dark, the silent stream -
The champak odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart,
As I must die on thine,
O beloved as thou art!

Oh lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast;
Oh press it close to thine again,
Where it will break at last! ~ Percy Bysshe Shelley,
851:The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet. ~ Laini Taylor,
852:There was an area in every knot that would yield when you pushed on it hard and long enough. Anna closed her eyes, her hands delivering her to a purely tactile realm that seemed to exist outside the rest of life. It was like pushing through a wall to find a hidden chamber just beyond it. She felt the knot’s weakness, like the faint, incipient bruise on an apple, and dug her fingers in. Loosening a knot always seemed impossible until it was inevitable; Anna knew this from years of rat’s nests and cat’s cradles, shoelaces, jumping ropes, slingshots—things children on the block had always brought her to unscramble. The knot made a last clutching effort to preserve itself, its reluctance to yield making it seem almost alive. Then it surrendered, the cords loose in her hands ~ Jennifer Egan,
853:I’m your friend now,” she told Harley as she massaged his neck and shoulders. “I have plenty of soul to spare. I’m rubbing it into you right now, can you tell?” She was kneading his lower back with her knuckles, and Harley nodded because the warmth was spreading. Pumpkin was making her way into his heart, lighting the corners of his empty soul with a red-gold flame.

“You won’t be alone now,” Pumpkin crooned. “I’m part of you, like it or not.”

And Harley could sleep. He could close his eyes without spinning away in darkness. He though that sleeping beside Pumpkin must be better than Frank Pike’s crazy sex adventures, but he would keep her a secret. He would keep her locked in that little chamber she’d reached with her fingers through the very walls of his back. ~ Susan Power,
854:And then he heard Mad-Eye Moody’s voice, echoing in some distant chamber of his empty brain: Jump onto the desk . . . jump onto the desk. . . .
Harry bent his knees obediently, preparing to spring.
Jump onto the desk. . . .
Why, though? Another voice had awoken in the back of his brain.
Stupid thing to do, really, said the voice.
Jump onto the desk. . . .
No, I don’t think I will, thanks, said the other voice, a little more firmly . . . no, I don’t really want to . . .
Jump! NOW!
The next thing Harry felt was considerable pain. He had both jumped and tried to prevent himself from jumping — the result was that he’d smashed headlong into the desk, knocking it over, and, by the feeling in his legs, fractured both his kneecaps. ~ J K Rowling,
855:In the presence chamber of your dreaming mind, I take upon myself the symbols and metaphors most apt to your understanding. This crown is my sovereignty; these breasts the source of milk that sustains and feeds the myriads of my galaxy; this veil my chastity; the bridal gown the sign of my surrender and coming mental union with Milky Way, an intimate violation more intimate than rape, or else a consummation more fertile; these chains are the cliometry of creation, which operates at a larger scale than the history of races and the evolution of stars. You have a dim memory of myth about a royal woman thus chained, also named Andromeda, fated to be fed to a sea monster. The symbolism is compelling. Also, I occupy a female hence submissive position, pleading for your chivalry. ~ John C Wright,
856:Already, every day, millions of us are needled and outraged by the hysterically stated views of those with whom we don’t agree. Our irritation pushes us into a place of fiercer opposition. The more emotional we become, the less rational we become, the less able to properly reason. In an attempt to quieten the stress, we begin muting, blocking, de-friending and unfollowing. And we’re in an echo chamber now, shielded from diverse perspectives that might otherwise have made us wiser and more empathetic and open. Safe in the digital cocoon we’ve constructed, surrounded by voices who flatter us with agreement, we become yet more convinced of our essential rightness, and so pushed even further away from our opponents, who by now seem practically evil in their bloody-minded wrongness ~ Will Storr,
857:A quick run past the rabbits' execution shed, a turn around the kittens' quicklime pit, a moment's hesitation beyond the monkeys' gas-chamber--and they are gone: ay, not so long ago these canines fled away into the storm. It would be pleasant to report that that night Dr. Boycott dreamt of many a woe, and all his whitecoat-men with shade and form of witch and demon and large coffin-worm were long be-nightmared. One might even have hoped to add that Tyson the old died palsy-twitched, with meagre face deform. But in fact--as will be seen--none of these things happened. Slowly the rain ceased, the grey rack blowing away and over Windermere as first light came creeping into the sky and the remaining inmates of Lawson Park woke to another day in the care and service of humanity. ~ Richard Adams,
858:Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern ~ H Rider Haggard,
859:between the ink mage and the wizard, his mouth falling open at the sight. The hulk had nearly let her go after Talbun’s shock attack, but he recovered quickly and took her head in his meaty hands. Don’t. With appalling ease, the ink mage twisted. The snap was so loud, it made Brasley flinch even from across the chamber. His mouth fell open to scream. “No!” The brute’s mouth twisted into a contemptuous grin as he let the limp body fall from his hands. Brasley watched it happen in slow motion, almost like she was floating, eyes closed, face peaceful, hair floating up around her. It was as if life had been some tremendous weight, and now that it was gone, her shell drifted down to the floor like a dry leaf. Talbun’s body hit with a dull thud that brought Brasley back to reality. ~ Victor Gischler,
860:On my knees, I touched the tip of my tongue to my lips, catching a drop of his seed. Pleasure-chamber. My very skin shivered, anticipating the lash. “As you wish, my lord,” I whispered. It is not needful, I think, to detail what befell thereafter; it was a good meal, a very good one indeed, for de Morhban’s cooks were the equal of his gardeners. We had fresh seafood, baby squids so new-caught they fairly squirmed, cooked in their own inky juices. And after that, a stuffed turbot that I weep to remember, with rice and rare spices. Three wines, from the Lusande Valley, and a dish with apples … I cannot recall it now. De Morhban’s eyes were on me through the whole of it, keen and grey and knowing. He had the measure of it now, what I was. How desire ran like a fever in my blood. ~ Jacqueline Carey,
861:Faced with the death penalty for high treason, courageous men debated long before they picked up the quill pen to sign the parchment that declared the independence of the colonies from the mother country. For many hours they had debated in the State House at Philadelphia, with the lower chamber doors locked and a guard posted--when suddenly a voice rang out from the balcony. A burst of eloquence to the keynote, "God has given America to be free!" ended with the delegates rushing forward to sign. ... The American patriots then turned to express their gratitude to the unknown speaker. The speaker was not in the balcony; he was not to be found anywhere. How he entered and left the locked and guarded room is not known. No one knows to this day who he was. ~ Manly P Hall, The Secret Destiny of America,
862:holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern ~ H Rider Haggard,
863:Pearls, because your skin is as smooth and luminescent as one, and because the first time my lips caressed your throat I thought your flesh as opulent and lush
as one. Gold,” he whispered, moving closer, “because it reminded me of how your hair looked in the dying
candlelight, how it burned and glistened, and how badly I want to lie in bed, in our chamber, and watch you at your dressing table, unpinning it for me. I will have that, Lucy, the
rights of a husband to enter his wife’s room, to see her at her toilette, to watch what no other man will ever be
granted. You do understand that? That I won’t settle for less?”
“You have made your line in the sand very clear.”
He grinned. “You can cross it anytime you wish, you know. You might even like it on my side. ~ Charlotte Featherstone,
864:lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura ~ H Rider Haggard,
865:And like a dying lady, lean and pale,
Who totters forth, wrapp'd in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky East,
A white and shapeless mass

Art thou pale for weariness
   Of climbing heaven and gazing on the earth,
   Wandering companionless
   Among the stars that have a different birth,
   And ever changing, like a joyless eye
   That finds no object worth its constancy?
Form:
aabbcd

1.These are among the many short fragments from Shelley's MSS. published by
Mary Shelley, the poet's wife, in her editions of 1824 and 1839. There she entitles
this poem The Waning Moon.
~ Percy Bysshe Shelley, And like a Dying Lady, Lean and Pale
,
866:The first camp to be discovered in the west was the Natzweiler-Struthof camp in Alsace, which the French army entered on 23 November 1944. Natzweiler-Struthof was one of the principal Nacht und Nebel camps – those institutions that were designed to make suspected Resistance fighters disappear into the ‘night and fog’. Here the French discovered a small gas chamber, where prisoners were hung by their wrists from hooks while Zyklon-B gas was pumped into the room. Many of the victims were destined for the autopsy tables of Strasbourg University, where Dr August Hirt had amassed a collection of Jewish skeletons in order to prove the inferiority of the Jewish race through anatomical study. Others, mostly Gypsies brought here from Auschwitz, were subjected to medical experiments within the camp.21 ~ Keith Lowe,
867:Swann’s father, an excellent but an eccentric man in whom the least little thing would, it seemed, often check the flow of his spirits and divert the current of his thoughts. Several times in the course of a year I would hear my grandfather tell at table the story, which never varied, of the behaviour of M. Swann the elder upon the death of his wife, by whose bedside he had watched day and night. My grandfather, who had not seen him for a long time, hastened to join him at the Swanns’ family property on the outskirts of Combray, and managed to entice him for a moment, weeping profusely, out of the death-chamber, so that he should not be present when the body was laid in its coffin. They took a turn or two in the park, where there was a little sunshine. Suddenly M. Swann seized my grandfather ~ Marcel Proust,
868:Psa. 19:4-6 Their voice goes out through all the earth, and their words to the end of the world. In them he has set a tent for the sun, which comes out like a bridegroom leaving his chamber, and, like a strong man, runs its course with joy. Its rising is from the end of the heavens, and its circuit to the end of them.   Psa. 50:1 The Mighty One, God, the LORD, speaks and summons the earth from the rising of the sun to its setting.   Eccl. 1:5 The sun rises, and the sun goes down, and hastens to the place where it rises.   Josh. 10:13 And the sun stood still, and the moon stopped, until the nation took vengeance on their enemies… The sun stopped in the midst of heaven and did not hurry to set for about a whole day.   Matt. 5:45 Jesus said, “For he makes his sun rise on the evil and on the good. ~ Brian Godawa,
869:While such charges may strike the reasonable among us as the very definition of lunacy, there is a reason they were made, a logic to them that went unchallenged within the echo chamber that is the American conservative right. Simply put, within a politics of white resentment and victimology, Hitler-laced rants work. After all, Hitler was not just a fascist, but is understood to have been a racial fascist: one whose dictatorial and murderous schemes were directed at a distinctly racialized “other.” So to make the black man atop the U.S. political system into Hitler is to plant the idea in white minds that he too will be a racial fascist. And if that is the case, the question quite obviously arises, which race will he be coming for? Should we be scared? They certainly hope so, and are counting on it. ~ Tim Wise,
870:house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming ~ H Rider Haggard,
871:If [Harry Potter] knew what he means to us, to the lowly, the enslaved, we dregs of the magical world! Dobby remembers how i was when He-Who-Must-No-Be-Named was at the height of his powers, sir! We house-elves were treated like vermin, sir! Of course, Dobby is still treated like that, sir, but mostly, sir, life has improved for my kind since you triumphed over He-Who-Must-Not-Be-Named. Harry Potter survived, and the Dark Lord's power was broken, and it was a new dawn, ir, and Harry Pote shone like a beacon of hope for those of us who thought the dark days would never end, sir. . . .And now, at Hogwarts, terrible things are to happen, are perhaps happening already, and Dobby cannot let Harry Potter stay here now that history is to repeat itself, now that the Chamber of Secrets is open once more - ~ J K Rowling,
872:It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. ~ Henry James,
873:A Sigh
Evening sunshine never
Solace to my window bears,
Morning sunshine elsewhere fares;Here are shadows ever.
Sunshine freely falling,
Wilt thou not my chamber find?
Here some rays would reach a mind,
'Mid the dark appalling.
Morning sunshine's gladness,
Oh, thou art my childhood bright;
While
thou
playest pure and white,
would weep in sadness.
Evening sunshine's whiling,
Oh, thou art the wise man's rest;Farther on! Then from the west
Greet my window smiling!
Morning sunshine's singing,
Oh, thou art the fantasy
That the sun-glad world lifts free,
Past my powers' winging.
Evening sunshine's quiet,
Thou art more than wisdom's rest,
Christian faith glows in thee blest:
Calm my soul's wild riot!
~ Bjornstjerne Bjornson,
874:Anyways, the guys try to be cool. They just lie there and groove, but after a while they start hearing - you won't believe this - they hear chamber music. They hear violins and cellos. They hear this terrific mama-san soprano. Then after a while they hear gook opera and and a glee club and the Haiphong Boys Choir and a barbershop quartet and and all kinds of wierd chanting and Buddha-Buddha stuff. All the whole time, in the background, there's stil that cocktail party going on. All these different voices. Not human voices, though. Because it's the mountains. Follow me? The rock, it's TALKING. And the fog, too, and the grass and the goddamn mongooses. Everything talks. The trees talk politics, the monnkeys talk religion. The whole country. Vietnam. The place talks. It talks. Understand? Nam - it truly TALKS. ~ Tim O Brien,
875:Cop a squat, animals and folks. I don’t want to be here any more than the rest of you so make it fast and get out of my hair. Let’s quickly run down the bullshit pedagogy. Hear ye…Who the hell wrote this crap?...Welcome to the Omegrion Chamber. Here we gather, one rep from each branch of the two patrias. We come in peace (he paused to snort derisively) to make peace. I’m your mediator, Savitar, and if you don’t know that by now, you need to be hit in the head with a jackhammer and replaced because you’re too stupid to represent your patria. But in case you’re dense and forgot, I am the summation of all that was and what will one day be again. I make order from chaos and chaos from order, which is how I got drafted into this shit. Now let’s get on with this before I start splitting your hairs. (Savitar) ~ Sherrilyn Kenyon,
876:be that your cousin has influenced you in some way—but as for our Junior Surgeon,” he turned to Carausius, “I remember that when first he was posted here, you yourself, Caesar, were not too sure of his good faith. This is surely some plot of Maximian’s, to cast doubt and suspicion between the Emperor of Britain and the man who, however unworthily, serves him to the best of his ability as chief minister.” Justin stepped forward, his hands clenched at his sides. “That is a foul lie,” he said, for once without a trace of his stutter. “And you know it, Allectus; none better.” “Will you grant me also a space to speak?” Carausius said quietly, and silence fell like a blight on the lamplit chamber. He looked round at all three of them, taking his time. “I remember my doubts, Allectus. I remember also that the ~ Rosemary Sutcliff,
877:Long ago, returning from some turbulent sequence of misdeeds, the younger, beloved son of the house of Culter would rap at the door of his mother’s chamber, and be admitted, and closing the door, would bend upon her the grave, sweet gaze, made of mischief and love, that melted the bones in her body. Then, sinking to one knee, he would kiss her hand, in obedience and humility.

Now he rapped, and she heard his voice speak her name and, rising, she faced him as the door opened and shut and he stood, his bearing and looks unlike anything she had ever seen in him before, in any extremity. He said, ‘I have to find Philippa.’ And then, walking into the room, he dropped on one knee and said, ‘I will promise anything you wish, to the end of my life, if you will tell me the name of the house that you know of. ~ Dorothy Dunnett,
878:On 10 September 2008, Raghuram Rajan, noted economist and honorary advisor to Prime Minister Manmohan Singh, delivered a speech at the Bombay Chamber of Commerce where he spoke about how most of India's billionaires did not derive their wealth from IT or software but from land, natural resources, and government contracts or licences. He spoke of India being second only to Russia in terms of wealth concentration (the number of billionaires per trillion dollars of GDP). To show how extraordinary this number was he quoted the case of Brazil which had only 18 billionaires despite a greater GDP than India. Or Germany, which had three times India's GDP and a per capita income 40 times India's but had the same number of billionaires. 'If Russia is an oligarchy, how long can we resist calling India one?' he wondered. ~ Rahul Pandita,
879:Suppose a human being has thus put his ear, as it were, to the heart chamber of the world will and felt the roaring desire for existence pouring from there into all the veins of the world, as a thundering current or as the gentlest brook, dissolving into a mist—how could he fail to break suddenly? How could he endure to perceive the echo of innumerable shouts of pleasure and woe in the "wide space of the world night," enclosed in the wretched glass capsule of the human individual, without inexorably fleeing toward his primordial home, as he hears this shepherd's dance of metaphysics? But if such a work could nevertheless be perceived as a whole, without denial of individual existence; if such a creation could be created without smashing its creator—whence do we take the solution of such a contradiction? ~ Friedrich Nietzsche,
880:According to an ancient Chinese legend, one day in the year 240 B.C., Princess Si Ling-chi was sitting under a mulberry tree when a silkworm cocoon fell into her teacup. When she tried to remove it, she noticed that the cocoon had begun to unravel in the hot liquid. She handed the loose end to her maidservant and told her to walk. The servant went out of the princess's chamber, and into the palace courtyard, and through the palace gates, and out of the Forbidden City, and into the countryside a half mile away before the cocoon ran out. (In the West, this legend would slowly mutate over three millennia, until it became the story of a physicist and an apple. Either way, the meanings are the same: great discoveries, whether of silk or of gravity, are always windfalls. They happen to people loafing under trees.) ~ Jeffrey Eugenides,
881:We can’t get through — it’ll take ages. . . .” Harry looked up at the tunnel ceiling. Huge cracks had appeared in it. He had never tried to break apart anything as large as these rocks by magic, and now didn’t seem a good moment to try — what if the whole tunnel caved in? There was another thud and another “ow!” from behind the rocks. They were wasting time. Ginny had already been in the Chamber of Secrets for hours. . . . Harry knew there was only one thing to do. “Wait there,” he called to Ron. “Wait with Lockhart. I’ll go on. . . . If I’m not back in an hour . . .” There was a very pregnant pause. “I’ll try and shift some of this rock,” said Ron, who seemed to be trying to keep his voice steady. “So you can — can get back through. And, Harry —” “See you in a bit,” said Harry, trying to inject some confidence into his ~ J K Rowling,
882:I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright
I arise from dreams of thee,
And a spirit in my feet
Has led me who knows how?
To thy chamber-window, sweet!

The wandering airs they faint
On the dark, the silent stream,
The champak odors fall
Like sweet thoughts in a dream,
The nightingale's complaint,
It dies upon her heart,
As I must die on thine,
O, beloved as thou art!

O, lift me from the grass!
I die, I faint, I fall!
Let thy love in kisses rain
On my lips and eyelids pale,
My cheek is cold and white, alas!
My Heart beats loud and fast
Oh! press it close to thine again,
Where it will break at last!


  
~ Percy Bysshe Shelley, I Arise from Dreams of Thee
,
883:You returned,” the prince whispered.
“Does the offer still stand, Pr—Merrick? Do you still want me?” His voice quivered as he waited, hoped.
“So much, I do not feel comfortable in my own skin. It is as if you lit a fire within me that I cannot control…and I don’t want to, Cassius.”
Cassius yearned to fall to his knees in gratitude. He stepped farther inside as Merrick stood. Cassius closed the door, clicking the lock into place behind him. When the prince reached him, his arm rose and he fingered Cas’s hair, which was loose around his face. He never allowed himself to wear his hair down outside his chamber, and he couldn’t believe he had forgotten. “Forgive me… I…”
“There is nothing to forgive. You are…breathtaking, Cassius.”
“Cas. If I am to call you Merrick when we are alone, you can call me Cas if you’d like ~ Riley Hart,
884:Even more disturbing was a dream Jung says he had then, the earliest one he remembered. Standing before a dark hole, he peered into it, and seeing a stairway, he descended into a pit. Pushing aside a thick curtain, he entered a chamber and discovered a throne. On it he saw a kind of pillar, which he first thought was a tree trunk, about twelve feet tall, but which he soon realized was made of flesh. Its rounded head was faceless but crowned by a single, unblinking eye. Terrified the huge worm-like creature would approach him, he was petrified, then heard his mother’s voice speaking from above. “Yes,” she said, “just look at him. That is the man-eater!” Jung mentioned this remarkable dream of a ritual phallus to no one, and for several nights afterward he was frightened to sleep, fearful he would have another such nightmare.13 ~ Gary Lachman,
885:fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. ~ Diane Setterfield,
886:Welcome," she said flatly. "You are aware that the dildo iron maiden is bring your own didos?"

We held up our bag of dildos.

"And that there are no actual spikes or blades of any type allowed in the iron maiden?"

"Did somebody really try that?" Drix asked.

BellaSade nodded tiredly. She gestured to the open chamber. "As you can see, the iron maiden has steps inside so that you can impale yourself on different dildos on different levels. Any projections near the eyes or ears must be no longer that four inches and completely blunt. This is the signal hole. " She indicated a large hole in the side of the iron maiden. "If you need to safe signal use that. That--" she pointed to another large hole in the back -- "is the grope hole. Please do not signal through the grope hole or grope through the signal hole. ~ J A Rock,
887:When I was younger I thought my knowledge would increase with years, that it was steadily expanding like the universe. A constantly widening area of certainty that correspondingly displaced and diminished the reach of uncertainty. I was really very optimistic. With the passage of time I must admit that I know roughly as much as then, perhaps even slightly less, and with nothing like the same certainty. My so-called experiences are not same as knowledge. It is more like, how shall I put it, a kind of echo chamber in which the little I know rings hollow and inadequate. A growing void around a scant knowledge that rattles foolishly like the dried-up kernel in a walnut. My experiences are experiences of ignorance, its boundlessness, and I will never discover how much I still don't know, and how much is something I believed. ~ Jens Christian Gr ndahl,
888:and use it to purge the school of all who were unworthy to study magic.” There was silence as he finished telling the story, but it wasn’t the usual, sleepy silence that filled Professor Binns’s classes. There was unease in the air as everyone continued to watch him, hoping for more. Professor Binns looked faintly annoyed. “The whole thing is arrant nonsense, of course,” he said. “Naturally, the school has been searched for evidence of such a chamber, many times, by the most learned witches and wizards. It does not exist. A tale told to frighten the gullible.” Hermione’s hand was back in the air. “Sir — what exactly do you mean by the ‘horror within’ the Chamber?” “That is believed to be some sort of monster, which the Heir of Slytherin alone can control,” said Professor Binns in his dry, reedy voice. The class exchanged nervous looks. ~ J K Rowling,
889:Poem 9
LOe where she comes along with portly pace,
Lyke Phoebe from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a virgin best.
So well it her beseemes that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres a tweene,
Doe lyke a golden mantle her attyre,
And being crowned with a girland greene,
Seeme lyke some mayden Queene,
Her modest eyes abashed to behold
So many gazers, as on her do stare,
Vpon the lowly ground affixed are.
Ne dare lift vp her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer and your eccho ring.
~ Edmund Spenser,
890:Tentatively she curled an arm around his neck and relaxed against him as she held the lantern to light their way.
He was silent as he climbed the stairs with her, and though she kept her gaze averted, she could feel his eyes on her. In a few moments they were in the corridor leading from the wing, and with unerring direction, he turned down the hall toward her bedchamber.
Erienne was most observant of that fact and remembered the night he had paused outside her door.
“You seem to know your way quite well through this house. Even the way to my chamber.”
“I know where the lord’s chambers are and that you’re using them,” he replied, meeting her gaze.
“I don’t think I’ll ever feel safe in this house again,” she replied with more truth than sarcasm.
A devilish grin gleamed back at her.

-Erienne & Christopher ~ Kathleen E Woodiwiss,
891:There’s a reason why the story of the ghetto should never come with a photo. The Third World slum is a nightmare that defies beliefs or facts, even the ones staring right at you. A vision of hell that twists and turns on itself and grooves to its own soundtrack. Normal rules do not apply here. Imagination then, dream, fantasy. You visit a ghetto, particularly a ghetto in West Kingston, and it immediately leaves the real to become this sort of grotesque, something out of Dante or the infernal painting of Hieronymus Bosch. It’s a rusty red chamber of hell that cannot be described so I will not try to describe it. It cannot be photographed because some parts of West Kingston, such as Rema, are in the grip of such bleak and unremitting repulsiveness that the inherent beauty of the photographic process will lie to you about just how ugly it really is. ~ Marlon James,
892:Although Herbert Hoover in many ways prefigured him, it was Franklin D. Roosevelt who first tried to create an explicit corporate state in America with his National Recovery Administration (NRA). With its fascist-style Blue Eagle emblem, the NRA coordinated big business and labor in a central plan, and outlawed competition. The NRA even employed vigilante groups to spy on smaller businesses and report if they violated the plan. Just as in Mussolini’s Italy, the beneficiaries of the U.S. corporate state were—in addition to the government itself—established economic interest groups. NRA cheerleaders included the National Association of Manufacturers, the U.S. Chamber of Commerce, the American Bar Association, the United Mine Workers, the Amalgamated Clothing Workers, and—above all—Gerard Swope of General Electric, who helped draft the NRA act. Only ~ Ludwig von Mises,
893:Kit opened his eyes.
"Where is she?"
The voice was high and thin and directly by his left ear-also the location of the blade pressed up hard against his jawline.
"Where is she?" the voice demanded again, whispery words nearly spilling over one another in fury. "Tell me, you bastard! I'll kill you!"
Options flitted through his mind: this person was small, this person was young, it smelled like an urchin, the blade felt like a dagger or dirk. He could break its arm or its neck, he could Turn and crush it from behind or more simply rip off its head-and the only thing that kept his body motionless in the bed was the realization that the creature was obviously speaking of Rue.
"Zane," she said then, a single word that broke like a calm dream through the chamber. "Please do not kill the Marquess of Langford."

-Zane, Kit, & Rue ~ Shana Abe,
894:Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.

Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.

In the long echoing street the laughing dancers throng,
The bride is carried to the bridegroom's chamber through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.

Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have looked into the eye of day;
The second best's a gay goodnight and quickly turn away.

~ William Butler Yeats, A Man Young And Old - XI. From Oedipus At Colonus
,
895:If we have largely forgotten the physical discomforts of the itching, oppressive garments of the past and the corrosive effects of perpetual physical discomfort on the nerves, then we have mercifully forgotten, too, the smells of the past, the domestic odours -- ill-washed flesh; infrequently changed underwear; chamber pots; slop-pails; inadequately plumbed privies; rotting food; unattended teeth; and the streets are no fresher than indoors, the omnipresent acridity of horse piss and dung, drains, sudden stench of old death from butchers' shops, the amniotic horror of the fishmonger.

You would drench your handkerchief with cologne and press it to your nose. You would splash yourself with parma violet so that the reek of fleshly decay you always carried with you was overlaid by that of the embalming parlour. You would abhor the air you breathed. ~ Angela Carter,
896:when Goblin clutches me by the wrist, and lays, not her skinny finger, but the handle of a key, upon her lip.  She invites me, with a jerk, to follow her.  I do so.  She leads me out into a room adjoining - a rugged room, with a funnel-shaped, contracting roof, open at the top, to the bright day.  I ask her what it is.  She folds her arms, leers hideously, and stares.  I ask again.  She glances round, to see that all the little company are there; sits down upon a mound of stones; throws up her arms, and yells out, like a fiend, ‘La Salle de la Question!’
The Chamber of Torture!  And the roof was made of that shape to stifle the victim’s cries!  Oh Goblin, Goblin, let us think of this awhile, in silence.  Peace, Goblin!  Sit with your short arms crossed on your short legs, upon that heap of stones, for only five minutes, and then flame out again. ~ Charles Dickens,
897:Perhaps you would care to wear it. While we are in this chamber,” he added hastily. She lifted her eyebrows. “Why?” “Because then you would be lord.” “Why would I want that?” “Then you would rule over me. As I rule over you when I wear this ring.” He looked at her earnestly. “To give you a feeling of power. At least while we are inside.” She slowly folded her fingers over the ring and Richard was sure he’d appeased her. Then she shook her head. “You don’t understand.” She looked up at him. “I don’t want to rule you.” “But . . .” “Richard, I just want you to stop thinking of me as someone who isn’t your equal. That’s all.” “But you’re a woman!” “And you’re a man.” “You cannot fight.” “You can’t bear children.” He frowned. “You couldn’t defend the keep.” “You couldn’t build one.” “And you could?” “I could.” This wasn’t proceeding as he had planned it should. ~ Lynn Kurland,
898:ALL JUNE, disasters in the Vendée. At different times the rebels have Angers, Saumur, Chinon; are narrowly defeated in the battle for Nantes, where off the coast the British navy waits to support them. The Danton Committee is not winning the war, nor can it promise a peace. If by autumn there is no relief from the news of disaster and defeat, the sansculottes will take the law into their own hands, turning on the government and their elected leaders. That at least is the feeling (Danton present or absent) in the chamber of the Committee of Public Safety, whose proceedings are secret. Beneath the black tricorne hat which is the badge of his office, Citizen Fouquier becomes more haggard each day, peering over the files of papers stacked on his desk, planning diversions for the days ahead: acquiring a lean and hungry look which he shares with the Republic herself. ~ Hilary Mantel,
899:The chanting grew louder, deep male voice pumping.
She looked to the brothers, the tall, fierce men who were now part of her life. Wrath pivoted and put his arm around her. Together, they swayed to the rhythm that swelled, filling the air. The brothers were as one as they paid homage in their language, a single powerful entity.
But then, in a high, keening call, one voice broke out, lifting above the others, shooting higher and higher. The sound of the tenor was so clear, so pure, it brought shivers to the skin, a yearning warmth to the chest. The sweet notes blew the ceiling off with their glory, turning the chamber into cathedral, the brothers into a tabernacle.
Bringing the very heavens close enough to touch.
It was Zsadist.
His eys closed, his head back, his mouth wide open, he sang.
The scarred one, the soulless one, had the voice of an angel. ~ J R Ward,
900:...(T)here was something in the timbre and inflection of his words that seemed to rummage through a clutter of ancestral fragments to remind me of the person I may have been born to be but had not become. If I didn't take his daily rants against America seriously, it was because it was never really America he was inveighing against, nor was his the voice of a bewildered Middle East trying to fend off a decaying and implacable West. What I heard instead was the raspy, wheezing, threatened voice of an older order of mankind, older ways of being human, raging, raging against the tide of something new that had the semblance and behavior of humanity but really wasn't. It was not a clash of civilizations or of values or of cultures; it was a question of which organ, which chamber of the heart, which one of its clear five senses would humanity cut off to join modernity. ~ Andr Aciman,
901:The figure, made by the woman standing in front of him, had not been manufactured by modifying—carving or shaping or polishing—a material that occurred naturally. It was made of ceramic, fired clay, and it was the first material ever created by human hand and human intelligence. The heating chamber was not a cooking oven, it was a kiln. And the first kiln ever devised was not invented for the purpose of making useful waterproof containers. Long before pottery, small ceramic sculptures were fired into impermeable hardness. The figures they had seen on the shelves resembled animals and humans, but the images of women—no men were made, only women—and other living creatures were not considered actual portrayals. They were symbols, metaphors, meant to represent more than they showed, to suggest an analogy, a spiritual similarity. They were art; art came before utility. ~ Jean M Auel,
902:Saeed’s father encountered each day objects that had belonged to his wife and so would sweep his consciousness out of the current others referred to as the present, a photograph or an earring or a particular shawl worn on a particular occasion, and Nadia encountered each day objects that took her into Saeed’s past, a book or a music collection or a sticker on the inside of a drawer, and evoked emotions from her own childhood, and jagged musings on the fate of her parents and her sister, and Saeed, for his part, was inhabiting a chamber that had been his only briefly, years ago, when relatives from afar or abroad used to come to visit, and being billeted here again conjured up for him echoes of a better era, and so in these several ways these three people sharing this one apartment splashed and intersected with each other across varied and multiple streams of time. ~ Mohsin Hamid,
903:holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision ~ H Rider Haggard,
904:I saw him glance briefly round the chamber as though to make sure he had not overlooked anything that might appertain to my comfort. He went across to close the wooden shutters at the window and, when he returned to set a glass of water on the table beside the bed, I reached up on impulse to squeeze his cold hand. "You're a good boy, Erik," I said fondly, "I'd like to think you won't ever let anyone persuade you otherwise." He held on to my fingers for a moment, enclosing them between his palms and I became aware that he had started to tremble. My God ... the boy was crying ... crying because I had spoken kindly and touched him with affection!
"Erik ..." I whispered helplessly.
"I'm sorry!" he stammered, dropping my hand and stepping back from the bed hastily, "I'm very sorry! Please forgive me!"
And before I could say a word to stop him he fled from the room. ~ Susan Kay,
905:Because economists go through a similar training and share a common method of analysis, they act very much like a guild. The models themselves may be the product of analysis, reflection, and observation, but practitioners’ views about the real world develop much more heuristically, as a by-product of informal conversations and socialization among themselves. This kind of echo chamber easily produces overconfidence—in the received wisdom or the model of the day. Meanwhile, the guild mentality renders the profession insular and immune to outside criticism. The models may have problems, but only card-carrying members of the profession are allowed to say so. The objections of outsiders are discounted because they do not understand the models. The profession values smarts over judgment, being interesting over being right—so its fads and fashions do not always self-correct. ~ Dani Rodrik,
906:child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said ~ H Rider Haggard,
907:It is past twelve; I always write to you at night. It is then, my own love, that my imagination can be the more readily transport me to you: it is then that my spirit holds with you a more tender and undivided commune. In the day the world can force itself upon my thoughts, and its trifles usurp the place which “I love to keep for only thee and Heaven;” but in the night all things recall you the more vividly: the stillness of the gentle skies, — the blandness of the unbroken air, — the stars, so holy in their loveliness, all speak and breathe to me of you. I think your hand is clasped in mine; and I again drink the low music of your voice, and imbibe again in the air the breath which has been perfumed by your lips. You seem to stand in my lonely chamber in the light and stillness of a spirit, who has wandered on earth to teach us the love which is felt in Heaven. ~ Edward Bulwer Lytton,
908:What does man actually know about himself? Is he, indeed, ever able to perceive himself completely, as if laid out in a lighted display case? Does nature not conceal most things from him-even concerning his own body-in order to confine and lock him within a proud, deceptive consciousness, aloof from the coils of the bowels, the rapid flow of the blood stream, and the intricate quivering of the fibers! She threw away the key. And woe to that fatal curiosity which might one day have the power to peer out and down through a crack in the chamber of consciousness and then suspect that man is sustained in the indifference of his ignorance by that which is pitiless, greedy, insatiable, and murderous-as if hanging in dreams on the back of a tiger. Given this situation, where in the world could the drive for truth have come from? Insofar as the individual wants to maintain ~ Friedrich Nietzsche,
909:You look at the crime and you look at the criminal. If it's a dope dealer who guns down an undercover narcotics officer, then he gets the gas. If it's a drifter who rapes a three-year-old girl, drowns her by holding her little head in a mudhole, then throws her body off a bridge, then you take his life and thank god he's gone. If it's an escaped convict who breaks into a farmhouse late at night and beats and tortures an elderly couple before burning them with their house, then you strap him in a chair, hook up a few wires, pray for his soul, and pull the switch. And if it's two dopeheads who gang-rape a ten-year-old girl and kick her with pointed-toe cowboy boots until her jaws break, then you happily, merrily, thankfully, gleefully lock them in a gas chamber and listen to them squeal. It's very simple. Their crimes were barbaric. Death is too good for them, much too good. ~ John Grisham,
910:MATT: Okay. You spiral upward and upward and upward, climbing an extremely long period of time.

Your legs begin to ache a little bit. Then another floor opens up. It appears the tower is now divided into two chambers. From the bottom floor up, it's now two sides to a tower and you're on the right side. The hallway curves around the outer edge of the tower. On the opposite side, you can see the staircase continues upward. The interior of this chamber appears to be an incredible arcane laboratory, occupying the center space of the tower inside. You see six overlapping circles of dulled runes and glyphs that encompass the entire 30-foot walkway between here and the stairs. Shelves and tables of countless glass tubes and metallic vices lay out across tables, organized in a near-OCD pattern. Tomes and books line the inner chamber walls. What do you guys do? ~ Matt Mercer, Critical Role,
911:Poem 3
BRing with you all the Nymphes that you can heare
both of the riuers and the forrests greene:
And of the sea that neighbours to her neare,
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand,
Another gay girland
For my fayre loue of lillyes and of roses,
Bound trueloue wize with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt,
The while doe ye this song vnto her sing,
The woods shall to you answer and your Eccho ring.
~ Edmund Spenser,
912:Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction.
The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle. ~ Christopher Dunn,
913:And now I begin to understand why I was imprisoned so many years in this lonely chamber, and why I could never break through the viewless bolts and bars; for if I had sooner made my escape into the world, I should have grown hard and rough, and been covered with earthly dust, and my heart might have become callous by rude encounters with the multi-tude.. ... But living in solitude till the fulness of time was come, I still kept the dew of my youth and the freshness of my heart..... I used to think that I could imagine all passions, all feelings and states of the heart and mind; but how little did I know!...Indeed, we are but shadows—we are not endowed with real life, and all that seems most real about us is but the thinnest substance of a dream—till the heart be touched. That touch creates us,—then we begin to be,—thereby we are beings of reality and inheritors of eternity. ~ Nathaniel Hawthorne,
914:what fascinated me would be the asparagus, tinged with ultramarine and rosy pink which ran from their heads, finely stippled in mauve and azure, through a series of imperceptible changes to their white feet, still stained a little by the soil of their garden-bed: a rainbow-loveliness that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare’s Dream) at transforming my humble chamber into a bower of aromatic perfume. ~ Marcel Proust,
915:but what fascinated me would be the asparagus, tinged with ultramarine and rosy pink which ran from their heads, finely stippled in mauve and azure, through a series of imperceptible changes to their white feet, still stained a little by the soil of their garden-bed: a rainbow-loveliness that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare’s Dream) at transforming my humble chamber into a bower of aromatic perfume. ~ Marcel Proust,
916:Ideally, you want components with a flat frequency/response curve: they apply identical amounts of energy to every sound frequency, so the proper balance between high and low is maintained. Although Neat Acoustics isn’t as well known in the States, I’d heard some of their speakers demoed at a conference in Brussels once and decided I needed a pair if I could ever afford them. When I bought the house, I settled on a pair of Ultimatum XL6s. Only three feet high, they use some neat engineering tricks to generate a much fuller frequency range than you’d expect. For example, each speaker contains an isobaric bass chamber, with two drivers lined up one behind the other inside the closed compartment. With the two woofers rigged so their cones move simultaneously, you can create the same bass sound in half the cabinet space. Unfortunately, the trade-off for such a compact design is density, of ~ Joseph Reid,
917:I was reading a poem by my idol, Wallace Stevens, in which he said, ‘The self is a cloister of remembered sounds.’ My first response was, Yesss! How did he know that? It’s like he’s reading my mind. But my second response was, I need some new sounds to remember. I’ve been stuck in my little isolation chamber for so long I’m spinning through the same sounds I’ve been hearing in my head all my life. If I go on this way, I’ll get old too fast, without remembering any more sounds than I already know now. The only one who remembers any of my sounds is me. How do you turn down the volume on your personal-drama earphones and learn how to listen to other people? How do you jump off one moving train, marked Yourself, and jump onto a train moving in the opposite direction, marked Everybody Else? I loved a Modern Lovers song called, ‘Don’t Let Our Youth Go to Waste,’ and I didn’t want to waste mine. ~ Rob Sheffield,
918:Last Love [canzone]
Love hath a chamber all of imagery;
And there is one dim nook,
A little storied web wherein my heart
From leaf to leaf is read as in a book.
One part in the middle of the web begun and left unfinished;
a face with ravelled threads falling over it and hiding it. Love says
that the time has come to resume and finish this part of the web,
though much has come between since it was begun.
For the garlands of heaven were all laid by,
And the Daylight sucked at the breasts of a Lie.
The wounded heart and the dying swan
Were side by side
Where the rushes coil with the turn of the tide—
The hart and the swan.
Withinthose eyes the sedulous yearning throe,
And all the evil of my heart
A thousand times forgotten.
Ah if you had been lost for many years,
And from the dead to-day were risen again!
~ Dante Gabriel Rossetti,
919:When she kills with her glances,
her speech restores to life, as tho she,
in giving life thereby, were Jesus.
The smooth surface of her legs is (like) the Tora in brightness,
and I follow it and tread in its footsteps as tho' I were Moses.
She is a bishopess, one of the daughters of Rome,
unadorned: thou seest in her a radiant Goodness.
Wild is she, none can make her his friend;
she has gotten in her solitary chamber
a mausoleum for remembrance.
She has baffled everyone who is learned in our religion,
every student of the Psalms of David,
every Jewish doctor, and every Christian priest.
If with a gesture she demands the Gospel,
thou wouldst deem us to be priests
and patriarchs and deacons.
The day when they departed on the road,
I prepared for war the armies of my patience, host after host.

~ Ibn Arabi, Wild Is She, None Can Make Her His Friend
,
920:My faith has been tempered in Hell. My faith has emerged from the flames of the crematoria, from the concrete of the gas chamber. I have seen that it is not man who is impotent in the struggle against evil, but the power of evil that is impotent in the struggle against man. The powerlessness of kindness, of senseless kindness, is the secret of its immortality. It can never be conquered. The more stupid, the more senseless, the more helpless it may seem, the vaster it is. Evil is impotent before it. The prophets, religious teachers, reformers, social and political leaders are impotent before it. This dumb, blind love is man's meaning.
Human history is not the battle of good struggling to overcome evil. It is a battle fought by a great evil struggling to crush a small kernel of human kindness. But if what is human in human beings has not been destroyed even now, then evil will never conquer. ~ Vasily Grossman,
921:Since I am a loyal American, I am not supposed to tell you why this has taken place, but then it is not usual for us to examine why anything happens; we simply accuse others of motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint session of Congress where he shared with them—as well as with the rest of us somewhere over the Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, our freedom to vote and assemble and disagree with each other.” At this plangent moment what American’s gorge did not rise like a Florida chad to the bait? ~ Gore Vidal,
922:In the days when the white engineers were disputing the attributes of the feeder system that was to be, one of them came to Enzian of Bleicherode and said, "We cannot agree on the chamber pressure. Our calculations show that a working pressure of 40 atü would be the most desirable. But all the data we know of are grouped around a value of only some 10 atü."

"Then clearly," replied the Nguarorerue, "you must listen to the data."

"But that would not be the most perfect or efficient value," protested the German.

"Proud man," said the Nguarorerue. "What are these data, if not direct revelation? Where have they come from, if not from the Rocket which is to be? How do you presume to compare a number you have only derived on paper with a number that is the Rocket's own? Avoid pride, and design to some compromise value."

– from Tales of the Schwarzkommando, collected by Steve Edelman ~ Thomas Pynchon,
923:But from morning to night Anne was with the king, as close to his side as a newly wed bride, as a chief counselor, as a best friend. She would return to our chamber only to change her gown or lie on the bed and snatch a rest while he was at Mass, or when he wanted to ride out with his gentlemen. Then she would lie in silence, like one who has dropped dead of exhaustion. Her gaze would be blank on the canopy of the bed, her eyes wide open, seeing nothing. She would breathe slowly and steadily as if she were sick. She would not speak at all. When she was in this state I learned to leave her alone. She had to find some way to rest from the unending public performance. She had to be unstoppably charming, not just to the king but to everyone who might glance in her direction. One moment of looking less than radiant and a rumor storm would swirl around the court and engulf her, and engulf us all with her. When ~ Philippa Gregory,
924:Once more, the joyful character of the eucharistic gathering must be stressed. For the medieval emphasis on the cross, while not a wrong one, is certainly one-sided. The liturgy is, before everything else, the joyous gathering of those who are to meet the risen Lord and to enter with him into the bridal chamber. And it is this joy of expectation and this expectation of joy that are expressed in singing and ritual, in vestments and in censing, in that whole 'beauty' of the liturgy which has so often been denounced as unnecessary and even sinful.

Unnecessary it is indeed, for we are beyond the categories of the 'necessary.' Beauty is never 'necessary,' 'functional' or 'useful.' And when, expecting someone whom we love, we put a beautiful tablecloth on the table and decorate it with candles and flowers, we do all this not out of necessity, but out of love. And the Church is love, expectation and joy. ~ Alexander Schmemann,
925:In 1959 Corrie was part of a group that visited Ravensbruck, which was then in East Germany, to honor Betsie and the 96,000 other women who died there. There Corrie learned that her own release had been part of a clerical error; one week later all women her age were taken to the gas chamber. When I heard Corrie speak in Darmstadt in 1968, she was 76, still traveling ceaselessly in obedience to Betsie’s certainty that they must “tell people.” Her work took her to 61 countries, including many “unreachable” ones on the other side of the Iron Curtain. To whomever she spoke—African students on the shores of Lake Victoria, farmers in a Cuban sugar field, prisoners in an English penitentiary, factory workers in Uzbekistan—she brought the truth the sisters learned in Ravensbruck: Jesus can turn loss into glory. John and I made some of those trips with her, the only way to catch this indefatigable woman long enough to ~ Corrie ten Boom,
926:One Kashmiri morning in the early spring of 1915, my grandfather Aadam Aziz hit his nose against a frost-hardened tussock of earth while attempting to pray. Three drops of blood plopped out of his left nostril, hardened instantly in the brittle air and lay before his eyes on the prayer-mat, transformed into rubies. Lurching back until he knelt with his head once more upright, he found that the tears which had sprung to his eyes had solidified, too; and at that moment, as he brushed diamonds contemptuously from his lashes, he resolved never again to kiss earth for any god or man. This decision, however, made a hole in him, a vacancy in a vital inner chamber, leaving him vulnerable to women and history. Unaware of this at first, despite his recently completed medical training, he stood up, rolled the prayer-mat into a thick cheroot, and holding it under his right arm surveyed the valley through clear, diamond-free eyes. ~ Salman Rushdie,
927: An Image
Rushing from Troy like a cloud on the plains the Trojans thundered,
Just as a storm comes thundering, thick with the dust of kingdoms,
Edged with the devious dance of the lightning, so all Troas
Loud with the roar of the chariots, loud with the vaunt and the war-cry,
Rushed from Troywards gleaming with spears and rolled on enormous.

Joyous as ever Paris led them glancing in armour,
Brilliant with gold like a bridegroom, playing with death and the battle
Even as apart in his chamber he played with his beautiful Helen,
Touching her body rejoiced with a low and lyrical laughter,
So he laughed as he smote his foemen. Round him the arrows,
Round him the spears of the Argives sang like the voices of maidens
Trilling the anthem of bridal bliss, the chant hymeneal;
Round him the warriors fell like flowers strewn at a bridal
Red with the beauty of blood.

~ Sri Aurobindo, - An Image
,
928:I will give you this, my love, and I will not bargain or barter any longer. I will love you, as sure as He has loved me. I will discover what I can discover and though you remain a mystery, save God's own knowledge, what I disclose of you I will keep in the warmest chamber of my heart, the very chamber where God has stowed Himself in me. And I will do this to my death, and to death it may bring me.
I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding you love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again.
God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us. ~ Donald Miller,
929:In the museums we used to visit on family vacations when I was a kid, I used to love those rooms which displayed collections of minerals in a kind of closet or chamber which would, at the push of a button, darken. Then ultraviolet lights would begin to glow and the minerals would seem to come alive, new colors, new possibilities, and architectures revealed. Plain stones became fantastic, “futuristic…” Of course there wasn’t any black light in the center of the earth, in the caves where they were quarried; how strange that these stones should have to be brought here, bathed with this unnatural light in order for their transcendent characters to emerge. Irradiation revealed a secret aspect of the world.
Imagine illness as this light; demanding, torturous, punitive, it nonetheless reveals more of what things are. A certain glow of being appears. I think this is what is meant when we speculate that death is what makes love possible. ~ Mark Doty,
930:Amber said that Rob Lynburn is after us?” was Angela’s verdict. “I hope she also wowed you with some radical statements about water being wet and oranges being orange-colored.”

They had all got together in the parlor the day after the party to discuss Amber’s warning. Kami was thinking of rechristening the parlor as “the council room” or possibly as “the chamber of justice.”

“It’s clear what the girl meant,” said Lillian. “She meant a specific ‘them.’ She meant my boys. Of course Rob wants to lure my boys onto his side. They have to be protected—they can’t do magic and are utterly helpless and vulnerable.”

“That’s so true,” said Jared, folding his arms so the sleeves of his T-shirt strained and fluttering his eyelashes. “Please save me, Aunt Lillian.”

“I realize you are making another effort to be humorous,” said Lillian, patting his arm, “and I wish you would stop. But of course I will save you. ~ Sarah Rees Brennan,
931:Leo gestured to the empty core. “The syncopator goes here. It’s a multi-access gyro-valve to regulate flow. The dozen glass tubes on the outside? Those are filled with powerful, dangerous stuff. That glowing red one is Lemnos fire from my dad’s forges. This murky stuff here? That’s water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.”

Leo tapped the digital clock, which now read 65:15. “That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we’ll get a very nasty reaction.”

Jason and Piper stared at him. Leo wondered if he’d been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he’d used English. ~ Rick Riordan,
932:Much I marvelled at the sagacity evinced by waiters and chamber-maids in proportioning the accommodation to the guest. How could inn-servants and ship-stewardesses everywhere tell at a glance that I, for instance, was an individual of no social significance, and little burdened by cash? They did know it evidently: I saw quite well that they all, in a moment’s calculation, estimated me at about the same fractional value. The fact seemed to me curious and pregnant: I would not disguise from myself what it indicated, yet managed to keep up my spirits pretty well under its pressure.

Having at last landed in a great hall, full of skylight glare, I made my way somehow to what proved to be the coffee room.It cannot be denied that on entering this room I trembled somewhat; felt uncertain, solitary, wretched; wished to Heaven I knew whether I was doing right or wrong; felt convinced that it was the last, but could not help myself. ~ Charlotte Bront,
933:To become—in Jung’s terms—individuated, to live as a released individual, one has to know how and when to put on and to put off the masks of one’s various life roles. ‘When in Rome, do as the Romans do,’ and when at home, do not keep on the mask of the role you play in the Senate chamber. But this, finally, is not easy, since some of the masks cut deep. They include judgment and moral values. They include one’s pride, ambition, and achievement. They include one’s infatuations. It is a common thing to be overly impressed by and attached to masks, either some mask of one’s own or the mana-masks of others. The work of individuation, however, demands that one should not be compulsively affected in this way. The aim of individuation requires that one should find and then learn to live out of one’s own center, in control of one’s for and against. And this cannot be achieved by enacting and responding to any general masquerade of fixed roles. ~ Joseph Campbell,
934:The Dream
Believe me, this was true last night,
Tho' it is false to-day.
- A.M.F. Robinson.
A fair dream to my chamber flew:
Such a crowd of folk that stirred,
Jested, fluttered; only you,
You alone of all that band,
Calm and silent, spake no word.
Only once you neared my place,
And your hand one moment's space
Sought the fingers of my hand;
Your eyes flashed to mine; I knew
All was well between us two.
*****
On from dream to dream I past,
But the first sweet vision cast
Mystic radiance o'er the last.
*****
When I woke the pale night lay
Still, expectant of the day;
All about the chamber hung
Tender shade of twilight gloom;
The fair dream hovered round me, clung
To my thought like faint perfume:Like sweet odours, such as cling
To the void flask, which erst encloses
Attar of rose; or the pale string
Of amber which has lain with roses.
~ Amy Levy,
935:If I liked listening to him, it was not because I believed or even respected the stuff he mouthed off every day at Café Algiers, but because there was something in the timbre and inflection of his words that seemed to remind me of the person I may have been born to be but had not become. If I didn't take his daily rants against America seriously, it was because it was never really America he was inveighing against, nor was his the voice of a bewildered Middle East trying to fend off a decaying and implacable West. What I hear instead was the raspy, wheezing, threatened voice of an older order of making, older ways of being human, raging, raging against the tide of something new that had the semblance and behaviour of humanity but really wasn't. It was not a clash of civilizations or of values or of cultures; it was a question of which organ, which chamber of the heart, which one of its dear five senses would humanity cut off to join modernity. ~ Andr Aciman,
936:Love is the mystery between two people, not the identity. We were at the opposite poles of humanity. Lily was humanity bound to duty, unable to choose, suffering at the mercy of social ideals. Humanity both crucified and marching toward the cross. And I was free, I was Peter three times the renounce, determined to survive whatever the cost. I still see her face, her face staring, staring into the darkness as if she were trying to gaze herself into another world. It was as if we were locked in a torture chamber still in love, yet chained to opposite walls. Facing each other for eternity, but for eternity unable to touch. Of course, as men always will, I tried to extract some hope from her that she would wait for me, not judge me too quickly, such things. But she stopped me with a look, a look I shall never forget. Because it was almost one of hatred. And hatred in her face was like spite in the Virgin Mary's. It reversed the entire order of nature. ~ John Fowles,
937:In an extraordinarily bold move, Carr allows Fell in chapter seventeen [in, The Hollow Man by John Dickson Carr (1935)] to address the reader directly, giving a disquisition on the lockedroom mystery that has often been reprinted as an essay on the subject: ‘We’re in a detective story, and we don’t fool the reader by pretending we’re not . . . Let’s candidly glory in the noblest pursuit possible to characters in a book . . . When I say that a story about a hermetically sealed chamber is more interesting than anything else in detective fiction, that’s merely prejudice. I like my murders to be frequent, gory, and grotesque. I like some vividness of colour and imagination flashing out of my plot, since I cannot find a story enthralling solely on the grounds that it sounds as though it might really have happened.’ Fell proceeds to offer an analysis of different types of locked-room scenarios so impressively detailed that it has never been surpassed. ~ Martin Edwards,
938:The chamber was empty, except for a rotting barrel in one corner. Across from them, three identical archways opened to three identical rooms, small and dark. Where those led, Eragon could not see.
The group stopped, and Eragon slowly straightened his back, wincing as his sore muscles stretched.
“This would not have been part of Erst Graybeard’s plans,” said Arya.
“Which path should we pick?” asked Wyrden.
“Isn’t it obvious?” asked the herbalist. “The left one. It’s always the left one.” And she strode toward that selfsame arch even as she spoke.
Eragon could not help himself. “Left according to which direction? If you were starting from the other side, left--”
“Left would be right and right would be left, yes, yes,” said the herbalist. Her eyes narrowed. “Sometimes you’re too clever for your own good, Shadeslayer…Very well, we’ll try it your way. But don’t say I didn’t warn you if we end up wandering around here for days on end. ~ Christopher Paolini,
939:The greatest value of the dream-state of Samadhi lies, however, not in these more outward things, but in its power to open up easily higher ranges and powers of thought, emotion, will by which the soul grows in height, range and self-mastery. Especially, withdrawing from the distraction of sensible things, it can, in a perfect power of concentrated self-seclusion, prepare itself by a free reasoning, thought, discrimination or more intimately, more finally, by an ever deeper vision and identification, for access to the Divine, the supreme Self, the transcendent Truth, both in its principles and powers and manifestations and in its highest original Being. Or it can by an absorbed inner joy and emotion, as in a sealed and secluded chamber of the soul, prepare itself for the delight of union with the divine Beloved, the Master of all bliss, rapture and Ananda.
   ~ Sri Aurobindo, The Synthesis Of Yoga, Part Two: The Yoga of Integral Knowledge, Chapter 26, Samadhi, pg. 503,
940:be needed.’ I looked at her. I sensed how much she wanted me to deal with this case. And if I could go via Rolfswood . . . ‘I will do it,’ I said. ‘Thank you.’ She smiled gratefully and turned to the ladies. ‘Jane, please fetch Mistress Calfhill.’ ‘Now,’ she said to me quietly, ‘Bess Calfhill, whom you are about to meet, was an old servant of mine when I was Lady Latimer. A housekeeper at one of our properties in the north and later in London. She is a good, true woman, but she has recently suffered a great loss. Deal with her gently. If anyone deserves justice, it is Bess.’ The maid-in-waiting returned, bringing with her the woman I had seen in the presence chamber. She was small, frail looking. She approached with nervous steps, her hands held tightly together. ‘Come, good Bess,’ the Queen said in a welcoming voice. ‘This is Master Shardlake, a serjeant at law. Jane, bring over a chair. One for Serjeant Shardlake too.’ Mistress Calfhill lowered herself onto ~ C J Sansom,
941:Scientists at first were skeptical that a kitten-type being could exist in the rare Martian atmosphere. As a test, two Earth kittens were put in a chamber that simulated the Martian air. The diary of this experiment is fascinating:

6:00 A.M.: Kittens appear to sleep.
7:02 A.M.: Kitten wakes, darts from one end of cage to another for no apparent reason.

7:14 A.M.: Kitten runs up wall of cage, leaps onto other kitten for no apparent reason.

7:22 A.M.: Kitten lies on back and punches other kitten for no apparent reason.

7:30 A.M.: Kitten leaps, stops, darts left, abruptly stops, climbs wall, clings for two seconds, falls on head, darts right for no apparent reason.

7:51 A.M.: Kitten parses first sentence of daily newspaper that is at bottom of chamber.

With the exception of the parsing, all behavior is typical of Earth kitten behavior. The parsing activity, which was done with a small ball-point pen, was an anomaly. ~ Steve Martin,
942:STRETCH towards the moonless midnight of the trees,
As though that hand could reach to where they stand,
And they but famous old upholsteries
Delightful to the touch; tighten that hand
As though to draw them closer yet.
Rammed full
Of that most sensuous silence of the night
(For since the horizon's bought strange dogs are still)
Climb to your chamber full of books and wait,
No books upon the knee, and no one there
But a Great Dane that cannot bay the moon
And now lies sunk in sleep.
What climbs the stair?
Nothing that common women ponder on
If you are worth my hope! Neither Content
Nor satisfied Conscience, but that great family
Some ancient famous authors misrepresent,
The proud Furies each with her torch on high.
Yeats considered Dorothy Wellesley a superior poet to himself!
Check her work for yourself.
http://oldpoetry.com/oauthor/show/dorothy_violet_wellesley
~ William Butler Yeats, To Dorothy Wellesley
,
943:I have yet to see the sauna," Rycca said.
She was a damn distracting woman. He could scarcely remember what he'd been thinking about a few moments before, except that it had been ridiculous. "You can't actually see much in there," he said absently, studying how the rays of sun played in her hair. "It's dark."
"Really? I guess we'll just have to go by touch then."
Anticipation rippled through him and with it his merry fellow surged happily. Dragon sighed. A day begun hurtling over a horse's head might as well include a little relaxation.
"Is it very hot?" Rycca asked as she ducked her head to enter the low stone building cut into the side of the hill.
Vividly aware that the deep bruising he had felt only a short time before was eclipsed by far more urgent sensations, Dragon smiled. "Extremely."
She looked at him over her shoulder. "I won't get burned,will I?"
"Quite probably," he said and came up close behind her,urging her into the chamber. ~ Josie Litton,
944:I hold it true that thoughts are things
Endowed with bodies, breath, and wings,
And that we send them forth to fill
The world with good results - or ill.

That which we call our secret thought
Speeds to the earth's remotest spot,
And leaves its blessings or its woes
Like tracks behind it as it goes.

It is God's law. Remember it
In your still chamber as you sit
With thoughts you would not dare have known,
And yet made comrades when alone.

These thoughts have life; and they will fly
And leave their impress by-and-by,
Like some marsh breeze, whose poisoned breath
Breathes into homes its fevered breath.

And after you have quite forgot
Or all outgrown some vanished thought,
Back to your mind to make its home,
A dove or raven, it will come.

Then let your secret thoughts be fair;
They have a vital part and share
In shaping worlds and moulding fate --
God's system is so intricate. ~ Ella Wheeler Wilcox,
945:Lullaby
Lullaby! Lullaby!
There’s a tower strong and high
Built of oak and brick and stone,
Stands before a wood alone.
The doors are of the oak so brown
As any ale in Oxford town,
The walls are builded warm and thick
Of the old red Roman brick,
The good grey stone is over all
In arch and floor of the tower tall.
And maidens three are living there
All in the upper chamber fair,
Hung with silver, hung with pall,
And stories painted on the wall.
And softly goes the whirring loom
In my ladies’ upper room,
For they shall spin both night and day
Until the stars do pass away.
But every night at evening.
The window open wide they fling,
And one of them says a word they know
And out as three white swans they go,
And the murmuring of the woods is drowned
In the soft wings’ whirring sound,
As they go flying round, around,
Singing in swans’ voices high
A lonely, lovely lullaby.
~ Clive Staples Lewis,
946:They Flee From Me That Sometime Did Me Seek
They flee from me that sometime did me seek
With naked foot, stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild and do not remember
That sometime they put themself in danger
To take bread at my hand; and now they range,
Busily seeking with a continual change.
Thanked be fortune it hath been otherwise
Twenty times better; but once in special,
In thin array after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small;
Therewithall sweetly did me kiss
And softly said, 'dear heart, how like you this?'
It was no dream: I lay broad waking.
But all is turned thorough my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness,
And she also, to use newfangleness.
But since that I so kindly am served
I would fain know what she hath deserved.
~ David McKee Wright,
947:To My Daughter
O little one, daughter, my dearest,
With your smiles and your beautiful curls,
And your laughter, the brightest and clearest,
O gravest and gayest of girls;
With your hands that are softer than roses,
And your lips that are lighter than flowers,
And that innocent brow that discloses
A wisdom more lovely than ours;
With your locks that encumber, or scatter
In a thousand mercurial gleams,
And those feet whose impetuous patter
I hear and remember in dreams;
With your manner of motherly duty,
When you play with your dolls and are wise;
With your wonders of speech, and the beauty
In your little imperious eyes;
When I hear you so silverly ringing
Your welcome from chamber or stair.
When you run to me, kissing and clinging,
So radiant, so rosily fair;
I bend like an ogre above you;
I bury my face in your curls;
I fold you, I clasp you, I love you.
O baby, queen-blossom of girls!
~ Archibald Lampman,
948:The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself -- that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once with a bang. And maybe, Richie thought, that's the scary part. How you don't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing blue-jeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup's face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from a Tooth Fairy. ~ Stephen King,
949:The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself—that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn’t go all at once, with a bang. And maybe, Richie thought, that’s the scary part. How you don’t stop being a kid all at once, with a big explosive bang, like one of that clown’s trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing bluejeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup’s face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from the Tooth Fairy. ~ Stephen King,
950:The down side is that more and more of them keep coming. The noise is like a dinner bell. Hungries are crowding into the green space from the streets on every side, at what you’d have to call a dead run. There’s no limit to their numbers, and there is a limit to his ammo. Which he hits, suddenly. The gun stops vibrating in his hands and the noise of his shots dies away through layers of echoes. He ejects the empty magazine, gropes for another in his pocket. He’s done this so often he could go through the moves in his sleep. Slap the new mag in and give it a quick, sharp tug, pivoting it on the forward lip so it locks into place. Pull the bolt all the way back. The bolt sticks halfway. The weapon’s just dead weight until he can clear whatever’s jamming it–the first round, most likely, elbowed in the chamber. And two hungries are on top of him now, triangulating from left and right. One of them used to be a man, the other a woman. They’re about a second away from the world’s nastiest three-way. It’s ~ M R Carey,
951:were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled ~ H Rider Haggard,
952:1144
Winding The Clock
When I was but a little lad, my old Grandfather said
That none should wind the clock but he, and so, at time for bed,
He'd fumble for the curious key kept high upon the shelf
And set aside that little task entirely for himself.
In time Grandfather passed away, and so that duty fell
Unto my Father, who performed the weekly custom well;
He held that clocks were not to be by careless persons wound,
And he alone should turn the key or move the hands around.
I envied him that little task, and wished that I might be
The one to be entrusted with the turning of the key;
But year by year the clock was his exclusive bit of care
Until the day the angels came and smoothed his silver hair.
To-day the task is mine to do, like those who've gone before
I am a jealous guardian of that round and glassy door,
And 'til at my chamber door God's messenger shall knock
To me alone shall be reserved the right to wind the clock.
~ Edgar Albert Guest,
953:Smyth is credited for noting another anomaly in the Queen's Chamber—there were flakes of white mortar exuding from stone joints inside the shaft. Analysis of the mortar found it to be plaster of paris—gypsum (calcium sulfate). Smyth also described this chamber as having a foul odor, which caused early visitors to the chamber to beat a hasty retreat, and it was assumed that tourists were relieving themselves, though the way Smyth described this chamber, few people stayed long enough to do so. However, as I will make clear, this odor may not have been the result of unhygienic conditions but of the chemical process that once occurred in the Queen's Chamber.
One of the greatest mysteries of this chamber has been the salt encrustation on the walls. It was up to one-half-inch thick in places, and Petrie took it into account when he made measurements of the chamber. The salt also was found along the Horizontal Passage and in the lower portion of the Grand Gallery. How did salt come to build up on the walls? ~ Christopher Dunn,
954:the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she ~ H Rider Haggard,
955:One more item slipped out of the bag. It was the metal identification tag from Maureen's cremation, the one I had burned with her just a few weeks before. These tags say with the body through the whole cremation, and leave stuck in with the ashes, which is how sacks of cremated remains found in old storage lockers and attics can still be identified years later. The tag I found was identical (except for the ID number) to the one I was putting in with Matthew now. I imagined his hands sinking into the grey mulch of Maureen's bones and finding the tag. I imagined him pulling the tag out and brushing the dusty metal against his cheek. It was a bizarre honor to have been a part of their last private moment together, the last act of their love story.
I cried (sobbed, if we're being honest) standing over Matthew's body, moments before it was loaded into the chamber. Even if all we love will die, I still ached for a love like theirs, to be adored so completely. Had not Disney guaranteed all of us such an ending? ~ Caitlin Doughty,
956:One simple and basic fact of life is that no individual – or group of individuals – can ever be wise or knowledgeable enough to run society. Our core fantasy of “government” is that in some remote and sunlit chamber, with lacquered mahogany tables, deep leather chairs and sleepless men and women, there exists a group who are so wise, so benevolent, so omniscient and so incorruptible that we should turn over to them the education of our children, the preservation of our elderly, the salvation of the poor, the provision of vital services, the healing of the sick, the defense of the realm and of property, the administration of justice, the punishment of criminals, and the regulation of virtually every aspect of a massive, infinitely complex and ever-changing social and economic system. These living man-gods have such perfect knowledge and perfect wisdom that we should hand them weapons of mass destruction, and the endless power to tax, imprison and print money – and nothing but good, plenty and virtue will result. ~ Stefan Molyneux,
957:in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and ~ H Rider Haggard,
958:Rebecca approached the causality violation chamber (too grand a name for such a faulty thing), placed her hand against its door, and closed her eyes, much as Philip had during its christening years ago. There was no response from the machine; no prophecy; no apology; no advice. It did not relay the news from other, brighter timelines. It did not tell her what would have transpired had she returned from yesterday's shopping trip a few hours later, or had she turned the steering wheel left instead of right two years ago, or had she not taken that first drink, or had she turned down any one of the thousands of drinks that had followed, or had she chosen not to respond to Philip's insistent and perhaps deliberately oblivious messages during the early days of their online courtship, or had her parents or her grandparents, or her great-grandparents never met. The machine's obstinate silence was all it had to offer; the message of that silence was that she had made her choices in life, and her choices had made her in return. ~ Dexter Palmer,
959:God is not wrath. Though we may rightly understand and describe the consequences of divine consent to our own self-destructive will as the wrath of God, the truth remains that God is not wrath; God is love. God is not a bloodthirsty deity requiring ritual killing. Though this may have been the only way we could understand God four millennia ago on the lower flanks of the holy mountain, the truth remains that God is not bloodthirsty; God is love. God is not violence. Despite the fact that religion has a long history of sacralizing violence by projecting it on God, the truth remains that God is love. God does not operate an eternal torture chamber. However we understand the state of a postmortem soul incapable of love, the truth remains that God is not a sadistic torturer inflicting eternal pain; God is love. God is not a killer. Though many have misread the book of Revelation to such an extent that they think God’s final solution for sin is the “Final Solution,” the truth remains that God is not a genocidal killer; God is love. ~ Brian Zahnd,
960:7. The Meeting with the Goddess:The ultimate adventure, when all the barriers and ogres have been overcome, is commonly represented as a mystical marriage of the triumphant hero-soul with the Queen Goddess of the World. This is the crisis at the nadir, the zenith, or at the uttermost edge of the earth, at the central point of the cosmos, in the tabernacle of the temple, or within the darkness of the deepest chamber of the heart. The meeting with the goddess (who is incarnate in every woman) is the final test of the talent of the hero to win the boon of love (charity: amor fati), which is life itself enjoyed as the encasement of eternity. And when the adventurer, in this context, is not a youth but a maid, she is the one who, by her qualities, her beauty, or her yearning, is fit to become the consort of an immortal. Then the heavenly husband descends to her and conducts her to his bed-whether she will or not. And if she has shunned him, the scales fall from her eyes; if she has sought him, her desire finds its peace. ~ Joseph Campbell,
961:All beings begin their lives with hope and aspirations. Among these aspirations is the desire that there will be a straight path to those goals. It is seldom so. Perhaps never.
Sometimes the turns are of one's own volition, as one's thoughts and goals change over time. But more often the turns are mandated by outside forces.
It was so with me. The memory is vivid, unsullied by age: the five admirals rising from their chairs as I am escorted into the chamber. The decision of the Ascendancy has been made, and they are here to deliver it.
None of them is happy with the decision. I can read that in their faces. But they are officers and servants of the Chiss, and they will carry out their orders. Protocol alone demands that.
The word is as I expected.
Exile.
The planet has already been chosen. The Aristocra will assemble the equipment necessary to endure that solitude does not quickly become Death from predators or the elements.
I am led away. Once again, my path has turned.
Where it will lead, I cannot say. ~ Timothy Zahn,
962:Live, and be prosperous: and farewell, good fellow. Juliet! ...O my love! my wife!
Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquered; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favor can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids...Eyes, look your last. Arms, take your last embrace. and, lips, O you The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death... Here's to my love!...Thus with a kiss I die. ~ William Shakespeare,
963:Robert Jastrow and William Nierenberg, wrote a report questioning the evidence of global warming.15 They were soon invited to the White House to brief the Bush administration. One member of the Cabinet Affairs Office said of the report: “Everyone has read it. Everyone takes it seriously.”16 It wasn’t just the Bush administration that took these claims seriously; the mass media did, too. Respected media outlets such as the New York Times, the Washington Post, Newsweek, and many others repeated these claims as if they were a “side” in a scientific debate. Then the claims were repeated again and again and again—as in an echo chamber—by a wide range of people involved in public debate, from bloggers to members of the U.S. Senate, and even by the president and the vice president of the United States. In all of this, journalists and the public never understood that these were not scientific debates—taking place in the halls of science among active scientific researchers—but misinformation, part of a larger pattern that began with tobacco. ~ Naomi Oreskes,
964:Jonathan stood next to David as his shoshbin, his esteemed groomsman, to be witness. Earlier, David had signed a ketubbah with King Saul. It was a marriage contract with the father that established their legal union and responsibilities. The father released his daughter from under his authority and the groom promised to take care of her with honor and respect. It included an accounting of the bride’s inventory of assets, which in this case was quite extravagant because of her royalty. And it included a listing of the dowry owed by the father to the groom and the bride price owed by the groom to the father. Saul winced at the disgusting memory of his foolish bride price of one hundred Philistine foreskins. It had been an attempt to endanger the young suitor. But it had come back to kick him in the goads. By Asherah, he would never make that mistake again. All that was left was for their chuppah, or sexual consummation of the bride and groom. The bridal parties left the couple to enter the palace alone and find their way to their bed chamber. ~ Brian Godawa,
965:Darwin’s transcendantly democratic insight that all humans are descended from the same non-human ancestors, that we are all members of one family, is inevitably distorted when viewed with the impaired vision of a civilization permeated by racism. White supremacists seized on the notion that people with high abundances of melanin in their skin must be closer to our primate relatives than bleached people. Opponents of bigotry, perhaps fearing that there might be a grain of truth in this nonsense, were just as happy not to dwell on our relatedness to the apes. But both points of view are located on the same continuum: the selective application of the primate connection to the veldt and the ghetto, but never, ever, perish the thought, to the boardroom or the military academy or, God forbid, to the Senate chamber or the House of Lords, to Buckingham Palace or Pennsylvania Avenue. This is where the racism comes in, not in the inescapable recognition that, for better or worse, we humans are just a small twig on the vast and many-branched tree of life. ~ Carl Sagan,
966:Mary peace be upon her the Choosen and the Pure women of the Whorld the Honor Women the Chapter 19 of QURAN named by her names Mary Maryam in Arabic :
"[Mention, O Muhammad], when the wife of 'Imran said, "My Lord, indeed I have pledged to You what is in my womb, consecrated [for Your service], so accept this from me. Indeed, You are the Hearing, the Knowing." But when she delivered her, she said, "My Lord, I have delivered a female." And Allah was most knowing of what she delivered, "And the male is not like the female. And I have named her Mary, and I seek refuge for her in You and [for] her descendants from Satan, the expelled [from the mercy of Allah ]." So her Lord accepted her with good acceptance and caused her to grow in a good manner and put her in the care of Zechariah. Every time Zechariah entered upon her in the prayer chamber, he found with her provision. He said, "O Mary, from where is this [coming] to you?" She said, "It is from Allah . Indeed, Allah provides for whom He wills without account." Quran Family of Imran 3 : 35-37. ~ Anonymous,
967:Syn rummaged through his bag. “I’m going to give you some Synethol.” Nykyrian hissed at him. “Don’t even waste that sound on me, you shit. I know you hate it, but it’ll help you heal a lot faster and this is one time I can’t afford for you to be nursing a wound and neither can you.” “You got guts taking that tone with me.” Syn scoffed. “What you gonna do, oh great wounded one? I’m the one with the injector.” He clicked the trigger to prove his point. It was now Nykyrian’s turn to scoff. “I could have that in my hand and shoved up your ass before you could even blink.” Instead of being angry, Syn grinned. “Probably. Just make sure you put me totally out of my misery. I don’t need anything else to cripple me. Now shut up and take it like a man.” “I fucking hate you.” Syn laughed as he screwed the vial of medicine into its chamber. “Of course you do. That’s why you’re the one lying shot and I’m doing the tending. If you really hated me, I’d be dead right now and you’d be healthy.” Nykyrian looked away as that one simple truth hung between them. ~ Sherrilyn Kenyon,
968:Longest. Elevator. Ride. Of. His. Life. As Trez stood next to Selena in a glass-walled torture chamber, he was resolutely facing the closed doors—and praying for some kind of Dr. Who time warp thingy that had him stepping out of the goddamn thing rightfuckingnow. Eyeballs locked on the glowing line of numbers above the chrome doors, he wanted to vomit. L . . . 44, 45, 46, 47, 48, 49, 50. “44” had yet to light up because they were in the screaming-fast, liver-in-your-loafer, express part of the joyride. “Oh, you should look out here,” Selena said, pivoting toward the all-access pass to vertigo. “This is so much fun!” A quick glance over his shoulder and he nearly hurled. His beautiful queen had not just gone over to the glass, but put her palms on it and leaned into the ever-higher view. Trez snapped back around. “Almost there. We’re almost at the top.” “Can we go down and come up again? I wonder what the descent is like!” Actually, maybe they should head back to the lobby. He was fairly sure he’d left his manhood there when this rocket ride had ignited. ~ J R Ward,
969:When Dias gave the trained mice a whiff of acetophenone, they tended to freeze in their tracks. Dias also found that a whiff of acetophenone made the mice more prone to startle at a loud noise. In other trials, Dias would pump an alcohol-like scent called propanol into the chamber instead, without giving the mice a shock. They didn’t learn to fear that odor. Ten days after the training ended, researchers from Emory’s animal resources department paid Dias a visit. They collected sperm from the trained mice and headed off to their own lab. There they injected the sperm into mouse eggs, which they then implanted into females. Later, after the pups had matured, Dias gave them a behavioral exam, too. Like their fathers, the new generation of mice was sensitive to acetophenone. Smelling it made them more likely to get startled by a loud sound, even though he had not trained the mice to make that association. When Dias allowed this new generation of mice to mate, the grandchildren of the original frightened males also turned out to be sensitive to acetophenone. ~ Carl Zimmer,
970:I.
Corpses are cold in the tomb;
Stones on the pavement are dumb;
Abortions are dead in the womb,
And their mothers look palelike the death-white shore
Of Albion, free no more.

II.
Her sons are as stones in the way--
They are masses of senseless clay--
They are trodden, and move not away,--
The abortion with which SHE travaileth
Is Liberty, smitten to death.

III.
Then trample and dance, thou Oppressor!
For thy victim is no redresser;
Thou art sole lord and possessor
Of her corpses, and clods, and abortionsthey pave
Thy path to the grave.

IV.
Hearest thou the festival din
Of Death, and Destruction, and Sin,
And Wealth crying "Havoc!" within?
Tis the bacchanal triumph that makes Truth dumb,
Thine Epithalamium.

V.
Ay, marry thy ghastly wife!
Let Fear and Disquiet and Strife
Spread thy couch in the chamber of Life!
Marry Ruin, thou Tyrant! and Hell be thy guide
To the bed of the bride!

~ Percy Bysshe Shelley, Lines Written During The Castlereagh Administration
,
971:It must be confessed, however, that he still retained
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from his former possessions six silver knives and forks and
a soup-ladle, which Madame Magloire contemplated every
day with delight, as they glistened splendidly upon the
coarse linen cloth. And since we are now painting the Bishop
of D—— as he was in reality, we must add that he had
said more than once, ‘I find it difficult to renounce eating
from silver dishes.’
To this silverware must be added two large candlesticks
of massive silver, which he had inherited from a great-aunt.
These candlesticks held two wax candles, and usually figured
on the Bishop’s chimney-piece. When he had any one
to dinner, Madame Magloire lighted the two candles and
set the candlesticks on the table.
In the Bishop’s own chamber, at the head of his bed,
there was a small cupboard, in which Madame Magloire
locked up the six silver knives and forks and the big spoon
every night. But it is necessary to add, that the key was never
removed. ~ Victor Hugo,
972:What images do I associate with the Christmas music as I see them set forth on the Christmas Tree?... An angel, speaking to a group of shepherds in a field; some travelers, with eyes uplifted, following a star; a baby in a manger; a child in a spacious temple, talking with grave men; a solemn figure, with a mild and beautiful face, raising a dead girl by the hand; again, near a city gate, calling back the son of a widow, on his bier, to life; a crowd of people looking through the opened roof of a chamber where he sits, and letting down a sick person on a bed, with ropes; the same, in a tempest, walking on the water to a ship; again, on a sea-shore, teaching a great multitude; again, with a child upon his knee, and other children round; again, restoring sight to the blind, speech to the dumb, hearing to the deaf, health to the sick, strength to the lame, knowledge to the ignorant; again, dying upon a cross, watched by armed soldiers, a thick darkness coming on, the earth beginning to shake, and only one voice head. "Forgive them, for they know not what they do! ~ Charles Dickens,
973:History is, above all else, the creation and recording of that heritage; progress is its increasing abundance, preservation, transmission, and use. To those of us who study history not merely as a warning reminder of man’s follies and crimes, but also as an encouraging remembrance of generative souls, the past ceases to be a depressing chamber of horrors; it becomes a celestial city, a spacious country of the mind, wherein a thousand saints, statesmen, inventors, scientists, poets, artists, musicians, lovers, and philosophers still live and speak, teach and carve and sing. The historian will not mourn because he can see no meaning in human existence except that which man puts into it; let it be our pride that we ourselves may put meaning into our lives, and sometimes a significance that transcends death. If a man is fortunate he will, before he dies, gather up as much as he can of his civilized heritage and transmit it to his children. And to his final breath he will be grateful for this inexhaustible legacy, knowing that it is our nourishing mother and our lasting life. ~ Will Durant,
974:In Winter In My Room
1670
In Winter in my Room
I came upon a Worm—
Pink, lank and warm—
But as he was a worm
And worms presume
Not quite with him at home—
Secured him by a string
To something neighboring
And went along.
A Trifle afterward
A thing occurred
I'd not believe it if I heard
But state with creeping blood—
A snake with mottles rare
Surveyed my chamber floor
In feature as the worm before
But ringed with power—
The very string with which
I tied him—too
When he was mean and new
That string was there—
I shrank—"How fair you are"!
Propitiation's claw—
"Afraid," he hissed
"Of me"?
"No cordiality"—
He fathomed me—
Then to a Rhythm Slim
Secreted in his Form
As Patterns swim
Projected him.
That time I flew
Both eyes his way
566
Lest he pursue
Nor ever ceased to run
Till in a distant Town
Towns on from mine
I set me down
This was a dream.
~ Emily Dickinson,
975:Before I left, I noticed a shelf that ran above the door. It was just above where he [bin Laden] was standing when we got to the third deck. I slid my hand up and felt two guns, which urned out to be an AK-47 and a Makarov pistol in a holster. I took each weapon down and pulled out the magazine and checked the chamber.
They were both empty.
He hadn't even prepared a defense. He had no intention of fighting. He asked his followers for decades to wear suicide vests or fly planes into buildings, but didn't even pick up his weapon [...]
Bin Laden knew we were coming when he heard the helicopter. I had more respect for Ahmed al-Kuwaiti in the guesthouse because at least he tried to defend himself and his family. Bin Laden had more time to prepare than the the others, and yet he still didn't do anything. Did he believe his own message? Was he willing to fight the war he asked for? I don't think so. Otherwise, he would have at least gotten his gun and stood up for what he believed. There is no honor in sending people to die for something you won't even fight for yourself. ~ Mark Owen,
976:28:18 set it up as a pillar. In the ancient world, cult symbols (such as the pillar set up here) are abundantly observable. These standing stones could at times be deified (i.e., considered to contain the essence of a deity). Others were believed to represent ancestral spirits, whereas others could simply stand as memorials of treaties or special events (notice the 12 stone pillars set up by Moses in Ex 24:4–8). In the context here the standing stone may well have been intended to mark where the presence of God was manifest in Jacob’s vision. Jacob had slept in what is in effect the antechamber of a temple and had seen the stairway leading to the gate of heaven (the inner chamber) with the messengers coming and going from the Lord’s presence; therefore, he set up a standing stone either to mark the “Most Holy Place” (at the top of the stairway) or the place where Yahweh stood (“above” or “beside” the stairway, see v. 13 and NIV text note there). Alternatively, the standing stone could have functioned as a commemoration of the covenant agreement and Jacob’s response in a vow. ~ Anonymous,
977:One of these passages of Bergotte, the third or fourth which I had detached from the rest, filled me with a joy to which the meagre joy I had tasted in the first passage bore no comparison, a joy which I felt myself to have experienced in some innermost chamber of my soul, deep, undivided, vast, from which all obstructions and partitions seemed to have been swept away. For what had happened was that, while I recognised in this passage the same taste for uncommon phrases, the same bursts of music, the same idealist philosophy which had been present in the earlier passages without my having taken them into account as the source of my pleasure, I now no longer had the impression of being confronted by a particular passage in one of Bergotte’s works, which traced a purely bi-dimensional figure in outline upon the surface of my mind, but rather of the ‘ideal passage’ of Bergotte, common to every one of his books, and to which all the earlier, similar passages, now becoming merged in it, had added a kind of density and volume, by which my own understanding seemed to be enlarged. I ~ Marcel Proust,
978:O soul, it is too early to rejoice!
Thou hast reached the boundless silence of the Self,
Thou hast leaped into a glad divine abyss;
But where hast thou thrown Self's mission and Self's power?
On what dead bank on the Eternal's road?
One was within thee who was self and world,
What hast thou done for his purpose in the stars?
Escape brings not the victory and the crown!
Something thou cam'st to do from the Unknown,
But nothing is finished and the world goes on
Because only half God's cosmic work is done.
Only the everlasting No has neared
And stared into thy eyes and killed thy heart:
But where is the Lover's everlasting Yes,
And immortality in the secret heart,
The voice that chants to the creator Fire,
The symbolled OM, the great assenting Word,
The bridge between the rapture and the calm,
The passion and the beauty of the Bride,
The chamber where the glorious enemies kiss,
The smile that saves, the golden peak of things?
This too is Truth at the mystic fount of Life. ~ Sri Aurobindo, Savitri, The Adoration of the Divine Mother,
979:If we take any other doctrine that has been called old-fashioned we shall find the case the same. It is the same, for instance, in the deep matter of the Trinity. Unitarians (a sect never to be mentioned without a special respect for their distinguished intellectual dignity and high intellectual honour) are often reformers by the accident that throws so many small sects into such an attitude. But there is nothing in the least liberal or akin to reform in the substitution of pure monotheism for the Trinity. The complex God of the Athanasian Creed may be an enigma for the intellect; but He is far less likely to gather the mystery and cruelty of a Sultan than the lonely god of Omar or Mahomet. The god who is a mere awful unity is not only a king but an Eastern king. The HEART of humanity, especially of European humanity, is certainly much more satisfied by the strange hints and symbols that gather round the Trinitarian idea, the image of a council at which mercy pleads as well as justice, the conception of a sort of liberty and variety existing even in the inmost chamber of the world. For ~ G K Chesterton,
980:Bet you can't even name one romantic movie you like," she teased.
She felt smug when a few minutes went by and Oliver was still unable to name one romantic movie he could profess to enjoy.
The Empire Strikes Back," Oliver finally declared, tapping his horn at a Prius that wandered over the line.
The Empire Strikes Back? The Star Wars movie? That's not romantic!" Schuyler huffed, fiddling with the air conditioner controls.
Au contraire, my dear, it's very romantic. The last scene, you know, when they're about to put Han in that freezing cryogenic chamber or whatever? Remember?"
Schuyler mmm-hmmmed.
And Leia leans over the ledge and says, 'I love you.'"
That's cheesy, not romatic," Schuyler argued, although she did like that part.
Let me explain. What's romantic is what Han says back. Remember what he says to her? After she says 'I love you'?"
Schuyler grinned. Maybe Oliver had a point. "Han says, 'I know.'"
Exactly," Oliver tapped the wheel. "He doesn't have to say anything so trite as 'I love you." Because that's already understood. And that's romantic. ~ Melissa de la Cruz,
981:When Constantine converted to Christianity, there basically was no Christian architecture. Local Christian communities met in converted houses, and especially in the face of periodic imperial persecution, the religion had developed no specific architectural forms of its own. In the fourth century, therefore, as imperial patronage and ongoing processes of conversion caused large numbers of specialist churches to be built for the first time, the religion took over an old form of public building from the Graeco-Roman world: the basilica. This was a rectangular, shallow-vaulted building, usually equipped with aisles around an elevated central nave and an apse at one end. It had long been used for town council buildings and audience chambers across the Mediterranean world, with the apse being occupied by the presiding figure of power (or indeed the emperor in the case of a palace audience chamber). For Christianity, the apse worked nicely for the sacred space of the altar, and the basilica was a building form essentially designed for meetings, which worked, too, as a space for church services ~ Peter Heather,
982:Uhland's
There were three cavaliers that went over the Rhine,
And gayly they called to the hostess for wine.
"And where is thy daughter? We would she were here,-Go fetch us that maiden to gladden our cheer!"
"I'll fetch thee thy goblets full foaming," she said,
"But in yon darkened chamber the maiden lies dead."
And lo! as they stood in the doorway, the white
Of a shroud and a dead shrunken face met their sight.
Then the first cavalier breathed a pitiful sigh,
And the throb of his heart seemed to melt in his eye,
And he cried, "Hadst thou lived, O my pretty white rose,
I ween I had loved thee and wed thee--who knows?"
The next cavalier drew aside a small space,
And stood to the wall with his hands to his face;
And this was the heart-cry that came with his tears:
"I loved her, I loved her these many long years!"
But the third cavalier kneeled him down in that place,
And, as it were holy, he kissed that dead face:
"I loved thee long years, and I love thee to-day,
And I'll love thee, dear maiden, forever and aye!"
~ Eugene Field,
983:I have indeed lived life in a very rough school and have seen more than the average man's share of inhumanity and cruelty, from the forecastle and the prison, the slum and the desert, the execution-chamber and the lazar-house, to the battlefield and the military hospital. I have seen horrible deaths and mutilations. I have seen imbeciles hanged, because, being imbeciles, they did not possess the hire of lawyers. I have seen the hearts and stamina of strong men broken, and I have seen other men, by ill-treatment, driven to permanent and howling madness. I have witnessed the deaths of old and young, and even infants, from sheer starvation. I have seen men and women beaten by whips and clubs and fists, and I have seen the rhinoceros-hide whips laid around the naked torsos of black boys so heartily that each stroke stripped away the skin in full circle. And yet, let me add finally, never have I been so appalled and shocked by the world's cruelty as have I been appalled and shocked in the midst of happy, laughing, and applauding audiences when trained-animal turns were being performed on the stage. ~ Jack London,
984:Three nights a week your Lalasa closes her shop early," Buri told her after a sip from her cup. "She teaches city girls--commoners--holds, blows, and kicks that will help them to escape an attacker. She learned all that somewhere. And it does girls more good than your courting frostbite to shoot a bow you don't even like. There's now a demand for arms teachers for young noblewomen. Seven female Riders this year asked me for references to get them such posts. And may I remind you that a particular law is being revised right now because you had the nerve to tell King Jonathan it should be changed?"
"I still should have reported Vinson at the Temple of the Goddess," Kel said stubbornly.
"Very well, you should have done," Buri agreed, her face sober. "Next time, you will. And while it won't heal his victims, here's something for you to drink besides self-pity. No court in the land could put him through what he did to those girls. The Chamber did. I've seen the marks of beatings. The Chamber is making him feel every blow, kick, and punch he doled out. And I bet that will continue for a while. ~ Tamora Pierce,
985:You, oh Christ, are the Kingdom of Heaven; You, the land promised to the gentle; You the grazing lands of paradise; You, the hall of the celestial banquet; You, the ineffable marriage chamber; You the table set for all, You the bread of life; You, the unheard of drink; You, both the urn for the water and the life-giving water; You, moreover, the inextinguishable lamp for each one of the saints; You, the garment and the crown and the one who distributes crowns; You, the joy and the rest; You, the delight and glory; You the gaiety; You, the mirth; and Your grace, grace of the Spirit of all sanctity, will shine like the sun in all the saints; and You, inaccessible sun, will shine in their midst and all will shine brightly, to the degree of their faith, their asceticism, their hope and their love, their purification and their illumination by Your Spirit. [bk1sm.gif] -- from Hymns of Divine Love: Songs of praise by one of the great mystics of all church history, by Symeon the New Theologian / Channeled by Gearoge A. Maloney, S.J.

~ Symeon the New Theologian, You, oh Christ, are the Kingdom of Heaven
,
986:infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and ~ H Rider Haggard,
987:Although I was an imaginative child, prone to nightmares, I had persuaded my parents to take me to Madame Tussauds waxworks in London, when I was six, because I had wanted to visit the Chamber of Horrors, expecting the movie-monster Chambers of Horrors I'd read about in my comics. I had wanted to thrill to waxworks of Dracula and Frankenstein's Monster and the Wolf-man. Instead I was walked through a seemingly endless sequence of dioramas of unremarkable, glum-looking men and women who had murdered people - usually lodgers and members of their own families - and who were then murdered in turn: by handing, by the electric chair, in gas chambers. Most of them were depicted with their victims in awkward social situations - seated about a dinner table, perhaps, as their poisoned family members expired. The plaques that explained who they were also told me that the majority of them had murdered their families and sold the bodies to anatomy. It was then that the word anatomy garnered its own edge of horror for me. I did not know what anatomy was. I knew only that anatomy made people kill their children. ~ Neil Gaiman,
988:When you ask Web sophisticates why people are so vicious on the Internet, you get a set of stock responses. The very question is naïve. What do you expect? The world is full of angry people who don’t have a life. The Web offers a perfect outlet where they can be anonymous, important, and powerful, and attack others without fear of retribution. The Web has given them a voice when before they had none. These are people who find meaning in their lives by connecting with similar people on the net, who seek a sense of purpose and fulfillment online that they can’t achieve in the real world. Finally, the nature of the Internet, we are told, is also to blame — it’s a place where the human id runs amok, it’s a playground for disturbed people, it’s an echo chamber for the uninformed. We are advised that Internet nastiness is white noise, best ignored. It has little effect in the real world. While many these explanations are undoubtedly true, none go deep enough. None explain why the Web is a place where some human beings devote enormous effort to attacking strangers who have done nothing to them personally. ~ Douglas Preston,
989:He does not know what caused him to break off from Weston and walk out. Perhaps it was when the boy said 'forty-five or fifty'. As if, past mid-life, there is a second childhood, a new phase of innocence. It touched him, perhaps, the simplicity of it. Or perhaps he just needed air. Let us say you are in a chamber, the windows sealed, you are conscious of the proximity of other bodies, of the declining light. In the room you put cases, you play games, you move your personnel around each other: notional bodies, hard as ivory, black as ebony, pushed on their paths across the squares. Then you say, I can't endure this any more, I must breathe: you burst out of the room amd into a wild garden where the guilty are hanging from trees, no longer ivory, no longer ebony, but flesh; and their wild lamenting tongues proclaim their guilt as they die. In this matter, cause has preceded effect. What you dreamed has enacted itself. You reach for a blade but the blood is already shed. The lambs have butchered and eaten themselves. They have brought knives to the table, carved themselves, and picked their own bones clean. ~ Hilary Mantel,
990:It was a dance like no other, a dance of seduction. Henry did not take his blue eyes off my face, he danced toward me, stamped his foot and clapped his hands as if he would strip me naked then and there before the whole court. I banished the thought of the watching queen from my mind. I kept my head up and my eyes fixed on the king, and I danced toward him, the sly tripping steps, with a sway of my hips and a turn of my head. We faced one another and he snatched me up in the air and held me, there was a ripple of applause, he lowered me gently to my feet and I felt my cheeks burning with a potent combination of self-consciousness, triumph, and desire. We parted to the beat of the tabor and then came back as the dance turned our steps toward each other again. Once again he threw me up in the air and this time slid me down, so that my body was pressed against his. I felt him down every inch of my body: his chest, his hose, his legs. We paused, our faces so close that if he had leaned forward he could have kissed me. I felt his breath on my face and then he said very quietly: “My chamber. Come at once.” ♦ ~ Philippa Gregory,
991:What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love’s favourite perversion? … I loved Ellen, and i wanted to know the worst. I never provoked her; I was cautious and defensive, as is my habit; I didn’t even ask questions; but I wanted to know the worst. Ellen never returned this caress. She was fond of me - she would automatically agree, as if the matter weren’t worth of discussing, that she loved me - but she unquestioningly believed the best about me. That’s the difference. She didn’t ever search for that sliding panel which opens the secret chamber of the heart, the chamber where the memory and corpses are kept. Sometimes you find the panel but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love, I maintain. ~ Julian Barnes,
992:Just then a word floated out through the buzz saw of Zapata-speak: Nefertari. Dan tuned back in.
"...the most beautiful tomb in Egypt," Ms. Zapata was saying. "You probably know the queen because there's a famous bust of her."
A photo flashed on the screen.
Dan raised his hand. "That's Nefertiti," he said. "Different queen."
Ms. Zapata frowned. She looked at her notes. "You could be right, Dan. Uh...let's move on."
Another slide flashed on-screen. "Now, this is the inner chamber of the tomb, where she was laid to rest."
Dan's hand rose again. Ms. Zapata closed her eyes.
"Actually? That's the side chamber."
"Really." Ms. Zapata's lips pressed together. "And how do you know this, Dan?"
"Because..." Dan hesitated. Because I was there. Because I was locked inside the tomb with an ex-KGB spy, so I got to know it pretty well.
"Especially since the tomb is closed for conservation," Ms. Zapata said.
Yeah. But we had this connection to an Egyptologist? Except he turned out to be a thief and a liar, so we captured him. I came this close to smashing him with a lamp... ~ Jude Watson,
993:One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not.

It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn,—it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it. ~ Victor Hugo,
994:I’ve spent a certain amount of time thinking about this recently, and I have concluded that a doctor who attends the victim of a torture chamber and does not object to the torture is a wanker. More than that, he or she has no intellectual or ethical integrity. There’s only one fundamental human right, and that is the right to security of person, be it physical or mental. Everything else is contingent on the level of society in which you exist – food, shelter, broadband digital access: all these come later. The only right that cannot be debated – if you acknowledge any kind of right at all – is the one that asserts a boundary at the skin, and says that anything within its boundary is the business of that person and no one else. The right to avoid self-incrimination, the right to die, the right to live, the right to freedom from slavery, freedom of conscience and religion, of opinion, and the right not to be tortured − all these exist as subheadings of that one, simple statement: I am me and I am not yours. No one who believes in rights at all can deny this right. It is the first. Without it, there are no others. ~ Nick Harkaway,
995:My argument has long been that the Edfu Building Texts reflect real events surrounding a real cataclysm that unfolded between 12,800 and 11,600 years ago, a period known to paleoclimatologists as the Younger Dryas and that the Texts call the 'Early Primeval Age.' I have proposed that the seeds of what was eventually to become dynastic Egypt were planted in the Nile Valley in that remote epoch more than 12,000 years ago by the survivors of a lost civilization and that it was at this time that structures such as the Great Sphinx and its associated megalithic temples and the subterrranean chamber beneath the Great Pyramid were created. I have further proposed that something resembling a religious cult or monastery, recruiting new initiates down the generations, deploying the memes of geometry and astronomy, disseminating an 'as-above-so-below' system of thought, and teaching that eternal annihilation awaited those who did not serve and honor the system, would have been the most likely vehicle to carry the ideas of the original founders across the millennia until they could be brought to full flower in the Pyramid Age. ~ Graham Hancock,
996:Is there any piped water? Anywhere?”
“The kitchen and the stables.”
“But there are water closets in the house, of course.”
She sent him a reproving glance at the mention of such an indelicate subject.
“If you’re not too delicate to train horses,” he pointed out, “who are generally not known for their discretion about bodily functions, surely you can bring yourself to tell me the number of water closets in the mansion.”
She colored as she forced herself to reply. “None. Only chamber pots at night, and an outdoor privy by day.”
He gave her an incredulous glance, seeming genuinely offended by the idea. “None? At one time this was one of the most prosperous estates in England. Why the devil was the house never plumbed?”
“Theo said that according to his father, there was no reason for it when they had so many servants.”
“Of course. Such a delightful activity, running up and down the stairs with heavy cans of water. Not to mention chamber pots. How thankful the servants must be that no one has yet deprived them of such enjoyment.”
“There’s no need for sarcasm,” she said. “It wasn’t my decision. ~ Lisa Kleypas,
997:It got darker. I thought; and thought in my mind moved with a kind of sluggish stealthiness, as if it was being watched by bitter and sadistic eyes. I thought of dead eyes looking at a moonless sky, with black blood at the corners of the mouths beneath them. I thought of nasty old women beaten to death against the posts of their dirty beds. I thought of a man with bright blond hair who was afraid and didn’t quite know what he was afraid of, who was sensitive enough to know that something was wrong, and too vain or too dull to guess what it was that was wrong. I thought of beautiful rich women who could be had. I thought of nice slim curious girls who lived alone and could be had too, in a different way. I thought of cops, tough cops that could be greased and yet were not by any means all bad, like Hemingway. Fat prosperous cops with Chamber of Commerce voices, like Chief Wax. Slim, smart and deadly cops like Randall, who for all their smartness and deadliness were not free to do a clean job in a clean way. I thought of sour old goats like Nulty who had given up trying. I thought of Indians and psychics and dope doctors. ~ Raymond Chandler,
998:which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it ~ H Rider Haggard,
999:nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it ~ H Rider Haggard,
1000:Van Gogh's view of the world becomes a lamp that reveals corners of my heart that I didn't know were there- and all of this happens immediately, even though he died 88 years before I was born.
So ask yourself this:

Is The Starry Night infallible?
The questions doesn't make sense. Though grammatically sound, it is a query with no meaning. I could just as easily ask "How much does a sunset weigh?" The beauty of The Starry Night isn't in it being fallible or infallible. It's a window into another person's soul.
Let's try another question:

Is The Starry Night true?
If we're talking logic or math, this question is as nonsensical as the first. But if we ask with the perspective of an artist or philosopher, we might find that, yes, The Starry Night is very true- it tells us truths about the human experience. It's a testament to how grief feels and the numinous quality we often experience when we peer deeply into the night sky...

It is somehow more true than facts- it resonates in some deeper chamber of the human heart.
So let me ask you two more questions:

Is the Bible infallible? Is it true? ~ Mike McHargue,
1001:If the individual's wants are to be urgent, they must be original with himself. They cannot be urgent if they must be contrived for him. And above all, they must not be contrived by the process of production by which they are satisfied. For this means that the whole case for the urgency of production, based on the urgency of wants, falls to the ground. One cannot defend production as satisfying wants if that production creates the wants.

Were it so that a man on arising each morning was assailed by demons which instilled in him a passion sometimes for silk shirts, sometimes for kitchenware, sometimes for chamber pots, and sometimes for orange squash, there would be every reason to applaud the effort to find the goods, however odd, that quenched this flame. But should it be that his passion was the result of his first having cultivated the demons, and should it also be that his effort to allay it stirred the demons to ever greater and greater effort, there would be question as to how rational was his solution. Unless restrained by conventional attitudes, he might wonder if the solution lay with more goods or fewer demons. ~ John Kenneth Galbraith,
1002:Woman, man, mole, maggot – they’re all the same, when all’s said and done, except for slight variations in cognitive ability. many weighty books on magic that looked as if they had been bound in human skin at the beginning of time but had probably been mass-produced last week by a factory in Catford. She fought to get away, only to find herself in the chill nursery with its tiny crib, the one her husband had carved so carefully from supple ash, the first and last thing that he ever made with his own hands. The crib rocked back and forth, and though she did not want to look inside, the dream always made her. Afterward, she woke crying, deep racking sobs that cramped her belly till she gasped with pain, surging, pulsing, wrenching stabs of agony deep as childbirth. The sleepwalking began on the second night. She woke in the kitchens rubbing her hands as if washing them, and though she could remember nothing of the dream that led her there, she skulked back to her chamber oppressed with guilt and horror. From that night on, she insisted that a lantern burn beside her bed at all hours, a talisman against darkness of all kinds. It didn’t help. ~ A J Hartley,
1003:Clare could bear this no longer. His eyes were full of tears, which seemed like drops of molten lead. He bade a quick good-night to these sincere and simple souls whom he loved so well; who knew neither the world, the flesh, or the devil in their own hearts; only as something vague and external to themselves. He went to his own chamber.
His mother followed him, and tapped at his door. Clare opened it to discover her standing without, with anxious eyes.
"Angel," she asked, "is there something wrong that you must go away so soon? I am quite certain you are not yourself."
"I am not, quite, mother," said he.
"About her? Now, my son, I know it is that--I know it is about her! Have you quarreled in these three weeks?"
"We have not exactly quarreled," he said. "But we have had a difference--"
"Angel--is she a young woman whose history will bear investigation?"
With a mother's instinct Mrs. Clare had put her finger on the kind of trouble that would cause such a disquiet as seemed to agitate her son.
"She is spotless!" he replied; and he felt that if it had sent him to eternal hell there and then he would have told that lie. ~ Thomas Hardy,
1004:The need to pull him to her and take his mouth, feel that lean body against hers, throbbed through her. God, she seemed to meet one of the criteria for joining Nemesis—the fact that they were in this haunted chamber, deciding the fate of their villainous prey, and she wanted nothing more than to push him down onto the bed and finish what they’d started the other night—clearly she was out of her mind. Her feelings at that moment must have been transparent. A look of fierce hunger crossed his face, and she could’ve sworn he growled deep in his chest. “I was wrong,” he rumbled. “The danger’s not from the Larkfields, or the other servants. It’s us. We’re like goddamn nitroglycerin.”
“Any way to neutralize nitroglycerin?” She sounded as if she’d run up ten flights of stairs. “Might be. I’m not a scientist.” His eyes darkened. “But I don’t want to get rid of the chemistry between us. We’d create a hell of an explosion.” Heat swept along her body. With the brief tastes she’d had of what they could be together, the pleasure they could give each other, they’d probably level everything around them within miles. And curse her if she didn’t want that. ~ Zoe Archer,
1005:and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling ~ H Rider Haggard,
1006:So what you’re really saying is you’ll come only when you think you’ll be too old to care. When my kids have left. Or when I’m a grandfather. I can just see us—and on that evening, we’ll sit together and drink a strong eau-de-vie, like the grappa your father used to serve at night sometimes.”
“And like the old men who sat around the piazzetta facing the Piave memorial, we’ll speak about two young men who found much happiness for a few weeks and lived the remainder of their lives dipping cotton swabs into that bowl of happiness, fearing they’d use it up, without daring to drink more than a thimbleful on ritual anniversaries.” But this thing that almost never was still beckons, I wanted to tell him. They can never undo it,
never unwrite it, never unlive it, or relive it—it’s just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false.
Their life is like a garbled echo buried for all time in a sealed Mithraic chamber.
Silence. ~ Andr Aciman,
1007:Epithalamium
Virgin, brighter than the morning,
Haste and finish thy adorning!
Hymen claims his promised day,—
Come from thy chamber, come away!
Roses strew, and myrtles bring,
Till you drain the wasted Spring;—
The altars are already drest,
The bower is fitted for its guest,
The scattered rose begins to fade,—
Come away, reluctant maid!
See what a war of blushes breaks
O'er the pure whiteness of her cheeks;
The shifting colours prove by turns
The torch of Love unsteady burns.
Pleading now, now lingering, fainting,
Her soft heart with fear is panting;—
Cling not to thy mother so,
Thy mother smiles, and bids thee go.
Mind not what thy maidens say;
Though they chide the cruel day,
Though they weep, and strive to hold thee
From his arms that would enfold thee;
Kiss, and take a short farewell,—
They wish the chance to them befell.
Mighty Love demands his crown
Now for all his sufferings done;
For all Love's tears, for all his sighs,
Thyself must be the sacrifice.
Virgin, brighter than the day,
Haste from thy chamber, come away!
~ Anna Laetitia Barbauld,
1008:I.
I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright
I arise from dreams of thee,
And a spirit in my feet
Hath led me who knows how?
To thy chamber window, Sweet!

II.
The wandering airs they faint
On the dark, the silent stream
The champak odors fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart;
As I must on thine,
Oh, beloved as thou art!

III.
O lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast;
Oh! press it to thine own again,
Where it will break at last.
Published, with the title, "Song written for an Indian Air", in "The Liberal", 2, 1822. Reprinted ("Lines to an Indian Air") by Mrs. Shelley, "Posthumous Poems", 1824. The poem is included in the Harvard manuscript book, and there is a description by Robert Browning of an autograph copy presenting some variations from the text of 1824.

~ Percy Bysshe Shelley, The Indian Serenade
,
1009:Here And Now
HERE AND NOW.
Here, in the heart of the world,
Here, in the noise and the din,
Here, where our spirits were hurled
To battle with sorrow and sin,
This is the place and the spot
For knowledge of infinite things;
This is the kingdom where Thought
Can conquer the prowess of kings.
Wait for no heavenly life,
Seek for no temple alone;
Here, in the midst of the strife,
Know what the sages have known.
See what the Perfect Ones sawGod in the depth of each soul,
God as the light and the law,
God as beginning and goal.
Earth is one chamber of Heaven,
Death is no grander than birth.
Joy in the life that was given,
Strive for perfection on earth.
Here, in the turmoil and roar,
Show what it is to be calm;
Show how the spirit can soar
And bring back its healing and balm.
Stand not aloof nor apart,
Plunge in the thick of the fight.
There in the street and the mart,
That is the place to do right.
Not in some cloister or cave,
Not in some kingdom above,
Here, on this side of the grave,
Here, should we labor and love.
289
~ Ella Wheeler Wilcox,
1010:If I could intervene and change my own particular history would I alter past events in such a way that I'd bring Danny back to life? Would I return the single rimfire bullet to its quiet chamber in the gun and let the night of November 26, 19 , pass away in sleep and dreams or drink or television or whatever the anonymous bulk of history holds for most people? Would I uncurl the fingers from the grip, would I take away the pain, would I unwrite the note and slip the blank sheet back in the ream and return the ream to pulp and etc., would I exchange my own monstrous father for some kindly sap out of the sitcom tradition, would I do any of this, would I? And where would I be? Would I be there, in the room? Would my role be heroic? And where exactly would I begin digging into the past, making corrections, amending it? How far back do I have to go to undo the whole dark kit and kaboodle? I mean, from where I sit now I can imagine a vast sordid history finally reaching its penultimate unraveled state in the Garden, under the shade of the tree of knowledge, raising the question of whether or not I'd halt the innocent hand, leaving the apple alone, unbitten. ~ Charles D Ambrosio,
1011:If I could intervene and change my own particular history would I alter past events in such a way that I'd bring Danny back to life? Would I return the single rimfire bullet to its quiet chamber in the gun and let the night of November 26, 19__, pass away in sleep and dreams or drink or television or whatever the anonymous bulk of history holds for most people? Would I uncurl the fingers from the grip, would I take away the pain, would I unwrite the note and slip the blank sheet back in the ream and return the ream to pulp and etc., would I exchange my own monstrous father for some kindly sap out of the sitcom tradition, would I do any of this, would I? And where would I be? Would I be there, in the room? Would my role be heroic? And where exactly would I begin digging into the past, making corrections, amending it? How far back do I have to go to undo the whole dark kit and kaboodle? I mean, from where I sit now I can imagine a vast sordid history finally reaching its penultimate unraveled state in the Garden, under the shade of the tree of knowledge, raising the question of whether or not I'd halt the innocent hand, leaving the apple alone, unbitten. ~ Charles D Ambrosio,
1012:Perverse? Because they obey the only law of life; because they are satisfied with the only need of life, which is love? But consider, milady, the flower is only a reproductive organ. Is there anything healthier, stronger, or more beautiful than that? These marvelous petals, these silks, these velvets... these soft, supple, and caressing materials are the curtains of the alcove, the draperies of the bridal chamber, the perfumed bed where they unite, where they pass their ephemeral and immortal life, swooning with love. What an admirable example for us!” he spread the petals of the flower, counted the stamens laden with pollen, and he spoke again, his eyes swimming in a comical ecstasy: “See, milady; one, two, five, ten, twenty. See how they quiver! Look! Sometimes twenty males are required for the delight of a single female! he! he! he! Sometimes it’s the opposite.” one by one he tore off the petals of the flower: “And when they are gorged with love, then the curtains of the bed are torn away, the draperies of the chamber wither and fall; and the flowers die, because they know well they have nothing more to do. They die, to be reborn later, and once again, to love! ~ Octave Mirbeau,
1013:the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, ~ H Rider Haggard,
1014:Egyptology
I am the Sphinx.
I am the woman buried in sand
up to her chin.
I am waiting for an archaeologist
to unearth me,
to dig out my neck & my nipples,
bare my claws
& solve my riddle.
No one has solved my riddle
since Oedipus.
I face the pyramids which rise
like angular breasts
from the dry body of Egypt.
My fertile river is flowing down belowa lovely lower kingdom.
Every woman should have a delta
with such rich siltbrown as the buttocks
of Nubian queens.
O friend, why have you come to Egypt?
Aton & Yahweh
are still feuding.
Moses is leading his people
& speaking of guilt.
The voice out of the volcano
will not be still.
A religion of death,
a woman buried alive.
For thousands of years
the sand drifted over my head.
My sex was a desert,
my hair more porous than pumice,
& nobody sucked my lips
to make me tell.
58
The pyramid breasts, though huge,
will never sag.
In the center of each one,
a king lies buried.
In the center of each one,
a darkened chamber. . .
a tunnel,
dead men's bones,
malignant gold.
~ Erica Jong,
1015:Late in this quiet meal Ann looked around curiously at her companions, suddenly awed by the spectacle of human adaptability. Here they were eating their dinner, talking over the low boom from the north, in a perfect illusion of dining-room conviviality; it might have been anywhere anytime, and their tired faces bright with some collective success, or merely with the pleasure of eating together—while just outside their chamber the broken world roared, and rockfall could annihilate them at any instant. And it came to her that the pleasure and stability of dining rooms had always occurred against such a backdrop, against the catastrophic background of universal chaos; such moments of calm were things as fragile and transitory as soap bubbles, destined to burst almost as soon as they blew into existence. Groups of friends, rooms, streets, years, none of them would last. The illusion of stability was created by a concerted effort to ignore the chaos they were imbedded in. And so they ate, and talked, and enjoyed each other’s company; this was the way it had been in the caves, on the savannah, in the tenements and the trenches and the cities huddling under bombardment. ~ Kim Stanley Robinson,
1016:Are there flowers here, your ladyship?' he asked when Pole had gone.
'Flowers?' Lucretia touched a hand to her cheek. 'Surely you have smelt rose water before?'
In the Solar Gallery, remembered John. The scent teased his nostrils as he bent to prise open the first dumpling. The soft dough parted and a puff of steam carried a second sweet smell into the chamber. Lucretia peered at the glistening mass then looked up curiously. 'What dish is this?'
'"Let me feed thee Honey-sugared Creams,"' John recited. '"As cool the Quodling's 'scaping Steam."'
She stared at him, amazed. 'The verses? You can read?'
'Is it so strange in a cook?'
'I... no.' Lucretia gathered herself. 'Of course you must read your receipts.'
'They are our verses, your ladyship. We give each other recitals down there in our kitchens.'
John brought a corked flask from inside his doublet and poured sweetened cream over the apple. He watched her dig into the apple's oozing flesh, swirl the thick cream then slip the marbled mixture into her mouth.
'Your honey-sugared cream is as sweet as the verses claim,' Lucretia told him, swallowing. 'It all but conquers the sourness of the quodling. ~ Lawrence Norfolk,
1017:The socialists who took over India from the British, and have only run it further into ground, and created both the problems listed at the beginning of this article, are advocating more socialist measures to solve these problems, unchallenged. The Delhi ruling elite has become an echo chamber, in which the Left’s narrative passes as high knowledge. Nobody in Delhi’s ruling class ever ventures outside this echo chamber, nobody even peaks outside, and nobody learns economics. They have no idea as to what money is, where it comes from, where it goes; what jobs are, how jobs are created, and where they come from, and where and why they disappear. In fact they have successfully convinced people that we have already created enough and needed prosperity and the only problem that needs to be solved is that of just and fair redistribution, for which they, the Leftists, need some more powers, some more laws, and some more government rules and regulations and departments to enforce them. This in a country in which only 3 crores out of 125 crore pay income tax, and in which per capita income is less than 1/30th of the developed world, and only about 4 percent hold jobs in the organised sector. ~ Anonymous,
1018:Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner. ~ William T Vollmann,
1019:And the principal tenet of Pasternak’s thought—that Nature and History do not belong to two different orders but form a continuum in which human lives find themselves immersed and by which they are determined—can be articulated better through narration than through theoretical propositions. In this way these reflections become one with the broad canvas of all the humanity and nature in the novel, they do not dominate or suffocate it. The result is that, as happens with all genuine storytellers, the book’s meaning is not to be sought in the sum of the ideas enunciated but in the totality of its images and sensations, in the flavour of life, in its silences. And all the ideological proliferations, these discussions which constantly flare up and die down, about nature and history, the individual and politics, religion and poetry, as though resuming old conversations with friends long gone, create a deep echo chamber for the strictly humble events the characters undergo, and come forth (to adopt a beautiful image used by Pasternak for the revolution) ‘like a sigh which has been held back too long’. Pasternak has breathed into his whole novel a desire for the kind of novel which no longer exists. ~ Italo Calvino,
1020:WHAT pulls at my heart so?

What tells me to roam?
What drags me and lures me

From chamber and home?
How round the cliffs gather

The clouds high in air!
I fain would go thither,

I fain would be there!

The sociable flight

Of the ravens comes back;
I mingle amongst them,

And follow their track.
Round wall and round mountain

Together we fly;
She tarries below there,

I after her spy.

Then onward she wanders,

My flight I wing soon
To the wood fill'd with bushes,

A bird of sweet tune.
She tarries and hearkens,

And smiling, thinks she:
"How sweetly he's singing!

He's singing to me!"

The heights are illum'd

By the fast setting sun;
The pensive fair maiden

Looks thoughtfully on;
She roams by the streamlet,

O'er meadows she goes,
And darker and darker

The pathway fast grows.

I rise on a sudden,

A glimmering star;
"What glitters above me,

So near and so far?"

And when thou with wonder

Hast gazed on the light,
I fall down before thee,

Entranced by thy sight!

~ Johann Wolfgang von Goethe, Longing
,
1021:Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway.
Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House.
To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that.
Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney?
More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more. ~ Karen Hawkins,
1022:I’m in control.
But it’s a lie, because now I’ve tasted him. His lips are salty-sweet with yesterday’s laughter … digging in the black sands beneath Wonderland’s sunshine, playing leapfrog atop mushroom caps, and resting in the shade of black satin wings.

I try to shake off the spell, but he angles his face and deepens the kiss. “Embrace me … embrace your destiny.” He breaks the barrier of my lips, touching his tongue to mine, a sensation too wickedly delicious to deny. As our tongues entwine, his lullaby purrs through my blood and bones, carrying me to the stars.

Behind closed eyes, I’m floating against a velvet sky, lungs filled with night air. On some level, I know I’m still in the middle of a fire-warmed chamber, yet my wings pantomime flight on a cool breeze. I’m dancing with Morpheus in the heavens, no longer imprisoned by gravity.
Fluttering our wings in unison, we twist and whirl a weightless waltz among stars that coil and uncoil in feathery sparks high above Wonderland’s warped and wonderful landscapes. Each time we spin, then return to each other’s arms, I laugh, because at last I’m me.

I’m a me I’ve longed to be in my innermost fantasies—spontaneous, impetuous, and seductive. ~ A G Howard,
1023:fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of ~ H Rider Haggard,
1024:Yes, the issue was courage. It always had been, even as a kid. Things scared him. He couldn't help it. Noise scared him, dark scared him. Tunnels scared him: the time he almost won the Silver Star for valor. But the real issue was courage. It had nothing to do with the Silver Star...Oh, he would've liked winning it, true, but that wasn't the issue. He would've liked showing the medal to his father, the heavy feel of it, looking his father in the eye to show he had been brave, but even that wasn't the real issue. The real issue was the power of will to defeat fear. A matter of figuring a way to do it. Somehow working his way into that secret chamber of the human heart, where, in tangles, lay the circuitry for all that was possible, the full range of what a man might be. He believed, like Doc Peret, that somewhere inside each man is a biological center for the exercise of courage, a piece of tissue that might be touched and sparked and made to respond, a chemical maybe, or a lone chromosome that when made to fire would produce a blaze of valor that even the biles could not extinguish. A filament, a fuse, that if ignited would release the full energy of what might be. There was a Silver Star twinkling somewhere inside him. ~ Tim O Brien,
1025:Preparations
YET if His Majesty, our sovereign lord,
Should of his own accord
Friendly himself invite,
And say 'I'll be your guest to-morrow night,'
How should we stir ourselves, call and command
All hands to work! 'Let no man idle stand!
'Set me fine Spanish tables in the hall;
See they be fitted all;
Let there be room to eat
And order taken that there want no meat.
See every sconce and candlestick made bright,
That without tapers they may give a light.
'Look to the presence: are the carpets spread,
The dazie o'er the head,
The cushions in the chairs,
And all the candles lighted on the stairs?
Perfume the chambers, and in any case
Let each man give attendance in his place!'
Thus, if a king were coming, would we do;
And 'twere good reason too;
For 'tis a duteous thing
To show all honour to an earthly king,
And after all our travail and our cost,
So he be pleased, to think no labour lost.
But at the coming of the King of Heaven
All 's set at six and seven;
We wallow in our sin,
Christ cannot find a chamber in the inn.
We entertain Him always like a stranger,
And, as at first, still lodge Him in the manger.
~ Anonymous,
1026:Song Of Lovely Women
Third day, third month festival,
and the air fresh with spring;
beside Serpentine Lake in Chang'an,
many lovely women stroll.
Their appearance is elegant,
their thoughts lofty and refined,
their complexions delicate,
figures in perfect proportion.
Their embroidered silk gowns
glisten with spring light;
golden peacocks and beasts of silver
strut upon the fabric.
What is it that they wear
upon their heads?
Jeweled headbands with kingfisher feathers,
dangling to their hairlines.
And what is it that we see
upon their backs?
Pearl-studded overskirts
drawn tight at the waist.
Among them are kin of the Pepper-flower Chamber with its cloud-patterned
curtainsthe Duchesses of Guo and Qin,
honored with the names of nations!
A great roast of purple camel hump
rises from a green cauldron,
and crystal plates gleam
with heaps of white-scaled fish.
But the rhinoceros horn chopsticks,
long-sated, are slow to descend,
and the belled knife-handles
dance vainly above the roast.
The flying steeds of the eunuchs
hardly stir the dust,
as they bear in eight exotic dishes
from the Imperial Kitchens.
58
~ Du Fu,
1027:Female prophecy must be situated in the crisis of reproduction in the middle of the seventeenth century. This was the peak period for the criminalization of women in England and throughout Europe, as prosecutions for infanticide, abortion, and witchcraft reached their highest rate. It was also the period in which men began to wrest control of reproduction from women (male midwives appeared in 1625 and forceps soon thereafter); previously, "childbirth and the lying-in period were a kind of ritual collectively staged and controlled by women, from which men were usually excluded." Since the ruling class had begun to recognize its interest in increased fecundity, "attention was focussed on the 'population' as fundamental category for economic and political analysis." The simultaneous births of modern obstetrics and modern demography were responses to this crisis. Both, like the witchcraft prosecutions, sought to rationalize social reproduction in a capitalist context - that is, as the breeding of labor power. A recurring motif in the ruling-class imagination was intercourse between the English witch and the "black man" - a devil or imp. The terror was not limited to an imaginary chamber of horrors; it was an actuality of counterevolution. ~ Peter Linebaugh,
1028:Moody was not unaware of the advantage his inscrutable grace afforded him. Like most excessively beautiful persons, he had studied his own reflection minutely and, in a way, knew himself from the outside best; he was always in some chamber of his mind perceiving himself from the exterior. He had passed a great many hours in the alcove of his private dressing room, where the mirror tripled his image into profile, half-profile, and square: Van Dyck's Charles, though a good deal more striking. It was a private practice, and one he would likely have denied--for how roundly self-examination is condemned, by the moral prophets of our age! As if the self had no relation to the self, and one only looked in mirrors to have one's arrogance confirmed; as if the act of self-regarding was not as subtle, fraught, and ever-changing as any bond between twin souls. In his fascination Moody sought less to praise his own beauty than to master it. Certainly whenever he caught his own reflection, in a window box, or in a pane of glass after nightfall, he felt a thrill of satisfaction--but as an engineer might feel, chancing upon a mechanism of his own devising and finding it splendid, flashing, properly oiled and performing exactly as he had predicted it should. ~ Eleanor Catton,
1029:As Jurgis lay on his bed, hour after hour there came to him emotions that he had never known before. Before this he had met life with a welcome—it had its trials, but none that a man could not face. But now, in the nighttime, when he lay tossing about, there would come stalking into his chamber a grisly phantom, the sight of which made his flesh curl and his hair to bristle up. It was like seeing the world fall away from underneath his feet; like plunging down into a bottomless abyss into yawning caverns of despair. It might be true, then, after all, what others had told him about life, that the best powers of a man might not be equal to it! It might be true that, strive as he would, toil as he would, he might fail, and go down and be destroyed! The thought of this was like an icy hand at his heart; the thought that here, in this ghastly home of all horror, he and all those who were dear to him might lie and perish of starvation and cold, and there would be no ear to hear their cry, no hand to help them! It was true, it was true,—that here in this huge city, with its stores of heaped-up wealth, human creatures might be hunted down and destroyed by the wild-beast powers of nature, just as truly as ever they were in the days of the cave men! Ona ~ Upton Sinclair,
1030:The Sabians were allowed to build a new Temple of the Moon God, and to continue their religious rites, after the Arab General Ibn Ghanam conquered Harran in the seventh century AD. This in itself is a sign of most unusual favor, since Islamic armies normally offered "pagans" the choice of either conversion or death. Even more interesting, however, is the Sabians' encounter with the Abbasid Caliph Abu Jafar Abdullah al-Ma'mun, who passed through their city in AD 830 and reportedly quizzed them intensively on their religion.
Remembering the Sabian pilgrimages to Giza, it is reasonable to wonder whether there is any connection with the fact that in AD 820, a decade before he visited Harran, it was Ma'mun who tunnelled into the Great Pyramid and opened its previously hidden passageways and chambers. Indeed, it is through "Ma'mun's Hole" that visitors still enter the monument today. Described by Gibbon as "a prince of rare learning," it seems Ma'mun's investigation was prompted by information he'd received about the Great Pyramid, specifically that it contained: 'a secret chamber with maps and tables of the celestial and terrestrial spheres. Although they were said to have been made in the remote past, they were suppposed to be of great accuracy. ~ Graham Hancock,
1031:XVIII - DONJON

(In a niche of the wall a shrine, with an image of the Mater
Dolorosa. Pots of flowers before it.)

MARGARET

(putting fresh flowers in the pots)

Incline, O Maiden,
Thou sorrow-laden,
Thy gracious countenance upon my pain!

The sword Thy heart in,
With anguish smarting,
Thou lookest up to where Thy Son is slain!

Thou seest the Father;
Thy sad sighs gather,
And bear aloft Thy sorrow and His pain!

Ah, past guessing,
Beyond expressing,
The pangs that wring my flesh and bone!
Why this anxious heart so burneth,
Why it trembleth, why it yearneth,
Knowest Thou, and Thou alone!

Where'er I go, what sorrow,
What woe, what woe and sorrow
Within my bosom aches!
Alone, and ah! unsleeping,
I'm weeping, weeping, weeping,
The heart within me breaks.

The pots before my window,
Alas! my tears did wet,
As in the early morning
For thee these flowers I set.

Within my lonely chamber
The morning sun shone red:
I sat, in utter sorrow,
Already on my bed.

Help! rescue me from death and stain!
O Maiden!
Thou sorrow-laden,
Incline Thy countenance upon my pain!
Faust
Faust

~ Johann Wolfgang von Goethe, DONJON
,
1032:Come Hither, Child
Come hither, child--who gifted thee
With power to touch that string so well?
How darest thou rouse up thoughts in me,
Thoughts that I would--but cannot quell?
Nay, chide not, lady; long ago
I heard those notes in Ula's hall,
And had I known they'd waken woe
I'd weep their music to recall.
But thus it was: one festal night
When I was hardly six years old
I stole away from crowds and light
And sought a chamber dark and cold.
I had no one to love me there,
I knew no comrade and no friend;
And so I went to sorrow where
Heaven, only heaven saw me bend.
Loud blew the wind; 'twas sad to stay
From all that splendour barred away.
I imaged in the lonely room
A thousand forms of fearful gloom.
And with my wet eyes raised on high
I prayed to God that I might die.
Suddenly in that silence drear
A sound of music reached my ear,
And then a note, I hear it yet,
So full of soul, so deeply sweet,
I thought that Gabriel's self had come
To take me to thy father's home.
Three times it rose, that seraph strain,
Then died, nor breathed again;
But still the words and still the tone
Dwell round my heart when all alone.
21
~ Emily Jane Brontë,
1033:But on another, more potent level, the work of horror really is a dance—a moving, rhythmic search. And what it’s looking for is the place where you, the viewer or the reader, live at your most primitive level. The work of horror is not interested in the civilized furniture of our lives. Such a work dances through these rooms which we have fitted out one piece at a time, each piece expressing—we hope!—our socially acceptable and pleasantly enlightened character. It is in search of another place, a room which may sometimes resemble the secret den of a Victorian gentleman, sometimes the torture chamber of the Spanish Inquisition . . . but perhaps most frequently and most successfully, the simple and brutally plain hole of a Stone Age cave-dweller. Is horror art? On this second level, the work of horror can be nothing else; it achieves the level of art simply because it is looking for something beyond art, something that predates art: it is looking for what I would call phobic pressure points. The good horror tale will dance its way to the center of your life and find the secret door to the room you believed no one but you knew of—as both Albert Camus and Billy Joel have pointed out. The Stranger makes us nervous . . . but we love to try on his face in secret. ~ Stephen King,
1034:nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now ~ H Rider Haggard,
1035:With each new course, he offers up little bites of the ethos that drives his cooking, the tastes and the words playing off each other like a kaiseki echo chamber.
Ark shell, a bulging, bright orange clam peeking out of its dark shell, barely cooked, dusted with seaweed salt.
"To add things is easy; to take them away is the challenge."
Bamboo, cut into wedges, boiled in mountain water and served in a wide, shallow bowl with nothing but the cooking liquid.
"How can we make the ingredient taste more like itself?With heat, with water, with knifework."
Tempura: a single large clam, cloaked in a pale, soft batter with more chew than crunch. The clam snaps under gentle pressure, releasing a warm ocean of umami.
"I want to make a message to the guest: this is the best possible way to cook this ingredient."
A meaty fillet of eel wrapped around a thumb of burdock root, glazed with soy and mirin, grilled until crispy: a three-bite explosion that leaves you desperate for more.
"The meal must go up and down, following strong flavors with subtle flavors, setting the right tone for the diner."
And it does, rising and falling, ebbing and flowing, until the last frothy drop of matcha is gone, signaling the end of the meal. ~ Matt Goulding,
1036:My Home
This is the place that I love the best,
A little brown house, like a ground-bird's nest,
Hid among grasses, and vines, and trees,
Summer retreat of the birds and bees.
The tenderest light that ever was seen
Sifts through the vine-made window screen-Sifts and quivers, and flits and falls
On home-made carpets and gray-hung walls.
All through June the west wind free
The breath of clover brings to me.
All through the languid July day
I catch the scent of new-mown hay.
The morning-glories and scarlet vine
Over the doorway twist and twine;
And every day, when the house is still,
The humming-bird comes to the window-sill.
In the cunningest chamber under the sun
I sink to sleep when the day is done;
And am waked at morn, in my snow-white bed,
By a singing bird on the roof o'erhead.
Better than treasures brought from Rome,
Are the living pictures I see at home-My aged father, with frosted hair,
And mother's face, like a painting rare.
Far from the city's dust and heat,
I get but sounds and odors sweet.
Who can wonder I love to stay,
Week after week, here hidden away,
In this sly nook that I love the best-This little brown house like a ground-bird's nest?
~ Ella Wheeler Wilcox,
1037:So it began. It ended as it always does, with such things; he had a full pleasure-chamber and flagellary, the Duc de Morhban, and he took me there, in the cool depths of the earth beneath his castle at the outermost edge of Terre d’Ange, setting the torches ablaze until it might as well have been Kushiel’s domain, wringing me limp with blood and sweat, his face distorted behind the lash, and the sound of my own voice, begging, pleading, as he rode me at the end, bestriding me like a colossus. He used flechettes, too. I hadn’t counted on that. A thousand deaths, of agony and pleasure, I died there in Quincel de Morhban’s chamber. He was good, better almost than any patron I had known, when at last he laid civility aside for violent pleasure, the mask of lust obscuring his features. He was a Kusheline, it was in his blood. He wanted—oh, Elua, he wanted!—to hear me give the signale. If he gave up his questions, it was for that, waiting. And if I had given it, I would have answered. But I had given the signale to one patron only, who had sundered me from myself. Quincel de Morhban could command me, shuddering, to give up my very flesh, quivering in abject climax. He could, and he did, snarling with victory. Not my signale. And in the end, his exhaustion defeated us both. ~ Jacqueline Carey,
1038:For the first time in civilized history, perhaps for the first time in all of history, we have been forced to live with the suppressed knowledge that the smallest facets of our personality or the most minor projection of our ideas, or indeed the absence of ideas and the absence of personality could mean equally well that we might still be doomed to die as a cipher in some vast statistical operation in which our teeth would be counted, and our hair would be saved, but our death itself would be unknown, unhonored, and unremarked, a death which could not follow with dignity as a possible consequence to serious actions we had chosen, but rather a death by deus ex machina in a gas chamber or a radioactive city; and so if in the midst of civilization—that civilization founded upon the Faustian urge to dominate nature by mastering time, mastering the links of social cause and effect—in the middle of an economic civilization founded upon the confidence that time could indeed be subjected to our will, our psyche was subjected itself to the intolerable anxiety that death being causeless, life was causeless as well, and time deprived of cause and effect had come to a stop.

The Second World War presented a mirror to the human condition which blinded anyone who looked into it. ~ Norman Mailer,
1039:I compare human life to a large Mansion of Many Apartments, two of which I can only describe, the doors of the rest being as yet shut upon me — The first we step into we call the infant or thoughtless Chamber, in which we remain as long as we do not think — We remain there a long while, and notwithstanding the doors of the second Chamber remain wide open, showing a bright appearance, we care not to hasten to it; but are at length imperceptibly impelled by awakening of the thinking principle — within us — we no sooner get into the second Chamber, which I shall call the Chamber of Maiden-Thought, than we become intoxicated with the light and the atmosphere, we see nothing but pleasant wonders, and think of delaying there for ever in delight: However among the effects this breathing is father of is that tremendous one of sharpening one’s vision into the nature and heart of Man — of convincing one’s nerves that the World is full of misery and Heartbreak, Pain, sickness and oppression — whereby This Chamber of Maiden Thought becomes gradually darken’d and at the same time on all sides of it many doors are set open — but all dark — all leading to dark passages — We see not the balance of good and evil. We are in a Mist — We are now in that state — We feel the burden of the Mystery. ~ John Keats,
1040:It was a fine gun, but an unlucky one. Steyr-Daimler-Puch built it with the prospect of big orders from the Austrian Army dancing in its eyes, but a rival outfit named Glock came along and stole the prize. Which left the GB an unhappy orphan, like Cinderella. And like Cinderella it had many excellent qualities. It packed eighteen rounds, which was a lot, but it weighed less than two and a half pounds unloaded, which wasn’t. You could take it apart and put it back together in twelve seconds, which was fast. Best of all, it had a very smart gas management system. All automatic weapons work by using the explosion of gas in the chamber to cycle the action, to get the spent case out and the next cartridge in. But in the real world some cartridges are old or weak or badly assembled. They don’t all explode with the same force. Put an out-of-spec weak load in some guns, and the action just wheezes and won’t cycle at all. Put a too-heavy load in, and the gun can blow up in your hand. But the Steyr was designed to deal with anything that came its way. If I were a Special Forces soldier taking dubious-quality ammunition from whatever ragtag bunch of partisans I was hanging with, I’d use a Steyr. I would want to be sure that whatever I was depending on would fire, ten times out of ten. Through ~ Lee Child,
1041:Night wrapped around the proud towers. Joanna took a taper and held it to the fire, set it to a candlewick. Standing, candle in one hand, she held out the other to Alex. He took it and went with her wordlessly.
They climbed a coiling staircase so old the stones sloped gently in the centers where generations of feet had walked up and down them, and came at last to a room that took up the entire uppermost floor of the tower.
“This,” Joanna said quietly as she opened the ironbound door and stepped beyond, “is the oldest part of Hawkforte. Legend has it the first Lord of Hawkforte and his lady shared this chamber. Ever since, it has been occupied only by the present lord after he marries.”
“Are there spirits who would mind us being here?” he asked with a smile.
“They would welcome us,” she said, and went around the room, lighting the candles set in wall sconces until the room was bathed in their gentle glow.
An immense bed stood at its center, hung with richly embroidered curtains and covered with furs. Joanna walked toward it, turned, and faced Alex.
“I love you,” she said. “I just thought I ought to say that and I wanted it to be here, in this place.”
“I love you, too,” he replied matter-of-factly because it was that way to him now, a simple fact of his life. ~ Josie Litton,
1042:Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the ~ H Rider Haggard,
1043:Current theories regarding the function and construction of the pyramid fall short. A credible theory would have to explain the following conditions found inside the Great Pyramid:
-The selection of granite as the building material for the King's Chamber. It is evident that in choosing granite, the builders took upon themselves an extremely difficult task.
-The presence of four superfluous chambers above the King's Chamber.
-The characteristics of the giant granite monoliths that were used to separate these so-called "construction chambers."
-The presence of exuviae, or the cast-off shells of insects, that coated the chamber above the King's Chamber, turning those who entered black.
-The violent disturbance in the King's Chamber that expanded its walls and cracked the beams in its ceiling but left the rest of the Great Pyramid seemingly undisturbed.
-The fact that the guardians were able to detect the disturbance inside the King's Chamber, when there was little or no exterior evidence of it.
-The reason the guardians thought it necessary to smear the cracks in the ceiling of the King's Chamber with cement.
-The fact that two shafts connect the King's Chamber to the outside.
-The design logic for these two shafts—their function, dimensions, features, and so forth. ~ Christopher Dunn,
1044:suddenly Arthur had a fairly clear idea of what infinity looked like. It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity— distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself. Arthur’s senses bobbed and spun as, traveling at the immense speed he knew the aircar attained, they climbed slowly through the open air, leaving the gateway through which they had passed an invisible pinprick in the shimmering wall behind them. The wall. The wall defied the imagination—seduced it and defeated it. The wall was so paralyzingly vast and sheer that its top, bottom and sides passed away beyond the reach of sight. The mere shock of vertigo could kill a man. The wall appeared perfectly flat. It would take the finest laser-measuring equipment to detect that as it climbed, apparently to infinity, as it dropped dizzily away, as it planed out to either side, it also curved. It met itself again thirteen light seconds away. In other words the wall formed the inside of a hollow sphere, a sphere over three million miles across and flooded with unimaginable light. ~ Douglas Adams,
1045:there now sat a square package perhaps a cubit on a side, done up in a golden wrapping all spattered with ornamental sparks of brighter and darker gold. She went over to it, picked it up to test the weight: somewhat heavy. Arrhae shook the box, then smiled at herself. Nothing rattled. She wandered back into her chamber with it, pushed her clothes aside, and sat down on the couch. Carefully Arrhae unwrapped the paper without tearing it—the old habit of a household manager, not to waste anything that might be useful later—and set it aside, revealing a plain golden paperboard box inside. A seal held the closing-flap down. She slit the seal with one thumbnail, opened the box, and found inside it some white tissue spangled with more golden spots, all wrapped around something roughly spherical. Arrhae pushed the padding-tissue aside to reveal a smooth clear substance, a glassy dome. Reaching into the box, she brought out what revealed itself as a dish garden of clear glass: the bottom of it full of stripes of colored sand, and rooted in the sand, various small dry-climate plants, spiny or thick-leaved, one or two of them producing tiny, delicate, golden flowers. Attached to the upper dome, instead of a chip or tag, was a small, white, gold-edged printed card that said, FROM AN ADMIRER—WELCOME HOME. Arrhae ~ Diane Duane,
1046:for the Labour Party – splendid news. That increasingly leftward bound organisation is in process of splitting, and Shirley Williams,fn31 Roy Jenkinsfn32 etc. will found a new Social Democratic Partyfn33 (this oddly repeats events in Oxford circa 1940 when I was chairman of the leftward bound Labour Club and Roy Jenkins led a group to found a new Social Democratic Club. How right he was!). It’s a pity about the Labour Party but given the whole scene the split is best. It is now official Labour policy to leave the Common Market and NATO! And unofficially are likely to abolish the House of Lords instantly and have no second chamber, abolish private schooling etc. And of course (this is perhaps the main point) to have the leadership under the control of the executive committee (and Labour activists in the constituencies) substituting party ‘democracy’ for parliamentary democracy. I blame Denis Healey and others very much for not reacting firmly earlier against the left. A crucial move was when the parliamentary party elected Michael Foot, that wet crypto-left snake, as leader instead of Denis. Now Denis and co. are left behind, complaining bitterly, to fight the crazy left. Shirley still hasn’t resigned from the party so it’s all a bit odd! ‘On your bike, Shirl,’ the lefty trade unionists shout at her! ~ Iris Murdoch,
1047:Every day, people engaged in the clever defiance of their own intuition become, in mid-thought, victims of violence and accidents. So when we wonder why we are victims so often, the answer is clear: It is because we are so good at it. A woman could offer no greater cooperation to her soon-to-be attacker than to spend her time telling herself, “But he seems like such a nice man.” Yet this is exactly what many people do. A woman is waiting for an elevator, and when the doors open she sees a man inside who causes her apprehension. Since she is not usually afraid, it may be the late hour, his size, the way he looks at her, the rate of attacks in the neighborhood, an article she read a year ago—it doesn’t matter why. The point is, she gets a feeling of fear. How does she respond to nature’s strongest survival signal? She suppresses it, telling herself: “I’m not going to live like that, I’m not going to insult this guy by letting the door close in his face.” When the fear doesn’t go away, she tells herself not to be so silly, and she gets into the elevator. Now, which is sillier: waiting a moment for the next elevator, or getting into a soundproofed steel chamber with a stranger she is afraid of? The inner voice is wise, and part of my purpose in writing this book is to give people permission to listen to it. ~ Gavin de Becker,
1048:More elaborate toolkits are known for chimpanzees in Gabon hunting for honey. In yet another dangerous activity, these chimps raid bee nests using a five-piece toolkit, which includes a pounder (a heavy stick to break open the hive’s entrance), a perforator (a stick to perforate the ground to get to the honey chamber), an enlarger (to enlarge an opening through sideways action), a collector (a stick with a frayed end to dip into honey and slurp it off), and swabs (strips of bark to scoop up honey).21 This tool use is complicated since the tools are prepared and carried to the hive before most of the work begins, and they will need to be kept nearby until the chimp is forced to quit due to aggressive bees. Their use takes foresight and planning of sequential steps, exactly the sort of organization of activities often emphasized for our human ancestors. At one level chimpanzee tool use may seem primitive, as it is based on sticks and stones, but on another level it is extremely advanced.22 Sticks and stones are all they have in the forest, and we should keep in mind that also for the Bushmen the most ubiquitous instrument is the digging stick (a sharpened stick to break open anthills and dig up roots). The tool use of wild chimpanzees by far exceeds what was ever held possible. Chimpanzees use between fifteen ~ Frans de Waal,
1049:and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard ~ H Rider Haggard,
1050:Over the white and green robes, as the crown and perfection of its disguise, the soul puts on the third, the splendid robe of purple. This is the emblem of charity, which not only enhances the beauty of the others, but which so elevates the soul and renders it so lovely and pleasing in His eyes that it ventures to say to Him, “I am black but beautiful, O daughters of Jerusalem, therefore hath the king loved me and brought me into His secret chamber.”15 This robe of charity, which is that of love, not only defends and protects the soul from its third enemy, the flesh—for where the true love of God is there is no room for self-love or for selfishness—but strengthens the other virtues also, and makes them flourish for the protection of the soul, beautifying it and adorning it with grace, so that it shall please the Beloved; for without charity no virtue is pleasing unto God. This is the purple, spoken of in the Canticle, by which the soul ascends to the seat where God reposes: “the seat of gold, the going up of purple.”16 It is vested in this robe of purple that the soul journeys, as the first stanza declares, when in the dark night it went out of itself, and from all created things, with anxious love inflamed, by the secret ladder of contemplation to the perfect union of the love of God its beloved Savior. 11. ~ Juan de la Cruz,
1051:But as he went up to London he told himself that the air of the House of Commons was now the very breath of his nostrils. Life to him without it would be no life. To have come within the reach of the good things of political life, to have made his mark so as to have almost insured future success, to have been the petted young official aspirant of the day, — and then to sink down into the miserable platitudes of private life, to undergo daily attendance in law-courts without a brief, to listen to men who had come to be much below him in estimation and social intercourse, to sit in a wretched chamber up three pairs of stairs at Lincoln’s Inn, whereas he was now at this moment provided with a gorgeous apartment looking out into the Park from the Colonial Office in Downing Street, to be attended by a mongrel between a clerk and an errand boy at 17s. 6d. a week instead of by a private secretary who was the son of an earl’s sister, and was petted by countesses’ daughters innumerable, — all this would surely break his heart. He could have done it, so he told himself, and could have taken glory in doing it, had not these other things come in his way. But the other things had come. He had run the risk, and had thrown the dice. And now when the game was so nearly won, must it be that everything should be lost at last? ~ Anthony Trollope,
1052:Pulling his wet shirt over his head, Bram headed for the bathing chamber, pausing as he passed a mirror and getting a glimpse of his reflection—the glimpse reminding him of something he had no idea how to address. Lifting up the patch that covered his eye, he directed his attention to Stanley again. “Why didn’t anyone mention to me that I was wearing this before I charged out of the castle?” Stanley scratched his head. “Begging your pardon, sir, but since your vision has to be obscured while wearing that patch, I assumed you knew you were wearing it. Quite honestly, I thought you kept it on in order to appear more intimidating. You know—a pirate look, if you will.” “I had to admit to Miss Plum that there’s nothing wrong with my eye.” “And . . . that was difficult for you, sir?” “Do you know how odd she must find me now, learning that I run about with a patch over a perfectly good eye?” “She wouldn’t find you odd if you just told her the truth.” “I can’t tell her the truth—or anyone else for that matter. Why, it would kill my mother if she found out.” “Now you’re being a little overly theatrical, sir. But speaking of theatrics, you could tell Miss Plum that you were trying to get into the role you’ll be expected to play later on this week during the theatrical event your mother is hosting here at Ravenwood.” “Mother’s ~ Jen Turano,
1053:sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now joy was turned to mourning, and during all the days of embalming Egypt wept for Ahura until, at length, the time came when her body was rowed ~ H Rider Haggard,
1054:For me, radio was a space for reflection. On the air, I submerged myself in music and literature. I listened along with my audience; I read to myself and to them, I discussed all kinds of ideas with total strangers. It was the perfect medium: intense, warm, interactive, and highly volatile. From my very first session in the broadcast studio, I felt like I was in a time capsule, a sensory-deprivation chamber. It was a protective bubble where nothing and no one could touch me. The semidarkness, the illuminated panel, and the on-air light combined to create a cozy, womblike environment, a sort of cosmic solitude. I had the sensation of floating in space, completely isolated from the real world. My only human contact was with the disembodied voices of callers. Everything seemed dusted with an ethereal—yes, I'll say it—ghostly quality. I could touch and hear the whole world, while no one could be sure of my existence; I was just one more voice in the teeming concert of hertzian waves. It was a land of the blind, where we were guided by sounds and voices, and space took the shape our words gave it. We transformed it with every description, comment, insult, or digression. It was almost like death, floating aimlessly at night, listening to spectral voices that in turn spoke about specters, indifferent to their own condition. ~ Leopoldo Gout,
1055:Promethea has awakened in me dreams extinguished for thousands of years; sometimes one catches on fire even through so many icy layers. Promethea has rekindled dreams of fire in me, dreams of abysses, they are terribly dangerous dreams: as long as they are dreams alone, as long as one dreams alone, one can fool around with dreaming, because afterward one forgets. But now, ever since I learned how Promethea brings the fire of all dreams up into reality, how she climbs back up through the shaft of the Red Cows, bearing the first fire, how she crosses the Chamber of the Mares, how she goes through every epoch of existence reawakening along the walls memories of times so fragile and so inflammable, and comes out in 1982 still carrying in her hands the primitive spark, I feel myself wavering between exultation and terror. Formerly, I too sucked satiny coals. Once I burned my tongue. (That only happens if someone makes you lose faith.) Ever since I have no longer dared suck real fire; for a long time I lived on electricity. But I have never forgotten the fiery taste of eternity. I just was sure that I could live with my tongue extinguished until the end of my days. I was not even tempted. I was calm. I had firm definitions. I called happiness the absence of unhappiness. I wrote in ink and I dedicated my dreams to the Moons. ~ H l ne Cixous,
1056:I understand that it’s disheartening to pour effort and money into a work of art and find that others do not value it with the same intensity. I’ve been to this rodeo more than a few times, and yes, it’s painful and hard on the soul. It is also the sort of thing that grown-ups do every day. Anyone deluded enough to think they are owed monetary success because they bled for their art is in for some hard, hard knocks and buckets full of tears. There will be many cries of “unfair” and much jealousy and hatred. And to be fair, all authors go through this every time they watch their books ride the waves of bestseller charts and the ego torture chamber known as Goodreads reviews. Even the most well-adjusted of us watch that horrible piece of shit book beat our baby to pieces and gnash our teeth and shout at our monitors demanding to know what brain-donors are shopping on amazon.com these days.

But holy Smart Bitch on a cracker, Batman, to write a post about how stupid readers are and worse to actually put it out there on the internet is so beyond the pale there’s a special hell for that kind of idiocy. Let me repeat: authors exist at the pleasure of readers. Without the people who buy and read my books, I am just another dizzy broad writing shit down. Readers aren’t just an author’s audience; they are her lifeblood.
-- ~ Heidi Cullinan,
1057:He called me Jess because that is the name of the hood which restrains the falcon.
I was his falcon. I hung on his arm and fed at his hand.
He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me.
At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain.
He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride.
His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight.
I was none of these things, but I became them.
At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open.
He looked surprised, I don’t know why. As your lover describes you, so you are. ~ Jeanette Winterson,
1058:When she did, her mouth fell open. The vivid glamour of the world outside paled in comparison to the world within. It was a palace of vaulting glass and shimmering tapestry and, woven through it all like light, magic. The air was alive with it. Not the secret, seductive magic of the stone, but a loud, bright, encompassing thing. Kell had told Lila that magic was like an extra sense, layered on top of sight and smell and taste, and now she understood. It was everywhere. In everything. And it was intoxicating. She could not tell if the energy was coming from the hundreds of bodies in the room, or from the room itself, which certainly reflected it. Amplified it like sound in an echoing chamber. And it was strangely—impossibly—familiar. Beneath the magic, or perhaps because of it, the space itself was alive with color and light. She’d never set foot inside St. James, but it couldn’t possibly have compared to the splendor of this. Nothing in her London could. Her world felt truly grey by comparison, bleak and empty in a way that made Lila want to kiss the stone for freeing her from it, for bringing her here, to this glittering jewel of a place. Everywhere she looked, she saw wealth. Her fingers itched, and she resisted the urge to start picking pockets, reminding herself that the cargo in her own was too precious to risk being caught. The ~ V E Schwab,
1059:America’s approach to Iran’s nuclear challenge over the past decade has reprised too much of what led up to our two recent ill-fated wars. Exaggerated descriptions of the threat, false assumptions, and overly narrow reasoning have been resounding through the foreign policy punditry’s echo chamber. It is taken for granted that Iran’s nuclear program is a national and global security concern—especially in light of that country’s fairly advanced missile-delivery system—and an existential threat to Israel, an unacceptable strategic game changer that will destabilize the Middle East by eventually placing nuclear material in the hands of terrorists or leading to a regional nuclear arms race and more broadly endangering world peace by fueling nuclear proliferation. In short, Iranian nukes are a red line that must not be crossed. America will “not countenance” Iran getting nuclear weapons, said President Obama as he insisted that an American policy of pressure and coercion would ensure that that would not be the case.4 Bending Iran’s will thus became a key test of U.S. power and effectiveness, in American minds as well as those of friends and foes alike. This approach came with a large downside risk, however, for it committed America to a path of increasing pressure, backed by military threats, to realize what was from the outset an improbable goal. ~ Vali Nasr,
1060:'Bound by affection, may your joy increase, as you are wed today in love and gladness; be glad and rejoice in the Lord your God. 'Bridegroom, delight in your glorious marriage chambers; excel in beauty among your companions; may your heart rejoice in the wife of your youth. 'Your radiant face, O bride, shall glow like wine; your enemies shall be as nothing; My parapet, your love is sweeter than wine.' Like one drinking wine or hearing the song of a swallow or a crane, I shall revel in the Holy One! 'I shall crown My dove with grace and kindness, as once I did when I revealed Myself in the flame of the consuming fire; for you have ravished My heart, My sister, My bride. 'Your fountains are a place of running water; I have shaken all your tormentors from you; My treasured one, lift up your eyes and look about you. 'I shall shower her who comes up from the wilderness with favours; I shall envelop My cornerstone with clouds of glory; I have likened your neck to an ivory tower.' Like one drinking wine or hearing the song of swallows or a crane, I shall revel in the Holy One! 'Arise, My beloved, and be married in love; give hymns and thanks to your King; sing and make music in My bridal chamber: "under the apple tree You have awakened me!"' [1835.jpg] -- from The Penguin Book of Hebrew Verse, Edited by T. Carmi

~ Eleazar ben Kallir, Epithalamium
,
1061:The way that led from the acute mental tension of the last days in camp (from the war of nerves to mental peace) was certainly not free from obstacles. It would be an error to think that a liberated prisoner was not in need of spiritual care any more. We have to consider that a man who has been under such enormous mental pressure for such a long time is naturally in some danger after his liberation, especially since the pressure was released quite suddenly. This danger (in the sense of psychological hygiene) is the psychological counterpart of the bends. Just as the physical health of the caisson worker would be endangered if he left his diver's chamber suddenly (where he is under enormous atmospheric pressure), so the man who has suddenly been liberated from mental pressure can suffer damage to his moral and spiritual health.

During this psychological phase one observed that people with natures of a more primitive kind could not escape the influences of the brutality which had surrounded them in camp life. Now, being free, they thought they could use their freedom licentiously and ruthlessly. The only thing that had changed for them was that they were now the oppressors instead of the oppressed. They became instigators, not objects, of willful force and injustice. They justified their behavior by their own terrible experiences. ~ Viktor E Frankl,
1062:soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s ~ Rick Riordan,
1063:Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price ~ H Rider Haggard,
1064:all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price ~ H Rider Haggard,
1065:cigarette. They floated in the middle of the tropical green ocean with the islands in view. The water was doing something to Tatiana. It was dismantling her. With every flutter of the water she saw the Neva, the River Neva under the northern sun on the sub-Arctic white night city they once called home, the water rippled and in it was Leningrad, and in Leningrad was everything she wanted to remember and everything she wanted to forget. He was gazing at her. His eyes occasionally softened under the sticky Coconut Grove sun. “You’ve got new freckles, above your eyebrows.” He kissed her eyelids. “Golden, soft hair, ocean eyes.” He stroked her face, her cheeks. “Your scar is almost gone. Just a thin white line now. Can barely see it.” The scar she got escaping from the Soviet Union. “Hmm.” “Unlike mine?” “You have more to heal, husband.” Reaching out, she placed her hand on Alexander’s face and then closed her eyes quickly so he couldn’t pry inside her. “Tatiasha,” he called in a whisper, and then bent to her and kissed her long and true. It had been a year since she had found him shackled in Sachsenhausen’s isolation chamber. A year since she dredged him up from the bottomdwellers of Soviet-occupied Germany, from the grasping hands of Stalin’s henchmen. How could it have been a year? How long did it seem? An eternity in purgatory, a hemidemisemiquaver in heaven. ~ Paullina Simons,
1066:The Laird Of Waristoun
Down by yon garden green,
Sae merrily as she gaes;
She has twa weel-made feet,
And she trips upon her taes.
She has twa weel-made feet;
Far better is her hand;
She's as jimp in the middle
As ony willow wand.
'Gif ye will do my bidding,
At my bidding for to be,
It's I will make you lady
Of a' the lands you see.'
*****
He spak a word in jest;
Her answer was na good;
He threw a plate at her face,
Made it a' gush out o' blood.
She wasna frae her chamber
A step but barely three,
When up and at her richt hand
There stood Man's Enemy.
'Gif ye will do my bidding,
At my bidding for to be,
I'll learn you a wile,
Avenged for to be.'
The foul thief knotted the tether;
She lifted his head on hie;
The nourice drew the knot
That gar'd lord Waristoun die.
Then word is gane to Leith,
Also to Edinburgh town
224
That the lady had kill'd the laird,
The laird o' Waristoun.
*****
Tak aff, tak aff my hood
But lat my petticoat be;
Pat my mantle o'er my head;
For the fire I downa see.
Now, a' ye gentle maids,
Tak warning now by me,
And never marry ane
But wha pleases your e'e.
'For he married me for love,
But I married him for fee;
And sae brak out the feud
That gar'd my dearie die.'
~ Andrew Lang,
1067:From The Minutes
When, with the force of a ram that discharges its ponderous body
Straight at the rear elevation of the luckless culler of simples,
The foot of Herculean Kilgore-statesman of surname suggestive
Or carnage unspeakable!-lit like a missile prodigious
Upon the Congressional door with a monstrous and mighty momentum,
Causing that vain ineffective bar to political freedom
To fly from its hinges, effacing the nasal excrescence of Dingley,
That luckless one, decently veiling the ruin with ready bandanna,
Lamented the loss of his eminence, sadly with sobs as follows:
'Ah, why was I ever elected to the halls of legislation,
So soon to be shown the door with pitiless emphasis? Truly,
I've leaned on a broken Reed, and the same has gone back on me meanly.
Where now is my prominence, erstwhile in council conspicuous, patent?
Alas, I did never before understand what I now see clearly,
To wit, that Democracy tends to level all human distinctions!'
His fate so untoward and sad the Pine-tree statesman, bewailing,
Stood in the corridor there while Democrats freed from confinement
Came trooping forth from the chamber, dissembling all, as they passed him,
Hilarious sentiments painful indeed to observe, and remarking:
'O friend and colleague of the Speaker, what ails the unjoyous proboscis?'
~ Ambrose Bierce,
1068:CUSTOMER: Which was the first Harry Potter book?
BOOKSELLER: The Philosopher’s Stone.
CUSTOMER: And the second?
BOOKSELLER: The Chamber of Secrets.
CUSTOMER: I’l take The Chamber of Secrets. I don’t want The Philosopher’s Stone.
BOOKSELLER: Have you already read that one?
CUSTOMER: No, but with series of books I always find they take a while to really get going. I don’t want to waste my time with the useless introductory stuff at the beginning.
BOOKSELLER: The story in Harry Potter actually starts right away. Personally, I do recommend that you start with the first book – and it’s very good.
CUSTOMER: Are you working on commission?
BOOKSELLER: No.
CUSTOMER: Right. How many books are there in total?
BOOKSELLER: Seven.
CUSTOMER: Exactly. I’m not going to waste my money on the first book when there are so many others to buy. I’l take the second one.
BOOKSELLER: . . . If you’re sure.
(One week later, the customer returns)
BOOKSELLER: Hi, did you want to buy a copy of The Prisoner of Azkaban?
CUSTOMER: What’s that?
BOOKSELLER: It’s the book after The Chamber of Secrets.
CUSTOMER: Oh, no, definitely not. I found that book far too confusing. I ask you, how on earth are children supposed to understand it if I can’t? I mean, who the heck is that Voldemort guy anyway? No. I’m not going to bother with the rest.
BOOKSELLER: . . . ~ Jen Campbell,
1069:I’d dreamed once of a forest of gold, and Jesse had done what he could to give it to me. His bedroom had been transformed into a wonderland of leaves and flowers, pinecones and branches of birch and oak, all of it glimmering, all of it singing. The bed was covered, his chest of drawers, the sill.
Much of it was jumbled together, beautiful for what it was if not its presentation. Jesse had last left this room on the night of his death, right after he’d called to me, right before he’d gone to the castle. So he would have been scattering his final gift in haste, knowing he worked against the clock.
Knowing, somehow, what was to come.
Which meant he’d been making gold for weeks. When I’d seen him so tired, when he’d told me all those nights that we should rest apart…he had been doing this.
For me.
A folded note had been set upon the bed. My name had been scrawled upon it.
I love you was all it said inside.
I sank to the floor. I looked up and all around as the sun danced through the window and turned Jesse’s room into an ambered heaven of song and shimmer and sparks.
That was how Armand found me, hours later. That was what he saw, as well, what he heard, as he walked slowly into the chamber and eased down beside me to rest his back against the bed.
We sat there together, listening, marveling.
In time, his hand reached out and took firm hold of mine. ~ Shana Abe,
1070:Just as I am watching a tongue of blue flame rising in the fire, and my lamp is burning low, the horrible contraction will begin in my chest. I shall only have time to reach the bell, and pull it violently, before the sense of suffocation will come. No one will answer my bell. I know why. My two servants are lovers, and will have quarrelled. My housekeeper will have rushed out of the house in a fury, two hours before, hoping that Perry will believe she has gone to drown herself. Perry is alarmed at last, and is gone out after her. The little scullery-maid is asleep on a bench: she never answers the bell; it does not wake her. The sense of suffocation increases: my lamp goes out with a horrible stench: I make a great effort, and snatch at the bell again. I long for life, and there is no help. I thirsted for the unknown: the thirst is gone. 0 God, let me stay with the known, and be weary of it. I am content. Agony of pain and suffocation - and all the while the earth, the fields, the pebbly brook at the bottom of the rookery, the fresh scent after the rain, the light of the morning through my chamber window, the warmth of the hearth after the frosty air - will darkness close over them for ever?

Darkness-darkness-no pain-nothing but darkness: but I am passing on and on through the darkness: my thought stays in the darkness, but always with a sense of moving onward ... ("The Lifted Veil") ~ George Eliot,
1071:I was hoping to be able to get into the Queen's Chamber while I was in Egypt in 1986 to get a sample of the salt for analysis. I had speculated that the salt on the walls of the chamber was an unwanted, though significant, residual substance caused by a chemical reaction where hot hydrogen reacted with the limestone. Unfortunately, I was unable to get into the chamber because a French team was already inside the Horizontal Passage, boring holes into what they hoped were additional chambers. (It was discovered, after I left Egypt, that the spaces contained only sand.)
As it turned out, my research would have been redundant. Noone reported in his book that another individual had already had the same idea and done the work. In 1978, Dr. Patrick Flanagan asked the Arizona Bureau of Geology and Mineral Technology to analyze a sample of this salt. They found it to be a mixture of calcium carbonate (limestone), sodium chloride (halite or salt), and calcium sulfate (gypsum, also known as plaster of paris). These are precisely the minerals that would be produced by the reaction of hot, hydrogen-bearing gas with the limestone walls and ceiling of the Queen's Chamber.
[...]
The interior chambers of the Great Pyramid have the appearance of being subjected to extreme temperatures; and [...] the broken corner on the granite box shows signs of being melted, rather than simply being chipped away. ~ Christopher Dunn,
1072:It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate. ~ Rainer Maria Rilke,
1073:MAY 10, THE day that Roosevelt issued his nonresponse to Churchill’s plea for U.S. belligerency, German bombers returned to London. As devastating as the previous raids had been, none came close to the savagery and destructiveness of this new firestorm. By the next morning, more than two thousand fires were raging out of control across the city, from Hammersmith in the west to Romford in the east, some twenty miles away. The damage to London’s landmarks was catastrophic. Queen’s Hall, the city’s premier concert venue, lay in ruins, while more than a quarter of a million books were incinerated and a number of galleries destroyed at the British Museum. Bombs smashed into St. James’s Palace, Westminster Abbey, Big Ben, and Parliament. The medieval Westminster Hall, though badly damaged, was saved, but not so the House of Commons chamber, the scene of some of the most dramatic events in modern British history. Completely gutted by fire, the little hall, with its vaulted, timbered ceiling, was nothing but a mound of debris, gaping open to the sky. Every major railroad station but one was put out of action for weeks, as were many Underground stations and lines. A third of the streets in greater London were impassable, and almost a million people were without gas, water, and electricity. The death toll was even more calamitous: never in London’s history had so many of its residents—1,436—died in a single night. ~ Lynne Olson,
1074:In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,
Joy the day not yet begun,
With tree whispering to tree,
Without wind, quietly.
Wisdom slept within your hair,
And Long-Suffering was there,
And, in the flowing of your dress,
Undiscerning Tenderness.
And when you thought, it seemed to me,
Infinitely, and like a sea,
About the slight world you had known
Your vast unsconsciousness was thrown . . .
O haven without wave or tide!
Silence, in which all songs have died!
Holy book, where hearts are still!
And home at length under the hill!
O mother quiet, breasts of peace,
Where love itself would faint and cease!
O infinite deep I never knew,
I would come back, come back to you,
Find you, as a pool unstirred,
Kneel down by you, and never a word,
Lay my head, and nothing said,
In your hands, ungarlanded;
And a long watch you would keep;
And I should sleep, and I should sleep! ~ Rupert Brooke,
1075:The fact is that the Listeners are trying to work out precisely what it is that the Creator said when He made the universe.
The theory is quite straightforward.
Clearly, nothing that the Creator makes could ever be destroyed, which means that the echoes of those first syllables must still be around somewhere, bouncing and rebounding off all the matter in the cosmos but still audible to a really good listener.
Eons ago the Listeners found that ice and chance had carved this one valley into the perfect acoustic opposite of an echo valley, and had built their multic-hambered temple in the exact position that the one comfy chair always occupies in the home of a rabid hi-fi fanatic. Complex baffles caught and amplified the sound that was funnelled up the chilly valley, steering it ever inwards to the central chamber where, at any hour of the day or night, three monks always sat.
Listening.
There were certain problems caused by the fact that they didn't hear only the subtle echoes of the first words, but every other sound made on the Disc. In order to recognise the sound of the Words, they had to learn to recognise all other noises. This called for a certain talent, and a novice was only accepted for training if he could distinguish by sound alone, at a distance of a thousand yards, which side a dropped coin landed. He wasn;t actually accepted into the order until he could tell what colour it was. ~ Terry Pratchett,
1076:The Little Cripple's Complaint
I'm a helpless cripple child,
Gentle Christians, pity me;
Once, in rosy health I smiled,
Blithe and gay as you can be,
And upon the village green
First in every sport was seen.
Now, alas! I'm weak and low,
Cannot either work or play;
Tottering on my crutches, slow,
Thus I drag my weary way:
Now no longer dance and sing,
Gaily, in the merry ring.
Many sleepless nights I live,
Turning on my weary bed;
Softest pillows cannot give
Slumber to my aching head;
Constant anguish makes it fly
From my heavy, wakeful eye.
And, when morning beams return,
Still no comfort beams for me:
Still my limbs with fever burn,
Painful still my crippled knee.
And another tedious day
Passes slow and sad away.
From my chamber-window high,
Lifted to my easy-chair,
I the village-green can spy,
Once I used to frolic there,
March, or beat my new-bought drum;
Happy times! no more to come.
There I see my fellows gay,
Sporting on the daisied turf,
And, amidst their cheerful play,
Stopp'd by many a merry laugh;
46
But the sight I scarce can bear,
Leaning in my easy-chair.
Let not then the scoffing eye
Laugh, my twisted leg to see:
Gentle Christians, passing by,
Stop awhile, and pity me,
And for you I'll breathe a prayer,
Leaning in my easy-chair.
~ Ann Taylor,
1077:Thus they were speaking when the thunderous voice came. So mighty it was that it filled every hall and chamber of the palace; and its first word dashed the pictures from the walls so that their crash and smash added to the roar, though they were lost in it. Its second word broke all the crockery in the palace and set the shards to sliding like screes of stones, so that they burst open cabinets and cupboards and descended to the floors in avalanches. Its third word toppled all the statues along the broad avenue that led up to the Great Gate; its fourth stopped the fountain and snapped off both arms of the marble nymph who blessed the waters; and its fifth cracked the basin itself. Its sixth, seventh, and eighth words maddened every cat in the place, struck dead seventeen bat-winged black rooks of the flock that swept the sky about the Grand Campanile, and set all the bells to ringing. Its ninth soured every cask in the cellars, while its tenth word stove them in. Its eleventh stopped the clocks and started the hounds to howling. Its twelfth and last (which was an especially big word) knocked the Dwarves off their feet and sent every one of them rolling and somersaulting amongst all their foulnesses while they held their ears and screeched. And what that voice said was, “What vermin are these who dare defile the body of a Giant?” Oh, my friends! Let us of this star, who are ourselves but Dwarves, heed well the warning. ~ Gene Wolfe,
1078:In the chamber, [Frances Hamling] sat close to her husband [William Hamling, about to go before the US Supreme Court on 4/15/74], trying to repress the anxiety she felt about his future. Four years in prison and $87,000 in fines was hardly a matter of casual contemplation. Since nobody was supposed to speak or even whisper in the chamber, she diverted herself by glancing around at the room's opulent interior, the impressive bone-white china columns and red velvet draperies that formed the background behind the polished judicial bench and high black leather chairs. A gold clock hung down from between two pillars, signaling that it was 9:57 a.m. -- a few minutes before the justices' scheduled arrival. Along the upper edge of the front of the room, close to the top of the forty-four-foot ceiling, Frances noticed an interesting, voluptuous section of Classical art: It was a golden beige marble frieze that extended across the width of the room and showed about twenty nude and seminude men, women, and children gathered in various poses. The figures symbolized the embodiment of human wisdom and truth, righteousness, and virtue; but the bodies to her could as easily have represented an assemblage of Roman hedonists or orgiasts, and it struck her as ironic that such a scene should be hovering over the heads of the jurists who would be questioning her husband's use of illustrations in the Presidential Report on Obscenity and Pornography. ~ Gay Talese,
1079:So, where’s my brother?”
“I have no idea.” She tested the weight of the blade.
“I hope you’re not . . . well, getting any feelings for him. That would be a mistake.”
“Really? And why is that?” She gripped the handle of the dagger with one hand, while checking the sharpness of its blade with the other.
“I just don’t think he could appreciate a woman like you.”
“And you?”
Gwenvael gave that smile that had gotten him more pleasure than he cared to admit. “I am not my brother, lady.”
That’s when she moved.
She was up and across the room, snatching him out of his chair in mere seconds. Annwyl slammed him face down on the table, her knee against his back to hold him in place. The point of her blade burrowed into the skin of his neck. As human, that blade could easily kill him.
She leaned in and spoke quietly. “I don’t know what’s going on between you and your brother. And I don’t want to know. But I’ll not be the bone between you two dogs. So take yourself from my sight. I am in no mood.”
With that she lifted him off the table and shoved him from the chamber.
The crazed bitch had more strength than he had known, he realized as she sent him tumbling from her presence.
He fell and slid across the cave floor, coming to an abrupt stop when a large boot slammed into his head. He looked up and braved a smile. “Oh. Hello, brother.”
With a growl, Fearghus lifted him off the ground by the back of his neck. ~ G A Aiken,
1080:Where, Lord, will I find you: your place is high and obscured. And where won't I find you: your glory fills the world. You dwell deep within -- you've fixed the ends of creation. You stand, a tower for the near, refuge to those far off. You've lain above the Ark, here, yet live in the highest heavens. Exalted among your hosts, although beyond their hymns -- no heavenly sphere could ever contain you, let alone a chamber within. In being home above them on an exalted throne, you are closer to them than their breath and skin. Their mouths bear witness for them that you alone gave them form. Your kingdom's burden in theirs; who wouldn't fear you? And who could fail to search for you -- who sends down food when it is due? I sought your nearness. With all my heart I called you. And in my going out to meet you, I found you coming toward me, as in the wonders of your might and holy works I saw you. Who would say he hasn't seen your glory as the heavens' hordes declare their awe of you without a sound being heard? But could the Lord, in truth, dwell in men on earth? How would men you made from the dust and clay fathom your presence there, enthroned upon their praise? The creatures hovering over the world praise your wonders -- your throne borne high above their heads, as you beat all forever. [2610.jpg] -- from The Poetry of Kabbalah: Mystical Verse from the Jewish Tradition, Edited by Peter Cole

~ Solomon ibn Gabirol, Where Will I Find You
,
1081:He was waiting in the reception hall, a lone figure lost in the vast, vaulted chamber. The Herrani representative was an elderly man whose thin frame leaned heavily on his walking stick.
Kestrel faltered. She approached more slowly. She couldn’t help looking over his shoulder for Arin.
He wasn’t there.
“I thought the barbarian days of the Valorian empire were over,” the man said dryly.
“What?” said Kestrel.
“You’re barefoot.”
She glanced down, and only then realized that her feet were freezing, that she’d forgotten even the existence of shoes when she’d left her dressing chamber and hurtled through the palace for all to see, for the Valorian guards flanking the reception hall to see right now.
“Who are you?” Kestrel demanded.
“Tensen, the Herrani minister of agriculture.”
“And the governor? Where is he?”
“Not coming.”
“Not…” Kestrel pressed a palm to her forehead. “The emperor issued a summons. To a state function. And Arin declines?” Her anger was folding onto itself in as many layers as her ball gown--anger at Arin, at the way he was committing political suicide.
Anger at herself. At her own bare feet and how they were proof--pure, naked, cold proof--of her hope, her very need to see someone that she was supposed to forget.
Arin had not come.
“I get that disappointed look all the time,” Tensen said in a cheerful tone. “No one is ever excited to meet the minister of agriculture. ~ Marie Rutkoski,
1082:Where the hell have you been?” Harry shouted.
“Chamber of Secrets?” said Ron.
“Chamber--what?” said Harry, coming to an unsteady halt before them.
“It was Ron, all Ron’s idea!” said Hermione breathlessly. “Wasn’t it absolutely brilliant? There we were, after you left, and I said to Ron, even if we find the other one, how are we going to get rid of it? We still hadn’t got rid of the cup! And then he thought of it! The basilisk!”
“What the--?”
“Something to get rid of Horcruxes,” said Ron simply.
Harry’s eyes dropped to the objects clutched in Ron and Hermione’s arms: great curved fangs, torn, he now realized, from the skull of a dead basilisk.
“But how did you get in there?” he asked, staring from the fangs to Ron. “You need to speak Parseltongue!”
“He did!” whispered Hermione. “Show him, Ron!”
Ron made a horrible strangled hissing noise.
“It’s what you did to open the locket,” he told Harry apologetically. “I had to have a few goes to get it right, but,” he shrugged modestly, “we got there in the end.”
“He was amazing!” said Hermione. “Amazing!”
“So…” Harry was struggling to keep up. “So…”
“So we’re another Horcrux down,” said Ron, and from under his jacket he pulled the mangled remains of Hufflepuff’s cup. “Hermione stabbed it. Thought she should. She hasn’t had the pleasure yet.”
“Genius!” yelled Harry.
“It was nothing,” said Ron, though he looked delighted with himself. ~ J K Rowling,
1083:He was waiting in the reception hall, a lone figure lost in the vast, vaulted chamber. The Herrani representative was an elderly man whose thin frame leaned heavily on his walking stick.
Kestrel faltered. She approached more slowly. She couldn’t help looking over his shoulder for Arin.
He wasn��t there.
“I thought the barbarian days of the Valorian empire were over,” the man said dryly.
“What?” said Kestrel.
“You’re barefoot.”
She glanced down, and only then realized that her feet were freezing, that she’d forgotten even the existence of shoes when she’d left her dressing chamber and hurtled through the palace for all to see, for the Valorian guards flanking the reception hall to see right now.
“Who are you?” Kestrel demanded.
“Tensen, the Herrani minister of agriculture.”
“And the governor? Where is he?”
“Not coming.”
“Not…” Kestrel pressed a palm to her forehead. “The emperor issued a summons. To a state function. And Arin declines?” Her anger was folding onto itself in as many layers as her ball gown--anger at Arin, at the way he was committing political suicide.
Anger at herself. At her own bare feet and how they were proof--pure, naked, cold proof--of her hope, her very need to see someone that she was supposed to forget.
Arin had not come.
“I get that disappointed look all the time,” Tensen said in a cheerful tone. “No one is ever excited to meet the minister of agriculture. ~ Marie Rutkoski,
1084:Invitation To The Voyage
Imagine, ma petite,
Dear sister mine, how sweet
Were we to go and take our pleasure
Leisurely, you and I—
To lie, to love, to die
Off in that land made to your measure!
A land whose suns' moist rays,
Through the skies' misty haze,
Hold quite the same dark charms for me
As do your scheming eyes
When they, in their like wise,
Shine through your tears, perfidiously.
There all is order, naught amiss:
Comfort and beauty, calm and bliss.
Treasure galore—ornate,
Time-glossed—would decorate
Our chamber, where the rarest blooms
Would blend their lavish scent,
Heady and opulent,
With wisps of amber-like perfumes;
Where all the Orient's
Splendid, rich ornaments—
Deep mirrors, ceilings fine—would each,
In confidential tone,
Speak to the soul alone
In its own sweet and secret speech.
There all is order, naught amiss:
Comfort and beauty, calm and bliss.
See how the ships, asleep—
They who would ply the deep!—
Line the canals: to satisfy
Your merest whim they come
From far-flung heathendom
And skim the seven seas. —On high,
The sunset's rays enfold
200
In hyacinth and gold,
Field and canal; and, with the night,
As shadows gently fall,
Behold! Life sleeps, and all
Lies bathed in warmth and evening light.
There all is order, naught amiss:
Comfort and beauty, calm and bliss.
~ Charles Baudelaire,
1085:The Children's Hour

Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.

I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.

From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.

A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.

A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!

They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.

They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!

Do you think, o blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!

I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.

And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away! ~ Henry Wadsworth Longfellow,
1086:Where's The Poker?
The poker lost, poor Susan storm'd,
And all the rites of rage perform'd;
As scolding, crying, swearing, sweating,
Abusing, fidgetting, and fretting.
"Nothing but villany, and thieving;
Good heavens! what a world we live in!
If I don't find it in the morning,
I'll surely give my master warning.
He'd better far shut up his doors,
Than keep such good for nothing whores;
For wheresoe'er their trade they drive,
We vartuous bodies cannot thrive."
Well may poor Susan grunt and groan;
Misfortunes never come alone,
But tread each other's heels in throngs,
For the next day she lost the tongs;
The salt box, colander, and pot
Soon shar'd the same untimely lot.
In vain she vails and wages spent
On new ones--for the new ones went.
There'd been (she swore) some dev'l or witch in,
To rob or plunder all the kitchen.
One night she to her chamber crept
(Where for a month she had not slept;
Her master being, to her seeming,
A better play fellow than dreaming).
Curse on the author of these wrongs,
In her own bed she found the tongs,
(Hang Thomas for an idle joker!)
In her own bed she found the poker,
With the salt box, pepper box, and kettle,
With all the culinary metal.-Be warn'd, ye fair, by Susans crosses:
Keep chaste and guard yourselves from losses;
For if young girls delight in kissing,
No wonder that the poker's missing.
~ Christopher Smart,
1087:Despite the raised voices and the wild gesticulations, nobody here is wrong. The beauty of ragù is that it's an idea as much as it is a recipe, a slow-simmered distillation of what means and circumstances have gifted you: If Zia Peppe's ragù is made with nothing but pork scraps, that's because her neighbor raises pigs. When Maria cooks her vegetables in a mix of oil and butter, it's because her family comes from a long line of dairy farmers. When Nonna Anna slips a few laurel leaves into the pot, she plucks them from the tree outside her back door. There is no need for a decree from the Chamber of Commerce to tell these women what qualifies as the authentic ragù; what's authentic is whatever is simmering under the lid.
Eventually the women agree to disagree and the rolling boil of the debate calms to a gentle simmer. Alessandro opens a few bottles of pignoletto he's brought to make the peace. We drink and take photos and make small talk about tangential ragù issues such as the proper age of Parmesan and the troubled state of the prosciutto industry in the region.
On my way out, Anna no. 1 grabs me by the arm. She pulls me close and looks up into my eyes with an earnestness that drowns out the rest of the chatter in the room. "Forget about these arguments. Forget about the small details. Just remember that the most important ingredient for making ragù, the one thing you can never forget, is love."
Lisetta overhears from across the room and quickly adds, "And pancetta! ~ Matt Goulding,
1088:Adolf Eichmann went to the gallows with great dignity. He had asked for a bottle of red wine and had drunk half of it. He refused the help of the Protestant minister the Reverend William Hull who offered to read the Bible with him: he had only two more hours to live and therefore no “time to waste.” He walked the fifty yards from his cell to the execution chamber calm and erect with his hands bound behind him. When the guards tied his ankles and knees he asked them to loosen the bonds so that he could stand straight. “I don’t need that ” he said when the black hood was offered him. He was in complete command of himself nay he was more: he was completely himself. Nothing could have demonstrated this more convincingly than the grotesque silliness of his last words. He began by stating emphatically that he was a Gottgläubiger to express in common Nazi fashion that he was no Christian and did not believe in life after death. He then proceeded: “After a short while gentlemen we shall all meet again. Such is the fate of all men. Long live Germany long live Argentina long live Austria. I shall not forget them.” In the face of death he had found the cliché used in funeral oratory. Under the gallows his memory played him the last trick he was “elated” and he forgot that this was his own funeral.

It was as though in those last minutes he was summing up the lesson that this long course in human wickedness had taught us-the lesson of the fearsome word-and-thought-defying banality of evil. ~ Hannah Arendt,
1089:Releasing me, he backs up and strips off his shirt then shucks his jeans.

I burst into laughter.

“If you think you’re going to Slytherin to my bed with those on, you’re wrong. I only allow full-fledged Hufflepuffs in there.”

Zach glances down at his underwear and hangs his head. “Why did I have to wear this pair today? Why?”

“What? I think they’re hot.”

“You think my Harry Potter underwear are hot?” I nod. “You are my dream girl.”

I grin and shake my head as I make my way to my bed. I do my best to straighten the covers before pulling back my side and climbing in.

“I think you were right earlier.”

“About?” he asks, standing on the other side.

“This bed isn’t big enough for two. I think we’ll have to snuggle.”

He smirks as he slides in, getting as close to me as possible. I don’t hesitate to match his movements—though I probably should. I should be weirded out that Zach’s in my bed. I shouldn’t gravitate toward him like I do.

But I can’t help it. Zach makes me feel…comfortable. Safe. Warm. Wanted.

We’re lying face to face in the middle of the bed, the blanket draped over our waists, grinning at each other like fools.

“What?” I whisper.

“I made it in.”

“What?” I ask again, confused.

“Your special Hufflepuff-only chamber of secrets.”

“Did you really just…” Laughter consumes me and I’m rolling to my back and covering my face in embarrassment…for him. “You are such a nerd, Zach. ~ Teagan Hunter,
1090:A remarkable pheromone-and-allomone combination is used as a “propaganda substance” by an American species of slave-maker ant. Slavery is widespread in ants of the north temperate zone. It starts when colonies of the slave-making species conduct raids on other ant species. Their workers are shiftless at home, seldom engaging in any domestic chore. However, like indolent Spartan warriors of ancient Greece, they are also ferocious in combat. In some species the raiders are armed with powerful sickle-shaped mandibles capable of piercing the bodies of their opponents. During my research on ant slavery I found one species that uses a radically different method. The raiders carry a hugely enlarged gland reservoir in their abdomen (the rear segment of the three-part body) filled with an alarm substance. Upon breaching the victim’s nest, they spray large quantities of the pheromone through the chamber and galleries. The effect on the defenders of the allomone (or, more precisely, pseudo-pheromone) is confusion, panic, and retreat. They suffer the equivalent of our hearing a thunderously loud, persistent alarm coming from all directions. The invaders do not respond the same way. Instead, they are attracted to the pheromone, and as a result they are able easily to seize and carry away the young (in the pupal stage) of the defenders. When the captives emerge from the pupae as adults, they become imprinted, act as sisters of their captors, and serve them willingly as slaves for the rest of their lives. ~ Edward O Wilson,
1091:I recall a frosty sunny morning in March when I was sitting in the interrogator's office. He was asking his customary crude questions and writing down my answers, distorting my words as he did so. The sun played in the melting latticework of frost on the wide window... In the gaps where the frost had melted, the rooftops of Moscow could be seen, rooftop after rooftop, and above them merry little puffs of smoke. But I was staring not in that direction but at a mound of piled-up manuscripts which had been dumped there a little while before and had not yet been examined. In notebooks, in file folders, in homemade binders, in tied and untied bundles, and simply in loose pages. The manuscripts lay there like the burial mound of some interred human spirit, its conical top rearing higher than the interrogator's desk, almost blocking me from his view. And brotherly pity ached in me for the labor of that unknown person who had been arrested the previous night, these spoils from the search of his premises having been dumped that very morning on the parquet floor of the torture chamber... I sat there and I wondered: Whose extraordinary life had they brought in for torment, for dismemberment, and then for burning?

Oh, how many idea and works had perished in that building - a whole lost culture? Oh, soot, soot, from the Lubyanka chimneys! And the most hurtful thing of all was that our descendants would consider our generation more stupid, less gifted, less vocal than in actual fact it was. ~ Aleksandr Solzhenitsyn,
1092:It is said,’ said the Aga Morat, ‘that blindness of the eyes is a lighter thing than blindness of the perceptive faculties of the mind. The sun is high: the perception is dazzled. One has made divers chambers available to us in these poor houses for an hour. Let us retire and, by giving ease to the flesh, bring new light also to the proper functions of the mind. There, for the Hakim’s servant Mr Blyth, and the lady. In this chamber, Crawford Efendi and I shall have much to discuss.… Sweet to be taken up, you say, as medicine is by the lip. Such a creature I enjoy, thin-skinned, tender and delicate, light of flesh and goodly in make, impulsive in walk and beautiful in the justness of stature. Communing thus, shall not our dreaming souls melt?’

For a moment, Lymond did not reply. Then he said, in the same level voice, ‘It is written before God, that after this hour we depart all four, in good health to Djerba?’

The Aga Morat had risen. Looking down, his heavy face creased in a smile. ‘It is written,’ he said.

Slowly, Lymond rose also. He looked neither at Jerott nor at Marthe, but stepped straight out from under the awning and confronted the Aga. In the blinding white light, the fine lines of his skin were all suddenly visible, and his eyes by contrast quite dark. But his hair, uncut since Marseilles, shone mint-gold in the sun. ‘If it is so agreed,’ Lymond said, ‘I am solicitous for thee, as thou art for me.’ And without pausing, he followed the Aga Morat into the house. ~ Dorothy Dunnett,
1093:Idiot
The idiot greens the meadow with his eyes,
The meadow creeps implacable and still;
A dog barks, the hammock swings, he lies.
One two three the cows bulge on the hill.
Motion that is not time erects snowdrifts
While sister's hand sieves waterfalls of lace.
With a palm fan closer than death he lifts
The Ozarks and tilted seas across his face.
In the long sunset where impatient sound
Strips niggers to a multiple of backs
Flies yield their heat, magnolias drench the ground
With Appomattox! The shadows lie in stacks.
The julep glass weaves echoes in Jim's kinks
While ashy Jim puts murmurs in the day;
Now in the idiot's heart a chamber stinks
Of dead asters, as the potter's field of May.
All evening the marsh is a slick pool
Where dream wild hares, witch hazel, pretty girls.
'Up from the important picnic of a fool
Those rotted asters!' Eddy on eddy swirls
The innocent mansion of a panthers heart!
It crumbles, tick-tick time drags it in
Till now his arteries lag and now they start
Reverence with the frigid gusts of sin.
The stillness pelts the eye, assaults the hair;
A beech sticks out a branch to warn the stars,
A lightening-bug jerks angles in the air,
Diving. 'I am the captain of new wars!'
The dusk runs down the lane driven like hail;
Far off a precise whistle is escheat
To the dark; and then the towering weak and pale
Covers his eyes with memory like a sheet.
32
~ Allen Tate,
1094:Loving a House
Sandi doesn't like Dan much, but loves his house. She comes over before
he's home from work, to gaze into its window-eyes.
She wheedles her own key. ("That's good,' Dan thinks. "We're
getting
close.") Now she can visit when he isn't there to interrupt as her bare feet
caress the hardwood floors, as her hands linger on gleaming knobs and
faucets, as she strokes the long, smooth balustrade, and explores every
chamber of this heart she adores.
Though Dan's frog-belly makes her wince, his slobbery kiss makes
her shudder, the feel of him inside her can only be endured if she is
drunk or stoned, she marries him, pretending it's the house on top of
her, the house into whose ear she cries, to whom she whispers, "I love
you. Good night."
How awful when, after a year of bliss, Dan wins promotion to a better
town.
The "For Sale" sign in the yard pierces her heart.
She makes phone calls. She hires workmen and machines. Dan
comes home with two First Class tickets, to find wife and house gone.
"We'll move from state to state,' she mouths through the rear window
of the truck that tows her love. "We'll paint, remodel, whatever it
takes."
When rain begins to fall, she climbs from the truck to the house, and
as asphalt hisses by, kisses the wet windows one by one. "It's hard for
me, too, Sweetheart,' she whispers. "Please don't cry."
~ Charles Harper Webb,
1095:The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist. ~ Alaya Dawn Johnson,
1096:my arms, around my legs, and suddenly the force field disappeared. I could move again! The only problem was, the instant I did, my clothes all fell off. The laser had sliced my shirt, my pants, my shoes and socks, even my underwear, into pieces—and had done it all without touching my skin. “Get me out of here!” I yelled. “Get me some clothes!” No answer. Did that mean there wasn’t anyone there? Just as well, I decided, since I didn’t have any clothes on. But how long were the aliens going to leave me here? Or was someone watching me even now—watching, but not speaking? That made sense, in a way. If the alien mission was to study earthlings, then probably they were doing that right now—especially since I was the only one they had. I decided if I was going to be the sample earthling, I was going to do my best not to act like an idiot. So I began to take deep breaths. I felt myself getting a little calmer. I mean, it wasn’t like no one had ever seen me naked before. I’ve been to the doctor. And next year I would be taking showers in gym class. Come to think of it, given my choice of getting stuck naked in front of a bunch of aliens, or in a seventh-grade gym class, I’d choose the aliens any day. At least they won’t flick your butt with a wet towel! Unfortunately, just as I was getting calm, my little chamber started to fill with gas. Was this a test, to see if I would panic? Were they going to knock me out and do some medical exams? Or were they going to kill me and dissect me? I held my breath until my lungs were ~ Bruce Coville,
1097:Googly-Go0
Of mornings, bright and early,
When the lark is on the wing
And the robin in the maple
Hops from her nest to sing,
From yonder cheery chamber
Cometh a mellow coo 'T is the sweet, persuasive treble
Of my little Googly-Goo!
The sunbeams hear his music,
And they seek his little bed,
And they dance their prettiest dances
Round his golden curly head:
Schottisches, galops, minuets,
Gavottes and waltzes, too,
Dance they unto the music
Of my googling Googly-Goo.
My heart - my heart it leapeth
To hear that treble tone;
What music like thy music,
My darling and mine own!
And patiently - yes, cheerfully
I toil the long day through My labor seemeth lightened
By the song of Googly-Goo!
I may not see his antics,
Nor kiss his dimpled cheek:
I may not smooth the tresses
The sunbeams love to seek;
It mattereth not - the echo
Of his sweet, persuasive coo
Recurreth to remind me
Of my little Googly-Goo.
And when I come at evening,
I stand without the door
And patiently I listen
143
For that dear sound once more;
And oftentimes I wonder,
"Oh, God! what should I do
If any ill should happen
To my little Googly-Goo!"
Then in affright I call him I hear his gleeful shouts!
Begone, ye dread forebodings Begone, ye killing doubts!
For, with my arms about him,
My heart warms through and through
With the oogling and the googling
Of my little Googly-Goo!
~ Eugene Field,
1098:White Dawn, That Tak'st The Heaven With Sweet
Surprise
White dawn, that tak'st the heaven with sweet surprise
of amorous artifice,
art thou the bearer of my perfect hour
divine, untrod,
from some forgotten window of Paradise
by mighty winds of God
blown down the world, before my haunted eyes
at length to flower?
Nay, virgin dawn, yet art thou all too known,
too crowded light
to take my boundless hour of flaming peace:
thou common dayspring cease;
and be there only night, the only night,
more than all other lone:
be the sole secret world
one rose unfurl'd,
and nought disturb its blossom'd peace intense,
that fills the living deep beyond all dreams of sense
enmesh'd in errorous multiplicity:
— let be
nought but her coming there:
what else were fair?
It asks no golden web, no censer-fire
to tell the dense incarnate mystery
where one delight is wed with one desire.
No leaves bestrow
that passage to the rose of all fulfill'd delight;
no silver trumpets blow
majestic rite,
but silence that is sigh'd from faery lands,
or wraps the feet of Beauty where she treads
dim fields of fading stars,
be round our meeting heads,
and seeking hands:
draw near, ye heavens, and be our chamber-bars;
and thou, maternal heart of holy night,
close watch, what hush'd and sacramental tide
91
a soul goes forth wide-eyed,
to meet the archangel-sword of loneliest delight
~ Christopher John Brennan,
1099:Harry strained his ears. Distantly, from the floor above, and growing fainter still, he heard the voice: ‘… I smell blood … I SMELL BLOOD!’ His stomach lurched. ‘It’s going to kill someone!’ he shouted, and ignoring Ron and Hermione’s bewildered faces, he ran up the next flight of steps three at a time, trying to listen over his own pounding footsteps. Harry hurtled around the whole of the second floor, Ron and Hermione panting behind him, not stopping until they turned a corner into the last, deserted passage. ‘Harry, what was that all about?’ said Ron, wiping sweat off his face. ‘I couldn’t hear anything …’ But Hermione gave a sudden gasp, pointing down the corridor. ‘Look!’ Something was shining on the wall ahead. They approached, slowly, squinting through the darkness. Foot-high words had been daubed on the wall between two windows, shimmering in the light cast by the flaming torches. THE CHAMBER OF SECRETS HAS BEEN OPENED. ENEMIES OF THE HEIR, BEWARE. ‘What’s that thing – hanging underneath?’ said Ron, a slight quiver in his voice. As they edged nearer, Harry almost slipped over: there was a large puddle of water on the floor. Ron and Hermione grabbed him, and they inched towards the message, eyes fixed on a dark shadow beneath it. All three of them realised what it was at once, and leapt backwards with a splash. Mrs Norris, the caretaker’s cat, was hanging by her tail from the torch bracket. She was stiff as a board, her eyes wide and staring. For a few seconds, they didn’t move. Then Ron said, ‘Let’s get out of here. ~ J K Rowling,
1100:All this was only, in my father's estimation, a means; the end was the Earthly Paradise, the translation of William Morris's 'News from Nowhere' into 'News from Somewhere.' Then Whitman's sense of abounding joy in his own and all creation's sensuality would sweep away the paltry backwaters of bourgeois morality; the horrors of industrial ugliness which Ruskin so eloquently denounced would dissolve, and die forgotten as a dream (phrases from hymns still washed about in my father's mind) as slums were transformed into garden cities, and the belching smoke of hateful furnaces into the cool elegance of electric power. As for the ferocious ravings of my namesake, Carlyle, about the pettifogging nature of modern industrial man's pursuits and expectations -- all that would be corrected as he was induced to spend ever more of his increasing leisure in cultural and craft activities; in the enjoyment of music, literature and art.

It was pefectly true -- a point that Will Straughan was liable to bring up at the Saturday evening gatherings -- that on the present form the new citizenry might be expected to have a marked preference for dog-racing over chamber music or readings from 'Paradise Lost,' but, my father would loftily point out, education would change all that. Education was, in fact, the lynchpin of the whole operation; the means whereby the Old Adam of the Saturday night booze-up, and fondness for Marie Lloyd in preference to Beatrice Webb, would be cast off, and the New Man be born as potential fodder for third Programmes yet to come. ~ Malcolm Muggeridge,
1101:Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.”
“Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?”
“Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.”
“Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’”
“You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.”
“We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there.
“Did you mind?”
“You know I didn’t,” she returned, walking beside him up the curving staircase.
He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want. ~ Judith McNaught,
1102:There's your problem," Leo announced.
Jason scratched his head. "Uh.... what are we looking at?"
Leo thought it was pretty obvious, but Piper looked confused too.
"Okay," Leo sighed, " you want the full explanation or the short explanation?"
"Short," Piper and Jason said in unison.
Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction."
Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English.
"Um..." Piper cleared her throat." Could you make the short explanation shorter?"
Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater."
"Oh," Piper said in a small voice. "Can't you just..... turn it off?"
"Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off. ~ Rick Riordan,
1103:I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond. ~ Stephen King,
1104:Woe to you, egotistical hypocrites! You are full of greed and self-indulgence. Everything you do is done for appearances: You make pompous speeches and grandstand before these TV cameras. You demand the place of honor at banquets and the most important seats wherever you go. You love to be greeted in your districts and have everyone call you “Senator” or “Congressman.” On the outside you appear to people as righteous, but on the inside you are full of hypocrisy and wickedness! You say you want to clean up Washington, but as soon as you get here you become twice as much a son of hell as the one you replaced! Woe to you, makers of the law, you hypocrites! You do not practice what you preach. You put heavy burdens on the citizens, but then opt out of your own laws! Woe to you, federal fools! You take an oath to support and defend the Constitution, but then you nullify the Constitution by allowing judges to make up their own laws. Woe to you, blind hypocrites! You say that if you had lived in the days of the Founding Fathers, you never would have taken part with them in slavery. You say you never would have agreed that slaves were the property of their masters but would have insisted that they were human beings with unalienable rights. But you testify against yourselves because today you say that unborn children are the property of their mothers and have no rights at all! Upon you will come all the righteous blood that has been shed in this country. You snakes! You brood of vipers! You have left this great chamber desolate! How will you escape being condemned to hell! ~ Norman L Geisler,
1105:Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded –with what caution –with what foresight –with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it –oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly –very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! –would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously –oh, so cautiously –cautiously (for the hinges creaked) –I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights –every night just at midnight –but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept. ~ Edgar Allan Poe,
1106:There is still another test that demonstrates Nature's protective mechanisms. Ordinarily, when the pulp of a tooth is exposed by dental caries, the pulp becomes not only infected, but dies opening up a highway of infection direct from the infected mouth to the inside of the fort at the end of the root. One expression of this is a dental abscess, the existence of which is usually unknown to the individual for sometime and the infecting germs pass more or less freely throughout the body by way of the blood stream and lymph channels. This infection may start the degeneration of organs and tissues of other parts of the body. Among some of the primitive races, whose nutritional programs provided a very high factor of safety, even though the teeth were worn down to the gum line and into what was formerly the pulp chamber, the pulp was not exposed. Nature had built a protecting zone, not in the cavity of the tooth in this case, but within the pulp chamber. This entirely blocked off a threatened exposure and kept the walls of the fort sealed against bacteria. This process does not occur in many instances in people of our modern civilization. Pulp chambers that are opened by wear provide exposed pulp which becomes infected with subsequent abscess formation. If a reinforced nutrition as efficient as that of many of the primitive races, is adopted, the pulp tissue will seal up the opening made by decalcification of the dentine, by building in a new layer of normal dentine which is vital and quite unlike the petrified decay exposed to the saliva, thus completely walling off the impending danger. ~ Anonymous,
1107:They were very bitter tears: everybody in the world seemed so hard and unkind to Maggie: there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother's narrow griefs - perhaps of her father's heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present.
Maggie in her brown frock with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay, to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad: thirsty for all knowledge: with an ear straining after dreamy music that died away and would not come near to her: with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life and give her soul a sense of home in it. ~ George Eliot,
1108:CONSORTING WITH ANGELS

I was tired of being a woman,
tired of the spoons and the pots,
tired of my mouth and my breasts,
tired of the cosmetics and the silks.
There were still men who sat at my table,
circled around the bowl I offered up.
The bowl was filled with purple grapes
and the flies hovered in for the scent
and even my father came with his white bone.
But I was tired of the gender of things.

Last night I had a dream
and I said to it . . .
"You are the answer.
You will outlive my husband and my father."
In that dream there was a city made of chains
where Joan was put to death in man's clothes
and the nature of the angels went unexplained,
no two made in the same species,
one with a nose, one with an ear in its hand,
one chewing a star and recording its orbit,
each one like a poem obeying itself,
performing God's functions,
a people apart.

"You are the answer,"
I said, and entered,
lying down on the gates of the city.
Then the chains were fastened around me
and I lost my common gender and my final aspect.
Adam was on the left of me
and Eve was on the right of me,
both thoroughly inconsistent with the world of reason.
We wove our arms together
and rode under the sun.
I was not a woman anymore,
not one thing or the other.

0 daughters of Jerusalem,
the king has brought me into his chamber.
I am black and I am beautiful.
I've been opened and undressed.
I have no arms or legs.
I'm all one skin like a fish.
I'm no more a woman
than Christ was a man. ~ Anne Sexton,
1109:Fredman's Song No. 10
Drink till after twelve or more,
Live it up with madmen !
Earth is but my chamber floor
And the sun my lantern.
Nothing else is worth a pin
If my head but giddy spin,
Giddy spin, giddy spin,
Giddy spin, giddy spin,
Until it's so drowsy
Nothing more can rouse me.
In my grandad's overcoat,
Torn and out at elbows,
Here I stand, on brandy dote,
'Mid the queerest fellows;
Out of pretty goblets bright
Tipple morning noon and night,
Noon and night, noon and night,
Noon and night, noon and night,
Till I'm just another
Boozy red-nosed brother.
If my sainted father stood
Suddenly before me
"Son", he'd hiccup, "skål ! That's good,
Brandy best doth warm me."
"Brother mine," I'd then reply,
Let us toast the morning sky,
Morning sky, morning sky,
Morning sky, morning sky,
Then to thy repose, sir,
Thou again mayst go, sir."
Were I but a man of wealth,
Gold my pocket lining,
Christmas day I'd dress myself
12
Like the king, when dining.
Then I'd purchase and I'd use
Coat and waistcoat and new shoes,
New shoes, new shoes,
New shoes, new shoes,
And of course I'd buy, sir,
A watch upon my thigh, sir !
But my throat can't stand such loss,
'Tis a very drought, sir.
What is gold, when got, but dross ?
Pull the cork right out, sir !
Let us steady on our legs,
Drain this bottle to the dregs,
To the dregs, to the dregs,
To the dregs, to the dregs,
Then let death attack us
In the blood of Bacchus.
~ Carl Michael Bellman,
1110:The Bottom Drawer
In the best chamber of the house,
Shut up in dim, uncertain light,
There stood an antique chest of drawers,
Of foreign wood, with brasses bright.
One day a woman, frail and gray,
Stepped totteringly across the floor-'Let in,' said she, 'the light of day,
Then, Jean, unlock the bottom drawer.
The girl, in all youth's loveliness,
Knelt down with eager, curious face;
Perchance she dreamt of Indian silks,
Of jewels, and of rare old lace.
But when the summer sunshine fell
Upon the treasures hoarded there,
The tears rushed to her tender eyes,
Her heart was solemn as a prayer.
'Dear Grandmamma,' she softly sighed,
Lifted a withered rose and palm;
But on the elder face was naught
But sweet content and peaceful calm.
Leaning upon her staff, she gazed
Upon a baby's half-worn shoe;
A little frock of finest lawn;
A hat with tiny bows of blue;
A ball made fifty years ago;
A little glove; a tasselled cap;
A half-done 'long division' sum;
Some school-books fastened with a strap.
She touched them all, with trembling lips-'How much,' she said, 'the heart can bear!
Ah, Jean! I thought that I should die
The day that first I laid them there.
'But now it seems so good to know
That through these weary, troubled years
Their hearts have been untouched by grief,
301
Their eyes have been unstained by tears.
Dear Jean, we see with clearer sight
When earthly life is almost o'er;
Those children wait me in the skies,
For whom I locked the sacred drawer.'
~ Anonymous Americas,
1111:It was a glorious exoneration of Aisha, and all the more powerful in that it demanded not one but all of four people to contradict her word. Unless there were four witnesses to an illegal sexual act, it said, the accused was blameless, and the false accusers were the ones to be punished. For a wronged woman, there could have been no better outcome, yet the form of it would be cruelly turned around and used by conservative clerics in centuries to come to do the opposite of what Muhammad had originally intended: not to exonerate a woman but to blame her. The wording of his revelation would apply not only when adultery was suspected but also when there had been an accusation of rape. Unless a woman could produce four witnesses to her rape—a virtual impossibility—she would be considered guilty of slander and adultery, and punished accordingly. Aisha’s exoneration was destined to become the basis for the silencing, humiliation, and even execution of countless women after her. She had no idea that this would be the case, of course. What she knew was that the accusations against her had been declared false, and by no less than divine authority. Her accusers were publicly flogged in punishment, and the poets who had composed the most scurrilous verses against her were now suddenly moved to compose new ones in lavish praise of her. She returned to her chamber in the courtyard of the mosque and resumed her role as the favorite wife, though now with the added status of being not only the sole person in whose presence Muhammad had received a revelation but also the only one to have had a revelation specifically about her. ~ Anonymous,
1112:Dreaming Of Li Po
After the separation of death one can eventually swallow back
one's grief, but
the separation of the living is an endless, unappeasable anxiety.
From
pestilent Chiang-nan no news arrives of the poor exile. That my
old friend
should come into my dream shows how constantly he is in my
thoughts. I fear
that this is not the soul of a living man: the journey is so
immeasurably far.
When your soul left, the maple woods were green: on its return
the passes were
black with night. Lying now enmeshed in the net of the law,
how did you find
wings with which to fly here? The light of the sinking moon illumines
every
beam and rafter of my chamber, and I half expect it to light up your face.
The
water is deep, the waves are wide: don't let the water-dragons get you.
All day long the floating clouds drift by, and still the wanderer
has not
arrived! For three nights running I have repeatedly dreamed of you.
Such
affectionate concern on your part shows your feelings for me!
Each time you
said goodbye you seemed so uneasy. `It isn't easy to come',
you would say
bitterly; `The waters are so rough. I am afriad the boat will capsize!'.
Going
out of my door you scratched your white head as if your whole life's ambition
had been frustrated.
The Capital is full of new officials, yet a man like this is so wretched!
Who is going to tell me that the `net is wide' when this ageing man
remains in difficulties? Imperishable renown is cold comfort when you can only
enjoy it in the tomb!
~ Du Fu,
1113:it seems a shame to have to sneak to get to the truth.To make the truth such a dirty old nasty thing.You gotta sneak to get to the truth, the truth is condemned.The truth is in the gas chamber.The truth has been in your stockyards.Your slaughterhouses.The truth has been in your reservations, building your railroads, emtying your garbage.The truth is in your ghettos.In your jails.In your young love,not in your courts or congress where the old set judgement on the young.What the hell do the old know about the young?They put a picture of old George on the dollar and tell you that he's your father, worship him.Look at the madness that goes on, you can't prove anything that happened yesterday.Now is the only thing that's real.Everyday, every reality is a new reality.Every new reality is a new horizon,a brand new experience of living.I got a note last night from a friend of mine.He writes in this note that he's afraid of what he might have to do in order to save his reality, as i save mine.You can't prove anything.There's nothing to prove.Every man judges himself.He knows what he is. You know what you are, as i know what i am,we all know what we are.Nobody can stand in judgement, they can play like they're standing in judgement.They can play like they stand in judgement and take you off and control the masses, with your human body.They can lock you up in penitentiaries and cages and put you in crosses like they did in the past,but it doesn't amount to anything. What they're doing is, they're only persecuting a reflection of themselves. They're persecuting what they can't stand to look at in themselves,the truth. ~ Charles Manson,
1114:She wore cosmetics tonight, more than he had ever seen on her before. Perhaps she had, in the past, dusted her nose with rice powder, but he had never seen her wear rouge. Indeed, when he bent over her hand in salutation, he caught a whiff of the beet juice used to color the powder for cheeks and lard for lips. Her smile was small and halted rather abruptly. Pain flashed through her eyes, though it was quickly doused. His gaze focused on her right cheek again. Was it swollen? Without question—and the rouge did not quite cover an edge of bruising. As the rest of the party moved to the furniture, a few of the knots smoothed out within him, though a couple of different ones took up residence. He did not release her hand. “Would you take a turn about the room with me, Miss Reeves?” “Very well, sir.” She sounded far from enthusiastic and moved to his right side. Undoubtedly so that hers was turned away from him. “I trust you passed a pleasant afternoon?” He kept his gaze upon her as he led her to the edge of the chamber so that they might walk its perimeter as far from their families as possible. In a low voice he said, “More pleasant than yours, from the looks of it. What is wrong with your cheek, Miss Reeves?” She turned wide eyes on him, filled with outrage and a grain of amusement. “Mr. Lane, perhaps you are yet unaccustomed to seeing ladies wearing paint, but I assure you, ’tis the height of fashion. I resent being told it looks wrong.” He may have been tempted to smile, had it not been a matter of her welfare. “It is not the rouge to which I refer, Miss Reeves, as you well know.” “In which case I have no idea… ~ Roseanna M White,
1115:Consorting With Angels
I was tired of being a woman,
tired of the spoons and the post,
tired of my mouth and my breasts,
tired of the cosmetics and the silks.
There were still men who sat at my table,
circled around the bowl I offered up.
The bowl was filled with purple grapes
and the flies hovered in for the scent
and even my father came with his white bone.
But I was tired of the gender things.
Last night I had a dream
and I said to it...
'You are the answer.
You will outlive my husband and my father.'
In that dream there was a city made of chains
where Joan was put to death in man's clothes
and the nature of the angels went unexplained,
no two made in the same species,
one with a nose, one with an ear in its hand,
one chewing a star and recording its orbit,
each one like a poem obeying itself,
performing God's functions,
a people apart.
'You are the answer, '
I said, and entered,
lying down on the gates of the city.
Then the chains were fastened around me
and I lost my common gender and my final aspect.
Adam was on the left of me
and Eve was on the right of me,
both thoroughly inconsistent with the world of reason.
We wove our arms together
and rode under the sun.
I was not a woman anymore,
not one thing or the other.
O daughters of Jerusalem,
48
the king has brought me into his chamber.
I am black and I am beautiful.
I've been opened and undressed.
I have no arms or legs.
I'm all one skin like a fish.
I'm no more a woman
than Christ was a man.
~ Anne Sexton,
1116:In a now famous thought experiment, the philosopher Derek Parfit asks us to imagine a teleportation device that can beam a person from Earth to Mars. Rather than travel for many months on a spaceship, you need only enter a small chamber close to home and push a green button, and all the information in your brain and body will be sent to a similar station on Mars, where you will be reassembled down to the last atom. Imagine that several of your friends have already traveled to Mars this way and seem none the worse for it. They describe the experience as being one of instantaneous relocation: You push the green button and find yourself standing on Mars—where your most recent memory is of pushing the green button on Earth and wondering if anything would happen. So you decide to travel to Mars yourself. However, in the process of arranging your trip, you learn a troubling fact about the mechanics of teleportation: It turns out that the technicians wait for a person’s replica to be built on Mars before obliterating his original body on Earth. This has the benefit of leaving nothing to chance; if something goes wrong in the replication process, no harm has been done. However, it raises the following concern: While your double is beginning his day on Mars with all your memories, goals, and prejudices intact, you will be standing in the teleportation chamber on Earth, just staring at the green button. Imagine a voice coming over the intercom to congratulate you for arriving safely at your destination; in a few moments, you are told, your Earth body will be smashed to atoms. How would this be any different from simply being killed? To ~ Sam Harris,
1117:Gloomily The Clouds
Gloomily the clouds are sailing
O'er the dimly moonlit sky;
Dolefully the wind is wailing;
Not another sound is nigh;
Only I can hear it sweeping
Heathclad hill and woodland dale,
And at times the nights's sad weeping
Sounds above its dying wail.
Now the struggling moonbeams glimmer;
Now the shadows deeper fall,
Till the dim light, waxing dimmer,
Scarce reveals yon stately hall.
All beneath its roof are sleeping;
Such a silence reigns around
I can hear the cold rain steeping
Dripping roof and plashy ground.
No: not all are wrapped in slumber;
At yon chamber window stands
One whose years can scarce outnumber
The tears that dew his clasped hands.
From the open casement bending
He surveys the murky skies,
Dreary sighs his bosom rending;
Hot tears gushing from his eyes.
Now that Autumn's charms are dying,
Summer's glories long since gone,
Faded leaves on damp earth lying,
Hoary winter striding on, -'Tis no marvel skies are lowering,
Winds are moaning thus around,
And cold rain, with ceaseless pouring,
Swells the streams and swamps the ground;
50
But such wild, such bitter grieving
Fits not slender boys like thee;
Such deep sighs should not be heaving
Breasts so young as thine must be.
Life with thee is only springing;
Summer in thy pathway lies;
Every day is nearer bringing
June's bright flowers and glowing skies.
Ah, he sees no brighter morrow!
He is not too young to prove
All the pain and all the sorrow
That attend the steps of love.
~ Anne Brontë,
1118:Nurse Green
'Your prayers you have said, and you've wished good night:
What cause is there yet keeps my darling awake?
This throb in your bosom proclaims some affright
Disturbs your composure. Can innocence quake?
'Why thus do you cling to my neck, and enfold me,
What fear unimparted your quiet devours?'
'O mother, there's reason-for Susan has told me,
A dead body lies in the room next to ours.'
'I know it; and, but for forgetfulness, dear,
I meant you the coffin this day should have seen,
And read the inscription, and told me the year
And day of the death of your poor old Nurse Green.'
'O not for the wealth of the world would I enter
A chamber wherein a dead body lay hid,
Lest somebody bolder than I am should venture
To go near the coffin and lift up the lid.'
'And should they do so and the coffin uncover,
The corpse underneath it would be no ill sight;
This frame, when its animal functions are over,
Has nothing of horror the living to fright.
To start at the dead is preposterous error,
To shrink from a foe that can never contest;
Shall that which is motionless move thee to terror;
Or thou become restless, 'cause they are at rest?
To think harm of her our good feelings forbid us
By whom when a babe you were dandled and fed;
Who living so many good offices did us,
81
I ne'er can persuade me would hurt us when dead.
But if no endeavour your terrors can smother,
If vainly against apprehension you strive,
Come, bury your fears in the arms of your mother;
My darling, cling close to me, I am alive.'
~ Charles Lamb,
1119:to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the ~ H Rider Haggard,
1120:Lifting his head, Quincel de Morhban looked at me with something like awe. “It’s true,” he whispered. “What they say … Kushiel’s Dart. It’s all true.” “Yes, my lord,” I murmured; if he’d told me the moon was locked in his stables, I’d have said the same, at that moment. De Morhban released me, turning away to pluck a great silvery rose, mindful of its thorns. “You see this?” he asked, placing it in my hand and folding my fingers about the stem. “It exists nowhere else. My Namarrese-gardener bred it. Naamah’s Star, he calls it.” His hand was still around mine; he closed it, tightening my clutch on the stem. Thorns pierced my skin and I gasped, my bones turning to water. The silvery rose blossomed between us, fragrant in the torchlit night air, while blood ran, drop by slow drop, from my fist. De Morhban’s gaze held me pinioned, his body close, rigid phallus pressed against my belly. He released my hand and I sank to my knees, divining his desire, unfastening his breeches, the rose falling forgotten as I took him in my hand, his hard-veined and throbbing phallus, slick with my own warm blood, and then into my mouth. All around us his unlikely garden opened onto the night as I performed the languisement until he drew away at the end, spending himself on me, in the garden, drops of milky fluid lying on my skin, on the dark leaves and silken petals, pearlescent and salty. He groaned with pleasure, then gazed down at me, freeing my hair from the caul with a harsh twist, so that it cascaded about my shoulders and down my back. “Dinner,” he said, catching his breath. “And then I will show you my pleasure-chamber, little anguissette. ~ Jacqueline Carey,
1121:the effects of this commitment throughout the Third World are dramatically clear: it takes only a moment’s thought to realize that the areas that have been the most under U.S. control are some of the most horrible regions in the world. For instance, why is Central America such a horror-chamber? I mean, if a peasant in Guatemala woke up in Poland [i.e. under Soviet occupation], he’d think he was in heaven by comparison—and Guatemala’s an area where we’ve had a hundred years of influence. Well, that tells you something. Or look at Brazil: potentially an extremely rich country with tremendous resources, except it had the curse of being part of the Western system of subordination. So in northeast Brazil, for example, which is a rather fertile area with plenty of rich land, just it’s all owned by plantations, Brazilian medical researchers now identify the population as a new species with about 40 percent the brain size of human beings, a result of generations of profound malnutrition and neglect—and this may be un-remediable except after generations, because of the lingering effects of malnutrition on one’s offspring. 54 Alright, that’s a good example of the legacy of our commitments, and the same kind of pattern runs throughout the former Western colonies. In fact, if you look at the countries that have developed in the world, there’s a little simple fact which should be obvious to anyone on five minutes’ observation, but which you never find anyone saying in the United States: the countries that have developed economically are those which were not colonized by the West; every country that was colonized by the West is a total wreck. ~ Noam Chomsky,
1122:to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day ~ H Rider Haggard,
1123:Without warning, he fingered the small, black tattoo on her lower back. “What does this script mean?”
She did gasp then, as much from the shock of his touch as from her visceral reaction to it. She wanted to arch up to his hand and couldn’t understand why. She snapped, “Are you done groping me?
“Canna say. Tell me what the marking means.”
Mari had no idea. She’d had it ever since she could remember. All she knew was that her mother used to write out that mysterious lettering in all of her correspondence. Or, at least her mother had before she’d abandoned Mari in New Orleans to go on her two-hundred-year-long druid sabbatical—
He tapped her there, impatiently awaiting an answer.
“It means ‘drunk and lost a bet.’ Now keep your hands to yourself unless you want to be an amphibian.” When the opening emerged ahead, she crawled heedlessly for it and scrambled out with her lantern swinging wildly. She’d taken only three steps into the new chamber before he’d caught her wrist, spinning her around.
As his gaze raked over her, he reached forward and pulled a lock of her long hair over her shoulder. He seemed unaware that he was languidly rubbing his thumb over the curl. “Why hide this face behind a cloak?” he murmured, cocking his head to the side as he studied her. “No’ a damn thing’s wrong with you that I can tell. But you look fey. Explains the name.”
“How can I resist these suave compliments?” He was right about the name though. Many of the fey had names beginning in Mari or Kari.
She gave his light hold on her hair a pointed look, and he dropped it like it was hot, then scowled at her as if she were to blame. ~ Kresley Cole,
1124:the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and ~ H Rider Haggard,
1125:I couldn’t help but notice that Ravenwood would make a splendid spot to hold a wedding. Why, this tower room would be the perfect place for a lady to get ready, and then . . .” Abigail looked up, a faraway expression in her eyes. “The bride could descend the staircase with a train flowing gently behind her . . . Why, I can picture it in detail.” “You should put those types of details straight from your mind, Abigail,” Lucetta said. “I have no intention of getting married anytime soon, nor would my choice of groom be your grandson.” “Why not? Bram’s a delightful gentleman.” “Who happens to be a great, great admirer of my work.” Abigail leaned back in her chair. “I knew you were going to take issue with that.” “And for good reason. If you haven’t noticed, most admirers of my work—gentlemen admirers, that is—have the unpleasant habit of holding me in high esteem, that circumstance brought about through the unfortunate infatuations they develop for me.” She blew bubbles off her hand. “Once they become acquainted with the real me, I’m afraid they quickly lose all interest and never darken the steps of the theater again.” “I’m sure Bram will appreciate everything about you even when he does get to know you better.” Lucetta wrinkled her nose. “Thank you, I think, but Bram didn’t seem to appreciate carrying me up all of those steps, especially since he made mention of how sturdy he found me to be.” “He did not.” “I assure you, he did, although in his defense, he believed I was unconscious when he uttered the whole sturdy nonsense.” “Well, that’s a relief, and . . .” A knock on the bathing chamber door interrupted whatever else Abigail had been about to say. ~ Jen Turano,
1126:Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight! The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls up solemn thoughts of distant times to come, and bends down pride and worldliness beneath it. ~ Charles Dickens,
1127:And after?”
“As we discussed. Honor the Covenant. No more forced levies; tax reform; trade reestablished with the outside, minus the tariffs that went into the Merindar personal fortune. That’s to start.”
Bran shrugged, rubbed his hands from his jaw to through his hair, then he turned to me. “Mel?”
“I would prefer to discuss it later,” I said.
“What’s to discuss?” Bran said, spreading his hands.
“The little matter of the crown,” Shevraeth said dryly. “If we are finished, I propose we withdraw for the evening. We are all tired and would do the better for a night’s sleep.”
I turned to him. “You said to Bran we can leave, whatever we decide.”
He bowed.
“Good. We’ll leave in the morning. First light.”
Bran’s jaw dropped.
“I want to go home,” I said fiercely.
The Prince must have given some signal undiscernible to me, for suddenly a servant stood behind my chair, to whom Prince Alaerec said, “Please conduct the Countess to the chamber prepared for her.”
I got up, said to Bran, “I’ll need something to wear on the ride home.”
He slewed around in his chair. “But--“
I said even more fiercely than before, “Do you really think I ought to wear this home--even if it were mine, which it isn’t?”
“All right.” Branaric rubbed his eyes. “Curse it, I can’t think for this headache on me. Maybe I’d better turn in myself.”
He fell in step beside me and we were led out. I walked with as much dignity as I could muster, holding that dratted skirt out away from my feet. My shoulder blades itched; I imagined the two Renselaeuses staring, and I listened for the sound of their laughter long after we’d traversed the hall and gone up a flight of stairs. ~ Sherwood Smith,
1128:Panting, she pressed closer to him as he unfastened the row of buttons and freed his swollen erection. With a soothing murmur, Ross positioned her over his hips, canting them to just the right angle. She sank down eagerly, gasping as he filled her completely. Her hands clutched at the fabric of his coat, fingertips digging into the smooth broadcloth.
"Hold onto me," he whispered. When she had wrapped herself around him, he picked his feet up from the stepping board and let the chamber-horse seat drop several inches in a sudden electrifying jolt. The movement forced Sophia harder onto the hilt of his shaft, and she whimpered in pleasure.
Ross smiled as he stared into her wide, unfocused eyes. Color burnished the edges of his cheekbones and the bridge of his nose, and sweat misted his skin. His thighs went taut as he braced his feet on the board once more, then let them drop again. "Is this all right?" he murmured. "Is it too much?"
"No," she gulped. "Do it again."
Obligingly he began a bouncing motion that elicited a rhythmic squeak from the chamber horse. Air rushed from the contraction and expansion of the cushions like the sighing of fireplace bellows. Sophia held on tightly, her body gripping his intimately. Each drop of the seat caused the stiff, thick shaft to push harder inside her, again, again, until the stroking, grinding motion caused her to convulse in a release that had no end.
Feeling the spasms of her body, Ross impaled her one last time and groaned in satisfaction. When at least he leaned backward with her body clasped in his arms, Sophia draped herself over him, utterly relaxed. Their bodies were still joined , and she moaned as he flexed inside her. ~ Lisa Kleypas,
1129:The DFL headquarters was a low white-brick building in a St. Paul business park across the Mississippi from downtown that possibly looked hip for fifteen minutes after it was built but no longer did. Lucas talked to a receptionist, who made a call. Schariff came out and got him, and said, “We’re down in the conference room.” “Who’s we?” Lucas asked. “Me and Daryl Larson, our attorney,” Schariff said. He was a stocky, dark-haired man with a neatly trimmed beard and dark-rimmed glasses. He was wearing a white shirt with a couple of pens in a plastic pocket protector. In any other circumstance, Lucas would have been willing to arrest him on the basis of the pocket protector alone. “I asked, and everybody said when you’re talking to a cop . . . especially one investigating the Grant-Smalls fight . . .” “Okay,” Lucas said. Larson was a tall, thin man whom Lucas knew through Weather’s association with the St. Paul Chamber Orchestra. Larson raised money for the orchestra, usually by wheedling rich wives; it’d worked with Weather. When Lucas stepped into the room, Larson put down the paper he’d been reading and stood to shake hands. “Lucas, nice to see you. How’s Weather?” “Broke. She’s broke. She’s got no money left. She’s wondering how we’re going to feed the kids.” “Hate to hear that,” Larson said, with a toothy smile. “I’ll call her with my condolences.” The pleasantries out of the way, they settled into the conference chairs and Lucas outlined some of what he knew and believed about Tubbs’s disappearance. He finished by saying, “You guys are probably not going to want to talk about this, because when the media puts Tubbs’s disappearance together with the porn trick . . . it’s gonna look bad. ~ John Sandford,
1130:There is a musical instrument, one that is in fact little more than a toy, that we in Viron used to call Molpe’s dulcimer. Strings are arranged in a certain way and drawn tight above a chamber of thin wood that swells the sound when they are strummed by the wind. Horn made several for his young siblings before we went into the tunnels; when I made them, I dreamed of making a better one someday, one constructed with all the knowledge and care that a great craftsman would bring to the task, a fitting tribute to Molpe. I have never built it, as you will have guessed already. I have the craft now, perhaps; but I have never had the musical knowledge the task would require, and I never will. If I had built it, it might have sounded something like that, because I would have made it sound as much like a human voice as I could; and if I were the great craftsman I once dreamed of becoming, I would have come very near—and yet not near enough. That is how it was with the Mother’s voice. It was lovely and uncanny, like Molpe’s dulcimer; and although it was not in truth very remote as well as I could judge, there was that in it that sounded very far away indeed. I have since thought that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express. No, not even if I could whisper them aloud to you of the future, and certainly not as I am constrained to speak to you now with Oreb’s laboring black wingfeather. Nor with a quill from any other bird that ever flew. * ~ Gene Wolfe,
1131:On December 1, 2006, federal deputies were brawling in Mexico’s Congress hours before Felipe Calderón was due to enter the chamber to be sworn in as president. It was a fight for space. The leftist deputies claimed their candidate, Andrés Manuel López Obrador, had really won the election but been robbed of his rightful victory. They were trying to gain control of the podium to stop Calderón from taking the oath and assuming office. The conservative deputies were defending the podium to allow the presidential accession. The conservatives won the scrap. There were more of them, and they seemed to be better fed. Among those attending the ceremony were former U.S. president George Bush (Bush the First) and California governor Arnold Schwarzenegger. I was covering the Congress door, snatching interviews as guests went in. The elderly Bush hobbled past with six bodyguards with bald heads and microphones at their mouths. I asked him what he thought about the ruckus in the chamber. “Well, I hope that Mexicans can resolve their differences,” he replied diplomatically. Schwarzenegger strolled past with no bodyguards at all. I asked what he thought about the fisticuffs. The Terminator turned round, stared intensely, and uttered three words: “It’s good action!” I phoned the quote back to headquarters and it went out on a wire story. Suddenly, Schwarznegger’s statement was being bounced around California TV stations. Then the BBC led their newscast with it: “It takes a lot to impress Arnold Schwarznegger but today when he was in Mexico …” I got frantic phone calls from the governor’s office in Los Angeles. Was his quote perhaps being used out of context? Well, I replied, I asked him straight and he told me straight. ~ Ioan Grillo,
1132:Will you go?” Maelyn asked. “Not a chance,” said Briette. “ ‘I shall eagerly await your reply and I wish you health and wealth. Your affectionate friend, “ ‘The Duchess of Merridell’ ” Heidel snorted. “Duchess of Mudsuckers.” “Wait, she wrote an additional note at the bottom,” said Briette. “ ‘I nearly forgot! I must also thank you for assisting with the birth of my beautiful daughter. She is strong and healthy, thank our Good Sire above. I remember you were curious about the name and at long last I have chosen it! Her name is Roselle.’ ” Briette stopped. “Is that it?” said Heidel. Briette stared at the name. She covered her mouth with her fingers and began to blink rapidly. “What’s the matter?” said Maelyn. Briette stood, the parchment falling to her feet. “I uh, I have to go upstairs.” “What is it, Briette?” Heidel asked. “I’m sorry. Please excuse me.” Briette cut between the armchairs and managed to get out without stumbling. She passed through the corridors and climbed the stairs, holding the wall as she went. Her thoughts spun, her heart staggered. Now she knew what had been in the basket. Miss Gerda would have told her. Briette was sure of it. I’m afraid there is more, she had said. But the poor woman had not been given the chance. And the dream! The dream in which her own reflection reached out and pulled her hair. It was a memory. Her mind had fabricated a mirror to make sense of the dream but no mirror had ever been there. The face she had seen was not her own, though it matched in every way. It had belonged to another child. Her name was Roselle. Briette entered her chamber, shut the door, and slid down in front of it. She covered her face and wept a blend of joy and sorrow. “I have a twin.” * ~ Anita Valle,
1133:They'd managed to make it through the room without waking the maid, and all the way to the top of the stairs before the next problem had arisen in the form of the women returning from the ball and entering the foyer below. In a panic, Daniel and Richard had rushed back along the upper hall, and then ducked into this room to wait for the way to be clear.
"We'd best move while we have the chance," Richard said behind him. "Once they have Christiana in bed, the girls will no doubt seek their own rooms and this could be one of them."
Daniel nodded and eased the door open to check the hall. When a quick glance in both directions showed it to be empty, he pulled the door wide and stepped out of the way for Richard to lead with his burden. He then started to follow, but had barely taken a step when Richard suddenly whirled back toward him. Caught by surprise, Daniel was slow to react. Before he could, Richard cursed, and suddenly thrust George's body on him.
Pure instinct made Daniel grab at the blanket-encased corpse. He then found himself stumbling back under a push from Richard, a very stiff George caught to his chest in some sort of macabre dance as the door closed leaving him alone in the dark room. Regaining his footing, Daniel stood absolutely still in the lightless chamber, simply listening as he tried to figure out why Richard hadn't followed him into the room. He relaxed a little when he heard the other man's voice muffled through the door, saying, "Ladies.Might I convince you both to join me in my office for a drink before you retire?"
Daniel adjusted the hold he had on George, but it helped little. The man was stiff as a board and unbending. He may as well have been a life-sized statue. ~ Lynsay Sands,
1134:THE DEPOT at Nochecita had smooth stuccoed apricot walls, trimmed in a somehow luminous shade of gray—around the railhead and its freight sheds and electrical and machine shops, the town had grown, houses and businesses painted vermilion, sage, and fawn, and towering at the end of the main street, a giant sporting establishment whose turquoise and crimson electric lamps were kept lit all night and daytime, too, for the place never closed. There was an icehouse and a billiard parlor, a wine room, a lunch and eating counter, gambling saloons and taquerías. In the part of town across the tracks from all that, Estrella Briggs, whom everybody called Stray, was living upstairs in what had been once the domestic palace of a mine owner from the days of the first great ore strikes around here, now a dimly illicit refuge for secret lives, dark and in places unrepainted wood rearing against a sky which since this morning had been threatening storm. Walkways in from the street were covered with corrugated snow-shed roofing. The restaurant and bar on the ground-floor corner had been there since the boom times, offering two-bit all-you-can-eat specials, sawdust on the floor, heavy-duty crockery, smells of steaks, chops, venison chili, coffee and beer and so on worked into the wood of the wall paneling, old trestle tables, bar and barstools. At all hours the place’d be racketing with gambling-hall workers on their breaks, big-hearted winners and bad losers, detectives, drummers, adventuresses, pigeons, and sharpers. A sunken chamber almost like a natatorium at some hot-springs resort, so cool and dim that you forgot after a while about the desert waiting out there to resume for you soon as you stepped back into it. . . . ~ Thomas Pynchon,
1135:For Catherine: Juana, Infanta Of Navarre
Ferdinand was systematic when
he drove his daughter mad.
With a Casanova's careful art,
he moved slowly,
stole only one child at a time
through tunnels specially dug
behind the walls of her royal
chamber, then paid the Duenna
well to remember nothing
but his appreciation.
Imagine how quietly
the servants must have worked,
loosening the dirt, the muffled
ring of pick-ends against
the castle stone. The Duenna,
one eye gauging the drugged girl's
sleep, each night handing over
another light parcel, another
small body vanished
through the mouth of a hole.
Once you were a daughter, too,
then a wife and now the mother
of a baby with a Spanish name.
Paloma, you call her, little dove;
she sleeps in a room beyond you.
Your husband, too, works late,
drinks too much at night, comes
home lit, wanting sex and dinner.
You feign sleep, shrunk
in the corner of the queen-sized bed.
You've confessed, you can't feel things
when they touch you;
take Prozac for depression, Ativan
for the buzz. Drunk, you call your father
who doesn't want to claim
a ha!fsand-niggergrandkid.
He says he never loved your mother.
No one remembers Juana; almost
everything's forgotten in time,
and if I tell her story,
it's only when guessing
what she loved, what she dreamed
about, the lost details of a life
that barely survives history.
God and Latin, I suppose, what she loved.
And dreams of mice pouring out
from a hole. The Duenna, in spite
of her black, widow's veil, leaning
to kiss her, saying Juana, don't listen...
~ Erin Belieu,
1136:Twould take me half a lifetime to describe to you the wonders and the horrors of the future world. The garderobe, what they call the ODEC, is housed within a large chamber—a strange room with mechanical monstrosities and a dreadful buzz in the air as if lightning were always just about to strike, a sound they are all indifferent to, much as I became indifferent to the odors of Southwark. And this chamber in turn is inside a vast building, which is on a street full of vast buildings, in a city of streets with vast buildings. Larger than cathedrals some of them, but without ornament or even shape. Like building blocks for giants, so they are. No imagination or love of beauty at all. Everything functions without human or magical assistance, but I confess most breathlessly that whatever power keeps humanity and its many mechanical servants humming . . . it is far more dazzling than any magic I have ever seen performed. And I tell you straight out: suspicious this makes me, for what is the cause to bring magic back when it has been replaced by something clearly more serviceable? So the first riddle I put my mind to was this: in a world where carriages travel without beasts to pull them, and food is effortlessly abundant, and there is ample light to sunder any darkness, from all manner of peculiar torches, none of them given to burning down a place even if it is all wood, and where all and sundry wear grander clothes than most anyone in London and an astonishing variety what’s more . . . something there must be, some commodity or advantage, that magic can attain but mankind cannot yet. Nothing material can it be, for no magic I ever knew summoned such luxuries for royalty as everyday folk here take as commonplace. ~ Neal Stephenson,
1137:We’re trapped now, aren’t we?” “Yes,” said Ford, “we’re trapped.” “Well, didn’t you think of anything? I thought you said you were going to think of something. Perhaps you thought of something and I didn’t notice.” “Oh yes, I thought of something,” panted Ford. Arthur looked up expectantly. “But unfortunately,” continued Ford, “it rather involved being on the other side of this airtight hatchway.” He kicked the hatch they’d just been thrown through. “But it was a good idea, was it?” “Oh yes, very neat.” “What was it?” “Well, I hadn’t worked out the details yet. Not much point now, is there?” “So … er, what happens next?” asked Arthur. “Oh, er, well, the hatchway in front of us will open automatically in a few moments and we will shoot out into deep space I expect and asphyxiate. If you take a lungful of air with you you can last for up to thirty seconds, of course …” said Ford. He stuck his hands behind his back, raised his eyebrows and started to hum an old Betelgeusian battle hymn. To Arthur’s eyes he suddenly looked very alien. “So this is it,” said Arthur, “we are going to die.” “Yes,” said Ford, “except … no! Wait a minute!” He suddenly lunged across the chamber at something behind Arthur’s line of vision. “What’s this switch?” he cried. “What? Where?” cried Arthur, twisting round. “No, I was only fooling,” said Ford, “we are going to die after all.” He slumped against the wall again and carried on the tune from where he left off. “You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space, that I really wish I’d listened to what my mother told me when I was young.” “Why, what did she tell you?” “I don’t know, I didn’t listen. ~ Douglas Adams,
1138:A Question
AND so in the death-darkened chamber they met,
The woman that once he had loved and the one he loved yet—
The wife who had warped his desire and the woman he could not forget.
They stood by the bier where between them he slept,
And the love he had lost in his wife to her swimming eyes leapt;
But the woman his life had belonged to—his paramour—spoke not nor wept.
It was only a story of sated desire—
Of a love merely sensual burnt to an ash by its fire,
And a husband who turned to a more luscious love that was his for the hire.
All had sinned. For the husband had killed by his clutch,
Rough-handed, the fruit of a love that had dropped at his touch.
One woman's great sin was not loving, his wife's was in loving too much.
And so he had died; it was over at last;
And across him the two women looked at each other aghast—
Across his cold corse, and across the cold corse of the loathsome dead Past!
Then the smouldering love of the wife leapt to flame,
And she poured forth her kisses upon him, and called on his name.
But the other said “No, he is nothing to you; soul and body I claim!”
They looked at each other awhile. Said the wife wearily,
“He is mine; for I loved him, and ever shall love him; let be!”
But the other sneered, “No, he is mine, and mine only, because he loved me!”
Then the two laid their hands on the body between;
And fought for it, wife against paramour, fiercely, unseen—
For the body diseased and polluted, as ever his spirit had been.
And this is a question for answer in Hell:
To which of the two did his spirit belong, can you tell?
Think, was it the woman he loved, or the one who had loved him too well?
~ Arthur Henry Adams,
1139:Viii: Song: To Sicknesse
Why, Disease, dost thou molest
Ladies? and of them the best?
Do not men, ynow of rites
To thy altars, by their nights
Spent in surfets: and their dayes,
And nights too, in worser wayes?
Take heed, Sicknesse, what you do,
I shall feare, you'll surfet too.
Live not we, as, all thy stals,
Spittles, pest-house, hospitals,
Scarce will take our present store?
And this age will build no more:
'Pray thee, feed contented, then,
Sicknesse; only on us men.
Or if needs thy lust will taste
Woman-kind; devoure the waste
Livers, round about the town.
But forgive me, with thy crown
They maintaine the truest trade,
And have more diseases made.
What should, yet, thy pallat please?
Daintinesse, and softer ease,
Sleeked lims, and finest blood?
If thy leannesse love such food,
There are those, that, for thy sake,
Do enough; and who would take
Any paines; yea, think it price,
To become thy sacrifice.
That distill their husbands land
In decoctions; and are mann'd
With ten Emp'ricks, in their chamber,
Lying for the spirit of amber.
That for the oyle of Talck, dare spend
More than citizens dare lend
Them, and all their officers.
That to make all pleasure theirs,
Will by coach, and water go,
Every stew in towne to know;
Date entayle their loves on any,
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Bald, or blind, or nere so many:
And, for thee at common game,
Play away, health, wealth, and fame.
These, disease, will thee deserve:
And will, long ere thou should'st starve,
On their bed most prostitute,
Move it, as their humblest sute,
In thy justice to molest
None but them, and leave the rest.
~ Ben Jonson,
1140:He spent two years running a hospital for Chai.” Molly put her arm around the younger woman. “Which was the equivalent of working the ER in a city like New York or Chicago. He saved a lot of lives.” She made sure Max was paying attention, too. “And before you say, ‘Yeah, of drug runners, killers, and thieves,’ you should also know that his patients were just regular people who worked for Chai because he was the only steady employer in the area. Or because they knew they’d end up in some mass grave if they refused his offer of employment. Before Grady came in, if they were injured in some battle with a rival gang, they were just left for dead.”
Jones looked up to find Max watching him as he sterilized a particularly sharp knife. “Me and Jesus,” he said. “So much alike, people often get us confused.”
“Mock me all you want—I’m just saying.” Molly had on her Hurt Feelings Face. It may have fooled Max, but Jones knew it was only there to mask her Relentless Crusader. She was lobbying hard for Max to be on Jones’s side if they made it out of here alive. And she wasn’t done. “Yes, Grady Morant worked for Chair for a few years—after the U.S. left him to die in some torture chamber. He’s so evil, except what was he doing during those two years? Oh, he was saving lives . . .?”
“I was practicing medicine without a license,” Jones pointed out. “You just gave Max something else to charge me with when we get home.”
When, not if. Even though he wasn’t convinced that they weren’t in if territory, he’d used the word on purpose. The look Molly shot him was filled with gratitude.
He gave her a smoldering blast of his best “Yeah, you can thank me later in private, baby” look, and, as he’d hoped she would, she laughed. ~ Suzanne Brockmann,
1141:I do not like to remember that trip.
Not that I was awake for much of it--for which I am grateful. I kept sliding in and out of consciousness, and believe me, the outs were much more welcome than the ins.
I knew that Chovilun Fortress lay at the base of the mountains on the Akaeriki River, which bisects the kingdom, but I didn’t know how long it took to reach it.
All I can report is that I felt pretty sick, nearly as sick as I’d been when I fell into Ara’s chickenyard. Sick at heart as well, for I knew there was no escape for Meliara Astiar after all; therefore I resolved that my last job was to summon enough presence of mind to die well.
Not, of course, that the truth would ever get to Branaric. The Merindars had captured and held a kingdom by a winning combination of treachery, bullying, and lying. I had made the Baron look silly during that episode at the inn, and I knew he was going to take his revenge on me in the privacy of his fortress, making it last as long as possible. And every weakness he could get me to display was going to get noised as excruciatingly as possible over the entire kingdom--especially aimed at Tlanth.
So my only hope, therefore, was to make him so angry he’d kill me outright and save us both a lot of effort.
These were my cheery thoughts--not that my head was any too clear--as we clattered into a stone courtyard at last. The ever-present rain had nearly drowned me. My hands and feet were numb. When the guards cut me loose I fell like an old bundle of laundry onto the stone courtyard, and once again hands gripped my upper arms and yanked me upright.
This time I made no pretense of walking as I was borne into a dank tunnel, then down steep steps into an even danker, nasty-smelling chamber. ~ Sherwood Smith,
1142:Will she survive it? I told his lordship she would. I didn’t want to give him an excuse not to help her. Methinks that if he suspected she was near death, he would turn her out.”
“I don’t know. Methinks it depends on her will to live. If she doesn’t want life, she’ll die.” Haldana sighed. “I’ll stay with her and watch over her. Please, direct the girls to take over my duties.”
“Yea. ‘Tis already done.” Ulric narrowed his eyes in heavy contemplation, drawing back the coverlet at the girl’s bruised throat. His frown deepened. It looked as if she’d been strangled. “M’lord has put her in my charge until she awakens. He wishes to speak to her then.”
“Methinks that m’lord is more frightened of her being here because she is a woman and a woman of his class.”
“Yea, methought it also. He didn’t think much of me saying she was a beauty.” In truth, Ulric only saw the line of the lady’s slender body outlined by the coverlet and the fullness of her lips, but he’d mainly called her beautiful just to aggravate his lordship. He let go of the coverlet, letting the old material fall once more to cover the noblewoman’s neck. He moved his fingers to stroke the wiry hairs of his mustache.
“Wouldn’t it be nice if she was sent here to melt the curse from his lordship’s heart?” Haldana sighed, wistful. “Yea, even the curse from this castle. Then the Monster of Lakeshire would leave us be once and fer all.”
“You are a romantic dreamer, dear girl.” Ulric kissed Haldana briefly on her forehead and turned to leave. “Let me know at once when she awakens.”
“Yea, Ulric, I will.” Haldana let her girlish giggle echo in the chamber as he shut the door. From outside the chamber, he heard her say, “Poor child. You don’t know what you have gotten yerself into coming here. ~ Michelle M Pillow,
1143:Capital Punishment
PROUD is the state of its millions of men,
And proud is the state of its name;
In its borders are masters of brush and of pen,
And wide as the world is its fame.
It stands for the best of the blood of the years,
Yet an eye for an eye is its way,
And there at the base of its progress appears
The chamber of murder today.
It has fashioned the visions of ages long gone,
What were dreams of the past now are real;
Its deserts and hills men have builded upon
Great structures of stone and of steel.
It is proud of its colleges, splendid and true,
Where its youth obtain learning and skill;
It has turned from the old to the glorious new,
But the death house is part of it still.
It boasts of its work in humanity's cause,
Of its churches with steeples and domes;
And proudly it tells of its numberless laws
That safeguard its millions of homes.
It has stretched out its hand to the child of the mill,
It has led him from labor to play;
Yet the chamber of death is a part of it still,
And some one must murder for pay.
Choking rabbi and priest mutter fear-stifled prayers
To the great God of mercy above
As the ominous footfalls are heard on the stairs,
And ask Him for mercy and love.
Oh, mockery! Asking the Master to show
Compassion, when ye of the state
Stand up and insist on a blow for a blow,
And murder in legalized hate!
Oh, mockery! Asking the good God to spare
This man on the brink of the grave,
That ye, as a state, by your actions declare
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Ye haven't found worthy to save.
Ye have shaken the fetters of ages long gone,
Ye have risen in glory and gain;
How long must the God of us all look upon
The chamber of death ye maintain?
~ Edgar Albert Guest,
1144:My Friend
MY Friend wears a cheerful smile of his own,
And a musical tongue has he;
We sit and look in each other's face,
And are very good company.
A heart he has, full warm and red
As ever a heart I see;
And as long as I keep true to him,
Why, he'll keep true to me.
When the wind blows high and the snow falls fast
And we hear the wassailers' roar-My Friend and I, with a right good-will
We bolt the chamber door:
I smile at him and he smiles at me
In a dreamy calm profound,
Till his heart leaps up in the midst of him
With a comfortable sound.
His warm breath kisses my thin gray hair
And reddens my ashen cheeks;
He knows me better than you all know,
Though never a word he speaks:-Knows me as well as some had known
Were things--not as things be.
But hey, what matters? my Friend and I
Are capital company.
At dead of night, when the house is still,
He opens his pictures fair;
Faces that are, that used to be,
And faces that never were:
My wife sits sewing beside my hearth,
My little ones frolic wild,
Though--Lilian's married these twenty years,
And I never had a child.
But hey, what matters? When those who laugh
May weep to-morrow, and they
Who weep be as those that wept not--all
128
Their tears long wiped away.
I shall burn out, like you, my Friend,
With a bright warm heart and bold,
That flickers up to the last--then drops
Into quiet ashes cold.
And when you flicker on me, old Friend,
In the old man's elbow-chair,
Or--something easier still, where we
Lie down, to arise up fair
And young, and happy--why then, my Friend,
Should other friends ask of me,
Tell them I lived and loved and died
In the best of all company.
~ Dinah Maria Mulock Craik,
1145:From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from
thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As
they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse.
‘For Douglas!’ they howled. ‘For Douglas!’
Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries,
daggers thrusting.
Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’
The clerks and officials were already hastening across the chamber. Donald was running with them.
Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping
in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic
and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob.
‘Wallace! Wallace! ~ Robyn Young,
1146:He touched her shoulder. Shook it lightly. Said her name. She did not wake. And then, after considering his options, he reached down and gently lifted her and carried her upstairs.
Had he been able to stop time, he might have stopped it then. The weight of her within his arms, the warmth of her against his chest, the softness of her breath against his shirt- these were sensations that he wanted to remember. He climbed slowly, set his feet with care, and told himself it was because he did not wish to rouse the household, but he knew that was untrue, just as he knew he'd have to rouse at least one person.
Taking her into her room would risk her reputation and his own. He'd have to wake her father.
Monsieur Wilde, to his relief, slept lightly. Jean-Philippe had barely knocked upon his chamber door before it opened. Moonlight slanted through the window just behind and made the older man a silhouette in shadow while illuminating Lydia, and Jean-Philippe searched through the English words he'd learned to find the right ones to explain. "She sleeps," he said, "downstairs." And so there could be no misunderstanding, added, "In the chair."
The pause that followed made him wonder if he'd been mistaken in his phrasing, but at last Monsieur Wilde nodded and stepped out and motioned Jean-Philippe to follow him across the landing to the other bedchamber. The moonlight here, though not as strong, was still enough to show him where to lay her on the bed. But as he lowered her, she wrapped her arms around his neck and clung to him more closely. Forced to bend, he did not mind the time it took to set her down and cautiously extract himself from her possessive hold, but when he drew the blankets over her and straightened he was glad he could not see her father's face, and that they neither of them knew the other's thoughts. ~ Susanna Kearsley,
1147:A Second Childhood.”

When all my days are ending
And I have no song to sing,
I think that I shall not be too old
To stare at everything;
As I stared once at a nursery door
Or a tall tree and a swing.

Wherein God’s ponderous mercy hangs
On all my sins and me,
Because He does not take away
The terror from the tree
And stones still shine along the road
That are and cannot be.

Men grow too old for love, my love,
Men grow too old for wine,
But I shall not grow too old to see
Unearthly daylight shine,
Changing my chamber’s dust to snow
Till I doubt if it be mine.

Behold, the crowning mercies melt,
The first surprises stay;
And in my dross is dropped a gift
For which I dare not pray:
That a man grow used to grief and joy
But not to night and day.

Men grow too old for love, my love,
Men grow too old for lies;
But I shall not grow too old to see
Enormous night arise,
A cloud that is larger than the world
And a monster made of eyes.

Nor am I worthy to unloose
The latchet of my shoe;
Or shake the dust from off my feet
Or the staff that bears me through
On ground that is too good to last,
Too solid to be true.

Men grow too old to woo, my love,
Men grow too old to wed;
But I shall not grow too old to see
Hung crazily overhead
Incredible rafters when I wake
And I find that I am not dead.

A thrill of thunder in my hair:
Though blackening clouds be plain,
Still I am stung and startled
By the first drop of the rain:
Romance and pride and passion pass
And these are what remain.

Strange crawling carpets of the grass,
Wide windows of the sky;
So in this perilous grace of God
With all my sins go I:
And things grow new though I grow old,
Though I grow old and die. ~ G K Chesterton,
1148:First, without exception, biblical authors presupposed a premodern view of the world. To illustrate, as with all people in the ancient Near East, the Hebrews believed that the sky was “hard as a molten mirror” (Job 37:18). It had to be hard, in their view, for it was a “dome” that “separated the waters that were under the dome from the waters that were above the dome” (Gen. 1:7). This dome rested on “pillars,” as did the earth as it sat upon the “waters” that encircled it (Ps. 75:3; 104:2–3, 5–6; cf. Job 9:6; 26:11). “Windows” in the solid dome were opened when Yahweh wanted it to rain, allowing the waters “above the dome” to fall to the ground (Gen. 7:11). The sun, moon, and stars were all “lights in the dome” that were placed there to function as “signs and for seasons and for days and years” (Gen. 1:14). The Lord, along with other heavenly beings, sat in a chamber above the dome. From this location God threw lightning bolts (Ps. 18:12–14), shook the pillars (earthquakes? Job 9:6), and caused the wind to blow (Ps. 107:25). We modern people routinely assume this language is merely poetic, but at the time it was the way people really understood the world. It is completely understandable that God would leave the primitive worldview of ancient authors intact as he used ancient authors to communicate his Word. How else could he effectively communicate to the people of the time? Had God attempted to communicate a scientifically accurate view of the world, the theological truth he wanted to convey would not have been communicated. At the same time, we must frankly admit that given what we know about the world today, the view of the cosmos presupposed in the Bible is inaccurate. The earth does not rest on pillars, and the sky is not hard! The Bible’s theological message is unfailing though its view of the cosmos is scientifically incorrect. A ~ Gregory A Boyd,
1149:Dream Meditation Practices are best performed in an isolated (close to nature) chamber that is clean and dry. Diet should be modified before practice so that solid food is reduced and a sense of lightness is obtained. This meditation is best done after bathing; the student can be nude or wear a light robe. Begin by lying on your back. Focus your mind on the lower tan tien. Summon the spirits residing in the organs by chanting their names in the order of the creation cycle: Houhou or Shen (heart), Beibei or Yi (spleen), Yanyan or Po (lungs), Fu Fu or Zhi (kidneys), and Jianjian or Hun (liver).20 Repeat the chanting and gathering until a bright light and warmth appear in the lower tan tien. Opening this place will automatically open the Microcosmic Orbit. Coordinate your breathing with this meditation to assist the process: inhaling stimulates the kidneys and liver, while exhaling moves the heart and lungs to the centerpoint—the stomach and spleen. Bring the merged five spirits from the lower tan tien (you can also include the other four spirits) up to the heart, and then to the Crystal Palace (also known as the Divine Palace or Hall of Light). The team of merged spirits—now the Yuan Shen or Original Spirit—can exit via the crown. Being conscious during the whole dream, or alternatively remembering the dream after waking, completes the process. You also have the choice of practicing meditation during your dream state. Process the content of the dream during the day, taking any actions in the material world that are now necessary. Remember that one of our goals with the Kan and Li practice is to merge the everyday mind with your dream landscape and meditation. Fusion of these three minds (different from the three tan tiens) is a feature of the developing sage. Ideally, dreaming can include the practice of Microcosmic Orbit, Fusion, and even Kan and Li. ~ Mantak Chia,
1150:Lavender,' he commented, looking at the ribbons in her sleeve.
'The prince was tired, he said, of looking at so much black.'
'So am I,' he breathed. ...
Sorrow caught her, as it did sometimes unexpectedly: a thumbprint of fire in the hollow of her throat. She swallowed it, said only, 'Because you have been working so hard, my lord.'
'I'm not used to it yet.' He measured a trailing end of the ribbon at her wrist between his fingers, oblivious of the guards and hovering officials who had followed him. ... He added impulsively, 'Perhaps I'll come with you this afternoon.'
The thought made her smile. 'To my father's tavern? It's hardly for the likes of you.'
'I've been to --'
'I know, my lord: every tavern in Ombria but the Rose and Thorn. I wonder how you missed it.' Then, out of nowhere, a chill of fear blew through her; she heard herself say, 'We can't both leave the prince. Not both of us at once.'
He gave her a strange look, not of surprise, but a reflection of her fear, which she found odder still. He loosed the ribbon, nodded, his eyes returning briefly to the prince's door. 'Perhaps you're right. He knows where you're going?'
'He knows, my lord. But I'll be back before he remembers that I'm gone.'
'Be careful,' he said. 'Tell your father that I will come and draw in his tavern some day.'
But that was idle wishing, she knew. Already he was a legend in certain parts of the city, and legends, having made themselves so, rarely returned to repeat their feats. He seemed to read her mind. His eyes, clear, faintly smiling, held hers a moment.
'Not,' he said, 'an idle wish.'
A promise, his eyes told her. She blinked, then dismissed the half-glimpsed idea that had rolled like a sea creature on the surface of her mind, then dove back down, so deeply that she had forgotten it before she returned to her chamber. ~ Patricia A McKillip,
1151:Knows he who tills this lonely field
To reap its scanty corn,
What mystic fruit his acres yield
At midnight and at morn?

In the long sunny afternoon,
The plain was full of ghosts,
I wandered up, I wandered down,
Beset by pensive hosts.

The winding Concord gleamed below,
Pouring as wide a flood
As when my brothers long ago,
Came with me to the wood.

But they are gone, the holy ones,
Who trod with me this lonely vale,
The strong, star-bright companions
Are silent, low, and pale.

My good, my noble, in their prime,
Who made this world the feast it was,
Who learned with me the lore of time,
Who loved this dwelling-place.

They took this valley for their toy,
They played with it in every mood,
A cell for prayer, a hall for joy,
They treated nature as they would.

They colored the horizon round,
Stars flamed and faded as they bade,
All echoes hearkened for their sound,
They made the woodlands glad or mad.

I touch this flower of silken leaf
Which once our childhood knew
Its soft leaves wound me with a grief
Whose balsam never grew.

Hearken to yon pine warbler
Singing aloft in the tree;
Hearest thou, O traveller!
What he singeth to me?
Not unless God made sharp thine ear
With sorrow such as mine,
Out of that delicate lay couldst thou
The heavy dirge divine.

Go, lonely man, it saith,
They loved thee from their birth,
Their hands were pure, and pure their faith,
There are no such hearts on earth.

Ye drew one mother's milk,
One chamber held ye all;
A very tender history
Did in your childhood fall.

Ye cannot unlock your heart,
The key is gone with them;
The silent organ loudest chants
The master's requiem.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Dirge
,
1152:When we realize that the path is the goal, there’s a sense of workability. Trungpa Rinpoche said, “Whatever occurs in the confused mind is regarded as the path. Everything is workable. It is a fearless proclamation, the lion’s roar.” Everything that occurs in our confused mind we can regard as the path. Everything is workable. If we find ourselves in what seems like a rotten or painful situation and we think, “Well, how is this enlightenment?” we can just remember this notion of the path, that what seems undesirable in our lives doesn’t have to put us to sleep. What seems undesirable in our lives doesn’t have to trigger habitual reactions. We can let it show us where we’re at and let it remind us that the teachings encourage precision and gentleness, with loving-kindness toward every moment. When we live this way, we feel frequently—maybe continuously—at a crossroads, never knowing what’s ahead. It’s an insecure way to live. We often find ourselves in the middle of a dilemma—what should I do about the fact that somebody is angry with me? What should I do about the fact that I’m angry with somebody? Basically, the instruction is not to try to solve the problem but instead to use it as a question about how to let this very situation wake us up further rather than lull us into ignorance. We can use a difficult situation to encourage ourselves to take a leap, to step out into that ambiguity. This teaching applies to even the most horrendous situations life can dish out. Jean-Paul Sartre said that there are two ways to go to the gas chamber, free or not free. This is our choice in every moment. Do we relate to our circumstances with bitterness or with openness? That is why it can be said that whatever occurs can be regarded as the path and that all things, not just some things, are workable. This teaching is a fearless proclamation of what’s possible for ordinary people like you and me. ~ Pema Ch dr n,
1153:We have both been talking about you. Cosette loves you so dearly! You must not forget that you have a chamber here, we want nothing more to do with the Rue de l'Homme Armé. We will have no more of it at all. How could you go to live in a street like that, which is sickly, which is disagreeable, which is ugly, which has a barrier at one end, where one is cold, and into one cannot enter? You are to come and install yourself here. And this very day. Or you will have to deal with Cosette. She means to lead us all by the nose, I warn you. You have your own chamber here, it is close to ours, it opens on the garden; the trouble with the clock has been attended to, the bed is made, it is all ready, you have only to take possession of it. Near your bed Cosette has placed a huge, old, easy-chair covered with Utrecht velvet and she has said to it: 'Stretch out your arms to him.' A nightingale comes to the clump of acacias opposite your windows every spring. In two months more you will have it. You will have its nest on your left and ours on your right. By night it will sing, and by day Cosette will prattle. Your chamber faces due South. Cosette will arrange your books for you, your Voyages of Captain Cook and the other,— Vancouver's and all your affairs. I believe that there is a little valise to which you are attached, I have fixed upon a corner of honor for that. You have conquered my grandfather, you suit him. We will live together. Do you play whist? you will overwhelm my grandfather with delight if you play whist. It is you who shall take Cosette to talk on the days when I am at the courts, you shall give her your arm, you know, as you used to, in the Luxembourg. We are absolutely resolved to be happy. And you shall be included in it, in our happiness, do you hear, father? Come, will you breakfast with us to-day?"

"Sir," said Jean Valjean, "I have something to say to you. I am an ex-convict. ~ Victor Hugo,
1154:Caroline Branson
With our hearts like drifting suns, had we but walked,
As often before, the April fields till star-light
Silkened over with viewless gauze the darkness
Under the cliff, our trysting place in the wood,
Where the brook turns! Had we but passed from wooing
Like notes of music that run together, into winning,
In the inspired improvisation of love!
But to put back of us as a canticle ended
The rapt enchantment of the flesh,
In which our souls swooned, down, down,
Where time was not, nor space, nor ourselves -Annihilated in love!
To leave these behind for a room with lamps:
And to stand with our Secret mocking itself,
And hiding itself amid flowers and mandolins,
Stared at by all between salad and coffee.
And to see him tremble, and feel myself
Prescient, as one who signs a bond -Not flaming with gifts and pledges heaped
With rosy hands over his brow.
And then, O night! deliberate! unlovely!
With all of our wooing blotted out by the winning,
In a chosen room in an hour that was known to all!
Next day he sat so listless, almost cold,
So strangely changed, wondering why I wept,
Till a kind of sick despair and voluptuous madness
Seized us to make the pact of death.
A stalk of the earth-sphere,
Frail as star-light;
Waiting to be drawn once again
Into creation's stream.
But next time to be given birth
Gazed at by Raphael and St. Francis
Sometimes as they pass.
For I am their little brother,
To be known clearly face to face
Through a cycle of birth hereafter run.
You may know the seed and the soil;
You may feel the cold rain fall,
64
But only the earth-sphere, only heaven
Knows the secret of the seed
In the nuptial chamber under the soil.
Throw me into the stream again,
Give me another trial -Save me, Shelley!
~ Edgar Lee Masters,
1155:February 9 MORNING “And David enquired of the Lord.” — 2 Samuel 5:23 WHEN David made this enquiry he had just fought the Philistines, and gained a signal victory. The Philistines came up in great hosts, but, by the help of God, David had easily put them to flight. Note, however, that when they came a second time, David did not go up to fight them without enquiring of the Lord. Once he had been victorious, and he might have said, as many have in other cases, “I shall be victorious again; I may rest quite sure that if I have conquered once I shall triumph yet again. Wherefore should I tarry to seek at the Lord’s hands?” Not so, David. He had gained one battle by the strength of the Lord; he would not venture upon another until he had ensured the same. He enquired, “Shall I go up against them?” He waited until God’s sign was given. Learn from David to take no step without God. Christian, if thou wouldst know the path of duty, take God for thy compass; if thou wouldst steer thy ship through the dark billows, put the tiller into the hand of the Almighty. Many a rock might be escaped, if we would let our Father take the helm; many a shoal or quicksand we might well avoid, if we would leave to His sovereign will to choose and to command. The Puritan said, “As sure as ever a Christian carves for himself, he’ll cut his own fingers;” this is a great truth. Said another old divine, “He that goes before the cloud of God’s providence goes on a fool’s errand;” and so he does. We must mark God’s providence leading us; and if providence tarries, tarry till providence comes. He who goes before providence, will be very glad to run back again. “I will instruct thee and teach thee in the way which thou shalt go,” is God’s promise to His people. Let us, then, take all our perplexities to Him, and say, “Lord, what wilt thou have me to do?” Leave not thy chamber this morning without enquiring of the Lord. ~ Charles Haddon Spurgeon,
1156:The Book of Oogenesis In the beginning were the gametes. And though there was sex, lo, there was no gender, and life was in balance. And God said, “Let there be Sperm”: and some seeds did shrivel in size and grow cheap to make, and they did flood the market. And God said, “Let there be Eggs”: and other seeds were afflicted by a plague of Sperm. And yea, few of them bore fruit, for Sperm brought no food for the zygote, and only the largest Eggs could make up the shortfall. And these grew yet larger in the fullness of time. And God put the Eggs into a womb, and said, “Wait here: for thy bulk has made thee unwieldy, and Sperm must seek thee out in thy chambers. Henceforth shalt thou be fertilized internally.” And it was so. And God said to the gametes, “The fruit of thy fusion may abide in any place and take any shape. It may breathe air or water or the sulphurous muck of hydrothermal vents. But do not forget my one commandment unto you, which has not changed from the beginning of time: spread thy genes.” And thus did Sperm and Egg go into the world. And Sperm said, “I am cheap and plentiful, and if sowed abundantly I will surely fulfill God’s plan. I shall forever seek out new mates and then abandon them when they are with child, for there are many wombs and little time.” But Egg said, “Lo, the burden of procreation weighs heavily upon me. I must carry flesh that is but half mine, gestate and feed it even when it leaves my chamber,” for by now many of Egg’s bodies were warm of blood, and furry besides. “I can have but few children, and must devote myself to those, and protect them at every turn. And I will make Sperm help me, for he got me into this. And though he doth struggle at my side, I shall not let him stray, nor lie with my competitors.” And Sperm liked this not. And God smiled, for Its commandment had put Sperm and Egg at war with each other, even unto the day they made themselves obsolete. ~ Peter Watts,
1157:If I can keep fighting,” she said, “then so can you.”
“Back to the stone,” he said in a harsh voice.
“I know you’re not a coward, Murtagh. Better to die than to live as a slave to one such as Galbatorix. At least then you might accomplish some good, and your name might be remembered with a measure of kindness after you’re gone.”
“Back to the stone,” he growled, grabbing her by the arm and dragging her over to the slab.
She allowed him to push her onto the ash-colored block, fasten the restraints around her wrists and ankles, and then tighten the strap around her head. When he finished, he stood looking at her, his eyes dark and wild, the lines of his body like cords stretched taut.
“You have to decide whether you are willing to risk your life in order to save yourself,” she said. “You and Thorn both. And you have to decide now, while there is still time. Ask yourself: what would Tornac have wanted you to do?”
Without answering, Murtagh extended his right arm and placed his hand upon the upper part of her chest, his palm hot against her skin. Her breath hitched at the shock of the contact.
Then, hardly louder than a whisper, he began to speak in the ancient language. As the strange words tumbled from his lips, her fear grew ever stronger.
He spoke for what seemed like minutes. She felt no different when he stopped, but that was neither a favorable nor an unfavorable sign where magic was concerned.
Cool air washed over the patch on her chest, chilling it as Murtagh lifted his hand away. He stepped back then and started to walk past her, toward the entrance of the chamber. She was about to call out to him--to ask what he had done to her--when he paused and said, “That should shield you from the pain of most any wound, but you’ll have to pretend otherwise, or Galbatorix will discover what I’ve done.”
And then he left.
“Thank you,” she whispered to the empty room. ~ Christopher Paolini,
1158:March 21 MORNING “Ye shall be scattered, every man to his own, and shall leave me alone.” — John 16:32 FEW had fellowship with the sorrows of Gethsemane. The majority of the disciples were not sufficiently advanced in grace to be admitted to behold the mysteries of “the agony.” Occupied with the passover feast at their own houses, they represent the many who live upon the letter, but are mere babes as to the spirit of the gospel. To twelve, nay, to eleven only was the privilege given to enter Gethsemane and see “this great sight.” Out of the eleven, eight were left at a distance; they had fellowship, but not of that intimate sort to which men greatly beloved are admitted. Only three highly favoured ones could approach the veil of our Lord’s mysterious sorrow: within that veil even these must not intrude; a stone’s-cast distance must be left between. He must tread the wine-press alone, and of the people there must be none with Him. Peter and the two sons of Zebedee, represent the few eminent, experienced saints, who may be written down as “Fathers;” these having done business on great waters, can in some degree measure the huge Atlantic waves of their Redeemer’s passion. To some selected spirits it is given, for the good of others, and to strengthen them for future, special, and tremendous conflict, to enter the inner circle and hear the pleadings of the suffering High Priest; they have fellowship with Him in His sufferings, and are made conformable unto His death. Yet even these cannot penetrate the secret places of the Saviour’s woe. “Thine unknown sufferings” is the remarkable expression of the Greek liturgy: there was an inner chamber in our Master’s grief, shut out from human knowledge and fellowship. There Jesus is “left alone.” Here Jesus was more than ever an “Unspeakable gift!” Is not Watts right when he sings — “And all the unknown joys he gives, Were bought with agonies unknown. ~ Charles Haddon Spurgeon,
1159:Now alongside Scovell, John eased preserved peaches out of galliot pots of syrup and picked husked walnuts from puncheons of salt. He clarified butter and poured it into rye-paste coffins. From the Master Cook, John learned to set creams with calves' feet, then isinglass, then hartshorn, pouring decoctions into egg-molds to set and be placed in nests of shredded lemon peel. To make cabbage cream he let the thick liquid clot, lifted off the top layer, folded it then repeated the process until the cabbage was sprinkled with rose water and dusted with sugar, ginger and nutmeg. He carved apples into animals and birds. The birds themselves he roasted, minced and folded into beaten egg whites in a foaming forcemeat of fowls.
John boiled, coddled, simmered and warmed. He roasted, seared, fried and braised. He poached stock-fish and minced the meats of smoked herrings while Scovell's pans steamed with ancient sauces: black chawdron and bukkenade, sweet and sour egredouce, camelade and peppery gauncil. For the feasts above he cut castellations into pie-coffins and filled them with meats dyed in the colors of Sir William's titled guests. He fashioned palaces from wafers of spiced batter and paste royale, glazing their walls with panes of sugar. For the Bishop of Carrboro they concocted a cathedral.
'Sprinkle salt on the syrup,' Scovell told him, bent over the chafing dish in his chamber. A golden liquor swirled in the pan. 'Very slowly.'
'It will taint the sugar,' John objected.
But Scovell shook his head. A day later they lifted off the cold clear crust and John split off a sharp-edged shard. 'Salt,' he said as it slid over his tongue. But little by little the crisp flake sweetened on his tongue. Sugary juices trickled down his throat. He turned to the Master Cook with a puzzled look.
'Brine floats,' Scovell said. 'Syrup sinks.' The Master Cook smiled. 'Patience, remember? Now, to the glaze... ~ Lawrence Norfolk,
1160:It may be remarked in passing that success is an ugly thing. Men are deceived by its false resemblances to merit. To the crowd, success ears almost the features of true mastery, and the greatest dupe of this counterfeit talent is History. Juvenal and Tacitus alone mistrust it. In these days an almost official philosophy has come to dwell in the house of Success, wear its livery, receive callers in its ante-chamber. Success in principle and for its own sake. Prosperity presupposes ability. Win a lottery-prize and you are a clever man. Winners are adulated. To be born with a caul is everything; luck is what matters. Be fortunate and you will be thought great. With a handful of tremendous exceptions which constitute the glory of a century, the popular esteem is singularly short-sighted. Gilt is as good as gold. No harm in being a chance arrival provided you arrive. The populace is an aged Narcissus which worships itself and applauds the commonplace. The tremendous qualities of Moses, an Aeschylus, a Dante, a Michelangelo or a Napoleon are readily ascribed by the multitude to any man, in any sphere, who has got what he set out to get - the notary who becomes a deputy, the hack playwright who produces a mock-Corneille, the eunuch who acquires a harem, the journeyman-general who by accident wins the decisive battle of an epoch. The profiteer who supplies the army of the Sambre-et-Meuse with boot-soles of cardboard and earns himself an income of four hundred thousand a year; the huckster who espouses usury and brings her to bed of seven or eight millions; the preacher who becomes bishop by loudly braying; the bailiff of a great estate who so enriches himself that on retirement he is made Minister of Finance - all this is what men call genius, just as they call a painted face beauty and a richly attired figure majesty. The confound the brilliance of the firmament with the star-shaped footprints of a duck in the mud. ~ Victor Hugo,
1161:After Sunset
REST--rest--four little letters, one short word,
Enfolding an infinitude of bliss-Rest is upon the earth. The heavy clouds
Hang poised in silent ether, motionless,
Seeking nor sun nor breeze. No restless star
Thrills the sky's gray-robed breast with pulsing rays,
The night's heart has throbbed out.
No grass blade stirs,
No downy-wingèd moth comes flittering by
Caught by the light--Thank God, there is no light,
No open-eyed, loud-voiced, quick motioned light,
Nothing but gloom and rest.
A row of trees
Along the hill horizon, westward, stands
All black and still, as if it were a rank
Of fallen angels, melancholy met
Before the amber gate of Paradise-The bright shut gate, whose everlasting smile
Deadens despair to calm.
O, better far
Better than bliss is rest! If suddenly
Those burnished doors of molten gold, steel-barred,
Which the sun closed behind him as he went
Into his bridal chamber--were to burst
Asunder with a clang, and in a breath
God's mysteries were revealed--His kingdom came-The multitudes of heavenly messengers
Hastening throughout all space--the thunder quire
Of praise--the obedient lightnings' lambent gleam
Around the unseen Throne--should I not sink
Crushed by the weight of such beatitudes,
Crying, 'Rest, only rest, thou merciful God!
Hide me within the hollow of Thy hand
In some dark corner of the universe,
Thy bright, full, busy universe, that blinds,
Deafens, and tortures--Give me only rest!'
O for a soul-sleep, long and deep and still!
To lie down quiet after the weary day,
43
Dropping all pleasant flowers from the numbed hands,
Bidding good-night to all companions dear,
Drawing the curtains on this darkened world,
Closing the eyes, and with a patient sigh
Murmuring 'Our Father'--fall on sleep, till dawn!
~ Dinah Maria Mulock Craik,
1162:Recollection
Awawe-worn boulder, with green sea-moss wrapping
A silken mantle o'er its jagged sides;
And silvery, seething waters softly lapping
Through gulfs and channels hollow'd by the tides:
A lime-cliff overhead, o'erhanging grimly,
A dash of sunlight on its breast of snow;
The white line of the breakers, stretching dimly
Along the narrow sea-beach down below:
The grey waste of the waters, with one slender,
Glimmering, golden ripple far away;
The haze of summer twilight, sweet and tender,
Veiling the fair face of the dying day:
The measured plash of surf upon the shingle,
The ceaseless gurgle through the rocks and stones;
No sound of struggling human life, to mingle
With those mysterious and eternal tones!
No sound—no sound,—a hungry sea-mew only
Breaking the stillness with her little cry;
And the low whisper, when 'tis all so lonely,
Of soft south breezes as they wander by:—
I see it all; sweet dreams of it are thronging
In full floods back upon my weary brain;
To-night, in my dark chamber, the old longing
Almost fulfils its very self again.
The dying sunbeams, on the far waves glinting,
Come like warm kisses to my lips and brow,
Soothing my spirit—all its grey thoughts tinting
With tender shades of golden colour now.
Alone and still, I sit, and think, and listen,
Looking out westward o'er the darkening sea;
My seat the boulder, where the spray-drops glisten;
The tall, white cliffs my regal canopy.
167
And, as I sit, the fretting cares and sorrows,
Weighing so heavy when the work is done,
The gloomy yesterdays and dim to-morrows,
They slip away and vanish one by one,—
Slip backward to the world that lies behind me,
Ever by sinful footsteps overtrod;
And in this unstain'd world leave nought to bind me,
This sweet world, fillèd with the peace of God!
~ Ada Cambridge,
1163:The same year that the third great Viking ship found in Norway was excavated, at Oseberg, the town of Ålesund burned. At that time the Viking ships were displayed in makeshift exhibition halls, and the great Ålesund fire hastened the process of building a separate museum for them. The architect Fritz Holland proposed building an enormous crypt for them beneath the royal palace in Oslo. It was to be 63 metres long and 15 metres wide, with a niche for each ship. The walls were to be covered with reliefs of Viking motifs. Drawings exist of this underground hall. It is full of arches and vaults, and everything is made of stone. The ships stand in a kind of depression in the floor. More than anything it resembles a burial chamber, and that is fitting, one might think, both because the three ships were originally graves and because placed in a subterranean crypt beneath the palace gardens they would appear as what they represented: an embodiment of a national myth, in reality relics of a bygone era, alive only in the symbolic realm. The crypt was never built, and the power of history over the construction of national identity has since faded away almost entirely. There is another unrealised drawing of Oslo, from the 1920s, with tall brick buildings like skyscrapers along the main thoroughfare, Karl Johans Gate, and Zeppelins sailing above the city. When I look at these drawings, of a reality that was never realised, and feel the enormous pull they exert, which I am unable to explain, I know that the people living in Kristiania in 1904, as Oslo was called then, would have stared open-mouthed at nearly everything that surrounds us today and which we hardly notice, unable to believe their eyes. What is a stone crypt compared to a telephone that shows living pictures? What is the writing down of Draumkvedet (The Dream Poem), a late-medieval Norwegian visionary ballad, compared to a robot lawnmower that cuts the grass automatically? ~ Karl Ove Knausg rd,
1164:The New Cry
Ere cherries ripe, and strawberries be gone;
Unto the cries of London I'll add one;
Ripe statesmen, ripe: they grow in ev'ry street;
At six-and-twenty, ripe. You shall 'em meet,
And have him yield no favour, but of state.
Ripe are their ruffs, their cuffs, their beards, their gate,
And grave as ripe, like mellow as their faces.
They know the states of Christendom, not the places:
Yet have they seen the maps, and bought 'em too,
And understand 'em, as most chapmen do.
The counsels, projects, practices they know,
And what each prince doth for intelligence owe,
And unto whom; they are the almanacks
For twelve years yet to come, what each state lacks.
They carry in their pockets Tacitus,
And the Gazetti, or Gallo-Belgicus:
And talk reserv'd, lock'd up, and full of fear;
Nay, ask you how the day goes, in your ear.
Keep a Star-chamber sentence close twelve days:
And whisper what a Proclamation says.
They meet in sixes, and at ev'ry mart,
Are sure to con the catalogue by heart;
Or ev'ry day, some one at Rimee's looks,
Or bills, and there he buys the name of books.
They all get Porta, for the sundry ways
To write in cypher, and the several keys,
To ope the character. They've found the slight
With juice of lemons, onions, piss, to write;
To break up seals and close 'em. And they know,
If the states make peace, how it will go
With England. All forbidden books they get,
And of the powder-plot, they will talk yet.
At naming the French king, their heads they shake,
And at the Pope, and Spain, slight faces make.
Or 'gainst the bishops, for the brethren rail
Much like those brethren; thinking to prevail
With ignorance on us, as they have done
On them: and therefore do not only shun
Others more modest, but contemn us too,
110
That know not so much state, wrong, as they do.
~ Ben Jonson,
1165:No," Foyle roared. "Let them hear this. Let them hear everything."

"You're insane, man. You've handed a loaded gun to children."

"Stop treating them like children and they'll stop behaving like children. Who the hell are you to play monitor?"

"What are you talking about?"

"Stop treating them like children. Explain the loaded gun to them. Bring it all out into the open." Foyle laughed savagely. "I've ended the last star-chamber conference in the world. I've blown that last secret wide open. No more secrets from now on.... No more telling the children what's best for them to know.... Let 'em all grow up. It's about time."

"Christ, he is insane."

"Am I? I've handed life and death back to the people who do the living and the dying. The common man's been whipped and led long enough by driven men like us.... Compulsive men... Tiger men who can't help lashing the world before them. We're all tigers, the three of us, but who the hell are we to make decisions for the world just because we're compulsive? Let the world make its own choice between life and death. Why should we be saddled with the responsibility?"

"We're not saddled," Y'ang-Yeovil said quietly. "We're driven. We're forced to seize responsibility that the average man shirks."

"Then let him stop shirking it. Let him stop tossing his duty and guilt onto the shoulders of the first freak who comes along grabbing at it. Are we to be scapegoats for the world forever?"

"Damn you!" Dagenham raged. "Don't you realize that you can't trust people? They don't know enough for their own good."

"Then let them learn or die. We're all in this together. Let's live together or die together."

"D'you want to die in their ignorance? You've got to figure out how to get those slugs back without blowing everything wide open."

"No. I believe in them. I was one of them before I turned tiger. They can all turn uncommon if they're kicked awake like I was. ~ Alfred Bester,
1166:Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English.

The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake.
So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate.

Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question.

Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it."
For more quotes from the novel visit my blog: frommybooks.wordpress.com ~ Jonas Jonasson,
1167:Llewellen Powell
Villain, when the word is spoken,
And your chains at last are broken
When the gibbet's chilling shade
Ceases darkly to enfold you,
And the angel who enrolled you
As a master of the trade
Of assassination sadly
Blots the record he has made,
And your name and title paints
In the calendar of saints;
When the devils, dancing madly
In the midmost Hell, are very
Multitudinously merry
Then beware, beware, beware!
Nemesis is everywhere!
You shall hear her at your back,
And, your hunted visage turning,
Fancy that her eyes are burning
Like a tiger's on your track!
You shall hear her in the breeze
Whispering to summer trees.
You shall hear her calling, calling
To your spirit through the storm
When the giant billows form
And the splintered lightning, falling
Down the heights of Heaven, appalling,
Splendors all the tossing seas!
On your bed at night reclining,
Stars into your chamber shining
As they roll around the Pole,
None their purposes divining,
Shall appear to search your soul,
And to gild the mark of Cain
That burns into your tortured brain!
And the dead man's eyes shall ever
Meet your own wherever you,
Desperate, shall turn you to,
And you shall escape them never!
332
By your heritage of guilt;
By the blood that you have spilt;
By the Law that you have broken;
By the terrible red token
That you bear upon your brow;
By the awful sentence spoken
And irrevocable vow
Which consigns you to a living
Death and to the unforgiving
Furies who avenge your crime
Through the periods of time;
By that dread eternal doom
Hinted in your future's gloom,
As the flames infernal tell
Of their power and perfection
In their wavering reflection
On the battlements of Hell;
By the mercy you denied,
I condemn your guilty soul
In your body to abide,
Like a serpent in a hole!
~ Ambrose Bierce,
1168:You’d better marry her before she reaches eighteen and the spell wears off,” I said.
“Spell?”
“Yes. The one that’s hiding her fangs and pincers from plain sight.”
“I don’t find them especially hidden,” he said mildly.
“Then perhaps you’re a pair.”
His brows lifted. “Now, that’s the cruelest thing you’ve said so far.”
Mrs. Fredericks cleared off, and Chloe took her place before the piano. A beam of sunlight was just beginning its slide into the chamber, capturing her in light. She was a glowing girl with a glowing face, and Joplin at her fingertips.
“Give me time,” I muttered, dropping my gaze to my plate. “I’ll come up with something worse.”
“No doubt.” Armand pulled a flask from his jacket and shook it in front of my nose. “Whiskey. Conveniently the same color as tea. Are you game, waif?” I glanced around, but no one was looking. I lifted my cup, drained it to the dregs, and set it before him.
He was right. It did look like tea. But it tasted like vile burning fire, all the way down my throat.
Sip it,” he hissed, as I began to cough. His voice lifted over my sputtering. “Dear me, Miss Jones, I do beg your pardon. The tea’s rather hot; I should have mentioned it.”
“Quite all right,” I gasped, as the whiskey swirled an evil amber in my teacup.
Chloe’s song grew bouncier, with lyrics about a girl with strawberries in a wagon. Several of the men had begun to cluster near, drawn to her soprano or perchance her bosom. Two were vying to turn the pages of her music. She had to crane her head to keep Armand in view.
He sent her another smile from his chair, lifting his cup in salute.
“I’m going to kiss you, Eleanore,” he said quietly, still looking at her. “Not now. Later.” His eyes cut back to mine. “I thought it fair to tell you first.”
I stilled. “If you think you can do so without me biting your lip, feel free to try.”
His gaze shone wicked blue. “I don’t mind if you bite.”
“Biting your lip off, I should have said.”
“Ah. Let’s see how it goes, shall we? ~ Shana Abe,
1169:To Miss R.: On Her Attendance On Her Mother At
Buxton
When blooming beauty in the noon of power,
While offered joys demand each sprightly hour,
With all that pomp of charms and winning mien
Which sure to conquer needs but to be seen;
When she, whose name the softest love inspires,
To the hushed chamber of Disease retires,
To watch and weep beside a parent's bed,
Catch the faint voice, and raise the languid head,
What mixt delight each feeling heart must warm!—
An angel's office suits an angel's form.
Thus the tall column graceful rears its head
To prop some mouldering tower with moss o'erspread,
Whose stately piles and arches yet display
The venerable graces of decay:
Thus round the withered trunk fresh shoots are seen
To shade their parent with a cheerful green.
More health, dear maid! thy soothing presence brings
Than purest skies, or salutary springs.
That voice, those looks such healing virtues bear,
Thy sweet reviving smiles might cheer despair;
On the pale lips detain the parting breath,
And bid hope blossom in the shades of death.
Beauty, like thine, could never reach a charm
So powerful to subdue, so sure to warm.
On her loved child behold the mother gaze,
In weakness pleased, and smiling through decays,
And leaning on that breast her cares assuage;—
How soft a pillow for declining age!
For this, when that fair frame must feel decay,—
Ye Fates protract it to a distant day,—
When thy approach no tumults shall impart,
Nor that commanding glance strike through the heart,
When meaner beauties shall have leave to shine,
And crowds divide the homage lately thine,
164
Not with the transient praise those charms can boast
Shall thy fair fame and gentle deeds be lost:
Some pious hand shall thy weak limbs sustain,
And pay thee back these generous cares again;
Thy name shall flourish, by the good approved,
Thy memory honoured, and thy dust beloved,
~ Anna Laetitia Barbauld,
1170:Comus.

The Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day, [ 95 ]
His glowing Axle doth allay
In the steep Atlantick stream,
And the slope Sun his upward beam
Shoots against the dusky Pole,
Pacing toward the other gole [ 100 ]
Of his Chamber in the East.
Mean while welcom Joy, and Feast,
Midnight shout, and revelry,
Tipsie dance and Jollity.
Braid your Locks with rosie Twine [ 105 ]
Dropping odours, dropping Wine.
Rigor now is gone to bed,
And Advice with scrupulous head,
Strict Age, and sowre Severity,
With their grave Saws in slumber ly. [ 110 ]
We that are of purer fire
Imitate the Starry Quire,
Who in their nightly watchfull Sphears,
Lead in swift round the Months and Years.
The Sounds, and Seas with all their finny drove [ 115 ]
Now to the Moon in wavering Morrice move,
And on the Tawny Sands and Shelves,
Trip the pert Fairies and the dapper Elves;
By dimpled Brook, and Fountain brim,
The Wood-Nymphs deckt with Daisies trim, [ 120 ]
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove,
Venus now wakes, and wak'ns Love.
Com let us our rights begin, [ 125 ]
Tis onely day-light that makes Sin,
Which these dun shades will ne're report.
Hail Goddesse of Nocturnal sport
Dark vaild Cotytto, t' whom the secret flame
Of mid-night Torches burns; mysterious Dame [ 130 ]
That ne're art call'd, but when the Dragon woom
Of Stygian darknes spets her thickest gloom,
And makes one blot of all the ayr,
Stay thy cloudy Ebon chair,
Wherin thou rid'st with Hecat', and befriend [ 135 ]
Us thy vow'd Priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing Eastern scout,
The nice Morn on th' Indian steep
From her cabin'd loop hole peep, [ 140 ]
And to the tel-tale Sun discry
Our conceal'd Solemnity.
Com, knit hands, and beat the ground,
In a light fantastick round. ~ John Milton,
1171:The Song Of The Bower
SAY, is it day, is it dusk in thy bower,
Thou whom I long for, who longest for me?
Oh! be it light, be it night, 'tis Love's hour,
Love's that is fettered as Love's that is free.
Free love has leaped to that innermost chamber,
Oh! the last time, and the hundred before:
Fettered love, motionless, can but remember,
Yet something that sighs from him passes the door.
Nay, but my heart when it flies to thy bower,
What does it find there that knows it again?
There it must droop like a shower-beaten flower,
Red at the rent core and dark with the rain.
Ah! yet what shelter is still shed above it,—
What waters still image its leaves torn apart?
Thy soul is the shade that clings round it to love it,
And tears are its mirror deep down in thy heart.
What were my prize, could I enter thy bower,
This day, to-morrow, at eve or at morn?
Large lovely arms and a neck like a tower,
Bosom then heaving that now lies forlorn.
Kindled with love-breath, (the sun's kiss is colder!)
Thy sweetness all near me, so distant to-day;
My hand round thy neck and thy hand on my shoulder,
My mouth to thy mouth as the world melts away.
What is it keeps me afar from thy bower,—
My spirit, my body, so fain to be there?
Waters engulfing or fires that devour?—
Earth heaped against me or death in the air?
Nay, but in day-dreams, for terror, for pity,
The trees wave their heads with an omen to tell;
Nay, but in night-dreams, throughout the dark city,
The hours, clashed together, lose count in the bell.
Shall I not one day remember thy bower,
One day when all days are one day to me?—
Thinking, “I stirred not, and yet had the power!”—
Yearning, “Ah God, if again it might be!”
Peace, peace! such a small lamp illumes, on this highway,
So dimly so few steps in front of my feet,—
Yet shows me that her way is parted from my way….
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Out of sight, beyond light, at what goal may we meet?
~ Dante Gabriel Rossetti,
1172:Linoz Isidoz
Lo! I lament. Fallen is the sixfold Star:
Slain is Asar.
O twinned with me in the womb of Night!
O son of my bowels to the Lord of Light!
O man of mine that hast covered me
From the shame of my virginity!
Where art thou? Is it not Apep thy brother,
The snake in my womb that am thy mother,
That hath slain thee by violence girt with guile,
And scattered thy limbs on the Nile?
Lo! I lament. I have forged a whirling Star:
I seek Asar.
O Nepti, sister! Arise in the dusk
From thy chamber of mystery and musk!
Come with me, though weary the way,
To bring back his life to the rended clay!
See! are not these the hands that wove
Delight, and these the arms that strove
With me? And these the feet, the thighs
That were lovely in mine eyes?
Lo! IO lament. I gather in my car
Thine head, Asar.
And this -is this not the trunk he rended?
But -oh! oh! oh! -the task transcended,
Where is the holy idol that stood
For the god of thy queen's beatitude?
Here is the tent -but where is the pole?
Here is the body -but where is the soul?
Nepti, sister, the work is undone
For lack of the needed One!
Lo! I lament. There is no god so far
As mine Asar!
There is no hope, none, in the corpse, in the tomb.
But these -what are these that war in my womb?
There is vengeance and triumph at last of Maat
In Ra-Hoor-Khut and in Hoor-pa-Kraat!
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Twins they shall rise; being twins they are one,
The Lord of the Sword and the Son of the Sun!
Silence, coeval colleague of the Voice,
The plumes of Amoun -rejoice!
Lo! I rejoice. I heal the sanguine scar
Of slain Asar.
I was the Past, Nature the Mother.
He was the Present, Man my brother.
Look to the Future, the Child -oh paean
The Child that is crowned in the Lion-Aeon!
The sea-dawns surge an billow and break
Beneath the scourge of the Star and the Snake.
To my lord I have borne in my womb deep-vaulted
This babe for ever exalted.
~ Aleister Crowley,
1173:Noble Sisters
'Now did you mark a falcon,
Sister dear, sister dear,
Flying toward my window
In the morning cool and clear?
With jingling bells about her neck,
But what beneath her wing?
It may have been a ribbon,
Or it may have been a ring.'—
'I marked a falcon swooping
At the break of day;
And for your love, my sister dove,
I 'frayed the thief away.'—
'Or did you spy a ruddy hound,
Sister fair and tall,
Went snuffing round my garden bound,
Or crouched by my bower wall?
With a silken leash about his neck;
But in his mouth may be
A chain of gold and silver links,
Or a letter writ to me.'—
'I heard a hound, highborn sister,
Stood baying at the moon;
I rose and drove him from your wall
Lest you should wake too soon.'—
'Or did you meet a pretty page
Sat swinging on the gate;
Sat whistling whistling like a bird,
Or may be slept too late;
With eaglets broidered on his cap,
And eaglets on his glove?
If you had turned his pockets out,
You had found some pledge of love.'—
'I met him at this daybreak,
Scarce the east was red:
Lest the creaking gate should anger you,
I packed him home to bed.'—
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'Oh patience, sister. Did you see
A young man tall and strong,
Swift-footed to uphold the right
And to uproot the wrong,
Come home across the desolate sea
To woo me for his wife?
And in his heart my heart is locked,
And in his life my life.'—
'I met a nameless man, sister,
Hard by your chamber door:
I said: Her husband loves her much.
And yet she loves him more.'—
'Fie, sister, fie, a wicked lie,
A lie, a wicked lie,
I have none other love but him,
Nor will have till I die.
And you have turned him from our door,
And stabbed him with a lie:
I will go seek him thro' the world
In sorrow till I die.'—
'Go seek in sorrow, sister,
And find in sorrow too:
If thus you shame our father's name
My curse go forth with you.'
~ Christina Georgina Rossetti,
1174:No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock. ~ Jane Austen,
1175:The mass of men have been forced to be gay about the little things, but sad about the big ones. Nevertheless (I offer my last dogma defiantly) it is not native to man to be so. Man is more himself, man is more manlike, when joy is the fundamental thing in him, and grief the superficial. Melancholy should be an innocent interlude, a tender and fugitive frame of mind; praise should be the permanent pulsation of the soul. Pessimism is at best an emotional half-holiday; joy is the uproarious labour by which all things live. Yet, according to the apparent estate of man as seen by the pagan or the agnostic, this primary need of human nature can never be fulfilled. Joy ought to be expansive; but for the agnostic it must be contracted, it must cling to one comer of the world. Grief ought to be a concentration; but for the agnostic its desolation is spread through an unthinkable eternity. This is what I call being born upside down. The sceptic may truly be said to be topsy-turvy; for his feet are dancing upwards in idle ecstacies, while his brain is in the abyss. To the modern man the heavens are actually below the earth. The explanation is simple; he is standing on his head; which is a very weak pedestal to stand on. But when he has found his feet again he knows it. Christianity satisfies suddenly and perfectly man's ancestral instinct for being the right way up; satisfies it supremely in this; that by its creed joy becomes something gigantic and sadness something special and small. The vault above us is not deaf because the universe is an idiot; the silence is not the heartless silence of an endless and aimless world. Rather the silence around us is a small and pitiful stillness like the prompt stillness in a sick-room. We are perhaps permitted tragedy as a sort of merciful comedy: because the frantic energy of divine things would knock us down like a drunken farce. We can take our own tears more lightly than we could take the tremendous levities of the angels. So we sit perhaps in a starry chamber of silence, while the laughter of the heavens is too loud for us to hear. ~ G K Chesterton,
1176:Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia. ~ Cassandra Clare,
1177:The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?"
Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again.
"Hello," Skulduggery said, speaking loudly to be heard over the alarm.
"Hi," said the man. "The door's locked."
"Is it?"
"Yes."
"That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?"
There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?"
Skulduggery tilted his head. "Who am I speaking with?"
"This is Oscar Nightfall."
"Are you sure?"
"What?"
"Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know."
Oscar Nightfall sounded puzzled. Who are you?"
"Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?"
"What's your name? Give me you name."
"No. It's mine."
"Tell me your name!"
"My name is Oscar Nightfall."
"What? No it isn't. That's my name."
"Is it? Since when?"
"Since I took it!"
"You didn't ask me if you could take it. I was using it first."
"Open this door immediately."
"I don't have the key."
"I'll fetch the Cleavers."
"I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go."
Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more. ~ Derek Landy,
1178:The Philosopher
'Enough of thought, philosopher!
Too long hast thou been dreaming
Unlightened, in this chamber drear,
While summer's sun is beaming!
Space - sweeping soul, what sad refrain
Concludes thy musings once again?
'Oh, for the time when I shall sleep
Without identity,
And never care how rain may steep,
Or snow may cover me!
No promised heaven, these wild desires,
Could all, or half fulfil;
No threathened hell, with quenchless fires,
Subdue this quenchless will!'
'So said I, and still say the same;
Still, to my death, will say Three gods, within this little frame,
Are warring night and day;
Heaven could not hold them all, and yet
They all are held in me;
And must be mine till I forget
My present entity!
Oh, for the time, when in my breast
Their struggles will be o'er!
Oh, for the day, when I shall rest,
And never suffer more!'
'I saw a spirit, standing, man,
Where thou dost stand - an hour ago,
And round his feet three rivers ran,
Of equal depth, and equal flow 'A golden stream - and one like blood;
And one like sapphire, seemed to be;
But, where they joined their triple flood
It tumbled in an inky sea.
The spirit sent his dazzling gaze
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Down through that ocean's gloomy night
Then, kindling all, with sudden blaze,
The glad deep sparkled wide and bright White as the sun, far, far more fair
Than its divided sources were!'
'And even for that spirit, seer,
I've watched and sought my life - time long;
Sought him in heaven, hell, earth and air An endless search, and always wrong!
Had I but seen his glorious eye
Once light the clouds that wilder me,
I ne'er had raised this coward cry
To cease to think and cease to be;
I ne'er had called oblivion blest,
Nor, stretching eager hands to death,
Implored to change for senseless rest
This sentient soul, this living breath Oh, let me die - that power and will
Their cruel strife may close;
And conquered good, and conquering ill
Be lost in one repose!'
~ Emily Jane Brontë,
1179:What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.”
Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all.
It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all.
Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips. ~ Judith McNaught,
1180:Before Sleep
Now the creeping nets of sleep
Stretch about and gather nigh,
And the midnight dim and deep
Like a spirit passes by,
Trailing from her crystal dress
Dreams and silent frostiness.
Yet a moment, ere I be
Tangled in the snares of night,
All the dreamy heart of me
To my Lady takes its flight,
To her chamber where she lies,
Wrapt in midnight phantasies.
Over many a glinting street
And the snow capped roofs of men,
Towers that tremble with the beat
Of the midnight bells, and then,
Where my body may not be,
Stands my spirit holily.
Wake not, Lady, wake not soon:
Through the frosty windows fall
Broken glimmers of the moon
Dimly on the floor and wall;
Wake not, Lady, never care,
'Tis my spirit kneeling there.
Let him kneel a moment now,
For the minutes fly apace;
Let him see the sleeping brow,
And the sweetly rounded face:
He shall tell me soon aright
How my lady looks to-night.
How her tresses out and in
Fold in many a curly freak,
Round about the snowy chin
And the softly tinted cheek,
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Where no sorrows now can weep,
And the dimples lie asleep.
How her eyelids meet and match,
Gathered in two dusky seams,
Each the little creamy thatch
Of an azure house of dreams,
Or two flowers that love the light
Folded softly up at night.
How her bosom, breathing low,
Stirs the wavy coverlet
With a motion soft and slow:
Oh, my Lady, wake not yet;
There without a thought of guile
Let my spirit dream a while.
Yet, my spirit back to me,
Hurry soon and have a care;
Love will turn to agony,
If you rashly linger there;
Bending low as spirits may,
Touch her lips and come away.
So, fond spirit, beauty-fed,
Turning when your wave is o'er,
Weave a cross above the bed
And a sleep-rune on the floor,
That no evil enter there,
Ugly shapes and dreams beware.
Then, ye looming nets of sleep,
Ye may have me all your own,
For the night is wearing deep
And the ice-winds whisk and moan;
Come with all your drowsy stress,
Dreams and silent frostiness.
~ Archibald Lampman,
1181:De Amicitiis
Though care and strife
Elsewhere be rife,
Upon my word I do not heed 'em;
In bed I lie
With books hard by,
And with increasing zest I read 'em.
Propped up in bed,
So much I've read
Of musty tomes that I've a headful
Of tales and rhymes
Of ancient times,
Which, wife declares, are "simply dreadful!"
They give me joy
Without alloy;
And isn't that what books are made for?
And yet--and yet-(Ah, vain regret!)
I would to God they all were paid for!
No festooned cup
Filled foaming up
Can lure me elsewhere to confound me;
Sweeter than wine
This love of mine
For these old books I see around me!
A plague, I say,
On maidens gay;
I'll weave no compliments to tell 'em!
Vain fool I were,
Did I prefer
Those dolls to these old friends in vellum!
At dead of night
My chamber's bright
Not only with the gas that's burning,
But with the glow
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Of long ago,-Of beauty back from eld returning.
Fair women's looks
I see in books,
I see them, and I hear their laughter,-Proud, high-born maids,
Unlike the jades
Which men-folk now go chasing after!
Herein again
Speak valiant men
Of all nativities and ages;
I hear and smile
With rapture while
I turn these musty, magic pages.
The sword, the lance,
The morris dance,
The highland song, the greenwood ditty,
Of these I read,
Or, when the need,
My Miller grinds me grist that's gritty!
When of such stuff
We've had enough,
Why, there be other friends to greet us;
We'll moralize
In solemn wise
With Plato or with Epictetus.
Sneer as you may,
I'm proud to say
That I, for one, am very grateful
To Heaven, that sends
These genial friends
To banish other friendships hateful!
And when I'm done,
I'd have no son
Pounce on these treasures like a vulture;
Nay, give them half
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My epitaph,
And let them share in my sepulture.
Then, when the crack
Of doom rolls back
The marble and the earth that hide me,
I'll smuggle home
Each precious tome,
Without a fear my wife shall chide me!
~ Eugene Field,
1182:The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king. ~ Brian Godawa,
1183:Arthur tried to gauge the speed at which they were traveling, but the blackness outside was absolute and he was denied any reference points. The sense of motion was so soft and slight he could almost believe they were hardly moving at all. Then a tiny glow of light appeared in the far distance and within seconds had grown so much in size that Arthur realized it was traveling toward them at a colossal speed, and he tried to make out what sort of craft it might be. He peered at it, but was unable to discern any clear shape, and suddenly gasped in alarm as the aircar dipped sharply and headed downward in what seemed certain to be a collision course. Their relative velocity seemed unbelievable, and Arthur had hardly time to draw breath before it was all over. The next thing he was aware of was an insane silver blur that seemed to surround him. He twisted his head sharply round and saw a small black point dwindling rapidly in the distance behind them, and it took him several seconds to realize what had happened. They had plunged into a tunnel in the ground. The colossal speed had been their own, relative to the glow of light which was a stationary hole in the ground, the mouth of the tunnel. The insane blur of silver was the circular wall of the tunnel down which they were shooting, apparently at several hundred miles an hour. He closed his eyes in terror. After a length of time which he made no attempt to judge, he sensed a slight subsidence in their speed and some while later became aware that they were gradually gliding to a gentle halt. He opened his eyes again. They were still in the silver tunnel, threading and weaving their way through what appeared to be a crisscross warren of converging tunnels. When they finally stopped it was in a small chamber of curved steel. Several tunnels also had their termini here, and at the farther end of the chamber Arthur could see a large circle of dim irritating light. It was irritating because it played tricks with the eyes, it was impossible to focus on it properly or tell how near or far it was. Arthur guessed (quite wrongly) that it might be ultraviolet. Slartibartfast turned and regarded Arthur with his solemn old eyes. “Earthman,” he said, “we are now deep in the heart of Magrathea. ~ Douglas Adams,
1184:Now Morning from her orient chamber came,
And her first footsteps touch'd a verdant hill;
Crowning its lawny crest with amber flame,
Silv'ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distill,
And after parting beds of simple flowers,
By many streams a little lake did fill,
Which round its marge reflected woven bowers,
And, in its middle space, a sky that never lowers.

There the king-fisher saw his plumage bright
Vieing with fish of brilliant dye below;
Whose silken fins, and golden scales' light
Cast upward, through the waves, a ruby glow:
There saw the swan his neck of arched snow,
And oar'd himself along with majesty;
Sparkled his jetty eyes; his feet did show
Beneath the waves like Afric's ebony,
And on his back a fay reclined voluptuously.

Ah! could I tell the wonders of an isle
That in that fairest lake had placed been,
I could e'en Dido of her grief beguile;
Or rob from aged Lear his bitter teen:
For sure so fair a place was never seen,
Of all that ever charm'd romantic eye:
It seem'd an emerald in the silver sheen
Of the bright waters; or as when on high,
Through clouds of fleecy white, laughs the crulean sky.

And all around it dipp'd luxuriously
Slopings of verdure through the glossy tide,
Which, as it were in gentle amity,
Rippled delighted up the flowery side;
As if to glean the ruddy tears, it tried,
Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride,
In strife to throw upon the shore a gem
Outviewing all the buds in Flora's diadem.
'The copy of these stanzas in Tom Keats's copy-book has a reading in line 12 which ought perhas to supersede the printed text of 1817, namely, 'golden scals light.' It seems highly likely that Keats really meant to carry his archaism to the extent of making scales a dissyllable, especially as the metre is thus corrected. Lord Houghton states on the authority of the notes of Charles Armitage Brown, given to his lordship in 1832, that this is the earliest known composition of Keats, and was written while he was living at Edmonton.' ~ John Keats, Imitation Of Spenser
,
1185:French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled. ~ Raymond Chandler,
1186:The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite.
Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy. ~ Christopher Dunn,
1187:Haven’t I tired you out yet, darling?” Ian whispered several hours later.
“Yes,” she said with an exhausted laugh, her cheek nestled against his shoulder, her hand drifting over his chest in a sleepy caress. “But I’m too happy to sleep for a while yet.”
So was Ian, but he felt compelled to at least suggest that she try. “You’ll regret it in the morning when we have to appear for breakfast,” he said with a grin, cuddling her closer to his side.
To his surprise, the remark made her smooth forehead furrow in a frown. She tipped her face up to his, opened her mouth as if to ask him a question, then she changed her mind and hastily looked away.
“What is it?” he asked, taking her chin between his thumb and forefinger and lifting her face up to his.
“Tomorrow morning,” she said with a funny, bemused expression on her face. “When we go downstairs…will everyone know what we have done tonight?”
She expected him to try to evade the question.
“Yes,” he said.
She nodded, accepting that, and turned into his arms. “Thank you for telling me the truth,” she said with a sigh of contentment and gratitude.
“I’ll always tell you the truth,” he promised quietly, and she believed him.
It occurred to Elizabeth that she could ask him now, when he’d given that promise, if he’d had anything to do with Robert’s disappearance. And as quickly as the thought crossed her mind, she pushed it angrily away. She would not defame their marriage bed by voicing ugly, unfounded suspicions carried to her by a man who obviously had a grudge against all Scots.
This morning, she had made a conscious decision to trust him and marry him; now, she was bound by her vows to honor him, and she had absolutely no intention of going back on her own decision or on the vow she made to him in church.
“Elizabeth?”
“Mmmm?”
“While we’re on the subject of truth, I have a confession to make.”
Her heart slammed into her ribs, and she went rigid. “What is it?” she asked tautly.
“The chamber next door is meant to be used as your dressing room and withdrawing room. I do not approve of the English custom of husband and wife sleeping in separate beds.” She looked so pleased that Ian grinned. “I’m happy to see,” he chuckled, kissing her forehead, “we agree on that. ~ Judith McNaught,
1188:The Sleeper
At midnight, in the month of June,
I stand beneath the mystic moon.
An opiate vapor, dewy, dim,
Exhales from out her golden rim,
And, softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin molders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!- and lo! where lies
Irene, with her Destinies!
O, lady bright! can it be rightThis window open to the night?
The wanton airs, from the tree-top,
Laughingly through the lattice dropThe bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully- so fearfullyAbove the closed and fringed lid
'Neath which thy slumb'ring soul lies hid,
That, o'er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come O'er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress,
Strange, above all, thy length of tress,
And this all solemn silentness!
The lady sleeps! Oh, may her sleep,
97
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
For ever with unopened eye,
While the pale sheeted ghosts go by!
My love, she sleeps! Oh, may her sleep
As it is lasting, so be deep!
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfoldSome vault that oft has flung its black
And winged panels fluttering back,
Triumphant, o'er the crested palls,
Of her grand family funeralsSome sepulchre, remote, alone,
Against whose portal she hath thrown,
In childhood, many an idle stoneSome tomb from out whose sounding door
She ne'er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.
~ Edgar Allan Poe,
1189:Honour's Martyr
The moon is full this winter night;
The stars are clear, though few;
And every window glistens bright,
With leaves of frozen dew.
The sweet moon through your lattice gleams
And lights your room like day;
And there you pass, in happy dreams,
The peaceful hours away!
While I, with effort hardly quelling
The anguish in my breast,
Wander about the silent dwelling,
And cannot think of rest.
The old clock in the gloomy hall
Ticks on, from hour to hour;
And every time its measured call
Seems lingering slow and slower:
And oh, how slow that keen-eyed star
Has tracked the chilly grey!
What, watching yet! how very far
The morning lies away!
Without your chamber door I stand;
Love, are you slumbering still?
My cold heart, underneath my hand,
Has almost ceased to thrill.
Bleak, bleak the east wind sobs and sighs,
And drowns the turret bell,
Whose sad note, undistinguished, dies
Unheard, like my farewell!
To-morrow, Scorn will blight my name,
And Hate will trample me,
Will load me with a coward's shame?
A traitor's perjury.
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False friends will launch their covert sneers;
True friends will wish me dead;
And I shall cause the bitterest tears
That you have ever shed.
The dark deeds of my outlawed race
Will then like virtues shine;
And men will pardon their disgrace,
Beside the guilt of mine.
For, who forgives the accursed crime
Of dastard treachery?
Rebellion, in its chosen time,
May Freedom's champion be;
Revenge may stain a righteous sword,
It may be just to slay;
But, traitor, traitor, from that word
All true breasts shrink away!
Oh, I would give my heart to death,
To keep my honour fair;
Yet, I'll not give my inward faith
My honour's name to spare!
Not even to keep your priceless love,
Dare I, Beloved, deceive;
This treason should the future prove,
Then, only then, believe!
I know the path I ought to go;
I follow fearlessly,
Inquiring not what deeper woe
Stern duty stores for me.
So foes pursue, and cold allies
Mistrust me, every one:
Let me be false in others' eyes,
If faithful in my own.
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~ Emily Jane Brontë,
1190:Hey, Rita.” She watched Jake return to his hardware goodies. “Hey, Meridith. Sorry to call at dinnertime, but this is important.” “What is it?” Jake looked up at her tone. “I ran into Dee Whittier in town awhile ago.” “Who?” “She owns a sporting shop and is on the chamber of commerce with me. She’s also Max and Ben’s soccer coach.” “Okay . . .” “Well, she called and told me she saw the kids’ uncle in town this afternoon.” “What?” Meridith caught Jake’s eye, then flickered a look toward Noelle. “She recognized him because he goes to the boys’ games sometimes and, well, according to her he’s a total stud, and she’s single, so . . . you haven’t heard from him yet?” “No.” “I thought you’d want to know.” “Yes, I—thanks, Rita. Forewarned is forearmed, right?” A scream pierced the line. “Brandon, leave your sister alone!” Rita yelled. “Listen, I gotta run.” “Thanks for calling,” Meridith said absently. “What’s wrong?” Jake asked. He would be coming soon. Surely it wouldn’t take long for him to discover his sister had passed away. She felt a moment’s pity at the thought, then remembered he’d gone over three months without checking in. “You okay?” Jake asked again. Noelle entered the room and grabbed a stack of napkins from the island drawer. “Noelle, your uncle hasn’t called or e-mailed, has he?” Noelle’s hand froze, a stack of napkins clutched in her fist. Her lips parted. Her eyes darted to Jake, then back to Meridith. “Why?” “Rita said someone named Dee saw him in town today.” Noelle closed the drawer slowly. “Oh. Uh . . . no.” Meridith turned to the soup. Thick broth bubbles popped and spewed. She turned down the heat again and stirred. “Well, I guess he’s back. You’ll be seeing him soon.” She tried to inject enthusiasm in her voice, tried to be happy for the children. A piece of familiarity, a renewed bond, a living reminder of their mother. It would be good for them. And yet. What if he wanted them once he found out what had happened to Eva and T. J.? What if he fought her for them and won? Her stomach bottomed out. She loved the children now. They were her siblings. Her family. She remembered coming to the island with every intention of handing them over like unwanted baggage. What she’d once wanted most was now a potential reality. Only now she didn’t want it at all. Dinner ~ Denise Hunter,
1191:This Thing
<i>For/with Penny </i>
How to begin to define it
this momentous thing
between us? A monosyllable
rhyming with “dove”
and “above”, so dull
and dubiously religious
compared to the spirit
of our connection. Not that
talk of the numinous
wouldn’t apply. Your penchant
for the Tarot, mine
for the Sufis, altogether
I suspect more transcendental
than the babble
of necessity and hope
desired by our former selves. Now
I can’t say if “love” ever
belonged to my former lexicon
of merely being
with someone. A confession?
That wouldn’t become
my professed agnosticism; but
fate always the star
of your astrological ciphers
and my horoscope
no doubt a serendipity
99
in the house of your heart. Mine,
(forgive the war metaphors)
a fortress reigned by
the tyrant of solipsism until
your ram battered the gates
and your vanguard scaled
the ramparts. Now the untied
captives laze on the fields
of your victory. The tyrant
a cross between theologian
and troubadour, no longer a threat
to my peasants. But what
have you gained
from this conquest? Do I
make you happy? What do you call
this earth-shaking thing
between us? I suspect
your images altogether sharper
than my medievalist detours, say
animals—am I
salamander to your unicorn
or you a yellow crane
perched on my tortoise? Or
fairytale: you see
yourself as a compassionate
Little Red Riding Hood
to my repentant wolf? Not
very likely. I’ve never really
100
queried eating you; but
you must’ve glanced
the dangers of sharing life
with a confused and brooding
loner. A person of your insight
doesn’t mess around
in Blue Beard’s chamber.
And I’m frankly just
a diffused dragon. So do we
call this thing
domestication? What about
the euphoria of escaping
our house together
and boarding planes? Am I
your accomplice
or live cargo? Does it sound
like complaint? It’s in fact
a celebration of the ecstatic
thing between us. I ask you
to comment. You say:
“It’s a magical
ever-changing intertwining
of two lives on levels
mundane and divine.”
~ Ali Alizadeh,
1192:Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour. ~ Ernest Cline,
1193:Dickinson left the rostrum to applause, loud shouts of approval. Franklin was surprised, looked toward Adams, who returned the look, shook his head. The chamber was dismissed, and Franklin pushed himself slowly up out of the chair. He began to struggle a bit, pain in both knees, the stiffness holding him tightly, felt a hand under his arm.
“Allow me, sir.” Adams helped him up, commenting as he did so, “We have a substantial lack of backbone in this room, I’m afraid.”
Franklin looked past him, saw Dickinson standing close behind, staring angrily at Adams, reacting to his words.
“Mr. Dickinson, a fine speech, sir,” said Franklin.
Adams seemed suddenly embarrassed, did not look behind him, nodded quickly to Franklin, moved away toward the entrance. Franklin saw Dickinson following Adams, began to follow himself. My God, let’s not have a duel. He slipped through the crowd of delegates, making polite acknowledgments left and right, still keeping his eye on Dickinson. The man was gone now, following Adams out of the hall. Franklin reached the door, could see them both, heard the taller man call out, saw Adams turn, a look of surprise. Franklin moved closer, heard Adams say, “My apologies for my indiscreet remark, sir. However, I am certain you are aware of my sentiments.” Dickinson seemed to explode in Adams’ face. “What is the reason, Mr. Adams, that you New England men oppose our measures of reconciliation? Why do you hold so tightly to this determined opposition to petitioning the king?” Franklin heard other men gathering behind him, filling the entranceway, Dickinson’s volume drawing them. He could see Adams glancing at them and then saying, “Mr. Dickinson, this is not an appropriate time...” “Mr. Adams, can you not respond? Do you not desire an end to talk of war?” Adams seemed struck by Dickinson’s words, looked at him for a long moment. “Mr. Dickinson, if you believe that all that has fallen upon us is merely talk, I have no response. There is no hope of avoiding a war, sir, because the war has already begun. Your king and his army have seen to that. Please, excuse me, sir.” Adams began to walk away, and Franklin could see Dickinson look back at the growing crowd behind him, saw a strange desperation in the man’s expression, and Dickinson shouted toward Adams, “There is no sin in hope! ~ Jeff Shaara,
1194:Here we pause. On the threshold of wedding nights
stands a smiling angel with his finger on his lips.
The soul enters into contemplation before that sanctuary
where the celebration of love takes place.
There should be flashes of light athwart such houses. The
joy which they contain ought to make its escape through
the stones of the walls in brilliancy, and vaguely illuminate
the gloom. It is impossible that this sacred and fatal festival
should not give off a celestial radiance to the infinite. Love is
the sublime crucible wherein the fusion of the man and the
woman takes place; the being one, the being triple, the being
final, the human trinity proceeds from it. This birth of two
souls into one, ought to be an emotion for the gloom. The
lover is the priest; the ravished virgin is terrified. Something
of that joy ascends to God. Where true marriage is, that is
to say, where there is love, the ideal enters in. A nuptial bed
makes a nook of dawn amid the shadows. If it were given to
the eye of the flesh to scan the formidable and charming visions
of the upper life, it is probable that we should behold
the forms of night, the winged unknowns, the blue passers
of the invisible, bend down, a throng of sombre heads,
around the luminous house, satisfied, showering benedictions,
pointing out to each other the virgin wife gently
alarmed, sweetly terrified, and bearing the reflection of
human bliss upon their divine countenances. If at that supreme
hour, the wedded pair, dazzled with voluptuousness
and believing themselves alone, were to listen, they would
hear in their chamber a confused rustling of wings. Perfect
happiness implies a mutual understanding with the angels.
2318 Les Miserables
That dark little chamber has all heaven for its ceiling. When
two mouths, rendered sacred by love, approach to create, it
is impossible that there should not be, above that ineffable
kiss, a quivering throughout the immense mystery of stars.
These felicities are the true ones. There is no joy outside
of these joys. Love is the only ecstasy. All the rest weeps.
To love, or to have loved,—this suffices. Demand nothing
more. There is no other pearl to be found in the shadowy
folds of life. To love is a fulfilment. ~ Victor Hugo,
1195:FRIAR LAURENCE: Hold thy desperate hand:
Art thou a man? thy form cries out thou art:
Thy tears are womanish; thy wild acts denote
The unreasonable fury of a beast:
Unseemly woman in a seeming man!
Or ill-beseeming beast in seeming both!
Thou hast amazed me: by my holy order,
I thought thy disposition better temper’d.
Hast thou slain Tybalt? wilt thou slay thyself?
And stay thy lady too that lives in thee,
By doing damned hate upon thyself?
Why rail’st thou on thy birth, the heaven, and earth?
Since birth, and heaven, and earth, all three do meet
In thee at once; which thou at once wouldst lose.
Fie, fie, thou shamest thy shape, thy love, thy wit;
Which, like a usurer, abound’st in all,
And usest none in that true use indeed
Which should bedeck thy shape, thy love, thy wit:
Thy noble shape is but a form of wax,
Digressing from the valour of a man;
Thy dear love sworn but hollow perjury,
Killing that love which thou hast vow’d to cherish;
Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skitless soldier’s flask,
Is set afire by thine own ignorance,
And thou dismember’d with thine own defence.
What, rouse thee, man! thy Juliet is alive,
For whose dear sake thou wast but lately dead;
There art thou happy: Tybalt would kill thee,
But thou slew’st Tybalt; there are thou happy too:
The law that threaten’d death becomes thy friend
And turns it to exile; there art thou happy:
A pack of blessings lights up upon thy back;
Happiness courts thee in her best array;
But, like a misbehaved and sullen wench,
Thou pout’st upon thy fortune and thy love:
Take heed, take heed, for such die miserable.
Go, get thee to thy love, as was decreed,
Ascend her chamber, hence and comfort her:
But look thou stay not till the watch be set,
For then thou canst not pass to Mantua;
Where thou shalt live, till we can find a time
To blaze your marriage, reconcile your friends,
Beg pardon of the prince, and call thee back
With twenty hundred thousand times more joy
Than thou went’st forth in lamentation.
Go before, nurse: commend me to thy lady;
And bid her hasten all the house to bed,
Which heavy sorrow makes them apt unto:
Romeo is coming. ~ William Shakespeare,
1196:Conquest Of Prejudice
Unto a Yorkshire school was sent
A negro youth to learn to write,
And the first day young Juba went
All gazed on him as a rare sight.
But soon with altered looks askance
They view his sable face and form,
When they perceive the scornful glance
Of the head boy, young Henry Orme.
He in the school was first in fame:
Said he, 'It does to me appear
To be a great disgrace and shame
A black should be admitted here.'
His words were quickly whispered round,
And every boy now looks offended;
The master saw the change, and found
That Orme a mutiny intended.
Said he to Orme, 'This African
It seems is not by you approved;
I'll find a way, young Englishman,
To have this prejudice removed.
'Nearer acquaintance possibly
May make you tolerate his hue;
At least 'tis my intent to try
What a short month may chance to do.'
Young Orme and Juba then he led
Into a room, in which there were
For each of the two boys a bed,
46
A table, and a wicker chair.
He locked them in, secured the key,
That all access to them was stopt;
They from without can nothing see;
Their food is through a skylight dropt.
A month in this lone chamber Orme
Is sentenced during all that time
To view no other face or form
Than Juba's parched by Afric clime.
One word they neither of them spoke
The first three days of the first week;
On the fourth day the ice was broke;
Orme was the first that deigned to speak.
The dreary silence o'er, both glad
To hear of human voice the sound,
The negro and the English lad
Comfort in mutual converse found.
Of ships and seas and foreign coast
Juba can speak, for he has been
A voyager: and Orme can boast
He London's famous town has seen.
In eager talk they pass the day,
And borrow hours even from the night;
So pleasantly time passed away,
That they have lost their reckoning quite.
And when their master set them free,
They thought a week was sure remitted,
And thanked him that their liberty
47
Had been before the time permitted.
Now Orme and Juba are good friends;
The school, by Orme's example won,
Contend who most shall make amends
For former slights to Afric's son.
~ Charles Lamb,
1197:David started up the wheeled stairs to the upper floors with his sword at the ready. He expected to encounter Blackadder warriors, protecting the lady of the castle. But there were none on the stairs and none guarding the door on the first floor.

Damn it. She must have escaped. He gritted his teeth as he envisioned the lady’s guards leading her through the tunnel.

He was about to open the chamber door to make sure it was empty when Brian, one of his best men, came down the stairs.

“Laird, I checked all the chambers while ye were in the hall,” he said.

David’s jaw ached from clenching it.

“There’s one door on the floor just above us that wouldn’t open with the latch,” Brian said. “Shall I break it down?”

David waved him aside and pulled the ax from his belt as he raced up the stairs.

“Open it!” he shouted and pounded on the door.

He did not wait. She could be escaping through a secret door this very moment. Three hard whacks with his ax, and the door split. He kicked it until it swung open, then stepped through.

At his first sight of the woman, his feet became fixed to the floor. He felt strange, and his vision was distorted, as if as if he had swallowed a magical potion that narrowed his sight. He could see nothing in the room but her.

She was extraordinarily lovely, with violet eyes, pale skin, and shining black hair. But there was something about her, something beyond her beauty, that held him captive. She was young, much younger than he expected, and her features and form were delicate, in marked contrast to the violent emotion in her eyes.

David knew to the depths of his soul that a brute like him should not be the man to claim this fragile flower, even while the word mine beat in his head like a drum. He had no notion of how long he stood staring at her before he became aware that she held a sword. It was longer still before he noticed the two wee lasses peeking out from behind her like frightened kittens.

Anger boiled up in his chest. Every Blackadder man in the castle who could still draw breath should have been here, standing between him and their lady. Instead, she faced him alone with a sword she could barely lift with both hands.

It was a brave, but ridiculous gesture.

There was no defense against him. ~ Margaret Mallory,
1198:Tithonus
So when the verdure of his life was shed,
With all the grace of ripened manlihead,
And on his locks, but now so lovable,
Old age like desolating winter fell,
Leaving them white and flowerless and forlorn:
Then from his bed the Goddess of the Morn
Softly withheld, yet cherished him no less
With pious works of pitying tenderness;
Till when at length with vacant, heedless eyes,
And hoary height bent down none otherwise
Than burdened willows bend beneath their weight
Of snow when winter winds turn temperate, -So bowed with years -- when still he lingered on:
Then to the daughter of Hyperion
This counsel seemed the best: for she, afar
By dove-gray seas under the morning star,
Where, on the wide world's uttermost extremes,
Her amber-walled, auroral palace gleams,
High in an orient chamber bade prepare
An everlasting couch, and laid him there,
And leaving, closed the shining doors. But he,
Deathless by Jove's compassionless decree,
Found not, as others find, a dreamless rest.
There wakeful, with half-waking dreams oppressed,
Still in an aural, visionary haze
Float round him vanished forms of happier days;
Still at his side he fancies to behold
The rosy, radiant thing beloved of old;
And oft, as over dewy meads at morn,
Far inland from a sunrise coast is borne
The drowsy, muffled moaning of the sea,
Even so his voice flows on unceasingly, -Lisping sweet names of passion overblown,
Breaking with dull, persistent undertone
The breathless silence that forever broods
Round those colossal, lustrous solitudes.
Times change. Man's fortune prospers, or it falls.
Change harbors not in those eternal halls
And tranquil chamber where Tithonus lies.
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But through his window there the eastern skies
Fall palely fair to the dim ocean's end.
There, in blue mist where air and ocean blend,
The lazy clouds that sail the wide world o'er
Falter and turn where they can sail no more.
There singing groves, there spacious gardens blow -Cedars and silver poplars, row on row,
Through whose black boughs on her appointed night,
Flooding his chamber with enchanted light,
Lifts the full moon's immeasurable sphere,
Crimson and huge and wonderfully near.
~ Alan Seeger,
1199:The Sending Of The Magi
IN a far Eastern country
It happened long of yore,
Where a lone and level sunrise
Flushes the desert floor,
That three kings sat together
And a spearman kept the door.
Gaspar, whose wealth was counted
By city and caravan;
With Melchior, the seer
Who read the starry plan;
And Balthasar, the blameless,
Who loved his fellow man.
There while they talked, a sudden
Strange rushing sound arose,
And as with startled faces
They thought upon their foes,
Three figures stood before them
In imperial repose.
One in flame-gold and one in blue
And one in scarlet clear,
With the almighty portent
Of sunrise they drew near!
And the kings made obeisance
With hand on breast, in fear.
'Arise,' said they, 'we bring you
Good tidings of great peace!
To-day a power is wakened
Whose working must increase,
Till fear and greed and malice
And violence shall cease.'
The messengers were Michael,
By whom all things are wrought
To shape and hue; and Gabriel
Who is the lord of thought;
And Rafael without whose love
All toil must come to nought.
Then Rafael said to Balthasar,
'In a country west from here
A lord is born in lowliness,
190
In love without a peer.
Take grievances and gifts to him
And prove his kingship clear!
'By this sign ye shall know him;
Within his mother's arm
Among the sweet-breathed cattle
He slumbers without harm,
While wicked hearts are troubled
And tyrants take alarm.'
And Gabriel said to Melchior,
'My comrade, I will send
My star to go before you,
That ye may comprehend
Where leads your mystic learning
In a humaner trend.'
And Michael said to Gaspar,
'Thou royal builder, go
With tribute of thy riches!
Though time shall overthrow
Thy kingdom, no undoing
His gentle might shall know.'
Then while the kings' hearts greatened
And all the chamber shone,
As when the hills at sundown
Take a new glory on
And the air thrills with purple,
Their visitors were gone.
Then straightway up rose Gaspar,
Melchior and Balthasar,
And passed out through the murmur
Of palace and bazar,
To make without misgiving
The journey of the Star.
~ Bliss William Carman,
1200:Gordon Of Brackley
Down Deeside cam Inveraye
Whistlin' and playing,
An' called loud at Brackley gate
Ere the day dawning-'Come, Gordon of Brackley.
Proud Gordon, come down,
There's a sword at your threshold
Mair sharp than your own.'
'Arise now, gay Gordon,'
His lady 'gan cry,
'Look, here is bold Inveraye
Driving your kye.'
'How can I go, lady,
An' win them again,
When I have but ae sword,
And Inveraye ten?'
'Arise up, my maidens,
Wi' roke and wi' fan,
How blest had I been
Had I married a man!
Arise up, my maidens,
Tak' spear and tak' sword,
Go milk the ewes, Gordon,
An' I will be lord.'
The Gordon sprung up
Wi' his helm on his head,
Laid his hand on his sword,
An' his thigh on his steed,
An' he stooped low, and said,
As he kissed his young dame,
'There's a Gordon rides out
That will never ride hame.'
There rode with fierce Inveraye
Thirty and three,
But wi' Brackley were nane
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But his brother and he;
Twa gallanter Gordons
Did never blade draw,
But against three-and-thirty
Wae's me! what are twa?
Wi' sword and wi' dagger
They rushed on him rude;
The twa gallant Gordons
Lie bathed in their blude.
Frae the springs o' the Dee
To the mouth o' the Tay,
The Gordons mourn for him,
And curse Inveraye.
'O were ye at Brackley?
An' what saw ye there?
Was his young widow weeping
An' tearing her hair?'
'I looked in at Brackley,
I looked in, and oh!
There was mirth, there was feasting,
But naething o' woe.
'As a rose bloomed the lady,
An' blithe as a bride,
As a bridegroom bold Inveraye
Smiled by her side.
Oh! she feasted him there
As she ne'er feasted lord,
While the blood of her husband
Was moist on his sword.
'In her chamber she kept him
Till morning grew gray,
Thro' the dark woods of Brackley
She shewed him the way.
'Yon wild hill,' she said,
'Where the sun's shining on,
Is the hill of Glentanner,-One kiss, and begone!''
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There's grief in the cottage,
There's grief in the ha',
For the gude, gallant Gordon
That's dead an' awa'.
To the bush comes the bud,
An' the flower to the plain,
But the gude and the brave
They come never again.
~ Andrew Lang,
1201:shifts signal a slowing in momentum for the bill among Democrats, who have faced a full-court press from a number of top administration officials, including President Barack Obama and Secretary of State John Kerry. During Tuesday night’s State of the Union address, Obama vowed to veto the bill if it landed on his desk and urged Congress to let international talks play out. It’s already clear that Congress is reluctant to proceed on the issue. Senate Majority Leader Harry Reid (D-Nev.) has signaled an unwillingness to bring the sanctions bill to a vote, and in the House, party leaders have been meeting privately for weeks to figure out how to proceed. Talk in that chamber has centered on the possibility of voting on a non-binding resolution that would allow lawmakers to lay out their preferred endgame in Iran negotiations. Sen. Richard Blumenthal (D-Conn.) already said earlier this month that a vote on the bill was not needed during the interim agreement. Meanwhile, a spokeswoman for Sen. Ben Cardin (D-Md.) punted the matter to Reid. "Senator Cardin wants to see negotiations with Iran succeed. As for timing of the bill, it is and has always been up to the Majority Leader," Cardin spokeswoman Sue Walitsky said. Both of the bill’s main sponsors, Sens. Mark Kirk (R-Ill.) and Robert Menendez (D-N.J.), held their ground when asked for their reactions to Obama’s veto threat. “While the president promises to veto any new Iran sanctions legislation, the Iranians have already vetoed any dismantlement of their nuclear infrastructure,” Kirk said in a statement. On Tuesday night, just after the State of the Union had ended, Menendez said, "I’m not frustrated." He walked quickly into an elevator as he spoke, pushing the buttons and looking ready to be done with the conversation. "The president has every right to do what he wants." A spokesman for Sen. Michael Bennet (D-Colo.) said Wednesday that merely introducing the bill -- but not voting on it -- was helpful to negotiations. "Senator Bennet supports the President’s diplomatic efforts and would like them to succeed. The pertinent question isn't about when we vote on the bill, but whether its introduction is helpful to the negotiations. He believes it is," spokesman Adam Bozzi said. Not all senators agreed that a vote should be delayed. Offices for Sens. Jim Inhofe (R-Okla.) and Mike Johanns (R-Neb.) confirmed that the senators wanted to hold ~ Anonymous,
1202:I could have been someone from the book if you’d told me in advance.”
“Yes, well, today you’d make a really great Moaning Myrtle.”
Peter gives me a blank look, and disbelieving, I say, “Wait a minute…have you never read Harry Potter?”
“I’ve read the first two.”
“Then you should know who Moaning Myrtle is!”
“It was a really long time ago,” Peter says. “Was she one of those people in the paintings?”
“No! And how could you stop after Chamber of Secrets? The third one’s the best out of the whole series. I mean, that’s literally crazy to me.” I peer at his face. “Do you not have a soul?”
“Sorry if I haven’t read every single Harry Potter book! Sorry I have a life and I’m not in the Final Fantasy club or whatever that geek club is called--”
I snatch my wand back from him and wave it in his face. “Silencio!”
Peter crosses his arms. Smirking, he says, “Whatever spell you just tried to cast on me, it didn’t work, so I think you need to go back to Hogwarts.” He’s so proud of himself for the Hogwarts reference, it’s kind of endearing.
Quick like a cat I pull down his mask, and then I put one hand over his mouth. With my other hand I wave my wand again. “Silencio!” Peter tries to say something, but I press my hand harder. “What? What was that? I can’t hear you, Peter Parker.”
Peter reaches out and tickles me, and I laugh so hard I almost drop my wand. I dart away from him but he pounces after me, pretend shooting webs at my feet. Giggling, I run away from him, further down the hall, dodging groups of people. He gives chase all the way to chem class. A teacher screams at us to slow down, and we do, but as soon as we’re around the corner, I’m running again and so is he.
I’m breathless by the time I’m in my seat. He turns around and shoots a web in my direction, and I explode into giggles again and Mr. Meyers glares at me. “Settle down,” he says, and I nod obediently. As soon as his back is turned, I giggle into my robe. I want to still be mad at Peter, but it’s just no use.
Halfway through class he sends me a note. He’s drawn spiderwebs around the edges. It says, I’ll be on time tomorrow. I smile as I read it. Then I put it in my backpack, in my French textbook so the page won’t crease or crumble. I want to keep it so when this is over, I can have something to look at and remember what it was like to be Peter Kavinsky’s girlfriend. Even if it was all just pretend. ~ Jenny Han,
1203:On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door.
'Come in!' was always answered in a heart out-of-door voice from the inside.
'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf.
'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.'
'Then I hope this London man won't come; for I don't know what I should do, papa.'
'Well, it would be awkward, certainly.'
'I should hardly think he would come today.'
'Why?'
'Because the wind blows so.'
'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!'
'Must he have dinner?'
'Too heavy for a tired man at the end of a tedious journey.'
'Tea, then?'
'Not substantial enough.'
'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.'
'Yes, high tea.'
'Must I pour out his tea, papa?'
'Of course; you are the mistress of the house.'
'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?'
'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels. ~ Thomas Hardy,
1204:Aladdin
Aladdin poor the wizard found,
Who moved from cavern’s mouth a stone;
Then bade him go beneath the ground,
And pace through unknown realms alone,
Till from a niche he bore away
A lamp—extinguishing its ray.
The youth obedient instant hied,
When fruits luxuriant met his sight;
The white were pearls in snowy pride,
Diamonds the clear—of brilliant light;
For red the rubies dazzling blazed,
Whereof Aladdin gathered store;
Then on the lamp in rapture gazed,
And from its niche the treasure bore.
Regained his home, he seized anon
The lamp, and cried “straight bring me food;”
The Genii instantly was gone,
But soon again before him stood.
The youth his fear-struck mother bore,
As plates of silver met his view;
Of viands choice, containing store,
And cups, with wine of rosy hue.
Aladdin next by chance descried,
The Sultan’s daughter, witching fair;
Love’s high control was not denied—
He sought to gain the beauty rare.
Before the Sultan lowly bent
His mother, and the jewels spread;
The Prince, astonished, gave consent,
And all Aladdin’s terrors fled.
In gorgeous robes the youth arrayed,
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Vaulted anon his prancing steed;
And of the glittering, gay parade,
Right joyous smiling took the lead.
With loud huzzas then rang the air,
Which louder pealed, as gold amain
By slaves was cast, for mob to share,
That glittered on the vasty plain
Ne’er dreaming lamp so worn and old
More worth commanded than Peru,
Our Princess bartered wealth untold,
For the Magician’s lamp quite new:
So when this change the eunuch made
In scorn the rabble ’gan to shout;
Beholding such a silly trade,
They deemed the wizard fool and lout.
O’erwhelmed with grief, Aladdin prayed
Once more the Genii life would spare;
Beseeching he might be conveyed
Where late had stood his palace fair.
Then swift as thought, the spirit bore
The youth through airy realms above;
Who lighted safe on Afric’s shore,
And gained the chamber of his love
His foe the poison quaffed and fell—
A writhing form the wizard lay;
Aladdin knew how worked the spell,
And tore from vest the lamps, his prey.
The Princess with a panting heart,
Flew to receive affection’s kiss:
Thus met they, never more to part;
From that hour sealed their lasting blis
~ Anonymous Americas,
1205:May Colven
False Sir John a wooing came
To a maid of beauty fair;
May Colven was this lady's name,
Her father's only heir.
He wood her butt, he wood her ben,
He wood her in the ha,
Until he got this lady's consent
To mount and ride awa.
He went down to her father's bower,
Where all the steeds did stand,
And he's taken one of the best steeds
That was in her father's land.
He's got on and she's got on,
As fast as they could flee,
Until they came to a lonesome part,
A rock by the side of the sea.
'Loup off the steed,' says false Sir John,
'Your bridal bed you see;
For I have drowned seven young ladies,
The eighth one you shall be.
'Cast off, cast off, my May Colven,
All and your silken gown,
For it's oer good and oer costly
To rot in the salt sea foam.
'Cast off, cast off, my May Colven.
All and your embroiderd shoen,
For oer good and oer costly
To rot in the salt sea foam.'
'O turn you about, O false Sir John,
And look to the leaf of the tree,
For it never became a gentleman
A naked woman to see.'
128
He turned himself straight round about,
To look to the leaf of the tree,
So swift as May Colven was
To throw him in the sea.
'O help, O help, my May Colven,
O help, or else I'll drown;
I'll take you home to your father's bower,
And set you down safe and sound.'
'No help, no help, O false Sir John,
No help, nor pity thee;
Tho' seven kings' daughters you have drownd,
But the eighth shall not be me.'
So she went on her father's steed,
As swift as she could flee,
And she came home to her father's bower
Before it was break of day.
Up then and spoke the pretty parrot:
'May Colven, where have you been?
What has become of false Sir John,
That woo'd you so late the streen?
'He woo'd you butt, he woo'd you ben,
He woo'd you in the ha,
Until he got your own consent
For to mount and gang awa.'
'O hold your tongue, my pretty parrot,
Lay not the blame upon me;
Your cup shall be of the flowered gold,
Your cage of the root of the tree.'
Up then spake the king himself,
In the bed-chamber where he lay:
'What ails the pretty parrot,
That prattles so long or day?'
'There came a cat to my cage door,
129
It almost a worried me,
And I was calling on May Colven
To take the cat from me.'
~ Andrew Lang,
1206:Faustina, or Rock Roses
Tended by Faustina
yes in a crazy house
upon a crazy bed,
frail, of chipped enamel,
blooming above her head
into four vaguely roselike
flower-formations,
the white woman whispers to
herself. The floorboards sag
this way and that. The crooked
towel-covered table
bears a can of talcum
and five pasteboard boxes
of little pills,
most half-crystallized.
The visitor sits and watches
the dew glint on the screen
and in it two glow-worms
burning a drowned green.
Meanwhile the eighty-watt bulb
betrays us all,
discovering the concern
within our stupefaction;
lighting as well on heads
of tacks in the wallpaper,
on a paper wall-pocket,
violet-embossed, glistening
with mica flakes.
It exposes the fine white hair,
the gown with the undershirt
showing at the neck,
the pallid palm-leaf fan
she holds but cannot wield,
her white disordered sheets
like wilted roses.
31
Clutter of trophies,
chamber of bleached flags!
-Rags or ragged garments
hung on the chairs and hooks
each contributing its
shade of white, confusing
as undazzling.
The visitor is embarrassed
not by pain nor age
nor even nakedness,
though perhaps by its reverse.
By and by the whisper
says, "Faustina, Faustina. . ."
Vengo, senora!"
On bare scraping feet
Faustina nears the bed.
She exhibits the talcum powder,
the pills, the cans of "cream,"
the white bowl of farina,
requesting for herself
a little conac;
complaining of, explaining,
the terms of her employment.
She bends above the other.
Her sinister kind face
presents a cruel black
coincident conundrum.
Oh, is it
freedom at last, a lifelong
dream of time and silence,
dream of protection and rest?
Or is it the very worst,
the unimaginable nightmare
that never before dared last
more than a second?
The acuteness of the question
32
forks instantly and starts
a snake-tongue flickering;
blurs further, blunts, softens,
separates, falls, our problems
becoming helplessly
proliferative.
There is no way of telling.
The eyes say only either.
At last the visitor rises,
awkwardly proffers her bunch
of rust-perforated roses
and wonders oh, whence come
all the petals.
~ Elizabeth Bishop,
1207:FAIN had I to-day surprised my mistress,
But soon found I that her door was fasten'd.
Yet I had the key safe in my pocket,
And the darling door I open'd softly!
In the parlour found I not the maiden,
Found the maiden not within her closet,
Then her chamber-door I gently open'd,
When I found her wrapp'd in pleasing slumbers,
Fully dress'd, and lying on the sofa.

While at work had slumber stolen o'er her;
For her knitting and her needle found I
Resting in her folded bands so tender;
And I placed myself beside her softly,
And held counsel, whether I should wake her.

Then I looked upon the beauteous quiet
That on her sweet eyelids was reposing
On her lips was silent truth depicted,
On her cheeks had loveliness its dwelling,
And the pureness of a heart unsullied
In her bosom evermore was heaving.
All her limbs were gracefully reclining,
Set at rest by sweet and godlike balsam.
Gladly sat I, and the contemplation
Held the strong desire I felt to wake her
Firmer and firmer down, with mystic fetters.

"Oh, thou love," methought, "I see that slumber,
Slumber that betrayeth each false feature,
Cannot injure thee, can nought discover
That could serve to harm thy friend's soft feelings.

"Now thy beauteous eyes are firmly closed,
That, when open, form mine only rapture.
And thy sweet lips are devoid of motion,
Motionless for speaking or for kissing;
Loosen'd are the soft and magic fetters
Of thine arms, so wont to twine around me,
And the hand, the ravishing companion
Of thy sweet caresses, lies unmoving.
Were my thoughts of thee but based on error,
Were the love I bear thee self-deception,
I must now have found it out, since Amor
Is, without his bandage, placed beside me."

Long I sat thus, full of heartfelt pleasure
At my love, and at her matchless merit;
She had so delighted me while slumbering,
That I could not venture to awake her.

Then I on the little table near her
Softly placed two oranges, two roses;
Gently, gently stole I from her chamber.
When her eyes the darling one shall open,
She will straightway spy these colourd presents,
And the friendly gift will view with wonder,
For the door will still remain unopen'd.

If perchance I see to-night the angel,
How will she rejoice,--reward me doubly
For this sacrifice of fond affection!
~ Johann Wolfgang von Goethe, The Visit
,
1208:Milestones
Gay balloons and coloured streamers,
Gliding figures, footsteps light,
Flannelled youths and short-frocked maidens
Jazzing gaily through the night.
Music quaint and queer and catchy,
Lilting cadence of the band,
‘Tis a scene of harmless frolic.
Youth and pleasure hand in hand.
Laughter, frank and merry hearted,
Careless banter – burst of song“While the red, red robin
Goes bob-bob-bobbin’
Goes bob-bob-bobbin’ along!”
Small Miss Anne is sitting, dreaming
In the vine-clad window-seat
Listening to the lilting music,
To the trip of dancing feet,
But her vision sees a ballroom
Where the swaying lanterns glow
Over maidens in flowing muslins,
Courteous gallants bowing low.
Hear the cooing flutes and violins,
‘Tis a waltz song sweet and old“Glide along, oh river,
Where the willows quiver,
Glide along for ever
O’er thy sands of gold.”
Ah, the cruel, gleaming river
That can sweep young lives away,
Gone, long gone the youthful lover,
Closed the boyish eyes of grey.
But the old heart-wound is throbbing
As she dreams, with cheeks aglow,
Of a dew-drenched, fragrant garden
Where the river breezes blow
Over beds of phlox and pansy,
Waxen jasmine, while and cold-
26
“There amid the gloaming
Lover true are roaming
Hand in hand in Love’s dreamland,
Where fond hearts ne’er grow old.”
Soft and clear the rippling music
Steals into a chamber nigh
Where the dear Old Irish grandma
Waits her summons from on High,
Ready for the great adventure
Is her gently child-like soul,
For the grand old Faith upholds her,
And her life’s long simple scroll
Is a screed of shining whiteness;
But just now her old eyes glow
As, like dancing, flickering turf-fires,
Long-lost memories come and go‘When the boys began to gather
In the glen of a summer night,
And the Kerry pipers tuning
Made us long with a wild delight.”
Like the horns of elf-land blowing,
Rings the distant pipers’ tune,
Laughter gay of lads and colleens
Underneath the harvest moon.
To the “wind that shook the barley”
Tripped their glancing footsteps fleet,
Ah! Did you dance light, dear Grandma
On the hearts beneath your feet?
On the daisy spangled greensward
‘Neath the hawthorn hedge abloom“Ah! The days of Kerry dancing
Oh! The lilt of the pipers’ tune.
~ Alice Guerin Crist,
1209:Ian knew he had to kiss Elizabeth when he saw that fire in her eyes and heard the passion in her voice. He pulled her against him, and his kiss was urgent, like that of a hungry lover. Licking her lip, he forced her to open her mouth, and she did not resist. How he wanted to devour her softness, her innocence.
“Och, Elizabeth.”
He clutched her as if he could not get enough. His lips left her mouth, trailing down her neck to her collarbone. She moaned at each touch, her mewling sounds firing his passion even more. Trying to maintain some sense of reason, he pulled back, giving her the opportunity to deny him. But she only looked at him with glazed passion.
Ian molded her to him, his arms wrapping around her like a vise. Her breasts flattened against his chest, and he shuddered with desire. She gently pulled away from him, breathless.
“Laird Munro…” She placed her hands on his arms, and a chuckle escaped him.
“I would think after that kiss, ye’d call me Ian.” Rather than releasing her as he should, he pulled her close. “We will cease, but let me simply hold ye.”
Rubbing his hands over her back, he felt her hands on his chest. What the hell was he thinking? He’d almost lost control with Elizabeth. God’s teeth! If the lass would have permitted him, he would’ve taken her standing here. That wasn’t necessarily true. He still had some sense of chivalry left within him. He would have at least thrown her on the bed.
Reluctantly, he pulled away from her. “Come. I will escort ye back to your room.”
She couldn’t look him in the eye. “That’s not necessary. It’s late. No one will be in the hall.”
He placed his hand at the small of her back. “I insist.”
Neither spoke as he escorted her to her chamber. He did not know what to say. Besides, he was trying too hard not to fall over his own two feet. Opening her door, he waited as she entered her room. She turned around and gave him a tender smile.
“Ian…” She spoke softly, and her eyes never left his. “I don’t understand what just happened between us, but I don’t want to be hurt anymore.”
His eyebrows shot up. “What do ye mean? I doona understand all of this either, but I assure ye, my intentions are nae to cause ye pain.” At least he spoke the truth because he wasn’t sure what his purpose was in kissing her.
“I don't want you to push me away. My heart couldn't bear it because I’ve loved you from the first time I saw you.”
Elizabeth slowly closed the door in his face, and Ian paled. ~ Victoria Roberts,
1210:I would beg a second dance with you, Miss Charming,” said the colonel. “You do live up to your name!”
“Oh, go on,” said Miss Charming.
The way Miss Charming was blushing now--real, honest blushing, not faking--it seemed she’d made her choice, and her choice wasn’t Mr. Nobley. And so Jane was left neatly on the sidelines again. She didn’t mind. Seriously she didn’t. Okay, maybe just a little. After all, tonight was the most fun she’d had since she’d come.
“Miss Erstwhile?” Mr. Nobley was beside her suddenly. “It would seem my gentlemanly duty to ask you to dance.”
She glanced at his hand. “You’re still holding your book, Mr. Nobley.”
Het set it on a table, put one arm behind his back, and held the other out to her.
She sighed. “I’m sorry I pestered you back there, but I’d rather not dance for duty.”
His hand extended toward her. “But it would be my honor.”
She rolled her eyes but took his hand. The first time he touched her waist, she started. There was nothing passive in his touch, nothing wasted. She was aware of his hands the way she was often conscious of his gaze seeking her out. It was, to say the least, surprising.
With only three couples, they kept in fairly constant motion. As a general rule, conversation is more intimate in a crowd, but among only six people, every word, and silence, became public.
Colonel Andrews: “What a lovely gown, Miss Charming! You wear it well, or should I say, it wears you?”
Miss Charming: “Oh, you rascal!”
Miss Erstwhile: “Do you know the name of this tune, Mr. Nobley?”
Mr. Nobley: “I do not. It is a country tune.”
Captain East: …
Miss Heartwright: …
Colonel Andrews: “I beg your pardon, Miss Charming. I seem to have stuck my foot under yours yet again.”
Miss Charming: “Spit spot!”
Miss Erstwhile: “It is such a relief, Mr. Nobley, to already know that you find this exercise vulgar and your partner unworthy. It saves us the idle chitchat.”
Mr. Nobley: “And yet you chat away.”
Aunt Saffronia: “Lovely dance! Shall I play another?”
Miss Erstwhile: “What say you, Mr. Nobley? Ready to be done with me?”
“I think…” He bowed. “I think I will retire early. I bid you a good evening.”
“And so ends the fun,” Colonel Andrews said.
“Wait, I don’t feel right…all that dancing…” Miss Charming put a hand to her forehead and fainted dead into his arms. He was forced to carry her to her chamber.
Clever girl, thought Jane, saluting her with two fingers. Touché, Miss Charming. ~ Shannon Hale,
1211:The Cave Painters
Holding only a handful of rushlight
they pressed deeper into the dark, at a crouch
until the great rock chamber
flowered around them and they stood
in an enormous womb of
flickering light and darklight, a place
to make a start. Raised hands cast flapping shadows
over the sleeker shapes of radiance.
They've left the world of weather and panic
behind them and gone on in, drawing the dark
in their wake, pushing as one pulse
to the core of stone. The pigments mixed in big shells
are crushed ore, petals and pollens, berries
and the binding juices oozed
out of chosen barks. The beasts
begin to take shape from hands and feather-tufts
(soaked in ochre, manganese, madder, mallow white)
stroking the live rock, letting slopes and contours
mould those forms from chance, coaxing
rigid dips and folds and bulges
to lend themselves to necks, bellies, swelling haunches,
a forehead or a twist of horn, tails and manes
curling to a crazy gallop.
Intent and human, they attach
the mineral, vegetable, animal
realms to themselves, inscribing
the one unbroken line
everything depends on, from that
impenetrable centre
to the outer intangibles of light and air, even
the speed of the horse, the bison's fear, the arc
of gentleness that this big-bellied cow
arches over its spindling calf, or the lancing
dance of death that
bristles out of the buck's
struck flank. On this one line they leave
10
a beak-headed human figure of sticks
and one small, chalky, human hand.
We'll never know if they worked in silence
like people praying—the way our monks
illuminated their own dark ages
in cross-hatched rocky cloisters,
where they contrived a binding
labyrinth of lit affinities
to spell out in nature's lace and fable
their mindful, blinding sixth sense
of a god of shadows—or whether (like birds
tracing their great bloodlines over the globe)
they kept a constant gossip up
of praise, encouragement, complaint.
It doesn't matter: we know
they went with guttering rushlight
into the dark; came to terms
with the given world; must have had
—as their hands moved steadily
by spiderlight—one desire
we'd recognise: they would—before going on
beyond this border zone, this nowhere
that is now here—leave something
upright and bright behind them in the dark.
~ Eamon Grennan,
1212:When the guards cut me loose I fell like an old bundle of laundry onto the stone courtyard, and once again hands gripped my upper arms and yanked me upright.
This time I made no pretense of walking as I was borne into a dank tunnel, then down steep steps into an even danker, nasty-smelling chamber.
And what I saw around me was a real, true-to-nightmare dungeon. Shackles, iron baskets, various prods and knives and whips and other instruments whose purpose I didn’t know--and didn’t want to know--were displayed on the walls around two great stained and scored tables.
A huge, ugly man in a bespattered blackweave apron motioned for the soldiers to put me into a chair with irons at arms and feet. As they did, he said, “What am I supposed to be finding out?”
Behind, the Baron said harshly, “I want to shed these wet clothes. Don’t touch her until I return. This is going to last a long, long time.” His gloating laugh echoed down a stone passageway.
The huge man pursed his lips, shrugged, then turned to his fire, selecting various pincers and brands to lay on a grate in the flames.
Then he came back, lifted one bushy brow at the soldiers still flanking me, and said in a low voice, “Kinda little and scrawny, this one, ain’t she? What she done?”
“Countess of Tlanth,” one said in a flat vice.
The man whistled, then grinned. He had several teeth missing. Then he bent closer, peered at me, and shook his head. “Looks to me like she’s half done for already. Grudge or no grudge, she won’t last past midnight.” He grinned again, motioning to the nearest warrior. “Go ahead and put the irons on. Shall we just have a little fun while we’re waiting?”
He pulled one of his brands out of the fire and stepped toward me, raising it. The sharp smell of red-hot metal made me sneeze--and when I looked up, the man’s mouth was open with surprise.
My gaze dropped to the knife embedded squarely in his chest, which seemed to have sprouted there. But knives don’t sprout, even in dungeons, I thought hazily, as the torturer fell heavily at my feet. I turned my head, half rising from the chair--
And saw the Marquis of Shevraeth standing framed in the doorway. At his back were four of his liveried equerries, with swords drawn and ready.
The Marquis strolled forward, indicated the knife with a neatly gloved hand, and gave me a faint smile. “I trust the timing was more or less advantageous?”
“More or less,” I managed to say before the rushing in my ears washed over me, and I passed out cold right on top of the late torturer. ~ Sherwood Smith,
1213:Zaphod paused for a while. For a while there was silence. Then he frowned and said, “Last night I was worrying about this again. About the fact that part of my mind just didn’t seem to work properly. Then it occurred to me that the way it seemed was that someone else was using my mind to have good ideas with, without telling me about it. I put the two ideas together and decided that maybe that somebody had locked off part of my mind for that purpose, which was why I couldn’t use it. I wondered if there was a way I could check.
“I went to the ship’s medical bay and plugged myself into the encephalographic screen. I went through every major screening test on both my heads—all the tests I had to go through under Government medical officers before my nomination for presidency could be properly ratified. They showed up nothing. Nothing unexpected at least. They showed that I was clever, imaginative, irresponsible, untrustworthy, extrovert, nothing you couldn’t have guessed. And no other anomalies. So I started inventing further tests, completely at random. Nothing. Then I tried superimposing the results from one head on top of the results from the other head. Still nothing. Finally I got silly, because I’d given it all up as nothing more than an attack of paranoia. Last thing I did before I packed it in was take the superimposed picture and look at it through a green filter. You remember I was always superstitious about the color green when I was a kid? I always wanted to be a pilot on one of the trading scouts?”
Ford nodded.
“And there it was,” said Zaphod, “clear as day. A whole section in the middle of both brains that related only to each other and not to anything else around them. Some bastard had cauterized all the synapses and electronically traumatized those two lumps of cerebellum.”
Ford stared at him, aghast. Trillian had turned white.
“Somebody did that to you?” whispered Ford.
“Yeah.”
“But have you any idea who? Or why?”
“Why? I can only guess. But I do know who the bastard was.”
“You know? How do you know?”
“Because they left their initials burned into the cauterized synapses. They left them there for me to see.”
Ford stared at him in horror and felt his skin begin to crawl.
“Initials? Burned into your brain?”
“Yeah.”
“Well, what were they, for God’s sake?”
Zaphod looked at him in silence again for a moment. Then he looked away.
“Z.B.,” he said quietly.
At that moment a steel shutter slammed down behind them and gas started to pour into the chamber.
“I’ll tell you about it later,” choked Zaphod as all three passed out. ~ Douglas Adams,
1214:Good Night
1.
Love, thou hast wandered far and wide,
But here thy wanderings cease;
Thy long- sought mate is by thy side,
And thou canst sleep in peace.
2.
Night moans outside our window- pane,
And weeps from dripping eaves;
The air is thick with falling rain
Upon dead autumn leaves.
3.
The winds of winter rave and chafe
Around thy tranquil nest,
But I am here, and thou art safe —
Thy very soul may rest.
4.
The wild surf- thunder swells and falls
Upon the seething beach —
Thy world within thy chamber- walls
Nor winds nor waves can reach.
5.
Sleep, fired eyes! Sleep well, dear heart,
That ached so long for me!
No sudden hand shall tear apart
These arms that shelter thee
6.
Sleep well, though late- found joys be brief,
And bought with tears and pain;
102
Shut out the memory of thy grief —
Thou didst not grieve in vain.
7.
Think of our treasure, kept in store,
And not the price it cost —
Those precious years, that come no more,
Which thou and I have lost.
8.
O, wasted years, that lie behind
Hush — what is past is past.
Enough that we have lived to find
What life is worth at last.
9.
Though Fate has robbed us of so much,
We know not what we miss;
All ills are recompensed in such
A priceless good as this.
10.
Sleep,dear! The hours are passing on —
The midnight bells have tolled;
Think not how much of life is gone,
But how much more we hold.
11.
Yes, more — as wise men reckon life —
Though no wise man can tell
How soon, for husband and for wife,
The stroke of doom will knell.
12.
No echo of that solemn chime
Break through thy perfect peace!
103
No forecast of that awful time
When time for us will cease:
13.
When happier worlds shall shine in space,
For other eyes to see,
And none have any more a place
For thy true love and thee.
14.
Be blind to all, and deaf, and dumb,
In thy quick heart's despite!
Content thee — though the end must come,
It will not come to- night.
15.
This night let never thought of ill
Disturb thy slumber deep;
To- morrow I shall have thee still,
So thou canst safely sleep:
16.
Reprieved from that appalling fear,
As from thy long regret —
Be our last parting far or near,
We have not reached it yet.
17.
Thy head lies pillowed on my breast —
My cheek upon thy brow —
Dear love, good night! Thou art at rest
From Past and Future now.
~ Ada Cambridge,
1215:Invocation To The Social Muse
Señora, it is true the Greeks are dead.
It is true also that we here are Americans:
That we use the machines: that a sight of the god is unusual:
That more people have more thoughts: that there are
Progress and science and tractors and revolutions and
Marx and the wars more antiseptic and murderous
And music in every home: there is also Hoover.
Does the lady suggest we should write it out in The Word?
Does Madame recall our responsibilities? We are
Whores, Fräulein: poets, Fräulein, are persons of
Known vocation following troops: they must sleep with
Stragglers from either prince and of both views.
The rules permit them to further the business of neither.
It is also strictly forbidden to mix in maneuvers.
Those that infringe are inflated with praise on the plazas—
Their bones are resultantly afterwards found under newspapers.
Preferring life with the sons to death with the fathers,
We also doubt on the record whether the sons
Will still be shouting around with the same huzzas—
For we hope Lady to live to lie with the youngest.
There are only a handful of things a man likes,
Generation to generation, hungry or
Well fed: the earth’s one: life’s
One: Mister Morgan is not one.
There is nothing worse for our trade than to be in style.
He that goes naked goes further at last than another.
Wrap the bard in a flag or a school and they’ll jimmy his
Door down and be thick in his bed—for a month:
25
(Who recalls the address now of the Imagists?)
But the naked man has always his own nakedness.
People remember forever his live limbs.
They may drive him out of the camps but one will take him.
They may stop his tongue on his teeth with a rope’s argument—
He will lie in a house and be warm when they are shaking.
Besides, Tovarishch, how to embrace an army?
How to take to one’s chamber a million souls?
How to conceive in the name of a column of marchers?
The things of the poet are done to a man alone
As the things of love are done—or of death when he hears the
Step withdraw on the stair and the clock tick only.
Neither his class nor his kind nor his trade may come near him
There where he lies on his left arm and will die,
Nor his class nor his kind nor his trade when the blood is jeering
And his knee’s in the soft of the bed where his love lies.
I remind you, Barinya, the life of the poet is hard—
A hardy life with a boot as quick as a fiver:
Is it just to demand of us also to bear arms?
~ Archibald MacLeish,
1216:CHORUS OF SPIRITS:

FIRST SPIRIT:
Palace-roof of cloudless nights!
Paradise of golden lights!
Deep, immeasurable, vast,
Which art now, and which wert then
Of the Present and the Past,
Of the eternal Where and When,
Presence-chamber, temple, home,
Ever-canopying dome,
Of acts and ages yet to come!

Glorious shapes have life in thee,
Earth, and all earths company;
Living globes which ever throng
Thy deep chasms and wildernesses;
And green worlds that glide along;
And swift stars with flashing tresses;
And icy moons most cold and bright,
And mighty suns beyond the night,
Atoms of intensest light.

Even thy name is as a god,
Heaven! for thou art the abode
Of that Power which is the glass
Wherein man his nature sees.
Generations as they pass
Worship thee with bended knees.
Their unremaining gods and they
Like a river roll away:
Thou remainest suchalway!

SECOND SPIRIT:
Thou art but the minds first chamber,
Round which its young fancies clamber,
Like weak insects in a cave,
Lighted up by stalactites;
But the portal of the grave,
Where a world of new delights
Will make thy best glories seem
But a dim and noonday gleam
From the shadow of a dream!

THIRD SPIRIT:
Peace! the abyss is wreathed with scorn
At your presumption, atom-born!
What is Heaven? and what are ye
Who its brief expanse inherit?
What are suns and spheres which flee
With the instinct of that Spirit
Of which ye are but a part?
Drops which Natures mighty heart
Drives through thinnest veins! Depart!

What is Heaven? a globe of dew,
Filling in the morning new
Some eyed flower whose young leaves waken
On an unimagined world:
Constellated suns unshaken,
Orbits measureless, are furled
In that frail and fading sphere,
With ten millions gathered there,
To tremble, gleam, and disappear.

CANCELLED FRAGMENTS OF THE ODE TO HEAVEN.
[Published by Mr. C.D. Locock, Examination, etc., 1903.]

The [living frame which sustains my soul]
Is [sinking beneath the fierce control]
Down through the lampless deep of song
I am drawn and driven along

When a Nation screams aloud
Like an eagle from the cloud
When a...

...

When the night...

...

Watch the look askance and old
See neglect, and falsehood fold...
Published with Prometheus Unbound, 1820. Dated 'Florence, December, 1819' in Harvard manuscript (Woodberry). A transcript exists amongst the Shelley manuscripts at the Bodleian Library.
~ Percy Bysshe Shelley, Ode To Heaven
,
1217:There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient.
It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste.
Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.)
Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire."
The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand.
And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss.
Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off. ~ Karen Marie Moning,
1218:Grey
Is the morning dim and cloudy? Does the wind drift up the leaves?
Is there mist upon the mountains, where the sun shone yesterday?
Are the little song-birds silent? Is the sky all blurred and grey?
Does the rain fall, patter, patter, from the eaves?
Does your glass go down? And does your heart sink in the dreary lull?
Are the strings relax'd and limp, and do the soft notes whine and cry?
Has the damp got in and jarred the chords and spoil'd the melody?
Are you out of tune, belovèd? are you dull?
Has the chill wind found an entrance? Does it sigh and rustle there?
Is it drifting, not the dead leaves, but your dead hopes, all about?
Is it waking up your sorrow while your light is blotted out?
Does your heart seem sad and cold and full of care?
Are you listless and discouraged, dear? and does your life look grey?
Does there seem no use in trying? Does your work fall from your hand?
Would you give up the great riddle that's so hard to understand?
Oh, then, go you to your chamber straight, and pray.
Go and pray, and God will give you peace and comfort for your pain—
All the misty, dull confusion He will tenderly reform—
And the fire of His own Spirit, that shall make you dry and warm;
And your harp-strings shall be strung and tuned again.
Ay, the Lord will put the melody in your heart and soul anew;
So that, howsoe'er unskilled and rude the hands that touch the wires,
There shall come forth beautiful chords of faith and hope and high desires,
Only music that is deep and sweet and true.
Go and work,—the clouds will show the silver lining that's behind.
Go to squalid lanes and alleys, where grim want and sickness lurk;
Feed the hungry, soothe the suffering, tell the poor of Christ,—oh, work,
And you'll no more hear the rustling of the wind.
Then you'll no more hear the restless, hopeless sobbing over sin,
No more hear the earthly troubles crying, crying from the ground;
For the wings of guardian angels, they shall compass you around,
That the wind shall have no place to enter in.
109
Then, as wither'd leaves lie browning on the quiet grassy slopes,
As they sink in peaceful earth, and moulder with it as they die,
To help nurture precious seeds for coming summers— so shall lie,
Calm and still, your sorrowful memories and dead hopes.
O belovèd, work and wait! The sun will shine another day,
On a heart refresh'd, and strong, and green, and cool. The rain and gloom
Are to make the sap run quicker, give the flowers a deeper bloom—
We have need for both the golden and the grey.
~ Ada Cambridge,
1219:The Feast Of Stephen
The coltish horseplay of the locker room,
Moist with the steam of the tiled shower stalls,
With shameless blends of civet, musk and sweat,
Loud with the cap-gun snapping of wet towels
Under the steel-ribbed cages of bare bulbs,
In some such setting of thick basement pipes
And janitorial realities
Boys for the first time frankly eye each other,
Inspect each others’ bodies at close range,
And what they see is not so much another
As a strange, possible version of themselves,
And all the sparring dance, adrenal life,
Tense, jubilant nimbleness, is but a vague,
Busy, unfocused ballet of self-love.
II
If the heart has its reasons, perhaps the body
Has its own lumbering sort of carnal spirit,
Felt in the tingling bruises of collision,
And known to captains as esprit de corps.
What is this brisk fraternity of timing,
Pivot and lobbing arc, or indirection,
Mens sana in men’s sauna, in the flush
Of health and toilets, private and corporal glee,
These fleet caroms, plies and genuflections
Before the salmon-leap, the leaping fountain
All sheathed in glistening light, flexed and alert?
From the vast echo-chamber of the gym,
Among the stumbled shouts and shrill of whistles,
The bounced basketball sound of a leather whip.
III
42
Think of those barren places where men gather
To act in the terrible name of rectitude,
Of acned shame, punk’s pride, muscle or turf,
The bully’s thin superiority.
Think of the Sturm-Abteilungs Kommandant
Who loves Beethoven and collects Degas,
Or the blond boys in jeans whose narrowed eyes
Are focussed by some hard and smothered lust,
Who lounge in a studied mimicry of ease,
Flick their live butts into the standing weeds,
And comb their hair in the mirror of cracked windows
Of an abandoned warehouse where they keep
In darkened readiness for their occasion
The rope, the chains, handcuffs and gasoline.
IV
Out in the rippled heat of a neighbor’s field,
In the kilowatts of noon, they’ve got one cornered.
The bugs are jumping, and the burly youths
Strip to the waist for the hot work ahead.
They go to arm themselves at the dry-stone wall,
Having flung down their wet and salty garments
At the feet of a young man whose name is Saul.
He watches sharply these superbly tanned
Figures with a swimmer’s chest and shoulders,
A miler’s thighs, with their self-conscious grace,
And in between their sleek, converging bodies,
Brilliantly oiled and burnished by the sun,
He catches a brief glimpse of bloodied hair
And hears an unintelligible prayer.
~ Anthony Evan Hecht,
1220:Dendera's so-called Light Bulbs rather portray two buds sprouting against each other while enclosing the geometry of the Great Pyramid. In this vivid relief, the snakes (from the passed night) of the 4th and 5th hours in the Duat exit the shafts at sunrise and sunset towards the pyramid's virtual apex.

The settings of sunrise and sunset can be seen on the left and right buds respectively; on the left is a priest of Afu-Ra supporting the bud in the same direction of Afu-Ra's path while being on top of the seed whence it germinates, and on the right is the djed pillar (without Afu-Ra's priest) representing the support of the pyramid's structure itself. Both supports, however, do unequivocally depict the sacred location of the whole scenery being in the House of Ka which is (or part of) the House of Osiris (with his throne on top of the pyramid).

The oval shape of the so-called bulbs is yet another indication of the relevancy of the process of regeneration (which takes place in the womb of the pyramid) to the Duat itself; birth takes place at sunrise and gets cycled back at sunset. Another evidence is found in a papyrus where the rising Osiris-Res is in the same pyramidal posture. And according to Budge (who quotes Bergmann), the djed pillar was also called 'The House of Sekher', which I cannot help but interpret as Seker.

The elements on the left side are carried on top of a barque signaling Afu-Ra's slanted journey in the southern shaft, whereas the right bud is sprouting on top of a horizontal floor showing probably the King's Chamber horizontal displacement from the center of the pyramid.

Another relief shows one single bud combining both of the other buds together in one single scene; the scene of the sunrise. This relief is found right across the hall on the opposite wall. It depicts Afu-Ra's travel from the northern shaft by placing the djed pillar on the boat and in front of the priest.

Another subtle difference is seen on the djed pillar's ka in which it touches the snake instead of the oval womb. It hence emphasizes the events surmounting the 5th hour (instead of the 4th). The ka is plucking the snake-like scepter to enact the scene of the 6th hour when the souls rise on their scepters and get provided with knives. And surely enough, an odd creature stands right in front of the bud with two knives in his hands.

The presence of giants on these reliefs -who carry these buds- prove my assertion that the whole scene is taking place on a huge structure (i.e. pyramid), and the presence of two priests at the center facing each other (instead of giving their backs to one another) is a vivid representation of the Equinoxes; the time when the snakes creep into and out from the shafts. ~ Ibrahim Ibrahim,
1221:Le Revenant (The Ghost)
Comme les anges à l'oeil fauve,
Je reviendrai dans ton alcôve
Et vers toi glisserai sans bruit
Avec les ombres de la nuit;
Et je te donnerai, ma brune,
Des baisers froids comme la lune
Et des caresses de serpent
Autour d'une fosse rampant.
Quand viendra le matin livide,
Tu trouveras ma place vide,
Où jusqu'au soir il fera froid.
Comme d'autres par la tendresse,
Sur ta vie et sur ta jeunesse,
Moi, je veux régner par l'effroi.
The Ghost
Like angels with wild beast's eyes
I shall return to your bedroom
And silently glide toward you
With the shadows of the night;
And, dark beauty, I shall give you
Kisses cold as the moon
And the caresses of a snake
That crawls around a grave.
When the livid morning comes,
You'll find my place empty,
And it will be cold there till night.
I wish to hold sway over
Your life and youth by fear,
As others do by tenderness.
320
— Translated by William Aggeler
The Ghost
Like angels fierce and tawny-eyed,
Back to your chamber I will glide,
And noiselessly into your sight
Steal with the shadows of the night.
And I will bring you, brown delight,
Kisses as cold as lunar night
And the caresses of a snake
Revolving in a grave. At break
Of morning in its livid hue,
You'd find I had bequeathed to you
An empty place as cold as stone.
Others by tenderness and ruth
Would reign over your life and youth,
But I would rule by fear alone.
— Translated by Roy Campbell
The Revenant
Like angels with bright savage eyes
I will come treading phantom-wise
Hither where thou art wont to sleep,
Amid the shadows hollow and deep.
And I will give thee, my dark one,
Kisses as icy as the moon,
Caresses as of snakes that crawl
In circles round a cistern's wall.
When morning shows its livid face
There will be no-one in my place,
And a strange cold will settle here
321
Others, not knowing what thou art,
May think to reign upon thy heart
With tenderness; I trust to fear.
— Translated by George Dillon
The Ghost
Like angels that have monster eyes,
Over your bedside I shall rise,
Gliding towards you silently
Across night's black immensity.
O darksome beauty, you shall swoon
At kisses colder than the moon
And fondlings like a snake's who coils Sinuous round the grave he soils.
When livid morning breaks apace,
You shall find but an empty place,
Cold until night, and bleak, and drear:
As others do by tenderness,
So would I rule your youthfulness
By harsh immensities of fear.
— Translated by Jacques LeClercq
~ Charles Baudelaire,
1222:Among these latter busts we count by scores,
Half-emperors and quarter-emperors,
Each with his bay-leaf fillet, loose-thonged vest,
Loricand low-browed Gorgon on the breast,-
One loves a baby face, with violets there,
Violets instead of laurel in the hair,
As those were all the little locks could bear.

Now read here. ``Protus ends a period
``Of empery beginning with a god;
``Born in the porphyry chamber at Byzant,
``Queens by his cradle, proud and ministrant:
``And if he quickened breath there, 'twould like fire
``Pantingly through the dim vast realm transpire.
``A fame that he was missing spread afar:
``The world from its four corners, rose in war,
``Till he was borne out on a balcony
``To pacify the world when it should see.
``The captains ranged before him, one, his hand
``Made baby points at, gained the chief command.
``And day by day more beautiful he grew
``In shape, all said, in feature and in hue,
``While young Greek sculptors, gazing on the child,
``Because with old Greek sculptore reconciled.
``Already sages laboured to condense
``In easy tomes a life's experience:
``And artists took grave counsel to impart
``In one breath and one hand-sweep, all their art-
``To make his graces prompt as blossoming
``Of plentifully-watered palms in spring:
``Since well beseems it, whoso mounts the throne,
``For beauty, knowledge, strength, should stand alone,
``And mortals love the letters of his name.''

-Stop! Have you turned two pages? Still the same.
New reign, same date. The scribe goes on to say
How that same year, on such a month and day,
``John the Pannonian, groundedly believed
``A Blacksmith's ****, whose hard hand reprieved
``The Empire from its fate the year before,-
``Came, had a mind to take the crown, and wore
``The same for six years (during which the Huns
``Kept off their fingers from us), till his sons
``Put something in his liquor''-and so forth.
Then a new reign. Stay-``Take at its just worth''
(Subjoins an annotator) ``what I give
``As hearsay. Some think, John let Protus live
``And slip away. 'Tis said, he reached man's age
``At some blind northern court; made, first a page,
``Then tutor to the children; last, of use
``About the hunting-stables. I deduce
``He wrote the little tract `On worming dogs,'
``Whereof the name in sundry catalogues
``Is extant yet. A Protus of the race
``Is rumoured to have died a monk in Thrace,-
``And if the same, he reached senility.''

Here's John the Smith's rough-hammered head. Great eye,
Gross jaw and griped lips do what granite can
To give you the crown-grasper. What a man!


~ Robert Browning, Protus
,
1223:A Northern Vigil
HERE by the gray north sea,
In the wintry heart of the wild,
Comes the old dream of thee,
Guendolen, mistress and child.
The heart of the forest grieves
In the drift against my door;
A voice is under the eaves,
A footfall on the floor.
Threshold, mirror, and hall,
Vacant and strangely aware,
Wait for their soul's recall
With the dumb expectant air.
Here when the smouldering west
Burns down into the sea,
I take no heed of rest
And keep the watch for thee.
I sit by the fire and hear
The restless wind go by,
On the long dirge and drear,
Under the low bleak sky.
When day puts out to sea
And night makes in for land,
There is no lock for thee,
Each door awaits thy hand!
When night goes over the hill
And dawn comes down the dale,
It's O for the wild sweet will
That shall no more prevail!
When the zenith moon is round,
And snow-wraiths gather and run,
And there is set no bound
To love beneath the sun,
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O wayward will, come near
The old mad wilful way,
The soft mouth at my ear
With words too sweet to say!
Come, for the night is cold,
The ghostly moonlight fills
Hollow and rift and fold
Of the eerie Ardise hills!
The windows of my room
Are dark with bitter frost,
The stillness aches with doom
Of something loved and lost.
Outside, the great blue star
Burns in the ghostland pale,
Where giant Algebar
Holds on the endless trail.
Come, for the years are long
And silence keeps the door,
Where shapes with the shadows throng
The firelit chamber floor.
Come, for thy kiss was warm,
With the red embers' glare
Across thy folding arm
And dark tumultuous hair!
And though thy coming rouse
The sleep-cry of no bird,
The keepers of the house
Shall tremble at thy word.
Come, for the soul is free!
In all the vast dreamland
There is no lock for thee,
Each door awaits thy hand.
Ah, not in dreams at all,
19
Fleering, perishing, dim,
But thy old self, supple and tall,
Mistress and child of whim!
The proud imperious guise,
Impetuous and serene,
The sad mysterious eyes,
And dignity of mien!
Yea, wilt thou not return,
When the late hill-winds veer,
And the bright hill-flowers burn
With the reviving year?
When April comes, and the sea
Sparkles as if it smiled,
Will they restore to me
My dark Love, empress and child?
The curtains seem to part;
A sound is on the stair,
As if at the last . . . I start;
Only the wind is there.
Lo, now far on the hills
The crimson fumes uncurled,
Where the caldron mantles and spills
Another dawn on the world!
~ Bliss William Carman,
1224:Wall Street: I’d start carrying guns if I were you.      Your annual reports are worse fiction than the screenplay for Dude, Where’s My Car?, which you further inflate by downsizing and laying off the very people whose life savings you’re pillaging. How long do you think you can do that to people? There are consequences. Maybe not today. Or tomorrow. But inevitably. Just ask the Romanovs. They had a nice little setup, too, until that knock at the door.      Second, Congress: We’re on to your act.      In the middle of the meltdown, CSPAN showed you pacing the Capitol floor yapping about “under God” staying in the Pledge of Allegiance and attacking the producers of Sesame Street for introducing an HIV-positive Muppet. Then you passed some mealy-mouthed reforms and crowded to get inside the crop marks at the photo op like a frat-house phone-booth stunt.      News flash: We out here in the Heartland care infinitely more about God-and-Country issues because we have internal moral-guidance systems that make you guys look like a squadron of gooney birds landing facedown on an icecap and tumbling ass over kettle. But unlike you, we have to earn a living and can’t just chuck our job responsibilities to march around the office ranting all day that the less-righteous offend us. Jeez, you’re like autistic schoolchildren who keep getting up from your desks and wandering to the window to see if there’s a new demagoguery jungle gym out on the playground. So sit back down, face forward and pay attention!      In summary, what’s the answer?      The reforms laws were so toothless they were like me saying that I passed some laws, and the president and vice president have forgotten more about insider trading than Martha Stewart will ever know.      Yet the powers that be say they’re doing everything they can. But they’re conveniently forgetting a little constitutional sitcom from the nineties that showed us what the government can really do when it wants to go Starr Chamber. That’s with two rs.      Does it make any sense to pursue Wall Street miscreants any less vigorously than Ken Starr sniffed down Clinton’s sex life? And remember, a sitting president actually got impeached over that—something incredibly icky but in the end free of charge to taxpayers, except for the $40 million the independent posse spent dragging citizens into motel rooms and staring at jism through magnifying glasses. But where’s that kind of government excess now? Where’s a coffee-cranked little prosecutor when you really need him?      I say, bring back the independent counsel. And when we finally nail you stock-market cheats, it’s off to a real prison, not the rich guys’ jail. Then, in a few years, when the first of you start walking back out the gates with that new look in your eyes, the rest of the herd will get the message pretty fast. ~ Tim Dorsey,
1225:A Florilegium
All the seasons of the year,
I have flowers for you, dear.
When the ploughland's flecked with snow,
And the blue-eyed scyllas blow,
Gazing, through the wintry gale,
Like your eyes when you are pale;
When in many a cloistered walk
Droop upon their modest stalk
Vestal snowdrops, one by one,
White as is a wimpled nun;
When, as sleet away doth slip,
And the thawing gables drip,
The precocious crocus peers,Childlike, sunshine half, half tears,And from out the snug warm leaves
Silent housewife Winter weaves,
Scarlet windflowers, wide unfurled,
Dazzle an awakened world;
These and more to you I bring,
Bold outriders of the Spring.
II
When along the Northern skies
Routed Winter shrieks and flies,
And again the mavis shrills,
Come the dauntless daffodils,
Laughing, as they sway and swing,
At rude March's blustering.
These I gather, and with these
Rosy-white anemones,
Like the coral-shells you wear
Sometimes in your hazel hair;
Primroses loved none the less
For their wilding lavishness;
Honeysuckle, like to you,
To what's near it clinging true;
Violets, surprised in shade,
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By their own sweet breath betrayed;
Lagging hawthorn prized the more
That it long was waited for;
These unto your bower I bring,
Gifts of Summer lent to Spring.
III
Which are loveliest, lilies dight
In their stateliness of white,
Safe against a touch too rude
By their cold proud maidenhood,
Or the unreservëd rose,
Careless where it gads or goes,
So it be allowed to cling,
Rioting and revelling?
Rose and lily both I cull,
Iris scarce less beautiful,
Mignonette more sweet than myrrh,
Homely-smelling lavender,
Pinks and pansies, golden whin,
Constellated jessamine,
Bunches of the maiden's-bower,
Tufts of gaudy gillyflower,
Sprays of softening maidenhair;
With my posy mount your stair
To the chamber where you sit,
Tenderly awaiting it.
IV
Then, when gorgeous Summer wanes,
Autumn woods and Winter lanes
Do I haunt, that I may dress
With their lingering loveliness
Nook and ingle where you be
Busy with your housewifery:
Ripened reedmace' barren sheaves,
Hardy hornbeam's russet leaves,
Jewels from the spindle-tree,
Coral-fruited briony,
Crimson haws and purple sloes,
52
Rubies that were once the rose,
Holly-berries warm in snow,
Amber-beaded misletoe,
Everything the waning year
Spares, that I may bring you, dear.
But should frost and rifling wind
Leave not even these behind,
And from out the leafless blast
I must come to you at last
Empty-handed, you would be
More than all the flowers to me.
~ Alfred Austin,
1226:His bath chamber across the main room was all that remained, so I backtracked and entered it. The extravagance to which I was accustomed within the Hytanican palace did not range so far as to include the depth and size of his bath, nor the unusual mosaic tiles set into the floor. But what struck me the most were the shelves filled with ointments and bandages, and the long table against the wall that was similar to what one would find in a physician’s examination room. He had in many ways grown up a prince, but this chamber was more telling of his past than all the finery in his wardrobe.
When I returned to the parlor, I felt strangely cold. Narian had once more taken up his place on the sofa, and I went to sit at his feet, wanting to be closer to the fire. He swung around and put one leg on each side of me, then started to massage my back. After a few minutes, he slipped down behind me to wrap his arms around my waist, and I leaned against him. He was warm and safe and all that I wanted. At times I felt that there was no world outside of him, and it was the best feeling I ever had. This was one of those times.
“Were you ever happy here?” I softly inquired.
“Yes,” he answered after a moment of thought. “I was--here in the temple.”
Though I had not handled seeing Miranna’s room very well, I again had a surge of curiosity about the Overlord’s Hall, which Narian had subtly referenced. But I did not ask him to take me there--seeing it would not help me, and it would not help him. He needed to forget that place.
“Then tell me something about your childhood. Something pleasant.”
I closed my eyes, feeling the vibration of his chest as he began to speak.
“I remember when that mural on my wall was painted. I was perhaps six or seven. The High Priestess commissioned an artist, and gave her freedom to paint something colorful and unique, something that would amuse me. I was permitted to watch, but at that age…”
“Watching wasn’t enough,” I guessed, and he laughed.
“The artist was on a ladder, and she had her palette with her, but she’d left the majority of her paints on the floor. I was into them before she could say a word, and I spread paint everywhere. In my hair, on my clothes, the floors, the wall where she was trying to create her masterpiece, everywhere.” He was reminiscing now instead of just telling me a story, seeing it unfold in his mind. “I’d forgotten, honestly forgotten, that I’d been told not to touch the paints. Nan was furious--we were supposed to go to a banquet that night and I’d--”
“Nan?” I asked, and he tensed for a moment.
“That’s what I used to call the High Priestess, when I was young.”
Smiling at the idea, I nestled against him and said, “Go on.”
He continued the story, and I listened contentedly, eventually falling asleep in his embrace. ~ Cayla Kluver,
1227:The Little Handmaiden
The King's son walks in the garden fairOh, the maiden's heart is merry!
He little knows for his toil and care,
That the bride is gone and the bower is bare.
Put on garments of white, my maidens!
The sun shines bright through the casement highOh, the maiden's heart is merry!
The little handmaid, with a laughing eye,
Looks down on the king's son, strolling by.
Put on garments of white, my maidens!
'He little knows that the bride is gone,
And the Earl knows little as he;
She is fled with her lover afar last night
And the King's son is left to me.'
And back to her chamber with velvety step
The little handmaid did glide,
And a gold key took from her bosom sweet,
And opened the great chests wide.
She bound her hair with a band of blue,
And a garland of lilies sweet;
And put on her delicate silken shoes,
With roses at her feet.
She clad her body in spotless white,
With a girdle as red as blood.
The glad white raiment her beauty bound,
As the sepels blind the bud.
And round and round her white neck she flung
A necklace of sapphires blue;
On one white finger of either hand
A shining ring she drew.
And down the stairway and out of the door
She glided, as soft and light,
188
As an airy tuft of a thistle seed
Might glide through the grasses bright.
And into the garden sweet she stoleThe little birds carolled loudHer beauty shone as a star might shine
In the rift of the morning cloud.
The King's son walked in the garden fair,
And the little handmaiden came,
Through the midst of a shimmer of roses red,
Like a sunbeam through a flame.
The King's son marvelled, his heart leaped up,
'And art thou my bride?' said he,
'For, North or South, I have never beheld
A lovelier maid than thee.'
'And dost thou love me?' the little maid cried,
'A fine King's son, I wis!'
And the king's son took her with both his hands,
And her ruddy lips did kiss.
And the little maid laughed till the beaded tears,
Ran down in a silver rain.
'O foolish King's son!' and she clapped her hands,
Till the gold rings rang again.
'O King's son, foolish and fooled art thou,
For a goodly game is played:
Thy bride is away with her lover last night,
And I am her little handmaid.'
And the King's son sware a great oath, said heOh, the maiden's heart is merry!
'If the Earl's fair daughter a traitress be,
The little handmaid is enough for me.'
Put on garments of white, my maidens!
The King's son walks in the garden fairOh, the maiden's heart is merry!
And the little handmaiden walketh there,
189
But the old Earl pulleth his beard for care.
Put on garments of white, my maidens!
~ Archibald Lampman,
1228:The next time you drive into a Walmart parking lot, pause for a second to note that this Walmart—like the more than five thousand other Walmarts across the country—costs taxpayers about $1 million in direct subsidies to the employees who don’t earn enough money to pay for an apartment, buy food, or get even the most basic health care for their children. In total, Walmart benefits from more than $7 billion in subsidies each year from taxpayers like you. Those “low, low prices” are made possible by low, low wages—and by the taxes you pay to keep those workers alive on their low, low pay. As I said earlier, I don’t think that anyone who works full-time should live in poverty. I also don’t think that bazillion-dollar companies like Walmart ought to funnel profits to shareholders while paying such low wages that taxpayers must pick up the ticket for their employees’ food, shelter, and medical care. I listen to right-wing loudmouths sound off about what an outrage welfare is and I think, “Yeah, it stinks that Walmart has been sucking up so much government assistance for so long.” But somehow I suspect that these guys aren’t talking about Walmart the Welfare Queen. Walmart isn’t alone. Every year, employers like retailers and fast-food outlets pay wages that are so low that the rest of America ponies up a collective $153 billion to subsidize their workers. That’s $153 billion every year. Anyone want to guess what we could do with that mountain of money? We could make every public college tuition-free and pay for preschool for every child—and still have tens of billions left over. We could almost double the amount we spend on services for veterans, such as disability, long-term care, and ending homelessness. We could double all federal research and development—everything: medical, scientific, engineering, climate science, behavioral health, chemistry, brain mapping, drug addiction, even defense research. Or we could more than double federal spending on transportation and water infrastructure—roads, bridges, airports, mass transit, dams and levees, water treatment plants, safe new water pipes. Yeah, the point I’m making is blindingly obvious. America could do a lot with the money taxpayers spend to keep afloat people who are working full-time but whose employers don’t pay a living wage. Of course, giant corporations know they have a sweet deal—and they plan to keep it, thank you very much. They have deployed armies of lobbyists and lawyers to fight off any efforts to give workers a chance to organize or fight for a higher wage. Giant corporations have used their mouthpiece, the national Chamber of Commerce, to oppose any increase in the minimum wage, calling it a “distraction” and a “cynical effort” to increase union membership. Lobbyists grow rich making sure that people like Gina don’t get paid more. The ~ Elizabeth Warren,
1229:Tonight, with the umite candle burning low, she turned to her favorite entry in the journal and read Patton’s familiar handwriting: Having returned scant hours ago from a singular adventure, I now find myself unable to suppress the urge to impart my thoughts. I have seldom considered whom I intend to read the covert information compiled in this record. Upon the occasions when I have paid heed to the matter, I have vaguely concluded that I was jotting these notations for myself. But I am now aware that these words will reach an audience, and that her name is Kendra Sorenson. Kendra, I find this realization both thrilling and foreboding. You face challenging times. Some of the knowledge I possess could aid you. Regrettably, much of that same knowledge could usher you into unspeakable danger. I keep staging vigorous internal debates in the attempt to discern what information will grant you an advantage over your enemies and what information might further imperil your situation. Much of what I know has the potential to cause more harm than good. Your enemies among the Society of the Evening Star will balk at nothing to obtain the five artifacts that together can open Zzyzx, the great demon prison. At the time I left you, to our knowledge, they had acquired only one artifact, while your able grandfather retained another. I have information about two of the artifacts that you lack, and could probably acquire more knowledge with some effort. And yet I hesitate to share. If you or others try to pursue or guard the artifacts, you might inadvertently lead our enemies to them. Or you could be harmed in the attempt to retrieve them. Conversely, if the Sphinx is in avid pursuit of the artifacts, I am inclined to believe that he will eventually succeed. Under certain circumstances, it would benefit our cause for you to have my knowledge in order to keep the artifacts out of his grasp. Therefore, Kendra, I have elected to rely on your judgment. I will not include the specifics in this journal, for who could resist such temptingly convenient access, regardless of that person’s integrity? But in the hidden chamber beyond the Hall of Dread I will disguise further details regarding the hiding places of two of the artifacts. Unearth that information only if you find it becomes absolutely necessary. Otherwise, do not even mention that such knowledge exists. Use discretion and patience and courage. My hope is that the information will lie dormant for your whole lifetime. If not, information about the location of the hidden chamber awaits elsewhere in this journal. Go to the chamber and use a mirror to find the message on the ceiling. Kendra, I wish I could be there to help you. Your loved ones are strong and capable. Put your trust where it belongs and make smart decisions. Keep that brother of yours in line. I am grateful to have such an exemplary niece. Drumming ~ Brandon Mull,
1230:Fasting
'Tis morning now, yet silently I stand,
Uplift the curtain with a weary hand,
Look out while darkness overspreads the way,
And long for day.
Calm peace is frighted with my mood to-night,
Nor visits my dull chamber with her light,
To guide my senses into her sweet rest
And leave me blest.
Long hours since the city rocked and sung
Itself to slumber: only the stars swung
Aloft their torches in the midnight skies
With watchful eyes.
No sound awakes; I, even, breathe no sigh,
Nor hear a single footstep passing by;
Yet I am not alone, for now I feel
A presence steal
Within my chamber walls; I turn to see
The sweetest guest that courts humanity;
With subtle, slow enchantment draws she near,
And Sleep is here.
What care I for the olive branch of Peace?
Kind Sleep will bring a thrice-distilled release,
Nepenthes, that alone her mystic hand
Can understand.
And so she bends, this welcome sorceress,
To crown my fasting with her light caress.
Ah, sure my pain will vanish at the bliss
Of her warm kiss.
But still my duty lies in self-denial;
I must refuse sweet Sleep, although the trial
Will reawaken all my depth of pain.
So once again
39
I lift the curtain with a weary hand,
With more than sorrow, silently I stand,
Look out while darkness overspreads the way,
And long for day.
"Go, Sleep," I say, "before the darkness die,
To one who needs you even more than I,
For I can bear my part alone, but he
Has need of thee.
"His poor tired eyes in vain have sought relief,
His heart more tired still, with all its grief;
His pain is deep, while mine is vague and dim,
Go thou to him.
"When thou hast fanned him with thy drowsy wings,
And laid thy lips upon the pulsing strings
That in his soul with fret and fever burn,
To me return."
She goes. The air within the quiet street
Reverberates to the passing of her feet;
I watch her take her passage through the gloom
To your dear home.
Beloved, would you knew how sweet to me
Is this denial, and how fervently
I pray that Sleep may lift you to her breast,
And give you rest-A privilege that she alone can claim.
Would that my heart could comfort you the same,
But in the censer Sleep is swinging high,
All sorrows die.
She comes not back, yet all my miseries
Wane at the thought of your calm sleeping eyes-Wane, as I hear the early matin bell
The dawn foretell.
And so, dear heart, still silently I stand,
40
Uplift the curtain with a weary hand,
The long, long night has bitter been and lone,
But now 'tis gone.
Dawn lights her candles in the East once more,
And darkness flees her chariot before;
The Lenten morning breaks with holy ray,
And it is day!
~ Emily Pauline Johnson,
1231:FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible. ~ Don Winslow,
1232:The Speech
The long laments I spent for ruin'd Troy,
Are dried; and now mine eyes run teares of joy.
No more shall men suppose Electra dead,
Though from the consort of her sisters fled
Unto the Artick circle, here to grace,
And gild this day with her serenest face:
And see, my daughter Iris hastes to throw
Her roseat wings in compasse of a bow,
About our State, as signe of my approach:
Attracting to her seate from Mithras coach,
A thousand different, and particular hiewes,
Which she throughout her body doth diffuse.
The Sun, as loth to part from this halfe Spheare,
Stands still; and Phoebe labors to appeare
In all as bright (if not as rich) as he:
And, for a note of more serenity,
My six faire sisters hither shift their lights;
To do this hower the utmost of her rites.
Where lest the captious, or prophane might doubt,
How these cleare heavenly bodies come about
All to be seen at once; yet neithers light
Eclips'd, or shadow'd by the others sight:
Let ignorance know, great King, this day is thine,
And doth admit no night; but all do shine
As well nocturnall, as diurnall fires,
To adde unto the flame of our desires.
Which are (now thou hast closd up Janus gates,
And giv'n so generall peace to all Estates)
That no offensive mist, or cloudy staine
May mixe with splendor of thy golden raigne;
But, as th'ast free'd thy Chamber, from the noyse
Of war and tumult; thou wilt powre those joyes
Upon this place, which claimes to be the seate
Of all the kingly race: the cabinet
To all thy counsels; and the judging chaire
To this thy speciall Kingdome. Who so faire
And wholsome laws, in every Court, shall strive
By Æquity, and their first innocence to thrive;
The base and guilty bribes of guiltier men
115
Shall be thrown back, and Justice look, as when
She lov'd the earth, and fear'd not to be sold
For that, which worketh all things to it, gold.
The Dam of other evils, avarice
Shall here locke down her jaws, and that rude vice
Of ignorant, and pittied greatnesse, pride,
Decline with shame; ambition now shall hide
Her face in dust, as dedicate to sleep,
That in great portals wont her watch to keep.
All ils shall fly the light: Thy Court be free
No lesse from envy, than from flattery;
All tumult, faction, and harsh discord cease,
That might perturbe the musick of thy peace:
The querulous nature shall no longer finde
Room for his thoughts: One pure consent of minde
Shall flow in every brest, and not the ayre,
Sun, Moon, or Stars shine more serenely faire.
This from that loud, blest Oracle, I sing,
Who here, and first, pronounc'd thee Brittaines King.
Long maist thou live, and see me thus appeare,
As ominous a Comet, from my Spheare,
Unto thy raigne; as that did auspicate
So lasting glory to Augustus State.
~ Ben Jonson,
1233:longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible ~ Charles Dickens,
1234:Hullo,” he said sleepily, rubbing a hand along his jaw.
He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room-
I came to life. “Get out!”
He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face.
“But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.”
Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close.
I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up…
Armand shifted a bit, rearranging the pillows behind his shoulders.
I wet my lips. “If this is about the kiss-“
“No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“
“You can’t be in here!”
“And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.”
Dark power. Compel him to leave.
I was desperate enough to try.
“You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.”
Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor.
“That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?”
Blast. I tipped my head back against the wood of the door and clenched my teeth.
“Do you have any idea the trouble I’ll be in if they should find you here? What people will think?”
“Oh, yes. It rather gives me the advantage, doesn’t it?”
“Mrs. Westcliffe will expel me!”
“Nonsense.” He smiled. “All right, probably she will.”
“Just tell me that you want, then!”
His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh.
“All I want,” he said quietly, “is to talk.
“Then pay a call on me later this afternoon,” I hissed.
“No.”
“What, you don’t have the time to tear yourself away from your precious Chloe?”
I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither.
Reasonably certain. ~ Shana Abe,
1235:The Eagle, The Sow, And The Cat
THE Queen of Birds, t'encrease the Regal Stock,
Had hatch'd her young Ones in a stately Oak,
Whose Middle-part was by a Cat possest,
And near the Root with Litter warmly drest,
A teeming Sow had made her peaceful Nest.
(Thus Palaces are cramm'd from Roof to Ground,
And Animals, as various, in them found.)
When to the Sow, who no Misfortune fear'd,
Puss with her fawning Compliments appear'd,
Rejoicing much at her Deliv'ry past,
And that she 'scap'd so well, who bred so fast.
Then every little Piglin she commends,
And likens them to all their swinish Friends;
Bestows good Wishes, but with Sighs implies,
That some dark Fears do in her Bosom rise.
Such Tempting Flesh, she cries, will Eagles spare?
Methinks, good Neighbour, you should live in Care:
Since I, who bring not forth such dainty Bits,
Tremble for my unpalatable Chits;
And had I but foreseen, the Eagle's Bed
Was in this fatal Tree to have been spread;
I sooner wou'd have kitten'd in the Road,
Than made this Place of Danger my abode.
I heard her young Ones lately cry for Pig,
And pity'd you, that were so near, and big.
In Friendship this I secretly reveal,
Lest Pettitoes shou'd make th' ensuing Meal;
Or else, perhaps, Yourself may be their aim,
For a Sow's Paps has been a Dish of Fame.
No more the sad, affrighted Mother hears,
But overturning all with boist'rous Fears,
She from her helpless Young in haste departs,
Whilst Puss ascends, to practice farther Arts.
The Anti-chamber pass'd, she scratch'd the Door;
The Eagle, ne'er alarum'd so before,
Bids her come in, and look the Cause be great,
That makes her thus disturb the Royal Seat;
Nor think, of Mice and Rats some pest'ring Tale
Shall, in excuse of Insolence, prevail.
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Alas! my Gracious Lady, quoth the Cat,
I think not of such Vermin; Mouse, or Rat
To me are tasteless grown; nor dare I stir
To use my Phangs, or to expose my Fur.
A Foe intestine threatens all around,
And ev'n this lofty Structure will confound;
A Pestilential Sow, a meazel'd Pork
On the Foundation has been long at work,
Help'd by a Rabble, issu'd from her Womb,
Which she has foster'd in that lower Room;
Who now for Acorns are so madly bent,
That soon this Tree must fall, for their Content.
I wou'd have fetch'd some for th' unruly Elves;
But 'tis the Mob's delight to help Themselves:
Whilst your high Brood must with the meanest drop,
And steeper be their Fall, as next the Top;
Unless you soon to Jupiter repair,
And let him know, the Case demands his Care.
Oh! May the Trunk but stand, 'till you come back!
But hark! already sure, I hear it crack.
Away, away---The Eagle, all agast,
Soars to the Sky, nor falters in her haste:
Whilst crafty Puss, now o'er the Eyry reigns,
Replenishing her Maw with treach'rous Gains.
The Sow she plunders next, and lives alone;
The Pigs, the Eaglets, and the House her own.
Curs'd Sycophants! How wretched is the Fate
Of those, who know you not, till 'tis too late!
~ Anne Kingsmill Finch,
1236:She didn’t worry that she was boring him, as Old Jane would’ve done. It didn’t matter, she reminded herself. He was paid to listen to her and make her feel like the most interesting person in the world, and so, by George, she would be.
His lips pressed into a small smile that stayed. A very small smile. Sometimes almost imaginary. Jane wished that it might be bigger, that it might beam at her, but she supposed that wasn’t the Nobley way. Then when she’d decided that his smile was a figment, Mr. Nobley said--or whispered, rather--
“Let’s go look at your paintings.”
What a delight, this man. How he kept surprising her, tossing aside his uptight propriety for her sake, murmuring plans for meeting in secret, fibbing to the others that he would withdraw early, then waiting upstairs for her to do the same. With a thrill to look around for watchers and scramble into her chamber, shutting the door behind them.
Jane stood with her back to the door, her hands still on the knob, breathing hard and trying to laugh quietly. He was leaning against the wall, smiling. The moment was giddily awkward as she waited to see what he had in mind, if he would suddenly shed Mr. Nobley and become some other man entirely. If he would break any other rules. The wait was agonizing. She realized she didn’t know what she wanted him to do.
“I would love to see those paintings,” he said, his voice still proper.
“Of course,” she said. Of course he was still Mr. Nobley, of course the man, the actor, was not falling in love with her. And a relief it was, too, as she realized she wasn’t ready to let go of Pembrook Park yet. Somehow she had to be by the day after tomorrow.
She presented the first painting, and he held it at arm’s length for some time before saying, “This is you,” though the portrayal was not photo-realistic.
“I couldn’t quite get the eyes,” she said.
“You got them just right.” He didn’t look away from the painting when he said, “They are beautiful.”
Jane didn’t know whether to thank him or clear her throat, so she did neither and instead handed him the second painting or her window and the tree.
“Ah,” was all he said for some time. He glanced back and forth between both paintings. “I like this second one best. Beside it, the portrait looks stiff, as though you were too cautious, measuring everything, taking away the spontaneity. The fearlessness of this window scene is a better style for you. I think, Miss Erstwhile, that you do very well when you loosen up and let the color fly.”
He was right, and it felt good to admit it. Her next painting would be better.
“I should let you retire.” He held the self-portrait a minute longer, gazing at it as she had sometimes felt him look at her--unblinking, curious, even urgent.
She peeped through the keyhole to make sure no one was in the corridor before opening the door and letting him slip out. After a moment, she peered again and could see nothing, then Mr. Nobley’s face dropped into view. He was crouching outside her door, looking back.
“Miss Erstwhile?” he whispered.
“Yes, Mr. Nobley?”
“Tomorrow evening, will you reserve for me the first two dances?”
“Yes, Mr. Nobley.” She could hear how her voice was full of smile. ~ Shannon Hale,
1237:Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore. ~ Edgar Allan Poe,
1238:Elizabeth glanced up as Ian handed her a glass of champagne. “Thank you,” she said, smiling up at him and gesturing to Duncan, the duke, and Jake, who were now convulsed with loud hilarity. “They certainly seem to be enjoying themselves,” she remarked. Ian absently glanced the group of laughing men, then back at her. “You’re breathtaking when you smile.”
Elizabeth heard the huskiness in his voice and saw the almost slumberous look in his eyes, and she was wondering about its cause when he said softly, “Shall we retire?”
That suggestion caused Elizabeth to assume his expression must be due to weariness. She, herself, was more than ready to seek the peace of her own chamber, but since she’d never been to a wedding reception before, she assumed that the protocol must be the same as at any other gala affair-which meant the host and hostess could not withdraw until the last of the guests had either left or retired. Tonight, every one of the guest chambers would be in use, and tomorrow a large wedding breakfast was planned, followed by a hunt. “I’m not sleepy-just a little fatigued from so much smiling,” she told him, pausing to bestow another smile on a guest who caught her eye and waved. Turning her face up to Ian, she offered graciously, “It’s been a long day. If you wish to retire, I’m sure everyone will understand.”
“I’m sure they will,” he said dryly, and Elizabeth noted with puzzlement that his eyes were suddenly gleaming.
“I’ll stay down here and stand in for you,” she volunteered.
The gleam in his eyes brightened yet more. “You don’t think that my retiring alone will look a little odd?”
Elizabeth knew it might seem impolite, if not precisely odd, but then inspiration struck, and she said reassuringly, “Leave everything to me. I’ll make your excuses if anyone asks.”
His lips twitched. “Just out of curiosity-what excuse will you make for me?”
“I’ll say you’re not feeling well. It can’t be anything too dire though, or we’ll be caught out in the fib when you appear looking fit for breakfast and the hunt in the morning.” She hesitated, thinking, and then said decisively, “I’ll say you have the headache.”
His eyes widened with laughter. “It’s kind of you to volunteer to dissemble for me, my lady, but that particular untruth would have me on the dueling field for the next month, trying to defend against the aspersions it would cause to be cast upon my…ah…manly character.”
“Why? Don’t gentlemen get headaches?”
“Not,” he said with a roguish grin, “on their wedding night.”
“I can’t see why.”
“Can you not?”
“No. And,” she added with an irate whisper, “I don’t see why everyone is staying down here this late. I’ve never been to a wedding reception, but it does seem as if they ought to be beginning to seek their beds.”
“Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.”
“Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?”
“Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery. ~ Judith McNaught,
1239:The Vision Of The Holy Grail
_Deere Chryste, let not the cheere of earth,
To fill our hearts with heedless mirth
This holy Christmasse time;
But give us of thy heavenly cheere
That we may hold thy love most deere
And know thy peace sublime._
*****
Full merry waxed King Pelles court
With Yuletide cheere and Yuletide sport,
And, when the board was spread,
Now wit ye well 'twas good to see
So fair and brave a companie
With Pelles at the head.
'Come hence, Elaine,' King Pelles cried,
'Come hence and sit ye by my side,
For never yet, I trow,
Have gentle virtues like to thine
Been proved by sword nor pledged in wine,
Nor shall be nevermo!'
'Sweete sir, my father,' quoth Elaine,
'Me it repents to give thee pain-Yet, tarry I may not;
For I shall soond and I shall die
If I behold this companie
And see not Launcelot!
'My heart shall have no love but this-My lips shall know no other kiss,
Save only, father, thine;
So graunt me leave to seek my bower,
The lonely chamber in the toure,
Where sleeps his child and mine.'
Then frowned the King in sore despite;
'A murrain seize that traitrous knight,
386
For that he lies!' he cried-'A base, unchristian paynim he,
Else, by my beard, he would not be
A recreant to his bride!
'Oh, I had liefer yield my life
Than see thee the deserted wife
Of dastard Launcelot!
Yet, an' thou hast no mind to stay,
Go with thy damosels away-Lo, I'll detain ye not.'
Her damosels in goodly train
Back to her chamber led Elaine,
And when her eyes were cast
Upon her babe, her tears did flow
And she did wail and weep as though
Her heart had like to brast.
The while she grieved the Yuletide sport
Waxed lustier in King Pelles' court,
And louder, houre by houre,
The echoes of the rout were borne
To where the lady, all forlorn,
Made moning in the toure,
'Swete Chryste,' she cried, 'ne let me hear
Their ribald sounds of Yuletide cheere
That mock at mine and me;
Graunt that my sore affliction cease
And give me of the heavenly peace
That comes with thoughts of thee!'
Lo, as she spake, a wondrous light
Made all that lonely chamber bright,
And o'er the infant's bed
A spirit hand, as samite pail,
Held sodaine foorth the Holy Grail
Above the infant's head.
And from the sacred golden cup
A subtle incense floated up
387
And filled the conscious air,
Which, when she breather, the fair Elaine
Forgot her grief, forgot her pain.
Forgot her sore despair.
And as the Grail's mysterious balm
Wrought in her heart a wondrous calm,
Great mervail 'twas to see
The sleeping child stretch one hand up
As if in dreams he held the cup
Which none mought win but he.
Through all the night King Pelles' court
Made mighty cheer and goodly sport.
Nor never recked the joy
That was vouchsafed that Christmass tide
To Launcelot's deserted bride
And to her sleeping boy.
_Swete Chryste, let not the cheere of earth
To fill our hearts with heedless mirth
This present Christmasse night;
But send among us to and fro
Thy Holy Grail, that men may know
The joy withe wisdom dight._
~ Eugene Field,
1240:The House Of Clouds
I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud--I build it bright to see,--I build it on the moonlit cloud,
To which I looked with thee.
Cloud-walls of the morning's grey,
Faced with amber column,--Crowned with crimson cupola
From a sunset solemn!
May mists, for the casements, fetch,
Pale and glimmering;
With a sunbeam hid in each,
And a smell of spring.
Build the entrance high and proud,
Darkening and then brightening,--If a riven thunder-cloud,
Veined by the lightning.
Use one with an iris-stain,
For the door within;
Turning to a sound like rain,
As I enter in.
Build a spacious hall thereby:
Boldly, never fearing.
Use the blue place of the sky,
Which the wind is clearing;
Branched with corridors sublime,
Flecked with winding stairs--Such as children wish to climb,
Following their own prayers.
In the mutest of the house,
I will have my chamber:
Silence at the door shall use
231
Evening's light of amber,
Solemnising every mood,
Softemng in degree,--Turning sadness into good,
As I turn the key.
Be my chamber tapestried
With the showers of summer,
Close, but soundless,---glorified
When the sunbeams come here;
Wandering harpers, harping on
Waters stringed for such,--Drawing colours, for a tune,
With a vibrant touch.
Bring a shadow green and still
From the chestnut forest,
Bring a purple from the hill,
When the heat is sorest;
Spread them out from wall to wall,
Carpet-wove around,--Whereupon the foot shall fall
In light instead of sound.
Bring the fantasque cloudlets home
From the noontide zenith
Ranged, for sculptures, round the room,--Named as Fancy weeneth:
Some be Junos, without eyes;
Naiads, without sources
Some be birds of paradise,--Some, Olympian horses.
Bring the dews the birds shake off,
Waking in the hedges,--Those too, perfumed for a proof,
From the lilies' edges:
From our England's field and moor,
Bring them calm and white in;
Whence to form a mirror pure,
For Love's self-delighting.
232
Bring a grey cloud from the east,
Where the lark is singing;
Something of the song at least,
Unlost in the bringing:
That shall be a morning chair,
Poet-dream may sit in,
When it leans out on the air,
Unrhymed and unwritten.
Bring the red cloud from the sun
While he sinketh, catch it.
That shall be a couch,---with one
Sidelong star to watch it,--Fit for poet's finest Thought,
At the curfew-sounding,--- ;
Things unseen being nearer brought
Than the seen, around him.
Poet's thought,----not poet's sigh!
'Las, they come together!
Cloudy walls divide and fly,
As in April weather!
Cupola and column proud,
Structure bright to see--Gone---except that moonlit cloud,
To which I looked with thee!
Let them! Wipe such visionings
From the Fancy's cartel--Love secures some fairer things
Dowered with his immortal.
The sun may darken,---heaven be bowed--But still, unchanged shall be,--Here in my soul,---that moonlit cloud,
To which I looked with THEE!

~ Elizabeth Barrett Browning,
1241:Ladies that have intelligence in love
Ladies that have intelligence in love,
Of mine own lady I would speak with you;
Not that I hope to count her praises through,
But telling what I may, to ease my mind.
And I declare that when I speak thereof,
Love sheds such perfect sweetness over me
That if my courage failed not, certainly
To him my listeners must be all resign'd
Wherefore I will not speak in such large kind
That mine own speech should foil me, which were base;
But only will discourse of her high grace
In these poor words, the best that I can find,
With you alone, dear dames and damozels:
'Twere ill to speak thereof with any else.
An angel, of his blessed knowledge, saith
To God: 'Lord, in the world that Thou hast made,
A miracle in action is display'd,
By reason of a soul whose splendors fare
Even hither: and since Heaven requireth
Nought saving her, for her it prayeth Thee,
Thy Saints crying aloud continually.'
Yet Pity still defends our earthly share
In that sweet soul; God answering thus the prayer:
'My well-belovèd, suffer that in peace
Your hope remain, while so My pleasure is,
There where one dwells who dreads the loss of her:
And who in Hell unto the doomed shall say,
'I have looked on that for which God's chosen pray.' '
My lady is desired in the high Heaven:
Wherefore, it now behoveth me to tell,
Saying: Let any maid that would be well
Esteemed keep with her: for as she goes by,
Into foul hearts a deathly chill is driven
By Love, that makes ill thought to perish there:
While any who endures to gaze on her
Must either be ennobled, or else die.
When one deserving to be raised so high
150
Is found, 'tis then her power attains its proof,
Making his heart strong for his soul's behoof
With the full strength of meek humility.
Also this virtue owns she, by God's will:
Who speaks with her can never come to ill.
Love saith concerning her: 'How chanceth it
That flesh, which is of dust, should be thus pure?'
Then, gazing always, he makes oath: 'Forsure,
This is a creature of God till now unknown.'
She hath that paleness of the pearl that's fit
In a fair woman, so much and not more;
She is as high as Nature's skill can soar;
Beauty is tried by her comparison.
Whatever her sweet eyes are turned upon,
Spirits of love do issue thence in flame,
Which through their eyes who then may look on them
Pierce to the heart's deep chamber every one.
And in her smile Love's image you may see;
Whence none can gaze upon her steadfastly.
Dear Song, I know thou wilt hold gentle speech
With many ladies, when I send thee forth:
Wherefore (being mindful that thou hadst thy birth)
From Love, and art a modest, simple child,)
Whomso thou meetest, say thou this to each:
'Give me good speed! To her I wend along
In whose much strength my weakness is made strong.'
And if, i' the end, thou wouldst not be beguiled
Of all thy labor seek not the defiled
And common sort; but rather choose to be
Where man and woman dwell in courtesy.
So to the road thou shalt be reconciled,
And find the Lady, and with the lady, Love.
Commend thou me to each, as doth behove.
~ Dante Gabriel Rossetti,
1242:The Bad Squire
The merry brown hares came leaping
Over the crest of the hill,
Where the clover and corn lay sleeping
Under the moonlight still.
Leaping late and early,
Till under their bite and their tread
The swedes and the wheat and the barley
Lay cankered and trampled and dead.
A poacher's widow sat sighing
On the side of the white chalk bank,
Where under the gloomy fir-woods
One spot in the ley throve rank.
She watched a long tuft of clover,
Where rabbit or hare never ran;
For its black sour haulm covered over
The blood of a murdered man.
She thought of the dark plantation,
And the hares, and her husband's blood,
And the voice of her indignation
Rose up to the throne of God.
'I am long past wailing and whiningI have wept too much in my life:
I've had twenty years of pining
As an English labourer's wife.
'A labourer in Christian England,
Where they cant of a Saviour's name,
And yet waste men's lives like the vermin's
For a few more brace of game.
'There's blood on your new foreign shrubs, squire,
There's blood on your pointer's feet;
There's blood on the game you sell, squire,
And there's blood on the game you eat.
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'You have sold the labouring-man, squire,
Body and soul to shame,
To pay for your seat in the House, squire,
And to pay for the feed of your game.
'You made him a poacher yourself, squire,
When you'd give neither work nor meat,
And your barley-fed hares robbed the garden
At our starving children's feet;
'When, packed in one reeking chamber,
Man, maid, mother, and little ones lay;
While the rain pattered in on the rotting bride-bed,
And the walls let in the day.
'When we lay in the burning fever
On the mud of the cold clay floor,
Till you parted us all for three months, squire,
At the dreary workhouse door.
'We quarrelled like brutes, and who wonders?
What self-respect could we keep,
Worse housed than your hacks and your pointers,
Worse fed than your hogs and your sheep?
'Our daughters with base-born babies
Have wandered away in their shame,
If your misses had slept, squire, where they did,
Your misses might do the same.
'Can your lady patch hearts that are breaking
With handfuls of coals and rice,
Or by dealing out flannel and sheeting
A little below cost price?
'You may tire of the jail and the workhouse,
And take to allotments and schools,
But you've run up a debt that will never
Be paid us by penny-club rules.
'In the season of shame and sadness,
89
In the dark and dreary day,
When scrofula, gout, and madness
Are eating your race away;
'When to kennels and liveried varlets
You have cast your daughter's bread,
And, worn out with liquor and harlots,
Your heir at your feet lies dead;
'When your youngest, the mealy-mouthed rector,
Lets your soul rot asleep to the grave,
You will find in your God the protector
Of the freeman you fancied your slave.'
She looked at the tuft of clover,
And wept till her heart grew light;
And at last, when her passion was over,
Went wandering into the night.
But the merry brown hares came leaping
Over the uplands still,
Where the clover and corn lay sleeping
On the side of the white chalk hill.
Eversley, 1847.
From Yeast.
~ Charles Kingsley,
1243:Maud: A Monodrama (Part Ii, Excerpt)
O that 'twere possible
After long grief and pain
To find the arms of my true love
Round me once again!2.
When I was wont to meet her
In the silent woody places
By the home that gave me birth,
We stood tranced in long embraces
Mixt with kisses sweeter sweeter
Than anything on earth.2.
355
A shadow flits before me,
Not thou, but like to thee:
Ah Christ, that it were possible
For one short hour to see
The souls we loved, that they might tell us
What and where they be.2.
It leads me forth at evening,
It lightly winds and steals
In a cold white robe before me,
When all my spirit reels
At the shouts, the leagues of lights,
356
.
And the roaring of the wheels.2.
Half the night I waste in sighs,
Half in dreams I sorrow after
The delight of early skies;
In a wakeful doze I sorrow
For the hand, the lips, the eyes,
For the meeting of the morrow,
The delight of happy laughter,
The delight of low replies.2.
'Tis a morning pure and sweet,
And a dewy splendour falls
357
.
On the little flower that clings
To the turrets and the walls;
'Tis a morning pure and sweet,
And the light and shadow fleet;
She is walking in the meadow,
And the woodland echo rings;
In a moment we shall meet;
She is singing in the meadow,
And the rivulet at her feet
Ripples on in light and shadow
358
To the ballad that she sings.2.
So I hear her sing as of old,
My bird with the shining head,
My own dove with the tender eye?
But there rings on a sudden a passionate cry,
There is some one dying or dead,
And a sullen thunder is roll'd;
For a tumult shakes the city,
And I wake, my dream is fled;
In the shuddering dawn, behold,
Without knowledge, without pity,
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By the curtains of my bed
That abiding phantom cold.2.
Get thee hence, nor come again,
Mix not memory with doubt,
Pass, thou deathlike type of pain,
Pass and cease to move about!
'Tis the blot upon the brain
That will show itself without.2.
Then I rise, the eave-drops fall,
And the yellow vapours choke
The great city sounding wide;
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The day comes, a dull red ball
Wrapt in drifts of lurid smoke
On the misty river-tide.2.
Thro' the hubbub of the market
I steal, a wasted frame;
It crosses here, it crosses there,
Thro' all that crowd confused and loud,
The shadow still the same;
And on my heavy eyelids
My anguish hangs like shame.2.
Alas for her that met me,
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That heard me softly call,
Came glimmering thro' the laurels
At the quiet evenfall,
In the garden by the turrets
Of the old manorial hall.2.
Would the happy spirit descend
From the realms of light and song,
In the chamber or the street,
As she looks among the blest,
Should I fear to greet my friend
Or to say "Forgive the wrong,"
362
.
Or to ask her, "Take me, sweet,
To the regions of thy rest"?2.
But the broad light glares and beats,
And the shadow flits and fleets
And will not let me be;
And I loathe the squares and streets,
And the faces that one meets,
Hearts with no love for me:
Always I long to creep
Into some still cavern deep,
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There to weep, and weep, and weep
My whole soul out to thee....
~ Alfred Lord Tennyson,
1244:The Seven Year Old Poet
And so the Mother, shutting up the duty book,
Went, proud and satisfied. She did not see the look
In the blue eyes, or how with secret loathing wild,
Beneath the prominent brow, a soul raged in her child.
All the day long he sweated with obedient zeal;
a clever boy; and yet appearing to reveal,
By various dark kinks, a sour hypocrisy.
In corridors bedecked with musty tapestry
He wouls stick out his tongue, clenching hid two fists tight
Against his groin, and with closed eyes see specks of light.
a door stood open on the evening; when, aloof,
Under a gulf og brightness hanging from the roof,
High on the banisters they saw him crowing.
In summer, cowed and stupid, he'd insist on going
Off to the cool latrines, for that was where he chose
to sit in peace and think, breathing deep through his nose.
In winter-time, when, washed by all the smells of noon,
The garden plot behind the house shone in the moon;
Lying beneath a wall, in lumpy earth concealed
And straining long for visions, till his eyesight reeled,
He listened to the creak of mangy trellises.
Soft heart! He chose out as his sole accomplices
Those wretched, blank-browed children, of slurred eye and cheek
And grubby, thin, sick fingers plunged in the clothes that reek
Of excrement: already old, whose conversation
Is held with gentle, imbecilic hesitation.
And if his mother, catching him at some foul act
Of pity, showed alarm, the child must face the fact
That to his earnest, tender mind brought grave surprise:
That's how it was. She had the blue-eyed stare- which lies!
at seven years he wrote romance about lives
In the great desert, where an exiled Freedom thrives,
Savannahs, forests, shores and suns! He had some aid
From illustrated magazines, whose gay parade
Of Spanish and Italian ladies made him blush.
When, brown-eyed, bold, in printed cotton, in would rush
The eight-year daughter of the working-folk next door,
196
And when the little savage down upon him bore,
Cornered him, leaping on his back, and tossed her hair,
He from beneath would bite her thighs, for they were bare
-She never put on drawers. Then, though she grapped fast,
Pounding with fists and heels, he'd shake her off at last
And bring the odours of her skin back to his room.
He feared December Sundays, with their pallid gloom,
When with pomaded hair, from a mahogany ledge
e read a Bible with gold, green-tarnished edge.
Dreams pressed upon him in the alcove every night.
Not God he loved, but men whom by the sallow light
Of evening he would see return, begrimed and bloused,
To suburbs where the crier's triple roll aroused
A jostling crowd to laugh and scold at the decrees.
He dreamed of the rapt prairie, where long brilliances
Like waves and wholesome scents and golden spurts of force
Persist in their calm stir and take their airy course.
And, as he relished most all things of sombre hue,
He'd sit in the bare, shuttered chamber, high and blue,
Gripped in an acrid, piercing dampness, and would read
The novel that was always running in his head
Of heavy, ochre skies and forests under floods
-Then vertigo, collapse, confusion, ruin, woe! While noises of the neighborhood rose from below,
He'd brood alone, stretched out upon a canvas,
prophesying strongly of the sail! ...
~ Arthur Rimbaud,
1245:Neither a mother nor a daughter
Nor even a wife in an earthly home
O fair Urvashi
You are a denizen of heaven!
Drawing a golden veil
When evening descends on the meadows
You do not light up a lamp
In the corner of a home
In the middle of a silent night
With a tremulous heart and bashful eyes
In shy halting steps you do not go
To the chamber of a groom
For your first union.
Like the light of dawn
You wear no veil
You are never coy
And hesitation you have none.

Like a flower in full bloom
Growing without any stem
When did you blossom on your own!
With a cup of honey in your right hand
And a cup of poison in your left
In the primeval spring you sprang
Out of the churning oceans
Whose waves like charmed snakes
Laid at your feet their thousand hoods
And the king of gods
Paid homage to your naked form
Blemishlessly white as a white flower.

Like a bud yet to break
Were you never a small child
O you Urvashi forever young!
Where did you spend your childhood days
Under the seas unseen
Playing with pearls and gems
And sleeping on a coral bed
The moment you rose above
You appeared fully grown
And in full bloom.

From the time without a beginning
To the whole world
You have been an object of desire
O fair Urvashi without compare!

Sages have offered at your feet
All the fruits of their meditation
By your insinuating glance
The world stirs up in youthful vigor
The winds like messengers blind
Carry your intoxicating scent
All around
Like greedy bees
Intoxicated by honey
The poets hum rhapsodic songs
Restless like lightning
Jingling your anklets
You glide past them all.

In the heavenly hall
When you dance in wild ecstasy
O you fleet-footed Urvashi!
In waves the oceans dance
In her waving cornfields
The earth expresses her thrills
In the skies
Like gems of your necklace
Pendant on your breast
The stars fall
The horizons are exposed bare
When you are careless with your dress
And from your waist
It suddenly slips.

Like the dawn
That dawns on heaven's eastern mounts
You have kept the world ever spellbound!
Your slim beautiful body
Is washed by world's tears
And your feet its blood beautifies
O you naked one with hair flowing free!
The lust of this world is a lotus
On it your feet you have lightly placed
In the universal mind
You are the playful partner of its dreams.

For you all the world wails
Do you hear
O you Urvashi deaf and cruel!
Will the time when you first appeared
Ever return
And you will rise again
>From the depths of shoreless seas
On a fresh morning
We will see your fresh form
And all your limbs will cry
>From wounds
Made by lustful glances of our eyes
And in breaking waves
The oceans will sing a song in your praise?

No, no, such a time will never return
O Urvashi
Like the setting sun
You are forever gone
Even the happiest moments of spring
Are now mixed with sighs
Of someone's eternal separation
In the full moon
When everything smiles
A sad tune like a long forgotten memory
Saddens our mind.
Yet a forlorn hope remains
In our cries and cravings for one
Who defies all bonds.
Transcreation of the poem 'Urvashi' from the collection Chitra by Rabindranath. Transcreation by Kumud Biswas.
Translated by Kumud Biswas
~ Rabindranath Tagore, Urvashi
,
1246:A Prayer For The King's Majesty
22nd January, 1901.
THE Queen is dead. God save the King,
In this his hour of grief,
When sorrow gathers memories in a sheaf
To lay them on his shoulders as he stands
Inheriting her glories and her lands-First gain of his at which his Mother's voice
Has not been first to bless and to rejoice-A man, set lonely between gain and loss.
(O words of love the heart remembereth,
O mighty loss outweighing every gain!)
A Son whose kingdom Death's arm lies across,
A King whose Mother lies alone with Death
Wrapped in the folds of white implacable sleep.
O God, who seest the tears Thy children weep,
O God, who countest each sad heart-beat, see
How our King needs the grace we ask of Thee!
Thou knowest how little and how vain a thing
Is Empire, when the heart is sick with pain-God, save the King!
The Queen is dead. The splendour of her days,
The sorrow of them both alike merge now
In the new aureole that lights her brow.
The clamour of her people's voice in praise
Must hush itself to the still voice that prays
In the holy chamber of Death. Tread softly here,
A mighty Queen lies dead.
Her people's heart wears black,
The black bells toll unceasing in their ear,
And on the gold sun's track
The great world round
Like a black ring the voice of mourning goes,
Till even our ancient foes
With eyes downbent, and brotherly bared head,
Keep mourning watch with us. This is the hour
When Love lends all his power
To speed grief's arrows from the bow of Death,
When sighs are idle breath,
22
When tears are fountains vain.
She will not wake again,
Not now, not here.
O great and good and infinitely dear,
O Mother of your people, sleep is sweet,
No more Life's thorny ways will wound your feet.
O Mother dear, sleep sound!
When you shall wake,
Your brows freed from the crown that made them ache
So many a time, and wear the heavenly crown,
Then, then you will look down
On us who love you, and, remembering,
The love of earth will breathe with us our prayer,
Our prayer prayed here, joined to your prayer prayed there:
Who knows what radiant answer it may bring?
'God save the King!'
The Queen is dead. God save the King!
From all ill thought and deed,
From heartless service and from selfish sway,
From treason, and the vain imagining
Of evil counsellors, and the noisome breed
Of flatterers who eat the soul away,
God save the King!
From loss and pain and tears
Such as her many years
Brought her; from battle and strife,
And the inmost hurt of life,
The wounds that no crown can heal,
No ermine robes conceal,
God save the King!
God, by our memories of his Mother's face,
By the love that makes our heart her dwelling-place,
Grant to our sorrow this desired grace:
God save the King!
*********
The Queen is dead. God save the King.
23
This is no hour when joy has leave to sing;
Only, amid our tears, we are bold to pray,
More boldly, in that we pray sorrowing,
In this most sorrowful day.
God, who wast of a mortal Mother born,
Who driest the tears with which Thy children mourn,
God, save the King!
Look down on him whose crown is wet with tears
In which its splendour fades and disappears-His tears, our tears, tears out of all her lands.
The Queen is dead.
God! strengthen the King's hands!
God, save the King!
~ Edith Nesbit,
1247:The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth."
Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it.
Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands."
Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire."
Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again."
There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?"
Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual."
Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much."
"Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?"
"I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd.
"I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality."
"It is a good thought," Krysta said.
Rycca nodded. Very quietly, she said, "Blessed are the peacemakers."
Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it."
They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars.
The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night.
The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly. ~ Josie Litton,
1248:The Loving Ballad Of Lord Bateman
Lord Bateman was a noble lord,
A noble lord of high degree;
He shipped himself all aboard of a ship,
Some foreign country for to see.
He sailed east, he sailed west,
Until he came to famed Turkey,
Where he was taken and put to prison,
Until his life was quite weary.
All in this prison there grew a tree,
O there it grew so stout and strong!
Where he was chained all by the middle,
Until his life was almost gone.
This Turk he had one only daughter,
The fairest my two eyes eer see;
She steal the keys of her father's prison,
And swore Lord Bateman she would let go free.
O she took him to her father's cellar,
And gave to him the best of wine;
And every health she drank unto him
Was 'I wish, Lord Bateman, as you was mine.'
'O have you got houses, have you got land,
And does Northumberland belong to thee?
And what would you give to the fair young lady
As out of prison would let you go free?'
'O I've got houses and I've got land,
And half Northumberland belongs to me;
And I will give it all to the fair young lady
As out of prison would let me go free.'
'O in seven long years I'll make a vow
For seven long years, and keep it strong,
That if you'll wed no other woman,
O I will wed no other man.'
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O she took him to her father's harbor,
And gave to him a ship of fame,
Saying, 'Farewell, farewell to you, Lord Bateman,
I fear I shall never see you again.'
Now seven long years is gone and past,
And fourteen days, well known to me;
She packed up all her gay clothing,
And swore Lord Bateman she would go see.
O when she arrived at Lord Bateman's castle,
How boldly then she rang the bell!
'Who's there? who's there?' cries the proud young porter,
'O come unto me pray quickly tell.'
'O is this here Lord Bateman's castle,
And is his lordship here within?'
'O yes, O yes,' cries the proud young porter,
'He's just now taking his young bride in.'
'O bid him to send me a slice of bread,
And a bottle of the very best wine,
And not forgetting the fair young lady
As did release him when close confine.'
O away and away went this proud young porter,
O away and away and away went he,
Until he came to Lord Bateman's chamber,
Where he went down on his bended knee.
'What news, what news, my proud young porter?
What news, what news? come tell to me:'
'O there is the fairest young lady
As ever my two eyes did see.
'She has got rings on every finger,
And on one finger she has got three;
With as much gay gold about her middle
As would buy half Northumberlee.
'O she bids you to send her a slice of bread,
227
And a bottle of the very best wine,
And not forgetting the fair young lady
As did release you when close confine.'
Lord Bateman then in passion flew,
And broke his sword in splinters three,
Saying, 'I will give half of my father's land,
If so be as Sophia has crossed the sea.'
Then up and spoke this young bride's mother,
Who never was heard to speak so free;
Saying, 'You'll not forget my only daughter,
If so be Sophia has crossed the sea.'
'O it's true I made a bride of your daughter,
But she's neither the better nor the worse for me;
She came to me with a horse and saddle,
But she may go home in a coach and three.'
Lord Bateman then prepared another marriage,
With both their hearts so full of glee,
Saying, 'I will roam no more to foreign countries,
Now that Sophia has crossed the sea.'
~ Andrew Lang,
1249:Glasgerion
Glasgerion was a kings owne sonne,
And a harper he was goode;
He harped in the kings chambere,
Where cuppe and caudle stoode,
And soe did hee in the queens chambere,
Till ladies waxed 'glad,'
And then bespake the kinges daughter,
And these wordes thus shee sayd:
'Strike on, strike on, Glasgerion,
Of thy striking doe not blinne;
Theres never a stroke comes oer thy harpe,
But it glads my hart withinne.'
'Faire might he fall,' quoth hee,
'Who taught you nowe to speake!
I have loved you, ladye, seven longe yeere,
My minde I neere durst breake.'
'But come to my bower, my Glasgerion,
When all men are att rest:
As I am a ladie true of my promise,
Thou shalt bee a welcome guest.'
Home then came Glasgerion,
A glad man, lord! was hee:
'And, come thou hither, Jacke my boy,
Come hither unto mee.
'For the kinges daughter of Normandye
Hath granted mee my boone;
And att her chambere must I bee
Beffore the cocke have crowen.
'O master, master,' then quoth hee,
'Lay your head downe on this stone;
For I will waken you, master deere,
Afore it be time to gone.'
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But up then rose that lither ladd,
And hose and shoone did on;
A coller he cast upon his necke,
Hee seemed a gentleman.
And when he came to the ladyes chamber,
He thrild upon a pinn:
The lady was true of her promise,
And rose and lett him inn.
He did not take the lady gaye
To boulster nor to bed:
'Nor thoughe hee had his wicked wille,
A single word he sed.'
He did not kisse that ladyes mouthe,
Nor when he came, nor yode:
And sore that ladye did mistrust,
He was of some churls bloud.
But home then came that lither ladd,
And did off his hose and shoone;
And cast the coller from off his necke:
He was but a churcles sonne.
'Awake, awake, my deere master,
The cock hath well-nigh crowen;
Awake, awake, my master deere,
I hold it time to be gone.
'For I have saddled your horse, master,
Well bridled I have your steede,
And I have served you a good breakfast,
For thereof ye have need.'
Up then rose good Glasgerion,
And did on hose and shoone,
And cast a coller about his necke:
For he was a kinge his sonne.
And when he came to the ladyes chambere,
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He thrilled upon the pinne;
The lady was more than true of promise,
And rose and let him inn.
'O whether have you left with me
Your bracelet of your glove?
Or are you returned backe againe
To know more of my love?'
Glasgerion swore a full great othe,
By oake, and ashe, and thorne;
'Ladye, I was never in your chambere,
Sith the time that I was borne.'
'O then it was your lither footpage,
He hath beguiled mee:'
Then shee pulled forth a little penkniffe,
That hanged by her knee.
Sayes, 'There shall never noe churles blood
Within my bodye spring:
No churles blood shall eer defile
The daughter of the kinge.'
Home then went Glasgerion,
And woe, good lord! was hee:
Sayes, 'Come thou hither, Jacke my boy,
Come hither unto mee.
'If I had killed a man to-night,
Jacke, I would tell it thee:
But if I have not killed a man to-night,
Jacke, thou hast killed three.'
And he puld out his bright browne sword,
And dryed it on his sleeve,
And he smote off that lither ladds head,
Who did his ladye grieve.
He sett the swords poynt till his brest,
The pummil until a stone:
Throw the falsenesse of that lither ladd,
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These three lives were all gone.
~ Anonymous Olde English,
1250:Illicit
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness, verging on grief.
I tried to play the tune, from memory—
But memory failed: the chords and discords climbed
And found no resolution, only hung there,
And left me morbid. Where, then, had I heard it? ...
What secret dusty chamber was it hinting?
'Dust,' it said, 'dust .... and dust .... and sunlight ....
A cold clear April evening .... snow-bedraggled ....
Rain-worn snow dappling the hideous grass ....
And someone walking alone; and someone saying
That all must end, for the time had come to go ... .'
These were the phrases; but behind, beneath them,
A greater shadow moved, and in this shadow
I stood and guessed Was it the blue-eyed lady?
The one who always danced in golden slippers?—
And had I danced, with her, upon this music?
Or was it further back—the unplumbed twilight
Of childhood? .... No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound ;
Until of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And, scarcely knowing how, suddenly have it.
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted.
Corners in sunlight, puddles reflecting stars;
Until, of a sudden, and least of all expected,
The thing resolved itself: and I remembered
56
An April afternoon, eight years ago—
Or was it nine ?—no matter, call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And she, who played this same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide open, like a lotus,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you....
If she should ever know, or even guess it,
What would she do? Listen!—I'm not absurd....
I'm sure of it. If you had eyes for women,
To understand them, which you've never had,
You'd know it too . . . .' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant .... while her ringers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure.
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused .... and wandered .... paused again; while she,
Perplexed and tired, half told me I must go,
Half asked me if I thought I ought to go....
Well, April passed, with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains....
And she was right. And Miriam found it out....
And after that, when eight deep years had passed—
Or nine—we met once more, by accident.
But was it just by accident, I wonder,
She played this tune? Or what, then, was intended?
~ Conrad Potter Aiken,
1251:Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner. ~ Judith McNaught,
1252:Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“
No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told.
“No further questions!”
Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.”
Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?”
“Yes, I do,” Elizabeth emphatically declared.
“My dear, poor woman, could you tell us-all of us-some examples of his cruelty?”
“Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst.
“Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?”
“Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.”
“You were afraid he would beat you for it?”
“No, I was afraid he wouldn’t give me more until next quarter!”
Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.”
“And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?”
“Yes, I believe it was!”
“Why were you weeping, Lady Thornton?”
The galleries tipped further toward her.
“I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed.
Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds. ~ Judith McNaught,
1253:My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one. ~ Henry David Thoreau,
1254:Here’s a simple definition of ideology: “A set of beliefs about the proper order of society and how it can be achieved.”8 And here’s the most basic of all ideological questions: Preserve the present order, or change it? At the French Assembly of 1789, the delegates who favored preservation sat on the right side of the chamber, while those who favored change sat on the left. The terms right and left have stood for conservatism and liberalism ever since. Political theorists since Marx had long assumed that people chose ideologies to further their self-interest. The rich and powerful want to preserve and conserve; the peasants and workers want to change things (or at least they would if their consciousness could be raised and they could see their self-interest properly, said the Marxists). But even though social class may once have been a good predictor of ideology, that link has been largely broken in modern times, when the rich go both ways (industrialists mostly right, tech billionaires mostly left) and so do the poor (rural poor mostly right, urban poor mostly left). And when political scientists looked into it, they found that self-interest does a remarkably poor job of predicting political attitudes.9 So for most of the late twentieth century, political scientists embraced blank-slate theories in which people soaked up the ideology of their parents or the TV programs they watched.10 Some political scientists even said that most people were so confused about political issues that they had no real ideology at all.11 But then came the studies of twins. In the 1980s, when scientists began analyzing large databases that allowed them to compare identical twins (who share all of their genes, plus, usually, their prenatal and childhood environments) to same-sex fraternal twins (who share half of their genes, plus their prenatal and childhood environments), they found that the identical twins were more similar on just about everything.12 And what’s more, identical twins reared in separate households (because of adoption) usually turn out to be very similar, whereas unrelated children reared together (because of adoption) rarely turn out similar to each other, or to their adoptive parents; they tend to be more similar to their genetic parents. Genes contribute, somehow, to just about every aspect of our personalities.13 We’re not just talking about IQ, mental illness, and basic personality traits such as shyness. We’re talking about the degree to which you like jazz, spicy foods, and abstract art; your likelihood of getting a divorce or dying in a car crash; your degree of religiosity, and your political orientation as an adult. Whether you end up on the right or the left of the political spectrum turns out to be just as heritable as most other traits: genetics explains between a third and a half of the variability among people on their political attitudes.14 Being raised in a liberal or conservative household accounts for much less. How can that be? How can there be a genetic basis for attitudes about nuclear power, progressive taxation, and foreign aid when these issues only emerged in the last century or two? And how can there be a genetic basis for ideology when people sometimes change their political parties as adults? To answer these questions it helps to return to the definition of innate that I gave in chapter 7. Innate does not mean unmalleable; it means organized in advance of experience. The genes guide the construction of the brain in the uterus, but that’s only the first draft, so to speak. The draft gets revised by childhood experiences. To understand the origins of ideology you have to take a developmental perspective, starting with the genes and ending with an adult voting for a particular candidate or joining a political protest. There are three major steps in the process. Step ~ Jonathan Haidt,
1255:To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams. ~ William Cullen Bryant,
1256:To Flush, My Dog
Loving friend, the gift of one
Who her own true faith has run
Through thy lower nature,
Be my benediction said
With my hand upon thy head,
Gentle fellow-creature!
Like a lady's ringlets brown,
Flow thy silken ears adown
Either side demurely
Of thy silver-suited breast
Shining out from all the rest
Of thy body purely.
Darkly brown thy body is,
Till the sunshine striking this
Alchemise its dullness,
When the sleek curls manifold
Flash all over into gold
With a burnished fulness.
Underneath my stroking hand,
Startled eyes of hazel bland
Kindling, growing larger,
Up thou leapest with a spring,
Full of prank and curveting,
Leaping like a charger.
Leap! thy broad tail waves a light,
Leap! thy slender feet are bright,
Canopied in fringes;
Leap! those tasselled ears of thine
Flicker strangely, fair and fine
Down their golden inches
Yet, my pretty, sportive friend,
Little is't to such an end
That I praise thy rareness;
Other dogs may be thy peers
255
Haply in these drooping ears
And this glossy fairness.
But of thee it shall be said,
This dog watched beside a bed
Day and night unweary,
Watched within a curtained room
Where no sunbeam brake the gloom
Round the sick and dreary.
Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning;
This dog only, waited on,
Knowing that when light is gone
Love remains for shining.
Other dogs in thymy dew
Tracked the hares and followed through
Sunny moor or meadow;
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.
Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing;
This dog only, watched in reach
Of a faintly uttered speech
Or a louder sighing.
And if one or two quick tears
Dropped upon his glossy ears
Or a sigh came double,
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.
And this dog was satisfied
If a pale thin hand would glide
Down his dewlaps sloping, Which he pushed his nose within,
256
After, - platforming his chin
On the palm left open.
This dog, if a friendly voice
Call him now to blither choice
Than such chamber-keeping,
'Come out! ' praying from the door, Presseth backward as before,
Up against me leaping.
Therefore to this dog will I,
Tenderly not scornfully,
Render praise and favor:
With my hand upon his head,
Is my benediction said
Therefore and for ever.
And because he loves me so,
Better than his kind will do
Often man or woman,
Give I back more love again
Than dogs often take of men,
Leaning from my Human.
Blessings on thee, dog of mine,
Pretty collars make thee fine,
Sugared milk make fat thee!
Pleasures wag on in thy tail,
Hands of gentle motion fail
Nevermore, to pat thee
Downy pillow take thy head,
Silken coverlid bestead,
Sunshine help thy sleeping!
No fly's buzzing wake thee up,
No man break thy purple cup
Set for drinking deep in.
Whiskered cats arointed flee,
Sturdy stoppers keep from thee
Cologne distillations;
Nuts lie in thy path for stones,
257
And thy feast-day macaroons
Turn to daily rations!
Mock I thee, in wishing weal? Tears are in my eyes to feel
Thou art made so straitly,
Blessing needs must straiten too, Little canst thou joy or do,
Thou who lovest greatly.
Yet be blessed to the height
Of all good and all delight
Pervious to thy nature;
Only loved beyond that line,
With a love that answers thine,
Loving fellow-creature!
~ Elizabeth Barrett Browning,
1257:He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city.

At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream. ~ Alexandre Dumas,
1258:I.
Summer was dead and Autumn was expiring,
And infant Winter laughed upon the land
All cloudlessly and cold;--when I, desiring
More in this world than any understand,
Wept oer the beauty, which, like sea retiring,
Had left the earth bare as the wave-worn sand
Of my lorn heart, and oer the grass and flowers
Pale for the falsehood of the flattering Hours.

II.
Summer was dead, but I yet lived to weep
The instability of all but weeping;
And on the Earth lulled in her winter sleep
I woke, and envied her as she was sleeping.
Too happy Earth! over thy face shall creep
The wakening vernal airs, until thou, leaping
From unremembered dreams, shalt ... see
No death divide thy immortality.

III.
I loved--oh, no, I mean not one of ye,
Or any earthly one, though ye are dear
As human heart to human heart may be;--
I loved, I know not what--but this low sphere
And all that it contains, contains not thee,
Thou, whom, seen nowhere, I feel everywhere.
From Heaven and Earth, and all that in them are,
Veiled art thou, like a ... star.

IV.
By Heaven and Earth, from all whose shapes thou flowest,
Neither to be contained, delayed, nor hidden;
Making divine the loftiest and the lowest,
When for a moment thou art not forbidden
To live within the life which thou bestowest;
And leaving noblest things vacant and chidden,
Cold as a corpse after the spirits flight
Blank as the sun after the birth of night.

V.
In winds, and trees, and streams, and all things common,
In music and the sweet unconscious tone
Of animals, and voices which are human,
Meant to express some feelings of their own;
In the soft motions and rare smile of woman,
In flowers and leaves, and in the grass fresh-shown,
Or dying in the autumn, I the most
Adore thee present or lament thee lost.

VI.
And thus I went lamenting, when I saw
A plant upon the rivers margin lie
Like one who loved beyond his natures law,
And in despair had cast him down to die;
Its leaves, which had outlived the frost, the thaw
Had blighted; like a heart which hatreds eye
Can blast not, but which pity kills; the dew
Lay on its spotted leaves like tears too true.

VII.
The Heavens had wept upon it, but the Earth
Had crushed it on her maternal breast

...

VIII.
I bore it to my chamber, and I planted
It in a vase full of the lightest mould;
The winter beams which out of Heaven slanted
Fell through the window-panes, disrobed of cold,
Upon its leaves and flowers; the stars which panted
In evening for the Day, whose car has rolled
Over the horizons wave, with looks of light
Smiled on it from the threshold of the night.

IX.
The mitigated influences of air
And light revived the plant, and from it grew
Strong leaves and tendrils, and its flowers fair,
Full as a cup with the vines burning dew,
Oerflowed with golden colours; an atmosphere
Of vital warmth enfolded it anew,
And every impulse sent to every part
The unbeheld pulsations of its heart.

X.
Well might the plant grow beautiful and strong,
Even if the air and sun had smiled not on it;
For one wept oer it all the winter long
Tears pure as Heavens rain, which fell upon it
Hour after hour; for sounds of softest song
Mixed with the stringed melodies that won it
To leave the gentle lips on which it slept,
Had loosed the heart of him who sat and wept.

XI.
Had loosed his heart, and shook the leaves and flowers 75
On which he wept, the while the savage storm
Waked by the darkest of Decembers hours
Was raving round the chamber hushed and warm;
The birds were shivering in their leafless bowers,
The fish were frozen in the pools, the form
Of every summer plant was dead
Whilst this....



~ Percy Bysshe Shelley, The Zucca
,
1259:The House Of Dust: Part 03: 04: Illicit
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
252
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
~ Conrad Potter Aiken,
1260:Midnight
1.
The night is clear and still. The moon rides high.
The green leaves whisper where the soft winds blow.
Above, the stars shine in a sapphire sky —
The city sleeps below.
2.
Sleeps? Nay. The million- fibred heart is wrung
With wild desire and ceaseless pain and fear.
Could its dumb anguish find a fitting tongue,
The very dead would hear.
3.
Under these quiet roofs, this silvery haze,
How many a captive spirit wakes and weeps!
How many a sorrow, hid from human gaze,
Each shadowy dwelling keeps!
4.
The struggling men, the lonely maids unwed,
The desolate mothers and the martyred wives,
The starving little ones that cry for bread,
Still live their suffering lives.
5.
Though moon shines fair and winds are breathing low —
138
Though the great dream-like city lies in light —
The smoke of all that seething human woe
Darkens my mind to- night.
6.
Brothers, for whom the world can find no place —
Brothers and sisters, born to want and wrong —
Born weak and maimed, to run a hopeless race
Against the hale and strong —
7.
How can I rest while they are racked with pain?
While they toil on with toil that cannot cease?
While hungry children wail for bread in vain,
How can I sleep in peace?
8.
Ah, hapless fate! To hope, to fail, to spend,
From chilling dawn till midnight shadows fall;
Perchance to gain no haven at the end —
No new world — after all!
9.
When poor, brief hopes and joys have passed away —
When the long toil is done and pain is past —
To reach the limit of life's little day,
And find naught else, at last
10.
139
When strength is spent, when soul and spirit sink —
With helpless hands outstretched and nerveless brain —
To stand alone upon that dreadful brink
And cry for light in vain!
11.
Poor mortal wanderers in immortal realms,
For whom no staff avails, no beacons shine!
My kindred soul their burden overwhelms —
My brothers' woes are mine.
12.
For me the night has come — the day is done —
A wall of darkness hides both sea and shore;
My little lamps have failed me, one by one —
I grope and crawl no more.
13.
Where am I? — oh, where am I? I can feel —
To feel my pain — but neither hear nor see;
My heart is faint, my brain begins to reel —
O God, speak Thou to me!
14.
Help me! Or, in Thy pity, take me hence
While feeling heart and thinking brain are whole —
Or give me any rag of carnal sense
To wrap my naked soul.
140
15.
Some common cloak of vulgar hopes and fears,
Some earth- spun veil, that shall be warm and stout
To keep this infinite Silence from mine ears —
To shut this Darkness out!
16.
The mocking moon shines on. The flowers are sweet.
The night is still. The winds are breathing balm.
The silver city clustered at my feet
Seems bathed in light and calm.
17.
But I? — I choke in this grief- laden air.
I turn and weep — I close my window now.
One voice breaks forth from my profound despair —
Beloved, where art thou?
18.
She sleeps. She stirs. She hears the lightest fall
Of my hushed footsteps on her chamber floor.
Her spirit answers to my spirit's call,
And I take heart once more.
19.
She draws me down upon that faithful breast;
I clasp her close — those sweetest lips I kiss —
And soul and body, in her arms at rest,
141
Swim in deep seas of bliss.
20.
She makes me strong with stronger Fate to cope —
Fresh fire to mine her beating pulses give.
O my true mate, in thee alone I hope!
In thee alone I live!
21.
O love, till blood is cold and brain is dust,
I can fight on — if thou wilt fight with me —
If I can shelter in thy truth and trust,
And bear life's woes with thee!
~ Ada Cambridge,
1261:Fra Pedro
Golden lights and lengthening shadows,
Flings the splendid sun declining,
O'er the monastery garden
Rich in flower, fruit and foliage.
Through the avenue of nut trees,
Pace two grave and ghostly friars,
Snowy white their gowns and girdles,
Black as night their cowls and mantles.
Lithe and ferret-eyed the younger,
Black his scapular denoting
A lay brother; his companion
Large, imperious, towers above him.
'T is the abbot, great Fra Pedro,
Famous through all Saragossa
For his quenchless zeal in crushing
Heresy amidst his townfolk.
Handsome still with hood and tonsure,
E'en as when the boy Pedrillo,
Insolent with youth and beauty,
Who reviled the gentle Rabbi.
Lo, the level sun strikes sparkles
From his dark eyes brightly flashing.
Stern his voice: 'These too shall perish.
I have vowed extermination.
'Tell not me of skill or virtue,
Filial love or woman's beautyJews are Jews, as serpents serpents,
In themselves abomination.'
Earnestly the other pleaded,
'If my zeal, thrice reverend master,
E'er afforded thee assistance,
Serving thee as flesh serves spirit,
80
'Hounding, scourging, flaying, burning,
Casting into chains or exile,
At thy bidding these vile wretches,
Hear and heed me now, my master.
'These be nowise like their brethren,
Ben Jehudah is accounted
Saragossa's first physician,
Loved by colleague as by patient.
'And his daughter Donna Zara
Is our city's pearl of beauty,
Like the clusters of the vineyard
Droop the ringlets o'er her temples.
'Like the moon in starry heavens
Shines her face among her people,
And her form hath all the languor,
Grace and glamour of the palm-tree.
'Well thou knowest, thrice reverend master,
This is not their first affliction,
Was it not our Holy Office
Whose bribed menials fired their dwelling?
'Ere dawn broke, the smoke ascended,
Choked the stairways, filled the chambers,
Waked the household to the terror
Of the flaming death that threatened.
'Then the poor bed-ridden mother
Knew her hour had come; two daughters,
Twinned in form, and mind, and spirit,
And their father-who would save them?
'Towards her door sprang Ben Jehudah,
Donna Zara flew behind him
Round his neck her white arms wreathing,
Drew him from the burning chamber.
'There within, her sister Zillah
81
Stirred no limb to shun her torture,
Held her mother's hand and kissed her,
Saying, 'We will go together.'
'This the outer throng could witness,
As the flames enwound the dwelling,
Like a glory they illumined
Awfully the martyred daughter.
'Closer, fiercer, round they gathered,
Not a natural cry escaped her,
Helpless clung to her her mother,
Hand in hand they went together.
'Since that 'Act of Faith' three winters
Have rolled by, yet on the forehead
Of Jehudah is imprinted
Still the horror of that morning.
'Saragossa hath respected
His false creed; a man of sorrows,
He hath walked secure among us,
And his art repays our sufferance.'
Thus he spoke and ceased. The Abbot
Lent him an impatient hearing,
Then outbroke with angry accent,
'We have borne three years, thou sayest?
''T is enough; my vow is sacred.
These shall perish with their brethren.
Hark ye! In my veins' pure current
Were a single drop found Jewish,
'I would shrink not from outpouring
All my life blood, but to purge it.
Shall I gentler prove to others?
Mercy would be sacrilegious.
'Ne'er again at thy soul's peril,
Speak to me of Jewish beauty,
Jewish skill, or Jewish virtue.
82
I have said. Do thou remember.'
Down behind the purple hillside
Dropped the sun; above the garden
Rang the Angelus' clear cadence
Summoning the monks to vespers.
~ Emma Lazarus,
1262:An example is the campaign that Goodby, Berlin & Sil- verstein produced for the Northern California Honda Deal- ers Advertising Association (NCHDAA) in 1989. Rather than conform to the stereotypical dealer group advertising ("one of a kind, never to be repeated deals, this weekend 114 Figure 4.1 UNUM: "Bear and Salmon. Figure 4.2 UNUM: "Father and Child." 115 PEELING THE ONION only, the Honda-thon, fifteen hundred dollars cash back . . ." shouted over cheesy running footage), it was decided that the campaign should reflect the tone of the national cam- paign that it ran alongside. After all, we reasoned, the only people who know that one spot is from the national cam- paign and another from a regional dealer group are industry insiders. In the real world, all people see is the name "Honda" at the end. It's dumb having one of (Los Angeles agency) Rubin Postaer's intelligent, stylish commercials for Honda in one break, and then in the next, 30 seconds of car salesman hell, also apparently from Honda. All the good work done by the first ad would be undone by the second. What if, we asked ourselves, we could in some way regionalize the national message? In other words, take the tone and quality of Rubin Postaer's campaign and make it unique to Northern California? All of the regional dealer groups signed off as the Northern California Chevy/Ford/ Toyota Dealers, yet none of the ads would have seemed out of place in Florida or Wisconsin. In fact, that's probably where they got them from. In our research, we began not by asking people about cars, or car dealers, but about living in Northern California. What's it like? What does it mean? How would you describe it to an alien? (There are times when my British accent comes in very useful.) How does it compare to Southern California? "Oh, North and South are very different," a man in a focus group told me. "How so?" "Well, let me put it this way. There's a great rivalry between the (San Francisco) Giants and the (L.A.) Dodgers," he said. "But the Dodgers' fans don't know about it." Everyone laughed. People in the "Southland" were on a different planet. All they cared about was their suntans and flashy cars. Northern Californians, by comparison, were more modest, discerning, less likely to buy things to "make state- ments," interested in how products performed as opposed to 116 Take the Wider View what they looked like, more environmentally conscious, and concerned with the quality of life. We already knew from American Honda—supplied re- search what Northern Californians thought of Honda's cars. They were perceived as stylish without being ostentatious, reliable, understated, good value for the money . . . the paral- lels were remarkable. The creative brief asked the team to consider placing Honda in the unique context of Northern California, and to imagine that "Hondas are designed with Northern Californi- ans in mind." Dave O'Hare, who always swore that he hated advertising taglines and had no talent for writing them, came back immediately with a line to which he wanted to write a campaign: "Is Honda the Perfect Car for Northern Califor- nia, or What?" The launch commercial took advantage of the rivalry between Northern and Southern California. Set in the state senate chamber in Sacramento, it opens on the Speaker try- ing to hush the house. "Please, please," he admonishes, "the gentleman from Northern California has the floor." "What my Southern Californian colleague proposes is a moral outrage," the senator splutters, waving a sheaf of papers at the other side of the floor. "Widening the Pacific Coast Highway . . . to ten lanes!" A Southern Californian senator with bouffant hair and a pink tie shrugs his shoulders. "It's too windy," he whines (note: windy as in curves, not weather), and his fellow Southern Californians high-five and murmur their assent. The Northern Californians go nuts, and the Speaker strug- gles in vain to call everyone to order. The camera goes out- side as th ~ Anonymous,
1263:Thus engaged, with her right elbow supported by her left hand, Madame Defarge said nothing when her lord came in, but coughed just one grain of cough. This, in combination with the lifting of her darkly defined eyebrows over her toothpick by the breadth of a line, suggested to her husband that he would do well to look round the shop among the customers, for any new customer who had dropped in while he stepped over the way.

The wine-shop keeper accordingly rolled his eyes about, until they rested upon an elderly gentleman and a young lady, who were seated in a corner. Other company were there: two playing cards, two playing dominoes, three standing by the counter lengthening out a short supply of wine. As he passed behind the counter, he took notice that the elderly gentleman said in a look to the young lady, "This is our man."

"What the devil do you do in that galley there?" said Monsieur Defarge to himself; "I don't know you."

But, he feigned not to notice the two strangers, and fell into discourse with the triumvirate of customers who were drinking at the counter.

"How goes it, Jacques?" said one of these three to Monsieur Defarge. "Is all the spilt wine swallowed?"

"Every drop, Jacques," answered Monsieur Defarge.

When this interchange of Christian name was effected, Madame Defarge, picking her teeth with her toothpick, coughed another grain of cough, and raised her eyebrows by the breadth of another line.

"It is not often," said the second of the three, addressing Monsieur Defarge, "that many of these miserable beasts know the taste of wine, or of anything but black bread and death. Is it not so, Jacques?"

"It is so, Jacques," Monsieur Defarge returned.

At this second interchange of the Christian name, Madame Defarge, still using her toothpick with profound composure, coughed another grain of cough, and raised her eyebrows by the breadth of another line.

The last of the three now said his say, as he put down his empty drinking vessel and smacked his lips.

"Ah! So much the worse! A bitter taste it is that such poor cattle always have in their mouths, and hard lives they live, Jacques. Am I right, Jacques?"

"You are right, Jacques," was the response of Monsieur Defarge.

This third interchange of the Christian name was completed at the moment when Madame Defarge put her toothpick by, kept her eyebrows up, and slightly rustled in her seat.

"Hold then! True!" muttered her husband. "Gentlemen--my wife!"

The three customers pulled off their hats to Madame Defarge, with three flourishes. She acknowledged their homage by bending her head, and giving them a quick look. Then she glanced in a casual manner round the wine-shop, took up her knitting with great apparent calmness and repose of spirit, and became absorbed in it.

"Gentlemen," said her husband, who had kept his bright eye observantly upon her, "good day. The chamber, furnished bachelor- fashion, that you wished to see, and were inquiring for when I stepped out, is on the fifth floor. The doorway of the staircase gives on the little courtyard close to the left here," pointing with his hand, "near to the window of my establishment. But, now that I remember, one of you has already been there, and can show the way. Gentlemen, adieu!"

They paid for their wine, and left the place. The eyes of Monsieur Defarge were studying his wife at her knitting when the elderly gentleman advanced from his corner, and begged the favour of a word.

"Willingly, sir," said Monsieur Defarge, and quietly stepped with him to the door.

Their conference was very short, but very decided. Almost at the first word, Monsieur Defarge started and became deeply attentive. It had not lasted a minute, when he nodded and went out. The gentleman then beckoned to the young lady, and they, too, went out. Madame Defarge knitted with nimble fingers and steady eyebrows, and saw nothing. ~ Charles Dickens,
1264:This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns. ~ Stephanie Garber,
1265:Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed.
“What do you mean?” she asked in a trembling voice.
“I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!”
“I’ve sent word to you both nights.”
“You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!”
He has men beaten like animals,
she reminded herself.
“Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him.
His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her.
“Don’t touch me!” she cried.
Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian.
“Get out of here and close that damned door behind you!” Ian snapped furiously.
“Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said.
In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was.
Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him.
“Are you ill?” he asked, frowning and minutely studying her face.
Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.”
“Is that why you went to London? To see a physician?”
She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe.
“No! He-the doctor said it is just-just-nerves.”
“You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.”
Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return? ~ Judith McNaught,
1266:They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber.
Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound.
Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner-
A hard body swung around the corner and plowed into her.
She stumbled back. Hard hands grabbed her, holding her upright.
Her heart leapt to her throat. She looked up,saw only darkness.
She opened her mouth-
A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm.
Her senses scrambled. Strength, male heat, muscled hardness engulfed her.
Then a virulent curse singed her ears.
And she realized who'd captured her.
Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again.
He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?"
His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it.
With a muted oath, he pulled the hand away.
She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?"
"Coming to fetch you-of course."
"You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!"
Even to her ears they sounded like squabbling children.
He didn't reply.
Through the dark, he looked at her.
She couldn't see his eyes, but his gaze was so intent, so intense that she could feel...
her heart started thudding, beating heavier, deeper.
Her senses expanded, alert in a wholly unfamiliar way.
he looked at her...looked at her.
Primitive instinct riffled the delicate hairs at her nape.
Abruptly he raised his head, straightened, stepped back. "Come on."
Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment.
Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here."
He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse.
She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there."
With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch.
Immediately she'd sat, he flicked out the coverlet and swathed her in it.
She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her.
He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves.
Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain. ~ Stephanie Laurens,
1267:I.
The awful shadow of some unseen Power
Floats through unseen among us, visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower,--
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.

II.
Spirit of Beauty, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o'er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, why man has such a scope
For love and hate, despondency and hope?

III.
No voice from some sublimer world hath ever
To sage or poet these responses given
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells--whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone--; like mist o'er the mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.

IV.
Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies,
That wax and wane in lovers' eyes
Thou -- that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not -- lest the grave should be,
Like life and fear, a dark reality.

V.
While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard -- I saw them not --
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,--
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!

VI.
I vowed that I would dedicate my powers
To thee and thine -- have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love's delight
Outwatched with me the envious night
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou - O awful Loveliness,
Wouldst give whate'er these words cannot express.

VII.
The day becomes more solemn and serene
When noon is past there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm to one who worships thee,
And every form containing thee,
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
Composed, probably, in Switzerland, in the summer of 1816. Published in Hunt's 'Examiner', January 19, 1817, and with 'Rosalind and Helen', 1819.

  
~ Percy Bysshe Shelley, Hymn to Intellectual Beauty
,
1268:The Frolicksome Duke, Or The Tinker's Good Fortune
'To the tune of
Fond Boy
Now as fame does report, a young duke keeps a court,
One that pleases his fancy with frolicksome sport:
But amongst all the rest, here is one I protest,
Which will make you to smile when you hear the true jest:
A poor tinker he found, lying drunk on the ground,
As secure in a sleep as if laid in a swound.
The duke said to his men, 'William, Richard, Ben,
Take him home to my palace, we'll sport with him then.'
O'er a horse he was laid, and with care soon convey'd
To the palace, altho' he was poorly arrai'd:
Then they stript off his cloaths, both his shirt, shoes, and hose,
And they put him to bed for to take his repose.
Having pull'd off his shirt, which was all over durt,
They did give him clean holland, this was no great hurt:
On a bed of soft down, like a lord of renown,
They did lay him to sleep the drink out of his crown.
In the morning, when day, then admiring he lay,
For to see the rich chamber, both gaudy and gay.
Now he lay something late, in his rich bed of state,
Till at last knights and squires they on him did wait;
And the chamberlain bare, then did likewise declare,
He desired to know what apparel he'd ware:
The poor tinker amaz'd, on the gentleman gaz'd,
And admired how he to this honour was rais'd.
Th' he seem'd something mute, yet he chose a rich suit,
Which he straitways put on without longer dispute,
With a star on his side, which the tinker offt ey'd,
And it seem'd for to swell him 'no' little with pride;
For he said to himself, 'Where is Joan my sweet wife?
Sure she never did see me so fine in her life.'
813
From a convenient place, the right duke, his good grace,
Did observe his behaviour in every case.
To a garden of state, on the tinker they wait,
Trumpets sounding before him: thought he, this is great.
Where an hour or two, pleasant walks he did view,
With commanders and squires in scarlet and blew.
A fine dinner was drest, both for him and his guests;
He was plac'd at the table above all the rest,
In a rich chair 'or bed,' lin'd with fine crimson red,
With a rich golden canopy over hi shead:
As he sat at his meat, the musick play'd sweet,
With the choicest of singing his joys to compleat.
While the tinker did dine, he had plenty of wine,
Rich canary, with sherry and tent superfine.
Like a right honest soul, faith, he took off his bowl,
Till at last he began for to tumble and roul
From his chair to the floor, where he sleeping did snore,
Being seven times drunker than ever before.
Then the duke did ordain, they should strip him amain,
And restore him his old leather garments again:
'Twas a point next the worst, yet perform it they must,
And they carry'd him strait, where they found him at first,
Then he slept all the night, as indeed well he might;
But when he did waken, his joys took their flight.
For his glory 'to him' so pleasant did seem,
That he thought it to be but a meer golden dream;
Till at length he was brought to the duke, where he sought
For a pardon, as fearing he had set him at nought.
But his highness he said, 'Thou'rt a jolly bold blade:
Such a frolick before I think never never was plaid.'
Then his highness bespoke him a new suit and cloak,
Which he gave for the sake of this frolicksome joak,
Nay, and five hundred pound, with ten acres of ground:
'Thou shalt never,' said he, 'range the counteries round,
Crying old brass to mend, for I'll be thy good friend,
Nay, and Joan thy sweet wife shall my duchess attend.'
814
Then the tinker reply'd, 'What! must Joan my sweet bride
Be a lady in chariots of pleasure to ride?
Must we have gold and land ev'ry day at command?
Then I shall be a squire, I well understand.
Well I thank your good grace, and your love I embrace;
I was never before in so happy a case.'
~ Anonymous Olde English,
1269:Sir Roland
Whan he cam to his ain luve's bouir
He tirled at the pin,
And sae ready was his fair fause luve
To rise and let him in.
'O welcome, welcome, Sir Roland,' she says,
'Thrice welcome thou art to me;
For this night thou wilt feast in my secret bouir,
And to-morrow we'll wedded be.'
'This night is hallow-eve,' he said,
'And to-morrow is hallow-day;
And I dreamed a drearie dream yestreen,
That has made my heart fu' wae.
'I dreamed a drearie dream yestreen,
And I wish it may cum to gude:
I dreamed that ye slew my best grew hound,
And gied me his lappered blude.'
*****
'Unbuckle your belt, Sir Roland,' she said,
And set you safely down.'
O your chamber is very dark, fair maid,
And the night is wondrous lown.'
'Yes, dark, dark is my secret bouir,
And lown the midnight may be;
For there is none waking in a' this tower
But thou, my true love, and me.'
*****
She has mounted on her true love's steed,
By the ae light o' the moon;
She has whipped him and spurred him,
And roundly she rade frae the toun.
176
She hadna ridden a mile o' gate,
Never a mile but ane,
When she was aware of a tall young man,
Slow riding o'er the plain,
She turned her to the right about,
Then to the left turn'd she;
But aye, 'tween her and the wan moonlight,
That tall knight did she see.
And he was riding burd alane,
On a horse as black as jet,
But tho' she followed him fast and fell,
No nearer could she get.
'O stop! O stop! young man,' she said;
'For I in dule am dight;
O stop, and win a fair lady's luve,
If you be a leal true knight.'
But nothing did the tall knight say,
And nothing did he blin;
Still slowly ride he on before
And fast she rade behind.
She whipped her steed, she spurred her steed,
Till his breast was all a foam;
But nearer unto that tall young knight,
By Our Ladye she could not come.
'O if you be a gay young knight,
As well I trow you be,
Pull tight your bridle reins, and stay
Till I come up to thee.'
But nothing did that tall knight say,
And no whit did he blin,
Until he reached a broad river's side
And there he drew his rein.
'O is this water deep?' he said,
'As it is wondrous dun?
177
Or is it sic as a saikless maid,
And a leal true knight may swim?'
'The water it is deep,' she said,
'As it is wondrous dun;
But it is sic as a saikless maid,
And a leal true knight may swim.'
The knight spurred on his tall black steed;
The lady spurred on her brown;
And fast they rade unto the flood,
And fast they baith swam down.
'The water weets my tae,' she said;
'The water weets my knee,
And hold up my bridle reins, sir knight,
For the sake of Our Ladye.'
'If I would help thee now,' he said,
'It were a deadly sin,
For I've sworn neir to trust a fair may's word,
Till the water weets her chin.'
'Oh, the water weets my waist,' she said,
'Sae does it weet my skin,
And my aching heart rins round about,
The burn maks sic a din.
'The water is waxing deeper still,
Sae does it wax mair wide;
And aye the farther that we ride on,
Farther off is the other side.
'O help me now, thou false, false knight,
Have pity on my youth,
For now the water jawes owre my head,
And it gurgles in my mouth.'
The knight turned right and round about,
All in the middle stream;
And he stretched out his head to that lady,
But loudly she did scream.
178
'O this is hallow-morn,' he said,
'And it is your bridal-day,
But sad would be that gay wedding,
If bridegroom and bride were away.
'And ride on, ride on, proud Margaret!
Till the water comes o'er your bree,
For the bride maun ride deep, and deeper yet,
Wha rides this ford wi' me.
'Turn round, turn round, proud Margaret!
Turn ye round, and look on me,
Thou hast killed a true knight under trust,
And his ghost now links on with thee.'
~ Andrew Lang,
1270:The Interrogation Of The Man Of Many Hearts
Who's she, that one in your arms?
She's the one I carried my bones to
and built a house that was just a cot
and built a life that was over an hour
and built a castle where no one lives
and built, in the end, a song
to go with the ceremony.
Why have you brought her here?
Why do you knock on my door
with your little stores and songs?
I had joined her the way a man joins
a woman and yet there was no place
for festivities or formalities
and these things matter to a woman
and, you see, we live in a cold climate
and are not permitted to kiss on the street
so I made up a song that wasn't true.
I made up a song called Marriage.
You come to me out of wedlock
and kick your foot on my stoop
and ask me to measure such things?
Never. Never. Not my real wife.
She's my real witch, my fork, my mare,
my mother of tears, my skirtful of hell,
the stamp of my sorrows, the stamp of my bruises
and also the children she might bear
and also a private place, a body of bones
that I would honestly buy, if I could buy,
that I would marry, if I could marry.
And should I torment you for that?
Each man has a small fate allotted to him
and yours is a passionate one.
292
But I am in torment. We have no place.
The cot we share is almost a prison
where I can't say buttercup, bobolink,
sugarduck, pumpkin, love ribbon, locket,
valentine, summergirl, funnygirl and all
those nonsense things one says in bed.
To say I have bedded with her is not enough.
I have not only bedded her down.
I have tied her down with a knot.
Then why do you stick your fists
into your pockets? Why do you shuffle
your feet like a schoolboy?
For years I have tied this knot in my dreams.
I have walked through a door in my dreams
and she was standing there in my mother's apron.
Once she crawled through a window that was shaped
like a keyhole and she was wearing my daughter's
pink corduroys and each time I tied these women
in a knot. Once a queen came. I tied her too.
But this is something I have actually tied
and now I have made her fast.
I sang her out. I caught her down.
I stamped her out with a song.
There was no other apartment for it.
There was no other chamber for it.
Only the knot. The bedded-down knot.
Thus I have laid my hands upon her
and have called her eyes and her mouth
as mine, as also her tongue.
Why do you ask me to make choices?
I am not a judge or a psychologist.
You own your bedded-down knot.
And yet I have real daytimes and nighttimes
with children and balconies and a good wife.
Thus I have tied these other knots,
yet I would rather not think of them
when I speak to you of her. Not now.
If she were a room to rent I would pay.
293
If she were a life to save I would save.
Maybe I am a man of many hearts.
A man of many hearts?
Why then do you tremble at my doorway?
A man of many hearts does not need me.
I'm caught deep in the dye of her.
I have allowed you to catch me red-handed,
catch me with my wild oats in a wild clock
for my mare, my dove and my own clean body.
People might say I have snakes in my boots
but I tell you that just once am I in the stirrups,
just once, this once, in the cup.
The love of the woman is in the song.
I called her the woman in red.
I called her the woman in pink
but she was ten colors
and ten women
I could hardly name her.
I know who she is.
You have named her enough.
Maybe I shouldn't have put it in words.
Frankly, I think I'm worse for this kissing,
drunk as a piper, kicking the traces
and determined to tie her up forever.
You see the song is the life,
the life I can't live.
God, even as he passes,
hand down monogamy like slang.
I wanted to write her into the law.
But, you know, there is no law for this.
Man of many hearts, you are a fool!
The clover has grown thorns this year
and robbed the cattle of their fruit
and the stones of the river
have sucked men's eyes dry,
season after season,
and every bed has been condemned,
294
not by morality or law,
but by time.
~ Anne Sexton,
1271:The Royal Jester
Once on a time, so ancient poets sing,
There reigned in Godknowswhere a certain king.
So great a monarch ne'er before was seen:
He was a hero, even to his queen,
In whose respect he held so high a place
That none was higher,-nay, not even the ace.
He was so just his Parliament declared
Those subjects happy whom his laws had spared;
So wise that none of the debating throng
Had ever lived to prove him in the wrong;
So good that Crime his anger never feared,
And Beauty boldly plucked him by the beard;
So brave that if his army got a beating
None dared to face him when he was retreating.
This monarch kept a Fool to make his mirth,
And loved him tenderly despite his worth.
Prompted by what caprice I cannot say,
He called the Fool before the throne one day
And to that jester seriously said:
'I'll abdicate, and you shall reign instead,
While I, attired in motley, will make sport
To entertain your Majesty and Court.'
'T was done and the Fool governed. He decreed
The time of harvest and the time of seed;
Ordered the rains and made the weather clear,
And had a famine every second year;
Altered the calendar to suit his freak,
Ordaining six whole holidays a week;
Religious creeds and sacred books prepared;
Made war when angry and made peace when scared.
New taxes he inspired; new laws he made;
Drowned those who broke them, who observed them, flayed,
In short, he ruled so well that all who'd not
Been starved, decapitated, hanged or shot
Made the whole country with his praises ring,
Declaring he was every inch a king;
And the High Priest averred 't was very odd
If one so competent were not a god.
551
Meantime, his master, now in motley clad,
Wore such a visage, woeful, wan and sad,
That some condoled with him as with a brother
Who, having lost a wife, had got another.
Others, mistaking his profession, often
Approached him to be measured for a coffin.
For years this highborn jester never broke
The silence-he was pondering a joke.
At last, one day, in cap-and-bells arrayed,
He strode into the Council and displayed
A long, bright smile, that glittered in the gloom
Like a gilt epithet within a tomb.
Posing his bauble like a leader's staff,
To give the signal when (and why) to laugh,
He brought it down with peremptory stroke
And simultaneously cracked his joke!
I can't repeat it, friends. I ne'er could school
Myself to quote from any other fool:
A jest, if it were worse than mine, would start
My tears; if better, it would break my heart.
So, if you please, I'll hold you but to state
That royal Jester's melancholy fate.
The insulted nation, so the story goes,
Rose as one man-the very dead arose,
Springing indignant from the riven tomb,
And babes unborn leapt swearing from the womb!
All to the Council Chamber clamoring went,
By rage distracted and on vengeance bent.
In that vast hall, in due disorder laid,
The tools of legislation were displayed,
And the wild populace, its wrath to sate,
Seized them and heaved them at the Jester's pate.
Mountains of writing paper; pools and seas
Of ink, awaiting, to become decrees,
Royal approval-and the same in stacks
Lay ready for attachment, backed with wax;
Pens to make laws, erasers to amend them;
With mucilage convenient to extend them;
Scissors for limiting their application,
552
And acids to repeal all legislationThese, flung as missiles till the air was dense,
Were most offensive weapons of offense,
And by their aid the Fool was nigh destroyed.
They ne'er had been so harmlessly employed.
Whelmed underneath a load of legal cap,
His mouth egurgitating ink on tap,
His eyelids mucilaginously sealed,
His fertile head by scissors made to yield
Abundant harvestage of ears, his pelt,
In every wrinkle and on every welt,
Quickset with pencil-points from feet to gills
And thickly studded with a pride of quills,
The royal Jester in the dreadful strife
Was made (in short) an editor for life!
An idle tale, and yet a moral lurks
In this as plainly as in greater works.
I shall not give it birth: one moral here
Would die of loneliness within a year.
~ Ambrose Bierce,
1272:Benedetta Minelli
I.
THE NOVICE.
IT is near morning. Ere the next night fall
I shall be made the bride of heaven. Then home
To my still marriage chamber I shall come,
And spouseless, childless, watch the slow years crawl.
These lips will never meet a softer touch
Than the stone crucifix I kiss; no child
Will clasp this neck. Ah, virgin-mother mild,
Thy painted bliss will mock me overmuch.
This is the last time I shall twist the hair
My mother's hand wreathed, till in dust she lay:
The name, her name, given on my baptism-day,
This is the last time I shall ever bear.
O weary world, O heavy life, farewell!
Like a tired child that creeps into the dark
To sob itself asleep, where none will mark,-So creep I to my silent convent cell.
Friends, lovers whom I loved not, kindly hearts
Who grieve that I should enter this still door,
Grieve not. Closing behind me evermore,
Me from all anguish, as all joy, it parts.
Love, whom alone I loved; who stand'st far off,
Lifting compassionate eyes that could not save,
Remember, this my spirit's quiet grave
Hides me from worldly pity, worldly scoff.
'T was less thy hand than Heaven's which came between,
And dashed my cup down. See, I shed no tears:
And if I think at all of vanished years,
'T is but to bless thee, dear, for what has been.
60
My soul continually does cry to thee;
In the night-watches ghost-like stealing out
From its flesh tomb, and hovering thee about;
So live that I in heaven thy face may see!
Live, noble heart, of whom this heart of mine
Was half unworthy. Build up actions great,
That I down looking from the crystal gate
Smile o'er our dead hopes urned in such a shrine.
Live, keeping aye they spirit undefiled,
That, when we stand before our Master's feet,
I with an angel's love may crown complete
The woman's faith, the worship of the child.
Dawn, solemn bridal morn; ope, bridal door;
I enter. My vowed soul may Heaven take;
My heart its virgin spousal for thy sake;
O love, keeps sacred thus forevermore.
II.
THE SISTER OF MERCY.
IS it then so?--Good friends, who sit and sigh
While I lie smiling, are my life's sands run?
Will my next matins, hymned beyond the sun,
Mingle with those of saints and martyrs high?
Shall I with these my gray hairs turned to gold,
My aged limbs new clad in garments white,
Stand all transfigured in the angels' sight,
Singing triumphantly that moan of old,-Thy will be done? It was done. O my God,
Thou know'st, when over grief's tempestuous sea
My broken-wingèd soul fled home to Thee,
I writhed, but never murmured at Thy rod.
It fell upon me, stern at first, then soft
As parent's kisses, till the wound was healed;
61
And I went forth a laborer in Thy field:-They best can bind who have been bruisèd oft.
And Thou wert pitiful. I came heart-sore,
And drank Thy cup because earth's cups ran dry:
Thou slew'st me not for that impiety,
But madest the draught so sweet, I thirst no more.
I came for silence, heavy rest, or death:
Thou gavest instead life, peace, and holy toil:
My sighing lips from sorrow didst assoil,
And fill with righteous thankfulness each breath.
Therefore I praise Thee that Thou shuttest Thine ears
Unto my misery: didst Thy will, not mine:
That to this length of days Thy hand divine,
My feet from falling kept, mine eyes from tears.
Sisters, draw near. Hear my last words serene:
When I was young I walked in mine own ways,
Worshipped--not God: sought not alone His praise;
So he cut down my gourd while it was green.
And then He o'er me threw His holy shade,
That though no other mortal plants might grow,
Mocking the beauty that was long laid low,
I dwelt in peace, and His commands obeyed.
I thank Him for all joy and for all pain:
For healèd pangs, for years of calm content:
For blessedness of spending and being spent
In His high service where all loss is gain.
I bless Him for my life and for my death;
But most, that in my death my life is crowned,
Since I see there, with angels gathering round,
My angel. Ay, love, thou hast kept thy faith,
I mine. The golden portals will not close
Like those of earth, between us. Reach thy hand!
No miserere, sisters. Chant out grand
Te Deum laudamus. Now,--'t is all repose.
62
~ Dinah Maria Mulock Craik,
1273:The Frog Prince
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.
Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.
My guilts are what
we catalogue.
I’ll take a knife
and chop up frog.
Frog
Frog
Frog
Frog
Frog
has not nerves.
is as old as a cockroach.
is my father’s genitals.
is a malformed doorknob.
is a soft bag of green.
The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he’s an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.
Mr. Poison
263
is at my bed.
He wants my sausage.
He wants my bread.
Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.
Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.
Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.
But I digress.
A loss has taken place.
The ball has sunk like a cast-iron pot
into the bottom of the well.
Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
Balls such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
264
and now it is gone
and I am lost forever.
A thief had robbed by day.
Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.
That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King’s youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.
The frog first sat on her lap.
265
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves’ liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn’t exactly hygienic.
From her cup she drank
as if it were Socrates’ hemlock.
Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!
Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.
266
He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
~ Anne Sexton,
1274:Fair Annie
'It's narrow, narrow, make your bed,
And learn to lie your lane:
For I'm ga'n oer the sea, Fair Annie,
A braw bride to bring hame.
Wi her I will get gowd and gear;
Wi you I neer got nane.
'But wha will bake my bridal bread,
Or brew my bridal ale?
And wha will welcome my brisk bride,
That I bring oer the dale?'
'It's I will bake your bridal bread,
And brew your bridal ale,
And I will welcome your brisk bride,
That you bring oer the dale.'
'But she that welcomes my brisk bride
Maun gang like maiden fair;
She maun lace on her robe sae jimp,
And braid her yellow hair.'
'But how can I gang maiden-like,
When maiden I am nane?
Have I not born seven sons to thee,
And am with child again?'
She's taen her young son in her arms,
Another in her hand,
And she's up to the highest tower,
To see him come to land.
'Come up, come up, my eldest son,
And look oer yon sea-strand,
And see your father's new-come bride,
Before she come to land.'
'Come down, come down, my mother dear,
Come frae the castle wa!
77
I fear, if langer ye stand there,
Ye'll let yoursell down fa.'
And she gaed down, and farther down,
Her love's ship for to see,
And the topmast and the mainmast
Shone like the silver free.
And she's gane down, and farther down,
The bride's ship to behold,
And the topmast and the mainmast
They shone just like the gold.
She's taen her seven sons in her hand,
I wot she didna fail;
She met Lord Thomas and his bride,
As they came oer the dale.
'You're welcome to your house, Lord Thomas,
You're welcome to your land;
You're welcome with your fair ladye,
That you lead by the hand.
'You're welcome to your ha's, ladye,
You're welcome to your bowers;
Your welcome to your hame, ladye,
For a' that's here is yours.'
'I thank thee, Annie; I thank thee, Annie,
Sae dearly as I thank thee;
You're the likest to my sister Annie,
That ever I did see.
'There came a knight out oer the sea,
And steald my sister away;
The shame scoup in his company,
And land where'er he gae!'
She hang ae napkin at the door,
Another in the ha,
And a' to wipe the trickling tears,
Sae fast as they did fa.
78
And aye she served the lang tables
With white bread and with wine,
And aye she drank the wan water,
To had her colour fine.
And aye she served the lang tables,
With white bread and with brown;
And aye she turned her round about,
Sae fast the tears fell down.
And he's taen down the silk napkin,
Hung on a silver pin,
And aye he wipes the tear trickling
A'down her cheek and chin.
And aye he turn'd him round about,
And smiled amang his men;
Says, 'Like ye best the old ladye,
Or her that's new come hame?'
When bells were rung, and mass was sung,
And a' men bound to bed,
Lord Thomas and his new-come bride
To their chamber they were gaed.
Annie made her bed a little forbye,
To hear what they might say;
'And ever alas!' Fair Annie cried,
'That I should see this day!
'Gin my seven sons were seven young rats,
Running on the castle wa,
And I were a grey cat mysell,
I soon would worry them a'.
'Gin my young sons were seven young hares,
Running oer yon lilly lee,
And I were a grew hound mysell,
Soon worried they a' should be.'
And wae and sad Fair Annie sat,
79
And drearie was her sang,
And ever, as she sobbd and grat,
'Wae to the man that did the wrang!'
'My gown is on,' said the new-come bride,
'My shoes are on my feet,
And I will to Fair Annie's chamber,
And see what gars her greet.
'What ails ye, what ails ye, Fair Annie,
That ye make sic a moan?
Has your wine-barrels cast the girds,
Or is your white bread gone?
'O wha was't was your father, Annie,
Or wha was't was your mother?
And had ye ony sister, Annie,
Or had ye ony brother?'
'The Earl of Wemyss was my father,
The Countess of Wemyss my mother;
And a' the folk about the house
To me were sister and brother.'
'If the Earl of Wemyss was your father,
I wot sae was he mine;
And it shall not be for lack o gowd
That ye your love sall fyne.
'For I have seven ships o mine ain,
A' loaded to the brim,
And I will gie them a' to thee
Wi four to thine eldest son:
But thanks to a' the powers in heaven
That I gae maiden hame!'
~ Andrew Lang,
1275:Quia Amore Langueo
IN a valley of this restles mind
I sought in mountain and in mead,
Trusting a true love for to find.
Upon an hill then took I heed;
A voice I heard (and near I yede)
In great dolour complaining tho:
See, dear soul, how my sides bleed
Quia amore langueo.
Upon this hill I found a tree,
Under a tree a man sitting;
From head to foot wounded was he;
His hearte blood I saw bleeding:
A seemly man to be a king,
A gracious face to look unto.
I asked why he had paining;
[He said,] Quia amore langueo.
I am true love that false was never;
My sister, man's soul, I loved her thus.
Because we would in no wise dissever
I left my kingdom glorious.
I purveyed her a palace full precious;
She fled, I followed, I loved her so
That I suffered this pain piteous
Quia amore langueo.
My fair love and my spouse bright!
I saved her from beating, and she hath me bet;
I clothed her in grace and heavenly light;
This bloody shirt she hath on me set;
For longing of love yet would I not let;
Sweete strokes are these: lo!
I have loved her ever as I her het
Quia amore langueo.
I crowned her with bliss and she me with thorn;
I led her to chamber and she me to die;
I brought her to worship and she me to scorn;
180
I did her reverence and she me villany.
To love that loveth is no maistry;
Her hate made never my love her foe:
Ask me then no question why-Quia amore langueo.
Look unto mine handes, man!
These gloves were given me when I her sought;
They be not white, but red and wan;
Embroidered with blood my spouse them brought.
They will not off; I loose hem nought;
I woo her with hem wherever she go.
These hands for her so friendly fought
Quia amore langueo.
Marvel not, man, though I sit still.
See, love hath shod me wonder strait:
Buckled my feet, as was her will,
With sharpe nails (well thou may'st wait!)
In my love was never desait;
All my membres I have opened her to;
My body I made her herte's bait
Quia amore langueo.
In my side I have made her nest;
Look in, how weet a wound is here!
This is her chamber, here shall she rest,
That she and I may sleep in fere.
Here may she wash, if any filth were;
Here is seat for all her woe;
Come when she will, she shall have cheer
Quia amore langueo.
I will abide till she be ready,
I will her sue if she say nay;
If she be retchless I will be greedy,
If she be dangerous I will her pray;
If she weep, then bide I ne may:
Mine arms ben spread to clip her me to.
Cry once, I come: now, soul, assay
Quia amore langueo.
181
Fair love, let us go play:
Apples ben ripe in my gardayne.
I shall thee clothe in a new array,
Thy meat shall be milk, honey and wine.
Fair love, let us go dine:
Thy sustenance is in my crippe, lo!
Tarry thou not, my fair spouse mine,
Quia amore langueo.
If thou be foul, I shall thee make clean;
If thou be sick, I shall thee heal;
If thou mourn ought, I shall thee mene;
Why wilt thou not, fair love, with me deal?
Foundest thou ever love so leal?
What wilt thou, soul, that I shall do?
I may not unkindly thee appeal
Quia amore langueo.
What shall I do now with my spouse
But abide her of my gentleness,
Till that she look out of her house
Of fleshly affection? love mine she is;
Her bed is made, her bolster is bliss,
Her chamber is chosen; is there none mo.
Look out on me at the window of kindeness
Quia amore langueo.
My love is in her chamber: hold your peace!
Make ye no noise, but let her sleep.
My babe I would not were in disease,
I may not hear my dear child weep.
With my pap I shall her keep;
Ne marvel ye not though I tend her to:
This wound in my side had ne'er be so deep
But Quia amore langueo.
Long thou for love never so high,
My love is more than thine may be.
Thou weepest, thou gladdest, I sit thee by:
Yet wouldst thou once, love, look unto me!
Should I always feede thee
With children meat? Nay, love, not so!
182
I will prove thy love with adversite
Quia amore langueo.
Wax not weary, mine own wife!
What mede is aye to live in comfort?
In tribulation I reign more rife
Ofter times than in disport.
In weal and in woe I am aye to support:
Mine own wife, go not me fro!
Thy mede is marked, when thou art mort:
Quia amore langueo.
~ Anonymous,
1276:Quia Amore Langeuo
In a valley of this restles mind
I sought in mountain and in mead,
Trusting a true love for to find.
Upon an hill then took I heed;
A voice I heard (and near I yede)
In great dolour complaining tho:
See, dear soul, how my sides bleed
Quia amore langueo.
Upon this hill I found a tree,
Under a tree a man sitting;
From head to foot wounded was he;
His hearte blood I saw bleeding:
A seemly man to be a king,
A gracious face to look unto.
I asked why he had paining:
Quia amore langueo.
I am true love that false was never;
My sister, man's soul, I loved her thus.
Because we would in no wise dissever
I left my kingdom glorious.
I purveyed her a palace full precious;
She fled, I followed, I loved her so
That I suffered this pain piteous
Quia amore langueo.
My fair love and my spouse bright!
I saved her from beating, and she hath me bet;
I clothed her in grace and heavenly light;
This bloody shirt she hath on me set;
For longing of love yet would I not let;
Sweet strokes are these: lo!
546
I have loved her ever as I her het
Quia amore langueo.
I crowned her with bliss and she me with thorn;
I led her to chamber and she me to die;
I brought her to worship and she me to scorn;
I did her reverence and she me villany.
To love that loveth is no maistry;
Her hate made never my love her foe
Ask me then no question why Quia amore langueo.
Look unto mine handes, man!
These gloves were given me when I her sought;
They be not white, but red and wan;
Embroidered with blood my spouse them brought.
They will not off; I loose hem nought:
I woo her with hem wherever she go.
These hands for her so friendly fought
Quia amore langueo.
Marvel not, man, though I sit still.
See, love hath shod me wonder strait:
Buckled my feet, as was her will,
With sharp nails (well thou may'st wait!)
In my love was never desait;
All my membres I have opened her to;
My body I made her herte's bait
Quia amore langueo.
In my side I have made her nest;
Look in, how wet a wound is here!
This is her chamber, here shall she rest,
That she and I may sleep in fere.
547
Here may she wash, if any filth were;
Here is seat for all her woe;
Come when she will, she shall have cheer
Quia amore langueo.
I will abide till she be ready,
I will her sue if she say nay;
If she be retchless I will be greedy,
If she be dangerous I will her pray;
If she weep, then bide I ne may:
Mine arms ben spread to clip her me to.
Cry once, I come: now, soul, assay!
Quia amore langueo.
Fair love, let us go play:
Apples ben ripe in my gardayne.
I shall thee clothe in a new array,
Thy meat shall be milk, honey and wine.
Fair love, let us go dine:
Thy sustenance is in my crippe, lo!
Tarry thou not, my fair spouse mine,
Quia amore langueo.
If thou be foul, I shall thee make clean;
If thou be sick, I shall thee heal;
If thou mourn ought, I shall thee mene;
Why wilt thou not, fair love, with me deal?
Foundest thou ever love so leal?
What wilt thou, soul, that I shall do?
I may not unkindly thee appeal,
Quia amore langueo.
What shall I do now with my spouse
But abide her of my gentleness,
548
Till that she look out of her house
Of fleshly affection? love mine she is;
Her bed is made, her bolster is bliss,
Her chamber is chosen; is there none mo.
Look out on me at the window of kindeness,
Quia amore langueo.
My love is in her chamber: hold your peace!
Make ye no noise, but let her sleep.
My babe I would not were in disease,
I may not hear my dear child weep.
With my pap I shall her keep;
Ne marvel ye not though I tend her to:
This wound in my side had ne'er been so deep
Quia amore langueo.
Long thou for love never so high,
My love is more than thine may be.
Thou weepest, thou gladdest, I sit thee by:
Yet wouldst thou once, love, look unto me!
Should I always feede thee
With children meat? Nay, love, not so!
I will prove thy love with adversite,
Quia amore langueo.
Wax not weary, mine own wife!
What mede is aye to live in comfort?
In tribulation I reign more rife
Ofter times than in disport.
In weal and in woe I am aye to support:
Mine own wife, go not me fro!
Thy mede is marked, when thou art mort:
Quia amore langueo.
549
~ Anonymous Olde English,
1277:Child Of Europe
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.
We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.
We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.
By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.
Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.
We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.
As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.
Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.
33
You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.
Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.
There can be no question of force triumphant
We live in the age of victorious justice.
Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.
He who has power, has it by historical logic.
Respectfully bow to that logic.
Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.
Let your hand, faking the experiment
No know about the lips proposing a hypothesis.
Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.
Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.
After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.
Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.
34
We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.
A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.
Let your words speak not through their meanings
But through them against whom they are used.
Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.
Judge no words before the clerks have checked
In their card index by whom they were spoken.
The voice of passion is better than the voice of reason.
The passionless cannot change history.
Love no country: countries soon disappear
Love no city: cities are soon rubble.
Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.
Do not love people: people soon perish.
Or they are wronged and call for your help.
Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.
He who invokes history is always secure.
The dead will not rise to witness against him.
You can accuse them of any deeds you like.
Their reply will always be silence.
Their empty faces swim out of the deep dark.
You can fill them with any feature desired.
35
Proud of dominion over people long vanished,
Change the past into your own, better likeness.
The laughter born of the love of truth
Is now the laughter of the enemies of the people.
Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.
Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.
Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
~ Czeslaw Milosz,
1278:Tout Entière (All Of Her)
Le Démon, dans ma chambre haute
Ce matin est venu me voir,
Et, tâchant à me prendre en faute
Me dit: «Je voudrais bien savoir
Parmi toutes les belles choses
Dont est fait son enchantement,
Parmi les objets noirs ou roses
Qui composent son corps charmant,
Quel est le plus doux.» — Ô mon âme!
Tu répondis à l'Abhorré:
«Puisqu'en Elle tout est dictame
Rien ne peut être préféré.
Lorsque tout me ravit, j'ignore
Si quelque chose me séduit.
Elle éblouit comme l'Aurore
Et console comme la Nuit;
Et l'harmonie est trop exquise,
Qui gouverne tout son beau corps,
Pour que l'impuissante analyse
En note les nombreux accords.
Ô métamorphose mystique
De tous mes sens fondus en un!
Son haleine fait la musique,
Comme sa voix fait le parfum!»
All of Her
The Devil into my high room
This morning came to pay a call,
And trying to find me in fault
Said: 'I should like to know,
Among all the beautiful things
Which make her an enchantress,
492
Among the objects black or rose
That compose her charming body,
Which is the sweetest.' — O my soul!
You answered the loathsome Creature:
'Since in Her all is dittany,
No single thing can be preferred.
When all delights me, I don't know
If some one thing entrances me.
She dazzles like the Dawn
And consoles like the Night;
And the harmony that governs
Her whole body is too lovely
For impotent analysis
To note its numerous accords.
O mystic metamorphosis
Of all my senses joined in one!
Her breath makes music,
And her voice makes perfume!'
— Translated by William Aggeler
All in One
The Demon called on me this morning,
In my high room. As is his way,
Thinking to catch me without warning,
He put this question: 'Tell me, pray,
Of all the beauties that compose,
The strange enchantment of her ways,
Amongst the wonders black or rose,
Which object most excites your praise,
And is the climax in her litany?'
My soul, you answered the Abhorred,
'Since she is fashioned, all, of dittany,
No part is most to be adored.
493
Since I am ravished, I ignore a
Degree of difference in delight.
She dazzles me like the aurora
And she consoles me like the night.
The harmony's so exquisite
That governs her, it is in vain
Analysis would try to split
The unity of such a strain.
O mystic fusion that, enwreathing
My senses, fuses each in each,
To hear the music of her breathing
And breathe the perfume of her speech.'
— Translated by Roy Campbell
All, All
The Devil up my attic stair
Came tiptoeing a while ago
And, trying to catch me unaware,
Said laughing, 'I should like to know,
'Of all her many charms, what springs
Most often to your mind? Of all
The rose-colored and shadowy things
Whereby her beauty may enthrall,
'Which is the sweetest?' — O my soul,
You answered the abhorrèd Guest:
'Her beauty is complete and whole.
No single part is loveliest.
'When she is near, I cannot say
What gives me such intense delight.
She dazzles like the break of day,
She comforts like the fall of night.
'My senses seem to merge in one;
494
The harmony that rules her being
Is all my knowledge — I have none
Of hearing, smelling, touching, seeing.
'No, no. I cannot make a choice
In this sublime bewilderment.
Perhaps the music of her scent!
Perhaps the perfume of her voice!'
— Translated by George Dillon
Tout entière
this morning, to my chamber bare
and high, the Devil came to call,
and fain to trap me in a snare,
inquired: 'I would know, of all
— of all the beauties that compose
her spell profound, her subtle sway,
— of all the bits of black or rose
that form her lovely body, say
which is the sweetest?' — o my soul,
thou didst reply to the Abhorred:
naught can be taken from the whole
for every part is a perfect chord.
when all to me is ravishing,
I know not which gives most delight.
like dawn she is a dazzling thing,
yet she consoles me like the night;
too exquisite the harmonies
that all her lovely flesh affords,
for my poor mind to analyse
and note its many rhythmic chords.
o mystic interchange, whereby
my senses all are blent in one!
her breath is like a lullaby
495
and through her voice rich perfumes run!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
1279:Fair Annie
THE reivers they stole Fair Annie,
As she walk'd by the sea;
But a noble knight was her ransom soon,
Wi' gowd and white monie.
She bided in strangers' land wi' him,
And none knew whence she cam;
She lived in the castle wi' her love,
But never told her name.
'It 's narrow, narrow, mak your bed,
And learn to lie your lane;
For I'm gaun owre the sea, Fair Annie,
A braw Bride to bring hame.
Wi' her I will get gowd and gear,
Wi' you I ne'er gat nane.
'But wha will bake my bridal bread,
Or brew my bridal ale?
And wha will welcome my bright Bride,
That I bring owre the dale?'
It 's I will bake your bridal bread,
And brew your bridal ale;
And I will welcome your bright Bride,
That you bring owre the dale.'
'But she that welcomes my bright Bride
Maun gang like maiden fair;
She maun lace on her robe sae jimp,
And comely braid her hair.
'Bind up, bind up your yellow hair,
And tie it on your neck;
And see you look as maiden-like
As the day that first we met.'
'O how can I gang maiden-like,
When maiden I am nane?
111
Have I not borne six sons to thee,
And am wi' child again?'
'I'll put cooks into my kitchen,
And stewards in my hall,
And I'll have bakers for my bread,
And brewers for my ale;
But you're to welcome my bright Bride,
That I bring owre the dale.'
Three months and a day were gane and past,
Fair Annie she gat word
That her love's ship was come at last,
Wi' his bright young Bride aboard.
She 's ta'en her young son in her arms,
Anither in her hand;
And she 's gane up to the highest tower,
Looks over sea and land.
'Come doun, come doun, my mother dear,
Come aff the castle wa'!
I fear if langer ye stand there,
Ye'll let yoursell doun fa'.'
She 's ta'en a cake o' the best bread,
A stoup o' the best wine,
And a' the keys upon her arm,
And to the yett is gane.
'O ye're welcome hame, my ain gude lord,
To your castles and your towers;
Ye're welcome hame, my ain gude lord,
To your ha's, but and your bowers.
And welcome to your hame, fair lady!
For a' that 's here is yours.'
'O whatna lady 's that, my lord,
That welcomes you and me?
Gin I be lang about this place,
Her friend I mean to be.'
112
Fair Annie served the lang tables
Wi' the white bread and the wine;
But ay she drank the wan water
To keep her colour fine.
And she gaed by the first table,
And smiled upon them a';
But ere she reach'd the second table,
The tears began to fa'.
She took a napkin lang and white,
And hung it on a pin;
It was to wipe away the tears,
As she gaed out and in.
When bells were rung and mass was sung,
And a' men bound for bed,
The bridegroom and the bonny Bride
In ae chamber were laid.
Fair Annie's ta'en a harp in her hand,
To harp thir twa asleep;
But ay, as she harpit and she sang,
Fu' sairly did she weep.
'O gin my sons were seven rats,
Rinnin' on the castle wa',
And I mysell a great grey cat,
I soon wad worry them a'!
'O gin my sons were seven hares,
Rinnin' owre yon lily lea,
And I mysell a good greyhound,
Soon worried they a' should be!'
Then out and spak the bonny young Bride,
In bride-bed where she lay:
'That 's like my sister Annie,' she says;
'Wha is it doth sing and play?
'I'll put on my gown,' said the new-come Bride,
'And my shoes upon my feet;
113
I will see wha doth sae sadly sing,
And what is it gars her greet.
'What ails you, what ails you, my housekeeper,
That ye mak sic a mane?
Has ony wine-barrel cast its girds,
Or is a' your white bread gane?'
'It isna because my wine is spilt,
Or that my white bread's gane;
But because I've lost my true love's love,
And he 's wed to anither ane.'
'Noo tell me wha was your father?' she says,
'Noo tell me wha was your mother?
And had ye ony sister?' she says,
'And had ye ever a brother?'
'The Earl of Wemyss was my father,
The Countess of Wemyss my mother,
Young Elinor she was my sister dear,
And Lord John he was my brother.'
'If the Earl of Wemyss was your father,
I wot sae was he mine;
And it 's O my sister Annie!
Your love ye sallna tyne.
'Tak your husband, my sister dear;
You ne'er were wrang'd for me,
Beyond a kiss o' his merry mouth
As we cam owre the sea.
'Seven ships, loaded weel,
Cam owre the sea wi' me;
Ane o' them will tak me hame,
And six I'll gie to thee.'
~ Anonymous,
1280:First Love
Ah, well can I the day recall, when first
The conflict fierce of love I felt, and said:
If _this_ be love, how hard it is to bear!
With eyes still fixed intent upon the ground,
I saw but _her_, whose artless innocence,
Triumphant took possession of this heart.
Ah, Love, how badly hast thou governed me!
Why should affection so sincere and pure,
Bring with it such desire, such suffering?
Why not serene, and full, and free from guile
But sorrow-laden, and lamenting sore,
Should joy so great into my heart descend?
O tell me, tender heart, that sufferest so,
Why with that thought such anguish should be blent,
Compared with which, all other thoughts were naught?
That thought, that ever present in the day,
That in the night more vivid still appeared,
When all things round in sweet sleep seemed to rest:
Thou, restless, both with joy and misery
Didst with thy constant throbbings weary so
My breast, as panting in my bed I lay.
And when worn out with grief and weariness,
In sleep my eyes I closed, ah, no relief
It gave, so broken and so feverish!
How brightly from the depths of darkness, then,
The lovely image rose, and my closed eyes,
Beneath their lids, their gaze upon it fed!
O what delicious impulses, diffused,
My weary frame with sweet emotion filled!
What myriad thoughts, unstable and confused,
31
Were floating in my mind! As through the leaves
Of some old grove, the west wind, wandering,
A long, mysterious murmur leaves behind.
And as I, silent, to their influence yield,
What saidst thou, heart, when she departed, who
Had caused thee all thy throbs, and suffering?
No sooner had I felt within, the heat
Of love's first flame, than with it flew away
The gentle breeze, that fanned it into life.
Sleepless I lay, until the dawn of day;
The steeds, that were to leave me desolate,
Their hoofs were beating at my father's gate.
And I, in mute suspense, poor timid fool,
With eye that vainly would the darkness pierce,
And eager ear intent, lay, listening,
That voice to hear, if, for the last time, I
Might catch the accents from those lovely lips;
The voice alone; all else forever lost!
How many vulgar tones my doubtful ear
Would smite, with deep disgust inspiring me,
With doubt tormented, holding hard my breath!
And when, at last, that voice into my heart
Descended, passing sweet, and when the sound
Of horses and of wheels had died away;
In utter desolation, then, my head
I in my pillow buried, closed my eyes,
And pressed my hand against my heart, and sighed.
Then, listlessly, my trembling knees across
The silent chamber dragging, I exclaimed,
'Nothing on earth can interest me more!'
The bitter recollection cherishing
32
Within my breast, to every voice my heart,
To every face, insensible remained.
Long I remained in hopeless sorrow drowned;
As when the heavens far and wide their showers
Incessant pour upon the fields around.
Nor had I, Love, thy cruel power known,
A boy of eighteen summers flown, until
That day, when I thy bitter lesson learned;
When I each pleasure held in scorn, nor cared
The shining stars to see, or meadows green,
Or felt the charm of holy morning light;
The love of glory, too, no longer found
An echo in my irresponsive breast,
That, once, the love of beauty with it shared.
My favorite studies I neglected quite;
And those things vain appeared, compared with which,
I used to think all other pleasures vain.
Ah! how could I have changed so utterly?
How could one passion all the rest destroy?
Indeed, what helpless mortals are we all!
My heart my only comfort was, and with
That heart, in conference perpetual,
A constant watch upon my grief to keep.
My eye still sought the ground, or in itself
Absorbed, shrank from encountering the glance
Of lovely or unlovely countenance;
The stainless image fearing to disturb,
So faithfully reflected in my breast;
As winds disturb the mirror of the lake.
And that regret, that I could not enjoy
Such happiness, which weighs upon the mind,
And turns to poison pleasure that has passed,
33
Did still its thorn within my bosom lodge,
As I the past recalled; but shame, indeed,
Left not its cruel sting within this heart.
To heaven, to you, ye gentle souls, I swear,
No base desire intruded on my thought;
But with a pure and sacred flame I burned.
That flame still lives, and that affection pure;
Still in my thought that lovely image breathes,
From which, save heavenly, I no other joy,
Have ever known; my only comfort, now!
~ Count Giacomo Leopardi,
1281:Wedding Gift
Obscure lies the green pond
Slime coated dark.
Like a place in ruin tragic
Under the moss of sad neglect.
You, dear child, have begun to shiver
Even in its soft breeze.
I, your sister, shall seat you there
wrapped well in my upper robe
The deep darkness, dear, is slowly leaving
The first glimmerings of light come;
Will you weep, as in these waters dark
I sink down and disappear?
Pointing your lovely little finger,
Petal soft as the rays of the early sun
Haven't you morning after morning,
Sketched the pattern of flowers on this pool?
One of them, long-stemmed, dear brother,
I shall pick and give you today.
The wedding yesterday was solemnised
Of my younger sister, the one elder to you,
To that couple, newly wedded, present
This flower, as though an ambrosial bloom.
Till this day I felt needless fear
To plunge into the irretrievable;
Only today I've gained strength
To slip down alone beyond my depth
As we started a while ago,
Lighted wick in hand,
Didn't mother say, 'Can't this girl
have her holy immersion after dawn? '
'Too much of anything, remember
Will come to nothing', she added.
Each moment of her daughter breeds
Callous suspicion in the mother's mind.
Bathing early denotes harlot's ways,
Lying late is but false pretence.
17
Visit the temple or visit it not,
our mother meets misinterpretation.
Life to the mother, a prolonged heart-burn,
To the poor daughter a crown of thorns.
The gleam and the bubbly sound, dear
Show that the fish are waking afar;
Sorry, I forgot to warn you, dear
But why fear such trifles, I say
The wedding yesterday was solemnised
Of my younger sister, the one elder to you.
A sigh of relief mother must have heaved
That daughter at least will not go astray!
Even the distant relative had said adieu,
And quite early mother had gone to bed,
By happy festive toil tired,
You too on your mat curled up.
The maid, hoarse from extolling the bride-chamber,
Lay down in deep slumber,
I alone lay awake, mind musing
Over the offer of this gift.
Before agitated by the golden rays,
It is with pollen gilded,
Before the blessed bride and groom arrive
To dip and bathe;
Before the sun rises in his glory,
Your sister must move in and cull the flower.
The deep darkness, dear, is slowly leaving,
The first glimmerings of light come.
What aroused fear stands unmasked
Casting a bright smile.
Will you weep, as in these waters dark
I sink down and disappear?
Up to the neck, in shuddering cold,
I shall move and look back,
My darling, you sit on this step
Without fear, smiling, smiling
Your sister can hope for a smile
From no lips, but thine.
18
If my hand cannot reach the stem,
I shall slide slowly and pluck it,
A spot beyond my level, dangerously deep,
And for sure, my heart, tremulous with joy.
If late, who all will not come seeking,
Are not quarrels, cruel words, their way of life?
'Has not that wretched girl bathed and moved up?
Mother can speak only in such a tone.
'She's been pampered too much', such will be
The judgment, most certain, of your sister young.
When thus the elders' anger strikes flame,
Careful you be not to contradict.
These thighs, soft as petal, never again
Should bear the welts of flogging.
Possibly come your dear brother-in-law
The newly won relative of yours.
If so, your sister will only lie here
Among the lotus-stems her dress close entangled.
If I come up, I may have to face him,
My clothes all wet and clinging.
Even as a girl I've only stood before him
Bathed, my forehead daintily marked,
Dressed in sari and ornaments,
Well groomed and beautiful.
At noon, on the banks of this lotus-pond,
As he sat in he green shade,
To graze the goat, or for a while
To gloat over the beauty of the blooms,
I've never come, unless elegantly dressed,
My heart throbbing in the fullness of joy.
After we had grown up in a love
That even the death could not cut asunder;
As we parted, bidding farewell
In cheerful heart-deep friendliness,
I stood grandly dressed,
A smile lighting my face
I wish those eyes should never
See me in any other form.
As others stand engaged in discussion,
19
The gentleman will question you,
With a loving kiss your sister pleads,
Remember only to say this:
'In truth, saying she wanted to give
A gift to the newly weds,
My sister slid into the pond
to pluck a lotus lovely'
Darkness has left my mind
Now aflame with your smile.
Will you weep as in these waters dark
I sink down and disappear?
~ Edasseri Govindan Nair,
1282:Argemone
The terrible night-watch is over,
I turn where I lie,
To eastward my dim eyes discover
Faint streaks in the sky ;
Faint streaks on a faint light that dapples
And dawns like the ripening of apples,
Closes with darkness and grapples,
And darkness must die.
And the dawn finds us where the dusk found us—
The quick and the dead ;
Thou dawn-slaying darkness around us,
Oh ! slay me instead !
Thou pitiless earth that would sever
Twain souls, reuniting them never,
Oh, gape and engulf me for ever,
Oh, cover my head !
The toils that men strive with stout-hearted,
The fears that men fly,
I have known them, but they have departed,
And thou hast gone by.
Men toiling, and straining, and striving,
Are glad, peradventure, for living ;
I render for life no thanksgiving,
Glad only to die.
Too alike to me now are all changes,
Naught gladdens, naught grieves.
Alike, now, pale snow on the ranges,
Pale gold on the sheaves.
Alike now the hum of glad bees on
Green boughs, and the sigh of sad trees on
Sere uplands, the fall of the season,
The fall of the leaves.
Alike now each wind blows the breezes
That kiss where they roam,
The breath of the March wind that freezes
20
In the rime of the loam ;
The storm-blast that lashes and scourges,
And rends the white crests of the surges,
As it sweeps with the thunder of dirges
Across the sea foam.
Alike now all rainfall and down-fall,
Foul seasons and fair ;
Let the rose on my patch or the thorn fall,
I heed not, nor care ;
Nor for grey light of dawn, nor for dun light
Of dusk, nor for dazzle of sunlight
At noon ; shall I seek light, or shun light ?
Seek warmth or seek care ?
Nor for breaking of fast neither grateful,
Nor for quenching of thirst,
In the dawn of the eventide hateful,
In the noontide accurst,
In the watch of the night sleep-forsaken
Till that sleep comes, no watch shall re-waken,
Be the best things of life never taken,
Never feared be the worst.
Skies laugh, and buds bloom, and birds warble
At breaking of day ;
Without and within, on grey marble,
The light glimmers grey :
O pale, silent mouth, surely this is
The spot where death strikes and life misses :
Warm lips, pressing cold lips, waste kisses
Clay-cold as cold clay.
Through sunset, and twilight, and nightfall,
And night-watches bleak,
We have lain thus. Now broad rays of light fall,
And flicker, and streak ;
The death-chamber glancing and shining,
Where death and dead life lie reclining,
My hand with her hand intertwining,
My cheek to her cheek.
21
I adjure thee by days spent together,
(So sad and so few),
By the seasons of fair and foul weather,
By the rose and the rue ;
By the storms and the joys of past hours,
By the thorns of the earth and the flowers,
By the sun of the skies and the showers,
By the mist and the dew,
By the time that annihilates all things—
Our woes and our crimes ;
By the gath'ring of great things and small things
At the end of all times,
Let thy soul answer mine through the portal
Of the grave, if the soul be immortal
(As the wise men of all climes have taught all
The fools of all climes).
If these men speak truth I come quickly—
My life does thee wrong :
Dost thou languish in shades peopled thickly
With phantoms that throng ?
Have they known thee, my love ? Hast thou known one
To welcome the stranger and lone one ?
O loved one, O lost one, mine own one,
I tarry not long.
The flower that no more shall enwreath us
Turns sunward : the dove
Sails skyward : the grass is beneath us,
The birds are above.
Those skies, an illegible letter,
Seem fairer and farther, scarce better
Than earth to man, crushed by life's fetter
When lifeless is love.
And none can love twice, says the heathen,
And none can twice die :
More hopeful than these are, are we then,
With hopes past the sky,
Yon judge—will He swerve from just sentence
For tardy, fear-stricken repentance ?
22
Ask those who came hither and went hence,
But hope no reply.
And He who shall judge us in light :
How, then, shall I trust
In Him, having sinned in His sight ?
. . . Is jealous and just ;
So priests taught me once, in their learning
Perplexed, slower still in discerning :
Are ashes to ashes returning,
And dust seeking dust.
Can life thrive when life's love expires ?
Are life and love twain ?
Men say so. Nay, all men are liars,
Or all lives are vain.
Let our dead loves and lives be forgotten
With the ripening of fruits that are rotten ;
So we loving fools, dust-begotten,
Go dustward again.
~ Adam Lindsay Gordon,
1283:The Lady Turned Serving-Man
You beauteous ladyes, great and small,
I write unto you one and all,
Whereby that you may understand
What I have suffered in the land.
I was by birth a ladye faire,
An ancient barons only heire,
And when my good old father dyed,
Then I became a young knightes bride.
And there my love built me a bower,
Bedeck'd with many a fragrant flower;
A braver bower you ne'er did see
Then my true-love did build for mee.
And there I livde a ladye gay,
Till fortune wrought our loves decay;
For there came foes so fierce a band,
That soon they over-run the land.
They came upon us in the night,
And brent my bower, and slew my knight;
And trembling hid in mans array,
I scant with life escap'd away.
In the midst of this extremitie,
My servants all did from me flee:
Thus was I left myself alone,
With heart more cold than any stone.
Yet though my heart was ful of care,
Heaven would not suffer me to dispaire.
Wherefore in haste I change'd my name
From faire Elise, to sweet Williame;
And therewithall I cut my haire,
Resolv'd my mans attire to weare;
And in my beaver, hose and band,
I travell'd far through many a land.
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At length all wearied with my toil,
I sate me downe to rest awhile;
My heart it was so fill'd with woe
That downe my cheeke the teares did flow.
It chanc'd the king of that same place
With all his lords a hunting was,
And seeing me weepe, upon the same,
Askt who I was and whence I came.
Then to his Grace I did replye,
'I am a poore and friendlesse boye,
Though nobly borne, nowe forc'd to bee
A serving-man of lowe degree.'
'Stand up, faire youth,' the king reply'd,
'For thee a service I'll provyde.
But tell me first what thou canst do;
Thou shalt be fitted thereunto.
'Wilt thou be usher of my hall,
To wait upon my nobles all?
Or wilt be taster of my wine,
To 'tend on me when I shall dine?
'Or wilt thou be my chamberlaine,
About my person to remaine?
Or wilt thou be one of my guard,
And I will give thee great reward?
'Chuse, gentle youth,' said he, 'thy place.'
Then I reply'd, 'If it please Your Grace
To shew such favour unto mee,
Your chamberlaine I faine would bee.'
The king then smiling gave consent,
And straitwaye to his court I went;
Where I behavde so faithfullie
That hee great favour showd to mee.
Now marke what fortune did provide:
936
The king he would a hunting ride
With all his lords and noble traine,
Sweet William must at home remaine.
Thus being left alone behind,
My former state came in my mind;
I wept to see my mans array;
No longer now a ladye gay.
And meeting with a ladyes vest,
Within the same myself I drest;
With silken robes and jewels rare,
I deckt me, as a ladye faire;
And taking up a lute straitwaye,
Upon the same I strove to play;
And sweetly to the same did sing,
As made both hall and chamber ring.
'My father was as brave a lord,
As ever Europe might afford;
My mother was a lady bright;
My husband was a valiant knight;
'And I myself a ladye gay,
Bedeckt with gorgeous rich array;
The happiest lady in the land
Had not more pleasure at command.
'I had my musicke every day
Harmonious lessons for to play;
I had my virgins faire and free
Continually to wait on mee.
'But now, alas! my husband's dead,
And all my friends are from me fled;
My former days are past and gone,
And I am now a serving-man.'
And fetching many a tender sigh,
As thinking no one then was nigh,
In pensive mood I laid me lowe,
937
My heart was full, the tears did flowe.
The king, who had a huntinge gone,
Grewe weary of his sport anone,
And leaving all his gallant traine,
Turn'd on the sudden home againe;
And when he reach'd his statelye tower,
Hearing one sing within his bower,
He stopt to listen and to see
Who sung there so melodiouslie.
Thus heard he everye word I sed,
And saw the pearlye teares I shed,
And found to his amazement there
Sweet William was a ladye faire.
Then stepping in, 'Faire ladye, rise
And dry,' said he, 'those lovelye eyes,
For I have heard thy mournful tale,
The which shall turne to thy availe.'
A crimson dye my face orespred,
I blusht for shame and hung my head
To find my sex and story knowne,
When as I thought I was alone.
But to be briefe, his Royal Grace
Grewe so enamour'd of my face,
The richest gifts he proffered mee,
His mistress if that I would bee.
'Ah! no, my liege,' I firmlye sayd,
'I'll rather in my grave be layd;
And though Your Grace hath won my heart,
I ne'er will act soe base a part.'
'Faire ladye, pardon me,' sayd hee,
'Thy virtue shall rewarded bee,
And since it is soe fairly tryde
Thou shalt become my royal bride.'
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Then strait to end his amorous strife,
He tooke sweet William to his wife.
The like before was never seene:
A serving-man became a queene.
~ Anonymous Olde English,
1284:The Angel In The House. Book Ii. Canto V.
Preludes.
I Rejected
‘Perhaps she's dancing somewhere now!’
The thoughts of light and music wake
Sharp jealousies, that grow and grow
Till silence and the darkness ache.
He sees her step, so proud and gay,
Which, ere he spake, foretold despair;
Thus did she look, on such a day,
And such the fashion of her hair;
And thus she stood, when, kneeling low,
He took the bramble from her dress,
And thus she laugh'd and talk'd, whose ‘No’
Was sweeter than another's ‘Yes.’
He feeds on thoughts that most deject;
He impudently feigns her charms,
So reverenced in his own respect,
Dreadfully clasp'd by other arms;
And turns, and puts his brows, that ache,
Against the pillow where 'tis cold.
If only now his heart would break!
But, oh, how much a heart can hold.
II Rachel
You loved her, and would lie all night
Thinking how beautiful she was,
And what to do for her delight.
Now both are bound with alien laws!
Be patient; put your heart to school;
Weep if you will, but not despair;
The trust that nought goes wrong by rule
Should ease this load the many bear.
Love, if there's heav'n, shall meet his dues,
Though here unmatch'd, or match'd amiss
Meanwhile, the gentle cannot choose
But learn to love the lips they kiss.
Ne'er hurt the homely sister's ears
147
With Rachel's beauties; secret be
The lofty mind whose lonely tears
Protest against mortality.
III The Heart's Prophecies
Be not amazed at life; 'tis still
The mode of God with His elect
Their hopes exactly to fulfil,
In times and ways they least expect.
The Queen’s Room.
There's nothing happier than the days
In which young Love makes every thought
Pure as a bride's blush, when she says
‘I will’ unto she knows not what;
And lovers, on the love-lit globe,
For love's sweet sake, walk yet aloof,
And hear Time weave the marriage-robe,
Attraction warp and reverence woof!
II
My Housekeeper, my Nurse of yore,
Cried, as the latest carriage went,
‘Well, Mr. Felix, Sir, I'm sure
‘The morning's gone off excellent!
‘I never saw the show to pass
‘The ladies, in their fine fresh gowns,
‘So sweetly dancing on the grass,
‘To music with its ups and downs.
‘We'd such work, Sir, to clean the plate;
‘'Twas just the busy times of old.
‘The Queen's room, Sir, look'd quite like state.
‘Miss Smythe, when she went up, made bold
‘To peep into the Rose Boudoir,
‘And cried, 'How charming! all quite new!'
‘And wonder'd who it could be for.
‘All but Miss Honor look'd in too.
‘But she's too proud to peep and pry.
‘None's like that sweet Miss Honor, Sir!
148
‘Excuse my humbleness, but I
‘Pray Heav'n you'll get a wife like her!
‘The Poor love dear Miss Honor's ways
‘Better than money. Mrs. Rouse,
‘Who ought to know a lady, says
‘No finer goes to Wilton House.
‘Miss Bagshaw thought that dreary room
‘Had kill'd old Mrs. Vaughan with fright;
‘She would not sleep in such a tomb
‘For all her host was worth a night!
‘Miss Fry, Sir, laugh'd; they talk'd the rest
‘In French; and French Sir's Greek to me.
‘But, though they smiled, and seem'd to jest,
‘No love was lost, for I could see
‘How serious-like Miss Honor was—’
‘Well, Nurse, this is not my affair.
‘The ladies talk'd in French with cause.
‘Good-day; and thank you for your prayer.’
III
I loiter'd through the vacant house,
Soon to be hers; in one room stay'd,
Of old my mother's. Here my vows
Of endless thanks were oftenest paid.
This room its first condition kept;
For, on her road to Sarum Town,
Therein an English Queen had slept,
Before the Hurst was half-pull'd down.
The pictured walls the place became:
Here ran the Brook Anaurus, where
Stout Jason bore the wrinkled dame
Whom serving changed to Juno; there,
Ixion's selfish hope, instead
Of the nuptial goddess, clasp'd a cloud;
And, here, translated Psyche fed
Her gaze on Love, not disallow'd.
IV
And in this chamber had she been,
And into that she would not look,
149
My Joy, my Vanity, my Queen,
At whose dear name my pulses shook!
To others how express at all
My worship in that joyful shrine?
I scarcely can myself recall
What peace and ardour then were mine!
And how more sweet than aught below,
The daylight and its duties done,
It felt to fold the hands, and so
Relinquish all regards but one;
To see her features in the dark;
To lie and meditate once more
The grace I did not fully mark,
The tone I had not heard before;
And from my pillow then to take
Her notes, her picture, and her glove,
Put there for joy when I should wake,
And press them to the heart of love;
And then to whisper ‘Wife!’ and pray
To live so long as not to miss
That unimaginable day
Which farther seems the nearer 'tis;
And still from joy's unfathom'd well
To drink, in dreams, while on her brows
Of innocence ineffable
Blossom'd the laughing bridal rose.
~ Coventry Patmore,
1285:The Torture Of Cuauhtemoc
Their strength had fed on this when Death's white arms
Came sleeved in vapors and miasmal dew,
Curling across the jungle's ferny floor,
Becking each fevered brain. On bleak divides,
Where Sleep grew niggardly for nipping cold
That twinged blue lips into a mouthed curse,
Not back to Seville and its sunny plains
Winged their brief-biding dreams, but once again,
Lords of a palace in Tenochtitlan,
They guarded Montezuma's treasure-hoard.
Gold, like some finny harvest of the sea,
Poured out knee deep around the rifted floors,
Shiny and sparkling, -- arms and crowns and rings:
Gold, sweet to toy with as beloved hair, -To plunge the lustful, crawling fingers down,
Arms elbow deep, and draw them out again,
And watch the glinting metal trickle off,
Even as at night some fisherman, home bound
With speckled cargo in his hollow keel
Caught off Campeche or the Isle of Pines,
Dips in his paddle, lifts it forth again,
And laughs to see the luminous white drops
Fall back in flakes of fire. . . . Gold was the dream
That cheered that desperate enterprise. And now? . . .
Victory waited on the arms of Spain,
Fallen was the lovely city by the lake,
The sunny Venice of the western world;
There many corpses, rotting in the wind,
Poked up stiff limbs, but in the leprous rags
No jewel caught the sun, no tawny chain
Gleamed, as the prying halberds raked them o'er.
Pillage that ran red-handed through the streets
Came railing home at evening empty-palmed;
And they, on that sad night a twelvemonth gone,
Who, ounce by ounce, dear as their own life's blood
Retreating, cast the cumbrous load away:
They, when brown foemen lopped the bridges down,
Who tipped thonged chests into the stream below
And over wealth that might have ransomed kings
117
Passed on to safety; -- cheated, guerdonless -Found (through their fingers the bright booty slipped)
A city naked, of that golden dream
Shorn in one moment like a sunset sky.
Deep in a chamber that no cheerful ray
Purged of damp air, where in unbroken night
Black scorpions nested in the sooty beams,
Helpless and manacled they led him down -Cuauhtemotzin -- and other lords beside -All chieftains of the people, heroes all -And stripped their feathered robes and bound them there
On short stone settles sloping to the head,
But where the feet projected, underneath
Heaped the red coals. Their swarthy fronts illumed,
The bearded Spaniards, helmed and haubergeoned,
Paced up and down beneath the lurid vault.
Some kneeling fanned the glowing braziers; some
Stood at the sufferers' heads and all the while
Hissed in their ears: "The gold . . . the gold . . . the gold.
Where have ye hidden it -- the chested gold?
Speak -- and the torments cease!"
They answered not.
Past those proud lips whose key their sovereign claimed
No accent fell to chide or to betray,
Only it chanced that bound beside the king
Lay one whom Nature, more than other men
Framing for delicate and perfumed ease,
Not yet, along the happy ways of Youth,
Had weaned from gentle usages so far
To teach that fortitude that warriors feel
And glory in the proof. He answered not,
But writhing with intolerable pain,
Convulsed in every limb, and all his face
Wrought to distortion with the agony,
Turned on his lord a look of wild appeal,
The secret half atremble on his lips,
Livid and quivering, that waited yet
For leave -- for leave to utter it -- one sign --
118
One word -- one little word -- to ease his pain.
As one reclining in the banquet hall,
Propped on an elbow, garlanded with flowers,
Saw lust and greed and boisterous revelry
Surge round him on the tides of wine, but he,
Staunch in the ethic of an antique school -Stoic or Cynic or of Pyrrho's mind -With steady eyes surveyed the unbridled scene,
Himself impassive, silent, self-contained:
So sat the Indian prince, with brow unblanched,
Amid the tortured and the torturers.
He who had seen his hopes made desolate,
His realm despoiled, his early crown deprived him,
And watched while Pestilence and Famine piled
His stricken people in their reeking doors,
Whence glassy eyes looked out and lean brown arms
Stretched up to greet him in one last farewell
As back and forth he paced along the streets
With words of hopeless comfort -- what was this
That one should weaken now? He weakened not.
Whate'er was in his heart, he neither dealt
In pity nor in scorn, but, turning round,
Met that racked visage with his own unmoved,
Bent on the sufferer his mild calm eyes,
And while the pangs smote sharper, in a voice,
As who would speak not all in gentleness
Nor all disdain, said: "Yes! And am -I- then
Upon a bed of roses?"
Stung with shame -Shame bitterer than his anguish -- to betray
Such cowardice before the man he loved,
And merit such rebuke, the boy grew calm;
And stilled his struggling limbs and moaning cries,
And shook away his tears, and strove to smile,
And turned his face against the wall -- and died.
~ Alan Seeger,
1286:The Death Of Raschi
[Aaron Ben Mier 'loquitur.']
If I remember Raschi? An I live,
Grandson, to bless thy grandchild, I'll forget
Never that youth and what he did for Prague.
Aye, aye, I know! he slurred a certain verse
In such and such a prayer; omitted quite
To stand erect there where the ritual
Commands us rise and bow towards the East;
Therefore, the ingrates brand him heterodox,
Neglect his memory whose virtue saved
Each knave of us alive. Not I forget,
No more does God, who wrought a miracle
For his dear sake. The Passover was here.
Raschi, just wedded with the fair Rebekah,
Bode but the lapsing of the holy week
For homeward journey with his bride to France.
The sacred meal was spread. All sat at board
Within the house of Rabbi Jochanan:
The kind old priest; his noble, new-found son,
Whose name was wrung in every key of praise,
By every voice in Prague, from Duke to serf
(Save the vindictive bigot, Narzerad);
The beautiful young wife, whose cup of joy
Sparkled at brim; next her the vacant chair
Awaited the Messiah, who, unannounced,
In God's good time shall take his place with us.
Now when the Rabbi reached the verse where one
Shall rise from table, flinging wide the door,
To give the Prophet entrance, if so be
The glorious hour have sounded, Raschi rose,
Pale, grave, yet glad with great expectancy,
Crossed the hushed room, and, with a joyous smile
To greet the Saviour, opened the door.
A curse!
A cry, 'Revenged!' a thrust, a stifled moan,
The sheathing of a poniard-that was all!
In the dark vestibule a fleeing form,
Masked, gowned in black; and in the room of prayer,
247
Raschi, face downward on the stone-cold floor,
Bleeding his life out. Oh! what a cry was that
(Folk shuddered, hearing, roods off in the street)
Wherewith Rebekah rushed to raise her lord,
Kneeling beside him, striving in vain to quench
With turban, veil, torn shreds of gown, stained hands,
The black blood's sickening gush. He never spoke,
Never rewarded with one glance of life
The passion in her eyes. He met his end
Even as beneath the sickle the full ear
Bows to its death-so beautiful, silent, ripe.
Well, we poor Jews must gulp our injuries,
Howe'er they choke us. What redress in Prague
For the inhuman murder? A strange Jew
The victim; the suspected criminal
The ducal counselor! Such odds forbade
Revenge or justice. We forbore to seek.
The priest, discrowned o' the glory of his age,
The widow-bride, mourned as though smitten of God,
Gave forth they would with solemn obsequies
Bury their dead, and crave no help from man.
Now of what chanced betwixt the night of murder
And the appointed burial I can give
Only the sum of gossip-servants' tales,
Neighbors' reports, close confidences leaked
From friends and kindred. Night and day, folk said,
Rebekah wept, prayed, fasted by the corpse,
Three mortal days. Upon the third, her eyes,
Sunk in their pits, glimmered with wild, strange fire.
She started from her place beside the dead,
Kissed clay-cold brow, cheeks, lids, and lips once more,
And with a maniac's wan, heart-breaking smile,
Veiled, hooded, glided through the twilight streets,
A sable shadow. From the willow-grove,
Close by the Moldau's brink, beyond the bridge,
Her trace was lost. 'T was evening and mild May,
Air full of spring, skies perfect as a pearl;
Yet one who saw her pass amidst the shades
O' the blue-gray branches swears a sudden flame,
As of miraculous lightning, thrilled through heaven.
One hour thereafter she reentered Prague,
248
Slid swiftly through the streets, as though borne on
By ankle-wings or floating on soft cloud,
Smiling no more, but with illumined eyes,
Transfigured brow, grave lips, and faltering limbs,
So came into the room where Raschi lay
Stretched 'twixt tall tapers lit at head and foot.
She held in both hands leafy, flowerless plants,
Some she had fastened in her twisted hair,
Stuck others in her girdle, and from all
Issued a racy odor, pungent-sweet,
The living soul of Spring. Death's chamber seemed
As though clear sunshine and a singing bird
Therein had entered. From the precious herb
She poured into a golden bowl the sap,
Sparkling like wine; then with a soundless prayer,
White as the dead herself, she held the cup
To Raschi's mouth. A quick, small flame sprang up
From the enchanted balsam, died away,
And lo! the color dawned in cheek and lips,
The life returned, the sealed, blind lids were raised,
And in the glorious eyes love reawoke,
And, looking up, met love.
So runs the tale,
Mocked by the worldly-wise; but I believe,
Knowing the miracles the Lord hath wrought
In every age for Jacob's seed. Moreover,
I, with the highest and meanest Jew in Prague,
Was at the burial. No man saw the dead.
Sealed was the coffin ere the rites began,
And none could swear it went not empty down
Into the hollow earth. Too shrewd our priest
To publish such a wonder, and expose
That consecrated life to second death.
Scarce were the thirty days of mourning sped,
When we awoke to find his home left bare,
Rebekah and her father fled from Prague.
God grant they had glad meeting otherwhere!
~ Emma Lazarus,
1287:I. THE FLOWER'S NAME

Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.

II.

Down this side of the gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!

III.

This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.

IV.

Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.

V.

Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle-
Is not the dear mark still to be seen?

VI.

Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
-Ah, you may flout and turn up your faces-
Roses, you are not so fair after all!
II. SIBRANDUS SCHAFNABURGENSIS.

Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.

II.

Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.

III.

Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend.

IV.

Splash, went he, as under he ducked,
-At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.

V.

Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, de profundis, accentibus ltis,
Cantate! quoth I, as I got a rake;
And up I fished his delectable treatise.

VI.

Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!

VII.

How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover?
-When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?

VIII.

All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.

IX.

Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, sufficit!
See the snug niche I have made on my shelf!
A.'s book shall prop you up, B.'s shall cover you,
Here's C. to be grave with, or D. to be gay,
And with E. on each side, and F. right over you,
Dry-rot at ease till the Judgment-day!


~ Robert Browning, Garden Francies
,
1288:In A Castle
Over the yawning chimney hangs the fog. Drip -- hiss -- drip -- hiss -fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams. Drip -- hiss -- the rain never stops.
The wide, state bed shivers beneath its velvet coverlet. Above, dim,
in the smoke, a tarnished coronet gleams dully. Overhead hammers and chinks
the rain. Fearfully wails the wind down distant corridors, and there comes
the swish and sigh of rushes lifted off the floors. The arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to swaling.
The fire flutters and drops. Drip -- hiss -- the rain never stops.
He shuts the door. The rushes fall again to stillness along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold. Above,
in the firelight, winks the coronet of tarnished gold. The knight shivers
in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette. He will wait for her.
How the log hisses and drips! How warm and satisfying will be her lips!
It is wide and cold, the state bed; but when her head lies under the coronet,
and her eyes are full and wet with love, and when she holds out her arms,
and the velvet counterpane half slips from her, and alarms
her trembling modesty, how eagerly he will leap to cover her, and blot himself
beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord, absent and fighting,
terribly abhorred?
95
He stirs a booted heel and kicks a rolling coal. His spur clinks
on the hearth. Overhead, the rain hammers and chinks. She is so pure
and whole. Only because he has her soul will she resign herself to him,
for where the soul has gone, the body must be given as a sign. He takes her
by the divine right of the only lover. He has sworn to fight her lord,
and wed her after. Should he be overborne, she will die adoring him, forlorn,
shriven by her great love.
Above, the coronet winks in the darkness. Drip -- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off hall.
The candles swale. In the gale the moat below plunges and spatters.
Will the lady lose courage and not come?
The rain claps on a loosened rafter.
Is that laughter?
The room is filled with lisps and whispers. Something mutters.
One candle drowns and the other gutters. Is that the rain
which pads and patters, is it the wind through the winding entries
which chatters?
The state bed is very cold and he is alone. How far from the wall
the arras is blown!
Christ's Death! It is no storm which makes these little chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing and
clasping someone! Through the sobbing storm he hears her love take form
and flutter out in words. They prick into his ears and stun his desire,
which lies within him, hard and dead, like frozen fire. And the little noise
never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
96
II
The state bed shivers in the watery dawn. Drip -- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped and fair in the cold,
grey air. Drip -- hiss -- fall the blood-drops, for the bleeding never stops.
The bodies lie quietly. At each side of the bed, on the floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes along
the rush mat.
A wisp of paper is twisted carefully into the strands of the dead man's hair.
It says, 'My Lord: Your wife's paramour has paid with his life
for the high favour.'
Through the lady's silver fillet is wound another paper. It reads,
'Most noble Lord: Your wife's misdeeds are as a double-stranded
necklace of beads. But I have engaged that, on your return,
she shall welcome you here. She will not spurn your love as before,
you have still the best part of her. Her blood was red, her body white,
they will both be here for your delight. The soul inside was a lump of dirt,
I have rid you of that with a spurt of my sword point. Good luck
to your pleasure. She will be quite complaisant, my friend, I wager.'
The end was a splashed flourish of ink.
Hark! In the passage is heard the clink of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering
in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog. Drip -- hiss -- drip -- hiss -fall the raindrops. Overhead hammers and chinks the rain which never stops.
The velvet coverlet is sodden and wet, yet the roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and blinking.
Among the rushes three corpses are growing cold.
III
In the castle church you may see them stand,
Two sumptuous tombs on either hand
97
Of the choir, my Lord's and my Lady's, grand
In sculptured filigrees. And where the transepts of the church expand,
A crusader, come from the Holy Land,
Lies with crossed legs and embroidered band.
The page's name became a brand
For shame. He was buried in crawling sand,
After having been burnt by royal command.
~ Amy Lowell,
1289:I
First Love

Though nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.

II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.

III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.

IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.

V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.

VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take
She who had brought great Hector down
And put all Troy to wreck
That she cried into this ear,
"Strike me if I shriek.'

VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's pot-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, "I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.

VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!

IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.

X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.

XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.

~ William Butler Yeats, A Man Young And Old - Complete
,
1290:Snow White And The Seven Dwarfs
No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.
Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referredsomething like the weather forecasta mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.
Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
172
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.
Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.
The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin. They were wise
and wattled like small czars.
Yes. It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up. She told them
about the mirror and the killer-queen
173
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.
Looking glass upon the wall...
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.
Looking glass upon the wall...
Once more the mirror told
and once more the queen dressed in rags
and once more Snow White opened the door.
This time she bought a poison comb,
a curved eight-inch scorpion,
and put it in her hair and swooned again.
The dwarfs returned and took out the comb
and she revived miraculously.
She opened her eyes as wide as Orphan Annie.
Beware, beware, they said,
but the mirror told,
the queen came,
Snow White, the dumb bunny,
174
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.
The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow Whiteits doll's eyes shut foreverto keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.
And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
175
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
~ Anne Sexton,
1291: VIII - EVENING A SMALL, NEATLY KEPT CHAMBER

MARGARET

(plaiting and binding up the braids of her hair)

I'd something give, could I but say
Who was that gentleman, to-day.
Surely a gallant man was he,
And of a noble family;
And much could I in his face behold,
And he wouldn't, else, have been so bold!
[Exit

MEPHISTOPHELES FAUST

MEPHISTOPHELES

Come in, but gently: follow me!

FAUST (after a moment's silence)

Leave me alone, I beg of thee!

MEPHISTOPHELES (prying about)

Not every girl keeps things so neat.

FAUST (looking around)

O welcome, twilight soft and sweet,
That breathes throughout this hallowed shrine!
Sweet pain of love, bind thou with fetters fleet
The heart that on the dew of hope must pine!
How all around a sense impresses
Of quiet, order, and content!
This poverty what bounty blesses!
What bliss within this narrow den is pent!

(He throws himself into a leathern arm-chair near the bed.)

Receive me, thou, that in thine open arms
Departed joy and pain wert wont to gather!
How oft the children, with their ruddy charms,
Hung here, around this throne, where sat the father!
Perchance my love, amid the childish band,
Grateful for gifts the Holy Christmas gave her,
Here meekly kissed the grandsire's withered hand.
I feel, O maid! thy very soul
Of order and content around me whisper,
Which leads thee with its motherly control,
The cloth upon thy board bids smoothly thee unroll,
The sand beneath thy feet makes whiter, crisper.
O dearest hand, to thee 'tis given
To change this hut into a lower heaven!
And here!

(He lifts one of the bed-curtains.)

What sweetest thrill is in my blood!
Here could I spend whole hours, delaying:
Here Nature shaped, as if in sportive playing,
The angel blossom from the bud.
Here lay the child, with Life's warm essence
The tender bosom filled and fair,
And here was wrought, through holier, purer presence,
The form diviner beings wear!

And I? What drew me here with power?
How deeply am I moved, this hour!
What seek I? Why so full my heart, and sore?
Miserable Faust! I know thee now no more.

Is there a magic vapor here?
I came, with lust of instant pleasure,
And lie dissolved in dreams of love's sweet leisure!
Are we the sport of every changeful atmosphere?

And if, this moment, came she in to me,
How would I for the fault atonement render!
How small the giant lout would be,
Prone at her feet, relaxed and tender!

MEPHISTOPHELES

Be quick! I see her there, returning.

FAUST

Go! go! I never will retreat.

MEPHISTOPHELES

Here is a casket, not unmeet,
Which elsewhere I have just been earning.
Here, set it in the press, with haste!
I swear, 'twill turn her head, to spy it:
Some baubles I therein had placed,
That you might win another by it.
True, child is child, and play is play.

FAUST

I know not, should I do it?

MEPHISTOPHELES

Ask you, pray?
Yourself, perhaps, would keep the bubble?
Then I suggest, 'twere fair and just
To spare the lovely day your lust,
And spare to me the further trouble.
You are not miserly, I trust?
I rub my hands, in expectation tender

(He places the casket in the press, and locks it again.)

Now quick, away!
The sweet young maiden to betray,
So that by wish and will you bend her;
And you look as though
To the lecture-hall you were forced to go,
As if stood before you, gray and loath,
Physics and Metaphysics both!
But away!
[Exeunt.

MARGARET (with a lamp)

It is so close, so sultry, here!

(She opens the window)

And yet 'tis not so warm outside.
I feel, I know not why, such fear!
Would mother came!where can she bide?
My body's chill and shuddering,
I'm but a silly, fearsome thing!

(She begins to sing while undressing)

There was a King in Thule,
Was faithful till the grave,
To whom his mistress, dying,
A golden goblet gave.

Naught was to him more precious;
He drained it at every bout:
His eyes with tears ran over,
As oft as he drank thereout.

When came his time of dying,
The towns in his land he told,
Naught else to his heir denying
Except the goblet of gold.

He sat at the royal banquet
With his knights of high degree,
In the lofty hall of his fathers
In the Castle by the Sea.

There stood the old carouser,
And drank the last life-glow;
And hurled the hallowed goblet
Into the tide below.

He saw it plunging and filling,
And sinking deep in the sea:
Then fell his eyelids forever,
And never more drank he!

(She opens the press in order to arrange her clothes, and perceives
the casket of jewels.)

How comes that lovely casket here to me?
I locked the press, most certainly.
'Tis truly wonderful! What can within it be?
Perhaps 'twas brought by some one as a pawn,
And mother gave a loan thereon?
And here there hangs a key to fit:
I have a mind to open it.
What is that? God in Heaven! Whence came
Such things? Never beheld I aught so fair!
Rich ornaments, such as a noble dame
On highest holidays might wear!
How would the pearl-chain suit my hair?
Ah, who may all this splendor own?

(She adorns herself with the jewelry, and steps before the
mirror.)

Were but the ear-rings mine, alone!
One has at once another air.
What helps one's beauty, youthful blood?
One may possess them, well and good;
But none the more do others care.
They praise us half in pity, sure:
To gold still tends,
On gold depends
All, all! Alas, we poor!
~ Johann Wolfgang von Goethe, EVENING A SMALL, NEATLY KEPT CHAMBER
,
1292:The Last Battle Of The Cid
Low he lay upon his dying couch, the knight without a stain,
The unconquered Cid Campeadór, the bright breast-plate of Spain,
The incarnate honour of Castille, of Aragon and Navarre,
Very crown of Spanish chivalry, Rodrigo of Bivar!
Sick he lay, and grieved in spirit, for that Paynim dogs should dare
Camp around his knightly citadel, Valencia the fair!
For that he no more should face them, in his beauteous armour dight,
To whom God and Santiago aye gave victory in the fight.
Faintly rising o'er the ramparts came the murmur of the siege,
And he could but pray for Christendom, his country and his liege;
For his well-belovèd city, granite-girdled, pennon-starred,
And the royal wealth of treasure that its stately portals barred.
“Santiago, at whose altar I did watch mine armour bright,
And was girt with golden spur and brand, a consecrated knight!—
Santiago, by my vow redeemed at Compostela's shrine,
Let the Paynim life-blood only touch these blessed walls of mine!
“Santiago, warrior saintly, who with Don Fernando's host
Stormed and won the gates of Coimbra, guard my fortress on the coast!
Keep the holy leper's blessing, though the snow is on my hair;—
Strike the base-born unbelievers!—save Valencia the fair!”
Lo, a sudden cloud of glory filled his chamber as he prayed!
Lo, San Pedro stood beside him, all in shining robes arrayed!
“For thy love, Rodrigo Diaz, to Cardeña's house,” said he,
“I have offered intercessions, and the Lord hath answered me.
“Thou must die, O well-beloved!—thirty days, and thou must die!
Yet in death shall Santiago grant thee still a victory.
Thou shalt ride forth to the battle—Santiago shall be there—
For the Faith and Don Alfonso and Valencia the fair.”
Silence reigned within the chamber; none stood near the hero's bed;
All that dazzling flood of glory slowly, softly vanishèd.
He could only hear the murmur from the ramparts rise and fall;
He could only see the cross-bars stretching dimly on the wall.
206
In San Pedro's chapel lay the Cid, his eyes with rapture dim,
And proclaimed the wondrous favour that the Lord had granted him.
Then he parted from his vassals, and went humbly to confess;
And the warrior-bishop clothed his soul in its baptismal dress.
'Twas the holy day of Pentecost that saw Ruy Diaz die—
Evermore the spotless mirror of Castillian chivalry!
They, in whom his will was shrinèd, Alvar Fanez and his knights,
Stood to watch the hero vanquished who had won a thousand fights.
DoXimena, the faithful, with her tears bedewed his feet,
And anointed all his body with pure incense, rich and sweet.
Then in silence and in sorrow the twelve days of waiting fled;
And the warders on the ramparts dared not whisper, “He is dead.”
In the midnight, dark and quiet, fell the torches' lurid glare
On the palaces and portals of Valencia the fair;
And a solemn, slow procession, mounted all in royal state,
Like the spectre of an army, passed beneath the city gate.
In the van was borne the ensign, known and dreaded far and wide,
With four hundred noblest knights ranged proudly by its side.
Toward Castille and Cardeña were those haughty faces set,—
And that banner never more did crown Valencia's parapet.
Then came mules, with treasure laden, stepping softly on before,
Compassed round with knights in armour—to the full four hundred more.
Then a band of belted nobles, stern and silent; and amid
Their levelled lances, he of Bivar—the Campeadór—the Cid.
On his milk-white steed, Babieca, whom none else did e'er bestride,
Clad in all his princely trappings, did the lifeless warrior ride;
Girt with helm and spur and blazoned shield, and grasping in his hand
The bright crosslet of Tizona, his thrice-consecrated brand.
Geronymo and Gil Diaz held the slackened bridlerein—
His true bishop and true vassal—as they moved on to the plain;
And Ximena and her maidens, 'mid the torchlight weird and dim,
With six hundred knights in harness, followed slowly after him.
In the solemn hush and darkness, with no joyful clarion-cry,
207
And no clash and clank of weapons, riding all so silently;—
Thus they passed out from the city e'er the summer morning broke,
And were found arrayed for battle when the infidels awoke.
Great and mighty was the Moorish host, by thirty monarchs led,
But a greater was the army with Rodrigo at the head;
For, behold! came Santiago to the bloody battle-plain—
Santiago, with a hundred thousand warriors in his train.
Each in robe of shining whiteness, with a red cross on his breast,—
Each with fiery sword uplifted or with golden lance at rest;
Santiago, saintly leader, on a charger white as snow—
Sent to aid the Cid Campeadór in vanquishing the foe.
All the Paynims looked amazèd on the dreadful beauteous sight,
As the tender light of morning softly crept out from the night;
Then they harnessed them in silence, sternly grasping shield and spear,
And pressed on in serried column, full of wonder, full of fear.
There was one loud shock of battle, then they wildly turned to flee,
And the Cid and Santiago swept their hosts into the sea.
Twenty kings and twenty armies in that bloody fight were slain,
And were left, with upturned faces, stiff and stark upon the plain.
Fair and shining came the daylight, all in liquid summer sheen—
But no more was Santiago, or his white-robed warriors, seen;
Only one small train of nobles, riding on, with stately pace,
To San Pedro de Cardeña and the great Cid's resting-place.
By the altar in the chapel, where the monarch's throne doth stand,
Sat the dead Cid, robed in purple, with his good sword in his hand.
And again the Moorish ensign fluttered proudly in the air,
Lifted high above the ramparts of Valencia the fair.
~ Ada Cambridge,
1293:That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely
surrender myself to your loosened hair? We, squanderers of
gazing beyond them to judge the end of their duration.
They are only our winter's foliage, our sombre evergreen,
one of the seasons of our interior year, -not only season,
but place, settlement, camp, soil and dwelling.

How woeful, strange, are the alleys of the City of Pain,
where in the false silence created from too much noise,
a thing cast out from the mold of emptiness
swaggers that gilded hubbub, the bursting memorial.
Oh, how completely an angel would stamp out their market
of solace, bounded by the church, bought ready for use:
as clean, disappointing and closed as a post office on Sunday.
Farther out, though, there are always the rippling edges
of the fair. Seasaws of freedom! High-divers and jugglers of zeal!
And the shooting-gallery's targets of bedizened happiness:
targets tumbling in tinny contortions whenever some better
marksman happens to hit one. From cheers to chance he goes
staggering on, as booths that can please the most curious tastes
are drumming and bawling. For adults ony there is something
special to see: how money multiplies. Anatomy made amusing!
Money's organs on view! Nothing concealed! Instructive,
and guaranteed to increase fertility!

                             Oh, and then outside,
behind the farthest billboard, pasted with posters for 'Deathless,'
that bitter beer tasting quite sweet to drinkers,
if they chew fresh diversions with it..
Behind the billboard, just in back of it, life is real.
Children play, and lovers hold each other, -aside,
earnestly, in the trampled grass, and dogs respond to nature.
The youth continues onward; perhaps he is in love with
a young Lament.he follows her into the meadows.
She says: the way is long. We live out there.
                           Where? And the youth
follows. He is touched by her gentle bearing. The shoulders,
the neck, -perhaps she is of noble ancestry?
Yet he leaves her, turns around, looks back and waves
What could come of it? She is a Lament.

Only those who died young, in their first state of
timeless serenity, while they are being weaned,
follow her lovingly. She waits for girls
and befriends them. Gently she shows them
what she is wearing. Pearls of grief
and the fine-spun veils of patience.-
With youths she walks in silence.

But there, where they live, in the valley,
an elderly Lament responds to the youth as he asks:-
We were once, she says, a great race, we Laments.
Our fathers worked the mines up there in the mountains;
sometimes among men you will find a piece of polished
primeval pain, or a petrified slag from an ancient volcano.
Yes, that came from there. Once we were rich.-

And she leads him gently through the vast landscape
of Lamentation, shows him the columns of temples,
the ruins of strongholds from which long ago
the princes of Lament wisely governed the country.
Shows him the tall trees of tears,
the fields of flowering sadness,
(the living know them only as softest foliage);
show him the beasts of mourning, grazing-
and sometimes a startled bird, flying straight through
their field of vision, far away traces the image of its
solitary cry.-
At evening she leads him to the graves of elders
of the race of Lamentation, the sybils and prophets.
With night approaching, they move more softly,
and soon there looms ahead, bathed in moonlight,
the sepulcher, that all-guarding ancient stone,
Twin-brother to that on the Nile, the lofty Sphinx-:
the silent chamber's countenance.
They marvel at the regal head that has, forever silent,
laid the features of manking upon the scales of the stars.
His sight, still blinded by his early death,
cannot grasp it. But the Sphinx's gaze
frightens an owl from the rim of the double-crown.
The bird, with slow down-strokes, brushes
along the cheek, that with the roundest curve,
and faintly inscribes on the new death-born hearing,
as though on the double page of an opened book,
the indescribable outline.

And higher up, the stars. New ones. Stars
of the land of pain. Slowly she names them:
"There, look: the Rider ,the Staff,and that
crowded constellation they call the the Garland of Fruit.
Then farther up toward the Pole:
Cradle, Way, the Burning Book, Doll, Window.
And in the Southern sky, pure as lines
on the palm of a blessed hand, the clear sparkling M,
standing for Mothers.."

Yet the dead youth must go on alone.
In silence the elder Lament brings him
as far as the gorge where it shimmers in the moonlight:
The Foutainhead of Joy. With reverance she names it,
saying: "In the world of mankind it is a life-bearing stream."

They reach the foothills of the mountain,
and there she embraces him, weeping.

Alone, he climbs the mountains of primeval pain.
Not even his footsteps ring from this soundless fate.

But were these timeless dead to awaken an image for us,
see, they might be pointing to th catkins, hanging
from the leafless hazels, or else they might mean
the rain that falls upon the dark earth in early Spring.

And we, who always think
of happiness as rising feel the emotion
that almost overwhelms us
whenever a happy thing falls.

~ Rainer Maria Rilke, Elegy X
,
1294:I.
Once, early in the morning, Beelzebub arose,
With care his sweet person adorning,
He put on his Sunday clothes.

II.
He drew on a boot to hide his hoof,
He drew on a glove to hide his claw,
His horns were concealed by a Bras Chapeau,
And the Devil went forth as natty a Beau
As Bond-street ever saw.

III.
He sate him down, in London town,
Before earth's morning ray;
With a favourite imp he began to chat,
On religion, and scandal, this and that,
Until the dawn of day.

IV.
And then to St. James's Court he went,
And St. Pauls Church he took on his way;
He was mighty thick with every Saint,
Though they were formal and he was gay.

V.
The Devil was an agriculturist,
And as bad weeds quickly grow,
In looking over his farm, I wist,
He wouldn't find cause for woe.

VI.
He peeped in each hole, to each chamber stole,
His promising live-stock to view;
Grinning applause, he just showed them his claws,
And they shrunk with affright from his ugly sight,
Whose work they delighted to do.

VII.
Satan poked his red nose into crannies so small
One would think that the innocents fair,
Poor lambkins! were just doing nothing at all
But settling some dress or arranging some ball,
But the Devil saw deeper there.

VIII.
A Priest, at whose elbow the Devil during prayer
Sate familiarly, side by side,
Declared that, if the Tempter were there,
His presence he would not abide.
Ah! ah! thought Old Nick, that's a very stale trick,
For without the Devil, O favourite of Evil,
In your carriage you would not ride.

IX.
Satan next saw a brainless King,
Whose house was as hot as his own;
Many Imps in attendance were there on the wing,
They flapped the pennon and twisted the sting,
Close by the very Throne.

X.
Ah! ah! thought Satan, the pasture is good,
My Cattle will here thrive better than others;
They dine on news of human blood,
They sup on the groans of the dying and dead,
And supperless never will go to bed;
Which will make them fat as their brothers.

XI.
Fat as the Fiends that feed on blood,
Fresh and warm from the fields of Spain,
Where Ruin ploughs her gory way,
Where the shoots of earth are nipped in the bud,
Where Hell is the Victor's prey,
Its glory the meed of the slain.

XII.
Fat--as the Death-birds on Erin's shore,
That glutted themselves in her dearest gore,
And flitted round Castlereagh,
When they snatched the Patriot's heart, that HIS grasp
Had torn from its widow's maniac clasp,
--And fled at the dawn of day.

XIII.
Fat--as the Reptiles of the tomb,
That riot in corruption's spoil,
That fret their little hour in gloom,
And creep, and live the while.

XIV.
Fat as that Prince's maudlin brain,
Which, addled by some gilded toy,
Tired, gives his sweetmeat, and again
Cries for it, like a humoured boy.

XV.
For he is fat,--his waistcoat gay,
When strained upon a levee day,
Scarce meets across his princely paunch;
And pantaloons are like half-moons
Upon each brawny haunch.

XVI.
How vast his stock of calf! when plenty
Had filled his empty head and heart,
Enough to satiate foplings twenty,
Could make his pantaloon seams start.

XVII.
The Devil (who sometimes is called Nature),
For men of power provides thus well,
Whilst every change and every feature,
Their great original can tell.

XVIII.
Satan saw a lawyer a viper slay,
That crawled up the leg of his table,
It reminded him most marvellously
Of the story of Cain and Abel.

IXX.
The wealthy yeoman, as he wanders
His fertile fields among,
And on his thriving cattle ponders,
Counts his sure gains, and hums a song;
Thus did the Devil, through earth walking,
Hum low a hellish song.

XX.
For they thrive well whose garb of gore
Is Satans choicest livery,
And they thrive well who from the poor
Have snatched the bread of penury,
And heap the houseless wanderers store
On the rank pile of luxury.

XXI.
The Bishops thrive, though they are big;
The Lawyers thrive, though they are thin;
For every gown, and every wig,
Hides the safe thrift of Hell within.

XXII.
Thus pigs were never counted clean,
Although they dine on finest corn;
And cormorants are sin-like lean,
Although they eat from night to morn.

XXIII.
Oh! why is the Father of Hell in such glee,
As he grins from ear to ear?
Why does he doff his clothes joyfully,
As he skips, and prances, and flaps his wing,
As he sidles, leers, and twirls his sting,
And dares, as he is, to appear?

XXIV.
A statesman passed--alone to him,
The Devil dare his whole shape uncover,
To show each feature, every limb,
Secure of an unchanging lover.

XXV.
At this known sign, a welcome sight,
The watchful demons sought their King,
And every Fiend of the Stygian night,
Was in an instant on the wing.

XXVI.
Pale Loyalty, his guilt-steeled brow,
With wreaths of gory laurel crowned:
The hell-hounds, Murder, Want and Woe,
Forever hungering, flocked around;
From Spain had Satan sought their food,
'Twas human woe and human blood!

XXVII.
Hark! the earthquake's crash I hear,--
Kings turn pale, and Conquerors start,
Ruffians tremble in their fear,
For their Satan doth depart.

XXVIII.
This day Fiends give to revelry
To celebrate their King's return,
And with delight its Sire to see
Hell's adamantine limits burn.

XXIX.
But were the Devil's sight as keen
As Reason's penetrating eye,
His sulphurous Majesty I ween,
Would find but little cause for joy.

XXX.
For the sons of Reason see
That, ere fate consume the Pole,
The false Tyrant's cheek shall be
Bloodless as his coward soul.
Published as a broadside by Shelley, 1812
~ Percy Bysshe Shelley, The Devils Walk. A Ballad
,
1295:Vanity, saith the preacher, vanity!
  Draw round my bed: is Anselm keeping back?
  Nephewssons mine . . . ah God, I know not! Well
  She, men would have to be your mother once,
  Old Gandolf envied me, so fair she was!
  What's done is done, and she is dead beside,
  Dead long ago, and I am Bishop since,
  And as she died so must we die ourselves,
  And thence ye may perceive the world's a dream.
  Life, how and what is it? As here I lie
  In this state-chamber, dying by degrees,
  Hours and long hours in the dead night, I ask
  Do I live, am I dead?" Peace, peace seems all.
  Saint Praxed's ever was the church for peace;
  And so, about this tomb of mine. I fought
  With tooth and nail to save my niche, ye know:
  Old Gandolf cozened me, despite my care;
  Shrewd was that snatch from out the corner South
  He graced his carrion with, God curse the same!
  Yet still my niche is not so cramped but thence
  One sees the pulpit o' the epistle-side,
  And somewhat of the choir, those silent seats,
  And up into the aery dome where live
  The angels, and a sunbeam's sure to lurk
  And I shall fill my slab of basalt there,
  And 'neath my tabernacle take my rest,
  With those nine columns round me, two and two,
  The odd one at my feet where Anselm stands:
  Peach-blossom marble all, the rare, the ripe
  As fresh-poured red wine of a mighty pulse.
  Old Gandolf with his paltry onion-stone,
  Put me where I may look at him! True peach,
  Rosy and flawless: how I earned the prize!
  Draw close: that conflagration of my church
  What then? So much was saved if aught were missed!
  My sons, ye would not be my death? Go dig
  The white-grape vineyard where the oil-press stood,
  Drop water gently till the surface sink,
  And if ye find . . . Ah God, I know not, I!
  Bedded in store of rotten fig-leaves soft,
  And corded up in a tight olive-frail,
  Some lump, ah God, of lapis lazuli,
  Big as a Jew's head cut off at the nape,
  Blue as a vein o'er the Madonna's breast
  Sons, all have I bequeathed you, villas, all,
  That brave Frascati villa with its bath,
  So, let the blue lump poise between my knees,
  Like God the Father's globe on both His hands
  Ye worship in the Jesu Church so gay,
  For Gandolf shall not choose but see and burst!
  Swift as a weaver's shuttle fleet our years:
  Man goeth to the grave, and where is he?
  Did I say basalt for my slab, sons? Black
  'Twas ever antique-black I meant! How else
  Shall ye contrast my frieze to come beneath?
  The bas-relief in bronze ye promised me,
  Some tripod, thyrsus, with a vase or so,
  The Saviour at his sermon on the mount,
  Saint Praxed in a glory, and one Pan
  Ready to twitch the Nymph's last garment off,
  And Moses with the tables . . . but I know
  Ye mark me not! What do they whisper thee,
  Child of my bowels, Anselm? Ah, ye hope
  To revel down my villas while I gasp
  Bricked o'er with beggar's mouldy travertine
  Which Gandolf from his tomb-top chuckles at!
  Nay, boys, ye love meall of jasper, then!
  'Tis jasper ye stand pledged to, lest I grieve.
  My bath must needs be left behind, alas!
  One block, pure green as a pistachio-nut,
  There's plenty jasper somewhere in the world
  And have I not Saint Praxed's ear to pray
  Horses for ye, and brown Greek manuscripts,
  And mistresses with great smooth marbly limbs?
  That's if ye carve my epitaph aright,
  Choice Latin, picked phrase, Tully's every word,
  No gaudy ware like Gandolf's second line
  Tully, my masters? Ulpian serves his need!
  And then how I shall lie through centuries,
  And hear the blessed mutter of the mass,
  And see God made and eaten all day long,
  And feel the steady candle-flame, and taste
  Good strong thick stupefying incense-smoke!
  For as I lie here, hours of the dead night,
  Dying in state and by such slow degrees,
  I fold my arms as if they clasped a crook,
  And stretch my feet forth straight as stone can point,
  And let the bedclothes, for a mortcloth, drop
  Into great laps and folds of sculptor's-work:
  And as yon tapers dwindle, and strange thoughts
  Grow, with a certain humming in my ears,
  About the life before I lived this life,
  And this life too, popes, cardinals and priests,
  Saint Praxed at his sermon on the mount,
  Your tall pale mother with her talking eyes,
   And new-found agate urns as fresh as day,
   And marble's language, Latin pure, discreet,
   Aha, ELUCESCEBAT quoth our friend?
  No Tully, said I, Ulpian at the best!
  Evil and brief hath been my pilgrimage.
  All lapis, all, sons! Else I give the Pope
  My villas! Will ye ever eat my heart?
  Ever your eyes were as a lizard's quick,
  They glitter like your mother's for my soul,
  Or ye would heighten my impoverished frieze,
  Piece out its starved design, and fill my vase
  With grapes, and add a vizor and a Term,
  And to the tripod ye would tie a lynx
  That in his struggle throws the thyrsus down,
  To comfort me on my entablature
  Whereon I am to lie till I must ask
  "Do I live, am I dead?" There, leave me, there!
  For ye have stabbed me with ingratitude
  To deathye wish itGod, ye wish it! Stone
  Gritstone, a-crumble! Clammy squares which sweat
  As if the corpse they keep were oozing through
  And no more lapis to delight the world!
  Well, go! I bless ye. Fewer tapers there,
  But in a row: and, going, turn your backs
  Ay, like departing altar-ministrants,
  And leave me in my church, the church for peace,
  That I may watch at leisure if he leers
  Old Gandolf, at me, from his onion-stone,
  As still he envied me, so fair she was!


~ Robert Browning, Bishop Orders His Tomb at Saint Praxed's Church, Rome, The
,
1296:Beowulf (Episode 35)
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
for woful war ('tis widely known) ,
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
150
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me! '
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord! '
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
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under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
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those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved hisbreast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
~ Anonymous Olde English,
1297:At Liberty
1.
No sight to me like sight of ships.
No wine to me like salt- spray thrown
By morning breezes on my lips;
No music sweeter than the moan
Of solemn surges landward blown.
O world unconquered! O great sea,
Tamed by celestial winds alone!
My spirit is at home with thee,
Panting with thy wild waves for space and liberty.
2.
The land is captive, sold, and bought;
The streets are filled with traffic base;
And I am choked with narrow thought —
The dusty customs that disgrace
Mart, chamber, church, and judgment- place.
But when, upon this lonely shore,
I hear thy voice and see thy face,
I seem to pass a prison door,
And breathe, a free- born man, my native air once more.
3.
The urgent tyrannies of life
Relax their grasp when I am here;
I rise above the fretful strife,
The timid doubt, the trembling fear,
The petty woes that crowd so near;
And, with brain cleansed and pulses stilled,
Stand in the spacious atmosphere,
My inmost being rapt and thrilled,
With unimagined peace and wordless worship filled.
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4.
O mystery that no thought can reach!
O language that no tongue can tell!
The whispering surf upon the beach —
The murmuring of the mid- sea swell —
The long boom, like a tolling bell,
That shakes the earth beneath my feet —
The solitude ineffable!
O what new strength, divine and sweet,
Breathes in the mighty gales that round these headlands beat!
5.
Thou, friend, in those wild arms caressed,
My comrade, that hast house and home
On that illimitable breast,
Thy spirit in the wind and foam
Meets mine beneath this starlit dome.
I have no compass and no chart;
I know not where thy bark may roam;
I know not, brother, where thou art;
But I can feel thy courage lifting up my heart.
6.
The shadow of the splendid night
Blots out sea- blue and sunset red.
The glimmering canvas, wide and white,
By sweeping rush of trade- wind spread,
Like sea- birds wings above thy head —
Tall mast, slim spar and cobweb shroud,
And slant deck echoing to thy tread —
The great ship, stately, strong, and proud,
Fades on the darkening deep like some dispersing cloud.
62
7.
But thou art there, amid the stars
That watch me with those steadfast eyes.
Thy soul, escaped from bolts and bars,
Conventioned fetters and disguise,
As open as these arching skies,
Untrammelled as this boundless sea,
Calm in the awful darkness lies,
Like babe upon its mother's knee,
Humble, but unafraid, as honest soul should be.
8.
Thinking of thee — so small a speck
Amid these myriad worlds around,
But king upon thy quarter- deck —
More king than monarch throned and crowned
That e'er on subject smiled or frowned —
Of what depends upon thy skill,
And thee, by conscience only bound —
I think how nobly we may fill
Our part that looks so hard and hopeless, if we will.
9.
Poor, puny mortals that we are,
Clinging to reeds, and ropes of sand,
'Twere better done, 'twere braver far,
Unsheltered and upright to stand,
The free soul at its own command;
In Him- whate'er He be — to trust
Who holds us in His mighty hand,
And guides each star and grain of dust —
Or to renounce all hope and comfort, if we must.
63
10.
When mercury sinks and winds are foul,
When mists are thick and skies are black,
And hurricanes that shriek and howl,
And wild seas, leaping like a pack
Of hungry wolves upon thy track,
Smother the deck with spume and spray —
Thou, quiet in the dreadful wrack,
Keeping thy watch, dost stand at bay,
Unshaken by one thought of danger or dismay.
11.
Then why, in life's disastrous hours,
Shall we not face the storm and stress
Of those dark destinies and powers,
Those strong fates, that so hardly press
Upon our lonely littleness?
With timbers sound and thou to guide,
Thy ship will live through her distress.
Shall we not also safely ride,
If hearts be stout and true, whatever may betide?
12.
Or if, indeed, we have to meet
The worst that e'er stout heart befell —
If we must suffer sore defeat,
O'erwhelming, irresistible —
Shall we not bear that test as well?
Shall we not die without disgrace?
No force of anguish can compel
Brave men to turn to mean and base,
And all that fate can bring brave men should dare to face.
64
13.
If, suddenly, some dire mischance —
Collision, cyclone, fire — should mock
Thy keen and sleepless vigilance;
If there should come, unwarned, the shock
Of shattering hull on sunken rock —
If death, in fog, or flood, or flame,
Upon thy cabin door should knock —
Thy native righteousness would shame
The men who boast most loudly of the Christian name.
14.
“The women first!” thy voice would cry
Above the roar of wind and wave;
And thou, the last, would'st calmly die,
Intrepid, resolute, and brave,
All them that trusted thee to save.
If thou could'st see rewards in store —
A martyr's crown beyond the grave —
If all heaven beckoned thee before,
Or fear of hell-fire drove thee — thou could'st do no more.
15.
Art thou, in thy lone- handed fight,
That fails to serve thee, but succeeds
In victory for the true and right,
Beneath the soul that only heeds
The cry of its own lower needs? —
That shelters, trembling, from the fray
In privilege of pleasant creeds,
That are but systems of a day,
From age to age new- made, outworn, and cast away?
65
16.
Are we not strong enough to take
The course by conscience marked so plain? —
Faithful till death, for manhood's sake,
Unspurred by coward fear of pain,
Unbribed by hope of selfish gain.
Must soaring progress sink and fall?
And is all history writ in vain?
Is life a thing so poor and small?
And is the great design a muddle after all?
17.
Standing in this tremendous space
Of starlit sky and whispering sea,
With my great Maker face to face,
His countless worlds surrounding me,
Eternity — Infinity —
Humble, but confident, I dare
To let these bitter questions be.
We, too, are creatures of His care.
The voice that called us forth forbids us to despair.
~ Ada Cambridge,
1298:A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked
of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window. His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.

MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed
nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, "High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, "What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, "I seek your help,
For I am Aengus, and I am crossed in love.'
"How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
"I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy house,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
"I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines" children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, "These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,

~ William Butler Yeats, The Old Age Of Queen Maeve
,
1299:Childe Waters
Childe Waters in his stable stoode
And stroakt his milke-white steede;
To him a fayre yonge ladye came
As ever ware womans weede.
Sayes, 'Christ you save, good Childe Waters,'
Sayes, 'Christ you save and see;
My girdle of gold that was too longe,
Is now too short for mee.
'And all is with one childe of yours
I feele sturre at my side;
My gowne of greene it is too straighte;
Before, it was too wide.'
'If the childe be mine, faire Ellen,' he sayd,
'Be mine, as you tell mee,
Then take you Cheshire and Lancashire both,
Take them your owne to bee.
'If the childe be mine, faire Ellen,' he sayd,
'Be mine, as you doe sweare,
Then take you Cheshire and Lancashire both,
And make that childe your heyre.'
Shee sayes, 'I had rather have one kisse,
Childe Waters, of thy mouth,
Than I wolde have Cheshire and Lancashire both,
That lye by north and southe.
'And I had rather have one twinkling,
Childe Waters, of thine ee,
Than I wolde have Cheshire and Lancashire both,
To take them mine owne to bee.'
'To-morrowe, Ellen, I must forth ryde
Farr into the north countree;
The fayrest ladye that I can finde,
Ellen, must goe with mee.'
166
''Thoughe I am not that ladye fayre,
Yet let me goe with thee:'
And ever I pray you, Childe Waters,
Your foot-page let me bee.'
'If you will my foot-page bee, Ellen,
As you doe tell to mee,
Then you must cut your gowne of greene
An inch above your knee:
'Soe must you doe your yellowe lockes,
An inch above your ee;
You must tell no man what is my name;
My foot-page then you shall bee.'
Shee, all the longe daye Childe Waters rode,
Ran barefoote by his syde,
Yet was he never soe courteous a knighte,
To say, 'Ellen, will you ryde?'
Shee, all the long daye Childe Waters rode,
Ran barefoote thorow the broome,
Yet was hee never soe courteous a knighte,
To say, 'put on your shoone.'
'Ride softlye,' shee sayd, 'O Childe Waters,
Why doe you ryde so fast?
The childe, which is no mans but thine,
My bodye itt will brast.'
Hee sayth, 'Seest thou yonder water, Ellen,
That flows from banke to brimme?' 'I trust in God, O Childe Waters,
You never will see me swimme.'
But when shee came to the water side,
She sayled to the chinne:
'Nowe the Lord of heaven be my speede,
For I must learne to swimme.'
The salt waters bare up her clothes;
167
Our Ladye bare up her chinne;
Childe Waters was a woeman, good Lord,
To see faire Ellen swimme!
And when shee over the water was,
Shee then came to his knee:
Hee sayd, 'Come hither, thou fayre Ellen,
Loe yonder what I see.
'Seest thou not yonder hall, Ellen?
Of redd gold shines the yate:
Of twenty-foure faire ladyes there,
The fairest is my mate.
'Seest thou not yonder hall, Ellen?
Of redd golde shines the towre:
There are twenty-four fayre ladyes there,
The fayrest is my paramoure.'
'I see the hall now, Childe Waters,
Of redd golde shines the yate:
God give you good now of yourselfe,
And of your worthye mate.
'I see the hall now, Childe Waters,
Of redd golde shines the towre:
God give you good now of yourselfe,
And of your paramoure.'
There twenty-four fayre ladyes were
A playing at the ball,
And Ellen, the fayrest ladye there,
Must bring his steed to the stall.
There twenty-four fayre ladyes were
A playinge at the chesse,
And Ellen, the fayrest ladye there,
Must bring his horse to gresse.
And then bespake Childe Waters sister,
These were the wordes sayd shee:
'You have the prettyest page, brother,
168
That ever I did see;
'But that his bellye it is so bigge,
His girdle stands soe hye;
And ever I pray you, Childe Waters,
Let him in my chamber lye.'
'It is not fit for a little foot-page,
That has run throughe mosse and myre,
To lye in the chamber of any ladye,
That weares soe riche attyre.
'It is more meete for a little foot-page,
That has run throughe moss and myre,
To take his supper upon his knee,
And lye by the kitchen fyre.'
Now when they had supped every one,
To bedd they tooke theyr waye:
He sayd, 'Come hither, my little foot-page,
And hearken what I saye.
'Goe thee downe into yonder towne,
And lowe into the streete;
The fayrest ladye that thou canst finde,
Hyre in mine armes to sleepe;
And take her up in thine armes twaine,
For filing of her feete.'
Ellen is gone into the towne,
And lowe into the streete;
The fayrest ladye that shee colde finde
She hyred in his armes to sleepe;
And tooke her up in her armes twaine,
For filing of her feete.
'I praye you nowe, good Childe Waters,
Let mee lye at your feete;
For there is noe place about this house,
Where I may 'saye a sleepe.'
'He gave her leave, and fair Ellen
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'Down at his beds feet laye;
This done the nighte drove on apace,
And when it was neare the daye,
Hee sayd, 'Rise up, my little foot-page,
Give my steede corne and haye;
And give him nowe the good black oates,
To carry mee better awaye.'
Up then rose the faire Ellen,
And gave his steed corne and haye;
And soe shee did the good black oates,
To carry him the better awaye.
She
And
She
And
leaned her back to the manger side,
grievouslye did groane;
leaned her back to the manger side,
there shee made her moane.
And that beheard his mother deare,
Shee heard 'her woefull woe:'
She sayd, 'Rise up, thou Childe Waters,
And into thy stable goe.
'For in thy stable is a ghost,
That grievouslye doth grone;
Or else some woman laboures with childe,
Shee is soe woe-begone.'
Up then rose Childe Waters soone,
And did on his shirte of silke;
And then he put on his other clothes,
On his bodye as white as milke.
And when he came to the stable dore,
Full still there hee did stand,
That hee mighte heare his fayre Ellen,
Howe shee made her monand.
She sayd, 'Lullabye, mine own dear childe,
Lullabye, deare childe, deare;
I wolde thy father were a kinge,
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Thy mothere ladye on a biere.'
'Peace nowe,' hee sayd, 'good, faire Ellen,
Bee of good cheere, I praye;
And the bridale and the churchinge bothe
Shall bee upon one daye.'
~ Anonymous Olde English,
1300:The Raven
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
''Tis some visitor,' I muttered, 'tapping at my chamber doorOnly this, and nothing more.'
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost LenoreFor the rare and radiant maiden whom the angels name LenoreNameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
''Tis some visitor entreating entrance at my chamber doorSome late visitor entreating entrance at my chamber door;This it is, and nothing more.'
Presently my soul grew stronger; hesitating then no longer,
'Sir,' said I, 'or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you'- here I opened wide the door;Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering,
fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, 'Lenore!'
This I whispered, and an echo murmured back the word, 'Lenore!'Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
'Surely,' said I, 'surely that is something at my window lattice:
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Let me see, then, what thereat is, and this mystery exploreLet my heart be still a moment and this mystery explore;'Tis the wind and nothing more.'
Open here I flung the shutter, when, with many a flirt and
flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed
he;
But, with mien of lord or lady, perched above my chamber doorPerched upon a bust of Pallas just above my chamber doorPerched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
'Though thy crest be shorn and shaven, thou,' I said, 'art sure no
craven,
Ghastly grim and ancient raven wandering from the Nightly shoreTell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the Raven, 'Nevermore.'
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber doorBird or beast upon the sculptured bust above his chamber door,
With such name as 'Nevermore.'
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he flutteredTill I scarcely more than muttered, 'other friends have flown
beforeOn the morrow he will leave me, as my hopes have flown before.'
Then the bird said, 'Nevermore.'
Startled at the stillness broken by reply so aptly spoken,
'Doubtless,' said I, 'what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden boreTill the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'.'
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But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and
door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yoreWhat this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking 'Nevermore.'
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
'Wretch,' I cried, 'thy God hath lent thee- by these angels he
hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!'
Quoth the Raven, 'Nevermore.'
'Prophet!' said I, 'thing of evil!- prophet still, if bird or
devil!Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchantedOn this home by horror haunted- tell me truly, I imploreIs there- is there balm in Gilead?- tell me- tell me, I implore!'
Quoth the Raven, 'Nevermore.'
'Prophet!' said I, 'thing of evil- prophet still, if bird or
devil!
By that Heaven that bends above us- by that God we both adoreTell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name LenoreClasp a rare and radiant maiden whom the angels name Lenore.'
Quoth the Raven, 'Nevermore.'
'Be that word our sign in parting, bird or fiend,' I shrieked,
upstarting-
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'Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my
door!'
Quoth the Raven, 'Nevermore.'
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the
floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!
~ Edgar Allan Poe,
1301:The Suicide
"Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go. Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know."
Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:
"Ah, but I go not as I came,—no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,—oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.—It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
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Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,—I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed."
Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:
"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,—and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"
Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall. Heavy it was, and low
And dark,—a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,—bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,—
A strange door, ugly like a dwarf.—So near
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.
But, suddenly, marking the morning hour,
194
Bayed the deep-throated bell within the tower!
Startled, I raised my head,—and with a shout
Laid hold upon the latch,—and was without.
****
Ah, long-forgotten, well-remembered road,
Leading me back unto my old abode,
My father's house! There in the night I came,
And found them feasting, and all things the same
As they had been before. A splendour hung
Upon the walls, and such sweet songs were sung
As, echoing out of very long ago,
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened. To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.
****
Ah, days of joy that followed! All alone
I wandered through the house. My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.
I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last
And went unto my father,—in that vast
195
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,—I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,—'tis all I ask
Forever, but forever, this denied,
I perish."
"Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received. I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine. Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.
~ Edna St. Vincent Millay,
1302:A Royal Princess
I, a princess, king-descended, decked with jewels, gilded, drest,
Would rather be a peasant with her baby at her breast,
For all I shine so like the sun, and am purple like the west.
Two and two my guards behind, two and two before,
Two and two on either hand, they guard me evermore;
Me, poor dove, that must not coo—eagle that must not soar.
All my fountains cast up perfumes, all my gardens grow
Scented woods and foreign spices, with all flowers in blow
That are costly, out of season as the seasons go.
All my walls are lost in mirrors, whereupon I trace
Self to right hand, self to left hand, self in every place,
Self-same solitary figure, self-same seeking face.
Then I have an ivory chair high to sit upon,
Almost like my father's chair, which is an ivory throne;
There I sit uplift and upright, there I sit alone.
Alone by day, alone by night, alone days without end;
My father and my mother give me treasures, search and spend—
O my father! O my mother! have you ne'er a friend?
As I am a lofty princess, so my father is
A lofty king, accomplished in all kingly subtilties,
Holding in his strong right hand world-kingdoms' balances.
He has quarrelled with his neighbours, he has scourged his foes;
Vassal counts and princes follow where his pennon goes,
Long-descended valiant lords whom the vulture knows,
On whose track the vulture swoops, when they ride in state
To break the strength of armies and topple down the great:
Each of these my courteous servant, none of these my mate.
My father counting up his strength sets down with equal pen
So many head of cattle, head of horses, head of men;
These for slaughter, these for breeding, with the how and when.
49
Some to work on roads, canals; some to man his ships;
Some to smart in mines beneath sharp overseers' whips;
Some to trap fur-beasts in lands where utmost winter nips.
Once it came into my heart, and whelmed me like a flood,
That these too are men and women, human flesh and blood;
Men with hearts and men with souls, though trodden down like mud.
Our feasting was not glad that night, our music was not gay:
On my mother's graceful head I marked a thread of grey,
My father frowning at the fare seemed every dish to weigh.
I sat beside them sole princess in my exalted place,
My ladies and my gentlemen stood by me on the dais:
A mirror showed me I look old and haggard in the face;
It showed me that my ladies all are fair to gaze upon,
Plump, plenteous-haired, to every one love's secret lore is known,
They laugh by day, they sleep by night; ah me, what is a throne?
The singing men and women sang that night as usual,
The dancers danced in pairs and sets, but music had a fall,
A melancholy windy fall as at a funeral.
Amid the toss of torches to my chamber back we swept;
My ladies loosed my golden chain; meantime I could have wept
To think of some in galling chains whether they waked or slept.
I took my bath of scented milk, delicately waited on,
They burned sweet things for my delight, cedar and cinnamon,
They lit my shaded silver lamp, and left me there alone.
A day went by, a week went by. One day I heard it said:
'Men are clamouring, women, children, clamouring to be fed;
Men like famished dogs are howling in the streets for bread.'
So two whispered by my door, not thinking I could hear,
Vulgar naked truth, ungarnished for a royal ear;
Fit for cooping in the background, not to stalk so near.
But I strained my utmost sense to catch this truth, and mark:
50
'There are families out grazing like cattle in the park.'
'A pair of peasants must be saved even if we build an ark.'
A merry jest, a merry laugh, each strolled upon his way;
One was my page, a lad I reared and bore with day by day;
One was my youngest maid as sweet and white as cream in May.
Other footsteps followed softly with a weightier tramp;
Voices said: 'Picked soldiers have been summoned from the camp
To quell these base-born ruffians who make free to howl and stamp.'
'Howl and stamp?' one answered: 'They made free to hurl a stone
At the minister's state coach, well aimed and stoutly thrown.'
'There's work then for the soldiers, for this rank crop must be mown.'
'One I saw, a poor old fool with ashes on his head,
Whimpering because a girl had snatched his crust of bread:
Then he dropped; when some one raised him, it turned out he was dead.'
'After us the deluge,' was retorted with a laugh:
'If bread's the staff of life, they must walk without a staff.'
'While I've a loaf they're welcome to my blessing and the chaff.'
These passed. The king: stand up. Said my father with a smile:
'Daughter mine, your mother comes to sit with you awhile,
She's sad to-day, and who but you her sadness can beguile?'
He too left me. Shall I touch my harp now while I wait,—
(I hear them doubling guard below before our palace gate—)
Or shall I work the last gold stitch into my veil of state;
Or shall my woman stand and read some unimpassioned scene,
There's music of a lulling sort in words that pause between;
Or shall she merely fan me while I wait here for the queen?
Again I caught my father's voice in sharp word of command:
'Charge!' a clash of steel: 'Charge again, the rebels stand.
Smite and spare not, hand to hand; smite and spare not, hand to hand.'
There swelled a tumult at the gate, high voices waxing higher;
A flash of red reflected light lit the cathedral spire;
I heard a cry for faggots, then I heard a yell for fire.
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'Sit and roast there with your meat, sit and bake there with your bread,
You who sat to see us starve,' one shrieking woman said:
'Sit on your throne and roast with your crown upon your head.'
Nay, this thing will I do, while my mother tarrieth,
I will take my fine spun gold, but not to sew therewith,
I will take my gold and gems, and rainbow fan and wreath;
With a ransom in my lap, a king's ransom in my hand,
I will go down to this people, will stand face to face, will stand
Where they curse king, queen, and princess of this cursed land.
They shall take all to buy them bread, take all I have to give;
I, if I perish, perish; they to-day shall eat and live;
I, if I perish, perish; that's the goal I half conceive:
Once to speak before the world, rend bare my heart and show
The lesson I have learned which is death, is life, to know.
I, if I perish, perish; in the name of God I go.
~ Christina Georgina Rossetti,
1303:The Boy And The Mantle
In Carleile dwelt King Arthur,
A prince of passing might;
And there maintain'd his Table Round,
Beset with many a knight.
And there he kept his Christmas
With mirth and princely cheare,
When, lo! a straunge and cunning boy
Before him did appeare.
A kirtle and a mantle
This boy had him upon,
With brooches, rings, and owches,
Full daintily bedone.
He had a sarke of silk
About his middle meet;
And thus with seemely curtesy,
He did King Arthur greet.
'God speed thee, brave King Arthur,
Thus feasting in thy bowre;
And Guenever thy goodly queen,
That fair and peerlesse flowre.
'Ye gallant lords, and lordings,
I wish you all take heed,
Lest, what ye deem a blooming rose
Should prove a cankred weed.'
Then straitway from his bosome
A little wand he drew;
And with it eke a mantle
Of wondrous shape and hew.
'Now have thou here, King Arthur,
Have this here of mee,
And give unto thy comely queen,
All-shapen as you see.
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'No wife it shall become,
That once hath been to blame.'
Then every knight in Arthur's court
Slye glaunced at his dame.
And first came Lady Guenever,
The mantle she must trye:
This dame, she was new-fangled,
And of a roving eye.
When she had tane the mantle,
And all was with it cladde,
From top to toe it shiver'd down,
As tho' with sheers beshradde.
One while it was too long,
Another while too short,
And wrinkled on her shoulders
In most unseemly sort.
Now green, now red it seemed,
Then all of sable hue:
'Beshrew me,' quoth King Arthur,
'I think thou beest not true.'
Down she threw the mantle,
Ne longer would not stay;
But storming like a fury,
To her chamber flung away.
She curst the whoreson weaver,
That had the mantle wrought:
And doubly curst the froward impe,
Who thither had it brought.
'I had rather live in desarts,
Beneath the green-wood tree,
Than here, base king, among thy groomes,
The sport of them and thee.'
Sir Kay call'd forth his lady,
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And bade her to come near;
'Yet, dame, if thou be guilty,
I pray thee now forbear.'
This lady, pertly gigling,
With forward step came on,
And boldly to the little boy
With fearless face is gone.
When she had tane the mantle,
With purpose for to wear,
It shrunk up to her shoulder,
And left her b**side bare.
Then every merry knight,
That was in Arthur's court,
Gib'd, and laught, and flouted,
To see that pleasant sport.
Downe she threw the mantle,
No longer bold or gay,
But with a face all pale and wan,
To her chamber slunk away.
Then forth came an old knight,
A pattering o'er his creed,
And proffer'd to the little boy
Five nobles to his meed;
'And all the time of Christmass
Plumb-porridge shall be thine,
If thou wilt let my lady fair
Within the mantle shine.'
A saint his lady seemed,
With step demure and slow,
And gravely to the mantle
With mincing pace doth goe.
When she the same had taken,
That was so fine and thin,
It shrivell'd all about her,
732
And show'd her dainty skin.
Ah! little did her mincing,
Or his long prayers bestead;
She had no more hung on her,
Than a tassel and a thread.
Down she threwe the mantle,
With terror and dismay,
And, with a face of scarlet,
To her chamber hyed away.
Sir Cradock call'd his lady,
And bade her to come neare;
'Come win his mantle, lady,
And do me credit here.
'Come win this mantle, lady,
For now it shall be thine,
If thou hast never done amiss,
Sith first I made thee mine.'
The lady gently blushing,
With modest grace came on,
And now to try the wondrous charm
Courageously is gone.
When she had tane the mantle,
And put it on her backe,
About the hem it seemed
To wrinkle and to cracke.
'Lye still,' shee cryed, 'O mantle!
And shame me not for nought,
I'll freely own whate'er amiss,
Or blameful I have wrought.
'Once I kist Sir Cradocke
Beneathe the green-wood tree:
Once I kist Sir Cradocke's mouth
Before he married mee.'
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When thus she had her shriven,
And her worst fault had told,
The mantle soon became her
Right comely as it shold.
Most rich and fair of colour,
Like gold it glittering shone:
And much the knights in Arthur's court
Admir'd her every one.
Then towards King Arthur's table
The boy he turned his eye;
Where stood a boar's head garnished
With bayes and rosemarye.
When thrice he o'er the boar's head
His little wand had drawne,
Quoth he, 'There's never a cuckold's knife
Can carve this head of brawne.'
Then some their whittles rubbed
On whetstone, and on hone:
Some threwe them under the table,
And swore that they had none.
Sir Cradock had a little knife,
Of steel and iron made;
And in an instant thro' the skull
He thrust the shining blade.
He thrust the shining blade
Full easily and fast;
And every knight in Arthur's court
A morsel had to taste.
The boy brought forth a horne,
All golden was the rim:
Said he, 'No cuckold ever can
Set mouth unto the brim.
'No cuckold can this little horne
Lift fairly to his head;
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But or on this, or that side,
He shall the liquor shed.'
Some shed it on their shoulder,
Some shed it on their thigh;
And hee that could not hit his mouth,
Was sure to hit his eye.
Thus he that was a cuckold,
Was known of every man:
But Cradock lifted easily,
And wan the golden can.
Thus boar's head, horn and mantle,
Were this fair couple's meed;
And all such constant lovers,
God send them well to speed.
Then down in rage came Guenever
And thus could spightful say:
'Sir Cradock's wife most wrongfully
Hath borne the prize away.
'See yonder shameless woman,
That makes herselfe so clean:
Yet from her pillow taken
Thrice five gallants have been.
'Priests, clarkes, and wedded men,
Have her lewd pillow prest:
Yet she the wondrous prize forsooth
Must beare from all the rest.'
Then bespake the little boy,
Who had the same in hold:
'Chastize thy wife, King Arthur,
Of speech she is too bold:
'Of speech she is too bold,
Of carriage all too free;
Sir King, she hath within thy hall
A cuckold made of thee.
735
'All frolick light and wanton
She hath her carriage borne,
And given thee for a kingly crown
To wear a cuckold's horne.'
~ Anonymous Olde English,
1304:The Cry Of The Children
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers--And that cannot stop their tears.
The young lambs are bleating in the meadows;
The young birds are chirping in the nest;
The young fawns are playing with the shadows;
The young flowers are blowing toward the west--But the young, young children, O my brothers,
They are weeping bitterly!--They are weeping in the playtime of the others
In the country of the free.
Do you question the young children in the sorrow,
Why their tears are falling so?--The old man may weep for his to-morrow
Which is lost in Long Ago--The old tree is leafless in the forest--The old year is ending in the frost--The old wound, if stricken, is the sorest--The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?
They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's grief abhorrent, draws and presses
Down the cheeks of infancy--'Your old earth,' they say, 'is very dreary;'
'Our young feet,' they say, 'are very weak!
Few paces have we taken, yet are wearyÑ
Our grave-rest is very far to seek.
Ask the old why they weep, and not the children,
For the outside earth is cold,--And we young ones stand without, in our bewildering,
And the graves are for the old.
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'True,' say the young children, 'it may happen
That we die before our time.
Little Alice died last year---the grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her--Was no room for any work in the close clay:
From the sleep wherein she lieth none will wake her
Crying, 'Get up, little Alice! it is day.'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries!--Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes--And merry go her moments, lulled and stilled in
The shroud, by the kirk-chime!
It is good when it happens,' say the children,
'That we die before our time.'
Alas, alas, the children! they are seeking
Death in life, as best to have!
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city--Sing out, children, as the little thrushes do--Pluck your handfuls of the meadow-cowslips pretty--Laugh aloud, to feel your fingers let them through!
But they answer, 'Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!
'For oh,' say the children, 'we are weary,
And we cannot run or leap--If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping--We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring,
Through the coal-dark, underground--Or, all day, we drive the wheels of iron
In the factories, round and round.
223
'For, all day, the wheels are droning, turning,--Their wind comes in our faces,--Till our hearts turn,---our head, with pulses burning,
And the walls turn in their places--Turns the sky in the high window blank and reeling--Turns the long light that droppeth down the wall--Turn the black flies that crawl along the ceiling--All are turning, all the day, and we with all.--And, all day, the iron wheels are droning;
And sometimes we could pray,
'O ye wheels,' (breaking out in a mad moaning)
'Stop! be silent for to-day!' '
Ay! be silent! Let them hear each other breathing
For a moment, mouth to mouth--Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals--Let them prove their inward souls against the notion
That they live in you, os under you, O wheels!--Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.
Now, tell the poor young children, O my brothers,
To look up to Him and pray--So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, 'Who is God that He should hear us,
White the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word!
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?
'Two words, indeed, of praying we remember,
And at midnight's hour of harm,---
224
'Our Father,' looking upward in the chamber,
We say softly for a charm.
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
'Our Father!' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child.'
'But no!' say the children, weeping faster,
'He is speechless as a stone;
And they tell us, of His image is the master
Who commands us to work on.
Go to!' say the children,---'Up in Heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving--We look up for God, but tears have made us blind.'
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving--And the children doubt of each.
And well may the children weep before you;
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun:
They know the grief of man, but not the wisdom;
They sink in man's despair, without its calm--Are slaves, without the liberty in Christdom,--Are martyrs, by the pang without the palm,--Are worn, as if with age, yet unretrievingly
No dear remembrance keep,--Are orphans of the earthly love and heavenly:
Let them weep! let them weep!
They look up, with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in their places,
With eyes meant for Deity;--'How long,' they say, 'how long, O cruel nation,
225
Will you stand, to move the world, on a child's heart,
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O our tyrants,
And your purple shows yo}r path;
But the child's sob curseth deeper in the silence
Than the strong man in his wrath!'
~ Elizabeth Barrett Browning,
1305:The Defence Of Lucknow
BANNER of England, not for a season, O banner of Britain, hast thou
Floated in conquering battle or flapt to the battle-cry!
Never with mightier glory than when we had rear’d thee on high
Flying at top of the roofs in the ghastly siege of Lucknow—
Shot thro’ the staff or the halyard, but ever we raised thee anew,
And ever upon the topmost roof our banner of England blew.
II.
Frail were the works that defended the hold that we held with our lives—
Women and children among us, God help them, our children and wives!
Hold it we might—and for fifteen days or for twenty at most.
‘Never surrender, I charge you, but every man die at his post!’
Voice of the dead whom we loved, our Lawrence the best of the brave:
Cold were his brows when we kiss’d him—we laid him that night in his grave.
‘Every man die at his post!’ and there hail’d on our houses and halls
Death from their rifle-bullets, and death from their cannon-balls,
Death in our innermost chamber, and death at our slight barricade,
Death while we stood with the musket, and death while we stoopt to the spade,
Death to the dying, and wounds to the wounded, for often there fell,
Striking the hospital wall, crashing thro’ it, their shot and their shell,
Death—for their spies were among us, their marksmen were told of our best,
So that the brute bullet broke thro’ the brain that could think for the rest;
Bullets would sing by our foreheads, and bullets would rain at our feet—
Fire from ten thousand at once of the rebels that girdled us round—
Death at the glimpse of a finger from over the breadth of a street,
Death from the heights of the mosque and the palace, and death in the ground!
Mine? yes, a mine! Countermine! down, down! and creep thro’ the hole!
Keep the revolver in hand! you can hear him—the murderous mole!
Quiet, ah! quiet—wait till the point of the pickaxe be thro’!
Click with the pick, coming nearer and nearer again than before—
Now let it speak, and you fire, and the dark pioneer is no more;
And ever upon the topmost roof our banner of England blew!
III.
Ay, but the foe sprung his mine many times, and it chanced on a day
Soon as the blast of that underground thunderclap echo ‘d away,
Dark thro’ the smoke and the sulphur like so many fiends in their hell—
Cannon-shot, musket-shot, volley on volley, and yell upon yell—
589
Fiercely on all the defences our myriad enemy fell.
What have they done? where is it? Out yonder. Guard the Redan!
Storm at the Water-gate! storm at the Bailey-gate! storm, and it ran
Surging and swaying all round us, as ocean on every side
Plunges and heaves at a bank that is daily devour’d by the tide—
So many thousands that if they be bold enough, who shall escape?
Kill or be kill’d, live or die, they shall know we are soldiers and men
Ready! take aim at their leaders—their masses are gapp’d with our grape—
Backward they reel like the wave, like the wave flinging forward again,
Flying and foil’d at the last by the handful they could not subdue;
And ever upon the topmost roof our banner of England blew.
IV.
Handful of men as we were, we were English in heart and in limb,
Strong with the strength of the race to command, to obey, to endure,
Each of us fought as if hope for the garrison hung but on him;
Still—could we watch at all points? we were every day fewer and fewer.
There was a whisper among us, but only a whisper that past
‘Children and wives—if the tigers leap into the fold unawares—
Every man die at his post—and the foe may outlive us at last—
Better to fall by the hands that they love, than to fall into theirs!’
Roar upon roar in a moment two mines by the enemy sprung
Clove into perilous chasms our walls and our poor palisades.
Rifleman, true is your heart, but be sure that your hand be as true!
Sharp is the fire of assault, better aimed are your flank fusillades—
Twice do we hurl them to earth from the ladders to which they had clung,
Twice from the ditch where they shelter we drive them with hand-grenades;
And ever upon the topmost roof our banner of England blew.
V.
Then on another wild morning another wild earthquake out-tore
Clean from our lines of defence ten or twelve good paces or more.
Rifleman, high on the roof, hidden there from the light of the sun—
One has leapt up on the breach, crying out: ‘Follow me, follow me!’—
Mark him—he falls! then another, and him too, and down goes he.
Had they been bold enough then, who can tell but the traitors had won?
Boardings and rafters and doors—an embrasure I make way for the gun!
Now double-charge it with grape! It is charged and we fire, and they run.
Praise to our Indian brothers, and let the dark face have his due!
Thanks to the kindly dark faces who fought with us, faithful and few,
Fought with the bravest among us, and drove them, and smote them, and slew,
That ever upon the topmost roof our banner in India blew.
590
VI.
Men will forget what we suffer and not what we do. We can fight!
But to be soldier all day and be sentinel all thro’ the night—
Ever the mine and assault, our sallies, their lying alarms,
Bugles and drums in the darkness, and shoutings and soundings to arms,
Ever the labour of fifty that had to be done by five,
Ever the marvel among us that one should be left alive,
Ever the day with its traitorous death from the loopholes around,
Ever the night with its coffinless corpse to be laid in the ground,
Heat like the mouth of a hell, or a deluge of cataract skies,
Stench of old offal decaying, and infinite torment of flies.
Thoughts of the breezes of May blowing over an English field,
Cholera, scurvy, and fever, the wound that would not be heal’d,
Lopping away of the limb by the pitiful-pitiless knife,—
Torture and trouble in vain,—for it never could save us a life.
Valour of delicate women who tended the hospital bed,
Horror of women in travail among the dying and dead,
Grief for our perishing children, and never a moment for grief,
Toil and ineffable weariness, faltering hopes of relief,
Havelock baffled, or beaten, or butcher’d for all that we knew—
Then day and night, day and night, coming down on the still-shatter’d walls
Millions of musket-bullets, and thousands of cannon-balls—
But ever upon the topmost roof our banner of England blew.
VII.
Hark cannonade, fusillade! is it true what was told by the scout,
Outram and Havelock breaking their way through the fell mutineers?
Surely the pibroch of Europe is ringing again in our ears!
All on a sudden the garrison utter a jubilant shout,
Havelock’s glorious Highlanders answer with conquering cheers,
Sick from the hospital echo them, women and children come out,
Blessing the wholesome white faces of Havelock’s good fusileers,
Kissing the war-harden’d hand of the Highlander wet with their tears!
Dance to the pibroch!—saved! we are saved!—is it you? is it you?
Saved by the valour of Havelock, saved by the blessing of Heaven!
‘Hold it for fifteen days!’ we have held it for eighty-seven!
And ever aloft on the palace roof the old banner of England blew.
~ Alfred Lord Tennyson,
1306:Young Calidore is paddling o'er the lake;
His healthful spirit eager and awake
To feel the beauty of a silent eve,
Which seem'd full loath this happy world to leave;
The light dwelt o'er the scene so lingeringly.
He bares his forehead to the cool blue sky,
And smiles at the far clearness all around,
Until his heart is well nigh over wound,
And turns for calmness to the pleasant green
Of easy slopes, and shadowy trees that lean
So elegantly o'er the waters' brim
And show their blossoms trim.
Scarce can his clear and nimble eye-sight follow
The freaks, and dartings of the black-wing'd swallow,
Delighting much, to see it half at rest,
Dip so refreshingly its wings, and breast
'Gainst the smooth surface, and to mark anon,
The widening circles into nothing gone.

And now the sharp keel of his little boat
Comes up with ripple, and with easy float,
And glides into a bed of water lillies:
Broad leav'd are they and their white canopies
Are upward turn'd to catch the heavens' dew.
Near to a little island's point they grew;
Whence Calidore might have the goodliest view
Of this sweet spot of earth. The bowery shore
Went off in gentle windings to the hoar
And light blue mountains: but no breathing man
With a warm heart, and eye prepared to scan
Nature's clear beauty, could pass lightly by
Objects that look'd out so invitingly
On either side. These, gentle Calidore
Greeted, as he had known them long before.

The sidelong view of swelling leafiness,
Which the glad setting sun, in gold doth dress;
Whence ever, and anon the jay outsprings,
And scales upon the beauty of its wings.

The lonely turret, shatter'd, and outworn,
Stands venerably proud; too proud to mourn
Its long lost grandeur: fir trees grow around,
Aye dropping their hard fruit upon the ground.

The little chapel with the cross above
Upholding wreaths of ivy; the white dove,
That on the windows spreads his feathers light,
And seems from purple clouds to wing its flight.

Green tufted islands casting their soft shades
Across the lake; sequesterd leafy glades,
That through the dimness of their twilight show
Large dock leaves, spiral foxgloves, or the glow
Of the wild cats eyes, or the silvery stems
Of delicate birch trees, or long grass which hems
A little brook. The youth had long been viewing
These pleasant things, and heaven was bedewing
The mountain flowers, when his glad senses caught
A trumpet's silver voice. Ah! it was fraught
With many joys for him: the warder's ken
Had found white coursers prancing in the glen:
Friends very dear to him he soon will see;
So pushes off his boat most eagerly,
And soon upon the lake he skims along,
Deaf to the nightingales first under-song;
Nor minds he the white swans that dream so sweetly:
His spirit flies before him so completely.

And now he turns a jutting point of land,
Whence may be seen the castle gloomy, and grand:
Nor will a bee buzz round two swelling peaches,
Before the point of his light shallop reaches
Those marble steps that through the water dip:
Now over them he goes with hasty trip,
And scarcely stays to ope the folding doors:
Anon he leaps along the oaken floors
Of halls and corridors.

Delicious sounds! those little bright-eyed things
That float about the air on azure wings,
Had been less heartfelt by him than the clang
Of clattering hoofs; into the court he sprang,
Just as two noble steeds, and palfreys twain,
Were slanting out their necks with loosened rein;
While from beneath the threat'ning portcullis
They brought their happy burthens. What a kiss,
What gentle squeeze he gave each lady's hand!
How tremblingly their delicate ancles spannd!
Into how sweet a trance his soul was gone,
While whisperings of affection
Made him delay to let their tender feet
Come to the earth; with an incline so sweet
From their low palfreys o'er his neck they bent:
And whether there were tears of languishment,
Or that the evening dew had pearl'd their tresses,
He feels a moisture on his cheek, and blesses
With lips that tremble, and with glistening eye
All the soft luxury
That nestled in his arms. A dimpled hand,
Fair as some wonder out of fairy land,
Hung from his shoulder like the drooping flowers
Of whitest Cassia, fresh from summer showers:
And this he fondled with his happy cheek
As if for joy he would no further seek;
When the kind voice of good Sir Clerimond
Came to his ear, like something from beyond
His present being: so he gently drew
His warm arms, thrilling now with pulses new,
From their sweet thrall, and forward gently bending,
Thank'd heaven that his joy was never ending;
While 'gainst his forehead he devoutly press'd
A hand heaven made to succour the distress'd;
A hand that from the world's bleak promontory
Had lifted Calidore for deeds of glory.
Amid the pages, and the torches' glare,
There stood a knight, patting the flowing hair
Of his proud horse's mane: he was withal
A man of elegance, and stature tall:
So that the waving of his plumes would be
High as the berries of a wild ash tree,
Or as the winged cap of Mercury.
His armour was so dexterously wrought
In shape, that sure no living man had thought
It hard, and heavy steel: but that indeed
It was some glorious form, some splendid weed,
In which a spirit new come from the skies
Might live, and show itself to human eyes.
'Tis the far-fam'd, the brave Sir Gondibert,
Said the good man to Calidore alert;
While the young warrior with a step of grace
Came up,--a courtly smile upon his face,
And mailed hand held out, ready to greet
The large-eyed wonder, and ambitious heat
Of the aspiring boy; who as he led
Those smiling ladies, often turned his head
To admire the visor arched so gracefully
Over a knightly brow; while they went by
The lamps that from the high-roof'd hall were pendent,
And gave the steel a shining quite transcendent.

Soon in a pleasant chamber they are seated;
The sweet-lipp'd ladies have already greeted
All the green leaves that round the window clamber,
To show their purple stars, and bells of amber.
Sir Gondibert has doff'd his shining steel,
Gladdening in the free, and airy feel
Of a light mantle; and while Clerimond
Is looking round about him with a fond,
And placid eye, young Calidore is burning
To hear of knightly deeds, and gallant spurning
Of all unworthiness; and how the strong of arm
Kept off dismay, and terror, and alarm
From lovely woman: while brimful of this,
He gave each damsel's hand so warm a kiss,
And had such manly ardour in his eye,
That each at other look'd half staringly;
And then their features started into smiles
Sweet as blue heavens o'er enchanted isles.

Softly the breezes from the forest came,
Softly they blew aside the taper's flame;
Clear was the song from Philomel's far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far-heard trumpet's tone;
Lovely the moon in ether, all alone:
Sweet too the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep. * * * * * * * * *
by owner. provided at no charge for educational purposes

~ John Keats, Calidore - A Fragment
,
1307:Fleckno, An English Priest At Rome
Oblig'd by frequent visits of this man,
Whom as Priest, Poet, and Musician,
I for some branch of Melchizedeck took,
(Though he derives himself from my Lord Brooke)
I sought his Lodging; which is at the Sign
Of the sad Pelican; Subject divine
For Poetry: There three Stair Cases high,
Which signifies his triple property,
I found at last a Chamber, as 'twas said,
But seem'd a Coffin set on the Stairs head.
Not higher then Seav'n, nor larger then three feet;
Only there was nor Seeling, nor a Sheet,
Save that th' ingenious Door did as you come
Turn in, and shew to Wainscot half the Room.
Yet of his State no man could have complain'd;
There being no Bed where he entertain'd:
And though within one Cell so narrow pent,
He'd Stanza's for a whole Appartement.
Straight without further information,
In hideous verse, he, and a dismal tone,
Begins to exercise; as if I were
Possest; and sure the Devil brought me there.
But I, who now imagin'd my selfbrought
To my last Tryal, in a serious thought
Calm'd the disorders of my youthful Breast,
And to my Martyrdom prepared Rest.
Only this frail Ambition did remain,
The last distemper of the sober Brain,
That there had been some present to assure
The future Ages how I did indure:
And how I, silent, turn'd my burning Ear
Towards the Verse; and when that could n
Held him the other; and unchanged yet,
Ask'd still for more, and pray'd him to repeat:
Till the Tyrant, weary to persecute,
Left off, and try'd t'allure me with his Lute.
Now as two Instruments, to the same key
Being tun'd by Art, if the one touched be
The other opposite as soon replies,
68
Mov'd by the Air and hidden Sympathies;
So while he with his gouty Fingers craules
Over the Lute, his murmuring Belly calls,
Whose hungry Guts to the same streightness twin'd
In Echo to the trembling Strings repin'd.
I, that perceiv'd now what his Musick ment,
Ask'd civilly if he had eat this Lent.
He answered yes; with such, and such an one.
For he has this of gen'rous, that alone
He never feeds; save only when he tryes
With gristly Tongue to dart the passing Flyes.
I ask'd if he eat flesh. And he, that was
So hungry that though ready to say Mass
Would break his fast before, said he was Sick,
And th' Ordinance was only Politick.
Nor was I longer to invite him: Scant
Happy at once to make him Protestant,
And Silent. Nothing now Dinner stay'd
But till he had himself a Body made.
I mean till he were drest: for else so thin
He stands, as if he only fed had been
With consecrated Wafers: and the Host
Hath sure more flesh and blood then he can boast.
This Basso Relievo of a Man,
Who as a Camel tall, yet easly can
The Needles Eye thread without any stich,
(His only impossible is to be rich)
Lest his too suttle Body, growing rare,
Should leave his Soul to wander in the Air,
He therefore circumscribes himself in rimes;
And swaddled in's own papers seaven times,
Wears a close Jacket of poetick Buff,
With which he doth his third Dimension Stuff.
Thus armed underneath, he over all
Does make a primitive Sotana fall;
And above that yet casts an antick Cloak,
Worn at the first Counsel of Antioch;
Which by the Jews long hid, and Disesteem'd,
He heard of by Tradition, and redeem'd.
But were he not in this black habit deck't,
This half transparent Man would soon reflect
Each colour that he past by; and be seen,
69
As the Chamelion, yellow, blew, or green.
He drest, and ready to disfurnish now
His Chamber, whose compactness did allow
No empty place for complementing doubt,
But who came last is forc'd first to go out;
I meet one on the Stairs who made me stand,
Stopping the passage, and did him demand:
I answer'd he is here Sir; but you see
You cannot pass to him but thorow me.
He thought himself affronted; and reply'd,
I whom the Pallace never has deny'd
Will make the way here; I said Sir you'l do
Me a great favour, for I seek to go.
He gathring fury still made sign to draw;
But himself there clos'd in a Scabbard saw
As narrow as his Sword's; and I, that was
Delightful, said there can no Body pass
Except by penetration hither, where
Two make a crowd, nor can three Persons here
Consist but in one substance. Then, to fit
Our peace, the Priest said I too had some wit:
To prov't, I said, the place doth us invite
But its own narrowness, Sir, to unite.
He ask'd me pardon; and to make me way
Went down, as I him follow'd to obey.
But the propitiatory Priest had straight
Oblig'd us, when below, to celebrate
Together our attonement: so increas'd
Betwixt us two the Dinner to a Feast.
Let it suffice that we could eat in peace;
And that both Poems did and Quarrels cease
During the Table; though my new made Friend
Did, as he threatned, ere 'twere long intend
To be both witty and valiant: I loth,
Said 'twas too late, he was already both.
But now, Alas, my first Tormentor came,
Who satisfy'd with eating, but not tame
Turns to recite; though Judges most severe
After th'Assizes dinner mild appear,
And on full stomach do condemn but few:
Yet he more strict my sentence doth renew;
And draws out of the black box of his Breast
70
Ten quire of paper in which he was drest.
Yet that which was a greater cruelty
Then Nero's Poem he calls charity:
And so the Pelican at his door hung
Picks out the tender bosome to its young.
Of all his Poems there he stands ungirt
Save only two foul copies for his shirt:
Yet these he promises as soon as clean.
But how I loath'd to see my Neighbour glean
Those papers, which he pilled from within
Like white fleaks rising from a Leaper's skin!
More odious then those raggs which the French youth
At ordinaries after dinner show'th,
When they compare their Chancres and Poulains.
Yet he first kist them, and after takes pains
To read; and then, because he understood good.
Not one Word, thought and swore that they were
But all his praises could not now appease
The provok't Author, whom it did displease
To hear his Verses, by so just a curse,
That were ill made condemn'd to be read worse:
And how (impossible) he made yet more
Absurdityes in them then were before.
For he his untun'd voice did fall or raise
As a deaf Man upon a Viol playes,
Making the half points and the periods run
Confus'der then the atomes in the Sun.
Thereat the Poet swell'd, with anger full,
And roar'd out, like Perillus in's own Bull;
Sir you read false. That any one but you
Should know the contrary. Whereat, I, now
Made Mediator, in my room, said, Why?
To say that you read false Sir is no Lye.
Thereat the waxen Youth relented straight;
But saw with sad dispair that was too late.
For the disdainful Poet was retir'd
Home, his most furious Satyr to have fir'd
Against the Rebel; who, at this struck dead
Wept bitterly as disinherited.
Who should commend his Mistress now? Or who
Praise him? both difficult indeed to do
With truth. I counsell'd him to go in time,
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Ere the fierce Poets anger turn'd to rime.
He hasted; and I, finding my self free,
Did, as he threatned, ere 'twere long intend
As one scap't strangely from Captivity,
Have made the Chance be painted; and go now
To hang it in Saint Peter's for a Vow.
~ Andrew Marvell,
1308:Song Of Unending Sorrow.
China's Emperor, craving beauty that might shake an empire,
Was on the throne for many years, searching, never finding,
Till a little child of the Yang clan, hardly even grown,
Bred in an inner chamber, with no one knowing her,
But with graces granted by heaven and not to be concealed,
At last one day was chosen for the imperial household.
If she but turned her head and smiled, there were cast a hundred spells,
And the powder and paint of the Six Palaces faded into nothing.
...It was early spring. They bathed her in the FlowerPure Pool,
Which warmed and smoothed the creamy-tinted crystal of her skin,
And, because of her languor, a maid was lifting her
When first the Emperor noticed her and chose her for his bride.
The cloud of her hair, petal of her cheek, gold ripples of her crown when she
moved,
Were sheltered on spring evenings by warm hibiscus curtains;
But nights of spring were short and the sun arose too soon,
And the Emperor, from that time forth, forsook his early hearings
And lavished all his time on her with feasts and revelry,
His mistress of the spring, his despot of the night.
There were other ladies in his court, three thousand of rare beauty,
But his favours to three thousand were concentered in one body.
By the time she was dressed in her Golden Chamber, it would be almost evening;
And when tables were cleared in the Tower of Jade, she would loiter, slow with
wine.
Her sisters and her brothers all were given titles;
And, because she so illumined and glorified her clan,
She brought to every father, every mother through the empire,
Happiness when a girl was born rather than a boy.
...High rose Li Palace, entering blue clouds,
And far and wide the breezes carried magical notes
Of soft song and slow dance, of string and bamboo music.
The Emperor's eyes could never gaze on her enoughTill war-drums, booming from Yuyang, shocked the whole earth
And broke the tunes of The Rainbow Skirt and the Feathered Coat.
The Forbidden City, the nine-tiered palace, loomed in the dust
From thousands of horses and chariots headed southwest.
The imperial flag opened the way, now moving and now pausing- But thirty miles from the capital, beyond the western gate,
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The men of the army stopped, not one of them would stir
Till under their horses' hoofs they might trample those moth- eyebrows....
Flowery hairpins fell to the ground, no one picked them up,
And a green and white jade hair-tassel and a yellowgold hair- bird.
The Emperor could not save her, he could only cover his face.
And later when he turned to look, the place of blood and tears
Was hidden in a yellow dust blown by a cold wind.
... At the cleft of the Dagger-Tower Trail they crisscrossed through a cloud-line
Under Omei Mountain. The last few came.
Flags and banners lost their colour in the fading sunlight....
But as waters of Shu are always green and its mountains always blue,
So changeless was His Majesty's love and deeper than the days.
He stared at the desolate moon from his temporary palace.
He heard bell-notes in the evening rain, cutting at his breast.
And when heaven and earth resumed their round and the dragon car faced
home,
The Emperor clung to the spot and would not turn away
From the soil along the Mawei slope, under which was buried
That memory, that anguish. Where was her jade-white face?
Ruler and lords, when eyes would meet, wept upon their coats
As they rode, with loose rein, slowly eastward, back to the capital.
...The pools, the gardens, the palace, all were just as before,
The Lake Taiye hibiscus, the Weiyang Palace willows;
But a petal was like her face and a willow-leaf her eyebrow -And what could he do but cry whenever he looked at them?
...Peach-trees and plum-trees blossomed, in the winds of spring;
Lakka-foliage fell to the ground, after autumn rains;
The Western and Southern Palaces were littered with late grasses,
And the steps were mounded with red leaves that no one swept away.
Her Pear-Garden Players became white-haired
And the eunuchs thin-eyebrowed in her Court of PepperTrees;
Over the throne flew fire-flies, while he brooded in the twilight.
He would lengthen the lamp-wick to its end and still could never sleep.
Bell and drum would slowly toll the dragging nighthours
And the River of Stars grow sharp in the sky, just before dawn,
And the porcelain mandarin-ducks on the roof grow thick with morning frost
And his covers of kingfisher-blue feel lonelier and colder
With the distance between life and death year after year;
And yet no beloved spirit ever visited his dreams.
...At Lingqiong lived a Taoist priest who was a guest of heaven,
Able to summon spirits by his concentrated mind.
And people were so moved by the Emperor's constant brooding
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That they besought the Taoist priest to see if he could find her.
He opened his way in space and clove the ether like lightning,
Up to heaven, under the earth, looking everywhere.
Above, he searched the Green Void, below, the Yellow Spring;
But he failed, in either place, to find the one he looked for.
And then he heard accounts of an enchanted isle at sea,
A part of the intangible and incorporeal world,
With pavilions and fine towers in the five-coloured air,
And of exquisite immortals moving to and fro,
And of one among them-whom they called The Ever TrueWith a face of snow and flowers resembling hers he sought.
So he went to the West Hall's gate of gold and knocked at the jasper door
And asked a girl, called Morsel-of-Jade, to tell The Doubly- Perfect.
And the lady, at news of an envoy from the Emperor of China,
Was startled out of dreams in her nine-flowered, canopy.
She pushed aside her pillow, dressed, shook away sleep,
And opened the pearly shade and then the silver screen.
Her cloudy hair-dress hung on one side because of her great haste,
And her flower-cap was loose when she came along the terrace,
While a light wind filled her cloak and fluttered with her motion
As though she danced The Rainbow Skirt and the Feathered Coat.
And the tear-drops drifting down her sad white face
Were like a rain in spring on the blossom of the pear.
But love glowed deep within her eyes when she bade him thank her liege,
Whose form and voice had been strange to her ever since their parting -Since happiness had ended at the Court of the Bright Sun,
And moons and dawns had become long in Fairy-Mountain Palace.
But when she turned her face and looked down toward the earth
And tried to see the capital, there were only fog and dust.
So she took out, with emotion, the pledges he had given
And, through his envoy, sent him back a shell box and gold hairpin,
But kept one branch of the hairpin and one side of the box,
Breaking the gold of the hairpin, breaking the shell of the box;
"Our souls belong together," she said, " like this gold and this shell -Somewhere, sometime, on earth or in heaven, we shall surely
And she sent him, by his messenger, a sentence reminding him
Of vows which had been known only to their two hearts:
"On the seventh day of the Seventh-month, in the Palace of Long Life,
We told each other secretly in the quiet midnight world
That we wished to fly in heaven, two birds with the wings of one,
And to grow together on the earth, two branches of one tree."
Earth endures, heaven endures; some time both shall end,
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While this unending sorrow goes on and on for ever.
~ Bai Juyi,
1309:The House Of Dust: Part 03: 10: Letter
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
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Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.
What, then's, the secret of this ultimate chamber
Or innermost, rather? If I see it clearly
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
Sickness, humiliation, slow defeat,
Bareness, and ugliness, and iteration,—
Too meaningless; or, if it has a meaning,
Too tiresomely insistent on one meaning:
Futility . . . This world, I hear you saying,—
With lifted chin, and arm in outflung gesture,
Coldly imperious,—this transient world,
What has it then to give, if not containing
Deep hints of nobler worlds? We know its beauties,—
Momentary and trivial for the most part,
Perceived through flesh, passing like flesh away,—
And know how much outweighed they are by darkness.
We are like searchers in a house of darkness,
A house of dust; we creep with little lanterns,
Throwing our tremulous arcs of light at random,
Now here, now there, seeing a plane, an angle,
An edge, a curve, a wall, a broken stairway
Leading to who knows what; but never seeing
The whole at once . . . We grope our way a little,
And then grow tired. No matter what we touch,
Dust is the answer—dust: dust everywhere.
If this were all—what were the use, you ask?
But this is not: for why should we be seeking,
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Why should we bring this need to seek for beauty,
To lift our minds, if there were only dust?
This is the central chamber you have come to:
Turning your back to the world, until you came
To this deep room, and looked through rose-stained windows,
And saw the hues of the world so sweetly changed.
Well, in a measure, so only do we all.
I am not sure that you can be refuted.
At the very last we all put faith in something,—
You in this ghost that animates your world,
This ethical ghost,—and I, you'll say, in reason,—
Or sensuous beauty,—or in my secret self . . .
Though as for that you put your faith in these,
As much as I do—and then, forsaking reason,—
Ascending, you would say, to intuition,—
You predicate this ghost of yours, as well.
Of course, you might have argued,—and you should have,—
That no such deep appearance of design
Could shape our world without entailing purpose:
For can design exist without a purpose?
Without conceiving mind? . . . We are like children
Who find, upon the sands, beside a sea,
Strange patterns drawn,—circles, arcs, ellipses,
Moulded in sand . . . Who put them there, we wonder?
Did someone draw them here before we came?
Or was it just the sea?—We pore upon them,
But find no answer—only suppositions.
And if these perfect shapes are evidence
Of immanent mind, it is but circumstantial:
We never come upon him at his work,
He never troubles us. He stands aloof—
Well, if he stands at all: is not concerned
With what we are or do. You, if you like,
May think he broods upon us, loves us, hates us,
Conceives some purpose of us. In so doing
You see, without much reason, will in law.
I am content to say, 'this world is ordered,
Happily so for us, by accident:
We go our ways untroubled save by laws
Of natural things.' Who makes the more assumption?
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If we were wise—which God knows we are not—
(Notice I call on God!) we'd plumb this riddle
Not in the world we see, but in ourselves.
These brains of ours—these delicate spinal clusters—
Have limits: why not learn them, learn their cravings?
Which of the two minds, yours or mine, is sound?
Yours, which scorned the world that gave it freedom,
Until you managed to see that world as omen,—
Or mine, which likes the world, takes all for granted,
Sorrow as much as joy, and death as life?—
You lean on dreams, and take more credit for it.
I stand alone . . . Well, I take credit, too.
You find your pleasure in being at one with all things—
Fusing in lambent dream, rising and falling
As all things rise and fall . . . I do that too—
With reservations. I find more varied pleasure
In understanding: and so find beauty even
In this strange dream of yours you call the truth.
Well, I have bored you. And it's growing late.
For household news—what have you heard, I wonder?
You must have heard that Paul was dead, by this time—
Of spinal cancer. Nothing could be done—
We found it out too late. His death has changed me,
Deflected much of me that lived as he lived,
Saddened me, slowed me down. Such things will happen,
Life is composed of them; and it seems wisdom
To see them clearly, meditate upon them,
And understand what things flow out of them.
Otherwise, all goes on here much as always.
Why won't you come and see us, in the spring,
And bring old times with you?—If you could see me
Sitting here by the window, watching Venus
Go down behind my neighbor's poplar branches,—
Just where you used to sit,—I'm sure you'd come.
This year, they say, the springtime will be early.
~ Conrad Potter Aiken,
1310:Prothalamion
Calm was the day, and through the trembling air
Sweet-breathing Zephyrus did softly play
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I (whom sullen care,
Through discontent of my long fruitless stay
In prince's court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain),
Walk'd forth to ease my pain
Along the shore of silver-streaming Thames;
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorn'd with dainty gems
Fit to deck maidens' bowers,
And crown their paramours,
Against the bridal day, which is not long:
Sweet Thames run softly, till I end my song.
There, in a meadow, by the river's side,
A flock of nymphs I chanced to espy,
All lovely daughters of the flood thereby,
With goodly greenish locks, all loose untied,
As each had been a bride;
And each one had a little wicker basket,
Made of fine twigs, entrailed curiously,
In which they gathered flowers to fill their flasket,
And with fine fingers cropt full feateously
The tender stalks on high.
Of every sort, which in that meadow grew,
They gathered some; the violet, pallid blue,
The little daisy, that at evening closes,
The virgin lily, and the primrose true,
With store of vermeil roses,
To deck their bridegrooms' posies
Against the bridal day, which was not long:
Sweet Thames run softly, till I end my song.
With that I saw two swans of goodly hue
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Come softly swimming down along the Lee;
Two fairer birds I yet did never see;
The snow which doth the top of Pindus strew,
Did never whiter shew,
Nor Jove himself, when he a swan would be,
For love of Leda, whiter did appear;
Yet Leda was (they say) as white as he,
Yet not so white as these, nor nothing near;
So purely white they were,
That even the gentle stream, the which them bare,
Seem'd foul to them, and bad his billows spare
To wet their silken feathers, lest they might
Soil their fair plumes with water not so fair,
And mar their beauties bright,
That shone as heaven's light,
Against their bridal day, which was not long:
Sweet Thames run softly, till I end my song.
Eftsoons the nymphs, which now had flowers their fill,
Ran all in haste to see that silver brood,
As they came floating on the crystal flood;
Whom when they saw, they stood amazed still,
Their wond'ring eyes to fill;
Them seem'd they never saw a sight so fair,
Of fowls so lovely, that they sure did deem
Them heavenly born, or to be that same pair
Which through the sky draw Venus' silver team;
For sure they did not seem
To be begot of any earthly seed,
But rather angels, or of angels' breed;
Yet were they bred of Somers-heat, they say,
In sweetest season, when each flower and weed
The earth did fresh array;
So fresh they seem'd as day,
Even as their bridal day, which was not long:
Sweet Thames run softly, till I end my song.
Then forth they all out of their baskets drew
Great store of flowers, the honour of the field,
That to the sense did fragrant odours yield,
All which upon those goodly birds they threw
And all the waves did strew,
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That like old Peneus' waters they did seem,
When down along by pleasant Tempe's shore,
Scatt'red with flowers, through Thessaly they stream,
That they appear through lilies' plenteous store,
Like a bride's chamber floor.
Two of those nymphs, meanwhile, two garlands bound
Of freshest flowers which in that mead they found,
The which presenting all in trim array,
Their snowy foreheads therewithal they crown'd,
Whilst one did sing this lay,
Prepar'd against that day,
Against their bridal day, which was not long:
Sweet Thames run softly, till I end my song.
"Ye gentle birds, the world's fair ornament
And heaven's glory, whom this happy hour
Doth lead unto your lovers' blissful bower,
Joy may you have, and gentle heart's content
Of your love's complement;
And let fair Venus, that is Queen of Love,
With her heart-quelling son upon you smile,
Whose smile, they say, hath virtue to remove
All love's dislike, and friendship's faulty guile
For ever to assoil.
Let endless Peace your steadfast hearts accord,
And blessed Plenty wait upon your board:
And let your bed with pleasures chaste abound,
That fruitful issue may to you afford,
Which may your foes confound,
And make your joys redound
Upon your bridal day, which is not long:
Sweet Thames run softly, till I end my song."
So ended she; and all the rest around
To her redoubled that her undersong,
Which said their bridal day should not be long;
And gentle Echo from the neighbour ground
Their accents did resound.
So forth those joyous birds did pass along,
Adown the Lee, that to them murmur'd low,
As he would speak, but that he lack'd a tongue,
Yet did by signs his glad affection show,
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Making his stream run slow.
And all the fowl which in his flood did dwell
Gan flock about these twain, that did excel
The rest, so far as Cynthia doth shend
The lesser stars. So they, enranged well,
Did on those two attend,
And their best service lend
Against their wedding day, which was not long:
Sweet Thames run softly, till I end my song.
At length they all to merry London came,
To merry London, my most kindly nurse,
That to me gave this life's first native source,
Though from another place I take my name,
An house of ancient fame.
There when they came, whereas those bricky towers
The which on Thames' broad aged back do ride,
Where now the studious lawyers have their bowers,
There whilom wont the Templar Knights to bide,
Till they decay'd through pride:
Next whereunto there stands a stately place,
Where oft I gained gifts and goodly grace
Of that great lord, which therein wont to dwell,
Whose want too well now feels my friendless case:
But ah! here fits not well
Old woes, but joys, to tell
Against the bridal day, which is not long:
Sweet Thames run softly, till I end my song.
Yet therein now doth lodge a noble peer,
Great England's glory, and the world's wide wonder,
Whose dreadful name late through all Spain did thunder,
And Hercules' two pillars standing near
Did make to quake and fear:
Fair branch of honour, flower of chivalry,
That fillest England with thy triumph's fame,
Joy have thou of thy noble victory,
And endless happiness of thine own name
That promiseth the same;
That through thy prowess, and victorious arms,
Thy country may be freed from foreign harms;
And great Eliza's glorious name may ring
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Through all the world, fill'd with thy wide alarms,
Which some brave Muse may sing
To ages following,
Upon the bridal day, which is not long:
Sweet Thames run softly, till I end my song.
From those high towers this noble lord issuing,
Like radiant Hesper, when his golden hair
In th' ocean billows he hath bathed fair,
Descended to the river's open viewing,
With a great train ensuing.
Above the rest were goodly to be seen
Two gentle knights of lovely face and feature,
Beseeming well the bower of any queen,
With gifts of wit, and ornaments of nature,
Fit for so goodly stature,
That like the twins of Jove they seem'd in sight,
Which deck the baldric of the heavens bright;
They two, forth pacing to the river's side,
Receiv'd those two fair brides, their love's delight;
Which, at th' appointed tide,
Each one did make his bride
Against their bridal day, which is not long:
Sweet Thames run softly, till I end my song.
~ Edmund Spenser,
1311:The Vision At Shiloh
SHROUDED on Shiloh field in night and rain,
This body rested from the first’s day’s fight;
Fallen face down, both hands on rifle clutched,
A Shape of sprawling members, blank of thought
As was the April mud in which it lay.
Comrade, you deem that I shall surely lie
Torpid, forgetful, nevermore to march
After the flush of morning pales in day;
But I remember how I rose again
From Shiloh field to march three mighty years,
Until mine eyes beheld in Richmond streets
Our Father Abraham, homely conqueror,
So Son-of-Manlike, fashioned mild and meek,
Averse from triumph, close to common men,
Chief of a Nation mercifully strong.
In boyhood many a time I’d seen his face,
Knew well the accents of his voice serene,
Loved the kind twinkle of his sad-eyed smile,
Yet never once beheld him save with awe,
For that mysterious sense of unity
With the External Fortitude, which flowed
As from his gaze into my yearning heart.
The peace our Father’s four years’ Calvary wrought
Has bustled through his huge two-oceaned land
How busily since Shiloh’s blood-drenched field
Gave up from death this body men called me.—
Oh, paths of peace were, truly, pleasant ways!
The kindliest Nation earth has ever known
Gave to their veterans grateful preference
In every labor, mart, and council hall,
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Which nobleness shall a thousand fold be paid
By soldier hearts in every future Age.
Myself was one whom Fortune favored much,
Children and children’s children, troops of friends
Have cheered this firelit chamber silken hung
Where now I rest me easy at the last,
In confidence that Shiloh’s miracle
Of Vision and of Song did true forecast
Repose in bliss surpassing mortal dream.
The night outside is black as Shiloh’s night,
Save for electric-litten streaks of rain;
My dripping eaves declare November’s shower
Falling as fast as early April’s did
When first this time-worn body grew aware
Of Death’s reluctant yielding to the Soul.
Utter oblivion could not be from Sleep
While battle roared, and dreaded evening fell,
And sullen foemen kept the plain unsearched,
And rain tempestuous stormed to midnight’s gloom.
Oh, let me talk! I’ve seldom told the tale,
And I care nothing if my strength be strained.
Our generation ever held that Strength
Was given only that it might be tried.
What matters it if so my term of hours
Ere second resurrection be forestalled?
First did this body dimly sense its form
As something vaguely unified in Space;
Powerless, motionless, unaware of aught
Save merely numbness, while a smothering nose
And mumbling lips and tongue mechanical
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Strove for they knew not what, which was to breathe—
Strove as by instinct uncontrolled of Mind,
Which nowise ordered hands enormous-like
To fumble baffled till they slowly learned
The fast-clutched rifle which bewildered them
Was such a thing as fingers could let go.
Then, to restore the breath, the forearms come
Beneath the brow, and raised the face from mud;
Yet all was numbness, but for tiny blows
Patting behind the neck, and prankily
Creeping at random down the cheeks and hair.
I did not guess them pellets of cold rain
Until a stab came up as from the ground
Into my wounded breast. Then Mind awoke
To wetness, night, and all the agonies
That dogged resolution rose to bear.
Shocked Memory cried, That stroke one instant past
Was shrapnel shell! The reasoning power replied,
It laid the body dead on Shiloh field.
Then staunch the Soul, I live—and God is here.
Visions came lightning-quick, clear, unconfused,—
The City tumult in my childish ears,
Our tremulous Church at Sumter’s bulletin,
Me naked in the cold recruiting room
Stripped to the hurrying Doctor’s callous test;—
All the innumerable recollections flashed
On to that battle-moment when my chum
Charging beside me on red Shiloh field
Gasped out, “Oh, John,” clutched horribly his throat,
Frowned on his bloodied hands, stared wild at me
Who, in that moment, felt the stroke, and fell.
Was Harry nigh? I groped in puddled grass
Seeking his comrade corpse, and sought in vain.
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The wound might not have killed him! Could I turn,
And so gain ground to search a little more?
Yes—but the agony! Yet turn I did,
And, groping farther, felt a little bush.
It seemed more friendly to the finger hold
Than emptiness, or muddy earth, or grass;
So there I lay, face up, in absolute night
Whose stillness deepened with the lessening rain.
How long, O Lord, how long the darkness held!
Despite the feverish wound my body chilled,
And oft my desperate fingers strove to loose
The soaking blanket roll which trenched my back
As if it lay diagonal on a ridge.
It may be true that slight delirium touched
My brain that night, for when a little wind
Came rustling through the bushes of the plain,
And drizzling ceased, how clearly my closed eyes
Could see within the house where I was born!
There sister voices conned their lesson books,
And Mother’s dress was trailing on the stair
As she were coming up to comfort me,
While in my heart an expectation flowed
Of some inexplicable joy anear,
Angelic, shining-robed, austerely fair.
With that I opened wondering eyes—and Lo
The heavenly host of stars o’er Shiloh field!
And oh the glory of them, and the peace,
The promise, the ethereal hope renewed!
Up rose my soul, supreme past bodily grief,
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To rest enraptured as of Heaven assured.
In that blest trance my gaze became intent
On beams I deemed at first a rising moon,
Until mine eyes conceived the luminous space
Haloed a tall and human-seeming Form,
Of countenance uplifted unto God,
And palms breast-clasped as if entreating Him.
In vain my straining sight sought certainty
Whose was the sorrowing figure which I dreamed
To wear a visage as if Christ were come
In pity for the carnage of that plain.
It seemed that nigh that Presence rose a voice
Most heavenly pure of note, and manlike strong;
“When I can read my title clear,” it sang
Triumphantly, “To mansions in the skies,”
Lifting the hymn in exultation high
Till other voices took it—wounded men
Lying, like me, in pain and close to death;
Myself chimed in, while all about me rang
The soldier chanting of that prostrate host,
Northern and Southern, one united choir
Solemnly glad in Man’s supernal dream.*
Comrade, when that high service of great song
Died down, there was no semblance of a moon!
And if indeed one rode the April sky
That wonder-night, I never yet have learned.
But I do know most surely this strange thing,—
That when, in Richmond, Father Abraham,
After three years grassed newly Shiloh plain,
95
Beheld my veteran men relieve his guard,
I saw the triumph in my countenance
Did grieve afresh his sad and infinite eyes
Which gazed with gentle meaning into mine
The while his silent lips seemed fashioning
For me alone, “Remember Shiloh Choir.”
Then clear I knew his brooding tenderness
Bewailed our vanquished brethren, waked from years
Of dreadful dream he was their enemy;
The exultation vanished from my heart,
A choking pity took me in the throat,
And forth I rushed to join the ranks of Blue
Fighting, as saviours, flames in Richmond Town,
The while his kindly look seemed blessing me.
Now in the contemplation of his eyes
I lie content as stretched on Shiloh field,
Dreaming triumphant, waiting for the dawn.
There it broke fair, till shattering musketry
And cheers of charging Blue right onward swept
So far, it seemed that utter silence fell,
And I lay waiting very peacefully,
As now, for friendly hands to bear me home.
~ Edward William Thomson,
1312:Enkidu sits in front of her.

[The next 30 lines are missing; some of the fragmentary lines from 35 on are restored
from parallels in the Old Babylonian.]

"Why"(?)
His own counsel
At his instruction
Who knows his heart
Shamhat pulled off her clothing,
and clothed him with one piece
while she clothed herself with a second.
She took hold of him as the gods do'
and brought him to the hut of the shepherds.
The shepherds gathered all around about him,
they marveled to themselves:
"How the youth resembles Gilgamesh
tall in stature, towering up to the battlements over the wall!
Surely he was born in the mountains;
his strength is as mighty as the meteorite(!) of Anu!"
They placed food in front of him,
they placed beer in front of him;
Enkidu knew nothing about eating bread for food,
and of drinking beer he had not been taught.
The harlot spoke to Enkidu, saying:
"Eat the food, Enkidu, it ii the way one lives.
Drink the beer, as is the custom of the land."
Enkidu ate the food until he was sated,
he drank the beer-seven jugs! and became expansive and sang with joy!
He was elated and his face glowed.
He splashed his shaggy body with water,
and rubbed himself with oil, and turned into a human.
He put on some clothing and became like a warrior(!).
He took up his weapon and chased lions so that the shepherds could eat
He routed the wolves, and chased the lions.
With Enkidu as their guard, the herders could lie down.
A wakeful man, a singular youth, he was twice as tall (?) (as normal men

[The next 33 lines are missing in the Standard Version; lines 57-86 are taken from the
Old Babylonian.]

Then he raised his eyes and saw a man.
He said to the harlot:
"Shamhat, have that man go away!
Why has he come'? I will call out his name!"
The harlot called out to the man
and went over to him and spoke with him.
"Young man, where are you hurrying!
Why this arduous pace!"
The young man spoke, saying to Enkidu:
"They have invited me to a wedding,
as is the custom of the people.
the selection(!) of brides(!) ..
I have heaped up tasty delights for the wedding on the ceremonial(!) platter.
For the King of Broad-Marted Uruk,
open is the veil(!) of the people for choosing (a girl).
For Gilgamesh, the King of Broad-Marted Uruk,
open is the veil(?) of the people for choosing.
He will have intercourse with the 'destined wife,'
he first, the husband afterward.
This is ordered by the counsel of Anu,
from the severing of his umbilical cord it has been destined
for him."
At the young man's speech his (Enkidu's) face flushed (with anger).
[Several lines are missing.]
Enkidu walked in front, and Shamhat after him.
[The Standard Version resumes.]
He (Enkidu) walked down the street of Uruk-Haven,
mighty
He blocked the way through Uruk the Sheepfold.
The land of Uruk stood around him,
the whole land assembled about him,
the populace was thronging around him,
the men were clustered about him,
and kissed his feet as if he were a little baby(!).
Suddenly a handsome young man
For Ishara the bed of night(?)/marriage(?) is ready,
for Gilgamesh as for a god a counterpart(!) is set up.
Enkidu blocked the entry to the marital chamber,
and would not allow Gilgamreh to be brought in.
They grappled with each other at the entry to the marital chamber,
in the street they attacked each other, the public square of the land.
The doorposts trembled and the wall shook,

[About 42 lines are missing from the Standard Version; lines 103-129 are taken from
the Old Babylonian version.]

Gilgamesh bent his knees, with his other foot on the ground,
his anger abated and he turned his chest away.
After he turned his chest Enkidu said to Gilgamesh:
"Your mother bore you ever unique(!),
the Wild Cow of the Enclosure, Ninsun,
your head is elevated over (other) men,
Enlil has destined for you the kingship over the people."
[19 lines are missing here.]

They kissed each other and became friends.
[The Old Babylonian becomes fragmentary. The Standard Version resumes]
"His strength is the mightiest in the land!
His strength is as mighty as the meteorite(?) of Anu,
The mother of Gilgamesh spoke to Gilgamesh, saying;
Rimat-Ninsun said to her son:
"(I!), Rimar-Ninsun
My son
Plaintively
She went up into his (Shamash's) gateway,
plaintively she implored:
"Enkidu has no father or mother,
his shaggy hair no one cuts.
He was horn in the wilderness, no one raised him."
Enkidu was standing there, and heard the speech.
He and sat down and wept,
his eyes filled with tears,
his arms felt limp, his strength weakened.
They took each other by the hand,
and.., their hands like
Enkidu made a declaration to (Gilgamesh').
[32 lines are missing here.]
"in order to protect the Cedar Forest
Enlil assigned (Humbaba) as a terror to human beings,
Humbaba's roar is a Flood, his mouth is Fire, and his breath is Death!
He can hear 100 leagues away any rustling(?) in his forest!
Who would go down into his forest!
Enlil assigned him as a terror to human beings,
and whoever goes down into his forest paralysis(?) will strike!"
Gilgamesh spoke to Enkidu saying:
"What you say .. ."
[About 42 lines are missing here in the Standard Version; lines 228-249 are taken from
the Old Babylonian.]
"Who, my Friend, can ascend to the heavens!"
(Only) the gods can dwell forever with Shamash.
As for human beings, their days are numbered,
and whatever they keep trying to achieve is but wind!
Now you are afraid of death
what has become of your bold strength!
I will go in front of you,
and your mouth can call out: 'Go on closer, do not be afraid!'
Should I fall, I will have established my fame.
(They will say 'It was Gilgamesh who locked in battle with Humbaba the Terrible!'
You were born and raised in the wilderness,
a lion leaped up on you, so you have experienced it all!'
[5 lines are fragmentary]
I will undertake it and I will cut down the Cedar.
It is I who will establish fame for eternity!
Come, my friend, I will go over to the forge
and have them cast the weapons in our presence!"
Holding each other by the hand they went over to the forge.
[The Standard Version resumes at this point.]
The craftsmen sat and discussed with one another.
"We should fashion the axe
The hatchet should he one talent in weight
Their swords should be one talent
Their armor one talent, their armor"
Gilgamesh said to the men of Uruk:
"Listen to me, men
[5 lines are missing here.
You, men of Uruk, who know
I want to make myself more mighty, and will go on a distant(!) journey!
I will face fighting such as I have never known,
I will set out on a road I have never traveled!
Give me your blessings!
I will enter the city gate of Uruk
I will devote(?) myself to the New Year's Festival.
I will perform the New Year's (ceremonies) in
The New Year's Festival will take place, celebrations
They will keep shouting 'Hurrah!' in""
Enkidu spoke to the Elders:
"What the men of Uruk
Say to him that he must not go to the Cedar Forest
the journey is not to be made!
A man who
The Guardian of the Cedar Forest
The Noble Counselors of Uruk arose and
delivered their advice toGilgamesh:
"You are young, Gilgamesh, your heart carries you off
you do not know what you are talking about!
gave birth to you.
Humbaba's roar is a Flood,
his mouth is Fire, his breath Death!
He can hear any rustling(!) in his forest 100 leagues away!
Who would go down into his forest!
Who among (even!) the Igigi gods can confront him?
In order to keep the Cedar safe, Enlil assigned him as a terror
to human beings."
Gilgamesh listened to the statement of his Noble Counselors.
[About 5 lines are missing to the end of Tablet II.]


~ Anonymous, The Epic of Gilgamesh Tablet II
,
1313:(PETER RONSARD loquitur.)

``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''-
Here the King whistled aloud, ``Let's
``-Heigho-go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.

And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,

And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
Illim Juda Leonem de Tribu.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''

The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.

Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,-while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,-
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.

``Your heart's queen, you dethrone her?
``So should I!''-cried the King-``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.

Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,-
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,-
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had not to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''-so I spoke-``am a poet:
``Human nature,-behoves that I know it!''

She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love-what De Lorge would not dare!
``With my scorn-what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word-and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,-
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``-To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''

I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean-
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
-He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.

For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,-
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled-``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''

Venienti occurrite morbo!
With which moral I drop my theorbo.
A beetle.


~ Robert Browning, The Glove
,
1314:Sir Aldingar
Our king he kept a false stewarde,
Sir Aldingar they him call;
A falser steward than he was one,
Servde not in bower nor hall.
He wolde have layne by our comelye queene,
Her deere worshippe to betraye;
Our queene she was a good woman,
And evermore said him naye.
Sir Aldingar was wrothe in his mind,
With her hee was never content,
Till traiterous meanes he colde devyse,
In a fyer to have her brent.
There came a lazar to the kings gate,
A lazar both blinde and lame;
He tooke the lazar upon his backe,
Him on the queenes bed has layne.
'Lye still, lazar, wheras thou lyest,
Looke thou goe not hence away;
Ile make thee a whole man and a sound
In two howers of the day.'
Then went him forth Sir Aldingar,
And hyed him to our king:
'If I might have grace, as I have space,
Sad tydings I could bring.'
'Say on, say on, Sir Aldingar,
Say on the soothe to mee.'
'Our queene hath chosen a new, new love,
And shee will have none of thee.
'If shee had chosen a right good knight,
The lesse had beene her shame;
But she hath chose her a lazar man,
A lazar both blinde and lame.'
592
'If this be true, thou Aldingar,
The tyding thou tellest to me,
Then will I make thee a rich, rich knight,
Rich both of golde and fee.
'But if it be false, Sir Aldingar,
As God nowe grant it bee!
Thy body, I sweare by the holye rood,
Shall hang on the gallows tree.'
He brought our king to the queenes chamber,
And opend to him the dore:
'A lodlye love,' King Harry says,
'For our queene, Dame Elinore!
'If thou were a man, as thou art none,
Here on my sword thoust dye;
But a payre of new gallowes shall be built,
And there shalt thou hang on hye.'
Forth then hyed our king, I wysse,
And an angry man was hee,
And soone he found Queene Elinore,
That bride so bright of blee.
'Now God you save, our Queene madame,
And Christ you save and see!
Here you have chosen a newe, newe love,
And you will have none of mee.
'If you had chosen a right good knight,
The lesse had been your shame;
But you have chose you a lazar man,
A lazar both blinde and lame.
'Therfore a fyer there shall be built,
And brent all shalt thou bee.' 'Now out alacke!' sayd our comly queene,
'Sir Aldingar's false to mee.
'Now out alacke!' sayd our comlye queene,
593
'My heart with griefe will brast:
I had thought swevens had never been true,
I have proved them true at last.
'I dreamt in my sweven on Thursday eve,
I my bed wheras I laye,
I dreamt a grype and a grimlie beast
Had carryed my crowne awaye;
'My gorgett and my kirtle of golde,
And all my faire head-geere;
And he wold worrye me with his tush,
And to his nest y-beare;
'Saving there came a little 'gray' hawke,
A merlin him they call,
Which untill the grounde did strike the grype,
That dead he downe did fall.
'Giffe I were man, as now I am none,
A battell wold I prove,
To fight with that traitor Aldingar:
Att him I cast my glove.
'But seeing Ime able noe battell to make,
My liege, grant me a knight
To fight with that traitor, Sir Aldingar,
To maintaine me in my right.'
'Now forty dayes I will give thee
To seeke thee a knight therein:
If thou find not a knight in forty dayes,
Thy bodye it must brenn.'
Then shee sent east, and shee sent west,
By north and south bedeene;
But never a champion colde she find,
Wolde fight with that knight soe keene.
Now twenty dayes were spent and gone,
Noe helpe there might be had;
Many a teare shed our comelye queene,
594
And aye her hart was sad.
Then came one of the queenes damselles,
And knelt upon her knee:
'Cheare up, cheare up, my gracious dame,
I trust yet helpe may be.
'And here I will make mine avowe,
And with the same me binde,
That never will I return to thee,
Till I some helpe may finde.'
Then forth she rode on a faire palfraye,
Oer hill and dale about;
But never a champion colde she finde,
Wolde fighte with that knight so stout.
And nowe the daye drewe on a pace,
When our good queene must dye;
All woe-begonne was that faire damselle,
When she found no helpe was nye.
All woe-begonne was that fair damselle,
And the salt tears fell from her eye;
When lo! as she rode by a rivers side,
She met with a tinye boye.
A tinye boy she mette, God wot,
All clad in mantle of golde;
He seemed noe more in mans likenesse,
Then a childe of four yeere olde.
'Why grieve you, damselle faire,' he sayd,
'And what doth cause you moane?'
The damsell scant wolde deigne a looke,
But fast she pricked on.
'Yet turne againe, thou faire damselle,
And greete thy queene from mee;
When bale is att hyest, boote is nyest;
Nowe helpe enoughe may bee.
595
'Bid her remember what she dreamt,
In her bedd wheras shee laye;
How when the grype and the grimly beast
Wolde have carried her crowne awaye,
'Even then there came the little gray hawke,
And saved her from his clawes:
Then bidd the queene be merry at hart,
For heaven will fende her cause.'
Back then rode that faire damselle,
And her hart it lept for glee:
And when she told her gracious dame,
A gladd woman then was shee.
But when the appointed day was come,
No helpe appeared bye;
Then woeful, woeful was her hart,
And the teares stood in her eye.
And nowe a fyer was built of wood,
And a stake was made of tree;
And now Queene Elinor forth was led,
A sorrowful sight to see.
Three times the herault he waved his hand,
And three times spake on hye:
'Giff any good knight will fende this dame,
Come forth, or shee must dye.'
No knight stood forth, no knight there came,
No helpe appeared nye;
And now the fyer was lighted up,
Queen Elinor she must dye.
And now the fyer was lighted up,
As hot as hot might bee;
When riding upon a little white steed,
The tinye boy they see.
'Away with that stake, away with those brands,
And loose our comelye queene:
596
I am come to fight with Sir Aldingar,
And prove him a traitor keene.'
Forthe then he stood Sir Aldingar,
But when he saw the chylde,
He laughed, and scoffed, and turned his backe,
And weened he had been beguylde.
'Now turne, now turne thee, Aldingar,
And eyther fighte or flee;
I trust that I shall avenge the wronge,
Thoughe I am so small to see.'
The boye pulld forth a well good sworde,
So gilt it dazzled the ee;
The first stroke stricken at Aldingar
Smote off his leggs by the knee.
'Stand up, stand up, thou false traitor,
And fight upon thy feete,
For, and thou thrive as thou begin'st,
Of height wee shall be meete.'
'A priest, a priest,' sayes Aldingar,
'While I am a man alive;
A priest, a priest,' sayes Aldingar,
'Me to the houzle and shrive.
'I wolde have laine by our comlie queene,
But shee wolde never consent;
Then I thought to betraye her unto our kinge,
In a fyer to have her brent.
'There came a lazar to the kings gates,
A lazar both blind and lame;
I tooke the lazar upon my backe,
And on her bedd had him layne.
'Then ranne I to our comlye king,
These tidings sore to tell:
But ever alacke!' sayes Aldingar,
'Falsing never doth well.
597
'Forgive, forgive me, Queene, madame,
The short time I must live.'
'Nowe Christ forgive thee, Aldingar,
As freely I forgive.'
'Here take thy queene, our King Harrye,
And love her as thy life,
For never had a king in Christentye,
A truer and fairer wife.'
King Henrye ran to claspe his queene,
And loosed her full sone;
Tuen turned to look for the tinye boye:
-- The boye was vanisht and gone.
But first he had touchd the lazar man,
And stroakt him with his hand;
The lazar under the gallowes tree
All whole and sounde did stand.
The lazar under the gallowes tree
Was comelye, straight and tall;
King Henrye made him his head stewarde,
To wayte withinn his hall.
~ Anonymous Olde English,
1315:The Kalevala - Rune Xxxvii
ILMARINEN'S BRIDE OF GOLD.
Ilmarinen, metal-worker,
Wept one day, and then a second,
Wept the third from morn till evening,
O'er the death of his companion,
Once the Maiden of the Rainbow;
Did not swing his heavy hammer,
Did not touch its copper handle,
Made no sound within his smithy,
Made no blow upon his anvil,
Till three months had circled over;
Then the blacksmith spake as follows:
'Woe is me, unhappy hero!
Do not know how I can prosper;
Long the days, and cold, and dreary,
Longer still the nights, and colder;
I am weary in the evening,
In the morning still am weary,
Have no longing for the morning,
And the evening is unwelcome;
Have no pleasure in the future,
All my pleasures gone forever,
With my faithful life-companion
Slaughtered by the hand of witchcraft!
Often will my heart-strings quiver
When I rest within my chamber,
When I wake at dreamy midnight,
Half-unconscious, vainly searching
For my noble wife departed.'
Wifeless lived the mourning blacksmith,
Altered in his form and features;
Wept one month and then another,
Wept three months in full succession.
Then the magic metal-worker
Gathered gold from deeps of ocean,
Gathered silver from the mountains,
Gathered many heaps of birch-wood.
562
Filled with faggots thirty sledges,
Burned the birch-wood into ashes,
Put the ashes in the furnace,
Laid the gold upon the embers,
Lengthwise laid a piece of silver
Of the size of lambs in autumn,
Or the fleet-foot hare in winter;
Places servants at the bellows,
Thus to melt the magic metals.
Eagerly the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, magic blacksmith,
Works unceasing at his forging,
Thus to mould a golden image,
Mould a bride from gold and silver;
But the workmen fail their master,
Faithless stand they at the bellows.
Wow the artist, Ilmarinen,
Fans the flame with force of magic,
Blows one day, and then a second,
Blows the third from morn till even;
Then he looks within the furnace,
Looks around the oven-border,
Hoping there to see an image
Rising from the molten metals.
Comes a lambkin from the furnace,
Rising from the fire of magic,
Wearing hair of gold and copper,
Laced with many threads of silver;
All rejoice but Ilmarinen
At the beauty of the image.
This the language of the blacksmith:
'May the wolf admire thy graces;
I desire a bride of beauty
Born from molten gold and silver!'
Ilmarinen, the magician,
To the furnace threw the lambkin;
Added gold in great abundance,
And increased the mass of silver,
Added other magic metals,
Set the workmen at the bellows;
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Zealously the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, wizard-forgeman,
Works unceasing with his metals,
Moulding well a golden image,
Wife of molten gold and silver;
But the workmen fail their master,
Faithless do they ply the bellows.
Now the artist, Ilmarinen,
Fans the flames by force of magic;
Blows one day, and then a second,
Blows a third from morn till evening,
When he looks within the furnace,
Looks around the oven-border,
Hoping there, to see an image
Rising from the molten metals.
From the flames a colt arises,
Golden-maned and silver-headed,
Hoofs are formed of shining copper.
All rejoice but Ilmarinen
At the wonderful creation;
This the language of the blacksmith;
'Let the bears admire thy graces;
I desire a bride of beauty
Born of many magic metals.'
Thereupon the wonder-forger
Drives the colt back to the furnace,
Adds a greater mass of silver,
And of gold the rightful measure,
Sets the workmen at the bellows.
Eagerly the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, the magician,
Works unceasing at his witchcraft,
Moulding well a golden maiden,
Bride of molten gold and silver;
But the workmen fail their master,
Faithlessly they ply the bellows.
Now the blacksmith, Ilmarinen,
Fans the flames with magic powers,
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Blows one day, and then a second,
Blows a third from morn till even;
Then he looks within his furnace,
Looks around the oven-border,
Trusting there to see a maiden
Coming from the molten metals.
From the fire a virgin rises,
Golden-haired and silver-headed,
Beautiful in form and feature.
All are filled with awe and wonder,
But the artist and magician.
Ilmarinen, metal-worker,
Forges nights and days unceasing,
On the bride of his creation;
Feet he forges for the maiden,
Hands and arms, of gold and silver;
But her feet are not for walking,
Neither can her arms embrace him.
Ears he forges for the virgin,
But her ears are not for hearing;
Forges her a mouth of beauty,
Eyes he forges bright and sparkling;
But the magic mouth is speechless,
And the eyes are not for seeing.
Spake the artist, Ilmarinen:
'This, indeed, a priceless maiden,
Could she only speak in wisdom,
Could she breathe the breath of Ukko!'
Thereupon he lays the virgin
On his silken couch of slumber,
On his downy place of resting.
Ilmarinen heats his bath-room,
Makes it ready for his service,
Binds together silken brushes,
Brings three cans of crystal water,
Wherewithal to lave the image,
Lave the golden maid of beauty.
When this task had been completed,
Ilmarinen, hoping, trusting,
Laid his golden bride to slumber,
On his downy couch of resting;
Ordered many silken wrappings,
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Ordered bear-skins, three in number,
Ordered seven lambs-wool blankets,
Thus to keep him warm in slumber,
Sleeping by the golden image
Re had forged from magic metals.
Warm the side of Ilmarinen
That was wrapped in furs and blankets;
Chill the parts beside the maiden,
By his bride of gold and silver;
One side warm, the other lifeless,
Turning into ice from coldness.
Spake the artist, Ilmarinen:
'Not for me was born this virgin
From the magic molten metals;
I shall take her to Wainola,
Give her to old Wainamoinen,
As a bride and life-companion,
Comfort to him in his dotage.'
Ilmarinen, much disheartened,
Takes the virgin to Wainola,
To the plains of Kalevala,
To his brother speaks as follows:
'O, thou ancient Wainamoinen,
Look with favor on this image;
Make the maiden fair and lovely,
Beautiful in form and feature,
Suited to thy years declining!'
Wainamoinen, old and truthful,
Looked in wonder on the virgin,
On the golden bride of beauty,
Spake these words to Ilmarinen:
'Wherefore dost thou bring this maiden,
Wherefore bring to Wainamoinen
Bride of molten gold and silver?
Spake in answer Ilmarinen:
'Wherefore should I bring this image,
But for purposes the noblest?
I have brought her as companion
To thy life in years declining,
As a joy and consolation,
When thy days are full of trouble!'
Spake the good, old Wainamoinen:
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'Magic brother, wonder-forger,
Throw the virgin to the furnace,
To the flames, thy golden image,
Forge from her a thousand trinkets.
Take the image into Ehstland,
Take her to the plains of Pohya,
That for her the mighty powers
May engage in deadly contest,
Worthy trophy for the victor;
Not for me this bride of wonder,
Neither for my worthy people.
I shall never wed an image
Born from many magic metals,
Never wed a silver maiden,
Never wed a golden virgin.'
Then the hero of the waters
Called together all his people,
Spake these words of ancient wisdom:
'Every child of Northland, listen,
Whether poor, or fortune-favored:
Never bow before an image
Born of molten gold and silver:
Never while the sunlight brightens,
Never while the moonlight glimmers,
Choose a maiden of the metals,
Choose a bride from gold created
Cold the lips of golden maiden,
Silver breathes the breath of sorrow.'
~ Elias Lönnrot,
1316:The Break Away
Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us—
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.
Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
sucking with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
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There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracleforgetting its knife.
The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it allthe twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in methe legal riftas on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.
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I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.
I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.
I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceilingas twenty-five years split from my side
like a growth that I sliced off like a melanoma.
It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
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yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.
For me it was love found
like a diamond
where carrots growthe glint of diamond on a plane wing,
meaning: DANGER! THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.
You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!
Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun-
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the quick wonder of its yellow lapand became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowingan invisible purchasethat inhabits our house forever.
We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me! Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right nowwe are in the process of it.
The empty process of it.
I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
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and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of lossI say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.
There sit two deaths on November 5th, 1973.
Let one be forgottenBury it! Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.
For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
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when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.
Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.
~ Anne Sexton,
1317:Parliament Of The Ages
OF all who’d thronged the Commons’ galleries
For early April evening’s main debate,
One student visionary sole remained.
Down on the floor the members argued yet,
Though midnight long had passed, and rosy dawn
Came streaming in through eastward glory-panes
To tint the lofty ashlared westward wall
With shining jewel-colored phantasies.
The Dreamer watched the brilliancies of morn
Descending on that opposite westward wall
From panelled ceiling down to pointed arch,
From arch to shadowy alcoves’ ruby panes,
Where luminous beamed the storied English Kings,
The Crown, the ramping Pards, the Unicorn,
With ancient mottoes of the Ancient Realm,
And new-made Arms of modern provinces
Emblazoned on the young Dominion’s shield.
Now in the watcher’s dream the sunrise merged
The Fish, the Maple Leaves, the Buffalo
With Rose and Thistle, Shamrock, Fleur-de-lys,
The Crown, the Kings, the emblem Viking-ships,
With some great banner, glorious, indistinct,
The Flag of mighty, English-speaking kin,
All beaming benison ineffable,
Such promise as no mortal ever saw
On Land or Sea, save o’er the mystic shores
And waters of a halcyon Future dreamed.
The desks, the Speaker’s Chair seemed rapt away,
No stony walls inclosed the Commons’ House,
But in the wonder-light a woodland spread
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About one venerable northland Oak
Silent, except for distant-droning bees,
And one tall, blue-eyed, sworded, yellow-haired,
Hard-panting Viking, kirtled gray, who stood
Beneath the trysting-oak, and strove to quell
His gasps, deep-laboring from a lengthy run,
While, listening keen, he heard the bees in drone,
And watched to hail his second to the tryst
Of freemen signalled for a moot of War.
Then, far around, the forest sounded live
With crackling twigs and scores of emulous feet
From every quarter of the glooming shade,
And wonder-shouts, half vexed and half of praise,
Roared at the Champion who to tree of Moot
Had speeded foremost of the valorous band.
Hard-breathing all, they ranged about the Oak
Equal alike, save one they lifted high
On shield, and named him for their Council Earl.
Then there they fell to talk of march and plan,
Of meat and meal and beer and dragon-ships,
And Ways and Means,—contentious, passionate,
Yet one man only speaking up at once,
Heard silently, approved, or laughed to scorn,
Yet hearkened closely, since th’ elected Earl
Full briskly stopt each interrupting voice
By one clear word, quite mystic, quite unknown
Unto the Dreamer in the gallery,
For whom no more the banners of the morn
In wholly visionary colors flared,
Because imperious from the Speaker’s Chair
A voice called “Order” stoutly, in a tone
So like the ancient Viking Earl’s, the two
Seemed blent as one within the Dreamer’s brain.
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Scarcely awake, the Student’s roaming thought—
Oblivious to the actual place, the dawn,
The visioned tryst of Father Odin’s men—
Pondered a Deity who shaped His world
In such a wise that they must most prevail
Who choose one Will to rule by Order’s call,
That every Manliness may freely tell
Its thought upon the public thing in hand,
And so the general common sense have sway,
Instead of Policy conceived alone
By any one hereditary Will,
Or, worse, take course tumultuous, scarce resolved
By gabblers chattering unamenable,
In whose Assemblages prehensile tails,
Inscrutable to eyesight, swing the Ape
In futile men through dizzy fooleries.
And still the talkers on the Commons’ floor
Contended voluble; while he who heard
Their drone, forgot once more, and dreamed a scene
More wondrous than the primal Viking moot.
For one came frowning in, with sword in hand
And blazoned armor, and an eye more stern
Than gleamed beneath the brow of England’s king:—
“I call,” he spoke, “The Realms to Parliament!
Present and Past, by mine, the Founder’s right,
Simon de Montfort, I, proclaim the call!”
It clanged as sounding through The Ages’ tombs
So loud that lofty-opening doors of Time
Revealed in earthly garb a Statesman throng
From every Parliament since Montfort breathed,
Majestic, turbulent, guileful, eloquent,
Profound, laborious, witty, whimsical,
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Reverend in age, or beardless chinned as boys;
Knight, Admiral, Merchant, Lawyer, Pedagogue,
Yeoman, Adventurer, Soldier, Minister,
Poet, Philosopher, Roundhead, Cavalier,
Mechanic, Theologue, Philanthropist;
Exploring wights whose bones the jackals pawed
On Lybian arid sands, and they whose forms
Lie, white as marble, stiff nigh either Pole;
Spirits whose mortal vestures braved all fates
That daring hearts or martyr hopes conceived.
It seemed not strange to view the Shapes of Eld
In formal-friendly conference of talk
With some who perished as of yesterday,
With some who founded New World congresses,
With some who wielded outland Parliaments
Which strove so English-like for Liberty
That England reeled to win against their few,
With some whose mien and accents now control
The rising younger Nations of The Race;
It seemed not strange, so clear they all alike,
Musing the ordered methods of their rule,
Blessed dear the Mother of all Parliaments,
The Many-mansioned Mother of The Free.
There prudent Cecil leaned to Laurier
While John Macdonald held them both in talk,
His “brother,” Cartier, nodding to the tale;
There Richard Seddon’s burly honest ghost
With Wilberforce and Hampden close conferred;
There Edmund Burke warned Deakin cautiously
Of tempting Innovation’s bright mirage;
There Pitt, the younger, spoke with Cecil Rhodes
And stout Oom Paul, of Empire building themes,
While Grattan unto icy Parnell sighed
65
Of angry Ireland’s immemorial wrong;
There Chatham, eagle-faced, with Washington
And Franklin nigh, declared,—“I praise again
Your English-minded fight for Liberty—
America’s victory secured it firm
For all the outland broods of England’s swarm.”
There Strafford gloomed to Russell’s lofty gaze,
The Stuart circle round each stately neck;
There honest-meaning, muddle-headed Cade,
Who lingered nigh the portal as of right,
Because he called a shirtless Parliament,
Received a courteous nod of compliment
From mighty Gladstone’s comprehensive love;
There Peel, considerate still, eyed D’Israeli
As if in wonder that the Great Jew’s heart
Should yet be counted one of England’s pride;
There Canning, of the soul-revealing face,
And bull-dog Cobbett, passionately wroth,
And Palmerston and Bright and thousands more
All moved at home within the visioned space
Until, it seemed, a Puritan Statesman stern,
With Puritan Troopers ringed, eyed Harry Vane
With “Take away that bauble.” Then the Mace
Seemed borne afar incredibly, by force,
From that great Chamber of the freeman Race,
Old Englandish, New Englandish, Canadian,
Newfoundlandish, Australian, African,
Who hold, or held, the emblem sacrosanct.
With that great sacrilege the dream dissolved,
And clear again the radiancies high
Shone o’er the Ottawa floor of Parliament,
While, down below, a high-pitched Loyalist
Declared, convinced, with querulous energy,—
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“The Empire’s tottering down! It can’t be saved
Unless we get the Preference all around.”
Touched sudden by the Sun’s imperial beams,
A gargoyle grinned upon the western wall
As if it heard the Preferentialist,
While gales of laughter echoed far below.
Whereat the dreamer, wide awake with glee,
Gazed on the golden, crown-surmounted Mace
Pillowed serene before the Speaker’s Chair;
Then marked in high-built panes, the Kings gleam clear
The Lion-shield, the mystic Unicorn,
The scrolls, the mottoes, “For my God and Right,”
And “Evil be to him who evil thinks,”
All seemed the racial Soul transfigured there,
Ages and Ages old, yet scarcely born,
So future-glorious, past all dreaming, looms
The Voluntary Empire of The Blood,
Monarchical, Republican, all’s one,
With Vikings rushing to the beacon’s flare
As long as winds shall blow and waters run.
~ Edward William Thomson,
1318:I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?

II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwindling score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.

III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.

IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.

VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist
sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
"Vengeance upon the murderers,' the cry goes up,
"Vengeance for Jacques Molay.' In cloud-pale rags, or
in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading
wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their
eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or
of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the
moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my
worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.

~ William Butler Yeats, Meditations In Time Of Civil War
,
1319:When on high the heaven had not been named,
Firm ground below had not been called by name,
Naught but primordial Apsu, their begetter,
(And) Mummu-Tiamat, she who bore them all,
Their waters commingling as a single body;
No reed hut had been matted, no marsh land had appeared,
When no gods whatever had been brought into being,
Uncalled by name, their destinies undetermined-
Then it was that the gods were formed within them.
Lahmu and Lahamu were brought forth, by name they were called.
For aeons they grew in age and stature.
Anshar and Kishar were formed, surpassing the others.
They prolonged the days, added on the years.
Anu was their son, of his fathers the rival;
Yea, Anshar's first born, Anu was his equal.
Anu begot in his image Nudimmud.
This Nudimmud was of his fathers the master;
Of broad wisdom, understanding, mighty in strength,
Mightier by far than his grandfather, Anshar.
He had no rival among the gods, his brothers.
The divine brothers banded together,
They disturbed Tiamat as they surged back and forth,
Yea, they troubled the mood of Tiamat
By their hilarity in the Abode of Heaven.
Apsu could not lessen their clamour
And Tiamat was speechless at their ways.
Their doings were loathsome unto (. . .).
Unsavory were their ways; they were overbearing.
Then Apsu, the begetter of the great gods,
Cried out, addressing Mummu, his vizier:
"O Mummu. my vizier, who rejoicest my spirit,
Come hither and let us go to Tiamat!"
They went and sat down before Tiamat,
Exchanging counsel about the gods, their first born.
Apsu, opening his mouth,
Said unto resplendent Tiamat:
"Their ways are verily loathsome unto me.
By day I find no relief, nor repose by night.
I will destroy, I will wreck their ways,
That quiet may be restored. Let us have rest!"
As soon as Tiamat heard this,
She was wroth and called out to her husband.
She cried out aggrieved, as she raged all alone,
Injecting woe into her mood:
"What? Should we destroy what we have built?
Their ways are indeed troublesome, but let us attend kindly!"
Ill wishing and ungracious was Mummu's advice:
"Do destroy, my father, the mutinous ways.
Then shalt thou have relief by day and rest by night!"
When Apsu heard this, his face grew radiant
Because of the evil he planned against the gods, his sons.
As for Mummu, by the neck he embraced him
As (that one) sat down on his knees to kiss him.
(Now) whatever they plotted between them
Was repeated unto the gods, their first born.
When the gods heard (this), they were astir,
(Then) lapsed into silence and remained speechless,
Surpassing in wisdom, accomplished, resourceful,
Ea, the all wise, saw through their scheme.
A master design against it he devised and setup,
Made artful his spell against it, surpassing and holy.
He recited it and made it subsist in the deep,
As he poured sleep upon him. Sound asleep he lay.
When Apsu he made prone, drenched with sleep,
Mummu, the adviser, was impotent to move,
He loosened his band, tore off his tiara,
Removed his halo (and) put it on himself.
Having fettered Apsu, he slew him.
Mummu he bound and left behind lock.
Having thus upon Apsu established his dwelling,
He laid hold on Mummu, holding him by the nose rope.
After he vanquished and trodden down his foes,
Ea, his triumph over his enemies secured,
In his sacred chamber in profound sleep he rested.
He named it "Apsu," for shrines he assigned (it).
In that same place his cult hut he founded.
Ea and Damkina, his wife, dwelled (there) in splendor.
In the chamber of fates, the abode of destinies,
A god was engendered, most potent and wisest of gods.
In the heart of Apsu was Marduk created,
In the heart of holy Apsu was Marduk created.
He who begot him was Ea, his father;
She who conceived him was Damkina, his mother.
The breast of goddesses did she suck.
The nurse that nursed him filled him with awesomeness.
Alluring was his figure, sparkling the lift in his eyes.
Lordly was his gait, commanding from of old.
When Ea saw him, the father who begot him,
He exulted and glowed, his heart filled with gladness.
He rendered him perfect and endowed him with a double godhead.
Greatly exalted was he above them, exceeding throughout.
Perfect were his members beyond comprehension,
Unsuited for understanding, difficult to perceive.
Four were his eyes, four were his ears;
When he moved his lips, fire blazed forth.
Large were all hearing organs,
And the eyes, in like number, scanned all things.
He was the loftiest of the gods, surpassing was his stature;
His members were enormous, he was exceedingly tall.
"My little son, my little son!
My son, the Sun! Sun of the heavens!"
Clothed with the halo of the ten gods, he was strong to the utmost,
As their awesome flashes were heaped upon him.

Disturbed was Tiamat, astir night and day.
The gods, in malice, contributed to the storm.
Their insides having plotted evil.
To Tiamat these brothers said:
"When they slew Apsu, thy consort,
Thou didst not aid him but remaindest still.
Although he fashioned the awesome Saw,
Thy insides are diluted and so we can have no rest.
Let Apsu, thy consort, be in thy mind
And Mummu, who has been vanquished! Thou are left alone.

Then joined issue Tiamat and Marduk, wisest of gods,
They swayed in single combat, locked in battle.
The lord spread out his net to enfold her,
The Evil Wind, which followed behind, he let loose in her face.
When Tiamat opened her mouth to consume him,
He drove the Evil Wind that she close not her lips.
As the fierce winds charged her belly,
Her body was distended and her mouth was wide open.
He released the arrow, it tore her belly,
It cut through her insides, splitting the heart.
Having thus subdued her, he extinguished her life.
He cast down her carcass to stand upon it
The lord trod on the legs of Tiamat,
With his unsparing mace he crushed her skull.
When the arteries of her blood he had severed,
The North Wind bore (it) to places undisclosed.
On seeing this, his fathers were joyful and jubilant,
They brought gifts of homage, they to him.
Then the lord paused to view her dead body,
That he might divide the monster and do artful works.
He split her like a shellfish into two parts:
Half of her he set up and ceiled as sky,
Pulled down the bar and posted guards.
He bade them to allow not her waters to escape.
He crossed the heavens and surveyed (its) regions.
He squared Apsu's quarter, the abode of Nudimmud,
As the lord measured the dimensions of Apsu.
The Great Abode, its likeness, he fixed as Esharra,
The Great Abode, Esharra, which he made as the firmament.
Anu, Enlil, and Ea he made occupy their places.

When Marduk hears the words of the gods,
His heart prompts (him) to fashion artful works.
Opening his mouth he addresses EA
To impart the plan he addresses EA
To impart the plan he had conceived in his heart:
"Blood I will mass and cause boned to be.
I will establish a savage, 'man' shall be his name.
Verily, savage man I will create.
He shall be charged with the service of the gods
That they might be at ease! The ways of the gods I will artfully alter.
Though alike revered, into two (groups) they shall be divided."
Ea answered him, speaking a word to him.
To relate to him a scheme for the relief of the gods:
"Let but one of their brothers be handed over;"
He alone shall perish that mankind may be fashioned.
Let the great gods be here in Assembly,
Let the guilty be handed over that they may endure."
Marduk summoned the great gods to Assembly;
Presiding graciously, he issued instructions.
This utterance the gods pay heed.
The king addresses a word to the Anunnaki:
"If your former statement was true,
Do (now) the truth on oath by me declare!
Who was it that contrived the uprising,
And made Tiamat rebel, and joined battle?
Let him be handed over who contrived the uprising.
His guilt I will make him bear that you may dwell in peace!"
The Igigi, the great gods, replied to him,
To Lugaldimmerankia, counsellor of the gods, their lord:
"It was Kingu who contrived the uprising,
And made Tiamat rebel, and joined battle."
The bound him holding him before Ea.
They imposed on him his guilt and severed his blood (vessels).
Out of his blood they fashioned mankind.
He imposed the service and let free the gods.

The origin of this The Babylonian Epic of Creation and its translator are both unknown. The original story is from the time of the Sumerians. This was written about the time of Nebuchadrezzar in the 12th century B.C.


~ Anonymous, Enuma Elish (When on high)
,
1320:
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.

Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.

Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.

He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.

He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.

He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.

Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!

Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.

"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!

Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.

When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.

She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.

She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!

So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.

Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.

For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.

So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.

Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.

Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.

- Hush, my child, and come aloft
Where the stars are velvet soft!

~ Aleister Crowley, The Wizard Way
,
1321:The Red Lacquer Music-Stand
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
389
So not one blurred outline can tease the mind to fright.
'O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him,
and Magnify Him for ever.'
The Boy will praise his God on an altar builded fair,
Will heap it with the Works of the Lord. In the morning air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
390
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more. The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship. Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning. Alas! He had been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
391
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
'O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him
for ever.'
A moment so it hung, wide-curved, bright-petalled, seeming
A chalice foamed with sunrise. The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire. The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering. The lacquer stand had stains
392
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably. His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
~ Amy Lowell,
1322:He sings.

I send my heart up to thee, all my heart
In this my singing.
For the stars help me, and the sea bears part;
The very night is clinging
Closer to Venice' streets to leave one space
Above me, whence thy face
May light my joyous heart to thee its dwelling-place.

She speaks.

Say after me, and try to say
My very words, as if each word
Came from you of your own accord,
In your own voice, in your own way:
``This woman's heart and soul and brain
``Are mine as much as this gold chain
``She bids me wear; which'' (say again)
``I choose to make by cherishing
``A precious thing, or choose to fling
``Over the boat-side, ring by ring.''
And yet once more say no word more!
Since words are only words. Give o'er!

Unless you call me, all the same,
Familiarly by my pet name,
Which if the Three should hear you call,
And me reply to, would proclaim
At once our secret to them all.
Ask of me, too, command me, blame-
Do, break down the partition-wall
'Twixt us, the daylight world beholds
Curtained in dusk and splendid folds!
What's left but-all of me to take?
I am the Three's: prevent them, slake
Your thirst! 'Tis said, the Arab sage,
In practising with gems, can loose
Their subtle spirit in his cruce
And leave but ashes: so, sweet mage,
Leave them my ashes when thy use
Sucks out my soul, thy heritage!

He sings.

I.

Past we glide, and past, and past!
What's that poor Agnese doing
Where they make the shutters fast?
Grey Zanobi's just a-wooing
To his couch the purchased bride:
Past we glide!

II.

Past we glide, and past, and past!
Why's the Pucci Palace flaring
Like a beacon to the blast?
Guests by hundreds, not one caring
If the dear host's neck were wried:
Past we glide!

She sings.

I.

The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.

II.

The bee's kiss, now!
Kiss me as if you entered gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.

He sings.

I.

What are we two?
I am a Jew,
And carry thee, farther than friends can pursue,
To a feast of our tribe;
Where they need thee to bribe
The devil that blasts them unless he imbibe
Thy Scatter the vision for ever! And now,
As of old, I am I, thou art thou!

II.

Say again, what we are?
The sprite of a star,
I lure thee above where the destinies bar
My plumes their full play
Till a ruddier ray
Than my pale one announce there is withering away
Some Scatter the vision for ever! And now,
As of old, I am I, thou art thou!

He muses.

Oh, which were best, to roam or rest?
The land's lap or the water's breast?
To sleep on yellow millet-sheaves,
Or swim in lucid shallows just
Eluding water-lily leaves,
An inch from Death's black fingers, thrust
To lock you, whom release he must;
Which life were best on Summer eves?

He speaks, musing.

Lie back; could thought of mine improve you?
From this shoulder let there spring
A wing; from this, another wing;
Wings, not legs and feet, shall move you!
Snow-white must they spring, to blend
With your flesh, but I intend
They shall deepen to the end,
Broader, into burning gold,
Till both wings crescent-wise enfold
Your perfect self, from 'neath your feet
To o'er your head, where, lo, they meet
As if a million sword-blades hurled
Defiance from you to the world!

Rescue me thou, the only real!
And scare away this mad ideal
That came, nor motions to depart!
Thanks! Now, stay ever as thou art!

Still he muses.

I.

What if the Three should catch at last
Thy serenader? While there's cast
Paul's cloak about my head, and fast
Gian pinions me, himself has past
His stylet thro' my back; I reel;
And is it thou I feel?

II.

They trail me, these three godless knaves,
Past every church that saints and saves,
Nor stop till, where the cold sea raves
By Lido's wet accursed graves,
They scoop mine, roll me to its brink,
And on thy breast I sink

She replies, musing.

Dip your arm o'er the boat-side, elbow-deep,
As I do: thus: were death so unlike sleep,
Caught this way? Death's to fear from flame or steel,
Or poison doubtless; but from water-feel!

Go find the bottom! Would you stay me? There!
Now pluck a great blade of that ribbon-grass
To plait in where the foolish jewel was,
I flung away: since you have praised my hair,
'Tis proper to be choice in what I wear.

He speaks.

Row home? must we row home? Too surely
Know I where its front's demurely
Over the Giudecca piled;
Window just with window mating,
Door on door exactly waiting,
All's the set face of a child:
But behind it, where's a trace
Of the staidness and reserve,
And formal lines without a curve,
In the same child's playing-face?
No two windows look one way
O'er the small sea-water thread
Below them. Ah, the autumn day
I, passing, saw you overhead!
First, out a cloud of curtain blew,
Then a sweet cry, and last came you-
To catch your lory that must needs
Escape just then, of all times then,
To peck a tall plant's fleecy seeds,
And make me happiest of men.
I scarce could breathe to see you reach
So far back o'er the balcony
To catch him ere he climbed too high
Above you in the Smyrna peach
That quick the round smooth cord of gold,
This coiled hair on your head, unrolled,
Fell down you like a gorgeous snake
The Roman girls were wont, of old,
When Rome there was, for coolness' sake
To let lie curling o'er their bosoms.
Dear lory,*
may his beak retain
Ever its delicate rose stain
As if the wounded lotus-blossoms
Had marked their thief to know again!

Stay longer yet, for others' sake
Than mine! What should your chamber do?
-With all its rarities that ache
In silence while day lasts, but wake
At night-time and their life renew,
Suspended just to pleasure you
Who brought against their will together
These objects, and, while day lasts, weave
Around them such a magic tether
That dumb they look: your harp, believe,
With all the sensitive tight strings
Which dare not speak, now to itself
Breathes slumberously, as if some elf
Went in and out the chords, his wings
Make murmur wheresoe'er they graze,
As an angel may, between the maze
Of midnight palace-pillars, on
And on, to sow God's plagues, have gone
Through guilty glorious Babylon.
And while such murmurs flow, the nymph
Bends o'er the harp-top from her shell
As the dry limpet for the lymph
Come with a tune be knows so well.
And how your statues' hearts must swell!
And how your pictures must descend
To see each other, friend with friend!
Oh, could you take them by surprise,
You'd find Schidone's eager Duke
Doing the quaintest courtesies
To that prim saint by Haste-thee-Luke!
And, deeper into her rock den,
Bold Castelfranco's Magdalen
You'd find retreated from the ken
Of that robed counsel-keeping Ser-
As if the Tizian thinks of her,
And is not, rather, gravely bent
On seeing for himself what toys
Are these, his progeny invent,
What litter now the board employs
Whereon he signed a document
That got him murdered! Each enjoys
Its night so well, you cannot break
The sport up, so, indeed must make
More stay with me, for others' sake.

She speaks.

I.

To-morrow, if a harp-string, say,
Is used to tie the jasmine back
That overfloods my room with sweets,
Contrive your Zorzi somehow meets
My Zanze! If the ribbon's black,
The Three are watching: keep away!

II.

Your gondola-let Zorzi wreathe
A mesh of water-weeds about
its prow, as if he unaware
Had struck some quay or bridge-foot stair!
That I may throw a paper out
As you and he go underneath.

There's Zanze's vigilant taper; safe are we.
Only one minute more to-night with me?
Resume your past self of a month ago!
Be you the bashful gallant, I will be
The lady with the colder breast than snow.
Now bow you, as becomes, nor touch my hand
More than I touch yours when I step to land,
And say, ``All thanks, Siora!''-
Heart to heart
And lips to lips! Yet once more, ere we part,
Clasp me and make me thine, as mine thou art!
[He is surprised, and stabbed.
It was ordained to be so, sweet!-and best
Comes now, beneath thine eyes, upon thy breast.
Still kiss me! Care not for the cowards! Care
Only to put aside thy beauteous hair
My blood will hurt! The Three, I do not scorn
To death, because they never lived: but I
Have lived indeed, and so-(yet one more kiss)-can die!


~ Robert Browning, In A Gondola
,
1323:Frances
SHE will not sleep, for fear of dreams,
But, rising, quits her restless bed,
And walks where some beclouded beams
Of moonlight through the hall are shed.
Obedient to the goad of grief,
Her steps, now fast, now lingering slow,
In varying motion seek relief
From the Eumenides of woe.
Wringing her hands, at intervals­
But long as mute as phantom dim­
She glides along the dusky walls,
Under the black oak rafters, grim.
The close air of the grated tower
Stifles a heart that scarce can beat,
And, though so late and lone the hour,
Forth pass her wandering, faltering feet;
And on the pavement, spread before
The long front of the mansion grey,
Her steps imprint the night-frost hoar,
Which pale on grass and granite lay.
Not long she stayed where misty moon
And shimmering stars could on her look,
But through the garden arch-way, soon
Her strange and gloomy path she took.
Some firs, coeval with the tower,
Their straight black boughs stretched o'er her head,
Unseen, beneath this sable bower,
Rustled her dress and rapid tread.
There was an alcove in that shade,
Screening a rustic-seat and stand;
Weary she sat her down and laid
Her hot brow on her burning hand.
11
To solitude and to the night,
Some words she now, in murmurs, said;
And, trickling through her fingers white,
Some tears of misery she shed.
' God help me, in my grievous need,
God help me, in my inward pain;
Which cannot ask for pity's meed,
Which has no license to complain;
Which must be borne, yet who can bear,
Hours long, days long, a constant weight­
The yoke of absolute despair,
A suffering wholly desolate ?
Who can for ever crush the heart,
Restrain its throbbing, curb its life ?
Dissemble truth with ceaseless art,
With outward calm, mask inward strife ?'
She waited­as for some reply;
The still and cloudy night gave none;
Erelong, with deep-drawn, trembling sigh,
Her heavy plaint again begun.
' Unloved­I love; unwept­I weep;
Grief I restrain­hope I repress:
Vain is this anguish­fixed and deep;
Vainer, desires and dreams of bliss.
My
My
My
My
love awakes no love again,
tears collect, and fall unfelt;
sorrow touches none with pain,
humble hopes to nothing melt.
For me the universe is dumb,
Stone-deaf, and blank, and wholly blind;
Life I must bound, existence sum
In the strait limits of one mind;
That mind my own. Oh ! narrow cell;
12
Dark­imageless­a living tomb !
There must I sleep, there wake and dwell
Content, with palsy, pain, and gloom.'
Again she paused; a moan of pain,
A stifled sob, alone was heard;
Long silence followed­then again,
Her voice the stagnant midnight stirred.
' Must it be so ? Is this my fate ?
Can I nor struggle, nor contend ?
And am I doomed for years to wait,
Watching death's lingering axe descend ?
And when it falls, and when I die,
What follows ? Vacant nothingness ?
The blank of lost identity ?
Erasure both of pain and bliss ?
I've heard of heaven­I would believe;
For if this earth indeed be all,
Who longest lives may deepest grieve,
Most blest, whom sorrows soonest call.
Oh ! leaving disappointment here,
Will man find hope on yonder coast ?
Hope, which, on earth, shines never clear,
And oft in clouds is wholly lost.
Will he hope's source of light behold,
Fruition's spring, where doubts expire,
And drink, in waves of living gold,
Contentment, full, for long desire ?
Will he find bliss, which here he dreamed ?
Rest, which was weariness on earth ?
Knowledge, which, if o'er life it beamed,
Served but to prove it void of worth ?
Will he find love without lust's leaven,
Love fearless, tearless, perfect, pure,
To all with equal bounty given,
13
In all, unfeigned, unfailing, sure ?
Will he, from penal sufferings free,
Released from shroud and wormy clod,
All calm and glorious, rise and see
Creation's Sire­Existence' God ?
Then, glancing back on Time's brief woes,
Will he behold them, fading, fly;
Swept from Eternity's repose,
Like sullying cloud, from pure blue sky ?
If so­endure, my weary frame;
And when thy anguish strikes too deep,
And when all troubled burns life's flame,
Think of the quiet, final sleep;
Think of the glorious waking-hour,
Which will not dawn on grief and tears,
But on a ransomed spirit's power,
Certain, and free from mortal fears.
Seek now thy couch, and lie till morn,
Then from thy chamber, calm, descend,
With mind nor tossed, nor anguish-torn,
But tranquil, fixed, to wait the end.
And when thy opening eyes shall see
Mementos, on the chamber wall,
Of one who has forgotten thee,
Shed not the tear of acrid gall.
The tear which, welling from the heart,
Burns where its drop corrosive falls,
And makes each nerve, in torture, start,
At feelings it too well recalls:
When the sweet hope of being loved,
Threw Eden sunshine on life's way;
When every sense and feeling proved
Expectancy of brightest day.
14
When the hand trembled to receive
A thrilling clasp, which seemed so near,
And the heart ventured to believe,
Another heart esteemed it dear.
When words, half love, all tenderness,
Were hourly heard, as hourly spoken,
When the long, sunny days of bliss,
Only by moonlight nights were broken.
Till drop by drop, the cup of joy
Filled full, with purple light, was glowing,
And Faith, which watched it, sparkling high,
Still never dreamt the overflowing.
It fell not with a sudden crashing,
It poured not out like open sluice;
No, sparkling still, and redly flashing,
Drained, drop by drop, the generous juice.
I saw it sink, and strove to taste it,
My eager lips approached the brim;
The movement only seemed to waste it,
It sank to dregs, all harsh and dim.
These I have drank, and they for ever
Have poisoned life and love for me;
A draught from Sodom's lake could never
More fiery, salt, and bitter, be.
Oh ! Love was all a thin illusion;
Joy, but the desert's flying stream;
And, glancing back on long delusion,
My memory grasps a hollow dream.
Yet, whence that wondrous change of feeling,
I never knew, and cannot learn,
Nor why my lover's eye, congealing,
Grew cold, and clouded, proud, and stern.
Nor wherefore, friendship's forms forgetting,
He careless left, and cool withdrew;
15
Nor spoke of grief, nor fond regretting,
Nor even one glance of comfort threw.
And neither word nor token sending,
Of kindness, since the parting day,
His course, for distant regions bending,
Went, self-contained and calm, away.
Oh, bitter, blighting, keen sensation,
Which will not weaken, cannot die,
Hasten thy work of desolation,
And let my tortured spirit fly !
Vain as the passing gale, my crying;
Though lightning-struck, I must live on;
I know, at heart, there is no dying
Of love, and ruined hope, alone.
Still strong, and young, and warm with vigour,
Though scathed, I long shall greenly grow,
And many a storm of wildest rigour
Shall yet break o'er my shivered bough.
Rebellious now to blank inertion,
My unused strength demands a task;
Travel, and toil, and full exertion,
Are the last, only boon I ask.
Whence, then, this vain and barren dreaming
Of death, and dubious life to come ?
I see a nearer beacon gleaming
Over dejection's sea of gloom.
The very wildness of my sorrow
Tells me I yet have innate force;
My track of life has been too narrow,
Effort shall trace a broader course.
The world is not in yonder tower,
Earth is not prisoned in that room,
'Mid whose dark pannels, hour by hour,
I've sat, the slave and prey of gloom.
16
One feeling­turned to utter anguish,
Is not my being's only aim;
When, lorn and loveless, life will languish,
But courage can revive the flame.
He, when he left me, went a roving
To sunny climes, beyond the sea;
And I, the weight of woe removing,
Am free and fetterless as he.
New scenes, new language, skies less clouded,
May once more wake the wish to live;
Strange, foreign towns, astir, and crowded,
New pictures to the mind may give.
New forms and faces, passing ever,
May hide the one I still retain,
Defined, and fixed, and fading never,
Stamped deep on vision, heart, and brain.
And we might meet­time may have changed him;
Chance may reveal the mystery,
The secret influence which estranged him;
Love may restore him yet to me.
False thought­false hope­in scorn be banished !
I am not loved­nor loved have been;
Recall not, then, the dreams scarce vanished,
Traitors ! mislead me not again !
To words like yours I bid defiance,
'Tis such my mental wreck have made;
Of God alone, and self-reliance,
I ask for solace­hope for aid.
Morn comes­and ere meridian glory
O'er these, my natal woods, shall smile,
Both lonely wood and mansion hoary
I'll leave behind, full many a mile.
17
~ Charlotte Brontë,
1324:New Year's Day at Asolo in the Trevisan

Scene.A large mean airy chamber. A girl, Pippa, from the Silk-mills, springing out of bed.
Day!
Faster and more fast,
O'er night's brim, day boils at last:
Boils, pure gold, o'er the cloud-cup's brim
Where spurting and suppressed it lay,
For not a froth-flake touched the rim
Of yonder gap in the solid gray
Of the eastern cloud, an hour away;
But forth one wavelet, then another, curled,
Till the whole sunrise, not to be suppressed,
Rose, reddened, and its seething breast
Flickered in bounds, grew gold, then overflowed the world.
Oh, Day, if I squander a wavelet of thee,
A mite of my twelve hours' treasure,
The least of thy gazes or glances,
(Be they grants thou art bound to or gifts above measure)
One of thy choices or one of thy chances,
(Be they tasks God imposed thee or freaks at thy pleasure)
My Day, if I squander such labour or leisure,
Then shame fall on Asolo, mischief on me!
Thy long blue solemn hours serenely flowing,
Whence earth, we feel, gets steady help and good
Thy fitful sunshine-minutes, coming, going,
As if earth turned from work in gamesome mood
All shall be mine! But thou must treat me not
As prosperous ones are treated, those who live
At hand here, and enjoy the higher lot,
In readiness to take what thou wilt give,
And free to let alone what thou refusest;
For, Day, my holiday, if thou ill-usest
Me, who am only Pippa,old-year's sorrow,
Cast off last night, will come again to-morrow:
Whereas, if thou prove gentle, I shall borrow
Sufficient strength of thee for new-year's sorrow.
All other men and women that this earth
Belongs to, who all days alike possess,
Make general plenty cure particular dearth,
Get more joy one way, if another, less:
Thou art my single day, God lends to leaven
What were all earth else, with a feel of heaven,
Sole light that helps me through the year, thy sun's!
Try now! Take Asolo's Four Happiest Ones
And let thy morning rain on that superb
Great haughty Ottima; can rain disturb
Her Sebald's homage? All the while thy rain
Beats fiercest on her shrub-house window-pane,
He will but press the closer, breathe more warm
Against her cheek; how should she mind the storm?
And, morning past, if mid-day shed a gloom
O'er Jules and Phene,what care bride and groom
Save for their dear selves? 'T is their marriage-day;
And while they leave church and go home their way,
Hand clasping hand, within each breast would be
Sunbeams and pleasant weather spite of thee.
Then, for another trial, obscure thy eve
With mist,will Luigi and his mother grieve
The lady and her child, unmatched, forsooth,
She in her age, as Luigi in his youth,
For true content? The cheerful town, warm, close
And safe, the sooner that thou art morose,
Receives them. And yet once again, outbreak
In storm at night on Monsignor, they make
Such stir about,whom they expect from Rome
To visit Asolo, his brothers' home,
And say here masses proper to release
A soul from pain,what storm dares hurt his peace?
Calm would he pray, with his own thoughts to ward
Thy thunder off, nor want the angels' guard.
But Pippajust one such mischance would spoil
Her day that lightens the next twelvemonth's toil
At wearisome silk-winding, coil on coil!
And here I let time slip for nought!
Aha, you foolhardy sunbeam, caught
With a single splash from my ewer!
You that would mock the best pursuer,
Was my basin over-deep?
One splash of water ruins you asleep,
And up, up, fleet your brilliant bits
Wheeling and counterwheeling,
Reeling, broken beyond healing:
Now grow together on the ceiling!
That will task your wits.
Whoever it was quenched fire first, hoped to see
Morsel after morsel flee
As merrily, as giddily . . .
Meantime, what lights my sunbeam on,
Where settles by degrees the radiant cripple?
Oh, is it surely blown, my martagon?
New-blown and ruddy as St. Agnes' nipple,
Plump as the flesh-bunch on some Turk bird's poll!
Be sure if corals, branching 'neath the ripple
Of ocean, bud there,fairies watch unroll
Such turban-flowers; I say, such lamps disperse
Thick red flame through that dusk green universe!
I am queen of thee, floweret!
And each fleshy blossom
Preserve I not(safer
Than leaves that embower it,
Or shells that embosom)
From weevil and chafer?
Laugh through my pane then; solicit the bee;
Gibe him, be sure; and, in midst of thy glee,
Love thy queen, worship me!
Worship whom else? For am I not, this day,
Whate'er I please? What shall I please to-day?
My morn, noon, eve and nighthow spend my day?
To-morrow I must be Pippa who winds silk,
The whole year round, to earn just bread and milk:
But, this one day, I have leave to go,
And play out my fancy's fullest games;
I may fancy all dayand it shall be so
That I taste of the pleasures, am called by the names
Of the Happiest Four in our Asolo!
See! Up the hill-side yonder, through the morning,
Some one shall love me, as the world calls love:
I am no less than Ottima, take warning!
The gardens, and the great stone house above,
And other house for shrubs, all glass in front,
Are mine; where Sebald steals, as he is wont,
To court me, while old Luca yet reposes:
And therefore, till the shrub-house door uncloses,
I . . . what now?give abundant cause for prate
About meOttima, I meanof late,
Too bold, too confident she'll still face down
The spitefullest of talkers in our town.
How we talk in the little town below!
But love, love, lovethere's better love, I know!
This foolish love was only day's first offer;
I choose my next love to defy the scoffer:
For do not our Bride and Bridegroom sally
Out of Possagno church at noon?
Their house looks over Orcana valley:
Why should not I be the bride as soon
As Ottima? For I saw, beside,
Arrive last night that little bride
Saw, if you call it seeing her, one flash
Of the pale snow-pure cheek and black bright tresses,
Blacker than all except the black eyelash;
I wonder she contrives those lids no dresses!
So strict was she, the veil
Should cover close her pale
Pure cheeksa bride to look at and scarce touch,
Scarce touch, remember, Jules! For are not such
Used to be tended, flower-like, every feature,
As if one's breath would fray the lily of a creature?
A soft and easy life these ladies lead:
Whiteness in us were wonderful indeed.
Oh, save that brow its virgin dimness,
Keep that foot its lady primness,
Let those ankles never swerve
From their exquisite reserve,
Yet have to trip along the streets like me,
All but naked to the knee!
How will she ever grant her Jules a bliss
So startling as her real first infant kiss?
Oh, nonot envy, this!
Not envy, sure!for if you gave me
Leave to take or to refuse,
In earnest, do you think I'd choose
That sort of new love to enslave me?
Mine should have lapped me round from the beginning;
As little fear of losing it as winning:
Lovers grow cold, men learn to hate their wives,
And only parents' love can last our lives.
At eve the Son and Mother, gentle pair,
Commune inside our turret: what prevents
My being Luigi? While that mossy lair
Of lizards through the winter-time is stirred
With each to each imparting sweet intents
For this new-year, as brooding bird to bird
(For I observe of late, the evening walk
Of Luigi and his mother, always ends
Inside our ruined turret, where they talk,
Calmer than lovers, yet more kind than friends)
Let me be cared about, kept out of harm,
And schemed for, safe in love as with a charm;
Let me be Luigi! If I only knew
What was my mother's facemy father, too!
Nay, if you come to that, best love of all
Is God's; then why not have God's love befall
Myself as, in the palace by the Dome,
Monsignor?who to-night will bless the home
Of his dead brother; and God bless in turn
That heart which beats, those eyes which mildly burn
With love for all men! I, to-night at least,
Would be that holy and beloved priest.
Now wait!even I already seem to share
In God's love: what does New-year's hymn declare?
What other meaning do these verses bear?
All service ranks the same with God:
If now, as formerly he trod
Paradise, his presence fills
Our earth, each only as God wills
Can workGod's puppets, best and worst,
Are we; there is no last nor first.
Say not "a small event!" Why "small"?
Costs it more pain that this, ye call
A "great event," should come to pass,
Than that? Untwine me from the mass
Of deeds which make up life, one deed
Power shall fall short in or exceed!
And more of it, and more of it!oh yes
I will pass each, and see their happiness,
And envy nonebeing just as great, no doubt,
Useful to men, and dear to God, as they!
A pretty thing to care about
So mightily, this single holiday!
But let the sun shine! Wherefore repine?
With thee to lead me, O Day of mine,
Down the grass path grey with dew,
Under the pine-wood, blind with boughs,
Where the swallow never flew
Nor yet cicala dared carouse
No, dared carouse!
[She enters the street]


~ Robert Browning, Introduction: Pippa Passes
,
1325:Wild, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun
From the dark chamber of a mortal fever,
Bewildered, and incapable, and ever
Fancying strange comments in her dizzy brain
Of usual shapes, till the familiar train
Of objects and of persons passed like things
Strange as a dreamers mad imaginings,
Ginevra from the nuptial altar went;
The vows to which her lips had sworn assent
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.

And so she moved under the bridal veil,
Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth,
And darkened her dark locks, as moonlight doth,--
And of the gold and jewels glittering there
She scarce felt conscious,--but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight,
A moonbeam in the shadow of a cloud
Was less heavenly fair--her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street;
And ever as she went her light fair feet
Erased these images.

The bride-maidens who round her thronging came,
Some with a sense of self-rebuke and shame,
Envying the unenviable; and others
Making the joy which should have been anothers
Their own by gentle sympathy; and some
Sighing to think of an unhappy home:
Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents smiles for lifes great cheat; a thing
Bitter to taste, sweet in imagining.

But they are all dispersed--and, lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own;
And through the sunny air, with jangling tone,
The music of the merry marriage-bells,
Killing the azure silence, sinks and swells;--
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems
A mockery of itself--when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,
And said--Is this thy faith? and then as one
Whose sleeping face is stricken by the sun
With light like a harsh voice, which bids him rise
And look upon his day of life with eyes
Which weep in vain that they can dream no more,
Ginevra saw her lover, and forbore
To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said--Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will
Of parents, chance or custom, time or change,
Or circumstance, or terror, or revenge,
Or wildered looks, or words, or evil speech,
With all their stings and venom can impeach
Our love,--we love not:--if the grave which hides
The victim from the tyrant, and divides
The cheek that whitens from the eyes that dart
Imperious inquisition to the heart
That is anothers, could dissever ours,
We love not.--What! do not the silent hours
Beckon thee to Gherardis bridal bed?
Is not that ring--a pledge, he would have said,
Of broken vows, but she with patient look
The golden circle from her finger took,
And said--Accept this token of my faith,
The pledge of vows to be absolved by death;
And I am dead or shall be soonmy knell
Will mix its music with that merry bell,
Does it not sound as if they sweetly said
We toll a corpse out of the marriage-bed?
The flowers upon my bridal chamber strewn
Will serve unfaded for my bierso soon
That even the dying violet will not die
Before Ginevra. The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek,
And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with fear,
Making her but an image of the thought
Which, like a prophet or a shadow, brought
News of the terrors of the coming time.
Like an accuser branded with the crime
He would have cast on a beloved friend,
Whose dying eyes reproach not to the end
The pale betrayerhe then with vain repentance
Would share, he cannot now avert, the sentence--
Antonio stood and would have spoken, when
The compound voice of women and of men
Was heard approaching; he retired, while she
Was led amid the admiring company
Back to the palace,--and her maidens soon
Changed her attire for the afternoon,
And left her at her own request to keep
An hour of quiet rest:--like one asleep
With open eyes and folded hands she lay,
Pale in the light of the declining day.

Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes,
Kindling a momentary Paradise.
This crowd is safer than the silent wood,
Where loves own doubts disturb the solitude;
On frozen hearts the fiery rain of wine
Falls, and the dew of music more divine
Tempers the deep emotions of the time
To spirits cradled in a sunny clime:--
How many meet, who never yet have met,
To part too soon, but never to forget.
How many saw the beauty, power and wit
Of looks and words which neer enchanted yet;
But lifes familiar veil was now withdrawn,
As the world leaps before an earthquakes dawn,
And unprophetic of the coming hours,
The matin winds from the expanded flowers
Scatter their hoarded incense, and awaken
The earth, until the dewy sleep is shaken
From every living heart which it possesses,
Through seas and winds, cities and wildernesses,
As if the future and the past were all
Treasured i the instant;--so Gherardis hall
Laughed in the mirth of its lords festival,
Till some one asked--Where is the Bride? And then
A bridesmaid went,--and ere she came again
A silence fell upon the guests--a pause
Of expectation, as when beauty awes
All hearts with its approach, though unbeheld;
Then wonder, and then fear that wonder quelled;--
For whispers passed from mouth to ear which drew
The colour from the hearers cheeks, and flew
Louder and swifter round the company;
And then Gherardi entered with an eye
Of ostentatious trouble, and a crowd
Surrounded him, and some were weeping loud.

They found Ginevra dead! if it be death
To lie without motion, or pulse, or breath,
With waxen cheeks, and limbs cold, stiff, and white,
And open eyes, whose fixed and glassy light
Mocked at the speculation they had owned.
If it be death, when there is felt around
A smell of clay, a pale and icy glare,
And silence, and a sense that lifts the hair
From the scalp to the ankles, as it were
Corruption from the spirit passing forth,
And giving all it shrouded to the earth,
And leaving as swift lightning in its flight
Ashes, and smoke, and darkness: in our night
Of thought we know thus much of death,no more
Than the unborn dream of our life before
Their barks are wrecked on its inhospitable shore.
The marriage feast and its solemnity
Was turned to funeral pomp--the company,
With heavy hearts and looks, broke up; nor they
Who loved the dead went weeping on their way
Alone, but sorrow mixed with sad surprise
Loosened the springs of pity in all eyes,
On which that form, whose fate they weep in vain,
Will never, thought they, kindle smiles again.
The lamps which, half extinguished in their haste,
Gleamed few and faint oer the abandoned feast,
Showed as it were within the vaulted room
A cloud of sorrow hanging, as if gloom
Had passed out of mens minds into the air.
Some few yet stood around Gherardi there,
Friends and relations of the dead,--and he,
A loveless man, accepted torpidly
The consolation that he wanted not;
Awe in the place of grief within him wrought.
Their whispers made the solemn silence seem
More still--some wept,...
Some melted into tears without a sob,
And some with hearts that might be heard to throb
Leaned on the table and at intervals
Shuddered to hear through the deserted halls
And corridors the thrilling shrieks which came
Upon the breeze of night, that shook the flame
Of every torch and taper as it swept
From out the chamber where the women kept;--
Their tears fell on the dear companion cold
Of pleasures now departed; then was knolled
The bell of death, and soon the priests arrived,
And finding Death their penitent had shrived,
Returned like ravens from a corpse whereon
A vulture has just feasted to the bone.
And then the mourning women came.--

...

THE DIRGE.
Old winter was gone
In his weakness back to the mountains hoar,
And the spring came down
From the planet that hovers upon the shore

Where the sea of sunlight encroaches
On the limits of wintry night;--
If the land, and the air, and the sea,
Rejoice not when spring approaches,
We did not rejoice in thee,
Ginevra!

She is still, she is cold
On the bridal couch,
One step to the white deathbed,
And one to the bier,
And one to the charnel--and one, oh where?
The dark arrow fled
In the noon.

Ere the sun through heaven once more has rolled,
The rats in her heart
Will have made their nest,
And the worms be alive in her golden hair,
While the Spirit that guides the sun,
Sits throned in his flaming chair,
She shall sleep.

~ Percy Bysshe Shelley, Ginevra
,
1326:Mementos
ARRANGING long-locked drawers and shelves
Of cabinets, shut up for years,
What a strange task we've set ourselves !
How still the lonely room appears !
How strange this mass of ancient treasures,
Mementos of past pains and pleasures;
These volumes, clasped with costly stone,
With print all faded, gilding gone;
These fans of leaves, from Indian trees­
These crimson shells, from Indian seas­
These tiny portraits, set in rings­
Once, doubtless, deemed such precious things;
Keepsakes bestowed by Love on Faith,
And worn till the receiver's death,
Now stored with cameos, china, shells,
In this old closet's dusty cells.
I scarcely think, for ten long years,
A hand has touched these relics old;
And, coating each, slow-formed, appears,
The growth of green and antique mould.
All in this house is mossing over;
All is unused, and dim, and damp;
Nor light, nor warmth, the rooms discover­
Bereft for years of fire and lamp.
The sun, sometimes in summer, enters
The casements, with reviving ray;
But the long rains of many winters
Moulder the very walls away.
And outside all is ivy, clinging
To chimney, lattice, gable grey;
Scarcely one little red rose springing
Through the green moss can force its way.
Unscared, the daw, and starling nestle,
32
Where the tall turret rises high,
And winds alone come near to rustle
The thick leaves where their cradles lie.
I sometimes think, when late at even
I climb the stair reluctantly,
Some shape that should be well in heaven,
Or ill elsewhere, will pass by me.
I fear to see the very faces,
Familiar thirty years ago,
Even in the old accustomed places
Which look so cold and gloomy now.
I've come, to close the window, hither,
At twilight, when the sun was down,
And Fear, my very soul would wither,
Lest something should be dimly shown.
Too much the buried form resembling,
Of her who once was mistress here;
Lest doubtful shade, or moonbeam trembling,
Might take her aspect, once so dear.
Hers was this chamber; in her time
It seemed to me a pleasant room,
For then no cloud of grief or crime
Had cursed it with a settled gloom;
I had not seen death's image laid
In shroud and sheet, on yonder bed.
Before she married, she was blest­
Blest in her youth, blest in her worth;
Her mind was calm, its sunny rest
Shone in her eyes more clear than mirth.
And when attired in rich array,
Light, lustrous hair about her brow,
She yonder sat­a kind of day
Lit up­what seems so gloomy now.
These grim oak walls, even then were grim;
That old carved chair, was then antique;
33
But what around looked dusk and dim
Served as a foil to her fresh cheek;
Her neck, and arms, of hue so fair,
Eyes of unclouded, smiling, light;
Her soft, and curled, and floating hair,
Gems and attire, as rainbow bright.
Reclined in yonder deep recess,
Ofttimes she would, at evening, lie
Watching the sun; she seemed to bless
With happy glance the glorious sky.
She loved such scenes, and as she gazed,
Her face evinced her spirit's mood;
Beauty or grandeur ever raised
In her, a deep-felt gratitude.
But of all lovely things, she loved
A cloudless moon, on summer night;
Full oft have I impatience proved
To see how long, her still delight
Would find a theme in reverie.
Out on the lawn, or where the trees
Let in the lustre fitfully,
As their boughs parted momently,
To the soft, languid, summer breeze.
Alas ! that she should e'er have flung
Those pure, though lonely joys away­
Deceived by false and guileful tongue,
She gave her hand, then suffered wrong;
Oppressed, ill-used, she faded young,
And died of grief by slow decay.
Open that casket­look how bright
Those jewels flash upon the sight;
The brilliants have not lost a ray
Of lustre, since her wedding day.
But see­upon that pearly chain­
How dim lies time's discolouring stain !
I've seen that by her daughter worn:
For, e'er she died, a child was born;
A child that ne'er its mother knew,
That lone, and almost friendless grew;
34
For, ever, when its step drew nigh,
Averted was the father's eye;
And then, a life impure and wild
Made him a stranger to his child;
Absorbed in vice, he little cared
On what she did, or how she fared.
The love withheld, she never sought,
She grew uncherished­learnt untaught;
To her the inward life of thought
Full soon was open laid.
I know not if her friendlessness
Did sometimes on her spirit press,
But plaint she never made.
The book-shelves were her darling treasure,
She rarely seemed the time to measure
While she could read alone.
And she too loved the twilight wood,
And often, in her mother's mood,
Away to yonder hill would hie,
Like her, to watch the setting sun,
Or see the stars born, one by one,
Out of the darkening sky.
Nor would she leave that hill till night
Trembled from pole to pole with light;
Even then, upon her homeward way,
Long­long her wandering steps delayed
To quit the sombre forest shade,
Through which her eerie pathway lay.
You ask if she had beauty's grace ?
I know not­but a nobler face
My eyes have seldom seen;
A keen and fine intelligence,
And, better still, the truest sense
Were in her speaking mien.
But bloom or lustre was there none,
Only at moments, fitful shone
An ardour in her eye,
That kindled on her cheek a flush,
Warm as a red sky's passing blush
And quick with energy.
35
Her speech, too, was not common speech,
No wish to shine, or aim to teach,
Was in her words displayed:
She still began with quiet sense,
But oft the force of eloquence
Came to her lips in aid;
Language and voice unconscious changed,
And thoughts, in other words arranged,
Her fervid soul transfused
Into the hearts of those who heard,
And transient strength and ardour stirred,
In minds to strength unused.
Yet in gay crowd or festal glare,
Grave and retiring was her air;
'Twas seldom, save with me alone,
That fire of feeling freely shone;
She loved not awe's nor wonder's gaze,
Nor even exaggerated praise,
Nor even notice, if too keen
The curious gazer searched her mien.
Nature's own green expanse revealed
The world, the pleasures, she could prize;
On free hill-side, in sunny field,
In quiet spots by woods concealed,
Grew wild and fresh her chosen joys,
Yet Nature's feelings deeply lay
In that endowed and youthful frame;
Shrined in her heart and hid from day,
They burned unseen with silent flame;
In youth's first search for mental light,
She lived but to reflect and learn,
But soon her mind's maturer might
For stronger task did pant and yearn;
And stronger task did fate assign,
Task that a giant's strength might strain;
To suffer long and ne'er repine,
Be calm in frenzy, smile at pain.
Pale with the secret war of feeling,
Sustained with courage, mute, yet high;
The wounds at which she bled, revealing
Only by altered cheek and eye;
36
She bore in silence­but when passion
Surged in her soul with ceaseless foam,
The storm at last brought desolation,
And drove her exiled from her home.
And silent still, she straight assembled
The wrecks of strength her soul retained;
For though the wasted body trembled,
The unconquered mind, to quail, disdained.
She crossed the sea­now lone she wanders
By Seine's, or Rhine's, or Arno's flow;
Fain would I know if distance renders
Relief or comfort to her woe.
Fain would I know if, henceforth, ever,
These eyes shall read in hers again,
That light of love which faded never,
Though dimmed so long with secret pain.
She will return, but cold and altered,
Like all whose hopes too soon depart;
Like all on whom have beat, unsheltered,
The bitter blasts that blight the heart.
No more shall I behold her lying
Calm on a pillow, smoothed by me;
No more that spirit, worn with sighing,
Will know the rest of infancy.
If still the paths of lore she follow,
'Twill be with tired and goaded will;
She'll only toil, the aching hollow,
The joyless blank of life to fill.
And oh ! full oft, quite spent and weary,
Her hand will pause, her head decline;
That labour seems so hard and dreary,
On which no ray of hope may shine.
Thus the pale blight of time and sorrow
37
Will shade with grey her soft, dark hair
Then comes the day that knows no morrow,
And death succeeds to long despair.
So speaks experience, sage and hoary;
I see it plainly, know it well,
Like one who, having read a story,
Each incident therein can tell.
Touch not that ring, 'twas his, the sire
Of that forsaken child;
And nought his relics can inspire
Save memories, sin-defiled.
I, who sat by his wife's death-bed,
I, who his daughter loved,
Could almost curse the guilty dead,
For woes, the guiltless proved.
And heaven did curse­they found him laid,
When crime for wrath was rife,
Cold­with the suicidal blade
Clutched in his desperate gripe.
'Twas near that long deserted hut,
Which in the wood decays,
Death's axe, self-wielded, struck his root,
And lopped his desperate days.
You know the spot, where three black trees,
Lift up their branches fell,
And moaning, ceaseless as the seas,
Still seem, in every passing breeze,
The deed of blood to tell.
They named him mad, and laid his bones
Where holier ashes lie;
Yet doubt not that his spirit groans,
In hell's eternity.
But, lo ! night, closing o'er the earth,
Infects our thoughts with gloom;
38
Come, let us strive to rally mirth,
Where glows a clear and tranquil hearth
In some more cheerful room.
~ Charlotte Brontë,
1327:A FRAGMENT OF A TRAGEDY
ACT I.
SCENE I. Field of Battle.
Alarum. Enter King STEPHEN, Knights, and Soldiers.
Stephen. If shame can on a soldier's vein-swolln front
Spread deeper crimson than the battle's toil,
Blush in your casing helmets! for see, see!
Yonder my chivalry, my pride of war,
Wrench'd with an iron hand from firm array,
Are routed loose about the plashy meads,
Of honour forfeit. O that my known voice
Could reach your dastard ears, and fright you more!
Fly, cowards, fly! Glocester is at your backs!
Throw your slack bridles o'er the flurried manes,
Ply well the rowel with faint trembling heels,
Scampering to death at last!
First Knight. The enemy
Bears his flaunt standard close upon their rear.
Second Knight. Sure of a bloody prey, seeing the fens
Will swamp them girth-deep.
Stephen. Over head and ears,
No matter! 'Tis a gallant enemy;
How like a comet he goes streaming on.
But we must plague him in the flank, hey, friends?
We are well breathed, follow!
Enter Earl BALDWIN and Soldiers, as defeated.
Stephen. De Redvers!
What is the monstrous bugbear that can fright
Baldwin?
Baldwin. No scare-crow, but the fortunate star
Of boisterous Chester, whose fell truncheon now
Points level to the goal of victory.
This way he comes, and if you would maintain
Your person unaffronted by vile odds,

Take horse, my Lord.
Stephen. And which way spur for life?
Now I thank Heaven I am in the toils,
That soldiers may bear witness how my arm
Can burst the meshes. Not the eagle more
Loves to beat up against a tyrannous blast,
Than I to meet the torrent of my foes.
This is a brag, be 't so, but if I fall,
Carve it upon my 'scutcheon'd sepulchre.
On, fellow soldiers! Earl of Redvers, back!
Not twenty Earls of Chester shall brow-beat
The diadem. [Exeunt. Alarum.

SCENE II. Another part of the Field.
Trumpets sounding a Victory. Enter GLOCESTER. Knights, and Forces.
Glocester. Now may we lift our bruised vizors up,
And take the flattering freshness of the air,
While the wide din of battle dies away
Into times past, yet to be echoed sure
In the silent pages of our chroniclers.
First Knight. Will Stephen's death be marked there, my good
Lord,
Or that we gave him lodging in yon towers?
Glocester. Fain would I know the great usurper's fate.
Enter two Captains severally.
First Captain. My Lord!
Second Captain. Most noble Earl!
First Captain. The King
Second Captain. The Empress greets
Glocester. What of the King?
First Captain. He sole and lone maintains
A hopeless bustle mid our swarming arms,
And with a nimble savageness attacks,
Escapes, makes fiercer onset, then anew
Eludes death, giving death to most that dare
Trespass within the circuit of his sword!
He must by this have fallen. Baldwin is taken;
And for the Duke of Bretagne, like a stag
He flies, for the Welsh beagles to hunt down.
God save the Empress!
Glocester. Now our dreaded Queen:
What message from her Highness?
Second Captain. Royal Maud
From the throng'd towers of Lincoln hath look'd down,
Like Pallas from the walls of Ilion,
And seen her enemies havock'd at her feet.
She greets most noble Glocester from her heart,
Intreating him, his captains, and brave knights,
To grace a banquet. The high city gates
Are envious which shall see your triumph pass;
The streets are full of music.
Enter Second Knight.
Glocester. Whence come you?
Second Knight. From Stephen, my good Prince, Stephen!
Stephen!
Glocester. Why do you make such echoing of his name?
Second Knight. Because I think, my lord, he is no man,
But a fierce demon, Anointed safe from wounds,
And misbaptized with a Christian name.
Glocester. A mighty soldier! Does he still hold out?
Second Knight. He shames our victory. His valour still
Keeps elbow-room amid our eager swords,
And holds our bladed falchions all aloof
His gleaming battle-axe being slaughter-sick,
Smote on the morion of a Flemish knight,
Broke short in his hand; upon the which he flung
The heft away with such a vengeful force,

It paunch'd the Earl of Chester's horse, who then
Spleen-hearted came in full career at him.
Glocester. Did no one take him at a vantage then?
Second Knight. Three then with tiger leap upon him flew,
Whom, with his sword swift-drawn and nimbly held,
He stung away again, and stood to breathe,
Smiling. Anon upon him rush'd once more
A throng of foes, and in this renew'd strife,
My sword met his and snapp'd off at the hilts.
Glocester. Come, lead me to this Mars and let us move
In silence, not insulting his sad doom
With clamorous trumpets. To the Empress bear
My salutation as befits the time.
[Exeunt GLOCESTER and Forces.

SCENE III. The Field of Battle. Enter STEPHEN unarmed.
Stephen. Another sword! And what if I could seize
One from Bellona's gleaming armoury,
Or choose the fairest of her sheaved spears!
Where are my enemies? Here, close at hand,
Here come the testy brood. O for a sword!
I'm faint a biting sword! A noble sword!
A hedge-stake or a ponderous stone to hurl
With brawny vengeance, like the labourer Cain.
Come on! Farewell my kingdom, and all hail
Thou superb, plum'd, and helmeted renown,
All hail I would not truck this brilliant day
To rule in Pylos with a Nestor's beard
Come on!
Enter DE KAIMS and Knights, &c.
De Kaims. Is 't madness, or a hunger after death,
That makes thee thus unarm'd throw taunts at us?
Yield, Stephen, or my sword's point dip in
"he gloomy current of a traitor's heart.
Stephen. Do it, De Kaims, I will not budge an inch.
De Kaims. Yes, of thy madness thou shalt take the meed.
Stephen. Darest thou?
De Kaims. How dare, against a man disarmed?
Stephen. What weapons has the lion but himself?
Come not near me, De Kaims, for by the price
Of all the glory I have won this day,
Being a king, I will not yield alive
To any but the second man of the realm,
Robert of Glocester.
De Kaims. Thou shalt vail to me.
Stephen. Shall I, when I have sworn against it, sir?
Thou think'st it brave to take a breathing king,
That, on a court-day bow'd to haughty Maud,
The awed presence-chamber may be bold
To whisper, there's the man who took alive
Stephen me prisoner. Certes, De Kaims,
The ambition is a noble one.
De Kaims. 'Tis true,
And, Stephen, I must compass it.
Stephen. No, no,
Do not tempt me to throttle you on the gorge,
Or with my gauntlet crush your hollow breast,
Just when your knighthood is grown ripe and full
For lordship.
A Soldier. Is an honest yeoman's spear
Of no use at a need? Take that.
Stephen. Ah, dastard!
De Kaims. What, you are vulnerable! my prisoner I
Stephen. No, not yet. I disclaim it, and demand
Death as a sovereign right unto a king
Who 'sdains to yield to any but his peer,
If not in title, yet in noble deeds,
The Earl of Glocester. Stab to the hilts, De Kaims,
For I will never by mean hands be led
From this so famous field. Do ye hear! Be quick!
[Trumpets. Enter the Earl of CHESTER and Knights.

SCENE IV. A Presence Chamber. Queen MAUD in a Chair of State, the
Earls of GLOCESTER and CHESTER, Lords, Attendants.
Maud. Glocester, no more: I will behold that Boulogne:
Set him before me. Not for the poor sake
Of regal pomp and a vain-glorious hour,
As thou with wary speech, yet near enough,
Hast hinted.
Glocester. Faithful counsel have I given ;
If wary, for your Highness' benefit.
Maud. The Heavens forbid that I should not think so,
For by thy valour have I won this realm,
Which by thy wisdom I will ever keep.
To sage advisers let me ever bend
"A meek attentive ear, so that they treat
Of the wide kingdom's rule and government,
Not trenching on our actions personal.
Advis'd, not school'd, I would be; and henceforth
Spoken to in clear, plain, and open terms,
Not side-ways sermon'd at.
Glocester. Then, in plain terms,
Once more for the fallen king
Maud. Your pardon, Brother,
I would no more of that; for, as I said,
Tis not for worldly pomp I wish to see
The rebel, but as dooming judge to give
A sentence something worthy of his guilt.
Glocester. If 't must be so, I'll bring him to your presence.
[Exit GLOCESTER,
Maud. A meaner summoner might do as well
My Lord of Chester, is 't true what I hear
Of Stephen of Boulogne, our prisoner,
That he, as a fit penance for his crimes,
Eats wholesome, sweet, and palatable food
Off Glocester's golden dishes drinks pure wine,
Lodgest soft?
Chester. More than that, my gracious Queen,
Has anger'd me. The noble Earl, methinks,
Full soldier as he is, and without peer
In counsel, dreams too much among his books.
It may read well, but sure 'tis out of date
To play the Alexander with Darius.
Maud. Truth! I think so. By Heavens it shall not last!
Chester. It would amaze your Highness now to mark
How Glocester overstrains his courtesy
To that crime-loving rebel, that Boulogne
Maud. That ingrate!
Chester. For whose vast ingratitude
To our late sovereign lord, your noble sire,
The generous Earl condoles in his mishaps,
And with a sort of lackeying friendliness,
Talks off the mighty frowning from his brow,
Woos him to hold a duet in a smile,
Or, if it please him, play an hour at chess
Maud. A perjured slave!
Chester. And for his perjury,
Glocester has fit rewards nay, I believe,
He sets his bustling household's wits at work
For flatteries to ease this Stephen's hours,
And make a heaven of his purgatory ;

Adorning bondage with the pleasant gloss
Of feasts and music, and all idle shows
Of indoor pageantry; while syren whispers,
Predestined for his ear, 'scape as half-check'd
From lips the courtliest and the rubiest
Of all the realm, admiring of his deeds.
Maud. A frost upon his summer!
Chester. A queen's nod
Can make his June December. Here he comes.
by owner. provided at no charge for educational purposes

~ John Keats, King Stephen
,
1328:The Enchanted Ring
A Tale of Halloween
You ask me for a tale of Halloween?
'Tis well. I lately read a treasure tome
Within whose legend-haunted lone demesne
The free, wild Fancy finds herself at home.
Now, while the night wind wings the starlit dome,
And while the dead leaves eerie converse hold,
Through the rich Conjurer's Kingdom with me roam;
And, wandering there, the story shall be told
Of what befell in Leinster in the days of old.
II
In Leinster in the days of old, I wis,
There was no maiden of the countryside
But on All Hallows (such a night as this!)
In Love's dim chancery her fortune tried.
The bursting nut upon the hearth she plied;
Or, while a lighted candle she would bear,
Gazed in her glass with eyes intent and wide;
Or, with weird mutterings, like a witch's prayer,
She sowed three rows of nothing on the empty air!
III
All rites had little Barbara performed,
Yet nothing did she see, and nothing hear;
Her busy thoughts soon into dreamland swarmed.
The rosy apple lay, untasted, near
For him who, ere another rounded year,
Should taste Love's feast with her. And now the wind
(As on this very night) with sighings drear,
Spake close beneath her latticed window-blind
Such dreamwise things as it hath spoke time out of mind.
IV
16
Why moans our little sister? 'Rest thee, rest!
Fear naught.' Soon careful arms have clasp'd her round,
And a soft cheek against her own is pressed.
For thus, since childhood, Barbara hath found
In mother-love with sister's love upbound,
Swift respite from the terrors of the night.
But now, what sleep so restless, yet so sound,
That not for touch or tone will take its flight,
Or aught at all except the broadcast morning light!
'My precious one, such troubled dreams were thine;
Yet, though I strove, I could not waken thee.'
'Dear mother-sister- dearest sister mineMethought an unknown guide did beckon me
Far, far from here. My will I could not free;
I needs must follow through weald and waste.
Outworn I reached a manor fair to see;
Outworn, alone, through a long hall I paced,
That was with many a speaking, stately portrait graced.
VI
'Then, stilly as a spirit loosed from earth,
I climbed a stair, and to a chamber came,
Rich hung with broidered cloths. Upon the hearth
Dull embers held a little fitful flame.
A sudden trembling ran through all my frame,
When, from amidst those silken hangings rare,
A voice pronounced: 'Reveal thy face and name,
I conjure thee! At least, some token spare
That I may trace thee when thou goest I know not where!'
VII
'It was a grievous and a sinful thingBut over me was sovereign, stern command
I must obey. Thy gift, the birthday ring,
With my own name engraved within the bandThe ring, alas! I drew it from my hand,
17
And laid it on the marble mantel high.
Then died the flame from out the falling brand,
Then were the four walls darkling earth and sky;
And, once again, till dawn a wanderer was I.
VIII
'But, Agatha, thou art not vexed at me?
Thou dost not mourn the ring? 'Twas mine last eve,
This morning it is gone, as thou canst see!'
'Nay, darling, thou no reason hast to grieve:
I may not tell thee why, but I believe
That ere another wingèd year is flown
Some brightest threads for thee will Fortune weave.'
So spake her sister, sage of look and tone,
And held the little, fevered hand within her own.
IX
The Winter long is over in the land,
And mellow is the furrowed soil, and quick
With hopeful promise to the toiler's hand.
He, too, that toils not, leaning on his stick,
Is cheered to see the bean-flowers set so thick,
And thick the blossoms on the orchard bough.
How sweet the air! Hath any soul been sick?
Oh, let that soul drink health from beauty now;
Stand forth beneath the sky; unknit the careworn brow!
'Say, children, if ye guess, what aileth himThe stranger who oft leans beyond the hedge
To see our budding roses? Yet so dim
His eye, he knows them not from ragged sedge!
The black ox's hoof hath trod on him, I pledge
My hopes beyond the grave, he seeketh aye
For that which flees him to the world's far edge!
Come, children, tell me what the gossips say:
Your grandsire nothing hears- the old at home must stay!'
XI
18
Good Agatha replies with playful look:
'Let Barbara speak. And if she be the rose
(To us the sweetest flower in any nookOr tame or wild- that in our Leinster grows)
Hath drawn the stranger to our garden-close,
With what true eye hath he the best discerned.'
(A blush-rose, on the moment, springs and blows!)
'Ay, sister, grandsire, all that I have learned,
I freely tell you; since deceit I always spurned.
XII
'But twice have I had speech with him- no more,
First time he asked a rose, and spake me fair,
I gave it him, so sad a look he wore;
And on he passed, as one who doth not care.
Again, as I was searching everywhere
My bracelet that had fallen to the ground,
He leaped the hedge-row ere I was aware;
And he it was that, searching, quickly found
My bracelet. Surely, I to courtesy was bound.'
XIII
'Ay, surely, child. Your grandsire taught you that,
What said you then?' 'I bade him stay and rest;
And down upon the old oak bench we sat.
He spake of losses- how another's quest
'Twas ever his to aid, for he was blest
With wizard sight, save for the thing he soughtA thing not lost, since never yet possessed;
He had but dreamed of it! I answered naught;
But much, in truth, since then of what he said have thought.'
XIV
By this time closed are the ears of age,
And lid-fast are the eyes. And now, alone,
Spake carelessly good Agatha the sage:
'Great prudence, little Barbe, thou hast shown;
But I have heard the stranger well is known,
19
That gentle is his birth, and the estate
Is broad and fair, which singly he doth own.
'Tis said his health hath suffered much of late;
Wholesome this air; so he prolongs his visit's date.'
XV
Then subtly did fond Agatha contrive:
'Thou dost but a charitable deed,
If from his soul this withering gloom thou drive.
Lightly along the self-same channel lead
Thy talk. Say that thou gav'st his words good heed;
Since back to thee thy bracelet he could bring,
Thou would'st, once more, consult his wizard rede,
For thou hast lost a yet more precious thingThy sister's gift to thee- the name, too, on the ring!'
XVI
'That dare I not- !' broke in the little maid;
'For well thou knowest how the ring was lost,
And all the tricks at Halloween I played.
Alas, those charms were wrought at heavy cost,
To be, as I have been, a homeless ghostA shadow of myself- of self bereft!'
'Then, child, tell only what importeth mostA ring of thine was somewhere lost, or left;
And thou, once more, art fain to seek his counsel deft.'
XVII
The Rose sends challenge to the flower-world all:
What bloom like mint- at once both proud and sweet?
Unstored to the Rose's burning accents fall
Upon the twain within the garden-seat.
Yet, what can make the Rose's color fleet
From a young maiden's cheek- what sudden stress?
What words are these a young man may repeat,
While light springs up in eyes long lustreless?
But come, let us o'erhear- 'twere idle, still to guess?
XVIII
20
It thus had chanced: when came the moment fit,
Full simply little Barbara broached the theme
Directed by her sister's subtler wit:
Since he had found her bracelet, it would seem
A yet mor precious loss he might redeem:
A ring of hers had vanished- left no trace.
So great a wizard might some potent scheme
Devise, to bring it from its hiding-place.'
She lightly spake. Intent, her comrade scanned her face.
XIX
'Speak thou the truth, no word from me withhold;
Lift up thine eyes, and they the truth shall speak,
For it must be that slender ring of gold
Bounds the whole world of happiness I seek.
Tell me when thou this ring didst lose, and eke
All circumstance that did the time attend.'
'Twas then the Rose's color fled her cheek;
But since her tongue to guile she could not lend,
She told straightforwardly her story to the end.
XX
'As thou hast spoken truth, and naught beside'
He said, 'I'll speak the living truth to thee.
That night some charms of Halloween I tried,
Dared thus to do by a blithe company
In mine old hall, far in the West Country.
The charms performed, I thought of them no more;
Yet deemed it strange that sleep came not to me;
And as the rising wind shook blind and door,
I watched with half-shut eyes the firelight on the floor.
XXI
'Then glidingly, and noiseless as a dream,
A figure stoled in white, with floating hair,
Touched faintly by the embers' fitful gleam,
Approached the fireplace and stood wavering thereStood piteously, with tender feet all bare,
21
And tender palms reached out above the coals
(As they had borne too long the frosty air).
Then, I remembered me the time- All Souls,
When visions vanish as the hour of midnight tolls!
XXII
'Already was the clock upon the stroke,
Already had the vision turned to go
When, in a voice I scarcely knew, I spoke,
Desiring that the presence should bestow
Some sign, or constant pledge of truth, to show
When daylight should to disbelief incline.
The vision faded. On the mantel, lo!
This ring I found. And surely, it is thine,
And surely, maiden, both the ring and thou art mine!'
XXIII
Needs not to say what afterwards befellHow smiled the mother-sister sage and dear,
When came the fine confession, guessed full well;
Or how, before the rounding of the year,
She saw- through many a rainbow-lighted tearHer darling pace the aisle, a happy bride!
Nay!- rather must I counsel all who hear
Leave juggling wiles of Halloween untried,
Lest no such powers benign your doubtful venture guide!
~ Edith Matilda Thomas,
1329:The Kalevala - Rune Xlv
BIRTH OF THE NINE DISEASES.
Louhi, hostess of the Northland,
Heard the word in Sariola,
Heard the Dews with ears of envy,
That Wainola lives and prospers,
That Osmoinen's wealth increases,
Through the ruins of the Sampo,
Ruins of the lid in colors.
Thereupon her wrath she kindled,
Well considered, long reflected,
How she might prepare destruction
For the people of Wainola,
For the tribes of Kalevala.
With this prayer she turns to Ukko,
Thus entreats the god of thunder:
'Ukko, thou who art in heaven,
Help me slay Wainola's people
With thine iron-hail of justice,
With thine arrows tipped with lightning,
Or from sickness let them perish,
Let them die the death deserving;
Let the men die in the forest,
And the women in the hurdles!'
The blind daughter of Tuoni,
Old and wicked witch, Lowyatar,
Worst of all the Death-land women,
Ugliest of Mana's children,
Source of all the host of evils,
All the ills and plagues of Northland,
Black in heart, and soul, and visage,
Evil genius of Lappala,
Made her couch along the wayside,
On the fields of sin and sorrow;
Turned her back upon the East-wind,
To the source of stormy weather,
To the chilling winds of morning.
When the winds arose at evening,
234
Heavy-laden grew Lowyatar,
Through the east-wind's impregnation,
On the sand-plains, vast and barren.
Long she bore her weight of trouble,
Many morns she suffered anguish,
Till at last she leaves the desert,
Makes her couch within the forest,
On a rock upon the mountain;
Labors long to leave her burden
By the mountain-springs and fountains,
By the crystal waters flowing,
By the sacred stream and whirlpool,
By the cataract and fire-stream;
But her burden does not lighten.
Blind Lowyatar, old and ugly,
Knew not where to look for succor,
How to lose her weight of sorrow,
Where to lay her evil children.
Spake the Highest from the heavens,
These, the words of mighty Ukko:
'Is a triangle in Swamp-field,
Near the border of the ocean,
In the never-pleasant Northland,
In the dismal Sariola;
Thither go and lay thy burden,
In Pohyola leave thine offspring;
There the Laplanders await thee,
There will bid thy children welcome.'
Thereupon the blind Lowyatar,
Blackest daughter of Tuoni,
Mana's old and ugly maiden,
Hastened on her journey northward,
To the chambers of Pohyola,
To the ancient halls of Louhi,
There to lay her heavy burdens,
There to leave her evil offspring.
Louhi, hostess of the Northland,
Old and toothless witch of Pohya,
Takes Lowyatar to her mansion;
Silently she leads the stranger
To the bath-rooms of her chamber,
Pours the foaming beer of barley,
235
Lubricates the bolts and hinges,
That their movements may be secret,
Speaks these measures to Lowyatar:
'Faithful daughter of Creation,
Thou most beautiful of women,
First and last of ancient mothers,
Hasten on thy feet to ocean,
To the ocean's centre hasten,
Take the sea-foam from the waters,
Take the honey of the mermaids,
And anoint thy sacred members,
That thy labors may be lightened.
'Should all this be unavailing,
Ukko, thou who art in heaven,
Hasten hither, thou art needed,
Come thou to thy child in trouble,
Help the helpless and afflicted.
Take thy golden-colored sceptre,
Charm away opposing forces,
Strike the pillars of the stronghold,
Open all resisting portals,
That the great and small may wander
From their ancient hiding-places,
Through the courts and halls of freedom.'
Finally the blind Lowyatar,
Wicked witch of Tuonela,
Was delivered of her burden,
Laid her offspring in the cradle,
Underneath the golden covers.
Thus at last were born nine children,
In an evening of the summer,
From Lowyatar, blind and ancient,
Ugly daughter of Tuoni.
Faithfully the virgin-mother
Guards her children in affection,
As an artist loves and nurses
What his skillful hands have fashioned.
Thus Lowyatar named her offspring,
Colic, Pleurisy, and Fever,
Ulcer, Plague, and dread Consumption,
Gout, Sterility, and Cancer.
And the worst of these nine children
236
Blind Lowyatar quickly banished,
Drove away as an enchanter,
To bewitch the lowland people,
To engender strife and envy.
Louhi, hostess of Pohyola,
Banished all the other children
To the fog-point in the ocean,
To the island forest-covered;
Banished all the fatal creatures,
Gave these wicked sons of evil
To the people of Wainola,
To the youth of Kalevala,
For the Kalew-tribe's destruction.
Quick Wainola's maidens sicken,
Young and aged, men and heroes,
With the worst of all diseases,
With diseases new and nameless;
Sick and dying is Wainola.
Thereupon old Wainamoinen,
Wise and wonderful enchanter,
Hastens to his people's rescue,
Hastens to a war with Mana,
To a conflict with Tuoni,
To destroy the evil children
Of the evil maid, Lowyatar.
Wainamoinen heats the bath-rooms,
Heats the blocks of healing-sandstone
With the magic wood of Northland,
Gathered by the sacred river;
Water brings in covered buckets
From the cataract and whirlpool;
Brooms he brings enwrapped with ermine,
Well the bath the healer cleanses,
Softens well the brooms of birch-wood;
Then a honey-heat be wakens,
Fills the rooms with healing vapors,
From the virtue of the pebbles
Glowing in the heat of magic,
Thus he speaks in supplication:
'Come, O Ukko, to my rescue,
God of mercy, lend thy presence,
Give these vapor-baths new virtues,
237
Grant to them the powers of healing,
And restore my dying people;
Drive away these fell diseases,
Banish them to the unworthy,
Let the holy sparks enkindle,
Keep this heat in healing limits,
That it may not harm thy children,
May not injure the afflicted.
When I pour the sacred waters
On the heated blocks of sandstone,
May the water turn to honey
Laden with the balm of healing.
Let the stream of magic virtues
Ceaseless flow to all my children,
From this bath enrolled in sea-moss,
That the guiltless may not suffer,
That my tribe-folk may not perish,
Till the Master gives permission,
Until Ukko sends his minions,
Sends diseases of his choosing,
To destroy my trusting people.
Let the hostess of Pohyola,
Wicked witch that sent these troubles,
Suffer from a gnawing conscience,
Suffer for her evil doings.
Should the Master of Wainola
Lose his magic skill and weaken,
Should he prove of little service
To deliver from misfortune,
To deliver from these evils,
Then may Ukko be our healer,
Be our strength and wise Physician.
'Omnipresent God of mercy,
Thou who livest in the heavens,
Hasten hither, thou art needed,
Hasten to thine ailing children,
To observe their cruel tortures,
To dispel these fell diseases,
Drive destruction from our borders.
Bring with thee thy mighty fire-sword,
Bring to me thy blade of lightning,
That I may subdue these evils,
238
That these monsters I may banish,
Send these pains, and ills, and tortures,
To the empire of Tuoni,
To the kingdom of the east-winds,
To the islands of the wicked,
To the caverns of the demons,
To the rocks within the mountains,
To the hidden beds of iron,
That the rocks may fall and sicken,
And the beds of iron perish.
Rocks and metals do not murmur
At the hands of the invader.
'Torture-daughter of Tuoni,
Sitting on the mount of anguish,
At the junction of three rivers,
Turning rocks of pain and torture,
Turn away these fell diseases
Through the virtues of the blue-stone;
Lead them to the water-channels,
Sink them in the deeps of ocean,
Where the winds can never find them,
Where the sunlight never enters.
'Should this prayer prove unavailing,
O, Health-virgin, maid of beauty
Come and heal my dying people,
Still their agonies and anguish.,
Give them consciousness and comfort,
Give them healthful rest and slumber;
These diseases take and banish,
Take them in thy copper vessel,
To thy eaves within the mountains,
To the summit of the Pain-rock,
Hurl them to thy boiling caldrons.
In the mountain is a touch-stone,
Lucky-stone of ancient story,
With a hole bored through the centre,
Through this pour these pains and tortures,
Wretched feelings, thoughts of evil,
Human ailments, days unlucky,
Tribulations, and misfortunes,
That they may not rise at evening,
May not see the light of morning.'
239
Ending thus, old Wainamoinen,
The eternal, wise enchanter,
Rubbed his sufferers with balsams,
Rubbed the tissues, red and painful,
With the balm of healing flowers,
Balsams made of herbs enchanted,
Sprinkled all with healing vapors,
Spake these words in supplication.
'Ukko, thou who art in heaven,
God of justice, and of mercy,
Send us from the east a rain-cloud,
Send a dark cloud from the North-west,
From the north let fall a third one,
Send us mingled rain and honey,
Balsam from the great Physician,
To remove this plague of Northland.
What I know of healing measures,
Only comes from my Creator;
Lend me, therefore, of thy wisdom,
That I may relieve my people,
Save them from the fell destroyer,
If my hands should fall in virtue,
Let the hands of Ukko follow,
God alone can save from trouble.
Come to us with thine enchantment,
Speak the magic words of healing,
That my people may not perish;
Give to all alleviation
From their sicknesses and sorrows;
In the morning, in the evening,
Let their wasting ailments vanish;
Drive the Death-child from Wainola,
Nevermore to visit Northland,
Never in the course of ages,
Never while the moonlight glimmers
O'er the lakes of Kalevala.'
Wainamoinen, the enchanter,
The eternal wisdom-singer,
Thus expelled the nine diseases,
Evil children or Lowyatar,
Healed the tribes of Kalevala,
Saved his people from destruction.
240
~ Elias Lönnrot,
1330:A Proper Trewe Idyll Of Camelot
Whenas ye plaisaunt Aperille shoures have washed and purged awaye
Ye poysons and ye rheums of earth to make a merrie May,
Ye shraddy boscage of ye woods ben full of birds that syng
Right merrilie a madrigal unto ye waking spring,
Ye whiles that when ye face of earth ben washed and wiped ycleane
Her peeping posies blink and stare like they had ben her een;
Then, wit ye well, ye harte of man ben turned to thoughts of love,
And, tho' it ben a lyon erst, it now ben like a dove!
And many a goodly damosel in innocence beguiles
Her owne trewe love with sweet discourse and divers plaisaunt wiles.
In soche a time ye noblesse liege that ben Kyng Arthure hight
Let cry a joust and tournament for evereche errant knyght,
And, lo! from distant Joyous-garde and eche adjacent spot
A company of noblesse lords fared unto Camelot,
Wherein were mighty feastings and passing merrie cheere,
And eke a deale of dismal dole, as you shall quickly heare.
It so befell upon a daye when jousts ben had and while
Sir Launcelot did ramp around ye ring in gallaunt style,
There came an horseman shriking sore and rashing wildly home,-A mediaeval horseman with ye usual flecks of foame;
And he did brast into ye ring, wherein his horse did drop,
Upon ye which ye rider did with like abruptness stop,
And with fatigue and fearfulness continued in a swound
Ye space of half an hour or more before a leech was founde.
"Now tell me straight," quod Launcelot, "what varlet knyght you be,
Ere that I chine you with my sworde and cleave your harte in three!"
Then rolled that knyght his bloudy een, and answered with a groane,-"By worthy God that hath me made and shope ye sun and mone,
There fareth hence an evil thing whose like ben never seene,
And tho' he sayeth nony worde, he bode the ill, I ween.
So take your parting, evereche one, and gird you for ye fraye,
By all that's pure, ye Divell sure doth trend his path this way!"
Ye which he quoth and fell again into a deadly swound,
And on that spot, perchance (God wot), his bones mought yet be founde.
Then evereche knight girt on his sworde and shield and hied him straight
To meet ye straunger sarasen hard by ye city gate;
23
Full sorely moaned ye damosels and tore their beautyse haire
For that they feared an hippogriff wolde come to eate them there;
But as they moaned and swounded there too numerous to relate,
Kyng Arthure and Sir Launcelot stode at ye city gate,
And at eche side and round about stode many a noblesse knyght
With helm and speare and sworde and shield and mickle valor dight.
Anon there came a straunger, but not a gyaunt grim,
Nor yet a draggon,--but a person gangling, long, and slim;
Yclad he was in guise that ill-beseemed those knyghtly days,
And there ben nony etiquette in his uplandish ways;
His raiment was of dusty gray, and perched above his lugs
There ben the very latest style of blacke and shiny pluggs;
His nose ben like a vulture beake, his blie ben swart of hue,
And curly ben ye whiskers through ye which ye zephyrs blewe;
Of all ye een that ben yseene in countries far or nigh,
None nonywhere colde hold compare unto that straunger's eye;
It was an eye of soche a kind as never ben on sleepe,
Nor did it gleam with kindly beame, nor did not use to weepe;
But soche an eye ye widdow hath,--an hongrey eye and wan,
That spyeth for an oder chaunce whereby she may catch on;
An eye that winketh of itself, and sayeth by that winke
Ye which a maiden sholde not knowe nor never even thinke;
Which winke ben more exceeding swift nor human thought ben thunk,
And leaveth doubting if so be that winke ben really wunke;
And soch an eye ye catte-fysshe hath when that he ben on dead
And boyled a goodly time and served with capers on his head;
A rayless eye, a bead-like eye, whose famisht aspect shows
It hungereth for ye verdant banks whereon ye wild time grows;
An eye that hawketh up and down for evereche kind of game,
And, when he doth espy ye which, he tumbleth to ye same.
Now when he kenned Sir Launcelot in armor clad, he quod,
"Another put-a-nickel-in-and-see-me-work, be god!"
But when that he was ware a man ben standing in that suit,
Ye straunger threw up both his hands, and asked him not to shoote.
Then spake Kyng Arthure: "If soe be you mind to do no ill,
Come, enter into Camelot, and eat and drink your fill;
But say me first what you are hight, and what mought be your quest."
Ye straunger quod, "I'm five feet ten, and fare me from ye West!"
"Sir Fivefeetten," Kyng Arthure said, "I bid you welcome here;
24
So make you merrie as you list with plaisaunt wine and cheere;
This very night shall be a feast soche like ben never seene,
And you shall be ye honored guest of Arthure and his queene.
Now take him, good sir Maligraunce, and entertain him well
Until soche time as he becomes our guest, as I you tell."
That night Kyng Arthure's table round with mighty care ben spread,
Ye oder knyghts sate all about, and Arthure at ye heade:
Oh, 't was a goodly spectacle to ken that noblesse liege
Dispensing hospitality from his commanding siege!
Ye pheasant and ye meate of boare, ye haunch of velvet doe,
Ye canvass hamme he them did serve, and many good things moe.
Until at last Kyng Arthure cried: "Let bring my wassail cup,
And let ye sound of joy go round,--I'm going to set 'em up!
I've pipes of Malmsey, May-wine, sack, metheglon, mead, and sherry,
Canary, Malvoisie, and Port, swete Muscadelle and perry;
Rochelle, Osey, and Romenay, Tyre, Rhenish, posset too,
With kags and pails of foaming ales of brown October brew.
To wine and beer and other cheere I pray you now despatch ye,
And for ensample, wit ye well, sweet sirs, I'm looking at ye!"
Unto which toast of their liege lord ye oders in ye party
Did lout them low in humble wise and bid ye same drink hearty.
So then ben merrisome discourse and passing plaisaunt cheere,
And Arthure's tales of hippogriffs ben mervaillous to heare;
But stranger far than any tale told of those knyghts of old
Ben those facetious narratives ye Western straunger told.
He told them of a country many leagues beyond ye sea
Where evereche forraine nuisance but ye Chinese man ben free,
And whiles he span his monstrous yarns, ye ladies of ye court
Did deem ye listening thereunto to be right plaisaunt sport;
And whiles they listened, often he did squeeze a lily hande,
Ye which proceeding ne'er before ben done in Arthure's lande;
And often wank a sidelong wink with either roving eye,
Whereat ye ladies laughen so that they had like to die.
But of ye damosels that sat around Kyng Arthure's table
He liked not her that sometime ben ron over by ye cable,
Ye which full evil hap had harmed and marked her person so
That in a passing wittie jest he dubbeth her ye crow.
But all ye oders of ye girls did please him passing well
And they did own him for to be a proper seeming swell;
25
And in especial Guinevere esteemed him wondrous faire,
Which had made Arthure and his friend, Sir Launcelot, to sware
But that they both ben so far gone with posset, wine, and beer,
They colde not see ye carrying-on, nor neither colde not heare;
For of eche liquor Arthure quafft, and so did all ye rest,
Save only and excepting that smooth straunger from the West.
When as these oders drank a toast, he let them have their fun
With divers godless mixings, but he stock to willow run,
Ye which (and all that reade these words sholde profit by ye warning)
Doth never make ye head to feel like it ben swelled next morning.
Now, wit ye well, it so befell that when the night grew dim,
Ye Kyng was carried from ye hall with a howling jag on him,
Whiles Launcelot and all ye rest that to his highness toadied
Withdrew them from ye banquet-hall and sought their couches loaded.
Now, lithe and listen, lordings all, whiles I do call it shame
That, making cheer with wine and beer, men do abuse ye same;
Though eche be well enow alone, ye mixing of ye two
Ben soche a piece of foolishness as only ejiots do.
Ye wine is plaisaunt bibbing whenas ye gentles dine,
And beer will do if one hath not ye wherewithal for wine,
But in ye drinking of ye same ye wise are never floored
By taking what ye tipplers call too big a jag on board.
Right hejeous is it for to see soche dronkonness of wine
Whereby some men are used to make themselves to be like swine;
And sorely it repenteth them, for when they wake next day
Ye fearful paynes they suffer ben soche as none mought say,
And soche ye brenning in ye throat and brasting of ye head
And soche ye taste within ye mouth like one had been on dead,--Soche
be ye foul conditions that these unhappy men
Sware they will never drink no drop of nony drinke again.
Yet all so frail and vain a thing and weak withal is man
That he goeth on an oder tear whenever that he can.
And like ye evil quatern or ye hills that skirt ye skies,
Ye jag is reproductive and jags on jags arise.
Whenas Aurora from ye east in dewy splendor hied
King Arthure dreemed he saw a snaix and ben on fire inside,
And waking from this hejeous dreeme he sate him up in bed,-"What, ho! an absynthe cocktail, knave! and make it strong!" he said;
Then, looking down beside him, lo! his lady was not there-He called, he searched, but, Goddis wounds! he found her nonywhere;
26
And whiles he searched, Sir Maligraunce rashed in, wood wroth, and cried,
"Methinketh that ye straunger knyght hath snuck away my bride!"
And whiles he spake a motley score of other knyghts brast in
And filled ye royall chamber with a mickle fearfull din,
For evereche one had lost his wiffe nor colde not spye ye same,
Nor colde not spye ye straunger knyght, Sir Fivefeetten of name.
Oh, then and there was grevious lamentation all arounde,
For nony dame nor damosel in Camelot ben found,-Gone, like ye forest leaves that speed afore ye autumn wind.
Of all ye ladies of that court not one ben left behind
Save only that same damosel ye straunger called ye crow,
And she allowed with moche regret she ben too lame to go;
And when that she had wept full sore, to Arthure she confess'd
That Guinevere had left this word for Arthure and ye rest:
"Tell them," she quod, "we shall return to them whenas we've made
This little deal we have with ye Chicago Bourde of Trade."
~ Eugene Field,
1331:Fragmentary Scenes From The Road To Avernus
Scene I
'Discontent'
LAURENCE RABY.
Laurence:
I said to young Allan M'Ilveray,
Beside the swift swirls of the North,
When, in lilac shot through with a silver ray,
We haul'd the strong salmon fish forth
Said only, 'He gave us some trouble
To land him, and what does he weigh?
Our friend has caught one that weighs double,
The game for the candle won't pay
Us to-day,
We may tie up our rods and away.'
I said to old Norman M'Gregor,
Three leagues to the west of Glen Dhu
I had drawn, with a touch of the trigger,
The best BEAD that ever I drew
Said merely, 'For birds in the stubble
I once had an eye-I could swear
He's down-but he's not worth the trouble
Of seeking. You once shot a bear
In his lair'Tis only a buck that lies there.'
I said to Lord Charles only last year,
The time that we topp'd the oak rail
Between Wharton's plough and Whynne's pasture,
And clear'd the big brook in Blakesvale
We only-at Warburton's double
He fell, then I finish'd the run
And kill'd clean-said, 'So bursts a bubble
That shone half an hour in the sun
What is won?
Your sire clear'd and captured a gun.'
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I said to myself, in true sorrow,
I said yestere'en, 'A fair prize
Is won, and it may be to-morrow
'Twill not seem so fair in thine eyes
Real life is a race through sore trouble,
That gains not an inch on the goal,
And bliss an intangible bubble
That cheats an unsatisfied soul,
And the whole
Of the rest an illegible scroll.'
Scene VII
'Two Exhortations'
A Shooting-box in the West of Ireland. A Bedchamber.
LAURENCE RABY and MELCHIOR. Night.
Melchior:
Surely in the great beginning God made all things good, and still
That soul-sickness men call sinning entered not without His will.
Nay, our wisest have asserted that, as shade enhances light,
Evil is but good perverted, wrong is but the foil of right.
Banish sickness, then you banish joy for health to all that live;
Slay all sin, all good must vanish, good being but comparative.
Sophistry, you say-yet listen: look you skyward, there 'tis known
Worlds on worlds in myriads glisten-larger, lovelier than our own
This has been, and this still shall be, here as there, in sun or star;
These things are to be and will be, those things were to be and are.
Man in man's imperfect nature is by imperfection taught:
Add one cubit to your stature if you can by taking thought.
Laurence:
Thus you would not teach that peasant, though he calls you 'father'.
Melchior: True,
I should magnify this present, mystify that future, too
We adapt our conversation always to our hearer's light.
Laurence:
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I am not of your persuasion.
Melchior: Yet the difference is but slight.
Laurence:
I, EVEN I, say, 'He who barters worldly weal for heavenly worth
He does well'-your saints and martyrs were examples here on earth.
Melchior:
Aye, in earlier Christian ages, while the heathen empire stood,
When the war 'twixt saints and sages cried aloud for saintly blood,
Christ was then their model truly. Now, if all were meek and pure,
Save the ungodly and the unruly, would the Christian Church endure?
Shall the toiler or the fighter dream by day and watch by night,
Turn the left cheek to the smiter, smitten rudely on the right?
Strong men must encounter bad men-so-called saints of latter days
Have been mostly pious madmen, lusting after righteous praise
Or the thralls of superstition, doubtless worthy some reward,
Since they came by their condition hardly of their free accord.
'Tis but madness, sad and solemn, that these fakir-Christians feel
Saint Stylites on his column gratified a morbid zeal.
Laurence:
By your showing, good is really on a par (of worth) with ill.
Melchior:
Nay, I said not so; I merely tell you both some ends fulfil
Priestly vows were my vocation, fast and vigil wait for me.
You must work and face temptation. Never should the strong man flee,
Though God wills the inclination with the soul at war to be. (Pauses.)
In the strife 'twixt flesh and spirit, while you can the spirit aid.
Should you fall not less your merit, be not for a fall afraid.
Whatsoe'er most right, most fit is you shall do. When all is done
Chaunt the noble Nunc Dimittis-Benedicimur, my son.
[Exit MELCHIOR.]
Laurence (alone):
Why do I provoke these wrangles? Melchior talks (as well he may)
With the tongues of men and angels.
(Takes up a pamphlet.) What has this man got to say?
(Reads.) Sic sacerdos fatur (ejus nomen quondam erat Burgo.)
Mala mens est, caro pejus, anima infirma, ergo
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I nunc, ora, sine mora-orat etiam Sancta Virgo.
(Thinks.)
(Speaks.) So it seems they mean to make her wed the usurer, Nathan Lee.
Poor Estelle! her friends forsake her; what has this to do with me?
Glad I am, at least, that Helen still refuses to discard
Her, through tales false gossips tell
in spite or heedlessness.-'Tis hard!
Lee, the Levite!-some few years back Herbert horsewhipp'd him-the cur
Show'd his teeth and laid his ears back. Now his wealth has purchased her.
Must his baseness mar her brightness? Shall the callous, cunning churl
Revel in the rosy whiteness of that golden-headed girl?
(Thinks and smokes.)
(Reads.) Cito certe venit vitae finis (sic sacerdos fatur),
Nunc audite omnes, ite, vobis fabula narratur
Nunc orate et laudate, laudat etiam Alma Mater.
(Muses.) Such has been, and such shall still be,
here as there, in sun or star;
These things are to be and will be, those things were to be and are.
If I thought that speech worth heeding I should-Nay, it seems to me
More like Satan's special pleading than like Gloria Domine.
(Lies down on his couch.)
(Reads.) Et tuquoque frater meus facta mala quod fecisti
Denique confundit Deus omnes res quas tetegisti.
Nunc si unquam, nunc aut nunquam, sanguine adjuro Christi.
Scene IX
'In the Garden'
Aylmer's Garden, near the Lake. LAURENCE RABY and ESTELLE.
He:
Come to the bank where the boat is moor'd to the willow-tree low;
Bertha, the baby, won't notice, Brian, the blockhead, won't know.
She:
Bertha is not such a baby, sir, as you seem to suppose;
Brian, a blockhead he may be, more than you think for he knows.
He:
This much, at least, of your brother, from the beginning he knew
Somewhat concerning that other made such a fool of by you.
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She:
Firmer those bonds were and faster, Frank was my spaniel, my slave.
You! you would fain be my master; mark you! the difference is grave.
He:
Call me your spaniel, your starling, take me and treat me as these,
I would be anything, darling! aye, whatsoever you please.
Brian and Basil are 'punting', leave them their dice and their wine,
Bertha is butterfly hunting, surely one hour shall be mine.
See, I have done with all duty; see, I can dare all disgrace,
Only to look at your beauty, feasting my eyes on your face.
She:
Look at me, aye, till your eyes ache! How, let me ask, will it end?
Neither for your sake, nor my sake, but for the sake of my friend?
He:
Is she your friend then? I own it, this is all wrong, and the rest,
Frustra sed anima monet, caro quod fortius est.
She:
Not quite so close, Laurence Raby, not with your arm round my waist;
Something to look at I may be, nothing to touch or to taste.
He:
Wilful as ever and wayward; why did you tempt me, Estelle?
She:
You misinterpret each stray word, you for each inch take an ell.
Lightly all laws and ties trammel me, I am warn'd for all that.
He (aside):
Perhaps she will swallow her camel when she has strained at her gnat.
She:
Therefore take thought and consider, weigh well, as I do, the whole,
You for mere beauty a bidder, say, would you barter a soul?
He:
Girl! THAT MAY happen, but THIS IS; after this welcome the worst;
Blest for one hour by your kisses, let me be evermore curs'd.
Talk not of ties to me reckless, here every tie I discard
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Make me your girdle, your necklace
She: Laurence, you kiss me too hard.
He:
Aye, 'tis the road to Avernus, n'est ce pas vrai donc, ma belle?
There let them bind us or burn us, mais le jeu vaut la chandelle.
Am I your lord or your vassal? Are you my sun or my torch?
You, when I look at you, dazzle, yet when I touch you, you scorch.
She:
Yonder are Brian and Basil watching us fools from the porch.
Scene X
'After the Quarrel'
Laurence Raby's Chamber. LAURENCE enters, a little the worse for liquor.
Laurence:
He never gave me a chance to speak,
And he call'd her-worse than a dog
The girl stood up with a crimson cheek,
And I fell'd him there like a log.
I can feel the blow on my knuckles yet
He feels it more on his brow.
In a thousand years we shall all forget
The things that trouble us now.
Scene XI
'Ten Paces Off'
An open country. LAURENCE RABY and FORREST, BRIAN AYLMER and PRESCOT.
Forrest:
I've won the two tosses from Prescot;
Now hear me, and hearken and heed,
And pull that vile flower from your waistcoat,
And throw down that beast of a weed;
I'm going to give you the signal
I gave Harry Hunt at Boulogne,
The morning he met Major Bignell,
And shot him as dead as a stone;
For he must look round on his right hand
To watch the white flutter-that stops
His aim, for it takes off his sight, and
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I COUGH WHILE THE HANDKERCHIEF DROPS.
And you keep both eyes on his figure,
Old fellow, and don't take them off.
You've got the sawhandled hair trigger
You sight him and shoot when I cough.
Laurence (aside):
Though God will never forgive me,
Though men make light of my name,
Though my sin and my shame outlive me,
I shall not outlast my shame.
The coward, does he mean to miss me?
His right hand shakes like a leaf;
Shall I live for my friends to hiss me,
Of fools and of knaves the chief?
Shall I live for my foes to twit me?
He has master'd his nerve again
He is firm, he will surely hit me
Will he reach the heart or the brain?
One long look eastward and northward
One prayer-'Our Father which art'
And the cough chimes in with the fourth word,
And I shoot skyward-the heart.
Last Scene
'Exeunt'
HELEN RABY.
Where the grave-deeps rot, where the grave-dews rust,
They dug, crying, 'Earth to earth'
Crying, 'Ashes to ashes and dust to dust'
And what are my poor prayers worth?
Upon whom shall I call, or in whom shall I trust,
Though death were indeed new birth.
And they bid me be glad for my baby's sake
That she suffered sinless and young
Would they have me be glad when my breasts still ache
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Where that small, soft, sweet mouth clung?
I am glad that the heart will so surely break
That has been so bitterly wrung.
He was false, they tell me, and what if he were?
I can only shudder and pray,
Pouring out my soul in a passionate prayer
For the soul that he cast away;
Was there nothing that once was created fair
In the potter's perishing clay?
Is it well for the sinner that souls endure?
For the sinless soul is it well?
Does the pure child lisp to the angels pure?
And where does the strong man dwell,
If the sad assurance of priests be sure,
Or the tale that our preachers tell?
The unclean has follow'd the undefiled,
And the ill MAY regain the good,
And the man MAY be even as the little child!
We are children lost in the wood
Lord! lead us out of this tangled wild,
Where the wise and the prudent have been beguil'd,
And only the babes have stood.
~ Adam Lindsay Gordon,
1332:THE

DRUNKEN SONG
1

Meanwhile one after the other had stepped out
into the open and into the cool reflective night; but
Zarathustra himself led the ugliest man by the hand to
show him his night-world and the big round moon and
the silvery waterfalls near his cave. There they stood together at last in silence, old people all of them, but with
comforted brave hearts and secretly amazed at feeling
so well on this earth; but the secrecy of the night came
closer and closer to their hearts. And again Zarathustra
thought to himself: "How well I like them now, these
higher men!" But he did not say it out loud, for he
respected their happiness and their silence.
But then that happened which, on that whole long
amazing day, was the most amazing thing of all: the
ugliest man began once more and for the last time to
gurgle and snort, and when he found words, behold, a
question jumped out of his mouth, round and clean, a
good, deep, clear question, which moved the hearts of
all who were listening to him.
"My friends, all of you," said the ugliest man, "what
do you think? For the sake of this day, I am for the
first time satisfied that I have lived my whole life. And
that I attest so much is still not enough for me. Living
on earth is worth while: one day, one festival with
Zarathustra, taught me to love the earth.
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'Was that life?' I want to say to death. 'Well then!
Once more!'
"My friends, what do you think? Do you not want to
say to death as I do: Was that life? For Zarathustra's
sakel Well then! Once morel"
Thus spoke the ugliest man; but it was not long before midnight. And what do you suppose happened
then? As soon as the higher men had heard his question
they all at once became conscious of how they had
changed and convalesced and to whom they owed this:
then they jumped toward Zarathustra to thank, revere,
caress him, and kiss his hands, each according to his
own manner; and some were laughing and some were
crying. But the old soothsayer was dancing with joy; and
even if, as some of the chroniclers think, he was full of
sweet wine, he was certainly still fuller of the sweetness
of life and he had renounced all weariness. There are
even some who relate that the ass danced too, and that
it had not been for nothing that the ugliest man had
given him wine to drink before. Now it may have been
so or otherwise; and if the ass really did not dance that
night, yet greater and stranger wonders occurred than
the dancing of an ass would have been. In short, as the
proverb of Zarathustra says: "What does it matter?"
2

But when this happened to the ugliest man, Zarathustra stood there like a drunkard: his eyes grew dim,
his tongue failed, his feet stumbled. And who could
guess what thoughts were then running over Zarathustra's soul? But his spirit fled visibly and flew ahead
and was in remote distances and, as it were, "on a high
ridge," as it is written, "between two seas, wandering
like a heavy cloud between past and future." But as
319
the higher men held him in their arms, he gradually
recovered his senses to some extent and with his hands
warded off the throng of the revering and worried; yet
he did not speak. All at once, however, he turned his
head quickly, for he seemed to be hearing something.
Then he put one finger to his mouth and said, "Comel"
And presently it became quiet and secret around; but
from the depth the sound of a bell came up slowly.
Zarathustra and the higher men listened for it; but then
he put one finger to his mouth another time and said
again, "Comel Come! Midnight approaches." And his
voice had changed. But still he did not stir from his
place. Then it grew still more quiet and secret, and
everything listened, even the ass and Zarathustra's animals of honor, the eagle and the serpent, as well as
Zarathustra's cave and the big cool moon and the night
itself. But Zarathustra put his hand to his mouth, for
the third time and said, "Comel Comel Let us wander
now! The hour has come: let us wander into the night!"
3
You higher men, midnight approaches: I want to
whisper something to you as that old bell whispers it
into my ears-as secretly, as terribly, as cordially as that
midnight bell, which has experienced more than any
man, says it to me. It has counted the beats even of
your fathers' hearts and smarts. Alas! Alasl How it
sighsl How it laughs in a dream! Old deep, deep midnightl
Still! Still Here things are heard that by day may not
become loud; but now in the cool air, when all the
noise of your hearts too has become still-now it speaks,
now it is heard, now it steals into nocturnal, overawake
souls. Alasl Alasl How it sighsl How it laughs in a dreamt
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Do you not hear how it speaks secretly, terribly, cordially to you-the old deep, deep midnight?
0 man, take care
4
Woe unto mel Where is time gone? Have I not sunk
into deep wells? The world sleeps. Alasl Alasl The dog
howls, the moon shines. Sooner would I die, die rather
than tell you what my midnight heart thinks now.
Now I have died. It is gone. Spider, what do you spin
around me? Do you want blood? Alasl Alasl The dew
falls, the hour approaches-the hour when I shiver and
freeze, which asks and asks and asks, "Who has heart
enough for it? Who shall be the lord of the earth? Who
will say: thus shall you run, you big and little rivers"
The hour approaches: 0 man, you higher man, take
care! This speech is for delicate ears, for your ears:
What does the deep midnight declare?
5
I am carried away, my soul dances. Day's work Day's
work! Who shall be the lord of the earth?
The moon is cool, the wind is silent. Alas! Alas! Have
you flown high enough yet? You have danced: but a leg
is no wing. You good dancers, now all pleasure is gone:
wine has become lees, every cup has become brittle,
the tombs stammer. You did not fly high enough: now
the tombs stammer, "Redeem the dead! Why does the
night last so long? Does not the moon make us
drunken?"
You higher men, redeem the tombs, awaken the
corpses! Alas, why does the worm still burrow? The
hour approaches, approaches; the bell hums, the heart
still rattles, the deathwatch, the heart-worm still burrows. Alas! Alasl The world is deep.
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6
Sweet lyrel Sweet lyre! I love your sound, your
drunken ranunculus' croaking. From how long ago, from
how far away your sound comes to me, from the distant
ponds of lovely You old bell, you sweet lyre! Every pain
has torn into your heart, father-pain, fathers' pain, fore-

fathers' pain; your speech grew ripe-ripe as golden
autumn and afternoon, as my hermit's heart; now you
say: the world itself has grown ripe, the grape is turning brown, now it would die, die of happiness. You
higher men, do you not smell it? A smell is secretly
welling up, a fragrance and smell of eternity, a roseblessed, brown gold-wine fragrance of old happiness, of
the drunken happiness of dying at midnight, that
sings. the world is deep, deeper than day had been
aware.
7
Leave me! Leave mel I am too pure for you. Do not
touch mel Did not my world become perfect just now?
My skin is too pure for your hands. Leave me, you stupid,
boorish, dumb dayl Is not the midnight brighter? The
purest shall be the lords of the earth-the most unknown, the strongest, the midnight souls who are
brighter and deeper than any day.
0 day, you grope for me? You seek my happiness? I
seem rich to you, lonely, a treasure pit, a gold-chamber?
0 world, you want me? Am I worldly to you? Am I
spiritual to you? Am I godlike to you? But day and
world, you are too ponderous; have cleverer hands, reach
for deeper happiness, for deeper unhappiness, reach for
any god, do not reach for me: my unhappiness, my
happiness is deep, you strange day, but I am yet no god,
no god's hell: deep is its woe.
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8
God's woe is deeper, you strange world Reach for
God's woe, not for me! What am I? a drunken sweet
lyre-a midnight lyre, an ominous bell-frog that nobody
understands but that must speak, before the deaf, you
higher men. For you do not understand mel
Gone! Gonel 0 youth! 0 noonl 0 afternoon! Now
evening has come and night and midnight-the dog
howls, the wind: is not the wind a dog? It whines, it
yelps, it howls. Alasl Alasl How the midnight sighsl
How it laughs, how it rattles and wheezesl
How she speaks soberly now, this drunken poetessl
Perhaps she overdrank her drunkenness? She became
overawake? She ruminates? Her woe she ruminates in
a dream, the old deep midnight, and even more her joy.
For joy, even if woe is deep, joy is deeper yet than
agony.
9
You vinel Why do you praise me? Did I not cut you?
I am cruel, you bleed; what does your praise of my
drunken cruelty mean?
"What has become perfect, all that is ripe-wants to
die"-thus you speak. Blessed, blessed be the vintager's
knife But all that is unripe wants to live: woel
Woe entreats: Gol Away, woel But all that suffers
wants to live, that it may become ripe and joyous and
longing-longing for what is farther, higher, brighter.
"I want heirs"-thus speaks all that suffers; "I want
children, I do not want myself."
Joy, however, does not want heirs, or children-joy
wants itself, wants eternity, wants recurrence, wants
everything eternally the same.
Woe says, "Break, bleed, heart! Wander, legal Wing,
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flyl Get onl Up! Pain!" Well then, old heart: Woe implores, "Gor'
10

You higher men, what do you think? Am I a
soothsayer? A dreamer? A drunkard? An interpreter of
dreams? A midnight bell? A drop of dew? A haze and
fragrance of eternity? Do you not hear it? Do you not
smell it? Just now my world became perfect; midnight
too is noon; pain too is a joy; curses too are a blessing;
night too is a sun-go away or you will learn: a sage
too is a fool.
Have you ever said Yes to a single joy? 0 my friends,
then you said Yes too to all woe. All things are entangled, ensnared, enamored; if ever you wanted one
thing twice, if ever you said, "You please me, happiness!
Abide, moment!" then you wanted all back. All anew,
all eternally, all entangled, ensnared, enamored-oh,
then you loved the world. Eternal ones, Jove it eternally
and evermore; and to woe too, you say: go, but return!
For all joy wants-eternity.
11

All joy wants the eternity of all things, wants honey,
wants lees, wants drunken midnight, wants tombs, wants
tomb-tears' comfort, wants gilded evening glow.
What does joy not want? It is thirstier, more cordial,
hungrier, more terrible, more secret than all woe; it
wants itself, it bites into itself, the ring's will strives in
it; it wants love, it wants hatred, it is overrich, gives,
throws away, begs that one might take it, thanks the
taker, it would like to be hated; so rich is joy that it
thirsts for woe, for hell, for hatred, for disgrace, for
the cripple, for world-this world, oh, you know itl
You higher men, for you it longs, joy, the intractable
324
blessed one-for your woe, you failures. All eternal joy
longs for failures. For all joy wants itself, hence it also
wants agony. 0 happiness, 0 pain! Oh, break, heart!
You higher men, do learn this, joy wants eternity. Joy
wants the eternity of all things, wants deep, wants deep
eternity.
12

Have you now learned my song? Have you guessed its
intent? Well then, you higher men, sing me now my
round. Now you yourselves sing me the song whose
name is "Once More" and whose meaning is "into all
eternity"-sing, you higher men, Zarathustra's round!
O man, take care!
What does the deep midnight declare?
"I was asleepFrom a deep dream I woke and swear:
The world is deep,
Deeper than day had been aware.
Deep is its woe;
Joy-deeper yet than agony:
Woe implores: Gol
But all joy wants eternityWants deep, wants deep eternity."
~ Friedrich Nietzsche, THE DRUNKEN SONG
,
1333:But do not let us quarrel any more,
  No, my Lucrezia; bear with me for once:
  Sit down and all shall happen as you wish.
  You turn your face, but does it bring your heart?
  I'll work then for your friend's friend, never fear,
  Treat his own subject after his own way,
  Fix his own time, accept too his own price,
  And shut the money into this small hand
  When next it takes mine. Will it? tenderly?
Oh, I'll content him,but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As ifforgive nowshould you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,
Both of one mind, as married people use,
Quietly, quietly the evening through,
I might get up to-morrow to my work
Cheerful and fresh as ever. Let us try.
To-morrow, how you shall be glad for this!
Your soft hand is a woman of itself,
And mine the man's bared breast she curls inside.
Don't count the time lost, neither; you must serve
For each of the five pictures we require:
It saves a model. So! keep looking so
My serpentining beauty, rounds on rounds!
How could you ever prick those perfect ears,
Even to put the pearl there! oh, so sweet
My face, my moon, my everybody's moon,
Which everybody looks on and calls his,
And, I suppose, is looked on by in turn,
While she looksno one's: very dear, no less.
You smile? why, there's my picture ready made,
There's what we painters call our harmony!
A common greyness silvers everything,
All in a twilight, you and I alike
You, at the point of your first pride in me
(That's gone you know),but I, at every point;
My youth, my hope, my art, being all toned down
To yonder sober pleasant Fiesole.
There's the bell clinking from the chapel-top;
That length of convent-wall across the way
Holds the trees safer, huddled more inside;
The last monk leaves the garden; days decrease,
And autumn grows, autumn in everything.
Eh? the whole seems to fall into a shape
As if I saw alike my work and self
And all that I was born to be and do,
A twilight-piece. Love, we are in God's hand.
How strange now, looks the life he makes us lead;
So free we seem, so fettered fast we are!
I feel he laid the fetter: let it lie!
This chamber for exampleturn your head
All that's behind us! You don't understand
Nor care to understand about my art,
But you can hear at least when people speak:
And that cartoon, the second from the door
It is the thing, Love! so such things should be
Behold Madonna!I am bold to say.
  I can do with my pencil what I know,
What I see, what at bottom of my heart
I wish for, if I ever wish so deep
Do easily, toowhen I say, perfectly,
I do not boast, perhaps: yourself are judge,
Who listened to the Legate's talk last week,
And just as much they used to say in France.
At any rate 'tis easy, all of it!
No sketches first, no studies, that's long past:
I do what many dream of, all their lives,
Dream? strive to do, and agonize to do,
And fail in doing. I could count twenty such
On twice your fingers, and not leave this town,
Who striveyou don't know how the others strive
To paint a little thing like that you smeared
Carelessly passing with your robes afloat,
Yet do much less, so much less, Someone says,
(I know his name, no matter)so much less!
Well, less is more, Lucrezia: I am judged.
There burns a truer light of God in them,
In their vexed beating stuffed and stopped-up brain,
Heart, or whate'er else, than goes on to prompt
This low-pulsed forthright craftsman's hand of mine.
Their works drop groundward, but themselves, I know,
Reach many a time a heaven that's shut to me,
Enter and take their place there sure enough,
Though they come back and cannot tell the world.
My works are nearer heaven, but I sit here.
The sudden blood of these men! at a word
Praise them, it boils, or blame them, it boils too.
I, painting from myself and to myself,
Know what I do, am unmoved by men's blame
Or their praise either. Somebody remarks
Morello's outline there is wrongly traced,
His hue mistaken; what of that? or else,
Rightly traced and well ordered; what of that?
Speak as they please, what does the mountain care?
Ah, but a man's reach should exceed his grasp,
Or what's a heaven for? All is silver-grey,
Placid and perfect with my art: the worse!
I know both what I want and what might gain,
And yet how profitless to know, to sigh
"Had I been two, another and myself,
"Our head would have o'erlooked the world!" No doubt.
Yonder's a work now, of that famous youth
The Urbinate who died five years ago.
('Tis copied, George Vasari sent it me.)
Well, I can fancy how he did it all,
Pouring his soul, with kings and popes to see,
Reaching, that heaven might so replenish him,
Above and through his artfor it gives way;
That arm is wrongly putand there again
A fault to pardon in the drawing's lines,
Its body, so to speak: its soul is right,
He means rightthat, a child may understand.
Still, what an arm! and I could alter it:
But all the play, the insight and the stretch
(Out of me, out of me! And wherefore out?
Had you enjoined them on me, given me soul,
We might have risen to Rafael, I and you!
Nay, Love, you did give all I asked, I think
More than I merit, yes, by many times.
But had youoh, with the same perfect brow,
And perfect eyes, and more than perfect mouth,
And the low voice my soul hears, as a bird
The fowler's pipe, and follows to the snare
Had you, with these the same, but brought a mind!
Some women do so. Had the mouth there urged
"God and the glory! never care for gain.
"The present by the future, what is that?
"Live for fame, side by side with Agnolo!
"Rafael is waiting: up to God, all three!"
I might have done it for you. So it seems:
Perhaps not. All is as God over-rules.
Beside, incentives come from the soul's self;
The rest avail not. Why do I need you?
What wife had Rafael, or has Agnolo?
In this world, who can do a thing, will not;
And who would do it, cannot, I perceive:
Yet the will's somewhatsomewhat, too, the power
And thus we half-men struggle. At the end,
God, I conclude, compensates, punishes.
'Tis safer for me, if the award be strict,
That I am something underrated here,
Poor this long while, despised, to speak the truth.
I dared not, do you know, leave home all day,
For fear of chancing on the Paris lords.
The best is when they pass and look aside;
But they speak sometimes; I must bear it all.
Well may they speak! That Francis, that first time,
And that long festal year at Fontainebleau!
I surely then could sometimes leave the ground,
Put on the glory, Rafael's daily wear,
In that humane great monarch's golden look,
One finger in his beard or twisted curl
Over his mouth's good mark that made the smile,
One arm about my shoulder, round my neck,
The jingle of his gold chain in my ear,
I painting proudly with his breath on me,
All his court round him, seeing with his eyes,
Such frank French eyes, and such a fire of souls
Profuse, my hand kept plying by those hearts,
And, best of all, this, this, this face beyond,
This in the background, waiting on my work,
To crown the issue with a last reward!
A good time, was it not, my kingly days?
And had you not grown restless but I know
'Tis done and past: 'twas right, my instinct said:
Too live the life grew, golden and not grey,
And I'm the weak-eyed bat no sun should tempt
Out of the grange whose four walls make his world.
How could it end in any other way?
You called me, and I came home to your heart.
The triumph wasto reach and stay there; since
I reached it ere the triumph, what is lost?
Let my hands frame your face in your hair's gold,
You beautiful Lucrezia that are mine!
"Rafael did this, Andrea painted that;
"The Roman's is the better when you pray,
"But still the other's Virgin was his wife"
Men will excuse me. I am glad to judge
Both pictures in your presence; clearer grows
My better fortune, I resolve to think.
For, do you know, Lucrezia, as God lives,
Said one day Agnolo, his very self,
To Rafael . . . I have known it all these years . . .
(When the young man was flaming out his thoughts
Upon a palace-wall for Rome to see,
Too lifted up in heart because of it)
"Friend, there's a certain sorry little scrub
"Goes up and down our Florence, none cares how,
"Who, were he set to plan and execute
"As you are, pricked on by your popes and kings,
"Would bring the sweat into that brow of yours!"
To Rafael's!And indeed the arm is wrong.
I hardly dare . . . yet, only you to see,
Give the chalk herequick, thus, the line should go!
Ay, but the soul! he's Rafael! rub it out!
Still, all I care for, if he spoke the truth,
(What he? why, who but Michel Agnolo?
Do you forget already words like those?)
If really there was such a chance, so lost,
Is, whether you'renot gratefulbut more pleased.
Well, let me think so. And you smile indeed!
This hour has been an hour! Another smile?
If you would sit thus by me every night
I should work better, do you comprehend?
I mean that I should earn more, give you more.
See, it is settled dusk now; there's a star;
Morello's gone, the watch-lights show the wall,
The cue-owls speak the name we call them by.
Come from the window, love,come in, at last,
Inside the melancholy little house
We built to be so gay with. God is just.
King Francis may forgive me: oft at nights
When I look up from painting, eyes tired out,
The walls become illumined, brick from brick
Distinct, instead of mortar, fierce bright gold,
That gold of his I did cement them with!
Let us but love each other. Must you go?
That Cousin here again? he waits outside?
Must see youyou, and not with me? Those loans?
More gaming debts to pay? you smiled for that?
Well, let smiles buy me! have you more to spend?
While hand and eye and something of a heart
Are left me, work's my ware, and what's it worth?
I'll pay my fancy. Only let me sit
The grey remainder of the evening out,
Idle, you call it, and muse perfectly
How I could paint, were I but back in France,
One picture, just one morethe Virgin's face,
Not yours this time! I want you at my side
To hear themthat is, Michel Agnolo
Judge all I do and tell you of its worth.
Will you? To-morrow, satisfy your friend.
I take the subjects for his corridor,
Finish the portrait out of handthere, there,
And throw him in another thing or two
If he demurs; the whole should prove enough
To pay for this same Cousin's freak. Beside,
What's better and what's all I care about,
Get you the thirteen scudi for the ruff!
Love, does that please you? Ah, but what does he,
The Cousin! what does he to please you more?

I am grown peaceful as old age to-night.
I regret little, I would change still less.
Since there my past life lies, why alter it?
The very wrong to Francis!it is true
I took his coin, was tempted and complied,
And built this house and sinned, and all is said.
My father and my mother died of want.
Well, had I riches of my own? you see
How one gets rich! Let each one bear his lot.
They were born poor, lived poor, and poor they died:
And I have laboured somewhat in my time
And not been paid profusely. Some good son
Paint my two hundred pictureslet him try!
No doubt, there's something strikes a balance. Yes,
You loved me quite enough. it seems to-night.
This must suffice me here. What would one have?
In heaven, perhaps, new chances, one more chance
Four great walls in the New Jerusalem,
Meted on each side by the angel's reed,
For Leonard, Rafael, Agnolo and me
To coverthe three first without a wife,
While I have mine! Sostill they overcome
Because there's still Lucrezia,as I choose.

Again the Cousin's whistle! Go, my Love.


~ Robert Browning, Andrea del Sarto
,
1334:The White Ship
November 1120
Henry I. Of England.—25th
By none but me can the tale be told,
The butcher of Rouen, poor Berold.
(Lands are swayed by a King on a throne.)
'Twas a royal train put forth to sea,
Yet the tale can be told by none but me.
(The sea hath no King but God alone.)
King Henry held it as life's whole gain
That after his death his son should reign.
`Twas so in my youth I heard men say,
And my old age calls it back to-day.
King Henry of England's realm was he,
And Henry Duke of Normandy.
The times had changed when on either coast
“Clerkly Harry” was all his boast.
Of ruthless strokes full many an one
He had struck to crown himself and his son;
And his elder brother's eyes were gone.
And when to the chase his court would crowd,
The poor flung ploughshares on his road,
And shrieked: “Our cry is from King to God!”
But all the chiefs of the English land
Had knelt and kissed the Prince's hand.
And next with his son he sailed to France
To claim the Norman allegiance:
And every baron in Normandy
Had taken the oath of fealty.
'Twas sworn and sealed, and the day had come
When the King and the Prince might journey home:
For Christmas cheer is to home hearts dear,
And Christmas now was drawing near.
Stout Fitz-Stephen came to the King,—
A pilot famous in seafaring;
And he held to the King, in all men's sight,
A mark of gold for his tribute's right.
“Liege Lord! my father guided the ship
From whose boat your father's foot did slip
When he caught the English soil in his grip,
481
“And cried: ‘By this clasp I claim command
O'er every rood of English land!’
“He was borne to the realm you rule o'er now
In that ship with the archer carved at her prow:
“And thither I'll bear, an it be my due,
Your father's son and his grandson too.
“The famed White Ship is mine in the bay;
From Harfleur's harbour she sails to-day,
“With masts fair-pennoned as Norman spears
And with fifty well-tried mariners.”
Quoth the King: “My ships are chosen each one,
But I'll not say nay to Stephen's son.
“My son and daughter and fellowship
Shall cross the water in the White Ship.”
The King set sail with the eve's south wind,
And soon he left that coast behind.
The Prince and all his, a princely show,
Remained in the good White Ship to go.
With noble knights and with ladies fair,
With courtiers and sailors gathered there,
Three hundred living souls we were:
And I Berold was the meanest hind
In all that train to the Prince assign'd.
The Prince was a lawless shameless youth;
From his father's loins he sprang without ruth:
Eighteen years till then he had seen,
And the devil's dues in him were eighteen.
And now he cried: “Bring wine from below;
Let the sailors revel ere yet they row:
“Our speed shall o'ertake my father's flight
Though we sail from the harbour at midnight.”
The rowers made good cheer without check;
The lords and ladies obeyed his beck;
The night was light, and they danced on the deck.
But at midnight's stroke they cleared the bay,
And the White Ship furrowed the water-way.
The sails were set, and the oars kept tune
To the double flight of the ship and the moon:
Swifter and swifter the White Ship sped
Till she flew as the spirit flies from the dead:
As white as a lily glimmered she
Like a ship's fair ghost upon the sea.
482
And the Prince cried, “Friends, 'tis the hour to sing!
Is a songbird's course so swift on the wing?”
And under the winter stars' still throng,
From brown throats, white throats, merry and strong,
The knights and the ladies raised a song.
A song,—nay, a shriek that rent the sky,
That leaped o'er the deep!—the grievous cry
Of three hundred living that now must die.
An instant shriek that sprang to the shock
As the ship's keel felt the sunken rock.
'Tis said that afar—a shrill strange sigh—
The King's ships heard it and knew not why.
Pale Fitz-Stephen stood by the helm
'Mid all those folk that the waves must whelm.
A great King's heir for the waves to whelm,
And the helpless pilot pale at the helm!
The ship was eager and sucked athirst,
By the stealthy stab of the sharp reef pierc'd:
And like the moil round a sinking cup
The waters against her crowded up.
A moment the pilot's senses spin,—
The next he snatched the Prince 'mid the din,
Cut the boat loose, and the youth leaped in.
A few friends leaped with him, standing near.
“Row! the sea's smooth and the night is clear!”
“What! none to be saved but these and I?”
“Row, row as you'd live! All here must die!”
Out of the churn of the choking ship,
Which the gulf grapples and the waves strip,
They struck with the strained oars' flash and dip.
'Twas then o'er the splitting bulwarks' brim
The Prince's sister screamed to him.
He gazed aloft, still rowing apace,
And through the whirled surf he knew her face.
To the toppling decks clave one and all
As a fly cleaves to a chamber-wall.
I Berold was clinging anear;
I prayed for myself and quaked with fear,
But I saw his eyes as he looked at her.
He knew her face and he heard her cry,
And he said, “Put back! she must not die!”
And back with the current's force they reel
483
Like a leaf that's drawn to a water-wheel.
'Neath the ship's travail they scarce might float,
But he rose and stood in the rocking boat.
Low the poor ship leaned on the tide:
O'er the naked keel as she best might slide,
The sister toiled to the brother's side.
He reached an oar to her from below,
And stiffened his arms to clutch her so.
But now from the ship some spied the boat,
And “Saved!” was the cry from many a throat.
And down to the boat they leaped and fell:
It turned as a bucket turns in a well,
And nothing was there but the surge and swell.
The Prince that was and the King to come,
There in an instant gone to his doom,
Despite of all England's bended knee
And maugre the Norman fealty!
He was a Prince of lust and pride;
He showed no grace till the hour he died.
When he should be King, he oft would vow,
He'd yoke the peasant to his own plough.
O'er him the ships score their furrows now.
God only knows where his soul did wake,
But I saw him die for his sister's sake.
By none but me can the tale be told,
The butcher of Rouen, poor Berold.
(Lands are swayed by a King on a throne.)
'Twas a royal train put forth to sea,
Yet the tale can be told by none but me.
(The sea hath no King but God alone.)
And now the end came o'er the waters' womb
Like the last great Day that's yet to come.
With prayers in vain and curses in vain,
The White Ship sundered on the mid-main:
And what were men and what was a ship
Were toys and splinters in the sea's grip.
I Berold was down in the sea;
And passing strange though the thing may be,
Of dreams then known I remember me.
Blithe is the shout on Harfleur's strand
When morning lights the sails to land:
And blithe is Honfleur's echoing gloam
484
When mothers call the children home:
And high do the bells of Rouen beat
When the Body of Christ goes down the street.
These things and the like were heard and shown
In a moment's trance 'neath the sea alone;
And when I rose, 'twas the sea did seem,
And not these things, to be all a dream.
The ship was gone and the crowd was gone,
And the deep shuddered and the moon shone,
And in a strait grasp my arms did span
The mainyard rent from the mast where it ran;
And on it with me was another man.
Where lands were none 'neath the dim sea-sky,
We told our names, that man and I.
“O I am Godefroy de l'Aigle hight,
And son I am to a belted knight.”
“And I am Berold the butcher's son
Who slays the beasts in Rouen town.”
Then cried we upon God's name, as we
Did drift on the bitter winter sea.
But lo! a third man rose o'er the wave,
And we said, “Thank God! us three may He save!”
He clutched to the yard with panting stare,
And we looked and knew Fitz-Stephen there.
He clung, and “What of the Prince?” quoth he.
“Lost, lost!” we cried. He cried, “Woe on me!”
And loosed his hold and sank through the sea.
And soul with soul again in that space
We two were together face to face:
And each knew each, as the moments sped,
Less for one living than for one dead:
And every still star overhead
Seemed an eye that knew we were but dead.
And the hours passed; till the noble's son
Sighed, “God be thy help! my strength's foredone!
“O farewell, friend, for I can no more!”
“Christ take thee!” I moaned; and his life was o'er.
Three hundred souls were all lost but one,
And I drifted over the sea alone.
At last the morning rose on the sea
Like an angel's wing that beat tow'rds me.
Sore numbed I was in my sheepskin coat;
485
Half dead I hung, and might nothing note,
Till I woke sun-warmed in a fisher-boat.
The sun was high o'er the eastern brim
As I praised God and gave thanks to Him.
That day I told my tale to a priest,
Who charged me, till the shrift were releas'd,
That I should keep it in mine own breast.
And with the priest I thence did fare
To King Henry's court at Winchester.
We spoke with the King's high chamberlain,
And he wept and mourned again and again,
As if his own son had been slain:
And round us ever there crowded fast
Great men with faces all aghast:
And who so bold that might tell the thing
Which now they knew to their lord the King?
Much woe I learnt in their communing.
The King had watched with a heart sore stirred
For two whole days, and this was the third:
And still to all his court would he say,
“What keeps my son so long away?”
And they said: “The ports lie far and wide
That skirt the swell of the English tide;
“And England's cliffs are not more white
Than her women are, and scarce so light
Her skies as their eyes are blue and bright;
“And in some port that he reached from France
The Prince has lingered for his pleasaùnce.”
But once the King asked: “What distant cry
Was that we heard 'twixt the sea and sky?”
And one said: “With suchlike shouts, pardie!
Do the fishers fling their nets at sea.”
And one: “Who knows not the shrieking quest
When the sea-mew misses its young from the nest?”
'Twas thus till now they had soothed his dread,
Albeit they knew not what they said:
But who should speak to-day of the thing
That all knew there except the King?
Then pondering much they found a way,
And met round the King's high seat that day:
And the King sat with a heart sore stirred,
And seldom he spoke and seldom heard.
486
'Twas then through the hall the King was 'ware
Of a little boy with golden hair,
As bright as the golden poppy is
That the beach breeds for the surf to kiss:
Yet pale his cheek as the thorn in Spring,
And his garb black like the raven's wing.
Nothing heard but his foot through the hall,
For now the lords were silent all.
And the King wondered, and said, “Alack!
Who sends me a fair boy dressed in black?
“Why, sweet heart, do you pace through the hall
As though my court were a funeral?”
Then lowly knelt the child at the dais,
And looked up weeping in the King's face.
“O wherefore black, O King, ye may say,
For white is the hue of death to-day.
“Your son and all his fellowship
Lie low in the sea with the White Ship.”
King Henry fell as a man struck dead;
And speechless still he stared from his bed
When to him next day my rede I read.
There's many an hour must needs beguile
A King's high heart that he should smile,—
Full many a lordly hour, full fain
Of his realm's rule and pride of his reign:—
But this King never smiled again.
By none but me can the tale be told,
The butcher of Rouen, poor Berold.
(Lands are swayed by a King on a throne.)
'Twas a royal train put forth to sea,
Yet the tale can be told by none but me.
(The sea hath no King but God alone.)
~ Dante Gabriel Rossetti,
1335:Scene.--Before the Cavern of the Indian Enchantress.

The Enchantress comes forth.

Enchantress.
He came like a dream in the dawn of life,
He fled like a shadow before its noon;
He is gone, and my peace is turned to strife,
And I wander and wane like the weary moon.
  O, sweet Echo, wake,
  And for my sake
Make answer the while my heart shall break!

But my heart has a music which Echo's lips,
Though tender and true, yet can answer not,
And the shadow that moves in the soul's eclipse
Can return not the kiss by his now forgot;
  Sweet lips! he who hath
  On my desolate path
Cast the darkness of absence, worse than death!

The Enchantress makes her spell: she is answered by a Spirit.

Spirit.
Within the silent centre of the earth
My mansion is; where I have lived insphered
From the beginning, and around my sleep
Have woven all the wondrous imagery
Of this dim spot, which mortals call the world;
Infinite depths of unknown elements
Massed into one impenetrable mask;
Sheets of immeasurable fire, and veins
Of gold and stone, and adamantine iron.
And as a veil in which I walk through Heaven
I have wrought mountains, seas, and waves, and clouds,
And lastly light, whose interfusion dawns
In the dark space of interstellar air.
ANOTHER SCENE
Indian Youth and Lady.

Indian.
And, if my grief should still be dearer to me
Than all the pleasures in the world beside,
Why would you lighten it?

Lady.
               I offer only
That which I seek, some human sympathy
In this mysterious island.

Indian.
              Oh! my friend,
My sister, my beloved!What do I say?
My brain is dizzy, and I scarce know whether
I speak to thee or her.

Lady.
            Peace, perturbed heart!
I am to thee only as thou to mine,
The passing wind which heals the brow at noon,
And may strike cold into the breast at night,
Yet cannot linger where it soothes the most,
Or long soothe could it linger.

Indian.
                 But you said
You also loved?

Lady.
        Loved! Oh, I love. Methinks
This word of love is fit for all the world,
And that for gentle hearts another name
Would speak of gentler thoughts than the world owns.
I have loved.

Indian.
       And thou lovest not? if so,
Young as thou art thou canst afford to weep.

Lady.
Oh! would that I could claim exemption
From all the bitterness of that sweet name.
I loved, I love, and when I love no more
Let joys and grief perish, and leave despair
To ring the knell of youth. He stood beside me,
The embodied vision of the brightest dream,
Which like a dawn heralds the day of life;
The shadow of his presence made my world
A Paradise. All familiar things he touched,
All common words he spoke, became to me
Like forms and sounds of a diviner world.
He was as is the sun in his fierce youth,
As terrible and lovely as a tempest;
He came, and went, and left me what I am.
Alas! Why must I think how oft we two
Have sate together near the river springs,
Under the green pavilion which the willow
Spreads on the floor of the unbroken fountain,
Strewn, by the nurslings that linger there,
Over that islet paved with flowers and moss,
While the musk-rose leaves, like flakes of crimson snow,
Showered on us, and the dove mourned in the pine,
Sad prophetess of sorrows not her own?
The crane returned to her unfrozen haunt,
And the false cuckoo bade the spray good morn;
And on a wintry bough the widowed bird,
Hid in the deepest night of ivy-leaves,
Renewed the vigils of a sleepless sorrow.
I, left like her, and leaving one like her,
Alike abandoned and abandoning
(Oh! unlike her in this!) the gentlest youth,
Whose love had made my sorrows dear to him,
Even as my sorrow made his love to me!

Indian.
One curse of Nature stamps in the same mould
The features of the wretched; and they are
As like as violet to violet,
When memory, the ghost, their odours keeps
Mid the cold relics of abandoned joy.
Proceed.

Lady.
    He was a simple innocent boy.
I loved him well, but not as he desired;
Yet even thus he was content to be:
A short content, for I was

Indian
[aside].
               God of Heaven!
From such an islet, such a river-spring!
I dare not ask her if there stood upon it
A pleasure-dome surmounted by a crescent,
With steps to the blue water. [Aloud.]
It may be
That Nature masks in life several copies
Of the same lot, so that the sufferers
May feel another's sorrow as their own,
And find in friendship what they lost in love.
That cannot be: yet it is strange that we,
From the same scene, by the same path to this
Realm of abandonment -- But speak! your breath
Your breath is like soft music, your words are
The echoes of a voice which on my heart
Sleeps like a melody of early days.
But as you said--

Lady.
         He was so awful, yet
So beautiful in mystery and terror,
Calming me as the loveliness of heaven
Soothes the unquiet sea:and yet not so,
For he seemed stormy, and would often seem
A quenchless sun masked in portentous clouds;
For such his thoughts, and even his actions were;
But he was not of them, nor they of him,
But as they hid his splendour from the earth.
Some said he was a man of blood and peril,
And steeped in bitter infamy to the lips.
More need was there I should be innocent,
More need that I should be most true and kind,
And much more need that there should be found one
To share remorse and scorn and solitude,
And all the ills that wait on those who do
The tasks of ruin in the world of life.
He fled, and I have followed him.

Indian.
                  Such a one
Is he who was the winter of my peace.
But, fairest stranger, when didst thou depart
From the far hills where rise the springs of India?
How didst thou pass the intervening sea?

Lady.
If I be sure I am not dreaming now,
I should not doubt to say it was a dream.
Methought a star came down from heaven,
And rested mid the plants of India,
Which I had given a shelter from the frost
Within my chamber. There the meteor lay,
Panting forth light among the leaves and flowers,
As if it lived, and was outworn with speed;
Or that it loved, and passion made the pulse
Of its bright life throb like an anxious heart,
Till it diffused itself, and all the chamber
And walls seemed melted into emerald fire
That burned not; in the midst of which appeared
A spirit like a child, and laughed aloud
A thrilling peal of such sweet merriment
As made the blood tingle in my warm feet:
Then bent over a vase, and murmuring
Low, unintelligible melodies,
Placed something in the mould like melon-seeds,
And slowly faded, and in place of it
A soft hand issued from the veil of fire,
Holding a cup like a magnolia flower,
And poured upon the earth within the vase
The element with which it overflowed,
Brighter than morning light, and purer than
The water of the springs of Himalah.

Indian.
You waked not?

Lady.
       Not until my dream became
Like a child's legend on the tideless sand,
Which the first foam erases half, and half
Leaves legible. At length I rose, and went,
Visiting my flowers from pot to pot, and thought
To set new cuttings in the empty urns,
And when I came to that beside the lattice,
I saw two little dark-green leaves
Lifting the light mould at their birth, and then
I half-remembered my forgotten dream.
And day by day, green as a gourd in June,
The plant grew fresh and thick, yet no one knew
What plant it was; its stem and tendrils seemed
Like emerald snakes, mottled and diamonded
With azure mail and streaks of woven silver;
And all the sheaths that folded the dark buds
Rose like the crest of cobra-di-capel,
Until the golden eye of the bright flower,
Through the dark lashes of those veind lids,
....disencumbered of their silent sleep,
Gazed like a star into the morning light.
Its leaves were delicate, you almost saw
The pulses
With which the purple velvet flower was fed
To overflow, and like a poet's heart
Changing bright fancy to sweet sentiment,
Changed half the light to fragrance. It soon fell,
And to a green and dewy embryo-fruit
Left all its treasured beauty. Day by day
I nursed the plant, and on the double flute
Played to it on the sunny winter days
Soft melodies, as sweet as April rain
On silent leaves, and sang those words in which
Passion makes Echo taunt the sleeping strings;
And I would send tales of forgotten love
Late into the lone night, and sing wild songs
Of maids deserted in the olden time,
And weep like a soft cloud in April's bosom
Upon the sleeping eyelids of the plant,
So that perhaps it dreamed that Spring was come,
And crept abroad into the moonlight air,
And loosened all its limbs, as, noon by noon,
The sun averted less his oblique beam.

Indian.
And the plant died not in the frost?

Lady.
                    It grew;
And went out of the lattice which I left
Half open for it, trailing its quaint spires
Along the garden and across the lawn,
And down the slope of moss and through the tufts
Of wild-flower roots, and stumps of trees o'ergrown
With simple lichens, and old hoary stones,
On to the margin of the glassy pool,
Even to a nook of unblown violets
And lilies-of-the-valley yet unborn,
Under a pine with ivy overgrown.
And there its fruit lay like a sleeping lizard
Under the shadows; but when Spring indeed
Came to unswathe her infants, and the lilies
Peeped from their bright green masks to wonder at
This shape of autumn couched in their recess,
Then it dilated, and it grew until
One half lay floating on the fountain wave,
Whose pulse, elapsed in unlike sympathies,
Kept time
Among the snowy water-lily buds.
Its shape was such as summer melody
Of the south wind in spicy vales might give
To some light cloud bound from the golden dawn
To fairy isles of evening, and it seemed
In hue and form that it had been a mirror
Of all the hues and forms around it and
Upon it pictured by the sunny beams
Which, from the bright vibrations of the pool,
Were thrown upon the rafters and the roof
Of boughs and leaves, and on the pillared stems
Of the dark sylvan temple, and reflections
Of every infant flower and star of moss
And veined leaf in the azure odorous air.
And thus it lay in the Elysian calm
Of its own beauty, floating on the line
Which, like a film in purest space, divided
The heaven beneath the water from the heaven
Above the clouds; and every day I went
Watching its growth and wondering;
And as the day grew hot, methought I saw
A glassy vapour dancing on the pool,
And on it little quaint and filmy shapes,
With dizzy motion, wheel and rise and fall,
Like clouds of gnats with perfect lineaments...
O friend, sleep was a veil uplift from Heaven--
As if Heaven dawned upon the world of dream--
When darkness rose on the extinguished day
Out of the eastern wilderness.

Indian.
                I too
Have found a moment's paradise in sleep
Half compensate a hell of waking sorrow.
Written at Pisa during the late winter or early spring of 1822.

Note from Mrs. Shelley: 'The following fragments are part of a Drama undertaken for the amusement of the individuals who composed our intimate society, but left unfinished. I have preserved a sketch of the story as far as it had been shadowed in the poet's mind.
An Enchantress, living in one of the islands of the Indian Archipelago, saves the life of a Pirate, a man of savage but noble nature. She becomes enamoured of him; and he, inconstant to his mortal love, for a while returns her passion; but at length, recalling the memory of her whom he left, and who laments his loss, he escapes from the Enchanted Island, and returns to his lady. His mode of life makes him again go to sea, and the Enchantress seizes the opportunity to bring him, by a spirit-brewed tempest, back to her Island.'~1839.
~ Percy Bysshe Shelley, Fragments Of An Unfinished Drama
,
1336:I.
Hamlin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II.

Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
  By drowning their speaking
  With shrieking and squeaking
In fifty different sharps and flats.

III.

At last the people in a body
To the Town Hall came flocking:
``'Tis clear,'' cried they, ``our Mayor's a noddy;
``And as for our Corporation-sh ocking.
``To think we buy gowns lined with ermine
``For dolts that can't or won't determine
``What's best to rid us of our vermin!
``You hope, because you're old and obese,
``To find in the furry civic robe ease?
``Rouse up, sirs! Give your brains a racking
``To find the remedy we're lacking,
``Or, sure as fate, we'll send you packing!''
At this the Mayor and Corporation
Quaked with a mighty consternation.

IV.

An hour they sat in council,
At length the Mayor broke silence:
``For a guilder I'd my ermine gown sell,
``I wish I were a mile hence!
``It's easy to bid one rack one's brain-
``I'm sure my poor head aches again,
``I've scratched it so, and all in vain.
``Oh for a trap, a trap, a trap!''
Just as he said this, what should hap
At the chamber door but a gentle tap?
``Bless us,'' cried the Mayor, ``what's that?''
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
``Only a scraping of shoes on the mat?
``Anything like the sound of a rat
``Makes my heart go pit-a-pat!''

V.

``Come in!''-the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red,
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in;
There was no guessing his kith and kin:
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: ``It's as my great-grandsire,
``Starting up at the Trump of Doom's tone,
``Had walked this way from his painted tombstone!''

VI.

He advanced to the council-table
And, ``Please your honours,'' said he, ``I'm able,
``By means of a secret charm, to draw
``All creatures living beneath the sun,
``That creep or swim or fly or run,
``After me so as you never saw!
``And I chiefly use my charm
``On creatures that do people harm,
``The mole and toad and newt and viper;
``And people call me the Pied Piper.''
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the self-same cheque;
And at the scarf's end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
``Yet,'' said he, ``poor piper as I am,
``In Tartary I freed the Cham,
``Last June, from his huge swarms of gnats;
``I eased in Asia the Nizam
``Of a monstrous brood of vampyre-bats:
``And as for what your brain bewilders,
``If I can rid your town of rats
``Will you give me a thousand guilders?''
``One? fifty thousand!''-wa s the exclamation
Of the astonished Mayor and Corporation.

VII.

Into the street the Piper stept,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled,
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives-
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
-Save one who, stout as Julius Csar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, ``At the first shrill notes of the pipe,
``I heard a sound as of scraping tripe,
``And putting apples, wondrous ripe,
``Into a cider-press's gripe:
``And a moving away of pickle-tub-board s,
``And a leaving ajar of conserve-cupboar ds,
``And a drawing the corks of train-oil-flasks ,
``And a breaking the hoops of butter-casks:
``And it seemed as if a voice
``(Sweeter far than b harp or b psaltery
``Is breathed) called out, `Oh rats, rejoice!
`` `The world is grown to one vast drysaltery!
`` `So munch on, crunch on, take your nuncheon,
`` `Breakfast, supper, dinner, luncheon!'
``And just as a bulky sugar-puncheon,
``All ready staved, like a great sun shone
``Glorious scarce an inch before me,
``Just as methought it said, `Come, bore me!'
``-I found the Weser rolling o'er me.''

VIII.

You should have heard the Hamelin people
ringing the bells till they rocked the steeple.
``Go,'' cried the Mayor, ``and get long poles,
``Poke out the nests and block up the holes!
``Consult with carpenters and builders,
``And leave in our town not even a trace
``Of the rats!''-when suddenly, up the face
Of the Piper perked in the market-place,
With a, ``First, if you please, my thousand guilders!''

IX.

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar's biggest butt with Rhenish.
To pay this sum to a wandering fellow
With a gipsy coat of red and yellow!
``Beside,'' quoth the Mayor with a knowing wink,
``Our business was done at the river's brink;
``We saw with our eyes the vermin sink,
``And what's dead can't come to life, I think.
``So, friend, we're not the folks to shrink
``From the duty of giving you something for drink,
``And a matter of money to put in your poke;
``But as for the guilders, what we spoke
``Of them, as you very well know, was in joke.
``Beside, our losses have made us thrifty.
``A thousand guilders! Come, take fifty!''

X.

The Piper's face fell, and he cried
``No trifling! I can't wait, beside!
``I've promised to visit by dinnertime
``Bagdat, and accept the prime
``Of the Head-Cook's pottage, all he's rich in,
``For having left, in the Caliph's kitchen,
``Of a nest of scorpions no survivor:
``With him I proved no bargain-driver,
``With you, don't think I'll bate a stiver!
``And folks who put me in a passion
``May find me pipe after another fashion.''

XI.

``How?'' cried the Mayor, ``d'ye think I brook
``Being worse treated than a Cook?
``Insulted by a lazy ribald
``With idle pipe and vesture piebald?
``You threaten us, fellow? Do your worst,
``Blow your pipe there till you burst!''

XII.

Once more he stept into the street
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician's cunning
Never gave the enraptured air)
There was a rustling that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farm-yard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

XIII.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by,
-Could only follow with the eye
That joyous crowd at the Piper's back.
But how the Mayor was on the rack,
And the wretched Council's bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However be turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
``He never can cross that mighty top!
``He's forced to let the piping drop,
``And we shall see our children stop!''
When, lo, as they reached the mountain-side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,-
``It's dull in our town since my playmates left!
``I can't forget that I'm bereft
``Of all the pleasant sights they see,
``Which the Piper also promised me.
``For he led us, he said, to a joyous land,
``Joining the town and just at hand,
``Where waters gushed and fruit-trees grew
``And flowers put forth a fairer hue,
``And everything was strange and new;
``The sparrows were brighter than peacocks here,
``And their dogs outran our fallow deer,
``And honey-bees had lost their stings,
``And horses were born with eagles' wings:
``And just as I became assured
``My lame foot would be speedily cured,
``The music stopped and I stood still,
``And found myself outside the hill,
``Left alone against my will,
``To go now limping as before,
``And never hear of that country more!''

XIV.

Alas, alas for Hamelin!
There came into many a burgher's pate
A text which says that heaven's gate
Opes to the rich at as easy rate
As the needle's eye takes a camel in!
The mayor sent East, West, North and South,
To offer the Piper, by word of mouth,
Wherever it was men's lot to find him,
Silver and gold to his heart's content,
If he'd only return the way he went,
And bring the children behind him.
But when they saw 'twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
``And so long after what happened here
``On the Twenty-second of July,
``Thirteen hundred and seventy-six:''
And the better in memory to fix
The place of the children's last retreat,
They called it, the Pied Piper's Street-
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great church-window painted
The same, to make the world acquainted
How their children were stolen away,
And there it stands to this very day.
And I must not omit to say
That in Transylvania there's a tribe
Of alien people who ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don't understand.

XV.

So, Willy, let me and you be wipers
Of scores out with all men-especially pipers!
And, whether they pipe us free frm rats or frm mice,
If we've promised them aught, let us keep our promise!
A CHILD'S STORY.

( Written for, and inscribed to, W. M. the Younger. )


~ Robert Browning, The Pied Piper Of Hamelin
,
1337:Hail to thee, mountain beloved, with thy glittering purple-dyed summit!
Hail to thee also, fair sun, looking so lovingly on!
Thee, too, I hail, thou smiling plain, and ye murmuring lindens,
Ay, and the chorus so glad, cradled on yonder high boughs;
Thee, too, peaceably azure, in infinite measure extending
Round the dusky-hued mount, over the forest so green,
Round about me, who now from my chamber's confinement escaping,
And from vain frivolous talk, gladly seek refuge with thee.
Through me to quicken me runs the balsamic stream of thy breezes,
While the energetical light freshens the gaze as it thirsts.
Bright o'er the blooming meadow the changeable colors are gleaming,
But the strife, full of charms, in its own grace melts away
Freely the plain receives me,with carpet far away reaching,
Over its friendly green wanders the pathway along.
Round me is humming the busy bee, and with pinion uncertain
Hovers the butterfly gay over the trefoil's red flower.
Fiercely the darts of the sun fall on me,the zephyr is silent,
Only the song of the lark echoes athwart the clear air.
Now from the neighboring copse comes a roar, and the tops of the alders
Bend low down,in the wind dances the silvery grass;
Night ambrosial circles me round; in the coolness so fragrant
Greets me a beauteous roof, formed by the beeches' sweet shade.
In the depths of the wood the landscape suddenly leaves me
And a serpentine path guides up my footsteps on high.
Only by stealth can the light through the leafy trellis of branches
Sparingly pierce, and the blue smilingly peeps through the boughs,
But in a moment the veil is rent, and the opening forest
Suddenly gives back the day's glittering brightness to me!
Boundlessly seems the distance before my gaze to be stretching,
And in a purple-tinged hill terminates sweetly the world.

Deep at the foot of the mountain, that under me falls away steeply,
Wanders the greenish-hued stream, looking like glass as it flows.
Endlessly under me see I the ether, and endlessly o'er
Giddily look I above, shudderingly look I below,
But between the infinite height and the infinite hollow
Safely the wanderer moves over a well-guarded path.
Smilingly past me are flying the banks all teeming with riches,
And the valley so bright boasts of its industry glad.
See how yonder hedgerows that sever the farmer's possessions
Have by Demeter been worked into the tapestried plain!
Kindly decree of the law, of the Deity mortal-sustaining,
Since from the brazen world love vanished forever away.
But in freer windings the measured pastures are traversed
(Now swallowed up in the wood, now climbing up to the hills)
By a glimmering streak, the highway that knits lands together;
Over the smooth-flowing stream, quietly glide on the rafts.

Ofttimes resound the bells of the flocks in the fields that seem living,
And the shepherd's lone song wakens the echo again.
Joyous villages crown the stream, in the copse others vanish,
While from the back of the mount, others plunge wildly below.
Man still lives with the land in neighborly friendship united,
And round his sheltering roof calmly repose still his fields;
Trustingly climbs the vine high over the low-reaching window,
While round the cottage the tree circles its far-stretching boughs.
Happy race of the plain! Not yet awakened to freedom,
Thou and thy pastures with joy share in the limited law;
Bounded thy wishes all are by the harvest's peaceable circuit,
And thy lifetime is spent e'en as the task of the day!

But what suddenly hides the beauteous view? A strange spirit
Over the still-stranger plain spreads itself quickly afar
Coyly separates now, what scarce had lovingly mingled,
And 'tis the like that alone joins itself on to the like.
Orders I see depicted; the haughty tribes of the poplars
Marshalled in regular pomp, stately and beauteous appear.
All gives token of rule and choice, and all has its meaning,
'Tis this uniform plan points out the Ruler to me.
Brightly the glittering domes in far-away distance proclaim him.
Out of the kernel of rocks rises the city's high wall.
Into the desert without, the fauns of the forest are driven,
But by devotion is lent life more sublime to the stone.
Man is brought into nearer union with man, and around him
Closer, more actively wakes, swifter moves in him the world.
See! the emulous forces in fiery conflict are kindled,
Much, they effect when they strive, more they effect when they join.
Thousands of hands by one spirit are moved, yet in thousands of bosoms
Beats one heart all alone, by but one feeling inspired
Beats for their native land, and glows for their ancestors' precepts;
Here on the well-beloved spot, rest now time-honored bones.

Down from the heavens descends the blessed troop of immortals,
In the bright circle divine making their festal abode;
Granting glorious gifts, they appear: and first of all, Ceres
Offers the gift of the plough, Hermes the anchor brings next,
Bacchus the grape, and Minerva the verdant olive-tree's branches,
Even his charger of war brings there Poseidon as well.
Mother Cybele yokes to the pole of her chariot the lions,
And through the wide-open door comes as a citizen in.
Sacred stones! 'Tis from ye that proceed humanity's founders,
Morals and arts ye sent forth, e'en to the ocean's far isles.
'Twas at these friendly gates that the law was spoken by sages;
In their Penates' defence, heroes rushed out to the fray.
On the high walls appeared the mothers, embracing their infants,
Looking after the march, till the distance 'twas lost.
Then in prayer they threw themselves down at the deities' altars,
Praying for triumph and fame, praying for your safe return.
Honor and triumph were yours, but naught returned save your glory,
And by a heart-touching stone, told are your valorous deeds.
"Traveller! when thou com'st to Sparta, proclaim to the people
That thou hast seen us lie here, as by the law we were bid."
Slumber calmly, ye loved ones! for sprinkled o'er by your life-blood,
Flourish the olive-trees there, joyously sprouts the good seed.
In its possessions exulting, industry gladly is kindled.
And from the sedge of the stream smilingly signs the blue god.
Crushingly falls the axe on the tree, the Dryad sighs sadly;
Down from the crest of the mount plunges the thundering load.
Winged by the lever, the stone from the rocky crevice is loosened;
Into the mountain's abyss boldly the miner descends.
Mulciber's anvil resounds with the measured stroke of the hammer;
Under the fist's nervous blow, spurt out the sparks of the steel.
Brilliantly twines the golden flax round the swift-whirling spindles,
Through the strings of the yarn whizzes the shuttle away.

Far in the roads the pilot calls, and the vessels are waiting,
That to the foreigner's land carry the produce of home;
Others gladly approach with the treasures of far-distant regions,
High on the mast's lofty head flutters the garland of mirth.
See how yon markets, those centres of life and of gladness, are swarming!
Strange confusion of tongues sounds in the wondering ear.
On to the pile the wealth of the earth is heaped by the merchant,
All that the sun's scorching rays bring forth on Africa's soil,
All that Arabia prepares, that the uttermost Thule produces,
High with heart-gladdening stores fills Amalthea her horn.
Fortune wedded to talent gives birth there to children immortal,
Suckled in liberty's arms, flourish the arts there of joy.
With the image of life the eyes by the sculptor are ravished,
And by the chisel inspired, speaks e'en the sensitive stone.
Skies artificial repose on slender Ionian columns,
And a Pantheon includes all that Olympus contains.
Light as the rainbow's spring through the air, as the dart from the bowstring,
Leaps the yoke of the bridge over the boisterous stream.

But in his silent chamber the thoughtful sage is projecting
Magical circles, and steals e'en on the spirit that forms,
Proves the force of matter, the hatreds and loves of the magnet,
Follows the tune through the air, follows through ether the ray,
Seeks the familiar law in chance's miracles dreaded,
Looks for the ne'er-changing pole in the phenomena's flight.
Bodies and voices are lent by writing to thought ever silent,
Over the centuries' stream bears it the eloquent page.
Then to the wondering gaze dissolves the cloud of the fancy,
And the vain phantoms of night yield to the dawning of day.
Man now breaks through his fetters, the happy one! Oh, let him never
Break from the bridle of shame, when from fear's fetters he breaks
Freedom! is reason's cry,ay, freedom! The wild raging passions
Eagerly cast off the bonds Nature divine had imposed.

Ah! in the tempest the anchors break loose, that warningly held him
On to the shore, and the stream tears him along in its flood,
Into infinity whirls him,the coasts soon vanish before him,
High on the mountainous waves rocks all-dismasted the bark;
Under the clouds are hid the steadfast stars of the chariot,
Naught now remains,in the breast even the god goes astray.
Truth disappears from language, from life all faith and all honor
Vanish, and even the oath is but a lie on the lips.
Into the heart's most trusty bond, and into love's secrets,
Presses the sycophant base, tearing the friend from the friend.
Treason on innocence leers, with looks that seek to devour,
And the fell slanderer's tooth kills with its poisonous bite.
In the dishonored bosom, thought is now venal, and love, too,
Scatters abroad to the winds, feelings once god-like and free.
All thy holy symbols, O truth, deceit has adopted,
And has e'en dared to pollute Nature's own voices so fair,
That the craving heart in the tumult of gladness discovers;
True sensations are now mute and can scarcely be heard.
Justice boasts at the tribune, and harmony vaunts in the cottage,
While the ghost of the law stands at the throne of the king.
Years together, ay, centuries long, may the mummy continue,
And the deception endure, apeing the fulness of life.
Until Nature awakes, and with hands all-brazen and heavy
'Gainst the hollow-formed pile time and necessity strikes.
Like a tigress, who, bursting the massive grating iron,
Of her Numidian wood suddenly, fearfully thinks,
So with the fury of crime and anguish, humanity rises
Hoping nature, long-lost in the town's ashes, to find.
Oh then open, ye walls, and set the captive at freedom
To the long desolate plains let him in safety return!

But where am I? The path is now hid, declivities rugged
Bar, with their wide-yawning gulfs, progress before and behind.
Now far behind me is left the gardens' and hedges' sure escort,
Every trace of man's hand also remains far behind.
Only the matter I see piled up, whence life has its issue,
And the raw mass of basalt waits for a fashioning hand.
Down through its channel of rock the torrent roaringly rushes,
Angrily forcing a path under the roots of the trees.
All is here wild and fearfully desolate. Naught but the eagle
Hangs in the lone realms of air, knitting the world to the clouds.
Not one zephyr on soaring pinion conveys to my hearing
Echoes, however remote, marking man's pleasures and pains.
Am I in truth, then, alone? Within thine arms, on thy bosom,
Nature, I lie once again!Ah, and 'twas only a dream
That assailed me with horrors so fearful; with life's dreaded phantom,
And with the down-rushing vale, vanished the gloomy one too.
Purer my life I receive again from thine altar unsullied,
Purer receive the bright glow felt by my youth's hopeful days.
Ever the will is changing its aim and its rule, while forever,
In a still varying form, actions revolve round themselves.
But in enduring youth, in beauty ever renewing.
Kindly Nature, with grace thou dost revere the old law!
Ever the same, for the man in thy faithful hands thou preservest
That which the child in its sport, that which the youth lent to thee;
At the same breast thou dost suckle the ceaselessly-varying ages;
Under the same azure vault, over the same verdant earth,
Races, near and remote, in harmony wander together,
See, even Homer's own sun looks on us, too, with a smile!

~ Friedrich Schiller, The Walk
,
1338:Contemplations
Sometime now past in the Autumnal Tide,
When Ph{oe}bus wanted but one hour to bed,
The trees all richly clad, yet void of pride,
Were gilded o're by his rich golden head.
Their leaves and fruits seem'd painted but was true
Of green, of red, of yellow, mixed hew,
Rapt were my senses at this delectable view.
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I wist not what to wish, yet sure thought I,
If so much excellence abide below,
How excellent is he that dwells on high?
Whose power and beauty by his works we know.
Sure he is goodness, wisdom, glory, light,
That hath this under world so richly dight.
More Heaven than Earth was here, no winter and no night.
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Then on a stately Oak I cast mine Eye,
Whose ruffling top the Clouds seem'd to aspire.
How long since thou wast in thine Infancy?
Thy strength and stature, more thy years admire,
Hath hundred winters past since thou wast born?
Or thousand since thou brakest thy shell of horn?
If so, all these as nought, Eternity doth scorn.
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Then higher on the glistering Sun I gaz'd,
Whose beams was shaded by the leafy Tree.
The more I look'd, the more I grew amaz'd
And softly said, what glory's like to thee?
Soul of this world, this Universe's Eye,
No wonder some made thee a Deity.
Had I not better known (alas) the same had I.
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Thou as a Bridegroom from thy Chamber rushes
And as a strong man joys to run a race.
The morn doth usher thee with smiles and blushes.
The Earth reflects her glances in thy face.
Birds, insects, Animals with Vegative,
Thy heat from death and dullness doth revive
And in the darksome womb of fruitful nature dive.
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Thy swift Annual and diurnal Course,
Thy daily straight and yearly oblique path,
Thy pleasing fervour, and thy scorching force,
All mortals here the feeling knowledge hath.
Thy presence makes it day, thy absence night,
Quaternal seasons caused by thy might.
Hail Creature, full of sweetness, beauty, and delight!
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Art thou so full of glory that no Eye
Hath strength thy shining Rays once to behold?
And is thy splendid Throne erect so high
As, to approach it, can no earthly mould?
How full of glory then must thy Creator be!
Who gave this bright light luster unto thee.
Admir'd, ador'd for ever be that Majesty!
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Silent alone where none or saw or heard,
In pathless paths I lead my wand'ring feet.
My humble Eyes to lofty Skies I rear'd
To sing some Song my mazed Muse thought meet.
My great Creator I would magnify
That nature had thus decked liberally,
But Ah and Ah again, my imbecility!
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I heard the merry grasshopper then sing,
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The black clad Cricket bear a second part.
They kept one tune and played on the same string,
Seeming to glory in their little Art.
Shall creatures abject thus their voices raise
And in their kind resound their maker's praise
Whilst I, as mute, can warble forth no higher lays?
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When present times look back to Ages past
And men in being fancy those are dead,
It makes things gone perpetually to last
And calls back months and years that long since fled.
It makes a man more aged in conceit
Than was Methuselah or's grand-sire great,
While of their persons and their acts his mind doth treat.
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Sometimes in Eden fair he seems to be,
See glorious Adam there made Lord of all,
Fancies the Apple dangle on the Tree
That turn'd his Sovereign to a naked thrall,
Who like a miscreant's driven from that place
To get his bread with pain and sweat of face.
A penalty impos'd on his backsliding Race.
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Here sits our Grand-dame in retired place
And in her lap her bloody Cain new born.
The weeping Imp oft looks her in the face,
Bewails his unknown hap and fate forlorn.
His Mother sighs to think of Paradise
And how she lost her bliss to be more wise,
Believing him that was and is Father of lies.
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Here Cain and Abel come to sacrifice,
Fruits of the Earth and Fatlings each do bring.
On Abel's gift the fire descends from Skies,
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But no such sign on false Cain's offering.
With sullen hateful looks he goes his ways,
Hath thousand thoughts to end his brother's days,
Upon whose blood his future good he hopes to raise.
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There Abel keeps his sheep, no ill he thinks,
His brother comes, then acts his fratricide.
The Virgin Earth of blood her first draught drinks,
But since that time she often hath been cloy'd.
The wretch with ghastly face and dreadful mind
Thinks each he sees will serve him in his kind,
Though none on Earth but kindred near then could he find.
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99 Who fancies not his looks now at the Bar,
100 His face like death, his heart with horror fraught.
101 Nor Male-factor ever felt like war,
102 When deep despair with wish of life hath fought,
103 Branded with guilt, and crusht with treble woes,
104 A Vagabond to Land of Nod he goes,
105 A City builds that walls might him secure from foes.
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Who thinks not oft upon the Father's ages?
Their long descent, how nephews' sons they saw,
The starry observations of those Sages,
And how their precepts to their sons were law,
How Adam sigh'd to see his Progeny
Cloth'd all in his black, sinful Livery,
Who neither guilt not yet the punishment could fly.
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Our life compare we with their length of days.
Who to the tenth of theirs doth now arrive?
And though thus short, we shorten many ways,
Living so little while we are alive.
In eating, drinking, sleeping, vain delight
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So unawares comes on perpetual night
And puts all pleasures vain unto eternal flight.
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When I behold the heavens as in their prime
And then the earth (though old) still clad in green,
The stones and trees, insensible of time,
Nor age nor wrinkle on their front are seen.
If winter come and greenness then do fade,
A Spring returns, and they more youthful made,
But Man grows old, lies down, remains where once he's laid.
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By birth more noble than those creatures all,
Yet seems by nature and by custom curs'd,
No sooner born but grief and care makes fall
That state obliterate he had at first:
Nor youth, nor strength, nor wisdom spring again,
Nor habitations long their names retain
But in oblivion to the final day remain.
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Shall I then praise the heavens, the trees, the earth,
Because their beauty and their strength last longer?
Shall I wish there, or never to had birth,
Because they're bigger and their bodies stronger?
Nay, they shall darken, perish, fade and die,
And when unmade, so ever shall they lie.
But man was made for endless immortality.
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Under the cooling shadow of a stately Elm
Close sate I by a goodly River's side,
Where gliding streams the Rocks did overwhelm.
A lonely place, with pleasures dignifi'd.
I once that lov'd the shady woods so well,
Now thought the rivers did the trees excel,
And if the sun would ever shine, there would I dwell.
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While on the stealing stream I fixt mine eye,
Which to the long'd-for Ocean held its course,
I markt nor crooks, nor rubs that there did lie
Could hinder ought but still augment its force.
O happy Flood, quoth I, that holds thy race
Till thou arrive at thy beloved place,
Nor is it rocks or shoals that can obstruct thy pace.
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Nor is't enough that thou alone may'st slide,
But hundred brooks in thy clear waves do meet,
So hand in hand along with thee they glide
To Thetis' house, where all imbrace and greet.
Thou Emblem true of what I count the best,
O could I lead my Rivolets to rest,
So may we press to that vast mansion, ever blest.
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Ye Fish which in this liquid Region 'bide
That for each season have your habitation,
Now salt, now fresh where you think best to glide
To unknown coasts to give a visitation,
In Lakes and ponds, you leave your numerous fry.
So Nature taught, and yet you know not why,
You watry folk that know not your felicity.
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Look how the wantons frisk to task the air,
Then to the colder bottom straight they dive;
Eftsoon to Neptune's glassy Hall repair
To see what trade they, great ones, there do drive,
Who forrage o're the spacious sea-green field
And take the trembling prey before it yield,
Whose armour is their scales, their spreading fins their shield.
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While musing thus with contemplation fed,
And thousand fancies buzzing in my brain,
The sweet-tongu'd Philomel percht o're my head
And chanted forth a most melodious strain
Which rapt me so with wonder and delight
I judg's my hearing better than my sight
And wisht me wings with her a while to take my flight.
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O merry Bird (said I) that fears no snares,
That neither toils nor hoards up in thy barn,
Feels no sad thoughts nor cruciating cares
To gain more good or shun what might thee harm-Thy clothes ne'er wear, thy meat is everywhere,
Thy bed a bough, thy drink the water clear-Reminds not what is past, nor what's to come dost fear.
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The dawning morn with songs thou dost prevent,
Sets hundred notes unto thy feathered crew,
So each one tunes his pretty instrument
And warbling out the old, begin anew,
And thus they pass their youth in summer season,
Then follow thee into a better Region,
Where winter's never felt by that sweet airy legion.
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Man at the best a creature frail and vain,
In knowledge ignorant, in strength but weak,
Subject to sorrows, losses, sickness, pain,
Each storm his state, his mind, his body break-From some of these he never finds cessation
But day or night, within, without, vexation,
Troubles from foes, from friends, from dearest, near'st Relation.
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And yet this sinful creature, frail and vain,
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This lump of wretchedness, of sin and sorrow,
This weather-beaten vessel wrackt with pain,
Joys not in hope of an eternal morrow.
Nor all his losses, crosses, and vexation,
In weight, in frequency and long duration
Can make him deeply groan for that divine Translation.
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The Mariner that on smooth waves doth glide
Sings merrily and steers his Barque with ease
As if he had command of wind and tide
And now becomes great Master of the seas,
But suddenly a storm spoils all the sport
And makes him long for a more quiet port,
Which 'gainst all adverse winds may serve for fort.
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So he that faileth in this world of pleasure,
Feeding on sweets that never bit of th' sour,
That's full of friends, of honour, and of treasure,
Fond fool, he takes this earth ev'n for heav'ns bower,
But sad affliction comes and makes him see
Here's neither honour, wealth, or safety.
Only above is found all with security.
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O Time the fatal wrack of mortal things
That draws oblivion's curtains over kings,
Their sumptuous monuments, men know them not;
Their names with a Record are forgot,
Their parts, their ports, their pomp's all laid in th' dust.
Nor wit, nor gold, nor buildings scape time's rust,
But he whose name is grav'd in the white stone
Shall last and shine when all of these are gone.
~ Anne Bradstreet,
1339:The Kalevala - Rune Xxxv
KULLERVO'S EVIL DEEDS.
Kullerwionen, youthful wizard,
In his blue and scarlet stockings,
Henceforth lingered with his parents;
But he could not change his nature,
Could not gain a higher wisdom,
Could not win a better judgment;
As a child he was ill-nurtured,
Early rocked in stupid cradles,
By a nurse of many follies,
By a minister of evil.
To his work went Kullerwoinen,
Strove to make his labors worthy;
First, Kullervo went a-fishing,
Set his fishing-nets in ocean;
With his hands upon the row-locks,
Kullerwoinen spake as follows:
'Shall I pull with all my forces,
Pull with strength of youthful heroes,
Or with weakness of the aged?'
From the stern arose a gray-beard,
And he answered thus Kullervo:
'Pull with all thy youthful vigor;
Shouldst thou row with magic power,
Thou couldst not destroy this vessel,
Couldst not row this boat to fragments.'
Thereupon the youth, Kullervo,
Rowed with all his youthful vigor,
With the mighty force of magic,
Rowed the bindings from the vessel,
Ribs of juniper he shattered,
Rowed the aspen-oars to pieces.
When the aged sire, Kalervo,
Saw the work of Kullerwoinen,
He addressed his son as follows:
'Dost not understand the rowing;
Thou hast burst the bands asunder,
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Bands of juniper and willow,
Rowed my aspen-boat to pieces;
To the fish-nets drive the salmon,
This, perchance, will suit thee better.'
Thereupon the son, Kullervo,
Hastened to his work as bidden,
Drove the salmon to the fish-nets,
Spake in innocence as follows:
'Shall I with my youthful vigor
Scare the salmon to the fish-nets,
Or with little magic vigor
Shall I drive them to their capture?
Spake the master of the fish-nets:
'That would be but work of women,
Shouldst thou use but little power
In the frighting of the salmon!'
Kullerwoinen does as bidden,
Scares the salmon with the forces
Of his mighty arms and shoulders,
With the strength of youth and magic,
Stirs the water thick with black-earth,
Beats the scare-net into pieces,
Into pulp he beats the salmon.
When the aged sire, Kalervo,
Saw the work of Kullerwoinen,
To his son these words he uttered:
'Dost not understand this labor,
For this work thou art not suited,
Canst not scare the perch and salmon
To the fish-nets of thy father;
Thou hast ruined all my fish-nets,
Torn my scare-net into tatters,
Beaten into pulp the whiting,
Torn my net-props into fragments,
Beaten into bits my wedges.
Leave the fishing to another;
See if thou canst pay the tribute,
Pay my yearly contribution;
See if thou canst better travel,
On the way show better judgment!'
Thereupon the son, Kullervo,
Hapless youth in purple vestments,
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In his magic shoes of deer-skin,
In his locks of golden color,
Sallied forth to pay the taxes,
Pay the tribute for his people.
When the youth had paid the tribute,
Paid the yearly contribution,
He returned to join the snow-sledge,
Took his place upon the cross-bench,
Snapped his whip above the courser,
And began his journey homeward;
Rattled on along the highway,
Measured as he galloped onward
Wainamoinen's hills and valleys,
And his fields in cultivation.
Came a golden maid to meet him,
On her snow-shoes came a virgin,
O'er the hills of Wainamoinen,
O'er his cultivated lowlands.
Quick the wizard-son, Kullervo,
Checked the motion of his racer,
Thus addressed the charming maiden
'Come, sweet maiden, to my snow-sledge,
In my fur-robes rest and linger!'
As she ran, the maiden answered:
'Let the Death-maid sit beside thee,
Rest and linger in thy fur-robes!'
Thereupon the youth, Kullervo,
Snapped his whip above the courser;
Fleet as wind he gallops homeward,
Dashes down along the highway;
With the roar of falling waters,
Gallops onward, onward, onward,
O'er the broad-back of the ocean,
O'er the icy plains of Lapland.
Comes a winsome maid to meet him,
Golden-haired, and wearing snow-shoes,
On the far outstretching ice-plains;
Quick the wizard checks his racer,
Charmingly accosts the maiden,
Chanting carefully these measures:
'Come, thou beauty, to my snow-sledge,
Hither come, and rest, and linger!
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Tauntingly the maiden answered:
'Take Tuoni to thy snow-sledge,
At thy side let Manalainen
Sit with thee, and rest, and linger!'
Quick the wizard, Kullerwoinen,
Struck his fiery, prancing racer,
With the birch-whip of his father.
Like the lightning flew the fleet-foot,
Galloped on the highway homeward;
O'er the hills the snow-sledge bounded,
And the coming mountains trembled.
Kullerwoinen, wild magician,
Measures, on his journey homeward,
Northland's far-extending borders,
And the fertile plains of Pohya.
Comes a beauteous maid to meet him,
With a tin-pin on her bosom,
On the heather of Pohyola,
O'er the Pohya-hills and moorlands.
Quick the wizard son, Kullervo,
Holds the bridle of his courser,
Charmingly intones these measures:
'Come, fair maiden, to my snow-sledge,
In these fur-robes rest, and linger;
Eat with me the golden apples,
Eat the hazel-nut in joyance,
Drink with me the beer delicious,
Eat the dainties that I give thee.'
This the answer of the maiden
With the tin-pin on her bosom:
'I have scorn to give thy snow-sledge,
Scorn for thee, thou wicked wizard;
Cold is it beneath thy fur-robes,
And thy sledge is chill and cheerless.
Thereupon the youth, Kullervo,
Wicked wizard of the Northland,
Drew the maiden to his snow-sledge,
Drew her to a seat beside him,
Quickly in his furs enwrapped her;
And the tin-adorned made answer,
These the accents of the maiden:
'Loose me from thy magic power,
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Let me leave at once thy presence,
Lest I speak in wicked accents,
Lest I say the prayer of evil;
Free me now as I command thee,
Or I'll tear thy sledge to pieces,
Throw these fur-robes to the north-winds.'
Straightway wicked Kullerwoinen,
Evil wizard and magician,
Opens all his treasure-boxes,
Shows the maiden gold and silver,
Shows her silken wraps of beauty,
Silken hose with golden borders,
Golden belts with silver buckles,
Jewelry that dims the vision,
Blunts the conscience of the virgin.
Silver leads one to destruction,
Gold entices from uprightness.
Kullerwoinen, wicked wizard,
Flatters lovingly the maiden,
One hand on the reins of leather,
One upon the maiden's shoulder;
Thus they journey through the evening,
Pass the night in merry-making.
When the day-star led the morning,
When the second day was dawning,
Then the maid addressed Kullervo,
Questioned thus the wicked wizard:
'Of what tribe art thou descended,
Of what race thy hero-father?
Tell thy lineage and kindred.`
This, Kullervo's truthful answer:
'Am not from a mighty nation,
Not the greatest, nor the smallest,
But my lineage is worthy:
Am Kalervo's son of folly,
Am a child of contradictions,
Hapless son of cold misfortune.
Tell me of thy race of heroes,
Tell thine origin and kindred.'
This the answer of the maiden:
'Came not from a race primeval,
Not the largest, nor the smallest,
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But my lineage is worthy;
Am Kalervo's wretched daughter,
Am his long-lost child of error,
Am a maid of contradictions,
Hapless daughter of misfortune.
'When a child I lived in plenty
In the dwellings of my mother;
To the woods I went for berries,
Went for raspberries to uplands,
Gathered strawberries on mountains,
Gathered one day then a second;
But, alas! upon the third day,
Could not find the pathway homeward,
Forestward the highways led me,
All the footpaths, to the woodlands.
Long I sat in bitter weeping,
Wept one day and then a second,
Wept the third from morn till even.
Then I climbed a. lofty mountain,
There I called in wailing accents,
And the woodlands gave this answer,
Thus the distant hills re-echoed:
'Call no longer, foolish virgin,
All thy calls and tears are useless;
There is none to give thee answer,
Far away, thy home and people.'
'On the third and on the fourth days,
On the fifth, and sixth, and seventh,
Constantly I sought to perish;
But in vain were all my efforts,
Could not die upon the mountains.
If this wretched maid had perished,
In the summer of the third year,
She had fed earth's vegetation,
She had blossomed as a flower,
Knowing neither pain nor sorrow.'
Scarcely had the maiden spoken,
When she bounded from the snow-sledge,
Rushed upon the rolling river,
To the cataract's commotion,
To the fiery stream and whirlpool.
Thus Kullervo's lovely sister
549
Hastened to her own destruction,
To her death by fire and water,
Found her peace in Tuonela,
In the sacred stream of Mana.
Then the wicked Kullerwoinen
Fell to weeping, sorely troubled,
Wailed, and wept, and heavy-hearted,
Spake these words in bitter sorrow:
'Woe is me, my life hard-fated!
I have slain my virgin-sister,
Shamed the daughter of my mother;
Woe to thee, my ancient father!
Woe to thee, my gray-haired mother!
Wherefore was I born and nurtured,
Why this hapless child's existence?
Better fate to Kullerwoinen,
Had he never seen the daylight,
Or, if born, had never thriven
In these mournful days of evil!
Death has failed to do his duty,
Sickness sinned in passing by me,
Should have slain me in the cradle,
When the seventh day had ended!'
Thereupon he slips the collar
Of his prancing royal racer,
Mounts the silver-headed fleet-foot,
Gallops like the lightning homeward;
Gallops only for a moment,
When he halts his foaming courser
At the cabin of his father.
In the court-yard stood the mother,
Thus the wicked son addressed her:
'Faithful mother, fond and tender,
Hadst thou slain me when an infant,
Smoked my life out in the chamber,
In a winding-sheet hadst thrown me
To the cataract and whirlpool,
In the fire hadst set my cradle,
After seven nights had ended,
Worthy would have been thy service.
Had the village-maidens asked thee:
'Where is now the little cradle,
550
Wherefore is the bath-room empty?'
This had been a worthy answer:
'I have burned the wizard's cradle,
Cast the infant to the fire-dogs;
In the bath-room corn is sprouting,
From the barley malt is brewing.''
Thereupon the aged mother
Asks her wizard-son these questions:
'What has happened to my hero,
What new fate has overcome thee?
Comest thou as from Tuoni,
From the castles of Manala?'
This, Kullervo's frank confession:
'Infamous the tale I bring thee,
My confession is dishonor:
On the way I met a maiden,
Met thy long-lost, wayward daughter,
Did not recognize my sister,
Fatal was the sin committed!
When the taxes had been settled,
When the tribute had been gathered,
Came a matchless maid to meet me,
Whom I witless led to sorrow,
This my mother's long-lost daughter.
When she saw in me her brother,
Quick she bounded from the snow-sledge,
Hastened to the roaring waters,
To the cataract's commotion,
To the fiery stream and whirlpool,
Hastened to her full destruction.
'Now, alas! must I determine,
Now must find a spot befitting,
Where thy sinful son may perish;
Tell me, all-forgiving mother,
Where to end my life of trouble;
Let me stop the black-wolf's howling,
Let me satisfy the hunger
Of the vicious bear of Northland;
Let the shark or hungry sea-dog
Be my dwelling-place hereafter!'
This the answer of the mother:
'Do not go to stop the howling
551
Of the hungry wolf of Northland;
Do not haste to still the black-bear
Growling in his forest-cavern;
Let not shark, nor vicious sea-dog
Be thy dwelling-place hereafter.
Spacious are the rooms of Suomi,
Limitless the Sawa-borders,
Large enough to hide transgression,
Man's misdeeds to hide for ages,
With his sins and evil actions.
Six long years man's sins lie hidden
In the border-land of Kalma,
Even nine for magic heroes,
Till the years bring consolation,
Till they quiet all his mourning.'
Kullerwoinen, wicked wizard,
Answers thus his grieving mother:
'I can never hide from sorrow,
Cannot flee from my misconduct;
To the jaws of death I hasten,
To the open courts of Kalma,
To the hunting-grounds of Pohya,
To the battle-fields of heroes.
Untamoinen still is living,
Unmolested roams the wicked,
Unavenged my father's grievance,
Unavenged my mother's tortures,
Unavenged the wrongs I suffer!'
~ Elias Lönnrot,
1340:The Kalevala - Rune Xxxi
KULLERWOINEN SON OF EVIL.
In the ancient times a mother
Hatched and raised some swans and chickens,
Placed the chickens in the brushwood,
Placed her swans upon the river;
Came an eagle, hawk, and falcon,
Scattered all her swans and chickens,
One was carried to Karyala,
And a second into Ehstland,
Left a third at home in Pohya.
And the one to Ehstland taken
Soon became a thriving merchant;
He that journeyed to Karyala
Flourished and was called Kalervo;
He that hid away in Pohya
Took the name of Untamoinen,
Flourished to his father's sorrow,
To the heart-pain of his mother.
Untamoinen sets his fish-nets
In the waters of Kalervo;
Kullerwoinen sees the fish-nets,
Takes the fish home in his basket.
Then Untamo, evil-minded,
Angry grew and sighed for vengeance,
Clutched his fingers for the combat,
Bared his mighty arms for battle,
For the stealing of his salmon,
For the robbing of his fish-nets.
Long they battled, fierce the struggle,
Neither one could prove the victor;
Should one beat the other fiercely,
He himself was fiercely beaten.
Then arose a second trouble;
On the second and the third days,
Kalerwoinen sowed some barley
Near the barns of Untamoinen;
Untamoinen's sheep in hunger
499
Ate the crop of Kullerwoinen;
Kullerwoinen's dog in malice
Tore Untamo's sheep in pieces;
Then Untamo sorely threatened
To annihilate the people
Of his brother, Kalerwoinen,
To exterminate his tribe-folk,
To destroy the young and aged,
To out-root his race and kingdom;
Conjures men with broadswords girded,
For the war he fashions heroes,
Fashions youth with spears adjusted,
Bearing axes on their shoulders ,
Conjures thus a mighty army,
Hastens to begin a battle,
Bring a war upon his brother.
Kalerwoinen's wife in beauty
Sat beside her chamber-window,
Looking out along the highway,
Spake these words in wonder guessing:
'Do I see some smoke arising,
Or perchance a heavy storm-cloud,
Near the border of the forest,
Near the ending of the prairie?'
It was not some smoke arising,
Nor indeed a heavy storm-cloud,
It was Untamoinen's soldiers
Marching to the place of battle.
Warriors of Untamoinen
Came equipped with spears and arrows,
Killed the people of Kalervo,
Slew his tribe and all his kindred,
Burned to ashes many dwellings,
Levelled many courts and cabins,
Only, left Kalervo's daughter,
With her unborn child, survivors
Of the slaughter of Untamo;
And she led the hostile army
To her father's halls and mansion,
Swept the rooms and made them cheery,
Gave the heroes home-attentions.
Time had gone but little distance,
500
Ere a boy was born in magic
Of the virgin, Untamala,
Of a mother, trouble-laden,
Him the mother named Kullervo,
'Pearl of Combat,' said Untamo.
Then they laid the child of wonder,
Fatherless, the magic infant,
In the cradle of attention,
To be rocked, and fed, and guarded;
But he rocked himself at pleasure,
Rocked until his locks stood endwise;
Rocked one day, and then a second,
Rocked the third from morn till noontide;
But before the third day ended,
Kicks the boy with might of magic,
Forwards, backwards, upwards, downwards,
Kicks in miracles of power,
Bursts with might his swaddling garments
Creeping from beneath his blankets,
Knocks his cradle into fragments,
Tears to tatters all his raiment,
Seemed that he would grow a hero,
And his mother, Untamala,
Thought that be, when full of stature,
When he found his strength and reason,
Would become a great magician,
First among a thousand heroes.
When. three months the boy had thriven,
He began to speak as follows:
'When my form is full of stature,
When these arms grow strong and hardy,
Then will I avenge the murder
Of Kalervo and his people!'
Untamoinen bears the saying,
Speaks these words to those about him;
'To my tribe he brings destruction,
In him grows a new Kalervo!'
Then the heroes well considered,
And the women gave their counsel,
How to kill the magic infant,
That their tribe may live in safety.
It appeared the boy would prosper;
501
Finally, they all consenting,
He was placed within a basket,
And with willows firmly fastened,
Taken to the reeds and rushes,
Lowered to the deepest waters,
In his basket there to perish.
When three nights had circled over,
Messengers of Untamoinen
Went to see if be had perished
In his basket in the waters;
But the prodigy, was living,
Had not perished in the rushes;
He had left his willow-basket,
Sat in triumph on a billow,
In his hand a rod of copper,
On the rod a golden fish-line,
Fishing for the silver whiting,
Measuring the deeps beneath him;
In the sea was little water,
Scarcely would it fill three measures.
Untamoinen then reflected,
This the language of the wizard:
'Whither shall we take this wonder,
Lay this prodigy of evil,
That destruction may o'ertake him,
Where the boy will sink and perish?'
Then his messengers he ordered
To collect dried poles of brushwood,
Birch-trees with their hundred branches,
Pine-trees full of pitch and resin,
Ordered that a pyre be builded,
That the boy might be cremated,
That Kullervo thus might perish.
High they piled the and branches,
Dried limbs from the sacred birch-tree,
Branches from a hundred fir-trees,
Knots and branches full of resign;
Filled with bark a thousand sledges,
Seasoned oak, a hundred measures;
Piled the brushwood to the tree-tops,
Set the boy upon the summit,
Set on fire the pile of brushwood,
502
Burned one day, and then a second,
Burned the third from morn till evening.
When Untamo sent his heralds
To inspect the pyre and wizard,
There to learn if young Kullervo
Had been burned to dust and ashes,
There they saw the young boy sitting
On a pyramid of embers,
In his band a rod of copper,
Raking coals of fire about him,
To increase their heat and power;
Not a hair was burned nor injured,
Not a ringlet singed nor shrivelled.
Then Untamo, evil-humored,
Thus addressed his trusted heralds:
'Whither shall the boy be taken,
To what place this thing of evil,
That destruction may o'ertake him.
That the boy may sink and perish?'
Then they hung him to an oak-tree,
Crucified him in the branches,
That the wizard there might perish.
When three days and nights had ended,
Untamoinen spake as follows:
'It is time to send my heralds
To inspect the mighty oak-tree,
There to learn if young Kullervo
Lives or dies among the branches.'
Thereupon he sent his servants,
And the heralds brought this message:
'Young Kullervo has not perished,
Has not died among the branches
Of the oak-tree where we hung him.
In the oak he maketh pictures
With a wand between his fingers;
Pictures hang from all the branches,
Carved and painted by Kullervo;
And the heroes, thick as acorns,
With their swords and spears adjuste4
Fill the branches of the oak-tree,
Every leaf becomes a soldier.'
Who can help the grave Untamo
503
Kill the boy that threatens evil
To Untamo's tribe and country,
Since he will not die by water,
Nor by fire, nor crucifixion?
Finally it was decided
That his body was immortal,
Could not suffer death nor torture.
In despair grave Untamoinen
Thus addressed the boy, Kullervo:
'Wilt thou live a life becoming,
Always do my people honor,
Should I keep thee in my dwelling?
Shouldst thou render servant's duty,
Then thou wilt receive thy wages,
Reaping whatsoe'er thou sowest;
Thou canst wear the golden girdle,
Or endure the tongue of censure.'
When the boy had grown a little,
Had increased in strength and stature,
He was given occupation,
He was made to tend an infant,
Made to rock the infant's cradle.
These the words of Untamoinen:
'Often look upon the young child,
Feed him well and guard from danger,
Wash his linen in the river,
Give the infant good attention.'
Young Kullervo, wicked wizard,
Nurses one day then a second;
On the morning of the third day,
Gives the infant cruel treatment,
Blinds its eyes and breaks its fingers;
And when evening shadows gather,
Kills the young child while it slumbers,
Throws its body to the waters,
Breaks and burns the infant's cradle.
Untamoinen thus reflected:
'Never will this fell Kullervo
Be a worthy nurse for children,
Cannot rock a babe in safety;
Do not know how I can use him,
What employment I can give him!'
504
Then he told the young magician
He must fell the standing forest,
And Kullervo gave this answer:
'Only will I be a hero,
When I wield the magic hatchet;
I am young, and fair, and mighty,
Far more beautiful than others,
Have the skill of six magicians.'
Thereupon he sought the blacksmith,
This the order of Kullervo:
'Listen, O thou metal-artist,
Forge for me an axe of copper,
Forge the mighty axe of heroes,
Wherewith I may fell the forest,
Fell the birch, and oak, and aspen.'
This behest the blacksmith honors,
Forges him an axe of copper,
Wonderful the blade he forges.
Kullerwoinen grinds his hatchet,
Grinds his blade from morn till evening,
And the next day makes the handle;
Then he hastens to the forest,
To the upward-sloping mountain,
To the tallest of the birches,
To the mightiest of oak-trees;
There he swings his axe of copper,
Swings his blade with might of magic,
Cuts with sharpened edge the aspen,
With one blow he fells the oak-tree,
With a second blow, the linden;
Many trees have quickly fallen,
By the hatchet of Kullervo.
Then the wizard spake as follows:
'This the proper work of Lempo,
Let dire Hisi fell the forest!'
In the birch he sank his hatchet,
Made an uproar in the woodlands,
Called aloud in tones, of thunder,
Whistled to the distant mountains,
Till they echoed to his calling,
When Kullervo spake as follows:
'May the forest, in the circle
505
Where my voice rings, fall and perish,
In the earth be lost forever!
May no tree remain unlevelled,
May no saplings grow in spring-time,
Never while the moonlight glimmers,
Where Kullervo's voice has echoed,
Where the forest hears my calling;
Where the ground with seed is planted,
And the grain shall sprout and flourish,
May it never come to ripeness,
Mar the ears of corn be blasted!'
When the strong man, Untamoinen,
Went to look at early evening,
How Kullervo was progressing,
In his labors in the forest;
Little was the work accomplished,
Was not worthy of a here;
Untamoinen thus reflected:
'Young Kullervo is not fitted
For the work of clearing forests,
Wastes the best of all the timber,
To my lands he brings destruction;
I shall set him making fences.'
Then the youth began the building
Of a fence for Untamoinen;
Took the trunks of stately fir-trees,
Trimmed them with his blade for fence-posts,
Cut the tallest in the woodlands,
For the railing of his fences;
Made the smaller poles and cross-bars
From the longest of the lindens;
Made the fence without a pass-way,
Made no wicket in his fences,
And Kullervo spake these measures.
'He that does not rise as eagles,
Does not sail on wings through ether,
Cannot cross Kullervo's pickets,
Nor the fences he has builded.'
Untamoinen left his mansion
To inspect the young boy's labors,
View the fences of Kullervo;
Saw the fence without a pass-way,
506
Not a wicket in his fences;
From the earth the fence extended
To the highest clouds of heaven.
These the words of Untamoinen:
'For this work be is not fitted,
Useless is the fence thus builded;
Is so high that none can cross it,
And there is no passage through it:
He shall thresh the rye and barley.'
Young Kullervo, quick preparing
Made an oaken flail for threshing,
Threshed the rye to finest powder,
Threshed the barley into atoms,
And the straw to worthless fragments.
Untamoinen went at evening,
Went to see Kullervo's threshing,
View the work of Kullerwoinen;
Found the rye was ground to powder,
Grains of barley crushed to atoms,
And the straw to worthless rubbish.
Untamoinen then grew angry,
Spake these words in bitter accents:
'Kullerwoinen as a workman
Is a miserable failure;
Whatsoever work he touches
Is but ruined by his witchcraft;
I shall carry him to Ehstland,
In Karyala I shall sell him
To the blacksmith, Ilmarinen,
There to swing the heavy hammer.'
Untamoinen sells Kullervo,
Trades him off in far Karyala,
To the blacksmith, Ilmarinen,
To the master of the metals,
This the sum received in payment:
Seven worn and worthless sickles,
Three old caldrons worse than useless,
Three old scythes, and hoes, and axes,
Recompense, indeed, sufficient
For a boy that will not labor
For the good of his employer.
507
~ Elias Lönnrot,
1341: III - THE STUDY

FAUST

(Entering, with the poodle.)

Behind me, field and meadow sleeping,
I leave in deep, prophetic night,
Within whose dread and holy keeping
The better soul awakes to light.
The wild desires no longer win us,
The deeds of passion cease to chain;
The love of Man revives within us,
The love of God revives again.

Be still, thou poodle; make not such racket and riot!
Why at the threshold wilt snuffing be?
Behind the stove repose thee in quiet!
My softest cushion I give to thee.
As thou, up yonder, with running and leaping
Amused us hast, on the mountain's crest,

So now I take thee into my keeping,
A welcome, but also a silent, guest.

Ah, when, within our narrow chamber
The lamp with friendly lustre glows,
Flames in the breast each faded ember,
And in the heart, itself that knows.
Then Hope again lends sweet assistance,
And Reason then resumes her speech:
One yearns, the rivers of existence,
The very founts of Life, to reach.

Snarl not, poodle! To the sound that rises,
The sacred tones that my soul embrace,
This bestial noise is out of place.
We are used to see, that Man despises
What he never comprehends,
And the Good and the Beautiful vilipends,
Finding them often hard to measure:
Will the dog, like man, snarl his displeasure?

But ah! I feel, though will thereto be stronger,
Contentment flows from out my breast no longer.
Why must the stream so soon run dry and fail us,
And burning thirst again assail us?
Therein I've borne so much probation!
And yet, this want may be supplied us;
We call the Supernatural to guide us;
We pine and thirst for Revelation,
Which nowhere worthier is, more nobly sent,
Than here, in our New Testament.
I feel impelled, its meaning to determine,
With honest purpose, once for all,
The hallowed Original
To change to my beloved German.

(He opens a volume, and commences.)
'Tis written: "In the Beginning was the Word."
Here am I balked: who, now can help afford?
The Word?impossible so high to rate it;
And otherwise must I translate it.
If by the Spirit I am truly taught.
Then thus: "In the Beginning was the Thought"
This first line let me weigh completely,
Lest my impatient pen proceed too fleetly.
Is it the Thought which works, creates, indeed?
"In the Beginning was the Power," I read.
Yet, as I write, a warning is suggested,
That I the sense may not have fairly tested.
The Spirit aids me: now I see the light!
"In the Beginning was the Act," I write.

If I must share my chamber with thee,
Poodle, stop that howling, prithee!
Cease to bark and bellow!
Such a noisy, disturbing fellow
I'll no longer suffer near me.
One of us, dost hear me!
Must leave, I fear me.
No longer guest-right I bestow;
The door is open, art free to go.
But what do I see in the creature?
Is that in the course of nature?
Is't actual fact? or Fancy's shows?
How long and broad my poodle grows!
He rises mightily:
A canine form that cannot be!
What a spectre I've harbored thus!
He resembles a hippopotamus,
With fiery eyes, teeth terrible to see:
O, now am I sure of thee!
For all of thy half-hellish brood
The Key of Solomon is good.

SPIRITS (in the corridor)

Some one, within, is caught!
Stay without, follow him not!
Like the fox in a snare,
Quakes the old hell-lynx there.
Take heedlook about!
Back and forth hover,
Under and over,
And he'll work himself out.
If your aid avail him,
Let it not fail him;
For he, without measure,
Has wrought for our pleasure.

FAUST

First, to encounter the beast,
The Words of the Four be addressed:
Salamander, shine glorious!
Wave, Undine, as bidden!
Sylph, be thou hidden!
Gnome, be laborious!

Who knows not their sense
(These elements),
Their properties
And power not sees,
No mastery he inherits
Over the Spirits.

Vanish in flaming ether,
Salamander!
Flow foamingly together,
Undine!
Shine in meteor-sheen,
Sylph!
Bring help to hearth and shelf.
Incubus! Incubus!
Step forward, and finish thus!

Of the Four, no feature
Lurks in the creature.
Quiet he lies, and grins disdain:
Not yet, it seems, have I given him pain.
Now, to undisguise thee,
Hear me exorcise thee!
Art thou, my gay one,
Hell's fugitive stray-one?
The sign witness now,
Before which they bow,
The cohorts of Hell!

With hair all bristling, it begins to swell.

Base Being, hearest thou?
Knowest and fearest thou
The One, unoriginate,
Named inexpressibly,
Through all Heaven impermeate,
Pierced irredressibly!

Behind the stove still banned,
See it, an elephant, expand!
It fills the space entire,
Mist-like melting, ever faster.
'Tis enough: ascend no higher,
Lay thyself at the feet of the Master!
Thou seest, not vain the threats I bring thee:
With holy fire I'll scorch and sting thee!
Wait not to know
The threefold dazzling glow!
Wait not to know
The strongest art within my hands!

MEPHISTOPHELES

(while the vapor is dissipating, steps forth from behind the
stove, in the costume of a Travelling Scholar.)
Why such a noise? What are my lord's commands?

FAUST

This was the poodle's real core,
A travelling scholar, then? The casus is diverting.

MEPHISTOPHELES

The learned gentleman I bow before:
You've made me roundly sweat, that's certain!

FAUST

What is thy name?

MEPHISTOPHELES

A question small, it seems,
For one whose mind the Word so much despises;
Who, scorning all external gleams,
The depths of being only prizes.

FAUST

With all you gentlemen, the name's a test,
Whereby the nature usually is expressed.
Clearly the latter it implies
In names like Beelzebub, Destroyer, Father of Lies.
Who art thou, then?

MEPHISTOPHELES

Part of that Power, not understood,
Which always wills the Bad, and always works the Good.

FAUST

What hidden sense in this enigma lies?

MEPHISTOPHELES

I am the Spirit that Denies!
And justly so: for all things, from the Void
Called forth, deserve to be destroyed:
'Twere better, then, were naught created.
Thus, all which you as Sin have rated,
Destruction,aught with Evil blent,
That is my proper element.

FAUST

Thou nam'st thyself a part, yet show'st complete to me?

MEPHISTOPHELES

The modest truth I speak to thee.
If Man, that microcosmic fool, can see
Himself a whole so frequently,
Part of the Part am I, once All, in primal Night,
Part of the Darkness which brought forth the Light,
The haughty Light, which now disputes the space,
And claims of Mother Night her ancient place.
And yet, the struggle fails; since Light, howe'er it weaves,
Still, fettered, unto bodies cleaves:
It flows from bodies, bodies beautifies;
By bodies is its course impeded;
And so, but little time is needed,
I hope, ere, as the bodies die, it dies!

FAUST

I see the plan thou art pursuing:
Thou canst not compass general ruin,
And hast on smaller scale begun.

MEPHISTOPHELES

And truly 'tis not much, when all is done.
That which to Naught is in resistance set,
The Something of this clumsy world,has yet,
With all that I have undertaken,
Not been by me disturbed or shaken:
From earthquake, tempest, wave, volcano's brand,
Back into quiet settle sea and land!
And that damned stuff, the bestial, human brood,
What use, in having that to play with?
How many have I made away with!
And ever circulates a newer, fresher blood.
It makes me furious, such things beholding:
From Water, Earth, and Air unfolding,
A thousand germs break forth and grow,
In dry, and wet, and warm, and chilly;
And had I not the Flame reserved, why, really,
There's nothing special of my own to show!

FAUST

So, to the actively eternal
Creative force, in cold disdain
You now oppose the fist infernal,
Whose wicked clench is all in vain!
Some other labor seek thou rather,
Queer Son of Chaos, to begin!

MEPHISTOPHELES

Well, we'll consider: thou canst gather
My views, when next I venture in.
Might I, perhaps, depart at present?

FAUST

Why thou shouldst ask, I don't perceive.
Though our acquaintance is so recent,
For further visits thou hast leave.
The window's here, the door is yonder;
A chimney, also, you behold.

MEPHISTOPHELES

I must confess that forth I may not wander,
My steps by one slight obstacle controlled,
The wizard's-foot, that on your threshold made is.

FAUST

The pentagram prohibits thee?
Why, tell me now, thou Son of Hades,
If that prevents, how cam'st thou in to me?
Could such a spirit be so cheated?

MEPHISTOPHELES

Inspect the thing: the drawing's not completed.
The outer angle, you may see,
Is open left the lines don't fit it.

FAUST

Well,Chance, this time, has fairly hit it!
And thus, thou'rt prisoner to me?
It seems the business has succeeded.

MEPHISTOPHELES

The poodle naught remarked, as after thee he speeded;
But other aspects now obtain:
The Devil can't get out again.

FAUST

Try, then, the open window-pane!

MEPHISTOPHELES

For Devils and for spectres this is law:
Where they have entered in, there also they withdraw.
The first is free to us; we're governed by the second.

FAUST

In Hell itself, then, laws are reckoned?
That's well! So might a compact be
Made with you gentlemen and binding,surely?

MEPHISTOPHELES

All that is promised shall delight thee purely;
No skinflint bargain shalt thou see.
But this is not of swift conclusion;
We'll talk about the matter soon.
And now, I do entreat this boon
Leave to withdraw from my intrusion.

FAUST

One moment more I ask thee to remain,
Some pleasant news, at least, to tell me.

MEPHISTOPHELES

Release me, now! I soon shall come again;
Then thou, at will, mayst question and compel me.

FAUST

I have not snares around thee cast;
Thyself hast led thyself into the meshes.
Who traps the Devil, hold him fast!
Not soon a second time he'll catch a prey so precious.

MEPHISTOPHELES

An't please thee, also I'm content to stay,
And serve thee in a social station;
But stipulating, that I may
With arts of mine afford thee recreation.

FAUST

Thereto I willingly agree,
If the diversion pleasant be.

MEPHISTOPHELES

My friend, thou'lt win, past all pretences,
More in this hour to soo the thy senses,
Than in the year's monotony.
That which the dainty spirits sing thee,
The lovely pictures they shall bring thee,
Are more than magic's empty show.
Thy scent will be to bliss invited;
Thy palate then with taste delighted,
Thy nerves of touch ecstatic glow!
All unprepared, the charm I spin:
We're here together, so begin!

SPIRITS

Vanish, ye darking
Arches above him!
Loveliest weather,
Born of blue ether,
Break from the sky!
O that the darkling
Clouds had departed!
Starlight is sparkling,
Tranquiller-hearted
Suns are on high.
Heaven's own children
In beauty bewildering,
Waveringly bending,
Pass as they hover;
Longing unending
Follows them over.
They, with their glowing
Garments, out-flowing,
Cover, in going,
Landscape and bower,
Where, in seclusion,
Lovers are plighted,
Lost in illusion.
Bower on bower!
Tendrils unblighted!
Lo! in a shower
Grapes that o'ercluster
Gush into must, or
Flow into rivers
Of foaming and flashing
Wine, that is dashing
Gems, as it boundeth
Down the high places,
And spreading, surroundeth
With crystalline spaces,
In happy embraces,
Blossoming forelands,
Emerald shore-lands!
And the winged races
Drink, and fly onward
Fly ever sunward
To the enticing
Islands, that flatter,
Dipping and rising
Light on the water!
Hark, the inspiring
Sound of their quiring!
See, the entrancing
Whirl of their dancing!
All in the air are
Freer and fairer.
Some of them scaling
Boldly the highlands,
Others are sailing,
Circling the islands;
Others are flying;
Life-ward all hieing,
All for the distant
Star of existent
Rapture and Love!

MEPHISTOPHELES

He sleeps! Enough, ye fays! your airy number
Have sung him truly into slumber:
For this performance I your debtor prove.
Not yet art thou the man, to catch the Fiend and hold him!
With fairest images of dreams infold him,
Plunge him in seas of sweet untruth!
Yet, for the threshold's magic which controlled him,
The Devil needs a rat's quick tooth.
I use no leng thened invocation:
Here rustles one that soon will work my liberation.

The lord of rats and eke of mice,
Of flies and bed-bugs, frogs and lice,
Summons thee hither to the door-sill,
To gnaw it where, with just a morsel
Of oil, he paints the spot for thee:
There com'st thou, hopping on to me!
To work, at once! The point which made me craven
Is forward, on the ledge, engraven.
Another bite makes free the door:
So, dream thy dreams, O Faust, until we meet once more!

FAUST (awaking)

Am I again so foully cheated?
Remains there naught of lofty spirit-sway,
But that a dream the Devil counterfeited,
And that a poodle ran away?


~ Johann Wolfgang von Goethe, THE STUDY (The Exorcism)
,
1342:I - NIGHT

(A lofty-arched, narrow, Gothic chamber. FAUST, in a chair at his
desk, restless.)
FAUST

I've studied now Philosophy
And Jurisprudence, Medicine,
And even, alas! Theology,
From end to end, with labor keen;
And here, poor fool! with all my lore
I stand, no wiser than before:
I'm Magisteryea, Doctorhight,
And straight or cross-wise, wrong or right,
These ten years long, with many woes,
I've led my scholars by the nose,
And see, that nothing can be known!
That knowledge cuts me to the bone.
I'm cleverer, true, than those fops of teachers,
Doctors and Magisters, Scribes and Preachers;
Neither scruples nor doubts come now to smite me,
Nor Hell nor Devil can longer affright me.

For this, all pleasure am I foregoing;
I do not pretend to aught worth knowing,
I do not pretend I could be a teacher
To help or convert a fellow-creature.
Then, too, I've neither lands nor gold,
Nor the world's least pomp or honor hold
No dog would endure such a curst existence!
Wherefore, from Magic I seek assistance,
That many a secret perchance I reach
Through spirit-power and spirit-speech,
And thus the bitter task forego
Of saying the things I do not know,
That I may detect the inmost force
Which binds the world, and guides its course;
Its germs, productive powers explore,
And rummage in empty words no more!

O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swa the me,
To health in thy dewy fountains ba the me!

Ah, me! this dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes.
Hemmed in by many a toppling heap
Of books worm-eaten, gray with dust,
Which to the vaulted ceiling creep,
Against the smoky paper thrust,
With glasses, boxes, round me stacked,
And instruments together hurled,
Ancestral lumber, stuffed and packed
Such is my world: and what a world!

And do I ask, wherefore my heart
Falters, oppressed with unknown needs?
Why some inexplicable smart
All movement of my life impedes?
Alas! in living Nature's stead,
Where God His human creature set,
In smoke and mould the fleshless dead
And bones of beasts surround me yet!

Fly! Up, and seek the broad, free land!
And this one Book of Mystery
From Nostradamus' very hand,
Is't not sufficient company?
When I the starry courses know,
And Nature's wise instruction seek,
With light of power my soul shall glow,
As when to spirits spirits speak.
Tis vain, this empty brooding here,
Though guessed the holy symbols be:
Ye, Spirits, comeye hover near
Oh, if you hear me, answer me!

(He opens the Book, and perceives the sign of the Macrocosm.)

Ha! what a sudden rapture leaps from this
I view, through all my senses swiftly flowing!
I feel a youthful, holy, vital bliss
In every vein and fibre newly glowing.
Was it a God, who traced this sign,
With calm across my tumult stealing,
My troubled heart to joy unsealing,
With impulse, mystic and divine,
The powers of Nature here, around my path, revealing?
Am I a God?so clear mine eyes!
In these pure features I behold
Creative Nature to my soul unfold.
What says the sage, now first I recognize:
"The spirit-world no closures fasten;
Thy sense is shut, thy heart is dead:
Disciple, up! untiring, hasten
To ba the thy breast in morning-red!"

(He contemplates the sign.)

How each the Whole its substance gives,
Each in the other works and lives!
Like heavenly forces rising and descending,
Their golden urns reciprocally lending,
With wings that winnow blessing
From Heaven through Earth I see them pressing,
Filling the All with harmony unceasing!
How grand a show! but, ah! a show alone.
Thee, boundless Nature, how make thee my own?
Where you, ye beasts? Founts of all Being, shining,
Whereon hang Heaven's and Earth's desire,
Whereto our withered hearts aspire,
Ye flow, ye feed: and am I vainly pining?

(He turns the leaves impatiently, and perceives the sign of the
Earth-Spirit.)

How otherwise upon me works this sign!
Thou, Spirit of the Earth, art nearer:
Even now my powers are loftier, clearer;
I glow, as drunk with new-made wine:
New strength and heart to meet the world incite me,
The woe of earth, the bliss of earth, invite me,
And though the shock of storms may smite me,
No crash of shipwreck shall have power to fright me!
Clouds gather over me
The moon conceals her light
The lamp's extinguished!
Mists rise,red, angry rays are darting
Around my head!There falls
A horror from the vaulted roof,
And seizes me!
I feel thy presence, Spirit I invoke!
Reveal thyself!
Ha! in my heart what rending stroke!
With new impulsion
My senses heave in this convulsion!
I feel thee draw my heart, absorb, exhaust me:
Thou must! thou must! and though my life it cost me!

(He seizes the book, and mysteriously pronounces the sign of
the Spirit. A ruddy flame flashes: the Spirit appears in
the flame.)
SPIRIT

Who calls me?
FAUST (with averted head)

Terrible to see!

SPIRIT

Me hast thou long with might attracted,
Long from my sphere thy food exacted,
And now

FAUST

Woe! I endure not thee!
SPIRIT

To view me is thine aspiration,
My voice to hear, my countenance to see;
Thy powerful yearning moveth me,
Here am I!what mean perturbation
Thee, superhuman, shakes? Thy soul's high calling, where?
Where is the breast, which from itself a world did bear,
And shaped and cherishedwhich with joy expanded,
To be our peer, with us, the Spirits, banded?
Where art thou, Faust, whose voice has pierced to me,
Who towards me pressed with all thine energy?
He art thou, who, my presence breathing, seeing,
Trembles through all the depths of being,
A writhing worm, a terror-stricken form?
FAUST

Thee, form of flame, shall I then fear?
Yes, I am Faust: I am thy peer!
SPIRIT

In the tides of Life, in Action's storm,
A fluctuant wave,
A shuttle free,
Birth and the Grave,
An eternal sea,
A weaving, flowing
Life, all-glowing,
Thus at Time's humming loom 'tis my hand prepares
The garment of Life which the Deity wears!
FAUST

Thou, who around the wide world wendest,
Thou busy Spirit, how near I feel to thee!
SPIRIT

Thou'rt like the Spirit which thou comprehendest,
Not me!

(Disappears.)
FAUST (overwhelmed)

Not thee!
Whom then?
I, image of the Godhead!
Not even like thee!

(A knock).

O Death!I know it'tis my Famulus!
My fairest luck finds no fruition:
In all the fullness of my vision
The soulless sneak disturbs me thus!

(Enter WAGNER, in dressing-gown and night-cap, a lamp in
his hand. FAUST turns impatiently.)
WAGNER

Pardon, I heard your declamation;
'Twas sure an old Greek tragedy you read?
In such an art I crave some preparation,
Since now it stands one in good stead.
I've often heard it said, a preacher
Might learn, with a comedian for a teacher.
FAUST

Yes, when the priest comedian is by nature,
As haply now and then the case may be.
WAGNER

Ah, when one studies thus, a prisoned creature,
That scarce the world on holidays can see,
Scarce through a glass, by rare occasion,
How shall one lead it by persuasion?
FAUST

You'll ne'er attain it, save you know the feeling,
Save from the soul it rises clear,
Serene in primal strength, compelling
The hearts and minds of all who hear.
You sit forever gluing, patching;
You cook the scraps from others' fare;
And from your heap of ashes hatching
A starveling flame, ye blow it bare!
Take children's, monkeys' gaze admiring,
If such your taste, and be content;
But ne'er from heart to heart you'll speak inspiring,
Save your own heart is eloquent!
WAGNER

Yet through delivery orators succeed;
I feel that I am far behind, indeed.
FAUST

Seek thou the honest recompense!
Beware, a tinkling fool to be!
With little art, clear wit and sense
Suggest their own delivery;
And if thou'rt moved to speak in earnest,
What need, that after words thou yearnest?
Yes, your discourses, with their glittering show,
Where ye for men twist shredded thought like paper,
Are unrefreshing as the winds that blow
The rustling leaves through chill autumnal vapor!
WAGNER

Ah, God! but Art is long,
And Life, alas! is fleeting.
And oft, with zeal my critic-duties meeting,
In head and breast there's something wrong.

How hard it is to compass the assistance
Whereby one rises to the source!
And, haply, ere one travels half the course
Must the poor devil quit existence.
FAUST

Is parchment, then, the holy fount before thee,
A draught wherefrom thy thirst forever slakes?
No true refreshment can restore thee,
Save what from thine own soul spontaneous breaks.
WAGNER

Pardon! a great delight is granted
When, in the spirit of the ages planted,
We mark how, ere our times, a sage has thought,
And then, how far his work, and grandly, we have brought.
FAUST

O yes, up to the stars at last!
Listen, my friend: the ages that are past
Are now a book with seven seals protected:
What you the Spirit of the Ages call
Is nothing but the spirit of you all,
Wherein the Ages are reflected.
So, oftentimes, you miserably mar it!
At the first glance who sees it runs away.
An offal-barrel and a lumber-garret,
Or, at the best, a Punch-and-Judy play,
With maxims most pragmatical and hitting,
As in the mouths of puppets are befitting!
WAGNER

But then, the world the human heart and brain!
Of these one covets some slight apprehension.
FAUST

Yes, of the kind which men attain!
Who dares the child's true name in public mention?
The few, who thereof something really learned,
Unwisely frank, with hearts that spurned concealing,
And to the mob laid bare each thought and feeling,
Have evermore been crucified and burned.
I pray you, Friend, 'tis now the dead of night;
Our converse here must be suspended.
WAGNER

I would have shared your watches with delight,
That so our learned talk might be extended.
To-morrow, though, I'll ask, in Easter leisure,
This and the other question, at your pleasure.
Most zealously I seek for erudition:
Much do I know but to know all is my ambition.

[Exit.
FAUST (solus)

That brain, alone, not loses hope, whose choice is
To stick in shallow trash forevermore,
Which digs with eager hand for buried ore,
And, when it finds an angle-worm, rejoices!

Dare such a human voice disturb the flow,
Around me here, of spirit-presence fullest?
And yet, this once my thanks I owe
To thee, of all earth's sons the poorest, dullest!
For thou hast torn me from that desperate state
Which threatened soon to overwhelm my senses:
The apparition was so giant-great,
It dwarfed and withered all my soul's pretences!

I, image of the Godhead, who began
Deeming Eternal Truth secure in nearness
Ye choirs, have ye begun the sweet, consoling chant,
Which, through the night of Death, the angels ministrant
Sang, God's new Covenant repeating?
CHORUS OF WOMEN

With spices and precious
Balm, we arrayed him;
Faithful and gracious,
We tenderly laid him:
Linen to bind him
Cleanlily wound we:
Ah! when we would find him,
Christ no more found we!
CHORUS OF ANGELS

Christ is ascended!
Bliss hath invested him,
Woes that molested him,
Trials that tested him,
Gloriously ended!
FAUST

Why, here in dust, entice me with your spell,
Ye gentle, powerful sounds of Heaven?
Peal rather there, where tender natures dwell.
Your messages I hear, but faith has not been given;
The dearest child of Faith is Miracle.
I venture not to soar to yonder regions
Whence the glad tidings hither float;
And yet, from childhood up familiar with the note,
To Life it now renews the old allegiance.
Once Heavenly Love sent down a burning kiss
Upon my brow, in Sabbath silence holy;
And, filled with mystic presage, chimed the church-bell slowly,
And prayer dissolved me in a fervent bliss.
A sweet, uncomprehended yearning
Drove forth my feet through woods and meadows free,
And while a thousand tears were burning,
I felt a world arise for me.
These chants, to youth and all its sports appealing,
Proclaimed the Spring's rejoicing holiday;
And Memory holds me now, with childish feeling,
Back from the last, the solemn way.
Sound on, ye hymns of Heaven, so sweet and mild!
My tears gush forth: the Earth takes back her child!
CHORUS OF DISCIPLES

Has He, victoriously,
Burst from the vaulted
Grave, and all-gloriously
Now sits exalted?
Is He, in glow of birth,
Rapture creative near?
Ah! to the woe of earth
Still are we native here.
We, his aspiring
Followers, Him we miss;
Weeping, desiring,
Master, Thy bliss!

CHORUS OF ANGELS

Christ is arisen,
Out of Corruption's womb:
Burst ye the prison,
Break from your gloom!
Praising and pleading him,
Lovingly needing him,
Brotherly feeding him,
Preaching and speeding him,
Blessing, succeeding Him,
Thus is the Master near,
Thus is He here!

~ Johann Wolfgang von Goethe, NIGHT
,
1343:The House Of Dust: Part 04: 03: Palimpsest: A
Deceitful Portrait
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . .Closing then the door
I heard it die behind me, fade to whisper,—
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts—and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,—
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . .We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think—yet this is guesswork)
Will please him,—it is in a strain he fancies,—
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self—this too is guesswork)
The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,—
284
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him. He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'—There I let it end. . . .
Sometimes, of course, and when we least suspect it—
When we pursue our thoughts with too much passion,
Talking with too great zeal—our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . .but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . .all the while
Withholding what's most precious to ourselves,—
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness—if such we know—
Too much like fire to speak of without shame.
Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,—to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,—
Suppose for once I set my doors wide open
And bid you in. . . .Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you—as far as I may know it—
Only so much as I deceive myself.
If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
285
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,—
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . .This water says,—
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,—
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you. This bare tree says,—
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,—this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!—chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,—
Amazing deep recesses, dark on dark,—
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world. .
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,—just such a room have you,
It waits you always at the tops of stairways,
286
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,—these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,—
This goblin wood where someone cries enchantment,—
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.
And so, all things discern me, name me, praise me—
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'—I say; and look, not in a glass,
But in your eyes, to see my image there—
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen—I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,—my silver thoughts ascending;
Saying now this, now that, hinting of all things,—
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,—
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . .And hearing, I am warmed.
You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light. And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . .A clock ticks clearly,
287
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,—with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . .My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . .These skeleton elm-trees—
Leaning against that grey-gold snow filled sky—
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed. The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . .Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,—
And walks the streets. The thing I strongly seized
Has turned to darkness, and darkness rides my heart.
If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
288
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand. This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning? Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?
Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?—
These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,—
Calling to mind remote and small successions
Of countless other evenings ending so,—
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me. Time would pass,
And I should meet this girl,—my second wife—
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced. The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
289
. . . .'What are you thinking of?'. . . .My first wife's voice
Scattered these ghosts. 'Oh nothing—nothing much—
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love. And one more evening
Drew to the usual end of sleep and silence.
And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new? What's old? All things have double meanings,—
All things return. I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,—
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,—
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean? Why is this hint repeated?
What darkness does it spring from, seek to end?
You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,—
Pursuing silent ends. No rest there is,—
No more for me than you. I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . .I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.
~ Conrad Potter Aiken,
1344:Gilbert
I. THE GARDEN.
ABOVE the city hung the moon,
Right o'er a plot of ground
Where flowers and orchard-trees were fenced
With lofty walls around:
'Twas Gilbert's garden­there, to-night
Awhile he walked alone;
And, tired with sedentary toil,
Mused where the moonlight shone.
This garden, in a city-heart,
Lay still as houseless wild,
Though many-windowed mansion fronts
Were round it closely piled;
But thick their walls, and those within
Lived lives by noise unstirred;
Like wafting of an angel's wing,
Time's flight by them was heard.
Some soft piano-notes alone
Were sweet as faintly given,
Where ladies, doubtless, cheered the hearth
With song, that winter-even.
The city's many-mingled sounds
Rose like the hum of ocean;
They rather lulled the heart than roused
Its pulse to faster motion.
Gilbert has paced the single walk
An hour, yet is not weary;
And, though it be a winter night,
He feels nor cold nor dreary.
The prime of life is in his veins,
And sends his blood fast flowing,
And Fancy's fervour warms the thoughts
Now in his bosom glowing.
Those thoughts recur to early love,
19
Or what he love would name,
Though haply Gilbert's secret deeds
Might other title claim.
Such theme not oft his mind absorbs,
He to the world clings fast,
And too much for the present lives,
To linger o'er the past.
But now the evening's deep repose
Has glided to his soul;
That moonlight falls on Memory,
And shows her fading scroll.
One name appears in every line
The gentle rays shine o'er,
And still he smiles and still repeats
That one name­Elinor.
There is no sorrow in his smile,
No kindness in his tone;
The triumph of a selfish heart
Speaks coldly there alone;
He says: ' She loved me more than life;
And truly it was sweet
To see so fair a woman kneel,
In bondage, at my feet.
There was a sort of quiet bliss
To be so deeply loved,
To gaze on trembling eagerness
And sit myself unmoved.
And when it pleased my pride to grant,
At last some rare caress,
To feel the fever of that hand
My fingers deigned to press.
'Twas sweet to see her strive to hide
What every glance revealed;
Endowed, the while, with despot-might
Her destiny to wield.
I knew myself no perfect man,
Nor, as she deemed, divine;
I knew that I was glorious­but
20
By her reflected shine;
Her youth, her native energy,
Her powers new-born and fresh,
'Twas these with Godhead sanctified
My sensual frame of flesh.
Yet, like a god did I descend
At last, to meet her love;
And, like a god, I then withdrew
To my own heaven above.
And never more could she invoke
My presence to her sphere;
No prayer, no plaint, no cry of hers
Could win my awful ear.
I knew her blinded constancy
Would ne'er my deeds betray,
And, calm in conscience, whole in heart,
I went my tranquil way.
Yet, sometimes, I still feel a wish,
The fond and flattering pain
Of passion's anguish to create,
In her young breast again.
Bright was the lustre of her eyes,
When they caught fire from mine;
If I had power­this very hour,
Again I 'd light their shine.
But where she is, or how she lives,
I have no clue to know;
I 've heard she long my absence pined,
And left her home in woe.
But busied, then, in gathering gold,
As I am busied now,
I could not turn from such pursuit,
To weep a broken vow.
Nor could I give to fatal risk
The fame I ever prized;
Even now, I fear, that precious fame
Is too much compromised.'
21
An inward trouble dims his eye,
Some riddle he would solve;
Some method to unloose a knot,
His anxious thoughts revolve.
He, pensive, leans against a tree,
A leafy evergreen,
The boughs, the moonlight, intercept,
And hide him like a screen;
He starts­the tree shakes with his tremor,
Yet nothing near him pass'd,
He hurries up the garden alley,
In strangely sudden haste.
With shaking hand, he lifts the latchet,
Steps o'er the threshold stone;
The heavy door slips from his fingers,
It shuts, and he is gone.
What touched, transfixed, appalled, his soul ?
A nervous thought, no more;
'Twill sink like stone in placid pool,
And calm close smoothly o'er.
II. THE PARLOUR.
WARM is the parlour atmosphere,
Serene the lamp's soft light;
The vivid embers, red and clear,
Proclaim a frosty night.
Books, varied, on the table lie,
Three children o'er them bend,
And all, with curious, eager eye,
The turning leaf attend.
Picture and tale alternately
Their simple hearts delight,
And interest deep, and tempered glee,
Illume their aspects bright;
The parents, from their fireside place,
Behold that pleasant scene,
And joy is on the mother's face,
22
Pride, in the father's mien.
As Gilbert sees his blooming wife,
Beholds his children fair,
No thought has he of transient strife,
Or past, though piercing fear.
The voice of happy infancy
Lisps sweetly in his ear,
His wife, with pleased and peaceful eye,
Sits, kindly smiling, near.
The fire glows on her silken dress,
And shows its ample grace,
And warmly tints each hazel tress,
Curled soft around her face.
The beauty that in youth he wooed,
Is beauty still, unfaded,
The brow of ever placid mood
No churlish grief has shaded.
Prosperity, in Gilbert's home,
Abides, the guest of years;
There Want or Discord never come,
And seldom Toil or Tears.
The carpets bear the peaceful print
Of comfort's velvet tread,
And golden gleams from plenty sent,
In every nook are shed.
The very silken spaniel seems
Of quiet ease to tell,
As near its mistress' feet it dreams,
Sunk in a cushion's swell;
And smiles seem native to the eyes
Of those sweet children, three;
They have but looked on tranquil skies,
And know not misery.
Alas ! that misery should come
In such an hour as this;
Why could she not so calm a home
A little longer miss ?
23
But she is now within the door,
Her steps advancing glide;
Her sullen shade has crossed the floor,
She stands at Gilbert's side.
She lays her hand upon his heart,
It bounds with agony;
His fireside chair shakes with the start
That shook the garden tree.
His wife towards the children looks,
She does not mark his mien;
The children, bending o'er their books,
His terror have not seen.
In his own home, by his own hearth,
He sits in solitude,
And circled round with light and mirth,
Cold horror chills his blood.
His mind would hold with desperate clutch
The scene that round him lies;
No­changed, as by some wizard's touch,
The present prospect flies.
A tumult vague­a viewless strife
His futile struggles crush;
'Twixt him and his, an unknown life
And unknown feelings rush.
He sees­but scarce can language paint
The tissue Fancy weaves;
For words oft give but echo faint
Of thoughts the mind conceives.
Noise, tumult strange, and darkness dim,
Efface both light and quiet;
No shape is in those shadows grim,
No voice in that wild riot.
Sustained and strong, a wondrous blast
Above and round him blows;
A greenish gloom, dense overcast,
Each moment denser grows.
He nothing knows­nor clearly sees,
24
Resistance checks his breath,
The high, impetuous, ceaseless breeze
Blows on him. cold as death.
And still the undulating gloom
Mocks sight with formless motion;
Was such sensation Jonah's doom,
Gulphed in the depths of ocean ?
Streaking the air, the nameless vision,
Fast-driven, deep-sounding, flows;
Oh ! whence its source, and what its mission ?
How will its terrors close ?
Long-sweeping, rushing, vast and void,
The Universe it swallows;
And still the dark, devouring tide,
A Typhoon tempest follows.
More slow it rolls; its furious race
Sinks to a solemn gliding;
The stunning roar, the wind's wild chase,
To stillness are subsiding.
And, slowly borne along, a form
The shapeless chaos varies;
Poised in the eddy to the storm,
Before the eye it tarries.
A woman drowned­sunk in the deep,
On a long wave reclining;
The circling waters' crystal sweep,
Like glass, her shape enshrining;
Her pale dead face, to Gilbert turned,
Seems as in sleep reposing;
A feeble light, now first discerned,
The features well disclosing.
No effort from the haunted air
The ghastly scene could banish;
That hovering wave, arrested there,
Rolled­throbbed­but did not vanish.
If Gilbert upward turned his gaze,
He saw the ocean-shadow;
If he looked down, the endless seas
25
Lay green as summer meadow.
And straight before, the pale corpse lay,
Upborne by air or billow,
So near, he could have touched the spray
That churned around its pillow.
The hollow anguish of the face
Had moved a fiend to sorrow;
Not Death's fixed calm could rase the trace
Of suffering's deep-worn furrow.
All moved; a strong returning blast,
The mass of waters raising,
Bore wave and passive carcase past,
While Gilbert yet was gazing.
Deep in her isle-conceiving womb,
It seemed the Ocean thundered,
And soon, by realms of rushing gloom,
Were seer and phantom sundered.
Then swept some timbers from a wreck,
On following surges riding;
Then sea-weed, in the turbid rack
Uptorn, went slowly gliding.
The horrid shade, by slow degrees,
A beam of light defeated,
And then the roar of raving seas,
Fast, far, and faint, retreated.
And all was gone­gone like a mist,
Corse, billows, tempest, wreck;
Three children close to Gilbert prest
And clung around his neck.
Good night ! good night ! the prattlers said
And kissed their father's cheek;
'Twas now the hour their quiet bed
And placid rest to seek.
The mother with her offspring goes
To hear their evening prayer;
She nought of Gilbert's vision knows,
And nought of his despair.
26
Yet, pitying God, abridge the time
Of anguish, now his fate !
Though, haply, great has been his crime,
Thy mercy, too, is great.
Gilbert, at length, uplifts his head,
Bent for some moments low,
And there is neither grief nor dread
Upon his subtle brow.
For well can he his feelings task,
And well his looks command;
His features well his heart can mask,
With smiles and smoothness bland.
Gilbert has reasoned with his mind­
He says 'twas all a dream;
He strives his inward sight to blind
Against truth's inward beam.
He pitied not that shadowy thing,
When it was flesh and blood;
Nor now can pity's balmy spring
Refresh his arid mood.
' And if that dream has spoken truth,'
Thus musingly he says;
' If Elinor be dead, in sooth,
Such chance the shock repays:
A net was woven round my feet,
I scarce could further go,
Are Shame had forced a fast retreat,
Dishonour brought me low. '
' Conceal her, then, deep, silent Sea,
Give her a secret grave !
She sleeps in peace, and I am free,
No longer Terror's slave:
And homage still, from all the world,
Shall greet my spotless name,
Since surges break and waves are curled
Above its threatened shame.'
27
III. THE WELCOME HOME
ABOVE the city hangs the moon,
Some clouds are boding rain,
Gilbert, erewhile on journey gone,
To-night comes home again.
Ten years have passed above his head,
Each year has brought him gain;
His prosperous life has smoothly sped,
Without or tear or stain.
'Tis somewhat late­the city clocks
Twelve deep vibrations toll,
As Gilbert at the portal knocks,
Which is his journey's goal.
The street is still and desolate,
The moon hid by a cloud;
Gilbert, impatient, will not wait,­
His second knock peals loud.
The clocks are hushed; there's not a light
In any window nigh,
And not a single planet bright
Looks from the clouded sky;
The air is raw, the rain descends,
A bitter north-wind blows;
His cloak the traveller scarce defends­
Will not the door unclose ?
He knocks the third time, and the last;
His summons now they hear,
Within, a footstep, hurrying fast,
Is heard approaching near.
The bolt is drawn, the clanking chain
Falls to the floor of stone;
And Gilbert to his heart will strain
His wife and children soon.
The hand that lifts the latchet, holds
A candle to his sight,
And Gilbert, on the step, beholds
A woman, clad in white.
28
Lo ! water from her dripping dress
Runs on the streaming floor;
From every dark and clinging tress,
The drops incessant pour.
There's none but her to welcome him;
She holds the candle high,
And, motionless in form and limb,
Stands cold and silent nigh;
There's sand and sea-weed on her robe,
Her hollow eyes are blind;
No pulse in such a frame can throb,
No life is there defined.
Gilbert turned ashy-white, but still
His lips vouchsafed no cry;
He spurred his strength and master-will
To pass the figure by,­
But, moving slow, it faced him straight,
It would not flinch nor quail:
Then first did Gilbert's strength abate,
His stony firmness quail.
He sank upon his knees and prayed;
The shape stood rigid there;
He called aloud for human aid,
No human aid was near.
An accent strange did thus repeat
Heaven's stern but just decree:
' The measure thou to her didst mete,
To thee shall measured be !'
Gilbert sprang from his bended knees,
By the pale spectre pushed,
And, wild as one whom demons seize,
Up the hall-staircase rushed;
Entered his chamber­near the bed
Sheathed steel and fire-arms hung­
Impelled by maniac purpose dread,
He chose those stores among.
Across his throat, a keen-edged knife
29
With vigorous hand he drew;
The wound was wide­his outraged life
Rushed rash and redly through.
And thus died, by a shameful death,
A wise and worldly man,
Who never drew but selfish breath
Since first his life began.
~ Charlotte Brontë,
1345:The spider spreads her webs, whether she be
In poet's tower, cellar, or barn, or tree;
The silk-worm in the dark green mulberry leaves
His winding sheet and cradle ever weaves;
So I, a thing whom moralists call worm,
Sit spinning still round this decaying form,
From the fine threads of rare and subtle thought
No net of words in garish colours wrought
To catch the idle buzzers of the day
But a soft cell, where when that fades away,
Memory may clothe in wings my living name
And feed it with the asphodels of fame,
Which in those hearts which must remember me
Grow, making love an immortality.
Whoever should behold me now, I wist,
Would think I were a mighty mechanist,
Bent with sublime Archimedean art
To breathe a soul into the iron heart
Of some machine portentous, or strange gin,
Which by the force of figured spells might win
Its way over the sea, and sport therein;
For round the walls are hung dread engines, such
As Vulcan never wrought for Jove to clutch
Ixion or the Titan:or the quick
Wit of that man of God, St. Dominic,
To convince Atheist, Turk, or Heretic,
Or those in philanthropic council met,
Who thought to pay some interest for the debt
They owed to Jesus Christ for their salvation,
By giving a faint foretaste of damnation
To Shakespeare, Sidney, Spenser, and the rest
Who made our land an island of the blest,
When lamp-like Spain, who now relumes her fire
On Freedom's hearth, grew dim with Empire:
With thumbscrews, wheels, with tooth and spike and jag,
Which fishers found under the utmost crag
Of Cornwall and the storm-encompassed isles,
Where to the sky the rude sea rarely smiles
Unless in treacherous wrath, as on the morn
When the exulting elements in scorn,
Satiated with destroyed destruction, lay
Sleeping in beauty on their mangled prey,
As panthers sleep;and other strange and dread
Magical forms the brick floor overspread,
Proteus transformed to metal did not make
More figures, or more strange; nor did he take
Such shapes of unintelligible brass,
Or heap himself in such a horrid mass
Of tin and iron not to be understood;
And forms of unimaginable wood,
To puzzle Tubal Cain and all his brood:
Great screws, and cones, and wheels, and groovd blocks,
The elements of what will stand the shocks
Of wave and wind and time.Upon the table
More knacks and quips there be than I am able
To catalogize in this verse of mine:
A pretty bowl of woodnot full of wine,
But quicksilver; that dew which the gnomes drink
When at their subterranean toil they swink,
Pledging the demons of the earthquake, who
Reply to them in lavacry halloo!
And call out to the cities o'er their head,
Roofs, towers, and shrines, the dying and the dead,
Crash through the chinks of earthand then all quaff
Another rouse, and hold their sides and laugh.
This quicksilver no gnome has drunkwithin
The walnut bowl it lies, veind and thin,
In colour like the wake of light that stains
The Tuscan deep, when from the moist moon rains
The inmost shower of its white firethe breeze
Is stillblue Heaven smiles over the pale seas.
And in this bowl of quicksilverfor I
Yield to the impulse of an infancy
Outlasting manhoodI have made to float
A rude idealism of a paper boat:
A hollow screw with cogsHenry will know
The thing I mean and laugh at me,if so
He fears not I should do more mischief.Next
Lie bills and calculations much perplexed,
With steam-boats, frigates, and machinery quaint
Traced over them in blue and yellow paint.
Then comes a range of mathematical
Instruments, for plans nautical and statical;
A heap of rosin, a queer broken glass
With ink in it;a china cup that was
What it will never be again, I think,
A thing from which sweet lips were wont to drink
The liquor doctors rail atand which I
Will quaff in spite of themand when we die
We'll toss up who died first of drinking tea,
And cry out,'Heads or tails?' where'er we be.
Near that a dusty paint-box, some odd hooks,
A half-burnt match, an ivory block, three books,
Where conic sections, spherics, logarithms,
To great Laplace, from Saunderson and Sims,
Lie heaped in their harmonious disarray
Of figures,disentangle them who may.
Baron de Tott's Memoirs beside them lie,
And some odd volumes of old chemistry.
Near those a most inexplicable thing,
With lead in the middleI'm conjecturing
How to make Henry understand; but no
I'll leave, as Spenser says, with many mo,
This secret in the pregnant womb of time,
Too vast a matter for so weak a rhyme.
And here like some weird Archimage sit I,
Plotting dark spells, and devilish enginery,
The self-impelling steam-wheels of the mind
Which pump up oaths from clergymen, and grind
The gentle spirit of our meek reviews
Into a powdery foam of salt abuse,
Ruffling the ocean of their self-content;
I sitand smile or sigh as is my bent,
But not for themLibeccio rushes round
With an inconstant and an idle sound,
I heed him more than themthe thunder-smoke
Is gathering on the mountains, like a cloak
Folded athwart their shoulders broad and bare;
The ripe corn under the undulating air
Undulates like an ocean;and the vines
Are trembling wide in all their trellised lines
The murmur of the awakening sea doth fill
The empty pauses of the blast;the hill
Looks hoary through the white electric rain,
And from the glens beyond, in sullen strain,
The interrupted thunder howls; above
One chasm of Heaven smiles, like the eye of Love
On the unquiet world;while such things are,
How could one worth your friendship heed the war
Of worms? the shriek of the world's carrion jays,
Their censure, or their wonder, or their praise?
You are not here! the quaint witch Memory sees,
In vacant chairs, your absent images,
And points where once you sat, and now should be
But are not.I demand if ever we
Shall meet as then we met;and she replies,
Veiling in awe her second-sighted eyes;
'I know the past alonebut summon home
My sister Hope,she speaks of all to come.'
But I, an old diviner, who knew well
Every false verse of that sweet oracle,
Turned to the sad enchantress once again,
And sought a respite from my gentle pain,
In citing every passage o'er and o'er
Of our communionhow on the sea-shore
We watched the ocean and the sky together,
Under the roof of blue Italian weather;
How I ran home through last year's thunder-storm,
And felt the transverse lightning linger warm
Upon my cheekand how we often made
Feasts for each other, where good will outweighed
The frugal luxury of our country cheer,
As well it might, were it less firm and clear
Than ours must ever be;and how we spun
A shroud of talk to hide us from the sun
Of this familiar life, which seems to be
But is not:or is but quaint mockery
Of all we would believe, and sadly blame
The jarring and inexplicable frame
Of this wrong world:and then anatomize
The purposes and thoughts of men whose eyes
Were closed in distant years;or widely guess
The issue of the earth's great business,
When we shall be as we no longer are
Like babbling gossips safe, who hear the war
Of winds, and sigh, but tremble not;or how
You listened to some interrupted flow
Of visionary rhyme,in joy and pain
Struck from the inmost fountains of my brain,
With little skill perhaps;or how we sought
Those deepest wells of passion or of thought
Wrought by wise poets in the waste of years,
Staining their sacred waters with our tears;
Quenching a thirst ever to be renewed!
Or how I, wisest lady! then endued
The language of a land which now is free,
And, winged with thoughts of truth and majesty,
Flits round the tyrant's sceptre like a cloud,
And bursts the peopled prisons, and cries aloud,
'My name is Legion!'that majestic tongue
Which Calderon over the desert flung
Of ages and of nations; and which found
An echo in our hearts, and with the sound
Startled oblivion;thou wert then to me
As is a nursewhen inarticulately
A child would talk as its grown parents do.
If living winds the rapid clouds pursue,
If hawks chase doves through the aethereal way,
Huntsmen the innocent deer, and beasts their prey,
Why should not we rouse with the spirit's blast
Out of the forest of the pathless past
These recollected pleasures?
               You are now
In London, that great sea, whose ebb and flow
At once is deaf and loud, and on the shore
Vomits its wrecks, and still howls on for more.
Yet in its depth what treasures! You will see
That which was Godwin,greater none than he
Though fallenand fallen on evil timesto stand
Among the spirits of our age and land,
Before the dread tribunal of to come
The foremost,while Rebuke cowers pale and dumb.
You will see Coleridgehe who sits obscure
In the exceeding lustre and the pure
Intense irradiation of a mind,
Which, with its own internal lightning blind,
Flags wearily through darkness and despair
A cloud-encircled meteor of the air,
A hooded eagle among blinking owls.
You will see Huntone of those happy souls
Which are the salt of the earth, and without whom
This world would smell like what it isa tomb;
Who is, what others seem; his room no doubt
Is still adorned with many a cast from Shout,
With graceful flowers tastefully placed about;
And coronals of bay from ribbons hung,
And brighter wreaths in neat disorder flung;
The gifts of the most learned among some dozens
Of female friends, sisters-in-law, and cousins.
And there is he with his eternal puns,
Which beat the dullest brain for smiles, like duns
Thundering for money at a poet's door;
Alas! it is no use to say, 'I'm poor!'
Or oft in graver mood, when he will look
Things wiser than were ever read in book,
Except in Shakespeare's wisest tenderness.
You will see Hogg,and I cannot express
His virtues,though I know that they are great,
Because he locks, then barricades the gate
Within which they inhabit;of his wit
And wisdom, you'll cry out when you are bit.
He is a pearl within an oyster shell,
One of the richest of the deep;and there
Is English Peacock, with his mountain Fair,
Turned into a Flamingo;that shy bird
That gleams i' the Indian airhave you not heard
When a man marries, dies, or turns Hindoo,
His best friends hear no more of him?but you
Will see him, and will like him too, I hope,
With the milk-white Snowdonian Antelope
Matched with this cameleopardhis fine wit
Makes such a wound, the knife is lost in it;
A strain too learnd for a shallow age,
Too wise for selfish bigots; let his page,
Which charms the chosen spirits of the time,
Fold itself up for the serener clime
Of years to come, and find its recompense
In that just expectation.Wit and sense,
Virtue and human knowledge; all that might
Make this dull world a business of delight,
Are all combined in Horace Smith.And these,
With some exceptions, which I need not tease
Your patience by descanting on,are all
You and I know in London.
              I recall
My thoughts, and bid you look upon the night.
As water does a sponge, so the moonlight
Fills the void, hollow, universal air
What see you?unpavilioned Heaven is fair,
Whether the moon, into her chamber gone,
Leaves midnight to the golden stars, or wan
Climbs with diminished beams the azure steep;
Or whether clouds sail o'er the inverse deep,
Piloted by the many-wandering blast,
And the rare stars rush through them dim and fast:
All this is beautiful in every land.
But what see you beside?a shabby stand
Of Hackney coachesa brick house or wall
Fencing some lonely court, white with the scrawl
Of our unhappy politics;or worse
A wretched woman reeling by, whose curse
Mixed with the watchman's, partner of her trade,
You must accept in place of serenade
Or yellow-haired Pollonia murmuring
To Henry, some unutterable thing.
I see a chaos of green leaves and fruit
Built round dark caverns, even to the root
Of the living stems that feed themin whose bowers
There sleep in their dark dew the folded flowers;
Beyond, the surface of the unsickled corn
Trembles not in the slumbering air, and borne
In circles quaint, and ever-changing dance,
Like wingd stars the fire-flies flash and glance,
Pale in the open moonshine, but each one
Under the dark trees seems a little sun,
A meteor tamed; a fixed star gone astray
From the silver regions of the milky way;
Afar the Contadino's song is heard,
Rude, but made sweet by distanceand a bird
Which cannot be the Nightingale, and yet
I know none else that sings so sweet as it
At this late hour;and then all is still
NowItaly or London, which you will!
Next winter you must pass with me; I'll have
My house by that time turned into a grave
Of dead despondence and low-thoughted care,
And all the dreams which our tormentors are;
Oh! that Hunt, Hogg, Peacock, and Smith were there,
With everything belonging to them fair!
We will have books, Spanish, Italian, Greek;
And ask one week to make another week
As like his father, as I'm unlike mine,
Which is not his fault, as you may divine.
Though we eat little flesh and drink no wine,
Yet let's be merry: we'll have tea and toast;
Custards for supper, and an endless host
Of syllabubs and jellies and mince-pies,
And other such lady-like luxuries,
Feasting on which we will philosophize!
And we'll have fires out of the Grand Duke's wood,
To thaw the six weeks' winter in our blood.
And then we'll talk;what shall we talk about?
Oh! there are themes enough for many a bout
Of thought-entangled descant;as to nerves
With cones and parallelograms and curves
I've sworn to strangle them if once they dare
To bother mewhen you are with me there.
And they shall never more sip laudanum,
From Helicon or Himeros[1];well, come,
And in despite of God and of the devil,
We'll make our friendly philosophic revel
Outlast the leafless time; till buds and flowers
Warn the obscure inevitable hours,
Sweet meeting by sad parting to renew;
'To-morrow to fresh woods and pastures new.'
Composed during Shelley's occupation of the Gisbornes' house at Leghorn, July 1820; published in Posthumous Poems, 1824.
~ Percy Bysshe Shelley, Letter To Maria Gisborne
,
1346:Others have told me
quiet pools are to be found
in the swiftest stream.
Why, then, is this love of mine
all unrelieved turbulence?

Like (0) 3
The Epic of Gilgamesh Tablet I
He who has seen everything, I will make known (?) to the lands.
I will teach (?) about him who experienced all things,
alike,
Anu granted him the totality of knowledge of all.
He saw the Secret, discovered the Hidden,
he brought information of (the time) before the Flood.
He went on a distant journey, pushing himself to exhaustion,
but then was brought to peace.
He carved on a stone stela all of his toils,
and built the wall of Uruk-Haven,
the wall of the sacred Eanna Temple, the holy sanctuary.
Look at its wall which gleams like copper(?),
inspect its inner wall, the likes of which no one can equal!
Take hold of the threshold stoneit dates from ancient times!
Go close to the Eanna Temple, the residence of Ishtar,
such as no later king or man ever equaled!
Go up on the wall of Uruk and walk around,
examine its foundation, inspect its brickwork thoroughly.
Is not (even the core of) the brick structure made of kiln-fired brick,
and did not the Seven Sages themselves lay out its plans?
One league city, one league palm gardens, one league lowlands, the open area(?) of the Ishtar Temple,
three leagues and the open area(?) of Uruk it (the wall) encloses.
Find the copper tablet box,
open the of its lock of bronze,
undo the fastening of its secret opening.
Take and read out from the lapis lazuli tablet
how Gilgamesh went through every hardship.
Supreme over other kings, lordly in appearance,
he is the hero, born of Uruk, the goring wild bull.
He walks our in front, the leader,
and walks at the rear, trusted by his companions.
Mighty net, protector of his people,
raging flood-wave who destroys even walls of stone!
Offspring of Lugalbanda, Gilgamesh is strong to perfection,
son of the august cow, Rimat-Ninsun; Gilgamesh is awesome to perfection.
It was he who opened the mountain passes,
who dug wells on the flank of the mountain.
It was he who crossed the ocean, the vast seas, to the rising sun,
who explored the world regions, seeking life.
It was he who reached by his own sheer strength Utanapishtim, the Faraway,
who restored the sanctuaries (or: cities) that the Flood had destroyed!
for teeming mankind.
Who can compare with him in kingliness?
Who can say like Gilgamesh: "I am King!"?
Whose name, from the day of his birth, was called "Gilgamesh"?
Two-thirds of him is god, one-third of him is human.
The Great Goddess [Aruru] designed(?) the model for his body,
she prepared his form
beautiful, handsomest of men,
perfect

He walks around in the enclosure of Uruk,
Like a wild bull he makes himself mighty, head raised (over others).
There is no rival who can raise his weapon against him.
His fellows stand (at the alert), attentive to his (orders ?),
and the men of Uruk become anxious in
Gilgamesh does not leave a son to his father,
day and night he arrogant[y(?)
[The following lines are interpreted as rhetorical, perhaps spoken by the oppressed citizens of Uruk.]
Is Gilgamesh the shepherd of Uruk-Haven,
is he the shepherd.
bold, eminent, knowing, and wise!
Gilgamesh does not leave a girl to her mother(?)
The daughter of the warrior, the bride of the young man,
the gods kept hearing their complaints, so
the gods of the heavens implored the Lord of Uruk [Anu]
   "You have indeed brought into being a mighty wild bull, head raised!
   "There is no rival who can raise a weapon against him.
   "His fellows stand (at the alert), attentive to his (orders !),
   "Gilgamesh does not leave a son to his father,
   "day and night he arrogantly
   "Is he the shepherd of Uruk-Haven,
   "is he their shepherd
   "bold, eminent, knowing, and wise,
   "Gilgamesh does not leave a girl to her mother(?)!"
The daughter of the warrior, the bride of the young man,
Anu listened to their complaints,
and (the gods) called out to Aruru:
   "it was you, Aruru, who created mankind(?),
   now create a zikru to it/him.
   Let him be equal to his (Gilgamesh's) stormy heart,
   let them be a match for each other so that Uruk may find peace!"
When Aruru heard this she created within herself the zikrtt of Anu.
Aruru washed her hands, she pinched off some clay, and threw it into the wilderness.
In the wildness(?) she created valiant Enkidu,
born of Silence, endowed with strength by Ninurta.
His whole body was shaggy with hair,
he had a full head of hair like a woman,
his locks billowed in profusion like Ashnan.
He knew neither people nor settled living,
but wore a garment like Sumukan."
He ate grasses with the gazelles,
and jostled at the watering hole with the animals;
as with animals, his thirst was slaked with (mere) water.
A notorious trapper came face-to-face with him opposite the watering hole.
A first, a second, and a third day
he came face-to-face with him opposite the watering hole.
On seeing him the trapper's face went stark with fear,
and he (Enkidu?) and his animals drew back home.
He was rigid with fear; though stock-still
his heart pounded and his face drained of color.
He was miserable to the core,
and his face looked like one who had made a long journey.
The trapper addressed his father saying:"
   "Father, a certain fellow has come from the mountains.
   He is the mightiest in the land,
   his strength is as mighty as the meteorite(?) of Anu!
   He continually goes over the mountains,
   he continually jostles at the watering place with the animals,
   he continually plants his feet opposite the watering place.
   I was afraid, so I did not go up to him.
   He filled in the pits that I had dug,
   wrenched out my traps that I had spread,
   released from my grasp the wild animals.
   He does not let me make my rounds in the wilderness!"
The trapper's father spoke to him saying:
   "My son, there lives in Uruk a certain Gilgamesh.
   There is no one stronger than he,
   he is as strong as the meteorite(?) of Anu.
   Go, set off to Uruk,
   tell Gilgamesh of this Man of Might.
   He will give you the harlot Shamhat, take her with you.
   The woman will overcome the fellow (?) as if she were strong.
   When the animals are drinking at the watering place
   have her take off her robe and expose her sex.
   When he sees her he will draw near to her,
   and his animals, who grew up in his wilderness, will be alien to him."
He heeded his father's advice.
The trapper went off to Uruk,
he made the journey, stood inside of Uruk,
and declared to Gilgamesh:
   "There is a certain fellow who has come from the mountains
   he is the mightiest in the land,
   his strength is as mighty as the meteorite(?) of Anu!
   He continually goes over the mountains,
   he continually jostles at the watering place with the animals,
   he continually plants his feet opposite the watering place.
   I was afraid, so I did not go up to him.
   He filled in the pits that I had dug,
   wrenched out my traps that I had spread,
   released from my grasp the wild animals.
   He does not let me make my rounds in the wilderness!"
Gilgamesh said to the trapper:
   "Go, trapper, bring the harlot, Shamhat, with you.
   When the animals are drinking at the watering place
   have her take off her robe and expose her sex.
   When he sees her he will draw near to her,
   and his animals, who grew up in his wilderness, will be alien to him."
The trapper went, bringing the harlot, Shamhat, with him.
They set off on the journey, making direct way.
On the third day they arrived at the appointed place,
and the trapper and the harlot sat down at their posts(?).
A first day and a second they sat opposite the watering hole.
The animals arrived and drank at the watering hole,
the wild beasts arrived and slaked their thirst with water.
Then he, Enkidu, offspring of the mountains,
who eats grasses with the gazelles,
came to drink at the watering hole with the animals,
with the wild beasts he slaked his thirst with water.
Then Shamhat saw hima primitive,
a savage fellow from the depths of the wilderness!
   "That is he, Shamhat! Release your clenched arms,
   expose your sex so he can take in your voluptuousness.
   Do not be restrainedtake his energy!
   When he sees you he will draw near to you.
   Spread out your robe so he can lie upon you,
   and perform for this primitive the task of womankind!
   His animals, who grew up in his wilderness, will become alien to him,
   and his lust will groan over you."
Shamhat unclutched her bosom, exposed her sex, and he took in her voluptuousness.
She was not restrained, but took his energy.
She spread out her robe and he lay upon her,
she performed for the primitive the task of womankind.
His lust groaned over her;
for six days and seven nights Enkidu stayed aroused,
and had intercourse with the harlot
until he was sated with her charms.
But when he turned his attention to his animals,
the gazelles saw Enkidu and darted off,
the wild animals distanced themselves from his body.
Enkidu his utterly depleted(?) body,
his knees that wanted to go off with his animals went rigid;
Enkidu was diminished, his running was not as before.
But then he drew himself up, for his understanding had broadened.
Turning around, he sat down at the harlot's feet,
gazing into her face, his ears attentive as the harlot spoke.
The harlot said to Enkidu:
   "You are beautiful," Enkidu, you are become like a god.
   Why do you gallop around the wilderness with the wild beasts?
   Come, let me bring you into Uruk-Haven,
   to the Holy Temple, the residence of Anu and Ishtar,
   the place of Gilgamesh, who is wise to perfection,
   but who struts his power over the people like a wild bull."
What she kept saying found favor with him.
Becoming aware of himself, he sought a friend.
Enkidu spoke to the harlot:
   "Come, Shamhat, take me away with you
   to the sacred Holy Temple, the residence of Anu and Ishtar,
   the place of Gilgamesh, who is wise to perfection,
   but who struts his power over the people like a wild bull.
   I will challenge him
   Let me shout out in Uruk: I am the mighty one!'
   Lead me in and I will change the order of things;
   he whose strength is mightiest is the one born in the wilderness!"
[Shamhat to Enkidu:]
   "Come, let us go, so he may see your face.
   I will lead you to GilgameshI know where he will be.
   Look about, Enkidu, inside Uruk-Haven,
   where the people show off in skirted finery,
   where every day is a day for some festival,
   where the lyre(?) and drum play continually,
   where harlots stand about prettily,
   exuding voluptuousness, full of laughter
   and on the couch of night the sheets are spread (!)."
   Enkidu, you who do not know, how to live,
   I will show you Gilgamesh, a man of extreme feelings (!).
   Look at him, gaze at his face
   he is a handsome youth, with freshness(!),
   his entire body exudes voluptuousness
   He has mightier strength than you,
   without sleeping day or night!
   Enkidu, it is your wrong thoughts you must change!
   It is Gilgamesh whom Shamhat loves,
   and Anu, Enlil, and La have enlarged his mind."
   Even before you came from the mountain
   Gilgamesh in Uruk had dreams about you.""
Gilgamesh got up and revealed the dream, saying to his mother:
   "Mother, I had a dream last night.
   Stars of the sky appeared,
   and some kind of meteorite(?) of Anu fell next to me.
   I tried to lift it but it was too mighty for me,
   I tried to turn it over but I could not budge it.
   The Land of Uruk was standing around it,
   the whole land had assembled about it,
   the populace was thronging around it,
   the Men clustered about it,
   and kissed its feet as if it were a little baby (!).
   I loved it and embraced it as a wife.
   I laid it down at your feet,
   and you made it compete with me."
The mother of Gilgamesh, the wise, all-knowing, said to her Lord;
Rimat-Ninsun, the wise, all-knowing, said to Gilgamesh:
   "As for the stars of the sky that appeared
   and the meteorite(?) of Anu which fell next to you,
   you tried to lift but it was too mighty for you,
   you tried to turn it over but were unable to budge it,
   you laid it down at my feet,
   and I made it compete with you,
   and you loved and embraced it as a wife."
   "There will come to you a mighty man, a comrade who saves his friend
   he is the mightiest in the land, he is strongest,
   his strength is mighty as the meteorite(!) of Anu!
   You loved him and embraced him as a wife;
   and it is he who will repeatedly save you.
   Your dream is good and propitious!"
A second time Gilgamesh said to his mother:   "Mother, I have had another dream:
   "At the gate of my marital chamber there lay an axe,
   "and people had collected about it.
   "The Land of Uruk was standing around it,
   "the whole land had assembled about it,
   "the populace was thronging around it.
   "I laid it down at your feet,
   "I loved it and embraced it as a wife,
   "and you made it compete with me."
The mother of Gilgamesh, the wise, all-knowing, said to her son;
Rimat-Ninsun, the wise, all-knowing, said to Gilgamesh:
   ""The axe that you saw (is) a man.
   " (that) you love him and embrace as a wife,
   "but (that) I have compete with you."
   "" There will come to you a mighty man,
   "" a comrade who saves his friend
   "he is the mightiest in the land, he is strongest,
   "he is as mighty as the meteorite(!) of Anu!"
Gilgamesh spoke to his mother saying:
   ""By the command of Enlil, the Great Counselor, so may it to pass!
   "May I have a friend and adviser, a friend and adviser may I have!
   "You have interpreted for me the dreams about him!"
After the harlot recounted the dreams of Gilgamesh to Enkidu
the two of them made love.


~ Anonymous, Others have told me
,
1347:Amours De Voyage, Canto V
There is a city, upbuilt on the quays of the turbulent Arno,
Under Fiesole's heights,--thither are we to return?
There is a city that fringes the curve of the inflowing waters,
Under the perilous hill fringes the beautiful bay,-Parthenope, do they call thee?--the Siren, Neapolis, seated
Under Vesevus's hill,--are we receding to thee?-Sicily, Greece, will invite, and the Orient;--or are we turn to
England, which may after all be for its children the best?
I. Mary Trevellyn, at Lucerne, to Miss Roper, at Florence.
So you are really free, and living in quiet at Florence;
That is delightful news; you travelled slowly and safely;
Mr. Claude got you out; took rooms at Florence before you;
Wrote from Milan to say so; had left directly for Milan,
Hoping to find us soon;--if he could, he would, you are certain.-Dear Miss Roper, your letter has made me exceedingly happy.
You are quite sure, you say, he asked you about our intentions;
You had not heard as yet of Lucerne, but told him of Como.-Well, perhaps he will come; however, I will not expect it.
Though you say you are sure,--if he can, he will, you are certain.
O my dear, many thanks from your ever affectionate Mary.
II. Claude to Eustace.
Florence.
Action will furnish belief,--but will that belief be the true one?
This is the point, you know. However, it doesn't much matter.
What one wants, I suppose, is to predetermine the action,
So as to make it entail, not a chance belief, but the true one.
Out of the question, you say; if a thing isn't wrong we may do it.
Ah! but this wrong, you see--but I do not know that it matters.
Eustace, the Ropers are gone, and no one can tell me about them.
40
Pisa.
Pisa, they say they think, and so I follow to Pisa,
Hither and thither inquiring. I weary of making inquiries.
I am ashamed, I declare, of asking people about it.-Who are your friends? You said you had friends who would certainly know them.
Florence.
But it is idle, moping, and thinking, and trying to fix her
Image once more and more in, to write the whole perfect inscription
Over and over again upon every page of remembrance.
I have settled to stay at Florence to wait for your answer.
Who are your friends? Write quickly and tell me. I wait for your answer.
III. Mary Trevellyn to Miss Roper.--at Lucca Baths.
You are at Lucca baths, you tell me, to stay for the summer;
Florence was quite too hot; you can't move further at present.
Will you not come, do you think, before the summer is over?
Mr. C. got you out with very considerable trouble;
And he was useful and kind, and seemed so happy to serve you.
Didn't stay with you long, but talked very openly to you;
Made you almost his confessor, without appearing to know it,-What about?--and you say you didn't need his confessions.
O my dear Miss Roper, I dare not trust what you tell me!
Will he come, do you think? I am really so sorry for him.
They didn't give him my letter at Milan, I feel pretty certain.
You had told him Bellaggio. We didn't go to Bellaggio;
So he would miss our track, and perhaps never come to Lugano,
Where we were written in full, To Lucerne across the St. Gothard.
But he could write to you;--you would tell him where you were going.
IV. Claude to Eustace.
Let me, then, bear to forget her. I will not cling to her falsely:
Nothing factitious or forced shall impair the old happy relation.
I will let myself go, forget, not try to remember;
41
I will walk on my way, accept the chances that meet me,
Freely encounter the world, imbibe these alien airs, and
Never ask if new feelings and thoughts are of her or of others.
Is she not changing herself?--the old image would only delude me.
I will be bold, too, and change,--if it must be. Yet if in all things,
Yet if I do but aspire evermore to the Absolute only,
I shall be doing, I think, somehow, what she will be doing;-I shall be thine, O my child, some way, though I know not in what way,
Let me submit to forget her; I must; I already forget her.
V. Claude to Eustace.
Utterly vain is, alas! this attempt at the Absolute,--wholly!
I, who believed not in her, because I would fain believe nothing,
Have to believe as I may, with a wilful, unmeaning acceptance.
I, who refused to enfasten the roots of my floating existence
In the rich earth, cling now to the hard, naked rock that is left me,-Ah! she was worthy, Eustace,--and that, indeed, is my comfort,-Worthy a nobler heart than a fool such as I could have given her.
-------------------------------------------------------------------------------Yes, it relieves me to write, though I do not send, and the chance that
Takes may destroy my fragments. But as men pray, without asking

Whether One really exist to hear or do anything for them,-Simply impelled by the need of the moment to turn to a Being

In a conception of whom there is freedom from all limitation,-So in your image I turn to an ens rationis of friendship,

Even so write in your name I know not to whom nor in what wise.

-------------------------------------------------------------------------------There was a time, methought it was but lately departed,
When, if a thing was denied me, I felt I was bound to attempt it;

Choice alone should take, and choice alone should surrender.

There was a time, indeed, when I had not retired thus early,

Languidly thus, from pursuit of a purpose I once had adopted,

But it is all over, all that! I have slunk from the perilous field in

42

Whose wild struggle of forces the prizes of life are contested.

It is over, all that! I am a coward, and know it.

Courage in me could be only factitious, unnatural, useless.

-------------------------------------------------------------------------------Comfort has come to me here in the dreary streets of the city,
Comfort--how do you think?--with a barrel-organ to bring it.

Moping along the streets, and cursing my day as I wandered,

All of a sudden my ear met the sound of an English psalm-tune,

Comfort me it did, till indeed I was very near crying.

Ah, there is some great truth, partial, very likely, but needful,

Lodged, I am strangely sure, in the tones of the English psalm-tune.

Comfort it was at least; and I must take without question

Comfort, however it come, in the dreary streets of the city.

-------------------------------------------------------------------------------I shall behold thee again (is it so?) at a new visitation,
O ill genius thou! I shall at my life's dissolution

(When the pulses are weak, and the feeble light of the reason

Flickers, an unfed flame retiring slow from the socket),

Low on a sick-bed laid, hear one, as it were, at the doorway,

And, looking up, see thee standing by, looking emptily at me;

I shall entreat thee then, though now I dare to refuse thee,-Pale and pitiful now, but terrible then to the dying.-Well, I will see thee again, and while I can, will repel thee.

VI. Claude to Eustace.

Rome is fallen, I hear, the gallant Medici taken,

Noble Manara slain, and Garibaldi has lost il Moro;-Rome is fallen; and fallen, or falling, heroical Venice.

I, meanwhile, for the loss of a single small chit of a girl, sit

Moping and mourning here,--for her, and myself much smaller.

Whither depart the souls of the brave that die in the battle,

Die in the lost, lost fight, for the cause that perishes with them?

Are they upborne from the field on the slumberous pinions of angels

43

Unto a far-off home, where the weary rest from their labour,

And the deep wounds are healed, and the bitter and burning moisture

Wiped from the generous eyes? or do they linger, unhappy,

Pining, and haunting the grave of their by-gone hope and endeavour?

All declamation, alas! though I talk, I care not for Rome nor

Italy; feebly and faintly, and but with the lips, can lament the

Wreck of the Lombard youth, and the victory of the oppressor.

Whither depart the brave?--God knows; I certainly do not.

VII. Mary Trevellyn to Miss Roper.

He has not come as yet; and now I must not expect it.

You have written, you say, to friends at Florence, to see him,

If he perhaps should return;--but that is surely unlikely.

Has he not written to you?--he did not know your direction.

Oh, how strange never once to have told him where you were going!

Yet if he only wrote to Florence, that would have reached you.

If what you say he said was true, why has he not done so?

Is he gone back to Rome, do you think, to his Vatican marbles?-O my dear Miss Roper, forgive me! do not be angry!-You have written to Florence;--your friends would certainly find him.

Might you not write to him ?--but yet it is so little likely!

I shall expect nothing more.--Ever yours, your affectionate Mary.

VIII. Claude to Eustace.

I cannot stay at Florence, not even to wait for a letter.

Galleries only oppress me. Remembrance of hope I had cherished

(Almost more than as hope, when I passed through Florence the first time)

Lies like a sword in my soul. I am more a coward than ever,

Chicken-hearted, past thought. The caffès and waiters distress me.

All is unkind, and, alas! I am ready for anyone's kindness.

Oh, I knew it of old, and knew it, I thought, to perfection,

If there is any one thing in the world to preclude all kindness

It is the need of it,--it is this sad, self-defeating dependence.

Why is this, Eustace? Myself, were I stronger, I think I could tell you.

But it is odd when it comes. So plumb I the deeps of depression,

Daily in deeper, and find no support, no will, no purpose.

44

All my old strengths are gone. And yet I shall have to do something.

Ah, the key of our life, that passes all wards, opens all locks,

Is not I will, but I must. I must,--I must,--and I do it.

-------------------------------------------------------------------------------After all, do I know that I really cared so about her?
Do whatever I will, I cannot call up her image;

For when I close my eyes, I see, very likely, St. Peter's,

Or the Pantheon facade, or Michel Angelo's figures,

Or, at a wish, when I please, the Alban hills and the Forum,-But that face, those eyes,--ah, no, never anything like them;

Only, try as I will, a sort of featureless outline,

And a pale blank orb, which no recollection will add to.

After all, perhaps there was something factitious about it;

I have had pain, it is true: I have wept; and so have the actors.

-------------------------------------------------------------------------------At the last moment I have your letter, for which I was waiting;
I have taken my place, and see no good in inquiries.

Do nothing more, good Eustace, I pray you. It only will vex me.

Take no measures. Indeed, should we meet, I could not be certain;

All might be changed, you know. Or perhaps there was nothing to be changed.

It is a curious history, this; and yet I foresaw it;

I could have told it before. The Fates, it is clear, are against us;

For it is certain enough I met with the people you mention;

They were at Florence the day I returned there, and spoke to me even;

Stayed a week, saw me often; departed, and whither I know not.

Great is Fate, and is best. I believe in Providence partly.

What is ordained is right, and all that happens is ordered.

Ah, no, that isn't it. But yet I retain my conclusion.

I will go where I am led, and will not dictate to the chances.

Do nothing more, I beg. If you love me, forbear interfering.

IX. Claude to Eustace.

Shall we come out of it all, some day, as one does from a tunnel?

45

Will it be all at once, without our doing or asking,

We shall behold clear day, the trees and meadows about us,

And the faces of friends, and the eyes we loved looking at us?

Who knows? Who can say? It will not do to suppose it.

X. Claude to Eustace,-from Rome.

Rome will not suit me, Eustace; the priests and soldiers possess it;

Priests and soldiers:--and, ah! which is the worst, the priest or the soldier?

Politics, farewell, however! For what could I do? with inquiring,

Talking, collating the journals, go fever my brain about things o'er

Which I can have no control. No, happen whatever may happen,

Time, I suppose, will subsist; the earth will revolve on its axis;

People will travel; the stranger will wander as now in the city;

Rome will be here, and the Pope the custode of Vatican marbles.

I have no heart, however, for any marble or fresco;

I have essayed it in vain; 'tis in vain as yet to essay it:

But I may haply resume some day my studies in this kind;

Not as the Scripture says, is, I think, the fact. Ere our death-day,

Faith, I think, does pass, and Love; but Knowledge abideth.

Let us seek Knowledge;--the rest may come and go as it happens.

Knowledge is hard to seek, and harder yet to adhere to.

Knowledge is painful often; and yet when we know we are happy.

Seek it, and leave mere Faith and Love to come with the chances.

As for Hope,--to-morrow I hope to be starting for Naples.

Rome will not do, I see, for many very good reasons.

Eastward, then, I suppose, with the coming of winter, to Egypt.

XI. Mary Trevellyn to Miss Roper.

You have heard nothing; of course I know you can have heard nothing.

Ah, well, more than once I have broken my purpose, and sometimes,

Only too often, have looked for the little lake steamer to bring him.

But it is only fancy,--I do not really expect it.

Oh, and you see I know so exactly how he would take it:

Finding the chances prevail against meeting again, he would banish

Forthwith every thought of the poor little possible hope, which

I myself could not help, perhaps, thinking only too much of;

46

He would resign himself, and go. I see it exactly.

So I also submit, although in a different manner.

Can you not really come? We go very shortly to England.

--------------------------------------------------------------------------------
So go forth to the world, to the good report and the evil!

Go, little book! thy tale, is it not evil and good?

Go, and if strangers revile, pass quietly by without answer.

Go, and if curious friends ask of thy rearing and age,

Say, 'I am flitting about many years from brain unto brain of

Feeble and restless youths born to inglorious days:

But,' so finish the word, 'I was writ in a Roman chamber,

When from Janiculan heights thundered the cannon of France.'

~ Arthur Hugh Clough,
1348:A Poem Upon The Death Of O.C.
That Providence which had so long the care
Of Cromwell's head, and numbred ev'ry hair,
Now in its self (the Glass where all appears)
Had seen the period of his golden Years:
And thenceforth onely did attend to trace,
What death might least so sair a Life deface.
The People, which what most they fear esteem,
Death when more horrid so more noble deem;
And blame the last Act, like Spectators vain,
Unless the Prince whom they applaud be slain.
Nor Fate indeed can well refuse that right
To those that liv'd in War, to dye in Fight.
But long his Valour none had left that could
Indanger him, or Clemency that would.
And he whom Nature all for Peace had made,
But angry Heaven unto War had sway'd,
And so less useful where he most desir'd,
For what he least affected was admir'd,
Deserved yet an End whose ev'ry part
Should speak the wondrous softness of his Heart.
To Love and Grief the fatal Writ was sign'd;
(Those nobler weaknesses of humane Mind,
From which those Powers that issu'd the Decree,
Although immortal, found they were not free.)
That they, to whom his Breast still open lyes,
In gentle Passions should his Death disguise:
And leave succeeding Ages cause to mourn,
As long as Grief shall weep, or Love shall burn.
Streight does a slow and languishing Disease
Eliza, Natures and his darling, seize.
Her when an infant, taken with her Charms,
He oft would flourish in his mighty Arms;
And, lest their force the tender burthen wrong,
Slacken the vigour of his Muscles strong;
Then to the Mothers brest her softly move,
Which while she drain'd of Milk she fill'd with Love:
But as with riper Years her Virtue grew,
And ev'ry minute adds a Lustre new;
When with meridian height her Beauty shin'd,
15
And thorough that sparkled her fairer Mind;
When She with Smiles serene and Words discreet
His hidden Soul at ev'ry turn could meet;
Then might y' ha' daily his Affection spy'd,
Doubling that knot which Destiny had ty'd:
While they by sence, not knowing, comprehend
How on each other both their Fates depend.
With her each day the pleasing Hours he shares,
And at her Aspect calms her growing Cares;
Or with a Grandsire's joy her Children sees
Hanging about her neck or at his knees.
Hold fast dear Infants, hold them both or none;
This will not stay when once the other's gone.
A silent fire now wasts those Limbs of Wax,
And him with his tortur'd Image racks.
So the Flowr with'ring which the Garden crown'd,
The sad Root pines in secret under ground.
Each Groan he doubled and each Sigh he sigh'd,
Repeated over to the restless Night.
No trembling String compos'd to numbers new,
Answers the touch in Notes more sad more true.
She lest He grieve hides what She can her pains,
And He to lessen hers his Sorrow feigns:
Yet both perceiv'd, yet both conceal'd their Skills,
And so diminishing increast their ills:
That whether by each others grief they fell,
Or on their own redoubled, none can tell.
And now Eliza's purple Locks were shorn,
Where she so long her Fathers fate had worn:
And frequent lightning to her Soul that flyes,
Devides the Air, and opens all the Skyes:
And now his Life, suspended by her breath,
Ran out impetuously to hasting Death.
Like polish'd Mirrours, so his steely Brest
Had ev'ry figure of her woes exprest;
And with the damp of her last Gasps obscur'd,
Had drawn such staines as were not to be cur'd.
Fate could not either reach with single stroke,
But the dear Image fled the Mirrour broke.
Who now shall tell us more of mournful Swans,
Of Halcyons kind, or bleeding Pelicans?
No downy breast did ere so gently beat,
16
Or fan with airy plumes so soft an heat.
For he no duty by his height excus'd,
Nor though a Prince to be a Man refus'd:
But rather then in his Eliza's pain
Not love, not grieve, would neither live nor reign.
And in himself so oft immortal try'd,
Yet in compassion of another dy'd.
So have I seen a Vine, whose lasting Age
Of many a Winter hath surviv'd the rage.
Under whose shady tent Men ev'ry year
At its rich bloods expence their Sorrows chear,
If some dear branch where it extends its life
Chance to be prun'd by an untimely knife,
The Parent-Tree unto the Grief succeeds,
And through the Wound its vital humour bleeds;
Trickling in watry drops, whose flowing shape
Weeps that it falls ere fix'd into a Grape.
So the dry Stock, no more that spreading Vine,
Frustrates the Autumn and the hopes of Wine.
A secret Cause does sure those Signs ordain
Fore boding Princes falls, and seldom vain.
Whether some Kinder Pow'rs, that wish us well,
What they above cannot prevent, foretell;
Or the great World do by consent presage,
As hollow Seas with future Tempests rage:
Or rather Heav'n, which us so long fore sees,
Their fun'rals celebrate while it decrees.
But never yet was any humane Fate
By nature solemniz'd with so much state.
He unconcern'd the dreadful passage crost;
But oh what pangs that Death did Nature cost!
First the great Thunder was shot off, and sent
The Signal from the starry Battlement.
The Winds receive it, and its force out-do,
As practising how they could thunder too:
Out of the Binders Hand the Sheaves they tore,
And thrash'd the Harvest in the airy floore;
Or of huge Trees, whose growth with his did rise,
The deep foundations open'd to the Skyes.
Then heavy Showres the winged Tempests dead,
And pour the Deluge ore the Chaos head.
The Race of warlike Horses at his Tomb
17
Offer themselves in many an Hecatomb;
With pensive head towards the ground they fall,
And helpless languish at the tainted Stall.
Numbers of Men decrease with pains unknown,
And hasten not to see his Death their own.
Such Tortures all the Elements unfix'd,
Troubled to part where so exactly mix'd.
And as through Air his wasting Spirits flow'd,
The Universe labour'd beneath their load.
Nature it seem'd with him would Nature vye;
He with Eliza, It with him would dye.
He without noise still travell'd to his End,
As silent Suns to meet the Night descend.
The Stars that for him fought had only pow'r
Left to determine now his fatal Hour,
Which, since they might not hinder, yet they cast
To chuse it worthy of his Glories past.
No part of time but bore his mark away
Of honour; all the Year was Cromwell's day
But this, of all the most auspicious found,
Twice had in open field him Victor crown'd
When up the armed Mountains of Dunbar
He march'd, and through deep Severn ending war.
What day should him eternize but the same
That had before immortaliz'd his Name?
That so who ere would at his Death have joy'd,
In their own Griefs might find themselves imploy'd;
But those that sadly his departure griev'd,
Yet joy'd remembring what he once atcheiv'd.
And the last minute his victorious Ghost
Gave chase to Ligny on the Belgick Coast.
Here ended all his mortal toyles: He lay'd
And slept in Peace under the Lawrel Shade.
O Cromwell, Heavens Favourite! To none
Have such high honours from above been shown:
For whom the Elements we Mourners see,
And Heav'n it self would the great Herald be;
Which with more Care set forth his Obsequies
Then those of Moses hid from humane Eyes;
As jealous only here lest all be less,
That we could to his Memory express.
Then let us to our course of Mourning keep:
18
Where Heaven leads, 'tis Piety to weep.
Stand back ye Seas, and shrunk beneath the vail
Of your Abysse, with cover'd Head bewail
Your Monarch: We demand not your supplies
To compass in our Isle; our Tears suffice;
Since him away the dismal Tempest rent,
Who once more joyn'd us to the Continent;
Who planted England on the Flandrick shoar,
And stretch'd our frontire to the Indian Ore;
Whose greater Truths obscure the Fables old,
Whether of British Saints or Worthy's told;
And in a valour less'ning Arthur's deeds,
For Holyness the Confessor exceeds.
He first put Armes into Religions hand,
And tim'rous Conscience unto Courage man'd:
The Souldier taught that inward Mail to wear,
And fearing God how they should nothing fear.
Those Strokes he said will pierce through all below
Where those that strike from Heaven fetch their Blow.
Note: The remainder is supplied from Ms .d.49
Astonish'd armyes did their flight prepare:
And Cityes strong were stormed by his prayer.
Of that for ever Prestons field shall tell
The Story, and impregnable Clonmell.
And where the sandy mountain Fenwick scald
The Sea between yet henee his pray'r prevail'd.
What man was ever so in Heav'n obey'd
Since the commanded Sun ore Gibeon stayd.
In all his warrs needs must he triumph, when
He conquer'd God still ere he fought with men.
Hence though in battle none so brave or fierce
Yet him the adverse steel could never pierce:
Pitty it seem'd to hurt him more that felt
Each wound himself which he to others delt,
Danger it self refusing to offend
So loose an enemy so fast a freind.
Friendship that sacred versue long das claime
The first foundation of his house and name.
But within one its narrow limitts fall
His tendernesse extended unto all:
And that deep soule through every chanell flows
19
Where kindly nature loves it self to lose.
More strong affections never reason serv'd
Yet still affected most what best deservd.
If he Eliza lov'd to that degree
(Though who more worstly to be lov'd then she)
If so indulgent to his own, how deare
To him the children of the Highest were?
For her he once did natures tribute pay:
For these his life adventur'd every day.
And it would be found could we his thoughts have
Their griefs struck deepest if Eliza's last.
What prudence more then humane did he need
To keep so deare, so diff'ring mindes agreed?
The worser sort as conscious of their ill,
Lye weak and easy to the rulers will:
But to the good (too many or too few).
All law is uselesse all reward is due.
Oh ill advis'd if not for love for shame.
Spare yet your own if you neglect his fame.
Least others dare to think your reale a maske
And you to govern only Heavens taske.
Valour, Religion, Friendship, Prudence dy'd
At once with him and all that's good beside:
And rue deaths refuse natures dreg's confin'd
To loathsome life Alas are left behinde:
Where we (so once we us'd) shall now no more
To fetch day presse about his chamber door;
From which he issu'd with that awfull state
It seem'd Mars broke through Janus double gate:
Yet alwayes temper'd with an Aire so mild
No Aprill suns that ere so gently smil'd:
No more shall heare that powerfull language charm.
Whose force oft spar'd the labour of his arm:
No more shall follow where he spent the dayes
In warres in counsell, or in pray'r, and praise,
Whose meanest acts he would himself advance
As ungirt David to the Arks did dance.
All All is gone of ours or his delight
In horses fierce wild deer or armour bright.
Francisca faire can nothing now but weep
Nor with soft notes shall sing his cares asleep.
I saw him dead, a leaden slumber lyes
20
And mortall sleep over those wakefull eys:
Those gentle Rayes under the lidds were fled
Which through his lookes that piercing sweetnesse she
That port which so Majestique was and strong,
Loose and depriv'd of vigour stretch'd along:
All wither'd, all discolour'd, pale and wan,
How much another thing, no more thatman?
Oh humane glory vaine, Oh death, Oh wings,
Oh worthlesse worth. Oh transitory things.
Yet dwelt that greatnesse in his shape decay'd
That still though dead greater than death he lay'd.
And in his alter'd face you something faigne
That threatens death he yet will live againe.
Not much unlike the saired Oake which shoots
To heav'n its branches and through earth its roots:
Whose spacious boughs are hung with Trophees row
And honour'd wreaths have oft the Victour crown
When angry Jove darts lightning through the Aire
At mortalls sins, nor his own plant will spare
(It groanes and bruses all below that stood
So many yeares the shelter of the wood)
The tree ere while foreshorten'd to our view
When foln shews taller yet then as it grew.
So shall his praise to after times increase
When truth shall be allow'd and faction cease.
And his own shadow with him fall. The Eye
Detracts from objects then it selfe more high:
But when death takes them from that envy'd seate
Seing how little we confesse how greate.
Thee many ages hence in martiall verse
Shall th' English souldier ere he charge rehearse:
Singing of thee influme themselves to fight
And with the name of Cromwell armyes fright.
As long as rivers to the seas shall runne.
As long as Cynthia shall relieve the sunne,
While staggs shall fly unto the forests thick,
While sheep delight the grassy downs to pick,
As long as future time succeeds the past,
Always thy honour, praise and name shall last.
Thou in a pitch how farre, beyond the sphere
Of humane glory towr'st, and raigning there
Despoyld of mortall robes, in seas of cliyse
21
Plunging dost bathe, and tread the bright Abysse:
There thy greate soule yet once a world das see
Spacious enough and pure enough for thee.
How soon thou Moses hast and Josua found
And David for the Sword, and harpe renown'd?
How streight canst to each happy Mansion goe?
(Farr Better known above then here below)
And in those joyes dost spend the endlesse day
Which in expressing we our selves betray.
For we since thou art gone with heavy doome
Wander like ghosts about thy loved tombe:
And lost in tears have neither sight nor minde
To guide us upward through this Region blinde
Since thou art gone who best that way could'st fearn
Onely our sighs perhaps may thither reach.
And Richard yet where his great Parent led
Beats on the rugged track: He vertue dead
Revives, and by his milder beams assures;
And yet how much of them his griefe obscures?
He as his rather long was kept from sight
In private to be view'd by better light:
But open'd once, what splendour dos he throw
A Cromwell in an houre a Prince will grow.
How he becomes that seat, how strongly streins
How gently winds at once the ruling Reins?
Heav'n to this choise prepar'd a Diadem
Richer then any Eastern silk or gemme:
A pearly rainbow; where the Sun inchas'd
His brows like an Imperiall Jewell grac'd.
We find already what those Omens mean.
Earth nere more glad, nor Heaven more serene:
Cease now our griefs, Calme peace succeeds a war
Rainbows to storms, Richard to Oliver.
Tempt not his clemency to try his pow'r
He threats no Deluge, yet fore tells a showre.
~ Andrew Marvell,
1349:The Death Of Cromwell
A Poem upon the Death of His Late Highness the Lord Protector
That Providence which had so long the care
Of Cromwell's head, and numbered every hair,
Now in itself (the glass where all appears)
Had seen the period of his golden years:
And thenceforh only did attend to trace
What death might least so fair a life deface.
The people, which what most they fear esteem,
Death when more horrid, so more noble deem,
And blame the last act, like spectators vain,
Unless the prince whom they applaud be slain.
Nor fate indeed can well refuse that right
To those that lived in war, to die in fight.
But long his valour none had left that could
Endanger him, or clemency that would.
And he whom Nature all for peace had made,
But angry heaven unto war had swayed,
And so less useful where he most desired,
For what he least affected was admired,
Deservèd yet an end whose every part,
Should speak the wondrous softness of his heart.
To Love and Grief the fatal writ was 'signed;
(Those nobler weaknesses of human kind,
From which those powers that issued the decree,
Although immortal, found they were not free),
That they, to whom his breast still open lies,
In gentle passions should his death disguise:
And leave succeeding ages cause to mourn,
As long as Grief shall weep, or Love shall burn.
Straight does a slow and languishing disease
Eliza, Nature's and his darling, seize.
Her when an infant, taken with her charms,
He oft would flourish in his mighty arms,
And, lest their force the tender burden wrong,
125
Slacken the vigour of his muscles strong;
Then to the Mother's breast her softly move,
Which while she drained of milk, she filled with love.
But as with riper years her virtue grew,
And every minute adds a lustre new,
When with meridian height her beauty shined,
And thorough that sparkled her fairer mind,
When she with smiles serene in words discreet
His hidden soul at ever turn could meet;
Then might y'ha' daily his affection spied,
Doubling that knot which destiny had tied,
While they by sense, not knowing, comprehend
How on each other both their fates depend.
With her each day the pleasing hours he shares,
And at her aspect calms his growing cares;
Or with a grandsire's joy her children sees
Hanging about her neck or at his knees.
Hold fast, dear infants, hold them both or none;
This will not stay when once the other's gone.
A silent fire now wastes those limbs of wax,
And him within his tortured image racks.
So the flower withering which the garden crowned,
The sad root pines in secret under ground.
Each groan he doubled and each sigh he sighed,
Repeated over to the restless night.
No trembling string composed to numbers new,
Answers the touch in notes more sad, more true.
She, lest he grieve, hides what she can her pains,
And he to lessen hers his sorrow feigns:
Yet both perceived, yet both concealed their skills,
And so diminishing increased their ills:
That whether by each other's grief they fell,
Or on their own redoubled, none can tell.
And now Eliza's purple locks were shorn,
Where she so long her Father's fate had worn:
And frequent lightning to her soul that flies,
Divides the air, and opens all the skies:
And now his life, suspended by her breath,
Ran out impetuously to hasting death.
Like polished mirrors, so his steely breast
126
Had every figure of her woes expressed,
And with the damp of her last gasp obscured,
Had drawn such stains as were not to be cured.
Fate could not either reach with single stroke,
But the dear image fled, the mirror broke.
Who now shall tell us more of mournful swans,
Of halcyons kind, or bleeding pelicans?
No downy breast did e'er so gently beat,
Or fan with airy plumes so soft an heat.
For he no duty by his height excused,
Nor, though a prince, to be a man refused:
But rather than in his Eliza's pain
Not love, not grieve, would neither live nor reign:
And in himself so oft immortal tried,
Yet in compassion of another died.
So have I seen a vine, whose lasting age
Of many a winter hath survived the rage,
Under whose shady tent men every year
At its rich blood's expense their sorrow cheer,
If some dear branch where it extends its life
Chance to be pruned by an untimely knife,
The parent-tree unto the grief succeeds,
And through the wound its vital humour bleeds,
Trickling in watery drops, whose flowing shape
Weeps that it falls ere fixed into a grape.
So the dry stock, no more that spreading vine,
Frustrates the autumn and the hopes of wine.
A secret cause does sure those signs ordain
Foreboding princes' falls, and seldom vain.
Whether some kinder powers that wish us well,
What they above cannot prevent foretell;
Or the great world do by consent presage,
As hollow seas with future tempests rage;
Or rather heaven, which us so long foresees,
Their funerals celebrates while it decrees.
But never yet was any human fate
By Nature solemnized with so much state.
He unconcerned the dreadful passage crossed;
But, oh, what pangs that death did Nature cost!
127
First the great thunder was shot off, and sent
The signal from the starry battlement.
The winds receive it, and its force outdo,
As practising how they could thunder too;
Out of the binder's hand the sheaves they tore,
And thrashed the harvest in the airy floor;
Or of huge trees, whose growth with his did rise,
The deep foundations opened to the skies.
Then heavy show'rs the wingèd tempests lead,
And pour the deluge o'er the chaos' head.
The race of warlike horses at his tomb
Offer themselves in many a hecatomb;
With pensive head towards the ground they fall,
And helpless languish at the tainted stall.
Numbers of men decrease with pains unknown,
And hasten, not to see his death, their own.
Such tortures all the elements unfixed,
Troubled to part where so exactly mixed.
And as through air his wasting spirits flowed,
The universe laboured beneath their load.
Nature, it seemed with him would Nature vie;
He with Eliza. It with him would die,
He without noise still travelled to his end,
As silent suns to meet the night descend.
The stars that for him fought had only power
Left to determine now his final hour,
Which, since they might not hinder, yet they cast
To choose it worthy of his glories past.
No part of time but bare his mark away
Of honour; all the year was Cromwell's day:
But this, of all the most ausicious found,
Twice had in open field him victor crowned:
When up the armèd mountains of Dunbar
He marched, and through deep Severn ending war.
What day should him eternize but the same
That had before immortalized his name?
That so who ere would at his death have joyed,
In their own griefs might find themselves employed;
But those that sadly his departure grieved,
128
Yet joyed, remebering what he once achieved.
And the last minute his victorious ghost
Gave chase to Ligny on the Belgic coast.
Here ended all his mortal toils: he laid
And slept in place under the laurel shade.
O Cromwell, Heaven's Favourite! To none
Have such high honours from above been shown:
For whom the elements we mourners see,
And heaven itself would the great herald be,
Which with more care set forth his obsequies
Than those of Moses hid from human eyes,
As jealous only here lest all be less,
That we could to his memory express.
Then let us to our course of mourning keep:
Where heaven leads, 'tis piety to weep.
Stand back, ye seas, and shrunk beneath the veil
Of your abyss, with covered head bewail
Your Monarch: we demand not your supplies
To compass in our isle; our tears suffice:
Since him away the dismal tempest rent,
Who once more joined us to the continent;
Who planted England on the Flandric shore,
And stretched our frontier to the Indian ore;
Whose greater truths obscure the fables old,
Whether of British saints or Worthies told;
And in a valour lessening Arthur's deeds,
For holiness the Confessor exceeds.
He first put arms into Religion's hand,
And timorous Conscience unto Courage manned:
The soldier taught that inward mail to wear,
And fearing God how they should nothing fear.
`Those strokes,' he said, `will pierce through all below
Where those that strike from heaven fetch their blow.'
Astonished armies did their flight prepare,
And cities strong were stormèd by his prayer;
Of that, forever Preston's field shall tell
The story, and impregnable Clonmel.
And where the sandy mountain Fenwick scaled,
The sea between, yet hence his prayer prevailed.
What man was ever so in heaven obeyed
129
Since the commanded sun o'er Gideon stayed?
In all his wars needs must he triumph when
He conquered God still ere he fought with men:
Hence, though in battle none so brave or fierce,
Yet him the adverse steel could never pierce.
Pity it seemed to hurt him more that felt
Each wound himself which he to others dealt;
Danger itself refusing to offend
So loose an enemy, so fast a friend.
Friendship, that sacred virtue, long does claim
The first foundation of his house and name:
But within one its narrow limits fall,
His tenderness extended unto all.
And that deep soul through every channel flows,
Where kindly nature loves itself to lose.
More strong affections never reason served,
Yet still affected most what best deserved.
If he Eliza loved to that degree,
(Though who more worthy to be loved than she?)
If so indulgent to his own, how dear
To him the children of the highest were?
For her he once did nature's tribute pay:
For these his life adventured every day:
And 'twould be found, could we his thoughts have cast,
Their griefs struck deepest, if Eliza's last.
What prudence more than human did he need
To keep so dear, so differing minds agreed?
The worser sort, as conscious of their ill,
Lie weak and easy to the ruler's will;
But to the good (too many or too few)
All law is useless, all reward is due.
Oh ill-advised, if not for love, for shame,
Spare yet your own, if you neglect his fame;
Lest others dare to think your zeal a mask,
And you to govern, only heaven's task.
Valour, religion, friendship, prudence died
At once with him, and all that's good beside;
And we death's refuse, nature's dregs, confined
130
To loathsome life, alas! are left behind.
Where we (so once we used) shall now no more
To fetch the day, press about his chamber door-From which he issued with that awful state,
It seemd Mars broke through Janus' double gate,
Yet always tempered with an air so mild,
No April suns that e'er so gently smiled-No more shall hear that powerful language charm,
Whose force oft spared the labour of his arm:
No more shall follow where he spent the days
In war, in counsel, or in prayer and praise,
Whose meanest acts he would himself advance,
As ungirt David to the ark did dance.
All, all is gone of our or his delight
In horses fierce, wild deer, or armour bright;
Francisca fair can nothing now but weep,
Nor with soft notes shall sing his cares asleep.
I saw him dead. A leaden slumber lies
And mortal sleep over those wakeful eyes:
Those gentle rays under the lids were fled,
Which through his looks that piercing sweetness shed;
That port which so majestic was and strong,
Loose and deprived of vigour, stretched along:
All withered, all discoloured, pale and wan-How much another thing, nor more that man?
Oh human glory vain, oh death, oh wings,
Oh worthless world, oh transitory things!
Yet dwelt that greatnesss in his shape decayed,
That still through dead, greater than death he laid:
And in his altered face you something feign
That threatens death he yet will live again.
Not much unlike the sacred oak which shoots
To heaven its branches and through earth its roots,
Whose spacious bought are hung with trophies round,
And honoured wreaths have oft the victor crowned.
When angry Jove darts lightning through the air,
At mortals' sins, nor his own plant will spare,
(It groans, and bruises all below, that stood
So many years the shelter of the wood.)
131
The tree erewhile foreshortened to our view,
When fall'n shows taller yet than as it grew:
So shall his praise to after times increase,
When truth shall be allowed, and faction cease,
And his own shadows with him fall. The eye
Detracts from object than itself more high:
But when death takes them from that envied seat,
Seeing how little, we confess how great.
Thee, many ages hence in martial verse
Shall the English soldier, ere he charge, rehearse,
Singing of thee, inflame themselves to fight,
And with the name of Cromwell, armies fright.
As long as rivers to the seas shall run,
As long as Cynthia shall relieve the sun,
While stags shall fly unto the firests thick,
While sheep delight the grassy downs to pick,
As long as future times succeeds the past,
Always they honour, praise, and name shall last.
Thou in a pitch how far beyond the sphere
Of human glory tower'st, and reigning there
Despoiled of mortal robes, in seas of bliss,
Plunging dost bathe, and tread the bright abyss:
There thy great soul yet once a world does see,
Spacious enough, and pure enough for thee.
How soon thou Moses hast, and Joshua found,
And David for the sword and harp renowned?
How straight canst to each happy mansion go?
(Far better known above than here below)
And in those joys dost spend the endless day,
Which in expressing we ourselves betray.
For we, since thou art gone, with heavy doom,
Wander like ghosts about thy lovèd tomb;
And lost in tears, have neither sight nor mind
To guide us upward through this region blind.
Since thou art gone, who best that way couldst teach,
Only our sighs, perhaps, may thither reach.
And Richard yet, where his great parent led,
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Beats on the rugged track: he, virtue dead,
Revives, and by his milder beams assures;
And yet how much of them his grief obscures?
He, as his father, long was kept from sight
In private, to be viewed by better light;
But opened once, what splendour does he throw?
A Cromwell in an hour a prince will grow.
How he becomes that seat, how strongly strains,
How gently winds at once the ruling reins?
Heaven to this choice prepared a diadem,
Richer than any Easter silk or gem;
A pearly rainbow, where the sun enchased
His brows, like an imperial jewel graced.
We find already what those omens mean,
Earth ne'er more glad, nor heaven more serene.
Cease now our griefs, calm peace succeeds a war,
Rainbows to storms, Richard to Oliver.
Tempt not his clemency to try his power,
He threats no deluge, yet foretells a shower.
~ Andrew Marvell,
1350:SCENE I. An Ante-chamber in the Castle.
Enter LUDOLPH and SIGIFRED.
Ludolph. No more advices, no more cautioning:
I leave it all to fate to any thing!
I cannot square my conduct to time, place,
Or circumstances; to me 'tis all a mist!
Sigifred. I say no more.
Ludolph. It seems I am to wait
Here in the ante-room; that may be a trifle.
You see now how I dance attendance here,
Without that tyrant temper, you so blame,
Snapping the rein. You have medicin'd me
With good advices; and I here remain,
In this most honourable ante-room,
Your patient scholar.
Sigifred. Do not wrong me, Prince.
By Heavens, I'd rather kiss Duke Conrad's slipper,
When in the morning he doth yawn with pride,
Than see you humbled but a half-degree!
Truth is, the Emperor would fain dismiss
The nobles ere he sees you.
Enter GONFRED from the Council-room.
Ludolph. Well, sir! What?
Gonfred. Great honour to the Prince! The Emperor,
Hearing that his brave son had re-appeared,
Instant dismiss 'd the Council from his sight,
As Jove fans off the clouds. Even now they pass.
[Exit.
Enter the Nobles from the Council-room. They cross the stage,
bowing unth respect to LUDOLPH, he frowning on them.
CONRAD follows. Exeunt Nobles.
Ludolph. Not the discoloured poisons of a fen,
Which he who breathes feels warning of his death,
Could taste so nauseous to the bodily sense,
As these prodigious sycophants disgust
The soul's fine palate.
Conrad. Princely Ludolph, hail!
Welcome, thou younger sceptre to the realm!
Strength to thy virgin crownet's golden buds,
That they, against the winter of thy sire,
May burst, and swell, and flourish round thy brows,
Maturing to a weighty diadem!
Yet be that hour far off; and may he live,
Who waits for thee, as the chapp'd earth for rain.
Set my life's star! I have lived long enough,
Since under my glad roof, propitiously,
Father and son each other re-possess.
Ludolph. Fine wording, Duke! but words could never yet
Forestall the fates; have you not learnt that yet?
Let me look well: your features are the same;
Your gait the same; your hair of the same shade;
As one I knew some passed weeks ago,
Who sung far different notes into mine ears.
I have mine own particular comments on 't;
You have your own, perhaps.
Conrad. My gracious Prince,
All men may err. In truth I was deceived
In your great father's nature, as you were.
Had I known that of him I have since known,
And what you soon will learn, I would have turned
My sword to my own throat, rather than held
Its threatening edge against a good King's quiet:
Or with one word fever'd you, gentle Prince,
Who seem'd to me, as rugged times then went,
Indeed too much oppress'd. May I be bold
To tell the Emperor you will haste to him?
Ludolph. Your Dukedom's privilege will grant so much.
[Exit CONRAD
He's very close to Otho, a tight leech!
Your hand I go. Ha! here the thunder comes
Sullen against the wind! If in two angry brows
My safety lies, then Sigifred, I'm safe.
Enter OTHO and CONRAD.
Otho. Will you make Titan play the lackey-page &
To chattering pigmies? I would have you know
That such neglect of our high Majesty
Annuls all feel of kindred. What is son,
Or friend, or brother, or all ties of blood,
When the whole kingdom, centred in ourself,
Is rudely slighted ? Who am I to wait ?
By Peter's chair! I have upon my tongue
A word to fright the proudest spirit here!
Death! and slow tortures to the hardy fool,
Who dares take such large charter from our smiles!
Conrad, we would be private. Sigifred!
Off! And none pass this way on pain of death!
[Exeunt CONRAD and SIGIFRED,
Ludolph. This was but half expected, my good sire,
Yet I am griev'd at it, to the full height,
As though my hopes of favour had been whole.
Otho. How you indulge yourself! What can you hope for?
Ludolph. Nothing, my liege ; I have to hope for nothing.
I come to greet you as a loving son,
And then depart, if I may be so free,
Seeing that blood of yours in my warm veins
Has not yet mitigated into milk.
Otho. What would you, sir?
Ludolph. A lenient banishment;
So please you let me unmolested pass
This Conrad's gates, to the wide air again.
I want no more. A rebel wants no more.
Otho. And shall I let a rebel loose again
To muster kites and eagles 'gainst my head?
No, obstinate boy, you shall be kept cag'd up,
Serv'd with harsh food, with scum for Sunday-drink.
Ludolph. Indeed!
Otho. And chains too heavy for your life:
I'll choose a gaoler, whose swart monstrous face
Shall be a hell to look upon, and she
Ludolph. Ha!
Otho. Shall be your fair Auranthe.
Ludolph. Amaze! Amaze!
Otho. To-day you marry her.
Ludolph. This is a sharp jest!
Otho. No. None at all. When have I said a lie?
Ludolph. If I sleep not, I am a waking wretch.
Otho. Not a word more. Let me embrace my child.
Ludolph. I dare not. 'Twould pollute so good a father!
heavy crime! that your son's blinded eyes
Could not see all his parent's love aright,
As now I see it. Be not kind to me
Punish me not with favour.
Otho. Are you sure,
Ludolph, you have no saving plea in store?
Ludolph. My father, none!
Otho. Then you astonish me.
Ludolph. No, I have no plea. Disobedience,
Rebellion, obstinacy, blasphemy,
Are all my counsellors. If they can make
My crooked deeds show good and plausible,
Then grant me loving pardon, but not else,
Good Gods! not else, in any way, my liege!
Otho. You are a most perplexing, noble boy.
Ludolph. You not less a perplexing noble father.
Otho. Well, you shall have free passport through the gates.
Farewell!
Ludolph. Farewell! and by these tears believe,
And still remember, I repent in pain
All my misdeeds!
Otho. Ludolph, I will! I will!
But, Ludolph, ere you go, I would enquire
If you, in all your wandering, ever met
A certain Arab haunting in these parts.
Ludolph. No, my good lord, I cannot say I did.
Otho. Make not your father blind before his time;
Nor let these arms paternal hunger more
For an embrace, to dull the appetite
Of my great love for thee, my supreme child!
Come close, and let me breathe into thine ear.
knew you through disguise. You are the Arab!
You can't deny it. [Embracing him.
Ludolph. Happiest of days!
Otho. We'll make it so.
Ludolph. 'Stead of one fatted calf
Ten hecatombs shall bellow out their last,
Smote 'twixt the horns by the death-stunning mace
Of Mars, and all the soldiery shall feast
Nobly as Nimrod's masons, when the towers
Of Nineveh new kiss'd the parted clouds!
Otho. Large as a God speak out, where all is thine.
Ludolph. Aye, father, but the fire in my sad breast
Is quench 'd with inward tears! I must rejoice
For you, whose wings so shadow over me
In tender victory, but for myself
I still must mourn. The fair Auranthe mine!
Too great a boon! I prythee let me ask I
What more than I know of could so have changed
Your purpose touching her?
Otho. At a word, this:
In no deed did you give me more offense
Than your rejection of Erminia.
To my appalling, I saw too good proof
Of your keen-eyed suspicion, she is naught!
Ludolph. You are convinced?
Otho. Aye, spite of her sweet looks.
O, that my brother's daughter should so fall!
Her fame has pass'd into the grosser lips
Of soldiers in their cups.
Lndolph. 'Tis very sad.
Otho. No more of her. Auranthe Ludolph, come!
This marriage be the bond of endless peace! [Exeunt.
SCENE II. The Entrance of GERSA'S Tent in the Hungarian Camp.
Enter ERMINIA.
Erminia. Where! where! where shall I find a messenger?
A trusty soul? A good man in the camp?
Shall I go myself? Monstrous wickedness!
O cursed Conrad devilish Auranthe!
Here is proof palpable as the bright sun!
O for a voice to reach the Emperor's ears!
[Shouts in the Camp.
Enter an HUNGARIAN CAPTAIN.
Captain. Fair prisoner, hear you those joyous shouts?
The king aye, now our king, but still your slave,
Young Gersa, from a short captivity
Has just return'd. He bids me say, bright Dame,
That even the homage of his ranged chiefs
Cures not his keen impatience to behold
Such beauty once again. What ails you, lady?
Erminia. Say, is not that a German, yonder? There!
Captain. Methinks by his stout bearing he should be
Yes 'tis one Albert; a brave German knight,
And much in the emperor's favour.
Erminia. I would fain
Enquire of friends and kinsfolk; how they fared
In these rough times. Brave soldier, as you pass
To royal Gersa with my humble thanks,
Will you send yonder knight to me?
Captain. I will. [Exit.
Ermina. Yes, he was ever known to be a man
Frank, open, generous; Albert I may trust.
proof! proof! proof! Albert's an honest man;
Not Ethelbert the monk, if he were here,
Would I hold more trustworthy. Now!
Enter ALBERT.
Albert. Good Gods!
Lady Erminia! are you prisoner
In this beleaguer 'd camp? Or are you here
Of your own will? You pleas'd to send for me.
By Venus, 'tis a pity I knew not
Your plight before, and, by her Son, I swear
To do you every service you can ask.
What would the fairest?
Erminia. Albert, will you swear?
Albert. I have. Well?
Erminia. Albert, you have fame to lose.
If men, in court and camp, lie not outright,
You should be, from a thousand, chosen forth
To do an honest deed. Shall I confide?
Albert. Aye, anything to me, fair creature. Do;
Dictate my task. Sweet woman,
Erminia. Truce with that.
You understand me not; and, in your speech,
see how far the slander is abroad.
Without proof could you think me innocent?
Albert. Lady, I should rejoice to know you so.
Erminia. If you have any pity for a maid,
Suffering a daily death from evil tongues;
Any compassion for that Emperor's niece,
Who, for your bright sword and clear honesty,
Lifted you from the crowd of common men
Into the lap of honour; save me, knight!
Albert. How? Make it clear; if it be possible,
I, by the banner of Saint Maurice, swear
To right you.
Erminia. Possible! Easy. O my heart!
This letter's not so soil'd but you may read it;
Possible! There that letter! Read read it,
[Gives him a letter.
Albert (reading). "To the Duke Conrad. Forget the threat you
made at parting, and I will forget to send the Emperor letters and
papers of your's I have become possessed of. His life is no trifle to
me; his death you shall find none to yourself." (Speaks to himself
Tis me my life that's pleaded for! (Reads.) "He, for his
own sake, will be dumb as the grave. Erminia has my shame fix'd
upon her, sure as a wen. We are safe.
AURANTHE."A she-devil! A dragon! I her imp!
Fire of Hell! Auranthe lewd demon!
Where got you this? Where? When?
Erminia. I found it in the tent, among some spoils
Which, being noble, fell to Gersa's lot.
Come in, and see. [They go in and return.
Albert. Villainy! Villainy!
Conrad's sword, his corslet, and his helm,
And his letter. Caitiff, he shall feel
Erminia. I see you are thunderstruck. Haste, haste away!
Albert. O I am tortured by this villainy.
Erminia. You needs must be. Carry it swift to Otho;
Tell him, moreover, I am prisoner
Here in this camp, where all the sisterhood,
Forc'd from their quiet cells, are parcell'd out
For slaves among these Huns. Away! Away!
Albert. I am gone.
Erminia. Swift be your steed! Within this hour
The Emperor will see it.
Albert. Ere I sleep:
That I can swear. [Hurries out.
Gersa (without). Brave captains! thanks. Enough
Of loyal homage now!
Enter GERSA.
Erminia. Hail, royal Hun!
Gersa. What means this, fair one? Why in such alarm?
Who was it hurried by me so distract?
It seem'd you were in deep discourse together;
Your doctrine has not been so harsh to him
As to my poor deserts. Come, come, be plain.
I am no jealous fool to kill you both,
Or, for such trifles, rob the adorned world
Of such a beauteous vestal.
Erminia. I grieve, my Lord,
To hear you condescend to ribald phrase.
Gersa. This is too much! Hearken, my lady pure!
Erminia. Silence! and hear the magic of a name
Erminia! I am she, the Emperor's niece!
Prais'd be the Heavens, I now dare own myself!
Gersa. Erminia! Indeed! I've heard of her.
Prythee, fair lady, what chance brought you here?
Erminia. Ask your own soldiers.
Gersa. And you dare own your name.
For loveliness you may and for the rest
My vein is not censorious.
Erminia. Alas! poor me!
Tis false indeed.
Gersa. Indeed you are too fair:
the swan, soft leaning on her fledgy breast,
When to the stream she launches, looks not back
With such a tender grace ; nor are her wings
So white as your soul is, if that but be
Twin-picture to your face. Erminia!
To-day, for the first day, I am a king,
Yet would I give my unworn crown away
To know you spotless.
Erminia. Trust me one day more,
Generously, without more certain guarantee,
Than this poor face you deign to praise so much;
After that, say and do whate'er you please.
If I have any knowledge of you, sir,
I think, nay I am sure, you will grieve much
To hear my story. O be gentle to me,
For I am sick and faint with many wrongs,
Tir'd out, and weary-worn with contumelies.
Gersa. Poor lady!
Enter ETHELBERT.
Erminia. Gentle Prince, 'tis false indeed.
Good morrow, holy father! I have had
Your prayers, though I look'd for you in vain.
Ethelbert. Blessings upon you, daughter! Sure you look
Too cheerful for these foul pernicious days.
Young man, you heard this virgin say 'twas false,
Tis false, I say. What! can you not employ
Your temper elsewhere, 'mong these burly tents,
But you must taunt this dove, for she hath lost
The Eagle Otho to beat off assault?
Fie! fie! But I will be her guard myself;
In the Emperor's name. I here demand of you
Herself, and all her sisterhood. She false!
Gersa. Peace! peace, old man! I cannot think she is.
Ethelbert. Whom I have known from her first infancy,
Baptized her in the bosom of the Church,
Watch'd her, as anxious husbandmen the grain,
From the first shoot till the unripe mid-May,
Then to the tender ear of her June days,
Which, lifting sweet abroad its timid green,
Is blighted by the touch of calumny;
You cannot credit such a monstrous tale.
Gersa. I cannot. Take her. Fair Erminia,
I follow you to Friedburg, is't not so?
Erminia. Aye, so we purpose.
Ethelbert. Daughter, do you so?
How's this? I marvel! Yet you look not mad.
Erminia. I have good news to tell you, Ethelbert.
Gersa. Ho! ho, there! Guards!
Your blessing, father! Sweet Erminia,
Believe me, I am well nigh sure
Erminia . Farewell!
Short time will show. [Enter Chiefs.
Yes, father Ethelbert,
I have news precious as we pass along.
Ethelbert. Dear daughter, you shall guide me.
Erminia. To no ill.
Gersa. Command an escort to the Friedburg lines.
[Exeunt Chiefs.
Pray let me lead. Fair lady, forget not
Gersa, how he believ'd you innocent.
I follow you to Friedburg with all speed. [Exeunt.
by owner. provided at no charge for educational purposes

~ John Keats, Otho The Great - Act II
,
1351:Hero And Leander: The Second Sestiad
By this, sad Hero, with love unacquainted,
Viewing Leander's face, fell down and fainted.
He kissed her and breathed life into her lips,
Wherewith as one displeased away she trips.
Yet, as she went, full often looked behind,
And many poor excuses did she find
To linger by the way, and once she stayed,
And would have turned again, but was afraid,
In offering parley, to be counted light.
So on she goes and in her idle flight
Her painted fan of curled plumes let fall,
Thinking to train Leander therewithal.
He, being a novice, knew not what she meant
But stayed, and after her a letter sent,
Which joyful Hero answered in such sort,
As he had hope to scale the beauteous fort
Wherein the liberal Graces locked their wealth,
And therefore to her tower he got by stealth.
Wide open stood the door, he need not climb,
And she herself before the pointed time
Had spread the board, with roses strowed the room,
And oft looked out, and mused he did not come.
At last he came.
O who can tell the greeting
These greedy lovers had at their first meeting.
He asked, she gave, and nothing was denied.
Both to each other quickly were affied.
Look how their hands, so were their hearts united,
And what he did she willingly requited.
(Sweet are the kisses, the embracements sweet,
When like desires and affections meet,
For from the earth to heaven is Cupid raised,
Where fancy is in equal balance peised.)
Yet she this rashness suddenly repented
And turned aside, and to herself lamented
As if her name and honour had been wronged
By being possessed of him for whom she longed.
Ay, and she wished, albeit not from her heart
That he would leave her turret and depart.
29
The mirthful god of amorous pleasure smiled
To see how he this captive nymph beguiled.
For hitherto he did but fan the fire,
And kept it down that it might mount the higher.
Now waxed she jealous lest his love abated,
Fearing her own thoughts made her to be hated.
Therefore unto him hastily she goes
And, like light Salmacis, her body throws
Upon his bosom where with yielding eyes
She offers up herself a sacrifice
To slake his anger if he were displeased.
O, what god would not therewith be appeased?
Like Aesop's cock this jewel he enjoyed
And as a brother with his sister toyed
Supposing nothing else was to be done,
Now he her favour and good will had won.
But know you not that creatures wanting sense
By nature have a mutual appetence,
And, wanting organs to advance a step,
Moved by love's force unto each other lep?
Much more in subjects having intellect
Some hidden influence breeds like effect.
Albeit Leander rude in love and raw,
Long dallying with Hero, nothing saw
That might delight him more, yet he suspected
Some amorous rites or other were neglected.
Therefore unto his body hers he clung.
She, fearing on the rushes to be flung,
Strived with redoubled strength; the more she strived
The more a gentle pleasing heat revived,
Which taught him all that elder lovers know.
And now the same gan so to scorch and glow
As in plain terms (yet cunningly) he craved it.
Love always makes those eloquent that have it.
She, with a kind of granting, put him by it
And ever, as he thought himself most nigh it,
Like to the tree of Tantalus, she fled
And, seeming lavish, saved her maidenhead.
Ne'er king more sought to keep his diadem,
Than Hero this inestimable gem.
Above our life we love a steadfast friend,
Yet when a token of great worth we send,
30
We often kiss it, often look thereon,
And stay the messenger that would be gone.
No marvel then, though Hero would not yield
So soon to part from that she dearly held.
Jewels being lost are found again, this never;
'Tis lost but once, and once lost, lost forever.
Now had the morn espied her lover's steeds,
Whereat she starts, puts on her purple weeds,
And red for anger that he stayed so long
All headlong throws herself the clouds among.
And now Leander, fearing to be missed,
Embraced her suddenly, took leave, and kissed.
Long was he taking leave, and loath to go,
And kissed again as lovers use to do.
Sad Hero wrung him by the hand and wept
Saying, 'Let your vows and promises be kept.'
Then standing at the door she turned about
As loath to see Leander going out.
And now the sun that through th' horizon peeps,
As pitying these lovers, downward creeps,
So that in silence of the cloudy night,
Though it was morning, did he take his flight.
But what the secret trusty night concealed
Leander's amorous habit soon revealed.
With Cupid's myrtle was his bonnet crowned,
About his arms the purple riband wound
Wherewith she wreathed her largely spreading hair.
Nor could the youth abstain, but he must wear
The sacred ring wherewith she was endowed
When first religious chastity she vowed.
Which made his love through Sestos to be known,
And thence unto Abydos sooner blown
Than he could sail; for incorporeal fame
Whose weight consists in nothing but her name,
Is swifter than the wind, whose tardy plumes
Are reeking water and dull earthly fumes.
Home when he came, he seemed not to be there,
But, like exiled air thrust from his sphere,
Set in a foreign place; and straight from thence,
Alcides like, by mighty violence
He would have chased away the swelling main
That him from her unjustly did detain.
31
Like as the sun in a diameter
Fires and inflames objects removed far,
And heateth kindly, shining laterally,
So beauty sweetly quickens when 'tis nigh,
But being separated and removed,
Burns where it cherished, murders where it loved.
Therefore even as an index to a book,
So to his mind was young Leander's look.
O, none but gods have power their love to hide,
Affection by the countenance is descried.
The light of hidden fire itself discovers,
And love that is concealed betrays poor lovers,
His secret flame apparently was seen.
Leander's father knew where he had been
And for the same mildly rebuked his son,
Thinking to quench the sparkles new begun.
But love resisted once grows passionate,
And nothing more than counsel lovers hate.
For as a hot proud horse highly disdains
To have his head controlled, but breaks the reins,
Spits forth the ringled bit, and with his hooves
Checks the submissive ground; so he that loves,
The more he is restrained, the worse he fares.
What is it now, but mad Leander dares?
'O Hero, Hero! ' thus he cried full oft;
And then he got him to a rock aloft,
Where having spied her tower, long stared he on't,
And prayed the narrow toiling Hellespont
To part in twain, that he might come and go;
But still the rising billows answered, 'No.'
With that he stripped him to the ivory skin
And, crying 'Love, I come,' leaped lively in.
Whereat the sapphire visaged god grew proud,
And made his capering Triton sound aloud,
Imagining that Ganymede, displeased,
Had left the heavens; therefore on him he seized.
Leander strived; the waves about him wound,
And pulled him to the bottom, where the ground
Was strewed with pearl, and in low coral groves
Sweet singing mermaids sported with their loves
On heaps of heavy gold, and took great pleasure
To spurn in careless sort the shipwrack treasure.
32
For here the stately azure palace stood
Where kingly Neptune and his train abode.
The lusty god embraced him, called him 'Love,'
And swore he never should return to Jove.
But when he knew it was not Ganymede,
For under water he was almost dead,
He heaved him up and, looking on his face,
Beat down the bold waves with his triple mace,
Which mounted up, intending to have kissed him,
And fell in drops like tears because they missed him.
Leander, being up, began to swim
And, looking back, saw Neptune follow him,
Whereat aghast, the poor soul 'gan to cry
'O, let me visit Hero ere I die! '
The god put Helle's bracelet on his arm,
And swore the sea should never do him harm.
He clapped his plump cheeks, with his tresses played
And, smiling wantonly, his love bewrayed.
He watched his arms and, as they opened wide
At every stroke, betwixt them would he slide
And steal a kiss, and then run out and dance,
And, as he turned, cast many a lustful glance,
And threw him gaudy toys to please his eye,
And dive into the water, and there pry
Upon his breast, his thighs, and every limb,
And up again, and close beside him swim,
And talk of love.
Leander made reply,
'You are deceived; I am no woman, I.'
Thereat smiled Neptune, and then told a tale,
How that a shepherd, sitting in a vale,
Played with a boy so fair and kind,
As for his love both earth and heaven pined;
That of the cooling river durst not drink,
Lest water nymphs should pull him from the brink.
And when he sported in the fragrant lawns,
Goat footed satyrs and upstaring fauns
Would steal him thence. Ere half this tale was done,
'Ay me,' Leander cried, 'th' enamoured sun
That now should shine on Thetis' glassy bower,
Descends upon my radiant Hero's tower.
O, that these tardy arms of mine were wings! '
33
And, as he spake, upon the waves he springs.
Neptune was angry that he gave no ear,
And in his heart revenging malice bare.
He flung at him his mace but, as it went,
He called it in, for love made him repent.
The mace, returning back, his own hand hit
As meaning to be venged for darting it.
When this fresh bleeding wound Leander viewed,
His colour went and came, as if he rued
The grief which Neptune felt. In gentle breasts
Relenting thoughts, remorse, and pity rests.
And who have hard hearts and obdurate minds,
But vicious, harebrained, and illiterate hinds?
The god, seeing him with pity to be moved,
Thereon concluded that he was beloved.
(Love is too full of faith, too credulous,
With folly and false hope deluding us.)
Wherefore, Leander's fancy to surprise,
To the rich Ocean for gifts he flies.
'tis wisdom to give much; a gift prevails
When deep persuading oratory fails.
By this Leander, being near the land,
Cast down his weary feet and felt the sand.
Breathless albeit he were he rested not
Till to the solitary tower he got,
And knocked and called. At which celestial noise
The longing heart of Hero much more joys
Than nymphs and shepherds when the timbrel rings,
Or crooked dolphin when the sailor sings.
She stayed not for her robes but straight arose
And, drunk with gladness, to the door she goes,
Where seeing a naked man, she screeched for fear
(Such sights as this to tender maids are rare)
And ran into the dark herself to hide.
(Rich jewels in the dark are soonest spied) .
Unto her was he led, or rather drawn
By those white limbs which sparkled through the lawn.
The nearer that he came, the more she fled,
And, seeking refuge, slipped into her bed.
Whereon Leander sitting thus began,
Through numbing cold, all feeble, faint, and wan.
'If not for love, yet, love, for pity sake,
34
Me in thy bed and maiden bosom take.
At least vouchsafe these arms some little room,
Who, hoping to embrace thee, cheerly swum.
This head was beat with many a churlish billow,
And therefore let it rest upon thy pillow.'
Herewith affrighted, Hero shrunk away,
And in her lukewarm place Leander lay,
Whose lively heat, like fire from heaven fet,
Would animate gross clay and higher set
The drooping thoughts of base declining souls
Than dreary Mars carousing nectar bowls.
His hands he cast upon her like a snare.
She, overcome with shame and sallow fear,
Like chaste Diana when Actaeon spied her,
Being suddenly betrayed, dived down to hide her.
And, as her silver body downward went,
With both her hands she made the bed a tent,
And in her own mind thought herself secure,
O'ercast with dim and darksome coverture.
And now she lets him whisper in her ear,
Flatter, entreat, promise, protest and swear;
Yet ever, as he greedily assayed
To touch those dainties, she the harpy played,
And every limb did, as a soldier stout,
Defend the fort, and keep the foeman out.
For though the rising ivory mount he scaled,
Which is with azure circling lines empaled,
Much like a globe (a globe may I term this,
By which love sails to regions full of bliss)
Yet there with Sisyphus he toiled in vain,
Till gentle parley did the truce obtain.
Wherein Leander on her quivering breast
Breathless spoke something, and sighed out the rest;
Which so prevailed, as he with small ado
Enclosed her in his arms and kissed her too.
And every kiss to her was as a charm,
And to Leander as a fresh alarm,
So that the truce was broke and she, alas,
(Poor silly maiden) at his mercy was.
Love is not full of pity (as men say)
But deaf and cruel where he means to prey.
Even as a bird, which in our hands we wring,
35
Forth plungeth and oft flutters with her wing,
She trembling strove.
This strife of hers (like that
Which made the world) another world begat
Of unknown joy. Treason was in her thought,
And cunningly to yield herself she sought.
Seeming not won, yet won she was at length.
In such wars women use but half their strength.
Leander now, like Theban Hercules,
Entered the orchard of th' Hesperides;
Whose fruit none rightly can describe but he
That pulls or shakes it from the golden tree.
And now she wished this night were never done,
And sighed to think upon th' approaching sun;
For much it grieved her that the bright daylight
Should know the pleasure of this blessed night,
And them, like Mars and Erycine, display
Both in each other's arms chained as they lay.
Again, she knew not how to frame her look,
Or speak to him, who in a moment took
That which so long so charily she kept,
And fain by stealth away she would have crept,
And to some corner secretly have gone,
Leaving Leander in the bed alone.
But as her naked feet were whipping out,
He on the sudden clinged her so about,
That, mermaid-like, unto the floor she slid.
One half appeared, the other half was hid.
Thus near the bed she blushing stood upright,
And from her countenance behold ye might
A kind of twilight break, which through the hair,
As from an orient cloud, glimpsed here and there,
And round about the chamber this false morn
Brought forth the day before the day was born.
So Hero's ruddy cheek Hero betrayed,
And her all naked to his sight displayed,
Whence his admiring eyes more pleasure took
Than Dis, on heaps of gold fixing his look.
By this, Apollo's golden harp began
To sound forth music to the ocean,
Which watchful Hesperus no sooner heard
But he the bright day-bearing car prepared
36
And ran before, as harbinger of light,
And with his flaring beams mocked ugly night,
Till she, o'ercome with anguish, shame, and rage,
Danged down to hell her loathsome carriage.
~ Christopher Marlowe,
1352:Scene.Inside the Palace by the Duomo. Monsignor, dismissing his Attendants.
Monsignor
Thanks, friends, many thanks! I chiefly desire life now, that I may recompense every one of you. Most I know something of already. What, a repast prepared?Benedicto benedicatur . . . ugh, ugh! Where was I? Oh, as you were remarking, Ugo, the weather is mild, very unlike winter-weather: but I am a Sicilian, you know, and shiver in your Julys here. To be sure, when 't was full summer at Messina, as we priests used to cross in procession the great square on Assumption Day, you might see our thickest yellow tapers twist suddenly in two, each like a falling star, or sink down on themselves in a gore of wax. But go, my friends, but go! [To the Intendant]
Not you, Ugo! [The others leave the apartment]
I have long wanted to converse with you, Ugo.

Intendant
Uguccio

Monsignor
. . . 'guccio Stefani, man! of Ascoli, Fermo and Fossombruno;what I do need instructing about, are these accounts of your administration of my poor brother's affairs. Ugh! I shall never get through a third part of your accounts: take some of these dainties before we attempt it, however. Are you bashful to that degree? For me, a crust and water suffice.

Intendant
Do you choose this especial night to question me?

Monsignor
This night, Ugo. You have managed my late brother's affairs since the death of our elder brother: fourteen years and a month, all but three days. On the Third of December, I find him . . .

Intendant
If you have so intimate an acquaintance with your brother's affairs, you will be tender of turning so far back: they will hardly bear looking into, so far back.

Monsignor
Ay, ay, ugh, ugh,nothing but disappointments here below! I remark a considerable payment made to yourself on this Third of December. Talk of disappointments! There was a young fellow here, Jules, a foreign sculptor I did my utmost to advance, that the Church might be a gainer by us both: he was going on hopefully enough, and of a sudden he notifies to me some marvellous change that has happened in his notions of Art. Here's his letter,"He never had a clearly conceived Ideal within his brain till to-day. Yet since his hand could manage a chisel, he has practised expressing other men's Ideals; and, in the very perfection he has attained to, he foresees an ultimate failure: his unconscious hand will pursue its prescribed course of old years, and will reproduce with a fatal expertness the ancient types, let the novel one appear never so palpably to his spirit. There is but one method of escape: confiding the virgin type to as chaste a hand, he will turn painter instead of sculptor, and paint, not carve, its characteristics," strike out, I dare say, a school like Correggio: how think you, Ugo?

Intendant
Is Correggio a painter?

Monsignor
Foolish Jules! and yet, after all, why foolish? He mayprobably willfail egregiously; but if there should arise a new painter, will it not be in some such way, by a poet now, or a musician (spirits who have conceived and perfected an Ideal through some other channel), transferring it to this, and escaping our conventional roads by pure ignorance of them; eh, Ugo? If you have no appetite, talk at least, Ugo!

Intendant
Sir, I can submit no longer to this course of yours. First, you select the group of which I formed one,next you thin it gradually,always retaining me with your smile,and so do you proceed till you have fairly got me alone with you between four stone walls. And now then? Let this farce, this chatter end now: what is it you want with me?

Monsignor
Ugo!

Intendant
From the instant you arrived, I felt your smile on me as you questioned me about this and the other article in those paperswhy your brother should have given me this villa, that podere,and your nod at the end meant,what?

Monsignor
Possibly that I wished for no loud talk here. If once you set me coughing, Ugo!

Intendant
I have your brother's hand and seal to all I possess: now ask me what for! what service I did himask me!

Monsignor
I would better not: I should rip up old disgraces, let out my poor brother's weaknesses. By the way, Maffeo of Forli (which, I forgot to observe, is your true name), was the interdict ever taken off you, for robbing that church at Cesena?

Intendant
No, nor needs be: for when I murdered your brother's friend, Pasquale, for him . . .

Monsignor
Ah, he employed you in that business, did he? Well, I must let you keep, as you say, this villa and that podere, for fear the world should find out my relations were of so indifferent a stamp? Maffeo, my family is the oldest in Messina, and century after century have my progenitors gone on polluting themselves with every wickedness under heaven: my own father . . . rest his soul!I have, I know, a chapel to support that it may rest: my dear two dead brothers were,what you know tolerably well; I, the youngest, might have rivalled them in vice, if not in wealth: but from my boyhood I came out from among them, and so am not partaker of their plagues. My glory springs from another source; or if from this, by contrast only,for I, the bishop, am the brother of your employers, Ugo. I hope to repair some of their wrong, however; so far as my brothers' illgotten treasure reverts to me, I can stop the consequences of his crime: and not one soldo shall escape me. Maffec, the sword we quiet men spurn away, you shrewd knaves pick up and commit murders with; what opportunities the virtuous forego, the villanous seize. Because, to pleasure myself apart from other considerations, my food would be millet-cake, my dress sackcloth, and my couch straw,am I therefore to let you, the offscouring of the earth, seduce the poor and ignorant by appropriating a pomp these will be sure to think lessens the abominations so unaccountably and exclusively associated with it? Must I let villas and poderi go to you, a murderer and thief, that you may beget by means of them other murderers and thieves? Noif my cough would but allow me to speak!

Intendant
What am I to expect? You are going to punish me?

Monsignor
Must punish you, Maffeo. I cannot afford to cast away a chance. I have whole centuries of sin to redeem, and only a month or two of life to it in. How should I dare to say . . .

Intendant
"Forgive us our trespasses"?

Monsignor
My friend, it is because I avow myself a very worm, sinful beyond measure, that I reject a line of conduct you would applaud perhaps. Shall I proceed, as it were, a-pardoning?I?who have no symptom of reason to assume that aught less than my strenuousest efforts will keep myself out of mortal sin, much less keep others out. No: I do trespass, but will not double that by allowing you to trespass.

Intendant
And suppose the villas are not your brother's to give, nor yours to take? Oh, you are hasty enough just now!

Monsignor
I, 2No 3!ay, can you read the substance of a letter, No 3, I have received from Rome? It is precisely on the ground there mentioned, of the suspicion I have that a certain child of my late elder brother, who would have succeeded to his estates, was murdered in infancy by you, Maffeo, at the instigation of my late younger brotherthat the Pontiff enjoins on me not merely the bringing that Maffeo to condign punishment, but the taking all pains, as guardian of the infant's heritage for the Church, to recover it parcel by parcel, howsoever, whensoever, and wheresoever. While you are now gnawing those fingers, the police are engaged in sealing up your papers, Maffeo, and the mere raising my voice brings my people from the next room to dispose of yourself. But I want you to confess quietly, and save me raising my voice. Why, man, do I not know the old story? The heir between the succeeding heir, and this heir's ruffianly instrument, and their complot's effect, and the life of fear and bribes and ominous smiling silence? Did you throttle or stab my brother's infant? Come now

Intendant
So old a story, and tell it no better? When did such an instrument ever produce such an effect? Either the child smiles in his face; or, most likely, he is not fool enough to put himself in the employer's power so thoroughly: the child is always ready to produceas you sayhowsoever, wheresoever, and whensoever.

Monsignor
Liar!

Intendant
Strike me? Ah, so might a father chastise! I shall sleep soundly to-night at least, though the gallows await me to-morrow; for what a life did I lead! Carlo of Cesena reminds me of his connivance, every time I pay his annuity; which happens commonly thrice a year. If I remonstrate, he will confess all to the good bishopyou!

Monsignor
I see through the trick, caitiff! I would you spoke truth for once. All shall be sifted, however seven times sifted.

Intendant
And how my absurd riches encumbered me! I dared not lay claim to above half my possessions. Let me but once unbosom myself, glorify Heaven, and die! Sir, you are no brutal dastardly idiot like your brother I frightened to death: let us understand one another. Sir, I will make away with her for youthe girlhere close at hand; not the stupid obvious kind of killing; do not speakknow nothing of her nor of me! I see her every daysaw her this morning: of course there is to be no killing; but at Rome the courtesans perish off every three years, and I can entice her thitherhave indeed begun operations already. There's a certain lusty blue-eyed florid-complexioned English knave, I and the Police employ occasionally. You assent, I perceive no, that's not itassent I do not saybut you will let me convert my present havings and holdings into cash, and give me time to cross the Alps? 'T is but a little black-eyed pretty singing Felippa, gay silk-winding girl. I have kept her out of harm's way up to this present; for I always intended to make your life a plague to you with her. 'T is as well settled once and for ever. Some women I have procured will pass Bluphocks, my handsome scoundrel, off for somebody; and once Pippa entangled!you conceive? Through her singing? Is it a bargain?

[From without is heard the voice of Pippa, singing
Overhead the tree-tops meet,
Flowers and grass spring 'neath one's feet;
There was nought above me, nought below,
My childhood had not learned to know:
For, what are the voices of birds
Ay, and of beasts,but words, our words,
Only so much more sweet?
The knowledge of that with my life begun.
But I had so near made out the sun,
And counted your stars, the seven and one,
Like the fingers of my hand:
Nay, I could all but understand
Wherefore through heaven the white moon ranges;
And just when out of her soft fifty changes
No unfamiliar face might overlook me
Suddenly God took me.]
[Pippa passes.
Monsignor
[springing up].
My peopleone and all allwithin there! Gag this villaintie him hand and foot! He dares . . . I know not half he daresbut remove himquick! Miserere mei, Domine! Quick, I say!

Scene.Pippa's chamber again. She enters it.
The bee with his comb,
The mouse at her dray,
The grub in his tomb,
Wile winter away;
But the fire-fly and hedge-shrew and lob-worm, I pray,
How fare they?
Ha, ha, thanks for your counsel, my Zanze!
"Feast upon lampreys, quaff Breganze"
The summer of life so easy to spend,
And care for to-morrow so soon put away!
But winter hastens at summer's end,
And fire-fly, hedge-shrew, lob-worm, pray,
How fare they?
No bidding me then to . . . what did Zanze say?
"Pare your nails pearlwise, get your small feet shoes
"More like" . . (what said she?)"and less like canoes!"
How pert that girl was!would I be those pert
Impudent staring women! It had done me,
However, surely no such mighty hurt
To learn his name who passed that jest upon me:
No foreigner, that I can recollect,
Came, as she says, a month since, to inspect
Our silk-millsnone with blue eyes and thick rings
Of raw-silk-coloured hair, at all events.
Well, if old Luca keep his good intents,
We shall do better, see what next year brings.
I may buy shoes, my Zanze, not appear
More destitute than you perhaps next year!
Bluph . . . something! I had caught the uncouth name
But for Monsignor's people's sudden clatter
Above usbound to spoil such idle chatter
As ours: it were indeed a serious matter
If silly talk like ours should put to shame
The pious man, the man devoid of blame,
The . . . ah butah but, all the same,
No mere mortal has a right
To carry that exalted air;
Best people are not angels quite:
Whilenot the worst of people's doings scare
The devil; so there's that proud look to spare!
Which is mere counsel to myself, mind! for
I have just been the holy Monsignor:
And I was you too, Luigi's gentle mother,
And you too, Luigi!how that Luigi started
Out of the turretdoubtlessly departed
On some good errand or another,
For he passed just now in a traveller's trim,
And the sullen company that prowled
About his path, I noticed, scowled
As if they had lost a prey in him.
And I was Jules the sculptor's bride,
And I was Ottima beside,
And now what am I?tired of fooling.
Day for folly, night for schooling!
New year's day is over and spent,
Ill or well, I must be content.
Even my lily's asleep, I vow:
Wake uphere's a friend I've plucked you!
Call this flower a heart's-ease now!
Something rare, let me instruct you,
Is this, with petals triply swollen,
Three times spotted, thrice the pollen;
While the leaves and parts that witness
Old proportions and their fitness,
Here remain unchanged, unmoved now;
Call this pampered thing improved now!
Suppose there's a king of the flowers
And a girl-show held in his bowers
"Look ye, buds, this growth of ours,"
Says he, "Zanze from the Brenta,
"I have made her gorge polenta
"Till both cheeks are near as bouncing
"As her . . . name there's no pronouncing!
"See this heightened colour too,
"For she swilled Breganze wine
"Till her nose turned deep carmine;
"'T was but white when wild she grew.
"And only by this Zanze's eyes
"Of which we could not change the size,
"The magnitude of all achieved
"Otherwise, may be perceived."
Oh what a drear dark close to my poor day!
How could that red sun drop in that black cloud?
Ah Pippa, morning's rule is moved away,
Dispensed with, never more to be allowed!
Day's turn is over, now arrives the night's.
Oh lark, be day's apostle
To mavis, merle and throstle,
Bid them their betters jostle
From day and its delights!
But at night, brother howlet, over the woods,
Toll the world to thy chantry;
Sing to the bats' sleek sisterhoods
Full complines with gallantry:
Then, owls and bats,
Cowls and twats,
Monks and nuns, in a cloister's moods,
Adjourn to the oak-stump pantry!
[After she has begun to undress herself.]
Now, one thing I should like to really know:
How near I ever might approach all these
I only fancied being, this long day:
Approach, I mean, so as to touch them, so
As to . . . in some way . . . move themif you please,
Do good or evil to them some slight way.
For instance, if I wind
Silk to-morrow, my silk may bind
[Sitting on the bedside.]
And border Ottima's cloak's hem.
Ah me, and my important part with them,
This morning's hymn half promised when I rose!
True in some sense or other, I suppose.
[As she lies down.]
God bless me! I can pray no more to-night.
No doubt, some way or other, hymns say right.
All service ranks the same with God
With God, whose puppets, best and worst,
Are we: there is no last nor first.
[She sleeps.]


~ Robert Browning, Pippa Passes - Part IV - Night
,
1353:Into The Silent Land
I.
'Oh for a pen of light, a tongue of fire,
That every word might burn in living flame
Upon the age's brow, and leave one name
Engraven on the future! One desire
Fills every nook and cranny of my heart;
One hope-one sorrow-one beloved aim!
She whose pure life was of my life a part,
As light is of the day, could she inspire
My unmelodious muse, or tune the lyre
To diapasons worthy of the theme,
How would her joy put on its robes of light,
And nestle in my bosom once again,
As when life, like an Oriental dream,
Fanned by Arabian airs, glode down the stream
To music whose remembrance is a pain.
The foot of time might trample on my strain,
But could not quench its essence. There was might,
And majesty, and greatness in the love
She blest me with-a blessing without stain,
And that was earthly; since her spirit-sight
Looked through the veil, and learned love's true delight,
Which sainted ministrants alone can prove
Who taste the waters of eternal love:
I pause to think how wonderful has grown
The love that was to me so wondrous here!
Chained as I am to this terrestrial sphere,
Groping my way through darkness, and alone,
Like a blind eaglet soaring towards the sun,
How would her full experience lift and cheer
The heart that never feels its duty done,
And with a girdle of pure light enzone
My flowery world of thought, and make it all her own.'
Thus mused the Minstrel, for his heart was sad.
Death had bereaved him of his bride, while youth,
And looming years of future trust and truth,
60
Knit them together, till their souls were clad
With joy ineffable. Love's great High Priest
Sacrificed in their hearts to Him that doeth
All things well; and such rare, perpetual feast
Of love and truth no mortals ever had,
To keep their memories green, their lives serene and glad,
He sat again within the quiet room,
Where Death had snapped one golden thread of life,
And the pale hand of Sickness, sorrow-rife,
Robbed the plump cheek of childhood of its bloom;
Where she, another Philomena, moved
Like a fond Charity-the coming wife
Ordained to crown his being: And he loved.
The future rose before him, joy and gloom;
For where the sunlight shone, there waved the sable plume.
And yet he failed not, for the coming pain;
The coming bliss would counterbalance all.
The sight prophetic that perceived the pall,
Looked far beyond for the celestial gain.
They do not truly love who cannot yield
The mortal up at the Immortal's call,
Or fail to triumph for the soul that's sealed.
His mind was strung to one harmonious strain:
To give when God should ask, and not resign in vain.
Love was to him life's chiefest victory;
He knew no greater, and he sought no less.
Like a green isle surrounded by the sea
That gives it health and vigour, so was he
The centre of love's sphere of perfectness;
He breathed its heavenly atmosphere; the key
That opened every chamber in love's court
Was in his hand; love's mystery was his sport,
He knelt within love's fane and worshipped thereBut not alone, for one was by his side
Whose love refined his being, filled the air
Of life's irradiated sky with light,
As the sun floods the heavens with a tide
Of renovating freshness, as the night
61
Is mellowed by the ample moon.
And hoping for the recompense
That would be theirs in life's approaching noon,
They built on hope's high eminence
Their airy palaces, whose magnificence
Surpassed the dreams that fancy drew,
So fair the promised land that lay within their view.
And here they lived; just within reach of heaven.
They could put forth their hands and touch the skies
That brooded o'er the walls of chrysolite,
The airy minarets, and golden domes
Of their new home, by Love, the Maker, given,
Steeped in his brightest dyes.
All nature opened up her ponderous tomes,
Whereby they had new knowledge and new sight,
Learned greater truths, and saw the paths of light,
Mosaic-paven, which to Duty led.
And there were secrets written overhead,
In burning hieroglyphs of thought,
From which they gleaned such lessons as are taught
Only to those whom heaven, in graciousness,
Lifts in her arms with a divine caress.
Earth, like a joyous maiden whose pure soul
Is filled with sudden ecstacy, became
A fruitful Eden; and the golden bowl
That held their elixir of life was filled
To overflowing with the rarest draught
Ever by gods or men in rapture quaffed;
Till from the altar of their hearts love's flame
Passed through the veins of the world, and thrilled
The soul of the rejoicing universe,
Which became theirs, and like true neophytes
They drained the sweet nepenthe, and love's rites
Wiped from their hearts all trace of the primeval curse.
The happy months rolled on; each wedded day
A bridal; and each calm and holy eve
Strewed with rare blessings all the sunny way
Through which they passed, with so divine a joy
That in his brain would meditation weave
62
Love's roses into garlands of sweet song,
To deck the brow of his devoted wife.
In this their El Dorado, no alloy
Mixed with the coinage of their wedded life;
The workmen in the mint an honest throng.
No wonder, then, that with go fine a bliss
Informing every fibre of his brain,
His thoughts begat impressions such as this;
Linking their lives together with a chain
Of melody as rare as some divine refrain:
Like dew to the thirsty flower,
Like sweets to the hungry bee,
Is love's divinest dower,
Its tenderness and power,
To thee, dear Wife! to thee.
Like light to the darkened spirit,
Like oil to the turbid sea,
Like truthful words to merit,
Are the blessings I inherit
With thee, dear Wife! with thee.
Afar in the distant ages,
Soul-ransomed, and spirit-free,
I'll read all being's pages,
Unread by mortal sages,
With thee, dear Wife! with thee.
None but the happy heart could carol thus;
A feather stolen from Devotion's wing,
To keep as a memento of the time
When earth met heaven, in life's duteous
And prayerful journey towards the shadowy clime;
Ere they descended from their height sublime,
Where at Love's well-filled table, banqueting,
They sat, and watched the first glad year,
Earthlike, revolving round the sun
Of their true life. Within that sphere
Was the new Eden. One by one
63
The precious moments dropped like golden sands,
And formed the solid hours. No perilous strands
Delayed life's blissful current, as it sped
Through flowery realms with blue skies overhead,
To songs and laughter musically sweet,
As if all sorrow had forever fled;
And idylls, sung with cheerful tone,
Haunted the calm, enchanted zone
That hemmed them in,
Where, like a stately queen,
Sate Peace, beatified, serene,
The guardian, heaven-sent, of this their fair demesne:
--LOVE'S ANNIVERSARY.
Like a bold, adventurous swain,
Just a year ago to-day,
I launched my bark on a radiant main,
And Hymen led the way:
'Breakers ahead!' he cried,
As he sought to overwhelm
My daring craft in the shrieking tide,
But Love, like a pilot bold and tried,
Sat, watchful, at the helm.
And we passed the treacherous shoals,
Where many a hope lay dead,
And splendid wrecks were piled, like the ghouls
Of joys forever fled.
Once safely over these,
We sped by a fairy realm,
Across the bluest and calmest seas
That were ever kissed by a truant breeze,
With Love still at the helm.
We sailed by sweet, odorous isles,
Where the flowers and trees were one;
Through lakes that vied with the golden smiles
Of heaven's unclouded sun:
Still speeds our merry bark,
64
Threading life's peaceful realm,
And 'tis ever morn with our marriage-lark,
For the Pilot-Love of our safety-ark
Stands, watchful, at the helm.
II.
A beautiful land is the Land of Dreams,
Green hills and valleys, and deep lagoons,
Swift-rushing torrents and gentle streams,
Glassing a myriad silver moons;
Mirror-like lakelets with lovely isles,
And verdurous headlands looking down
On the Neread shapes, whose smiles
Were worth the price of a peaceful crown.
We clutch at the silvery bars
Flung from the motionless stars,
And climb far into space,
Defying the race
Who ride in aerial cars.
We take up the harp of the mind,
And finger its delicate strings;
The notes, soft and light
As a moonbeam's flight,
Departing on viewless wings.
Afar in some fanciful bower,
Some region of exquisite calm,
Where the starlight falls in a gleaming shower,
We sink to repose
On our couch of rose,
Inhaling no mortal balm.
The worlds are no longer unknown,
We pass through the uttermost sky,
Our eyelids are kissed
By a gentle mist,
And we feel the tone
Of a calmer zone,
As if heaven were wondrous nigh.
65
A fanciful land is the Land of Dreams,
Where earth and heaven are clasping hands;
No heaven-no earth,
But one wide, new birth,
Where Beauty and Goodness, and human worth,
Make earth of heaven and heaven of earth;
And angels are walking on golden strands.
And the pearly gates of the universe
Of mind and fancy, opening
To the touch of the dainty finger-tips
Of elegant Peris with rose-bud lips,
Delicate, weird-like sounds are born
From the amber depths of odorous morn,
And spirits of beauty and light rehearse
Such strains as the young immortals sing,
When the souls of the blest
Are borne to their rest,
On luminous pinions of light serene
To the fragrant bowers of evergreen;
O'er the rosy plains, where the dying hours
Are changed by a spell to celestial flowers,
Where the skies have a hue no name can express,
For the tone of their passionate loveliness
Surpasseth all human imagining.
Such was their beautiful Dream of Life;
Each stern reality softened down;
Earth seemed to have ended her age of Strife,
And Harmony reigned, her olive crown
Besting on the Parian brow
Of the fair victor, like the gleam
Of the silvery moon on waves that flow
Thoughtfully down the summer stream.
Such was their earnest Dream of Life!
Was it some angel, with jealous eye,
Seeing such love beneath the sky
As never yet in world or star,
Or spheral height, that reached so far
'Twas never beheld by mortal sight,
Or elsewhere, save in highest heaven,
66
Was duly earned, or truly given,
That leagued with the usurper, Death,
To quench the light that shone so bright
That in all the earth there was not a breath
So foul as to change their day to night?
Alone! alone! Oh, word of fearful tone!
Well might the moon withhold her light,
The stars withdraw from human sight,
When Love was overthrown.
The Minstrel's heart how changed!
Love's principalities,
O'er which he reigned supreme,
Usurped by earth's realities;
The realm through which he ranged
Become a vanished dream!
And yet he sung, as sings
The dying swan that droops its wings
And drifts along the stream:
--THE LIGHT IN THE WINDOW PANE.
A joy from my soul's departed,
A bliss from my heart is flown,
As weary, weary-hearted,
I wander alone-alone!
The night wind sadly sigheth
A withering, wild refrain,
And my heart within me dieth
For the light in the window pane.
The stars overhead are shining,
As brightly as e'er they shone,
As heartless-sad-repining,
I wander alone-alone!
A sudden flash comes streaming,
And flickers adown the lane,
But no more for me is gleaming
The light in the window pane.
67
The voices that pass are cheerful,
Men laugh as the night winds moan;
They cannot tell how fearful
'Tis to wander alone-alone!
For them, with each night's returning,
Life singeth its tenderest strain,
Where the beacon of love is burningThe light in the window pane.
Oh, sorrow beyond all sorrows
To which human life is prone:
Without thee, through all the morrows,
To wander alone-alone!
Oh, dark, deserted dwelling!
Where Hope like a lamb was slain,
No voice from thy lone walls welling,
No light in thy window pane.
But memory, sainted angel!
Rolls back the sepulchral stone,
And sings like a sweet evangel:
'No-never, never alone!
True grief has its royal palace,
Each loss is a greater gain;
And Sorrow ne'er filled a chalice
That Joy did not wait to drain!
--'Man must be perfected
By suffering,' he said;
'And Death is but the stepping-stone, whereby
We mount towards the gate
Of heaven, soon or late.
Death is the penalty of life; we die,
Because we live; and life
Is but a constant strife
With the immortal Impulse that within
Our bodies seeks controlThe time-abiding Soul,
68
That wrestles with us-yet we fain would win.
And what? the victory
Would make us slaves; and we,
Who in our blindness struggle for the prize
Of this illusive state
Called Life, do but frustrate
The higher law-refusing to be wise.'
Rightly he knew, indeed,
Earth's brightest paths but lead
To the true wisdom of that perfect state,
Where Knowledge, heaven-born,
And Love's eternal morn,
Awaiteth those who would be truly great.
With what abiding trust
He rose from out the dust,
As Death's swift chariot passed him by the way;
No visionary dream
Was his-no trifling themeThe Soul's great Mystery before him lay:
--THE SOUL.
All my mind has sat in state,
Pond'ring on the deathless Soul:
What must be the Perfect Whole,
When the atom is so great!
God! I fall in spirit down,
Low as Persian to the sun;
All my senses, one by one,
In the stream of Thought must drown.
On the tide of mystery,
Like a waif, I'm seaward borne,
Ever looking for the morn
That will yet interpret Thee,
69
Opening my blinded eyes,
That have strove to look within,
'Whelmed in clouds of doubt and sin,
Sinking where I dared to rise:
Could I trace one Spirit's flight,
Track it to its final goal,
Know that 'Spirit' meant 'the Soul,'
I must perish in the light.
All in vain I search, and cry:
'What, O Soul, and whence art thou?'
Lower than the earth I bow,
Stricken with the grave reply:
'Wouldst thou ope what God has sealedSealed in mercy here below?
What is best for man to know,
Shall most surely be revealed!'
Deep on deep of mystery!
Ask the sage, he knows no more
Of the soul's unspoken lore
Than the child upon his knee!
Cannot tell me whence the thought
That is passing through my mind!
Where the mystic soul is shrined,
Wherewith all my life is fraught?
Knows not how the brain conceives
Images almost divine;
Cannot work my mental mine,
Cannot bind my golden sheaves.
Is he wiser, then, than I,
Seeing he can read the stars?
I have rode in fancy's oars
Leagues beyond his farthest sky!
Some old Rabbi, dreaming o'er
The sweet legends of his race,
70
Ask him for some certain trace
Of the far, eternal shore.
No. The Talmud page is dark,
Though it burn with quenchless fire,
And the insight must pierce higher,
That would find the vital spark.
O, my Soul! be firm and wait,
Hoping with the zealous few,
Till the Shekinah of the True
Lead thee through the Golden Gate.
~ Charles Sangster,
1354:SCENE I. AURANTHE'S Apartment.
AURANTHE and CONRAD discovered.
Conrad. Well, well, I know what ugly jeopardy
We are cag'd in; you need not pester that
Into my ears. Prythee, let me be spared
A foolish tongue, that I may bethink me
Of remedies with some deliberation.
You cannot doubt but 'tis in Albert's power
To crush or save us?
Auranthe. No, I cannot doubt.
He has, assure yourself, by some strange means,
My secret ; which I ever hid from him,
Knowing his mawkish honesty.
Conrad. Curs'd slave!
Auranthe. Ay, I could almost curse him now myself.
Wretched impediment! Evil genius!
A glue upon my wings, that cannot spread,
When they should span the provinces! A snake,
A scorpion, sprawling on the first gold step,
Conducting to the throne, high canopied.
Conrad. You would not hear my council, when his life
Might have been trodden out, all sure and hush'd;
Now the dull animal forsooth must be
Intreated, managed! When can you contrive
The interview he demands?
Auranthe. As speedily
It must be done as my brib'd woman can
Unseen conduct him to me; but I fear
Twill be impossible, while the broad day
Comes through the panes with persecuting glare.
Methinks, if 't now were night I could intrigue
With darkness, bring the stars to second me,
And settle all this trouble.
Conrad. Nonsense! Child!
See him immediately; why not now?
Auranthe. Do you forget that even the senseless door-posts
Are on the watch and gape through all the house?
How many whispers there are about,
Hungry for evidence to ruin me ;
Men I have spurn 'd, and women I have taunted?
Besides, the foolish prince sends, minute whiles,
His pages so they tell me to enquire
After my health, entreating, if I please,
To see me.
Conrad. Well, suppose this Albert here;
What is your power with him?
Auranthe. He should be
My echo, my taught parrot! but I fear
He will be cur enough to bark at me ;
Have his own say ; read me some silly creed
'Bout shame and pity.
Conrad. What will you do then?
Auranthe. What I shall do, I know not: what L would
Cannot be done; for see, this chain her-floor
Will not yield to the pick-axe and the spade,
Here is no quiet depth of hollow ground.
Conrad. Sister, you have grown sensible and wise,
Seconding, ere I speak it, what is now,
I hope, resolv'd between us.
Auranthe. Say, what is 't?
Conrad. You need not be his sexton too: a man
May carry that with him shall make him die
Elsewhere, give that to him; pretend the while
You will to-morrow succumb to his wishes,
Be what they may, and send him from the Castle
On some fool's errand; let his latest groan
Frighten the wolves!
Auranthe. Alas! he must not die!
Conrad. Would you were both hears'd up in stifling lead!
Detested
Auranthe. Conrad, hold! I would not bear
The little thunder of your fretful tongue,
Tho; I alone were taken in these toils,
And you could free me; but remember, sir,
You live alone in my security:
So keep your wits at work, for your own sake,
Not mine, and be more mannerly.
Conrad. Thou wasp!
If my domains were emptied of these folk,
And I had thee to starve
Auranthe. O, marvellous!
But Conrad, now be gone; the Host is look'd for;
Cringe to the Emperor, entertain the Lords,
And, do ye mind, above all things, proclaim
My sickness, with a brother's sadden'd eye,
Condoling with Prince Ludolph. In fit time
Return to me.
Conrad. I leave you to your thoughts. [Exit.
Auranthe (sola) Down, down, proud temper! down,
Auranthe's pride!
Why do I anger him when I should kneel?
Conrad! Albert! help! help! What can I do?
wretched woman! lost, wreck'd, swallow'd up,
Accursed, blasted ! O, thou golden Crown,
Orbing along the serene firmament
Of a wide empire, like a glowing moon;
And thou, bright sceptre! lustrous in my eyes,
There as the fabled fair Hesperian tree,
Bearing a fruit more precious! graceful thing.
Delicate, godlike, magic! must I leave
Thee to melt in the visionary air,
Ere, by one grasp, this common hand is made
Imperial? I do not know the time
When I have wept for sorrow; but methinks
I could now sit upon the ground, and shed
Tears, tears of misery. O, the heavy day!
How shall I bear my life till Albert comes?
Ludolph! Erminia! Proofs! O heavy day!
Bring me some mourning weeds, that I may 'tire
Myself, as fits one wailing her own death:
Cut off these curls, and brand this lilly hand,
And throw these jewels from my loathing sight,
Fetch me a missal, and a string of beads,
A cup of bitter'd water, and a crust,
I will confess, O holy Abbot How!
What is this? Auranthe! thou fool, dolt,
Whimpering idiot! up! up! act and quell!
I am safe! Coward! why am I in fear?
Albert! he cannot stickle, chew the cud
In such a fine extreme, impossible!
Who knocks? [Goes to the Door, listens, and opens it.
Enter ALBERT.
Albert, I have been waiting for you here
With such an aching heart, such swooning throbs
On my poor brain, such cruel cruel sorrow,
That I should claim your pity! Art not well?
Albert. Yes, lady, well.
Auranthe. You look not so, alas!
But pale, as if you brought some heavy news.
Albert. You know full well what makes me look so pale.
Auranthe. No! Do I? Surely I am still to learn
Some horror; all I know, this present, is
I am near hustled to a dangerous gulph,
Which you can save me from, and therefore safe,
So trusting in thy love; that should not make
Thee pale, my Albert.
Albert. It doth make me freeze.
Auranthe. Why should it, love?
Albert. You should not ask me that,
But make your own heart monitor, and save
Me the great pain of telling. You must know.
Auranthe. Something has vexed you, Albert. There are times
When simplest things put on a sombre cast;
A melancholy mood will haunt a man,
Until most easy matters take the shape
Of unachievable tasks; small rivulets
Then seem impassable.
Albert. Do not cheat yourself
With hope that gloss of words, or suppliant action,
Or tears, or ravings, or self-threaten 'd death,
Can alter my resolve.
Auranthe. You make me tremble;

Not so much at your threats, as at your voice.
Untun'd. and harsh, and barren of all love.
Albert. You suffocate me! Stop this devil's parley,
And listen to me; know me once for all.
Auranthe. I thought I did. Alas! I am deceiv'd.
Albert. No, you are not deceiv'd. You took me for
A man detesting all inhuman crime;
And therefore kept from me your demon's plot
Against Erminia. Silent? Be so still;
For ever! Speak no more; but hear my words,
Thy fate. Your safety I have bought to-day
By blazoning a lie, which in the dawn
I expiate with truth.
Auranthe. O cruel traitor!
Albert. For I would not set eyes upon thy shame;
I would not see thee dragg'd to death by the hair,
Penanc'd, and taunted on a scaffolding!
To-night, upon the skirts of the blind wood
That blackens northward of these horrid towers,
I wait for you with horses. Choose your fate.
Farewell.
Auranthe. Albert, you jest; I'm sure you must.
You, an ambitious Soldier! I, a Queen,
One who could say, Here, rule these Provinces!
Take tribute from those cities for thyself!
Empty these armouries, these treasuries,
Muster thy warlike thousands at a nod !
Go! conquer Italy!
Albert. Auranthe, you have made
The whole world chaff to me. Your doom is fix'd.
Auranthe. Out, villain! dastard!
Albert. Look there to the door!
Who is it?
Auranthe. Conrad, traitor!
Albert. Let him in.
Enter CONRAD.
Do not affect amazement, hypocrite,
At seeing me in this chamber.
Conrad. Auranthe?
Albert. Talk not with eyes, but speak your curses out
Against me, who would sooner crush and grind
A brace of toads, than league with them to oppress
An innocent lady, gull an Emperor,
More generous to me than autumn's sun
To ripening harvests.
Auranthe. No more insult, sir!
Albert. Aye, clutch your scabbard; but, for prudence sake,
Draw not the sword; 'twould make an uproar, Duke,
You would not hear the end of. At nightfall
Your lady sister, if I guess aright,
Will leave this busy castle. You had best
Take farewell too of worldly vanities.
Conrad. Vassal!
Albert. To-morrow, when the Emperor sends
For loving Conrad, see you fawn on him.
Good even !
Auranthe. You'll be seen!
Albert. See the coast clear then.
Auranthe (as he goes). Remorseless Albert! Cruel,
cruel wretch!
[She lets him out.
Conrad. So, we must lick the dust?
Auranthe. I follow him.
Conrad. How? Where? The plan of your escape?
Auranthe. He waits
For me with horses by the forest-side,

Northward.
Conrad. Good, good! he dies. You go, say you?
Auranthe. Perforce.
Conrad. Be speedy, darkness! Till that comes,
Fiends keep you company! [Exit.
Auranthe. And you! And you!
And all men! Vanish!
[Retires to an inner Apartment.

SCENE II. An Apartment in the Castle.
Enter LUDOLPH and Page.
Page. Still very sick, my Lord; but now I went
Knowing my duty to so good a Prince;
And there her women in a mournful throng
Stood in the passage whispering: if any
Mov'd 'twas with careful steps and hush'd as death;
They bid me stop.
Ludolph. Good fellow, once again
Make soft enquiry; prythee be not stay'd
By any hindrance, but with gentlest force
Break through her weeping servants, till thou com'st
E'en to her chamber door, and there, fair boy,
If with thy mother's milk thou hast suck'd in
Any diviner eloquence ; woo her ears
With plaints for me more tender than the voice
Of dying Echo, echoed.
Page. Kindest master!
To know thee sad thus, will unloose my tongue
In mournful syllables. Let but my words reach
Her ears and she shall take them coupled with
Moans from my heart and sighs not counterfeit.
May I speed better! [Exit Page.
Ludolph. Auranthe! My Life!
Long have I lov'd thee, yet till now not lov'd:
Remembering, as I do, hard-hearted times
When I had heard even of thy death perhaps,
And thoughtless, suffered to pass alone
Into Elysium! now I follow thee
A substance or a shadow, wheresoe'er
Thou leadest me, whether thy white feet press,
With pleasant weight, the amorous-aching earth,
Or thro' the air thou pioneerest me,
A shade! Yet sadly I predestinate!
O unbenignest Love, why wilt thou let
Darkness steal out upon the sleepy world
So wearily; as if night's chariot wheels
Were clog'd in some thick cloud. O, changeful Love,
Let not her steeds with drowsy-footed pace
Pass the high stars, before sweet embassage
Comes from the pillow 'd beauty of that fair
Completion of all delicate nature's wit.
Pout her faint lips anew with rubious health
And with thine infant fingers lift the fringe
Of her sick eyelids ; that those eyes may glow
With wooing light upon me, ere the Morn
Peers with disrelish, grey, barren, and cold.
Enter GERSA and Courtiers.
Otho calls me his Lion should I blush
To be so tam'd, so
Gersa. Do me the courtesy
Gentlemen to pass on.
Courtier. We are your servants.
[Exeunt Courtiers.
Ludolph. It seems then, Sir, you have found out the man
You would confer with; me?
Gersa. If I break not
Too much upon your thoughtful mood, I will
Claim a brief while your patience.
Ludolph. For what cause
Soe'er I shall be honour 'd.
Gersa. I not less.
Ludolph. What may it be? No trifle can take place
Of such deliberate prologue, serious 'haviour.
But be it what it may I cannot fail
To listen with no common interest
For though so new your presence is to me,
I have a soldier's friendship for your fame
Please you explain.
Gersa. As thus for, pardon me,
I cannot in plain terms grossly assault
A noble nature ; and would faintly sketch
What your quick apprehension will fill up
So finely I esteem you.
Ludolph. I attend
Gersa. Your generous Father, most illustrious Otho,
Sits in the Banquet room among his chiefs
His wine is bitter, for you are not there
His eyes are fix'd still on the open doors,
And every passer in he frowns upon
Seeing no Ludolph comes.
Ludolph. I do neglect
Gersa. And for your absence, may I guess the cause?
Ludolph. Stay there! no guess? more princely you must be
Than to make guesses at me. Tis enough,
I'm sorry I can hear no more.
Gersa. And I
As griev'd to force it on you so abrupt;
Yet one day you must know a grief whose sting
Will sharpen more the longer 'tis concealed.
Ludolph. Say it at once, sir, dead, dead, is she dead?
Gersa. Mine is a cruel task : she is not dead
And would for your sake she were innocent
Ludolph. Thou liest! thou amazest me beyond
All scope of thought; convulsest my heart's blood
To deadly churning Gersa you are young
As I am ; let me observe you face to face ;
Not grey-brow'd like the poisonous Ethelbert,
No rheumed eyes, no furrowing of age,
No wrinkles where all vices nestle in
Like crannied vermin no, but fresh and young
And hopeful featured. Ha! by heaven you weep
Tears, human tears Do you repent you then
Of a curs'd torturer's office! Why shouldst join
Tell me, the league of Devils? Confess confess
The Lie.
Gersa. Lie!- but begone all ceremonious points
Of honour battailous. I could not turn
My wrath against thee for the orbed world.
Ludolph. Your wrath, weak boy? Tremble at mine unless
Retraction follow close upon the heels
Of that late stounding insult: why has my sword
Not done already a sheer judgment on thee?
Despair, or eat thy words. Why, thou wast nigh
Whimpering away my reason: hark ye, Sir,
It is no secret; that Erminia,
Erminia, Sir, was hidden in your tent;
O bless 'd asylum! comfortable home!
Begone, I pity thee, thou art a Gull
Erminia's last new puppet
Gersa. Furious fire!
Thou mak'st me boil as hot as thou canst flame!
And in thy teeth I give thee back the lie!
Thou liest! Thou, Auranthe's fool, a wittol
Ludolph. Look! look at this bright sword;
There is no part of it to the very hilt
But shall indulge itself about thine heart
Draw but remember thou must cower thy plumes,
As yesterday the Arab made thee stoop
Gersa. Patience! not here, I would not spill thy blood
Here underneath this roof where Otho breathes,
Thy father almost mine
Ludolph. O faltering coward
Re-enter PAGE.
Stay, stay, here is one I have half a word with
Well What ails thee child?
Page. My lord,
Ludolph. Good fellow
Page. They are fled!
Ludolph. They who?
Page. When anxiously
I hasten 'd back, your grieving messenger,
I found the stairs all dark, the lamps extinct,
And not a foot or whisper to be heard.
I thought her dead, and on the lowest step
Sat listening; when presently came by
Two muffled up, one sighing heavily,
The other cursing low, whose voice I knew
For the Duke Conrad's. Close I follow'd them
Thro' the dark ways they chose to the open air;
And, as I follow'd, heard my lady speak.
Ludolph. Thy life answers the truth!
Page. The chamber's empty!
Ludolph. As I will be of mercy! So, at last,
This nail is in my temples!
Gersa. Be calm in this.
Ludolph. I am.
Gersa. And Albert too has disappeared;
Ere I met you, I sought him everywhere ;
You would not hearken.
Ludolph. Which way went they, boy?
Gersa. I'll hunt with you.
Ludolph. No, no, no. My senses are
Still whole. I have surviv'd. My arm is strong
My appetite sharp for revenge! I'll no sharer
In my feast; my injury is all my own,
And so is my revenge, my lawful chattels!
Terrier, ferret them out! Burn burn the witch!
Trace me their footsteps! Away!
[Exeunt.
by owner. provided at no charge for educational purposes

~ John Keats, Otho The Great - Act IV
,
1355:The Kalevala - Rune Xlix
RESTORATION OF THE SUN AND MOON.
Thus has Fire returned to Northland
But the gold Moon is not shining,
Neither gleams the silver sunlight
In the chambers of Wainola,
On the plains of Kalevala.
On the crops the white-frost settled,
And the cattle died of hunger,
Even birds grew sick and perished.
Men and maidens, faint and famished,
Perished in the cold and darkness,
From the absence of the sunshine,
From the absence of the moonlight.
Knew the pike his holes and hollows,
And the eagle knew his highway,
Knew the winds the times for sailing;
But the wise men of the Northland
Could not know the dawn of morning,
On the fog-point in the ocean,
On the islands forest-covered.
Young and aged talked and wondered,
Well reflected, long debated,
How to live without the moonlight,
Live without the silver sunshine,
In the cold and cheerless Northland,
In the homes of Kalevala.
Long conjectured all the maidens,
Orphans asked the wise for counsel.
Spake a maid to Ilmarinen,
Running to the blacksmith's furnace:
'Rise, O artist, from thy slumbers,
Hasten from thy couch unworthy;
Forge from gold the Moon for Northland,
Forge anew the Sun from silver
Cannot live without the moonlight,
Nor without the silver sunshine!'
From his couch arose the artist,
223
From his couch of stone, the blacksmith,
And began his work of forging,
Forging Sun and Moon for Northland.
Came the ancient Wainamoinen,
In the doorway sat and lingered,
Spake, these Words to Ilmarinen:
'Blacksmith, my beloved brother,
Thou the only metal-worker,
Tell me why thy magic hammer
Falls so heavy on thine anvil?'
Spake the youthful Ilmarinen:
'Moon of gold and Sun of silver,
I am forging for Wainola;
I shall swing them into ether,
Plant them in the starry heavens.'
Spake the wise, old Wainamoinen:
'Senseless blacksmith of the ages,
Vainly dost thou swing thy hammer,
Vainly rings thy mighty anvil;
Silver will not gleam as sunshine,
Not of gold is born the moonlight!'
Ilmarinen, little heeding,
Ceases not to ply his hammer,
Sun and Moon the artist forges,
Wings the Moon of Magic upward,
Hurls it to the pine-tree branches;
Does not shine without her master.
Then the silver Sun he stations
In an elm-tree on the mountain.
From his forehead drip the sweat-drops,
Perspiration from his fingers,
Through his labors at the anvil
While the Sun and Moon were forging;
But the Sun shone not at morning
From his station in the elm-tree;
And the Moon shone not at evening
From the pine-tree's topmost branches.
Spake the ancient Wainamoinen:
'Let the Fates be now consulted,
And the oracles examined;
Only thus may we discover
Where the Sun and Moon lie hidden.'
224
Thereupon old Wainamoinen,
Only wise and true magician,
Cut three chips from trunks of alder,
Laid the chips in magic order,
Touched and turned them with his fingers,
Spake these words of master-magic:
'Of my Maker seek I knowledge,
Ask in hope and faith the answer
From the great magician, Ukko:
Tongue of alder, tell me truly,
Symbol of the great Creator,
Where the Sun and Moon are sleeping;
For the Moon shines not in season,
Nor appears the Sun at midday,
From their stations in the sky-vault.
Speak the truth, O magic alder,
Speak not words of man, nor hero,
Hither bring but truthful measures.
Let us form a sacred compact:
If thou speakest me a falsehood,
I will hurl thee to Manala,
Let the nether fires consume thee,
That thine evil signs may perish.'
Thereupon the alder answered,
Spake these words of truthful import:
'Verily the Sun lies hidden
And the golden Moon is sleeping
In the stone-berg of Pohyola,
In the copper-bearing mountain.'
These the words of Wainamoinen:
'I shall go at once to Northland,
To the cold and dark Pohyola,
Bring the Sun and Moon to gladden
All Wainola's fields and forests.'
Forth he hastens on his journey,
To the dismal Sariola,
To the Northland cold and dreary;
Travels one day, then a second,
So the third from morn till evening,
When appear the gates of Pohya,
With her snow-clad hills and mountains.
Wainamoinen, the magician,
225
At the river of Pohyola,
Loudly calls the ferry-maiden:
Bring a boat, O Pohya-daughter,
Bring a strong and trusty vessel,
Row me o'er these chilling waters,
O'er this rough and rapid river! '
But the Ferry-maiden heard not,
Did not listen to his calling.
Thereupon old Wainamoinen,
Laid a pile of well-dried brush-wood,
Knots and needles of the fir-tree,
Made a fire beside the river,
Sent the black smoke into heaven
Curling to the home of Ukko.
Louhi, hostess of the Northland,
Hastened to her chamber window,
Looked upon the bay and river,
Spake these words to her attendants:
'Why the fire across the river
Where the current meets the deep-sea,
Smaller than the fires of foemen,
Larger than the flames of hunters?'
Thereupon a Pohyalander
Hastened from the court of Louhi
That the cause he might discover,'
Bring the sought-for information
To the hostess of Pohyola;
Saw upon the river-border
Some great hero from Wainola.
Wainamoinen saw the stranger,
Called again in tones of thunder:
'Bring a skiff; thou son of Northland,
For the minstrel, Wainamoinen!
Thus the Pohyalander answered:
'Here no skiffs are lying idle,
Row thyself across the waters,
Use thine arms, and feet, and fingers,
To propel thee o'er the river,
O'er the sacred stream of Pohya.'
Wainamoinen, long reflecting,
Bravely thus soliloquizes:
'I will change my form and features,
226
Will assume a second body,
Neither man, nor ancient minstrel,
Master of the Northland waters!'
Then the singer, Wainamoinen,
Leaped, a pike, upon the waters,
Quickly swam the rapid river,
Gained the frigid Pohya-border.
There his native form resuming,
Walked he as a mighty hero,
On the dismal isle of Louhi,
Spake the wicked sons of Northland:
Come thou to Pohyola's court-room.'
To Pohyola's, court he hastened.
Spake again the sons of evil:
Come thou to the halls of Louhi!'
To Pohyola's halls he hastened.
On the latch he laid his fingers,
Set his foot within the fore-hall,
Hastened to the inner chamber,
Underneath the painted rafters,
Where the Northland-heroes gather.
There he found the Pohya-masters
Girded with their swords of battle,
With their spears and battle-axes,
With their fatal bows and arrows,
For the death of Wainamoinen,
Ancient bard, Suwantolainen.
Thus they asked the hero-stranger.
'Magic swimmer of the Northland,
Son of evil, what the message
That thou bringest from thy people,
What thy mission to Pohyola?'
Wainamoinen, old and truthful,
Thus addressed the hosts of Louhi:
'For the Sun I come to Northland,
Come to seek the Moon in Pohya;
Tell me where the Sun lies hidden,
Where the golden Moon is sleeping.'
Spake the evil sons of Pohya:
'Both the Sun and Moon are hidden
In the rock of many colors,
In the copper-bearing mountain,
227
In a cavern iron-banded,
In the stone-berg of Pohyola,
Nevermore to gain their freedom,
Nevermore to shine in Northland!'
Spake the hero, Wainamoinen:
'If the Sun be not uncovered,
If the Moon leave not her dungeon,
I will challenge all Pohyola
To the test of spear or broadsword,
Let us now our weapons measure!'
Quick the hero of Wainola
Drew his mighty sword of magic;
On its border shone the moonlight,
On its hilt the Sun was shining,
On its back, a neighing stallion,
On its face a cat was mewing,
Beautiful his magic weapon.
Quick the hero-swords are tested,
And the blades are rightly measured
Wainamoinen's sword is longest
By a single grain of barley,
By a blade of straw, the widest.
To the court-yard rushed the heroes,
Hastened to the deadly combat,
On the plains of Sariola.
Wainamoinen, the magician,
Strikes one blow, and then a second,
Strikes a third time, cuts and conquers.
As the house-maids slice the turnips,
As they lop the heads of cabbage,
As the stalks of flax are broken,
So the heads of Louhi's heroes
Fall before the magic broadsword
Of the ancient Wainamoinen.
Then victor from Wainola,
Ancient bard and great magician,
Went to find the Sun in slumber,
And the golden Moon discover,
In, the copper-bearing Mountains,
In the cavern iron-banded,
In the stone-berg of Pohyola.
He had gone but little distance,
228
When he found a sea-green island;
On the island stood a birch-tree,
Near the birch-tree stood a pillar
Carved in stone of many colors;
In the pillar, nine large portals
Bolted in a hundred places;
In the rock he found a crevice
Sending forth a gleam of sunlight.
Quick he drew his mighty broadsword,
From the pillar struck three colors,
From the magic of his weapon;
And the pillar fell asunder,
Three the number of the fragments.
Wainamoinen, old and faithful,
Through the crevice looked and wondered.
In the center of the pillar,
From a scarlet-colored basin,
Noxious serpents beer were drinking,
And the adders eating spices.
Spake the ancient Wainamoinen:
'Therefore has Pohyola's hostess
Little drink to give to strangers,
Since her beer is drank by serpents,
And her spices given to adders.'
Quick he draws his magic fire-blade,
Cuts the vipers green in pieces,
Lops the heads off all the adders,
Speaks these words of master-magic:
Thus, hereafter, let the serpent
Drink the famous beer of barley,
Feed upon the Northland-spices!'
Wainamoinen, the magician,
The eternal wizard-singer,
Sought to open wide the portals
With the hands and words of magic;
But his hands had lost their cunning,
And his magic gone to others.
Thereupon the ancient minstrel
Quick returning, heavy-hearted,
To his native halls and hamlets,
Thus addressed his brother-heroes:
'Woman, he without his weapons,
229
With no implements, a weakling!
Sun and Moon have I discovered,
But I could not force the Portals
Leading to their rocky cavern
In the copper bearing mountain.
Spake the reckless Lemminkainen
'O thou ancient Wainamoinen,
Why was I not taken with thee
To become, thy war-companion?
Would have been of goodly service,
Would have drawn the bolts or broken,
All the portals to the cavern,
Where the Sun and Moon lie hidden
In the copper-bearing mountain!'
Wainamoinen, ancient minstrel,
Thus replied to Lemminkainen:
'Empty Words will break no portals,
Draw no bolts of any moment;
Locks and bolts are never broken.
With the words of little wisdom!
Greater means than thou commandest
Must be used to free the sunshine,
Free the moonlight from her dungeon.'
Wainamoinen, not discouraged,
Hastened to the, forge and smithy,
Spake these words to Ilmarinen:
'O thou famous metal-artist,
Forge for me a magic trident,
Forge from steel a dozen stout-rings,
Master-keys, a goodly number,
Iron bars and heavy hammers,
That the Sun we may uncover
In the copper-bearing mountain,
In the stone-berg of Pohyola.'
Then the blacksmith, Ilmarinen,
The eternal metal-worker,
Forged the needs of Wainamoinen,
Forged for him the magic trident,
Forged from steel a dozen stout-rings,
Master-keys a goodly number,
Iron bars and heavy hammers,
Not the largest, nor the smallest,
230
Forged them of the right dimensions.
Louhi, hostess of Pohyola,
Northland's old and toothless wizard,
Fastened wings upon her shoulders,
As an eagle, sailed the heavens,
Over field, and fen, and forest,
Over Pohya's many, waters,
To the hamlets of Wainola,
To the forge of Ilmarinen.
Quick the famous metal-worker
Went to see if winds were blowing;
Found the winds at peace and silent,
Found an eagle, sable-colored,
Perched upon his window-casement.
Spake the artist, Ilmarinen:
'Magic bird, whom art thou seeking,
Why art sitting at my window?'
This the answer of the eagle:
'Art thou blacksmith, Ilmarinen,
The eternal iron-forger,
Master of the magic metals,
Northland's wonder-working artist?'
Ilmarinen gave this answer:
'There is nothing here of wonder,
Since I forged the dome of heaven,
Forged the earth a concave cover!'
Spake again the magic eagle:
Why this ringing of thine anvil,
Why this knocking of thy hammer,
Tell me what thy hands are forging?'
This the answer of the blacksmith:
''Tis a collar I am forging
For the neck of wicked Louhi,
Toothless witch of Sariola,
Stealer of the silver sunshine,
Stealer of the golden moonlight;
With this collar I shall bind her
To the iron-rock of Ehstland!'
Louhi, hostess of Pohyola,
Saw misfortune fast approaching,
Saw destruction flying over,
Saw the signs of bad-luck lower;
231
Quickly winged her way through ether
To her native halls and chambers,
To the darksome Sariola,
There unlocked the massive portals
Where the Sun and Moon were hidden,
In the rock of many colors,
In the cavern iron-banded,
In the copper-bearing mountain.
Then again the wicked Louhi
Changed her withered form and features,
And became a dove of good-luck;
Straightway winged the starry heavens,
Over field, and fen, and forest,
To the meadows of Wainola,
To the plains of Kalevala,
To the forge of Ilmarinen.
This the question of the blacksmith
'Wherefore comest, dove of good-luck,
What the tidings that thou bringest?'
Thus the magic bird made answer:
'Wherefore come I to thy smithy?
Come to bring the joyful tidings
That the Sun has left his cavern,
Left the rock of many colors,
Left the stone-berg of Pohyola;
That the Moon no more is hidden
In the copper-bearing mountains,
In the caverns iron-banded.'
Straightway hastened Ilmarinen
To the threshold of his smithy,
Quickly scanned the far horizon,
Saw again the silver sunshine,
Saw once more the golden moonlight,
Bringing peace, and joy, and plenty,
To the homes of Kalevala.
Thereupon the blacksmith hastened
To his brother, Wainamoinen,
Spake these words to the magician:
'O thou ancient bard and minstrel,
The eternal wizard-singer
See, the Sun again is shining,
And the golden Moon is beaming
232
From their long-neglected places,
From their stations in the sky-vault!'
Wainamoinen, old and faithful,
Straightway hastened to the court-yard,
Looked upon the far horizon,
Saw once more the silver sunshine,
Saw again the golden moonlight,
Bringing peace, and joy, and plenty,
To the people of the Northland,
And the minstrel spake these measures:
'Greetings to thee, Sun of fortune,
Greetings to thee, Moon of good-luck,
Welcome sunshine, welcome moonlight,
Golden is the dawn of morning!
Free art thou, O Sun of silver,
Free again, O Moon beloved,
As the sacred cuckoo's singing,
As the ring-dove's liquid cooings.
'Rise, thou silver Sun, each Morning,
Source of light and life hereafter,
Bring us, daily, joyful greetings,
Fill our homes with peace and plenty,
That our sowing, fishing, hunting,
May be prospered by thy coming.
Travel on thy daily journey,
Let the Moon be ever with thee;
Glide along thy way rejoicing,
End thy journeyings in slumber;
Rest at evening in the ocean,
When the daily cares have ended,
To the good of all thy people,
To the pleasure Of Wainoloa,
To the joy of Kalevala!'
~ Elias Lönnrot,
1356:Love in a hut, with water and a crust,
IsLove, forgive us!cinders, ashes, dust;
Love in a palace is perhaps at last
More grievous torment than a hermits fast:
That is a doubtful tale from faery land,
Hard for the non-elect to understand.
Had Lycius livd to hand his story down,
He might have given the moral a fresh frown,
Or clenchd it quite: but too short was their bliss
To breed distrust and hate, that make the soft voice hiss.
Besides, there, nightly, with terrific glare,
Love, jealous grown of so complete a pair,
Hoverd and buzzd his wings, with fearful roar,
Above the lintel of their chamber door,
And down the passage cast a glow upon the floor.

For all this came a ruin: side by side
They were enthroned, in the even tide,
Upon a couch, near to a curtaining
Whose airy texture, from a golden string,
Floated into the room, and let appear
Unveild the summer heaven, blue and clear,
Betwixt two marble shafts:there they reposed,
Where use had made it sweet, with eyelids closed,
Saving a tythe which love still open kept,
That they might see each other while they almost slept;
When from the slope side of a suburb hill,
Deafening the swallows twitter, came a thrill
Of trumpetsLycius startedthe sounds fled,
But left a thought, a buzzing in his head.
For the first time, since first he harbourd in
That purple-lined palace of sweet sin,
His spirit passd beyond its golden bourn
Into the noisy world almost forsworn.
The lady, ever watchful, penetrant,
Saw this with pain, so arguing a want
Of something more, more than her empery
Of joys; and she began to moan and sigh
Because he mused beyond her, knowing well
That but a moments thought is passions passing bell.
Why do you sigh, fair creature? whisperd he:
Why do you think? returnd she tenderly:
You have deserted me;where am I now?
Not in your heart while care weighs on your brow:
No, no, you have dismissd me; and I go
From your breast houseless: ay, it must be so.
He answerd, bending to her open eyes,
Where he was mirrord small in paradise,
My silver planet, both of eve and morn!
Why will you plead yourself so sad forlorn,
While I am striving how to fill my heart
With deeper crimson, and a double smart?
How to entangle, trammel up and snare
Your soul in mine, and labyrinth you there
Like the hid scent in an unbudded rose?
Ay, a sweet kissyou see your mighty woes.
My thoughts! shall I unveil them? Listen then!
What mortal hath a prize, that other men
May be confounded and abashd withal,
But lets it sometimes pace abroad majestical,
And triumph, as in thee I should rejoice
Amid the hoarse alarm of Corinths voice.
Let my foes choke, and my friends shout afar,
While through the thronged streets your bridal car
Wheels round its dazzling spokes.The ladys cheek
Trembled; she nothing said, but, pale and meek,
Arose and knelt before him, wept a rain
Of sorrows at his words; at last with pain
Beseeching him, the while his hand she wrung,
To change his purpose. He thereat was stung,
Perverse, with stronger fancy to reclaim
Her wild and timid nature to his aim:
Besides, for all his love, in self despite,
Against his better self, he took delight
Luxurious in her sorrows, soft and new.
His passion, cruel grown, took on a hue
Fierce and sanguineous as twas possible
In one whose brow had no dark veins to swell.
Fine was the mitigated fury, like
Apollos presence when in act to strike
The serpentHa, the serpent! certes, she
Was none. She burnt, she lovd the tyranny,
And, all subdued, consented to the hour
When to the bridal he should lead his paramour.
Whispering in midnight silence, said the youth,
Sure some sweet name thou hast, though, by my truth,
I have not askd it, ever thinking thee
Not mortal, but of heavenly progeny,
As still I do. Hast any mortal name,
Fit appellation for this dazzling frame?
Or friends or kinsfolk on the citied earth,
To share our marriage feast and nuptial mirth?
I have no friends, said Lamia, no, not one;
My presence in wide Corinth hardly known:
My parents bones are in their dusty urns
Sepulchred, where no kindled incense burns,
Seeing all their luckless race are dead, save me,
And I neglect the holy rite for thee.
Even as you list invite your many guests;
But if, as now it seems, your vision rests
With any pleasure on me, do not bid
Old Apolloniusfrom him keep me hid.
Lycius, perplexd at words so blind and blank,
Made close inquiry; from whose touch she shrank,
Feigning a sleep; and he to the dull shade
Of deep sleep in a moment was betrayd.

It was the custom then to bring away
The bride from home at blushing shut of day,
Veild, in a chariot, heralded along
By strewn flowers, torches, and a marriage song,
With other pageants: but this fair unknown
Had not a friend. So being left alone,
(Lycius was gone to summon all his kin)
And knowing surely she could never win
His foolish heart from its mad pompousness,
She set herself, high-thoughted, how to dress
The misery in fit magnificence.
She did so, but tis doubtful how and whence
Came, and who were her subtle servitors.
About the halls, and to and from the doors,
There was a noise of wings, till in short space
The glowing banquet-room shone with wide-arched grace.
A haunting music, sole perhaps and lone
Supportress of the faery-roof, made moan
Throughout, as fearful the whole charm might fade.
Fresh carved cedar, mimicking a glade
Of palm and plantain, met from either side,
High in the midst, in honour of the bride:
Two palms and then two plantains, and so on,
From either side their stems branchd one to one
All down the aisled place; and beneath all
There ran a stream of lamps straight on from wall to wall.
So canopied, lay an untasted feast
Teeming with odours. Lamia, regal drest,
Silently paced about, and as she went,
In pale contented sort of discontent,
Missiond her viewless servants to enrich
The fretted splendour of each nook and niche.
Between the tree-stems, marbled plain at first,
Came jasper pannels; then, anon, there burst
Forth creeping imagery of slighter trees,
And with the larger wove in small intricacies.
Approving all, she faded at self-will,
And shut the chamber up, close, hushd and still,
Complete and ready for the revels rude,
When dreadful guests would come to spoil her solitude.

The day appeard, and all the gossip rout.
O senseless Lycius! Madman! wherefore flout
The silent-blessing fate, warm cloisterd hours,
And show to common eyes these secret bowers?
The herd approachd; each guest, with busy brain,
Arriving at the portal, gazd amain,
And enterd marveling: for they knew the street,
Rememberd it from childhood all complete
Without a gap, yet neer before had seen
That royal porch, that high-built fair demesne;
So in they hurried all, mazd, curious and keen:
Save one, who lookd thereon with eye severe,
And with calm-planted steps walkd in austere;
Twas Apollonius: something too he laughd,
As though some knotty problem, that had daft
His patient thought, had now begun to thaw,
And solve and melt:twas just as he foresaw.

He met within the murmurous vestibule
His young disciple. Tis no common rule,
Lycius, said he, for uninvited guest
To force himself upon you, and infest
With an unbidden presence the bright throng
Of younger friends; yet must I do this wrong,
And you forgive me. Lycius blushd, and led
The old man through the inner doors broad-spread;
With reconciling words and courteous mien
Turning into sweet milk the sophists spleen.

Of wealthy lustre was the banquet-room,
Filld with pervading brilliance and perfume:
Before each lucid pannel fuming stood
A censer fed with myrrh and spiced wood,
Each by a sacred tripod held aloft,
Whose slender feet wide-swervd upon the soft
Wool-woofed carpets: fifty wreaths of smoke
From fifty censers their light voyage took
To the high roof, still mimickd as they rose
Along the mirrord walls by twin-clouds odorous.
Twelve sphered tables, by silk seats insphered,
High as the level of a mans breast reard
On libbards paws, upheld the heavy gold
Of cups and goblets, and the store thrice told
Of Ceres horn, and, in huge vessels, wine
Came from the gloomy tun with merry shine.
Thus loaded with a feast the tables stood,
Each shrining in the midst the image of a God.

When in an antichamber every guest
Had felt the cold full sponge to pleasure pressd,
By ministring slaves, upon his hands and feet,
And fragrant oils with ceremony meet
Pourd on his hair, they all movd to the feast
In white robes, and themselves in order placed
Around the silken couches, wondering
Whence all this mighty cost and blaze of wealth could spring.

Soft went the music the soft air along,
While fluent Greek a voweld undersong
Kept up among the guests discoursing low
At first, for scarcely was the wine at flow;
But when the happy vintage touchd their brains,
Louder they talk, and louder come the strains
Of powerful instruments:the gorgeous dyes,
The space, the splendour of the draperies,
The roof of awful richness, nectarous cheer,
Beautiful slaves, and Lamias self, appear,
Now, when the wine has done its rosy deed,
And every soul from human trammels freed,
No more so strange; for merry wine, sweet wine,
Will make Elysian shades not too fair, too divine.
Soon was God Bacchus at meridian height;
Flushd were their cheeks, and bright eyes double bright:
Garlands of every green, and every scent
From vales deflowerd, or forest-trees branch rent,
In baskets of bright osierd gold were brought
High as the handles heapd, to suit the thought
Of every guest; that each, as he did please,
Might fancy-fit his brows, silk-pillowd at his ease.

What wreath for Lamia? What for Lycius?
What for the sage, old Apollonius?
Upon her aching forehead be there hung
The leaves of willow and of adders tongue;
And for the youth, quick, let us strip for him
The thyrsus, that his watching eyes may swim
Into forgetfulness; and, for the sage,
Let spear-grass and the spiteful thistle wage
War on his temples. Do not all charms fly
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angels wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine
Unweave a rainbow, as it erewhile made
The tender-persond Lamia melt into a shade.

By her glad Lycius sitting, in chief place,
Scarce saw in all the room another face,
Till, checking his love trance, a cup he took
Full brimmd, and opposite sent forth a look
Cross the broad table, to beseech a glance
From his old teachers wrinkled countenance,
And pledge him. The bald-head philosopher
Had fixd his eye, without a twinkle or stir
Full on the alarmed beauty of the bride,
Brow-beating her fair form, and troubling her sweet pride.
Lycius then pressd her hand, with devout touch,
As pale it lay upon the rosy couch:
Twas icy, and the cold ran through his veins;
Then sudden it grew hot, and all the pains
Of an unnatural heat shot to his heart.
Lamia, what means this? Wherefore dost thou start?
Knowst thou that man? Poor Lamia answerd not.
He gazd into her eyes, and not a jot
Ownd they the lovelorn piteous appeal:
More, more he gazd: his human senses reel:
Some hungry spell that loveliness absorbs;
There was no recognition in those orbs.
Lamia! he criedand no soft-toned reply.
The many heard, and the loud revelry
Grew hush; the stately music no more breathes;
The myrtle sickend in a thousand wreaths.
By faint degrees, voice, lute, and pleasure ceased;
A deadly silence step by step increased,
Until it seemd a horrid presence there,
And not a man but felt the terror in his hair.
Lamia! he shriekd; and nothing but the shriek
With its sad echo did the silence break.
Begone, foul dream! he cried, gazing again
In the brides face, where now no azure vein
Wanderd on fair-spaced temples; no soft bloom
Misted the cheek; no passion to illume
The deep-recessed vision:all was blight;
Lamia, no longer fair, there sat a deadly white.
Shut, shut those juggling eyes, thou ruthless man!
Turn them aside, wretch! or the righteous ban
Of all the Gods, whose dreadful images
Here represent their shadowy presences,
May pierce them on the sudden with the thorn
Of painful blindness; leaving thee forlorn,
In trembling dotage to the feeblest fright
Of conscience, for their long offended might,
For all thine impious proud-heart sophistries,
Unlawful magic, and enticing lies.
Corinthians! look upon that gray-beard wretch!
Mark how, possessd, his lashless eyelids stretch
Around his demon eyes! Corinthians, see!
My sweet bride withers at their potency.
Fool! said the sophist, in an under-tone
Gruff with contempt; which a death-nighing moan
From Lycius answerd, as heart-struck and lost,
He sank supine beside the aching ghost.
Fool! Fool! repeated he, while his eyes still
Relented not, nor movd; from every ill
Of life have I preservd thee to this day,
And shall I see thee made a serpents prey?
Then Lamia breathd death breath; the sophists eye,
Like a sharp spear, went through her utterly,
Keen, cruel, perceant, stinging: she, as well
As her weak hand could any meaning tell,
Motiond him to be silent; vainly so,
He lookd and lookd again a level--No!
A Serpent! echoed he; no sooner said,
Than with a frightful scream she vanished:
And Lycius arms were empty of delight,
As were his limbs of life, from that same night.
On the high couch he lay!his friends came round--
Supported himno pulse, or breath they found,
And, in its marriage robe, the heavy body wound.
(line 50): Keats adopted here, in the manuscript, a pointing notice before: he placed the note of interrogation at the end of this line, a semi-colon at the end of line 51, and a full-stop at the end of line 54. The pointing of the text is from the first edition.

(lines 124-6): Leigh Hunt notes - "This is the very quintessence of the romantic."

(line 140): Rejected reading, "wainscoated" for "marbled plain."

(line 239): In the Autobiography of Haydon, as edited by the late Mr. Tom Taylor, we read at page 354 of Volume 1 (edition of 1853) that Keats and Lamb, at one of the meetings at Haydon's house, agreed that Newton "had destroyed all the poetry of the rainbow, by reducing it to the prismatic colours." This meeting was what Haydon calls "the immortal dinner" of the 28th of December 1817; so that the idea appears to have persisted in Keats's mind.

Last line: The following extract is appended in Keats's edition as a note to the last line of Lamia:--
"Philostratus, in his fourth book 'de Vita Apollonii', hath a memorable instance in this kind, which I may not omit, of one Menippus Lycius, a young man twenty-five years of age, that going betwixt Cenchreas and Corinth, met such a phantasm in the habit of a fair gentlewoman, which taking him by the hand, carried him home to her house, in the suburbs of Corinth, and told him she was a Phoenician by birth, and if he would tarry with her, he should hear her sing and play, and drink such wine as never any drank, and no man should molest him; but she, being fair and lovely, would live and die with him, that was fair and lovely to behold. The young man, a philosopher, otherwise staid and discreet, able to moderate his passions, though not this of love, tarried with her a while to his great content, and at last married her, to whose wedding, amongst other guests, came Apollonius; who, by some probable conjectures, found her out to be a serpent, a lamia; and that all her furniture was, like Tantalus' gold, descried by Homer, no substance but mere illusions. When she saw herself descried, she wept, and desired Apollonius to be silent, but he would not be moved, and thereupon she, plate, house, and all that was in it, vanished in an instant: many thousands took notice of this fact, for it was done in the midst of Greece." ~ John Keats, Lamia. Part II
,
1357: II - BEFORE THE CITY-GATE

(Pedestrians of all kinds come forth.)

SEVERAL APPRENTICES

Why do you go that way?

OTHERS

We're for the Hunters' lodge, to-day.

THE FIRST

We'll saunter to the Mill, in yonder hollow.

AN APPRENTICE

Go to the River Tavern, I should say.

SECOND APPRENTICE

But then, it's not a pleasant way.

THE OTHERS

And what will you?

A THIRD
As goes the crowd, I follow.

A FOURTH

Come up to Burgdorf? There you'll find good cheer,
The finest lasses and the best of beer,
And jolly rows and squabbles, trust me!

A FIFTH

You swaggering fellow, is your hide
A third time itching to be tried?
I won't go there, your jolly rows disgust me!

SERVANT-GIRL

No,no! I'll turn and go to town again.

ANOTHER

We'll surely find him by those poplars yonder.

THE FIRST

That's no great luck for me, 'tis plain.
You'll have him, when and where you wander:
His partner in the dance you'll be,
But what is all your fun to me?

THE OTHER

He's surely not alone to-day:
He'll be with Curly-head, I heard him say.

A STUDENT

Deuce! how they step, the buxom wenches!
Come, Brother! we must see them to the benches.
A strong, old beer, a pipe that stings and bites,
A girl in Sunday clothes,these three are my delights.

CITIZEN'S DAUGHTER

Just see those handsome fellows, there!
It's really shameful, I declare;
To follow servant-girls, when they
Might have the most genteel society to-day!

SECOND STUDENT (to the First)

Not quite so fast! Two others come behind,
Those, dressed so prettily and neatly.
My neighbor's one of them, I find,
A girl that takes my heart, completely.
They go their way with looks demure,
But they'll accept us, after all, I'm sure.

THE FIRST

No, Brother! not for me their formal ways.
Quick! lest our game escape us in the press:
The hand that wields the broom on Saturdays
Will best, on Sundays, fondle and caress.

CITIZEN

He suits me not at all, our new-made Burgomaster!
Since he's installed, his arrogance grows faster.
How has he helped the town, I say?
Things worsen,what improvement names he?
Obedience, more than ever, claims he,
And more than ever we must pay!

BEGGAR (sings)
Good gentlemen and lovely ladies,
So red of cheek and fine of dress,
Behold, how needful here your aid is,
And see and lighten my distress!
Let me not vainly sing my ditty;
He's only glad who gives away:
A holiday, that shows your pity,
Shall be for me a harvest-day!

ANOTHER CITIZEN

On Sundays, holidays, there's naught I take delight in,
Like gossiping of war, and war's array,
When down in Turkey, far away,
The foreign people are a-fighting.
One at the window sits, with glass and friends,
And sees all sorts of ships go down the river gliding:
And blesses then, as home he wends
At night, our times of peace abiding.

THIRD CITIZEN

Yes, Neighbor! that's my notion, too:
Why, let them break their heads, let loose their passions,
And mix things madly through and through,
So, here, we keep our good old fashions!

OLD WOMAN (to the Citizen's Daughter)

Dear me, how fine! So handsome, and so young!
Who wouldn't lose his heart, that met you?
Don't be so proud! I'll hold my tongue,
And what you'd like I'll undertake to get you.

CITIZEN'S DAUGHTER

Come, Agatha! I shun the witch's sight
Before folks, lest there be misgiving:
'Tis true, she showed me, on Saint Andrew's Night,
My future sweetheart, just as he were living.

THE OTHER

She showed me mine, in crystal clear,
With several wild young blades, a soldier-lover:
I seek him everywhere, I pry and peer,
And yet, somehow, his face I can't discover.

SOLDIERS

Castles, with lofty
Ramparts and towers,
Maidens disdainful
In Beauty's array,
Both shall be ours!
Bold is the venture,
Splendid the pay!
Lads, let the trumpets
For us be suing,
Calling to pleasure,
Calling to ruin.
Stormy our life is;
Such is its boon!
Maidens and castles
Capitulate soon.
Bold is the venture,
Splendid the pay!
And the soldiers go marching,
Marching away!

FAUST AND WAGNER

FAUST

Released from ice are brook and river
By the quickening glance of the gracious Spring;
The colors of hope to the valley cling,
And weak old Winter himself must shiver,
Withdrawn to the mountains, a crownless king:
Whence, ever retreating, he sends again
Impotent showers of sleet that darkle
In belts across the green o' the plain.
But the sun will permit no white to sparkle;
Everywhere form in development moveth;
He will brighten the world with the tints he loveth,
And, lacking blossoms, blue, yellow, and red,
He takes these gaudy people instead.
Turn thee about, and from this height
Back on the town direct thy sight.
Out of the hollow, gloomy gate,
The motley throngs come forth elate:
Each will the joy of the sunshine hoard,
To honor the Day of the Risen Lord!
They feel, themselves, their resurrection:
From the low, dark rooms, scarce habitable;
From the bonds of Work, from Trade's restriction;
From the pressing weight of roof and gable;
From the narrow, crushing streets and alleys;
From the churches' solemn and reverend night,
All come forth to the cheerful light.
How lively, see! the multitude sallies,
Scattering through gardens and fields remote,
While over the river, that broadly dallies,
Dances so many a festive boat;
And overladen, nigh to sinking,
The last full wherry takes the stream.
Yonder afar, from the hill-paths blinking,
Their clothes are colors that softly gleam.
I hear the noise of the village, even;
Here is the People's proper Heaven;
Here high and low contented see!
Here I am Man,dare man to be!

WAGNER

To stroll with you, Sir Doctor, flatters;
'Tis honor, profit, unto me.
But I, alone, would shun these shallow matters,
Since all that's coarse provokes my enmity.
This fiddling, shouting, ten-pin rolling
I hate,these noises of the throng:
They rave, as Satan were their sports controlling.
And call it mirth, and call it song!
PEASANTS, UNDER THE LINDEN-TREE
(Dance and Song.)

All for the dance the shepherd dressed,
In ribbons, wreath, and gayest vest
Himself with care arraying:
Around the linden lass and lad
Already footed it like mad:
Hurrah! hurrah!
Hurrahtarara-la!
The fiddle-bow was playing.

He broke the ranks, no whit afraid,
And with his elbow punched a maid,
Who stood, the dance surveying:
The buxom wench, she turned and said:
"Now, you I call a stupid-head!"
Hurrah! hurrah!
Hurrahtarara-la!
"Be decent while you're staying!"

Then round the circle went their flight,
They danced to left, they danced to right:
Their kirtles all were playing.
They first grew red, and then grew warm,
And rested, panting, arm in arm,
Hurrah! hurrah!
Hurrahtarara-la!
And hips and elbows straying.

Now, don't be so familiar here!
How many a one has fooled his dear,
Waylaying and betraying!

And yet, he coaxed her soon aside,
And round the linden sounded wide.
Hurrah! hurrah!
Hurrahtarara-la!
And the fiddle-bow was playing.

OLD PEASANT

Sir Doctor, it is good of you,
That thus you condescend, to-day,
Among this crowd of merry folk,
A highly-learned man, to stray.
Then also take the finest can,
We fill with fresh wine, for your sake:
I offer it, and humbly wish
That not alone your thirst is slake,
That, as the drops below its brink,
So many days of life you drink!

FAUST

I take the cup you kindly reach,
With thanks and health to all and each.

(The People gather in a circle about him.)

OLD PEASANT

In truth, 'tis well and fitly timed,
That now our day of joy you share,
Who heretofore, in evil days,
Gave us so much of helping care.
Still many a man stands living here,
Saved by your father's skillful hand,
That snatched him from the fever's rage
And stayed the plague in all the land.
Then also you, though but a youth,
Went into every house of pain:
Many the corpses carried forth,
But you in health came out again.

FAUST

No test or trial you evaded:
A Helping God the helper aided.

ALL

Health to the man, so skilled and tried.
That for our help he long may abide!

FAUST

To Him above bow down, my friends,
Who teaches help, and succor sends!

(He goes on with WAGNER.)

WAGNER

With what a feeling, thou great man, must thou
Receive the people's honest veneration!
How lucky he, whose gifts his station
With such advantages endow!
Thou'rt shown to all the younger generation:
Each asks, and presses near to gaze;
The fiddle stops, the dance delays.
Thou goest, they stand in rows to see,
And all the caps are lifted high;
A little more, and they would bend the knee
As if the Holy Host came by.

FAUST

A few more steps ascend, as far as yonder stone!
Here from our wandering will we rest contented.
Here, lost in thought, I've lingered oft alone,
When foolish fasts and prayers my life tormented.
Here, rich in hope and firm in faith,
With tears, wrung hands and sighs, I've striven,
The end of that far-spreading death
Entreating from the Lord of Heaven!
Now like contempt the crowd's applauses seem:
Couldst thou but read, within mine inmost spirit,
How little now I deem,
That sire or son such praises merit!
My father's was a sombre, brooding brain,
Which through the holy spheres of Nature groped and wandered,
And honestly, in his own fashion, pondered
With labor whimsical, and pain:
Who, in his dusky work-shop bending,
With proved adepts in company,
Made, from his recipes unending,
Opposing substances agree.
There was a Lion red, a wooer daring,
Within the Lily's tepid bath espoused,
And both, tormented then by flame unsparing,
By turns in either bridal chamber housed.
If then appeared, with colors splendid,
The young Queen in her crystal shell,
This was the medicine the patients' woes soon ended,
And none demanded: who got well?
Thus we, our hellish boluses compounding,
Among these vales and hills surrounding,
Worse than the pestilence, have passed.
Thousands were done to death from poison of my giving;
And I must hear, by all the living,
The shameless murderers praised at last!

WAGNER

Why, therefore, yield to such depression?
A good man does his honest share
In exercising, with the strictest care,
The art bequea thed to his possession!
Dost thou thy father honor, as a youth?
Then may his teaching cheerfully impel thee:
Dost thou, as man, increase the stores of truth?
Then may thine own son afterwards excel thee.

FAUST

O happy he, who still renews
The hope, from Error's deeps to rise forever!
That which one does not know, one needs to use;
And what one knows, one uses never.
But let us not, by such despondence, so
The fortune of this hour embitter!
Mark how, beneath the evening sunlight's glow,
The green-embosomed houses glitter!
The glow retreats, done is the day of toil;
It yonder hastes, new fields of life exploring;
Ah, that no wing can lift me from the soil,
Upon its track to follow, follow soaring!
Then would I see eternal Evening gild
The silent world beneath me glowing,
On fire each mountain-peak, with peace each valley filled,
The silver brook to golden rivers flowing.
The mountain-chain, with all its gorges deep,
Would then no more impede my godlike motion;
And now before mine eyes expands the ocean
With all its bays, in shining sleep!
Yet, finally, the weary god is sinking;
The new-born impulse fires my mind,
I hasten on, his beams eternal drinking,
The Day before me and the Night behind,
Above me heaven unfurled, the floor of waves beneath me,
A glorious dream! though now the glories fade.
Alas! the wings that lift the mind no aid
Of wings to lift the body can bequeath me.
Yet in each soul is born the pleasure
Of yearning onward, upward and away,
When o'er our heads, lost in the vaulted azure,
The lark sends down his flickering lay,
When over crags and piny highlands
The poising eagle slowly soars,
And over plains and lakes and islands
The crane sails by to other shores.

WAGNER

I've had, myself, at times, some odd caprices,
But never yet such impulse felt, as this is.
One soon fatigues, on woods and fields to look,
Nor would I beg the bird his wing to spare us:
How otherwise the mental raptures bear us
From page to page, from book to book!
Then winter nights take loveliness untold,
As warmer life in every limb had crowned you;
And when your hands unroll some parchment rare and old,
All Heaven descends, and opens bright around you!

FAUST

One impulse art thou conscious of, at best;
O, never seek to know the other!
Two souls, alas! reside within my breast,
And each withdraws from, and repels, its brother.
One with tenacious organs holds in love
And clinging lust the world in its embraces;
The other strongly sweeps, this dust above,
Into the high ancestral spaces.
If there be airy spirits near,
'Twixt Heaven and Earth on potent errands fleeing,
Let them drop down the golden atmosphere,
And bear me forth to new and varied being!
Yea, if a magic mantle once were mine,
To waft me o'er the world at pleasure,
I would not for the costliest stores of treasure
Not for a monarch's robe the gift resign.

WAGNER

Invoke not thus the well-known throng,
Which through the firmament diffused is faring,
And danger thousand-fold, our race to wrong.
In every quarter is preparing.
Swift from the North the spirit-fangs so sharp
Sweep down, and with their barbd points assail you;
Then from the East they come, to dry and warp
Your lungs, till breath and being fail you:
If from the Desert sendeth them the South,
With fire on fire your throbbing forehead crowning,
The West leads on a host, to cure the drouth
Only when meadow, field, and you are drowning.
They gladly hearken, prompt for injury,
Gladly obey, because they gladly cheat us;
From Heaven they represent themselves to be,
And lisp like angels, when with lies they meet us.
But, let us go! 'Tis gray and dusky all:
The air is cold, the vapors fall.
At night, one learns his house to prize:
Why stand you thus, with such astonished eyes?
What, in the twilight, can your mind so trouble?

FAUST

Seest thou the black dog coursing there, through corn and
stubble?

WAGNER

Long since: yet deemed him not important in the least.

FAUST

Inspect him close: for what tak'st thou the beast?

WAGNER

Why, for a poodle who has lost his master,
And scents about, his track to find.

FAUST

Seest thou the spiral circles, narrowing faster,
Which he, approaching, round us seems to wind?
A streaming trail of fire, if I see rightly,
Follows his path of mystery.

WAGNER

It may be that your eyes deceive you slightly;
Naught but a plain black poodle do I see.

FAUST

It seems to me that with enchanted cunning
He snares our feet, some future chain to bind.

WAGNER

I see him timidly, in doubt, around us running,
Since, in his master's stead, two strangers doth he find.

FAUST

The circle narrows: he is near!

WAGNER

A dog thou seest, and not a phantom, here!
Behold him stopupon his belly crawlHis
tail set wagging: canine habits, all!

FAUST

Come, follow us! Come here, at least!

WAGNER

'Tis the absurdest, drollest beast.
Stand still, and you will see him wait;
Address him, and he gambols straight;
If something's lost, he'll quickly bring it,
Your cane, if in the stream you fling it.

FAUST

No doubt you're right: no trace of mind, I own,
Is in the beast: I see but drill, alone.

WAGNER

The dog, when he's well educated,
Is by the wisest tolerated.
Yes, he deserves your favor thoroughly,
The clever scholar of the students, he!

(They pass in the city-gate.)
Faust

~ Johann Wolfgang von Goethe, BEFORE THE CITY-GATE
,
1358:Here Foloweth Colyn Blowbols Testament
Whan that Bachus, the myghti lorde,
And Juno eke, both by one accorde,
Hath sette a-broche of myghti wyne a tone,
And after wardys in to the brayn ran
Of Colyn Blobolle, whan he had dronke a tante
Bothe of Teynt and of wyne Alycaunt,
Till he was drounke as any swyne;
And after this, with a mery chere,
He rensyd had many an ale picher,
That he began to loken and to stare,
Like a wode bole or a wilde mare;
So toty was the brayn of his hede,
That he desirid for to go to bede,
And whan he was ones therin laide,
With hym self mervailously he fraide;
He gan to walow and turn up and downe,
And for to tell in conclucioun,
Sore he spwed, and alle vppe he kest
That he had recevyd in his brest,
So that it was grete pité for to here
His lametacionne and his hevy chere.
An hors wold wepe to se the sorow he maide,
His evy countenaunces and his colour fade.
I trow he was infecte certeyn
With the faitour, or the fever lordeyn,
Or with a sekenesse called a knave ateynt;
And anon his herte he gan to faynt,
And after ward their toke hym many a throw
Of good ale bolys that he had i-blowe;
He lokyd furyous as a wyld catt,
And pale of hew like a drowned ratte;
And in his bake their toke hym one so felle,
That after ward folowed a very stynkyng smell,
That for to cast was more vnholsam
Than aurum potab[i]le or aurum pimentum.
And whan his angwyssh some what gan apese,
He recovered of his dronken dessese;
He set hym vppe and sawe their biside
A sad man, in whom is no pride,
297
Right a discrete confessour, as I trow,
His name was called sir John Doclow;
He had commensed in many a worthier place
Then ever was Padow, or Boleyne de Grace;
Of so grete reverens werre the universities,
That men toke entrie knelyng on their knees;
In suche places his fader for hym had ben,
Whate shuld I tell you? ye wotte where I mene.
And yet in phisike he cowth no skylle at alle,
Whiche men callen baas naturalle;
Good drynke he lovyd better than he did wepit,
Men called hym maister John-with-the-shorte-tipet.
Hereby menne may welle understonde and see,
That in scolys he had take degré,
And was welle laboured in the rough byble,
Ffor he loved in no wise to be idele;
An able man to be aboute a pope,
Because he coude a conscience so welle grope,
And make an man to bryng out his mynde
Every thing that he had left behynde.
He gaf me many a good certacion,
With right and holsom predicacion,
That he had laboured in Venus secrete celle,
And me exponyd many a good gossepelle,
And many a right swete epistell eke,
In hem perfite and not for to seke;
And he had them i-lerneid and i-rade,
And alle were good, I trow their were none bade.
And right like an hevynly instrument
Unto me ever his tounge wente,
It was joie for to here and see
The fructuons talkyng that he had to me;
He behavyd hym so lich a gostly leche,
Both in countenaunce and in his speche,
And bad I shuld, by cause I was seke,
Unto Lucina and to Ciraa eke
My soule byqueth, or I hens deperte,
As I wold have his prayers after ward.
He promysyd me also, that he wold syng
Foure devoite masses at my biryng,
On of Bachus, anothir of Lucina,
The third of Juno, the fourth of Ciria,
298
And at Venus temple with grette devocion,
I have to you so grette dilection;
And for my soule ryng many a mery pele,
In Venus temple and eke in hir chapelle,
And also in many an othir holy stede,
Where Spade may not helpe women at ther nede;
And bad me eke be of right good chere
Alle the wyle I shold abyde here,
And for any thing that he coude feele,
That was in me, I sholde do right wele.
And yet he said: Be myne avisment,
Withoute tarying ye make your Testament,
And by good avice alle thing welle besett,
Loke ye do soo: for ye shalle fare the bette;
Whylis ye have your right memorie,
Calle unto you your owne secretory,
Maister Grombold, that cane handelle a pen,
For on booke he skrapith like an hen,
That no man may his letters know nor se,
Allethough he looke trughe spectacles thre.
Lete such a man writte your Testament,
For he shalle best folow your entent.
In Bachus Nomine, Amen!
I Colyn Blowbolle, all thinges to fulfille,
Wol that this be my last welle:
First, I bequeth my goost that is bareyn,
Whan it is depertid from the careyne,
Unto the godesse called Lucina,
And to hir sustir called Ciria;
For Lucina hath the governale
Of the salt flodes, wher many a ship doith saile,
And ofentymes ther they gone to wrake;
That causeth the stormes and the wawes blake;
And Ciria eke, as Fulgenes tellys,
Abideth moste in flodis and spring wellys.
And for be cause I have sette my plesaunce
In plenté of drynke, I shalle haue in penaunce
To dwelle in wayters as for a purgatory,
Whan I deperte from this world transetory,
299
Unto the tyme, that Dyane of hir grace
List ordeyn me an other dwellyng place;
But every sin must have his purgacion
Here or in an nothir habitacion.
And for the swete wynes that arn so myghti,
In whom I have sette alle my glorie,
Therefor of right it must nedis be thus,
My soule to dwelle in waters troublous,
That ben salt and bitter for taste,
And them to take as for my repaste;
Ffor of right, and as old bookes doon trete,
Sharpe sawce was ordeigned for swete mete.
And I bequeth also my wrecchid cors,
Whiche of the soule gafe litelle fors,
In the temple of Bachus to have his sepulture,
That alwey hath done his best cure,
To serve hym best with alle his hole entent,
Erly and late and ay right diligent;
The cause why I shalle to you devyne,
Ffor Bachus is called the god of wyne;
And for that licour is so presious,
That oft hath made [me] dronke as any mous,
Therfor I wille that ther it beryd be
My wrecchid body afore this god, pardé,
Mighti Bachus, that is myn owen lorde,
Without variaunce to serve hym, or discorde.
And after that another throw hym toke,
And therwith alle his body alle to-shooke,
Lyke as a fever that bernned hym so hote,
And was to hym grete payne, I wote;
And other whiles such a f-- he lete,
That men wend verely he had shete;
Ther ys no storme ne tempest ay doth lest;
But also sone as his anwhushe was past,
He procedid to performe his wille:
And byqueth, as it was right and skille,
Unto the abbasse of this monestary,
I mene of Bachus, that myghti lorde in glorie;
Alas Sloth, that devoute woman,
Whiche hath the propreté of a swan,
Evyr to be in plenté of licour,
And in the morenyng by viij. was his houre
300
To be as dronke as any swyne,
With wyne, or ale, or some licour devyne,
And to her sustres of that condicioun,
Wheir ever they dwelle, in citie or in towne,
Alle the londys and possessions
That I have lying within the bowns
Of Southwerke and of the stwes syde,
As wynde-melles and water-milles eke,
With alle their purtenaunces lying on every syde,
That be there redy and ar not for to seke,
Sufficient i-nough, yf they were alle told,
Ffor to serve many a grete houshold,
By a charter to have and to hold,
Under my seale of lede made the mold,
And written in the skyne of swyne,
What that it is made in parchemyne,
Be cause it shuld perpetually endure,
And unto them be both stable and sure,
Sauf only a certeyn quyte-rent,
Which that I have gevyn with good entent
To pay for me, unto my confessour,
That called is a man of grette honoure,
At the stewes side and their fast by,
To have an hous and dwelle therin yerely;
And to be paid of penaunce ten or twelve,
As good livers as he is hym selfe,
To fete it their, whan he hath need therto:
It is my wille right evyn that it be so;
And of this rent, yf that he doith faile,
I gyve hym powre to skore on the tale,
And take an[d] stresse, yf that nede be,
Upon the grounde, one, two, or thre,
And with hym home his stressis fo[r] to cary,
And in his chamber to make them for to tary,
Tille he be paid fully of the quyte-rent,
And wel i-plesid after hys owyn entent.
And at his forsaid charter maykyng,
And also at the possession takyng,
Alle good drynkers that any where may be hade,
With braynles people and other that ben made,
Shuld be at doing of this dede.
The blissing of Bachus I graunte hym to mede,
301
To be wittness of this cha[r]ter sealyng.
Be cause I wold they shold for no thing
Be interupt of their possessouns,
That I have gyve them lying in the bounss
Of Southewerke and of the stweys syde,
But evermore with them to abyde;
To make them haue the mor devocion
Ffor me to say many an orison,
On nightes specially whan other men do wy[n]ke,
By cause I sette my plesaunce in good drynke.
And I byqueth unto my secrytory,
Regestered a brother in the order of foly,
Ffor his labour and his diligence,
Six marke of pruce to have for his dispence,
To this entent, that he bistow it shalle
Upon good drynk, and on no mete at alle;
My custom ever hath ben to doo soo,
It is my will that he shuld the same [doo].
And I bequeth, yef that I dey shalle,
Ffor to hold my fest funeralle,
An hundredth marke of pruce money fyne,
Ffor to bistow upon bred and wyne,
With other drynkys that dilicious be,
Whiche in ordre herafter ye shall se.
And for to be at this fest funeralle,
I will have called in generalle
Alle the that ben very good drynkers,
And eke also alle feoble swyvers,
And they also that can lyft a bole,
Tille that the drynke hath take them by the polle;
And they also that ben dronkyn wyce,
And othir that arn dronken fooles nyce;
And many droken people shalbe there,
And none of these may fayle at this dyner.
And for to s[o]moun alle them to this fest,
The baily of Ro[y]ston therto is the beste;
Sauf I wille have after myn owyn entent,
An hous for them, that is convenient,
And it shalbe Didalus is hous.
And every man shalbe as drownke as any mous,
Or any of them from this fest passe.
And for to telle how this hows maide was,
302
Ther werre thereto sevynty and sevin
Of dores in nombre, as poets doo nevin,
And he that was ones entered in,
Coulde fynde no wey out for to wyn,
Till that he com yn to a gardeyn,
And their he shuld fynd in certeyn
A clew of yern, and therto he must wynd,
And thereof take a thred by the ende,
And make a knot about hys fynger with alle,
And with the thred wynd hym oute he shalle,
But othre wise myght no man oute wyne,
After that he was ones entered in.
And for be cause so many dores be
Unto the hous, and so fer entré,
Me thingith therfore, as by my jugement,
This is a hous for them most convenient.
But whan all folk ones be entrid in,
I will these people the high borde begyn,
Tho specially that arn droken wise,
People most able, after myne avise,
To sett their among alle other thing
To make them wise in ther owyn talkyng,
And wenith thir wittes be be yonde the mone,
And medle of thynges, that they have nought to done,
And deme them self as wise, withoute lees,
As ever was Aristotle, Plato, or Socrates;
And their thinges begyne to lye,
Ffor than they ben as dronke-lyight as a flye,
And wille telle of thinges that have be done,
Where as never shyneth sone ne mone.
I wille therfor, for myn honesty,
At the hy dees these people sette be.
And to begin also the secounde table,
I wille ther be honest men and able,
Such as wilbe as drongen as an ape,
And they wille skoff now, and jape,
And be also as fulle of nyce toyes,
As ben yong childern or elis wantown boyes;
And they whiche also both gape and gren,
Like the --- of a squirtyng hen.
And in suche caas often tymes they be,
That one may make them play with strawes thre,
303
And be as nyce in a mannys hous,
As is a catt playing with a mous,
Therfor I wille [not] this people sett there,
A place ther is for them elleswhere.
The thirde table shal be gyne as tyte,
They that be manly in dronkenesse for to fyte,
Whan one ther hede is sett a barly-hate,
Than arn they as manly as a ganat,
And than they wille kylle every fle and lous,
And in ther way bydith nodir ratte ne mous;
They will kylle in that grete hete
Huge Golyas, with their wordis grete,
And also the grete Gogmagog,
Cresced worme and the water ffrog.
Than they begyn to swere and to stare,
And be as braynles as a Marshe hare,
When they have one their habergon of malt,
They wene to make many a man to halt,
Ffor they be than so angry and so wraw,
And yet they wille stombile at a straw.
And every table shalle fulfilled be
[Wyth] men of worship and men of honesté;
After that they shalbe servyd wele,
Bute of drynke and mete never a dele.
And wille theire be supervysours,
With officers, as conyng surveyours,
Bakers, bruers, and buttelers of the best,
Tene them of brede and drynke, ne they rest,
Tille every man have plenté and sufficiaunce,
Of mete and drynk right large abundaunce;
Som to serve, and some for to sew
Them brede and drynke, as they sit a-rew;
And what with gestes and with servauntes eke,
I trow their shalbe an honeste felowship.
Sauf ffirst shalle they of ale have new bake bonns,
With stronge ale bruen in fattes and in tonnes,
Pyng, Drangolle, and the Braget fyne,
Methe, Mathebru, and Mathelynge,
Rede wyn, the claret, and the white,
With Teynt and Alycaunt, in whom I delite;
Wyn ryvers and wyn sake also,
Wyne of Langdoke and of Orliaunce therto,
304
Sengle bere, and othire that is dwobile,
Which causith the brayn of man to trouble;
Spruce beer, and the beer of Hambur,
Whiche makyth oft tymes men to stambur;
Malmasyes, Tires, and Rumneys,
With Caperikis, Campletes, and Osneys,
Vernage, Cute, and Raspays also,
Whippett and Pyngmedo, that ben lawyers therto;
And I wille have also wyne de Ryne,
With new maid Clarye, that is good and fyne,
Muscadelle, Terantyne, and Bastard,
With Ypocras and Pyment comyng after warde.
And as for mete I will that goo quyte,
Ffor I had never therin grete dylite,
So that I myyt have drynke at my wille,
Good ale or wyne my bely for to fille.
Also I will eke that John Aly,
And his brother Laurens Sty,
Be surveyours cheyff at this dynere,
And serve oute drynkes, that ben both brith and cleyre,
And se that every man have sufficiaunce,
Of alle drynkys plenté and abundaunce.
Also I wille that other men ther be
To serve the people everiche in degree:
That is to say, Robert Otwey,
Nicholas Inglond and Robert Horsley,
And Colyn Blobolle and Robert Curé;
And to gadre in the cuppys grett and smale,
Theire shalbe muster William Copyndale,
And othir such they ben to few,
Theym for to serve, and their dishes to sew.
And to se alle thinges truly doone
After my deth, dwely and right sone,
I ordeyn to be my executour
Of my last will, with a supervisour,
Aleyn Maltson, to se truly
My wille performyd wele and duly,
As I have ordeynd here after myn entent,
By good avicement in my Testament.
And I wille, that supervisour bee
Over hym a man of honesté,
Sybour Groutehed, a man fulle discrette,
305
Whiche wilbe dronke with myghti wynes swete,
Thaugh he non drynk but semell ones therto.
I hold hym mekly therfor to have adoo
In suche a mater of so grete a charge.
And for their labour I reward them large,
Ffor myn executour shalle have xxti marke,
And to my supervisour, for his besy warke,
And his labour, and his diligence,
He shalle have yerely viij marke for his dispence.
Thus I Colyn Blowbolle, with good avisement,
Make an end now of my Testament,
And willyng every man in his degree,
Ffor me to pray vnto the deyté
Of mighti Bachus, and of myghti Juno,
When I hens weynd, that I may com them too;
Whiche have ever be right diligent
To serve them best, with alle myn hole entent,
And so shalle I doo unto my lyves ende.
So pray for me, that I may to them wynde,
Whan Antropus shalle twyn a-two the thirde;
And or that tyme no man shalbe d[r]ede,
Of the mevyng of my mortalle body,
That I may then entre into their glorie.
And me remember with your devocion,
Hertely with alle your mencion,
With som good prayres whan ye upon me thynke,
Whiche hath ben ever a lover of goode drynke.
Thow litelle quayer, how darst thow shew thy face,
Or com yn presence of men of honesté?
Sith thow ard rude, and folowist not the trace
Of faire langage, nor haiste no bewté;
Wherefore of wysedom thus I councelle the,
To draw the bake fer out of their sight,
Lest thow be had in reproef and dispite.
Here endyth Colyn Blobollys Testament.
~ Anonymous Olde English,
1359:SCENE I. The Country.
Enter ALBERT.
Albert. O that the earth were empty, as when Cain
Had no perplexity to hide his head!
Or that the sword of some brave enemy
Had put a sudden stop to my hot breath,
And hurl'd me down the illimitable gulph
Of times past, unremember'd! Better so
Than thus fast-limed in a cursed snare,
The white limbs of a wanton. This the end
Of an aspiring life! My boyhood past
In feud with wolves and bears, when no eye saw
The solitary warfare, fought for love
Of honour 'mid the growling wilderness.
My sturdier youth, maturing to the sword,
Won by the syren-trumpets, and the ring
Of shields upon the pavement, when bright-mail'd
Henry the Fowler pass'd the streets of Prague,
Was't to this end I louted and became
The menial of Mars, and held a spear
Sway'd by command, as corn is by the wind?
Is it for this, I now am lifted up
By Europe's throned Emperor, to see
My honour be my executioner,
My love of fame, my prided honesty
Put to the torture for confessional?
Then the damn'd crime of blurting to the world
A woman's secret! Though a fiend she be,
Too tender of my ignominious life;
But then to wrong the generous Emperor
In such a searching point, were to give up
My soul for foot-ball at Hell's holiday!
I must confess, and cut my throat, to-day?
To-morrow? Ho! some wine!
Enter SIGIFRED.
Sigifred. A fine humour
Albert. Who goes there? Count Sigifred? Ha! Ha!
Sigifred. What, man, do you mistake the hollow sky
For a throng 'd tavern, and these stubbed trees
For old serge hangings, me, your humble friend,
For a poor waiter? Why, man, how you stare!
What gipsies have you been carousing with?
No, no more wine; methinks you've had enough.
Albert. You well may laugh and banter. What a fool
An injury may make of a staid man!
You shall know all anon.
Sigifred. Some tavern brawl?
Albert. 'Twas with some people out of common reach;
Revenge is difficult.
Sigifred. I am your friend;
We meet again to-day, and can confer
Upon it. For the present I'm in haste.
Albert. Whither?
Sigifred. To fetch King Gersa to the feast.
The Emperor on this marriage is so hot,
Pray Heaven it end not in apoplexy!
The very porters, as I pass'd the doors,
Heard his loud laugh, and answer 'd in full choir.
I marvel, Albert, you delay so long
From those bright revelries; go, show yourself,
You may be made a duke.
Albert. Aye, very like:
Pray, what day has his Highness fix'd upon?
Sigifred. For what?
Albert. The marriage. What else can I mean?
Sigifred. To-day! O, I forgot, you could not know;
The news is scarce a minute old with me.
Albert. Married to-day! To-day! You did not say so?
Sigifred. Now, while I speak to you, their comely heads
Are bow'd before the mitre.
Albert. O! Monstrous!
Sigifred. What is this?
Albert. Nothing, Sigifred. Farewell!
We'll meet upon our subject. Farewell, count!
[Exit.
Sigifred. Is this clear-headed Albert? He brain-turned!
Tis as portentous as a meteor. [Exit.

SCENE II. An Apartment in the Castle.
Enter, as from the Marriage, OTHO, LUDOLPH, AURANTHE, CONRAD,
Nobles, Knights, Ladies, &c. Music.
Otho. Now, Ludolph! Now, Auranthe! Daughter fair!
What can I find to grace your nuptial day
More than my love, and these wide realms in fee?
Ludolph. I have too much.
Auranthe. And I, my liege, by far.
Ludolph. Auranthe! I have! O, my bride, my love!
Not all the gaze upon us can restrain
My eyes, too long poor exiles from thy face,
From adoration, and my foolish tongue
From uttering soft responses to the love
I see in thy mute beauty beaming forth!
Fair creature, bless me with a single word!
All mine!
Auranthe. Spare, spare me, my Lord! I swoon else.
Ludolph. Soft beauty! by to-morrow I should die,
Wert thou not mine. [They talk apart,
First Lady. How deep she has bewitch'd him!
First Knight. Ask you for her recipe for love philtres.
Second Lady. They hold the Emperor in admiration,
Otho. If ever king was happy, that am I!
What are the cities 'yond the Alps to me,
The provinces about the Danube's mouth,
The promise of fair soil beyond the Rhone;
Or routing out of Hyperborean hordes,
To those fair children, stars of a new age?
Unless perchance I might rejoice to win
This little ball of earth, and chuck it them
To play with!
Auranthe. Nay, my Lord, I do not know.
Ludolph. Let me not famish.
Otho (to Conrad). Good Franconia,
You heard what oath I sware, as the sun rose,
That unless Heaven would send me back my son,
My Arab, no soft music should enrich
The cool wine, kiss'd off with a soldier's smack;
Now all my empire, barter 'd for one feast,
Seems poverty.
Conrad. Upon the neighbour-plain
The heralds have prepar'd a royal lists;
Your knights, found war-proof in the bloody field,
Speed to the game.
Otho. Well, Ludolph, what say you?
Ludolph. My lord!
Otho. A tourney?
Conrad. Or, if't please you best
Ludolph. I want no morel
First Lady. He soars!
Second Lady. Past all reason.
Ludolph. Though heaven's choir
Should in a vast circumference descend
And sing for my delight, I'd stop my ears!
Though bright Apollo's car stood burning here,
And he put out an arm to bid me mount,
His touch an immortality, not I!
This earth, this palace, this room, Auranthe!
Otho. This is a little painful; just too much.
Conrad, if he flames longer in this wise,
I shall believe in wizard-woven loves
And old romances; but I'll break the spell.
Ludolph!
Conrad. He will be calm, anon.
Ludolph. You call'd?
Yes, yes, yes, I offend. You must forgive me;
Not being quite recover'd from the stun
Of your large bounties. A tourney, is it not?
{A senet heard faintly.
Conrad. The trumpets reach us.
Ethelbert (without). On your peril, sirs,
Detain us!
First Voice (without). Let not the abbot pass.
Second Voice (without). No,
On your lives!
First Voice (without). Holy Father, you must not.
Ethelbert (without). Otho!
Otho. Who calls on Otho?
Ethelhert (without). Ethelbert!
Otho. Let him come in.
Enter ETHELBERT leading in ERMINIA.
Thou cursed abbot, why
Hast brought pollution to our holy rites?
Hast thou no fear of hangman, or the ****?
Ludolph. What portent what strange prodigy is this?
Conrad. Away!
Ethelbert. You, Duke?
Ermmia. Albert has surely fail'd me!
Look at the Emperor's brow upon me bent!
Ethelbert. A sad delay!
Conrad. Away, thou guilty thing!
Ethelbert. You again, Duke? Justice, most mighty Otho!
You go to your sister there and plot again,
A quick plot, swift as thought to save your heads;
For lo! the toils are spread around your den,
The word is all agape to see dragg'd forth
Two ugly monsters.
Ludolph. What means he, my lord?
Conrad. I cannot guess.
Ethelbert. Best ask your lady sister,
Whether the riddle puzzles her beyond
The power of utterance.
Conrad. Foul barbarian, cease;
The Princess faints!
Ludolph. Stab him! , sweetest wife!
[Attendants bear off AURANTHE,
Erminia. Alas!
Ethelbert. Your wife?
Ludolph. Aye, Satan! does that yerk ye?
Ethelbert. Wife! so soon!
Ludolph. Aye, wife! Oh, impudence!
Thou bitter mischief! Venomous mad priest!
How dar'st thou lift those beetle brows at me?
Me the prince Ludolph, in this presence here,
Upon my marriage-day, and scandalize
My joys with such opprobrious surprise? SO
Wife! Why dost linger on that syllable,
As if it were some demon's name pronounc'd
To summon harmful lightning, and make roar
The sleepy thunder? Hast no sense of fear?
No ounce of man in thy mortality?
Tremble! for, at my nod, the sharpen'd axe
Will make thy bold tongue quiver to the roots,
Those grey lids wink, and thou not know it more!
Ethelbert. O, poor deceived Prince! I pity thee!
Great Otho! I claim justice
Ludolph. Thou shalt hav 't!
Thine arms from forth a pulpit of hot fire
Shall sprawl distracted! O that that dull cowl
Were some most sensitive portion of thy life,
That I might give it to my hounds to tear!
Thy girdle some fine zealous-pained nerve
To girth my saddle! And those devil's beads
Each one a life, that I might, every day,
Crush one with Vulcan's hammer!
Otho. Peace, my son;
You far outstrip my spleen in this affair.
Let us be calm, and hear the abbot's plea
For this intrusion.
Ludolph. I am silent, sire.
Otho. Conrad, see all depart not wanted here.
[Exeunt Knights, Ladies, &c.
Ludolph, be calm. Ethelbert, peace awhile.
This mystery demands an audience
Of a just judge, and that will Otho be.
Ludolph. Why has he time to breathe another word?
Otho. Ludolph, old Ethelbert, be sure, comes not
To beard us for no cause ; he's not the man
To cry himself up an ambassador
Without credentials.
Ludolph. Ill chain up myself.
Otho. Old Abbot, stand here forth. Lady Erminia,
Sit. And now, Abbot! what have you to say?
Our ear is open. First we here denounce
Hard penalties against thee, if 't be found
The cause for which you have disturb 'd us here,
Making our bright hours muddy, be a thing
Of little moment.
Ethelbert. See this innocent!
Otho! thou father of the people call'd,
Is her life nothing? Her fair honour nothing?
Her tears from matins until even-song
Nothing? Her burst heart nothing? Emperor!
Is this your gentle niece the simplest flower
Of the world's herbal this fair lilly blanch 'd
Still with the dews of piety, this meek lady
Here sitting like an angel newly-shent,
Who veils its snowy wings and grows all pale,
Is she nothing?
Otho. What more to the purpose, abbot?
Ludolph. Whither is he winding?
Conrad. No clue yet!
Ethelbert. You have heard, my Liege, and so, no
doubt, all here,
Foul, poisonous, malignant whisperings;
Nay open speech, rude mockery grown common,
Against the spotless nature and clear fame
Of the princess Erminia, your niece.
I have intruded here thus suddenly,
Because I hold those base weeds, with tight hand,
Which now disfigure her fair growing stem,
Waiting but for your sign to pull them up
By the dark roots, and leave her palpable,
To all men's sight, a Lady, innocent.
The ignominy of that whisper'd tale
About a midnight gallant, seen to climb
A window to her chamber neighboured near,
I will from her turn off, and put the load
On the right shoulders; on that wretch's head,
Who, by close stratagems, did save herself,
Chiefly by shifting to this lady's room
A rope-ladder for false witness.
Ludolph. Most atrocious!
Otho. Ethelbert, proceed.
Ethelbert. With sad lips I shall:
For in the healing of one wound, I fear
To make a greater. His young highness here
To-day was married.
Ludolph. Good.
Ethelbert. Would it were good!
Yet why do I delay to spread abroad
The names of those two vipers, from whose jaws
A deadly breath went forth to taint and blast
This guileless lady?
Otho. Abbot, speak their names.
Ethelbert. A minute first. It cannot be but may
I ask, great judge, if you to-day have put
A letter by unread?
Otho. Does 'tend in this?
Conrad. Out with their names!
Ethelbert. Bold sinner, say you so?
Ludolph. Out, tedious monk!
Otho. Confess, or by the wheel
Ethelbert. My evidence cannot be far away;
And, though it never come, be on my head
The crime of passing an attaint upon
The slanderers of this virgin.
Ludolph. Speak aloud!
Ethelbert. Auranthe, and her brother there.
Conrad. Amaze!
Ludolph. Throw them from the windows!
Otho. Do what you will!
Ludolph. What shall I do with them?
Something of quick dispatch, for should she hear,
My soft Auranthe, her sweet mercy would
Prevail against my fury. Damned priest!

What swift death wilt thou die? As to the lady
I touch her not.
Ethelbert. Illustrious Otho, stay!
An ample store of misery thou hast,
Choak not the granary of thy noble mind
With more bad bitter grain, too difficult
A cud for the repentance of a man
Grey-growing. To thee only I appeal,
Not to thy noble son, whose yeasting youth
Will clear itself, and crystal turn again.
A young man's heart, by Heaven's blessing, is
A wide world, where a thousand new-born hopes
Empurple fresh the melancholy blood;
But an old man's is narrow, tenantless
Of hopes, and stuffd with many memories,
Which, being pleasant, ease the heavy pulse
Painful, clog up and stagnate. Weigh this matter
Even as a miser balances his coin ;
And, in the name of mercy, give command
That your knight Albert be brought here before you.
He will expound this riddle ; he will show
A noon-day proof of bad Auranthe's guilt.
Otho. Let Albert straight be summon 'd.
[Exit one of the Nobles.
Ludolph. Impossible !
I cannot doubt I will not no to doubt
Is to be ashes! wither 'd up to death!
Otho. My gentle Ludolph, harbour not a fear;
You do yourself much wrong.
Ludolph. O, wretched dolt!
Now, when my foot is almost on thy neck,
Wilt thou infuriate me? Proof! thou fool!
Why wilt thou teaze impossibility
With such a thick-skull'd persevering suit?
Fanatic obstinacy! Prodigy!
Monster of folly! Ghost of a turn'd brain!
You puzzle me, you haunt me, when I dream
Of you my brain will split! Bald sorcerer!
Juggler! May I come near you? On my soul
I know not whether to pity, curse, or laugh.
Enter ALBERT, and the Nobleman.
Here, Albert, this old phantom wants a proof!
Give him his proof! A camel's load of proofs!
Otho. Albert, I speak to you as to a man
Whose words once utter 'd pass like current gold;
And therefore fit to calmly put a close
To this brief tempest. Do you stand possess 'd
Of any proof against the honourableness
Of Lady Auranthe, our new-spoused daughter?
Albert. You chill me with astonishment. How's this?
My Liege, what proof should I have 'gainst a fame
Impossible of slur? [Otho rises.
Erminia. O wickedness!
Ethelbert. Deluded monarch, 'tis a cruel lie.
Otho. Peace, rebel-priest!
Conrad. Insult beyond credence!
Erminia. Almost a dream!
Ludolph. We have awaken'd from
A foolish dream that from my brow hath wrung
A wrathful dew. O folly! why did I
So act the lion with this silly gnat?
Let them depart. Lady Erminia!
I ever griev'd for you, as who did not?
But now you have, with such a brazen front,
So most maliciously, so madly striven
To dazzle the soft moon, when tenderest clouds
Should be unloop'd around to curtain her;
I leave you to the desert of the world
Almost with pleasure. Let them be set free
For me! I take no personal revenge
More than against a nightmare, which a man
forgets in the new dawn.
[Exit LUDOLPH.
Otho. Still in extremes! No, they must not be loose.
Ethelbert. Albert, I must suspect thee of a crime
So fiendish
Otho. Fear'st thou not my fury, monk?
Conrad, be they in your sure custody
Till we determine some fit punishment.
It is so mad a deed, I must reflect
And question them in private ; for perhaps,
By patient scrutiny, we may discover
Whether they merit death, or should be placed
In care of the physicians.
[Exeunt OTHO and Nobles, ALBERT following.
Conrad. My guards, ho!
Erminia. Albert, wilt thou follow there?
Wilt thou creep dastardly behind his back,
And slink away from a weak woman's eye?
Turn, thou court-Janus! thou forget'st thyself;
Here is the Duke, waiting with open arms,
[Enter Guards.
To thank thee; here congratulate each other;
Wring hands; embrace; and swear how lucky 'twas
That I, by happy chance, hit the right man
Of all the world to trust in.
Albert. Trust! to me!
Conrad (aside). He is the sole one in this mystery.
Erminia. Well, I give up, and save my prayers for Heaven!
You, who could do this deed, would ne'er relent,
Though, at my words, the hollow prison-vaults
Would groan for pity.
Conrad. Manacle them both!
Ethelbert. I know itit must be I see it all!
Albert, thou art the minion!
Erminia. Ah ! too plain
Conrad. Silence! Gag up their mouths! I cannot bear
More of this brawling. That the Emperor
Had plac'd you in some other custody!
Bring them away.
[Exeunt all but ALBERT.
Albert. Though my name perish from the book of honour,
Almost before the recent ink is dry,
And be no more remember'd after death,
Than any drummer's in the muster-roll;
Yet shall I season high my sudden fall
With triumph o'er that evil-witted duke!
He shall feel what it is to have the hand
Of a man drowning, on his hateful throat.
Enter GERSA and SIGIFRED.
Gersa. What discord is at ferment in this house?
Sigifred. We are without conjecture; not a soul
We met could answer any certainty.
Gersa. Young Ludolph, like a fiery arrow, shot
By us.
Sigifred. The Emperor, with cross'd arms, in thought.
Gersa. In one room music, in another sadness,
Perplexity every where!
Albert. A trifle more!
Follow; your presences will much avail
To tune our jarred spirits. I'll explain. [Exeunt.
by owner. provided at no charge for educational purposes

~ John Keats, Otho The Great - Act III
,
1360:Raschi In Prague
Raschi of Troyes, the Moon of Israel,
The authoritative Talmudist, returned
From his wide wanderings under many skies,
To all the synagogues of the Orient,
Through Spain and Italy, the isles of Greece,
Beautiful, dolorous, sacred Palestine,
Dead, obelisked Egypt, floral, musk-breathed Persia,
Laughing with bloom, across the Caucasus,
The interminable sameness of bare steppes,
Through dark luxuriance of Bohemian woods,
And issuing on the broad, bright Moldau vale,
Entered the gates of Prague. Here, too, his fame,
Being winged, preceded him. His people swarmed
Like bees to gather the rich honey-dew
Of learning from his lips. Amazement filled
All eyes beholding him. No hoary sage,
He who had sat in Egypt at the feet
Of Moses ben-Maimuni, called him friend;
Raschi the scholiast, poet, and physician,
Who bore the ponderous Bible's storied wisdom,
The Mischna's tangled lore at tip of tongue,
Light as a garland on a lance, appeared
In the just-ripened glory of a man.
From his clear eye youth flamed magnificent;
Force, masked by grace, moved in his balanced frame;
An intellectual, virile beauty reigned
Dominant on domed brow, on fine, firm lips,
An eagle profile cut in gilded bronze,
Strong, delicate as a head upon a coin,
While, as an aureole crowns a burning lamp,
Above all beauty of the body and brain
Shone beauty of a soul benign with love.
Even as a tawny flock of huddled sheep,
Grazing each other's heels, urged by one will,
With bleat and baa following the wether's lead,
Or the wise shepherd, so o'er the Moldau bridge
Trotted the throng of yellow-caftaned Jews,
Chattering, hustling, shuffling. At their head
Marched Rabbi Jochanan ben-Eleazar,
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High priest in Prague, oldest and most revered,
To greet the star of Israel. As a father
Yearns toward his son, so toward the noble Raschi
Leapt at first sight the patriarch's fresh old heart.
'My home be thine in Prague! Be thou my son,
Who have no offspring save one simple girl.
See, glorious youth, who dost renew the days
Of David and of Samuel, early graced
With God's anointing oil, how Israel
Delights to honor who hath honored him.'
Then Raschi, though he felt a ball of fire
Globe itself in his throat, maintained his calm,
His cheek's opaque, swart pallor while he kissed
Silent the Rabbi's withered hand, and bowed
Divinely humble, his exalted head
Craving the benison.
For each who asked
He had the word of counsel, comfort, help;
For all, rich eloquence of thanks. His voice,
Even and grave, thrilled secret chords and set
Plain speech to music. Certain folk were there
Sick in the body, dragging painful limbs,
To the physician. These he solaced first,
With healing touch, with simples from his pouch,
Warming and lulling, best with promises
Of constant service till their ills were cured.
And some, gray-bearded, bald, and curved with age,
Blear-eyed from poring over lines obscure
And knotty riddles of the Talmud, brought
Their problems to this youth, who cleared and solved,
Yielding prompt answer to a lifetime's search.
Then, followed, pushed by his obsequious tribe,
Who fain had pedestaled him on their backs,
Hemming his steps, choking the airs of heaven
With their oppressive honors, he advanced,
Midst shouts, tumultuous welcomes, kisses showered
Upon his road-stained garments, through Prague's streets,
Gaped at by Gentiles, hissed at and reviled,
But no whit altering his majestic mien
For overwhelming plaudits or contempt.
Glad tidings Raschi brought from West and East
Of thriving synagogues, of famous men,
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And flourishing academies. In Rome
The Papal treasurer was a pious Jew,
Rabbi Jehiel, neath whose patronage
Prospered a noble school. Two hundred Jews
Dwelt free and paid no tributary mark.
Three hundred lived in peace at Capua,
Shepherded by the learned Rabbi David,
A prince of Israel. In Babylon
The Jews established their Academy.
Another still in Bagdad, from whose chair
Preached the great rabbi, Samuel Ha-levi,
Versed in the written and the oral law,
Who blindfold could repeat the whole vast text
Of Mischna and Gemara. On the banks
Of Eden-born Euphrates, one day's ride
From Bagdad, Raschi found in the wilderness,
Which once was Babylon, Ezekiel's tomb.
Thrice ten perpetual lamps starred the dim shrine,
Two hundred sentinels held the sleepless vigil,
Receiving offerings. At the Feast of Booths
Here crowded Jews by thousands, out of Persia,
From all the neighboring lands, to celebrate
The glorious memories of the golden days.
Ten thousand Jews with their Academy
Damascus boasted, while in Cairo shone
The pearl, the crown of Israel, ben-Maimuni,
Physician at the Court of Saladin,
The second Moses, gathering at his feet
Sages from all the world.
As Raschi spake,
Forgetting or ignoring the chief shrine,
The Exile's Home, whereunto yearned all hearts,
All ears were strained for tidings. Some one asked:
'What of Jerusalem? Speak to us of Zion.'
The light died from his eyes. From depths profound
Issued his grave, great voice: 'Alas for Zion!
Verily is she fallen! Where our race
Dictated to the nations, not a handful,
Nay, not a score, not ten, not two abide!
One, only one, one solitary Jew,
The Rabbi Abraham Haceba, flits
Ghostlike amid the ruins; every year
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Beggars himself to pay the idolaters
The costly tax for leave to hold a-gape
His heart's live wound; to weep, a mendicant,
Amidst the crumbled stones of palaces
Where reigned his ancestors, upon the graves
Where sleep the priests, the prophets, and the kings
Who were his forefathers. Ask me no more!'
Now, when the French Jew's advent was proclaimed,
And his tumultuous greeting, envious growls
And ominous eyebeams threatened storm in Prague.
'Who may this miracle of learning be?
The Anti-Christ! The century-long-awaited,
The hourly-hoped Messiah, come at last!
Else dared they never wax so arrogant,
Flaunting their monstrous joy in Christian eyes,
And strutting peacock-like, with hideous screams,
Who are wont to crawl, mute reptiles underfoot.'
A stone or two flung at some servile form,
Liveried in the yellow gaberdine
(With secret happiness but half suppressed
On features cast for misery), served at first
For chance expression of the rabble's hate;
But, swelling like a snow-ball rolled along
By mischief-plotting boys, the rage increased,
Grew to a mighty mass, until it reached
The palace of Duke Vladislaw. He heard
With righteous wrath his injured subjects' charge
Against presumptuous aliens: how these blocked
His avenues, his bridges; bared to the sun
The canker-taint of Prague's obscurest coigne;
Paraded past the churches of the Lord
One who denied Him, one by them hailed Christ.
Enough! This cloud, no bigger than one's hand,
Gains overweening bulk. Prague harbored, first,
Out of contemptuous ruth, a wretched band
Of outcast paupers, gave them leave to ply
Their money-lending trade, and leased them land
On all too facile terms. Behold! to-day,
Like leeches bloated with the people's blood,
They batten on Bohemia's poverty;
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They breed and grow; like adders, spit back hate
And venomed perfidy for Christian love.
Thereat the Duke, urged by wise counsellorsNarzerad the statesman (half whose wealth was pledged
To the usurers), abetted by the priest,
Bishop of Olmutz, who had visited
The Holy Sepulchre, whose long, full life
Was one clean record of pure pietyThe Duke, I say, by these persuasive tongues,
Coaxed to his darling aim, forbade his guards
To hinder the just anger of his town,
And ordered to be led in chains to him
The pilgrim and his host.
At noontide meal
Raschi sat, full of peace, with Jochanan,
And the sole daughter of the house, Rebekah,
Young, beautiful as her namesake when she brought
Her firm, frail pitcher balanced on her neck
Unto the well, and gave the stranger drink,
And gave his camels drink. The servant set
The sparkling jar's refreshment from his lips,
And saw the virgin's face, bright as the moon,
Beam from the curled luxuriance of black locks,
And cast-back linen veil's soft-folded cloud,
Then put the golden ear-ring by her cheek,
The bracelets on her hands, his master's pledge,
Isaac's betrothal gift, whom she should wed,
And be the mother of millions-one whose seed
Dwells in the gates of those which hate them.
So
Yearned Raschi to adorn the radiant girl
Who sat at board before him, nor dared lift
Shy, heavy lids from pupils black as grapes
That dart the imprisoned sunshine from their core.
But in her ears keen sense was born to catch,
And in her heart strange power to hold, each tone
O' the low-keyed, vibrant voice, each syllable
O' the eloquent discourse, enriched with tales
Of venturous travel, brilliant with fine points
Of delicate humor, or illustrated
With living portraits of world-famoused men,
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Jews, Saracens, Crusaders, Islamites,
Whose hand he had grasped-the iron warrior,
Godfrey of Bouillon, the wise infidel
Who in all strength, wit, courtesy excelled
The kings his foes-imperial Saladin.
But even as Raschi spake an abrupt noise
Of angry shouts, of battering staves that shook
The oaken portal, stopped the enchanted voice,
The uplifted wine spilled from the nerveless hand
Of Rabbi Jochanan. 'God pity us!
Our enemies are upon us once again.
Hie thee, Rebekah, to the inmost chamber,
Far from their wanton eyes' polluting gaze,
Their desecrating touch! Kiss me! Begone!
Raschi, my guest, my son'-But no word more
Uttered the reverend man. With one huge crash
The strong doors split asunder, pouring in
A stream of soldiers, ruffians, armed with pikes,
Lances, and clubs-the unchained beast, the mob.
'Behold the town's new guest!' jeered one who tossed
The half-filled golden wine-cup's contents straight
In the noble pure young face. 'What, master Jew!
Must your good friends of Prague break bolts and bars
To gain a peep at this prodigious pearl
You bury in your shell? Forth to the day!
Our Duke himself claims share of your new wealth;
Summons to court the Jew philosopher!'
Then, while some stuffed their pokes with baubles snatched
From board and shelf, or with malignant sword
Slashed the rich Orient rugs, the pictured woof
That clothed the wall; others had seized and bound,
And gagged from speech, the helpless, aged man;
Still others outraged, with coarse, violent hands,
The marble-pale, rigid as stone, strange youth,
Whose eye like struck flint flashed, whose nether lip
Was threaded with a scarlet line of blood,
Where the compressed teeth fixed it to forced calm.
He struggled not while his free limbs were tied,
His beard plucked, torn and spat upon his robeSeemed scarce to know these insults were for him;
But never swerved his gaze from Jochanan.
Then, in God's language, sealed from these dumb brutes,
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Swiftly and low he spake: 'Be of good cheer,
Reverend old man. I deign not treat with these.
If one dare offer bodily hurt to thee,
By the ineffable Name! I snap my chains
Like gossamer, and in his blood, to the hilt,
Bathe the prompt knife hid in my girdle's folds.
The Duke shall hear me. Patience. Trust in me.'
Somewhat the authoritative voice abashed,
Even hoarse and changed, the miscreants, who feared
Some strong curse lurked in this mysterious tongue,
Armed with this evil eye. But brief the spell.
With gibe and scoff they dragged their victims forth,
The abused old man, the proud, insulted youth,
O'er the late path of his triumphal march,
Befouled with mud, with raiment torn, wild hair
And ragged beard, to Vladislaw. He sat
Expectant in his cabinet. On one side
His secular adviser, Narzerad,
Quick-eyed, sharp-nosed, red-whiskered as a fox;
On the other hand his spiritual guide,
Bishop of Olmutz, unctuous, large, and bland.
'So these twain are chief culprits!' sneered the Duke,
Measuring with the noble's ignorant scorn
His masters of a lesser caste. 'Stand forth!
Rash, stubborn, vain old man, whose impudence
Hath choked the public highways with thy brood
Of nasty vermin, by our sufferance hid
In lanes obscure, who hailed this charlatan
With sky-flung caps, bent knees, and echoing shouts,
Due to ourselves alone in Prague; yea, worse,
Who offered worship even ourselves disclaim,
Our Lord Christ's meed, to this blaspheming JewThy crimes have murdered patience. Thou hast wrecked
Thy people's fortune with thy own. But first
(For even in anger we are just) recount
With how great compensation from thy store
Of hoarded gold and jewels thou wilt buy
Remission of the penalty. Be wise.
Hark how my subjects, storming through the streets,
Vent on thy tribe accursed their well-based wrath.'
And, truly, through closed casements roared the noise
Of mighty surging crowds, derisive cries,
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And victims' screams of anguish and affright.
Then Raschi, royal in his rags, began:
'Hear me, my liege!' At that commanding voice,
The Bishop, who with dazed eyes had perused
The grieved, wise, beautiful, pale face, sprang up,
Quick recognition in his glance, warm joy
Aflame on his broad cheeks. 'No more! No more!
Thou art the man! Give me the hand to kiss
That raised me from the shadow of the grave
In Jaffa's lazar-house! Listen, my liege!
During my pilgrimage to Palestine
I, sickened with the plague and nigh to death,
Languished 'midst strangers, all my crumbling flesh
One rotten mass of sores, a thing for dogs
To shy from, shunned by Christian as by Turk,
When lo! this clean-breathed, pure-souled, blessed youth,
Whom I, not knowing for an infidel,
Seeing featured like the Christ, believed a saint,
Sat by my pillow, charmed the sting from pain,
Quenched the fierce fever's heat, defeated Death;
And when I was made whole, had disappeared,
No man knew whither, leaving no more trace
Than a re-risen angel. This is he!'
Then Raschi, who had stood erect, nor quailed
From glances of hot hate or crazy wrath,
Now sank his eagle gaze, stooped his high head,
Veiling his glowing brow, returned the kiss
Of brother-love upon the Christian's hand,
And dropping on his knees implored the three,
'Grace for my tribe! They are what ye have made.
If any be among them fawning, false,
Insatiable, revengeful, ignorant, meanAnd there are many such-ask your own hearts
What virtues ye would yield for planted hate,
Ribald contempt, forced, menial servitude,
Slow centuries of vengeance for a crime
Ye never did commit? Mercy for these!
Who bear on back and breast the scathing brand
Of scarlet degradation, who are clothed
In ignominious livery, whose bowed necks
Are broken with the yoke. Change these to men!
That were a noble witchcraft simply wrought,
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God's alchemy transforming clods to gold.
If there be one among them strong and wise,
Whose lips anoint breathe poetry and love,
Whose brain and heart served ever Christian needAnd there are many such-for his dear sake,
Lest ye chance murder one of God's high priests,
Spare his thrice-wretched tribe! Believe me, sirs,
Who have seen various lands, searched various hearts,
I have yet to touch that undiscovered shore,
Have yet to fathom that impossible soul,
Where a true benefit's forgot; where one
Slight deed of common kindness sown yields not
As now, as here, abundant crop of love.
Every good act of man, our Talmud says,
Creates an angel, hovering by his side.
Oh! what a shining host, great Duke, shall guard
Thy consecrated throne, for all the lives
Thy mercy spares, for all the tears thy ruth
Stops at the source. Behold this poor old man,
Last of a line of princes, stricken in years,
As thy dead father would have been to-day.
Was that white beard a rag for obscene hands
To tear? a weed for lumpish clowns to pluck?
Was that benignant, venerable face
Fit target for their foul throats' voided rheum?
That wrinkled flesh made to be pulled and pricked,
Wounded by flinty pebbles and keen steel?
Behold the prostrate, patriarchal form,
Bruised, silent, chained. Duke, such is Israel!'
'Unbind these men!' commanded Vladislaw.
'Go forth and still the tumult of my town.
Let no Jew suffer violence. Raschi, rise!
Thou who hast served the Christ-with this priest's life,
Who is my spirit's counselor-Christ serves thee.
Return among thy people with my seal,
The talisman of safety. Let them know
The Duke's their friend. Go, publish the glad news!'
Raschi the Saviour, Raschi the Messiah,
Back to the Jewry carried peace and love.
But Narzerad fed his venomed heart with gall,
Vowing to give his fatal hatred vent,
Despite a world of weak fantastic Dukes
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And heretic bishops. He fulfilled his vow.
~ Emma Lazarus,
1361:Viva Perpetua
Now being on the eve of death, discharged
From every mortal hope and earthly care,
I questioned how my soul might best employ
This hand, and this still wakeful flame of mind,
In the brief hours yet left me for their use;
Wherefore have I bethought me of my friend,
Of you, Philarchus, and your company,
Yet wavering in the faith and unconfirmed;
Perchance that I may break into thine heart
Some sorrowful channel for the love divine,
I make this simple record of our proof
In diverse sufferings for the name of Christ,
Whereof the end already for the most
Is death this day with steadfast faith endured.
We were in prison many days, close-pent
In the black lower dungeon, housed with thieves
And murderers and divers evil men;
So foul a pressure, we had almost died,
Even there, in struggle for the breath of life
Amid the stench and unendurable heat;
Nor could we find each other save by voice
Or touch, to know that we were yet alive,
So terrible was the darkness. Yea, 'twas hard
To keep the sacred courage in our hearts,
When all was blind with that unchanging night,
And foul with death, and on our ears the taunts
And ribald curses of the soldiery
Fell mingled with the prisoners' cries, a load
Sharper to bear, more bitter than their blows.
At first, what with that dread of our abode,
Our sudden apprehension, and the threats
Ringing perpetually in our ears, we lost
The living fire of faith, and like poor hinds
Would have denied our Lord and fallen away.
Even Perpetua, whose joyous faith
Was in the later holier days to be
The stay and comfort of our weaker ones,
Was silent for long whiles. Perchance she shrank
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In the mere sickness of the flesh, confused
And shaken by our new and horrible plight-The tender flesh, untempered and untried,
Not quickened yet nor mastered by the soul;
For she was of a fair and delicate make,
Most gently nurtured, to whom stripes and threats
And our foul prison-house were things undreamed.
But little by little as our spirits grew
Inured to suffering, with clasped hands, and tongues
That cheered each other to incessant prayer,
We rose and faced our trouble: we recalled
Our Master's sacred agony and death,
Setting before our eyes the high reward
Of steadfast faith, the martyr's deathless crown.
So passed some days whose length and count we lost,
Our bitterest trial. Then a respite came.
One who had interest with the governor
Wrought our removal daily for some hours
Into an upper chamber, where we sat
And held each other's hands in childish joy,
Receiving the sweet gift of light and air
With wonder and exceeding thankfulness.
And then began that life of daily growth
In mutual exaltation and sweet help
That bore us as a gently widening stream
Unto the ocean of our martyrdom.
Uniting all our feebler souls in one-A mightier--we reached forth with this to God.
Perpetua had been troubled for her babe,
Robbed of the breast and now these many days
Wasting for want of food; but when that change
Whereof I spake, of light and liberty
Relieved the horror of our prison gloom,
They brought it to her, and she sat apart,
And nursed and tended it, and soon the child
Would not be parted from her arms, but throve
And fattened, and she kept it night and day.
And always at her side with sleepless care
Hovered the young Felicitas--a slight
And spiritual figure--every touch and tone
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Charged with premonitory tenderness,
Herself so near to her own motherhood.
Thus lightened and relieved, Perpetua
Recovered from her silent fit. Her eyes
Regained their former deep serenity,
Her tongue its gentle daring; for she knew
Her life should not be taken till her babe
Had strengthened and outgrown the need of her.
Daily we were amazed at her soft strength,
Her pliant and untroubled constancy,
Her smiling, soldierly contempt of death,
Her beauty and the sweetness of her voice.
Her father, when our first few bitterest days
Were over, like a gust of grief and rage,
Came to her in the prison with wild eyes,
And cried: 'How mean you, daughter, when you say
You are a Christian? How can any one
Of honoured blood, the child of such as me,
Be Christian? 'Tis an odious name, the badge
Only of outcasts and rebellious slaves!'
And she, grief-touched, but with unyielding gaze,
Showing the fulness of her slender height:
'This vessel, father, being what it is,
An earthen pitcher, would you call it thus?
Or would you name it by some other name?'
'Nay, surely,' said the old man, catching breath,
And pausing, and she answered: 'Nor can I
Call myself aught but what I surely am-A Christian!' and her father, flashing back
In silent anger, left her for that time.
A special favour to Perpetua
Seemed daily to be given, and her soul
Was made the frequent vessel of God's grace,
Wherefrom we all, less gifted, sore athirst,
Drank courage and fresh joy; for glowing dreams
Were sent her, full of forms august, and fraught
With signs and symbols of the glorious end
Whereto God's love hath aimed us for Christ's sake.
Once--at what hour I know not, for we lay
In that foul dungeon, where all hours were lost,
251
And day and night were indistinguishable-We had been sitting a long silent while,
Some lightly sleeping, others bowed in prayer,
When on a sudden, like a voice from God,
Perpetua spake to us and all were roused.
Her voice was rapt and solemn: 'Friends,' she said,
'Some word hath come to me in a dream. I saw
A ladder leading to heaven, all of gold,
Hung up with lances, swords, and hooks. A land
Of darkness and exceeding peril lay
Around it, and a dragon fierce as hell
Guarded its foot. We doubted who should first
Essay it, but you, Saturus, at last-So God hath marked you for especial grace-Advancing and against the cruel beast
Aiming the potent weapon of Christ's name-Mounted, and took me by the hand, and I
The next one following, and so the rest
In order, and we entered with great joy
Into a spacious garden filled with light
And balmy presences of love and rest;
And there an old man sat, smooth-browed, white-haired,
Surrounded by unnumbered myriads
Of spiritual shapes and faces angel-eyed,
Milking his sheep; and lifting up his eyes
He welcomed us in strange and beautiful speech,
Unknown yet comprehended, for it flowed
Not through the ears, but forth-right to the soul,
God's language of pure love. Between the lips
Of each he placed a morsel of sweet curd;
And while the curd was yet within my mouth,
I woke, and still the taste of it remains,
Through all my body flowing like white flame,
Sweet as of some immaculate spiritual thing.'
And when Perpetua had spoken, all
Were silent in the darkness, pondering,
But Saturus spake gently for the rest:
'How perfect and acceptable must be
Your soul to God, Perpetua, that thus
He bends to you, and through you speaks his will.
We know now that our martyrdom is fixed,
Nor need we vex us further for this life.'
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While yet these thoughts were bright upon our souls,
There came the rumour that a day was set
To hear us. Many of our former friends,
Some with entreaties, some with taunts and threats,
Came to us to pervert us; with the rest
Again Perpetua's father, worn with care;
Nor could we choose but pity his distress,
So miserably, with abject cries and tears,
He fondled her and called her 'Domina,'
And bowed his aged body at her feet,
Beseeching her by all the names she loved
To think of him, his fostering care, his years,
And also of her babe, whose life, he said,
Would fail without her; but Perpetua,
Sustaining by a gift of strength divine
The fulness of her noble fortitude,
Answered him tenderly: 'Both you and I,
And all of us, my father, at this hour
Are equally in God's hands, and what he wills
Must be'; but when the poor old man was gone
She wept, and knelt for many hours in prayer,
Sore tried and troubled by her tender heart.
One day, while we were at our midday meal,
Our cell was entered by the soldiery,
And we were seized and borne away for trial.
A surging crowd had gathered, and we passed
From street to street, hemmed in by tossing heads
And faces cold or cruel; yet we caught
At moments from masked lips and furtive eyes
Of friends--some known to as and some unknown-Many veiled messages of love and praise.
The floorways of the long basilica
Fronted us with an angry multitude;
And scornful eyes and threatening foreheads frowned
In hundreds from the columned galleries.
We were placed all together at the bar,
And though at first unsteadied and confused
By the imperial presence of the law,
The pomp of judgment and the staring crowd,
None failed or faltered; with unshaken tongue
253
Each met the stern Proconsul's brief demand
In clear profession. Rapt as in a dream,
Scarce conscious of my turn, nor how I spake,
I watched with wondering eyes the delicate face
And figure of Perpetua; for her
We that were youngest of our company
Loved with a sacred and absorbing love,
A passion that our martyr's brotherly vow
Had purified and made divine. She stood
In dreamy contemplation, slightly bowed,
A glowing stillness that was near a smile
Upon her soft closed lips. Her turn had come,
When, like a puppet struggling up the steps,
Her father from the pierced and swaying crowd
Appeared, unveiling in his aged arms
The smiling visage of her babe. He grasped
Her robe, and strove to draw her down. All eyes
Were bent upon her. With a softening glance,
And voice less cold and heavy with death's doom,
The old Proconsul turned to her and said:
'Lady, have pity on your father's age;
Be mindful of your tender babe; this grain
Of harmless incense offer for the peace
And welfare of the Emperor'; but she,
Lifting far forth her large and noteless eyes,
As one that saw a vision, only said:
'I cannot sacrifice'; and he, harsh tongued,
Bending a brow upon her rough as rock,
With eyes that struck like steel, seeking to break
Or snare her with a sudden stroke of fear:
'Art thou a Christian?' and she answered, 'Yea,
I am a Christian!' In brow-blackening wrath
He motioned a contemptuous hand and bade
The lictors scourge the old man down and forth
With rods, and as the cruel deed was done,
Perpetua stood white with quivering lips,
And her eyes filled with tears. While yet his cries
Were mingling with the curses of the crowd,
Hilarianus, calling name by name,
Gave sentence, and in cold and formal phrase
Condemned us to the beasts, and we returned
Rejoicing to our prison. Then we wished
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Our martyrdom could soon have followed, not
As doubting for our constancy, but some
Grew sick under the anxious long suspense.
Perpetua again was weighed upon
By grief and trouble for her babe, whom now
Her father, seeking to depress her will,
Withheld and would not send it; but at length
Word being brought her that the child indeed
No longer suffered, nor desired the breast,
Her peace returned, and, giving thanks to God,
All were united in new bonds of hope.
Now being fixed in certitude of death,
We stripped our souls of all their earthly gear,
The useless raiment of this world; and thus,
Striving together with a single will,
In daily increment of faith and power,
We were much comforted by heavenly dreams,
And waking visitations of God's grace.
Visions of light and glory infinite
Were frequent with us, and by night or day
Woke at the very name of Christ the Lord,
Taken at any moment on our lips;
So that we had no longer thought or care
Of life or of the living, but became
As spirits from this earth already freed,
Scarce conscious of the dwindling weight of flesh.
To Saturus appeared in dreams the space
And splendour of the heavenly house of God,
The glowing gardens of eternal joy,
The halls and chambers of the cherubim,
In wreaths of endless myriads involved
The blinding glory of the angel choir,
Rolling through deeps of wheeling cloud and light
The thunder of their vast antiphonies.
The visions of Perpetua not less
Possessed us with their homely tenderness-As one, wherein she saw a rock-set pool
And weeping o'er its rim a little child,
Her brother, long since dead, Dinocrates:
Though sore athirst, he could not reach the stream,
Being so small, and her heart grieved thereat.
She looked again, and lo! the pool had risen,
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And the child filled his goblet, and drank deep,
And prattling in a tender childish joy
Ran gaily off, as infants do, to play.
By this she knew his soul had found release
From torment, and had entered into bliss.
Quickly as by a merciful gift of God,
Our vigil passed unbroken. Yesternight
They moved us to the amphitheatre,
Our final lodging-place on earth, and there
We sat together at our agape
For the last time. In silence, rapt and pale,
We hearkened to the aged Saturus,
Whose speech, touched with a ghostly eloquence,
Canvassed the fraud and littleness of life,
God's goodness and the solemn joy of death.
Perpetua was silent, but her eyes
Fell gently upon each of us, suffused
With inward and eradiant light; a smile
Played often upon her lips.
While yet we sat,
A tribune with a band of soldiery
Entered our cell, and would have had us bound
In harsher durance, fearing our escape
By fraud or witchcraft; but Perpetua,
Facing him gently with a noble note
Of wonder in her voice, and on her lips
A lingering smile of mournful irony:
'Sir, are ye not unwise to harass us,
And rob us of our natural food and rest?
Should ye not rather tend us with soft care,
And so provide a comely spectacle?
We shall not honour Caesar's birthday well,
If we be waste and weak, a piteous crew,
Poor playthings for your proud and pampered beasts.'
The noisy tribune, whether touched indeed,
Or by her grave and tender grace abashed,
Muttered and stormed a while, and then withdrew.
The short night passed in wakeful prayer for some,
For others in brief sleep, broken by dreams
And spiritual visitations. Earliest dawn
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Found us arisen, and Perpetua,
Moving about with smiling lips, soft-tongued,
Besought us to take food; lest so, she said,
For all the strength and courage of our hearts,
Our bodies should fall faint. We heard without,
Already ere the morning light was full,
The din of preparation, and the hum
Of voices gathering in the upper tiers;
Yet had we seen so often in our thoughts
The picture of this strange and cruel death,
Its festal horror, and its bloody pomp,
The nearness scarcely moved us, and our hands
Met in a steadfast and unshaken clasp.
The day is over. Ah, my friend, how long
With its wild sounds and bloody sights it seemed!
Night comes, and I am still alive--even I,
The least and last--with other two, reserved
To grace to-morrow's second day. The rest
Have suffered and with holy rapture passed
Into their glory. Saturus and the men
Were given to bears and leopards, but the crowd
Feasted their eyes upon no cowering shape,
Nor hue of fear, nor painful cry. They died
Like armed men, face foremost to the beasts,
With prayers and sacred songs upon their lips.
Perpetua and the frail Felicitas
Were seized before our eyes and roughly stripped,
And shrinking and entreating, not for fear,
Nor hurt, but bitter shame, were borne away
Into the vast arena, and hung up
In nets, naked before the multitude,
For a fierce bull, maddened by goads, to toss.
Some sudden tumult of compassion seized
The crowd, and a great murmur like a wave
Rose at the sight, and grew, and thundered up
From tier to tier, deep and imperious:
So white, so innocent they were, so pure:
Their tender limbs so eloquent of shame;
And so our loved ones were brought back, all faint,
And covered with light raiment, and again
Led forth, and now with smiling lips they passed
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Pale, but unbowed, into the awful ring,
Holding each other proudly by the hand.
Perpetua first was tossed, and her robe rent,
But, conscious only of the glaring eyes,
She strove to hide herself as best she could
In the torn remnants of her flimsy robe,
And putting up her hands clasped back her hair,
So that she might not die as one in grief,
Unseemly and dishevelled. Then she turned,
And in her loving arms caressed and raised
The dying, bruised Felicitas. Once more
Gored by the cruel beast, they both were borne
Swooning and mortally stricken from the field.
Perpetua, pale and beautiful, her lips
Parted as in a lingering ecstasy,
Could not believe the end had come, but asked
When they were to be given to the beasts.
The keepers gathered round her--even they-In wondering pity--while with fearless hand,
Bidding us all be faithful and stand firm,
She bared her breast, and guided to its goal
The gladiator's sword that pierced her heart.
The night is passing. In a few short hours
I too shall suffer for the name of Christ.
A boundless exaltation lifts my soul!
I know that they who left us, Saturus,
Perpetua, and the other blessed ones,
Await me at the opening gates of heaven.
~ Archibald Lampman,
1362:The Princess (Part 6)
My dream had never died or lived again.
As in some mystic middle state I lay;
Seeing I saw not, hearing not I heard:
Though, if I saw not, yet they told me all
So often that I speak as having seen.
For so it seemed, or so they said to me,
That all things grew more tragic and more strange;
That when our side was vanquished and my cause
For ever lost, there went up a great cry,
The Prince is slain. My father heard and ran
In on the lists, and there unlaced my casque
And grovelled on my body, and after him
Came Psyche, sorrowing for Aglaïa.
But high upon the palace Ida stood
With Psyche's babe in arm: there on the roofs
Like that great dame of Lapidoth she sang.
'Our enemies have fallen, have fallen: the seed,
The little seed they laughed at in the dark,
Has risen and cleft the soil, and grown a bulk
Of spanless girth, that lays on every side
A thousand arms and rushes to the Sun.
'Our enemies have fallen, have fallen: they came;
The leaves were wet with women's tears: they heard
A noise of songs they would not understand:
They marked it with the red cross to the fall,
And would have strown it, and are fallen themselves.
'Our enemies have fallen, have fallen: they came,
The woodmen with their axes: lo the tree!
But we will make it faggots for the hearth,
And shape it plank and beam for roof and floor,
And boats and bridges for the use of men.
'Our enemies have fallen, have fallen: they struck;
With their own blows they hurt themselves, nor knew
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There dwelt an iron nature in the grain:
The glittering axe was broken in their arms,
Their arms were shattered to the shoulder blade.
'Our enemies have fallen, but this shall grow
A night of Summer from the heat, a breadth
Of Autumn, dropping fruits of power: and rolled
With music in the growing breeze of Time,
The tops shall strike from star to star, the fangs
Shall move the stony bases of the world.
'And now, O maids, behold our sanctuary
Is violate, our laws broken: fear we not
To break them more in their behoof, whose arms
Championed our cause and won it with a day
Blanched in our annals, and perpetual feast,
When dames and heroines of the golden year
Shall strip a hundred hollows bare of Spring,
To rain an April of ovation round
Their statues, borne aloft, the three: but come,
We will be liberal, since our rights are won.
Let them not lie in the tents with coarse mankind,
Ill nurses; but descend, and proffer these
The brethren of our blood and cause, that there
Lie bruised and maimed, the tender ministries
Of female hands and hospitality.'
She spoke, and with the babe yet in her arms,
Descending, burst the great bronze valves, and led
A hundred maids in train across the Park.
Some cowled, and some bare-headed, on they came,
Their feet in flowers, her loveliest: by them went
The enamoured air sighing, and on their curls
From the high tree the blossom wavering fell,
And over them the tremulous isles of light
Slided, they moving under shade: but Blanche
At distance followed: so they came: anon
Through open field into the lists they wound
Timorously; and as the leader of the herd
That holds a stately fretwork to the Sun,
And followed up by a hundred airy does,
Steps with a tender foot, light as on air,
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The lovely, lordly creature floated on
To where her wounded brethren lay; there stayed;
Knelt on one knee,--the child on one,--and prest
Their hands, and called them dear deliverers,
And happy warriors, and immortal names,
And said 'You shall not lie in the tents but here,
And nursed by those for whom you fought, and served
With female hands and hospitality.'
Then, whether moved by this, or was it chance,
She past my way. Up started from my side
The old lion, glaring with his whelpless eye,
Silent; but when she saw me lying stark,
Dishelmed and mute, and motionlessly pale,
Cold even to her, she sighed; and when she saw
The haggard father's face and reverend beard
Of grisly twine, all dabbled with the blood
Of his own son, shuddered, a twitch of pain
Tortured her mouth, and o'er her forehead past
A shadow, and her hue changed, and she said:
'He saved my life: my brother slew him for it.'
No more: at which the king in bitter scorn
Drew from my neck the painting and the tress,
And held them up: she saw them, and a day
Rose from the distance on her memory,
When the good Queen, her mother, shore the tress
With kisses, ere the days of Lady Blanche:
And then once more she looked at my pale face:
Till understanding all the foolish work
Of Fancy, and the bitter close of all,
Her iron will was broken in her mind;
Her noble heart was molten in her breast;
She bowed, she set the child on the earth; she laid
A feeling finger on my brows, and presently
'O Sire,' she said, 'he lives: he is not dead:
O let me have him with my brethren here
In our own palace: we will tend on him
Like one of these; if so, by any means,
To lighten this great clog of thanks, that make
Our progress falter to the woman's goal.'
She said: but at the happy word 'he lives'
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My father stooped, re-fathered o'er my wounds.
So those two foes above my fallen life,
With brow to brow like night and evening mixt
Their dark and gray, while Psyche ever stole
A little nearer, till the babe that by us,
Half-lapt in glowing gauze and golden brede,
Lay like a new-fallen meteor on the grass,
Uncared for, spied its mother and began
A blind and babbling laughter, and to dance
Its body, and reach its fatling innocent arms
And lazy lingering fingers. She the appeal
Brooked not, but clamouring out 'Mine--mine--not yours,
It is not yours, but mine: give me the child'
Ceased all on tremble: piteous was the cry:
So stood the unhappy mother open-mouthed,
And turned each face her way: wan was her cheek
With hollow watch, her blooming mantle torn,
Red grief and mother's hunger in her eye,
And down dead-heavy sank her curls, and half
The sacred mother's bosom, panting, burst
The laces toward her babe; but she nor cared
Nor knew it, clamouring on, till Ida heard,
Looked up, and rising slowly from me, stood
Erect and silent, striking with her glance
The mother, me, the child; but he that lay
Beside us, Cyril, battered as he was,
Trailed himself up on one knee: then he drew
Her robe to meet his lips, and down she looked
At the armed man sideways, pitying as it seemed,
Or self-involved; but when she learnt his face,
Remembering his ill-omened song, arose
Once more through all her height, and o'er him grew
Tall as a figure lengthened on the sand
When the tide ebbs in sunshine, and he said:
'O fair and strong and terrible! Lioness
That with your long locks play the Lion's mane!
But Love and Nature, these are two more terrible
And stronger. See, your foot is on our necks,
We vanquished, you the Victor of your will.
What would you more? Give her the child! remain
Orbed in your isolation: he is dead,
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Or all as dead: henceforth we let you be:
Win you the hearts of women; and beware
Lest, where you seek the common love of these,
The common hate with the revolving wheel
Should drag you down, and some great Nemesis
Break from a darkened future, crowned with fire,
And tread you out for ever: but howso'er
Fixed in yourself, never in your own arms
To hold your own, deny not hers to her,
Give her the child! O if, I say, you keep
One pulse that beats true woman, if you loved
The breast that fed or arm that dandled you,
Or own one port of sense not flint to prayer,
Give her the child! or if you scorn to lay it,
Yourself, in hands so lately claspt with yours,
Or speak to her, your dearest, her one fault,
The tenderness, not yours, that could not kill,
Give ~me~ it: ~I~ will give it her.
He said:
At first her eye with slow dilation rolled
Dry flame, she listening; after sank and sank
And, into mournful twilight mellowing, dwelt
Full on the child; she took it: 'Pretty bud!
Lily of the vale! half opened bell of the woods!
Sole comfort of my dark hour, when a world
Of traitorous friend and broken system made
No purple in the distance, mystery,
Pledge of a love not to be mine, farewell;
These men are hard upon us as of old,
We two must part: and yet how fain was I
To dream thy cause embraced in mine, to think
I might be something to thee, when I felt
Thy helpless warmth about my barren breast
In the dead prime: but may thy mother prove
As true to thee as false, false, false to me!
And, if thou needs must needs bear the yoke, I wish it
Gentle as freedom'--here she kissed it: then-'All good go with thee! take it Sir,' and so
Laid the soft babe in his hard-mailèd hands,
Who turned half-round to Psyche as she sprang
To meet it, with an eye that swum in thanks;
Then felt it sound and whole from head to foot,
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And hugged and never hugged it close enough,
And in her hunger mouthed and mumbled it,
And hid her bosom with it; after that
Put on more calm and added suppliantly:
'We two were friends: I go to mine own land
For ever: find some other: as for me
I scarce am fit for your great plans: yet speak to me,
Say one soft word and let me part forgiven.'
But Ida spoke not, rapt upon the child.
Then Arac. 'Ida--'sdeath! you blame the man;
You wrong yourselves--the woman is so hard
Upon the woman. Come, a grace to me!
I am your warrior: I and mine have fought
Your battle: kiss her; take her hand, she weeps:
'Sdeath! I would sooner fight thrice o'er than see it.'
But Ida spoke not, gazing on the ground,
And reddening in the furrows of his chin,
And moved beyond his custom, Gama said:
'I've heard that there is iron in the blood,
And I believe it. Not one word? not one?
Whence drew you this steel temper? not from me,
Not from your mother, now a saint with saints.
She said you had a heart--I heard her say it-"Our Ida has a heart"--just ere she died-"But see that some on with authority
Be near her still" and I--I sought for one-All people said she had authority-The Lady Blanche: much profit! Not one word;
No! though your father sues: see how you stand
Stiff as Lot's wife, and all the good knights maimed,
I trust that there is no one hurt to death,
For our wild whim: and was it then for this,
Was it for this we gave our palace up,
Where we withdrew from summer heats and state,
And had our wine and chess beneath the planes,
And many a pleasant hour with her that's gone,
Ere you were born to vex us? Is it kind?
Speak to her I say: is this not she of whom,
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When first she came, all flushed you said to me
Now had you got a friend of your own age,
Now could you share your thought; now should men see
Two women faster welded in one love
Than pairs of wedlock; she you walked with, she
You talked with, whole nights long, up in the tower,
Of sine and arc, spheroïd and azimuth,
And right ascension, Heaven knows what; and now
A word, but one, one little kindly word,
Not one to spare her: out upon you, flint!
You love nor her, nor me, nor any; nay,
You shame your mother's judgment too. Not one?
You will not? well--no heart have you, or such
As fancies like the vermin in a nut
Have fretted all to dust and bitterness.'
So said the small king moved beyond his wont.
But Ida stood nor spoke, drained of her force
By many a varying influence and so long.
Down through her limbs a drooping languor wept:
Her head a little bent; and on her mouth
A doubtful smile dwelt like a clouded moon
In a still water: then brake out my sire,
Lifted his grim head from my wounds. 'O you,
Woman, whom we thought woman even now,
And were half fooled to let you tend our son,
Because he might have wished it--but we see,
The accomplice of your madness unforgiven,
And think that you might mix his draught with death,
When your skies change again: the rougher hand
Is safer: on to the tents: take up the Prince.'
He rose, and while each ear was pricked to attend
A tempest, through the cloud that dimmed her broke
A genial warmth and light once more, and shone
Through glittering drops on her sad friend.
'Come hither.
O Psyche,' she cried out, 'embrace me, come,
Quick while I melt; make reconcilement sure
With one that cannot keep her mind an hour:
Come to the hollow hear they slander so!
Kiss and be friends, like children being chid!
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~I~ seem no more: ~I~ want forgiveness too:
I should have had to do with none but maids,
That have no links with men. Ah false but dear,
Dear traitor, too much loved, why?--why?--Yet see,
Before these kings we embrace you yet once more
With all forgiveness, all oblivion,
And trust, not love, you less.
And now, O sire,
Grant me your son, to nurse, to wait upon him,
Like mine own brother. For my debt to him,
This nightmare weight of gratitude, I know it;
Taunt me no more: yourself and yours shall have
Free adit; we will scatter all our maids
Till happier times each to her proper hearth:
What use to keep them here--now? grant my prayer.
Help, father, brother, help; speak to the king:
Thaw this male nature to some touch of that
Which kills me with myself, and drags me down
From my fixt height to mob me up with all
The soft and milky rabble of womankind,
Poor weakling even as they are.'
Passionate tears
Followed: the king replied not: Cyril said:
'Your brother, Lady,--Florian,--ask for him
Of your great head--for he is wounded too-That you may tend upon him with the prince.'
'Ay so,' said Ida with a bitter smile,
'Our laws are broken: let him enter too.'
Then Violet, she that sang the mournful song,
And had a cousin tumbled on the plain,
Petitioned too for him. 'Ay so,' she said,
'I stagger in the stream: I cannot keep
My heart an eddy from the brawling hour:
We break our laws with ease, but let it be.'
'Ay so?' said Blanche: 'Amazed am I to her
Your Highness: but your Highness breaks with ease
The law your Highness did not make: 'twas I.
I had been wedded wife, I knew mankind,
And blocked them out; but these men came to woo
Your Highness--verily I think to win.'
So she, and turned askance a wintry eye:
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But Ida with a voice, that like a bell
Tolled by an earthquake in a trembling tower,
Rang ruin, answered full of grief and scorn.
'Fling our doors wide! all, all, not one, but all,
Not only he, but by my mother's soul,
Whatever man lies wounded, friend or foe,
Shall enter, if he will. Let our girls flit,
Till the storm die! but had you stood by us,
The roar that breaks the Pharos from his base
Had left us rock. She fain would sting us too,
But shall not. Pass, and mingle with your likes.
We brook no further insult but are gone.'
She turned; the very nape of her white neck
Was rosed with indignation: but the Prince
Her brother came; the king her father charmed
Her wounded soul with words: nor did mine own
Refuse her proffer, lastly gave his hand.
Then us they lifted up, dead weights, and bare
Straight to the doors: to them the doors gave way
Groaning, and in the Vestal entry shrieked
The virgin marble under iron heels:
And on they moved and gained the hall, and there
Rested: but great the crush was, and each base,
To left and right, of those tall columns drowned
In silken fluctuation and the swarm
Of female whisperers: at the further end
Was Ida by the throne, the two great cats
Close by her, like supporters on a shield,
Bow-backed with fear: but in the centre stood
The common men with rolling eyes; amazed
They glared upon the women, and aghast
The women stared at these, all silent, save
When armour clashed or jingled, while the day,
Descending, struck athwart the hall, and shot
A flying splendour out of brass and steel,
That o'er the statues leapt from head to head,
Now fired an angry Pallas on the helm,
Now set a wrathful Dian's moon on flame,
And now and then an echo started up,
And shuddering fled from room to room, and died
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Of fright in far apartments.
Then the voice
Of Ida sounded, issuing ordinance:
And me they bore up the broad stairs, and through
The long-laid galleries past a hundred doors
To one deep chamber shut from sound, and due
To languid limbs and sickness; left me in it;
And others otherwhere they laid; and all
That afternoon a sound arose of hoof
And chariot, many a maiden passing home
Till happier times; but some were left of those
Held sagest, and the great lords out and in,
From those two hosts that lay beside the walls,
Walked at their will, and everything was changed.
Ask me no more: the moon may draw the sea;
The cloud may stoop from heaven and take the shape
With fold to fold, of mountain or of cape;
But O too fond, when have I answered thee?
Ask me no more.
Ask me no more: what answer should I give?
I love not hollow cheek or faded eye:
Yet, O my friend, I will not have thee die!
Ask me no more, lest I should bid thee live;
Ask me no more.
Ask me no more: thy fate and mine are sealed:
I strove against the stream and all in vain:
Let the great river take me to the main:
No more, dear love, for at a touch I yield;
Ask me no more.
~ Alfred Lord Tennyson,
1363:Sword Blades And Poppy Seed
A drifting, April, twilight sky,
A wind which blew the puddles dry,
And slapped the river into waves
That ran and hid among the staves
Of an old wharf. A watery light
Touched bleak the granite bridge, and white
Without the slightest tinge of gold,
The city shivered in the cold.
All day my thoughts had lain as dead,
Unborn and bursting in my head.
From time to time I wrote a word
Which lines and circles overscored.
My table seemed a graveyard, full
Of coffins waiting burial.
I seized these vile abortions, tore
Them into jagged bits, and swore
To be the dupe of hope no more.
Into the evening straight I went,
Starved of a day's accomplishment.
Unnoticing, I wandered where
The city gave a space for air,
And on the bridge's parapet
I leant, while pallidly there set
A dim, discouraged, worn-out sun.
Behind me, where the tramways run,
Blossomed bright lights, I turned to leave,
When someone plucked me by the sleeve.
'Your pardon, Sir, but I should be
Most grateful could you lend to me
A carfare, I have lost my purse.'
The voice was clear, concise, and terse.
I turned and met the quiet gaze
Of strange eyes flashing through the haze.
The man was old and slightly bent,
Under his cloak some instrument
Disarranged its stately line,
He rested on his cane a fine
And nervous hand, an almandine
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Smouldered with dull-red flames, sanguine
It burned in twisted gold, upon
His finger. Like some Spanish don,
Conferring favours even when
Asking an alms, he bowed again
And waited. But my pockets proved
Empty, in vain I poked and shoved,
No hidden penny lurking there
Greeted my search. 'Sir, I declare
I have no money, pray forgive,
But let me take you where you live.'
And so we plodded through the mire
Where street lamps cast a wavering fire.
I took no note of where we went,
His talk became the element
Wherein my being swam, content.
It flashed like rapiers in the night
Lit by uncertain candle-light,
When on some moon-forsaken sward
A quarrel dies upon a sword.
It hacked and carved like a cutlass blade,
And the noise in the air the broad words made
Was the cry of the wind at a window-pane
On an Autumn night of sobbing rain.
Then it would run like a steady stream
Under pinnacled bridges where minarets gleam,
Or lap the air like the lapping tide
Where a marble staircase lifts its wide
Green-spotted steps to a garden gate,
And a waning moon is sinking straight
Down to a black and ominous sea,
While a nightingale sings in a lemon tree.
I walked as though some opiate
Had stung and dulled my brain, a state
Acute and slumbrous. It grew late.
We stopped, a house stood silent, dark.
The old man scratched a match, the spark
Lit up the keyhole of a door,
We entered straight upon a floor
White with finest powdered sand
Carefully sifted, one might stand
226
Muddy and dripping, and yet no trace
Would stain the boards of this kitchen-place.
From the chimney, red eyes sparked the gloom,
And a cricket's chirp filled all the room.
My host threw pine-cones on the fire
And crimson and scarlet glowed the pyre
Wrapped in the golden flame's desire.
The chamber opened like an eye,
As a half-melted cloud in a Summer sky
The soul of the house stood guessed, and shy
It peered at the stranger warily.
A little shop with its various ware
Spread on shelves with nicest care.
Pitchers, and jars, and jugs, and pots,
Pipkins, and mugs, and many lots
Of lacquered canisters, black and gold,
Like those in which Chinese tea is sold.
Chests, and puncheons, kegs, and flasks,
Goblets, chalices, firkins, and casks.
In a corner three ancient amphorae leaned
Against the wall, like ships careened.
There was dusky blue of Wedgewood ware,
The carved, white figures fluttering there
Like leaves adrift upon the air.
Classic in touch, but emasculate,
The Greek soul grown effeminate.
The factory of Sevres had lent
Elegant boxes with ornament
Culled from gardens where fountains splashed
And golden carp in the shadows flashed,
Nuzzling for crumbs under lily-pads,
Which ladies threw as the last of fads.
Eggshell trays where gay beaux knelt,
Hand on heart, and daintily spelt
Their love in flowers, brittle and bright,
Artificial and fragile, which told aright
The vows of an eighteenth-century knight.
The cruder tones of old Dutch jugs
Glared from one shelf, where Toby mugs
Endlessly drank the foaming ale,
Its froth grown dusty, awaiting sale.
The glancing light of the burning wood
227
Played over a group of jars which stood
On a distant shelf, it seemed the sky
Had lent the half-tones of his blazonry
To paint these porcelains with unknown hues
Of reds dyed purple and greens turned blues,
Of lustres with so evanescent a sheen
Their colours are felt, but never seen.
Strange winged dragons writhe about
These vases, poisoned venoms spout,
Impregnate with old Chinese charms;
Sealed urns containing mortal harms,
They fill the mind with thoughts impure,
Pestilent drippings from the ure
Of vicious thinkings. 'Ah, I see,'
Said I, 'you deal in pottery.'
The old man turned and looked at me.
Shook his head gently. 'No,' said he.
Then from under his cloak he took the thing
Which I had wondered to see him bring
Guarded so carefully from sight.
As he laid it down it flashed in the light,
A Toledo blade, with basket hilt,
Damascened with arabesques of gilt,
Or rather gold, and tempered so
It could cut a floating thread at a blow.
The old man smiled, 'It has no sheath,
'Twas a little careless to have it beneath
My cloak, for a jostle to my arm
Would have resulted in serious harm.
But it was so fine, I could not wait,
So I brought it with me despite its state.'
'An amateur of arms,' I thought,
'Bringing home a prize which he has bought.'
'You care for this sort of thing, Dear Sir?'
'Not in the way which you infer.
I need them in business, that is all.'
And he pointed his finger at the wall.
Then I saw what I had not noticed before.
The walls were hung with at least five score
Of swords and daggers of every size
Which nations of militant men could devise.
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Poisoned spears from tropic seas,
That natives, under banana trees,
Smear with the juice of some deadly snake.
Blood-dipped arrows, which savages make
And tip with feathers, orange and green,
A quivering death, in harlequin sheen.
High up, a fan of glancing steel
Was formed of claymores in a wheel.
Jewelled swords worn at kings' levees
Were suspended next midshipmen's dirks, and these
Elbowed stilettos come from Spain,
Chased with some splendid Hidalgo's name.
There were Samurai swords from old Japan,
And scimitars from Hindoostan,
While the blade of a Turkish yataghan
Made a waving streak of vitreous white
Upon the wall, in the firelight.
Foils with buttons broken or lost
Lay heaped on a chair, among them tossed
The boarding-pike of a privateer.
Against the chimney leaned a queer
Two-handed weapon, with edges dull
As though from hacking on a skull.
The rusted blood corroded it still.
My host took up a paper spill
From a heap which lay in an earthen bowl,
And lighted it at a burning coal.
At either end of the table, tall
Wax candles were placed, each in a small,
And slim, and burnished candlestick
Of pewter. The old man lit each wick,
And the room leapt more obviously
Upon my mind, and I could see
What the flickering fire had hid from me.
Above the chimney's yawning throat,
Shoulder high, like the dark wainscote,
Was a mantelshelf of polished oak
Blackened with the pungent smoke
Of firelit nights; a Cromwell clock
Of tarnished brass stood like a rock
In the midst of a heaving, turbulent sea
Of every sort of cutlery.
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There lay knives sharpened to any use,
The keenest lancet, and the obtuse
And blunted pruning bill-hook; blades
Of razors, scalpels, shears; cascades
Of penknives, with handles of mother-of-pearl,
And scythes, and sickles, and scissors; a whirl
Of points and edges, and underneath
Shot the gleam of a saw with bristling teeth.
My head grew dizzy, I seemed to hear
A battle-cry from somewhere near,
The clash of arms, and the squeal of balls,
And the echoless thud when a dead man falls.
A smoky cloud had veiled the room,
Shot through with lurid glares; the gloom
Pounded with shouts and dying groans,
With the drip of blood on cold, hard stones.
Sabres and lances in streaks of light
Gleamed through the smoke, and at my right
A creese, like a licking serpent's tongue,
Glittered an instant, while it stung.
Streams, and points, and lines of fire!
The livid steel, which man's desire
Had forged and welded, burned white and cold.
Every blade which man could mould,
Which could cut, or slash, or cleave, or rip,
Or pierce, or thrust, or carve, or strip,
Or gash, or chop, or puncture, or tear,
Or slice, or hack, they all were there.
Nerveless and shaking, round and round,
I stared at the walls and at the ground,
Till the room spun like a whipping top,
And a stern voice in my ear said, 'Stop!
I sell no tools for murderers here.
Of what are you thinking! Please clear
Your mind of such imaginings.
Sit down. I will tell you of these things.'
He pushed me into a great chair
Of russet leather, poked a flare
Of tumbling flame, with the old long sword,
Up the chimney; but said no word.
Slowly he walked to a distant shelf,
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And brought back a crock of finest delf.
He rested a moment a blue-veined hand
Upon the cover, then cut a band
Of paper, pasted neatly round,
Opened and poured. A sliding sound
Came from beneath his old white hands,
And I saw a little heap of sands,
Black and smooth. What could they be:
'Pepper,' I thought. He looked at me.
'What you see is poppy seed.
Lethean dreams for those in need.'
He took up the grains with a gentle hand
And sifted them slowly like hour-glass sand.
On his old white finger the almandine
Shot out its rays, incarnadine.
'Visions for those too tired to sleep.
These seeds cast a film over eyes which weep.
No single soul in the world could dwell,
Without these poppy-seeds I sell.'
For a moment he played with the shining stuff,
Passing it through his fingers. Enough
At last, he poured it back into
The china jar of Holland blue,
Which he carefully carried to its place.
Then, with a smile on his aged face,
He drew up a chair to the open space
'Twixt table and chimney. 'Without preface,
Young man, I will say that what you see
Is not the puzzle you take it to be.'
'But surely, Sir, there is something strange
In a shop with goods at so wide a range
Each from the other, as swords and seeds.
Your neighbours must have greatly differing needs.'
'My neighbours,' he said, and he stroked his chin,
'Live everywhere from here to Pekin.
But you are wrong, my sort of goods
Is but one thing in all its moods.'
He took a shagreen letter case
From his pocket, and with charming grace
Offered me a printed card.
I read the legend, 'Ephraim Bard.
Dealer in Words.' And that was all.
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I stared at the letters, whimsical
Indeed, or was it merely a jest.
He answered my unasked request:
'All books are either dreams or swords,
You can cut, or you can drug, with words.
My firm is a very ancient house,
The entries on my books would rouse
Your wonder, perhaps incredulity.
I inherited from an ancestry
Stretching remotely back and far,
This business, and my clients are
As were those of my grandfather's days,
Writers of books, and poems, and plays.
My swords are tempered for every speech,
For fencing wit, or to carve a breach
Through old abuses the world condones.
In another room are my grindstones and hones,
For whetting razors and putting a point
On daggers, sometimes I even anoint
The blades with a subtle poison, so
A twofold result may follow the blow.
These are purchased by men who feel
The need of stabbing society's heel,
Which egotism has brought them to think
Is set on their necks. I have foils to pink
An adversary to quaint reply,
And I have customers who buy
Scalpels with which to dissect the brains
And hearts of men. Ultramundanes
Even demand some finer kinds
To open their own souls and minds.
But the other half of my business deals
With visions and fancies. Under seals,
Sorted, and placed in vessels here,
I keep the seeds of an atmosphere.
Each jar contains a different kind
Of poppy seed. From farthest Ind
Come the purple flowers, opium filled,
From which the weirdest myths are distilled;
My orient porcelains contain them all.
Those Lowestoft pitchers against the wall
Hold a lighter kind of bright conceit;
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And those old Saxe vases, out of the heat
On that lowest shelf beside the door,
Have a sort of Ideal, 'couleur d'or'.
Every castle of the air
Sleeps in the fine black grains, and there
Are seeds for every romance, or light
Whiff of a dream for a summer night.
I supply to every want and taste.'
'Twas slowly said, in no great haste
He seemed to push his wares, but I
Dumfounded listened. By and by
A log on the fire broke in two.
He looked up quickly, 'Sir, and you?'
I groped for something I should say;
Amazement held me numb. 'To-day
You sweated at a fruitless task.'
He spoke for me, 'What do you ask?
How can I serve you?' 'My kind host,
My penniless state was not a boast;
I have no money with me.' He smiled.
'Not for that money I beguiled
You here; you paid me in advance.'
Again I felt as though a trance
Had dimmed my faculties. Again
He spoke, and this time to explain.
'The money I demand is Life,
Your nervous force, your joy, your strife!'
What infamous proposal now
Was made me with so calm a brow?
Bursting through my lethargy,
Indignantly I hurled the cry:
'Is this a nightmare, or am I
Drunk with some infernal wine?
I am no Faust, and what is mine
Is what I call my soul! Old Man!
Devil or Ghost! Your hellish plan
Revolts me. Let me go.' 'My child,'
And the old tones were very mild,
'I have no wish to barter souls;
My traffic does not ask such tolls.
I am no devil; is there one?
Surely the age of fear is gone.
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We live within a daylight world
Lit by the sun, where winds unfurled
Sweep clouds to scatter pattering rain,
And then blow back the sun again.
I sell my fancies, or my swords,
To those who care far more for words,
Ideas, of which they are the sign,
Than any other life-design.
Who buy of me must simply pay
Their whole existence quite away:
Their strength, their manhood, and their prime,
Their hours from morning till the time
When evening comes on tiptoe feet,
And losing life, think it complete;
Must miss what other men count being,
To gain the gift of deeper seeing;
Must spurn all ease, all hindering love,
All which could hold or bind; must prove
The farthest boundaries of thought,
And shun no end which these have brought;
Then die in satisfaction, knowing
That what was sown was worth the sowing.
I claim for all the goods I sell
That they will serve their purpose well,
And though you perish, they will live.
Full measure for your pay I give.
To-day you worked, you thought, in vain.
What since has happened is the train
Your toiling brought. I spoke to you
For my share of the bargain, due.'
'My life! And is that all you crave
In pay? What even childhood gave!
I have been dedicate from youth.
Before my God I speak the truth!'
Fatigue, excitement of the past
Few hours broke me down at last.
All day I had forgot to eat,
My nerves betrayed me, lacking meat.
I bowed my head and felt the storm
Plough shattering through my prostrate form.
The tearless sobs tore at my heart.
My host withdrew himself apart;
234
Busied among his crockery,
He paid no farther heed to me.
Exhausted, spent, I huddled there,
Within the arms of the old carved chair.
A long half-hour dragged away,
And then I heard a kind voice say,
'The day will soon be dawning, when
You must begin to work again.
Here are the things which you require.'
By the fading light of the dying fire,
And by the guttering candle's flare,
I saw the old man standing there.
He handed me a packet, tied
With crimson tape, and sealed. 'Inside
Are seeds of many differing flowers,
To occupy your utmost powers
Of storied vision, and these swords
Are the finest which my shop affords.
Go home and use them; do not spare
Yourself; let that be all your care.
Whatever you have means to buy
Be very sure I can supply.'
He slowly walked to the window, flung
It open, and in the grey air rung
The sound of distant matin bells.
I took my parcels. Then, as tells
An ancient mumbling monk his beads,
I tried to thank for his courteous deeds
My strange old friend. 'Nay, do not talk,'
He urged me, 'you have a long walk
Before you. Good-by and Good-day!'
And gently sped upon my way
I stumbled out in the morning hush,
As down the empty street a flush
Ran level from the rising sun.
Another day was just begun.
~ Amy Lowell,
1364:The Kalevala - Rune Xiv
DEATH OF LEMMINKAINEN.
Lemminkainen, much disheartened,
Deeply thought and long considered,
What to do, what course to follow,
Whether best to leave the wild-moose
In the fastnesses of Hisi,
And return to Kalevala,
Or a third time hunt the ranger,
Hoping thus to bring him captive,
Thus return at last a victor
To the forest home of Louhi,
To the joy of all her daughters,
To the wood-nymph's happy fireside.
Taking courage Lemminkainen
Spake these words in supplication:
'Ukko, thou O God above me,
Thou Creator of the heavens,
Put my snow-shoes well in order,
And endow them both with swiftness,
That I rapidly may journey
Over marshes, over snow-fields,
Over lowlands, over highlands,
Through the realms of wicked Hisi,
Through the distant plains of Lapland,
Through the paths of Lempo's wild-moose,
To the forest hills of Juutas.
To the snow-fields shall I journey,
Leave the heroes to the woodlands,
On the way to Tapiola,
Into Tapio's wild dwellings.
'Greeting bring I to the mountains,
Greeting to the vales and uplands,
Greet ye, heights with forests covered,
Greet ye, ever-verdant fir-trees,
Greet ye, groves of whitened aspen,
Greetings bring to those that greet you,
Fields, and streams, and woods of Lapland.
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Bring me favor, mountain-woodlands,
Lapland-deserts, show me kindness,
Mighty Tapio, be gracious,
Let me wander through thy forests,
Let me glide along thy rivers,
Let this hunter search thy snow-fields,
Where the wild-moose herds in numbers
Where the bounding reindeer lingers.
'O Nyrikki, mountain hero,
Son of Tapio of forests,
Hero with the scarlet head-gear,
Notches make along the pathway,
Landmarks upward to the mountains,
That this hunter may not wander,
May not fall, and falling perish
In the snow-fields of thy kingdom,
Hunting for the moose of Hisi,
Dowry for the pride of Northland.
'Mistress of the woods, Mielikki,
Forest-mother, formed in beauty,
Let thy gold flow out abundant,
Let thy silver onward wander,
For the hero that is seeking
For the wild-moose of thy kingdom;
Bring me here thy keys of silver,
From the golden girdle round thee;
Open Tapio's rich chambers,
And unlock the forest fortress,
While I here await the booty,
While I hunt the moose of Lempo.
'Should this service be too menial
Give the order to thy servants,
Send at once thy servant-maidens,
And command it to thy people.
Thou wilt never seem a hostess,
If thou hast not in thy service,
Maidens ready by the hundreds,
Thousands that await thy bidding,
Who thy herds may watch and nurture,
Tend the game of thy dominions.
'Tall and slender forest-virgin,
Tapio's beloved daughter,
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Blow thou now thy honey flute-notes,
Play upon thy forest-whistle,
For the hearing of thy mistress,
For thy charming woodland-mistress,
Make her hear thy sweet-toned playing,
That she may arise from slumber.
Should thy mistress not awaken
At the calling of thy flute-notes,
Play again, and play unceasing,
Make the golden tongue re-echo.'
Wild and daring Lemminkainen
Steadfast prays upon his journey,
Calling on the gods for succor,
Hastens off through fields and moorlands,
Passes on through cruel brush-wood,
To the colliery of Hisi,
To the burning fields of Lempo;
Glided one day, then a second,
Glided all the next day onward,
Till he came to Big-stone mountain,
Climbed upon its rocky summit,
Turned his glances to the north-west,
Toward the Northland moors and marshes;
There appeared the Tapio-mansion.
All the doors were golden-colored,
Shining in the gleam of sunlight
Through the thickets on the mountains,
Through the distant fields of Northland.
Lemminkainen, much encouraged,
Hastens onward from his station
Through the lowlands, o'er the uplands,
Over snow-fields vast and vacant,
Under snow-robed firs and aspens,
Hastens forward, happy-hearted,
Quickly reaches Tapio's court-yards,
Halts without at Tapio's windows,
Slyly looks into her mansion,
Spies within some kindly women,
Forest-dames outstretched before him,
All are clad in scanty raiment,
Dressed in soiled and ragged linens.
Spake the stranger Lemminkainen:
162
'Wherefore sit ye, forest-mothers,
In your old and simple garments,
In your soiled and ragged linen?
Ye, forsooth! are too untidy,
Too unsightly your appearance
In your tattered gowns appareled.
When I lived within the forest,
There were then three mountain castles,
One of horn and one of ivory,
And the third of wood constructed;
In their walls were golden windows,
Six the windows in each castle,
Through these windows I discovered
All the host of Tapio's mansion,
Saw its fair and stately hostess;
Saw great Tapio's lovely daughter,
Saw Tellervo in her beauty,
With her train of charming maidens;
All were dressed in golden raiment,
Rustled all in gold and silver.
Then the forest's queenly hostess,
Still the hostess of these woodlands,
On her arms wore golden bracelets,
Golden rings upon her fingers,
In her hair were sparkling, jewels,
On her bead were golden fillets,
In her ears were golden ear-rings,
On her neck a pearly necklace,
And her braidlets, silver-tinselled.
'Lovely hostess of the forest,
Metsola's enchanting mistress,
Fling aside thine ugly straw-shoes,
Cast away the shoes of birch-bark,
Doff thy soiled and ragged linen,
Doff thy gown of shabby fabric,
Don the bright and festive raiment,
Don the gown of merry-making,
While I stay within thy borders,
While I seek my forest-booty,
Hunt the moose of evil Hisi.
Here my visit will be irksome,
Here thy guest will be ill-humored,
163
Waiting in thy fields and woodlands,
Hunting here the moose of Lempo,
Finding not the Hisi-ranger,
Shouldst thou give me no enjoyment,
Should I find no joy, nor respite.
Long the eve that gives no pleasure,
Long the day that brings no guerdon!
'Sable-bearded god of forests,
In thy hat and coat of ermine,
Robe thy trees in finest fibers,
Deck thy groves in richest fabrics,
Give the fir-trees shining silver,
Deck with gold the slender balsams,
Give the spruces copper belting,
And the pine-trees silver girdles,
Give the birches golden flowers,
Deck their stems with silver fret-work,
This their garb in former ages,
When the days and nights were brighter,
When the fir-trees shone like sunlight,
And the birches like the moonbeams;
Honey breathed throughout the forest,
Settled in the glens and highlands
Spices in the meadow-borders,
Oil out-pouring from the lowlands.
'Forest daughter, lovely virgin,
Golden maiden, fair Tulikki,
Second of the Tapio-daughters,
Drive the game within these borders,
To these far-extending snow-fields.
Should the reindeer be too sluggish,
Should the moose-deer move too slowly
Cut a birch-rod from the thicket,
Whip them hither in their beauty,
Drive the wild-moose to my hurdle,
Hither drive the long-sought booty
To the hunter who is watching,
Waiting in the Hisi-forests.
'When the game has started hither,
Keep them in the proper highway,
Hold thy magic hands before them,
Guard them well on either road-side,
164
That the elk may not escape thee,
May not dart adown some by-path.
Should, perchance, the moose-deer wander
Through some by-way of the forest,
Take him by the ears and antlers,
Hither lead the pride of Lempo.
'If the path be filled with brush-wood
Cast the brush-wood to the road-side;
If the branches cross his pathway,
Break the branches into fragments;
Should a fence of fir or alder
Cross the way that leads him hither.
Make an opening within it,
Open nine obstructing fences;
If the way be crossed by streamlets,
If the path be stopped by rivers,
Make a bridge of silken fabric,
Weaving webs of scarlet color,
Drive the deer-herd gently over,
Lead them gently o'er the waters,
O'er the rivers of thy forests,
O'er the streams of thy dominions.
'Thou, the host of Tapio's mansion,
Gracious host of Tapiola,
Sable-bearded god of woodlands,
Golden lord of Northland forests,
Thou, O Tapio's worthy hostess,
Queen of snowy woods, Mimerkki,
Ancient dame in sky-blue vesture,
Fenland-queen in scarlet ribbons,
Come I to exchange my silver,
To exchange my gold and silver;
Gold I have, as old as moonlight,
Silver of the age of sunshine,
In the first of years was gathered,
In the heat and pain of battle;
It will rust within my pouches,
Soon will wear away and perish,
If it be not used in trading.'
Long the hunter, Lemminkainen,
Glided through the fen and forest,
Sang his songs throughout the woodlands,
165
Through three mountain glens be sang them,
Sang the forest hostess friendly,
Sang he, also, Tapio friendly,
Friendly, all the forest virgins,
All of Metsola's fair daughters.
Now they start the herds of Lempo,
Start the wild-moose from his shelter,
In the realms of evil Hisi,
Tapio's highest mountain-region;
Now they drive the ranger homeward,
To the open courts of Piru,
To the hero that is waiting,
Hunting for the moose of Juutas.
When the herd had reached the castle,
Lemminkainen threw his lasso
O'er the antlers of the blue-moose,
Settled on the neck and shoulders
Of the mighty moose of Hisi.
Then the hunter, Kaukomieli,
Stroked his captive's neck in safety,
For the moose was well-imprisoned.
Thereupon gay Lemminkainen
Filled with joyance spake as follows:
'Pride of forests, queen of woodlands,
Metsola's enchanted hostess,
Lovely forest dame, Mielikki,
Mother-donor of the mountains,
Take the gold that I have promised,
Come and take away the silver;
Spread thy kerchief well before me,
Spread out here thy silken neck-wrap,
Underneath the golden treasure,
Underneath the shining silver,
that to earth it may not settle,
Scattered on the snows of winter.'
Then the hero went a victor
To the dwellings of Pohyola,
And addressed these words to Louhi:
'I have caught the moose of Hisi,
In the Metsola-dominions,
Give, O hostess, give thy daughter,
Give to me thy fairest virgin,
166
Bride of mine to be hereafter.'
Louhi, hostess of the Northland,
Gave this answer to the suitor:
'I will give to thee my daughter,
For thy wife my fairest maiden,
When for me thou'lt put a bridle
On the flaming horse of Hisi,
Rapid messenger of Lempo,
On the Hisi-plains and pastures.'
Nothing daunted, Lemminkainen
Hastened forward to accomplish
Louhi's second test of heroes,
On the cultivated lowlands,
On the sacred fields and forests.
Everywhere he sought the racer,
Sought the fire-expiring stallion,
Fire out-shooting from his nostrils.
Lemminkainen, fearless hunter,
Bearing in his belt his bridle,
On his shoulders, reins and halter,
Sought one day, and then a second,
Finally, upon the third day,
Went he to the Hisi-mountain,
Climbed, and struggled to the summit;
To the east he turned his glances,
Cast his eyes upon the sunrise,
There beheld the flaming courser,
On the heath among the far-trees.
Lempo's fire-expiring stallion
Fire and mingled smoke, out-shooting
From his mouth, and eyes, and nostrils.
Spake the daring Lemminkainen,
This the hero's supplication:
'Ukko, thou O God above me,
Thou that rulest all the storm-clouds,
Open thou the vault of heaven,
Open windows through the ether,
Let the icy rain come falling,
Lot the heavy hailstones shower
On the flaming horse of Hisi,
On the fire-expiring stallion.'
Ukko, the benign Creator,
167
Heard the prayer of Lemminkainen,
Broke apart the dome of heaven,
Rent the heights of heaven asunder,
Sent the iron-hail in showers,
Smaller than the heads of horses,
Larger than the heads of heroes,
On the flaming steed of Lempo,
On the fire-expiring stallion,
On the terror of the Northland.
Lemminkainen, drawing nearer,
Looked with care upon the courser,
Then he spake the words that follow:
'Wonder-steed of mighty Hisi,
Flaming horse of Lempo's mountain,
Bring thy mouth of gold, assenting,
Gently place thy head of silver
In this bright and golden halter,
In this silver-mounted bridle.
I shall never harshly treat thee,
Never make thee fly too fleetly,
On the way to Sariola,
On the tracks of long duration,
To the hostess of Pohyola,
To her magic courts and stables,
Will not lash thee on thy journey;
I shall lead thee gently forward,
Drive thee with the reins of kindness,
Cover thee with silken blankets.'
Then the fire-haired steed of Juutas,
Flaming horse of mighty Hisi,
Put his bead of shining silver,
In the bright and golden bead-stall,
In the silver-mounted bridle.
Thus the hero, Lemminkainen,
Easy bridles Lempo's stallion,
Flaming horse of evil Piru;
Lays the bits within his fire-mouth,
On his silver head, the halter,
Mounts the fire-expiring courser,
Brandishes his whip of willow,
Hastens forward on his journey,
Bounding o'er the hills and mountains,
168
Dashing through the valleys northward,
O'er the snow-capped hills of Lapland,
To the courts of Sariola.
Then the hero, quick dismounting,
Stepped within the court of Louhi,
Thus addressed the Northland hostess:
'I have bridled Lempo's fire-horse,
I have caught the Hisi-racer,
Caught the fire-expiring stallion,
In the Piru plains and pastures,
Ridden him within thy borders;
I have caught the moose of Lempo,
I have done what thou demandest;
Give, I pray thee, now thy daughter,
Give to me thy fairest maiden,
Bride of mine to be forever.'
Louhi, hostess of Pohyola,
Made this answer to the suitor:
'I will only give my daughter,
Give to thee my fairest virgin,
Bride of thine to be forever,
When for me the swan thou killest
In the river of Tuoni,
Swimming in the black death-river,
In the sacred stream and whirlpool;
Thou canst try one cross-bow only,
But one arrow from thy quiver.'
Then the reckless Lemminkainen,
Handsome hero, Kaukomieli,
Braved the third test of the hero,
Started out to hunt the wild-swan,
Hunt the long-necked, graceful swimmer,
In Tuoni's coal-black river,
In Manala's lower regions.
Quick the daring hunter journeyed,
Hastened off with fearless footsteps,
To the river of Tuoni,
To the sacred stream and whirlpool,
With his bow upon his shoulder,
With his quiver and one arrow.
Nasshut, blind and crippled shepherd,
Wretched shepherd of Pohyola,
169
Stood beside the death-land river,
Near the sacred stream and whirlpool,
Guarding Tuonela's waters,
Waiting there for Lemminkainen,
Listening there for Kaukomieli,
Waiting long the hero's coming.
Finally he hears the footsteps
Of the hero on his journey,
Hears the tread of Lemminkainen,
As he journeys nearer, nearer,
To the river of Tuoni,
To the cataract of death-land,
To the sacred stream and whirlpool.
Quick the wretched shepherd, Nasshut,
From the death-stream sends a serpent,
Like an arrow from a cross-bow,
To the heart of Lemminkainen,
Through the vitals of the hero.
Lemminkainen, little conscious,
Hardly knew that be was injured,
Spake these measures as he perished.
'Ah! unworthy is my conduct,
Ah! unwisely have I acted,
That I did not heed my mother,
Did not take her goodly counsel,
Did not learn her words of magic.
Oh I for three words with my mother,
How to live, and bow to suffer,
In this time of dire misfortune,
How to bear the stings of serpents,
Tortures of the reed of waters,
From the stream of Tuonela!
'Ancient mother who hast borne me,
Who hast trained me from my childhood,
Learn, I pray thee, where I linger,
Where alas! thy son is lying,
Where thy reckless hero suffers.
Come, I pray thee, faithful mother,
Come thou quickly, thou art needed,
Come deliver me from torture,
From the death-jaws of Tuoni,
From the sacred stream and whirlpool.'
170
Northland's old and wretched shepherd,
Nasshut, the despised protector
Of the flocks of Sariola,
Throws the dying Lemminkainen,
Throws the hero of the islands,
Into Tuonela's river,
To the blackest stream of death-land,
To the worst of fatal whirlpools.
Lemminkainen, wild and daring,
Helpless falls upon the waters,
Floating down the coal-black current,
Through the cataract and rapids
To the tombs of Tuonela.
There the blood-stained son of death-land,
There Tuoni's son and hero,
Cuts in pieces Lemminkainen,
Chops him with his mighty hatchet,
Till the sharpened axe strikes flint-sparks
From the rocks within his chamber,
Chops the hero into fragments,
Into five unequal portions,
Throws each portion to Tuoni,
In Manala's lowest kingdom,
Speaks these words when he has ended:
'Swim thou there, wild Lemminkainen,
Flow thou onward in this river,
Hunt forever in these waters,
With thy cross-bow and thine arrow,
Shoot the swan within this empire,
Shoot our water-birds in welcome!'
Thus the hero, Lemminkainen,
Thus the handsome Kaukomieli,
The untiring suitor, dieth
In the river of Tuoni,
In the death-realm of Manala.
~ Elias Lönnrot,
1365:The Monk
In Nino's chamber not a sound intrudes
Upon the midnight's tingling silentness,
Where Nino sits before his book and broods,
Thin and brow-burdened with some fine distress,
Some gloom that hangs about his mournful moods
His weary bearing and neglected dress:
So sad he sits, nor ever turns a leafSorrow's pale miser o'er his hoard of grief.
II
Young Nino and Leonora, they had met
Once at a revel by some lover's chance,
And they were young with hearts already set
To tender thoughts, attuned to romance;
Wherefore it seemed they never could forget
That winning touch, that one bewildering glance:
But found at last a shelter safe and sweet,
Where trembling hearts and longing hands might meet.
III
Ah, sweet their dreams, and sweet, the life they led
With that great love that was their bosoms' all,
Yet ever shadowed by some circling dread
It gloomed at moments deep and tragical,
And so for many a month they seemed to tread
With fluttering hearts, whatever might befall,
Half glad, half sad, their sweet and secret way
To the soft tune of some old lover's lay.
IV
But she is gone, alas he knows not where,
Or how his life that tender gift should lose:
Indeed his love was ever full of care,
The hasty joys and griefs of him who woos,
196
Where sweet success is neighbour to despair,
With stolen looks and dangerous interviews:
But one long week she came not, nor the next,
And so he wandered here and there perplext;
Nor evermore she came. Full many days
He sought her at their trysts, devised deep schemes
To lure her back, and fell on subtle ways
To win some word of her; but all his dreams
Vanished like smoke, and then in sore amaze
From town to town, as one that crazed seems,
He wandered, following in unhappy quest
Uncertain clues that ended like the rest.
VI
And now this midnight, as he sits forlorn,
The printed page for him no meaning bears;
With every word some torturing dream is born;
And every thought is like a step that scares
Old memories up to make him weep and mourn,
He cannot turn but from their latchless lairs,
The weary shadows of his lost delight.
Rise up like dusk birds through the lonely night.
VII
And still with questions vain he probes his grief,
Till thought is wearied out, and dreams grow dim.
What bitter chance, what woe beyond belief
Could keep his lady's heart so hid from him?
Or was her love indeed but light and brief,
A passing thought, a moment's dreamy whim?
Aye there it stings, the woe that never sleeps:
Poor Nino leans upon his book, and weeps.
VIII
Until at length the sudden grief that shook
His pierced bosom like a gust is past,
197
And laid full weary on the wide-spread book,
His eyes grow dim with slumber light and fast;
But scarcely have his dreams had time to look
On lands of kindlier promise, when aghast
He starts up softly, and in wondering wise
Listens atremble with wide open eyes.
IX
What sound was that? Who knocks like one in dread
With such swift hands upon his outer door?
Perhaps some beggar driven from his bed
By gnawing hunger he can bear no more,
Or questing traveller with confused tread,
Straying, bewildered in the midnight hoar.
Nino uprises, scared, he knows not how,
The dreams still pale about his burdened brow.
The heavy bolt he draws, and unawares
A stranger enters with slow steps, unsought,
A long robed monk, and in his hand he bears,
A jewelled goblet curiously wrought;
But of his face beneath the cowl he wears
For all his searching Nino seeth nought;
And slowly past him with long stride he hies,
While Nino follows with bewildered eyes.
XI
Straight on he goes with dusky rustling gown
His steps are soft, his hands are white and fine;
And still he bears the goblet on whose crown
A hundred jewels in the lamplight shine;
And ever from its edges dripping down
Falls with dark stain the rich and lustrous wine,
Wherefrom through all the chamber's shadowy deeps
A deadly perfume like a vapour creeps.
XII
198
And now he sets it down with careful hands
On the slim table's polished ebony;
And for a space as if in dreams he stands,
Close hidden in his sombre drapery.
'Oh lover, by thy lady's last commands,
I bid thee hearken, for I bear with me
A gift to give thee and a tale to tell
From her who loved thee, while she lived too well.'
XIII
The stranger's voice falls slow and solemnly.
Tis soft, and rich, and wondrous deep of tone;
And Nino's face grows white as ivory,
Listening fast-rooted like a shape of stone.
Ah, blessed saints, can such a dark thing be?
And was it death, and is Leonora gone?
Oh, love is harsh, and life is frail indeed,
That gives men joy, and then so makes them bleed.
XIV
'There is the gift I bring'; the stranger's head
Turns to the cup that glitters at his side;
'And now my tongue draws back for very dread,
Unhappy youth, from what it must not hide.
The saddest tale that ever lips have said;
Yet thou must know how sweet Lenora died,
A broken martyr for love's weary sake,
And left this gift for thee to leave or take.'
XV
Poor Nino listens with that marble face,
And eyes that move not, strangely wide and set.
The monk continues with his mournful grace:
'She told me, Nino, how you often met
In secret, and your plighted loves kept pace,
Together, tangled in the self-same net;
Your dream's dark danger and its dread you knew,
And still you met, and still your passion grew.
199
XVI
'And aye with that luxurious fire you fed
Your dangerous longing daily, crumb by crumb;
Nor ever cared that still above your head
The shadow grew; for that your lips were dumb.
You knew full keenly you could never wed:
'Twas all a dream: the end must surely come;
For not on thee her father's eyes were turned
To find a son, when mighty lords were spurned.
XVII
'Thou knowest that new-sprung prince, that proud up-start,
Pisa's new tyrant with his armed thralls,
Who bends of late to take the people's part,
Yet plays the king among his marble halls,
Whose gloomy palace in our city's heart,
Frowns like a fortress with its loop-holed walls.
'Twas him he sought for fair Leonora's hand,
That so his own declining house might stand.
XVIII
'The end came soon; 'twas never known to thee;
But, when your love was scarce a six months old,
She sat one day beside her father's knee,
And in her ears the dreadful thing was told.
Within one month her bridal hour should be
With Messer Gianni for his power and gold;
And as she sat with whitened lips the while,
The old man kissed her, with his crafty smile.
XIX
'Poor pallid lady, all the woe she felt
Thou, wretched Nino, thou alone canst know,
Down at his feet with many a moan she knelt,
And prayed that he would never wound her so.
Ah, tender saints! it was a sight to melt
The flintiest heart; but his could never glow.
He sat with clenched hands and straightened head,
200
And frowned, and glared, and turned from white to red.
XX
'And still with cries about his knees she clung,
Her tender bosom broken with her care.
His words were brief, with bitter fury flung:
'The father's will the child must meekly bear;
I am thy father, thou a girl and young.'
Then to her feet she rose in her despair,
And cried with tightened lips and eyes aglow,
One daring word, a straight and simple, 'No!'
XXI
'Her father left her with wild words, and sent
Rough men, who dragged her to a dungeon deep,
Where many a weary soul in darkness pent
For many a year had watched the slow days creep,
And there he left her for his dark intent,
Where madness breeds and sorrows never sleep.
Coarse robes he gave her, and her lips he fed
With bitter water and a crust of bread.
XXII
'And day by day still following out his plan,
He came to her, and with determined spite
Strove with soft words and then with curse and ban
To bend her heart so wearied to his might,
And aye she bode his bitter pleasure's span,
As one that hears, but hath not sense or sight.
Ah, Nino, still her breaking heart held true:
Poor lady sad, she had no thought but you.
XXIII
'The father tired at last and came no more,
But in his settled anger bade prepare
The marriage feast with all luxurious store,
With pomps and shows and splendors rich and rare;
And so in toil another fortnight wore,
201
Nor knew she aught what things were in the air,
Till came the old lord's message brief and coarse:
Within three days she should be wed by force.
XXIV
'And all that noon and weary night she lay,
Poor child, like death upon her prison stone,
And none that came to her but crept away,
Sickened at heart to see her lips so moan,
Her eyes so dim within their sockets grey,
Her tender cheeks so thin and ghastly grown;
But when the next morn's light began to stir,
She sent and prayed that I might be with her.
XXV
'This boon he gave: perchance he deemed that I,
The chaplain of his house, her childhood's friend,
With patient tones and holy words, might try
To soothe her purpose to his gainful end.
I bowed full low before his crafty eye,
But knew my heart had no base help to lend.
That night with many a silent prayer I came
To poor Leonora in her grief and shame.
XXVI
'But she was strange to me: I could not speak
For glad amazement, mixed with some dark fear;
I saw her stand no longer pale and weak,
But a proud maiden, queenly and most clear,
With flashing eyes and vermeil in her cheek:
And on the little table, set anear,
I marked two goblets of rare workmanship
With some strange liquor crowned to the lip.
XXVII
'And then she ran to me and caught my hand,
Tightly imprisoned in her meagre twain,
And like the ghost of sorrow she did stand,
202
And eyed me softly with a liquid pain:
'Oh father, grant, I pray thee, I command,
One boon to me, I'll never ask again,
One boon to me and to my love, to both;
Dear father, grant, and bind it with an oath.'
XXVIII
'This granted I, and then with many a wail
She told me all the story of your woe,
And when she finished, lightly but most pale,
To those two brimming goblets she did go,
And one she took within her fingers frail,
And looked down smiling in its crimson glow:
'And now thine oath I'll tell; God grant to thee
No rest in grave, if thou be false to me.
XXIX
''Alas, poor me! whom cruel hearts would wed
On the sad morrow to that wicked lord;
But I'll not go; nay, rather I'll be dead,
Safe from their frown and from their bitter word.
Without my Nino life indeed were sped;
And sith we two can never more accord
In this drear world, so weary and perplext,
We'll die, and win sweet pleasure in the next.
XXX
''Oh father, God will never give thee rest,
If thou be false to what thy lips have sworn,
And false to love, and false to me distressed,
A helpless maid, so broken and outworn.
This cup-she put it softly to her breastI pray thee carry, ere the morrow morn,
To Nino's hand, and tell him all my pain;
This other with mine own lips I will drain.'
XXXI
'Slowly she raised it to her lips, the while
203
I darted forward, madly fain to seize
Her dreadful hands, but with a sudden wile
She twisted and sprang from me with bent knees,
And rising turned upon me with a smile,
And drained her goblet to the very lees.
'Oh priest, remember, keep thine oath,' she cried,
And the spent goblet fell against her side.
XXXII
'And then she moaned and murmured like a bell:
'My Nino, my sweet Nino!' and no more
She said, but fluttered like a bird and fell
Lifeless as marble to the footworn floor;
And there she lies even now in lonely cell,
Poor lady, pale with all the grief she bore,
She could not live, and still be true to thee,
And so she's gone where no rude hands can be.'
XXXIII
The monk's voice pauses like some mournful flute,
Whose pondered closes for sheer sorrow fail,
And then with hand that seems as it would suit
A soft girl best, it is so light and frail,
He turns half round, and for a moment mute
Points to the goblet, and so ends his tale:
'Mine oath is kept, thy lady's last command;
'Tis but a short hour since it left her hand.'
XXXIV
So ends the stranger: surely no man's tongue
Was e'er so soft, or half so sweet, as his.
Oft as he listened, Nino's heart had sprung
With sudden start as from a spectre's kiss;
For deep in many a word he deemed had rung
The liquid fall of some loved emphasis;
And so it pierced his sorrow to the core,
The ghost of tones that he should hear no more.
XXXV
204
But now the tale is ended, and still keeps
The stranger hidden in dusky weed;
And Nino stands, wide-eyed, as one that sleeps,
And dimly wonders how his heart doth bleed.
Anon he bends, yet neither moans nor weeps,
But hangs atremble, like a broken reed;
'Ah! bitter fate, that lured and sold us so,
Poor lady mine; alas for all our woe!'
XXXVI
But even as he moans in such dark mood,
His wandering eyes upon the goblet fall.
Oh, dreaming heart! Oh, strange ingratitude!
So to forget his lady's lingering call,
Her parting gift, so rich, so crimson-hued,
The lover's draught, that shall be cure for all.
He lifts the goblet lightly from its place,
And smiles, and rears it with his courtly grace.
XXXVII
'Oh, lady sweet, I shall not long delay:
This gift of thine shall bring me to thine eyes.
Sure God will send on no unpardoned way
The faithful soul, that at such bidding dies.
When thou art gone, I cannot longer stay
To brave this world with all its wrath and lies,
Where hands of stone and tongues of dragon's breath
Have bruised mine angel to her piteous death.'
XXXVIII
And now the gleaming goblet hath scarce dyed
His lips' thin pallor with its deathly red,
When Nino starts in wonder, fearful-eyed,
For, lo! the stranger with outstretched head
Springs at his face one soft and sudden stride,
And from his hand the deadly cup hath sped,
Dashed to the ground, and all its seeded store
Runs out like blood upon the marble floor.
205
XXXIX
'Oh, Nino, my sweet Nino! speak to me,
Nor stand so strange, nor look so deathly pale.
'Twas all to prove thy heart's dear constancy
I brought that cup and told that piteous tale.
Ah! chains and cells and cruel treachery
Are weak indeed when women's hearts assail.
Art angry, Nino?' 'Tis no monk that cries,
But sweet Leonora with her love-lit eyes.
XL
She dashes from her brow the pented hood;
The dusky robe falls rustling to her feet;
And there she stands, as aye in dreams she stood.
Ah, Nino, see! Sure man did never meet
So warm a flower from such a sombre bud,
So trembling fair, so wan, so pallid sweet.
Aye, Nino, down like saint upon thy knee,
And soothe her hands with kisses warm and free.
XLI
And now with broken laughter on her lips,
And now with moans remembering of her care,
She weeps, and smiles, and like a child she slips
Her lily fingers through his curly hair,
The while her head with all it's sweet she dips,
Close to his ear, to soothe and murmur there;
'Oh, Nino, I was hid so long from thee,
That much I doubted what thy love might be.
XLII
'And though 'twas cruel hard of me to try
Thy faithful heart with such a fearful test,
Yet now thou canst be happy, sweet, as I
Am wondrous happy in thy truth confessed.
To haggard death indeed thou needst not fly
To find the softness of thy lady's breast;
206
For such a gift was never death's to give,
But thou shalt have me for thy love, and live.
XLIII
'Dost see these cheeks, my Nino? they're so thin,
Not round and soft, as when thou touched them last:
So long with bitter rage they pent me in,
Like some poor thief in lonely dungeons cast;
Only this night through every bolt and gin
By cunning stealth I wrought my way at last.
Straight to thine heart I fled, unfaltering,
Like homeward pigeon with uncaged wing.
XLIV
'Nay, Nino, kneel not; let me hear thee speak.
We must not tarry long; the dawn is nigh.'
So rises he, for very gladness weak;
But half in fear that yet the dream may fly,
He touches mutely mouth and brow and cheek;
Till in his ear she 'gins to plead and sigh:
'Dear love, forgive me for that cruel tale,
That stung thine heart and made thy lips so pale.'
XLV
And so he folds her softly with quick sighs,
And both with murmurs warm and musical
Talk and retalk, with dim or smiling eyes,
Of old delights and sweeter days to fall:
And yet not long, for, ere the starlit skies,
Grow pale above the city's eastern wall,
They rise, with lips and happy hands withdrawn,
And pass out softly into the dawn.
XLVI
For Nino knows the captain of a ship,
The friend of many journeys, who may be
This very morn will let his cables slip
For the warm coast of Sicily.
207
There in Palermo, at the harbour's lip,
A brother lives, of tried fidelity:
So to the quays by hidden ways they wend
In the pale morn, nor do they miss their friend.
XLVII
And ere the shadow off another night
Hath darkened Pisa, many a foe shall stray
Through Nino's home, with eyes malignly bright
In wolfish quest, but shall not find his prey:
The while those lovers in their white-winged flight
Shall see far out upon the twilight grey,
Behind, the glimmer of the sea, before,
The dusky outlines of a kindlier shore.
~ Archibald Lampman,
1366:A Poem On The Last Day - Book Ii
Now man awakes, and from his silent bed,
Where he has slept for ages, lifts his head;
Shakes off the slumber of ten thousand years,
And on the borders of new worlds appears.
Whate'er the bold, the rash adventure cost,
In wide Eternity I dare be lost.
The Muse is wont in narrow bounds to sing,
To teach the swain, or celebrate the king.
I grasp the whole, no more to parts confined,
I lift my voice, and sing to human kind:
I sing to men and angels; angels join,
While such the theme, their sacred songs with mine.
Again the trumpet's intermitted sound
Rolls the wide circuit of creation round,
An universal concourse to prepare
Of all that ever breathed the vital air;
In some wide field, which active whirlwinds sweep,
Drive cities, forests, mountains to the deep,
To smooth and lengthen out the' unbounded space,
And spread an area for all human race.
Now monuments prove faithful to their trust,
And render back their long committed dust.
Now charnels rattle; scatter'd limbs, and all
The various bones, obsequious to the call,
Self-moved, advance; the neck perhaps to meet
The distant head; the distant legs, the feet.
Dreadful to view, see through the dusky sky
Fragments of bodies in confusion fly,
To distant regions journeying, there to claim
Deserted members, and complete the frame.
When the world bow'd to Rome's almighty sword,
Rome bow'd to Pompey, and confess'd her lord.
Yet, one day lost, this deity below
Became the scorn and pity of his foe.
His blood a traitor's sacrifice was made,
14
And smoked indignant on a ruffian's blade.
No trumpet's sound, no gasping army's yell,
Bid, with due horror, his great soul farewell.
Obscure his fall: all weltering in his gore,
His trunk was cast to perish on the shore!
While Julius frown'd the bloody monster dead,
Who brought the world in his great rival's head.
This sever'd head and trunk shall join once more,
Though realms now rise between, and oceans roar.
The trumpet's sound each vagrant-mote shall hear,
Or fix'd in earth, or if afloat in air,
Obey the signal wafted in the wind,
And not one sleeping atom lag behind.
So swarming bees, that, on a summer's day,
In airy rings and wild meanders play,
Charm'd with the brasen sound, their wanderings end,
And, gently circling, on a bough descend.
The body thus renew'd, the conscious soul,
Which has perhaps been fluttering near the pole,
Or midst the burning planets wondering stray'd,
Or hover'd o'er where her pale corpse was laid;
Or rather coasted on her final state,
And fear'd or wish'd for her appointed fate:
This soul, returning with a constant flame,
Now weds for ever her immortal frame.
Life, which ran down before, so high is wound,
The springs maintain an everlasting round.
Thus a frail model of the work design'd
First takes a copy of the builder's mind,
Before the structure firm with lasting oak,
And marble bowels of the solid rock,
Turns the strong arch, and bids the columns rise,
And bear the lofty palace to the skies;
The wrongs of Time enabled to surpass,
With bars of adamant, and ribs of brass.
That ancient, sacred, and illustrious dome,
Where soon or late fair Albion's heroes come,
From camps and courts, though great, or wise, or just,
15
To feed the worm, and moulder into dust;
That solemn mansion of the royal dead,
Where passing slaves o'er sleeping monarchs tread,
Now populous o'erflows: a numerous race
Of rising kings fill all the' extended space.
A life well-spent, not the victorious sword,
Awards the crown, and styles the greater lord.
Nor monuments alone, and burial earth,
Labour with man to this his second birth;
But where gay palaces in pomp arise,
And gilded theatres invade the skies,
Nations shall wake, whose unrespected bones
Support the pride of their luxurious sons.
The most magnificent and costly dome
Is but an upper chamber to a tomb.
No spot on earth but has supplied a grave,
And human skulls the spacious ocean pave.
All's full of man; and at this dreadful turn,
The swarm shall issue, and the hive shall burn.
Not all at once, nor in like manner, rise:
Some lift with pain their slow unwilling eyes;
Shrink backward from the terror of the light,
And bless the grave, and call for lasting night.
Others, whose long-attempted virtue stood
Fix'd as a rock, and broke the rushing flood;
Whose firm resolve nor beauty could melt down,
Nor raging tyrants from their posture frown:Such, in this day of horrors, shall be seen
To face the thunders with a godlike mien:
The planets drop, their thoughts are fix'd above;
The centre shakes, their hearts disdain to move:
An earth dissolving, and a heaven thrown wide,
A yawning gulf, and fiends on every side,
Serene they view, impatient of delay,
And bless the dawn of everlasting day.
Here greatness prostrate falls; there strength gives place:
Here lazars smile; there beauty hides her face.
Christians, and Jews, and Turks, and Pagans stand,
A blended throng, one undistinguish'd band.
16
Some who, perhaps, by mutual wounds expired,
With zeal for their distinct persuasions fired,
In mutual friendship their long slumber break,
And hand in hand their Saviour's love partake.
But none are flush'd with brighter joy, or, warm
With juster confidence, enjoy the storm,
Than those whose pious bounties, unconfined,
Have made them public fathers of mankind.
In that illustrious rank, what shining light
With such distinguish'd glory fills my sight?
Bend down, my grateful Muse, that homage show
Which to such worthies thou art proud to owe.
Wykeham, Fox, Chicheley! hail, illustrious names,
Who to far-distant times dispense your beams!
Beneath your shades, and near your crystal springs,
I first presumed to touch the trembling strings.
All hail, thrice-honour'd! 'Twas your great renown
To bless a people, and oblige a crown.
And now you rise, eternally to shine,
Eternally to drink the rays Divine.
Indulgent God! O how shall mortal raise
His soul to due returns of grateful praise,
For bounty so profuse to human kind,
Thy wondrous gift of an eternal mind?
Shall I, who, some few years ago, was less
Than worm, or mite, or shadow can express,Was nothing; shall I live, when every fire
And every star shall languish and expire?
When earth's no more, shall I survive above,
And through the radiant files of angels move?
Or, as before the throne of God I stand,
See new worlds rolling from His spacious hand,
Where our adventures shall perhaps be taught,
As we now tell how Michael sung or fought?
All that has being in full concert join,
And celebrate the depths of Love Divine!
But O! before this blissful state, before
The' aspiring soul this wondrous height can soar,
17
The Judge, descending, thunders from afar,
And all mankind is summon'd to the bar.
This mighty scene I next presume to draw:
Attend, great Anna, with religious awe.
Expect not here the known successful arts
To win attention, and command our hearts:
Fiction, be far away; let no machine
Descending here, no fabled God, be seen:
Behold the God of gods indeed descend,
And worlds unnumber'd His approach attend!
Lo! the wide theatre, whose ample space
Must entertain the whole of human race,
At Heaven's all-powerful edict is prepared,
And fenced around with an immortal guard.
Tribes, provinces, dominions, worlds o'erflow
The mighty plain, and deluge all below:
And every age and nation pours along;
Nimrod and Bourbon mingle in the throng;
Adam salutes his youngest son; no sign
Of all those ages which their births disjoin.
How empty learning, and how vain is art,
But as it mends the life, and guides the heart!
What volumes have been swell'd, what time been spent,
To fix a hero's birth-day or descent!
What joy must it now yield, what rapture raise,
To see the glorious race of ancient days!
To greet those worthies who perhaps have stood
Illustrious on record before the flood!
Alas! a nearer care your soul demands,
Caesar unnoted in your presence stands.
How vast the concourse! not in number more
The waves that break on the resounding shore,
The leaves that tremble in the shady grove,
The lamps that gild the spangled vault above.
Those overwhelming armies, whose command
Said to one empire, ``Fall;'' another, ``Stand;''
Whose rear lay wrapp'd in night, while breaking dawn
Roused the broad front, and call'd the battle on:
18
Great Xerxes' world in arms, proud Cannae's field,
Where Carthage taught victorious Rome to yield;
(Another blow had broke the Fates' decree,
And earth had wanted her fourth monarchy
Immortal Blenheim, famed Ramillia's host:They all are here, and here they all are lost:
Their millions swell to be discern'd in vain,
Lost as a billow in the' unbounded main.
This echoing voice now rends the yielding air,
For judgment, judgment, sons of men, prepare!
Earth shakes anew; I hear her groans profound;
And hell through all her trembling realms resound.
Whoe'er thou art, thou greatest power of earth,
Bless'd with most equal planets at thy birth:
Whose valour drew the most successful sword,
Most realms united in one common lord;
Who, on the day of triumph, saidst, ``Be Thine
The skies, Jehovah: all this world is mine:''
Dare not to lift thine eye.-Alas! my Muse,
How art thou lost! what numbers canst thou choose?
A sudden blush inflames the waving sky,
And now the crimson curtains open fly;
Lo! far within, and far above all height,
Where heaven's great Sovereign reigns in worlds of light;
Whence Nature He informs, and, with one ray
Shot from His eye, does all her works survey,
Creates, supports, confounds! where time, and place,
Matter, and form, and fortune, life, and grace,
Wait humbly at the footstool of their God,
And move obedient at His awful nod;
Whence He beholds us vagrant emmets crawl
At random on this air-suspended ball:
(Speck of creation!) if He pour one breath,
The bubble breaks, and 'tis eternal death.
Thence issuing I behold, (but mortal sight
Sustains not such a rushing sea of light!)
I see, on an empyreal flying throne
Sublimely raised, Heaven's everlasting Son;
19
Crown'd with that majesty which form'd the world,
And the grand rebel flaming downward hurl'd
Virtue, Dominion, Praise, Omnipotence,
Support the train of their triumphant Prince.
A zone, beyond the thought of angels bright,
Around Him, like the zodiac, winds its light.
Night shades the solemn arches of His brows,
And in His cheek the purple morning glows.
Where'er serene He turns propitious eyes,
Or we expect, or find, a Paradise:
But if resentment reddens their mild beams,
The Eden kindles, and the world's in flames.
On one hand, Knowledge shines in purest light;
On one, the sword of Justice, fiercely bright.
Now bend the knee in sport, present the reed;
Now tell the scourged impostor He shall bleed!
Thus glorious through the courts of heaven the Source
Of life and death eternal bends His course;
Loud thunders round Him roll, and lightnings play;
The' angelic host is ranged in bright array:
Some touch the string, some strike the sounding shell,
And mingling voices in rich concert swell;
Voices seraphic! bless'd with such a strain,
Could Satan hear, he were a god again.
Triumphant King of Glory! Soul of Bliss!
What a stupendous turn of fate is this!
O whither art thou raised above the scorn
And indigence of Him in Bethlem born!
A needless, helpless, unaccounted guest,
And but a second to the fodder'd beast!
How changed from Him who, meekly prostrate laid,
Vouchsafed to wash the feet Himself had made!
From Him who was betray'd, forsook, denied,
Wept, languish'd, pray'd, bled, thirsted, groan'd, and died;
Hung pierced and bare, insulted by the foe,
All heaven in tears above, earth unconcern'd below!
And was't enough to bid the sun retire?
Why did not Nature at Thy groan expire?
I see, I hear, I feel, the pangs Divine;
20
The world is vanish'd,-I am wholly Thine.
Mistaken Caiaphas! Ah! which blasphemed,Thou, or thy Prisoner? which shall be condemn'd?
Well mightst thou rend thy garments, well exclaim;
Deep are the horrors of eternal flame!
But God is good! 'Tis wondrous all! E'en He
Thou gavest to death, shame, torture, died for thee.
Now the descending triumph stops its flight
From earth full twice a planetary height.
There all the clouds, condensed, two columns raise
Distinct with orient veins, and golden blaze:
One fix'd on earth, and one in sea, and round
Its ample foot the swelling billows sound.
These an immeasurable arch support,
The grand tribunal of this awful court.
Sheets of bright azure, from the purest sky,
Stream from the crystal arch, and round the columns fly.
Death, wrapp'd in chains, low at the basis lies,
And on the point of his own arrow dies.
Here high-enthroned the' eternal Judge is placed,
With all the grandeur of His Godhead graced;
Stars on His robes in beauteous order meet,
And the sun burns beneath His awful feet.
Now an archangel eminently bright,
From off his silver staff of wondrous height,
Unfurls the Christian flag, which waving flies,
And shuts and opens more than half the skies:
The cross so strong a red, it sheds a stain,
Where'er it floats, on earth, and air, and main;
Flushes the hill, and sets on fire the wood,
And turns the deep-dyed ocean into blood.
O formidable Glory! dreadful bright!
Refulgent torture to the guilty sight.
Ah, turn, unwary Muse, nor dare reveal
What horrid thoughts with the polluted dwell.
Say not, (to make the Sun shrink in his beam,)
Dare not affirm, they wish it all a dream;
21
Wish, or their souls may with their limbs decay,
Or God be spoil'd of His eternal sway.
But rather, if thou know'st the means, unfold
How they with transport might the scene behold.
Ah how, but by repentance, by a mind
Quick and severe its own offence to find;
By tears, and groans, and never-ceasing care,
And all the pious violence of prayer?
Thus then, with fervency till now unknown,
I cast my heart before the' eternal throne,
In this great temple, which the skies surround,
For homage to its Lord a narrow bound:``O Thou! whose balance does the mountains weigh,
Whose will the wild tumultuous seas obey,
Whose breath can turn those watery worlds to flame,
That flame to tempest, and that tempest tame;
Earth's meanest son, all trembling, prostrate falls,
And on the Boundless of Thy goodness calls.
``O give the winds all past offence to sweep,
To scatter wide, or bury in the deep!
Thy power, my weakness, may I ever see,
And wholly dedicate my soul to Thee.
Reign o'er my will; my passions ebb and flow
At Thy command, nor human motive know.
If anger boil, let anger be my praise,
And sin the graceful indignation raise.
My love be warm to succour the distress'd,
And lift the burden from the soul oppress'd.
O may my understanding ever read
This glorious volume, which Thy wisdom made!
Who decks the maiden Spring with flowery pride?
Who calls forth Summer, like a sparkling bride?
Who joys the mother Autumn's bed to crown,
And bids old Winter lay her honours down?
Not the great Ottoman, or greater Czar,
Not Europe's arbitress of peace and war.
May sea and land, and earth and heaven, be join'd,
To bring the' eternal Author to my mind!
When oceans roar, or awful thunders roll,
22
May thoughts of Thy dread vengeance shake my soul!
When earth's in bloom, or planets proudly shine,
Adore, my heart, the Majesty Divine!
``Through every scene of life, or peace or war,
Plenty or want, Thy glory be my care!
Shine we in arms? or sing beneath our vine?
Thine is the vintage, and the conquest Thine:
Thy pleasure points the shaft, and bends the bow;
The cluster blasts, or bids it brightly glow:
'Tis Thou that lead'st our powerful armies forth,
And giv'st great Anne Thy sceptre o'er the north.
``Grant I may ever, at the morning ray,
Open with prayer the consecrated day;
Tune Thy great praise, and bid my soul arise,
And with the mounting sun ascend the skies:
As that advances, let my zeal improve,
And glow with ardour of consummate love;
Nor cease at eve, but with the setting sun
My endless worship shall be still begun.
``And O! permit the gloom of solemn night
To sacred thought may forcibly invite.
When this world's shut, and awful planets rise,
Call on our minds, and raise them to the skies;
Compose our souls with a less dazzling sight,
And show all nature in a milder light;
How every boisterous thought in calms subsides!
How the smooth'd spirit into goodness glides!
O how Divine! to tread the Milky Way,
To the bright palace of the Lord of Day;
His court admire, or for His favour sue,
Or leagues of friendship with His saints renew;
Pleased to look down, and see the world asleep,
While I long vigils to its Founder keep!
``Canst Thou not shake the centre? O control,
Subdue by force, the rebel in my soul!
Thou, who canst still the raging of the flood,
Restrain the various tumults of my blood;
Teach me, with equal firmness, to sustain
23
Alluring pleasure, and assaulting pain.
O may I pant for Thee in each desire!
And with strong faith foment the holy fire!
Stretch out my soul in hope, and grasp the prize
Which in Eternity's deep bosom lies!
At the great day of recompence behold,
Devoid of fear, the fatal book unfold!
Then, wafted upward to the blissful seat,
From age to age my grateful song repeat;
My Light, my Life, my God, my Saviour see,
And rival angels in the praise of Thee!''
~ Edward Young,
1367:The Legend Of Lady Gertrude
I.
Fallen the lofty halls, where vassal crowds
Drank in the dawn of Gertrude's natal day.
The dungeon roof an Alpine snow-wreath shrouds,
The strong, wild eagle's eyrie in the clouds—
The robber-baron's nest—is swept away.
II.
Bare is the mountain brow of lordly towers;
Only the sunbeams stay, the moon and stars,
The faithful saxifrage and gentian flowers,
The silvery mist, and soft, white, crystal showers,
And torrents rushing through their rocky bars.
III.
More than three hundred years ago, the flag
Charged with that dread device, an Alpine bear—
By many storm-winds rent—a grim, grey rag—
Floated above the castle on the crag,
Above the last whose heads were shelter'd there.
IV.
He was the proudest of an ancient race,
The fiercest of the robber chieftain's band,
That haughty Freiherr, with the iron face:
And she—his lady-sister, by God's grace—
The sweetest, gentlest maiden in the land.
V.
'Twas a rude nest for such a tender bird,
That lonely fortress, with its warrior-lord.
Aye drunken revels the night-stillness stirred;
From morn till eve the battle-cries were heard,
The sound of jingling spur and clanking sword.
VI.
And Lady Gertrude was both young and fair,
A mark for lawless hearts and roving eyes,—
209
With sweet, grave face, and amber-tinted hair,
And a low voice soft-thrilling through the air,
Filling it full of subtlest melodies.
VII.
But the great baron, proudest of his line,
Fetter'd, with jealous care, his white dove's wing;
Guarded his treasure in an inner shrine,
Till such a day as knightly hands should twine
Her slender fingers with the marriage-ring.
VIII.
From all her household rights was she debarred—
Her chair and place within the castle-hall,
Her palfrey's saddle in the castle-yard,
Her nursing ministries when blows fell hard
In border struggles—she was kept from all.
IX.
A stone-paved chamber, and the parapet
Opening above its winding turret-stair;
The castle-chapel, where few men were met,—
Round these the brother's boundaries were set.
The sweet child-sister was so very fair!
X.
She had her faithful nurse, her doves, her lute,
Her broidery and her distaff, and the hound—
Best prized of all—the grand, half-human brute,
Who aye watched near her, beautiful and mute,
With ears love-quicken'd, listening from the ground.
XI.
But the wild bird, so honourably caged,
Grew sick and sad in its captivity;
Longed—like those hills which time nor storm had aged,
And those deep glens where Danube waters raged—
In God's own wind and sunshine to be free.
XII.
And on a day, when she had seen them ride,
Baron and troopers, on some border raid,
210
Wooed by the glory of the summer tide,
The hound's soft-slouching footstep at her side,
Adown the valley Lady Gertrude stray'd.
XIII.
Adown the crag, whose shadow, still and black,
Lay like the death-sleep on a mountain pool;
Through rocky glen, by silvery torrent's track,
Through forest glade, 'neath wild vines, fluttering back
From softest zephyr kisses, green and cool.
XIV.
E'en till the woods and hamlets down below,
And summer meadows, were all broad and clear;
The river, moving statelily and slow,
A crimson ribbon in the sunset glow—
The dim, white, distant city strangely near.
XV.
She sat her down, a-weary, on the ground,
With tremulous long-drawn breath and wistful eyes;
Caress'd the velvet muzzle of the hound,
And listen'd vainly for some little sound
To come up from her world of mysteries.
XVI.
She had forgotten of the time and place,
When clank of warrior's harness smote her dream.
A growl, a spring, a shadow on her face,
And one strode up, with slow and stately pace,
And stood before her in the soft sun-gleam.
XVII.
An armèd knight, in noblest knightly guise,
From golden spur to golden dragon-crest;
Through open vizor gazing with surprise
Into the fair, flush'd face and startled eyes,
While horse and hound stood watchfully at rest.
XVIII.
The sun went down, and, with long, stealthy stride,
The shadows came, blurring the summer light;
211
And there was none the lady's step to guide
Up the lost pathway on the mountain-side—
None to protect her but this stranger knight!
XIX.
He placed her gently on his dappled grey,
Clothed in his mantle—for the air was chill;
He led her all the long and devious way,
Through glens, where starless night held royal sway,
And vine-tressed woodlands, where the leaves were still:
XX.
Through pathless ravines, where swift waters roll'd;
Up dark crag-ramparts, perilously steep,
Where eagles and a she-bear watch'd the fold;—
Facing the mountain breezes, clear and cold—
In shy, sweet silence, eloquent and deep.
XXI.
Holding his charger by the bridle-rein,
He led her through the robber-chieftain's lands;
Led her, unchallenged by the baron's train,
E'en to the low-brow'd castle-gate again,
And there he humbly knelt to kiss her hands.
XXII.
Brave lips, o'er tender palms bent down so low,
Silent and reverent, as it were to bless—
'Twas e'en a knightly love they did bestow,
Love true as steel and undefiled as snow;
No common courtesy, no light caress.
XXIII.
He rode away; and she to turret-lair
Sped, swift and trembling, like a hunted doe.
But wherefore, on the loopholed winding stair
Knelt she till morning, weeping, watching there?—
Because he was her brother's deadliest foe.
XXIV.
Because the golden dragon's blood had mixt
In all those mountain streams, had dyed the grass
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Now trodden for her sake; because betwixt
Those two proud barons such a gulf was fixt
As never bridge of peace might overpass.
XXV.
A bitter, passionate feud, that was begun
In ages long forgotten, and bequeath'd
With those rich baronies by sire to son—
A sacred charge, a great work never done,
A sharp and fiery weapon never sheath'd.
XXVI.
Yet, e'er a month slipped by, as summer slips
On noiseless wings, another kiss was laid,
Not on white palms or rosy finger-tips,
But softly on shut eyes and quivering lips;
And vows were sealèd in the forest glade.
XXVII.
The robber baron, who had hedged about
That fairest blossom of the sacred plant,
Saw he the insolent mailèd hand stretch'd out
To break down all his barriers, strong and stout?
Knew he aught of that gracious covenant?
XXVIII.
His pride serenely slept. Nor did it wake
Till, in amaze, he saw his enemy stand
In his own castle, praying him to take
The pledge of peace for Lady Gertrude's sake—
Praying him humbly for the lady's hand.
XXIX.
Slowly the knitted brows grew fierce and black;
Slowly the eagle eyes began to shine.
“Sir knight,” he said, “I pray you get you back.
But one hour—and the Bears are on your track.
There's naught but fire and sword 'twixt mine and thine.”
XXX.
And then the doors were barred on every side
213
Upon the innocent traitor, who had done
Such doubly-shameful despite to his pride.
Mocking, “I'll satisfy your heart,” he cried,
“An' you will have a husband, pretty one!”
XXXI.
Yet did she send a message stealthily,
Spurred by the torture of this ominous threat.
“Thou wilt not suffer it?” she said. And he,
“Fear not. To-morrow will I come for thee,—
At eve to-morrow, when the sun has set.”
XXXII.
And on the morrow, when the autumn light
Of red and gold had faded into grey,
She heard his signal up the echoing height,
Like hoarse owl-whistle, quivering through the night;
And in the dark she softly slipped away.
XXXIII.
Her faithful nurse, with trembling hands, untwined
The new-forged fetters and drew back the bars.
The hound look'd up into her face, and whined,
And scratch'd the door; he would not stay behind.
And so she went—watch'd only by the stars.
XXXIV.
Adown the mountain passes, with wing'd feet
And bright, blank eyes—her hand fast clutch'd around
A ragged slip of myrtle, white and sweet;
The hound beside her, velvet-footed, fleet
And silent, with his muzzle to the ground.
XXXV.
The knight was waiting, with his dappled steed,
Hard by the black brink of the waveless pool.
In his strong, tender arms—now safe indeed—
She cross'd the valley, with the wild bird's speed,
Fanned by the whispering night-wind, clear and cool.
XXXVI.
Away—away—far from the trysting-place—
214
Over the blood-stain'd border-lands at last!
One wandering hind alone beheld the race;
A sudden rush—a shadow on his face—
A glint of golden scales—and she was past.
XXXVII.
She felt the shadow of a mighty wall,
And then the glow of torchlight, and again
The gloom of cloister'd stair and passage, fall
Upon her vacant eyes. She heard a call;
And, in the echoing mountains, its refrain.
XXXVIII.
Then all around her a great silence lay;
She knew not why, nor greatly seem'd to care,
Till, in low tones, she heard the baron say,
“Hast thou confess'd, my little one, to-day?”—
The while he weaved the myrtle in her hair.
XXXIX.
She glanced up suddenly, in blank amaze;
And then remember'd. 'Twas an altar, hung
With silk and rich embroidery, met her gaze;
'Twas perfumed, waxen altar-tapers' blaze
On her chill'd face and troubled spirit flung.
XL.
A holy father, with his open book,
Stood by the threshold of the chapel door.
Slowly, with bated breath and hands that shook,
Soft-clasped together—drawn with but a look—
She went, and knelt down humbly on the floor.
XLI.
The baron left her, lowly crouching there,
Her bright, starred tresses trailing on the stones;
And waited, kneeling on the altar-stair—
Holding his sword-hilt to his lips, in prayer—
The while she pleaded in her tremulous tones.
XLII.
A warning voice upon the still air dwelt,
215
A long, low cry of mingled hope and dread;—
A pause—a solemn silence—and she felt
The sweet absolving whisper as she knelt,
And hands of blessing covering her head.
XLIII.
The knight arose in silence, with a brow
Haughty and pale; and, softly drawing nigh,—
Love, life, and death in the new “I and thou”—
He gave and took each solemn marriage vow,
With all his arm'd retainers standing by.
XLIV.
The soft light fell upon their faces—still,
And calm, and full of rest. None now to part
The golden link between them!—naught to chill
The blest assurance that the father's will
Laid hand in hand, and gather'd heart to heart.
XLV.
And so 'twas done. Each finger now had worn
The rings that aye ring'd in the double life;
From each the pledge had been withdrawn in turn,
As one by one the hallow'd oaths were sworn;
And Lady Gertrude was the baron's wife.
XLVI.
He led her to her chamber, when the glow
Of dawn began to quicken earth and sky;
They watch'd the rosy wine-cup overflow
The pale, cool, silvery track upon the snow
Of Alpine crests, uplifted far and high.
XLVII.
They saw the mountain floodgates open'd wide,
The downward streaming of unfetter'd day;
In blessed stillness, standing side by side—
Stillness that told how they were satisfied,
Those hearts whereon the new-born glamour lay.
XLVIII.
And then, down cloister'd aisle and sculptured stair,
216
Through open courts, all bathed in shining mist,
They pass'd together, knight and lady fair;
She with the matron's coif upon her hair,
Her golden hair by lip and finger kiss'd.
XLIX.
He throned her proudly in his castle hall,
High on the daïs above the festive board,
'Neath shields and pennons drooping from the wall;
And they below the salt rose, one and all,
To greet the bride of their puissant lord.
L.
Loud were the shouts, and fair with smiling grace
The blue eyes of the lady baroness;
And bright and eager was the haughty face
Of her brave husband, towering in his place,
Yet aye low-stooping for a mute caress.
LI.
There came a sudden pause—a thunder-cloud,
Darkening the sunshine of the golden noon—
An ominous stillness in the armèd crowd,
While slowly stiffening lips, all stern and proud,
Shut in the kindly laughter—all too soon!
LII.
“To arms! To arms!” A passionate crimson flush
Rose, sank, and blanched the fair face of the bride.
“To arms!” The cry smote sharply on the hush,
And broke it;—all was one tumultuous rush—
“The Bears have cross'd the border-land!” they cried.
LIII.
But a few hours had Lady Gertrude dwelt
With her dear lord. Sad honours now were hers,
With white, hot hands she clasp'd his silver belt;
She held his dinted shield and sword; and knelt,
Like lowly squire, to don his golden spurs.
LIV.
“Thou wilt not fight with him?—thou wilt forbear
217
For my sake?” So she pleaded, while the sun
Shone on her falling tears—each tear a prayer.
He whisper'd gravely, as he kissed her hair,
“I know not if I can, my little one.”
LV.
She held his hands, with infinite mute desire
To hold him back; then watch'd him to the field
With hungry, feverish eyes that could not tire,
Till sunny space absorb'd the fitful fire
Of the bright dragons on his crest and shield.
LVI.
When he was gone—quite gone—she crept away,
Back to the castle chapel, still and dim;
And knelt where he had knelt but yesterday,
Low on the altar step, to watch and pray—
To pour her heart out for the love of him.
LVII.
Her bower-maidens sat alone and spun
The while she pray'd, the terror-stricken wife.
The long hours slowly wanèd, one by one,
And evening came, and, with the setting sun,
The sudden darkness that eclipsed her life.
LVIII.
She listen'd, and she heard the sound at last,—
The ominous pause, the heavy, clanging tread;
She saw the strange, long shadow weirdly cast
Upon the floor, the red blood streaming fast,
The dear face grey and stiffen'd;—he was dead!
LIX.
“Ay, dead, my lady baroness; and slain
By him you call your brother. Curses light
Upon his caitiff soul! Ah, 'tis in vain
To murmur thus,—he will not hear again—
He cannot heed your whisperings to-night.”
LX.
She lay down on her bridal couch—the stone
218
Whereon he lay in his eternal rest;
They, pitying, pass'd out, leaving her alone,
To kiss the rigid lips, and cry, and moan,
With her white face upon his bleeding breast.
LXI.
'Twas night—wakeful, restless, troubled night,
Both wild and soft—fair;
With clouds fast flying through the domheight,
And shrieking winds, and silvery shining light,
And clear bells piercing the transparent air.
LXII.
Down vale and fell a lonely figure stray'd,—
Now a dark shadow on the moonlit ground,
Now flickering white and ghostly in the shade
Of haunted glen and scented forest-glade—
A woman, watched and followed by a hound.
LXIII.
'Twas Lady Gertrude, widow'd and forlorn,
Returning to the wild birds' mountain nest;
Sent out with smiling insult and with scorn,
And creeping to the home where she was born,
To hide her sorrow, to lie down and rest.
LXIV.
She reach'd the gate and cross'd the castle-yard,
And stood upon the threshold, chill'd with fear.
The baron rose and faced her, breathing hard:
“Troopers,” he thunder'd, “let the doors be barred
And double-barred!—we'll have no traitors here.”
LXV.
Such was her welcome. As she turn'd away,
Groping with sightless eyes and hands outspread,
The hound, unnoticed, slowly made his way
Along the hall, as if in track of prey,
With glistening teeth and stealthy velvet tread.
219
LXVI.
There was no clarion cry, none heard the sound
Of knightly challenge, till the champion rose,
Avenging. Lo! they saw upon the ground
The baron struggling with the savage hound,
And grim death grimly waiting for the close!
LXVII.
'Twas done. He lay there unassoilzied, dead,
Ere scarcely fell'd by the relentless paws.
And the fierce hound, with painful, limping tread,
Was following still where Lady Gertrude led,
His own red life-blood dripping from his jaws.
LXVIII.
'Neath shadowy glades, with moonbeams interlaced,
Through valleys, at day—dawning, soft and dim,
Up mountain steeps at sunrise—uplands paced
By her dead lord in childhood—she retraced
The long miles stretching betwixt her and him.
LXIX.
She reach'd the castle, ere the torches' glare
Had wanèd in the brightness of the sky—
Another lord than hers was feasting there!
She shudder'd at the sounds that fill'd the air,
Of drunken laughter and loud revelry,
LXX.
And softly up the cloister'd stairs she crept,
Back to the lonely chapel, where all sound
Of human life in solemn silence slept.
With weary heart and noiseless feet she stept
Beneath the doorway into hallow'd ground.
LXXI.
Low at the altar, wrapped in slumber sweet
And still and deep, her murder'd lord lay here;
With waxen tapers at his head and feet—
Forcing reluctant darkness to retreat—
And cross-embroider'd pall upon his bier.
220
LXXII.
The blood-hound blindly stumbled, and fell prone
Across the threshold. Something came and prest
His huge head downward, stiffening him to stone.
And Lady Gertrude, passing up alone,
Spread her white arms above the baron's breast.
LXXIII.
The weapons which his lowly coffin bore—
His sword and spurs, his helm and shield and belt—
Like him, to rest from battle evermore,
Whose long-drawn shadows barred the chapel floor,—
She kiss'd them, for his dear sake, as she knelt.
LXXIV.
She laid her cheek upon the velvet pall,
With one long, quivering sigh; and tried to creep
Where the soft shadow of the rood would fall,
'Mid light of sunrise and of tapers tall,
Upon them both, and there she fell asleep.
LXXV.
She woke no more. But where her track had been,
On that last night, became a haunted ground.
And when the wild wind blows upon the sheen
Of summer moonlight, there may still be seen
The phantom of a lady and a hound.
~ Ada Cambridge,
1368:The Kalevala - Rune Xxiv
THE BRIDE'S FAREWELL.
Osmotar, the bride-instructor,
Gives the wedding-guests this counsel,
Speaks these measures to the bridegroom:
'Ilmarinen, artist-brother,
Best of all my hero-brothers,
Of my mother's sons the dearest,
Gentlest, truest, bravest, grandest,
Listen well to what I tell thee
Of the Maiden of the Rainbow,
Of thy beauteous life-companion
Bridegroom, praise thy fate hereafter,
Praise forever thy good fortune;
If thou praisest, praise sincerely,
Good the maiden thou hast wedded,
Good the bride that Ukko gives thee,
Graciously has God bestowed her.
Sound her praises to thy father,
Praise her virtues to thy mother,
Let thy heart rejoice in secret,
That thou hast the Bride of Beauty,
Lovely Maiden of the Rainbow!
'Brilliant near thee stands the maiden,
At thy shoulder thy companion,
Happy under thy protection,
Beautiful as golden moonlight,
Beautiful upon thy bosom,
Strong to do thy kindly bidding,
Labor with thee as thou wishest,
Rake the hay upon thy meadows,
Keep thy home in full perfection,
Spin for thee the finest linen,
Weave for thee the richest fabrics,
Make for thee the softest raiment,
Make thy weaver's loom as merry
As the cuckoo of the forest;
Make the shuttle glide in beauty
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Like the ermine of the woodlands;
Make the spindle twirl as deftly
As the squirrel spins the acorn;
Village-maidens will not slumber
While thy young bride's loom is humming,
While she plies the graceful shuttle.
'Bridegroom of the Bride of Beauty,
Noblest of the Northland heroes,
Forge thyself a scythe for mowing,
Furnish it with oaken handle,
Carve it in thine ancient smithy,
Hammer it upon thine anvil,
Have it ready for the summer,
For the merry days of sunshine;
Take thy bride then to the lowlands,
Mow the grass upon thy meadows,
Rake the hay when it is ready,
Make the reeds and grasses rustle,
Toss the fragrant heads of clover,
Make thy hay in Kalevala
When the silver sun is shining.
'When the time has come for weaving,
To the loom attract the weaver,
Give to her the spools and shuttles,
Let the willing loom be worthy,
Beautiful the frame and settle;
Give to her what may be needed,
That the weaver's song may echo,
That the lathe may swing and rattle,
Ma y be heard within the village,
That the aged may remark it,
And the village-maidens question:
'Who is she that now is weaving,
What new power now plies the shuttle?'
'Make this answer to the question:
'It is my beloved weaving,
My young bride that plies the shuttle.'
'Shall the weaver's weft be loosened,
Shall the young bride's loom be tightened?
Do not let the weft be loosened,
Nor the weaver's loom be tightened;
Such the weaving of the daughters
397
Of the Moon beyond the cloudlets;
Such the spinning of the maidens
Of the Sun in high Jumala,
Of the daughters of the Great Bear,
Of the daughters of the Evening.
Bridegroom, thou beloved hero,
Brave descendant of thy fathers,
When thou goest on a journey,
When thou drivest on the highway,
Driving with the Rainbow-daughter,
Fairest bride of Sariola,
Do not lead her as a titmouse,
As a cuckoo of the forest,
Into unfrequented places,
Into copses of the borders,
Into brier-fields and brambles,
Into unproductive marshes;
Let her wander not, nor stumble
On opposing rocks and rubbish.
Never in her father's dwelling,
Never in her mother's court-yard,
Has she fallen into ditches,
Stumbled hard against the fences,
Run through brier-fields, nor brambles,
Fallen over rocks, nor rubbish.
'Magic bridegroom of Wainola,
Wise descendant of the heroes,
Never let thy young wife suffer,
Never let her be neglected,
Never let her sit in darkness,
Never leave her unattended.
Never in her father's mansion,
In the chambers of her mother,
Has she sat alone in darkness,
Has she suffered for attention;
Sat she by the crystal window,
Sat and rocked, in peace and plenty,
Evenings for her father's pleasure,
Mornings for her mother's sunshine.
Never mayest thou, O bridegroom,
Lead the Maiden of the Rainbow
To the mortar filled with sea-grass,
398
There to grind the bark for cooking,
There to bake her bread from stubble,
There to knead her dough from tan-bark
Never in her father's dwelling,
Never in her mother's mansion,
Was she taken to the mortar,
There to bake her bread from sea-grass.
Thou shouldst lead the Bride of Beauty
To the garner's rich abundance,
There to draw the till of barley,
Grind the flour and knead for baking,
There to brew the beer for drinking,
Wheaten flour for honey-biscuits.
'Hero-bridegroom of Wainola,
Never cause thy Bride of Beauty
To regret her day of marriage;
Never make her shed a tear-drop,
Never fill her cup with sorrow.
Should there ever come an evening
When thy wife shall feel unhappy,
Put the harness on thy racer,
Hitch the fleet-foot to the snow-sled;
Take her to her father's dwelling,
To the household of her mother;
Never in thy hero-lifetime,
Never while the moonbeams glimmer,
Give thy fair spouse evil treatment,
Never treat her as thy servant;
Do not bar her from the cellar,
Do not lock thy best provisions
Never in her father's mansion,
Never by her faithful mother
Was she treated as a hireling.
Honored bridegroom of the Northland,
Proud descendant of the fathers,
If thou treatest well thy young wife,
Worthily wilt thou be treated;
When thou goest to her homestead,
When thou visitest her father,
Thou shalt meet a cordial welcome.
'Censure not the Bride of Beauty,
Never grieve thy Rainbow-maiden,
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Never say in tones reproachful,
She was born in lowly station,
That her father was unworthy;
Honored are thy bride's relations,
From an old-time tribe, her kindred;
When of corn they sowed a measure,
Each one's portion was a kernel;
When they sowed a cask of flax-seed,
Each received a thread of linen.
Never, never, magic husband,
Treat thy beauty-bride unkindly,
Teach her not with lash of servants,
Strike her not with thongs of leather;
Never has she wept in anguish
From the birch-whip of her mother.
Stand before her like a rampart,
Be to her a strong protection,
Do not let thy mother chide her,
Let thy father not upbraid her,
Never let thy guests offend her;
Should thy servants bring annoyance,
They may need the master's censure;
Do not harm the Bride of Beauty,
Never injure her thou lovest;
Three long years hast thou been wooing,
Hoping every mouth to win her.
'Counsel with the bride of heaven,
To thy young wife give instruction,
Kindly teach thy bride in secret,
In the long and dreary evenings,
When thou sittest at the fireside;
Teach one year, in words of kindness,
Teach with eyes of love a second,
In the third year teach with firmness.
If she should not heed thy teaching,
Should not hear thy kindly counsel
After three long years of effort,
Cut a reed upon the lowlands,
Cut a nettle from the border,
Teach thy wife with harder measures.
In the fourth year, if she heed not,
Threaten her with sterner treatment,
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With the stalks of rougher edges,
Use not yet the thongs of leather,
Do not touch her with the birch-whip.
If she does not heed this warning,
Should she pay thee no attention,
Cut a rod upon the mountains,
Or a willow in the valleys,
Hide it underneath thy mantle,
That the stranger may not see it,
Show it to thy wife in secret,
Shame her thus to do her duty,
Strike not yet, though disobeying.
Should she disregard this warning,
Still refuse to heed thy wishes,
Then instruct her with the willow,
Use the birch-rod from the mountains
In the closet of thy dwelling,
In the attic of thy mansion;
Strike, her not upon the common,
Do not conquer her in public,
Lest the villagers should see thee,
Lest the neighbors hear her weeping,
And the forests learn thy troubles.
Touch thy wife upon the shoulders,
Let her stiffened back be softened.
Do not touch her on the forehead,
Nor upon the ears, nor visage;
If a ridge be on her forehead,
Or a blue mark on her eyelids,
Then her mother would perceive it,
And her father would take notice,
All the village-workmen see it,
And the village-women ask her
'Hast thou been in heat of battle,
Hast thou struggled in a conflict,
Or perchance the wolves have torn thee,
Or the forest-bears embraced thee,
Or the black-wolf be thy husband,
And the bear be thy protector?''
By the fire-place lay a gray-beard,
On the hearth-stone lay a beggar,
And the old man spake as follows:
401
'Never, never, hero-husband,
Follow thou thy young wife's wishes,
Follow not her inclinations,
As, alas! I did, regretful;
Bought my bride the bread of barley,
Veal, and beer, and best of butter,
Fish and fowl of all descriptions,
Beer I bought, home-brewed and sparkling,
Wheat from all the distant nations,
All the dainties of the Northland;
All of this was unavailing,
Gave my wife no satisfaction,
Often came she to my chamber,
Tore my sable locks in frenzy,
With a visage fierce and frightful,
With her eyeballs flashing anger,
Scolding on and scolding ever,
Ever speaking words of evil,
Using epithets the vilest,
Thought me but a block for chopping.
Then I sought for other measures,
Used on her my last resources,
Cut a birch-whip in the forest,
And she spake in tones endearing;
Cut a juniper or willow,
And she called me 'hero-darling';
When with lash my wife I threatened,
Hung she on my neck with kisses.'
Thus the bridegroom was instructed,
Thus the last advices given.
Then the Maiden of the Rainbow,
Beauteous bride of Ilmarinen,
Sighing heavily and moaning,
Fell to weeping, heavy-hearted,
Spake these words from depths of sorrow:
'Near, indeed, the separation,
Near, alas! the time for parting,
Near the time for my departure;
O the anguish of the parting,
O the pain of separation,
From these walls renowned and ancient,
From this village of the Northland,
402
From these scenes of peace and plenty,
Where my faithful mother taught me,
Where my father gave instruction
To me in my happy childhood,
When my years were few and tender!
As a child I did not fancy,
Never thought of separation
From the confines of this cottage,
From these dear old hills and mountains,
But, alas! I now must journey,
Since I now cannot escape it;
Empty is the bowl of parting,
All the farewell-beer is taken,
And my husband's sledge is waiting,
With the break-board looking southward,
Looking from my father's dwelling.
'How shall I give compensation,
How repay, on my departure,
All the kindness of my mother,
All the counsel of my father,
All the friendship of my brother,
All my sister's warm affection?
Gratitude to thee, dear father,
For my former-life and blessings,
For the comforts of thy table,
For the pleasures of my childhood!
Gratitude to thee, dear mother,
For thy tender care and guidance,
For my birth and for my culture,
Nurtured by thy purest life-blood!
Gratitude to thee, dear brother,
Gratitude to thee, sweet sister,
To the servants of my childhood,
To my many friends and playmates!
'Never, never, aged father,
Never, thou, beloved mother,
Never, ye, my kindred spirits,
Never harbor care, nor sorrow,
Never fall to bitter weeping,
Since thy child has gone to others,
To the distant home of strangers,
To the meadows of Wainola,
403
From her father's fields and firesides.
Shines the Sun of the Creator,
Shines the golden Moon of Ukko,
Glitter all the stars of heaven,
In the firmament of ether,
Full as bright on other homesteads;
Not upon my father's uplands,
Not upon my home in childhood,
Shines the Star of Joyance only.
'Now the time has come for parting
From my father's golden firesides,
From my brother's welcome hearth-stone,
From the chambers of my sister,
From my mother's happy dwelling;
Now I leave the swamps and lowlands,
Leave the grassy vales and mountains,
Leave the crystal lakes and rivers,
Leave the shores and sandy shallows,
Leave the white-capped surging billows,
Where the maidens swim and linger,
Where the mermaids sing and frolic;
Leave the swamps to those that wander,
Leave the corn-fields to the plowman,
Leave the forests to the weary,
Leave the heather to the rover,
Leave the copses to the stranger,
Leave the alleys to the beggar,
Leave the court-yards to the rambler,
Leave the portals to the servant,
Leave the matting to the sweeper,
Leave the highways to the roebuck,
Leave the woodland-glens to lynxes,
Leave the lowlands to the wild-geese,
And the birch-tree to the cuckoo.
Now I leave these friends of childhood,
Journey southward with my husband,
To the arms of Night and Winter,
O'er the ice-grown seas of Northland.
'Should I once again, returning,
Pay a visit to my tribe-folk,
Mother would not hear me calling,
Father would not see me weeping,
404
Calling at my mother's grave-stone,
'Weeping o'er my buried father,
On their graves the fragrant flowers,
Junipers and mournful willows,
Verdure from my mother's tresses,
From the gray-beard of my father.
'Should I visit Sariola,
Visit once again these borders,
No one here would bid me welcome.
Nothing in these hills would greet me,
Save perchance a few things only,
By the fence a clump of osiers,
And a land-mark at the corner,
Which in early youth I planted,
When a child of little stature.
'Mother's kine perhaps will know me,
Which so often I have watered,
Which I oft have fed and tended,
Lowing now at my departure,
In the pasture cold and cheerless;
Sure my mother's kine will welcome
Northland's daughter home returning.
Father's steeds may not forget me,
Steeds that I have often ridden,
When a maiden free and happy,
Neighing now for me departing,
In the pasture of my brother,
In the stable of my father;
Sure my father's steeds will know me,
Bid Pohyola's daughter welcome.
Brother's faithful dogs may know me,
That I oft have fed and petted,
Dogs that I have taught to frolic,
That now mourn for me departing,
In their kennels in the court-yard,
In their kennels cold and cheerless;
Sure my brother's dogs will welcome
Pohya's daughter home returning.
But the people will not know me,
When I come these scenes to visit,
Though the fords remain as ever,
Though unchanged remain the rivers,
405
Though untouched the flaxen fish-nets
On the shores await my coming.
'Fare thou well, my dear old homestead,
Fare ye well, my native bowers;
It would give me joy unceasing
Could I linger here forever.
Now farewell, ye halls and portals,
Leading to my father's mansion;
It would give me joy unceasing
Could I linger here forever.
Fare ye well, familiar gardens
Filled with trees and fragrant flowers;
It would give me joy unceasing,
Could I linger here forever.
Send to all my farewell greetings,
To the fields, and groves, and berries;
Greet the meadows with their daisies,
Greet the borders with their fences,
Greet the lakelets with their islands,
Greet the streams with trout disporting,
Greet the hills with stately pine-trees,
And the valleys with their birches.
Fare ye well, ye streams and lakelets,
Fertile fields, and shores of ocean,
All ye aspens on the mountains,
All ye lindens of the valleys,
All ye beautiful stone-lindens,
All ye shade-trees by the cottage,
All ye junipers and willows,
All ye shrubs with berries laden,
Waving grass and fields of barley,
Arms of elms, and oaks, and alders,
Fare ye well, dear scenes of childhood,
Happiness of days departed!'
Ending thus, Pohyola's daughter
Left her native fields and fallows,
Left the darksome Sariola,
With her husband, Ilmarinen,
Famous son of Kalevala.
But the youth remained for singing,
This the chorus of the children:
'Hither came a bird of evil '
406
Flew in fleetness from the forest,
Came to steal away our virgin,
Came to win the Maid of Beauty;
Took away our fairest flower,
Took our mermaid from the waters,
Won her with his youth and beauty,
With his keys of ancient wisdom.
Who will lead us to the sea-beach,
Who conduct us to the rivers?
Now the buckets will be idle,
On the hooks will rest the fish-poles,
Now unswept will lie the matting,
And unswept the halls of birch-wood,
Copper goblets be unburnished,
Dark the handles of the pitchers,
Fare thou well, dear Rainbow Maiden.'
Ilmarinen, happy bridegroom,
Hastened homeward with the daughter
Of the hostess of Pohyola,
With the beauty of the Northland
Fleetly flew the hero's snow-sledge,
Loudly creaked, and roared, and rattled
Down the banks of Northland waters,
By the side of Honey-inlet,
On the back of Sandy Mountain.
Stones went rolling from the highway,
Like the winds the sledge flew onward,
On the yoke rang hoops of iron,
Loud the spotted wood resounded,
Loudly creaked the bands of willow,
All the birchen cross-bars trembled,
And the copper-bells rang music,
In the racing of the fleet-foot,
In the courser's gallop homeward;
Journeyed one day, then a second,
Journeyed still the third day onward,
In one hand the reins of magic,
While the other grasped the maiden,
One foot resting on the cross-bar,
And the other in the fur-robes.
Merrily the steed flew homeward,
Quickly did the highways shorten,
407
Till at last upon the third day,
As the sun was fast declining,
There appeared the blacksmith's furnace,
Nearer, Ilmarinen's dwelling,
Smoke arising high in ether,
Clouds of smoke to lofty heaven,
From the village of Wainola,
From the suitor's forge and smithy,
From the chimneys of the hero,
From the home of the successful.
~ Elias Lönnrot,
1369:Epithalamion
YE learned sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyed in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.
Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh lusty-hed,
Go to the bowre of my beloved love,
My truest turtle dove;
Bid her awake; for Hymen is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wished day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.
Bring with you all the Nymphes that you can heare
101
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.
Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.
Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
102
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T' awayt the comming of your joyous make,
And hearken to the birds love-learned song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.
My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmed were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.
Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
103
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.
Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confused noyce,
As if it were one voyce,
Hymen, iö Hymen, Hymen, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they Hymen, Hymen sing,
That al the woods them answer, and theyr eccho ring.
Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a virgin best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crowned with a girland greene,
104
Seeme lyke some mayden Queene.
Her modest eyes, abashed to behold
So many gazers as on her do stare,
Upon the lowly ground affixed are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.
Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?
But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
105
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealed pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.
Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th' Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th' high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.
Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th' Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governed with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
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Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.
Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And Hymen also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.
Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordained was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.
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Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyred steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!
Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.
Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
108
And all my cares, which cruell Love collected,
Hast sumd in one, and cancelled for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.
Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceived dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damned ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th' unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.
But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
109
The whiles an hundred little winged loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.
Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t'effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.
And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often called art
Of women in their smart;
Eternally bind thou this lovely band,
110
And all thy blessings unto us impart.
And thou, glad Genius! in whose gentle hand
The bridale bowre and geniall bed remaine,
Without blemish or staine;
And the sweet pleasures of theyr loves delight
With secret ayde doest succour and supply,
Till they bring forth the fruitfull progeny;
Send us the timely fruit of this same night.
And thou, fayre Hebe! and thou, Hymen free!
Grant that it may so be.
Til which we cease your further prayse to sing;
Ne any woods shall answer, nor your Eccho ring.
And ye high heavens, the temple of the gods,
In which a thousand torches flaming bright
Doe burne, that to us wretched earthly clods
In dreadful darknesse lend desired light
And all ye powers which in the same remayne,
More then we men can fayne!
Poure out your blessing on us plentiously,
And happy influence upon us raine,
That we may raise a large posterity,
Which from the earth, which they may long possesse
With lasting happinesse,
Up to your haughty pallaces may mount;
And, for the guerdon of theyr glorious merit,
May heavenly tabernacles there inherit,
Of blessed Saints for to increase the count.
So let us rest, sweet love, in hope of this,
And cease till then our tymely joyes to sing:
The woods no more us answer, nor our eccho ring!
Song! made in lieu of many ornaments,
With which my love should duly have been dect,
Which cutting off through hasty accidents,
Ye would not stay your dew time to expect,
But promist both to recompens;
Be unto her a goodly ornament,
And for short time an endlesse moniment.
~ Edmund Spenser,
1370:The Kalevala - Rune Xix
ILMARINEN'S WOOING.
ILMARINEN, hero-blacksmith,
The eternal metal-worker,
Hastens forward to the court-room
Of the hostess of Pohyola,
Of the master of the Northland,
Hastens through the open portals
Into Louhi's home and presence.
Servants come with silver pitchers,
Filled with Northland's richest brewing;
Honey-drink is brought and offered
To the blacksmith of Wainola,
Ilmarinen thus replying:
'I shall not in all my life-time
Taste the drink that thou hast brought me,
Till I see the Maid of Beauty,
Fairy Maiden of the Rainbow;
I will drink with her in gladness,
For whose hand I journey hither.'
Spake the hostess of Pohyola:
'Trouble does the one selected
Give to him that wooes and watches;
Not yet are her feet in sandals,
Thine affianced is not ready.
Only canst thou woo my daughter,
Only canst thou win the maiden,
When thou hast by aid of magic
Plowed the serpent-field of Hisi,
Plowed the field of hissing vipers,
Touching neither beam nor handles.
Once this field was plowed by Piru,
Lempo furrowed it with horses,
With a plowshare made of copper,
With a beam of flaming iron;
Never since has any hero
Brought this field to cultivation.'
Ilmarinen of Wainola
172
Straightway hastens to the chamber
Of the Maiden of the Rainbow,
Speaks these words in hesitation:
'Thou of Night and Dawn the daughter,
Tell me, dost thou not remember
When for thee I forged the Sampo,
Hammered thee the lid in colors?
Thou didst swear by oath the strougest,
By the forge and by the anvil,
By the tongs and by the hammer,
In the ears of the Almighty,
And before omniscient Ukko,
Thou wouldst follow me hereafter,
Be my bride, my life-companion,
Be my honored wife forever.
Now thy mother is exacting,
Will not give to me her daughter,
Till by means of magic only,
I have plowed the field of serpents,
Plowed the hissing soil of Hisi.'
The affianced Bride of Beauty
Gives this answer to the suitor:
'O, thou blacksmith, Ilmarinen,
The eternal wonder-forger,
Forge thyself a golden plowshare,
Forge the beam of shining silver,
And of copper forge the handles;
Then with ease, by aid of magic,
Thou canst plow the field of serpents,
Plow the hissing soil of Hisi.'
Ilmarinen, welcome suitor,
Straightway builds a forge and smithy,
Places gold within the furnace,
In the forge he lays the silver,
Forges then a golden plowshare,
Forges, too, a beam of silver,
Forges handles out of copper,
Forges boots and gloves of iron,
Forges him a mail of metal,
For his limbs a safe protection,
Safe protection for his body.
Then a horse of fire selecting,
173
Harnesses the flaming stallion,
Goes to plow the field of serpents,
Plow the viper-lands of Hisi.
In the field were countless vipers,
Serpents there of every species,
Crawling, writhing, hissing, stinging,
Harmless all against the hero,
Thus he stills the snakes of Lempo:
'Vipers, ye by God created,
Neither best nor worst of creatures,
Ye whose wisdom comes from Ukko,
And whose venom comes from Hisi,
Ukko is your greater Master,
By His will your heads are lifted;
Get ye hence before my plowing,
Writ-he ye through the grass and stubble,
Crawl ye to the nearest thicket,
Keep your heads beneath the heather,
Hunt our holes to Mana's kingdom
If your poison-heads be lifted,
Then will mighty Ukko smite them
'With his iron-pointed arrows,
With the lightning of his anger.'
Thus the blacksmith, Ilmarinen,
Safely plows the field of serpents,
Lifts the vipers in his plowing,
Buries them beneath the furrow,
Harmless all against his magic.
When the task had been completed,
Ilmarinen, quick returning,
Thus addressed Pohyola's hostess:
'I have plowed the field of Hisi,
Plowed the field of hissing serpents,
Stilled and banished all the vipers;
Give me, ancient dame, thy daughter,
Fairest maiden of the Northland.
Spake the hostess of Pohyola:
'Shall not grant to thee my daughter,
Shall not give my lovely virgin,
Till Tuoni's bear is muzzled,
Till Manala's wolf is conquered,
In the forests of the Death-land,
174
In the boundaries of Mana.
Hundreds have been sent to hunt him,
So one yet has been successful,
All have perished in Manala.'
Thereupon young Ilmarinen
To the maiden's chamber hastens,
Thus addresses his affianced:
'Still another test demanded,
I must go to Tuonela,
Bridle there the bear of Mana,
Bring him from the Death-land forests,
From Tuoni's grove and empire!
This advice the maiden gives him:
'O thou artist, Ilmarinen,
The eternal metal-worker,
Forge of steel a magic bridle,
On a rock beneath the water,
In the foaming triple currents;
Make the straps of steel and copper,
Bridle then the bear of Mana,
Lead him from Tuoni's forests.'
Then the blacksmith, Ilmarinen,
Forged of steel a magic bridle,
On a rock beneath the water,
In the foam of triple currents;
Made the straps of steel and copper,
Straightway went the bear to muzzle,
In the forests of the Death-land,
Spake these words in supplication:
'Terhenetar, ether-maiden,
Daughter of the fog and snow-flake,
Sift the fog and let it settle
O'er the bills and lowland thickets,
Where the wild-bear feeds and lingers,
That he may not see my coming,
May not hear my stealthy footsteps!'
Terhenetar hears his praying,
Makes the fog and snow-flake settle
On the coverts of the wild-beasts;
Thus the bear he safely bridles,
Fetters him in chains of magic,
In the forests of Tuoni,
175
In the blue groves of Manala.
When this task had been completed,
Ilmarinen, quick returning,
Thus addressed the ancient Louhi:
'Give me, worthy dame, thy daughter,
Give me now my bride affianced,
I have brought the bear of Mana
From Tuoni's fields and forests.'
Spake the hostess of Pohyola
To the blacksmith, Ilmarinen:
'I will only give my daughter,
Give to thee the Maid of Beauty,
When the monster-pike thou catchest
In the river of Tuoni,
In Manala's fatal waters,
Using neither hooks, nor fish-nets,
Neither boat, nor fishing-tackle;
Hundreds have been sent to catch him,
No one yet has been successful,
All have perished in Manala.'
Much disheartened, Ilmarinen
Hastened to the maiden's chamber,
Thus addressed the rainbow-maiden:
'Now a third test is demanded,
Much more difficult than ever;
I must catch the pike of Mana,
In the river of Tuoni,
And without my fishing-tackle,
Hard the third test of the hero!
This advice the maiden gives him:
'O thou hero, Ilmarinen,
Never, never be discouraged:
In thy furnace, forge an eagle,
From the fire of ancient magic;
He will catch the pike of Mana,
Catch the monster-fish in safety,
From the death-stream of Tuoni,
From Manala's fatal waters.'
Then the suitor, Ilmarinen,
The eternal artist-forgeman,
In the furnace forged an eagle
From the fire of ancient wisdom;
176
For this giant bird of magic
Forged he talons out of iron,
And his beak of steel and copper;
Seats himself upon the eagle,
On his back between the wing-bones,
Thus addresses he his creature,
Gives the bird of fire, this order:
'Mighty eagle, bird of beauty,
Fly thou whither I direct thee,
To Tuoni's coal-black river,
To the blue deeps of the Death-stream,
Seize the mighty fish of Mana,
Catch for me this water-monster.'
Swiftly flies the magic eagle,
Giant-bird of worth and wonder,
To the river of Tuoni,
There to catch the pike of Mana;
One wing brushes on the waters,
While the other sweeps the heavens;
In the ocean dips his talons,
Whets his beak on mountain-ledges.
Safely landing, Ilmarinen,
The immortal artist-forger,
Hunts the monster of the Death-stream,
While the eagle hunts and fishes
In the waters of Manala.
From the river rose a monster,
Grasped the blacksmith, Ilmarinen,
Tried to drag him to his sea-cave;
Quick the eagle pounced upon him,
With his metal-beak he seized him,
Wrenched his head, and rent his body,
Hurled him back upon the bottom
Of the deep and fatal river,
Freed his master, Ilmarinen.
Then arose the pike of Mana,
Came the water-dog in silence,
Of the pikes was not the largest,
Nor belonged he to the smallest;
Tongue the length of double hatchets,
Teeth as long as fen-rake handles,
Mouth as broad as triple streamlets,
177
Back as wide as seven sea-boats,
Tried to snap the magic blacksmith,
Tried to swallow Ilmarinen.
Swiftly swoops the mighty eagle,
Of the birds was not the largest,
Nor belonged he to the smallest;
Mouth as wide as seven streamlets,
Tongue as long as seven javelins,
Like five crooked scythes his talons;
Swoops upon the pike of Mana.
Quick the giant fish endangered,
Darts and flounders in the river,
Dragging down the mighty eagle,
Lashing up the very bottom
To the surface of the river;
When the mighty bird uprising
Leaves the wounded pike in water,
Soars aloft on worsted pinions
To his home in upper ether;
Soars awhile, and sails, and circles,
Circles o'er the reddened waters,
Swoops again on lightning-pinions,
Strikes with mighty force his talons
Into the shoulder of his victim;
Strikes the second of his talons
On the flinty mountain-ledges,
On the rocks with iron hardened;
From the cliffs rebound his talons,
Slip the flinty rocks o'erhanging,
And the monster-pike resisting
Dives again beneath the surface
To the bottom of the river,
From the talons of the eagle;
Deep, the wounds upon the body
Of the monster of Tuoni.
Still a third time soars the eagle,
Soars, and sails, and quickly circles,
Swoops again upon the monster,
Fire out-shooting from his pinoins,
Both his eyeballs flashing lightning;
With his beak of steel and copper
Grasps again the pike of Mana
178
Firmly planted are his talons
In the rocks and in his victim,
Drags the monster from the river,
Lifts the pike above the waters,
From Tuoni's coal-black river,
From the blue-back of Manala.
Thus the third time does the eagle
Bring success from former failures;
Thus at last the eagle catches
Mana's pike, the worst of fishes,
Swiftest swimmer of the waters,
From the river of Tuoni;
None could see Manala's river,
For the myriad of fish-scales;
Hardly could one see through ether,
For the feathers of the eagle,
Relicts of the mighty contest.
Then the bird of copper talons
Took the pike, with scales of silver,
To the pine-tree's topmost branches,
To the fir-tree plumed with needles,
Tore the monster-fish in pieces,
Ate the body of his victim,
Left the head for Ilmarinen.
Spake the blacksmith to the eagle:
'O thou bird of evil nature,
What thy thought and what thy motive?
Thou hast eaten what I needed,
Evidence of my successes;
Thoughtless eagle, witless instinct,
Thus to mar the spoils of conquest!'
But the bird of metal talons
Hastened onward, soaring upward,
Rising higher into ether,
Rising, flying, soaring, sailing,
To the borders of the long-clouds,
Made the vault of ether tremble,
Split apart the dome of heaven,
Broke the colored bow of Ukko,
Tore the Moon-horns from their sockets,
Disappeared beyond the Sun-land,
To the home of the triumphant.
179
Then the blacksmith, Ilmarinen,
Took the pike-head to the hostess
Of the ever-dismal Northland,
Thus addressed the ancient Louhi:
'Let this head forever serve thee
As a guest-bench for thy dwelling,
Evidence of hero-triumphs;
I have caught the pike of Mana,
I have done as thou demandest,
Three my victories in Death-land,
Three the tests of magic heroes;
Wilt thou give me now thy daughter,
Give to me the Maid of Beauty?'
Spake the hostess of Pohyola:
'Badly is the test accomplished,
Thou has torn the pike in pieces,
From his neck the head is severed,
Of his body thou hast eaten,
Brought to me this worthless relic!
These the words of Ilmarinen:
'When the victory is greatest,
Do we suffer greatest losses!
From the river of Tuoni,
From the kingdom of Manala,
I have brought to thee this trophy,
Thus the third task is completed.
Tell me is the maiden ready,
Wilt thou give the bride affianced?
Spake the hostess of Pohyola:
'I will give to thee my daughter,
Will prepare my snow-white virgin,
For the suitor, Ilmarinen;
Thou hast won the Maid of Beauty,
Bride is she of thine hereafter,
Fit companion of thy fireside,
Help and joy of all thy lifetime.'
On the floor a child was sitting,
And the babe this tale related.
'There appeared within this dwelling,
Came a bird within the castle,
From the East came flying hither,
From the East, a monstrous eagle,
180
One wing touched the vault of heaven,
While the other swept the ocean;
With his tail upon the waters,
Reached his beak beyond the cloudlets,
Looked about, and eager watching,
Flew around, and sailing, soaring,
Flew away to hero-castle,
Knocked three times with beak of copper
On the castle-roof of iron;
But the eagle could not enter.
'Then the eagle, looking round him,
Flew again, and sailed, and circled,
Flew then to the mothers' castle,
Loudly rapped with heavy knocking
On the mothers' roof of copper;
But the eagle could not enter.
'Then the eagle, looking round him,
Flew a third time, sailing, soaring,
Flew then to the virgins' castle,
Knocked again with beak of copper,
On the virgins' roof of linen,
Easy for him there to enter;
Flew upon the castle-chimney,
Quick descending to the chamber,
Pulled the clapboards from the studding,
Tore the linen from the rafters,
Perched upon the chamber-window,
Near the walls of many colors,
On the cross-bars gaily-feathered,
Looked upon the curly-beaded,
Looked upon their golden ringlets,
Looked upon the snow-white virgins,
On the purest of the maidens,
On the fairest of the daughters,
On the maid with pearly necklace,
On the maiden wreathed in flowers;
Perched awhile, and looked, admiring,
Swooped upon the Maid of Beauty,
On the purest of the virgins,
On the whitest, on the fairest,
On the stateliest and grandest,
Swooped upon the rainbow-daughter
181
Of the dismal Sariola;
Grasped her in his mighty talons,
Bore away the Maid of Beauty,
Maid of fairest form and feature,
Maid adorned with pearly necklace,
Decked in feathers iridescent,
Fragrant flowers upon her bosom,
Scarlet band around her forehead,
Golden rings upon her fingers,
Fairest maiden of the Northland.'
Spake the hostess of Pohyola,
When the babe his tale had ended:
'Tell me bow, my child beloved,
Thou hast learned about the maiden,
Hast obtained the information,
How her flaxen ringlets nestled,
How the maiden's silver glistened,
How the virgin's gold was lauded.
Shone the silver Sun upon thee,
Did the moonbeams bring this knowledge?'
From the floor the child made answer:
'Thus I gained the information,
Moles of good-luck led me hither,
To the home, of the distinguished,
To the guest-room of the maiden,
Good-name bore her worthy father,
He that sailed the magic vessel;
Better-name enjoyed the mother,
She that baked the bread of barley,
She that kneaded wheaten biscuits,
Fed her many guests in Northland.
'Thus the information reached me,
Thus the distant stranger heard it,
Heard the virgin had arisen:
Once I walked within the court-yard,
Stepping near the virgin's chamber,
At an early hour of morning,
Ere the Sun had broken slumber
Whirling rose the soot in cloudlets,
Blackened wreaths of smoke came rising
From the chamber of the maiden,
From thy daughter's lofty chimney;
182
There the maid was busy grinding,
Moved the handles of the millstone
Making voices like the cuckoo,
Like the ducks the side-holes sounded,
And the sifter like the goldfinch,
Like the sea-pearls sang the grindstones.
'Then a second time I wandered
To the border of the meadow
In the forest was the maiden
Rocking on a fragrant hillock,
Dyeing red in iron vessels,
And in copper kettles, yellow.
'Then a third time did I wander
To the lovely maiden's window;
There I saw thy daughter weaving,
Heard the flying of her shuttle,
Heard the beating of her loom-lathe,
Heard the rattling of her treddles,
Heard the whirring of her yarn-reel.'
Spake the hostess of Pohyola:
'Now alas! beloved daughter,
I have often taught this lesson:
'Do not sing among the pine-trees,
Do not call adown the valleys,
Do not hang thy head in walking,
Do not bare thine arms, nor shoulders,
Keep the secrets of thy bosom,
Hide thy beauty and thy power.'
'This I told thee in the autumn,
Taught thee in the summer season,
Sang thee in the budding spring-time,
Sang thee when the snows were falling:
'Let us build a place for hiding,
Let us build the smallest windows,
Where may weave my fairest daughter,
Where my maid may ply her shuttle,
Where my joy may work unnoticed
By the heroes of the Northland,
By the suitors of Wainola.''
From the floor the child made answer,
Fourteen days the young child numbered;
'Easy 'tis to hide a war-horse
183
In the Northland fields and stables;
Hard indeed to hide a maiden,
Having lovely form and features!
Build of stone a distant castle
In the middle of the ocean,
Keep within thy lovely maiden,
Train thou there thy winsome daughter,
Not long hidden canst thou keep her.
Maidens will not grow and flourish,
Kept apart from men and heroes,
Will not live without their suitors,
Will not thrive without their wooers;
Thou canst never hide a maiden,
Neither on the land nor water.'
Now the ancient Wainamoinen,
Head down-bent and heavy-hearted,
Wanders to his native country,
To Wainola's peaceful meadows,
To the plains of Kalevala,
Chanting as he journeys homeward:
'I have passed the age for wooing,
Woe is me, rejected suitor,
Woe is me, a witless minstrel,
That I did not woo and marry,
When my face was young and winsome,
When my hand was warm and welcome!
Youth dethrones my age and station,
Wealth is nothing, wisdom worthless,
When a hero goes a-wooing
With a poor but younger brother.
Fatal error that a hero
Does not wed in early manhood,
In his youth does not be master
Of a worthy wife and household.'
Thus the ancient Wainamoinen
Sends the edict to his people:
'Old men must not go a-wooing,
Must not swim the sea of anger,
Must not row upon a wager,
Must not run a race for glory,
With the younger sons of Northland.'
184
~ Elias Lönnrot,
1371: Book VII: The Book of the Woman

So to the voice of their best they were bowed and obeyed undebating;
Men whose hearts were burning yet with implacable passion
Felt Odysseus strength and rose up clay to his counsels.
King Agamemnon rose at his word, the wide-ruling monarch,
Rose at his word the Cretan and Locrian, Thebes and Epirus,
Nestor rose, the time-tired hoary chief of the Pylians.
Round Agamemnon the Atreid Europe surged in her chieftains
Forth from their tent on the shores of the Troad, splendid in armour,
Into the golden blaze of the sun and the race of the sea-winds.
Fierce and clear like a flame to the death-gods bright on its altar
Shone in their eyes the lust of blood and of earth and of pillage;
For in their hearts those fires replaced the passions of discord
Forging a brittle peace by a common hatred and yearning.
Joyous they were of mood; for their hopes were already in Troya
Sating with massacre, plunder and rape and the groans of their foemen
Death and Hell in our mortal bosoms seated and shrouded;
There they have altars and seats, in mankind, in this fair-builded temple,
Made for purer gods; but we turn from their luminous temptings;
Vainly the divine whispers seek us; the heights are rejected.
Man to his earth drawn always prefers his nethermost promptings,
Man, devouring, devoured who is slayer and slain through the ages
Since by the beast he soars held and exceeds not that pedestals measure.
They now followed close on the steps of the mighty Atrides
Glued like the forest pack to the war-scarred coat of its leader,
Glued as the pack when wolves follow their prey like Doom that can turn not.
Perfect forms and beautiful faces crowded the tent-door,
Brilliant eyes and fierce of souls that remembered the forest,
Wild-beasts touched by thought and savages lusting for beauty.
Dire and fierce and formidable chieftains followed Atrides,
Merciless kings of merciless men and the founders of Europe,
Sackers of Troy and sires of the Par thenon, Athens and Caesar.
Here they had come to destroy the ancient perishing cultures;
For, it is said, from the savage we rose and were born to a wild-beast.
So when the Eye supreme perceives that we rise up too swiftly,
Drawn towards height but fullness contemning, called by the azure,
Life when we fail in, poor in our base and forgetting our mother,
Back we are hurled to our roots; we recover our sap from the savage.
So were these sent by Zeus to destroy the old that was grandiose.
Such were those frames of old as the sons of Heaven might have chosen
Who in the dawn of eternity wedded the daughters of Nature,
Cultures touched by the morning star, vast, bold and poetic,
Titans works and joys, but thrust down from their puissance and pleasure
Fainting now fell from the paces of Time or were left by his ages.
So were these born from Zeus to found the new that should flower
Lucid and slender and perfectly little as fit for this mortal
Ever who sinks back fatigued from immortalitys stature;
Man, repelled by the gulfs within him and shrinking from vastness,
Form of the earth accepts and is glad of the lap of his mother.
Safe through the infinite seas could his soul self-piloted voyage,
Chasing the dawns and the wondrous horizons, eternitys secrets
Drawn from her luminous gulfs! But he journeys rudderless, helmless,
Driven and led by the breath of God who meets him with tempest,
Hurls at him Night. The earth is safer, warmer its sunbeams;
Death and limits are known; so he clings to them hating the summons.
So might one dwell who has come to take joy in a fair-lighted prison;
Amorous grown of its marble walls and its noble adornments,
Lost to mightier cares and the spaces boundlessly calling
Lust of the infinite skies he forgets and the kiss of the stormwind.
So might one live who inured to his days of the field and the farm-yard
Shrinks from the grandiose mountain-tops; shut up in lanes and in hedges
Only his furrows he leads and only orders his gardens,
Only his fleeces weaves and drinks of the yield of his vine-rows:
Lost to his ear is the song of the waterfall, wind in the forests.
Now to our earth we are bent and we study the skies for its image.
That was Greece and its shining, that now is France and its keenness,
That still is Europe though by the Christ-touch troubled and tortured,
Seized by the East but clasping her chains and resisting our freedom.
Then was all founded, on Phrygias coasts, round Ilions ramparts,
Then by the spear of Achilles, then in the Trojan death-cry;
Bearers mute of a future world were those armoured Achaians.
So they arrived from Zeus, an army led by the death-god.
So one can see them still who has sight from the gods in the trance-sleep
Out from the tent emerging on Phrygias coasts in their armour;
Those of the early seed Pelasgian slighter in stature,
Dark-haired, hyacinth-curled from the isles of the sea and the southron,
Soft-eyed men with pitiless hearts; bright-haired the Achaians,
Hordes of the Arctic Dawn who had fled from the ice and the death-blast;
Children of conquerors lured to the coasts and the breezes and olives,
Noons of Mediterranean suns and the kiss of the southwind
Mingled their brilliant force with the plastic warmth of the Hamite.
There they shall rule and their children long till Fate and the Dorian
Break down Hellene doors and trample stern through the passes.
Mixed in a glittering rout on the Ocean beaches one sees them,
Perfect and beautiful figures and fronts, not as now are we mortals
Marred and crushed by our burden long of thought and of labour;
Perfect were these as our race bright-imaged was first by the Thinker
Seen who in golden lustres shapes all the glories we tarnish,
Rich from the moulds of Gods and unmarred in their splendour and swiftness.
Many and mighty they came over the beaches loud of the Aegean,
Roots of an infant world and the morning stars of this Europe,
Great Agamemnons kingly port and the bright Menelaus,
Tall Idomeneus, Nestor, Odysseus Atlas-shouldered,
Helmeted Ajax, his chin of the beast and his eyes of the dreamer.
Over the sands they dispersed to their armies ranked by the Ocean.
But from the Argive front Acirrous loosed by Tydides
Parted as hastens a shaft from the string and he sped on intently
Swift where the beaches were bare or threading the gaps of the nations;
Crossing Thebes and Epirus he passed through the Lemnian archers,
Ancient Gnossus hosts and Meriones leaderless legions.
Heedless of cry and of laughter calling over the sea-sands
Swiftly he laboured, wind in his hair and the sea to him crying,
Straight he ran to the Myrmidon hosts and the tents of Achilles.
There he beheld at his tent-door the Phthian gleaming in armour,
Glittering-helmed with the sun that climbed now the cusp of Cronion,
Nobly tall, excelling humanity, planned like Apollo.
Proud at his side like a pillar upreared of snow or of marble,
Golden-haired, hard and white was the boy Neoptolemus, fire-eyed.
New were his feet to the Trojan sands from the ships and from Scyros:
Led to this latest of all his fathers fights in the Troad
He for his earliest battle waited, the son of Achilles.
So in her mood had Fate brought them together, the son and the father,
Even as our souls travelling different paths have met in the ages
Each for its work and they cling for an hour to the names of affection,
Then Times long waves bear them apart for new forms we shall know not,
So these two long severed had met in the shadow of parting.
Often he smote his hand on the thigh-piece for sound of the armour,
Bent his ear to the plains or restless moved like a war-horse
Curbed by his masters will, when he stands new-saddled for battle
Hearing the voice of the trumpets afar and pawing the meadows.
Over the sands Acirrous came to them running and toiling,
Known from far off, for he ran unhelmeted. High on the hero
Sunlike smiled the golden Achilles and into the tent-space
Seized by the hand and brought him and seated. War-shaft of Troezen,
Whence was thy speed, Acirrous? Comst thou, O friend, to my tent-side
Spurred by thy eager will or the trusted stern Diomedes?
Or from the Greeks like the voice still loved from a heart that is hollow?
What say the banded princes of Greece to the single Achilles?
Bringest thou flattery pale or an empty and futureless menace?
But to the strength of Pelides the hero Acirrous answered:
Response none make the Greeks to thy high-voiced message and challenge;
Only their shout at thy side will reply when thou leapst into Troya.
So have their chieftains willed and the wisdom calm of Odysseus.
But with a haughty scorn made answer the high-crested Hellene:
Wise is Odysseus, wise are the hearts of Achaias chieftains.
Ilions chiefs are enough for their strength and life is too brittle
Hurrying Fate to advance on the spear of the Phthian Achilles.
Not from the Greeks have I sped to thy tents, their friendship or quarrel
Urged not my feet; but Tiryns chieftain strong Diomedes
Sent me claiming a word long old that first by his war-car
Young Neoptolemus come from island Scyros should enter
Far-crashing into the fight that has lacked this shoot of Achilles,
Pressing in front with his fathers strength in the playground of Ares,
Shouting his fathers cry as he clashed to his earliest battle.
So let Achilles son twin-carred fight close by Tydides,
Seal of the ancient friendship new-sworn twixt your sires in their boyhood
Then when they learned the spear to guide and strove in the wrestle.
So he spoke recalling other times and regretted
And to the Argives word consented the strength of Pelides.
He on the shoulder white of his son with a gesture of parting
Laid his fateful hand and spoke from his prescient spirit:
Pyrrhus, go. No mightier guide couldst thou hope into battle
Opening the foemens ranks than the hero stern Diomedes.
Noble that rugged heart, thy fathers friend and his fathers.
Journey through all wide Greece, seek her prytanies, schools and palaestras,
Traverse Oceans rocks and the cities that dream on his margin,
Phocian dales, Aetolias cliffs and Arcadys pastures,
Never a second man wilt thou find, but alone Diomedes.
Pyrrhus, follow his counsels always losing thy father,
If in this battle I fall and Fate has denied to me Troya.
Pyrrhus, be like thy father in virtue, thou canst not excel him;
Noble be in peace, invincible, brave in the battle,
Stern and calm to thy foe, to the suppliant merciful. Mortal
Favour and wrath as thou walkst heed never, son of Achilles.
Always thy will and the right impose on thy friend and thy foeman.
Count not life nor death, defeat nor triumph, Pyrrhus.
Only thy soul regard and the gods in thy joy or thy labour.
Pyrrhus heard and erect with a stride that was rigid and stately
Forth with Acirrous went from his sire to the joy of the battle.
Little he heeded the word of death that the god in our bosom
Spoke from the lips of Achilles, but deemed at sunset returning,
Slaying Halamus, Paris or dangerous mighty Aeneas,
Proudly to lay at his fathers feet the spoils of the foeman.
But in his lair alone the godlike doomed Pelides
Turned to the door of his tent and was striding forth to the battle,
When from her inner chamber Briseis parting the curtain,
Long had she stood there spying and waiting her lonely occasion,
Came and caught and held his hand like a creeper detaining
Vainly a moment the deathward stride of the kings of the forest.
Tarry awhile, Achilles; not yet have the war-horns clamoured,
Nor have the scouts streamed yet from Xanthus fierily running.
Lose a moment for her who has only thee under heaven.
Nay, had war sounded, thou yet wouldst squander that moment, Achilles,
Hearkening a womans fears and the voice of a dream in the midnight.
Art thou not gentle even as terrible, lion of Hellas?
Others have whispered the deeds of thy wrath; we have heard, but not seen it;
Marvelling much at their pallor and awe we have listened and wondered.
Never with thrall or slavegirl or captive saw I thee angered,
Hero, nor any humble heart ever trembled to near thee.
Pardoning rather our many faults and our failures in service
Lightly thou layedst thy yoke on us kind as the clasp of a lover
Sparing the weak as thou breakest the mighty, O godlike Achilles.
Only thy equals have felt all the dread of the death-god within thee;
We have presumed and have played with the strength at which nations have trembled.
Lo, thou hast leaned thy mane to the clutch of the boys and the maidens.
But to Briseis white-armed made answer smiling Achilles:
Something sorely thou needst, for thou flatterest long, O Briseis.
Tell me, O woman, thy fear or thy dream that my touch may dispel it,
White-armed net of bliss slipped down from the gold Aphrodite.
And to Achilles answered the captive white Briseis:
Long have they vexed my soul in the tents of the Greeks, O Achilles,
Telling of Thetis thy mother who bore thee in caves of the Ocean
Clasped by a mortal and of her fear from the threats of the Ancients,
Weavers of doom who play with our hopes and smile at our passions
Painting Time with the red of our hearts on the web they have woven,
How on the Oceans bosom she hid thee in vine-tangled Scyros
Clothed like a girl among girls with the daughters of King Lycomedes,
Art thou not fairer than womans beauty, yet great as Apollo?
Fearing Paris shafts and the anger of Delian Phoebus.
Now in the night has a vision three times besieged me from heaven.
Over the sea in my dream an argent bow was extended;
Nearing I saw a terror august over moonlit waters,
Cloud and a fear and a face that was young and lovely and hostile.
Then three times I heard arise in the grandiose silence,
Still was the sky and still was the land and still were the waters,
Echoing a mighty voice, Take back, O King, what thou gavest;
Strength, take thy strong man, sea, take thy wave, till the warfare eternal
Need him again to thunder through Asias plains to the Ganges.
That fell silent, but nearer the beautiful Terror approached me,
Clang I heard of the argent bow and I gazed on Apollo.
Shrilly I cried; it was thee that the shaft of the heavens had yearned for,
Thee that it sought like a wild thing in anger straight at its quarry,
Quivering into thy heel. I awoke and found myself trembling,
Held thee safe in my arms, yet hardly believed that thou livest.
Lo, in the night came this dream; on the morn thou arisest for battle.
But to Briseis white-armed made answer the golden Achilles:
This was a dream indeed, O princess, daughter of Brises!
Will it restrain Achilles from fight, the lion from preying?
Come, thou hast heard of my prowess and knowest what man is Achilles.
Deemst thou so near my end? or does Polyxena vex thee,
Jealousy shaping thy dreams to frighten me back from her capture?
Passionate, vexed Briseis, smiting his arm with her fingers,
Yet with a smile half-pleased made answer to mighty Achilles.
Thinkst thou I fear thee at all? I am brave and will chide thee and threaten.
See that thou recklessly throw not, Achilles, thy life into battle
Hurting this body, my world, nor venture sole midst thy foemen,
Leaving thy shielders behind as oft thou art wont in thy war-rage
Lured by thy tempting gods who seek their advantage to slay thee,
Fighting divinely, careless of all but thy spear and thy foeman.
Cover thy limbs with thy shield, speed slowly restraining thy coursers.
Dost thou not know all the terrible void and cold desolation
Once again my life must become if I lose thee, Achilles?
Twice then thus wilt thou smite me, O hero, a desolate woman?
I will not stay behind on an earth that is empty and kingless.
Into the grave I will leap, through the fire I will burn, I will follow
Down into Hades depths or wherever thy footsteps go clanging,
Hunting thee always,didst thou not seize me here for thy pleasure?
Stronger there by my love as thou than I here, O Achilles.
Thou shalt not dally alone with Polyxena safe in the shadows.
But to Briseis answered the hero, mighty Pelides,
Holding her delicate hands like gathered flowers in his bosom,
Pressing her passionate mouth like a rose that trembles with beauty.
There then follow me even as I would have drawn thee, O woman,
Voice that chimes with my soul and hands that are eager for service,
Beautiful spoil beloved of my foemen, perfect Briseis
But for the dreams that come to us mortals sleeping or waking,
Shadows are these from our souls and who shall discern what they figure?
Fears from the heart speak voiced like Zeus, take shape as Apollo.
But were they truer than Delphis cavern voice or Dodonas
Moan that seems wind in his oaks immemorable, how should they alter
Fate that the stern gods have planned from the first when the earth was unfashioned,
Shapeless the gyre of the sun? For dream or for oracle adverse
Why should man swerve from the path of his feet? The gods have invented
Only one way for a man through the world, O my slavegirl Briseis,
Valiant to be and noble and truthful and just to the humble,
Only one way for a woman, to love and serve and be faithful.
This observe, thy task in thy destiny noble or fallen;
Time and result are the gods; with these things be not thou troubled.
So he spoke and kissed her lips and released her and parted.
Out from the tent he strode and into his chariot leaping
Seized the reins and shouted his cry and drove with a far-borne
Sound of wheels mid the clamour of hooves and the neigh of the war-steeds
Swift through the line of the tents and forth from the heart of the leaguer.
Over the causeway Troyward thundered the wheels of Achilles.
After him crashing loud with a fierce and resonant rumour
Chieftains impetuous prone to the mellay and swift at the war-cry
Came, who long held from the lust of the spear and the joy of the war-din
Rushed over earth like hawks released through the air; a shouting
Limitless rolled behind, for nations followed each war-cry.
Lords renowned of the northern hills and the plains and the coast-lands,
Many a Dorian, many a Phthian, many a Hellene,
Names now lost to the ear though then reputed immortal!
Night has swallowed them, Zeus has devoured the light of his children;
Drawn are they back to his bosom vast whence they came in their fierceness
Thinking to conquer the earth and dominate Time and his ages.
Nor on their left less thick came numerous even as the sea-sands
Forth from the line of the leaguer that skirted the far-sounding waters,
Ranked behind Tydeus son and the Spartan, bright Menelaus,
Ithacas chief and Epeus, Idomeneus lord of the Cretans,
Acamas, Nestor, Neleus son, and the brave Ephialtus,
Prothous, Meges, Leitus the bold and the king Prothonor,
Wise Alcestes son and the Lemnian, stern Philoctetes,
These and unnumbered warlike captains marching the Argives.
Last in his spacious car drove shaping the tread of his armies,
Even as a shepherd who follows his flock to the green of the pastures,
Atreus far-famed son, the monarch great Agamemnon.
They on the plain moved out and gazing far over the pastures
Saw behind Xanthus rolling with dust like a cloud full of thunder,
Ominous, steadily nearing, shouting their war-cry the Trojans.
***
~ Sri Aurobindo, 7 - The Book of the Woman
,
1372:Dante At Verona
Behold, even I, even I am Beatrice.
(Div. Com. Purg. xxx.)
OF Florence and of Beatrice
Servant and singer from of old,
O'er Dante's heart in youth had toll'd
The knell that gave his Lady peace;
And now in manhood flew the dart
Wherewith his City pierced his heart.
Yet if his Lady's home above
Was Heaven, on earth she filled his soul;
And if his City held control
To cast the body forth to rove,
The soul could soar from earth's vain throng,
And Heaven and Hell fulfil the song.
Follow his feet's appointed way;—
But little light we find that clears
The darkness of the exiled years.
Follow his spirit's journey:—nay,
What fires are blent, what winds are blown
On paths his feet may tread alone?
Yet of the twofold life he led
In chainless thought and fettered will
Some glimpses reach us,—somewhat still
Of the steep stairs and bitter bread,—
Of the soul's quest whose stern avow
For years had made him haggard now.
Alas! the Sacred Song whereto
Both heaven and earth had set their hand
Not only at Fame's gate did stand
Knocking to claim the passage through,
But toiled to ope that heavier door
Which Florence shut for evermore.
Shall not his birth's baptismal Town
One last high presage yet fulfil,
And at that font in Florence still
His forehead take the laurel-crown?
O God! or shall dead souls deny
The undying soul its prophecy?
Aye, 'tis their hour. Not yet forgot
69
The bitter words he spoke that day
When for some great charge far away
Her rulers his acceptance sought.
“And if I go, who stays?”—so rose
His scorn:—“and if I stay, who goes?”
“Lo! thou art gone now, and we stay”
(The curled lips mutter): “and no star
Is from thy mortal path so far
As streets where childhood knew the way.
To Heaven and Hell thy feet may win,
But thine own house they come not in.”
Therefore, the loftier rose the song
To touch the secret things of God,
The deeper pierced the hate that trod
On base men's track who wrought the wrong;
Till the soul's effluence came to be
Its own exceeding agony.
Arriving only to depart,
From court to court, from land to land,
Like flame within the naked hand
His body bore his burning heart
That still on Florence strove to bring
God's fire for a burnt offering.
Even such was Dante's mood, when now,
Mocked for long years with Fortune's sport,
He dwelt at yet another court,
There where Verona's knee did bow
And her voice hailed with all acclaim
Can Grande della Scala's name.
As that lord's kingly guest awhile
His life we follow; through the days
Which walked in exile's barren ways,—
The nights which still beneath one smile
Heard through all spheres one song increase,—
“Even I, even I am Beatrice.”
At Can La Scala's court, no doubt,
Due reverence did his steps attend;
The ushers on his path would bend
At ingoing as at going out;
The penmen waited on his call
At council-board, the grooms in hall.
And pages hushed their laughter down,
70
And gay squires stilled the merry stir,
When he passed up the dais-chamber
With set brows lordlier than a frown;
And tire-maids hidden among these
Drew close their loosened bodices.
Perhaps the priests, (exact to span
All God's circumference,) if at whiles
They found him wandering in their aisles,
Grudged ghostly greeting to the man
By whom, though not of ghostly guild,
With Heaven and Hell men's hearts were fill'd.
And the court-poets (he, forsooth,
A whole world's poet strayed to court!)
Had for his scorn their hate's retort.
He'd meet them flushed with easy youth,
Hot on their errands. Like noon-flies
They vexed him in the ears and eyes.
But at this court, peace still must wrench
Her chaplet from the teeth of war:
By day they held high watch afar,
At night they cried across the trench;
And still, in Dante's path, the fierce
Gaunt soldiers wrangled o'er their spears.
But vain seemed all the strength to him,
As golden convoys sunk at sea
Whose wealth might root out penury:
Because it was not, limb with limb,
Knit like his heart-strings round the wall
Of Florence, that ill pride might fall.
Yet in the tiltyard, when the dust
Cleared from the sundered press of knights
Ere yet again it swoops and smites,
He almost deemed his longing must
Find force to yield that multitude
And hurl that strength the way he would.
How should he move them,—fame and gain
On all hands calling them at strife?
He still might find but his one life
To give, by Florence counted vain;
One heart the false hearts made her doubt,
One voice she heard once and cast out.
Oh! if his Florence could but come,
71
A lily-sceptred damsel fair,
As her own Giotto painted her
On many shields and gates at home,—
A lady crowned, at a soft pace
Riding the lists round to the dais:
Till where Can Grande rules the lists,
As young as Truth, as calm as Force,
She draws her rein now, while her horse
Bows at the turn of the white wrists;
And when each knight within his stall
Gives ear, she speaks and tells them all:
All the foul tale,—truth sworn untrue
And falsehood's triumph. All the tale?
Great God! and must she not prevail
To fire them ere they heard it through,—
And hand achieve ere heart could rest
That high adventure of her quest?
How would his Florence lead them forth,
Her bridle ringing as she went;
And at the last within her tent,
'Neath golden lilies worship-worth,
How queenly would she bend the while
And thank the victors with her smile!
Also her lips should turn his way
And murmur: “O thou tried and true,
With whom I wept the long years through!
What shall it profit if I say,
Thee I remember? Nay, through thee
All ages shall remember me.”
Peace, Dante, peace! The task is long,
The time wears short to compass it.
Within thine heart such hopes may flit
And find a voice in deathless song:
But lo! as children of man's earth,
Those hopes are dead before their birth.
Fame tells us that Verona's court
Was a fair place. The feet might still
Wander for ever at their will
In many ways of sweet resort;
And still in many a heart around
The Poet's name due honour found.
Watch we his steps. He comes upon
72
The women at their palm-playing.
The conduits round the gardens sing
And meet in scoops of milk-white stone,
Where wearied damsels rest and hold
Their hands in the wet spurt of gold.
One of whom, knowing well that he,
By some found stern, was mild with them,
Would run and pluck his garment's hem,
Saying, “Messer Dante, pardon me,”—
Praying that they might hear the song
Which first of all he made, when young.
“Donne che avete” . . . Thereunto
Thus would he murmur, having first
Drawn near the fountain, while she nurs'd
His hand against her side: a few
Sweet words, and scarcely those, half said:
Then turned, and changed, and bowed his head.
For then the voice said in his heart,
“Even I, even I am Beatrice”;
And his whole life would yearn to cease:
Till having reached his room, apart
Beyond vast lengths of palace-floor,
He drew the arras round his door.
At such times, Dante, thou hast set
Thy forehead to the painted pane
Full oft, I know; and if the rain
Smote it outside, her fingers met
Thy brow; and if the sun fell there,
Her breath was on thy face and hair.
Then, weeping, I think certainly
Thou hast beheld, past sight of eyne,—
Within another room of thine
Where now thy body may not be
But where in thought thou still remain'st,—
A window often wept against:
The window thou, a youth, hast sought,
Flushed in the limpid eventime,
Ending with daylight the day's rhyme
Of her; where oftenwhiles her thought
Held thee—the lamp untrimmed to write—
In joy through the blue lapse of night.
At Can La Scala's court, no doubt,
73
Guests seldom wept. It was brave sport,
No doubt, at Can La Scala's court,
Within the palace and without;
Where music, set to madrigals,
Loitered all day through groves and halls.
Because Can Grande of his life
Had not had six-and-twenty years
As yet. And when the chroniclers
Tell you of that Vicenza strife
And of strifes elsewhere,—you must not
Conceive for church-sooth he had got
Just nothing in his wits but war:
Though doubtless 'twas the young man's joy
(Grown with his growth from a mere boy,)
To mark his “Viva Cane!” scare
The foe's shut front, till it would reel
All blind with shaken points of steel.
But there were places—held too sweet
For eyes that had not the due veil
Of lashes and clear lids—as well
In favour as his saddle-seat:
Breath of low speech he scorned not there
Nor light cool fingers in his hair.
Yet if the child whom the sire's plan
Made free of a deep treasure-chest
Scoffed it with ill-conditioned jest,—
We may be sure too that the man
Was not mere thews, nor all content
With lewdness swathed in sentiment.
So you may read and marvel not
That such a man as Dante—one
Who, while Can Grande's deeds were done,
Had drawn his robe round him and thought—
Now at the same guest-table far'd
Where keen Uguccio wiped his beard.
Through leaves and trellis-work the sun
Left the wine cool within the glass,—
They feasting where no sun could pass:
And when the women, all as one,
Rose up with brightened cheeks to go,
It was a comely thing, we know.
But Dante recked not of the wine;
74
Whether the women stayed or went,
His visage held one stern intent:
And when the music had its sign
To breathe upon them for more ease,
Sometimes he turned and bade it cease.
And as he spared not to rebuke
The mirth, so oft in council he
To bitter truth bore testimony:
And when the crafty balance shook
Well poised to make the wrong prevail,
Then Dante's hand would turn the scale.
And if some envoy from afar
Sailed to Verona's sovereign port
For aid or peace, and all the court
Fawned on its lord, “the Mars of war,
Sole arbiter of life and death,”—
Be sure that Dante saved his breath.
And Can La Scala marked askance
These things, accepting them for shame
And scorn, till Dante's guestship came
To be a peevish sufferance:
His host sought ways to make his days
Hateful; and such have many ways.
There was a Jester, a foul lout
Whom the court loved for graceless arts;
Sworn scholiast of the bestial parts
Of speech; a ribald mouth to shout
In Folly's horny tympanum
Such things as make the wise man dumb.
Much loved, him Dante loathed. And so,
One day when Dante felt perplexed
If any day that could come next
Were worth the waiting for or no,
And mute he sat amid their din,—
Can Grande called the Jester in.
Rank words, with such, are wit's best wealth.
Lords mouthed approval; ladies kept
Twittering with clustered heads, except
Some few that took their trains by stealth
And went. Can Grande shook his hair
And smote his thighs and laughed i' the air.
Then, facing on his guest, he cried,—
75
“Say, Messer Dante, how it is
I get out of a clown like this
More than your wisdom can provide.”
And Dante: “'Tis man's ancient whim
That still his like seems good to him.”
Also a tale is told, how once,
At clearing tables after meat,
Piled for a jest at Dante's feet
Were found the dinner's well-picked bones;
So laid, to please the banquet's lord,
By one who crouched beneath the board.
Then smiled Can Grande to the rest:—
“Our Dante's tuneful mouth indeed
Lacks not the gift on flesh to feed!”
“Fair host of mine,” replied the guest,
“So many bones you'd not descry
If so it chanced the dog were I.”
But wherefore should we turn the grout
In a drained cup, or be at strife
From the worn garment of a life
To rip the twisted ravel out?
Good needs expounding; but of ill
Each hath enough to guess his fill.
They named him Justicer-at-Law:
Each month to bear the tale in mind
Of hues a wench might wear unfin'd
And of the load an ox might draw;
To cavil in the weight of bread
And to see purse-thieves gibbeted.
And when his spirit wove the spell
(From under even to over-noon
In converse with itself alone,)
As high as Heaven, as low as Hell,—
He would be summoned and must go:
For had not Gian stabbed Giacomo?
Therefore the bread he had to eat
Seemed brackish, less like corn than tares;
And the rush-strown accustomed stairs
Each day were steeper to his feet;
And when the night-vigil was done,
His brows would ache to feel the sun.
Nevertheless, when from his kin
76
There came the tidings how at last
In Florence a decree was pass'd
Whereby all banished folk might win
Free pardon, so a fine were paid
And act of public penance made,—
This Dante writ in answer thus,
Words such as these: “That clearly they
In Florence must not have to say,—
The man abode aloof from us
Nigh fifteen years, yet lastly skulk'd
Hither to candleshrift and mulct.
“That he was one the Heavens forbid
To traffic in God's justice sold
By market-weight of earthly gold,
Or to bow down over the lid
Of steaming censers, and so be
Made clean of manhood's obloquy.
“That since no gate led, by God's will,
To Florence, but the one whereat
The priests and money-changers sat,
He still would wander; for that still,
Even through the body's prison-bars,
His soul possessed the sun and stars.”
Such were his words. It is indeed
For ever well our singers should
Utter good words and know them good
Not through song only; with close heed
Lest, having spent for the work's sake
Six days, the man be left to make.
Months o'er Verona, till the feast
Was come for Florence the Free Town:
And at the shrine of Baptist John
The exiles, girt with many a priest
And carrying candles as they went,
Were held to mercy of the saint.
On the high seats in sober state,—
Gold neck-chains range o'er range below
Gold screen-work where the lilies grow,—
The Heads of the Republic sate,
Marking the humbled face go by
Each one of his house-enemy.
And as each proscript rose and stood
77
From kneeling in the ashen dust
On the shrine-steps, some magnate thrust
A beard into the velvet hood
Of his front colleague's gown, to see
The cinders stuck in the bare knee.
Tosinghi passed, Manelli passed,
Rinucci passed, each in his place;
But not an Alighieri's face
Went by that day from first to last
In the Republic's triumph; nor
A foot came home to Dante's door.
(RESPUBLICA—a public thing:
A shameful shameless prostitute,
Whose lust with one lord may not suit,
So takes by turn its revelling
A night with each, till each at morn
Is stripped and beaten forth forlorn,
And leaves her, cursing her. If she,
Indeed, have not some spice-draught, hid
In scent under a silver lid,
To drench his open throat with—he
Once hard asleep; and thrust him not
At dawn beneath the stairs to rot.
Such this Republic!—not the Maid
He yearned for; she who yet should stand
With Heaven's accepted hand in hand,
Invulnerable and unbetray'd:
To whom, even as to God, should be
Obeisance one with Liberty.)
Years filled out their twelve moons, and ceased
One in another; and alway
There were the whole twelve hours each day
And each night as the years increased;
And rising moon and setting sun
Beheld that Dante's work was done.
What of his work for Florence? Well
It was, he knew, and well must be.
Yet evermore her hate's decree
Dwelt in his thought intolerable:—
His body to be burned,*—his soul
To beat its wings at hope's vain goal.
What of his work for Beatrice?
78
Now well-nigh was the third song writ,—
The stars a third time sealing it
With sudden music of pure peace:
For echoing thrice the threefold song,
The unnumbered stars the tone prolong.†
Each hour, as then the Vision pass'd,
He heard the utter harmony
Of the nine trembling spheres, till she
Bowed her eyes towards him in the last,
So that all ended with her eyes,
Hell, Purgatory, Paradise.
“It is my trust, as the years fall,
To write more worthily of her
Who now, being made God's minister,
Looks on His visage and knows all.”
Such was the hope that love dar'd blend
With grief's slow fires, to make an end
Of the “New Life,” his youth's dear book:
Adding thereunto: “In such trust
I labour, and believe I must
Accomplish this which my soul took
In charge, if God, my Lord and hers,
Leave my life with me a few years.”
The trust which he had borne in youth
Was all at length accomplished. He
At length had written worthily—
Yea even of her; no rhymes uncouth
'Twixt tongue and tongue; but by God's aid
The first words Italy had said.
Ah! haply now the heavenly guide
Was not the last form seen by him:
But there that Beatrice stood slim
And bowed in passing at his side,
For whom in youth his heart made moan
Then when the city sat alone Quomodo sedet sola civitas!
—The words quoted by Dante in the Vita Nuova when
he speaks of the death of Beatrice.
Clearly herself: the same whom he
Met, not past girlhood, in the street,
Low-bosomed and with hidden feet;
And then as woman perfectly,
In years that followed, many an once,—
79
And now at last among the suns
In that high vision. But indeed
It may be memory might recall
Last to him then the first of all,—
The child his boyhood bore in heed
Nine years. At length the voice brought peace,—
“Even I, even I am Beatrice.”
All this, being there, we had not seen.
Seen only was the shadow wrought
On the strong features bound in thought;
The vagueness gaining gait and mien;
The white streaks gathering clear to view
In the burnt beard the women knew.
For a tale tells that on his track,
As through Verona's streets he went,
This saying certain women sent:—
“Lo, he that strolls to Hell and back
At will! Behold him, how Hell's reek
Has crisped his beard and singed his cheek.”
“Whereat” (Boccaccio's words) “he smiled
For pride in fame.” It might be so:
Nevertheless we cannot know
If haply he were not beguiled
To bitterer mirth, who scarce could tell
If he indeed were back from Hell.
So the day came, after a space,
When Dante felt assured that there
The sunshine must lie sicklier
Even than in any other place,
Save only Florence. When that day
Had come, he rose and went his way.
He went and turned not. From his shoes
It may be that he shook the dust,
As every righteous dealer must
Once and again ere life can close:
And unaccomplished destiny
Struck cold his forehead, it may be.
No book keeps record how the Prince
Sunned himself out of Dante's reach,
Nor how the Jester stank in speech:
While courtiers, used to cringe and wince,
Poets and harlots, all the throng,
80
Let loose their scandal and their song.
No book keeps record if the seat
Which Dante held at his host's board
Were sat in next by clerk or lord,—
If leman lolled with dainty feet
At ease, or hostage brooded there,
Or priest lacked silence for his prayer.
Eat and wash hands, Can Grande;—scarce
We know their deeds now: hands which fed
Our Dante with that bitter bread;
And thou the watch-dog of those stairs
Which, of all paths his feet knew well,
Were steeper found than Heaven or Hell.
~ Dante Gabriel Rossetti,
1373:I.
St. Agnes' Eve--Ah, bitter chill it was!
  The owl, for all his feathers, was a-cold;
  The hare limp'd trembling through the frozen grass,
  And silent was the flock in woolly fold:
  Numb were the Beadsman's fingers, while he told
  His rosary, and while his frosted breath,
  Like pious incense from a censer old,
  Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.

II.
  His prayer he saith, this patient, holy man;
  Then takes his lamp, and riseth from his knees,
  And back returneth, meagre, barefoot, wan,
  Along the chapel aisle by slow degrees:
  The sculptur'd dead, on each side, seem to freeze,
  Emprison'd in black, purgatorial rails:
  Knights, ladies, praying in dumb orat'ries,
  He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.

III.
  Northward he turneth through a little door,
  And scarce three steps, ere Music's golden tongue
  Flatter'd to tears this aged man and poor;
  But no--already had his deathbell rung
  The joys of all his life were said and sung:
  His was harsh penance on St. Agnes' Eve:
  Another way he went, and soon among
  Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.

IV.
  That ancient Beadsman heard the prelude soft;
  And so it chanc'd, for many a door was wide,
  From hurry to and fro. Soon, up aloft,
  The silver, snarling trumpets 'gan to chide:
  The level chambers, ready with their pride,
  Were glowing to receive a thousand guests:
  The carved angels, ever eager-eyed,
  Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their breasts.

V.
  At length burst in the argent revelry,
  With plume, tiara, and all rich array,
  Numerous as shadows haunting fairily
  The brain, new-stuff'd, in youth, with triumphs gay
  Of old romance. These let us wish away,
  And turn, sole-thoughted, to one lady there,
  Whose heart had brooded, all that wintry day,
  On love, and wing'd St Agnes' saintly care,
As she had heard old dames full rnany times declare.

VI.
  They told her how, upon St Agnes' Eve,
  Young virgins might have visions of delight,
  And soft adorings from their loves receive
  Upon the honey'd middle of the night,
  If ceremonies due they did aright;
  As, supperless to bed they must retire,
  And couch supine their beauties, lily white;
  Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.

VII.
  Full of this whim was thoughtful Madeline:
  The music, yearning like a God in pain,
  She scarcely heard: her maiden eyes divine,
  Fix'd on the floor, saw many a sweeping train
  Pass by--she heeded not at all: in vain
  Came many a tiptoe, amorous cavalier,
  And back retir'd; not cool'd by high disdain,
  But she saw not: her heart was otherwhere;
She sigh'd for Agnes' dreams, the sweetest of the year.

VIII.
  She danc'd along with vague, regardless eyes,
  Anxious her lips, her breathing quick and short:
  The hallow'd hour was near at hand: she sighs
  Amid the timbrels, and the throng'd resort
  Of whisperers in anger, or in sport;
  'Mid looks of love, defiance, hate, and scorn,
  Hoodwink'd with faery fancy; all amort,
  Save to St Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.

IX.
  So, purposing each moment to retire,
  She linger'd still. Meantime, across the moors,
  Had come young Porphyro, with heart on fire
  For Madeline. Beside the portal doors,
  Buttress'd from moonlight, stands he, and implores
  All saints to give him sight of Madeline,
  But for one moment in the tedious hours,
  That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss-in sooth such things have been.

X.
  He ventures in: let no buzz'd whisper tell:
  All eyes be muffled, or a hundred swords
  Will storm his heart, Love's fev'rous citadel:
  For him, those chambers held barbarian hordes,
  Hyena foemen, and hot-blooded lords,
  Whose very dogs would execrations howl
  Against his lineage: not one breast affords
  Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.

XI.
  Ah, happy chance! the aged creature came,
  Shuffling along with ivory-headed wand,
  To where he stood, hid from the torch's flame,
  Behind a broad hall-pillar, far beyond
  The sound of merriment and chorus bland.
  He startled her; but soon she knew his face,
  And grasp'd his fingers in her palsied hand,
  Saying, "Mercy, Porphyro! hie thee from this place;
"They are all here to-night, the whole blood-thirsty race!

XII.
  "Get hence! get hence! there's dwarfish Hildebrand;
  He had a fever late, and in the fit
  He cursed thee and thine, both house and land:
  Then there's that old Lord Maurice, not a whit
  More tame for his gray hairs--Alas me! flit!
  Flit like a ghost away."--Ah, gossip dear,
  We're safe enough; here in this arm-chair sit,
  And tell me how"--"Good saints! not here, not here;
Follow me, child, or else these stones will be thy bier."

XIII.
  He follow'd through a lowly arched way,
  Brushing the cobwebs with his lofty plume,
  And as she mutter'd "Well-a-well-a-day!"
  He found him in a little moonlight room,
  Pale, lattic'd, chill, and silent as a tomb.
  "Now tell me where is Madeline", said he,
  "O tell me, Angela, by the holy loom
  Which none but secret sisterhood may see,
"When they St Agnes' wool are weaving piously."

XIV.
  "St Agnes! Ah! it is St Agnes' Eve--
  Yet men will murder upon holy days:
  Thou must hold water in a witch's sieve,
  And be liege-lord of all the Elves and Fays
  To venture so: it fills me with amaze
  To see thee, Porphyro!--St Agnes' Eve!
  God's help! my lady fair the conjuror plays
  This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."

XV.
  Feebly she laugheth in the languid moon,
  While Porphyro upon her face doth look,
  Like puzzled urchin on an aged crone
  Who keepeth clos'd a wondrous riddle-book,
  As spectacled she sits in chimney nook.
  But soon his eyes grew brilliant, when she told
  His lady's purpose; and he scarce could brook
  Tears, at the thought of those enchantments cold
And Madeline asleep in lap of legends old.

XVI.
  Sudden a thought came like a full-blown rose,
  Flushing his brow, and in his pained heart
  Made purple riot: then doth he propose
  A stratagem, that makes the beldame start:
  "A cruel man and impious thou art:
  Sweet lady, let her pray, and sleep, and dream
  Alone with her good angels, far apart
  From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."

XVII.
  "I will not harm her, by all saints I swear,"
  Quoth Porphyro: "O may I ne'er find grace
  When my weak voice shall whisper its last prayer,
  If one of her soft ringlets I displace,
  Or look with ruffian passion in her face:
  Good Angela, believe me by these tears;
  Or I will, even in a moment's space,
  Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."

XVIII.
  "Ah! why wilt thou affright a feeble soul?
  A poor, weak, palsy-stricken, churchyard thing,
  Whose passing-bell may ere the midnight toll;
  Whose prayers for thee, each morn and evening,
  Were never miss'd." Thus plaining, doth she bring
  A gentler speech from burning Porphyro;
  So woeful, and of such deep sorrowing,
  That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.

XIX.
  Which was, to lead him, in close secrecy,
  Even to Madeline's chamber, and there hide
  Him in a closet, of such privacy
  That he might see her beauty unespied,
  And win perhaps that night a peerless bride,
  While legion'd fairies pac'd the coverlet,
  And pale enchantment held her sleepy-eyed.
  Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.

XX.
  "It shall be as thou wishest," said the Dame:
  "All cates and dainties shall be stored there
  Quickly on this feast-night: by the tambour frame
  Her own lute thou wilt see: no time to spare,
  For I am slow and feeble, and scarce dare
  On such a catering trust my dizzy head.
  Wait here, my child, with patience; kneel in prayer
  The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."

XXI.
  So saying, she hobbled off with busy fear.
  The lover's endless minutes slowly pass'd;
  The Dame return'd, and whisper'd in his ear
  To follow her; with aged eyes aghast
  From fright of dim espial. Safe at last
  Through many a dusky gallery, they gain
  The maiden's chamber, silken, hush'd and chaste;
  Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.

XXII.
  Her falt'ring hand upon the balustrade,
  Old Angela was feeling for the stair,
  When Madeline, St Agnes' charmed maid,
  Rose, like a mission'd spirit, unaware:
  With silver taper's light, and pious care,
  She turn'd, and down the aged gossip led
  To a safe level matting. Now prepare,
  Young Porphyro, for gazing on that bed;
She comes, she comes again, like dove fray'd and fled.

XXIII.
  Out went the taper as she hurried in;
  Its little smoke, in pallid moonshine, died:
  She closed the door, she panted, all akin
  To spirits of the air, and visions wide:
  No utter'd syllable, or, woe betide!
  But to her heart, her heart was voluble,
  Paining with eloquence her balmy side;
  As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.

XXIV.
  A casement high and triple-arch'd there was,
  All garlanded with carven imag'ries
  Of fruits, and flowers, and bunches of knot-grass,
  And diamonded with panes of quaint device,
  Innumerable of stains and splendid dyes,
  As are the tiger-moth's deep-damask'd wings;
  And in the midst, 'mong thousand heraldries,
  And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.

XXV.
  Full on this casement shone the wintry moon,
  And threw warm gules on Madeline's fair breast,
  As down she knelt for heaven's grace and boon;
  Rose-bloom fell on her hands, together prest,
  And on her silver cross soft amethyst,
  And on her hair a glory, like a saint:
  She seem'd a splendid angel, newly drest,
  Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.

XXVI.
  Anon his heart revives: her vespers done,
  Of all its wreathed pearls her hair she frees;
  Unclasps her warmed jewels one by one;
  Loosens her fragrant bodice; by degrees
  Her rich attire creeps rustling to her knees:
  Half-hidden, like a mermaid in sea-weed,
  Pensive awhile she dreams awake, and sees,
  In fancy, fair St Agnes in her bed,
But dares not look behind, or all the charm is fled.

XXVII.
  Soon, trembling in her soft and chilly nest,
  In sort of wakeful swoon, perplex'd she lay,
  Until the poppied warmth of sleep oppress'd
  Her soothed limbs, and soul fatigued away;
  Flown, like a thought, until the morrow-day;
  Blissfully haven'd both from joy and pain;
  Clasp'd like a missal where swart Paynims pray;
  Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.

XXVIII.
  Stol'n to this paradise, and so entranced,
  Porphyro gazed upon her empty dress,
  And listen'd to her breathing, if it chanced
  To wake into a slumbrous tenderness;
  Which when he heard, that minute did he bless,
  And breath'd himself: then from the closet crept,
  Noiseless as fear in a wide wilderness,
  And over the hush'd carpet, silent, stept,
And 'tween the curtains peep'd, where, lo!--how fast she slept!

XXIX.
  Then by the bed-side, where the faded moon
  Made a dim, silver twilight, soft he set
  A table, and, half anguish'd, threw thereon
  A doth of woven crimson, gold, and jet:--
  O for some drowsy Morphean amulet!
  The boisterous, midnight, festive clarion,
  The kettle-drum, and far-heard clarinet,
  Affray his ears, though but in dying tone:--
The hall door shuts again, and all the noise is gone.

XXX.
  And still she slept an azure-lidded sleep,
  In blanched linen, smooth, and lavender'd,
  While he from forth the closet brought a heap
  Of candied apple, quince, and plum, and gourd
  With jellies soother than the creamy curd,
  And lucent syrops, tinct with cinnamon;
  Manna and dates, in argosy transferr'd
  From Fez; and spiced dainties, every one,
From silken Samarcand to cedar'd Lebanon.

XXXI.
  These delicates he heap'd with glowing hand
  On golden dishes and in baskets bright
  Of wreathed silver: sumptuous they stand
  In the retired quiet of the night,
  Filling the chilly room with perfume light.--
  "And now, my love, my seraph fair, awake!
  Thou art my heaven, and I thine eremite:
  Open thine eyes, for meek St Agnes' sake,
Or I shall drowse beside thee, so my soul doth ache."

XXXII.
  Thus whispering, his warm, unnerved arm
  Sank in her pillow. Shaded was her dream
  By the dusk curtains:--'twas a midnight charm
  Impossible to melt as iced stream:
  The lustrous salvers in the moonlight gleam;
  Broad golden fringe upon the carpet lies:
  It seem'd he never, never could redeem
  From such a stedfast spell his lady's eyes;
So mus'd awhile, entoil'd in woofed phantasies.

XXXIII.
  Awakening up, he took her hollow lute,--
  Tumultuous,--and, in chords that tenderest be,
  He play'd an ancient ditty, long since mute,
  In Provence call'd, "La belle dame sans mercy:"
  Close to her ear touching the melody:--
  Wherewith disturb'd, she utter'd a soft moan:
  He ceased--she panted quick--and suddenly
  Her blue affrayed eyes wide open shone:
Upon his knees he sank, pale as smooth-sculptured stone.

XXXIV.
  Her eyes were open, but she still beheld,
  Now wide awake, the vision of her sleep:
  There was a painful change, that nigh expell'd
  The blisses of her dream so pure and deep,
  At which fair Madeline began to weep,
  And moan forth witless words with many a sigh;
  While still her gaze on Porphyro would keep;
  Who knelt, with joined hands and piteous eye,
Fearing to move or speak, she look'd so dreamingly.

XXXV.
  "Ah, Porphyro!" said she, "but even now
  Thy voice was at sweet tremble in mine ear,
  Made tuneable with every sweetest vow;
  And those sad eyes were spiritual and clear:
  How chang'd thou art! how pallid, chill, and drear!
  Give me that voice again, my Porphyro,
  Those looks immortal, those complainings dear!
  Oh leave me not in this eternal woe,
For if thou diest, my Love, I know not where to go."

XXXVI.
  Beyond a mortal man impassion'd far
  At these voluptuous accents, he arose,
  Ethereal, flush'd, and like a throbbing star
  Seen mid the sapphire heaven's deep repose
  Into her dream he melted, as the rose
  Blendeth its odour with the violet,--
  Solution sweet: meantime the frost-wind blows
  Like Love's alarum pattering the sharp sleet
Against the window-panes; St Agnes' moon hath set.

XXXVII.
  Tis dark: quick pattereth the flaw-blown sleet:
  "This is no dream, my bride, my Madeline!"
  'Tis dark: the iced gusts still rave and beat:
  "No dream, alas! alas! and woe is mine!
  Porphyro will leave me here to fade and pine.--
  Cruel! what traitor could thee hither bring?
  I curse not, for my heart is lost in thine
  Though thou forsakest a deceived thing;--
A dove forlorn and lost with sick unpruned wing."

XXXVIII.
  "My Madeline! sweet dreamer! lovely bride!
  Say, may I be for aye thy vassal blest?
  Thy beauty's shield, heart-shap'd and vermeil dyed?
  Ah, silver shrine, here will I take my rest
  After so many hours of toil and quest,
  A famish'd pilgrim,--saved by miracle.
  Though I have found, I will not rob thy nest
  Saving of thy sweet self; if thou think'st well
  To trust, fair Madeline, to no rude infidel.

XXXIX.
  "Hark! 'tis an elfin-storm from faery land,
  Of haggard seeming, but a boon indeed:
  Arise--arise! the morning is at hand;--
  The bloated wassailers will never heed:--
  Let us away, my love, with happy speed;
  There are no ears to hear, or eyes to see,--
  Drown'd all in Rhenish and the sleepy mead:
  Awake! arise! my love, and fearless be,
For o'er the southern moors I have a home for thee."

XL.
  She hurried at his words, beset with fears,
  For there were sleeping dragons all around,
  At glaring watch, perhaps, with ready spears--
  Down the wide stairs a darkling way they found.--
  In all the house was heard no human sound.
  A chain-droop'd lamp was flickering by each door;
  The arras, rich with horseman, hawk, and hound,
  Flutter'd in the besieging wind's uproar;
And the long carpets rose along the gusty floor.

XLI.
  They glide, like phantoms, into the wide hall;
  Like phantoms, to the iron porch, they glide;
  Where lay the Porter, in uneasy sprawl,
  With a huge empty flagon by his side:
  The wakeful bloodhound rose, and shook his hide,
  But his sagacious eye an inmate owns:
  By one, and one, the bolts fill easy slide:--
  The chains lie silent on the footworn stones,--
The key turns, and the door upon its hinges groans.

XLII.
  And they are gone: ay, ages long ago
  These lovers fled away into the storm.
  That night the Baron dreamt of many a woe,
  And all his warrior-guests, with shade and form
  Of witch, and demon, and large coffin-worm,
  Were long be-nightmar'd. Angela the old
  Died palsy-twitch'd, with meagre face deform;
  The Beadsman, after thousand aves told,
For aye unsought for slept among his ashes cold.
In a letter to George Keats and his wife dated the 14th of February [1819], Keats says that he took with him to Chichester, where he had been staying in January, "some of the thin paper, and wrote on it a little poem called 'St. Agnes' Eve,' which you will have as it is, when I have finished the blank part of the rest for you." Lord Houghton says the poem "was begun on a visit in Hampshire, at the commencement of this year [1819], and finished on his return to Hampstead."

(stanza II.): Leigh Hunt says "The germ of the thought, or something like it, is in Dante, where he speaks of the figures that perform the part of sustaining columns in architecture. Keats had read Dante in Mr. Carey's translation, for which he had a great respect. He began to read him afterwards in Italian, which language he was mastering with surprising quickness.

(stanza XV): Hunt's comment is as follows: "He almost shed tears - of sympathy, to think how his treasure is exposed to the cold - and of delight and pride to think of her sleeping beauty, and her love for himself. THis passage 'asleep in lap of legends old' is in the highest imaginative taste, fusing together the imaginative and the spiritual, the remote and the near."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Eve Of St. Agnes
,
1374:The Kalevala - Rune L
MARIATTA--WAINAMOINEN'S DEPARTURE.
Mariatta, child of beauty,
Grew to maidenhood in Northland,
In the cabin of her father,
In the chambers of her mother,
Golden ringlets, silver girdles,
Worn against the keys paternal,
Glittering upon her bosom;
Wore away the father's threshold
With the long robes of her garments;
Wore away the painted rafters
With her beauteous silken ribbons;
Wore away the gilded pillars
With the touching of her fingers;
Wore away the birchen flooring
With the tramping of her fur-shoes.
Mariatta, child of beauty,
Magic maid of little stature,
Guarded well her sacred virtue,
Her sincerity and honor,
Fed upon the dainty whiting,
On the inner bark of birch-wood,
On the tender flesh of lambkins.
When she hastened in the evening
To her milking in the hurdles,
Spake in innocence as follows:
'Never will the snow-white virgin
Milk the kine of one unworthy!'
When she journeyed over snow-fields,
On the seat beside her father,
Spake in purity as follows:
'Not behind a steed unworthy
Will I ever ride the snow-sledge!'
Mariatta, child of beauty,
Lived a virgin with her mother,
As a maiden highly honored,
Lived in innocence and beauty,
68
Daily drove her flocks to pasture,
Walking with the gentle lambkins.
When the lambkins climbed the mountains,
When they gamboled on the hill-tops,
Stepped the virgin to the meadow,
Skipping through a grove of lindens,
At the calling of the cuckoo,
To the songster's golden measures.
Mariatta, child of beauty,
Looked about, intently listened,
Sat upon the berry-meadow
Sat awhile, and meditated
On a hillock by the forest,
And soliloquized as follows:
'Call to me, thou golden cuckoo,
Sing, thou sacred bird of Northland,
Sing, thou silver breasted songster,
Speak, thou strawberry of Ehstland,
Tell bow long must I unmarried,
As a shepherdess neglected,
Wander o'er these bills and mountains,
Through these flowery fens and fallows.
Tell me, cuckoo of the woodlands,
Sing to me how many summers
I must live without a husband,
As a shepherdess neglected!'
Mariatta, child of beauty,
Lived a shepherd-maid for ages,
As a virgin with her mother.
Wretched are the lives of shepherds,
Lives of maidens still more wretched,
Guarding flocks upon the mountains;
Serpents creep in bog and stubble,
On the greensward dart the lizards;
But it was no serpent singing,
Nor a sacred lizard calling,
It was but the mountain-berry
Calling to the lonely maiden:
'Come, O virgin, come and pluck me,
Come and take me to thy bosom,
Take me, tinsel-breasted virgin,
Take me, maiden, copper-belted,
69
Ere the slimy snail devours me,
Ere the black-worm feeds upon me.
Hundreds pass my way unmindful,
Thousands come within my hearing,
Berry-maidens swarm about me,
Children come in countless numbers,
None of these has come to gather,
Come to pluck this ruddy berry.'
Mariatta, child of beauty,
Listened to its gentle pleading,
Ran to pick the berry, calling,
With her fair and dainty fingers,.
Saw it smiling near the meadow,
Like a cranberry in feature,
Like a strawberry in flavor;
But be Virgin, Mariatta,
Could not pluck the woodland-stranger,
Thereupon she cut a charm-stick,
Downward pressed upon the berry,
When it rose as if by magic,
Rose above her shoes of ermine,
Then above her copper girdle,
Darted upward to her bosom,
Leaped upon the maiden's shoulder,
On her dimpled chin it rested,
On her lips it perched a moment,
Hastened to her tongue expectant
To and fro it rocked and lingered,
Thence it hastened on its journey,
Settled in the maiden's bosom.
Mariatta, child of beauty,
Thus became a bride impregnate,
Wedded to the mountain-berry;
Lingered in her room at morning,
Sat at midday in the darkness,
Hastened to her couch at evening.
Thus the watchful mother wonders:
'What has happened to our Mary,
To our virgin, Mariatta,
That she throws aside her girdle,
Shyly slips through hall and chamber,
Lingers in her room at morning,
70
Hastens to her couch at evening,
Sits at midday in the darkness?'
On the floor a babe was playing,
And the young child thus made answer:
'This has happened to our Mary,
To our virgin, Mariatta,
This misfortune to the maiden:
She has lingered by the meadows,
Played too long among the lambkins,
Tasted of the mountain-berry.'
Long the virgin watched and waited,
Anxiously the days she counted,
Waiting for the dawn of trouble.
Finally she asked her mother,
These the words of Mariatta:
'Faithful mother, fond and tender,
Mother whom I love and cherish,
Make for me a place befitting,
Where my troubles may be lessened,
And my heavy burdens lightened.'
This the answer of the mother:
'Woe to thee, thou Hisi-maiden,
Since thou art a bride unworthy,
Wedded only to dishonor!'
Mariatta, child of beauty,
Thus replied in truthful measures:
'I am not a maid of Hisi,
I am not a bride unworthy,
Am not wedded to dishonor;
As a shepherdess I wandered
With the lambkins to the glen-wood,
Wandered to the berry-mountain,
Where the strawberry had ripened;
Quick as thought I plucked the berry,
On my tongue I gently laid it,
To and fro it rocked and lingered,
Settled in my heaving bosom.
This the source of all my trouble,
Only cause of my dishonor!'
As the mother was relentless,
Asked the maiden of her father,
This the virgin-mother's pleading:
71
O my father, full of pity,
Source of both my good and evil,
Build for me a place befitting,
Where my troubles may be lessened,
And my heavy burdens lightened.'
This the answer of the father,
Of the father unforgiving:
'Go, thou evil child of Hisi,
Go, thou child of sin and sorrow,
Wedded only to dishonor,
To the Great Bear's rocky chamber,
To the stone-cave of the growler,
There to lessen all thy troubles,
There to cast thy heavy burdens!'
Mariatta, child of beauty,
Thus made answer to her father:
'I am not a child of Hisi,
I am not a bride unworthy,
Am not wedded to dishonor;
I shall bear a noble hero,
I shall bear a son immortal,
Who will rule among the mighty,
Rule the ancient Wainamoinen.'
Thereupon the virgin-mother
Wandered hither, wandered thither,
Seeking for a place befitting,
Seeking for a worthy birth-place
For her unborn son and hero;
Finally these words she uttered
'Piltti, thou my youngest maiden,
Trustiest of all my servants,
Seek a place within the village,
Ask it of the brook of Sara,
For the troubled Mariatta,
Child of sorrow and misfortune.'
Thereupon the little maiden,
Piltti, spake these words in answer:
'Whom shall I entreat for succor,
Who will lend me his assistance?
These the words of Mariatta:
'Go and ask it of Ruotus,
Where the reed-brook pours her waters.'
72
Thereupon the servant, Piltti,
Ever hopeful, ever willing,
Hastened to obey her mistress,
Needing not her exhortation;
Hastened like the rapid river,
Like the flying smoke of battle
To the cabin of Ruotus.
When she walked the hill-tops tottered,
When she ran the mountains trembled;
Shore-reeds danced upon the pasture,
Sandstones skipped about the heather
As the maiden, Piltti, hastened
To the dwelling of Ruotus.
At his table in his cabin
Sat Ruotus, eating, drinking,
In his simple coat of linen.
With his elbows on the table
Spake the wizard in amazement:
'Why hast thou, a maid of evil,
Come to see me in my cavern,
What the message thou art bringing?
Thereupon the servant, Piltti,
Gave this answer to the wizard:
'Seek I for a spot befitting,
Seek I for a worthy birth-place,
For an unborn child and hero;
Seek it near the Sara-streamlet,
Where the reed-brook pours her waters.
Came the wife of old Ruotus,
Walking with her arms akimbo,
Thus addressed the maiden, Piltti:
'Who is she that asks assistance,
Who the maiden thus dishonored,
What her name, and who her kindred?'
'I have come for Mariatta,
For the worthy virgin-mother.'
Spake the wife of old Ruotus,
Evil-minded, cruel-hearted:
'Occupied are all our chambers,
All our bath-rooms near the reed-brook;
in the mount of fire are couches,
is a stable in the forest,
73
For the flaming horse of Hisi;
In the stable is a manger
Fitting birth-place for the hero
From the wife of cold misfortune,
Worthy couch for Mariatta!'
Thereupon the servant, Piltti,
Hastened to her anxious mistress,
Spake these measures, much regretting.
'There is not a place befitting,
on the silver brook of Sara.
Spake the wife of old Ruotus:
'Occupied are all the chambers,
All the bath-rooms near the reed-brook;
In the mount of fire are couches,
Is a stable, in the forest,
For the flaming horse of Hisi;
In the stable is a manger,
Fitting birth-place for the hero
From the wife of cold misfortune,
Worthy couch for Mariatta.''
Thereupon the hapless maiden,
Mariatta, virgin-mother,
Fell to bitter tears and murmurs,
Spake these words in depths of sorrow:
'I, alas! must go an outcast,
Wander as a wretched hireling,
Like a servant in dishonor,
Hasten to the burning mountain,
To the stable in the forest,
Make my bed within a manger,
Near the flaming steed of Hisi!'
Quick the hapless virgin-mother,
Outcast from her father's dwelling,
Gathered up her flowing raiment,
Grasped a broom of birchen branches,
Hastened forth in pain and sorrow
To the stable in the woodlands,
On the heights of Tapio's mountains,
Spake these words in supplication:
'Come, I pray thee, my Creator,
Only friend in times of trouble,
Come to me and bring protection
74
To thy child, the virgin-mother,
To the maiden, Mariatta,
In this hour of sore affliction.
Come to me, benignant Ukko,
Come, thou only hope and refuge,
Lest thy guiltless child should perish,
Die the death of the unworthy!'
When the virgin, Mariatta,
Had arrived within the stable
Of the flaming horse of Hisi,
She addressed the steed as follows:
'Breathe, O sympathizing fire-horse,
Breathe on me, the virgin-mother,
Let thy heated breath give moisture,
Let thy pleasant warmth surround me,
Like the vapor of the morning;
Let this pure and helpless maiden
Find a refuge in thy manger!'
Thereupon the horse, in pity,
Breathed the moisture of his nostrils
On the body of the virgin,
Wrapped her in a cloud of vapor,
Gave her warmth and needed comforts,
Gave his aid to the afflicted,
To the virgin, Mariatta.
There the babe was born and cradled
Cradled in a woodland-manger,
Of the virgin, Mariatta,
Pure as pearly dews of morning,
Holy as the stars in heaven.
There the mother rocks her infant,
In his swaddling clothes she wraps him,
Lays him in her robes of linen;
Carefully the babe she nurtures,
Well she guards her much-beloved,
Guards her golden child of beauty,
Her beloved gem of silver.
But alas! the child has vanished,
Vanished while the mother slumbered.
Mariatta, lone and wretched,
Fell to weeping, broken-hearted,
Hastened off to seek her infant.
75
Everywhere the mother sought him,
Sought her golden child of beauty,
Her beloved gem of silver;
Sought him underneath the millstone,
In the sledge she sought him vainly,
Underneath the sieve she sought him,
Underneath the willow-basket,
Touched the trees, the grass she parted,
Long she sought her golden infant,
Sought him on the fir-tree-mountain,
In the vale, and hill, and heather;
Looks within the clumps of flowers,
Well examines every thicket,
Lifts the juniper and willow,
Lifts the branches of the alder.
Lo! a star has come to meet her,
And the star she thus beseeches-.
'O, thou guiding-star of Northland,
Star of hope, by God created,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?'
Thus the star of Northland answers:
'If I knew, I would not tell thee;
'Tis thy child that me created,
Set me here to watch at evening,
In the cold to shine forever,
Here to twinkle in the darkness.'
Comes the golden Moon to meet her,
And the Moon she thus beseeches:
'Golden Moon, by Ukko fashioned,
Hope and joy of Kalevala,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?
Speaks the golden Moon in answer:
'If I knew I would not tell thee;
'Tis thy child that me created,
Here to wander in the darkness,
All alone at eve to wander
On my cold and cheerless journey,
Sleeping only in the daylight,
76
Shining for the good of others.'
Thereupon the virgin-mother
Falls again to bitter weeping,
Hastens on through fen and forest,
Seeking for her babe departed.
Comes the silver Sun to meet her,
And the Sun she thus addresses:
'Silver Sun by Ukko fashioned,
Source of light and life to Northland,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?'
Wisely does the Sun make answer:
'Well I know thy babe's dominions,
Where thy holy child is sleeping,
Where Wainola's light lies hidden;
'Tis thy child that me created,
Made me king of earth and ether,
Made the Moon and Stars attend me,
Set me here to shine at midday,
Makes me shine in silver raiment,
Lets me sleep and rest at evening;
Yonder is thy golden infant,
There thy holy babe lies sleeping,
Hidden to his belt in water,
Hidden in the reeds and rushes.'
Mariatta, child of beauty,
Virgin-mother of the Northland,
Straightway seeks her babe in Swamp-land,
Finds him in the reeds and rushes;
Takes the young child on her bosom
To the dwelling of her father.
There the infant grew in beauty,
Gathered strength, and light, and wisdom,
All of Suomi saw and wondered.
No one knew what name to give him;
When the mother named him, Flower,
Others named him, Son-of-Sorrow.
When the virgin, Mariatta,
Sought the priesthood to baptize him,
Came an old man, Wirokannas,
With a cup of holy water,
77
Bringing to the babe his blessing;
And the gray-beard spake as follows:
'I shall not baptize a wizard,
Shall not bless a black-magician
With the drops of holy water;
Let the young child be examined,
Let us know that he is worthy,
Lest he prove the son of witchcraft.'
Thereupon old Wirokannas
Called the ancient Wainamoinen,
The eternal wisdom-singer,
To inspect the infant-wonder,
To report him good or evil.
Wainamoinen, old and faithful,
Carefully the child examined,
Gave this answer to his people:
'Since the child is but an outcast,
Born and cradled in a manger,
Since the berry is his father;
Let him lie upon the heather,
Let him sleep among the rushes,
Let him live upon the mountains;
Take the young child to the marshes,
Dash his head against the birch-tree.'
Then the child of Mariatta,
Only two weeks old, made answer:
'O, thou ancient Wainamoinen,
Son of Folly and Injustice,
Senseless hero of the Northland,
Falsely hast thou rendered judgment.
In thy years, for greater follies,
Greater sins and misdemeanors,
Thou wert not unjustly punished.
In thy former years of trouble,
When thou gavest thine own brother,
For thy selfish life a ransom,
Thus to save thee from destruction,
Then thou wert not sent to Swamp-land
To be murdered for thy follies.
In thy former years of sorrow,
When the beauteous Aino perished
In the deep and boundless blue-sea,
78
To escape thy persecutions,
Then thou wert not evil-treated,
Wert not banished by thy people.'
Thereupon old Wirokannas,
Of the wilderness the ruler,
Touched the child with holy water,
Crave the wonder-babe his blessing,
Gave him rights of royal heirship,
Free to live and grow a hero,
To become a mighty ruler,
King and Master of Karyala.
As the years passed Wainamoinen
Recognized his waning powers,
Empty-handed, heavy-hearted,
Sang his farewell song to Northland,
To the people of Wainola;
Sang himself a boat of copper,
Beautiful his bark of magic;
At the helm sat the magician,
Sat the ancient wisdom-singer.
Westward, westward, sailed the hero
O'er the blue-back of the waters,
Singing as he left Wainola,
This his plaintive song and echo:
'Suns may rise and set in Suomi,
Rise and set for generations,
When the North will learn my teachings,
Will recall my wisdom-sayings,
Hungry for the true religion.
Then will Suomi need my coming,
Watch for me at dawn of morning,
That I may bring back the Sampo,
Bring anew the harp of joyance,
Bring again the golden moonlight,
Bring again the silver sunshine,
Peace and plenty to the Northland.'
Thus the ancient Wainamoinen,
In his copper-banded vessel,
Left his tribe in Kalevala,
Sailing o'er the rolling billows,
Sailing through the azure vapors,
Sailing through the dusk of evening,
79
Sailing to the fiery sunset,
To the higher-landed regions,
To the lower verge of heaven;
Quickly gained the far horizon,
Gained the purple-colored harbor.
There his bark be firmly anchored,
Rested in his boat of copper;
But be left his harp of magic,
Left his songs and wisdom-sayings,
To the lasting joy of Suomi.
EPILOGUE.
Now I end my measured singing,
Bid my weary tongue keep silence,
Leave my songs to other singers.
Horses have their times of resting
After many hours of labor;
Even sickles will grow weary
When they have been long at reaping;
Waters seek a quiet haven
After running long in rivers;
Fire subsides and sinks in slumber
At the dawning of the morning
Therefore I should end my singing,
As my song is growing weary,
For the pleasure of the evening,
For the joy of morn arising.
Often I have heard it chanted,
Often heard the words repeated:
'Worthy cataracts and rivers
Never empty all their waters.'
Thus the wise and worthy singer
Sings not all his garnered wisdom;
Better leave unsung some sayings
Than to sing them out of season.
Thus beginning, and thus ending,
Do I roll up all my legends,
Roll them in a ball for safety,
In my memory arrange them,
In their narrow place of resting,
Lest the songs escape unheeded,
While the lock is still unopened,
While the teeth remain unparted,
80
And the weary tongue is silent.
Why should I sing other legends,
Chant them in the glen and forest,
Sing them on the hill and heather?
Cold and still my golden mother
Lies beneath the meadow, sleeping,
Hears my ancient songs no longer,
Cannot listen to my singing;
Only will the forest listen,
Sacred birches, sighing pine-trees,
Junipers endowed with kindness,
Alder-trees that love to bear me,
With the aspens and the willows.
When my loving mother left me,
Young was I, and low of stature;
Like the cuckoo of the forest,
Like the thrush upon the heather,
Like the lark I learned to twitter,
Learned to sing my simple measures,
Guided by a second mother,
Stern and cold, without affection;
Drove me helpless from my chamber
To the wind-side of her dwelling,
To the north-side of her cottage,
Where the chilling winds in mercy
Carried off the unprotected.
As a lark I learned to wander,
Wander as a lonely song-bird,
Through the forests and the fenlands
Quietly o'er hill and heather;
Walked in pain about the marshes,
Learned the songs of winds and waters,
Learned the music of the ocean,
And the echoes of the woodlands.
Many men that live to murmur,
Many women live to censure,
Many speak with evil motives;
Many they with wretched voices
Curse me for my wretched singing,
Blame my tongue for speaking wisdom,
Call my ancient songs unworthy,
Blame the songs and curse the singer.
81
Be not thus, my worthy people,
Blame me not for singing badly,
Unpretending as a minstrel.
I have never had the teaching,
Never lived with ancient heroes,
Never learned the tongues of strangers,
Never claimed to know much wisdom.
Others have had language-masters,
Nature was my only teacher,
Woods and waters my instructors.
Homeless, friendless, lone, and needy,
Save in childhood with my mother,
When beneath her painted rafters,
Where she twirled the flying spindle,
By the work-bench of my brother,
By the window of my sister,
In. the cabin of my father,
In my early days of childhood.
Be this as it may, my people,
This may point the way to others,
To the singers better gifted,
For the good of future ages,
For the coming generations,
For the rising folk of Suomi.
~ Elias Lönnrot,
1375:The Kalevala - Rune Iv
THE FATE OF AINO.
When the night had passed, the maiden,
Sister fair of Youkahainen,
Hastened early to the forest,
Birchen shoots for brooms to gather,
Went to gather birchen tassels;
Bound a bundle for her father,
Bound a birch-broom for her mother,
Silken tassels for her sister.
Straightway then she hastened homeward,
By a foot-path left the forest;
As she neared the woodland border,
Lo! the ancient Wainamoinen,
Quickly spying out the maiden,
As she left the birchen woodland,
Trimly dressed in costly raiment,
And the minstrel thus addressed her:
'Aino, beauty of the Northland,
Wear not, lovely maid, for others,
Only wear for me, sweet maiden,
Golden cross upon thy bosom,
Shining pearls upon thy shoulders;
Bind for me thine auburn tresses,
Wear for me thy golden braidlets.'
Thus the maiden quickly answered:
'Not for thee and not for others,
Hang I from my neck the crosslet,
Deck my hair with silken ribbons;
Need no more the many trinkets
Brought to me by ship or shallop;
Sooner wear the simplest raiment,
Feed upon the barley bread-crust,
Dwell forever with my mother
In the cabin with my father.'
Then she threw the gold cross from her,
Tore the jewels from her fingers,
Quickly loosed her shining necklace,
39
Quick untied her silken ribbons,
Cast them all away indignant
Into forest ferns and flowers.
Thereupon the maiden, Aino,
Hastened to her mother's cottage.
At the window sat her father
Whittling on an oaken ax-helve:
'Wherefore weepest, beauteous Aino,
Aino, my beloved daughter?
'Cause enough for weeping, father,
Good the reasons for my mourning,
This, the reason for my weeping,
This, the cause of all my sorrow:
From my breast I tore the crosslet,
From my belt, the clasp of copper,
From my waist, the belt of silver,
Golden was my pretty crosslet.'
Near the door-way sat her brother,
Carving out a birchen ox-bow:
'Why art weeping, lovely Aino,
Aino, my devoted sister?'
'Cause enough for weeping, brother,
Good the reasons for my mourning
Therefore come I as thou seest,
Rings no longer on my fingers,
On my neck no pretty necklace;
Golden were the rings thou gavest,
And the necklace, pearls and silver!'
On the threshold sat her sister,
Weaving her a golden girdle:
'Why art weeping, beauteous Aino,
Aino, my beloved sister?'
'Cause enough for weeping, sister,
Good the reasons for my sorrow:
Therefore come I as thou seest,
On my head no scarlet fillet,
In my hair no braids of silver,
On mine arms no purple ribbons,
Round my neck no shining necklace,
On my breast no golden crosslet,
In mine ears no golden ear-rings.'
Near the door-way of the dairy,
40
Skimming cream, sat Aino's mother.
'Why art weeping, lovely Aino,
Aino, my devoted daughter?'
Thus the sobbing maiden answered;
'Loving mother, all-forgiving,
Cause enough for this my weeping,
Good the reasons for my sorrow,
Therefore do I weep, dear mother:
I have been within the forest,
Brooms to bind and shoots to gather,
There to pluck some birchen tassels;
Bound a bundle for my father,
Bound a second for my mother,
Bound a third one for my brother,
For my sister silken tassels.
Straightway then I hastened homeward,
By a foot-path left the forest;
As I reached the woodland border
Spake Osmoinen from the cornfield,
Spake the ancient Wainamoinen:
'Wear not, beauteous maid, for others,
Only wear for me, sweet maiden,
On thy breast a golden crosslet,
Shining pearls upon thy shoulders,
Bind for me thine auburn tresses,
Weave for me thy silver braidlets.'
Then I threw the gold-cross from me,
Tore the jewels from my fingers,
Quickly loosed my shining necklace,
Quick untied my silken ribbons,
Cast them all away indignant,
Into forest ferns and flowers.
Then I thus addressed the singer:
'Not for thee and not for others,
Hang I from my neck the crosslet,
Deck my hair with silken ribbons;
Need no more the many trinkets,
Brought to me by ship and shallop;
Sooner wear the simplest raiment,
Feed upon the barley bread-crust,
Dwell forever with my mother
In the cabin with my father.''
41
Thus the gray-haired mother answered
Aino, her beloved daughter:
'Weep no more, my lovely maiden,
Waste no more of thy sweet young-life;
One year eat thou my sweet butter,
It will make thee strong and ruddy;
Eat another year fresh bacon,
It will make thee tall and queenly;
Eat a third year only dainties,
It will make thee fair and lovely.
Now make haste to yonder hill-top,
To the store-house on the mountain,
Open there the large compartment,
Thou will find it filled with boxes,
Chests and cases, trunks and boxes;
Open thou the box, the largest,
Lift away the gaudy cover,
Thou will find six golden girdles,
Seven rainbow-tinted dresses,
Woven by the Moon's fair daughters,
Fashioned by the Sun's sweet virgins.
In my young years once I wandered,
As a maiden on the mountains,
In the happy days of childhood,
Hunting berries in the coppice;
There by chance I heard the daughters
Of the Moon as they were weaving;
There I also heard the daughters
Of the Sun as they were spinning
On the red rims of the cloudlets,
O'er the blue edge of the forest,
On the border of the pine-wood,
On a high and distant mountain.
I approached them, drawing nearer,
Stole myself within their hearing,
Then began I to entreat them,
Thus besought them, gently pleading:
'Give thy silver, Moon's fair daughters,
To a poor, but worthy maiden;
Give thy gold, O Sun's sweet virgins,
To this maiden, young and needy.'
Thereupon the Moon's fair daughters
42
Gave me silver from their coffers;
And the Sun's sweet shining virgins
Gave me gold from their abundance,
Gold to deck my throbbing temples,
For my hair the shining silver.
Then I hastened joyful homeward,
Richly laden with my treasures,
Happy to my mother's cottage;
Wore them one day, than a second,
Then a third day also wore them,
Took the gold then from my temples,
From my hair I took the silver,
Careful laid them in their boxes,
Many seasons have they lain there,
Have not seen them since my childhood.
Deck thy brow with silken ribbon,
Trim with gold thy throbbing temples,
And thy neck with pearly necklace,
Hang the gold-cross on thy bosom,
Robe thyself in pure, white linen
Spun from flax of finest fiber;
Wear withal the richest short-frock,
Fasten it with golden girdle;
On thy feet, put silken stockings,
With the shoes of finest leather;
Deck thy hair with golden braidlets,
Bind it well with threads of silver;
Trim with rings thy fairy fingers,
And thy hands with dainty ruffles;
Come bedecked then to thy chamber,
Thus return to this thy household,
To the greeting of thy kindred,
To the joy of all that know thee,
Flushed thy cheeks as ruddy berries,
Coming as thy father's sunbeam,
Walking beautiful and queenly,
Far more beautiful than moonlight.'
Thus she spake to weeping Aino,
Thus the mother to her daughter;
But the maiden, little bearing,
Does not heed her mother's wishes;
Straightway hastens to the court-yard,
43
There to weep in bitter sorrow,
All alone to weep in anguish.
Waiting long the wailing Aino
Thus at last soliloquizes:
'Unto what can I now liken
Happy homes and joys of fortune?
Like the waters in the river,
Like the waves in yonder lakelet,
Like the crystal waters flowing.
Unto what, the biting sorrow
Of the child of cold misfortune?
Like the spirit of the sea-duck,
Like the icicle in winter,
Water in the well imprisoned.
Often roamed my mind in childhood,
When a maiden free and merry,
Happily through fen and fallow,
Gamboled on the meads with lambkins,
Lingered with the ferns and flowers,
Knowing neither pain nor trouble;
Now my mind is filled with sorrow,
Wanders though the bog and stubble,
Wanders weary through the brambles,
Roams throughout the dismal forest,
Till my life is filled with darkness,
And my spirit white with anguish.
Better had it been for Aino
Had she never seen the sunlight,
Or if born had died an infant,
Had not lived to be a maiden
In these days of sin and sorrow,
Underneath a star so luckless.
Better had it been for Aino,
Had she died upon the eighth day
After seven nights had vanished;
Needed then but little linen,
Needed but a little coffin,
And a grave of smallest measure;
Mother would have mourned a little,
Father too perhaps a trifle,
Sister would have wept the day through,
Brother might have shed a tear-drop,
44
Thus had ended all the mourning.'
Thus poor Aino wept and murmured,
Wept one day, and then a second,
Wept a third from morn till even,
When again her mother asked her:
'Why this weeping, fairest daughter,
Darling daughter, why this grieving?
Thus the tearful maiden answered:
Therefore do I weep and sorrow,
Wretched maiden all my life long,
Since poor Aino, thou hast given,
Since thy daughter thou hast promised
To the aged Wainamoinen,
Comfort to his years declining
Prop to stay him when he totters,
In the storm a roof above him,
In his home a cloak around him;
Better far if thou hadst sent me
Far below the salt-sea surges,
To become the whiting's sister,
And the friend of perch and salmon;
Better far to ride the billows,
Swim the sea-foam as a mermaid,
And the friend of nimble fishes,
Than to be an old man's solace,
Prop to stay him when be totters,
Hand to aid him when he trembles,
Arm to guide him when he falters,
Strength to give him when he weakens;
Better be the whiting's sister
And the friend of perch and salmon,
Than an old man's slave and darling.'
Ending thus she left her mother,
Straightway hastened to the mountain?
To the store-house on the summit,
Opened there the box the largest,
From the box six lids she lifted,
Found therein six golden girdles,
Silken dresses seven in number.
Choosing such as pleased her fancy,
She adorned herself as bidden,
Robed herself to look her fairest,
45
Gold upon her throbbing temples,
In her hair the shining silver,
On her shoulders purple ribbons,
Band of blue around her forehead,
Golden cross, and rings, and jewels,
Fitting ornaments to beauty.
Now she leaves her many treasures,
Leaves the store-house on the mountain,
Filled with gold and silver trinkets,
Wanders over field and meadow,
Over stone-fields waste and barren,
Wanders on through fen and forest,
Through the forest vast and cheerless,
Wanders hither, wanders thither,
Singing careless as she wanders,
This her mournful song and echo:
'Woe is me, my life hard-fated!
Woe to Aino, broken-hearted!
Torture racks my heart and temples,
Yet the sting would not be deeper,
Nor the pain and anguish greater,
If beneath this weight of sorrow,
In my saddened heart's dejection,
I should yield my life forever,
Now unhappy, I should perish!
Lo! the time has come for Aino
From this cruel world to hasten,
To the kingdom of Tuoni,
To the realm of the departed,
To the isle of the hereafter.
Weep no more for me, O Father,
Mother dear, withhold thy censure,
Lovely sister, dry thine eyelids,
Do not mourn me, dearest brother,
When I sink beneath the sea-foam,
Make my home in salmon-grottoes,
Make my bed in crystal waters,
Water-ferns my couch and pillow.'
All day long poor Aino wandered,
All the next day, sad and weary,
So the third from morn till evening,
Till the cruel night enwrapped her,
46
As she reached the sandy margin,
Reached the cold and dismal sea-shore,
Sat upon the rock of sorrow,
Sat alone in cold and darkness,
Listened only to the music
Of the winds and rolling billows,
Singing all the dirge of Aino.
All that night the weary maiden
Wept and wandered on the border
Through the sand and sea-washed pebbles.
As the day dawns, looking round her,
She beholds three water-maidens,
On a headland jutting seaward,
Water-maidens four in number,
Sitting on the wave-lashed ledges,
Swimming now upon the billows,
Now upon the rocks reposing.
Quick the weeping maiden, Aino,
Hastens there to join the mermaids,
Fairy maidens of the waters.
Weeping Aino, now disrobing,
Lays aside with care her garments,
Hangs her silk robes on the alders,
Drops her gold-cross on the sea-shore,
On the aspen hangs her ribbons,
On the rocks her silken stockings,
On the grass her shoes of deer-skin,
In the sand her shining necklace,
With her rings and other jewels.
Out at sea a goodly distance,
Stood a rock of rainbow colors,
Glittering in silver sunlight.
Toward it springs the hapless maiden,
Thither swims the lovely Aino,
Up the standing-stone has clambered,
Wishing there to rest a moment,
Rest upon the rock of beauty;
When upon a sudden swaying
To and fro among the billows,
With a crash and roar of waters
Falls the stone of many colors,
Falls upon the very bottom
47
Of the deep and boundless blue-sea.
With the stone of rainbow colors,
Falls the weeping maiden, Aino,
Clinging to its craggy edges,
Sinking far below the surface,
To the bottom of the blue-sea.
Thus the weeping maiden vanished.
Thus poor Aino sank and perished,
Singing as the stone descended,
Chanting thus as she departed:
Once to swim I sought the sea-side,
There to sport among the billows;
With the stone or many colors
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty son-bird. perished.
Never come a-fishing, father,
To the borders of these waters,
Never during all thy life-time,
As thou lovest daughter Aino.
'Mother dear, I sought the sea-side,
There to sport among the billows;
With the stone of many colors,
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty song-bird perished.
Never mix thy bread, dear mother,
With the blue-sea's foam and waters,
Never during all thy life-time,
As thou lovest daughter Aino.
Brother dear, I sought the sea-side,
There to sport among the billows;
With the stone of many colors
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty song-bird perished.
Never bring thy prancing war-horse,
Never bring thy royal racer,
Never bring thy steeds to water,
To the borders of the blue-sea,
Never during all thy life-time,
As thou lovest sister Aino.
48
'Sister dear, I sought the sea-side,
There to sport among the billows;
With the stone of many colors
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty song-bird perished.
Never come to lave thine eyelids
In this rolling wave and sea-foam,
Never during all thy life-time,
As thou lovest sister Aino.
All the waters in the blue-sea
Shall be blood of Aino's body;
All the fish that swim these waters
Shall be Aino's flesh forever;
All the willows on the sea-side
Shall be Aino's ribs hereafter;
All the sea-grass on the margin
Will have grown from Aino's tresses.'
Thus at last the maiden vanished,
Thus the lovely Aino perished.
Who will tell the cruel story,
Who will bear the evil tidings
To the cottage of her mother,
Once the home of lovely Aino?
Will the bear repeat the story,
Tell the tidings to her mother?
Nay, the bear must not be herald,
He would slay the herds of cattle.
Who then tell the cruel story,
Who will bear the evil tidings
To the cottage of her father,
Once the home of lovely Aino?
Shall the wolf repeat the story,
Tell the sad news to her father?
Nay, the wolf must not be herald,
He would eat the gentle lambkins.
Who then tell the cruel story,
Who will bear the evil tidings.
To the cottage of her sister?
'Will the fox repeat the story
Tell the tidings to her sister?
Nay, the fox must not be herald,
49
He would eat the ducks and chickens.
Who then tell the cruel story,
Who will bear the evil tidings
To the cottage of her brother,
Once the home of lovely Aino?
Shall the hare repeat the story,
Bear the sad news to her brother?
Yea, the hare shall be the herald,
Tell to all the cruel story.
Thus the harmless hare makes answer:
'I will bear the evil tidings
To the former home of Aino,
Tell the story to her kindred.'
Swiftly flew the long-eared herald,
Like the winds be hastened onward,
Galloped swift as flight of eagles;
Neck awry he bounded forward
Till he gained the wished-for cottage,
Once the home of lovely Aino.
Silent was the home, and vacant;
So he hastened to the bath-house,
Found therein a group of maidens,
Working each upon a birch-broom.
Sat the hare upon the threshold,
And the maidens thus addressed him:
'Hie e there, Long-legs, or we'll roast thee,
Hie there, Big-eye, or we'll stew thee,
Roast thee for our lady's breakfast,
Stew thee for our master's dinner,
Make of thee a meal for Aino,
And her brother, Youkahainen!
Better therefore thou shouldst gallop
To thy burrow in the mountains,
Than be roasted for our dinners.'
Then the haughty hare made answer,
Chanting thus the fate of Aino:
'Think ye not I journey hither,
To be roasted in the skillet,
To be stewed in yonder kettle
Let fell Lempo fill thy tables!
I have come with evil tidings,
Come to tell the cruel story
50
Of the flight and death of Aino,
Sister dear of Youkahainen.
With the stone of many colors
Sank poor Aino to the bottom
Of the deep and boundless waters,
Like a pretty song-bird perished;
Hung her ribbons on the aspen,
Left her gold-cross on the sea-shore,
Silken robes upon the alders,
On the rocks her silken stockings,
On the grass her shoes of deer-skin,
In the sand her shining necklace,
In the sand her rings and jewels;
In the waves, the lovely Aino,
Sleeping on the very bottom
Of the deep and boundless blue-sea,
In the caverns of the salmon,
There to be the whiting's sister
And the friend of nimble fishes.'
Sadly weeps the ancient mother
From her blue-eyes bitter tear-drops,
As in sad and wailing measures,
Broken-hearted thus she answers:
'Listen, all ye mothers, listen,
Learn from me a tale of wisdom:
Never urge unwilling daughters
From the dwellings of their fathers,
To the bridegrooms that they love not,
Not as I, inhuman mother,
Drove away my lovely Aino,
Fairest daughter of the Northland.'
Sadly weeps the gray-haired mother,
And the tears that fall are bitter,
Flowing down her wrinkled visage,
Till they trickle on her bosom;
Then across her heaving bosom,
Till they reach her garment's border;
Then adown her silken stockings,
Till they touch her shoes of deer-skin;
Then beneath her shoes of deer-skin,
Flowing on and flowing ever,
Part to earth as its possession,
51
Part to water as its portion.
As the tear-drops fall and mingle,
Form they streamlets three in number,
And their source, the mother's eyelids,
Streamlets formed from pearly tear-drops,
Flowing on like little rivers,
And each streamlet larger growing,
Soon becomes a rushing torrent
In each rushing, roaring torrent
There a cataract is foaming,
Foaming in the silver sunlight;
From the cataract's commotion
Rise three pillared rocks in grandeur;
From each rock, upon the summit,
Grow three hillocks clothed in verdure;
From each hillock, speckled birches,
Three in number, struggle skyward;
On the summit of each birch-tree
Sits a golden cuckoo calling,
And the three sing, all in concord:
'Love! O Love! the first one calleth;
Sings the second, Suitor! Suitor!
And the third one calls and echoes,
'Consolation! Consolation!'
He that 'Love! O Love!' is calling,
Calls three moons and calls unceasing,
For the love-rejecting maiden
Sleeping in the deep sea-castles.
He that 'Suitor! Suitor!' singeth,
Sings six moons and sings unceasing
For the suitor that forever
Sings and sues without a hearing.
He that sadly sings and echoes,
'Consolation! Consolation!'
Sings unceasing all his life long
For the broken-hearted mother
That must mourn and weep forever.
When the lone and wretched mother
Heard the sacred cuckoo singing,
Spake she thus, and sorely weeping:
'When I hear the cuckoo calling,
Then my heart is filled with sorrow;
52
Tears unlock my heavy eyelids,
Flow adown my, furrowed visage,
Tears as large as silver sea pearls;
Older grow my wearied elbows,
Weaker ply my aged fingers,
Wearily, in all its members,
Does my body shake in palsy,
When I hear the cuckoo singing,
Hear the sacred cuckoo calling.'
~ Elias Lönnrot,
1376:The Kalevala - Rune Xxix
THE ISLE OF REFUGE.
Lemminkainen, full of joyance,
Handsome hero, Kaukomieli,
Took provisions in abundance,
Fish and butter, bread and bacon,
Hastened to the Isle of Refuge,
Sailed away across the oceans,
Spake these measures on departing:
'Fare thee well, mine Island-dwelling,
I must sail to other borders,
To an island more protective,
Till the second summer passes;
Let the serpents keep the island,
Lynxes rest within the glen-wood,
Let the blue-moose roam the mountains,
Let the wild-geese cat the barley.
Fare thee well, my helpful mother!
When the warriors of the Northland,
From the dismal Sariola,
Come with swords, and spears, and cross-bows,
Asking for my head in vengeance,
Say that I have long departed,
Left my mother's Island-dwelling,
When the barley had been garnered.'
Then he launched his boat of copper,
Threw the vessel to the waters,
From the iron-banded rollers,
From the cylinders of oak-wood,
On the masts the sails he hoisted,
Spread the magic sails of linen,
In the stern the hero settled
And prepared to sail his vessel,
One hand resting on the rudder.
Then the sailor spake as follows,
These the words of Lemminkainen:
'Blow, ye winds, and drive me onward,
Blow ye steady, winds of heaven,
409
Toward the island in the ocean,
That my bark may fly in safety
To my father's place of refuge,
To the far and nameless island!'
Soon the winds arose as bidden,
Rocked the vessel o'er the billows,
O'er the blue-back of the waters,
O'er the vast expanse of ocean;
Blew two months and blew unceasing,
Blew a third month toward the island,
Toward his father's Isle of Refuge.
Sat some maidens on the seaside,
On the sandy beach of ocean,
Turned about in all directions,
Looking out upon the billows;
One was waiting for her brother,
And a second for her father,
And a third one, anxious, waited
For the, coming of her suitor;
There they spied young Lemminkainen,
There perceived the hero's vessel
Sailing o'er the bounding billows;
It was like a hanging cloudlet,
Hanging twixt the earth and heaven.
Thus the island-maidens wondered,
Thus they spake to one another:
'What this stranger on the ocean,
What is this upon the waters?
Art thou one of our sea-vessels?
Wert thou builded on this island?
Sail thou straightway to the harbor,
To the island-point of landing
That thy tribe may be discovered.'
Onward did the waves propel it,
Rocked his vessel o'er the billows,
Drove it to the magic island,
Safely landed Lemminkainen
On the sandy shore and harbor.
Spake he thus when he had landed,
These the words that Ahti uttered:
'Is there room upon this island,
Is there space within this harbor,
410
Where my bark may lie at anchor,
Where the sun may dry my vessel?'
This the answer of the virgins,
Dwellers on the Isle of Refuge:
'There is room within this harbor,
On this island, space abundant,
Where thy bark may lie at anchor,
Where the sun may dry thy vessel;
Lying ready are the rollers,
Cylinders adorned with copper;
If thou hadst a hundred vessels,
Shouldst thou come with boats a thousand,
We would give them room in welcome.'
Thereupon wild Lemminkainen
Rolled his vessel in the harbor,
On the cylinders of copper,
Spake these words when he had ended:
'Is there room upon this island,
Or a spot within these forests,
Where a hero may be hidden
From the coming din of battle,
From the play of spears and arrows?
Thus replied the Island-maidens:
'There are places on this island,
On these plains a spot befitting
Where to hide thyself in safety,
Hero-son of little valor.
Here are many, many castles,
Many courts upon this island;
Though there come a thousand heroes,
Though a thousand spearmen. follow,
Thou canst hide thyself in safety.'
Spake the hero, Lemminkainen:
'Is there room upon this island,
Where the birch-tree grows abundant,
Where this son may fell the forest,
And may cultivate the fallow? '
Answered thus the Island-maidens:
'There is not a spot befitting,
Not a place upon the island,
Where to rest thy wearied members,
Not the smallest patch of birch-wood,
411
Thou canst bring to cultivation.
All our fields have been divided,
All these woods have been apportioned,
Fields and forests have their owners.'
Lemminkainen asked this question,
These the words of Kaukomieli:
'Is there room upon this island,
Worthy spot in field or forest,
Where to Sing my songs of magic,
Chant my gathered store of wisdom,
Sing mine ancient songs and legends?'
Answered thus the Island-maidens:
'There is room upon this island,
Worthy place in these dominions,
Thou canst sing thy garnered wisdom,
Thou canst chant thine ancient legends,
Legends of the times primeval,
In the forest, in the castle,
On the island-plains and pastures.'
Then began the reckless minstrel
To intone his wizard-sayings;
Sang he alders to the waysides,
Sang the oaks upon the mountains,
On the oak-trees sang be branches,
On each branch he sang an acorn,
On the acorns, golden rollers,
On each roller, sang a cuckoo;
Then began the cuckoos, calling,
Gold from every throat came streaming,
Copper fell from every feather,
And each wing emitted silver,
Filled the isle with precious metals.
Sang again young Lemminkainen,
Conjured on, and sang, and chanted,
Sang to precious stones the sea-sands,
Sang the stones to pearls resplendent,
Robed the groves in iridescence,
Sang the island full of flowers,
Many-colored as the rainbow.
Sang again the magic minstrel,
In the court a well he conjured,
On the well a golden cover,
412
On the lid a silver dipper,
That the boys might drink the water,
That the maids might lave their eyelids.
On the plains he conjured lakelets,
Sang the duck upon the waters,
Golden-cheeked and silver-headed,
Sang the feet from shining copper;
And the Island-maidens wondered,
Stood entranced at Ahti's wisdom,
At the songs of Lemminkainen,
At the hero's magic power.
Spake the singer, Lemminkainen,
Handsome hero, Kaukomieli:
'I would sing a wondrous legend,
Sing in miracles of sweetness,
If within some hall or chamber,
I were seated at the table.
If I sing not in the castle,
In some spot by walls surrounded
Then I sing my songs to zephyrs,
Fling them to the fields and forests.'
Answered thus the Island-maidens:
'On this isle are castle-chambers,
Halls for use of magic singers,
Courts complete for chanting legends,
Where thy singing will be welcome,
Where thy songs will not be scattered
To the forests of the island,
Nor thy wisdom lost in ether.'
Straightway Lemminkainen journeyed
With the maidens to the castle;
There he sang and conjured pitchers
On the borders of the tables,
Sang and conjured golden goblets
Foaming with the beer of barley;
Sang he many well-filled vessels,
Bowls of honey-drink abundant,
Sweetest butter, toothsome biscuit,
Bacon, fish, and veal, and venison,
All the dainties of the Northland,
Wherewithal to still his hunger.
But the proud-heart, Lemminkainen,
413
Was not ready for the banquet,
Did not yet begin his feasting,
Waited for a knife of silver,
For a knife of golden handle;
Quick he sang the precious metals,
Sang a blade from purest silver,
To the blade a golden handle,
Straightway then began his feasting,
Quenched his thirst and stilled his hunger,
Charmed the maidens on the island.
Then the minstrel, Lemminkainen,
Roamed throughout the island-hamlets,
To the joy of all the virgins,
All the maids of braided tresses;
Wheresoe'er he turned his footsteps,
There appeared a maid to greet him;
When his hand was kindly offered,
There his band was kindly taken;
When he wandered out at evening,
Even in the darksome places,
There the maidens bade him welcome;
There was not an island-village
Where there were not seven castles,
In each castle seven daughters,
And the daughters stood in waiting,
Gave the hero joyful greetings,
Only one of all the maidens
Whom he did not greet with pleasure.
Thus the merry Lemminkainen
Spent three summers in the ocean,
Spent a merry time in refuge,
In the hamlets on the island,
To the pleasure of the maidens,
To the joy of all the daughters;
Only one was left neglected,
She a poor and graceless spinster,
On the isle's remotest border,
In the smallest of the hamlets.
'Then he thought about his journey
O'er the ocean to his mother,
To the cottage of his father.
There appeared the slighted spinster,
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To the Northland son departing,
Spake these words to Lemminkainen:
'O, thou handsome Kaukomieli,
Wisdom-bard, and magic singer,
Since this maiden thou hast slighted,
May the winds destroy thy vessel,
Dash thy bark to countless fragments
On the ocean-rocks and ledges!'
Lemminkainen's thoughts were homeward,
Did not heed the maiden's murmurs,
Did not rise before the dawning
Of the morning on the island,
To the pleasure of the maiden
Of the much-neglected hamlet.
Finally at close of evening,
He resolved to leave the island,
He resolved to waken early,
Long before the dawn of morning;
Long before the time appointed,
He arose that he might wander
Through the hamlets of the island,
Bid adieu to all the maidens,
On the morn of his departure.
As he wandered hither, thither,
Walking through the village path-ways
To the last of all the hamlets;
Saw he none of all the castle-,
Where three dwellings were not standing;
Saw he none of all the dwellings
Where three heroes were not watching;
Saw he none of all the heroes,
Who was not engaged in grinding
Swords, and spears, and battle-axes,
For the death of Lemminkainen.
And these words the hero uttered:
'Now alas! the Sun arises
From his couch within the ocean,
On the frailest of the heroes,
On the saddest child of Northland;
On my neck the cloak of Lempo
Might protect me from all evil,
Though a hundred foes assail me,
415
Though a thousand archers follow.'
Then he left the maids ungreeted,
Left his longing for the daughters
Of the nameless Isle of Refuge,
With his farewell-words unspoken,
Hastened toward the island-harbor,
Toward his magic bark at anchor;
But he found it burned to ashes,
Sweet revenge had fired his vessel,
Lighted by the slighted spinster.
Then he saw the dawn of evil,
Saw misfortune hanging over,
Saw destruction round about him.
Straightway he began rebuilding
Him a magic sailing-vessel,
New and wondrous, full of beauty;
But the hero needed timber,
Boards, and planks, and beams, and braces,
Found the smallest bit of lumber,
Found of boards but seven fragments,
Of a spool he found three pieces,
Found six pieces of the distaff;
With these fragments builds his vessel,
Builds a ship of magic virtue,
Builds the bark with secret knowledge,
Through the will of the magician;
Strikes one blow, and builds the first part,
Strikes a second, builds the centre,
Strikes a third with wondrous power,
And the vessel is completed.
Thereupon the ship he launches,
Sings the vessel to the ocean,
And these words the hero utters:
'Like a bubble swim these waters,
Like a flower ride the billows;
Loan me of thy magic feathers,
Three, O eagle, four, O raven,
For protection to my vessel,
Lest it flounder in the ocean!'
Now the sailor, Lemminkainen,
Seats himself upon the bottom
Of the vessel he has builded,
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Hastens on his journey homeward,
Head depressed and evil-humored,
Cap awry upon his forehead,
Mind dejected, heavy-hearted,
That he could not dwell forever
In the castles of the daughters
Of the nameless Isle of Refuge.
Spake the minstrel, Lemminkainen,
Handsome hero, Kaukomieli:
'Leave I must this merry island,
Leave her many joys and pleasures,
Leave her maids with braided tresses,
Leave her dances and her daughters,
To the joys of other heroes;
But I take this comfort with me:
All the maidens on the island,
Save the spinster who was slighted,
Will bemoan my loss for ages,
Will regret my quick departure;
They will miss me at the dances,
In the halls of mirth and joyance,
In the homes of merry maidens,
On my father's Isle of Refuge.'
Wept the maidens on the island,
Long lamenting, loudly calling
To the hero sailing homeward:
'Whither goest, Lemminkainen,
Why depart, thou best of heroes?
Dost thou leave from inattention,
Is there here a dearth of maidens,
Have our greetings been unworthy?'
Sang the magic Lemminkainen
To the maids as he was sailing,
This in answer to their calling:
'Leaving not for want of pleasure,
Do not go from dearth of women
Beautiful the island-maidens,
Countless as the sands their virtues.
This the reason of my going,
I am longing for my home-land,
Longing for my mother's cabins,
For the strawberries of Northland,
417
For the raspberries of Kalew,
For the maidens of my childhood,
For the children of my mother.'
Then the merry Lemminkainen
Bade farewell to all the island;
Winds arose and drove his vessel
On the blue-back of the ocean,
O'er the far-extending waters,
Toward the island of his mother.
On the shore were grouped the daughters
Of the magic Isle of Refuge,
On the rocks sat the forsaken,
Weeping stood the island-maidens,
Golden daughters, loud-lamenting.
Weep the maidens of the island
While the sail-yards greet their vision,
While the copper-beltings glisten;
Do not weep to lose the sail-yards,
Nor to lose the copper-beltings;
Weep they for the loss of Ahti,
For the fleeing Kaukomieli
Guiding the departing vessel.
Also weeps young Lemminkainen,
Sorely weeps, and loud-lamenting,
Weeps while he can see the island,
While the island hill-tops glisten;
Does not mourn the island-mountains,
Weeps he only for the maidens,
Left upon the Isle of Refuge.
Thereupon sailed Kaukomieli
On the blue-back of the ocean;
Sailed one day, and then a second,
But, alas! upon the third day,
There arose a mighty storm-wind,
And the sky was black with fury.
Blew the black winds from the north-west,
From the south-east came the whirlwind,
Tore away the ship's forecastle,
Tore away the vessel's rudder,
Dashed the wooden hull to pieces.
Thereupon wild Lemminkainen
Headlong fell upon the waters;
418
With his head he did the steering,
With his hands and feet, the rowing;
Swam whole days and nights unceasing,
Swam with hope and strength united,
Till at last appeared a cloudlet,
Growing cloudlet to the westward,
Changing to a promontory,
Into land within the ocean.
Swiftly to the shore swam Ahti,
Hastened to a magic castle,
Found therein a hostess baking,
And her daughters kneading barley,
And these words the hero uttered:
'O, thou hostess, filled with kindness,
Couldst thou know my pangs of hunger,
Couldst thou guess my name and station,
Thou wouldst hasten to the storehouse,
Bring me beer and foaming liquor,
Bring the best of thy provisions,
Bring me fish, and veal, and bacon,
Butter, bread, and honeyed biscuits,
Set for me a wholesome dinner,
Wherewithal to still my hunger,
Quench the thirst of Lemminkainen.
Days and nights have I been swimming,
Buffeting the waves of ocean,
Seemed as if the wind protected,
And the billows gave me shelter,'
Then the hostess, filled with kindness,
Hastened to the mountain storehouse,
Cut some butter, veal, and bacon,
Bread, and fish, and honeyed biscuit,
Brought the best of her provisions,
Brought the mead and beer of barley,
Set for him a toothsome dinner,
Wherewithal to still his hunger,
Quench the thirst of Lemminkainen.
When the hero's feast had ended,
Straightway was a magic vessel
Given by the kindly hostess
To the weary Kaukomieli,
Bark of beauty, new and hardy,
419
Wherewithal to aid the stranger
In his journey to his home-land,
To the cottage of his mother.
Quickly sailed wild Lemminkainen
On the blue-back of the ocean;
Sailed he days and nights unceasing,
Till at last he reached the borders
Of his own loved home and country;
There beheld he scenes familiar,
Saw the islands, capes, and rivers,
Saw his former shipping-stations,
Saw he many ancient landmarks,
Saw the mountains with their fir-trees,
Saw the pine-trees on the hill-tops,
Saw the willows in the lowlands;
Did not see his father's cottage,
Nor the dwellings of his mother.
Where a mansion once had risen,
There the alder-trees were growing,
Shrubs were growing on the homestead,
Junipers within the court-yard.
Spake the reckless Lemminkainen:
'In this glen I played and wandered,
On these stones I rocked for ages,
On this lawn I rolled and tumbled,
Frolicked on these woodland-borders,
When a child of little stature.
Where then is my mother's dwelling,
Where the castles of my father?
Fire, I fear, has found the hamlet,
And the winds dispersed the ashes.'
Then he fell to bitter weeping,
Wept one day and then a second,
Wept the third day without ceasing;
Did not mourn the ancient homestead,
Nor the dwellings of his father;
Wept he for his darling mother,
Wept he for the dear departed,
For the loved ones of the island.
Then he saw the bird of heaven,
Saw an eagle flying near him,
And he asked the bird this question:
420
'Mighty eagle, bird majestic,
Grant to me the information,
Where my mother may have wandered,
Whither I may go and find her!'
But the eagle knew but little,
Only knew that Ahti's people
Long ago together perished;
And the raven also answered
That his people had been scattered
By the, swords, and spears, and arrows,
Of his enemies from Pohya.
Spake the hero, Lemminkainen:
'Faithful mother, dear departed,
Thou who nursed me in my childhood,
Art thou dead and turned to ashes,
Didst thou perish for my follies,
O'er thy head are willows weeping,
Junipers above thy body,
Alders watching o'er thy slumbers?
This my punishment for evil,
This the recompense of folly!
Fool was I, a son unworthy,
That I measured swords in Northland
With the landlord of Pohyola,
To my tribe came fell destruction,
And the death of my dear mother,
Through my crimes and misdemeanors.'
Then the ministrel [sic] looked about him,
Anxious, looked in all directions,
And beheld some gentle foot-prints,
Saw a pathway lightly trodden
Where the heather had been beaten.
Quick as thought the path he followed,
Through the meadows, through the brambles,
O'er the hills, and through the valleys,
To a forest, vast and cheerless;
Travelled far and travelled farther,
Still a greater distance travelled,
To a dense and hidden glenwood,
In the middle of the island;
Found therein a sheltered cabin,
Found a small and darksome dwelling
421
Built between the rocky ledges,
In the midst of triple pine-trees;
And within he spied his mother,
Found his gray-haired mother weeping.
Lemminkainen loud rejoices,
Cries in tones of joyful greetings,
These the words that Ahti utters:
'Faithful mother, well-beloved,
Thou that gavest me existence,
Happy I, that thou art living,
That thou hast not yet departed
To the kingdom of Tuoni,
To the islands of the blessed,
I had thought that thou hadst perished,
Hadst been murdered by my foemen,
Hadst been slain with bows and arrows.
Heavy are mine eyes from weeping,
And my checks are white with sorrow,
Since I thought my mother slaughtered
For the sins I had committed!'
Lemminkainen's mother answered:
'Long, indeed, hast thou been absent,
Long, my son, hast thou been living
In thy father's Isle of Refuge,
Roaming on the secret island,
Living at the doors of strangers,
Living in a nameless country,
Refuge from the Northland foemen.'
Spake the, hero, Lemminkainen:
'Charming is that spot for living,
Beautiful the magic island,
Rainbow-colored was the forest,
Blue the glimmer of the meadows,
Silvered were, the pine-tree branches,
Golden were the heather-blossoms;
All the woodlands dripped with honey,
Eggs in every rock and crevice,
Honey flowed from birch and sorb-tree,
Milk in streams from fir and aspen,
Beer-foam dripping from the willows,
Charming there to live and linger,
All their edibles delicious.
422
This their only source of trouble:
Great the fear for all the maidens,
All the heroes filled with envy,
Feared the coming of the stranger;
Thought that all the island-maidens,
Thought that all the wives and daughters,
All the good, and all the evil,
Gave thy son too much attention;
Thought the stranger, Lemminkainen,
Saw the Island-maids too often;
Yet the virgins I avoided,
Shunned the good and shunned the evil,
Shunned the host of charming daughters,
As the black-wolf shuns the sheep-fold,
As the hawk neglects the chickens.'
~ Elias Lönnrot,
1377:Hero And Leander: The First Sestiad
On Hellespont, guilty of true-love's blood,
In view and opposite two cities stood,
Sea-borderers, disjoined by Neptune's might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offered as a dower his burning throne,
Where she should sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and bordered with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies.
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reached to the ground beneath.
Her veil was artificial flowers and leaves
Whose workmanship both man and beast deceives.
Many would praise the sweet smell as she passed,
When 'twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And, beat from thence, have lighted there again.
About her neck hung chains of pebblestone,
Which, lightened by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silvered used she,
And branched with blushing coral to the knee;
Where sparrows perched of hollow pearl and gold,
Such as the world would wonder to behold.
Those with sweet water oft her handmaid fills,
Which, as she went, would chirrup through the bills.
Some say for her the fairest Cupid pined
And looking in her face was strooken blind.
But this is true: so like was one the other,
17
As he imagined Hero was his mother.
And oftentimes into her bosom flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And, with still panting rocked, there took his rest.
So lovely fair was Hero, Venus' nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft.
Therefore, in sign her treasure suffered wrack,
Since Hero's time hath half the world been black.
Amorous Leander, beautiful and young,
(whose tragedy divine Musaeus sung,)
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allured the vent'rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wished his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe's wand;
Jove might have sipped out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpassed
The white of Pelop's shoulder. I could tell ye
How smooth his breast was and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back, but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods. Let it suffice
That my slack Muse sings of Leander's eyes,
Those orient cheeks and lips, exceeding his
That leaped into the water for a kiss
Of his own shadow and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen
Enamoured of his beauty had he been.
His presence made the rudest peasant melt
That in the vast uplandish country dwelt.
The barbarous Thracian soldier, moved with nought,
18
Was moved with him and for his favour sought.
Some swore he was a maid in man's attire,
For in his looks were all that men desire,
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
'Leander, thou art made for amorous play.
Why art thou not in love, and loved of all?
Though thou be fair, yet be not thine own thrall.'
The men of wealthy Sestos every year,
(For his sake whom their goddess held so dear,
Rose-cheeked Adonis) kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves.
Such as had none at all,
Came lovers home from this great festival.
For every street like to a firmament
Glistered with breathing stars who, where they went,
Frighted the melancholy earth which deemed
Eternal heaven to burn, for so it seemed,
As if another Phaeton had got
The guidance of the sun's rich chariot.
But far above the loveliest Hero shined
And stole away th' enchanted gazer's mind,
For like sea nymphs' enveigling Harmony,
So was her beauty to the standers by.
Nor that night-wandering, pale, and wat'ry star
(When yawning dragons draw her thirling car
From Latmus' mount up to the gloomy sky
Where, crowned with blazing light and majesty,
She proudly sits) more overrules the flood
Than she the hearts of those that near her stood.
Even as, when gaudy nymphs pursue the chase,
Wretched Ixion's shaggy footed race,
Incensed with savage heat, gallop amain
From steep pine-bearing mountains to the plain.
So ran the people forth to gaze upon her,
And all that viewed her were enamoured on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead strooken,
So at her presence all surprised and tooken,
19
Await the sentence of her scornful eyes.
He whom she favours lives, the other dies.
There might you see one sigh, another rage;
And some, (their violent passions to assuage)
Compile sharp satires, but alas too late,
For faithful love will never turn to hate.
And many seeing great princes were denied
Pin'd as they went, and thinking on her died.
On this feast day, O cursed day and hour,
Went Hero thorough Sestos from her tower
To Venus' temple, where unhappily
As after chanced, they did each other spy.
So fair a church as this had Venus none.
The walls were of discoloured jasper stone
Wherein was Proteus carved, and o'erhead
A lively vine of green sea agate spread,
Where by one hand lightheaded Bacchus hung,
And, with the other, wine from grapes out wrung.
Of crystal shining fair the pavement was.
The town of Sestos called it Venus' glass.
There might you see the gods in sundry shapes
Committing heady riots, incest, rapes.
For know, that underneath this radiant floor
Was Danae's statue in a brazen tower,
Jove slyly stealing from his sister's bed,
To dally with Idalian Ganymede,
And for his love Europa bellowing loud,
And tumbling with the Rainbow in a cloud;
Blood quaffing Mars heaving the iron net
Which limping Vulcan and his Cyclops set;
Love kindling fire to burn such towns as Troy;
Sylvanus weeping for the lovely boy
That now is turned into a cypress tree,
Under whose shade the wood gods love to be.
And in the midst a silver altar stood.
There Hero, sacrificing turtle's blood,
Vailed to the ground, vailing her eyelids close,
And modestly they opened as she rose.
Thence flew Love's arrow with the golden head,
And thus Leander was enamoured.
Stone still he stood, and evermore he gazed
Till with the fire that from his countenance blazed
20
Relenting Hero's gentle heart was strook.
Such force and virtue hath an amorous look.
It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin
We wish that one should lose, the other win.
And one especially do we affect
Of two gold ingots like in each respect.
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?
He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
'Were I the saint he worships, I would hear him; '
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid's day) .
And now begins Leander to display
Love's holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero's ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.
'Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
21
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus' altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love's mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love's seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
22
Or, if it could, down from th'enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature's sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling Hymen couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp's sake we allow;
Even so for men's impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is't of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana's name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
23
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad'st thou that heedless oath? '
'To Venus,' answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove's high court.
He thus replied: 'The rites
In which love's beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ'st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.'
Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
'Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love's sole enemy.
Then shall you most resemble Venus' nun,
When Venus' sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.'
These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero's looks yielded but her words made war.
24
Women are won when they begin to jar.
Thus, having swallowed Cupid's golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
'Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.'
With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: 'Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus' swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.' As she spake this, her tongue tripped,
For unawares 'come thither' from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
25
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful countenance,
Threatening a thousand deaths at every glance,
They answered Love, nor would vouchsafe so much
As one poor word, their hate to him was such.
Hearken a while and I will tell you why.
Heaven's winged herald, Jove-borne Mercury,
The selfsame day that he asleep had laid
Enchanted Argus, spied a country maid
Whose careless hair instead of pearl t'adorn it
Glistered with dew, as one that seemed to scorn it;
Her breath as fragrant as the morning rose,
Her mind pure, and her tongue untaught to gloze.
Yet proud she was (for lofty pride that dwells
In towered courts is oft in shepherds' cells.)
And too too well the fair vermilion knew,
And silver tincture of her cheeks, that drew
The love of every swain. On her this god
Enamoured was, and with his snaky rod
Did charm her nimble feet, and made her stay,
The while upon a hillock down he lay
And sweetly on his pipe began to play,
And with smooth speech her fancy to assay,
Till in his twining arms he locked her fast
And then he wooed with kisses; and at last,
As shepherds do, her on the ground he laid
And, tumbling in the grass, he often strayed
Beyond the bounds of shame, in being bold
To eye those parts which no eye should behold.
And, like an insolent commanding lover
Boasting his parentage, would needs discover
The way to new Elysium, but she,
Whose only dower was her chastity,
Having striv'n in vain was now about to cry
And crave the help of shepherds that were nigh.
Herewith he stayed his fury, and began
26
To give her leave to rise. Away she ran;
After went Mercury who used such cunning
As she, to hear his tale, left off her running.
Maids are not won by brutish force and might,
But speeches full of pleasure, and delight.
And, knowing Hermes courted her, was glad
That she such loveliness and beauty had
As could provoke his liking, yet was mute
And neither would deny nor grant his suit.
Still vowed he love. She, wanting no excuse
To feed him with delays, as women use,
Or thirsting after immortality, All women are ambitious naturally Imposed upon her lover such a task
As he ought not perform nor yet she ask.
A draught of flowing nectar she requested,
Wherewith the king of gods and men is feasted.
He, ready to accomplish what she willed,
Stole some from Hebe (Hebe Jove's cup filled)
And gave it to his simple rustic love.
Which being known (as what is hid from Jove?)
He inly stormed and waxed more furious
Than for the fire filched by Prometheus,
And thrusts him down from heaven. He, wandering here,
In mournful terms, with sad and heavy cheer,
Complained to Cupid. Cupid for his sake,
To be revenged on Jove did undertake.
And those on whom heaven, earth, and hell relies,
I mean the adamantine Destinies,
He wounds with love, and forced them equally
To dote upon deceitful Mercury.
They offered him the deadly fatal knife
That shears the slender threads of human life.
At his fair feathered feet the engines laid
Which th' earth from ugly Chaos' den upweighed.
These he regarded not but did entreat
That Jove, usurper of his father's seat,
Might presently be banished into hell,
And aged Saturn in Olympus dwell.
They granted what he craved, and once again
Saturn and Ops began their golden reign.
Murder, rape, war, lust, and treachery,
27
Were with Jove closed in Stygian empery.
But long this blessed time continued not.
As soon as he his wished purpose got
He reckless of his promise did despise
The love of th' everlasting Destinies.
They seeing it both love and him abhorred
And Jupiter unto his place restored.
And but that Learning in despite of Fate
Will mount aloft and enter heaven gate
And to the seat of Jove itself advance,
Hermes had slept in hell with Ignorance.
Yet as a punishment they added this,
That he and Poverty should always kiss.
And to this day is every scholar poor;
Gross gold from them runs headlong to the boor.
Likewise the angry Sisters thus deluded,
To venge themselves on Hermes, have concluded
That Midas' brood shall sit in honour's chair,
To which the Muses' sons are only heir;
And fruitful wits, that in aspiring are,
Shall discontent run into regions far;
And few great lords in virtuous deeds shall joy
But be surprised with every garish toy,
And still enrich the lofty servile clown,
Who with encroaching guile keeps learning down.
Then Muse not Cupid's suit no better sped,
Seeing in their loves the Fates were injured.
~ Christopher Marlowe,
1378:The Botanic Garden (Part Vii)
THE LOVES OF THE PLANTS.
CANTO III.
And now the Goddess founds her silver shell,
And shakes with deeper tones the inchanted dell;
Pale, round her grassy throne, bedew'd with tears,
Flit the thin forms of Sorrows, and of Fears;
Soft Sighs responsive whisper to the chords,
And Indignations half-unsheath their swords.
'Thrice round the grave CIRCÆA prints her tread,
And chaunts the numbers, which disturb the dead;
Shakes o'er the holy earth her sable plume,
Waves her dread wand, and strikes the echoing tomb!
-Pale shoot the stars across the troubled night,
The timorous moon withholds her conscious light;
Shrill scream the famish'd bats, and shivering owls,
And loud and long the dog of midnight howls!-Then yawns the bursting ground!- two imps obscene
Rise on broad wings, and hail the baleful queen;
Each with dire grin salutes the potent wand,
And leads the sorceress with his sooty hand;
Onward they glide, where sheds the sickly yew
O'er many a mouldering bone its nightly dew;
The ponderous portals of the church unbar,Hoarse on their hinge the ponderous portals jar;
As through the colour'd glass the moon-beam falls,
Huge shapeless spectres quiver on the walls;
Low murmurs creep along the hollow ground,
And to each step the pealing ailes resound;
By glimmering lamps, protecting saints among,
The shrines all tremble as they pass along,
O'er the still choir with hideous laugh they move,
(Fiends yell below, and angels weep above!)
Their impious march to God's high altar bend,
With feet impure the sacred steps ascend;
With wine unbless'd the holy chalice stain,
Assume the mitre, and the cope profane;
To heaven their eyes in mock devotion throw,
54
And to the cross with horrid mummery bow;
Adjure by mimic rites the powers above,
And plite alternate their Satanic love.
Avaunt, ye Vulgar! from her sacred groves
With maniac step the Pythian LAURA moves;
Full of the God her labouring bosom sighs,
Foam on her lips, and fury in her eyes,
Strong writhe her limbs, her wild dishevell'd hair
Starts from her laurel-wreath, and swims in air.While twenty Priests the gorgeous shrine surround
Cinctur'd with ephods, and with garlands crown'd,
Contending hosts and trembling nations wait
The firm immutable behests of Fate;
-She speaks in thunder from her golden throne
With words unwill'd , and wisdom not her own.
So on his NIGHTMARE through the evening fog
Flits the squab Fiend o'er fen, and lake, and bog;
Seeks some love-wilder'd Maid with sleep oppress'd,
Alights, and grinning fits upon her breast.
-Such as of late amid the murky sky
Was mark'd by FUSELI'S poetic eye;
Whose daring tints, with SHAKESPEAR'S happiest grace,
Gave to the airy phantom form and place.Back o'er her pillow sinks her blushing head,
Her snow-white limbs hang helpless from the bed;
While with quick sighs, and suffocative breath,
Her interrupted heart-pulse swims in death.
-Then shrieks of captured towns, and widows' tears,
Pale lovers stretch'd upon their blood-stain'd biers,
The headlong precipice that thwarts her flight,
The trackless desert, the cold starless night,
And stern-eye'd Murder with his knife behind,
In dread succession agonize her mind.
O'er her fair limbs convulsive tremors fleet,
Start in her hands, and struggle in her feet;
In vain to scream with quivering lips she tries,
And strains in palsy'd lids her tremulous eyes;
In vain she wills to run, fly, swim, walk, creep;
The WILL presides not in the bower of SLEEP.
-On her fair bosom sits the Demon-Ape
Erect, and balances his bloated shape;
Rolls in their marble orbs his Gorgon-eyes,
55
And drinks with leathern ears her tender cries.
Arm'd with her ivory beak, and talon-hands,
Descending FICA dives into the sands;
Chamber'd in earth with cold oblivion lies;
Nor heeds, ye Suitor-train , your amorous sighs;
Erewhile with renovated beauty blooms,
Mounts into air, and moves her leafy plumes.
-Where HAMPS and MANIFOLD, their cliffs among,
Each in his flinty channel winds along;
With lucid lines the dusky Moor divides,
Hurrying to intermix their sister tides.
Where still their silver-bosom'd Nymphs abhor,
The blood-smear'd mansion of gigantic THOR,-Erst, fires volcanic in the marble womb
Of cloud-wrapp'd WETTON raised the massy dome;
Rocks rear'd on rocks in huge disjointed piles
Form the tall turrets, and the lengthen'd ailes;
Broad ponderous piers sustain the roof, and wide
Branch the vast rain-bow ribs from side to side.
While from above descends in milky streams
One scanty pencil of illusive beams,
Suspended crags and gaping gulphs illumes,
And gilds the horrors of the deepen'd glooms.
-Here oft the Naiads, as they chanced to play
Near the dread Fane on THOR'S returning day,
Saw from red altars streams of guiltless blood
Stain their green reed-beds, and pollute their flood;
Heard dying babes in wicker prisons wail,
And shrieks of matrons thrill the affrighted Gale;
While from dark caves infernal Echoes mock,
And Fiends triumphant shout from every rock!
--So still the Nymphs emerging lift in air
Their snow-white shoulders and their azure hair;
Sail with sweet grace the dimpling streams along,
Listening the Shepherd's or the Miner's song;
But, when afar they view the giant-cave,
On timorous fins they circle on the wave,
With streaming eyes and throbbing hearts recoil,
Plunge their fair forms, and dive beneath the soil.Closed round their heads reluctant eddies sink,
And wider rings successive dash the brink.Three thousand steps in sparry clefts they stray,
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Or seek through sullen mines their gloomy way;
On beds of Lava sleep in coral cells,
Or sigh o'er jasper fish, and agate shells.
Till, where famed ILAM leads his boiling floods
Through flowery meadows and impending woods,
Pleased with light spring they leave the dreary night,
And 'mid circumfluent surges rise to light;
Shake their bright locks, the widening vale pursue,
Their sea-green mantles fringed with pearly dew;
In playful groups by towering THORP they move,
Bound o'er the foaming wears, and rush into the Dove.
With fierce distracted eye IMPATIENS stands,
Swells her pale cheeks, and brandishes her hands,
With rage and hate the astonish'd groves alarms,
And hurls her infants from her frantic arms.
-So when MEDÆA left her native soil
Unaw'd by danger, unsubdued by toil;
Her weeping sire and beckoning friends withstood,
And launch'd enamour'd on the boiling flood;
One ruddy boy her gentle lips caress'd,
And one fair girl was pillow'd on her breast;
While high in air the golden treasure burns,
And Love and Glory guide the prow by turns.
But, when Thessalia's inauspicious plain
Received the matron-heroine from the main;
While horns of triumph sound, and altars burn,
And shouting nations hail their Chief's return:
Aghaft, She saw new-deck'd the nuptial bed,
And proud CREUSA to the temple led;
Saw her in JASON'S mercenary arms
Deride her virtues, and insult her charms;
Saw her dear babes from fame and empire torn,
In foreign realms deserted and forlorn;
Her love rejected, and her vengeance braved,
By Him her beauties won, her virtues saved.With stern regard she eyed the traitor-king,
And felt, Ingratitude! thy keenest sting;
'Nor Heaven,' She cried, 'nor Earth, nor Hell can hold
'A Heart abandon'd to the thirst of Gold!'
Stamp'd with wild foot, and shook her horrent brow,
And call'd the furies from their dens below.
-Slow out of earth, before the festive crowds,
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On wheels of fire, amid a night of clouds,
Drawn by fierce fiends arose a magic car,
Received the Queen, and hovering flamed in air.As with raised hands the suppliant traitors kneel
And fear the vengeance they deserve to feel,
Thrice with parch'd lips her guiltless babes she press'd,
And thrice she clasp'd them to her tortur'd breast;
Awhile with white uplifted eyes she stood,
Then plung'd her trembling poniards in their blood.
'Go, kiss your sire! go, share the bridal mirth!'
She cry'd, and hurl'd their quivering limbs on earth.
Rebellowing thunders rock the marble towers,
And red-tongued lightnings shoot their arrowy showers;
Earth yawns!-the crashing ruin sinks!-o'er all
Death with black hands extends his mighty Pall;
Their mingling gore the Fiends of Vengeance quaff,
And Hell receives them with convulsive laugh.
Round the vex'd isles where fierce tornados roar,
Or tropic breezes sooth the sultry shore;
What time the eve her gauze pellucid spreads
O'er the dim flowers, and veils the misty meads;
Slow, o'er the twilight sands or leafy walks,
With gloomy dignity DICTAMNA stalks;
In sulphurous eddies round the weird dame
Plays the light gas, or kindles into flame.
If rests the traveller his weary head,
Grim MANCINELLA haunts the mossy bed,
Brews her black hebenon, and, stealing near,
Pours the curst venom in his tortured ear.Wide o'er the mad'ning throng URTICA flings
Her barbed shafts, and darts her poison'd stings.
And fell LOBELIA'S suffocating breath
Loads the dank pinion of the gale with death.With fear and hate they blast the affrighted groves,
Yet own with tender care their kindred Loves! So, where PALMIRA 'mid her wasted plains,
Her shatter'd aqueducts, and prostrate sanes,
(As the bright orb of breezy midnight pours
Long threads of silver through her gaping towers,
O'er mouldering tombs, and tottering columns gleams,
And frosts her deserts with diffusive beams),
Sad o'er the mighty wreck in silence bends,
58
Lifts her wet eyes, her tremulous hands extends.If from lone cliffs a bursting rill expands
Its transient course, and sinks into the sands;
O'er the moist rock the fell Hyæna prowls,
The Leopard hisses, and the Panther growls;
On quivering wing the famish'd Vulture screams,
Dips his dry beak, and sweeps the gushing streams;
With foamy jaws, beneath, and sanguine tongue,
Laps the lean Wolf, and pants, and runs along;
Stern stalks the Lion, on the rustling brinks
Hears the dread Snake, and trembles as he drinks;
Quick darts the scaly Monster o'er the plain,
Fold after fold, his undulating train;
And, bending o'er the lake his crested brow,
Starts at the Crocodile, that gapes below.
Where seas of glass with gay reflections smile
Round the green coasts of Java's palmy isle;
A spacious plain extends its upland scene,
Rocks rise on rocks, and fountains gush between;
Soft zephyrs blow, eternal summers reign,
And showers prolific bless the soil,-in vain!
-No spicy nutmeg scents the vernal gales,
Nor towering plaintain shades the mid-day vales;
No grassy mantle hides the sable hills,
No flowery chaplet crowns the trickling rills;
Nor tufted moss, nor leathery lichen creeps
In russet tapestry o'er the crumbling steeps.
-No step retreating, on the sand impress'd,
Invites the visit of a second guest;
No refluent fin the unpeopled stream divides,
No revolant pinion cleaves the airy tides;
Nor handed moles, nor beaked worms return,
That mining pass the irremeable bourn.Fierce in dread silence on the blasted heath
Fell UPAS sits, the HYDRA-TREE of death.
Lo! from one root, the envenom'd soil below,
A thousand vegetative serpents grow;
In shining rays the scaly monster spreads
O'er ten square leagues his far-diverging heads;
Or in one trunk entwists his tangled form,
Looks o'er the clouds, and hisses in the storm.
Steep'd in fell poison, as his sharp teeth part,
59
A thousand tongues in quick vibration dart;
Snatch the proud Eagle towering o'er the heath,
Or pounce the Lion, as he stalks beneath;
Or strew, as marshall'd hosts contend in vain,
With human skeletons the whiten'd plain.
-Chain'd at his root two scion-demons dwell,
Breathe the faint hiss, or try the shriller yell;
Rise, fluttering in the air on callow wings,
And aim at insect-prey their little stings.
So Time's strong arms with sweeping scythe erase
Art's cumberous works, and empires, from their base;
While each young Hour its sickle fine employs,
And crops the sweet buds of domestic joys!
With blushes bright as morn fair ORCHIS charms,
And lulls her infant in her fondling arms;
Soft play Affection round her bosom's throne,
And guards his life, forgetful of her own.
So wings the wounded Deer her headlong flight,
Pierced by some ambush'd archer of the night,
Shoots to the woodlands with her bounding fawn,
And drops of blood bedew the conscious lawn;
There hid in shades she shuns the cheerful day,
Hangs o'er her young, and weeps her life away.
So stood Eliza on the wood-crown'd height,
O'er Minden's plain, spectatress of the sight,
Sought with bold eye amid the bloody strife
Her dearer self, the partner of her life;
From hill to hill the rushing host pursued,
And view'd his banner, or believed she view'd.
Pleased with the distant roar, with quicker tread
Fast by his hand one lisping boy she led;
And one fair girl amid the loud alarm
Slept on her kerchief, cradled by her arm;
While round her brows bright beams of Honour dart,
And Love's warm eddies circle round her heart
-Near and more near the intrepid Beauty press'd,
Saw through the driving smoke his dancing crest,
Heard the exulting shout, 'they run! they run!'
'Great GOD!' she cried, 'He's safe! the battle's won!'
-A ball now hisses through the airy tides,
(Some Fury wing'd it, and some Demon guides!)
Parts the fine locks, her graceful head that deck,
60
Wounds her fair ear, and sinks into her neck;
The red stream, issuing from her azure veins,
Dyes her white veil, her ivory bosom stains.-'Ah me!' she cried, and, sinking on the ground,
Kiss'd her dear babes, regardless of the wound;
'Oh, cease not yet to beat, thou Vital Urn!
'Wait, gushing Life, oh, wait my Love's return!'Hoarse barks the wolf, the vulture screams from far!
'The angel, Pity, shuns the walks of war!-'Oh, spare ye War-hounds, spare their tender age!'On me, on me,' she cried, 'exhaust your rage!'Then with weak arms her weeping babes caress'd,
And sighing bid them in her blood-stain'd vest.
From tent to tent the impatient warrior flies,
Fear in his heart, and frenzy in his eyes;
Eliza's name along the camp he calls,
Eliza echoes through the canvas walls;
Quick through the murmuring gloom his footsteps tread,
O'er groaning heaps, the dying and the dead,
Vault o'er the plain, and in the tangled wood,
Lo! dead Eliza weltering in her blood!-Soon hears his listening son the welcome sounds,
With open arms and sparkling eyes he bounds:'Speak low,' he cries, and gives his little hand,
'Eliza sleeps upon the dew-cold sand;
'Poor weeping Babe with bloody fingers press'd,
'And tried with pouting lips her milkless breast;
'Alas! we both with cold and hunger quake'Why do you weep?-Mama will soon awake.'
-'She'll wake no more!' the hopeless mourner cried
Upturn'd his eyes, and clasp'd his hands, and sigh'd;
Stretch'd on the ground awhile entranc'd he lay,
And press'd warm kisses on the lifeless clay;
And then unsprung with wild convulsive start,
And all the Father kindled in his heart;
'Oh, Heavens!' he cried, 'my first rash vow forgive!
'These bind to earth, for these I pray to live!'Round his chill babes he wrapp'd his crimson vest,
And clasp'd them sobbing to his aching breast.
Two Harlot-Nymphs, the fair CUSCUTAS, please
With labour'd negligence, and studied ease;
In the meek garb of modest worth disguised,
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The eye averted, and the smile chastised,
With sly approach they spread their dangerous charms,
And round their victim wind their wiry arms.
So by Scamander when LAOCOON stood,
Where Troy's proud turrets glitter'd in the flood,
Raised high his arm, and with prophetic call
To shrinking realms announced her fatal fall;
Whirl'd his fierce spear with more than mortal force,
And pierced the thick ribs of the echoing horse;
Two Serpent-forms incumbent on the main,
Lashing the white waves with redundant train,
Arch'd their blue necks, and (hook their towering crests,
And plough'd their foamy way with speckled breasts;
Then darting fierce amid the affrighted throngs,
Roll'd their red eyes, and shot their forked tongues,-Two daring Youths to guard the hoary fire
Thwart their dread progress, and provoke their ire.
Round sire and sons the scaly monsters roll'd,
Ring above ring, in many a tangled fold,
Close and more close their writhing limbs surround,
And fix with foamy teeth the envenom'd wound.
-With brow upturn'd to heaven the holy Sage
In silent agony sustains their rage;
While each fond Youth, in vain, with piercing cries
Bends on the tortured Sire his dying eyes.
'Drink deep, sweet youths' seductive VITIS cries,
The maudlin tear-drop glittering in her eyes;
Green leaves and purple clusters crown her head,
And the tall Thyrsus stays her tottering tread.
- Five hapless swains with soft assuasive smiles
The harlot meshes in her deathful toils;
'Drink deep,' she carols, as she waves in air
The mantling goblet, 'and forget your care.'O'er the dread feast malignant Chemia scowls,
And mingles poison in the nectar'd bowls;
Fell Gout peeps grinning through the flimsy scene,
And bloated Dropsy pants behind unseen;
Wrapp'd in his robe white Lepra hides his stains,
And silent Frenzy writhing bites his chains.
So when PROMETHEUS braved the Thunderer's ire,
Stole from his blazing throne etherial fire,
And, lantern'd in his breast, from realms of day
62
Bore the bright treasure to his Man of clay;High on cold Caucasus by VULCAN bound,
The lean impatient Vulture fluttering round,
His writhing limbs in vain he twists and strains
To break or loose the adamantine chains.
The gluttonous bird, exulting in his pangs,
Tears his swoln liver with remorseless fangs.
The gentle CYCLAMEN with dewy eye
Breathes o'er her lifeless babe the parting sigh;
And, bending low to earth, with pious hands
Inhumes her dear Departed in the sands.
'Sweet Nursling! withering in thy tender hour,
'Oh, sleep,' She cries, 'and rise a fairer flower!'
-So when the Plague o'er London's gasping crowds
Shook her dank wing, and steer'd her murky clouds;
When o'er the friendless bier no rites were read,
No dirge slow-chanted, and no pall out-spread;
While Death and Night piled up the naked throng,
And Silence drove their ebon cars along;
Six lovely daughters, and their father, swept
To the throng'd grave CLEONE saw, and wept;
Her tender mind, with meek Religion fraught,
Drank all-resigned Affliction's bitter draught;
Alive and listening to the whisper'd groan
Of others' woes, unconscious of her own!One smiling boy, her last sweet hope, she warms
Hushed on her bosom, circled in her arms,Daughter of woe! ere morn, in vain caress'd,
Clung the cold Babe upon thy milkless breast,
With feeble cries thy last sad aid required,
Stretch'd its stiff limbs, and on thy lap expired!-Long with wide eye-lids on her Child she gazed,
And long to heaven their tearless orbs she raised;
Then with quick foot and throbbing heart she found
Where Chartreuse open'd deep his holy ground;
Bore her last treasure through the midnight gloom,
And kneeling dropp'd it in the mighty tomb;
'I follow next!' the frantic mourner said,
And living plunged amid the festering dead.
Where vast Ontario rolls his brineless tides,
And feeds the trackless forests on his sides,
Fair CASSIA trembling hears the howling woods,
63
And trusts her tawny children to the floods.Cinctured with gold while ten fond brothers stand,
And guard the beauty on her native land,
Soft breathes the gale, the current gently moves,
And bears to Norway's coasts her infant-loves.
-So the sad mother at the noon of night
From bloody Memphis stole her silent flight;
Wrapp'd her dear babe beneath her folded vest,
And clasp'd the treasure to her throbbing breast,
With soothing whispers hushed its feeble cry,
Pressed the soft kiss, and breathed the secret sigh.-With dauntless step she seeks the winding shore,
Hears unappall'd the glimmering torrents roar;
With Paper-flags a floating cradle weaves,
And hides the smiling boy in Lotus-leaves;
Gives her white bosom to his eager lips,
The salt tears mingling with the milk he sips;
Waits on the reed-crown'd brink with pious guile,
And trusts the scaly monsters of the Nile.-Erewhile majestic from his lone abode,
Embassador of Heaven, the Prophet trod;
Wrench'd the red Scourge from proud Oppression's hands,
And broke, curst Slavery! thy iron bands.
Hark! heard ye not that piercing cry,
Which shook the waves and rent the sky!E'en now, e'en now, on yonder Western shores
Weeps pale Despair, and writhing Anguish roars:
E'en now in Afric's groves with hideous yell
Fierce SLAVERY stalks, and slips the dogs of hell;
From vale to vale the gathering cries rebound,
And sable nations tremble at the sound!-YE BANDS OF SENATORS! whose suffrage sways
Britannia's realms, whom either Ind obeys;
Who right the injured, and reward the brave,
Stretch your strong arm, for ye have power to save!
Throned in the vaulted heart, his dread resort,
Inexorable CONSCIENCE holds his court;
With still small voice the plots of Guilt alarms,
Bares his mask'd brow, his lifted hand disarms;
But, wrapp'd in night with terrors all his own,
He speaks in thunder, when the deed is done.
Hear him ye Senates! hear this truth sublime,
64
'HE, WHO ALLOWS OPPRESSION, SHARES THE CRIME.'
No radiant pearl, which crested Fortune wears,
No gem, that twinkling hangs from Beauty's ears,
Not the bright stars, which Night's blue arch adorn,
Nor rising suns that gild the vernal morn,
Shine with such lustre as the tear, that breaks
For other's woe down Virtue's manly cheeks.'
Here ceased the MUSE, and dropp'd her tuneful shell,
Tumultuous woes her panting bosom swell,
O'er her flush'd cheek her gauzy veil she throws,
Folds her white arms, and bends her laurel'd brows;
For human guilt awhile the Goddess sighs,
And human sorrows dim celestial eyes.
~ Erasmus Darwin,
1379:Sir Orfeo
We often read and written find,
as learned men do us remind,
that lays that now the harpers sing
are wrought of many a marvellous thing.
Some are of weal, and some of woe,
and some do joy and gladness know;
in some are guile and treachery told,
in some the deeds that chanced of old;
some are of jests and ribaldry,
and some are tales of Faërie.
Of all the things that men may heed
'tis most of love they sing indeed.
In Britain all these lays are writ,
there issued first in rhyming fit,
concerning adventures in those days
whereof the Britons made their lays;
for when they heard men anywhere
tell of adventures that there were,
they took their harps in their delight
and made a lay and named it right.
Of adventures that did once befall
some can I tell you, but not all.
Listen now, lordings good and true,
and 'Orfeo' I will sing to you.
Sir Orfeo was a king of old,
in England lordship high did hold;
valour he had and hardihood,
a courteous king whose gifts were good.
His father from King Pluto came,
his mother from Juno, king of fame,
who once of old as gods were named
for mighty deeds they did and claimed.
Sir Orfeo, too, all things beyond
of harping's sweet delight was fond,
and sure were all good harpers there
of him to earn them honour fair;
624
himself he loved to touch the harp
and pluck the strings with fingers sharp.
He played so well, beneath the sun
a better harper was there none;
no man hath in this world been born
who would not, hearing him, have sworn
that as before him Orfeo played
to joy of Paradise he had strayed
and sound of harpers heavenly,
such joy was there and melody.
This king abode in Tracience,
a city proud of stout defence;
for Winchester, 'tis certain, then
as Tracience was known to men.
There dwelt his queen in fairest bliss,
whom men called Lady Heurodis,
of ladies then the one most fair
who ever flesh and blood did wear;
in her did grace and goodness dwell,
but none her loveliness can tell.
It so did chance in early May,
when glad and warm doth shine the day,
and gone are bitter winter showers,
and every field is filled with flowers,
on every branch the blossom blows,
in glory and in gladness grows,
the lady Heurodis, the queen,
two maidens fair to garden green
with her she took at drowsy tide
of noon to stroll by orchard-side,
to see the flowers there spread and spring
and hear the birds on branches sing.
There down in shade they sat all three
beneath a fair young grafted tree;
and soon it chanced the gentle queen
fell there asleep upon the green.
Her maidens durst her not awake,
but let her lie, her rest to take;
and so she slept, till midday soon
was passed, and come was afternoon.
625
Then suddenly they heard her wake,
and cry, and grievous clamour make;
she writhed with limb, her hands she wrung,
she tore her face till blood there sprung,
her raiment rich in pieces rent;
thus sudden out of mind she went.
Her maidens two then by her side
no longer durst with her abide,
but to the palace swiftly ran
and told there knight and squire and man
their green, it seemed, was sudden mad;
'Go and restrain her,' they them bade.
Both knights and ladies thither sped,
and more than sixty damsels fled;
to the orchard to the queen they went,
with arms to lift her down they bent,
and brought her to her bed at last,
and raving there they held her fast;
but ceaselessly she still would cry,
and ever strove to rise and fly.
When Orfeo heard these tidings sad,
more grief than ever in life he had;
and swiftly with ten knights he sped
to bower, and stood before her bed,
and looking on her ruefully,
'Dear life,' he said, 'what troubles thee,
who ever quiet hast been and sweet,
why dost thou now so shrilly greet?
Thy body that peerless white was born
is now by cruel nails all torn.
Alas! thy cheeks that were so red
are now as wan as thou wert dead;
thy fingers too, so small and slim,
are stained with blood, their hue is dim.
Alas! thy lovely eyes in woe
now stare on me as on a foe.
A! lady, mercy I implore.
These piteous cries, come, cry no more,
but tell me what thee grieves, and how,
and say what may thee comfort now.'
626
Then, lo! at last she lay there still,
and many bitter tears did spill,
and thus unto the king she spake:
'Alas! my lord, my heart will break.
Since first together came our life,
between us ne'er was wrath nor strife,
but I have ever so loved thee
as very life, and so thou me.
Yet now we must be torn in twain,
and go I must, for all thy pain.'
'Alas!' said he, 'then dark my doom.
Where wilt thou go, and go to whom?
But where thou goest, I come with thee,
and where I go, thou shalt with me.'
'Nay, nay, sir, words avail thee naught.
I will tell thee how this woe was wrought:
as I lay in the quiet noontide
and slept beneath our orchard-side,
there came two noble knights to me
arrayed in armour gallantly.
'We come,' they said, 'thee swift to bring
to meeting with our lord and king.'
Then answered I both bold and true
that dared I not, and would not do.
They spurred then back on swiftest steed;
then came their king himself with speed;
a hundred knights with him and more,
and damsels, too, were many a score,
all riding there on snow-white steeds,
and white as milk were all their weeds;
I saw not ever anywhere
a folk so peerless and so fair.
The king was crowned with crown of light,
not of red gold nor silver white,
but of one single gem 'twas hewn
that shone as bright as sun at noon.
And coming, straightway he me sought,
and would I or no, he up me caught,
and made me by him swiftly ride
627
upon a palfrey at his side;
and to his palace thus me brought,
a dwelling fair and wondrous wrought.
He castles showed me there and towers,
Water and wild, and woods, and flowers,
and pastures rich upon the plain;
and then he brought me home again,
and to our orchard he me led,
and then at parting this he said:
'See, lady, tomorrow thou must be
right here beneath this grafted tree,
and then beside us thou shalt ride,
and with us evermore abide.
If let or hindrance thou dost make,
where'er thou be, we shall thee take,
and all thy limbs shall rend and tear -no aid of man shall help thee there;
and even so, all rent and torn,
thou shalt away with us be borne.''
When all those tidings Orfeo heard,
then spake he many a bitter word:
'Alas! I had liever lose my life
than those thee thus, my queen and wife!'
He counsel find him help or plan.
On the morrow, when the noon drew near,
in arms did Orfeo appear,
and full ten hundred knights with him,
all stoutly armed, all stern and grim;
and with their queen now went that band
beneath the grafted tree to stand.
A serried rank on every side
they made, and vowed there to abide,
and die there sooner for her sake
than let men thence their lady take.
And yet from midst of that array
the queen was sudden snatched away;
by magic was she from them caught,
and none knew whither she was brought.
Then was there wailing, tears, and woe;
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the king did to his chamber go,
and oft he swooned on floor of stone,
and such lament he made and moan
that nigh his life then came to end;
and nothing could his grief amend.
His barons he summoned to his board,
each mighty earl and famous lord,
and when they all together came,
'My lords,' he said, 'I here do name
my steward high before you all
to keep my realm, whate'er befall,
to hold my place instead of me
and keep my lands where'er they be.
For now that I have lost my queen,
the fairest lady men have seen,
I wish not woman more to see.
Into the wilderness I will flee,
and there will live for evermore
with the wild beasts in forests hoar.
But when ye learn my days are spent,
then summon ye a parliament,
and choose ye there a king anew.
With all I have now deal ye true.'
Then weeping was there in the hall,
and great lament there made they all,
and hardly there might old or young
for weeping utter word with tongue.
They knelt them down in company,
and prayed, if so his will might be,
that never should he from them go.
'Have done!' said he. 'It must be so.'
Now all his kingdom he forsook.
Only a beggar's cloak he took;
he had no kirtle and no hood,
no shirt, nor other raiment good.
His harp yet bore he even so,
and barefoot from the gate did go;
no man might keep him on the way.
A me! the weeping woe that day,
629
when he that had been king with crown
went thus beggarly out of town!
Through wood and over moorland bleak
he now the wilderness doth seek,
and nothing finds to make him glad,
but ever liveth lone and sad.
He once had ermine worn and vair,
on bed had purple linen fair,
now on the heather hard doth lie,
in leaves is wrapped and grasses dry.
He once had castles owned and towers,
water and wild, and woods, and flowers,
now though it turn to frost or snow,
this king with moss his bed must strow.
He once had many a noble knight
before him kneeling, ladies bright,
now nought to please him doth he keep;
only wild serpents by him creep.
He that once had in plenty sweet
all dainties for his drink and meat,
now he must grub and dig all day,
with roots his hunger to allay.
In summer on wildwood fruit he feeds,
or berries poor to serve his needs;
in winter nothing can he find
save roots and herbs and bitter rind.
All his body was wasted thin
by hardship, and all cracked his skin.
A Lord! who can recount the woe
for ten long years that king did know?
His hair and beard all black and rank
down to his waist hung long and lank.
His harp wherein was his delight
in hollow tree he hid from sight;
when weather clear was in the land
his harp he took then in his hand
and harped thereon at his sweet will.
Through all the wood the sound did thrill,
and all the wild beasts that there are
in joy approached him from afar;
and all the birds that might be found
there perched on bough and bramble round
630
to hear his harping to the end,
such melodies he there did blend;
and when he laid his harp aside,
no bird or beast would near him bide.
There often by him would he see,
when noon was hot on leaf and tree,
the king of Faërie with his rout
came hunting in the woods about
with blowing far and crying dim,
and barking hounds that were with him;
yet never a beast they took nor slew,
and where they went he never knew.
At other times he would descry
a mighty host, it seemed, go by,
ten hundred knights all fair arrayed
with many a banner proud displayed.
Each face and mien was fierce and bold,
each knight a drawn sword there did hold,
and all were armed in harness fair
and marching on he knew not where.
Or a sight more strange would meet his eye:
knights and ladies came dancing by
in rich array and raiment meet,
softly stepping with skilful feet;
tabour and trumpet went along,
and marvellous minstrelsy and song.
And one fair day he at his side
saw sixty ladies on horses ride,
each fair and free as bird on spray,
and nnever a man with them that day.
There each on hand a falcon bore,
riding a-hawking by river-shore.
Those haunts with game in plenty teem,
cormorant, heron, and duck in stream;
there off the water fowl arise,
and every falcon them descries;
each falcon stooping slew his prey,
and Orfeo laughing loud did say:
'Behold, in faith, this sport is fair!
Fore Heaven, I will betake me there!
631
I once was wont to see such play.'
He rose and thither made his way,
and to a lady came with speed,
and looked at her, and took good heed,
and saw as sure as once in life
'twas Heurodis, his queen and wife.
Intent he gazed, and so did she,
but no word spake; no word said he.
For hardship that she saw him bear,
who had been royal, and high, and fair,
then from her eyes the tears there fell.
The other ladies marked it well,
and away they made her swiftly ride;
no longer might she near him bide.
'Alas!' said he, 'unhappy day!
Why will not now my death me slay?
Alas! unhappy man, ah why
may I not, seeing her, now die?
Alas! too long hath lasted life,
when I dare not with mine own wife
to speak a word, nor she with me.
Alas! my heart should break,' said he.
'And yet, fore Heaven, tide what betide,
and whithersoever these ladies ride,
that road I will follow they now fare;
for life or death no more I care.'
His beggar's cloak he on him flung,
his harp upon his back he hung;
with right good will his feet he sped,
for stock nor stone he stayed his tread.
Right into a rock the ladies rode,
and in behind he fearless strode.
He went into that rocky hill
a good three miles or more, until
he came into a country fair
as bright as sun in summer air.
Level and smooth it was and green,
and hill nor valley there was seen.
A castle he saw amid the land
princely and proud and lofty stand;
632
the outer wall around it laid
of shining crystal clear was made.
A hundred towers were raised about
with cunning wrought, embattled stout;
and from the moat each buttress bold
in arches sprang of rich red gold.
The vault was carven and adorned
with beasts and birds and figures horned;
within were halls and chambers wide
all made of jewels and gems of pride;
the poorest pillar to behold
was builded all of burnished gold.
And all that land was ever light,
for when it came to dusk of night
from precious stones there issued soon
a light as bright as sun at noon.
No man may tell nor think in thought
how rich the works that there were wrought;
indeed it seemed he gazed with eyes
on the proud court of Paradise.
The ladies to that castle passed.
Behind them Orfeo followed fast.
There knocked he loud upon the gate;
the porter came, and did not wait,
but asked him what might be his will.
'In faith, I have a minstrel's skill
with mirth and music, if he please,
thy lord to cheer, and him to ease.'
The porter swift did then unpin
the castle gates, and let him in.
Then he began to gaze about,
and saw within the walls a rout
of folk that were thither drawn below,
and mourned as dead, but were not so.
For some there stood who had no head,
and some no arms, nor feet; some bled
and through their bodies wounds were set,
and some were strangled as they ate,
and some lay raving, chained and bound,
and some in water had been drowned;
633
and some were withered in the fire,
and some on horse, in war's attire,
and wives there lay in their childbed,
and mad were some, and some were dead;
and passing many there lay beside
as though they slept at quiet noon-tide.
Thus in the world was each one caught
and thither by fairy magic brought.
There too he saw his own sweet wife,
Queen Heurodis, his joy and life,
asleep beneath a grafted tree:
by her attire he knew 'twas she.
When he had marked these marvels all,
he went before the king in hall,
and there a joyous sight did see,
a shining throne and canopy.
Their king and lord there held his seat
beside their lady fair and sweet.
Their crowns and clothes so brightly shone
that scarce his eyes might look thereon.
When he had marked this wondrous thing,
he knelt him down before the king:
'O lord,' said he, 'if it be thy will,
now shalt thou hear my minstrel's skill.'
The king replied: 'What man art thou
that hither darest venture now?
Not I nor any here with me
have ever sent to summon thee,
and since here first my reign began
I have never found so rash a man
that he to us would dare to wend,
unless I first for him should send.'
'My lord,' said he, 'I thee assure,
I am but a wandering minstrel poor;
and, sir, this custom use we all
at the house of many a lord to call,
and little though our welcome be,
to offer there our minstrelsy.'
Before the king upon the ground
634
he sat, and touched his harp to sound;
his harp he tuned as well he could,
glad notes began and music good,
and all who were in palace found
came unto him to hear the sound,
and lay before his very feet,
they thought his melody so sweet.
He played, and silent sat the king
for great delight in listening;
great joy this minstrelsy he deemed,
and joy to his noble queen it seemed.
At last when he his harping stayed,
this speech the king to him then made:
'Minstrel, thy music pleaseth me.
Come, ask of me whate'er it be,
and rich reward I will thee pay.
Come, speak, and prove now what I say!'
'Good sir,' he said, 'I beg of thee
that this thing thou wouldst give to me,
that very lady fair to see
who sleeps beneath the grafted tree.'
'Nay,' said the king, 'that would not do!
for thou art black, and rough, and lean,
and she is faultless, fair and clean.
A monstrous thing then would it be
to see her in thy company.'
'O sir,' he said, 'O gracious king,
but it would be a fouler thing
from mouth of thine to hear a lie.
Thy vow, sir, thou canst not deny,
Whate'er I asked, that should I gain,
and thou must needs thy word maintain.'
The king then said: 'Since that is so,
now take her hand in thine, and go;
I wish thee joy of her, my friend!'
He thanked him well, on knees did bend;
his wife he took then by the hand,
and departed swiftly from that land,
and from that country went in haste;
635
the way he came he now retraced.
Long was the road. The journey passed;
to Winchester he came at last,
his own beloved city free;
but no man knew that it was he.
Beyond the town's end yet to fare,
lest men them knew, he did not dare;
but in a beggar's narrow cot
a lowly lodging there he got
both for himself and for his wife,
as a minstrel poor of wandering life.
He asked for tidings in the land,
and who that kingdom held in hand;
the beggar poor him answered well
and told all things that there befell:
how fairies stole their queen away
ten years before, in time of May;
and how in exile went their king
in unknown countries wandering,
while still the steward rule did hold;
and many things beside he told.
Next day, when hour of noon was near,
he bade his wife await him here;
the beggar's rags he on him flung,
his harp upon his back he hung,
and went into the city's ways
for men to look and on him gaze.
Him earl and lord and baron bold,
lady and burgess, did behold.
'O look! O what a man!' they said,
'How long the hair hands from his head!
His beard is dangling to his knee!
He is gnarled and knotted like a tree!'
Then as he walked along the street
He chanced his steward there to meet,
and after him aloud cried he:
'Mercy, sir steward, have on me!
A harper I am from Heathenesse;
to thee I turn in my distress.'
636
The steward said: 'Come with me, come!
Of what I have thou shalt have some.
All harpers good I welcome make
For my dear lord Sir Orfeo's sake.'
The steward in castle sat at meat,
and many a lord there had his seat;
trumpeters, tabourers there played
harpers and fiddlers music made.
Many a melody made they all,
but Orfeo silent sat in hall
and listened. And when they all were still
he took his harp and tuned it shrill.
Then notes he harped more glad and clear
than ever a man hath heard with ear;
his music delighted all those men.
The steward looked and looked again;
the harp in hand at once he knew,
'Minstrel,' he said, 'come, tell me true,
whence came this harp to thee, and how?
I pray thee, tell me plainly now.'
'My lord,' said he, 'in lands unknown
I walked a wilderness alone,
and there I found in dale forlorn
a man by lions to pieces torn,
by wolves devoured with teeth so sharp;
by him I found this very harp,
and that is full ten years ago.'
'Ah!' said the steward, 'news of woe!
'Twas Orfeo, my master true.
Alas! poor wretch, what shall I do,
who must so dear a master mourn?
A! woe is me that I was born,
for him so hard a fate designed,
a death so vile that he should find!'
Then on the ground he fell in swoon;
his barons stooping raised him soon
and bade him think how all must end for death of man no man can mend.
King Orfeo now had proved and knew
637
his steward was both loyal and true,
and loved him as he duly should.
'Lo!' then he cried, and up he stood,
'Steward, now to my words give ear!
If thy king, Orfeo, were here,
and had in wilderness full long
suffered great hardship sore and strong,
had won his queen by his own hand
out of the deeps of fairy land,
and led at last his lady dear
right hither to the town's end near,
and lodged her in a beggar's cot;
if I were he, whom ye knew not,
thus come among you, poor and ill,
in secret to prove thy faith and will,
if then I thee had found so true,
thy loyalty never shouldst thou rue:
nay, certainly, tide what betide,
thou shouldst be king when Orfeo died.
Hadst thou rejoiced to hear my fate,
I would have thrust thee from the gate.'
Then clearly knew they in the hall
that Orfeo stood before them all.
The steward understood at last;
in his haste the table down he cast
and flung himself before his feet,
and each lord likewise left his seat,
and this one cry they all let ring:
'Ye are our lord, sir, and our king!'
To know he lived so glad they were.
To his chamber soon they brought him there;
they bathed him and they shaved his beard,
and robed him, till royal he appeared;
and brought them in procession long
the queen to town with merry song,
with many a sound of minstrelsy.
A Lord! how great the melody!
For joy the tears were falling fast
of those who saw them safe at last.
Now was King Orfeo crowned anew,
638
and Heurodis his lady too;
and long they lived, till they were dead,
and king was the steward in their stead.
Harpers in Britain in aftertime
these marvels heard, and in their rhyme
a lay they made of fair delight,
and after the king it named aright,
'Orfeo' called it, as was meet:
good is the lay, the music sweet.
Thus came Sir Orfeo out of care.
God grant that well we all may fare!
~ Anonymous Olde English,
1380:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.

Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?

As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.

The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.

When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.

The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."

Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.

April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.

Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?

Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.

As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.

Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!

Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.

Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.

The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.

The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.

I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.

'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'

Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!

Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.

None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.

So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.

One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.

Who is the Bard thus magnified?
When did he sing, and where abide?

Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.

AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.

Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.

Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?

There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.

For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, May-Day
,
1381:From 'Omeros'
BOOK SIX
Chapter XLIV
In hill-towns, from San Fernando to Mayagüez,
the same sunrise stirred the feathered lances of cane
down the archipelago's highways. The first breeze
rattled the spears and their noise was like distant rain
marching down from the hills, like a shell at your ears.
In the cool asphalt Sundays of the Antilles
the light brought the bitter history of sugar
across the squared fields, heightening towards harvest,
to the bleached flags of the Indian diaspora.
The drizzling light blew across the savannah
darkening the racehorses' hides; mist slowly erased
the royal palms on the crests of the hills and the
hills themselves. The brown patches the horses had grazed
shone as wet as their hides. A skittish stallion
jerked at his bridle, marble-eyed at the thunder
muffling the hills, but the groom was drawing him in
like a fisherman, wrapping the slack line under
one fist, then with the other tightening the rein
and narrowing the circle. The sky cracked asunder
and a forked tree flashed, and suddenly that black rain
which can lose an entire archipelago
in broad daylight was pouring tin nails on the roof,
hammering the balcony. I closed the French window,
and thought of the horses in their stalls with one hoof
22
tilted, watching the ropes of rain. I lay in bed
with current gone from the bed-lamp and heard the roar
of wind shaking the windows, and I remembered
Achille on his own mattress and desperate Hector
trying to save his canoe, I thought of Helen
as my island lost in the haze, and I was sure
I'd never see her again. All of a sudden
the rain stopped and I heard the sluicing of water
down the guttering. I opened the window when
the sun came out. It replaced the tiny brooms
of palms on the ridges. On the red galvanized
roof of the paddock, the wet sparkled, then the grooms
led the horses over the new grass and exercised
them again, and there was a different brightness
in everything, in the leaves, in the horses' eyes.
II
I smelt the leaves threshing at the top of the year
in green January over the orange villas
and military barracks where the Plunketts were,
the harbour flecked by the wind that comes with Christmas,
edged with the Arctic, that was christened Vent Noël;
it stayed until March and, with luck, until Easter.
It freshened the cedars, waxed the laurier-cannelle,
and hid the African swift. I smelt the drizzle
on the asphalt leaving the Morne, it was the smell
of an iron on damp cloth; I heard the sizzle
of fried jackfish in oil with their coppery skin;
I smelt ham studded with cloves, the crusted accra,
the wax in the varnished parlour: Come in. Come in,
the arm of the Morris chair sticky with lacquer;
I saw a sail going out and a sail coming in,
23
and a breeze so fresh it lifted the lace curtains
like a petticoat, like a sail towards Ithaca;
I smelt a dead rivulet in the clogged drains.
III
Ah, twin-headed January, seeing either tense:
a past, they assured us, born in degradation,
and a present that lifted us up with the wind's
noise in the breadfruit leaves with such an elation
that it contradicts what is past! The cannonballs
of rotting breadfruit from the Battle of the Saints,
the asterisks of bulletholes in the brick walls
of the redoubt. I lived there with every sense.
I smelt with my eyes, I could see with my nostrils.
Chapter XLV
One side of the coast plunges its precipices
into the Atlantic. Turns require wide locks,
since the shoulder is sharp and the curve just misses
a long drop over the wind-bent trees and the rocks
between the trees. There is a wide view of Dennery,
with its stone church and raw ochre cliffs at whose base
the African breakers end. Across the flecked sea
whose combers veil and unveil the rocks with their lace
the next port is Dakar. The uninterrupted wind
thuds under the wings of frigates, you see them bent
from a force that has crossed the world, tilting to find
purchase in the sudden downdrafts of its current.
24
The breeze threshed the palms on the cool December road
where the Comet hurtled with empty leopard seats,
so fast a man on a donkey trying to read
its oncoming fiery sign heard only two thudding beats
from the up-tempo zouk that its stereo played
when it screeched round a bridge and began to ascend
away from the palm-fronds and their wickerwork shade
that left the windscreen clear as it locked round the bend,
where Hector suddenly saw the trotting piglet
and thought of Plunkett's warning as he heard it screel
with the same sound that the tires of the Comet
made rounding the curve from the sweat-greased steering wheel.
The rear wheels spin to a dead stop, like a helm.
The piglet trots down the safer side of the road.
Lodged in their broken branches the curled letters flame.
Hector had both hands on the wheel. His head was bowed
under the swaying statue of the Madonna
of the Rocks, her smile swayed under the blue hood,
and when her fluted robe stilled, the smile stayed on her
dimpled porcelain. She saw, in the bowed man, the calm
common oval of prayer, the head's usual angle
over the pew of the dashboard. Her lifted palm,
small as a doll's from its cerulean mantle,
indicated that he had prayed enough to the lace
of foam round the cliff's altar, that now, if he wished,
he could lift his head, but he stayed in the same place,
the way a man will remain when Mass is finished,
not unclenching his hands or freeing one to cross
forehead, heart, and shoulders swiftly and then kneel
facing the altar. He bowed in endless remorse,
for her mercy at what he had done to Achille,
his brother. But his arc was over, for the course
25
of every comet is such. The fated crescent
was printed on the road by the scorching tires.
A salt tear ran down the porcelain cheek and it went
in one slow drop to the clenched knuckle that still gripped
the wheel. On the flecked sea, the uninterrupted
wind herded the long African combers, and whipped
the small flag of the island on its silver spearhead.
II
Drivers leant over the rail. One seized my luggage
off the porter's cart. The rest burst into patois,
with gestures of despair at the lost privilege
of driving me, then turned to other customers.
In the evening pastures horses grazed, their hides wet
with light that shot its lances over the combers.
I had the transport all to myself.
"You all set?
Good. A good pal of mine died in that chariot
of his called the Comet."
He turned in the front seat,
spinning the air with his free hand. I sat, sprawled out
in the back, discouraging talk, with my crossed feet.
"You never know when, eh? I was at the airport
that day. I see him take off like a rocket.
I always said that thing have too much horsepower.
And so said, so done. The same hotel, chief, correct?"
I saw the coastal villages receding as
the highway's tongue translated bush into forest,
the wild savannah into moderate pastures,
that other life going in its "change for the best,"
its peace paralyzed in a postcard, a concrete
future ahead of it all, in the cinder-blocks
26
of hotel development with the obsolete
craft of the carpenter, as I sensed, in the neat
marinas, the fisherman's phantom. Old oarlocks
and rusting fretsaw. My craft required the same
crouching care, the same crabbed, natural devotion
of the hand that stencilled a flowered window-frame
or planed an elegant canoe; its time was gone
with the spirit in the wood, as wood grew obsolete
and plasterers smoothed the blank page of white concrete.
I watched the afternoon sea. Didn't I want the poor
to stay in the same light so that I could transfix
them in amber, the afterglow of an empire,
preferring a shed of palm-thatch with tilted sticks
to that blue bus-stop? Didn't I prefer a road
from which tracks climbed into the thickening syntax
of colonial travellers, the measured prose I read
as a schoolboy? That cove, with its brown shallows
there, Praslin? That heron? Had they waited for me
to develop my craft? Why hallow that pretence
of preserving what they left, the hypocrisy
of loving them from hotels, a biscuit-tin fence
smothered in love-vines, scenes to which I was attached
as blindly as Plunkett with his remorseful research?
Art is History's nostalgia, it prefers a thatched
roof to a concrete factory, and the huge church
above a bleached village. The gap between the driver
and me increased when he said:
"The place changing, eh?"
where an old rumshop had gone, but not that river
with its clogged shadows. That would make me a stranger.
"All to the good," he said. I said, "All to the good,"
27
then, "whoever they are," to myself. I caught his eyes
in the mirror. We were climbing out of Micoud.
Hadn't I made their poverty my paradise?
His back could have been Hector's, ferrying tourists
in the other direction home, the leopard seat
scratching their damp backs like the fur-covered armrests.
He had driven his burnt-out cargo, tired of sweat,
who longed for snow on the moon and didn't have to face
the heat of that sinking sun, who knew a climate
as monotonous as this one could only produce
from its unvarying vegetation flashes
of a primal insight like those red-pronged lilies
that shot from the verge, that their dried calabashes
of fake African masks for a fake Achilles
rattled with the seeds that came from other men's minds.
So let them think that. Who needed art in this place
where even the old women strode with stiff-backed spines,
and the fishermen had such adept thumbs, such grace
these people had, but what they envied most in them
was the calypso part, the Caribbean lilt
still in the shells of their ears, like the surf's rhythm,
until too much happiness was shadowed with guilt
like any Eden, and they sighed at the sign:
HEWANNORRA (Iounalao), the gold sea
flat as a credit-card, extending its line
to a beach that now looked just like everywhere else,
Greece or Hawaii. Now the goddamn souvenir
felt absurd, excessive. The painted gourds, the shells.
Their own faces as brown as gourds. Mine felt as strange
as those at the counter feeling their bodies change.
III
28
Change lay in our silence. We had come to that bend
where the trees are warped by wind, and the cliffs, raw,
shelve surely to foam.
"Is right here everything end,"
the driver said, and rammed open the transport door
on his side, then mine.
"Anyway, chief, the view nice."
I joined him at the gusting edge.
"His name was Hector."
The name was bent like the trees on the precipice
to point inland. In its echo a man-o'-war
screamed on the wind. The driver moved off for a piss,
then shouted over his shoulder:
"A road-warrior.
He would drive like a madman when the power took.
He had a nice woman. Maybe he died for her."
For her and tourism, I thought. The driver shook
himself, zipping then hoisting his crotch.
"Crazy, but
a gentle fellow anyway, with a very good brain."
Cut to a leopard galloping on a dry plain
across Serengeti. Cut to the spraying fans
drummed by a riderless stallion, its wild mane
scaring the Scamander. Cut to a woman's hands
clenched towards her mouth with no sound. Cut to the wheel
of a chariot's spiked hubcap. Cut to the face
of his muscling jaw, then flashback to Achille
hurling a red tin and a cutlass. Next, a vase
with a girl's hoarse whisper echoing "Omeros,"
as in a conch-shell. Cut to a shield of silver
rolling like a hubcap. Rewind, in slow motion,
myrmidons gathering by a village river
29
with lances for oars. Cut to the surpliced ocean
droning its missal. Cut. A crane hoisting a wreck.
A horse nosing the surf, then shuddering its neck.
He'd paid the penalty of giving up the sea
as graceless and as treacherous as it had seemed,
for the taxi-business; he was making money,
but all of that money was making him ashamed
of the long afternoons of shouting by the wharf
hustling passengers. He missed the uncertain sand
under his feet, he sighed for the trough of a wave,
and the jerk of the oar when it turned in his hand,
and the rose conch sunset with its low pelicans.
Castries was corrupting him with its roaring life,
its littered market, with too many transport vans
competing. Castries had been his common-law wife
who, like Helen, he had longed for from a distance,
and now he had both, but a frightening discontent
hollowed his face; to find that the sea was a love
he could never lose made every gesture violent:
ramming the side-door shut, raking the clutch. He drove
as if driven by furies, but furies paid the rent.
A man who cursed the sea had cursed his own mother.
Mer was both mother and sea. In his lost canoe
he had said his prayers. But now he was in another
kind of life that was changing him with his brand-new
stereo, its endless garages, where he could not
whip off his shirt, hearing the conch's summoning note.
Chapter XLVI
30
Hector was buried near the sea he had loved once.
Not too far from the shallows where he fought Achille
for a tin and Helen. He did not hear the sea-almond's
moan over the bay when Philoctete blew the shell,
nor the one drumbeat of a wave-thud, nor a sail
rattling to rest as its day's work was over,
and its mate, gauging depth, bent over the gunwale,
then wearily sounding the fathoms with an oar,
the same rite his shipmates would repeat soon enough
when it was their turn to lie quiet as Hector,
lowering a pitch-pine canoe in the earth's trough,
to sleep under the piled conchs, through every weather
on the violet-wreathed mound. Crouching for his friend to hear,
Achille whispered about their ancestral river,
and those things he would recognize when he got there,
his true home, forever and ever and ever,
forever, compère. Then Philoctete limped over
and rested his hand firmly on a shaking shoulder
to anchor his sorrow. Seven Seas and Helen
did not come nearer. Achille had carried an oar
to the church and propped it outside with the red tin.
Now his voice strengthened. He said: "Mate, this is your spear,"
and laid the oar slowly, the same way he had placed
the parallel oars in the hull of the gommier
the day the African swift and its shadow raced.
And this was the prayer that Achille could not utter:
"The spear that I give you, my friend, is only wood.
Vexation is past. I know how well you treat her.
You never know my admiration, when you stood
crossing the sun at the bow of the long canoe
with the plates of your chest like a shield; I would say
any enemy so was a compliment. 'Cause no
31
African ever hurled his wide seine at the bay
by which he was born with such beauty. You hear me? Men
did not know you like me. All right. Sleep good. Good night."
Achille moved Philoctete's hand, then he saw Helen
standing alone and veiled in the widowing light.
Then he reached down to the grave and lifted the tin
to her. Helen nodded. A wind blew out the sun.
II
Pride set in Helen's face after this, like a stone
bracketed with Hector's name; her lips were incised
by its dates in parenthesis. She seemed more stern,
more ennobled by distance as she slowly crossed
the hot street of the village like a distant sail
on the horizon. Grief heightened her. When she smiled
it was with such distance that it was hard to tell
if she had heard your condolence. It was the child,
Ma Kilman told them, that made her more beautiful.
III
The rites of the island were simplified by its elements,
which changed places. The grooved sea was Achille's garden,
the ridged plot of rattling plantains carried their sense
of the sea, and Philoctete, on his height, often heard, in
a wind that suddenly churned the rage of deep gorges,
the leafy sound of far breakers plunging with smoke,
and for smoke there were the bonfires which the sun catches
on the blue heights at sunrise, doing the same work
as Philoctete clearing his plot, just as, at sunset,
smoke came from the glowing rim of the horizon as if
from his enamel pot. The woodsmoke smelt of a regret
32
that men cannot name. On the charred field, the massive
sawn trunks burnt slowly like towers, and the great
indigo dusk slowly plumed down, devouring the still leaves,
igniting the firefly huts, lifting the panicky egret
to beat its lagoon and shelve in the cage of the mangroves,
take in the spars of its sails, then with quick-pricking head
anchor itself shiftingly, and lift its question again.
At night, the island reversed its elements, the heron
of a quarter-moon floated from Hector's grave, rain
rose upwards from the sea, and the corrugated iron
of the sea glittered with nailheads. Ragged
plantains bent and stepped with their rustling powers
over the furrows of Philoctete's garden, a chorus of aged
ancestors and straw, and, rustling, surrounded every house
in the village with its back garden, with its rank midden
of rusted chamber pots, rotting nets, and the moon's cold basin.
They sounded, when they shook, after the moonlit meridian
of their crossing, like the night-surf; they gazed in
silence at the shadows of their lamplit children.
At Philoctete, groaning and soaking the flower on his shin
with hot sulphur, cleaning its edges with yellow Vaseline,
and, gripping his knee, squeezing rags from the basin.
At night, when yards are asleep, and the broken line
of the surf hisses like Philo, "Bon Dieu, aie, waie, my sin
is this sore?" the old plantains suffer and shine.
Chapter XLVII
Islands of bay leaves in the medicinal bath
of a cauldron, a sibylline cure. The citron
33
sprig of a lime-tree dividing the sky in half
dipped its divining rod. The white spray of the thorn,
which the swift bends lightly, waited for a black hand
to break it in bits and boil its leaves for the wound
from the pronged anchor rusting in clean bottom-sand.
Ma Kilman, in a black hat with its berried fringe,
eased herself sideways down the broken concrete step
of the rumshop's back door, closed it, and rammed the hinge
tight. The bolt caught a finger and with that her instep
arch twisted and she let out a soft Catholic
curse, then crossed herself. She closed the gate. The asphalt
sweated with the heat, the limp breadfruit leaves were thick
over the fence. Her spectacles swam in their sweat.
She plucked an armpit. The damn wig was badly made.
She was going to five o'clock Mass, to la Messe,
and sometimes she had to straighten it as she prayed
until the wafer dissolved her with tenderness,
the way a raindrop melts on the tongue of a breeze.
In the church's cool cave the sweat dried from her eyes.
She rolled down the elastic bands below the knees
of her swollen stockings. It was then that their vise
round her calves reminded her of Philoctete. Then,
numbering her beads, she began her own litany
of berries, Hail Mary marigolds that stiffen
their aureoles in the heights, mild anemone
and clear watercress, the sacred heart of Jesus
pierced like the anthurium, the thorns of logwood,
called the tree of life, the aloe good for seizures,
the hole in the daisy's palm, with its drying blood
that was the hole in the fisherman's shin since he was
pierced by a hook; there was the pale, roadside tisane
34
of her malarial childhood. There was this one
for easing a birth-breach, that one for a love-bath,
before the buds of green sugar-apples in the sun
ripened like her nipples in girlhood. But what path
led through nettles to the cure, the furious sibyl
couldn't remember. Mimosa winced from her fingers,
shutting like jalousies at some passing evil
when she reached for them. The smell of incense lingers
in her clothes. Inside, the candle-flames are erect
round the bier of the altar while she and her friends
old-talk on the steps, but the plant keeps its secret
when her memory reaches, shuttering in its fronds.
II
The dew had not yet dried on the white-ribbed awnings
and the nodding palanquins of umbrella yams
where the dark grove had not heat but early mornings
of perpetual freshness, in which the bearded arms
of a cedar held council. Between its gnarled toes
grew the reek of an unknown weed; its pronged flower
sprang like a buried anchor; its windborne odours
diverted the bee from its pollen, but its power,
rooted in bitterness, drew her bowed head by the nose
as a spike does a circling bull. To approach it
Ma Kilman lowered her head to one side and screened
the stench with a cologned handkerchief. The mulch it
was rooted in carried the smell, when it gangrened,
of Philoctete's cut. In her black dress, her berried
black hat, she climbed a goat-path up from the village,
past the stones with dried palms and conchs, where the buried
suffer the sun all day Sunday, while goats forage
the new wreaths. Once more she pulled at the itch in her
35
armpits, nearly dropping her purse. Then she climbed hard
up the rain-cracked path, the bay closing behind her
like a wound, and rested. Everything that echoed
repeated its outline: a goat's doddering bleat,
a hammer multiplying a roof, and, through the back yards,
a mother cursing a boy too nimble to beat.
Ma Kilman picked up her purse and sighed on upwards
to the thread of the smell, one arm behind her back,
passing the cactus, the thorn trees, and then the wood
appeared over her, thick green, the green almost black
as her dress in its shade, its border of flowers
flecking the pasture with spray. Then she staggered back
from the line of ants at her feet. She saw the course
they had kept behind her, following her from church,
signalling a language she could not recognize.
III
A swift had carried the strong seed in its stomach
centuries ago from its antipodal shore,
skimming the sea-troughs, outdarting ospreys, her luck
held to its shadow. She aimed to carry the cure
that precedes every wound; the reversible Bight
of Benin was her bow, her target the ringed haze
of a circling horizon. The star-grains at night
made her hungrier; the leafless sea with no house
for her weariness. Sometimes she dozed in her flight
for a swift's second, closing the seeds of her stare,
then ruddering straight. The dry sea-flakes whitened her
breast, her feathers thinned. Then, one dawn the day-star
rose slowly from the wrong place and it frightened her
because all the breakers were blowing from the wrong
36
east. She saw the horned island and uncurled her claws
with one frail cry, since swifts are not given to song,
and fluttered down to a beach, ejecting the seed
in grass near the sand. She nestled in dry seaweed.
In a year she was bleached bone. All of that motion
a pile of fragile ash from the fire of her will,
but the vine grew its own wings, out of the ocean
it climbed like the ants, the ancestors of Achille,
the women carrying coals after the dark door
slid over the hold. As the weed grew in odour
so did its strength at the damp root of the cedar,
where the flower was anchored at the mottled root
as a lizard crawled upwards, foot by sallow foot.
~ Derek Walcott,
1382:The Kalevala - Rune Xxv
WAINAMOINEN'S WEDDING-SONGS.
At the home of Ilmarinen
Long had they been watching, waiting,
For the coming of the blacksmith,
With his bride from Sariola.
Weary were the eyes of watchers,
Waiting from the father's portals,
Looking from the mother's windows;
Weary were the young knees standing
At the gates of the magician;
Weary grew the feet of children,
Tramping to the walls and watching;
Worn and torn, the shoes of heroes,
Running on the shore to meet him.
Now at last upon a morning
Of a lovely day in winter,
Heard they from the woods the rumble
Of a snow-sledge swiftly bounding.
Lakko, hostess of Wainola,
She the lovely Kalew-daughter,
Spake these words in great excitement:
''Tis the sledge of the magician,
Comes at last the metal-worker
From the dismal Sariola,
By his side the Bride of Beauty!
Welcome, welcome, to this hamlet,
Welcome to thy mother's hearth-stone,
To the dwelling of thy father,
By thine ancestors erected!'
Straightway came great Ilmarinen
To his cottage drove the blacksmith,
To the fireside of his father,
To his mother's ancient dwelling.
Hazel-birds were sweetly singing
On the newly-bended collar;
Sweetly called the sacred cuckoos
From the summit of the break-board;
424
Merry, jumped the graceful squirrel
On the oaken shafts and cross-bar.
Lakko, Kalew's fairest hostess,
Beauteous daughter of Wainola,
Spake these words of hearty welcome:
'For the new moon hopes the village,
For the sun, the happy maidens,
For the boat, the swelling water;
I have not the moon expected,
For the sun have not been waiting,
I have waited for my hero,
Waited for the Bride of Beauty;
Watched at morning, watched at evening,
Did not know but some misfortune,
Some sad fate had overtaken
Bride and bridegroom on their journey;
Thought the maiden growing weary,
Weary of my son's attentions,
Since he faithfully had promised
To return to Kalevala,
Ere his foot-prints had departed
From the snow-fields of his father.
Every morn I looked and listened,
Constantly I thought and wondered
When his sledge would rumble homeward,
When it would return triumphant
To his home, renowned and ancient.
Had a blind and beggared straw-horse
Hobbled to these shores awaiting,
With a sledge of but two pieces,
Well the steed would have been lauded,
Had it brought my son beloved,
Had it brought the Bride of Beauty.
Thus I waited long, impatient,
Looking out from morn till even,
Watching with my head extended,
With my tresses streaming southward,
With my eyelids widely opened,
Waiting for my son's returning
To this modest home of heroes,
To this narrow place of resting.
Finally am I rewarded,
425
For the sledge has come triumphant,
Bringing home my son and hero,
By his side the Rainbow maiden,
Red her cheeks, her visage winsome,
Pride and joy of Sariola.
'Wizard-bridegroom of Wainola,
Take thy-courser to the stable,
Lead him to the well-filled manger,
To the best of grain and clover;
Give to us thy friendly greetings,
Greetings send to all thy people.
When thy greetings thou hast ended,
Then relate what has befallen
To our hero in his absence.
Hast thou gone without adventure
To the dark fields of Pohyola,
Searching for the Maid of Beauty?
Didst thou scale the hostile ramparts,
Didst thou take the virgin's mansion,
Passing o'er her mother's threshold,
Visiting the halls of Louhi?
'But I know without the asking,
See the answer to my question:
Comest from the North a victor,
On thy journey well contented;
Thou hast brought the Northland daughter,
Thou hast razed the hostile portals,
Thou hast stormed the forts of Louhi,
Stormed the mighty walls opposing,
On thy journey to Pohyola,
To the village of the father.
In thy care the bride is sitting,
In thine arms, the Rainbow-maiden,
At thy side, the pride of Northland,
Mated to the highly-gifted.
Who has told the cruel story,
Who the worst of news has scattered,
That thy suit was unsuccessful,
That in vain thy steed had journeyed?
Not in vain has been thy wooing,
Not in vain thy steed has travelled
To the dismal homes of Lapland;
426
He has journeyed heavy laden,
Shaken mane, and tail, and forelock,
Dripping foam from lips and nostrils,
Through the bringing of the maiden,
With the burden of the husband.
'Come, thou beauty, from the snow-sledge,
Come, descend thou from the cross-bench,
Do not linger for assistance,
Do not tarry to be carried;
If too young the one that lifts thee,
If too proud the one in waiting,
Rise thou, graceful, like a young bird,
Hither glide along the pathway,
On the tan-bark scarlet- colored,
That the herds of kine have evened,
That the gentle lambs have trodden,
Smoothened by the tails of horses.
Haste thou here with gentle footsteps,
Through the pathway smooth and tidy,
On the tiles of even surface,
On thy second father's court-yard,
To thy second mother's dwelling,
To thy brother's place of resting,
To thy sister's silent chambers.
Place thy foot within these portals,
Step across this waiting threshold,
Enter thou these halls of joyance,
Underneath these painted rafters,
Underneath this roof of ages.
During all the winter evenings,
Through the summer gone forever,
Sang the tiling made of ivory,
Wishing thou wouldst walk upon it;
Often sang the golden ceiling,
Hoping thou wouldst walk beneath it,
And the windows often whistled,
Asking thee to sit beside them;
Even on this merry morning,
Even on the recent evening,
Sat the aged at their windows,
On the sea-shore ran the children,
Near the walls the maidens waited,
427
Ran the boys upon the highway,
There to watch the young bride's coming,
Coming with her hero-husband.
'Hail, ye courtiers of Wainola,
With the heroes of the fathers,
Hail to thee, Wainola's hamlet,
Hail, ye halls with heroes peopled,
Hail, ye rooms with all your inmates,
Hail to thee, sweet golden moonlight,
Hail to thee, benignant Ukko,
Hail companions of the bridegroom!
Never has there been in Northland
Such a wedding-train of honor,
Never such a bride of beauty.
'Bridegroom, thou beloved hero,
Now untie the scarlet ribbons,
And remove the silken muffler,
Let us see the honey-maiden,
See the Daughter of the Rainbow.
Seven years hast thou been wooing,
Hast thou brought the maid affianced,
Wainamoinen's Wedding-Songs.
Hast thou sought a sweeter cuckoo,
Sought one fairer than the moonlight,
Sought a mermaid from the ocean?
But I know without the asking,
See the answer to my question:
Thou hast brought the sweet-voiced cuckoo,
Thou hast found the swan of beauty
Plucked the sweetest flower of Northland,
Culled the fairest of the jewels,
Gathered Pohya's sweetest berry!'
Sat a babe upon the matting,
And the young child spake as follows:
'Brother, what is this thou bringest,
Aspen-log or trunk of willow,
Slender as the mountain-linden?
Bridegroom, well dost thou remember,
Thou hast hoped it all thy life-time,
Hoped to bring the Maid of Beauty,
Thou a thousand times hast said it,
Better far than any other,
428
Not one like the croaking raven,
Nor the magpie from the border,
Nor the scarecrow from the corn-fields,
Nor the vulture from the desert.
What has this one done of credit,
In the summer that has ended?
Where the gloves that she has knitted,
Where the mittens she has woven?
Thou hast brought her empty-handed,
Not a gift she brings thy father;
In thy chests the nice are nesting,
Long-tails feeding on thy vestments,
And thy bride, cannot repair them.'
Lakko hostess of Wainola,
She the faithful Kalew-daughter,
Hears the young child's speech in wonder,
Speaks these words of disapproval:
Silly prattler, cease thy talking,
Thou Last spoken in dishonor;
Let all others be astonished,
Reap thy malice on thy kindred,
must not harm the Bride of Beauty,
Rainbow-daughter of the Northland.
False indeed is this thy Prattle,
All thy words are full or evil,
Fallen from thy tongue of mischief
From the lips of one unworthy.
Excellent the hero 's young bride,
Best of all in Sariola,
Like the, strawberry in summer,
Like the daisy from the meadow,
Like the cuckoo from the forest,
Like the bluebird from the aspen,
Like the redbreast from the heather,
Like the martin. from the linden;
Never couldst thou find in Ehstland
Such a virgin as this daughter,
Such a graceful beauteous maiden,
With such dignity of Carriage,
With such arms of pearly whiteness,
With. a neck so fair and lovely.
Neither is she empty-handed,
429
She has brought us furs abundant,
Brought us many silken garments,
Richest weavings of Pohyola.
Many beauteous things the maiden,
With the spindle has accomplished,
Spun and woven with her fingers
Dresses of the finest texture
She in winter has upfolded,
Bleached them in the days of spring-time,
Dried them at the hour of noon-day,
For our couches finest linen,
For our heads the softest pillows,
For our comfort woollen blankets,
For our necks the silken ribbons.'
To the bride speaks gracious Lakko:
'Goodly wife, thou Maid of Beauty,
Highly wert thou praised as daughter,
In thy father's distant country;
Here thou shalt be praised forever
By the kindred of thy husband;
Thou shalt never suffer sorrow,
Never give thy heart to grieving;
In the swamps thou wert not nurtured,
Wert not fed beside the brooklets;
Thou wert born 'neath stars auspicious,
Nurtured from the richest garners,
Thou wert taken to the brewing
Of the sweetest beer in Northland.
'Beauteous bride from Sariola,
Shouldst thou see me bringing hither
Casks of corn, or wheat, or barley;
Bringing rye in great abundance,
They belong to this thy household;
Good the plowing of thy husband.
Good his sowing and his reaping.
'Bride of Beauty from the Northland,
Thou wilt learn this home to manage,
Learn to labor with thy kindred;
Good the home for thee to dwell in,
Good enough for bride and daughter.
At thy hand will rest the milk-pail,
And the churn awaits thine order;
430
It is well here for the maiden,
Happy will the young bride labor,
Easy are the resting-benches;
Here the host is like thy father,
Like thy mother is the hostess,
All the sons are like thy brothers,
Like thy sisters are the daughters.
'Shouldst thou ever have a longing
For the whiting of the ocean,
For thy, father's Northland salmon,
For thy brother's hazel-chickens,
Ask them only of thy husband,
Let thy hero-husband bring them.
There is not in all of Northland,
Not a creature of the forest,
Not a bird beneath the ether,
Not a fish within the waters,
Not the largest, nor the smallests
That thy husband cannot capture.
It is well here for the maiden,
Here the bride may live in freedom,
Need not turn the heavy millstone,
Need not move the iron pestle;
Here the wheat is ground by water,
For the rye, the swifter current,
While the billows wash the vessels
And the surging waters rinse them.
Thou hast here a lovely village,
Finest spot in all of Northland,
In the lowlands sweet the verdure,
in the uplands, fields of beauty,
With the lake-shore near the hamlet,
Near thy home the running water,
Where the goslings swim and frolic,
Water-birds disport in numbers.'
Thereupon the bride and bridegroom
Were refreshed with richest viands,
Given food and drink abundant,
Fed on choicest bits of reindeer,
On the sweetest loaves of barley,
On the best of wheaten biscuits,
On the richest beer of Northland.
431
Many things were on the table,
Many dainties of Wainola,
In the bowls of scarlet color,
In the platters deftly painted,
Many cakes with honey sweetened,
To each guest was butter given,
Many bits of trout and whiting,
Larger salmon carved in slices,
With the knives of molten silver,
Rimmed with gold the silver handles,
Beer of barley ceaseless flowing,
Honey-drink that was not purchased,
In the cellar flows profusely,
Beer for all, the tongues to quicken,
Mead and beer the minds to freshen.
Who is there to lead the singing,
Lead the songs of Kalevala?
Wainamoinen, old and truthful,
The eternal, wise enchanter,
Quick begins his incantations,
Straightway sings the songs that follow.
'Golden brethren, dearest kindred,
Ye, my loved ones, wise and worthy
Ye companions, highly-gifted,
Listen to my simple sayings:
Rarely stand the geese together,
Sisters do not mate each other,
Not together stand the brothers,
Nor the children of one mother,
In the countries of the Northland.
'Shall we now begin the singing,
Sing the songs of old tradition?
Singers can but sing their wisdom,
And the cuckoo call the spring-time,
And the goddess of the heavens
Only dyes the earth in beauty;
So the goddesses of weaving
Can but weave from dawn till twilight,
Ever sing the youth of Lapland
In their straw-shoes full of gladness,
When the coarse-meat of the roebuck,
Or of blue-moose they have eaten.
432
Wherefore should I not be singing,
And the children not be chanting
Of the biscuits of Wainola,
Of the bread of Kalew-waters?
Even Sing the lads of Lapland
In their straw-shoes filled with joyance,
Drinking but a cup of water,
Eating but the bitter tan-bark.
Wherefore should I not be singing,
And the children not be chanting
Of the beer of Kalevala,
Brewed from barley in perfection,
Dressed in quaint and homely costume,
As they sit beside their hearth-stones.
Wherefore should I not be singing,
And the children too be chanting
Underneath these painted rafters,
In these halls renowned and ancient?
This the place for men to linger,
This the court-room for the maidens,
Near the foaming beer of barley,
Honey-brewed in great abundance,
Very near, the salmon-waters,
Near, the nets for trout and whiting,
Here where food is never wanting,
Where the beer is ever brewing.
Here Wainola's sons assemble,
Here Wainola's daughters gather,
Here they never eat in trouble,
Here they live without regretting,
In the life-time of the landlord,
While the hostess lives and prospers.
'Who shall first be sung and lauded?
Shall it be the bride or bridegroom?
Let us praise the bridegroom's father,
Let the hero-host be chanted,
Him whose home is in the forest,
Him who built upon the mountains,
Him who brought the trunks of lindens,
With their tops and slender branches,
Brought them to the best of places,
Joined them skilfully together,
433
For the mansion of the nation,
For this famous hero-dwelling,
Walls procured upon the lowlands,
Rafters from the pine and fir-tree,
From the woodlands beams of oak-wood,
From the berry-plains the studding,
Bark was furnished by the aspen,
And the mosses from the fenlands.
Trimly builded is this mansion,
In a haven warmly sheltered;
Here a hundred men have labored,
On the roof have stood a thousand,
As this spacious house was building,
As this roof was tightly jointed.
Here the ancient mansion-builder,
When these rafters were erected,
Lost in storms his locks of sable,
Scattered by the winds of heaven.
Often has the hero-landlord
On the rocks his gloves forgotten,
Left his hat upon the willows,
Lost his mittens in the marshes;
Oftentimes the mansion-builder,
In the early hours of morning,
Ere his workmen had awakened,
Unperceived by all the village,
Has arisen from his slumber,
Left his cabin the snow-fields,
Combed his locks among the branches,
Bathed his eyes in dews of morning.
'Thus obtained the pleasant landlord
Friends to fill his spacious dwelling,
Fill his benches with magicians,
Fill his windows with enchanters,
Fill his halls with wizard-singers,
Fill his floors with ancient speakers,
Fill his ancient court with strangers,
Fill his hurdles with the needy;
Thus the Kalew-host is lauded.
'Now I praise the genial hostess,
Who prepares the toothsome dinner,
Fills with plenty all her tables,
434
Bakes the honeyed loaves of barley,
Kneads the dough with magic fingers,
With her arms of strength and beauty,
Bakes her bread in copper ovens,
Feeds her guests and bids them welcome,
Feeds them on the toothsome bacon,
On the trout, and pike, and whiting,
On the rarest fish in ocean,
On the dainties of Wainola.
'Often has the faithful hostess
Risen from her couch in silence,
Ere the crowing of the watcher,
To prepare the wedding-banquet,
Make her tables look attractive.
Brew the honey-beer of wedlock.
Excellently has the housewife,
Has the hostess filled with wisdom,
Brewed the beer from hops and barley,
From the corn of Kalevala,
From the wheat-malt honey-seasoned,
Stirred the beer with graceful fingers,
At the oven in the penthouse,
In the chamber swept and polished.
Neither did the prudent hostess,
Beautiful, and full of wisdom,
Let the barley sprout too freely,
Lest the beer should taste of black-earth,
Be too bitter in the brewing,
Often went she to the garners,
Went alone at hour of midnight,
Was not frightened by the black-wolf,
Did not fear the beasts of woodlands.
'Now the hostess I have lauded,
Let me praise the favored suitor,
Now the honored hero-bridegroom,
Best of all the village-masters.
Clothed in purple is the hero,
Raiment brought from distant nations,
Tightly fitting to his body;
Snugly sets his coat of ermine,
To the floor it hangs in beauty,
Trailing from his neck and shoulders,
435
Little of his vest appearing,
Peeping through his outer raiment,
Woven by the Moon's fair daughters,
And his vestment silver-tinselled.
Dressed in neatness is the suitor,
Round his waist a belt of copper,
Hammered by the Sun's sweet maidens,
Ere the early fires were lighted,
Ere the fire had been discovered.
Dressed in richness is the bridegroom,
On his feet are silken stockings,
Silken ribbons on his ankles,
Gold and silver interwoven.
Dressed in beauty is the bridegroom,
On his feet are shoes of deer-skin,
Like the swans upon the water,
Like the blue-duck on the sea-waves,
Like the thrush among the willows,
Like the water-birds of Northland.
Well adorned the hero-suitor,
With his locks of golden color,
With his gold-beard finely braided,
Hero-hat upon his forehead,
Piercing through the forest branches,
Reaching to the clouds of heaven,
Bought with countless gold and silver,
Priceless is the suitor's head-gear.
'Now the bridegroom has been lauded,
I will praise the young bride's playmate,
Day-companion in her childhood,
In the maiden's magic mansion.
Whence was brought the merry maiden,
From the village of Tanikka?
Thence was never brought the playmate,
Playmate of the bride in childhood.
Has she come from distant nations,
From the waters of the Dwina,
O'er the ocean far-outstretching?
Not from Dwina came the maiden,
Did not sail across the waters;
Grew as berry in the mountains,
As a strawberry of sweetness,
436
On the fields the child of beauty,
In the glens the golden flower.
Thence has come the young bride's playmate,
Thence arose her fair companion.
Tiny are her feet and fingers,
Small her lips of scarlet color,
Like the maiden's loom of Suomi;
Eyes that shine in kindly beauty
Like the twinkling stars of heaven;
Beam the playmate's throbbing temples
Like the moonlight on the waters.
Trinkets has the bride's companion,
On her neck a golden necklace,
In her tresses, silken ribbons,
On her arms are golden bracelets,
Golden rings upon her fingers,
Pearls are set in golden ear-rings,
Loops of gold upon her temples,
And with pearls her brow is studded.
Northland thought the Moon was shining
When her jeweled ear-ringsglistened;
Thought the Sun had left his station
When her girdle shone in beauty;
Thought a ship was homeward sailing
When her colored head-gear fluttered.
Thus is praised the bride's companion,
Playmate of the Rainbow-maiden.
'Now I praise the friends assembled,
All appear in graceful manners;
If the old are wise and silent,
All the youth are free and merry,
All the guests are fair and worthy.
Never was there in Wainola,
Never will there be in Northland,
Such a company assembled;
All the children speak in joyance,
All the aged move sedately;
Dressed in white are all the maidens,
Like the hoar-frost of the morning,
Like the welcome dawn of spring-time,
Like the rising of the daylight.
Silver then was more abundant,
437
Gold among the guests in plenty,
On the hills were money, pockets,
Money-bags along the valleys,
For the friends that were invited,
For the guests in joy assembled.
All the friends have now been lauded,
Each has gained his meed of honor.'
Wainamoinen, old and truthful,
Song-deliverer of Northland,
Swung himself upon the fur-bench
Or his magic sledge of copper,
Straightway hastened to his hamlet,
Singing as he journeyed onward,
Singing charms and incantations,
Singing one day, then a second,
All the third day chanting legends.
On the rocks the runners rattled,
Hung the sledge upon a birch-stump,
Broke it into many pieces,
With the magic of his singing;
Double were the runners bended,
All the parts were torn asunder,
And his magic sledge was ruined.
Then the good, old Wainamoinen
Spake these words in meditation:
'Is there one among this number,
In this rising generation,
Or perchance among the aged,
In the passing generation,
That will go to Mana's kingdom,
To the empire of Tuoni,
There to get the magic auger
From the master of Manala,
That I may repair my snow-sledge,
Or a second sledge may fashion?'
What the younger people answered
Was the answer of the aged:
'Not among the youth of Northland,
Nor among the aged heroes,
Is there one of ample courage,
That has bravery sufficient,
To attempt the reckless journey
438
To the kingdom of Tuoni,
To Manala's fields and castles,
Thence to bring Tuoni's auger,
Wherewithal to mend thy snow-sledge,
Build anew thy sledge of magic.'
Thereupon old Wainamoinen,
The eternal wisdom-singer,
Went again to Mana's empire,
To the kingdom of Tuoni,
Crossed the sable stream of Deathland,
To the castles of Manala,
Found the auger of Tuoni,
Brought the instrument in safety.
Straightway sings old Wainamoinen,
Sings to life a purple forest,
In the forest, slender birches,
And beside them, mighty oak-trees,
Shapes them into shafts and runners,
Moulds them by his will and power,
Makes anew his sledge of magic.
On his steed he lays the harness,
Binds him to his sledge securely,
Seats himself upon the cross-bench,
And the racer gallops homeward,
To the manger filled and waiting,
To the stable of his master;
Brings the ancient Wainamoinen,
Famous bard and wise enchanter,
To the threshold of his dwelling,
To his home in Kalevala.
~ Elias Lönnrot,
1383:I.
I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II.
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

III.
O, weep for Adonais -he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend; -oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

IV.
Most musical of mourners, weep again!
Lament anew, Urania! -He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country's pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o'er earth; the third among the sons of light.

V.
Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame's serene abode.

VI.
But now, thy youngest, dearest one, has perished -
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies -the storm is overpast.

VII.
To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal. -Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

VIII.
He will awake no more, oh, never more! -
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o'er his sleep the mortal curtain draw.

IX.
O, weep for Adonais! -The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not, -
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne'er will gather strength, or find a home again.

X.
And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
"Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain."
Lost Angel of a ruined Paradise!
She knew not 'twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

XI.
One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

XII.
Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

XIII.
And others came Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp; -the moving pomp might seem
Like pageantry of mist on an autumnal stream.

XIV.
All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

XV.
Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman's horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds: -a drear
Murmur, between their songs, is all the woodmen hear.

XVI.
Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

XVII.
Thy spirit's sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun's domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

XVIII.
Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season's bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

XIX.
Through wood and stream and field and hill and Ocean
A quickening life from the Earth's heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life's sacred thirst;
Diffuse themselves; and spend in love's delight
The beauty and the joy of their renewed might.

XX.
The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning? -the intense atom glows
A moment, then is quenched in a most cold repose.

XXI.
Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

XXII.
He will awake no more, oh, never more!
"Wake thou," cried Misery, "childless Mother, rise
Out of thy sleep, and slake, in thy heart's core,
A wound more fierce than his with tears and sighs."
And all the Dreams that watched Urania's eyes,
And all the Echoes whom their sister's song
Had held in holy silence, cried: "Arise!"
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

XXIII.
She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

XXIV.
Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where'er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

XXV.
In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life's pale light
Flashed through those limbs, so late her dear delight.
"Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!" cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

XXVI.
"'Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

XXVII.
"O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life's waste had fled from thee like deer.

XXVIII.
"The herded wolves, bold only to pursue;
The obscene ravens, clamorous o'er the dead;
The vultures to the conqueror's banner true
Who feed where Desolation first has fed,
And whose wings rain contagion; -how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled! -The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

XXIX.
"The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit's awful night."

XXX.
Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

XXXI.
Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature's naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o'er the world's wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

XXXII.
A pardlike Spirit beautiful and swift -
A Love in desolation masked; -a Power
Girt round with weakness; -it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow; -even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

XXXIII.
His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest's noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter's dart.

XXXIV.
All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another's fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger's mien, and murmured: "Who art thou?"
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain's or Christ's -oh! that it should be so!

XXXV.
What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o'er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart's accepted sacrifice.

XXXVI.
Our Adonais has drunk poison -oh!
What deaf and viperous murderer could crown
Life's early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master's hand is cold, whose silver lyre unstrung.

XXXVII.
Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o'erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt -as now.

XXXVIII.
Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now -
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

XXXIX.
Peace, peace! he is not dead, he doth not sleep -
He hath awakened from the dream of life -
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. -We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

XL.
He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world's slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit's self has ceased to burn,
With sparkless ashes load an unlamented urn.

XLI.
He lives, he wakes -'tis Death is dead, not he;
Mourn not for Adonais. -Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil thy scarf hadst thrown
O'er the abandoned Earth, now leave it bare
Even to the joyous stars which smile on its despair!

XLII.
He is made one with Nature: there is heard
His voice in all her music, from the moan
Of thunder, to the song of night's sweet bird;
He is a presence to be felt and known
In darkness and in light, from herb and stone,
Spreading itself where'er that Power may move
Which has withdrawn his being to its own;
Which wields the world with never-wearied love,
Sustains it from beneath, and kindles it above.

XLIII.
He is a portion of the loveliness
Which once he made more lovely: he doth bear
His part, while the one Spirit's plastic stress
Sweeps through the dull dense world, compelling there
All new successions to the forms they wear;
Torturing th' unwilling dross that checks its flight
To its own likeness, as each mass may bear;
And bursting in its beauty and its might
From trees and beasts and men into the Heavens' light.

XLIV.
The splendours of the firmament of time
May be eclipsed, but are extinguished not;
Like stars to their appointed height they climb,
And death is a low mist which cannot blot
The brightness it may veil. When lofty thought
Lifts a young heart above its mortal lair,
And love and life contend in it, for what
Shall be its earthly doom, the dead live there
And move like winds of light on dark and stormy air.

XLV.
The inheritors of unfulfilled renown
Rose from their thrones, built beyond mortal thought,
Far in the Unapparent. Chatterton
Rose pale, -his solemn agony had not
Yet faded from him; Sidney, as he fought
And as he fell and as he lived and loved
Sublimely mild, a Spirit without spot,
Arose; and Lucan, by his death approved:
Oblivion as they rose shrank like a thing reproved.

XLVI.
And many more, whose names on Earth are dark,
But whose transmitted effluence cannot die
So long as fire outlives the parent spark,
Rose, robed in dazzling immortality.
"Thou art become as one of us," they cry,
"It was for thee yon kingless sphere has long
Swung blind in unascended majesty,
Silent alone amid an Heaven of Song.
Assume thy winged throne, thou Vesper of our throng!"

XLVII.
Who mourns for Adonais? Oh, come forth,
Fond wretch! and know thyself and him aright.
Clasp with thy panting soul the pendulous Earth;
As from a centre, dart thy spirit's light
Beyond all worlds, until its spacious might
Satiate the void circumference: then shrink
Even to a point within our day and night;
And keep thy heart light lest it make thee sink
When hope has kindled hope, and lured thee to the brink.

XLVIII.
Or go to Rome, which is the sepulchre,
Oh, not of him, but of our joy: 'tis nought
That ages, empires, and religions there
Lie buried in the ravage they have wrought;
For such as he can lend, -they borrow not
Glory from those who made the world their prey;
And he is gathered to the kings of thought
Who waged contention with their time's decay,
And of the past are all that cannot pass away.

XLIX.
Go thou to Rome, -at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

L.
And grey walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.

LI.
Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

LII.
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. -Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled! -Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

LIII.
Why linger, why turn back, why shrink, my Heart?
Thy hopes are gone before: from all things here
They have departed; thou shouldst now depart!
A light is passed from the revolving year,
And man, and woman; and what still is dear
Attracts to crush, repels to make thee wither.
The soft sky smiles, -the low wind whispers near:
'Tis Adonais calls! oh, hasten thither,
No more let Life divide what Death can join together.

LIV.
That Light whose smile kindles the Universe,
That Beauty in which all things work and move,
That Benediction which the eclipsing Curse
Of birth can quench not, that sustaining Love
Which through the web of being blindly wove
By man and beast and earth and air and sea,
Burns bright or dim, as each are mirrors of
The fire for which all thirst, now beams on me,
Consuming the last clouds of cold mortality.

LV.
The breath whose might I have invoked in song
Descends on me; my spirit's bark is driven
Far from the shore, far from the trembling throng
Whose sails were never to the tempest given;
The massy earth and sphered skies are riven!
I am borne darkly, fearfully, afar;
Whilst, burning through the inmost veil of Heaven,
The soul of Adonais, like a star,
Beacons from the abode where the Eternal are.

Adonais was composed at Pisa during the early days of June, 1821, and printed, with the author's name, at Pisa, 'with the types of Didot,'by July 13, 1821. Part of the impression was sent to the brothers Ollier for sale in London. An exact reprint of this Pisa edition (a few typographical errors only being corrected) was issued in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallan and Richard Monckton Milnes (Lord Houghton). The poem was included in Galignani's edition of Coleridge, Shelley and Keats, Paris, 1829, and by Mrs. Shelley in the Poetical Works of 1839.
~ Percy Bysshe Shelley, Adonais - An elegy on the Death of John Keats
,
1384:Adam Bell, Clym Of The Clough, And William Of
Cloudesly
Part the First
Mery it was in the grene forest
Amonge the leves grene,
Wheras men hunt east and west,
Wyth bowes and arrowes kene,
To ryse the dere out of theyr denne,
Suche sightes hath ofte bene sene,
As by thre yemen of the north countrey,
By them it is I meane.
The one of them hight Adam Bel,
The other Clym of the Clough,
The thyrd was William of Cloudesly,
An archer good ynough.
They were outlawed for venyson,
These yemen everychone;
They swore them brethren upon a day,
To Englyshe-wood for to gone.
Now lith and lysten, gentylmen,
That of myrthes loveth to here:
Two of them were single men,
The third had a wedded fere.
Wyllyam was the wedded man,
Muche more then was hys care:
He sayde to hys brethren upon a day,
To Carleile he would fare,
For to speke with fayre Alyce his wife,
And with hys chyldren thre.
'By my trouth,' sayde Adam Bel,
'Not by the counsell of me.
25
'For if ye go to Carleile, brother,
And from thys wylde wode wende,
If the justice may you take,
Your lyfe were at an ende.'
'If that I come not to-morrowe, brother,
By pryme to you agayne,
Truste you then that I am 'taken,'
Or else that I am slayne.'
He toke hys leave of hys brethren two,
And to Carleile he is gon;
There he knocked at hys owne windowe,
Shortlye and anone.
'Wher be you, fayre Alyce,' he sayd,
'My wife and chyldren thre?
Lyghtly let in thyne owne husbande,
Wyllyam of Cloudesle.'
'Alas!' then sayde fayre Alyce,
And syghed wonderous sore,
'Thys place hath been besette for you,
Thys halfe yere and more.'
'Now am I here,' sayde Cloudesle,
'I would that in I were:
Now fetche us meate and drynke ynoughe,
And lets make good chere.'
She fetched hym meate and drynke plentye,
Lyke a true wedded wyfe,
And pleased hym wyth that she had,
Whome she loved as her lyfe.
There lay an old wyfe in that place,
A lytle besyde the fyre,
Whych Wyllyam had found, of charytye,
More than seven yere.
Up she rose and forth she goes,
26
Evill mote she speede therfore,
For she had sett no fote on ground
In seven yere before.
She went unto the justice-hall,
As fast as she could hye:
'Thys night,' shee sayd, 'is come to town
Wyllyam of Cloudesle.'
Thereof the justice was full fayne,
And so was the shirife also;
'Thou shalt not trauaile hether, dame, for nought,
Thy meed thou shalt have ore thou go.'
They gave to her a ryght good goune
Of scarlate, 'and of graine:'
She toke the gyft and home she wente,
And couched her doune agayne.
They rysed the towne of mery Carleile
In all the haste they can,
And came thronging to Wyllyames house,
As fast as they might gone.
There they besette that good yeman,
Round about on every syde,
Wyllyam hearde great noyse of folkes,
That thither-ward fast hyed.
Alyce opened a back-wyndow,
And loked all aboute,
She was ware of the justice and shirife bothe,
Wyth a full great route.
'Alas! treason,' cryed Alyce,
'Ever wo may thou be!
Goe into my chamber, husband,' she sayd,
'Swete Wyllyam of Cloudesle.'
He toke hys sweard and hys bucler,
Hys bow and hys chyldren thre,
And wente into hys strongest chamber,
27
Where he thought the surest to be.
Fayre Alyce, like a lover true,
Took a pollaxe in her hande:
Said, 'He shal dye that cometh in
Thys dore, whyle I may stand.'
Cloudesle bente a right good bowe,
That was of a trusty tre,
He smot the justise on the brest,
That hys arowe brest in thre.
''A' curse on his harte,' saide William,
'Thys day thy cote dyd on;
If it had ben no better then meyne,
It had gone nere thy bone.'
'Yelde the, Cloudesle,' sayd the justise,
'And thy bowe and thy arrowes the fro.'
''A' curse on hys hart,' sayd fair Alyce,
'That my husband councelleth so.'
'Set fyre on the house,' saide the sherife,
'Syth it wyll no better be,
And brenne we therin William,' he saide,
'Hys wyfe and chyldren thre.'
They fyred the house in many a place,
The fyre flew up on hye;
'Alas!' then cryed fayre Alice,
'I se we here shall dy.'
William openyd a backe wyndow,
That was in hys chamber hye,
And there with sheetes he did let downe
His wyfe and chyldren thre.
'Have here my treasure,' sayde William,
'My wyfe and my chyldren thre,
For Christes love do them no harme,
But wreke you all on me.'
28
Wyllyam shot so wondrous well,
Tyll hys arrowes were all agoe,
And the fyre so fast upon hym fell,
That hys bowstryng brent in two.
The sparkles brent and fell upon
Good Wyllyam of Cloudesle;
Than was he a wofull man, and sayde,
'This is a cowardes death to me.
'Lever had I,' sayde Wyllyam,
'With my sworde in the route to renne,
Then here among myne enemyes wode,
Thus cruelly to bren.'
He toke hys sweard and hys buckler,
And among them all he ran;
Where the people were most in prece,
He smot downe many a man.
There myght no man abyde hys stroke,
So fersly on them he ran;
Then they threw wyndowes and dores on him,
And so toke that good yeman.
There they hym bounde both hand and fote,
And in depe dungeon hym cast;
'Now Cloudesle,' sayd the justice,
'Thou shalt be hanged in hast.'
''A payre of new gallowes,'' sayd the sherife,
''Now shal I for the make;'
And the gates of Carleil shal be shutte:
No man shal come in therat.
'Then shall not helpe Clym of the Cloughe,
Nor yet shall Adam Bell,
Though they came with a thousand mo,
Nor all the devels in hell.'
Early in the mornynge the justice uprose,
To the gates first gan he gon,
29
And commaunded to be shut full close
Lightile everychone.
Then went he to the market place,
As fast as he coulde hye;
A payre of new gallowes there he set up
Besyde the pyllorye.
A lytle boy 'amonge them asked,'
'What meaneth that gallow-tre?'
They sayde 'to hange a good yeman,
Called Wyllyam of Cloudesle.'
That lytle boye was the towne swyne-heard,
And kept fayre Alyces swyne;
Oft he had seene William in the wodde,
And geuen hym there to dyne.
He went out att a crevis in the wall,
And lightly to the woode dyd gone;
There met he with these wightye yemen
Shortly and anone.
'Alas!' then sayde that lytle boye,
'Ye tary here all to longe;
Cloudesle is taken and dampned to death,
All readye for to honge.'
'Alas!' then sayd good Adam Bell,
'That ever we see thys daye!
He had better with us have taryed,
So ofte as we dyd hym praye.
'He myght have dwelt in grene foreste,
Under the shadowes grene,
And have kepte both hym and us in reste,
Out of trouble and teene.'
Adam bent a ryght good bow,
A great hart sone hee had slayne;
'Take that, chylde,' he sayed, 'to thy dynner,
And bryng me myne arrowe agayne.'
30
'Now go we hence,' sayd these wightye yeomen,
'Tary we no lenger here;
We shall hym borowe, by God his grace,
Though we bye it full dere.'
To Caereil wente these good yemen,
All in a mornyng of Maye.
Here is a Fyt of Cloudeslye,
And another is for to saye.
Part the Second
And when they came to mery Carleile,
All in 'the' mornynge tyde,
They founde the gates shut them untyll
About on every syde.
'Alas!' then sayd good Adam Bell,
'That ever we were made men!
These gates be shut so wonderous fast,
We may not come therein.'
Then bespake him Clym of the Clough,
'Wyth a wyle we wyl us in bryng;
Let us saye we be messengers,
Streyght come nowe from our king.'
Adam said, 'I have a letter written,
Now let us wysely werke,
We wyl saye we have the kynges seale;
I holde the porter no clerke.'
Then Adam Bell bete on the gate,
With strokes great and stronge;
The porter marveiled who was therat,
And to the gate he throng.
'Who is there nowe,' sayd the porter
'That maketh all thys knockinge?'
31
'We be tow messengers,' quoth Clim of the Clough,
'Be come ryght from our kyng.'
'We have a letter,' sayd Adam Bel,
'To the justice we must it bryng;
Let us in, our message to do,
That we were agayne to the kyng.'
'Here commeth none in,' sayd the porter,
'By Hym that dyed on a tre,
Tyll a false thefe be hanged up,
Called Wyllyam of Cloudesle.'
Then spake the good yeman Clym of the Clough,
And swore by Mary fre,
'And if that we stande long wythout,
Lyke a thefe hanged thou shalt be.
'Lo! here we have the kynges seale;
What, lurden, art thou wode?'
The porter went it had ben so,
And lyghtly dyd off hys hode.
'Welcome be my lordes seale,' he saide;
'For that ye shall come in.'
He opened the gate full shortlye,
And euyl openyng for him.
'Now are we in,' sayde Adam Bell,
'Whereof we are full faine,
But Christ he knowes, that harowed hell,
How we shall com out agayne.'
'Had we the keys,' said Clim of the Clough,
'Ryght wel then shoulde we spede;
Then might we come out wel ynough
When we se tyme and nede.'
They called the porter to counsell,
And wrange hys necke in two,
And caste hym in a depe dongeon,
And toke hys keys hym fro.
32
'Now am I porter,' sayd Adam Bel,
'Se, brother, the keys are here;
The worst porter to merry Carleile,
That ye had thys hundred yere.
'And now wyll we our bowes bend,
Into the towne wyll we go,
For to delyuer our dere brother,
That lyeth in care and wo.'
Then they bent theyr good ewe bowes,
And loked theyr stringes were round;
The markett place in mery Carleile
They beset in that stound.
And as they loked them besyde,
A paire of new galowes 'they' see,
And the justice with a quest of squyers,
Had judged William hanged to be.
And Cloudesle lay redy there in a carte,
Fast bound both fote and hande,
And a stronge rop about hys necke,
All readye for to hange.
The justice called to him a ladde,
Cloudesles clothes hee shold have,
To take the measure of that yeman,
Thereafter to make hys grave.
'I have sene as great mervaile,' saild Cloudesle,
'As betweyne thys and pryme,
He that maketh a grave for me,
Hymselfe may lye therin.'
'Thou speakest proudlye,' said the justice,
'I shall the hange with my hande.'
Full wel herd this his brethren two,
There styll as they dyd stande.
Then Cloudesle cast hys eyen asyde,
33
And saw hys 'brethren twaine'
At a corner of the market place,
Redy the justice for to slaine.
'I se comfort,' sayd Cloudesle,
'Yet hope I well to fare;
If I might have my handes at wyll,
Ryght lytle wolde Icare.'
Then spake good Adam Bell
To Clym of the Clough so free,
'Brother, se ye marke the justyce wel,
Lo yonder you may him se.
'And at the shyrife shote I wyll,
Stronglyt wyth an arrowe kene;
A better shote in mery Carleile
Thys seven yere was not sene.'
They loosed their arrowes both at once,
Of no man had they dread;
The one hyt the justice, the other sheryfe,
That both theyr sides gan blede.
All men voyded, that them stode nye,
When the justice fell to the grounde,
And the sherife nye hym by,
Eyther had his deathes wounde.
All the citizens fast gan flye,
They durst no longer abyde;
There lyghtly they loosed Cloudeslee,
Where he with ropes lay tyde.
Wyllyam start to an officer of the towne,
Hys axe out of hys hande he wronge,
On eche syde he smote them downe,
Hee thought he taryed to long.
Wyllyam sayde to hys brethren two,
'Thys daye let us lyve and de;
If ever you have nede as I have now,
34
The same shall you finde by me.'
They shot so well in that tyde,
For theyr stringes were of silke ful sure,
That they kept the stretes on every side:
That batayle did long endure.
The fought together as brethren tru,
Lyke hardy men and bolde;
Many a man to the ground they thrue,
And many a herte made colde.
But when their arrowes were all gon,
Men preced to them full fast;
They draw theyr swordes then anone,
And theyr bowes from them they cast.
They went lyghtlye on theyr way,
Wyth swordes and buclers round;
By that it was myd of the day,
They made many a wound.
There was many an out-horne in Carleil blowen,
And the belles bacward dyd ryng;
Many a woman sayde alas!
And many theyr handes dyd wryng.
The mayre of Carleile forth was com,
Wyth hym a ful great route;
These yemen dred hym full sore,
Of theyr lyves they stode in great doute.
The mayre came armed a full great pace,
With a pollaxe in hys hande;
Many a strong man wyth him was,
There in that stowre to stande.
The mayre smot at Cloudesle with his bil,
Hys bucler he brast in two;
Full many a yeman with great evyll,
'Alas! treason' they cryed for wo.
'Kepe we the gates fast,' they bad,
35
'That these traytours thereout not go.'
But al for nought was that they wrought,
For so fast they downe were layde,
Tyll they all thre, that so manfulli fought,
Were gotten without at a braide.
'Have here your keyes,' sayd Adam Bel,
'Myne office I here forsake;
If you do by my counsell,
A new porter do ye make.'
He threw theyr keys at theyr heads,
And bad them evell to thryve;
And all that letteth any good yeman
To come and comfort his wyfe.
Thus be these good yemen gon to the wod,
And lyghtly as lefe on lynde;
The lough and be mery in theyr mode,
Theyr enemyes were ferr behynd.
And when they came to Englyshe-wode,
Under the trusty tre,
There they found bowes full good,
And arrowes full great plentye.
'So God me help,' sayd Adam Bell
And Clym of the Clough so fre,
'I would we were in mery Carleile,
Before that fayre meynye.'
They set them downe and made good chere,
And eate and dranke full well:
A second Fyt of the wightye yeomen:
Another I wyll you tell.
Part the Third.
As they sat in Englyshe-wood,
36
Under the green-wode tre,
They thought they herd a woman wepe,
But her they mought not se.
Sore then syghed the fayre Alyce:
'That ever I sawe thys day!
For nowe is my dere husband slayne,
Alas! and wel-a-way!
'Myght I have spoken wyth hys dere brethren,
Or with eyther of them twayne,
To shew to them what him befell,
My heart were out of payne.'
Cloudesle walked a lytle beside,
He looked under the grene wood linde,
He was ware of his wyfe, and chyldren thre,
Full wo in harte and mynde.
'Welcome, wyfe,' then sayde Wyllyam,
'Under 'this' trusti tre;
I had wende yesterdaye, by swete Saynt John,
Thou sholdest me never 'have' se.'
'Now well is me that ye be here,
My harte is out of wo.'
'Dame,' he sayde, 'be mery and glad,
And thanke my brethren two.'
'Herof to speake,' said Adam Bell,
'I-wis it is no bote;
The meate, that we must supp withall,
It runneth yet fast on fote.'
Then went they downe into a launde,
These noble archares all thre,
Eche of them slew a hart of greece,
The best that they cold se.
'Have here the best, Alyce, my wyfe,'
Sayd Wyllyam of Cloudesle;
'By cause ye so bouldly stode by me,
37
When I was slayne full nye.'
Then went they to suppere,
Wyth suche meate as they had,
And thanked God of ther fortune;
They were both mery and glad.
And when they had supped well,
Certayne wythouten lease,
Cloudesle sayd, 'We wyll to our kyng,
To get us a charter of peace.
'Alyce shal be at sojournyng
In a nunnery here besyde;
My tow sonnes shall wyth her go,
And ther they shall abyde.
'Myne eldest son shall go wyth me,
For hym have 'you' no care,
And he shall breng you worde agayn,
How that we do fare.'
Thus be these yemen to London gone,
As fast as they myght 'he',
Tyll they came to the kynges palace,
Where they woulde nedes be.
And whan they came to the kynges courte,
Unto the pallace gate,
Of no man wold they aske no leave,
But boldly went in therat.
They preced prestly into the hall,
Of no man had they dreade;
The porter came after and dyd them call,
And with them gan to chyde.
The usher sayde, 'Yemen, what wold ye have?
I pray you tell to me;
You myght thus make offycers shent:
Good Syrs, of whence be ye?'
38
'Syr, we be out-lawes of the forest,
Certayne withouten lease,
And hether we be come to our kyng,
To get us a charter of peace.'
And when they came before the kyng,
As it was the lawe of lande
The kneled downe without lettyng,
And eche held up his hand.
The sayed, 'Lorde, we beseche the here,
That ye wyll graunt us grace,
For we have slayne your fate falow dere
In many a sondry place.'
'What be your nams?' then said our king,
'Anone that you tell me:'
They sayd, 'Adam Bell, Clim of the Clough,
And Wyllyam of Cloudesle.'
'Be ye those theves,' then sayd our kyng,
'That men have tolde of to me?
Here to God I make an avowe,
Ye shal be hanged al thre.
'Ye shal be dead without mercy,
As I am kynge of this lande.'
He commanded his officers everichone
Fast on them to lay hande.
There they toke these good yemen,
And arested them al thre:
'So may I thryve,' sayd Adam Bell,
'Thys game lyketh not me.
'But, good Lorde, we beseche you now,
That yee graunt us grace.
Insomuche as we do to you come,
Or els that we may fro you passe,
'With such weapons as we have here,
Tyll we be out of your place;
39
And yf we lyve this hundreth yere,
We wyll aske you no grace.'
'Ye speake proudly,' sayd the kynge,
'Ye shall be hanged all thre.'
'That were great pitye,' then sayd the quene,
'If any grace myght be.
'My Lorde, whan I came fyrst into this lande,
To be your wedded wyfe,
The fyrst boone that I wold aske,
Ye would graunt it me belyfe;
'And I never asked none tyll now,
Therefore, good Lorde, graunt it me.'
'Now aske it, madam,' sayd the kynge,
'And graunted it shal be.'
'Then, good my Lord, I you beseche,
These yemen graunt ye me.'
'Madame, ye might have asked a boone
That shuld have been worth them all thre.
'Ye myght have asked towres and townes,
Parkes and forestes plente.'
'None soe pleasant to my pay,' shee sayd;
'Nor none so lefe to me.'
'Madame, sith it is your desyre,
Your askyng graunted shal be;
But I had lever have given you
Good market townes thre.'
The quene was a glad woman,
And sayde, 'Lord, gramarcy;
I dare undertake for them,
That true men shal they be.
'But, good my Lord, speke som mery word,
That comfort they may se.'
'I graunt you grace,' then sayd our king,
'Washe, felos, and to meate go ye.'
40
They had not setten but a whyle,
Certayne without lesynge,
There came messengers out of the north,
With letters to our kynge.
And whan the came before the kynge,
They knelt downe on theyr kne,
And sayd, 'Lord, your officers grete you well,
Of Carleile in the north cuntre.'
'How fareth my justice,' sayd the kyng,
'And my sherife also?'
'Syr, they be slayne, without leasynge,
And many an officer mo.'
'Who hath them slayne?' sayd the kyng;
'Anone thou tell to me:'
'Adam Bell, and Clime of the Clough,
And Wyllyam of Cloudesle.'
'Alas for rewth!' then sayd our kynge,
'My hart is wonderous sore;
I had lever than a thousande pounde,
I had knowne of thys before.
'For I have graunted them grace,
And that forthynketh me,
But had I knowne all thys before,
They had been hanged all thre.'
The kyng hee opened the letter anone,
Hymselfe he red it thro,
And founde how these outlawes had slain
Thre hundred men and mo.
Fyrst the justice and the sheryfe,
And the mayre of Carleile towne;
Of all the constables and catchipolles
Alyve were 'scant' left one.
The baylyes and the bedyls both,
41
And the sergeauntes of the law,
And forty fosters of the fe,
These outlawes had yslaw,
And broke his parks, and slayne his dere;
Of all they chose the best;
So perelous out-lawes as they were,
Walked not by easte nor west.
When the kynge this letter had red,
In hys harte he syghed sore;
'Take up the tables, anone,' he bad,
'For I may eat no more.'
The kyng called hys best archars,
To the buttes wyth hym to go;
'I wyll se these felowes shote,' he sayd,
'In the north have wrought this wo.'
The kynges bowmen buske them blyve,
And the quenes archers also,
So dyd these thre wyghtye yemen,
With them they thought to go.
There twyse or thryse they shote about,
For to assay theyr hande;
There was no shote these yemen shot,
That any prycke myght stand.
Then spake Wyllyam of Cloudesle,
'By Him that for me dyed,
I hold hym never no good archar,
That shoteth at buttes so wyde.'
'At what a butte now wold ye shote,
I pray thee tell to me?'
'At suche a but, Syr,' he sayd,
'As men use in my countre.'
Wyllyam wente into a fyeld,
And 'with him' his two brethren:
There they set up two hasell roddes,
42
Full twenty score betwene.
'I hold him an archar,' said Cloudesle,
'That yonder wande cleveth in two;'
'Here is none suche,' sayd the kyng,
'Nor none that can so do.'
'I shall assaye, Syr,' sayd Cloudesle,
'Or that I farther go.'
Cloudesly, with a bearyng arowe,
Clave the wand in two.
'Thou art the best archer,' then said the king,
'For sothe that ever I se.'
'And yet for your love,' sayd Wyllyam,
'I wyll do more maystery.'
'I have a sonne is seven yere olde,
He is to me full deare;
I wyll hym tye to stake,
All shall se that be here,
'And lay an apple upon hys head,
And go syxe score hym fro,
And I my selfe, with a brode arrow,
Shall cleve the apple in two.'
'Now haste the,' then sayd the kyng,
'By Hym that dyed on a tre;
By yf thou do not as thou hest sayde,
Hanged shalt thou be.
'And thou touche his head or gowne,
In syght that men may se,
By all the sayntes that be in heaven,
I shall hange you all thre.'
'That I have promised,' said William,
'That I wyll never forsake:'
And there even before the kynge,
In the earth he drove a stake,
43
And bound thereto his eldest sonne,
And bad hym stand styll therat,
And turned the childes face him fro,
Because he should not start.
An apple upon his head he set,
And then his bowe he bent;
Syxe score paces they were meaten,
And thether Cloudesle went.
There he drew out a fayr brode arrowe,
Hys bowe was great and longe,
He set that arrowe in his bowe,
That was both styffe and stronge.
He prayed the people, that wer there,
That they would still stand,
'For he that shoteth for such a wager,
Behoveth a stedfast hand.'
Muche people prayed for Cloudesle,
That hys lyfe saved myght be,
And whan he made hym redy to shote,
There was many weeping ee.
'But' Cloudesle clefte the apple in two,
As many a man myght se.
'Over Gods forbode,' sayde the kinge,
'That thou shold shote at me.
'I geve thee eightene pence a day,
And my bowe shalt thou bere,
And over all the north countre,
I make thee chyfe rydere.'
'And I thyrtene pence a day,' said the quene,
'By God and by my fay;
Come feche thy payment when thou wylt,
No man shall say the nay.'
'Wyllyam, I make the a gentleman,
Of clthyng and of fe,
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And thy two brethren, yemen of my chambre,
For they are so semely to se.
'Your sonne, for he is tendre of age,
Of my wyne-seller he shall be,
And when he commeth to mans estate,
Better avaunced shall he be.'
'And, Wyllyam, bring to me your wife,' said the quene.
'Me longeth her sore to se;
She shall be my chefe gentlewoman,
To governe my nurserye.'
The yemen thanked them full curteously,
'To some byshop wyl we wend,
Of all the synnes that we have done
To be assoyld at his hand.'
So forth be gone these good yemen,
As fast as they might 'he;'
And after came and dwelled with the kynge,
And dyed good men all thre.
Thus endeth the lives of these good yemen,
God send them eternall blysse,
And all that with a hand-bowe shoteth,
That of heven they may never mysse. Amen.
~ Anonymous Olde English,
1385:The Kalevala - Rune Xv
LEMMINKAINEN'S RESTORATION.
Lemminkainen's aged mother
Anxious roams about the islands,
Anxious wonders in her chambers,
What the fate of Lemminkainen,
Why her son so long has tarried;
Thinks that something ill has happened
To her hero in Pohyola.
Sad, indeed, the mother's anguish,
As in vain she waits his coming,
As in vain she asks the question,
Where her daring son is roaming,
Whether to the fir-tree mountain,
Whether to the distant heath-land,
Or upon the broad-sea's ridges,
On the floods and rolling waters,
To the war's contending armies,
To the heat and din of battle,
Steeped in blood of valiant heroes,
Evidence of fatal warfare.
Daily does the wife Kyllikki
Look about her vacant chamber,
In the home of Lemminkainen,
At the court of Kaukomieli;
Looks at evening, looks at morning,
Looks, perchance, upon his hair-brush,
Sees alas! the blood-drops oozing,
Oozing from the golden bristles,
And the blood-drops, scarlet-colored.
Then the beauteous wife, Kyllikki,
Spake these words in deeps of anguish:
'Dead or wounded is my husband,
Or at best is filled with trouble,
Lost perhaps in Northland forests,
In some glen unknown to heroes,
Since alas! the blood is flowing
From the brush of Lemminkainen,
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Red drops oozing from the bristles.'
Thereupon the anxious mother
Looks upon the bleeding hair-brush
And begins this wail of anguish:
'Woe is me, my life hard-fated,
Woe is me, all joy departed!
For alas! my son and hero,
Valiant hero of the islands,
Son of trouble and misfortune!
Some sad fate has overtaken
My ill-fated Lemminkainen!
Blood is flowing from his hair-brush,
Oozing from its golden bristles,
And the drops are scarlet-colored.'
Quick her garment's hem she clutches,
On her arm she throws her long-robes,
Fleetly flies upon her journey;
With her might she hastens northward,
Mountains tremble from her footsteps,
Valleys rise and heights are lowered,
Highlands soon become as lowlands,
All the hills and valleys levelled.
Soon she gains the Northland village,
Quickly asks about her hero,
These the words the mother utters:
'O thou hostess of Pohyola,
Where hast thou my Lemminkainen?
Tell me of my son and hero!'
Louhi, hostess of the Northland,
Gives this answer to the mother:
'Nothing know I of thy hero,
Of the hero of the islands;
Where thy son may be I know not,
Cannot lend the information;
Once I gave thy son a courser,
Hitched the racer to his snow-sledge,
This the last of Lemminkainen;
May perchance be drowned in Wuhne,
Frozen In the icy ocean,
Fallen prey to wolves in hunger,
In a bear's den may have perished.'
Lemminkainen's mother answers:
274
'Thou art only speaking falsehoods,
Northland wolves cannot devour us,
Nor the bears kill Kaukomieli;
He can slay the wolves of Pohya
With the fingers of his left hand;
Bears of Northland he would silence
With the magic of his singing.
'Hostess of Pohyola, tell me
Whither thou hast sent my hero;
I shall burst thy many garners,
Shall destroy the magic Sampo,
If thou dost not tell me truly
Where to find my Lemminkainen.'
Spake the hostess of Pohyola:
'I have well thy hero treated,
Well my court has entertained him,
Gave him of my rarest viands,
Fed him at my well-filled tables,
Placed him in a boat of copper,
Thus to float adown the current,
This the last of Lemminkainen;
Cannot tell where he has wandered.
Whether in the foam of waters,
Whether in the boiling torrent,
Whether in the drowning whirlpool.'
Lemminkainen's mother answers:
Thou again art speaking falsely;
Tell me now the truth I pray thee,
Make an end of thy deception,
Where is now my Lemminkainen,
Whither hast thou sent my hero,
Young and daring son of Kalew?
If a third time thou deceivest,
I will send thee plagues, unnumbered,
I will send thee fell destruction,
Certain death will overtake thee.'
Spake the hostess of Pohyola:
'This the third time that I answer,
This the truth that I shall tell thee:
I have sent the Kalew-hero
To the Hisi-fields and forests,
There to hunt the moose of Lempo;
275
Sent him then to catch the fire-horse,
Catch the fire-expiring stallion,
On the distant plains of Juutas,
In the realm of cruel Hisi.
Then I sent him to the Death-stream,
In the kingdom of Tuoni,
With his bow and but one arrow,
There to shoot the swan as dowry
For my best and fairest daughter;
Have not heard about thy hero
Since he left for Tuonela;
May in misery have fallen,
May have perished in Manala;
Has not come to ask my daughter,
Has not come to woo the maiden,
Since he left to hunt the death-swan.'
Now the mother seeks her lost one,
For her son she weeps and trembles,
Like the wolf she bounds through fenlands,
Like the bear, through forest thickets,
Like the wild-boar, through the marshes,
Like the hare, along the sea-coast,
To the sea-point, like the hedgehog
Like the wild-duck swims the waters,
Casts the rubbish from her pathway,
Tramples down opposing brush-wood,
Stops at nothing in her journey
Seeks a long time for her hero,
Seeks, and seeks, and does not find him.
Now she asks the trees the question,
And the forest gives this answer:
'We have care enough already,
Cannot think about thy matters;
Cruel fates have we to battle,
Pitiful our own misfortunes!
We are felled and chopped in pieces,
Cut in blocks for hero-fancy,
We are burned to death as fuel,
No one cares how much we suffer.'
Now again the mother wanders,
Seeks again her long-lost hero,
Seeks, and seeks, and does not find him.
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Paths arise and come to meet her,
And she questions thus the pathways:
'Paths of hope that God has fashioned,
Have ye seen my Lemminkainen,
Has my son and golden hero
Travelled through thy many kingdoms?'
Sad, the many pathways answer:
'We ourselves have cares sufficient,
Cannot watch thy son and hero,
Wretched are the lives of pathways,
Deep indeed our own misfortunes;
We are trodden by, the red-deer,
By the wolves, and bears, and roebucks,
Driven o'er by heavy cart-wheels,
By the feet of dogs are trodden,
Trodden under foot of heroes,
Foot-paths for contending armies.'
Seeks again the frantic mother,
Seeks her long-lost son and hero,
Seeks, and seeks, and does not find him;
Finds the Moon within her orbit,
Asks the Moon in pleading measures:
'Golden Moon, whom God has stationed
In the heavens, the Sun's companion,
Hast thou seen my Kaukomieli,
Hast thou seen my silver apple,
Anywhere in thy dominions? '
Thus the golden Moon makes answer:
'I have trouble all-sufficient,
Cannot watch thy daring hero;
Long the journey I must travel,
Sad the fate to me befallen,
Pitiful mine own misfortunes,
All alone the nights to wander,
Shine alone without a respite,
In the winter ever watching,
In the summer sink and perish.'
Still the mother seeks, and wanders,
Seeks, and does not find her hero,
Sees the Sun in the horizon,
And the mother thus entreats him:
Silver Sun, whom God has fashioned,
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Thou that giveth warmth and comfort,
Hast thou lately seen my hero,
Hast thou seen my Lemminkainen,
Wandering in thy dominions?'
Thus the Sun in kindness answers:
'Surely has thy hero perished,
To ingratitude a victim;
Lemminkainen died and vanished
In Tuoni's fatal river,
In the waters of Manala,
In the sacred stream and whirlpool,
In the cataract and rapids,
Sank within the drowning current
To the realm of Tuonela,
To Manala's lower regions.'
Lemminkainen's mother weeping,
Wailing in the deeps of anguish,
Mourns the fate of Kaukomieli,
Hastens to the Northland smithy,
To the forge of Ilmarinen,
These the words the mother utters:
'Ilmarinen, metal-artist,
Thou that long ago wert forging,
Forging earth a concave cover,
Yesterday wert forging wonders,
Forge thou now, immortal blacksmith,
Forge a rake with shaft of copper,
Forge the teeth of strongest metal,
Teeth in length a hundred fathoms,
And five hundred long the handle.'
Ilmarinen does as bidden,
Makes the rake in full perfection.
Lemminkainen's anxious mother
Takes the magic rake and hastens
To the river of Tuoni,
Praying to the Sun as follows:
'Thou, O Sun, by God created,
Thou that shinest on thy Maker,
Shine for me in heat of magic,
Give me warmth, and strength, and courage,
Shine a third time full of power,
Lull to sleep the wicked people,
278
Still the people of Manala,
Quiet all Tuoni's empire.'
Thereupon the sun of Ukko,
Dearest child of the Creator,
Flying through the groves of Northland,
Sitting on a curving birch-tree,
Shines a little while in ardor,
Shines again in greater fervor,
Shines a third time full of power,
Lulls to sleep the wicked people
In the Manala home and kingdom,
Still the heroes with their broadswords,
Makes the lancers halt and totter,
Stills the stoutest of the spearmen,
Quiets Tuoni's ghastly empire.
Now the Sun retires in magic,
Hovers here and there a moment
Over Tuoni's hapless sleepers,
Hastens upward to his station,
To his Jumala home and kingdom.
Lemminkainen's faithful mother
Takes the rake of magic metals,
Rakes the Tuoni river bottoms,
Rakes the cataract and whirlpool,
Rakes the swift and boiling current
Of the sacred stream of death-land,
In the Manala home and kingdom.
Searching for her long-lost hero,
Rakes a long time, finding nothing;
Now she wades the river deeper,
To her belt in mud and water,
Deeper, deeper, rakes the death-stream,
Rakes the river's deepest caverns,
Raking up and down the current,
Till at last she finds his tunic,
Heavy-hearted, finds his jacket;
Rakes again and rakes unceasing,
Finds the hero's shoes and stockings,
Sorely troubled, finds these relies;
Now she wades the river deeper,
Rakes the Manala shoals and shallows,
Rakes the deeps at every angle;
279
As she draws the rake the third time
From the Tuoni shores and waters,
In the rake she finds the body
Of her long-lost Lemminkainen,
In the metal teeth entangled,
In the rake with copper handle.
Thus the reckless Lemminkainen,
Thus the son of Kalevala,
Was recovered from the bottom
Of the Manala lake and river.
There were wanting many fragments,
Half the head, a hand, a fore-arm,
Many other smaller portions,
Life, above all else, was missing.
Then the mother, well reflecting,
Spake these words in bitter weeping:
'From these fragments, with my magic,
I will bring to life my hero.'
Hearing this, the raven answered,
Spake these measures to the mother:
'There is not in these a hero,
Thou canst not revive these fragments;
Eels have fed upon his body,
On his eyes have fed the whiting;
Cast the dead upon the waters,
On the streams of Tuonela,
Let him there become a walrus,
Or a seal, or whale, or porpoise.'
Lemminkainen's mother does not
Cast the dead upon the waters,
On the streams of Tuonela,
She again with hope and courage,
Rakes the river lengthwise, crosswise,
Through the Manala pools and caverns,
Rakes up half the head, a fore-arm,
Finds a hand and half the back-bone,
Many other smaller portions;
Shapes her son from all the fragments,
Shapes anew her Lemminkainen,
Flesh to flesh with skill she places,
Gives the bones their proper stations,
Binds one member to the other,
280
Joins the ends of severed vessels,
Counts the threads of all the venules,
Knits the parts in apposition;
Then this prayer the mother offers:
'Suonetar, thou slender virgin,
Goddess of the veins of heroes,
Skilful spinner of the vessels,
With thy slender, silver spindle,
With thy spinning-wheel of copper,
Set in frame of molten silver,
Come thou hither, thou art needed;
Bring the instruments for mending,
Firmly knit the veins together,
At the end join well the venules,
In the wounds that still are open,
In the members that are injured.
'Should this aid be inefficient;
There is living in the ether,
In a boat enriched with silver,
In a copper boat, a maiden,
That can bring to thee assistance.
Come, O maiden, from the ether,
Virgin from the belt of heaven,
Row throughout these veins, O maiden,
Row through all these lifeless members,
Through the channels of the long-bones,
Row through every form of tissue.
Set the vessels in their places,
Lay the heart in right position,
Make the pulses beat together,
Join the smallest of the veinlets,
And unite with skill the sinews.
Take thou now a slender needle,
Silken thread within its eyelet,
Ply the silver needle gently,
Sew with care the wounds together.
'Should this aid be inefficient,
Thou, O God, that knowest all things,
Come and give us thine assistance,
Harness thou thy fleetest racer
Call to aid thy strongest courser,
In thy scarlet sledge come swiftly,
281
Drive through all the bones and channels,
Drive throughout these lifeless tissues,
Drive thy courser through each vessel,
Bind the flesh and bones securely,
In the joints put finest silver,
Purest gold in all the fissures.
'Where the skin is broken open,
Where the veins are torn asunder,
Mend these injuries with magic;
Where the blood has left the body,
There make new blood flow abundant;
Where the bones are rudely broken,
Set the parts in full perfection;
Where the flesh is bruised and loosened,
Touch the wounds with magic balsam,
Do not leave a part imperfect;
Bone, and vein, and nerve, and sinew,
Heart, and brain, and gland, and vessel,
Heal as Thou alone canst heal them.'
These the means the mother uses,
Thus she joins the lifeless members,
Thus she heals the death-like tissues,
Thus restores her son and hero
To his former life and likeness;
All his veins are knit together,
All their ends are firmly fastened,
All the parts in apposition,
Life returns, but speech is wanting,
Deaf and dumb, and blind, and senseless.
Now the mother speaks as follows:
'Where may I procure the balsam,
Where the drops of magic honey,
To anoint my son and hero,
Thus to heal my Lemminkainen,
That again his month may open,
May again begin his singing,
Speak again in words of wonder,
Sing again his incantations?
'Tiny bee, thou honey-birdling,
Lord of all the forest flowers,
Fly away and gather honey,
Bring to me the forest-sweetness,
282
Found in Metsola's rich gardens,
And in Tapio's fragrant meadows,
From the petals of the flowers,
From the blooming herbs and grasses,
Thus to heal my hero's anguish,
Thus to heal his wounds of evil.'
Thereupon the honey-birdling
Flies away on wings of swiftness,
Into Metsola's rich gardens,
Into Tapio's flowery meadows,
Gathers sweetness from the meadows,
With the tongue distills the honey
From the cups of seven flowers,
From the bloom of countless grasses;
Quick from Metsola returning,
Flying, humming darting onward,
With his winglets honey-laden,
With the store of sweetest odors,
To the mother brings the balsam.
Lemminkainen's anxious mother
Takes the balm of magic virtues,
And anoints the injured hero,
Heals his wounds and stills his anguish;
But the balm is inefficient,
For her son is deaf and speechless.
Then again out-speaks the mother:
Lemminkainen's Restoration.
'Little bee, my honey-birdling,
Fly away in one direction,
Fly across the seven oceans,
In the eighth, a magic island,
Where the honey is enchanted,
To the distant Turi-castles,
To the chambers of Palwoinen;
There the honey is effective,
There, the wonder-working balsam,
This may heal the wounded hero;
Bring me of this magic ointment,
That I may anoint his eyelids,
May restore his injured senses.'
Thereupon the honey-birdling
Flew away o'er seven oceans,
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To the old enchanted island;
Flies one day, and then a second,
On the verdure does not settle,
Does not rest upon the flowers;
Flies a third day, fleetly onward,
Till a third day evening brings him
To the island in the ocean,
To the meadows rich in honey,
To the cataract and fire-flow,
To the sacred stream and whirlpool.
There the honey was preparing,
There the magic balm distilling
In the tiny earthen vessels,
In the burnished copper kettles,
Smaller than a maiden's thimble,
Smaller than the tips of fingers.
Faithfully the busy insect
Gathers the enchanted honey
From the magic Turi-cuplets
In the chambers of Palwoinen.
Time had gone but little distance,
Ere the bee came loudly humming
Flying fleetly, honey-laden;
In his arms were seven vessels,
Seven, the vessels on each shoulder;
All were filled with honey-balsam,
With the balm of magic virtues.
Lemminkainen's tireless mother
Quick anoints her speechless hero,
With the magic Turi-balsam,
With the balm of seven virtues;
Nine the times that she anoints him
With the honey of Palwoinen,
With the wonder-working balsam;
But the balm is inefficient,
For the hero still is speechless.
Then again out-speaks the mother:
'Honey-bee, thou ether birdling,
Fly a third time on thy journey,
Fly away to high Jumala,
Fly thou to the seventh heaven,
Honey there thou'lt find abundant,
284
Balsam of the highest virtue,
Only used by the Creator,
Only made from the breath of Ukko.
God anoints his faithful children,
With the honey of his wisdom,
When they feel the pangs of sorrow,
When they meet the powers of evil.
Dip thy winglets in this honey,
Steep thy plumage in His sweetness,
Hither bring the all-sufficient
Balsam of the great Creator;
This will still my hero's anguish,
This will heal his wounded tissues,
This restore his long-lost vision,
Make the Northland hills re-echo
With the magic of his singing,
With his wonderful enchantment.'
Thus the honey-bee made answer:
'I can never fly to heaven,
To the seventh of the heavens,
To the distant home of Ukko,
With these wings of little virtue.'
Lemminkainen's mother answered:
'Thou canst surely fly to heaven,
To the seventh of the heavens,
O'er the Moon, beneath the sunshine,
Through the dim and distant starlight.
On the first day, flying upward,
Thou wilt near the Moon in heaven,
Fan the brow of Kootamoinen;
On the second thou canst rest thee
On the shoulders of Otava;
On the third day, flying higher,
Rest upon the seven starlets,
On the heads of Hetewanè;
Short the journey that is left thee,
Inconsiderable the distance
To the home of mighty Ukko,
To the dwellings of the blessed.'
Thereupon the bee arising,
From the earth flies swiftly upward,
Hastens on with graceful motion,
285
By his tiny wings borne heavenward,
In the paths of golden moonbeams,
Touches on the Moon's bright borders,
Fans the brow of Kootamoinen,
Rests upon Otava's shoulders,
Hastens to the seven starlets.,
To the heads of Hetewanè,
Flies to the Creator's castle,
To the home of generous Ukko,
Finds the remedy preparing,
Finds the balm of life distilling,
In the silver-tinted caldrons,
In the purest golden kettles;
On one side, heart-easing honey,
On a second, balm of joyance,
On the third, life-giving balsam.
Here the magic bee, selecting,
Culls the sweet, life-giving balsam,
Gathers too, heart-easing honey,
Heavy-laden hastens homeward.
Time had traveled little distance,
Ere the busy bee came humming
To the anxious mother waiting,
In his arms a hundred cuplets,
And a thousand other vessels,
Filled with honey, filled with balsam,
Filled with the balm of the Creator.
Lemminkainen's mother quickly
Takes them on her, tongue and tests them,
Finds a balsam all-sufficient.
Then the mother spake as follows:
'I have found the long-sought balsam,
Found the remedy of Ukko,
Where-with God anoints his people,
Gives them life, and faith, and wisdom,
Heals their wounds and stills their anguish,
Makes them strong against temptation,
Guards them from the evil-doers.'
Now the mother well anointing,
Heals her son, the magic singer,
Eyes, and ears, and tongue, and temples,
Breaks, and cuts, and seams, anointing,
286
Touching well the life-blood centres,
Speaks these words of magic import
To the sleeping Lemminkainen:
'Wake, arise from out thy slumber,
From the worst of low conditions,
From thy state of dire misfortune!'
Slowly wakes the son and hero,
Rises from the depths of slumber,
Speaks again in magic accents,
These the first words of the singer:
'Long, indeed, have I been sleeping,
Long unconscious of existence,
But my sleep was full of sweetness,
Sweet the sleep in Tuonela,
Knowing neither joy nor sorrow!'
This the answer of his mother:
'Longer still thou wouldst have slumbered,
Were it not for me, thy, mother;
Tell me now, my son beloved,
Tell me that I well may hear thee,
Who enticed thee to Manala,
To the river of Tuoni,
To the fatal stream and whirlpool?'
Then the hero, Lemminkainen,
Gave this answer to his mother:
'Nasshut, the decrepit shepherd
Of the flocks of Sariola,
Blind, and halt, and poor, and wretched,
And to whom I did a favor;
From the slumber-land of envy
Nasshut sent me to Manala,
To the river of Tuoni;
Sent a serpent from the waters,
Sent an adder from the death-stream,
Through the heart of Lemminkainen;
Did not recognize the serpent,
Could not speak the serpent-language,
Did not know the sting of adders.'
Spake again the ancient mother:
'O thou son of little insight,
Senseless hero, fool-magician,
Thou didst boast betimes thy magic
287
To enchant the wise enchanters,
On the dismal shores of Lapland,
Thou didst think to banish heroes,
From the borders of Pohyola;
Didst not know the sting of serpents,
Didst not know the reed of waters,
Nor the magic word-protector!
Learn the origin of serpents,
Whence the poison of the adder.
'In the floods was born the serpent,
From the marrow of the gray-duck,
From the brain of ocean-swallows;
Suoyatar had made saliva,
Cast it on the waves of ocean,
Currents drove it outward, onward,
Softly shone the sun upon it,
By the winds 'twas gently cradled,
Gently nursed by winds and waters,
By the waves was driven shoreward,
Landed by the surging billows.
Thus the serpent, thing of evil,
Filling all the world with trouble,
Was created in the waters
Born from Suoyatar, its maker.'
Then the mother of the hero
Rocked her son to rest and comfort,
Rocked him to his former being,
To his former life and spirit,
Into greater magic powers;
Wiser, handsomer than ever
Grew the hero of the islands;
But his heart was full of trouble,
And his mother, ever watchful,
Asked the cause of his dejection.
This is Lemminkainen's answer:
'This the cause of all my sorrow;
Far away my heart is roaming,
All my thoughts forever wander
To the Northland's blooming virgins,
To the maids of braided tresses.
Northland's ugly hostess, Louhi,
Will not give to me her daughter,
288
Fairest maiden of Pohyola,
Till I kill the swan of Mana,
With my bow and but one arrow,
In the river of Tuoni.
Lemminkainen's mother answers,
In the sacred stream and whirlpool.
'Let the swan swim on in safety,
Give the water-bird his freedom,
In the river of Manala,
In the whirlpool of Tuoni;
Leave the maiden in the Northland.,
With her charms and fading beauty;
With thy fond and faithful mother,
Go at once to Kalevala,
To thy native fields and fallows.
Praise thy fortune, all sufficient,
Praise, above all else, thy Maker.
Ukko gave thee aid when needed,
Thou wert saved by thy Creator,
From thy long and hopeless slumber,
In the waters of Tuoni,
In the chambers of Manala.
I unaided could not save thee,
Could not give the least assistance;
God alone, omniscient Ukko,
First and last of the creators,
Can revive the dead and dying,
Can protect his worthy people
From the waters of Manala, .
From the fatal stream and whirlpool,
In the kingdom of Tuoni.'
Lemminkainen, filled with wisdom,
With his fond and faithful mother,
Hastened straightway on his journey
To his distant home and kindred,
To the Wainola fields and meadows,
To the plains of Kalevala.
*****
Here I leave my Kaukomieli,
Leave my hero Lemminkainen,
Long I leave him from my singing,
Turn my song to other heroes,
289
Send it forth on other pathways,
Sing some other golden legend.
~ Elias Lönnrot,
1386:I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?It cannot be
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast foreststhe untired
And pannier'd mules for ducats and old lies
Quick cat's-paws on the generous stray-away,
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?
Yet so they didand every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is donesucceed the verse or fail
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back.""Good bye!" said she:
And as he went she chanted merrily.

XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in lonelinessis ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest
Not longfor soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,the murderous spite
Of pride and avarice,the dark pine roof
In the forest,and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd ushappy days, or else to die;
"But there is crimea brother's bloody knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife."What feverous hectic flame
"Burns in thee, child?What good can thee betide,
"That thou should'st smile again?"The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her veiling hair.

XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour'd at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.

XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel's song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:O turn thee to the very tale,
And taste the music of that vision pale.

L.
With duller steel than the Persan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,dead indeed, but not dethroned.

LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm'd its wild hair with a golden comb,
And all around each eye's sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench'd away:and still she comb'd, and kept
Sighing all dayand still she kiss'd, and wept.

LII.
Then in a silken scarf,sweet with the dews
Of precious flowers pluck'd in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,
She wrapp'd it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover'd it with mould, and o'er it set
Sweet Basil, which her tears kept ever wet.

LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten'd it with tears unto the core.

LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.

LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to usO sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.

LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.

LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!
It may not bethose Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder'd that such dower
Of youth and beauty should be thrown aside
By one mark'd out to be a Noble's bride.

LVIII.
And, furthermore, her brethren wonder'd much
Why she sat drooping by the Basil green,
And why it flourish'd, as by magic touch;
Greatly they wonder'd what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love's delay.

LIX.
Therefore they watch'd a time when they might sift
This hidden whim; and long they watch'd in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.

LX.
Yet they contriv'd to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo's face:
The guerdon of their murder they had got,
And so left Florence in a moment's space,
Never to turn again.Away they went,
With blood upon their heads, to banishment.

LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to usO sigh!
Spirits of grief, sing not your "Well-a-way!"
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta'en away her Basil sweet.

LXII.
Piteous she look'd on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
'Twas hid from her: "For cruel 'tis," said she,
"To steal my Basil-pot away from me."

LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn
In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass'd:
Still is the burthen sung"O cruelty,
"To steal my Basil-pot away from me!"
(stanza XXIV): Leigh Hunt cites the "exquisite metaphor" of lines 3 and 4 as an instance in which Keats "over-informs the occasion or the speaker." But I doubt whether it is fair to class this kind of "over-informing" as an error. If poeple of this kind are to be denied one element of poetry, they must be denied another; and it is scarcely more strange to find the vile brethren of Isabella talking in metaphor than to find them talking in rhyme and metre. For the rest, a common-place Italian, even a villainous Italian, feels so intensely the sunlight of his land, that we need not object to the metaphor even on dramatic grounds.

(stanza XXXIII): For Hinnom's Vale see Second Book of Chronicles of the Kings of Israel, Chapter XXVIII, verse 3: "Moreover he burnt incense in the valley of the son of Hinnom, and burnt his children in the fire, after the abominations of the heathen whom the Lord had cast out before the children of Israel."

(stanza XLVII): The sixth line has been a topic of censure; but I think wrongly. Taken in itself apart from the poem, it might be held to be an inopportune description; but in the context of this most tragic and pathetic story, it has to me a surpassing fitness -- a fitness astonishing in the work of a youth of Keats's age in 1818. The idea of maternity thus connected as it were by chance with the image of this widowed girl on the borders of insanity emphasizes in the most beautiful way the helpless misery of a life wrecked by the wickedness of others, and throws into ghastly contrast the joy of what should have been and the agony of what was.

(stanza XLVIII): Hunt observes here - "It is curious to see how the simple pathos of Boccaccio, or (which is the same thing) the simple intensity of the heroine's feelings, suffices our author more and more, as he gets to the end of his story. And he has related it as happily, as if he had never written any poetry but that of the heart."

(stanza LIV): Whether the "savage and tartarly" assailants of Keats's day availed themselves of the word "leafits" in the 8th line for an accusation of word-coining, I do not know; but as far as I have been able to ascertain this diminutive of "leaf" is peculiar to the present passage.

(stanza LXII): Hunt says - "The passage about the tone of her voice, -- the poor lost-witted coaxing, -- the 'chuckle,' in which she asks after her Pilgrim and her Basil,-- is as true and touching an instance of the effect of a happy familiar word, as any in all poetry." It is difficult to imagine that these sentences of Hunt's were not somehow misprinted; but, as the review occurs only in the original issue of The Indicator, one has no means of testing this passage by comparison with later editions. It can hardly be supposed that Hunt really thought the Pilgrim meant Lorenzo; and it ought not to be necessary to explain that the poor lost girl called after any pilgrim whom chance sent her way, enquiring of him where her Basil was.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Isabella; Or, The Pot Of Basil - A Story From Boccaccio
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1387:A FRAGMENT

PART I

Nec tantum prodere vati,
Quantum scire licet. Venit aetas omnis in unam
Congeriem, miserumque premunt tot saecula pectus.
Lucan, Phars. v. 176.

How wonderful is Death,
Death and his brother Sleep!
One pale as yonder wan and hornd moon,
With lips of lurid blue,
The other glowing like the vital morn,
When throned on ocean's wave
It breathes over the world:
Yet both so passing strange and wonderful!
Hath then the iron-sceptred Skeleton,
Whose reign is in the tainted sepulchres,
To the hell dogs that couch beneath his throne
Cast that fair prey? Must that divinest form,
Which love and admiration cannot view
Without a beating heart, whose azure veins
Steal like dark streams along a field of snow,
Whose outline is as fair as marble clothed
In light of some sublimest mind, decay?
Nor putrefaction's breath
Leave aught of this pure spectacle
But loathsomeness and ruin?
Spare aught but a dark theme,
On which the lightest heart might moralize?
Or is it but that downy-wingd slumbers
Have charmed their nurse coy Silence near her lids
To watch their own repose?
Will they, when morning's beam
Flows through those wells of light,
Seek far from noise and day some western cave,
Where woods and streams with soft and pausing winds
A lulling murmur weave?
Ianthe doth not sleep
The dreamless sleep of death:
Nor in her moonlight chamber silently
Doth Henry hear her regular pulses throb,
Or mark her delicate cheek
With interchange of hues mock the broad moon.
Outwatching weary night,
Without assured reward.
Her dewy eyes are closed;
On their translucent lids, whose texture fine
Scarce hides the dark blue orbs that burn below
With unapparent fire,
The baby Sleep is pillowed:
Her golden tresses shade
The bosom's stainless pride,
Twining like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound?
'Tis like a wondrous strain that sweeps
Around a lonely ruin
When west winds sigh and evening waves respond
In whispers from the shore:
'Tis wilder than the unmeasured notes
Which from the unseen lyres of dells and groves
The genii of the breezes sweep.
Floating on waves of music and of light,
The chariot of the Daemon of the World
Descends in silent power:
Its shape reposed within: slight as some cloud
That catches but the palest tinge of day
When evening yields to night,
Bright as that fibrous woof when stars indue
Its transitory robe.
Four shapeless shadows bright and beautiful
Draw that strange car of glory, reins of light
Check their unearthly speed; they stop and fold
Their wings of braided air:
The Daemon leaning from the ethereal car
Gazed on the slumbering maid.
Human eye hath ne'er beheld
A shape so wild, so bright, so beautiful,
As that which o'er the maiden's charmd sleep
Waving a starry wand,
Hung like a mist of light.
Such sounds as breathed around like odorous winds
Of wakening spring arose,
Filling the chamber and the moonlight sky.
Maiden, the world's supremest spirit
Beneath the shadow of her wings
Folds all thy memory doth inherit
From ruin of divinest things,
Feelings that lure thee to betray,
And light of thoughts that pass away.
For thou hast earned a mighty boon,
The truths which wisest poets see
Dimly, thy mind may make its own,
Rewarding its own majesty,
Entranced in some diviner mood
Of self-oblivious solitude.
Custom, and Faith, and Power thou spurnest;
From hate and awe thy heart is free;
Ardent and pure as day thou burnest,
For dark and cold mortality
A living light, to cheer it long,
The watch-fires of the world among.
Therefore from nature's inner shrine,
Where gods and fiends in worship bend,
Majestic spirit, be it thine
The flame to seize, the veil to rend,
Where the vast snake Eternity
In charmd sleep doth ever lie.
All that inspires thy voice of love,
Or speaks in thy unclosing eyes,
Or through thy frame doth burn or move,
Or think or feel, awake, arise!
Spirit, leave for mine and me
Earth's unsubstantial mimicry!
It ceased, and from the mute and moveless frame
A radiant spirit arose,
All beautiful in naked purity.
Robed in its human hues it did ascend,
Disparting as it went the silver clouds,
It moved towards the car, and took its seat
Beside the Daemon shape.
Obedient to the sweep of ary song,
The mighty ministers
Unfurled their prismy wings.
The magic car moved on;
The night was fair, innumerable stars
Studded heaven's dark blue vault;
The eastern wave grew pale
With the first smile of morn.
The magic car moved on.
From the swift sweep of wings
The atmosphere in flaming sparkles flew;
And where the burning wheels
Eddied above the mountain's loftiest peak
Was traced a line of lightning.
Now far above a rock the utmost verge
Of the wide earth it flew,
The rival of the Andes, whose dark brow
Frowned o'er the silver sea.
Far, far below the chariot's stormy path,
Calm as a slumbering babe,
Tremendous ocean lay.
Its broad and silent mirror gave to view
The pale and waning stars,
The chariot's fiery track,
And the grey light of morn
Tingeing those fleecy clouds
That cradled in their folds the infant dawn.
The chariot seemed to fly
Through the abyss of an immense concave,
Radiant with million constellations, tinged
With shades of infinite colour,
And semicircled with a belt
Flashing incessant meteors.
As they approached their goal,
The wingd shadows seemed to gather speed.
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere, suspended
In the black concave of heaven
With the sun's cloudless orb,
Whose rays of rapid light
Parted around the chariot's swifter course,
And fell like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heavens,
Whilst round the chariot's way
Innumerable systems widely rolled,
And countless spheres diffused
An ever varying glory.
It was a sight of wonder! Some were horned.
And like the moon's argentine crescent hung
In the dark dome of heaven; some did shed
A clear mild beam like Hesperus, while the sea
Yet glows with fading sunlight; others dashed
Athwart the night with trains of bickering fire,
Like spherd worlds to death and ruin driven;
Some shone like stars, and as the chariot passed
Bedimmed all other light.
Spirit of Nature! here
In this interminable wilderness
Of worlds, at whose involved immensity
Even soaring fancy staggers,
Here is thy fitting temple.
Yet not the lightest leaf
That quivers to the passing breeze
Is less instinct with thee,
Yet not the meanest worm,
That lurks in graves and fattens on the dead,
Less shares thy eternal breath.
Spirit of Nature! thou
Imperishable as this glorious scene,
Here is thy fitting temple.
If solitude hath ever led thy steps
To the shore of the immeasurable sea,
And thou hast lingered there
Until the sun's broad orb
Seemed resting on the fiery line of ocean,
Thou must have marked the braided webs of gold
That without motion hang
Over the sinking sphere:
Thou must have marked the billowy mountain clouds,
Edged with intolerable radiancy,
Towering like rocks of jet
Above the burning deep:
And yet there is a moment
When the sun's highest point
Peers like a star o'er ocean's western edge,
When those far clouds of feathery purple gleam
Like fairy lands girt by some heavenly sea:
Then has thy rapt imagination soared
Where in the midst of all existing things
The temple of the mightiest Daemon stands.
Yet not the golden islands
That gleam amid yon flood of purple light,
Nor the feathery curtains
That canopy the sun's resplendent couch,
Nor the burnished ocean waves
Paving that gorgeous dome,
So fair, so wonderful a sight
As the eternal temple could afford.
The elements of all that human thought
Can frame of lovely or sublime, did join
To rear the fabric of the fane, nor aught
Of earth may image forth its majesty.
Yet likest evening's vault that fary hall,
As heaven low resting on the wave it spread
Its floors of flashing light,
Its vast and azure dome;
And on the verge of that obscure abyss
Where crystal battlements o'erhang the gulf
Of the dark world, ten thousand spheres diffuse
Their lustre through its adamantine gates.
The magic car no longer moved;
The Daemon and the Spirit
Entered the eternal gates.
Those clouds of ary gold
That slept in glittering billows
Beneath the azure canopy,
With the ethereal footsteps trembled not;
While slight and odorous mists
Floated to strains of thrilling melody
Through the vast columns and the pearly shrines.
The Daemon and the Spirit
Approached the overhanging battlement,
Below lay stretched the boundless universe!
There, far as the remotest line
That limits swift imagination's flight,
Unending orbs mingled in mazy motion,
Immutably fulfilling
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony,
Each with undeviating aim
In eloquent silence through the depths of space
Pursued its wondrous way.
Awhile the Spirit paused in ecstasy.
Yet soon she saw, as the vast spheres swept by,
Strange things within their belted orbs appear.
Like animated frenzies, dimly moved
Shadows, and skeletons, and fiendly shapes,
Thronging round human graves, and o'er the dead
Sculpturing records for each memory
In verse, such as malignant gods pronounce,
Blasting the hopes of men, when heaven and hell
Confounded burst in ruin o'er the world:
And they did build vast trophies, instruments
Of murder, human bones, barbaric gold,
Skins torn from living men, and towers of skulls
With sightless holes gazing on blinder heaven,
Mitres, and crowns, and brazen chariots stained
With blood, and scrolls of mystic wickedness,
The sanguine codes of venerable crime.
The likeness of a thrond king came by,
When these had passed, bearing upon his brow
A threefold crown; his countenance was calm,
His eye severe and cold; but his right hand
Was charged with bloody coin, and he did gnaw
By fits, with secret smiles, a human heart
Concealed beneath his robe; and motley shapes,
A multitudinous throng, around him knelt,
With bosoms bare, and bowed heads, and false looks
Of true submission, as the sphere rolled by.
Brooking no eye to witness their foul shame,
Which human hearts must feel, while human tongues
Tremble to speak, they did rage horribly,
Breathing in self-contempt fierce blasphemies
Against the Daemon of the World, and high
Hurling their armd hands where the pure Spirit,
Serene and inaccessibly secure,
Stood on an isolated pinnacle,
The flood of ages combating below,
The depth of the unbounded universe
Above, and all around
Necessity's unchanging harmony.
PART II
O happy Earth! reality of Heaven!
To which those restless powers that ceaselessly
Throng through the human universe aspire;
Thou consummation of all mortal hope!
Thou glorious prize of blindly-working will!
Whose rays, diffused throughout all space and time,
Verge to one point and blend for ever there:
Of purest spirits thou pure dwelling-place!
Where care and sorrow, impotence and crime,
Languor, disease, and ignorance dare not come:
O happy Earth, reality of Heaven!
Genius has seen thee in her passionate dreams,
And dim forebodings of thy loveliness,
Haunting the human heart, have there entwined
Those rooted hopes, that the proud Power of Evil
Shall not for ever on this fairest world
Shake pestilence and war, or that his slaves
With blasphemy for prayer, and human blood
For sacrifice, before his shrine for ever
In adoration bend, or Erebus
With all its banded fiends shall not uprise
To overwhelm in envy and revenge
The dauntless and the good, who dare to hurl
Defiance at his throne, girt tho' it be
With Death's omnipotence. Thou hast beheld
His empire, o'er the present and the past;
It was a desolate sightnow gaze on mine,
Futurity. Thou hoary giant Time,
Render thou up thy half-devoured babes,
And from the cradles of eternity,
Where millions lie lulled to their portioned sleep
By the deep murmuring stream of passing things,
Tear thou that gloomy shroud.Spirit, behold
Thy glorious destiny!
           The Spirit saw
The vast frame of the renovated world
Smile in the lap of Chaos, and the sense
Of hope thro' her fine texture did suffuse
Such varying glow, as summer evening casts
On undulating clouds and deepening lakes.
Like the vague sighings of a wind at even,
That wakes the wavelets of the slumbering sea
And dies on the creation of its breath,
And sinks and rises, fails and swells by fits,
Was the sweet stream of thought that with wild motion
Flowed o'er the Spirit's human sympathies.
The mighty tide of thought had paused awhile,
Which from the Daemon now like Ocean's stream
Again began to pour.
           To me is given
The wonders of the human world to keep
Space, matter, time and mindlet the sight
Renew and strengthen all thy failing hope.
All things are recreated, and the flame
Of consentaneous love inspires all life:
The fertile bosom of the earth gives suck
To myriads, who still grow beneath her care,
Rewarding her with their pure perfectness:
The balmy breathings of the wind inhale
Her virtues, and diffuse them all abroad:
Health floats amid the gentle atmosphere,
Glows in the fruits, and mantles on the stream;
No storms deform the beaming brow of heaven,
Nor scatter in the freshness of its pride
The foliage of the undecaying trees;
But fruits are ever ripe, flowers ever fair,
And Autumn proudly bears her matron grace,
Kindling a flush on the fair cheek of Spring,
Whose virgin bloom beneath the ruddy fruit
Reflects its tint and blushes into love.
The habitable earth is full of bliss;
Those wastes of frozen billows that were hurled
By everlasting snow-storms round the poles,
Where matter dared not vegetate nor live,
But ceaseless frost round the vast solitude
Bound its broad zone of stillness, are unloosed;
And fragrant zephyrs there from spicy isles
Ruffle the placid ocean-deep, that rolls
Its broad, bright surges to the sloping sand,
Whose roar is wakened into echoings sweet
To murmur through the heaven-breathing groves
And melodise with man's blest nature there.
The vast tract of the parched and sandy waste
Now teems with countless rills and shady woods,
Corn-fields and pastures and white cottages;
And where the startled wilderness did hear
A savage conqueror stained in kindred blood,
Hymning his victory, or the milder snake
Crushing the bones of some frail antelope
Within his brazen foldsthe dewy lawn,
Offering sweet incense to the sunrise, smiles
To see a babe before his mother's door,
Share with the green and golden basilisk
That comes to lick his feet, his morning's meal.
Those trackless deeps, where many a weary sail
Has seen, above the illimitable plain,
Morning on night and night on morning rise,
Whilst still no land to greet the wanderer spread
Its shadowy mountains on the sunbright sea,
Where the loud roarings of the tempest-waves
So long have mingled with the gusty wind
In melancholy loneliness, and swept
The desert of those ocean solitudes,
But vocal to the sea-bird's harrowing shriek,
The bellowing monster, and the rushing storm.
Now to the sweet and many-mingling sounds
Of kindliest human impulses respond:
Those lonely realms bright garden-isles begem,
With lightsome clouds and shining seas between,
And fertile valleys, resonant with bliss,
Whilst green woods overcanopy the wave,
Which like a toil-worn labourer leaps to shore,
To meet the kisses of the flowerets there.
Man chief perceives the change, his being notes
The gradual renovation, and defines
Each movement of its progress on his mind.
Man, where the gloom of the long polar night
Lowered o'er the snow-clad rocks and frozen soil,
Where scarce the hardiest herb that braves the frost
Basked in the moonlight's ineffectual glow,
Shrank with the plants, and darkened with the night:
Nor where the tropics bound the realms of day
With a broad belt of mingling cloud and flame,
Where blue mists through the unmoving atmosphere
Scattered the seeds of pestilence, and fed
Unnatural vegetation, where the land
Teemed with all earthquake, tempest and disease,
Was man a nobler being; slavery
Had crushed him to his country's blood-stained dust.
Even where the milder zone afforded man
A seeming shelter, yet contagion there,
Blighting his being with unnumbered ills,
Spread like a quenchless fire; nor truth availed
Till late to arrest its progress, or create
That peace which first in bloodless victory waved
Her snowy standard o'er this favoured clime:
There man was long the train-bearer of slaves,
The mimic of surrounding misery,
The jackal of ambition's lion-rage,
The bloodhound of religion's hungry zeal.
Here now the human being stands adorning
This loveliest earth with taintless body and mind:
Blest from his birth with all bland impulses,
Which gently in his noble bosom wake
All kindly passions and all pure desires.
Him, still from hope to hope the bliss pursuing,
Which from the exhaustless lore of human weal
Dawns on the virtuous mind, the thoughts that rise
In time-destroying infiniteness gift
With self-enshrined eternity, that mocks
The unprevailing hoariness of age,
And man, once fleeting o'er the transient scene
Swift as an unremembered vision, stands
Immortal upon earth: no longer now
He slays the beast that sports around his dwelling
And horribly devours its mangled flesh,
Or drinks its vital blood, which like a stream
Of poison thro' his fevered veins did flow
Feeding a plague that secretly consumed
His feeble frame, and kindling in his mind
Hatred, despair, and fear and vain belief,
The germs of misery, death, disease, and crime.
No longer now the wingd habitants,
That in the woods their sweet lives sing away,
Flee from the form of man; but gather round,
And prune their sunny feathers on the hands
Which little children stretch in friendly sport
Towards these dreadless partners of their play.
All things are void of terror: man has lost
His desolating privilege, and stands
An equal amidst equals: happiness
And science dawn though late upon the earth;
Peace cheers the mind, health renovates the frame;
Disease and pleasure cease to mingle here,
Reason and passion cease to combat there;
Whilst mind unfettered o'er the earth extends
Its all-subduing energies, and wields
The sceptre of a vast dominion there.
Mild is the slow necessity of death:
The tranquil spirit fails beneath its grasp,
Without a groan, almost without a fear,
Resigned in peace to the necessity,
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The deadly germs of languor and disease
Waste in the human frame, and Nature gifts
With choicest boons her human worshippers.
How vigorous now the athletic form of age!
How clear its open and unwrinkled brow!
Where neither avarice, cunning, pride, or care,
Had stamped the seal of grey deformity
On all the mingling lineaments of time.
How lovely the intrepid front of youth!
How sweet the smiles of taintless infancy.
Within the massy prison's mouldering courts,
Fearless and free the ruddy children play,
Weaving gay chaplets for their innocent brows
With the green ivy and the red wall-flower,
That mock the dungeon's unavailing gloom;
The ponderous chains, and gratings of strong iron,
There rust amid the accumulated ruins
Now mingling slowly with their native earth:
There the broad beam of day, which feebly once
Lighted the cheek of lean captivity
With a pale and sickly glare, now freely shines
On the pure smiles of infant playfulness:
No more the shuddering voice of hoarse despair
Peals through the echoing vaults, but soothing notes
Of ivy-fingered winds and gladsome birds
And merriment are resonant around.
The fanes of Fear and Falsehood hear no more
The voice that once waked multitudes to war
Thundering thro' all their aisles: but now respond
To the death dirge of the melancholy wind:
It were a sight of awfulness to see
The works of faith and slavery, so vast,
So sumptuous, yet withal so perishing!
Even as the corpse that rests beneath their wall.
A thousand mourners deck the pomp of death
To-day, the breathing marble glows above
To decorate its memory, and tongues
Are busy of its life: to-morrow, worms
In silence and in darkness seize their prey.
These ruins soon leave not a wreck behind:
Their elements, wide-scattered o'er the globe,
To happier shapes are moulded, and become
Ministrant to all blissful impulses:
Thus human things are perfected, and earth,
Even as a child beneath its mother's love,
Is strengthened in all excellence, and grows
Fairer and nobler with each passing year.
Now Time his dusky pennons o'er the scene
Closes in steadfast darkness, and the past
Fades from our charmd sight. My task is done:
Thy lore is learned. Earth's wonders are thine own.
With all the fear and all the hope they bring.
My spells are past: the present now recurs.
Ah me! a pathless wilderness remains
Yet unsubdued by man's reclaiming hand.
Yet, human Spirit, bravely hold thy course,
Let virtue teach thee firmly to pursue
The gradual paths of an aspiring change:
For birth and life and death, and that strange state
Before the naked powers that thro' the world
Wander like winds have found a human home,
All tend to perfect happiness, and urge
The restless wheels of being on their way,
Whose flashing spokes, instinct with infinite life,
Bicker and burn to gain their destined goal:
For birth but wakes the universal mind
Whose mighty streams might else in silence flow
Thro' the vast world, to individual sense
Of outward shows, whose unexperienced shape
New modes of passion to its frame may lend;
Life is its state of action, and the store
Of all events is aggregated there
That variegate the eternal universe;
Death is a gate of dreariness and gloom,
That leads to azure isles and beaming skies
And happy regions of eternal hope.
Therefore, O Spirit! fearlessly bear on:
Though storms may break the primrose on its stalk,
Though frosts may blight the freshness of its bloom,
Yet spring's awakening breath will woo the earth,
To feed with kindliest dews its favourite flower,
That blooms in mossy banks and darksome glens,
Lighting the green wood with its sunny smile.
Fear not then, Spirit, death's disrobing hand,
So welcome when the tyrant is awake,
So welcome when the bigot's hell-torch flares;
'Tis but the voyage of a darksome hour,
The transient gulf-dream of a startling sleep.
For what thou art shall perish utterly,
But what is thine may never cease to be;
Death is no foe to virtue: earth has seen
Love's brightest roses on the scaffold bloom,
Mingling with freedom's fadeless laurels there,
And presaging the truth of visioned bliss.
Are there not hopes within thee, which this scene
Of linked and gradual being has confirmed?
Hopes that not vainly thou, and living fires
Of mind as radiant and as pure as thou,
Have shone upon the paths of menreturn,
Surpassing Spirit, to that world, where thou
Art destined an eternal war to wage
With tyranny and falsehood, and uproot
The germs of misery from the human heart.
Thine is the hand whose piety would soothe
The thorny pillow of unhappy crime,
Whose impotence an easy pardon gains,
Watching its wanderings as a friend's disease:
Thine is the brow whose mildness would defy
Its fiercest rage, and brave its sternest will,
When fenced by power and master of the world.
Thou art sincere and good; of resolute mind,
Free from heart-withering custom's cold control,
Of passion lofty, pure and unsubdued.
Earth's pride and meanness could not vanquish thee.
And therefore art thou worthy of the boon
Which thou hast now received: virtue shall keep
Thy footsteps in the path that thou hast trod,
And many days of beaming hope shall bless
Thy spotless life of sweet and sacred love.
Go, happy one, and give that bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture from thy smile.
The Daemon called its wingd ministers.
Speechless with bliss the Spirit mounts the car,
That rolled beside the crystal battlement,
Bending her beamy eyes in thankfulness.
The burning wheels inflame
The steep descent of Heaven's untrodden way.
Fast and far the chariot flew:
The mighty globes that rolled
Around the gate of the Eternal Fane
Lessened by slow degrees, and soon appeared
Such tiny twinklers as the planet orbs
That ministering on the solar power
With borrowed light pursued their narrower way.
Earth floated then below:
The chariot paused a moment;
The Spirit then descended:
And from the earth departing
The shadows with swift wings
Speeded like thought upon the light of Heaven.
The Body and the Soul united then,
A gentle start convulsed Ianthe's frame:
Her veiny eyelids quietly unclosed;
Moveless awhile the dark blue orbs remained:
She looked around in wonder and beheld
Henry, who kneeled in silence by her couch,
Watching her sleep with looks of speechless love,
And the bright beaming stars
That through the casement shone.

~ Percy Bysshe Shelley, The Daemon Of The World
,
1388:Admetus: To My Friend, Ralph Waldo Emerson
He who could beard the lion in his lair,
To bind him for a girl, and tame the boar,
And drive these beasts before his chariot,
Might wed Alcestis. For her low brows' sake,
Her hairs' soft undulations of warm gold,
Her eyes' clear color and pure virgin mouth,
Though many would draw bow or shiver spear,
Yet none dared meet the intolerable eye,
Or lipless tusk, of lion or of boar.
This heard Admetus, King of Thessaly,
Whose broad, fat pastures spread their ample fields
Down to the sheer edge of Amphrysus' stream,
Who laughed, disdainful, at the father's pride,
That set such value on one milk-faced child.
One morning, as he rode alone and passed
Through the green twilight of Thessalian woods,
Between two pendulous branches interlocked,
As through an open casement, he descried
A goddess, as he deemed, — in truth a maid.
On a low bank she fondled tenderly
A favorite hound, her floral face inclined
Above the glossy, graceful animal,
That pressed his snout against her cheek and gazed
Wistfully, with his keen, sagacious eyes.
One arm with lax embrace the neck enwreathed,
With polished roundness near the sleek, gray skin.
Admetus, fixed with wonder, dared not pass,
Intrusive on her holy innocence
And sacred girlhood, but his fretful steed
Snuffed the large air, and champed and pawed the ground;
And hearing this, the maiden raised her head.
No let or hindrance then might stop the king,
Once having looked upon those supreme eyes.
The drooping boughs disparting, forth he sped,
And then drew in his steed, to ask the path,
Like a lost traveller in an alien land.
Although each river-cloven vale, with streams
Arrowy glancing to the blue Ægean,
Each hallowed mountain, the abode of gods,
Pelion and Ossa fringed with haunted groves,
The height, spring-crowned, of dedicate Olympus,
And pleasant sun-fed vineyards, were to him
Familiar as his own face in the stream,
Nathless he paused and asked the maid what path
Might lead him from the forest. She replied,
But still he tarried, and with sportsman's praise
Admired the hound and stooped to stroke its head,
And asked her if she hunted. Nay, not she:
Her father Pelias hunted in these woods,
Where there was royal game. He knew her now, —
Alcestis, — and her left her with due thanks:
No goddess, but a mortal, to be won
By such a simple feat as driving boars
And lions to his chariot. What was that
To him who saw the boar of Calydon,
The sacred boar of Artemis, at bay
In the broad stagnant marsh, and sent his darts
In its tough, quivering flank, and saw its death,
Stung by sure arrows of Arcadian nymph?
To river-pastures of his flocks and herds
Admetus rode, where sweet-breathed cattle grazed,
Heifers and goats and kids, and foolish sheep
Dotted cool, spacious meadows with bent heads,
And necks' soft wool broken in yellow flakes,
Nibbling sharp-toothed the rich, thick-growing blades.
One herdsmen kept the innumerable droves —
A boy yet, young as immortality —
In listless posture on a vine-grown rock.
Around him huddled kids and sheep that left
The mother's udder for his nighest grass,
Which sprouted with fresh verdure where he sat.
And yet dull neighboring rustics never guessed
A god had been among them till he went,
Although with him they acted as he willed,
Renouncing shepherds' silly pranks and quips,
10
Because his very presence made them grave.
Amphryssius, after their translucent stream,
They called him, but Admetus knew his name, —
Hyperion, god of sun and song and silver speech,
Condemned to serve a mortal for his sin
To Zeus in sending violent darts of death,
And raising hand irreverent, against
The one-eyed forgers of the thunderbolt.
For shepherd's crook he held the living rod
Of twisted serpents, later Hermes' wand.
Him sought the king, discovering soon hard by,
Idle, as one in nowise bound to time,
Watching the restless grasses blow and wave,
The sparkle of the sun upon the stream,
Regretting nothing, living with the hour:
For him, who had his light and song within,
Was naught that did not shine, and all things sang.
Admetus prayed for his celestial aid
To win Alcestis, which the god vouchsafed,
Granting with smiles, as grant all gods, who smite
With stern hand, sparing not for piteousness,
But give their gifts in gladness.
Thus the king
Led with loose rein the beasts as tame as kine,
And townsfolk thronged within the city streets,
As round a god; and mothers showed their babes,
And maidens loved the crowned intrepid youth,
And men would worship, though the very god
Who wrought the wonder dwelled unnoted nigh,
Divinely scornful of neglect or praise.
Then Pelias, seeing this would be his son,
As he had vowed, called for his wife and child.
With Anaxibia, Alcestis came,
A warm flush spreading o'er her eager face
In looking on the rider of the woods,
And knowing him her suitor and the king.
Admetus won Alcestis thus to wife,
And these with mated hearts and mutual love
11
Lived a life blameless, beautiful: the king
Ordaining justice in the gates; the queen,
With grateful offerings to the household gods,
Wise with the wisdom of the pure in heart.
One child she bore, — Eumelus, — and he throve.
Yet none the less because they sacrificed
The firstlings of their flocks and fruits and flowers,
Did trouble come; for sickness seized the king.
Alcestis watched with many-handed love,
But unavailing service, for he lay
With languid limbs, despite his ancient strength
Of sinew, and his skill with spear and sword.
His mother came, Clymene, and with her
His father, Pheres: his unconscious child
They brought him, while forlorn Alcestis sat
Discouraged, with the face of desolation.
The jealous gods would bind his mouth from speech,
And smite his vigorous frame with impotence;
And ruin with bitter ashes, worms, and dust,
The beauty of his crowned, exalted head.
He knew her presence, — soon he would not know,
Nor feel her hand in his lie warm and close,
Nor care if she were near him any more.
Exhausted with long vigils, thus the queen
Held hard and grievous thoughts, till heavy sleep
Possessed her weary senses, and she dreamed.
And even in her dream her trouble lived,
For she was praying in a barren field
To all the gods for help, when came across
The waste of air and land, from distant skies,
A spiritual voice divinely clear,
Whose unimaginable sweetness thrilled
Her aching heart with tremor of strange joy:
'Arise, Alcestis, cast away white fear.
A god dwells with you: seek, and you shall find.'
Then quiet satisfaction filled her soul
Almost akin to gladness, and she woke.
Weak as the dead, Admetus lay there still;
But she, superb with confidence, arose,
And passed beyond the mourners' curious eyes,
Seeking Amphryssius in the meadow-lands.
She found him with the godlike mien of one
12
Who, roused, awakens unto deeds divine:
'I come, Hyperion, with incessant tears,
To crave the life of my dear lord the king.
Pity me, for I see the future years
Widowed and laden with disastrous days.
And ye, the gods, will miss him when the fires
Upon your shrines, unfed, neglected die.
Who will pour large libations in your names,
And sacrifice with generous piety?
Silence and apathy will greet you there
Where once a splendid spirit offered praise.
Grant me this boon divine, and I will beat
With prayer at morning's gates, before they ope
Unto thy silver-hoofed and flame-eyed steeds.
Answer ere yet the irremeable stream
Be crossed: answer, O god, and save!'
She ceased,
With full throat salt with tears, and looked on him,
And with a sudden cry of awe fell prone,
For, lo! he was transmuted to a god;
The supreme aureole radiant round his brow,
Divine refulgence on his face, — his eyes
Awful with splendor, and his august head
With blinding brilliance crowned by vivid flame.
Then in a voice that charmed the listening air:
'Woman, arise! I have no influence
On Death, who is the servant of the Fates.
Howbeit for thy passion and thy prayer,
The grace of thy fair womanhood and youth,
Thus godlike will I intercede for thee,
And sue the insatiate sisters for this life.
Yet hope not blindly: loth are these to change
Their purpose; neither will they freely give,
But haggling lend or sell: perchance the price
Will countervail the boon. Consider this.
Now rise and look upon me.' And she rose,
But by her stood no godhead bathed in light,
But young Amphryssius, herdsman to the king,
Benignly smiling.
Fleet as thought, the god
Fled from the glittering earth to blackest depths
Of Tartarus; and none might say he sped
13
On wings ambrosial, or with feet as swift
As scouring hail, or airy chariot
Borne by flame-breathing steeds ethereal;
But with a motion inconceivable
Departed and was there. Before the throne
Of Ades, first he hailed the long-sought queen,
Stolen with violent hands from grassy fields
And delicate airs of sunlit Sicily,
Pensive, gold-haired, but innocent-eyed no more
As when she laughing plucked the daffodils,
But grave as one fulfilling a strange doom.
And low at Ades' feet, wrapped in grim murk
And darkness thick, the three gray women sat,
Loose-robed and chapleted with wool and flowers,
Purple narcissi round their horrid hair.
Intent upon her task, the first one held
The slender thread that at a touch would snap;
The second weaving it with warp and woof
Into strange textures, some stained dark and foul,
Some sanguine-colored, and some black as night,
And rare ones white, or with a golden thread
Running throughout the web: the farthest hag
With glistening scissors cut her sisters' work.
To these Hyperion, but they never ceased,
Nor raised their eyes, till with soft, moderate tones,
But by their powerful persuasiveness
Commanding all to listen and obey,
He spoke, and all hell heard, and these three looked
And waited his request:
'I come, a god,
At a pure mortal queen's request, who sues
For life renewed unto her dying lord,
Admetus; and I also pray this prayer.'
'Then cease, for when hath Fate been moved by prayer?'
'But strength and upright heart should serve with you.'
'Nay, these may serve with all but Destiny.'
'I ask ye not forever to forbear,
But spare a while, — a moment unto us,
A lifetime unto men.' 'The Fates swerve not
For supplications, like the pliant gods.
Have they not willed a life's thread should be cut?
With them the will is changeless as the deed.
14
O men! ye have not learned in all the past,
Desires are barren and tears yield no fruit.
How long will ye besiege the thrones of gods
With lamentations? When lagged Death for all
Your timorous shirking? We work not like you,
Delaying and relenting, purposeless,
With unenduring issues; but our deeds,
Forever interchained and interlocked,
Complete each other and explain themselves.'
'Ye will a life: then why not any life?'
'What care we for the king? He is not worth
These many words; indeed, we love not speech.
We care not if he live, or lose such life
As men are greedy for, — filled full with hate,
Sins beneath scorn, and only lit by dreams,
Or one sane moment, or a useless hope, —
Lasting how long? — the space between the green
And fading yellow of the grass they tread.'
But he withdrawing not: 'Will any life
Suffice ye for Admetus?' 'Yea,' the crones
Three times repeated. 'We know no such names
As king or queen or slave: we want but life.
Begone, and vex us in our work no more.'
With broken blessings, inarticulate joy
And tears, Alcestis thanked Hyperion,
And worshipped. Then he gently: 'Who will die,
So that the king may live?' And she: 'You ask?
Nay, who will live when life clasps hands with shame,
And death with honor? Lo, you are a god;
You cannot know the highest joy of life, —
To leave it when 't is worthier to die.
His parents, kinsmen, courtiers, subjects, slaves, —
For love of him myself would die, were none
Found ready; but what Greek would stand to see
A woman glorified, and falter? Once,
And only once, the gods will do this thing
In all the ages: such a man themselves
Delight to honor, — holy, temperate, chaste,
15
With reverence for his dæmon and his god.'
Thus she triumphant to the very door
Of King Admetus' chamber. All there saw
Her ill-timed gladness with much wonderment.
But she: 'No longer mourn! The king is saved:
The Fates will spare him. Lift your voice in praise;
Sing pæans to Apollo; crown your brows
With laurel; offer thankful sacrifice!'
'O Queen, what mean these foolish words misplaced?
And what an hour is this to thank the Fates?'
'Thrice blessed be the gods! — for God himself
Has sued for me, — they are not stern and deaf.
Cry, and they answer: commune with your soul,
And they send counsel: weep with rainy grief,
And these will sweeten you your bitterest tears.
On one condition King Admetus lives,
And ye, on hearing, will lament no more,
Each emulous to save.' Then — for she spake
Assured, as having heard an oracle —
They asked: 'What deed of ours may serve the king?'
'The Fates accept another life for his,
And one of you may die.' Smiling, she ceased.
But silence answered her. 'What! do ye thrust
Your arrows in your hearts beneath your cloaks,
Dying like Greeks, too proud to own the pang?
This ask I not. In all the populous land
But one need suffer for immortal praise.
The generous Fates have sent no pestilence,
Famine, nor war: it is as though they gave
Freely, and only make the boon more rich
By such slight payment. Now a people mourns,
And ye may change the grief to jubilee,
Filling the cities with a pleasant sound.
But as for me, what faltering words can tell
My joy, in extreme sharpness kin to pain?
A monument you have within my heart,
Wreathed with kind love and dear remembrances;
And I will pray for you before I crave
Pardon and pity for myself from God.
Your name will he the highest in the land,
16
Oftenest, fondest on my grateful lips,
After the name of him you die to save.
What! silent still? Since when has virtue grown
Less beautiful than indolence and ease?
Is death more terrible, more hateworthy,
More bitter than dishonor? Will ye live
On shame? Chew and find sweet its poisoned fruits?
What sons will ye bring forth — mean-souled like you,
Or, like your parents, brave — to blush like girls,
And say, 'Our fathers were afraid to die!'
Ye will not dare to raise heroic eyes
Unto the eyes of aliens. In the streets
Will women and young children point at you
Scornfully, and the sun will find you shamed,
And night refuse to shield you. What a life
Is this ye spin and fashion for yourselves!
And what new tortures of suspense and doubt
Will death invent for such as are afraid!
Acastus, thou my brother, in the field
Foremost, who greeted me with sanguine hands
From ruddy battle with a conqueror's face, —
These honors wilt thou blot with infamy?
Nay, thou hast won no honors: a mere girl
Would do as much as thou at such a time,
In clamorous battle, 'midst tumultuous sounds,
Neighing of war-steeds, shouts of sharp command,
Snapping of shivered spears; for all are brave
When all men look to them expectantly;
But he is truly brave who faces death
Within his chamber, at a sudden call,
At night, when no man sees, — content to die
When life can serve no longer those he loves.'
Then thus Acastus: 'Sister, I fear not
Death, nor the empty darkness of the grave,
And hold my life but as a little thing,
Subject unto my people's call, and Fate.
But if 't is little, no greater is the king's;
And though my heart bleeds sorely, I recall
Astydamia, who thus would mourn for me.
We are not cowards, we youth of Thessaly,
And Thessaly — yea, all Greece — knoweth it;
Nor will we brook the name from even you,
17
Albeit a queen, and uttering these wild words
Through your unwonted sorrow.' Then she knew
That he stood firm, and turning from him, cried
To the king's parents: 'Are ye deaf with grief,
Pheres, Clymene? Ye can save your son,
Yet rather stand and weep with barren tears.
O, shame! to think that such gray, reverend hairs
Should cover such unvenerable heads!
What would ye lose?— a remnant of mere life,
A few slight raveled threads, and give him years
To fill with glory. Who, when he is gone,
Will call you gentlest names this side of heaven, —
Father and mother? Knew ye not this man
Ere he was royal, — a poor, helpless child,
Crownless and kingdomless? One birth alone
Sufficeth not, Clymene: once again
You must give life with travail and strong pain.
Has he not lived to outstrip your swift hopes?
What mother can refuse a second birth
To such a son? But ye denying him,
What after-offering may appease the gods?
What joy outweigh the grief of this one day?
What clamor drown the hours' myriad tongues,
Crying, 'Your son, your son? where is your son,
Unnatural mother, timid, foolish man?'
Then Pheres gravely: 'These are graceless words
From you our daughter. Life is always life,
And death comes soon enough to such as we.
We twain are old and weak, have served our time,
And made our sacrifices. Let the young
Arise now in their turn and save the king.'
'O gods! look on your creatures! do ye see?
And seeing, have ye patience? Smite them all,
Unsparing, with dishonorable death.
Vile slaves! a woman teaches you to die.
Intrepid, with exalted steadfast soul,
Scorn in my heart, and love unutterable,
I yield the Fates my life, and like a god
Command them to revere that sacred head.
Thus kiss I thrice the dear, blind, holy eyes,
And bid them see; and thrice I kiss this brow,
And thus unfasten I the pale, proud lips
18
With fruitful kissings, bringing love and life,
And without fear or any pang, I breathe
My soul in him.'
'Alcestis, I awake.
I hear, I hear — unspeak thy reckless words!
For, lo! thy life-blood tingles in my veins,
And streameth through my body like new wine.
Behold! thy spirit dedicate revives
My pulse, and through thy sacrifice I breathe.
Thy lips are bloodless: kiss me not again.
Ashen thy cheeks, faded thy flowerlike hands.
O woman! perfect in thy womanhood
And in thy wifehood, I adjure thee now
As mother, by the love thou bearest our child,
In this thy hour of passion and of love,
Of sacrifice and sorrow, to unsay
Thy words sublime!' 'I die that thou mayest live.'
'And deemest thou that I accept the boon,
Craven, like these my subjects? Lo, my queen,
Is life itself a lovely thing, — bare life?
And empty breath a thing desirable?
Or is it rather happiness and love
That make it precious to its inmost core?
When these are lost, are there not swords in Greece,
And flame and poison, deadly waves and plagues?
No man has ever lacked these things and gone
Unsatisfied. It is not these the gods refuse
(Nay, never clutch my sleeve and raise thy lip), —
Not these I seek; but I will stab myself,
Poison my life and burn my flesh, with words,
And save or follow thee. Lo! hearken now:
I bid the gods take back their loathsome gifts:
I spurn them, and I scorn them, and I hate.
Will they prove deaf to this as to my prayers?
With tongue reviling, blasphemous, I curse,
With mouth polluted from deliberate heart.
Dishonored be their names, scorned be their priests,
Ruined their altars, mocked their oracles!
It is Admetus, King of Thessaly,
Defaming thus: annihilate him, gods!
So that his queen, who worships you, may live.'
He paused as one expectant; but no bolt
19
From the insulted heavens answered him,
But awful silence followed. Then a hand,
A boyish hand, upon his shoulder fell,
And turning, he beheld his shepherd boy,
Not wrathful, but divinely pitiful,
Who spake in tender, thrilling tones: 'The gods
Cannot recall their gifts. Blaspheme them not:
Bow down and worship rather. Shall he curse
Who sees not, and who hears not, — neither knows
Nor understands? Nay, thou shalt bless and pray, —
Pray, for the pure heart, purged by prayer, divines
And seeth when the bolder eyes are blind.
Worship and wonder, — these befit a man
At every hour; and mayhap will the gods
Yet work a miracle for knees that bend
And hands that supplicate.'
Then all they knew
A sudden sense of awe, and bowed their heads
Beneath the stripling's gaze: Admetus fell,
Crushed by that gentle touch, and cried aloud:
'Pardon and pity! I am hard beset.'
There waited at the doorway of the king
One grim and ghastly, shadowy, horrible,
Bearing the likeness of a king himself,
Erect as one who serveth not, — upon
His head a crown, within his fleshless hands
A sceptre, — monstrous, winged, intolerable.
To him a stranger coming 'neath the trees,
Which slid down flakes of light, now on his hair,
Close-curled, now on his bared and brawny chest,
Now on his flexile, vine-like veinéd limbs,
With iron network of strong muscle thewed,
And godlike brows and proud mouth unrelaxed.
Firm was his step; no superfluity
Of indolent flesh impeded this man's strength.
Slender and supple every perfect limb,
Beautiful with the glory of a man.
No weapons bare he, neither shield: his hands
Folded upon his breast, his movements free
Of all incumbrance. When his mighty strides
20
Had brought him nigh the waiting one, he paused:
'Whose palace this? and who art thou, grim shade?'
'The palace of the King of Thessaly,
And my name is not strange unto thine ears;
For who hath told men that I wait for them,
The one sure thing on earth? Yet all they know,
Unasking and yet answered. I am Death,
The only secret that the gods reveal.
But who art thou who darest question me?'
'Alcides; and that thing I dare not do
Hath found no name. Whom here awaitest thou?'
'Alcestis, Queen of Thessaly, — a queen
Who wooed me as the bridegroom woos the bride,
For her life sacrificed will save her lord
Admetus, as the Fates decreed. I wait
Impatient, eager; and I enter soon,
With darkening wing, invisible, a god,
And kiss her lips, and kiss her throbbing heart,
And then the tenderest hands can do no more
Than close her eyes and wipe her cold, white brow,
Inurn her ashes and strew flowers above.'
'This woman is a god, a hero, Death.
In this her sacrifice I see a soul
Luminous, starry: earth can spare her not:
It is not rich enough in purity
To lose this paragon. Save her, O Death!
Thou surely art more gentle than the Fates,
Yet these have spared her lord, and never meant
That she should suffer, and that this their grace,
Beautiful, royal on one side, should turn
Sudden and show a fearful, fatal face.'
'Nay, have they not? O fond and foolish man,
Naught comes unlooked for, unforeseen by them.
Doubt when they favor thee, though thou mayest laugh
When they have scourged thee with an iron scourge.
Behold, their smile is deadlier than their sting,
And every boon of theirs is double-faced.
Yea, I am gentler unto ye than these:
I slay relentless, but when have I mocked
With poisoned gifts, and generous hands that smite
Under the flowers? for my name is Truth.
Were this fair queen more fair, more pure, more chaste,
21
I would not spare her for your wildest prayer
Nor her best virtue. Is the earth's mouth full?
Is the grave satisfied? Discrown me then,
For life is lord, and men may mock the gods
With immortality.' 'I sue no more,
But I command thee spare this woman's life,
Or wrestle with Alcides.' 'Wrestle with thee,
Thou puny boy!' And Death laughed loud, and swelled
To monstrous bulk, fierce-eyed, with outstretched wings,
And lightnings round his brow; but grave and firm,
Strong as a tower, Alcides waited him,
And these began to wrestle, and a cloud
Impenetrable fell, and all was dark.
'Farewell, Admetus and my little son,
Eumelus, — O these clinging baby hands!
Thy loss is bitter, for no chance, no fame,
No wealth of love, can ever compensate
For a dead mother. Thou, O king, fulfill
The double duty: love him with my love,
And make him bold to wrestle, shiver spears,
Noble and manly, Grecian to the bone;
And tell him that his mother spake with gods.
Farewell, farewell! Mine eyes are growing blind:
The darkness gathers. O my heart, my heart!'
No sound made answer save the cries of grief
From all the mourners, and the suppliance
Of strick'n Admetus: ' O have mercy, gods!
O gods, have mercy, mercy upon us!'
Then from the dying woman's couch again
Her voice was heard, but with strange sudden tones:
'Lo, I awake, — the light comes back to me.
What miracle is this?' And thunders shook
The air, and clouds of mighty darkness fell,
And the earth trembled, and weird, horrid sounds
Were heard of rushing wings and fleeing feet,
And groans; and all were silent, dumb with awe,
Saving the king, who paused not in his prayer:
'Have mercy, gods!' and then again, 'O gods,
Have mercy!'
22
Through the open casement poured
Bright floods of sunny light; the air was soft,
Clear, delicate as though a summer storm
Had passed away; and those there standing saw,
Afar upon the plain, Death fleeing thence,
And at the doorway, weary, well-nigh spent,
Alcides, flushed with victory.
~ Emma Lazarus,
1389:A Tale Of True Love
Not in the mist of legendary ages,
Which in sad moments men call long ago,
And people with bards, heroes, saints, and sages,
And virtues vanished, since we do not know,
But here to-day wherein we all grow old,
But only we, this Tale of True Love will be told.
For Earth to tender wisdom grows not older,
But to young hearts remains for ever young,
Spring no less winsome, Winter winds no colder,
Than when tales first were told, songs first were sung.
And all things always still remain the same,
That touch the human heart, and feed Love's vestal flame.
And, if you have ears to hear and eyes for seeing,
Maidens there be, as were there in your youth,
That round you breathe, and move, and have their being,
Fair as Greek Helen, pure as Hebrew Ruth;
With Heaven-appointed poets, quick to sing
Of blameless warrior brave, and wisdom-counselled king.
And, tho' in this our day, youth, love, and beauty,
Are far too often glorified as slave
Of every sense except the sense of Duty,
In fables that dishonour and deprave,
The old-world Creeds still linger, taught us by
The pious lips that mute now in the churchyard lie.
And this true simple tale in verse as simple
Will from its prelude to its close be told,
As free from artifice as is the dimple
In childhood's cheek, whereby is age consoled.
And haply it may soothe some sufferer's lot,
When noisier notes are husht, and newer ones forgot.
And think not, of your graciousness, I pray you,
Who tells the tale is one of those who deem
That love will beckon only to betray you,
Life an illusion, happiness a dream;
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Only that noble grief is happier far
Than transitory lusts and feverish raptures are.
It was the season when aggressive Winter,
That had so long invested the sealed world,
With frosts that starve and hurricanes that splinter,
And rain, hail, blizzard, mercilessly hurled,
Made one forlorn last effort to assail
Ere Spring's relieving spears came riding on the gale.
For Amazonian March with breast uncovered
Blew loud her clarion, and the wintry host
Took courage fresh and lingeringly hovered
Round vale and hill, wherever needed most;
And ever and anon the raging weather
And wolfish winds re-formed, and onward swept together,
Loud-bellowing to the thunder-clouds to follow:
But all in vain, for here, there, everywhere,
Primrose battalions, seizing ridge and hollow,
Dingle, and covert, wind-flowers wild that dare
Beyond their seeming, bluebells without sound,
And scentless violets peeped, to spring up from the ground.
And, covering their advance, swift-scouring showers,
Gathering, dispersing, skirmished through the sky,
Till squadrons of innumerable flowers
Thronged through the land far as you could descry.
Then Winter, smitten with despair and dread,
Folded his fluttering tents, sounded retreat, and fled.
Whereat the land, so long beleaguered, seeing
The peril past, and Winter's iron ring
Broken, and all his cohorts norward fleeing,
Came forth to welcome and embrace the Spring,
Spring the Deliverer, and from sea and shore
Rose the rejoicing shout, ``See, April dawns once more!''
Radiant she came, attended by her zephyrs,
And forth from dusky stall and hurdled fold
Poured lowing kine and sleeky-coated heifers,
To roam at will through pastures green and gold,
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Where unweaned lambs from morning until night
Raced round their nibbling dams, and frolicked with delight.
High up, on larch and cypress, merle and mavis
Vociferated love-lays sweet as strong,
And the bird dear to Homer and to Hafiz
Proclaimed the joy of sadness all night long;
Vowed each new Spring more Spring-like than the last,
And triumphed over Time, futile iconoclast.
Then imperceptibly and slowly rounded
Slim girlish April into maiden May,
Whereat still louder everywhere resounded
The cuckoo's call and throstle's roundelay.
It was as though in meadow, chase, and wood,
God made the world anew, and saw that it was good.
Then feudal Avoncourt, the stern and stately,
Whose dawn deep hidden in undated days,
Not like those palaces erected lately
Whose feet swift crumble, and whose face decays,
Defieth Time's insatiable tooth,
Relaxed grave gaze and wore the countenance of youth.
It had beheld kings and proud empires vanish,
Male sceptres shattered, princedoms pass away,
Norman, Plantagenet, Lombard, Swabian, Spanish,
Rise, rule, then totter, and topple from their sway;
York and Lancastrian Rose unfold and bloom,
Then canker and decay, and vanish in the tomb.
It faces the four winds with like demeanour
Norward as Southernward, as though to say,
``Blow from some other, stronger and still keener,
Wherefrom you will, and I will face that way.''
And round it as you roam, to gaze perplexed
Each side seems loveliest till you look upon the next.
Its present seeming unto ages Tudor
It owes, by unnamed, unknown hands designed,
Who planned and worked amid a folk deemed ruder,
But who with grace enduring strength combined.
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Like sturdy oak with all its leaves still on,
When foliage from elm and sycamore have gone.
Upon its delicate, lofty-jutting portal
Imaginative minds and hands have wrought
Of dead artificers once deemed immortal,
From Southern climes by kings and magnates brought,
When architects and sculptors smiled in scorn
On plain defensive days and called the world reborn.
But time hath mellowed mullion, roof, and gable,
Stone-work without, and wainscotting within;
And nigh them oaken-timbered barn and stable,
Lowlier, withal of countenance akin,
Cluster, for in times olden, meek, and proud,
Being nearer much than now, their kinship was avowed.
From it slope woodlands and long alleys shaded,
Saving that all around it and more near
Stretches wild chase by ploughshare uninvaded,
Where roam rough cattle and unherded deer,
That look up as you pass from brackened sod,
Then flee with step as fleet as that whereon they trod.
Through vale below from many a source unfailing
A river flows where deft hands cast the line,
Well stocked with wary trout and bolder grayling.
Through smooth, fat pastures dotted o'er with kine
League after league the water winds away,
Oft turning as though loth from Avoncourt to stray.
It was in the sweet season that hath ravished
The virgin heart since ever love began,
A maiden, upon whom had Nature lavished
Each fair gift given to maiden or to man,
Roamed all alone through windings of its wood,
Seeking the way to where Avoncourt haply stood.
Onward in search of it she went, but slowly,
For who could hasten through so fresh a scene,
With violets paved, the lovelier because lowly,
And pallid primroses on ground of green;
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While overhead each bird that hath a voice
Seemed in its own blithe notes to revel and rejoice.
And ever and anon she gazed around her,
Or knelt to gather some appealing flower,
And to dear God, the Father and the Founder
Of all things good, the all-protecting Power,
Breathed a brief prayer of thanks within her breast,
Feeling she roamed in Heaven on earth made manifest.
Sometimes she broke into spontaneous singing,
Such as fond nurse to fretful babe might sing,
Whose close as sudden is as its beginning.
Herself she seemed a portion of the Spring
Which, if she went, would lose the chiefest part
Of that which charms the gaze and captivates the heart.
At length she passed from out these paths embowered
To where meek does, young fawns, and shaggy beeves
Ranged amid bracken; but the House, that towered
Full nigh at hand, for intercepting leaves
She still descried not, so, advancing under
An arch of hornbeam, stood in husht, astonied wonder.
For there it rose as silent and abstracted
As though it nothing shared or had to say
With those that shadow-like have lived and acted
Upon the stage we call our later day;
From passing passions thoughtfully aloof,
Through age, not pride, without lamenting or reproof.
Then slowly timid, tentative explorer,
Longing to see yet dreading to be seen,
Asudden living figure rose before her
Of manly mould and meditative mien;
Modern, withal with air of ancient port,
As if the same blood flowed through him and Avoncourt.
``Forgive,'' she said, ``an overbold intruder!''
``I doubt if anywhere you would intrude;
But sooth none do on this survival Tudor,
Who visit its old age in reverent mood.''
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``And that indeed I do. I never saw
Aught that I so admired, or felt for so much awe.''
``Will you, I round it willingly can guide you,
Unless-and, told, shall fully understand,Wander you rather would with none beside you
To mar the silence of the windless land,
Saving Spring's choristers, whose constant trills
One hears or doth not hear, according as one wills.''
``You know it well?'' she asked. ``I ought to know it.
Here was I born, here grew to boy's estate,
Pored o'er the page of storier and poet,
All that is big, magnanimous, and great,
Hardened my own, tried my dear Mother's nerves,
Robbed the home orchard, poached my Father's own preserves.''
``And are you now its occupant and possessor?''
``So called, alas! whose ancestors have paid
The final tax, by Death the stern assessor
On all poor mortals equitably laid.
I have a leasehold; no one can have more,
This side at least the vague, still-undiscovered shore.''
Thereat there fell a silence on their speaking,
And on they moved, he follower more than guide;
Oblivious she what 'twas that she was seeking,
Since conscious now of manhood at her side.
Withal, so much there was to lure her gaze,
That his on her could rest, nor stint its look of praise.
Then when they reached the Jacobean portal,
Back rolled its doors of iron brace and stay,
On grooves that seemed more cut for feet immortal
Than for a feeble transitory day,
And mounted oaken stair axe-hewn, unplaned,
With lion-headed piers unpolished and unstained.
From coffered ceiling hung down tattered banners,
And weapons warlike deadly deemed no more
Were parked on landing; grants of ancient manors,
With charts and parchments of black-letter lore,
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Stacked spears and dinted armour; ebon presses
With jealous bolts stood locked in embrasured recesses.
Chamber on chamber wainscotted and spacious
Was lined with effigies of warriors wise,
Reticent rulers, dames revered and gracious,
Whose fingers wove the silken tapestries,
Time-toned but faded not, that draped the wall
Of gallery long and straight, and square-set banquet-hall.
About lay obsolete instruments, wheel and spindle,
When women read much less and knew much more,
Huge logs for early-rising maids to kindle
On deep-set hearths, mottoes of lasting lore
In ancient tongues, Norman, or Saxon stave,
Bidding man live and die, meek, pious, steadfast, brave.
And many a question asked she, always getting
The answer craved for, given prompt and plain.
``But look,'' she said, ``the sun will soon be setting,
And that old dial-hand that doth nor gain
Nor lose, I am sure, in its diurnal pace,
Reproves me I still lag in this enthralling place.''
``Then come again,'' he answered, ``at your leisure,''
And led her outward where the ancient pile
Looked as though dwelt within no special treasure,
And owned no spell nor charm save sunset's smile;
Like one of those large natures that betray
No sign that they are made of more than common clay.
``And may I ask, your homeward footsteps, whither?
What! there! it is on Avoncourt estate,
And I by shorter path can guide you thither
Than that you came by, fear you to be late.
You lodge with much-loved tenants, for the wife
My foster-parent was in rosy-dawning life.''
``She did not tell me that; but sooth our meeting
Was but two days back, though I quickly saw
That she for you would evermore be bleating
With voice of blent solicitude and awe.''
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``'Tis so: on Sundays with a spirit meek
She worships God, then me the rest of all the week.''
Wending and winding under curved ways shaded,
Wider than heretofore, they farmward trod,
While twilight incense all the air pervaded
Round flower-decked altar at the shrine of God,
This sacred Earth, and for approaching night
One star kept watch, as yet Heaven's only lamp alight.
To her it seemed the Real and Ideal
At last were one, and every bird that sings
Joined prayerfully in chorus hymeneal,
Ere folding music underneath its wings.
How little did she guess that ambushed grief
Watched all her thoughts and lurked 'neath every dewy leaf!
``Are both your parents at the farmstead staying?''
``Alas!'' she said, ``like yours, they both abide
My coming further off, and in my praying
Alone survive; my guardian and my guide
My Mother's sister, whom we there shall find,
Most loving and most loved of living womankind.''
Where buttressed Church with crenellated Tower
Over the village still kept watch and ward;
``For these,'' he said, ``inherited have that power,
The pious citadels of peace that guard
The sin-beleaguered soul, and still repel
From humble homes and hearts the ravening hosts of hell.''
Within were monuments of home-delved marble,
Whereon lay figures of his race and name,
Crusaders whose dead deeds no time can garble,
Learning destroy, malignity defame:
Legs crossed, feet resting against faithful hound,
And, at their side, their dames and children kneeling round.
Then would they wend them valeward to the river,
And he cast line that neither curled nor sank.
Round ran the reel, then the lithe rod would quiver,
And May-fly trout lie gasping on the bank,
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Or, like a flying shadow through the stream,
Startled, would pass to pool sheltered from noonday gleam.
Which pleased her most, for sooth she thought sport cruel,
Yet watched it for the sake of his rare skill,
But happiest when asudden wingèd jewel,
The king-fisher, disturbed near rustic mill,
Darted, and deep into its nest withdrew,
Shortly to issue forth, and, flickering, raid anew.
So passed the days unnoticed and uncounted,
As louder, longer, later, piped the merle,
And cuckoo oftener called, if harsher throated,
And hawthorn decked itself with loops of pearl.
It seemed a world reborn without its woes:
Woodbine was in the lanes, and everywhere the rose.
All things that are in that seductive season
In them struck root and with them got entwined;
Looking before or after had seemed treason
To the free heart and unconditioned mind,
As daily tightened beyond time's control
That strongest of all ties, the kinship of the soul.
And deeper into bliss they wandered blindly,
While woe and wet winds kept from them aloof,
As from screened homestead visitings unkindly,
Where old-world windows under gabled roof
Seem gazing at the present from the past,
And wondering how long such happiness will last.
Ah me! the days of Summer, not of Winter,
The shortest are and swiftest glide away,
And leaves of Autumn, sober mezzotinter,
Linger far longer than the blooms of May.
Time that, when fledged by joy, finds wings to fly,
With sorrow for its load limps slowly, wearily.
One evening, as they watched the sunset fading,
``To strangers Avoncourt must never pass,
For that would be dishonouring and degrading,''
Thinking aloud he said: ``withal, alas!
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Sit by its hearth they must, and much I fear
That there they must abide for many a coming year.
``No fault of mine nor yet of those now sleeping
In tombs ancestral. Unrelenting time,
That hath the future in its unseen keeping,
Hath lowered the lofty, let the lowly climb,
And swept away the sustenance of my home.
What is there that endures? Go ask of Greece or Rome.
``Mullion from sill, transom from beam, is cracking,
Beauty and majesty their only stay;
And, save new wealth supply what now is lacking,
These too in turn will slowly pass away.
And I must save and strive in duteous ways,
So irksome felt by most in these luxurious days.''
``There is another way, some deem a duty,
None call unworthy,'' slowly she replied.
``Women there be, gifted with charm and beauty,
On whom hath Fortune lavished wealth beside.''
``I am not made like that,'' he firmly said;
``I but for love alone should ever woo or wed.''
And, as he said it, on her face he centred
Strong tender gaze, as though to search her soul,
Which straight so deep into her being entered,
She felt a current beyond will's control.
Crimsoning she turned aside, and thus confessed
The secret she had thought to hide within her breast.
Out of a cloud long gathering burst a flashing,
Followed by thunder's discontented sound;
And straight they heard slow big round raindrops plashing
On the green leaves o'erhead and emerald ground.
``Hark! I must hasten home,'' she said, ``before
The storm-wrack breaks.''-``And I will see you to your door.''
All through the morrow much he seemed to ponder,
And oft would halt and gaze upon the ground,
Or look out fixedly on something yonder,
Unseen by others, which at last he found,
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And then strode quickly on, since he had solved
The doubt that would die out oftener the years revolved.
``Yes, for she hath that higher understanding
That routs Life's phantoms with a fearless face,
And knows, when spectral enemies throng banding,
The good from bad, the noble from the base.
To-morrow will I offer, ask for, all,
Love, Faith, and Hope can give, whatever else befall.''
But on the morrow came she not. More lonely,
Wandering, he felt than ever heretofore;
Nor on the morrow's morrow, and he only
Could wait her will, nor wend unto their door
Till wearily some doubtful days crept on,
And then the farmstead sought, to find its guests had gone!
Gone three days back, and none knew why or whither.
Then he with promptitude unleashed his mind,
In search for trace, now hither and now thither,
But trace or tidings nowhere could he find.
Still unremittingly he sought: in vain
Was search within our shore, was search beyond the main.
Slowly the glory from the Summer faded,
And ominously leaves began to fall;
And ever and anon harsh gusts invaded
Avoncourt, moaning through deserted hall,
And roaring woefully up chimney wide;
And mute the deerhound clung unto her master's side,
Or gazed at him with sad look sympathetic,
As though it too missed what its master missed.
``Ah, Lufra!'' said he in a voice prophetic,
``She is gone, and we shall never see her more.
Cling you to me, and I will take you where
Wander awhile I must, wherever I may fare.
``No more than you can I unmask the meaning
Of hapless things that baffle mortal vows.''
Then, sighing, saw he white-haired Winter gleaning,
Amid the crackling drift and fallen boughs
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That lay on avenue, chase, and garden garth,
Fuel to feed faint flame upon her widowed hearth.
He was not one of those who love to wrangle
Before the populace for place and power,
Or fight for wealth with weapons that but strangle
The nobler passions, manhood's richest dower.
``I will return when wound shall less be felt,
And work among my folk, dwelling where once she dwelt.''
Farewell he took of wood-reeve, keeper, ranger,
And tenants grave with grief, and some in tears,
And order gave that Avoncourt to stranger
Be leased for maybe many coming years;
Then crossed the vigilant, unsleeping sea
That ranges round our Isle, to keep it great and free.
He lingered not in that vain-glorious city,
Whose Rulers pass the sceptre to the crowd,
But wended to the Land where amorous ditty
By swain at work to maid is sung aloud;
Where life is simple, and unchanging ways
Of tillage still recall loved Virgil's rustic lays:
Where on majestic pedestals the mighty
Marble imaginings of Art august,
Thought-wrinkled Zeus and dimpled Aphrodité,
Exact our homage and command our trust;
Immortal gods whose never-ending sway
Rebellion cannot shake nor scoffing sweep away.
And in that high companionship he slowly
Stifled his sighs and cicatrised his wound,
And, with the griefs the lofty and the lowly
Alike must feel, his share of pain attuned;
More willingly, it may be, since he knew
He unto love and loss would evermore keep true.
Ofttimes he stood by shrines where peasants kneeling
Told of their sorrows to the Mother-Maid,
Unto celestial sympathy appealing
From the world's pitiless splendour and parade;
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And in that sight he resignation found,
With sun, and sea, and sky, and mountain-peaks around.
So that when nigh upon a year had vanished
Homeward his longing and his looks were cast,
Feeling 'twere base to longer stay self-banished,
Grafting his future on a fruitless past.
And soon his steadfast journeying came to close,
Where Avoncourt amid its unchanged woodlands rose.
It had meanwhile been leased to lately wedded
Tenants, unknown to Fame, but well endowed
With what could rescue it from fate so dreaded
Of slow decay and ruin-mantling shroud,
And who already had done much to win
Its walls from storm without, and worm and moth within.
So, as in duty bound, he promptly started
From home prepared for him on his estate,
With cheerful step if somewhat heavy-hearted,
To visit those who lived within his gate;
Ascending through the woodland's winding ways,
That wore more careful mien than in the bygone days.
It was the dawn of Autumn, very season
When he from further search for her forbore,
Whom to forget had seemed to him a treason,
Though well he knew he ne'er should see her more.
Sound, sight, scent, yellowing elm, and conecrowned fir,
Sunshine and shade alike, reminded him of her.
But, resolute to curb regret, he entered,
And, led through hall and corridor, he wound
To long ancestral gallery, and centred
His curious gaze on what he saw around.
It seemed to have lost no look of days gone by,
Withal to blend young smile with ancient majesty.
Still on the walls the effigies ancestral,
In armour or in ermine, hung unchanged,
With the device of wild boar, wolf, or kestrel,
That once in English forests freely ranged;
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With later draperies that seemed to bring
Distance more near and shed a grace round everything.
While gazing out on well-remembered garden,
Where old yew hedges screened new-planted rose,
Against whose beauty none his heart could harden,
He heard a door soft open and then close.
And, turning, saw Egeria, with a face
Pale as a moon that moves alone through lonely space!
``Are you a guest,'' he said, ``in my poor dwelling?''
``I am,'' she answered, ``your-your tenant's wife.
Hear me in patience, dear, while I am telling
What tell I must, but tell this once for life.''
Whereat they towards each other drew more near:
One spoke, one listened, both without a sob or tear.
``I loved, I love you. Noble since I know you,
Here I confess that I shall love you still;
Since you will never show me nor I show you
More tenderness than now, for such God's will.
Knowing I should, love once avowed, rejoice,
Should not refuse your love, could not resist your voice,
``From you I fled, and steadfast left behind me
No word to weaken you, no sign, no trace,
Whereby your manliness could following find me.
For well I knew, that day your face my face
Scanned in strong silence, probing to my heart,
Love once confessed, no power could keep our lives apart.
``And well, too well I knew, for all things told me,
Men's tongues, the air, I thus should wreck your life,
And Avoncourt reproachfully behold me
A selfish bride and paralysing wife;
That duty had decreed a harder fate
For you, for me. If wrong, I know the right too late.
``In innocency's life there comes an hour
When stands revealed what it could never guess:
That there is magical and mystic power
To make love strong or leave it powerless;
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If felt, if given without one selfish thought,
That Love is Wisdom's self, and all beside is nought.
``Ask me no more, I beg, than what I tell you:
I am your tenant, at another's will.
How, wherefore, when, on that which then befell, you,
Though I be mute, will understand me still.
Forgive, but ne'er forget me. Now depart,
Till to endurance Time shall mellowed have the smart.''
Her hand she stretched towards him, and, low bending,
On it his lips he reverently laid,
As on some sacred relic pilgrims wending
From far-off land with faith still undecayed.
Then he went forth, and she remained, alone,
Stern Duty unassailed upon its sovran throne.
But with the morrow's dawn there came the tidings
How that a crafty, freedom-loathing race,
Its schemes unmasked, had come from out its hidings,
And flung defiance in its Suzerain's face,
Then on his open territories burst,
Proclaiming these annexed unto its rule accursed.
Then England said, ``I must endure no longer
This long-conspiring, now presumptuous brood,
But must assert the Sceptre of the stronger
Against their vapourings vain and challenge rude,
Who have against me their false flag unfurled,
Urged to their ruin by an Empire-envying world.''
Nor England only, nor main-moated Britain,
But their brave offspring homed beyond the sea,
In righteous wrath arose, and, duty-smitten,
Vowed that their Afric brethren should be free
To think and speak the thing they would, and dwell
Equal and safe around Law's peaceful citadel.
Then said Sir Alured, ``Against such foemen
I too will ride and strike,'' and round him drew
All Avoncourt's hard-knit, well-mounted yeomen,
And to his lands ancestral bade adieu.
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Beneath him seethed the waters no one barred,
Over the wave-wide track our steel-shod sentries guard.
And day by day Egeria scans and watches
The ebb and flow of fluctuating war,
And ofttimes sees his name in terse dispatches
Shine among those that most distinguished are.
Then pride and terror in her heart contend,
And low she prays anew, ``Dear God! his life befriend!''
And when she reads of some fresh deed of daring
That decorates his breast and crowns his brow,
Sparing of others, of himself unsparing,
She weeps apart where no one sees. But now
This Tale of True Love hath been truly told.
May it by some be read, and by it some consoled!
~ Alfred Austin,
1390:Of The Four Humours In Mans Constitution.
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
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I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,
To storm a breach, or scale a city wall,
In dangers to account himself more sure
Then timerous Hares whom Castles do immure?
Have you not heard of worthyes, Demi-Gods?
Twixt them and others what is't makes the odds
But valour? whence comes that? from none of you,
Nay milksops at such brunts you look but blew.
Here's sister ruddy, worth the other two,
Who much will talk, but little dares she do,
Unless to Court and claw, to dice and drink,
And there she will out-bid us all, I think,
She loves a fiddle better then a drum,
A Chamber well, in field she dares not come,
She'l ride a horse as bravely as the best,
And break a staff, provided 'be in jest;
But shuns to look on wounds, & blood that's spilt,
She loves her sword only because its gilt.
Then here's our sad black Sister, worse then you.
She'l neither say she will, nor will she doe;
But peevish Malecontent, musing sits,
And by misprissions like to loose her witts:
If great perswasions cause her meet her foe,
In her dull resolution she's so slow,
To march her pace to some is greater pain
Then by a quick encounter to be slain.
But be she beaten, she'l not run away,
She'l first advise if't be not best to stay.
Now let's give cold white sister flegme her right,
So loving unto all she scorns to fight:
If any threaten her, she'l in a trice
Convert from water to congealed ice:
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Her teeth will chatter, dead and wan's her face,
And 'fore she be assaulted, quits the place.
She dares not challeng, if I speak amiss,
Nor hath she wit or heat to blush at this.
Here's three of you all see now what you are,
Then yield to me preheminence in war.
Again who fits for learning, science, arts?
Who rarifies the intellectual parts:
From whence fine spirits flow and witty notions:
But tis not from our dull, slow sisters motions:
Nor sister sanguine, from thy moderate heat,
Poor spirits the Liver breeds, which is thy seat.
What comes from thence, my heat refines the same
And through the arteries sends it o're the frame:
The vital spirits they're call'd, and well they may
For when they fail, man turns unto his clay.
The animal I claim as well as these,
The nerves, should I not warm, soon would they freeze
But flegme her self is now provok'd at this
She thinks I never shot so far amiss.
The brain she challengeth, the head's her seat;
But know'ts a foolish brain that wanteth heat.
My absence proves it plain, her wit then flyes
Out at her nose, or melteth at her eyes.
Oh who would miss this influence of thine
To be distill'd, a drop on every Line?
Alas, thou hast no Spirits; thy Company
Will feed a dropsy, or a Tympany,
The Palsy, Gout, or Cramp, or some such dolour:
Thou wast not made, for Souldier or for Scholar;
Of greazy paunch, and bloated cheeks go vaunt,
But a good head from these are dissonant.
But Melancholy, wouldst have this glory thine,
Thou sayst thy wits are staid, subtil and fine;
'Tis true, when I am Midwife to thy birth
Thy self's as dull, as is thy mother Earth:
Thou canst not claim the liver, head nor heart
Yet hast the Seat assign'd, a goodly part
The sinke of all us three, the hateful Spleen
Of that black Region, nature made thee Queen;
Where pain and sore obstruction thou dost work,
Where envy, malice, thy Companions lurk.
69
If once thou'rt great, what follows thereupon
But bodies wasting, and destruction?
So base thou art, that baser cannot be,
Th'excrement adustion of me.
But I am weary to dilate your shame,
Nor is't my pleasure thus to blur your name,
Only to raise my honour to the Skies,
As objects best appear by contraries.
But Arms, and Arts I claim, and higher things,
The princely qualities befitting Kings,
Whose profound heads I line with policies,
They'r held for Oracles, they are so wise,
Their wrathful looks are death their words are laws
Their Courage it foe, friend, and Subject awes;
But one of you, would make a worthy King
Like our sixth Henry (that same virtuous thing)
That when a Varlet struck him o're the side,
Forsooth you are to blame, he grave reply'd.
Take Choler from a Prince, what is he more
Then a dead Lion, by Beasts triumph'd o're.
Again you know, how I act every part
By th'influence, I still send from the heart:
It's nor your Muscles, nerves, nor this nor that
Do's ought without my lively heat, that's flat:
Nay th'stomack magazine to all the rest
Without my boyling heat cannot digest:
And yet to make my greatness, still more great
What differences, the Sex? but only heat.
And one thing more, to close up my narration
Of all that lives, I cause the propagation.
I have been sparings what I might have said
I love no boasting, that's but Childrens trade.
To what you now shall say I will attend,
And to your weakness gently condescend.
Blood.
Good Sisters, give me leave, as is my place
To vent my grief, and wipe off my disgrace:
Your selves may plead your wrongs are no whit less
Your patience more then mine, I must confess
Did ever sober tongue such language speak,
Or honesty such tyes unfriendly break?
Dost know thy self so well us so amiss?
70
Is't arrogance or folly causeth this?
Ile only shew the wrong thou'st done to me,
Then let my sisters right their injury.
To pay with railings is not mine intent,
But to evince the truth by Argument:
I will analyse this thy proud relation
So full of boasting and prevarication,
Thy foolish incongruityes Ile show,
So walk thee till thou'rt cold, then let thee go.
There is no Souldier but thy self (thou sayest,)
No valour upon Earth, but what thou hast
Thy silly provocations I despise,
And leave't to all to judge, where valour lies
No pattern, nor no pattron will I bring
But David, Judah's most heroick King,
Whose glorious deeds in Arms the world can tell,
A rosie cheek Musitian thou know'st well;
He knew well how to handle Sword and Harp,
And how to strike full sweet, as well as sharp,
Thou laugh'st at me for loving merriment,
And scorn'st all Knightly sports at Turnament.
Thou sayst I love my Sword, because it's gilt,
But know, I love the Blade, more then the Hill,
Yet do abhor such temerarious deeds,
As thy unbridled, barbarous Choler breeds:
Thy rudeness counts good manners vanity,
And real Complements base flattery.
For drink, which of us twain like it the best,
Ile go no further then thy nose for test:
Thy other scoffs, not worthy of reply
Shall vanish as of no validity:
Of thy black Calumnies this is but part,
But now Ile shew what souldier thou art.
And though thou'st us'd me with opprobrious spight
My ingenuity must give thee right.
Thy choler is but rage when tis most pure,
But usefull when a mixture can endure;
As with thy mother fire, so tis with thee,
The best of all the four when they agree:
But let her leave the rest, then I presume
Both them and all things else she would consume.
VVhilst us for thine associates thou tak'st,
71
A Souldier most compleat in all points mak'st:
But when thou scorn'st to take the help we lend,
Thou art a Fury or infernal Fiend.
Witness the execrable deeds thou'st done,
Nor sparing Sex nor Age, nor Sire nor Son;
To satisfie thy pride and cruelty,
Thou oft hast broke bounds of Humanity,
Nay should I tell, thou would'st count me no blab,
How often for the lye, thou'st given the stab.
To take the wall's a sin of so high rate,
That nought but death the same may expiate,
To cross thy will, a challenge doth deserve
So shed'st that blood, thou'rt bounden to preserve
Wilt thou this valour, Courage, Manhood call:
No, know 'tis pride most diabolibal.
If murthers be thy glory, tis no less,
Ile not envy thy feats, nor happiness:
But if in fitting time and place 'gainst foes
For countreys good thy life thou dar'st expose,
Be dangers n'er so high, and courage great,
Ile praise that prowess, fury, Choler, heat:
But such thou never art when all alone,
Yet such when we all four are joyn'd in one.
And when such thou art, even such are we,
The friendly Coadjutors still of thee.
Nextly the Spirits thou dost wholly claim,
Which nat'ral, vital, animal we name:
To play Philosopher I have no list,
Nor yet Physitian, nor Anatomist,
For acting these, l have no will nor Art,
Yet shall with Equity, give thee thy part
For natural, thou dost not much contest;
For there is none (thou sayst) if some not best;
That there are some, and best, I dare averre
Of greatest use, if reason do not erre:
What is there living, which do'nt first derive
His Life now Animal, from vegetive:
If thou giv'st life, I give the nourishment,
Thine without mine, is not, 'tis evident:
But I without thy help, can give a growth
As plants trees, and small Embryon know'th
And if vital Spirits, do flow from thee
72
I am as sure, the natural, from me:
Be thine the nobler, which I grant, yet mine
Shall justly claim priority of thine.
I am the fountain which thy Cistern fills
Through warm blew Conduits of my venial rills:
What hath the heart, but what's sent from the liver
If thou'rt the taker, I must be the giver.
Then never boast of what thou dost receive:
For of such glory I shall thee bereave.
But why the heart should be usurp'd by thee,
I must confess seems something strange to me:
The spirits through thy heat made perfect are,
But the Materials none of thine, that's clear:
Their wondrous mixture is of blood and air,
The first my self, second my mother fair.
But Ile not force retorts, nor do thee wrong,
Thy fi'ry yellow froth is mixt among,
Challeng not all, 'cause part we do allow;
Thou know'st I've there to do as well as thou:
But thou wilt say I deal unequally,
Their lives the irascible faculty,
Which without all dispute, is Cholers own;
Besides the vehement heat, only there known
Can be imputed, unto none but Fire
Which is thy self, thy Mother and thy Sire
That this is true, I easily can assent
If still you take along my Aliment;
And let me be your partner which is due,
So shall I give the dignity to you:
Again, Stomacks Concoction thou dost claim,
But by what right, nor do'st, nor canst thou name
Unless as heat, it be thy faculty,
And so thou challengest her property.
The help she needs, the loving liver lends,
Who th'benefit o'th' whole ever intends
To meddle further I shall be but shent,
Th'rest to our Sisters is more pertinent;
Your slanders thus refuted takes no place,
Nor what you've said, doth argue my disgrace,
Now through your leaves, some little time I'l spend
My worth in humble manner to commend
This, hot, moist nutritive humour of mine
73
When 'tis untaint, pure, and most genuine
Shall chiefly take the place, as is my due
Without the least indignity to you.
Of all your qualities I do partake,
And what you single are, the whole I make
Your hot, moist, cold, dry natures are but four,
I moderately am all, what need I more;
As thus, if hot then dry, if moist, then cold,
If this you cann't disprove, then all I hold
My virtues hid, I've let you dimly see
My sweet Complection proves the verity.
This Scarlet die's a badge of what's within
One touch thereof, so beautifies the skin:
Nay, could I be, from all your tangs but pure
Mans life to boundless Time might still endure.
But here one thrusts her heat, wher'ts not requir'd
So suddenly, the body all is fired,
And of the calme sweet temper quite bereft,
Which makes the Mansion, by the Soul soon left.
So Melancholy seizes on a man,
With her unchearful visage, swarth and wan,
The body dryes, the mind sublime doth smother,
And turns him to the womb of's earthy mother:
And flegm likewise can shew her cruel art,
With cold distempers to pain every part:
The lungs she rots, the body wears away,
As if she'd leave no flesh to turn to clay,
Her languishing diseases, though not quick
At length demolishes the Faberick,
All to prevent, this curious care I take,
In th'last concoction segregation make
Of all the perverse humours from mine own,
The bitter choler most malignant known
I turn into his Cell close by my side
The Melancholy to the Spleen t'abide:
Likewise the whey, some use I in the veins,
The overplus I send unto the reins:
But yet for all my toil, my care and skill,
Its doom'd by an irrevocable will
That my intents should meet with interruption,
That mortal man might turn to his corruption.
I might here shew the nobleness of mind
74
Of such as to the sanguine are inclin'd,
They're liberal, pleasant, kind and courteous,
And like the Liver all benignious.
For arts and sciences they are the fittest;
And maugre Choler still they are the wittiest:
With an ingenious working Phantasie,
A most voluminous large Memory,
And nothing wanting but Solidity.
But why alas, thus tedious should I be,
Thousand examples you may daily see.
If time I have transgrest, and been too long,
Yet could not be more brief without much wrong;
I've scarce wip'd off the spots proud choler cast,
Such venome lies in words, though but a blast:
No braggs i've us'd, to you I dare appeal,
If modesty my worth do not conceal.
I've us'd no bittererss nor taxt your name,
As I to you, to me do ye the same.
Melancholy.
He that with two Assailants hath to do,
Had need be armed well and active too.
Especially when friendship is pretended,
That blow's most deadly where it is intended.
Though choler rage and rail, I'le not do so,
The tongue's no weapon to assault a foe:
But sith we fight with words, we might be kind
To spare our selves and beat the whistling wind,
Fair rosie sister, so might'st thou scape free;
I'le flatter for a time as thou didst me:
But when the first offender I have laid,
Thy soothing girds shall fully be repaid.
But Choler be thou cool'd or chaf'd, I'le venter,
And in contentions lists now justly enter.
What mov'd thee thus to vilifie my name,
Not past all reason, but in truth all shame:
Thy fiery spirit shall bear away this prize,
To play such furious pranks I am too wise:
If in a Souldier rashness be so precious,
Know in a General tis most pernicious.
Nature doth teach to shield the head from harm,
The blow that's aim'd thereat is latcht by th'arm.
When in Batalia my foes I face
75
I then command proud Choler stand thy place,
To use thy sword, thy courage and thy art
There to defend my self, thy better part.
This wariness count not for cowardize,
He is not truly valiant that's not wise.
It's no less glory to defend a town,
Then by assault to gain one not our own;
And if Marcellus bold be call'd Romes sword,
Wise Fabius is her buckler all accord:
And if thy hast my slowness should not temper,
'Twere but a mad irregular distemper;
Enough of that by our sisters heretofore,
Ile come to that which wounds me somewhat more
Of learning, policy thou wouldst bereave me,
But's not thine ignorance shall thus deceive me:
What greater Clark or Politician lives,
Then he whose brain a touch my humour gives?
What is too hot my coldness doth abate,
What's diffluent I do consolidate.
If I be partial judg'd or thought to erre,
The melancholy snake shall it aver,
Whose cold dry head more subtilty doth yield,
Then all the huge beasts of the fertile field.
Again thou dost confine me to the spleen,
As of that only part I were the Queen,
Let me as well make thy precincts the Gall,
So prison thee within that bladder small:
Reduce the man to's principles, then see
If I have not more part then all you three:
What is within, without, of theirs or thine,
Yet time and age shall soon declare it mine.
When death doth seize the man your stock is lost,
When you poor bankrupts prove then have I most.
You'l say here none shall e're disturb my right,
You high born from that lump then take your flight.
Then who's mans friend, when life & all forsakes?
His Mother mine, him to her womb retakes:
Thus he is ours, his portion is the grave,
But while he lives, I'le shew what part I have:
And first the firm dry bones I justly claim,
The strong foundation of the stately frame:
Likewise the usefull Slpeen, though not the best,
76
Yet is a bowel call'd well as the rest:
The Liver, Stomack, owe their thanks of right,
The first it drains, of th'last quicks appetite.
Laughter (thô thou say malice) flows from hence,
These two in one cannot have residence.
But thou most grosly dost mistake to think
The Spleen for all you three was made a sink,
Of all the rest thou'st nothing there to do,
But if thou hast, that malice is from you.
Again you often touch my swarthy hue,
That black is black, and I am black tis true;
But yet more comely far I dare avow,
Then is thy torrid nose or brazen brow.
But that which shews how high your spight is bent
Is charging me to be thy excrement:
Thy loathsome imputation I defie,
So plain a slander needeth no reply.
When by thy heat thou'st bak'd thy self to crust,
And so art call'd black Choler or adust,
Thou witless think'st that I am thy excretion,
So mean thou art in Art as in discretion:
But by your leave I'le let your greatness see
What Officer thou art to us all three,
The Kitchin Drudge, the cleanser of the sinks
That casts out all that man e're eats or drinks:
If any doubt the truth whence this should come,
Shew them thy passage to th'Duodenum;
Thy biting quality still irritates,
Till filth and thee nature exonerates:
If there thou'rt stopt, to th'Liver thou turn'st in,
And thence with jaundies saffrons all the skin.
No further time Ile spend in confutation,
I trust I've clear'd your slanderous imputation.
I now speak unto all, no more to one,
Pray hear, admire and learn instruction.
My virtues yours surpass without compare,
The first my constancy that jewel rare:
Choler's too rash this golden gift to hold,
And Sanguine is more fickle manifold,
Here, there her restless thoughts do ever fly,
Constant in nothing but unconstancy.
And what Flegme is, we know, like to her mother,
77
Unstable is the one, and so the other;
With me is noble patience also found,
Impatient Choler loveth not the sound,
What sanguine is, she doth not heed nor care,
Now up, now down, transported like the Air:
Flegme's patient because her nature's tame;
But I, by virtue do acquire the same.
My Temperance, Chastity is eminent,
But these with you, are seldome resident;
Now could I stain my ruddy Sisters face
With deeper red, to shew you her dsgrace,
But rather I with silence vaile her shame
Then cause her blush, while I relate the same.
Nor are ye free from this inormity,
Although she bear the greatest obloquie,
My prudence, judgement, I might now reveal
But wisdom 'tis my wisdome to conceal.
Unto diseases not inclin'd as you,
Nor cold, nor hot, Ague nor Plurisie,
Nor Cough, nor Quinsey, nor the burning Feaver,
I rarely feel to act his fierce endeavour;
My sickness in conceit chiefly doth lye,
What I imagine that's my malady.
Chymeraes strange are in my phantasy,
And things that never were, nor shall I see
I love not talk, Reason lies not in length,
Nor multitude of words argues our strength;
I've done pray sister Flegme proceed in Course,
We shall expect much sound, but little force.
Flegme.
Patient I am, patient i'd need to be,
To bear with the injurious taunts of three,
Though wit I want, and anger I have less,
Enough of both, my wrongs now to express
I've not forgot, how bitter Choler spake
Nor how her gaul on me she causeless brake;
Nor wonder 'twas for hatred there's not small,
Where opposition is Diametrical.
To what is Truth I freely will assent,
Although my Name do suffer detriment,
What's slanderous repell, doubtful dispute,
And when I've nothing left to say be mute.
78
Valour I want, no Souldier am 'tis true,
I'le leave that manly Property to you;
I love no thundring guns, nor bloody wars,
My polish'd Skin was not ordain'd for Skarrs:
But though the pitched field I've ever fled,
At home the Conquerours have conquered.
Nay, I could tell you what's more true then meet,
That Kings have laid their Scepters at my feet;
When Sister sanguine paints my Ivory face:
The Monarchs bend and sue, but for my grace
My lilly white when joyned with her red,
Princes hath slav'd, and Captains captived,
Country with Country, Greece with Asia fights
Sixty nine Princes, all stout Hero Knights.
Under Troys walls ten years will wear away,
Rather then loose one beauteous Helena.
But 'twere as vain, to prove this truth of mine
As at noon day, to tell the Sun doth shine.
Next difference that 'twixt us twain doth lye
Who doth possess the brain, or thou or I?
Shame forc'd the say, the matter that was mine,
But the Spirits by which it acts are thine:
Thou speakest Truth, and I can say no less,
Thy heat doth much, I candidly confess;
Yet without ostentation I may say,
I do as much for thee another way:
And though I grant, thou art my helper here,
No debtor I because it's paid else where.
With all your flourishes, now Sisters three
Who is't that dare, or can, compare with me,
My excellencies are so great, so many,
I am confounded; fore I speak of any:
The brain's the noblest member all allow,
Its form and Scituation will avow,
Its Ventricles, Membranes and wondrous net,
Galen, Hippocrates drive to a set;
That Divine Ofspring the immortal Soul
Though it in all, and every part be whole,
Within this stately place of eminence,
Doth doubtless keep its mighty residence.
And surely, the Soul sensitive here lives,
Which life and motion to each creature gives,
79
The Conjugation of the parts, to th'braine
Doth shew, hence flow the pow'rs which they retain
Within this high Built Cittadel, doth lye
The Reason, fancy, and the memory;
The faculty of speech doth here abide,
The Spirits animal, from hence do slide:
The five most noble Senses here do dwell;
Of three it's hard to say, which doth excell.
This point now to discuss, 'longs not to me,
I'le touch the sight, great'st wonder of the three;
The optick Nerve, Coats, humours all are mine,
The watry, glassie, and the Chrystaline;
O mixture strange! O colour colourless,
Thy perfect temperament who can express:
He was no fool who thought the soul lay there,
Whence her affections passions speak so clear.
O good, O bad, O true, O traiterous eyes
What wonderments within your Balls there lyes,
Of all the Senses sight shall be the Queen;
Yet some may wish, O had mine eyes ne're seen.
Mine, likewise is the marrow, of the back,
Which runs through all the Spondles of the rack,
It is the substitute o'th royal brain,
All Nerves, except seven pair, to it retain.
And the strong Ligaments from hence arise,
Which joynt to joynt, the intire body tyes.
Some other parts there issue from the Brain,
Whose worth and use to tell, I must refrain:
Some curious learned Crooke, may these reveal
But modesty, hath charg'd me to conceal
Here's my Epitome of excellence:
For what's the Brains is mine by Consequence.
A foolish brain (quoth Choler) wanting heat
But a mad one say I, where 'tis too great,
Phrensie's worse then folly, one would more glad
With a tame fool converse then with a mad;
For learning then my brain is not the fittest,
Nor will I yield that Choler is the wittiest.
Thy judgement is unsafe, thy fancy little,
For memory the sand is not more brittle;
Again, none's fit for Kingly state but thou,
If Tyrants be the best, I le it allow:
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But if love be as requisite as fear,
Then thou and I must make a mixture here.
Well to be brief, I hope now Cholers laid,
And I'le pass by what Sister sanguine said.
To Melancholy I le make no reply,
The worst she said was instability,
And too much talk, both which I here confess
A warning good, hereafter I'le say less.
Let's now be friends; its time our spight were spent,
Lest we too late this rashness do repent,
Such premises will force a sad conclusion,
Unless we agree, all falls into confusion.
Let Sangine with her hot hand Choler hold,
To take her moist my moisture will be bold:
My cold, cold melancholy hand shall clasp;
Her dry, dry Cholers other hand shall grasp.
Two hot, two moist, two cold, two dry here be,
A golden Ring, the Posey VNITY.
Nor jarrs nor scoffs, let none hereafter see,
But all admire our perfect Amity
Nor be discern'd, here's water, earth, air, fire,
But here a compact body, whole intire.
This loving counsel pleas'd them all so well
That flegm was judg'd for kindness to excell.
~ Anne Bradstreet,
1391:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
             And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
                 Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
             If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
         Ah me!
         Aprile.
           But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
             Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
     Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
             Whom can you see
Through the accursed darkness?
Aprile.
                Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.


~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,
1392:The Kalevala - Rune Xxiii
OSMOTAR THE BRIDE-ADVISER
Now the bride must be instructed,
Who will teach the Maid of Beauty,
Who instruct the Rainbow-daughter?
Osmotar, the wisdom-maiden,
Kalew's fair and lovely virgin,
Osmotar will give instructions
To the bride of Ilmarinen,
To the orphaned bride of Pohya,
Teach her how to live in pleasure,
How to live and reign in glory,
Win her second mother's praises,
Joyful in her husband's dwelling.
Osmotar in modest accents
Thus the anxious bride addresses;
'Maid of Beauty, lovely sister,
Tender plant of Louhi's gardens,
Hear thou what thy sister teaches,
Listen to her sage instructions:
Go thou hence, my much beloved,
Wander far away, my flower,
Travel on enwrapped in colors,
Glide away in silks and ribbons,
From this house renowned and ancient,
From thy father's halls and court-yards
Haste thee to thy husband's village,
Hasten to his mother's household;
Strange, the rooms in other dwellings,
Strange, the modes in other hamlets.
'Full of thought must be thy going,
And thy work be well considered,
Quite unlike thy home in Northland,
On the meadows of thy father,
On the high-lands of thy brother,
Singing through thy mother's fenlands,
Culling daisies with thy sister.
'When thou goest from thy father
375
Thou canst take whatever pleases,
Only three things leave behind thee:
Leave thy day-dreams to thy sister,
Leave thou kindness for thy mother,
To thy brother leave thy labors,
Take all else that thou desirest.
Throw away thine incantations,
Cast thy sighing to the pine-trees,
And thy maidenhood to zephyrs,
Thy rejoicings to the couches,
Cast thy trinkets to the children,
And thy leisure to the gray-beards,
Cast all pleasures to thy playmates,
Let them take them to the woodlands,
Bury them beneath the mountain.
'Thou must hence acquire new habits,
Must forget thy former customs,
Mother-love must be forsaken,
Thou must love thy husband's mother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Father-love must be forsaken,
Thou must love thy husband's father,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Brother-love must be forsaken,
Thou must love thy husband's brother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits
Must forget thy former customs,
Sister-love must be forsaken,
Thou must love thy husband's sister,
Lower must thy head be bended,
Kind words only must thou utter.
'Never in the course of ages,
Never while the moonlight glimmers,
Wickedly approach thy household,
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Nor unworthily, thy servants,
Nor thy courts with indiscretion;
Let thy dwellings sing good manners,
And thy walls re-echo virtue.
After mind the hero searches.
And the best of men seek honor,
Seek for honesty and wisdom;
If thy home should be immoral,
If thine inmates fail in virtue,
Then thy gray-beards would be black-dogs
In sheep's clothing at thy firesides;
All thy women would be witches,
Wicked witches in thy chambers,
And thy brothers be as serpents
Crawling through thy husband's mansion;
All thy sisters would be famous
For their evil thoughts and conduct.
'Equal honors must be given
To thy husband's friends and kindred;
Lower must thy head be bended,
Than within thy mother's dwelling,
Than within thy father's guest-room,
When thou didst thy kindred honor.
Ever strive to give good counsel,
Wear a countenance of sunshine,
Bear a head upon thy shoulders
Filled with wise and ancient sayings;
Open bright thine eyes at morning
To behold the silver sunrise,
Sharpen well thine ears at evening,
Thus to hear the rooster crowing;
When he makes his second calling,
Straightway thou must rise from slumber,
Let the aged sleep in quiet;
Should the rooster fail to call thee,
Let the moonbeams touch thine eyelids,
Let the Great Bear be thy keeper
Often go thou and consult them,
Call upon the Moon for counsel,
Ask the Bear for ancient wisdom,
From the stars divine thy future;
When the Great Bear faces southward,
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When his tail is pointing northward,
This is time to break with slumber,
Seek for fire within the ashes,
Place a spark upon the tinder,
Blow the fire through all the fuel.
If no spark is in the ashes,
Then go wake thy hero-husband,
Speak these words to him on waking:
'Give me fire, O my beloved,
Give a single spark, my husband,
Strike a little fire from flintstone,
Let it fall upon my tinder.'
'From the spark, O Bride of Beauty,
Light thy fires, and heat thine ovens,
In the holder, place the torch-light,
Find thy pathway to the stables,
There to fill the empty mangers;
If thy husband's cows be lowing,
If thy brother's steeds be neighing,
Then the cows await thy coming,
And the steeds for thee are calling,
Hasten, stooping through the hurdles,
Hasten through the yards and stables,
Feed thy husband's cows with pleasure,
Feed with care the gentle lambkins,
Give the cows the best of clover,
Hay, and barley, to the horses,
Feed the calves of lowing mothers,
Feed the fowl that fly to meet thee.
'Never rest upon the haymow,
Never sleep within the hurdles,
When the kine are fed and tended,
When the flocks have all been watered;
Hasten thence, my pretty matron,
Like the snow-flakes to thy dwelling,
There a crying babe awaits thee,
Weeping in his couch neglected,
Cannot speak and tell his troubles,
Speechless babe, and weeping infant,
Cannot say that he is hungry,
Whether pain or cold distresses,
Greets with joy his mother's footsteps.
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Afterward repair in silence
To thy husband's rooms and presence,
Early visit thou his chambers,
In thy hand a golden pitcher,
On thine arm a broom of birch-wood,
In thy teeth a lighted taper,
And thyself the fourth in order.
Sweep thou then thy hero's dwelling,
Dust his benches and his tables,
Wash the flooring well with water.
'If the baby of thy sister
Play alone within his corner,
Show the little child attention,
Bathe his eyes and smoothe his ringlets,
Give the infant needed comforts;
Shouldst thou have no bread of barley,
In his hand adjust some trinket.
'Lastly, when the week has ended,
Give thy house a thorough cleansing,
Benches, tables, walls, and ceilings;
What of dust is on the windows,
Sweep away with broom of birch-twigs,
All thy rooms must first be sprinkled,
at the dust may not be scattered,
May not fill the halls and chambers.
Sweep the dust from every crevice,
Leave thou not a single atom;
Also sweep the chimney-corners,
Do not then forget the rafters,
Lest thy home should seem untidy,
Lest thy dwelling seem neglected.
'Hear, O maiden, what I tell thee,
Learn the tenor of my teaching:
Never dress in scanty raiment,
Let thy robes be plain and comely,
Ever wear the whitest linen,
On thy feet wear tidy fur-shoes,
For the glory of thy husband,
For the honor of thy hero.
Tend thou well the sacred sorb-tree,
Guard the mountain-ashes planted
In the court-yard, widely branching;
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Beautiful the mountain-ashes,
Beautiful their leaves and flowers,
Still more beautiful the berries.
Thus the exiled one demonstrates
That she lives to please her husband,
Tries to make her hero happy.
'Like the mouse, have ears for hearing,
Like the hare, have feet for running,
Bend thy neck and turn thy visage
Like the juniper and aspen,
Thus to watch with care thy goings,
Thus to guard thy feet from stumbling,
That thou mayest walk in safety.
'When thy brother comes from plowing,
And thy father from his garners,
And thy husband from the woodlands,
From his chopping, thy beloved,
Give to each a water-basin,
Give to each a linen-towel,
Speak to each some pleasant greeting.
'When thy second mother hastens
To thy husband's home and kindred,
In her hand a corn-meal measure,
Haste thou to the court to meet her,
Happy-hearted, bow before her,
Take the measure from her fingers,
Happy, bear it to thy husband.
'If thou shouldst not see distinctly
What demands thy next attention,
Ask at once thy hero's mother:
'Second mother, my beloved,
Name the task to be accomplished
By thy willing second daughter,
Tell me how to best perform it.'
'This should be the mother's answer:
'This the manner of thy workings,
Thus thy daily work accomplish:
Stamp with diligence and courage,
Grind with will and great endurance,
Set the millstones well in order,
Fill the barley-pans with water,
Knead with strength the dough for baking,
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Place the fagots on the fire-place,
That thy ovens may be heated,
Bake in love the honey-biscuit,
Bake the larger loaves of barley,
Rinse to cleanliness thy platters,
Polish well thy drinking-vessels.
'If thou hearest from the mother,
From the mother of thy husband,
That the cask for meal is empty,
Take the barley from the garners,
Hasten to the rooms for grinding.
When thou grindest in the chambers,
Do not sing in glee and joyance,
Turn the grinding-stones in silence,
To the mill give up thy singing,
Let the side-holes furnish music;
Do not sigh as if unhappy,
Do not groan as if in trouble,
Lest the father think thee weary,
Lest thy husband's mother fancy
That thy groans mean discontentment,
That thy sighing means displeasure.
Quickly sift the flour thou grindest,
Take it to the casks in buckets,
Bake thy hero's bread with pleasure,
Knead the dough with care and patience,
That thy biscuits may be worthy,
That the dough be light and airy.
'Shouldst thou see a bucket empty,
Take the bucket on thy shoulder,
On thine arm a silver-dipper,
Hasten off to fill with water
From the crystal river flowing;
Gracefully thy bucket carry,
Bear it firmly by the handles,
Hasten houseward like the zephyrs,
Hasten like the air of autumn;
Do not tarry near the streamlet,
At the waters do not linger,
That the father may not fancy,
Nor the ancient dame imagine,
That thou hast beheld thine image,
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Hast admired thy form and features,
Hast admired thy grace and beauty
In the mirror of the fountain,
In the crystal streamlet's eddies.
'Shouldst thou journey to the woodlands,
There to gather aspen-fagots,
Do not go with noise and bustle,
Gather all thy sticks in silence,
Gather quietly the birch-wood,
That the father may not fancy,
And the mother not imagine,
That thy calling came from anger,
And thy noise from discontentment.
'If thou goest to the store-house
To obtain the flour of barley,
Do not tarry on thy journey,
On the threshold do not linger,
That the father may not fancy,
And the mother not imagine,
That the meal thou hast divided
With the women of the village.
'If thou goest to the river,
There to wash thy birchen platters,
There to cleanse thy pans and buckets,
Lest thy work be done in neatness,
Rinse the sides, and rinse the handles,
Rinse thy pitchers to perfection,
Spoons, and forks, and knives, and goblets,
Rinse with care thy cooking-vessels,
Closely watch the food-utensils,
That the dogs may not deface them,
That the kittens may not mar them,
That the eagles may not steal them,
That the children may not break them;
Many children in the village,
Many little heads and fingers,
That will need thy careful watching,
Lest they steal the things of value.
'When thou goest to thy bathing,
Have the brushes ready lying
In the bath-room clean and smokeless;
Do not, linger in the water,
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At thy bathing do not tarry,
That the father may not fancy,
And the mother not imagine,
Thou art sleeping on the benches,
Rolling in the laps of comfort.
'From thy bath, when thou returnest,
To his bathing tempt the father,
Speak to him the words that follow:
'Father of my hero-husband,
Clean are all the bath-room benches,
Everything in perfect order;
Go and bathe for thine enjoyment,
Pour the water all-sufficient,
I will lend thee needed service.'
'When the time has come for spinning,
When the hours arrive for weaving,
Do not ask the help of others,
Look not in the stream for knowledge,
For advice ask not the servants,
Nor the spindle from the sisters,
Nor the weaving-comb from strangers.
Thou thyself must do the spinning,
With thine own hand ply the shuttle,
Loosely wind the skeins of wool-yarn,
Tightly wind the balls of flax-thread,
Wind them deftly in the shuttle
Fit the warp upon the rollers,
Beat the woof and warp together,
Swiftly ply the weaver's shuttle,
Weave good cloth for all thy vestments,
Weave of woolen, webs for dresses
From the finest wool of lambkins,
One thread only in thy weaving.
'Hear thou what I now advise thee:
Brew thy beer from early barley,
From the barley's new-grown kernels,
Brew it with the magic virtues,
Malt it with the sweets of honey,
Do not stir it with the birch-rod,
Stir it with thy skilful fingers;
When thou goest to the garners,
Do not let the seed bring evil,
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Keep the dogs outside the brew-house,
Have no fear of wolves in hunger,
Nor the wild-beasts of the mountains,
When thou goest to thy brewing,
Shouldst thou wander forth at midnight.
'Should some stranger come to see thee,
Do not worry for his comfort;
Ever does the worthy household
Have provisions for the stranger,
Bits of meat, and bread, and biscuit,
Ample for the dinner-table;
Seat the stranger in thy dwelling,
Speak with him in friendly accents,
Entertain the guest with kindness,
While his dinner is preparing.
When the stranger leaves thy threshold,
When his farewell has been spoken,
Lead him only to the portals,
Do not step without the doorway,
That thy husband may not fancy,
And the mother not imagine,
Thou hast interest in strangers.
'Shouldst thou ever make a journey
To the centre of the village,
There to gain some needed object,
While thou speakest in the hamlet,
Let thy words be full of wisdom,
That thou shamest not thy kindred,
Nor disgrace thy husband's household.
'Village-maidens oft will ask thee,
Mothers of the hamlet question:
'Does thy husband's mother greet thee
As in childhood thou wert greeted,
In thy happy home in Pohya?'
Do not answer in negation,
Say that she has always given
Thee the best of her provisions,
Given thee the kindest greetings,
Though it be but once a season.
'Listen well to what I tell thee:
As thou goest from thy father
To thy husband's distant dwelling,
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Thou must not forget thy mother,
Her that gave thee life and beauty,
Her that nurtured thee in childhood,
Many sleepless nights she nursed thee;
Often were her wants neglected,
Numberless the times she rocked thee;
Tender, true, and ever faithful,
Is the mother to her daughter.
She that can forget her mother,
Can neglect the one that nursed her,
Should not visit Mana's castle,
In the kingdom of Tuoni;
In Manala she would suffer,
Suffer frightful retribution,
Should her mother be forgotten;
Should her dear one be neglected,
Mana's daughters will torment her,
And Tuoni's sons revile her,
They will ask her much as follows:
'How couldst thou forget thy mother,
How neglect the one that nursed thee?
Great the pain thy mother suffered,
Great the trouble that thou gavest
When thy loving mother brought thee
Into life for good or evil,
When she gave thee earth-existence,
When she nursed thee but an infant,
When she fed thee in thy childhood,
When she taught thee what thou knowest,
Mana's punishments upon thee,
Since thy mother is forgotten!''
On the floor a witch was sitting,
Near the fire a beggar-woman,
One that knew the ways of people,
These the words the woman uttered:
'Thus the crow calls in the winter:
'Would that I could be a singer,
And my voice be full of sweetness,
But, alas! my songs are worthless,
Cannot charm the weakest creature;
I must live without the singing
Leave the songs to the musicians,
385
Those that live in golden houses,
In the homes of the beloved;
Homeless therefore I must wander,
Like a beggar in the corn-fields,
And with none to do me honor.'
'Hear now, sister, what I tell thee,
Enter thou thy husband's dwelling,
Follow not his mind, nor fancies,
As my husband's mind I followed;
As a flower was I when budding,
Sprouting like a rose in spring-time,
Growing like a slender maiden,
Like the honey-gem of glory,
Like the playmates of my childhood,
Like the goslings of my father,
Like the blue-ducks of my mother,
Like my brother's water-younglings,
Like the bullfinch of my sister;
Grew I like the heather-flower,
Like the berry of the meadow,
Played upon the sandy sea-shore,
Rocked upon the fragrant upland,
Sang all day adown the valley,
Thrilled with song the hill and mountain,
Filled with mirth the glen and forest,
Lived and frolicked in the woodlands.
'Into traps are foxes driven
By the cruel pangs of hunger,
Into traps, the cunning ermine;
Thus are maidens wooed and wedded,
In their hunger for a husband.
Thus created is the virgin,
Thus intended is the daughter,
Subject to her hero-husband,
Subject also to his mother.
'Then to other fields I hastened,
Like a berry from the border,
Like a cranberry for roasting,
Like a strawberry for dinner;
All the elm-trees seemed to wound me,
All the aspens tried to cut me,
All the willows tried to seize me,
386
All the forest tried to slay me.
Thus I journeyed to my husband,
Thus I travelled to his dwelling,
Was conducted to his mother.
Then there were, as was reported,
Six compartments built of pine-wood,
Twelve the number of the chambers,
And the mansion filled with garrets,
Studding all the forest border,
Every by-way filled with flowers
Streamlets bordered fields of barley,
Filled with wheat and corn, the islands,
Grain in plenty in the garners,
Rye unthrashed in great abundance,
Countless sums of gold and silver,
Other treasures without number.
When my journey I had ended,
When my hand at last was given,
Six supports were in his cabin,
Seven poles as rails for fencing.
Filled with anger were the bushes,
All the glens disfavor showing,
All the walks were lined with trouble,
Evil-tempered were the forests,
Hundred words of evil import,
Hundred others of unkindness.
Did not let this bring me sorrow,
Long I sought to merit praises,
Long I hoped to find some favor,
Strove most earnestly for kindness;
When they led me to the cottage,
There I tried some chips to gather,
Knocked my head against the portals
Of my husband's lowly dwelling.
'At the door were eyes of strangers,
Sable eyes at the partition,
Green with envy in his cabin,
Evil heroes in the back-ground,
From each mouth the fire was streaming,
From each tongue the sparks out-flying,
Flying from my second father,
From his eyeballs of unkindness.
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Did not let this bring me trouble,
Tried to live in peace and pleasure,
In the homestead of my husband
In humility I suffered,
Skipped about with feet of rabbit,
Flew along with steps of ermine,
Late I laid my head to slumber,
Early rose as if a servant,
Could not win a touch of kindness,
Could not merit love nor honor,
Though I had dislodged the mountains,
Though the rocks had I torn open.
'Then I turned the heavy millstone,
Ground the flour with care and trouble,
Ground the barley-grains in patience,
That the mother might be nourished,
That her fury-throat might swallow
What might please her taste and fancy,.
From her gold-enamelled platters,
From the corner of her table.
'As for me, the hapless daughter,
All my flour was from the siftings
On the table near the oven,
Ate I from the birchen ladle;
Oftentimes I brought the mosses
Gathered in the lowland meadows,
Baked them into loaves for eating;
Brought the water from the river,
Thirsty, sipped it from the dipper,
Ate of fish the worst in Northland,
Only smelts, and worthless swimmers,
Rocking in my boat of birch-bark
Never ate I fish or biscuit
From my second mother's fingers.
'Blades I gathered in the summers,
Twisted barley-stalks in winter,
Like the laborers of heroes,
Like the servants sold in bondage.
In the thresh-house of my husband,
Evermore to me was given
Flail the heaviest and longest,
And to me the longest lever,
388
On the shore the strongest beater,
And the largest rake in haying;
No one thought my burden heavy,
No one thought that I could suffer,
Though the best of heroes faltered,
And the strongest women weakened.
'Thus did I, a youthful housewife,
At the right time, all my duties,
Drenched myself in perspiration,
Hoped for better times to follow;
But I only rose to labor,
Knowing neither rest nor pleasure.
I was blamed by all the household,
With ungrateful tongues derided,
Now about my awkward manners,
Now about my reputation,
Censuring my name and station.
Words unkind were heaped upon me,
Fell like hail on me unhappy,
Like the frightful flash of lightning,
Like the heavy hail of spring-time.
I did not despair entirely,
Would have lived to labor longer
Underneath the tongue of malice,
But the old-one spoiled Lay temper,
Roused my deepest ire and hatred
Then my husband grew a wild-bear,
Grew a savage wolf of Hisi.
'Only then I turned to weeping,
And reflected in my chamber,
Thought of all my former pleasures
Of the happy days of childhood,
Of my father's joyful firesides,
Of my mother's peaceful cottage,
Then began I thus to murmur:
'Well thou knowest, ancient mother,
How to make thy sweet bud blossom,
How to train thy tender shootlet;
Did not know where to ingraft it,
Placed, alas! the little scion
In the very worst of places,
On an unproductive hillock,
389
In the hardest limb of cherry,
Where it could not grow and flourish,
There to waste its life, in weeping,
Hapless in her lasting sorrow.
Worthier had been my conduct
In the regions that are better,
In the court-yards that are wider,
In compartments that are larger,
Living with a loving husband,
Living with a stronger hero.
Shoe of birch-bark was my suitor,
Shoe of Laplanders, my husband;
Had the body of a raven,
Voice and visage like the jackdaw,
Mouth and claws were from the black-wolf,
The remainder from the wild-bear.
Had I known that mine affianced
Was a fount of pain and evil,
To the hill-side I had wandered,
Been a pine-tree on the highway,
Been a linden on the border,
Like the black-earth made my visage,
Grown a beard of ugly bristles,
Head of loam and eyes of lightning,
For my ears the knots of birches,
For my limbs the trunks of aspens.'
'This the manner of my singing
In the hearing of my husband,
Thus I sang my cares and murmurs
Thus my hero near the portals
Heard the wail of my displeasure,
Then he hastened to my chamber;
Straightway knew I by his footsteps,
Well concluded be was angry,
'Knew it by his steps implanted;
All the winds were still in slumber,
Yet his sable locks stood endwise,
Fluttered round his bead in fury,
While his horrid mouth stood open;
To and fro his eyes were rolling,
In one hand a branch of willow,
In the other, club of alder;
390
Struck at me with might of malice,
Aimed the cudgel at my forehead.
'When the evening had descended,
When my husband thought of slumber
Took he in his hand a whip-stalk,
With a whip-lash made of deer-skin,
Was not made for any other,
Only made for me unhappy.
'When at last I begged for mercy,
When I sought a place for resting,
By his side I courted slumber,
Merciless, my husband seized me,
Struck me with his arm of envy,
Beat me with the whip of torture,
Deer-skin-lash and stalk of birch-wood.
From his couch I leaped impulsive,
In the coldest night of winter,
But the husband fleetly followed,
Caught me at the outer portals,
Grasped me by my streaming tresses,
Tore my ringlets from my forehead,
Cast in curls upon the night-winds
To the freezing winds of winter.
What the aid that I could ask for,
Who could free me from my torment?
Made I shoes of magic metals,
Made the straps of steel and copper,
Waited long without the dwelling,
Long I listened at the portals,
Hoping he would end his ravings,
Hoping he would sink to slumber,
But he did not seek for resting,
Did not wish to still his fury.
Finally the cold benumbed me;
As an outcast from his cabin,
I was forced to walk and wander,
When I, freezing, well reflected,
This the substance of my thinking:
'I will not endure this torture,
Will not bear this thing forever,
Will not bear this cruel treatment,
Such contempt I will not suffer
391
In the wicked tribe of Hisi,
In this nest of evil Piru.'
'Then I said, 'Farewell forever!'
To my husband's home and kindred,
To my much-loved home and husband;
Started forth upon a journey
To my father's distant hamlet,
Over swamps and over snow-fields,
Wandered over towering mountains,
Over hills and through the valleys,
To my brother's welcome meadows,
To my sister's home and birthplace.
'There were rustling withered pine-trees.
Finely-feathered firs were fading,
Countless ravens there were cawing,
All the jackdaws harshly singing,
This the chorus of the ravens:
'Thou hast here a home no longer,
This is not the happy homestead
Of thy merry days of childhood.'
'Heeding not this woodland chorus,
Straight I journeyed to the dwelling
Of my childhood's friend and brother,
Where the portals spake in concord,
And the hills and valleys answered,
This their saddened song and echo:
'Wherefore dost thou journey hither,
Comest thou for joy or sorrow,
To thy father's old dominions?
Here unhappiness awaits thee,
Long departed is thy father,
Dead and gone to visit Ukko,
Dead and gone thy faithful mother,
And thy brother is a stranger,
While his wife is chill and heartless!'
'Heeding not these many warnings,
Straightway to my brother's cottage
Were my weary feet directed,
Laid my hand upon the door-latch
Of my brother's dismal cottage,
But the latch was cold and lifeless.
When I wandered to the chamber,
392
When I waited at the doorway,
There I saw the heartless hostess,
But she did not give me greeting,
Did not give her hand in welcome;
Proud, alas! was I unhappy,
Did not make the first advances,
Did not offer her my friendship,
And my hand I did not proffer;
Laid my hand upon the oven,
All its former warmth departed!
On the coal I laid my fingers,
All the latent heat had left it.
On the rest-bench lay my brother,
Lay outstretched before the fire-place,
Heaps of soot upon his shoulders,
Heaps of ashes on his forehead.
Thus the brother asked the stranger,
Questioned thus his guest politely:
'Tell me what thy name and station,
Whence thou comest o'er the waters!'
This the answer that I gave him:
Hast thou then forgot thy sister,
Does my brother not remember,
Not recall his mother's daughter
We are children of one mother,
Of one bird were we the fledgelings,
In one nest were hatched and nurtured.'
'Then the brother fell to weeping,
From his eyes great tear-drops flowing,
To his wife the brother whispered,
Whispered thus unto the housewife.
'Bring thou beer to give my sister,
Quench her thirst and cheer her spirits.'
'Full of envy, brought the sister
Only water filled with evil,
Water for the infant's eyelids,
Soap and water from the bath-room.
'To his wife the brother whispered,
Whispered thus unto the housewife:
'Bring thou salmon for my sister,
For my sister so long absent,
Thus to still her pangs of hunger.'
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'Thereupon the wife obeying,
Brought, in envy, only cabbage
That the children had been eating,
And the house-dogs had been licking,
Leavings of the black-dog's breakfast.
'Then I left my brother's dwelling,
Hastened to the ancient homestead,
To my mother's home deserted;
Onward, onward did I wander,
Hastened onward by the cold-sea,
Dragged my body on in anguish,
To the cottage-doors of strangers,
To the unfamiliar portals,
For the care of the neglected,
For the needy of the village,
For the children poor and orphaned.
'There are many wicked people,
Many slanderers of women,
Many women evil-minded,
That malign their sex through envy.
Many they with lips of evil,
That belie the best of maidens,
Prove the innocent are guilty
Of the worst of misdemeanors,
Speak aloud in tones unceasing,
Speak, alas! with wicked motives,
Spread the follies of their neighbors
Through the tongues of self-pollution.
Very few, indeed, the people
That will feed the poor and hungry,
That will bid the stranger welcome;
Very few to treat her kindly,
Innocent, and lone, and needy,
Few to offer her a shelter
From the chilling storms of winter,
When her skirts with ice are stiffened,
Coats of ice her only raiment!
'Never in my days of childhood,
Never in my maiden life-time,
Never would believe the story
Though a hundred tongues had told
Though a thousand voices sang it,
394
That such evil things could happen,
That such misery could follow,
Such misfortune could befall one
Who has tried to do her duty,
Who has tried to live uprightly,
Tried to make her people happy.'
Thus the young bride was instructed,
Beauteous Maiden of the Rainbow,
Thus by Osmotar, the teacher.
~ Elias Lönnrot,
1393:BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punchsome sipping tea;
But, as you by their faces see,
All silent, and alldamned!
Peter Bell, by W. Wordsworth.

Ophelia.What means this, my lord?
Hamlet.Marry, this is Miching Mallecho; it means mischief. ~Shakespeare.

PROLOGUE
Peter Bells, one, two and three,
O'er the wide world wandering be.
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peterhe who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,
Go and try else,just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,
For he was an evil Cotter,
And a polygamic Potter.
And the last is Peter Bell,
Damned since our first parents fell,
Damned eternally to Hell
Surely he deserves it well!
PART THE FIRST
DEATH
And Peter Bell, when he had been
With fresh-imported Hell-fire warmed,
Grew seriousfrom his dress and mien
'Twas very plainly to be seen
Peter was quite reformed.
His eyes turned up, his mouth turned down;
His accent caught a nasal twang;
He oiled his hair; there might be heard
The grace of God in every word
Which Peter said or sang.
But Peter now grew old, and had
An ill no doctor could unravel;
His torments almost drove him mad;
Some said it was a fever bad
Some swore it was the gravel.
His holy friends then came about,
And with long preaching and persuasion
Convinced the patient that, without
The smallest shadow of a doubt,
He was predestined to damnation.
They said'Thy name is Peter Bell;
Thy skin is of a brimstone hue;
Alive or deaday, sick or well
The one God made to rhyme with hell;
The other, I think, rhymes with you.'
Then Peter set up such a yell!
The nurse, who with some water gruel
Was climbing up the stairs, as well
As her old legs could climb themfell,
And broke them boththe fall was cruel.
The Parson from the casement lept
Into the lake of Windermere
And many an eelthough no adept
In God's right reason for itkept
Gnawing his kidneys half a year.
And all the rest rushed through the door,
And tumbled over one another,
And broke their skulls.Upon the floor
Meanwhile sat Peter Bell, and swore,
And cursed his father and his mother;
And raved of God, and sin, and death,
Blaspheming like an infidel;
And said, that with his clenchd teeth
He'd seize the earth from underneath,
And drag it with him down to hell.
As he was speaking came a spasm,
And wrenched his gnashing teeth asunder;
Like one who sees a strange phantasm
He lay,there was a silent chasm
Between his upper jaw and under.
And yellow death lay on his face;
And a fixed smile that was not human
Told, as I understand the case,
That he was gone to the wrong place:
I heard all this from the old woman.
Then there came down from Langdale Pike
A cloud, with lightning, wind and hail;
It swept over the mountains like
An ocean,and I heard it strike
The woods and crags of Grasmere vale.
And I saw the black storm come
Nearer, minute after minute;
Its thunder made the cataracts dumb;
With hiss, and clash, and hollow hum,
It neared as if the Devil was in it.
The Devil was in it:he had bought
Peter for half-a-crown; and when
The storm which bore him vanished, nought
That in the house that storm had caught
Was ever seen again.
The gaping neighbours came next day
They found all vanished from the shore:
The Bible, whence he used to pray,
Half scorched under a hen-coop lay;
Smashed glassand nothing more!
PART THE SECOND
THE DEVIL
The Devil, I safely can aver,
Has neither hoof, nor tail, nor sting;
Nor is he, as some sages swear,
A spirit, neither here nor there,
In nothingyet in everything.
He iswhat we are; for sometimes
The Devil is a gentleman;
At others a bard bartering rhymes
For sack; a statesman spinning crimes;
A swindler, living as he can;
A thief, who cometh in the night,
With whole boots and net pantaloons,
Like some one whom it were not right
To mention;or the luckless wight
From whom he steals nine silver spoons.
But in this case he did appear
Like a slop-merchant from Wapping,
And with smug face, and eye severe,
On every side did perk and peer
Till he saw Peter dead or napping.
He had on an upper Benjamin
(For he was of the driving schism)
In the which he wrapped his skin
From the storm he travelled in,
For fear of rheumatism.
He called the ghost out of the corse;
It was exceedingly like Peter,
Only its voice was hollow and hoarse
It had a queerish look of course
Its dress too was a little neater.
The Devil knew not his name and lot;
Peter knew not that he was Bell:
Each had an upper stream of thought,
Which made all seem as it was not;
Fitting itself to all things well.
Peter thought he had parents dear,
Brothers, sisters, cousins, cronies,
In the fens of Lincolnshire;
He perhaps had found them there
Had he gone and boldly shown his
Solemn phiz in his own village;
Where he thought oft when a boy
He'd clomb the orchard walls to pillage
The produce of his neighbour's tillage,
With marvellous pride and joy.
And the Devil thought he had,
'Mid the misery and confusion
Of an unjust war, just made
A fortune by the gainful trade
Of giving soldiers rations bad
The world is full of strange delusion
That he had a mansion planned
In a square like Grosvenor Square,
That he was aping fashion, and
That he now came to Westmoreland
To see what was romantic there.
And all this, though quite ideal,
Ready at a breath to vanish,
Was a state not more unreal
Than the peace he could not feel,
Or the care he could not banish.
After a little conversation,
The Devil told Peter, if he chose,
He'd bring him to the world of fashion
By giving him a situation
In his own serviceand new clothes.
And Peter bowed, quite pleased and proud,
And after waiting some few days
For a new liverydirty yellow
Turned up with blackthe wretched fellow
Was bowled to Hell in the Devil's chaise.
PART THE THIRD
HELL
Hell is a city much like London
A populous and a smoky city;
There are all sorts of people undone,
And there is little or no fun done;
Small justice shown, and still less pity.
There is a Castles, and a Canning,
A Cobbett, and a Castlereagh;
All sorts of caitiff corpses planning
All sorts of cozening for trepanning
Corpses less corrupt than they.
There is a -, who has lost
His wits, or sold them, none knows which;
He walks about a double ghost,
And though as thin as Fraud almost
Ever grows more grim and rich.
There is a Chancery Court; a King;
A manufacturing mob; a set
Of thieves who by themselves are sent
Similar thieves to represent;
An army; and a public debt.
Which last is a scheme of paper money,
And meansbeing interpreted
'Bees, keep your waxgive us the honey,
And we will plant, while skies are sunny,
Flowers, which in winter serve instead.'
There is a great talk of revolution
And a great chance of despotism
German soldierscampsconfusion
Tumultslotteriesragedelusion
Ginsuicideand methodism;
Taxes too, on wine and bread,
And meat, and beer, and tea, and cheese,
From which those patriots pure are fed,
Who gorge before they reel to bed
The tenfold essence of all these.
There are mincing women, mewing,
(Like cats, who amant miser,)
Of their own virtue, and pursuing
Their gentler sisters to that ruin,
Without whichwhat were chastity?
Lawyersjudgesold hobnobbers
Are therebailiffschancellors
Bishopsgreat and little robbers
Rhymesterspamphleteersstock-jobbers
Men of glory in the wars,
Things whose trade is, over ladies
To lean, and flirt, and stare, and simper,
Till all that is divine in woman
Grows cruel, courteous, smooth, inhuman,
Crucified 'twixt a smile and whimper.
Thrusting, toiling, wailing, moiling,
Frowning, preachingsuch a riot!
Each with never-ceasing labour,
Whilst he thinks he cheats his neighbour,
Cheating his own heart of quiet.
And all these meet at levees;
Dinners convivial and political;
Suppers of epic poets;teas,
Where small talk dies in agonies;
Breakfasts professional and critical;
Lunches and snacks so aldermanic
That one would furnish forth ten dinners,
Where reigns a Cretan-tongud panic,
Lest news Russ, Dutch, or Alemannic
Should make some losers, and some winners;
At conversazioniballs
Conventiclesand drawing-rooms
Courts of lawcommitteescalls
Of a morningclubsbook-stalls
Churchesmasqueradesand tombs.
And this is Helland in this smother
All are damnable and damned;
Each one damning, damns the other
They are damned by one another,
By none other are they damned.
'Tis a lie to say, 'God damns!'
Where was Heaven's Attorney General
When they first gave out such flams?
Let there be an end of shams,
They are mines of poisonous mineral.
Statesmen damn themselves to be
Cursed; and lawyers damn their souls
To the auction of a fee;
Churchmen damn themselves to see
God's sweet love in burning coals.
The rich are damned, beyond all cure,
To taunt, and starve, and trample on
The weak and wretched; and the poor
Damn their broken hearts to endure
Stripe on stripe, with groan on groan.
Sometimes the poor are damned indeed
To take,not means for being blessed,
But Cobbett's snuff, revenge; that weed
From which the worms that it doth feed
Squeeze less than they before possessed.
And some few, like we know who,
Damnedbut God alone knows why
To believe their minds are given
To make this ugly Hell a Heaven;
In which faith they live and die.
Thus, as in a town, plague-stricken,
Each man be he sound or no
Must indifferently sicken;
As when day begins to thicken,
None knows a pigeon from a crow,
So good and bad, sane and mad,
The oppressor and the oppressed;
Those who weep to see what others
Smile to inflict upon their brothers;
Lovers, haters, worst and best;
All are damnedthey breathe an air,
Thick, infected, joy-dispelling:
Each pursues what seems most fair,
Mining like moles, through mind, and there
Scoop palace-caverns vast, where Care
In thrond state is ever dwelling.
PART THE FOURTH
SIN
Lo, Peter in Hell's Grosvenor Square,
A footman in the Devil's service!
And the misjudging world would swear
That every man in service there
To virtue would prefer vice.
But Peter, though now damned, was not
What Peter was before damnation.
Men oftentimes prepare a lot
Which ere it finds them, is not what
Suits with their genuine station.
All things that Peter saw and felt
Had a peculiar aspect to him;
And when they came within the belt
Of his own nature, seemed to melt,
Like cloud to cloud, into him.
And so the outward world uniting
To that within him, he became
Considerably uninviting
To those who, meditation slighting,
Were moulded in a different frame.
And he scorned them, and they scorned him;
And he scorned all they did; and they
Did all that men of their own trim
Are wont to do to please their whim,
Drinking, lying, swearing, play.
Such were his fellow-servants; thus
His virtue, like our own, was built
Too much on that indignant fuss
Hypocrite Pride stirs up in us
To bully one another's guilt.
He had a mind which was somehow
At once circumference and centre
Of all he might or feel or know;
Nothing went ever out, although
Something did ever enter.
He had as much imagination
As a pint-pot;he never could
Fancy another situation,
From which to dart his contemplation,
Than that wherein he stood.
Yet his was individual mind,
And new created all he saw
In a new manner, and refined
Those new creations, and combined
Them, by a master-spirit's law.
Thusthough unimaginative
An apprehension clear, intense,
Of his mind's work, had made alive
The things it wrought on; I believe
Wakening a sort of thought in sense.
But from the first 'twas Peter's drift
To be a kind of moral eunuch,
He touched the hem of Nature's shift,
Felt faintand never dared uplift
The closest, all-concealing tunic.
She laughed the while, with an arch smile,
And kissed him with a sister's kiss,
And said'My best Diogenes,
I love you wellbut, if you please,
Tempt not again my deepest bliss.
''Tis you are coldfor I, not coy,
Yield love for love, frank, warm, and true;
And Burns, a Scottish peasant boy
His errors prove itknew my joy
More, learnd friend, than you.
'Bocca bacciata non perde ventura,
Anzi rinnuova come fa la luna:
So thought Boccaccio, whose sweet words might cure a
Male prude, like you, from what you now endure, a
Low-tide in soul, like a stagnant laguna.'
Then Peter rubbed his eyes severe,
And smoothed his spacious forehead down
With his broad palm;'twixt love and fear,
He looked, as he no doubt felt, queer,
And in his dream sate down.
The Devil was no uncommon creature;
A leaden-witted thiefjust huddled
Out of the dross and scum of nature;
A toad-like lump of limb and feature,
With mind, and heart, and fancy muddled.
He was that heavy, dull, cold thing,
The spirit of evil well may be:
A drone too base to have a sting;
Who gluts, and grimes his lazy wing,
And calls lust, luxury.
Now he was quite the kind of wight
Round whom collect, at a fixed aera,
Venison, turtle, hock, and claret,
Good cheerand those who come to share it
And best East Indian madeira!
It was his fancy to invite
Men of science, wit, and learning,
Who came to lend each other light;
He proudly thought that his gold's might
Had set those spirits burning.
And men of learning, science, wit,
Considered him as you and I
Think of some rotten tree, and sit
Lounging and dining under it,
Exposed to the wide sky.
And all the while, with loose fat smile,
The willing wretch sat winking there,
Believing 'twas his power that made
That jovial sceneand that all paid
Homage to his unnoticed chair.
Though to be sure this place was Hell;
He was the Deviland all they
What though the claret circled well,
And wit, like ocean, rose and fell?
Were damned eternally.
PART THE FIFTH
GRACE
Among the guests who often stayed
Till the Devil's petits-soupers,
A man there came, fair as a maid,
And Peter noted what he said,
Standing behind his master's chair.
He was a mighty poetand
A subtle-souled psychologist;
All things he seemed to understand,
Of old or newof sea or land
But his own mindwhich was a mist.
This was a man who might have turned
Hell into Heavenand so in gladness
A Heaven unto himself have earned;
But he in shadows undiscerned
Trusted,and damned himself to madness.
He spoke of poetry, and how
'Divine it wasa lighta love
A spirit which like wind doth blow
As it listeth, to and fro;
A dew rained down from God above;
'A power which comes and goes like dream,
And which none can ever trace
Heaven's light on earthTruth's brightest beam.'
And when he ceased there lay the gleam
Of those words upon his face.
Now Peter, when he heard such talk,
Would, heedless of a broken pate,
Stand like a man asleep, or balk
Some wishing guest of knife or fork,
Or drop and break his master's plate.
At night he oft would start and wake
Like a lover, and began
In a wild measure songs to make
On moor, and glen, and rocky lake,
And on the heart of man
And on the universal sky
And the wide earth's bosom green,
And the sweet, strange mystery
Of what beyond these things may lie,
And yet remain unseen.
For in his thought he visited
The spots in which, ere dead and damned,
He his wayward life had led;
Yet knew not whence the thoughts were fed
Which thus his fancy crammed.
And these obscure remembrances
Stirred such harmony in Peter,
That, whensoever he should please,
He could speak of rocks and trees
In poetic metre.
For though it was without a sense
Of memory, yet he remembered well
Many a ditch and quick-set fence;
Of lakes he had intelligence,
He knew something of heath and fell.
He had also dim recollections
Of pedlars tramping on their rounds;
Milk-pans and pails; and odd collections
Of saws, and proverbs; and reflections
Old parsons make in burying-grounds.
But Peter's verse was clear, and came
Announcing from the frozen hearth
Of a cold age, that none might tame
The soul of that diviner flame
It augured to the Earth:
Like gentle rains, on the dry plains,
Making that green which late was gray,
Or like the sudden moon, that stains
Some gloomy chamber's window-panes
With a broad light like day.
For language was in Peter's hand
Like clay while he was yet a potter;
And he made songs for all the land,
Sweet both to feel and understand,
As pipkins late to mountain Cotter.
And Mr. -, the bookseller,
Gave twenty pounds for some;then scorning
A footman's yellow coat to wear,
Peter, too proud of heart, I fear,
Instantly gave the Devil warning.
Whereat the Devil took offence,
And swore in his soul a great oath then,
'That for his damned impertinence
He'd bring him to a proper sense
Of what was due to gentlemen!'
PART THE SIXTH
DAMNATION
'O that mine enemy had written
A book!'cried Job:a fearful curse,
If to the Arab, as the Briton,
'Twas galling to be critic-bitten:
The Devil to Peter wished no worse.
When Peter's next new book found vent,
The Devil to all the first Reviews
A copy of it slyly sent,
With five-pound note as compliment,
And this short notice'Pray abuse.'
Then seriatim, month and quarter,
Appeared such mad tirades.One said
'Peter seduced Mrs. Foy's daughter,
Then drowned the mother in Ullswater,
The last thing as he went to bed.'
Another'Let him shave his head!
Where's Dr. Willis?Or is he joking?
What does the rascal mean or hope,
No longer imitating Pope,
In that barbarian Shakespeare poking?'
One more, 'Is incest not enough?
And must there be adultery too?
Grace after meat? Miscreant and Liar!
Thief! Blackguard! Scoundrel! Fool! Hell-fire
Is twenty times too good for you.
'By that last book of yours we think
You've double damned yourself to scorn;
We warned you whilst yet on the brink
You stood. From your black name will shrink
The babe that is unborn.'
All these Reviews the Devil made
Up in a parcel, which he had
Safely to Peter's house conveyed.
For carriage, tenpence Peter paid
Untied themread themwent half mad.
'What!' cried he, 'this is my reward
For nights of thought, and days of toil?
Do poets, but to be abhorred
By men of whom they never heard,
Consume their spirits' oil?
'What have I done to them?and who
Is Mrs. Foy? 'Tis very cruel
To speak of me and Betty so!
Adultery! God defend me! Oh!
I've half a mind to fight a duel.
'Or,' cried he, a grave look collecting,
'Is it my genius, like the moon,
Sets those who stand her face inspecting,
That face within their brain reflecting,
Like a crazed bell-chime, out of tune?'
For Peter did not know the town,
But thought, as country readers do,
For half a guinea or a crown,
He bought oblivion or renown
From God's own voice in a review.
All Peter did on this occasion
Was, writing some sad stuff in prose.
It is a dangerous invasion
When poets criticize; their station
Is to delight, not pose.
The Devil then sent to Leipsic fair
For Born's translation of Kant's book;
A world of words, tail foremost, where
Rightwrongfalsetrueand fouland fair
As in a lottery-wheel are shook.
Five thousand crammed octavo pages
Of German psychologics,he
Who his furor verborum assuages
Thereon, deserves just seven months' wages
More than will e'er be due to me.
I looked on them nine several days,
And then I saw that they were bad;
A friend, too, spoke in their dispraise,
He never read them;with amaze
I found Sir William Drummond had.
When the book came, the Devil sent
It to P. Verbovale, Esquire,
With a brief note of compliment,
By that night's Carlisle mail. It went,
And set his soul on fire.
Fire, which ex luce praebens fumum,
Made him beyond the bottom see
Of truth's clear wellwhen I and you, Ma'am,
Go, as we shall do, subter humum,
We may know more than he.
Now Peter ran to seed in soul
Into a walking paradox;
For he was neither part nor whole,
Nor good, nor badnor knave nor fool;
Among the woods and rocks
Furious he rode, where late he ran,
Lashing and spurring his tame hobby;
Turned to a formal puritan,
A solemn and unsexual man,
He half believed White Obi.
This steed in vision he would ride,
High trotting over nine-inch bridges,
With Flibbertigibbet, imp of pride,
Mocking and mowing by his side
A mad-brained goblin for a guide
Over corn-fields, gates, and hedges.
After these ghastly rides, he came
Home to his heart, and found from thence
Much stolen of its accustomed flame;
His thoughts grew weak, drowsy, and lame
Of their intelligence.
To Peter's view, all seemed one hue;
He was no Whig, he was no Tory;
No Deist and no Christian he;
He got so subtle, that to be
Nothing, was all his glory.
One single point in his belief
From his organization sprung,
The heart-enrooted faith, the chief
Ear in his doctrines' blighted sheaf,
That 'Happiness is wrong';
So thought Calvin and Dominic;
So think their fierce successors, who
Even now would neither stint nor stick
Our flesh from off our bones to pick,
If they might 'do their do.'
His morals thus were undermined:
The old Peterthe hard, old Potter
Was born anew within his mind;
He grew dull, harsh, sly, unrefined,
As when he tramped beside the Otter.
In the death hues of agony
Lambently flashing from a fish,
Now Peter felt amused to see
Shades like a rainbow's rise and flee,
Mixed with a certain hungry wish.
So in his Country's dying face
He lookedand, lovely as she lay,
Seeking in vain his last embrace,
Wailing her own abandoned case,
With hardened sneer he turned away:
And coolly to his own soul said;
'Do you not think that we might make
A poem on her when she's dead:
Or, noa thought is in my head
Her shroud for a new sheet I'll take:
'My wife wants one.Let who will bury
This mangled corpse! And I and you,
My dearest Soul, will then make merry,
As the Prince Regent did with Sherry,'
'Ayand at last desert me too.'
And so his Soul would not be gay,
But moaned within him; like a fawn
Moaning within a cave, it lay
Wounded and wasting, day by day,
Till all its life of life was gone.
As troubled skies stain waters clear,
The storm in Peter's heart and mind
Now made his verses dark and queer:
They were the ghosts of what they were,
Shaking dim grave-clothes in the wind.
For he now raved enormous folly,
Of Baptisms, Sunday-schools, and Graves,
'Twould make George Colman melancholy
To have heard him, like a male Molly,
Chanting those stupid staves.
Yet the Reviews, who heaped abuse
On Peter while he wrote for freedom,
So soon as in his song they spy
The folly which soothes tyranny,
Praise him, for those who feed 'em.
'He was a man, too great to scan;
A planet lost in truth's keen rays:
His virtue, awful and prodigious;
He was the most sublime, religious,
Pure-minded Poet of these days.'
As soon as he read that, cried Peter,
'Eureka! I have found the way
To make a better thing of metre
Than e'er was made by living creature
Up to this blessd day.'
Then Peter wrote odes to the Devil;
In one of which he meekly said:
'May Carnage and Slaughter,
Thy niece and thy daughter,
May Rapine and Famine,
Thy gorge ever cramming,
Glut thee with living and dead!
  'May Death and Damnation,
And Consternation,
Flit up from Hell with pure intent!
Slash them at Manchester,
Glasgow, Leeds, and Chester;
Drench all with blood from Avon to Trent.
'Let thy body-guard yeomen
Hew down babes and women,
And laugh with bold triumph till Heaven be rent!
When Moloch in Jewry
Munched children with fury,
It was thou, Devil, dining with pure intent.'
PART THE SEVENTH
DOUBLE DAMNATION
The Devil now knew his proper cue.
Soon as he read the ode, he drove
To his friend Lord MacMurderchouse's,
A man of interest in both houses,
And said:'For money or for love,
'Pray find some cure or sinecure;
To feed from the superfluous taxes
A friend of oursa poetfewer
Have fluttered tamer to the lure
Than he.' His lordship stands and racks his
Stupid brains, while one might count
As many beads as he had boroughs,
At length replies; from his mean front,
Like one who rubs out an account,
Smoothing away the unmeaning furrows:
'It happens fortunately, dear Sir,
I can. I hope I need require
No pledge from you, that he will stir
In our affairs;like Oliver,
That he'll be worthy of his hire.'
These words exchanged, the news sent off
To Peter, home the Devil hied,
Took to his bed; he had no cough,
No doctor,meat and drink enough,
Yet that same night he died.
The Devil's corpse was leaded down;
His decent heirs enjoyed his pelf,
Mourning-coaches, many a one,
Followed his hearse along the town:
Where was the Devil himself?
When Peter heard of his promotion,
His eyes grew like two stars for bliss:
There was a bow of sleek devotion
Engendering in his back; each motion
Seemed a Lord's shoe to kiss.
He hired a house, bought plate, and made
A genteel drive up to his door,
With sifted gravel neatly laid,
As if defying all who said,
Peter was ever poor.
But a disease soon struck into
The very life and soul of Peter
He walked aboutslepthad the hue
Of health upon his cheeksand few
Dug betternone a heartier eater.
And yet a strange and horrid curse
Clung upon Peter, night and day;
Month after month the thing grew worse,
And deadlier than in this my verse
I can find strength to say.
Peter was dullhe was at first
Dulloh, so dullso very dull!
Whether he talked, wrote, or rehearsed
Still with this dulness was he cursed
Dullbeyond all conceptiondull.
No one could read his booksno mortal,
But a few natural friends, would hear him;
The parson came not near his portal;
His state was like that of the immortal
Described by Swiftno man could bear him.
His sister, wife, and children yawned,
With a long, slow, and drear ennui,
All human patience far beyond;
Their hopes of Heaven each would have pawned,
Anywhere else to be.
But in his verse, and in his prose,
The essence of his dulness was
Concentred and compressed so close,
'Twould have made Guatimozin doze
On his red gridiron of brass.
A printer's boy, folding those pages,
Fell slumbrously upon one side;
Like those famed Seven who slept three ages.
To wakeful frenzy's vigil-rages,
As opiates, were the same applied.
Even the Reviewers who were hired
To do the work of his reviewing,
With adamantine nerves, grew tired;
Gaping and torpid they retired,
To dream of what they should be doing.
And worse and worse, the drowsy curse
Yawned in him, till it grew a pest
A wide contagious atmosphere,
Creeping like cold through all things near;
A power to infect and to infest.
His servant-maids and dogs grew dull;
His kitten, late a sportive elf;
The woods and lakes, so beautiful,
Of dim stupidity were full,
All grew dull as Peter's self.
The earth under his feetthe springs,
Which lived within it a quick life,
The air, the winds of many wings,
That fan it with new murmurings,
Were dead to their harmonious strife.
The birds and beasts within the wood,
The insects, and each creeping thing,
Were now a silent multitude;
Love's work was left unwroughtno brood
Near Peter's house took wing.
And every neighbouring cottager
Stupidly yawned upon the other:
No jackass brayed; no little cur
Cocked up his ears;no man would stir
To save a dying mother.
Yet all from that charmed district went
But some half-idiot and half-knave,
Who rather than pay any rent,
Would live with marvellous content,
Over his father's grave.
No bailiff dared within that space,
For fear of the dull charm, to enter;
A man would bear upon his face,
For fifteen months in any case,
The yawn of such a venture.
Seven miles abovebelowaround
This pest of dulness holds its sway;
A ghastly life without a sound;
To Peter's soul the spell is bound
How should it ever pass away?
'Composed at Florence, October 1819, and forwarded to Hunt (Nov. 2) to be published by C. & J. Ollier without the author's name; ultimately printed by Mrs. Shelley in the second edition of the Poetical Works, 1839. A skit by John Hamilton Reynolds, Peter Bell, A Lyrical Ballad, had already appeared (April, 1819), a few days before the publication of Wordsworth's Peter Bell, A Tale. These productions were reviewed in Leigh Hunt's Examiner (April 26, May 3, 1819); and to the entertainment derived from his perusal of Hunt's criticisms the composition of Shelley's Peter Bell the Third is chiefly owing.' ~ Percy Bysshe Shelley, Peter Bell The Third
,
1394:Pickthorn Manor
How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.
II
Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.
III
A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
174
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.
IV
Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes
Would brim and spill their tears, when all they saw
Was the bright sun, slantwise
Through burgeoning trees, and all the morning's flame
Burning and quivering round her. With quick shame
She shut her heart and bent before the law.
He was a soldier, she was proud of that.
This was his house and she would keep it well.
His honour was in fighting, hers in what
He'd left her here in charge of. Then a spell
Of conscience sent her through the orchard spying
Upon the gardeners. Were their tools about?
Were any branches broken? Had the weeds
Been duly taken out
Under the 'spaliered pears, and were these lying
Nailed snug against the sunny bricks and drying
Their leaves and satisfying all their needs?
VI
She picked a stone up with a little pout,
Stones looked so ill in well-kept flower-borders.
Where should she put it? All the paths about
Were strewn with fair, red gravel by her orders.
No stone could mar their sifted smoothness. So
She hurried to the river. At the edge
She stood a moment charmed by the swift blue
Beyond the river sedge.
She watched it curdling, crinkling, and the snow
175
Purfled upon its wave-tops. Then, 'Hullo,
My Beauty, gently, or you'll wriggle through.'
VII
The Lady Eunice caught a willow spray
To save herself from tumbling in the shallows
Which rippled to her feet. Then straight away
She peered down stream among the budding sallows.
A youth in leather breeches and a shirt
Of finest broidered lawn lay out upon
An overhanging bole and deftly swayed
A well-hooked fish which shone
In the pale lemon sunshine like a spurt
Of silver, bowed and damascened, and girt
With crimson spots and moons which waned and played.
VIII
The fish hung circled for a moment, ringed
And bright; then flung itself out, a thin blade
Of spotted lightning, and its tail was winged
With chipped and sparkled sunshine. And the shade
Broke up and splintered into shafts of light
Wheeling about the fish, who churned the air
And made the fish-line hum, and bent the rod
Almost to snapping. Care
The young man took against the twigs, with slight,
Deft movements he kept fish and line in tight
Obedience to his will with every prod.
IX
He lay there, and the fish hung just beyond.
He seemed uncertain what more he should do.
He drew back, pulled the rod to correspond,
Tossed it and caught it; every time he threw,
He caught it nearer to the point. At last
The fish was near enough to touch. He paused.
Eunice knew well the craft - 'What's got the thing!'
She cried. 'What can have caused Where is his net? The moment will be past.
176
The fish will wriggle free.' She stopped aghast.
He turned and bowed. One arm was in a sling.
The broad, black ribbon she had thought his basket
Must hang from, held instead a useless arm.
'I do not wonder, Madam, that you ask it.'
He smiled, for she had spoke aloud. 'The charm
Of trout fishing is in my eyes enhanced
When you must play your fish on land as well.'
'How will you take him?' Eunice asked. 'In truth
I really cannot tell.
'Twas stupid of me, but it simply chanced
I never thought of that until he glanced
Into the branches. 'Tis a bit uncouth.'
XI
He watched the fish against the blowing sky,
Writhing and glittering, pulling at the line.
'The hook is fast, I might just let him die,'
He mused. 'But that would jar against your fine
Sense of true sportsmanship, I know it would,'
Cried Eunice. 'Let me do it.' Swift and light
She ran towards him. 'It is so long now
Since I have felt a bite,
I lost all heart for everything.' She stood,
Supple and strong, beside him, and her blood
Tingled her lissom body to a glow.
XII
She quickly seized the fish and with a stone
Ended its flurry, then removed the hook,
Untied the fly with well-poised fingers. Done,
She asked him where he kept his fishing-book.
He pointed to a coat flung on the ground.
She searched the pockets, found a shagreen case,
Replaced the fly, noticed a golden stamp
Filling the middle space.
Two letters half rubbed out were there, and round
177
About them gay rococo flowers wound
And tossed a spray of roses to the clamp.
XIII
The Lady Eunice puzzled over these.
'G. D.' the young man gravely said. 'My name
Is Gervase Deane. Your servant, if you please.'
'Oh, Sir, indeed I know you, for your fame
For exploits in the field has reached my ears.
I did not know you wounded and returned.'
'But just come back, Madam. A silly prick
To gain me such unearned
Holiday making. And you, it appears,
Must be Sir Everard's lady. And my fears
At being caught a-trespassing were quick.'
XIV
He looked so rueful that she laughed out loud.
'You are forgiven, Mr. Deane. Even more,
I offer you the fishing, and am proud
That you should find it pleasant from this shore.
Nobody fishes now, my husband used
To angle daily, and I too with him.
He loved the spotted trout, and pike, and dace.
He even had a whim
That flies my fingers tied swiftly confused
The greater fish. And he must be excused,
Love weaves odd fancies in a lonely place.'
XV
She sighed because it seemed so long ago,
Those days with Everard; unthinking took
The path back to the orchard. Strolling so
She walked, and he beside her. In a nook
Where a stone seat withdrew beneath low boughs,
Full-blossomed, hummed with bees, they sat them down.
She questioned him about the war, the share
Her husband had, and grown
Eager by his clear answers, straight allows
178
Her hidden hopes and fears to speak, and rouse
Her numbed love, which had slumbered unaware.
XVI
Under the orchard trees daffodils danced
And jostled, turning sideways to the wind.
A dropping cherry petal softly glanced
Over her hair, and slid away behind.
At the far end through twisted cherry-trees
The old house glowed, geranium-hued, with bricks
Bloomed in the sun like roses, low and long,
Gabled, and with quaint tricks
Of chimneys carved and fretted. Out of these
Grey smoke was shaken, which the faint Spring breeze
Tossed into nothing. Then a thrush's song
XVII
Needled its way through sound of bees and river.
The notes fell, round and starred, between young leaves,
Trilled to a spiral lilt, stopped on a quiver.
The Lady Eunice listens and believes.
Gervase has many tales of her dear Lord,
His bravery, his knowledge, his charmed life.
She quite forgets who's speaking in the gladness
Of being this man's wife.
Gervase is wounded, grave indeed, the word
Is kindly said, but to a softer chord
She strings her voice to ask with wistful sadness,
XVIII
'And is Sir Everard still unscathed? I fain
Would know the truth.' 'Quite well, dear Lady, quite.'
She smiled in her content. 'So many slain,
You must forgive me for a little fright.'
And he forgave her, not alone for that,
But because she was fingering his heart,
Pressing and squeezing it, and thinking so
Only to ease her smart
Of painful, apprehensive longing. At
179
Their feet the river swirled and chucked. They sat
An hour there. The thrush flew to and fro.
XIX
The Lady Eunice supped alone that day,
As always since Sir Everard had gone,
In the oak-panelled parlour, whose array
Of faded portraits in carved mouldings shone.
Warriors and ladies, armoured, ruffed, peruked.
Van Dykes with long, slim fingers; Holbeins, stout
And heavy-featured; and one Rubens dame,
A peony just burst out,
With flaunting, crimson flesh. Eunice rebuked
Her thoughts of gentler blood, when these had duked
It with the best, and scorned to change their name.
XX
A sturdy family, and old besides,
Much older than her own, the Earls of Crowe.
Since Saxon days, these men had sought their brides
Among the highest born, but always so,
Taking them to themselves, their wealth, their lands,
But never their titles. Stern perhaps, but strong,
The Framptons fed their blood from richest streams,
Scorning the common throng.
Gazing upon these men, she understands
The toughness of the web wrought from such strands
And pride of Everard colours all her dreams.
XXI
Eunice forgets to eat, watching their faces
Flickering in the wind-blown candle's shine.
Blue-coated lackeys tiptoe to their places,
And set out plates of fruit and jugs of wine.
The table glitters black like Winter ice.
The Dartle's rushing, and the gentle clash
Of blossomed branches, drifts into her ears.
And through the casement sash
She sees each cherry stem a pointed slice
180
Of splintered moonlight, topped with all the spice
And shimmer of the blossoms it uprears.
XXII
'In such a night -' she laid the book aside,
She could outnight the poet by thinking back.
In such a night she came here as a bride.
The date was graven in the almanack
Of her clasped memory. In this very room
Had Everard uncloaked her. On this seat
Had drawn her to him, bade her note the trees,
How white they were and sweet
And later, coming to her, her dear groom,
Her Lord, had lain beside her in the gloom
Of moon and shade, and whispered her to ease.
XXIII
Her little taper made the room seem vast,
Caverned and empty. And her beating heart
Rapped through the silence all about her cast
Like some loud, dreadful death-watch taking part
In this sad vigil. Slowly she undrest,
Put out the light and crept into her bed.
The linen sheets were fragrant, but so cold.
And brimming tears she shed,
Sobbing and quivering in her barren nest,
Her weeping lips into the pillow prest,
Her eyes sealed fast within its smothering fold.
XXIV
The morning brought her a more stoic mind,
And sunshine struck across the polished floor.
She wondered whether this day she should find
Gervase a-fishing, and so listen more,
Much more again, to all he had to tell.
And he was there, but waiting to begin
Until she came. They fished awhile, then went
To the old seat within
The cherry's shade. He pleased her very well
181
By his discourse. But ever he must dwell
Upon Sir Everard. Each incident
XXV
Must be related and each term explained.
How troops were set in battle, how a siege
Was ordered and conducted. She complained
Because he bungled at the fall of Liege.
The curious names of parts of forts she knew,
And aired with conscious pride her ravelins,
And counterscarps, and lunes. The day drew on,
And his dead fish's fins
In the hot sunshine turned a mauve-green hue.
At last Gervase, guessing the hour, withdrew.
But she sat long in still oblivion.
XXVI
Then he would bring her books, and read to her
The poems of Dr. Donne, and the blue river
Would murmur through the reading, and a stir
Of birds and bees make the white petals shiver,
And one or two would flutter prone and lie
Spotting the smooth-clipped grass. The days went by
Threaded with talk and verses. Green leaves pushed
Through blossoms stubbornly.
Gervase, unconscious of dishonesty,
Fell into strong and watchful loving, free
He thought, since always would his lips be hushed.
XXVII
But lips do not stay silent at command,
And Gervase strove in vain to order his.
Luckily Eunice did not understand
That he but read himself aloud, for this
Their friendship would have snapped. She treated him
And spoilt him like a brother. It was now
'Gervase' and 'Eunice' with them, and he dined
Whenever she'd allow,
In the oak parlour, underneath the dim
182
Old pictured Framptons, opposite her slim
Figure, so bright against the chair behind.
XXVIII
Eunice was happier than she had been
For many days, and yet the hours were long.
All Gervase told to her but made her lean
More heavily upon the past. Among
Her hopes she lived, even when she was giving
Her morning orders, even when she twined
Nosegays to deck her parlours. With the thought
Of Everard, her mind
Solaced its solitude, and in her striving
To do as he would wish was all her living.
She welcomed Gervase for the news he brought.
XXIX
Black-hearts and white-hearts, bubbled with the sun,
Hid in their leaves and knocked against each other.
Eunice was standing, panting with her run
Up to the tool-house just to get another
Basket. All those which she had brought were filled,
And still Gervase pelted her from above.
The buckles of his shoes flashed higher and higher
Until his shoulders strove
Quite through the top. 'Eunice, your spirit's filled
This tree. White-hearts!' He shook, and cherries spilled
And spat out from the leaves like falling fire.
XXX
The wide, sun-winged June morning spread itself
Over the quiet garden. And they packed
Full twenty baskets with the fruit. 'My shelf
Of cordials will be stored with what it lacked.
In future, none of us will drink strong ale,
But cherry-brandy.' 'Vastly good, I vow,'
And Gervase gave the tree another shake.
The cherries seemed to flow
Out of the sky in cloudfuls, like blown hail.
183
Swift Lady Eunice ran, her farthingale,
Unnoticed, tangling in a fallen rake.
XXXI
She gave a little cry and fell quite prone
In the long grass, and lay there very still.
Gervase leapt from the tree at her soft moan,
And kneeling over her, with clumsy skill
Unloosed her bodice, fanned her with his hat,
And his unguarded lips pronounced his heart.
'Eunice, my Dearest Girl, where are you hurt?'
His trembling fingers dart
Over her limbs seeking some wound. She strove
To answer, opened wide her eyes, above
Her knelt Sir Everard, with face alert.
XXXII
Her eyelids fell again at that sweet sight,
'My Love!' she murmured, 'Dearest! Oh, my Dear!'
He took her in his arms and bore her right
And tenderly to the old seat, and 'Here
I have you mine at last,' she said, and swooned
Under his kisses. When she came once more
To sight of him, she smiled in comfort knowing
Herself laid as before
Close covered on his breast. And all her glowing
Youth answered him, and ever nearer growing
She twined him in her arms and soft festooned
XXXIII
Herself about him like a flowering vine,
Drawing his lips to cling upon her own.
A ray of sunlight pierced the leaves to shine
Where her half-opened bodice let be shown
Her white throat fluttering to his soft caress,
Half-gasping with her gladness. And her pledge
She whispers, melting with delight. A twig
Snaps in the hornbeam hedge.
A cackling laugh tears through the quietness.
184
Eunice starts up in terrible distress.
'My God! What's that?' Her staring eyes are big.
XXXIV
Revulsed emotion set her body shaking
As though she had an ague. Gervase swore,
Jumped to his feet in such a dreadful taking
His face was ghastly with the look it wore.
Crouching and slipping through the trees, a man
In worn, blue livery, a humpbacked thing,
Made off. But turned every few steps to gaze
At Eunice, and to fling
Vile looks and gestures back. 'The ruffian!
By Christ's Death! I will split him to a span
Of hog's thongs.' She grasped at his sleeve, 'Gervase!
XXXV
What are you doing here? Put down that sword,
That's only poor old Tony, crazed and lame.
We never notice him. With my dear Lord
I ought not to have minded that he came.
But, Gervase, it surprises me that you
Should so lack grace to stay here.' With one hand
She held her gaping bodice to conceal
Her breast. 'I must demand
Your instant absence. Everard, but new
Returned, will hardly care for guests. Adieu.'
'Eunice, you're mad.' His brain began to reel.
XXXVI
He tried again to take her, tried to twist
Her arms about him. Truly, she had said
Nothing should ever part them. In a mist
She pushed him from her, clasped her aching head
In both her hands, and rocked and sobbed aloud.
'Oh! Where is Everard? What does this mean?
So lately come to leave me thus alone!'
185
But Gervase had not seen
Sir Everard. Then, gently, to her bowed
And sickening spirit, he told of her proud
Surrender to him. He could hear her moan.
XXXVII
Then shame swept over her and held her numb,
Hiding her anguished face against the seat.
At last she rose, a woman stricken - dumb And trailed away with slowly-dragging feet.
Gervase looked after her, but feared to pass
The barrier set between them. All his rare
Joy broke to fragments - worse than that, unreal.
And standing lonely there,
His swollen heart burst out, and on the grass
He flung himself and wept. He knew, alas!
The loss so great his life could never heal.
XXXVIII
For days thereafter Eunice lived retired,
Waited upon by one old serving-maid.
She would not leave her chamber, and desired
Only to hide herself. She was afraid
Of what her eyes might trick her into seeing,
Of what her longing urge her then to do.
What was this dreadful illness solitude
Had tortured her into?
Her hours went by in a long constant fleeing
The thought of that one morning. And her being
Bruised itself on a happening so rude.
XXXIX
It grew ripe Summer, when one morning came
Her tirewoman with a letter, printed
Upon the seal were the Deane crest and name.
With utmost gentleness, the letter hinted
His understanding and his deep regret.
But would she not permit him once again
To pay her his profound respects? No word
186
Of what had passed should pain
Her resolution. Only let them get
Back the old comradeship. Her eyes were wet
With starting tears, now truly she deplored
XL
His misery. Yes, she was wrong to keep
Away from him. He hardly was to blame.
'Twas she - she shuddered and began to weep.
'Twas her fault! Hers! Her everlasting shame
Was that she suffered him, whom not at all
She loved. Poor Boy! Yes, they must still be friends.
She owed him that to keep the balance straight.
It was such poor amends
Which she could make for rousing hopes to gall
Him with their unfulfilment. Tragical
It was, and she must leave him desolate.
XLI
Hard silence he had forced upon his lips
For long and long, and would have done so still
Had not she - here she pressed her finger tips
Against her heavy eyes. Then with forced will
She wrote that he might come, sealed with the arms
Of Crowe and Frampton twined. Her heart felt lighter
When this was done. It seemed her constant care
Might some day cease to fright her.
Illness could be no crime, and dreadful harms
Did come from too much sunshine. Her alarms
Would lessen when she saw him standing there,
XLII
Simple and kind, a brother just returned
From journeying, and he would treat her so.
She knew his honest heart, and if there burned
A spark in it he would not let it show.
But when he really came, and stood beside
Her underneath the fruitless cherry boughs,
He seemed a tired man, gaunt, leaden-eyed.
187
He made her no more vows,
Nor did he mention one thing he had tried
To put into his letter. War supplied
Him topics. And his mind seemed occupied.
XLIII
Daily they met. And gravely walked and talked.
He read her no more verses, and he stayed
Only until their conversation, balked
Of every natural channel, fled dismayed.
Again the next day she would meet him, trying
To give her tone some healthy sprightliness,
But his uneager dignity soon chilled
Her well-prepared address.
Thus Summer waned, and in the mornings, crying
Of wild geese startled Eunice, and their flying
Whirred overhead for days and never stilled.
XLIV
One afternoon of grey clouds and white wind,
Eunice awaited Gervase by the river.
The Dartle splashed among the reeds and whined
Over the willow-roots, and a long sliver
Of caked and slobbered foam crept up the bank.
All through the garden, drifts of skirling leaves
Blew up, and settled down, and blew again.
The cherry-trees were weaves
Of empty, knotted branches, and a dank
Mist hid the house, mouldy it smelt and rank
With sodden wood, and still unfalling rain.
XLV
Eunice paced up and down. No joy she took
At meeting Gervase, but the custom grown
Still held her. He was late. She sudden shook,
And caught at her stopped heart. Her eyes had shown
Sir Everard emerging from the mist.
His uniform was travel-stained and torn,
His jackboots muddy, and his eager stride
188
Jangled his spurs. A thorn
Entangled, trailed behind him. To the tryst
He hastened. Eunice shuddered, ran - a twist
Round a sharp turning and she fled to hide.
XLVI
But he had seen her as she swiftly ran,
A flash of white against the river's grey.
'Eunice,' he called. 'My Darling. Eunice. Can
You hear me? It is Everard. All day
I have been riding like the very devil
To reach you sooner. Are you startled, Dear?'
He broke into a run and followed her,
And caught her, faint with fear,
Cowering and trembling as though she some evil
Spirit were seeing. 'What means this uncivil
Greeting, Dear Heart?' He saw her senses blur.
XLVII
Swaying and catching at the seat, she tried
To speak, but only gurgled in her throat.
At last, straining to hold herself, she cried
To him for pity, and her strange words smote
A coldness through him, for she begged Gervase
To leave her, 'twas too much a second time.
Gervase must go, always Gervase, her mind
Repeated like a rhyme
This name he did not know. In sad amaze
He watched her, and that hunted, fearful gaze,
So unremembering and so unkind.
XLVIII
Softly he spoke to her, patiently dealt
With what he feared her madness. By and by
He pierced her understanding. Then he knelt
Upon the seat, and took her hands: 'Now try
To think a minute I am come, my Dear,
Unharmed and back on furlough. Are you glad
To have your lover home again? To me,
189
Pickthorn has never had
A greater pleasantness. Could you not bear
To come and sit awhile beside me here?
A stone between us surely should not be.'
XLIX
She smiled a little wan and ravelled smile,
Then came to him and on his shoulder laid
Her head, and they two rested there awhile,
Each taking comfort. Not a word was said.
But when he put his hand upon her breast
And felt her beating heart, and with his lips
Sought solace for her and himself. She started
As one sharp lashed with whips,
And pushed him from her, moaning, his dumb quest
Denied and shuddered from. And he, distrest,
Loosened his wife, and long they sat there, parted.
Eunice was very quiet all that day,
A little dazed, and yet she seemed content.
At candle-time, he asked if she would play
Upon her harpsichord, at once she went
And tinkled airs from Lully's `Carnival'
And `Bacchus', newly brought away from France.
Then jaunted through a lively rigadoon
To please him with a dance
By Purcell, for he said that surely all
Good Englishmen had pride in national
Accomplishment. But tiring of it soon
LI
He whispered her that if she had forgiven
His startling her that afternoon, the clock
Marked early bed-time. Surely it was Heaven
He entered when she opened to his knock.
The hours rustled in the trailing wind
Over the chimney. Close they lay and knew
Only that they were wedded. At his touch
190
Anxiety she threw
Away like a shed garment, and inclined
Herself to cherish him, her happy mind
Quivering, unthinking, loving overmuch.
LII
Eunice lay long awake in the cool night
After her husband slept. She gazed with joy
Into the shadows, painting them with bright
Pictures of all her future life's employ.
Twin gems they were, set to a single jewel,
Each shining with the other. Soft she turned
And felt his breath upon her hair, and prayed
Her happiness was earned.
Past Earls of Crowe should give their blood for fuel
To light this Frampton's hearth-fire. By no cruel
Affrightings would she ever be dismayed.
LIII
When Everard, next day, asked her in joke
What name it was that she had called him by,
She told him of Gervase, and as she spoke
She hardly realized it was a lie.
Her vision she related, but she hid
The fondness into which she had been led.
Sir Everard just laughed and pinched her ear,
And quite out of her head
The matter drifted. Then Sir Everard chid
Himself for laziness, and off he rid
To see his men and count his farming-gear.
LIV
At supper he seemed overspread with gloom,
But gave no reason why, he only asked
More questions of Gervase, and round the room
He walked with restless strides. At last he tasked
Her with a greater feeling for this man
Than she had given. Eunice quick denied
The slightest interest other than a friend
191
Might claim. But he replied
He thought she underrated. Then a ban
He put on talk and music. He'd a plan
To work at, draining swamps at Pickthorn End.
LV
Next morning Eunice found her Lord still changed,
Hard and unkind, with bursts of anger. Pride
Kept him from speaking out. His probings ranged
All round his torment. Lady Eunice tried
To sooth him. So a week went by, and then
His anguish flooded over; with clenched hands
Striving to stem his words, he told her plain
Tony had seen them, 'brands
Burning in Hell,' the man had said. Again
Eunice described her vision, and how when
Awoke at last she had known dreadful pain.
LVI
He could not credit it, and misery fed
Upon his spirit, day by day it grew.
To Gervase he forbade the house, and led
The Lady Eunice such a life she flew
At his approaching footsteps. Winter came
Snowing and blustering through the Manor trees.
All the roof-edges spiked with icicles
In fluted companies.
The Lady Eunice with her tambour-frame
Kept herself sighing company. The flame
Of the birch fire glittered on the walls.
LVII
A letter was brought to her as she sat,
Unsealed, unsigned. It told her that his wound,
The writer's, had so well recovered that
To join his regiment he felt him bound.
But would she not wish him one short 'Godspeed',
He asked no more. Her greeting would suffice.
He had resolved he never should return.
192
Would she this sacrifice
Make for a dying man? How could she read
The rest! But forcing her eyes to the deed,
She read. Then dropped it in the fire to burn.
LVIII
Gervase had set the river for their meeting
As farthest from the farms where Everard
Spent all his days. How should he know such cheating
Was quite expected, at least no dullard
Was Everard Frampton. Hours by hours he hid
Among the willows watching. Dusk had come,
And from the Manor he had long been gone.
Eunice her burdensome
Task set about. Hooded and cloaked, she slid
Over the slippery paths, and soon amid
The sallows saw a boat tied to a stone.
LIX
Gervase arose, and kissed her hand, then pointed
Into the boat. She shook her head, but he
Begged her to realize why, and with disjointed
Words told her of what peril there might be
From listeners along the river bank.
A push would take them out of earshot. Ten
Minutes was all he asked, then she should land,
He go away again,
Forever this time. Yet how could he thank
Her for so much compassion. Here she sank
Upon a thwart, and bid him quick unstrand
LX
His boat. He cast the rope, and shoved the keel
Free of the gravel; jumped, and dropped beside
Her; took the oars, and they began to steal
Under the overhanging trees. A wide
Gash of red lantern-light cleft like a blade
Into the gloom, and struck on Eunice sitting
Rigid and stark upon the after thwart.
193
It blazed upon their flitting
In merciless light. A moment so it stayed,
Then was extinguished, and Sir Everard made
One leap, and landed just a fraction short.
LXI
His weight upon the gunwale tipped the boat
To straining balance. Everard lurched and seized
His wife and held her smothered to his coat.
'Everard, loose me, we shall drown -' and squeezed
Against him, she beat with her hands. He gasped
'Never, by God!' The slidden boat gave way
And the black foamy water split - and met.
Bubbled up through the spray
A wailing rose and in the branches rasped,
And creaked, and stilled. Over the treetops, clasped
In the blue evening, a clear moon was set.
LXII
They lie entangled in the twisting roots,
Embraced forever. Their cold marriage bed
Close-canopied and curtained by the shoots
Of willows and pale birches. At the head,
White lilies, like still swans, placidly float
And sway above the pebbles. Here are waves
Sun-smitten for a threaded counterpane
Gold-woven on their graves.
In perfect quietness they sleep, remote
In the green, rippled twilight. Death has smote
Them to perpetual oneness who were twain.
~ Amy Lowell,
1395:The King's Tragedy
February 1437
James I. Of Scots.—20th
I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,
In long imprisonment.
For the elder Prince, the kingdom's heir,
By treason's murderous brood
Was slain; and the father quaked for the child
With the royal mortal blood.
I' the Bass Rock fort, by his father's care,
Was his childhood's life assured;
And Henry the subtle Bolingbroke,
Proud England's King, 'neath the southron yoke
His youth for long years immured.
Yet in all things meet for a kingly man
Himself did he approve;
And the nightingale through his prison-wall
Taught him both lore and love.
For once, when the bird's song drew him close
To the opened window-pane,
In her bower beneath a lady stood,
431
A light of life to his sorrowful mood,
Like a lily amid the rain.
And for her sake, to the sweet bird's note,
He framed a sweeter Song,
More sweet than ever a poet's heart
Gave yet to the English tongue.
She was a lady of royal blood;
And when, past sorrow and teen,
He stood where still through his crownless years
His Scotish realm had been,
At Scone were the happy lovers crowned,
A heart-wed King and Queen.
But the bird may fall from the bough of youth,
And song be turned to moan,
And Love's storm-cloud be the shadow of Hate,
When the tempest-waves of a troubled State
Are beating against a throne.
Yet well they loved; and the god of Love,
Whom well the King had sung,
Might find on the earth no truer hearts
His lowliest swains among.
From the days when first she rode abroad
With Scotish maids in her train,
I Catherine Douglas won the trust
Of my mistress sweet Queen Jane.
And oft she sighed, “To be born a King!”
And oft along the way
When she saw the homely lovers pass
She has said, “Alack the day!”
Years waned,—the loving and toiling years:
Till England's wrong renewed
Drove James, by outrage cast on his crown,
To the open field of feud.
'Twas when the King and his host were met
At the leaguer of Roxbro' hold,
The Queen o' the sudden sought his camp
With a tale of dread to be told.
And she showed him a secret letter writ
That spoke of treasonous strife,
And how a band of his noblest lords
Were sworn to take his life.
“And it may be here or it may be there,
432
In the camp or the court,” she said:
“But for my sake come to your people's arms
And guard your royal head.”
Quoth he, “'Tis the fifteenth day of the siege,
And the castle's nigh to yield.”
“O face your foes on your throne,” she cried,
“And show the power you wield;
And under your Scotish people's love
You shall sit as under your shield.”
At the fair Queen's side I stood that day
When he bade them raise the siege,
And back to his Court he sped to know
How the lords would meet their Liege.
But when he summoned his Parliament,
The louring brows hung round,
Like clouds that circle the mountain-head
Ere the first low thunders sound.
For he had tamed the nobles' lust
And curbed their power and pride,
And reached out an arm to right the poor
Through Scotland far and wide;
And many a lordly wrong-doer
By the headsman's axe had died.
'Twas then upspoke Sir Robert Græme,
The bold o'ermastering man:—
“O King, in the name of your Three Estates
I set you under their ban!
“For, as your lords made oath to you
Of service and fealty,
Even in like wise you pledged your oath
Their faithful sire to be:—
“Yet all we here that are nobly sprung
Have mourned dear kith and kin
Since first for the Scotish Barons' curse
Did your bloody rule begin.”
With that he laid his hands on his King:—
“Is this not so, my lords?”
But of all who had sworn to league with him
Not one spake back to his words.
Quoth the King:—“Thou speak'st but for one Estate,
Nor doth it avow thy gage.
Let my liege lords hale this traitor hence!”
433
The Græme fired dark with rage:—
“Who works for lesser men than himself,
He earns but a witless wage!”
But soon from the dungeon where he lay
He won by privy plots,
And forth he fled with a price on his head
To the country of the Wild Scots.
And word there came from Sir Robert Græme
To the King at Edinbro':—
“No Liege of mine thou art; but I see
From this day forth alone in thee
God's creature, my mortal foe.
“Through thee are my wife and children lost,
My heritage and lands;
And when my God shall show me a way,
Thyself my mortal foe will I slay
With these my proper hands.”
Against the coming of Christmastide
That year the King bade call
I' the Black Friars' Charterhouse of Perth
A solemn festival.
And we of his household rode with him
In a close-ranked company;
But not till the sun had sunk from his throne
Did we reach the Scotish Sea.
That eve was clenched for a boding storm,
'Neath a toilsome moon half seen;
The cloud stooped low and the surf rose high;
And where there was a line of the sky,
Wild wings loomed dark between.
And on a rock of the black beach-side,
By the veiled moon dimly lit,
There was something seemed to heave with life
As the King drew nigh to it.
And was it only the tossing furze
Or brake of the waste sea-wold?
Or was it an eagle bent to the blast?
When near we came, we knew it at last
For a woman tattered and old.
But it seemed as though by a fire within
Her writhen limbs were wrung;
And as soon as the King was close to her,
434
She stood up gaunt and strong.
'Twas then the moon sailed clear of the rack
On high in her hollow dome;
And still as aloft with hoary crest
Each clamorous wave rang home,
Like fire in snow the moonlight blazed
Amid the champing foam.
And the woman held his eyes with her eyes:—
“O King, thou art come at last;
But thy wraith has haunted the Scotish Sea
To my sight for four years past.
“Four years it is since first I met,
'Twixt the Duchray and the Dhu,
A shape whose feet clung close in a shroud,
And that shape for thine I knew.
“A year again, and on Inchkeith Isle
I saw thee pass in the breeze,
With the cerecloth risen above thy feet
And wound about thy knees.
“And yet a year, in the Links of Forth,
As a wanderer without rest,
Thou cam'st with both thine arms i' the shroud
That clung high up thy breast.
“And in this hour I find thee here,
And well mine eyes may note
That the winding-sheet hath passed thy breast
And risen around thy throat.
“And when I meet thee again, O King,
That of death hast such sore drouth,—
Except thou turn again on this shore,—
The winding-sheet shall have moved once more
And covered thine eyes and mouth.
“O King, whom poor men bless for their King,
Of thy fate be not so fain;
But these my words for God's message take,
And turn thy steed, O King, for her sake
Who rides beside thy rein!”
While the woman spoke, the King's horse reared
As if it would breast the sea,
And the Queen turned pale as she heard on the gale
The voice die dolorously.
When the woman ceased, the steed was still,
435
But the King gazed on her yet,
And in silence save for the wail of the sea
His eyes and her eyes met.
At last he said:—“God's ways are His own;
Man is but shadow and dust.
Last night I prayed by His altar-stone;
To-night I wend to the Feast of His Son;
And in Him I set my trust.
“I have held my people in sacred charge,
And have not feared the sting
Of proud men's hate,—to His will resign'd
Who has but one same death for a hind
And one same death for a King.
“And if God in His wisdom have brought close
The day when I must die,
That day by water or fire or air
My feet shall fall in the destined snare
Wherever my road may lie.
“What man can say but the Fiend hath set
Thy sorcery on my path,
My heart with the fear of death to fill,
And turn me against God's very will
To sink in His burning wrath?”
The woman stood as the train rode past,
And moved nor limb nor eye;
And when we were shipped, we saw her there
Still standing against the sky.
As the ship made way, the moon once more
Sank slow in her rising pall;
And I thought of the shrouded wraith of the King,
And I said, “The Heavens know all.”
And now, ye lasses, must ye hear
How my name is Kate Barlass:—
But a little thing, when all the tale
Is told of the weary mass
Of crime and woe which in Scotland's realm
God's will let come to pass.
'Twas in the Charterhouse of Perth
That the King and all his Court
Were met, the Christmas Feast being done,
For solace and disport.
'Twas a wind-wild eve in February,
436
And against the casement-pane
The branches smote like summoning hands,
And muttered the driving rain.
And when the wind swooped over the lift
And made the whole heaven frown,
It seemed a grip was laid on the walls
To tug the housetop down.
And the Queen was there, more stately fair
Than a lily in garden set;
And the King was loth to stir from her side;
For as on the day when she was his bride,
Even so he loved her yet.
And the Earl of Athole, the King's false friend,
Sat with him at the board;
And Robert Stuart the chamberlain
Who had sold his sovereign Lord.
Yet the traitor Christopher Chaumber there
Would fain have told him all,
And vainly four times that night he strove
To reach the King through the hall.
But the wine is bright at the goblet's brim
Though the poison lurk beneath;
And the apples still are red on the tree
Within whose shade may the adder be
That shall turn thy life to death.
There was a knight of the King's fast friends
Whom he called the King of Love;
And to such bright cheer and courtesy
That name might best behove.
And the King and Queen both loved him well
For his gentle knightliness;
And with him the King, as that eve wore on,
Was playing at the chess.
And the King said, (for he thought to jest
And soothe the Queen thereby —
“In a book 'tis writ that this same year
A King shall in Scotland die.
“And I have pondered the matter o'er,
And this have I found, Sir Hugh,—
There are but two Kings on Scotish ground,
And those Kings are I and you.
“And I have a wife and a newborn heir,
437
And you are yourself alone;
So stand you stark at my side with me
To guard our double throne.
“For here sit I and my wife and child,
As well your heart shall approve,
In full surrender and soothfastness,
Beneath your Kingdom of Love.”
And the Knight laughed, and the Queen too smiled;
But I knew her heavy thought,
And I strove to find in the good King's jest
What cheer might thence be wrought.
And I said, “My Liege, for the Queen's dear love
Now sing the song that of old
You made, when a captive Prince you lay,
And the nightingale sang sweet on the spray,
In Windsor's castle-hold.”
Then he smiled the smile I knew so well
When he thought to please the Queen;
The smile which under all bitter frowns
Of fate that rose between
For ever dwelt at the poet's heart
Like the bird of love unseen.
And he kissed her hand and took his harp,
And the music sweetly rang;
And when the song burst forth, it seemed
'Twas the nightingale that sang.
“Worship, ye lovers, on this May:
Of bliss your kalends are begun:
Sing with us, Away, Winter, away!
Come, Summer, the sweet season and sun!
Awake for shame,—your heaven is won,—
And amorously your heads lift all:
Thank Love, that you to his grace doth call!”
But when he bent to the Queen, and sang
The speech whose praise was hers,
It seemed his voice was the voice of the Spring
And the voice of the bygone years.
“The fairest and the freshest flower
That ever I saw before that hour,
The which o' the sudden made to start
The blood of my body to my heart.
Ah sweet, are ye a worldly creature
438
Or heavenly thing in form of nature?”
And the song was long, and richly stored
With wonder and beauteous things;
And the harp was tuned to every change
Of minstrel ministerings;
But when he spoke of the Queen at the last,
Its strings were his own heart-strings.
“Unworthy but only of her grace,
Upon Love's rock that's easy and sure,
In guerdon of all my lovè's space
She took me her humble creäture.
Thus fell my blissful aventure
In youth of love that from day to day
Flowereth aye new, and further I say.
“To reckon all the circumstance
As it happed when lessen gan my sore,
Of my rancour and woful chance,
It were too long,—I have done therefor.
And of this flower I say no more,
But unto my help her heart hath tended
And even from death her man defended.”
“Aye, even from death,” to myself I said;
For I thought of the day when she
Had borne him the news, at Roxbro' siege,
Of the fell confederacy.
But Death even then took aim as he sang
With an arrow deadly bright;
And the grinning skull lurked grimly aloof,
And the wings were spread far over the roof
More dark than the winter night.
Yet truly along the amorous song
Of Love's high pomp and state,
There were words of Fortune's trackless doom
And the dreadful face of Fate.
And oft have I heard again in dreams
The voice of dire appeal
In which the King then sang of the pit
That is under Fortune's wheel.
And under the wheel beheld I there
An ugly Pit as deep as hell,
That to behold I quaked for fear:
And this I heard, that who therein fell
439
Came no more up, tidings to tell:
Whereat, astound of the fearful sight,
I wist not what to do for fright.”
And oft has my thought called up again
These words of the changeful song:—
“Wist thou thy pain and thy travàil
To come, well might'st thou weep and wail!”
And our wail, O God! is long.
But the song's end was all of his love;
And well his heart was grac'd
With her smiling lips and her tear-bright eyes
As his arm went round her waist.
And on the swell of her long fair throat
Close clung the necklet-chain
As he bent her pearl-tir'd head aside,
And in the warmth of his love and pride
He kissed her lips full fain.
And her true face was a rosy red,
The very red of the rose
That, couched on the happy garden-bed,
In the summer sunlight glows.
And all the wondrous things of love
That sang so sweet through the song
Were in the look that met in their eyes,
And the look was deep and long.
'Twas then a knock came at the outer gate,
And the usher sought the King.
“The woman you met by the Scotish Sea,
My Liege, would tell you a thing;
And she says that her present need for speech
Will bear no gainsaying.”
And the King said: “The hour is late;
To-morrow will serve, I ween.”
Then he charged the usher strictly, and said:
“No word of this to the Queen.”
But the usher came again to the King.
“Shall I call her back?” quoth he:
“For as she went on her way, she cried,
‘Woe! Woe! then the thing must be!’”
And the King paused, but he did not speak.
Then he called for the Voidee-cup:
And as we heard the twelfth hour strike,
440
There by true lips and false lips alike
Was the draught of trust drained up.
So with reverence meet to King and Queen,
To bed went all from the board;
And the last to leave of the courtly train
Was Robert Stuart the chamberlain
Who had sold his sovereign lord.
And all the locks of the chamber-door
Had the traitor riven and brast;
And that Fate might win sure way from afar,
He had drawn out every bolt and bar
That made the entrance fast.
And now at midnight he stole his way
To the moat of the outer wall,
And laid strong hurdles closely across
Where the traitors' tread should fall.
But we that were the Queen's bower-maids
Alone were left behind;
And with heed we drew the curtains close
Against the winter wind.
And now that all was still through the hall,
More clearly we heard the rain
That clamoured ever against the glass
And the boughs that beat on the pane.
But the fire was bright in the ingle-nook,
And through empty space around
The shadows cast on the arras'd wall
'Mid the pictured kings stood sudden and tall
Like spectres sprung from the ground.
And the bed was dight in a deep alcove;
And as he stood by the fire
The King was still in talk with the Queen
While he doffed his goodly attire.
And the song had brought the image back
Of many a bygone year;
And many a loving word they said
With hand in hand and head laid to head;
And none of us went anear.
But Love was weeping outside the house,
A child in the piteous rain;
And as he watched the arrow of Death,
He wailed for his own shafts close in the sheath
441
That never should fly again.
And now beneath the window arose
A wild voice suddenly:
And the King reared straight, but the Queen fell back
As for bitter dule to dree;
And all of us knew the woman's voice
Who spoke by the Scotish Sea.
“O King,” she cried, “in an evil hour
They drove me from thy gate;
And yet my voice must rise to thine ears;
But alas! it comes too late!
“Last night at mid-watch, by Aberdour,
When the moon was dead in the skies,
O King, in a death-light of thine own
I saw thy shape arise.
“And in full season, as erst I said,
The doom had gained its growth;
And the shroud had risen above thy neck
And covered thine eyes and mouth.
“And no moon woke, but the pale dawn broke,
And still thy soul stood there;
And I thought its silence cried to my soul
As the first rays crowned its hair.
“Since then have I journeyed fast and fain
In very despite of Fate,
Lest Hope might still be found in God's will:
But they drove me from thy gate.
“For every man on God's ground, O King,
His death grows up from his birth
In a shadow-plant perpetually;
And thine towers high, a black yew-tree,
O'er the Charterhouse of Perth!”
That room was built far out from the house;
And none but we in the room
Might hear the voice that rose beneath,
Nor the tread of the coming doom.
For now there came a torchlight-glare,
And a clang of arms there came;
And not a soul in that space but thought
Of the foe Sir Robert Græme.
Yea, from the country of the Wild Scots,
O'er mountain, valley, and glen,
442
He had brought with him in murderous league
Three hundred armèd men.
The King knew all in an instant's flash;
And like a King did he stand;
But there was no armour in all the room,
Nor weapon lay to his hand.
And all we women flew to the door
And thought to have made it fast;
But the bolts were gone and the bars were gone
And the locks were riven and brast.
And he caught the pale pale Queen in his arms
As the iron footsteps fell,—
Then loosed her, standing alone, and said,
“Our bliss was our farewell!”
And 'twixt his lips he murmured a prayer,
And he crossed his brow and breast;
And proudly in royal hardihood
Even so with folded arms he stood,—
The prize of the bloody quest.
Then on me leaped the Queen like a deer:—
“O Catherine, help!” she cried.
And low at his feet we clasped his knees
Together side by side.
“Oh! even a King, for his people's sake,
From treasonous death must hide!”
“For her sake most!” I cried, and I marked
The pang that my words could wring.
And the iron tongs from the chimney-nook
I snatched and held to the king:—
“Wrench up the plank! and the vault beneath
Shall yield safe harbouring.”
With brows low-bent, from my eager hand
The heavy heft did he take;
And the plank at his feet he wrenched and tore;
And as he frowned through the open floor,
Again I said, “For her sake!”
Then he cried to the Queen, “God's will be done!”
For her hands were clasped in prayer.
And down he sprang to the inner crypt;
And straight we closed the plank he had ripp'd
And toiled to smooth it fair.
(Alas! in that vault a gap once was
443
Wherethro' the King might have fled:
But three days since close-walled had it been
By his will; for the ball would roll therein
When without at the palm he play'd.)
Then the Queen cried, “Catherine, keep the door,
And I to this will suffice!”
At her word I rose all dazed to my feet,
And my heart was fire and ice.
And louder ever the voices grew,
And the tramp of men in mail;
Until to my brain it seemed to be
As though I tossed on a ship at sea
In the teeth of a crashing gale.
Then back I flew to the rest; and hard
We strove with sinews knit
To force the table against the door;
But we might not compass it.
Then my wild gaze sped far down the hall
To the place of the hearthstone-sill;
And the Queen bent ever above the floor,
For the plank was rising still.
And now the rush was heard on the stair,
And “God, what help?” was our cry.
And was I frenzied or was I bold?
I looked at each empty stanchion-hold,
And no bar but my arm had I!
Like iron felt my arm, as through
The staple I made it pass:—
Alack! it was flesh and bone—no more!
'Twas Catherine Douglas sprang to the door,
But I fell back Kate Barlass.
With that they all thronged into the hall,
Half dim to my failing ken;
And the space that was but a void before
Was a crowd of wrathful men.
Behind the door I had fall'n and lay,
Yet my sense was wildly aware,
And for all the pain of my shattered arm
I never fainted there.
Even as I fell, my eyes were cast
Where the King leaped down to the pit;
And lo! the plank was smooth in its place,
444
And the Queen stood far from it.
And under the litters and through the bed
And within the presses all
The traitors sought for the King, and pierced
The arras around the wall.
And through the chamber they ramped and stormed
Like lions loose in the lair,
And scarce could trust to their very eyes,—
For behold! no King was there.
Then one of them seized the Queen, and cried,—
“Now tell us, where is thy lord?”
And he held the sharp point over her heart:
She drooped not her eyes nor did she start,
But she answered never a word.
Then the sword half pierced the true true breast:
But it was the Græme's own son
Cried, “This is a woman,—we seek a man!”
And away from her girdle-zone
He struck the point of the murderous steel;
And that foul deed was not done.
And forth flowed all the throng like a sea
And 'twas empty space once more;
And my eyes sought out the wounded Queen
As I lay behind the door.
And I said: “Dear Lady, leave me here,
For I cannot help you now:
But fly while you may, and none shall reck
Of my place here lying low.”
And she said, “My Catherine, God help thee!”
Then she looked to the distant floor,
And clasping her hands, “O God help him,”
She sobbed, “for we can no more!”
But God He knows what help may mean,
If it mean to live or to die;
And what sore sorrow and mighty moan
On earth it may cost ere yet a throne
Be filled in His house on high.
And now the ladies fled with the Queen;
And through the open door
The night-wind wailed round the empty room
And the rushes shook on the floor.
And the bed drooped low in the dark recess
445
Whence the arras was rent away;
And the firelight still shone over the space
Where our hidden secret lay.
And the rain had ceased, and the moonbeams lit
The window high in the wall,—
Bright beams that on the plank that I knew
Through the painted pane did fall,
And gleamed with the splendour of Scotland's crown
And shield armorial.
But then a great wind swept up the skies
And the climbing moon fell back;
And the royal blazon fled from the floor,
And nought remained on its track;
And high in the darkened window-pane
The shield and the crown were black.
And what I say next I partly saw
And partly I heard in sooth,
And partly since from the murderers' lips
The torture wrung the truth.
For now again came the armèd tread,
And fast through the hall it fell;
But the throng was less; and ere I saw,
By the voice without I could tell
That Robert Stuart had come with them
Who knew that chamber well.
And over the space the Græme strode dark
With his mantle round him flung;
And in his eye was a flaming light
But not a word on his tongue.
And Stuart held a torch to the floor,
And he found the thing he sought;
And they slashed the plank away with their swords;
And O God! I fainted not!
And the traitor held his torch in the gap,
All smoking and smouldering;
And through the vapour and fire, beneath
In the dark crypt's narrow ring,
With a shout that pealed to the room's high roof
They saw their naked King.
Half naked he stood, but stood as one
Who yet could do and dare:
With the crown, the King was stript away,—
446
The Knight was 'reft of his battle-array,—
But still the Man was there.
From the rout then stepped a villain forth,—
Sir John Hall was his name;
With a knife unsheathed he leapt to the vault
Beneath the torchlight-flame.
Of his person and stature was the King
A man right manly strong,
And mightily by the shoulder-blades
His foe to his feet he flung.
Then the traitor's brother, Sir Thomas Hall,
Sprang down to work his worst;
And the King caught the second man by the neck
And flung him above the first.
And he smote and trampled them under him;
And a long month thence they bare
All black their throats with the grip of his hands
When the hangman's hand came there.
And sore he strove to have had their knives,
But the sharp blades gashed his hands.
Oh James! so armed, thou hadst battled there
Till help had come of thy bands;
And oh! once more thou hadst held our throne
And ruled thy Scotish lands!
But while the King o'er his foes still raged
With a heart that nought could tame,
Another man sprang down to the crypt;
And with his sword in his hand hard-gripp'd,
There stood Sir Robert Græme.
(Now shame on the recreant traitor's heart
Who durst not face his King
Till the body unarmed was wearied out
With two-fold combating!
Ah! well might the people sing and say,
As oft ye have heard aright:—
“O Robert Græme, O Robert Græme,
Who slew our King, God give thee shame!”
For he slew him not as a knight.)
And the naked King turned round at bay,
But his strength had passed the goal,
And he could but gasp:—“Mine hour is come;
But oh! to succour thine own soul's doom,
447
Let a priest now shrive my soul!”
And the traitor looked on the King's spent strength,
And said:—“Have I kept my word?—
Yea, King, the mortal pledge that I gave?
No black friar's shrift thy soul shall have,
But the shrift of this red sword!”
With that he smote his King through the breast;
And all they three in that pen
Fell on him and stabbed and stabbed him there
Like merciless murderous men.
Yet seemed it now that Sir Robert Græme,
Ere the King's last breath was o'er,
Turned sick at heart with the deadly sight
And would have done no more.
But a cry came from the troop above:—
“If him thou do not slay,
The price of his life that thou dost spare
Thy forfeit life shall pay!”
O God! what more did I hear or see,
Or how should I tell the rest?
But there at length our King lay slain
With sixteen wounds in his breast.
O God! and now did a bell boom forth,
And the murderers turned and fled;—
Too late, too late, O God, did it sound!—
And I heard the true men mustering round,
And the cries and the coming tread.
But ere they came, to the black death-gap
Somewise did I creep and steal;
And lo! or ever I swooned away,
Through the dusk I saw where the white face lay
In the Pit of Fortune's Wheel.
And now, ye Scotish maids who have heard
Dread things of the days grown old,—
Even at the last, of true Queen Jane
May somewhat yet be told,
And how she dealt for her dear lord's sake
Dire vengeance manifold.
'Twas in the Charterhouse of Perth,
In the fair-lit Death-chapelle,
That the slain King's corpse on bier was laid
With chaunt and requiem-knell.
448
And all with royal wealth of balm
Was the body purified;
And none could trace on the brow and lips
The death that he had died.
In his robes of state he lay asleep
With orb and sceptre in hand;
And by the crown he wore on his throne
Was his kingly forehead spann'd.
And, girls, 'twas a sweet sad thing to see
How the curling golden hair,
As in the day of the poet's youth,
From the King's crown clustered there.
And if all had come to pass in the brain
That throbbed beneath those curls,
Then Scots had said in the days to come
That this their soil was a different home
And a different Scotland, girls!
And the Queen sat by him night and day,
And oft she knelt in prayer,
All wan and pale in the widow's veil
That shrouded her shining hair.
And I had got good help of my hurt:
And only to me some sign
She made; and save the priests that were there,
No face would she see but mine.
And the month of March wore on apace;
And now fresh couriers fared
Still from the country of the Wild Scots
With news of the traitors snared.
And still as I told her day by day,
Her pallor changed to sight,
And the frost grew to a furnace-flame
That burnt her visage white.
And evermore as I brought her word,
She bent to her dead King James,
And in the cold ear with fire-drawn breath
She spoke the traitors' names.
But when the name of Sir Robert Græme
Was the one she had to give,
I ran to hold her up from the floor;
For the froth was on her lips, and sore
I feared that she could not live.
449
And the month of March wore nigh to its end,
And still was the death-pall spread;
For she would not bury her slaughtered lord
Till his slayers all were dead.
And now of their dooms dread tidings came,
And of torments fierce and dire;
And nought she spake,—she had ceased to speak,—
But her eyes were a soul on fire.
But when I told her the bitter end
Of the stern and just award,
She leaned o'er the bier, and thrice three times
She kissed the lips of her lord.
And then she said,—“My King, they are dead!”
And she knelt on the chapel-floor,
And whispered low with a strange proud smile,—
“James, James, they suffered more!”
Last she stood up to her queenly height,
But she shook like an autumn leaf,
As though the fire wherein she burned
Then left her body, and all were turned
To winter of life-long grief.
And “O James!” she said,—“My James!” she said,—
“Alas for the woful thing,
That a poet true and a friend of man,
In desperate days of bale and ban,
Should needs be born a King!”
~ Dante Gabriel Rossetti,
1396:Scene. Colmar in Alsatia: an Inn. 1528.
Paracelsus, Festus.
Paracelsus
[to Johannes Oporinus, his Secretary].
Sic itur ad astra! Dear Von Visenburg
Is scandalized, and poor Torinus paralysed,
And every honest soul that Basil holds
Aghast; and yet we live, as one may say,
Just as though Liechtenfels had never set
So true a value on his sorry carcass,
And learned Ptter had not frowned us dumb.
We live; and shall as surely start to morrow
For Nuremberg, as we drink speedy scathe
To Basil in this mantling wine, suffused
A delicate blush, no fainter tinge is born
I' the shut heart of a bud. Pledge me, good John
"Basil; a hot plague ravage it, and Ptter
"Oppose the plague!" Even so? Do you too share
Their panic, the reptiles? Ha, ha; faint through these,
Desist for these! They manage matters so
At Basil, 't is like: but others may find means
To bring the stoutest braggart of the tribe
Once more to crouch in silencemeans to breed
A stupid wonder in each fool again,
Now big with admiration at the skill
Which stript a vain pretender of his plumes:
And, that done,means to brand each slavish brow
So deeply, surely, ineffaceably,
That henceforth flattery shall not pucker it
Out of the furrow; there that stamp shall stay
To show the next they fawn on, what they are,
This Basil with its magnates,fill my cup,
Whom I curse soul and limb. And now despatch,
Despatch, my trusty John; and what remains
To do, whate'er arrangements for our trip
Are yet to be completed, see you hasten
This night; we'll weather the storm at least: to-morrow
For Nuremberg! Now leave us; this grave clerk
Has divers weighty matters for my ear:
[Oporinus goes out.
And spare my lungs. At last, my gallant Festus,
I am rid of this arch-knave that dogs my heels
As a gaunt crow a gasping sheep; at last
May give a loose to my delight. How kind,
How very kind, my first best only friend!
Why, this looks like fidelity. Embrace me!
Not a hair silvered yet? Right! you shall live
Till I am worth your love; you shall be pround,
And Ibut let time show! Did you not wonder?
I sent to you because our compact weighed
Upon my conscience(you recall the night
At Basil, which the gods confound!)because
Once more I aspire. I call you to my side:
You come. You thought my message strange?
Festus.
                      So strange
That I must hope, indeed, your messenger
Has mingled his own fancies with the words
Purporting to be yours.
Paracelsus.
            He said no more,
'T is probable, than the precious folk I leave
Said fiftyfold more roughly. Well-a-day,
'T is true! poor Paracelsus is exposed
At last; a most egregious quack he proves:
And those he overreached must spit their hate
On one who, utterly beneath contempt,
Could yet deceive their topping wits. You heard
Bare truth; and at my bidding you come here
To speed me on my enterprise, as once
Your lavish wishes sped me, my own friend!
Festus.
What is your purpose, Aureole?
Paracelsus.
                Oh, for purpose,
There is no lack of precedents in a case
Like mine; at least, if not precisely mine,
The case of men cast off by those they sought
To benefit.
Festus.
     They really cast you off?
I only heard a vague tale of some priest,
Cured by your skill, who wrangled at your claim,
Knowing his life's worth best; and how the judge
The matter was referred to, saw no cause
To interfere, nor you to hide your full
Contempt of him; nor he, again, to smother
His wrath thereat, which raised so fierce a flame
That Basil soon was made no place for you.
Paracelsus.
The affair of Liechtenfels? the shallowest fable,
The last and silliest outragemere pretence!
I knew it, I foretold it from the first,
How soon the stupid wonder you mistook
For genuine loyaltya cheering promise
Of better things to comewould pall and pass;
And every word comes true. Saul is among
The prophets! Just so long as I was pleased
To play off the mere antics of my art,
Fantastic gambols leading to no end,
I got huge praise: but one can ne'er keep down
Our foolish nature's weakness. There they flocked,
Poor devils, jostling, swearing and perspiring,
Till the walls rang again; and all for me!
I had a kindness for them, which was right;
But then I stopped not till I tacked to that
A trust in them and a respecta sort
Of sympathy for them; I must needs begin
To teach them, not amaze them, "to impart
"The spirit which should instigate the search
"Of truth," just what you bade me! I spoke out.
Forthwith a mighty squadron, in disgust,
Filed off"the sifted chaff of the sack," I said,
Redoubling my endeavours to secure
The rest. When lo! one man had tarried so long
Only to ascertain if I supported
This tenet of his, or that; another loved
To hear impartially before he judged,
And having heard, now judged; this bland disciple
Passed for my dupe, but all along, it seems,
Spied error where his neighbours marvelled most;
That fiery doctor who had hailed me friend,
Did it because my by-paths, once proved wrong
And beaconed properly, would commend again
The good old ways our sires jogged safely o'er,
Though not their squeamish sons; the other worthy
Discovered divers verses of St. John,
Which, read successively, refreshed the soul,
But, muttered backwards, cured the gout, the stone,
The colic and what not. Quid multa? The end
Was a clear class-room, and a quiet leer
From grave folk, and a sour reproachful glance
From those in chief who, cap in hand, installed
The new professor scarce a year before;
And a vast flourish about patient merit
Obscured awhile by flashy tricks, but sure
Sooner or later to emerge in splendour
Of which the example was some luckless wight
Whom my arrival had discomfited,
But now, it seems, the general voice recalled
To fill my chair and so efface the stain
Basil had long incurred. I sought no better,
Only a quiet dismissal from my post,
And from my heart I wished them better suited
And better served. Good night to Basil, then!
But fast as I proposed to rid the tribe
Of my obnoxious back, I could not spare them
The pleasure of a parting kick.
Festus.
                 You smile:
Despise them as they merit!
Paracelsus.
               If I smile,
'T is with as very contempt as ever turned
Flesh into stone. This courteous recompense,
This grateful . . . Festus, were your nature fit
To be defiled, your eyes the eyes to ache
At gangrene-blotches, eating poison-blains,
The ulcerous barky scurf of leprosy
Which findsa man, and leavesa hideous thing
That cannot but be mended by hell fire,
I would lay bare to you the human heart
Which God cursed long ago, and devils make since
Their pet nest and their never-tiring home.
Oh, sages have discovered we are born
For various endsto love, to know: has ever
One stumbled, in his search, on any signs
Of a nature in us formed to hate? To hate?
If that be our true object which evokes
Our powers in fullest strength, be sure 't is hate!
Yet men have doubted if the best and bravest
Of spirits can nourish him with hate alone.
I had not the monopoly of fools,
It seems, at Basil.
Festus.
          But your plans, your plans!
I have yet to learn your purpose, Aureole!
Paracelsus.
Whether to sink beneath such ponderous shame,
To shrink up like a crushed snail, undergo
In silence and desist from further toil,
and so subside into a monument
Of one their censure blasted? or to bow
Cheerfully as submissively, to lower
My old pretensions even as Basil dictates,
To drop into the rank her wits assign me
And live as they prescribe, and make that use
Of my poor knowledge which their rules allow,
Proud to be patted now and then, and careful
To practise the true posture for receiving
The amplest benefit from their hoofs' appliance
When they shall condescend to tutor me?
Then, one may feel resentment like a flame
Within, and deck false systems in truth's garb,
And tangle and entwine mankind with error,
And give them darkness for a dower and falsehood
For a possession, ages: or one may mope
Into a shade through thinking, or else drowse
Into a dreamless sleep and so die off.
But I,now Festus shall divine!but I
Am merely setting out once more, embracing
My earliest aims again! What thinks he now?
Festus.
Your aims? the aims?to Know? and where is found
The early trust . . .
Paracelsus.
           Nay, not so fast; I say,
The aimsnot the old means. You know they made me
A laughing-stock; I was a fool; you know
The when and the how: hardly those means again!
Not but they had their beauty; who should know
Their passing beauty, if not I? Still, dreams
They were, so let them vanish, yet in beauty
If that may be. Stay: thus they pass in song!
[He sings.
Heap cassia, sandal-buds and stripes
Of labdanum, and aloe-balls,
Smeared with dull nard an Indian wipes
From out her hair: such balsam falls
Down sea-side mountain pedestals,
From tree-tops where tired winds are fain,
Spent with the vast and howling main,
To treasure half their island-gain.
And strew faint sweetness from some old
Egyptian's fine worm-eaten shroud
Which breaks to dust when once unrolled;
Or shredded perfume, like a cloud
From closet long to quiet vowed,
With mothed and dropping arras hung,
Mouldering her lute and books among,
As when a queen, long dead, was young.
Mine, every word! And on such pile shall die
My lovely fancies, with fair perished things,
Themselves fair and forgotten; yes, forgotten,
Or why abjure them? So, I made this rhyme
That fitting dignity might be preserved;
No little proud was I; though the list of drugs
Smacks of my old vocation, and the verse
Halts like the best of Luther's psalms.
Festus.
                     But, Aureole,
Talk not thus wildly and madly. I am here
Did you know all! I have travelled far, indeed,
To learn your wishes. Be yourself again!
For in this mood I recognize you less
Than in the horrible despondency
I witnessed last. You may account this, joy;
But rather let me gaze on that despair
Than hear these incoherent words and see
This flushed cheek and intensely-sparkling eye.
Paracelsus.
Why, man, I was light-hearted in my prime
I am light-hearted now; what would you have?
Aprile was a poet, I make songs
'T is the very augury of success I want!
Why should I not be joyous now as then?
Festus.
Joyous! and how? and what remains for joy?
You have declared the ends (which I am sick
Of naming) are impracticable.
Paracelsus.
               Ay,
Pursued as I pursued themthe arch-fool!
Listen: my plan will please you not, 't is like,
But you are little versed in the world's ways.
This is my plan(first drinking its good luck)
I will accept all helps; all I despised
So rashly at the outset, equally
With early impulses, late years have quenched:
I have tried each way singly: now for both!
All helps! no one sort shall exclude the rest.
I seek to know and to enjoy at once,
Not one without the other as before.
Suppose my labour should seem God's own cause
Once more, as first I dreamed,it shall not baulk me
Of the meanest earthliest sensualest delight
That may be snatched; for every joy is gain,
And gain is gain, however small. My soul
Can die then, nor be taunted"what was gained?"
Nor, on the other hand, should pleasure follow
As though I had not spurned her hitherto,
Shall she o'ercloud my spirit's rapt communion
With the tumultuous past, the teeming future,
Glorious with visions of a full success.
Festus.
Success!
Paracelsus.
    And wherefore not? Why not prefer
Results obtained in my best state of being,
To those derived alone from seasons dark
As the thoughts they bred? When I was best, my youth
Unwasted, seemed success not surest too?
It is the nature of darkness to obscure.
I am a wanderer: I remember well
One journey, how I feared the track was missed,
So long the city I desired to reach
Lay hid; when suddenly its spires afar
Flashed through the circling clouds; you may conceive
My transport. Soon the vapours closed again,
But I had seen the city, and one such glance
No darkness could obscure: nor shall the present
A few dull hours, a passing shame or two,
Destroy the vivid memories of the past.
I will fight the battle out; a little spent
Perhaps, but still an able combatant.
You look at my grey hair and furrowed brow?
But I can turn even weakness to account:
Of many tricks I know, 't is not the least
To push the ruins of my frame, whereon
The fire of vigour trembles scarce alive,
Into a heap, and send the flame aloft.
What should I do with age? So, sickness lends
An aid; it being, I fear, the source of all
We boast of: mind is nothing but disease,
And natural health is ignorance.
Festus.
                 I see
But one good symptom in this notable scheme.
I feared your sudden journey had in view
To wreak immediate vengeance on your foes
'T is not so: I am glad.
Paracelsus.
             And if I please
To spit on them, to trample them, what then?
'T is sorry warfare truly, but the fools
Provoke it. I would spare their self-conceit
But if they must provoke me, cannot suffer
Forbearance on my part, if I may keep
No quality in the shade, must needs put forth
Power to match power, my strength against their strength,
And teach them their own game with their own arms
Why, be it so and let them take their chance!
I am above them like a god, there's no
Hiding the fact: what idle scruples, then,
Were those that ever bade me soften it,
Communicate it gently to the world,
Instead of proving my supremacy,
Taking my natural station o'er their head,
Then owning all the glory was a man's!
And in my elevation man's would be.
But live and learn, though life's short, learning, hard!
And therefore, though the wreck of my past self,
I fear, dear Ptter, that your lecture-room
Must wait awhile for its best ornament,
The penitent empiric, who set up
For somebody, but soon was taught his place;
Now, but too happy to be let confess
His error, snuff the candles, and illustrate
(Fiat experientia corpore vili)
Your medicine's soundness in his person. Wait,
Good Ptter!
Festus.
      He who sneers thus, is a god!
      Paracelsus.
Ay, ay, laugh at me! I am very glad
You are not gulled by all this swaggering; you
Can see the root of the matter!how I strive
To put a good face on the overthrow
I have experienced, and to bury and hide
My degradation in its length and breadth;
How the mean motives I would make you think
Just mingle as is due with nobler aims,
The appetites I modestly allow
May influence me as being mortal still
Do goad me, drive me on, and fast supplant
My youth's desires. You are no stupid dupe:
You find me out! Yes, I had sent for you
To palm these childish lies upon you, Festus!
Laughyou shall laugh at me!
Festus.
               The past, then, Aureole,
Proves nothing? Is our interchange of love
Yet to begin? Have I to swear I mean
No flattery in this speech or that? For you,
Whate'er you say, there is no degradation;
These low thoughts are no inmates of your mind,
Or wherefore this disorder? You are vexed
As much by the intrusion of base views,
Familiar to your adversaries, as they
Were troubled should your qualities alight
Amid their murky souls; not otherwise,
A stray wolf which the winter forces down
From our bleak hills, suffices to affright
A village in the valeswhile foresters
Sleep calm, though all night long the famished troop
Snuff round and scratch against their crazy huts.
These evil thoughts are monsters, and will flee.
Paracelsus.
May you be happy, Festus, my own friend!
Festus.
Nay, further; the delights you fain would think
The superseders of your nobler aims,
Though ordinary and harmless stimulants,
Will ne'er content you. . . .
Paracelsus.
               Hush! I once despised them,
But that soon passes. We are high at first
In our demand, nor will abate a jot
Of toil's strict value; but time passes o'er,
And humbler spirits accept what we refuse:
In short, when some such comfort is doled out
As these delights, we cannot long retain
Bitter contempt which urges us at first
To hurl it back, but hug it to our breast
And thankfully retire. This life of mine
Must be lived out and a grave thoroughly earned:
I am just fit for that and nought beside.
I told you once, I cannot now enjoy,
Unless I deem my knowledge gains through joy;
Nor can I know, but straight warm tears reveal
My need of linking also joy to knowledge:
So, on I drive, enjoying all I can,
And knowing all I can. I speak, of course,
Confusedly; this will better explainfeel here!
Quick beating, is it not?a fire of the heart
To work off some way, this as well as any.
So, Festus sees me fairly launched; his calm
Compassionate look might have disturbed me once,
But now, far from rejecting, I invite
What bids me press the closer, lay myself
Open before him, and be soothed with pity;
I hope, if he command hope, and believe
As he directs mesatiating myself
With his enduring love. And Festus quits me
To give place to some credulous disciple
Who holds that God is wise, but Paracelsus
Has his peculiar merits: I suck in
That homage, chuckle o'er that admiration,
And then dismiss the fool; for night is come.
And I betake myself to study again,
Till patient searchings after hidden lore
Half wring some bright truth from its prison; my frame
Trembles, my forehead's veins swell out, my hair
Tingles for triumph. Slow and sure the morn
Shall break on my pent room and dwindling lamp
And furnace dead, and scattered earths and ores;
When, with a failing heart and throbbing brow,
I must review my captured truth, sum up
Its value, trace what ends to what begins,
Its present power with its eventual bearings,
Latent affinities, the views it opens,
And its full length in perfecting my scheme.
I view it sternly circumscribed, cast down
From the high place my fond hopes yielded it,
Proved worthlesswhich, in getting, yet had cost
Another wrench to this fast-falling frame.
Then, quick, the cup to quaff, that chases sorrow!
I lapse back into youth, and take again
My fluttering pulse for evidence that God
Means good to me, will make my cause his own.
See! I have cast off this remorseless care
Which clogged a spirit born to soar so free,
And my dim chamber has become a tent,
Festus is sitting by me, and his Michal . . .
Why do you start? I say, she listening here,
(For yonderWrzburg through the orchard-bough!)
Motions as though such ardent words should find
No echo in a maiden's quiet soul,
But her pure bosom heaves, her eyes fill fast
With tears, her sweet lips tremble all the while!
Ha, ha!
Festus.
   It seems, then, you expect to reap
No unreal joy from this your present course,
But rather . . .
Paracelsus.
         Death! To die! I owe that much
To what, at least, I was. I should be sad
To live contented after such a fall,
To thrive and fatten after such reverse!
The whole plan is a makeshift, but will last
My time.
Festus.
    And you have never mused and said,
"I had a noble purpose, and the strength
"To compass it; but I have stopped half-way,
"And wrongly given the first-fruits of my toil
"To objects little worthy of the gift.
"Why linger round them still? why clench my fault?
"Why seek for consolation in defeat,
"In vain endeavours to derive a beauty
"From ugliness? why seek to make the most
"Of what no power can change, nor strive instead
"With mighty effort to redeem the past
"And, gathering up the treasures thus cast down,
"To hold a steadfast course till I arrive
"At their fit destination and my own?"
You have never pondered thus?
Paracelsus.
               Have I, you ask?
Often at midnight, when most fancies come,
Would some such airy project visit me:
But ever at the end . . . or will you hear
The same thing in a tale, a parable?
You and I, wandering over the world wide,
Chance to set foot upon a desert coast.
Just as we cry, "No human voice before
"Broke the inveterate silence of these rocks!"
Their querulous echo startles us; we turn:
What ravaged structure still looks o'er the sea?
Some characters remain, too! While we read,
The sharp salt wind, impatient for the last
Of even this record, wistfully comes and goes,
Or sings what we recover, mocking it.
This is the record; and my voice, the wind's.
[He sings.
Over the sea our galleys went,
With cleaving prows in order brave
To a speeding wind and a bounding wave,
A gallant armament:
Each bark built out of a forest-tree
Left leafy and rough as first it grew,
And nailed all over the gaping sides,
Within and without, with black bull-hides,
Seethed in fat and suppled in flame,
To bear the playful billows' game:
So, each good ship was rude to see,
Rude and bare to the outward view,
But each upbore a stately tent
Where cedar pales in scented row
Kept out the flakes of the dancing brine,
And an awning drooped the mast below,
In fold on fold of the purple fine,
That neither noontide nor starshine
Nor moonlight cold which maketh mad,
Might pierce the regal tenement.
When the sun dawned, oh, gay and glad
We set the sail and plied the oar;
But when the night-wind blew like breath,
For joy of one day's voyage more,
We sang together on the wide sea,
Like men at peace on a peaceful shore;
Each sail was loosed to the wind so free,
Each helm made sure by the twilight star,
And in a sleep as calm as death,
We, the voyagers from afar,
Lay stretched along, each weary crew
In a circle round its wondrous tent
Whence gleamed soft light and curled rich scent,
And with light and perfume, music too:
So the stars wheeled round, and the darkness past,
And at morn we started beside the mast,
And still each ship was sailing fast.
Now, one morn, land appeareda speck
Dim trembling betwixt sea and sky:
"Avoid it," cried our pilot, "check
"The shout, restrain the eager eye!"
But the heaving sea was black behind
For many a night and many a day,
And land, though but a rock, drew nigh;
So, we broke the cedar pales away,
Let the purple awning flap in the wind,
And a statute bright was on every deck!
We shouted, every man of us,
And steered right into the harbour thus,
With pomp and pan glorious.
A hundred shapes of lucid stone!
All day we built its shrine for each,
A shrine of rock for every one,
Nor paused till in the westering sun
We sat together on the beach
To sing because our task was done.
When lo! what shouts and merry songs!
What laughter all the distance stirs!
A loaded raft with happy throngs
Of gentle islanders!
"Our isles are just at hand," they cried,
"Like cloudlets faint in even sleeping
"Our temple-gates are opened wide,
"Our olive-groves thick shade are keeping
"For these majestic forms"they cried.
Oh, then we awoke with sudden start
From our deep dream, and knew, too late,
How bare the rock, how desolate,
Which had received our precious freight:
Yet we called out"Depart!
"Our gifts, once given, must here abide.
"Our work is done; we have no heart
"To mar our work,"we cried.
Festus.
In truth?
Paracelsus.
     Nay, wait: all this in tracings faint
On rugged stones strewn here and there, but piled
In order once: then followsmark what follows!
"The sad rhyme of the men who proudly clung
"To their first fault, and withered in their pride."
Festus.
Come back then, Aureole; as you fear God, come!
This is foul sin; come back! Renounce the past,
Forswear the future; look for joy no more,
But wait death's summons amid holy sights,
And trust me for the eventpeace, if not joy.
Return with me to Einsiedeln, dear Aureole!
Paracelsus.
No way, no way! it would not turn to good.
A spotless child sleeps on the flowering moss
'T is well for him; but when a sinful man,
Envying such slumber, may desire to put
His guilt away, shall he return at once
To rest by lying there? Our sires knew well
(Spite of the grave discoveries of their sons)
The fitting course for such: dark cells, dim lamps,
A stone floor one may writhe on like a worm:
No mossy pillow blue with violets!
Festus.
I see no symptom of these absolute
And tyrannous passions. You are calmer now.
This verse-making can purge you well enough
Without the terrible penance you describe.
You love me still: the lusts you fear will never
Outrage your friend. To Einsiedeln, once more!
Say but the word!
Paracelsus.
         No, no; those lusts forbid:
They crouch, I know, cowering with half-shut eye
Beside you; 't is their nature. Thrust yourself
Between them and their prey; let some fool style me
Or king or quack, it matters notthen try
Your wisdom, urge them to forego their treat!
No, no; learn better and look deeper, Festus!
If you knew how a devil sneers within me
While you are talking now of this, now that,
As though we differed scarcely save in trifles!
Festus.
Do we so differ? True, change must proceed,
Whether for good or ill; keep from me, which!
Do not confide all secrets: I was born
To hope, and you . . .
Paracelsus.
           To trust: you know the fruits!
           Festus.
Listen: I do believe, what you call trust
Was self-delusion at the best: for, see!
So long as God would kindly pioneer
A path for you, and screen you from the world,
Procure you full exemption from man's lot,
Man's common hopes and fears, on the mere pretext
Of your engagement in his serviceyield you
A limitless licence, make you God, in fact,
And turn your slaveyou were content to say
Most courtly praises! What is it, at last,
But selfishness without example? None
Could trace God's will so plain as you, while yours
Remained implied in it; but now you fail,
And we, who prate about that will, are fools!
In short, God's service is established here
As he determines fit, and not your way,
And this you cannot brook. Such discontent
Is weak. Renounce all creatureship at once!
Affirm an absolute right to have and use
Your energies; as though the rivers should say
"We rush to the ocean; what have we to do
"With feeding streamlets, lingering in the vales,
"Sleeping in lazy pools?" Set up that plea,
That will be bold at least!
Paracelsus.
               'T is like enough.
The serviceable spirits are those, no doubt,
The East produces: lo, the master bids,
They wake, raise terraces and garden-grounds
In one night's space; and, this done, straight begin
Another century's sleep, to the great praise
Of him that framed them wise and beautiful,
Till a lamp's rubbing, or some chance akin,
Wake them again. I am of different mould.
I would have soothed my lord, and slaved for him
And done him service past my narrow bond,
And thus I get rewarded for my pains!
Beside, 't is vain to talk of forwarding
God's glory otherwise; this is alone
The sphere of its increase, as far as men
Increase it; why, then, look beyond this sphere?
We are his glory; and if we be glorious,
Is not the thing achieved?
Festus.
              Shall one like me
Judge hearts like yours? Though years have changed you much,
And you have left your first love, and retain
Its empty shade to veil your crooked ways,
Yet I still hold that you have honoured God.
And who shall call your course without reward?
For, wherefore this repining at defeat
Had triumph ne'er inured you to high hopes?
I urge you to forsake the life you curse,
And what success attends me?simply talk
Of passion, weakness and remorse; in short,
Anything but the naked truthyou choose
This so-despised career, and cheaply hold
My happiness, or rather other men's.
Once more, return!
Paracelsus.
         And quickly. John the thief
Has pilfered half my secrets by this time:
And we depart by daybreak. I am weary,
I know not how; not even the wine-cup soothes
My brain to-night . . .
Do you not thoroughly despise me, Festus?
No flattery! One like you needs not be told
We live and breathe deceiving and deceived.
Do you not scorn me from your heart of hearts,
Me and my cant, each petty subterfuge,
My rhymes and all this frothy shower of words,
My glozing self-deceit, my outward crust
Of lies which wrap, as tetter, morphew, furfair
Wrapt the sound flesh?so, see you flatter not!
Even God flatters: but my friend, at least,
Is true. I would depart, secure henceforth
Against all further insult, hate and wrong
From puny foes; my one friend's scorn shall brand me:
No fear of sinking deeper!
Festus.
              No, dear Aureole!
No, no; I came to counsel faithfully.
There are old rules, made long ere we were born,
By which I judge you. I, so fallible,
So infinitely low beside your mighty
Majestic spirit!even I can see
You own some higher law than ours which call
Sin, what is no sinweakness, what is strength.
But I have only these, such as they are,
To guide me; and I blame you where they bid,
Only so long as blaming promises
To win peace for your soul: the more, that sorrow
Has fallen on me of late, and they have helped me
So that I faint not under my distress.
But wherefore should I scruple to avow
In spite of all, as brother judging brother,
Your fate is most inexplicable to me?
And should you perish without recompense
And satisfaction yettoo hastily
I have relied on love: you may have sinned,
But you have loved. As a mere human matter
As I would have God deal with fragile men
In the endI say that you will triumph yet!
Paracelsus.
Have you felt sorrow, Festus?'t is because
You love me. Sorrow, and sweet Michal yours!
Well thought on: never let her know this last
Dull winding-up of all: these miscreants dared
Insult meme she loved:so, grieve her not!
Festus.
Your ill success can little grieve her now.
Paracelsus.
Michal is dead! pray Christ we do not craze!
Festus.
Aureole, dear Aureole, look not on me thus!
Fool, fool! this is the heart grown sorrow-proof
I cannot bear those eyes.
Paracelsus.
             Nay, really dead?
             Festus.
'T is scarce a month.
Paracelsus.
           Stone dead!then you have laid her
Among the flowers ere this. Now, do you know,
I can reveal a secret which shall comfort
Even you. I have no julep, as men think,
To cheat the grave; but a far better secret.
Know, then, you did not ill to trust your love
To the cold earth: I have thought much of it:
For I believe we do not wholly die.
Festus.
Aureole!
Paracelsus.
    Nay, do not laugh; there is a reason
For what I say: I think the soul can never
Taste death. I am, just now, as you may see,
Very unfit to put so strange a thought
In an intelligible dress of words;
But take it as my trust, she is not dead.
Festus.
But not on this account alone? you surely,
Aureole, you have believed this all along?
Paracelsus.
And Michal sleeps among the roots and dews,
While I am moved at Basil, and full of schemes
For Nuremberg, and hoping and despairing,
As though it mattered how the farce plays out,
So it be quickly played. Away, away!
Have your will, rabble! while we fight the prize,
Troop you in safety to the snug back-seats
And leave a clear arena for the brave
About to perish for your sport!Behold!


~ Robert Browning, Paracelsus - Part IV - Paracelsus Aspires
,
1397:TO MARY
(ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST)

I.
How, my dear Mary, -- are you critic-bitten
(For vipers kill, though dead) by some review,
That you condemn these verses I have written,
Because they tell no story, false or true?
What, though no mice are caught by a young kitten,
May it not leap and play as grown cats do,
Till its claws come? Prithee, for this one time,
Content thee with a visionary rhyme.

II.
What hand would crush the silken-wingd fly,
The youngest of inconstant April's minions,
Because it cannot climb the purest sky,
Where the swan sings, amid the sun's dominions?
Not thine. Thou knowest 'tis its doom to die,
When Day shall hide within her twilight pinions
The lucent eyes, and the eternal smile,
Serene as thine, which lent it life awhile.

III.
To thy fair feet a wingd Vision came,
Whose date should have been longer than a day,
And o'er thy head did beat its wings for fame,
And in thy sight its fading plumes display;
The watery bow burned in the evening flame,
But the shower fell, the swift Sun went his way
And that is dead.O, let me not believe
That anything of mine is fit to live!

IV.
Wordsworth informs us he was nineteen years
Considering and retouching Peter Bell;
Watering his laurels with the killing tears
Of slow, dull care, so that their roots to Hell
Might pierce, and their wide branches blot the spheres
Of Heaven, with dewy leaves and flowers; this well
May be, for Heaven and Earth conspire to foil
The over-busy gardener's blundering toil.

V.
My Witch indeed is not so sweet a creature
As Ruth or Lucy, whom his graceful praise
Clothes for our grandsonsbut she matches Peter,
Though he took nineteen years, and she three days
In dressing. Light the vest of flowing metre
She wears; he, proud as dandy with his stays,
Has hung upon his wiry limbs a dress
Like King Lear's 'looped and windowed raggedness.'

VI.
If you strip Peter, you will see a fellow
Scorched by Hell's hyperequatorial climate
Into a kind of a sulphureous yellow:
A lean mark, hardly fit to fling a rhyme at;
In shape a Scaramouch, in hue Othello.
If you unveil my Witch, no priest nor primate
Can shrive you of that sin, -- if sin there be
In love, when it becomes idolatry.
THE WITCH OF ATLAS.

I.
Before those cruel Twins, whom at one birth
Incestuous Change bore to her father Time,
Error and Truth, had hunted from the Earth
All those bright natures which adorned its prime,
And left us nothing to believe in, worth
The pains of putting into learnd rhyme,
A lady-witch there lived on Atlas' mountain
Within a cavern, by a secret fountain.

II.
Her mother was one of the Atlantides:
The all-beholding Sun had ne'er beholden
In his wide voyage o'er continents and seas
So fair a creature, as she lay enfolden
In the warm shadow of her loveliness;--
He kissed her with his beams, and made all golden
The chamber of gray rock in which she lay--
She, in that dream of joy, dissolved away.

III.
'Tis said, she first was changed into a vapour,
And then into a cloud, such clouds as flit,
Like splendour-wingd moths about a taper,
Round the red west when the sun dies in it:
And then into a meteor, such as caper
On hill-tops when the moon is in a fit:
Then, into one of those mysterious stars
Which hide themselves between the Earth and Mars.

IV.
Ten times the Mother of the Months had bent
Her bow beside the folding-star, and bidden
With that bright sign the billows to indent
The sea-deserted sand -- like children chidden,
At her command they ever came and went--
Since in that cave a dewy splendour hidden
Took shape and motion: with the living form
Of this embodied Power, the cave grew warm.

V.
A lovely lady garmented in light
From her own beauty -- deep her eyes, as are
Two openings of unfathomable night
Seen through a Temple's cloven roof -- her hair
Darkthe dim brain whirls dizzy with delight,
Picturing her form; her soft smiles shone afar,
And her low voice was heard like love, and drew
All living things towards this wonder new.

VI.
And first the spotted cameleopard came,
And then the wise and fearless elephant;
Then the sly serpent, in the golden flame
Of his own volumes intervolved -- all gaunt
And sanguine beasts her gentle looks made tame.
They drank before her at her sacred fount;
And every beast of beating heart grew bold,
Such gentleness and power even to behold.

VII.
The brinded lioness led forth her young,
That she might teach them how they should forego
Their inborn thirst of death; the pard unstrung
His sinews at her feet, and sought to know
With looks whose motions spoke without a tongue
How he might be as gentle as the doe.
The magic circle of her voice and eyes
All savage natures did imparadise.

VIII.
And old Silenus, shaking a green stick
Of lilies, and the wood-gods in a crew
Came, blithe, as in the olive copses thick
Cicadae are, drunk with the noonday dew:
And Dryope and Faunus followed quick,
Teasing the God to sing them something new;
Till in this cave they found the lady lone,
Sitting upon a seat of emerald stone.

IX.
And universal Pan, 'tis said, was there,
And though none saw him,through the adamant
Of the deep mountains, through the trackless air,
And through those living spirits, like a want,
He passed out of his everlasting lair
Where the quick heart of the great world doth pant,
And felt that wondrous lady all alone,
And she felt him, upon her emerald throne.

X.
And every nymph of stream and spreading tree,
And every shepherdess of Ocean's flocks,
Who drives her white waves over the green sea,
And Ocean with the brine on his gray locks,
And quaint Priapus with his company,
All came, much wondering how the enwombd rocks
Could have brought forth so beautiful a birth;
Her love subdued their wonder and their mirth.

XI.
The herdsmen and the mountain maidens came,
And the rude kings of pastoral Garamant
Their spirits shook within them, as a flame
Stirred by the air under a cavern gaunt:
Pigmies, and Polyphemes, by many a name,
Centaurs, and Satyrs, and such shapes as haunt
Wet clefts,and lumps neither alive nor dead,
Dog-headed, bosom-eyed, and bird-footed.

XII.
For she was beautifulher beauty made
The bright world dim, and everything beside
Seemed like the fleeting image of a shade:
No thought of living spirit could abide,
Which to her looks had ever been betrayed,
On any object in the world so wide,
On any hope within the circling skies,
But on her form, and in her inmost eyes.

XIII.
Which when the lady knew, she took her spindle
And twined three threads of fleecy mist, and three
Long lines of light, such as the dawn may kindle
The clouds and waves and mountains with; and she
As many star-beams, ere their lamps could dwindle
In the belated moon, wound skilfully;
And with these threads a subtle veil she wove
A shadow for the splendour of her love.

XIV.
The deep recesses of her odorous dwelling
Were stored with magic treasuressounds of air,
Which had the power all spirits of compelling,
Folded in cells of crystal silence there;
Such as we hear in youth, and think the feeling
Will never dieyet ere we are aware,
The feeling and the sound are fled and gone,
And the regret they leave remains alone.

XV.
And there lay Visions swift, and sweet, and quaint,
Each in its thin sheath, like a chrysalis,
Some eager to burst forth, some weak and faint
With the soft burthen of intensest bliss
It was its work to bear to many a saint
Whose heart adores the shrine which holiest is,
Even Love's -- and others white, green, gray, and black,
And of all shapesand each was at her beck.

XVI.
And odours in a kind of aviary
Of ever-blooming Eden-trees she kept,
Clipped in a floating net, a love-sick Fairy
Had woven from dew-beams while the moon yet slept;
As bats at the wired window of a dairy.
They beat their vans; and each was an adept,
When loosed and missioned, making wings of winds,
To stir sweet thoughts or sad, in destined minds.

XVII.
And liquors clear and sweet, whose healthful might
Could medicine the sick soul to happy sleep,
And change eternal death into a night
Of glorious dreamsor if eyes needs must weep,
Could make their tears all wonder and delight,
She in her crystal vials did closely keep:
If men could drink of those clear vials, 'tis said
The living were not envied of the dead.

XVIII.
Her cave was stored with scrolls of strange device,
The works of some Saturnian Archimage,
Which taught the expiations at whose price
Men from the Gods might win that happy age
Too lightly lost, redeeming native vice;
And which might quench the Earth-consuming rage
Of gold and bloodtill men should live and move
Harmonious as the sacred stars above;

XIX.
And how all things that seem untameable,
Not to be checked and not to be confined,
Obey the spells of Wisdom's wizard skill;
Time, earth, and firethe ocean and the wind,
And all their shapes -- and man's imperial will;
And other scrolls whose writings did unbind
The inmost lore of Lovelet the profane
Tremble to ask what secrets they contain.

XX.
And wondrous works of substances unknown,
To which the enchantment of her father's power
Had changed those ragged blocks of savage stone,
Were heaped in the recesses of her bower;
Carved lamps and chalices, and vials which shone
In their own golden beams -- each like a flower,
Out of whose depth a fire-fly shakes his light
Under a cypress in a starless night.

XXI.
At first she lived alone in this wild home,
And her own thoughts were each a minister,
Clothing themselves, or with the ocean foam,
Or with the wind, or with the speed of fire,
To work whatever purposes might come
Into her mind; such power her mighty Sire
Had girt them with, whether to fly or run,
Through all the regions which he shines upon.

XXII.
The Ocean-nymphs and Hamadryades,
Oreads and Naiads, with long weedy locks,
Offered to do her bidding through the seas,
Under the earth, and in the hollow rocks,
And far beneath the matted roots of trees,
And in the gnarld heart of stubborn oaks,
So they might live for ever in the light
Of her sweet presence -- each a satellite.

XXIII.
'This may not be,' the wizard maid replied;
'The fountains where the Naiades bedew
Their shining hair, at length are drained and dried;
The solid oaks forget their strength, and strew
Their latest leaf upon the mountains wide;
The boundless ocean like a drop of dew
Will be consumedthe stubborn centre must
Be scattered, like a cloud of summer dust.

XXIV.
'And ye with them will perish, one by one;
If I must sigh to think that this shall be,
If I must weep when the surviving Sun
Shall smile on your decay -- oh, ask not me
To love you till your little race is run;
I cannot die as ye must -- over me
Your leaves shall glance -- the streams in which ye dwell
Shall be my paths henceforth, and so -- farewell!'--

XXV.
She spoke and wept:the dark and azure well
Sparkled beneath the shower of her bright tears,
And every little circlet where they fell
Flung to the cavern-roof inconstant spheres
And intertangled lines of light:a knell
Of sobbing voices came upon her ears
From those departing Forms, o'er the serene
Of the white streams and of the forest green.

XXVI.
All day the wizard lady sate aloof,
Spelling out scrolls of dread antiquity,
Under the cavern's fountain-lighted roof;
Or broidering the pictured poesy
Of some high tale upon her growing woof,
Which the sweet splendour of her smiles could dye
In hues outshining heavenand ever she
Added some grace to the wrought poesy.

XXVII.
While on her hearth lay blazing many a piece
Of sandal wood, rare gums, and cinnamon;
Men scarcely know how beautiful fire is
Each flame of it is as a precious stone
Dissolved in ever-moving light, and this
Belongs to each and all who gaze upon.
The Witch beheld it not, for in her hand
She held a woof that dimmed the burning brand.

XXVIII.
This lady never slept, but lay in trance
All night within the fountain -- as in sleep.
Its emerald crags glowed in her beauty's glance;
Through the green splendour of the water deep
She saw the constellations reel and dance
Like fire-flies -- and withal did ever keep
The tenour of her contemplations calm,
With open eyes, closed feet, and folded palm.

XXIX.
And when the whirlwinds and the clouds descended
From the white pinnacles of that cold hill,
She passed at dewfall to a space extended,
Where in a lawn of flowering asphodel
Amid a wood of pines and cedars blended,
There yawned an inextinguishable well
Of crimson firefull even to the brim,
And overflowing all the margin trim.

XXX.
Within the which she lay when the fierce war
Of wintry winds shook that innocuous liquor
In many a mimic moon and bearded star
O'er woods and lawns -- the serpent heard it flicker
In sleep, and dreaming still, he crept afar--
And when the windless snow descended thicker
Than autumn leaves, she watched it as it came
Melt on the surface of the level flame.

XXXI.
She had a boat, which some say Vulcan wrought
For Venus, as the chariot of her star;
But it was found too feeble to be fraught
With all the ardours in that sphere which are,
And so she sold it, and Apollo bought
And gave it to this daughter: from a car
Changed to the fairest and the lightest boat
Which ever upon mortal stream did float.

XXXII.
And others say, that, when but three hours old,
The first-born Love out of his cradle lept,
And clove dun Chaos with his wings of gold,
And like an horticultural adept,
Stole a strange seed, and wrapped it up in mould,
And sowed it in his mother's star, and kept
Watering it all the summer with sweet dew,
And with his wings fanning it as it grew.

XXXIII.
The plant grew strong and green, the snowy flower
Fell, and the long and gourd-like fruit began
To turn the light and dew by inward power
To its own substance; woven tracery ran
Of light firm texture, ribbed and branching, o'er
The solid rind, like a leaf's veind fan--
Of which Love scooped this boat -- and with soft motion
Piloted it round the circumfluous ocean.

XXXIV.
This boat she moored upon her fount, and lit
A living spirit within all its frame,
Breathing the soul of swiftness into it.
Couched on the fountain like a panther tame,
One of the twain at Evan's feet that sit--
Or as on Vesta's sceptre a swift flame--
Or on blind Homer's heart a wingd thought,--
In joyous expectation lay the boat.

XXXV.
Then by strange art she kneaded fire and snow
Together, tempering the repugnant mass
With liquid love -- all things together grow
Through which the harmony of love can pass;
And a fair Shape out of her hands did flow--
A living Image, which did far surpass
In beauty that bright shape of vital stone
Which drew the heart out of Pygmalion.

XXXVI.
A sexless thing it was, and in its growth
It seemed to have developed no defect
Of either sex, yet all the grace of both,--
In gentleness and strength its limbs were decked;
The bosom swelled lightly with its full youth,
The countenance was such as might select
Some artist that his skill should never die,
Imaging forth such perfect purity.

XXXVII.
From its smooth shoulders hung two rapid wings,
Fit to have borne it to the seventh sphere,
Tipped with the speed of liquid lightenings,
Dyed in the ardours of the atmosphere:
She led her creature to the boiling springs
Where the light boat was moored, and said: 'Sit here!'
And pointed to the prow, and took her seat
Beside the rudder, with opposing feet.

XXXVIII.
And down the streams which clove those mountains vast,
Around their inland islets, and amid
The panther-peopled forests, whose shade cast
Darkness and odours, and a pleasure hid
In melancholy gloom, the pinnace passed;
By many a star-surrounded pyramid
Of icy crag cleaving the purple sky,
And caverns yawning round unfathomably.

XXXIX.
The silver noon into that winding dell,
With slanted gleam athwart the forest tops,
Tempered like golden evening, feebly fell;
A green and glowing light, like that which drops
From folded lilies in which glow-worms dwell,
When Earth over her face Night's mantle wraps;
Between the severed mountains lay on high,
Over the stream, a narrow rift of sky.

XL.
And ever as she went, the Image lay
With folded wings and unawakened eyes;
And o'er its gentle countenance did play
The busy dreams, as thick as summer flies,
Chasing the rapid smiles that would not stay,
And drinking the warm tears, and the sweet sighs
Inhaling, which, with busy murmur vain,
They had aroused from that full heart and brain.

XLI.
And ever down the prone vale, like a cloud
Upon a stream of wind, the pinnace went:
Now lingering on the pools, in which abode
The calm and darkness of the deep content
In which they paused; now o'er the shallow road
Of white and dancing waters, all besprent
With sand and polished pebbles:mortal boat
In such a shallow rapid could not float.

XLII.
And down the earthquaking cataracts which shiver
Their snow-like waters into golden air,
Or under chasms unfathomable ever
Sepulchre them, till in their rage they tear
A subterranean portal for the river,
It fledthe circling sunbows did upbear
Its fall down the hoar precipice of spray,
Lighting it far upon its lampless way.

XLIII.
And when the wizard lady would ascend
The labyrinths of some many-winding vale,
Which to the inmost mountain upward tend
She called 'Hermaphroditus!'and the pale
And heavy hue which slumber could extend
Over its lips and eyes, as on the gale
A rapid shadow from a slope of grass,
Into the darkness of the stream did pass.

XLIV.
And it unfurled its heaven-coloured pinions,
With stars of fire spotting the stream below;
And from above into the Sun's dominions
Flinging a glory, like the golden glow
In which Spring clothes her emerald-wingd minions,
All interwoven with fine feathery snow
And moonlight splendour of intensest rime,
With which frost paints the pines in winter time.

XLV.
And then it winnowed the Elysian air
Which ever hung about that lady bright,
With its aethereal vansand speeding there,
Like a star up the torrent of the night,
Or a swift eagle in the morning glare
Breasting the whirlwind with impetuous flight,
The pinnace, oared by those enchanted wings,
Clove the fierce streams towards their upper springs.

XLVI.
The water flashed, like sunlight by the prow
Of a noon-wandering meteor flung to Heaven;
The still air seemed as if its waves did flow
In tempest down the mountains; loosely driven
The lady's radiant hair streamed to and fro:
Beneath, the billows having vainly striven
Indignant and impetuous, roared to feel
The swift and steady motion of the keel.

XLVII.
Or, when the weary moon was in the wane,
Or in the noon of interlunar night,
The lady-witch in visions could not chain
Her spirit; but sailed forth under the light
Of shooting stars, and bade extend amain
Its storm-outspeeding wings, the Hermaphrodite;
She to the Austral waters took her way,
Beyond the fabulous Thamondocana,

XLVIII.
Where, like a meadow which no scythe has shaven,
Which rain could never bend, or whirl-blast shake,
With the Antarctic constellations paven,
Canopus and his crew, lay the Austral lake
There she would build herself a windless haven
Out of the clouds whose moving turrets make
The bastions of the storm, when through the sky
The spirits of the tempest thundered by:

XLIX.
A haven beneath whose translucent floor
The tremulous stars sparkled unfathomably,
And around which the solid vapours hoar,
Based on the level waters, to the sky
Lifted their dreadful crags, and like a shore
Of wintry mountains, inaccessibly
Hemmed in with rifts and precipices gray,
And hanging crags, many a cove and bay.

L.
And whilst the outer lake beneath the lash
Of the wind's scourge, foamed like a wounded thing,
And the incessant hail with stony clash
Ploughed up the waters, and the flagging wing
Of the roused cormorant in the lightning flash
Looked like the wreck of some wind-wandering
Fragment of inky thunder-smoke -- this haven
Was as a gem to copy Heaven engraven,--

LI.
On which that lady played her many pranks,
Circling the image of a shooting star,
Even as a tiger on Hydaspes' banks
Outspeeds the antelopes which speediest are,
In her light boat; and many quips and cranks
She played upon the water, till the car
Of the late moon, like a sick matron wan,
To journey from the misty east began.

LII.
And then she called out of the hollow turrets
Of those high clouds, white, golden and vermilion,
The armies of her ministering spirits
In mighty legions, million after million,
They came, each troop emblazoning its merits
On meteor flags; and many a proud pavilion
Of the intertexture of the atmosphere
They pitched upon the plain of the calm mere.

LIII.
They framed the imperial tent of their great Queen
Of woven exhalations, underlaid
With lambent lightning-fire, as may be seen
A dome of thin and open ivory inlaid
With crimson silk -- cressets from the serene
Hung there, and on the water for her tread
A tapestry of fleece-like mist was strewn,
Dyed in the beams of the ascending moon.

LIV.
And on a throne o'erlaid with starlight, caught
Upon those wandering isles of ary dew,
Which highest shoals of mountain shipwreck not,
She sate, and heard all that had happened new
Between the earth and moon, since they had brought
The last intelligence -- and now she grew
Pale as that moon, lost in the watery night--
And now she wept, and now she laughed outright.

LV.
These were tame pleasures; she would often climb
The steepest ladder of the crudded rack
Up to some beakd cape of cloud sublime,
And like Arion on the dolphin's back
Ride singing through the shoreless air; -- oft-time
Following the serpent lightning's winding track,
She ran upon the platforms of the wind,
And laughed to hear the fire-balls roar behind.

LVI.
And sometimes to those streams of upper air
Which whirl the earth in its diurnal round,
She would ascend, and win the spirits there
To let her join their chorus. Mortals found
That on those days the sky was calm and fair,
And mystic snatches of harmonious sound
Wandered upon the earth where'er she passed,
And happy thoughts of hope, too sweet to last.

LVII.
But her choice sport was, in the hours of sleep,
To glide adown old Nilus, where he threads
Egypt and Aethiopia, from the steep
Of utmost Axum, until he spreads,
Like a calm flock of silver-fleecd sheep,
His waters on the plain: and crested heads
Of cities and proud temples gleam amid,
And many a vapour-belted pyramid.

LVIII.
By Moeris and the Mareotid lakes,
Strewn with faint blooms like bridal chamber floors,
Where naked boys bridling tame water-snakes,
Or charioteering ghastly alligators,
Had left on the sweet waters mighty wakes
Of those huge forms -- within the brazen doors
Of the great Labyrinth slept both boy and beast,
Tired with the pomp of their Osirian feast.

LIX.
And where within the surface of the river
The shadows of the massy temples lie,
And never are erased -- but tremble ever
Like things which every cloud can doom to die,
Through lotus-paven canals, and wheresoever
The works of man pierced that serenest sky
With tombs, and towers, and fanes, 'twas her delight
To wander in the shadow of the night.

LX.
With motion like the spirit of that wind
Whose soft step deepens slumber, her light feet
Passed through the peopled haunts of humankind,
Scattering sweet visions from her presence sweet,
Through fane, and palace-court, and labyrinth mined
With many a dark and subterranean street
Under the Nile, through chambers high and deep
She passed, observing mortals in their sleep.

LXI.
A pleasure sweet doubtless it was to see
Mortals subdued in all the shapes of sleep.
Here lay two sister twins in infancy;
There, a lone youth who in his dreams did weep;
Within, two lovers linkd innocently
In their loose locks which over both did creep
Like ivy from one stem;and there lay calm
Old age with snow-bright hair and folded palm.

LXII.
But other troubled forms of sleep she saw,
Not to be mirrored in a holy song--
Distortions foul of supernatural awe,
And pale imaginings of visioned wrong;
And all the code of Custom's lawless law
Written upon the brows of old and young:
'This,' said the wizard maiden, 'is the strife
Which stirs the liquid surface of man's life.'

LXIII.
And little did the sight disturb her soul.--
We, the weak mariners of that wide lake
Where'er its shores extend or billows roll,
Our course unpiloted and starless make
O'er its wild surface to an unknown goal:--
But she in the calm depths her way could take,
Where in bright bowers immortal forms abide
Beneath the weltering of the restless tide.

LXIV.
And she saw princes couched under the glow
Of sunlike gems; and round each temple-court
In dormitories ranged, row after row,
She saw the priests asleepall of one sort--
For all were educated to be so.
The peasants in their huts, and in the port
The sailors she saw cradled on the waves,
And the dead lulled within their dreamless graves.

LXV.
And all the forms in which those spirits lay
Were to her sight like the diaphanous
Veils, in which those sweet ladies oft array
Their delicate limbs, who would conceal from us
Only their scorn of all concealment: they
Move in the light of their own beauty thus.
But these and all now lay with sleep upon them,
And little thought a Witch was looking on them.

LXVI.
She, all those human figures breathing there,
Beheld as living spirits -- to her eyes
The naked beauty of the soul lay bare,
And often through a rude and worn disguise
She saw the inner form most bright and fair--
And then she had a charm of strange device,
Which, murmured on mute lips with tender tone,
Could make that spirit mingle with her own.

LXVII.
Alas! Aurora, what wouldst thou have given
For such a charm when Tithon became gray?
Or how much, Venus, of thy silver heaven
Wouldst thou have yielded, ere Proserpina
Had half (oh! why not all?) the debt forgiven
Which dear Adonis had been doomed to pay,
To any witch who would have taught you it?
The Heliad doth not know its value yet.

LXVIII.
'Tis said in after times her spirit free
Knew what love was, and felt itself alone--
But holy Dian could not chaster be
Before she stooped to kiss Endymion,
Than now this lady -- like a sexless bee
Tasting all blossoms, and confined to none,
Among those mortal forms, the wizard-maiden
Passed with an eye serene and heart unladen.

LXIX.
To those she saw most beautiful, she gave
Strange panacea in a crystal bowl:--
They drank in their deep sleep of that sweet wave,
And lived thenceforward as if some control,
Mightier than life, were in them; and the grave
Of such, when death oppressed the weary soul,
Was as a green and overarching bower
Lit by the gems of many a starry flower.

LXX.
For on the night when they were buried, she
Restored the embalmers' ruining, and shook
The light out of the funeral lamps, to be
A mimic day within that deathy nook;
And she unwound the woven imagery
Of second childhood's swaddling bands, and took
The coffin, its last cradle, from its niche,
And threw it with contempt into a ditch.

LXXI.
And there the body lay, age after age,
Mute, breathing, beating, warm, and undecaying,
Like one asleep in a green hermitage,
With gentle smiles about its eyelids playing,
And living in its dreams beyond the rage
Of death or life; while they were still arraying
In liveries ever new, the rapid, blind
And fleeting generations of mankind.

LXXII.
And she would write strange dreams upon the brain
Of those who were less beautiful, and make
All harsh and crooked purposes more vain
Than in the desert is the serpent's wake
Which the sand coversall his evil gain
The miser in such dreams would rise and shake
Into a beggar's lap;the lying scribe
Would his own lies betray without a bribe.

LXXIII.
The priests would write an explanation full,
Translating hieroglyphics into Greek,
How the God Apis really was a bull,
And nothing more; and bid the herald stick
The same against the temple doors, and pull
The old cant down; they licensed all to speak
What'er they thought of hawks, and cats, and geese,
By pastoral letters to each diocese.

LXXIV.
The king would dress an ape up in his crown
And robes, and seat him on his glorious seat,
And on the right hand of the sunlike throne
Would place a gaudy mock-bird to repeat
The chatterings of the monkey.Every one
Of the prone courtiers crawled to kiss the feet
Of their great Emperor, when the morning came,
And kissed -- alas, how many kiss the same!

LXXV.
The soldiers dreamed that they were blacksmiths, and
Walked out of quarters in somnambulism;
Round the red anvils you might see them stand
Like Cyclopses in Vulcan's sooty abysm,
Beating their swords to ploughshares; -- in a band
The gaolers sent those of the liberal schism
Free through the streets of Memphis, much, I wis,
To the annoyance of king Amasis.

LXXVI.
And timid lovers who had been so coy,
They hardly knew whether they loved or not,
Would rise out of their rest, and take sweet joy,
To the fulfilment of their inmost thought;
And when next day the maiden and the boy
Met one another, both, like sinners caught,
Blushed at the thing which each believed was done
Only in fancy -- till the tenth moon shone;

LXXVII.
And then the Witch would let them take no ill:
Of many thousand schemes which lovers find,
The Witch found one,and so they took their fill
Of happiness in marriage warm and kind.
Friends who, by practice of some envious skill,
Were torn apart -- a wide wound, mind from mind!--
She did unite again with visions clear
Of deep affection and of truth sincere.

LXXVIII.
These were the pranks she played among the cities
Of mortal men, and what she did to Sprites
And Gods, entangling them in her sweet ditties
To do her will, and show their subtle sleights,
I will declare another time; for it is
A tale more fit for the weird winter nights
Than for these garish summer days, when we
Scarcely believe much more than we can see.
Composed at the Baths of San Giuliano, near Pisa, August 14-16, 1820; published in Posthumous Poems, ed. Mrs. Shelley, 1824. The dedication To Mary first appeared in the Poetical Works, 1839, 1st ed.

Note by Mrs. Shelley: 'We spent the summer of 1820 at the Baths of San Giuliano, four miles from Pisa. These baths were of great use to Shelley in soothing his nervous irritability. We made several excursions in the neighbourhood. The country around is fertile, and diversified and rendered picturesque by ranges of near hills and more distant mountains. The peasantry are a handsome intelligent race; and there was a gladsome sunny heaven spread over us, that rendered home and every scene we visited cheerful and bright. During some of the hottest days of August, Shelley made a solitary journey on foot to the summit of Monte San Pellegrino -- a mountain of some height, on the top of which there is a chapel, the object, during certain days of the year, of many pilgrimages. The excursion delighted him while it lasted; though he exerted himself too much, and the effect was considerable lsasitude and weakness on his return. During the expedition he conceived the idea, and wrote, in the three days immediately succeeding to his return, the Witch of Atlas.
This poem is peculiarly characteristic of his tastes -- wildly fanciful, full of brilliant imagery, and discarding human interest and passion, to revel in the fantastic ideas that his imagination suggested.'
~ Percy Bysshe Shelley, The Witch Of Atlas
,
1398:The Bride's Prelude
“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
377
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.
Long sat she silent; and then raised
Her head, with such a gasp
As while she summoned breath to speak
Fanned high that furnace in the cheek
But sucked the heart-pulse cold and weak.
(Oh gather round her now, all ye
Past seasons of her fear,—
Sick springs, and summers deadly cold!
To flight your hovering wings unfold,
For now your secret shall be told.
Ye many sunlights, barbed with darts
Of dread detecting flame,—
Gaunt moonlights that like sentinels
Went past with iron clank of bells,—
Draw round and render up your spells!)
“Sister,” said Aloÿse, “I had
A thing to tell thee of
Long since, and could not. But do thou
Kneel first in prayer awhile, and bow
Thine heart, and I will tell thee now.”
Amelotte wondered with her eyes;
But her heart said in her:
“Dear Aloÿse would have me pray
Because the awe she feels to-day
Must need more prayers than she can say.”
So Amelotte put by the folds
That covered up her feet,
And knelt,—beyond the arras'd gloom
And the hot window's dull perfume,—
Where day was stillest in the room.
“Queen Mary, hear,” she said, “and say
378
To Jesus the Lord Christ,
This bride's new joy, which He confers,
New joy to many ministers,
And many griefs are bound in hers.”
The bride turned in her chair, and hid
Her face against the back,
And took her pearl-girt elbows in
Her hands, and could not yet begin,
But shuddering, uttered, “Urscelyn!”
Most weak she was; for as she pressed
Her hand against her throat,
Along the arras she let trail
Her face, as if all heart did fail,
And sat with shut eyes, dumb and pale.
Amelotte still was on her knees
As she had kneeled to pray.
Deeming her sister swooned, she thought,
At first, some succour to have brought;
But Aloÿse rocked, as one distraught.
She would have pushed the lattice wide
To gain what breeze might be;
But marking that no leaf once beat
The outside casement, it seemed meet
Not to bring in more scent and heat.
So she said only: “Aloÿse,
Sister, when happened it
At any time that the bride came
To ill, or spoke in fear of shame,
When speaking first the bridegroom's name?”
A bird had out its song and ceased
Ere the bride spoke. At length
She said: “The name is as the thing:—
Sin hath no second christening,
And shame is all that shame can bring.
“In divers places many an while
I would have told thee this;
But faintness took me, or a fit
Like fever. God would not permit
That I should change thine eyes with it.
“Yet once I spoke, hadst thou but heard:—
That time we wandered out
All the sun's hours, but missed our way
379
When evening darkened, and so lay
The whole night covered up in hay.
“At last my face was hidden: so,
Having God's hint, I paused
Not long; but drew myself more near
Where thou wast laid, and shook off fear,
And whispered quick into thine ear
“Something of the whole tale. At first
I lay and bit my hair
For the sore silence thou didst keep:
Till, as thy breath came long and deep,
I knew that thou hadst been asleep.
“The moon was covered, but the stars
Lasted till morning broke.
Awake, thou told'st me that thy dream
Had been of me,—that all did seem
At jar,—but that it was a dream.
“I knew God's hand and might not speak.
After that night I kept
Silence and let the record swell:
Till now there is much more to tell
Which must be told out ill or well.”
She paused then, weary, with dry lips
Apart. From the outside
By fits there boomed a dull report
From where i' the hanging tennis-court
The bridegroom's retinue made sport.
The room lay still in dusty glare,
Having no sound through it
Except the chirp of a caged bird
That came and ceased: and if she stirred,
Amelotte's raiment could be heard.
Quoth Amelotte: “The night this chanced
Was a late summer night
Last year! What secret, for Christ's love,
Keep'st thou since then? Mary above!
What thing is this thou speakest of?
“Mary and Christ! Lest when 'tis told
I should be prone to wrath,—
This prayer beforehand! How she errs
Soe'er, take count of grief like hers,
Whereof the days are turned to years!”
380
She bowed her neck, and having said,
Kept on her knees to hear;
And then, because strained thought demands
Quiet before it understands,
Darkened her eyesight with her hands.
So when at last her sister spoke,
She did not see the pain
O' the mouth nor the ashamèd eyes,
But marked the breath that came in sighs
And the half-pausing for replies.
This was the bride's sad prelude-strain:—
“I' the convent where a girl
I dwelt till near my womanhood,
I had but preachings of the rood
And Aves told in solitude
“To spend my heart on: and my hand
Had but the weary skill
To eke out upon silken cloth
Christ's visage, or the long bright growth
Of Mary's hair, or Satan wroth.
“So when at last I went, and thou,
A child not known before,
Didst come to take the place I left,—
My limbs, after such lifelong theft
Of life, could be but little deft
“In all that ministers delight
To noble women: I
Had learned no word of youth's discourse,
Nor gazed on games of warriors,
Nor trained a hound, nor ruled a horse.
“Besides, the daily life i' the sun
Made me at first hold back.
To thee this came at once; to me
It crept with pauses timidly;
I am not blithe and strong like thee.
“Yet my feet liked the dances well,
The songs went to my voice,
The music made me shake and weep;
And often, all night long, my sleep
Gave dreams I had been fain to keep.
“But though I loved not holy things,
To hear them scorned brought pain,—
381
They were my childhood; and these dames
Were merely perjured in saints' names
And fixed upon saints' days for games.
“And sometimes when my father rode
To hunt with his loud friends,
I dared not bring him to be quaff'd,
As my wont was, his stirrup-draught,
Because they jested so and laughed.
“At last one day my brothers said,
‘The girl must not grow thus,—
Bring her a jennet,—she shall ride.’
They helped my mounting, and I tried
To laugh with them and keep their side,
“But brakes were rough and bents were steep
Upon our path that day:
My palfrey threw me; and I went
Upon men's shoulders home, sore spent,
While the chase followed up the scent.
“Our shrift-father (and he alone
Of all the household there
Had skill in leechcraft) was away
When I reached home. I tossed, and lay
Sullen with anguish the whole day.
“For the day passed ere some one brought
To mind that in the hunt
Rode a young lord she named, long bred
Among the priests, whose art (she said)
Might chance to stand me in much stead.
“I bade them seek and summon him:
But long ere this, the chase
Had scattered, and he was not found.
I lay in the same weary stound,
Therefore, until the night came round.
“It was dead night and near on twelve
When the horse-tramp at length
Beat up the echoes of the court:
By then, my feverish breath was short
With pain the sense could scarce support.
“My fond nurse sitting near my feet
Rose softly,—her lamp's flame
Held in her hand, lest it should make
My heated lids, in passing, ache;
382
And she passed softly, for my sake.
“Returning soon, she brought the youth
They spoke of. Meek he seemed,
But good knights held him of stout heart.
He was akin to us in part,
And bore our shield, but barred athwart.
“I now remembered to have seen
His face, and heard him praised
For letter-lore and medicine,
Seeing his youth was nurtured in
Priests' knowledge, as mine own had been.”
The bride's voice did not weaken here,
Yet by her sudden pause
She seemed to look for questioning;
Or else (small need though) 'twas to bring
Well to her mind the bygone thing.
Her thought, long stagnant, stirred by speech,
Gave her a sick recoil;
As, dip thy fingers through the green
That masks a pool,—where they have been
The naked depth is black between.
Amelotte kept her knees; her face
Was shut within her hands,
As it had been throughout the tale;
Her forehead's whiteness might avail
Nothing to say if she were pale.
Although the lattice had dropped loose,
There was no wind; the heat
Being so at rest that Amelotte
Heard far beneath the plunge and float
Of a hound swimming in the moat.
Some minutes since, two rooks had toiled
Home to the nests that crowned
Ancestral ash-trees. Through the glare
Beating again, they seemed to tear
With that thick caw the woof o' the air.
But else, 'twas at the dead of noon
Absolute silence; all,
From the raised bridge and guarded sconce
To green-clad places of pleasaùnce
Where the long lake was white with swans.
Amelotte spoke not any word
383
Nor moved she once; but felt
Between her hands in narrow space
Her own hot breath upon her face,
And kept in silence the same place.
Aloÿse did not hear at all
The sounds without. She heard
The inward voice (past help obey'd)
Which might not slacken nor be stay'd,
But urged her till the whole were said.
Therefore she spoke again: “That night
But little could be done:
My foot, held in my nurse's hands,
He swathed up heedfully in bands,
And for my rest gave close commands.
“I slept till noon, but an ill sleep
Of dreams: through all that day
My side was stiff and caught the breath;
Next day, such pain as sickeneth
Took me, and I was nigh to death.
“Life strove, Death claimed me for his own
Through days and nights: but now
'Twas the good father tended me,
Having returned. Still, I did see
The youth I spoke of constantly.
“For he would with my brothers come
To stay beside my couch,
And fix my eyes against his own,
Noting my pulse; or else alone,
To sit at gaze while I made moan.
“(Some nights I knew he kept the watch,
Because my women laid
The rushes thick for his steel shoes.)
Through many days this pain did use
The life God would not let me lose.
“At length, with my good nurse to aid,
I could walk forth again:
And still, as one who broods or grieves,
At noons I'd meet him and at eves,
With idle feet that drove the leaves.
“The day when I first walked alone
Was thinned in grass and leaf,
And yet a goodly day o' the year:
384
The last bird's cry upon mine ear
Left my brain weak, it was so clear.
“The tears were sharp within mine eyes.
I sat down, being glad,
And wept; but stayed the sudden flow
Anon, for footsteps that fell slow;
'Twas that youth passed me, bowing low.
“He passed me without speech; but when,
At least an hour gone by,
Rethreading the same covert, he
Saw I was still beneath the tree,
He spoke and sat him down with me.
“Little we said; nor one heart heard
Even what was said within;
And, faltering some farewell, I soon
Rose up; but then i' the autumn noon
My feeble brain whirled like a swoon.
“He made me sit. ‘Cousin, I grieve
Your sickness stays by you.’
‘I would,’ said I, ‘that you did err
So grieving. I am wearier
Than death, of the sickening dying year.’
“He answered: ‘If your weariness
Accepts a remedy,
I hold one and can give it you.’
I gazed: ‘What ministers thereto,
Be sure,’ I said, “that I will do.’
“He went on quickly:—'Twas a cure
He had not ever named
Unto our kin lest they should stint
Their favour, for some foolish hint
Of wizardry or magic in't:
“But that if he were let to come
Within my bower that night,
(My women still attending me,
He said, while he remain'd there,) he
Could teach me the cure privily.
“I bade him come that night. He came;
But little in his speech
Was cure or sickness spoken of,
Only a passionate fierce love
That clamoured upon God above.
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“My women wondered, leaning close
Aloof. At mine own heart
I think great wonder was not stirr'd.
I dared not listen, yet I heard
His tangled speech, word within word.
“He craved my pardon first,—all else
Wild tumult. In the end
He remained silent at my feet
Fumbling the rushes. Strange quick heat
Made all the blood of my life meet.
“And lo! I loved him. I but said,
If he would leave me then,
His hope some future might forecast.
His hot lips stung my hand: at last
My damsels led him forth in haste.”
The bride took breath to pause; and turned
Her gaze where Amelotte
Knelt,—the gold hair upon her back
Quite still in all its threads,—the track
Of her still shadow sharp and black.
That listening without sight had grown
To stealthy dread; and now
That the one sound she had to mark
Left her alone too, she was stark
Afraid, as children in the dark.
Her fingers felt her temples beat;
Then came that brain-sickness
Which thinks to scream, and murmureth;
And pent between her hands, the breath
Was damp against her face like death.
Her arms both fell at once; but when
She gasped upon the light,
Her sense returned. She would have pray'd
To change whatever words still stay'd
Behind, but felt there was no aid.
So she rose up, and having gone
Within the window's arch
Once more, she sat there, all intent
On torturing doubts, and once more bent
To hear, in mute bewilderment.
But Aloÿse still paused. Thereon
Amelotte gathered voice
386
In somewise from the torpid fear
Coiled round her spirit. Low but clear
She said: “Speak, sister; for I hear.”
But Aloÿse threw up her neck
And called the name of God:—
“Judge, God, 'twixt her and me to-day!
She knows how hard this is to say,
Yet will not have one word away.”
Her sister was quite silent. Then
Afresh:—“Not she, dear Lord!
Thou be my judge, on Thee I call!”
She ceased,—her forehead smote the wall:
“Is there a God,” she said “at all”?
Amelotte shuddered at the soul,
But did not speak. The pause
Was long this time. At length the bride
Pressed her hand hard against her side,
And trembling between shame and pride
Said by fierce effort: “From that night
Often at nights we met:
That night, his passion could but rave:
The next, what grace his lips did crave
I knew not, but I know I gave.”
Where Amelotte was sitting, all
The light and warmth of day
Were so upon her without shade
That the thing seemed by sunshine made
Most foul and wanton to be said.
She would have questioned more, and known
The whole truth at its worst,
But held her silent, in mere shame
Of day. 'Twas only these words came:—
“Sister, thou hast not said his name.”
“Sister,” quoth Aloÿse, “thou know'st
His name. I said that he
Was in a manner of our kin.
Waiting the title he might win,
They called him the Lord Urscelyn.”
The bridegroom's name, to Amelotte
Daily familiar,—heard
Thus in this dreadful history,—
Was dreadful to her; as might be
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Thine own voice speaking unto thee.
The day's mid-hour was almost full;
Upon the dial-plate
The angel's sword stood near at One.
An hour's remaining yet; the sun
Will not decrease till all be done.
Through the bride's lattice there crept in
At whiles (from where the train
Of minstrels, till the marriage-call,
Loitered at windows of the wall,)
Stray lute-notes, sweet and musical.
They clung in the green growths and moss
Against the outside stone;
Low like dirge-wail or requiem
They murmured, lost 'twixt leaf and stem:
There was no wind to carry them.
Amelotte gathered herself back
Into the wide recess
That the sun flooded: it o'erspread
Like flame the hair upon her head
And fringed her face with burning red.
All things seemed shaken and at change:
A silent place o' the hills
She knew, into her spirit came:
Within herself she said its name
And wondered was it still the same.
The bride (whom silence goaded) now
Said strongly,—her despair
By stubborn will kept underneath:—
“Sister, 'twere well thou didst not breathe
That curse of thine. Give me my wreath.”
“Sister,” said Amelotte, “abide
In peace. Be God thy judge,
As thou hast said—not I. For me,
I merely will thank God that he
Whom thou hast lovèd loveth thee.”
Then Aloÿse lay back, and laughed
With wan lips bitterly,
Saying, “Nay, thank thou God for this,—
That never any soul like his
Shall have its portion where love is.”
Weary of wonder, Amelotte
388
Sat silent: she would ask
No more, though all was unexplained:
She was too weak; the ache still pained
Her eyes,—her forehead's pulse remained.
The silence lengthened. Aloÿse
Was fain to turn her face
Apart, to where the arras told
Two Testaments, the New and Old,
In shapes and meanings manifold.
One solace that was gained, she hid.
Her sister, from whose curse
Her heart recoiled, had blessed instead:
Yet would not her pride have it said
How much the blessing comforted.
Only, on looking round again
After some while, the face
Which from the arras turned away
Was more at peace and less at bay
With shame than it had been that day.
She spoke right on, as if no pause
Had come between her speech:
“That year from warmth grew bleak and pass'd,”
She said; “the days from first to last
How slow,—woe's me! the nights how fast!
“From first to last it was not known:
My nurse, and of my train
Some four or five, alone could tell
What terror kept inscrutable:
There was good need to guard it well.
“Not the guilt only made the shame,
But he was without land
And born amiss. He had but come
To train his youth here at our home,
And, being man, depart therefrom.
‘Of the whole time each single day
Brought fear and great unrest:
It seemed that all would not avail
Some once,—that my close watch would fail,
And some sign, somehow, tell the tale.
“The noble maidens that I knew,
My fellows, oftentimes
Midway in talk or sport, would look
389
A wonder which my fears mistook,
To see how I turned faint and shook.
“They had a game of cards, where each
By painted arms might find
What knight she should be given to.
Ever with trembling hand I threw
Lest I should learn the thing I knew.
“And once it came. And Aure d'Honvaulx
Held up the bended shield
And laughed: ‘Gramercy for our share!—
If to our bridal we but fare
To smutch the blazon that we bear!’
“But proud Denise de Villenbois
Kissed me, and gave her wench
The card, and said: ‘If in these bowers
You women play at paramours,
You must not mix your game with ours.’
“And one upcast it from her hand:
‘Lo! see how high he'll soar!’
But then their laugh was bitterest;
For the wind veered at fate's behest
And blew it back into my breast.
“Oh! if I met him in the day
Or heard his voice,—at meals
Or at the Mass or through the hall,—
A look turned towards me would appal
My heart by seeming to know all.
“Yet I grew curious of my shame,
And sometimes in the church,
On hearing such a sin rebuked,
Have held my girdle-glass unhooked
To see how such a woman looked.
“But if at night he did not come,
I lay all deadly cold
To think they might have smitten sore
And slain him, and as the night wore,
His corpse be lying at my door.
“And entering or going forth,
Our proud shield o'er the gate
Seemed to arraign my shrinking eyes.
With tremors and unspoken lies
The year went past me in this wise.
390
“About the spring of the next year
An ailing fell on me;
(I had been stronger till the spring
'Twas mine old sickness gathering,
I thought; but 'twas another thing.
“I had such yearnings as brought tears,
And a wan dizziness:
Motion, like feeling, grew intense;
Sight was a haunting evidence
And sound a pang that snatched the sense.
“It now was hard on that great ill
Which lost our wealth from us
And all our lands. Accursed be
The peevish fools of liberty
Who will not let themselves be free!
“The Prince was fled into the west:
A price was on his blood,
But he was safe. To us his friends
He left that ruin which attends
The strife against God's secret ends.
“The league dropped all asunder,—lord,
Gentle and serf. Our house
Was marked to fall. And a day came
When half the wealth that propped our name
Went from us in a wind of flame.
“Six hours I lay upon the wall
And saw it burn. But when
It clogged the day in a black bed
Of louring vapour, I was led
Down to the postern, and we fled.
“But ere we fled, there was a voice
Which I heard speak, and say
That many of our friends, to shun
Our fate, had left us and were gone,
And that Lord Urscelyn was one.
“That name, as was its wont, made sight
And hearing whirl. I gave
No heed but only to the name:
I held my senses, dreading them,
And was at strife to look the same.
“We rode and rode. As the speed grew,
The growth of some vague curse
391
Swarmed in my brain. It seemed to me
Numbed by the swiftness, but would be—
That still—clear knowledge certainly.
“Night lapsed. At dawn the sea was there
And the sea-wind: afar
The ravening surge was hoarse and loud,
And underneath the dim dawn-cloud
Each stalking wave shook like a shroud.
“From my drawn litter I looked out
Unto the swarthy sea,
And knew. That voice, which late had cross'd
Mine ears, seemed with the foam uptoss'd:
I knew that Urscelyn was lost.
“Then I spake all: I turned on one
And on the other, and spake:
My curse laughed in me to behold
Their eyes: I sat up, stricken cold,
Mad of my voice till all was told.
“Oh! of my brothers, Hugues was mute,
And Gilles was wild and loud,
And Raoul strained abroad his face,
As if his gnashing wrath could trace
Even there the prey that it must chase.
“And round me murmured all our train,
Hoarse as the hoarse-tongued sea;
Till Hugues from silence louring woke,
And cried: ‘What ails the foolish folk?
Know ye not frenzy's lightning-stroke?’
“But my stern father came to them
And quelled them with his look,
Silent and deadly pale. Anon
I knew that we were hastening on,
My litter closed and the light gone.
“And I remember all that day
The barren bitter wind
Without, and the sea's moaning there
That I first moaned with unaware,
And when I knew, shook down my hair.
“Few followed us or faced our flight:
Once only I could hear,
Far in the front, loud scornful words,
And cries I knew of hostile lords,
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And crash of spears and grind of swords.
“It was soon ended. On that day
Before the light had changed
We reached our refuge; miles of rock
Bulwarked for war; whose strength might mock
Sky, sea, or man, to storm or shock.
“Listless and feebly conscious, I
Lay far within the night
Awake. The many pains incurred
That day,—the whole, said, seen or heard,—
Stayed by in me as things deferred.
“Not long. At dawn I slept. In dreams
All was passed through afresh
From end to end. As the morn heaved
Towards noon, I, waking sore aggrieved,
That I might die, cursed God, and lived.
“Many days went, and I saw none
Except my women. They
Calmed their wan faces, loving me;
And when they wept, lest I should see,
Would chaunt a desolate melody.
“Panic unthreatened shook my blood
Each sunset, all the slow
Subsiding of the turbid light.
I would rise, sister, as I might,
And bathe my forehead through the night
“To elude madness. The stark walls
Made chill the mirk: and when
We oped our curtains, to resume
Sun-sickness after long sick gloom,
The withering sea-wind walked the room.
“Through the gaunt windows the great gales
Bore in the tattered clumps
Of waif-weed and the tamarisk-boughs;
And sea-mews, 'mid the storm's carouse,
Were flung, wild-clamouring, in the house.
“My hounds I had not; and my hawk,
Which they had saved for me,
Wanting the sun and rain to beat
His wings, soon lay with gathered feet;
And my flowers faded, lacking heat.
“Such still were griefs: for grief was still
393
A separate sense, untouched
Of that despair which had become
My life. Great anguish could benumb
My soul,—my heart was quarrelsome.
“Time crept. Upon a day at length
My kinsfolk sat with me:
That which they asked was bare and plain:
I answered: the whole bitter strain
Was again said, and heard again.
“Fierce Raoul snatched his sword, and turned
The point against my breast.
I bared it, smiling: ‘To the heart
Strike home,’ I said; ‘another dart
Wreaks hourly there a deadlier smart.’
“'Twas then my sire struck down the sword,
And said with shaken lips:
‘She from whom all of you receive
Your life, so smiled; and I forgive.’
Thus, for my mother's sake, I live.
“But I, a mother even as she,
Turned shuddering to the wall:
For I said: ‘Great God! and what would I do,
When to the sword, with the thing I knew,
I offered not one life but two!’
“Then I fell back from them, and lay
Outwearied. My tired sense
Soon filmed and settled, and like stone
I slept; till something made me moan,
And I woke up at night alone.
“I woke at midnight, cold and dazed;
Because I found myself
Seated upright, with bosom bare,
Upon my bed, combing my hair,
Ready to go, I knew not where.
“It dawned light day,—the last of those
Long months of longing days.
That noon, the change was wrought on me
In somewise,—nought to hear or see,—
Only a trance and agony.”
The bride's voice failed her, from no will
To pause. The bridesmaid leaned,
And where the window-panes were white,
394
Looked for the day: she knew not quite
If there were either day or night.
It seemed to Aloÿse that the whole
Day's weight lay back on her
Like lead. The hours that did remain
Beat their dry wings upon her brain
Once in mid-flight, and passed again.
There hung a cage of burnt perfumes
In the recess: but these,
For some hours, weak against the sun,
Had simmered in white ash. From One
The second quarter was begun.
They had not heard the stroke. The air,
Though altered with no wind,
Breathed now by pauses, so to say:
Each breath was time that went away,—
Each pause a minute of the day.
I' the almonry, the almoner,
Hard by, had just dispensed
Church-dole and march-dole. High and wide
Now rose the shout of thanks, which cried
On God that He should bless the bride.
Its echo thrilled within their feet,
And in the furthest rooms
Was heard, where maidens flushed and gay
Wove with stooped necks the wreaths alway
Fair for the virgin's marriage-day.
The mother leaned along, in thought
After her child; till tears,
Bitter, not like a wedded girl's,
Fell down her breast along her curls,
And ran in the close work of pearls.
The speech ached at her heart. She said:
“Sweet Mary, do thou plead
This hour with thy most blessed Son
To let these shameful words atone,
That I may die when I have done.”
The thought ached at her soul. Yet now:—
“Itself—that life” (she said,)
“Out of my weary life—when sense
Unclosed, was gone. What evil men's
Most evil hands had borne it thence
395
“I knew, and cursed them. Still in sleep
I have my child; and pray
To know if it indeed appear
As in my dream's perpetual sphere,
That I—death reached—may seek it there.
“Sleeping, I wept; though until dark
A fever dried mine eyes
Kept open; save when a tear might
Be forced from the mere ache of sight.
And I nursed hatred day and night.
“Aye, and I sought revenge by spells;
And vainly many a time
Have laid my face into the lap
Of a wise woman, and heard clap
Her thunder, the fiend's juggling trap.
“At length I feared to curse them, lest
From evil lips the curse
Should be a blessing; and would sit
Rocking myself and stifling it
With babbled jargon of no wit.
“But this was not at first: the days
And weeks made frenzied months
Before this came. My curses, pil'd
Then with each hour unreconcil'd,
Still wait for those who took my child.”
She stopped, grown fainter. “Amelotte,
Surely,” she said, “this sun
Sheds judgment-fire from the fierce south:
It does not let me breathe: the drouth
Is like sand spread within my mouth.”
The bridesmaid rose. I' the outer glare
Gleamed her pale cheeks, and eyes
Sore troubled; and aweary weigh'd
Her brows just lifted out of shade;
And the light jarred within her head.
'Mid flowers fair-heaped there stood a bowl
With water. She therein
Through eddying bubbles slid a cup,
And offered it, being risen up,
Close to her sister's mouth, to sup.
The freshness dwelt upon her sense,
Yet did not the bride drink;
396
But she dipped in her hand anon
And cooled her temples; and all wan
With lids that held their ache, went on.
“Through those dark watches of my woe,
Time, an ill plant, had waxed
Apace. That year was finished. Dumb
And blind, life's wheel with earth's had come
Whirled round: and we might seek our home.
“Our wealth was rendered back, with wealth
Snatched from our foes. The house
Had more than its old strength and fame:
But still 'neath the fair outward claim
I rankled,—a fierce core of shame.
“It chilled me from their eyes and lips
Upon a night of those
First days of triumph, as I gazed
Listless and sick, or scarcely raised
My face to mark the sports they praised.
“The endless changes of the dance
Bewildered me: the tones
Of lute and cithern struggled tow'rds
Some sense; and still in the last chords
The music seemed to sing wild words.
“My shame possessed me in the light
And pageant, till I swooned.
But from that hour I put my shame
From me, and cast it over them
By God's command and in God's name
“For my child's bitter sake. O thou
Once felt against my heart
With longing of the eyes,—a pain
Since to my heart for ever,—then
Beheld not, and not felt again!”
She scarcely paused, continuing:—
“That year drooped weak in March;
And April, finding the streams dry,
Choked, with no rain, in dust: the sky
Shall not be fainter this July.
“Men sickened; beasts lay without strength;
The year died in the land.
But I, already desolate,
Said merely, sitting down to wait,—
397
‘The seasons change and Time wears late.’
“For I had my hard secret told,
In secret, to a priest;
With him I communed; and he said
The world's soul, for its sins, was sped,
And the sun's courses numberèd.
“The year slid like a corpse afloat:
None trafficked,—who had bread
Did eat. That year our legions, come
Thinned from the place of war, at home
Found busier death, more burdensome.
“Tidings and rumours came with them,
The first for months. The chiefs
Sat daily at our board, and in
Their speech were names of friend and kin:
One day they spoke of Urscelyn.
“The words were light, among the rest:
Quick glance my brothers sent
To sift the speech; and I, struck through,
Sat sick and giddy in full view:
Yet did none gaze, so many knew.
“Because in the beginning, much
Had caught abroad, through them
That heard my clamour on the coast:
But two were hanged; and then the most
Held silence wisdom, as thou know'st.
“That year the convent yielded thee
Back to our home; and thou
Then knew'st not how I shuddered cold
To kiss thee, seeming to enfold
To my changed heart myself of old.
“Then there was showing thee the house,
So many rooms and doors;
Thinking the while how thou wouldst start
If once I flung the doors apart
Of one dull chamber in my heart.
“And yet I longed to open it;
And often in that year
Of plague and want, when side by side
We've knelt to pray with them that died,
My prayer was, ‘Show her what I hide!’”
398
~ Dante Gabriel Rossetti,
1399:Andromeda
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
18
Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
19
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
Rulers.
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
not!
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
20
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
laughter.
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
scattered,
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
them
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
21
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
eyeballs
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
world?'
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
twilight,
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
22
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
smilest?
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
23
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
24
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
him.'
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
shoulder.
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
25
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
worthless,
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
26
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
pinions.
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
27
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
28
Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
29
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
him.
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,
1400:Earth, Ocean, Air, belovd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovd brethren, and withdraw
No portion of your wonted favor now!

Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.

There was a Poet whose untimely tomb
No human hands with pious reverence reared,
But the charmed eddies of autumnal winds
Built o'er his mouldering bones a pyramid
Of mouldering leaves in the waste wilderness:
A lovely youth,no mourning maiden decked
With weeping flowers, or votive cypress wreath,
The lone couch of his everlasting sleep:
Gentle, and brave, and generous,no lorn bard
Breathed o'er his dark fate one melodious sigh:
He lived, he died, he sung in solitude.  
Strangers have wept to hear his passionate notes,
And virgins, as unknown he passed, have pined
And wasted for fond love of his wild eyes.
The fire of those soft orbs has ceased to burn,
And Silence, too enamoured of that voice,
Locks its mute music in her rugged cell.

By solemn vision and bright silver dream
His infancy was nurtured. Every sight
And sound from the vast earth and ambient air
Sent to his heart its choicest impulses.
The fountains of divine philosophy
Fled not his thirsting lips, and all of great,
Or good, or lovely, which the sacred past
In truth or fable consecrates, he felt
And knew. When early youth had passed, he left
His cold fireside and alienated home
To seek strange truths in undiscovered lands.
Many a wide waste and tangled wilderness
Has lured his fearless steps; and he has bought
With his sweet voice and eyes, from savage men,
His rest and food. Nature's most secret steps
He like her shadow has pursued, where'er
The red volcano overcanopies
Its fields of snow and pinnacles of ice
With burning smoke, or where bitumen lakes
On black bare pointed islets ever beat
With sluggish surge, or where the secret caves,
Rugged and dark, winding among the springs
Of fire and poison, inaccessible
To avarice or pride, their starry domes
Of diamond and of gold expand above
Numberless and immeasurable halls,
Frequent with crystal column, and clear shrines
Of pearl, and thrones radiant with chrysolite.
Nor had that scene of ampler majesty
Than gems or gold, the varying roof of heaven
And the green earth, lost in his heart its claims
To love and wonder; he would linger long
In lonesome vales, making the wild his home,
Until the doves and squirrels would partake
From his innocuous band his bloodless food,
Lured by the gentle meaning of his looks,
And the wild antelope, that starts whene'er
The dry leaf rustles in the brake, suspend
Her timid steps, to gaze upon a form
More graceful than her own.

His wandering step,
Obedient to high thoughts, has visited
The awful ruins of the days of old:
Athens, and Tyre, and Balbec, and the waste
Where stood Jerusalem, the fallen towers
Of Babylon, the eternal pyramids,
Memphis and Thebes, and whatsoe'er of strange,
Sculptured on alabaster obelisk
Or jasper tomb or mutilated sphinx,
Dark thiopia in her desert hills
Conceals. Among the ruined temples there,
Stupendous columns, and wild images
Of more than man, where marble daemons watch
The Zodiac's brazen mystery, and dead men
Hang their mute thoughts on the mute walls around,
He lingered, poring on memorials
Of the world's youth: through the long burning day
Gazed on those speechless shapes; nor, when the moon
Filled the mysterious halls with floating shades
Suspended he that task, but ever gazed
And gazed, till meaning on his vacant mind
Flashed like strong inspiration, and he saw
The thrilling secrets of the birth of time.

Meanwhile an Arab maiden brought his food,
Her daily portion, from her father's tent,
And spread her matting for his couch, and stole
From duties and repose to tend his steps,
Enamoured, yet not daring for deep awe
To speak her love, and watched his nightly sleep,
Sleepless herself, to gaze upon his lips
Parted in slumber, whence the regular breath
Of innocent dreams arose; then, when red morn
Made paler the pale moon, to her cold home
Wildered, and wan, and panting, she returned.

The Poet, wandering on, through Arabie,
And Persia, and the wild Carmanian waste,
And o'er the arial mountains which pour down
Indus and Oxus from their icy caves,
In joy and exultation held his way;
Till in the vale of Cashmire, far within
Its loneliest dell, where odorous plants entwine
Beneath the hollow rocks a natural bower,
Beside a sparkling rivulet he stretched
His languid limbs. A vision on his sleep
There came, a dream of hopes that never yet
Had flushed his cheek. He dreamed a veild maid
Sate near him, talking in low solemn tones.
Her voice was like the voice of his own soul
Heard in the calm of thought; its music long,
Like woven sounds of streams and breezes, held
His inmost sense suspended in its web
Of many-colored woof and shifting hues.
Knowledge and truth and virtue were her theme,
And lofty hopes of divine liberty,
Thoughts the most dear to him, and poesy,
Herself a poet. Soon the solemn mood
Of her pure mind kindled through all her frame
A permeating fire; wild numbers then
She raised, with voice stifled in tremulous sobs
Subdued by its own pathos; her fair hands
Were bare alone, sweeping from some strange harp
Strange symphony, and in their branching veins
The eloquent blood told an ineffable tale.
The beating of her heart was heard to fill
The pauses of her music, and her breath
Tumultuously accorded with those fits
Of intermitted song. Sudden she rose,
As if her heart impatiently endured
Its bursting burden; at the sound he turned,
And saw by the warm light of their own life
Her glowing limbs beneath the sinuous veil
Of woven wind, her outspread arms now bare,
Her dark locks floating in the breath of night,
Her beamy bending eyes, her parted lips
Outstretched, and pale, and quivering eagerly.
His strong heart sunk and sickened with excess
Of love. He reared his shuddering limbs, and quelled
His gasping breath, and spread his arms to meet
Her panting bosom:she drew back awhile,
Then, yielding to the irresistible joy,
With frantic gesture and short breathless cry
Folded his frame in her dissolving arms.
Now blackness veiled his dizzy eyes, and night
Involved and swallowed up the vision; sleep,
Like a dark flood suspended in its course,
Rolled back its impulse on his vacant brain.

Roused by the shock, he started from his trance
The cold white light of morning, the blue moon
Low in the west, the clear and garish hills,
The distinct valley and the vacant woods,
Spread round him where he stood. Whither have fled
The hues of heaven that canopied his bower
Of yesternight? The sounds that soothed his sleep,
The mystery and the majesty of Earth,
The joy, the exultation? His wan eyes
Gaze on the empty scene as vacantly
As ocean's moon looks on the moon in heaven.
The spirit of sweet human love has sent
A vision to the sleep of him who spurned
Her choicest gifts. He eagerly pursues
Beyond the realms of dream that fleeting shade;
He overleaps the bounds. Alas! alas!
Were limbs and breath and being intertwined
Thus treacherously? Lost, lost, forever lost
In the wide pathless desert of dim sleep,
That beautiful shape! Does the dark gate of death
Conduct to thy mysterious paradise,
O Sleep? Does the bright arch of rainbow clouds
And pendent mountains seen in the calm lake
Lead only to a black and watery depth,
While death's blue vault with loathliest vapors hung,
Where every shade which the foul grave exhales
Hides its dead eye from the detested day,
Conducts, O Sleep, to thy delightful realms?
This doubt with sudden tide flowed on his heart;
The insatiate hope which it awakened stung
His brain even like despair.

While daylight held
The sky, the Poet kept mute conference
With his still soul. At night the passion came,
Like the fierce fiend of a distempered dream,
And shook him from his rest, and led him forth
Into the darkness. As an eagle, grasped
In folds of the green serpent, feels her breast
Burn with the poison, and precipitates
Through night and day, tempest, and calm, and cloud,
Frantic with dizzying anguish, her blind flight
O'er the wide ary wilderness: thus driven
By the bright shadow of that lovely dream,
Beneath the cold glare of the desolate night,
Through tangled swamps and deep precipitous dells,
Startling with careless step the moon-light snake,
He fled. Red morning dawned upon his flight,
Shedding the mockery of its vital hues
Upon his cheek of death. He wandered on
Till vast Aornos seen from Petra's steep
Hung o'er the low horizon like a cloud;
Through Balk, and where the desolated tombs
Of Parthian kings scatter to every wind
Their wasting dust, wildly he wandered on,
Day after day, a weary waste of hours,
Bearing within his life the brooding care
That ever fed on its decaying flame.
And now his limbs were lean; his scattered hair,
Sered by the autumn of strange suffering,
Sung dirges in the wind; his listless hand
Hung like dead bone within its withered skin;
Life, and the lustre that consumed it, shone,
As in a furnace burning secretly,
From his dark eyes alone. The cottagers,
Who ministered with human charity
His human wants, beheld with wondering awe
Their fleeting visitant. The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of Wind,
With lightning eyes, and eager breath, and feet
Disturbing not the drifted snow, had paused
In its career; the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream
Of after times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path
Of his departure from their father's door.

At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there,
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:'Thou hast a home,
Beautiful bird! thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here,
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts?' A gloomy smile
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms.

Startled by his own thoughts, he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze.
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste;
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.

The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves.
Following his eager soul, the wanderer
Leaped in the boat; he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane.

As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. A whirlwind swept it on,
With fierce gusts and precipitating force,
Through the white ridges of the chafd sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp.
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers
Appointed to conduct him to the light
Of those belovd eyes, the Poet sate,
Holding the steady helm. Evening came on;
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of Day;
Night followed, clad with stars. On every side
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean; safely fled
As if that frail and wasted human form
Had been an elemental god.

At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves
Bursting and eddying irresistibly
Rage and resound forever.Who shall save?
The boat fled on,the boiling torrent drove,
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea,
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on
With unrelaxing speed.'Vision and Love!'
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long.'

The boat pursued
The windings of the cavern. Daylight shone
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky,
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm;
Stair above stair the eddying waters rose,
Circling immeasurably fast, and laved
With alternating dash the gnarld roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting yet distorting every cloud,
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round and round and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve,
Where through an opening of the rocky bank
The waters overflow, and a smooth spot
Of glassy quiet 'mid those battling tides
Is left, the boat paused shuddering.Shall it sink
Down the abyss? Shall the reverting stress
Of that resistless gulf embosom it?
Now shall it fall?A wandering stream of wind
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion between banks
Of mossy slope, and on a placid stream,
Beneath a woven grove, it sails, and, hark!
The ghastly torrent mingles its far roar
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove
Is closed by meeting banks, whose yellow flowers
Forever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind,
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid
In those flushed cheeks, bent eyes, and shadowy frame,
Had yet performed its ministry; it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.

The noonday sun  
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their ary rocks,
Mocking its moans, respond and roar forever.
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as, led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle and his sepulchre. More dark
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below,
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around
The gray trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs,
Uniting their close union; the woven leaves
Make network of the dark blue light of day
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose twined with jasmine
A soul-dissolving odor to invite
To some more lovely mystery. Through the dell
Silence and Twilight here, twin-sisters, keep
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck
Of azure sky darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star,
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon,
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.

Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leavesthe grass that sprung
Startled and glanced and trembled even to feel
An unaccustomed presenceand the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside himclothed in no bright robes
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;
But undulating woods, and silent well,
And leaping rivulet, and evening gloom
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was; onlywhen his regard
Was raised by intense pensivenesstwo eyes,
Two starry eyes, hung in the gloom of thought,
And seemed with their serene and azure smiles
To beckon him.

Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. The rivulet,
Wanton and wild, through many a green ravine
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced, like childhood laughing as it went;
Then, through the plain in tranquil wanderings crept,
Reflecting every herb and drooping bud
That overhung its quietness.'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness,
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain and invisible course,
Have each their type in me; and the wide sky
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind!'

Beside the grassy shore
Of the small stream he went; he did impress
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet not like him
Forgetful of the grave, where, when the flame
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed
For the uniform and lightsome evening sky.
Gray rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarld roots of ancient pines
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes
Had shone, gleam stony orbs:so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm he still pursued
The stream, that with a larger volume now
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
'Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems with its accumulated crags
To overhang the world; for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-colored even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity,  
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response at each pause
In most familiar cadence, with the howl,
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void,
Scattering its waters to the passing winds.

Yet the gray precipice and solemn pine
And torrent were not all;one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity
The dark earth and the bending vault of stars.
It was a tranquil spot that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves forever green  
And berries dark the smooth and even space
Of its inviolated floor; and here
The children of the autumnal whirlwind bore
In wanton sport those bright leaves whose decay,
Red, yellow, or ethereally pale,
Rivals the pride of summer. 'T is the haunt
Of every gentle wind whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude; one voice  
Alone inspired its echoes;even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colors of that varying cheek,
That snowy breast, those dark and drooping eyes.

The dim and hornd moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace.O storm of death,
Whose sightless speed divides this sullen night!  
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world! from the red field
Of slaughter, from the reeking hospital,
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee! Ruin calls
His brother Death! A rare and regal prey
He hath prepared, prowling around the world;  
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.

When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,        
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine; upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and Despair,
The torturers, slept; no mortal pain or fear    
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame    
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With Nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It pausedit fluttered. But when heaven remained
Utterly black, the murky shades involved  
An image silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapor fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame
No sense, no motion, no divinity
A fragile lute, on whose harmonious strings
The breath of heaven did wandera bright stream
Once fed with many-voicd wavesa dream
Of youth, which night and time have quenched forever  
Still, dark, and dry, and unremembered now.

Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! Oh, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders forever,  
Lone as incarnate death! Oh, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things    
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:but thou art fled
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not! Upon those pallid lips
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shednot even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
Composed at Bishopsgate Heath, near Windsor Park, 1815 (autumn).
Note by Mrs. Shelley: 'Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth -- all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor the place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad. He visited some of the more magnificent scenes of Switzerland, and returned to England from Lucerne, by the Reuss and the Rhine. The river-navigation enchanted him. In his favourite poem of Thalaba, his imagination had been excited by a description of such a voyage. In the summer of 1815, after a tour along the southern coast of Devonshire and a visit to Clifton, he rented a house on Bishopgate Heath, on the borders of Windsor Forest, where he enjoyed several months of comparative health and tranquil happiness. The later summer months were warm and dry. Accompanied by a few friends, he visited the source of the Thames, making a voyage in a wherry from Winsdor to Crickdale. His beautiful stanzas in the churchyard of Lechlade were written on that occasion. Alastor was composed on his return. He spent his days under the oak-shades of Windsor Great Park; and the magnificent woodland was a fitting study to inspire the various descriptions of forest-scenery we find in the poem.
None of Shelley's poems is more characteristic than this. The solemn spirit that reigns throughout, the worship of the majesty of nature, the broodings of a poet's heart in solitude -- the mingling of the exulting joy which the various aspects of the visible universe inspires with the sad and struggling pangs which human passion imparts -- give a touching interest to the whole. The death which he had often contemplated during the last months as certain and near he here represented in such colours as had, in his lonely musings, soothed his soul to peace. The versification sustains the solemn spirit which breathes throughout: it is peculiarly melodious. The poem ought rather to be considered didactic than narrative: it was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death.'

~ Percy Bysshe Shelley, Alastor - or, the Spirit of Solitude
,
1401:Scene. Wrzburg; a garden in the environs. 1512.
Festus, Paracelsus, Michal.
Paracelsus.
Come close to me, dear friends; still closer; thus!
Close to the heart which, though long time roll by
Ere it again beat quicker, pressed to yours,
As now it beatsperchance a long, long time
At least henceforth your memories shall make
Quiet and fragrant as befits their home.
Nor shall my memory want a home in yours
Alas, that it requires too well such free
Forgiving love as shall embalm it there!
For if you would remember me aright,
As I was born to be, you must forget
All fitful strange and moody waywardness
Which e'er confused my better spirit, to dwell
Only on moments such as these, dear friends!
My heart no truer, but my words and ways
More true to it: as Michal, some months hence,
Will say, "this autumn was a pleasant time,"
For some few sunny days; and overlook
Its bleak wind, hankering after pining leaves.
Autumn would fain be sunny; I would look
Liker my nature's truth: and both are frail,
And both beloved, for all our frailty.
Michal.
                     Aureole!
                     Paracelsus.
Drop by drop! she is weeping like a child!
Not so! I am contentmore than content;
Nay, autumn wins you best by this its mute
Appeal to sympathy for its decay:
Look up, sweet Michal, nor esteem the less
Your stained and drooping vines their grapes bow down,
Nor blame those creaking trees bent with their fruit,
That apple-tree with a rare after-birth
Of peeping blooms sprinkled its wealth among!
Then for the windswhat wind that ever raved
Shall vex that ash which overlooks you both,
So proud it wears its berries? Ah, at length,
The old smile meet for her, the lady of this
Sequestered nest!this kingdom, limited
Alone by one old populous green wall
Tenanted by the ever-busy flies,
Grey crickets and shy lizards and quick spiders,
Each family of the silver-threaded moss
Which, look through near, this way, and it appears
A stubble-field or a cane-brake, a marsh
Of bulrush whitening in the sun: laugh now!
Fancy the crickets, each one in his house,
Looking out, wondering at the worldor best,
Yon painted snail with his gay shell of dew,
Travelling to see the glossy balls high up
Hung by the caterpillar, like gold lamps.
Michal.
In truth we have lived carelessly and well.
Paracelsus.
And shall, my perfect pair!each, trust me, born
For the other; nay, your very hair, when mixed,
Is of one hue. For where save in this nook
Shall you two walk, when I am far away,
And wish me prosperous fortune? Stay: that plant
Shall never wave its tangles lightly and softly,
As a queen's languid and imperial arm
Which scatters crowns among her lovers, but you
Shall be reminded to predict to me
Some great success! Ah see, the sun sinks broad
Behind Saint Saviour's: wholly gone, at last!
Festus.
Now, Aureole, stay those wandering eyes awhile!
You are ours to-night, at least; and while you spoke
Of Michal and her tears, I thought that none
Could willing leave what he so seemed to love:
But that last look destroys my dreamthat look
As if, where'er you gazed, there stood a star!
How far was Wrzburg with its church and spire
And garden-walls and all things they contain,
From that look's far alighting?
Paracelsus.
                 I but spoke
And looked alike from simple joy to see
The beings I love best, shut in so well
From all rude chances like to be my lot,
That, when afar, my weary spirit,disposed
To lose awhile its care in soothing thoughts
Of them, their pleasant features, looks and words,
Needs never hesitate, nor apprehend
Encroaching trouble may have reached them too,
Nor have recourse to fancy's busy aid
And fashion even a wish in their behalf
Beyond what they possess already here;
But, unobstructed, may at once forget
Itself in them, assured how well they fare.
Beside, this Festus knows he holds me one
Whom quiet and its charms arrest in vain,
One scarce aware of all the joys I quit,
Too filled with airy hopes to make account
Of soft delights his own heart garners up:
Whereas behold how much our sense of all
That's beauteous proves alike! When Festus learns
That every common pleasure of the world
Affects me as himself; that I have just
As varied appetite for joy derived
From common things; a stake in life, in short,
Like his; a stake which rash pursuit of aims
That life affords not, would as soon destroy;
He may convince himself that, this in view,
I shall act well advised. And last, because,
Though heaven and earth and all things were at stake,
Sweet Michal must not weep, our parting eve.
Festus.
True: and the eve is deepening, and we sit
As little anxious to begin our talk
As though to-morrow I could hint of it
As we paced arm-in-arm the cheerful town
At sun-dawn; or could whisper it by fits
(Trithemius busied with his class the while)
In that dim chamber where the noon-streaks peer
Half-frightened by the awful tomes around;
Or in some grassy lane unbosom all
From even-blush to midnight: but, to-morrow!
Have I full leave to tell my inmost mind?
We have been brothers, and henceforth the world
Will rise between us:all my freest mind?
'T is the last night, dear Aureole!
Paracelsus.
                   Oh, say on!
Devise some test of love, some arduous feat
To be performed for you: say on! If night
Be spent the while, the better! Recall how oft
My wondrous plans and dreams and hopes and fears
Havenever wearied you, oh no!as I
Recall, and never vividly as now,
Your true affection, born when Einsiedeln
And its green hills were all the world to us;
And still increasing to this night which ends
My further stay at Wrzburg. Oh, one day
You shall be very proud! Say on, dear friends!
Festus.
In truth? 'T is for my proper peace, indeed,
Rather than yours; for vain all projects seem
To stay your course: I said my latest hope
Is fading even now. A story tells
Of some far embassy despatched to win
The favour of an eastern king, and how
The gifts they offered proved but dazzling dust
Shed from the ore-beds native to his clime.
Just so, the value of repose and love,
I meant should tempt you, better far than I
You seem to comprehend; and yet desist
No whit from projects where repose nor love
Has part.
Paracelsus.
     Once more? Alas! As I foretold.
     Festus.
A solitary briar the bank puts forth
To save our swan's nest floating out to sea.
Paracelsus.
Dear Festus, hear me. What is it you wish?
That I should lay aside my heart's pursuit,
Abandon the sole ends for which I live,
Reject God's great commission, and so die!
You bid me listen for your true love's sake:
Yet how has grown that love? Even in a long
And patient cherishing of the self-same spirit
It now would quell; as though a mother hoped
To stay the lusty manhood of the child
Once weak upon her knees. I was not born
Informed and fearless from the first, but shrank
From aught which marked me out apart from men:
I would have lived their life, and died their death,
Lost in their ranks, eluding destiny:
But you first guided me through doubt and fear,
Taught me to know mankind and know myself;
And now that I am strong and full of hope,
That, from my soul, I can reject all aims
Save those your earnest words made plain to me,
Now that I touch the brink of my design,
When I would have a triumph in their eyes,
A glad cheer in their voicesMichal weeps,
And Festus ponders gravely!
Festus.
               When you deign
To hear my purpose . . .
Paracelsus.
             Hear it? I can say
Beforehand all this evening's conference!
'T is this way, Michal, that he uses: first,
Or he declares, or I, the leading points
Of our best scheme of life, what is man's end
And what God's will; no two faiths e'er agreed
As his with mine. Next, each of us allows
Faith should be acted on as best we may;
Accordingly, I venture to submit
My plan, in lack of better, for pursuing
The path which God's will seems to authorize.
Well, he discerns much good in it, avows
This motive worthy, that hope plausible,
A danger here to be avoided, there
An oversight to be repaired: in fine
Our two minds go togetherall the good
Approved by him, I gladly recognize,
All he counts bad, I thankfully discard,
And nought forbids my looking up at last
For some stray comfort in his cautious brow.
When, lo! I learn that, spite of all, there lurks
Some innate and inexplicable germ
Of failure in my scheme; so that at last
It all amounts to thisthe sovereign proof
That we devote ourselves to God, is seen
In living just as though no God there were;
A life which, prompted by the sad and blind
Folly of man, Festus abhors the most;
But which these tenets sanctify at once,
Though to less subtle wits it seems the same,
Consider it how they may.
Michal.
             Is it so, Festus
He speaks so calmly and kindly: is it so?
Paracelsus.
Reject those glorious visions of God's love
And man's design; laugh loud that God should send
Vast longings to direct us; say how soon
Power satiates these, or lust, or gold; I know
The world's cry well, and how to answer it.
But this ambiguous warfare . . .
Festus.
                 . . . Wearies so
That you will grant no last leave to your friend
To urge it?for his sake, not yours? I wish
To send my soul in good hopes after you;
Never to sorrow that uncertain words
Erringly apprehended, a new creed
Ill understood, begot rash trust in you,
Had share in your undoing.
Paracelsus.
              Choose your side,
Hold or renounce: but meanwhile blame me not
Because I dare to act on your own views,
Nor shrink when they point onward, nor espy
A peril where they most ensure success.
Festus.
Prove that to mebut that! Prove you abide
Within their warrant, nor presumptuous boast
God's labour laid on you; prove, all you covet
A mortal may expect; and, most of all,
Prove the strange course you now affect, will lead
To its attainmentand I bid you speed,
Nay, count the minutes till you venture forth!
You smile; but I had gathered from slow thought
Much musing on the fortunes of my friend
Matter I deemed could not be urged in vain;
But it all leaves me at my need: in shreds
And fragments I must venture what remains.
Michal.
Ask at once, Festus, wherefore he should scorn . . .
Festus.
Stay, Michal: Aureole, I speak guardedly
And gravely, knowing well, whate'er your error,
This is no ill-considered choice of yours,
No sudden fancy of an ardent boy.
Not from your own confiding words alone
Am I aware your passionate heart long since
Gave birth to, nourished and at length matures
This scheme. I will not speak of Einsiedeln,
Where I was born your elder by some years
Only to watch you fully from the first:
In all beside, our mutual tasks were fixed
Even then't was mine to have you in my view
As you had your own soul and those intents
Which filled it when, to crown your dearest wish,
With a tumultuous heart, you left with me
Our childhood's home to join the favoured few
Whom, here, Trithemius condescends to teach
A portion of his lore: and not one youth
Of those so favoured, whom you now despise,
Came earnest as you came, resolved, like you,
To grasp all, and retain all, and deserve
By patient toil a wide renown like his.
Now, this new ardour which supplants the old
I watched, too; 't was significant and strange,
In one matched to his soul's content at length
With rivals in the search for wisdom's prize,
To see the sudden pause, the total change;
From contest, the transition to repose
From pressing onward as his fellows pressed,
To a blank idleness, yet most unlike
The dull stagnation of a soul, content,
Once foiled, to leave betimes a thriveless quest.
That careless bearing, free from all pretence
Even of contempt for what it ceased to seek
Smiling humility, praising much, yet waiving
What it professed to praisethough not so well
Maintained but that rare outbreaks, fierce and brief,
Revealed the hidden scorn, as quickly curbed.
That ostentatious show of past defeat,
That ready acquiescence in contempt,
I deemed no other than the letting go
His shivered sword, of one about to spring
Upon his foe's throat; but it was not thus:
Not that way looked your brooding purpose then.
For after-signs disclosed, what you confirmed,
That you prepared to task to the uttermost
Your strength, in furtherance of a certain aim
Whichwhile it bore the name your rivals gave
Their own most puny effortswas so vast
In scope that it included their best flights,
Combined them, and desired to gain one prize
In place of many,the secret of the world,
Of man, and man's true purpose, path and fate.
That you, not nursing as a mere vague dream
This purpose, with the sages of the past,
Have struck upon a way to this, if all
You trust be true, which following, heart and soul,
You, if a man may, dare aspire to know:
And that this aim shall differ from a host
Of aims alike in character and kind,
Mostly in this,that in itself alone
Shall its reward be, not an alien end
Blending therewith; no hope nor fear nor joy
Nor woe, to elsewhere move you, but this pure
Devotion to sustain you or betray:
Thus you aspire.
Paracelsus.
         You shall not state it thus:
I should not differ from the dreamy crew
You speak of. I profess no other share
In the selection of my lot, than this
My ready answer to the will of God
Who summons me to be his organ. All
Whose innate strength supports them shall succeed
No better than the sages.
Festus.
             Such the aim, then,
God sets before you; and't is doubtless need
That he appoint no less the way of praise
Than the desire to praise; for, though I hold
With you, the setting forth such praise to be
The natural end and service of a man,
And hold such praise is best attained when man
Attains the general welfare of his kind
Yet this, the end, is not the instrument.
Presume not to serve God apart from such
Appointed channel as he wills shall gather
Imperfect tributes, for that sole obedience
Valued perchance! He seeks not that his altars
Blaze, careless how, so that they do but blaze.
Suppose this, then; that God selected you
To know (heed well your answers, for my faith
Shall meet implicitly what they affirm)
I cannot think you dare annex to such
Selection aught beyond a steadfast will,
An intense hope; nor let your gifts create
Scorn or neglect of ordinary means
Conducive to success, make destiny
Dispense with man's endeavour. Now, dare you search
Your inmost heart, and candidly avow
Whether you have not rather wild desire
For this distinction than security
Of its existence? whether you discern
The path to the fulfilment of your purpose
Clear as that purposeand again, that purpose
Clear as your yearning to be singled out
For its pursuer. Dare you answer this?
Paracelsus
[after a pause].
No, I have nought to fear! Who will may know
The secret'st workings of my soul. What though
It be so?if indeed the strong desire
Eclipse the aim in me?if splendour break
Upon the outset of my path alone,
And duskest shade succeed? What fairer seal
Shall I require to my authentic mission
Than this fierce energy?this instinct striving
Because its nature is to strive?enticed
By the security of no broad course,
Without success forever in its eyes!
How know I else such glorious fate my own,
But in the restless irresistible force
That works within me? Is it for human will
To institute such impulses?still less,
To disregard their promptings! What should I
Do, kept among you all; your loves, your cares,
Your lifeall to be mine? Be sure that God
Ne'er dooms to waste the strength he deigns impart!
Ask the geier-eagle why she stoops at once
Into the vast and unexplored abyss,
What full-grown power informs her from the first,
Why she not marvels, strenuously beating
The silent boundless regions of the sky!
Be sure they sleep not whom God needs! Nor fear
Their holding light his charge, when every hour
That finds that charge delayed, is a new death.
This for the faith in which I trust; and hence
I can abjure so well the idle arts
These pedants strive to learn and teach; Black Arts,
Great Works, the Secret and Sublime, forsooth
Let others prize: too intimate a tie
Connects me with our God! A sullen fiend
To do my bidding, fallen and hateful sprites
To help mewhat are these, at best, beside
God helping, God directing everywhere,
So that the earth shall yield her secrets up,
And every object there be charged to strike,
Teach, gratify her master God appoints?
And I am young, my Festus, happy and free!
I can devote myself; I have a life
To give; I, singled out for this, the One!
Think, think! the wide East, where all Wisdom sprung;
The bright South, where she dwelt; the hopeful North,
All are passed o'erit lights on me! 'T is time
New hopes should animate the world, new light
Should dawn from new revealings to a race
Weighed down so long, forgotten so long; thus shall
The heaven reserved for us at last receive
Creatures whom no unwonted splendours blind,
But ardent to confront the unclouded blaze.
Whose beams not seldom blessed their pilgrimage,
Not seldom glorified their life below.
Festus.
My words have their old fate and make faint stand
Against your glowing periods. Call this, truth
Why not pursue it in a fast retreat,
Some one of Learning's many palaces,
After approved example?seeking there
Calm converse with the great dead, soul to soul,
Who laid up treasure with the like intent
So lift yourself into their airy place,
And fill out full their unfulfilled careers,
Unravelling the knots their baffled skill
Pronounced inextricable, true!but left
Far less confused. A fresh eye, a fresh hand,
Might do much at their vigour's waning-point;
Succeeding with new-breathed new-hearted force,
As at old games the runner snatched the torch
From runner still: this way success might be.
But you have coupled with your enterprise,
An arbitrary self-repugnant scheme
Of seeking it in strange and untried paths.
What books are in the desert? Writes the sea
The secret of her yearning in vast caves
Where yours will fall the first of human feet?
Has wisdom sat there and recorded aught
You press to read? Why turn aside from her
To visit, where her vesture never glanced,
Nowsolitudes consigned to barrenness
By God's decree, which who shall dare impugn?
Nowruins where she paused but would not stay,
Old ravaged cities that, renouncing her,
She called an endless curse on, so it came:
Or worst of all, nowmen you visit, men,
Ignoblest troops who never heard her voice
Or hate it, men without one gift from Rome
Or Athens,these shall Aureole's teachers be!
Rejecting past example, practice, precept,
Aidless'mid these he thinks to stand alone:
Thick like a glory round the Stagirite
Your rivals throng, the sages: here stand you!
Whatever you may protest, knowledge is not
Paramount in your love; or for her sake
You would collect all help from every source
Rival, assistant, friend, foe, all would merge
In the broad class of those who showed her haunts,
And those who showed them not.
Paracelsus.
                What shall I say?
Festus, from childhood I have been possessed
By a fireby a true fire, or faint or fierce,
As from without some master, so it seemed,
Repressed or urged its current: this but ill
Expresses what would I convey: but rather
I will believe an angel ruled me thus,
Than that my soul's own workings, own high nature,
So became manifest. I knew not then
What whispered in the evening, and spoke out
At midnight. If some mortal, born too soon,
Were laid away in some great trancethe ages
Coming and going all the whiletill dawned
His true time's advent; and could then record
The words they spoke who kept watch by his bed,
Then I might tell more of the breath so light
Upon my eyelids, and the fingers light
Among my hair. Youth is confused; yet never
So dull was I but, when that spirit passed,
I turned to him, scarce consciously, as turns
A water-snake when fairies cross his sleep.
And having this within me and about me
While Einsiedeln, its mountains, lakes and woods
Confined mewhat oppressive joy was mine
When life grew plain, and I first viewed the thronged,
The everlasting concourse of mankind!
Believe that ere I joined them, ere I knew
The purpose of the pageant, or the place
Consigned me in its rankswhile, just awake,
Wonder was freshest and delight most pure
'T was then that least supportable appeared
A station with the brightest of the crowd,
A portion with the proudest of them all.
And from the tumult in my breast, this only
Could I collect, that I must thenceforth die
Or elevate myself far, far above
The gorgeous spectacle. I seemed to long
At once to trample on, yet save mankind,
To make some unexampled sacrifice
In their behalf, to wring some wondrous good
From heaven or earth for them, to perish, winning
Eternal weal in the act: as who should dare
Pluck out the angry thunder from its cloud,
That, all its gathered flame discharged on him,
No storm might threaten summer's azure sleep:
Yet never to be mixed with men so much
As to have part even in my own work, share
In my own largess. Once the feat achieved,
I would withdraw from their officious praise,
Would gently put aside their profuse thanks.
Like some knight traversing a wilderness,
Who, on his way, may chance to free a tribe
Of desert-people from their dragon-foe;
When all the swarthy race press round to kiss
His feet, and choose him for their king, and yield
Their poor tents, pitched among the sand-hills, for
His realm: and he points, smiling, to his scarf
Heavy with riveled gold, his burgonet
Gay set with twinkling stonesand to the East,
Where these must be displayed!
Festus.
                Good: let us hear
No more about your nature, "which first shrank
"From all that marked you out apart from men!"
Paracelsus.
I touch on that; these words but analyse
The first mad impulse: 't was as brief as fond,
For as I gazed again upon the show,
I soon distinguished here and there a shape
Palm-wreathed and radiant, forehead and full eye.
Well pleased was I their state should thus at once
Interpret my own thoughts:"Behold the clue
"To all," I rashly said, "and what I pine
"To do, these have accomplished: we are peers.
"They know and therefore rule: I, too, will know!"
You were beside me, Festus, as you say;
You saw me plunge in their pursuits whom fame
Is lavish to attest the lords of mind,
Not pausing to make sure the prize in view
Would satiate my cravings when obtained,
But since they strove I strove. Then came a slow
And strangling failure. We aspired alike,
Yet not the meanest plodder, Tritheim counts
A marvel, but was all-sufficient, strong,
Or staggered only at his own vast wits;
While I was restless, nothing satisfied,
Distrustful, most perplexed. I would slur over
That struggle; suffice it, that I loathed myself
As weak compared with them, yet felt somehow
A mighty power was brooding, taking shape
Within me; and this lasted till one night
When, as I sat revolving it and more,
A still voice from without said"Seest thou not,
"Desponding child, whence spring defeat and loss?
"Even from thy strength. Consider: hast thou gazed
"Presumptuously on wisdom's countenance,
"No veil between; and can thy faltering hands,
"Unguided by the brain the sight absorbs,
"Pursue their task as earnest blinkers do
"Whom radiance ne'er distracted? Live their life
"If thou wouldst share their fortune, choose their eyes
"Unfed by splendour. Let each task present
"Its petty good to thee. Waste not thy gifts
"In profitless waiting for the gods' descent,
"But have some idol of thine own to dress
"With their array. Know, not for knowing's sake,
"But to become a star to men for ever;
"Know, for the gain it gets, the praise it brings,
"The wonder it inspires, the love it breeds:
"Look one step onward, and secure that step!"
And I smiled as one never smiles but once,
Then first discovering my own aim's extent,
Which sought to comprehend the works of God,
And God himself, and all God's intercourse
With the human mind; I understood, no less,
My fellows' studies, whose true worth I saw,
But smiled not, well aware who stood by me.
And softer came the voice"There is a way:
"'T is hard for flesh to tread therein, imbued
"With frailtyhopeless, if indulgence first
"Have ripened inborn germs of sin to strength:
"Wilt thou adventure for my sake and man's,
"Apart from all reward?" And last it breathed
"Be happy, my good soldier; I am by thee,
"Be sure, even to the end!"I answered not,
Knowing him. As he spoke, I was endued
With comprehension and a steadfast will;
And when he ceased, my brow was sealed his own.
If there took place no special change in me,
How comes it all things wore a different hue
Thenceforward?pregnant with vast consequence,
Teeming with grand result, loaded with fate?
So that when, quailing at the mighty range
Of secret truths which yearn for birth, I haste
To contemplate undazzled some one truth,
Its bearings and effects aloneat once
What was a speck expands into a star,
Asking a life to pass exploring thus,
Till I near craze. I go to prove my soul!
I see my way as birds their trackless way.
I shall arrive! what time, what circuit first,
I ask not: but unless God send his hail
Or blinding fireballs, sleet or stifling snow,
In some time, his good time, I shall arrive:
He guides me and the bird. In his good time!
Michal.
Vex him no further, Festus; it is so!
Festus.
Just thus you help me ever. This would hold
Were it the trackless air, and not a path
Inviting you, distinct with footprints yet
Of many a mighty marcher gone that way.
You may have purer views than theirs, perhaps,
But they were famous in their daythe proofs
Remain. At least accept the light they lend.
Paracelsus.
Their light! the sum of all is briefly this:
They laboured and grew famous, and the fruits
Are best seen in a dark and groaning earth
Given over to a blind and endless strife
With evils, what of all their lore abates?
No; I reject and spurn them utterly
And all they teach. Shall I still sit beside
Their dry wells, with a white lip and filmed eye,
While in the distance heaven is blue above
Mountains where sleep the unsunned tarns?
Festus.
                      And yet
As strong delusions have prevailed ere now.
Men have set out as gallantly to seek
Their ruin. I have heard of such: yourself
Avow all hitherto have failed and fallen.
Michal.
Nay, Festus, when but as the pilgrims faint
Through the drear way, do you expect to see
Their city dawn amid the clouds afar?
Paracelsus.
Ay, sounds it not like some old well-known tale?
For me, I estimate their works and them
So rightly, that at times I almost dream
I too have spent a life the sages' way,
And tread once more familiar paths. Perchance
I perished in an arrogant self-reliance
Ages ago; and in that act, a prayer
For one more chance went up so earnest, so
Instinct with better light let in by death,
That life was blotted outnot so completely
But scattered wrecks enough of it remain,
Dim memories, as now, when once more seems
The goal in sight again. All which, indeed,
Is foolish, and only meansthe flesh I wear,
The earth I tread, are not more clear to me
Than my belief, explained to you or no.
Festus.
And who am I, to challenge and dispute
That clear belief? I will divest all fear.
Michal.
Then Aureole is God's commissary! he shall
Be great and grandand all for us!
Paracelsus.
                   No, sweet!
Not great and grand. If I can serve mankind
'T is well; but there our intercourse must end:
I never will be served by those I serve.
Festus.
Look well to this; here is a plague-spot, here,
Disguise it how you may! 'T is true, you utter
This scorn while by our side and loving us;
'T is but a spot as yet: but it will break
Into a hideous blotch if overlooked.
How can that course be safe which from the first
Produces carelessness to human love?
It seems you have abjured the helps which men
Who overpass their kind, as you would do,
Have humbly sought; I dare not thoroughly probe
This matter, lest I learn too much. Let be
That popular praise would little instigate
Your efforts, nor particular approval
Reward you; put reward aside; alone
You shall go forth upon your arduous task,
None shall assist you, none partake your toil,
None share your triumph: still you must retain
Some one to cast your glory on, to share
Your rapture with. Were I elect like you,
I would encircle me with love, and raise
A rampart of my fellows; it should seem
Impossible for me to fail, so watched
By gentle friends who made my cause their own.
They should ward off fate's envythe great gift,
Extravagant when claimed by me alone,
Being so a gift to them as well as me.
If danger daunted me or ease seduced,
How calmly their sad eyes should gaze reproach!
Michal.
O Aureole, can I sing when all alone,
Without first calling, in my fancy, both
To listen by my sideeven I! And you?
Do you not feel this? Say that you feel this!
Paracelsus.
I feel't is pleasant that my aims, at length
Allowed their weight, should be supposed to need
A further strengthening in these goodly helps!
My course allures for its own sake, its sole
Intrinsic worth; and ne'er shall boat of mine
Adventure forth for gold and apes at once.
Your sages say, "if human, therefore weak:"
If weak, more need to give myself entire
To my pursuit; and by its side, all else . . .
No matter! I deny myself but little
In waiving all assistance save its own.
Would there were some real sacrifice to make!
Your friends the sages threw their joys away,
While I must be content with keeping mine.
Festus.
But do not cut yourself from human weal!
You cannot thrivea man that dares affect
To spend his life in service to his kind
For no reward of theirs, unbound to them
By any tie; nor do so, Aureole! No
There are strange punishments for such. Give up
(Although no visible good flow thence) some part
Of the glory to another; hiding thus,
Even from yourself, that all is for yourself.
Say, say almost to God"I have done all
"For her, not for myself!"
Paracelsus.
              And who but lately
Was to rejoice in my success like you?
Whom should I love but both of you?
Festus.
                   I know not:
But know this, you, that't is no will of mine
You should abjure the lofty claims you make;
And this the causeI can no longer seek
To overlook the truth, that there would be
A monstrous spectacle upon the earth,
Beneath the pleasant sun, among the trees:
A being knowing not what love is. Hear me!
You are endowed with faculties which bear
Annexed to them as't were a dispensation
To summon meaner spirits to do their will
And gather round them at their need; inspiring
Such with a love themselves can never feel,
Passionless'mid their passionate votaries.
I know not if you joy in this or no,
Or ever dream that common men can live
On objects you prize lightly, but which make
Their heart's sole treasure: the affections seem
Beauteous at most to you, which we must taste
Or die: and this strange quality accords,
I know not how, with you; sits well upon
That luminous brow, though in another it scowls
An eating brand, a shame. I dare not judge you.
The rules of right and wrong thus set aside,
There's no alternativeI own you one
Of higher order, under other laws
Than bind us; therefore, curb not one bold glance!
'T is best aspire. Once mingled with us all . . .
Michal.
Stay with us, Aureole! cast those hopes away,
And stay with us! An angel warns me, too,
Man should be humble; you are very proud:
And God, dethroned, has doleful plagues for such!
Warns me to have in dread no quick repulse,
No slow defeat, but a complete success:
You will find all you seek, and perish so!
Paracelsus
[after a pause].
Are these the barren firstfruits of my quest?
Is love like this the natural lot of all?
How many years of pain might one such hour
O'erbalance? Dearest Michal, dearest Festus,
What shall I say, if not that I desire
To justify your love; and will, dear friends,
In swerving nothing from my first resolves.
See, the great moon! and ere the mottled owls
Were wide awake, I was to go. It seems
You acquiesce at last in all save this
If I am like to compass what I seek
By the untried career I choose; and then,
If that career, making but small account
Of much of life's delight, will yet retain
Sufficient to sustain my soul: for thus
I understand these fond fears just expressed.
And first; the lore you praise and I neglect,
The labours and the precepts of old time,
I have not lightly disesteemed. But, friends,
Truth is within ourselves; it takes no rise
From outward things, whate'er you may believe.
There is an inmost centre in us all,
Where truth abides in fulness; and around,
Wall upon wall, the gross flesh hems it in,
This perfect, clear perceptionwhich is truth.
A baffling and perverting carnal mesh
Binds it, and makes all error: and to know
Rather consists in opening out a way
Whence the imprisoned splendour may escape,
Than in effecting entry for a light
Supposed to be without. Watch narrowly
The demonstration of a truth, its birth,
And you trace back the effluence to its spring
And source within us; where broods radiance vast,
To be elicited ray by ray, as chance
Shall favour: chancefor hitherto, your sage
Even as he knows not how those beams are born,
As little knows he what unlocks their fount:
And men have oft grown old among their books
To die case-hardened in their ignorance,
Whose careless youth had promised what long years
Of unremitted labour ne'er performed:
While, contrary, it has chanced some idle day,
To autumn loiterers just as fancy-free
As the midges in the sun, gives birth at last
To truthproduced mysteriously as cape
Of cloud grown out of the invisible air.
Hence, may not truth be lodged alike in all,
The lowest as the highest? some slight film
The interposing bar which binds a soul
And makes the idiot, just as makes the sage
Some film removed, the happy outlet whence
Truth issues proudly? See this soul of ours!
How it strives weakly in the child, is loosed
In manhood, clogged by sickness, back compelled
By age and waste, set free at last by death:
Why is it, flesh enthrals it or enthrones?
What is this flesh we have to penetrate?
Oh, not alone when life flows still, do truth
And power emerge, but also when strange chance
Ruffles its current; in unused conjuncture,
When sickness breaks the bodyhunger, watching,
Excess or languoroftenest death's approach,
Peril, deep joy or woe. One man shall crawl
Through life surrounded with all stirring things,
Unmoved; and he goes mad: and from the wreck
Of what he was, by his wild talk alone,
You first collect how great a spirit he hid.
Therefore, set free the soul alike in all,
Discovering the true laws by which the flesh
Accloys the spirit! We may not be doomed
To cope with seraphs, but at least the rest
Shall cope with us. Make no more giants, God,
But elevate the race at once! We ask
To put forth just our strength, our human strength,
All starting fairly, all equipped alike,
Gifted alike, all eagle-eyed, true-hearted
See if we cannot beat thine angels yet!
Such is my task. I go to gather this
The sacred knowledge, here and there dispersed
About the world, long lost or never found.
And why should I be sad or lorn of hope?
Why ever make man's good distinct from God's,
Or, finding they are one, why dare mistrust?
Who shall succeed if not one pledged like me?
Mine is no mad attempt to build a world
Apart from his, like those who set themselves
To find the nature of the spirit they bore,
And, taught betimes that all their gorgeous dreams
Were only born to vanish in this life,
Refused to fit them to its narrow sphere,
But chose to figure forth another world
And other frames meet for their vast desires,
And all a dream! Thus was life scorned; but life
Shall yet be crowned: twine amaranth! I am priest!
And all for yielding with a lively spirit
A poor existence, parting with a youth
Like those who squander every energy
Convertible to good, on painted toys,
Breath-bubbles, gilded dust! And though I spurn
All adventitious aims, from empty praise
To love's award, yet whoso deems such helps
Important, and concerns himself for me,
May know even these will follow with the rest
As in the steady rolling Mayne, asleep
Yonder, is mixed its mass of schistous ore.
My own affections laid to rest awhile,
Will waken purified, subdued alone
By all I have achieved. Till thentill then . . .
Ah, the time-wiling loitering of a page
Through bower and over lawn, till eve shall bring
The stately lady's presence whom he loves
The broken sleep of the fisher whose rough coat
Enwraps the queenly pearlthese are faint types!
See, see, they look on me: I triumph now!
But one thing, Festus, Michal! I have told
All I shall e'er disclose to mortal: say
Do you believe I shall accomplish this?
Festus.
I do believe!
Michal.
       I ever did believe!
       Paracelsus.
Those words shall never fade from out my brain!
This earnest of the end shall never fade!
Are there not, Festus, are there not, dear Michal,
Two points in the adventure of the diver,
Onewhen, a beggar, he prepares to plunge,
Onewhen, a prince, he rises with his pearl?
Festus, I plunge!
Festus.
         We wait you when you rise!


~ Robert Browning, Paracelsus - Part I - Paracelsus Aspires
,
1402:Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
219
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
220
Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
221
But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
222
“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
223
Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
224
And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”
BERYL-SONG
We whose home is the Beryl,
Fire-spirits of dread desire,
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Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?
PART II
“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
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Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
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The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
228
Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
229
The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
230
This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
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She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
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“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”
BERYL-SONG
We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
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Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?
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PART III
A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
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How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
236
His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
237
Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
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“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
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How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
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“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”
BERYL-SONG
We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
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Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?
~ Dante Gabriel Rossetti,
1403:I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,-
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
-And the whole is our Duke's country.

III.

I was born the day this present Duke was-
(And O, says the song, ere I was old!)
In the castle where the other Duke was-
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive
To get the killing-place transfixed,
And pin him true, both eyes betwixt?
And that's why the old Duke would rather
He lost a salt-pit than my father,
And loved to have him ever in call;
That's why my father stood in the hall
When the old Duke brought his infant out
To show the people, and while they passed
The wondrous bantling round about,
Was first to start at the outside blast
As the Kaiser's courier blew his horn
Just a month after the babe was born.
``And,'' quoth the Kaiser's courier, ``since
``The Duke has got an heir, our Prince
``Needs the Duke's self at his side: ''
The Duke looked down and seemed to wince,
But he thought of wars o'er the world wide,
Castles a-fire, men on their march,
The toppling tower, the crashing arch;
And up he looked, and awhile he eyed
The row of crests and shields and banners
Of all achievements after all manners,
And ``ay,'' said the Duke with a surly pride.
The more was his comfort when he died
At next year's end, in a velvet suit,
With a gilt glove on his hand, his foot
In a silken shoe for a leather boot,
Petticoated like a herald,
In a chamher next to an ante-room,
Where he breathed the breath of page and groom,
What he called stink, and they, perfume:
-They should have set him on red Berold
Mad with pride, like fire to manage!
They should have got his cheek fresh tannage
Such a day as to-day in the merry sunshine!
Had they stuck on his fist a rough-foot merlin!
(Hark, the wind's on the heath at its game!
Oh for a noble falcon-lanner
To flap each broad wing like a banner,
And turn in the wind, and dance like flame!)
Had they broached a white-beer cask from Berlin
-Or if you incline to prescribe mere wine
Put to his lips, when they saw him pine,
A cup of our own Moldavia fine,
Cotnar for instance, green as May sorrel
And ropy with sweet,-we shall not quarrel.

IV.

So, at home, the sick tall yellow Duchess
Was left with the infant in her clutches,
She being the daughter of God knows who:
And now was the time to revisit her tribe.
Abroad and afar they went, the two,
And let our people rail and gibe
At the empty hall and extinguished fire,
As loud as we liked, but ever in vain,
Till after long years we had our desire,
And back came the Duke and his mother again.

V.

And he came back the pertest little ape
That ever affronted human shape;
Full of his travel, struck at himself.
You'd say, he despised our bluff old ways?
-Not he! For in Paris they told the elf
Our rough North land was the Land of Lays,
The one good thing left in evil days;
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
Could you taste of it yet as in its prime,
And see true castles, with proper towers,
Young-hearted women, old-minded men,
And manners now as manners were then.
So, all that the old Dukes had been, without knowing it,
This Duke would fain know he was, without being it;
'Twas not for the joy's self, but the joy of his showing it,
Nor for the pride's self, but the pride of our seeing it,
He revived all usages thoroughly worn-out,
The souls of them fumed-forth, the hearts of them torn-out:
And chief in the chase his neck he perilled
On a lathy horse, all legs and length,
With blood for bone, all speed, no strength;
-They should have set him on red Berold
With the red eye slow consuming in fire,
And the thin stiff ear like an abbey-spire!

VI.

Well, such as he was, he must marry, we heard:
And out of a convent, at the word,
Came the lady, in time of spring.
-Oh, old thoughts they cling, they cling!
That day, I know, with a dozen oaths
I clad myself in thick hunting-clothes
Fit for the chase of urochs or buffle
In winter-time when you need to muffle.
But the Duke had a mind we should cut a figure,
And so we saw the lady arrive:
My friend, I have seen a white crane bigger!
She was the smallest lady alive,
Made in a piece of nature's madness,
Too small, almost, for the life and gladness
That over-filled her, as some hive
Out of the bears' reach on the high trees
Is crowded with its safe merry bees:
In truth, she was not hard to please!
Up she looked, down she looked, round at the mead,
Straight at the castle, that's best indeed
To look at from outside the walls:
As for us, styled the ``serfs and thralls,''
She as much thanked me as if she had said it,
(With her eyes, do you understand?)
Because I patted her horse while I led it;
And Max, who rode on her other hand,
Said, no bird flew past but she inquired
What its true name was, nor ever seemed tired-
If that was an eagle she saw hover,
And the green and grey bird on the field was the plover.
When suddenly appeared the Duke:
And as down she sprung, the small foot pointed
On to my hand,-as with a rebuke,
And as if his backbone were not jointed,
The Duke stepped rather aside than forward,
And welcomed her with his grandest smile;
And, mind you, his mother all the while
Chilled in the rear, like a wind to Nor'ward;
And up, like a weary yawn, with its pullies
Went, in a shriek, the rusty portcullis;
And, like a glad sky the north-wind sullies,
The lady's face stopped its play,
As if her first hair had grown grey;
For such things must begin some one day.

VII.

In a day or two she was well again;
As who should say, ``You labour in vain!
``This is all a jest against God, who meant
``I should ever be, as I am, content
`` And glad in his sight; therefore, glad I will be.''
So, smiling as at first went she.

VIII.

She was active, stirring, all fire-
Could not rest, could not tire-
To a stone she might have given life!
(I myself loved once, in my day)
-For a shepherd's, miner's, huntsman's wife,
(I had a wife, I know what I say)
Never in all the world such an one!
And here was plenty to be done,
And she that could do it, great or small,
She was to do nothing at all.
There was already this man in his post,
This in his station, and that in his office,
And the Duke's plan admitted a wife, at most,
To meet his eye, with the other trophies,
Now outside the hall, now in it,
To sit thus, stand thus, see and be seen,
At the proper place in the proper minute,
And die away the life between.
And it was amusing enough, each infraction
Of rule-(but for after-sadness that came)
To hear the consummate self-satisfaction
With which the young Duke and the old dame
Would let her advise, and criticise,
And, being a fool, instruct the wise,
And, child-like, parcel out praise or blame:
They bore it all in complacent guise,
As though an artificer, after contriving
A wheel-work image as if it were living,
Should find with delight it could motion to strike him!
So found the Duke, and his mother like him:
The lady hardly got a rebuff-
That had not been contemptuous enough,
With his cursed smirk, as he nodded applause,
And kept off the old mother-cat's claws.

IX.

So, the little lady grew silent and thin,
Paling and ever paling,
As the way is with a hid chagrin;
And the Duke perceived that she was ailing,
And said in his heart, ``'Tis done to spite me,
``But I shall find in my power to right me!''
Don't swear, friend! The old one, many a year,
Is in hell, and the Duke's self . . . you shall hear.

X.

Well, early in autumn, at first winter-warning,
When the stag had to break with his foot, of a morning,
A drinking-hole out of the fresh tender ice
That covered the pond till the sun, in a trice,
Loosening it, let out a ripple of gold,
And another and another, and faster and faster,
Till, dimpling to blindness, the wide water rolled:
Then it so chanced that the Duke our master
Asked himself what were the pleasures in season,
And found, since the calendar bade him be hearty,
He should do the Middle Age no treason
In resolving on a hunting-party.
Always provided, old books showed the way of it!
What meant old poets by their strictures?
And when old poets had said their say of it,
How taught old painters in their pictures?
We must revert to the proper channels,
Workings in tapestry, paintings on panels,
And gather up woodcraft's authentic traditions:
Here was food for our various ambitions,
As on each case, exactly stated-
To encourage your dog, now, the properest chirrup,
Or best prayer to Saint Hubert on mounting your stirrup-
We of the house hold took thought and debated.
Blessed was he whose back ached with the jerkin
His sire was wont to do forest-work in;
Blesseder he who nobly sunk ``ohs''
And ``ahs'' while he tugged on his grand-sire's trunk-hose;
What signified hats if they had no rims on,
Each slouching before and behind like the scallop,
And able to serve at sea for a shallop,
Loaded with lacquer and looped with crimson?
So that the deer now, to make a short rhyme on't,
What with our Venerers, Prickers and Yerderers,
Might hope for real hunters at length and not murderers,
And oh the Duke's tailor, he had a hot time on't!

XI.

Now you must know that when the first dizziness
Of flap-hats and buff-coats and jack-boots subsided,
The Duke put this question, ``The Duke's part provided,
``Had not the Duchess some share in the business?''
For out of the mouth of two or three witnesses
Did he establish all fit-or-unfitnesses:
And, after much laying of heads together,
Somebody's cap got a notable feather
By the announcement with proper unction
That he had discovered the lady's function;
Since ancient authors gave this tenet,
``When horns wind a mort and the deer is at siege,
``Let the dame of the castle prick forth on her jennet,
``And, with water to wash the hands of her liege
``In a clean ewer with a fair toweling,
`` Let her preside at the disemboweling.''
Now, my friend, if you had so little religion
As to catch a hawk, some falcon-lanner,
And thrust her broad wings like a banner
Into a coop for a vulgar pigeon;
And if day by day and week by week
You cut her claws, and sealed her eyes,
And clipped her wings, and tied her beak,
Would it cause you any great surprise
If, when you decided to give her an airing,
You found she needed a little preparing?
-I say, should you be such a curmudgeon,
If she clung to the perch, as to take it in dudgeon?
Yet when the Duke to his lady signified,
Just a day before, as he judged most dignified,
In what a pleasure she was to participate,-
And, instead of leaping wide in flashes,
Her eyes just lifted their long lashes,
As if pressed by fatigue even he could not dissipate,
And duly acknowledged the Duke's forethought,
But spoke of her health, if her health were worth aught,
Of the weight by day and the watch by night,
And much wrong now that used to be right,
So, thanking him, declined the hunting,-
Was conduct ever more affronting?
With all the ceremony settled-
With the towel ready, and the sewer
Polishing up his oldest ewer,
And the jennet pitched upon, a piebald,
Black-barred, cream-coated and pink eye-balled,-
No wonder if the Duke was nettled
And when she persisted nevertheless,-
Well, I suppose here's the time to confess
That there ran half round our lady's chamber
A balcony none of the hardest to clamber;
And that Jacynth the tire-woman, ready in waiting,
Stayed in call outside, what need of relating?
And since Jacynth was like a June rose, why, a fervent
Adorer of Jacynth of course was your servant;
And if she had the habit to peep through the casement,
How could I keep at any vast distance?
And so, as I say, on the lady's persistence,
The Duke, dumb-stricken with amazement,
Stood for a while in a sultry smother,
And then, with a smile that partook of the awful,
Turned her over to his yellow mother
To learn what was held decorous and lawful;
And the mother smelt blood with a cat-like instinct,
As her cheek quick whitened thro' all its quince-tinct.
Oh, but the lady heard the whole truth at once!
What meant she?Who was she?-Her duty and station,
The wisdom of age and the folly of youth, at once,
Its decent regard and its fitting relation-
In brief, my friend, set all the devils in hell free
And turn them out to carouse in a belfry
And treat the priests to a fifty-part canon,
And then you may guess how that tongue of hers ran on!
Well, somehow or other it ended at last
And, licking her whiskers, out she passed;
And after her,-making (he hoped) a face
Like Emperor Nero or Sultan Saladin,
Stalked the Duke's self with the austere grace
Of ancient hero or modern paladin,
From door to staircase-oh such a solemn
Unbending of the vertebral column!

XII.

However, at sunrise our company mustered;
And here was the huntsman bidding unkennel,
And there 'neath his bonnet the pricker blustered,
With feather dank as a bough of wet fennel;
For the court-yard walls were filled with fog
You might have cut as an axe chops a log-
Like so much wool for colour and bulkiness;
And out rode the Duke in a perfect sulkiness,
Since, before breakfast, a man feels but queasily,
And a sinking at the lower abdomen
Begins the day with indifferent omen.
And lo, as he looked around uneasily,
The sun ploughed the fog up and drove it asunder
This way and that from the valley under;
And, looking through the court-yard arch,
Down in the valley, what should meet him
But a troop of Gipsies on their march?
No doubt with the annual gifts to greet him.

XIII.

Now, in your land, Gipsies reach you, only
After reaching all lands beside;
North they go, South they go, trooping or lonely,
And still, as they travel far and wide,
Catch they and keep now a trace here, trace there,
That puts you in mind of a place here, a place there.
But with us, I believe they rise out of the ground,
And nowhere else, I take it, are found
With the earth-tint yet so freshly embrowned:
Born, no doubt, like insects which breed on
The very fruit they are meant to feed on.
For the earth-not a use to which they don't turn it,
The ore that grows in the mountain's womb,
Or the sand in the pits like a honeycomb,
They sift and soften it, bake it and burn it-
Whether they weld you, for instance, a snaffle
With side-bars never a brute can baffle;
Or a lock that's a puzzle of wards within wards;
Or, if your colt's fore-foot inclines to curve inwards,
Horseshoes they hammer which turn on a swivel
And won't allow the hoof to shrivel.
Then they cast bells like the shell of the winkle
That keep a stout heart in the ram with their tinkle;
But the sand-they pinch and pound it like otters;
Commend me to Gipsy glass-makers and potters!
Glasses they'll blow you, crystal-clear,
Where just a faint cloud of rose shall appear,
As if in pure water you dropped and let die
A bruised black-blooded mulberry;
And that other sort, their crowning pride,
With long white threads distinct inside,
Like the lake-flower's fibrous roots which dangle
Loose such a length and never tangle,
Where the bold sword-lily cuts the clear waters,
And the cup-lily couches with all the white daughters:
Such are the works they put their hand to,
The uses they turn and twist iron and sand to.
And these made the troop, which our Duke saw sally
Toward his castle from out of the valley,
Men and women, like new-hatched spiders,
Come out with the morning to greet our riders.
And up they wound till they reached the ditch,
Whereat all stopped save one, a witch
That I knew, as she hobbled from the group,
By her gait directly and her stoop,
I, whom Jacynth was used to importune
To let that same witch tell us our fortune.
The oldest Gipsy then above ground;
And, sure as the autumn season came round,
She paid us a visit for profit or pastime,
And every time, as she swore, for the last time.
And presently she was seen to sidle
Up to the Duke till she touched his bridle,
So that the horse of a sudden reared up
As under its nose the old witch peered up
With her worn-out eyes, or rather eye-holes
Of no use now but to gather brine,
And began a kind of level whine
Such as they used to sing to their viols
When their ditties they go grinding
Up and down with nobody minding:
And then, as of old, at the end of the humming
Her usual presents were forthcoming
-A dog-whistle blowing the fiercest of trebles,
(Just a sea-shore stone holding a dozen fine pebbles,)
Or a porcelain mouth-piece to screw on a pipe-end,-
And so she awaited her annual stipend.
But this time, the Duke would scarcely vouchsafe
A word in reply; and in vain she felt
With twitching fingers at her belt
For the purse of sleek pine-martin pelt,
Ready to ptlt what he gave in her pouch safe,-
Till, either to quicken his apprehension,
Or possibly with an after-intention,
She was come, she said, to pay her duty
To the new Duchess, the youthful beauty.
No sooner had she named his lady,
Than a shine lit up the face so shady,
And its smirk returned with a novel meaning-
For it struck him, the babe just wanted weaning;
If one gave her a taste of what life was and sorrow,
She, foolish to-day, would be wiser tomorrow;
And who so fit a teacher of trouble
As this sordid crone bent well-nigh double?
So, glancing at her wolf-skin vesture,
(If such it was, for they grow so hirsute
That their own fleece serves for natural fur-suit)
He was contrasting, 'twas plain from his gesture,
The life of the lady so flower-like and delicate
With the loathsome squalor of this helicat.
I, in brief, was the man the Duke beckoned
From out of the throng, and while I drew near
He told the crone-as I since have reckoned
By the way he bent and spoke into her ear
With circumspection and mystery-
The main of the lady's history,
Her frowardness and ingratitude:
And for all the crone's submissive attitude
I could see round her mouth the loose plaits tightening,
And her brow with assenting intelligence brightening,
As though she engaged with hearty good-will
Whatever he now might enjoin to fulfil,
And promised the lady a thorough frightening.
And so, just giving her a glimpse
Of a purse, with the air of a man who imps
The wing of the hawk that shall fetch the hernshaw,
He bade me take the Gipsy mother
And set her telling some story or other
Of hill or dale, oak-wood or fernshaw,
To wile away a weary hour
For the lady left alone in her bower,
Whose mind and body craved exertion
And yet shrank from all better diversion.

XIV.

Then clapping heel to his horse, the mere curveter,
Out rode the Duke, and after his hollo
Horses and hounds swept, huntsman and servitor,
And back I turned and bade the crone follow.
And what makes me confident what's to be told you
Had all along been of this crone's devising,
Is, that, on looking round sharply, behold you,
There was a novelty quick as surprising:
For first, she had shot up a full head in stature,
And her step kept pace with mine nor faltered,
As if age had foregone its usurpature,
And the ignoble mien was wholly altered,
And the face looked quite of another nature,
And the change reached too, whatever the change meant,
Her shaggy wolf-skin cloak's arrangement:
For where its tatters hung loose like sedges,
Gold coins were glittering on the edges,
Like the band-roll strung with tomans
Which proves the veil a Persian woman's.
And under her brow, like a snail's horns newly
Come out as after the rain he paces,
Two unmistakeable eye-points duly
Live and aware looked out of their places.
So, we went and found Jacynth at the entry
Of the lady's chamber standing sentry;
I told the command and produced my companion,
And Jacynth rejoiced to admit any one,
For since last night, by the same token,
Not a single word had the lady spoken:
They went in both to the presence together,
While I in the balcony watched the weather.

XV.

And now, what took place at the very first of all,
I cannot tell, as I never could learn it:
Jacynth constantly wished a curse to fall
On that little head of hers and burn it
If she knew how she came to drop so soundly
Asleep of a sudden and there continue
The whole time sleeping as profoundly
As one of the boars my father would pin you
'Twixt the eyes where life holds garrison,
-Jacynth forgive me the comparison!
But where I begin asy own narration
Is a little after I took my station
To breathe the fresh air from the balcony,
And, having in those days a falcon eye,
To follow the hunt thro' the open country,
From where the bushes thinlier crested
The hillocks, to a plain where's not one tree.
When, in a moment, my ear was arrested
By-was it singing, or was it saying,
Or a strange musical instrument playing
In the chamber?-and to be certain
I pushed the lattice, pulled the curtain,
And there lay Jacynth asleep,
Yet as if a watch she tried to keep,
In a rosy sleep along the floor
With her head against the door;
While in the midst, on the seat of state,
Was a queen-the Gipsy woman late,
With head and face downbent
On the lady's head and face intent:
For, coiled at her feet like a child at ease,
The lady sat between her knees
And o'er them the lady's clasped hands met,
And on those hands her chin was set,
And her upturned face met the face of the crone
Wherein the eyes had grown and grown
As if she could double and quadruple
At pleasure the play of either pupil
-Very like, by her hands' slow fanning,
As up and down like a gor-crow's flappers
They moved to measure, or bell-clappers.
I said ``Is it blessing, is it banning,
``Do they applaud you or burlesque you-
``Those hands and fingers with no flesh on?''
But, just as I thought to spring in to the rescue,
At once I was stopped by the lady's expression:
For it was life her eyes were drinking
From the crone's wide pair above unwinking,
-Life's pure fire received without shrinking,
Into the heart and breast whose heaving
Told you no single drop they were leaving,
-Life, that filling her, passed redundant
Into her very hair, back swerving
Over each shoulder, loose and abundant,
As her head thrown back showed the white throat curving;
And the very tresses shared in the pleasure,
Moving to the mystic measure,
Bounding as the bosom bounded.
I stopped short, more and more confounded,
As still her cheeks burned and eyes glistened,
As she listened and she listened:
When all at once a hand detained me,
The selfsame contagion gained me,
And I kept time to the wondrous chime,
Making out words and prose and rhyme,
Till it seemed that the music furled
Its wings like a task fulfilled, and dropped
From under the words it first had propped,
And left them midway in the world:
Word took word as hand takes hand,
I could hear at last, and understand,
And when I held the unbroken thread,
The Gipsy said:-

``And so at last we find my tribe.
``And so I set thee in the midst,
``And to one and all of them describe
``What thou saidst and what thou didst,
``Our long and terrible journey through,
``And all thou art ready to say and do
``In the trials that remain:
``I trace them the vein and the other vein
``That meet on thy brow and part again,
``Making our rapid mystic mark;
``And I bid my people prove and probe
``Each eye's profound and glorious globe
``Till they detect the kindred spark
``In those depths so dear and dark,
``Like the spots that snap and burst and flee,
``Circling over the midnight sea.
``And on that round young cheek of thine
``I make them recognize the tinge,
``As when of the costly scarlet wine
``They drip so much as will impinge
``And spread in a thinnest scale afloat
``One thick gold drop from the olive's coat
``Over a silver plate whose sheen
``Still thro' the mixture shall be seen.
``For so I prove thee, to one and all,
``Fit, when my people ope their breast,
``To see the sign, and hear the call,
``And take the vow, and stand the test
``Which adds one more child to the rest-
``When the breast is bare and the arms are wide,
``And the world is left outside.
``For there is probation to decree,
``And many and long must the trials be
``Thou shalt victoriously endure,
``If that brow is true and those eyes are sure;
``Like a jewel-finder's fierce assay
``Of the prize he dug from its mountain-tomb-
``Let once the vindicating ray
``Leap out amid the anxious gloom,
``And steel and fire have done their part
``And the prize falls on its finder's heart;
`'So, trial after trial past,
``Wilt thou fall at the very last
``Breathless, half in trance
``With the thrill of the great deliverance,
``Into our arms for evermore;
``And thou shalt know, those arms once curled
``About thee, what we knew before,
``How love is the only good in the world.
``Henceforth be loved as heart can love,
``Or brain devise, or hand approve!
``Stand up, look below,
``It is our life at thy feet we throw
``To step with into light and joy;
``Not a power of life but we employ
``To satisfy thy nature's want;
``Art thou the tree that props the plant,
``Or the climbing plant that seeks the tree-
``Canst thou help us, must we help thee?
``If any two creatures grew into one,
``They would do more than the world has done.
``Though each apart were never so weak,
``Ye vainly through the world should seek
``For the knowledge and the might
``Which in such union grew their right:
``So, to approach at least that end,
``And blend,-as much as may be, blend
``Thee with us or us with thee,-
``As climbing plant or propping tree,
``Shall some one deck thee, over and down,
``Up and about, with blossoms and leaves?
``Fix his heart's fruit for thy garland crown,
``Cling with his soul as the gourd-vine cleaves,
``Die on thy boughs and disappear
``While not a leaf of thine is sere?
``Or is the other fate in store,
``And art thou fitted to adore,
``To give thy wondrous self away,
``And take a stronger nature's sway?
``I foresee and could foretell
``Thy future portion, sure and well:
``But those passionate eyes speak true, speak true,
``Let them say what thou shalt do!
``Only be sure thy daily life,
``In its peace or in its strife,
``Never shall be unobserved:
``We pursue thy whole career,
``And hope for it, or doubt, or fear,-
``Lo, hast thou kept thy path or swerved,
``We are beside thee in all thy ways,
``With our blame, with our praise,
``Our shame to feel, our pride to show,
``Glad, angry-but indifferent, no!
``Whether it be thy lot to go,
``For the good of us all, where the haters meet
``In the crowded city's horrible street;
``Or thou step alone through the morass
``Where never sound yet was
``Save the dry quick clap of the stork's bill,
``For the air is still, and the water still,
``When the blue breast of the dipping coot
``Dives under, and all is mute.
``So, at the last shall come old age,
``Decrepit as befits that stage;
``How else wouldst thou retire apart
``With the hoarded memories of thy heart,
``And gather all to the very least
``Of the fragments of life's earlier feast,
``Let fall through eagerness to find
``The crowning dainties yet behind?
``Ponder on the entire past
``Laid together thus at last,
``When the twilight helps to fuse
``The first fresh with the faded hues,
``And the outline of the whole,
``As round eve's shades their framework roll,
``Grandly fronts for once thy soul.
``And then as, 'mid the dark, a glean
``Of yet another morning breaks,
``And like the hand which ends a dream,
``Death, with the might of his sunbeam,
``Touches the flesh and the soul awakes,
``Then''
Ay, then indeed something would happen!
But what? For here her voice changed like a bird's;
There grew more of the music and less of the words;
Had Jacynth only been by me to clap pen
To paper and put you down every syllable
With those clever clerkly fingers,
All I've forgotten as well as what lingers
In this old brain of mine that's but ill able
To give you even this poor version
Of the speech I spoil, as it were, with stammering
-More fault of those who had the hammering
Of prosody into me and syntax,
And did it, not with hobnails but tintacks!
But to return from this excursion,-
Just, do you mark, when the song was sweetest,
The peace most deep and the charm completest,
There came, shall I say, a snap-
And the charm vanished!
And my sense returned, so strangely banished,
And, starting as from a nap,
I knew the crone was bewitching my lady,
With Jacynth asleep; and but one spring made I
Down from the casement, round to the portal,
Another minute and I had entered,-
When the door opened, and more than mortal
Stood, with a face where to my mind centred
All beauties I ever saw or shall see,
The Duchess: I stopped as if struck by palsy.
She was so different, happy and beautiful,
I felt at once that all was best,
And that I had nothing to do, for the rest,
But wait her commands, obey and be dutiful.
Not that, in fact, there was any commanding;
I saw the glory of her eye,
And the brow's height and the breast's expanding,
And I was hers to live or to die.
As for finding what she wanted,
You know God Almighty granted
Such little signs should serve wild creatures
To tell one another all their desires,
So that each knows what his friend requires,
And does its bidding without teachers.
I preceded her; the crone
Followed silent and alone;
I spoke to her, but she merely jabbered
In the old style; both her eyes had slunk
Back to their pits; her stature shrunk;
In short, the soul in its body sunk
Like a blade sent home to its scabbard.
We descended, I preceding;
Crossed the court with nobody heeding,
All the world was at the chase,
The courtyard like a desert-place,
The stable emptied of its small fry;
I saddled myself the very palfrey
I remember patting while it carried her,
The day she arrived and the Duke married her.
And, do you know, though it's easy deceiving
Oneself in such matters, I can't help believing
The lady had not forgotten it either,
And knew the poor devil so much beneath her
Would have been only too glad for her service
To dance on hot ploughshares like a Turk dervise,
But, unable to pay proper duty where owing it,
Was reduced to that pitiful method of showing it:
For though the moment I began setting
His saddle on my own nag of Berold's begetting,
(Not that I meant to be obtrusive)
She stopped me, while his rug was shifting,
By a single rapid finger's lifting,
And, with a gesture kind but conclusive,
And a little shake of the head, refused me,-
I say, although she never used me,
Yet when she was mounted, the Gipsy behind her,
And I ventured to remind her,
I suppose with a voice of less steadiness
Than usual, for my feeling exceeded me,
-Something to the effect that I was in readiness
Whenever God should please she needed me,-
Then, do you know, her face looked down on me
With a look that placed a crown on me,
And she felt in her bosom,-mark, her bosom-
And, as a flower-tree drops its blossom,
Dropped me . . . ah, had it been a purse
Of silver, my friend, or gold that's worse,
Why, you see, as soon as I found myself
So understood,-that a true heart so may gain
Such a reward,-I should have gone home again,
Kissed Jacynth, and soberly drowned myself!
It was a little plait of hair
Such as friends in a convent make
To wear, each for the other's sake,-
This, see, which at my breast I wear,
Ever did (rather to Jacynth's grudgment),
And ever shall, till the Day of Judgment.
And then,-and then,-to cut short,-this is idle,
These are feelings it is not good to foster,-
I pushed the gate wide, she shook the bridle,
And the palfrey bounded,-and so we lost her.

XVI.

When the liquor's out why clink the cannikin?
I did think to describe you the panic in
The redoubtable breast of our master the mannikin,
And what was the pitch of his mother's yellowness,
How she turned as a shark to snap the spare-rib
Clean off, sailors say, from a pearl-diving Carib,
When she heard, what she called the flight of the feloness
-But it seems such child's play,
What they said and did with the lady away!
And to dance on, when we've lost the music,
Always made me-and no doubt makes you-sick.
Nay, to my mind, the world's face looked so stern
As that sweet form disappeared through the postern,
She that kept it in constant good humour,
It ought to have stopped; there seemed nothing to do more.
But the world thought otherwise and went on,
And my head's one that its spite was spent on:
Thirty years are fled since that morning,
And with them all my head's adorning.
Nor did the old Duchess die outright,
As you expect, of suppressed spite,
The natural end of every adder
Not suffered to empty its poison-bladder:
But she and her son agreed, I take it,
That no one should touch on the story to wake it,
For the wound in the Duke's pride rankled fiery,
So, they made no search and small inquiry-
And when fresh Gipsies have paid us a visit, I've
Noticed the couple were never inquisitive,
But told them they're folks the Duke don't want here,
And bade them make haste and cross the frontier.
Brief, the Duchess was gone and the Duke was glad of it,
And the old one was in the young one's stead,
And took, in her place, the household's head,
And a blessed time the household had of it!
And were I not, as a man may say, cautious
How I trench, more than needs, on the nauseous,
I could favour you with sundry touches
Of the paint-smutches with which the Duchess
Heightened the mellowness of her cheek's yellowness
(To get on faster) until at last her
Cheek grew to be one master-plaster
Of mucus and focus from mere use of ceruse:
In short, she grew from scalp to udder
Just the object to make you shudder.

XVII.

You're my friend-
What a thing friendship is, world without end!
How it gives the heart and soul a stir-up
As if somebody broached you a glorious runlet,
And poured out, all lovelily, sparklingly, sunlit,
Our green Moldavia, the streaky syrup,
Cotnar as old as the time of the Druids-
Friendship may match with that monarch of fluids;
Each supples a dry brain, fills you its ins-and-outs,
Gives your life's hour-glass a shake when the thin sand doubts
Whether to run on or stop short, and guarantees
Age is not all made of stark sloth and arrant ease.
I have seen my little lady once more,
Jacynth, the Gipsy, Berold, and the rest of it,
For to me spoke the Duke, as I told you before;
I always wanted to make a clean breast of it:
And now it is made-why, my heart's blood, that went trickle,
Trickle, but anon, in such muddy driblets,
Is pumped up brisk now, through the main ventricle,
And genially floats me about the giblets.
I'll tell you what I intend to do:
I must see this fellow his sad life through-
He is our Duke, after all,
And I, as he says, but a serf and thrall.
My father was born here, and I inherit
His fame, a chain he bound his son with;
Could I pay in a lump I should prefer it,
But there's no mine to blow up and get done with:
So, I must stay till the end of the chapter.
For, as to our middle-age-manners-adapter,
Be it a thing to be glad on or sorry on,
Some day or other, his head in a morion
And breast in a hauberk, his heels he'll kick up,
Slain by an onslaught fierce of hiccup.
And then, when red doth the sword of our Duke rust,
And its leathern sheath lie o'ergrown with a blue crust,
Then I shall scrape together my earnings;
For, you see, in the churchyard Jacynth reposes,
And our children all went the way of the roses:
It's a long lane that knows no turnings.
One needs but little tackle to travel in;
So, just one stout cloak shall I indue:
And for a stall, what beats the javelin
With which his boars my father pinned you?
And then, for a purpose you shall hear presently,
Taking some Cotnar, a tight plump skinful,
I shall go journeying, who but I, pleasantly!
Sorrow is vain and despondency sinful.
What's a man's age? He must hurry more, that's all;
Cram in a day, what his youth took a year to hold.
When we mind labour, then only, we're too old-
What age had Methusalem when he begat Saul?
And at last, as its haven some buffeted ship sees,
(Come all the way from the north-parts with sperm oil)
I hope to get safely out of the turmoil
And arrive one day at the land of the Gipsies,
And find my lady, or hear the last news of her
From some old thief and son of Lucifer,
His forehead chapleted green with wreathy hop,
Sunburned all over like an thiop.
And when my Cotnar begins to operate
And the tongue of the rogue to run at a proper rate,
And our wine-skin, tight once, shows each flaccid dent,
I shall drop in with-as if by accident-
``You never knew, then, how it all ended,
``What fortune good or bad attended
``The little lady your Queen befriended?''
-And when that's told me, what's remaining?
This world's too hard for my explaining.
The same wise judge of matters equine
Who still preferred some slim four-year-old
To the big-boned stock of mighty Berold,
And, fur strong Cotnar, drank French weak wine,
He also umst be such a lady's scorner!
Smooth Jacob still rubs homely Esau:
Now up, now down, the world's one see-saw.
-So, I shall find out some snug corner
Under a hedge, like Orson the wood-knight,
Turn myself round and bid the world good night;
And sleep a sound sleep till the trumpet's blowing
Wakes me (unless priests cheat us laymen)
To a world where will be no furtiner throwing
Pearls befare swine that Can't value them. Amen!


~ Robert Browning, The Flight Of The Duchess
,
1404:I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.

II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.

III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.

IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.

V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to "promener l'aile," or take
A pigeon's somerset, for sport or change's sake.

VI.
"Dear Princess, do not whisper me so loud,"
Quoth Corallina, nurse and confidant,
"Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!

VII.
"Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a" --- "Peace!
Peace! nor contrive thy mistress' ire to rouse!"
Return'd the Princess, "my tongue shall not cease
Till from this hated match I get a free release.

VIII.
"Ah, beauteous mortal!" "Hush!" quoth Coralline,
"Really you must not talk of him, indeed."
"You hush!" reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.

IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.

X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.

XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.

XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.

XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.

XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.

XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.

XVI.
"I'll trounce some of the members," cry'd the Prince,
"I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!

XVII.
"I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!

XVIII.
"I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?

XIX.
"Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?"

XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.

XXI.
"At the same time, Eban," -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were "yes" and "no,"
But swift of look, and foot, and wing was he,--)
"At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.

XXII.
"Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp."

XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He "knew the city," as we say, of yore,
And for short cuts and turns, was nobody knew more.

XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.

XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.

XXVI.
"I'll pull the string," said he, and further said,
"Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.

XXVII.
"Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.

XXVIII.
"By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare."

XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
"Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive."

XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.

XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.

XXXII.
"Does not your master give a rout to-night?"
Quoth the dark page. "Oh, no!" return'd the Swiss,
"Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.

XXXIII.
"Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!

XXXIV.
"Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To" -- "Hush -- hush!" cried Eban, "sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?"
"He always comes down backward, with one shoe"--
Return'd the porter -- "off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!"

XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
"Salpietro!" exclaim'd Hum, "is the dog there?
He's always in my way upon the mat!"
"He's in the kitchen, or the Lord knows where,"--
Reply'd the Swiss, -- "the nasty, yelping brat!"
"Don't beat him!" return'd Hum, and on the floor came pat.

XXXVI.
Then facing right about, he saw the Page,
And said: "Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!" Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.

XXXVII.
"I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?"
"He dreams," said Hum, "or I have ever lied,
That he is tearing you, sir, bit by bit."
"He's not asleep, and you have little wit,"
Reply'd the page; "that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys."

XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.

XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.

XL.
Then turning round, he saw those trembling two:
"Eban," said he, "as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?"

XLI.
"Commander of the faithful!" answer'd Hum,
"In preference to these, I'll merely taste
A thimble-full of old Jamaica rum."
"A simple boon!" said Elfinan; "thou may'st
Have Nantz, with which my morning-coffee's lac'd."
"I'll have a glass of Nantz, then," -- said the Seer,--
"Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crme de citron, crystal clear."

XLII.
"I pledge you, Hum! and pledge my dearest love,
My Bertha!" "Bertha! Bertha!" cry'd the sage,
"I know a many Berthas!" "Mine's above
All Berthas!" sighed the Emperor. "I engage,"
Said Hum, "in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth."

XLIII.
"You seem to know" -- "I do know," answer'd Hum,
"Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring." "'Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!"
"Where does she live?" ask'd Hum. "Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame."

XLIV.
"Good! good!" cried Hum, "I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene."

XLV.
"I can't say," said the monarch; "that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here."
"Upon my honour!" said the son of Cham,
"She is my dainty changeling, near and dear,
Although her story sounds at first a little queer."

XLVI.
"Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you" -- "Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!" The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
"In Canterbury doth your lady shine?
But let me cool your brandy with a little wine."

XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: "Best in all the town!"
He said, smack'd his moist lips, and gave a pleasant frown.

XLVIII.
"Ah! good my Prince, weep not!" And then again
He filled a bumper. "Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain."
"Fetch me that Ottoman, and prithee keep
Your voice low," said the Emperor; "and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.

XLIX.
"Ah, cursed Bellanaine!" "Don't think of her,"
Rejoin'd the Mago, "but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine." So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.

L.
"Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one."
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.

LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
"Pho! nonsense!" exclaim'd Hum, "now don't despair;
She does not mean it really. Cheer up, hearty -- there!

LII.
"And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!

LIII.
"Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small."

LIV.
"Ring the repeater, gentle Hum!" "'Tis five,"
Said the gentle Hum; "the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?"
"Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me." "That's for you,
Great Emperor! to adventure, like a lover true."

LV.
"I fetch her!" -- "Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning." "Hum! so soon?"
"Sire, you must be in Kent by twelve o'clock at noon."

LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
"Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey."

LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.

LVIII.
"Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *

LIX.
"What shall I do with that same book?" "Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more." "Or good or ill betide,
Through the wide air to Kent this morn I glide!"
Exclaim'd the Emperor. "When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!"

LX.
"Leave her to me," rejoin'd the magian:
"But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases."

LXI.
"Open the window, Hum; I'm ready now!"
Zooks!" exclaim'd Hum, as up the sash he drew.
"Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!" "Whew!
The monster's always after something new,"
Return'd his Highness, "they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot."

LXII.
"Wounds! how they shout!" said Hum, "and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines."

LXIII.
"Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style."
"If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!" "A little further yet,
Good Hum, and let me view this mighty coil."
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.

LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.

LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.

LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.

LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. "Ah, very grand!"
Cry'd Elfinan, and clos'd the window-blind;
"And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing."

LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- "Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!" -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!

LXIX.
"By'r Lady! he is gone!" cries Hum, "and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.

LXX.
"The Emperor's horrid bad; yes, that's my cue!"
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.

LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!

LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
"'Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.

LXXIII.
"Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.

LXXIV.
"From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.

LXXV.
"Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.

LXXVI.
"Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.

LXXVII.
"At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.

LXXVIII.
"Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.

LXXIX.
"She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.

LXXX.
"About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.

LXXXI.
"As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.

LXXXII.
"Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.

LXXXIII.
"And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.

LXXXIV.
"Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.

LXXXV.
"'Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Conges and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.

LXXXVI.
"Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.

LXXXVII.
"A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.

LXXXVIII.
"Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----"
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *
'Lord Houghton first gave this composition in the Life, Letters &c. (1848), and in Volume II, page 51, refers to it as "the last of Keats's literary labours." The poet says in a letter to Brown, written after the first attack of blood-spitting,
"I shall soon begin upon 'Lucy Vaughan Lloyd.' I do not begin composition yet, being willing, in case of a relapse, to have nothing to reproach myself with."
I presume, therefore, that the composition may be assigned to the Spring or Summer of 1820. In August of that year, Leigh Hunt seems to have had the manuscript in his hands, for, in the first part of his article on Coaches, which fills The Indicator for the 23rd of August 1820, he quotes four stanzas and four lines from the poem, as by "a very good poetess, of the name of Lucy V---- L----, who has favoured us with a sight of a manuscript poem," &c. The stanzas quoted are XXV to XXIX. Lord Houghton gives, in the Aldine Edition of 1876, the following note by Brown: --
"This Poem was written subject to future amendments and omissions: it was begun without a plan, and without any prescribed laws for the supernatural machinery."

His Lordship adds an interesting passage from a letter written to him by Lord Jeffrey: --
"There are beautiful passages and lines of ineffable sweetness in these minor pieces, and strange outbursts of individual fancy and felicitous expressions in the 'Cap and Bells,' though the general extravagance of the poetry is more suited to an Italian than to an English taste."
The late Dante Gabriel Rossetti wrote to me of this poem as "the only unworthy stuff Keats ever wrote except an early trifle or two," and again as "the to me hateful Cap and Bells." I confess that it seems to me entirely unworthy of Keats, though certainly a proof, if proof were needed, of his versatility. It has the character of a mere intellectual and mechanical exercise, performed at a time when those higher forces constituting the mainspring of poetry were exhausted; but even so I find it difficult to figure Keats as doing anything so aimless as this appears when regarded solely as an effort of the fancy. He probably had a satirical under-current of meaning; and it needs no great stretch of the imagination to see the illicit passion of Emperor Elfinan, and his detestation for his authorized bride-elect, an oblique glance at the martial relations of George IV.
It is not difficult to suggest prototypes for many of the faery-land statesmen against whom Elfinan vows vengeance; and there are many particulars in which earthly incidents are too thickly strewn to leave one in the settled belief that the poet's programme was wholly unearthly.--- H. B. F.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished
,
1405:Enoch Arden
Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.
Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.
A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.
76
But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home
For Annie: and so prosper'd that at last
A luckier or a bolder fisherman,
A carefuller in peril, did not breathe
For leagues along that breaker-beaten coast
Than Enoch. Likewise had he served a year
On board a merchantman, and made himself
Full sailor; and he thrice had pluck'd a life
From the dread sweep of the down-streaming seas:
And all me look'd upon him favorably:
And ere he touch'd his one-and-twentieth May
He purchased his own boat, and made a home
For Annie, neat and nestlike, halfway up
The narrow street that clamber'd toward the mill.
Then, on a golden autumn eventide,
The younger people making holiday,
With bag and sack and basket, great and small,
Went nutting to the hazels. Philip stay'd
(His father lying sick and needing him)
An hour behind; but as he climb'd the hill,
Just where the prone edge of the wood began
To feather toward the hollow, saw the pair,
Enoch and Annie, sitting hand-in-hand,
His large gray eyes and weather-beaten face
All-kindled by a still and sacred fire,
That burn'd as on an altar. Philip look'd,
And in their eyes and faces read his doom;
Then, as their faces drew together, groan'd,
And slipt aside, and like a wounded life
Crept down into the hollows of the wood;
There, while the rest were loud in merrymaking,
77
Had his dark hour unseen, and rose and past
Bearing a lifelong hunger in his heart.
So these were wed, and merrily rang the bells,
And merrily ran the years, seven happy years,
Seven happy years of health and competence,
And mutual love and honorable toil;
With children; first a daughter. In him woke,
With his first babe's first cry, the noble wish
To save all earnings to the uttermost,
And give his child a better bringing-up
Than his had been, or hers; a wish renew'd,
When two years after came a boy to be
The rosy idol of her solitudes,
While Enoch was abroad on wrathful seas,
Or often journeying landward; for in truth
Enoch's white horse, and Enoch's ocean-spoil
In ocean-smelling osier, and his face,
Rough-redden'd with a thousand winter gales,
Not only to the market-cross were known,
But in the leafy lanes behind the down,
Far as the portal-warding lion-whelp,
And peacock-yewtree of the lonely Hall,
Whose Friday fare was Enoch's ministering.
Then came a change, as all things human change.
Ten miles to northward of the narrow port
Open'd a larger haven: thither used
Enoch at times to go by land or sea;
And once when there, and clambering on a mast
In harbor, by mischance he slipt and fell:
A limb was broken when they lifted him;
And while he lay recovering there, his wife
Bore him another son, a sickly one:
Another hand crept too across his trade
Taking her bread and theirs: and on him fell,
Altho' a grave and staid God-fearing man,
Yet lying thus inactive, doubt and gloom.
He seem'd, as in a nightmare of the night,
To see his children leading evermore
Low miserable lives of hand-to-mouth,
And her, he loved, a beggar: then he pray'd
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`Save them from this, whatever comes to me.'
And while he pray'd, the master of that ship
Enoch had served in, hearing his mischance,
Came, for he knew the man and valued him,
Reporting of his vessel China-bound,
And wanting yet a boatswain. Would he go?
There yet were many weeks before she sail'd,
Sail'd from this port. Would Enoch have the place?
And Enoch all at once assented to it,
Rejoicing at that answer to his prayer.
So now that the shadow of mischance appear'd
No graver than as when some little cloud
Cuts off the fiery highway of the sun,
And isles a light in the offing: yet the wife-When he was gone--the children--what to do?
Then Enoch lay long-pondering on his plans;
To sell the boat--and yet he loved her well-How many a rough sea had he weather'd in her!
He knew her, as a horseman knows his horse-And yet to sell her--then with what she brought
Buy goods and stores--set Annie forth in trade
With all that seamen needed or their wives-So might she keep the house while he was gone.
Should he not trade himself out yonder? go
This voyage more than once? yea twice or thrice-As oft as needed--last, returning rich,
Become the master of a larger craft,
With fuller profits lead an easier life,
Have all his pretty young ones educated,
And pass his days in peace among his own.
Thus Enoch in his heart determined all:
Then moving homeward came on Annie pale,
Nursing the sickly babe, her latest-born.
Forward she started with a happy cry,
And laid the feeble infant in his arms;
Whom Enoch took, and handled all his limbs,
Appraised his weight and fondled fatherlike,
But had no heart to break his purposes
To Annie, till the morrow, when he spoke.
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Then first since Enoch's golden ring had girt
Her finger, Annie fought against his will:
Yet not with brawling opposition she,
But manifold entreaties, many a tear,
Many a sad kiss by day and night renew'd
(Sure that all evil would come out of it)
Besought him, supplicating, if he cared
For here or his dear children, not to go.
He not for his own self caring but her,
Her and her children, let her plead in vain;
So grieving held his will, and bore it thro'.
For Enoch parted with his old sea-friend,
Bought Annie goods and stores, and set his hand
To fit their little streetward sitting-room
With shelf and corner for the goods and stores.
So all day long till Enoch's last at home,
Shaking their pretty cabin, hammer and axe,
Auger and saw, while Annie seem'd to hear
Her own death-scaffold raising, shrill'd and rang,
Till this was ended, and his careful hand,-The space was narrow,--having order'd all
Almost as neat and close as Nature packs
Her blossom or her seedling, paused; and he,
Who needs would work for Annie to the last,
Ascending tired, heavily slept till morn.
And Enoch faced this morning of farewell
Brightly and boldly. All his Annie's fears,
Save, as his Annie's, were a laughter to him.
Yet Enoch as a brave God-fearing man
Bow'd himself down, and in that mystery
Where God-in-man is one with man-in-God,
Pray'd for a blessing on his wife and babes
Whatever came to him: and then he said
`Annie, this voyage by the grace of God
Will bring fair weather yet to all of us.
Keep a clean hearth and a clear fire for me,
For I'll be back, my girl, before you know it.'
Then lightly rocking baby's cradle `and he,
This pretty, puny, weakly little one,-Nay--for I love him all the better for it--
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God bless him, he shall sit upon my knees
And I will tell him tales of foreign parts,
And make him merry, when I come home again.
Come Annie, come, cheer up before I go.'
Him running on thus hopefully she heard,
And almost hoped herself; but when he turn'd
The current of his talk to graver things
In sailor fashion roughly sermonizing
On providence and trust in Heaven, she heard,
Heard and not heard him; as the village girl,
Who sets her pitcher underneath the spring,
Musing on him that used to fill it for her,
Hears and not hears, and lets it overflow.
At length she spoke `O Enoch, you are wise;
And yet for all your wisdom well know I
That I shall look upon your face no more.'
`Well then,' said Enoch, `I shall look on yours.
Annie, the ship I sail in passes here
(He named the day) get you a seaman's glass,
Spy out my face, and laugh at all your fears.'
But when the last of those last moments came,
`Annie my girl, cheer up, be comforted,
Look to the babes, and till I come again,
Keep everything shipshape, for I must go.
And fear no more for me; or if you fear
Cast all your cares on God; that anchor holds.
Is He not yonder in those uttermost
Parts of the morning? if I flee to these
Can I go from Him? and the sea is His,
The sea is His: He made it.'
Enoch rose,
Cast his strong arms about his drooping wife,
And kiss'd his wonder-stricken little ones;
But for the third, sickly one, who slept
After a night of feverous wakefulness,
When Annie would have raised him Enoch said
`Wake him not; let him sleep; how should this child
81
Remember this?' and kiss'ed him in his cot.
But Annie from her baby's forehead clipt
A tiny curl, and gave it: this he kept
Thro' all his future; but now hastily caught
His bundle, waved his hand, and went his way.
She when the day, that Enoch mention'd, came,
Borrow'd a glass, but all in vain: perhaps
She could not fix the glass to suit her eye;
Perhaps her eye was dim, hand tremulous;
She saw him not: and while he stood on deck
Waving, the moment and the vessel past.
Ev'n to the last dip of the vanishing sail
She watch'd it, and departed weeping for him;
Then, tho' she mourn'd his absence as his grave,
Set her sad will no less to chime with his,
But throve not in her trade, not being bred
To barter, nor compensating the want
By shrewdness, neither capable of lies,
Nor asking overmuch and taking less,
And still foreboding `what would Enoch say?'
For more than once, in days of difficulty
And pressure, had she sold her wares for less
Than what she gave in buying what she sold:
She fail'd and sadden'd knowing it; and thus,
Expectant of that news that never came,
Gain'd for here own a scanty sustenance,
And lived a life of silent melancholy.
Now the third child was sickly-born and grew
Yet sicklier, tho' the mother cared for it
With all a mother's care: nevertheless,
Whether her business often call'd her from it,
Or thro' the want of what it needed most,
Or means to pay the voice who best could tell
What most it needed--howsoe'er it was,
After a lingering,--ere she was aware,-Like the caged bird escaping suddenly,
The little innocent soul flitted away.
In that same week when Annie buried it,
82
Philip's true heart, which hunger'd for her peace
(Since Enoch left he had not look'd upon her),
Smote him, as having kept aloof so long.
`Surely' said Philip `I may see her now,
May be some little comfort;' therefore went,
Past thro' the solitary room in front,
Paused for a moment at an inner door,
Then struck it thrice, and, no one opening,
Enter'd; but Annie, seated with her grief,
Fresh from the burial of her little one,
Cared not to look on any human face,
But turn'd her own toward the wall and wept.
Then Philip standing up said falteringly
`Annie, I came to ask a favor of you.'
He spoke; the passion in her moan'd reply
`Favor from one so sad and so forlorn
As I am!' half abash'd him; yet unask'd,
His bashfulness and tenderness at war,
He set himself beside her, saying to her:
`I came to speak to you of what he wish'd,
Enoch, your husband: I have ever said
You chose the best among us--a strong man:
For where he fixt his heart he set his hand
To do the thing he will'd, and bore it thro'.
And wherefore did he go this weary way,
And leave you lonely? not to see the world-For pleasure?--nay, but for the wherewithal
To give his babes a better bringing-up
Than his had been, or yours: that was his wish.
And if he come again, vext will he be
To find the precious morning hours were lost.
And it would vex him even in his grave,
If he could know his babes were running wild
Like colts about the waste. So Annie, now-Have we not known each other all our lives?
I do beseech you by the love you bear
Him and his children not to say me nay-For, if you will, when Enoch comes again
Why then he shall repay me--if you will,
Annie--for I am rich and well-to-do.
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Now let me put the boy and girl to school:
This is the favor that I came to ask.'
Then Annie with her brows against the wall
Answer'd `I cannot look you in the face;
I seem so foolish and so broken down.
When you came in my sorrow broke me down;
And now I think your kindness breaks me down;
But Enoch lives; that is borne in on me:
He will repay you: money can be repaid;
Not kindness such as yours.'
And Philip ask'd
`Then you will let me, Annie?'
There she turn'd,
She rose, and fixt her swimming eyes upon him,
And dwelt a moment on his kindly face,
Then calling down a blessing on his head
Caught at his hand and wrung it passionately,
And past into the little garth beyond.
So lifted up in spirit he moved away.
Then Philip put the boy and girl to school,
And bought them needful books, and everyway,
Like one who does his duty by his own,
Made himself theirs; and tho' for Annie's sake,
Fearing the lazy gossip of the port,
He oft denied his heart his dearest wish,
And seldom crost her threshold, yet he sent
Gifts by the children, garden-herbs and fruit,
The late and early roses from his wall,
Or conies from the down, and now and then,
With some pretext of fineness in the meal
To save the offence of charitable, flour
From his tall mill that whistled on the waste.
But Philip did not fathom Annie's mind:
Scarce could the woman when he came upon her,
Out of full heart and boundless gratitude
Light on a broken word to thank him with.
But Philip was her children's all-in-all;
84
From distant corners of the street they ran
To greet his hearty welcome heartily;
Lords of his house and of his mill were they;
Worried his passive ear with petty wrongs
Or pleasures, hung upon him, play'd with him
And call'd him Father Philip. Philip gain'd
As Enoch lost; for Enoch seem'd to them
Uncertain as a vision or a dream,
Faint as a figure seen in early dawn
Down at the far end of an avenue,
Going we know not where: and so ten years,
Since Enoch left his hearth and native land,
Fled forward, and no news of Enoch came.
It chanced one evening Annie's children long'd
To go with others, nutting to the wood,
And Annie would go with them; then they begg'd
For Father Philip (as they call'd him) too:
Him, like the working bee in blossom-dust,
Blanch'd with his mill, they found; and saying to him
`Come with us Father Philip' he denied;
But when the children pluck'd at him to go,
He laugh'd, and yielding readily to their wish,
For was not Annie with them? and they went.
But after scaling half the weary down,
Just where the prone edge of the wood began
To feather toward the hollow, all her force
Fail'd her; and sighing `let me rest' she said.
So Philip rested with her well-content;
While all the younger ones with jubilant cries
Broke from their elders, and tumultuously
Down thro' the whitening hazels made a plunge
To the bottom, and dispersed, and beat or broke
The lithe reluctant boughs to tear away
Their tawny clusters, crying to each other
And calling, here and there, about the wood.
But Philip sitting at her side forgot
Her presence, and remember'd one dark hour
Here in this wood, when like a wounded life
He crept into the shadow: at last he said
85
Lifting his honest forehead `Listen, Annie,
How merry they are down yonder in the wood.'
`Tired, Annie?' for she did not speak a word.
`Tired?' but her face had fall'n upon her hands;
At which, as with a kind anger in him,
`The ship was lost' he said `the ship was lost!
No more of that! why should you kill yourself
And make them orphans quite?' And Annie said
`I thought not of it: but--I known not why-Their voices make me feel so solitary.'
Then Philip coming somewhat closer spoke.
`Annie, there is a thing upon my mind,
And it has been upon my mind so long,
That tho' I know not when it first came there,
I know that it will out at last. O Annie,
It is beyond all hope, against all chance,
That he who left you ten long years ago
Should still be living; well then--let me speak:
I grieve to see you poor and wanting help:
I cannot help you as I wish to do
Unless--they say that women are so quick-Perhaps you know what I would have you know-I wish you for my wife. I fain would prove
A father to your children: I do think
They love me as a father: I am sure
That I love them as if they were mine own;
And I believe, if you were fast my wife,
That after all these sad uncertain years,
We might be still as happy as God grants
To any of His creatures. Think upon it:
For I am well-to-do--no kin, no care,
No burthen, save my care for you and yours:
And we have known each other all our lives,
And I have loved you longer than you know.'
Then answer'd Annie; tenderly she spoke:
`You have been as God's good angel in our house.
God bless you for it, God reward you for it,
Philip, with something happier than myself.
Can one live twice? can you be ever loved
As Enoch was? what is it that you ask?'
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`I am content' he answer'd `to be loved
A little after Enoch.' `O' she cried
Scared as it were `dear Philip, wait a while:
If Enoch comes--but Enoch will not come-Yet wait a year, a year is not so long:
Surely I shall be wiser in a year:
O wait a little!' Philip sadly said
`Annie, as I have waited all my life
I well may wait a little.' `Nay' she cried
`I am bound: you have my promise--in a year:
Will you not bide your year as I bide mine?'
And Philip answer'd `I will bide my year.'
Here both were mute, till Philip glancing up
Beheld the dead flame of the fallen day
Pass from the Danish barrow overhead;
Then fearing night and chill for Annie rose,
And sent his voice beneath him thro' the wood.
Up came the children laden with their spoil;
Then all descended to the port, and there
At Annie's door he paused and gave his hand,
Saying gently `Annie, when I spoke to you,
That was your hour of weakness. I was wrong.
I am always bound to you, but you are free.'
Then Annie weeping answer'd `I am bound.'
She spoke; and in one moment as it were,
While yet she went about her household ways,
Ev'n as she dwelt upon his latest words,
That he had loved her longer than she knew,
That autumn into autumn flash'd again,
And there he stood once more before her face,
Claiming her promise. `Is it a year?' she ask'd.
`Yes, if the nuts' he said `be ripe again:
Come out and see.' But she--she put him off-So much to look to--such a change--a month-Give her a month--she knew that she was bound-A month--no more. Then Philip with his eyes
Full of that lifelong hunger, and his voice
Shaking a little like a drunkard's hand,
`Take your own time, Annie, take your own time.'
And Annie could have wept for pity of him;
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And yet she held him on delayingly
With many a scarce-believable excuse,
Trying his truth and his long-sufferance,
Till half-another year had slipt away.
By this the lazy gossips of the port,
Abhorrent of a calculation crost,
Began to chafe as at a personal wrong.
Some thought that Philip did but trifle with her;
Some that she but held off to draw him on;
And others laugh'd at her and Philip too,
As simple folks that knew not their own minds;
And one, in whom all evil fancies clung
Like serpent eggs together, laughingly
Would hint a worse in either. Her own son
Was silent, tho' he often look'd his wish;
But evermore the daughter prest upon her
To wed the man so dear to all of them
And lift the household out of poverty;
And Philip's rosy face contracting grew
Careworn and wan; and all these things fell on her
Sharp as reproach.
At last one night it chanced
That Annie could not sleep, but earnestly
Pray'd for a sign `my Enoch is he gone?'
Then compass'd round by the blind wall of night
Brook'd not the expectant terror of her heart,
Started from bed, and struck herself a light,
Then desperately seized the holy Book,
Suddenly set it wide to find a sign,
Suddenly put her finger on the text,
`Under a palmtree.' That was nothing to her:
No meaning there: she closed the book and slept:
When lo! her Enoch sitting on a height,
Under a palmtree, over him the Sun:
`He is gone' she thought `he is happy, he is singing
Hosanna in the highest: yonder shines
The Sun of Righteousness, and these be palms
Whereof the happy people strowing cried
"Hosanna in the highest!"' Here she woke,
Resolved, sent for him and said wildly to him
88
`There is no reason why we should not wed.'
`Then for God's sake,' he answer'd, `both our sakes,
So you will wed me, let it be at once.'
So these were wed and merrily rang the bells,
Merrily rang the bells and they were wed.
But never merrily beat Annie's heart.
A footstep seem'd to fall beside her path,
She knew not whence; a whisper in her ear,
She knew not what; nor loved she to be left
Alone at home, nor ventured out alone.
What ail'd her then, that ere she enter'd, often
Her hand dwelt lingeringly on the latch,
Fearing to enter: Philip thought he knew:
Such doubts and fears were common to her state,
Being with child: but when her child was born,
Then her new child was as herself renew'd,
Then the new mother came about her heart,
Then her good Philip was her all-in-all,
And that mysterious instinct wholly died.
And where was Enoch? prosperously sail'd
The ship `Good Fortune,' tho' at setting forth
The Biscay, roughly ridging eastward, shook
And almost overwhelm'd her, yet unvext
She slipt across the summer of the world,
Then after a long tumble about the Cape
And frequent interchange of foul and fair,
She passing thro' the summer world again,
The breath of heaven came continually
And sent her sweetly by the golden isles,
Till silent in her oriental haven.
There Enoch traded for himself, and bought
Quaint monsters for the market of those times,
A gilded dragon, also, for the babes.
Less lucky her home-voyage: at first indeed
Thro' many a fair sea-circle, day by day,
Scarce-rocking, her full-busted figure-head
Stared o'er the ripple feathering from her bows:
Then follow'd calms, and then winds variable,
89
Then baffling, a long course of them; and last
Storm, such as drove her under moonless heavens
Till hard upon the cry of `breakers' came
The crash of ruin, and the loss of all
But Enoch and two others. Half the night,
Buoy'd upon floating tackle and broken spars,
These drifted, stranding on an isle at morn
Rich, but loneliest in a lonely sea.
No want was there of human sustenance,
Soft fruitage, mighty nuts, and nourishing roots;
Nor save for pity was it hard to take
The helpless life so wild that it was tame.
There in a seaward-gazing mountain-gorge
They built, and thatch'd with leaves of palm, a hut,
Half hut, half native cavern. So the three,
Set in this Eden of all plenteousness,
Dwelt with eternal summer, ill-content.
For one, the youngest, hardly more than boy,
Hurt in that night of sudden ruin and wreck,
Lay lingering out a three-years' death-in-life.
They could not leave him. After he was gone,
The two remaining found a fallen stem;
And Enoch's comrade, careless of himself,
Fire-hollowing this in Indian fashion, fell
Sun-stricken, and that other lived alone.
In those two deaths he read God's warning `wait.'
The mountain wooded to the peak, the lawns
And winding glades high up like ways to Heaven,
The slender coco's drooping crown of plumes,
The lightning flash of insect and of bird,
The lustre of the long convolvuluses
That coil'd around the stately stems, and ran
Ev'n to the limit of the land, the glows
And glories of the broad belt of the world,
All these he saw; but what he fain had seen
He could not see, the kindly human face,
Nor ever hear a kindly voice, but heard
The myriad shriek of wheeling ocean-fowl,
The league-long roller thundering on the reef,
90
The moving whisper of huge trees that branch'd
And blossom'd in the zenith, or the sweep
Of some precipitous rivulet to the wave,
As down the shore he ranged, or all day long
Sat often in the seaward-gazing gorge,
A shipwreck'd sailor, waiting for a sail:
No sail from day to day, but every day
The sunrise broken into scarlet shafts
Among the palms and ferns and precipices;
The blaze upon the waters to the east;
The blaze upon his island overhead;
The blaze upon the waters to the west;
Then the great stars that globed themselves in Heaven,
The hollower-bellowing ocean, and again
The scarlet shafts of sunrise--but no sail.
There often as he watch'd or seem'd to watch,
So still, the golden lizard on him paused,
A phantom made of many phantoms moved
Before him haunting him, or he himself
Moved haunting people, things and places, known
Far in a darker isle beyond the line;
The babes, their babble, Annie, the small house,
The climbing street, the mill, the leafy lanes,
The peacock-yewtree and the lonely Hall,
The horse he drove, the boat he sold, the chill
November dawns and dewy-glooming downs,
The gentle shower, the smell of dying leaves,
And the low moan of leaden-color'd seas.
Once likewise, in the ringing of his ears,
Tho' faintly, merrily--far and far away-He heard the pealing of his parish bells;
Then, tho' he knew not wherefore, started up
Shuddering, and when the beauteous hateful isle
Return'd upon him, had not his poor heart
Spoken with That, which being everywhere
Lets none, who speaks with Him, seem all alone,
Surely the man had died of solitude.
Thus over Enoch's early-silvering head
The sunny and rainy seasons came and went
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Year after year. His hopes to see his own,
And pace the sacred old familiar fields,
Not yet had perish'd, when his lonely doom
Came suddenly to an end. Another ship
(She wanted water) blown by baffling winds,
Like the Good Fortune, from her destined course,
Stay'd by this isle, not knowing where she lay:
For since the mate had seen at early dawn
Across a break on the mist-wreathen isle
The silent water slipping from the hills,
They sent a crew that landing burst away
In search of stream or fount, and fill'd the shores
With clamor. Downward from his mountain gorge
Stept the long-hair'd long-bearded solitary,
Brown, looking hardly human, strangely clad,
Muttering and mumbling, idiotlike it seem'd,
With inarticulate rage, and making signs
They knew not what: and yet he led the way
To where the rivulets of sweet water ran;
And ever as he mingled with the crew,
And heard them talking, his long-bounden tongue
Was loosen'd, till he made them understand;
Whom, when their casks were fill'd they took aboard:
And there the tale he utter'd brokenly,
Scarce credited at first but more and more,
Amazed and melted all who listen'd to it:
And clothes they gave him and free passage home;
But oft he work'd among the rest and shook
His isolation from him. None of these
Came from his county, or could answer him,
If question'd, aught of what he cared to know.
And dull the voyage was with long delays,
The vessel scarce sea-worthy; but evermore
His fancy fled before the lazy wind
Returning, till beneath a clouded moon
He like a lover down thro' all his blood
Drew in the dewy meadowy morning-breath
Of England, blown across her ghostly wall:
And that same morning officers and men
Levied a kindly tax upon themselves,
Pitying the lonely man, and gave him it:
Then moving up the coast they landed him,
92
Ev'n in that harbor whence he sail'd before.
There Enoch spoke no word to anyone,
But homeward--home--what home? had he a home?
His home, he walk'd. Bright was that afternoon,
Sunny but chill; till drawn thro' either chasm,
Where either haven open'd on the deeps,
Roll'd a sea-haze and whelm'd the world in gray;
Cut off the length of highway on before,
And left but narrow breadth to left and right
Of wither'd holt or tilth or pasturage.
On the nigh-naked tree the Robin piped
Disconsolate, and thro' the dripping haze
The dead weight of the dead leaf bore it down.
Thicker the drizzle grew, deeper the gloom;
Last, as it seem'd, a great mist-blotted light
Flared on him, and he came upon the place.
Then down the long street having slowly stolen,
His heart foreshadowing all calamity,
His eyes upon the stones, he reach'd the home
Where Annie lived and loved him, and his babes
In those far-off seven happy years were born;
But finding neither light nor murmur there
(A bill of sale gleam'd thro' the drizzle) crept
Still downward thinking `dead or dead to me!'
Down to the pool and narrow wharf he went,
Seeking a tavern which of old he knew,
A front of timber-crost antiquity,
So propt, worm-eaten, ruinously old,
He thought it must have gone; but he was gone
Who kept it; and his widow, Miriam Lane,
With daily-dwindling profits held the house;
A haunt of brawling seamen once, but now
Stiller, with yet a bed for wandering men.
There Enoch rested silently many days.
But Miriam Lane was good and garrulous,
Nor let him be, but often breaking in,
Told him, with other annals of the port,
Not knowing--Enoch was so brown, so bow'd,
93
So broken--all the story of his house.
His baby's death, her growing poverty,
How Philip put her little ones to school,
And kept them in it, his long wooing her,
Her slow consent, and marriage, and the birth
Of Philip's child: and o'er his countenance
No shadow past, nor motion: anyone,
Regarding, well had deem'd he felt the tale
Less than the teller: only when she closed
`Enoch, poor man, was cast away and lost'
He, shaking his gray head pathetically,
Repeated muttering `cast away and lost;'
Again in deeper inward whispers `lost!'
But Enoch yearn'd to see her face again;
`If I might look on her sweet face gain
And know that she is happy.' So the thought
Haunted and harass'd him, and drove him forth,
At evening when the dull November day
Was growing duller twilight, to the hill.
There he sat down gazing on all below;
There did a thousand memories roll upon him,
Unspeakable for sadness. By and by
The ruddy square of comfortable light,
Far-blazing from the rear of Philip's house,
Allured him, as the beacon-blaze allures
The bird of passage, till he madly strikes
Against it, and beats out his weary life.
For Philip's dwelling fronted on the street,
The latest house to landward; but behind,
With one small gate that open'd on the waste,
Flourish'd a little garden square and wall'd:
And in it throve an ancient evergreen,
A yewtree, and all round it ran a walk
Of shingle, and a walk divided it:
But Enoch shunn'd the middle walk and stole
Up by the wall, behind the yew; and thence
That which he better might have shunn'd, if griefs
Like his have worse or better, Enoch saw.
For cups and silver on the burnish'd board
94
Sparkled and shone; so genial was the hearth:
And on the right hand of the hearth he saw
Philip, the slighted suitor of old times,
Stout, rosy, with his babe across his knees;
And o'er her second father stoopt a girl,
A later but a loftier Annie Lee,
Fair-hair'd and tall, and from her lifted hand
Dangled a length of ribbon and a ring
To tempt the babe, who rear'd his creasy arms,
Caught at and ever miss'd it, and they laugh'd:
And on the left hand of the hearth he saw
The mother glancing often toward her babe,
But turning now and then to speak with him,
Her son, who stood beside her tall and strong,
And saying that which pleased him, for he smiled.
Now when the dead man come to life beheld
His wife his wife no more, and saw the babe
Hers, yet not his, upon the father's knee,
And all the warmth, the peace, the happiness,
And his own children tall and beautiful,
And him, that other, reigning in his place,
Lord of his rights and of his children's love,-Then he, tho' Miriam Lane had told him all,
Because things seen are mightier than things heard,
Stagger'd and shook, holding the branch, and fear'd
To send abroad a shrill and terrible cry,
Which in one moment, like the blast of doom,
Would shatter all the happiness of the hearth.
He therefore turning softly like a thief,
Lest the harsh shingle should grate underfoot,
And feeling all along the garden-wall,
Lest he should swoon and tumble and be found,
Crept to the gate, and open'd it, and closed,
As lightly as a sick man's chamber-door,
Behind him, and came out upon the waste.
And there he would have knelt, but that his knees
Were feeble, so that falling prone he dug
His fingers into the wet earth, and pray'd.
95
`Too hard to bear! why did they take me hence?
O God Almighty, blessed Saviour, Thou
That didst uphold me on my lonely isle,
Uphold me, Father, in my loneliness
A little longer! aid me, give me strength
Not to tell her, never to let her know.
Help me no to break in upon her peace.
My children too! must I not speak to these?
They know me not. I should betray myself.
Never: not father's kiss for me--the girl
So like her mother, and the boy, my son.'
There speech and thought and nature fail'd a little,
And he lay tranced; but when he rose and paced
Back toward his solitary home again,
All down the long and narrow street he went
Beating it in upon his weary brain,
As tho' it were the burthen of a song,
`Not to tell her, never to let her know.'
He was not all unhappy. His resolve
Upbore him, and firm faith, and evermore
Prayer from a living source within the will,
And beating up thro' all the bitter world,
Like fountains of sweet water in the sea,
Kept him a living soul. `This miller's wife'
He said to Miriam `that you told me of,
Has she no fear that her first husband lives?'
`Ay ay, poor soul' said Miriam, `fear enow!
If you could tell her you had seen him dead,
Why, that would be her comfort;' and he thought
`After the Lord has call'd me she shall know,
I wait His time' and Enoch set himself,
Scorning an alms, to work whereby to live.
Almost to all things could he turn his hand.
Cooper he was and carpenter, and wrought
To make the boatmen fishing-nets, or help'd
At lading and unlading the tall barks,
That brought the stinted commerce of those days;
Thus earn'd a scanty living for himself:
Yet since he did but labor for himself,
Work without hope, there was not life in it
96
Whereby the man could live; and as the year
Roll'd itself round again to meet the day
When Enoch had return'd, a languor came
Upon him, gentle sickness, gradually
Weakening the man, till he could do no more,
But kept the house, his chair, and last his bed.
And Enoch bore his weakness cheerfully.
For sure no gladlier does the stranded wreck
See thro' the gray skirts of a lifting squall
The boat that bears the hope of life approach
To save the life despair'd of, than he saw
Death dawning on him, and the close of all.
For thro' that dawning gleam'd a kindlier hope
On Enoch thinking `after I am gone,
Then may she learn I loved her to the last.'
He call'd aloud for Miriam Lane and said
`Woman, I have a secret--only swear,
Before I tell you--swear upon the book
Not to reveal it, till you see me dead.'
`Dead' clamor'd the good woman `hear him talk!
I warrant, man, that we shall bring you round.'
`Swear' add Enoch sternly `on the book.'
And on the book, half-frighted, Miriam swore.
Then Enoch rolling his gray eyes upon her,
`Did you know Enoch Arden of this town?'
`Know him?' she said `I knew him far away.
Ay, ay, I mind him coming down the street;
Held his head high, and cared for no man, he.'
Slowly and sadly Enoch answer'd her;
`His head is low, and no man cares for him.
I think I have not three days more to live;
I am the man.' At which the woman gave
A half-incredulous, half-hysterical cry.
`You Arden, you! nay,--sure he was a foot
Higher than you be.' Enoch said again
`My God has bow'd me down to what I am;
My grief and solitude have broken me;
Nevertheless, know that I am he
Who married--but that name has twice been changed-I married her who married Philip Ray.
Sit, listen.' Then he told her of his voyage,
97
His wreck, his lonely life, his coming back,
His gazing in on Annie, his resolve,
And how he kept it. As the woman heard,
Fast flow'd the current of her easy tears,
While in her heart she yearn'd incessantly
To rush abroad all round the little haven,
Proclaiming Enoch Arden and his woes;
But awed and promise-bounded she forbore,
Saying only `See your bairns before you go!
Eh, let me fetch 'em, Arden,' and arose
Eager to bring them down, for Enoch hung
A moment on her words, but then replied.
`Woman, disturb me not now at the last,
But let me hold my purpose till I die.
Sit down again; mark me and understand,
While I have power to speak. I charge you now,
When you shall see her, tell her that I died
Blessing her, praying for her, loving her;
Save for the bar between us, loving her
As when she laid her head beside my own.
And tell my daughter Annie, whom I saw
So like her mother, that my latest breath
Was spent in blessing her and praying for her.
And tell my son that I died blessing him.
And say to Philip that I blest him too;
He never meant us any thing but good.
But if my children care to see me dead,
Who hardly saw me living, let them come,
I am their father; but she must not come,
For my dead face would vex her after-life.
And now there is but one of all my blood,
Who will embrace me in the world-to-be:
This hair is his: she cut it off and gave it,
And I have borne it with me all these years,
And thought to bear it with me to my grave;
But now my mind is changed, for I shall see him,
My babe in bliss: wherefore when I am gone,
Take, give her this, for it may comfort her:
It will moreover be a token to her,
That I am he.'
98
He ceased; and Miriam Lane
Made such a voluble answer promising all,
That once again he roll'd his eyes upon her
Repeating all he wish'd, and once again
She promised.
Then the third night after this,
While Enoch slumber'd motionless and pale,
And Miriam watch'd and dozed at intervals,
There came so loud a calling of the sea,
That all the houses in the haven rang.
He woke, he rose, he spread his arms abroad
Crying with a loud voice `a sail! a sail!
I am saved'; and so fell back and spoke no more.
So past the strong heroic soul away.
And when they buried him the little port
Had seldom seen a costlier funeral.
~ Alfred Lord Tennyson,
1406:DRAMATIS PERSONAE
King Charles I.
Queen Henrietta.
Laud, Archbishop of Canterbury.
Wentworth, Earl of Strafford.
Lord Cottington.
Lord Weston.
Lord Coventry.
Williams, Bishop of Lincoln.
Secretary Lyttelton.
Juxon.
St. John.
Archy, the Court Fool.
Hampden.
Pym.
Cromwell.
Cromwell's Daughter.
Sir Harry Vane the younger.
Leighton.
Bastwick.
Prynne.
Gentlemen of the Inns of Court, Citizens, Pursuivants, Marshalsmen, Law Students, Judges, Clerk.

Scene I.
---The Masque of the Inns of Court.
A Pursuivant.
Place, for the Marshal of the Masque!
First Citizen.
What thinkest thou of this quaint masque which turns,
Like morning from the shadow of the night,
The night to day, and London to a place
Of peace and joy?
Second Citizen.
         And Hell to Heaven.
Eight years are gone,
And they seem hours, since in this populous street
I trod on grass made green by summer's rain,
For the red plague kept state within that palace
Where now that vanity reigns. In nine years more
The roots will be refreshed with civil blood;
And thank the mercy of insulted Heaven
That sin and wrongs wound, as an orphan's cry,
The patience of the great Avenger's ear.
A Youth.
Yet, father, 'tis a happy sight to see,
Beautiful, innocent, and unforbidden
By God or man;'tis like the bright procession
Of skiey visions in a solemn dream
From which men wake as from a Paradise,
And draw new strength to tread the thorns of life.
If God be good, wherefore should this be evil?
And if this be not evil, dost thou not draw
Unseasonable poison from the flowers
Which bloom so rarely in this barren world?
Oh, kill these bitter thoughts which make the present
Dark as the future!. . .
When Avarice and Tyranny, vigilant Fear,
And open-eyed Conspiracy lie sleeping
As on Hell's threshold; and all gentle thoughts
Waken to worship Him who giveth joys
With His own gift.
Second Citizen.
How young art thou in this old age of time!
How green in this gray world? Canst thou discern
The signs of seasons, yet perceive no hint
Of change in that stage-scene in which thou art
Not a spectator but an actor? or
Art thou a puppet moved by [enginery]?
The day that dawns in fire will die in storms,
Even though the noon be calm. My travel's done,
Before the whirlwind wakes I shall have found
My inn of lasting rest; but thou must still
Be journeying on in this inclement air.
Wrap thy old cloak about thy back;
Nor leave the broad and plain and beaten road,
Although no flowers smile on the trodden dust,
For the violet paths of pleasure. This Charles the First
Rose like the equinoctial sun, . . .
By vapours, through whose threatening ominous veil
Darting his altered influence he has gained
This height of noonfrom which he must decline
Amid the darkness of conflicting storms,
To dank extinction and to latest night . . .
There goes
The apostate Strafford; he whose titles
whispered aphorisms
From Machiavel and Bacon: and, if Judas
Had been as brazen and as bold as he
First Citizen.
                     That
Is the Archbishop.
Second Citizen.
          Rather say the Pope:
London will be soon his Rome: he walks
As if he trod upon the heads of men:
He looks elate, drunken with blood and gold;
Beside him moves the Babylonian woman
Invisibly, and with her as with his shadow,
Mitred adulterer! he is joined in sin,
Which turns Heaven's milk of mercy to revenge.
Third Citizen
(lifting up his eyes).
Good Lord! rain it down upon him! . . .
Amid her ladies walks the papist queen,
As if her nice feet scorned our English earth.
The Canaanitish Jezebel! I would be
A dog if I might tear her with my teeth!
There's old Sir Henry Vane, the Earl of Pembroke,
Lord Essex, and Lord Keeper Coventry,
And others who make base their English breed
By vile participation of their honours
With papists, atheists, tyrants, and apostates.
When lawyers masque 'tis time for honest men
To strip the vizor from their purposes.
A seasonable time for masquers this!
When Englishmen and Protestants should sit
. . . dust on their dishonoured heads,
To avert the wrath of Him whose scourge is felt
For the great sins which have drawn down from Heaven
. . . and foreign overthrow.
The remnant of the martyred saints in Rochefort
Have been abandoned by their faithless allies
To that idolatrous and adulterous torturer
Lewis of France,the Palatinate is lost Enter Leighton (who has been branded in the face) and Bastwick.
Canst thou be -- art thou? --

Leighton.
              I was Leighton: what
I am thou seest. And yet turn thine eyes,
And with thy memory look on thy friend's mind,
Which is unchanged, and where is written deep
The sentence of my judge.

Third Citizen.
              Are these the marks with which
Laud thinks to improve the image of his Maker
Stamped on the face of man? Curses upon him,
The impious tyrant!

Second Citizen.
          It is said besides
That lewd and papist drunkards may profane
The Sabbath with their...
And has permitted that most heathenish custom
Of dancing round a pole dressed up with wreaths
On May-day.
A man who thus twice crucifies his God
May well...his brother.In my mind, friend,
The root of all this ill is prelacy.
I would cut up the root.

Third Citizen.
             And by what means?

Second Citizen.
Smiting each Bishop under the fifth rib.

Third Citizen.
You seem to know the vulnerable place
Of these same crocodiles.

Second Citizen.
              I learnt it in
Egyptian bondage, sir. Your worm of Nile
Betrays not with its flattering tears like they;
For, when they cannot kill, they whine and weep.
Nor is it half so greedy of men's bodies
As they of soul and all; nor does it wallow
In slime as they in simony and lies
And close lusts of the flesh.

A Marshalsman.
                Give place, give place!
You torch-bearers, advance to the great gate,
And then attend the Marshal of the Masque
Into the Royal presence.

A Law Student.
             What thinkest thou
Of this quaint show of ours, my agd friend?
Even now we see the redness of the torches
Inflame the night to the eastward, and the clarions
[Gasp?] to us on the wind's wave. It comes!
And their sounds, floating hither round the pageant,
Rouse up the astonished air.

First Citizen.
I will not think but that our country's wounds
May yet be healed. The king is just and gracious,
Though wicked counsels now pervert his will:
These once cast off

Second Citizen.
           As adders cast their skins
And keep their venom, so kings often change;
Councils and counsellors hang on one another,
Hiding the loathsome
Like the base patchwork of a leper's rags.

The Youth.
Oh, still those dissonant thoughts!List how the music
Grows on the enchanted air! And see, the torches
Restlessly flashing, and the crowd divided
Like waves before an admiral's prow!

A Marshalsman.
                    Give place
To the Marshal of the Masque!

A Pursuivant.
                Room for the King!

The Youth.
How glorious! See those thronging chariots
Rolling, like painted clouds before the wind,
Behind their solemn steeds: how some are shaped
Like curved sea-shells dyed by the azure depths
Of Indian seas; some like the new-born moon;
And some like cars in which the Romans climbed
(Canopied by Victory's eagle-wings outspread)
The CapitolianSee how gloriously
The mettled horses in the torchlight stir
Their gallant riders, while they check their pride,
Like shapes of some diviner element
Than English air, and beings nobler than
The envious and admiring multitude.

Second Citizen.
Ay, there they are
Nobles, and sons of nobles, patentees,
Monopolists, and stewards of this poor farm,
On whose lean sheep sit the prophetic crows,
Here is the pomp that strips the houseless orphan,
Here is the pride that breaks the desolate heart.
These are the lilies glorious as Solomon,
Who toil not, neither do they spin,unless
It be the webs they catch poor rogues withal.
Here is the surfeit which to them who earn
The ****rd wages of the earth, scarce leaves
The tithe that will support them till they crawl
Back to her cold hard bosom. Here is health
Followed by grim disease, glory by shame,
Waste by lame famine, wealth by squalid want,
And England's sin by England's punishment.
And, as the effect pursues the cause foregone,
Lo, giving substance to my words, behold
At once the sign and the thing signified
A troop of cripples, beggars, and lean outcasts,
Horsed upon stumbling jades, carted with dung,
Dragged for a day from cellars and low cabins
And rotten hiding-holes, to point the moral
Of this presentment, and bring up the rear
Of painted pomp with misery!

The Youth.
               'Tis but
The anti-masque, and serves as discords do
In sweetest music. Who would love May flowers
If they succeeded not to Winter's flaw;
Or day unchanged by night; or joy itself
Without the touch of sorrow?

Second Citizen.
               I and thou

A Marshalsman.
Place, give place!

Scene II.
A Chamber in Whitehall. Enter the King, Queen, Laud, Lord Strafford, Lord Cottington, and other Lords;Archy ; also St. John, with some Gentlemen of the Inns of Court.

King.
Thanks, gentlemen. I heartily accept
This token of your service: your gay masque
Was performed gallantly. And it shows well
When subjects twine such flowers of [observance?]
With the sharp thorns that deck the English crown.
A gentle heart enjoys what it confers,
Even as it suffers that which it inflicts,
Though Justice guides the stroke.
Accept my hearty thanks.

Queen.
             And gentlemen,
Call your poor Queen your debtor. Your quaint pageant
Rose on me like the figures of past years,
Treading their still path back to infancy,
More beautiful and mild as they draw nearer
The quiet cradle. I could have almost wept
To think I was in Paris, where these shows
Are well devisedsuch as I was ere yet
My young heart shared a portion of the burthen,
The careful weight, of this great monarchy.
There, gentlemen, between the sovereign's pleasure
And that which it regards, no clamour lifts
Its proud interposition.
In Paris ribald censurers dare not move
Their poisonous tongues against these sinless sports;
And his smile
Warms those who bask in it, as ours would do
If...Take my heart's thanks: add them, gentlemen,
To those good words which, were he King of France,
My royal lord would turn to golden deeds.

St. John.
Madam, the love of Englishmen can make
The lightest favour of their lawful king
Outweigh a despot's.We humbly take our leaves,
Enriched by smiles which France can never buy.

[Exeunt St. John and the Gentlemen of the Inns of Court.

King.
My Lord Archbishop,
Mark you what spirit sits in St. John's eyes?
Methinks it is too saucy for this presence.

Archy.
Yes, pray your Grace look: for, like an unsophisticated [eye] sees everything upside down, you who are wise will discern the shadow of an idiot in lawn sleeves and a rochet setting springes to catch woodcocks in haymaking time. Poor Archy, whose owl-eyes are tempered to the error of his age, and because he is a fool, and by special ordinance of God forbidden ever to see himself as he is, sees now in that deep eye a blindfold devil sitting on the ball, and weighing words out between king and subjects. One scale is full of promises, and the other full of protestations: and then another devil creeps behind the first out of the dark windings [of a] pregnant lawyer's brain, and takes the bandage from the other's eyes, and throws a sword into the left-hand scale, for all the world like my Lord Essex's there.

Strafford.
A rod in pickle for the Fool's back!

Archy.
Ay, and some are now smiling whose tears will make the brine; for the Fool sees--

Strafford.
Insolent! You shall have your coat turned and be whipped out of the palace for this.

Archy.
When all the fools are whipped, and all the Protestant writers, while the knaves are whipping the fools ever since a thief was set to catch a thief. If all turncoats were whipped out of palaces, poor Archy would be disgraced in good company. Let the knaves whip the fools, and all the fools laugh at it. [Let the] wise and godly slit each other's noses and ears (having no need of any sense of discernment in their craft); and the knaves, to marshal them, join in a procession to Bedlam, to entreat the madmen to omit their sublime Platonic contemplations, and manage the state of England. Let all the honest men who lie [pinched?] up at the prisons or the pillories, in custody of the pursuivants of the High-Commission Court, marshal them.

Enter Secretary Lyttelton, with papers.

King
(looking over the papers).
These stiff Scots
His Grace of Canterbury must take order
To force under the Church's yoke.You, Wentworth,
Shall be myself in Ireland, and shall add
Your wisdom, gentleness, and energy,
To what in me were wanting.My Lord Weston,
Look that those merchants draw not without loss
Their bullion from the Tower; and, on the payment
Of shipmoney, take fullest compensation
For violation of our royal forests,
Whose limits, from neglect, have been o'ergrown
With cottages and cornfields. The uttermost
Farthing exact from those who claim exemption
From knighthood: that which once was a reward
Shall thus be made a punishment, that subjects
May know how majesty can wear at will
The rugged mood.My Lord of Coventry,
Lay my command upon the Courts below
That bail be not accepted for the prisoners
Under the warrant of the Star Chamber.
The people shall not find the stubbornness
Of Parliament a cheap or easy method
Of dealing with their rightful sovereign:
And doubt not this, my Lord of Coventry,
We will find time and place for fit rebuke.
My Lord of Canterbury.

Archy.
            The fool is here.

Laud.
I crave permission of your Majesty
To order that this insolent fellow be
Chastised: he mocks the sacred character,
Scoffs at the state, and--

King.
              What, my Archy?
He mocks and mimics all he sees and hears,
Yet with a quaint and graceful licencePrithee
For this once do not as Prynne would, were he
Primate of England. With your Grace's leave,
He lives in his own world; and, like a parrot
Hung in his gilded prison from the window
Of a queen's bower over the public way,
Blasphemes with a bird's mind:his words, like arrows
Which know no aim beyond the archer's wit,
Strike sometimes what eludes philosophy.
(To Archy.)
Go, sirrah, and repent of your offence
Ten minutes in the rain; be it your penance
To bring news how the world goes there.

[Exit Archy.
                      Poor Archy!
He weaves about himself a world of mirth
Out of the wreck of ours.

Laud.
I take with patience, as my Master did,
All scoffs permitted from above.

King.
                 My lord,
Pray overlook these papers. Archy's words
Had wings, but these have talons.

Queen.
                  And the lion
That wears them must be tamed. My dearest lord,
I see the new-born courage in your eye
Armed to strike dead the Spirit of the Time,
Which spurs to rage the many-headed beast.
Do thou persist: for, faint but in resolve,
And it were better thou hadst still remained
The slave of thine own slaves, who tear like curs
The fugitive, and flee from the pursuer;
And Opportunity, that empty wolf,
Flies at his throat who falls. Subdue thy actions
Even to the disposition of thy purpose,
And be that tempered as the Ebro's steel;
And banish weak-eyed Mercy to the weak,
Whence she will greet thee with a gift of peace,
And not betray thee with a traitor's kiss,
As when she keeps the company of rebels,
Who think that she is Fear. This do, lest we
Should fall as from a glorious pinnacle
In a bright dream, and wake as from a dream
Out of our worshipped state.

King.
               Belovd friend,
God is my witness that this weight of power,
Which He sets me my earthly task to wield.
Under His law, is my delight and pride
Only because thou lovest that and me.
For a king bears the office of a God
To all the under world; and to his God
Alone he must deliver up his trust,
Unshorn of its permitted attributes.
[It seems] now as the baser elements
Had mutinied against the golden sun
That kindles them to harmony and quells
Their self-destroying rapine. The wild million
Strike at the eye that guides them; like as humours
Of the distempered body that conspire
Against the spirit of life throned in the heart,
And thus become the prey of one another,
And last of death

Strafford.
That which would be ambition in a subject
Is duty in a sovereign; for on him,
As on a keystone, hangs the arch of life,
Whose safety is its strength. Degree and form,
And all that makes the age of reasoning man
More memorable than a beast's, depend on this--
That Right should fence itself inviolably
With Power; in which respect the state of England
From usurpation by the insolent commons
Cries for reform.
Get treason, and spare treasure. Fee with coin
The loudest murmurers; feed with jealousies
Opposing factions,-- be thyself of none;
And borrow gold of many, for those who lend
Will serve thee till thou payest them; and thus
Keep the fierce spirit of the hour at bay,
Till time, and its coming generations
Of nights and days unborn, bring some one chance,...
Or war or pestilence or Nature's self,--
By some distemperature or terrible sign,
Be as an arbiter betwixt themselves.
...Nor let your Majesty
Doubt here the peril of the unseen event.
How did your brother Kings, coheritors
In your high interest in the subject earth,
Rise past such troubles to that height of power
Where now they sit, and awfully serene
Smile on the trembling world? Such popular storms
Philip the Second of Spain, this Lewis of France,
And late the German head of many bodies,
And every petty lord of Italy,
Quelled or by arts or arms. Is England poorer
Or feebler? or art thou who wield'st her power
Tamer than they? or shall this island be--
[Girdled] by its inviolable waters
To the world present and the world to come
Sole pattern of extinguished monarchy?
Not if thou dost as I would have thee do.

King.
Your words shall be my deeds:
You speak the image of my thought. My friend
(If Kings can have a friend, I call thee so),
Beyond the large commission which [belongs]
Under the great seal of the realm, take this:
And, for some obvious reasons, let there be
No seal on it, except my kingly word
And honour as I am a gentleman.
Be -- as thou art within my heart and mind--
Another self, here and in Ireland:
Do what thou judgest well, take amplest licence,
And stick not even at questionable means.
Hear me, Wentworth. My word is as a wall
Between thee and this world thine enemy
That hates thee, for thou lovest me.

Strafford.
                    I own
No friend but thee, no enemies but thine:
Thy lightest thought is my eternal law.
How weak, how short, is life to pay

King.
                    Peace, peace.
Thou ow'st me nothing yet.
              (To Laud.)
My lord, what say
Those papers?

Laud.
Your Majesty has ever interposed,
In lenity towards your native soil,
Between the heavy vengeance of the Church
And Scotland. Mark the consequence of warming
This brood of northern vipers in your bosom.
The rabble, instructed no doubt
By Loudon, Lindsay, Hume, and false Argyll
(For the waves never menace heaven until
Scourged by the wind's invisible tyranny),
Have in the very temple of the Lord
Done outrage to His chosen ministers.
They scorn the liturgy of the Holy Church,
Refuse to obey her canons, and deny
The apostolic power with which the Spirit
Has filled its elect vessels, even from him
Who held the keys with power to loose and bind,
To him who now pleads in this royal presence.
Let ample powers and new instructions be
Sent to the High Commissioners in Scotland.
To death, imprisonment, and confiscation,
Add torture, add the ruin of the kindred
Of the offender, add the brand of infamy,
Add mutilation: and if this suffice not,
Unleash the sword and fire, that in their thirst
They may lick up that scum of schismatics.
I laugh at those weak rebels who, desiring
What we possess, still prate of Christian peace,
As if those dreadful arbitrating messengers
Which play the part of God 'twixt right and wrong,
Should be let loose against the innocent sleep
Of templed cities and the smiling fields,
For some poor argument of policy
Which touches our own profit or our pride
(Where it indeed were Christian charity
To turn the cheek even to the smiter's hand):
And, when our great Redeemer, when our God,
When He who gave, accepted, and retained
Himself in propitiation of our sins,
Is scorned in His immediate ministry,
With hazard of the inestimable loss
Of all the truth and discipline which is
Salvation to the extremest generation
Of men innumerable, they talk of peace!
Such peace as Canaan found, let Scotland now:
For, by that Christ who came to bring a sword,
Not peace, upon the earth, and gave command
To His disciples at the Passover
That each should sell his robe and buy a sword,
Once strip that minister of naked wrath,
And it shall never sleep in peace again
Till Scotland bend or break.

King.
               My Lord Archbishop,
Do what thou wilt and what thou canst in this.
Thy earthly even as thy heavenly King
Gives thee large power in his unquiet realm.
But we want money, and my mind misgives me
That for so great an enterprise, as yet,
We are unfurnished.

Strafford.
          Yet it may not long
Rest on our wills.

Cottington.
          The expenses
Of gathering shipmoney, and of distraining
For every petty rate (for we encounter
A desperate opposition inch by inch
In every warehouse and on every farm),
Have swallowed up the gross sum of the imposts;
So that, though felt as a most grievous scourge
Upon the land, they stand us in small stead
As touches the receipt.

Strafford.
            'Tis a conclusion
Most arithmetical: and thence you infer
Perhaps the assembling of a parliament.
Now, if a man should call his dearest enemies
To sit in licensed judgement on his life,
His Majesty might wisely take that course. [Aside to Cottington.

It is enough to expect from these lean imposts
That they perform the office of a scourge,
Without more profit. (Aloud.)
Fines and confiscations,
And a forced loan from the refractory city,
Will fill our coffers: and the golden love
Of loyal gentlemen and noble friends
For the worshipped father of our common country,
With contributions from the catholics,
Will make Rebellion pale in our excess.
Be these the expedients until time and wisdom
Shall frame a settled state of government.

Laud.
And weak expedients they! Have we not drained
All, till the...which seemed
A mine exhaustless?

Strafford.
          And the love which is,
If loyal hearts could turn their blood to gold.

Laud.
Both now grow barren: and I speak it not
As loving parliaments, which, as they have been
In the right hand of bold bad mighty kings
The scourges of the bleeding Church, I hate.
Methinks they scarcely can deserve our fear.

Strafford.
Oh! my dear liege, take back the wealth thou gavest:
With that, take all I held, but as in trust
For thee, of mine inheritance: leave me but
This unprovided body for thy service,
And a mind dedicated to no care
Except thy safety:-- but assemble not
A parliament. Hundreds will bring, like me,
Their fortunes, as they would their blood, before--

King.
No! thou who judgest them art but one. Alas!
We should be too much out of love with Heaven,
Did this vile world show many such as thee,
Thou perfect, just, and honourable man!
Never shall it be said that Charles of England
Stripped those he loved for fear of those he scorns;
Nor will he so much misbecome his throne
As to impoverish those who most adorn
And best defend it. That you urge, dear Strafford,
Inclines me rather--

Queen.
           To a parliament?
Is this thy firmness? and thou wilt preside
Over a knot of . . . censurers,
To the unswearing of thy best resolves,
And choose the worst, when the worst comes too soon?
Plight not the worst before the worst must come.
Oh, wilt thou smile whilst our ribald foes,
Dressed in their own usurped authority,
Sharpen their tongues on Henrietta's fame?
It is enough! Thou lovest me no more!
[Weeps.

King.
Oh, Henrietta!

[They talk apart.

Cottington
(to Laud).
       Money we have none:
And all the expedients of my Lord of Strafford
Will scarcely meet the arrears.

Laud.
                 Without delay
An army must be sent into the north;
Followed by a Commission of the Church,
With amplest power to quench in fire and blood,
And tears and terror, and the pity of hell,
The intenser wrath of Heresy. God will give
Victory; and victory over Scotland give
The lion England tamed into our hands.
That will lend power, and power bring gold.

Cottington.
                   Meanwhile
We must begin first where your Grace leaves off.
Gold must give power, or

Laud.
              I am not averse
From the assembling of a parliament.
Strong actions and smooth words might teach them soon
The lesson to obey. And are they not
A bubble fashioned by the monarch's mouth,
The birth of one light breath? If they serve no purpose,
A word dissolves them.

Strafford.
            The engine of parliaments
Might be deferred until I can bring over
The Irish regiments: they will serve to assure
The issue of the war against the Scots.
And, this game won -- which if lost, all is lost--
Gather these chosen leaders of the rebels,
And call them, if you will, a parliament.

King.
Oh, be our feet still tardy to shed blood,
Guilty though it may be! I would still spare
The stubborn country of my birth, and ward
From countenances which I loved in youth
The wrathful Church's lacerating hand.
(To Laud.)
Have you o'erlooked the other articles?

[Re-enter Archy.

Laud.
Hazlerig, Hampden, Pym, young Harry Vane,
Cromwell, and other rebels of less note,
Intend to sail with the next favouring wind
For the Plantations.

Archy.
           Where they think to found
A commonwealth like Gonzalo's in the play,
Gynaecocoenic and pantisocratic.

King.
What's that, sirrah?

Archy.
           New devil's politics.
Hell is the pattern of all commonwealths:
Lucifer was the first republican.
Will you hear Merlin's prophecy, how three [posts?]
'In one brainless skull, when the whitethorn is full,
Shall sail round the world, and come back again:
Shall sail round the world in a brainless skull,
And come back again when the moon is at full:'
When, in spite of the Church,
They will hear homilies of whatever length
Or form they please.

[Cottington?]
So please your Majesty to sign this order
For their detention.

Archy.
If your Majesty were tormented night and day by fever, gout, rheumatism, and stone, and asthma, etc., and you found these diseases had secretly entered into a conspiracy to abandon you, should you think it necessary to lay an embargo on the port by which they meant to dispeople your unquiet kingdom of man?

King.
If fear were made for kings, the Fool mocks wisely; But in this case --(writing.)
Here, my lord, take the warrant, And see it duly executed forthwith.--
That imp of malice and mockery shall be punished.

[Exeunt all but King, Queen, and Archy.

Archy.
Ay, I am the physician of whom Plato prophesied, who was to be accused by the confectioner before a jury of children, who found him guilty without waiting for the summing-up, and hanged him without benefit of clergy. Thus Baby Charles, and the Twelfth-night Queen of Hearts, and the overgrown schoolboy Cottington, and that little urchin Laud who would reduce a verdict of 'guilty, death,' by famine, if it were impregnable by compositionall impannelled against poor Archy for presenting them bitter physic the last day of the holidays.

Queen.
Is the rain over, sirrah?

King.
              When it rains
And the sun shines, 'twill rain again to-morrow:
And therefore never smile till you've done crying.

Archy.
But 'tis all over now: like the April anger of woman, the gentle sky has wept itself serene.

Queen.
What news abroad? how looks the world this morning?

Archy.
Gloriously as a grave covered with virgin flowers. There's a rainbow in the sky. Let your Majesty look at it, for
'A rainbow in the morning
Is the shepherd's warning;'
and the flocks of which you are the pastor are scattered among the mountain-tops, where every drop of water is a flake of snow, and the breath of May pierces like a January blast.

King.
The sheep have mistaken the wolf for their shepherd, my poor boy; and the shepherd, the wolves for their watchdogs.

Queen.
But the rainbow was a good sign, Archy: it says that the waters of the deluge are gone, and can return no more.

Archy.
Ay, the salt-water one: but that of tears and blood must yet come down, and that of fire follow, if there be any truth in lies.-- The rainbow hung over the city with all its shops,...and churches, from north to south, like a bridge of congregated lightning pieced by the masonry of heaven like a balance in which the angel that distributes the coming hour was weighing that heavy one whose poise is now felt in the lightest hearts, before it bows the proudest heads under the meanest feet.

Queen.
Who taught you this trash, sirrah?

Archy.
A torn leaf out of an old book trampled in the dirt.--
But for the rainbow.
It moved as the sun moved, and...until the top of the
Tower...of a cloud through its left-hand tip, and
Lambeth Palace look as dark as a rock before the other.
Methought I saw a crown figured upon one tip, and a mitre on the other.
So, as I had heard treasures were found where the rainbow quenches its points upon the earth, I set off, and at the Tower --
But I shall not tell your Majesty what I found close to the closet-window on which the rainbow had glimmered.

King.
Speak: I will make my Fool my conscience.

Archy.
Then conscience is a fool.I saw there a cat caught in a rat-trap. I heard the rats squeak behind the wainscots: it seemed to me that the very mice were consulting on the manner of her death.

Queen.
Archy is shrewd and bitter.

Archy.
Like the season, So blow the winds.But at the other end of the rainbow, where the gray rain was tempered along the grass and leaves by a tender interfusion of violet and gold in the meadows beyond Lambeth, what think you that I found instead of a mitre?

King.
Vane's wits perhaps.

Archy.
Something as vain. I saw a gross vapour hovering in a stinking ditch over the carcass of a dead ****, some rotten rags, and broken dishesthe wrecks of what once administered to the stuffing-out and the ornament of a worm of worms. His Grace of Canterbury expects to enter the New Jerusalem some Palm Sunday in triumph on the ghost of this ****.

Queen.
Enough, enough! Go desire Lady Jane
She place my lute, together with the music
Mari received last week from Italy,
In my boudoir, and

[Exit Archy.

King.
          I'll go in.

Queen.
                 My beloved lord,
Have you not noted that the Fool of late
Has lost his careless mirth, and that his words
Sound like the echoes of our saddest fears?
What can it mean? I should be loth to think
Some factious slave had tutored him.

King.
                 Oh, no!
He is but Occasion's pupil. Partly 'tis
That our minds piece the vacant intervals
Of his wild words with their own fashioning,
As in the imagery of summer clouds,
Or coals of the winter fire, idlers find
The perfect shadows of their teeming thoughts:
And partly, that the terrors of the time
Are sown by wandering Rumour in all spirits;
And in the lightest and the least, may best
Be seen the current of the coming wind.

Queen.
Your brain is overwrought with these deep thoughts.
Come, I will sing to you; let us go try
These airs from Italy; and, as we pass
The gallery, we'll decide where that Correggio
Shall hangthe Virgin Mother
With her child, born the King of heaven and earth,
Whose reign is men's salvation. And you shall see
A cradled miniature of yourself asleep,
Stamped on the heart by never-erring love;
Liker than any Vandyke ever made,
A pattern to the unborn age of thee,
Over whose sweet beauty I have wept for joy
A thousand times, and now should weep for sorrow,
Did I not think that after we were dead
Our fortunes would spring high in him, and that
The cares we waste upon our heavy crown
Would make it light and glorious as a wreath
Of Heaven's beams for his dear innocent brow.

King.
Dear Henrietta!

Scene III.
The Star Chamber. Laud, Juxon, Strafford, and others, as Judges. Prynne as a Prisoner, and thenBastwick.

Laud.
Bring forth the prisoner Bastwick: let the clerk
Recite his sentence.

Clerk.
          'That he pay five thousand
Pounds to the king, lose both his ears, be branded
With red-hot iron on the cheek and forehead,
And be imprisoned within Lancaster Castle
During the pleasure of the Court.'

Laud.
                  Prisoner,
If you have aught to say wherefore this sentence
Should not be put into effect, now speak.

Juxon.
If you have aught to plead in mitigation,
Speak.

Bastwick.
   Thus, my lords. If, like the prelates, I
Were an invader of the royal power,
A public scorner of the word of God,
Profane, idolatrous, popish, superstitious,
Impious in heart and in tyrannic act,
Void of wit, honesty, and temperance;
If Satan were my lord, as theirs,our God
Pattern of all I should avoid to do;
Were I an enemy of my God and King
And of good men, as ye are;I should merit
Your fearful state and gilt prosperity,
Which, when ye wake from the last sleep, shall turn
To cowls and robes of everlasting fire.
But, as I am, I bid ye grudge me not
The only earthly favour ye can yield,
Or I think worth acceptance at your hands,
Scorn, mutilation, and imprisonment.
. . . even as my Master did,
Until Heaven's kingdom shall descend on earth,
Or earth be like a shadow in the light
Of Heaven absorbedsome few tumultuous years
Will pass, and leave no wreck of what opposes
His will whose will is power.

Laud.
Officer, take the prisoner from the bar,
And be his tongue slit for his insolence.

Bastwick.
While this hand holds a pen

Laud.
                Be his hands--

Juxon.
                      Stop!
Forbear, my lord! The tongue, which now can speak
No terror, would interpret, being dumb,
Heaven's thunder to our harm;...
And hands, which now write only their own shame,
With bleeding stumps might sign our blood away.

Laud.

Much more such 'mercy' among men would be,
Did all the ministers of Heaven's revenge
Flinch thus from earthly retribution. I
Could suffer what I would inflict.

[Exit Bastwick guarded.

                  Bring up
The Lord Bishop of Lincoln.

                (To Strafford.)
Know you not
That, in distraining for ten thousand pounds
Upon his books and furniture at Lincoln,
Were found these scandalous and seditious letters
Sent from one Osbaldistone, who is fled?
I speak it not as touching this poor person;
But of the office which should make it holy,
Were it as vile as it was ever spotless.
Mark too, my lord, that this expression strikes
His Majesty, if I misinterpret not.

Enter Bishop Williams guarded.

Strafford.
'Twere politic and just that Williams taste
The bitter fruit of his connection with
The schismatics. But you, my Lord Archbishop,
Who owed your first promotion to his favour,
Who grew beneath his smile

Laud.
               Would therefore beg
The office of his judge from this High Court,
That it shall seem, even as it is, that I,
In my assumption of this sacred robe,
Have put aside all worldly preference,
All sense of all distinction of all persons,
All thoughts but of the service of the Church.
Bishop of Lincoln!

Williams.
          Peace, proud hierarch!
I know my sentence, and I own it just.
Thou wilt repay me less than I deserve,
In stretching to the utmost. . .

Scene IV.
--Hampden, Pym, Cromwell, his Daughter, and young Sir Harry Vane.

Hampden.
England, farewell! thou, who hast been my cradle,
Shalt never be my dungeon or my grave!
I held what I inherited in thee
As pawn for that inheritance of freedom
Which thou hast sold for thy despoiler's smile:
How can I call thee England, or my country?
Does the wind hold?

Vane.
          The vanes sit steady
Upon the Abbey towers. The silver lightnings
Of the evening star, spite of the city's smoke,
Tell that the north wind reigns in the upper air.
Mark too that flock of fleecy-wingd clouds
Sailing athwart St. Margaret's.

Hampden.
                 Hail, fleet herald
Of tempest! that rude pilot who shall guide
Hearts free as his, to realms as pure as thee,
Beyond the shot of tyranny,
Beyond the webs of that swoln spider . . .
Beyond the curses, calumnies, and [lies?]
Of atheist priests! . . . And thou
Fair star, whose beam lies on the wide Atlantic,
Athwart its zones of tempest and of calm,
Bright as the path to a belovd home,
Oh, light us to the isles of the evening land!
Like floating Edens cradled in the glimmer
Of sunset, through the distant mist of years
Touched by departing hope, they gleam! lone regions,
Where Power's poor dupes and victims yet have never
Propitiated the savage fear of kings
With purest blood of noblest hearts; whose dew
Is yet unstained with tears of those who wake
To weep each day the wrongs on which it dawns;
Whose sacred silent air owns yet no echo
Of formal blasphemies; nor impious rites
Wrest man's free worship, from the God who loves,
To the poor worm who envies us His love!
Receive, thou young....of Paradise,
These exiles from the old and sinful world!....
This glorious clime, this firmament, whose lights
Dart mitigated influence through their veil
Of pale blue atmosphere; whose tears keep green
The pavement of this moist all-feeding earth;
This vaporous horizon, whose dim round
Is bastioned by the circumfluous sea,
Repelling invasion from the sacred towers,
Presses upon me like a dungeon's grate,
A low dark roof, a damp and narrow wall.
The boundless universe
Becomes a cell too narrow for the soul
That owns no master; while the loathliest ward
Of this wide prison, England, is a nest
Of cradling peace built on the mountain tops,
To which the eagle spirits of the free,
Which range through heaven and earth, and scorn the storm
Of time, and gaze upon the light of truth,
Return to brood on thoughts that cannot die
And cannot be repelled.
Like eaglets floating in the heaven of time,
They soar above their quarry, and shall stoop
Through palaces and temples thunderproof.

SCENE V

Archy.
I'll go live under the ivy that overgrows the terrace, and count the tears shed on its old [roots?] as the [wind?] plays the song of

'A widow bird sate mourning
Upon a wintry bough.'

[Sings]

Heigho! the lark and the owl!
One flies the morning, and one lulls the night:--
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.

'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.

'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'
Charles the First was designed in 1818, begun towards the close of 1819, resumed in January, and finally laid aside by June, 1822. It was published in part in the Posthumous Poems, 1824, and printed, in its present form (with the addition of some 530 lines), by Mr. William Michael Rossetti, 1870.

1.
Archy, the court fool of Charles I, is
both an unacknowledged prophet and, as King Charles claims, a weaver of "a world of mirth out of the wreck of ours."

  
~ Percy Bysshe Shelley, Charles The First
,
1407:The Cremona Violin
Part First
Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.
A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.
She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting
This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'
A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
272
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?
Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I Give me the candle. No, the inside's dry.
Thank God for that! Well, Lotta, how are you?
A bad storm, but the house still stands, I see.
Is my pipe filled, my Dear? I'll have a few
Puffs and a snooze before I eat my tea.
What do you say? That you were feared for me?
Nonsense, my child. Yes, kiss me, now don't talk.
I need a rest, the theatre's a long walk.'
Her needles still, her hands upon her lap
Patiently laid, Charlotta Altgelt sat
And watched the rain-run window. In his nap
Her husband stirred and muttered. Seeing that,
Charlotta rose and softly, pit-a-pat,
Climbed up the stairs, and in her little room
Found sighing comfort with a moon in bloom.
But even rainy windows, silver-lit
By a new-burst, storm-whetted moon, may give
But poor content to loneliness, and it
Was hard for young Charlotta so to strive
And down her eagerness and learn to live
In placid quiet. While her husband slept,
Charlotta in her upper chamber wept.
Herr Concert-Meister Altgelt was a man
Gentle and unambitious, that alone
Had kept him back. He played as few men can,
Drawing out of his instrument a tone
So shimmering-sweet and palpitant, it shone
Like a bright thread of sound hung in the air,
Afloat and swinging upward, slim and fair.
273
Above all things, above Charlotta his wife,
Herr Altgelt loved his violin, a fine
Cremona pattern, Stradivari's life
Was flowering out of early discipline
When this was fashioned. Of soft-cutting pine
The belly was. The back of broadly curled
Maple, the head made thick and sharply whirled.
The slanting, youthful sound-holes through
The belly of fine, vigorous pine
Mellowed each note and blew
It out again with a woody flavour
Tanged and fragrant as fir-trees are
When breezes in their needles jar.
The varnish was an orange-brown
Lustered like glass that's long laid down
Under a crumbling villa stone.
Purfled stoutly, with mitres which point
Straight up the corners. Each curve and joint
Clear, and bold, and thin.
Such was Herr Theodore's violin.
Seven o'clock, the Concert-Meister gone
With his best violin, the rain being stopped,
Frau Lotta in the kitchen sat alone
Watching the embers which the fire dropped.
The china shone upon the dresser, topped
By polished copper vessels which her skill
Kept brightly burnished. It was very still.
An air from `Orfeo' hummed in her head.
Herr Altgelt had been practising before
The night's performance. Charlotta had plead
With him to stay with her. Even at the door
She'd begged him not to go. 'I do implore
You for this evening, Theodore,' she had said.
'Leave them to-night, and stay with me instead.'
'A silly poppet!' Theodore pinched her ear.
'You'd like to have our good Elector turn
274
Me out I think.' 'But, Theodore, something queer
Ails me. Oh, do but notice how they burn,
My cheeks! The thunder worried me. You're stern,
And cold, and only love your work, I know.
But Theodore, for this evening, do not go.'
But he had gone, hurriedly at the end,
For she had kept him talking. Now she sat
Alone again, always alone, the trend
Of all her thinking brought her back to that
She wished to banish. What would life be? What?
For she was young, and loved, while he was moved
Only by music. Each day that was proved.
Each day he rose and practised. While he played,
She stopped her work and listened, and her heart
Swelled painfully beneath her bodice. Swayed
And longing, she would hide from him her smart.
'Well, Lottchen, will that do?' Then what a start
She gave, and she would run to him and cry,
And he would gently chide her, 'Fie, Dear, fie.
I'm glad I played it well. But such a taking!
You'll hear the thing enough before I've done.'
And she would draw away from him, still shaking.
Had he but guessed she was another one,
Another violin. Her strings were aching,
Stretched to the touch of his bow hand, again
He played and she almost broke at the strain.
Where was the use of thinking of it now,
Sitting alone and listening to the clock!
She'd best make haste and knit another row.
Three hours at least must pass before his knock
Would startle her. It always was a shock.
She listened - listened - for so long before,
That when it came her hearing almost tore.
She caught herself just starting in to listen.
What nerves she had: rattling like brittle sticks!
She wandered to the window, for the glisten
Of a bright moon was tempting. Snuffed the wicks
275
Of her two candles. Still she could not fix
To anything. The moon in a broad swath
Beckoned her out and down the garden-path.
Against the house, her hollyhocks stood high
And black, their shadows doubling them. The night
Was white and still with moonlight, and a sigh
Of blowing leaves was there, and the dim flight
Of insects, and the smell of aconite,
And stocks, and Marvel of Peru. She flitted
Along the path, where blocks of shadow pitted
The even flags. She let herself go dreaming
Of Theodore her husband, and the tune
From `Orfeo' swam through her mind, but seeming
Changed - shriller. Of a sudden, the clear moon
Showed her a passer-by, inopportune
Indeed, but here he was, whistling and striding.
Lotta squeezed in between the currants, hiding.
'The best laid plans of mice and men,' alas!
The stranger came indeed, but did not pass.
Instead, he leant upon the garden-gate,
Folding his arms and whistling. Lotta's state,
Crouched in the prickly currants, on wet grass,
Was far from pleasant. Still the stranger stayed,
And Lotta in her currants watched, dismayed.
He seemed a proper fellow standing there
In the bright moonshine. His cocked hat was laced
With silver, and he wore his own brown hair
Tied, but unpowdered. His whole bearing graced
A fine cloth coat, and ruffled shirt, and chased
Sword-hilt. Charlotta looked, but her position
Was hardly easy. When would his volition
Suggest his walking on? And then that tune!
A half-a-dozen bars from `Orfeo'
Gone over and over, and murdered. What Fortune
Had brought him there to stare about him so?
'Ach, Gott im Himmel! Why will he not go!'
Thought Lotta, but the young man whistled on,
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And seemed in no great hurry to be gone.
Charlotta, crouched among the currant bushes,
Watched the moon slowly dip from twig to twig.
If Theodore should chance to come, and blushes
Streamed over her. He would not care a fig,
He'd only laugh. She pushed aside a sprig
Of sharp-edged leaves and peered, then she uprose
Amid her bushes. 'Sir,' said she, 'pray whose
Garden do you suppose you're watching? Why
Do you stand there? I really must insist
Upon your leaving. 'Tis unmannerly
To stay so long.' The young man gave a twist
And turned about, and in the amethyst
Moonlight he saw her like a nymph half-risen
From the green bushes which had been her prison.
He swept his hat off in a hurried bow.
'Your pardon, Madam, I had no idea
I was not quite alone, and that is how
I came to stay. My trespass was not sheer
Impertinence. I thought no one was here,
And really gardens cry to be admired.
To-night especially it seemed required.
And may I beg to introduce myself?
Heinrich Marohl of Munich. And your name?'
Charlotta told him. And the artful elf
Promptly exclaimed about her husband's fame.
So Lotta, half-unwilling, slowly came
To conversation with him. When she went
Into the house, she found the evening spent.
Theodore arrived quite wearied out and teased,
With all excitement in him burned away.
It had gone well, he said, the audience pleased,
And he had played his very best to-day,
But afterwards he had been forced to stay
And practise with the stupid ones. His head
Ached furiously, and he must get to bed.
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Part Second
Herr Concert-Meister Altgelt played,
And the four strings of his violin
Were spinning like bees on a day in Spring.
The notes rose into the wide sun-mote
Which slanted through the window,
They lay like coloured beads a-row,
They knocked together and parted,
And started to dance,
Skipping, tripping, each one slipping
Under and over the others so
That the polychrome fire streamed like a lance
Or a comet's tail,
Behind them.
Then a wail arose - crescendo And dropped from off the end of the bow,
And the dancing stopped.
A scent of lilies filled the room,
Long and slow. Each large white bloom
Breathed a sound which was holy perfume from a blessed censer,
And the hum of an organ tone,
And they waved like fans in a hall of stone
Over a bier standing there in the centre, alone.
Each lily bent slowly as it was blown.
Like smoke they rose from the violin Then faded as a swifter bowing
Jumbled the notes like wavelets flowing
In a splashing, pashing, rippling motion
Between broad meadows to an ocean
Wide as a day and blue as a flower,
Where every hour
Gulls dipped, and scattered, and squawked, and squealed,
And over the marshes the Angelus pealed,
And the prows of the fishing-boats were spattered
With spray.
And away a couple of frigates were starting
To race to Java with all sails set,
Topgallants, and royals, and stunsails, and jibs,
And wide moonsails; and the shining rails
Were polished so bright they sparked in the sun.
All the sails went up with a run:
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'They call me Hanging Johnny,
Away-i-oh;
They call me Hanging Johnny,
So hang, boys, hang.'
And the sun had set and the high moon whitened,
And the ship heeled over to the breeze.
He drew her into the shade of the sails,
And whispered tales
Of voyages in the China seas,
And his arm around her
Held and bound her.
She almost swooned,
With the breeze and the moon
And the slipping sea,
And he beside her,
Touching her, leaning The ship careening,
With the white moon steadily shining over
Her and her lover,
Theodore, still her lover!
Then a quiver fell on the crowded notes,
And slowly floated
A single note which spread and spread
Till it filled the room with a shimmer like gold,
And noises shivered throughout its length,
And tried its strength.
They pulled it, and tore it,
And the stuff waned thinner, but still it bore it.
Then a wide rent
Split the arching tent,
And balls of fire spurted through,
Spitting yellow, and mauve, and blue.
One by one they were quenched as they fell,
Only the blue burned steadily.
Paler and paler it grew, and - faded - away.
Herr Altgelt stopped.
'Well, Lottachen, my Dear, what do you say?
I think I'm in good trim. Now let's have dinner.
What's this, my Love, you're very sweet to-day.
I wonder how it happens I'm the winner
279
Of so much sweetness. But I think you're thinner;
You're like a bag of feathers on my knee.
Why, Lotta child, you're almost strangling me.
I'm glad you're going out this afternoon.
The days are getting short, and I'm so tied
At the Court Theatre my poor little bride
Has not much junketing I fear, but soon
I'll ask our manager to grant a boon.
To-night, perhaps, I'll get a pass for you,
And when I go, why Lotta can come too.
Now dinner, Love. I want some onion soup
To whip me up till that rehearsal's over.
You know it's odd how some women can stoop!
Fraeulein Gebnitz has taken on a lover,
A Jew named Goldstein. No one can discover
If it's his money. But she lives alone
Practically. Gebnitz is a stone,
Pores over books all day, and has no ear
For his wife's singing. Artists must have men;
They need appreciation. But it's queer
What messes people make of their lives, when
They should know more. If Gebnitz finds out, then
His wife will pack. Yes, shut the door at once.
I did not feel it cold, I am a dunce.'
Frau Altgelt tied her bonnet on and went
Into the streets. A bright, crisp Autumn wind
Flirted her skirts and hair. A turbulent,
Audacious wind it was, now close behind,
Pushing her bonnet forward till it twined
The strings across her face, then from in front
Slantingly swinging at her with a shunt,
Until she lay against it, struggling, pushing,
Dismayed to find her clothing tightly bound
Around her, every fold and wrinkle crushing
Itself upon her, so that she was wound
In draperies as clinging as those found
Sucking about a sea nymph on the frieze
280
Of some old Grecian temple. In the breeze
The shops and houses had a quality
Of hard and dazzling colour; something sharp
And buoyant, like white, puffing sails at sea.
The city streets were twanging like a harp.
Charlotta caught the movement, skippingly
She blew along the pavement, hardly knowing
Toward what destination she was going.
She fetched up opposite a jeweller's shop,
Where filigreed tiaras shone like crowns,
And necklaces of emeralds seemed to drop
And then float up again with lightness. Browns
Of striped agates struck her like cold frowns
Amid the gaiety of topaz seals,
Carved though they were with heads, and arms, and wheels.
A row of pencils knobbed with quartz or sard
Delighted her. And rings of every size
Turned smartly round like hoops before her eyes,
Amethyst-flamed or ruby-girdled, jarred
To spokes and flashing triangles, and starred
Like rockets bursting on a festal day.
Charlotta could not tear herself away.
With eyes glued tightly on a golden box,
Whose rare enamel piqued her with its hue,
Changeable, iridescent, shuttlecocks
Of shades and lustres always darting through
Its level, superimposing sheet of blue,
Charlotta did not hear footsteps approaching.
She started at the words: 'Am I encroaching?'
'Oh, Heinrich, how you frightened me! I thought
We were to meet at three, is it quite that?'
'No, it is not,' he answered, 'but I've caught
The trick of missing you. One thing is flat,
I cannot go on this way. Life is what
Might best be conjured up by the word: `Hell'.
Dearest, when will you come?' Lotta, to quell
281
His effervescence, pointed to the gems
Within the window, asked him to admire
A bracelet or a buckle. But one stems
Uneasily the burning of a fire.
Heinrich was chafing, pricked by his desire.
Little by little she wooed him to her mood
Until at last he promised to be good.
But here he started on another tack;
To buy a jewel, which one would Lotta choose.
She vainly urged against him all her lack
Of other trinkets. Should she dare to use
A ring or brooch her husband might accuse
Her of extravagance, and ask to see
A strict accounting, or still worse might be.
But Heinrich would not be persuaded. Why
Should he not give her what he liked? And in
He went, determined certainly to buy
A thing so beautiful that it would win
Her wavering fancy. Altgelt's violin
He would outscore by such a handsome jewel
That Lotta could no longer be so cruel!
Pity Charlotta, torn in diverse ways.
If she went in with him, the shopman might
Recognize her, give her her name; in days
To come he could denounce her. In her fright
She almost fled. But Heinrich would be quite
Capable of pursuing. By and by
She pushed the door and entered hurriedly.
It took some pains to keep him from bestowing
A pair of ruby earrings, carved like roses,
The setting twined to represent the growing
Tendrils and leaves, upon her. 'Who supposes
I could obtain such things! It simply closes
All comfort for me.' So he changed his mind
And bought as slight a gift as he could find.
A locket, frosted over with seed pearls,
Oblong and slim, for wearing at the neck,
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Or hidden in the bosom; their joined curls
Should lie in it. And further to bedeck
His love, Heinrich had picked a whiff, a fleck,
The merest puff of a thin, linked chain
To hang it from. Lotta could not refrain
From weeping as they sauntered down the street.
She did not want the locket, yet she did.
To have him love her she found very sweet,
But it is hard to keep love always hid.
Then there was something in her heart which chid
Her, told her she loved Theodore in him,
That all these meetings were a foolish whim.
She thought of Theodore and the life they led,
So near together, but so little mingled.
The great clouds bulged and bellied overhead,
And the fresh wind about her body tingled;
The crane of a large warehouse creaked and jingled;
Charlotta held her breath for very fear,
About her in the street she seemed to hear:
'They call me Hanging Johnny,
Away-i-oh;
They call me Hanging Johnny,
So hang, boys, hang.'
And it was Theodore, under the racing skies,
Who held her and who whispered in her ear.
She knew her heart was telling her no lies,
Beating and hammering. He was so dear,
The touch of him would send her in a queer
Swoon that was half an ecstasy. And yearning
For Theodore, she wandered, slowly turning
Street after street as Heinrich wished it so.
He had some aim, she had forgotten what.
Their progress was confused and very slow,
But at the last they reached a lonely spot,
A garden far above the highest shot
Of soaring steeple. At their feet, the town
Spread open like a chequer-board laid down.
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Lotta was dimly conscious of the rest,
Vaguely remembered how he clasped the chain
About her neck. She treated it in jest,
And saw his face cloud over with sharp pain.
Then suddenly she felt as though a strain
Were put upon her, collared like a slave,
Leashed in the meshes of this thing he gave.
She seized the flimsy rings with both her hands
To snap it, but they held with odd persistence.
Her eyes were blinded by two wind-blown strands
Of hair which had been loosened. Her resistance
Melted within her, from remotest distance,
Misty, unreal, his face grew warm and near,
And giving way she knew him very dear.
For long he held her, and they both gazed down
At the wide city, and its blue, bridged river.
From wooing he jested with her, snipped the blown
Strands of her hair, and tied them with a sliver
Cut from his own head. But she gave a shiver
When, opening the locket, they were placed
Under the glass, commingled and enlaced.
'When will you have it so with us?' He sighed.
She shook her head. He pressed her further. 'No,
No, Heinrich, Theodore loves me,' and she tried
To free herself and rise. He held her so,
Clipped by his arms, she could not move nor go.
'But you love me,' he whispered, with his face
Burning against her through her kerchief's lace.
Frau Altgelt knew she toyed with fire, knew
That what her husband lit this other man
Fanned to hot flame. She told herself that few
Women were so discreet as she, who ran
No danger since she knew what things to ban.
She opened her house door at five o'clock,
A short half-hour before her husband's knock.
Part Third
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The `Residenz-Theater' sparked and hummed
With lights and people. Gebnitz was to sing,
That rare soprano. All the fiddles strummed
With tuning up; the wood-winds made a ring
Of reedy bubbling noises, and the sting
Of sharp, red brass pierced every ear-drum; patting
From muffled tympani made a dark slatting
Across the silver shimmering of flutes;
A bassoon grunted, and an oboe wailed;
The 'celli pizzicato-ed like great lutes,
And mutterings of double basses trailed
Away to silence, while loud harp-strings hailed
Their thin, bright colours down in such a scatter
They lost themselves amid the general clatter.
Frau Altgelt in the gallery, alone,
Felt lifted up into another world.
Before her eyes a thousand candles shone
In the great chandeliers. A maze of curled
And powdered periwigs past her eyes swirled.
She smelt the smoke of candles guttering,
And caught the glint of jewelled fans fluttering
All round her in the boxes. Red and gold,
The house, like rubies set in filigree,
Filliped the candlelight about, and bold
Young sparks with eye-glasses, unblushingly
Ogled fair beauties in the balcony.
An officer went by, his steel spurs jangling.
Behind Charlotta an old man was wrangling
About a play-bill he had bought and lost.
Three drunken soldiers had to be ejected.
Frau Altgelt's eyes stared at the vacant post
Of Concert-Meister, she at once detected
The stir which brought him. But she felt neglected
When with no glance about him or her way,
He lifted up his violin to play.
The curtain went up? Perhaps. If so,
Charlotta never saw it go.
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The famous Fraeulein Gebnitz' singing
Only came to her like the ringing
Of bells at a festa
Which swing in the air
And nobody realizes they are there.
They jingle and jangle,
And clang, and bang,
And never a soul could tell whether they rang,
For the plopping of guns and rockets
And the chinking of silver to spend, in one's pockets,
And the shuffling and clapping of feet,
And the loud flapping
Of flags, with the drums,
As the military comes.
It's a famous tune to walk to,
And I wonder where they're off to.
Step-step-stepping to the beating of the drums.
But the rhythm changes as though a mist
Were curling and twisting
Over the landscape.
For a moment a rhythmless, tuneless fog
Encompasses her. Then her senses jog
To the breath of a stately minuet.
Herr Altgelt's violin is set
In tune to the slow, sweeping bows, and retreats and advances,
To curtsies brushing the waxen floor as the Court dances.
Long and peaceful like warm Summer nights
When stars shine in the quiet river. And against the lights
Blundering insects knock,
And the `Rathaus' clock
Booms twice, through the shrill sounds
Of flutes and horns in the lamplit grounds.
Pressed against him in the mazy wavering
Of a country dance, with her short breath quavering
She leans upon the beating, throbbing
Music. Laughing, sobbing,
Feet gliding after sliding feet;
His - hers The ballroom blurs She feels the air
Lifting her hair,
And the lapping of water on the stone stair.
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He is there! He is there!
Twang harps, and squeal, you thin violins,
That the dancers may dance, and never discover
The old stone stair leading down to the river
With the chestnut-tree branches hanging over
Her and her lover.
Theodore, still her lover!
The evening passed like this, in a half faint,
Delirium with waking intervals
Which were the entr'acts. Under the restraint
Of a large company, the constant calls
For oranges or syrops from the stalls
Outside, the talk, the passing to and fro,
Lotta sat ill at ease, incognito.
She heard the Gebnitz praised, the tenor lauded,
The music vaunted as most excellent.
The scenery and the costumes were applauded,
The latter it was whispered had been sent
From Italy. The Herr Direktor spent
A fortune on them, so the gossips said.
Charlotta felt a lightness in her head.
When the next act began, her eyes were swimming,
Her prodded ears were aching and confused.
The first notes from the orchestra sent skimming
Her outward consciousness. Her brain was fused
Into the music, Theodore's music! Used
To hear him play, she caught his single tone.
For all she noticed they two were alone.
Part Fourth
Frau Altgelt waited in the chilly street,
Hustled by lackeys who ran up and down
Shouting their coachmen's names; forced to retreat
A pace or two by lurching chairmen; thrown
Rudely aside by linkboys; boldly shown
The ogling rapture in two bleary eyes
Thrust close to hers in most unpleasant wise.
287
Escaping these, she hit a liveried arm,
Was sworn at by this glittering gentleman
And ordered off. However, no great harm
Came to her. But she looked a trifle wan
When Theodore, her belated guardian,
Emerged. She snuggled up against him, trembling,
Half out of fear, half out of the assembling
Of all the thoughts and needs his playing had given.
Had she enjoyed herself, he wished to know.
'Oh! Theodore, can't you feel that it was Heaven!'
'Heaven! My Lottachen, and was it so?
Gebnitz was in good voice, but all the flow
Of her last aria was spoiled by Klops,
A wretched flutist, she was mad as hops.'
He was so simple, so matter-of-fact,
Charlotta Altgelt knew not what to say
To bring him to her dream. His lack of tact
Kept him explaining all the homeward way
How this thing had gone well, that badly. 'Stay,
Theodore!' she cried at last. 'You know to me
Nothing was real, it was an ecstasy.'
And he was heartily glad she had enjoyed
Herself so much, and said so. 'But it's good
To be got home again.' He was employed
In looking at his violin, the wood
Was old, and evening air did it no good.
But when he drew up to the table for tea
Something about his wife's vivacity
Struck him as hectic, worried him in short.
He talked of this and that but watched her close.
Tea over, he endeavoured to extort
The cause of her excitement. She arose
And stood beside him, trying to compose
Herself, all whipt to quivering, curdled life,
And he, poor fool, misunderstood his wife.
Suddenly, broken through her anxious grasp,
Her music-kindled love crashed on him there.
288
Amazed, he felt her fling against him, clasp
Her arms about him, weighing down his chair,
Sobbing out all her hours of despair.
'Theodore, a woman needs to hear things proved.
Unless you tell me, I feel I'm not loved.'
Theodore went under in this tearing wave,
He yielded to it, and its headlong flow
Filled him with all the energy she gave.
He was a youth again, and this bright glow,
This living, vivid joy he had to show
Her what she was to him. Laughing and crying,
She asked assurances there's no denying.
Over and over again her questions, till
He quite convinced her, every now and then
She kissed him, shivering as though doubting still.
But later when they were composed and when
She dared relax her probings, 'Lottachen,'
He asked, 'how is it your love has withstood
My inadvertence? I was made of wood.'
She told him, and no doubt she meant it truly,
That he was sun, and grass, and wind, and sky
To her. And even if conscience were unruly
She salved it by neat sophistries, but why
Suppose her insincere, it was no lie
She said, for Heinrich was as much forgot
As though he'd never been within earshot.
But Theodore's hands in straying and caressing
Fumbled against the locket where it lay
Upon her neck. 'What is this thing I'm pressing?'
He asked. 'Let's bring it to the light of day.'
He lifted up the locket. 'It should stay
Outside, my Dear. Your mother has good taste.
To keep it hidden surely is a waste.'
Pity again Charlotta, straight aroused
Out of her happiness. The locket brought
A chilly jet of truth upon her, soused
Under its icy spurting she was caught,
289
And choked, and frozen. Suddenly she sought
The clasp, but with such art was this contrived
Her fumbling fingers never once arrived
Upon it. Feeling, twisting, round and round,
She pulled the chain quite through the locket's ring
And still it held. Her neck, encompassed, bound,
Chafed at the sliding meshes. Such a thing
To hurl her out of joy! A gilded string
Binding her folly to her, and those curls
Which lay entwined beneath the clustered pearls!
Again she tried to break the cord. It stood.
'Unclasp it, Theodore,' she begged. But he
Refused, and being in a happy mood,
Twitted her with her inefficiency,
Then looking at her very seriously:
'I think, Charlotta, it is well to have
Always about one what a mother gave.
As she has taken the great pains to send
This jewel to you from Dresden, it will be
Ingratitude if you do not intend
To carry it about you constantly.
With her fine taste you cannot disagree,
The locket is most beautifully designed.'
He opened it and there the curls were, twined.
Charlotta's heart dropped beats like knitting-stitches.
She burned a moment, flaming; then she froze.
Her face was jerked by little, nervous twitches,
She heard her husband asking: 'What are those?'
Put out her hand quickly to interpose,
But stopped, the gesture half-complete, astounded
At the calm way the question was propounded.
'A pretty fancy, Dear, I do declare.
Indeed I will not let you put it off.
A lovely thought: yours and your mother's hair!'
Charlotta hid a gasp under a cough.
'Never with my connivance shall you doff
This charming gift.' He kissed her on the cheek,
290
And Lotta suffered him, quite crushed and meek.
When later in their room she lay awake,
Watching the moonlight slip along the floor,
She felt the chain and wept for Theodore's sake.
She had loved Heinrich also, and the core
Of truth, unlovely, startled her. Wherefore
She vowed from now to break this double life
And see herself only as Theodore's wife.
Part Fifth
It was no easy matter to convince
Heinrich that it was finished. Hard to say
That though they could not meet (he saw her wince)
She still must keep the locket to allay
Suspicion in her husband. She would pay
Him from her savings bit by bit - the oath
He swore at that was startling to them both.
Her resolution taken, Frau Altgelt
Adhered to it, and suffered no regret.
She found her husband all that she had felt
His music to contain. Her days were set
In his as though she were an amulet
Cased in bright gold. She joyed in her confining;
Her eyes put out her looking-glass with shining.
Charlotta was so gay that old, dull tasks
Were furbished up to seem like rituals.
She baked and brewed as one who only asks
The right to serve. Her daily manuals
Of prayer were duties, and her festivals
When Theodore praised some dish, or frankly said
She had a knack in making up a bed.
So Autumn went, and all the mountains round
The city glittered white with fallen snow,
For it was Winter. Over the hard ground
Herr Altgelt's footsteps came, each one a blow.
On the swept flags behind the currant row
Charlotta stood to greet him. But his lip
291
Only flicked hers. His Concert-Meistership
Was first again. This evening he had got
Important news. The opera ordered from
Young Mozart was arrived. That old despot,
The Bishop of Salzburg, had let him come
Himself to lead it, and the parts, still hot
From copying, had been tried over. Never
Had any music started such a fever.
The orchestra had cheered till they were hoarse,
The singers clapped and clapped. The town was made,
With such a great attraction through the course
Of Carnival time. In what utter shade
All other cities would be left! The trade
In music would all drift here naturally.
In his excitement he forgot his tea.
Lotta was forced to take his cup and put
It in his hand. But still he rattled on,
Sipping at intervals. The new catgut
Strings he was using gave out such a tone
The 'Maestro' had remarked it, and had gone
Out of his way to praise him. Lotta smiled,
He was as happy as a little child.
From that day on, Herr Altgelt, more and more,
Absorbed himself in work. Lotta at first
Was patient and well-wishing. But it wore
Upon her when two weeks had brought no burst
Of loving from him. Then she feared the worst;
That his short interest in her was a light
Flared up an instant only in the night.
`Idomeneo' was the opera's name,
A name that poor Charlotta learnt to hate.
Herr Altgelt worked so hard he seldom came
Home for his tea, and it was very late,
Past midnight sometimes, when he knocked. His state
Was like a flabby orange whose crushed skin
Is thin with pulling, and all dented in.
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He practised every morning and her heart
Followed his bow. But often she would sit,
While he was playing, quite withdrawn apart,
Absently fingering and touching it,
The locket, which now seemed to her a bit
Of some gone youth. His music drew her tears,
And through the notes he played, her dreading ears
Heard Heinrich's voice, saying he had not changed;
Beer merchants had no ecstasies to take
Their minds off love. So far her thoughts had ranged
Away from her stern vow, she chanced to take
Her way, one morning, quite by a mistake,
Along the street where Heinrich had his shop.
What harm to pass it since she should not stop!
It matters nothing how one day she met
Him on a bridge, and blushed, and hurried by.
Nor how the following week he stood to let
Her pass, the pavement narrowing suddenly.
How once he took her basket, and once he
Pulled back a rearing horse who might have struck
Her with his hoofs. It seemed the oddest luck
How many times their business took them each
Right to the other. Then at last he spoke,
But she would only nod, he got no speech
From her. Next time he treated it in joke,
And that so lightly that her vow she broke
And answered. So they drifted into seeing
Each other as before. There was no fleeing.
Christmas was over and the Carnival
Was very near, and tripping from each tongue
Was talk of the new opera. Each book-stall
Flaunted it out in bills, what airs were sung,
What singers hired. Pictures of the young
'Maestro' were for sale. The town was mad.
Only Charlotta felt depressed and sad.
Each day now brought a struggle 'twixt her will
And Heinrich's. 'Twixt her love for Theodore
293
And him. Sometimes she wished to kill
Herself to solve her problem. For a score
Of reasons Heinrich tempted her. He bore
Her moods with patience, and so surely urged
Himself upon her, she was slowly merged
Into his way of thinking, and to fly
With him seemed easy. But next morning would
The Stradivarius undo her mood.
Then she would realize that she must cleave
Always to Theodore. And she would try
To convince Heinrich she should never leave,
And afterwards she would go home and grieve.
All thought in Munich centered on the part
Of January when there would be given
`Idomeneo' by Wolfgang Mozart.
The twenty-ninth was fixed. And all seats, even
Those almost at the ceiling, which were driven
Behind the highest gallery, were sold.
The inches of the theatre went for gold.
Herr Altgelt was a shadow worn so thin
With work, he hardly printed black behind
The candle. He and his old violin
Made up one person. He was not unkind,
But dazed outside his playing, and the rind,
The pine and maple of his fiddle, guarded
A part of him which he had quite discarded.
It woke in the silence of frost-bright nights,
In little lights,
Like will-o'-the-wisps flickering, fluttering,
Here - there Spurting, sputtering,
Fading and lighting,
Together, asunder Till Lotta sat up in bed with wonder,
And the faint grey patch of the window shone
Upon her sitting there, alone.
For Theodore slept.
294
The twenty-eighth was last rehearsal day,
'Twas called for noon, so early morning meant
Herr Altgelt's only time in which to play
His part alone. Drawn like a monk who's spent
Himself in prayer and fasting, Theodore went
Into the kitchen, with a weary word
Of cheer to Lotta, careless if she heard.
Lotta heard more than his spoken word.
She heard the vibrating of strings and wood.
She was washing the dishes, her hands all suds,
When the sound began,
Long as the span
Of a white road snaking about a hill.
The orchards are filled
With cherry blossoms at butterfly poise.
Hawthorn buds are cracking,
And in the distance a shepherd is clacking
His shears, snip-snipping the wool from his sheep.
The notes are asleep,
Lying adrift on the air
In level lines
Like sunlight hanging in pines and pines,
Strung and threaded,
All imbedded
In the blue-green of the hazy pines.
Lines - long, straight lines!
And stems,
Long, straight stems
Pushing up
To the cup of blue, blue sky.
Stems growing misty
With the many of them,
Red-green mist
Of the trees,
And these
Wood-flavoured notes.
The back is maple and the belly is pine.
The rich notes twine
As though weaving in and out of leaves,
Broad leaves
Flapping slowly like elephants' ears,
295
Waving and falling.
Another sound peers
Through little pine fingers,
And lingers, peeping.
Ping! Ping! pizzicato, something is cheeping.
There is a twittering up in the branches,
A chirp and a lilt,
And crimson atilt on a swaying twig.
Wings! Wings!
And a little ruffled-out throat which sings.
The forest bends, tumultuous
With song.
The woodpecker knocks,
And the song-sparrow trills,
Every fir, and cedar, and yew
Has a nest or a bird,
It is quite absurd
To hear them cutting across each other:
Peewits, and thrushes, and larks, all at once,
And a loud cuckoo is trying to smother
A wood-pigeon perched on a birch,
'Roo - coo - oo - oo -'
'Cuckoo! Cuckoo! That's one for you!'
A blackbird whistles, how sharp, how shrill!
And the great trees toss
And leaves blow down,
You can almost hear them splash on the ground.
The whistle again:
It is double and loud!
The leaves are splashing,
And water is dashing
Over those creepers, for they are shrouds;
And men are running up them to furl the sails,
For there is a capful of wind to-day,
And we are already well under way.
The deck is aslant in the bubbling breeze.
'Theodore, please.
Oh, Dear, how you tease!'
And the boatswain's whistle sounds again,
And the men pull on the sheets:
'My name is Hanging Johnny,
Away-i-oh;
296
They call me Hanging Johnny,
So hang, boys, hang.'
The trees of the forest are masts, tall masts;
They are swinging over
Her and her lover.
Almost swooning
Under the ballooning canvas,
She lies
Looking up in his eyes
As he bends farther over.
Theodore, still her lover!
The suds were dried upon Charlotta's hands,
She leant against the table for support,
Wholly forgotten. Theodore's eyes were brands
Burning upon his music. He stopped short.
Charlotta almost heard the sound of bands
Snapping. She put one hand up to her heart,
Her fingers touched the locket with a start.
Herr Altgelt put his violin away
Listlessly. 'Lotta, I must have some rest.
The strain will be a hideous one to-day.
Don't speak to me at all. It will be best
If I am quiet till I go.' And lest
She disobey, he left her. On the stairs
She heard his mounting steps. What use were prayers!
He could not hear, he was not there, for she
Was married to a mummy, a machine.
Her hand closed on the locket bitterly.
Before her, on a chair, lay the shagreen
Case of his violin. She saw the clean
Sun flash the open clasp. The locket's edge
Cut at her fingers like a pushing wedge.
A heavy cart went by, a distant bell
Chimed ten, the fire flickered in the grate.
She was alone. Her throat began to swell
With sobs. What kept her here, why should she wait?
The violin she had begun to hate
Lay in its case before her. Here she flung
297
The cover open. With the fiddle swung
Over her head, the hanging clock's loud ticking
Caught on her ear. 'Twas slow, and as she paused
The little door in it came open, flicking
A wooden cuckoo out: 'Cuckoo!' It caused
The forest dream to come again. 'Cuckoo!'
Smashed on the grate, the violin broke in two.
'Cuckoo! Cuckoo!' the clock kept striking on;
But no one listened. Frau Altgelt had gone.
~ Amy Lowell,
1408:TO J. MILSAND, OF DIJON.

1840.

BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
               Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
           Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
           "Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
         Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
         "The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
    Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
             Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
             For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
      In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
           In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
               Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
            Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
             Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
               Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
               The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
         Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
                 Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.


~ Robert Browning, Sordello - Book the First
,
1409:Geraint And Enid
O purblind race of miserable men,
How many among us at this very hour
Do forge a life-long trouble for ourselves,
By taking true for false, or false for true;
Here, through the feeble twilight of this world
Groping, how many, until we pass and reach
That other, where we see as we are seen!
So fared it with Geraint, who issuing forth
That morning, when they both had got to horse,
Perhaps because he loved her passionately,
And felt that tempest brooding round his heart,
Which, if he spoke at all, would break perforce
Upon a head so dear in thunder, said:
'Not at my side. I charge thee ride before,
Ever a good way on before; and this
I charge thee, on thy duty as a wife,
Whatever happens, not to speak to me,
No, not a word!' and Enid was aghast;
And forth they rode, but scarce three paces on,
When crying out, 'Effeminate as I am,
I will not fight my way with gilded arms,
All shall be iron;' he loosed a mighty purse,
Hung at his belt, and hurled it toward the squire.
So the last sight that Enid had of home
Was all the marble threshold flashing, strown
With gold and scattered coinage, and the squire
Chafing his shoulder: then he cried again,
'To the wilds!' and Enid leading down the tracks
Through which he bad her lead him on, they past
The marches, and by bandit-haunted holds,
Gray swamps and pools, waste places of the hern,
And wildernesses, perilous paths, they rode:
Round was their pace at first, but slackened soon:
A stranger meeting them had surely thought
They rode so slowly and they looked so pale,
That each had suffered some exceeding wrong.
For he was ever saying to himself,
'O I that wasted time to tend upon her,
145
To compass her with sweet observances,
To dress her beautifully and keep her true'-And there he broke the sentence in his heart
Abruptly, as a man upon his tongue
May break it, when his passion masters him.
And she was ever praying the sweet heavens
To save her dear lord whole from any wound.
And ever in her mind she cast about
For that unnoticed failing in herself,
Which made him look so cloudy and so cold;
Till the great plover's human whistle amazed
Her heart, and glancing round the waste she feared
In ever wavering brake an ambuscade.
Then thought again, 'If there be such in me,
I might amend it by the grace of Heaven,
If he would only speak and tell me of it.'
But when the fourth part of the day was gone,
Then Enid was aware of three tall knights
On horseback, wholly armed, behind a rock
In shadow, waiting for them, caitiffs all;
And heard one crying to his fellow, 'Look,
Here comes a laggard hanging down his head,
Who seems no bolder than a beaten hound;
Come, we will slay him and will have his horse
And armour, and his damsel shall be ours.'
Then Enid pondered in her heart, and said:
'I will go back a little to my lord,
And I will tell him all their caitiff talk;
For, be he wroth even to slaying me,
Far liefer by his dear hand had I die,
Than that my lord should suffer loss or shame.'
Then she went back some paces of return,
Met his full frown timidly firm, and said;
'My lord, I saw three bandits by the rock
Waiting to fall on you, and heard them boast
That they would slay you, and possess your horse
And armour, and your damsel should be theirs.'
He made a wrathful answer: 'Did I wish
146
Your warning or your silence? one command
I laid upon you, not to speak to me,
And thus ye keep it! Well then, look--for now,
Whether ye wish me victory or defeat,
Long for my life, or hunger for my death,
Yourself shall see my vigour is not lost.'
Then Enid waited pale and sorrowful,
And down upon him bare the bandit three.
And at the midmost charging, Prince Geraint
Drave the long spear a cubit through his breast
And out beyond; and then against his brace
Of comrades, each of whom had broken on him
A lance that splintered like an icicle,
Swung from his brand a windy buffet out
Once, twice, to right, to left, and stunned the twain
Or slew them, and dismounting like a man
That skins the wild beast after slaying him,
Stript from the three dead wolves of woman born
The three gay suits of armour which they wore,
And let the bodies lie, but bound the suits
Of armour on their horses, each on each,
And tied the bridle-reins of all the three
Together, and said to her, 'Drive them on
Before you;' and she drove them through the waste.
He followed nearer; ruth began to work
Against his anger in him, while he watched
The being he loved best in all the world,
With difficulty in mild obedience
Driving them on: he fain had spoken to her,
And loosed in words of sudden fire the wrath
And smouldered wrong that burnt him all within;
But evermore it seemed an easier thing
At once without remorse to strike her dead,
Than to cry 'Halt,' and to her own bright face
Accuse her of the least immodesty:
And thus tongue-tied, it made him wroth the more
That she COULD speak whom his own ear had heard
Call herself false: and suffering thus he made
Minutes an age: but in scarce longer time
Than at Caerleon the full-tided Usk,
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Before he turn to fall seaward again,
Pauses, did Enid, keeping watch, behold
In the first shallow shade of a deep wood,
Before a gloom of stubborn-shafted oaks,
Three other horsemen waiting, wholly armed,
Whereof one seemed far larger than her lord,
And shook her pulses, crying, 'Look, a prize!
Three horses and three goodly suits of arms,
And all in charge of whom? a girl: set on.'
'Nay,' said the second, 'yonder comes a knight.'
The third, 'A craven; how he hangs his head.'
The giant answered merrily, 'Yea, but one?
Wait here, and when he passes fall upon him.'
And Enid pondered in her heart and said,
'I will abide the coming of my lord,
And I will tell him all their villainy.
My lord is weary with the fight before,
And they will fall upon him unawares.
I needs must disobey him for his good;
How should I dare obey him to his harm?
Needs must I speak, and though he kill me for it,
I save a life dearer to me than mine.'
And she abode his coming, and said to him
With timid firmness, 'Have I leave to speak?'
He said, 'Ye take it, speaking,' and she spoke.
'There lurk three villains yonder in the wood,
And each of them is wholly armed, and one
Is larger-limbed than you are, and they say
That they will fall upon you while ye pass.'
To which he flung a wrathful answer back:
'And if there were an hundred in the wood,
And every man were larger-limbed than I,
And all at once should sally out upon me,
I swear it would not ruffle me so much
As you that not obey me. Stand aside,
And if I fall, cleave to the better man.'
And Enid stood aside to wait the event,
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Not dare to watch the combat, only breathe
Short fits of prayer, at every stroke a breath.
And he, she dreaded most, bare down upon him.
Aimed at the helm, his lance erred; but Geraint's,
A little in the late encounter strained,
Struck through the bulky bandit's corselet home,
And then brake short, and down his enemy rolled,
And there lay still; as he that tells the tale
Saw once a great piece of a promontory,
That had a sapling growing on it, slide
From the long shore-cliff's windy walls to the beach,
And there lie still, and yet the sapling grew:
So lay the man transfixt. His craven pair
Of comrades making slowlier at the Prince,
When now they saw their bulwark fallen, stood;
On whom the victor, to confound them more,
Spurred with his terrible war-cry; for as one,
That listens near a torrent mountain-brook,
All through the crash of the near cataract hears
The drumming thunder of the huger fall
At distance, were the soldiers wont to hear
His voice in battle, and be kindled by it,
And foemen scared, like that false pair who turned
Flying, but, overtaken, died the death
Themselves had wrought on many an innocent.
Thereon Geraint, dismounting, picked the lance
That pleased him best, and drew from those dead wolves
Their three gay suits of armour, each from each,
And bound them on their horses, each on each,
And tied the bridle-reins of all the three
Together, and said to her, 'Drive them on
Before you,' and she drove them through the wood.
He followed nearer still: the pain she had
To keep them in the wild ways of the wood,
Two sets of three laden with jingling arms,
Together, served a little to disedge
The sharpness of that pain about her heart:
And they themselves, like creatures gently born
But into bad hands fallen, and now so long
By bandits groomed, pricked their light ears, and felt
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Her low firm voice and tender government.
So through the green gloom of the wood they past,
And issuing under open heavens beheld
A little town with towers, upon a rock,
And close beneath, a meadow gemlike chased
In the brown wild, and mowers mowing in it:
And down a rocky pathway from the place
There came a fair-haired youth, that in his hand
Bare victual for the mowers: and Geraint
Had ruth again on Enid looking pale:
Then, moving downward to the meadow ground,
He, when the fair-haired youth came by him, said,
'Friend, let her eat; the damsel is so faint.'
'Yea, willingly,' replied the youth; 'and thou,
My lord, eat also, though the fare is coarse,
And only meet for mowers;' then set down
His basket, and dismounting on the sward
They let the horses graze, and ate themselves.
And Enid took a little delicately,
Less having stomach for it than desire
To close with her lord's pleasure; but Geraint
Ate all the mowers' victual unawares,
And when he found all empty, was amazed;
And 'Boy,' said he, 'I have eaten all, but take
A horse and arms for guerdon; choose the best.'
He, reddening in extremity of delight,
'My lord, you overpay me fifty-fold.'
'Ye will be all the wealthier,' cried the Prince.
'I take it as free gift, then,' said the boy,
'Not guerdon; for myself can easily,
While your good damsel rests, return, and fetch
Fresh victual for these mowers of our Earl;
For these are his, and all the field is his,
And I myself am his; and I will tell him
How great a man thou art: he loves to know
When men of mark are in his territory:
And he will have thee to his palace here,
And serve thee costlier than with mowers' fare.'
Then said Geraint, 'I wish no better fare:
I never ate with angrier appetite
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Than when I left your mowers dinnerless.
And into no Earl's palace will I go.
I know, God knows, too much of palaces!
And if he want me, let him come to me.
But hire us some fair chamber for the night,
And stalling for the horses, and return
With victual for these men, and let us know.'
'Yea, my kind lord,' said the glad youth, and went,
Held his head high, and thought himself a knight,
And up the rocky pathway disappeared,
Leading the horse, and they were left alone.
But when the Prince had brought his errant eyes
Home from the rock, sideways he let them glance
At Enid, where she droopt: his own false doom,
That shadow of mistrust should never cross
Betwixt them, came upon him, and he sighed;
Then with another humorous ruth remarked
The lusty mowers labouring dinnerless,
And watched the sun blaze on the turning scythe,
And after nodded sleepily in the heat.
But she, remembering her old ruined hall,
And all the windy clamour of the daws
About her hollow turret, plucked the grass
There growing longest by the meadow's edge,
And into many a listless annulet,
Now over, now beneath her marriage ring,
Wove and unwove it, till the boy returned
And told them of a chamber, and they went;
Where, after saying to her, 'If ye will,
Call for the woman of the house,' to which
She answered, 'Thanks, my lord;' the two remained
Apart by all the chamber's width, and mute
As two creatures voiceless through the fault of birth,
Or two wild men supporters of a shield,
Painted, who stare at open space, nor glance
The one at other, parted by the shield.
On a sudden, many a voice along the street,
And heel against the pavement echoing, burst
Their drowse; and either started while the door,
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Pushed from without, drave backward to the wall,
And midmost of a rout of roisterers,
Femininely fair and dissolutely pale,
Her suitor in old years before Geraint,
Entered, the wild lord of the place, Limours.
He moving up with pliant courtliness,
Greeted Geraint full face, but stealthily,
In the mid-warmth of welcome and graspt hand,
Found Enid with the corner of his eye,
And knew her sitting sad and solitary.
Then cried Geraint for wine and goodly cheer
To feed the sudden guest, and sumptuously
According to his fashion, bad the host
Call in what men soever were his friends,
And feast with these in honour of their Earl;
'And care not for the cost; the cost is mine.'
And wine and food were brought, and Earl Limours
Drank till he jested with all ease, and told
Free tales, and took the word and played upon it,
And made it of two colours; for his talk,
When wine and free companions kindled him,
Was wont to glance and sparkle like a gem
Of fifty facets; thus he moved the Prince
To laughter and his comrades to applause.
Then, when the Prince was merry, asked Limours,
'Your leave, my lord, to cross the room, and speak
To your good damsel there who sits apart,
And seems so lonely?' 'My free leave,' he said;
'Get her to speak: she doth not speak to me.'
Then rose Limours, and looking at his feet,
Like him who tries the bridge he fears may fail,
Crost and came near, lifted adoring eyes,
Bowed at her side and uttered whisperingly:
'Enid, the pilot star of my lone life,
Enid, my early and my only love,
Enid, the loss of whom hath turned me wild-What chance is this? how is it I see you here?
Ye are in my power at last, are in my power.
Yet fear me not: I call mine own self wild,
But keep a touch of sweet civility
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Here in the heart of waste and wilderness.
I thought, but that your father came between,
In former days you saw me favourably.
And if it were so do not keep it back:
Make me a little happier: let me know it:
Owe you me nothing for a life half-lost?
Yea, yea, the whole dear debt of all you are.
And, Enid, you and he, I see with joy,
Ye sit apart, you do not speak to him,
You come with no attendance, page or maid,
To serve you--doth he love you as of old?
For, call it lovers' quarrels, yet I know
Though men may bicker with the things they love,
They would not make them laughable in all eyes,
Not while they loved them; and your wretched dress,
A wretched insult on you, dumbly speaks
Your story, that this man loves you no more.
Your beauty is no beauty to him now:
A common chance--right well I know it--palled-For I know men: nor will ye win him back,
For the man's love once gone never returns.
But here is one who loves you as of old;
With more exceeding passion than of old:
Good, speak the word: my followers ring him round:
He sits unarmed; I hold a finger up;
They understand: nay; I do not mean blood:
Nor need ye look so scared at what I say:
My malice is no deeper than a moat,
No stronger than a wall: there is the keep;
He shall not cross us more; speak but the word:
Or speak it not; but then by Him that made me
The one true lover whom you ever owned,
I will make use of all the power I have.
O pardon me! the madness of that hour,
When first I parted from thee, moves me yet.'
At this the tender sound of his own voice
And sweet self-pity, or the fancy of it,
Made his eye moist; but Enid feared his eyes,
Moist as they were, wine-heated from the feast;
And answered with such craft as women use,
Guilty or guiltless, to stave off a chance
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That breaks upon them perilously, and said:
'Earl, if you love me as in former years,
And do not practise on me, come with morn,
And snatch me from him as by violence;
Leave me tonight: I am weary to the death.'
Low at leave-taking, with his brandished plume
Brushing his instep, bowed the all-amorous Earl,
And the stout Prince bad him a loud good-night.
He moving homeward babbled to his men,
How Enid never loved a man but him,
Nor cared a broken egg-shell for her lord.
But Enid left alone with Prince Geraint,
Debating his command of silence given,
And that she now perforce must violate it,
Held commune with herself, and while she held
He fell asleep, and Enid had no heart
To wake him, but hung o'er him, wholly pleased
To find him yet unwounded after fight,
And hear him breathing low and equally.
Anon she rose, and stepping lightly, heaped
The pieces of his armour in one place,
All to be there against a sudden need;
Then dozed awhile herself, but overtoiled
By that day's grief and travel, evermore
Seemed catching at a rootless thorn, and then
Went slipping down horrible precipices,
And strongly striking out her limbs awoke;
Then thought she heard the wild Earl at the door,
With all his rout of random followers,
Sound on a dreadful trumpet, summoning her;
Which was the red cock shouting to the light,
As the gray dawn stole o'er the dewy world,
And glimmered on his armour in the room.
And once again she rose to look at it,
But touched it unawares: jangling, the casque
Fell, and he started up and stared at her.
Then breaking his command of silence given,
She told him all that Earl Limours had said,
Except the passage that he loved her not;
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Nor left untold the craft herself had used;
But ended with apology so sweet,
Low-spoken, and of so few words, and seemed
So justified by that necessity,
That though he thought 'was it for him she wept
In Devon?' he but gave a wrathful groan,
Saying, 'Your sweet faces make good fellows fools
And traitors. Call the host and bid him bring
Charger and palfrey.' So she glided out
Among the heavy breathings of the house,
And like a household Spirit at the walls
Beat, till she woke the sleepers, and returned:
Then tending her rough lord, though all unasked,
In silence, did him service as a squire;
Till issuing armed he found the host and cried,
'Thy reckoning, friend?' and ere he learnt it, 'Take
Five horses and their armours;' and the host
Suddenly honest, answered in amaze,
'My lord, I scarce have spent the worth of one!'
'Ye will be all the wealthier,' said the Prince,
And then to Enid, 'Forward! and today
I charge you, Enid, more especially,
What thing soever ye may hear, or see,
Or fancy (though I count it of small use
To charge you) that ye speak not but obey.'
And Enid answered, 'Yea, my lord, I know
Your wish, and would obey; but riding first,
I hear the violent threats you do not hear,
I see the danger which you cannot see:
Then not to give you warning, that seems hard;
Almost beyond me: yet I would obey.'
'Yea so,' said he, 'do it: be not too wise;
Seeing that ye are wedded to a man,
Not all mismated with a yawning clown,
But one with arms to guard his head and yours,
With eyes to find you out however far,
And ears to hear you even in his dreams.'
With that he turned and looked as keenly at her
As careful robins eye the delver's toil;
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And that within her, which a wanton fool,
Or hasty judger would have called her guilt,
Made her cheek burn and either eyelid fall.
And Geraint looked and was not satisfied.
Then forward by a way which, beaten broad,
Led from the territory of false Limours
To the waste earldom of another earl,
Doorm, whom his shaking vassals called the Bull,
Went Enid with her sullen follower on.
Once she looked back, and when she saw him ride
More near by many a rood than yestermorn,
It wellnigh made her cheerful; till Geraint
Waving an angry hand as who should say
'Ye watch me,' saddened all her heart again.
But while the sun yet beat a dewy blade,
The sound of many a heavily-galloping hoof
Smote on her ear, and turning round she saw
Dust, and the points of lances bicker in it.
Then not to disobey her lord's behest,
And yet to give him warning, for he rode
As if he heard not, moving back she held
Her finger up, and pointed to the dust.
At which the warrior in his obstinacy,
Because she kept the letter of his word,
Was in a manner pleased, and turning, stood.
And in the moment after, wild Limours,
Borne on a black horse, like a thunder-cloud
Whose skirts are loosened by the breaking storm,
Half ridden off with by the thing he rode,
And all in passion uttering a dry shriek,
Dashed down on Geraint, who closed with him, and bore
Down by the length of lance and arm beyond
The crupper, and so left him stunned or dead,
And overthrew the next that followed him,
And blindly rushed on all the rout behind.
But at the flash and motion of the man
They vanished panic-stricken, like a shoal
Of darting fish, that on a summer morn
Adown the crystal dykes at Camelot
Come slipping o'er their shadows on the sand,
But if a man who stands upon the brink
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But lift a shining hand against the sun,
There is not left the twinkle of a fin
Betwixt the cressy islets white in flower;
So, scared but at the motion of the man,
Fled all the boon companions of the Earl,
And left him lying in the public way;
So vanish friendships only made in wine.
Then like a stormy sunlight smiled Geraint,
Who saw the chargers of the two that fell
Start from their fallen lords, and wildly fly,
Mixt with the flyers. 'Horse and man,' he said,
'All of one mind and all right-honest friends!
Not a hoof left: and I methinks till now
Was honest--paid with horses and with arms;
I cannot steal or plunder, no nor beg:
And so what say ye, shall we strip him there
Your lover? has your palfrey heart enough
To bear his armour? shall we fast, or dine?
No?--then do thou, being right honest, pray
That we may meet the horsemen of Earl Doorm,
I too would still be honest.' Thus he said:
And sadly gazing on her bridle-reins,
And answering not one word, she led the way.
But as a man to whom a dreadful loss
Falls in a far land and he knows it not,
But coming back he learns it, and the loss
So pains him that he sickens nigh to death;
So fared it with Geraint, who being pricked
In combat with the follower of Limours,
Bled underneath his armour secretly,
And so rode on, nor told his gentle wife
What ailed him, hardly knowing it himself,
Till his eye darkened and his helmet wagged;
And at a sudden swerving of the road,
Though happily down on a bank of grass,
The Prince, without a word, from his horse fell.
And Enid heard the clashing of his fall,
Suddenly came, and at his side all pale
Dismounting, loosed the fastenings of his arms,
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Nor let her true hand falter, nor blue eye
Moisten, till she had lighted on his wound,
And tearing off her veil of faded silk
Had bared her forehead to the blistering sun,
And swathed the hurt that drained her dear lord's life.
Then after all was done that hand could do,
She rested, and her desolation came
Upon her, and she wept beside the way.
And many past, but none regarded her,
For in that realm of lawless turbulence,
A woman weeping for her murdered mate
Was cared as much for as a summer shower:
One took him for a victim of Earl Doorm,
Nor dared to waste a perilous pity on him:
Another hurrying past, a man-at-arms,
Rode on a mission to the bandit Earl;
Half whistling and half singing a coarse song,
He drove the dust against her veilless eyes:
Another, flying from the wrath of Doorm
Before an ever-fancied arrow, made
The long way smoke beneath him in his fear;
At which her palfrey whinnying lifted heel,
And scoured into the coppices and was lost,
While the great charger stood, grieved like a man.
But at the point of noon the huge Earl Doorm,
Broad-faced with under-fringe of russet beard,
Bound on a foray, rolling eyes of prey,
Came riding with a hundred lances up;
But ere he came, like one that hails a ship,
Cried out with a big voice, 'What, is he dead?'
'No, no, not dead!' she answered in all haste.
'Would some of your people take him up,
And bear him hence out of this cruel sun?
Most sure am I, quite sure, he is not dead.'
Then said Earl Doorm: 'Well, if he be not dead,
Why wail ye for him thus? ye seem a child.
And be he dead, I count you for a fool;
Your wailing will not quicken him: dead or not,
Ye mar a comely face with idiot tears.
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Yet, since the face IS comely--some of you,
Here, take him up, and bear him to our hall:
An if he live, we will have him of our band;
And if he die, why earth has earth enough
To hide him. See ye take the charger too,
A noble one.'
He spake, and past away,
But left two brawny spearmen, who advanced,
Each growling like a dog, when his good bone
Seems to be plucked at by the village boys
Who love to vex him eating, and he fears
To lose his bone, and lays his foot upon it,
Gnawing and growling: so the ruffians growled,
Fearing to lose, and all for a dead man,
Their chance of booty from the morning's raid,
Yet raised and laid him on a litter-bier,
Such as they brought upon their forays out
For those that might be wounded; laid him on it
All in the hollow of his shield, and took
And bore him to the naked hall of Doorm,
(His gentle charger following him unled)
And cast him and the bier in which he lay
Down on an oaken settle in the hall,
And then departed, hot in haste to join
Their luckier mates, but growling as before,
And cursing their lost time, and the dead man,
And their own Earl, and their own souls, and her.
They might as well have blest her: she was deaf
To blessing or to cursing save from one.
So for long hours sat Enid by her lord,
There in the naked hall, propping his head,
And chafing his pale hands, and calling to him.
Till at the last he wakened from his swoon,
And found his own dear bride propping his head,
And chafing his faint hands, and calling to him;
And felt the warm tears falling on his face;
And said to his own heart, 'She weeps for me:'
And yet lay still, and feigned himself as dead,
That he might prove her to the uttermost,
And say to his own heart, 'She weeps for me.'
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But in the falling afternoon returned
The huge Earl Doorm with plunder to the hall.
His lusty spearmen followed him with noise:
Each hurling down a heap of things that rang
Against his pavement, cast his lance aside,
And doffed his helm: and then there fluttered in,
Half-bold, half-frighted, with dilated eyes,
A tribe of women, dressed in many hues,
And mingled with the spearmen: and Earl Doorm
Struck with a knife's haft hard against the board,
And called for flesh and wine to feed his spears.
And men brought in whole hogs and quarter beeves,
And all the hall was dim with steam of flesh:
And none spake word, but all sat down at once,
And ate with tumult in the naked hall,
Feeding like horses when you hear them feed;
Till Enid shrank far back into herself,
To shun the wild ways of the lawless tribe.
But when Earl Doorm had eaten all he would,
He rolled his eyes about the hall, and found
A damsel drooping in a corner of it.
Then he remembered her, and how she wept;
And out of her there came a power upon him;
And rising on the sudden he said, 'Eat!
I never yet beheld a thing so pale.
God's curse, it makes me mad to see you weep.
Eat! Look yourself. Good luck had your good man,
For were I dead who is it would weep for me?
Sweet lady, never since I first drew breath
Have I beheld a lily like yourself.
And so there lived some colour in your cheek,
There is not one among my gentlewomen
Were fit to wear your slipper for a glove.
But listen to me, and by me be ruled,
And I will do the thing I have not done,
For ye shall share my earldom with me, girl,
And we will live like two birds in one nest,
And I will fetch you forage from all fields,
For I compel all creatures to my will.'
He spoke: the brawny spearman let his cheek
Bulge with the unswallowed piece, and turning stared;
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While some, whose souls the old serpent long had drawn
Down, as the worm draws in the withered leaf
And makes it earth, hissed each at other's ear
What shall not be recorded--women they,
Women, or what had been those gracious things,
But now desired the humbling of their best,
Yea, would have helped him to it: and all at once
They hated her, who took no thought of them,
But answered in low voice, her meek head yet
Drooping, 'I pray you of your courtesy,
He being as he is, to let me be.'
She spake so low he hardly heard her speak,
But like a mighty patron, satisfied
With what himself had done so graciously,
Assumed that she had thanked him, adding, 'Yea,
Eat and be glad, for I account you mine.'
She answered meekly, 'How should I be glad
Henceforth in all the world at anything,
Until my lord arise and look upon me?'
Here the huge Earl cried out upon her talk,
As all but empty heart and weariness
And sickly nothing; suddenly seized on her,
And bare her by main violence to the board,
And thrust the dish before her, crying, 'Eat.'
'No, no,' said Enid, vext, 'I will not eat
Till yonder man upon the bier arise,
And eat with me.' 'Drink, then,' he answered. 'Here!'
(And filled a horn with wine and held it to her,)
'Lo! I, myself, when flushed with fight, or hot,
God's curse, with anger--often I myself,
Before I well have drunken, scarce can eat:
Drink therefore and the wine will change thy will.'
'Not so,' she cried, 'by Heaven, I will not drink
Till my dear lord arise and bid me do it,
And drink with me; and if he rise no more,
I will not look at wine until I die.'
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At this he turned all red and paced his hall,
Now gnawed his under, now his upper lip,
And coming up close to her, said at last:
'Girl, for I see ye scorn my courtesies,
Take warning: yonder man is surely dead;
And I compel all creatures to my will.
Not eat nor drink? And wherefore wail for one,
Who put your beauty to this flout and scorn
By dressing it in rags? Amazed am I,
Beholding how ye butt against my wish,
That I forbear you thus: cross me no more.
At least put off to please me this poor gown,
This silken rag, this beggar-woman's weed:
I love that beauty should go beautifully:
For see ye not my gentlewomen here,
How gay, how suited to the house of one
Who loves that beauty should go beautifully?
Rise therefore; robe yourself in this: obey.'
He spoke, and one among his gentlewomen
Displayed a splendid silk of foreign loom,
Where like a shoaling sea the lovely blue
Played into green, and thicker down the front
With jewels than the sward with drops of dew,
When all night long a cloud clings to the hill,
And with the dawn ascending lets the day
Strike where it clung: so thickly shone the gems.
But Enid answered, harder to be moved
Than hardest tyrants in their day of power,
With life-long injuries burning unavenged,
And now their hour has come; and Enid said:
'In this poor gown my dear lord found me first,
And loved me serving in my father's hall:
In this poor gown I rode with him to court,
And there the Queen arrayed me like the sun:
In this poor gown he bad me clothe myself,
When now we rode upon this fatal quest
Of honour, where no honour can be gained:
And this poor gown I will not cast aside
Until himself arise a living man,
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And bid me cast it. I have griefs enough:
Pray you be gentle, pray you let me be:
I never loved, can never love but him:
Yea, God, I pray you of your gentleness,
He being as he is, to let me be.'
Then strode the brute Earl up and down his hall,
And took his russet beard between his teeth;
Last, coming up quite close, and in his mood
Crying, 'I count it of no more avail,
Dame, to be gentle than ungentle with you;
Take my salute,' unknightly with flat hand,
However lightly, smote her on the cheek.
Then Enid, in her utter helplessness,
And since she thought, 'He had not dared to do it,
Except he surely knew my lord was dead,'
Sent forth a sudden sharp and bitter cry,
As of a wild thing taken in the trap,
Which sees the trapper coming through the wood.
This heard Geraint, and grasping at his sword,
(It lay beside him in the hollow shield),
Made but a single bound, and with a sweep of it
Shore through the swarthy neck, and like a ball
The russet-bearded head rolled on the floor.
So died Earl Doorm by him he counted dead.
And all the men and women in the hall
Rose when they saw the dead man rise, and fled
Yelling as from a spectre, and the two
Were left alone together, and he said:
'Enid, I have used you worse than that dead man;
Done you more wrong: we both have undergone
That trouble which has left me thrice your own:
Henceforward I will rather die than doubt.
And here I lay this penance on myself,
Not, though mine own ears heard you yestermorn-You thought me sleeping, but I heard you say,
I heard you say, that you were no true wife:
I swear I will not ask your meaning in it:
I do believe yourself against yourself,
163
And will henceforward rather die than doubt.'
And Enid could not say one tender word,
She felt so blunt and stupid at the heart:
She only prayed him, 'Fly, they will return
And slay you; fly, your charger is without,
My palfrey lost.' 'Then, Enid, shall you ride
Behind me.' 'Yea,' said Enid, 'let us go.'
And moving out they found the stately horse,
Who now no more a vassal to the thief,
But free to stretch his limbs in lawful fight,
Neighed with all gladness as they came, and stooped
With a low whinny toward the pair: and she
Kissed the white star upon his noble front,
Glad also; then Geraint upon the horse
Mounted, and reached a hand, and on his foot
She set her own and climbed; he turned his face
And kissed her climbing, and she cast her arms
About him, and at once they rode away.
And never yet, since high in Paradise
O'er the four rivers the first roses blew,
Came purer pleasure unto mortal kind
Than lived through her, who in that perilous hour
Put hand to hand beneath her husband's heart,
And felt him hers again: she did not weep,
But o'er her meek eyes came a happy mist
Like that which kept the heart of Eden green
Before the useful trouble of the rain:
Yet not so misty were her meek blue eyes
As not to see before them on the path,
Right in the gateway of the bandit hold,
A knight of Arthur's court, who laid his lance
In rest, and made as if to fall upon him.
Then, fearing for his hurt and loss of blood,
She, with her mind all full of what had chanced,
Shrieked to the stranger 'Slay not a dead man!'
'The voice of Enid,' said the knight; but she,
Beholding it was Edyrn son of Nudd,
Was moved so much the more, and shrieked again,
'O cousin, slay not him who gave you life.'
And Edyrn moving frankly forward spake:
164
'My lord Geraint, I greet you with all love;
I took you for a bandit knight of Doorm;
And fear not, Enid, I should fall upon him,
Who love you, Prince, with something of the love
Wherewith we love the Heaven that chastens us.
For once, when I was up so high in pride
That I was halfway down the slope to Hell,
By overthrowing me you threw me higher.
Now, made a knight of Arthur's Table Round,
And since I knew this Earl, when I myself
Was half a bandit in my lawless hour,
I come the mouthpiece of our King to Doorm
(The King is close behind me) bidding him
Disband himself, and scatter all his powers,
Submit, and hear the judgment of the King.'
'He hears the judgment of the King of kings,'
Cried the wan Prince; 'and lo, the powers of Doorm
Are scattered,' and he pointed to the field,
Where, huddled here and there on mound and knoll,
Were men and women staring and aghast,
While some yet fled; and then he plainlier told
How the huge Earl lay slain within his hall.
But when the knight besought him, 'Follow me,
Prince, to the camp, and in the King's own ear
Speak what has chanced; ye surely have endured
Strange chances here alone;' that other flushed,
And hung his head, and halted in reply,
Fearing the mild face of the blameless King,
And after madness acted question asked:
Till Edyrn crying, 'If ye will not go
To Arthur, then will Arthur come to you,'
'Enough,' he said, 'I follow,' and they went.
But Enid in their going had two fears,
One from the bandit scattered in the field,
And one from Edyrn. Every now and then,
When Edyrn reined his charger at her side,
She shrank a little. In a hollow land,
From which old fires have broken, men may fear
Fresh fire and ruin. He, perceiving, said:
'Fair and dear cousin, you that most had cause
165
To fear me, fear no longer, I am changed.
Yourself were first the blameless cause to make
My nature's prideful sparkle in the blood
Break into furious flame; being repulsed
By Yniol and yourself, I schemed and wrought
Until I overturned him; then set up
(With one main purpose ever at my heart)
My haughty jousts, and took a paramour;
Did her mock-honour as the fairest fair,
And, toppling over all antagonism,
So waxed in pride, that I believed myself
Unconquerable, for I was wellnigh mad:
And, but for my main purpose in these jousts,
I should have slain your father, seized yourself.
I lived in hope that sometime you would come
To these my lists with him whom best you loved;
And there, poor cousin, with your meek blue eyes
The truest eyes that ever answered Heaven,
Behold me overturn and trample on him.
Then, had you cried, or knelt, or prayed to me,
I should not less have killed him. And so you came,-But once you came,--and with your own true eyes
Beheld the man you loved (I speak as one
Speaks of a service done him) overthrow
My proud self, and my purpose three years old,
And set his foot upon me, and give me life.
There was I broken down; there was I saved:
Though thence I rode all-shamed, hating the life
He gave me, meaning to be rid of it.
And all the penance the Queen laid upon me
Was but to rest awhile within her court;
Where first as sullen as a beast new-caged,
And waiting to be treated like a wolf,
Because I knew my deeds were known, I found,
Instead of scornful pity or pure scorn,
Such fine reserve and noble reticence,
Manners so kind, yet stately, such a grace
Of tenderest courtesy, that I began
To glance behind me at my former life,
And find that it had been the wolf's indeed:
And oft I talked with Dubric, the high saint,
Who, with mild heat of holy oratory,
166
Subdued me somewhat to that gentleness,
Which, when it weds with manhood, makes a man.
And you were often there about the Queen,
But saw me not, or marked not if you saw;
Nor did I care or dare to speak with you,
But kept myself aloof till I was changed;
And fear not, cousin; I am changed indeed.'
He spoke, and Enid easily believed,
Like simple noble natures, credulous
Of what they long for, good in friend or foe,
There most in those who most have done them ill.
And when they reached the camp the King himself
Advanced to greet them, and beholding her
Though pale, yet happy, asked her not a word,
But went apart with Edyrn, whom he held
In converse for a little, and returned,
And, gravely smiling, lifted her from horse,
And kissed her with all pureness, brother-like,
And showed an empty tent allotted her,
And glancing for a minute, till he saw her
Pass into it, turned to the Prince, and said:
'Prince, when of late ye prayed me for my leave
To move to your own land, and there defend
Your marches, I was pricked with some reproof,
As one that let foul wrong stagnate and be,
By having looked too much through alien eyes,
And wrought too long with delegated hands,
Not used mine own: but now behold me come
To cleanse this common sewer of all my realm,
With Edyrn and with others: have ye looked
At Edyrn? have ye seen how nobly changed?
This work of his is great and wonderful.
His very face with change of heart is changed.
The world will not believe a man repents:
And this wise world of ours is mainly right.
Full seldom doth a man repent, or use
Both grace and will to pick the vicious quitch
Of blood and custom wholly out of him,
And make all clean, and plant himself afresh.
Edyrn has done it, weeding all his heart
167
As I will weed this land before I go.
I, therefore, made him of our Table Round,
Not rashly, but have proved him everyway
One of our noblest, our most valorous,
Sanest and most obedient: and indeed
This work of Edyrn wrought upon himself
After a life of violence, seems to me
A thousand-fold more great and wonderful
Than if some knight of mine, risking his life,
My subject with my subjects under him,
Should make an onslaught single on a realm
Of robbers, though he slew them one by one,
And were himself nigh wounded to the death.'
So spake the King; low bowed the Prince, and felt
His work was neither great nor wonderful,
And past to Enid's tent; and thither came
The King's own leech to look into his hurt;
And Enid tended on him there; and there
Her constant motion round him, and the breath
Of her sweet tendance hovering over him,
Filled all the genial courses of his blood
With deeper and with ever deeper love,
As the south-west that blowing Bala lake
Fills all the sacred Dee. So past the days.
But while Geraint lay healing of his hurt,
The blameless King went forth and cast his eyes
On each of all whom Uther left in charge
Long since, to guard the justice of the King:
He looked and found them wanting; and as now
Men weed the white horse on the Berkshire hills
To keep him bright and clean as heretofore,
He rooted out the slothful officer
Or guilty, which for bribe had winked at wrong,
And in their chairs set up a stronger race
With hearts and hands, and sent a thousand men
To till the wastes, and moving everywhere
Cleared the dark places and let in the law,
And broke the bandit holds and cleansed the land.
Then, when Geraint was whole again, they past
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With Arthur to Caerleon upon Usk.
There the great Queen once more embraced her friend,
And clothed her in apparel like the day.
And though Geraint could never take again
That comfort from their converse which he took
Before the Queen's fair name was breathed upon,
He rested well content that all was well.
Thence after tarrying for a space they rode,
And fifty knights rode with them to the shores
Of Severn, and they past to their own land.
And there he kept the justice of the King
So vigorously yet mildly, that all hearts
Applauded, and the spiteful whisper died:
And being ever foremost in the chase,
And victor at the tilt and tournament,
They called him the great Prince and man of men.
But Enid, whom her ladies loved to call
Enid the Fair, a grateful people named
Enid the Good; and in their halls arose
The cry of children, Enids and Geraints
Of times to be; nor did he doubt her more,
But rested in her falty, till he crowned
A happy life with a fair death, and fell
Against the heathen of the Northern Sea
In battle, fighting for the blameless King.
~ Alfred Lord Tennyson,
1410:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
                 In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
         What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
               Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
                     Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
         Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
                All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
         (Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
       He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
         The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
             Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
           He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
            Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
                  Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
          Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
                   As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
     "Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
          The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
      Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
     His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
     Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.


~ Robert Browning, Sordello - Book the Second
,
1411:Is it the same Sordello in the dusk
As at the dawn?merely a perished husk
Now, that arose a power fit to build
Up Rome again? The proud conception chilled
So soon? Ay, watch that latest dream of thine
A Rome indebted to no Palatine
Drop arch by arch, Sordello! Art possessed
Of thy wish now, rewarded for thy quest
To-day among Ferrara's squalid sons?
Are this and this and this the shining ones
Meet for the Shining City? Sooth to say,
Your favoured tenantry pursue their way
After a fashion! This companion slips
On the smooth causey, t' other blinkard trips
At his mooned sandal. "Leave to lead the brawls
"Here i' the atria?" No, friend! He that sprawls
On aught but a stibadium . . . what his dues
Who puts the lustral vase to such an use?
Oh, huddle up the day's disasters! March,
Ye runagates, and drop thou, arch by arch,
Rome!
   Yet before they quite disbanda whim
Study mere shelter, now, for him, and him,
Nay, even the worst,just house them! Any cave
Suffices: throw out earth! A loophole? Brave!
They ask to feel the sun shine, see the grass
Grow, hear the larks sing? Dead art thou, alas,
And I am dead! But here's our son excels
At hurdle-weaving any Scythian, fells
Oak and devises rafters, dreams and shapes
His dream into a door-post, just escapes
The mystery of hinges. Lie we both
Perdue another age. The goodly growth
Of brick and stone! Our building-pelt was rough,
But that descendant's garb suits well enough
A portico-contriver. Speed the years
What 's time to us? At last, a city rears
Itself! nay, enterwhat's the grave to us?
Lo, our forlorn acquaintance carry thus
The head! Successively sewer, forum, cirque
Last age, an aqueduct was counted work,
But now they tire the artificer upon
Blank alabaster, black obsidion,
Careful, Jove's face be duly fulgurant,
And mother Venus' kiss-creased nipples pant
Back into pristine pulpiness, ere fixed
Above the baths. What difference betwixt
This Rome and oursresemblance what, between
That scurvy dumb-show and this pageant sheen
These Romans and our rabble? Use thy wit!
The work marched: step by step,a workman fit
Took each, nor too fit,to one task, one time,
No leaping o'er the petty to the prime,
When just the substituting osier lithe
For brittle bulrush, sound wood for soft withe,
To further loam-and-roughcast-work a stage,
Exacts an architect, exacts an age:
No tables of the Mauritanian tree
For men whose maple log 's their luxury!
That way was Rome built. "Better" (say you) "merge
"At once all workmen in the demiurge,
"All epochs in a lifetime, every task
"In one!" So should the sudden city bask
I' the daywhile those we 'd feast there, want the knack
Of keeping fresh-chalked gowns from speck and brack,
Distinguish not rare peacock from vile swan,
Nor Mareotic juice from Ccuban.
"Enough of Rome! 'T was happy to conceive
"Rome on a sudden, nor shall fate bereave
"Me of that credit: for the rest, her spite
"Is an old storyserves my folly right
"By adding yet another to the dull
"List of abortionsthings proved beautiful
"Could they be done, Sordello cannot do."
He sat upon the terrace, plucked and threw
The powdery aloe-cusps away, saw shift
Rome's walls, and drop arch after arch, and drift
Mist-like afar those pillars of all stripe,
Mounds of all majesty. "Thou archetype,
"Last of my dreams and loveliest, depart!"
And then a low voice wound into his heart:
"Sordello!" (low as some old Pythoness
Conceding to a Lydian King's distress
The cause of his long errorone mistake
Of her past oracle) "Sordello, wake!
"God has conceded two sights to a man
"One, of men's whole work, time's completed plan,
"The other, of the minute's work, man's first
"Step to the plan's completeness: what's dispersed
"Save hope of that supreme step which, descried
"Earliest, was meant still to remain untried
"Only to give you heart to take your own
"Step, and there stay, leaving the rest alone?
"Where is the vanity? Why count as one
"The first step, with the last step? What is gone
"Except Rome's ary magnificence,
"That last step you 'd take first?an evidence
"You were God: be man now! Let those glances fall!
"The basis, the beginning step of all,
"Which proves you just a manis that gone too?
"Pity to disconcert one versed as you
"In fate's ill-nature! but its full extent
"Eludes Sordello, even: the veil rent,
"Read the black writingthat collective man
"Outstrips the individual. Who began
"The acknowledged greatnesses? Ay, your own art
"Shall serve us: put the poet's mimes apart
"Close with the poet's self, and lo, a dim
"Yet too plain form divides itself from him!
"Alcamo's song enmeshes the lulled Isle,
"Woven into the echoes left erewhile
"By Nina, one soft web of song: no more
"Turning his name, then, flower-like o'er and o'er!
"An elder poet in the younger's place;
"Nina's the strength, but Alcamo's the grace:
"Each neutralizes each then! Search your fill;
"You get no whole and perfect Poetstill
"New Ninas, Alcamos, till time's mid-night
"Shrouds allor better say, the shutting light
"Of a forgotten yesterday. Dissect
"Every ideal workman(to reject
"In favour of your fearful ignorance
"The thousand phantasms eager to advance,
"And point you but to those within your reach)
"Were you the first who brought(in modern speech)
"The Multitude to be materialized?
"That loose eternal unrestwho devised
"An apparition i' the midst? The rout
"Was checked, a breathless ring was formed about
"That sudden flower: get round at any risk
"The gold-rough pointel, silver-blazing disk
"O' the lily! Swords across it! Reign thy reign
"And serve thy frolic service, Charlemagne!
"The very child of over-joyousness,
"Unfeeling thence, strong therefore: Strength by stress
"Of Strength comes of that forehead confident,
"Those widened eyes expecting heart's content,
"A calm as out of just-quelled noise; nor swerves
"For doubt, the ample cheek in gracious curves
"Abutting on the upthrust nether lip:
"He wills, how should he doubt then? Ages slip:
"Was it Sordello pried into the work
"So far accomplished, and discovered lurk
"A company amid the other clans,
"Only distinct in priests for castellans
"And popes for suzerains (their rule confessed
"Its rule, their interest its interest,
"Living for sake of livingthere an end,
"Wrapt in itself, no energy to spend
"In making adversaries or allies)
"Dived you into its capabilities
"And dared create, out of that sect, a soul
"Should turn a multitude, already whole,
"Into its body? Speak plainer! Is 't so sure
"God's church lives by a King's investiture?
"Look to last step! A staggeringa shock
"What 's mere sand is demolished, while the rock
"Endures: a column of black fiery dust
"Blots heaventhat help was prematurely thrust
"Aside, perchance!but air clears, nought 's erased
"Of the true outline. Thus much being firm based,
"The other was a scaffold. See him stand
"Buttressed upon his mattock, Hildebrand
"Of the huge brain-mask welded ply o'er ply
"As in a forge; it buries either eye
"White and extinct, that stupid brow; teeth clenched,
"The neck tight-corded, too, the chin deep-trenched,
"As if a cloud enveloped him while fought
"Under its shade, grim prizers, thought with thought
"At dead-lock, agonizing he, until
"The victor thought leap radiant up, and Will,
"The slave with folded arms and drooping lids
"They fought for, lean forth flame-like as it bids.
"Call him no flowera mandrake of the earth,
"Thwarted and dwarfed and blasted in its birth,
"Rather,a fruit of suffering's excess,
"Thence feeling, therefore stronger: still by stress
"Of Strength, work Knowledge! Full three hundred years
"Have men to wear away in smiles and tears
"Between the two that nearly seemed to touch,
"Observe you! quit one workman and you clutch
"Another, letting both their trains go by
"The actors-out of either's policy,
"Heinrich, on this hand, Otho, Barbaross,
"Carry the three Imperial crowns across,
"Aix' Iron, Milan's Silver, and Rome's Gold
"While Alexander, Innocent uphold
"On that, each Papal keybut, link on link,
"Why is it neither chain betrays a chink?
"How coalesce the small and great? Alack,
"For one thrust forward, fifty such fall back!
"Do the popes coupled there help Gregory
"Alone? Harkfrom the hermit Peter's cry
"At Claremont, down to the first serf that says
"Friedrich 's no liege of his while he delays
"Getting the Pope's curse off him! The Crusade
"Or trick of breeding Strength by other aid
"Than Strength, is safe. Harkfrom the wild harangue
"Of Vimmercato, to the carroch's clang
"Yonder! The Leagueor trick of turning Strength
"Against Pernicious Strength, is safe at length.
"Yet harkfrom Mantuan Albert making cease
"The fierce ones, to Saint Francis preaching peace
"Yonder! God's Truceor trick to supersede
"The very Use of Strength, is safe. Indeed
"We trench upon the future. Who is found
"To take next step, next agetrail o'er the ground
"Shall I say, gourd-like?not the flower's display
"Nor the root's prowess, but the plenteous way
"O' the plantproduced by joy and sorrow, whence
"Unfeeling and yet feeling, strongest thence?
"Knowledge by stress of merely Knowledge? No
"E'en were Sordello ready to forego
"His life for this, 't were overleaping work
"Some one has first to do, howe'er it irk,
"Nor stray a foot's breadth from the beaten road.
"Who means to help must still support the load
"Hildebrand lifted'why hast Thou,' he groaned,
"`Imposed on me a burthen, Paul had moaned,
"'And Moses dropped beneath?' Much doneand yet
"Doubtless that grandest task God ever set
"On man, left much to do: at his arm's wrench,
"Charlemagne's scaffold fell; but pillars blench
"Merely, start back againperchance have been
"Taken for buttresses: crash every screen,
"Hammer the tenons better, and engage
"A gang about your work, for the next age
"Or two, of Knowledge, part by Strength and part
"By Knowledge! Then, indeed, perchance may start
"Sordello on his racewould time divulge
"Such secrets! If one step's awry, one bulge
"Calls for correction by a step we thought
"Got over long since, why, till that is wrought,
"No progress! And the scaffold in its turn
"Becomes, its service o'er, a thing to spurn.
"Meanwhile, if your half-dozen years of life
"In store dispose you to forego the strife,
"Who takes exception? Only bear in mind
"Ferrara 's reached, Goito 's left behind:
"As you then were, as half yourself, desist!
"The warrior-part of you may, an it list,
"Finding real faulchions difficult to poise,
"Fling them afar and taste the cream of joys
"By wielding such in fancy,what is bard
"Of you may spurn the vehicle that marred
"Elys so much, and in free fancy glut
"His sense, yet write no versesyou have but
"To please yourself for law, and once could please
"What once appeared yourself, by dreaming these
"Rather than doing these, in days gone by.
"But all is changed the moment you descry
"Mankind as half yourself,then, fancy's trade
"Ends once and always: how may half evade
"The other half? men are found half of you.
"Out of a thousand helps, just one or two
"Can be accomplished presently: but flinch
"From these (as from the faulchion, raised an inch,
"Elys, described a couplet) and make proof
"Of fancy,then, while one half lolls aloof
"I' the vines, completing Rome to the tip-top
"See if, for that, your other half will stop
"A tear, begin a smile! The rabble's woes,
"Ludicrous in their patience as they chose
"To sit about their town and quietly
"Be slaughtered,the poor reckless soldiery,
"With their ignoble rhymes on Richard, how
"'Polt-foot,' sang they, 'was in a pitfall now,'
"Cheering each other from the engine-mounts,
"That crippled spawling idiot who recounts
"How, lopped of limbs, he lay, stupid as stone,
"Till the pains crept from out him one by one,
"And wriggles round the archers on his head
"To earn a morsel of their chestnut bread,
"And Cino, always in the self-same place
"Weeping; beside that other wretch's case,
"Eyepits to ear, one gangrene since he plied
"The engine in his coat of raw sheep's hide
"A double watch in the noon sun; and see
"Lucchino, beauty, with the favours free,
"Trim hacqueton, spruce beard and scented hair,
"Campaigning it for the first timecut there
"In two already, boy enough to crawl
"For latter orpine round the southern wall,
"Tom, where Richard 's kept, because that ****
"Marfisa, the fool never saw before,
"Sickened for flowers this wearisomest siege:
"And Tiso's wifemen liked their pretty liege,
"Cared for her least of whims once,Berta, wed
"A twelvemonth gone, and, now poor Tiso's dead,
"Delivering herself of his first child
"On that chance heap of wet filth, reconciled
"To fifty gazers!"(Here a wind below
Made moody music augural of woe
From the pine barrier)"What if, now the scene
"Draws to a close, yourself have really been
"You, plucking purples in Goito's moss
"Like edges of a trabea (not to cross
"Your consul-humour) or dry aloe-shafts
"For fasces, at Ferrarahe, fate wafts,
"This very age, her whole inheritance
`Of opportunities? Yet you advance
"Upon the last! Since talking is your trade,
"There 's Salinguerra left you to persuade:
"Fail! then"
       "Nonowhich latest chance secure!"
Leaped up and cried Sordello: "this made sure,
"The past were yet redeemable; its work
"Washelp the Guelfs, whom I, howe'er it irk,
"Thus help!" He shook the foolish aloe-haulm
Out of his doublet, paused, proceeded calm
To the appointed presence. The large head
Turned on its socket; "And your spokesman," said
The large voice, "is Elcorte's happy sprout?
"Few such"(so finishing a speech no doubt
Addressed to Palma, silent at his side)
"My sober councils have diversified.
"Elcorte's son! good: forward as you may,
"Our lady's minstrel with so much to say!"
The hesitating sunset floated back,
Rosily traversed in the wonted track
The chamber, from the lattice o'er the girth
Of pines, to the huge eagle blacked in earth
Opposite,outlined sudden, spur to crest,
That solid Salinguerra, and caressed
Palma's contour; 't was day looped back night's pall;
Sordello had a chance left spite of all.
And much he made of the convincing speech
Meant to compensate for the past and reach
Through his youth's daybreak of unprofit, quite
To his noon's labour, so proceed till night
Leisurely! The great argument to bind
Taurello with the Guelf Cause, body and mind,
Came the consummate rhetoric to that?
Yet most Sordello's argument dropped flat
Through his accustomed fault of breaking yoke,
Disjoining him who felt from him who spoke.
Was 't not a touching incidentso prompt
A rendering the world its just accompt,
Once proved its debtor? Who 'd suppose, before
This proof, that he, Goito's god of yore,
At duty's instance could demean himself
So memorably, dwindle to a Guelf?
Be sure, in such delicious flattery steeped,
His inmost self at the out-portion peeped,
Thus occupied; then stole a glance at those
Appealed to, curious if her colour rose
Or his lip moved, while he discreetly urged
The need of Lombardy becoming purged
At soonest of her barons; the poor part
Abandoned thus, missing the blood at heart
And spirit in brain, unseasonably off
Elsewhere! But, though his speech was worthy scoff,
Good-humoured Salinguerra, famed for tact
And tongue, who, careless of his phrase, ne'er lacked
The right phrase, and harangued Honorius dumb
At his accession,looked as all fell plumb
To purpose and himself found interest
In every point his new instructor pressed
Left playing with the rescript's white wax seal
To scrutinize Sordello head and heel.
He means to yield assent sure? No, alas!
All he replied was, "What, it comes to pass
"That poesy, sooner than politics,
"Makes fade young hair?" To think such speech could fix
Taurello!
     Then a flash of bitter truth:
So fantasies could break and fritter youth
That he had long ago lost earnestness,
Lost will to work, lost power to even express
The need of working! Earth was turned a grave:
No more occasions now, though he should crave
Just one, in right of superhuman toil,
To do what was undone, repair such spoil,
Alter the pastnothing would give the chance!
Not that he was to die; he saw askance
Protract the ignominious years beyond
To dream intime to hope and time despond,
Remember and forget, be sad, rejoice
As saved a trouble; he might, at his choice,
One way or other, idle life out, drop
No few smooth verses by the wayfor prop,
A thyrsus, these sad people, all the same,
Should pick up, and set store by,far from blame,
Plant o'er his hearse, convinced his better part
Survived him. "Rather tear men out the heart
"O' the truth!"Sordello muttered, and renewed
His propositions for the Multitude.
But Salinguerra, who at this attack
Had thrown great breast and ruffling corslet back
To hear the better, smilingly resumed
His task; beneath, the carroch's warning boomed;
He must decide with Tito; courteously
He turned then, even seeming to agree
With his admonisher"Assist the Pope,
"Extend Guelf domination, fill the scope
"O' the Church, thus based on All, by All, for All
"Change Secular to Evangelical"
Echoing his very sentence: all seemed lost,
When suddenly he looked up, laughingly almost,
To Palma: "This opinion of your friend's
"For instance, would it answer Palma's ends?
"Best, were it not, turn Guelf, submit our Strength"
(Here he drew out his baldric to its length)
"To the Pope's Knowledgelet our captive slip,
"Wide to the walls throw ope our gates, equip
"Azzo with . . . what I hold here! Who 'll subscribe
"To a trite censure of the minstrel tribe
"Henceforward? or pronounce, as Heinrich used,
"'Spear-heads for battle, burr-heads for the joust!'
"When Constance, for his couplets, would promote
"Alcamo, from a parti-coloured coat,
"To holding her lord's stirrup in the wars.
"Not that I see where couplet-making jars
"With common sense: at Mantua I had borne
"This chanted, better than their most forlorn
"Of bull-baits,that 's indisputable!"
                     Brave!
Whom vanity nigh slew, contempt shall save!
All 's at an end: a Troubadour suppose
Mankind will class him with their friends or foes?
A puny uncouth ailing vassal think
The world and him bound in some special link?
Abrupt the visionary tether burst.
What were rewarded here, or what amerced
If a poor drudge, solicitous to dream
Deservingly, got tangled by his theme
So far as to conceit the knack or gift
Or whatsoe'er it be, of verse, might lift
The globe, a lever like the hand and head
Of"Men of Action," as the Jongleurs said,
"The Great Men," in the people's dialect?
And not a moment did this scorn affect
Sordello: scorn the poet? They, for once,
Asking "what was," obtained a full response.
Bid Naddo think at Mantuahe had but
To look into his promptuary, put
Finger on a set thought in a set speech:
But was Sordello fitted thus for each
Conjecture? Nowise; since within his soul,
Perception brooded unexpressed and whole.
A healthy spirit like a healthy frame
Craves aliment in plentyall the same,
Changes, assimilates its aliment.
Perceived Sordello, on a truth intent?
Next day no formularies more you saw
Than figs or olives in a sated maw.
'T is Knowledge, whither such perceptions tend;
They lose themselves in that, means to an end,
The many old producing some one new,
A last unlike the first. If lies are true,
The Caliph's wheel-work man of brass receives
A meal, munched millet grains and lettuce leaves
Together in his stomach rattle loose;
You find them perfect next day to produce:
But ne'er expect the man, on strength of that,
Can roll an iron camel-collar flat
Like Haroun's self! I tell you, what was stored
Bit by bit through Sordello's life, outpoured
That eve, was, for that age, a novel thing:
And round those three the People formed a ring,
Of visionary judges whose award
He recognised in fullfaces that barred
Henceforth return to the old careless life,
In whose great presence, therefore, his first strife
For their sake must not be ignobly fought;
All these, for once, approved of him, he thought,
Suspended their own vengeance, chose await
The issue of this strife to reinstate
Them in the right of taking itin fact
He must be proved king ere they could exact
Vengeance for such king's defalcation. Last,
A reason why the phrases flowed so fast
Was in his quite forgetting for a time
Himself in his amazement that the rhyme
Disguised the royalty so much: he there
And Salinguerra yet all-unaware
Who was the lord, who liegeman!
                 "Thus I lay
"On thine my spirit and compel obey
"His lord,my liegeman,impotent to build
"Another Rome, but hardly so unskilled
"In what such builder should have been, as brook
"One shame beyond the charge that I forsook
"His function! Free me from that shame, I bend
"A brow before, suppose new years to spend,
"Allow each chance, nor fruitlessly, recur
"Measure thee with the Minstrel, then, demur
"At any crowd he claims! That I must cede
"Shamed now, my right to my especial meed
"Confess thee fitter help the world than I
"Ordained its champion from eternity,
"Is much: but to behold thee scorn the post
"I quit in thy behalfto hear thee boast
"What makes my own despair!" And while he rung
The changes on this theme, the roof up-sprung,
The sad walls of the presence-chamber died
Into the distance, or embowering vied
With far-away Goito's vine-frontier;
And crowds of faces(only keeping clear
The rose-light in the midst, his vantage-ground
To fight their battle from)deep clustered round
Sordello, with good wishes no mere breath,
Kind prayers for him no vapour, since, come death
Come life, he was fresh-sinewed every joint,
Each bone new-marrowed as whom gods anoint
Though mortal to their rescue. Now let sprawl
The snaky volumes hither! Is Typhon all
For Hercules to tramplegood report
From Salinguerra only to extort?
"So was I" (closed he his inculcating
A poet must be earth's essential king)
"So was I, royal so, and if I fail,
"'T is not the royalty, ye witness quail,
"But one deposed who, caring not exert
"Its proper essence, trifled malapert
"With accidents insteadgood things assigned
"As heralds of a better thing behind
"And, worthy through display of these, put forth
"Never the inmost all-surpassing worth
"That constitutes him king precisely since
"As yet no other spirit may evince
"Its like: the power he took most pride to test,
"Whereby all forms of life had been professed
"At pleasure, forms already on the earth,
"Was but a means to power beyond, whose birth
"Should, in its novelty, be kingship's proof.
"Now, whether he came near or kept aloof
"The several forms he longed to imitate,
"Not there the kingship lay, he sees too late.
"Those forms, unalterable first as last,
"Proved him her copier, not the protoplast
"Of nature: what would come of being free,
"By action to exhibit tree for tree,
"Bird, beast, for beast and bird, or prove earth bore
"One veritable man or woman more?
"Means to an end, such proofs are: what the end?
"Let essence, whatsoe'er it be, extend
"Never contract. Already you include
"The multitude; then let the multitude
"Include yourself; and the result were new:
"Themselves before, the multitude turn you.
"This were to live and move and have, in them,
"Your being, and secure a diadem
"You should transmit (because no cycle yearns
"Beyond itself, but on itself returns)
"When, the full sphere in wane, the world o'erlaid
"Long since with you, shall have in turn obeyed
"Some orb still prouder, some displayer, still
"More potent than the last, of human will,
"And some new king depose the old. Of such
"Am Iwhom pride of this elates too much?
"Safe, rather say, 'mid troops of peers again;
"I, with my words, hailed brother of the train
"Deeds once sufficed: for, let the world roll back,
"Who fails, through deeds howe'er diverse, retrack
"My purpose still, my task? A teeming crust
"Air, flame, earth, wave at conflict! Then, needs must
"Emerge some Calm embodied, these refer
"The brawl toyellow-bearded Jupiter?
"No! Saturn; some existence like a pact
"And protest against Chaos, some first fact
"I' the faint of time. My deep of life, I know
"Is unavailing e'en to poorly show" . . .
(For here the Chief immeasurably yawned)
. . . "Deeds in their due gradation till Song dawned
"The fullest effluence of the finest mind,
"All in degree, no way diverse in kind
"From minds about it, minds which, more or less,
"Lofty or low, move seeking to impress
"Themselves on somewhat; but one mind has climbed
"Step after step, by just ascent sublimed.
"Thought is the soul of act, and, stage by stage,
"Soul is from body still to disengage
"As tending to a freedom which rejects
"Such help and incorporeally affects
"The world, producing deeds but not by deeds,
"Swaying, in others, frames itself exceeds,
"Assigning them the simpler tasks it used
"To patiently perform till Song produced
"Acts, by thoughts only, for the mind: divest
"Mind of e'en Thought, and, lo, God's unexpressed
"Will draws above us! All then is to win
"Save that. How much for me, then? where begin
"My work? About me, faces! and they flock,
"The earnest faces. What shall I unlock
"By song? behold me prompt, whate'er it be,
"To minister: how much can mortals see
"Of Life? No more than so? I take the task
"And marshal you Life's elemental masque,
"Show Men, on evil or on good lay stress,
"This light, this shade make prominent, suppress
"All ordinary hues that softening blend
"Such natures with the level. Apprehend
"Which sinner is, which saint, if I allot
"Hell, Purgatory, Heaven, a blaze or blot,
"To those you doubt concerning! I enwomb
"Some wretched Friedrich with his red-hot tomb;
"Some dubious spirit, Lombard Agilulph
"With the black chastening river I engulph!
"Some unapproached Matilda I enshrine
"With languors of the planet of decline
"These, fail to recognize, to arbitrate
"Between henceforth, to rightly estimate
"Thus marshalled in the masque! Myself, the while,
"As one of you, am witness, shrink or smile
"At my own showing! Next agewhat 's to do?
"The men and women stationed hitherto
"Will I unstation, good and bad, conduct
"Each nature to its farthest, or obstruct
"At soonest, in the world: light, thwarted, breaks
"A limpid purity to rainbow flakes,
"Or shadow, massed, freezes to gloom: behold
"How such, with fit assistance to unfold,
"Or obstacles to crush them, disengage
"Their forms, love, hate, hope, fear, peace make, war wage,
"In presence of you all! Myself, implied
"Superior now, as, by the platform's side,
"I bade them do and suffer,would last content
"The world . . . nothat 's too far! I circumvent
"A few, my masque contented, and to these
"Offer unveil the last of mysteries
"Man's inmost life shall have yet freer play:
"Once more I cast external things away,
"And natures composite, so decompose
"That" . . . Why, he writes Sordello!
                    "How I rose,
"And how have you advanced! since evermore
"Yourselves effect what I was fain before
"Effect, what I supplied yourselves suggest,
"What I leave bare yourselves can now invest.
"How we attain to talk as brothers talk,
"In half-words, call things by half-names, no balk
"From discontinuing old aids. To-day
"Takes in account the work of Yesterday:
"Has not the world a Past now, its adept
"Consults ere he dispense with or accept
"New aids? a single touch more may enhance,
"A touch less turn to insignificance
"Those structures' symmetry the past has strewed
"The world with, once so bare. Leave the mere rude
"Explicit details! 't is but brother's speech
"We need, speech where an accent's change gives each
"The other's soulno speech to understand
"By former audience: need was then to expand,
"Expatiatehardly were we brothers! true
"Nor I lament my small remove from you,
"Nor reconstruct what stands already. Ends
"Accomplished turn to means: my art intends
"New structure from the ancient: as they changed
"The spoils of every clime at Venice, ranged
"The horned and snouted Libyan god, upright
"As in his desert, by some simple bright
"Clay cinerary pitcherThebes as Rome,
"Athens as Byzant rifled, till their Dome
"From earth's reputed consummations razed
"A seal, the all-transmuting Triad blazed
"Above. Ah, whose that fortune? Ne'ertheless
"E'en he must stoop contented to express
"No tithe of what 's to saythe vehicle
"Never sufficient: but his work is still
"For faces like the faces that select
"The single service I am bound effect,
"That bid me cast aside such fancies, bow
"Taurello to the Guelf cause, disallow
"The Kaiser's comingwhich with heart, soul, strength,
"I labour for, this eve, who feel at length
"My past career's outrageous vanity,
"And would, as its amends, die, even die
"Now I first estimate the boon of life,
"If death might win compliancesure, this strife
"Is right for oncethe People my support."
My poor Sordello! what may we extort
By this, I wonder? Palma's lighted eyes
Turned to Taurello who, long past surprise,
Began, "You love himwhat you 'd say at large
"Let me say briefly. First, your father's charge
"To me, his friend, peruse: I guessed indeed
"You were no stranger to the course decreed.
"He bids me leave his children to the saints:
"As for a certain project, he acquaints
"The Pope with that, and offers him the best
"Of your possessions to permit the rest
"Go peaceablyto Ecelin, a stripe
"Of soil the cursed Vicentines will gripe,
"To Alberic, a patch the Trevisan
"Clutches already; extricate, who can,
"Treville, Villarazzi, Puissolo,
"Loria and Cartiglione!all must go,
"And with them go my hopes. 'T is lost, then! Lost
"This eve, our crisis, and some pains it cost
"Procuring; thirty yearsas good I'd spent
"Like our admonisher! But each his bent
"Pursues: no question, one might live absurd
"Oneself this while, by deed as he by word
"Persisting to obtrude an influence where
"'T is made account of, much as . . . nay, you fare
"With twice the fortune, youngster!I submit,
"Happy to parallel my waste of wit
"With the renowned Sordello's: you decide
"A course for me. Romano may abide
"Romano,Bacchus! After all, what dearth
"Of Ecelins and Alberics on earth?
"Say there 's a prize in prospect, must disgrace
"Betide competitors, unless they style
"Themselves Romano? Were it worth my while
"To try my own luck! But an obscure place
"Suits methere wants a youth to bustle, stalk
"And attitudinizesome fight, more talk,
"Most flaunting badgeshow, I might make clear
"Since Friedrich's very purposes lie here
"Here, pity they are like to lie! For me,
"With station fixed unceremoniously
"Long since, small use contesting; I am but
"The liegemanyou are born the lieges: shut
"That gentle mouth now! or resume your kin
"In your sweet self; were Palma Ecelin
"For me to work with! Could that neck endure
"This bauble for a cumbrous garniture,
"She should . . . or might one bear it for her? Stay
"I have not been so flattered many a day
"As by your pale friendBacchus! The least help
"Would lick the hind's fawn to a lion's whelp:
"His neck is broad enougha ready tongue
"Beside: too writhledbut, the main thing, young
"I could . . . why, look ye!"
               And the badge was thrown
Across Sordello's neck: "This badge alone
"Makes you Romano's Headbecomes superb
"On your bare neck, which would, on mine, disturb
"The pauldron," said Taurello. A mad act,
Nor even dreamed about beforein fact,
Not when his sportive arm rose for the nonce
But he had dallied overmuch, this once,
With power: the thing was done, and he, aware
The thing was done, proceeded to declare
(So like a nature made to serve, excel
In serving, only feel by service well!)
That he would make Sordello that and more.
"As good a scheme as any. What 's to pore
"At in my face?" he asked"ponder instead
"This piece of news; you are Romano's Head!
"One cannot slacken pace so near the goal,
"Suffer my Azzo to escape heart-whole
"This time! For you there 's Palma to espouse
"For me, one crowning trouble ere I house
"Like my compeer."
         On which ensued a strange
And solemn visitation; there came change
O'er every one of them; each looked on each:
Up in the midst a truth grew, without speech.
And when the giddiness sank and the haze
Subsided, they were sitting, no amaze,
Sordello with the baldric on, his sire
Silent, though his proportions seemed aspire
Momently; and, interpreting the thrill,
Night at its ebb,Palma was found there still
Relating somewhat Adelaide confessed
A year ago, while dying on her breast,
Of a contrivance, that Vicenza night
When Ecelin had birth. "Their convoy's flight,
"Cut off a moment, coiled inside the flame
"That wallowed like a dragon at his game
"The toppling city throughSan Biagio rocks!
"And wounded lies in her delicious locks
"Retrude, the frail mother, on her face,
"None of her wasted, just in one embrace
"Covering her child: when, as they lifted her,
"Cleaving the tumult, mighty, mightier
"And mightiest Taurello's cry outbroke,
"Leapt like a tongue of fire that cleaves the smoke,
"Midmost to cheer his Mantuans onwarddrown
"His colleague Ecelin's clamour, up and down
"The disarray: failed Adelaide see then
"Who was the natural chief, the man of men?
"Outstripping time, her infant there burst swathe,
"Stood up with eyes haggard beyond the scathe
"From wandering after his heritage
"Lost once and lost for aye: and why that rage,
"That deprecating glance? A new shape leant
"On a familiar shapegloatingly bent
"O'er his discomfiture; 'mid wreaths it wore,
"Still one outflamed the resther child's before
"'T was Salinguerra's for his child: scorn, hate,
"Rage now might startle her when all too late!
"Then was the moment!rival's foot had spurned
"Never that House to earth else! Sense returned
"The act conceived, adventured and complete,
"They bore away to an obscure retreat
"Mother and childRetrude's self not slain"
(Nor even here Taurello moved) "though pain
"Was fled; and what assured them most 't was fled,
"All pain, was, if they raised the pale hushed head
"'T would turn this way and that, waver awhile,
"And only settle into its old smile
"(Graceful as the disquieted water-flag
"Steadying itself, remarked they, in the quag
"On either side their path)when suffered look
"Down on her child. They marched: no sign once shook
"The company's close litter of crossed spears
"Till, as they reached Goito, a few tears
"Slipped in the sunset from her long black lash,
"And she was gone. So far the action rash;
"No crime. They laid Retrude in the font,
"Taurello's very gift, her child was wont
"To sit beneathconstant as eve he came
"To sit by its attendant girls the same
"As one of them. For Palma, she would blend
"With this magnific spirit to the end,
"That ruled her first; but scarcely had she dared
"To disobey the Adelaide who scared
"Her into vowing never to disclose
"A secret to her husband, which so froze
"His blood at half-recital, she contrived
"To hide from him Taurello's infant lived,
"Lest, by revealing that, himself should mar
"Romano's fortunes. And, a crime so far,
"Palma received that action: she was told
"Of Salinguerra's nature, of his cold
"Calm acquiescence in his lot! But free
"To impart the secret to Romano, she
"Engaged to repossess Sordello of
"His heritage, and hers, and that way doff
"The mask, but after years, long years: while now,
"Was not Romano's sign-mark on that brow?"
Across Taurello's heart his arms were locked:
And when he did speak 't was as if he mocked
The minstrel, "who had not to move," he said,
"Nor stirshould fate defraud him of a shred
"Of his son's infancy? much less his youth!"
(Laughingly all this)"which to aid, in truth,
"Himself, reserved on purpose, had not grown
"Old, not too old't was best they kept alone
"Till now, and never idly met till now;"
Then, in the same breath, told Sordello how
All intimations of this eve's event
Were lies, for Friedrich must advance to Trent,
Thence to Verona, then to Rome, there stop,
Tumble the Church down, institute a-top
The Alps a Prefecture of Lombardy:
"That 's now!no prophesying what may be
"Anon, with a new monarch of the clime,
"Native of Gesi, passing his youth's prime
"At Naples. Tito bids my choice decide
"On whom . . ."
        "Embrace him, madman!" Palma cried,
Who through the laugh saw sweat-drops burst apace,
And his lips blanching: he did not embrace
Sordello, but he laid Sordello's hand
On his own eyes, mouth, forehead.
                 Understand,
This while Sordello was becoming flushed
Out of his whiteness; thoughts rushed, fancies rushed;
He pressed his hand upon his head and signed
Both should forbear him. "Nay, the best 's behind!"
Taurello laughednot quite with the same laugh:
"The truth is, thus we scatter, ay, like chaff
"These Guelfs, a despicable monk recoils
"From: nor expect a fickle Kaiser spoils
"Our triumph!Friedrich? Think you, I intend
"Friedrich shall reap the fruits of blood I spend
"And brain I waste? Think you, the people clap
"Their hands at my out-hewing this wild gap
"For any Friedrich to fill up? 'T is mine
"That 's yours: I tell you, towards some such design
"Have I worked blindly, yes, and idly, yes,
"And for another, yesbut worked no less
"With instinct at my heart; I else had swerved,
"While nowlook round! My cunning has preserved
"Samminiatothat 's a central place
"Secures us Florence, boy,in Pisa's case.
"By land as she by sea; with Pisa ours,
"And Florence, and Pistoia, one devours
"The land at leisure! Gloriously dispersed
"Brescia, observe, Milan, Piacenza first
"That flanked us (ah, you know not!) in the March;
"On these we pile, as keystone of our arch,
"Romagna and Bologna, whose first span
"Covered the Trentine and the Valsugan;
"Sofia's Egna by Bolgiano 's sure!" . . .
So he proceeded: half of all this, pure
Delusion, doubtless, nor the rest too true,
But what was undone he felt sure to do,
As ring by ring he wrung off, flung away
The pauldron-rings to give his sword-arm play
Need of the sword now! That would soon adjust
Aught wrong at present; to the sword intrust
Sordello's whiteness, undersize: 't was plain
He hardly rendered right to his own brain
Like a brave hound, men educate to pride
Himself on speed or scent nor aught beside,
As though he could not, gift by gift, match men!
Palma had listened patiently: but when
'T was time expostulate, attempt withdraw
Taurello from his child, she, without awe
Took off his iron arms from, one by one,
Sordello's shrinking shoulders, and, that done,
Made him avert his visage and relieve
Sordello (you might see his corslet heave
The while) who, loose, rosetried to speak, then sank:
They left him in the chamber. All was blank.
And even reeling down the narrow stair
Taurello kept up, as though unaware
Palma was by to guide him, the old device
Something of Milan"how we muster thrice
"The Torriani's strength there; all along
"Our own Visconti cowed them"thus the song
Continued even while she bade him stoop,
Thrid somehow, by some glimpse of arrow-loop,
The turnings to the gallery below,
Where he stopped short as Palma let him go.
When he had sat in silence long enough
Splintering the stone bench, braving a rebuff
She stopped the truncheon; only to commence
One of Sordello's poems, a pretence
For speaking, some poor rhyme of "Elys' hair
"And head that 's sharp and perfect like a pear,
"So smooth and close are laid the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer"from his worst
Performance, the Goito, as his first:
And that at end, conceiving from the brow
And open mouth no silence would serve now,
Went on to say the whole world loved that man
And, for that matter, thought his face, tho' wan,
Eclipsed the Count'she sucking in each phrase
As if an angel spoke. The foolish praise
Ended, he drew her on his mailed knees, made
Her face a framework with his hands, a shade,
A crown, an aureole: there must she remain
(Her little mouth compressed with smiling pain
As in his gloves she felt her tresses twitch)
To get the best look at, in fittest niche
Dispose his saint. That done, he kissed her brow,
"Lauded her father for his treason now,"
He told her, "only, how could one suspect
"The wit in him?whose clansman, recollect,
`Was ever Salinguerrashe, the same,
"Romano and his ladyso, might claim
"To know all, as she should"and thus begun
Schemes with a vengeance, schemes on schemes, "not one
"Fit to be told that foolish boy," he said,
"But only let Sordello Palma wed,
"Then!"
     'T was a dim long narrow place at best:
Midway a sole grate showed the fiery West,
As shows its corpse the world's end some split tomb
A gloom, a rift of fire, another gloom,
Faced Palmabut at length Taurello set
Her free; the grating held one ragged jet
Of fierce gold fire: he lifted her within
The hollow underneathhow else begin
Fate's second marvellous cycle, else renew
The ages than with Palma plain in view?
Then paced the passage, hands clenched, head erect,
Pursuing his discourse; a grand unchecked
Monotony made out from his quick talk
And the recurring noises of his walk;
Somewhat too much like the o'ercharged assent
Of two resolved friends in one danger blent,
Who hearten each the other against heart;
Boasting there 's nought to care for, when, apart
The boaster, all 's to care for. He, beside
Some shape not visible, in power and pride
Approached, out of the dark, ginglingly near,
Nearer, passed close in the broad light, his ear
Crimson, eyeballs suffused, temples full-fraught,
Just a snatch of the rapid speech you caught,
And on he strode into the opposite dark,
Till presently the harsh heel's turn, a spark
I' the stone, and whirl of some loose embossed throng
That crashed against the angle aye so long
After the last, punctual to an amount
Of mailed great paces you could not but count,
Prepared you for the pacing back again.
And by the snatches you might ascertain
That, Friedrich's Prefecture surmounted, left
By this alone in Italy, they cleft
Asunder, crushed together, at command
Of none, were free to break up Hildebrand,
Rebuild, he and Sordello, Charlemagne
But garnished, Strength with Knowledge, "if we deign
"Accept that compromise and stoop to give
"Rome law, the Csar's Representative."
Enough, that the illimitable flood
Of triumphs after triumphs, understood
In its faint reflux (you shall hear) sufficed
Young Ecelin for appanage, enticed
Him on till, these long quiet in their graves,
He found 't was looked for that a whole life's braves
Should somehow be made good; so, weak and worn,
Must stagger up at Milan, one grey morn
Of the to-come, and fight his latest fight.
But, Salinguerra's prophecy at height
He voluble with a raised arm and stiff,
A blaring voice, a blazing eye, as if
He had our very Italy to keep
Or cast away, or gather in a heap
To garrison the betteray, his word
Was, "run the cucumber into a gourd,
"Drive Trent upon Apulia"at their pitch
Who spied the continents and islands which
Grew mulberry leaves and sickles, in the map
(Strange that three such confessions so should hap
To Palma, Dante spoke with in the clear
Amorous silence of the Swooning-sphere,
Cunizza, as he called her! Never ask
Of Palma more! She sat, knowing her task
Was done, the labour of it,for, success
Concerned not Palma, passion's votaress.)
Triumph at neight, and thus Sordello crowned
Above the passage suddenly a sound
Stops speech, stops walk: back shrinks Taurello, bids
With large involuntary asking lids,
Palma interpret. "'T is his own foot-stamp
"Your hand! His summons! Nay, this idle damp
"Befits not!" Out they two reeled dizzily.
"Visconti 's strong at Milan," resumed he,
In the old, somewhat insignificant way
(Was Palma wont, years afterward, to say)
As though the spirit's flight, sustained thus far,
Dropped at that very instant.
               Gone they are
Palma, Taurello; Eglamor anon,
Ecelin,only Naddo 's never gone!
Labours, this moonrise, what the Master meant:
"Is Squarcialupo speckled?purulent,
"I 'd say, but when was Providence put out?
"He carries somehow handily about
"His spite nor fouls himself!" Goito's vines
Stand like a cheat detectedstark rough lines,
The moon breaks through, a grey mean scale against
The vault where, this eve's Maiden, thou remain'st
Like some fresh martyr, eyes fixedwho can tell?
As Heaven, now all 's at end, did not so well,
Spite of the faith and victory, to leave
Its virgin quite to death in the lone eve.
While the persisting hermit-bee . . . ha! wait
No longer: these in compass, forward fate!


~ Robert Browning, Sordello - Book the Fifth
,
1412:And the font took them: let our laurels lie!
Braid moonfern now with mystic trifoly
Because once more Goito gets, once more,
Sordello to itself! A dream is o'er,
And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as wellfactitious humours grown
Over the trueloves, hatreds not his own
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud! Mantua's familiar shapes
Die, fair and foul die, fading as they flit,
Men, women, and the pathos and the wit,
Wise speech and foolish, deeds to smile or sigh
For, good, bad, seemly or ignoble, die.
The last face glances through the eglantines,
The last voice murmurs, 'twixt the blossomed vines,
Of Men, of that machine supplied by thought
To compass self-perception with, he sought
By forcing half himselfan insane pulse
Of a god's blood, on clay it could convulse,
Never transmuteon human sights and sounds,
To watch the other half with; irksome bounds
It ebbs from to its source, a fountain sealed
Forever. Better sure be unrevealed
Than part revealed: Sordello well or ill
Is finished: then what further use of Will,
Point in the prime idea not realized,
An oversight? inordinately prized,
No less, and pampered with enough of each
Delight to prove the whole above its reach.
"To need become all natures, yet retain
"The law of my own natureto remain
"Myself, yet yearn . . . as if that chestnut, think,
"Should yearn for this first larch-bloom crisp and pink,
"Or those pale fragrant tears where zephyrs stanch
"March wounds along the fretted pine-tree branch!
"Will and the means to show will, great and small,
"Material, spiritual,abjure them all
"Save any so distinct, they may be left
"To amuse, not tempt become! and, thus bereft,
"Just as I first was fashioned would I be!
"Nor, moon, is it Apollo now, but me
"Thou visitest to comfort and befriend!
"Swim thou into my heart, and there an end,
"Since I possess thee!nay, thus shut mine eyes
"And know, quite know, by this heart's fall and rise,
"When thou dost bury thee in clouds, and when
"Out-standest: wherefore practise upon men
"To make that plainer to myself?"
                 Slide here
Over a sweet and solitary year
Wasted; or simply notice change in him
How eyes, once with exploring bright, grew dim
And satiate with receiving. Some distress
Was caused, too, by a sort of consciousness
Under the imbecility,nought kept
That down; he slept, but was aware he slept,
So, frustrated: as who brainsick made pact
Erst with the overhanging cataract
To deafen him, yet still distinguished plain
His own blood's measured clicking at his brain.
To finish. One declining Autumn day
Few birds about the heaven chill and grey,
No wind that cared trouble the tacit woods
He sauntered home complacently, their moods
According, his and nature's. Every spark
Of Mantua life was trodden out; so dark
The embers, that the Troubadour, who sung
Hundreds of songs, forgot, its trick his tongue,
Its craft his brain, how either brought to pass
Singing at all; that faculty might class
With any of Apollo's now. The year
Began to find its early promise sere
As well. Thus beauty vanishes; thus stone
Outlingers flesh: nature's and his youth gone,
They left the world to you, and wished you joy.
When, stopping his benevolent employ,
A presage shuddered through the welkin; harsh
The earth's remonstrance followed. 'T was the marsh
Gone of a sudden. Mincio, in its place,
Laughed, a broad water, in next morning's face,
And, where the mists broke up immense and white
I' the steady wind, burned like a spilth of light
Out of the crashing of a myriad stars.
And here was nature, bound by the same bars
Of fate with him!
         "No! youth once gone is gone:
"Deeds, let escape, are never to be done.
"Leaf-fall and grass-spring for the year; for us
"Oh forfeit I unalterably thus
"My chance? nor two lives wait me, this to spend,
"Learning save that? Nature has time, may mend
"Mistake, she knows occasion will recur;
"Landslip or seabreach, how affects it her
"With her magnificent resources?I
"Must perish once and perish utterly.
"Not any strollings now at even-close
"Down the field-path, Sordello! by thorn-rows
"Alive with lamp-flies, swimming spots of fire
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
"Woo her, the snow-month through, but ere she durst
"Answer 't was April. Linden-flower-time-long
"Her eyes were on the ground; 't is July, strong
"Now; and because white dust-clouds overwhelm
"The woodside, here or by the village elm
"That holds the moon, she meets you, somewhat pale,
"But letting you lift up her coarse flax veil
"And whisper (the damp little hand in yours)
"Of love, heart's love, your heart's love that endures
"Till death. Tush! No mad mixing with the rout
"Of haggard ribalds wandering about
"The hot torchlit wine-scented island-house
"Where Friedrich holds his wickedest carouse,
"Parading,to the gay Palermitans,
"Soft Messinese, dusk Saracenic clans
"Nuocera holds,those tall grave dazzling Norse,
"High-cheeked, lank-haired, toothed whiter than the morse,
"Queens of the caves of jet stalactites,
"He sent his barks to fetch through icy seas,
"The blind night seas without a saving star,
"And here in snowy birdskin robes they are,
"Sordello!here, mollitious alcoves gilt
"Superb as Byzant domes that devils built!
"Ah, Byzant, there again! no chance to go
"Ever like august cheery Dandolo,
"Worshipping hearts about him for a wall,
"Conducted, blind eyes, hundred years and all,
"Through vanquished Byzant where friends note for him
"What pillar, marble massive, sardius slim,
"'T were fittest he transport to Venice' Square
"Flattered and promised life to touch them there
"Soon, by those fervid sons of senators!
"No more lifes, deaths, loves, hatreds, peaces, wars!
"Ah, fragments of a whole ordained to be,
"Points in the life I waited! what are ye
"But roundels of a ladder which appeared
"Awhile the very platform it was reared
"To lift me on?that happiness I find
"Proofs of my faith in, even in the blind
"Instinct which bade forego you all unless
"Ye led me past yourselves. Ay, happiness
"Awaited me; the way life should be used
"Was to acquire, and deeds like you conduced
"To teach it by a self-revealment, deemed
"Life's very use, so long! Whatever seemed
"Progress to that, was pleasure; aught that stayed
"My reaching itno pleasure. I have laid
"The ladder down; I climb not; still, aloft
"The platform stretches! Blisses strong and soft,
"I dared not entertain, elude me; yet
"Never of what they promised could I get
"A glimpse till now! The common sort, the crowd,
"Exist, perceive; with Being are endowed,
"However slight, distinct from what they See,
"However bounded; Happiness must be,
"To feed the first by gleanings from the last,
"Attain its qualities, and slow or fast
"Become what they behold; such peace-in-strife,
"By transmutation, is the Use of Life,
"The Alien turning Native to the soul
"Or bodywhich instructs me; I am whole
"There and demand a Palma; had the world
"Been from my soul to a like distance hurled,
"'T were Happiness to make it one with me:
"Whereas I must, ere I begin to Be,
"Include a world, in flesh, I comprehend
"In spirit now; and this done, what 's to blend
"With? Nought is Alien in the worldmy Will
"Owns all already; yet can turn itstill
"LessNative, since my Means to correspond
"With Will are so unworthy, 't was my bond
"To tread the very joys that tantalize
"Most now, into a grave, never to rise.
"I die then! Will the rest agree to die?
"Next Age or no? Shall its Sordello try
"Clue after clue, and catch at last the clue
"I miss?that 's underneath my finger too,
"Twice, thrice a day, perhaps,some yearning traced
"Deeper, some petty consequence embraced
"Closer! Why fled I Mantua, then?complained
"So much my Will was fettered, yet remained
"Content within a tether half the range
"I could assign it?able to exchange
"My ignorance (I felt) for knowledge, and
"Idle because I could thus understand
"Could e'en have penetrated to its core
"Our mortal mystery, yetfoolforbore,
"Preferred elaborating in the dark
"My casual stuff, by any wretched spark
"Born of my predecessors, though one stroke
"Of mine had brought the flame forth! Mantua's yoke,
"My minstrel's-trade, was to behold mankind,
"My own concern was just to bring my mind
"Behold, just extricate, for my acquist,
"Each object suffered stifle in the mist
"Which hazard, custom, blindness interpose
"Betwixt things and myself."
               Whereat he rose.
The level wind carried above the firs
Clouds, the irrevocable travellers,
Onward.
   "Pushed thus into a drowsy copse,
"Arms twine about my neck, each eyelid drops
"Under a humid finger; while there fleets,
"Outside the screen, a pageant time repeats
"Never again! To be deposed, immured
"Clandestinelystill petted, still assured
"To govern were fatiguing workthe Sight
"Fleeting meanwhile! 'T is noontide: wreak ere night
"Somehow my will upon it, rather! Slake
"This thirst somehow, the poorest impress take
"That serves! A blasted bud displays you, torn,
"Faint rudiments of the full flower unborn;
"But who divines what glory coats o'erclasp
"Of the bulb dormant in the mummy's grasp
"Taurello sent?" . . .
           "Taurello? Palma sent
"Your Trouvere," (Naddo interposing leant
Over the lost bard's shoulder)"and, believe,
"You cannot more reluctantly receive
"Than I pronounce her message: we depart
"Together. What avail a poet's heart
"Verona's pomps and gauds? five blades of grass
"Suffice him. News? Why, where your marish was,
"On its mud-banks smoke rises after smoke
"I' the valley, like a spout of hell new-broke.
"Oh, the world's tidings! small your thanks, I guess,
"For them. The father of our Patroness,
"Has played Taurello an astounding trick,
"Parts between Ecelin and Alberic
"His wealth and goes into a convent: both
"Wed Guelfs: the Count and Palma plighted troth
"A week since at Verona: and they want
"You doubtless to contrive the marriage-chant
"Ere Richard storms Ferrara." Then was told
The tale from the beginninghow, made bold
By Salinguerra's absence, Guelfs had burned
And pillaged till he unawares returned
To take revenge: how Azzo and his friend
Were doing their endeavour, how the end
O' the siege was nigh, and how the Count, released
From further care, would with his marriage-feast
Inaugurate a new and better rule,
Absorbing thus Romano.
           "Shall I school
"My master," added Naddo, "and suggest
"How you may clothe in a poetic vest
"These doings, at Verona? Your response
"To Palma! Wherefore jest? 'Depart at once?
"A good resolve! In truth, I hardly hoped
"So prompt an acquiescence. Have you groped
"Out wisdom in the wilds here?thoughts may be
"Over-poetical for poetry.
"Pearl-white, you poets liken Palma's neck;
"And yet what spoils an orient like some speck
"Of genuine white, turning its own white grey?
"You take me? Curse the cicala!"
                 One more day,
One eveappears Verona! Many a group,
(You mind) instructed of the osprey's swoop
On lynx and ounce, was gatheringChristendom
Sure to receive, whate'er the end was, from
The evening's purpose cheer or detriment,
Since Friedrich only waited some event
Like this, of Ghibellins establishing
Themselves within Ferrara, ere, as King
Of Lombardy, he 'd glad descend there, wage
Old warfare with the Pontiff, disengage
His barons from the burghers, and restore
The rule of Charlemagne, broken of yore
By Hildebrand.
       I' the palace, each by each,
Sordello sat and Palma: little speech
At first in that dim closet, face with face
(Despite the tumult in the market-place)
Exchanging quick low laughters: now would rush
Word upon word to meet a sudden flush,
A look left off, a shifting lips' surmise
But for the most part their two histories
Ran best thro' the locked fingers and linked arms.
And so the night flew on with its alarms
Till in burst one of Palma's retinue;
"Now, Lady!" gasped he. Then arose the two
And leaned into Verona's air, dead-still.
A balcony lay black beneath until
Out, 'mid a gush of torchfire, grey-haired men
Came on it and harangued the people: then
Sea-like that people surging to and fro
Shouted, "Hale forth the carrochtrumpets, ho,
"A flourish! Run it in the ancient grooves!
"Back from the bell! Hammerthat whom behoves
"May hear the League is up! Peallearn who list,
"Verona means not first of towns break tryst
"To-morrow with the League!"
               Enough. Now turn
Over the eastern cypresses: discern!
Is any beacon set a-glimmer?
               Rang
The air with shouts that overpowered the clang
Of the incessant carroch, even: "Haste
"The candle 's at the gateway! ere it waste,
"Each soldier stand beside it, armed to march
"With Tiso Sampier through the eastern arch!"
Ferrara's succoured, Palma!
               Once again
They sat together; some strange thing in train
To say, so difficult was Palma's place
In taking, with a coy fastidious grace
Like the bird's flutter ere it fix and feed.
But when she felt she held her friend indeed
Safe, she threw back her curls, began implant
Her lessons; telling of another want
Goito's quiet nourished than his own;
Palmato serve himto be served, alone
Importing; Agnes' milk so neutralized
The blood of Ecelin. Nor be surprised
If, while Sordello fain had captive led
Nature, in dream was Palma subjected
To some out-soul, which dawned not though she pined
Delaying, till its advent, heart and mind
Their life. "How dared I let expand the force
"Within me, till some out-soul, whose resource
"It grew for, should direct it? Every law
"Of life, its every fitness, every flaw,
"Must One determine whose corporeal shape
"Would be no other than the prime escape
"And revelation to me of a Will
"Orb-like o'ershrouded and inscrutable
"Above, save at the point which, I should know,
"Shone that myself, my powers, might overflow
"So far, so much; as now it signified
"Which earthly shape it henceforth chose my guide,
"Whose mortal lip selected to declare
"Its oracles, what fleshly garb would wear
"The first of intimations, whom to love;
"The next, how love him. Seemed that orb, above
"The castle-covert and the mountain-close,
"Slow in appearing?if beneath it rose
"Cravings, aversions,did our green precinct
"Take pride in me, at unawares distinct
"With this or that endowment,how, repressed
"At once, such jetting power shrank to the rest!
"Was I to have a chance touch spoil me, leave
"My spirit thence unfitted to receive
"The consummating spell?that spell so near
"Moreover! 'Waits he not the waking year?
"'His almond-blossoms must be honey-ripe
"'By this; to welcome him, fresh runnels stripe
"'The thawed ravines; because of him, the wind
"'Walks like a herald. I shall surely find
"'Him now!'
     "And chief, that earnest April morn
"Of Richard's Love-court, was it time, so worn
"And white my cheek, so idly my blood beat,
"Sitting that morn beside the Lady's feet
"And saying as she prompted; till outburst
"One face from all the faces. Not then first
"I knew it; where in maple chamber glooms,
"Crowned with what sanguine-heart pomegranate blooms,
"Advanced it ever? Men's acknowledgment
"Sanctioned my own: 't was taken, Palma's bent,
"Sordello,recognized, accepted.
                 "Dumb
"Sat she still scheming. Ecelin would come
"Gaunt, scared, 'Cesano baffles me,' he 'd say:
"'Better I fought it out, my father's way!
"'Strangle Ferrara in its drowning flats,
"'And you and your Taurello yonder!what's
"'Romano's business there?' An hour's concern
"To cure the froward Chief!induce return
"As heartened from those overmeaning eyes,
"Wound up to persevere,his enterprise
"Marked out anew, its exigent of wit
"Apportioned,she at liberty to sit
"And scheme against the next emergence, I
"To covet her Taurello-sprite, made fly
"Or fold the wingto con your horoscope
"For leave command those steely shafts shoot ope,
"Or straight assuage their blinding eagerness
"In blank smooth snow What semblance of success
"To any of my plans for making you
"Mine and Romano's? Break the first wall through,
"Tread o'er the ruins of the Chief, supplant
"His sons beside, still, vainest were the vaunt:
"There, Salinguerra would obstruct me sheer,
"And the insuperable Tuscan, here,
"Stay me! But one wild eve that Lady died
"In her lone chamber: only I beside:
"Taurello far at Naples, and my sire
"At Padua, Ecelin away in ire
"With Alberic. She held me thusa clutch
"To make our spirits as our bodies touch
"And so began flinging the past up heaps
"Of uncouth treasure from their sunless sleeps
"Within her soul; deeds rose along with dreams,
"Fragments of many miserable schemes,
"Secrets, more secrets, thenno, not the last
"'Mongst others, like a casual trick o' the past,
"How . . . ay, she told me, gathering up her face,
"All left of it, into one arch-grimace
"To die with . . .
         "Friend, 't is gone! but not the fear
"Of that fell laughing, heard as now I hear.
"Nor faltered voice, nor seemed her heart grow weak
"When i' the midst abrupt she ceased to speak
"Dead, as to serve a purpose, mark!for in
"Rushed o' the very instant Ecelin
"(How summoned, who divines?)looking as if
"He understood why Adelaide lay stiff
"Already in my arms; for 'Girl, how must
"'I manage Este in the matter thrust
"'Upon me, how unravel your bad coil?
"'Since' (he declared) ''t is on your browa soil
"'Like hers there!' then in the same breath, 'he lacked
"'No counsel after all, had signed no pact
"'With devils, nor was treason here or there,
"'Goito or Vicenza, his affair:
"'He buried it in Adelaide's deep grave,
"'Would begin life afresh, now,would not slave
"'For any Friedrich's nor Taurello's sake!
"'What booted him to meddle or to make
"'In Lombardy?' And afterward I knew
"The meaning of his promise to undo
"All she had donewhy marriages were made,
"New friendships entered on, old followers paid
"With curses for their pains,new friends' amaze
"At height, when, passing out by Gate St. Blaise,
"He stopped short in Vicenza, bent his head
"Over a friar's neck,'had vowed,' he said,
"'Long since, nigh thirty years, because his wife
"'And child were saved there, to bestow his life
"'On God, his gettings on the Church.'
                     "Exiled
"Within Goito, still one dream beguiled
"My days and nights; 't was found, the orb I sought
"To serve, those glimpses came of Fomalhaut,
"No other: but how serve it?authorize
"You and Romano mingle destinies?
"And straight Romano's angel stood beside
"Me who had else been Boniface's bride,
"For Salinguerra 't was, with neck low bent,
"And voice lightened to music, (as he meant
"To learn, not teach me,) who withdrew the pall
"From the dead past and straight revived it all,
"Making me see how first Romano waxed,
"Wherefore he waned now, why, if I relaxed
"My grasp (even I!) would drop a thing effete,
"Frayed by itself, unequal to complete
"Its course, and counting every step astray
"A gain so much. Romano, every way
"Stable, a Lombard House nowwhy start back
"Into the very outset of its track?
"This patching principle which late allied
"Our House with other Houseswhat beside
"Concerned the apparition, the first Knight
"Who followed Conrad hither in such plight
"His utmost wealth was summed in his one steed?
"For Ecelo, that prowler, was decreed
"A task, in the beginning hazardous
"To him as ever task can be to us;
"But did the weather-beaten thief despair
"When first our crystal cincture of warm air
"That binds the Trevisan,as its spice-belt
"(Crusaders say) the tract where Jesus dwelt,
"Furtive he pierced, and Este was to face
"Despaired Saponian strength of Lombard grace?
"Tried he at making surer aught made sure,
"Maturing what already was mature?
"No; his heart prompted Ecelo, 'Confront
"'Este, inspect yourself. What 's nature? Wont.
"'Discard three-parts your nature, and adopt
"'The rest as an advantage!' Old strength propped
"The man who first grew Podest among
"The Vicentines, no less than, while there sprung
"His palace up in Padua like a threat,
"Their noblest spied a grace, unnoticed yet
"In Conrad's crew. Thus far the object gained,
"Romano was establishedhas remained
"'For are you not Italian, truly peers
"'With Este? Azzo better soothes our ears
"'Than Alberic? or is this lion's-crine
"'From over-mounts' (this yellow hair of mine)
"'So weak a graft on Agnes Este's stock?'
"(Thus went he on with something of a mock)
"'Wherefore recoil, then, from the very fate
"'Conceded you, refuse to imitate
"'Your model farther? Este long since left
"'Being mere Este: as a blade its heft,
"'Este required the Pope to further him:
"'And you, the Kaiserwhom your father's whim
"'Foregoes or, better, never shall forego
"'If Palma dare pursue what Ecelo
"'Commenced, but Ecelin desists from: just
"'As Adelaide of Susa could intrust
"'Her donative,her Piedmont given the Pope,
"'Her Alpine-pass for him to shut or ope
"''Twixt France and Italy,to the superb
"'Matilda's perfecting,so, lest aught curb
"'Our Adelaide's great counter-project for
"'Giving her Trentine to the Emperor
"'With passage here from Germany,shall you
"'Take it,my slender plodding talent, too!'
"Urged me Taurello with his half-smile
                     "He
"As Patron of the scattered family
"Conveyed me to his Mantua, kept in bruit
"Azzo's alliances and Richard's suit
"Until, the Kaiser excommunicate,
"'Nothing remains,' Taurello said, 'but wait
"'Some rash procedure: Palma was the link,
"'As Agnes' child, between us, and they shrink
"'From losing Palma: judge if we advance,
"'Your father's method, your inheritance!'
"The day I was betrothed to Boniface
"At Padua by Taurello's self, took place
"The outrage of the Ferrarese: again,
"The day I sought Verona with the train
"Agreed for,by Taurello's policy
"Convicting Richard of the fault, since we
"Were present to annul or to confirm,
"Richard, whose patience had outstayed its term,
"Quitted Verona for the siege.
                "And now
"What glory may engird Sordello's brow
"Through this? A month since at Oliero slunk
"All that was Ecelin into a monk;
"But how could Salinguerra so forget
"His liege of thirty years as grudge even yet
"One effort to recover him? He sent
"Forthwith the tidings of this last event
"To Ecelindeclared that he, despite
"The recent folly, recognized his right
"To order Salinguerra: 'Should he wring
"'Its uttermost advantage out, or fling
"'This chance away? Or were his sons now Head
"'O' the House?' Through me Taurello's missive sped;
"My father's answer will by me return.
"Behold! 'For him,' he writes, 'no more concern
"'With strife than, for his children, with fresh plots
"'Of Friedrich. Old engagements out he blots
"'For aye: Taurello shall no more subserve,
"'Nor Ecelin impose.' Lest this unnerve
"Taurello at this juncture, slack his grip
"Of Richard, suffer the occasion slip,
"I, in his sons' default (who, mating with
"Este, forsake Romano as the frith
"Its mainsea for that firmland, sea makes head
"Against) I stand, Romano,in their stead
"Assume the station they desert, and give
"Still, as the Kaiser's representative,
"Taurello licence he demands. Midnight
"Morningby noon to-morrow, making light
"Of the League's issue, we, in some gay weed
"Like yours, disguised together, may precede
"The arbitrators to Ferrara: reach
"Him, let Taurello's noble accents teach
"The rest! Then say if I have misconceived
"Your destiny, too readily believed
"The Kaiser's cause your own!"
                And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this bodyto wield this aggregate
Of souls and bodies, and so conquer fate
Though he should livea centre of disgust
Evenapart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished; and he found
Not only that a soul, whate'er its might,
Is insufficient to its own delight,
Both in corporeal organs and in skill
By means of such to body forth its Will
And, after, insufficient to apprise
Men of that Will, oblige them recognize
The Hid by the Revealedbut that,the last
Nor lightest of the struggles overpast,
Will, he bade abdicate, which would not void
The throne, might sit there, suffer he enjoyed
Mankind, a varied and divine array
Incapable of homage, the first way,
Nor fit to render incidentally
Tribute connived at, taken by the by,
In joys. If thus with warrant to rescind
The ignominious exile of mankind
Whose proper service, ascertained intact
As yet, (to be by him themselves made act,
Not watch Sordello acting each of them)
Was to secureif the true diadem
Seemed imminent while our Sordello drank
The wisdom of that golden Palma,thank
Verona's Lady in her citadel
Founded by Gaulish Brennus, legends tell:
And truly when she left him, the sun reared
A head like the first clamberer's who peered
A-top the Capitol, his face on flame
With triumph, triumphing till Manlius came.
Nor slight too much my rhymesthat spring, dispread,
Dispart, disperse, lingering over head
Like an escape of angels! Rather say,
My transcendental platan! mounting gay
(An archimage so courts a novice-queen)
With tremulous silvered trunk, whence branches sheen
Laugh out, thick-foliaged next, a-shiver soon
With coloured buds, then glowing like the moon
One mild flame,last a pause, a burst, and all
Her ivory limbs are smothered by a fall,
Bloom-flinders and fruit-sparkles and leaf-dust,
Ending the weird work prosecuted just
For her amusement; he decrepit, stark,
Dozes; her uncontrolled delight may mark
Apart
   Yet not so, surely never so
Only, as good my soul were suffered go
O'er the lagune: forth fare thee, put aside
Entrance thy synod, as a god may glide
Out of the world he fills, and leave it mute
For myriad ages as we men compute,
Returning into it without a break
O' the consciousness! They sleep, and I awake
O'er the lagune, being at Venice.
                 Note,
In just such songs as Eglamor (say) wrote
With heart and soul and strength, for he believed
Himself achieving all to be achieved
By singerin such songs you find alone
Completeness, judge the song and singer one,
And either purpose answered, his in it
Or its in him: while from true works (to wit
Sordello's dream-performances that will
Never be more than dreamed) escapes there still
Some proof, the singer's proper life was 'neath
The life his song exhibits, this a sheath
To that; a passion and a knowledge far
Transcending these, majestic as they are,
Smouldered; his lay was but an episode
In the bard's life: which evidence you owed
To some slight weariness, some looking-off
Or start-away. The childish skit or scoff
In "Charlemagne," (his poem, dreamed divine
In every point except one silly line
About the restiff daughters)what may lurk
In that? "My life commenced before this work,"
(So I interpret the significance
Of the bard's start aside and look askance)
"My life continues after: on I fare
"With no more stopping, possibly, no care
"To note the undercurrent, the why and how,
"Where, when, o' the deeper life, as thus just now.
"But, silent, shall I cease to live? Alas
"For you! who sigh, 'When shall it come to pass
"'We read that story? How will he compress
"'The future gains, his life's true business,
"'Into the better lay whichthat one flout,
"'Howe'er inopportune it be, lets out
"'Engrosses him already, though professed
"'To meditate with us eternal rest,
"'And partnership in all his life has found?'"
'T is but a sailor's promise, weather-bound:
"Strike sail, slip cable, here the bark be moored
"For once, the awning stretched, the poles assured!
"Noontide above; except the wave's crisp dash,
"Or buzz of colibri, or tortoise' splash,
"The margin 's silent: out with every spoil
"Made in our tracking, coil by mighty coil,
"This serpent of a river to his head
"I' the midst! Admire each treasure, as we spread
"The bank, to help us tell our history
"Aright: give ear, endeavour to descry
"The groves of giant rushes, how they grew
"Like demons' endlong tresses we sailed through,
"What mountains yawned, forests to give us vent
"Opened, each doleful side, yet on we went
"Till . . . may that beetle (shake your cap) attest
"The springing of a land-wind from the West!"
Wherefore? Ah yes, you frolic it to-day!
To-morrow, and, the pageant moved away
Down to the poorest tent-pole, we and you
Part company: no other may pursue
Eastward your voyage, be informed what fate
Intends, if triumph or decline await
The tempter of the everlasting steppe.
I muse this on a ruined palace-step
At Venice: why should I break off, nor sit
Longer upon my step, exhaust the fit
England gave birth to? Who 's adorable
Enough reclaim a - no Sordello's Will
Alack!be queen to me? That Bassanese
Busied among her smoking fruit-boats? These
Perhaps from our delicious Asolo
Who twinkle, pigeons o'er the portico
Not prettier, bind June lilies into sheaves
To deck the bridge-side chapel, dropping leaves
Soiled by their own loose gold-meal? Ah, beneath
The cool arch stoops she, brownest cheek! Her wreath
Endures a montha half-monthif I make
A queen of her, continue for her sake
Sordello's story? Nay, that Paduan girl
Splashes with barer legs where a live whirl
In the dead black Giudecca proves sea-weed
Drifting has sucked down three, four, all indeed
Save one pale-red striped, pale-blue turbaned post
For gondolas.
       You sad dishevelled ghost
That pluck at me and point, are you advised
I breathe? Let stay those girls (e'en her disguised
Jewels i' the locks that love no crownet like
Their native field-buds and the green wheat-spike,
So fair!who left this end of June's turmoil,
Shook off, as might a lily its gold soil,
Pomp, save a foolish gem or two, and free
In dream, came join the peasants o'er the sea.)
Look they too happy, too tricked out? Confess
There is such ****rd stock of happiness
To share, that, do one's uttermost, dear wretch,
One labours ineffectually to stretch
It o'er you so that mother and children, both
May equitably flaunt the sumpter-cloth!
Divide the robe yet farther: be content
With seeing just a score pre-eminent
Through shreds of it, acknowledged happy wights,
Engrossing what should furnish all, by rights!
For, these in evidence, you clearlier claim
A like garb for the rest,grace all, the same
As these my peasants. I ask youth and strength
And health for each of you, not moreat length
Grown wise, who asked at home that the whole race
Might add the spirit's to the body's grace,
And all be dizened out as chiefs and bards.
But in this magic weather one discards
Much old requirement. Venice seems a type
Of Life'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Lifeas good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
Only, do finish something! Peasants, queens,
Take them, made happy by whatever means,
Parade them for the common credit, vouch
That a luckless residue, we send to crouch
In corners out of sight, was just as framed
For happiness, its portion might have claimed
As well, and so, obtaining joy, had stalked
Fastuous as any!such my project, baulked
Already; I hardly venture to adjust
The first rags, when you find me. To mistrust
Me!nor unreasonably. You, no doubt,
Have the true knack of tiring suitors out
With those thin lips on tremble, lashless eyes
Inveterately tear-shot: there, be wise,
Mistress of mine, there, there, as if I meant
You insult!shall your friend (not slave) be shent
For speaking home? Beside, care-bit erased
Broken-up beauties ever took my taste
Supremely; and I love you more, far more
Than her I looked should foot Life's temple-floor.
Years ago, leagues at distance, when and where
A whisper came, "Let others seek!thy care
"Is found, thy life's provision; if thy race
"Should be thy mistress, and into one face
"The many faces crowd?" Ah, had I, judge,
Or no, your secret? Rough apparelgrudge
All ornaments save tag or tassel worn
To hint we are not thoroughly forlorn
Slouch bonnet, unloop mantle, careless go
Alone (that's saddest, but it must be so)
Through Venice, sing now and now glance aside,
Aught desultory or undignified,
Then, ravishingest lady, will you pass
Or not each formidable group, the mass
Before the Basilic (that feast gone by,
God's great day of the Corpus Domini)
And, wistfully foregoing proper men,
Come timid up to me for alms? And then
The luxury to hesitate, feign do
Some unexampled grace!when, whom but you
Dare I bestow your own upon? And hear
Further before you say, it is to sneer
I call you ravishing; for I regret
Little that she, whose early foot was set
Forth as she 'd plant it on a pedestal,
Now, i' the silent city, seems to fall
Toward meno wreath, only a lip's unrest
To quiet, surcharged eyelids to be pressed
Dry of their tears upon my bosom. Strange
Such sad chance should produce in thee such change,
My love! Warped souls and bodies! yet God spoke
Of right-hand, foot and eyeselects our yoke,
Sordello, as your poetship may find!
So, sleep upon my shoulder, child, nor mind
Their foolish talk; we 'll manage reinstate
Your old worth; ask moreover, when they prate
Of evil men past hope, "Don't each contrive,
"Despite the evil you abuse, to live?
"Keeping, each losel, through a maze of lies,
"His own conceit of truth? to which he hies
"By obscure windings, tortuous, if you will,
"But to himself not inaccessible;
"He sees truth, and his lies are for the crowd
"Who cannot see; some fancied right allowed
"His vilest wrong, empowered the losel clutch
"One pleasure from a multitude of such
"Denied him." Then assert, "All men appear
"To think all better than themselves, by here
"Trusting a crowd they wrong; but really," say,
"All men think all men stupider than they,
"Since, save themselves, no other comprehends
"The complicated scheme to make amends
"Evil, the scheme by which, thro' Ignorance,
"Good labours to exist." A slight advance,
Merely to find the sickness you die through,
And nought beside! but if one can't eschew
One's portion in the common lot, at least
One can avoid an ignorance increased
Tenfold by dealing out hint after hint
How nought were like dispensing without stint
The water of lifeso easy to dispense
Beside, when one has probed the centre whence
Commotion 's borncould tell you of it all!
"Meantime, just meditate my madrigal
"O' the mugwort that conceals a dewdrop safe!"
What, dullard? we and you in smothery chafe,
Babes, baldheads, stumbled thus far into Zin
The Horrid, getting neither out nor in,
A hungry sun above us, sands that bung
Our throats,each dromedary lolls a tongue,
Each camel churns a sick and frothy chap,
And you, 'twixt tales of Potiphar's mishap,
And sonnets on the earliest **** that spoke,
Remark, you wonder any one needs choke
With founts about! Potsherd him, Gibeonites!
While awkwardly enough your Moses smites
The rock, though he forego his Promised Land
Thereby, have Satan claim his carcass, and
Figure as Metaphysic Poet . . . ah,
Mark ye the dim first oozings? Meribah!
Then, quaffing at the fount my courage gained,
Recallnot that I prompt yewho explained . . .
"Presumptuous!" interrupts one. You, not I
'T is brother, marvel at and magnify
Such office: "office," quotha? can we get
To the beginning of the office yet?
What do we here? simply experiment
Each on the other's power and its intent
When elsewhere tasked,if this of mine were trucked
For yours to either's good,we watch construct,
In short, an engine: with a finished one,
What it can do, is all,nought, how 't is done.
But this of ours yet in probation, dusk
A kernel of strange wheelwork through its husk
Grows into shape by quarters and by halves;
Remark this tooth's spring, wonder what that valve's
Fall bodes, presume each faculty's device,
Make out each other more or less precise
The scope of the whole engine 's to be proved;
We die: which means to say, the whole 's removed,
Dismounted wheel by wheel, this complex gin,
To be set up anew elsewhere, begin
A task indeed, but with a clearer clime
Than the murk lodgment of our building-time.
And then, I grant you, it behoves forget
How 't is doneall that must amuse us yet
So long: and, while you turn upon your heel,
Pray that I be not busy slitting steel
Or shredding brass, camped on some virgin shore
Under a cluster of fresh stars, before
I name a tithe o' the wheels I trust to do!
So occupied, then, are we: hitherto,
At present, and a weary while to come,
The office of ourselves,nor blind nor dumb,
And seeing somewhat of man's state,has been,
For the worst of us, to say they so have seen;
For the better, what it was they saw; the best
Impart the gift of seeing to the rest:
"So that I glance," says such an one, "around,
"And there 's no face but I can read profound
"Disclosures in; this stands for hope, thatfear,
"And for a speech, a deed in proof, look here!
"'Stoop, else the strings of blossom, where the nuts
"'O'erarch, will blind thee! Said I not? She shuts
"'Both eyes this time, so close the hazels meet!
"'Thus, prisoned in the Piombi, I repeat
"'Events one rove occasioned, o'er and o'er,
"'Putting 'twixt me and madness evermore
"'Thy sweet shape, Zanze! Therefore stoop!'
                       "'That's truth!'
"(Adjudge you) 'the incarcerated youth
"'Would say that!'
         "Youth? Plara the bard? Set down
"That Plara spent his youth in a grim town
"Whose cramped ill-featured streets huddled about
"The minster for protection, never out
"Of its black belfry's shade and its bells' roar.
"The brighter shone the suburb,all the more
"Ugly and absolute that shade's reproof
"Of any chance escape of joy,some roof,
"Taller than they, allowed the rest detect,
"Before the sole permitted laugh (suspect
"Who could, 't was meant for laughter, that ploughed cheek's
"Repulsive gleam!) when the sun stopped both peaks
"Of the cleft belfry like a fiery wedge,
"Then sank, a huge flame on its socket edge,
"With leavings on the grey glass oriel-pane
"Ghastly some minutes more. No fear of rain
"The minster minded that! in heaps the dust
"Lay everywhere. This town, the minster's trust,
"Held Plara; who, its denizen, bade hail
"In twice twelve sonnets, Tempe's dewy vale."
"'Exact the town, the minster and the street!'"
"As all mirth triumphs, sadness means defeat:
"Lust triumphs and is gay, Love 's triumphed o'er
"And sad: but Lucio 's sad. I said before,
"Love's sad, not Lucio; one who loves may be
"As gay his love has leave to hope, as he
"Downcast that lusts' desire escapes the springe:
"'T is of the mood itself I speak, what tinge
"Determines it, else colourless,or mirth,
"Or melancholy, as from heaven or earth."
"'Ay, that 's the variation's gist!'
                   "Indeed?
"Thus far advanced in safety then, proceed!
"And having seen too what I saw, be bold
"And next encounter what I do behold
"(That's sure) but bid you take on trust!"
                       Attack
The use and purpose of such sights! Alack,
Not so unwisely does the crowd dispense
On Salinguerras praise in preference
To the Sordellos: men of action, these!
Who, seeing just as little as you please,
Yet turn that little to account,engage
With, do not gaze at,carry on, a stage,
The work o' the world, not merely make report
The work existed ere their day! In short,
When at some future no-time a brave band
Sees, using what it sees, then shake my hand
In heaven, my brother! Meanwhile where's the hurt
Of keeping the Makers-see on the alert,
At whose defection mortals stare aghast
As though heaven's bounteous windows were slammed fast
Incontinent? Whereas all you, beneath,
Should scowl at, bruise their lips and break their teeth
Who ply the pullies, for neglecting you:
And therefore have I moulded, made anew
A Man, and give him to be turned and tried,
Be angry with or pleased at. On your side,
Have ye times, places, actors of your own?
Try them upon Sordello when full-grown,
And thenah then! If Hercules first parched
His foot in Egypt only to be marched
A sacrifice for Jove with pomp to suit,
What chance have I? The demigod was mute
Till, at the altar, where time out of mind
Such guests became oblations, chaplets twined
His forehead long enough, and he began
Slaying the slayers, nor escaped a man.
Take not affront, my gentle audience! whom
No Hercules shall make his hecatomb,
Believe, nor from his brows your chaplet rend
That's your kind suffrage, yours, my patron-friend,
Whose great verse blares unintermittent on
Like your own trumpeter at Marathon,
You who, Plata and Salamis being scant,
Put up with tna for a stimulant
And did well, I acknowledged, as he loomed
Over the midland sea last month, presumed
Long, lay demolished in the blazing West
At eve, while towards him tilting cloudlets pressed
Like Persian ships at Salamis. Friend, wear
A crest proud as desert while I declare
Had I a flawless ruby fit to wring
Tears of its colour from that painted king
Who lost it, I would, for that smile which went
To my heart, fling it in the sea, content,
Wearing your verse in place, an amulet
Sovereign against all passion, wear and fret!
My English Eyebright, if you are not glad
That, as I stopped my task awhile, the sad
Dishevelled form, wherein I put mankind
To come at times and keep my pact in mind,
Renewed me,hear no crickets in the hedge,
Nor let a glowworm spot the river's edge
At home, and may the summer showers gush
Without a warning from the missel thrush!
So, to our business, nowthe fate of such
As find our common natureovermuch
Despised because restricted and unfit
To bear the burthen they impose on it
Cling when they would discard it; craving strength
To leap from the allotted world, at length
They do leap,flounder on without a term,
Each a god's germ, doomed to remain a germ
In unexpanded infancy, unless . . .
But that 's the storydull enough, confess!
There might be fitter subjects to allure;
Still, neither misconceive my portraiture
Nor undervalue its adornments quaint:
What seems a fiend perchance may prove a saint.
Ponder a story ancient pens transmit,
Then say if you condemn me or acquit.
John the Beloved, banished Antioch
For Patmos, bade collectively his flock
Farewell, but set apart the closing eve
To comfort those his exile most would grieve,
He knew: a touching spectacle, that house
In motion to receive him! Xanthus' spouse
You missed, made panther's meat a month since; but
Xanthus himself (his nephew 't was, they shut
'Twixt boards and sawed asunder) Polycarp,
Soft Charicle, next year no wheel could warp
To swear by Csar's fortune, with the rest
Were ranged; thro' whom the grey disciple pressed,
Busily blessing right and left, just stopped
To pat one infant's curls, the hangman cropped
Soon after, reached the portal. On its hinge
The door turns and he enters: what quick twinge
Ruins the smiling mouth, those wide eyes fix
Whereon, why like some spectral candlestick's
Branch the disciple's arms? Dead swooned he, woke
Anon, heaved sigh, made shift to gasp, heart-broke,
"Get thee behind me, Satan! Have I toiled
"To no more purpose? Is the gospel foiled
"Here too, and o'er my son's, my Xanthus' hearth,
"Portrayed with sooty garb and features swarth
"Ah Xanthus, am I to thy roof beguiled
"To see thethethe Devil domiciled?"
Whereto sobbed Xanthus, "Father, 't is yourself
"Installed, a limning which our utmost pelf
"Went to procure against to-morrow's loss;
"And that's no twy-prong, but a pastoral cross,
"You 're painted with!"
            His puckered brows unfold
And you shall hear Sordello's story told.


~ Robert Browning, Sordello - Book the Third
,
1413:Meantime Ferrara lay in rueful case;
The lady-city, for whose sole embrace
Her pair of suitors struggled, felt their arms
A brawny mischief to the fragile charms
They tugged forone discovering that to twist
Her tresses twice or thrice about his wrist
Secured a point of vantageone, how best
He 'd parry that by planting in her breast
His elbow spikeeach party too intent
For noticing, howe'er the battle went,
The conqueror would but have a corpse to kiss.
"May Boniface be duly damned for this!"
Howled some old Ghibellin, as up he turned,
From the wet heap of rubbish where they burned
His house, a little skull with dazzling teeth:
"A boon, sweet Christlet Salinguerra seethe
"In hell for ever, Christ, and let myself
"Be there to laugh at him!"moaned some young Guelf
Stumbling upon a shrivelled hand nailed fast
To the charred lintel of the doorway, last
His father stood within to bid him speed.
The thoroughfares were overrun with weed
Docks, quitchgrass, loathy mallows no man plants.
The stranger, none of its inhabitants
Crept out of doors to taste fresh air again,
And ask the purpose of a splendid train
Admitted on a morning; every town
Of the East League was come by envoy down
To treat for Richard's ransom: here you saw
The Vicentine, here snowy oxen draw
The Paduan carroch, its vermilion cross
On its white field. A-tiptoe o'er the fosse
Looked Legate Montelungo wistfully
After the flock of steeples he might spy
In Este's time, gone (doubts he) long ago
To mend the ramparts: sure the laggards know
The Pope's as good as here! They paced the streets
More soberly. At last, "Taurello greets
"The League," announced a pursuivant,"will match
"Its courtesy, and labours to dispatch
"At earliest Tito, Friedrich's Pretor, sent
"On pressing matters from his post at Trent,
"With Mainard Count of Tyrol,simply waits
"Their going to receive the delegates."
"Tito!" Our delegates exchanged a glance,
And, keeping the main way, admired askance
The lazy engines of outlandish birth,
Couched like a king each on its bank of earth
Arbalist, manganel and catapult;
While stationed by, as waiting a result,
Lean silent gangs of mercenaries ceased
Working to watch the strangers. "This, at least,
"Were better spared; he scarce presumes gainsay
"The League's decision! Get our friend away
"And profit for the future: how else teach
"Fools 't is not safe to stray within claw's reach
"Ere Salinguerra's final gasp be blown?
"Those mere convulsive scratches find the bone.
"Who bade him bloody the spent osprey's nare?"
The carrochs halted in the public square.
Pennons of every blazon once a-flaunt,
Men prattled, freelier than the crested gaunt
White ostrich with a horse-shoe in her beak
Was missing, and whoever chose might speak
"Ecelin" boldly out: so,"Ecelin
"Needed his wife to swallow half the sin
"And sickens by himself: the devil's whelp,
"He styles his son, dwindles away, no help
"From conserves, your fine triple-curded froth
"Of virgin's blood, your Venice viper-broth
"Eh? Jubilate!""Peace! no little word
"You utter here that 's not distinctly heard
"Up at Oliero: he was absent sick
"When we besieged Bassanowho, i' the thick
"O' the work, perceived the progress Azzo made,
"Like Ecelin, through his witch Adelaide?
"She managed it so well that, night by night
"At their bed-foot stood up a soldier-sprite,
"First fresh, pale by-and-by without a wound,
"And, when it came with eyes filmed as in swound,
"They knew the place was taken.""Ominous
"That Ghibellins should get what cautelous
"Old Redbeard sought from Azzo's sire to wrench
"Vainly; Saint George contrived his town a trench
"O' the marshes, an impermeable bar."
"Young Ecelin is meant the tutelar
"Of Padua, rather; veins embrace upon
"His hand like Brenta and Bacchiglion."
What now?"The founts! God's bread, touch not a plank!
"A crawling hell of carrionevery tank
"Choke-full!found out just now to Cino's cost
"The same who gave Taurello up for lost,
"And, making no account of fortune's freaks,
"Refused to budge from Padua then, but sneaks
"Back now with Concorezzi: 'faith! they drag
"Their carroch to San Vitale, plant the flag
"On his own palace, so adroitly razed
"He knew it not; a sort of Guelf folk gazed
"And laughed apart; Cino disliked their air
"Must pluck up spirit, show he does not care
"Seats himself on the tank's edgewill begin
"To hum, za, za, Cavaler Ecelin
"A silence; he gets warmer, clinks to chime,
"Now both feet plough the ground, deeper each time,
"At last, za, za and up with a fierce kick
"Comes his own mother's face caught by the thick
"Grey hair about his spur!"
               Which means, they lift
The covering, Salinguerra made a shift
To stretch upon the truth; as well avoid
Further disclosures; leave them thus employed.
Our dropping Autumn morning clears apace,
And poor Ferrara puts a softened face
On her misfortunes. Let us scale this tall
Huge foursquare line of red brick garden-wall
Bastioned within by trees of every sort
On three sides, slender, spreading, long and short;
Each grew as it contrived, the poplar ramped,
The fig-tree reared itself,but stark and cramped,
Made fools of, like tamed lions: whence, on the edge,
Running 'twixt trunk and trunk to smooth one ledge
Of shade, were shrubs inserted, warp and woof,
Which smothered up that variance. Scale the roof
Of solid tops, and o'er the slope you slide
Down to a grassy space level and wide,
Here and there dotted with a tree, but trees
Of rarer leaf, each foreigner at ease,
Set by itself: and in the centre spreads,
Borne upon three uneasy leopards' heads,
A laver, broad and shallow, one bright spirt
Of water bubbles in. The walls begirt
With trees leave off on either hand; pursue
Your path along a wondrous avenue
Those walls abut on, heaped of gleamy stone,
With aloes leering everywhere, grey-grown
From many a Moorish summer: how they wind
Out of the fissures! likelier to bind
The building than those rusted cramps which drop
Already in the eating sunshine. Stop,
You fleeting shapes above there! Ah, the pride
Or else despair of the whole country-side!
A range of statues, swarming o'er with wasps,
God, goddess, woman, man, the Greek rough-rasps
In crumbling Naples marblemeant to look
Like those Messina marbles Constance took
Delight in, or Taurello's self conveyed
To Mantua for his mistress, Adelaide,
A certain font with caryatides
Since cloistered at Goito; only, these
Are up and doing, not abashed, a troop
Able to right themselveswho see you, stoop
Their arms o' the instant after you! Unplucked
By this or that, you pass; for they conduct
To terrace raised on terrace, and, between,
Creatures of brighter mould and braver mien
Than any yet, the choicest of the Isle
No doubt. Here, left a sullen breathing-while,
Up-gathered on himself the Fighter stood
For his last fight, and, wiping treacherous blood
Out of the eyelids just held ope beneath
Those shading fingers in their iron sheath,
Steadied his strengths amid the buzz and stir
Of the dusk hideous amphitheatre
At the announcement of his over-match
To wind the day's diversion up, dispatch
The pertinactious Gaul: while, limbs one heap,
The Slave, no breath in her round mouth, watched leap
Dart after dart forth, as her hero's car
Clove dizzily the solid of the war
Let coil about his knees for pride in him.
We reach the farthest terrace, and the grim
San Pietro Palace stops us.
               Such the state
Of Salinguerra's plan to emulate
Sicilian marvels, that his girlish wife
Retrude still might lead her ancient life
In her new home: whereat enlarged so much
Neighbours upon the novel princely touch
He took,who here imprisons Boniface.
Here must the Envoys come to sue for grace;
And here, emerging from the labyrinth
Below, Sordello paused beside the plinth
Of the door-pillar.
          He had really left
Verona for the cornfields (a poor theft
From the morass) where Este's camp was made;
The Envoys' march, the Legate's cavalcade
All had been seen by him, but scarce as when,
Eager for cause to stand aloof from men
At every point save the fantastic tie
Acknowledged in his boyish sophistry,
He made account of such. A crowd,he meant
To task the whole of it; each part's intent
Concerned him therefore: and, the more he pried,
The less became Sordello satisfied
With his own figure at the moment. Sought
He respite from his task? Descried he aught
Novel in the anticipated sight
Of all these livers upon all delight?
This phalanx, as of myriad points combined,
Whereby he still had imaged the mankind
His youth was passed in dreams of rivalling,
His agein plans to prove at least such thing
Had been so dreamed,which now he must impress
With his own will, effect a happiness
By theirs,supply a body to his soul
Thence, and become eventually whole
With them as he had hoped to be without
Made these the mankind he once raved about?
Because a few of them were notable,
Should all be figured worthy note? As well
Expect to find Taurello's triple line
Of trees a single and prodigious pine.
Real pines rose here and there; but, close among,
Thrust into and mixed up with pines, a throng
Of shrubs, he saw,a nameless common sort
O'erpast in dreams, left out of the report
And hurried into corners, or at best
Admitted to be fancied like the rest.
Reckon that morning's proper chiefshow few!
And yet the people grew, the people grew,
Grew ever, as if the many there indeed,
More left behind and most who should succeed,
Simply in virtue of their mouths and eyes,
Petty enjoyments and huge miseries,
Mingled with, and made veritably great
Those chiefs: he overlooked not Mainard's state
Nor Concorezzi's station, but instead
Of stopping there, each dwindled to be head
Of infinite and absent Tyrolese
Or Paduans; startling all the more, that these
Seemed passive and disposed of, uncared for,
Yet doubtless on the whole (like Eglamor)
Smiling; for if a wealthy man decays
And out of store of robes must wear, all days,
One tattered suit, alike in sun and shade,
'T is commonly some tarnished gay brocade
Fit for a feast-night's flourish and no more:
Nor otherwise poor Misery from her store
Of looks is fain upgather, keep unfurled
For common wear as she goes through the world,
The faint remainder of some worn-out smile
Meant for a feast-night's service merely. While
Crowd upon crowd rose on Sordello thus,
(Crowds no way interfering to discuss,
Much less dispute, life's joys with one employed
In envying them,or, if they aught enjoyed,
Where lingered something indefinable
In every look and tone, the mirth as well
As woe, that fixed at once his estimate
Of the result, their good or bad estate)
Old memories returned with new effect:
And the new body, ere he could suspect,
Cohered, mankind and he were really fused,
The new self seemed impatient to be used
By him, but utterly another way
Than that anticipated: strange to say,
They were too much below him, more in thrall
Than he, the adjunct than the principal.
What booted scattered units?here a mind
And there, which might repay his own to find,
And stamp, and use?a few, howe'er august,
If all the rest were grovelling in the dust?
No: first a mighty equilibrium, sure,
Should he establish, privilege procure
For all, the few had long possessed! He felt
An error, an exceeding error melt:
While he was occupied with Mantuan chants,
Behoved him think of men, and take their wants,
Such as he now distinguished every side,
As his own want which might be satisfied,
And, after that, think of rare qualities
Of his own soul demanding exercise.
It followed naturally, through no claim
On their part, which made virtue of the aim
At serving them, on his,that, past retrieve,
He felt now in their toils, theirsnor could leave
Wonder how, in the eagerness to rule,
Impress his will on mankind, he (the fool!)
Had never even entertained the thought
That this his last arrangement might be fraught
with incidental good to them as well,
And that mankind's delight would help to swell
His own. So, if he sighed, as formerly
Because the merry time of life must fleet,
'T was deeplier now,for could the crowds repeat
Their poor experiences? His hand that shook
Was twice to be deplored. "The Legate, look!
"With eyes, like fresh-blown thrush-eggs on a thread,
"Faint-blue and loosely floating in his head,
"Large tongue, moist open mouth; and this long while
"That owner of the idiotic smile
"Serves them!"
       He fortunately saw in time
His fault however, and since the office prime
Includes the secondarybest accept
Both offices; Taurello, its adept,
Could teach him the preparatory one,
And how to do what he had fancied done
Long previously, ere take the greater task.
How render first these people happy? Ask
The people's friends: for there must be one good
One way to itthe Cause! He understood
The meaning now of Palma; why the jar
Else, the ado, the trouble wide and far
Of Guelfs and Ghibellins, the Lombard hope
And Rome's despair?'twixt Emperor and Pope
The confused shifting sort of Eden tale
Hardihood still recurring, still to fail
That foreign interloping fiend, this free
And native overbrooding deity:
Yet a dire fascination o'er the palms
The Kaiser ruined, troubling even the calms
Of paradise; or, on the other hand,
The Pontiff, as the Kaisers understand,
One snake-like cursed of God to love the ground,
Whose heavy length breaks in the noon profound
Some saving treewhich needs the Kaiser, dressed
As the dislodging angel of that pest:
Yet flames that pest bedropped, flat head, full fold,
With coruscating dower of dyes. "Behold
"The secret, so to speak, and master-spring
"O' the contest!which of the two Powers shall bring
"Men good, perchance the most good: ay, it may
"Be that!the question, which best knows the way."
And hereupon Count Mainard strutted past
Out of San Pietro; never seemed the last
Of archers, slingers: and our friend began
To recollect strange modes of serving man
Arbalist, catapult, brake, manganel,
And more. "This way of theirs may,who can tell?
"Need perfecting," said he: "let all be solved
"At once! Taurello 't is, the task devolved
"On late: confront Taurello!"
               And at last
He did confront him. Scarce an hour had past
When forth Sordello came, older by years
Than at his entry. Unexampled fears
Oppressed him, and he staggered off, blind, mute
And deaf, like some fresh-mutilated brute,
Into Ferraranot the empty town
That morning witnessed: he went up and down
Streets whence the veil had been stript shred by shred,
So that, in place of huddling with their dead
Indoors, to answer Salinguerra's ends,
Townsfolk make shift to crawl forth, sit like friends
With any one. A woman gave him choice
Of her two daughters, the infantile voice
Or the dimpled knee, for half a chain, his throat
Was clasped with; but an archer knew the coat
Its blue cross and eight lilies,bade beware
One dogging him in concert with the pair
Though thrumming on the sleeve that hid his knife.
Night set in early, autumn dews were rife,
They kindled great fires while the Leaguers' mass
Began at every carroch: he must pass
Between the kneeling people. Presently
The carroch of Verona caught his eye
With purple trappings; silently he bent
Over its fire, when voices violent
Began, "Affirm not whom the youth was like
"That struck me from the porch: I did not strike
"Again: I too have chestnut hair; my kin
"Hate Azzo and stand up for Ecelin.
"Here, minstrel, drive bad thoughts away! Sing! Take
"My glove for guerdon!" And for that man's sake
He turned: "A song of Eglamor's!"scarce named,
When, "Our Sordello's rather!"all exclaimed;
"Is not Sordello famousest for rhyme?"
He had been happy to deny, this time,
Profess as heretofore the aching head
And failing heart,suspect that in his stead
Some true Apollo had the charge of them,
Was champion to reward or to condemn,
So his intolerable risk might shift
Or share itself; but Naddo's precious gift
Of gifts, he owned, be certain! At the close
"I made that," said he to a youth who rose
As if to hear: 't was Palma through the band
Conducted him in silence by her hand.
Back now for Salinguerra. Tito of Trent
Gave place to Palma and her friend, who went
In turn at Montelungo's visit: one
After the other were they come and gone,
These spokesmen for the Kaiser and the Pope,
This incarnation of the People's hope,
Sordello,all the say of each was said;
And Salinguerra sat,himself instead
Of these to talk with, lingered musing yet.
'T was a drear vast presence-chamber roughly set
In order for the morning's use; full face,
The Kaiser's ominous sign-mark had first place,
The crowned grim twy-necked eagle, coarsely-blacked
With ochre on the naked wall; nor lacked
Romano's green and yellow either side;
But the new token Tito brought had tried
The Legate's patiencenay, if Palma knew
What Salinguerra almost meant to do
Until the sight of her restored his lip
A certain half-smile, three months' chieftainship
Had banished! Afterward, the Legate found
No change in him, nor asked what badge he wound
And unwound carelessly. Now sat the Chief
Silent as when our couple left, whose brief
Encounter wrought so opportune effect
In thoughts he summoned not, nor would reject,
Though time 't was now if ever, to pausefix
On any sort of ending: wiles and tricks
Exhausted, judge! his charge, the crazy town,
Just managed to be hindered crashing down
His last sound troops rangedcare observed to post
His best of the maimed soldiers innermost
So much was plain enough, but somehow struck
Him not before. And now with this strange luck
Of Tito's news, rewarding his address
So well, what thought he of?how the success
With Friedrich's rescript there, would either hush
Old Ecelin's scruples, bring the manly flush
To his young son's white cheek, or, last, exempt
Himself from telling what there was to tempt?
No: that this minstrel was Romano's last
Servanthimself the first! Could he contrast
The whole!that minstrel's thirty years just spent
In doing nought, their notablest event
This morning's journey hither, as I told
Who yet was lean, outworn and really old,
A stammering awkward man that scarce dared raise
His eye before the magisterial gaze
And Salinguerra with his fears and hopes
Of sixty years, his Emperors and Popes,
Cares and contrivances, yet, you would say,
'T was a youth nonchalantly looked away
Through the embrasure northward o'er the sick
Expostulating treesso agile, quick
And graceful turned the head on the broad chest
Encased in pliant steel, his constant vest,
Whence split the sun off in a spray of fire
Across the room; and, loosened of its tire
Of steel, that head let breathe the comely brown
Large massive locks discoloured as if a crown
Encircled them, so frayed the basnet where
A sharp white line divided clean the hair;
Glossy above, glossy below, it swept
Curling and fine about a brow thus kept
Calm, laid coat upon coat, marble and sound:
This was the mystic mark the Tuscan found,
Mused of, turned over books about. Square-faced,
No lion more; two vivid eyes, enchased
In hollows filled with many a shade and streak
Settling from the bold nose and bearded cheek.
Nor might the half-smile reach them that deformed
A lip supremely perfect elseunwarmed,
Unwidened, less or more; indifferent
Whether on trees or men his thoughts were bent,
Thoughts rarely, after all, in trim and train
As now a period was fulfilled again:
Of such, a series made his life, compressed
In each, one story serving for the rest
How his life-streams rolling arrived at last
At the barrier, whence, were it once overpast,
They would emerge, a river to the end,
Gathered themselves up, paused, bade fate befriend,
Took the leap, hung a minute at the height,
Then fell back to oblivion infinite:
Therefore he smiled. Beyond stretched garden-grounds
Where late the adversary, breaking bounds,
Had gained him an occasion, That above,
That eagle, testified he could improve
Effectually. The Kaiser's symbol lay
Beside his rescript, a new badge by way
Of baldric; while,another thing that marred
Alike emprise, achievement and reward,
Ecelin's missive was conspicuous too.
What past life did those flying thoughts pursue?
As his, few names in Mantua half so old;
But at Ferrara, where his sires enrolled
It latterly, the Adelardi spared
No pains to rival them: both factions shared
Ferrara, so that, counted out, 't would yield
A product very like the city's shield,
Half black and white, or Ghibellin and Guelf
As after Salinguerra styled himself
And Este who, till Marchesalla died,
(Last of the Adelardi)never tried
His fortune there: with Marchesalla's child
Would pass,could Blacks and Whites be reconciled
And young Taurello wed Linguetta,wealth
And sway to a sole grasp. Each treats by stealth
Already: when the Guelfs, the Ravennese
Arrive, assault the Pietro quarter, seize
Linguetta, and are gone! Men's first dismay
Abated somewhat, hurries down, to lay
The after indignation, Boniface,
This Richard's father. "Learn the full disgrace
"Averted, ere you blame us Guelfs, who rate
"Your Salinguerra, your sole potentate
"That might have been, 'mongst Este's valvassors
"Ay, Azzo'swho, not privy to, abhors
"Our step; but we were zealous." Azzo then
To do with! Straight a meeting of old men:
"Old Salinguerra dead, his heir a boy,
"What if we change our ruler and decoy
"The Lombard Eagle of the azure sphere
"With Italy to build in, fix him here,
"Settle the city's troubles in a trice?
"For private wrong, let public good suffice!"
In fine, young Salinguerra's staunchest friends
Talked of the townsmen making him amends,
Gave him a goshawk, and affirmed there was
Rare sport, one morning, over the green grass
A mile or so. He sauntered through the plain,
Was restless, fell to thinking, turned again
In time for Azzo's entry with the bride;
Count Boniface rode smirking at their side;
"She brings him half Ferrara," whispers flew,
"And all Ancona! If the stripling knew!"
Anon the stripling was in Sicily
Where Heinrich ruled in right of Constance; he
Was gracious nor his guest incapable;
Each understood the other. So it fell,
One Spring, when Azzo, thoroughly at ease,
Had near forgotten by what precise degrees
He crept at first to such a downy seat,
The Count trudged over in a special heat
To bid him of God's love dislodge from each
Of Salinguerra's palaces,a breach
Might yawn else, not so readily to shut,
For who was just arrived at Mantua but
The youngster, sword on thigh and tuft on chin,
With tokens for Celano, Ecelin,
Pistore, and the like! Next news,no whit
Do any of Ferrara's domes befit
His wife of Heinrich's very blood: a band
Of foreigners assemble, understand
Garden-constructing, level and surround,
Build up and bury in. A last news crowned
The consternation: since his infant's birth,
He only waits they end his wondrous girth
Of trees that link San Pietro with Tom,
To visit Mantua. When the Podest
Ecelin, at Vicenza, called his friend
Taurello thither, what could be their end
But to restore the Ghibellins' late Head,
The Kaiser helping? He with most to dread
From vengeance and reprisal, Azzo, there
With Boniface beforehand, as aware
Of plots in progress, gave alarm, expelled
Both plotters: but the Guelfs in triumph yelled
Too hastily. The burning and the flight,
And how Taurello, occupied that night
With Ecelin, lost wife and son, I told:
Not how he bore the blow, retained his hold,
Got friends safe through, left enemies the worst
O' the fray, and hardly seemed to care at first:
But afterward men heard not constantly
Of Salinguerra's House so sure to be!
Though Azzo simply gained by the event
A shifting of his plaguesthe first, content
To fall behind the second and estrange
So far his nature, suffer such a change
That in Romano sought he wife and child,
And for Romano's sake seemed reconciled
To losing individual life, which shrunk
As the other prosperedmortised in his trunk;
Like a dwarf palm which wanton Arabs foil
Of bearing its own proper wine and oil,
By grafting into it the stranger-vine,
Which sucks its heart out, sly and serpentine,
Till forth one vine-palm feathers to the root,
And red drops moisten the insipid fruit.
Once Adelaide set on,the subtle mate
Of the weak soldier, urged to emulate
The Church's valiant women deed for deed,
And paragon her namesake, win the meed
O' the great Matilda,soon they overbore
The rest of Lombardy,not as before
By an instinctive truculence, but patched
The Kaiser's strategy until it matched
The Pontiff's, sought old ends by novel means.
"Only, why is it Salinguerra screens
"Himself behind Romano?him we bade
"Enjoy our shine i' the front, not seek the shade!"
Asked Heinrich, somewhat of the tardiest
To comprehend. Nor Philip acquiesced
At once in the arrangement; reasoned, plied
His friend with offers of another bride,
A statelier functionfruitlessly: 't was plain
Taurello through some weakness must remain
Obscure. And Otho, free to judge of both
Ecelin the unready, harsh and loth,
And this more plausible and facile wight
With every point a-sparklechose the right,
Admiring how his predecessors harped
On the wrong man: "thus," quoth he, "wits are warped
"By outsides!" Carelessly, meanwhile, his life
Suffered its many turns of peace and strife
In many landsyou hardly could surprise
The man; who shamed Sordello (recognize!)
In this as much beside, that, unconcerned
What qualities were natural or earned,
With no ideal of graces, as they came
He took them, singularly well the same
Speaking the Greek's own language, just because
Your Greek eludes you, leave the least of flaws
In contracts with him; while, since Arab lore
Holds the stars' secrettake one trouble more
And master it! 'T is done, and now deter
Who may the Tuscan, once Jove trined for her,
From Friedrich's path!Friedrich, whose pilgrimage
The same man puts aside, whom he 'll engage
To leave next year John Brienne in the lurch,
Come to Bassano, see Saint Francis' church
And judge of Guido the Bolognian's piece
Which,lend Taurello credit,rivals Greece
Angels, with aureoles like golden quoits
Pitched home, applauding Ecelin's exploits.
For elegance, he strung the angelot,
Made rhymes thereto; for prowess, clove he not
Tiso, last siege, from crest to crupper? Why
Detail you thus a varied mastery
But to show how Taurello, on the watch
For men, to read their hearts and thereby catch
Their capabilities and purposes,
Displayed himself so far as displayed these:
While our Sordello only cared to know
About men as a means whereby he 'd show
Himself, and men had much or little worth
According as they kept in or drew forth
That self; the other's choicest instruments
Surmised him shallow.
           Meantime, malcontents
Dropped off, town after town grew wiser. "How
"Change the world's face?" asked people; "as 't is now
"It has been, will be ever: very fine
"Subjecting things profane to things divine,
"In talk! This contumacy will fatigue
"The vigilance of Este and the League!
"The Ghibellins gain on us!"as it happed.
Old Azzo and old Boniface, entrapped
By Ponte Alto, both in one month's space
Slept at Verona: either left a brace
Of sonsbut, three years after, either's pair
Lost Guglielm and Aldobrand its heir:
Azzo remained and Richardall the stay
Of Este and Saint Boniface, at bay
As 't were. Then, either Ecelin grew old
Or his brain alterednot o' the proper mould
For new applianceshis old palm-stock
Endured no influx of strange strengths. He 'd rock
As in a drunkenness, or chuckle low
As proud of the completeness of his woe,
Then weep real tears;now make some mad onslaught
On Este, heedless of the lesson taught
So painfully,now cringe for peace, sue peace
At price of past gain, bar of fresh increase
To the fortunes of Romano. Up at last
Rose Este, down Romano sank as fast.
And men remarked these freaks of peace and war
Happened while Salinguerra was afar:
Whence every friend besought him, all in vain,
To use his old adherent's wits again.
Not he!"who had advisers in his sons,
"Could plot himself, nor needed any one's
"Advice." 'T was Adelaide's remaining staunch
Prevented his destruction root and branch
Forthwith; but when she died, doom fell, for gay
He made alliances, gave lands away
To whom it pleased accept them, and withdrew
For ever from the world. Taurello, who
Was summoned to the convent, then refused
A word at the wicket, patience thus abused,
Promptly threw off alike his imbecile
Ally's yoke, and his own frank, foolish smile.
Soon a few movements of the happier sort
Changed matters, put himself in men's report
As heretofore; he had to fight, beside,
And that became him ever. So, in pride
And flushing of this kind of second youth,
He dealt a good-will blow. Este in truth
Lay proneand men remembered, somewhat late,
A laughing old outrageous stifled hate
He bore to Estehow it would outbreak
At times spite of disguise, like an earthquake
In sunny weatheras that noted day
When with his hundred friends he tried to slay
Azzo before the Kaiser's face: and how,
On Azzo's calm refusal to allow
A liegeman's challenge, straight he too was calmed:
As if his hate could bear to lie embalmed,
Bricked up, the moody Pharaoh, and survive
All intermediate crumblings, to arrive
At earth's catastrophe't was Este's crash
Not Azzo's he demanded, so, no rash
Procedure! Este's true antagonist
Rose out of Ecelin: all voices whist,
All eyes were sharpened, wits predicted. He
'T was, leaned in the embrasure absently,
Amused with his own efforts, now, to trace
With his steel-sheathed forefinger Friedrich's face
I' the dust: but as the trees waved sere, his smile
Deepened, and words expressed its thought erewhile.
"Ay, fairly housed at last, my old compeer?
"That we should stick together, all the year
"I kept Vicenza!How old Boniface,
"Old Azzo caught us in its market-place,
"He by that pillar, I at this,caught each
"In mid swing, more than fury of his speech,
"Egging the rabble on to disavow
"Allegiance to their MarquisBacchus, how
"They boasted! Ecelin must turn their drudge,
"Nor, if released, will Salinguerra grudge
"Paying arrears of tribute due long since
"Bacchus! My man could promise then, nor wince
"The bones-and-muscles! Sound of wind and limb,
"Spoke he the set excuse I framed for him:
"And now he sits me, slavering and mute,
"Intent on chafing each starved purple foot
"Benumbed past aching with the altar slab:
"Will no vein throb there when some monk shall blab
"Spitefully to the circle of bald scalps,
"'Friedrich 's affirmed to be our side the Alps'
"Eh, brother Lactance, brother Anaclet?
"Sworn to abjure the world, its fume and fret,
"God's own now? Drop the dormitory bar,
"Enfold the scanty grey serge scapular
"Twice o'er the cowl to muffle memories out!
"So! But the midnight whisper turns a shout,
"Eyes wink, mouths open, pulses circulate
"In the stone walls: the past, the world you hate
"Is with you, ambush, open fieldor see
"The surging flamewe fire Vicenzaglee!
"Follow, let Pilio and Bernardo chafe!
"Bring up the Mantuansthrough San Biagiosafe!
"Ah, the mad people waken? Ah, they writhe
"And reach us? If they block the gate? No tithe
"Can passkeep back, you Bassanese! The edge,
"Use the edgeshear, thrust, hew, melt down the wedge,
"Let out the black of those black upturned eyes!
"Hellare they sprinkling fire too? The blood fries
"And hisses on your brass gloves as they tear
"Those upturned faces choking with despair.
"Brave! Slidder through the reeking gate! `How now?
"'You six had charge of her?' And then the vow
"Comes, and the foam spirts, hair's plucked, till one shriek
"(I hear it) and you flingyou cannot speak
"Your gold-flowered basnet to a man who haled
"The Adelaide he dared scarce view unveiled
"This morn, naked across the fire: how crown
"The archer that exhausted lays you down
"Your infant, smiling at the flame, and dies?
"While one, while mine . . .
               "Bacchus! I think there lies
"More than one corpse there" (and he paced the room)
"Another cinder somewhere: 't was my doom
"Beside, my doom! If Adelaide is dead,
"I live the same, this Azzo lives instead
"Of that to me, and we pull, any how,
"Este into a heap: the matter 's now
"At the true juncture slipping us so oft.
"Ay, Heinrich died and Otho, please you, doffed
"His crown at such a juncture! Still, if hold
"Our Friedrich's purpose, if this chain enfold
"The neck of . . . who but this same Ecelin
"That must recoil when the best days begin!
"Recoil? that 's nought; if the recoiler leaves
"His name for me to fight with, no one grieves:
"But he must interfere, forsooth, unlock
"His cloister to become my stumbling-block
"Just as of old! Ay, ay, there 't is again
"The land's inevitable Headexplain
"The reverences that subject us! Count
"These Ecelins now! Not to say as fount,
"Originating power of thought,from twelve
"That drop i' the trenches they joined hands to delve,
"Six shall surpass him, but . . . why men must twine
"Somehow with something! Ecelin 's a fine
"Clear name! 'Twere simpler, doubtless, twine with me
"At once: our cloistered friend's capacity
"Was of a sort! I had to share myself
"In fifty portions, like an o'ertasked elf
"That 's forced illume in fifty points the vast
"Rare vapour he 's environed by. At last
"My strengths, though sorely frittered, e'en converge
"And crown . . . no, Bacchus, they have yet to urge
"The man be crowned!
           "That aloe, an he durst,
"Would climb! Just such a bloated sprawler first
"I noted in Messina's castle-court
"The day I came, when Heinrich asked in sport
"If I would pledge my faith to win him back
"His right in Lombardy: 'for, once bid pack
"Marauders,' he continued, `in my stead
"'You rule, Taurello!' and upon this head
`Laid the silk glove of ConstanceI see her
"Too, mantled head to foot in miniver,
"Retrude following!
          "I am absolved
"From further toil: the empery devolved
"On me, 't was Tito's word: I have to lay
"For once my plan, pursue my plan my way,
"Prompt nobody, and render an account
"Taurello to Taurello! Nay, I mount
"To Friedrich: he conceives the post I kept,
"Who did true service, able or inept,
"Who 's worthy guerdon, Ecelin or I.
"Me guerdoned, counsel follows: would he vie
"With the Pope really? Azzo, Boniface
"Compose a right-arm Hohenstauffen's race
"Must break ere govern Lombardy. I point
"How easy 't were to twist, once out of joint,
"The socket from the bone: my Azzo's stare
"Meanwhile! for I, this idle strap to wear,
"Shallfret myself abundantly, what end
"To serve? There 's left me twenty years to spend
"How better than my old way? Had I one
"Who laboured overthrow my worka son
"Hatching with Azzo superb treachery,
"To root my pines up and then poison me,
"Suppose't were worth while frustrate that! Beside,
"Another life's ordained me: the world's tide
"Rolls, and what hope of parting from the press
"Of waves, a single wave though weariness
"Gently lifted aside, laid upon shore?
"My life must be lived out in foam and roar,
"No question. Fifty years the province held
"Taurello; troubles raised, and troubles quelled,
"He in the midstwho leaves this quaint stone place,
"These trees a year or two, then not a trace
"Of him! How obtain hold, fetter men's tongues
"Like this poor minstrel with the foolish songs
"To which, despite our bustle, he is linked?
"Flowers one may teaze, that never grow extinct.
"Ay, that patch, surely, green as ever, where
"I set Her Moorish lentisk, by the stair,
"To overawe the aloes; and we trod
"Those flowers, how call you such?into the sod;
"A stately foreignera world of pain
"To make it thrive, arrest rough windsall vain!
"It would decline; these would not be destroyed:
"And now, where is it? where can you avoid
"The flowers? I frighten children twenty years
"Longer!which way, too, Ecelin appears
"To thwart me, for his son's besotted youth
"Gives promise of the proper tigertooth:
"They feel it at Vicenza! Fate, fate, fate,
"My fine Taurello! Go you, promulgate
"Friedrich's decree, and here 's shall aggrandise
"Young Ecelinyour Prefect's badge! a prize
"Too precious, certainly.
             "How now? Compete
"With my old comrade? shuffle from their seat
"His children? Paltry dealing! Do n't I know
"Ecelin? now, I think, and years ago!
"What 's changedthe weakness? did not I compound
"For that, and undertake to keep him sound
"Despite it? Here 's Taurello hankering
"After a boy's prefermentthis plaything
"To carry, Bacchus!" And he laughed.
                   Remark
Why schemes wherein cold-blooded men embark
Prosper, when your enthusiastic sort
Fail: while these last are ever stopping short
(So much they shouldso little they can do!)
The careless tribe see nothing to pursue
If they desist; meantime their scheme succeeds.
Thoughts were caprices in the course of deeds
Methodic with Taurello; so, he turned,
Enough amused by fancies fairly earned
Of Este's horror-struck submitted neck,
And Richard, the cowed braggart, at his beck,
To his own petty but immediate doubt
If he could pacify the League without
Conceding Richard; just to this was brought
That interval of vain discursive thought!
As, shall I say, some Ethiop, past pursuit
Of all enslavers, dips a shackled foot
Burnt to the blood, into the drowsy black
Enormous watercourse which guides him back
To his own tribe again, where he is king;
And laughs because he guesses, numbering
The yellower poison-wattles on the pouch
Of the first lizard wrested from its couch
Under the slime (whose skin, the while, he strips
To cure his nostril with, and festered lips,
And eyeballs bloodshot through the desert-blast)
That he has reached its boundary, at last
May breathe;thinks o'er enchantments of the South
Sovereign to plague his enemies, their mouth,
Eyes, nails, and hair; but, these enchantments tried
In fancy, puts them soberly aside
For truth, projects a cool return with friends,
The likelihood of winning mere amends
Ere long; thinks that, takes comfort silently,
Then, from the river's brink, his wrongs and he,
Hugging revenge close to their hearts, are soon
Off-striding for the Mountains of the Moon.
Midnight: the watcher nodded on his spear,
Since clouds dispersing left a passage clear
For any meagre and discoloured moon
To venture forth; and such was peering soon
Above the harassed cityher close lanes
Closer, not half so tapering her fanes,
As though she shrunk into herself to keep
What little life was saved, more safely. Heap
By heap the watch-fires mouldered, and beside
The blackest spoke Sordello and replied
Palma with none to listen. "'T is your cause:
"What makes a Ghibellin? There should be laws
"(Remember how my youth escaped! I trust
"To you for manhood, Palma! tell me just
"As any child)there must be laws at work
"Explaining this. Assure me, good may lurk
"Under the bad,my multitude has part
"In your designs, their welfare is at heart
"With Salinguerra, to their interest
"Refer the deeds he dwelt on,so divest
"Our conference of much that scared me. Why
"Affect that heartless tone to Tito? I
"Esteemed myself, yes, in my inmost mind
"This morn, a recreant to my racemankind
"O'erlooked till now: why boast my spirit's force,
"Such force denied its object? why divorce
"These, then admire my spirit's flight the same
"As though it bore up, helped some half-orbed flame
"Else quenched in the dead void, to living space?
"That orb cast off to chaos and disgrace,
"Why vaunt so much my unencumbered dance,
"Making a feat's facilities enhance
"Its marvel? But I front Taurello, one
"Of happier fate, and all I should have done,
"He does; the people's good being paramount
"With him, their progress may perhaps account
"For his abiding still; whereas you heard
"The talk with Titothe excuse preferred
"For burning those five hostages,and broached
"By way of blind, as you and I approached,
"I do believe."
        She spoke: then he, "My thought
"Plainlier expressed! All to your profitnought
"Meantime of these, of conquests to achieve
"For them, of wretchedness he might relieve
"While profiting your party. Azzo, too,
"Supports a cause: what cause? Do Guelfs pursue
"Their ends by means like yours, or better?"
                       When
The Guelfs were proved alike, men weighed with men,
And deed with deed, blaze, blood, with blood and blaze,
Morn broke: "Once more, Sordello, meet its gaze
"Proudlythe people's charge against thee fails
"In every point, while either party quails!
"These are the busy ones: be silent thou!
"Two parties take the world up, and allow
"No third, yet have one principle, subsist
"By the same injustice; whoso shall enlist
"With either, ranks with man's inveterate foes.
"So there is one less quarrel to compose:
"The Guelf, the Ghibellin may be to curse
"I have done nothing, but both sides do worse
"Than nothing. Nay, to me, forgotten, reft
"Of insight, lapped by trees and flowers, was left
"The notion of a serviceha? What lured
"Me here, what mighty aim was I assured
"Must move Taurello? What if there remained
"A cause, intact, distinct from these, ordained
"For me, its true discoverer?"
                Some one pressed
Before them here, a watcher, to suggest
The subject for a ballad: "They must know
"The tale of the dead worthy, long ago
"Consul of Romethat 's long ago for us,
"Minstrels and bowmen, idly squabbling thus
`In the world's cornerbut too late no doubt,
"For the brave time he sought to bring about.
"Not know Crescentius Nomentanus?" Then
He cast about for terms to tell him, when
Sordello disavowed it, how they used
Whenever their Superior introduced
A novice to the Brotherhood("for I
"Was just a brown-sleeve brother, merrily
"Appointed too," quoth he, "till Innocent
"Bade me relinquish, to my small content,
"My wife or my brown sleeves")some brother spoke
Ere nocturns of Crescentius, to revoke
The edict issued, after his demise,
Which blotted fame alike and effigies,
All out except a floating power, a name
Including, tending to produce the same
Great act. Rome, dead, forgotten, lived at least
Within that brain, though to a vulgar priest
And a vile stranger,two not worth a slave
Of Rome's, Pope John, King Otho,fortune gave
The rule there: so, Crescentius, haply dressed
In white, called Roman Consul for a jest,
Taking the people at their word, forth stepped
As upon Brutus' heel, nor ever kept
Rome waiting,stood erect, and from his brain
Gave Rome out on its ancient place again,
Ay, bade proceed with Brutus' Rome, Kings styled
Themselves mere citizens of, and, beguiled
Into great thoughts thereby, would choose the gem
Out of a lapfull, spoil their diadem
The Senate's cypher was so hard to scratch
He flashes like a phanal, all men catch
The flame, Rome 's just accomplished! when returned
Otho, with John, the Consul's step had spurned,
And Hugo Lord of Este, to redress
The wrongs of each. Crescentius in the stress
Of adverse fortune bent. "They crucified
"Their Consul in the Forum; and abide
"E'er since such slaves at Rome, that I(for I
"Was once a brown-sleeve brother, merrily
"Appointed)I had option to keep wife
"Or keep brown sleeves, and managed in the strife
"Lose both. A song of Rome!"
               And Rome, indeed,
Robed at Goito in fantastic weed,
The Mother-City of his Mantuan days,
Looked an established point of light whence rays
Traversed the world; for, all the clustered homes
Beside of men, seemed bent on being Romes
In their degree; the question was, how each
Should most resemble Rome, clean out of reach.
Nor, of the Two, did either principle
Struggle to change, but to possess Rome,still
Guelf Rome or Ghibellin Rome.
               Let Rome advance!
Rome, as she struck Sordello's ignorance
How could he doubt one moment? Rome 's the Cause!
Rome of the Pandects, all the world's new laws
Of the Capitol, of Castle Angelo;
New structures, that inordinately glow,
Subdued, brought back to harmony, made ripe
By many a relic of the archetype
Extant for wonder; every upstart church
That hoped to leave old temples in the lurch,
Corrected by the Theatre forlorn
That,as a mundane shell, its world late born,
Lay and o'ershadowed it. These hints combined,
Rome typifies the scheme to put mankind
Once more in full possession of their rights.
"Let us have Rome again! On me it lights
"To build up Romeon me, the first and last:
"For such a future was endured the past!"
And thus, in the grey twilight, forth he sprung
To give his thought consistency among
The very Peoplelet their facts avail
Finish the dream grown from the archer's tale.


~ Robert Browning, Sordello - Book the Fourth
,
1414: Ilion

Book I: The Book of the Herald



Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered from starry and shadowy vastness
Woke to the wonder of life and its passion and sorrow and beauty,
All on her bosom sustaining, the patient compassionate Mother.
Out of the formless vision of Night with its look on things hidden
Given to the gaze of the azure she lay in her garment of greenness,
Wearing light on her brow. In the dawn-ray lofty and voiceless
Ida climbed with her god-haunted peaks into diamond lustres,
Ida first of the hills with the ranges silent beyond her
Watching the dawn in their giant companies, as since the ages
First began they had watched her, upbearing Time on their summits.
Troas cold on her plain awaited the boon of the sunshine.
There, like a hope through an emerald dream sole-pacing for ever,
Stealing to wideness beyond, crept Simois lame in his currents,
Guiding his argent thread mid the green of the reeds and the grasses.
Headlong, impatient of Space and its boundaries, Time and its slowness,
Xanthus clamoured aloud as he ran to the far-surging waters,
Joining his call to the many-voiced roar of the mighty Aegean,
Answering Oceans limitless cry like a whelp to its parent.
Forests looked up through their rifts, the ravines grew aware of their shadows.
Closer now gliding glimmered the golden feet of the goddess.
Over the hills and the headlands spreading her garment of splendour,
Fateful she came with her eyes impartial looking on all things,
Bringer to man of the day of his fortune and day of his downfall.
Full of her luminous errand, careless of eve and its weeping,
Fateful she paused unconcerned above Ilions mysteried greatness,
Domes like shimmering tongues of the crystal flames of the morning,
Opalesque rhythm-line of tower-tops, notes of the lyre of the sungod.
High over all that a nation had built and its love and its laughter,
Lighting the last time highway and homestead, market and temple,
Looking on men who must die and women destined to sorrow,
Looking on beauty fire must lay low and the sickle of slaughter,
Fateful she lifted the doom-scroll red with the script of the Immortals,
Deep in the invisible air that folds in the race and its morrows
Fixed it, and passed on smiling the smile of the griefless and deathless,
Dealers of death though death they know not, who in the morning
Scatter the seed of the event for the reaping ready at nightfall.
Over the brooding of plains and the agelong trance of the summits
Out of the sun and its spaces she came, pausing tranquil and fatal,
And, at a distance followed by the golden herds of the sungod,
Carried the burden of Light and its riddle and danger to Hellas.
Even as fleets on a chariot divine through the gold streets of ether,
Swiftly when Life fleets, invisibly changing the arc of the soul-drift,
And, with the choice that has chanced or the fate man has called and now suffers
Weighted, the moment travels driving the past towards the future,
Only its face and its feet are seen, not the burden it carries.
Weight of the event and its surface we bear, but the meaning is hidden.
Earth sees not; lifes clamour deafens the ear of the spirit:
Man knows not; least knows the messenger chosen for the summons.
Only he listens to the voice of his thoughts, his hearts ignorant whisper,
Whistle of winds in the tree-tops of Time and the rustle of Nature.
Now too the messenger hastened driving the car of the errand:
Even while dawn was a gleam in the east, he had cried to his coursers.
Half yet awake in lights turrets started the scouts of the morning
Hearing the jar of the wheels and the throb of the hooves exultation,
Hooves of the horses of Greece as they galloped to Phrygian Troya.
Proudly they trampled through Xanthus thwarting the foam of his anger,
Whinnying high as in scorn crossed Simois tangled currents,
Xanthus reed-girdled twin, the gentle and sluggard river.
One and unarmed in the car was the driver; grey was he, shrunken,
Worn with his decades. To Pergama cinctured with strength Cyclopean
Old and alone he arrived, insignificant, feeblest of mortals,
Carrying Fate in his helpless hands and the doom of an empire.
Ilion, couchant, saw him arrive from the sea and the darkness.
Heard mid the faint slow stirrings of life in the sleep of the city,
Rapid there neared a running of feet, and the cry of the summons
Beat round the doors that guarded the domes of the splendour of Priam.
Wardens charged with the night, ye who stand in Laomedons gateway,
Waken the Ilian kings. Talthybius, herald of Argos,
Parleying stands at the portals of Troy in the grey of the dawning.
High and insistent the call. In the dimness and hush of his chamber
Charioted far in his dreams amid visions of glory and terror,
Scenes of a vivider world,though blurred and deformed in the brain-cells,
Vague and inconsequent, there full of colour and beauty and greatness,
Suddenly drawn by the pull of the conscious thread of the earth-bond
And of the needs of Time and the travail assigned in the transience
Warned by his body, Deiphobus, reached in that splendid remoteness,
Touched through the nerve-ways of life that branch to the brain of the dreamer,
Heard the terrestrial call and slumber startled receded
Sliding like dew from the mane of a lion. Reluctant he travelled
Back from the light of the fields beyond death, from the wonderful kingdoms
Where he had wandered a soul among souls in the countries beyond us,
Free from the toil and incertitude, free from the struggle and danger:
Now, compelled, he returned from the respite given to the time-born,
Called to the strife and the wounds of the earth and the burden of daylight.
He from the carven couch upreared his giant stature.
Haste-spurred he laved his eyes and regained earths memories, haste-spurred
Donning apparel and armour strode through the town of his fathers,
Watched by her gods on his way to his fate, towards Pergamas portals.
Nine long years had passed and the tenth now was wearily ending,
Years of the wrath of the gods, and the leaguer still threatened the ramparts
Since through a tranquil morn the ships came past Tenedos sailing
And the first Argive fell slain as he leaped on the Phrygian beaches;
Still the assailants attacked, still fought back the stubborn defenders.
When the reward is withheld and endlessly leng thens the labour,
Weary of fruitless toil grows the transient heart of the mortal.
Weary of battle the invaders warring hearthless and homeless
Prayed to the gods for release and return to the land of their fathers:
Weary of battle the Phrygians beset in their beautiful city
Prayed to the gods for an end of the danger and mortal encounter.
Long had the high-beached ships forgotten their measureless ocean.
Greece seemed old and strange to her children camped on the beaches,
Old like a life long past one remembers hardly believing
But as a dream that has happened, but as the tale of another.
Time with his tardy touch and Nature changing our substance
Slowly had dimmed the faces loved and the scenes once cherished:
Yet was the dream still dear to them longing for wife and for children,
Longing for hearth and glebe in the far-off valleys of Hellas.
Always like waves that swallow the shingles, lapsing, returning,
Tide of the battle, race of the onset relentlessly thundered
Over the Phrygian corn-fields. Trojan wrestled with Argive,
Caria, Lycia, Thrace and the war-lord mighty Achaia
Joined in the clasp of the fight. Death, panic and wounds and disaster,
Glory of conquest and glory of fall, and the empty hearth-side,
Weeping and fortitude, terror and hope and the pang of remembrance,
Anguish of hearts, the lives of the warriors, the strength of the nations
Thrown were like weights into Destinys scales, but the balance wavered
Pressed by invisible hands. For not only the mortal fighters,
Heroes half divine whose names are like stars in remoteness,
Triumphed and failed and were winds or were weeds on the dance of the surges,
But from the peaks of Olympus and shimmering summits of Ida
Gleaming and clanging the gods of the antique ages descended.
Hidden from human knowledge the brilliant shapes of Immortals
Mingled unseen in the mellay, or sometimes, marvellous, maskless,
Forms of undying beauty and power that made tremble the heart-strings
Parting their deathless secrecy crossed through the borders of vision,
Plain as of old to the demigods out of their glory emerging,
Heard by mortal ears and seen by the eyeballs that perish.
Mighty they came from their spaces of freedom and sorrowless splendour.
Sea-vast, trailing the azure hem of his clamorous waters,
Blue-lidded, maned with the Night, Poseidon smote for the future,
Earth-shaker who with his trident releases the coils of the Dragon,
Freeing the forces unborn that are locked in the caverns of Nature.
Calm and unmoved, upholding the Word that is Fate and the order
Fixed in the sight of a Will foreknowing and silent and changeless,
Hera sent by Zeus and Athene lifting his aegis
Guarded the hidden decree. But for Ilion, loud as the surges,
Ares impetuous called to the fire in mens hearts, and his passion
Woke in the shadowy depths the forms of the Titan and demon;
Dumb and coerced by the grip of the gods in the abyss of the being,
Formidable, veiled they sit in the grey subconscient darkness
Watching the sleep of the snake-haired Erinnys. Miracled, haloed,
Seer and magician and prophet who beholds what the thought cannot witness,
Lifting the godhead within us to more than a human endeavour,
Slayer and saviour, thinker and mystic, leaped from his sun-peaks
Guarding in Ilion the wall of his mysteries Delphic Apollo.
Heavens strengths divided swayed in the whirl of the Earth-force.
All that is born and destroyed is reborn in the sweep of the ages;
Life like a decimal ever recurring repeats the old figure;
Goal seems there none for the ball that is chased throughout Time by the Fate-teams;
Evil once ended renews and no issue comes out of living:
Only an Eye unseen can distinguish the thread of its workings.
Such seemed the rule of the pastime of Fate on the plains of the Troad;
All went backwards and forwards tossed in the swing of the death-game.
Vain was the toil of the heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
Age after fruitless age. Day hunted the steps of the nightfall;
Joy succeeded to grief; defeat only greatened the vanquished,
Victory offered an empty delight without guerdon or profit.
End there was none of the effort and end there was none of the failure.
Triumph and agony changing hands in a desperate measure
Faced and turned as a man and a maiden trampling the grasses
Face and turn and they laugh in their joy of the dance and each other.
These were gods and they trampled lives. But though Time is immortal,
Mortal his works are and ways and the anguish ends like the rapture.
Artists of Nature content with their work in the plan of the transience,
Beautiful, deathless, august, the Olympians turned from the carnage,
Leaving the battle already decided, leaving the heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
Into their heavens they rose up mighty like eagles ascending
Fanning the world with their wings. As the great to their luminous mansions
Turn from the cry and the strife, forgetting the wounded and fallen,
Calm they repose from their toil and incline to the joy of the banquet,
Watching the feet of the wine-bearers rosily placed on the marble,
Filling their hearts with ease, so they to their sorrowless ether
Passed from the wounded earth and its air that is ploughed with mens anguish;
Calm they reposed and their hearts inclined to the joy and the silence.
Lifted was the burden laid on our wills by their starry presence:
Man was restored to his smallness, the world to its inconscient labour.
Life felt a respite from height, the winds breathed freer delivered;
Light was released from their blaze and the earth was released from their greatness.
But their immortal content from the struggle titanic departed.
Vacant the noise of the battle roared like the sea on the shingles;
Wearily hunted the spears their quarry; strength was disheartened;
Silence increased with the march of the months on the tents of the leaguer.
But not alone on the Achaians the steps of the moments fell heavy;
Slowly the shadow deepened on Ilion mighty and scornful:
Dragging her days went by; in the rear of the hearts of her people
Something that knew what they dared not know and the mind would not utter,
Something that smote at her soul of defiance and beauty and laughter,
Darkened the hours. For Doom in her sombre and giant uprising
Neared, assailing the skies: the sense of her lived in all pastimes;
Time was pursued by unease and a terror woke in the midnight:
Even the ramparts felt her, stones that the gods had erected.
Now no longer she dallied and played, but bounded and hastened,
Seeing before her the end and, imagining massacre calmly,
Laughed and admired the flames and rejoiced in the cry of the captives.
Under her, dead to the watching immortals, Deiphobus hastened
Clanging in arms through the streets of the beautiful insolent city,
Brilliant, a gleaming husk but empty and left by the daemon.
Even as a star long extinguished whose light still travels the spaces,
Seen in its form by men, but itself goes phantom-like fleeting
Void and null and dark through the uncaring infinite vastness,
So now he seemed to the sight that sees all things from the Real.
Timeless its vision of Time creates the hour by things coming.
Borne on a force from the past and no more by a power for the future
Mighty and bright was his body, but shadowy the shape of his spirit
Only an eidolon seemed of the being that had lived in him, fleeting
Vague like a phantom seen by the dim Acherontian waters.
But to the guardian towers that watched over Pergamas gateway
Out of the waking city Deiphobus swiftly arriving
Called, and swinging back the huge gates slowly, reluctant,
Flung Troy wide to the entering Argive. Ilions portals
Parted admitting her destiny, then with a sullen and iron
Cry they closed. Mute, staring, grey like a wolf descended
Old Talthybius, propping his steps on the staff of his errand;
Feeble his body, but fierce still his glance with the fire within him;
Speechless and brooding he gazed on the hated and coveted city.
Suddenly, seeking heaven with her buildings hewn as for Titans,
Marvellous, rhythmic, a child of the gods with marble for raiment,
Smiting the vision with harmony, splendid and mighty and golden,
Ilion stood up around him entrenched in her giant defences.
Strength was uplifted on strength and grandeur supported by grandeur;
Beauty lay in her lap. Remote, hieratic and changeless,
Filled with her deeds and her dreams her gods looked out on the Argive,
Helpless and dumb with his hate as he gazed on her, they too like mortals
Knowing their centuries past, not knowing the morrow before them.
Dire were his eyes upon Troya the beautiful, his face like a doom-mask:
All Greece gazed in them, hated, admired, grew afraid, grew relentless.
But to the Greek Deiphobus cried and he turned from his passion
Fixing his ominous eyes with the god in them straight on the Trojan:
Messenger, voice of Achaia, wherefore confronting the daybreak
Comest thou driving thy car from the sleep of the tents that besiege us?
Fateful, I deem, was the thought that, conceived in the silence of midnight,
Raised up thy aged limbs from the couch of their rest in the stillness,
Thoughts of a mortal but forged by the Will that uses our members
And of its promptings our speech and our acts are the tools and the image.
Oft from the veil and the shadow they leap out like stars in their brightness,
Lights that we think our own, yet they are but tokens and counters,
Signs of the Forces that flow through us serving a Power that is secret.
What in the dawning bringst thou to Troya the mighty and dateless
Now in the ending of Time when the gods are weary of struggle?
Sends Agamemnon challenge or courtesy, Greek, to the Trojans?
High like the northwind answered the voice of the doom from Achaia:
Trojan Deiphobus, daybreak, silence of night and the evening
Sink and arise and even the strong sun rests from his splendour.
Not for the servant is rest nor Time is his, only his death-pyre.
I have not come from the monarch of men or the armoured assembly
Held on the wind-swept marge of the thunder and laughter of ocean.
One in his singleness greater than kings and multitudes sends me.
I am a voice out of Phthia, I am the will of the Hellene.
Peace in my right I bring to you, death in my left hand. Trojan,
Proudly receive them, honour the gifts of the mighty Achilles.
Death accept, if Ate deceives you and Doom is your lover,
Peace if your fate can turn and the god in you chooses to hearken.
Full is my heart and my lips are impatient of speech undelivered.
It was not made for the streets or the market, nor to be uttered
Meanly to common ears, but where counsel and majesty harbour
Far from the crowd in the halls of the great and to wisdom and foresight
Secrecy whispers, there I will speak among Ilions princes.
Envoy, answered the Laomedontian, voice of Achilles,
Vain is the offer of peace that sets out with a threat for its prelude.
Yet will we hear thee. Arise who are fleetest of foot in the gateway,
Thou, Thrasymachus, haste. Let the domes of the mansion of Ilus
Wake to the bruit of the Hellene challenge. Summon Aeneas.
Even as the word sank back into stillness, doffing his mantle
Started to run at the bidding a swift-footed youth of the Trojans
First in the race and the battle, Thrasymachus son of Aretes.
He in the dawn disappeared into swiftness. Deiphobus slowly,
Measuring Fate with his thoughts in the troubled vasts of his spirit,
Back through the stir of the city returned to the house of his fathers,
Taming his mighty stride to the pace infirm of the Argive.
But with the god in his feet Thrasymachus rapidly running
Came to the halls in the youth of the wonderful city by Ilus
Built for the joy of the eye; for he rested from war and, triumphant,
Reigned adored by the prostrate nations. Now when all ended,
Last of its mortal possessors to walk in its flowering gardens,
Great Anchises lay in that luminous house of the ancients
Soothing his restful age, the far-warring victor Anchises,
High Bucoleons son and the father of Rome by a goddess;
Lonely and vagrant once in his boyhood divine upon Ida
White Aphrodite ensnared him and she loosed her ambrosial girdle
Seeking a mortals love. On the threshold Thrasymachus halted
Looking for servant or guard, but felt only a loneness of slumber
Drawing the souls sight within away from its life and things human;
Soundless, unheeding, the vacant corridors fled into darkness.
He to the shades of the house and the dreams of the echoing rafters
Trusted his high-voiced call, and from chambers still dim in their twilight
Strong Aeneas armoured and mantled, leonine striding,
Came, Anchises son; for the dawn had not found him reposing,
But in the night he had left his couch and the clasp of Cresa,
Rising from sleep at the call of his spirit that turned to the waters
Prompted by Fate and his mother who guided him, white Aphrodite.
Still with the impulse of speed Thrasymachus greeted Aeneas:
Hero Aeneas, swift be thy stride to the Ilian hill-top.
Dardanid, haste! for the gods are at work; they have risen with the morning,
Each from his starry couch, and they labour. Doom, we can see it,
Glows on their anvils of destiny, clang we can hear of their hammers.
Something they forge there sitting unknown in the silence eternal,
Whether of evil or good it is they who shall choose who are masters
Calm, unopposed; they are gods and they work out their iron caprices.
Troy is their stage and Argos their background; we are their puppets.
Always our voices are prompted to speech for an end that we know not,
Always we think that we drive, but are driven. Action and impulse,
Yearning and thought are their engines, our will is their shadow and helper.
Now too, deeming he comes with a purpose framed by a mortal,
Shaft of their will they have shot from the bow of the Grecian leaguer,
Lashing themselves at his steeds, Talthybius sent by Achilles.
Busy the gods are always, Thrasymachus son of Aretes,
Weaving Fate on their looms, and yesterday, now and tomorrow
Are but the stands they have made with Space and Time for their timber,
Frame but the dance of their shuttle. What eye unamazed by their workings
Ever can pierce where they dwell and uncover their far-stretching purpose?
Silent they toil, they are hid in the clouds, they are wrapped with the midnight.
Yet to Apollo I pray, the Archer friendly to mortals,
Yet to the rider on Fate I abase myself, wielder of thunder,
Evil and doom to avert from my fatherland. All night Morpheus,
He who with shadowy hands heaps error and truth upon mortals,
Stood at my pillow with images. Dreaming I erred like a phantom
Helpless in Ilions streets with the fire and the foeman around me.
Red was the smoke as it mounted triumphant the house-top of Priam,
Clang of the arms of the Greeks was in Troya, and thwarting the clangour
Voices were crying and calling me over the violent Ocean
Borne by the winds of the West from a land where Hesperus harbours.
Brooding they ceased, for their thoughts grew heavy upon them and voiceless.
Then, in a farewell brief and unthought and unconscious of meaning,
Parting they turned to their tasks and their lives now close but soon severed:
Destined to perish even before his perishing nation,
Back to his watch at the gate sped Thrasymachus rapidly running;
Large of pace and swift, but with eyes absorbed and unseeing,
Driven like a car of the gods by the whip of his thoughts through the highways,
Turned to his mighty future the hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
Loser of his world by the will of a heaven that seemed ruthless and adverse,
Founder of a newer and greater world by daring adventure.
Now, from the citadels rise with the townships crowding below it
High towards a pondering of domes and the mystic Palladium climbing,
Fronted with the morning ray and joined by the winds of the ocean,
Fate-weighed up Troys slope strode musing strong Aeneas.
Under him silent the slumbering roofs of the city of Ilus
Dreamed in the light of the dawn; above watched the citadel, sleepless
Lonely and strong like a goddess white-limbed and bright on a hill-top,
Looking far out at the sea and the foe and the prowling of danger.
Over the brow he mounted and saw the palace of Priam,
Home of the gods of the earth, Laomedons marvellous vision
Held in the thought that accustomed his will to unearthly achievement
And in the blaze of his spirit compelling heaven with its greatness,
Dreamed by the harp of Apollo, a melody caught into marble.
Out of his mind it arose like an epic canto by canto;
Each of its halls was a strophe, its chambers lines of an epode,
Victor chant of Ilions destiny. Absent he entered,
Voiceless with thought, the brilliant megaron crowded with paintings,
Paved with a splendour of marble, and saw Deiphobus seated,
Son of the ancient house by the opulent hearth of his fathers,
And at his side like a shadow the grey and ominous Argive.
Happy of light like a lustrous star when it welcomes the morning,
Brilliant, beautiful, glamoured with gold and a fillet of gem-fire,
Paris, plucked from the song and the lyre by the Grecian challenge,
Came with the joy in his face and his eyes that Fate could not alter.
Ever a child of the dawn at play near a turn of the sun-roads,
Facing destinys look with the careless laugh of a comrade,
He with his vision of delight and beauty brightening the earth-field
Passed through its peril and grief on his way to the ambiguous Shadow.
Last from her chamber of sleep where she lay in the Ilian mansion
Far in the heart of the house with the deep-bosomed daughters of Priam,
Noble and tall and erect in a nimbus of youth and of glory,
Claiming the world and life as a fief of her strength and her courage,
Dawned through a doorway that opened to distant murmurs and laughter,
Capturing the eye like a smile or a sunbeam, Penthesilea.
She from the threshold cried to the herald, crossing the marble,
Regal and fleet, with her voice that was mighty and dire in its sweetness.
What with such speed has impelled from the wind-haunted beaches of Troas,
Herald, thy car though the sun yet hesitates under the mountains?
Comest thou humbler to Troy, Talthybius, now than thou camest
Once when the streams of my East sang low to my ear, not this Ocean
Loud, and I roamed in my mountains uncalled by the voice of Apollo?
Bringest thou dulcet-eyed peace or, sweeter to Penthesilea,
Challenge of war when the spears fall thick on the shields of the fighters,
Lightly the wheels leap onward chanting the anthem of Ares,
Death is at work in his fields and the heart is enamoured of danger?
What says Odysseus, the baffled Ithacan? what Agamemnon?
Are they then weary of war who were rapid and bold and triumphant,
Now that their gods are reluctant, now victory darts not from heaven
Down from the clouds above Ida directing the luminous legions
Armed by Fate, now Pallas forgets, now Poseidon slumbers?
Bronze were their throats to the battle like bugles blaring in chorus;
Mercy they knew not, but shouted and ravened and ran to the slaughter
Eager as hounds when they chase, till a woman met them and stayed them,
Loud my war-shout rang by Scamander. Herald of Argos,
What say the vaunters of Greece to the virgin Penthesilea?
High was the Argives answer confronting the mighty in Troya.
Princes of Pergama, whelps of the lion who roar for the mellay,
Suffer my speech! It shall ring like a spear on the hearts of the mighty.
Blame not the herald; his voice is an impulse, an echo, a channel
Now for the timbrels of peace and now for the drums of the battle.
And I have come from no cautious strength, from no half-hearted speaker,
But from the Phthian. All know him! Proud is his soul as his fortunes,
Swift as his sword and his spear are the speech and the wrath from his bosom.
I am his envoy, herald am I of the conquering Argives.
Has not one heard in the night when the breezes whisper and shudder,
Dire, the voice of a lion unsatisfied, gnawed by his hunger,
Seeking his prey from the gods? For he prowls through the glens of the mountains,
Errs a dangerous gleam in the woodlands, fatal and silent.
So for a while he endures, for a while he seeks and he suffers
Patient yet in his terrible grace as assured of his banquet;
But he has lacked too long and he lifts his head and to heaven
Roars in his wonder, incensed, impatiently. Startled the valleys
Shrink from the dreadful alarum, the cattle gallop to shelter.
Arming the herdsmen cry to each other for comfort and courage.
So Talthybius spoke, as a harper voicing his prelude
Touches his strings to a varied music, seeks for a concord;
Long his strain he prepares. But one broke in on the speaker,
Sweet was his voice like a harps though heard in the front of the onset,
One of the sons of Fate by the people loved whom he ruined,
Leader in counsel and battle, the Priamid, he in his beauty
Carelessly walking who scattered the seeds of Titanic disaster.
Surely thou dreamedst at night and awaking thy dreams have not left thee!
Hast thou not woven thy words to intimidate children in Argos
Sitting alarmed in the shadows who listen pale to their nurses?
Greek, thou art standing in Ilion now and thou facest her princes.
Use not thy words but thy kings. If friendship their honey-breathed burden,
Friendship we clasp from Achilles, but challenge outpace with our challenge
Meeting the foe ere he moves in his will to the clash of encounter.
Such is the way of the Trojans since Phryx by the Hellespont halting
Seated Troy on her hill with the Ocean for comrade and sister.
Shaking in wrath his filleted head Talthybius answered:
Princes, ye speak their words who drive you! Thus said Achilles:
Rise, Talthybius, meet in her spaces the car of the morning;
Challenge her coursers divine as they bound through the plains of the Troad.
Hasten, let not the day wear gold ere thou stand in her ramparts.
Herald charged with my will to a haughty and obstinate nation,
Speak in the palace of Priam the word of the Phthian Achilles.
Freely and not as his vassal who leads, Agamemnon, the Argive,
But as a ruler in Hellas I send thee, king of my nations.
Long I have walked apart from the mellay of gods in the Troad,
Long has my listless spear leaned back on the peace of my tent-side,
Deaf to the talk of the trumpets, the whine of the chariots speeding;
Sole with my heart I have lived, unheeding the Hellene murmur,
Chid when it roared for the hunt the lion pack of the war-god,
Day after day I walked at dawn and in blush of the sunset,
Far by the call of the seas and alone with the gods and my dreaming,
Leaned to the unsatisfied chant of my heart and the rhythms of ocean,
Sung to by hopes that were sweet-lipped and vain. For Polyxenas brothers
Still are the brood of the Titan Laomedon slain in his greatness,
Engines of God unable to bear all the might that they harbour.
Awe they have chid from their hearts, nor our common humanity binds them,
Stay have they none in the gods who approve, giving calmness to mortals:
But like the Titans of old they have hugged to them grandeur and ruin.
Seek then the race self-doomed, the leaders blinded by heaven
Not in the agora swept by the winds of debate and the shoutings
Lion-voiced, huge of the people! In Troyas high-crested mansion
Speak out my word to the hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
Herald of Greece, when thy feet shall be pressed on the gold and the marble,
Rise in the Ilian megaron, curb not the cry of the challenge.
Thus shalt thou say to them striking the ground with the staff of defiance,
Fronting the tempests of war, the insensate, the gamblers with downfall.
Princes of Troy, I have sat in your halls, I have slept in your chambers;
Not in the battle alone as a warrior glad of his foemen,
Glad of the strength that mates with his own, in peace we encountered.
Marvelling I sat in the halls of my enemies, close to the bosoms
Scarred by the dints of my sword and the eyes I had seen through the battle,
Ate rejoicing the food of the East at the tables of Priam
Served by the delicatest hands in the world, by Hecubas daughter,
Or with our souls reconciled in some careless and rapturous midnight
Drank of the sweetness of Phrygian wine, admiring your bodies
Shaped by the gods indeed, and my spirit revolted from hatred,
Softening it yearned in its strings to the beauty and joy of its foemen,
Yearned from the death that oertakes and the flame that cries and desires
Even at the end to save and even on the verge to deliver
Troy and her wonderful works and her sons and her deep-bosomed daughters.
Warned by the gods who reveal to the heart what the mind cannot hearken
Deaf with its thoughts, I offered you friendship, I offered you bridal,
Hellas for comrade, Achilles for brother, the world for enjoyment
Won by my spear. And one heard my call and one turned to my seeking.
Why is it then that the war-cry sinks not to rest by the Xanthus?
We are not voices from Argolis, Lacedaemonian tricksters,
Splendid and subtle and false; we are speakers of truth, we are Hellenes,
Men of the northl and faithful in friendship and noble in anger,
Strong like our fathers of old. But you answered my truth with evasion
Hoping to seize what I will not yield and you flattered your people.
Long have I waited for wisdom to dawn on your violent natures.
Lonely I paced oer the sands by the thousand-throated waters
Praying to Pallas the wise that the doom might turn from your mansions,
Buildings delightful, gracious as rhythms, lyrics in marble,
Works of the transient gods, and I yearned for the end of the war-din
Hoping that Death might relent to the beautiful sons of the Trojans.
Far from the cry of the spears, from the speed and the laughter of axles,
Heavy upon me like iron the intolerable yoke of inaction
Weighed like a load on a runner. The war-cry rose by Scamander;
Xanthus was crossed on a bridge of the fallen, not by Achilles.
Often I stretched out my hand to the spear, for the Trojan beaches
Rang with the voice of Deiphobus shouting and slaying the Argives;
Often my heart like an anxious mother for Greece and her children
Leaped, for the air was full of the leonine roar of Aeneas.
Always the evening fell or the gods protected the Argives.
Then by the moat of the ships, on the hither plain of the Xanthus
New was the voice that climbed through the din and sailed on the breezes,
High, insistent, clear, and it shouted an unknown war-cry
Threatening doom to the peoples. A woman had come in to aid you,
Regal and insolent, fair as the morning and fell as the northwind,
Freed from the distaff who grasps at the sword and she spurns at subjection
Breaking the rule of the gods. She is turbulent, swift in the battle.
Clanging her voice of the swan as a summons to death and disaster,
Fleet-footed, happy and pitiless, laughing she runs to the slaughter;
Strong with the gait that allures she leaps from her car to the slaying,
Dabbles in blood smooth hands like lilies. Europe astonished
Reels from her shock to the Ocean. She is the panic and mellay,
War is her paean, the chariots thunder of Penthesilea.
Doom was her coming, it seems, to the men of the West and their legions;
Ajax sleeps for ever, Meriones lies on the beaches.
One by one they are falling before you, the great in Achaia.
Ever the wounded are borne like the stream of the ants when they forage
Past my ships, and they hush their moans as they near and in silence
Gaze at the legions inactive accusing the fame of Achilles.
Still have I borne with you, waited a little, looked for a summons,
Longing for bridal torches, not flame on the Ilian housetops,
Blood in the chambers of sweetness, the golden amorous city
Swallowed by doom. Not broken I turned from the wrestle Titanic,
Hopeless, weary of toil in the ebb of my glorious spirit,
But from my stress of compassion for doom of the kindred nations,
But for her sake whom my soul desires, for the daughter of Priam.
And for Polyxenas sake I will speak to you yet as your lover
Once ere the Fury, abrupt from Erebus, deaf to your crying,
Mad with the joy of the massacre, seizes on wealth and on women
Calling to Fire as it strides and Ilion sinks into ashes.
Yield; for your doom is impatient. No longer your helpers hasten,
Legions swift to your call; the yoke of your pride and your splendour
Lies not now on the nations of earth as when Fortune desired you,
Strength was your slave and Troya the lioness hungrily roaring
Threatened the western world from her ramparts built by Apollo.
Gladly released from the thraldom they hated, the insolent shackles
Curbing their manhood the peoples arise and they pray for your ruin;
Piled are their altars with gifts; their blessings help the Achaians.
Memnon came, but he sleeps, and the faces swart of his nation
Darken no more like a cloud over thunder and surge of the onset.
Wearily Lycia fights; far fled are the Carian levies.
Thrace retreats to her plains preferring the whistle of stormwinds
Or on the banks of the Strymon to wheel in her Orphean measure,
Not in the revel of swords and fronting the spears of the Hellenes.
Princes of Pergama, open your gates to our Peace who would enter,
Life in her gracious clasp and forgetfulness, grave of earths passions,
Healer of wounds and the past. In a comity equal, Hellenic,
Asia join with Greece, one world from the frozen rivers
Trod by the hooves of the Scythian to farthest undulant Ganges.
Tyndarid Helen resign, the desirable cause of your danger,
Back to Greece that is empty long of her smile and her movements.
Broider with riches her coming, pomp of her slaves and the waggons
Endlessly groaning with gold that arrive with the ransom of nations.
So shall the Fury be pacified, she who exultant from Sparta
Breathed in the sails of the Trojan ravisher helping his oarsmen.
So shall the gods be appeased and the thoughts of their wrath shall be cancelled,
Justice contented trace back her steps and for brands of the burning
Torches delightful shall break into Troy with the swords of the bridal.
I like a bridegroom will seize on your city and clasp and defend her
Safe from the envy of Argos, from Lacedaemonian hatred,
Safe from the hunger of Crete and the Locrians violent rapine.
But if you turn from my voice and you hearken only to Ares
Crying for battle within you deluded by Hera and Pallas,
Swiftly the fierce deaths surges shall close over Troy and her ramparts
Built by the gods shall be stubble and earth to the tread of the Hellene.
For to my tents I return not, I swear it by Zeus and Apollo,
Master of Truth who sits within Delphi fathomless brooding
Sole in the caverns of Nature and hearkens her underground murmur,
Giving my oath to his keeping mute and stern who forgets not,
Not from the panting of Ares toil to repose, from the wrestle
Locked of hope and death in the ruthless clasp of the mellay
Leaving again the Trojan ramparts unmounted, leaving
Greece unavenged, the Aegean a lake and Europe a province.
Choosing from Hellas exile, from Peleus and Deidamia,
Choosing the field for my chamber of sleep and the battle for hearthside
I shall go warring on till Asia enslaved to my footsteps
Feels the tread of the God in my sandal pressed on her bosom.
Rest shall I then when the borders of Greece are fringed with the Ganges;
Thus shall the past pay its Titan ransom and, Fate her balance
Changing, a continent ravished suffer the fortune of Helen.
This I have sworn allying my will to Zeus and Ananke.
So was it spoken, the Phthian challenge. Silent the heroes
Looked back amazed on their past and into the night of their future.
Silent their hearts felt a grasp from gods and had hints of the heavens.
Hush was awhile in the room, as if Fate were trying her balance
Poised on the thoughts of her mortals. At length with a musical laughter
Sweet as the jangling of bells upon anklets leaping in measure
Answered aloud to the gods the virgin Penthesilea.
Long I had heard in my distant realms of the fame of Achilles,
Ignorant still while I played with the ball and ran in the dances
Thinking not ever to war; but I dreamed of the shock of the hero.
So might a poet inland who imagines the rumour of Ocean,
Yearn with his lust for the giant upheaval, the dance as of hill-tops,
Toss of the yellow mane and the tawny march and the voices
Lionlike claiming earth as a prey for the clamorous waters.
So have I longed as I came for the cry and the speed of Achilles.
But he has lurked in his ships, he has sulked like a boy that is angry.
Glad am I now of his soul that arises hungry for battle,
Glad, whether victor I live or defeated travel the shadows.
Once shall my spear have rung on the shield of the Phthian Achilles.
Peace I desire not. I came to a haughty and resolute nation,
Honour and fame they cherish, not life by the gift of a foeman.
Sons of the ancient house on whom Ilion looks as on Titans,
Chiefs whom the world admires, do you fear then the shock of the Phthian?
Gods, it is said, have decided your doom. Are you less in your greatness?
Are you not gods to reverse their decrees or unshaken to suffer?
Memnon is dead and the Carians leave you? Lycia lingers?
But from the streams of my East I have come to you, Penthesilea.
Virgin of Asia, answered Talthybius, doom of a nation
Brought thee to Troy and her haters Olympian shielded thy coming,
Vainly who feedest mens hearts with a hope that the gods have rejected.
Doom in thy sweet voice utters her counsels robed like a woman.
Answered the virgin disdainfully, wroth at the words of the Argive:
Hast thou not ended the errand they gave thee, envoy of Hellas?
Not, do I think, as our counsellor camst thou elected from Argos,
Nor as a lover to Troy hast thou hastened with amorous footing
Hurting thy heart with her frowardness. Hatred and rapine sent thee,
Greed of the Ilian gold and lust of the Phrygian women,
Voice of Achaian aggression! Doom am I truly; let Gnossus
Witness it, Salamis speak of my fatal arrival and Argos
Silent remember her wounds. But the Argive answered the virgin:
Hearken then to the words of the Hellene, Penthesilea.
Virgin to whom earths strongest are corn in the sweep of thy sickle,
Lioness vain of thy bruit who besiegest the paths of the battle!
Art thou not satiate yet? hast thou drunk then so little of slaughter?
Death has ascended thy car; he has chosen thy hand for his harvest.
But I have heard of thy pride and disdain, how thou scornest the Argives
And of thy fate thou complainest that ever averse to thy wishes
Cloisters the Phthian and matches with weaklings Penthesilea.
Not of the Ithacan boar nor the wild-cat littered in Locris
Nor of the sleek-coat Argive wild-bulls sates me the hunting;
So hast thou said, I would bury my spear in the lion of Hellas.
Blind and infatuate, art thou not beautiful, bright as the lightning?
Were not thy limbs made cunningly linking sweetness to sweetness?
Is not thy laughter an arrow surprising hearts imprudent?
Charm is the seal of the gods upon woman. Distaff and girdle,
Work of the jar at the well and the hush of our innermost chambers,
These were appointed thee, but thou hast scorned them, O Titaness, grasping
Rather the shield and the spear. Thou, obeying thy turbulent nature,
Tramplest oer laws that are old to the pleasure thy heart has demanded.
Rather bow to the ancient Gods who are seated and constant.
But for thyself thou passest and what hast thou gained for the aeons
Mingled with men in their works and depriving the age of thy beauty?
Fair art thou, woman, but fair with a bitter and opposite sweetness
Clanging in war when thou matchest thy voice with the shout of assemblies.
Not to this end was thy sweetness made and the joy of thy members,
Not to this rhythm Heaven tuned its pipe in thy throat of enchantment,
Armoured like men to go warring forth and with hardness and fierceness
Mix in the strife and the hate while the varied meaning of Nature
Perishes hurt in its heart and life is emptied of music.
Long have I marked in your world a madness. Monarchs descending
Court the imperious mob of their slaves and their suppliant gesture
Shameless and venal offends the majestic tradition of ages:
Princes plead in the agora; spurred by the tongue of a coward,
Heroes march to an impious war at a priestly bidding.
Gold is sought by the great with the chaffering heart of the trader.
Asia fails and the Gods are abandoning Ida for Hellas.
Why must thou come here to perish, O noble and exquisite virgin,
Here in a cause not thine, in a quarrel remote from thy beauty,
Leaving a land that is lovely and far to be slain among strangers?
Girl, to thy rivers go back and thy hills where the grapes are aspirant.
Trust not a fate that indulges; for all things, Penthesilea,
Break with excess and he is the wisest who walks by a measure.
Yet, if thou wilt, thou shalt meet me today in the shock of the battle:
There will I give thee the fame thou desirest; captive in Hellas,
Men shall point to thee always, smiling and whispering, saying,
This is the woman who fought with the Greeks, overthrowing their heroes;
This is the slayer of Ajax, this is the slave of Achilles.
Then with her musical laughter the fearless Penthesilea:
Well do I hope that Achilles enslaved shall taste of that glory
Or on the Phrygian fields lie slain by the spear of a woman.
But to the herald Achaian the Priamid, leader of Troya:
Rest in the halls of thy foes and ease thy fatigue and thy winters.
Herald, abide till the people have heard and reply to Achilles.
Not as the kings of the West are Ilions princes and archons,
Monarchs of men who drive their nations dumb to the battle.
Not in the palace of Priam and not in the halls of the mighty
Whispered councils prevail and the few dispose of the millions;
But with their nation consulting, feeling the hearts of the commons
Ilions princes march to the war or give peace to their foemen.
Lightning departs from her kings and the thunder returns from her people
Met in the ancient assembly where Ilus founded his columns
And since her famous centuries, names that the ages remember
Leading her, Troya proclaims her decrees to obedient nations.
Ceasing he cried to the thralls of his house and they tended the Argive.
Brought to a chamber of rest in the luminous peace of the mansion,
Grey he sat and endured the food and the wine of his foemen,
Chiding his spirit that murmured within him and gazed undelighted,
Vexed with the endless pomps of Laomedon. Far from those glories
Memory winged it back to a sward half-forgotten, a village
Nestling in leaves and low hills watching it crowned with the sunset.
So for his hour he abode in earths palace of lordliest beauty,
But in its caverns his heart was weary and, hurt by the splendours,
Longed for Greece and the smoke-darkened roof of a cottage in Argos,
Eyes of a woman faded and children crowding the hearthside.
Joyless he rose and eastward expected the sunrise on Ida.
***
~ Sri Aurobindo, 1 - The Book of the Herald
,
1415:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

            Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.

What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.

Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.

After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.

At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.

O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.

He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.

             Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.

It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."

Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.

             Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.

Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!

"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.

He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.

(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.

(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.

(line 430): In the draft, Endymion was described as The mortal Latmian.

(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.

(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).

(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II
,
1416:Pearl
Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
504
From that precious pearl without a spot.
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.
If sweet was all that there was seen,
Fair too, a fragrance flowed I wot,
Where dwells that dearest, as I ween,
My precious pearl without a spot.
By that spot my hands I wrung dismayed;
For care full cold that had me caught
A hopeless grief on my heart was laid.
Though reason to reconcile me sought,
For my pearl there prisoned a plaint I made,
In fierce debate unmoved I fought;
Be comforted Christ Himself me bade,
But in woe my will ever strove distraught.
On the flowery plot I fell, methought;
Such odour through my senses shot,
I slipped and to sudden sleep was brought,
O'er that precious pearl without a spot.
From that spot my spirit sprang apace,
On the turf my body abode in trance;
My would was gone by God's own grace
Adventuring where marvels chance.
I knew not where in the world was that place
Save by cloven cliffs was set my stance;
And towards a forest I turned my face,
Where rocks in splendour met my glance;
From them did a glittering glory lance,
None could believe the light they lent;
Never webs were woven in mortal haunts
505
Of half such wealth and wonderment.
Wondrous was made each mountain-side
With crystal cliffs so clear of hue;
About them woodlands bright lay wide,
As Indian dye their boles were blue;
The leaves did as burnished silver slide
That thick upon twigs were trembling grew.
When glades let light upon them glide
They shone with a shimmer of dazzling hue.
The gravel on ground that I trod with shoe
Was of precious pearls of Orient:
Sunbeams are blear and dark to view
Compared with that fair wonderment.
In wonder at those fells so fair
My soul all grief forgot let fall;
Odours so fresh of fruits there were,
I was fed as by food celestial.
In the woods the birds did wing and pair,
Of flaming hues, both great and small;
But cithern-string and gittern-player
Their merry mirth could ne'er recall,
For when the beat their pinions all
In harmony their voices bent:
No delight more lovely could men enthrall
Than behold and hear that wonderment.
Thus arrayed was all in wonderment
That forest where forth my fortune led;
No man its splendour to present
With tongue could worthy words have said.
I walked ever onward well-content;
No hill was so tall that it stayed my tread;
More fair the further afield I went
Were plants, and fruits, and spices spread;
Through hedge and mead lush waters led
As in strands of gold there steeply pent.
A river I reached in cloven bed:
506
O Lord! the wealth of its wonderment!
10
The adornments of that wondrous deep
Were beauteous banks of beryl bright:
Swirling sweetly its waters sweep,
Ever rippling on in murmurous flight.
In the depths stood dazzling stones aheap
As a glitter through glass that glowed with light,
As streaming stars when on earth men sleep
Stare in the welkin in winter night;
For emerald, sapphire, or jewel bright
Was every pebble in pool there pent,
And the water was lit with rays of light,
Such wealth was in its wonderment.
11
The wonderous wealth of down and dales,
of wood and water and lordly plain,
My mirth makes mount: my mourning fails,
My care is quelled and cured my pain.
Then down a stream that strongly sails
I blissful turn with teeming brain;
The further I follow those flowing vales
The more strength of joy my heart doth strain.
As fortune fares where she doth deign,
Whether gladness she gives or grieving sore,
So he who may her graces gain,
His hap is to have ever more and more.
12
There more was of such marvels thrice
Than I could tell, though I long delayed;
For earthly heart could not suffice
For a tithe of the joyful joys displayed.
Therefore I thought that Paradise
Across those banks was yonder laid;
I weened that the water by device
As bounds between pleasances was made;
Beyond that stream by steep or slade
That city's walls I weened must soar;
But the water was deep, I dared not wade,
507
And ever I longed to, more and more.
13
More and more, and yet still more,
I fain beyond the stream had scanned,
For fair as was this hither shore,
Far lovelier was the further land.
To find a ford I did then explore,
And round about did stare and stand;
But perils pressed in sooth more sore
The further I strode along the strand.
I should not, I thought, by fear be banned
From delights so lovely that lay in store;
But a happening new then came to hand
That moved my mind ever more and more.
14
A marvel more did my mind amaze:
I saw beyond that border bright
From a crystal cliff the lucent rays
And beams in splendour lift their light.
A child abode there at its base:
She wore a gown of glistening white,
A gentle maid of courtly grace;
Erewhile I had known her well by sight.
As shredded gold that glistered bright
She shone in beauty upon the shore;
Long did my glance on her alight,
And the longer I looked I knew her more.
15
The more I that face so fair surveyed,
When upon her gracious form I gazed,
Such gladdening glory upon me played
As my wont was seldom to see upraised.
Desire to call her then me swayed,
But dumb surprise my mind amazed;
In place so strange I saw that maid,
The blow might well my wits have crazed.
Her forehead fair then up she raised
That hue of polished ivory wore.
It smote my heart distraught and dazed,
508
And ever the longer, the more and more.
16
More than I would my dread did rise.
I stood there still and dared not call
With closed mouth and open eyes,
I stood as tame as hawk in hall.
A ghost was present, I did surmise,
And feared for what might then befall,
Lest she should flee before mine eyes
Ere I to tryst could her recall.
So smooth, so seemly, slight and small,
That flawless fair and mirthful maid
Arose in robes majestical,
A precious gem in pearls arrayed.
17
There pearls arrayed and royally dight
Might one have seen by fortune graced
When fresh as flower-de-luces bright
She down to the water swiftly paced
In linen robe of glistening white,
With open sides that seams enlaced
With the merriest margery-pearls my sight
Ever before, I vow, had traced.
Her sleeves hung long below her waist
Adorned with pearls in double braid;
Her kirtle matched her mantle chaste
All about with precious pearls arrayed.
18
A crown arrayed too wore that girl
Of margery-stones and others none,
With pinnacles of pure white pearl
That perfect flowers were figured on,
On head nought else her hair did furl,
And it framed, as it did round her run,
Her countenance grave for duke or earl,
And her hue as rewel ivory wan.
As shredded sheen of gold then shone
Her locks on shoulder loosly laid.
Her colour pure was surpassed by none
509
Of the pearls in purfling rare arrayed.
19
Arrayed was wristlet, and the hems were dight
At hands, at sides, at throat so fair
With no gem but the pearl all white
And burnished white her garments were;
But a wondrous pearl unstained and bright
She amidst her breast secure did bear;
Ere mind could fathom its worth and might
Man's reason thwarted would despair.
No tongue could in worthy words declare
The beauty that was there displayed,
It was so polished, pure, and fair,
That precious pearl on her arrayed.
20
In pearls arrayed that maiden free
Beyond the stream came down the strand.
From here to Greece none as glad could be
As I on shore to see her stand,
Than aunt or niece more near to me:
The more did joy my heart expand.
She deigned to speak, so sweet was she,
Bowed low as ladies' ways demand.
With her crown of countless worth in hand
A gracious welcome she me bade.
My birth I blessed, who on the strand
To my love replied in pearls arrayed.
21
'O Pearl!' said I, 'in pearls arrayed,
Are you my pearl whose loss I mourn?
Lament alone by night I made,
Much longing I have hid for thee forlorn,
Since to the grass you from me strayed.
While I pensive waste by weeping worn,
Your life of joy in the land is laid
Of Paradise by strife untorn.
What fate hath hither my jewel borne
And made me mourning's prisoner?
Since asunder we in twain were torn,
510
I have been a joyless jeweller.'
22
That jewel in gems so excellent
Lifted her glance with eyes of grey,
Put on her crown of pearl-orient,
And gravely then began to say:
'Good sir, you have your speech mis-spent
to say your pearl is all away
that is in chest so choicely pent,
Even in this gracious garden gay,
Here always to linger and to play
Where regret nor grief e'er trouble her.
'Here is a casket safe' you would say.
If you were a gentle jeweller.
23
But jeweller gentle, if from you goes
Your joy through a gem that you held lief,
Methinks your mind toward madness flows
And frets for a fleeting cause of grief.
For what you lost was but a rose
That by nature failed after flowering brief;
Now the casket's virtues that it enclose
Prove it a pearl of price in chief;
And yet you have called your fate a thief
That of naught to aught hath fashioned her,
You grudge the healing of your grief,
You are no grateful jeweller.'
24
Then a jewel methought had now come near,
And jewels the courteous speech she made.
'My blissful one,' quoth I, 'most dear,
My sorrows deep you have all allayed.
To pardon me I pray you here!
In the darkness I deemed my pearl was laid;
I have found it now, and shall make good cheer,
With it dwell in shining grove and glade,
And praise all the laws that my Lord hath made,
Who hath brought me near such bliss with her.
Now could I to reach you these waters wade,
511
I should be a joyful jeweller.'
25
'Jeweller,' rejoined that jewel clean,
'Why jest ye men? How mad ye be!
Three things at once you have said, I ween:
Thoughtless, forsooth, were all the three,
You know now on earth what one doth mean;
Your words from your wits escaping flee:
You believe I live here on this green,
Because you can with eyes me see;
Again, you will in this land with me
Here dwell yourself, you now aver;
And thirdly, pass this water free:
That may no joyful jeweller.
26
I hold that jeweller worth little praise
Who well esteems what he sees with eye,
And much to blame his graceless wayus
Who believes our Lord would speak a lie.
He promised faithfully your lives to raise
Though fate decreed your flesh should die;
His words as nonsense ye appraise
Who approve of naught not seen with eye;
And that presumption doth imply,
Which all good men doth ill beseem,
On tale as true ne'er to rely
Save private reason right it deem.
27
Do you deem that you yourself maintain
Such words as man to God should dare?
You will dwell, you say, in this domain:
'Twere best for leave first offer prayer,
And yet that grace yo umight not gain.
Now over this water you wish to fare:
By another course you must that attain;
Your flesh shall in clay find colder lair,
For our heedless father did of old prepare
Its doom by Eden's grove and stream;
Through dismal death must each man fare,
512
Ere o're this deep him God redeem.'
28
'If my doom you deem it, maiden sweet,
To mourn once more, then I must pine.
Now my lost one found again I greet,
Must bereavement new till death be mine?
Why must I at once both part and meet?
My precious pearl doth my pain design!
What use hath treasure but tears to repeat,
When one at its loss must again repine?
Now I care not though my days decline
Outlawed afar o'er land and stream;
When in my pearl no part is mine,
Only endless dolour one that may deem.'
29
'But of woe, I deem, and deep distress
You speak,' she said. 'Why do you so?
Through loud lament when they lose the less
Oft many men the more forego.
'Twere better with cross yourself to bless,
Ever praising God in weal and woe;
For resentment gains you not a cress:
Who must needs endure, he may not say no!
For though you dance as any doe,
Rampant bray or raging scream,
When escape you cannot, to nor fro,
His doom you must abide, I deem.
30
Deem God unjust, the Lord indict,
From His way a foot He will not wend;
The relief amounts not to a mite,
Though gladness your grief may never end.
Cease then to wrangle, to speak in spite,
And swiftly seek Him as your friend,
You prayer His pity may excite,
So that Mercy shall her powers expend.
To you languor He may comfort lend,
And swiftly your griefs removed may seem;
For lament or rave, to submit pretend,
513
'Tis His to ordain what He right may deem.'
31
Then I said, I deem, to that damosel:
'May I give no grievance to my Lord,
Rash fool, though blundering tale I tell.
My heart the pain of loss outpoured,
Gushing as water springs from well.
I commit me ever to His mercy's ward.
Rebuke me not with words so fell,
Though I erring stray, my dear adored!
But your comfort kindly to me accord,
In pity bethinking you of this:
For partner you did me pain award
On whom was founded all my bliss.
32
Both bliss and gried you have been to me,
But of woe far greater hath been my share.
You were caught away from all perils free,
But my pearl was gone, I knew not where;
My sorrow is softened now I it see.
When we parted, too, at one we were;
Now God forbid that we angry be!
We meet on our roads by chance so rare.
Though your converse courtly is and fair,
I am but mould and good manners miss.
Christ's mercy, Mary and John: I dare
Only on these to found my bliss.
33
In bliss you abide and happiness,
And I with woe an worn and grey;
Oft searing sorrows I possess,
Yet little heed to that you pay.
But now I here yourself address,
Without reproach I would you pray
To deign in sober words express
What life you lead the livelong day.
For delighted I am that your lot, you say,
So glorious and so glad now is;
There finds my joy its foremost way,
514
On that is founded all my bliss.'
34
'Now bliss you ever bless!' she cried,
Lovely in limb, in hue so clear,
'And welcome here to walk and bide;
For now your words are to me dear.
Masterful mood and haughty pride,
I warn you, are bitterly hated here.
It doth not delight my Lord to chide,
For meek are all that dwell Him near.
So, when in His place you must appear,
Be devout in humble lowliness:
To my Lord, the Lamb, such a mien is dear,
On whom is founded all my bliss.
35
A blissful life you say is mine;
You wish to know in what degree.
Your pearl you know you did resign
When in young and tender years was she;
Yet my Lord, the Lamb, through power divine
Myself He chose His bride to be,
And crowned me queen in bliss to shine,
While days shall endure eternally.
Dowered with His heritage all is she
That is His love. I am wholly His:
On His glory, honour, and high degree
Are built and founded all my bliss.'
36
'O blissful!' said I, 'can this be true?
Be not displased if in speech I err!
Are you the queen of heavens blue,
Whom all must honour on earth that fare?
We believe that our Grace of Mary grew,
Who in virgin-bloom a babe did bear;
And claim her crown: who could this do
But once that surpassed her in favour fair?
And yet for unrivalled sweetness rare
We call her the Phoenix of Araby,
That her Maker let faultless wing the air,
515
Like to the Queen of Courtesy.'
37
'O courteous Queen,' that damsel said,
Kneeling on earth with uplifted face,
'Mother immaculate, and fairest maid,
Blessed beginner of every grace!'
Uprising then her prayer she stayed,
And there she spoke to me a space:
'Here many the prize they have gained are praid,
But usurpers, sir, here have no place.
That empress' realm doth heaven embrace,
From their heritage yet will none displace,
For she is the Queen of Courtesy.
38
'The court where the living God doth reign
Hath a virtue of its own being,
That each who may thereto attain
Of all the realm is queen or king,
Yet never shall other's right obtain,
But in other's good each glorying
And wishing each crown worth five again,
If amended might be so fair a thing.
But my Lady of whom did Jesu spring,
O'er us high she holds her empery,
And none that grieves of our following,
For she is the Queen of Courtesy.'
39
In courtesy we are members all
Of Jesus Christ, Saint Paul doth write:
As head, arm, leg, and navel small
To their body doth loyalty true unite,
So as limbs to their Master mystical
All Christian souls belong by right.
Now among your limbs can you find at all
Any tie or bond of hate or spite?
Your head doth not feel affront or slight
On your arm or finger though ring it see;
So we all proceed in love's delight
To king and queen by courtesy.'
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40
'Courtesy,' I said, 'I do believe
And charity great dwells you among,
But may my words no wise you grieve,
.............................................................
You in heaven too high yourself conceive
To make you a queen who were so young.
What honour more might he achieve
Who in strife on earth was ever strong,
And lived his life in penance long
With his body's pain to get bliss for fee?
What greater glory could to him belong
Than king to be crowned by courtesy?
41
That courtesy gives its gifts too free,
If it be sooth that you now say.
Two years you lived not on earth with me,
And God you could not please, nor pray
With Pater and Creed upon your knee And made a queen that very day!
I cannot believe, God helping me,
That God so far from right would stray.
Of a countess, damsel, I must say,
'Twere fair in heaven to find the grace,
Or of lady even of less array,
But a queen! It is too high a place.'
42
'Neither time nor place His grace confine',
Then said to me that maiden bright,
'For just is all that He doth assign,
And nothing can He work but right.
In God's true gospel, in words divine
That Matthew in your mass doth cite,
A tale he aptly doth design,
In parable saith of heaven's light:
'My realm on high I liken might
To a vineyard owner in this case.
The year had run to season right;
To dress the vines 'twas time and place.
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43
All labourers know when that time is due.
The master up full early rose
To hire him vineyard workers new;
And some to suit his needs he chose.
Together they pledge agreement true
For a penny a day, and forth each goes,
Travails and toils to tie and hew,
Binds and prunes and in order stows.
In forenoon the master to market goes,
And there finds men that idle laze.
'Why stand ye idle? he said to those.
'Do ye know not time of day nor place?'
44
'This place we reached betimes ere day',
This answer from all alike he drew,
'Since sunrise standing here we stay,
And no man offers us work to do.'
'Go to my vineyard! Do what ye may!'
Said the lord, and made a bargain true:
'In deed and intent I to you will pay
What hire may justly by night accrue.'
They went to his vines and laboured too,
But the lord all day that way did pace,
And brought to his vineyard workers new,
Till daytime almost passed that place.
45
In that place at time of evensong,
One hour before the set of sun,
He saw there idle labourers strong
And thus his earnest words did run:
'Why stand ye idle all day long?'
They said they chance of hire had none.
'Go to my vineyard, yeoman young,
And work and do what may be done!'
The hour grew late and sank the sun,
Dusk came o'er the world apace;
He called them to claim the wage they had won,
For time of day had passed that place.
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46
The time in that place he well did know;
He called: 'Sir steward, the people pay!
Give them hire that I them owe.
Moreover, that none reproach me may,
Set them all in a single row,
And to each alike give a penny a day;
Begin at the last that stands below,
Till to the first you make your way.'
Then the first began to complain and say
That they had laboured long and sore:
'These but one hour in stress did stay;
It seems to us we should get more.
47
More have we earned, we think it true,
Who have borne the daylong heat indeed,
Than these who hours have worked not two,
And yet you our equals have decreed.'
One such the lord then turned him to:
'My friend, I will not curtail your meed.
Go now and take what is your due!
For a penny I hired you as agreed,
Why now to wrangle do you proceed?
Was it not a penny you bargained for?
To surpass his bargain may no man plead.
Why then will you ask for more?
48
Nay, more - am I not allowed in gift
To dispose of mine as I please to do?
Or your eye to evil, maybe, you lift,
For I none betray and I am true?'
'Thus I', said Christ, 'shall the order shift:
The last shall come first to take his due,
And the first come last, be he never so swift;
For many are called, but the favourites few.'
Thus the poor get ever their portion too,
Though late they came and little bore;
And though to their labour little accrue,
The mercy of God is much the more.
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49
More is my joy and bliss herein,
The flower of my life, my lady's height,
Than all the folk in the world might win,
Did they seek award on ground of right.
Though 'twas but now that I entered in,
And came to the vineyard by eveing's light,
First with my hire did my Lord begin;
I was paid at once to the furthest mite.
Yet others in toil without respite
That had laboured and sweated long of yore,
He did not yet with hire requite,
Nor will, perchance, for years yet more.'
50
Then more I said and spoke out plain:
'Unreasonable is what you say.
Ever ready God's justice on high doth reign,
Or a fable doth Holy Writ purvey.
The Psalms a cogent verse contain,
Which puts a point that one must weigh:
'High King, who all dost foreordain,
His deserts Thou dost to each repay.'
Now if daylong one did steadfast stay,
And you to payment came him before,
Then lesser work can earn more pay;
And the longer you reckon, the less hath more.'
51
'Of more and less in God's domains
No question arises,' said that maid,
'For equal hire there each one gains,
Be geurdon great or small him paid.
No churl is our Chieftain that in bounty reigns,
Be soft or hard by Him purveyed;
As water of dike His gifts He drains,
Or streams from a deep by drought unstayed.
Free is the pardon to him conveyed
Who in fear to the Saviour in sin did bow;
No bars from bliss will for such be made,
For the grace of God is great enow.
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52
But now to defeat me you debate
That wrongly my penny I have taken here;
Deserve not hire at price so dear.
Where heard you ever of man relate
Who, pious in prayer from year to year,
Did not somehow forfeit the guerdon great
Sometime of Heaven's glory clear?
Nay, wrong men work, from right they veer,
And ever the ofter the older, I trow.
Mercy and grace must then them steer,
For the grace of God is great enow.
53
But enow have the innocent of grace.
As soon as born, in lawful line
Baptismal waters them embrace;
Then they are brought unto the vine.
Anon the day with darkened face
Doth toward the night of death decline.
They wrought no wrong while in that place,
And his workmen then pays the Lord divine.
They were there; they worked at his design;
Why should He not their toil allow,
Yea, first to them their hire assign?
For the grace of God is great enow.
54
Enow 'tis known that Man's high kind
At first for perfect bliss was bred.
Our eldest father that grace resigned
Through an apple upon which he fed.
We were all damned, for that food assigned
To die in grief, all joy to shed,
And after in flames of hell confined
To dwell for ever unrespited.
But soon a healing hither sped:
Rich blood ran on rough rood-bough,
And water fair. In that hour of dread
The grace of God grew great enow.
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55
Enow there went forth from that well
Water and blood from wounds so wide:
The blood redeemed us from pains of hell
Of the second death the bond untied;
The water is baptism, truth to tell,
That the spear so grimly ground let glide.
It washes away the trespass fell
By which Adam drowned us in deathly tide.
No bars in the world us from Bliss divide
In blessed hour restored, I trow,
Save those that He hath drawn aside;
And the grace of God is great enow.
56
Grace enow may the man receive
Who sins anew, if he repent;
But craving it he must sigh and grieve
And abide what pains are consequent.
But reason that right can never leave
Evermore preserves the innocent;
'Tis a judgement God did never give
That the guiltless should ever have punishment.
The guilty, contrite and penitent,
Through mercy may to grace take flight;
But he that to treachery never bent
In innocence is saved by right.
57
It is right thus by reason, as in this case
I learn, to save these two from ill;
The righteous man shall see His face,
Come unto him the harmless will.
This point the Psalms in a passage raise:
'Who, Lord, shall climb Thy lofty hill,
Or rest within Thy holy place?'
He doth the answer swift fulfil:
'Who wrought with hands no harm nor ill,
Who is of heart both clean and bright,
His steps shall there be steadfast still':
The innocent ever is saved by right.
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58
The righteous too, one many maintain,
He shall to that noble tower repair,
Who leads not his life in folly vain,
Nor guilefully doth to neighbour swear.
That Wisdom did honour once obtain
For such doth Solomon declare:
She pressed him on by ways made plain
And showed him afar God's kingdom fair,
As if saying: 'That lovely island there
That mayst thou win, be thou brave in fight.'
But to say this doubtless one may dare:
The innocent ever is saved by right.
59
To righteous men - have you seen it there? In the Psalter David a verse applied:
'Do not, Lord, Thy servant to judgement bear;
For to Thee none living is justified.'
So when to that Court you must repair
Where all our cases shall be tried,
If on right you stand, lest you trip beware,
Warned by these words that I espied.
But He on rood that bleeding died,
Whose hands the nail did harshly smite,
Grant you may pass, when you are tried,
By innocence and not by right.
60
Let him that can rightly read in lore,
Look in the Book and learn thereby
How Jesus walked the world of yore,
And people pressed their babes Him nigh,
For joy and health from Him did pour.
'Our children touch!' they humbly cry,
'Let be!' his disciples rebuked them sore,
And to many would approach deny.
Then Jesus sweetly did reply:
'Nay! let children by me alight;
For such is heaven prepared on high!'
The innocent ever is saved by right.
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61
Then Jesus summoned his servants mild,
And said His realm no man might win,
Unless he came there as a child;
Else never should he come therein.
Harmless, true, and undefiled,
Without mark or mar of soiling sin,
When such knock at those portals piled,
Quick for them men will the gate unpin.
That bliss unending dwells therein
That the jeweller sought, above gems did rate,
And sold all he had to clothe him in,
To purchase a pearl immaculate.
62
This pearl immaculate purchased dear
The jeweller gave all his goods to gain
Is like the realm of heaven's sphere:
So said the Lord of land and main;
For it is flawless, clean and clear,
Endlessly round, doth joy contain,
And is shared by all the righteous here.
Lo! amid my breast it doth remain;
There my Lord, the Lamb that was bleeding slain,
In token of peace it placed in state.
I bid you the wayward world disdain
And procure your pearl immaculate!'
63
'Immaculate Pearl in pearls unstained,
Who bear of precious pearls the prize,
Your figure fair for you who feigned?
Who wrought your robe, he was full wise!
Your beauty was never from nature gained;
Pygmalion did ne'er your face devise;
In Aristotle's learning is contained
Of these properties' nature no surmise;
Your hue the flower-de-luce defies,
Your angel-bearing is of grace so great.
What office, purest, me apprise
Doth bear this pearl immaculate?'
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64
'My immaculate Lamb, my final end
Beloved, Who all can heal,' said she,
'Chose me as spouse, did to bridal bend
That once would have seemed unmeet to be.
From your weeping world when I did wend
He called me to his felicity:
'Come hither to me, sweetest friend,
For no blot nor spot is found in thee!'
Power and beauty he gave to me;
In his blood he washed my weeds in state,
Crowned me clean in virginity,
And arrayed me in pearls immaculate.'
65
'Why, immaculate bride of brightest flame,
Who royalty have so rich and bare,
Of what kind can He be, the Lamb you name,
Who would you His wedded wife declare?
Over others all hath climbed your fame,
In lady's life with Him to fare.
For Christ have lived in care and blame
Many comely maids with comb in hair;
Yet the prize from all those brave you bear,
And all debar from bridal state,
All save yourself so proud and fair,
A matchless maid immaculate.'
66
'Immaculate, without a stain,
Flawless I am', said that fair queen;
'And that I may with grace maintain,
But 'matchless' I said not nor do mean.
As brides of the Lamb in bliss we reign,
Twelve times twelve thousand strong, I ween,
As Apocalypse reveals it plain:
In a throng they there by John were seen;
On Zion's hill, that mount serene,
The apostle had dream divine of them
On that summit for marriage robed all clean
In the city of New Jerusalem.
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67
Of Jerusalem my tale doth tell,
If you will know what His nature be,
My Lamb, my Lord, my dear Jewel,
My Joy, my Bliss, my Truelove free.
Isaiah the prophet once said well
In pity for His humility:
'That glorious Guiltless they did fell
Without cause or charge of felony,
As sheep to the slaughter led was He,
And as lamb the shearer in hand doth hem
His mouth he closed without plaint or plea,
When the Jews Him judged in Jerusalem.'
68
In Jerusalem was my Truelove slain,
On the rood by ruffians fierce was rent;
Willing to suffer all our pain
To Himself our sorrows sad He lent.
With cruel blows His face was flain
That was to behold so excellent:
He for sin to be set at naught did deign,
Who of sin Himself was innocent.
Beneath the scourge and thorns He bent,
And stretched on a cross's brutal stem
As meek as lamb made no lament,
And died for us in Jerusalem.
69
In Jerusalem, Jordan, and Galilee,
As there baptized the good Saint John,
With Isaiah well did his words agree.
When to meet him once had Jesus gone
He spake of Him this prophecy:
'Lo, the Lamb of God whom our trust is on!
From the grievous sins He sets us free
That all this world hath daily done.'
He wrought himself yet never one,
Though He smirched himself with all of them.
Who can tell the Fathering of that Son
That died for us in Jerusalem?
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70
In Jerusalem as lamb they knew
And twice thus took my Truelove dear,
As in prophets both in record true,
For His meekness and His gentle cheer.
The third time well is matched thereto,
In Apocalypse 'tis written clear:
Where sat the saints, Him clear to view
Amidst the throne the Apostle dear
Saw loose the leaves of the book and shear
The seven signets sewn on them.
At that sight all folk there bowed in fear
In hell, in earth, and Jerusalem.
71
Jerusalem's Lamb had never stain
Of other hue than whiteness fair;
There blot nor blemish could remain,
So white the wool, so rich and rare.
Thus every soul that no soil did gain
His comely wife doth the Lamb declare;
Though each day He a host obtain,
No grudge nor grievance do we bear,
But for each one five we wish there were.
The more the merrier, so God me bless!
Our love doth thrive where many fare
In honour more and never less.
72
To less of bliss may none us bring
Who bear this pearl upon each breast,
For ne'er could they think of quarrelling
Of spotless pearls who bear the crest.
Though the clods may to our corses cling,
And for woe ye wail bereaved of rest,
From one death all our trust doth spring
In knowledge complete by us possessed.
The Lamb us gladdens, and, our grief redressed,
Doth at every Mass with joy us bless.
Here each hath bliss supreme and best,
Yet no one's honour is ever the less.
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73
Lest less to trust my tale you hold,
In Apocalypse 'tis writ somewhere:
'The Lamb', saith John, 'I could behold
On Zion standing proud and fair;
With him maidens a hundred-thousand fold,
And four and forty thousand were,
Who all upon their brows inscrolled
The Lamb's name and His Father's bare.
A shout then I heard from heaven there,
Like many floods met in pouring press;
And as thunder in darkling tors doth blare,
That noise, I believe, was nowise less.
74
But nonetheless, though it harshly roared,
And echo loud though it was to hear,
I heard them note then new accord,
A delight as lovely to listening ear
As harpers harping on harps afford.
This new song now they sang full clear,
With resounding notes in noble accord
Making in choir their musics dear.
Before God's very throne drawn near
And the Beasts to Him bowed in lowliness
And the ancient Elders grave of cheer
They sang their song there, nonetheless.
75
Yet nonetheless were none so wise
For all the arts that they ever knew
Of that song who could a phrase devise,
Save those of the Lamb's fair retinue;
For redeemed and removed from earthly eyes,
As firstling fruits that to God are due,
To the noble Lamb they are allies,
Being like to Him in mien and hue;
For no lying word nor tale untrue
Ever touched their tongues despite duress.
Ever close that company pure shall sue
That Master immaculate, and never less.''
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76
'My thanks may none the less you find,
My Pearl', quoth I, 'though I question pose.
I should not try your lofty mind,
Whom Christ to bridal chamber chose.
I am but dirt and dust in kind,
And you a rich and radiant rose
Here by this blissful bank reclined
Where life's delight unfading grows.
Now, Lady, your heart sincere enclose,
And I would ask one thing express,
And though it clown uncouth me shows,
My prayer disdain not, nevertheless.
77
I nonetheless my appeal declare,
If you to do this may well deign,
Deny you not my piteous prayer,
As you are glorious without a stain.
No home in castle-wall do ye share,
No mansion to meet in, no domain?
Of Jerusalem you speak the royal and fair,
Where David on regal throne did reign;
It abides not here on hill nor plain,
But in Judah is that noble plot.
As under moon ye have no stain
Your home should be without a spot.
78
This spotless troop of which you tell,
This thronging press many-thousandfold,
Ye doubtless a mighty citadel
Must have your number great to hold:
For jewels so lovely 'twould not be well
That flock so fair should have no fold!
Yet by these banks where a while I dwell
I nowhere about any house behold.
To gaze on this glorious stream you strolled
And linger alone now, do you not?
If elsewhere you have stout stronghold,
Now guide me to that goodly spot!'
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79
'That spot', that peerless maid replied,
'In Judah's land of which you spake,
Is the city to which the Lamb did ride,
To suffer sore there for Man's sake.
The Old Jerusalem is implied,
For old sin's bond He there let break.
But the New, that God sent down to glide,
The Apocalypse in account doth take.
The Lamb that no blot ever black shall make
Doth there His lovely throng allot,
And as His flock all stains forsake
So His mansion is unmarred by spot.
80
There are two spots. To speak of these:
They both the name 'Jerusalem' share;
'The City of God' or 'Sight of Peace',
These meanings only doth that bear.
In the first it once the Lamb did please
Our peace by His suffering to repair;
In the other naught is found but peace
That shall last for ever without impair.
To that high city we swiftly fare
As soon as our flesh is laid to rot;
Ever grow shall the bliss and glory there
For the host within that hath no spot.'
81
'O spotless maiden kind!' I cried
To that lovely flower, 'O lead me there,
To see where blissful you abide,
To that goodly place let me repair!'
'God will forbid that,' she replied,
'His tower to enter you may not dare.
But the Lamb hath leave to me supplied
For a sigh thereof by favour rare:
From without on that precinct pure to stare
But foot within to venture not;
In the street you have no strength to fare,
Unless clean you be without a spot.
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82
If I this spot shall to you unhide,
Turn up towards this water's head,
While I escort you on this side,
Until your ways to a hill have led.'
No longer would I then abide,
But shrouded by leafy boughs did tread,
Until from a hill I there espied
A glimpse of that city, as forth I sped.
Beyond the river below me spread
Brighter than the sun with beams it shone;
In the Apocalypse may its form be read,
As it describes the apostle John.
83
As John the apostle it did view,
I saw that city of great renown,
Jerusalem royally arrayed and new,
As it was drawn from heaven down.
Of gold refined in fire to hue
Of glittering glass was that shining town;
Fair gems beneath were joined as due
In courses twelve, on the base laid down
That with tenoned tables twelve they crown:
A single stone was each tier thereon,
As well describes this wondrous town
In apocalypse the apostle John.
84
These stones doth John in Writ disclose;
I knew their names as he doth tell:
As jewel first the jasper rose,
And first at the base I saw it well,
On the lowest course it greenly glows;
On the second stage doth sapphire dwell;
Chalcedony on the third tier shows,
A flawless, pure, and pale jewel;
The emerald fourth so green of shell;
The sardonyx, the fifth it shone,
The ruby sixth: he saw it well
In the Apocalypse, the apostle John.
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85
To them John then joined the chrysolite,
The seventh gem in the ascent;
The eighth the beryl clear and white;
The twin-hued topaz as ninth was pent;
Tenth the chrysoprase formed the flight;
Eleventh was jacinth excellent;
The twelfth, most trusty in every plight,
The amethyst blue with purple blent.
Sheer from those tiers the wall then went
Of jasper like glass that glistening shone;
I knew it, for thus did it present
In the Apocalypse the apostle John.
86
As John described, I broad and sheer
These twelve degrees saw rising there;
Above the city square did rear
(Its length with breadth and height compare);
The streets of gold as glass all clear,
The wall of jasper that gleamed like glair;
With all precious stones that might there appear
Adorned within the dwellings were.
Of that domain each side all square
Twelve thousand furlongs held then on,
As in height and breadth, in length did fare,
For it measured saw the aspostle John.
87
As John hath writ, I saw yet more:
Each quadrate wall there had three gates,
So in compass there were three times four,
The portals o'erlaid with richest plates;
A single pearl was every door,
A pearl whose perfection ne'er abates;
And each inscribed a name there bore
Of Israel's children by their dates:
Their times of birth each allocates,
Ever first the eldest thereon is hewn.
Such light every street illuminates
They have need of neither sun nor moon.
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88
Of sun nor moon they had no need,
For God Himself was their sunlight;
The Lamb their lantern was indeed
And through Him blazed that city bright
That unearthly clear did no light impede;
Through wall and hall thus passed my sight.
The Throne on high there might one heed,
With all its rich adornment dight,
As John in chosen words did write.
High God Himself sat on that throne,
Whence forth a river ran with light
Outshining both the sun and moon.
89
Neither sun nor moon ever shone so sweet
As the pouring flood from that court that flowed;
Swiftly it swept through every street,
And no filth nor soil nor slime it showed.
No church was there the sight to greet,
Nor chapel nor temple there ever abode:
The Almighty was their minister meet;
Refreshment the Victim Lamb bestowed.
The gates ever open to every road
Were never yet shut from noon to noon;
There enters none to find abode
Who bears any spot beneath the moon.
90
The moon therefrom may gain no might,
Too spotty is she, of form too hoar;
Moreover there comes never night:
Why should the moon in circle soar
And compare her with that peerless light
That shines upon that water's shore?
The planets are in too poor a plight,
Yea, the sun himself too pale and frore.
On shining trees where those waters pour
Twelve fruits of life there ripen soon;
Twelve times a year they bear a store,
And renew them anew in every moon.
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91
Such marvels as neath the moon upraised
A fleshly heart could not endure
I saw, who on that castle gazed;
Such wonders did its castle gazed;
I stood there still as quail all dazed;
Its wondrous form did me allure,
That rest nor toil I felt, amazed,
And ravished by that radiance pure.
For with conscience clear I you assure,
If man embodied had gained that boon,
Though sages all essayed his cure,
His life had been lost beneath the moon.
92
As doth the moon in might arise,
Ere down must daylight leave the air,
So, suddenly, in a wondrous wise,
Of procession long I was aware.
Unheralded to my surprise
That city of royal renown so fair
Was with virgins filled in the very guise
Of my blissful one with crown on hair.
All crowned in manner like they were,
In pearls appointed, and weeds of white,
and bound on breast did each one bear
The blissful pearl with great delight.
93
With great delight in line they strolled
On golden ways that gleamed like glass;
A hundred thousands were there, I hold,
And all to match their livery was;
The gladdest face could none have told.
the Lamb before did proudly pass
With seven horns of clear red gold;
As pearls of price His raimant was.
To the Throne now drawn they pacing pass:
No crowding, though great their host in white,
But gentle as modest maids at Mass,
So lead they on with great delight.
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94
The delight too great were to recall
That at His coming forth did swell.
When He approached those elders all
On their faces at His feet they fell;
There summoned hosts angelical
An incense cast of sweetest smell:
New glory and joy then forth did fall,
All sang to praise that fair Jewel.
The strain could strike through earth to hell
That the Virtues of heaven in joy endite.
With His host to laud the Lamb as well
In deed I found a great delight.
95
Delight the Lamb to behold with eyes
Then moved my mind with wonder more:
The best was He, blithest, most dear to prize
Of whom I e'er heard tales of yore;
So wondrous white was all His guise,
So noble Himself He so meekly bore.
But by his heart a wound my eyes
Saw wide and wet; the fleece it tore,
From His white side His blood did pour.
Alas! thought I, who did that spite?
His breast should have burned with anguish sore,
Ere in that deed one took delight.
96
The Lamb's delight to doubt, I ween,
None wished; though wound He sore displayed,
In His face no sign thereof was seen,
In His glance such glorious gladness played.
I marked among His host serene,
How life in full on each was laid-Then saw I there my little queen
That I thought stood by me in the glade!
Lord! great was the merriment she made,
Among her peers who was so white.
That vision made me think to wade
For love-longing in great delight.
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97
Delight there pierced my eye and ear,
In my mortal mind a madness reigned;
When I saw her beauty I would be near,
Though beyond the stream she was retained.
I thought that naught could interfere,
Could strike me back to halt constrained,
From plunge in stream would none me steer,
Though I died ere I swam o'er what remained.
But as wild in the water to start I strained,
On my intent did quaking seize;
From that aim recalled I was detained:
It was not as my Prince did please.
98
It pleased Him not that I leapt o'er
Those marvellous bounds my madness swayed.
Though headlong haste me heedless bore,
Yet swift arrest was on me made,
For right as I rushed then to the shore
That fury made my dream to fade.
I woke in that garden as before,
My head upon that mound was laid
Where once to earth my pearl had strayed.
I stretched, and fell in great unease,
And sighing to myself I prayed:
'Now all be as that Prince may please.'
99
It pleased me ill outcast to be
So suddenly from that region fair
Where living beauty I could see.
A swoon of longing smote me there,
And I cried aloud then piteously:
'O Pearl, renowned beyond compare!
How dear was all that you said to me,
That vision true while I did share.
If it be true and sooth to swear
That in garland gay you are set at ease,
Then happy I, though chained in care,
That you that Prince indeed do please.'
536
100
To please that Prince had I always bent,
Desired no more than was my share,
And loyally been obedient,
As the Pearl me prayed so debonair,
I before God's face might have been sent,
In his mysteries further maybe to fare.
But with fortune no man is content
That rightly he may claim and bear;
So robbed of realms immortally fair
Too soon my joy did sorrow seize.
Lord! mad are they who against Thee dare
Or purpose what Thee may displease!
101
To please that Prince, or be pardon shown,
May Christian good with ease design;
For day and night I have Him known
A God, a Lord, a Friend divine.
This chance I met on mound where prone
In grief for my pearl I would repine;
With Christ's sweet blessing and mine own
I then to God it did resign.
May He that in form of bread and wine
By priest upheld each day one sees,
Us inmates of His house divine
Make precious pearls Himself to please.
Amen Amen
~ Anonymous Olde English,
1417:Scene. Basil; a chamber in the house of Paracelsus. 1526.
Paracelsus, Festus.
Paracelsus.
Heap logs and let the blaze laugh out!
Festus.
                     True, true!
'T is very fit all, time and chance and change
Have wrought since last we sat thus, face to face
And soul to soulall cares, far-looking fears,
Vague apprehensions, all vain fancies bred
By your long absence, should be cast away,
Forgotten in this glad unhoped renewal
Of our affections.
Paracelsus.
         Oh, omit not aught
Which witnesses your own and Michal's own
Affection: spare not that! Only forget
The honours and the glories and what not,
It pleases you to tell profusely out.
Festus.
Nay, even your honours, in a sense, I waive:
The wondrous Paracelsus, life's dispenser,
Fate's commissary, idol of the schools
And courts, shall be no more than Aureole still,
Still Aureole and my friend as when we parted
Some twenty years ago, and I restrained
As best I could the promptings of my spirit
Which secretly advanced you, from the first,
To the pre-eminent rank which, since, your own
Adventurous ardour, nobly triumphing,
Has won for you.
Paracelsus.
         Yes, yes. And Michal's face
Still wears that quiet and peculiar light
Like the dim circlet floating round a pearl?
Festus.
Just so.
Paracelsus.
    And yet her calm sweet countenance,
Though saintly, was not sad; for she would sing
Alone. Does she still sing alone, bird-like,
Not dreaming you are near? Her carols dropt
In flakes through that old leafy bower built under
The sunny wall at Wrzburg, from her lattice
Among the trees above, while I, unseen,
Sat conning some rare scroll from Tritheim's shelves
Much wondering notes so simple could divert
My mind from study. Those were happy days.
Respect all such as sing when all alone!
Festus.
Scarcely alone: her children, you may guess,
Are wild beside her.
Paracelsus.
           Ah, those children quite
Unsettle the pure picture in my mind:
A girl, she was so perfect, so distinct:
No change, no change! Not but this added grace
May blend and harmonize with its compeers,
And Michal may become her motherhood;
But't is a change, and I detest all change,
And most a change in aught I loved long since.
So, Michalyou have said she thinks of me?
Festus.
O very proud will Michal be of you!
Imagine how we sat, long winter-nights,
Scheming and wondering, shaping your presumed
Adventure, or devising its reward;
Shutting out fear with all the strength of hope.
For it was strange how, even when most secure
In our domestic peace, a certain dim
And flitting shade could sadden all; it seemed
A restlessness of heart, a silent yearning,
A sense of something wanting, incomplete
Not to be put in words, perhaps avoided
By mute consentbut, said or unsaid, felt
To point to one so loved and so long lost.
And then the hopes rose and shut out the fears
How you would laugh should I recount them now
I still predicted your return at last
With gifts beyond the greatest of them all,
All Tritheim's wondrous troop; did one of which
Attain renown by any chance, I smiled,
As well aware of who would prove his peer
Michal was sure some woman, long ere this,
As beautiful as you were sage, had loved . . .
Paracelsus.
Far-seeing, truly, to discern so much
In the fantastic projects and day-dreams
Of a raw restless boy!
Festus.
           Oh, no: the sunrise
Well warranted our faith in this full noon!
Can I forget the anxious voice which said
"Festus, have thoughts like these ere shaped themselves
"In other brains than mine? have their possessors
"Existed in like circumstance? were they weak
"As I, or ever constant from the first,
"Despising youth's allurements and rejecting
"As spider-films the shackles I endure?
"Is there hope for me?"and I answered gravely
As an acknowledged elder, calmer, wiser,
More gifted mortal. O you must remember,
For all your glorious . . .
Paracelsus.
               Glorious? ay, this hair,
These handsnay, touch them, they are mine! Recall
With all the said recallings, times when thus
To lay them by your own ne'er turned you pale
As now. Most glorious, are they not?
Festus.
                   Whywhy
Something must be subtracted from success
So wide, no doubt. He would be scrupulous, truly,
Who should object such drawbacks. Still, still, Aureole,
You are changed, very changed! 'T were losing nothing
To look well to it: you must not be stolen
From the enjoyment of your well-won meed.
Paracelsus.
My friend! you seek my pleasure, past a doubt:
You will best gain your point, by talking, not
Of me, but of yourself.
Festus.
            Have I not said
All touching Michal and my children? Sure
You know, by this, full well how Aennchen looks
Gravely, while one disparts her thick brown hair;
And Aureole's glee when some stray gannet builds
Amid the birch-trees by the lake. Small hope
Have I that he will honour (the wild imp)
His namesake. Sigh not! 't is too much to ask
That all we love should reach the same proud fate.
But you are very kind to humour me
By showing interest in my quiet life;
You, who of old could never tame yourself
To tranquil pleasures, must at heart despise . . .
Paracelsus.
Festus, strange secrets are let out by death
Who blabs so oft the follies of this world:
And I am death's familiar, as you know.
I helped a man to die, some few weeks since,
Warped even from his go-cart to one end
The living on princes' smiles, reflected from
A mighty herd of favourites. No mean trick
He left untried, and truly well-nigh wormed
All traces of God's finger out of him:
Then died, grown old. And just an hour before,
Having lain long with blank and soulless eyes,
He sat up suddenly, and with natural voice
Said that in spite of thick air and closed doors
God told him it was June; and he knew well,
Without such telling, harebells grew in June;
And all that kings could ever give or take
Would not be precious as those blooms to him.
Just so, allowing I am passing sage,
It seems to me much worthier argument
Why pansies,[1] eyes that laugh, bear beauty's prize
From violets, eyes that dream(your Michal's choice)
Than all fools find to wonder at in me
Or in my fortunes. And be very sure
I say this from no prurient restlessness,
No self-complacency, itching to turn,
Vary and view its pleasure from all points,
And, in this instance, willing other men
May be at pains, demonstrate to itself
The realness of the very joy it tastes.
What should delight me like the news of friends
Whose memories were a solace to me oft,
As mountain-baths to wild fowls in their flight?
Ofter than you had wasted thought on me
Had you been wise, and rightly valued bliss.
But there's no taming nor repressing hearts:
God knows I need such!So, you heard me speak?
Festus.
Speak? when?
Paracelsus.
      When but this morning at my class?
There was noise and crowd enough. I saw you not.
Surely you know I am engaged to fill
The chair here?that't is part of my proud fate
To lecture to as many thick-skulled youths
As please, each day, to throng the theatre,
To my great reputation, and no small
Danger of Basil's benches long unused
To crack beneath such honour?
Festus.
               I was there;
I mingled with the throng: shall I avow
Small care was mine to listen?too intent
On gathering from the murmurs of the crowd
A full corroboration of my hopes!
What can I learn about your powers? but they
Know, care for nought beyond your actual state,
Your actual value; yet they worship you,
Those various natures whom you sway as one!
But ere I go, be sure I shall attend . . .
Paracelsus.
Stop, o' God's name: the thing's by no means yet
Past remedy! Shall I read this morning's labour
At least in substance? Nought so worth the gaining
As an apt scholar! Thus then, with all due
Precision and emphasisyou, beside, are clearly
Guiltless of understanding more, a whit,
The subject than your stoolallowed to be
A notable advantage.
Festus.
           Surely, Aureole,
You laugh at me!
Paracelsus.
         I laugh? Ha, ha! thank heaven,
I charge you, if't be so! for I forget
Much, and what laughter should be like. No less,
However, I forego that luxury
Since it alarms the friend who brings it back.
True, laughter like my own must echo strangely
To thinking men; a smile were better far;
So, make me smile! If the exulting look
You wore but now be smiling, 't is so long
Since I have smiled! Alas, such smiles are born
Alone of hearts like yours, or herdsmen's souls
Of ancient time, whose eyes, calm as their flocks,
Saw in the stars mere garnishry of heaven,
And in the earth a stage for altars only.
Never change, Festus: I say, never change!
Festus.
My God, if he be wretched after all
Paracelsus.
When last we parted, Festus, you declared,
Or Michal, yes, her soft lips whispered words
I have preserved. She told me she believed
I should succeed (meaning, that in the search
I then engaged in, I should meet success)
And yet be wretched: now, she augured false.
Festus.
Thank heaven! but you spoke strangely: could I venture
To think bare apprehension lest your friend,
Dazzled by your resplendent course, might find
Henceforth less sweetness in his own, could move
Such earnest mood in you? Fear not, dear friend,
That I shall leave you, inwardly repining
Your lot was not my own!
Paracelsus.
             And this for ever!
For ever! gull who may, they will be gulled!
They will not look nor think;'t is nothing new
In them: but surely he is not of them!
My Festus, do you know, I reckoned, you
Though all beside were sand-blindyou, my friend,
Would look at me, once close, with piercing eye
Untroubled by the false glare that confounds
A weaker vision: would remain serene,
Though singular amid a gaping throng.
I feared you, or I had come, sure, long ere this,
To Einsiedeln. Well, error has no end,
And Rhasis is a sage, and Basil boasts
A tribe of wits, and I am wise and blest
Past all dispute! 'T is vain to fret at it.
I have vowed long ago my worshippers
Shall owe to their own deep sagacity
All further information, good or bad.
Small risk indeed my reputation runs,
Unless perchance the glance now searching me
Be fixed much longer; for it seems to spell
Dimly the characters a simpler man
Might read distinct enough. Old Eastern books
Say, the fallen prince of morning some short space
Remained unchanged in semblance; nay, his brow
Was hued with triumph: every spirit then
Praising, his heart on flame the while:a tale!
Well, Festus, what discover you, I pray?
Festus.
Some foul deed sullies then a life which else
Were raised supreme?
Paracelsus.
           Good: I do well, most well
Why strive to make men hear, feel, fret themselves
With what is past their power to comprehend?
I should not strive now: only, having nursed
The faint surmise that one yet walked the earth,
One, at least, not the utter fool of show,
Not absolutely formed to be the dupe
Of shallow plausibilities alone:
One who, in youth, found wise enough to choose
The happiness his riper years approve,
Was yet so anxious for another's sake,
That, ere his friend could rush upon a mad
And ruinous course, the converse of his own,
His gentle spirit essayed, prejudged for him
The perilous path, foresaw its destiny,
And warned the weak one in such tender words,
Such accentshis whole heart in every tone
That oft their memory comforted that friend
When it by right should have increased despair:
Having believed, I say, that this one man
Could never lose the light thus from the first
His portionhow should I refuse to grieve
At even my gain if it disturb our old
Relation, if it make me out more wise?
Therefore, once more reminding him how well
He prophesied, I note the single flaw
That spoils his prophet's title. In plain words,
You were deceived, and thus were you deceived
I have not been successful, and yet am
Most miserable; 't is said at last; nor you
Give credit, lest you force me to concede
That common sense yet lives upon the world!
Festus.
You surely do not mean to banter me?
Paracelsus.
You know, orif you have been wise enough
To cleanse your memory of such mattersknew,
As far as words of mine could make it clear,
That't was my purpose to find joy or grief
Solely in the fulfilment of my plan
Or plot or whatsoe'er it was; rejoicing
Alone as it proceeded prosperously,
Sorrowing then only when mischance retarded
Its progress. That was in those Wrzburg days!
Not to prolong a theme I thoroughly hate,
I have pursued this plan with all my strength;
And having failed therein most signally,
Cannot object to ruin utter and drear
As all-excelling would have been the prize
Had fortune favoured me. I scarce have right
To vex your frank good spirit late so glad
In my supposed prosperity, I know,
And, were I lucky in a glut of friends,
Would well agree to let your error live,
Nay, strengthen it with fables of success.
But mine is no condition to refuse
The transient solace of so rare a godsend,
My solitary luxury, my one friend:
Accordingly I venture to put off
The wearisome vest of falsehood galling me,
Secure when he is by. I lay me bare
Prone at his mercybut he is my friend!
Not that he needs retain his aspect grave;
That answers not my purpose; for't is like,
Some sunny morningBasil being drained
Of its wise population, every corner
Of the amphitheatre crammed with learned clerks,
Here OEcolampadius, looking worlds of wit,
Here Castellanus, as profound as he,
Munsterus here, Frobenius there, all squeezed
And staring,that the zany of the show,
Even Paracelsus, shall put off before them
His trappings with a grace but seldom judged
Expedient in such cases:the grim smile
That will go round! Is it not therefore best
To venture a rehearsal like the present
In a small way? Where are the signs I seek,
The first-fruits and fair sample of the scorn
Due to all quacks? Why, this will never do!
Festus.
These are foul vapours, Aureole; nought beside!
The effect of watching, study, weariness.
Were there a spark of truth in the confusion
Of these wild words, you would not outrage thus
Your youth's companion. I shall ne'er regard
These wanderings, bred of faintness and much study.
'T is not thus you would trust a trouble to me,
To Michal's friend.
Paracelsus.
          I have said it, dearest Festus!
For the manner, 't is ungracious probably;
You may have it told in broken sobs, one day,
And scalding tears, ere long: but I thought best
To keep that off as long as possible.
Do you wonder still?
Festus.
           No; it must oft fall out
That one whose labour perfects any work,
Shall rise from it with eye so worn that he
Of all men least can measure the extent
Of what he has accomplished. He alone
Who, nothing tasked, is nothing weary too,
May clearly scan the little he effects:
But we, the bystanders, untouched by toil,
Estimate each aright.
Paracelsus.
           This worthy Festus
Is one of them, at last! 'T is so with all!
First, they set down all progress as a dream;
And next, when he whose quick discomfiture
Was counted on, accomplishes some few
And doubtful steps in his career,behold,
They look for every inch of ground to vanish
Beneath his tread, so sure they spy success!
Festus.
Few doubtful steps? when death retires before
Your presencewhen the noblest of mankind,
Broken in body or subdued in soul,
May through your skill renew their vigour, raise
The shattered frame to pristine stateliness?
When men in racking pain may purchase dreams
Of what delights them most, swooning at once
Into a sea of bliss or rapt along
As in a flying sphere of turbulent light?
When we may look to you as one ordained
To free the flesh from fell disease, as frees
Our Luther's burning tongue the fettered soul?
When . . .
Paracelsus.
     When and where, the devil, did you get
This notable news?
Festus.
         Even from the common voice;
From those whose envy, daring not dispute
The wonders it decries, attributes them
To magic and such folly.
Paracelsus.
             Folly? Why not
To magic, pray? You find a comfort doubtless
In holding, God ne'er troubles him about
Us or our doings: once we were judged worth
The devil's tempting . . . I offend: forgive me,
And rest content. Your prophecy on the whole
Was fair enough as prophesyings go;
At fault a little in detail, but quite
Precise enough in the main; and hereupon
I pay due homage: you guessed long ago
(The prophet!) I should failand I have failed.
Festus.
You mean to tell me, then, the hopes which fed
Your youth have not been realized as yet?
Some obstacle has barred them hitherto?
Or that their innate . . .
Paracelsus.
              As I said but now,
You have a very decent prophet's fame,
So you but shun details here. Little matter
Whether those hopes were mad,the aims they sought,
Safe and secure from all ambitious fools;
Or whether my weak wits are overcome
By what a better spirit would scorn: I fail.
And now methinks't were best to change a theme
I am a sad fool to have stumbled on.
I say confusedly what comes uppermost;
But there are times when patience proves at fault,
As now: this morning's strange encounteryou
Beside me once again! you, whom I guessed
Alive, since hitherto (with Luther's leave)
No friend have I among the saints at peace,
To judge by any good their prayers effect.
I knew you would have helped mewhy not he,
My strange competitor in enterprise,
Bound for the same end by another path,
Arrived, or ill or well, before the time,
At our disastrous journey's doubtful close?
How goes it with Aprile? Ah, they miss
Your lone sad sunny idleness of heaven,
Our martyrs for the world's sake; heaven shuts fast:
The poor mad poet is howling by this time!
Since you are my sole friend then, here or there,
I could not quite repress the varied feelings
This meeting wakens; they have had their vent,
And now forget them. Do the rear-mice still
Hang like a fretwork on the gate (or what
In my time was a gate) fronting the road
From Einsiedeln to Lachen?
Festus.
              Trifle not:
Answer me, for my sake alone! You smiled
Just now, when I supposed some deed, unworthy
Yourself, might blot the else so bright result;
Yet if your motives have continued pure,
Your will unfaltering, and in spite of this,
You have experienced a defeat, why then
I say not you would cheerfully withdraw
From contestmortal hearts are not so fashioned
But surely you would ne'ertheless withdraw.
You sought not fame nor gain nor even love,
No end distinct from knowledge,I repeat
Your very words: once satisfied that knowledge
Is a mere dream, you would announce as much,
Yourself the first. But how is the event?
You are defeatedand I find you here!
Paracelsus.
As though "here" did not signify defeat!
I spoke not of my little labours here,
But of the break-down of my general aims:
For you, aware of their extent and scope,
To look on these sage lecturings, approved
By beardless boys, and bearded dotards worse,
As a fit consummation of such aims,
Is worthy notice. A professorship
At Basil! Since you see so much in it,
And think my life was reasonably drained
Of life's delights to render me a match
For duties arduous as such post demands,
Be it far from me to deny my power
To fill the petty circle lotted out
Of infinite space, or justify the host
Of honours thence accruing. So, take notice,
This jewel dangling from my neck preserves
The features of a prince, my skill restored
To plague his people some few years to come:
And all through a pure whim. He had eased the earth
For me, but that the droll despair which seized
The vermin of his household, tickled me.
I came to see. Here, drivelled the physician,
Whose most infallible nostrum was at fault;
There quaked the astrologer, whose horoscope
Had promised him interminable years;
Here a monk fumbled at the sick man's mouth
With some undoubted relica sudary
Of the Virgin; while another piebald knave
Of the same brotherhood (he loved them ever)
Was actively preparing 'neath his nose
Such a suffumigation as, once fired,
Had stunk the patient dead ere he could groan.
I cursed the doctor and upset the brother,
Brushed past the conjurer, vowed that the first gust
Of stench from the ingredients just alight
Would raise a cross-grained devil in my sword,
Not easily laid: and ere an hour the prince
Slept as he never slept since prince he was.
A dayand I was posting for my life,
Placarded through the town as one whose spite
Had near availed to stop the blessed effects
Of the doctor's nostrum which, well seconded
By the sudary, and most by the costly smoke
Not leaving out the strenuous prayers sent up
Hard by in the abbeyraised the prince to life:
To the great reputation of the seer
Who, confident, expected all along
The glad eventthe doctor's recompense
Much largess from his highness to the monks
And the vast solace of his loving people,
Whose general satisfaction to increase,
The prince was pleased no longer to defer
The burning of some dozen heretics
Remanded till God's mercy should be shown
Touching his sickness: last of all were joined
Ample directions to all loyal folk
To swell the complement by seizing me
Whodoubtless some rank sorcererendeavoured
To thwart these pious offices, obstruct
The prince's cure, and frustrate heaven by help
Of certain devils dwelling in his sword.
By luck, the prince in his first fit of thanks
Had forced this bauble on me as an earnest
Of further favours. This one case may serve
To give sufficient taste of many such,
So, let them pass. Those shelves support a pile
Of patents, licences, diplomas, titles
From Germany, France, Spain, and Italy;
They authorize some honour; ne'ertheless,
I set more store by this Erasmus sent;
He trusts me; our Frobenius is his friend,
And him "I raised" (nay, read it) "from the dead."
I weary you, I see. I merely sought
To show, there's no great wonder after all
That, while I fill the class-room and attract
A crowd to Basil, I get leave to stay,
And therefore need not scruple to accept
The utmost they can offer, if I please:
For't is but right the world should be prepared
To treat with favour e'en fantastic wants
Of one like me, used up in serving her.
Just as the mortal, whom the gods in part
Devoured, received in place of his lost limb
Some virtue or othercured disease, I think;
You mind the fables we have read together.
Festus.
You do not think I comprehend a word.
The time was, Aureole, you were apt enough
To clothe the airiest thoughts in specious breath;
But surely you must feel how vague and strange
These speeches sound.
Paracelsus.
           Well, then: you know my hopes;
I am assured, at length, those hopes were vain;
That truth is just as far from me as ever;
That I have thrown my life away; that sorrow
On that account is idle, and further effort
To mend and patch what's marred beyond repairing,
As useless: and all this was taught your friend
By the convincing good old-fashioned method
Of forceby sheer compulsion. Is that plain?
Festus.
Dear Aureole, can it be my fears were just?
God wills not . . .
Paracelsus.
          Now, 't is this I most admire
The constant talk men of your stamp keep up
Of God's will, as they style it; one would swear
Man had but merely to uplift his eye,
And see the will in question charactered
On the heaven's vault. 'T is hardly wise to moot
Such topics: doubts are many and faith is weak.
I know as much of any will of God
As knows some dumb and tortured brute what Man,
His stern lord, wills from the perplexing blows
That plague him every way; but there, of course,
Where least he suffers, longest he remains
My case; and for such reasons I plod on,
Subdued but not convinced. I know as little
Why I deserve to fail, as why I hoped
Better things in my youth. I simply know
I am no master here, but trained and beaten
Into the path I tread; and here I stay,
Until some further intimation reach me,
Like an obedient drudge. Though I prefer
To view the whole thing as a task imposed
Which, whether dull or pleasant, must be done
Yet, I deny not, there is made provision
Of joys which tastes less jaded might affect;
Nay, some which please me too, for all my pride
Pleasures that once were pains: the iron ring
Festering about a slave's neck grows at length
Into the flesh it eats. I hate no longer
A host of petty vile delights, undreamed of
Or spurned before; such now supply the place
Of my dead aims: as in the autumn woods
Where tall trees used to flourish, from their roots
Springs up a fungous brood sickly and pale,
Chill mushrooms coloured like a corpse's cheek.
Festus.
If I interpret well your words, I own
It troubles me but little that your aims,
Vast in their dawning and most likely grown
Extravagantly since, have baffled you.
Perchance I am glad; you merit greater praise;
Because they are too glorious to be gained,
You do not blindly cling to them and die;
You fell, but have not sullenly refused
To rise, because an angel worsted you
In wrestling, though the world holds not your peer;
And though too harsh and sudden is the change
To yield content as yet, still you pursue
The ungracious path as though't were rosv-strewn.
'T is well: and your reward, or soon or late,
Will come from him whom no man serves in vain.
Paracelsus.
Ah, very fine! For my part, I conceive
The very pausing from all further toil,
Which you find heinous, would become a seal
To the sincerity of all my deeds.
To be consistent I should die at once;
I calculated on no after-life;
Yet (how crept in, how fostered, I know not)
Here am I with as passionate regret
For youth and health and love so vainly lavished,
As if their preservation had been first
And foremost in my thoughts; and this strange fact
Humbled me wondrously, and had due force
In rendering me the less averse to follow
A certain counsel, a mysterious warning
You will not understandbut't was a man
With aims not mine and yet pursued like mine,
With the same fervour and no more success,
Perishing in my sight; who summoned me
As I would shun the ghastly fate I saw,
To serve my race at once; to wait no longer
That God should interfere in my behalf,
But to distrust myself, put pride away,
And give my gains, imperfect as they were,
To men. I have not leisure to explain
How, since, a singular series of events
Has raised me to the station you behold,
Wherein I seem to turn to most account
The mere wreck of the past,perhaps receive
Some feeble glimmering token that God views
And may approve my penance: therefore here
You find me, doing most good or least harm.
And if folks wonder much and profit little
'T is not my fault; only, I shall rejoice
When my part in the farce is shuffled through,
And the curtain falls: I must hold out till then.
Festus.
Till when, dear Aureole?
Paracelsus.
             Till I'm fairly thrust
From my proud eminence. Fortune is fickle
And even professors fall: should that arrive,
I see no sin in ceding to my bent.
You little fancy what rude shocks apprise us
We sin; God's intimations rather fail
In clearness than in energy: 't were well
Did they but indicate the course to take
Like that to be forsaken. I would fain
Be spared a further sample. Here I stand,
And here I stay, be sure, till forced to flit.
Festus.
Be you but firm on that head! long ere then
All I expect will come to pass, I trust:
The cloud that wraps you will have disappeared.
Meantime, I see small chance of such event:
They praise you here as one whose lore, already
Divulged, eclipses all the past can show,
But whose achievements, marvellous as they be,
Are faint anticipations of a glory
About to be revealed. When Basil's crowds
Dismiss their teacher, I shall be content
That he depart.
Paracelsus.
        This favour at their hands
I look for earlier than your view of things
Would warrant. Of the crowd you saw to-day,
Remove the full half sheer amazement draws,
Mere novelty, nought else; and next, the tribe
Whose innate blockish dulness just perceives
That unless miracles (as seem my works)
Be wrought in their behalf, their chance is slight
To puzzle the devil; next, the numerous set
Who bitterly hate established schools, and help
The teacher that oppugns them, till he once
Have planted his own doctrine, when the teacher
May reckon on their rancour in his turn;
Take, too, the sprinkling of sagacious knaves
Whose cunning runs not counter to the vogue
But seeks, by flattery and crafty nursing,
To force my system to a premature
Short-lived development. Why swell the list?
Each has his end to serve, and his best way
Of serving it: remove all these, remains
A scantling, a poor dozen at the best,
Worthy to look for sympathy and service,
And likely to draw profit from my pains.
Festus.
'T is no encouraging picture: still these few
Redeem their fellows. Once the germ implanted,
Its growth, if slow, is sure.
Paracelsus.
               God grant it so!
I would make some amends: but if I fail,
The luckless rogues have this excuse to urge,
That much is in my method and my manner,
My uncouth habits, my impatient spirit,
Which hinders of reception and result
My doctrine: much to say, small skill to speak!
These old aims suffered not a looking-off
Though for an instant; therefore, only when
I thus renounced them and resolved to reap
Some present fruitto teach mankind some truth
So dearly purchasedonly then I found
Such teaching was an art requiring cares
And qualities peculiar to itself:
That to possess was one thingto display
Another. With renown first in my thoughts,
Or popular praise, I had soon discovered it:
One grows but little apt to learn these things.
Festus.
If it be so, which nowise I believe,
There needs no waiting fuller dispensation
To leave a labour of so little use.
Why not throw up the irksome charge at once?
Paracelsus.
A task, a task!
        But wherefore hide the whole
Extent of degradation, once engaged
In the confessing vein? Despite of all
My fine talk of obedience and repugnance,
Docility and what not, 't is yet to learn
If when the task shall really be performed,
My inclination free to choose once more,
I shall do aught but slightly modify
The nature of the hated task I quit.
In plain words, I am spoiled; my life still tends
As first it tended; I am broken and trained
To my old habits: they are part of me.
I know, and none so well, my darling ends
Are proved impossible: no less, no less,
Even now what humours me, fond fool, as when
Their faint ghosts sit with me and flatter me
And send me back content to my dull round?
How can I change this soul?this apparatus
Constructed solely for their purposes,
So well adapted to their every want,
To search out and discover, prove and perfect;
This intricate machine whose most minute
And meanest motions have their charm to me
Though to none elsean aptitude I seize,
An object I perceive, a use, a meaning,
A property, a fitness, I explain
And I alone:how can I change my soul?
And this wronged body, worthless save when tasked
Under that soul's dominionused to care
For its bright master's cares and quite subdue
Its proper cravingsnot to ail nor pine
So he but prosperwhither drag this poor
Tried patient body? God! how I essayed
To live like that mad poet, for a while,
To love alone; and how I felt too warped
And twisted and deformed! What should I do,
Even tho'released from drudgery, but return
Faint, as you see, and halting, blind and sore,
To my old life and die as I began?
I cannot feed on beauty for the sake
Of beauty only, nor can drink in balm
From lovely objects for their loveliness;
My nature cannot lose her first imprint;
I still must hoard and heap and class all truths
With one ulterior purpose: I must know!
Would God translate me to his throne, believe
That I should only listen to his word
To further my own aim! For other men,
Beauty is prodigally strewn around,
And I were happy could I quench as they
This mad and thriveless longing, and content me
With beauty for itself alone: alas,
I have addressed a frock of heavy mail
Yet may not join the troop of sacred knights;
And now the forest-creatures fly from me,
The grass-banks cool, the sunbeams warm no more.
Best follow, dreaming that ere night arrive,
I shall o'ertake the company and ride
Glittering as they!
Festus.
          I think I apprehend
What you would say: if you, in truth, design
To enter once more on the life thus left,
Seek not to hide that all this consciousness
Of failure is assumed!
Paracelsus.
           My friend, my friend,
I toil, you listen; I explain, perhaps
You understand: there our communion ends.
Have you learnt nothing from to-day's discourse?
When we would thoroughly know the sick man's state
We feel awhile the fluttering pulse, press soft
The hot brow, look upon the languid eye,
And thence divine the rest. Must I lay bare
My heart, hideous and beating, or tear up
My vitals for your gaze, ere you will deem
Enough made known? You! who are you, forsooth?
That is the crowning operation claimed
By the arch-demonstratorheaven the hall,
And earth the audience. Let Aprile and you
Secure good places: 't will be worth the while.
Festus.
Are you mad, Aureole? What can I have said
To call for this? I judged from your own words.
Paracelsus.
Oh, doubtless! A sick wretch describes the ape
That mocks him from the bed-foot, and all gravely
You thither turn at once: or he recounts
The perilous journey he has late performed,
And you are puzzled much how that could be!
You find me here, half stupid and half mad;
It makes no part of my delight to search
Into these matters, much less undergo
Another's scrutiny; but so it chances
That I am led to trust my state to you:
And the event is, you combine, contrast
And ponder on my foolish words as though
They thoroughly conveyed all hidden here
Here, loathsome with despair and hate and rage!
Is there no fear, no shrinking and no shame?
Will you guess nothing? will you spare me nothing?
Must I go deeper? Ay or no?
Festus.
               Dear friend . . .
               Paracelsus.
True: I am brutal't is a part of it;
The plague's signyou are not a lazar-haunter,
How should you know? Well then, you think it strange
I should profess to have failed utterly,
And yet propose an ultimate return
To courses void of hope: and this, because
You know not what temptation is, nor how
'T is like to ply men in the sickliest part.
You are to understand that we who make
Sport for the gods, are hunted to the end:
There is not one sharp volley shot at us,
Which 'scaped with life, though hurt, we slacken pace
And gather by the wayside herbs and roots
To staunch our wounds, secure from further harm:
We are assailed to life's extremest verge.
It will be well indeed if I return,
A harmless busy fool, to my old ways!
I would forget hints of another fate,
Significant enough, which silent hours
Have lately scared me with.
Festus.
               Another! and what?
               Paracelsus.
After all, Festus, you say well: I am
A man yet: I need never humble me.
I would have beensomething, I know not what;
But though I cannot soar, I do not crawl.
There are worse portions than this one of mine.
You say well!
Festus.
       Ah!
       Paracelsus.
         And deeper degradation!
If the mean stimulants of vulgar praise,
If vanity should become the chosen food
Of a sunk mind, should stifle even the wish
To find its early aspirations true,
Should teach it to breathe falsehood like life-breath
An atmosphere of craft and trick and lies;
Should make it proud to emulate, surpass
Base natures in the practices which woke
Its most indignant loathing once . . . No, no!
Utter damnation is reserved for hell!
I had immortal feelings; such shall never
Be wholly quenched: no, no!
               My friend, you wear
A melancholy face, and certain't is
There's little cheer in all this dismal work.
But was it my desire to set abroach
Such memories and forebodings? I foresaw
Where they would drive. 'T were better we discuss
News from Lucerne or Zurich; ask and tell
Of Egypt's flaring sky or Spain's cork-groves.
Festus.
I have thought: trust me, this mood will pass away!
I know you and the lofty spirit you bear,
And easily ravel out a clue to all.
These are the trials meet for such as you,
Nor must you hope exemption: to be mortal
Is to be plied with trials manifold.
Look round! The obstacles which kept the rest
From your ambition, have been spurned by you;
Their fears, their doubts, the chains that bind themall,
Were flax before your resolute soul, which nought
Avails to awe save these delusions bred
From its own strength, its selfsame strength disguised,
Mocking itself. Be brave, dear Aureole! Since
The rabbit has his shade to frighten him,
The fawn a rustling bough, mortals their cares,
And higher natures yet would slight and laugh
At these entangling fantasies, as you
At trammels of a weaker intellect,
Measure your mind's height by the shade it casts!
I know you.
Paracelsus.
     And I know you, dearest Festus!
And how you love unworthily; and how
All admiration renders blind.
Festus.
               You hold
That admiration blinds?
Paracelsus.
            Ay and alas!
            Festus.
Nought blinds you less than admiration, friend!
Whether it be that all love renders wise
In its degree; from love which blends with love
Heart answering heartto love which spends itself
In silent mad idolatry of some
Pre-eminent mortal, some great soul of souls,
Which ne'er will know how well it is adored.
I say, such love is never blind; but rather
Alive to every the minutest spot
Which mars its object, and which hate (supposed
So vigilant and searching) dreams not of.
Love broods on such: what then? When first perceived
Is there no sweet strife to forget, to change,
To overflush those blemishes with all
The glow of general goodness they disturb?
To make those very defects an endless source
Of new affection grown from hopes and fears?
And, when all fails, is there no gallant stand
Made even for much proved weak? no shrinking-back
Lest, since all love assimilates the soul
To what it loves, it should at length become
Almost a rival of its idol? Trust me,
If there be fiends who seek to work our hurt,
To ruin and drag down earth's mightiest spirits
Even at God's foot, 't will be from such as love,
Their zeal will gather most to serve their cause;
And least from those who hate, who most essay
By contumely and scorn to blot the light
Which forces entrance even to their hearts:
For thence will our defender tear the veil
And show within each heart, as in a shrine,
The giant image of perfection, grown
In hate's despite, whose calumnies were spawned
In the untroubled presence of its eyes.
True admiration blinds not; nor am I
So blind. I call your sin exceptional;
It springs from one whose life has passed the bounds
Prescribed to life. Compound that fault with God!
I speak of men; to common men like me
The weakness you reveal endears you more,
Like the far traces of decay in suns.
I bid you have good cheer!
Paracelsus.
              Proeclare! Optime!
Think of a quiet mountain-cloistered priest
Instructing Paracelsus! yet't is so.
Come, I will show you where my merit lies.
'T is in the advance of individual minds
That the slow crowd should ground their expectation
Eventually to follow; as the sea
Waits ages in its bed till some one wave
Out of the multitudinous mass, extends
The empire of the whole, some feet perhaps,
Over the strip of sand which could confine
Its fellows so long time: thenceforth the rest,
Even to the meanest, hurry in at once,
And so much is clear gained. I shall be glad
If all my labours, failing of aught else,
Suffice to make such inroad and procure
A wider range for thought: nay, they do this;
For, whatsoe'er my notions of true knowledge
And a legitimate success, may be,
I am not blind to my undoubted rank
When classed with others: I precede my age:
And whoso wills is very free to mount
These labours as a platform whence his own
May have a prosperous outset. But, alas!
My followersthey are noisy as you heard;
But, for intelligence, the best of them
So clumsily wield the weapons I supply
And they extol, that I begin to doubt
Whether their own rude clubs and pebble-stones
Would not do better service than my arms
Thus vilely swayedif error will not fall
Sooner before the old awkward batterings
Than my more subtle warfare, not half learned.
Festus.
I would supply that art, then, or withhold
New arms until you teach their mystery.
Paracelsus.
Content you, 't is my wish; I have recourse
To the simplest training. Day by day I seek
To wake the mood, the spirit which alone
Can make those arms of any use to men.
Of course they are for swaggering forth at once
Graced with Ulysses' bow, Achilles' shield
Flash on us, all in armour, thou Achilles!
Make our hearts dance to thy resounding step!
A proper sight to scare the crows away!
Festus.
Pity you choose not then some other method
Of coming at your point. The marvellous art
At length established in the world bids fair
To remedy all hindrances like these:
Trust to Frobenius' press the precious lore
Obscured by uncouth manner, or unfit
For raw beginners; let his types secure
A deathless monument to after-time;
Meanwhile wait confidently and enjoy
The ultimate effect: sooner or later
You shall be all-revealed.
Paracelsus.
              The old dull question
In a new form; no more. Thus: I possess
Two sorts of knowledge; one,vast, shadowy,
Hints of the unbounded aim I once pursued:
The other consists of many secrets, caught
While bent on nobler prize,perhaps a few
Prime principles which may conduct to much:
These last I offer to my followers here.
Now, bid me chronicle the first of these,
My ancient study, and in effect you bid
Revert to the wild courses just abjured:
I must go find them scattered through the world.
Then, for the principles, they are so simple
(Being chiefly of the overturning sort),
That one time is as proper to propound them
As any otherto-morrow at my class,
Or half a century hence embalmed in print.
For if mankind intend to learn at all,
They must begin by giving faith to them
And acting on them: and I do not see
But that my lectures serve indifferent well:
No doubt these dogmas fall not to the earth,
For all their novelty and rugged setting.
I think my class will not forget the day
I let them know the gods of Israel,
Atius, Oribasius, Galen, Rhasis,
Serapion, Avicenna, Averres,
Were blocks!
Festus.
      And that reminds me, I heard something
About your waywardness: you burned their books,
It seems, instead of answering those sages.
Paracelsus.
And who said that?
Festus.
         Some I met yesternight
With OEcolampadius. As you know, the purpose
Of this short stay at Basil was to learn
His pleasure touching certain missives sent
For our Zuinglius and himself. 'T was he
Apprised me that the famous teacher here
Was my old friend.
Paracelsus.
         Ah, I forgot: you went . . .
         Festus.
From Zurich with advices for the ear
Of Luther, now at Wittenberg(you know,
I make no doubt, the differences of late
With Carolostadius)and returning sought
Basil and . . .
Paracelsus.
        I remember. Here's a case, now,
Will teach you why I answer not, but burn
The books you mention. Pray, does Luther dream
His arguments convince by their own force
The crowds that own his doctrine? No, indeed!
His plain denial of established points
Ages had sanctified and men supposed
Could never be oppugned while earth was under
And heaven above thempoints which chance or time
Affected notdid more than the array
Of argument which followed. Boldly deny!
There is much breath-stopping, hair-stiffening
Awhile; then, amazed glances, mute awaiting
The thunderbolt which does not come: and next,
Reproachful wonder and inquiry: those
Who else had never stirred, are able now
To find the rest out for themselves, perhaps
To outstrip him who set the whole at work,
As never will my wise class its instructor.
And you saw Luther?
Festus.
          'T is a wondrous soul!
          Paracelsus.
True: the so-heavy chain which galled mankind
Is shattered, and the noblest of us all
Must bow to the deliverernay, the worker
Of our own projectwe who long before
Had burst our trammels, but forgot the crowd,
We should have taught, still groaned beneath the load:
This he has done and nobly. Speed that may!
Whatever be my chance or my mischance,
What benefits mankind must glad me too;
And men seem made, though not as I believed,
For something better than the times produce.
Witness these gangs of peasants your new lights
From Suabia have possessed, whom Mnzer leads,
And whom the duke, the landgrave and the elector
Will calm in blood! Well, well; 't is not my world!
Festus.
Hark!
Paracelsus.
   'T is the melancholy wind astir
Within the trees; the embers too are grey:
Morn must be near.
Festus.
         Best ope the casement: see,
The night, late strewn with clouds and flying stars,
Is blank and motionless: how peaceful sleep
The tree-tops altogether! Like an asp,
The wind slips whispering from bough to bough.
Paracelsus.
Ay; you would gaze on a wind-shaken tree
By the hour, nor count time lost.
Festus.
                 So you shall gaze:
Those happy times will come again.
Paracelsus.
                  Gone, gone,
Those pleasant times! Does not the moaning wind
Seem to bewail that we have gained such gains
And bartered sleep for them?
Festus.
               It is our trust
That there is yet another world to mend
All error and mischance.
Paracelsus.
             Another world!
And why this world, this common world, to be
A make-shift, a mere foil, how fair soever,
To some fine life to come? Man must be fed
With angels' food, forsooth; and some few traces
Of a diviner nature which look out
Through his corporeal baseness, warrant him
In a supreme contempt of all provision
For his inferior tastessome straggling marks
Which constitute his essence, just as truly
As here and there a gem would constitute
The rock, their barren bed, one diamond.
But were it sowere man all mindhe gains
A station little enviable. From God
Down to the lowest spirit ministrant,
Intelligence exists which casts our mind
Into immeasurable shade. No, no:
Love, hope, fear, faiththese make humanity;
These are its sign and note and character,
And these I have lost!gone, shut from me for ever,
Like a dead friend safe from unkindness more!
See, morn at length. The heavy darkness seems
Diluted, grey and clear without the stars;
The shrubs bestir and rouse themselves as if
Some snake, that weighed them down all night, let go
His hold; and from the East, fuller and fuller
Day, like a mighty river, flowing in;
But clouded, wintry, desolate and cold.
Yet see how that broad prickly star-shaped plant,
Half-down in the crevice, spreads its woolly leaves
All thick and glistering with diamond dew.
And you depart for Einsiedeln this day,
And we have spent all night in talk like this!
If you would have me better for your love,
Revert no more to these sad themes.
Festus.
                   One favour,
And I have done. I leave you, deeply moved;
Unwilling to have fared so well, the while
My friend has changed so sorely. If this mood
Shall pass away, if light once more arise
Where all is darkness now, if you see fit
To hope and trust again, and strive again,
You will remembernot our love alone
But that my faith in God's desire that man
Should trust on his support, (as I must think
You trusted) is obscured and dim through you:
For you are thus, and this is no reward.
Will you not call me to your side, dear Aureole?


~ Robert Browning, Paracelsus - Part III - Paracelsus
,
1418:

Book IV: The Book of Partings



Eagerly, spurred by Ares swift in their souls to the war-cry,
All now pressed to their homes for the food of their strength in the battle.
Ilion turned her thoughts in a proud expectancy seaward
Waiting to hear the sounds that she loved and the cry of the mellay.
Now to their citadel Priams sons returned with their father,
Now from the gates Talthybius issued grey in his chariot;
But in the halls of Anchises Aeneas not doffing his breastpiece
Hastily ate of the corn of his country, cakes of the millet
Doubled with wild-deers flesh, from the quiet hands of Cresa.
She, as he ate, with her calm eyes watching him smiled on her husband:
Ever thou hastest to battle, O warrior, ever thou fightest
Far in the front of the ranks and thou seekest out Locrian Ajax,
Turnest thy ear to the roar for the dangerous shout of Tydides;
There, once heard, leaving all thou drivest, O stark in thy courage.
Yet am I blest among women who tremble not, left in thy mansion,
Quiet at old Anchises feet when I see thee in vision
Sole with the shafts hissing round thee and say to my quivering spirit,
Now he is striking at Ajax, now he has met Diomedes.
Such are the mighty twain who are ever near to protect thee,
Phoebus, the Thunderers son, and thy mother, gold Aphrodite;
Such are the Fates that demand thee, O destined head of the future.
But though my thoughts for their own are not troubled, always, Aeneas,
Sore is my heart with pity for other Ilian women
Who in this battle are losing their children and well-loved husbands,
Brothers too dear, for the eyes that are wet, for the hearts that are silent.
Will not this war then end that thunders for ever round Troya?
But to Cresa the hero answered, the son of Anchises:
Surely the gods protect, yet is Death too always mighty.
Most in his shadowy envy he strikes at the brave and the lovely,
Grudging works to abridge their days and to widow the sunlight.
Most, disappointed, he rages against the beloved of Heaven;
Striking their lives through their hearts he mows down their loves and their pleasures.
Truly thou sayst, thou needst not to fear for my life in the battle;
Ever for thine I fear lest he find thee out in his anger,
Missing my head in the fight, when he comes here crossed in his godhead.
Yet shall Phoebus protect and my mother, gold Aphrodite.
But to Aeneas answered the tranquil lips of Cresa:
So may it be that I go before thee, seeing, Aeneas,
Over my dying eyes thy lips bend down for the parting.
Blissfullest end is this for a woman here mid earths sorrows;
Afterwards there we hope that the hands shall join which were parted.
So she spoke, not knowing the gods: but Aeneas departing
Clasped his fathers knees, the ancient mighty Anchises.
Bless me, my father; I go to the battle. Strong with thy blessing
Even today may I hurl down Ajax, slay Diomedes,
And on the morrow gaze on the empty beaches of Troas.
Troubled and joyless, nought replying to warlike Aeneas
Long Anchises sat unmoving, silent, sombre,
Gazing into his soul with eyes that were closed to the sunlight.
Prosper, Aeneas, slowly he answered him, son of a goddess,
Prosper, Aeneas; and if for Troy some doom is preparing,
Suffer always the will of the gods with a piety constant.
Only they will what Necessity fashions compelled by the Silence.
Labour and war she has given to man as the law of his transience.
Work; she shall give thee the crown of thy deeds or their ending appointed,
Whether glorious thou pass or in silent shadows forgotten.
But what thy mother commands perform ever, loading thy vessels.
Who can know what the gods have hid with the mist of our hopings?
Then from the house of his fathers Aeneas rapidly striding
Came to the city echoing now with the wheels of the chariots,
Clanging with arms and astream with the warlike tramp of her thousands.
Fast through the press he strode and men turning knew Aeneas,
Greatened in heart and went on with loftier thoughts towards battle.
He through the noise and the crowd to Antenors high-built mansion
Striding came, and he turned to its courts and the bronze of its threshold
Trod which had suffered the feet of so many princes departed.
But as he crossed its brazen square from the hall there came running,
Leaping up light to his feet and laughing with sudden pleasure,
Eurus the youngest son of Polydamas. Clasping the fatal
War-hardened hand with a palm that was smooth as a maidens or infants,
Well art thou come, Aeneas, he said, and good fortune has sent thee!
Now I shall go to the field; thou wilt speak with my grandsire Antenor
And he shall hear thee though chid by his heart reluctant. Rejoicing
I shall go forth in thy car or warring by Penthesilea,
Famous, give to her grasp the spear that shall smite down Achilles.
Smiling answered Aeneas, Surely will, Eurus, thy prowess
Carry thee far to the front; thou shalt fight with Epeus and slay him.
Who shall say that this hand was not chosen to pierce Menelaus?
But for a while with the ball should it rather strive, O hero,
Till in the play and the wrestle its softness is trained for the smiting.
Eagerly Eurus answered, But they have told me, Aeneas,
This is the last of our fights; for today will Penthesilea
Meet Achilles in battle and slay him ending the Argives.
Then shall I never have mixed in this war that is famous for ever.
What shall I say when my hairs are white like the aged Antenors?
Men will ask, And what were thy deeds in the warfare Titanic?
Whom didst thou slay of the Argives, son of Polydamas, venging
Bravely thy father? Then must I say, I lurked in the city.
I was too young and only ascending the Ilian ramparts
Saw the return or the flight, but never the deed and the triumph.
Friend, if you take me not forth, I shall die of grief ere the sunset.
Plucking the hand of Aeneas he drew him into the mansion
Vast; and over the floor of the spacious hall they hastened
Laughing, the gracious child and the mighty hero and statesman,
Flower of a present stock and the burdened star of the future.
Meanwhile girt by his sons and the sons of his sons in his chamber
Cried to the remnants left of his blood the aged Antenor.
Hearken you who are sprung from my loins and children, their offspring!
None shall again go forth to the fight who is kin to Antenor.
Weighed with my curse he shall go and the spear-points athirst of the Argives
Meet him wroth; he shall die in his sin and his name be forgotten.
Oft have I sent forth my blood to be spilled in vain in the battle
Fighting for Troy and her greatness earned by my toil and my fathers.
Now all the debt has been paid; she rejects us driven by the immortals.
Much do we owe to the mother who bore us, much to our country;
But at the last our life is ours and the gods and the futures.
Gather the gold of my house and our kin, O ye sons of Antenor.
Warned by a voice in my soul I will go forth tonight from this city
Fleeing the doom and bearing my treasures; the ships shall receive them
Gathered, new-keeled by my care and the gods, in the narrow Propontis.
Over Gods waters guided, treading the rage of Poseidon,
Bellying out with their sails let them cleave to the untravelled distance
Oceans crests and resign to their Fates the doomed and the evil.
So Antenor spoke and his children heard him in silence;
Awed by his voice and the dread of his curse they obeyed, though in sorrow.
Halamus only replied to his father: Dire are the white hairs
Reverend, loved, of a father, dreadful his curse to his children.
Yet in my heart there is one who cries, tis the voice of my country,
She for whose sake I would be in Tartarus tortured for ever.
Pardon me then, if thou wilt; if the gods can, then let them pardon.
For I will sleep in the dust of Troy embracing her ashes,
There where Polydamas sleeps and the many comrades I cherished.
So let me go to the darkness remembered or wholly forgotten,
Yet having fought for my country, true in my fall to my nation.
Then in his aged wrath to Halamus answered Antenor:
Go then and perish doomed with the doomed and the hated of heaven;
Nor shall the gods forgive thee dying nor shall thy father.
Out from the chamber Halamus strode with grief in his bosom
Wrestling with wrath and he went to his doom nor looked back at his dear ones.
Crossing the hall the son of Antenor and son of Anchises
Met in the paths of their fates where they knotted and crossed for the parting,
One with the curse of the gods and his sire fast wending to Hades,
Fortunate, blessed the other; yet equal their minds were and virtues.
Cypris son to the Antenorid: Thee I have sought and thy brothers,
Bough of Antenor; sore is our need today of thy counsels,
Endless our want of their arms that are strong and their hearts that recoil not
Meeting myriads stark with the spear in unequal battle.
Halamus answered him: I will go forth to the palace of Priam,
There where Troy yet lives and far from the halls of my fathers;
There will I speak, not here. For my kin they repose in the mansion
Sitting unarmed in their halls while their brothers fall in the battle.
Eurus eagerly answered the hero: Me rather, therefore,
Take to the fight with you; I will make war on the Greeks for my uncles;
One for all I will fill their place in the shock with the foemen.
But from his chamber-door Antenor heard and rebuked him:
Scamp of my heart, thou torment! in to thy chamber and rest there,
Bound with cords lest thou cease, thou flutter-brain, scourged into quiet;
So shall thy lust of the fight be healed and our mansion grow tranquil.
Chid by the old man Eurus slunk from the hall discontented,
Yet with a dubious smile like a moonbeam lighting his beauty.
But to Antenor the Dardanid born from the white Aphrodite:
Late the Antenorids learn to flinch from the spears of the Argives,
Even this boy of their blood has Polydamas heart and his valour.
Nor should a life that was honoured and noble be stained in its ending.
Nay, then, the mood of a child would shame a grey-headed wisdom,
If for the fault of the people virtue and Troy were forgotten.
For, though the people hear us not, yet are we bound to our nation:
Over the people the gods are; over a man is his country;
This is the deity first adored by the hearths of the noble.
For by our nations will we are ruled in the home and the battle
And for our nations weal we offer our lives and our childrens.
Not by their own wills led nor their passions men rise to their manhood,
Selfishly seeking their good, but the gods and the States and the fathers.
Wroth Antenor replied to the warlike son of Anchises:
Great is the soul in thee housed and stern is thy will, O Aeneas;
Onward it moves undismayed to its goal though a city be ruined.
They too guide thee who deepest see of the ageless immortals,
One with her heart and one in his spirit, Cypris and Phoebus.
Yet might a man not knowing this think as he watched thee, Aeneas,
Spurring Priams race to its fall he endangers this city,
Hoping to build a throne out of ruins sole in the Troad.
I too have gods who warn me and lead, Athene and Hera.
Not as the ways of other mortals are theirs who are guided,
They whose eyes are the gods and they walk by a light that is secret.
Coldly Aeneas made answer, stirred into wrath by the taunting:
High wert thou always, nurtured in wisdom, ancient Antenor.
Walk then favoured and led, yet watch lest passion and evil
Feign auguster names and mimic the gait of the deathless.
And with a smile on his lips but wrath in his bosom answered,
Wisest of men but with wisdom of mortals, aged Antenor:
Led or misled we are mortals and walk by a light that is given;
Most they err who deem themselves most from error excluded.
Nor shalt thou hear in this battle the shout of the men of my lineage
Holding the Greeks as once and driving back Fate from their country.
His alone will be heard for a space while the stern gods are patient
Even now who went forth a victim self-offered to Hades,
Last whom their wills have plucked from the fated house of Antenor.
They now with wrath in their bosoms sundered for ever and parted.
Forth from the halls of Antenor Aeneas rapidly striding
Passed once more through the city hurrying now with its car-wheels,
Filled with a mightier rumour of war and the march of its thousands,
Till at Troys upward curve he found the Antenorid crestward
Mounting the steep incline that climbed to the palace of Priam
White in her proud and armed citadel. Silent, ascending
Hardly their feet had attempted the hill when behind them they hearkened
Sweet-tongued a call and the patter and hurry of light-running sandals,
Turning they beheld with a flush on his cheeks and a light on his lashes
Challenging mutely and pleading the boyish beauty of Eurus.
Racer to mischief, said Halamus, couldst thou not sit in thy chamber?
Surely cords and the rod await thee, Eurus, returning.
Answered with laughter the child, I have broken through ranks of the fighters,
Dived under chariot-wheels to arrive here and I return not.
I too for counsel of battle have come to the palace of Priam.
Burdened with thought they mounted slowly the road of their fathers
Breasting the Ilian hill where Laomedons mansion was seated,
They from the crest down-gazing saw their countrys housetops
Under their feet and heard the murmur of Troya below them.
But in the palace of Priam coming and going of house-thralls
Filled all the corridors; smoke from the kitchens curled in its plenty
Rich with savour and breathed from the labouring lungs of Hephaestus.
Far in the halls and the chambers voices travelled and clustered,
Anklets jangling ran and sang back from doorway to doorway
Mocking with music of speed and its laughters the haste of the happy,
Sound came of arms, there was tread of the great, there were murmurs of women,
Voices glad of the doomed in Laomedons marvellous mansion.
Six were the halls of its splendour, a hundred and one were its chambers
Lifted on high upon columns that soared like the thoughts of its dwellers,
Thoughts that transcended the earth though they sank down at last into ashes;
So had Apollo dreamed to his lyre; and its tops were a grandeur
Domed, as if seeking to roof mens lives with a hint of the heavens;
Marble his columns rose and with marble his roofs were appointed,
Conquered wealth of the world in its largeness suffered, supporting
Purities of marble, glories of gold. Nor only of matter
Blazed there the brutal pomps, but images mystic or mighty
Crowded ceiling and wall, a work that the gods even admire
Hardly believing that forms like these were imagined by mortals
Here upon earth where sight is a blur and the soul lives encumbered.
Scrolls that remembered in gems the thoughts austere of the ancients
Bordered the lines of the stone and the forms of serpent and Naiad
Ran in relief on those walls of pride in the palace of Priam
Mingled with Dryads who tempted and fled and Satyrs who followed,
Sports of the nymphs in the sea and the woods and their meetings with mortals,
Sessions and battles of Trojan demigods, deaths that were famous,
Wars and loves of men and the deeds of the golden immortals.
Pillars sculptured with gods and with giants soared up from bases
Lion-carved or were seated on bulls and bore into grandeur
Amply those halls where they soared, or in lordliness slenderly fashioned,
Dressed in flowers and reeds like virgins standing on Ida,
Guarded the screens of stone and divided alcove and chamber.
Ivory carved and broidered robes and the riches of Indus
Cherished in sandalwood triumphed and teemed in the palace of Priam;
Doors that were carven and fragrant sheltered the joys of its princes.
Here in a chamber of luminous privacy Paris was arming.
Near him moved Helen, a whiteness divine, and intent on her labour
Fastened his cuirass, bound the greaves and settled the hauberk
Thrilling his limbs with her touch that was heaven to the yearning of mortals.
She with her hands of delight caressing the senseless metal
Pressed her lips to his brilliant armour; she bowed down, she whispered:
Cuirass, allowed by the gods, protect the beauty of Paris;
Keep for me that for which country was lost and my child and my brothers.
Yearning she bent to his feet, to the sandal-strings of her lover;
Then as she gazed up, changed grew her mood; for the Daemon within her
Rose that had banded Greece and was burning Troy into ashes.
Slowly a smile that was perfect and perilous over her beauty
Dawned like the sunlight on Paradise; strangely she looked on her lover.
So might a goddess have gazed as she played with the love of a mortal
Passing an hour on the earth ere she rose up white to Olympus.
So art thou winner, Paris, yet and thy spirit ascendant
Leads this Troy where thou wilt, O thou mighty one veiled in thy beauty.
First in the dance and the revel, first in the joy of the mellay,
Who would not leave for thy sake and repent it not country and homestead?
Winning thou reignest still over Troy, over Fate, over Helen.
Always so canst thou win? Has Death no claim on thy beauty,
Fate no scourge for thy sins? How the years have passed by in a glory,
Years of this heaven of the gods, O ravisher, since from my hearthstone
Seizing thou borest me compelled to thy ships and my joy on the waters.
Troy is enringed with the spears, her children fall and her glories,
Mighty souls of heroes have gone down prone to the darkness;
Thou and I abide! the mothers wail for our pleasure.
Wilt thou then keep me for ever, O son of Priam, in Troya?
Fate was my mother, they say, and Zeus for this hour begot me.
Art thou a god too, O hero, disguised in this robe of the mortal,
Brilliant, careless of death and of sin as if sure of thy rapture?
What then if Fate today were to lay her hands on thee, Paris?
Calmly he looked on the face of which Greece was enamoured, the body
For whose desire great Troy was a sacrifice, tranquil regarded
Lovely and dire on the lips he loved that smile of a goddess,
Saw the daughter of Zeus in the woman, yet was not shaken.
Temptress of Argos, he answered, thou snare for the world to be seized in,
Thou then hopst to escape! But the gods could not take thee, O Helen,
How then thy will that to mine is a captive, or how, though with battle,
He who has lost thee, unhappy, the Spartan, bright Menelaus?
All things yield to a man and Zeus is himself his accomplice
When like a god he wills without remorse or longing.
Thou on this earth art mine since I claimed thee beheld, not speaking,
But with thy lids that fell thou veiledst thy heart of compliance.
Then in whatever beyond I shall know how to take thee, O Helen,
Even as here upon earth I knew, in heaven as in Sparta;
I on Elysian fields will enjoy thee as now in the Troad.
Silent a moment she lingered like one who is lured by a music
Rapturous, heard by himself alone and his lover in heaven,
Then in her beauty compelling she rose up divine among women.
Yes, it is good, she cried, what the gods do and actions of mortals;
Good is this play of the world; it is good, the joy and the torture.
Praised be the hour of the gods when I wedded bright Menelaus!
Praised, more praised the keels that severed the seas towards Helen
Churning the senseless waves that knew not the bliss of their burden!
Praised to the end the hour when I passed through the doors of my husband
Laughing with joy in my heart for the arms that bore and enchained me!
Never can Death undo what life has done for us, Paris.
Nor, whatsoever betide, can the hour be unlived of our rapture.
This too is good that nations should meet in the shock of the battle,
Heroes be slain and a theme be made for the songs of the poets,
Songs that shall thrill with the name of Helen, the beauty of Paris.
Well is this also that empires should fall for the eyes of a woman;
Well that for Helen Hector ended, Memnon was slaughtered,
Strong Sarpedon fell and Troilus ceased in his boyhood.
Troy for Helen burning, her glory, her empire, her riches,
This is the sign of the gods and the type of things that are mortal.
Thou who art kin to the masters of heaven, unconstrained like thy kindred
High on this ancient stage of the Troad with gods for spectators
Play till the end thy part, O thou wondrous and beautiful actor:
Fight and slay the Greeks, my countrymen; victor returning
Take for reward of the play, thy delight of Argive Helen.
Force from my bosom a hint of the joy denied to the death-claimed,
Rob in the kiss of my lips a pang from the raptures of heaven.
Clasping him wholly her arms of desire were a girdle of madness,
Cestus divine of the dread Aphrodite. He with her kisses
Flushed like the gods with unearthly wine and rejoiced in his ruin.
Thus while they conversed now in this hour that was near to their parting
Last upon earth, a fleet-footed slavegirl came to the chamber:
Paris, thy father and mother desire thee; there in the strangers
Outer hall Aeneas and Halamus wait for thy coming.
So with the Argive he wended to Priams ample chamber
Far in Laomedons house where Troy looked upwards to Ida.
Priam and Hecuba there, the ancient grey-haired rulers,
Waiting him sat in their chairs of ivory calm in their greatness;
Hid in her robes at their feet lay Cassandra crouched from her visions.
Since, O my father, said Paris, thy thoughts have been with me, thy blessing
Surely shall help me today in my strife with the strength of Achilles.
Surely the gods shall obey in the end the might of our spirits,
Pallas and Hera, flame-sandalled Artemis, Zeus and Apollo.
Ever serve the immortal brightnesses man when he stands up
Firm with his will uplifted a steadfast flame towards the heavens,
Ares works in his heart and Hephaestus burns in his labour.
Priam replied to his son: Forewilled by the gods, Alexander,
All things happen on earth and yet we must strive who are mortals,
Knowing all vain, yet we strive; for our nature seizing us always
Drives like the flock that is herded and urged towards shambles or pasture.
So have the high gods fashioned these tools of their action and pleasure;
Failure and grief are their engines no less than the might of the victor;
They in the blow descend and resist in the sobs of the smitten.
Such are their goads that I too must walk in the paths that are common,
Even I who know must send for thee, moved by Cassandra.
Speak, O my child, since Apollo has willed it, once, and be silent.
But in her raiment hidden Cassandra answered her father:
No, for my heart has changed since I cried for him, vexed by Apollo.
Why should I speak? For who will believe me in Troy? who believed me
Ever in Troy or the world? Event and disaster approve me
Only, my comrades, not men in their thoughts, not my brothers and kinsmen.
All by their hopes are gladly deceived and grow wroth with the warner,
Half-blind prophets of hope entertained by the gods in the mortal!
Wiser blind, if nothing they saw or only the darkness.
I too once hoped when Apollo pursued me with love in his temple.
Round me already there gleamed the ray of the vision prophetic,
Thrill of that rapture I felt and the joy of the god in his seeing
Nor did I know that the knowledge of mortals is bound unto blindness.
Either only they walk mid the coloured dreams of the senses
Treading the greenness of earth and deeming the touch of things real,
Or if they see, by the curse of the gods their sight into falsehood
Easily turns and leads them more stumbling astray than the sightless.
So are we either blind in a darkness or dazzled by seeing.
Thus have the gods protected their purpose and baffled the sages;
Over the face of the Truth their shield of gold is extended.
But I deemed otherwise, urged by the Dreadful One, he who sits always
Veiled in us fighting the gods whom he uses. I cried to Apollo,
Give me thy vision sheer, not such as thou givst to thy prophets,
Troubled though luminous; clear be the vision and ruthless to error,
Far-darting god who art veiled by the sun and by death thou art shielded.
Then I shall know that thou lovest. He gave, alarmed and reluctant,
Driven by Fate and his heart; but I mocked him, I broke from my promise,
Courage fatal helping my heart to its ruin with laughter.
Always now I remember his face that grew tranquil and ruthless,
Hear the voice divine and implacable: Since thou deceivest
Even the gods and thou hast not feared to lie to Apollo,
Speak shalt thou henceforth only truth, but none shall believe thee:
Scorned in thy words, rejected yet more for their bitter fulfilment,
Scourged by the gods thou must speak though thy sick heart yearns to be silent.
For in this play thou hast dared to play with the masters of heaven,
Girl, it is thou who hast lost; thy voice is mine and thy bosom.
Since then all I foreknow; therefore anguish is mine for my portion:
Since then all whom I love must perish slain by my loving.
Even of that I denied him, violent force shall bereave me
Grasped mid the flames of my city and shouts of her merciless victors.
But to Cassandra answered gently the voice of her brother:
Sister of mine, afflicted and seized by the dreadful Apollo,
All whose eyes can pierce that curtain, gaze into dimness;
This they have glimpsed and that they imagine deceived by their natures
Seeing the forms in their hearts of dreadful things and of joyous;
As in the darkness our eyes are deceived by shadows uncertain,
Such is their sight who rend the veil that the dire gods have woven.
Busy our hearts are weaving thoughts and images always:
After their kind they see what here we call truth. So thy nature
Tender and loving, plagued by this war and its fears for thy loved ones,
Sees calamity everywhere; when the event like the vision
Seems, as in every war the beloved must fall and the cherished,
Then the heart cries, It has happened as all shall happen I mourn for.
All that was bright it misses and only seizes on sorrow.
Dear, on the brightness look and if thou must prophesy, tell us
Rather of great Pelides slain by my spear in the onset.
But with a voice of grief the sister answered her brother:
Yes, he shall fall and his slayer too perish and Troy with his slayer.
But in his spirit rejoicing Paris answered Cassandra:
Let but this word come true; for the rest, the gods shall avert it.
Look once more, O Cassandra, and comfort the heart of thy mother,
See, O seer, my safe return with the spoils of Achilles.
And with a voice of grief the sister answered her brother:
Thou shalt return for thy hour while Troy yet stands in the sunshine.
But in his spirit exultant Paris seizing the omen:
Hearst thou, my father, my mother? She who still prophesied evil
Now perceives of our night this dawning. Yet is it grievous,
Since through a heart that we love must be pierced the heart of Achilles.
Fate, with this evil satisfied, turn in the end from Troya.
Bless me, my father, and thou, O Hecuba, mother long-patient,
Still forgive that thy children have fallen for Helen and Paris.
Tenderly yearning his mother drew him towards her and murmured:
All for thy hyacinth curls was forgiven even from childhood
And for thy sunlit looks, O wonder of charm, O Paris.
Paris, my son, though Troy must fall, thy mother forgives thee,
Blessing the gods who have lent thee to me for a while in their sunshine.
Theirs are fate and result, but ours is the joy of our children;
Even the griefs are dear that come from their hands while they love us.
Fight and slay Achilles, the murderer dire of thy brothers;
Venging Hector return, my son, to the clasp of thy mother.
But in his calm august to Paris Priam the monarch:
Victor so mightst thou come, so gladden the heart of thy mother.
Then to the aged father of Paris Helen the Argive
Bright and immortal and sad like a star that grows near to the dawning
And on its pale companions looks who now fade from its vision:
Me too pardon and love, my parents, even Helen,
Cause of all bane and all death; but I came from the gods for this ruin
Born as a torch for the burning of empires, cursed with this beauty.
Nor have I known a fathers embrace, a mothers caresses,
But to the distant gods I was born and nursed as an alien
Here by earth from fear, not affection, compelled by the thunders.
Two are her monstrous births, from the Furies and from the immortals;
Either touching mortality suffers and bears not the contact.
I have been both, a monster of doom and a portent of beauty.
Slowly Priam the monarch answered to Argive Helen:
That which thou art the gods have made thee; thou couldst not be other:
That which thou didst, the gods have done; thou couldst not prevent them.
Who here shall blame or whom shall he pardon? Should not my people
Rail at me murmuring, Priam has lost what his fathers had gathered;
Cursed is this king by heaven and cursed who are born as his subjects?
Masked the high gods act; the doer is hid by his working.
Each of us bears his punishment, fruit of a seed thats forgotten;
Each of us curses his neighbour protecting his heart with illusions:
Therefore like children we blame each other and hate and are angry.
Take, my child, the joy of the sunshine won by thy beauty.
I who lodge on this earth as an alien bound by the body,
Wearing my sorrow even as I wear the imperial purple,
Praise yet the gods for my days that have seen thee at last in my ending.
Fitly Troy may cease having gazed on thy beauty, O Helen.
He became silent, he ceased from words. But Paris and Helen
Lightly went and gladly; pursuing their footsteps the mother,
Mother once of Troilus, mother once of Hector,
Stood at the door with her death in her eyes, nor returned from her yearning,
But as one after a vanishing sunbeam gazes in prison,
Gazed down the corridors after him, long who had passed from her vision.
Then in the silent chamber Cassandra seized by Apollo
Staggered erect and tossing her snow-white arms of affliction
Cried to the heavens in her pain; for the fierce god tortured her bosom:
Woe is me, woe for the guile and the bitter gift of Apollo!
Woe, thrice woe, for my birth in Troy and the lineage of Teucer!
So do you deal, O gods, with those who have served you and laboured,
Those who have borne for your sake the evil burden of greatness.
Blessed is he who holds mattock in hand or who bends oer the furrow
Taking no thought for the good of mankind, with no yearnings for knowledge.
Woe unto me for my wisdom which none shall value nor hearken!
Woe unto thee, O King, for thy strength which shall not deliver!
Better the eye that is sealed, more blest is the spirit thats feeble.
Vainly your hopes with iron Necessity struggle, O mortals.
Virtue shall lie in her pangs, for the gods have need of her torture;
Sin shall be scourged, though her deeds were compelled by the gods in their anger.
None shall avail in the end, the coward shall die and the hero.
Troy shall fall in her sin and her virtues shall not protect her;
Argos shall grow by her crimes till the gods shall destroy her for ever.
Now have I fruit of thy love, O Loxias, dreadful Apollo.
Woe is me, woe for the flame that approaches the house of my fathers!
Woe is me, woe for the hand of Ajax laid on my tresses!
Woe, thrice woe to him who shall ravish and him who shall cherish!
Woe for the ships that shall bound too swift oer the azure Aegean!
Woe for thy splendid shambles of hell, O Argive Mycenae!
Woe for the evil spouse and the house accursd of Atreus!
So with her voice of the swan she clanged out doom on the peoples,
Over the palace of Priam and over the armd nation
Marching resolved to the war in the pride of its centuries conquered,
Centuries slain by a single day of the anger of heaven.
Dim to the thoughts like a vision of Hades the luminous chamber
Grew; in his ivory chair King Priam sat like a shadow
Throned mid the ghosts of departed kings and forgotten empires.
But in his valiance careless and bli the the Priamid hastened
Seeking the pillared megaron wide where Deiphobus armoured
Waited his coming forth with the warlike chiefs of the Trojans.
Now as he passed by the halls of the women, the chambers that harboured
Daughters and wives of King Priam and wives of his sons and their playmates,
Niches of joy that were peopled with murmurs and sweet-tongued laughters,
Troubled like trees with their birds in a morning of sun and of shadow
Where in some garden of kings one walks with his heart in the sunshine,
Out from her door where she stood for him waiting Polyxena started,
Seized his hand and looked in his face and spoke to her brother.
Then not even the brilliant strength of Paris availed him;
Joyless he turned his face from her eyes of beauty and sorrow.
So it is come, the hour that I feared, and thou goest, O Paris,
Armed with the strength of Fate to strike at my heart in the battle;
For he is doomed and thou and I, a victim to Hades.
This thou preferrest and neither thy father could move nor thy mother
Burning with Troy in their palace, nor could thy country persuade thee,
Nor dost thou care for thy sisters happiness pierced by thy arrows.
Will she remember it all, my sister Helen, in Argos
Passing tranquil days with her husband, bright Menelaus,
Holding her child on her knees? But we shall lie joyless in Hades.
Paris replied: O sister Polyxena, blame me not wholly.
We by the gods are ensnared; for the pitiless white Aphrodite
Doing her will with us both compels this. Helpless our hearts are
And when she drives perforce must love, for death or for gladness:
Weighed in unequal scales she deals them to one or another.
Happy who holding his love can go down into bottomless Hades.
But to her brother replied in her anguish the daughter of Priam:
Evilly deal with my days the immortals happy in heaven;
Yes, I accuse the gods and I curse them who heed not our sorrow.
This they have done with me, forcing my heart to the love of a foeman,
One whose terrible hands have been stained with the blood of my brothers.
This now they do, they have taken the two whom I love beyond heaven,
Brother and husband, and drive to the fight to be slain by each other.
Nay, go thou forth; for thou canst not help it, nor I, nor can Helen.
Since I must die as a pageant to satisfy Zeus and his daughter,
Since now my heart must be borne as a victim bleeding to please them,
So let it be, let me deck myself and be bright for the altar.
Into her chamber she turned with her great eyes blind, unregarding;
He for a moment stood, then passed to the megaron slowly;
Dim was the light in his eyes and clouded his glorious beauty.
Meanwhile armed in the palace of Priam Penthesilea.
Near her her captains silent and mighty stood, from the Orient
Distant clouds of war, Surabdas and iron Surenas,
Pharatus planned like the hills, Somaranes, Valarus, Tauron,
High-crested Sumalus, Arithon, Sambus and Artavoruxes.
There too the princes of Phrygian Troya gathered for counsel
And with them Eurus came, Polydamas son, who most dearly
Loved was of all the Trojan boys by the glorious virgin.
She from her arming stayed to caress his curls and to chide him:
Eurus, forgotten of grace, dost thou gad like a stray in the city
Eager to mix with the armoured men and the chariots gliding?
High on the roofs wouldst thou watch the swaying speck that is battle?
Better to aim with the dart or seek with thy kind the palaestra;
So wilt thou sooner be part of this greatness rather than straining
Yearn from afar to the distance that veils the deeds of the mighty.
But with an anxious lure in his smile on her Eurus answered:
Not that remoteness to see have I come to the palace of Priam
Leaving the house of my fathers, but for the spear and the breastpiece.
Hast thou not promised me long I shall fight in thy car with Achilles?
Doubtful he eyed her, a lions cub at play in his beauty,
And mid the heroes who heard him laughter arose for a moment,
Yet with a sympathy stirred; they remembered the days of their childhood,
Thought of Troy still mighty, life in its rose-touched dawning
When they had longed for the clash of the fight and the burden of armour.
Glad, with the pride of the lioness watching her cub in the desert,
Couchant she lies with her paws before her and joys in his gambols,
Over the prey as he frisks and is careless, answered the virgin:
Younger than thou in my nation have mounted the steed and the war-car.
Eurus, arm; from under my shield thou shalt gaze at the Phthian,
Reaching my shafts for the cast from the rim of my car in the battle
Handle perhaps the spear that shall smite down the Phthian Achilles.
What sayst thou, Halamus? Were not such prowess a perfect beginning
Worthy Polydamas son and the warlike house of Antenor?
Halamus started and smiting his hand on the grief of his bosom,
Sombre replied and threatened with Fate the high-hearted virgin.
Virgin armipotent, wherefore mockst thou thy friend, though unwitting?
Nay, for the world will know at the end and my death cannot hide it,
Slain by a fathers curse we fight who are kin to Antenor.
Take not the boy in thy car, lest the Furies, Penthesilea,
Aim through the shield and the shielder to wreak the curse of the grandsire.
They will not turn nor repent for thy strength nor his delicate beauty.
Swiftly to Halamus answered the high-crested might of the virgin:
Curses leave lightly the lips when the soul of a man is in anger
Even as blessings easily crowd round the head that is cherished.
Yet have I never seen that a curse has sharpened a spear-point;
Never Death drew back from the doomed by the power of a blessing.
Valour and skill and chance are Fate and the gods and the Furies.
Give me the boy; a hero shall come back formed from the onset.
Do as thou wilt, replied Halamus; Fate shall guard or shall end him.
Then to the boy delighted and smiling-eyed and exultant
Cried with her voice like the call of heavens bugles waking the heroes,
Blown by the lips of gold-haired Valkyries, Penthesilea.
Go, find the spear, gird the sword, don the cuirass, child of the mighty.
Armed when thou standst on the plain of the Xanthus, field of thy fathers,
See that thou fight on this day like the comrade of Penthesilea.
Bud of a hero, gaze unalarmed in the eyes of Achilles.
Light as a hound released he ran to the hall of the armour
Where were the shields of the mighty, the arms of the mansion of Teucer;
There from the house-thralls he wrung the greaves and the cuirass and helmet
Troilus wore, the wonderful boy who, ere ripened his prowess,
Conquered the Greeks and drove to the ships and fought with Achilles.
These on his boyish limbs he donned and ran back exulting
Bearing spears and a sword and rejoiced in the clank on his armour.
Meanwhile Deiphobus, head of the mellay, moved by Aeneas
Opened the doors of their warlike debate to the strength of the virgin:
Well do I hope that our courage outwearying every opponent
Triumph shall lift to her ancient seat on the Pergaman turrets;
Clouds from Zeus come and pass; his sunshine eternal survives them.
Yet we are few in the fight and armoured nations besiege us.
Surging on Troy today a numberless foe well-captained
Hardly pushed back in shock after shock with the Myrmidon numbers
Swelled returns; they fight with a hope that broken refashion
Helpful skies and a man now leads them who conquers and slaughters,
One of the sons of the gods and armed by the gods for the struggle.
We unhelped save by Ares stern and the mystic Apollo
And but as mortals striving with stubborn mortal courage,
Hated and scorned and alone in the world, by the nations rejected,
Fight with the gods and mankind and Achilles and numbers against us
Keeping our country from death in this bitter hour of her fortunes.
Therefore have prudence and hardihood severed contending our counsels
Whether far out to fight on the seaward plain with the Argives
Or behind Xanthus the river impetuous friendly to Troya.
This my brother approves and the son of Antenor advises,
Prudent masters of war who prepare by defence their aggression.
But for myself from rashness I seek a more far-seeing wisdom,
Not behind vain defences choosing a tardy destruction,
Rather as Zeus with his spear of the lightning and chariot of tempest
Scatters and chases the heavy mass of the clouds through the heavens,
So would I hunt the Greeks through the plains to their lair by the Ocean,
Straight at the throat of my foeman so would I leap in the battle.
Swiftly to smite at the foe is prudence for armies outnumbered.
Then to the Dardanid answered the high-crested Penthesilea:
There where I find my foe I will fight him, whether by Xanthus
Or at the fosse of the ships where they crouch behind bulwarks for shelter,
Or if they dare by Scamander the higher marching on Troya.
Sternly approved her the Trojan, So should they fight who would triumph
Meeting the foe ere he move in his will to the clash of encounter.
But with his careless laughter the brilliant Priamid Paris:
Joy of the battle, joy of the tempest, joy of the gamble
Mated are in thy blood, O virgin, daughter of Ares.
Thou like the deathless wouldst have us combat, us who are human?
Come, let the gods do their will with us, Ares let lead and his daughter!
Always the blood is wiser and knows what is hid from the thinker.
Life and treasure and fame to cast on the wings of a moment,
Fiercer joy than this the gods have not given to mortals.
Highly to Paris the virgin armipotent Penthesilea,
Paris and Halamus, shafts of the war-god, fear not for Troya.
Not as a vaunt do I speak it, you gods who stern-thoughted watch us,
But in my vision of strength and the soul that is seated within me,
Not while I live and war shall the host of the Myrmidon fighters
Forcing the currents lave, as once they were wont, in Scamander
Vaunting their victor car-wheels red with the blood of the vanquished.
Then when I lie by some war-god slain on the fields of the Troad,
Fight again if you will behind high-banked fast-flowing Xanthus.
Halamus answered her, Never so by my will would I battle
Flinging Troy as a stake on the doubtful diceboard of Ares.
But you have willed it and so let it be; yet hearken my counsel.
Massed in the fight let us aim the storm of our spears at one greatness,
Mighty Pelides head who gives victory still to the Argives.
Easy the Greeks to destroy lay Achilles once slain on the Troad,
But if the Peleid lives the fire shall yet finish with Troya.
Join then Orestes speed to the stubborn might of Aeneas,
Paris fatal shafts and the missiles of Penthesilea.
Others meanwhile, a puissant screen of our bravest and strongest,
Fighting shall hold back Pylos and Argolis, Crete and the Locrian.
Thou, Deiphobus, front the bronze-clad stern Diomedes,
I with Polydamas spear will dare to restrain and discourage
Ajax feet though they yearn for pursuit and are hungry for swiftness.
Knot of retreat behind let some strong experienced captain
Stand with our younger levies guarding the fords of the Xanthus,
Fortify the wavering line and dawn as fresh strength on the wearied.
Then if the fierce gods prevail we shall perish not driven like cattle
Over the plains, but draw back sternly and slowly to Troya.
Answered the Priamid, Wise is thy counsel, branch of Antenor.
Chaff are the southern Achaians, only the hardihood Hellene,
Only the savage speed of the Locrian rescues their legions.
Marshal we so this field. Stand, Halamus, covering Xanthus,
Helping our need when the foe press hard on the Ilian fighters.
Paris, my brother, thou with our masses aid the Eoan.
I with Aeneas single spear am enough for the Argive.
Gladlier Halamus cried would I fight in the front with the Locrian!
This too let be as you will; for one is the glory and service
Fighting in front or guarding behind the fate of our country.
So in their thoughts they ordered battle. Meanwhile Eurus
Gleaming returned and the room grew glad with the light of his armour.
Glad were its conscious walls of that vision of boyhood and valour;
Gods of the household sighed and smiled at his courage and beauty,
They who had seen so many pass over their floors and return not
Hasting to battle, the fair and the mighty, the curled and the grizzled,
All of them treading one path like the conscious masks of one pageant
Winding past through the glare of a light to the shadows beyond them.
But on her captains proudly smiling Penthesilea
Seized him and cried aloud, her wild and warlike nature
Moved by the mothers heart that the woman loses not ever.
Who then shall fear for the fate of Troy when such are her children?
Verily, Eurus, yearning has seized me to meet thee in battle
Rather than Locrian Ajax, rather than Phthian Achilles.
There acquiring a deathless fame I would make thee my captive,
Greedy and glad who feel as a lioness eyeing her booty.
Nay, I can never leave thee behind, my delicate Trojan,
But, when this war ends, will bear thee away to the hills of my country
And, as a robber might, with my captive glad and unwilling
Bring thee a perfect gift to my sisters Ditis and Anna.
Eurus, there in my land thou shalt look on such hills as thy vision
Gazed not on yet, with their craggy tops besieging Cronion,
Sheeted in virgin white and chilling his feet with their vastness.
Thou shalt rejoice in our wooded peaks and our fruit-bearing valleys,
Lakes of Elysium dreaming and wide and rivers of wonder.
All day long thou shalt glide between mystic woodlands in silence
Broken only by call of the birds and the plashing of waters.
There shalt thou see, O Eurus, the childhood of Penthesilea.
Thou shalt repose in my fathers house and walk in the gardens
Green where I played at the ball with my sisters, Ditis and Anna.
Musing she ceased, but if any god had touched her with prescience
Bidding her think for the last time now of the haunts of her childhood,
Gaze in her soul with a parting love at the thought of her sisters
And of the lovely and distant land where she played through her summers,
Brief was the touch; for she changed at once and only of triumph
Dreamed and only yearned in her heart for the shock of Achilles.
So they passed from the halls of Priam fated and lofty,
Halls where the air seemed sobbing yet with the cry of Cassandra;
Clad in their brilliant armour, bright in their beauty and courage,
Sons of the passing demigods, they to their latest battle
Down the ancestral hill of the Pergamans moved to the gateway.
Loud with an endless march, with a tireless gliding to meet them,
All Troy streamed from her streets and her palaces armed for the combat.
Then to the voice of Deiphobus clanging high oer the rumour
Wide the portals swung that shall close on a blood-red evening,
Slow, foreboding, reluctant, and through the yawn of the gateway
Drove with a cry her steeds the virgin Penthesilea
Calling aloud, O steeds of my east, we drive to Achilles.
Bli the in the car behind her Eurus scouted around him
Scared with his eyes lest Antenor his grandsire should rise in the gateway,
Hardly believing his fate that led him safe through the portals.
After her trampled and crashed the ranks of her orient fighters.
Paris next with his hosts came brilliant, gold on his armour,
Gold on his helm; a mighty bow hung slack on his shoulder,
Propped oer his arm a spear, as he drove his car through the gateway.
Next Deiphobus drove and the hero strong Aeneas,
Leading their numbers on. Behind them Dus and Polites,
Helenus, Priams son, Thrasymachus, grizzled Aretes,
Came like the tempest his father, Adamas, son of the Northwind
Orus old in the fight and Eumachus, kin to Aeneas,
Who was Cresas brother and richest of men in the Troad
After Antenor only and Priam, Ilions monarch.
Halamus drove and Arintheus led on his Lycian levies.
Who were the last to speed out of Troya of all those legions
Doomed to the sword? for never again from the ancient city
Foot would march or chariots crash in their pride to the Xanthus.
Aetor the old and Tryas the conqueror known by the Oxus.
They in the portals met and their ancient eyes on each other
Looked amazed, admiring on age the harness of battle.
They in the turreted head of the gateway halted and conversed.
Twenty years have passed, O Tryas, chief of the Trojans,
Since in the battle thy car was seen and the arm of thy prowess
Age has wronged. Why now to the crowded ways of the battle
Move once more thy body infirm and thy eyes that are faded?
And to Antenors brother the Teucrian, Thou too, O Aetor,
Old and weary hast sat in thy halls and desisted from battle.
Now in Troys portals I meet thee driving forth to the mellay.
Aetor answered, Which then is better, to wretchedly perish
Crushed by the stones of my falling house or slain like a victim
Dragged through the blood of my kin on the sacred hearth of my fathers,
Or in the battle to cease mid the war-cry and hymn of the chariots
Knowing that Troy yet stands in her pride though doomed in her morrows?
So have the young men willed and the old like thee who age not,
Old are thy limbs, but thy heart is still young and hot for the war-din.
Tryas replied, To perish is better for man or for nation
Nobly in battle, nor end disgraced by disease or subjection.
So have I come here to offer this shoulder Laomedon leaned on,
Arms that have fought by the Oxus and conquered the Orients heroes
Famous in Priams wars, and a heart that is faithful to Troya.
These I will offer to death on his splendid altar of battle,
Tri bute from Ilion. If she must fall, I shall see not her ending.
Aetor replied to Tryas, Then let us perish together,
Joined by the love of our race who in life were divided in counsel.
All things embrace in death and the strife and the hatred are ended.
Silent together they drove for the last time through Ilions portals
Out with the rest to the fight towards the sea and the spears of the Argives.
Only once, as they drove, they gazed back silent on Troya
Lifting her marble pride in the golden joy of the morning.
So through the ripening morn the army, crossing Scamander,
Filling the heavens with the dust and the war-cry, marched on the Argives.
Far in front Troys plain spread wide to the echoing Ocean.
***
~ Sri Aurobindo, 4 - The Book of Partings
,
1419:BOOK THE SECOND

The Story of Phaeton

The Sun's bright palace, on high columns rais'd,
With burnish'd gold and flaming jewels blaz'd;
The folding gates diffus'd a silver light,
And with a milder gleam refresh'd the sight;
Of polish'd iv'ry was the cov'ring wrought:
The matter vied not with the sculptor's thought,
For in the portal was display'd on high
(The work of Vulcan) a fictitious sky;
A waving sea th' inferiour Earth embrac'd,
And Gods and Goddesses the waters grac'd.
Aegeon here a mighty whale bestrode;
Triton, and Proteus (the deceiving God)
With Doris here were carv'd, and all her train,
Some loosely swimming in the figur'd main,
While some on rocks their dropping hair divide,
And some on fishes through the waters glide:
Tho' various features did the sisters grace,
A sister's likeness was in ev'ry face.
On Earth a diff'rent landskip courts the eyes,
Men, towns, and beasts in distant prospects rise,
And nymphs, and streams, and woods, and rural deities.
O'er all, the Heav'n's refulgent image shines;
On either gate were six engraven signs.

Here Phaeton still gaining on th' ascent,
To his suspected father's palace went,
'Till pressing forward through the bright abode,
He saw at distance the illustrious God:
He saw at distance, or the dazling light
Had flash'd too strongly on his aking sight.

The God sits high, exalted on a throne
Of blazing gems, with purple garments on;
The Hours, in order rang'd on either hand,
And Days, and Months, and Years, and Ages stand.
Here Spring appears with flow'ry chaplets bound;
Here Summer in her wheaten garl and crown'd;
Here Autumn the rich trodden grapes besmear;
And hoary Winter shivers in the reer.

Phoebus beheld the youth from off his throne;
That eye, which looks on all, was fix'd in one.
He saw the boy's confusion in his face,
Surpriz'd at all the wonders of the place;
And cries aloud, "What wants my son? for know
My son thou art, and I must call thee so."
"Light of the world," the trembling youth replies,
"Illustrious parent! since you don't despise
The parent's name, some certain token give,
That I may Clymene's proud boast believe,
Nor longer under false reproaches grieve."

The tender sire was touch'd with what he said,
And flung the blaze of glories from his head,
And bid the youth advance: "My son," said he,
"Come to thy father's arms! for Clymene
Has told thee true; a parent's name I own,
And deem thee worthy to be called my son.
As a sure proof, make some request, and I,
Whate'er it be, with that request comply;
By Styx I swear, whose waves are hid in night,
And roul impervious to my piercing sight."
The youth transported, asks, without delay,
To guide the sun's bright chariot for a day.

The God repented of the oath he took,
For anguish thrice his radiant head he shook;
"My son," says he, "some other proof require,
Rash was my promise, rash is thy desire.
I'd fain deny this wish, which thou hast made,
Or, what I can't deny, wou'd fain disswade.
Too vast and hazardous the task appears,
Nor suited to thy strength, nor to thy years.
Thy lot is mortal, but thy wishes fly
Beyond the province of mortality:
There is not one of all the Gods that dares
(However skill'd in other great affairs)
To mount the burning axle-tree, but I;
Not Jove himself, the ruler of the sky,
That hurles the three-fork'd thunder from above,
Dares try his strength: yet who so strong as Jove?
The steeds climb up the first ascent with pain,
And when the middle firmament they gain,
If downward from the Heav'ns my head I bow,
And see the Earth and Ocean hang below,
Ev'n I am seiz'd with horror and affright,
And my own heart misgives me at the sight.
A mighty downfal steeps the ev'ning stage,
And steddy reins must curb the horses' rage.
Tethys herself has fear'd to see me driv'n
Down headlong from the precipice of Heav'n.
Besides, consider what impetuous force
Turns stars and planets in a diff'rent course.
I steer against their motions; nor am I
Born back by all the current of the sky.
But how cou'd you resist the orbs that roul
In adverse whirls, and stem the rapid pole?
But you perhaps may hope for pleasing woods,
And stately dooms, and cities fill'd with Gods;
While through a thousand snares your progress lies,
Where forms of starry monsters stock the skies:
For, shou'd you hit the doubtful way aright,
The bull with stooping horns stands opposite;
Next him the bright Haemonian bow is strung,
And next, the lion's grinning visage hung:
The scorpion's claws, here clasp a wide extent;
And here the crab's in lesser clasps are bent.
Nor wou'd you find it easie to compose
The mettled steeds, when from their nostrils flows
The scorching fire, that in their entrails glows.
Ev'n I their head-strong fury scarce restrain,
When they grow warm and restif to the rein.
Let not my son a fatal gift require,
But, O! in time, recall your rash desire;
You ask a gift that may your parent tell,
Let these my fears your parentage reveal;
And learn a father from a father's care:
Look on my face; or if my heart lay bare,
Cou'd you but look, you'd read the father there.
Chuse out a gift from seas, or Earth, or skies,
For open to your wish all Nature lies,
Only decline this one unequal task,
For 'tis a mischief, not a gift, you ask.
You ask a real mischief, Phaeton:
Nay hang not thus about my neck, my son:
I grant your wish, and Styx has heard my voice,
Chuse what you will, but make a wiser choice."

Thus did the God th' unwary youth advise;
But he still longs to travel through the skies.
When the fond father (for in vain he pleads)
At length to the Vulcanian Chariot leads.
A golden axle did the work uphold,
Gold was the beam, the wheels were orb'd with gold.
The spokes in rows of silver pleas'd the sight,
The seat with party-colour'd gems was bright;
Apollo shin'd amid the glare of light.
The youth with secret joy the work surveys,
When now the moon disclos'd her purple rays;
The stars were fled, for Lucifer had chased
The stars away, and fled himself at last.
Soon as the father saw the rosy morn,
And the moon shining with a blunter horn,
He bid the nimble Hours, without delay,
Bring forth the steeds; the nimble Hours obey:
From their full racks the gen'rous steeds retire,
Dropping ambrosial foams, and snorting fire.
Still anxious for his son, the God of day,
To make him proof against the burning ray,
His temples with celestial ointment wet,
Of sov'reign virtue to repel the heat;
Then fix'd the beamy circle on his head,
And fetch'd a deep foreboding sigh, and said,
"Take this at least, this last advice, my son,
Keep a stiff rein, and move but gently on:
The coursers of themselves will run too fast,
Your art must be to moderate their haste.
Drive 'em not on directly through the skies,
But where the Zodiac's winding circle lies,
Along the midmost Zone; but sally forth
Nor to the distant south, nor stormy north.
The horses' hoofs a beaten track will show,
But neither mount too high, nor sink too low.
That no new fires, or Heav'n or Earth infest;
Keep the mid way, the middle way is best.
Nor, where in radiant folds the serpent twines,
Direct your course, nor where the altar shines.
Shun both extreams; the rest let Fortune guide,
And better for thee than thy self provide!
See, while I speak, the shades disperse away,
Aurora gives the promise of a day;
I'm call'd, nor can I make a longer stay.
Snatch up the reins; or still th' attempt forsake,
And not my chariot, but my counsel, take,
While yet securely on the Earth you stand;
Nor touch the horses with too rash a hand.
Let me alone to light the world, while you
Enjoy those beams which you may safely view."
He spoke in vain; the youth with active heat
And sprightly vigour vaults into the seat;
And joys to hold the reins, and fondly gives
Those thanks his father with remorse receives.

Mean-while the restless horses neigh'd aloud,
Breathing out fire, and pawing where they stood.
Tethys, not knowing what had past, gave way,
And all the waste of Heav'n before 'em lay.
They spring together out, and swiftly bear
The flying youth thro' clouds and yielding air;
With wingy speed outstrip the eastern wind,
And leave the breezes of the morn behind.
The youth was light, nor cou'd he fill the seat,
Or poise the chariot with its wonted weight:
But as at sea th' unballass'd vessel rides,
Cast to and fro, the sport of winds and tides;
So in the bounding chariot toss'd on high,
The youth is hurry'd headlong through the sky.
Soon as the steeds perceive it, they forsake
Their stated course, and leave the beaten track.
The youth was in a maze, nor did he know
Which way to turn the reins, or where to go;
Nor wou'd the horses, had he known, obey.
Then the sev'n stars first felt Apollo's ray,
And wish'd to dip in the forbidden sea.
The folded serpent next the frozen pole,
Stiff and benum'd before, began to rowle,
And raged with inward heat, and threaten'd war,
And shot a redder light from ev'ry star;
Nay, and 'tis said Bootes too, that fain
Thou woud'st have fled, tho' cumber'd with thy wane.

Th' unhappy youth then, bending down his head,
Saw Earth and Ocean far beneath him spread.
His colour chang'd, he startled at the sight,
And his eyes darken'd by too great a light.
Now cou'd he wish the fiery steeds untry'd,
His birth obscure, and his request deny'd:
Now wou'd he Merops for his father own,
And quit his boasted kindred to the sun.

So fares the pilot, when his ship is tost
In troubled seas, and all its steerage lost,
He gives her to the winds, and in despair
Seeks his last refuge in the Gods and pray'r.

What cou'd he do? his eyes, if backward cast,
Find a long path he had already past;
If forward, still a longer path they find:
Both he compares, and measures in his mind;
And sometimes casts an eye upon the east,
And sometimes looks on the forbidden west,
The horses' names he knew not in the fright,
Nor wou'd he loose the reins, nor cou'd he hold 'em right.

Now all the horrors of the Heav'ns he spies,
And monstrous shadows of prodigious size,
That, deck'd with stars, lye scatter'd o'er the skies.
There is a place above, where Scorpio bent
In tail and arms surrounds a vast extent;
In a wide circuit of the Heav'ns he shines,
And fills the space of two coelestial signs.
Soon as the youth beheld him vex'd with heat
Brandish his sting, and in his poison sweat,
Half dead with sudden fear he dropt the reins;
The horses felt 'em loose upon their mains,
And, flying out through all the plains above,
Ran uncontroul'd where-e're their fury drove;
Rush'd on the stars, and through a pathless way
Of unknown regions hurry'd on the day.
And now above, and now below they flew,
And near the Earth the burning chariot drew.

The clouds disperse in fumes, the wond'ring Moon
Beholds her brother's steeds beneath her own;
The highlands smoak, cleft by the piercing rays,
Or, clad with woods, in their own fewel blaze.
Next o'er the plains, where ripen'd harvests grow,
The running conflagration spreads below.
But these are trivial ills: whole cities burn,
And peopled kingdoms into ashes turn.

The mountains kindle as the car draws near,
Athos and Tmolus red with fires appear;
Oeagrian Haemus (then a single name)
And virgin Helicon increase the flame;
Taurus and Oete glare amid the sky,
And Ida, spight of all her fountains, dry.
Eryx and Othrys, and Cithaeron, glow,
And Rhodope, no longer cloath'd in snow;
High Pindus, Mimas, and Parnassus, sweat,
And Aetna rages with redoubled heat.
Ev'n Scythia, through her hoary regions warm'd,
In vain with all her native frost was arm'd.
Cover'd with flames the tow'ring Appennine,
And Caucasus, and proud Olympus, shine;
And, where the long-extended Alpes aspire,
Now stands a huge continu'd range of fire.

Th' astonisht youth, where-e'er his eyes cou'd turn,
Beheld the universe around him burn:
The world was in a blaze; nor cou'd he bear
The sultry vapours and the scorching air,
Which from below, as from a furnace, flow'd;
And now the axle-tree beneath him glow'd:
Lost in the whirling clouds that round him broke,
And white with ashes, hov'ring in the smoke.
He flew where-e'er the horses drove, nor knew
Whither the horses drove, or where he flew.

'Twas then, they say, the swarthy Moor begun
To change his hue, and blacken in the sun.
Then Libya first, of all her moisture drain'd,
Became a barren waste, a wild of sand.
The water-nymphs lament their empty urns,
Boeotia, robb's of silve Dirce, mourns,
Corinth Pyrene's wasted spring bewails,
And Argos grieves whilst Amymone fails.

The floods are drain'd from ev'ry distant coast,
Ev'n Tanais, tho' fix'd in ice, was lost.
Enrag'd Caicus and Lycormas roar,
And Xanthus, fated to be burnt once more.
The fam'd Maeander, that unweary'd strays
Through mazy windings, smoaks in ev'ry maze.
From his lov'd Babylon Euphrates flies;
The big-swoln Ganges and the Danube rise
In thick'ning fumes, and darken half the skies.
In flames Ismenos and the Phasis roul'd,
And Tagus floating in his melted gold.
The swans, that on Cayster often try'd
Their tuneful songs, now sung their last and dy'd.
The frighted Nile ran off, and under ground
Conceal'd his head, nor can it yet be found:
His sev'n divided currents all are dry,
And where they row'ld, sev'n gaping trenches lye:
No more the Rhine or Rhone their course maintain,
Nor Tiber, of his promis'd empire vain.

The ground, deep-cleft, admits the dazling ray,
And startles Pluto with the flash of day.
The seas shrink in, and to the sight disclose
Wide naked plains, where once their billows rose;
Their rocks are all discover'd, and increase
The number of the scatter'd Cyclades.
The fish in sholes about the bottom creep,
Nor longer dares the crooked dolphin leap
Gasping for breath, th' unshapen Phocae die,
And on the boiling wave extended lye.
Nereus, and Doris with her virgin train,
Seek out the last recesses of the main;
Beneath unfathomable depths they faint,
And secret in their gloomy caverns pant.
Stern Neptune thrice above the waves upheld
His face, and thrice was by the flames repell'd.

The Earth at length, on ev'ry side embrac'd
With scalding seas that floated round her waste,
When now she felt the springs and rivers come,
And crowd within the hollow of her womb,
Up-lifted to the Heav'ns her blasted head,
And clapt her hand upon her brows, and said
(But first, impatient of the sultry heat,
Sunk deeper down, and sought a cooler seat):
"If you, great king of Gods, my death approve,
And I deserve it, let me die by Jove;
If I must perish by the force of fire,
Let me transfix'd with thunder-bolts expire.
See, whilst I speak, my breath the vapours choak
(For now her face lay wrapt in clouds of smoak),
See my singe'd hair, behold my faded eye,
And wither'd face, where heaps of cinders lye!
And does the plow for this my body tear?
This the reward for all the fruits I bear,
Tortur'd with rakes, and harrass'd all the year?
That herbs for cattle daily I renew,
And food for Man, and frankincense for you?
But grant me guilty; what has Neptune done?
Why are his waters boiling in the sun?
The wavy empire, which by lot was giv'n,
Why does it waste, and further shrink from Heav'n?
If I nor he your pity can provoke,
See your own Heav'ns, the Heav'ns begin to smoke!
Shou'd once the sparkles catch those bright abodes,
Destruction seizes on the Heav'ns and Gods;
Atlas becomes unequal to his freight,
And almost faints beneath the glowing weight.
If Heav'n, and Earth, and sea, together burn,
All must again into their chaos turn.
Apply some speedy cure, prevent our fate,
And succour Nature, ere it be too late."
She cea'sd, for choak'd with vapours round her spread,
Down to the deepest shades she sunk her head.

Jove call'd to witness ev'ry Pow'r above,
And ev'n the God, whose son the chariot drove,
That what he acts he is compell'd to do,
Or universal ruin must ensue.
Strait he ascends the high aetherial throne,
From whence he us'd to dart his thunder down,
From whence his show'rs and storms he us'd to pour,
But now cou'd meet with neither storm nor show'r.
Then, aiming at the youth, with lifted hand,
Full at his head he hurl'd the forky brand,
In dreadful thund'rings. Thus th' almighty sire
Suppress'd the raging of the fires with fire.

At once from life and from the chariot driv'n,
Th' ambitious boy fell thunder-struck from Heav'n.
The horses started with a sudden bound,
And flung the reins and chariot to the ground:
The studded harness from their necks they broke,
Here fell a wheel, and here a silver spoke,
Here were the beam and axle torn away;
And, scatter'd o'er the Earth, the shining fragments lay.

The breathless Phaeton, with flaming hair,
Shot from the chariot, like a falling star,
That in a summer's ev'ning from the top
Of Heav'n drops down, or seems at least to drop;
'Till on the Po his blasted corps was hurl'd,
Far from his country, in the western world.

Phaeton's Sisters transform'd into Trees

The Latian nymphs came round him, and, amaz'd,
On the dead youth, transfix'd with thunder, gaz'd;
And, whilst yet smoaking from the bolt he lay,
His shatter'd body to a tomb convey,
And o'er the tomb an epitaph devise:
"Here he, who drove the sun's bright chariot, lies;
His father's fiery steeds he cou'd not guide,
But in the glorious enterprize he dy'd."

Apollo hid his face, and pin'd for grief,
And, if the story may deserve belief,
The space of one whole day is said to run,
From morn to wonted ev'n, without a sun:
The burning ruins, with a fainter ray,
Supply the sun, and counterfeit a day,
A day, that still did Nature's face disclose:
This comfort from the mighty mischief rose.

But Clymene, enrag'd with grief, laments,
And as her grief inspires, her passion vents:
Wild for her son, and frantick in her woes,
With hair dishevel'd round the world she goes,
To seek where-e'er his body might be cast;
'Till, on the borders of the Po, at last
The name inscrib'd on the new tomb appears.
The dear dear name she bathes in flowing tears,
Hangs o'er the tomb, unable to depart,
And hugs the marble to her throbbing heart.

Her daughters too lament, and sigh, and mourn
(A fruitless tri bute to their brother's urn),
And beat their naked bosoms, and complain,
And call aloud for Phaeton in vain:
All the long night their mournful watch they keep,
And all the day stand round the tomb, and weep.

Four times, revolving, the full moon return'd;
So long the mother and the daughters mourn'd:
When now the eldest, Phaethusa, strove
To rest her weary limbs, but could not move;
Lampetia wou'd have help'd her, but she found
Her self with-held, and rooted to the ground:
A third in wild affliction, as she grieves,
Wou'd rend her hair, but fills her hands with leaves;
One sees her thighs transform'd, another views
Her arms shot out, and branching into boughs.
And now their legs, and breasts, and bodies stood
Crusted with bark, and hard'ning into wood;
But still above were female heads display'd,
And mouths, that call'd the mother to their aid.
What cou'd, alas! the weeping mother do?
From this to that with eager haste she flew,
And kiss'd her sprouting daughters as they grew.
She tears the bark that to each body cleaves,
And from their verdant fingers strips the leaves:
The blood came trickling, where she tore away
The leaves and bark: the maids were heard to say,
"Forbear, mistaken parent, oh! forbear;
A wounded daughter in each tree you tear;
Farewell for ever." Here the bark encreas'd,
Clos'd on their faces, and their words suppress'd.

The new-made trees in tears of amber run,
Which, harden'd into value by the sun,
Distill for ever on the streams below:
The limpid streams their radiant treasure show,
Mixt in the sand; whence the rich drops convey'd
Shine in the dress of the bright Latian maid.

The Transformation of Cycnus into a Swan

Cycnus beheld the nymphs transform'd, ally'd
To their dead brother on the mortal side,
In friendship and affection nearer bound;
He left the cities and the realms he own'd,
Thro' pathless fields and lonely shores to range,
And woods made thicker by the sisters' change.
Whilst here, within the dismal gloom, alone,
The melancholy monarch made his moan,
His voice was lessen'd, as he try'd to speak,
And issu'd through a long-extended neck;
His hair transforms to down, his fingers meet
In skinny films, and shape his oary feet;
From both his sides the wings and feathers break;
And from his mouth proceeds a blunted beak:
All Cycnus now into a Swan was turn'd,
Who, still remembring how his kinsman burn'd,
To solitary pools and lakes retires,
And loves the waters as oppos'd to fires.

Mean-while Apollo in a gloomy shade
(The native lustre of his brows decay'd)
Indulging sorrow, sickens at the sight
Of his own sun-shine, and abhors the light;
The hidden griefs, that in his bosom rise,
Sadden his looks and over-cast his eyes,
As when some dusky orb obstructs his ray,
And sullies in a dim eclipse the day.

Now secretly with inward griefs he pin'd,
Now warm resentments to his griefs he joyn'd,
And now renounc'd his office to mankind.
"Ere since the birth of time," said he, "I've born
A long ungrateful toil, without return;
Let now some other manage, if he dare,
The fiery steeds, and mount the burning carr;
Or, if none else, let Jove his fortune try,
And learn to lay his murd'ring thunder by;
Then will he own, perhaps, but own too late,
My son deserv'd not so severe a fate."

The Gods stand round him, as he mourns, and pray
He would resume the conduct of the day,
Nor let the world be lost in endless night:
Jove too himself descending from his height,
Excuses what had happen'd, and intreats,
Majestically mixing pray'rs and threats.
Prevail'd upon at length, again he took
The harness'd steeds, that still with horror shook,
And plies 'em with the lash, and whips 'em on,
And, as he whips, upbraids 'em with his son.

The Story of Calisto

The day was settled in its course; and Jove
Walk'd the wide circuit of the Heavens above,
To search if any cracks or flaws were made;
But all was safe: the Earth he then survey'd,
And cast an eye on ev'ry diff'rent coast,
And ev'ry land; but on Arcadia most.
Her fields he cloath'd, and chear'd her blasted face
With running fountains, and with springing grass.
No tracks of Heav'n's destructive fire remain,
The fields and woods revive, and Nature smiles again.

But as the God walk'd to and fro the Earth,
And rais'd the plants, and gave the spring its birth,
By chance a fair Arcadian nymph he view'd,
And felt the lovely charmer in his blood.
The nymph nor spun, nor dress'd with artful pride,
Her vest was gather'd up, her hair was ty'd;
Now in her hand a slender spear she bore,
Now a light quiver on her shoulders wore;
To chaste Diana from her youth inclin'd,
The sprightly warriors of the wood she joyn'd.
Diana too the gentle huntress lov'd,
Nor was there one of all the nymphs that rov'd
O'er Maenalus, amid the maiden throng,
More favour'd once; but favour lasts not long.

The sun now shone in all its strength, and drove
The heated virgin panting to a grove;
The grove around a grateful shadow cast:
She dropt her arrows, and her bow unbrac'd;
She flung her self on the cool grassy bed;
And on the painted quiver rais'd her head,
Jove saw the charming huntress unprepar'd,
Stretch'd on the verdant turf, without a guard.
"Here I am safe," he cries, "from Juno's eye;
Or shou'd my jealous queen the theft descry,
Yet wou'd I venture on a theft like this,
And stand her rage for such, for such a bliss!"
Diana's shape and habit strait he took,
Soften'd his brows, and smooth'd his awful look,
And mildly in a female accent spoke.
"How fares my girl? How went the morning chase?"
To whom the virgin, starting from the grass,
"All hail, bright deity, whom I prefer
To Jove himself, tho' Jove himself were here."
The God was nearer than she thought, and heard
Well-pleas'd himself before himself preferr'd.

He then salutes her with a warm embrace;
And, e're she half had told the morning chase,
With love enflam'd, and eager on his bliss,
Smother'd her words, and stop'd her with a kiss;
His kisses with unwonted ardour glow'd,
Nor cou'd Diana's shape conceal the God.
The virgin did whate'er a virgin cou'd
(Sure Juno must have pardon'd, had she view'd);
With all her might against his force she strove;
But how can mortal maids contend with Jove?

Possest at length of what his heart desir'd,
Back to his Heav'ns, th' exulting God retir'd.
The lovely huntress, rising from the grass,
With down-cast eyes, and with a blushing face,
By shame confounded, and by fear dismay'd,
Flew from the covert of the guilty shade,
And almost, in the tumult of her mind,
Left her forgotten bow and shafts behind.

But now Diana, with a sprightly train
Of quiver'd virgins, bounding o'er the plain,
Call'd to the nymph; the nymph began to fear
A second fraud, a Jove disguis'd in her;
But, when she saw the sister nymphs, suppress'd
Her rising fears, and mingled with the rest.

How in the look does conscious guilt appear!
Slowly she mov'd, and loiter'd in the rear;
Nor lightly tripp'd, nor by the Goddess ran,
As once she us'd, the foremost of the train.
Her looks were flush'd, and sullen was her mien,
That sure the virgin Goddess (had she been
Aught but a virgin) must the guilt have seen.
'Tis said the nymphs saw all, and guess'd aright:
And now the moon had nine times lost her light,
When Dian, fainting in the mid-day beams,
Found a cool covert, and refreshing streams
That in soft murmurs through the forest flow'd,
And a smooth bed of shining gravel show'd.

A covert so obscure, and streams so clear,
The Goddess prais'd: "And now no spies are near
Let's strip, my gentle maids, and wash," she cries.
Pleas'd with the motion, every maid complies;
Only the blushing huntress stood confus'd,
And form'd delays, and her delays excus'd;
In vain excus'd: her fellows round her press'd,
And the reluctant nymph by force undress'd,
The naked huntress all her shame reveal'd,
In vain her hands the pregnant womb conceal'd;
"Begone!" the Goddess cries with stern disdain,
"Begone! nor dare the hallow'd stream to stain":
She fled, for ever banish'd from the train.

This Juno heard, who long had watch'd her time
To punish the detested rival's crime;
The time was come; for, to enrage her more,
A lovely boy the teeming rival bore.

The Goddess cast a furious look, and cry'd,
"It is enough! I'm fully satisfy'd!
This boy shall stand a living mark, to prove
My husband's baseness and the strumpet's love:
But vengeance shall awake: those guilty charms
That drew the Thunderer from Juno's arms,
No longer shall their wonted force retain,
Nor please the God, nor make the mortal vain."

This said, her hand within her hair she wound,
Swung her to Earth, and drag'd her on the ground:
The prostrate wretch lifts up her arms in pray'r;
Her arms grow shaggy, and deform'd with hair,
Her nails are sharpen'd into pointed claws,
Her hands bear half her weight, and turn to paws;
Her lips, that once cou'd tempt a God, begin
To grow distorted in an ugly grin.
And, lest the supplicating brute might reach
The ears of Jove, she was depriv'd of speech:
Her surly voice thro' a hoarse passage came
In savage sounds: her mind was still the same,
The furry monster fix'd her eyes above,
And heav'd her new unwieldy paws to Jove,
And beg'd his aid with inward groans; and tho'
She could not call him false, she thought him so.

How did she fear to lodge in woods alone,
And haunt the fields and meadows, once her own!
How often wou'd the deep-mouth'd dogs pursue,
Whilst from her hounds the frighted huntress flew!
How did she fear her fellow-brutes, and shun
The shaggy bear, tho' now her self was one!
How from the sight of rugged wolves retire,
Although the grim Lycaon was her sire!

But now her son had fifteen summers told,
Fierce at the chase, and in the forest bold;
When, as he beat the woods in quest of prey,
He chanc'd to rouze his mother where she lay.
She knew her son, and kept him in her sight,
And fondly gaz'd: the boy was in a fright,
And aim'd a pointed arrow at her breast,
And would have slain his mother in the beast;
But Jove forbad, and snatch'd 'em through the air
In whirlwinds up to Heav'n, and fix'd 'em there!
Where the new constellations nightly rise,
And add a lustre to the northern skies.

When Juno saw the rival in her height,
Spangled with stars, and circled round with light,
She sought old Ocean in his deep abodes,
And Tethys, both rever'd among the Gods.
They ask what brings her there: "Ne'er ask," says she,
"What brings me here, Heav'n is no place for me.
You'll see, when night has cover'd all things o'er,
Jove's starry bastard and triumphant whore
Usurp the Heav'ns; you'll see 'em proudly rowle
And who shall now on Juno's altars wait,
When those she hates grow greater by her hate?
I on the nymph a brutal form impress'd,
Jove to a goddess has transform'd the beast;
This, this was all my weak revenge could do:
But let the God his chaste amours pursue,
And, as he acted after Io's rape,
Restore th' adultress to her former shape;
Then may he cast his Juno off, and lead
The great Lycaon's offspring to his bed.
But you, ye venerable Pow'rs, be kind,
And, if my wrongs a due resentment find,
Receive not in your waves their setting beams,
Nor let the glaring strumpet taint your streams."

The Goddess ended, and her wish was giv'n.
Back she return'd in triumph up to Heav'n;
Her gawdy peacocks drew her through the skies.
Their tails were spotted with a thousand eyes;
The eyes of Argus on their tails were rang'd,
At the same time the raven's colour chang'd.

The Story of Coronis, and Birth of Aesculapius

The raven once in snowy plumes was drest,
White as the whitest dove's unsully'd breast,
Fair as the guardian of the Capitol,
Soft as the swan; a large and lovely fowl;
His tongue, his prating tongue had chang'd him quite
To sooty blackness, from the purest white.

The story of his change shall here be told;
In Thessaly there liv'd a nymph of old,
Coronis nam'd; a peerless maid she shin'd,
Confest the fairest of the fairer kind.
Apollo lov'd her, 'till her guilt he knew,
While true she was, or whilst he thought her true.
But his own bird the raven chanc'd to find
The false one with a secret rival joyn'd.
Coronis begg'd him to suppress the tale,
But could not with repeated pray'rs prevail.
His milk-white pinions to the God he ply'd;
The busy daw flew with him, side by side,
And by a thousand teizing questions drew
Th' important secret from him as they flew.
The daw gave honest counsel, tho' despis'd,
And, tedious in her tattle, thus advis'd:
"Stay, silly bird, th' ill-natur'd task refuse,
Nor be the bearer of unwelcome news.
Be warn'd by my example: you discern
What now I am, and what I was shall learn.
My foolish honesty was all my crime;
Then hear my story. Once upon a time,
The two-shap'd Ericthonius had his birth
(Without a mother) from the teeming Earth;
Minerva nurs'd him, and the infant laid
Within a chest, of twining osiers made.
The daughters of king Cecrops undertook
To guard the chest, commanded not to look
On what was hid within. I stood to see
The charge obey'd, perch'd on a neighb'ring tree.
The sisters Pandrosos and Herse keep
The strict command; Aglauros needs would peep,
And saw the monstrous infant, in a fright,
And call'd her sisters to the hideous sight:
A boy's soft shape did to the waste prevail,
But the boy ended in a dragon's tail.
I told the stern Minerva all that pass'd;
But for my pains, discarded and disgrac'd,
The frowning Goddess drove me from her sight,
And for her fav'rite chose the bird of night.
Be then no tell-tale; for I think my wrong
Enough to teach a bird to hold her tongue.

But you, perhaps, may think I was remov'd,
As never by the heav'nly maid belov'd:
But I was lov'd; ask Pallas if I lye;
Tho' Pallas hate me now, she won't deny:
For I, whom in a feather'd shape you view,
Was once a maid (by Heav'n the story's true)
A blooming maid, and a king's daughter too.
A crowd of lovers own'd my beauty's charms;
My beauty was the cause of all my harms;
Neptune, as on his shores I wont to rove,
Observ'd me in my walks, and fell in love.
He made his courtship, he confess'd his pain,
And offer'd force, when all his arts were vain;
Swift he pursu'd: I ran along the strand,
'Till, spent and weary'd on the sinking sand,
I shriek'd aloud, with cries I fill'd the air
To Gods and men; nor God nor man was there:
A virgin Goddess heard a virgin's pray'r.
For, as my arms I lifted to the skies,
I saw black feathers from my fingers rise;
I strove to fling my garment on the ground;
My garment turn'd to plumes, and girt me round:
My hands to beat my naked bosom try;
Nor naked bosom now nor hands had I:
Lightly I tript, nor weary as before
Sunk in the sand, but skim'd along the shore;
'Till, rising on my wings, I was preferr'd
To be the chaste Minerva's virgin bird:
Preferr'd in vain! I am now in disgrace:
Nyctimene the owl enjoys my place.

On her incestuous life I need not dwell
(In Lesbos still the horrid tale they tell),
And of her dire amours you must have heard,
For which she now does penance in a bird,
That conscious of her shame, avoids the light,
And loves the gloomy cov'ring of the night;
The birds, where-e'er she flutters, scare away
The hooting wretch, and drive her from the day."

The raven, urg'd by such impertinence,
Grew passionate, it seems, and took offence,
And curst the harmless daw; the daw withdrew:
The raven to her injur'd patron flew,
And found him out, and told the fatal truth
Of false Coronis and the favour'd youth.

The God was wroth, the colour left his look,
The wreath his head, the harp his hand forsook:
His silver bow and feather'd shafts he took,
And lodg'd an arrow in the tender breast,
That had so often to his own been prest.
Down fell the wounded nymph, and sadly groan'd,
And pull'd his arrow reeking from the wound;
And weltring in her blood, thus faintly cry'd,
"Ah cruel God! tho' I have justly dy'd,
What has, alas! my unborn infant done,
That he should fall, and two expire in one?"
This said, in agonies she fetch'd her breath.

The God dissolves in pity at her death;
He hates the bird that made her falshood known,
And hates himself for what himself had done;
The feather'd shaft, that sent her to the Fates,
And his own hand, that sent the shaft, he hates.
Fain would he heal the wound, and ease her pain,
And tries the compass of his art in vain.
Soon as he saw the lovely nymph expire,
The pile made ready, and the kindling fire.
With sighs and groans her obsequies he kept,
And, if a God could weep, the God had wept.
Her corps he kiss'd, and heav'nly incense brought,
And solemniz'd the death himself had wrought.

But lest his offspring should her fate partake,
Spight of th' immortal mixture in his make,
He ript her womb, and set the child at large,
And gave him to the centaur Chiron's charge:
Then in his fury black'd the raven o'er,
And bid him prate in his white plumes no more.

Ocyrrhoe transform'd into a Mare

Old Chiron took the babe with secret joy,
Proud of the charge of the celestial boy.
His daughter too, whom on the sandy shore
The nymph Charicle to the centaur bore,
With hair dishevel'd on her shoulders, came
To see the child, Ocyrrhoe was her name;
She knew her father's arts, and could rehearse
The depths of prophecy in sounding verse.
Once, as the sacred infant she survey'd,
The God was kindled in the raving maid,
And thus she utter'd her prophetick tale:
"Hail, great physician of the world, all-hail;
Hail, mighty infant, who in years to come
Shalt heal the nations, and defraud the tomb;
Swift be thy growth! thy triumphs unconfin'd!
Make kingdoms thicker, and increase mankind.
Thy daring art shall animate the dead,
And draw the thunder on thy guilty head:
Then shalt thou dye, but from the dark abode
Rise up victorious, and be twice a God.
And thou, my sire, not destin'd by thy birth
To turn to dust, and mix with common earth,
How wilt thou toss, and rave, and long to dye,
And quit thy claim to immortality;
When thou shalt feel, enrag'd with inward pains,
The Hydra's venom rankling in thy veins?
The Gods, in pity, shall contract thy date,
And give thee over to the pow'r of Fate."

Thus entring into destiny, the maid
The secrets of offended Jove betray'd:
More had she still to say; but now appears
Oppress'd with sobs and sighs, and drown'd in tears.
"My voice," says she, "is gone, my language fails;
Through ev'ry limb my kindred shape prevails:
Why did the God this fatal gift impart,
And with prophetick raptures swell my heart!
What new desires are these? I long to pace
O'er flow'ry meadows, and to feed on grass;
I hasten to a brute, a maid no more;
But why, alas! am I transform'd all o'er?
My sire does half a human shape retain,
And in his upper parts preserve the man."

Her tongue no more distinct complaints affords,
But in shrill accents and mis-shapen words
Pours forth such hideous wailings, as declare
The human form confounded in the mare:
'Till by degrees accomplish'd in the beast,
She neigh'd outright, and all the steed exprest.
Her stooping body on her hands is born,
Her hands are turn'd to hoofs, and shod in horn,
Her yellow tresses ruffle in a mane,
And in a flowing tail she frisks her train,
The mare was finish'd in her voice and look,
And a new name from the new figure took.

The Transformation of Battus to a Touch stone

Sore wept the centuar, and to Phoebus pray'd;
But how could Phoebus give the centaur aid?
Degraded of his pow'r by angry Jove,
In Elis then a herd of beeves he drove;
And wielded in his hand a staff of oak,
And o'er his shoulders threw the shepherd's cloak;
On sev'n compacted reeds he us'd to play,
And on his rural pipe to waste the day.

As once attentive to his pipe he play'd,
The crafty Hermes from the God convey'd
A drove, that sep'rate from their fellows stray'd.
The theft an old insidious peasant view'd
(They call'd him Battus in the neighbourhood),
Hir'd by a vealthy Pylian prince to feed
His fav'rite mares, and watch the gen'rous breed.
The thievish God suspected him, and took
The hind aside, and thus in whispers spoke:
"Discover not the theft, whoe'er thou be,
And take that milk-white heifer for thy fee."
"Go, stranger," cries the clown, "securely on,
That stone shall sooner tell," and show'd a stone.

The God withdrew, but strait return'd again,
In speech and habit like a country swain;
And cries out, "Neighbour, hast thou seen a stray
Of bullocks and of heifers pass this way?
In the recov'ry of my cattle join,
A bullock and a heifer shall be thine."
The peasant quick replies, "You'll find 'em there
In yon dark vale"; and in the vale they were.
The double bribe had his false heart beguil'd:
The God, successful in the tryal, smil'd;
"And dost thou thus betray my self to me?
Me to my self dost thou betray?" says he:
Then to a Touch stone turns the faithless spy;
And in his name records his infamy.

The Story of Aglauros, transform'd into a Statue

This done, the God flew up on high, and pass'd
O'er lofty Athens, by Minerva grac'd,
And wide Munichia, whilst his eyes survey
All the vast region that beneath him lay.

'Twas now the feast, when each Athenian maid
Her yearly homage to Minerva paid;
In canisters, with garlands cover'd o'er,
High on their heads, their mystick gifts they bore:
And now, returning in a solemn train,
The troop of shining virgins fill'd the plain.

The God well pleas'd beheld the pompous show,
And saw the bright procession pass below;
Then veer'd about, and took a wheeling flight,
And hover'd o'er them: as the spreading kite,
That smells the slaughter'd victim from on high,
Flies at a distance, if the priests are nigh,
And sails around, and keeps it in her eye:
So kept the God the virgin quire in view,
And in slow winding circles round them flew.

As Lucifer excells the meanest star,
Or, as the full-orb'd Phoebe, Lucifer;
So much did Herse all the rest outvy,
And gave a grace to the solemnity.
Hermes was fir'd, as in the clouds he hung:
So the cold bullet, that with fury slung
From Balearick engines mounts on high,
Glows in the whirl, and burns along the sky.
At length he pitch'd upon the ground, and show'd
The form divine, the features of a God.
He knew their vertue o'er a female heart,
And yet he strives to better them by art.
He hangs his mantle loose, and sets to show
The golden edging on the seam below;
Adjusts his flowing curls, and in his hand
Waves, with an air, the sleep-procuring wand;
The glitt'ring sandals to his feet applies,
And to each heel the well-trim'd pinion ties.

His ornaments with nicest art display'd,
He seeks th' apartment of the royal maid.
The roof was all with polish'd iv'ry lin'd,
That richly mix'd, in clouds of tortoise shin'd.
Three rooms, contiguous, in a range were plac'd,
The midmost by the beauteous Herse grac'd;
Her virgin sisters lodg'd on either side.
Aglauros first th' approaching God descry'd,
And, as he cross'd her chamber, ask'd his name,
And what his business was, and whence he came.
"I come," reply'd the God, "from Heav'n, to woo
Your sister, and to make an aunt of you;
I am the son and messenger of Jove;
My name is Mercury, my bus'ness love;
Do you, kind damsel, take a lover's part,
And gain admittance to your sister's heart."

She star'd him in the face with looks amaz'd,
As when she on Minerva's secret gaz'd,
And asks a mighty treasure for her hire;
And, 'till he brings it, makes the God retire.
Minerva griev'd to see the nymph succeed;
And now remembring the late impious deed,
When, disobedient to her strict command,
She touch'd the chest with an unhallow'd hand;
In big-swoln sighs her inward rage express'd,
That heav'd the rising Aegis on her breast;
Then sought out Envy in her dark abode,
Defil'd with ropy gore and clots of blood:
Shut from the winds, and from the wholesome skies,
In a deep vale the gloomy dungeon lies,
Dismal and cold, where not a beam of light
Invades the winter, or disturbs the night.

Directly to the cave her course she steer'd;
Against the gates her martial lance she rear'd;
The gates flew open, and the fiend appear'd.
A pois'nous morsel in her teeth she chew'd,
And gorg'd the flesh of vipers for her food.
Minerva loathing turn'd away her eye;
The hideous monster, rising heavily,
Came stalking forward with a sullen pace,
And left her mangled offals on the place.
Soon as she saw the goddess gay and bright,
She fetch'd a groan at such a chearful sight.
Livid and meagre were her looks, her eye
In foul distorted glances turn'd awry;
A hoard of gall her inward parts possess'd,
And spread a greenness o'er her canker'd breast;
Her teeth were brown with rust, and from her tongue,
In dangling drops, the stringy poison hung.
She never smiles but when the wretched weep,
Nor lulls her malice with a moment's sleep,
Restless in spite: while watchful to destroy,
She pines and sickens at another's joy;
Foe to her self, distressing and distrest,
She bears her own tormentor in her breast.
The Goddess gave (for she abhorr'd her sight)
A short command: "To Athens speed thy flight;
On curst Aglauros try thy utmost art,
And fix thy rankest venoms in her heart."
This said, her spear she push'd against the ground,
And mounting from it with an active bound,
Flew off to Heav'n: the hag with eyes askew
Look'd up, and mutter'd curses as she flew;
For sore she fretted, and began to grieve
At the success which she her self must give.
Then takes her staff, hung round with wreaths of thorn,
And sails along, in a black whirlwind born,
O'er fields and flow'ry meadows: where she steers
Her baneful course, a mighty blast appears,
Mildews and blights; the meadows are defac'd,
The fields, the flow'rs, and the whole years laid waste:

On mortals next, and peopled towns she falls,
And breathes a burning plague among their walls.

When Athens she beheld, for arts renown'd,
With peace made happy, and with plenty crown'd,
Scarce could the hideous fiend from tears forbear,
To find out nothing that deserv'd a tear.
Th' apartment now she enter'd, where at rest
Aglauros lay, with gentle sleep opprest.
To execute Minerva's dire command,
She stroak'd the virgin with her canker'd hand,
Then prickly thorns into her breast convey'd,
That stung to madness the devoted maid:
Her subtle venom still improves the smart,
Frets in the blood, and festers in the heart.

To make the work more sure, a scene she drew,
And plac'd before the dreaming virgin's view
Her sister's marriage, and her glorious fate:
Th' imaginary bride appears in state;
The bride-groom with unwonted beauty glows:
For envy magnifies what-e'er she shows.

Full of the dream, Aglauros pin'd away
In tears all night, in darkness all the day;
Consum'd like ice, that just begins to run,
When feebly smitten by the distant sun;
Or like unwholsome weeds, that set on fire
Are slowly wasted, and in smoke expire.
Giv'n up to envy (for in ev'ry thought
The thorns, the venom, and the vision wrought)
Oft did she call on death, as oft decreed,
Rather than see her sister's wish succeed,
To tell her awfull father what had past:
At length before the door her self she cast;
And, sitting on the ground with sullen pride,
A passage to the love-sick God deny'd.
The God caress'd, and for admission pray'd,
And sooth'd in softest words th' envenom'd maid.
In vain he sooth'd: "Begone!" the maid replies,
"Or here I keep my seat, and never rise."
"Then keep thy seat for ever," cries the God,
And touch'd the door, wide op'ning to his rod.
Fain would she rise, and stop him, but she found
Her trunk too heavy to forsake the ground;
Her joynts are all benum'd, her hands are pale,
And marble now appears in ev'ry nail.
As when a cancer in the body feeds,
And gradual death from limb to limb proceeds;
So does the chilness to each vital parte
Spread by degrees, and creeps into her heart;
'Till hard'ning ev'ry where, and speechless grown,
She sits unmov'd, and freezes to a stone.
But still her envious hue and sullen mien
Are in the sedentary figure seen.

Europa's Rape

When now the God his fury had allay'd,
And taken vengeance of the stubborn maid,
From where the bright Athenian turrets rise
He mounts aloft, and re-ascends the skies.
Jove saw him enter the sublime abodes,
And, as he mix'd among the crowd of Gods,
Beckon'd him out, and drew him from the rest,
And in soft whispers thus his will exprest.

"My trusty Hermes, by whose ready aid
Thy sire's commands are through the world convey'd.
Resume thy wings, exert their utmost force,
And to the walls of Sidon speed thy course;
There find a herd of heifers wand'ring o'er
The neighb'ring hill, and drive 'em to the shore."

Thus spoke the God, concealing his intent.
The trusty Hermes, on his message went,
And found the herd of heifers wand'ring o'er
A neighb'ring hill, and drove 'em to the shore;
Where the king's daughter, with a lovely train
Of fellow-nymphs, was sporting on the plain.

The dignity of empire laid aside,
(For love but ill agrees with kingly pride)
The ruler of the skies, the thund'ring God,
Who shakes the world's foundations with a nod,
Among a herd of lowing heifers ran,
Frisk'd in a bull, and bellow'd o'er the plain.
Large rowles of fat about his shoulders clung,
And from his neck the double dewlap hung.
His skin was whiter than the snow that lies
Unsully'd by the breath of southern skies;
Small shining horns on his curl'd forehead stand,
As turn'd and polish'd by the work-man's hand;
His eye-balls rowl'd, not formidably bright,
But gaz'd and languish'd with a gentle light.
His ev'ry look was peaceful, and exprest
The softness of the lover in the beast.

Agenor's royal daughter, as she plaid
Among the fields, the milk-white bull survey'd,
And view'd his spotless body with delight,
And at a distance kept him in her sight.
At length she pluck'd the rising flow'rs, and fed
The gentle beast, and fondly stroak'd his head.
He stood well-pleas'd to touch the charming fair,
But hardly could confine his pleasure there.
And now he wantons o'er the neighb'ring strand,
Now rowls his body on the yellow sand;
And, now perceiving all her fears decay'd,
Comes tossing forward to the royal maid;
Gives her his breast to stroke, and downward turns
His grizly brow, and gently stoops his horns.
In flow'ry wreaths the royal virgin drest
His bending horns, and kindly clapt his breast.
'Till now grown wanton and devoid of fear,
Not knowing that she prest the Thunderer,
She plac'd her self upon his back, and rode
O'er fields and meadows, seated on the God.

He gently march'd along, and by degrees
Left the dry meadow, and approach'd the seas;
Where now he dips his hoofs and wets his thighs,
Now plunges in, and carries off the prize.
The frighted nymph looks backward on the shoar,
And hears the tumbling billows round her roar;
But still she holds him fast: one hand is born
Upon his back; the other grasps a horn:
Her train of ruffling garments flies behind,
Swells in the air, and hovers in the wind.

Through storms and tempests he the virgin bore,
And lands her safe on the Dictean shore;
Where now, in his divinest form array'd,
In his true shape he captivates the maid;
Who gazes on him, and with wond'ring eyes
Beholds the new majestick figure rise,
His glowing features, and celestial light,
And all the God discover'd to her sight.

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~ Ovid, BOOK THE SECOND

,
1420:BOOK THE ELEVENTH

The Death of Orpheus

Here, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;
Soon as her frantick eye the lyrist spy'd,
See, see! the hater of our sex, she cry'd.
Then at his face her missive javelin sent,
Which whiz'd along, and brusht him as it went;
But the soft wreathes of ivy twisted round,
Prevent a deep impression of the wound.
Another, for a weapon, hurls a stone,
Which, by the sound subdu'd as soon as thrown,
Falls at his feet, and with a seeming sense
Implores his pardon for its late offence.
But now their frantick rage unbounded grows,
Turns all to madness, and no measure knows:
Yet this the charms of musick might subdue,
But that, with all its charms, is conquer'd too;
In louder strains their hideous yellings rise,
And squeaking horn-pipes eccho thro' the skies,
Which, in hoarse consort with the drum, confound
The moving lyre, and ev'ry gentle sound:
Then 'twas the deafen'd stones flew on with speed,
And saw, unsooth'd, their tuneful poet bleed.
The birds, the beasts, and all the savage crew
Which the sweet lyrist to attention drew,
Now, by the female mob's more furious rage,
Are driv'n, and forc'd to quit the shady stage.
Next their fierce hands the bard himself assail,
Nor can his song against their wrath prevail:
They flock, like birds, when in a clustring flight,
By day they chase the boding fowl of night.
So crowded amphitheatres survey
The stag, to greedy dogs a future prey.
Their steely javelins, which soft curls entwine
Of budding tendrils from the leafy vine,
For sacred rites of mild religion made,
Are flung promiscuous at the poet's head.
Those clods of earth or flints discharge, and these
Hurl prickly branches sliver'd from the trees.
And, lest their passion shou'd be unsupply'd,
The rabble crew, by chance, at distance spy'd
Where oxen, straining at the heavy yoke,
The fallow'd field with slow advances broke;
Nigh which the brawny peasants dug the soil,
Procuring food with long laborious toil.
These, when they saw the ranting throng draw near,
Quitted their tools, and fled, possest with fear.
Long spades, and rakes of mighty size were found,
Carelesly left upon the broken ground.
With these the furious lunaticks engage,
And first the lab'ring oxen feel their rage;
Then to the poet they return with speed,
Whose fate was, past prevention, now decreed:
In vain he lifts his suppliant hands, in vain
He tries, before, his never-failing strain.
And, from those sacred lips, whose thrilling sound
Fierce tygers, and insensate rocks cou'd wound,
Ah Gods! how moving was the mournful sight!
To see the fleeting soul now take its flight.
Thee the soft warblers of the feather'd kind
Bewail'd; for thee thy savage audience pin'd;
Those rocks and woods that oft thy strain had led,
Mourn for their charmer, and lament him dead;
And drooping trees their leafy glories shed.
Naids and Dryads with dishevel'd hair
Promiscuous weep, and scarfs of sable wear;
Nor cou'd the river-Gods conceal their moan,
But with new floods of tears augment their own.
His mangled limbs lay scatter'd all around,
His head, and harp a better fortune found;
In Hebrus' streams they gently roul'd along,
And sooth'd the waters with a mournful song.
Soft deadly notes the lifeless tongue inspire,
A doleful tune sounds from the floating lyre;
The hollows banks in solemn consort mourn,
And the sad strain in ecchoing groans return.
Now with the current to the sea they glide,
Born by the billows of the briny tide;
And driv'n where waves round rocky Lesbos roar,
They strand, and lodge upon Methymna's shore.

But here, when landed on the foreign soil,
A venom'd snake, the product of the isle
Attempts the head, and sacred locks embru'd
With clotted gore, and still fresh-dropping blood.
Phoebus, at last, his kind protection gives,
And from the fact the greedy monster drives:
Whose marbled jaws his impious crime atone,
Still grinning ghastly, tho' transform'd to stone.

His ghost flies downward to the Stygian shore,
And knows the places it had seen before:
Among the shadows of the pious train
He finds Eurydice, and loves again;
With pleasure views the beauteous phantom's charms,
And clasps her in his unsubstantial arms.
There side by side they unmolested walk,
Or pass their blissful hours in pleasing talk;
Aft or before the bard securely goes,
And, without danger, can review his spouse.

The Thracian Women transform'd to Trees

Bacchus, resolving to revenge the wrong,
Of Orpheus murder'd, on the madding throng,
Decreed that each accomplice dame should stand
Fix'd by the roots along the conscious land.
Their wicked feet, that late so nimbly ran
To wreak their malice on the guiltless man,
Sudden with twisted ligatures were bound,
Like trees, deep planted in the turfy ground.
And, as the fowler with his subtle gins,
His feather'd captives by the feet entwines,
That flutt'ring pant, and struggle to get loose,
Yet only closer draw the fatal noose;
So these were caught; and, as they strove in vain
To quit the place, they but encreas'd their pain.
They flounce and toil, yet find themselves controul'd;
The root, tho' pliant, toughly keeps its hold.
In vain their toes and feet they look to find,
For ev'n their shapely legs are cloath'd with rind.
One smites her thighs with a lamenting stroke,
And finds the flesh transform'd to solid oak;
Another, with surprize, and grief distrest,
Lays on above, but beats a wooden breast.
A rugged bark their softer neck invades,
Their branching arms shoot up delightful shades;
At once they seem, and are, a real grove,
With mossy trunks below, and verdant leaves above.

The Fable of Midas

Nor this suffic'd; the God's disgust remains,
And he resolves to quit their hated plains;
The vineyards of Tymole ingross his care,
And, with a better choir, he fixes there;
Where the smooth streams of clear Pactolus roll'd,
Then undistinguish'd for its sands of gold.
The satyrs with the nymphs, his usual throng,
Come to salute their God, and jovial danc'd along.
Silenus only miss'd; for while he reel'd,
Feeble with age, and wine, about the field,
The hoary drunkard had forgot his way,
And to the Phrygian clowns became a prey;
Who to king Midas drag the captive God,
While on his totty pate the wreaths of ivy nod.

Midas from Orpheus had been taught his lore,
And knew the rites of Bacchus long before.
He, when he saw his venerable guest,
In honour of the God ordain'd a feast.
Ten days in course, with each continu'd night,
Were spent in genial mirth, and brisk delight:
Then on th' eleventh, when with brighter ray
Phosphor had chac'd the fading stars away,
The king thro' Lydia's fields young Bacchus sought,
And to the God his foster-father brought.
Pleas'd with the welcome sight, he bids him soon
But name his wish, and swears to grant the boon.
A glorious offer! yet but ill bestow'd
On him whose choice so little judgment show'd.
Give me, says he (nor thought he ask'd too much),
That with my body whatsoe'er I touch,
Chang'd from the nature which it held of old,
May be converted into yellow gold.
He had his wish; but yet the God repin'd,
To think the fool no better wish could find.

But the brave king departed from the place,
With smiles of gladness sparkling in his face:
Nor could contain, but, as he took his way,
Impatient longs to make the first essay.
Down from a lowly branch a twig he drew,
The twig strait glitter'd with a golden hue:
He takes a stone, the stone was turn'd to gold;
A clod he touches, and the crumbling mold
Acknowledg'd soon the great transforming pow'r,
In weight and substance like a mass of ore.
He pluck'd the corn, and strait his grasp appears
Fill'd with a bending tuft of golden ears.
An apple next he takes, and seems to hold
The bright Hesperian vegetable gold.
His hand he careless on a pillar lays.
With shining gold the fluted pillars blaze:
And while he washes, as the servants pour,
His touch converts the stream to Danae's show'r.

To see these miracles so finely wrought,
Fires with transporting joy his giddy thought.
The ready slaves prepare a sumptuous board,
Spread with rich dainties for their happy lord;
Whose pow'rful hands the bread no sooner hold,
But its whole substance is transform'd to gold:
Up to his mouth he lifts the sav'ry meat,
Which turns to gold as he attempts to eat:
His patron's noble juice of purple hue,
Touch'd by his lips, a gilded cordial grew;
Unfit for drink, and wondrous to behold,
It trickles from his jaws a fluid gold.

The rich poor fool, confounded with surprize,
Starving in all his various plenty lies:
Sick of his wish, he now detests the pow'r,
For which he ask'd so earnestly before;
Amidst his gold with pinching famine curst;
And justly tortur'd with an equal thirst.
At last his shining arms to Heav'n he rears,
And in distress, for refuge, flies to pray'rs.
O father Bacchus, I have sinn'd, he cry'd,
And foolishly thy gracious gift apply'd;
Thy pity now, repenting, I implore;
Oh! may I feel the golden plague no more.

The hungry wretch, his folly thus confest,
Touch'd the kind deity's good-natur'd breast;
The gentle God annull'd his first decree,
And from the cruel compact set him free.
But then, to cleanse him quite from further harm,
And to dilute the relicks of the charm,
He bids him seek the stream that cuts the land
Nigh where the tow'rs of Lydian Sardis stand;
Then trace the river to the fountain head,
And meet it rising from its rocky bed;
There, as the bubling tide pours forth amain,
To plunge his body in, and wash away the stain.
The king instructed to the fount retires,
But with the golden charm the stream inspires:
For while this quality the man forsakes,
An equal pow'r the limpid water takes;
Informs with veins of gold the neighb'ring land,
And glides along a bed of golden sand.

Now loathing wealth, th' occasion of his woes,
Far in the woods he sought a calm repose;
In caves and grottos, where the nymphs resort,
And keep with mountain Pan their sylvan court.
Ah! had he left his stupid soul behind!
But his condition alter'd not his mind.

For where high Tmolus rears his shady brow,
And from his cliffs surveys the seas below,
In his descent, by Sardis bounded here,
By the small confines of Hypaepa there,
Pan to the nymphs his frolick ditties play'd,
Tuning his reeds beneath the chequer'd shade.
The nymphs are pleas'd, the boasting sylvan plays,
And speaks with slight of great Apollo's lays.
Tmolus was arbiter; the boaster still
Accepts the tryal with unequal skill.
The venerable judge was seated high
On his own hill, that seem'd to touch the sky.
Above the whisp'ring trees his head he rears,
From their encumbring boughs to free his ears;
A wreath of oak alone his temples bound,
The pendant acorns loosely dangled round.
In me your judge, says he, there's no delay:
Then bids the goatherd God begin, and play.
Pan tun'd the pipe, and with his rural song
Pleas'd the low taste of all the vulgar throng;
Such songs a vulgar judgment mostly please,
Midas was there, and Midas judg'd with these.

The mountain sire with grave deportment now
To Phoebus turns his venerable brow:
And, as he turns, with him the listning wood
In the same posture of attention stood.
The God his own Parnassian laurel crown'd,
And in a wreath his golden tresses bound,
Graceful his purple mantle swept the ground.
High on the left his iv'ry lute he rais'd,
The lute, emboss'd with glitt'ring jewels, blaz'd
In his right hand he nicely held the quill,
His easy posture spoke a master's skill.
The strings he touch'd with more than human art,
Which pleas'd the judge's ear, and sooth'd his heart;
Who soon judiciously the palm decreed,
And to the lute postpon'd the squeaking reed.

All, with applause, the rightful sentence heard,
Midas alone dissatisfy'd appear'd;
To him unjustly giv'n the judgment seems,
For Pan's barbarick notes he most esteems.
The lyrick God, who thought his untun'd ear
Deserv'd but ill a human form to wear,
Of that deprives him, and supplies the place
With some more fit, and of an ampler space:
Fix'd on his noddle an unseemly pair,
Flagging, and large, and full of whitish hair;
Without a total change from what he was,
Still in the man preserves the simple ass.

He, to conceal the scandal of the deed,
A purple turbant folds about his head;
Veils the reproach from publick view, and fears
The laughing world would spy his monstrous ears.
One trusty barber-slave, that us'd to dress
His master's hair, when leng then'd to excess,
The mighty secret knew, but knew alone,
And, tho' impatient, durst not make it known.
Restless, at last, a private place he found,
Then dug a hole, and told it to the ground;
In a low whisper he reveal'd the case,
And cover'd in the earth, and silent left the place.

In time, of trembling reeds a plenteous crop
From the confided furrow sprouted up;
Which, high advancing with the ripening year,
Made known the tiller, and his fruitless care:
For then the rustling blades, and whisp'ring wind,
To tell th' important secret, both combin'd.

The Building of Troy

Phoebus, with full revenge, from Tmolus flies,
Darts thro' the air, and cleaves the liquid skies;
Near Hellespont he lights, and treads the plains
Where great Laomedon sole monarch reigns;
Where, built between the two projecting strands,
To Panomphaean Jove an altar stands.
Here first aspiring thoughts the king employ,
To found the lofty tow'rs of future Troy.
The work, from schemes magnificent begun,
At vast expence was slowly carry'd on:
Which Phoebus seeing, with the trident God
Who rules the swelling surges with his nod,
Assuming each a mortal shape, combine
At a set price to finish his design.
The work was built; the king their price denies,
And his injustice backs with perjuries.
This Neptune cou'd not brook, but drove the main,
A mighty deluge, o'er the Phrygian plain:
'Twas all a sea; the waters of the deep
From ev'ry vale the copious harvest sweep;
The briny billows overflow the soil,
Ravage the fields, and mock the plowman's toil.

Nor this appeas'd the God's revengeful mind,
For still a greater plague remains behind;
A huge sea-monster lodges on the sands,
And the king's daughter for his prey demands.
To him that sav'd the damsel, was decreed
A set of horses of the Sun's fine breed:
But when Alcides from the rock unty'd
The trembling fair, the ransom was deny'd.
He, in revenge, the new-built walls attack'd,
And the twice-perjur'd city bravely sack'd.
Telamon aided, and in justice shar'd
Part of the plunder as his due reward:
The princess, rescu'd late, with all her charms,
Hesione, was yielded to his arms;
For Peleus, with a Goddess-bride, was more
Proud of his spouse, than of his birth before:
Grandsons to Jove there might be more than one,
But he the Goddess had enjoy'd alone.

The Story of Thetis and Peleus

For Proteus thus to virgin Thetis said,
Fair Goddess of the waves, consent to wed,
And take some spritely lover to your bed.
A son you'll have, the terror of the field,
To whom in fame, and pow'r his sire shall yield.

Jove, who ador'd the nymph with boundless love,
Did from his breast the dangerous flame remove.
He knew the Fates, nor car'd to raise up one,
Whose fame and greatness should eclipse his own,
On happy Peleus he bestow'd her charms,
And bless'd his grandson in the Goddess' arms:

A silent creek Thessalia's coast can show;
Two arms project, and shape it like a bow;
'Twould make a bay, but the transparent tide
Does scarce the yellow-gravell'd bottom hide;
For the quick eye may thro' the liquid wave
A firm unweedy level beach perceive.
A grove of fragrant myrtle near it grows,
Whose boughs, tho' thick, a beauteous grot disclose;
The well-wrought fabrick, to discerning eyes,
Rather by art than Nature seems to rise.
A bridled dolphin oft fair Thetis bore
To this her lov'd retreat, her fav'rite shore.
Here Peleus seiz'd her, slumbring while she lay,
And urg'd his suit with all that love could say:
But when he found her obstinately coy,
Resolv'd to force her, and comm and the joy;
The nymph, o'erpowr'd, to art for succour flies
And various shapes the eager youth surprize:
A bird she seems, but plies her wings in vain,
His hands the fleeting substance still detain:
A branchy tree high in the air she grew;
About its bark his nimble arms he threw:
A tyger next she glares with flaming eyes;
The frighten'd lover quits his hold, and flies:
The sea-Gods he with sacred rites adores,
Then a libation on the ocean pours;
While the fat entrails crackle in the fire,
And sheets of smoak in sweet perfume aspire;
'Till Proteus rising from his oozy bed,
Thus to the poor desponding lover said:
No more in anxious thoughts your mind employ,
For yet you shall possess the dear expected joy.
You must once more th' unwary nymph surprize,
As in her cooly grot she slumbring lies;
Then bind her fast with unrelenting hands,
And strain her tender limbs with knotted bands.
Still hold her under ev'ry different shape,
'Till tir'd she tries no longer to escape.
Thus he: then sunk beneath the glassy flood,
And broken accents flutter'd, where he stood.

Bright Sol had almost now his journey done,
And down the steepy western convex run;
When the fair Nereid left the briny wave,
And, as she us'd, retreated to her cave.
He scarce had bound her fast, when she arose,
And into various shapes her body throws:
She went to move her arms, and found 'em ty'd;
Then with a sigh, Some God assists ye, cry'd,
And in her proper shape stood blushing by his side.
About her waiste his longing arms he flung,
From which embrace the great Achilles sprung.

The Transformation of Daedalion

Peleus unmix'd felicity enjoy'd
(Blest in a valiant son, and virtuous bride),
'Till Fortune did in blood his hands imbrue,
And his own brother by curst chance he slew:
Then driv'n from Thessaly, his native clime,
Trachinia first gave shelter to his crime;
Where peaceful Ceyx mildly fill'd the throne,
And like his sire, the morning planet, shone;
But now, unlike himself, bedew'd with tears,
Mourning a brother lost, his brow appears.
First to the town with travel spent, and care,
Peleus, and his small company repair:
His herds, and flocks the while at leisure feed,
On the rich pasture of a neighb'ring mead.
The prince before the royal presence brought,
Shew'd by the suppliant olive what he sought;
Then tells his name, and race, and country right,
But hides th' unhappy reason of his flight.
He begs the king some little town to give,
Where they may safe his faithful vassals live.
Ceyx reply'd: To all my bounty flows,
A hospitable realm your suit has chose.
Your glorious race, and far-resounding fame,
And grandsire Jove, peculiar favours claim.
All you can wish, I grant; entreaties spare;
My kingdom (would 'twere worth the sharing) share.

Tears stop'd his speech: astonish'd Peleus pleads
To know the cause from whence his grief proceeds.
The prince reply'd: There's none of ye but deems
This hawk was ever such as now it seems;
Know 'twas a heroe once, Daedalion nam'd,
For warlike deeds, and haughty valour fam'd;
Like me to that bright luminary born,
Who wakes Aurora, and brings on the morn.
His fierceness still remains, and love of blood,
Now dread of birds, and tyrant of the wood.
My make was softer, peace my greatest care;
But this my brother wholly bent on war;
Late nations fear'd, and routed armies fled
That force, which now the tim'rous pigeons dread.
A daughter he possess'd, divinely fair,
And scarcely yet had seen her fifteenth year;
Young Chione: a thousand rivals strove
To win the maid, and teach her how to love.
Phoebus, and Mercury by chance one day
From Delphi, and Cyllene past this way;
Together they the virgin saw: desire
At once warm'd both their breasts with am'rous fire.
Phoebus resolv'd to wait 'till close of day;
But Mercury's hot love brook'd no delay;
With his entrancing rod the maid he charms,
And unresisted revels in her arms.
'Twas night, and Phoebus in a beldam's dress,
To the late rifled beauty got access.
Her time compleat nine circling moons had run;
To either God she bore a lovely son:
To Mercury Autolycus she brought,
Who turn'd to thefts and tricks his subtle thought;
Possess'd he was of all his father's slight,
At will made white look black, and black look white.
Philammon born to Phoebus, like his sire,
The Muses lov'd, and finely struck the lyre,
And made his voice, and touch in harmony conspire.
In vain, fond maid, you boast this double birth,
The love of Gods, and royal father's worth,
And Jove among your ancestors rehearse!
Could blessings such as these e'er prove a curse?
To her they did, who with audacious pride,
Vain of her own, Diana's charms decry'd.
Her taunts the Goddess with resentment fill;
My face you like not, you shall try my skill.
She said; and strait her vengeful bow she strung,
And sent a shaft that pierc'd her guilty tongue:
The bleeding tongue in vain its accents tries;
In the red stream her soul reluctant flies.
With sorrow wild I ran to her relief,
And try'd to moderate my brother's grief.
He, deaf as rocks by stormy surges beat,
Loudly laments, and hears me not intreat.
When on the fun'ral pile he saw her laid,
Thrice he to rush into the flames assay'd,
Thrice with officious care by us was stay'd.
Now, mad with grief, away he fled amain,
Like a stung heifer that resents the pain,
And bellowing wildly bounds along the plain.
O'er the most rugged ways so fast he ran,
He seem'd a bird already, not a man:
He left us breathless all behind; and now
In quest of death had gain'd Parnassus' brow:
But when from thence headlong himself he threw,
He fell not, but with airy pinions flew.
Phoebus in pity chang'd him to a fowl,
Whose crooked beak and claws the birds controul,
Little of bulk, but of a warlike soul.
A hawk become, the feather'd race's foe,
He tries to case his own by other's woe.

A Wolf turn'd into Marble

While they astonish'd heard the king relate
These wonders of his hapless brother's fate;
The prince's herdsman at the court arrives,
And fresh surprize to all the audience gives.
O Peleus, Peleus! dreadful news I bear,
He said; and trembled as he spoke for fear.
The worst, affrighted Peleus bid him tell,
Whilst Ceyx too grew pale with friendly zeal.
Thus he began: When Sol mid-heav'n had gain'd,
And half his way was past, and half remain'd,
I to the level shore my cattle drove,
And let them freely in the meadows rove.
Some stretch'd at length admire the watry plain,
Some crop'd the herb, some wanton swam the main.
A temple stands of antique make hard by,
Where no gilt domes, nor marble lure the eye;
Unpolish'd rafters bear its lowly height,
Hid by a grove, as ancient, from the sight.
Here Nereus, and the Nereids they adore;
I learnt it from the man who thither bore
His net, to dry it on the sunny shore.
Adjoyns a lake, inclos'd with willows round,
Where swelling waves have overflow'd the mound,
And, muddy, stagnate on the lower ground.
From thence a russling noise increasing flies,
Strikes the still shore; and frights us with surprize,
Strait a huge wolf rush'd from the marshy wood,
His jaws besmear'd with mingled foam, and blood,
Tho' equally by hunger urg'd, and rage,
His appetite he minds not to asswage;
Nought that he meets, his rabid fury spares,
But the whole herd with mad disorder tears.
Some of our men who strove to drive him thence,
Torn by his teeth, have dy'd in their defence.
The echoing lakes, the sea, and fields, and shore,
Impurpled blush with streams of reeking gore.
Delay is loss, nor have we time for thought;
While yet some few remain alive, we ought
To seize our arms, and with confederate force
Try if we so can stop his bloody course.
But Peleus car'd not for his ruin'd herd;
His crime he call'd to mind, and thence inferr'd,
That Psamathe's revenge this havock made,
In sacrifice to murder'd Phocus' shade.
The king commands his servants to their arms;
Resolv'd to go; but the loud noise alarms
His lovely queen, who from her chamber flew,
And her half-plaited hair behind her threw:
About his neck she hung with loving fears,
And now with words, and now with pleading tears,
Intreated that he'd send his men alone,
And stay himself, to save two lives in one.
Then Peleus: Your just fears, o queen, forget;
Too much the offer leaves me in your debt.
No arms against the monster I shall bear,
But the sea nymphs appease with humble pray'r.

The citadel's high turrets pierce the sky,
Which home-bound vessels, glad, from far descry;
This they ascend, and thence with sorrow ken
The mangled heifers lye, and bleeding men;
Th' inexorable ravager they view,
With blood discolour'd, still the rest pursue:
There Peleus pray'd submissive tow'rds the sea,
And deprecates the ire of injur'd Psamathe.
But deaf to all his pray'rs the nymph remain'd,
'Till Thetis for her spouse the boon obtain'd.
Pleas'd with the luxury, the furious beast,
Unstop'd, continues still his bloody feast:
While yet upon a sturdy bull he flew,
Chang'd by the nymph, a marble block he grew.
No longer dreadful now the wolf appears,
Bury'd in stone, and vanish'd like their fears.
Yet still the Fates unhappy Peleus vex'd;
To the Magnesian shore he wanders next.
Acastus there, who rul'd the peaceful clime,
Grants his request, and expiates his crime.

The Story of Ceyx and Alcyone

These prodigies affect the pious prince,
But more perplex'd with those that happen'd since,
He purposes to seek the Clarian God,
Avoiding Delphi, his more fam'd abode,
Since Phlegyan robbers made unsafe the road.
Yet could he not from her he lov'd so well,
The fatal voyage, he resolv'd, conceal;
But when she saw her lord prepar'd to part,
A deadly cold ran shiv'ring to her heart;
Her faded cheeks are chang'd to boxen hue,
And in her eyes the tears are ever new.
She thrice essay'd to speak; her accents hung,
And falt'ring dy'd unfinish'd on her tongue,
And vanish'd into sighs: with long delay
Her voice return'd, and found the wonted way.

Tell me, my lord, she said, what fault unknown
Thy once belov'd Alcyone has done?
Whither, ah, whither, is thy kindness gone!
Can Ceyx then sustain to leave his wife,
And unconcern'd forsake the sweets of life?
What can thy mind to this long journey move?
Or need'st thou absence to renew thy love?
Yet, if thou go'st by land, tho' grief possess
My soul ev'n then, my fears will be the less.
But ah! be warn'd to shun the watry way,
The face is frightful of the stormy sea:
For late I saw a-drift disjointed planks,
And empty tombs erected on the banks.
Nor let false hopes to trust betray thy mind,
Because my sire in caves constrains the wind,
Can with a breath their clam'rous rage appease,
They fear his whistle, and forsake the seas:
Not so; for once indulg'd, they sweep the main;
Deaf to the call, or hearing, hear in vain;
But bent on mischief bear the waves before,
And not content with seas, insult the shore,
When ocean, air, and Earth, at once ingage,
And rooted forests fly before their rage:
At once the clashing clouds to battel move,
And lightnings run across the fields above:
I know them well, and mark'd their rude comport,
While yet a child within my father's court:
In times of tempest they comm and alone,
And he but sits precarious on the throne:
The more I know, the more my fears augment;
And fears are oft prophetick of th' event.
But if not fears, or reasons will prevail,
If Fate has fix'd thee obstinate to sail,
Go not without thy wife, but let me bear
My part of danger with an equal share,
And present, what I suffer only fear:
Then o'er the bounding billows shall we fly,
Secure to live together, or to die.

These reasons mov'd her warlike husband's heart,
But still he held his purpose to depart:
For as he lov'd her equal to his life,
He would not to the seas expose his wife;
Nor could be wrought his voyage to refrain,
But sought by arguments to sooth her pain:
Nor these avail'd; at length he lights on one,
With which so difficult a cause he won:
My love, so short an absence cease to fear,
For by my father's holy flame I swear,
Before two moons their orb with light adorn,
If Heav'n allow me life, I will return.

This promise of so short a stay prevails;
He soon equips the ship, supplies the sails,
And gives the word to launch; she trembling views
This pomp of death, and parting tears renews:
Last with a kiss, she took a long farewel,
Sigh'd with a sad presage, and swooning fell:
While Ceyx seeks delays, the lusty crew,
Rais'd on their banks, their oars in order drew
To their broad breasts, the ship with fury flew.

The queen recover'd, rears her humid eyes,
And first her husb and on the poop espies,
Shaking his hand at distance on the main;
She took the sign, and shook her hand again.
Still as the ground recedes, contracts her view
With sharpen'd sight, 'till she no longer knew
The much-lov'd face; that comfort lost supplies
With less, and with the galley feeds her eyes;
The galley born from view by rising gales,
She follow'd with her sight the flying sails:
When ev'n the flying sails were seen no more,
Forsaken of all sight she left the shore.

Then on her bridal bed her body throws,
And sought in sleep her wearied eyes to close:
Her husband's pillow, and the widow'd part
Which once he press'd, renew'd the former smart.

And now a breeze from shoar began to blow,
The sailors ship their oars, and cease to row;
Then hoist their yards a-trip, and all their sails
Let fall, to court the wind, and catch the gales:
By this the vessel half her course had run,
Both shoars were lost to sight, when at the close
Of day a stiffer gale at east arose:
The sea grew white, the rouling waves from far,
Like heralds, first denounce the watry war.

This seen, the master soon began to cry,
Strike, strike the top-sail; let the main-sheet fly,
And furl your sails: the winds repel the sound,
And in the speaker's mouth the speech is drown'd.
Yet of their own accord, as danger taught
Each in his way, officiously they wrought;
Some stow their oars, or stop the leaky sides,
Another bolder, yet the yard bestrides,
And folds the sails; a fourth with labour laves
Th' intruding seas, and waves ejects on waves.

In this confusion while their work they ply,
The winds augment the winter of the sky,
And wage intestine wars; the suff'ring seas
Are toss'd, and mingled, as their tyrants please.
The master would command, but in despair
Of safety, stands amaz'd with stupid care,
Nor what to bid, or what forbid he knows,
Th' ungovern'd tempest to such fury grows:
Vain is his force, and vainer is his skill;
With such a concourse comes the flood of ill;
The cries of men are mix'd with rattling shrowds;
Seas dash on seas, and clouds encounter clouds:
At once from east to west, from pole to pole,
The forky lightnings flash, the roaring thunders roul.

Now waves on waves ascending scale the skies,
And in the fires above the water fries:
When yellow sands are sifted from below,
The glittering billows give a golden show:
And when the fouler bottom spews the black
The Stygian dye the tainted waters take:
Then frothy white appear the flatted seas,
And change their colour, changing their disease,
Like various fits the Trachin vessel finds,
And now sublime, she rides upon the winds;
As from a lofty summit looks from high,
And from the clouds beholds the nether sky;
Now from the depth of Hell they lift their sight,
And at a distance see superior light;
The lashing billows make a loud report,
And beat her sides, as batt'ring rams a fort:
Or as a lion bounding in his way,
With force augmented, bears against his prey,
Sidelong to seize; or unapal'd with fear,
Springs on the toils, and rushes on the spear:
So seas impell'd by winds, with added pow'r
Assault the sides, and o'er the hatches tow'r.

The planks (their pitchy cov'ring wash'd away)
Now yield; and now a yawning breach display:
The roaring waters with a hostile tide
Rush through the ruins of her gaping side.
Mean-time in sheets of rain the sky descends,
And ocean swell'd with waters upwards tends;
One rising, falling one, the Heav'ns and sea
Meet at their confines, in the middle way:
The sails are drunk with show'rs, and drop with rain,
Sweet waters mingle with the briny main.
No star appears to lend his friendly light;
Darkness, and tempest make a double night;
But flashing fires disclose the deep by turns,
And while the lightnings blaze, the water burns.

Now all the waves their scatter'd force unite,
And as a soldier foremost in the fight,
Makes way for others, and an host alone
Still presses on, and urging gains the town;
So while th' invading billows come a-breast,
The hero tenth advanc'd before the rest,
Sweeps all before him with impetuous sway,
And from the walls descends upon the prey;
Part following enter, part remain without,
With envy hear their fellows' conqu'ring shout,
And mount on others' backs, in hopes to share
The city, thus become the seat of war.

An universal cry resounds aloud,
The sailors run in heaps, a helpless crowd;
Art fails, and courage falls, no succour near;
As many waves, as many deaths appear.
One weeps, and yet despairs of late relief;
One cannot weep, his fears congeal his grief,
But stupid, with dry eyes expects his fate:
One with loud shrieks laments his lost estate,
And calls those happy whom their fun'rals wait.
This wretch with pray'rs and vows the Gods implores,
And ev'n the skies he cannot see, adores.
That other on his friends his thoughts bestows,
His careful father, and his faithful spouse.
The covetous worldling in his anxious mind,
Thinks only on the wealth he left behind.

All Ceyx his Alcyone employs,
For her he grieves, yet in her absence joys:
His wife he wishes, and would still be near,
Not her with him, but wishes him with her:
Now with last looks he seeks his native shoar,
Which Fate has destin'd him to see no more;
He sought, but in the dark tempestuous night
He knew not whither to direct his sight.
So whirl the seas, such darkness blinds the sky,
That the black night receives a deeper dye.

The giddy ship ran round; the tempest tore
Her mast, and over-board the rudder bore.
One billow mounts, and with a scornful brow,
Proud of her conquest gain'd, insults the waves below;
Nor lighter falls, than if some giant tore
Pindus and Athos with the freight they bore,
And toss'd on seas; press'd with the pond'rous blow,
Down sinks the ship within th' abyss below:
Down with the vessel sink into the main
The many, never more to rise again.
Some few on scatter'd planks, with fruitless care,
Lay hold, and swim; but while they swim, despair.

Ev'n he who late a scepter did command,
Now grasps a floating fragment in his hand;
And while he struggles on the stormy main,
Invokes his father, and his wife's, in vain.
But yet his consort is his greatest care,
Alcyone he names amidst his pray'r;
Names as a charm against the waves and wind;
Most in his mouth, and ever in his mind.
Tir'd with his toil, all hopes of safety past,
From pray'rs to wishes he descends at last;
That his dead body, wafted to the sands,
Might have its burial from her friendly hands,
As oft as he can catch a gulp of air,
And peep above the seas, he names the fair;
And ev'n when plung'd beneath, on her he raves,
Murm'ring Alcyone below the waves:
At last a falling billow stops his breath,
Breaks o'er his head, and whelms him underneath.
That night, his heav'nly form obscur'd with tears,
And since he was forbid to leave the skies,
He muffled with a cloud his mournful eyes.

Mean-time Alcyone (his fate unknown)
Computes how many nights he had been gone.
Observes the waining moon with hourly view,
Numbers her age, and wishes for a new;
Against the promis'd time provides with care,
And hastens in the woof the robes he was to wear:
And for her self employs another loom,
New-dress'd to meet her lord returning home,
Flatt'ring her heart with joys, that never were to come:

She fum'd the temples with an od'rous flame,
And oft before the sacred altars came,
To pray for him, who was an empty name.
All Pow'rs implor'd, but far above the rest
To Juno she her pious vows address'd,
Her much-lov'd lord from perils to protect,
And safe o'er seas his voyage to direct:
Then pray'd, that she might still possess his heart,
And no pretending rival share a part;
This last petition heard of all her pray'r,
The rest, dispers'd by winds, were lost in air.

But she, the Goddess of the nuptial bed,
Tir'd with her vain devotions for the dead,
Resolv'd the tainted hand should be repell'd,
Which incense offer'd, and her altar held:
Then Iris thus bespoke: Thou faithful maid,
By whom thy queen's commands are well convey'd,
Haste to the house of sleep, and bid the God
Who rules the night by visions with a nod,
Prepare a dream, in figure, and in form
Resembling him, who perish'd in the storm;
This form before Alcyone present,
To make her certain of the sad event.

Indu'd with robes of various hue she flies,
And flying draws an arch (a segment of the skies):
Then leaves her bending bow, and from the steep
Descends, to search the silent house of sleep.

The House of Sleep

Near the Cymmerians, in his dark abode,
Deep in a cavern, dwells the drowzy God;
Whose gloomy mansion nor the rising sun,
Nor setting, visits, nor the lightsome noon;
But lazy vapours round the region fly,
Perpetual twilight, and a doubtful sky:
No crowing cock does there his wings display,
Nor with his horny bill provoke the day;
Nor watchful dogs, nor the more wakeful geese,
Disturb with nightly noise the sacred peace;
Nor beast of Nature, nor the tame are nigh,
Nor trees with tempests rock'd, nor human cry;
But safe repose without an air of breath
Dwells here, and a dumb quiet next to death.

An arm of Lethe, with a gentle flow
Arising upwards from the rock below,
The palace moats, and o'er the pebbles creeps,
And with soft murmurs calls the coming sleeps.
Around its entry nodding poppies grow,
And all cool simples that sweet rest bestow;
Night from the plants their sleepy virtue drains,
And passing, sheds it on the silent plains:
No door there was th' unguarded house to keep,
On creaking hinges turn'd, to break his sleep.

But in the gloomy court was rais'd a bed,
Stuff'd with black plumes, and on an ebon-sted:
Black was the cov'ring too, where lay the God,
And slept supine, his limbs display'd abroad:
About his head fantastick visions fly,
Which various images of things supply,
And mock their forms; the leaves on trees not more,
Nor bearded ears in fields, nor sands upon the shore.

The virgin ent'ring bright, indulg'd the day
To the brown cave, and brush'd the dreams away:
The God disturb'd with this new glare of light,
Cast sudden on his face, unseal'd his sight,
And rais'd his tardy head, which sunk again,
And sinking, on his bosom knock'd his chin;
At length shook off himself, and ask'd the dame,
(And asking yawn'd) for what intent she came.

To whom the Goddess thus: O sacred rest,
Sweet pleasing sleep, of all the Pow'rs the best!
O peace of mind, repairer of decay,
Whose balms renew the limbs to labours of the day,
Care shuns thy soft approach, and sullen flies away!
Adorn a dream, expressing human form,
The shape of him who suffer'd in the storm,
And send it flitting to the Trachin court,
The wreck of wretched Ceyx to report:
Before his queen bid the pale spectre stand,
Who begs a vain relief at Juno's hand.
She said, and scarce awake her eyes could keep,
Unable to support the fumes of sleep;
But fled, returning by the way she went,
And swerv'd along her bow with swift ascent.

The God, uneasy 'till he slept again,
Resolv'd at once to rid himself of pain;
And, tho' against his custom, call'd aloud,
Exciting Morpheus from the sleepy crowd:
Morpheus, of all his numerous train, express'd
The shape of man, and imitated best;
The walk, the words, the gesture could supply,
The habit mimick, and the mein bely;
Plays well, but all his action is confin'd,
Extending not beyond our human kind.
Another, birds, and beasts, and dragons apes,
And dreadful images, and monster shapes:
This demon, Icelos, in Heav'n's high hall
The Gods have nam'd; but men Phobetor call.
A third is Phantasus, whose actions roul
On meaner thoughts, and things devoid of soul;
Earth, fruits, and flow'rs he represents in dreams,
And solid rocks unmov'd, and running streams.
These three to kings, and chiefs their scenes display,
The rest before th' ignoble commons play.
Of these the chosen Morpheus is dispatch'd;
Which done, the lazy monarch, over-watch'd,
Down from his propping elbow drops his head,
Dissolv'd in sleep, and shrinks within his bed.

Darkling the demon glides, for flight prepar'd,
So soft, that scarce his fanning wings are heard.
To Trachin, swift as thought, the flitting shade,
Thro' air his momentary journey made:
Then lays aside the steerage of his wings,
Forsakes his proper form, assumes the king's;
And pale, as death, despoil'd of his array,
Into the queen's apartment takes his way,
And stands before the bed at dawn of day:
Unmov'd his eyes, and wet his beard appears;
And shedding vain, but seeming real tears;
The briny waters dropping from his hairs.
Then staring on her with a ghastly look,
And hollow voice, he thus the queen bespoke.

Know'st thou not me? Not yet, unhappy wife?
Or are my features perish'd with my life?
Look once again, and for thy husb and lost,
Lo all that's left of him, thy husband's ghost!
Thy vows for my return were all in vain,
The stormy south o'ertook us in the main,
And never shalt thou see thy living lord again.
Bear witness, Heav'n, I call'd on thee in death,
And while I call'd, a billow stop'd my breath.
Think not, that flying fame reports my fate;
I present, I appear, and my own wreck relate.
Rise, wretched widow, rise; nor undeplor'd
Permit my soul to pass the Stygian ford;
But rise, prepar'd in black, to mourn thy perish'd lord.

Thus said the player-God; and adding art
Of voice and gesture, so perform'd his part,
She thought (so like her love the shade appears)
That Ceyx spake the words, and Ceyx shed the tears;
She groan'd, her inward soul with grief opprest,
She sigh'd, she wept, and sleeping beat her breast;
Then stretch'd her arms t' embrace his body bare;
Her clasping arms inclose but empty air:
At this, not yet awake, she cry'd, O stay;
One is our fate, and common is our way!

So dreadful was the dream, so loud she spoke,
That starting sudden up, the slumber broke:
Then cast her eyes around, in hope to view
Her vanish'd lord, and find the vision true:
For now the maids, who waited her commands,
Ran in with lighted tapers in their hands.
Tir'd with the search, not finding what she seeks,
With cruel blows she pounds her blubber'd cheeks;
Then from her beaten breast the linnen tare,
And cut the golden caul that bound her hair.
Her nurse demands the cause; with louder cries
She prosecutes her griefs, and thus replies.

No more Alcyone; she suffer'd death
With her lov'd lord, when Ceyx lost his breath:
No flatt'ry, no false comfort, give me none,
My shipwreck'd Ceyx is for ever gone:
I saw, I saw him manifest in view,
His voice, his figure, and his gestures knew:
His lustre lost, and ev'ry living grace,
Yet I retain'd the features of his face;
Tho' with pale cheeks, wet beard, and dropping hair,
None but my Ceyx could appear so fair:
I would have strain'd him with a strict embrace,
But thro' my arms he slipt, and vanish'd from the place:

There, ev'n just there he stood; and as she spoke,
Where last the spectre was she cast her look:
Fain would she hope, and gaz'd upon the ground,
If any printed footsteps might be found.

Then sigh'd, and said: This I too well foreknew,
And my prophetick fears presag'd too true:
'Twas what I begg'd, when with a bleeding heart
I took my leave, and suffer'd thee to part;
Or I to go along, or thou to stay,
Never, ah never to divide our way!
Happier for me, that all our hours assign'd
Together we had liv'd; ev'n not in death disjoin'd!
So had my Ceyx still been living here,
Or with my Ceyx I had perish'd there:
Now I die absent, in the vast profound;
And me, without my self, the seas have drown'd.
The storms were not so cruel: should I strive
To leng then life, and such a grief survive;
But neither will I strive, nor wretched thee
In death forsake, but keep thee company.
If not one common sepulchre contains
Our bodies, or one urn our last remains,
Yet Ceyx and Alcyone shall join,
Their names remember'd in one common line.

No farther voice her mighty grief affords,
For sighs come rushing in betwixt her words,
And stop'd her tongue; but what her tongue deny'd,
Soft tears, and groans, and dumb complaints supply'd.

'Twas morning; to the port she takes her way,
And stands upon the margin of the sea:
That place, that very spot of ground she sought,
Or thither by her destiny was brought,
Where last he stood: and while she sadly said,
'Twas here he left me, lingring here delay'd
His parting kiss, and there his anchors weigh'd.

Thus speaking, while her thoughts past actions trace,
And call to mind, admonish'd by the place,
Sharp at her utmost ken she cast her eyes,
And somewhat floating from afar descries:
It seems a corps a-drift to distant sight,
But at a distance who could judge aright?
It wafted nearer yet, and then she knew,
That what before she but surmis'd, was true:
A corps it was, but whose it was, unknown,
Yet mov'd, howe'er, she made the cause her own.
Took the bad omen of a shipwreck'd man,
As for a stranger wept, and thus began.

Poor wretch, on stormy seas to lose thy life,
Unhappy thou, but more thy widow'd wife;
At this she paus'd: for now the flowing tide
Had brought the body nearer to the side:
The more she looks, the more her fears increase,
At nearer sight; and she's her self the less:
Now driv'n ashore, and at her feet it lies,
She knows too much in knowing whom she sees:
Her husband's corps; at this she loudly shrieks,
'Tis he, 'tis he, she cries, and tears her cheeks,
Her hair, and vest; and stooping to the sands,
About his neck she cast her trembling hands.

And is it thus, o dearer than my life,
Thus, thus return'st thou to thy longing wife!
She said, and to the neighbouring mole she strode,
(Rais'd there to break th' incursions of the flood).

Headlong from hence to plunge her self she springs,
But shoots along, supported on her wings;
A bird new-made, about the banks she plies,
Not far from shore, and short excursions tries;
Nor seeks in air her humble flight to raise,
Content to skim the surface of the seas:
Her bill tho' slender, sends a creaking noise,
And imitates a lamentable voice.
Now lighting where the bloodless body lies,
She with a fun'ral note renews her cries:
At all her stretch, her little wings she spread,
And with her feather'd arms embrac'd the dead:
Then flick'ring to his palid lips, she strove
To print a kiss, the last essay of love.
Whether the vital touch reviv'd the dead,
Or that the moving waters rais'd his head
To meet the kiss, the vulgar doubt alone;
For sure a present miracle was shown.
The Gods their shapes to winter-birds translate,
But both obnoxious to their former fate.
Their conjugal affection still is ty'd,
And still the mournful race is multiply'd:
They bill, they tread; Alcyone compress'd,
Sev'n days sits brooding on her floating nest:
A wintry queen: her sire at length is kind,
Calms ev'ry storm, and hushes ev'ry wind;
Prepares his empire for his daughter's ease,
And for his hatching nephews smooths the seas.

Aesacus transform'd into a Cormorant

These some old man sees wanton in the air,
And praises the unhappy constant pair.
Then to his friend the long-neck'd corm'rant shows,
The former tale reviving others' woes:
That sable bird, he cries, which cuts the flood
With slender legs, was once of royal blood;
His ancestors from mighty Tros proceed,
The brave Laomedon, and Ganymede
(Whose beauty tempted Jove to steal the boy),
And Priam, hapless prince! who fell with Troy:
Himself was Hector's brother, and (had Fate
But giv'n this hopeful youth a longer date)
Perhaps had rival'd warlike Hector's worth,
Tho' on the mother's side of meaner birth;
Fair Alyxothoe, a country maid,
Bare Aesacus by stealth in Ida's shade.
He fled the noisy town, and pompous court,
Lov'd the lone hills, and simple rural sport.
And seldom to the city would resort.
Yet he no rustick clownishness profest,
Nor was soft love a stranger to his breast:
The youth had long the nymph Hesperie woo'd,
Oft thro' the thicket, or the mead pursu'd:
Her haply on her father's bank he spy'd,
While fearless she her silver tresses dry'd;
Away she fled: not stags with half such speed,
Before the prowling wolf, scud o'er the mead;
Not ducks, when they the safer flood forsake,
Pursu'd by hawks, so swift regain the lake.
As fast he follow'd in the hot career;
Desire the lover wing'd, the virgin fear.
A snake unseen now pierc'd her heedless foot;
Quick thro' the veins the venom'd juices shoot:
She fell, and 'scap'd by death his fierce pursuit;
Her lifeless body, frighted, he embrac'd,
And cry'd, Not this I dreaded, but thy haste:
O had my love been less, or less thy fear!
The victory, thus bought, is far too dear.
Accursed snake! yet I more curs'd than he!
He gave the wound; the cause was given by me.
Yet none shall say, that unreveng'd you dy'd.
He spoke; then climb'd a cliff's o'er-hanging side,
And, resolute, leap'd on the foaming tide.
Tethys receiv'd him gently on the wave;
The death he sought deny'd, and feathers gave.
Debarr'd the surest remedy of grief,
And forc'd to live, he curst th' unask'd relief.
Then on his airy pinions upward flies,
And at a second fall successless tries;
The downy plume a quick descent denies.
Enrag'd, he often dives beneath the wave,
And there in vain expects to find a grave.
His ceaseless sorrow for th' unhappy maid,
Meager'd his look, and on his spirits prey'd.
Still near the sounding deep he lives; his name
From frequent diving and emerging came.

----------------------------------------------------------------------
~ Ovid, BOOK THE ELEVENTH

,
1421:BOOK THE SIXTH

The Transformation of Arachne into a Spider

Pallas, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
Low was her birth, and small her native town,
She from her art alone obtain'd renown.
Idmon, her father, made it his employ,
To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.

Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.

The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.

Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek
A pardon for your bold presumption seek;
The Goddess will forgive. At this the maid,
With passion fir'd, her gliding shuttle stay'd;
And, darting vengeance with an angry look,
To Pallas in disguise thus fiercely spoke.

Thou doating thing, whose idle babling tongue
But too well shews the plague of living long;
Hence, and reprove, with this your sage advice,
Your giddy daughter, or your aukward neice;
Know, I despise your counsel, and am still
A woman, ever wedded to my will;
And, if your skilful Goddess better knows,
Let her accept the tryal I propose.

She does, impatient Pallas strait replies,
And, cloath'd with heavenly light, sprung from her odd disguise.

The Nymphs, and virgins of the plain adore
The awful Goddess, and confess her pow'r;
The maid alone stood unappall'd; yet show'd
A transient blush, that for a moment glow'd,
Then disappear'd; as purple streaks adorn
The opening beauties of the rosy morn;
Till Phoebus rising prevalently bright,
Allays the tincture with his silver light.
Yet she persists, and obstinately great,
In hopes of conquest hurries on her fate.
The Goddess now the challenge waves no more,
Nor, kindly good, advises as before.
Strait to their posts appointed both repair,
And fix their threaded looms with equal care:
Around the solid beam the web is ty'd,
While hollow canes the parting warp divide;
Thro' which with nimble flight the shuttles play,
And for the woof prepare a ready way;
The woof and warp unite, press'd by the toothy slay.

Thus both, their mantles button'd to their breast,
Their skilful fingers ply with willing haste,
And work with pleasure; while they chear the eye
With glowing purple of the Tyrian dye:
Or, justly intermixing shades with light,
Their colourings insensibly unite.
As when a show'r transpierc'd with sunny rays,
Its mighty arch along the heav'n displays;
From whence a thousand diff'rent colours rise,
Whose fine transition cheats the clearest eyes;
So like the intermingled shading seems,
And only differs in the last extreams.
Then threads of gold both artfully dispose,
And, as each part in just proportion rose,
Some antique fable in their work disclose.

Pallas in figures wrought the heav'nly Pow'rs,
And Mars's hill among th' Athenian tow'rs.
On lofty thrones twice six celestials sate,
Jove in the midst, and held their warm debate;
The subject weighty, and well-known to fame,
From whom the city shou'd receive its name.
Each God by proper features was exprest,
Jove with majestick mein excell'd the rest.
His three-fork'd mace the dewy sea-God shook,
And, looking sternly, smote the ragged rock;
When from the stone leapt forth a spritely steed,
And Neptune claims the city for the deed.

Herself she blazons, with a glitt'ring spear,
And crested helm that veil'd her braided hair,
With shield, and scaly breast-plate, implements of war.
Struck with her pointed launce, the teeming Earth
Seem'd to produce a new surprizing birth;
When, from the glebe, the pledge of conquest sprung,
A tree pale-green with fairest olives hung.

And then, to let her giddy rival learn
What just rewards such boldness was to earn,
Four tryals at each corner had their part,
Design'd in miniature, and touch'd with art.
Haemus in one, and Rodope of Thrace
Transform'd to mountains, fill'd the foremost place;
Who claim'd the titles of the Gods above,
And vainly us'd the epithets of Jove.
Another shew'd, where the Pigmaean dame,
Profaning Juno's venerable name,
Turn'd to an airy crane, descends from far,
And with her Pigmy subjects wages war.
In a third part, the rage of Heav'n's great queen,
Display'd on proud Antigone, was seen:
Who with presumptuous boldness dar'd to vye,
For beauty with the empress of the sky.
Ah! what avails her ancient princely race,
Her sire a king, and Troy her native place:
Now, to a noisy stork transform'd, she flies,
And with her whiten'd pinions cleaves the skies.
And in the last remaining part was drawn
Poor Cinyras that seem'd to weep in stone;
Clasping the temple steps, he sadly mourn'd
His lovely daughters, now to marble turn'd.
With her own tree the finish'd piece is crown'd,
And wreaths of peaceful olive all the work surround.

Arachne drew the fam'd intrigues of Jove,
Chang'd to a bull to gratify his love;
How thro' the briny tide all foaming hoar,
Lovely Europa on his back he bore.
The sea seem'd waving, and the trembling maid
Shrunk up her tender feet, as if afraid;
And, looking back on the forsaken strand,
To her companions wafts her distant hand.
Next she design'd Asteria's fabled rape,
When Jove assum'd a soaring eagle's shape:
And shew'd how Leda lay supinely press'd,
Whilst the soft snowy swan sate hov'ring o'er her breast,

How in a satyr's form the God beguil'd,
When fair Antiope with twins he fill'd.
Then, like Amphytrion, but a real Jove,
In fair Alcmena's arms he cool'd his love.
In fluid gold to Danae's heart he came,
Aegina felt him in a lambent flame.
He took Mnemosyne in shepherd's make,
And for Deois was a speckled snake.

She made thee, Neptune, like a wanton steer,
Pacing the meads for love of Arne dear;
Next like a stream, thy burning flame to slake,
And like a ram, for fair Bisaltis' sake.
Then Ceres in a steed your vigour try'd,
Nor cou'd the mare the yellow Goddess hide.
Next, to a fowl transform'd, you won by force
The snake-hair'd mother of the winged horse;
And, in a dolphin's fishy form, subdu'd
Melantho sweet beneath the oozy flood.

All these the maid with lively features drew,
And open'd proper landskips to the view.
There Phoebus, roving like a country swain,
Attunes his jolly pipe along the plain;
For lovely Isse's sake in shepherd's weeds,
O'er pastures green his bleating flock he feeds,
There Bacchus, imag'd like the clust'ring grape,
Melting bedrops Erigone's fair lap;
And there old Saturn, stung with youthful heat,
Form'd like a stallion, rushes to the feat.
Fresh flow'rs, which twists of ivy intertwine,
Mingling a running foliage, close the neat design.

This the bright Goddess passionately mov'd,
With envy saw, yet inwardly approv'd.
The scene of heav'nly guilt with haste she tore,
Nor longer the affront with patience bore;
A boxen shuttle in her hand she took,
And more than once Arachne's forehead struck.
Th' unhappy maid, impatient of the wrong,
Down from a beam her injur'd person hung;
When Pallas, pitying her wretched state,
At once prevented, and pronounc'd her fate:
Live; but depend, vile wretch, the Goddess cry'd,
Doom'd in suspence for ever to be ty'd;
That all your race, to utmost date of time,
May feel the vengeance, and detest the crime.

Then, going off, she sprinkled her with juice,
Which leaves of baneful aconite produce.
Touch'd with the pois'nous drug, her flowing hair
Fell to the ground, and left her temples bare;
Her usual features vanish'd from their place,
Her body lessen'd all, but most her face.
Her slender fingers, hanging on each side
With many joynts, the use of legs supply'd:
A spider's bag the rest, from which she gives
A thread, and still by constant weaving lives.

The Story of Niobe

Swift thro' the Phrygian towns the rumour flies,
And the strange news each female tongue employs:
Niobe, who before she married knew
The famous nymph, now found the story true;
Yet, unreclaim'd by poor Arachne's fate,
Vainly above the Gods assum'd a state.
Her husband's fame, their family's descent,
Their pow'r, and rich dominion's wide extent,
Might well have justify'd a decent pride;
But not on these alone the dame rely'd.
Her lovely progeny, that far excell'd,
The mother's heart with vain ambition swell'd:
The happiest mother not unjustly styl'd,
Had no conceited thoughts her tow'ring fancy fill'd.

For once a prophetess with zeal inspir'd,
Their slow neglect to warm devotion fir'd;
Thro' ev'ry street of Thebes who ran possess'd,
And thus in accents wild her charge express'd:
Haste, haste, ye Theban matrons, and adore,
With hallow'd rites, Latona's mighty pow'r;
And, to the heav'nly twins that from her spring,
With laurel crown'd, your smoaking incense bring.
Strait the great summons ev'ry dame obey'd,
And due submission to the Goddess paid:
Graceful, with laurel chaplets dress'd, they came,
And offer'd incense in the sacred flame.

Mean-while, surrounded with a courtly guard,
The royal Niobe in state appear'd;
Attir'd in robes embroider'd o'er with gold,
And mad with rage, yet lovely to behold:
Her comely tresses, trembling as she stood,
Down her fine neck with easy motion flow'd;
Then, darting round a proud disdainful look,
In haughty tone her hasty passion broke,
And thus began: What madness this, to court
A Goddess, founded meerly on report?
Dare ye a poor pretended Pow'r invoke,
While yet no altars to my godhead smoke?
Mine, whose immediate lineage stands confess'd
From Tantalus, the only mortal guest
That e'er the Gods admitted to their feast.
A sister of the Pleiads gave me birth;
And Atlas, mightiest mountain upon Earth,
Who bears the globe of all the stars above,
My grandsire was, and Atlas sprung from Jove.
The Theban towns my majesty adore,
And neighb'ring Phrygia trembles at my pow'r:
Rais'd by my husband's lute, with turrets crown'd,
Our lofty city stands secur'd around.
Within my court, where-e'er I turn my eyes,
Unbounded treasures to my prospect rise:
With these my face I modestly may name,
As not unworthy of so high a claim;
Seven are my daughters, of a form divine,
With seven fair sons, an indefective line.
Go, fools! consider this; and ask the cause
From which my pride its strong presumption draws;
Consider this; and then prefer to me
Caeus the Titan's vagrant progeny;
To whom, in travel, the whole spacious Earth
No room afforded for her spurious birth.
Not the least part in Earth, in Heav'n, or seas,
Would grant your out-law'd Goddess any ease:
'Till pitying hers, from his own wand'ring case,
Delos, the floating island, gave a place.
There she a mother was, of two at most;
Only the seventh part of what I boast.
My joys all are beyond suspicion fix'd;
With no pollutions of misfortune mix'd;
Safe on the Basis of my pow'r I stand,
Above the reach of Fortune's fickle hand.
Lessen she may my inexhausted store,
And much destroy, yet still must leave me more.
Suppose it possible that some may dye
Of this my num'rous lovely progeny;
Still with Latona I might safely vye.
Who, by her scanty breed, scarce fit to name,
But just escapes the childless woman's shame.
Go then, with speed your laurel'd heads uncrown,
And leave the silly farce you have begun.

The tim'rous throng their sacred rites forbore,
And from their heads the verdant laurel tore;
Their haughty queen they with regret obey'd,
And still in gentle murmurs softly pray'd.

High, on the top of Cynthus' shady mount,
With grief the Goddess saw the base affront;
And, the abuse revolving in her breast,
The mother her twin-offspring thus addrest.

Lo I, my children, who with comfort knew
Your God-like birth, and thence my glory drew;
And thence have claim'd precedency of place
From all but Juno of the heav'nly race,
Must now despair, and languish in disgrace.
My godhead question'd, and all rites divine,
Unless you succour, banish'd from my shrine.
Nay more, the imp of Tantalus has flung
Reflections with her vile paternal tongue;
Has dar'd prefer her mortal breed to mine,
And call'd me childless; which, just fate, may she repine!

When to urge more the Goddess was prepar'd,
Phoebus in haste replies, Too much we've heard,
And ev'ry moment's lost, while vengeance is defer'd.
Diana spoke the same. Then both enshroud
Their heav'nly bodies in a sable cloud;
And to the Theban tow'rs descending light,
Thro' the soft yielding air direct their flight.

Without the wall there lies a champian ground
With even surface, far extending round,
Beaten and level'd, while it daily feels
The trampling horse, and chariot's grinding wheels.
Part of proud Niobe's young rival breed,
Practising there to ride the manag'd steed,
Their bridles boss'd with gold, were mounted high
On stately furniture of Tyrian dye.
Of these, Ismenos, who by birth had been
The first fair issue of the fruitful queen,
Just as he drew the rein to guide his horse,
Around the compass of the circling course,
Sigh'd deeply, and the pangs of smart express'd,
While the shaft stuck, engor'd within his breast:
And, the reins dropping from his dying hand,
He sunk quite down, and tumbled on the sand.
Sipylus next the rattling quiver heard,
And with full speed for his escape prepar'd;
As when the pilot from the black'ning skies
A gath'ring storm of wintry rain descries,
His sails unfurl'd, and crowded all with wind,
He strives to leave the threat'ning cloud behind:
So fled the youth; but an unerring dart
O'ertook him, quick discharg'd, and sped with art;
Fix'd in his neck behind, it trembling stood,
And at his throat display'd the point besmear'd with blood

Prone, as his posture was, he tumbled o'er,
And bath'd his courser's mane with steaming gore.
Next at young Phaedimus they took their aim,
And Tantalus who bore his grandsire's name:
These, when their other exercise was done,
To try the wrestler's oily sport begun;
And, straining ev'ry nerve, their skill express'd
In closest grapple, joining breast to breast:
When from the bending bow an arrow sent,
Joyn'd as they were, thro' both their bodies went:
Both groan'd, and writhing both their limbs with pain,
They fell together bleeding on the plain;
Then both their languid eye-balls faintly roul,
And thus together brea the away their soul.
With grief Alphenor saw their doleful plight,
And smote his breast, and sicken'd at the sight;
Then to their succour ran with eager haste,
And, fondly griev'd, their stiff'ning limbs embrac'd;
But in the action falls: a thrilling dart,
By Phoebus guided, pierc'd him to the heart.
This, as they drew it forth, his midriff tore,
Its barbed point the fleshy fragments bore,
And let the soul gush out in streams of purple gore.
But Damasichthon, by a double wound,
Beardless, and young, lay gasping on the ground.
Fix'd in his sinewy ham, the steely point
Stuck thro' his knee, and pierc'd the nervous joint:
And, as he stoop'd to tug the painful dart,
Another struck him in a vital part;
Shot thro' his wezon, by the wing it hung.
The life-blood forc'd it out, and darting upward sprung,

Ilioneus, the last, with terror stands,
Lifting in pray'r his unavailing hands;
And, ignorant from whom his griefs arise,
Spare me, o all ye heav'nly Pow'rs, he cries:
Phoebus was touch'd too late, the sounding bow
Had sent the shaft, and struck the fatal blow;
Which yet but gently gor'd his tender side,
So by a slight and easy wound he dy'd.

Swift to the mother's ears the rumour came,
And doleful sighs the heavy news proclaim;
With anger and surprize inflam'd by turns,
In furious rage her haughty stomach burns:
First she disputes th' effects of heav'nly pow'r,
Then at their daring boldness wonders more;
For poor Amphion with sore grief distrest,
Hoping to sooth his cares by endless rest,
Had sheath'd a dagger in his wretched breast.
And she, who toss'd her high disdainful head,
When thro' the streets in solemn pomp she led
The throng that from Latona's altar fled,
Assuming state beyond the proudest queen;
Was now the miserablest object seen.
Prostrate among the clay-cold dead she fell,
And kiss'd an undistinguish'd last farewel.
Then her pale arms advancing to the skies,
Cruel Latona! triumph now, she cries.
My grieving soul in bitter anguish drench,
And with my woes your thirsty passion quench;
Feast your black malice at a price thus dear,
While the sore pangs of sev'n such deaths I bear.
Triumph, too cruel rival, and display
Your conqu'ring standard; for you've won the day.
Yet I'll excel; for yet, tho' sev'n are slain,
Superior still in number I remain.
Scarce had she spoke; the bow-string's twanging sound
Was heard, and dealt fresh terrors all around;
Which all, but Niobe alone, confound.
Stunn'd, and obdurate by her load of grief,
Insensible she sits, nor hopes relief.

Before the fun'ral biers, all weeping sad,
Her daughters stood, in vests of sable clad,
When one, surpriz'd, and stung with sudden smart,
In vain attempts to draw the sticking dart:
But to grim death her blooming youth resigns,
And o'er her brother's corpse her dying head reclines.
This, to asswage her mother's anguish tries,
And, silenc'd in the pious action, dies;
Shot by a secret arrow, wing'd with death,
Her fault'ring lips but only gasp'd for breath.
One, on her dying sister, breathes her last;
Vainly in flight another's hopes are plac'd:
This hiding, from her fate a shelter seeks;
That trembling stands, and fills the air with shrieks.
And all in vain; for now all six had found
Their way to death, each by a diff'rent wound.
The last, with eager care the mother veil'd,
Behind her spreading mantle close conceal'd,
And with her body guarded, as a shield.
Only for this, this youngest, I implore,
Grant me this one request, I ask no more;
O grant me this! she passionately cries:
But while she speaks, the destin'd virgin dies.

The Transformation of Niobe

Widow'd, and childless, lamentable state!
A doleful sight, among the dead she sate;
Harden'd with woes, a statue of despair,
To ev'ry breath of wind unmov'd her hair;
Her cheek still red'ning, but its colour dead,
Faded her eyes, and set within her head.
No more her pliant tongue its motion keeps,
But stands congeal'd within her frozen lips.
Stagnate, and dull, within her purple veins,
Its current stop'd, the lifeless blood remains.
Her feet their usual offices refuse,
Her arms, and neck their graceful gestures lose:
Action, and life from ev'ry part are gone,
And ev'n her entrails turn to solid stone;
Yet still she weeps, and whirl'd by stormy winds,
Born thro' the air, her native country finds;
There fix'd, she stands upon a bleaky hill,
There yet her marble cheeks eternal tears distil.

The Peasants of Lycia transform'd to Frogs

Then all, reclaim'd by this example, show'd
A due regard for each peculiar God:
Both men, and women their devoirs express'd,
And great Latona's awful pow'r confess'd.
Then, tracing instances of older time,
To suit the nature of the present crime,
Thus one begins his tale.- Where Lycia yields
A golden harvest from its fertile fields,
Some churlish peasants, in the days of yore,
Provok'd the Goddess to exert her pow'r.
The thing indeed the meanness of the place
Has made obscure, surprizing as it was;
But I my self once happen'd to behold
This famous lake of which the story's told.
My father then, worn out by length of days,
Nor able to sustain the tedious ways,
Me with a guide had sent the plains to roam,
And drive his well-fed stragling heifers home.
Here, as we saunter'd thro' the verdant meads,
We spy'd a lake o'er-grown with trembling reeds,
Whose wavy tops an op'ning scene disclose,
From which an antique smoaky altar rose.
I, as my susperstitious guide had done,
Stop'd short, and bless'd my self, and then went on;
Yet I enquir'd to whom the altar stood,
Faunus, the Naids, or some native God?
No silvan deity, my friend replies,
Enshrin'd within this hallow'd altar lies.
For this, o youth, to that fam'd Goddess stands,
Whom, at th' imperial Juno's rough commands,
Of ev'ry quarter of the Earth bereav'd,
Delos, the floating isle, at length receiv'd.
Who there, in spite of enemies, brought forth,
Beneath an olive's shade, her great twin-birth.

Hence too she fled the furious stepdame's pow'r,
And in her arms a double godhead bore;
And now the borders of fair Lycia gain'd,
Just when the summer solstice parch'd the land.
With thirst the Goddess languishing, no more
Her empty'd breast would yield its milky store;
When, from below, the smiling valley show'd
A silver lake that in its bottom flow'd:
A sort of clowns were reaping, near the bank,
The bending osier, and the bullrush dank;
The cresse, and water-lilly, fragrant weed,
Whose juicy stalk the liquid fountains feed.
The Goddess came, and kneeling on the brink,
Stoop'd at the fresh repast, prepar'd to drink.
Then thus, being hinder'd by the rabble race,
In accents mild expostulates the case.
Water I only ask, and sure 'tis hard
From Nature's common rights to be debar'd:
This, as the genial sun, and vital air,
Should flow alike to ev'ry creature's share.
Yet still I ask, and as a favour crave,
That which, a publick bounty, Nature gave.
Nor do I seek my weary limbs to drench;
Only, with one cool draught, my thirst I'd quench.
Now from my throat the usual moisture dries,
And ev'n my voice in broken accents dies:
One draught as dear as life I should esteem,
And water, now I thirst, would nectar seem.
Oh! let my little babes your pity move,
And melt your hearts to charitable love;
They (as by chance they did) extend to you
Their little hands, and my request pursue.

Whom would these soft perswasions not subdue,
Tho' the most rustick, and unmanner'd crew?
Yet they the Goddess's request refuse,
And with rude words reproachfully abuse:
Nay more, with spiteful feet the villains trod
O'er the soft bottom of the marshy flood,
And blacken'd all the lake with clouds of rising mud.

Her thirst by indignation was suppress'd;
Bent on revenge, the Goddess stood confess'd.
Her suppliant hands uplifting to the skies,
For a redress, to Heav'n she now applies.
And, May you live, she passionately cry'd,
Doom'd in that pool for ever to abide.

The Goddess has her wish; for now they chuse
To plunge, and dive among the watry ooze;
Sometimes they shew their head above the brim,
And on the glassy surface spread to swim;
Often upon the bank their station take,
Then spring, and leap into the cooly lake.
Still, void of shame, they lead a clam'rous life,
And, croaking, still scold on in endless strife;
Compell'd to live beneath the liquid stream,
Where still they quarrel, and attempt to skream.
Now, from their bloated throat, their voice puts on
Imperfect murmurs in a hoarser tone;
Their noisy jaws, with bawling now grown wide,
An ugly sight! extend on either side:
Their motly back, streak'd with a list of green,
Joyn'd to their head, without a neck is seen;
And, with a belly broad and white, they look
Meer frogs, and still frequent the muddy brook.

The Fate of Marsyas

Scarce had the man this famous story told,
Of vengeance on the Lycians shown of old,
When strait another pictures to their view
The Satyr's fate, whom angry Phoebus slew;
Who, rais'd with high conceit, and puff'd with pride,
At his own pipe the skilful God defy'd.
Why do you tear me from my self, he cries?
Ah cruel! must my skin be made the prize?
This for a silly pipe? he roaring said,
Mean-while the skin from off his limbs was flay'd.
All bare, and raw, one large continu'd wound,
With streams of blood his body bath'd the ground.
The blueish veins their trembling pulse disclos'd,
The stringy nerves lay naked, and expos'd;
His guts appear'd, distinctly each express'd,
With ev'ry shining fibre of his breast.

The Fauns, and Silvans, with the Nymphs that rove
Among the Satyrs in the shady grove;
Olympus, known of old, and ev'ry swain
That fed, or flock, or herd upon the plain,
Bewail'd the loss; and with their tears that flow'd,
A kindly moisture on the earth bestow'd;
That soon, conjoyn'd, and in a body rang'd,
Sprung from the ground, to limpid water chang'd;
Which, down thro' Phrygia's rocks, a mighty stream,
Comes tumbling to the sea, and Marsya is its name.

The Story of Pelops

From these relations strait the people turn
To present truths, and lost Amphion mourn:
The mother most was blam'd, yet some relate
That Pelops pity'd, and bewail'd her fate,
And stript his cloaths, and laid his shoulder bare,
And made the iv'ry miracle appear.
This shoulder, from the first, was form'd of flesh,
As lively as the other, and as fresh;
But, when the youth was by his father slain,
The Gods restor'd his mangled limbs again;
Only that place which joins the neck and arm,
The rest untouch'd, was found to suffer harm:
The loss of which an iv'ry piece sustain'd;
And thus the youth his limbs, and life regain'd.

The Story of Tereus, Procne, and Philomela

To Thebes the neighb'ring princes all repair,
And with condolance the misfortune share.
Each bord'ring state in solemn form address'd,
And each betimes a friendly grief express'd.
Argos, with Sparta's, and Mycenae's towns,
And Calydon, yet free from fierce Diana's frowns.
Corinth for finest brass well fam'd of old,
Orthomenos for men of courage bold:
Cleonae lying in the lowly dale,
And rich Messene with its fertile vale:
Pylos, for Nestor's City after fam'd,
And Troezen, not as yet from Pittheus nam'd.
And those fair cities, which are hem'd around
By double seas within the Isthmian ground;
And those, which farther from the sea-coast stand,
Lodg'd in the bosom of the spacious land.

Who can believe it? Athens was the last:
Tho' for politeness fam'd for ages past.
For a strait siege, which then their walls enclos'd,
Such acts of kind humanity oppos'd:
And thick with ships, from foreign nations bound,
Sea-ward their city lay invested round.

These, with auxiliar forces led from far,
Tereus of Thrace, brave, and inur'd to war,
Had quite defeated, and obtain'd a name,
The warrior's due, among the sons of Fame.
This, with his wealth, and pow'r, and ancient line,
From Mars deriv'd, Pandions's thoughts incline
His daughter Procne with the prince to joyn.

Nor Hymen, nor the Graces here preside,
Nor Juno to befriend the blooming bride;
But Fiends with fun'ral brands the process led,
And Furies waited at the Genial bed:
And all night long the scrieching owl aloof,
With baleful notes, sate brooding o'er the roof.
With such ill Omens was the match begun,
That made them parents of a hopeful son.
Now Thrace congratulates their seeming joy,
And they, in thankful rites, their minds employ.
If the fair queen's espousals pleas'd before,
Itys, the new-born prince, now pleases more;
And each bright day, the birth, and bridal feast,
Were kept with hallow'd pomp above the rest.
So far true happiness may lye conceal'd,
When, by false lights, we fancy 'tis reveal'd!

Now, since their nuptials, had the golden sun
Five courses round his ample zodiac run;
When gentle Procne thus her lord address'd,
And spoke the secret wishes of her breast:
If I, she said, have ever favour found,
Let my petition with success be crown'd:
Let me at Athens my dear sister see,
Or let her come to Thrace, and visit me.
And, lest my father should her absence mourn,
Promise that she shall make a quick return.
With thanks I'd own the obligation due
Only, o Tereus, to the Gods, and you.

Now, ply'd with oar, and sail at his command,
The nimble gallies reach'd th' Athenian land,
And anchor'd in the fam'd Piraean bay,
While Tereus to the palace takes his way;
The king salutes, and ceremonies past,
Begins the fatal embassy at last;
The occasion of his voyage he declares,
And, with his own, his wife's request prefers:
Asks leave that, only for a little space,
Their lovely sister might embark for Thrace.

Thus while he spoke, appear'd the royal maid,
Bright Philomela, splendidly array'd;
But most attractive in her charming face,
And comely person, turn'd with ev'ry grace:
Like those fair Nymphs, that are describ'd to rove
Across the glades, and op'nings of the grove;
Only that these are dress'd for silvan sports,
And less become the finery of courts.

Tereus beheld the virgin, and admir'd,
And with the coals of burning lust was fir'd:
Like crackling stubble, or the summer hay,
When forked lightnings o'er the meadows play.
Such charms in any breast might kindle love,
But him the heats of inbred lewdness move;
To which, tho' Thrace is naturally prone,
Yet his is still superior, and his own.
Strait her attendants he designs to buy,
And with large bribes her governess would try:
Herself with ample gifts resolves to bend,
And his whole kingdom in th' attempt expend:
Or, snatch'd away by force of arms, to bear,
And justify the rape with open war.
The boundless passion boils within his breast,
And his projecting soul admits no rest.

And now, impatient of the least delay,
By pleading Procne's cause, he speeds his way:
The eloquence of love his tongue inspires,
And, in his wife's, he speaks his own desires;
Hence all his importunities arise,
And tears unmanly trickle from his eyes.

Ye Gods! what thick involving darkness blinds
The stupid faculties of mortal minds!
Tereus the credit of good-nature gains
From these his crimes; so well the villain feigns.
And, unsuspecting of his base designs,
In the request fair Philomela joyns;
Her snowy arms her aged sire embrace,
And clasp his neck with an endearing grace:
Only to see her sister she entreats,
A seeming blessing, which a curse compleats.
Tereus surveys her with a luscious eye,
And in his mind forestalls the blissful joy:
Her circling arms a scene of lust inspire,
And ev'ry kiss foments the raging fire.
Fondly he wishes for the father's place,
To feel, and to return the warm embrace;
Since not the nearest ties of filial blood
Would damp his flame, and force him to be good.

At length, for both their sakes, the king agrees;
And Philomela, on her bended knees,
Thanks him for what her fancy calls success,
When cruel fate intends her nothing less.

Now Phoebus, hastning to ambrosial rest,
His fiery steeds drove sloping down the west:
The sculptur'd gold with sparkling wines was fill'd,
And, with rich meats, each chearful table smil'd.
Plenty, and mirth the royal banquet close,
Then all retire to sleep, and sweet repose.
But the lewd monarch, tho' withdrawn apart,
Still feels love's poison rankling in his heart:
Her face divine is stamp'd within his breast,
Fancy imagines, and improves the rest:
And thus, kept waking by intense desire,
He nourishes his own prevailing fire.

Next day the good old king for Tereus sends,
And to his charge the virgin recommends;
His hand with tears th' indulgent father press'd,
Then spoke, and thus with tenderness address'd.

Since the kind instances of pious love,
Do all pretence of obstacle remove;
Since Procne's, and her own, with your request,
O'er-rule the fears of a paternal breast;
With you, dear son, my daughter I entrust,
And by the Gods adjure you to be just;
By truth, and ev'ry consanguineal tye,
To watch, and guard her with a father's eye.
And, since the least delay will tedious prove,
In keeping from my sight the child I love,
With speed return her, kindly to asswage
The tedious troubles of my lingring age.
And you, my Philomel, let it suffice,
To know your sister's banish'd from my eyes;
If any sense of duty sways your mind,
Let me from you the shortest absence find.
He wept; then kiss'd his child; and while he speaks,
The tears fall gently down his aged cheeks.
Next, as a pledge of fealty, he demands,
And, with a solemn charge, conjoyns their hands;
Then to his daughter, and his grandson sends,
And by their mouth a blessing recommends;
While, in a voice with dire forebodings broke,
Sobbing, and faint, the last farewel was spoke.

Now Philomela, scarce receiv'd on board,
And in the royal gilded bark secur'd,
Beheld the dashes of the bending oar,
The ruffled sea, and the receding shore;
When strait (his joy impatient of disguise)
We've gain'd our point, the rough Barbarian cries;
Now I possess the dear, the blissful hour,
And ev'ry wish subjected to my pow'r.
Transports of lust his vicious thoughts employ,
And he forbears, with pain, th' expected joy.
His gloting eyes incessantly survey'd
The virgin beauties of the lovely maid:
As when the bold rapacious bird of Jove,
With crooked talons stooping from above,
Has snatcht, and carry'd to his lofty nest
A captive hare, with cruel gripes opprest;
Secure, with fix'd, and unrelenting eyes,
He sits, and views the helpless, trembling prize.

Their vessels now had made th' intended land,
And all with joy descend upon the strand;
When the false tyrant seiz'd the princely maid,
And to a lodge in distant woods convey'd;
Pale, sinking, and distress'd with jealous fears,
And asking for her sister all in tears.
The letcher, for enjoyment fully bent,
No longer now conceal'd his base intent;
But with rude haste the bloomy girl deflow'r'd,
Tender, defenceless, and with ease o'erpower'd.
Her piercing accents to her sire complain,
And to her absent sister, but in vain:
In vain she importunes, with doleful cries,
Each unattentive godhead of the skies.
She pants and trembles, like the bleating prey,
From some close-hunted wolf just snatch'd away;
That still, with fearful horror, looks around,
And on its flank regards the bleeding wound.
Or, as the tim'rous dove, the danger o'er,
Beholds her shining plumes besmear'd with gore,
And, tho' deliver'd from the faulcon's claw,
Yet shivers, and retains a secret awe.

But when her mind a calm reflection shar'd,
And all her scatter'd spirits were repair'd:
Torn, and disorder'd while her tresses hung,
Her livid hands, like one that mourn'd, she wrung;
Then thus, with grief o'erwhelm'd her languid eyes,
Savage, inhumane, cruel wretch! she cries;
Whom not a parent's strict commands could move,
Tho' charg'd, and utter'd with the tears of love;
Nor virgin innocence, nor all that's due
To the strong contract of the nuptial vow:
Virtue, by this, in wild confusion's laid,
And I compell'd to wrong my sister's bed;
Whilst you, regardless of your marriage oath,
With stains of incest have defil'd us both.
Tho' I deserv'd some punishment to find,
This was, ye Gods! too cruel, and unkind.
Yet, villain, to compleat your horrid guilt,
Stab here, and let my tainted blood be spilt.
Oh happy! had it come, before I knew
The curs'd embrace of vile perfidious you;
Then my pale ghost, pure from incestuous love,
Had wander'd spotless thro' th' Elysian grove.
But, if the Gods above have pow'r to know,
And judge those actions that are done below;
Unless the dreaded thunders of the sky,
Like me, subdu'd, and violated lye;
Still my revenge shall take its proper time,
And suit the baseness of your hellish crime.
My self, abandon'd, and devoid of shame,
Thro' the wide world your actions will proclaim;
Or tho' I'm prison'd in this lonely den,
Obscur'd, and bury'd from the sight of men,
My mournful voice the pitying rocks shall move,
And my complainings eccho thro' the grove.
Hear me, o Heav'n! and, if a God be there,
Let him regard me, and accept my pray'r.

Struck with these words, the tyrant's guilty breast
With fear, and anger, was, by turns, possest;
Now, with remorse his conscience deeply stung,
He drew the faulchion that beside her hung,
And first her tender arms behind her bound,
Then drag'd her by the hair along the ground.
The princess willingly her throat reclin'd,
And view'd the steel with a contented mind;
But soon her tongue the girding pinchers strain,
With anguish, soon she feels the piercing pain:
Oh father! father! would fain have spoke,
But the sharp torture her intention broke;
In vain she tries, for now the blade has cut
Her tongue sheer off, close to the trembling root.
The mangled part still quiver'd on the ground,
Murmuring with a faint imperfect sound:
And, as a serpent writhes his wounded train,
Uneasy, panting, and possess'd with pain;
The piece, while life remain'd, still trembled fast,
And to its mistress pointed to the last.

Yet, after this so damn'd, and black a deed,
Fame (which I scarce can credit) has agreed,
That on her rifled charms, still void of shame,
He frequently indulg'd his lustful flame,
At last he ventures to his Procne's sight,
Loaded with guilt, and cloy'd with long delight;
There, with feign'd grief, and false, dissembled sighs,
Begins a formal narrative of lies;
Her sister's death he artfully declares,
Then weeps, and raises credit from his tears.
Her vest, with flow'rs of gold embroider'd o'er,
With grief distress'd, the mournful matron tore,
And a beseeming suit of gloomy sable wore.
With cost, an honorary tomb she rais'd,
And thus th' imaginary ghost appeas'd.
Deluded queen! the fate of her you love,
Nor grief, nor pity, but revenge should move.

Thro' the twelve signs had pass'd the circling sun,
And round the compass of the Zodiac run;
What must unhappy Philomela do,
For ever subject to her keeper's view?
Huge walls of massy stone the lodge surround,
From her own mouth no way of speaking's found.
But all our wants by wit may be supply'd,
And art makes up, what fortune has deny'd:
With skill exact a Phrygian web she strung,
Fix'd to a loom that in her chamber hung,
Where in-wrought letters, upon white display'd,
In purple notes, her wretched case betray'd:
The piece, when finish'd, secretly she gave
Into the charge of one poor menial slave;
And then, with gestures, made him understand,
It must be safe convey'd to Procne's hand.
The slave, with speed, the queen's apartment sought,
And render'd up his charge, unknowing what he brought.
But when the cyphers, figur'd in each fold,
Her sister's melancholy story told
(Strange that she could!) with silence, she survey'd
The tragick piece, and without weeping read:
In such tumultuous haste her passions sprung,
They choak'd her voice, and quite disarm'd her tongue.
No room for female tears; the Furies rise,
Darting vindictive glances from her eyes;
And, stung with rage, she bounds from place to place,
While stern revenge sits low'ring in her face.

Now the triennial celebration came,
Observ'd to Bacchus by each Thracian dame;
When, in the privacies of night retir'd,
They act his rites, with sacred rapture fir'd:
By night, the tinkling cymbals ring around,
While the shrill notes from Rhodope resound;
By night, the queen, disguis'd, forsakes the court,
To mingle in the festival resort.
Leaves of the curling vine her temples shade,
And, with a circling wreath, adorn her head:
Adown her back the stag's rough spoils appear,
Light on her shoulder leans a cornel spear.

Thus, in the fury of the God conceal'd,
Procne her own mad headstrong passion veil'd;
Now, with her gang, to the thick wood she flies,
And with religious yellings fills the skies;
The fatal lodge, as 'twere by chance, she seeks,
And, thro' the bolted doors, an entrance breaks;
From thence, her sister snatching by the hand,
Mask'd like the ranting Bacchanalian band,
Within the limits of the court she drew,
Shading, with ivy green, her outward hue.
But Philomela, conscious of the place,
Felt new reviving pangs of her disgrace;
A shiv'ring cold prevail'd in ev'ry part,
And the chill'd blood ran trembling to her heart.

Soon as the queen a fit retirement found,
Stript of the garlands that her temples crown'd,
She strait unveil'd her blushing sister's face,
And fondly clasp'd her with a close embrace:
But, in confusion lost, th' unhappy maid,
With shame dejected, hung her drooping head,
As guilty of a crime that stain'd her sister's bed.
That speech, that should her injur'd virtue clear,
And make her spotless innocence appear,
Is now no more; only her hands, and eyes
Appeal, in signals, to the conscious skies.
In Procne's breast the rising passions boil,
And burst in anger with a mad recoil;
Her sister's ill-tim'd grief, with scorn, she blames,
Then, in these furious words her rage proclaims.

Tears, unavailing, but defer our time,
The stabbing sword must expiate the crime;
Or worse, if wit, on bloody vengeance bent,
A weapon more tormenting can invent.
O sister! I've prepar'd my stubborn heart,
To act some hellish, and unheard-of part;
Either the palace to surround with fire,
And see the villain in the flames expire;
Or, with a knife, dig out his cursed eyes,
Or, his false tongue with racking engines seize;
Or, cut away the part that injur'd you,
And, thro' a thousand wounds, his guilty soul pursue.
Tortures enough my passion has design'd,
But the variety distracts my mind.

A-while, thus wav'ring, stood the furious dame,
When Itys fondling to his mother came;
From him the cruel fatal hint she took,
She view'd him with a stern remorseless look:
Ah! but too like thy wicked sire, she said,
Forming the direful purpose in her head.
At this a sullen grief her voice supprest,
While silent passions struggle in her breast.

Now, at her lap arriv'd, the flatt'ring boy
Salutes his parent with a smiling joy:
About her neck his little arms are thrown,
And he accosts her in a pratling tone.
Then her tempestuous anger was allay'd,
And in its full career her vengeance stay'd;
While tender thoughts, in spite of passion, rise,
And melting tears disarm her threat'ning eyes.
But when she found the mother's easy heart,
Too fondly swerving from th' intended part;
Her injur'd sister's face again she view'd:
And, as by turns surveying both she stood,
While this fond boy (she said) can thus express
The moving accents of his fond address;
Why stands my sister of her tongue bereft,
Forlorn, and sad, in speechless silence left?
O Procne, see the fortune of your house!
Such is your fate, when match'd to such a spouse!
Conjugal duty, if observ'd to him,
Would change from virtue, and become a crime;
For all respect to Tereus must debase
The noble blood of great Pandion's race.

Strait at these words, with big resentment fill'd,
Furious her look, she flew, and seiz'd her child;
Like a fell tigress of the savage kind,
That drags the tender suckling of the hind
Thro' India's gloomy groves, where Ganges laves
The shady scene, and rouls his streamy waves.

Now to a close apartment they were come,
Far off retir'd within the spacious dome;
When Procne, on revengeful mischief bent,
Home to his heart a piercing ponyard sent.
Itys, with rueful cries, but all too late,
Holds out his hands, and deprecates his fate;
Still at his mother's neck he fondly aims,
And strives to melt her with endearing names;
Yet still the cruel mother perseveres,
Nor with concern his bitter anguish hears.
This might suffice; but Philomela too
Across his throat a shining curtlass drew.
Then both, with knives, dissect each quiv'ring part,
And carve the butcher'd limbs with cruel art;
Which, whelm'd in boiling cauldrons o'er the fire,
Or turn'd on spits, in steamy smoak aspire:
While the long entries, with their slipp'ry floor,
Run down in purple streams of clotted gore.

Ask'd by his wife to this inhuman feast,
Tereus unknowingly is made a guest:
Whilst she her plot the better to disguise,
Styles it some unknown mystick sacrifice;
And such the nature of the hallow'd rite,
The wife her husb and only could invite,
The slaves must all withdraw, and be debarr'd the sight.

Tereus, upon a throne of antique state,
Loftily rais'd, before the banquet sate;
And glutton like, luxuriously pleas'd,
With his own flesh his hungry maw appeas'd.
Nay, such a blindness o'er his senses falls,
That he for Itys to the table calls.
When Procne, now impatient to disclose
The joy that from her full revenge arose,
Cries out, in transports of a cruel mind,
Within your self your Itys you may find.
Still, at this puzzling answer, with surprise,
Around the room he sends his curious eyes;
And, as he still inquir'd, and call'd aloud,
Fierce Philomela, all besmear'd with blood,
Her hands with murder stain'd, her spreading hair
Hanging dishevel'd with a ghastly air,
Stept forth, and flung full in the tyrant's face
The head of Itys, goary as it was:
Nor ever so much to use her tongue,
And with a just reproach to vindicate her wrong.

The Thracian monarch from the table flings,
While with his cries the vaulted parlour rings;
His imprecations eccho down to Hell,
And rouze the snaky Furies from their Stygian cell.
One while he labours to disgorge his breast,
And free his stomach from the cursed feast;
Then, weeping o'er his lamentable doom,
He styles himself his son's sepulchral tomb.
Now, with drawn sabre, and impetuous speed,
In close pursuit he drives Pandion's breed;
Whose nimble feet spring with so swift a force
Across the fields, they seem to wing their course.
And now, on real wings themselves they raise,
And steer their airy flight by diff'rent ways;
One to the woodland's shady covert hies,
Around the smoaky roof the other flies;
Whose feathers yet the marks of murder stain,
Where stampt upon her breast, the crimson spots remain.
Tereus, through grief, and haste to be reveng'd,
Shares the like fate, and to a bird is chang'd:
Fix'd on his head, the crested plumes appear,
Long is his beak, and sharpen'd like a spear;
Thus arm'd, his looks his inward mind display,
And, to a lapwing turn'd, he fans his way.
Exceeding trouble, for his children's fate,
Shorten'd Pandion's days, and chang'd his date;
Down to the shades below, with sorrow spent,
An earlier, unexpected ghost he went.

Boreas in Love

Erechtheus next th' Athenian sceptre sway'd,
Whose rule the state with joynt consent obey'd;
So mix'd his justice with his valour flow'd,
His reign one scene of princely goodness shew'd.
Four hopeful youths, as many females bright,
Sprung from his loyns, and sooth'd him with delight.

Two of these sisters, of a lovelier air,
Excell'd the rest, tho' all the rest were fair.
Procris, to Cephalus in wedlock ty'd,
Bless'd the young silvan with a blooming bride:
For Orithyia Boreas suffer'd pain,
For the coy maid sued long, but sued in vain;
Tereus his neighbour, and his Thracian blood,
Against the match a main objection stood;
Which made his vows, and all his suppliant love,
Empty as air and ineffectual prove.

But when he found his soothing flatt'ries fail,
Nor saw his soft addresses cou'd avail;
Blust'ring with ire, he quickly has recourse
To rougher arts, and his own native force.
'Tis well, he said; such usage is my due,
When thus disguis'd by foreign ways I sue;
When my stern airs, and fierceness I disclaim,
And sigh for love, ridiculously tame;
When soft addresses foolishly I try,
Nor my own stronger remedies apply.
By force and violence I chiefly live,
By them the lowring stormy tempests drive;
In foaming billows raise the hoary deep,
Wri the knotted oaks, and sandy desarts sweep;
Congeal the falling flakes of fleecy snow,
And bruise, with ratling hall, the plains below.
I, and my brother-winds, when joyn'd above,
Thro' the waste champian of the skies we rove,
With such a boist'rous full career engage,
That Heav'n's whole concave thunders at our rage.
While, struck from nitrous clouds, fierce lightnings play,

Dart thro' the storm, and gild the gloomy day.
Or when, in subterraneous caverns pent,
My breath, against the hollow Earth, is bent,
The quaking world above, and ghosts below,
My mighty pow'r, by dear experience, know,
Tremble with fear, and dread the fatal blow.
This is the only cure to be apply'd,
Thus to Erechtheus I should be ally'd;
And thus the scornful virgin should be woo'd,
Not by intreaty, but by force subdu'd.

Boreas, in passion, spoke these huffing things,
And, as he spoke, he shook his dreadful wings;
At which, afar the shiv'ring sea was fan'd,
And the wide surface of the distant land:
His dusty mantle o'er the hills he drew,
And swept the lowly vallies, as he flew;
Then, with his yellow wings, embrac'd the maid,
And, wrapt in dusky clouds, far off convey'd.
The sparkling blaze of Love's prevailing fire
Shone brighter as he flew, and flam'd the higher.
And now the God, possess'd of his delight,
To northern Thrace pursu'd his airy flight,
Where the young ravish'd nymph became his bride,
And soon the luscious sweets of wedlock try'd.

Two lovely twins, th' effect of this embrace,
Crown their soft labours, and their nuptials grace;
Who, like their mother, beautiful, and fair,
Their father's strength, and feather'd pinions share:
Yet these, at first, were wanting, as 'tis said,
And after, as they grew, their shoulders spread.
Zethes and Calais, the pretty twins,
Remain'd unfledg'd, while smooth their beardless chins;
But when, in time, the budding silver down
Shaded their face, and on their cheeks was grown,
Two sprouting wings upon their shoulders sprung,
Like those in birds, that veil the callow young.
Then as their age advanc'd, and they began
From greener youth to ripen into man,
With Jason's Argonauts they cross'd the seas,
Embark'd in quest of the fam'd golden fleece;
There, with the rest, the first frail vessel try'd,
And boldly ventur'd on the swelling tide.

----------------------------------------------------------------------
~ Ovid, BOOK THE SIXTH

,
1422:BOOK THE SEVENTH

The Story of Medea and Jason

The Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
Meanwhile Medea, seiz'd with fierce desire,
By reason strives to quench the raging fire;
But strives in vain!- Some God (she said) withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,
And with the tragick scene my eyes prophane?
My magick's art employ, not to asswage
The Salvages, but to enflame their rage?
His earth-born foes to fiercer fury move,
And accessary to his murder prove?
The Gods forbid- But pray'rs are idle breath,
When action only can prevent his death.
Shall I betray my father, and the state,
To intercept a rambling hero's fate;
Who may sail off next hour, and sav'd from harms
By my assistance, bless another's arms?
Whilst I, not only of my hopes bereft,
But to unpity'd punishment am left.
If he is false, let the ingrateful bleed!
But no such symptom in his looks I read.
Nature wou'd ne'er have lavish'd so much grace
Upon his person, if his soul were base.
Besides, he first shall plight his faith, and swear
By all the Gods; what therefore can'st thou fear?
Medea haste, from danger set him free,
Jason shall thy eternal debtor be.
And thou, his queen, with sov'raign state enstall'd,
By Graecian dames the Kind Preserver call'd.
Hence idle dreams, by love-sick fancy bred!
Wilt thou, Medea, by vain wishes led,
To sister, brother, father bid adieu?
Forsake thy country's Gods, and country too?
My father's harsh, my brother but a child,
My sister rivals me, my country's wild;
And for its Gods, the greatest of 'em all
Inspires my breast, and I obey his call.
That great endearments I forsake, is true,
But greater far the hopes that I pursue:
The pride of having sav'd the youths of Greece
(Each life more precious than our golden fleece);
A nobler soil by me shall be possest,
I shall see towns with arts and manners blest;
And, what I prize above the world beside,
Enjoy my Jason- and when once his bride,
Be more than mortal, and to Gods ally'd.
They talk of hazards I must first sustain,
Of floating islands justling in the main;
Our tender barque expos'd to dreadful shocks
Of fierce Charybdis' gulf, and Scylla's rocks,
Where breaking waves in whirling eddies rowl,
And rav'nous dogs that in deep caverns howl:
Amidst these terrors, while I lye possest
Of him I love, and lean on Jason's breast,
In tempests unconcern'd I will appear,
Or, only for my husband's safety fear.
Didst thou say husband?- canst thou so deceive
Thy self, fond maid, and thy own cheat believe?
In vain thou striv'st to varnish o'er thy shame,
And grace thy guilt with wedlock's sacred name.
Pull off the coz'ning masque, and oh! in time
Discover and avoid the fatal crime.
She ceas'd- the Graces now, with kind surprize,
And virtue's lovely train, before her eyes
Present themselves, and vanquish'd Cupid flies.

She then retires to Hecate's shrine, that stood
Far in the covert of a shady wood:
She finds the fury of her flames asswag'd,
But, seeing Jason there, again they rag'd.
Blushes, and paleness did by turns invade
Her tender cheeks, and secret grief betray'd.
As fire, that sleeping under ashes lyes,
Fresh-blown, and rous'd, does up in blazes rise,
So flam'd the virgin's breast-
New kindled by her lover's sparkling eyes.
For chance, that day, had with uncommon grace
Adorn'd the lovely youth, and through his face
Display'd an air so pleasing as might charm
A Goddess, and a Vestal's bosom warm.
Her ravish'd eyes survey him o'er and o'er,
As some gay wonder never seen before;
Transported to the skies she seems to be,
And thinks she gazes on a deity.
But when he spoke, and prest her trembling hand,
And did with tender words her aid demand,
With vows, and oaths to make her soon his bride,
She wept a flood of tears, and thus reply'd:
I see my error, yet to ruin move,
Nor owe my fate to ignorance, but love:
Your life I'll guard, and only crave of you
To swear once more- and to your oath be true.
He swears by Hecate he would all fulfil,
And by her grandfa ther's prophetick skill,
By ev'ry thing that doubting love cou'd press,
His present danger, and desir'd success.
She credits him, and kindly does produce
Enchanted herbs, and teaches him their use:
Their mystick names, and virtues he admires,
And with his booty joyfully retires.

The Dragon's Teeth transform'd to Men

Impatient for the wonders of the day,
Aurora drives the loyt'ring stars away.
Now Mars's mount the pressing people fill,
The crowd below, the nobles crown the hill;
The king himself high-thron'd above the rest,
With iv'ry scepter, and in purple drest.

Forthwith the brass-hoof'd bulls are set at large,
Whose furious nostrils sulph'rous flame discharge:
The blasted herbage by their breath expires;
As forges rumble with excessive fires,
And furnaces with fiercer fury glow,
When water on the panting mass ye throw;
With such a noise, from their convulsive breast,
Thro' bellowing throats, the struggling vapour prest.

Yet Jason marches up without concern,
While on th' advent'rous youth the monsters turn
Their glaring eyes, and, eager to engage,
Brandish their steel-tipt horns in threatning rage:
With brazen hoofs they beat the ground, and choak
The ambient air with clouds of dust and smoak:
Each gazing Graecian for his champion shakes,
While bold advances he securely makes
Thro' sindging blasts; such wonders magick art
Can work, when love conspires, and plays his part.
The passive savages like statues stand,
While he their dew-laps stroaks with soothing hand;
To unknown yokes their brawny necks they yield,
And, like tame oxen, plow the wond'ring field.
The Colchians stare; the Graecians shout, and raise
Their champion's courage with inspiring praise.

Embolden'd now, on fresh attempts he goes,
With serpent's teeth the fertile furrows sows;
The glebe, fermenting with inchanted juice,
Makes the snake's teeth a human crop produce.
For as an infant, pris'ner to the womb,
Contented sleeps, 'till to perfection come,
Then does the cell's obscure confinement scorn,
He tosses, throbs, and presses to be born;
So from the lab'ring Earth no single birth,
But a whole troop of lusty youths rush forth;
And, what's more strange, with martial fury warm'd,
And for encounter all compleatly arm'd;
In rank and file, as they were sow'd, they stand,
Impatient for the signal of command.
No foe but the Aemonian youth appears;
At him they level their steel-pointed spears;
His frighted friends, who triumph'd, just before,
With peals of sighs his desp'rate case deplore:
And where such hardy warriors are afraid,
What must the tender, and enamour'd maid?
Her spirits sink, the blood her cheek forsook;
She fears, who for his safety undertook:
She knew the vertue of the spells she gave,
She knew the force, and knew her lover brave;
But what's a single champion to an host?
Yet scorning thus to see him tamely lost,
Her strong reserve of secret arts she brings,
And last, her never-failing song she sings.
Wonders ensue; among his gazing foes
The massy fragment of a rock he throws;
This charm in civil war engag'd 'em all;
By mutual wounds those Earth-born brothers fall.

The Greeks, transported with the strange success,
Leap from their seats the conqu'ror to caress;
Commend, and kiss, and clasp him in their arms:
So would the kind contriver of the charms;
But her, who felt the tenderest concern,
Honour condemns in secret flames to burn;
Committed to a double guard of fame,
Aw'd by a virgin's, and a princess' name.
But thoughts are free, and fancy unconfin'd,
She kisses, courts, and hugs him in her mind;
To fav'ring Pow'rs her silent thanks she gives,
By whose indulgence her lov'd hero lives.

One labour more remains, and, tho' the last,
In danger far surmounting all the past;
That enterprize by Fates in store was kept,
To make the dragon sleep that never slept,
Whose crest shoots dreadful lustre; from his jaws
A tripple tire of forked stings he draws,
With fangs, and wings of a prodigious size:
Such was the guardian of the golden prize.
Yet him, besprinkled with Lethaean dew,
The fair inchantress into slumber threw;
And then, to fix him, thrice she did repeat
The rhyme, that makes the raging winds retreat,
In stormy seas can halcyon seasons make,
Turn rapid streams into a standing lake;
While the soft guest his drowzy eye-lids seals,
Th' ungarded golden fleece the stranger steals;
Proud to possess the purchase of his toil,
Proud of his royal bride, the richer spoil;
To sea both prize, and patroness he bore,
And lands triumphant on his native shore.

Old Aeson restor'd to Youth

Aemonian matrons, who their absence mourn'd,
Rejoyce to see their prosp'rous sons return'd:
Rich curling fumes of incense feast the skies,
An hecatomb of voted victims dies,
With gilded horns, and garlands on their head,
And all the pomp of death, to th' altar led.
Congratulating bowls go briskly round,
Triumphant shouts in louder musick drown'd.
Amidst these revels, why that cloud of care
On Jason's brow? (to whom the largest share
Of mirth was due)- His father was not there.
Aeson was absent, once the young, and brave,
Now crush'd with years, and bending to the grave.
At last withdrawn, and by the crowd unseen,
Pressing her hand (with starting sighs between),
He supplicates his kind, and skilful queen.

O patroness! preserver of my life!
(Dear when my mistress, and much dearer wife)
Your favours to so vast a sum amount,
'Tis past the pow'r of numbers to recount;
Or cou'd they be to computation brought,
The history would a romance be thought:
And yet, unless you add one favour more,
Greater than all that you conferr'd before,
But not too hard for love and magick skill,
Your past are thrown away, and Jason's wretched still.
The morning of my life is just begun,
But my declining father's race is run;
From my large stock retrench the long arrears,
And add 'em to expiring Aeson's years.

Thus spake the gen'rous youth, and wept the rest.
Mov'd with the piety of his request,
To his ag'd sire such filial duty shown,
So diff'rent from her treatment of her own,
But still endeav'ring her remorse to hide,
She check'd her rising sighs, and thus reply'd.

How cou'd the thought of such inhuman wrong
Escape (said she) from pious Jason's tongue?
Does the whole world another Jason bear,
Whose life Medea can to yours prefer?
Or cou'd I with so dire a change dispence,
Hecate will never join in that offence:
Unjust is the request you make, and I
In kindness your petition shall deny;
Yet she that grants not what you do implore,
Shall yet essay to give her Jason more;
Find means t' encrease the stock of Aeson's years,
Without retrenchment of your life's arrears;
Provided that the triple Goddess join
A strong confed'rate in my bold design.

Thus was her enterprize resolv'd; but still
Three tedious nights are wanting to fulfil
The circling crescents of th' encreasing moon;
Then, in the height of her nocturnal noon,
Medea steals from court; her ankles bare,
Her garments closely girt, but loose her hair;
Thus sally'd, like a solitary sprite,
She traverses the terrors of the night.

Men, beasts, and birds in soft repose lay charm'd,
No boistrous wind the mountain-woods alarm'd;
Nor did those walks of love, the myrtle-trees,
Of am'rous Zephir hear the whisp'ring breeze;
All elements chain'd in unactive rest,
No sense but what the twinkling stars exprest;
To them (that only wak'd) she rears her arm,
And thus commences her mysterious charms.

She turn'd her thrice about, as oft she threw
On her pale tresses the nocturnal dew;
Then yelling thrice a most enormous sound,
Her bare knee bended on the flinty ground.
O night (said she) thou confident and guide
Of secrets, such as darkness ought to hide;
Ye stars and moon, that, when the sun retires,
Support his empire with succeeding fires;
And thou, great Hecate, friend to my design;
Songs, mutt'ring spells, your magick forces join;
And thou, O Earth, the magazine that yields
The midnight sorcerer drugs; skies, mountains, fields;
Ye wat'ry Pow'rs of fountain, stream, and lake;
Ye sylvan Gods, and Gods of night, awake,
And gen'rously your parts in my adventure take.

Oft by your aid swift currents I have led
Thro' wand'ring banks, back to their fountain head;
Transformed the prospect of the briny deep,
Made sleeping billows rave, and raving billows sleep;
Made clouds, or sunshine; tempests rise, or fall;
And stubborn lawless winds obey my call:
With mutter'd words disarm'd the viper's jaw;
Up by the roots vast oaks, and rocks cou'd draw,
Make forests dance, and trembling mountains come,
Like malefactors, to receive their doom;
Earth groan, and frighted ghosts forsake their tomb.
Thee, Cynthia, my resistless rhymes drew down,
When tinkling cymbals strove my voice to drown;
Nor stronger Titan could their force sustain,
In full career compell'd to stop his wain:
Nor could Aurora's virgin blush avail,
With pois'nous herbs I turn'd her roses pale;
The fury of the fiery bulls I broke,
Their stubborn necks submitting to my yoke;
And when the sons of Earth with fury burn'd,
Their hostile rage upon themselves I turn'd;
The brothers made with mutual wounds to bleed,
And by their fatal strife my lover freed;
And, while the dragon slept, to distant Greece,
Thro' cheated guards, convey'd the golden fleece.
But now to bolder action I proceed,
Of such prevailing juices now have need,
That wither'd years back to their bloom can bring,
And in dead winter raise a second spring.
And you'll perform't-
You will; for lo! the stars, with sparkling fires,
Presage as bright success to my desires:
And now another happy omen see!
A chariot drawn by dragons waits for me.

With these last words he leaps into the wain,
Stroaks the snakes' necks, and shakes the golden rein;
That signal giv'n, they mount her to the skies,
And now beneath her fruitful Tempe lies,
Whose stories she ransacks, then to Crete she flies;
There Ossa, Pelion, Othrys, Pindus, all
To the fair ravisher, a booty fall;
The tri bute of their verdure she collects,
Nor proud Olympus' height his plants protects.
Some by the roots she plucks; the tender tops
Of others with her culling sickle crops.
Nor could the plunder of the hills suffice,
Down to the humble vales, and meads she flies;
Apidanus, Amphrysus, the next rape
Sustain, nor could Enipeus' bank escape;
Thro' Beebe's marsh, and thro' the border rang'd
Whose pasture Glaucus to a Triton chang'd.

Now the ninth day, and ninth successive night,
Had wonder'd at the restless rover's flight;
Mean-while her dragons, fed with no repast,
But her exhaling simples od'rous blast,
Their tarnish'd scales, and wrinkled skins had cast.
At last return'd before her palace gate,
Quitting her chariot, on the ground she sate;
The sky her only canopy of state.
All conversation with her sex she fled,
Shun'd the caresses of the nuptial bed:
Two altars next of grassy turf she rears,
This Hecate's name, that Youth's inscription bears;
With forest-boughs, and vervain these she crown'd;
Then delves a double trench in lower ground,
And sticks a black-fleec'd ram, that ready stood,
And drench'd the ditches with devoted blood:
New wine she pours, and milk from th' udder warm,
With mystick murmurs to compleat the charm,
And subterranean deities alarm.
To the stern king of ghosts she next apply'd,
And gentle Proserpine, his ravish'd bride,
That for old Aeson with the laws of Fate
They would dispense, and leng then his short date;
Thus with repeated pray'rs she long assails
Th' infernal tyrant and at last prevails;
Then calls to have decrepit Aeson brought,
And stupifies him with a sleeping draught;
On Earth his body, like a corpse, extends,
Then charges Jason and his waiting friends
To quit the place, that no unhallow'd eye
Into her art's forbidden secrets pry.
This done, th' inchantress, with her locks unbound,
About her altars trips a frantick round;
Piece-meal the consecrated wood she splits,
And dips the splinters in the bloody pits,
Then hurles 'em on the piles; the sleeping sire
She lustrates thrice, with sulphur, water, fire.

In a large cauldron now the med'cine boils,
Compounded of her late-collected spoils,
Blending into the mesh the various pow'rs
Of wonder-working juices, roots, and flow'rs;
With gems i' th' eastern ocean's cell refin'd,
And such as ebbing tides had left behind;
To them the midnight's pearly dew she flings,
A scretch-owl's carcase, and ill boding wings;
Nor could the wizard wolf's warm entrails scape
(That wolf who counterfeits a human shape).
Then, from the bottom of her conj'ring bag,
Snakes' skins, and liver of a long-liv'd stag;
Last a crow's head to such an age arriv'd,
That he had now nine centuries surviv'd;
These, and with these a thousand more that grew
In sundry soils, into her pot she threw;
Then with a wither'd olive-bough she rakes
The bubling broth; the bough fresh verdure takes;
Green leaves at first the perish'd plant surround,
Which the next minute with ripe fruit were crown'd.
The foaming juices now the brink o'er-swell;
The barren heath, where-e'er the liquor fell,
Sprang out with vernal grass, and all the pride
Of blooming May- When this Medea spy'd,
She cuts her patient's throat; th' exhausted blood
Recruiting with her new enchanted flood;
While at his mouth, and thro' his op'ning wound,
A double inlet her infusion found;
His feeble frame resumes a youthful air,
A glossy brown his hoary beard and hair.
The meager paleness from his aspect fled,
And in its room sprang up a florid red;
Thro' all his limbs a youthful vigour flies,
His empty'd art'ries swell with fresh supplies:
Gazing spectators scarce believe their eyes.
But Aeson is the most surpriz'd to find
A happy change in body and in mind;
In sense and constitution the same man,
As when his fortieth active year began.

Bacchus, who from the clouds this wonder view'd,
Medea's method instantly pursu'd,
And his indulgent nurse's youth renew'd.

The Death of Pelias

Thus far obliging love employ'd her art,
But now revenge must act a tragick part;

Medea feigns a mortal quarrel bred
Betwixt her, and the partner of her bed;
On this pretence to Pelias' court she flies,
Who languishing with age and sickness lies:
His guiltless daughters, with inveigling wiles,
And well dissembled friendship, she beguiles:
The strange achievements of her art she tells,
With Aeson's cure, and long on that she dwells,
'Till them to firm perswasion she has won,
The same for their old father may be done:
For him they court her to employ her skill,
And put upon the cure what price she will.
At first she's mute, and with a grave pretence
Of difficulty, holds 'em in suspense;
Then promises, and bids 'em, from the fold
Chuse out a ram, the most infirm and old;
That so by fact their doubts may be remov'd,
And first on him the operation prov'd.

A wreath-horn'd ram is brought, so far o'er-grown
With years, his age was to that age unknown
Of sense too dull the piercing point to feel,
And scarce sufficient blood to stain the steel.
His carcass she into a cauldron threw,
With drugs whose vital qualities she knew;
His limbs grow less, he casts his horns, and years,
And tender bleatings strike their wond'ring ears.
Then instantly leaps forth a frisking lamb,
That seeks (too young to graze) a suckling dam.
The sisters, thus confirm'd with the success,
Her promise with renew'd entreaty press;
To countenance the cheat, three nights and days
Before experiment th' inchantress stays;
Then into limpid water, from the springs,
Weeds, and ingredients of no force she flings;
With antique ceremonies for pretence
And rambling rhymes without a word of sense.

Mean-while the king with all his guards lay bound
In magick sleep, scarce that of death so sound;
The daughters now are by the sorc'ress led
Into his chamber, and surround his bed.
Your father's health's concern'd, and can ye stay?
Unnat'ral nymphs, why this unkind delay?
Unsheath your swords, dismiss his lifeless blood,
And I'll recruit it with a vital flood:
Your father's life and health is in your hand,
And can ye thus like idle gazers stand?
Unless you are of common sense bereft,
If yet one spark of piety is left,
Dispatch a father's cure, and disengage
The monarch from his toilsome load of age:
Come- drench your weapons in his putrid gore;
'Tis charity to wound, when wounding will restore.

Thus urg'd, the poor deluded maids proceed,
Betray'd by zeal, to an inhumane deed,
And, in compassion, make a father bleed.
Yes, she who had the kindest, tend'rest heart,
Is foremost to perform the bloody part.

Yet, tho' to act the butchery betray'd,
They could not bear to see the wounds they made;
With looks averted, backward they advance,
Then strike, and stab, and leave the blows to chance.

Waking in consternation, he essays
(Weltring in blood) his feeble arms to raise:
Environ'd with so many swords- From whence
This barb'rous usage? what is my offence?
What fatal fury, what infernal charm,
'Gainst a kind father does his daughters arm?

Hearing his voice, as thunder-struck they stopt,
Their resolution, and their weapons dropt:
Medea then the mortal blow bestows,
And that perform'd, the tragick scene to close,
His corpse into the boiling cauldron throws.

Then, dreading the revenge that must ensue,
High mounted on her dragon-coach she flew;
And in her stately progress thro' the skies,
Beneath her shady Pelion first she spies,
With Othrys, that above the clouds did rise;
With skilful Chiron's cave, and neighb'ring ground,
For old Cerambus' strange escape renown'd,
By nymphs deliver'd, when the world was drown'd;
Who him with unexpected wings supply'd,
When delug'd hills a safe retreat deny'd.
Aeolian Pitane on her left hand
She saw, and there the statu'd dragon stand;
With Ida's grove, where Bacchus, to disguise
His son's bold theft, and to secure the prize,
Made the stoln steer a stag to represent;
Cocytus' father's sandy monument;
And fields that held the murder'd sire's remains,
Where howling Moera frights the startled plains.
Euryphilus' high town, with tow'rs defac'd
By Hercules, and matrons more disgrac'd
With sprouting horns, in signal punishment,
From Juno, or resenting Venus sent.
Then Rhodes, which Phoebus did so dearly prize,
And Jove no less severely did chastize;
For he the wizard native's pois'ning sight,
That us'd the farmer's hopeful crops to blight,
In rage o'erwhelm'd with everlasting night.
Cartheia's ancient walls come next in view,
Where once the sire almost a statue grew
With wonder, which a strange event did move,
His daughter turn'd into a turtle-dove.
Then Hyrie's lake, and Tempe's field o'er-ran,
Fam'd for the boy who there became a swan;
For there enamour'd Phyllius, like a slave,
Perform'd what tasks his paramour would crave.
For presents he had mountain-vultures caught,
And from the desart a tame lion brought;
Then a wild bull commanded to subdue,
The conquer'd savage by the horns he drew;
But, mock'd so oft, the treatment he disdains,
And from the craving boy this prize detains.
Then thus in choler the resenting lad:
Won't you deliver him?- You'll wish you had:
Nor sooner said, but, in a peevish mood,
Leapt from the precipice on which he stood:
The standers-by were struck with fresh surprize,
Instead of falling, to behold him rise
A snowy swan, and soaring to the skies.

But dearly the rash prank his mother cost,
Who ignorantly gave her son for lost;
For his misfortune wept, 'till she became
A lake, and still renown'd with Hyrie's name.

Thence to Latona's isle, where once were seen,
Transform'd to birds, a monarch, and his queen.
Far off she saw how old Cephisus mourn'd
His son, into a seele by Phoebus turn'd;
And where, astonish'd at a stranger sight,
Eumelus gaz'd on his wing'd daughter's flight.

Aetolian Pleuron she did next survey,
Where sons a mother's murder did essay,
But sudden plumes the matron bore away.
On her right hand, Cyllene, a fair soil,
Fair, 'till Menephron there the beauteous hill
Attempted with foul incest to defile.

Her harness'd dragons now direct she drives
For Corinth, and at Corinth she arrives;
Where, if what old tradition tells, be true,
In former ages men from mushrooms grew.

But here Medea finds her bed supply'd,
During her absence, by another bride;
And hopeless to recover her lost game,
She sets both bride and palace in a flame.
Nor could a rival's death her wrath asswage,
Nor stopt at Creon's family her rage,
She murders her own infants, in despight
To faithless Jason, and in Jason's sight;
Yet e'er his sword could reach her, up she springs,
Securely mounted on her dragon's wings.

The Story of Aegeus

From hence to Athens she directs her flight,
Where Phineus, so renown'd for doing right;
Where Periphas, and Polyphemon's neece,
Soaring with sudden plumes amaz'd the towns of Greece.

Here Aegeus so engaging she addrest,
That first he treats her like a royal guest;
Then takes the sorc'ress for his wedded wife;
The only blemish of his prudent life.

Mean-while his son, from actions of renown,
Arrives at court, but to his sire unknown.
Medea, to dispatch a dang'rous heir
(She knew him), did a pois'nous draught prepare;
Drawn from a drug, was long reserv'd in store
For desp'rate uses, from the Scythian shore;
That from the Echydnaean monster's jaws
Deriv'd its origin, and this the cause.

Thro' a dark cave a craggy passage lies,
To ours, ascending from the nether skies;
Thro' which, by strength of hand, Alcides drew
Chain'd Cerberus, who lagg'd, and restive grew,
With his blear'd eyes our brighter day to view.
Thrice he repeated his enormous yell,
With which he scares the ghosts, and startles Hell;
At last outragious (tho' compell'd to yield)
He sheds his foam in fury on the field,-
Which, with its own, and rankness of the ground,
Produc'd a weed, by sorcerers renown'd,
The strongest constitution to confound;
Call'd Aconite, because it can unlock
All bars, and force its passage thro' a rock.

The pious father, by her wheedles won,
Presents this deadly potion to his son;
Who, with the same assurance takes the cup,
And to the monarch's health had drank it up,
But in the very instant he apply'd
The goblet to his lips, old Aegeus spy'd
The iv'ry hilted sword that grac'd his side.
That certain signal of his son he knew,
And snatcht the bowl away; the sword he drew,
Resolv'd, for such a son's endanger'd life,
To sacrifice the most perfidious wife.
Revenge is swift, but her more active charms
A whirlwind rais'd, that snatch'd her from his arms.
While conjur'd clouds their baffled sense surprize,
She vanishes from their deluded eyes,
And thro' the hurricane triumphant flies.

The gen'rous king, altho' o'er-joy'd to find
His son was safe, yet bearing still in mind
The mischief by his treach'rous queen design'd;
The horrour of the deed, and then how near
The danger drew, he stands congeal'd with fear.
But soon that fear into devotion turns,
With grateful incense ev'ry altar burns;
Proud victims, and unconscious of their fate,
Stalk to the temple, there to die in state.
In Athens never had a day been found
For mirth, like that grand festival, renown'd.
Promiscuously the peers, and people dine,
Promiscuously their thankful voices join,
In songs of wit, sublim'd by spritely wine.
To list'ning spheres their joint applause they raise,
And thus resound their matchless Theseus' praise.

Great Theseus! Thee the Marathonian plain
Admires, and wears with pride the noble stain
Of the dire monster's blood, by valiant Theseus slain.
That now Cromyon's swains in safety sow,
And reap their fertile field, to thee they owe.
By thee th' infested Epidaurian coast
Was clear'd, and now can a free commerce boast.
The traveller his journey can pursue,
With pleasure the late dreadful valley view,
And cry, Here Theseus the grand robber slew.
Cephysus' cries to his rescu'd shore,
The merciless Procrustes is no more.
In peace, Eleusis, Ceres' rites renew,
Since Theseus' sword the fierce Cercyon slew.
By him the tort'rer Sinis was destroy'd,
Of strength (but strength to barb'rous use employ'd)
That tops of tallest pines to Earth could bend,
And thus in pieces wretched captives rend.
Inhuman Scyron now has breath'd his last,
And now Alcatho's roads securely past;
By Theseus slain, and thrown into the deep:
But Earth nor Sea his scatter'd bones wou'd keep,
Which, after floating long, a rock became,
Still infamous with Scyron's hated name.
When Fame to count thy acts and years proceeds,
Thy years appear but cyphers to thy deeds.
For thee, brave youth, as for our common-wealth,
We pray; and drink, in yours, the publick health.
Your praise the senate, and plebeians sing,
With your lov'd name the court, and cottage ring.
You make our shepherds and our sailors glad,
And not a house in this vast city's sad.

But mortal bliss will never come sincere,
Pleasure may lead, but grief brings up the rear;
While for his sons' arrival, rev'ling joy
Aegeus, and all his subjects does employ;
While they for only costly feasts prepare,
His neighb'ring monarch, Minos, threatens war:
Weak in land-forces, nor by sea more strong,
But pow'rful in a deep resented wrong
For a son's murder, arm'd with pious rage;
Yet prudently before he would engage,
To raise auxiliaries resolv'd to sail,
And with the pow'rful princes to prevail.

First Anaphe, then proud Astypalaea gains,
By presents that, and this by threats obtains:
Low Mycone, Cymolus, chalky soil,
Tall Cythnos, Scyros, flat Seriphos' isle;
Paros, with marble cliffs afar display'd;
Impregnable Sithonia; yet betray'd
To a weak foe by a gold-admiring maid,
Who, chang'd into a daw of sable hue,
Still hoards up gold, and hides it from the view.

But as these islands chearfully combine,
Others refuse t' embark in his design.
Now leftward with an easy sail he bore,
And prosp'rous passage to Oenopia's shore;
Oenopia once, but now Aegina call'd,
And with his royal mother's name install'd
By Aeacus, under whose reign did spring
The Myrmidons, and now their reigning king.

Down to the port, amidst the rabble, run
The princes of the blood; with Telamon,
Peleus the next, and Phocus the third son:
Then Aeacus, altho' opprest with years,
To ask the cause of their approach appears.

That question does the Gnossian's grief renew,
And sighs from his afflicted bosom drew;
Yet after a short solemn respite made,
The ruler of the hundred cities said:

Assist our arms, rais'd for a murder'd son,
In this religious war no risque you'll run:
Revenge the dead- for who refuse to give
Rest to their urns, unworthy are to live.

What you request, thus Aeacus replies,
Not I, but truth and common faith denies;
Athens and we have long been sworn allies:
Our leagues are fix'd, confed'rate are our pow'rs,
And who declare themselves their foes, are ours.

Minos rejoins, Your league shall dearly cost
(Yet, mindful how much safer 'twas to boast,
Than there to waste his forces, and his fame,
Before in field with his grand foe he came),
Parts without blows- nor long had left the shore,
E're into port another navy bore,
With Cephalus, and all his jolly crew;
Th' Aeacides their old acquaintance knew:
The princes bid him welcome, and in state
Conduct the heroe to their palace gate;
Who entr'ring, seem'd the charming mein to wear,
As when in youth he paid his visit there.
In his right hand an olive-branch he holds,
And, salutation past, the chief unfolds
His embassy from the Athenian state,
Their mutual friendship, leagues of ancient date;
Their common danger, ev'ry thing cou'd wake
Concern, and his address successful make:
Strength'ning his plea with all the charms of sense,
And those, with all the charms of eloquence.

Then thus the king: Like suitors do you stand
For that assistance which you may command?
Athenians, all our listed forces use
(They're such as no bold service will refuse);
And when y' ave drawn them off, the Gods be prais'd,
Fresh legions can within our isle be rais'd:
So stock'd with people, that we can prepare
Both for domestick, and for distant war,
Ours, or our friends' insulters to chastize.

Long may ye flourish thus, the prince replies.
Strange transport seiz'd me as I pass'd along,
To meet so many troops, and all so young,
As if your army did of twins consist;
Yet amongst them my late acquaintance miss'd:
Ev'n all that to your palace did resort,
When first you entertain'd me at your court;
And cannot guess the cause from whence cou'd spring
So vast a change- Then thus the sighing king:

Illustrious guest, to my strange tale attend,
Of sad beginning, but a joyful end:
The whole to a vast history wou'd swell,
I shall but half, and that confus'dly, tell.
That race whom so deserv'dly you admir'd,
Are all into their silent tombs retir'd:
They fell; and falling, how they shook my state,
Thought may conceive, but words can ne'er relate.

The Story of Ants chang'd to Men

A dreadful plague from angry Juno came,
To scourge the land, that bore her rival's name;
Before her fatal anger was reveal'd,
And teeming malice lay as yet conceal'd,
All remedies we try, all med'cines use,
Which Nature cou'd supply, or art produce;
Th' unconquer'd foe derides the vain design,
And art, and Nature foil'd, declare the cause divine.

At first we only felt th' oppressive weight
Of gloomy clouds, then teeming with our fate,
And lab'ring to discarge unactive heat:
But ere four moons alternate changes knew,
With deadly blasts the fatal South-wind blew,
Infected all the air, and poison'd as it flew.
Our fountains too a dire infection yield,
For crowds of vipers creep along the field,
And with polluted gore, and baneful steams,
Taint all the lakes, and venom all the streams.

The young disease with milder force began,
And rag'd on birds, and beasts, excusing Man.
The lab'ring oxen fall before the plow,
Th' unhappy plow-men stare, and wonder how:
The tabid sheep, with sickly bleatings, pines;
Its wool decreasing, as its strength declines:
The warlike steed, by inward foes compell'd,
Neglects his honours, and deserts the field;
Unnerv'd, and languid, seeks a base retreat,
And at the manger groans, but wish'd a nobler fate:
The stags forget their speed, the boars their rage,
Nor can the bears the stronger herds engage:
A gen'ral faintness does invade 'em all,
And in the woods, and fields, promiscuously they fall.
The air receives the stench, and (strange to say)
The rav'nous birds and beasts avoid the prey:
Th' offensive bodies rot upon the ground,
And spread the dire contagion all around.

But now the plague, grown to a larger size,
Riots on Man, and scorns a meaner prize.
Intestine heats begin the civil war,
And flushings first the latent flame declare,
And breath inspir'd, which seem'd like fiery air.
Their black dry tongues are swell'd, and scarce can move,

And short thick sighs from panting lung are drove.
They gape for air, with flatt'ring hopes t' abate
Their raging flames, but that augments their heat.
No bed, no cov'ring can the wretches bear,
But on the ground, expos'd to open air,
They lye, and hope to find a pleasing coolness there.
The suff'ring Earth with that oppression curst,
Returns the heat which they imparted first.

In vain physicians would bestow their aid,
Vain all their art, and useless all their trade;
And they, ev'n they, who fleeting life recall,
Feel the same Pow'rs, and undistinguish'd fall.
If any proves so daring to attend
His sick companion, or his darling friend,
Th' officious wretch sucks in contagious breath,
And with his friend does sympathize in death.

And now the care and hopes of life are past,
They please their fancies, and indulge their taste;
At brooks and streams, regardless of their shame,
Each sex, promiscuous, strives to quench their flame;
Nor do they strive in vain to quench it there,
For thirst, and life at once extinguish'd are.
Thus in the brooks the dying bodies sink,
But heedless still the rash survivors drink.

So much uneasy down the wretches hate,
They fly their beds, to struggle with their fate;
But if decaying strength forbids to rise,
The victim crawls and rouls, 'till on the ground he lies.

Each shuns his bed, as each wou'd shun his tomb,
And thinks th' infection only lodg'd at home.

Here one, with fainting steps, does slowly creep
O'er heaps of dead, and strait augments the heap;
Another, while his strength and tongue prevail'd,
Bewails his friend, and falls himself bewail'd:
This with imploring looks surveys the skies,
The last dear office of his closing eyes,
But finds the Heav'ns implacable, and dies.

What now, ah! what employ'd my troubled mind?
But only hopes my subjects' fate to find.
What place soe'er my weeping eyes survey,
There in lamented heaps the vulgar lay;
As acorns scatter when the winds prevail,
Or mellow fruit from shaken branches fall.

You see that dome which rears its front so high:
'Tis sacred to the monarch of the sky:
How many there, with unregarded tears,
And fruitless vows, sent up successless pray'rs?
There fathers for expiring sons implor'd,
And there the wife bewail'd her gasping lord;
With pious off'rings they'd appease the skies,
But they, ere yet th' attoning vapours rise,
Before the altars fall, themselves a sacrifice:
They fall, while yet their hands the gums contain,
The gums surviving, but their off'rers slain.

The destin'd ox, with holy garlands crown'd,
Prevents the blow, and feels th' expected wound:
When I my self invok'd the Pow'rs divine,
To drive the fatal pest from me and mine;
When now the priest with hands uplifted stood,
Prepar'd to strike, and shed the sacred blood,
The Gods themselves the mortal stroke bestow,
The victim falls, but they impart the blow:
Scarce was the knife with the pale purple stain'd,
And no presages cou'd be then obtain'd,
From putrid entrails, where th' infection reign'd.

Death stalk'd around with such resistless sway,
The temples of the Gods his force obey,
And suppliants feel his stroke, while yet they pray.
Go now, said he, your deities implore
For fruitless aid, for I defie their pow'r.
Then with a curst malicious joy survey'd
The very altars, stain'd with trophies of the dead.

The rest grown mad, and frantick with despair,
Urge their own fate, and so prevent the fear.
Strange madness that, when Death pursu'd so fast,
T' anticipate the blow with impious haste.

No decent honours to their urns are paid,
Nor cou'd the graves receive the num'rous dead;
For, or they lay unbury'd on the ground,
Or unadorn'd a needy fun'ral found:
All rev'rence past, the fainting wretches fight
For fun'ral piles which were another's right.

Unmourn'd they fall: for, who surviv'd to mourn?
And sires, and mothers unlamented burn:
Parents, and sons sustain an equal fate,
And wand'ring ghosts their kindred shadows meet.
The dead a larger space of ground require,
Nor are the trees sufficient for the fire.

Despairing under grief's oppressive weight,
And sunk by these tempestuous blasts of Fate,
O Jove, said I, if common fame says true,
If e'er Aegina gave those joys to you,
If e'er you lay enclos'd in her embrace,
Fond of her charms, and eager to possess;
O father, if you do not yet disclaim
Paternal care, nor yet disown the name;
Grant my petitions, and with speed restore
My subjects num'rous as they were before,
Or make me partner of the fate they bore.
I spoke, and glorious lightning shone around,
And ratling thunder gave a prosp'rous sound;
So let it be, and may these omens prove
A pledge, said I, of your returning love.

By chance a rev'rend oak was near the place,
Sacred to Jove, and of Dodona's race,
Where frugal ants laid up their winter meat,
Whose little bodies bear a mighty weight:
We saw them march along, and hide their store,
And much admir'd their number, and their pow'r;
Admir'd at first, but after envy'd more.
Full of amazement, thus to Jove I pray'd,
O grant, since thus my subjects are decay'd,
As many subjects to supply the dead.
I pray'd, and strange convulsions mov'd the oak,
Which murmur'd, tho' by ambient winds unshook:
My trembling hands, and stiff-erected hair,
Exprest all tokens of uncommon fear;
Yet both the earth and sacred oak I kist,
And scarce cou'd hope, yet still I hop'd the best;
For wretches, whatsoe'er the Fates divine,
Expound all omens to their own design.

But now 'twas night, when ev'n distraction wears
A pleasing look, and dreams beguile our cares,
Lo! the same oak appears before my eyes,
Nor alter'd in his shape, nor former size;
As many ants the num'rous branches bear,
The same their labour, and their frugal care;
The branches too a like commotion sound,
And shook th' industrious creatures on the ground,
Who, by degrees (what's scarce to be believ'd)
A nobler form, and larger bulk receiv'd,
And on the earth walk'd an unusual pace,
With manly strides, and an erected face-
Their num'rous legs, and former colour lost,
The insects cou'd a human figure boast.

I wake, and waking find my cares again,
And to the unperforming Gods complain,
And call their promise, and pretences, vain.
Yet in my court I heard the murm'ring voice
Of strangers, and a mixt uncommon noise:
But I suspected all was still a dream,
'Till Telamon to my apartment came,
Op'ning the door with an impetuous haste,
O come, said he, and see your faith and hopes surpast:
I follow, and, confus'd with wonder, view
Those shapes which my presaging slumbers drew:
I saw, and own'd, and call'd them subjects; they
Confest my pow'r, submissive to my sway.
To Jove, restorer of my race decay'd,
My vows were first with due oblations paid,
I then divide with an impartial hand
My empty city, and my ruin'd land,
To give the new-born youth an equal share,
And call them Myrmidons, from what they were.
You saw their persons, and they still retain
The thrift of ants, tho' now transform'd to men.
A frugal people, and inur'd to sweat,
Lab'ring to gain, and keeping what they get.
These, equal both in strength and years, shall join
Their willing aid, and follow your design,
With the first southern gale that shall present
To fill your sails, and favour your intent.

With such discourse they entertain the day;
The ev'ning past in banquets, sport, and play:
Then, having crown'd the night with sweet repose,
Aurora (with the wind at east) arose.
Now Pallas' sons to Cephalus resort,
And Cephalus with Pallas' sons to court,
To the king's levee; him sleep's silken chain,
And pleasing dreams, beyond his hour detain;
But then the princes of the blood, in state,
Expect, and meet 'em at the palace gate.

The Story of Cephalus and Procris

To th' inmost courts the Grecian youths were led,
And plac'd by Phocus on a Tyrian bed;
Who, soon observing Cephalus to hold
A dart of unknown wood, but arm'd with gold:
None better loves (said he) the huntsman's sport,
Or does more often to the woods resort;
Yet I that jav'lin's stem with wonder view,
Too brown for box, too smooth a grain for yew.
I cannot guess the tree; but never art
Did form, or eyes behold so fair a dart!
The guest then interrupts him- 'Twou'd produce
Still greater wonder, if you knew its use.
It never fails to strike the game, and then
Comes bloody back into your hand again.
Then Phocus each particular desires,
And th' author of the wond'rous gift enquires.
To which the owner thus, with weeping eyes,
And sorrow for his wife's sad fate, replies,
This weapon here (o prince!) can you believe
This dart the cause for which so much I grieve;
And shall continue to grieve on, 'till Fate
Afford such wretched life no longer date.
Would I this fatal gift had ne'er enjoy'd,
This fatal gift my tender wife destroy'd:
Procris her name, ally'd in charms and blood
To fair Orythia courted by a God.
Her father seal'd my hopes with rites divine,
But firmer love before had made her mine.
Men call'd me blest, and blest I was indeed.
The second month our nuptials did succeed;
When (as upon Hymettus' dewy head,
For mountain stags my net betimes I spread)
Aurora spy'd, and ravish'd me away,
With rev'rence to the Goddess, I must say,
Against my will, for Procris had my heart,
Nor wou'd her image from my thoughts depart.
At last, in rage she cry'd, Ingrateful boy
Go to your Procris, take your fatal joy;
And so dismiss'd me: musing, as I went,
What those expressions of the Goddess meant,
A thousand jealous fears possess me now,
Lest Procris had prophan'd her nuptial vow:
Her youth and charms did to my fancy paint
A lewd adultress, but her life a saint.
Yet I was absent long, the Goddess too
Taught me how far a woman cou'd be true.
Aurora's treatment much suspicion bred;
Besides, who truly love, ev'n shadows dread.
I strait impatient for the tryal grew,
What courtship back'd with richest gifts cou'd do.
Aurora's envy aided my design,
And lent me features far unlike to mine.
In this disguise to my own house I came,
But all was chaste, no conscious sign of blame:
With thousand arts I scarce admittance found,
And then beheld her weeping on the ground
For her lost husband; hardly I retain'd
My purpose, scarce the wish'd embrace refrain'd.
How charming was her grief! Then, Phocus, guess
What killing beauties waited on her dress.
Her constant answer, when my suit I prest,
Forbear, my lord's dear image guards this breast;
Where-e'er he is, whatever cause detains,
Who-e'er has his, my heart unmov'd remains.
What greater proofs of truth than these cou'd be?
Yet I persist, and urge my destiny.
At length, she found, when my own form return'd,
Her jealous lover there, whose loss she mourn'd.
Enrag'd with my suspicion, swift as wind,
She fled at once from me and all mankind;
And so became, her purpose to retain,
A nymph, and huntress in Diana's train:
Forsaken thus, I found my flames encrease,
I own'd my folly, and I su'd for peace.
It was a fault, but not of guilt, to move
Such punishment, a fault of too much love.
Thus I retriev'd her to my longing arms,
And many happy days possess'd her charms.
But with herself she kindly did confer,
What gifts the Goddess had bestow'd on her;
The fleetest grey-hound, with this lovely dart,
And I of both have wonders to impart.
Near Thebes a savage beast, of race unknown,
Laid waste the field, and bore the vineyards down;
The swains fled from him, and with one consent
Our Grecian youth to chase the monster went;
More swift than light'ning he the toils surpast,
And in his course spears, men, and trees o'er-cast.
We slipt our dogs, and last my Lelaps too,
When none of all the mortal race wou'd do:
He long before was struggling from my hands,
And, e're we cou'd unloose him, broke his bands.
That minute where he was, we cou'd not find,
And only saw the dust he left behind.
I climb'd a neighb'ring hill to view the chase,
While in the plain they held an equal race;
The savage now seems caught, and now by force
To quit himself, nor holds the same strait course;
But running counter, from the foe withdraws,
And with short turning cheats his gaping jaws:
Which he retrieves, and still so closely prest,
You'd fear at ev'ry stretch he were possess'd;
Yet for the gripe his fangs in vain prepare;
The game shoots from him, and he chops the air.
To cast my jav'lin then I took my stand;
But as the thongs were fitting to my hand,
While to the valley I o'er-look'd the wood,
Before my eyes two marble statues stood;
That, as pursu'd appearing at full stretch,
This barking after, and at point to catch:
Some God their course did with this wonder grace,
That neither might be conquer'd in the chase.
A sudden silence here his tongue supprest,
He here stops short, and fain wou'd wave the rest.

The eager prince then urg'd him to impart,
The Fortune that attended on the dart.
First then (said he) past joys let me relate,
For bliss was the foundation of my fate.
No language can those happy hours express,
Did from our nuptials me, and Procris bless:
The kindest pair! What more cou'd Heav'n confer?
For she was all to me, and I to her.
Had Jove made love, great Jove had been despis'd;
And I my Procris more than Venus priz'd:
Thus while no other joy we did aspire,
We grew at last one soul, and one desire.
Forth to the woods I went at break of day
(The constant practice of my youth) for prey:
Nor yet for servant, horse, or dog did call,
I found this single dart to serve for all.
With slaughter tir'd, I sought the cooler shade,
And winds that from the mountains pierc'd the glade:
Come, gentle air (so was I wont to say)
Come, gentle air, sweet Aura come away.
This always was the burden of my song,
Come 'swage my flames, sweet Aura come along.
Thou always art most welcome to my breast;
I faint; approach, thou dearest, kindest guest!
These blandishments, and more than these, I said
(By Fate to unsuspected ruin led),
Thou art my joy, for thy dear sake I love
Each desart hill, and solitary grove;
When (faint with labour) I refreshment need,
For cordials on thy fragrant breath I feed.
At last a wand'ring swain in hearing came,
And cheated with the sound of Aura's name,
He thought I some assignation made;
And to my Procris' ear the news convey'd.
Great love is soonest with suspicion fir'd:
She swoon'd, and with the tale almost expir'd.
Ah! wretched heart! (she cry'd) ah! faithless man.
And then to curse th' imagin'd nymph began:
Yet oft she doubts, oft hopes she is deceiv'd,
And chides herself, that ever she believ'd
Her lord to such injustice cou'd proceed,
'Till she her self were witness of the deed.
Next morn I to the woods again repair,
And, weary with the chase, invoke the air:
Approach, dear Aura, and my bosom chear:
At which a mournful sound did strike my ear;
Yet I proceeded, 'till the thicket by,
With rustling noise and motion, drew my eye:
I thought some beast of prey was shelter'd there,
And to the covert threw my certain spear;
From whence a tender sigh my soul did wound,
Ah me! it cry'd, and did like Procris sound.
Procris was there, too well the voice I knew,
And to the place with headlong horror flew;
Where I beheld her gasping on the ground,
In vain attempting from the deadly wound
To draw the dart, her love's dear fatal gift!
My guilty arms had scarce the strength to lift
The beauteous load; my silks, and hair I tore
(If possible) to stanch the pressing gore;
For pity beg'd her keep her flitting breath,
And not to leave me guilty of her death.
While I intreat she fainted fast away,
And these few words had only strength to say:
By all the sacred bonds of plighted love,
By all your rev'rence to the Pow'rs above,
By all the truth for which you held me dear,
And last by love, the cause through which I bleed,
Let Aura never to my bed succeed.
I then perceiv'd the error of our fate,
And told it her, but found and told too late!
I felt her lower to my bosom fall,
And while her eyes had any sight at all,
On mine she fix'd them; in her pangs still prest
My hand, and sigh'd her soul into my breast;
Yet, being undeceiv'd, resign'd her breath
Methought more chearfully, and smil'd in death.

With such concern the weeping heroe told
This tale, that none who heard him cou'd with-hold
From melting into sympathizing tears,
'Till Aeacus with his two sons appears;
Whom he commits, with their new-levy'd bands,
To Fortune's, and so brave a gen'ral's hands.

----------------------------------------------------------------------
~ Ovid, BOOK THE SEVENTH

,
1423:The Witch Of Hebron
A Rabbinical Legend
Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.
But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.
Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
222
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance
Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.
The page led on, the rabbi following close,
And reached a still and distant chamber, where
In more than orient pomp, and dazzling all
The else-unrivalled splendour of the rest,
A queenly woman lay; so beautiful,
That though upon her moon-bright visage, pain
And langour like eclipsing shadows gloomed,
The rabbi’s aged heart with tremor thrilled;
Then o’er her face a hectic colour passed,
Only to leave that pallor which portends
The nearness of the tomb.
From youth to age
The rabbi Joseph still had sought in herbs
And minerals the virtues they possess,
And now of his medicaments he chose
What seemed most needful in her sore estate;
“Alas, not these,” the dying woman said,
“A malady like mine thou canst not cure,
’Tis fatal as the funeral march of Time!
But that I might at length discharge my mind
Of a dread secret, that hath been to me
An ever-haunting and most ghostly fear,
Darkening my whole life like an ominous cloud
And which must end it ere the morning come,
Therefore did I entreat thy presence here.”
The rabbi answered, “If indeed it stand
Within my power to serve thee, speak at once
223
All that thy heart would say. But if ’tis vain,
If this thy sin hath any mortal taint,
Forbear, O woman, to acquaint my soul
With aught that could thenceforth with horror chase
The memory of a man of Israel.”
“I am,” she said “the daughter of thy friend
Rabbi Ben Bachai—be his memory blest!
Once at thy side a laughing child I played;
I married with an Arab Prince, a man
Of lofty lineage, one of Ishmael’s race;
Not great in gear. Behold’st thou this abode?
Did ever yet the tent-born Arab build
Thus for his pride or pleasure? See’st thou
These riches? An no! Such were ne’er amassed
By the grey desert’s wild and wandering son;
Deadly the game by which I won them all!
And with a burning bitterness at best
Have I enjoyed them! And how gladly now
Would I, too late, forego them all, to mend
My broken peace with a repentant heed
In abject poverty!”
She ceased, and lay
Calm in her loveliness, with dreamy looks
Roaming, perhaps, in thought the fateful past;
Then suddenly her beauteous countenance grew
Bedimm’d and drear, then dark with mortal pangs,
While fierce convulsions shook her tortured frame,
And from her foaming lips such words o’erran,
That rabbi Joseph sank upon his knees,
And bowed his head a space in horror down
While ardent, pitying prayers for her great woe
Rose from his soul; when, lo! The woman’s face
Was cloudless as a summer heaven! The late
Dark brow was bright, the late pale cheek suffused
With roseate bloom; and, wondrous more than all,
Here weary eyes were changed to splendours now
That shot electric influence, and her lips
Were full and crimson, curled with stormy pride.
The doubting rabbi stood in wild amaze
To see the dying woman bold and fierce
224
In bright audacity of passion’s power.
“These are the common changes,” then she said,
“Of the fell ailment, that with torments strange,
Which search my deepest life, is tearing up
The dark foundations of my mortal state,
And sinking all its structures, hour by hour,
Into the dust of death. For nothing now
Is left me but to meet my nearing doom
As best I may in silent suffering.”
Then as he heard her words and saw her face,
The rabbi in his wisdom knew some strong
Indwelling evil spirit troubled her,
And straighway for an unction sent, wherewith
The famous ancestor whose name he bore,
Herod the Great’s chief hakim, had expelled
The daemon haunter of the dying king.
With this he touched her forehead and her eyes
And all her finger-tips. Forthwith he made
Within a consecrated crucible
A fire of citron-wood and cinnamon;
Then splashed the flames with incense, mingling all
With the strong influence of fervent prayer;
And, as the smoke arose, he bowed her head
Into its coils, that so she might inhale
Its salutary odour—till the fiend
That dwelt within her should be exorcised.
Her face once more grew pale with pain; she writhed
In burning torment, uttering many words
Of most unhallowed meaning! Yet her eyes
Were fixed the while, and motionless her lips!
Whereby the rabbi certainly perceived
’Twas not the woman of herself that spake,
But the dread spirit that possessed her soul,
And thus it cried aloud.
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225

Part II.

“WHY am I here, in this my last resort,

Perturbed with incense and anointings? Why

Compelled to listen to the sound of prayers

That smite me through as with the fire of God?

O pain, pain, pain! Is not this chamber full

Of the implacable stern punishers?

Full of avenging angels, holding each

A scourge of thunder in his potent hand,

Ready to lighten forth! And then, thus armed,

For ever chase and wound us as we fly!

Nor end with this—but, in each wound they make,

Pour venom sweltered from that tree As-gard,

Whose deadly shadow in its blackness falls

Over the lake of everlasting doom!

“Five hundred years ago, I, who thus speak,

Was an Egyptian of the splendid court

Of Ptolemy Philadelphus. To the top

Of mountainous power, though roughened with unrest,

And girt with dangers as with thunder-clouds,

Had I resolved by all resorts to climb;

By truth and falsehood, right and wrong alike;

And I did climb! Then firmly built in power

Second alone to my imperial lord’s,

I crowned with its impunity my lust
Of beauty, sowing broadcast everywhere
Such sensual baits wide round me, as should lure
Through pleasure, or through interest entrap,
The fairest daughters of the land, and lo!
Their lustrous eyes surcharged with passionate light
The chambers of my harem! But at length
Wearied of these, though sweet, I set my heart
On riches, heaped to such a fabulous sum
As never one man’s hoard in all the world
Might match; and to acquire them, steeped my life
In every public, every private wrong,
In lies, frauds, secret murders; till at last
A favoured minion I had trusted most,
And highest raised, unveiled before the king
The dark abysmal badness of my life;
But dearly did he rue it; nor till then
Guessed I how deadly grateful was revenge!
226
I stole into his chamber as he slept,
And with a sword, whose double edge for hours
I had whetted for the purpose of the deed,
There staked him through the midriff to his bed.
I fled; but first I sent, as oft before,
A present to the household of the man
Who had in secret my betrayer bribed.
Twas scented wine, and rich Damascus cakes;
On these he feasted, and fell sudden down,
Rolling and panting in his dying pangs,
A poisoned desert dog!
“But I had fled.
A swift ship bore me, which my forecast long
Had kept prepared against such need as this.
Over the waves three days she proudly rode;
Then came a mighty storm, and trampled all
Her masted bravery flat, and still drove on
The wave-swept ruin towards a reefy shore!
Meanwhile amongst the terror-stricken crew
An ominous murmur went from mouth to mouth;
They grouped themselves in councils, and, ere long,
Grew loud and furious with surmises wild,
And maniac menaces, all aimed at me!
My fugitive head it was at which so loud
The thunder bellowed! The wild-shrieking winds
And roaring waters held in vengeful chase
Me only! Me! Whose signal crimes alone
Had brought on us this anger of the gods!
And thus reproaching me with glaring eyes,
They would have seized and slain me, but I sprang
Back from amongst them, and, outstriking, stabbed
With sudden blow their leader to the heart;
Then, with my poniard scaring off the rest,
Leaped from the deck, and swimming reached the shore,
From which, in savage triumph, I beheld
The battered ship, with all her howling crew,
Heel, and go down, amid the whelming waves.
“Inland my course now lay for many days,
O’er barren hills and glens, whose herbless scopes
Never grew luminous with a water gleam,
227
Or heard the pleasant bubble of a brook,
For vast around the Afric desert stretched.
Starving and sun-scorched and afire with thirst,
I wandered ever on, until I came
To where, amid the dun and level waste,
In frightful loneliness, a mouldered group
Of ancient tombs stood ghostly. Here at last,
Utterly spent, in my despair I lay
Down on the burning sand, to gasp and die!
When from among the stones a withered man,
Old-seeming as the desert where he lived,
Came and stood by me, saying ‘get thee up!
Not much have I to give, but these at least
I offer to thy need, water and bread.’
“Then I arose and followed to his cell,—
A dismal cell, that seemed itself a tomb,
So lightless was it, and so foul with damp,
And at its entrance there were skulls and bones.
Long and deep drank I of the hermit’s draught,
And munched full greedily the hermit’s bread;
But with the strength which thence my frame derived,
Fierce rage devoured me, and I cursed my fate!
Whereat the withered creature laughed in scorn,
And mocked me with the malice of his eyes,
That sometimes, like a snake’s, shrank small, and then
Enlarging blazed as with infernal fire!
Then, on a sudden, with an oath that seemed
To wake a stir in the grey musty tombs,
As if their silence shuddered, he averred
That he could life me once more to the height
Of all my wishes—nay, even higher, but
On one condition only. Dared I swear,
By the dread angel of the second death,
I would be wholly his, both body and soul,
After a hundred years?
“Why should I not?
I answered, quivering with a stormy haste,
A rampart unreluctance! For so great
Was still my fury against all mankind,
And my desire of pomp and riches yet
228
So monstrous, that I felt I could have drunk
Blood, fire, or worse, to wear again the power
That fortune, working through my enemies’ hands,
Had stript away from me. So, word by word,
I swore the oath as he repeated it;
Nor much it moved me, in my eagerness,
To feel a damp and earthy odour break
Out of each tomb, from which there darkling rose
At every word a hissing as of snakes;
And yet the fell of hair upon my scalp
Rose bristling under a cold creeping thrill:
But I failed not, I swore the dread oath through,
And then the tombs grew silent as their dead.
But through my veins a feeling of strong youth
Coursed bold along, and summered in my heart,
Till there before him in my pride I stood
In stately strength, and swift as is the wind,
Magnificant as a desert-nurtured steed
Of princeliest pedigree, with nostrils wide
Dilated, and with eyes effusing flame.
‘Begone,’ he said, ’and live thy hundred years
Of splendour, power, pleasure, ease.’ His voice
Sighed off into the distance. He was gone:
Only a single raven, far aloft,
Was beating outwards with its sable wings;
The tombs had vanished, and the desert grey
Merged its whole circle with the bending sky.
--------------------------------------------------------------------------------
Part III.

“OUT of these wilds to Egypt I returned:

Men thought that I had perished with the ship,

And no one knew me now, because my face

And form were greatly changed,—from passing fair

To fairer yet; from manly, to a pile

So nobly built, that in all eyes I seemed

Beauteous as Thammuz! And my heart was changed;

Ambition wilder than a leopard’s thirst

229

For blood of roe, or flying hart, possessed

My spirit, like the madness of a god!

But this I yet even in its fiercest strain

Could curb and guide with sovereign strength of will.

From small beginnings onward still I worked,

Stepping as up a stair from rival head

To rival head,—from high to higher still,

Unto the loftiest post that might be held

Under the Ptolemies; and meantime paid

Each old unsettled score, defeating those

Who erst had worked against me, sweeping them

Out of all posts, all places; for though time

And change had wide dispersed them through the land,

The sleuth-hounds of my vengeance found them out!

Which things not being in a corner done,

What wonder was it that all Egypt now,
From end to end, even like a shaken hive,
Buzzed as disturbed with my portentous fame?
“And what to me were secret enemies?
Had I not also spies, who could pin down
A whisper in the dark and keep it there?
Could dash a covert frown by the same means
An open charge had challenged? Hence my name
Became a sound that struck through every heart
Ineffable dismay! And yet behold
There more I trampled on mankind, the more
Did fawning flatterers praise me as I swept
Like a magnificant meteor through the land!
The more I hurled the mighty from their seats,
And triumphed o’er them prostrate in the dust,
The human hounds that licked my master hand
But multiplied the more! And still I strode
From bad to worse, corrupting as I went,
Making the lowly ones more abject yet;
Awing as with a thunder-bearing hand
The high and affluent; while I bound the strong
To basest service, even with chains of gold.
All hated, cursed and feared me, for in vain
Daggers were levelled at my brazen heart—
They glanced, and slew some minion at my side
Poison was harmless as a heifer’s milk
When I had sipped it with my lips of scorn;
230
All that paraded pomp and smiling power
Could draw against me from the envious hearts
Of men in will as wicked as myself
I challenged, I encountered, and o’erthrew!
“But, after many years, exhaustion sere
Spread through the branches of my tree of life;
My forces flagged, my senses more and more
Were blunted, and incapable of joy;
The splendours of my rank availed me not;
A poverty as naked as a slave’s
Peered from them mockingly. The pride of power
That glowed so strong within me in my youth
Was now like something dying at my heart.
To cheat or stimulate my jaded taste,
Feasts, choice or sumptuous, were devised in vain;
there was disfavour, there was fraud within,
Like that which filled the fair-appearing rind
Of those delusive apples that of old
Grew on the Dead Sea shore.
“And yet, though thus
All that gave pleasure to my younger life
Was withering from my path like summer grass,
I still had one intense sensation, which
Grew ever keener as my years increased—
A hatred of mankind; to pamper which
I gloated, with a burning in my soul,
Over their degradation; and like one
Merry with wine, I revelled day by day
In scattering baits that should corrupt them more:
The covetous I sharpened into thieves,
Urged the vindictive, hardened the malign,
Whetted the ruffian with self-interest,
And flung him then, a burning brand, abroad.
And the decadence of the state in which
My fortunes had recast me, served me well.
Excess reeled shameless in the court itself,
Or, staggering thence, was rivalled by the wild
Mad looseness of the crowd. Down to its death
The old Greek dynasty was sinking fast;
Waste and pale want, extortion, meanness, fraud—
231
These, welling outwards from the throne itself,
Spread through the land.
“But now there seized my soul
A new ambition—from his feeble throne
To hurl the king, and mount thereon myself!
To this end still I lured him into ill,
And daily wove around him cunning snares,
That reached and trammelled too his fawning court;
And all went well, the end at last was near,
But in my triumph one thing I forgot—
My name was measured. At a banquet held
In the king’s chamber, lo! A guest appeared,
Chief of a Bactrian tribe, who tendered gold
To pay for some great wrong his desert horde
Had done our caravans; his age, men said,
Was wonderful; his craft more wondrous still;
For this his fame had spread through many lands,
And the dark seekers of forbidden lore
Knew his decrepit wretch to be their lord.
“The first glance that I met of his weird eye
Had sent into my soul a fearful doubt
That I had seen that cramp-shrunk withered form
And strange bright eye in some forgotten past.
But at the dry croak of his raven voice
Remembrance wok; I knew that I beheld
The old man of the tombs: I saw, and fell
Into the outer darkness of despair.
The day that was to close my dread account
Was come at last. The long triumphant feast
Of life had ended in a funeral treat.
I was to die—to suffer with the damned
The hideous torments of the second death!
The days, weeks, months of a whole hundred years
Seemed crushed into a thought, and burning out
In that brief period which was left me now.
“Stung with fierce horror, shame, and hate I fled;
I seized my sword, to plunge its ready point
Into my maddened heart, but on my arm
I felt a strong forbidding grasp! I turned;
232
The withered visage of the Bactrian met
My loathing eyes; I struggled to be free
From the shrunk wretch in vain; his spidery hands
Were strong as fetters of Ephesian brass,
And all my strength, though now with madness strung,
Was as a child’s to his. He calmly smiled:
‘Forbear, thou fool! Am I not Sammael?
Whom to resist is vain, and from whom yet
Has never mercy flowed; for what to me
Are feelings which thou knowest even in men
Are found the most in fools. But wide around
A prince of lies I reign. ’Tis I that fill
the Persian palaces with lust and wrong,
Till like the darkling heads of sewers they flow
With a corruption that in fretting thence
Taints all the region round with rankest ill;
’Tis I that clot the Bactrian sand with blood;
And now I come to fling the brands of war
Through all this people, this most ill-mixed mob,
Where Afric’s savage hordes meet treacherous Greeks,
And swarming Asia’s luxury-wasted sons.
This land throughout shall be a deluge soon
Of blood and fire, till ruin stalk alone,
A grisly spectre, in its grass-grown marts.’
The fiery eyes within his withered face
Glowed like live coals, as he triumphant spake,
And his strange voice, erewhile so thin and dry,
Came as if bellowed from the vaults of doom.
Prone fell I, powerless to move or speak;
And now he was about to plunge me down
Ten thousand times ten thousand fathoms deep
Through the earth’s crust, and through the slimy beds
Of nether ocean—down! Still down, below
The darkling roots of all this upper world
Into the regions of the courts of hell!
“To stamp me downward to the convict dead
His heel was raised, when suddenly I heard
Him heave a groan of superhuman pain,
So deep twas drawn! And as he groaned, I saw
A mighty downburst of celestial light
233
Enwrap his shrivelled form from head to foot,
As with a robe within whose venomous folds
He writhed in torment. Then above him stood
A shining shape, unspeakably sublime,
And gazed upon him! One of the high sons
Of Paradise, who still keep watch and ward
O’er Israel’s progeny, where’er dispersed;
And now they fought for me with arms that filled
The air wide round with flashes and swift gleams
Of dazzling light; full soon the Evil One
Fell conquered. Then forth sprang he from the ground
And with dark curses wrapped him in a cloud
That moved aloft, low thundering as it went.
“And then the shining son of paradise
Came where I lay and spoke, his glorious face
Severe with wrath, and yet divinely fair—
‘O Child of Guilt! Should vengeance not be wrought
On thee as well? On Sammael’s willing slave?’
I clasped his radiant knees—I wept—I groaned—
I beat my bosom in my wild distress.
At last the sacred Presence, who had held
The blow suspended still, spoke thus: ‘Thou’rt spared;
From no weak pity, but because thou art
Descended from the line of Israel:
For that cause spared;—yet must thou at my hand
Find some meet punishment.’ And as he spake,
He laid his hand with a life-crushing weight
Upon my forehead—and I fell, as dead!
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Part IV.

“AWAKING as from sleep, I bounded up,

Stung with a feeling of enormous strength,

Though yet half wild with horror. Onward then

Ramping I went, out through the palace gates,

Down the long streets, and into the highways,

Forth to the wilds, amazed at my own speed!

234

And now afar, in long-drawn line appeared

A caravan upon its outward way

Over the desert of Pentapolis.

And strange the instinct seemed that urged me then

to rush amongst them—and devour: for I

Was fierce with hunger, and inflamed with thirst.

“Amidst a laggard company I leaped

That rested yet beside a cooling spring;

One of those clear springs that, like giant pearls,

Inlay the burning borders of the grey

Enormous desert. All at once they rose!

Some fled, some threw themselves amongst the brakes,

Some seized their swords and lances; this to see

Filled me at once with a mysterious rage

And savage joy! The sternness of their looks,

Their fearful cries, the gleaming of their spears

Seemed to insult me, and I rushed on them.

Then sudden spasms of pain searched deep my side,
Wherein a fell lance quivered. On I rushed;
I roared a roar that startled e’en myself,
So loud and hoarse and terrible its tone,
Then bounding, irresistible it seemed
As some huge fragment from a crag dislodged,
Against the puny wretch that sent the lance,
Instantly tore him, as he were a kid,
All into gory shreds! The others fled
At sight of this, nor would I chase them then,
All wearied by my flight. Besides, the well
Was gleaming in its coolness by me there.
“And as I stooped to quench my parching thirst,
Behold, reversed within the water clear,
The semblance of a monstrous lion stood!
I saw his shaggy mane, I saw his red
And glaring eyeballs rolling in amaze,
His rough and grinning lips, his long sharp fangs
All foul with gore and hung with strings of flesh!
I shrank away in horrible dismay.
But as the sun each moment fiercer grew,
I soon returned to stoop and slake my thirst.
Again was that tremendous presence there
Standing reversed, as erewhile, in the clear
235
And gleaming mirror of the smiling well!
The horrid truth smote like a rush of fire
Upon my brain! The dreadful thing I saw
Was my own shadow! I was a wild beast.”
“They did not fable, then, who held that oft
The guilty dead are punished in the shapes
Of beasts, if brutal were their lives as men.”
“Long lapped I the cool lymph, while still my tongue
Made drip for drip against the monstrous one,
Which, as in ugly mockery, from below
Seemed to lap up against it. But though thirst
Was quenched at length, what was there might appease
The baffled misery of my fated soul?
The thought that I no more was human, ran
Like scorpion venom through my mighty frame;
Fiercely I bounded, tearing up the sands,
That, like a drab mist, coursed me as I went
Out on my homeless track. I made my fangs
Meet in my flesh, trusting to find in pain
Some respite from the anguish of regret.
From morn to night, from night to morn, I fled,
Chased by the memory of my lost estate;
Then, worn and bleeding, in the burning sands
I lay down, as to die. In vain!—in vain!
The savage vigour of my lion-life
Might yield alone to the long tract of time.
“From hill to valley rushing after prey,
With whirlwind speed, was now my daily wont,
For all things fled before me—all things shrank
In mortal terror at my shaggy front.
Sometimes I sought those close-fenced villages,
Wherein the desert-dwellers hide their swart
And naked bodies from the scorching heats,
Hoping that I might perish by their shafts.
And often was I wounded—often bore
Their poisoned arrows in my burning flesh—
But still I lived.
“The tenor of my life
236
Was always this—the solitary state
Of a wild beast of prey, that hunted down
The antelope, the boar, the goat, the gorged
Their quivering flesh, and lapped their steaming blood;
Then slept till hunger, or the hunter’s cry,
Roused him again to battle or to slay,
To flight, pursuit, blood, stratagem, and wounds.
And to make this rude life more hideous yet,
I still retained a consciousness of all
The nobler habits of my eariler time,
And had a keen sense of what most had moved
My nature as a man, and knew besides
That this my punishment was fixed by One
Too mighty to be questioned, and too just
One tittle of its measure to remit.
“How long this haggard course of life went on
I might not even guess, for I had lost
The human faculty that measures time.
But still from night to night I found myself
Roaming the desert, howling at the moon,
Whose cold light always, as she poured it down,
Awoke a drear distemper in my brain:
But much I shunned the sunblaze, which at once
Inflamed me, and revealed my dread approach.
“Homelessly roaming thus for evermore,
The tempests beat on my unsheltered bulk,
In those bleak seasons when the drenching rains
Drove into covert all those gentler beasts
That were my natural prey. I swinkt beneath
The furnace heats of the midsummer sun,
When even the palm of the oasis stood
All withered, like a weed: and for how long,
Yet knew not.
“Thus the sun and moon arose
Through an interminable tract of time,
And yet though sense was dim, the view of all
My human life was ever at my beck,
Nay, opened out before me of itself
Plain as the pictures in a wizard’s glass!
237
I saw again the trains that round my car
Streamed countless, saw its pageants and its pomps,
Its faces fair and passionate, and felt
Lie’s eager pleasures, even its noble pangs!
Then in the anguish of my goaded heart
Would I roll howling in the burning sand.
“At length this life of horror seemed to near
Its fated bourn. The slow but sure approach
Of old decay was felt in every limb
And every function of my lion frame.
My massive strength seemed spent, my speed was gone,
The antelope escaped me! Wearily
I sought a mountain cavern, shut from day
By savage draperies of tangled briers,
And only dragged my tardy bulk abroad
When hunger urged. It chanced on such a day
I sprange amid a herd of buffaloes
And tore their leader down, who bellowing fell.
When, lo! The chief of those that drove them came
Against me, and I turned my rage on him:
But though the long lapse of so many years
Of ever-grinding wretchedness had dulled
My memory, I felt that I had seen
His withered visage twice before; and straight
A shuddering awe subdued me, and I crouched
Beneath him in the dust. My lust of blood,
My ruthless joy at sight of mortal pain,
Within me died, and if in human speech
I might have told the wild desire that filled
My being, I had prayed him once for all
To crush me out of life, and to consign
My misery to the pit of final death!
But when, all hopeless, I again looked up,
The tawney presence of the desert chief
Was gone, and I beheld the shining son
Of paradise, from whose majestic brow
There flashed the lightings of a wrath divine.
Yea, twas the angel that with Sammael
Had fought for me in Egypt; and once more
He laid his crushing had upon my front;
And earth and sky, and all that in them is,
238
Became to me a darkness, swimming blank
In the Eternal, round that point where now
My body lay, stretched dead upon the sand.
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Part V.

“AGAIN I lived—again I felt. But now

The winds of heaven seemed under me, and I

Was sweeping, like the spirit of a storm

That bellowed round me, in its murky glooms,

All heaving with a motion wide and swift

That seemed yet mightier than the darkling swells

Of ocean, wrestling with a midnight gale!

The wild winds tossed me; I was drenched throughout

With heavy moisture, and at intervals

Amid the ragged gaps of moving cloud,

Methought I caught dim glimpses of the sun

Hanging aloft, as if in drear eclipse;

But as my senses cleared, I saw my limbs

Were clothed with plumage; and long-taloned claws

Were closing eagerly with fierce desire

And sudden hunger after blood and prey!

An impulse to pursue and to destroy

Both on the earth and in the air, ran quick

Out from my heart and shivered in my wings;

And as a thing more central yet, I felt

Pregnant within me, throned o’er all, a lone

And sullen, yet majestic, glow of pride.

“’Twas plain that I, who had aforetime been

Crushed out of human being into that

Of a wild beast, had thence again passed on
Into the nature of some mighty thing
That now swept sailing on wide van-like wings,
Amid the whirls of an aërial gloom,
That out extending in one mighty cope
Hung heaving, like a black tent-roof, o’er all
The floor of Africa.
239
“Still on I swept,
And still as far as my keen vision went,
That now was gifted with a power that seemed
To pierce all space, I saw the vapours roll
In dreadful continuous of black
And shapeless masses, by the winds convulsed;
But soon in the remotest distance came
A change: the clouds were touched with sunny light,
And, as I nearer drew, I saw them dash,
Like the wild surges of an uproused sea
Of molten gold, against the marble sides
Of lofty mountains, which, though far below
My flight, yet pierced up through them all, and stood
With splintered cones and monster-snouted crags,
Immovable as fate. Beneath me, lo!
The grandeur of the kingdom of the air
Was circling in its magnitude! It was
A dread magnificence of which before
I might not even dream. I saw its quick
And subtle interchange of forms and hues,
Saw its black reservoirs of densest rain,
Its awful forges of the thunderstorm.
“At last, as onward still I swept, above
A milky mass of vapour far outspread,
Behold, reflected in its quiet gleam,
I saw an image that swept on with me,
Reversed as was the lion’s in the well,
With van-like wings, with eyeballs seething fire,
With taloned claws, and cruel down-bent beak,—
The mightiest eagle that had ever sailed
The seas of space since Adam named the first!
“My fated soul had passed into the form
Of that huge eagle which swept shadowed there.
Cold horror thrilled me! I was once again
Imprisoned in the being of a brute,
In the base being of a nature yet
Inferior by what infinite descent
To that poor remnant of intelligence
Which still kept with me,—like a put-back soul
Burningly conscious of its powers foregone,
240
Its inborn sovreignty of kind, and yet
So latent, self-less; once again to live
A life of carnage, and to sail abroad
A terror to all birds and gentle beasts
That heard the stormy rushings of my wings!
A royal bird indeed, who lived alone
In the great stillness of the mighty hills,
Or in the highest heavens.
“But in truth
Not much for many seasons had I need
To search for prey, for countless hosts of men,
Forth mustering over all the face of earth,
Cast the quick gleam of arms o’er trampled leagues
Of golden corn, and as they onward marched
They left behind them seas of raging fire,
In whose red surges cities thronged with men
And happy hamlets, homes of health and peace,
That rang erewhile with rural thankfulness,
Were whelmed in one wide doom; or in their strength
Confronted upon some set field of fight,
Their sullen masses charged with dreadful roar
That far out-yelled the fiercest yells of beasts,
And with brute madness rushed on wounds and death;
Or else about fenced cities they would pitch
Their crowded camps, and leaguer them for years,
Sowing the fields about them with a slime
Of carnage, till their growths were plagues alone.
What is the ravage made by brutes on brutes
To that man makes on man?
“With mingled pain
And joy I saw the wondrous ways of men,
(For ever when I hungered, close at hand,
Some fresh slain man lay smoking in his gore)
And though the instincts of the eagle’s life
Were fierce within me, yet I felt myself
Cast in a lot more capable of joy;
Safe from pursuit, from famine, and from wounds.
Some solaces, though few and far between,
Were added to me; and I argued thence,
In the dark musings of my eagle heart,
241
That not for ever was my soul condemned
To suffer in the body of a brute;
For though remembrance of the towering crimes
And matchless lusts, that filled my whole career
Of human life, worked in me evermore,
No longer did they shed about my life
So venomous a blight. Nay, I could think
How often I had looked with longing eyes
Up at the clear Egyptian heavens, and watched
The wings that cleft them, envying every bird
That, soaring in the sunshine, seemed to be
Exempt from all the grovelling cares of men.
I thought how once, when with my hunting train
I pierced that region round the cataracts,
I watched an eagle as it rose aloft
Into the lovely blue, and wished to change
My being with it as it floated on,
So inaccessible to hate or hurt,
So peaceful, at a height in heaven so safe;
And then it passed away through gorgeous clouds
Against the sunset, through the feathered flags
Of royal purple edged with burning gold.
“These fields of space were my dominion now;
Motion alone within a world so rich
Was something noble: but to move at will,
Upward or forward, or in circles vast,
Through boundless spaces with a rushing speed
No living thing might rival, and to see
The glory of the everlasting hills
Beneath me, and the myriad-peopled plains,
Broad rivers, and the towery towns that sate
Beside their spacious mouths, with out beyond
The lonely strength of the resounding seas—
This liberty began to move my sense
As something godlike; and in moving made
A sure impression that kept graining still
Into the texture of my brute estate—
Yea, graining in through all its fleshy lusts
And savage wonts.
“Hence ever more and more
242
The temper of a better spirit grew
Within me, as from inkling roots, and moved
E’en like an embryon in its moist recess:
A sensibility to beauteous things
As now I saw them in the heavens displayed,
And in the bright luxuriance of the earth;
Some power of just comparison, some sense
Of how a man would rank them, could he see
Those earthly grandeurs from the sovreign height
Whence I beheld them. And with this a wish
To commune even with the human race,
And pour the loftier wonders of my life
Into their ears, through a rich-worded song
Whose golden periods in mellow flow
Should witch all ears that heard them—ev’n old men s,
Ev’n jaded monarchs; not to speak of theirs,
Those spirit-lovely ones—yea, moons of love,
That rise at first in the Circassian hills—
And they should tingle all like tiny shells
Of roseate whiteness to its perfect chords.
“One day amid the mountains of the moon,
Behold a sudden storm had gatherd up
Out of my view, hid by a neighbouring height,
But which, thence wheeling with terrific force,
Wide tossed me with its gusts—aloft, and then
Downward as far; then whirlingly about,
Ev’n like a withered leaf. My strength of wing
Availed me nought, so mightily it raged;
Then suddenly, in the dim distance, lo!
I saw, as from the storm’s Plutonian heart,
A mass of white-hot light come writing forth,
And then the figure of a withered man
Seemed dropping headlong through the lurid clouds;
While full within the radiant light, again
The conquering son of paradise appeared,
Upon whose brow divine I yet might trace
Some sing of wrath. Onward the vision rushed,
Orbed in white light. I felt a stifling heat,
One cruel blasting pang, and headlong then
Fell earthward—dead; a plumb descending mass.
243
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Part VI.

“WITHIN a rustic chamber, dark and low,

Thronged with wild-looking men and women strange,

I seemed to waken. Inwardly I felt

No briskness of existence, but a sense

Of languor rather, or revival slow:

And evermore the men and women came

And gazed upon me, shouting in amaze,

Then would they whirl about the room in dance,

Abandoned to their barbarous delight.

“I turned mine eyes about the low-roofed room,

Half fearing and half hoping I might see

The mighty angel that now ruled my life;

They thought I needed air, and I was borne

to a low casement. Like a picture lay

The world without. On all sides wide around

Nothing but mountains, feathered to their tops

With a dense growth of pines, and valleys filled

With a cold darkness that was lit alone

By the broad flashes of the furious streams

That leaped in thunder our of marble gaps!

Dull vapours, like a canopy of smoke,

Did so obscure the sun, that I had thought

The scene that now I saw was not of earth,

But for a golden flush that now and then

Would touch the highest ranges. What I was
I knew not, but I felt my former wants,
And oft I made vain efforts to expand
The wings I had no longer, and sail off,
And through those sullen vapours—up, and up—
Into the mighty silence of the blue.
“The day was fading, and a blare of horns,
With many voices and much trampling noise,
Heard from without, aroused me; and, ere long,
Women rushed in, each bearing some rich robe
Or some gay bauble, wherewithal they next
244
Arrayed me to their taste; and then they held
A mirror up before me, and I saw
My soul had this time passed into the form
Of a fair damsel. She, whose form I now
Re-animated, was—so learned I soon—
The only child of a Circassian chief,
Who had been long regarded by her house
As its chief treasure, for her beauty rare;
Reserved for him, no matter whence he came,
Whose hand could dip into the longest purse.
But envy lurks in the Circassian hills
As elsewhere, and a dose of opium,
Administered by one who had been long
The rival beauty of a neighbouring tribe,
Had served to quash a bargain quite complete
Save in the final payment of the gold,
Which had been even offered and told down,
And only not accepted, through some old
Delaying ceremony of the tribe;
And in this luckless circumstances, twas plain
That both my admirable parents saw
The unkindest turn of all.
“On all hands forth
Had scouts been sent to summon the whole tribe
To attend my obsequies, and then forthwith
Exterminate our ancient enemies
Through all their tents—such was the fierce resolve.
But while these things were pending, lo! The light
Had broken like a new morn from the eyes
Of the dead beauty; on her cheeks had dawned
A roseate colour; from her moistening lips
Low murmurs, too, had broken; whereupon
My parents in exulting hope transformed
The funeral to a general tribal feast,
And loaded me with all the ancient gauds
And ornaments they held. The Persian, too,
Had been invited to renew his suit,
And carry me at once beyond the reach
Of future opium doses.
“Soon he came
245
Galloping back to bear me to the arms
Of his long-bearded lord. He paid the price;
My worthy parents took a fond farewell
Of me, with tears declaring me to be
The life-light of their eyes, their rose of joy,—
Then stretched their palms out for the stranger’s gold,
And hurried off to count it o’er again—
The dear recovered treasure they so late
Had mourned as lost for ever. On that night
I was packed neatly on a camel’s back
Beside a precious case of porcelain pipes,
And carried Persia-ward, by stages safe,
From the Circassian mountains.
“At the court
I soon became the favourite of the king;
Lived sumptuously, but in perpetual fear:
For all my luxury and gold and gems,
I envied the poor slaves who swept the floors.
I was the favourite of my Persian lord
For one whole month, perhaps a little more,
And then I learned my place was to be filled;
And though I loathed him, as we loathe some cold
And reptile creature, yet I could not bear
To see a newer rival take my place,
For I was beautiful, and therefore vain:
So, that I might regain his favour past,
I now arrayed myself in airy robes,
While scarfs of purple like an orient queen’s
Barred them with brilliant tints, and gold and pearls
Confined the wavelets of my sunny hair.
“The harem all applauded, and there seemed
Even in his own dull eyes almost a flash
As of extorted joy, but this became
At the next moment a malignant scowl,
Which had its dark cause in such thoughts as these:
‘What! Did so soft and ignorant a thing
Hope to enchant again a man so wise
As he was—he! The paragon of kings!
By floating in before him like a swan,
A little better feathered than before?’
246
And then he waved the harem ladies forth,
And with him kept only a Nubian girl,
Whom he thought dull, and altogether his:
A conclave of those strange demoniac dwarfs
Who from their secret dens and crypts would come
On given signals forth, was summoned in:
Wizard-like beings, with enormous heads,
Splay-feet, and monstrous spider-fingered hands.
Nor was the council long; I on that night
Was to be poisoned with a pomegranate.
Then stole the Nubian girl away, and brought
Me word of all; yet her news moved me not,
So sure I felt that this was not my doom;
Or moved me only to prepare for flight
With the poor Nubian girl. Unseen I came
To my own chamber, where I packed my goods;
And whence, unseen by all, we swiftly fled.
’Twas plain and patent to my inmost self
That in this last change I had always been
Regenerating more and more; for though
I had a love of mischief in my head,
At heart I was not bad, and they who knew
Me closely, or at least the woman sort,
Loved me,—nay, served me, as the Nubian did.
And now, as no one else might sell me,—lo!
I sold myself, and found myself installed
Queen of a rude baboon-like Afric king.
“Then I was captive to a Bedouin sheik,
Was sold in the slave-mart of Astrachan,
And carried thence to India, to be crowned
A rajahpoot’s sultana; from which state
Flying at length, I fell into a worse,
Being pounced on by a Turkoman horse-stealer.
At Alexandra I became the slave
Of a harsh Roman matron, who was wont
To flog and famish me to make me good,
And when I owned myself converted, then
She flogged and famished me the more, to make
My goodness lasting; and I finally
Fell stabbed in Cairo—slaughtered by a slave.
247
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Part VII.

“AFTER some short and intermediate terms

Of transmigration, all in female forms,

In which, through kindly offices performed,

It seemed the temper of my spirit much

Had humanized, and in the last of which

Twas mine to die for once a natural death,

Again I had some deep-down hold on being,

Dim as an oyster’s in its ocean-bed;

Then came a sense of light and air, of space,

Of hunger, comfort, warmth, of sight and sound

I caught at length the drift of speech, and knew

That all who came to see me and admire

Called me Ben Bachai’s daughter.

“Dark indeed,

But lovely as a starry night I grew,

A maid, the glory of her father’s house,

Her mother’s dovelet, filling all her wonts

With tenderness and joy. Still as I grew,

By strange degrees the memory of all

That I had been came back upon my mind

To fill it with wild sorrow and dismay;

To know I was a cheat, nor wholly what

I seemed to my fond parents—that I was

But half their daughter, and the rest a fiend,

With a fiend’s destiny,—ah! This, I say,
Would smite me even in dreams with icy pangs
Or wordless woe, yea, even while I slept
So innocently as it seemed, and so
Securely happy in the arms of love!”
As this was said, the Rabbi looked, and saw
That now again the woman seemed to speak
As of herself, and not as heretofore
With moveless lips, and prisoned voice, that came
As from some dark duality within.
248
Her looks had changed, too, with the voice, and now
Again she lay, a queen-like creature, racked
With mortal sufferings, who, when these grew less,
Or for a time remitted, even thus
Took up her tale again.
“At length upgrown
To womanhood, by some mysterious pact
Existing twixt my father’s house and that
Of an Arabian prince time out of mind,
I was now wedded ere I wished, and he,
My husband, finally had come to claim
And bear me from my home, that happiest home
Which I should know no more: a man most fair
To look upon, but void of force, in truth
The weakling of a worn-out line, who yet
(What merit in a prince!) Was not depraved,
Not wicked, not the mendicant of lust,
But mild, and even affectionate and just.
My dowry was immense, and flushed with this
The prince had summoned from his vassal tribe
Five hundred horse, all spearmen, to escort
And guard us desert-ward. And as we went
These ever and anon, at signal given,
Would whirl around us like a thunder-cloud
Wind-torn, and shooting instant shafts of fire!
And thus we roamed about the Arabian wastes,
Pitching our camp amid the fairest spots.
Beneath an awning oft I lay, and gazed
Out at the cloudless ether, where it wrapt
The silent hills, like to a conscious power
Big with the soul of an eternal past.
“But long this life might last not, for the prince
Sickened and died;—died poor, his wealth and mine
Having been squandered on the hungry horde
That wont to prance about us; who ere long,
Divining my extremity, grew loud
And urgent for rewards, till on a day,
By concert as it seemed, the tribe entire
Came fiercely round me, all demanding gifts,
Gifts that I had not; as they nearer pressed,
249
Wearing his way among them, lo! I saw
The old man of the tombs! The Bactrian sage!
With signs of awe they made him room to pass;
He fixed me with his shrunk and serpent eyes,
Waved off the abject Arabs, and then asked
‘Why art thou poor? With needs so great upon thee?
I offer thee long life and wealth and power.’
“I turned to him and said: ‘Should I not know,
By all the past, the nature of thy gifts?
Shows and delusions, evil, sin-stained all,
And terminating in eternal loss.’
‘Well, take it as thou wilt,’ he said; ‘my gifts
Are not so weighed by all.’ And saying this
He went his way, while I retired within
My lonely tent to weep.
“Next day the tribes
Again assembled, and with threats and cries,
And insults loud, they raised a passion in me.
My blood arose: I chid them angrily,
Called them all things but men, till they, alarmed,
Fell back in sullen silence for a while,
Crouching like tigers ready for a spring.
Humbled, perplexed, and frightened, I returned
Into my tent, and there within its folds
Stood the weird Bactrian with his snaky eyes,
And wiry voice that questioned as before:
‘Why art thou poor? Why dost thou suffer wrong,
With all this petty baseness brattling round?
Am I not here to help thee? I, thy one
Sole friend—not empty, but with ample means.
Behold the secrets of the inner earth!
There, down among the rock-roots of the hills,
What seest thou there? Look, as I point, even those
Strange miscreations, as they seem to thee,
Are demoniac moilers that obey
Such arts as I possess; the gnomish brood
Of Demogorgon. See them how they moil
Amid those diamonds shafts and reefs of gold
Embedded in the oldest drifts of time,
And in the mire that was the first crude floor
250
And blind extension of the infant earth:
Why art thou poor, then, when such slaves as they
Might work for thee, and glut thy need with all
The matchless values which are there enwombed,
Serving thee always as they now serve me?
Nor these alone: turn thou thy looks aloft,
And watch the stars as they go swimming past.
Behold their vastness, each a world,’ he said;
‘The secrets of all these, too, thou shalt know,
The spirits of all these shall be thy slaves,
If thou wilt swear as erst amid the tombs.’
“The woe of desolation wrapped me round,
The joy to know all mysteries tempted me,
And with a shudder that shook me to the soul
I swore, as erst I swore amid the tombs.
“As on my hand he placed a signet-ring,
Suddenly loud the desert winds arose,
And blew with mighty stress among the tents;
And instantly aloft the thunder ran,
A mighty issue of miraculous light
Burst shaft-like forward, smiting him in twain,
Or so it seemed, down through the solid earth.
In vain I shrunk into a dim recess;
Before me stood the son of paradise.
Then leapt the soul to life within my heart—
Leapt into life with fear, and pain, and woe—
Anger and sadness both were on his brow.
“‘Could’st thou no trial bear—all but redeemed;
Could’st thou not rest content? A rabbi’s child!
Enjoy as best thou may this ill-won power
Over the darker agencies of time,
And bide the end, which end is punishment
But the more terrible, the more delayed;
Yet know this also, thou shalt thus no more
Be punished in a body built of clay.’
He vanished, leaving me to sharp remorse,
And harrowed with the thought of his grieved look.
‘And yet no power in heaven or hell,’ I said,
‘May now annul my deed.’
251
“And not one day
Of joy has brought to me my ‘ill-won power.’
I built vast palaces in quiet view
Of ancient cities, or by famous streams;
I filled my halls with men and women fair,
And with these pages of a beauty rare
Like striplings kidnapped from some skirt of heaven;
Yet sorrowful of countenance withal,
As knowing that their mortal doom is joined
With mine irrevocably, that with me
’Tis theirs to own these shows of time, with me
To live—with me to die. And as, ’tis said,
A hunted roe will evermore beat round
Towards whence he started first, I felt at length
An ardent longing for my native place;
That spot in all the earth where only I,
In tasting of it, had divined the worth
And Sabbath quality of household peace.
Then coming hither, thus constrained, I pitched
My dwelling here, even this thou seest; built fair,
And filled with splendours such as never yet
Under one roof-tree on this earth were stored.
See yon surpassing lustres! Could this orb
Show such? From Mars came that; from Venus this;
And yonder mass of sun-bright glory, that
From Mercury came, whence came these viols, too,
Instinct with fervent music such as ne’er
From earthly instruments might thrill abroad.”
Then seizing one of them, even as she spake,
Over its chords she moved her ivory hand,
And instantly the palace domes throughout
Rang resonant, as every hall and crypt
Were pulsing music from a thousand shells
That still ran confluent with a mellow slide
And intercourse of cadence: sweet, and yet
Most mournful and most weird, and oft intoned
With a wild wilfulness of power that worked
For madness more than joy. “Even such, ” she said
“Are the delights with which I most converse
In the dark loneness of my fated soul,
252
For all is show, not substance. All I hold
But darkens more the certainty I have
Of wrath to come, from which no change of place,
No earthly power, no power of heaven nor hell,
May shield me now. I see it shadowing forth
Even like a coming night, in whose dark folds
My soul would ask to hide itself in vain.
And now I go to meet the angel’s face;
I will not claim my hundred years of pride,
I trample underneath my feet the gift
For which I sold my soul; I will not touch
The ring of Sammael, nor use his power
To stay the torments that devour my life;
Misery, shame, remorse, and dread are mine;
Yet shall the angel see repentent eyes,
And know at last I could one trial bear;
Too late, too late.”
As thus the woman spake,
Her brow grew dark, and suddenly she shrieked
In her great agony. “Oh pray for me!
Pray, rabbi! For the daughter of thy friend!
The hour is coming, nay, the hour is come!”
There was a rustle as of wings aloft,
A sudden flicker in the lights below,
And she, who until now seemed speaking, sank
Back on her pillow and in silence lay
Beautiful in the marble calm of death.
The rabbi gazed on her, and thought the while
Of those far times, when, as a child, her grace
Had filled with pleasantness her father’s house.
Then to her servants gave in charge the corpse,
And forth he paced, much musing as he went.
At length he turned to gaze once more upon
The silent house of death. Can such things be?
All had evanished like a morning mist!
Only the woods that hung like clouds about
The steeps of Hebron, in the whitening dawn
Lay dark against the sky! Only a pool
Gleamed flat before him, where it seemed erewhile
The splendid palace had adorned the view!
253
Perplexed in mind, the rabbi turned again
And hurried homeward, muttering as he went:
Was it a vision? Can such marvels be?
But what in truth are all things, even those
That seem most solid—dust and air at last
~ Charles Harpur,
1424:BOOK THE TENTH

The Story of Orpheus and Eurydice

Thence, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
With dread these inauspicious signs were view'd,
And soon a more disastrous end ensu'd;
For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.

When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.

Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
Now, by the horrors which these realms surround;
By the vast chaos of these depths profound;
By the sad silence which eternal reigns
O'er all the waste of these wide-stretching plains;
Let me again Eurydice receive,
Let Fate her quick-spun thread of life re-weave.
All our possessions are but loans from you,
And soon, or late, you must be paid your due;
Hither we haste to human-kind's last seat,
Your endless empire, and our sure retreat.
She too, when ripen'd years she shall attain,
Must, of avoidless right, be yours again:
I but the transient use of that require,
Which soon, too soon, I must resign entire.
But if the destinies refuse my vow,
And no remission of her doom allow;
Know, I'm determin'd to return no more;
So both retain, or both to life restore.

Thus, while the bard melodiously complains,
And to his lyre accords his vocal strains,
The very bloodless shades attention keep,
And silent, seem compassionate to weep;
Ev'n Tantalus his flood unthirsty views,
Nor flies the stream, nor he the stream pursues;
Ixion's wond'ring wheel its whirl suspends,
And the voracious vulture, charm'd, attends;
No more the Belides their toil bemoan,
And Sisiphus reclin'd, sits list'ning on his stone.

Then first ('tis said) by sacred verse subdu'd,
The Furies felt their cheeks with tears bedew'd:
Nor could the rigid king, or queen of Hell,
Th' impulse of pity in their hearts repell.

Now, from a troop of shades that last arriv'd,
Eurydice was call'd, and stood reviv'd:
Slow she advanc'd, and halting seem to feel
The fatal wound, yet painful in her heel.
Thus he obtains the suit so much desir'd,
On strict observance of the terms requir'd:
For if, before he reach the realms of air,
He backward cast his eyes to view the fair,
The forfeit grant, that instant, void is made,
And she for ever left a lifeless shade.

Now thro' the noiseless throng their way they bend,
And both with pain the rugged road ascend;
Dark was the path, and difficult, and steep,
And thick with vapours from the smoaky deep.
They well-nigh now had pass'd the bounds of night,
And just approach'd the margin of the light,
When he, mistrusting lest her steps might stray,
And gladsome of the glympse of dawning day,
His longing eyes, impatient, backward cast
To catch a lover's look, but look'd his last;
For, instant dying, she again descends,
While he to empty air his arms extends.
Again she dy'd, nor yet her lord reprov'd;
What could she say, but that too well he lov'd?
One last farewell she spoke, which scarce he heard;
So soon she drop'd, so sudden disappear'd.

All stunn'd he stood, when thus his wife he view'd
By second Fate, and double death subdu'd:
Not more amazement by that wretch was shown,
Whom Cerberus beholding, turn'd to stone;
Nor Olenus cou'd more astonish'd look,
When on himself Lethaea's fault he took,
His beauteous wife, who too secure had dar'd
Her face to vye with Goddesses compar'd:
Once join'd by love, they stand united still,
Turn'd to contiguous rocks on Ida's hill.

Now to repass the Styx in vain he tries,
Charon averse, his pressing suit denies.
Sev'n days entire, along th' infernal shores,
Disconsolate, the bard Eurydice deplores;
Defil'd with filth his robe, with tears his cheeks,
No sustenance but grief, and cares, he seeks:
Of rigid Fate incessant he complains,
And Hell's inexorable Gods arraigns.
This ended, to high Rhodope he hastes,
And Haemus' mountain, bleak with northern blasts.

And now his yearly race the circling sun
Had thrice compleat thro' wat'ry Pisces run,
Since Orpheus fled the face of womankind,
And all soft union with the sex declin'd.
Whether his ill success this change had bred,
Or binding vows made to his former bed;
Whate'er the cause, in vain the nymphs contest,
With rival eyes to warm his frozen breast:
For ev'ry nymph with love his lays inspir'd,
But ev'ry nymph repuls'd, with grief retir'd.

A hill there was, and on that hill a mead,
With verdure thick, but destitute of shade.
Where, now, the Muse's son no sooner sings,
No sooner strikes his sweet resounding strings.
But distant groves the flying sounds receive,
And list'ning trees their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head.
The foodful Esculus here shoots his leaves,
That turf soft lime-tree, this, fat beach receives;
Here, brittle hazels, lawrels here advance,
And there tough ash to form the heroe's lance;
Here silver firs with knotless trunks ascend,
There, scarlet oaks beneath their acorns bend.
That spot admits the hospitable plane,
On this, the maple grows with clouded grain;
Here, watry willows are with Lotus seen;
There, tamarisk, and box for ever green.
With double hue here mirtles grace the ground,
And laurestines, with purple berries crown'd.
With pliant feet, now, ivies this way wind,
Vines yonder rise, and elms with vines entwin'd.
Wild Ornus now, the pitch-tree next takes root,
And Ar butus adorn'd with blushing fruit.
Then easy-bending palms, the victor's prize,
And pines erect with bristly tops arise.
For Rhea grateful still the pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warm'd,
And now is cherish'd, to a tree transform'd.

The Fable of Cyparissus

Amid the throng of this promiscuous wood,
With pointed top, the taper cypress stood;
A tree, which once a youth, and heav'nly fair,
Was of that deity the darling care,
Whose hand adapts, with equal skill, the strings
To bows with which he kills, and harps to which he sings.

For heretofore, a mighty stag was bred,
Which on the fertile fields of Caea fed;
In shape and size he all his kind excell'd,
And to Carthaean nymphs was sacred held.
His beamy head, with branches high display'd,
Afforded to itself an ample shade;
His horns were gilt, and his smooth neck was grac'd
With silver collars thick with gems enchas'd:
A silver boss upon his forehead hung,
And brazen pendants in his ear-rings rung.
Frequenting houses, he familiar grew,
And learnt by custom, Nature to subdue;
'Till by degrees, of fear, and wildness, broke,
Ev'n stranger hands his proffer'd neck might stroak.

Much was the beast by Caea's youth caress'd,
But thou, sweet Cyparissus, lov'dst him best:
By thee, to pastures fresh, he oft was led,
By thee oft water'd at the fountain's head:
His horns with garlands, now, by thee were ty'd,
And, now, thou on his back wou'dst wanton ride;
Now here, now there wou'dst bound along the plains,
Ruling his tender mouth with purple reins.

'Twas when the summer sun, at noon of day,
Thro' glowing Cancer shot his burning ray,
'Twas then, the fav'rite stag, in cool retreat,
Had sought a shelter from the scorching heat;
Along the grass his weary limbs he laid,
Inhaling freshness from the breezy shade:
When Cyparissus with his pointed dart,
Unknowing, pierc'd him to the panting heart.
But when the youth, surpriz'd, his error found,
And saw him dying of the cruel wound,
Himself he would have slain thro' desp'rate grief:
What said not Phoebus, that might yield relief!
To cease his mourning, he the boy desir'd,
Or mourn no more than such a loss requir'd.
But he, incessant griev'd: at length address'd
To the superior Pow'rs a last request;
Praying, in expiation of his crime,
Thenceforth to mourn to all succeeding time.

And now, of blood exhausted he appears,
Drain'd by a torrent of continual tears;
The fleshy colour in his body fades,
And a green tincture all his limbs invades;
From his fair head, where curling locks late hung,
A horrid bush with bristled branches sprung,
Which stiffning by degrees, its stem extends,
'Till to the starry skies the spire ascends.

Apollo sad look'd on, and sighing, cry'd,
Then, be for ever, what thy pray'r imply'd:
Bemoan'd by me, in others grief excite;
And still preside at ev'ry fun'ral rite.

Thus the sweet artist in a wondrous shade
Of verdant trees, which harmony had made,
Encircled sate, with his own triumphs crown'd,
Of listning birds, and savages around.
Again the trembling strings he dext'rous tries,
Again from discord makes soft musick rise.
Then tunes his voice: O Muse, from whom I sprung,
Jove be my theme, and thou inspire my song.
To Jove my grateful voice I oft have rais'd,
Oft his almighty pow'r with pleasure prais'd.
I sung the giants in a solemn strain,
Blasted, and thunder-struck on Phlegra's plain.
Now be my lyre in softer accents mov'd,
To sing of blooming boys by Gods belov'd;
And to relate what virgins, void of shame,
Have suffer'd vengeance for a lawless flame.

The King of Gods once felt the burning joy,
And sigh'd for lovely Ganimede of Troy:
Long was he puzzled to assume a shape
Most fit, and expeditious for the rape;
A bird's was proper, yet he scorns to wear
Any but that which might his thunder bear.
Down with his masquerading wings he flies,
And bears the little Trojan to the skies;
Where now, in robes of heav'nly purple drest,
He serves the nectar at th' Almighty's feast,
To slighted Juno an unwelcome guest.

Hyacinthus transform'd into a Flower

Phoebus for thee too, Hyacinth, design'd
A place among the Gods, had Fate been kind:
Yet this he gave; as oft as wintry rains
Are past, and vernal breezes sooth the plains,
From the green turf a purple flow'r you rise,
And with your fragrant breath perfume the skies.

You when alive were Phoebus' darling boy;
In you he plac'd his Heav'n, and fix'd his joy:
Their God the Delphic priests consult in vain;
Eurotas now he loves, and Sparta's plain:
His hands the use of bow and harp forget,
And hold the dogs, or bear the corded net;
O'er hanging cliffs swift he pursues the game;
Each hour his pleasure, each augments his flame.

The mid-day sun now shone with equal light
Between the past, and the succeeding night;
They strip, then, smooth'd with suppling oyl, essay
To pitch the rounded quoit, their wonted play:
A well-pois'd disk first hasty Phoebus threw,
It cleft the air, and whistled as it flew;
It reach'd the mark, a most surprizing length;
Which spoke an equal share of art, and strength.
Scarce was it fall'n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale, and breathless now appear,
The boy with pain, the am'rous God with fear.
He ran, and rais'd him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.

As in a water'd garden's blooming walk,
When some rude hand has bruis'd its tender stalk,
A fading lilly droops its languid head,
And bends to earth, its life, and beauty fled:
So Hyacinth, with head reclin'd, decays,
And, sickning, now no more his charms displays.

O thou art gone, my boy, Apollo cry'd,
Defrauded of thy youth in all its pride!
Thou, once my joy, art all my sorrow now;
And to my guilty hand my grief I owe.
Yet from my self I might the fault remove,
Unless to sport, and play, a fault should prove,
Unless it too were call'd a fault to love.
Oh cou'd I for thee, or but with thee, dye!
But cruel Fates to me that pow'r deny.
Yet on my tongue thou shalt for ever dwell;
Thy name my lyre shall sound, my verse shall tell;
And to a flow'r transform'd, unheard-of yet,
Stamp'd on thy leaves my cries thou shalt repeat.
The time shall come, prophetick I foreknow,
When, joyn'd to thee, a mighty chief shall grow,
And with my plaints his name thy leaf shall show.

While Phoebus thus the laws of Fate reveal'd,
Behold, the blood which stain'd the verdant field,
Is blood no longer; but a flow'r full blown,
Far brighter than the Tyrian scarlet shone.
A lilly's form it took; its purple hue
Was all that made a diff'rence to the view,
Nor stop'd he here; the God upon its leaves
The sad expression of his sorrow weaves;
And to this hour the mournful purple wears
Ai, Ai, inscrib'd in funeral characters.
Nor are the Spartans, who so much are fam'd
For virtue, of their Hyacinth asham'd;
But still with pompous woe, and solemn state,
The Hyacinthian feasts they yearly celebrate

The Transformations of the Cerastae and Propoetides

Enquire of Amathus, whose wealthy ground
With veins of every metal does abound,
If she to her Propoetides wou'd show,
The honour Sparta does to him allow?
Nor more, she'd say, such wretches wou'd we grace,
Than those whose crooked horns deform'd their face,
From thence Cerastae call'd, an impious race:
Before whose gates a rev'rend altar stood,
To Jove inscrib'd, the hospitable God:
This had some stranger seen with gore besmear'd,
The blood of lambs, and bulls it had appear'd:
Their slaughter'd guests it was; nor flock nor herd.

Venus these barb'rous sacrifices view'd
With just abhorrence, and with wrath pursu'd:
At first, to punish such nefarious crimes,
Their towns she meant to leave, her once-lov'd climes:
But why, said she, for their offence shou'd I
My dear delightful plains, and cities fly?
No, let the impious people, who have sinn'd,
A punishment in death, or exile, find:
If death, or exile too severe be thought,
Let them in some vile shape bemoan their fault.
While next her mind a proper form employs,
Admonish'd by their horns, she fix'd her choice.
Their former crest remains upon their heads,
And their strong limbs an ox's shape invades.

The blasphemous Propoetides deny'd
Worship of Venus, and her pow'r defy'd:
But soon that pow'r they felt, the first that sold
Their lewd embraces to the world for gold.
Unknowing how to blush, and shameless grown,
A small transition changes them to stone.

The Story of Pygmalion and the Statue

Pygmalion loathing their lascivious life,
Abhorr'd all womankind, but most a wife:
So single chose to live, and shunn'd to wed,
Well pleas'd to want a consort of his bed.
Yet fearing idleness, the nurse of ill,
In sculpture exercis'd his happy skill;
And carv'd in iv'ry such a maid, so fair,
As Nature could not with his art compare,
Were she to work; but in her own defence
Must take her pattern here, and copy hence.
Pleas'd with his idol, he commends, admires,
Adores; and last, the thing ador'd, desires.
A very virgin in her face was seen,
And had she mov'd, a living maid had been:
One wou'd have thought she cou'd have stirr'd, but strove

With modesty, and was asham'd to move.
Art hid with art, so well perform'd the cheat,
It caught the carver with his own deceit:
He knows 'tis madness, yet he must adore,
And still the more he knows it, loves the more:
The flesh, or what so seems, he touches oft,
Which feels so smooth, that he believes it soft.
Fir'd with this thought, at once he strain'd the breast,

And on the lips a burning kiss impress'd.
'Tis true, the harden'd breast resists the gripe,
And the cold lips return a kiss unripe:
But when, retiring back, he look'd again,
To think it iv'ry, was a thought too mean:
So wou'd believe she kiss'd, and courting more,
Again embrac'd her naked body o'er;
And straining hard the statue, was afraid
His hands had made a dint, and hurt his maid:
Explor'd her limb by limb, and fear'd to find
So rude a gripe had left a livid mark behind:
With flatt'ry now he seeks her mind to move,
And now with gifts (the pow'rful bribes of love),
He furnishes her closet first; and fills
The crowded shelves with rarities of shells;
Adds orient pearls, which from the conchs he drew,
And all the sparkling stones of various hue:
And parrots, imitating human tongue,
And singing-birds in silver cages hung:
And ev'ry fragrant flow'r, and od'rous green,
Were sorted well, with lumps of amber laid between:
Rich fashionable robes her person deck,
Pendants her ears, and pearls adorn her neck:
Her taper'd fingers too with rings are grac'd,
And an embroider'd zone surrounds her slender waste.
Thus like a queen array'd, so richly dress'd,
Beauteous she shew'd, but naked shew'd the best.
Then, from the floor, he rais'd a royal bed,
With cov'rings of Sydonian purple spread:
The solemn rites perform'd, he calls her bride,
With blandishments invites her to his side;
And as she were with vital sense possess'd,
Her head did on a plumy pillow rest.

The feast of Venus came, a solemn day,
To which the Cypriots due devotion pay;
With gilded horns the milk-white heifers led,
Slaughter'd before the sacred altars, bled.

Pygmalion off'ring, first approach'd the shrine,
And then with pray'rs implor'd the Pow'rs divine:
Almighty Gods, if all we mortals want,
If all we can require, be yours to grant;
Make this fair statue mine, he wou'd have said,
But chang'd his words for shame; and only pray'd,
Give me the likeness of my iv'ry maid.

The golden Goddess, present at the pray'r,
Well knew he meant th' inanimated fair,
And gave the sign of granting his desire;
For thrice in chearful flames ascends the fire.
The youth, returning to his mistress, hies,
And impudent in hope, with ardent eyes,
And beating breast, by the dear statue lies.
He kisses her white lips, renews the bliss,
And looks, and thinks they redden at the kiss;
He thought them warm before: nor longer stays,
But next his hand on her hard bosom lays:
Hard as it was, beginning to relent,
It seem'd, the breast beneath his fingers bent;
He felt again, his fingers made a print;
'Twas flesh, but flesh so firm, it rose against the dint:

The pleasing task he fails not to renew;
Soft, and more soft at ev'ry touch it grew;
Like pliant wax, when chasing hands reduce
The former mass to form, and frame for use.
He would believe, but yet is still in pain,
And tries his argument of sense again,
Presses the pulse, and feels the leaping vein.
Convinc'd, o'erjoy'd, his studied thanks, and praise,
To her, who made the miracle, he pays:
Then lips to lips he join'd; now freed from fear,
He found the savour of the kiss sincere:
At this the waken'd image op'd her eyes,
And view'd at once the light, and lover with surprize.
The Goddess, present at the match she made,
So bless'd the bed, such fruitfulness convey'd,
That ere ten months had sharpen'd either horn,
To crown their bliss, a lovely boy was born;
Paphos his name, who grown to manhood, wall'd
The city Paphos, from the founder call'd.

The Story of of Cinyras and Myrrha

Nor him alone produc'd the fruitful queen;
But Cinyras, who like his sire had been
A happy prince, had he not been a sire.
Daughters, and fathers, from my song retire;
I sing of horror; and could I prevail,
You shou'd not hear, or not believe my tale.
Yet if the pleasure of my song be such,
That you will hear, and credit me too much,
Attentive listen to the last event,
And, with the sin, believe the punishment:
Since Nature cou'd behold so dire a crime,
I gratulate at least my native clime,
That such a land, which such a monster bore,
So far is distant from our Thracian shore.
Let Araby extol her happy coast,
Her cinamon, and sweet Amomum boast,
Her fragrant flow'rs, her trees with precious tears,
Her second harvests, and her double years;
How can the land be call'd so bless'd, that Myrrha bears?

Nor all her od'rous tears can cleanse her crime;
Her Plant alone deforms the happy clime:
Cupid denies to have inflam'd thy heart,
Disowns thy love, and vindicates his dart:
Some Fury gave thee those infernal pains,
And shot her venom'd vipers in thy veins.
To hate thy sire, had merited a curse;
But such an impious love deserv'd a worse.
The neighb'ring monarchs, by thy beauty led,
Contend in crowds, ambitious of thy bed:
The world is at thy choice; except but one,
Except but him, thou canst not chuse, alone.
She knew it too, the miserable maid,
Ere impious love her better thoughts betray'd,
And thus within her secret soul she said:
Ah Myrrha! whither wou'd thy wishes tend?
Ye Gods, ye sacred laws, my soul defend
From such a crime as all mankind detest,
And never lodg'd before in human breast!
But is it sin? Or makes my mind alone
Th' imagin'd sin? For Nature makes it none.
What tyrant then these envious laws began,
Made not for any other beast, but Man!
The father-bull his daughter may bestride,
The horse may make his mother-mare a bride;
What piety forbids the lusty ram,
Or more salacious goat, to rut their dam?
The hen is free to wed the chick she bore,
And make a husband, whom she hatch'd before.
All creatures else are of a happier kind,
Whom nor ill-natur'd laws from pleasure bind,
Nor thoughts of sin disturb their peace of mind.
But Man a slave of his own making lives;
The fool denies himself what Nature gives:
Too-busie senates, with an over-care,
To make us better than our kind can bear,
Have dash'd a spice of envy in the laws,
And straining up too high, have spoil'd the cause.
Yet some wise nations break their cruel chains,
And own no laws, but those which love ordains;
Where happy daughters with their sires are join'd,
And piety is doubly paid in kind.
O that I had been born in such a clime,
Not here, where 'tis the country makes the crime!
But whither wou'd my impious fancy stray?
Hence hopes, and ye forbidden thoughts away!
His worth deserves to kindle my desires,
But with the love, that daughters bear to sires.
Then had not Cinyras my father been,
What hinder'd Myrrha's hopes to be his queen?
But the perverseness of my fate is such,
That he's not mine, because he's mine too much:
Our kindred-blood debars a better tie;
He might be nearer, were he not so nigh.
Eyes, and their objects, never must unite;
Some distance is requir'd to help the sight:
Fain wou'd I travel to some foreign shore,
Never to see my native country more,
So might I to my self my self restore;
So might my mind these impious thoughts remove,
And ceasing to behold, might cease to love.
But stay I must, to feed my famish'd sight,
To talk, to kiss, and more, if more I might:
More, impious maid! What more canst thou design?
To make a monstrous mixture in thy line,
And break all statutes human and divine!
Can'st thou be call'd (to save thy wretched life)
Thy mother's rival, and thy father's wife?
Confound so many sacred names in one,
Thy brother's mother! Sister to thy son!
And fear'st thou not to see th' infernal bands,
Their heads with snakes; with torches arm'd their hands
Full at thy face th' avenging brands to bear,
And shake the serpents from their hissing hair;
But thou in time th' increasing ill controul,
Nor first debauch the body by the soul;
Secure the sacred quiet of thy mind,
And keep the sanctions Nature has design'd.
Suppose I shou'd attempt, th' attempt were vain,
No thoughts like mine, his sinless soul profane;
Observant of the right: and o that he
Cou'd cure my madness, or be mad like me!
Thus she: but Cinyras, who daily sees
A crowd of noble suitors at his knees,
Among so many, knew not whom to chuse,
Irresolute to grant, or to refuse.
But having told their names, enquir'd of her
Who pleas'd her best, and whom she would prefer.
The blushing maid stood silent with surprize,
And on her father fix'd her ardent eyes,
And looking sigh'd, and as she sigh'd, began
Round tears to shed, that scalded as they ran.
The tender sire, who saw her blush, and cry,
Ascrib'd it all to maiden modesty,
And dry'd the falling drops, and yet more kind,
He stroak'd her cheeks, and holy kisses join'd.
She felt a secret venom fire her blood,
And found more pleasure, than a daughter shou'd;
And, ask'd again what lover of the crew
She lik'd the best, she answer'd, One like you.
Mistaking what she meant, her pious will
He prais'd, and bid her so continue still:
The word of pious heard, she blush'd with shame
Of secret guilt, and cou'd not bear the name.

'Twas now the mid of night, when slumbers close
Our eyes, and sooth our cares with soft repose;
But no repose cou'd wretched Myrrha find,
Her body rouling, as she roul'd her mind:
Mad with desire, she ruminates her sin,
And wishes all her wishes o'er again:
Now she despairs, and now resolves to try;
Wou'd not, and wou'd again, she knows not why;
Stops, and returns; makes, and retracts the vow;
Fain wou'd begin, but understands not how.
As when a pine is hew'd upon the plains,
And the last mortal stroke alone remains,
Lab'ring in pangs of death, and threatning all,
This way, and that she nods, consid'ring where to fall:
So Myrrha's mind, impell'd on either side,
Takes ev'ry bent, but cannot long abide;
Irresolute on which she shou'd relie,
At last, unfix'd in all, is only fix'd to die.
On that sad thought she rests, resolv'd on death,
She rises, and prepares to choak her breath:
Then while about the beam her zone she ties,
Dear Cinyras farewell, she softly cries;
For thee I die, and only wish to be
Not hated, when thou know'st die I for thee:
Pardon the crime, in pity to the cause:
This said, about her neck the noose she draws.
The nurse, who lay without, her faithful guard,
Though not the words, the murmurs over-heard;
And sighs, and hollow sounds: surpriz'd with fright,
She starts, and leaves her bed, and springs a light;
Unlocks the door, and entring out of breath,
The dying saw, and instruments of death;
She shrieks, she cuts the zone with trembling haste,
And in her arms her fainting charge embrac'd:
Next (for she now had leisure for her tears),
She weeping ask'd, in these her blooming years,
What unforeseen misfortune caus'd her care,
To loath her life, and languish in despair!
The maid, with down-cast eyes, and mute with grief
For death unfinish'd, and ill-tim'd relief,
Stood sullen to her suit: the beldame press'd
The more to know, and bar'd her wither'd breast,
Adjur'd her by the kindly food she drew
From those dry founts, her secret ill to shew.
Sad Myrrha sigh'd, and turn'd her eyes aside:
The nurse still urg'd, and wou'd not be deny'd:
Nor only promis'd secresie, but pray'd
She might have leave to give her offer'd aid.
Good-will, she said, my want of strength supplies,
And diligence shall give what age denies:
If strong desires thy mind to fury move,
With charms and med'cines I can cure thy love:
If envious eyes their hurtuful rays have cast,
More pow'rful verse shall free thee from the blast:
If Heav'n offended sends thee this disease,
Offended Heav'n with pray'rs we can appease.
What then remains, that can these cares procure?
Thy house is flourishing, thy fortune sure:
Thy careful mother yet in health survives,
And, to thy comfort, thy kind father lives.
The virgin started at her father's name,
And sigh'd profoundly, conscious of the shame
Nor yet the nurse her impious love divin'd,
But yet surmis'd that love disturb'd her mind:
Thus thinking, she pursu'd her point, and laid,
And lull'd within her lap the mourning maid;
Then softly sooth'd her thus; I guess your grief:
You love, my child; your love shall find relief.
My long-experienc'd age shall be your guide;
Rely on that, and lay distrust aside.
No breath of air shall on the secret blow,
Nor shall (what most you fear) your father know.
Struck once again, as with a thunder-clap,
The guilty virgin bounded from her lap,
And threw her body prostrate on the bed.
And, to conceal her blushes, hid her head;
There silent lay, and warn'd her with her hand
To go: but she receiv'd not the command;
Remaining still importunate to know:
Then Myrrha thus: Or ask no more, or go;
I pr'ythee go, or staying spare my shame;
What thou would'st hear, is impious ev'n to name.
At this, on high the beldame holds her hands,
And trembling both with age, and terror stands;
Adjures, and falling at her feet intreats,
Sooths her with blandishments, and frights with threats,

To tell the crime intended, or disclose
What part of it she knew, if she no farther knows.
And last, if conscious to her counsel made,
Confirms anew the promise of her aid.
Now Myrrha rais'd her head; but soon oppress'd
With shame, reclin'd it on her nurse's breast;
Bath'd it with tears, and strove to have confess'd:
Twice she began, and stopp'd; again she try'd;
The falt'ring tongue its office still deny'd.
At last her veil before her face she spread,
And drew a long preluding sigh, and said,
O happy mother, in thy marriage-bed!
Then groan'd, and ceas'd. The good old woman shook,
Stiff were her eyes, and ghastly was her look:
Her hoary hair upright with horror stood,
Made (to her grief) more knowing than she wou'd.
Much she reproach'd, and many things she said,
To cure the madness of th' unhappy maid,
In vain: for Myrrha stood convict of ill;
Her reason vanquish'd, but unchang'd her will:
Perverse of mind, unable to reply;
She stood resolv'd, or to possess, or die.
At length the fondness of a nurse prevail'd
Against her better sense, and virtue fail'd:
Enjoy, my child, since such is thy desire,
Thy love, she said; she durst not say, thy sire:
Live, though unhappy, live on any terms;
Then with a second oath her faith confirms.

The solemn feast of Ceres now was near,
When long white linnen stoles the matrons wear;
Rank'd in procession walk the pious train,
Off'ring first-fruits, and spikes of yellow grain:
For nine long nights the nuptial-bed they shun,
And sanctifying harvest, lie alone.

Mix'd with the crowd, the queen forsook her lord,
And Ceres' pow'r with secret rites ador'd:
The royal couch, now vacant for a time,
The crafty crone, officious in her crime,
The first occasion took: the king she found
Easie with wine, and deep in pleasures drown'd,
Prepar'd for love: the beldame blew the flame,
Confess'd the passion, but conceal'd the name.
Her form she prais'd; the monarch ask'd her years;
And she reply'd, The same thy Myrrha bears.
Wine, and commended beauty fir'd his thought;
Impatient, he commands her to be brought.
Pleas'd with her charge perform'd, she hies her home,
And gratulates the nymph, the task was overcome.
Myrrha was joy'd the welcome news to hear;
But clog'd with guilt, the joy was unsincere:
So various, so discordant is the mind,
That in our will a diff'rent will we find.
Ill she presag'd, and yet pursu'd her lust;
For guilty pleasures give a double gust.

'Twas depth of night: Arctophylax had driv'n
His lazy wain half round the northern Heav'n,
When Myrrha hasten'd to the crime desir'd:
The moon beheld her first, and first retir'd:
The stars amaz'd, ran backward from the sight,
And (shrunk within their sockets) lost their light.
Icarius first withdraws his holy flame:
The virgin sign, in Heav'n the second name,
Slides down the belt, and from her station flies,
And night with sable clouds involves the skies.
Bold Myrrha still pursues her black intent;
She stumbled thrice (an omen of th' event);
Thrice shriek'd the fun'ral owl, yet on she went,
Secure of shame, because secure of sight;
Ev'n bashful sins are impudent by night.
Link'd hand in hand, th' accomplice, and the dame,
Their way exploring, to the chamber came:
The door was ope; they blindly grope their way,
Where dark in bed th' expecting monarch lay.
Thus far her courage held, but here forsakes;
Her faint knees knock at ev'ry step she makes.
The nearer to her crime, the more within
She feels remorse, and horror of her sin;
Repents too late her criminal desire,
And wishes, that unknown she could retire.
Her lingring thus, the nurse (who fear'd delay
The fatal secret might at length betray)
Pull'd forward, to compleat the work begun,
And said to Cinyras, Receive thy own.
Thus saying, she deliver'd kind to kind,
Accurs'd, and their devoted bodies join'd.
The sire, unknowing of the crime, admits
His bowels, and prophanes the hallow'd sheets;
He found she trembled, but believ'd she strove
With maiden modesty against her love,
And sought with flatt'ring words vain fancies to remove.

Perhaps he said, My daughter, cease thy fears
(Because the title suited with her years);
And, Father, she might whisper him again,
That names might not be wanting to the sin.

Full of her sire, she left th' incestuous bed,
And carry'd in her womb the crime she bred.
Another, and another night she came;
For frequent sin had left no sense of shame:
'Till Cinyras desir'd to see her face,
Whose body he had held in close embrace,
And brought a taper; the revealer, light,
Expos'd both crime, and criminal to sight.
Grief, rage, amazement, could no speech afford,
But from the sheath he drew th' avenging sword:
The guilty fled: the benefit of night,
That favour'd first the sin, secur'd the flight.
Long wand'ring thro' the spacious fields, she bent
Her voyage to th' Arabian continent;
Then pass'd the region which Panchaea join'd,
And flying, left the palmy plains behind.
Nine times the moon had mew'd her horns; at length
With travel weary, unsupply'd with strength,
And with the burden of her womb oppress'd,
Sabaean fields afford her needful rest:
There, loathing life, and yet of death afraid,
In anguish of her spirit, thus she pray'd:
Ye Pow'rs, if any so propitious are
T' accept my penitence, and hear my pray'r;
Your judgments, I confess, are justly sent;
Great sins deserve as great a punishment:
Yet since my life the living will profane,
And since my death the happy dead will stain,
A middle state your mercy may bestow,
Betwixt the realms above, and those below:
Some other form to wretched Myrrha give,
Nor let her wholly die, nor wholly live.

The pray'rs of penitents are never vain;
At least she did her last request obtain:
For while she spoke, the ground began to rise,
And gather'd round her feet, her legs, and thighs;
Her toes in roots descend, and spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is harden'd into rind.
And now the rising tree her womb invests,
Now shooting upwards still, invades her breasts,
And shades the neck; when weary with delay,
She sunk her head within, and met it half the way.
And tho' with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain;
For still the precious drops her name retain.
Mean-time the mis-begotten infant grows,
And ripe for birth, distends with deadly throes
The swelling rind, with unavailing strife,
To leave the wooden womb, and pushes into life.
The mother-tree, as if oppress'd with pain,
Writhes here, and there, to break the bark, in vain;
And, like a lab'ring woman, wou'd have pray'd,
But wants a voice to call Lucina's aid:
The bending bole sends out a hollow sound,
And trickling tears fall thicker on the ground.
The mild Lucina came uncall'd, and stood
Beside the struggling boughs, and heard the groaning wood;

Then reach'd her midwife-hand to speed the throes,
And spoke the pow'rful spells, that babes to birth disclose.

The bark divides, the living load to free,
And safe delivers the convulsive tree.
The ready nymphs receive the crying child,
And wash him in the tears the parent plant distill'd.
They swath'd him with their scarfs; beneath him spread
The ground with herbs; with roses rais'd his head.
The lovely babe was born with ev'ry grace,
Ev'n envy must have prais'd so fair a face:
Such was his form, as painters when they show
Their utmost art, on naked loves bestow:
And that their arms no diff'rence might betray,
Give him a bow, or his from Cupid take away.
Time glides along with undiscover'd haste,
The future but a length behind the past;
So swift are years. The babe, whom just before
His grandsire got, and whom his sister bore;
The drop, the thing, which late the tree inclos'd,
And late the yawning bark to life expos'd;
A babe, a boy, a beauteous youth appears,
And lovelier than himself at riper years.
Now to the queen of love he gave desires,
And, with her pains, reveng'd his mother's fires.

The Story of Venus and Adonis

For Cytherea's lips while Cupid prest,
He with a heedless arrow raz'd her breast,
The Goddess felt it, and with fury stung,
The wanton mischief from her bosom flung:
Yet thought at first the danger slight, but found
The dart too faithful, and too deep the wound.
Fir'd with a mortal beauty, she disdains
To haunt th' Idalian mount, or Phrygian plains.
She seeks not Cnidos, nor her Paphian shrines,
Nor Amathus, that teems with brazen mines:
Ev'n Heav'n itself with all its sweets unsought,
Adonis far a sweeter Heav'n is thought.
On him she hangs, and fonds with ev'ry art,
And never, never knows from him to part.
She, whose soft limbs had only been display'd
On rosie beds beneath the myrtle shade,
Whose pleasing care was to improve each grace,
And add more charms to an unrival'd face,
Now buskin'd, like the virgin huntress, goes
Thro' woods, and pathless wilds, and mountain-snows
With her own tuneful voice she joys to cheer
The panting hounds, that chace the flying deer.
She runs the labyrinth of fearful hares,
But fearless beasts, and dang'rous prey forbears,
Hunts not the grinning wolf, or foamy boar,
And trembles at the lion's hungry roar.
Thee too, Adonis, with a lover's care
She warns, if warn'd thou wou'dst avoid the snare,
To furious animals advance not nigh,
Fly those that follow, follow those that fly;
'Tis chance alone must the survivors save,
Whene'er brave spirits will attempt the brave.
O! lovely youth! in harmless sports delight;
Provoke not beasts, which, arm'd by Nature, fight.
For me, if not thy self, vouchsafe to fear;
Let not thy thirst of glory cost me dear.
Boars know not bow to spare a blooming age;
No sparkling eyes can sooth the lion's rage.
Not all thy charms a savage breast can move,
Which have so deeply touch'd the queen of love.
When bristled boars from beaten thickets spring,
In grinded tusks a thunderbolt they bring.
The daring hunters lions rouz'd devour,
Vast is their fury, and as vast their pow'r:
Curst be their tawny race! If thou would'st hear
What kindled thus my hate, then lend an ear:
The wond'rous tale I will to thee unfold,
How the fell monsters rose from crimes of old.
But by long toils I faint: see! wide-display'd,
A grateful poplar courts us with a shade.
The grassy turf, beneath, so verdant shows,
We may secure delightfully repose.
With her Adonis here be Venus blest;
And swift at once the grass and him she prest.
Then sweetly smiling, with a raptur'd mind,
On his lov'd bosom she her head reclin'd,
And thus began; but mindful still of bliss,
Seal'd the soft accents with a softer kiss.

Perhaps thou may'st have heard a virgin's name,
Who still in swiftness swiftest youths o'ercame.
Wondrous! that female weakness should outdo
A manly strength; the wonder yet is true.
'Twas doubtful, if her triumphs in the field
Did to her form's triumphant glories yield;
Whether her face could with more ease decoy
A crowd of lovers, or her feet destroy.
For once Apollo she implor'd to show
If courteous Fates a consort would allow:
A consort brings thy ruin, he reply'd;
O! learn to want the pleasures of a bride!
Nor shalt thou want them to thy wretched cost,
And Atalanta living shall be lost.
With such a rueful Fate th' affrighted maid
Sought green recesses in the wood-land glade.
Nor sighing suiters her resolves could move,
She bad them show their speed, to show their love.
He only, who could conquer in the race,
Might hope the conquer'd virgin to embrace;
While he, whose tardy feet had lagg'd behind,
Was doom'd the sad reward of death to find.
Tho' great the prize, yet rigid the decree,
But blind with beauty, who can rigour see?
Ev'n on these laws the fair they rashly sought,
And danger in excess of love forgot.

There sat Hippomenes, prepar'd to blame
In lovers such extravagance of flame.
And must, he said, the blessing of a wife
Be dearly purchas'd by a risk of life?
But when he saw the wonders of her face,
And her limbs naked, springing to the race,
Her limbs, as exquisitely turn'd, as mine,
Or if a woman thou, might vie with thine,
With lifted hands, he cry'd, forgive the tongue
Which durst, ye youths, your well-tim'd courage wrong.
I knew not that the nymph, for whom you strove,
Deserv'd th' unbounded transports of your love.
He saw, admir'd, and thus her spotless frame
He prais'd, and praising, kindled his own flame.
A rival now to all the youths who run,
Envious, he fears they should not be undone.
But why (reflects he) idly thus is shown
The fate of others, yet untry'd my own?
The coward must not on love's aid depend;
The God was ever to the bold a friend.
Mean-time the virgin flies, or seems to fly,
Swift as a Scythian arrow cleaves the sky:
Still more and more the youth her charms admires.
The race itself t' exalt her charms conspires.
The golden pinions, which her feet adorn,
In wanton flutt'rings by the winds are born.
Down from her head, the long, fair tresses flow,
And sport with lovely negligence below.
The waving ribbands, which her buskins tie,
Her snowy skin with waving purple die;
As crimson veils in palaces display'd,
To the white marble lend a blushing shade.
Nor long he gaz'd, yet while he gaz'd, she gain'd
The goal, and the victorious wreath obtain'd.
The vanquish'd sigh, and, as the law decreed,
Pay the dire forfeit, and prepare to bleed.

Then rose Hippomenes, not yet afraid,
And fix'd his eyes full on the beauteous maid.
Where is (he cry'd) the mighty conquest won,
To distance those, who want the nerves to run?
Here prove superior strength, nor shall it be
Thy loss of glory, if excell'd by me.
High my descent, near Neptune I aspire,
For Neptune was grand-parent to my sire.
From that great God the fourth my self I trace,
Nor sink my virtues yet beneath my race.
Thou from Hippomenes, o'ercome, may'st claim
An envy'd triumph, and a deathless fame.

While thus the youth the virgin pow'r defies,
Silent she views him still with softer eyes.
Thoughts in her breast a doubtful strife begin,
If 'tis not happier now to lose, than win.
What God, a foe to beauty, would destroy
The promis'd ripeness of this blooming boy?
With his life's danger does he seek my bed?
Scarce am I half so greatly worth, she said.
Nor has his beauty mov'd my breast to love,
And yet, I own, such beauty well might move:
'Tis not his charms, 'tis pity would engage
My soul to spare the greenness of his age.
What, that heroick conrage fires his breast,
And shines thro' brave disdain of Fate confest?
What, that his patronage by close degrees
Springs from th' imperial ruler of the seas?
Then add the love, which bids him undertake
The race, and dare to perish for my sake.
Of bloody nuptials, heedless youth, beware!
Fly, timely fly from a too barb'rous fair.
At pleasure chuse; thy love will be repaid
By a less foolish, and more beauteous maid.
But why this tenderness, before unknown?
Why beats, and pants my breast for him alone?
His eyes have seen his num'rous rivals yield;
Let him too share the rigour of the field,
Since, by their fates untaught, his own he courts,
And thus with ruin insolently sports.
Yet for what crime shall he his death receive?
Is it a crime with me to wish to live?
Shall his kind passion his destruction prove?
Is this the fatal recompence of love?
So fair a youth, destroy'd, would conquest shame,
Aud nymphs eternally detest my fame.
Still why should nymphs my guiltless fame upbraid?
Did I the fond adventurer persuade?
Alas! I wish thou would'st the course decline,
Or that my swiftness was excell'd by thine.
See! what a virgin's bloom adorns the boy!
Why wilt thou run, and why thy self destroy?
Hippomenes! O that I ne'er had been
By those bright eyes unfortunately seen!
Ah! tempt not thus a swift, untimely Fate;
Thy life is worthy of the longest date.
Were I less wretched, did the galling chain
Of rigid Gods not my free choice restrain,
By thee alone I could with joy be led
To taste the raptures of a nuptial bed.

Thus she disclos'd the woman's secret heart,
Young, innocent, and new to Cupid's dart.
Her thoughts, her words, her actions wildly rove,
With love she burns, yet knows not that 'tis love.

Her royal sire now with the murm'ring crowd
Demands the race impatiently aloud.
Hippomenes then with true fervour pray'd,
My bold attempt let Venus kindly aid.
By her sweet pow'r I felt this am'rous fire,
Still may she succour, whom she did inspire.
A soft, unenvious wind, with speedy care,
Wafted to Heav'n the lover's tender pray'r.
Pity, I own, soon gain'd the wish'd consent,
And all th' assistance he implor'd I lent.
The Cyprian lands, tho' rich, in richness yield
To that, surnam'd the Tamasenian field.
That field of old was added to my shrine,
And its choice products consecrated mine.
A tree there stands, full glorious to behold,
Gold are the leafs, the crackling branches gold.
It chanc'd, three apples in my hand I bore,
Which newly from the tree I sportive tore;
Seen by the youth alone, to him I brought
The fruit, and when, and how to use it, taught.
The signal sounding by the king's command,
Both start at once, and sweep th' imprinted sand.
So swiftly mov'd their feet, they might with ease,
Scarce moisten'd, skim along the glassy seas;
Or with a wondrous levity be born
O'er yellow harvests of unbending corn.
Now fav'ring peals resound from ev'ry part,
Spirit the youth, and fire his fainting heart.
Hippomenes! (they cry'd) thy life preserve,
Intensely labour, and stretch ev'ry nerve.
Base fear alone can baffle thy design,
Shoot boldly onward, and the goal is thine.
'Tis doubtful whether shouts, like these, convey'd
More pleasures to the youth, or to the maid.
When a long distance oft she could have gain'd,
She check'd her swiftness, and her feet restrain'd:
She sigh'd, and dwelt, and languish'd on his face,
Then with unwilling speed pursu'd the race.
O'er-spent with heat, his breath he faintly drew,
Parch'd was his mouth, nor yet the goal in view,
And the first apple on the plain he threw.
The nymph stop'd sudden at th' unusual sight,
Struck with the fruit so beautifully bright.
Aside she starts, the wonder to behold,
And eager stoops to catch the rouling gold.
Th' observant youth past by, and scour'd along,
While peals of joy rung from th' applauding throng.
Unkindly she corrects the short delay,
And to redeem the time fleets swift away,
Swift, as the lightning, or the northern wind,
And far she leaves the panting youth behind.
Again he strives the flying nymph to hold
With the temptation of the second gold:
The bright temptation fruitlessly was tost,
So soon, alas! she won the distance lost.
Now but a little interval of space
Remain'd for the decision of the race.
Fair author of the precious gift, he said,
Be thou, O Goddess, author of my aid!
Then of the shining fruit the last he drew,
And with his full-collected vigour threw:
The virgin still the longer to detain,
Threw not directly, but a-cross the plain.
She seem'd a-while perplex'd in dubious thought,
If the far-distant apple should be sought:
I lur'd her backward mind to seize the bait,
And to the massie gold gave double weight.
My favour to my votary was show'd,
Her speed I lessen'd, and encreas'd her load.
But lest, tho' long, the rapid race be run,
Before my longer, tedious tale is done,
The youth the goal, and so the virgin won.

Might I, Adonis, now not hope to see
His grateful thanks pour'd out for victory?
His pious incense on my altars laid?
But he nor grateful thanks, nor incense paid.
Enrag'd I vow'd, that with the youth the fair,
For his contempt, should my keen vengeance share;
That future lovers might my pow'r revere,
And, from their sad examples, learn to fear.
The silent fanes, the sanctify'd abodes,
Of Cybele, great mother of the Gods,
Rais'd by Echion in a lonely wood,
And full of brown, religious horror stood.
By a long painful journey faint, they chose!
Their weary limbs here secret to repose.
But soon my pow'r inflam'd the lustful boy,
Careless of rest he sought untimely joy.
A hallow'd gloomy cave, with moss o'er-grown,
The temple join'd, of native pumice-stone,
Where antique images by priests were kept.
And wooden deities securely slept.
Thither the rash Hippomenes retires,
And gives a loose to all his wild desires,
And the chaste cell pollutes with wanton fires.
The sacred statues trembled with surprize,
The tow'ry Goddess, blushing, veil'd her eyes;
And the lewd pair to Stygian sounds had sent,
But unrevengeful seem'd that punishment,
A heavier doom such black prophaneness draws,
Their taper figures turn to crooked paws.
No more their necks the smoothness can retain,
Now cover'd sudden with a yellow mane.
Arms change to legs: each finds the hard'ning breast
Of rage unknown, and wond'rous strength possest.
Their alter'd looks with fury grim appear,
And on the ground their brushing tails they hear.
They haunt the woods: their voices, which before
Were musically sweet, now hoarsly roar.
Hence lions, dreadful to the lab'ring swains,
Are tam'd by Cybele, and curb'd with reins,
And humbly draw her car along the plains.
But thou, Adonis, my delightful care,
Of these, and beasts, as fierce as these, beware!
The savage, which not shuns thee, timely shun,
For by rash prowess should'st thou be undone,
A double ruin is contain'd in one.
Thus cautious Venus school'd her fav'rite boy;
But youthful heat all cautions will destroy.
His sprightly soul beyond grave counsels flies,
While with yok'd swans the Goddess cuts the skies.
His faithful hounds, led by the tainted wind,
Lodg'd in thick coverts chanc'd a boar to find.
The callow hero show'd a manly heart,
And pierc'd the savage with a side-long dart.
The flying savage, wounded, turn'd again,
Wrench'd out the gory dart, and foam'd with pain.
The trembling boy by flight his safety sought,
And now recall'd the lore, which Venus taught;
But now too late to fly the boar he strove,
Who in the groin his tusks impetuous drove,
On the discolour'd grass Adonis lay,
The monster trampling o'er his beauteous prey.

Fair Cytherea, Cyprus scarce in view,
Heard from afar his groans, and own'd them true,
And turn'd her snowy swans, and backward flew.
But as she saw him gasp his latest breath,
And quiv'ring agonize in pangs of death,
Down with swift flight she plung'd, nor rage forbore,
At once her garments, and her hair she tore.
With cruel blows she beat her guiltless breast,
The Fates upbraided, and her love confest.
Nor shall they yet (she cry'd) the whole devour
With uncontroul'd, inexorable pow'r:
For thee, lost youth, my tears, and restless pain
Shall in immortal monuments remain,
With solemn pomp in annual rites return'd,
Be thou for ever, my Adonis, mourn'd,
Could Pluto's queen with jealous fury storm,
And Men the to a fragrant herb transform?
Yet dares not Venus with a change surprise,
And in a flow'r bid her fall'n heroe rise?
Then on the blood sweet nectar she bestows,
The scented blood in little bubbles rose:
Little as rainy drops, which flutt'ring fly,
Born by the winds, along a low'ring sky.
Short time ensu'd, 'till where the blood was shed,
A flow'r began to rear its purple head:
Such, as on Punick apples is reveal'd,
Or in the filmy rind but half conceal'd.
Still here the Fate of lovely forms we see,
So sudden fades the sweet Anemonie.
The feeble stems, to stormy blasts a prey,
Their sickly beauties droop, and pine away.
The winds forbid the flow'rs to flourish long,
Which owe to winds their names in Grecian song.

----------------------------------------------------------------------
~ Ovid, BOOK THE TENTH

,
1425:MANTIS EIM ESQLWN AGWNWN
--Oedip. Colon.

TO HIS EXCELLENCY PRINCE ALEXANDER MAVROCORDATO LATE SECRETARY FOR FOREIGN AFFAIRS TO THE HOSPODAR OF WALLACHIA THE DRAMA OF HELLAS IS INSCRIBED AS AN IMPERFECT TOKEN OF THE ADMIRATION, SYMPATHY, AND FRIENDSHIP OF THE AUTHOR.

PROLOGUE TO HELLAS
Herald of Eternity.
It is the day when all the sons of God
Wait in the roofless senate-house, whose floor
Is Chaos, and the immovable abyss
Frozen by His steadfast word to hyaline...
The shadow of God, and delegate
Of that before whose breath the universe
Is as a print of dew.

           Hierarchs and kings
Who from your thrones pinnacled on the past
Sway the reluctant present, ye who sit
Pavilioned on the radiance or the gloom
Of mortal thought, which like an exhalation
Steaming from earth, conceals the...of heaven
Which gave it birth,...assemble here
Before your Father's throne; the swift decree
Yet hovers, and the fiery incarnation
Is yet withheld, clothd in which it shall
...annul
The fairest of those wandering isles that gem
The sapphire space of interstellar air,
That green and azure sphere, that earth enwrapped
Less in the beauty of its tender light
Than in an atmosphere of living spirit
Which interpenetrating all the...
...it rolls from realm to realm
And age to age, and in its ebb and flow
Impels the generations
To their appointed place,
Whilst the high Arbiter
Beholds the strife, and at the appointed time
Sends His decrees veiled in eternal...

Within the circuit of this pendent orb
There lies an antique region, on which fell
The dews of thought in the world's golden dawn
Earliest and most benign, and from it sprung
Temples and cities and immortal forms
And harmonies of wisdom and of song,
And thoughts, and deeds worthy of thoughts so fair.
And when the sun of its dominion failed,
And when the winter of its glory came,
The winds that stripped it bare blew on and swept
That dew into the utmost wildernesses
In wandering clouds of sunny rain that thawed
The unmaternal bosom of the North.
Haste, sons of God,...for ye beheld,
Reluctant, or consenting, or astonished,
The stern decrees go forth, which heaped on Greece
Ruin and degradation and despair.
A fourth now waits: assemble, sons of God,
To speed or to prevent or to suspend,
If, as ye dream, such power be not withheld,
The unaccomplished destiny...

Chorus.

The curtain of the Universe
Is rent and shattered,
The splendour-wingd worlds disperse
Like wild doves scattered.

  Space is roofless and bare,
And in the midst a cloudy shrine,
Dark amid thrones of light.
In the blue glow of hyaline
Golden worlds revolve and shine.
In...flight
From every point of the Infinite,
Like a thousand dawns on a single night
The splendours rise and spread;
And through thunder and darkness dread
Light and music are radiated,
And in their pavilioned chariots led
By living wings high overhead
The giant Powers move,
Gloomy or bright as the thrones they fill...
A chaos of light and motion
Upon that glassy ocean...
The senate of the Gods is met,
Each in his rank and station set;
  There is silence in the spaces
Lo! Satan, Christ, and Mahomet
Start from their places!

Christ.

             Almighty Father!
Low-kneeling at the feet of Destiny. . .
There are two fountains in which spirits weep
When mortals err, Discord and Slavery named,
And with their bitter dew two Destinies
Filled each their irrevocable urns; the third,
Fiercest and mightiest, mingled both, and added
Chaos and Death, and slow Oblivion's lymph,
And hate and terror, and the poisoned rain. . .
The Aurora of the nations. By this brow
Whose pores wept tears of blood, by these wide wounds,
By this imperial crown of agony,
By infamy and solitude and death,
For this I underwent, and by the pain
Of pity for those who would...for me
The unremembered joy of a revenge,
For this I feltby Plato's sacred light,
Of which my spirit was a burning morrow
By Greece and all she cannot cease to be,
Her quenchless words, sparks of immortal truth,
Stars of all nighther harmonies and forms,
Echoes and shadows of what Love adores
In thee, I do compel thee, send forth Fate,
Thy irrevocable child: let her descend,
A seraph-wingd Victory [arrayed]
In tempest of the omnipotence of God
Which sweeps through all things.

From hollow leagues, from Tyranny which arms
Adverse miscreeds and emulous anarchies
To stamp, as on a wingd serpent's seed,
Upon the name of Freedom; from the storm
Of faction, which like earthquake shakes and sickens
The solid heart of enterprise; from all
By which the holiest dreams of highest spirits
Are stars beneath the dawn...

                 She shall arise
Victorious as the world arose from Chaos!
And as the Heavens and the Earth arrayed
Their presence in the beauty and the light
Of Thy first smile, O Father,as they gather
The spirit of Thy love which paves for them
Their path o'er the abyss, till every sphere
Shall be one living Spirit,-- so shall Greece--

Satan.
Be as all things beneath the empyrean,
Mine! Art thou eyeless like old Destiny,
Thou mockery-king, crowned with a wreath of thorns?
Whose sceptre is a reed, the broken reed
Which pierces thee! whose throne a chair of scorn;
For seest thou not beneath this crystal floor
The innumerable worlds of golden light
Which are my empire, and the least of them
...which thou wouldst redeem from me?
Know'st thou not them my portion?
Or wouldst rekindle the...strife
Which our great Father then did arbitrate
Which he assigned to his competing sons
Each his apportioned realm?

               Thou Destiny,
Thou who art mailed in the omnipotence
Of Him who sends thee forth, whate'er thy task,
Speed, spare not to accomplish, and be mine
Thy trophies, whether Greece again become
The fountain in the desert whence the earth
Shall drink of freedom, which shall give it strength
To suffer, or a gulf of hollow death
To swallow all delight, all life, all hope.
Go, thou Vicegerent of my will, no less
Than of the Father's; but lest thou shouldst faint,
The wingd hounds, Famine and Pestilence,
Shall wait on thee, the hundred-forkd snake
Insatiate Superstition still shall...
The earth behind thy steps, and War shall hover
Above, and Fraud shall gape below, and Change
Shall flit before thee on her dragon wings,
Convulsing and consuming, and I add
Three vials of the tears which daemons weep
When virtuous spirits through the gate of Death
Pass triumphing over the thorns of life,
Sceptres and crowns, mitres and swords and snares,
Trampling in scorn, like Him and Socrates.
The first is Anarchy; when Power and Pleasure,
Glory and science and security,
On Freedom hang like fruit on the green tree,
Then pour it forth, and men shall gather ashes.
The second Tyranny--

Christ.
           Obdurate spirit!
Thou seest but the Past in the To-come.
Pride is thy error and thy punishment.
Boast not thine empire, dream not that thy worlds
Are more than furnace-sparks or rainbow-drops
Before the Power that wields and kindles them.
True greatness asks not space, true excellence
Lives in the Spirit of all things that live,
Which lends it to the worlds thou callest thine...

Mahomet.
Haste thou and fill the waning crescent
With beams as keen as those which pierced the shadow
Of Christian night rolled back upon the West,
When the orient moon of Islam rode in triumph
From Tmolus to the Acroceraunian snow...
                       Wake, thou Word
Of God, and from the throne of Destiny
Even to the utmost limit of thy way
May Triumph...........
Be thou a curse on them whose creed
Divides and multiplies the most high God.

HELLAS

DRAMATIS PERSONAE
Mahmud.
Hassan.
Daood.
Ahasuerus, a Jew.
Chorus of Greek Captive Women.
The Phantom of Mahomet II.
Messengers, Slaves, and Attendants.

Scene, Constantinople. Time, Sunset.

Scene--A Terrace on the Seraglio. Mahmud sleeping, an Indian Slave sitting beside his Couch.
Chorus of Greek Captive Women.
We strew these opiate flowers
  On thy restless pillow,
They were stripped from Orient bowers,
  By the Indian billow.
   Be thy sleep
   Calm and deep,
Like theirs who fellnot ours who weep!
Indian.
Away, unlovely dreams!
  Away, false shapes of sleep!
Be his, as Heaven seems,
  Clear, and bright, and deep!
Soft as love, and calm as death,
Sweet as a summer night without a breath.
Chorus.
Sleep, sleep! our song is laden
  With the soul of slumber;
It was sung by a Samian maiden,
  Whose lover was of the number
   Who now keep
   That calm sleep
Whence none may wake, where none shall weep.
Indian.
I touch thy temples pale!
  I breathe my soul on thee!
And could my prayers avail,
  All my joy should be
Dead, and I would live to weep,
So thou mightst win one hour of quiet sleep.
Chorus.
  Breathe low, low
The spell of the mighty mistress now!
When Conscience lulls her sated snake,
And Tyrants sleep, let Freedom wake.
  Breathe lowlow
The words which, like secret fire, shall flow
Through the veins of the frozen earthlow, low!
Semichorus I.
Life may change, but it may fly not;
Hope may vanish, but can die not;
Truth be veiled, but still it burneth;
Love repulsed,but it returneth!
Semichorus II.
Yet were life a charnel where
Hope lay coffined with Despair;
Yet were truth a sacred lie,
Love were lust
Semichorus I.
         If Liberty
Lent not life its soul of light,
Hope its iris of delight,
Truth its prophet's robe to wear,
Love its power to give and bear.
Chorus.
In the great morning of the world,
The Spirit of God with might unfurled
The flag of Freedom over Chaos,
And all its banded anarchs fled,
Like vultures frighted from Imaus,
Before an earthquake's tread.
So from Time's tempestuous dawn
Freedom's splendour burst and shone:
Thermopylae and Marathon
Caught, like mountains beacon-lighted,
The springing Fire.The wingd glory
On Philippi half-alighted,
Like an eagle on a promontory.
Its unwearied wings could fan
The quenchless ashes of Milan.[1]
From age to age, from man to man,
It lived; and lit from land to land
Florence, Albion, Switzerland.
Then night fell; and, as from night,
Reassuming fiery flight,
From the West swift Freedom came,
Against the course of Heaven and doom,
A second sun arrayed in flame,
To burn, to kindle, to illume.
From far Atlantis its young beams
Chased the shadows and the dreams.
France, with all her sanguine steams,
Hid, but quenched it not; again
Through clouds its shafts of glory rain
From utmost Germany to Spain.
As an eagle fed with morning
Scorns the embattled tempest's warning,
When she seeks her aerie hanging
In the mountain-cedar's hair,
And her brood expect the clanging
Of her wings through the wild air,
Sick with famine:Freedom, so
To what of Greece remaineth now
Returns; her hoary ruins glow
Like Orient mountains lost in day;
Beneath the safety of her wings
Her renovated nurslings prey,
And in the naked lightenings
Of truth they purge their dazzled eyes.
Let Freedom leavewhere'er she flies,
A Desert, or a Paradise:
Let the beautiful and the brave
Share her glory, or a grave.
Semichorus I.
With the gifts of gladness
Greece did thy cradle strew;
Semichorus II.
With the tears of sadness
Greece did thy shroud bedew!
Semichorus I.
With an orphan's affection
She followed thy bier through Time;
Semichorus II.
And at thy resurrection
Reappeareth, like thou, sublime!
Semichorus I.
If Heaven should resume thee,
To Heaven shall her spirit ascend;
Semichorus II.
If Hell should entomb thee,
To Hell shall her high hearts bend.
Semichorus I.
If Annihilation
Semichorus II.
Dust let her glories be!
And a name and a nation
Be forgotten, Freedom, with thee!
Indian.
His brow grows darkerbreathe notmove not!
He startshe shuddersye that love not,
With your panting loud and fast,
Have awakened him at last.
Mahmud
(starting from his sleep).
Man the Seraglio-guard! make fast the gate!
What! from a cannonade of three short hours?
'Tis false! that breach towards the Bosphorus
Cannot be practicable yetwho stirs?
Stand to the match; that when the foe prevails
One spark may mix in reconciling ruin
The conqueror and the conquered! Heave the tower
Into the gapwrench off the roof!
(Enter Hassan.)
                  Ha! what!
The truth of day lightens upon my dream
And I am Mahmud still.
Hassan.
            Your Sublime Highness
Is strangely moved.
Mahmud.
          The times do cast strange shadows
On those who watch and who must rule their course,
Lest they, being first in peril as in glory,
Be whelmed in the fierce ebb:and these are of them.
Thrice has a gloomy vision hunted me
As thus from sleep into the troubled day;
It shakes me as the tempest shakes the sea,
Leaving no figure upon memory's glass.
Would thatno matter. Thou didst say thou knewest
A Jew, whose spirit is a chronicle
Of strange and secret and forgotten things.
I bade thee summon him:'tis said his tribe
Dream, and are wise interpreters of dreams.
Hassan.
The Jew of whom I spake is old,so old
He seems to have outlived a world's decay;
The hoary mountains and the wrinkled ocean
Seem younger still than he;his hair and beard
Are whiter than the tempest-sifted snow;
His cold pale limbs and pulseless arteries
Are like the fibres of a cloud instinct
With light, and to the soul that quickens them
Are as the atoms of the mountain-drift
To the winter wind:but from his eye looks forth
A life of unconsumd thought which pierces
The Present, and the Past, and the To-come.
Some say that this is he whom the great prophet
Jesus, the son of Joseph, for his mockery,
Mocked with the curse of immortality.
Some feign that he is Enoch: others dream
He was pre-adamite and has survived
Cycles of generation and of ruin.
The sage, in truth, by dreadful abstinence
And conquering penance of the mutinous flesh,
Deep contemplation, and unwearied study,
In years outstretched beyond the date of man,
May have attained to sovereignty and science
Over those strong and secret things and thoughts
Which others fear and know not.
Mahmud.
                 I would talk
With this old Jew.
Hassan.
          Thy will is even now
Made known to him, where he dwells in a sea-cavern
'Mid the Demonesi, less accessible
Than thou or God! He who would question him
Must sail alone at sunset, where the stream
Of Ocean sleeps around those foamless isles,
When the young moon is westering as now,
And evening airs wander upon the wave;
And when the pines of that bee-pasturing isle,
Green Erebinthus, quench the fiery shadow
Of his gilt prow within the sapphire water,
Then must the lonely helmsman cry aloud
'Ahasuerus!' and the caverns round
Will answer 'Ahasuerus!' If his prayer
Be granted, a faint meteor will arise
Lighting him over Marmora, and a wind
Will rush out of the sighing pine-forest,
And with the wind a storm of harmony
Unutterably sweet, and pilot him
Through the soft twilight to the Bosphorus:
Thence at the hour and place and circumstance
Fit for the matter of their conference
The Jew appears. Few dare, and few who dare
Win the desired communionbut that shout
Bodes
[A shout within.
Mahmud.
    Evil, doubtless; like all human sounds.
Let me converse with spirits.
Hassan.
                That shout again.
                Mahmud.
This Jew whom thou hast summoned
Hassan.
                  Will be here
                  Mahmud.
When the omnipotent hour to which are yoked
He, I, and all things shall compelenough!
Silence those mutineersthat drunken crew,
That crowd about the pilot in the storm.
Ay! strike the foremost shorter by a head!
They weary me, and I have need of rest.
Kings are like starsthey rise and set, they have
The worship of the world, but no repose.
[Exeunt severally.
Chorus[2].
Worlds on worlds are rolling ever
From creation to decay,
Like the bubbles on a river
Sparkling, bursting, borne away.
  But they are still immortal
  Who, through birth's orient portal
And death's dark chasm hurrying to and fro,
  Clothe their unceasing flight
  In the brief dust and light
Gathered around their chariots as they go;
  New shapes they still may weave,
  New gods, new laws receive,
Bright or dim are they as the robes they last
  On Death's bare ribs had cast.
   A power from the unknown God,
  A Promethean conqueror, came;
Like a triumphal path he trod
  The thorns of death and shame.
  A mortal shape to him
  Was like the vapour dim
Which the orient planet animates with light;
  Hell, Sin, and Slavery came,
  Like bloodhounds mild and tame,
Nor preyed, until their Lord had taken flight;
  The moon of Mahomet
  Arose, and it shall set:
While blazoned as on Heaven's immortal noon
The cross leads generations on.
  Swift as the radiant shapes of sleep
  From one whose dreams are Paradise
Fly, when the fond wretch wakes to weep,
  And Day peers forth with her blank eyes;
  So fleet, so faint, so fair,
  The Powers of earth and air
Fled from the folding-star of Bethlehem:
  Apollo, Pan, and Love,
  And even Olympian Jove
Grew weak, for killing Truth had glared on them;
  Our hills and seas and streams,
  Dispeopled of their dreams,
Their watrs turned to blood, their dew to tears,
  Wailed for the golden years.
  Enter Mahmud, Hassan, Daood, and others.
Mahmud.
More gold? our ancestors bought gold with victory,
And shall I sell it for defeat?
Daood.
                 The Janizars
Clamour for pay.
Mahmud.
         Go! bid them pay themselves
With Christian blood! Are there no Grecian virgins
Whose shrieks and spasms and tears they may enjoy?
No infidel children to impale on spears?
No hoary priests after that Patriarch[3]
Who bent the curse against his country's heart,
Which clove his own at last? Go! bid them kill,
Blood is the seed of gold.
Daood.
              It has been sown,
And yet the harvest to the sicklemen
Is as a grain to each.
Mahmud.
            Then, take this signet,
Unlock the seventh chamber in which lie
The treasures of victorious Solyman,
An empire's spoil stored for a day of ruin.
O spirit of my sires! is it not come?
The prey-birds and the wolves are gorged and sleep;
But these, who spread their feast on the red earth,
Hunger for gold, which fills not.See them fed;
Then, lead them to the rivers of fresh death. [Exit Daood.

O miserable dawn, after a night
More glorious than the day which it usurped!
O faith in God! O power on earth! O word
Of the great prophet, whose o'ershadowing wings
Darkened the thrones and idols of the West,
Now bright!For thy sake cursd be the hour,
Even as a father by an evil child,
When the orient moon of Islam rolled in triumph
From Caucasus to White Ceraunia!
Ruin above, and anarchy below;
Terror without, and treachery within;
The Chalice of destruction full, and all
Thirsting to drink; and who among us dares
To dash it from his lips? and where is Hope?
Hassan.
The lamp of our dominion still rides high;
One God is GodMahomet is His prophet.
Four hundred thousand Moslems, from the limits
Of utmost Asia, irresistibly
Throng, like full clouds at the Sirocco's cry;
But not like them to weep their strength in tears:
They bear destroying lightning, and their step
Wakes earthquake to consume and overwhelm,
And reign in ruin. Phrygian Olympus,
Tmolus, and Latmos, and Mycale, roughen
With horrent arms; and lofty ships even now,
Like vapours anchored to a mountain's edge,
Freighted with fire and whirlwind, wait at Scala
The convoy of the ever-veering wind.
Samos is drunk with blood;the Greek has paid
Brief victory with swift loss and long despair.
The false Moldavian serfs fled fast and far,
When the fierce shout of 'Allah-illa-Allah!'
Rose like the war-cry of the northern wind
Which kills the sluggish clouds, and leaves a flock
Of wild swans struggling with the naked storm.
So were the lost Greeks on the Danube's day!
If night is mute, yet the returning sun
Kindles the voices of the morning birds;
Nor at thy bidding less exultingly
Than birds rejoicing in the golden day,
The Anarchies of Africa unleash
Their tempest-wingd cities of the sea,
To speak in thunder to the rebel world.
Like sulphurous clouds, half-shattered by the storm,
They sweep the pale Aegean, while the Queen
Of Ocean, bound upon her island-throne,
Far in the West, sits mourning that her sons
Who frown on Freedom spare a smile for thee:
Russia still hovers, as an eagle might
Within a cloud, near which a kite and crane
Hang tangled in inextricable fight,
To stoop upon the victor;for she fears
The name of Freedom, even as she hates thine.
But recreant Austria loves thee as the Grave
Loves Pestilence, and her slow dogs of war
Fleshed with the chase, come up from Italy,
And howl upon their limits; for they see
The panther, Freedom, fled to her old cover,
Amid seas and mountains, and a mightier brood
Crouch round. What Anarch wears a crown or mitre,
Or bears the sword, or grasps the key of gold,
Whose friends are not thy friends, whose foes thy foes?
Our arsenals and our armouries are full;
Our forts defy assault; ten thousand cannon
Lie ranged upon the beach, and hour by hour
Their earth-convulsing wheels affright the city;
The galloping of fiery steeds makes pale
The Christian merchant; and the yellow Jew
Hides his hoard deeper in the faithless earth.
Like clouds, and like the shadows of the clouds,
Over the hills of Anatolia,
Swift in wide troops the Tartar chivalry
Sweep;the far flashing of their starry lances
Reverberates the dying light of day.
We have one God, one King, one Hope, one Law;
But many-headed Insurrection stands
Divided in itself, and soon must fall.
Mahmud.
Proud words, when deeds come short, are seasonable:
Look, Hassan, on yon crescent moon, emblazoned
Upon that shattered flag of fiery cloud
Which leads the rear of the departing day;
Wan emblem of an empire fading now!
See how it trembles in the blood-red air,
And like a mighty lamp whose oil is spent
Shrinks on the horizon's edge, while, from above,
One star with insolent and victorious light
Hovers above its fall, and with keen beams,
Like arrows through a fainting antelope,
Strikes its weak from to death.
Hassan.
                 Even as that moon
Renews itself
Mahmud.
        Shall we be not renewed!
Far other bark than ours were needed now
To stem the torrent of descending time:
The Spirit that lifts the slave before his lord
Stalks through the capitals of armd kings,
And spreads his ensign in the wilderness:
Exults in chains; and, when the rebel falls,
Cries like the blood of Abel from the dust;
And the inheritors of the earth, like beasts
When earthquake is unleashed, with idiot fear
Cower in their kingly densas I do now.
What were Defeat when Victory must appal?
Or Danger, when Security looks pale?
How said the messengerwho, from the fort
Islanded in the Danube, saw the battle
Of Bucharest?that
Hassan.
           Ibrahim's scimitar
Drew with its gleam swift victory from Heaven,
To burn before him in the night of battle
A light and a destruction.
Mahmud.
              Ay! the day
Was ours: but how?
Hassan.
           The light Wallachians,
The Arnaut, Servian, and Albanian allies
Fled from the glance of our artillery
Almost before the thunderstone alit.
One half the Grecian army made a bridge
Of safe and slow retreat, with Moslem dead;
The other
Mahmud.
      Speaktremble not.
      Hassan.
                 Islanded
By victor myriads, formed in hollow square
With rough and steadfast front, and thrice flung back
The deluge of our foaming cavalry;
Thrice their keen wedge of battle pierced our lines.
Our baffled army trembled like one man
Before a host, and gave them space; but soon,
From the surrounding hills, the batteries blazed,
Kneading them down with fire and iron rain:
Yet none approached; till, like a field of corn
Under the hook of the swart sickleman,
The band, intrenched in mounds of Turkish dead,
Grew weak and few.Then said the Pacha, 'Slaves,
Render yourselvesthey have abandoned you
What hope of refuge, or retreat, or aid?
We grant your lives.' 'Grant that which is thine own!'
Cried one, and fell upon his sword and died!
Another'God, and man, and hope abandon me;
But I to them, and to myself, remain
Constant:'he bowed his head, and his heart burst.
A third exclaimed, 'There is a refuge, tyrant,
Where thou darest not pursue, and canst not harm
Shouldst thou pursue; there we shall meet again.'
Then held his breath, and, after a brief spasm,
The indignant spirit cast its mortal garment
Among the slaindead earth upon the earth!
So these survivors, each by different ways,
Some strange, all sudden, none dishonourable,
Met in triumphant death; and when our army
Closed in, while yet wonder, and awe, and shame
Held back the base hyaenas of the battle
That feed upon the dead and fly the living,
One rose out of the chaos of the slain:
And if it were a corpse which some dread spirit
Of the old saviours of the land we rule
Had lifted in its anger, wandering by;
Or if there burned within the dying man
Unquenchable disdain of death, and faith
Creating what it feigned;I cannot tell
But he cried, 'Phantoms of the free, we come!
Armies of the Eternal, ye who strike
To dust the citadels of sanguine kings,
And shake the souls throned on their stony hearts,
And thaw their frostwork diadems like dew;
O ye who float around this clime, and weave
The garment of the glory which it wears,
Whose fame, though earth betray the dust it clasped,
Lies sepulchred in monumental thought;
Progenitors of all that yet is great,
Ascribe to your bright senate, O accept
In your high ministrations, us, your sons
Us first, and the more glorious yet to come!
And ye, weak conquerors! giants who look pale
When the crushed worm rebels beneath your tread,
The vultures and the dogs, your pensioners tame,
Are overgorged; but, like oppressors, still
They crave the relic of Destruction's feast.
The exhalations and the thirsty winds
Are sick with blood; the dew is foul with death;
Heaven's light is quenched in slaughter: thus, where'er
Upon your camps, cities, or towers, or fleets,
The obscene birds the reeking remnants cast
Of these dead limbs,upon your streams and mountains,
Upon your fields, your gardens, and your housetops,
Where'er the winds shall creep, or the clouds fly,
Or the dews fall, or the angry sun look down
With poisoned lightFamine, and Pestilence,
And Panic, shall wage war upon our side!
Nature from all her boundaries is moved
Against ye: Time has found ye light as foam.
The Earth rebels; and Good and Evil stake
Their empire o'er the unborn world of men
On this one cast;but ere the die be thrown,
The renovated genius of our race,
Proud umpire of the impious game, descends,
A seraph-wingd Victory, bestriding
The tempest of the Omnipotence of God,
Which sweeps all things to their appointed doom,
And you to oblivion!'More he would have said,
But
Mahmud.
   Diedas thou shouldst ere thy lips had painted
Their ruin in the hues of our success.
A rebel's crime, gilt with a rebel's tongue!
Your heart is Greek, Hassan.
Hassan.
               It may be so:
A spirit not my own wrenched me within,
And I have spoken words I fear and hate;
Yet would I die for
Mahmud.
           Live! oh live! outlive
Me and this sinking empire. But the fleet
Hassan.
Alas!
Mahmud.
    The fleet which, like a flock of clouds
Chased by the wind, flies the insurgent banner!
Our wingd castles from their merchant ships!
Our myriads before their weak pirate bands!
Our arms before their chains! our years of empire
Before their centuries of servile fear!
Death is awake! Repulse is on the waters!
They own no more the thunder-bearing banner
Of Mahmud; but, like hounds of a base breed,
Gorge from a stranger's hand, and rend their master.
Hassan.
Latmos, and Ampelos, and Phanae saw
The wreck
Mahmud.
      The caves of the Icarian isles
Told each to the other in loud mockery,
And with the tongue as of a thousand echoes,
First of the sea-convulsing fightand, then,
Thou darest to speaksenseless are the mountains:
Interpret thou their voice!
Hassan.
               My presence bore
A part in that day's shame. The Grecian fleet
Bore down at daybreak from the North, and hung
As multitudinous on the ocean line,
As cranes upon the cloudless Thracian wind.
Our squadron, convoying ten thousand men,
Was stretching towards Nauplia when the battle
Was kindled.
First through the hail of our artillery
The agile Hydriote barks with press of sail
Dashed:ship to ship, cannon to cannon, man
To man were grappled in the embrace of war,
Inextricable but by death or victory.
The tempest of the raging fight convulsed
To its crystlline depths that stainless sea,
And shook Heaven's roof of golden morning clouds,
Poised on an hundred azure mountain-isles.
In the brief trances of the artillery
One cry from the destroyed and the destroyer
Rose, and a cloud of desolation wrapped
The unforeseen event, till the north wind
Sprung from the sea, lifting the heavy veil
Of battle-smokethen victoryvictory!
For, as we thought, three frigates from Algiers
Bore down from Naxos to our aid, but soon
The abhorrd cross glimmered behind, before,
Among, around us; and that fatal sign
Dried with its beams the strength in Moslem hearts,
As the sun drinks the dew.What more? We fled!
Our noonday path over the sanguine foam
Was beaconed,and the glare struck the sun pale,
By our consuming transports: the fierce light
Made all the shadows of our sails blood-red,
And every countenance blank. Some ships lay feeding
The ravening fire, even to the water's level;
Some were blown up; some, settling heavily,
Sunk; and the shrieks of our companions died
Upon the wind, that bore us fast and far,
Even after they were dead. Nine thousand perished!
We met the vultures legioned in the air
Stemming the torrent of the tainted wind;
They, screaming from their cloudy mountain-peaks,
Stooped through the sulphurous battle-smoke and perched
Each on the weltering carcase that we loved,
Like its ill angel or its damnd soul,
Riding upon the bosom of the sea.
We saw the dog-fish hastening to their feast.
Joy waked the voiceless people of the sea,
And ravening Famine left his ocean cave
To dwell with War, with us, and with Despair.
We met night three hours to the west of Patmos,
And with night, tempest
Mahmud.
              Cease!
              Enter a Messenger.
Messenger.
                 Your Sublime Highness,
That Christian hound, the Muscovite Ambassador,
Has left the city.If the rebel fleet
Had anchored in the port, had victory
Crowned the Greek legions in the Hippodrome,
Panic were tamer.Obedience and Mutiny,
Like giants in contention planet-struck,
Stand gazing on each other.There is peace
In Stamboul.
Mahmud.
       Is the grave not calmer still?
Its ruins shall be mine.
Hassan.
             Fear not the Russian:
The tiger leagues not with the stag at bay
Against the hunter.Cunning, base, and cruel,
He crouches, watching till the spoil be won,
And must be paid for his reserve in blood.
After the war is fought, yield the sleek Russian
That which thou canst not keep, his deserved portion
Of blood, which shall not flow through streets and fields,
Rivers and seas, like that which we may win,
But stagnate in the veins of Christian slaves!
Enter second Messenger.
Second Messenger.
Nauplia, Tripolizza, Mothon, Athens,
Navarin, Artas, Monembasia,
Corinth, and Thebes are carried by assault,
And every Islamite who made his dogs
Fat with the flesh of Galilean slaves
Passed at the edge of the sword: the lust of blood,
Which made our warriors drunk, is quenched in death;
But like a fiery plague breaks out anew
In deeds which make the Christian cause look pale
In its own light. The garrison of Patras
Has store but for ten days, nor is there hope
But from the Briton: at once slave and tyrant,
His wishes still are weaker than his fears,
Or he would sell what faith may yet remain
From the oaths broke in Genoa and in Norway;
And if you buy him not, your treasury
Is empty even of promiseshis own coin.
The freedman of a western poet-chief[4]
Holds Attica with seven thousand rebels,
And has beat back the Pacha of Negropont:
The agd Ali sits in Yanina
A crownless metaphor of empire:
His name, that shadow of his withered might,
Holds our besieging army like a spell
In prey to famine, pest, and mutiny;
He, bastioned in his citadel, looks forth
Joyless upon the sapphire lake that mirrors
The ruins of the city where he reigned
Childless and sceptreless. The Greek has reaped
The costly harvest his own blood matured,
Not the sower, Aliwho has bought a truce
From Ypsilanti with ten camel-loads
Of Indian gold.
Enter a third Messenger.
Mahmud.
        What more?
        Third Messenger.
              The Christian tribes
Of Lebanon and the Syrian wilderness
Are in revolt;Damascus, Hems, Aleppo
Tremble;the Arab menaces Medina,
The Aethiop has intrenched himself in Sennaar,
And keeps the Egyptian rebel well employed,
Who denies homage, claims investiture
As price of tardy aid. Persia demands
The cities on the Tigris, and the Georgians
Refuse their living tribute. Crete and Cyprus,
Like mountain-twins that from each other's veins
Catch the volcano-fire and earthquake-spasm,
Shake in the general fever. Through the city,
Like birds before a storm, the Santons shriek,
And prophesyings horrible and new
Are heard among the crowd: that sea of men
Sleeps on the wrecks it made, breathless and still.
A Dervise, learnd in the Koran, preaches
That it is written how the sins of Islam
Must raise up a destroyer even now.
The Greeks expect a Saviour from the West[5],
Who shall not come, men say, in clouds and glory,
But in the omnipresence of that Spirit
In which all live and are. Ominous signs
Are blazoned broadly on the noonday sky:
One saw a red cross stamped upon the sun;
It has rained blood; and monstrous births declare
The secret wrath of Nature and her Lord.
The army encamped upon the Cydaris
Was roused last night by the alarm of battle,
And saw two hosts conflicting in the air,
The shadows doubtless of the unborn time
Cast on the mirror of the night. While yet
The fight hung balanced, there arose a storm
Which swept the phantoms from among the stars.
At the third watch the Spirit of the Plague
Was heard abroad flapping among the tents;
Those who relieved watch found the sentinels dead.
The last news from the camp is, that a thousand
Have sickened, and
Enter a fourth Messenger.
Mahmud.
           And thou, pale ghost, dim shadow
Of some untimely rumour, speak!
Fourth Messenger.
                 One comes
Fainting with toil, covered with foam and blood:
He stood, he says, on Chelonites'
Promontory, which o'erlooks the isles that groan
Under the Briton's frown, and all their waters
Then trembling in the splendour of the moon,
When as the wandering clouds unveiled or hid
Her boundless light, he saw two adverse fleets
Stalk through the night in the horizon's glimmer,
Mingling fierce thunders and sulphureous gleams,
And smoke which strangled every infant wind
That soothed the silver clouds through the deep air.
At length the battle slept, but the Sirocco
Awoke, and drove his flock of thunder-clouds
Over the sea-horizon, blotting out
All objectssave that in the faint moon-glimpse
He saw, or dreamed he saw, the Turkish admiral
And two the loftiest of our ships of war,
With the bright image of that Queen of Heaven,
Who hid, perhaps, her face for grief, reversed;
And the abhorrd cross
Enter an Attendant.
Attendant.
             Your Sublime Highness,
The Jew, who
Mahmud.
       Could not come more seasonably:
Bid him attend. I'll hear no more! too long
We gaze on danger through the mist of fear,
And multiply upon our shattered hopes
The images of ruin. Come what will!
To-morrow and to-morrow are as lamps
Set in our path to light us to the edge
Through rough and smooth, nor can we suffer aught
Which He inflicts not in whose hand we are.
[Exeunt.
Semichorus I.
Would I were the wingd cloud
Of a tempest swift and loud!
  I would scorn
  The smile of morn
And the wave where the moonrise is born!
  I would leave
  The spirits of eve
A shroud for the corpse of the day to weave
From other threads than mine!
Bask in the deep blue noon divine.
   Who would? Not I.
   Semichorus II.
Whither to fly?
Semichorus I.
Where the rocks that gird th'Aegean
Echo to the battle paean
  Of the free
  I would flee
A tempestuous herald of victory!
  My golden rain
  For the Grecian slain
Should mingle in tears with the bloody main,
And my solemn thunder-knell
Should ring to the world the passing-bell
  Of Tyranny!
  Semichorus II.
Ah king! wilt thou chain
The rack and the rain?
Wilt thou fetter the lightning and hurricane?
The storms are free,
  But we
  Chorus.
O Slavery! thou frost of the world's prime,
Killing its flowers and leaving its thorns bare!
Thy touch has stamped these limbs with crime,
These brows thy branding garland bear,
  But the free heart, the impassive soul
   Scorn thy control!
   Semichorus I.
Let there be light! said Liberty,
And like sunrise from the sea,
Athens arose!Around her born,
Shone like mountains in the morn
Glorious states;and are they now
Ashes, wrecks, oblivion?
Semichorus II.
             Go,
Where Thermae and Asopus swallowed
Persia, as the sand does foam;
Deluge upon deluge followed,
Discord, Macedon, and Rome:
And lastly thou!
Semichorus I.
         Temples and towers,
Citadels and marts, and they
Who live and die there, have been ours,
And may be thine, and must decay;
But Greece and her foundations are
Built below the tide of war,
Based on the crystlline sea
Of thought and its eternity;
Her citizens, imperial spirits,
Rule the present from the past,
On all this world of men inherits
Their seal is set.
Semichorus II.
           Hear ye the blast,
Whose Orphic thunder thrilling calls
From ruin her Titanian walls?
Whose spirit shakes the sapless bones
Of Slavery? Argos, Corinth, Crete
Hear, and from their mountain thrones
The daemons and the nymphs repeat
The harmony.
Semichorus I.
      I hear! I hear!
      Semichorus II.
The world's eyeless charioteer,
  Destiny, is hurrying by!
What faith is crushed, what empire bleeds
Beneath her earthquake-footed steeds?
What eagle-wingd victory sits
At her right hand? what shadow flits
Before? what splendour rolls behind?
  Ruin and renovation cry
'Who but We?'
Semichorus I.
       I hear! I hear!
The hiss as of a rushing wind,
The roar as of an ocean foaming,
The thunder as of earthquake coming.
  I hear! I hear!
The crash as of an empire falling,
The shrieks as of a people calling
'Mercy! mercy!'How they thrill!
Then a shout of 'kill! kill! kill!'
And then a small still voice, thus
Semichorus II.
                    For
Revenge and Wrong bring forth their kind,
The foul cubs like their parents are,
Their den is in the guilty mind,
And Conscience feeds them with despair.
Semichorus I.
In sacred Athens, near the fane
Of Wisdom, Pity's altar stood:
Serve not the unknown God in vain,
But pay that broken shrine again,
Love for hate and tears for blood.
Enter Mahmud and Ahasuerus.
Mahmud.
Thou art a man, thou sayest, even as we.
Ahasuerus.
No more!
Mahmud.
    But raised above thy fellow-men
By thought, as I by power.
Ahasuerus.
              Thou sayest so.
              Mahmud.
Thou art an adept in the difficult lore
Of Greek and Frank philosophy; thou numberest
The flowers, and thou measurest the stars;
Thou severest element from element;
Thy spirit is present in the Past, and sees
The birth of this old world through all its cycles
Of desolation and of loveliness,
And when man was not, and how man became
The monarch and the slave of this low sphere,
And all its narrow circlesit is much
I honour thee, and would be what thou art
Were I not what I am; but the unborn hour,
Cradled in fear and hope, conflicting storms,
Who shall unveil? Nor thou, nor I, nor any
Mighty or wise. I apprehended not
What thou hast taught me, but I now perceive
That thou art no interpreter of dreams;
Thou dost not own that art, device, or God,
Can make the Future presentlet it come!
Moreover thou disdainest us and ours;
Thou art as God, whom thou contemplatest.
Ahasuerus.
Disdain thee?not the worm beneath thy feet!
The Fathomless has care for meaner things
Than thou canst dream, and has made pride for those
Who would be what they may not, or would seem
That which they are not. Sultan! talk no more
Of thee and me, the Future and the Past;
But look on that which cannot changethe One,
The unborn and the undying. Earth and ocean,
Space, and the isles of life or light that gem
The sapphire floods of interstellar air,
This firmament pavilioned upon chaos,
With all its cressets of immortal fire,
Whose outwall, bastioned impregnably
Against the escape of boldest thoughts, repels them
As Calpe the Atlantic cloudsthis Whole
Of suns, and worlds, and men, and beasts, and flowers,
With all the silent or tempestuous workings
By which they have been, are, or cease to be,
Is but a vision;all that it inherits
Are motes of a sick eye, bubbles and dreams;
Thought is its cradle and its grave, nor less
The Future and the Past are idle shadows
Of thought's eternal flightthey have no being:
Nought is but that which feels itself to be.
Mahmud.
What meanest thou? Thy words stream like a tempest
Of dazzling mist within my brainthey shake
The earth on which I stand, and hang like night
On Heaven above me. What can they avail?
They cast on all things surest, brightest, best,
Doubt, insecurity, astonishment.
Ahasuerus.
Mistake me not! All is contained in each.
Dodona's forest to an acorn's cup
Is that which has been, or will be, to that
Which isthe absent to the present. Thought
Alone, and its quick elements, Will, Passion,
Reason, Imagination, cannot die;
They are, what that which they regard appears,
The stuff whence mutability can weave
All that it hath dominion o'er, worlds, worms,
Empires, and superstitions. What has thought
To do with time, or place, or circumstance?
Wouldst thou behold the Future?ask and have!
Knock and it shall be openedlook, and lo!
The coming age is shadowed on the Past
As on a glass.
Mahmud.
       Wild, wilder thoughts convulse
My spiritDid not Mahomet the Second
Win Stamboul?
Ahasuerus.
       Thou wouldst ask that giant spirit
The written fortunes of thy house and faith.
Thou wouldst cite one out of the grave to tell
How what was born in blood must die.
Mahmud.
                    Thy words
Have power on me! I see
Ahasuerus.
              What hearest thou?
              Mahmud.
A far whisper
Terrible silence.
Ahasuerus.
         What succeeds?
         Mahmud.
                 The sound
As of the assault of an imperial city[6],
The hiss of inextinguishable fire,
The roar of giant cannon; the earthquaking
Fall of vast bastions and precipitous towers,
The shock of crags shot from strange enginery,
The clash of wheels, and clang of armd hoofs,
And crash of brazen mail as of the wreck
Of adamantine mountainsthe mad blast
Of trumpets, and the neigh of raging steeds,
The shrieks of women whose thrill jars the blood,
And one sweet laugh, most horrible to hear,
As of a joyous infant waked and playing
With its dead mother's breast, and now more loud
The mingled battle-cry,ha! hear I not
'En toutwi nikh!' 'Allah-illa-Allah!'?
Ahasuerus.
The sulphurous mist is raisedthou seest
Mahmud.
                       A chasm,
As of two mountains, in the wall of Stamboul;
And in that ghastly breach the Islamites,
Like giants on the ruins of a world,
Stand in the light of sunrise. In the dust
Glimmers a kingless diadem, and one
Of regal port has cast himself beneath
The stream of war. Another proudly clad
In golden arms spurs a Tartarian barb
Into the gap, and with his iron mace
Directs the torrent of that tide of men,
And seemshe isMahomet!
Ahasuerus.
              What thou seest
Is but the ghost of thy forgotten dream.
A dream itself, yet less, perhaps, than that
Thou call'st reality. Thou mayst behold
How cities, on which Empire sleeps enthroned,
Bow their towered crests to mutability.
Poised by the flood, e'en on the height thou holdest,
Thou mayst now learn how the full tide of power
Ebbs to its depths.Inheritor of glory,
Conceived in darkness, born in blood, and nourished
With tears and toil, thou seest the mortal throes
Of that whose birth was but the same. The Past
Now stands before thee like an Incarnation
Of the To-come; yet wouldst thou commune with
That portion of thyself which was ere thou
Didst start for this brief race whose crown is death,
Dissolve with that strong faith and fervent passion
Which called it from the uncreated deep,
Yon cloud of war, with its tempestuous phantoms
Of raging death; and draw with mighty will
The imperial shade hither.
[Exit Ahasuerus. The Phantom of Mahomet the Second appears.
Mahmud.
              Approach!
              Phantom.
                   I come
Thence whither thou must go! The grave is fitter
To take the living than give up the dead;
Yet has thy faith prevailed, and I am here.
The heavy fragments of the power which fell
When I arose, like shapeless crags and clouds,
Hang round my throne on the abyss, and voices
Of strange lament soothe my supreme repose,
Wailing for glory never to return.
A later Empire nods in its decay:
The autumn of a greener faith is come,
And wolfish change, like winter, howls to strip
The foliage in which Fame, the eagle, built
Her aerie, while Dominion whelped below.
The storm is in its branches, and the frost
Is on its leaves, and the blank deep expects
Oblivion on oblivion, spoil on spoil,
Ruin on ruin:Thou art slow, my son;
The Anarchs of the world of darkness keep
A throne for thee, round which thine empire lies
Boundless and mute; and for thy subjects thou,
Like us, shalt rule the ghosts of murdered life,
The phantoms of the powers who rule thee now
Mutinous passions, and conflicting fears,
And hopes that sate themselves on dust, and die!
Stripped of their mortal strength, as thou of thine.
Islam must fall, but we will reign together
Over its ruins in the world of death:
And if the trunk be dry, yet shall the seed
Unfold itself even in the shape of that
Which gathers birth in its decay. Woe! woe!
To the weak people tangled in the grasp
Of its last spasms.
Mahmud.
          Spirit, woe to all!
Woe to the wronged and the avenger! Woe
To the destroyer, woe to the destroyed!
Woe to the dupe, and woe to the deceiver!
Woe to the oppressed, and woe to the oppressor!
Woe both to those that suffer and inflict;
Those who are born and those who die! but say,
Imperial shadow of the thing I am,
When, how, by whom, Destruction must accomplish
Her consummation!
Phantom.
         Ask the cold pale Hour,
Rich in reversion of impending death,
When he shall fall upon whose ripe gray hairs
Sit Care, and Sorrow, and Infirmity
The weight which Crime, whose wings are plumed with years,
Leaves in his flight from ravaged heart to heart
Over the heads of men, under which burthen
They bow themselves unto the grave: fond wretch!
He leans upon his crutch, and talks of years
To come, and how in hours of youth renewed
He will renew lost joys, and
Voice without.
                Victory! Victory!
                [The Phantom vanishes.
Mahmud.
What sound of the importunate earth has broken
My mighty trance?
Voice without.
         Victory! Victory!
         Mahmud.
Weak lightning before darkness! poor faint smile
Of dying Islam! Voice which art the response
Of hollow weakness! Do I wake and live?
Were there such things, or may the unquiet brain,
Vexed by the wise mad talk of the old Jew,
Have shaped itself these shadows of its fear?
It matters not!for nought we see or dream,
Possess, or lose, or grasp at, can be worth
More than it gives or teaches: Come what may,
The Future must become the Past, and I
As they were to whom once this present hour,
This gloomy crag of time to which I cling,
Seemed an Elysian isle of peace and joy
Never to be attained.I must rebuke
This drunkenness of triumph ere it die,
And dying, bring despair. Victory! poor slaves!
Exit Mahmud.
Voice without.
Shout in the jubilee of death! The Greeks
Are as a brood of lions in the net
Round which the kingly hunters of the earth
Stand smiling. Anarchs, ye whose daily food
Are curses, groans, and gold, the fruit of death,
From Thule to the girdle of the world,
Come, feast! the board groans with the flesh of men;
The cup is foaming with a nation's blood,
Famine and Thirst await! eat, drink, and die!
Semichorus I.
Victorious Wrong, with vulture scream,
Salutes the rising sun, pursues the flying day!
I saw her, ghastly as a tyrant's dream,
Perch on the trembling pyramid of night,
Beneath which earth and all her realms pavilioned lay
In visions of the dawning undelight.
  Who shall impede her flight?
  Who rob her of her prey?
  Voice without.
Victory! Victory! Russia's famished eagles
Dare not to prey beneath the crescent's light.
Impale the remnant of the Greeks! despoil!
Violate! make their flesh cheaper than dust!
Semichorus II.
Thou voice which art
The herald of the ill in splendour hid!
Thou echo of the hollow heart
Of monarchy, bear me to thine abode
When desolation flashes o'er a world destroyed:
Oh, bear me to those isles of jaggd cloud
Which float like mountains on the earthquake, mid
The momentary oceans of the lightning,
Or to some toppling promontory proud
Of solid tempest whose black pyramid,
Riven, overhangs the founts intensely bright'ning
Of those dawn-tinted deluges of fire
Before their waves expire,
When heaven and earth are light, and only light
  In the thunder-night!
  Voice without.
Victory! Victory! Austria, Russia, England,
And that tame serpent, that poor shadow, France,
Cry peace, and that means death when monarchs speak.
Ho, there! bring torches, sharpen those red stakes,
These chains are light, fitter for slaves and poisoners
Than Greeks. Kill! plunder! burn! let none remain.
Semichorus I.
   Alas! for Liberty!
If numbers, wealth, or unfulfilling years,
Or fate, can quell the free!
   Alas! for Virtue, when
Torments, or contumely, or the sneers
   Of erring judging men
  Can break the heart where it abides.
Alas! if Love, whose smile makes this obscure world splendid,
  Can change with its false times and tides,
   Like hope and terror,
    Alas for Love!
And Truth, who wanderest lone and unbefriended,
If thou canst veil thy lie-consuming mirror
Before the dazzled eyes of Error,
Alas for thee! Image of the Above.
Semichorus II.
  Repulse, with plumes from conquest torn,
Led the ten thousand from the limits of the morn
  Through many an hostile Anarchy!
At length they wept aloud, and cried, 'The Sea! the Sea!'
  Through exile, persecution, and despair,
   Rome was, and young Atlantis shall become
   The wonder, or the terror, or the tomb
Of all whose step wakes Power lulled in her savage lair:
But Greece was as a hermit-child,
  Whose fairest thoughts and limbs were built
To woman's growth, by dreams so mild,
  She knew not pain or guilt;
And now, O Victory, blush! and Empire, tremble
   When ye desert the free
   If Greece must be
A wreck, yet shall its fragments reassemble,
And build themselves again impregnably
   In a diviner clime,
To Amphionic music on some Cape sublime,
Which frowns above the idle foam of Time.
Semichorus I.
Let the tyrants rule the desert they have made;
Let the free possess the Paradise they claim;
Be the fortune of our fierce oppressors weighed
With our ruin, our resistance, and our name!
Semichorus II.
Our dead shall be the seed of their decay,
Our survivors be the shadow of their pride,
Our adversity a dream to pass away
Their dishonour a remembrance to abide!
Voice without.
Victory! Victory! The bought Briton sends
The keys of ocean to the Islamite.
Now shall the blazon of the cross be veiled,
And British skill directing Othman might,
Thunder-strike rebel victory. Oh, keep holy
This jubilee of unrevengd blood!
Kill! crush! despoil! Let not a Greek escape!
Semichorus I.
Darkness has dawned in the East
On the noon of time:
The death-birds descend to their feast
From the hungry clime.
Let Freedom and Peace flee far
To a sunnier strand,
And follow Love's folding-star
To the Evening land!
Semichorus II.
    The young moon has fed
     Her exhausted horn
      With the sunset's fire:
    The weak day is dead,
     But the night is not born;
And, like loveliness panting with wild desire
While it trembles with fear and delight,
Hesperus flies from awakening night,
And pants in its beauty and speed with light
Fast-flashing, soft, and bright.
Thou beacon of love! thou lamp of the free!
   Guide us far, far away,
To climes where now veiled by the ardour of day
    Thou art hidden
  From waves on which weary Noon
  Faints in her summer swoon,
  Between kingless continents sinless as Eden,
  Around mountains and islands inviolably
    Pranked on the sapphire sea.
    Semichorus I.
Through the sunset of hope,
Like the shapes of a dream,
What Paradise islands of glory gleam!
  Beneath Heaven's cope,
Their shadows more clear float by
The sound of their oceans, the light of their sky,
The music and fragrance their solitudes breathe
Burst, like morning on dream, or like Heaven on death,
  Through the walls of our prison;
And Greece, which was dead, is arisen!
Chorus[7].
The world's great age begins anew,
The golden years return,
The earth doth like a snake renew
Her winter weeds outworn:
Heaven smiles, and faiths and empires gleam,
Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains
From waves serener far;
A new Peneus rolls his fountains
Against the morning star.
Where fairer Tempes bloom, there sleep
Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main,
Fraught with a later prize;
Another Orpheus sings again,
And loves, and weeps, and dies.
A new Ulysses leaves once more
Calypso for his native shore.
Oh, write no more the tale of Troy,
If earth Death's scroll must be!
Nor mix with Laian rage the joy
Which dawns upon the free:
Although a subtler Sphinx renew
Riddles of death Thebes never knew.
Another Athens shall arise,
And to remoter time
Bequeath, like sunset to the skies,
The splendour of its prime;
And leave, if nought so bright may live,
All earth can take or Heaven can give.
Saturn and Love their long repose
Shall burst[8], more bright and good
Than all who fell, than One who rose,
Than many unsubdued:
Not gold, not blood, their altar dowers,
But votive tears and symbol flowers.
Oh, cease! must hate and death return?
Cease! must men kill and die?
Cease! drain not to its dregs the urn
Of bitter prophecy.
The world is weary of the past,
Oh, might it die or rest at last!
Hellas was composed at Pisa in the autumn of 1821, and dispatched to London, November 11. It was published, with the author's name, by C. & J. Ollier in the spring of 1822. A transcript of the poem by Edward Williams is in the Rowfant Library.

Note by Mrs. Shelley: 'Hellas was among the last of his compositions, and is among the most beautiful. The choruses are singularly imaginative, and melodious in their versification. There are some stanzas that beautifully exemplify Shelley's peculiar style; as, for instance, the assertion of the intellectual empire which must be for ever the inheritance of the country of Homer, Sophocles, and Plato:--
''But Greece and her foundations are
Built below the tide of war,
Based on the crystalline sea
Of thought and its eternity.'''
~ Percy Bysshe Shelley, Hellas - A Lyrical Drama
,
1426:ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
   Come hither, my sweet Rosalind.
   'T is long since thou and I have met;
   And yet methinks it were unkind
   Those moments to forget.
   Come, sit by me. I see thee stand
   By this lone lake, in this far land,
   Thy loose hair in the light wind flying,
   Thy sweet voice to each tone of even
   United, and thine eyes replying
   To the hues of yon fair heaven.  
   Come, gentle friend! wilt sit by me?
   And be as thou wert wont to be
   Ere we were disunited?
   None doth behold us now; the power
   That led us forth at this lone hour
   Will be but ill requited
   If thou depart in scorn. Oh, come,
   And talk of our abandoned home!
   Remember, this is Italy,
   And we are exiles. Talk with me
   Of that our land, whose wilds and floods,
   Barren and dark although they be,
   Were dearer than these chestnut woods;
   Those heathy paths, that inland stream,
   And the blue mountains, shapes which seem
   Like wrecks of childhood's sunny dream;
   Which that we have abandoned now,
   Weighs on the heart like that remorse
   Which altered friendship leaves. I seek
   No more our youthful intercourse.
   That cannot be! Rosalind, speak,
   Speak to me! Leave me not! When morn did come,
   When evening fell upon our common home,
   When for one hour we parted,do not frown;
   I would not chide thee, though thy faith is broken;
   But turn to me. Oh! by this cherished token
   Of woven hair, which thou wilt not disown,
   Turn, as 't were but the memory of me,
   And not my scornd self who prayed to thee!

ROSALIND
   Is it a dream, or do I see  
   And hear frail Helen? I would flee
   Thy tainting touch; but former years
   Arise, and bring forbidden tears;
   And my o'erburdened memory
   Seeks yet its lost repose in thee.
   I share thy crime. I cannot choose
   But weep for thee; mine own strange grief
   But seldom stoops to such relief;
   Nor ever did I love thee less,
   Though mourning o'er thy wickedness
   Even with a sister's woe. I knew
   What to the evil world is due,
   And therefore sternly did refuse
   To link me with the infamy
   Of one so lost as Helen. Now,
   Bewildered by my dire despair,
   Wondering I blush, and weep that thou
   Shouldst love me stillthou only!There,
   Let us sit on that gray stone
   Till our mournful talk be done.

HELEN
   Alas! not there; I cannot bear
   The murmur of this lake to hear.
   A sound from there, Rosalind dear,
   Which never yet I heard elsewhere
   But in our native land, recurs,
   Even here where now we meet. It stirs
   Too much of suffocating sorrow!
   In the dell of yon dark chestnut wood
   Is a stone seat, a solitude
   Less like our own. The ghost of peace
   Will not desert this spot. To-morrow,
   If thy kind feelings should not cease,
   We may sit here.

ROSALIND
            Thou lead, my sweet,
   And I will follow.

HENRY
             'T is Fenici's seat
   Where you are going? This is not the way,
   Mamma; it leads behind those trees that grow
   Close to the little river.

HELEN
                 Yes, I know;
   I was bewildered. Kiss me and be gay,
   Dear boy; why do you sob?

HENRY
                I do not know;
   But it might break any one's heart to see  
   You and the lady cry so bitterly.

HELEN
   It is a gentle child, my friend. Go home,
   Henry, and play with Lilla till I come.
   We only cried with joy to see each other;
   We are quite merry now. Good night.

                     The boy
   Lifted a sudden look upon his mother,
   And, in the gleam of forced and hollow joy
   Which lightened o'er her face, laughed with the glee
   Of light and unsuspecting infancy,
   And whispered in her ear, 'Bring home with you
   That sweet strange lady-friend.' Then off he flew,
   But stopped, and beckoned with a meaning smile,
   Where the road turned. Pale Rosalind the while,
   Hiding her face, stood weeping silently.

   In silence then they took the way
   Beneath the forest's solitude.
   It was a vast and antique wood,
   Through which they took their way;
   And the gray shades of evening
   O'er that green wilderness did fling
   Still deeper solitude.
   Pursuing still the path that wound
   The vast and knotted trees around,
   Through which slow shades were wandering,
   To a deep lawny dell they came,
   To a stone seat beside a spring,
   O'er which the columned wood did frame
   A roofless temple, like the fane
   Where, ere new creeds could faith obtain,
   Man's early race once knelt beneath  
   The overhanging deity.
   O'er this fair fountain hung the sky,
   Now spangled with rare stars. The snake,
   The pale snake, that with eager breath
   Creeps here his noontide thirst to slake,
   Is beaming with many a mingled hue,
   Shed from yon dome's eternal blue,
   When he floats on that dark and lucid flood
   In the light of his own loveliness;
   And the birds, that in the fountain dip
   Their plumes, with fearless fellowship
   Above and round him wheel and hover.
   The fitful wind is heard to stir
   One solitary leaf on high;
   The chirping of the grasshopper
   Fills every pause. There is emotion
   In all that dwells at noontide here;
   Then through the intricate wild wood
   A maze of life and light and motion
   Is woven. But there is stillness now
   Gloom, and the trance of Nature now.
   The snake is in his cave asleep;
   The birds are on the branches dreaming;
   Only the shadows creep;
   Only the glow-worm is gleaming;
   Only the owls and the nightingales
   Wake in this dell when daylight fails,
   And gray shades gather in the woods;
   And the owls have all fled far away
   In a merrier glen to hoot and play,
   For the moon is veiled and sleeping now.
   The accustomed nightingale still broods
   On her accustomed bough,
   But she is mute; for her false mate
   Has fled and left her desolate.

   This silent spot tradition old
   Had peopled with the spectral dead.
   For the roots of the speaker's hair felt cold
   And stiff, as with tremulous lips he told
   That a hellish shape at midnight led
   The ghost of a youth with hoary hair,
   And sate on the seat beside him there,
   Till a naked child came wandering by,
   When the fiend would change to a lady fair!
   A fearful tale! the truth was worse;
   For here a sister and a brother
   Had solemnized a monstrous curse,
   Meeting in this fair solitude;
   For beneath yon very sky,
   Had they resigned to one another  
   Body and soul. The multitude,
   Tracking them to the secret wood,
   Tore limb from limb their innocent child,
   And stabbed and trampled on its mother;
   But the youth, for God's most holy grace,
   A priest saved to burn in the market-place.

   Duly at evening Helen came
   To this lone silent spot,
   From the wrecks of a tale of wilder sorrow
   So much of sympathy to borrow
   As soothed her own dark lot.
   Duly each evening from her home,
   With her fair child would Helen come
   To sit upon that antique seat,
   While the hues of day were pale;
   And the bright boy beside her feet
   Now lay, lifting at intervals
   His broad blue eyes on her;
   Now, where some sudden impulse calls,
   Following. He was a gentle boy
   And in all gentle sorts took joy.
   Oft in a dry leaf for a boat,
   With a small feather for a sail,
   His fancy on that spring would float,
   If some invisible breeze might stir
   Its marble calm; and Helen smiled
   Through tears of awe on the gay child,
   To think that a boy as fair as he,
   In years which never more may be,
   By that same fount, in that same wood,
   The like sweet fancies had pursued;
   And that a mother, lost like her,
   Had mournfully sate watching him.
   Then all the scene was wont to swim
   Through the mist of a burning tear.
   For many months had Helen known
   This scene; and now she thither turned
   Her footsteps, not alone.
   The friend whose falsehood she had mourned
   Sate with her on that seat of stone.
   Silent they sate; for evening,
   And the power its glimpses bring,
   Had with one awful shadow quelled
   The passion of their grief. They sate
   With linkd hands, for unrepelled
   Had Helen taken Rosalind's.
   Like the autumn wind, when it unbinds
   The tangled locks of the nightshade's hair
   Which is twined in the sultry summer air
   Round the walls of an outworn sepulchre,  
   Did the voice of Helen, sad and sweet,
   And the sound of her heart that ever beat
   As with sighs and words she breathed on her,
   Unbind the knots of her friend's despair,
   Till her thoughts were free to float and flow;
   And from her laboring bosom now,
   Like the bursting of a prisoned flame,
   The voice of a long-pent sorrow came.

ROSALIND
   I saw the dark earth fall upon
   The coffin; and I saw the stone
   Laid over him whom this cold breast
   Had pillowed to his nightly rest!
   Thou knowest not, thou canst not know
   My agony. Oh! I could not weep.
   The sources whence such blessings flow
   Were not to be approached by me!
   But I could smile, and I could sleep,
   Though with a self-accusing heart.
   In morning's light, in evening's gloom,
   I watchedand would not thence depart
   My husband's unlamented tomb.
   My children knew their sire was gone;
   But when I told them, 'He is dead,'
   They laughed aloud in frantic glee,
   They clapped their hands and leaped about,
   Answering each other's ecstasy
   With many a prank and merry shout.
   But I sate silent and alone,
   Wrapped in the mock of mourning weed.

   They laughed, for he was dead; but I
   Sate with a hard and tearless eye,
   And with a heart which would deny
   The secret joy it could not quell,
   Low muttering o'er his loathd name;
   Till from that self-contention came
   Remorse where sin was none; a hell
   Which in pure spirits should not dwell.

   I 'll tell thee truth. He was a man
   Hard, selfish, loving only gold,
   Yet full of guile; his pale eyes ran  
   With tears which each some falsehood told,
   And oft his smooth and bridled tongue
   Would give the lie to his flushing cheek;
   He was a coward to the strong;
   He was a tyrant to the weak,
   On whom his vengeance he would wreak;
   For scorn, whose arrows search the heart,
   From many a stranger's eye would dart,
   And on his memory cling, and follow
   His soul to its home so cold and hollow.
   He was a tyrant to the weak,
   And we were such, alas the day!
   Oft, when my little ones at play
   Were in youth's natural lightness gay,
   Or if they listened to some tale
   Of travellers, or of fairyland,
   When the light from the wood-fire's dying brand
   Flashed on their faces,if they heard
   Or thought they heard upon the stair
   His footstep, the suspended word
   Died on my lips; we all grew pale;
   The babe at my bosom was hushed with fear
   If it thought it heard its father near;
   And my two wild boys would near my knee
   Cling, cowed and cowering fearfully.

   I 'll tell thee truth: I loved another.
   His name in my ear was ever ringing,
   His form to my brain was ever clinging;
   Yet, if some stranger breathed that name,
   My lips turned white, and my heart beat fast.
   My nights were once haunted by dreams of flame,
   My days were dim in the shadow cast
   By the memory of the same!
   Day and night, day and night,
   He was my breath and life and light,
   For three short years, which soon were passed.
   On the fourth, my gentle mother
   Led me to the shrine, to be
   His sworn bride eternally.
   And now we stood on the altar stair,
   When my father came from a distant land,
   And with a loud and fearful cry
   Rushed between us suddenly.
   I saw the stream of his thin gray hair,
   I saw his lean and lifted hand,
   And heard his wordsand live! O God!
   Wherefore do I live?'Hold, hold!'
   He cried, 'I tell thee 't is her brother!
   Thy mother, boy, beneath the sod
   Of yon churchyard rests in her shroud so cold;
   I am now weak, and pale, and old;
   We were once dear to one another,
   I and that corpse! Thou art our child!'
   Then with a laugh both long and wild
   The youth upon the pavement fell.
   They found him dead! All looked on me,
   The spasms of my despair to see;
   But I was calm. I went away;
   I was clammy-cold like clay.
   I did not weep; I did not speak;
   But day by day, week after week,
   I walked about like a corpse alive.
   Alas! sweet friend, you must believe
   This heart is stoneit did not break.

   My father lived a little while,
   But all might see that he was dying,
   He smiled with such a woful smile.
   When he was in the churchyard lying
   Among the worms, we grew quite poor,
   So that no one would give us bread;  
   My mother looked at me, and said
   Faint words of cheer, which only meant
   That she could die and be content;
   So I went forth from the same church door
   To another husband's bed.
   And this was he who died at last,
   When weeks and months and years had passed,
   Through which I firmly did fulfil
   My duties, a devoted wife,
   With the stern step of vanquished will
   Walking beneath the night of life,
   Whose hours extinguished, like slow rain
   Falling forever, pain by pain,
   The very hope of death's dear rest;
   Which, since the heart within my breast
   Of natural life was dispossessed,
   Its strange sustainer there had been.

   When flowers were dead, and grass was green
   Upon my mother's gravethat mother
   Whom to outlive, and cheer, and make
   My wan eyes glitter for her sake,
   Was my vowed task, the single care
   Which once gave life to my despair
   When she was a thing that did not stir,
   And the crawling worms were cradling her
   To a sleep more deep and so more sweet
   Than a baby's rocked on its nurse's knee,
   I lived; a living pulse then beat
   Beneath my heart that awakened me.
   What was this pulse so warm and free?
   Alas! I knew it could not be
   My own dull blood. 'T was like a thought
   Of liquid love, that spread and wrought
   Under my bosom and in my brain,
   And crept with the blood through every vein,
   And hour by hour, day after day,
   The wonder could not charm away
   But laid in sleep my wakeful pain,
   Until I knew it was a child,
   And then I wept. For long, long years
   These frozen eyes had shed no tears;
   But now't was the season fair and mild
   When April has wept itself to May;
   I sate through the sweet sunny day
   By my window bowered round with leaves,
   And down my cheeks the quick tears ran
   Like twinkling rain-drops from the eaves,
   When warm spring showers are passing o'er.
   O Helen, none can ever tell
   The joy it was to weep once more!

   I wept to think how hard it were
   To kill my babe, and take from it
   The sense of light, and the warm air,
   And my own fond and tender care,
   And love and smiles; ere I knew yet
   That these for it might, as for me,
   Be the masks of a grinning mockery.
   And haply, I would dream, 't were sweet
   To feed it from my faded breast,
   Or mark my own heart's restless beat  
   And watch the growing soul beneath
   Dawn in faint smiles; and hear its breath,
   Half interrupted by calm sighs,
   And search the depth of its fair eyes
   For long departed memories!
   And so I lived till that sweet load
   Was lightened. Darkly forward flowed
   The stream of years, and on it bore
   Two shapes of gladness to my sight;
   Two other babes, delightful more,
   In my lost soul's abandoned night,
   Than their own country ships may be
   Sailing towards wrecked mariners
   Who cling to the rock of a wintry sea.
   For each, as it came, brought soothing tears;
   And a loosening warmth, as each one lay
   Sucking the sullen milk away,
   About my frozen heart did play,
   And weaned it, oh, how painfully
   As they themselves were weaned each one
   From that sweet foodeven from the thirst
   Of death, and nothingness, and rest,
   Strange inmate of a living breast,
   Which all that I had undergone
   Of grief and shame, since she who first
   The gates of that dark refuge closed
   Came to my sight, and almost burst
   The seal of that Lethean spring
   But these fair shadows interposed.
   For all delights are shadows now!
   And from my brain to my dull brow
   The heavy tears gather and flow.
   I cannot speakoh, let me weep!

   The tears which fell from her wan eyes
   Glimmered among the moonlight dew.
   Her deep hard sobs and heavy sighs
   Their echoes in the darkness threw.
   When she grew calm, she thus did keep
   The tenor of her tale:

                He died;  
   I know not how; he was not old,
   If age be numbered by its years;
   But he was bowed and bent with fears,
   Pale with the quenchless thirst of gold,
   Which, like fierce fever, left him weak;
   And his strait lip and bloated cheek
   Were warped in spasms by hollow sneers;
   And selfish cares with barren plough,
   Not age, had lined his narrow brow,
   And foul and cruel thoughts, which feed
   Upon the withering life within,
   Like vipers on some poisonous weed.
   Whether his ill were death or sin
   None knew, until he died indeed,
   And then men owned they were the same.

   Seven days within my chamber lay
   That corse, and my babes made holiday.
   At last, I told them what is death.
   The eldest, with a kind of shame,
   Came to my knees with silent breath,  
   And sate awe-stricken at my feet;
   And soon the others left their play,
   And sate there too. It is unmeet
   To shed on the brief flower of youth
   The withering knowledge of the grave.
   From me remorse then wrung that truth.
   I could not bear the joy which gave
   Too just a response to mine own.
   In vain. I dared not feign a groan;
   And in their artless looks I saw,  
   Between the mists of fear and awe,
   That my own thought was theirs; and they
   Expressed it not in words, but said,
   Each in its heart, how every day
   Will pass in happy work and play,
   Now he is dead and gone away!

   After the funeral all our kin
   Assembled, and the will was read.
   My friend, I tell thee, even the dead
   Have strength, their putrid shrouds within,
   To blast and torture. Those who live
   Still fear the living, but a corse
   Is merciless, and Power doth give
   To such pale tyrants half the spoil
   He rends from those who groan and toil,
   Because they blush not with remorse
   Among their crawling worms. Behold,
   I have no child! my tale grows old
   With grief, and staggers; let it reach
   The limits of my feeble speech,
   And languidly at length recline
   On the brink of its own grave and mine.

   Thou knowest what a thing is Poverty
   Among the fallen on evil days.
   'T is Crime, and Fear, and Infamy,
   And houseless Want in frozen ways
   Wandering ungarmented, and Pain,
   And, worse than all, that inward stain,
   Foul Self-contempt, which drowns in sneers
   Youth's starlight smile, and makes its tears
   First like hot gall, then dry forever!
   And well thou knowest a mother never
   Could doom her children to this ill,
   And well he knew the same. The will
   Imported that, if e'er again
   I sought my children to behold,
   Or in my birthplace did remain
   Beyond three days, whose hours were told,
   They should inherit nought; and he,
   To whom next came their patrimony,
   A sallow lawyer, cruel and cold,
   Aye watched me, as the will was read,
   With eyes askance, which sought to see
   The secrets of my agony;
   And with close lips and anxious brow
   Stood canvassing still to and fro
   The chance of my resolve, and all
   The dead man's caution just did call;
   For in that killing lie 't was said
   'She is adulterous, and doth hold
   In secret that the Christian creed
   Is false, and therefore is much need
   That I should have a care to save
   My children from eternal fire.'
   Friend, he was sheltered by the grave,
   And therefore dared to be a liar!
   In truth, the Indian on the pyre
   Of her dead husband, half consumed,
   As well might there be false as I
   To those abhorred embraces doomed,
   Far worse than fire's brief agony.
   As to the Christian creed, if true
   Or false, I never questioned it;
   I took it as the vulgar do;
   Nor my vexed soul had leisure yet
   To doubt the things men say, or deem
   That they are other than they seem.

   All present who those crimes did hear,
   In feigned or actual scorn and fear,
   Men, women, children, slunk away,
   Whispering with self-contented pride
   Which half suspects its own base lie.
   I spoke to none, nor did abide,
   But silently I went my way,
   Nor noticed I where joyously
   Sate my two younger babes at play
   In the courtyard through which I passed;
   But went with footsteps firm and fast
   Till I came to the brink of the ocean green,
   And there, a woman with gray hairs,
   Who had my mother's servant been,
   Kneeling, with many tears and prayers,
   Made me accept a purse of gold,
   Half of the earnings she had kept
   To refuge her when weak and old.
   With woe, which never sleeps or slept,
   I wander now. 'T is a vain thought
   But on yon Alp, whose snowy head
   'Mid the azure air is islanded,
   (We see ito'er the flood of cloud,
   Which sunrise from its eastern caves
   Drives, wrinkling into golden waves,
   Hung with its precipices proud
   From that gray stone where first we met)
   Therenow who knows the dead feel nought?
   Should be my grave; for he who yet
   Is my soul's soul once said: ''T were sweet
   'Mid stars and lightnings to abide,
   And winds, and lulling snows that beat
   With their soft flakes the mountain wide,
   Where weary meteor lamps repose,
   And languid storms their pinions close,
   And all things strong and bright and pure,
   And ever during, aye endure.
   Who knows, if one were buried there,
   But these things might our spirits make,
   Amid the all-surrounding air,
   Their own eternity partake?'
   Then 't was a wild and playful saying
   At which I laughed or seemed to laugh.
   They were his wordsnow heed my praying,
   And let them be my epitaph.
   Thy memory for a term may be
   My monument. Wilt remember me?
   I know thou wilt; and canst forgive,
   Whilst in this erring world to live
   My soul disdained not, that I thought
   Its lying forms were worthy aught,
   And much less thee.

HELEN
             Oh, speak not so!
   But come to me and pour thy woe
   Into this heart, full though it be,
   Aye overflowing with its own.
   I thought that grief had severed me
   From all beside who weep and groan,
   Its likeness upon earth to be
   Its express image; but thou art
   More wretched. Sweet, we will not part
   Henceforth, if death be not division;
   If so, the dead feel no contrition.
   But wilt thou hear, since last we parted,
   All that has left me broken-hearted?

ROSALIND
   Yes, speak. The faintest stars are scarcely shorn
   Of their thin beams by that delusive morn
   Which sinks again in darkness, like the light
   Of early love, soon lost in total night.

HELEN
   Alas! Italian winds are mild,
   But my bosom is coldwintry cold;
   When the warm air weaves, among the fresh leaves,
   Soft music, my poor brain is wild,
   And I am weak like a nursling child,
   Though my soul with grief is gray and old.

ROSALIND
   Weep not at thine own words, though they must make
   Me weep. What is thy tale?

HELEN
                 I fear 't will shake
   Thy gentle heart with tears. Thou well
   Rememberest when we met no more;
   And, though I dwelt with Lionel,
   That friendless caution pierced me sore
   With grief; a wound my spirit bore
   Indignantlybut when he died,
   With him lay dead both hope and pride.

   Alas! all hope is buried now.
   But then men dreamed the aged earth
   Was laboring in that mighty birth
   Which many a poet and a sage
   Has aye foreseenthe happy age
   When truth and love shall dwell below
   Among the works and ways of men;
   Which on this world not power but will
   Even now is wanting to fulfil.

   Among mankind what thence befell
   Of strife, how vain, is known too well;
   When Liberty's dear pan fell
   'Mid murderous howls. To Lionel,
   Though of great wealth and lineage high,
   Yet through those dungeon walls there came
   Thy thrilling light, O Liberty!
   And as the meteor's midnight flame
   Startles the dreamer, sun-like truth
   Flashed on his visionary youth,
   And filled him, not with love, but faith,
   And hope, and courage mute in death;
   For love and life in him were twins,
   Born at one birth. In every other
   First life, then love, its course begins,
   Though they be children of one mother;
   And so through this dark world they fleet
   Divided, till in death they meet;
   But he loved all things ever. Then
   He passed amid the strife of men,
   And stood at the throne of armd power
   Pleading for a world of woe.
   Secure as one on a rock-built tower
   O'er the wrecks which the surge trails to and fro,
   'Mid the passions wild of humankind
   He stood, like a spirit calming them;
   For, it was said, his words could bind
   Like music the lulled crowd, and stem
   That torrent of unquiet dream
   Which mortals truth and reason deem,
   But is revenge and fear and pride.
   Joyous he was; and hope and peace
   On all who heard him did abide,
   Raining like dew from his sweet talk,
   As where the evening star may walk
   Along the brink of the gloomy seas,
   Liquid mists of splendor quiver.
   His very gestures touched to tears
   The unpersuaded tyrant, never
   So moved before; his presence stung
   The torturers with their victim's pain,
   And none knew how; and through their ears
   The subtle witchcraft of his tongue
   Unlocked the hearts of those who keep
   Gold, the world's bond of slavery.
   Men wondered, and some sneered to see
   One sow what he could never reap;
   For he is rich, they said, and young,
   And might drink from the depths of luxury.
   If he seeks fame, fame never crowned
   The champion of a trampled creed;  
   If he seeks power, power is enthroned
   'Mid ancient rights and wrongs, to feed
   Which hungry wolves with praise and spoil
   Those who would sit near power must toil;
   And such, there sitting, all may see.
   What seeks he? All that others seek
   He casts away, like a vile weed
   Which the sea casts unreturningly.
   That poor and hungry men should break
   The laws which wreak them toil and scorn
   We understand; but Lionel,
   We know, is rich and nobly born.
   So wondered they; yet all men loved
   Young Lionel, though few approved;
   All but the priests, whose hatred fell
   Like the unseen blight of a smiling day,
   The withering honey-dew which clings
   Under the bright green buds of May
   Whilst they unfold their emerald wings;
   For he made verses wild and queer
   On the strange creeds priests hold so dear
   Because they bring them land and gold.
   Of devils and saints and all such gear
   He made tales which whoso heard or read
   Would laugh till he were almost dead.
   So this grew a proverb: 'Don't get old
   Till Lionel's Banquet in Hell you hear,
   And then you will laugh yourself young again.'
   So the priests hated him, and he
   Repaid their hate with cheerful glee.

   Ah, smiles and joyance quickly died,
   For public hope grew pale and dim
   In an altered time and tide,
   And in its wasting withered him,
   As a summer flower that blows too soon
   Droops in the smile of the waning moon,
   When it scatters through an April night
   The frozen dews of wrinkling blight.
   None now hoped more. Gray Power was seated
   Safely on her ancestral throne;
   And Faith, the Python, undefeated
   Even to its blood-stained steps dragged on
   Her foul and wounded train; and men
   Were trampled and deceived again,
   And words and shows again could bind
   The wailing tribes of humankind
   In scorn and famine. Fire and blood
   Raged round the raging multitude,
   To fields remote by tyrants sent
   To be the scornd instrument
   With which they drag from mines of gore
   The chains their slaves yet ever wore;
   And in the streets men met each other,
   And by old altars and in halls,
   And smiled again at festivals.
   But each man found in his heart's brother
   Cold cheer; for all, though half deceived,
   The outworn creeds again believed,
   And the same round anew began
   Which the weary world yet ever ran.

   Many then wept, not tears, but gall,
   Within their hearts, like drops which fall
   Wasting the fountain-stone away.
   And in that dark and evil day
   Did all desires and thoughts that claim
   Men's careambition, friendship, fame,
   Love, hope, though hope was now despair
   Indue the colors of this change,
   As from the all-surrounding air
   The earth takes hues obscure and strange,
   When storm and earthquake linger there.

   And so, my friend, it then befell
   To many,most to Lionel,
   Whose hope was like the life of youth
   Within him, and when dead became
   A spirit of unresting flame,
   Which goaded him in his distress
   Over the world's vast wilderness.
   Three years he left his native land,
   And on the fourth, when he returned,
   None knew him; he was stricken deep
   With some disease of mind, and turned
   Into aught unlike Lionel.
   On himon whom, did he pause in sleep,
   Serenest smiles were wont to keep,
   And, did he wake, a wingd band
   Of bright Persuasions, which had fed
   On his sweet lips and liquid eyes,
   Kept their swift pinions half outspread
   To do on men his least command
   On him, whom once 't was paradise
   Even to behold, now misery lay.
   In his own heart 't was merciless
   To all things else none may express
   Its innocence and tenderness.

   'T was said that he had refuge sought
   In love from his unquiet thought
   In distant lands, and been deceived
   By some strange show; for there were found,
   Blotted with tearsas those relieved
   By their own words are wont to do
   These mournful verses on the ground,
   By all who read them blotted too.

   'How am I changed! my hopes were once like fire;
    I loved, and I believed that life was love.
   How am I lost! on wings of swift desire
    Among Heaven's winds my spirit once did move.
   I slept, and silver dreams did aye inspire
    My liquid sleep; I woke, and did approve
   All Nature to my heart, and thought to make
   A paradise of earth for one sweet sake.

   'I love, but I believe in love no more.
    I feel desire, but hope not. Oh, from sleep
   Most vainly must my weary brain implore
    Its long lost flattery now! I wake to weep,
   And sit through the long day gnawing the core
    Of my bitter heart, and, like a miser, keep
   Since none in what I feel take pain or pleasure
   To my own soul its self-consuming treasure.'

   He dwelt beside me near the sea;
   And oft in evening did we meet,
   When the waves, beneath the starlight, flee
   O'er the yellow sands with silver feet,
   And talked. Our talk was sad and sweet,
   Till slowly from his mien there passed
   The desolation which it spoke;
   And smilesas when the lightning's blast
   Has parched some heaven-delighting oak,
   The next spring shows leaves pale and rare,
   But like flowers delicate and fair,
   On its rent boughsagain arrayed
   His countenance in tender light;
   His words grew subtle fire, which made
   The air his hearers breathed delight;
   His motions, like the winds, were free,
   Which bend the bright grass gracefully,
   Then fade away in circlets faint;
   And wingd Hopeon which upborne
   His soul seemed hovering in his eyes,
   Like some bright spirit newly born
   Floating amid the sunny skies
   Sprang forth from his rent heart anew.
   Yet o'er his talk, and looks, and mien,
   Tempering their loveliness too keen,
   Past woe its shadow backward threw;
   Till, like an exhalation spread
   From flowers half drunk with evening dew,
   They did become infectioussweet
   And subtle mists of sense and thought,
   Which wrapped us soon, when we might meet,
   Almost from our own looks and aught
   The wild world holds. And so his mind
   Was healed, while mine grew sick with fear;
   For ever now his health declined,
   Like some frail bark which cannot bear
   The impulse of an altered wind,
   Though prosperous; and my heart grew full,
   'Mid its new joy, of a new care;
   For his cheek became, not pale, but fair,
   As rose-o'ershadowed lilies are;
   And soon his deep and sunny hair,
   In this alone less beautiful,
   Like grass in tombs grew wild and rare.
   The blood in his translucent veins
   Beat, not like animal life, but love
   Seemed now its sullen springs to move,
   When life had failed, and all its pains;
   And sudden sleep would seize him oft
   Like death, so calm,but that a tear,
   His pointed eye-lashes between,
   Would gather in the light serene
   Of smiles whose lustre bright and soft
   Beneath lay undulating there.
   His breath was like inconstant flame
   As eagerly it went and came;
   And I hung o'er him in his sleep,
   Till, like an image in the lake
   Which rains disturb, my tears would break
   The shadow of that slumber deep.
   Then he would bid me not to weep,
   And say, with flattery false yet sweet,
   That death and he could never meet,
   If I would never part with him.
   And so we loved, and did unite
   All that in us was yet divided;
   For when he said, that many a rite,
   By men to bind but once provided,
   Could not be shared by him and me,
   Or they would kill him in their glee,
   I shuddered, and then laughing said
   'We will have rites our faith to bind,
   But our church shall be the starry night,
   Our altar the grassy earth outspread,
   And our priest the muttering wind.'

   'T was sunset as I spoke. One star
   Had scarce burst forth, when from afar
   The ministers of misrule sent
   Seized upon Lionel, and bore
   His chained limbs to a dreary tower,
   In the midst of a city vast and wide.
   For he, they said, from his mind had bent
   Against their gods keen blasphemy,
   For which, though his soul must roasted be
   In hell's red lakes immortally,
   Yet even on earth must he abide
   The vengeance of their slaves: a trial,
   I think, men call it. What avail
   Are prayers and tears, which chase denial
   From the fierce savage nursed in hate?
   What the knit soul that pleading and pale
   Makes wan the quivering cheek which late
   It painted with its own delight?
   We were divided. As I could,
   I stilled the tingling of my blood,
   And followed him in their despite,
   As a widow follows, pale and wild,
   The murderers and corse of her only child;
   And when we came to the prison door,
   And I prayed to share his dungeon floor
   With prayers which rarely have been spurned,
   And when men drove me forth, and I
   Stared with blank frenzy on the sky,
   A farewell look of love he turned,
   Half calming me; then gazed awhile,
   As if through that black and massy pile,
   And through the crowd around him there,
   And through the dense and murky air,
   And the thronged streets, he did espy
   What poets know and prophesy;
   And said, with voice that made them shiver
   And clung like music in my brain,
   And which the mute walls spoke again
   Prolonging it with deepened strain
   'Fear not the tyrants shall rule forever,
   Or the priests of the bloody faith;
   They stand on the brink of that mighty river,
   Whose waves they have tainted with death;
   It is fed from the depths of a thousand dells,
   Around them it foams, and rages, and swells,
   And their swords and their sceptres I floating see,
   Like wrecks, in the surge of eternity.'

   I dwelt beside the prison gate;
   And the strange crowd that out and in
   Passed, some, no doubt, with mine own fate,
   Might have fretted me with its ceaseless din,
   But the fever of care was louder within.
   Soon but too late, in penitence
   Or fear, his foes released him thence.
   I saw his thin and languid form,
   As leaning on the jailor's arm,
   Whose hardened eyes grew moist the while
   To meet his mute and faded smile
   And hear his words of kind farewell,
   He tottered forth from his damp cell.
   Many had never wept before,
   From whom fast tears then gushed and fell;
   Many will relent no more,
   Who sobbed like infants then; ay, all
   Who thronged the prison's stony hall,
   The rulers or the slaves of law,
   Felt with a new surprise and awe
   That they were human, till strong shame
   Made them again become the same.
   The prison bloodhounds, huge and grim,
   From human looks the infection caught,
   And fondly crouched and fawned on him;
   And men have heard the prisoners say,
   Who in their rotting dungeons lay,
   That from that hour, throughout one day,
   The fierce despair and hate which kept
   Their trampled bosoms almost slept,
   Where, like twin vultures, they hung feeding
   On each heart's wound, wide torn and bleeding,
   Because their jailors' rule, they thought,
   Grew merciful, like a parent's sway.

   I know not how, but we were free;
   And Lionel sate alone with me,
   As the carriage drove through the streets apace;
   And we looked upon each other's face;
   And the blood in our fingers intertwined  
   Ran like the thoughts of a single mind,
   As the swift emotions went and came
   Through the veins of each united frame.
   So through the long, long streets we passed
   Of the million-peopled City vast;
   Which is that desert, where each one
   Seeks his mate yet is alone,
   Beloved and sought and mourned of none;
   Until the clear blue sky was seen,
   And the grassy meadows bright and green.
   And then I sunk in his embrace
   Enclosing there a mighty space
   Of love; and so we travelled on
   By woods, and fields of yellow flowers,
   And towns, and villages, and towers,
   Day after day of happy hours.
   It was the azure time of June,
   When the skies are deep in the stainless noon,
   And the warm and fitful breezes shake
   The fresh green leaves of the hedge-row briar;
   And there were odors then to make
   The very breath we did respire
   A liquid element, whereon
   Our spirits, like delighted things
   That walk the air on subtle wings,
   Floated and mingled far away
   'Mid the warm winds of the sunny day.
   And when the evening star came forth
   Above the curve of the new bent moon,
   And light and sound ebbed from the earth,
   Like the tide of the full and the weary sea
   To the depths of its own tranquillity,
   Our natures to its own repose
   Did the earth's breathless sleep attune;
   Like flowers, which on each other close
   Their languid leaves when daylight's gone,
   We lay, till new emotions came,
   Which seemed to make each mortal frame
   One soul of interwoven flame,
   A life in life, a second birth
   In worlds diviner far than earth;
   Which, like two strains of harmony
   That mingle in the silent sky,
   Then slowly disunite, passed by
   And left the tenderness of tears,
   A soft oblivion of all fears,
   A sweet sleep:so we travelled on
   Till we came to the home of Lionel,
   Among the mountains wild and lone,
   Beside the hoary western sea,
   Which near the verge of the echoing shore
   The massy forest shadowed o'er.

   The ancient steward with hair all hoar,
   As we alighted, wept to see
   His master changed so fearfully;
   And the old man's sobs did waken me
   From my dream of unremaining gladness;
   The truth flashed o'er me like quick madness
   When I looked, and saw that there was death
   On Lionel. Yet day by day
   He lived, till fear grew hope and faith,
   And in my soul I dared to say,
   Nothing so bright can pass away;
   Death is dark, and foul, and dull,
   But he isoh, how beautiful!
   Yet day by day he grew more weak,
   And his sweet voice, when he might speak,
   Which ne'er was loud, became more low;
   And the light which flashed through his waxen cheek
   Grew faint, as the rose-like hues which flow
   From sunset o'er the Alpine snow;
   And death seemed not like death in him,
   For the spirit of life o'er every limb
   Lingered, a mist of sense and thought.
   When the summer wind faint odors brought
   From mountain flowers, even as it passed,
   His cheek would change, as the noonday sea
   Which the dying breeze sweeps fitfully.
   If but a cloud the sky o'ercast,
   You might see his color come and go,
   And the softest strain of music made
   Sweet smiles, yet sad, arise and fade
   Amid the dew of his tender eyes;
   And the breath, with intermitting flow,
   Made his pale lips quiver and part.
   You might hear the beatings of his heart,
   Quick but not strong; and with my tresses
   When oft he playfully would bind
   In the bowers of mossy lonelinesses
   His neck, and win me so to mingle  
   In the sweet depth of woven caresses,
   And our faint limbs were intertwined,
   Alas! the unquiet life did tingle
   From mine own heart through every vein,
   Like a captive in dreams of liberty,
   Who beats the walls of his stony cell.
   But his, it seemed already free,
   Like the shadow of fire surrounding me!
   On my faint eyes and limbs did dwell
   That spirit as it passed, till soon
   As a frail cloud wandering o'er the moon,
   Beneath its light invisible,
   Is seen when it folds its gray wings again
   To alight on midnight's dusky plain
   I lived and saw, and the gathering soul
   Passed from beneath that strong control,
   And I fell on a life which was sick with fear
   Of all the woe that now I bear.

   Amid a bloomless myrtle wood,
   On a green and sea-girt promontory
   Not far from where we dwelt, there stood,
   In record of a sweet sad story,
   An altar and a temple bright
   Circled by steps, and o'er the gate
   Was sculptured, 'To Fidelity;'
   And in the shrine an image sate
   All veiled; but there was seen the light
   Of smiles which faintly could express
   A mingled pain and tenderness
   Through that ethereal drapery.
   The left hand held the head, the right
   Beyond the veil, beneath the skin,
   You might see the nerves quivering within
   Was forcing the point of a barbd dart
   Into its side-convulsing heart.
   An unskilled hand, yet one informed
   With genius, had the marble warmed
   With that pathetic life. This tale
   It told: A dog had from the sea,
   When the tide was raging fearfully,  
   Dragged Lionel's mother, weak and pale,
   Then died beside her on the sand,
   And she that temple thence had planned;
   But it was Lionel's own hand
   Had wrought the image. Each new moon
   That lady did, in this lone fane,
   The rites of a religion sweet
   Whose god was in her heart and brain.
   The seasons' loveliest flowers were strewn
   On the marble floor beneath her feet,
   And she brought crowns of sea-buds white
   Whose odor is so sweet and faint,
   And weeds, like branching chrysolite,
   Woven in devices fine and quaint;
   And tears from her brown eyes did stain
   The altar; need but look upon
   That dying statue, fair and wan,
   If tears should cease, to weep again;
   And rare Arabian odors came,
   Through the myrtle copses, steaming thence
   From the hissing frankincense,
   Whose smoke, wool-white as ocean foam,
   Hung in dense flocks beneath the dome
   That ivory dome, whose azure night
   With golden stars, like heaven, was bright
   O'er the split cedar's pointed flame;
   And the lady's harp would kindle there
   The melody of an old air,
   Softer than sleep; the villagers
   Mixed their religion up with hers,
   And, as they listened round, shed tears.

   One eve he led me to this fane.
   Daylight on its last purple cloud
   Was lingering gray, and soon her strain
   The nightingale began; now loud,
   Climbing in circles the windless sky,
   Now dying music; suddenly
   'T is scattered in a thousand notes;
   And now to the hushed ear it floats
   Like field-smells known in infancy,
   Then, failing, soothes the air again.
   We sate within that temple lone,
   Pavilioned round with Parian stone;
   His mother's harp stood near, and oft
   I had awakened music soft
   Amid its wires; the nightingale
   Was pausing in her heaven-taught tale.
   'Now drain the cup,' said Lionel,
   'Which the poet-bird has crowned so well
   With the wine of her bright and liquid song!
   Heard'st thou not sweet words among
   That heaven-resounding minstrelsy?
   Heard'st thou not that those who die
   Awake in a world of ecstasy?
   That love, when limbs are interwoven,
   And sleep, when the night of life is cloven,
   And thought, to the world's dim boundaries clinging,
   And music, when one beloved is singing,
   Is death? Let us drain right joyously
   The cup which the sweet bird fills for me.'
   He paused, and to my lips he bent
   His own; like spirit his words went
   Through all my limbs with the speed of fire;
   And his keen eyes, glittering through mine,
   Filled me with the flame divine
   Which in their orbs was burning far,
   Like the light of an unmeasured star
   In the sky of midnight dark and deep;
   Yes, 't was his soul that did inspire
   Sounds which my skill could ne'er awaken;
   And first, I felt my fingers sweep
   The harp, and a long quivering cry
   Burst from my lips in symphony;
   The dusk and solid air was shaken,
   As swift and swifter the notes came
   From my touch, that wandered like quick flame,
   And from my bosom, laboring
   With some unutterable thing.
   The awful sound of my own voice made
   My faint lips tremble; in some mood  
   Of wordless thought Lionel stood
   So pale, that even beside his cheek
   The snowy column from its shade
   Caught whiteness; yet his countenance,
   Raised upward, burned with radiance
   Of spirit-piercing joy whose light,
   Like the moon struggling through the night
   Of whirlwind-rifted clouds, did break
   With beams that might not be confined.
   I paused, but soon his gestures kindled
   New power, as by the moving wind
   The waves are lifted; and my song
   To low soft notes now changed and dwindled,
   And, from the twinkling wires among,
   My languid fingers drew and flung
   Circles of life-dissolving sound,
   Yet faint; in ary rings they bound
   My Lionel, who, as every strain
   Grew fainter but more sweet, his mien
   Sunk with the sound relaxedly;  
   And slowly now he turned to me,
   As slowly faded from his face
   That awful joy; with look serene
   He was soon drawn to my embrace,
   And my wild song then died away
   In murmurs; words I dare not say
   We mixed, and on his lips mine fed
   Till they methought felt still and cold.
   'What is it with thee, love?' I said;
   No word, no look, no motion! yes,
   There was a change, but spare to guess,
   Nor let that moment's hope be told.
   I looked,and knew that he was dead;
   And fell, as the eagle on the plain
   Falls when life deserts her brain,
   And the mortal lightning is veiled again.

   Oh, that I were now dead! but such
   Did they not, love, demand too much,
   Those dying murmurs?he forbade.
   Oh, that I once again were mad!
   And yet, dear Rosalind, not so,
   For I would live to share thy woe.
   Sweet boy! did I forget thee too?
   Alas, we know not what we do
   When we speak words.

              No memory more
   Is in my mind of that sea-shore.
   Madness came on me, and a troop
   Of misty shapes did seem to sit
   Beside me, on a vessel's poop,
   And the clear north wind was driving it.
   Then I heard strange tongues, and saw strange flowers,
   And the stars methought grew unlike ours,
   And the azure sky and the stormless sea
   Made me believe that I had died
   And waked in a world which was to me
   Drear hell, though heaven to all beside.
   Then a dead sleep fell on my mind,
   Whilst animal life many long years
   Had rescued from a chasm of tears;
   And, when I woke, I wept to find    
   That the same lady, bright and wise,
   With silver locks and quick brown eyes,
   The mother of my Lionel,
   Had tended me in my distress,
   And died some months before. Nor less
   Wonder, but far more peace and joy,
   Brought in that hour my lovely boy.
   For through that trance my soul had well
   The impress of thy being kept;
   And if I waked or if I slept,
   No doubt, though memory faithless be,
   Thy image ever dwelt on me;
   And thus, O Lionel, like thee
   Is our sweet child. 'T is sure most strange
   I knew not of so great a change
   As that which gave him birth, who now
   Is all the solace of my woe.

   That Lionel great wealth had left
   By will to me, and that of all
   The ready lies of law bereft    
   My child and me,might well befall.
   But let me think not of the scorn
   Which from the meanest I have borne,
   When, for my child's belovd sake,
   I mixed with slaves, to vindicate
   The very laws themselves do make;
   Let me not say scorn is my fate,
   Lest I be proud, suffering the same
   With those who live in deathless fame.

   She ceased.'Lo, where red morning through the woods
   Is burning o'er the dew!' said Rosalind.
   And with these words they rose, and towards the flood
   Of the blue lake, beneath the leaves, now wind
   With equal steps and fingers intertwined.
   Thence to a lonely dwelling, where the shore
   Is shadowed with steep rocks, and cypresses
   Cleave with their dark green cones the silent skies
   And with their shadows the clear depths below,

   And where a little terrace from its bowers
   Of blooming myrtle and faint lemon flowers
   Scatters its sense-dissolving fragrance o'er
   The liquid marble of the windless lake;
   And where the aged forest's limbs look hoar
   Under the leaves which their green garments make,
   They come. 'T is Helen's home, and clean and white,
   Like one which tyrants spare on our own land
   In some such solitude; its casements bright
   Shone through their vine-leaves in the morning sun,
   And even within 't was scarce like Italy.
   And when she saw how all things there were planned
   As in an English home, dim memory
   Disturbed poor Rosalind; she stood as one
   Whose mind is where his body cannot be,
   Till Helen led her where her child yet slept,
   And said, 'Observe, that brow was Lionel's,
   Those lips were his, and so he ever kept
   One arm in sleep, pillowing his head with it.
   You cannot see his eyesthey are two wells
   Of liquid love. Let us not wake him yet.'
   But Rosalind could bear no more, and wept
   A shower of burning tears which fell upon
   His face, and so his opening lashes shone
   With tears unlike his own, as he did leap
   In sudden wonder from his innocent sleep.

   So Rosalind and Helen lived together
   Thenceforthchanged in all else, yet friends again,
   Such as they were, when o'er the mountain heather
   They wandered in their youth through sun and rain.
   And after many years, for human things
   Change even like the ocean and the wind,
   Her daughter was restored to Rosalind,
   And in their circle thence some visitings
   Of joy 'mid their new calm would intervene.
   A lovely child she was, of looks serene,
   And motions which o'er things indifferent shed
   The grace and gentleness from whence they came.
   And Helen's boy grew with her, and they fed
   From the same flowers of thought, until each mind
   Like springs which mingle in one flood became;
   And in their union soon their parents saw
   The shadow of the peace denied to them.
   And Rosalindfor when the living stem
   Is cankered in its heart, the tree must fall
   Died ere her time; and with deep grief and awe
   The pale survivors followed her remains
   Beyond the region of dissolving rains,
   Up the cold mountain she was wont to call
   Her tomb; and on Chiavenna's precipice
   They raised a pyramid of lasting ice,
   Whose polished sides, ere day had yet begun,
   Caught the first glow of the unrisen sun,
   The last, when it had sunk; and through the night
   The charioteers of Arctos wheeld round
   Its glittering point, as seen from Helen's home,
   Whose sad inhabitants each year would come,
   With willing steps climbing that rugged height,
   And hang long locks of hair, and garlands bound
   With amaranth flowers, which, in the clime's despite,
   Filled the frore air with unaccustomed light;
   Such flowers as in the wintry memory bloom
   Of one friend left adorned that frozen tomb.

   Helen, whose spirit was of softer mould,
   Whose sufferings too were less, death slowlier led
   Into the peace of his dominion cold.
   She died among her kindred, being old.
   And know, that if love die not in the dead
   As in the living, none of mortal kind
   Are blessed as now Helen and Rosalind.
Begun at Marlow, 1817 (summer); already in the press, March, 1818; finished at the Baths of Lucca, August, 1818; published with other poems, as the title-piece of a slender volume, by C. & J. Ollier, London, 1819 (spring).

Note by Mrs. Shelley: 'Rosalind and Helen was begun at Marlow, and thrown aside -- till I found it; and, at my request, it was completed. Shelley had no care for any of his poems that did not emanate from the depths of his mind and develop some high or abstruse truth. When he does touch on human life and the human heart, no pictures can be more faithful, more delicate, more subtle, or more pathetic. He never mentioned Love but he shed a grace borrowed from his own nature, that scarcely any other poet has bestowed, on that passion. When he spoke of it as the law of life, which inasmuch as we rebel against we err and injure ourselves and others, he promulgated that which he considered an irrefragable truth. In his eyes it was the essence of our being, and all woe and pain arose from the war made against it by selfishness, or insensibility, or mistake. By reverting in his mind to this first principle, he discovered the source of many emotions, and could disclose the secrets of all hearts; and his delineations of passion and emotion touch the finest chords of our nature.
Rosalind and Helen was finished during the summer of 1818, while we were at the baths of Lucca.'

  
~ Percy Bysshe Shelley, Rosalind and Helen - a Modern Eclogue
,
1427:Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
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Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
Had trodden that crowned skeleton, and the skull
Brake from the nape, and from the skull the crown
Rolled into light, and turning on its rims
Fled like a glittering rivulet to the tarn:
And down the shingly scaur he plunged, and caught,
And set it on his head, and in his heart
Heard murmurs, 'Lo, thou likewise shalt be King.'
Thereafter, when a King, he had the gems
Plucked from the crown, and showed them to his knights,
Saying, 'These jewels, whereupon I chanced
Divinely, are the kingdom's, not the King's-For public use: henceforward let there be,
Once every year, a joust for one of these:
For so by nine years' proof we needs must learn
Which is our mightiest, and ourselves shall grow
In use of arms and manhood, till we drive
The heathen, who, some say, shall rule the land
Hereafter, which God hinder.' Thus he spoke:
And eight years past, eight jousts had been, and still
Had Lancelot won the diamond of the year,
With purpose to present them to the Queen,
When all were won; but meaning all at once
To snare her royal fancy with a boon
Worth half her realm, had never spoken word.
Now for the central diamond and the last
And largest, Arthur, holding then his court
Hard on the river nigh the place which now
Is this world's hugest, let proclaim a joust
At Camelot, and when the time drew nigh
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Spake (for she had been sick) to Guinevere,
'Are you so sick, my Queen, you cannot move
To these fair jousts?' 'Yea, lord,' she said, 'ye know it.'
'Then will ye miss,' he answered, 'the great deeds
Of Lancelot, and his prowess in the lists,
A sight ye love to look on.' And the Queen
Lifted her eyes, and they dwelt languidly
On Lancelot, where he stood beside the King.
He thinking that he read her meaning there,
'Stay with me, I am sick; my love is more
Than many diamonds,' yielded; and a heart
Love-loyal to the least wish of the Queen
(However much he yearned to make complete
The tale of diamonds for his destined boon)
Urged him to speak against the truth, and say,
'Sir King, mine ancient wound is hardly whole,
And lets me from the saddle;' and the King
Glanced first at him, then her, and went his way.
No sooner gone than suddenly she began:
'To blame, my lord Sir Lancelot, much to blame!
Why go ye not to these fair jousts? the knights
Are half of them our enemies, and the crowd
Will murmur, "Lo the shameless ones, who take
Their pastime now the trustful King is gone!"'
Then Lancelot vext at having lied in vain:
'Are ye so wise? ye were not once so wise,
My Queen, that summer, when ye loved me first.
Then of the crowd ye took no more account
Than of the myriad cricket of the mead,
When its own voice clings to each blade of grass,
And every voice is nothing. As to knights,
Them surely can I silence with all ease.
But now my loyal worship is allowed
Of all men: many a bard, without offence,
Has linked our names together in his lay,
Lancelot, the flower of bravery, Guinevere,
The pearl of beauty: and our knights at feast
Have pledged us in this union, while the King
Would listen smiling. How then? is there more?
Has Arthur spoken aught? or would yourself,
Now weary of my service and devoir,
292
Henceforth be truer to your faultless lord?'
She broke into a little scornful laugh:
'Arthur, my lord, Arthur, the faultless King,
That passionate perfection, my good lord-But who can gaze upon the Sun in heaven?
He never spake word of reproach to me,
He never had a glimpse of mine untruth,
He cares not for me: only here today
There gleamed a vague suspicion in his eyes:
Some meddling rogue has tampered with him--else
Rapt in this fancy of his Table Round,
And swearing men to vows impossible,
To make them like himself: but, friend, to me
He is all fault who hath no fault at all:
For who loves me must have a touch of earth;
The low sun makes the colour: I am yours,
Not Arthur's, as ye know, save by the bond.
And therefore hear my words: go to the jousts:
The tiny-trumpeting gnat can break our dream
When sweetest; and the vermin voices here
May buzz so loud--we scorn them, but they sting.'
Then answered Lancelot, the chief of knights:
'And with what face, after my pretext made,
Shall I appear, O Queen, at Camelot, I
Before a King who honours his own word,
As if it were his God's?'
'Yea,' said the Queen,
'A moral child without the craft to rule,
Else had he not lost me: but listen to me,
If I must find you wit: we hear it said
That men go down before your spear at a touch,
But knowing you are Lancelot; your great name,
This conquers: hide it therefore; go unknown:
Win! by this kiss you will: and our true King
Will then allow your pretext, O my knight,
As all for glory; for to speak him true,
Ye know right well, how meek soe'er he seem,
No keener hunter after glory breathes.
He loves it in his knights more than himself:
293
They prove to him his work: win and return.'
Then got Sir Lancelot suddenly to horse,
Wroth at himself. Not willing to be known,
He left the barren-beaten thoroughfare,
Chose the green path that showed the rarer foot,
And there among the solitary downs,
Full often lost in fancy, lost his way;
Till as he traced a faintly-shadowed track,
That all in loops and links among the dales
Ran to the Castle of Astolat, he saw
Fired from the west, far on a hill, the towers.
Thither he made, and blew the gateway horn.
Then came an old, dumb, myriad-wrinkled man,
Who let him into lodging and disarmed.
And Lancelot marvelled at the wordless man;
And issuing found the Lord of Astolat
With two strong sons, Sir Torre and Sir Lavaine,
Moving to meet him in the castle court;
And close behind them stept the lily maid
Elaine, his daughter: mother of the house
There was not: some light jest among them rose
With laughter dying down as the great knight
Approached them: then the Lord of Astolat:
'Whence comes thou, my guest, and by what name
Livest thou between the lips? for by thy state
And presence I might guess thee chief of those,
After the King, who eat in Arthur's halls.
Him have I seen: the rest, his Table Round,
Known as they are, to me they are unknown.'
Then answered Sir Lancelot, the chief of knights:
'Known am I, and of Arthur's hall, and known,
What I by mere mischance have brought, my shield.
But since I go to joust as one unknown
At Camelot for the diamond, ask me not,
Hereafter ye shall know me--and the shield-I pray you lend me one, if such you have,
Blank, or at least with some device not mine.'
Then said the Lord of Astolat, 'Here is Torre's:
Hurt in his first tilt was my son, Sir Torre.
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And so, God wot, his shield is blank enough.
His ye can have.' Then added plain Sir Torre,
'Yea, since I cannot use it, ye may have it.'
Here laughed the father saying, 'Fie, Sir Churl,
Is that answer for a noble knight?
Allow him! but Lavaine, my younger here,
He is so full of lustihood, he will ride,
Joust for it, and win, and bring it in an hour,
And set it in this damsel's golden hair,
To make her thrice as wilful as before.'
'Nay, father, nay good father, shame me not
Before this noble knight,' said young Lavaine,
'For nothing. Surely I but played on Torre:
He seemed so sullen, vext he could not go:
A jest, no more! for, knight, the maiden dreamt
That some one put this diamond in her hand,
And that it was too slippery to be held,
And slipt and fell into some pool or stream,
The castle-well, belike; and then I said
That IF I went and IF I fought and won it
(But all was jest and joke among ourselves)
Then must she keep it safelier. All was jest.
But, father, give me leave, an if he will,
To ride to Camelot with this noble knight:
Win shall I not, but do my best to win:
Young as I am, yet would I do my best.'
'So will ye grace me,' answered Lancelot,
Smiling a moment, 'with your fellowship
O'er these waste downs whereon I lost myself,
Then were I glad of you as guide and friend:
And you shall win this diamond,--as I hear
It is a fair large diamond,--if ye may,
And yield it to this maiden, if ye will.'
'A fair large diamond,' added plain Sir Torre,
'Such be for queens, and not for simple maids.'
Then she, who held her eyes upon the ground,
Elaine, and heard her name so tost about,
Flushed slightly at the slight disparagement
Before the stranger knight, who, looking at her,
Full courtly, yet not falsely, thus returned:
295
'If what is fair be but for what is fair,
And only queens are to be counted so,
Rash were my judgment then, who deem this maid
Might wear as fair a jewel as is on earth,
Not violating the bond of like to like.'
He spoke and ceased: the lily maid Elaine,
Won by the mellow voice before she looked,
Lifted her eyes, and read his lineaments.
The great and guilty love he bare the Queen,
In battle with the love he bare his lord,
Had marred his face, and marked it ere his time.
Another sinning on such heights with one,
The flower of all the west and all the world,
Had been the sleeker for it: but in him
His mood was often like a fiend, and rose
And drove him into wastes and solitudes
For agony, who was yet a living soul.
Marred as he was, he seemed the goodliest man
That ever among ladies ate in hall,
And noblest, when she lifted up her eyes.
However marred, of more than twice her years,
Seamed with an ancient swordcut on the cheek,
And bruised and bronzed, she lifted up her eyes
And loved him, with that love which was her doom.
Then the great knight, the darling of the court,
Loved of the loveliest, into that rude hall
Stept with all grace, and not with half disdain
Hid under grace, as in a smaller time,
But kindly man moving among his kind:
Whom they with meats and vintage of their best
And talk and minstrel melody entertained.
And much they asked of court and Table Round,
And ever well and readily answered he:
But Lancelot, when they glanced at Guinevere,
Suddenly speaking of the wordless man,
Heard from the Baron that, ten years before,
The heathen caught and reft him of his tongue.
'He learnt and warned me of their fierce design
Against my house, and him they caught and maimed;
But I, my sons, and little daughter fled
296
From bonds or death, and dwelt among the woods
By the great river in a boatman's hut.
Dull days were those, till our good Arthur broke
The Pagan yet once more on Badon hill.'
'O there, great lord, doubtless,' Lavaine said, rapt
By all the sweet and sudden passion of youth
Toward greatness in its elder, 'you have fought.
O tell us--for we live apart--you know
Of Arthur's glorious wars.' And Lancelot spoke
And answered him at full, as having been
With Arthur in the fight which all day long
Rang by the white mouth of the violent Glem;
And in the four loud battles by the shore
Of Duglas; that on Bassa; then the war
That thundered in and out the gloomy skirts
Of Celidon the forest; and again
By castle Gurnion, where the glorious King
Had on his cuirass worn our Lady's Head,
Carved of one emerald centered in a sun
Of silver rays, that lightened as he breathed;
And at Caerleon had he helped his lord,
When the strong neighings of the wild white Horse
Set every gilded parapet shuddering;
And up in Agned-Cathregonion too,
And down the waste sand-shores of Trath Treroit,
Where many a heathen fell; 'and on the mount
Of Badon I myself beheld the King
Charge at the head of all his Table Round,
And all his legions crying Christ and him,
And break them; and I saw him, after, stand
High on a heap of slain, from spur to plume
Red as the rising sun with heathen blood,
And seeing me, with a great voice he cried,
"They are broken, they are broken!" for the King,
However mild he seems at home, nor cares
For triumph in our mimic wars, the jousts-For if his own knight cast him down, he laughs
Saying, his knights are better men than he-Yet in this heathen war the fire of God
Fills him: I never saw his like: there lives
No greater leader.'
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While he uttered this,
Low to her own heart said the lily maid,
'Save your own great self, fair lord;' and when he fell
From talk of war to traits of pleasantry-Being mirthful he, but in a stately kind-She still took note that when the living smile
Died from his lips, across him came a cloud
Of melancholy severe, from which again,
Whenever in her hovering to and fro
The lily maid had striven to make him cheer,
There brake a sudden-beaming tenderness
Of manners and of nature: and she thought
That all was nature, all, perchance, for her.
And all night long his face before her lived,
As when a painter, poring on a face,
Divinely through all hindrance finds the man
Behind it, and so paints him that his face,
The shape and colour of a mind and life,
Lives for his children, ever at its best
And fullest; so the face before her lived,
Dark-splendid, speaking in the silence, full
Of noble things, and held her from her sleep.
Till rathe she rose, half-cheated in the thought
She needs must bid farewell to sweet Lavaine.
First in fear, step after step, she stole
Down the long tower-stairs, hesitating:
Anon, she heard Sir Lancelot cry in the court,
'This shield, my friend, where is it?' and Lavaine
Past inward, as she came from out the tower.
There to his proud horse Lancelot turned, and smoothed
The glossy shoulder, humming to himself.
Half-envious of the flattering hand, she drew
Nearer and stood. He looked, and more amazed
Than if seven men had set upon him, saw
The maiden standing in the dewy light.
He had not dreamed she was so beautiful.
Then came on him a sort of sacred fear,
For silent, though he greeted her, she stood
Rapt on his face as if it were a God's.
Suddenly flashed on her a wild desire,
That he should wear her favour at the tilt.
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She braved a riotous heart in asking for it.
'Fair lord, whose name I know not--noble it is,
I well believe, the noblest--will you wear
My favour at this tourney?' 'Nay,' said he,
'Fair lady, since I never yet have worn
Favour of any lady in the lists.
Such is my wont, as those, who know me, know.'
'Yea, so,' she answered; 'then in wearing mine
Needs must be lesser likelihood, noble lord,
That those who know should know you.' And he turned
Her counsel up and down within his mind,
And found it true, and answered, 'True, my child.
Well, I will wear it: fetch it out to me:
What is it?' and she told him 'A red sleeve
Broidered with pearls,' and brought it: then he bound
Her token on his helmet, with a smile
Saying, 'I never yet have done so much
For any maiden living,' and the blood
Sprang to her face and filled her with delight;
But left her all the paler, when Lavaine
Returning brought the yet-unblazoned shield,
His brother's; which he gave to Lancelot,
Who parted with his own to fair Elaine:
'Do me this grace, my child, to have my shield
In keeping till I come.' 'A grace to me,'
She answered, 'twice today. I am your squire!'
Whereat Lavaine said, laughing, 'Lily maid,
For fear our people call you lily maid
In earnest, let me bring your colour back;
Once, twice, and thrice: now get you hence to bed:'
So kissed her, and Sir Lancelot his own hand,
And thus they moved away: she stayed a minute,
Then made a sudden step to the gate, and there-Her bright hair blown about the serious face
Yet rosy-kindled with her brother's kiss-Paused by the gateway, standing near the shield
In silence, while she watched their arms far-off
Sparkle, until they dipt below the downs.
Then to her tower she climbed, and took the shield,
There kept it, and so lived in fantasy.
Meanwhile the new companions past away
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Far o'er the long backs of the bushless downs,
To where Sir Lancelot knew there lived a knight
Not far from Camelot, now for forty years
A hermit, who had prayed, laboured and prayed,
And ever labouring had scooped himself
In the white rock a chapel and a hall
On massive columns, like a shorecliff cave,
And cells and chambers: all were fair and dry;
The green light from the meadows underneath
Struck up and lived along the milky roofs;
And in the meadows tremulous aspen-trees
And poplars made a noise of falling showers.
And thither wending there that night they bode.
But when the next day broke from underground,
And shot red fire and shadows through the cave,
They rose, heard mass, broke fast, and rode away:
Then Lancelot saying, 'Hear, but hold my name
Hidden, you ride with Lancelot of the Lake,'
Abashed young Lavaine, whose instant reverence,
Dearer to true young hearts than their own praise,
But left him leave to stammer, 'Is it indeed?'
And after muttering 'The great Lancelot,
At last he got his breath and answered, 'One,
One have I seen--that other, our liege lord,
The dread Pendragon, Britain's King of kings,
Of whom the people talk mysteriously,
He will be there--then were I stricken blind
That minute, I might say that I had seen.'
So spake Lavaine, and when they reached the lists
By Camelot in the meadow, let his eyes
Run through the peopled gallery which half round
Lay like a rainbow fallen upon the grass,
Until they found the clear-faced King, who sat
Robed in red samite, easily to be known,
Since to his crown the golden dragon clung,
And down his robe the dragon writhed in gold,
And from the carven-work behind him crept
Two dragons gilded, sloping down to make
Arms for his chair, while all the rest of them
Through knots and loops and folds innumerable
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Fled ever through the woodwork, till they found
The new design wherein they lost themselves,
Yet with all ease, so tender was the work:
And, in the costly canopy o'er him set,
Blazed the last diamond of the nameless king.
Then Lancelot answered young Lavaine and said,
'Me you call great: mine is the firmer seat,
The truer lance: but there is many a youth
Now crescent, who will come to all I am
And overcome it; and in me there dwells
No greatness, save it be some far-off touch
Of greatness to know well I am not great:
There is the man.' And Lavaine gaped upon him
As on a thing miraculous, and anon
The trumpets blew; and then did either side,
They that assailed, and they that held the lists,
Set lance in rest, strike spur, suddenly move,
Meet in the midst, and there so furiously
Shock, that a man far-off might well perceive,
If any man that day were left afield,
The hard earth shake, and a low thunder of arms.
And Lancelot bode a little, till he saw
Which were the weaker; then he hurled into it
Against the stronger: little need to speak
Of Lancelot in his glory! King, duke, earl,
Count, baron--whom he smote, he overthrew.
But in the field were Lancelot's kith and kin,
Ranged with the Table Round that held the lists,
Strong men, and wrathful that a stranger knight
Should do and almost overdo the deeds
Of Lancelot; and one said to the other, 'Lo!
What is he? I do not mean the force alone-The grace and versatility of the man!
Is it not Lancelot?' 'When has Lancelot worn
Favour of any lady in the lists?
Not such his wont, as we, that know him, know.'
'How then? who then?' a fury seized them all,
A fiery family passion for the name
Of Lancelot, and a glory one with theirs.
They couched their spears and pricked their steeds, and thus,
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Their plumes driven backward by the wind they made
In moving, all together down upon him
Bare, as a wild wave in the wide North-sea,
Green-glimmering toward the summit, bears, with all
Its stormy crests that smoke against the skies,
Down on a bark, and overbears the bark,
And him that helms it, so they overbore
Sir Lancelot and his charger, and a spear
Down-glancing lamed the charger, and a spear
Pricked sharply his own cuirass, and the head
Pierced through his side, and there snapt, and remained.
Then Sir Lavaine did well and worshipfully;
He bore a knight of old repute to the earth,
And brought his horse to Lancelot where he lay.
He up the side, sweating with agony, got,
But thought to do while he might yet endure,
And being lustily holpen by the rest,
His party,--though it seemed half-miracle
To those he fought with,--drave his kith and kin,
And all the Table Round that held the lists,
Back to the barrier; then the trumpets blew
Proclaiming his the prize, who wore the sleeve
Of scarlet, and the pearls; and all the knights,
His party, cried 'Advance and take thy prize
The diamond;' but he answered, 'Diamond me
No diamonds! for God's love, a little air!
Prize me no prizes, for my prize is death!
Hence will I, and I charge you, follow me not.'
He spoke, and vanished suddenly from the field
With young Lavaine into the poplar grove.
There from his charger down he slid, and sat,
Gasping to Sir Lavaine, 'Draw the lance-head:'
'Ah my sweet lord Sir Lancelot,' said Lavaine,
'I dread me, if I draw it, you will die.'
But he, 'I die already with it: draw-Draw,'--and Lavaine drew, and Sir Lancelot gave
A marvellous great shriek and ghastly groan,
And half his blood burst forth, and down he sank
For the pure pain, and wholly swooned away.
Then came the hermit out and bare him in,
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There stanched his wound; and there, in daily doubt
Whether to live or die, for many a week
Hid from the wide world's rumour by the grove
Of poplars with their noise of falling showers,
And ever-tremulous aspen-trees, he lay.
But on that day when Lancelot fled the lists,
His party, knights of utmost North and West,
Lords of waste marches, kings of desolate isles,
Came round their great Pendragon, saying to him,
'Lo, Sire, our knight, through whom we won the day,
Hath gone sore wounded, and hath left his prize
Untaken, crying that his prize is death.'
'Heaven hinder,' said the King, 'that such an one,
So great a knight as we have seen today-He seemed to me another Lancelot-Yea, twenty times I thought him Lancelot-He must not pass uncared for. Wherefore, rise,
O Gawain, and ride forth and find the knight.
Wounded and wearied needs must he be near.
I charge you that you get at once to horse.
And, knights and kings, there breathes not one of you
Will deem this prize of ours is rashly given:
His prowess was too wondrous. We will do him
No customary honour: since the knight
Came not to us, of us to claim the prize,
Ourselves will send it after. Rise and take
This diamond, and deliver it, and return,
And bring us where he is, and how he fares,
And cease not from your quest until ye find.'
So saying, from the carven flower above,
To which it made a restless heart, he took,
And gave, the diamond: then from where he sat
At Arthur's right, with smiling face arose,
With smiling face and frowning heart, a Prince
In the mid might and flourish of his May,
Gawain, surnamed The Courteous, fair and strong,
And after Lancelot, Tristram, and Geraint
And Gareth, a good knight, but therewithal
Sir Modred's brother, and the child of Lot,
Nor often loyal to his word, and now
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Wroth that the King's command to sally forth
In quest of whom he knew not, made him leave
The banquet, and concourse of knights and kings.
So all in wrath he got to horse and went;
While Arthur to the banquet, dark in mood,
Past, thinking 'Is it Lancelot who hath come
Despite the wound he spake of, all for gain
Of glory, and hath added wound to wound,
And ridden away to die?' So feared the King,
And, after two days' tarriance there, returned.
Then when he saw the Queen, embracing asked,
'Love, are you yet so sick?' 'Nay, lord,' she said.
'And where is Lancelot?' Then the Queen amazed,
'Was he not with you? won he not your prize?'
'Nay, but one like him.' 'Why that like was he.'
And when the King demanded how she knew,
Said, 'Lord, no sooner had ye parted from us,
Than Lancelot told me of a common talk
That men went down before his spear at a touch,
But knowing he was Lancelot; his great name
Conquered; and therefore would he hide his name
From all men, even the King, and to this end
Had made a pretext of a hindering wound,
That he might joust unknown of all, and learn
If his old prowess were in aught decayed;
And added, "Our true Arthur, when he learns,
Will well allow me pretext, as for gain
Of purer glory."'
Then replied the King:
'Far lovelier in our Lancelot had it been,
In lieu of idly dallying with the truth,
To have trusted me as he hath trusted thee.
Surely his King and most familiar friend
Might well have kept his secret. True, indeed,
Albeit I know my knights fantastical,
So fine a fear in our large Lancelot
Must needs have moved my laughter: now remains
But little cause for laughter: his own kin-Ill news, my Queen, for all who love him, this!-His kith and kin, not knowing, set upon him;
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So that he went sore wounded from the field:
Yet good news too: for goodly hopes are mine
That Lancelot is no more a lonely heart.
He wore, against his wont, upon his helm
A sleeve of scarlet, broidered with great pearls,
Some gentle maiden's gift.'
'Yea, lord,' she said,
'Thy hopes are mine,' and saying that, she choked,
And sharply turned about to hide her face,
Past to her chamber, and there flung herself
Down on the great King's couch, and writhed upon it,
And clenched her fingers till they bit the palm,
And shrieked out 'Traitor' to the unhearing wall,
Then flashed into wild tears, and rose again,
And moved about her palace, proud and pale.
Gawain the while through all the region round
Rode with his diamond, wearied of the quest,
Touched at all points, except the poplar grove,
And came at last, though late, to Astolat:
Whom glittering in enamelled arms the maid
Glanced at, and cried, 'What news from Camelot, lord?
What of the knight with the red sleeve?' 'He won.'
'I knew it,' she said. 'But parted from the jousts
Hurt in the side,' whereat she caught her breath;
Through her own side she felt the sharp lance go;
Thereon she smote her hand: wellnigh she swooned:
And, while he gazed wonderingly at her, came
The Lord of Astolat out, to whom the Prince
Reported who he was, and on what quest
Sent, that he bore the prize and could not find
The victor, but had ridden a random round
To seek him, and had wearied of the search.
To whom the Lord of Astolat, 'Bide with us,
And ride no more at random, noble Prince!
Here was the knight, and here he left a shield;
This will he send or come for: furthermore
Our son is with him; we shall hear anon,
Needs must hear.' To this the courteous Prince
Accorded with his wonted courtesy,
Courtesy with a touch of traitor in it,
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And stayed; and cast his eyes on fair Elaine:
Where could be found face daintier? then her shape
From forehead down to foot, perfect--again
From foot to forehead exquisitely turned:
'Well--if I bide, lo! this wild flower for me!'
And oft they met among the garden yews,
And there he set himself to play upon her
With sallying wit, free flashes from a height
Above her, graces of the court, and songs,
Sighs, and slow smiles, and golden eloquence
And amorous adulation, till the maid
Rebelled against it, saying to him, 'Prince,
O loyal nephew of our noble King,
Why ask you not to see the shield he left,
Whence you might learn his name? Why slight your King,
And lose the quest he sent you on, and prove
No surer than our falcon yesterday,
Who lost the hern we slipt her at, and went
To all the winds?' 'Nay, by mine head,' said he,
'I lose it, as we lose the lark in heaven,
O damsel, in the light of your blue eyes;
But an ye will it let me see the shield.'
And when the shield was brought, and Gawain saw
Sir Lancelot's azure lions, crowned with gold,
Ramp in the field, he smote his thigh, and mocked:
'Right was the King! our Lancelot! that true man!'
'And right was I,' she answered merrily, 'I,
Who dreamed my knight the greatest knight of all.'
'And if I dreamed,' said Gawain, 'that you love
This greatest knight, your pardon! lo, ye know it!
Speak therefore: shall I waste myself in vain?'
Full simple was her answer, 'What know I?
My brethren have been all my fellowship;
And I, when often they have talked of love,
Wished it had been my mother, for they talked,
Meseemed, of what they knew not; so myself-I know not if I know what true love is,
But if I know, then, if I love not him,
I know there is none other I can love.'
'Yea, by God's death,' said he, 'ye love him well,
But would not, knew ye what all others know,
And whom he loves.' 'So be it,' cried Elaine,
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And lifted her fair face and moved away:
But he pursued her, calling, 'Stay a little!
One golden minute's grace! he wore your sleeve:
Would he break faith with one I may not name?
Must our true man change like a leaf at last?
Nay--like enow: why then, far be it from me
To cross our mighty Lancelot in his loves!
And, damsel, for I deem you know full well
Where your great knight is hidden, let me leave
My quest with you; the diamond also: here!
For if you love, it will be sweet to give it;
And if he love, it will be sweet to have it
From your own hand; and whether he love or not,
A diamond is a diamond. Fare you well
A thousand times!--a thousand times farewell!
Yet, if he love, and his love hold, we two
May meet at court hereafter: there, I think,
So ye will learn the courtesies of the court,
We two shall know each other.'
Then he gave,
And slightly kissed the hand to which he gave,
The diamond, and all wearied of the quest
Leapt on his horse, and carolling as he went
A true-love ballad, lightly rode away.
Thence to the court he past; there told the King
What the King knew, 'Sir Lancelot is the knight.'
And added, 'Sire, my liege, so much I learnt;
But failed to find him, though I rode all round
The region: but I lighted on the maid
Whose sleeve he wore; she loves him; and to her,
Deeming our courtesy is the truest law,
I gave the diamond: she will render it;
For by mine head she knows his hiding-place.'
The seldom-frowning King frowned, and replied,
'Too courteous truly! ye shall go no more
On quest of mine, seeing that ye forget
Obedience is the courtesy due to kings.'
He spake and parted. Wroth, but all in awe,
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For twenty strokes of the blood, without a word,
Lingered that other, staring after him;
Then shook his hair, strode off, and buzzed abroad
About the maid of Astolat, and her love.
All ears were pricked at once, all tongues were loosed:
'The maid of Astolat loves Sir Lancelot,
Sir Lancelot loves the maid of Astolat.'
Some read the King's face, some the Queen's, and all
Had marvel what the maid might be, but most
Predoomed her as unworthy. One old dame
Came suddenly on the Queen with the sharp news.
She, that had heard the noise of it before,
But sorrowing Lancelot should have stooped so low,
Marred her friend's aim with pale tranquillity.
So ran the tale like fire about the court,
Fire in dry stubble a nine-days' wonder flared:
Till even the knights at banquet twice or thrice
Forgot to drink to Lancelot and the Queen,
And pledging Lancelot and the lily maid
Smiled at each other, while the Queen, who sat
With lips severely placid, felt the knot
Climb in her throat, and with her feet unseen
Crushed the wild passion out against the floor
Beneath the banquet, where all the meats became
As wormwood, and she hated all who pledged.
But far away the maid in Astolat,
Her guiltless rival, she that ever kept
The one-day-seen Sir Lancelot in her heart,
Crept to her father, while he mused alone,
Sat on his knee, stroked his gray face and said,
'Father, you call me wilful, and the fault
Is yours who let me have my will, and now,
Sweet father, will you let me lose my wits?'
'Nay,' said he, 'surely.' 'Wherefore, let me hence,'
She answered, 'and find out our dear Lavaine.'
'Ye will not lose your wits for dear Lavaine:
Bide,' answered he: 'we needs must hear anon
Of him, and of that other.' 'Ay,' she said,
'And of that other, for I needs must hence
And find that other, wheresoe'er he be,
And with mine own hand give his diamond to him,
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Lest I be found as faithless in the quest
As yon proud Prince who left the quest to me.
Sweet father, I behold him in my dreams
Gaunt as it were the skeleton of himself,
Death-pale, for lack of gentle maiden's aid.
The gentler-born the maiden, the more bound,
My father, to be sweet and serviceable
To noble knights in sickness, as ye know
When these have worn their tokens: let me hence
I pray you.' Then her father nodding said,
'Ay, ay, the diamond: wit ye well, my child,
Right fain were I to learn this knight were whole,
Being our greatest: yea, and you must give it-And sure I think this fruit is hung too high
For any mouth to gape for save a queen's-Nay, I mean nothing: so then, get you gone,
Being so very wilful you must go.'
Lightly, her suit allowed, she slipt away,
And while she made her ready for her ride,
Her father's latest word hummed in her ear,
'Being so very wilful you must go,'
And changed itself and echoed in her heart,
'Being so very wilful you must die.'
But she was happy enough and shook it off,
As we shake off the bee that buzzes at us;
And in her heart she answered it and said,
'What matter, so I help him back to life?'
Then far away with good Sir Torre for guide
Rode o'er the long backs of the bushless downs
To Camelot, and before the city-gates
Came on her brother with a happy face
Making a roan horse caper and curvet
For pleasure all about a field of flowers:
Whom when she saw, 'Lavaine,' she cried, 'Lavaine,
How fares my lord Sir Lancelot?' He amazed,
'Torre and Elaine! why here? Sir Lancelot!
How know ye my lord's name is Lancelot?'
But when the maid had told him all her tale,
Then turned Sir Torre, and being in his moods
Left them, and under the strange-statued gate,
Where Arthur's wars were rendered mystically,
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Past up the still rich city to his kin,
His own far blood, which dwelt at Camelot;
And her, Lavaine across the poplar grove
Led to the caves: there first she saw the casque
Of Lancelot on the wall: her scarlet sleeve,
Though carved and cut, and half the pearls away,
Streamed from it still; and in her heart she laughed,
Because he had not loosed it from his helm,
But meant once more perchance to tourney in it.
And when they gained the cell wherein he slept,
His battle-writhen arms and mighty hands
Lay naked on the wolfskin, and a dream
Of dragging down his enemy made them move.
Then she that saw him lying unsleek, unshorn,
Gaunt as it were the skeleton of himself,
Uttered a little tender dolorous cry.
The sound not wonted in a place so still
Woke the sick knight, and while he rolled his eyes
Yet blank from sleep, she started to him, saying,
'Your prize the diamond sent you by the King:'
His eyes glistened: she fancied 'Is it for me?'
And when the maid had told him all the tale
Of King and Prince, the diamond sent, the quest
Assigned to her not worthy of it, she knelt
Full lowly by the corners of his bed,
And laid the diamond in his open hand.
Her face was near, and as we kiss the child
That does the task assigned, he kissed her face.
At once she slipt like water to the floor.
'Alas,' he said, 'your ride hath wearied you.
Rest must you have.' 'No rest for me,' she said;
'Nay, for near you, fair lord, I am at rest.'
What might she mean by that? his large black eyes,
Yet larger through his leanness, dwelt upon her,
Till all her heart's sad secret blazed itself
In the heart's colours on her simple face;
And Lancelot looked and was perplext in mind,
And being weak in body said no more;
But did not love the colour; woman's love,
Save one, he not regarded, and so turned
Sighing, and feigned a sleep until he slept.
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Then rose Elaine and glided through the fields,
And past beneath the weirdly-sculptured gates
Far up the dim rich city to her kin;
There bode the night: but woke with dawn, and past
Down through the dim rich city to the fields,
Thence to the cave: so day by day she past
In either twilight ghost-like to and fro
Gliding, and every day she tended him,
And likewise many a night: and Lancelot
Would, though he called his wound a little hurt
Whereof he should be quickly whole, at times
Brain-feverous in his heat and agony, seem
Uncourteous, even he: but the meek maid
Sweetly forbore him ever, being to him
Meeker than any child to a rough nurse,
Milder than any mother to a sick child,
And never woman yet, since man's first fall,
Did kindlier unto man, but her deep love
Upbore her; till the hermit, skilled in all
The simples and the science of that time,
Told him that her fine care had saved his life.
And the sick man forgot her simple blush,
Would call her friend and sister, sweet Elaine,
Would listen for her coming and regret
Her parting step, and held her tenderly,
And loved her with all love except the love
Of man and woman when they love their best,
Closest and sweetest, and had died the death
In any knightly fashion for her sake.
And peradventure had he seen her first
She might have made this and that other world
Another world for the sick man; but now
The shackles of an old love straitened him,
His honour rooted in dishonour stood,
And faith unfaithful kept him falsely true.
Yet the great knight in his mid-sickness made
Full many a holy vow and pure resolve.
These, as but born of sickness, could not live:
For when the blood ran lustier in him again,
Full often the bright image of one face,
Making a treacherous quiet in his heart,
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Dispersed his resolution like a cloud.
Then if the maiden, while that ghostly grace
Beamed on his fancy, spoke, he answered not,
Or short and coldly, and she knew right well
What the rough sickness meant, but what this meant
She knew not, and the sorrow dimmed her sight,
And drave her ere her time across the fields
Far into the rich city, where alone
She murmured, 'Vain, in vain: it cannot be.
He will not love me: how then? must I die?'
Then as a little helpless innocent bird,
That has but one plain passage of few notes,
Will sing the simple passage o'er and o'er
For all an April morning, till the ear
Wearies to hear it, so the simple maid
Went half the night repeating, 'Must I die?'
And now to right she turned, and now to left,
And found no ease in turning or in rest;
And 'Him or death,' she muttered, 'death or him,'
Again and like a burthen, 'Him or death.'
But when Sir Lancelot's deadly hurt was whole,
To Astolat returning rode the three.
There morn by morn, arraying her sweet self
In that wherein she deemed she looked her best,
She came before Sir Lancelot, for she thought
'If I be loved, these are my festal robes,
If not, the victim's flowers before he fall.'
And Lancelot ever prest upon the maid
That she should ask some goodly gift of him
For her own self or hers; 'and do not shun
To speak the wish most near to your true heart;
Such service have ye done me, that I make
My will of yours, and Prince and Lord am I
In mine own land, and what I will I can.'
Then like a ghost she lifted up her face,
But like a ghost without the power to speak.
And Lancelot saw that she withheld her wish,
And bode among them yet a little space
Till he should learn it; and one morn it chanced
He found her in among the garden yews,
And said, 'Delay no longer, speak your wish,
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Seeing I go today:' then out she brake:
'Going? and we shall never see you more.
And I must die for want of one bold word.'
'Speak: that I live to hear,' he said, 'is yours.'
Then suddenly and passionately she spoke:
'I have gone mad. I love you: let me die.'
'Ah, sister,' answered Lancelot, 'what is this?'
And innocently extending her white arms,
'Your love,' she said, 'your love--to be your wife.'
And Lancelot answered, 'Had I chosen to wed,
I had been wedded earlier, sweet Elaine:
But now there never will be wife of mine.'
'No, no,' she cried, 'I care not to be wife,
But to be with you still, to see your face,
To serve you, and to follow you through the world.'
And Lancelot answered, 'Nay, the world, the world,
All ear and eye, with such a stupid heart
To interpret ear and eye, and such a tongue
To blare its own interpretation--nay,
Full ill then should I quit your brother's love,
And your good father's kindness.' And she said,
'Not to be with you, not to see your face-Alas for me then, my good days are done.'
'Nay, noble maid,' he answered, 'ten times nay!
This is not love: but love's first flash in youth,
Most common: yea, I know it of mine own self:
And you yourself will smile at your own self
Hereafter, when you yield your flower of life
To one more fitly yours, not thrice your age:
And then will I, for true you are and sweet
Beyond mine old belief in womanhood,
More specially should your good knight be poor,
Endow you with broad land and territory
Even to the half my realm beyond the seas,
So that would make you happy: furthermore,
Even to the death, as though ye were my blood,
In all your quarrels will I be your knight.
This I will do, dear damsel, for your sake,
And more than this I cannot.'
While he spoke
She neither blushed nor shook, but deathly-pale
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Stood grasping what was nearest, then replied:
'Of all this will I nothing;' and so fell,
And thus they bore her swooning to her tower.
Then spake, to whom through those black walls of yew
Their talk had pierced, her father: 'Ay, a flash,
I fear me, that will strike my blossom dead.
Too courteous are ye, fair Lord Lancelot.
I pray you, use some rough discourtesy
To blunt or break her passion.'
Lancelot said,
'That were against me: what I can I will;'
And there that day remained, and toward even
Sent for his shield: full meekly rose the maid,
Stript off the case, and gave the naked shield;
Then, when she heard his horse upon the stones,
Unclasping flung the casement back, and looked
Down on his helm, from which her sleeve had gone.
And Lancelot knew the little clinking sound;
And she by tact of love was well aware
That Lancelot knew that she was looking at him.
And yet he glanced not up, nor waved his hand,
Nor bad farewell, but sadly rode away.
This was the one discourtesy that he used.
So in her tower alone the maiden sat:
His very shield was gone; only the case,
Her own poor work, her empty labour, left.
But still she heard him, still his picture formed
And grew between her and the pictured wall.
Then came her father, saying in low tones,
'Have comfort,' whom she greeted quietly.
Then came her brethren saying, 'Peace to thee,
Sweet sister,' whom she answered with all calm.
But when they left her to herself again,
Death, like a friend's voice from a distant field
Approaching through the darkness, called; the owls
Wailing had power upon her, and she mixt
Her fancies with the sallow-rifted glooms
Of evening, and the moanings of the wind.
And in those days she made a little song,
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And called her song 'The Song of Love and Death,'
And sang it: sweetly could she make and sing.
'Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.
'Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.
'Sweet love, that seems not made to fade away,
Sweet death, that seems to make us loveless clay,
I know not which is sweeter, no, not I.
'I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.'
High with the last line scaled her voice, and this,
All in a fiery dawning wild with wind
That shook her tower, the brothers heard, and thought
With shuddering, 'Hark the Phantom of the house
That ever shrieks before a death,' and called
The father, and all three in hurry and fear
Ran to her, and lo! the blood-red light of dawn
Flared on her face, she shrilling, 'Let me die!'
As when we dwell upon a word we know,
Repeating, till the word we know so well
Becomes a wonder, and we know not why,
So dwelt the father on her face, and thought
'Is this Elaine?' till back the maiden fell,
Then gave a languid hand to each, and lay,
Speaking a still good-morrow with her eyes.
At last she said, 'Sweet brothers, yesternight
I seemed a curious little maid again,
As happy as when we dwelt among the woods,
And when ye used to take me with the flood
Up the great river in the boatman's boat.
Only ye would not pass beyond the cape
That has the poplar on it: there ye fixt
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Your limit, oft returning with the tide.
And yet I cried because ye would not pass
Beyond it, and far up the shining flood
Until we found the palace of the King.
And yet ye would not; but this night I dreamed
That I was all alone upon the flood,
And then I said, "Now shall I have my will:"
And there I woke, but still the wish remained.
So let me hence that I may pass at last
Beyond the poplar and far up the flood,
Until I find the palace of the King.
There will I enter in among them all,
And no man there will dare to mock at me;
But there the fine Gawain will wonder at me,
And there the great Sir Lancelot muse at me;
Gawain, who bad a thousand farewells to me,
Lancelot, who coldly went, nor bad me one:
And there the King will know me and my love,
And there the Queen herself will pity me,
And all the gentle court will welcome me,
And after my long voyage I shall rest!'
'Peace,' said her father, 'O my child, ye seem
Light-headed, for what force is yours to go
So far, being sick? and wherefore would ye look
On this proud fellow again, who scorns us all?'
Then the rough Torre began to heave and move,
And bluster into stormy sobs and say,
'I never loved him: an I meet with him,
I care not howsoever great he be,
Then will I strike at him and strike him down,
Give me good fortune, I will strike him dead,
For this discomfort he hath done the house.'
To whom the gentle sister made reply,
'Fret not yourself, dear brother, nor be wroth,
Seeing it is no more Sir Lancelot's fault
Not to love me, than it is mine to love
Him of all men who seems to me the highest.'
'Highest?' the father answered, echoing 'highest?'
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(He meant to break the passion in her) 'nay,
Daughter, I know not what you call the highest;
But this I know, for all the people know it,
He loves the Queen, and in an open shame:
And she returns his love in open shame;
If this be high, what is it to be low?'
Then spake the lily maid of Astolat:
'Sweet father, all too faint and sick am I
For anger: these are slanders: never yet
Was noble man but made ignoble talk.
He makes no friend who never made a foe.
But now it is my glory to have loved
One peerless, without stain: so let me pass,
My father, howsoe'er I seem to you,
Not all unhappy, having loved God's best
And greatest, though my love had no return:
Yet, seeing you desire your child to live,
Thanks, but you work against your own desire;
For if I could believe the things you say
I should but die the sooner; wherefore cease,
Sweet father, and bid call the ghostly man
Hither, and let me shrive me clean, and die.'
So when the ghostly man had come and gone,
She with a face, bright as for sin forgiven,
Besought Lavaine to write as she devised
A letter, word for word; and when he asked
'Is it for Lancelot, is it for my dear lord?
Then will I bear it gladly;' she replied,
'For Lancelot and the Queen and all the world,
But I myself must bear it.' Then he wrote
The letter she devised; which being writ
And folded, 'O sweet father, tender and true,
Deny me not,' she said--'ye never yet
Denied my fancies--this, however strange,
My latest: lay the letter in my hand
A little ere I die, and close the hand
Upon it; I shall guard it even in death.
And when the heat is gone from out my heart,
Then take the little bed on which I died
For Lancelot's love, and deck it like the Queen's
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For richness, and me also like the Queen
In all I have of rich, and lay me on it.
And let there be prepared a chariot-bier
To take me to the river, and a barge
Be ready on the river, clothed in black.
I go in state to court, to meet the Queen.
There surely I shall speak for mine own self,
And none of you can speak for me so well.
And therefore let our dumb old man alone
Go with me, he can steer and row, and he
Will guide me to that palace, to the doors.'
She ceased: her father promised; whereupon
She grew so cheerful that they deemed her death
Was rather in the fantasy than the blood.
But ten slow mornings past, and on the eleventh
Her father laid the letter in her hand,
And closed the hand upon it, and she died.
So that day there was dole in Astolat.
But when the next sun brake from underground,
Then, those two brethren slowly with bent brows
Accompanying, the sad chariot-bier
Past like a shadow through the field, that shone
Full-summer, to that stream whereon the barge,
Palled all its length in blackest samite, lay.
There sat the lifelong creature of the house,
Loyal, the dumb old servitor, on deck,
Winking his eyes, and twisted all his face.
So those two brethren from the chariot took
And on the black decks laid her in her bed,
Set in her hand a lily, o'er her hung
The silken case with braided blazonings,
And kissed her quiet brows, and saying to her
'Sister, farewell for ever,' and again
'Farewell, sweet sister,' parted all in tears.
Then rose the dumb old servitor, and the dead,
Oared by the dumb, went upward with the flood-In her right hand the lily, in her left
The letter--all her bright hair streaming down-And all the coverlid was cloth of gold
Drawn to her waist, and she herself in white
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All but her face, and that clear-featured face
Was lovely, for she did not seem as dead,
But fast asleep, and lay as though she smiled.
That day Sir Lancelot at the palace craved
Audience of Guinevere, to give at last,
The price of half a realm, his costly gift,
Hard-won and hardly won with bruise and blow,
With deaths of others, and almost his own,
The nine-years-fought-for diamonds: for he saw
One of her house, and sent him to the Queen
Bearing his wish, whereto the Queen agreed
With such and so unmoved a majesty
She might have seemed her statue, but that he,
Low-drooping till he wellnigh kissed her feet
For loyal awe, saw with a sidelong eye
The shadow of some piece of pointed lace,
In the Queen's shadow, vibrate on the walls,
And parted, laughing in his courtly heart.
All in an oriel on the summer side,
Vine-clad, of Arthur's palace toward the stream,
They met, and Lancelot kneeling uttered, 'Queen,
Lady, my liege, in whom I have my joy,
Take, what I had not won except for you,
These jewels, and make me happy, making them
An armlet for the roundest arm on earth,
Or necklace for a neck to which the swan's
Is tawnier than her cygnet's: these are words:
Your beauty is your beauty, and I sin
In speaking, yet O grant my worship of it
Words, as we grant grief tears. Such sin in words
Perchance, we both can pardon: but, my Queen,
I hear of rumours flying through your court.
Our bond, as not the bond of man and wife,
Should have in it an absoluter trust
To make up that defect: let rumours be:
When did not rumours fly? these, as I trust
That you trust me in your own nobleness,
I may not well believe that you believe.'
While thus he spoke, half turned away, the Queen
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Brake from the vast oriel-embowering vine
Leaf after leaf, and tore, and cast them off,
Till all the place whereon she stood was green;
Then, when he ceased, in one cold passive hand
Received at once and laid aside the gems
There on a table near her, and replied:
'It may be, I am quicker of belief
Than you believe me, Lancelot of the Lake.
Our bond is not the bond of man and wife.
This good is in it, whatsoe'er of ill,
It can be broken easier. I for you
This many a year have done despite and wrong
To one whom ever in my heart of hearts
I did acknowledge nobler. What are these?
Diamonds for me! they had been thrice their worth
Being your gift, had you not lost your own.
To loyal hearts the value of all gifts
Must vary as the giver's. Not for me!
For her! for your new fancy. Only this
Grant me, I pray you: have your joys apart.
I doubt not that however changed, you keep
So much of what is graceful: and myself
Would shun to break those bounds of courtesy
In which as Arthur's Queen I move and rule:
So cannot speak my mind. An end to this!
A strange one! yet I take it with Amen.
So pray you, add my diamonds to her pearls;
Deck her with these; tell her, she shines me down:
An armlet for an arm to which the Queen's
Is haggard, or a necklace for a neck
O as much fairer--as a faith once fair
Was richer than these diamonds--hers not mine-Nay, by the mother of our Lord himself,
Or hers or mine, mine now to work my will-She shall not have them.'
Saying which
she seized,
And, through the casement standing wide for heat,
Flung them, and down they flashed, and smote the stream.
Then from the smitten surface flashed, as it were,
Diamonds to meet them, and they past away.
Then while Sir Lancelot leant, in half disdain
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At love, life, all things, on the window ledge,
Close underneath his eyes, and right across
Where these had fallen, slowly past the barge.
Whereon the lily maid of Astolat
Lay smiling, like a star in blackest night.
But the wild Queen, who saw not, burst away
To weep and wail in secret; and the barge,
On to the palace-doorway sliding, paused.
There two stood armed, and kept the door; to whom,
All up the marble stair, tier over tier,
Were added mouths that gaped, and eyes that asked
'What is it?' but that oarsman's haggard face,
As hard and still as is the face that men
Shape to their fancy's eye from broken rocks
On some cliff-side, appalled them, and they said
'He is enchanted, cannot speak--and she,
Look how she sleeps--the Fairy Queen, so fair!
Yea, but how pale! what are they? flesh and blood?
Or come to take the King to Fairyland?
For some do hold our Arthur cannot die,
But that he passes into Fairyland.'
While thus they babbled of the King, the King
Came girt with knights: then turned the tongueless man
From the half-face to the full eye, and rose
And pointed to the damsel, and the doors.
So Arthur bad the meek Sir Percivale
And pure Sir Galahad to uplift the maid;
And reverently they bore her into hall.
Then came the fine Gawain and wondered at her,
And Lancelot later came and mused at her,
And last the Queen herself, and pitied her:
But Arthur spied the letter in her hand,
Stoopt, took, brake seal, and read it; this was all:
'Most noble lord, Sir Lancelot of the Lake,
I, sometime called the maid of Astolat,
Come, for you left me taking no farewell,
Hither, to take my last farewell of you.
I loved you, and my love had no return,
And therefore my true love has been my death.
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And therefore to our Lady Guinevere,
And to all other ladies, I make moan:
Pray for my soul, and yield me burial.
Pray for my soul thou too, Sir Lancelot,
As thou art a knight peerless.'
Thus he read;
And ever in the reading, lords and dames
Wept, looking often from his face who read
To hers which lay so silent, and at times,
So touched were they, half-thinking that her lips,
Who had devised the letter, moved again.
Then freely spoke Sir Lancelot to them all:
'My lord liege Arthur, and all ye that hear,
Know that for this most gentle maiden's death
Right heavy am I; for good she was and true,
But loved me with a love beyond all love
In women, whomsoever I have known.
Yet to be loved makes not to love again;
Not at my years, however it hold in youth.
I swear by truth and knighthood that I gave
No cause, not willingly, for such a love:
To this I call my friends in testimony,
Her brethren, and her father, who himself
Besought me to be plain and blunt, and use,
To break her passion, some discourtesy
Against my nature: what I could, I did.
I left her and I bad her no farewell;
Though, had I dreamt the damsel would have died,
I might have put my wits to some rough use,
And helped her from herself.'
Then said the Queen
(Sea was her wrath, yet working after storm)
'Ye might at least have done her so much grace,
Fair lord, as would have helped her from her death.'
He raised his head, their eyes met and hers fell,
He adding,
'Queen, she would not be content
Save that I wedded her, which could not be.
Then might she follow me through the world, she asked;
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It could not be. I told her that her love
Was but the flash of youth, would darken down
To rise hereafter in a stiller flame
Toward one more worthy of her--then would I,
More specially were he, she wedded, poor,
Estate them with large land and territory
In mine own realm beyond the narrow seas,
To keep them in all joyance: more than this
I could not; this she would not, and she died.'
He pausing, Arthur answered, 'O my knight,
It will be to thy worship, as my knight,
And mine, as head of all our Table Round,
To see that she be buried worshipfully.'
So toward that shrine which then in all the realm
Was richest, Arthur leading, slowly went
The marshalled Order of their Table Round,
And Lancelot sad beyond his wont, to see
The maiden buried, not as one unknown,
Nor meanly, but with gorgeous obsequies,
And mass, and rolling music, like a queen.
And when the knights had laid her comely head
Low in the dust of half-forgotten kings,
Then Arthur spake among them, 'Let her tomb
Be costly, and her image thereupon,
And let the shield of Lancelot at her feet
Be carven, and her lily in her hand.
And let the story of her dolorous voyage
For all true hearts be blazoned on her tomb
In letters gold and azure!' which was wrought
Thereafter; but when now the lords and dames
And people, from the high door streaming, brake
Disorderly, as homeward each, the Queen,
Who marked Sir Lancelot where he moved apart,
Drew near, and sighed in passing, 'Lancelot,
Forgive me; mine was jealousy in love.'
He answered with his eyes upon the ground,
'That is love's curse; pass on, my Queen, forgiven.'
But Arthur, who beheld his cloudy brows,
Approached him, and with full affection said,
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'Lancelot, my Lancelot, thou in whom I have
Most joy and most affiance, for I know
What thou hast been in battle by my side,
And many a time have watched thee at the tilt
Strike down the lusty and long practised knight,
And let the younger and unskilled go by
To win his honour and to make his name,
And loved thy courtesies and thee, a man
Made to be loved; but now I would to God,
Seeing the homeless trouble in thine eyes,
Thou couldst have loved this maiden, shaped, it seems,
By God for thee alone, and from her face,
If one may judge the living by the dead,
Delicately pure and marvellously fair,
Who might have brought thee, now a lonely man
Wifeless and heirless, noble issue, sons
Born to the glory of thine name and fame,
My knight, the great Sir Lancelot of the Lake.'
Then answered Lancelot, 'Fair she was, my King,
Pure, as you ever wish your knights to be.
To doubt her fairness were to want an eye,
To doubt her pureness were to want a heart-Yea, to be loved, if what is worthy love
Could bind him, but free love will not be bound.'
'Free love, so bound, were fre st,' said the King.
'Let love be free; free love is for the best:
And, after heaven, on our dull side of death,
What should be best, if not so pure a love
Clothed in so pure a loveliness? yet thee
She failed to bind, though being, as I think,
Unbound as yet, and gentle, as I know.'
And Lancelot answered nothing, but he went,
And at the inrunning of a little brook
Sat by the river in a cove, and watched
The high reed wave, and lifted up his eyes
And saw the barge that brought her moving down,
Far-off, a blot upon the stream, and said
Low in himself, 'Ah simple heart and sweet,
Ye loved me, damsel, surely with a love
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Far tenderer than my Queen's. Pray for thy soul?
Ay, that will I. Farewell too--now at last-Farewell, fair lily. "Jealousy in love?"
Not rather dead love's harsh heir, jealous pride?
Queen, if I grant the jealousy as of love,
May not your crescent fear for name and fame
Speak, as it waxes, of a love that wanes?
Why did the King dwell on my name to me?
Mine own name shames me, seeming a reproach,
Lancelot, whom the Lady of the Lake
Caught from his mother's arms--the wondrous one
Who passes through the vision of the night-She chanted snatches of mysterious hymns
Heard on the winding waters, eve and morn
She kissed me saying, "Thou art fair, my child,
As a king's son," and often in her arms
She bare me, pacing on the dusky mere.
Would she had drowned me in it, where'er it be!
For what am I? what profits me my name
Of greatest knight? I fought for it, and have it:
Pleasure to have it, none; to lose it, pain;
Now grown a part of me: but what use in it?
To make men worse by making my sin known?
Or sin seem less, the sinner seeming great?
Alas for Arthur's greatest knight, a man
Not after Arthur's heart! I needs must break
These bonds that so defame me: not without
She wills it: would I, if she willed it? nay,
Who knows? but if I would not, then may God,
I pray him, send a sudden Angel down
To seize me by the hair and bear me far,
And fling me deep in that forgotten mere,
Among the tumbled fragments of the hills.'
So groaned Sir Lancelot in remorseful pain,
Not knowing he should die a holy man.
~ Alfred Lord Tennyson,
1428:The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
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His Will and Word shall be obeyed,
From loftiest star to lowliest seed;The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
To be by blood and long descent
A member of a mighty State,
Whose greatness, sea-girt, but unpent
By ocean, makes the world more great;
That, ranging limitless, hath won
A Rule more wide than that of Rome,
And, journeying onward with the sun,
In every zone hath found a home;
That, keeping old traditions fast,
Still hails the things that are to be,
And, firmly rooted in the Past,
On Law hath grafted Liberty;That is a birthright nobler far
Than princely claim or Right Divine
From far-off rapine, wanton war,
And I could feel this birthright mine.
And not the lowliest hand that drives
Or share or loom, if so it be
Of British strain, but thence derives
A patent of nobility.
III
The guiding of the infant years
Onward to good, away from guile,
A mother's humanising tears,
A father's philosophic smile;
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Refining beauty, gentle ways,
The admonitions of the wise,
The love that watches, helps, and prays,
And pities, but doth ne'er despise;
An ancient Faith, abiding hope,
The charity that suffers long,
But flames with sacred zeal to cope
With man's injustice, nature's wrong;
Melodious leisure, learnëd shelf,
Discourse of earnest, temperate mind,
The playful wit that of itself
Flashes, but leaves no wound behind;
The knowledge gleaned from Greece and Rome,
From studious Teuton, sprightly Gaul,
The lettered page, the mellow tome,
And poets' wisdom more than all;These, when no lips severe upbraid,
But counsel rather than control,
In budding boyhood lend their aid
To sensibility of soul.
IV
But, more than mentor, mother, sire,
Can lend to shape the future man
With help of learning or of lyre,
Of ancient rule, or modern plan,
Is that which with our breath we bring
Into the world, we know not whence,
That needs nor care nor fostering,
Because an instinct and a sense.
And days and years are all forgot
When Nature's aspect, growth, and grace,
And veering moods, to me were not
The features of the Loved One's face.
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The
The
The
The
cloud whose shadow skims the lake,
shimmering haze of summer noon,
voice of April in the brake,
silence of the mounting moon,
Swaying of bracken on the hill,
The murmur of the vagrant stream,
These motions of some unseen Will,
These babblings of some heavenly dream,
Seemed tokens of divine desire
To hold discourse with me, and so
To touch my lips with hallowed fire,
And tell me things I ought to know.
I gazed and listened, all intent,
As to the face and voice of Fate,
But what they said, or what they meant,
I could surmise not, nor translate.
They did but lure me to unrest,
Unanswered questioning, longings vain,
As when one scans some palimpsest
No erudition can explain;
But left me with a deep distaste
For common speech, that still did seem
More meaningless than mountain waste,
Less human than the far-off stream.
So that a stranger in the land
Wherein I moved, where'er I went,
I dwelt, whom none could understand,
Or exorcise my discontent.
And I to them, and they to me
Seemed from two different planets come,
And, save to flower and wild-bird's glee,
My heart was deaf, my soul was dumb.
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But slowly dawned a happier time
When I began to apprehend,
And catch, as in some poet's rhyme,
The intimations of a friend;
When Nature spake no unknown tongue,
But language kindred to my thought,
Till everything She said, I sung,
In notes unforced, in words unsought.
And I to Her so closely drew,
The seasons round, in mind and mood,
I felt at length as if we knew
Self-same affection, self-same feud:
That both alike scorned worldly aim,
Profit, applause, parade, and pride,
Whereby the love of generous fame
And worthy deeds grows petrified.
I did as yet not understand
Nature is far more vast than I,
Deep as the ocean, wide as land,
And overarching as the sky;
And but responded to my call,
And only felt and fed my need,
Because She doth the same for all
Who to her pity turn and plead.
VI
Shall man have mind, and Nature none,
Shall I, not she, have soul and heart?
Nay, rather, if we be not one,
Each is of each the counterpart.
She too may have within her breast
A conscience, if not like to yours,
A sense of rightness ill at rest,
Long as her waywardness endures.
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And hence her thunder, earthquakes, hail,
Her levin bolts, her clouds' discharge:
She sins upon a larger scale,
Because She is herself more large.
Hence, too, when She hath pierced with pain
The heart of man, and wrecked his years,
The pity of the April rain,
And late repentance of her tears.
She is no better, worse, than we;
We can but say she seems more great,
That half her will, like ours, is free,
And half of it is locked in Fate.
Nor need we fear that we should err
Beyond our scope in reasoning thus,That there must be a God for Her,
If that there be a God for us.
VII
The chiming of the Sabbath bell,
The silence of the Sabbath fields,
Over the hamlet cast a spell
To which the gracious spirit yields.
Sound is there none of wheel or wain,
Husht stands the anvil, husht the forge,
No shout is heard in rustic lane,
No axe resounds in timbered gorge.
No flail beats time on granary floor,
The windmill's rushing wings are stayed,
And children's glee rings out no more
From hedgerow bank or primrose glade.
The big-boned team that firm and slow
Draw yoked, are free to couch or stray;
The basking covey seem to know
None will invade their peace to-day.
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And speckless swains, and maidens neat,
Through rustic porch, down cottage stair,
Demurely up the village street
Stream onward to the House of Prayer.
They kneel as they were taught to kneel
In childhood, and demand not why,
But, as they chant or answer, feel
A vague communion with the sky.
VIII
But when the impetuous mind is spurred
To range through epochs great but gone,
And, heedless of dogmatic word,
With fearless ardour presses on,
Confronting pulpit, sceptre, shrine,
With point by Logic beaten out,
And, questioning tenets deemed divine
With human challenge, human doubt,
Hoists Reason's sail, and for the haze
Of ocean quits Tradition's shore,
Awhile he comes, and kneels, and prays,
Then comes and kneels, but prays no more;
And only for the love he bears
To those who love him, and who reared
His frame to genuflexion, shares
In ritual, vain, if still revered.
His Gods are many or are none,
Saturn and Mithra, Christ and Jove,
Consorting, as the Ages run,
With Vestal choir or Pagan drove.
Abiding still by Northern shores,
He sees far off on Grecian coast
Veiled Aphrodite, but adores
Minerva and Apollo most.
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Beauty of vision, voice, and mind,
Enthrall him so, that unto him
All Creeds seem true, if he but find
Siren, or saint, or seraphim.
And thus once more he dwells apart,
His inward self enswathed in mist,
Blending with poet's pious heart
The dreams of pagan Hedonist.
IX
If Beauty be the Spirit's quest,
Its adoration, creed, and shrine,
Wherein its restlessness finds rest,
And earthly type of the Divine,
Must there for such not somewhere be
A blending of all beauteous things
In some one form wherein we see
The sum of our imaginings?
The smile on mountain's musing brow,
Sunrise and sunset, moon and star,
Wavelets around the cygnet's prow,
Glamour anear and charm afar;
The silence of the silvery pool,
Autumn's reserve and Summer's fire,
Slow vanishings of Winter's rule
To free full voice of April's choir;The worshippers of Beauty find
In maiden form, and face, and tress;
Faint intimations of her mind
And undulating loveliness.
Bound, runnels, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
425
Gone is the Winter, fled the snow,
And all that lives is flushed with Spring.
Harry the woods, young truant folk,
For flowers to deck your cottage sills,
And, underneath my orchard oak,
Cluster, ye golden daffodils!
Unfettered by domestic vow,
Cuckoo, proclaim your vagrant loves,
And coo upon the self-same bough,
Inseparable turtle-doves.
Soar, laverock, soar on song to sky,
And with the choir of Heaven rejoice!
You cannot be more glad than I,
Who feel Her gaze, and hear Her voice:
Who see Her cheek more crimson glow,
And through Her veins love's current stream,
And feel a fear She doth but know
Is kin to joy and dawning dream.
Bound, rivulets, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
Gone from the world are want and woe,
And I myself am one with Spring.
XI
They err who say that Love is blind,
Or, if it be, 'tis but in part,
And that, if for fair face it find
No counterpart in mind and heart,
It dwells on that which it beholds,
Fair fleshly vision void of soul,
Deeming, illusioned, this enfolds,
Longing's fulfilment, end, and whole.
Were such my hapless carnal lot,
I too might evanescent bliss
426
Embrace, fierce-fancied, fast forgot,
Then leave for some fresh loveliness.
But April gaze, and Summer tress,
With something of Autumnal thought,
In Her seem blent to crown and bless
A bond I long in dreams have sought.
She looks as though She came to grace
The earth, from world less soiled than this,
Around her head and virgin face
Halo of heavenly holiness.
XII
He who hath roamed through various lands,
And, wheresoe'er his steps are set,
The kindred meaning understands
Of spire, and dome, and minaret;
By Roman river, Stamboul's sea,
In Peter's or Sophia's shrine,
Acknowledges with reverent knee
The presence of the One Divine;
Who, to the land he loves so well
Returning, towards the sunset hour
Wends homeward, feels yet stronger spell
In lichened roof and grey church-tower;
Round whose foundations, side by side,
Sleep hamlet wit and village sage,
While loud the blackbird cheers his bride
Deep in umbrageous Vicarage.
XIII
Was it that sense which some aver
Foreshadows Fate it doth not see,
That gave unwittingly to Her
The name, for ever dear to me,
427
Borne by that tearful Mother whom,
Nigh unto Ostia's shelving sand,
Augustine laid in lonely tomb,
Ere sailing for his Afric land?
But I at least should have foreseen,
When Monica to me had grown
Familiar word, that names may mean
More than by word and name is shown;
That nought can keep two lives apart
More than divorce 'twixt mind and mind,
Even though heart be one with heart;Alas! Alas! Yes, Love is blind.
XIV
How could I think of jarring Creeds,
And riddles that unread remain,
Or ask if Heaven's indulgence heeds
Broils born of man's polemic brain,
And pause because my venturous mind
Had roamed through tracks of polar thought,
Whence mightiest spirits turn back blind,
Since finding not the thing they sought,
When Love, with luring gifts in hand,
Beauty, refinement, smile, caress,
Heart to surmise and understand,
And crowning grace of holiness,
Stood there before me, and, with gaze
I had been purblind not to see,
Said, ``I to you will, all my days,
Give what you yearn to give to me''?
Must both then sorrow, while we live,
Because, rejoicing, I forgot
Something there was I could not give,
Because, alas! I had it not.
428
XV
She comes from Vicarage Garden, see!
Radiant as morning, lithe and tall,
Fresh lilies in her hand, but She
The loveliest lily of them all.
The thrushes in their fluting pause,
The bees float humming round her head,
Earth, air, and heaven shine out because
They hear her voice, and feel her tread.
Up in the fretted grey church-tower,
That rustic gaze for miles can see,
The belfry strikes the silvery hour,
Announcing her propinquity.
And I who, fearful to be late,
Passed long since through the deerpark pale,
And loitered by the churchyard gate,
Once more exclaim, ``Hail! loved one! hail!''
We pass within, and up the nave,
Husht, because Heaven seems always there,
Wend choirward, where, devoutly grave,
She kneels, to breathe a silent prayer.
She takes the flowers I too have brought,
Blending them deftly with her own,
And ranges them, as quick as thought,
Around the white-draped altar-throne.
How could she know my gaze was not
On things unseen, but fixed on Her,
That, as She prayed, I all forgot
The worship in the worshipper?While She beheld, as in a glass,
The Light Divine, that I but sought
Sight of her soul?-Alas! Alas!
Love is yet blinder than I thought.
429
XVI
Who hath not seen a little cloud
Up from the clear horizon steal,
And, mounting lurid, mutter loud
Premonitory thunder-peal?
Husht grows the grove, the summer leaf
Trembles and writhes, as if in pain,
And then the sky, o'ercharged with grief,
Bursts into drenching tears of rain.
I through the years had sought to hide
My darkening doubts from simple sight.
'Tis sacrilegious to deride
Faith of unquestioning neophyte.
And what, methought, is Doubt at best?
A sterile wind through seeded sedge
Blowing for nought, an empty nest
That lingers in a leafless hedge.
Pain, too, there is we should not share
With others lest it mar their joy;
There is a quiet bliss in prayer
None but the heartless would destroy.
But just as Love is quick divined
From heightened glow or visage pale,
The meditations of the Mind
Disclose themselves through densest veil.
And 'tis the unloving and least wise
Who through life's inmost precincts press,
And with unsympathetic eyes
Outrage our sacred loneliness.
Then, when their sacrilegious gaze
The mournful void hath half surmised,
To some more tender soul they raise
The veil of ignorance it prized.
430
XVII
`What though I write farewell I could
Not utter, lest your gaze should chide,
'Twill by your love be understood
My love is still, dear, at your side.
``Nor must we meet to speak goodbye,
Lest that my Will should lose its choice,
And conscience waver, for then I
Should see your face and hear your voice.
``But, when you find yourself once more,
Come back, come back and look for me,
Beside the little lowly door,
The Doorway of Humility.''
XVIII
There! Peace at last! The far-off roar
Of human passion dies away.
``Welcome to our broad shade once more,''
The waning woodlands seem to say:
The music of the vagrant wind,
That wandered aimlessly, is stilled;
The songless branches all remind
That Summer's glory is fulfilled.
The fluttering of the falling leaves
Dimples the leaden pool awhile;
So Age impassively receives
Youth's tale of troubles with a smile.
Thus, as the seasons steal away,
How much is schemed, how little done,
What splendid plans at break of day!
What void regrets at set of sun!
The world goes round, for you, for me,
For him who sleeps, for him who strives,
And the cold Fates indifferent see
431
Crowning or failure of our lives.
Then fall, ye leaves, fade, summer breeze!
Grow, sedges, sere on every pool!
Let each old glowing impulse freeze,
Let each old generous project cool!
It is not wisdom, wit, nor worth,
Self-sacrifice nor friendship true,
Makes venal devotees of earth
Prostrate themselves and worship you.
The consciousness of sovran powers,
The stubborn purpose, steadfast will,
Have ever, in this world of ours,
Achieved success, achieve it still.
Farewell, ye woods! No more I sit;
Great voices in the distance call.
If this be peace, enough of it!
I go. Fall, unseen foliage, fall!
XIX
Nay, but repress rebellious woe!
In grief 'tis not that febrile fool,
Passion, that can but overthrow,
But Resignation, that should rule.
In patient sadness lurks a gift
To purify the life it stings,
And, as the days move onward, lift
The lonely heart to loftier things;
Bringing within one's ripening reach
The sceptre of majestic Thought,
Wherefrom one slowly learns to teach
The Wisdom to oneself it taught.
And unto what can man aspire,
On earth, more worth the striving for,
Than to be Reason's loftier lyre,
432
And reconciling monitor;
To strike a more resounding string
And deeper notes of joy and pain,
Than such as but lamenting sing,
Or warble but a sensuous strain:
So, when my days are nearly sped,
And my last harvest labours done,
That I may have around my head
The halo of a setting sun.
Yet even if be heard above
Such selfish hope, presumptuous claim,
Better one hour of perfect love
Than an eternity of Fame!
XX
Where then for grief seek out the cure?
What scenes will bid my smart to cease?
High peaks should teach one to endure,
And lakes secluded bring one peace.
Farewell awhile, then, village bells,
Autumnal wood and harvest wain!
And welcome, as it sinks or swells,
The music of the mighty main,
That seems to say, now loud, now low,
Rising or falling, sweet or shrill,
``I pace, a sentry, to and fro,
To guard your Island fortress still.''
The roses falter on their stalk,
The late peach reddens on the wall,
The flowers along the garden walk
Unheeded fade, unheeded fall.
My gates unopened drip with rain,
The wolf-hound wends from floor to floor,
And, listening for my voice in vain,
433
Waileth along the corridor.
Within the old accustomed place
Where we so oft were wont to be,
Kneeling She prays, while down her face
The fruitless tears fall silently.
SWITZERLAND
XXI
Rain, wind, and rain. The writhing lake
Scuds to and fro to scape their stroke:
The mountains veil their heads, and make
Of cloud and mist a wintry cloak.
Through where the arching pinewoods make
Dusk cloisters down the mountain side,
The loosened avalanches take
Valeward their way, with death for guide,
And toss their shaggy manes and fling
To air their foam and tawny froth,
From ledge and precipice bound and spring,
With hungry roar and deepening wrath;
Till, hamlet homes and orchards crushed,
And, rage for further ravin stayed,
They slumber, satiated, husht,
Upon the ruins they have made.
I rise from larch-log hearth, and, lone,
Gaze on the spears of serried rain,
That faster, nigher, still are blown,
Then stream adown the window pane.
The peasant's goatskin garments drip,
As home he wends with lowered head,
Shakes off the drops from lid and lip,
Then slinks within his châlet shed.
434
The cattle bells sound dull and hoarse,
The boats rock idly by the shore;
Only the swollen torrents course
With faster feet and fuller roar.
Mournful, I shape a mournful song,
And ask the heavens, but ask in vain,
``How long, how long?'' Ah! not so long
As, in my heart, rain, wind, and rain.
XXII
I ask the dark, the dawn, the sun,
The domeward-pointing peaks of snow,
Lofty and low alike, but none
Will tell me what I crave to know.
My mind demands, ``Whence, Whither, Why?''
From mountain slope and green defile,
And wait the answer. The replyA far-off irresponsive smile.
I ask the stars, when mortals sleep,
The pensive moon, the lonely winds;
But, haply if they know, they keep
The secret of secluded minds.
Shall I in
Straining
Where in
Where in
vain, then, strive to find,
towards merely fancied goal?
the lily lurks the mind,
the rose discern the soul?
More mindless still, stream, pasture, lake,
The mountains yet more heartless seem,
And life's unceasing quest and ache
Only a dream within a dream.
We know no more, though racked with thought
Than he who, in yon châlet born,
Gives not the riddle, Life, a thought,
But lays him down and sleeps till morn.
435
Sometimes he kneels; I cannot kneel,
So suffer from a wider curse
Than Eden's outcasts, for I feel
An exile in the universe.
The rudeness of his birth enures
His limbs to every season's stings,
And, never probing, so endures
The sadness at the heart of things.
When lauwine growls, and thunder swells,
Their far-off clamour sounds to me
But as the noise of clanging bells
Above a silent sanctuary.
It is their silence that appals,
Their aspect motionless that awes,
When searching spirit vainly calls
On the effect to bare the Cause.
I get no answer, near or far;
The mountains, though they soar so high,
And scale the pathless ether, are
No nearer unto God than I.
There dwells nor mystery nor veil
Round the clear peaks no foot hath trod;
I, gazing on their frontage pale,
See but the waning ghost of God.
Is Faith then but a drug for sleep,
And Hope a fondly soothing friend
That bids us, when it sees us weep,
Wait for the End that hath no end?
Then do I hear voice unforgot
Wailing across the distance dim,
``Think, dear! If God existeth not,
Why are you always seeking Him?''
XXIII
436
Like glowing furnace of the forge,
How the winds rise and roar, as they
Up twisting valley, craggy gorge,
Seek, and still seek, to storm their way;
Then, baffled, up the open slope
With quickening pulses scale and pant,
Indomitably bent to cope
With bristling fronts of adamant.
All through the day resounds the strife,
Then doth at sunset hour subside:
So the fierce passions of our life
Slowly expire at eventide.
By Nature we are ne'er misled;
We see most truly when we dream.
A singer wise was he who said,
``Follow the gleam! Follow the gleam!''
XXIV
I dreamed, last night, again I stood,
Silent, without the village shrine,
While She in modest maidenhood
Left, fondly clasped, her hand in mine.
And, with a face as cerecloth white,
And tears like those that by the bier
Of loved one lost make dim the sight,
She poured her sorrows in mine ear.
``I love your voice, I love your gaze,
But there is something dearer still,
The faith that kneels, the hope that prays,
And bows before the Heavenly Will.
``Not where hills rise, or torrents roll,
Seek Him, nor yet alone, apart;
He dwells within the troubled soul,
His home is in the human heart.
437
``Withal, the peaceful mountains may
'Twixt doubt and yearning end the strife:
So ponder, though you cannot pray,
And think some meaning into life:
``Nor like to those that cross the main
To wander witless through strange land,
Hearing unmastered tongues, disdain
The speech they do not understand.
``Firm stands my faith that they who sound
The depths of doubt Faith yet will save:
They are like children playing round
A still remembered mother's grave;
``Not knowing, when they wax more old,
And somewhat can her vision share,
She will the winding-sheet unfold,
And beckon them to evening prayer.''
Then, with my hand betwixt her hands,
She laid her lips upon my brow,
And, as to one who understands,
Said, ``Take once more my vestal vow.
``No other gaze makes mine to glow,
No other footstep stirs my heart,
To me you only dearer grow,
Dearer and nearer, more apart.
``Whene'er you come with humble mind,
The little Door stands open wide,
And, bending low, you still will find
Me waiting on the other side.''
Her silence woke me. . . . To your breast
Fold me, O sleep! and seal mine ears;
That She may roam through my unrest
Till all my dreams are drenched with tears!
XXV
438
Why linger longer, subject, here,
Where Nature sits and reigns alone,
Inspiring love not, only fear,
Upon her autocratic throne?
Her edicts are the rigid snow,
The wayward winds, the swaying branch;
She hath no pity to bestow,
Her law the lawless avalanche.
Though soon cascades will bound and sing,
That now but drip with tears of ice,
And upland meadows touched by Spring
Blue gentian blend with edelweiss,
Hence to the Land of youthful dreams,
The Land that taught me all I know.
Farewell, lone mountain-peaks and streams;
Yet take my thanks before I go.
You gave me shelter when I fled,
But sternly bade me stem my tears,
Nor aimless roam with rustling tread
'Mong fallen leaves of fruitless years.
ITALY
XXVI
Upon the topmost wheel-track steep,
The parting of two nations' ways,
Athwart stone cross engraven deep,
The name ``Italia'' greets the gaze!
I trembled, when I saw it first,
With joy, my boyish longings fed,
The headspring of my constant thirst,
The altar of my pilgrim tread.
Now once again the magic word,
So faintly borne to Northern home,
Sounds like a silvery trumpet heard
439
Beneath some universal dome.
The forests soften to a smile,
A smile the very mountains wear,
Through mossy gorge and grassed defile
Torrents race glad and debonair.
From casement, balcony and door,
Hang golden gourds, droops tear-tipped vine,
And sun-bronzed faces bask before
Thin straw-swathed flasks of last year's wine.
Unyoked, the patient sleek-skinned steers
Take, like their lords, no heed of time.
Hark! now the evening star appears,
Ave Maria belfries chime.
The maidens knit, and glance, and sing,
With glowing gaze 'neath ebon tress,
And, like to copse-buds sunned by Spring,
Seem burgeoning into tenderness.
On waveless lake where willows weep,
The Borromean Islands rest
As motionless as babe asleep
Upon a slumbering Mother's breast.
O Land of sunshine, song, and Love!
Whether thy children reap or sow,
Of Love they chant on hills above,
Of Love they sing in vale below.
But what avail the love-linked hands,
And love-lit eyes, to them that roam
Passionless through impassioned lands,
Since they have left their heart at home!
XXVII
Among my dreams, now known as dreams
In this my reawakened life,
I thought that by historic streams,
440
Apart from stress, aloof from strife,
By rugged paths that twist and twine
Through olive slope and chesnut wood
Upward to mediaeval shrine,
Or high conventual brotherhood,
Along the mountain-curtained track
Round peaceful lake where wintry bands
Halt briefly but to bivouac
Ere blustering on to Northern lands;Through these, through all I first did see,
With me to share my raptures none,
That nuptialled Monica would be
My novice and companion:
That we should float from mere to mere,
And sleep within some windless cove,
With nightingales to lull the ear,
From ilex wood and orange grove;
Linger at hamlets lost to fame,
That still wise-wandering feet beguile,
To gaze on frescoed wall or frame
Lit by Luini's gracious smile.
Now, but companioned by my pain,
Among each well-remembered scene
I can but let my Fancy feign
The happiness that might have been;
Imagine that I hear her voice,
Imagine that I feel her hand,
And I, enamoured guide, rejoice
To see her swift to understand.
Alack! Imagination might
As lief with rustic Virgil roam,
Reverent, or, welcomed guest, alight
At Pliny's philosophic home;
441
Hear one majestically trace
Rome's world-wide sway from wattled wall,
And read upon the other's face
The omens of an Empire's fall.
XXVIII
Like moonlight seen through forest leaves,
She shines upon me from afar,
What time men reap the ripened sheaves,
And Heaven rains many a falling star.
I gaze up to her lofty height,
And feel how far we dwell apart:
O if I could, this night, this night,
Fold her full radiance to my heart!
But She in Heaven, and I on earth,
Still journey on, but each alone;
She, maiden Queen of sacred birth,
Who with no consort shares her throne.
XXIX
What if She ever thought She saw
The self within myself prefer
Communion with the silent awe
Of far-off mountains more than Her;
That Nature hath the mobile grace
To make life with our moods agree,
And so had grown the Loved One's face,
Since it nor checked nor chided me;
Or from the tasks that irk and tire
I sought for comfort from the Muse,
Because it grants the mind's desire
All that familiar things refuse.
How vain such thought! The face, the form,
Of mountain summits but express,
Clouded or clear, in sun or storm,
442
Feebly Her spirit's loftiness.
Did I explore from pole to pole,
In Nature's aspect I should find
But faint reflections of Her soul,
Dim adumbrations of Her mind.
O come and test with lake, with stream,
With mountain, which the stronger be,
Thou, my divinest dearest dream,
My Muse, and more than Muse, to me!
XXX
They tell me that Jehovah speaks
In silent grove, on lonely strand,
And summit of the mountain peaks;
Yet there I do not understand.
The stars, disdainful of my thought,
Majestic march toward their goal,
And to my nightly watch have brought
No explanation to my soul.
The truth I seek I cannot find,
In air or sky, on land or sea;
If the hills have their secret mind,
They will not yield it up to me:
Like one who lost mid lonely hills
Still seeks but cannot find his way,
Since guide is none save winding rills,
That seem themselves, too, gone astray.
And so from rise to set of sun,
At glimmering dawn, in twilight haze,
I but behold the face of One
Who veils her face, and weeps, and prays.
What know I that She doth not know?
What I know not, She understands:
With heavenly gifts She overflows,
443
While I have only empty hands.
O weary wanderer! Best forego
This questioning of wind and wave.
For you the sunshine and the snow,
The womb, the cradle, and the grave.
XXXI
How blest, when organ concords swell,
And anthems are intoned, are they
Who neither reason nor rebel,
But meekly bow their heads and pray.
And such the peasants mountain-bred,
Who hail to-day with blithe accord
Her Feast Who to the Angel said,
``Behold the Handmaid of the Lord!''
Downward they wind from pastoral height,
Or hamlet grouped round shattered towers,
To wend to shrine more richly dight,
And bring their gift of wilding flowers;
Their gifts, their griefs, their daily needs,
And lay these at Her statue's base,
Who never, deem they, intercedes
Vainly before the Throne of Grace.
Shall I, because I stand apart,
A stranger to their pious vows,
Scorn their humility of heart
That pleads before the Virgin Spouse,
Confiding that the Son will ne'er,
If in His justice wroth with them,
Refuse to harken to Her prayer
Who suckled Him in Bethlehem?
Of all the intercessors born
By man's celestial fancy, none
444
Hath helped the sorrowing, the forlorn,
Lowly and lone, as She hath done.
The maiden faithful to Her shrine
Bids demons of temptation flee,
And mothers fruitful as the vine
Retain their vestal purity.
Too trustful love, by lust betrayed,
And by cold worldlings unforgiven,
Unto Her having wept and prayed,
Faces its fate, consoled and shriven.
The restless, fiercely probing mind
No honey gleans, though still it stings.
What comfort doth the spirit find
In Reason's endless reasonings?
They have no solace for my grief,
Compassion none for all my pain:
They toss me like the fluttering leaf,
And leave me to the wind and rain.
XXXII
If Conscience be God's Law to Man,
Then Conscience must perforce arraign
Whatever falls beneath the ban
Of that allotted Suzerain.
And He, who bids us not to swerve,
Whither the wayward passions draw,
From its stern sanctions, must observe
The limits of the self-same Law.
Yet, if obedient Conscience scan
The sum of wrongs endured and done
Neither by act nor fault of Man,
They rouse it to rebellion.
Life seems of life by life bereft
445
Through some immitigable curse,
And Man sole moral being left
In a non-moral Universe.
My Conscience would my Will withstand,
Did Will project a world like this:
Better Eternal vacuum still,
Than murder, lust, and heartlessness!
If Man makes Conscience, then being good
Is only being worldly wise,
And universal brotherhood
A comfortable compromise.
O smoke of War! O blood-steeped sod!
O groans of fratricidal strife!
Who will explain the ways of God,
That I may be at peace with life!
The moral riddle 'tis that haunts,
Primeval and unending curse,
Racking the mind when pulpit vaunts
A Heaven-created Universe.
Yet whence came Life, and how begin?
Rolleth the globe by choice or chance?
Dear Lord! Why longer shut me in
This prison-house of ignorance!
FLORENCE
XXXIII
City acclaimed ere Dante's days
Fair, and baptized in field of flowers,
Once more I scan with tender gaze
Your glistening domes, your storied towers.
I feel as if long years had flown
Since first with eager heart I came,
446
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet
When figs are plump, and grapes are pressed,
And all your sons with following feet
Bore a dead Poet to final rest.
You seemed to fling your gates ajar,
And softly lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in the Tuscan land.''
And though no love my love can wean
From native crag and cradling sea,
Yet Florence from that hour hath been
More than a foster-nurse to me.
When mount I terraced slopes arrayed
In bridal bloom of peach and pear,
While under olive's phantom shade
Lupine and beanflower scent the air,
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
447
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
XXXIV
Re-roaming through this palaced town,
I suddenly, 'neath grim-barred pile,
Catch sight of Dante's awful frown,
Or Leonardo's mystic smile;
Then, swayed by memory's fancy, stroll
To where from May-day's flaming pyre
Savonarola's austere soul
Went up to Heaven in tongues of fire;
Or Buonarroti's plastic hand
Made marble block from Massa's steep
Dawn into Day at his command,
Then plunged it into Night and Sleep.
No later wanderings can dispel
The glamour of the bygone years;
And, through the streets I know so well,
448
I scarce can see my way for tears.
XXXV
A sombre shadow seems to fall
On comely altar, transept fair;
The saints are still on frescoed wall,
But who comes thither now for prayer?
Men throng from far-off stranger land,
To stare, to wonder, not to kneel,
With map and guide-book in their hand
To tell them what to think and feel.
They scan, they prate, they marvel why
The figures still expressive glow,
Oblivious they were painted by
Adoring Frà Angelico.
Did Dante from his tomb afar
Return, his wrongs redressed at last,
And see you, Florence, as you are,
Half alien to your gracious Past,
Finding no Donatello now,
No reverent Giotto 'mong the quick,
To glorify ascetic vow
Of Francis or of Dominic;
Self-exiled by yet sterner fate
Than erst, he would from wandering cease,
And, ringing at monastic gate,
Plead, ``I am one who craves for peace.''
And what he sought but ne'er could find,
Shall I, less worthy, hope to gain,
The freedom of the tranquil mind,
The lordship over loss and pain?
More than such peace I found when I
Did first, in unbound youth, repair
449
To Tuscan shrine, Ausonian sky.
I found it, for I brought it there.
XXXVI
Yet Art brings peace, itself is Peace,
And, as I on these frescoes gaze,
I feel all fretful tumults cease
And harvest calm of mellower days.
For Soul too hath its seasons. Time,
That leads Spring, Summer, Autumn, round,
Makes our ephemeral passions chime
With something permanent and profound.
And, as in Nature, April oft
Strives to revert to wintry hours,
But shortly upon garth and croft
Re-sheds warm smiles and moistening showers,
Or, for one day, will Autumn wear
The gayer garments of the Spring,
And then athwart the wheatfields bare
Again her graver shadows fling;
So, though the Soul hath moods that veer,
And seem to hold no Rule in awe,
Like the procession of the year,
It too obeys the sovran Law.
Nor Art itself brings settled peace,
Until the mind is schooled to know
That gusts subside and tumults cease
Only in sunset's afterglow.
Life's contradictions vanish then,
Husht thought replacing clashing talk
Among the windy ways of men.
'Tis in the twilight Angels walk.
450
ROME
XXXVII
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
451
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
452
Here, even in the noontide glare,
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
XXXVIII
Christ is arisen. The place wherein
They laid Him shows but cerements furled,
And belfry answers belfry's din
To ring the tidings round the world.
Grave Hierarchs come, an endless band,
In jewelled mitre, cope embossed,
Who bear Rome's will to every land
453
In all the tongues of Pentecost.
Majestic, along marble floor,
Walk Cardinals in blood-red robe,
Martyrs for Faith and Christ no more,
Who gaze as though they ruled the globe.
With halberds bare and doublets slashed,
Emblems that war will never cease,
Come martial guardians, unabashed,
And march afront the Prince of Peace.
Then, in his gestatorial Chair
See Christ's vicegerent, bland, benign,
To crowds all prostrate as in prayer
Lean low, and make the Holy Sign.
Then trumpets shrill, and organ peals,
Throughout the mighty marble pile,
Whileas a myriad concourse kneels
In dense-packed nave and crowded aisle.
Hark to the sudden hush! Aloft
From unseen source in empty dome
Swells prayerful music silvery-soft,
Borne from far-off celestial Home.
Then, when the solemn rite is done,
The worshippers stream out to where
Dance fountains glittering in the sun,
While expectation fills the air.
Now on high balcony He stands,
And-save for the Colonna curse,Blesses with high-uplifted hands
The City and the Universe.
Christ is arisen! But scarce as when,
On the third day of death and gloom,
Came ever-loving Magdalen
With tears and spices to His tomb.
454
XXXIX
The Tiber winds its sluggish way
Through niggard tracts whence Rome's command
Once cast the shadow of her sway,
O'er Asian city, Afric sand.
Nor even yet doth She resign
Her sceptre. Still the spell is hers,
Though she may seem a rifled shrine
'Mid circumjacent sepulchres.
One after one, they came, they come,
Gaul, Goth, Savoy, to work their will;
She answers, when She most seems dumb,
``I wore the Crown, I wear it still.
``From Jove I first received the gift,
I from Jehovah wear it now,
Nor shall profane invader lift
The diadem from off my brow.
``The Past is mine, and on the Past
The Future builds; and Time will rear
The next strong structure on the last,
Where men behold but shattered tier.
``The Teuton hither hies to teach,
To prove, disprove, to delve and probe.
Fool! Pedant! Does he think to reach
The deep foundations of the globe?''
For me, I am content to tread
On Sabine dust and Gothic foe.
Leave me to deepening silent dread
Of vanished Empire's afterglow.
In this Imperial wilderness
Why rashly babble and explore?
O, let me know a little less,
So I may feel a little more!
455
XL
For upward of one thousand years,
Here men and women prayed to Jove,
With smiles and incense, gifts and tears,
In secret shrine, or civic grove;
And, when Jove did not seem to heed,
Sought Juno's mediatorial power,
Or begged fair Venus intercede
And melt him in his amorous hour.
Sages invoked Minerva's might;
The Poet, ere he struck the lyre,
Prayed to the God of Song and Light
To touch the strings with hallowed fire.
With flaming herbs were altars smoked
Sprinkled with blood and perfumed must,
And gods and goddesses invoked
To second love or sanction lust.
And did they hear and heed the prayer,
Or, through that long Olympian reign,
Were they divinities of air
Begot of man's fantastic brain?
In Roman halls their statues still
Serenely stand, but no one now
Ascends the Capitolian Hill,
To render thanks, or urge the vow.
Through now long centuries hath Rome
Throned other God, preached other Creed,
That here still have their central home,
And feed man's hope, content his need.
Against these, too, will Time prevail?
No! Let whatever gestates, be,
Secure will last the tender tale
456
From Bethlehem to Calvary.
Throughout this world of pain and loss,
Man ne'er will cease to bend his knee
To Crown of Thorns, to Spear, to Cross,
And Doorway of Humility.
XLI
If Reason be the sole safe guide
In man implanted from above,
Why crave we for one only face,
Why consecrate the name of Love?
Faces there are no whit less fair,
Yet ruddier lip, more radiant eye,
Same rippling smile, same auburn hair,
But not for us. Say, Reason, why.
Why bound our hearts when April pied
Comes singing, or when hawthorn blows?
Doth logic in the lily hide,
And where's the reason in the rose?
Why weld our keels and launch our ships,
If Reason urge some wiser part,
Kiss England's Flag with dying lips
And fold its glories to the heart?
In this gross world we touch and see,
If Reason be no trusty guide,
For world unseen why should it be
The sole explorer justified?
The homing swallow knows its nest,
Sure curves the comet to its goal,
Instinct leads Autumn to its rest,
And why not Faith the homing soul?
Is Reason so aloof, aloft,
It doth not 'gainst itself rebel,
457
And are not Reason's reasonings oft
By Reason proved unreasonable?
He is perplexed no more, who prays,
``Hail, Mary Mother, full of grace!''
O drag me from Doubt's endless maze,
And let me see my Loved One's face!
XLII
``Upon this rock!'' Yet even here
Where Christian God ousts Pagan wraith,
Rebellious Reason whets its spear,
And smites upon the shield of Faith.
On sacred mount, down seven-hilled slopes,
Fearless it faces foe and friend,
Saying to man's immortal hopes,
``Whatso began, perforce must end.''
Not men alone, but gods too, die;
Fanes are, like hearths, left bare and lone;
This earth will into fragments fly,
And Heaven itself be overthrown.
Why then should Man immortal be?
He is but fleeting form, to fade,
Like momentary cloud, or sea
Of waves dispersed as soon as made.
Yet if 'tis Force, not Form, survives,
Meseems therein that one may find
Some comfort for distressful lives;
For, if Force ends not, why should Mind?
Is Doubt more forceful than Belief?
The doctor's cap than friar's cowl?
O ripeness of the falling leaf!
O wisdom of the moping owl!
Man's Mind will ever stand apart
458
From Science, save this have for goal
The evolution of the heart,
And sure survival of the Soul.
XLIII
The Umbilicum lonely stands
Where once rose porch and vanished dome;
But he discerns who understands
That every road may lead to Rome.
Enthroned in Peter's peaceful Chair,
The spiritual Caesar sways
A wider Realm of earth and air
Than trembled at Octavian's gaze.
His universal arms embrace
The saint, the sinner, and the sage,
And proffer refuge, comfort, grace
To tribulation's pilgrimage.
Here scientific searchers find
Precursors for two thousand years,
Who in a drouthy world divined
Fresh springs for human doubts and fears.
Here fair chaste Agnes veils her face
From prowlers of the sensual den,
And pity, pardon, and embrace
Await repentant Magdalen.
Princess and peasant-mother wend
To self-same altar, self-same shrine,
And Cardinal and Patriarch bend
Where lepers kneel, and beggars whine.
And is there then, in my distress,
No road, no gate, no shrine, for me?
The answer comes, ``Yes, surely, yes!
The Doorway of Humility.''
459
O rival Faiths! O clamorous Creeds!
Would you but hush your strife in prayer,
And raise one Temple for our needs,
Then, then, we all might worship there.
But dogma new with dogma old
Clashes to soothe the spirit's grief,
And offer to the unconsoled
Polyglot Babel of Belief!
XLIV
The billows roll, and rise, and break,
Around me; fixedly shine the stars
In clear dome overhead, and take
Their course, unheeding earthly jars.
Yet if one's upward gaze could be
But stationed where the planets are,
The star were restless as the sea,
The sea be tranquil as the star.
Hollowed like cradle, then like grave,
Now smoothly curved, now shapeless spray,
Withal the undirected wave
Forms, and reforms, and knows its way.
Then, waters, bear me on where He,
Ere death absolved at Christian font,
Removed Rome's menaced majesty
Eastward beyond the Hellespont.
Foreseeing not what Fate concealed,
But Time's caprice would there beget,
That Cross would unto Crescent yield,
Caesar and Christ to Mahomet.
Is it then man's predestined state
To search for, ne'er to find, the Light?
Arise, my Star, illuminate
These empty spaces of the Night!
460
XLV
Last night I heard the cuckoo call
Among the moist green glades of home,
And in the Chase around the Hall
Saw the May hawthorn flower and foam.
Deep in the wood where primrose stars
Paled before bluebell's dazzling reign,
The nightingale's sad sobbing bars
Rebuked the merle's too joyful strain.
The kine streamed forth from stall and byre,
The foal frisked round its mother staid,
The meads, by sunshine warmed, took fire,
And lambs in pasture, bleating, played.
The uncurbed rivulets raced to where
The statelier river curled and wound,
And trout, of human step aware,
Shot through the wave without a sound.
Adown the village street, as clear
As in one's wakeful mid-day hours,
Beheld I Monica drawing near,
Her vestal lap one crib of flowers.
Lending no look to me, she passed
By the stone path, as oft before,
Between old mounds Spring newly grassed,
And entered through the Little Door.
Led by her feet, I hastened on,
But, ere my feverish steps could get
To the low porch, lo! Morning shone
On Moslem dome and minaret!
CONSTANTINOPLE
461
XLVI
Now Vesper brings the sunset hour,
And, where crusading Knighthood trod,
Muezzin from his minaret tower
Proclaims, ``There is no God but God!''
Male God who shares his godhead with
No Virgin Mother's sacred tear,
But finds on earth congenial kith
In wielders of the sword and spear:
Male God who on male lust bestows
The ruddy lip, the rounded limb,
And promises, at battle's close,
Houri, not saint nor seraphim.
Swift through the doubly-guarded stream,
Shoots the caïque 'neath oarsmen brisk,
While from its cushioned cradle gleam
The eyes of yashmaked odalisque.
Unchanged adown the changing years,
Here where the Judas blossoms blaze,
Against Sophia's marble piers
The scowling Muslim lean and gaze;
And still at sunset's solemn hour,
Where Christ's devout Crusader trod,
Defiant from the minaret's tower
Proclaim, ``There is no God but God!''
XLVII
Three rival Rituals. One revered
In that loved English hamlet where,
With flowers in Vicarage garden reared,
She decks the altar set for prayer:
Another, where majestic Rome,
With fearless Faith and flag unfurled
462
'Gainst Doubt's ephemeral wave and foam,
Demands obedience from the world.
The third, where now I stand, and where
Two hoary Continents have met,
And Islam guards from taint and tare
Monistic Creed of Mahomet.
Yet older than all three, but banned
To suffer still the exile's doom
From shrine where Turkish sentries stand,
And Christians wrangle round Christ's tomb.
Where then find Creed, divine or dead,
All may embrace, and none contemn?Remember Who it was that said,
``Not here, nor at Jerusalem!''
ATHENS
XLVIII
To Acrocorinth's brow I climb,
And, lulled in retrospective bliss,
Descry, as through the mists of time,
Faintly the far Acropolis.
Below me, rivers, mountains, vales,
Wide stretch of ancient Hellas lies:
Symbol of Song that never fails,
Parnassus communes with the skies.
I linger, dream-bound by the Past,
Till sundown joins time's deep abyss,
Then skirt, through shadows moonlight-cast,
Lone strand of sailless Salamis,
Until Eleusis gleams through dawn,
Where, though a suppliant soul I come,
The veil remains still unwithdrawn,
463
And all the Oracles are dumb.
So onward to the clear white Light,
Where, though the worshippers be gone,
Abides on unmysterious height
The calm unquestioning Parthenon.
Find I, now there I stand at last,
That naked Beauty, undraped Truth,
Can satisfy our yearnings vast,
The doubts of age, the dreams of youth;
That, while we ask, in futile strife,
From altar, tripod, fount, or well,
Form is the secret soul of life,
And Art the only Oracle;
That Hera and Athena, linked
With Aphrodite, hush distress,
And, in their several gifts distinct,
Withal are Triune Goddesses?
That mortal wiser then was He
Who gave the prize to Beauty's smile,
Divides his gifts among the Three,
And thuswise baffles Discord's guile?
But who is wise? The nobler twain,
Who the restraining girdle wear,
Contend too often all in vain
With sinuous curve and frolic hair.
Just as one sees in marble, still,
Pan o'er Apollo's shoulder lean,
Suggesting to the poet's quill
The sensual note, the hint obscene.
Doth then the pure white Light grow dim,
And must it be for ever thus?
Listen! I hear a far-off Hymn,
Veni, Creator, Spiritus!
464
XLIX
The harvest of Hymettus drips
As sweet as when the Attic bees
Swarmed round the honey-laden lips
Of heavenly-human Sophocles.
The olives are as green in grove
As in the days the poets bless,
When Pallas with Poseidon strove
To be the City's Patroness.
The wine-hued main, white marble frieze,
Dome of blue ether over all,
One still beholds, but nowhere sees
Panathenaic Festival.
O'erhead, no Zeus or frowns or nods,
Olympus none in air or skies;
Below, a sepulchre of Gods,
And tombs of dead Divinities.
Yet, are they dead? Still stricken blind,
Tiresiaslike, are they that see,
With bold uncompromising mind,
Wisdom in utter nudity;
Experiencing a kindred fate
With the First Parents of us all,
Jehovah thrust through Eden's Gate,
When Knowledge brought about their Fall.
Hath Aphrodite into foam,
Whence She first flowered, sunk back once more,
And doth She nowhere find a home,
Or worship, upon Christian shore?
Her shrine is in the human breast,
To find her none need soar or dive.
Goodness or Loveliness our quest,
The ever-helpful Gods survive.
465
Hellas retorts, when Hebrew gibes
At Gods of levity and lust,
``God of Judaea's wandering tribes
Was jealous, cruel, and unjust.''
Godhead, withal, remains the same,
And Art embalms its symbols still;
As Poets, when athirst for Fame,
Still dream of Aganippe's rill.
Why still pursue a bootless quest,
And wander heartsore farther East,
Because unanswered, south or west,
By Pagan seer or Christian priest?
Brahma and Buddha, what have they
To offer to my shoreless search?
``Let Contemplation be,'' they say,
``Your ritual, Nothingness your Church.
``Passion and purpose both forsake,
Echoes from non-existent wall;
We do but dream we are awake,
Ourselves the deepest dream of all.
``We dream we think, feel, touch, and see,
And what these are, still dreaming, guess,
Though there is no Reality
Behind their fleeting semblances.''
Thus the East answers my appeal,
Denies, and so illudes, my want.
Alas! Could I but cease to feel,
Brahma should be my Hierophant.
But, hampered by my Western mind,
I cannot set the Spirit free
From Matter, but Illusion find,
466
Of all, the most illusory.
DELPHI
LI
The morning mists that hid the bay
And curtained mountains fast asleep,
Begin to feel the touch of day,
And roll from off both wave and steep.
In floating folds they curve and rise,
Then slowly melt and merge in air,
Till high above me glow the skies,
And cloudless sunshine everywhere.
Parnassus wears nor veil nor frown,
Windless the eagle wings his way,
As I from Delphi gaze adown
On Salona and Amphissa.
It was the sovran Sun that drew
Aloft and scattered morning haze,
And now fills all the spacious blue
With its own glorifying rays.
And, no less sovran than the sun,
Imagination brings relief
Of morning light to shadows dun,
To heart's distress, and spirit's grief.
Parnassus boasts no loftier peak
Than Poet's heavenward song; which, though
Harbouring among the sad and weak,
Lifteth aloft man's griefs below.
Though sun-bronzed Phocian maidens lave
Their kerchiefs in Castalia's spring,
The Muses linger round its wave,
And aid the pilgrim sent to sing.
467
And, listening there, I seem to hear
The unseen Oracle say, ``Be strong:
Subdue the sigh, repress the tear,
And let not sorrow silence Song.
``You now have learnt enough from pain;
And, if worse anguish lurk behind,
Breathe in it some unselfish strain,
And with grief's wisdom aid your kind.
``Who but of his own suffering sings,
Is like an eagle, robbed, distressed,
That vainly shrieks and beats its wings,
Because it cannot find its nest.
``Let male Imagination wed
The orphan, Sorrow, to console
Its virgin loneness, whence are bred
Serenity and self-control.
``Hence let the classic breezes blow
You to your Land beyond the sea,
That you may make, for others' woe,
Your own a healing melody;
``To wintry woe no more a slave,
But, having dried your April tears,
Behold a helpful harvest wave
From ridges of the fallow years.''
LII
Rebuked thus by the stately Past,
Whose solemn choruses endure
Through voices new and visions vast,
And centuries of sepulture,
Because, serene, it never blinked
At sheen or shadow of the sun,
But Hades and Olympus linked
468
With Salamis and Marathon;
Which held despondency at bay
And, while revering Fate's decree,
Reconciled with majestic lay
Man to the Human Tragedy;
To Gods of every land I vowed,
Judaea, Hellas, Mecca, Rome,
No more to live by sorrow bowed,
But, wending backward to my home,
Thenceforth to muse on woe more wide
Than individual distress,
The loftier Muses for my guide,
Minerva for my monitress;
Nor yet to scorn the tender aid
Of Christian martyr, virgin, sage,
And, meekly pondering in the shade,
Proffer ripe counsel to my Age.
And, haply, since 'tis Song alone
Can baffle death, and conquer time,
Maiden unborn in days unknown,
Under the leaves of fragrant lime,
Scanning the verse that here is writ,
While cherishing some secret smart
Of love or loss, may glean from it
Some comfort for her weary heart;
And, gently warned, grave minds may own
The world hath more to bear than they,
And, while I dream 'neath mossy stone,
Repeat my name, and love my lay.
LIII
Scarce to the all-indwelling Power
That vow was uttered, ere there came
469
A messenger in boyhood's flower,
Winged with his search, his face aflame.
From Amphissa he straight had clomb,
Thridding that devious mountain land,
With letter from my far-off home,
And written by my Loved One's hand.
``Come to me where I drooping lie.
None yet have died of Love, they say:
Withal, I sometimes think that I
Have prayed and sighed my life away.
``I want your absolution, dear,
For whatso wrong I may have done;
My conscience waneth less severe,
In softness of the setting sun.
``'Twas I, 'twas I, far more than you,
That stood in need, as now I see,
Stooping, to enter meekly through
The Doorway of Humility.
``In vain I turn to Throne of Grace,
Where sorrows cease, and tears are dry;
I fain once more would see your face,
And hear your voice, before I die.''
ENGLAND
LIV
The oak logs smoulder on my hearth,
Though round them hums no household talk;
The roses in the garden-garth
Hang mournfully on curving stalk.
My wolf-hound round me leaps and bays,
That wailed lost footsteps when I went:
He little knows the grief that weighs
470
On my return from banishment.
Half Autumn now, half Summer yet,
For Nature hath a human heart,
It seems as though they, having met,
To take farewell, are loth to part.
The splendour of the Year's decline
Hath not yet come. One still can see
Late honeysuckle intertwine
With Maiden's-Bower and briony.
The bracken-fronds, fast yellowing, tower
From out sere needles of the pine;
Now hawkweed blooms where foxgloves flower,
And bramble where once eglantine.
And, as I wend with hurrying feet
Across the park, along the lane
That leads unto the hamlet street,
And cradle of my bliss and bane,
In cottage plots on either side,
O'er mignonette and fragrant stock
Soar tiger-lilies lithe and tall,
And homely-sheltered hollyhock.
And when I reach the low grey wall
That skirts God's-acre on the hill,
I see, awaiting my recall,
The Little Door stand open still.
A dip, a slight descent, and then
Into the Vicarage Walk I passed;
It seemed as though the tongues of men
Had left it since I saw it last.
Round garden-plot, in westering sun,
Her agëd parents slowly stepped:
Her Mother had the face of one
Who oft hath prayed, and oft hath wept.
471
She wore the silent plaintive grace
Of Autumn just before its close,
And on her slowly fading face
The pathos of November rose.
With pitying gaze and accents kind,
``Go in,'' she said, ``and mount the stair;
And you through open door will find
That Monica awaits you there.''
LV
I mounted. At half-open door
Pausing, I softly called her name,
As one would pause and halt before
Heaven's Gateway. But no answer came.
She lies, methought, in Sleep's caress,
So, passing in, I seemed to see,
So saintly white the vision, less
A chamber than a Sanctuary.
Vestured in white, on snow-white bed,
She lay, as dreaming something sweet,
Madonna lilies at her head,
Madonna lilies at her feet.
A thought, I did not dare to speak,``Is this the sleep of life or death?''
And, with my cheek against her cheek,
Listening, I seemed to hear her breath.
'Twas Love's last blindness not to see
Her sinless soul had taken wing
Unto the Land, if such there be,
Where saints adore, and Seraphs sing.
And yet I felt within my heart,
Though lids were closed and lips were dumb,
That, for Love's sake, her soul in part
Had lingered here, till I should come.
472
I kissed her irresponsive hand,
I laid my lips on her cold brow,
That She, like me, should understand
'Twas thus I sealed our nuptial vow.
And then I saw upon her breast
A something writ, she fain had said
Had I been near, to me addressed,
Which, kneeling down, I took and read.
LVI
``I prayed I might prolong my years
Till you could come and hush my sighs,
And dry my penitential tears;
But Heaven hath willed it otherwise:
``That I may expiate the wrong
By me inflicted on us both,
When, yet Love's novice, feebly strong,
I sinned against Love's sovran troth.
``Now Death, the mirror unto Life,
Shows me that nought should keep apart
Those who, though sore perplexed by strife
'Twixt Faith and Doubt, are one in heart.
``For Doubt is one with Faith when they,
Who doubt, for Truth's sake suffering live;
And Faith meanwhile should hope and pray,
Withholding not what Love can give.
``We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He,
``But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
473
In patience through the darkness grope;
``Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
``Had my poor Love but been more wise,
I should have ta'en you to my breast,
Striving to hush your plaintive cries,
And rock your Reason back to rest.
``But, though alone you now must tread
Where we together should have trod,
In loneliness you may be led,
Through faith in me, to Faith in God.
``With tranquil purpose, fervent mind,
Foster, while you abide on earth,
And humbly proffer to your kind,
The gift assigned to you at birth.
``As in the far-off boyish year
When did your singing voice awake,
Disinterestedly revere
And love it for its own great sake.
``And when life takes autumnal hues,
With fervent reminiscence woo
All the affections of the Muse,
And write the poem lived by you.
``And should, until your days shall end,
You still the lyric voice retain,
With its seductive music blend
A graver note, a loftier strain.
``While buoyant youth and manhood strong
Follow where Siren sounds entice,
The Deities of Love and Song,
Rapture and loveliness, suffice.
474
``But when decay, and pain, and loss,
Remind one of the Goal forgot,
And we in turn must bear the Cross,
The Pagan Gods can help us not.
``Nor need you then seek, far and near,
More sumptuous shrines on alien strand,
But with domestic mind revere
The Ritual of your native Land.
``The Little Door stands open wide,
And, if you meekly pass therethrough,
Though I no longer kneel inside,
I shall be hovering near to you.
``Farewell! till you shall learn the whole
Of what we here but see in part.
Now I to God commend my soul,
And unto you I leave my heart.''
LVII
I wended up the slope once more
To where the Church stands lone and still,
And passed beneath the Little Door,
My will the subject of Her will.
The sunset rays through pictured pane
Fell, fretted into weft and woof,
On transept, nave, and aisle, to wane
On column cold and vaulted roof.
Within the carven altar screen
Were lilies tall, and white, and fair,
So like to those I late had seen,
It seemed She must be sleeping there.
Mutely I knelt, with bended brow
And shaded eyes, but heart intent,
To learn, should any teach me now,
What Life, and Love, and Sorrow meant.
475
And there remained until the shroud
Of dusk foretold the coming night;
And then I rose, and prayed aloud,
``Let there be Light! Let there be Light!''
~ Alfred Austin,
1429:The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
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Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.
One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.
Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.
The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.
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III.
One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.
Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.
Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.
IV.
Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.
They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.
And behind them all the ghosts of thoughts went moving,
164
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.
And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.
And
And
And
And
And
there was one who turned from clamoring streets,
walked in lamplit gardens among black trees,
looked at the windy sky,
thought with terror how stones and roots would freeze
birds in the dead boughs cry . . .
And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.
And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.
V.
The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
165
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We
We
We
We
We
flow to the east, to the white-lined shivering sea;
reach to the west, where the whirling sun went down;
close our eyes to music in bright cafees.
diverge from clamorous streets to streets that are silent.
loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
VI.
Over the darkened city, the city of towers,
166
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
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'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
168
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
169
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
VII.
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'
170
He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.
Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .
Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
171
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.
One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .
The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.
Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
VIII.
The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.
The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
172
Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .
And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.
PART II.
I.
The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.
And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,
And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.
There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.
Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.
We descend our separate stairs toward the day,
173
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.
II. THE FULFILLED DREAM
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
174
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
175
III. INTERLUDE
The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.
A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.
IV. NIGHTMARE
'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
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My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'
I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.
'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.
'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.
'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'
The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;
And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .
The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
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You do not guess the adventure I have had! . . .
Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.
V. RETROSPECT
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
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And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
VI. ADELE AND DAVIS
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
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His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
VII. TWO LOVERS: OVERTONES
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Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
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'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
VIII. THE BOX WITH SILVER HANDLES
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Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
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With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.
IX. INTERLUDE
The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.
We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.
What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
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My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.
My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.
Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .
The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.
X. SUDDEN DEATH
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
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Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
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'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
XI.
Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.
And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
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Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .
In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.
In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.
And
And
And
And
one goes late in the streets, and thinks of murder;
one lies staring, and thinks of death.
one, who has suffered, clenches her hands despairing,
holds her breath . . .
Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.
And
And
And
And
And
the new are born who desire to destroy the old;
fires are kindled and quenched; and dreams are broken,
walls flung down . . .
the slow night whirls in snow over towers of dreamers,
whiteness hushes the town.
PART III
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As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.
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II. THE SCREEN MAIDEN
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
190
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
191
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
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The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
III. HAUNTED CHAMBERS
The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .
We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
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You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.
This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .
IV. ILLICIT
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
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A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
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Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
V. MELODY IN A RESTAURANT
The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.
This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.
So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.
Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
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Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'
So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.
VI. PORTRAIT OF ONE DEAD
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
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Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.
Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.
How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;
You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.
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Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.
VII. PORCELAIN
You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?
Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .
Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed the room in one tremendous leap.
Here,—as I coil the stems between two leaves,—
It is as if, dwindling to atomy size,
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I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,—
Though with his eyes wide open,—
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals—
All of it darkly moving . . . as for me,
I need no hasheesh for it—it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.
Here, in a simple pattern of separate violets—
With scalloped edges gilded—here you have me
Thinking of something else. My wife, you know,—
There's something lacking—force, or will, or passion,
I don't know what it is—and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy—just like poplar trees
Ruffling their leaves—and I begin to think
Of poor Pauline, so many years ago,
And that delicious night. Where is she now?
I meant to write—but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more—I'm getting old and timid—
The years have gnawed my will. I've lost my nerve!
I never strike out boldly as I used to—
But sit here, painting violets, and remember
That thrilling night. Photographers, she said,
Asked her to pose for them; her eyes and forehead,—
Dark brown eyes, and a smooth and pallid forehead,—
Were thought so beautiful.—And so they were.
Pauline . . . These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .
200
Here, if you only knew it, is a story—
Here, in these leaves. I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . . I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,—just change, by growing,
Without an effort . . . And here are trivial things,—
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial? Well, no matter!
This is the sort of thing you'll see of me,
If you look hard enough. This, in its way,
Is a kind of fame. My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist—
You have my head before you . . . on a platter.
VIII. COFFINS: INTERLUDE
Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.
We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.
One mounts up to beauty, serenely singing,
Forgetful of the steps that cry behind him;
One drifts slowly down from a waking dream.
One, foreseeing, lingers forever unmoving . . .
Upward and downward, past him there, we stream.
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One has death in his eyes: and walks more slowly.
Death, among jonquils, told him a freezing secret.
A cloud blows over his eyes, he ponders earth.
He sees in the world a forest of sunlit jonquils:
A slow black poison huddles beneath that mirth.
Death, from street to alley, from door to window,
Cries out his news,—of unplumbed worlds approaching,
Of a cloud of darkness soon to destroy the tower.
But why comes death,—he asks,—in a world so perfect?
Or why the minute's grey in the golden hour?
Music, a sudden glissando, sinister, troubled,
A drift of wind-torn petals, before him passes
Down jangled streets, and dies.
The bodies of old and young, of maimed and lovely,
Are slowly borne to earth, with a dirge of cries.
Down cobbled streets they come; down huddled stairways;
Through silent halls; through carven golden doorways;
From freezing rooms as bare as rock.
The curtains are closed across deserted windows.
Earth streams out of the shovel; the pebbles knock.
Mary, whose hands rejoiced to move in sunlight;
Silent Elaine; grave Anne, who sang so clearly;
Fugitive Helen, who loved and walked alone;
Miriam too soon dead, darkly remembered;
Childless Ruth, who sorrowed, but could not atone;
Jean, whose laughter flashed over depths of terror,
And Eloise, who desired to love but dared not;
Doris, who turned alone to the dark and cried,—
They are blown away like windflung chords of music,
They drift away; the sudden music has died.
And one, with death in his eyes, comes walking slowly
And sees the shadow of death in many faces,
And thinks the world is strange.
He desires immortal music and spring forever,
And beauty that knows no change.
202
IX. CABARET
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'
You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? . . .
'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . . For all the days hereafter
What have we saved—what news, what tune, what play?
'We see each other as vain and futile tricksters,—
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'
Well, you are right . . . No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.
But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,—
Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,—
203
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,
Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .
They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'
And so they go . . . In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see
The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . . They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
X. LETTER
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
204
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.
What, then's, the secret of this ultimate chamber
Or innermost, rather? If I see it clearly
205
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
~ Conrad Potter Aiken,
1430:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
54
Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
60
I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
61
That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
63
But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
64
'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
66
And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
67
Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
68
But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
72
Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
73
Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
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Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
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Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
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By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
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The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
84
When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
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Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
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See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
90
And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
91
To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
92
Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
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Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
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He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
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Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
96
Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
97
[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
98
Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
100
Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
101
Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
102
Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
103
To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
109
Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
111
Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
112
Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,
1431:Obiit Mdcccxxxiii (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
414
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise.
I.
I held it truth, with him who sings
To one clear harp in divers tones,
That men may rise on stepping-stones
Of their dead selves to higher things.
But who shall so forecast the years
And find in loss a gain to match?
Or reach a hand thro’ time to catch
The far-off interest of tears?
Let Love clasp Grief lest both be drown’d,
Let darkness keep her raven gloss:
Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
Than that the victor Hours should scorn
The long result of love, and boast,
‘Behold the man that loved and lost,
But all he was is overworn.’
II.
415
Old Yew, which graspest at the stones
That name the under-lying dead,
Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
The seasons bring the flower again,
And bring the firstling to the flock;
And in the dusk of thee, the clock
Beats out the little lives of men.
O not for thee the glow, the bloom,
Who changest not in any gale,
Nor branding summer suns avail
To touch thy thousand years of gloom:
And gazing on thee, sullen tree,
Sick for thy stubborn hardihood,
I seem to fail from out my blood
And grow incorporate into thee.
III.
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
‘The stars,’ she whispers, ‘blindly run;
A web is wov’n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
‘And all the phantom, Nature, stands–
With all the music in her tone,
A hollow echo of my own,–
A hollow form with empty hands.’
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
416
IV.
To Sleep I give my powers away;
My will is bondsman to the dark;
I sit within a helmless bark,
And with my heart I muse and say:
O heart, how fares it with thee now,
That thou should’st fail from thy desire,
Who scarcely darest to inquire,
‘What is it makes me beat so low?’
Something it is which thou hast lost,
Some pleasure from thine early years.
Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
Such clouds of nameless trouble cross
All night below the darken’d eyes;
With morning wakes the will, and cries,
‘Thou shalt not be the fool of loss.’
V.
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I’ll wrap me o’er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more.
417
VI.
One writes, that ‘Other friends remain,’
That ‘Loss is common to the race’–
And common is the commonplace,
And vacant chaff well meant for grain.
That loss is common would not make
My own less bitter, rather more:
Too common! Never morning wore
To evening, but some heart did break.
O father, wheresoe’er thou be,
Who pledgest now thy gallant son;
A shot, ere half thy draught be done,
Hath still’d the life that beat from thee.
O mother, praying God will save
Thy sailor,–while thy head is bow’d,
His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
Ye know no more than I who wrought
At that last hour to please him well;
Who mused on all I had to tell,
And something written, something thought;
Expecting still his advent home;
And ever met him on his way
With wishes, thinking, ‘here to-day,’
Or ‘here to-morrow will he come.’
O somewhere, meek, unconscious dove,
That sittest ranging golden hair;
And glad to find thyself so fair,
Poor child, that waitest for thy love!
For now her father’s chimney glows
In expectation of a guest;
And thinking ‘this will please him best,’
She takes a riband or a rose;
418
For he will see them on to-night;
And with the thought her colour burns;
And, having left the glass, she turns
Once more to set a ringlet right;
And, even when she turn’d, the curse
Had fallen, and her future Lord
Was drown’d in passing thro’ the ford,
Or kill’d in falling from his horse.
O what to her shall be the end?
And what to me remains of good?
To her, perpetual maidenhood,
And unto me no second friend.
VII.
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp’d no more–
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.
VIII.
A happy lover who has come
To look on her that loves him well,
Who ’lights and rings the gateway bell,
And learns her gone and far from home;
419
He saddens, all the magic light
Dies off at once from bower and hall,
And all the place is dark, and all
The chambers emptied of delight:
So find I every pleasant spot
In which we two were wont to meet,
The field, the chamber and the street,
For all is dark where thou art not.
Yet as that other, wandering there
In those deserted walks, may find
A flower beat with rain and wind,
Which once she foster'd up with care;
So seems it in my deep regret,
O my forsaken heart, with thee
And this poor flower of poesy
Which little cared for fades not yet.
But since it pleased a vanish’d eye,
I go to plant it on his tomb,
That if it can it there may bloom,
Or dying, there at least may die.
IX.
Fair ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
420
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
X.
I hear the noise about thy keel;
I hear the bell struck in the night:
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
XI.
421
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
XII.
Lo, as a dove when up she springs
To bear thro’ Heaven a tale of woe,
Some dolorous message knit below
The wild pulsation of her wings;
Like her I go; I cannot stay;
I leave this mortal ark behind,
A weight of nerves without a mind,
And leave the cliffs, and haste away
O’er ocean-mirrors rounded large,
And reach the glow of southern skies,
And see the sails at distance rise,
And linger weeping on the marge,
422
And saying; ‘Comes he thus, my friend?
Is this the end of all my care?’
And circle moaning in the air:
‘Is this the end? Is this the end?’
And forward dart again, and play
About the prow, and back return
To where the body sits, and learn
That I have been an hour away.
XIII.
Tears of the widower, when he sees
A late-lost form that sleep reveals,
And moves his doubtful arms, and feels
Her place is empty, fall like these;
Which weep a loss for ever new,
A void where heart on heart reposed;
And, where warm hands have prest and closed,
Silence, till I be silent too.
Which weeps the comrade of my choice,
An awful thought, a life removed,
The human-hearted man I loved,
A Spirit, not a breathing voice.
Come Time, and teach me, many years,
I do not suffer in a dream;
For now so strange do these things seem,
Mine eyes have leisure for their tears;
My fancies time to rise on wing,
And glance about the approaching sails,
As tho’ they brought but merchants’ bales,
And not the burthen that they bring.
XIV.
423
If one should bring me this report,
That thou hadst touch’d the land to-day,
And I went down unto the quay,
And found thee lying in the port;
And standing, muffled round with woe,
Should see thy passengers in rank
Come stepping lightly down the plank,
And beckoning unto those they know;
And if along with these should come
The man I held as half-divine;
Should strike a sudden hand in mine,
And ask a thousand things of home;
And
And
And
And
I should tell him all my pain,
how my life had droop’d of late,
he should sorrow o’er my state
marvel what possess’d my brain;
And I perceived no touch of change,
No hint of death in all his frame,
But found him all in all the same,
I should not feel it to be strange.
XV.
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
424
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
XVI.
What words are these have fall’n from me?
Can calm despair and wild unrest
Be tenants of a single breast,
Or sorrow such a changeling be?
Or doth she only seem to take
The touch of change in calm or storm;
But knows no more of transient form
In her deep self, than some dead lake
That holds the shadow of a lark
Hung in the shadow of a heaven?
Or has the shock, so harshly given,
Confused me like the unhappy bark
That strikes by night a craggy shelf,
And staggers blindly ere she sink?
And stunn’d me from my power to think
And all my knowledge of myself;
And made me that delirious man
Whose fancy fuses old and new,
And flashes into false and true,
And mingles all without a plan?
XVII.
425
Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou may’st roam,
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
XVIII.
’Tis well; ’tis something; we may stand
Where he in English earth is laid,
And from his ashes may be made
The violet of his native land.
’Tis little; but it looks in truth
As if the quiet bones were blest
Among familiar names to rest
And in the places of his youth.
Come then, pure hands, and bear the head
That sleeps or wears the mask of sleep,
And come, whatever loves to weep,
And hear the ritual of the dead.
426
Ah yet, ev’n yet, if this might be,
I, falling on his faithful heart,
Would breathing thro’ his lips impart
The life that almost dies in me;
That dies not, but endures with pain,
And slowly forms the the firmer mind,
Treasuring the look it cannot find,
The words that are not heard again.
XIX.
The Danube to the Severn gave
The darken’d heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
That salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush’d nor moved along,
And hush’d my deepest grief of all,
When fill’d with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
XX.
The lesser griefs that may be said,
That breathe a thousand tender vows,
Are but as servants in a house
Where lies the master newly dead;
427
Who speak their feeling as it is,
And weep the fulness from the mind:
‘It will be hard,’ they say, ‘to find
Another service such as this.’
My lighter moods are like to these,
That out of words a comfort win;
But there are other griefs within,
And tears that at their fountain freeze;
For by the hearth the children sit
Cold in that atmosphere of Death,
And scarce endure to draw the breath,
Or like to noiseless phantoms flit:
But open converse is there none,
So much the vital spirits sink
To see the vacant chair, and think,
‘How good! how kind! and he is gone.’
XXI.
I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.
The traveller hears me now and then,
And sometimes harshly will he speak:
‘This fellow would make weakness weak,
And melt the waxen hearts of men.’
Another answers, ‘Let him be,
He loves to make parade of pain,
That with his piping he may gain
The praise that comes to constancy.’
A third is wroth: ‘Is this an hour
For private sorrow’s barren song,
When more and more the people throng
The chairs and thrones of civil power?
428
‘A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?’
Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:
And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol’n away.
XXII.
The path by which we twain did go,
Which led by tracts that pleased us well,
Thro’ four sweet years arose and fell,
From flower to flower, from snow to snow:
And we with singing cheer’d the way,
And, crown’d with all the season lent,
From April on to April went,
And glad at heart from May to May:
But where the path we walk’d began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear’d of man;
Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull’d the murmur on thy lip,
And bore thee where I could not see
Nor follow, tho’ I walk in haste,
And think, that somewhere in the waste
429
The Shadow sits and waits for me.
XXIII.
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
XXIV.
And was the day of my delight
As pure and perfect as I say?
The very source and fount of Day
430
Is dash’d with wandering isles of night.
If all was good and fair we met,
This earth had been the Paradise
It never look’d to human eyes
Since our first Sun arose and set.
And is it that the haze of grief
Makes former gladness loom so great?
The lowness of the present state,
That sets the past in this relief?
Or that the past will always win
A glory from its being far;
And orb into the perfect star
We saw not, when we moved therein?
XXV.
I know that this was Life,–the track
Whereon with equal feet we fared;
And then, as now, the day prepared
The daily burden for the back.
But this it was that made me move
As light as carrier-birds in air;
I loved the weight I had to bear,
Because it needed help of Love:
Nor could I weary, heart or limb,
When mighty Love would cleave in twain
The lading of a single pain,
And part it, giving half to him.
XXVI.
Still onward winds the dreary way;
I with it; for I long to prove
No lapse of moons can canker Love,
Whatever fickle tongues may say.
431
And if that eye which watches guilt
And goodness, and hath power to see
Within the green the moulder’d tree,
And towers fall’n as soon as built–
Oh, if indeed that eye foresee
Or see (in Him is no before)
In more of life true life no more
And Love the indifference to be,
Then might I find, ere yet the morn
Breaks hither over Indian seas,
That Shadow waiting with the keys,
To shroud me from my proper scorn.
XXVII.
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:
I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;
Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.
I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.
XXVIII.
432
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
XXIX.
With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;
Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?
Yet go, and while the holly boughs
Entwine the cold baptismal font,
Make one wreath more for Use and Wont,
That guard the portals of the house;
433
Old sisters of a day gone by,
Gray nurses, loving nothing new;
Why should they miss their yearly due
Before their time? They too will die.
XXX.
With trembling fingers did we weave
The holly round the Christmas hearth;
A rainy cloud possess’d the earth,
And sadly fell our Christmas-eve.
At our old pastimes in the hall
We gambol’d, making vain pretence
Of gladness, with an awful sense
Of one mute Shadow watching all.
We paused: the winds were in the beech:
We heard them sweep the winter land;
And in a circle hand-in-hand
Sat silent, looking each at each.
Then echo-like our voices rang;
We sung, tho’ every eye was dim,
A merry song we sang with him
Last year: impetuously we sang:
We ceased: a gentler feeling crept
Upon us: surely rest is meet:
‘They rest,’ we said, ‘their sleep is sweet,’
And silence follow’d, and we wept.
Our voices took a higher range;
Once more we sang: ‘They do not die
Nor lose their mortal sympathy,
Nor change to us, although they change;
‘Rapt from the fickle and the frail
With gather’d power, yet the same,
Pierces the keen seraphic flame
From orb to orb, from veil to veil.’
434
Rise, happy morn, rise, holy morn,
Draw forth the cheerful day from night:
O Father, touch the east, and light
The light that shone when Hope was born.
XXXI.
When Lazarus left his charnel-cave,
And home to Mary’s house return’d,
Was this demanded–if he yearn’d
To hear her weeping by his grave?
‘Where wert thou, brother, those four days?’
There lives no record of reply,
Which telling what it is to die
Had surely added praise to praise.
From every house the neighbours met,
The streets were fill’d with joyful sound,
A solemn gladness even crown’d
The purple brows of Olivet.
Behold a man raised up by Christ!
The rest remaineth unreveal’d;
He told it not; or something seal’d
The lips of that Evangelist.
XXXII.
Her eyes are homes of silent prayer,
Nor other thought her mind admits
But, he was dead, and there he sits,
And he that brought him back is there.
Then one deep love doth supersede
All other, when her ardent gaze
Roves from the living brother’s face,
And rests upon the Life indeed.
435
All subtle thought, all curious fears,
Borne down by gladness so complete,
She bows, she bathes the Saviour’s feet
With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers,
Whose loves in higher love endure;
What souls possess themselves so pure,
Or is there blessedness like theirs?
XXXIII.
O thou that after toil and storm
Mayst seem to have reach’d a purer air,
Whose faith has centre everywhere,
Nor cares to fix itself to form,
Leave thou thy sister when she prays,
Her early Heaven, her happy views;
Nor thou with shadow’d hint confuse
A life that leads melodious days.
Her faith thro’ form is pure as thine,
Her hands are quicker unto good:
Oh, sacred be the flesh and blood
To which she links a truth divine!
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev’n for want of such a type.
XXXIV.
My own dim life should teach me this,
That life shall live for evermore,
Else earth is darkness at the core,
And dust and ashes all that is;
This round of green, this orb of flame,
436
Fantastic beauty; such as lurks
In some wild Poet, when he works
Without a conscience or an aim.
What then were God to such as I?
’Twere hardly worth my while to choose
Of things all mortal, or to use
A little patience ere I die;
’Twere best at once to sink to peace,
Like birds the charming serpent draws,
To drop head-foremost in the jaws
Of vacant darkness and to cease.
XXXV.
Yet if some voice that man could trust
Should murmur from the narrow house,
‘The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:’
Might I not say? ‘Yet even here,
But for one hour, O Love, I strive
To keep so sweet a thing alive:’
But I should turn mine ears and hear
The moanings of the homeless sea,
The sound of streams that swift or slow
Draw down Æonian hills, and sow
The dust of continents to be;
And Love would answer with a sigh,
‘The sound of that forgetful shore
Will change my sweetness more and more,
Half-dead to know that I shall die.’
O me, what profits it to put
And idle case? If Death were seen
At first as Death, Love had not been,
Or been in narrowest working shut,
437
Mere fellowship of sluggish moods,
Or in his coarsest Satyr-shape
Had bruised the herb and crush’d the grape,
And bask’d and batten’d in the woods.
XXXVI.
Tho’ truths in manhood darkly join,
Deep-seated in our mystic frame,
We yield all blessing to the name
Of Him that made them current coin;
For Wisdom dealt with mortal powers,
Where truth in closest words shall fail,
When truth embodied in a tale
Shall enter in at lowly doors.
And so the Word had breath, and wrought
With human hands the creed of creeds
In loveliness of perfect deeds,
More strong than all poetic thought;
Which he may read that binds the sheaf,
Or builds the house, or digs the grave,
And those wild eyes that watch the wave
In roarings round the coral reef.
XXXVII.
Urania speaks with darken’d brow:
‘Thou pratest here where thou art least;
This faith has many a purer priest,
And many an abler voice than thou.
‘Go down beside thy native rill,
On thy Parnassus set thy feet,
And hear thy laurel whisper sweet
About the ledges of the hill.’
And my Melpomene replies,
438
A touch of shame upon her cheek:
‘I am not worthy ev’n to speak
Of thy prevailing mysteries;
‘For I am but an earthly Muse,
And owning but a little art
To lull with song an aching heart,
And render human love his dues;
‘But brooding on the dear one dead,
And all he said of things divine,
(And dear to me as sacred wine
To dying lips is all he said),
‘I murmur’d, as I came along,
Of comfort clasp’d in truth reveal’d;
And loiter’d in the master’s field,
And darken’d sanctities with song.’
XXXVIII.
With weary steps I loiter on,
Tho’ always under alter’d skies
The purple from the distance dies,
My prospect and horizon gone.
No joy the blowing season gives,
The herald melodies of spring,
But in the songs I love to sing
A doubtful gleam of solace lives.
If any care for what is here
Survive in spirits render’d free,
Then are these songs I sing of thee
Not all ungrateful to thine ear.
XXXIX.
Old warder of these buried bones,
439
And answering now my random stroke
With fruitful cloud and living smoke,
Dark yew, that graspest at the stones
And dippest toward the dreamless head,
To thee too comes the golden hour
When flower is feeling after flower;
But Sorrow–fixt upon the dead,
And darkening the dark graves of men,–
What whisper’d from her lying lips?
Thy gloom is kindled at the tips,
And passes into gloom again.
XL.
Could we forget the widow’d hour
And look on Spirits breathed away,
As on a maiden in the day
When first she wears her orange-flower!
When crown’d with blessing she doth rise
To take her latest leave of home,
And hopes and light regrets that come
Make April of her tender eyes;
And doubtful joys the father move,
And tears are on the mother’s face,
As parting with a long embrace
She enters other realms of love;
Her office there to rear, to teach,
Becoming as is meet and fit
A link among the days, to knit
The generations each with each;
And, doubtless, unto thee is given
A life that bears immortal fruit
In those great offices that suit
The full-grown energies of heaven.
Ay me, the difference I discern!
440
How often shall her old fireside
Be cheer’d with tidings of the bride,
How often she herself return,
And tell them all they would have told,
And bring her babe, and make her boast,
Till even those that miss’d her most
Shall count new things as dear as old:
But thou and I have shaken hands,
Till growing winters lay me low;
My paths are in the fields I know,
And thine in undiscover’d lands.
XLI.
The spirit ere our fatal loss
Did ever rise from high to higher;
As mounts the heavenward altar-fire,
As flies the lighter thro’ the gross.
But thou art turn’d to something strange,
And I have lost the links that bound
Thy changes; here upon the ground,
No more partaker of thy change.
Deep folly! yet that this could be–
That I could wing my will with might
To leap the grades of life and light,
And flash at once, my friend, to thee.
For tho’ my nature rarely yields
To that vague fear implied in death;
Nor shudders at the gulfs beneath,
The howlings from forgotten fields;
Yet oft when sundown skirts the moor
An inner trouble I behold,
A spectral doubt which makes me cold,
That I shall be thy mate no more,
441
Tho’ following with an upward mind
The wonders that have come to thee,
Thro’ all the secular to-be,
But evermore a life behind.
XLII.
I vex my heart with fancies dim:
He still outstript me in the race;
It was but unity of place
That made me dream I rank’d with him.
And so may Place retain us still,
And he the much-beloved again,
A lord of large experience, train
To riper growth the mind and will:
And what delights can equal those
That stir the spirit’s inner deeps,
When one that loves but knows not, reaps
A truth from one that loves and knows?
XLIII.
If Sleep and Death be truly one,
And every spirit’s folded bloom
Thro’ all its intervital gloom
In some long trance should slumber on;
Unconscious of the sliding hour,
Bare of the body, might it last,
And silent traces of the past
Be all the colour of the flower:
So then were nothing lost to man;
So that still garden of the souls
In many a figured leaf enrolls
The total world since life began;
And love will last as pure and whole
442
As when he loved me here in Time,
And at the spiritual prime
Rewaken with the dawning soul.
XLIV.
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs),
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
XLV.
The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that ‘this is I:’
But as he grows he gathers much,
And learns the use of ‘I,’ and ‘me,’
And finds ‘I am not what I see,
And other than the things I touch.’
So rounds he to a separate mind
From whence clear memory may begin,
443
As thro’ the frame that binds him in
His isolation grows defined.
This use may lie in blood and breath,
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.
XLVI.
We ranging down this lower track,
The path we came by, thorn and flower,
Is shadow’d by the growing hour,
Lest life should fail in looking back.
So be it: there no shade can last
In that deep dawn behind the tomb,
But clear from marge to marge shall bloom
The eternal landscape of the past;
A lifelong tract of time reveal’d;
The fruitful hours of still increase;
Days order’d in a wealthy peace,
And those five years its richest field.
O Love, thy province were not large,
A bounded field, nor stretching far;
Look also, Love, a brooding star,
A rosy warmth from marge to marge.
XLVII.
That each, who seems a separate whole,
Should move his rounds, and fusing all
The skirts of self again, should fall
Remerging in the general Soul,
Is faith as vague as all unsweet:
Eternal form shall still divide
The eternal soul from all beside;
444
And I shall know him when we meet:
And we shall sit at endless feast,
Enjoying each the other’s good:
What vaster dream can hit the mood
Of Love on earth? He seeks at least
Upon the last and sharpest height,
Before the spirits fade away,
Some landing-place, to clasp and say,
‘Farewell! We lose ourselves in light.’
XLVIII.
If these brief lays, of Sorrow born,
Were taken to be such as closed
Grave doubts and answers here proposed,
Then these were such as men might scorn:
Her care is not to part and prove;
She takes, when harsher moods remit,
What slender shade of doubt may flit,
And makes it vassal unto love:
And hence, indeed, she sports with words,
But better serves a wholesome law,
And holds it sin and shame to draw
The deepest measure from the chords:
Nor dare she trust a larger lay,
But rather loosens from the lip
Short swallow-flights of song, that dip
Their wings in tears, and skim away.
XLIX.
From art, from nature, from the schools,
Let random influences glance,
Like light in many a shiver’d lance
445
That breaks about the dappled pools:
The lightest wave of thought shall lisp,
The fancy’s tenderest eddy wreathe,
The slightest air of song shall breathe
To make the sullen surface crisp.
And look thy look, and go thy way,
But blame not thou the winds that make
The seeming-wanton ripple break,
The tender-pencil’d shadow play.
Beneath all fancied hopes and fears
Ay me, the sorrow deepens down,
Whose muffled motions blindly drown
The bases of my life in tears.
L.
Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.
Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.
Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.
Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
LI.
446
Do we indeed desire the dead
Should still be near us at our side?
Is there no baseness we would hide?
No inner vileness that we dread?
Shall he for whose applause I strove,
I had such reverence for his blame,
See with clear eye some hidden shame
And I be lessen’d in his love?
I wrong the grave with fears untrue:
Shall love be blamed for want of faith?
There must be wisdom with great Death:
The dead shall look me thro’ and thro’.
Be near us when we climb or fall:
Ye watch, like God, the rolling hours
With larger other eyes than ours,
To make allowance for us all.
LII.
I cannot love thee as I ought,
For love reflects the thing beloved;
My words are only words, and moved
Upon the topmost froth of thought.
‘Yet blame not thou thy plaintive song,’
The Spirit of true love replied;
‘Thou canst not move me from thy side,
Nor human frailty do me wrong.
‘What keeps a spirit wholly true
To that ideal which he bears?
What record? not the sinless years
That breathed beneath the Syrian blue:
‘So fret not, like an idle girl,
That life is dash’d with flecks of sin.
Abide: thy wealth is gather’d in,
When Time hath sunder’d shell from pearl.’
447
LIII.
How many a father have I seen,
A sober man, among his boys,
Whose youth was full of foolish noise,
Who wears his manhood hale and green:
And dare we to this fancy give,
That had the wild oat not been sown,
The soil, left barren, scarce had grown
The grain by which a man may live?
Or, if we held the doctrine sound
For life outliving heats of youth,
Yet who would preach it as a truth
To those that eddy round and round?
Hold thou the good: define it well:
For fear divine Philosophy
Should push beyond her mark, and be
Procuress to the Lords of Hell.
LIV.
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another’s gain.
448
Behold, we know not anything;
I can but trust that good shall fall
At last–far off–at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
LV.
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
LVI.
449
‘So careful of the type?’ but no.
From scarped cliff and quarried stone
She cries, ‘A thousand types are gone:
I care for nothing, all shall go.
‘Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed–
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match’d with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
LVII.
Peace; come away: the song of woe
Is after all an earthly song:
Peace; come away: we do him wrong
To sing so wildly: let us go.
450
Come; let us go: your cheeks are pale;
But half my life I leave behind:
Methinks my friend is richly shrined;
But I shall pass; my work will fail.
Yet in these ears, till hearing dies,
One set slow bell will seem to toll
The passing of the sweetest soul
That ever look’d with human eyes.
I hear it now, and o’er and o’er,
Eternal greetings to the dead;
And ‘Ave, Ave, Ave,’ said,
‘Adieu, adieu’ for evermore.
LVIII.
In those sad words I took farewell:
Like echoes in sepulchral halls,
As drop by drop the water falls
In vaults and catacombs, they fell;
And, falling, idly broke the peace
Of hearts that beat from day to day,
Half-conscious of their dying clay,
And those cold crypts where they shall cease.
The high Muse answer’d: ‘Wherefore grieve
Thy brethren with a fruitless tear?
Abide a little longer here,
And thou shalt take a nobler leave.’
LIX.
O Sorrow, wilt thou live with me
No casual mistress, but a wife,
My bosom-friend and half of life;
As I confess it needs must be;
O Sorrow, wilt thou rule my blood,
451
Be sometimes lovely like a bride,
And put thy harsher moods aside,
If thou wilt have me wise and good.
My centred passion cannot move,
Nor will it lessen from to-day;
But I’ll have leave at times to play
As with the creature of my love;
And set thee forth, for thou art mine,
With so much hope for years to come,
That, howsoe’er I know thee, some
Could hardly tell what name were thine.
LX.
He past; a soul of nobler tone:
My spirit loved and loves him yet,
Like some poor girl whose heart is set
On one whose rank exceeds her own.
He mixing with his proper sphere,
She finds the baseness of her lot,
Half jealous of she knows not what,
And envying all that meet him there.
The little village looks forlorn;
She sighs amid her narrow days,
Moving about the household ways,
In that dark house where she was born.
The foolish neighbours come and go,
And tease her till the day draws by:
At night she weeps, ‘How vain am I!
How should he love a thing so low?’
LXI.
If, in thy second state sublime,
452
Thy ransom’d reason change replies
With all the circle of the wise,
The perfect flower of human time;
And if thou cast thine eyes below,
How dimly character’d and slight,
How dwarf’d a growth of cold and night,
How blanch'd with darkness must I grow!
Yet turn thee to the doubtful shore,
Where thy first form was made a man:
I loved thee, Spirit, and love, nor can
The soul of Shakespeare love thee more.
LXII.
Tho’ if an eye that’s downward cast
Could make thee somewhat blench or fail,
Then be my love an idle tale,
And fading legend of the past;
And thou, as one that once declined,
When he was little more than boy,
On some unworthy heart with joy,
But lives to wed an equal mind;
And breathes a novel world, the while
His other passion wholly dies,
Or in the light of deeper eyes
Is matter for a flying smile.
LXIII.
Yet pity for a horse o’er-driven,
And love in which my hound has part,
Can hang no weight upon my heart
In its assumptions up to heaven;
And I am so much more than these,
As thou, perchance, art more than I,
And yet I spare them sympathy,
453
And I would set their pains at ease.
So mayst thou watch me where I weep,
As, unto vaster motions bound,
The circuits of thine orbit round
A higher height, a deeper deep.
LXIV.
Dost thou look back on what hath been,
As some divinely gifted man,
Whose life in low estate began
And on a simple village green;
Who breaks his birth’s invidious bar,
And grasps the skirts of happy chance,
And breasts the blows of circumstance,
And grapples with his evil star;
Who makes by force his merit known
And lives to clutch the golden keys,
To mould a mighty state’s decrees,
And shape the whisper of the throne;
And moving up from high to higher,
Becomes on Fortune’s crowning slope
The pillar of a people’s hope,
The centre of a world’s desire;
Yet feels, as in a pensive dream,
When all his active powers are still,
A distant dearness in the hill,
A secret sweetness in the stream,
The limit of his narrower fate,
While yet beside its vocal springs
He play’d at counsellors and kings,
With one that was his earliest mate;
Who ploughs with pain his native lea
And reaps the labour of his hands,
454
Or in the furrow musing stands;
‘Does my old friend remember me?’
LXV.
Sweet soul, do with me as thou wilt;
I lull a fancy trouble-tost
With ‘Love’s too precious to be lost,
A little grain shall not be spilt.’
And in that solace can I sing,
Till out of painful phases wrought
There flutters up a happy thought,
Self-balanced on a lightsome wing:
Since we deserved the name of friends,
And thine effect so lives in me,
A part of mine may live in thee
And move thee on to noble ends.
LXVI.
You thought my heart too far diseased;
You wonder when my fancies play
To find me gay among the gay,
Like one with any trifle pleased.
The shade by which my life was crost,
Which makes a desert in the mind,
Has made me kindly with my kind,
And like to him whose sight is lost;
Whose feet are guided thro’ the land,
Whose jest among his friends is free,
Who takes the children on his knee,
And winds their curls about his hand:
He plays with threads, he beats his chair
For pastime, dreaming of the sky;
His inner day can never die,
455
His night of loss is always there.
LXVII.
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o’er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
LXVIII.
When in the down I sink my head,
Sleep, Death’s twin-brother, times my breath;
Sleep, Death’s twin-brother, knows not Death,
Nor can I dream of thee as dead:
I walk as ere I walk’d forlorn,
When all our path was fresh with dew,
And all the bugle breezes blew
Reveillée to the breaking morn.
But what is this? I turn about,
I find a trouble in thine eye,
Which makes me sad I know not why,
Nor can my dream resolve the doubt:
456
But ere the lark hath left the lea
I wake, and I discern the truth;
It is the trouble of my youth
That foolish sleep transfers to thee.
LXIX.
I dream’d there would be Spring no more,
That Nature’s ancient power was lost:
The streets were black with smoke and frost,
They chatter’d trifles at the door:
I wander’d from the noisy town,
I found a wood with thorny boughs:
I took the thorns to bind my brows,
I wore them like a civic crown:
I met with scoffs, I met with scorns
From youth and babe and hoary hairs:
They call’d me in the public squares
The fool that wears a crown of thorns:
They call’d me fool, they call’d me child:
I found an angel of the night;
The voice was low, the look was bright;
He look’d upon my crown and smiled:
He reach’d the glory of a hand,
That seem’d to touch it into leaf:
The voice was not the voice of grief,
The words were hard to understand.
LXX.
I cannot see the features right,
When on the gloom I strive to paint
The face I know; the hues are faint
And mix with hollow masks of night;
457
Cloud-towers by ghostly masons wrought,
A gulf that ever shuts and gapes,
A hand that points, and palled shapes
In shadowy thoroughfares of thought;
And crowds that stream from yawning doors,
And shoals of pucker’d faces drive;
Dark bulks that tumble half alive,
And lazy lengths on boundless shores;
Till all at once beyond the will
I hear a wizard music roll,
And thro’ a lattice on the soul
Looks thy fair face and makes it still.
LXXI.
Sleep, kinsman thou to death and trance
And madness, thou hast forged at last
A night-long Present of the Past
In which we went thro’ summer France.
Hadst thou such credit with the soul?
Then bring an opiate trebly strong,
Drug down the blindfold sense of wrong
That so my pleasure may be whole;
While now we talk as once we talk’d
Of men and minds, the dust of change,
The days that grow to something strange,
In walking as of old we walk’d
Beside the river’s wooded reach,
The fortress, and the mountain ridge,
The cataract flashing from the bridge,
The breaker breaking on the beach.
LXXII.
458
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown’d estate begun
To pine in that reverse of doom,
Which sicken’d every living bloom,
And blurr’d the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might’st have heaved a windless flame
Up the deep East, or, whispering, play’d
A chequer-work of beam and shade
Along the hills, yet look’d the same.
As wan, as chill, as wild as now;
Day, mark’d as with some hideous crime,
When the dark hand struck down thro’ time,
And cancell’d nature’s best: but thou,
Lift as thou may’st thy burthen’d brows
Thro’ clouds that drench the morning star,
And whirl the ungarner’d sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
LXXIII.
So many worlds, so much to do,
So little done, such things to be,
How know I what had need of thee,
For thou wert strong as thou wert true?
459
The fame is quench’d that I foresaw,
The head hath miss’d an earthly wreath:
I curse not nature, no, nor death;
For nothing is that errs from law.
We pass; the path that each man trod
Is dim, or will be dim, with weeds:
What fame is left for human deeds
In endless age? It rests with God.
O hollow wraith of dying fame,
Fade wholly, while the soul exults,
And self-infolds the large results
Of force that would have forged a name.
LXXIV.
As sometimes in a dead man’s face,
To those that watch it more and more,
A likeness, hardly seen before,
Comes out–to some one of his race:
So, dearest, now thy brows are cold,
I see thee what thou art, and know
Thy likeness to the wise below,
Thy kindred with the great of old.
But there is more than I can see,
And what I see I leave unsaid,
Nor speak it, knowing Death has made
His darkness beautiful with thee.
LXXV.
I leave thy praises unexpress’d
In verse that brings myself relief,
And by the measure of my grief
I leave thy greatness to be guess’d;
What practice howsoe’er expert
460
In fitting aptest words to things,
Or voice the richest-toned that sings,
Hath power to give thee as thou wert?
I care not in these fading days
To raise a cry that lasts not long,
And round thee with the breeze of song
To stir a little dust of praise.
Thy leaf has perish’d in the green,
And, while we breathe beneath the sun,
The world which credits what is done
Is cold to all that might have been.
So here shall silence guard thy fame;
But somewhere, out of human view,
Whate’er thy hands are set to do
Is wrought with tumult of acclaim.
LXXVI.
Take wings of fancy, and ascend,
And in a moment set thy face
Where all the starry heavens of space
Are sharpen’d to a needle’s end;
Take wings of foresight; lighten thro’
The secular abyss to come,
And lo, thy deepest lays are dumb
Before the mouldering of a yew;
And if the matin songs, that woke
The darkness of our planet, last,
Thine own shall wither in the vast,
Ere half the lifetime of an oak.
Ere these have clothed their branchy bowers
With fifty Mays, thy songs are vain;
And what are they when these remain
The ruin’d shells of hollow towers?
461
LXXVII.
What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten’d in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden’s locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken’d ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.
LXXVIII.
Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess’d the earth,
And calmly fell our Christmas-eve:
The yule-clog sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.
As in the winters left behind,
Again our ancient games had place,
The mimic picture’s breathing grace,
And dance and song and hoodman-blind.
Who show’d a token of distress?
462
No single tear, no mark of pain:
O sorrow, then can sorrow wane?
O grief, can grief be changed to less?
O last regret, regret can die!
No–mixt with all this mystic frame,
Her deep relations are the same,
But with long use her tears are dry.
LXXIX.
‘More than my brothers are to me,’–
Let this not vex thee, noble heart!
I know thee of what force thou art
To hold the costliest love in fee.
But thou and I are one in kind,
As moulded like in Nature’s mint;
And hill and wood and field did print
The same sweet forms in either mind.
For us the same cold streamlet curl’d
Thro’ all his eddying coves; the same
All winds that roam the twilight came
In whispers of the beauteous world.
At one dear knee we proffer’d vows,
One lesson from one book we learn’d,
Ere childhood’s flaxen ringlet turn’d
To black and brown on kindred brows.
And so my wealth resembles thine,
But he was rich where I was poor,
And he supplied my want the more
As his unlikeness fitted mine.
LXXX.
If any vague desire should rise,
463
That holy Death ere Arthur died
Had moved me kindly from his side,
And dropt the dust on tearless eyes;
Then fancy shapes, as fancy can,
The grief my loss in him had wrought,
A grief as deep as life or thought,
But stay’d in peace with God and man.
I make a picture in the brain;
I hear the sentence that he speaks;
He bears the burthen of the weeks
But turns his burthen into gain.
His credit thus shall set me free;
And, influence-rich to soothe and save,
Unused example from the grave
Reach out dead hands to comfort me.
LXXXI.
Could I have said while he was here,
‘My love shall now no further range;
There cannot come a mellower change,
For now is love mature in ear.’
Love, then, had hope of richer store:
What end is here to my complaint?
This haunting whisper makes me faint,
‘More years had made me love thee more.’
But Death returns an answer sweet:
‘My sudden frost was sudden gain,
And gave all ripeness to the grain,
It might have drawn from after-heat.’
LXXXII.
I wage not any feud with Death
For changes wrought on form and face;
464
No lower life that earth’s embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter’d stalks,
Or ruin’d chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
LXXXIII.
Dip down upon the northern shore,
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speedwell’s darling blue,
Deep tulips dash’d with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
465
LXXXIV.
When I contemplate all alone
The life that had been thine below,
And fix my thoughts on all the glow
To which thy crescent would have grown;
I see thee sitting crown’d with good,
A central warmth diffusing bliss
In glance and smile, and clasp and kiss,
On all the branches of thy blood;
Thy blood, my friend, and partly mine;
For now the day was drawing on,
When thou should’st link thy life with one
Of mine own house, and boys of thine
Had babbled ‘Uncle’ on my knee;
But that remorseless iron hour
Made cypress of her orange flower,
Despair of Hope, and earth of thee.
I seem to meet their least desire,
To clap their cheeks, to call them mine.
I see their unborn faces shine
Beside the never-lighted fire.
I see myself an honour’d guest,
Thy partner in the flowery walk
Of letters, genial table-talk,
Or deep dispute, and graceful jest;
While now thy prosperous labour fills
The lips of men with honest praise,
And sun by sun the happy days
Descend below the golden hills
With promise of a morn as fair;
And all the train of bounteous hours
Conduct by paths of growing powers,
To reverence and the silver hair;
Till slowly worn her earthly robe,
466
Her lavish mission richly wrought,
Leaving great legacies of thought,
Thy spirit should fail from off the globe;
What time mine own might also flee,
As link’d with thine in love and fate,
And, hovering o’er the dolorous strait
To the other shore, involved in thee,
Arrive at last the blessed goal,
And He that died in Holy Land
Would reach us out the shining hand,
And take us as a single soul.
What reed was that on which I leant?
Ah, backward fancy, wherefore wake
The old bitterness again, and break
The low beginnings of content.
LXXXV.
This truth came borne with bier and pall,
I felt it, when I sorrow’d most,
’Tis better to have loved and lost,
Than never to have loved at all–
O true in word, and tried in deed,
Demanding, so to bring relief
To this which is our common grief,
What kind of life is that I lead;
And whether trust in things above
Be dimm’d of sorrow, or sustain’d;
And whether love for him have drain’d
My capabilities of love;
Your words have virtue such as draws
A faithful answer from the breast,
Thro’ light reproaches, half exprest,
And loyal unto kindly laws.
467
My blood an even tenor kept,
Till on mine ear this message falls,
That in Vienna’s fatal walls
God’s finger touch’d him, and he slept.
The great Intelligences fair
That range above our mortal state,
In circle round the blessed gate,
Received and gave him welcome there;
And led him thro’ the blissful climes,
And show'd him in the fountain fresh
All knowledge that the sons of flesh
Shall gather in the cycled times.
But I remained, whose hopes were dim,
Whose life, whose thoughts were little worth,
To wander on a darkened earth,
Where all things round me breathed of him.
friendship, equal poised control,
heart, with kindliest motion warm,
sacred essence, other form,
solemn ghost, O crowned soul!
Yet none could better know than I,
How much of act at human hands
The sense of human will demands
By which we dare to live or die.
Whatever way my days decline,
I felt and feel, tho’ left alone,
His being working in mine own,
The footsteps of his life in mine;
A life that all the Muses decked
With gifts of grace, that might express
All comprehensive tenderness,
All-subtilising intellect:
And so my passion hath not swerved
To works of weakness, but I find
468
An image comforting the mind,
And in my grief a strength reserved.
Likewise the imaginative woe,
That loved to handle spiritual strife,
Diffused the shock thro’ all my life,
But in the present broke the blow.
My pulses therefore beat again
For other friends that once I met;
Nor can it suit me to forget
The mighty hopes that make us men.
I woo your love: I count it crime
To mourn for any overmuch;
I, the divided half of such
A friendship as had master’d Time;
Which masters Time indeed, and is
Eternal, separate from fears:
The all-assuming months and years
Can take no part away from this:
But Summer on the steaming floods,
And Spring that swells the narrow brooks,
And Autumn, with a noise of rooks,
That gather in the waning woods,
And every pulse of wind and wave
Recalls, in change of light or gloom,
My old affection of the tomb,
And my prime passion in the grave:
My old affection of the tomb,
A part of stillness, yearns to speak:
‘Arise, and get thee forth and seek
A friendship for the years to come.
‘I watch thee from the quiet shore;
Thy spirit up to mine can reach;
But in dear words of human speech
We two communicate no more.’
469
And I, ‘Can clouds of nature stain
The starry clearness of the free?
How is it? Canst thou feel for me
Some painless sympathy with pain?’
And lightly does the whisper fall;
‘’Tis hard for thee to fathom this;
I triumph in conclusive bliss,
And that serene result of all.’
So hold I commerce with the dead;
Or so methinks the dead would say;
Or so shall grief with symbols play
And pining life be fancy-fed.
Now looking to some settled end,
That these things pass, and I shall prove
A meeting somewhere, love with love,
I crave your pardon, O my friend;
If not so fresh, with love as true,
I, clasping brother-hands aver
I could not, if I would, transfer
The whole I felt for him to you.
For which be they that hold apart
The promise of the golden hours?
First love, first friendship, equal powers,
That marry with the virgin heart.
Still mine, that cannot but deplore,
That beats within a lonely place,
That yet remembers his embrace,
But at his footstep leaps no more,
My heart, tho’ widow’d, may not rest
Quite in the love of what is gone,
But seeks to beat in time with one
That warms another living breast.
Ah, take the imperfect gift I bring,
470
Knowing the primrose yet is dear,
The primrose of the later year,
As not unlike to that of Spring.
LXXXVI.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro’ all the dewy-tassell’d wood,
And shadowing down the horned flood
In ripples, fan my brows and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death,
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odour streaming far,
To where in yonder orient star
A hundred spirits whisper ‘Peace.’
LXXXVII.
I past beside the reverend walls
In which of old I wore the gown;
I roved at random thro’ the town,
And saw the tumult of the halls;
And heard one more in college fanes
The storm their high-built organs make,
And thunder-music, rolling, shake
The prophet blazon’d on the panes;
And caught one more the distant shout,
The measured pulse of racing oars
471
Among the willows; paced the shores
And many a bridge, and all about
The same gray flats again, and felt
The same, but not the same; and last
Up that long walk of limes I past
To see the rooms in which he dwelt.
Another name was on the door:
I linger’d; all within was noise
Of songs, and clapping hands, and boys
That crash’d the glass and beat the floor;
Where once we held debate, a band
Of youthful friends, on mind and art,
And labour, and the changing mart,
And all the framework of the land;
When one would aim an arrow fair,
But send it slackly from the string;
And one would pierce an outer ring,
And one an inner, here and there;
And last the master-bowman, he,
Would cleave the mark. A willing ear
We lent him. Who, but hung to hear
The rapt oration flowing free
From point to point, with power and grace
And music in the bounds of law,
To those conclusions when we saw
The God within him light his face,
And seem to lift the form, and glow
In azure orbits heavenly wise;
And over those ethereal eyes
The bar of Michael Angelo.
LXXXVIII.
472
Wild bird, whose warble, liquid sweet,
Rings Eden thro’ the budded quicks,
O tell me where the senses mix,
O tell me where the passions meet,
Whence radiate: fierce extremes employ
Thy spirits in the darkening leaf,
And in the midmost heart of grief
Thy passion clasps a secret joy:
And I–my harp would prelude woe–
I cannot all command the strings;
The glory of the sum of things
Will flash along the chords and go.
LXXXIX.
Witch-elms that counterchange the floor
Of this flat lawn with dusk and bright;
And thou, with all thy breadth and height
Of foliage, towering sycamore;
How often, hither wandering down,
My Arthur found your shadows fair,
And shook to all the liberal air
The dust and din and steam of town:
He brought an eye for all he saw;
He mixt in all our simple sports;
They pleased him, fresh from brawling courts
And dusty purlieus of the law.
O joy to him in this retreat,
Immantled in ambrosial dark,
To drink the cooler air, and mark
The landscape winking thro’ the heat:
O sound to rout the brood of cares,
The sweep of scythe in morning dew,
The gust that round the garden flew,
And tumbled half the mellowing pears!
473
O bliss, when all in circle drawn
About him, heart and ear were fed
To hear him, as he lay and read
The Tuscan poets on the lawn:
Or in the all-golden afternoon
A guest, or happy sister, sung,
Or here she brought the harp and flung
A ballad to the brightening moon:
Nor less it pleased in livelier moods,
Beyond the bounding hill to stray,
And break the livelong summer day
With banquet in the distant woods;
Whereat we glanced from theme to theme,
Discuss’d the books to love or hate,
Or touch’d the changes of the state,
Or threaded some Socratic dream;
But if I praised the busy town,
He loved to rail against it still,
For ‘ground in yonder social mill
We rub each other’s angles down,
‘And merge’ he said ‘in form and gloss
The picturesque of man and man.’
We talk’d: the stream beneath us ran,
The wine-flask lying couch’d in moss,
Or cool’d within the glooming wave;
And last, returning from afar,
Before the crimson-circled star
Had fall’n into her father’s grave,
And brushing ankle-deep in flowers,
We heard behind the woodbine veil
The milk that bubbled in the pail,
And buzzings of the honied hours.
474
XC.
He tasted love with half his mind,
Nor ever drank the inviolate spring
Where nighest heaven, who first could fling
This bitter seed among mankind;
That could the dead, whose dying eyes
Were closed with wail, resume their life,
They would but find in child and wife
An iron welcome when they rise:
’Twas well, indeed, when warm with wine,
To pledge them with a kindly tear,
To talk them o’er, to wish them here,
To count their memories half divine;
But if they came who past away,
Behold their brides in other hands;
The hard heir strides about their lands,
And will not yield them for a day.
Yea, tho’ their sons were none of these,
Not less the yet-loved sire would make
Confusion worse than death, and shake
The pillars of domestic peace.
Ah dear, but come thou back to me:
Whatever change the years have wrought,
I find not yet one lonely thought
That cries against my wish for thee.
XCI.
When rosy plumelets tuft the larch,
And rarely pipes the mounted thrush;
Or underneath the barren bush
Flits by the sea-blue bird of March;
Come, wear the form by which I know
Thy spirit in time among thy peers;
The hope of unaccomplish’d years
475
Be large and lucid round thy brow.
When summer’s hourly-mellowing change
May breathe, with many roses sweet,
Upon the thousand waves of wheat,
That ripple round the lonely grange;
Come: not in watches of the night,
But where the sunbeam broodeth warm,
Come, beauteous in thine after form,
And like a finer light in light.
XCII.
If any vision should reveal
Thy likeness, I might count it vain
As but the canker of the brain;
Yea, tho’ it spake and made appeal
To chances where our lots were cast
Together in the days behind,
I might but say, I hear a wind
Of memory murmuring the past.
Yea, tho’ it spake and bared to view
A fact within the coming year;
And tho’ the months, revolving near,
Should prove the phantom-warning true,
They might not seem thy prophecies,
But spiritual presentiments,
And such refraction of events
As often rises ere they rise.
XCIII.
I shall not see thee. Dare I say
No spirit ever brake the band
That stays him from the native land
476
Where first he walk’d when claspt in clay?
No visual shade of some one lost,
But he, the Spirit himself, may come
Where all the nerve of sense is numb;
Spirit to Spirit, Ghost to Ghost.
O, therefore from thy sightless range
With gods in unconjectured bliss,
O, from the distance of the abyss
Of tenfold-complicated change,
Descend, and touch, and enter; hear
The wish too strong for words to name;
That in this blindness of the frame
My Ghost may feel that thine is near.
XCIV.
How pure at heart and sound in head,
With what divine affections bold
Should be the man whose thought would hold
An hour’s communion with the dead.
In vain shalt thou, or any, call
The spirits from their golden day,
Except, like them, thou too canst say,
My spirit is at peace with all.
They haunt the silence of the breast,
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest:
But when the heart is full of din,
And doubt beside the portal waits,
They can but listen at the gates,
And hear the household jar within.
XCV.
477
By night we linger’d on the lawn,
For underfoot the herb was dry;
And genial warmth; and o’er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr’d:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel’d or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal’d
From knoll to knoll, where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall’n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love’s dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro’ wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch’d me from the past,
478
And all at once it seem’d at last
The living soul was flash’d on mine,
And mine in this was wound, and whirl’d
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time–the shocks of Chance–
The blows of Death. At length my trance
Was cancell’d, stricken thro’ with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev’n for intellect to reach
Thro’ memory that which I became:
Till now the doubtful dusk reveal’d
The knolls once more where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field:
And suck’d from out the distant gloom
A breeze began to tremble o’er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock’d the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
‘The dawn, the dawn,’ and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
XCVI.
479
You say, but with no touch of scorn,
Sweet-hearted, you, whose light-blue eyes
Are tender over drowning flies,
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Sinaï’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
XCVII.
My love has talk’d with rocks and trees;
He finds on misty mountain-ground
His own vast shadow glory-crown’d;
He sees himself in all he sees.
Two partners of a married life–
I look’d on these and thought of thee
In vastness and in mystery,
And of my spirit as of a wife.
480
These two–they dwelt with eye on eye,
Their hearts of old have beat in tune,
Their meetings made December June,
Their every parting was to die.
Their love has never past away;
The days she never can forget
Are earnest that he loves her yet,
Whate’er the faithless people say.
Her life is lone, he sits apart,
He loves her yet, she will not weep,
Tho’ rapt in matters dark and deep
He seems to slight her simple heart.
He
He
He
He
thrids the labyrinth of the mind,
reads the secret of the star,
seems so near and yet so far,
looks so cold: she thinks him kind.
She keeps the gift of years before,
A wither’d violet is her bliss:
She knows not what his greatness is,
For that, for all, she loves him more.
For him she plays, to him she sings
Of early faith and plighted vows;
She knows but matters of the house,
And he, he knows a thousand things.
Her faith is fixt and cannot move,
She darkly feels him great and wise,
She dwells on him with faithful eyes,
‘I cannot understand: I love.’
XCVIII.
You leave us: you will see the Rhine,
And those fair hills I sail’d below,
When I was there with him; and go
481
By summer belts of wheat and vine
To where he breathed his latest breath,
That City. All her splendour seems
No livelier than the wisp that gleams
On Lethe in the eyes of Death.
Let her great Danube rolling fair
Enwind her isles, unmark’d of me:
I have not seen, I will not see
Vienna; rather dream that there,
A treble darkness, Evil haunts
The birth, the bridal; friend from friend
Is oftener parted, fathers bend
Above more graves, a thousand wants
Gnarr at the heels of men, and prey
By each cold hearth, and sadness flings
Her shadow on the blaze of kings:
And yet myself have heard him say,
That not in any mother town
With statelier progress to and fro
The double tides of chariots flow
By park and suburb under brown
Of lustier leaves; nor more content,
He told me, lives in any crowd,
When all is gay with lamps, and loud
With sport and song, in booth and tent,
Imperial halls, or open plain;
And wheels the circled dance, and breaks
The rocket molten into flakes
Of crimson or in emerald rain.
XCIX.
Risest thou thus, dim dawn, again,
So loud with voices of the birds,
482
So thick with lowings of the herds,
Day, when I lost the flower of men;
Who tremblest thro’ thy darkling red
On yon swoll’n brook that bubbles fast
By meadows breathing of the past,
And woodlands holy to the dead;
Who murmurest in the foliaged eaves
A song that slights the coming care,
And Autumn laying here and there
A fiery finger on the leaves;
Who wakenest with thy balmy breath
To myriads on the genial earth,
Memories of bridal, or of birth,
And unto myriads more, of death.
O wheresoever those may be,
Betwixt the slumber of the poles,
To-day they count as kindred souls;
They know me not, but mourn with me.
C.
I climb the hill: from end to end
Of all the landscape underneath,
I find no place that does not breathe
Some gracious memory of my friend;
No gray old grange, or lonely fold,
Or low morass and whispering reed,
Or simple stile from mead to mead,
Or sheepwalk up the windy wold;
Nor hoary knoll of ash and haw
That hears the latest linnet trill,
Nor quarry trench’d along the hill
And haunted by the wrangling daw;
Nor runlet tinkling from the rock;
Nor pastoral rivulet that swerves
483
To left and right thro’ meadowy curves,
That feed the mothers of the flock;
But each has pleased a kindred eye,
And each reflects a kindlier day;
And, leaving these, to pass away,
I think once more he seems to die.
CI.
Unwatch’d, the garden bough shall sway,
The tender blossom flutter down,
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sun-flower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
484
CII.
We leave the well-beloved place
Where first we gazed upon the sky;
The roofs, that heard our earliest cry,
Will shelter one of stranger race.
We go, but ere we go from home,
As down the garden-walks I move,
Two spirits of a diverse love
Contend for loving masterdom.
One whispers, ‘Here thy boyhood sung
Long since its matin song, and heard
The low love-language of the bird
In native hazels tassel-hung.’
The other answers, ‘Yea, but here
Thy feet have stray’d in after hours
With thy lost friend among the bowers,
And this hath made them trebly dear.’
These two have striven half the day,
And each prefers his separate claim,
Poor rivals in a losing game,
That will not yield each other way.
I turn to go: my feet are set
To leave the pleasant fields and farms;
They mix in one another’s arms
To one pure image of regret.
CIII.
On that last night before we went
From out the doors where I was bred,
I dream’d a vision of the dead,
Which left my after-morn content.
Methought I dwelt within a hall,
And maidens with me: distant hills
485
From hidden summits fed with rills
A river sliding by the wall.
The hall with harp and carol rang.
They sang of what is wise and good
And graceful. In the centre stood
A statue veil’d, to which they sang;
And which, tho’ veil’d, was known to me,
The shape of him I loved, and love
For ever: then flew in a dove
And brought a summons from the sea:
And when they learnt that I must go
They wept and wail’d, but led the way
To where a little shallop lay
At anchor in the flood below;
And on by many a level mead,
And shadowing bluff that made the banks,
We glided winding under ranks
Of iris, and the golden reed;
And still as vaster grew the shore
And roll’d the floods in grander space,
The maidens gather’d strength and grace
And presence, lordlier than before;
And I myself, who sat apart
And watch’d them, wax’d in every limb;
I felt the thews of Anakim,
The pulses of a Titan’s heart;
As one would sing the death of war,
And one would chant the history
Of that great race, which is to be,
And one the shaping of a star;
Until the forward-creeping tides
Began to foam, and we to draw
From deep to deep, to where we saw
A great ship lift her shining sides.
486
The man we loved was there on deck,
But thrice as large as man he bent
To greet us. Up the side I went,
And fell in silence on his neck:
Whereat those maidens with one mind
Bewail’d their lot; I did them wrong:
‘We served thee here’ they said, ‘so long,
And wilt thou leave us now behind?’
So rapt I was, they could not win
An answer from my lips, but he
Replying, ‘Enter likewise ye
And go with us:’ they enter’d in.
And while the wind began to sweep
A music out of sheet and shroud,
We steer’d her toward a crimson cloud
That landlike slept along the deep.
CIV.
The time draws near the birth of Christ;
The moon is hid, the night is still;
A single church below the hill
Is pealing, folded in the mist.
A single peal of bells below,
That wakens at this hour of rest
A single murmur in the breast,
That these are not the bells I know.
Like strangers’ voices here they sound,
In lands where not a memory strays,
Nor landmark breathes of other days,
But all is new unhallow’d ground.
CV.
487
To-night ungather’d let us leave
This laurel, let this holly stand:
We live within the stranger’s land,
And strangely falls our Christmas-eve.
Our father’s dust is left alone
And silent under other snows:
There in due time the woodbine blows,
The violet comes, but we are gone.
No more shall wayward grief abuse
The genial hour with mask and mime;
For change of place, like growth of time,
Has broke the bond of dying use.
Let cares that petty shadows cast,
By which our lives are chiefly proved,
A little spare the night I loved,
And hold it solemn to the past.
But let no footstep beat the floor,
Nor bowl of wassail mantle warm;
For who would keep an ancient form
Thro’ which the spirit breathes no more?
Be neither song, nor game, nor feast;
Nor harp be touch’d, nor flute be blown;
No dance, no motion, save alone
What lightens in the lucid east
Of rising worlds by yonder wood.
Long sleeps the summer in the seed;
Run out your measured arcs, and lead
The closing cycle rich in good.
CVI.
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
488
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring
Ring
Ring
Ring
out old shapes of foul disease;
out the narrowing lust of gold;
out the thousand wars of old,
in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
CVII.
It is the day when he was born,
A bitter day that early sank
489
Behind a purple-frosty bank
Of vapour, leaving night forlorn.
The time admits not flowers or leaves
To deck the banquet. Fiercely flies
The blast of North and East, and ice
Makes daggers at the sharpen’d eaves,
And bristles all the brakes and thorns
To yon hard crescent, as she hangs
Above the wood which grides and clangs
Its leafless ribs and iron horns
Together, in the drifts that pass
To darken on the rolling brine
That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;
Bring in great logs and let them lie,
To make a solid core of heat;
Be cheerful-minded, talk and treat
Of all things ev’n as he were by;
We keep the day. With festal cheer,
With books and music, surely we
Will drink to him, whate’er he be,
And sing the songs he loved to hear.
CVIII.
I will not shut me from my kind,
And, lest I stiffen into stone,
I will not eat my heart alone,
Nor feed with sighs a passing wind:
What profit lies in barren faith,
And vacant yearning, tho’ with might
To scale the heaven’s highest height,
Or dive below the wells of Death?
What find I in the highest place,
But mine own phantom chanting hymns?
490
And on the depths of death there swims
The reflex of a human face.
I'll rather take what fruit may be
Of sorrow under human skies:
’Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.
CIX.
Heart-affluence in discursive talk
From household fountains never dry;
The critic clearness of an eye,
That saw thro’ all the Muses’ walk;
Seraphic intellect and force
To seize and throw the doubts of man;
Impassion’d logic, which outran
The hearer in its fiery course;
High nature amorous of the good,
But touch’d with no ascetic gloom;
And passion pure in snowy bloom
Thro’ all the years of April blood;
A love of freedom rarely felt,
Of freedom in her regal seat
Of England; not the schoolboy heat,
The blind hysterics of the Celt;
And manhood fused with female grace
In such a sort, the child would twine
A trustful hand, unask’d, in thine,
And find his comfort in thy face;
All these have been, and thee mine eyes
Have look’d on: if they look’d in vain,
My shame is greater who remain,
Nor let thy wisdom make me wise.
491
CX.
Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.
On thee the loyal-hearted hung,
The proud was half disarm’d of pride,
Nor cared the serpent at thy side
To flicker with his double tongue.
The stern were mild when thou wert by,
The flippant put himself to school
And heard thee, and the brazen fool
Was soften’d, and he knew not why;
While I, thy nearest, sat apart,
And felt thy triumph was as mine;
And loved them more, that they were thine,
The graceful tact, the Christian art;
Nor mine the sweetness or the skill,
But mine the love that will not tire,
And, born of love, the vague desire
That spurs an imitative will.
CXI.
The churl in spirit, up or down
Along the scale of ranks, thro’ all,
To him who grasps a golden ball,
By blood a king, at heart a clown;
The churl in spirit, howe’er he veil
His want in forms for fashion’s sake,
Will let his coltish nature break
At seasons thro’ the gilded pale:
For who can always act? but he,
To whom a thousand memories call,
492
Not being less but more than all
The gentleness he seem’d to be,
Best seem’d the thing he was, and join’d
Each office of the social hour
To noble manners, as the flower
And native growth of noble mind;
Nor ever narrowness or spite,
Or villain fancy fleeting by,
Drew in the expression of an eye,
Where God and Nature met in light;
And thus he bore without abuse
The grand old name of gentleman,
Defamed by every charlatan,
And soil’d with all ignoble use.
CXII.
High wisdom holds my wisdom less,
That I, who gaze with temperate eyes
On glorious insufficiencies,
Set light by narrower perfectness.
But thou, that fillest all the room
Of all my love, art reason why
I seem to cast a careless eye
On souls, the lesser lords of doom.
For what wert thou? some novel power
Sprang up for ever at a touch,
And hope could never hope too much,
In watching thee from hour to hour,
Large elements in order brought,
And tracts of calm from tempest made,
And world-wide fluctuation sway’d
In vassal tides that follow’d thought.
493
CXIII.
’Tis held that sorrow makes us wise;
Yet how much wisdom sleeps with thee
Which not alone had guided me,
But served the seasons that may rise;
For can I doubt, who knew thee keen
In intellect, with force and skill
To strive, to fashion, to fulfil–
I doubt not what thou wouldst have been:
life in civic action warm,
soul on highest mission sent,
potent voice of Parliament,
pillar steadfast in the storm,
Should licensed boldness gather force,
Becoming, when the time has birth,
A lever to uplift the earth
And roll it in another course,
With thousand shocks that come and go,
With agonies, with energies,
With overthrowings, and with cries,
And undulations to and fro.
CXIV.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
But on her forehead sits a fire:
She sets her forward countenance
And leaps into the future chance,
Submitting all things to desire.
Half-grown as yet, a child, and vain–
She cannot fight the fear of death.
494
What is she, cut from love and faith,
But some wild Pallas from the brain
Of Demons? fiery-hot to burst
All barriers in her onward race
For power. Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the soul.
O, friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee,
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
CXV.
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
495
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
CXVI.
Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro’ the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:
Yet less of sorrow lives in me
For days of happy commune dead;
Less yearning for the friendship fled,
Than some strong bond which is to be.
CXVII.
O days and hours, your work is this
To hold me from my proper place,
A little while from his embrace
For fuller gain of after bliss:
That out of distance might ensue
Desire of nearness doubly sweet;
496
And unto meeting when we meet,
Delight a hundredfold accrue,
For every grain of sand that runs,
And every span of shade that steals,
And every kiss of toothed wheels,
And all the courses of the suns.
CXVIII.
Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature’s earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;
Who throve and branch’d from clime to clime,
The herald of a higher race,
And of himself in higher place,
If so he type this work of time
Within himself, from more to more;
Or, crown’d with attributes of woe
Like glories, move his course, and show
That life is not as idle ore,
But iron dug from central gloom,
And heated hot with burning fears,
And dipt in baths of hissing tears,
And batter’d with the shocks of doom
To shape and use. Arise and fly
497
The reeling Faun, the sensual feast;
Move upward, working out the beast,
And let the ape and tiger die.
CXIX.
Doors, where my heart was used to beat
So quickly, not as one that weeps
I come once more; the city sleeps;
I smell the meadow in the street;
I hear a chirp of birds; I see
Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,
And think of early days and thee,
And bless thee, for thy lips are bland,
And bright the friendship of thine eye;
And in my thoughts with scarce a sigh
I take the pressure of thine hand.
CXX.
I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;
Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.
Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.
498
CXXI.
Sad Hesper o’er the buried sun
And ready, thou, to die with him,
Thou watchest all things ever dim
And dimmer, and a glory done:
The team is loosen’d from the wain,
The boat is drawn upon the shore;
Thou listenest to the closing door,
And life is darken’d in the brain.
Bright Phosphor, fresher for the night,
By thee the world’s great work is heard
Beginning, and the wakeful bird;
Behind thee comes the greater light:
The market boat is on the stream,
And voices hail it from the brink;
Thou hear’st the village hammer clink,
And see’st the moving of the team.
Sweet Hesper-Phosphor, double name
For what is one, the first, the last,
Thou, like my present and my past,
Thy place is changed; thou art the same.
CXXII.
Oh, wast thou with me, dearest, then,
While I rose up against my doom,
And yearn’d to burst the folded gloom,
To bare the eternal Heavens again,
To feel once more, in placid awe,
The strong imagination roll
A sphere of stars about my soul,
In all her motion one with law;
If thou wert with me, and the grave
Divide us not, be with me now,
And enter in at breast and brow,
499
Till all my blood, a fuller wave,
Be quicken’d with a livelier breath,
And like an inconsiderate boy,
As in the former flash of joy,
I slip the thoughts of life and death;
And all the breeze of Fancy blows,
And every dew-drop paints a bow,
The wizard lightnings deeply glow,
And every thought breaks out a rose.
CXXIII.
There rolls the deep where grew the tree.
O earth, what changes hast thou seen!
There where the long street roars, hath been
The stillness of the central sea.
The hills are shadows, and they flow
From form to form, and nothing stands;
They melt like mist, the solid lands,
Like clouds they shape themselves and go.
But in my spirit will I dwell,
And dream my dream, and hold it true;
For tho’ my lips may breathe adieu,
I cannot think the thing farewell.
CXXIV.
That which we dare invoke to bless;
Our dearest faith; our ghastliest doubt;
He, They, One, All; within, without;
The Power in darkness whom we guess;
I found Him not in world or sun,
Or eagle’s wing, or insect’s eye;
Nor thro’ the questions men may try,
The petty cobwebs we have spun:
500
If e’er when faith had fall’n asleep,
I heard a voice ‘believe no more’
And heard an ever-breaking shore
That tumbled in the Godless deep;
A warmth within the breast would melt
The freezing reason’s colder part,
And like a man in wrath the heart
Stood up and answer’d ‘I have felt.’
No, like a child in doubt and fear:
But that blind clamour made me wise;
Then was I as a child that cries,
But, crying, knows his father near;
And what I am beheld again
What is, and no man understands;
And out of darkness came the hands
That reach thro’ nature, moulding men.
CXXV.
Whatever I have said or sung,
Some bitter notes my harp would give,
Yea, tho’ there often seem’d to live
A contradiction on the tongue,
Yet Hope had never lost her youth;
She did but look through dimmer eyes;
Or Love but play’d with gracious lies,
Because he felt so fix’d in truth:
And if the song were full of care,
He breathed the spirit of the song;
And if the words were sweet and strong
He set his royal signet there;
Abiding with me till I sail
To seek thee on the mystic deeps,
And this electric force, that keeps
501
A thousand pulses dancing, fail.
CXXVI.
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
CXXVII.
And all is well, tho’ faith and form
Be sunder’d in the night of fear;
Well roars the storm to those that hear
A deeper voice across the storm,
Proclaiming social truth shall spread,
And justice, ev’n tho’ thrice again
The red fool-fury of the Seine
Should pile her barricades with dead.
But ill for him that wears a crown,
And him, the lazar, in his rags:
They tremble, the sustaining crags;
The spires of ice are toppled down,
And molten up, and roar in flood;
The fortress crashes from on high,
The brute earth lightens to the sky,
And the great Æon sinks in blood,
502
And compass’d by the fires of Hell;
While thou, dear spirit, happy star,
O’erlook’st the tumult from afar,
And smilest, knowing all is well.
CXXVIII.
The love that rose on stronger wings,
Unpalsied when he met with Death,
Is comrade of the lesser faith
That sees the course of human things.
No doubt vast eddies in the flood
Of onward time shall yet be made,
And throned races may degrade;
Yet O ye mysteries of good,
Wild Hours that fly with Hope and Fear,
If all your office had to do
With old results that look like new;
If this were all your mission here,
To
To
To
To
draw, to sheathe a useless sword,
fool the crowd with glorious lies,
cleave a creed in sects and cries,
change the bearing of a word,
To shift an arbitrary power,
To cramp the student at his desk,
To make old bareness picturesque
And tuft with grass a feudal tower;
Why then my scorn might well descend
On you and yours. I see in part
That all, as in some piece of art,
Is toil coöperant to an end.
CXXIX.
503
Dear friend, far off, my lost desire,
So far, so near in woe and weal;
O loved the most, when most I feel
There is a lower and a higher;
Known and unknown; human, divine;
Sweet human hand and lips and eye;
Dear heavenly friend that canst not die,
Mine, mine, for ever, ever mine;
Strange friend, past, present, and to be;
Loved deeplier, darklier understood;
Behold, I dream a dream of good,
And mingle all the world with thee.
CXXX.
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.
What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:
My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.
Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.
CXXXI.
504
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro’ our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer’d years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
_________
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
505
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
506
Her sweet ‘I will’ has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.
507
But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
508
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
~ Alfred Lord Tennyson,
1432:DRAMATIS PERSON

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I

Scene I.
An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessionslet it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witnessnot the lampshall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:it angers me!
Respited me from Hell!So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.But much yet remains
To which they show no title.
Camillo.
               Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished notI marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Camillo.
Thou execrable man, beware!
Cenci.
                Of thee?
Nay this is idle:We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Camillo.
              Art thou not
Most miserable?
Cenci.
        Why, miserable?
No.I am what your theologians call
Hardened;which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:Ay, we must all grow old
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mineI'd doI know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo.
         Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
Enter Andrea.
Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.
Cenci.
           Bid him attend me in
The grand saloon.
[Exit Andrea.
Camillo.
         Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
[Exit Camillo.
Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:then, as to Beatrice [Looking around him suspiciously.

I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!Andrea!
[Enter Andrea.
Andrea.
                My lord?
                Cenci.
Bid Beatrice attend me in her chamber
This evening:no, at midnight and alone.
[Exeunt.
Scene II.
A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;nay, we see the spot
Even from this cypress;two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
Orsino.
You said you loved me then.
Beatrice.
               You are a Priest,
Speak to me not of love.
Orsino.
             I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,but what can they forbode
Worse than I now endure?
Orsino.
             All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice.
Your zeal for all I wish;Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.

This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till whenfarewell.
Orsino.
           Farewell.
(Exit Beatrice.)
                I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my lovea net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.Ah, no! A friendless girl
Who clings to me, as to her only hope:
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
[Exit.
Scene III.
A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)

I never saw such blithe and open cheer
In any eye!
Second Guest.
      Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,
Then honour me thus farfor I am he.
Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Lucretia.
                 Fear not, Child,
He speaks too frankly.
Beatrice.
            Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!Why, dead!What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with memy heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
Beatrice.
It is not true!Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
First Guest.
Oh, horrible! I will depart
Second Guest.
                And I.
                Third Guest.
                    No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
A Guest
(rising).
                   Thou wretch!
Will none among this noble company
Check the abandoned villain?
Camillo.
               For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Second Guest.
               Seize, silence him!
               First Guest.
I will!
Third Guest.
    And I!
    Cenci
(addressing those who rise with a threatening gesture).
       Who moves? Who speaks?
       (turning to the Company)
                   'tis nothing
Enjoy yourselves.Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
       I hope my good friends here
Will think of their own daughtersor perhaps
Of their own throatsbefore they lend an ear
To this wild girl.
Beatrice
(not noticing the words of Cenci).
          Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?
Colonna.
          Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
A Cardinal.
               And I.
               Cenci.
Retire to your chamber, insolent girl!
Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
Cenci.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.
[Exeunt all but Cenci and Beatrice.
        My brain is swimming round;
Give me a bowl of wine!
[To Beatrice.
            Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
[Exit Beatrice.
               Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do. [Drinking the wine.

Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
[Exit.
END OF THE FIRST ACT.

ACT II
Scene I.
An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
Bernardo.
              O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Lucretia.
Alas! Poor boy, what else couldst thou have done?
Enter Beatrice.
Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.

Almighty God, how merciful Thou art!
'Tis but Orsino's servant.Well, what news?
Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.

And he demands at what hour 'twere secure
To visit you again?
Lucretia.
          At the Ave Mary.[Exit Servant.

So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
Beatrice.
You see I am not mad: I speak to you.
Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet neverOh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursd feast
One moment in your chamber.Speak to me.
Bernardo.
Oh, sister, sister, prithee, speak to us!
Beatrice
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despairedbut now!
What could I say?
[Recovering herself.
         Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
Lucretia.
My dear, dear children!
Enter Cenci, suddenly.
Cenci.
            What, Beatrice here!
Come hither!
[She shrinks back, and covers her face.
      Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell youbut in vain.
Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command youfrom this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursd mother, [To Bernardo.

Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)

So much has passed between us as must make
Me bold, her fearful.'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Cenci.
            Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
Lucretia.
              So help me God,
I never thought the things you charge me with!
Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All thingsnot question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.

The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.Would that it were done!
[Exit.
Scene II.
A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing
Giacomo.
            Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?
Camillo.
Nay, there is reason in your plea; 'twere hard.
Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.

You, my good Lord Orsino, heard those words.
Orsino.
What words?
Giacomo.
      Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Camillo.
Why, if they would petition to the Pope
I see not how he could refuse ityet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
[Exit Camillo.
Giacomo.
              But you, Orsino,
Have the petition: wherefore not present it?
Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in itin truth they might well baffle
Any beliefhave turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would
[Stops abruptly.
Orsino.
      What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.My heart denies itself
To think what you demand.
Orsino.
              But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected
Giacomo.
               Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should bea murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewellfarewell!
I would that to my own suspected self
I could address a word so full of peace.
Orsino.
Farewell!Be your thoughts better or more bold. [Exit Giacomo.

I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
                  Now what harm
If Cenci should be murdered?Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
[Exit.
END OF THE SECOND ACT.

ACT III
Scene I.
An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
Lucretia.
               My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
Beatrice.
          How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)

What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Beatrice
(franticly).
                    Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
Lucretia.
My dearest child, what has your father done?
Beatrice
(doubtfully).
Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
            Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
    Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
Lucretia.
                        Oh!
My sweet child, know you . . .
Beatrice.
                Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Lucretia.
     Alas! What has befallen thee, child?
What has thy father done?
Beatrice.
              What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
Beatrice.
         'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
Beatrice.
               I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
Lucretia.
         The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Beatrice.
               Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
Enter Orsino.
(She approaches him solemnly.)
                 Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
Orsino.
And what is he who has thus injured you?
Beatrice.
The man they call my father: a dread name.
Orsino.
It cannot be . . .
Beatrice.
          What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Orsino.
Accuse him of the deed, and let the law
Avenge thee.
Beatrice.
      Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthd story;
A mock, a byword, an astonishment:
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
Orsino.
You will endure it then?
Beatrice.
             Endure?Orsino,
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
                     Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Orsino.
           Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Beatrice
(to herself).
                Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!
[She retires absorbed in thought.
Lucretia.
           If the lightning
Of God has e'er descended to avenge . . .
Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
Lucretia.
           But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
Orsino.
                     Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.
Lucretia.
                  How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Orsino.
    Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
Lucretia.
              For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
[Beatrice advances.
Orsino.
                 Then . . .
                 Beatrice.
                      Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
Orsino.
                  I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
Lucretia.
         You think we should devise
His death?
Beatrice.
     And execute what is devised,
And suddenly. We must be brief and bold.
Orsino.
And yet most cautious.
Lucretia.
            For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?
Orsino.
          I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
Lucretia.
         To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
Beatrice.
             He must not arrive.
             Orsino.
Will it be dark before you reach the tower?
Lucretia.
The sun will scarce be set.
Beatrice.
               But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
Beatrice.
      What sound is that?
      Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
Orsino.
                What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.

How! Have you ventured hither? Know you then
That Cenci is from home?
Giacomo.
             I sought him here;
And now must wait till he returns.
Orsino.
                  Great God!
Weigh you the danger of this rashness?
Giacomo.
                     Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Orsino.
               Be calm, dear friend.
               Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
Orsino.
                    Trust me,
The compensation which thou seekest here
Will be denied.
Giacomo.
        Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Giacomo.
                Is he dead?
                Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
Giacomo.
What outrage?
Orsino.
       That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
Enter Beatrice.
Beatrice.
     'Tis my brother's voice! You know me not?
     Giacomo.
My sister, my lost sister!
Beatrice.
              Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
[Exeunt severally.
Scene II.
A mean Apartment in Giacomo's House. Giacomo alone.
Giacomo.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.

What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
                    One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .
Enter Orsino.
                  Speak!
                  Orsino.
                      I am come
To say he has escaped.
Giacomo.
            Escaped!
            Orsino.
                And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.
Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.
Orsino.
          See, the lamp is out.
          Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.
Orsino.
          Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.
Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?
Orsino.
                   Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .
Giacomo.
                 O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.
Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?
Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.
Orsino.
              Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.
Giacomo.
Only to talk?
Orsino.
       The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .
Giacomo.
           Listen! What sound is that?
           Orsino.
The house-dog moans, and the beams crack: nought else.
Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.
Orsino.
               Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.
Giacomo.
              If e'er he wakes
Again, I will not trust to hireling hands . . .
Orsino.
Why, that were well. I must be gone; good-night.
When next we meetmay all be done!
Giacomo.
                   And all
Forgotten: Oh, that I had never been!
[Exeunt.
END OF THE THIRD ACT.

ACT IV
Scene I.
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.
Enter Lucretia.
               Thou loathd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.
Lucretia.
                   Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.
Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.
Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'
Cenci.
             Whysuch things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.
[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.
                 One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .
[Going.
Lucretia.
(Stops him.)
              Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.
Cenci.
              That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.
Lucretia.
            Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?
Cenci.
          Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.
Enter Andrea.
Andrea.
The Lady Beatrice . . .
Cenci.
            Speak, pale slave! What
Said she?
Andrea.
     My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'
[Exit Andrea.
Cenci.
      Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.
[Exit Lucretia.
                     Ha!
With what but with a father's curse doth God
Panic-strike armd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.

Well; what? Speak, wretch!
Lucretia.
              She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'
Cenci
(kneeling).
                    God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!
Lucretia.
                Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.
Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .
Lucretia.
                Horrible thought!
                Cenci.
That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.

I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.
Enter Lucretia.
       What? Speak!
       Lucretia.
              She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .
Cenci.
              She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.

It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.
[Exit.
Scene II.
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
They come not yet.
Lucretia.
          'Tis scarce midnight.
          Beatrice.
                     How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!
Lucretia.
             The minutes pass . . .
If he should wake before the deed is done?
Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.
Lucretia.
           'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .
Beatrice.
                      Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.
Enter Olimpio and Marzio, below.
Lucretia.
                See,
They come.
Beatrice.
     All mortal things must hasten thus
To their dark end. Let us go down.
[Exeunt Lucretia and Beatrice from above.
Olimpio.
How feel you to this work?
Marzio.
              As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.
Olimpio.
It is the white reflection of your own,
Which you call pale.
Marzio.
           Is that their natural hue?
           Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.
Marzio.
You are inclined then to this business?
Olimpio.
                     Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.
Enter Beatrice and Lucretia, below.
               Noble ladies!
               Beatrice.
Are ye resolved?
Olimpio.
         Is he asleep?
         Marzio.
                Is all
Quiet?
Lucretia.
   I mixed an opiate with his drink:
He sleeps so soundly . . .
Beatrice.
              That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?
Olimpio.
We are resolved.
Marzio.
         As to the how this act
Be warranted, it rests with you.
Beatrice.
                 Well, follow!
                 Olimpio.
Hush! Hark! What noise is that?
Marzio.
                 Ha! some one comes!
                 Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.
[Exeunt.
Scene III.
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
They are about it now.
Beatrice.
            Nay, it is done.
            Lucretia.
I have not heard him groan.
Beatrice.
               He will not groan.
               Lucretia.
What sound is that?
Beatrice.
          List! 'tis the tread of feet
About his bed.
Lucretia.
       My God!
If he be now a cold stiff corpse . . .
Beatrice.
                     O, fear not
What may be done, but what is left undone:
The act seals all.
Enter Olimpio and Marzio.
          Is it accomplished?
          Marzio.
                    What?
                    Olimpio.
Did you not call?
Beatrice.
         When?
         Olimpio.
            Now.
            Beatrice.
              I ask if all is over?
              Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veind hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.
Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.
Beatrice.
            Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?
[Snatching a dagger from one of them and raising it.
       Hadst thou a tongue to say,
'She murdered her own father!'I must do it!
But never dream ye shall outlive him long!
Olimpio.
Stop, for God's sake!
Marzio.
           I will go back and kill him.
           Olimpio.
Give me the weapon. we must do thy will.
Beatrice.
Take it! Depart! Return!
[Exeunt Olimpio and Marzio.
             How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.
Lucretia.
         Would it were done!
         Beatrice.
                   Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!
Enter Olimpio and Marzio.
                   He is . . .
                   Olimpio.
                         Dead!
                         Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.
Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.

It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.
[A horn is sounded.
Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.
Beatrice
           Some tedious guest is coming.
           Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!
[Exeunt Olimpio and Marzio.
Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.
[Exeunt.
Scene IV.
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?
Lucretia
(in a hurried and confused manner).
               I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!
Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.
Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.
Savella.
          Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.
Lucretia
(aside).
           O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.
[Exeunt Savella and Bernardo.
Enter Beatrice.
Beatrice.
            'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.
Lucretia.
         Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!
Beatrice.
                  Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.
[A cry within and tumult.
Voices.
          Murder! Murder! Murder!
          Enter Bernardo and Savella.
Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!
Beatrice.
                   What now?
                   Bernardo.
I know not what to say . . . my father's dead.
Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?
Bernardo.
        Dead; murdered.
        Lucretia
(with extreme agitation).
                Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.
Savella.
Ha! Is it so?
Beatrice.
       My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.
[Exeunt Lucretia and Beatrice.
Savella.
Can you suspect who may have murdered him?
Bernardo.
I know not what to think.
Savella.
              Can you name any
Who had an interest in his death?
Bernardo.
                  Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.
Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.
[Exit Bernardo.
Enter Guards bringing in Marzio.
Guard.
                We have one.
                Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.
Savella.
           What does he confess?
           Officer.
He keeps firm silence; but these lines found on him
May speak.
Savella.
     Their language is at least sincere.
     [Reads.
'To the Lady Beatrice.

'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .

'Thy devoted servant, Orsino.'

Enter Lucretia, Beatrice, and Bernardo.
Knowest thou this writing, Lady?
Beatrice.
                 No.
                 Savella.
                   Nor thou?
                   Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.
Savella.
              Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?
Beatrice.
       Not hate, 'twas more than hate:
This is most true, yet wherefore question me?
Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.
Beatrice.
What sayest? My Lord, your words are bold and rash.
Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.
Lucretia.
O, not to Rome! Indeed we are not guilty.
Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.
Savella.
                  You own
That you desired his death?
Beatrice.
               It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?
Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.
Beatrice.
         And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.
Savella.
               I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.
Lucretia.
O, not to Rome! O, take us not to Rome!
Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?
Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!
[She faints, and is borne out.
Savella.
She faints: an ill appearance this.
Beatrice.
                   My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.
[Exeunt.
END OF THE FOURTH ACT.

ACT V
Scene I.
An Apartment in Orsino's Palace. Enter Orsino and Giacomo.
Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.
Orsino.
It has turned out unluckily, in truth.
Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .
Orsino.
                You cannot say
I urged you to the deed.
Giacomo.
             O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .
Orsino.
                 'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?
Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.
Orsino.
          I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.
Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.

Let the sword speak what the indignant tongue
Disdains to brand thee with.
Orsino.
               Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.
Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!
Orsino.
                      That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.

I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.

Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?
[Exit.
Scene II.
A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.
First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.
Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.
Second Judge.
              Away with him!
              First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!
Marzio.
Spare me! O, spare! I will confess.
First Judge.
                   Then speak.
                   Marzio.
I strangled him in his sleep.
First Judge.
                Who urged you to it?
                Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.
First Judge.
        This sounds as bad as truth. Guards, there,
Lead forth the prisoner!
Enter Lucretia, Beatrice, and Giacomo, guarded.
             Look upon this man;
When did you see him last?
Beatrice.
              We never saw him.
              Marzio.
You know me too well, Lady Beatrice.
Beatrice.
I know thee! How? where? when?
Marzio.
                You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.
[Beatrice advances towards him; he covers his face, and shrinks back.
                   Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.
Beatrice.
Poor wretch, I pity thee: yet stay awhile.
Camillo.
Guards, lead him not away.
Beatrice.
              Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.
Camillo.
(much moved).
       What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.
Judge.
            Yet she must be tortured.
            Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!
Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.
Beatrice.
What evidence? This man's?
Judge.
              Even so.
              Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?
Marzio.
           I am Marzio,
Thy father's vassal.
Beatrice.
           Fix thine eyes on mine;
Answer to what I ask.
[Turning to the Judges.
           I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.
(To Marzio.)
               What! wilt thou say
That I did murder my own father?
Marzio.
                 Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!
Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)

And thou . . .
Marzio.
       Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.
(To the Judges.
              I have told it all;
For pity's sake lead me away to death.
Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.
Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?
Marzio.
      Thou art not!
      Judge.
              What is this?
              Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.
Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.
Marzio.
         Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.
[Exit Marzio, guarded.
Camillo.
         What say ye now, my Lords?
         Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.
Camillo.
Yet stained with blood.
Judge
(to Beatrice).
            Know you this paper, Lady?
            Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?
Enter an Officer.
Officer.
               Marzio's dead.
               Judge.
What did he say?
Officer.
         Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.
Judge.
                There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.
Camillo.
             I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.
Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.
[Exeunt.
Scene III.
The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.
Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?
Beatrice
(awaking).
                 I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.
Bernardo.
               Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?
Beatrice.
         What wouldst thou tell, sweet brother?
         Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.
Beatrice.
           See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.
Bernardo.
They have confessed; they could endure no more
The tortures . . .
Beatrice.
          Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!
Enter Judge with Lucretia and Giacomo, guarded.
                Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.
Giacomo.
           They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.
Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.
Bernardo.
              If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.
Judge.
         Confess, or I will warp
Your limbs with such keen tortures . . .
Beatrice.
                      Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?
Judge.
Art thou not guilty of thy father's death?
Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.
Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!
Beatrice.
         Oh, tear him not away!
         Judge.
Guards, do your duty.
Bernardo
(embracing Beatrice).
           Oh! would ye divide
Body from soul?
Officer.
        That is the headsman's business.
        [Exeunt all but Lucretia, Beatrice, and Giacomo.
Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .
[Covers his face and weeps.
Lucretia.
                         O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!
Beatrice.
             What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.
SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.
Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.
[The scene closes.
Scene IV.
A Hall of the Prison. Enter Camillo and Bernardo.
Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'
Bernardo.
And yet you left him not?
Camillo.
              I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'
Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!
[Rushes out.
Camillo.
            Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.
Enter Lucretia, Beatrice, and Giacomo, guarded.
Beatrice.
         I hardly dare to fear
That thou bring'st other news than a just pardon.
Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.
Beatrice
(wildly).
                    O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?
Lucretia.
           Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.
Beatrice.
                 'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.
[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.
Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.
Lucretia.
                Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.
Beatrice.
           Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .
Bernardo rushes in.
Bernardo.
                Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!
Enter Camillo and Guards.
               They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!
Beatrice.
     Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!
Bernardo.
I cannot say, farewell!
Camillo.
            Oh, Lady Beatrice!
            Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.
THE END
Composed at Rome and near Leghorn (Villa Valsovano), May - August 8, 1819; published 1820 (spring) by C. & J. Ollier, London. This edition of 250 copies was printed in Italy 'because,' writes Shelley to Peacock, Sept. 21, 1819, 'it costs, with all duties and freightage, about half what it would cost in London.'
~ Percy Bysshe Shelley, The Cenci - A Tragedy In Five Acts
,
1433:Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
47
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
to say in sooth, no son of the halls,
no hero 'neath heaven, - who harbored that freight!
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that - was -'s queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
a master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot [1] he named it
whose message had might in many a land.
48
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. [2] Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever [5] mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, [6] and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins [7] and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
II
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
49
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, [1] when that bale was shown,
was seen in sooth, with surest token, the hall-thane's [2] hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, - refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
50
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince [4] approach his throne,
- 'twas judgment of God, - or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words [5]
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. - Woe for that man
who in harm and hatred hales his soul
to fiery embraces; - nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
III
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
51
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood [1] he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; [2] afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' [3] clansmen climbed ashore,
anchored their sea-wood, with armor clashing
and gear of battle: God they thanked
for passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
'Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
52
No aliens ever at ease thus bore them,
linden-wielders: [4] yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. - A greater ne'er saw I
of warriors in world than is one of you, yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came.'
IV
To him the stateliest spake in answer;
the warriors' leader his word-hoard unlocked:'We are by kin of the clan of Geats,
and Hygelac's own hearth-fellows we.
To folk afar was my father known,
noble atheling, Ecgtheow named.
Full of winters, he fared away
aged from earth; he is honored still
through width of the world by wise men all.
To thy lord and liege in loyal mood
we hasten hither, to Healfdene's son,
people-protector: be pleased to advise us!
To that mighty-one come we on mickle errand,
to the lord of the Danes; nor deem I right
that aught be hidden. We hear - thou knowest
if sooth it is - the saying of men,
that amid the Scyldings a scathing monster,
dark ill-doer, in dusky nights
shows terrific his rage unmatched,
hatred and murder. To Hrothgar I
in greatness of soul would succor bring,
so the Wise-and-Brave [1] may worst his foes, if ever the end of ills is fated,
of cruel contest, if cure shall follow,
and the boiling care-waves cooler grow;
else ever afterward anguish-days
53
he shall suffer in sorrow while stands in place
high on its hill that house unpeered!'
Astride his steed, the strand-ward answered,
clansman unquailing: 'The keen-souled thane
must be skilled to sever and sunder duly
words and works, if he well intends.
I gather, this band is graciously bent
to the Scyldings' master. March, then, bearing
weapons and weeds the way I show you.
I will bid my men your boat meanwhile
to guard for fear lest foemen come, your new-tarred ship by shore of ocean
faithfully watching till once again
it waft o'er the waters those well-loved thanes,
- winding-neck'd wood, - to Weders' bounds,
heroes such as the hest of fate
shall succor and save from the shock of war.'
They bent them to march, - the boat lay still,
fettered by cable and fast at anchor,
broad-bosomed ship. - Then shone the boars
over the cheek-guard; chased with gold,
keen and gleaming, guard it kept
o'er the man of war, as marched along
heroes in haste, till the hall they saw,
broad of gable and bright with gold:
that was the fairest, 'mid folk of earth,
of houses 'neath heaven, where Hrothgar lived,
and the gleam of it lightened o'er lands afar.
The sturdy shieldsman showed that bright
burg-of-the-boldest; bade them go
straightway thither; his steed then turned,
hardy hero, and hailed them thus:'Tis time that I fare from you. Father Almighty
in grace and mercy guard you well,
safe in your seekings. Seaward I go,
'gainst hostile warriors hold my watch.'
STONE-BRIGHT the street: it showed the way
to the crowd of clansmen. Corselets glistened
hand-forged, hard; on their harness bright
the steel ring sang, as they strode along
54
in mail of battle, and marched to the hall.
There, weary of ocean, the wall along
they set their bucklers, their broad shields, down,
and bowed them to bench: the breastplates clanged,
war-gear of men; their weapons stacked,
spears of the seafarers stood together,
gray-tipped ash: that iron band
was worthily weaponed! - A warrior proud
asked of the heroes their home and kin.
'Whence, now, bear ye burnished shields,
harness gray and helmets grim,
spears in multitude? Messenger, I,
Hrothgar's herald! Heroes so many
ne'er met I as strangers of mood so strong.
'Tis plain that for prowess, not plunged into exile,
for high-hearted valor, Hrothgar ye seek!'
Him the sturdy-in-war bespake with words,
proud earl of the Weders answer made,
hardy 'neath helmet:-'Hygelac's, we,
fellows at board; I am Beowulf named.
I am seeking to say to the son of Healfdene
this mission of mine, to thy master-lord,
the doughty prince, if he deign at all
grace that we greet him, the good one, now.'
Wulfgar spake, the Wendles' chieftain,
whose might of mind to many was known,
his courage and counsel: 'The king of Danes,
the Scyldings' friend, I fain will tell,
the Breaker-of-Rings, as the boon thou askest,
the famed prince, of thy faring hither,
and, swiftly after, such answer bring
as the doughty monarch may deign to give.'
Hied then in haste to where Hrothgar sat
white-haired and old, his earls about him,
till the stout thane stood at the shoulder there
of the Danish king: good courtier he!
Wulfgar spake to his winsome lord:'Hither have fared to thee far-come men
o'er the paths of ocean, people of Geatland;
and the stateliest there by his sturdy band
is Beowulf named. This boon they seek,
that they, my master, may with thee
55
have speech at will: nor spurn their prayer
to give them hearing, gracious Hrothgar!
In weeds of the warrior worthy they,
methinks, of our liking; their leader most surely,
a hero that hither his henchmen has led.'
VI
HROTHGAR answered, helmet of Scyldings:'I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, who carried my gifts to the Geatish court,
thither for thanks, - he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, - they are welcome guests
to folk of the Danes.'
[To the door of the hall
Wulfgar went] and the word declared:'To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end.'
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
56
Beowulf spake, - his breastplate gleamed,
war-net woven by wit of the smith:'Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, brave and wise, the best of men, O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors [1] by night, in need and peril
avenging the Weders, [2] whose woe they sought, crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn - so Hygelac stay,
king of my kindred, kind to me! brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, - as oft before, my noblest thanes. Nor need'st thou then
to hide my head; [3] for his shall I be,
57
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild [4] should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. [5] Fares Wyrd as she must.'
VII
HROTHGAR spake, the Scyldings'-helmet:'For fight defensive, Friend my Beowulf,
to succor and save, thou hast sought us here.
Thy father's combat [1] a feud enkindled
when Heatholaf with hand he slew
among the Wylfings; his Weder kin
for horror of fighting feared to hold him.
Fleeing, he sought our South-Dane folk,
over surge of ocean the Honor-Scyldings,
when first I was ruling the folk of Danes,
wielded, youthful, this widespread realm,
this hoard-hold of heroes. Heorogar was dead,
my elder brother, had breathed his last,
Healfdene's bairn: he was better than I!
Straightway the feud with fee [2] I settled,
to the Wylfings sent, o'er watery ridges,
treasures olden: oaths he [3] swore me.
Sore is my soul to say to any
of the race of man what ruth for me
in Heorot Grendel with hate hath wrought,
what sudden harryings. Hall-folk fail me,
my warriors wane; for Wyrd hath swept them
into Grendel's grasp. But God is able
this deadly foe from his deeds to turn!
Boasted full oft, as my beer they drank,
earls o'er the ale-cup, armed men,
that they would bide in the beer-hall here,
Grendel's attack with terror of blades.
Then was this mead-house at morning tide
dyed with gore, when the daylight broke,
all the boards of the benches blood-besprinkled,
58
gory the hall: I had heroes the less,
doughty dear-ones that death had reft.
- But sit to the banquet, unbind thy words,
hardy hero, as heart shall prompt thee.'
Gathered together, the Geatish men
in the banquet-hall on bench assigned,
sturdy-spirited, sat them down,
hardy-hearted. A henchman attended,
carried the carven cup in hand,
served the clear mead. Oft minstrels sang
blithe in Heorot. Heroes revelled,
no dearth of warriors, Weder and Dane.
VIII
UNFERTH spake, the son of Ecglaf,
who sat at the feet of the Scyldings' lord,
unbound the battle-runes. - Beowulf's quest,
sturdy seafarer's, sorely galled him;
ever he envied that other men
should more achieve in middle-earth
of fame under heaven than he himself. 'Art thou that Beowulf, Breca's rival,
who emulous swam on the open sea,
when for pride the pair of you proved the floods,
and wantonly dared in waters deep
to risk your lives? No living man,
or lief or loath, from your labor dire
could you dissuade, from swimming the main.
Ocean-tides with your arms ye covered,
with strenuous hands the sea-streets measured,
swam o'er the waters. Winter's storm
rolled the rough waves. In realm of sea
a sennight strove ye. In swimming he topped thee,
had more of main! Him at morning-tide
billows bore to the Battling Reamas,
whence he hied to his home so dear
beloved of his liegemen, to land of Brondings,
fastness fair, where his folk he ruled,
town and treasure. In triumph o'er thee
Beanstan's bairn [2] his boast achieved.
So ween I for thee a worse adventure
- though in buffet of battle thou brave hast been,
59
in struggle grim, - if Grendel's approach
thou darst await through the watch of night!'
Beowulf spake, bairn of Ecgtheow:'What a deal hast uttered, dear my Unferth,
drunken with beer, of Breca now,
told of his triumph! Truth I claim it,
that I had more of might in the sea
than any man else, more ocean-endurance.
We twain had talked, in time of youth,
and made our boast, - we were merely boys,
striplings still, - to stake our lives
far at sea: and so we performed it.
Naked swords, as we swam along,
we held in hand, with hope to guard us
against the whales. Not a whit from me
could he float afar o'er the flood of waves,
haste o'er the billows; nor him I abandoned.
Together we twain on the tides abode
five nights full till the flood divided us,
churning waves and chillest weather,
darkling night, and the northern wind
ruthless rushed on us: rough was the surge.
Now the wrath of the sea-fish rose apace;
yet me 'gainst the monsters my mailed coat,
hard and hand-linked, help afforded, battle-sark braided my breast to ward,
garnished with gold. There grasped me firm
and haled me to bottom the hated foe,
with grimmest gripe. 'Twas granted me, though,
to pierce the monster with point of sword,
with blade of battle: huge beast of the sea
was whelmed by the hurly through hand of mine.
IX
ME thus often the evil monsters
thronging threatened. With thrust of my sword,
the darling, I dealt them due return!
Nowise had they bliss from their booty then
to devour their victim, vengeful creatures,
seated to banquet at bottom of sea;
but at break of day, by my brand sore hurt,
on the edge of ocean up they lay,
60
put to sleep by the sword. And since, by them
on the fathomless sea-ways sailor-folk
are never molested. - Light from east,
came bright God's beacon; the billows sank,
so that I saw the sea-cliffs high,
windy walls. For Wyrd oft saveth
earl undoomed if he doughty be!
And so it came that I killed with my sword
nine of the nicors. Of night-fought battles
ne'er heard I a harder 'neath heaven's dome,
nor adrift on the deep a more desolate man!
Yet I came unharmed from that hostile clutch,
though spent with swimming. The sea upbore me,
flood of the tide, on Finnish land,
the welling waters. No wise of thee
have I heard men tell such terror of falchions,
bitter battle. Breca ne'er yet,
not one of you pair, in the play of war
such daring deed has done at all
with bloody brand, - I boast not of it! though thou wast the bane [1] of thy brethren dear,
thy closest kin, whence curse of hell
awaits thee, well as thy wit may serve!
For I say in sooth, thou son of Ecglaf,
never had Grendel these grim deeds wrought,
monster dire, on thy master dear,
in Heorot such havoc, if heart of thine
were as battle-bold as thy boast is loud!
But he has found no feud will happen;
from sword-clash dread of your Danish clan
he vaunts him safe, from the Victor-Scyldings.
He forces pledges, favors none
of the land of Danes, but lustily murders,
fights and feasts, nor feud he dreads
from Spear-Dane men. But speedily now
shall I prove him the prowess and pride of the Geats,
shall bid him battle. Blithe to mead
go he that listeth, when light of dawn
this morrow morning o'er men of earth,
ether-robed sun from the south shall beam!'
Joyous then was the Jewel-giver,
hoar-haired, war-brave; help awaited
61
the Bright-Danes' prince, from Beowulf hearing,
folk's good shepherd, such firm resolve.
Then was laughter of liegemen loud resounding
with winsome words. Came Wealhtheow forth,
queen of Hrothgar, heedful of courtesy,
gold-decked, greeting the guests in hall;
and the high-born lady handed the cup
first to the East-Danes' heir and warden,
bade him be blithe at the beer-carouse,
the land's beloved one. Lustily took he
banquet and beaker, battle-famed king.
Through the hall then went the Helmings' Lady,
to younger and older everywhere
carried the cup, till come the moment
when the ring-graced queen, the royal-hearted,
to Beowulf bore the beaker of mead.
She greeted the Geats' lord, God she thanked,
in wisdom's words, that her will was granted,
that at last on a hero her hope could lean
for comfort in terrors. The cup he took,
hardy-in-war, from Wealhtheow's hand,
and answer uttered the eager-for-combat.
Beowulf spake, bairn of Ecgtheow:'This was my thought, when my thanes and I
bent to the ocean and entered our boat,
that I would work the will of your people
fully, or fighting fall in death,
in fiend's gripe fast. I am firm to do
an earl's brave deed, or end the days
of this life of mine in the mead-hall here.'
Well these words to the woman seemed,
Beowulf's battle-boast. - Bright with gold
the stately dame by her spouse sat down.
Again, as erst, began in hall
warriors' wassail and words of power,
the proud-band's revel, till presently
the son of Healfdene hastened to seek
rest for the night; he knew there waited
fight for the fiend in that festal hall,
when the sheen of the sun they saw no more,
and dusk of night sank darkling nigh,
and shadowy shapes came striding on,
62
wan under welkin. The warriors rose.
Man to man, he made harangue,
Hrothgar to Beowulf, bade him hail,
let him wield the wine hall: a word he added:'Never to any man erst I trusted,
since I could heave up hand and shield,
this noble Dane-Hall, till now to thee.
Have now and hold this house unpeered;
remember thy glory; thy might declare;
watch for the foe! No wish shall fail thee
if thou bidest the battle with bold-won life.'
THEN Hrothgar went with his hero-train,
defence-of-Scyldings, forth from hall;
fain would the war-lord Wealhtheow seek,
couch of his queen. The King-of-Glory
against this Grendel a guard had set,
so heroes heard, a hall-defender,
who warded the monarch and watched for the monster.
In truth, the Geats' prince gladly trusted
his mettle, his might, the mercy of God!
Cast off then his corselet of iron,
helmet from head; to his henchman gave, choicest of weapons, - the well-chased sword,
bidding him guard the gear of battle.
Spake then his Vaunt the valiant man,
Beowulf Geat, ere the bed be sought:'Of force in fight no feebler I count me,
in grim war-deeds, than Grendel deems him.
Not with the sword, then, to sleep of death
his life will I give, though it lie in my power.
No skill is his to strike against me,
my shield to hew though he hardy be,
bold in battle; we both, this night,
shall spurn the sword, if he seek me here,
unweaponed, for war. Let wisest God,
sacred Lord, on which side soever
doom decree as he deemeth right.'
Reclined then the chieftain, and cheek-pillows held
the head of the earl, while all about him
seamen hardy on hall-beds sank.
63
None of them thought that thence their steps
to the folk and fastness that fostered them,
to the land they loved, would lead them back!
Full well they wist that on warriors many
battle-death seized, in the banquet-hall,
of Danish clan. But comfort and help,
war-weal weaving, to Weder folk
the Master gave, that, by might of one,
over their enemy all prevailed,
by single strength. In sooth 'tis told
that highest God o'er human kind
hath wielded ever! - Thro' wan night striding,
came the walker-in-shadow. Warriors slept
whose hest was to guard the gabled hall, all save one. 'Twas widely known
that against God's will the ghostly ravager
him [1] could not hurl to haunts of darkness;
wakeful, ready, with warrior's wrath,
bold he bided the battle's issue.
XI
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; [1] the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
64
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
felt for the foe with fiendish claw,
for the hero reclining, - who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, - none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant - if he might at all to fling himself free, and far away
fly to the fens, - knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
65
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench - men have told me gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, - unless clasp of fire
in smoke engulfed it. - Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
he who of men in might was strongest
in that same day of this our life.
XII
NOT in any wise would the earls'-defence [1]
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, - as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, - no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
66
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. - To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. - 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, - all, indeed,
of Grendel's gripe, - 'neath the gabled roof·
XIII
MANY at morning, as men have told me,
warriors gathered the gift-hall round,
folk-leaders faring from far and near,
o'er wide-stretched ways, the wonder to view,
trace of the traitor. Not troublous seemed
the enemy's end to any man
who saw by the gait of the graceless foe
how the weary-hearted, away from thence,
baffled in battle and banned, his steps
death-marked dragged to the devils' mere.
Bloody the billows were boiling there,
turbid the tide of tumbling waves
horribly seething, with sword-blood hot,
by that doomed one dyed, who in den of the moor
laid forlorn his life adown,
67
his heathen soul,-and hell received it.
Home then rode the hoary clansmen
from that merry journey, and many a youth,
on horses white, the hardy warriors,
back from the mere. Then Beowulf's glory
eager they echoed, and all averred
that from sea to sea, or south or north,
there was no other in earth's domain,
under vault of heaven, more valiant found,
of warriors none more worthy to rule!
(On their lord beloved they laid no slight,
gracious Hrothgar: a good king he!)
From time to time, the tried-in-battle
their gray steeds set to gallop amain,
and ran a race when the road seemed fair.
From time to time, a thane of the king,
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old,
bound word to word in well-knit rime,
welded his lay; this warrior soon
of Beowulf's quest right cleverly sang,
and artfully added an excellent tale,
in well-ranged words, of the warlike deeds
he had heard in saga of Sigemund.
Strange the story: he said it all, the Waelsing's wanderings wide, his struggles,
which never were told to tribes of men,
the feuds and the frauds, save to Fitela only,
when of these doings he deigned to speak,
uncle to nephew; as ever the twain
stood side by side in stress of war,
and multitude of the monster kind
they had felled with their swords. Of Sigemund
grew,
when he passed from life, no little praise;
for the doughty-in-combat a dragon killed
that herded the hoard: [1] under hoary rock
the atheling dared the deed alone
fearful quest, nor was Fitela there.
Yet so it befell, his falchion pierced
that wondrous worm, - on the wall it struck,
best blade; the dragon died in its blood.
68
Thus had the dread-one by daring achieved
over the ring-hoard to rule at will,
himself to pleasure; a sea-boat he loaded,
and bore on its bosom the beaming gold,
son of Waels; the worm was consumed.
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to mingle with monsters at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings. - But here, thanes said,
the kinsman of Hygelac kinder seemed
to all: the other [2] was urged to crime!
And afresh to the race, [3] the fallow roads
by swift steeds measured! The morning sun
was climbing higher. Clansmen hastened
to the high-built hall, those hardy-minded,
the wonder to witness. Warden of treasure,
crowned with glory, the king himself,
with stately band from the bride-bower strode;
and with him the queen and her crowd of maidens
measured the path to the mead-house fair.
XIV
HROTHGAR spake, - to the hall he went,
stood by the steps, the steep roof saw,
garnished with gold, and Grendel's hand:'For the sight I see to the Sovran Ruler
be speedy thanks! A throng of sorrows
I have borne from Grendel; but God still works
wonder on wonder, the Warden-of-Glory.
It was but now that I never more
69
for woes that weighed on me waited help
long as I lived, when, laved in blood,
stood sword-gore-stained this stateliest house, widespread woe for wise men all,
who had no hope to hinder ever
foes infernal and fiendish sprites
from havoc in hall. This hero now,
by the Wielder's might, a work has done
that not all of us erst could ever do
by wile and wisdom. Lo, well can she say
whoso of women this warrior bore
among sons of men, if still she liveth,
that the God of the ages was good to her
in the birth of her bairn. Now, Beowulf, thee,
of heroes best, I shall heartily love
as mine own, my son; preserve thou ever
this kinship new: thou shalt never lack
wealth of the world that I wield as mine!
Full oft for less have I largess showered,
my precious hoard, on a punier man,
less stout in struggle. Thyself hast now
fulfilled such deeds, that thy fame shall endure
through all the ages. As ever he did,
well may the Wielder reward thee still!'
Beowulf spake, bairn of Ecgtheow:'This work of war most willingly
we have fought, this fight, and fearlessly dared
force of the foe. Fain, too, were I
hadst thou but seen himself, what time
the fiend in his trappings tottered to fall!
Swiftly, I thought, in strongest gripe
on his bed of death to bind him down,
that he in the hent of this hand of mine
should breathe his last: but he broke away.
Him I might not - the Maker willed not hinder from flight, and firm enough hold
the life-destroyer: too sturdy was he,
the ruthless, in running! For rescue, however,
he left behind him his hand in pledge,
arm and shoulder; nor aught of help
could the cursed one thus procure at all.
None the longer liveth he, loathsome fiend,
70
sunk in his sins, but sorrow holds him
tightly grasped in gripe of anguish,
in baleful bonds, where bide he must,
evil outlaw, such awful doom
as the Mighty Maker shall mete him out.'
More silent seemed the son of Ecglaf [1]
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers, - the forepart of each
of the sturdy nails to steel was likest, heathen's 'hand-spear,' hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.
XV
THERE was hurry and hest in Heorot now
for hands to bedeck it, and dense was the throng
of men and women the wine-hall to cleanse,
the guest-room to garnish. Gold-gay shone the hangings
that were wove on the wall, and wonders many
to delight each mortal that looks upon them.
Though braced within by iron bands,
that building bright was broken sorely; [1]
rent were its hinges; the roof alone
held safe and sound, when, seared with crime,
the fiendish foe his flight essayed,
of life despairing. - No light thing that,
the flight for safety, - essay it who will!
Forced of fate, he shall find his way
to the refuge ready for race of man,
for soul-possessors, and sons of earth;
and there his body on bed of death
shall rest after revel.
Arrived was the hour
when to hall proceeded Healfdene's son:
the king himself would sit to banquet.
Ne'er heard I of host in haughtier throng
more graciously gathered round giver-of-rings!
Bowed then to bench those bearers-of-glory,
71
fain of the feasting. Featly received
many a mead-cup the mighty-in-spirit,
kinsmen who sat in the sumptuous hall,
Hrothgar and Hrothulf. Heorot now
was filled with friends; the folk of Scyldings
ne'er yet had tried the traitor's deed.
To Beowulf gave the bairn of Healfdene
a gold-wove banner, guerdon of triumph,
broidered battle-flag, breastplate and helmet;
and a splendid sword was seen of many
borne to the brave one. Beowulf took
cup in hall: for such costly gifts
he suffered no shame in that soldier throng.
For I heard of few heroes, in heartier mood,
with four such gifts, so fashioned with gold,
on the ale-bench honoring others thus!
O'er the roof of the helmet high, a ridge,
wound with wires, kept ward o'er the head,
lest the relict-of-files should fierce invade,
sharp in the strife, when that shielded hero
should go to grapple against his foes.
Then the earls'-defence on the floor bade lead
coursers eight, with carven head-gear,
adown the hall: one horse was decked
with a saddle all shining and set in jewels;
'twas the battle-seat of the best of kings,
when to play of swords the son of Healfdene
was fain to fare. Ne'er failed his valor
in the crush of combat when corpses fell.
To Beowulf over them both then gave
the refuge-of-Ingwines right and power,
o'er war-steeds and weapons: wished him joy of them.
Manfully thus the mighty prince,
hoard-guard for heroes, that hard fight repaid
with steeds and treasures contemned by none
who is willing to say the sooth aright.
XVI
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price [] bade pay
72
in gold for him whom Grendel erst
murdered, - and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! [6] Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
73
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. - The hardy Scylding,
battle-thane best, [9] on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: [10] heads all were melted,
gashes burst, and blood gushed out
from bites [11] of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
XVII
THEN hastened those heroes their home to see,
friendless, to find the Frisian land,
houses and high burg. Hengest still
through the death-dyed winter dwelt with Finn,
holding pact, yet of home he minded,
though powerless his ring-decked prow to drive
over the waters, now waves rolled fierce
lashed by the winds, or winter locked them
in icy fetters. Then fared another
year to men's dwellings, as yet they do,
the sunbright skies, that their season ever
74
duly await. Far off winter was driven;
fair lay earth's breast; and fain was the rover,
the guest, to depart, though more gladly he pondered
on wreaking his vengeance than roaming the deep,
and how to hasten the hot encounter
where sons of the Frisians were sure to be.
So he escaped not the common doom,
when Hun with 'Lafing,' the light-of-battle,
best of blades, his bosom pierced:
its edge was famed with the Frisian earls.
On fierce-heart Finn there fell likewise,
on himself at home, the horrid sword-death;
for Guthlaf and Oslaf of grim attack
had sorrowing told, from sea-ways landed,
mourning their woes. [1] Finn's wavering spirit
bode not in breast. The burg was reddened
with blood of foemen, and Finn was slain,
king amid clansmen; the queen was taken.
To their ship the Scylding warriors bore
all the chattels the chieftain owned,
whatever they found in Finn's domain
of gems and jewels. The gentle wife
o'er paths of the deep to the Danes they bore,
led to her land.
The lay was finished,
the gleeman's song. Then glad rose the revel;
bench-joy brightened. Bearers draw
from their 'wonder-vats' wine. Comes Wealhtheow forth,
under gold-crown goes where the good pair sit,
uncle and nephew, true each to the other one,
kindred in amity. Unferth the spokesman
at the Scylding lord's feet sat: men had faith in his Spirit,
his keenness of courage, though kinsmen had found him
unsure at the sword-play. The Scylding queen spoke:
'Quaff of this cup, my king and lord,
breaker of rings, and blithe be thou,
gold-friend of men; to the Geats here speak
such words of mildness as man should use.
Be glad with thy Geats; of those gifts be mindful,
or near or far, which now thou hast.
Men say to me, as son thou wishest
yon hero to hold. Thy Heorot purged,
75
jewel-hall brightest, enjoy while thou canst,
with many a largess; and leave to thy kin
folk and realm when forth thou goest
to greet thy doom. For gracious I deem
my Hrothulf, [2] willing to hold and rule
nobly our youths, if thou yield up first,
prince of Scyldings, thy part in the world.
I ween with good he will well requite
offspring of ours, when all he minds
that for him we did in his helpless days
of gift and grace to gain him honor!'
Then she turned to the seat where her sons were placed,
Hrethric and Hrothmund, with heroes' bairns,
young men together: the Geat, too, sat there,
Beowulf brave, the brothers between.
XVIII
A CUP she gave him, with kindly greeting
and winsome words. Of wounden gold,
she offered, to honor him, arm-jewels twain,
corselet and rings, and of collars the noblest
that ever I knew the earth around.
Ne'er heard I so mighty, 'neath heaven's dome,
a hoard-gem of heroes, since Hama bore
to his bright-built burg the Brisings' necklace,
jewel and gem casket. - Jealousy fled he,
Eormenric's hate: chose help eternal.
Hygelac Geat, grandson of Swerting,
on the last of his raids this ring bore with him,
under his banner the booty defending,
the war-spoil warding; but Wyrd o'erwhelmed him
what time, in his daring, dangers he sought,
feud with Frisians. Fairest of gems
he bore with him over the beaker-of-waves,
sovran strong: under shield he died.
Fell the corpse of the king into keeping of Franks,
gear of the breast, and that gorgeous ring;
weaker warriors won the spoil,
after gripe of battle, from Geatland's lord,
and held the death-field.
Din rose in hall.
Wealhtheow spake amid warriors, and said:-
76
'This jewel enjoy in thy jocund youth,
Beowulf lov'd, these battle-weeds wear,
a royal treasure, and richly thrive!
Preserve thy strength, and these striplings here
counsel in kindness: requital be mine.
Hast done such deeds, that for days to come
thou art famed among folk both far and near,
so wide as washeth the wave of Ocean
his windy walls. Through the ways of life
prosper, O prince! I pray for thee
rich possessions. To son of mine
be helpful in deed and uphold his joys!
Here every earl to the other is true,
mild of mood, to the master loyal!
Thanes are friendly, the throng obedient,
liegemen are revelling: list and obey!'
Went then to her place.-That was proudest of feasts;
flowed wine for the warriors. Wyrd they knew not,
destiny dire, and the doom to be seen
by many an earl when eve should come,
and Hrothgar homeward hasten away,
royal, to rest. The room was guarded
by an army of earls, as erst was done.
They bared the bench-boards; abroad they spread
beds and bolsters. - One beer-carouser
in danger of doom lay down in the hall. At their heads they set their shields of war,
bucklers bright; on the bench were there
over each atheling, easy to see,
the high battle-helmet, the haughty spear,
the corselet of rings. 'Twas their custom so
ever to be for battle prepared,
at home, or harrying, which it were,
even as oft as evil threatened
their sovran king. - They were clansmen good.
XIX
THEN sank they to sleep. With sorrow one bought
his rest of the evening, - as ofttime had happened
when Grendel guarded that golden hall,
evil wrought, till his end drew nigh,
slaughter for sins. 'Twas seen and told
77
how an avenger survived the fiend,
as was learned afar. The livelong time
after that grim fight, Grendel's mother,
monster of women, mourned her woe.
She was doomed to dwell in the dreary waters,
cold sea-courses, since Cain cut down
with edge of the sword his only brother,
his father's offspring: outlawed he fled,
marked with murder, from men's delights
warded the wilds. - There woke from him
such fate-sent ghosts as Grendel, who,
war-wolf horrid, at Heorot found
a warrior watching and waiting the fray,
with whom the grisly one grappled amain.
But the man remembered his mighty power,
the glorious gift that God had sent him,
in his Maker's mercy put his trust
for comfort and help: so he conquered the foe,
felled the fiend, who fled abject,
reft of joy, to the realms of death,
mankind's foe. And his mother now,
gloomy and grim, would go that quest
of sorrow, the death of her son to avenge.
To Heorot came she, where helmeted Danes
slept in the hall. Too soon came back
old ills of the earls, when in she burst,
the mother of Grendel. Less grim, though, that terror,
e'en as terror of woman in war is less,
might of maid, than of men in arms
when, hammer-forged, the falchion hard,
sword gore-stained, through swine of the helm,
crested, with keen blade carves amain.
Then was in hall the hard-edge drawn,
the swords on the settles, [1] and shields a-many
firm held in hand: nor helmet minded
nor harness of mail, whom that horror seized.
Haste was hers; she would hie afar
and save her life when the liegemen saw her.
Yet a single atheling up she seized
fast and firm, as she fled to the moor.
He was for Hrothgar of heroes the dearest,
of trusty vassals betwixt the seas,
78
whom she killed on his couch, a clansman famous,
in battle brave. - Nor was Beowulf there;
another house had been held apart,
after giving of gold, for the Geat renowned. Uproar filled Heorot; the hand all had viewed,
blood-flecked, she bore with her; bale was returned,
dole in the dwellings: 'twas dire exchange
where Dane and Geat were doomed to give
the lives of loved ones. Long-tried king,
the hoary hero, at heart was sad
when he knew his noble no more lived,
and dead indeed was his dearest thane.
To his bower was Beowulf brought in haste,
dauntless victor. As daylight broke,
along with his earls the atheling lord,
with his clansmen, came where the king abode
waiting to see if the Wielder-of-All
would turn this tale of trouble and woe.
Strode o'er floor the famed-in-strife,
with his hand-companions, - the hall resounded, wishing to greet the wise old king,
Ingwines' lord; he asked if the night
had passed in peace to the prince's mind.
XX
HROTHGAR spake, helmet-of-Scyldings:'Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
79
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here [2] and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
80
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back.'
XXI
BEOWULF spake, bairn of Ecgtheow:
'Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her - heed my promise! enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one.'
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he [1] fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
81
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness such as oft essay at hour of morn
on the road-of-sails their ruthless quest, and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
'Hrunting' they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
82
on paths of peril prepared to go
to folkstead [2] of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
XXII
BEOWULF spake, bairn of Ecgtheow:'Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me.'
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
83
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle [1] was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
84
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself,
hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. - On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
XXIII
'MID the battle-gear saw he a blade triumphant,
old-sword of Eotens, with edge of proof,
warriors' heirloom, weapon unmatched,
- save only 'twas more than other men
to bandy-of-battle could bear at all as the giants had wrought it, ready and keen.
Seized then its chain-hilt the Scyldings' chieftain,
bold and battle-grim, brandished the sword,
reckless of life, and so wrathfully smote
that it gripped her neck and grasped her hard,
her bone-rings breaking: the blade pierced through
that fated-one's flesh: to floor she sank.
Bloody the blade: he was blithe of his deed.
Then blazed forth light. 'Twas bright within
as when from the sky there shines unclouded
heaven's candle. The hall he scanned.
By the wall then went he; his weapon raised
high by its hilts the Hygelac-thane,
angry and eager. That edge was not useless
to the warrior now. He wished with speed
Grendel to guerdon for grim raids many,
for the war he waged on Western-Danes
oftener far than an only time,
when of Hrothgar's hearth-companions
he slew in slumber, in sleep devoured,
fifteen men of the folk of Danes,
85
and as many others outward bore,
his horrible prey. Well paid for that
the wrathful prince! For now prone he saw
Grendel stretched there, spent with war,
spoiled of life, so scathed had left him
Heorot's battle. The body sprang far
when after death it endured the blow,
sword-stroke savage, that severed its head.
Soon, [1] then, saw the sage companions
who waited with Hrothgar, watching the flood,
that the tossing waters turbid grew,
blood-stained the mere. Old men together,
hoary-haired, of the hero spake;
the warrior would not, they weened, again,
proud of conquest, come to seek
their mighty master. To many it seemed
the wolf-of-the-waves had won his life.
The ninth hour came. The noble Scyldings
left the headland; homeward went
the gold-friend of men. [2] But the guests sat on,
stared at the surges, sick in heart,
and wished, yet weened not, their winsome lord
again to see.
Now that sword began,
from blood of the fight, in battle-droppings,
war-blade, to wane: 'twas a wondrous thing
that all of it melted as ice is wont
when frosty fetters the Father loosens,
unwinds the wave-bonds, wielding all
seasons and times: the true God he!
Nor took from that dwelling the duke of the Geats
precious things, though a plenty he saw,
save only the head and that hilt withal
blazoned with jewels: the blade had melted,
burned was the bright sword, her blood was so hot,
so poisoned the hell-sprite who perished within there.
Soon he was swimming who safe saw in combat
downfall of demons; up-dove through the flood.
The clashing waters were cleansed now,
waste of waves, where the wandering fiend
her life-days left and this lapsing world.
Swam then to strand the sailors'-refuge,
86
sturdy-in-spirit, of sea-booty glad,
of burden brave he bore with him.
Went then to greet him, and God they thanked,
the thane-band choice of their chieftain blithe,
that safe and sound they could see him again.
Soon from the hardy one helmet and armor
deftly they doffed: now drowsed the mere,
water 'neath welkin, with war-blood stained.
Forth they fared by the footpaths thence,
merry at heart the highways measured,
well-known roads. Courageous men
carried the head from the cliff by the sea,
an arduous task for all the band,
the firm in fight, since four were needed
on the shaft-of-slaughter [4] strenuously
to bear to the gold-hall Grendel's head.
So presently to the palace there
foemen fearless, fourteen Geats,
marching came. Their master-of-clan
mighty amid them the meadow-ways trod.
Strode then within the sovran thane
fearless in fight, of fame renowned,
hardy hero, Hrothgar to greet.
And next by the hair into hall was borne
Grendel's head, where the henchmen were drinking,
an awe to clan and queen alike,
a monster of marvel: the men looked on.
XXIV
BEOWULF spake, bairn of Ecgtheow:'Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, - how oft He guides
87
the friendless wight! - and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then all burned, bright blade, when the
blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!'
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake - the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. - The wise-one spake,
son of Healfdene; silent were all:'Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, [1] that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
88
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised;
thou shalt prove a stay in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
the heart of the hero of high-born race, in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
89
XXV
'UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
at dawn of day, be dealt between us!'
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Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven [2]
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
'war-friend' winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
XXVI
BEOWULF spake, bairn of Ecgtheow:'Lo, we seafarers say our will,
far-come men, that we fain would seek
Hygelac now. We here have found
hosts to our heart: thou hast harbored us well.
If ever on earth I am able to win me
more of thy love, O lord of men,
91
aught anew, than I now have done,
for work of war I am willing still!
If it come to me ever across the seas
that neighbor foemen annoy and fright thee, as they that hate thee erewhile have used, thousands then of thanes I shall bring,
heroes to help thee. Of Hygelac I know,
ward of his folk, that, though few his years,
the lord of the Geats will give me aid
by word and by work, that well I may serve thee,
wielding the war-wood to win thy triumph
and lending thee might when thou lackest men.
If thy Hrethric should come to court of Geats,
a sovran's son, he will surely there
find his friends. A far-off land
each man should visit who vaunts him brave.'
Him then answering, Hrothgar spake:'These words of thine the wisest God
sent to thy soul! No sager counsel
from so young in years e'er yet have I heard.
Thou art strong of main and in mind art wary,
art wise in words! I ween indeed
if ever it hap that Hrethel's heir
by spear be seized, by sword-grim battle,
by illness or iron, thine elder and lord,
people's leader, - and life be thine, no seemlier man will the Sea-Geats find
at all to choose for their chief and king,
for hoard-guard of heroes, if hold thou wilt
thy kinsman's kingdom! Thy keen mind pleases me
the longer the better, Beowulf loved!
Thou hast brought it about that both our peoples,
sons of the Geat and Spear-Dane folk,
shall have mutual peace, and from murderous strife,
such as once they waged, from war refrain.
Long as I rule this realm so wide,
let our hoards be common, let heroes with gold
each other greet o'er the gannet's-bath,
and the ringed-prow bear o'er rolling waves
tokens of love. I trow my landfolk
towards friend and foe are firmly joined,
and honor they keep in the olden way.'
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To him in the hall, then, Healfdene's son
gave treasures twelve, and the trust-of-earls
bade him fare with the gifts to his folk beloved,
hale to his home, and in haste return.
Then kissed the king of kin renowned,
Scyldings' chieftain, that choicest thane,
and fell on his neck. Fast flowed the tears
of the hoary-headed. Heavy with winters,
he had chances twain, but he clung to this, [1] that each should look on the other again,
and hear him in hall. Was this hero so dear to him.
his breast's wild billows he banned in vain;
safe in his soul a secret longing,
locked in his mind, for that loved man
burned in his blood. Then Beowulf strode,
glad of his gold-gifts, the grass-plot o'er,
warrior blithe. The wave-roamer bode
riding at anchor, its owner awaiting.
As they hastened onward, Hrothgar's gift
they lauded at length. - 'Twas a lord unpeered,
every way blameless, till age had broken
- it spareth no mortal - his splendid might.
XXVII
CAME now to ocean the ever-courageous
hardy henchmen, their harness bearing,
woven war-sarks. The warden marked,
trusty as ever, the earl's return.
From the height of the hill no hostile words
reached the guests as he rode to greet them;
but 'Welcome!' he called to that Weder clan
as the sheen-mailed spoilers to ship marched on.
Then on the strand, with steeds and treasure
and armor their roomy and ring-dight ship
was heavily laden: high its mast
rose over Hrothgar's hoarded gems.
A sword to the boat-guard Beowulf gave,
mounted with gold; on the mead-bench since
he was better esteemed, that blade possessing,
heirloom old. - Their ocean-keel boarding,
they drove through the deep, and Daneland left.
A sea-cloth was set, a sail with ropes,
93
firm to the mast; the flood-timbers moaned;
nor did wind over billows that wave-swimmer blow
across from her course. The craft sped on,
foam-necked it floated forth o'er the waves,
keel firm-bound over briny currents,
till they got them sight of the Geatish cliffs,
home-known headlands. High the boat,
stirred by winds, on the strand updrove.
Helpful at haven the harbor-guard stood,
who long already for loved companions
by the water had waited and watched afar.
He bound to the beach the broad-bosomed ship
with anchor-bands, lest ocean-billows
that trusty timber should tear away.
Then Beowulf bade them bear the treasure,
gold and jewels; no journey far
was it thence to go to the giver of rings,
Hygelac Hrethling: at home he dwelt
by the sea-wall close, himself and clan.
Haughty that house, a hero the king,
high the hall, and Hygd right young,
wise and wary, though winters few
in those fortress walls she had found a home,
Haereth's daughter. Nor humble her ways,
nor grudged she gifts to the Geatish men,
of precious treasure. Not Thryth's pride showed she,
folk-queen famed, or that fell deceit.
Was none so daring that durst make bold
(save her lord alone) of the liegemen dear
that lady full in the face to look,
but forged fetters he found his lot,
bonds of death! And brief the respite;
soon as they seized him, his sword-doom was spoken,
and the burnished blade a baleful murder
proclaimed and closed. No queenly way
for woman to practise, though peerless she,
that the weaver-of-peace [3] from warrior dear
by wrath and lying his life should reave!
But Hemming's kinsman hindered this. For over their ale men also told
that of these folk-horrors fewer she wrought,
onslaughts of evil, after she went,
94
gold-decked bride, to the brave young prince,
atheling haughty, and Offa's hall
o'er the fallow flood at her father's bidding
safely sought, where since she prospered,
royal, throned, rich in goods,
fain of the fair life fate had sent her,
and leal in love to the lord of warriors.
He, of all heroes I heard of ever
from sea to sea, of the sons of earth,
most excellent seemed. Hence Offa was praised
for his fighting and feeing by far-off men,
the spear-bold warrior; wisely he ruled
over his empire. Eomer woke to him,
help of heroes, Hemming's kinsman,
Grandson of Garmund, grim in war.
XXVIII
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
'What came of thy quest, my kinsman Beowulf,
95
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!'
Beowulf spake, the bairn of Ecgtheow:''Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! - But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
96
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair! [1]
'Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play [2]
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, [3] - he is stern of mood,
heavy at heart, - in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these:_Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel [4]
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
'So [5] I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. - But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
97
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him [6]
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
98
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters - 'tis widely known that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, - and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
XXXI
'So held this king to the customs old,
that I wanted for nought in the wage I gained,
the meed of my might; he made me gifts,
Healfdene's heir, for my own disposal.
Now to thee, my prince, I proffer them all,
gladly give them. Thy grace alone
can find me favor. Few indeed
have I of kinsmen, save, Hygelac, thee!'
Then he bade them bear him the boar-head standard,
the battle-helm high, and breastplate gray,
99
the splendid sword; then spake in form:'Me this war-gear the wise old prince,
Hrothgar, gave, and his hest he added,
that its story be straightway said to thee. A while it was held by Heorogar king,
for long time lord of the land of Scyldings;
yet not to his son the sovran left it,
to daring Heoroweard, - dear as he was to him,
his harness of battle. - Well hold thou it all!'
And I heard that soon passed o'er the path of this treasure, all apple-fallow, four
good steeds,
each like the others, arms and horses
he gave to the king. So should kinsmen be,
not weave one another the net of wiles,
or with deep-hid treachery death contrive
for neighbor and comrade. His nephew was ever
by hardy Hygelac held full dear,
and each kept watch o'er the other's weal.
I heard, too, the necklace to Hygd he presented,
wonder-wrought treasure, which Wealhtheow gave him
sovran's daughter: three steeds he added,
slender and saddle-gay. Since such gift
the gem gleamed bright on the breast of the queen.
Thus showed his strain the son of Ecgtheow
as a man remarked for mighty deeds
and acts of honor. At ale he slew not
comrade or kin; nor cruel his mood,
though of sons of earth his strength was greatest,
a glorious gift that God had sent
the splendid leader. Long was he spurned,
and worthless by Geatish warriors held;
him at mead the master-of-clans
failed full oft to favor at all.
Slack and shiftless the strong men deemed him,
profitless prince; but payment came,
to the warrior honored, for all his woes. Then the bulwark-of-earls [1] bade bring within,
hardy chieftain, Hrethel's heirloom
garnished with gold: no Geat e'er knew
in shape of a sword a statelier prize.
The brand he laid in Beowulf's lap;
and of hides assigned him seven thousand,
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with house and high-seat. They held in common
land alike by their line of birth,
inheritance, home: but higher the king
because of his rule o'er the realm itself.
Now further it fell with the flight of years,
with harryings horrid, that Hygelac perished,
and Heardred, too, by hewing of swords
under the shield-wall slaughtered lay,
when him at the van of his victor-folk
sought hardy heroes, Heatho-Scilfings,
in arms o'erwhelming Hereric's nephew.
Then Beowulf came as king this broad
realm to wield; and he ruled it well
fifty winters, [4] a wise old prince,
warding his land, until One began
in the dark of night, a Dragon, to rage.
In the grave on the hill a hoard it guarded,
in the stone-barrow steep. A strait path reached it,
unknown to mortals. Some man, however,
came by chance that cave within
to the heathen hoard. [5] In hand he took
a golden goblet, nor gave he it back,
stole with it away, while the watcher slept,
by thievish wiles: for the warden's wrath
prince and people must pay betimes!
XXXII
THAT way he went with no will of his own,
in danger of life, to the dragon's hoard,
but for pressure of peril, some prince's thane.
He fled in fear the fatal scourge,
seeking shelter, a sinful man,
and entered in. At the awful sight
tottered that guest, and terror seized him;
yet the wretched fugitive rallied anon
from fright and fear ere he fled away,
and took the cup from that treasure-hoard.
Of such besides there was store enough,
heirlooms old, the earth below,
which some earl forgotten, in ancient years,
left the last of his lofty race,
heedfully there had hidden away,
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dearest treasure. For death of yore
had hurried all hence; and he alone
left to live, the last of the clan,
weeping his friends, yet wished to bide
warding the treasure, his one delight,
though brief his respite. The barrow, new-ready,
to strand and sea-waves stood anear,
hard by the headland, hidden and closed;
there laid within it his lordly heirlooms
and heaped hoard of heavy gold
that warden of rings. Few words he spake:
'Now hold thou, earth, since heroes may not,
what earls have owned! Lo, erst from thee
brave men brought it! But battle-death seized
and cruel killing my clansmen all,
robbed them of life and a liegeman's joys.
None have I left to lift the sword,
or to cleanse the carven cup of price,
beaker bright. My brave are gone.
And the helmet hard, all haughty with gold,
shall part from its plating. Polishers sleep
who could brighten and burnish the battle-mask;
and those weeds of war that were wont to brave
over bicker of shields the bite of steel
rust with their bearer. The ringed mail
fares not far with famous chieftain,
at side of hero! No harp's delight,
no glee-wood's gladness! No good hawk now
flies through the hall! Nor horses fleet
stamp in the burgstead! Battle and death
the flower of my race have reft away.'
Mournful of mood, thus he moaned his woe,
alone, for them all, and unblithe wept
by day and by night, till death's fell wave
o'erwhelmed his heart. His hoard-of-bliss
that old ill-doer open found,
who, blazing at twilight the barrows haunteth,
naked foe-dragon flying by night
folded in fire: the folk of earth
dread him sore. 'Tis his doom to seek
hoard in the graves, and heathen gold
to watch, many-wintered: nor wins he thereby!
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Powerful this plague-of-the-people thus
held the house of the hoard in earth
three hundred winters; till One aroused
wrath in his breast, to the ruler bearing
that costly cup, and the king implored
for bond of peace. So the barrow was plundered,
borne off was booty. His boon was granted
that wretched man; and his ruler saw
first time what was fashioned in far-off days.
When the dragon awoke, new woe was kindled.
O'er the stone he snuffed. The stark-heart found
footprint of foe who so far had gone
in his hidden craft by the creature's head. So may the undoomed easily flee
evils and exile, if only he gain
the grace of The Wielder! - That warden of gold
o'er the ground went seeking, greedy to find
the man who wrought him such wrong in sleep.
Savage and burning, the barrow he circled
all without; nor was any there,
none in the waste…. Yet war he desired,
was eager for battle. The barrow he entered,
sought the cup, and discovered soon
that some one of mortals had searched his treasure,
his lordly gold. The guardian waited
ill-enduring till evening came;
boiling with wrath was the barrow's keeper,
and fain with flame the foe to pay
for the dear cup's loss. - Now day was fled
as the worm had wished. By its wall no more
was it glad to bide, but burning flew
folded in flame: a fearful beginning
for sons of the soil; and soon it came,
in the doom of their lord, to a dreadful end.
XXXIII
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
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as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron - the earl's commander a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. - Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of the hoard! Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
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through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras [2] haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. - Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. [3] Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. - A good king he!
XXXIV
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew. [1]
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
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with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow:'Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
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A feeless fight, [2] and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; [3] another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; [4] no harp resounds,
in the courts no wassail, as once was heard.
XXXV
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
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for woful war ('tis widely known),
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, [1] with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he [2] gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me!'
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
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But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. [3] From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord!'
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, [4] for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
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heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved his breast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
XXXVI
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
110
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela. [1]
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. [2] So the worm found out
when once in fight the foes had met!
Wiglaf spake, - and his words were sage;
sad in spirit, he said to his comrades:'I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, - folk-defender
who hath got him glory greater than all men
111
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine! [3]
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!'
Through slaughter-reek strode he to succor his Chieftain,
his battle-helm bore, and brief words spake:'Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee.'
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board [4] to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
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Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
XXXVII
'TWAS now, men say, in his sovran's need
that the earl made known his noble strain,
craft and keenness and courage enduring.
Heedless of harm, though his hand was burned,
hardy-hearted, he helped his kinsman.
A little lower the loathsome beast
he smote with sword; his steel drove in
bright and burnished; that blaze began
to lose and lessen. At last the king
wielded his wits again, war-knife drew,
a biting blade by his breastplate hanging,
and the Weders'-helm smote that worm asunder,
felled the foe, flung forth its life.
So had they killed it, kinsmen both,
athelings twain: thus an earl should be
in danger's day! - Of deeds of valor
this conqueror's-hour of the king was last,
of his work in the world. The wound began,
which that dragon-of-earth had erst inflicted,
to swell and smart; and soon he found
in his breast was boiling, baleful and deep,
pain of poison. The prince walked on,
wise in his thought, to the wall of rock;
then sat, and stared at the structure of giants,
where arch of stone and steadfast column
upheld forever that hall in earth.
Yet here must the hand of the henchman peerless
lave with water his winsome lord,
the king and conqueror covered with blood,
with struggle spent, and unspan his helmet.
Beowulf spake in spite of his hurt,
his mortal wound; full well he knew
his portion now was past and gone
of earthly bliss, and all had fled
113
of his file of days, and death was near:
'I would fain bestow on son of mine
this gear of war, were given me now
that any heir should after me come
of my proper blood. This people I ruled
fifty winters. No folk-king was there,
none at all, of the neighboring clans
who war would wage me with 'warriors'-friends' [1]
and threat me with horrors. At home I bided
what fate might come, and I cared for mine own;
feuds I sought not, nor falsely swore
ever on oath. For all these things,
though fatally wounded, fain am I!
From the Ruler-of-Man no wrath shall seize me,
when life from my frame must flee away,
for killing of kinsmen! Now quickly go
and gaze on that hoard 'neath the hoary rock,
Wiglaf loved, now the worm lies low,
sleeps, heart-sore, of his spoil bereaved.
And fare in haste. I would fain behold
the gorgeous heirlooms, golden store,
have joy in the jewels and gems, lay down
softlier for sight of this splendid hoard
my life and the lordship I long have held.'
XXXVIII
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, war-sick warrior, - woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, [1] saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. - Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -
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His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. - The blade of his lord
- its edge was iron - had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. 'For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave.'
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From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
'Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go.'
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
XXXIX
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
116
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. [2] Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, mournful he looked on those men unloved:'Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. - Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
117
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!'
XL
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little [1] kept back
of the tidings new, but told them all,
the herald that up the headland rode. 'Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: [2] no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch [3] keeps
o'er friend and foe. - Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. - The strife began
when hot on the Hugas [4] Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire [5] of Ohtere,
118
ancient and awful, gave answering blow;
the sea-king [6] he slew, and his spouse redeemed,
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
XLI
'THE bloody swath of Swedes and Geats
and the storm of their strife, were seen afar,
how folk against folk the fight had wakened.
The ancient king with his atheling band
sought his citadel, sorrowing much:
Ongentheow earl went up to his burg.
He had tested Hygelac's hardihood,
the proud one's prowess, would prove it no longer,
defied no more those fighting-wanderers
nor hoped from the seamen to save his hoard,
his bairn and his bride: so he bent him again,
old, to his earth-walls. Yet after him came
with slaughter for Swedes the standards of Hygelac
o'er peaceful plains in pride advancing,
till Hrethelings fought in the fenced town. [1]
Then Ongentheow with edge of sword,
the hoary-bearded, was held at bay,
and the folk-king there was forced to suffer
Eofor's anger. In ire, at the king
Wulf Wonreding with weapon struck;
and the chieftain's blood, for that blow, in streams
flowed 'neath his hair. No fear felt he,
stout old Scylfing, but straightway repaid
119
in better bargain that bitter stroke
and faced his foe with fell intent.
Nor swift enough was the son of Wonred
answer to render the aged chief;
too soon on his head the helm was cloven;
blood-bedecked he bowed to earth,
and fell adown; not doomed was he yet,
and well he waxed, though the wound was sore.
Then the hardy Hygelac-thane, [2]
when his brother fell, with broad brand smote,
giants' sword crashing through giants'-helm
across the shield-wall: sank the king,
his folk's old herdsman, fatally hurt.
There were many to bind the brother's wounds
and lift him, fast as fate allowed
his people to wield the place-of-war.
But Eofor took from Ongentheow,
earl from other, the iron-breastplate,
hard sword hilted, and helmet too,
and the hoar-chief's harness to Hygelac carried,
who took the trappings, and truly promised
rich fee 'mid folk, - and fulfilled it so.
For that grim strife gave the Geatish lord,
Hrethel's offspring, when home he came,
to Eofor and Wulf a wealth of treasure,
Each of them had a hundred thousand [3]
in land and linked rings; nor at less price reckoned
mid-earth men such mighty deeds!
And to Eofor he gave his only daughter
in pledge of grace, the pride of his home.
'Such is the feud, the foeman's rage,
death-hate of men: so I deem it sure
that the Swedish folk will seek us home
for this fall of their friends, the fighting-Scylfings,
when once they learn that our warrior leader
lifeless lies, who land and hoard
ever defended from all his foes,
furthered his folk's weal, finished his course
a hardy hero. - Now haste is best,
that we go to gaze on our Geatish lord,
and bear the bountiful breaker-of-rings
to the funeral pyre. No fragments merely
120
shall burn with the warrior. Wealth of jewels,
gold untold and gained in terror,
treasure at last with his life obtained,
all of that booty the brands shall take,
fire shall eat it. No earl must carry
memorial jewel. No maiden fair
shall wreathe her neck with noble ring:
nay, sad in spirit and shorn of her gold,
oft shall she pass o'er paths of exile
now our lord all laughter has laid aside,
all mirth and revel. Many a spear
morning-cold shall be clasped amain,
lifted aloft; nor shall lilt of harp
those warriors wake; but the wan-hued raven,
fain o'er the fallen, his feast shall praise
and boast to the eagle how bravely he ate
when he and the wolf were wasting the slain.'
So he told his sorrowful tidings,
and little [4] he lied, the loyal man
of word or of work. The warriors rose;
sad, they climbed to the Cliff-of-Eagles,
went, welling with tears, the wonder to view.
Found on the sand there, stretched at rest,
their lifeless lord, who had lavished rings
of old upon them. Ending-day
had dawned on the doughty-one; death had seized
in woful slaughter the Weders' king.
There saw they, besides, the strangest being,
loathsome, lying their leader near,
prone on the field. The fiery dragon,
fearful fiend, with flame was scorched.
Reckoned by feet, it was fifty measures
in length as it lay. Aloft erewhile
it had revelled by night, and anon come back,
seeking its den; now in death's sure clutch
it had come to the end of its earth-hall joys.
By it there stood the stoups and jars;
dishes lay there, and dear-decked swords
eaten with rust, as, on earth's lap resting,
a thousand winters they waited there.
For all that heritage huge, that gold
of bygone men, was bound by a spell, [5]
121
so the treasure-hall could be touched by none
of human kind, - save that Heaven's King,
God himself, might give whom he would,
Helper of Heroes, the hoard to open, even such a man as seemed to him meet.
XLII
A PERILOUS path, it proved, he [1] trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, [2] and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For [3] princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view. [4]
Wiglaf spake, the son of Weohstan:'At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. - This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
122
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, - the way I show you, where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
- man beloved - where long he shall bide
safe in the shelter of sovran God.'
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far - o'er the folk they ruled for the famed-one's funeral. ' Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb.'
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
123
Then the woven gold on a wain was laden countless quite! - and the king was borne,
hoary hero, to Hrones-Ness.
XLIII
THEN fashioned for him the folk of Geats
firm on the earth a funeral-pile,
and hung it with helmets and harness of war
and breastplates bright, as the boon he asked;
and they laid amid it the mighty chieftain,
heroes mourning their master dear.
Then on the hill that hugest of balefires
the warriors wakened. Wood-smoke rose
black over blaze, and blent was the roar
of flame with weeping (the wind was still),
till the fire had broken the frame of bones,
hot at the heart. In heavy mood
their misery moaned they, their master's death.
Wailing her woe, the widow [1] old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. - The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
124
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.
Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.
~ Charles Baudelaire,

IN CHAPTERS [300/359]



  151 Poetry
   66 Fiction
   48 Integral Yoga
   23 Occultism
   15 Yoga
   13 Psychology
   12 Philosophy
   11 Mysticism
   10 Christianity
   8 Mythology
   6 Philsophy
   5 Baha i Faith
   3 Islam
   2 Sufism
   1 Kabbalah
   1 Hinduism
   1 Cybernetics
   1 Alchemy


   65 Sri Aurobindo
   40 H P Lovecraft
   27 Percy Bysshe Shelley
   18 Robert Browning
   14 Sri Ramakrishna
   13 William Wordsworth
   12 Nolini Kanta Gupta
   12 John Keats
   11 James George Frazer
   10 The Mother
   9 William Butler Yeats
   8 Johann Wolfgang von Goethe
   8 Carl Jung
   6 Satprem
   6 Saint Augustine of Hippo
   6 Ralph Waldo Emerson
   6 Friedrich Nietzsche
   6 Anonymous
   6 A B Purani
   5 Ovid
   5 Baha u llah
   4 Li Bai
   4 Edgar Allan Poe
   3 Walt Whitman
   3 Saint Teresa of Avila
   3 Nirodbaran
   3 Muhammad
   3 Joseph Campbell
   3 Jorge Luis Borges
   2 Solomon ibn Gabirol
   2 Saint John of Climacus
   2 Plato
   2 Jordan Peterson
   2 Henry David Thoreau
   2 Friedrich Schiller
   2 Eleazar ben Kallir


   40 Lovecraft - Poems
   27 Shelley - Poems
   22 Savitri
   18 Browning - Poems
   13 Wordsworth - Poems
   13 The Gospel of Sri Ramakrishna
   12 Keats - Poems
   11 The Golden Bough
   10 The Synthesis Of Yoga
   10 Collected Poems
   9 Yeats - Poems
   7 5.1.01 - Ilion
   6 Mysterium Coniunctionis
   6 Evening Talks With Sri Aurobindo
   6 Emerson - Poems
   5 Thus Spoke Zarathustra
   5 The Secret Doctrine
   5 The Confessions of Saint Augustine
   5 Metamorphoses
   5 Faust
   4 Words Of Long Ago
   4 Li Bai - Poems
   4 Anonymous - Poems
   3 Whitman - Poems
   3 Twelve Years With Sri Aurobindo
   3 The Interior Castle or The Mansions
   3 The Hero with a Thousand Faces
   3 The Bible
   3 Quran
   3 Poe - Poems
   3 Labyrinths
   3 Goethe - Poems
   3 Collected Works of Nolini Kanta Gupta - Vol 02
   2 Walden
   2 The Life Divine
   2 The Ladder of Divine Ascent
   2 The Book of Certitude
   2 The Archetypes and the Collective Unconscious
   2 Schiller - Poems
   2 Maps of Meaning
   2 Essays In Philosophy And Yoga
   2 Collected Works of Nolini Kanta Gupta - Vol 07
   2 Collected Works of Nolini Kanta Gupta - Vol 05
   2 Collected Works of Nolini Kanta Gupta - Vol 03
   2 Collected Works of Nolini Kanta Gupta - Vol 01
   2 Agenda Vol 08


00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   A scientist once thought that he had clinched the issue and cut the Gordian knot when he declared triumphantly with reference to spirit sances: "Very significant is the fact that spirits appear only in closed chambers, in half obscurity, to somnolent minds; they are nowhere in the open air, in broad daylight to the wide awake and vigilant intellect!" Well, if the fact is as it is stated, what does it prove? Night alone reveals the stars, during the day they vanish, but that is no proof that stars are not existent. Rather the true scientific spirit should seek to know why (or how) it is so, if it is so, and such a fact would exactly serve as a pointer, a significant starting ground. The attitude of the jesting Pilate is not helpful even to scientific inquiry. This matter of the Spirits we have taken only as an illustration and it must not be understood that this is a domain of high mysticism; rather the contrary. The spiritualists' approach to Mysticism is not the right one and is fraught with not only errors but dangers. For the spiritualists approach their subject with the entire scientific apparatus the only difference being that the scientist does not believe while the spiritualist believes.
   Mystic realities cannot be reached by the scientific consciousness, because they are far more subtle than the subtlest object that science can contemplate. The neutrons and positrons are for science today the finest and profoundest object-forces; they belong, it is said, almost to a borderl and where physics ends. Nor for that reason is a mystic reality something like a mathematical abstraction, -n for example. The mystic reality is subtler than the subtlest of physical things and yet, paradoxical to say, more concrete than the most concrete thing that the senses apprehend.

00.04 - The Beautiful in the Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The white Mother comes reddening with the ruddy child; the dark Mother opens wide her chambers, the feeling and the expression of the beautiful raise no questioning; they are au thentic as well as evident. All will recognise at once t at we have here beautiful things said in a beautiful way. No less au thentic however is the sense of the beautiful that underlies these Upanishadic lines:
   na tatra sryo bhti na candratrakam

0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
   corners of the temple compound are two nahabats, or music towers, from which music flows at different times of day, especially at sunup, noon, and sundown, when the worship is performed in the temples. Three sides of the paved courtyard — all except the west — are lined with rooms set apart for kitchens, store-rooms, dining-rooms, and quarters for the temple staff and guests. The chamber in the northwest angle, just beyond the last of the Siva temples, is of special interest to us; for here Sri Ramakrishna was to spend a considerable part of his life. To the west of this chamber is a semicircular porch overlooking the river. In front of the porch runs a foot-path, north and south, and beyond the path is a large garden and, below the garden, the Ganges. The orchard to the north of the buildings contains the Panchavati, the banyan, and the bel-tree, associated with Sri Ramakrishna's spiritual practices. Outside and to the north of the temple compound proper is the kuthi, or bungalow, used by members of Rani Rasmani's family visiting the garden. And north of the temple garden, separated from it by a high wall, is a powder-magazine belonging to the British Government.
   --- SIVA
  --
   A few more meetings completely removed from Narendra's mind the last traces of the notion that Sri Ramakrishna might be a monomaniac or wily hypnotist. His integrity, purity, renunciation, and unselfishness were beyond question. But Narendra could not accept a man, an imperfect mortal, as his guru. As a member of the Brahmo Samaj, he could not believe that a human intermediary was necessary between man and God. Moreover, he openly laughed at Sri Ramakrishna's visions as hallucinations. Yet in the secret chamber of his heart he bore a great love for the Master.
   Sri Ramakrishna was grateful to the Divine Mother for sending him one who doubted his own realizations. Often he asked Narendra to test him as the money-changers test their coins. He laughed at Narendra's biting criticism of his spiritual experiences and samadhi. When at times Narendra's sharp words distressed him, the Divine Mother Herself would console him, saying: "Why do you listen to him? In a few days he will believe your every word." He could hardly bear Narendra's absences. Often he would weep bitterly for the sight of him. Sometimes Narendra would find the Master's love embarrassing; and one day he sharply scolded him, warning him that such infatuation would soon draw him down to the level of its object. The Master was distressed and prayed to the Divine Mother. Then he said to Narendra: "You rogue, I won't listen to you any more. Mother says that I love you because I see God in you, and the day I no longer see God in you I shall not be able to bear even the sight of you."

0.03 - The Threefold Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  When the gulf between actual life and the temperament of the thinker is too great, we see as the result a sort of withdrawing of the Mind from life in order to act with a greater freedom in its own sphere. The poet living among his brilliant visions, the artist absorbed in his art, the philosopher thinking out the problems of the intellect in his solitary chamber, the scientist, the scholar caring only for their studies and their experiments, were often in former days, are even now not unoften the Sannyasins of the intellect. To the work they have done for humanity, all its past bears record.
  But such seclusion is justified only by some special activity.

0.07 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  In the secret recesses of my heart's chamber I have
  always been aware of an instinctive belief that you are an

01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  He sat in secret chambers looking out
  Into the luminous countries of the unborn

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  A Voice calls from the chambers of the soul;
  We meet the ecstasy of the Godhead's touch
  --
  A Power into mind's inner chamber steal,
  A charm and sweetness open life's closed doors

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  There in a hidden chamber closed and mute
  Are kept the record graphs of the cosmic scribe,
  --
  In shadowy chambers lit by a strange sun
  And opening hardly to hid mystic keys
  --
  Within its chambers of mysterious trance:
  It makes the body's sleep a puissant arm,
  --
  White chambers of dalliance with eternity
  And the stupendous gates of the Alone.

01.08 - Walter Hilton: The Scale of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   This will elucidate another point of difference between the Christian's and the Vaishnava's love of God, for both are characterised by an extreme intensity and sweetness and exquisiteness of that divine feeling. This Christian's, however, is the union of the soul in its absolute purity and simplicity and "privacy" with her lord and master; the soul is shred here of all earthly vesture and goes innocent and naked into the embrace of her Beloved. The Vaishnava feeling is richer and seems to possess more amplitude; it is more concrete and less ethereal. The Vaishnava in his passionate yearning seeks to carry as it were the whole world with him to his Lord: for he sees and feels Him not only in the inmost chamber of his soul, but meets Him also in and I through his senses and in and through the world and its objects around. In psychological terms one can say that the Christian realisation, at its very source, is that of the inmost soul, what we call the "psychic being" pure and simple, referred to in the book we are considering; as: "His sweet privy voice... stirreth thine heart full stilly." Whereas the Vaishnava reaches out to his Lord with his outer heart too aflame with passion; not only his inmost being but his vital being also seeks the Divine. This bears upon the occult story of man's spiritual evolution upon earth. The Divine Grace descends from the highest into the deepest and from the deepest to the outer ranges of human nature, so that the whole of it may be illumined and transformed and one day man can embody in his earthly life the integral manifestation of God, the perfect Epiphany. Each religion, each line of spiritual discipline takes up one limb of manone level or mode of his being and consciousness purifies it and suffuses it with the spiritual and divine consciousness, so that in the end the whole of man, in his integral living, is recast and remoulded: each discipline is in charge of one thread as it were, all together weave the warp and woof in the evolution of the perfect pattern of a spiritualised and divinised humanity.
   The conception of original sin is a cardinal factor in Christian discipline. The conception, of sinfulness is the very motive-power that drives the aspirant. "Seek tensely," it is said, "sorrow and sigh deep, mourn still, and stoop low till thine eye water for anguish and for pain." Remorse and grief are necessary attendants; the way of the cross is naturally the calvary strewn with pain and sorrow. It is the very opposite of what is termed the "sunlit path" in spiritual ascension. Christian mystics have made a glorious spectacle of the process of "dying to the world." Evidently, all do not go the whole length. There are less gloomy and happier temperaments, like the present one, for example, who show an unusual balance, a sturdy common sense even in the midst of their darkest nights, who have chalked out as much of the sunlit path as is possible in this line. Thus this old-world mystic says: it is true one must see and admit one's sinfulness, the grosser and apparent and more violent ones as well as all the subtle varieties of it that are in you or rise up in you or come from the Enemy. They pursue you till the very end of your journey. Still you need not feel overwhelmed or completely desperate. Once you recognise the sin in you, even the bare fact of recognition means for you half the victory. The mystic says, "It is no sin as thou feelest them." The day Jesus gave himself away on the Cross, since that very day you are free, potentially free from the bondage of sin. Once you give your adherence to Him, the Enemies are rendered powerless. "They tease the soul, but they harm not the soul". Or again, as the mystic graphically phrases it: "This soul is not borne in this image of sin as a sick man, though he feel it; but he beareth it." The best way of dealing with one's enemies is not to struggle and "strive with them." The aspirant, the lover of Jesus, must remember: "He is through grace reformed to the likeness of God ('in the privy substance of his soul within') though he neither feel it nor see it."

0 1964-11-14, #Agenda Vol 05, #The Mother, #Integral Yoga
   "When darkness deepens strangling the earth's breast And man's corporeal mind is the only lamp, As a thief's in the night shall be the covert tread Of one who steps unseen into his house. A Voice ill-heard shall speak, the soul obey, A power into mind's inner chamber steal, A charm and sweetness open life's closed doors And beauty conquer the resisting world The truth-light capture Nature by surprise, A stealth of God compel the heart to bliss And earth shall grow unexpectedly divine."
   Savitri, I.IV.55

0 1965-09-25, #Agenda Vol 06, #The Mother, #Integral Yoga
   It reminds me of 1939, chamberlain coming back from Munich: Peace in our time!
   Yes, exactly.

0 1967-02-21, #Agenda Vol 08, #The Mother, #Integral Yoga
   A power into minds inner chamber steal,
   A charm and sweetness open lifes closed doors

0 1967-10-25, #Agenda Vol 08, #The Mother, #Integral Yoga
   Lighting the chambers of the slumbering mind;
   A sudden bliss shall run through every limb

0 1969-07-26, #Agenda Vol 10, #The Mother, #Integral Yoga
   There in a hidden chamber closed and mute
   Are kept the record graphs of the cosmic scribe,

0 1972-04-02a, #Agenda Vol 13, #The Mother, #Integral Yoga
   We enter Mothers chamber. The Mother is lying on a bed. She is dressed in white satin or silk (the couch also). Four or five people are inside, disconsolate. Slowly they wander out. One or two Pass to the adjoining chamber. Finally only Satprem and I remain. He is near the Mothers bed The Mother sits up and starts talking to Satprem. She is explaining to him about the transformation of the body. She talks for a long time.
   I am standing a little away and behind.
   Suddenly Sri Aurobindo beckons me from the adjoining chamber which is His. He too is lying on a cot. I draw near Him. He puts two fingers (index and middle) on my right palm, and says, You have to carry faith and aspiration during one thousand years.
   Satprem and I come out from the Mothers chamber and take the passage leading to the left (exit) door to announce to the world that THE MOTHER IS ALIVE.
   My dream ends before we have crossed the threshold.

02.02 - The Kingdom of Subtle Matter, #Savitri, #Sri Aurobindo, #Integral Yoga
  Look out from a chamber of its self-rapt soul:
  As if to its own inner witness gaze

02.05 - The Godheads of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  In this revolving chamber without walls
  In which God sits impassive everywhere

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  A sumptuous chamber of the spirit's sleep
  At first she made, a deep interior room,

02.08 - The World of Falsehood, the Mother of Evil and the Sons of Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  Empty and cold is the chamber of the Bride;
  The golden Nimbus now is seen no more,

02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  Called into our chamber from the outer world;
  A friend and inmate of our secret self,

02.11 - New World-Conditions, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   We do not doubt that it is the deliberate policy of these 'vampires' to keep us Indians down eternally as their serfs and slaves. But whatever be the truth of the fact in the past, it is a pity we do not see that things have changed a good deal and are changing steadily and profoundly and inexorably. It is not, as it is so often demanded, that there has been a change of, heart, in the sense that one has become saintly, self-forgetful, self-sacrificing, altruistic. We, on our part, have not become so and it is idle to expect of others to be so. What has happened is a physical change, a change, almost a revolution in the external conditions of life in the world, in the geographical and economic conditions, for example. The geographical revolution is this that all the nations and peoples of the earth have been thrown together to intermingle, have been forced to come into close and inextricable communion with one another: all barriers of distance and physical inaccessibility have been removed and practically eliminated. The universe may be expanding, but the earth has shrunk and has become very small indeed. A signal example of the kind of blunder that one could commit in this respect was that of the British Prime Minister, Neville chamberlain, who said, not knowing what he said on the eve of the present war, that Czechoslovakia was a far-off foreign country whose fate is of no concern or consequence to the British. Well, Time-Spirit must have had a hearty laughter over the wisdom of the statesman: it did not take long for the British to see that Czechoslovakia is dangerously near, indeed, it touches the very frontier of the British Isles. We have flown over the mighty "humps" that separated countries and continents and levelled them and made of the earth one even continuous plain, as it were. Neither the Poles nor the peaks of the Himalayas can hide any longer their millennial secrets from man's newly acquired Argus eye. The span and accuracy of our flying capacity have left no corner of the earth to lie in quiet and splendid isolation.
   The geographical revolution has led inevitably to the economic revolution which is not less momentous, pregnant with prophecies of brave new things. We all know that the modern world was ushered in with the industrial revolution. As a result of this new dispensation, world and society gradually divided into two camps: on one side, the industrialists and on the other the agriculturists, or, in a general way, the possessors of raw materials. The Imperialists formed the first group, while the latter, dominated by these, belonged to the Colonies. The "backward" countries and people who could not take to industry, but continued the old system became a helpless prey to the industrial nations. Africa and Asia and the South American countries came under the domination of European nations, rather the West European Nations: they became the suppliers of raw materials and also the market for finished products. Also within the same country occupying the imperial status, there came a division, a class division, as it is called. A few industrial magnates or trusts (France had its famous Two-Hundred Families) monopolised all the wealth, became the top-dog, the "Haves", the others were mere hewers of wood and drawers of water, serfs and slaves, the "Have-Nots". Exploitation was-the motto of the age. The "exploiters" and the "exploited", this trenchant duality was the whole truth of the social scheme and that summed up the entire malady of the collective life. Then came the First World War and the Bolshevik Revolution which brought to a head the great crisis and initiated the change-over to new conditions. The French Revolution called up from the rear of social ranks and set in front the Third Estate and gradually formed and crystallised, with the aid of the Industrial Revolution, what is known as the Bourgeoisie. The Russian Revolution went a step farther. It dislodged the bourgeoisie and installed the Fourth Estate, the proletariate, as the head and front of society, its centre of power and governmental authority. In the meantime there was developing in the bourgeois society, too, a kind of socialism which aimed at the uplift and remoulding of the working class into a total social power. But the process could not, go far enough. The Industrial League, no doubt, began to release some of its monopolies, delegate some of its power and authority to the Proletariate and sought an armistice and entente; but still it is they who wielded the real power and gave to society the tone and impress of their characteristic authority. The Russian experiment made a bold departure and attempted to build up a new society from the very bottom: the manual labourers, they who produce with the sweat of their brow and make a society living and prosperous must also be its rulers. Now whatever the success or failure in regard to the perfect ideal, the thing achieved is solid; certain forces have been released that are working inexorably in and through even contrary appearances, they have come to stay and cannot be negatived. The urge, for example, towards a more equitable distribution of wealth and wealth-producing implements; an even balancing of economic values has been growing and gathering strength: it has become an asset of the body social. Instead of an unfettered competition between rival agencies, the mad drive for a jealous and closely guarded appropriation (rather, mis-appropriation) by private cartels, there has arisen an inevitable need for a unitary or co-operative control under a common direction, whether it be that of the state or some other body equally representing the common interest. In other words, the principle of co-operation has now become a living reality, a thing of practical politics. All effort towards progress and amelioration, cure of social ills and regaining of health and strength must lie in that direction: anything going the contrary way shall perforce be out of tune with the Time-Spirit and can cause only confusion, bring in stagnation or even regression.

02.14 - The World-Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  In shining chambers of spiritual sleep.
  Passed were the pillar-posts of birth and death,
  --
  Here was the fashioning chamber of the worlds.
  An interval was left twixt act and act,

03.02 - The Adoration of the Divine Mother, #Savitri, #Sri Aurobindo, #Integral Yoga
  The chamber where the glorious enemies kiss,
  The smile that saves, the golden peak of things?

03.04 - The Body Human, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   The human frame is the abode of the gods; it is a temple of God, as we all know. But the most significant thing about it is that the gods alone do not dwell there: all being, all creatures crowd there, even the ungodly and the undivine. The Pashu (the animal), the Pishacha (the demon), the Asura (the Titan), and the Deva (the god), all find comfortable lodging in itthere are many chambers indeed in this mansion of the Lord. Man was made after the image of God and yet Lucifer had access into that tabernacle and all his entire host with him. This duality of the divine and the undivine, the characteristic mark of human nature as it is, presents a field and a labour through which man's progress has to be worked out. The soul, the divine flame, has, been placed in Ignorance, that is to say, what is apparent Ignorance, the frame of Matter, just because this Matter in Ignorance is to be smelted, purified, given its original and intrinsic substance, shape and character. The human person in its actual form is not obviously something absolutely perfect and divine. The type, the norm it represents is divine, but it has been overlaid with all obscure and base elementsit has to be washed and cleaned thoroughly, smelted and reconditioned. The dark ungodly elements mar and vitiate; they must be removed on the one hand, but on the other, they point out and test the salvaging work that has to be done and is being done. Man is always at the crossroads. This is his especial difficulty and this is also his unique opportunity. His consciousness has a double valency, in contradistinction to the animal's which is, it can be said, monovalent, in that it is amoral, has not the sense of divided loyalty and hence the merit of choice. The movements of the animal follow a fixed stereotyped pattern; it has not got to deviate from the beaten track of its instincts. But man with his sense of the moral, of the good, of the progressive is at every step of his life faced with a dilemma, has to pause at a parting of the ways, always looks before and after and is puzzled at a cas de conscience. That, we have said, has been made for him the condition of growth, of a conscious and willed change with an ever-increasing tempo towards perfect perfection. That furnishes the occasion and circumstance by which he rises to divinity itself, becomes the Divine. He becomes the Divine thus not merely in the own home of the Divine, but on all the levels of the manifestation: all the planes of consciousness with all the hierarchy of beingspowers and personalitiesfind a new play of harmony, a supreme and global fulfilment in the transfigured human vehicle. The frame itself that encases the human consciousness acts as a living condenser: the very contour in its definiteness seems to exert a pressure towards an ever larger and higher synthesis, it may be compared to a kind of field office (Einsteinian, for example) that controls, regulates, moves and configurates all elements within its range. The human frame even as a frame possesses a magic virtue.
   Vaishnavism sees the Divine as a human person, the human person par excellence. Krishna's body is a radiant form of consciousness (cinmaya), no doubt, but it is as definite, determinate, and concrete as the physical body, it is the physical itself but in its true substance. And its exquisiteness consists in its being human in form. The Vedantin's Maya does not touch it, it is beyond the illusory consciousness. For they say Goloka stands above Brahmaloka.

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  Absolute and wise in the heart's chambers spoke:
  "O Son of Strength who climbst creation's peaks,

04.01 - The Birth and Childhood of the Flame, #Savitri, #Sri Aurobindo, #Integral Yoga
  Time opened its chambers of felicity,
  An exaltation entered and a hope:

04.04 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   The Divine or the spiritual consciousness, instead of being a simple unitary entity, is a vast, complex, stratified reality. There are many chambers in my Father's mansion, says the Bible: many chambers on many stories, one may add. Also there are different levels or approaches that serve different seekers each with his own starting-point, his point de repaire. When one speaks of union with the Divine or of entering into the spiritual consciousness, one does not refer to the same identical truth or reality as any other. There is a physical Divine, a vital Divine, a mental Divine; and beyond the mindfrom where one may consider that the region of true spirit begins there are other innumerable modes, aspects, manifestations of the Divine.
   As we say, there are not only aspects of the Divine, but there are also levels in him. The spiritual consciousness rises tier upon tier and each spur has its own view and outlook, rhythm and character. Now, as long as man was chiefly preoccupied with his physico-vital or mentalised physico-vital activities, as long as the burden of his body and life and even mind lay heavy on him and their gravitational pull was normally very strong, almost irresistible, the spiritual impulse in him acted generally and fundamentally as a movement of escape from them into some thing beyond. It was a negative movement on the whole and it was enough to dissociate, reject, sublimate the lower status and somehow rise into something which is not that (neti): the question was not important at that stage of the human consciousness about a scientific scrutiny of the Beyond, its precise constitution and composition.

04.06 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The Divine or the spiritual consciousness, instead of being a simple unitary entity, is a vast, complex stratified reality. "There are many chambers in my Father's mansions", says the Bible: many chambers on many storeys, one may add. Also there are different levels or approaches that serve different seekers, each with his own starting-point, his point de repre. When one speaks of union with the Divine or of entering into the spiritual consciousness, one does not refer to the same identical truth or reality as any other. There is a physical Divine, a vital Divine, a mental Divine; and beyond the mindfrom where one may consider that the region of true spirit begins there are other innumerable modes, aspects, manifestations of the Divine.
   As we say, there are not only aspects of the Divine, but there are also levels in him. The spiritual consciousness rises tier upon tier and each spur has its own view and outlook, rhythm and character. Now, as long as man was chiefly preoccupied with his physico-vital or mentalised physico-vital activities, as long as the burden of his body and life and even mind lay heavy on him and their gravitational pull was normally very strong, almost irresistible, the spiritual impulse in him acted generally and fundamentally as a movement of escape, from them into something beyond. It was a negative movement on the whole and it was enough to dissociate, reject, sublimate the lower status and somehow rise into something which is not that (neti): the question was not important at that stage of the human consciousness about a scientific scrutiny of the Beyond, its precise constitution and composition.

05.03 - Satyavan and Savitri, #Savitri, #Sri Aurobindo, #Integral Yoga
  And the chambered nuptial waters chant within.
  Enormous, whispering, many-formed around
  --
  To make a resting chamber fit for thee."
  Awhile she paused as if hearing still his voice,
  --
  In the great tapestried chambers of her state,
  403
  --
  Together in the chamber of our souls.
  Speak till a light shall come into my heart
  --
  Enter my life, thy chamber and thy shrine.
  In the great quietness where spirits meet,
  --
  In her chamber inviolate of emerald peace.
  Around it stretched the forest's anchorite mood

06.02 - The Way of Fate and the Problem of Pain, #Savitri, #Sri Aurobindo, #Integral Yoga
  He lives secret in the chamber of thy soul,
  A Light shines there nor pain nor grief can cross.

07.01 - The Joy of Union; the Ordeal of the Foreknowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  Or in her inner chamber paced apart, -
  Her eyes stared blind into the future's night.
  --
  Thus in the silent chamber of her soul
  Cloistering her love to live with secret grief

07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  Our soul from its mysterious chamber acts;
  Its influence pressing on our heart and mind

07.03 - The Entry into the Inner Countries, #Savitri, #Sri Aurobindo, #Integral Yoga
  She must in close secluded chambers move,
  Her feeling in cloisters live or gardened paths.
  --
  Or into her chamber call some flaming god,
  Or leave the world's bounds and where no limits are

07.05 - The Finding of the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  In the last chamber on a golden seat
  One sat whose shape no vision could define;
  --
  Here in this chamber of flame and light they met;
  They looked upon each other, knew themselves,

07.06 - Nirvana and the Discovery of the All-Negating Absolute, #Savitri, #Sri Aurobindo, #Integral Yoga
  In tapestried chambers and on crystal floors,
  In armoured town or gardened pleasure-walks,
  --
  Or call into thy chamber the Divine
  And sit with God tasting a human joy.
  --
  The inner chambers of the spirit's house
  Disclosed to her their happenings and their guests;

10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
  Angel and demon brides his chamber share,
  Possessors or competitors for life's heart.
  --
  A body is his chamber and his shrine.
  Then is our being rescued from separateness;
  --
  Soon other guests the empty chambers fill.
  A transient painting on a holiday's floor

10.04 - The Dream Twilight of the Earthly Real, #Savitri, #Sri Aurobindo, #Integral Yoga
  If the chamber's door is even a little ajar,
  What then can hinder God from stealing in
  --
  Lights up the occult chambers of the heart;
  Its spear-point ictus of discovery
  --
  The Presence chambered in lotus secrecy,
  Came down and held the centre in her brow

1.00 - Preliminary Remarks, #Liber ABA, #Aleister Crowley, #Philosophy
  There are some who may wish to travel back from the very threshold of the bridal chamber to assist belated guests.
  Such at least was the attitude which Gotama Buddha adopted. Nor shall he be alone.

1.01 - Archetypes of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  source of all evil thoughts. In the chambers of the heart dwell
  the wicked blood-spirits, swift anger and sensual weakness. This

1.01 - Description of the Castle, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
  4.: Let us imagine, as I said, that there are many rooms in this castle, of which some are above, some below, others at the side; in the centre, in the very midst of them all, is the principal chamber in which God and the soul hold their most secret intercourse.7' Think over this comparison very carefully; God grant it may enlighten you about the different kinds of graces He is pleased to bestow upon the soul. No one can know all about them, much less a person so ignorant as I am. The knowledge that such things are possible will console you greatly should our Lord ever grant you any of these favours; people themselves deprived of them can then at least praise Him for His great goodness in bestowing them on others. The thought of heaven and the happiness of the saints does us no harm, but cheers and urges us to win this joy for ourselves, nor will it injure us to know that during this exile God can communicate Himself to us loathsome worms; it will rather make us love Him for such immense goodness and infinite mercy.
  5.: I feel sure that vexation at thinking that during our life on earth God can bestow these graces on the souls of others shows a want of humility and charity for one's neighbour, for why should we not feel glad at a brother's receiving divine favours which do not deprive us of our own share? Should we not rather rejoice at His Majesty's thus manifesting His greatness wherever He chooses?8' Sometimes our Lord acts thus solely for the sake of showing His power, as He declared when the Apostles questioned whether the blind man whom He cured had been suffering for his own or his parents' sins.9' God does not bestow soul speaks of that sovereign grace of God in taking it into the house of His love, which is the union or transformation of love in God . . . The cellar is the highest degree of love to which the soul can attain in this life, and is therefore said to be the inner. It follows from this that there are other cellars not so interior; that is, the degrees of love by which souls reach to this, the last. These cellars are seven in number, and the soul has entered them all when it has in perfection the seven gifts of the Holy Ghost, so far as it is possible for it. . . . Many souls reach and enter the first cellar, each according to the perfection of its love, but the last and inmost cellar is entered by few in this world, because therein is wrought the perfect union with God, the union of the spiritual marriage.' A Spiritual Canticle, stanza xxvi. 1-3. Concept. ch. vi. (Minor Works of St. Teresa.) these favours on certain souls because they are more holy than others who do not receive them, but to manifest His greatness, as in the case of St. Paul and St. Mary Magdalen, and that we may glorify Him in His creatures.

1.01 - Economy, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  Shall we always study to obtain more of these things, and not sometimes to be content with less? Shall the respectable citizen thus gravely teach, by precept and example, the necessity of the young mans providing a certain number of superfluous glow-shoes, and umbrellas, and empty guest chambers for empty guests, before he dies? Why should not our furniture be as simple as the Arabs or the Indians? When I think of the benefactors of the race, whom we have apotheosized as messengers from heaven, bearers of divine gifts to man, I do not see in my mind any retinue at their heels, any car-load of fashionable furniture. Or what if I were to allowwould it not be a singular allowance?that our furniture should be more complex than the Arabs, in proportion as we are morally and intellectually his superiors! At present our houses are cluttered and defiled with it, and a good housewife would sweep out the greater part into the dust hole, and not leave her mornings work undone. Morning work! By the blushes of Aurora and the music of Memnon, what should be mans _morning work_ in this world? I had three pieces of limestone on my desk, but I was terrified to find that they required to be dusted daily, when the furniture of my mind was all undusted still, and I threw them out the window in disgust. How, then, could I have a furnished house? I would rather sit in the open air, for no dust gathers on the grass, unless where man has broken ground.
  It is the luxurious and dissipated who set the fashions which the herd so diligently follow. The traveller who stops at the best houses, so called, soon discovers this, for the publicans presume him to be a

1.01 - Foreward, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  It is true that an antique language, obsolete words, - Yaska counts more than four hundred of which he did not know the meaning, - and often a difficult and out-of-date diction helped to obscure their meaning; the loss of the sense of their symbols, the glossary of which they kept to themselves, made them unintelligible to later generations; even in the time of the Upanishads the spiritual seekers of the age had to resort to initiation and meditation to penetrate into their secret knowledge, while the scholars afterwards were at sea and had to resort to conjecture and to concentrate on a mental interpretation or to explain by myths, by the legends of the Brahmanas themselves often symbolic and obscure. But still to make this discovery will be the sole way of getting at the true sense and the true value of the Veda. We must take seriously the hint of Yaska, accept the Rishi's description of the Veda's contents as "seer-wisdoms, secret words", and look for whatever clue we can find to this ancient wisdom. Otherwise the Veda must remain for ever a sealed book; grammarians, etymologists, scholastic conjectures will not open to us the sealed chamber.
  For it is a fact that the tradition of a secret meaning and a mystic wisdom couched in the Riks of the ancient Veda was as old as the Veda itself. The Vedic Rishis believed that their Mantras were inspired from higher hidden planes of consciousness and contained this secret knowledge. The words of the Veda could only be known in their true meaning by one who was himself a seer or mystic; from others the verses withheld their hidden knowledge. In one of Vamadeva's hymns in the fourth Mandala (IV.3.16) the Rishi describes himself as one illumined expressing through his thought and speech words of guidance, "secret words" - nin.ya vacamsi - "seer-wisdoms that utter their inner meaning to the seer" - kavyani kavaye nivacana. The Rishi Dirghatamas speaks of the Riks, the Mantras of the Veda, as existing "in a supreme ether, imperishable and immutable in which all the gods are seated", and he adds "one who knows not That what shall he do with the Rik?" (I.164.39) He further alludes to four planes from which the speech issues, three of them hidden in the secrecy while the fourth is human, and from there comes the ordinary word; but the word and thought of the Veda belongs to the higher planes (I.164.45).

1.01 - NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
  (A lofty-arched, narrow, Gothic chamber. FAUST, in a chair at his
  desk, restless.)

1.025 - The Criterion, #Quran, #unset, #Zen
  75. Those will be awarded the chamber for their patience, and will be greeted therein with greetings and peace.
  76. Abiding therein forever—it is an excellent residence and destination.

1.02 - BEFORE THE CITY-GATE, #Faust, #Johann Wolfgang von Goethe, #Poetry
  By turns in either bridal chamber housed.
  If then appeared, with colors splendid,

1.02 - BOOK THE SECOND, #Metamorphoses, #Ovid, #Poetry
  And, as he cross'd her chamber, ask'd his name,
  And what his business was, and whence he came.

1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
  could not be taken straight to the gas chamber, but would have to wait until a so-called sick convoy
  had been arranged to return to Auschwitz. This joyful surprise put us all in a good mood. The wish of
  --
  The texts formerly inscribed on the walls of the hidden chambers in the pyramids erected for the
  pharaohs are now reproduced inside the coffins of the nobility and even of totally unprivileged people.

1.02 - The Concept of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  nature. In the birth chambers of the Egyptian temples Phar-
  aoh's second, divine conception and birth is depicted on the

1.02 - The Human Soul, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
  4.: O souls, redeemed by the Blood of Jesus Christ, take these things to heart; have mercy on yourselves! If you realize your pitiable condition, how can you refrain from trying to remove the darkness from the crystal of your souls? Remember, if death should take you now, you would never again enjoy the light of this Sun. O Jesus! how sad a sight must be a soul deprived of light! What a terrible state the chambers of this castle are in! How disorderly must be the senses-the inhabitants of the castle-the powers of the soul its magistrates, governors, and stewards-blind and uncontrolled as they are! In short, as the soil in which the tree is now planted is in the devil's domain, how can its fruit be anything but evil? A man of great spiritual insight once told me he was not so much surprised at such a soul's wicked deeds as astonished that it did not commit even worse sins. May God in His mercy keep us from such great evil, for nothing in this life merits the name of evil in comparison with this, which delivers us over to evil which is eternal.
  5.: This is what we must dread and pray God to deliver us from, for we are weakness itself, and unless He guards the city, in vain shall we labour to defend it.20' The person of whom I spoke21' said that she had learnt two things from the vision granted her. The first was, a great fear of offending God; seeing how terrible were the consequences, she constantly begged Him to preserve her from falling into sin. Secondly, it was a mirror to teach her humility, for she saw that nothing good in us springs from ourselves but comes from the waters of grace near which the soul remains like a tree planted beside a river, and from that Sun which gives life to our works. She realized this so vividly that on seeing any good deed performed by herself or by other people she at once turned to God as to its fountain head-without whose help she knew well we can do nothing-and broke out into songs of praise to Him. Generally she forgot all about herself and only thought of God when she did any meritorious action.
  --
  8.: Now let us turn at last to our castle with its many mansions. You must not think of a suite of rooms placed in succession, but fix your eyes on the keep, the court inhabited by the King.23' Like the kernel of the palmito,24' from which several rinds must be removed before coming to the eatable part, this principal chamber is surrounded by many others. However large, magnificent, and spacious you imagine this castle to be, you cannot exaggerate it; the capacity of the soul is beyond all our understanding, and the Sun within this palace enlightens every part of it.
  9.: A soul which gives itself to prayer, either much or little, should on no account be kept within narrow bounds. Since God has given it such great dignity, permit it to wander at will through the rooms of the castle, from the lowest to the highest. Let it not force itself to remain for very long in the same mansion, even that of self-knowledge. Mark well, however, that self-knowledge is indispensable, even for those whom God takes to dwell in the same mansion with Himself. Nothing else, however elevated, perfects the soul which must never seek to forget its own nothingness. Let humility be always at work, like the bee at the honeycomb, or all will be lost. But, remember, the bee leaves its hive to fly in search of flowers and the soul should sometimes cease thinking of itself to rise in meditation on the grandeur and majesty of its God. It will learn its own baseness better thus than by self-contemplation, and will be freer from the reptiles which enter the first room where self-knowledge is acquired. The palmito here referred to is not a palm, but a shrub about four feet high and very dense with leaves, resembling palm leaves. The poorer classes and principally children dig it up by the roots, which they peel of its many layers until a sort of kernel is disclosed, which is eaten, not without relish, and is somewhat like a filbert in taste. See St. John of the Cross, Accent of Mount Carmel, bk. ii. ch, xiv, 3. Although it is a great grace from God to practise self-examination, yet 'too much is as bad as too little,' as they say; believe me, by God's help, we shall advance more by contemplating the Divinity than by keeping our eyes fixed on ourselves, poor creatures of earth that we are.
  --
  15 :You must notice that the light which comes from the King's palace hardly shines at all in these first mansions; although not as gloomy and black as the soul in mortal sin, yet they are in semi-darkness, and their inhabitants see scarcely anything. I cannot explain myself; I do not mean that this is the fault of the mansions themselves, but that the number of snakes, vipers, and venomous reptiles from outside the castle prevent souls entering them from seeing the light. They resemble a person entering a chamber full of brilliant sunshine, with eyes clogged and half closed with dust. Though the room itself is light, he cannot see because of his self-imposed impediment. In the same way, these fierce and wild beasts blind the eyes of the beginner, so that he sees nothing but them.
  16.: Such, it appears to me, is the soul which, though not in a state of mortal sin, is so worldly and preoccupied with earthly riches, honours, and affairs, that as I said, even if it sincerely wishes to enter into itself and enjoy the beauties of the castle, it is prevented by these distractions and seems unable to overcome so many obstacles. It is most important to withdraw from all unnecessary cares and business, as far as compatible with the duties of one's state of life, in order to enter the second mansion. This is so essential, that unless done immediately I think it impossible for any one ever to reach the principal room, or even to remain where he is without great risk of losing what is already gained; otherwise, although he is inside the castle, he will find it impossible to avoid being bitten some time or other by some of the very venomous creatures surrounding him.

1.02 - The Recovery, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  Another significant event that was shaping itself in 1939 was the political situation in Europe. Hitler's barking for lebensraum had been reverberating throughout the continent for some years and the war-clouds seemed to be gathering. Sri Aurobindo was watching the situation closely. In 1938 the war was almost imminent. Sri Aurobindo told us that "for many reasons war was not favoured at that time", and it did get stopped, as Sri Aurobindo wished. We used to hold daily discussions on the fate of the nations, of India and other dark consequences that would follow in the wake of Hitler's mad ambition. chamberlain's "peace mission" failed and within a year of Sri Aurobindo's accident, the war broke out. We came to learn from him that England had at last declared war on Germany. He had learnt it from the Mother who had got the news from Pavitra. There was then no radio in the Ashram. We shall deal further with the topic of War in a separate chapter.
  These are the highlights of the first year following the accident. Sri Aurobindo's leg had now become quite strong, he could walk without any support. When at the end of the year 1939, Dr. Manilal asked Sri Aurobindo if the accident had done any good, he replied, " Yes, I have advanced much further since last November. I have found time to complete some books. Now I get more time to concentrate!"

1.02 - The Refusal of the Call, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  Palaces, was in like case. When her beauty had become known and her name and fame been bruited abroad in the neighboring countries, all the kings had sent to her father to demand her of him in marriage, and he had consulted her on the matter, but she had disliked the very word wedlock. "O my father," she had answered, "I have no mind to marry; no, not at all; for I am a sovereign lady and a queen suzerain ruling over men, and I have no desire for a man who shall rule over me." And the more suits she refused, the more her suitors' eagerness increased and all the royalties of the inner Islands of China sent presents and rarities to her father with letters asking her in marriage. So he pressed her again and again with advice on the matter of espousals; but she ever opposed to him refusals, till at last she turned upon him angrily and cried: "O my father, if thou name matrimony to me once more, I will go into my chamber and take a sword and, fixing its hilt on the ground, will set its point to my waist; then will I press upon it, till it come forth from my back, and so slay myself."
  Now when the king heard these words, the light became darkness in his sight and his heart burned for her as with a flame of fire, because he feared lest she should kill herself; and he was filled with perplexity concerning her affair and the kings her suitors. So he said to her: "If thou be determined not to marry and there be no help for it: abstain from going and coming in and out." Then he placed her in a house and shut her up in a chamber, appointing ten old women as duennas to guard her, and forbade her to go forth to the Seven Palaces. Moreover, he made it appear that he was incensed against her, and sent letters to all the kings, giving them to know that she had been stricken with madness by the J i n n .
  With the hero and the heroine both following the negative way, and between them the continent of Asia, it will require a miracle to consummate the union of this eternally predestined pair. Whence can such a power come to break the life-negating spell and dissolve the wrath of the two childhood fathers?

1.034 - Sheba, #Quran, #unset, #Zen
  37. It is neither your wealth nor your children that bring you closer to Us, but it is he who believes and does good deeds. These will have a double reward for what they did; and they will reside in the chambers, in peace and security.
  38. But those who work against Our revelations, seeking to undermine them—those will be summoned to the punishment.

1.03 - Preparing for the Miraculous, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  A Power into minds inner chamber steal,
  A charm and sweetness open lifes closed doors

1.03 - Some Practical Aspects, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
   of paralyzing his powers and undermining his energy; for the esoteric student it becomes the occasion of his enlightenment. A third perseveres patiently for years without any marked result. Suddenly, while silently seated in his quiet chamber, spiritual light envelops him; the walls disappear, become transparent for his soul, and a new world expands before his eyes that have become seeing, or resounds in his ears that have become spiritually hearing.

1.03 - Supernatural Aid, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  the smoke hole of a subterranean chamber. A ladder, black from
  smoke, projected through the hole. Looking down into the cham

1.03 - THE ORPHAN, THE WIDOW, AND THE MOON, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [19] The Cabala also speaks of the thalamus (bride chamber) or nuptial canopy beneath which sponsus and sponsa are consecrated, Yesod acting as paranymphus (best man).126 Directly or indirectly the Cabala was assimilated into alchemy. Relationships must have existed between them at a very early date, though it is difficult to trace them in the sources. Late in the sixteenth century we come upon direct quotations from the Zohar, for instance in the treatise De igne et sale by Blasius Vigenerus.127 One passage in this treatise is of especial interest to us as it concerns the mythologem of the coniunctio:
  [The Sefiroth] end in Malchuth or the moon, who is the last to descend and the first to ascend from the elemental world. For the moon is the way to heaven, so much so that the Pythagoreans named her the heavenly earth and the earthly heaven or star,128 because in the elemental world all inferior nature in respect to the heavenly, and the heavenly in respect to the intelligible world, is, as the Zohar says, feminine and passive, and is as the moon to the sun. In the same measure as [the moon] withdraws from the sun, until she is in opposition to him, so does her light increase in relation to us in this lower world, but diminishes on the side that looks upwards. Contrariwise, in her conjunction, when she is totally darkened for us, she is fully illuminated on that side which faces the sun. This should teach us that the more our intellect descends to the things of sense, the more it is turned away from intelligible things, and the reverse likewise.129

1.03 - THE STUDY (The Exorcism), #Faust, #Johann Wolfgang von Goethe, #Poetry
  Ah, when, within our narrow chamber
  The lamp with friendly lustre glows,
  --
  If I must share my chamber with thee,
  Poodle, stop that howling, prithee!

1.03 - To Layman Ishii, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
  MY ATTENDANT BOKU, while on a trip to his native place, stopped by the residence of Layman Ishii and claiming to be indisposed threw himself at the Layman's feet and implored him for his help. He took possession of the Layman's private chambers and for ten days devoted himself diligently to zazen.a
  I recently overheard several of Boku's comrades discussing him. "Boku hit on a truly splendid plan," they decided. "He is sure to return with a much deeper attainment." I wasn't so sure. "Boku," I said to myself. "This is not a good idea. Being a kind and deeply compassionate man, when the
  --
   a The word chambers (hj), normally the quarters of a head priest, also alludes to the room where the great Layman Vimalakirti taught. An annotation states that the room may have been Ishii's teahouse. b Chij khai, the second of three kinds of "leakage" posited by Tung-shan Liang-chieh, in which the student, while trying to rid himself of delusory thoughts, still remains within the realm of dualism
  (The Eye of Men and Gods, ch. 3). c That is, a shippei, or black-lacquered bamboo stick. d A false makeshift seal carved from melon rind.

1.049 - The Chambers, #Quran, #unset, #Zen
  object:1.049 - The chambers
  class:chapter
  --
  4. Those who call you from behind the chambers—most of them do not understand.
  5. Had they remained patient until you came out to them, it would have been better for them. But God is Forgiving and Merciful.

1.04 - ADVICE TO HOUSEHOLDERS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  The Master continued: "One must propitiate the Divine Mother, the Primal Energy, in order to obtain God's grace. God Himself is Mahamaya, who deludes the world with Her illusion and conjures up the magic of creation, preservation, and destruction. She has spread this veil of ignorance before our eyes. We can go into the inner chamber only when She lets us pass through the door. Living outside, we see only outer objects, but not that Eternal Being, Existence-Knowledge-Bliss Absolute. Therefore it is stated in the purna that deities like Brahma praised Mahamaya for the destruction of the demons Madhu and Kaitabha.
  "akti alone is the root of the universe. That Primal Energy has two aspects: vidy and avidy. Avidy deludes. Avidy conjures up 'woman and gold', which casts the spell.

1.04 - Feedback and Oscillation, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  An example is given by a stream of gas flowing into a chamber
  open to the air and in which a pilot light is burning: when the150

1.04 - GOD IN THE WORLD, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Fathers palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. The bride of a monarch, in her husbands chamber, hath no such causes of delight as you.
  You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world.

1.05 - Bhakti Yoga, #Amrita Gita, #Swami Sivananda Saraswati, #Hinduism
  9. Faith is necessary for attaining God-realisation. Faith can work wonders. Faith can move mountains. Faith can take you to the inner chambers of the Lord, where reason dares not enter.
  10. Japa, Kirtan, prayer, service of saints, study of books on Bhakti are all aids to devotion.
  --
  26. Feel the presence of the Lord everywhere. He dwells in the chambers of your heart, too. He is in the breath in the nostrils; He glitters in your eyes. He is nearer to you than your jugular vein. Behold Him in every face.
  27. Horripilation (Romanchana), tears from the eyes (Asrupat), Kampan or twitching of muscles, Svarabhanga (choking of the voice) are marks or Lingas of devotion.

1.05 - Solitude, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  I find it wholesome to be alone the greater part of the time. To be in company, even with the best, is soon wearisome and dissipating. I love to be alone. I never found the companion that was so companionable as solitude. We are for the most part more lonely when we go abroad among men than when we stay in our chambers. A man thinking or working is always alone, let him be where he will. Solitude is not measured by the miles of space that intervene between a man and his fellows. The really diligent student in one of the crowded hives of Cambridge College is as solitary as a dervish in the desert. The farmer can work alone in the field or the woods all day, hoeing or chopping, and not feel lonesome, because he is employed; but when he comes home at night he cannot sit down in a room alone, at the mercy of his thoughts, but must be where he can see the folks, and recreate, and as he thinks remunerate himself for his days solitude; and hence he wonders how the student can sit alone in the house all night and most of the day without ennui and the blues; but he does not realize that the student, though in the house, is still at work in _his_ field, and chopping in _his_ woods, as the farmer in his, and in turn seeks the same recreation and society that the latter does, though it may be a more condensed form of it.
  Society is commonly too cheap. We meet at very short intervals, not having had time to acquire any new value for each other. We meet at meals three times a day, and give each other a new taste of that old musty cheese that we are. We have had to agree on a certain set of rules, called etiquette and politeness, to make this frequent meeting tolerable and that we need not come to open war. We meet at the post-office, and at the sociable, and about the fireside every night; we live thick and are in each others way, and stumble over one another, and I think that we thus lose some respect for one another.

1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
  We waited in a shed which seemed to be the anteroom to the disinfecting chamber. SS men appeared
  and spread out blankets into which we had to throw all our possessions, all our watches and jewellry.

1.05 - War And Politics, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  We used to have discussions on the international political situation from the very start. Hitler's insane lust for power, England's political bankruptcy, America's suicidal policy of non-intervention, Russia's shrewd Machiavellian diplomacy: all were subjects of the verbal to-and-fro in Sri Aurobindo's room. chamberlain's ill-famed peace mission, Colonel Beck's militant interview with Hitler, France's betrayal of Czechoslovakia evoked vigorous protests or praises from us. Sri Aurobindo observed how one nation after another was hypnotised by Hitler's asuric my and submitted to his diabolical charm, how the intellectuals did not raise any voice against the Hitlerian menace. On seeing a photograph of chamberlain and Hitler taken during their meeting at Munich, Sri Aurobindo said that chamberlain looked like a fly before a spider, on the point of being caught and he actually was caught! Of course, the German dictator had already put Mussolini in his pocket. Only Colonel Beck seemed to have kept some manly individuality. Many other issues Sri Aurobindo discussed with us, as will be evident from the book Talks with Sri Aurobindo, as though we were all keen-sighted states-men and generals; and the talks were usually enlivened by Sri Aurobindo's genial humour. In these talks he imparted to us a clear vision of the issues at stake, but never imposed his views. When we dared to differ or failed to follow him, he patiently explained to us where we were wrong. His physical nearness made us realise, with an extraordinary lucidity, what terrible inhuman forces were trying to overcast the world with an abysmal darkness from which a supreme Divine Power alone could save it.
  For all the war-news we had to depend on the daily newspapers, since members of the Ashram were not supposed to have radios. Somebody in the town began to supply us with short bulletins; when the War had taken a full-fledged turn, the radio news was transmitted to Sri Aurobindo's room so he might follow the war-movements from hour to hour. Here we find a notable instance of the spiritual flexibility of his rules and principles. What had been laid down for a particular time and condition, would not be inviolable under altered circumstances. Sri Aurobindo, who was once a mortal opponent of British rule in India, came to support the Allies against the threat of world-domination by Hitler. "Not merely a non-cooperator but an enemy of British Imperialism", he now listened carefully to the health bulletins about Churchill when he had pneumonia, and, we believe, even helped him with his Force to recover. It is the rigid mind that cries for consistency under all circumstances. I still remember Sri Aurobindo breaking the news of Hitler's march and England's declaration of war. For a time the world hung in suspense wondering whether Hitler would flout Holland's neutrality and then penetrate into Belgium. We had very little doubt of his intention. It was evening; Sri Aurobindo was alone in his room. As soon as I entered, he looked at me and said, "Hitler has invaded Holland. Well, we shall see." That was all. Two or three such laconic but pregnant remarks regarding the War still ring in my ears. At another crucial period when Stalin held a threatening pistol at England and was almost joining hands with Hitler, we were dismayed and felt that there would be no chance for the Divine, were such a formidable alliance to take place. Sri Aurobindo at once retorted, "Is the Divine going to be cowed by Stalin?" When, seeing Hitler sweeping like a meteor over Europe, a sadhak cried in despair to the Guru, "Where is the Divine? Where is your word of hope?" Sri Aurobindo replied calmly, "Hitler is not immortal." Then the famous battle of Dunkirk and the perilous retreat, the whole Allied army exposed to enemy attack from land and air and the bright summer sun shining above. All of a sudden a fog gathered from nowhere and gave unexpected protection to the retreating army. We said, "It seems the fog helped the evacuation." To which Sri Aurobindo remarked, "Yes, the fog is rather unusual at this time." We, of course, understood what he meant. It was after the fall of Dunkirk and the capitulation of France that Sri Aurobindo began to apply his Force more vigorously in favour of the Allies, and he had "the satisfaction of seeing the rush of German victory almost immediately arrested and the tide of war begin to turn in the opposite direction".
  --
  About chamberlain's inactivity when the Germans were preparing to attack Norway. Sri Aurobindo remarked, "So long as he is at the helm, nothing will happen. He applies only business intelligence to politics.... I can't understand the moves of the British. As soon as they heard of the German occupation, they could have occupied Bergen. Bergen would have been far away from Oslo and within their striking distance. If Germany had six destroyers, they could have brought twenty.... They seem to be enamoured of the idea of blockade by the Navy resulting in the starvation of Germany. They are daunted by the presence of the Siegfried Line on their east. They don't want to risk anything. They are tied up by their organisation while Hitler fixes himself to nothing."
  April 15, 1940
  --
  "Suddenly... the anonymous voice of an Indian newsman cut across the chamber. His was the last question awaiting an answer.
  "'Sir,' the voice said, 'if all agree that there is a most urgent need for speed between today and the Transfer of Power, surely you should have a date in mind?'

1.06 - BOOK THE SIXTH, #Metamorphoses, #Ovid, #Poetry
  Fix'd to a loom that in her chamber hung,
  Where in-wrought letters, upon white display'd,

1.06 - On Thought, #Words Of Long Ago, #The Mother, #Integral Yoga
  We must put all of them in place, bring order into our inner chamber, and we must do this each day just as we tidy the rooms of our house. For I suppose that our mentality deserves at least as much care as our house.
  But, once again, for this work to be truly effective, we must strive to maintain in ourselves our highest, quietest, most sincere state of mind so as to make it our own.
  --
  The great and magnificent King ascended to the chamber of the Great Collection and, stopping at the threshold, exclaimed with intense emotion:
  Away! Advance no further, thoughts of lust! Away! Advance no further, thoughts of bad will! Away! Advance no further, thoughts of hate!
  And entering the chamber, he sat upon a seat of gold. Then, having rejected all passion, all feeling contrary to righteousness, he attained the first dhma, a state of well-being and joy arising from solitude, a state of reflection and seeking.
  Setting aside reflection and seeking, he attained the second dhma, a state of well-being and joy arising from serenity, a state void of reflection and seeking, a state of quietude and elevation of mind.
  --
  Then the great and magnificent King left the chamber of the Great Collection and, entering the golden chamber, sat upon a seat of silver. He beheld the world in a thought of love and his love went forth to the four regions in turn; and then with his heart full of love, with a love growing without end or limit, he enfolded the vast world, in its entirety, to its very ends.
  He beheld the world in a thought of pity and his pity went forth to the four regions in turn; and then with his heart full of pity, with pity growing without end or limit, he enfolded the vast world, in its entirety, to its very ends.

1.07 - BOOK THE SEVENTH, #Metamorphoses, #Ovid, #Poetry
  Into his chamber, and surround his bed.
  Your father's health's concern'd, and can ye stay?

1.07 - On mourning which causes joy., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  Do not cease to picture and scrutinize the dark abyss of eternal fire, and the merciless servants, the unsympa thetic and in exorable Judge, the bottomless pit of subterranean flame, the narrow descents to the awful underground chambers and yawning gulfs, and all such things, so that the sensuality in our soul may be checked by great terror and give place to incorruptible chastity, and itself receive the shining of the immaterial light which radiates beyond any fire.
  During prayer and supplication stand with trembling like a convict standing before a judge, so that both by your outward appearance as well as by your inner disposition you may extinguish the wrath of the just Judge; for He will not despise a widow soul standing before Him burdened with sorrow and wearying the Unwearying One.3

1.07 - THE MASTER AND VIJAY GOSWAMI, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Lighting the lamp of Knowledge in the chamber of your heart, Behold the face of the Mother, Brahman's Embodiment."
  As Vijay had brought medicine with him, the Master asked a devotee to give him some water. He was indeed a fountain of infinite compassion. He had arranged for Vijay's boat fare, since the latter was too poor to pay it. Vijay, Balaram, M., and the other devotees left for Calcutta in a country boat.

1.080 - Pratyahara - The Return of Energy, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
  What happens in pratyahara is mentioned in the sutra: svaviaya asaprayoge cittasya svarpnukra iva indriy pratyhra (II.54). There are two changes that take place in this action of the senses in their abstraction from the objects. Firstly, they are disconnected from contact with the object due to the withdrawal of the consciousness which is animating the senses. Secondly, which is more important, the senses turn back to the mind and assume the character of the mind. Cittasya svarupanukarah means the senses accompanying the mind in its essential nature. They become almost one with the mind. In the usual activity of the senses, they are not one with the mind. They drag the mind out from its own chambers and then compel it to contemplate an external object, in which case the mind is something like a slave of the senses; the master has himself come under the subjection of the servants. But in pratyahara, this is not what is happening. The master is recognised and his worth is known. The senses return. They do not return of their own accord. If the gas in the engine is completely removed, the vehicle will not move. The gas is the motive force, and that motive force is the consciousness that is attending upon the activity of the senses. If the supply of energy behind the movement of a vehicle is withdrawn, the vehicle cannot move. And, as long as the supply is there, the vehicle cannot be stopped. The vehicle may be said to be the senses which are running towards some objective. They cannot be stopped in their activities unless the energy is withdrawn. That energy is the consciousness.
  Therefore, first and foremost, what is required is a severance of the attention of consciousness in respect of the movement of the senses towards objects. The attention is diverted. That is why sometimes, when we are deeply thinking over some important matter, even if we may be looking at some object, we may not see it. Our eyes may be open; it may appear that we are gazing at something, but we are seeing nothing at all on account of the fact that the energy that is necessary for the cognition of an object is withdrawn. There cannot be perception when the attention is diverted in some other way. Thus, in pratyahara there is first a diversion of attention from one place to another place. We have to find out what that place is, which is the object of meditation.

1.08 - EVENING A SMALL, NEATLY KEPT CHAMBER, #Faust, #Johann Wolfgang von Goethe, #Poetry
  object:1.08 - EVENING A SMALL, NEATLY KEPT chamber
  author class:Johann Wolfgang von Goethe
  --
  VIII - EVENING A SMALL, NEATLY KEPT chamber
  MARGARET

1.08 - Origin of Rudra: his becoming eight Rudras, #Vishnu Purana, #Vyasa, #Hinduism
  Śrī, the bride of Viṣṇu, the mother of the world, is eternal, imperishable; in like manner as he is all-pervading, so also is she, oh best of Brahmans, omnipresent. Viṣṇu is meaning; she is speech. Hari is polity (Naya); she is prudence (Nīti). Viṣṇu is understanding; she is intellect. He is righteousness; she is devotion. He is the creator; she is creation. Śrī is the earth; Hari the support of it. The deity is content; the eternal Lakṣmī is resignation. He is desire; Śrī is wish. He is sacrifice; she is sacrificial donation (Dakṣinā). The goddess is the invocation which attends the oblation; Janārddana is the oblation. Lakṣmī is the chamber where the females are present (at a religious ceremony); Madhusūdana the apartment of the males of the family. Lakṣmī is the altar; Hari the stake (to which the victim is bound). Śrī is the fuel; Hari the holy grass (Kuśa). He is the personified Sāma veda; the goddess, lotus-throned, is the tone of its chanting. Lakṣmī is the prayer of oblation (Svāhā); Vāsudeva, the lord of the world, is the sacrificial fire. Saurī (Viṣṇu) is Śa
  kara (Śiva); and Śrī is the bride of Śiva (Gaurī). Keśava, oh Maitreya, is the sun; and his radiance is the lotus-seated goddess. Viṣṇu is the tribe of progenitors (Pitrigana); Padma. is their bride (Swadhā), the eternal bestower of nutriment. Śrī is the heavens; Viṣṇu, who is one with all things, is wide extended space. The lord of Śrī is the moon; she is his unfading light. She is called the moving principle of the world; he, the wind which bloweth every where. Govinda is the ocean; Lakṣmī its shore. Lakṣmī is the consort of Indra (Indrānī); Madhusūdana is Devendra. The holder of the discus (Viṣṇu) is Yama (the regent of Tartarus); the lotus-throned goddess is his dusky spouse (Dhūmornā). Śrī is wealth; Śridhara (Viṣṇu) is himself the god of riches (Kuvera). Lakṣmī, illustrious Brahman, is Gaurī; and Keśava, is the deity of ocean (Varuna). Śrī is the host of heaven (Devasenā); the deity of war, her lord, is Hari. The wielder of the mace is resistance; the power to oppose is Śrī. Lakṣmī is the Kāṣṭhā and the Kalā; Hari the Nimeṣa and the Muhūrtta. Lakṣmī is the light; and Hari, who is all, and lord of all, the lamp. She, the mother of the world, is the creeping vine; and Viṣṇu the tree round which she clings. She is the night; the god who is armed with the mace and discus is the day. He, the bestower of blessings, is the bridegroom; the lotus-throned goddess is the bride.

1.09 - ADVICE TO THE BRAHMOS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "Mere possession of money doesn't make a nobleman. One sign of the mansion of a nobleman is that all the rooms are lighted. The poor cannot afford much oil, and consequently cannot have so many lights. This shrine of the body should not be left dark; one should illumine it with the lamp of Wisdom. Lighting the lamp of knowledge in the chamber of your heart, Behold the face of the Mother, Brahman's Embodiment.
  "Everyone can attain Knowledge. There are two entities: Jivatma, the individual soul, and Paramatma, the Supreme Soul. Through prayer all individual souls can be united to the Supreme Soul. Every house has a connection for gas, and gas can be obtained from the main storage-tank of the Gas Company. Apply to the Company, and it will arrange for your supply of gas. Then your house will be lighted.

11.01 - The Eternal Day The Souls Choice and the Supreme Consummation, #Savitri, #Sri Aurobindo, #Integral Yoga
  Lighting the chambers of the slumbering mind;
  A sudden bliss shall run through every limb

1.10 - BOOK THE TENTH, #Metamorphoses, #Ovid, #Poetry
  Their way exploring, to the chamber came:
  The door was ope; they blindly grope their way,

1.10 - Relics of Tree Worship in Modern Europe, #The Golden Bough, #James George Frazer, #Occultism
  erected such May-trees, as we have already said, before the chambers
  of their sweethearts. Besides these household Mays, a great May-tree

1.11 - BOOK THE ELEVENTH, #Metamorphoses, #Ovid, #Poetry
  His lovely queen, who from her chamber flew,
  And her half-plaited hair behind her threw:

1.11 - The Master of the Work, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
     In a Yoga lived entirely on the spiritualised mental plane it is possible and even usual for these three fundamental aspects of the divine -- the Individual or Immanent, the Cosmic and the Transcendent -- to stand out as separate realisations. Each by itself then appears sufficient to satisfy the yearning of the seeker. Alone with the personal Divine in the inner heart's illumined secret chamber, he can build his being into the Beloved's image and ascend out of fallen Nature to dwell with him in some heaven of the Spirit. Absolved in the cosmic wideness, released from ego, his personality reduced to a point of working of the universal Force, himself calm, liberated, deathless in universality, motionless in the Witness Self even while outspread without limit in unending Space and Time, he can enjoy in the world the freedom of the Timeless. One-pointed towards some ineffable Transcendence, casting away his personality, shedding from him the labour and trouble of the universal Dynamis, he can escape into an inexpressible Nirvana, annul all things in an intolerant exaltation of flight into the Incommunicable.
     But none of these achievements is enough for one who seeks the wide completeness of an integral Yoga. An individual salvation is not enough for him; for he finds himself opening to a cosmic consciousness which far exceeds by its breadth and vastness the narrower intensity of a limited individual fulfilment, and its call is imperative; driven by that immense compulsion, he must break through all separative boundaries, spread himself in world-Nature, contain the universe. Above too, there is urgent upon him a dynamic realisation pressing from the Supreme upon this world of beings, and only some encompassing and exceeding of the cosmic consciousness can release into manifestation here that yet unlavished splendour. But the cosmic consciousness too is not sufficient; for it is not all the Divine Reality, not integral. There is a divine secret behind personality that he must discover; there, waiting in it to be delivered here into Time, stands the mystery of the embodiment of the Transcendence. In the cosmic consciousness there remains at the end a hiatus, an unequal equation of a highest Knowledge that can liberate but not effectuate with a Power seeming to use a limited Knowledge or masking itself with a surface Ignorance that can create but creates imperfection or a perfection transient, limited and in fetters. On one side there is a free undynamic Witness and on the other side a bound Executrix of action who has not been given all the means of action. The reconciliation of these companions and opposites seems to be reserved, postponed, held back in an Unmanifest still beyond us. But, again, a mere escape into some absolute Transcendence leaves personality unfulfilled and the universal action inconclusive and cannot satisfy the integral seeker. He feels that the Truth that is for ever is a Power that creates as well as a stable Existence; it is not a Power solely of illusory or ignorant manifestation. The eternal Truth can manifest its truths in Time; it can create in Knowledge and not only in Inconscience and Ignorance. A divine Descent no less than an ascent to the Divine is possible; there is a prospect of the bringing down of a future perfection and a present deliverance. As his knowledge widens, it becomes for him more and more evident that it was this for which the Master of Works cast down the soul within him here as a spark of his fire into the darkness, that it might grow there into a centre of the Light that is for ever.

1.11 - WITH THE DEVOTEES AT DAKSHINEWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "At that time I was almost unconscious of thc outer world. Mathur Babu kept me at his Janbazar mansion a few days. While living there I regarded myself as the handmaid of the Divine Mother. The ladies of the house didn't feel at all bashful with me. They felt as free before me as women feel before a small boy or girl. I used to escort Mathur's daughter to her husband's chamber with the maidservant.
  "Even now the slightest thing awakens God-Consciousness in me. Rkhl used to repeat the name of God half aloud. At such times I couldn't control myself. It would rouse my spiritual consciousness and overwhelm me."
  --
  The chamber of your heart!
  Tuesday, June 5, 1883

1.12 - God Departs, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  Then came the 1st and 2nd December programmes for the School Anniversary. The entire Ashram was busy and bustling. The Mother also had no rest. Nobody suspected that a profound tragedy was being enacted in the closed chambers of Sri Aurobindo. His ailment had been kept a guarded secret. On 1st December, some improvement was noticed; the temperature was normal. He was in a more cheerful mood and even joked with Sanyal. When the doctor suggested that a detailed blood examination would be advisable, Sri Aurobindo smiled and retorted, "You doctors can think only in terms of disease and medicine, but always there is much more effectual knowledge beyond and above it. I don't need anything." We were very happy with the answer, but missed its ambiguous import and thought that it carried a consoling assurance. Next evening the temperature shot up. It had been a heavy day for the Mother because of the Annual Physical Display in the Playground where more than two hundred people took part. The function went off well. When Sri Aurobindo was informed of it, he remarked with a contented smile, "Ah, it is finished!" As soon as the activities were over, the Mother came to Sri Aurobindo's room, placed the garland from her neck at his feet and stood there quietly. Her countenance was very grave. He was indrawn with his eyes closed. Later Sanyal expressed a desire to use some drugs in order to fight the infection. The Mother warned him against the use of any violent drugs or drastic methods not only because Sri Aurobindo would not like them, but they would be, on the contrary, positively harmful. "He will work out whatever is necessary. Give some simple medicines," was her instruction.
  On 3rd December, the temperature again dropped to normal. Thinking that Sri Aurobindo was improving, Sanyal proposed to leave that evening. The Mother heard him gravely, but gave no reply. He took the hint and added quickly, "I would rather stay for a few more days, Mother." A smile lit up her face. In the afternoon the picture rapidly changed. The temperature shot up, respiratory distress showed itself for the first time. Sri Aurobindo refused to take any liquid. At the Mother's persuasion he sipped some fruit juice and immediately lapsed into a trance. Almost the whole day he remained in that condition. The Mother, owing to this set-back, did not go to the Playground.

1.12 - THE FESTIVAL AT PNIHTI, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "Let me tell you a very secret experience. Once I had entered the wood near the pine-grove, and was sitting there, when I had a vision of something like the hidden door of a chamber. I couldn't see the inside of the chamber. I tried to bore a hole in the door with a nail-knife, but did not succeed. As I bored, the earth fell back into the hole and filled it. Then suddenly I made a very big opening."
  Uttering these words, the Master remained silent. After a time he said: "These are very profound words. I feel as if someone were pressing my mouth. . . . I have seen with my own eyes that God dwells even in the sexual organ. I saw Him once in the sexual intercourse of a dog and a bitch.

1.17 - M. AT DAKSHINEWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "So the greatest manifestation of God is through His Incarnations. The devotee should worship and serve an Incarnation of God as long as He lives in a human body. 'At the break of day He disappears into the secret chamber of His House.'
  God manifesting Himself as living beings

1.18 - DONJON, #Faust, #Johann Wolfgang von Goethe, #Poetry
  Within my lonely chamber
  The morning sun shone red:

1.18 - M. AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Sri Ramakrishna returned to his room. About four o'clock the door of the Kli temple was opened, and the Master walked to the temple with the monk; M. accompanied them. Entering the inner chamber, the Master prostrate himself reverently before the image. The monk, with folded hands, also bowed his head repeatedly before Kli.
  MASTER: "What do you think of Kli?"

1.21 - Tabooed Things, #The Golden Bough, #James George Frazer, #Occultism
  iron tools. The council chamber at Cyzicus was constructed of wood
  without any iron nails, the beams being so arranged that they could

1.22 - ADVICE TO AN ACTOR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  O Beloved of my soul! Within the chamber of my heart I would have kept You day and night!
  The Master again went into samdhi. His injured arm rested on Bhavanath's shoulder.

1.23 - FESTIVAL AT SURENDRAS HOUSE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Behind seven doors His chamber stands.
  You cannot enter. How can you go?

1.25 - ADVICE TO PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  As he was going through the courtyard, he quoted to the pundit from a song: Lighting the lamp of Knowledge in the chamber of your heart, Behold the face of the Mother, Brahman's Embodiment.
  They came to the temple. Sri Ramakrishna saluted the Divine Mother, touching the ground with his forehead.

1.25 - On the destroyer of the passions, most sublime humility, which is rooted in spiritual feeling., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  52. Many have received salvation without prophecies and lights, without signs and wonders; but without humility no one will enter the marriage chamber, because humility is the guardian of these gifts, and without her they will bring frivolous people to ruin.
  53. For those of us who do not wish to humble ourselves the Lord has arranged in His providence that no one can see his faults as well as his neighbour does. So we are bound to give thanks for our healing not to ourselves but to our neighbour and to God.

1.26 - Sacrifice of the Kings Son, #The Golden Bough, #James George Frazer, #Occultism
  infected even the royal damsels in their quiet chamber; they were
  seized with a fierce longing to partake of human flesh, and cast

1.29 - The Myth of Adonis, #The Golden Bough, #James George Frazer, #Occultism
    Her chamber is a possession that brings not forth a possession,
    A weary woman, a weary child, forspent.

1.34 - The Myth and Ritual of Attis, #The Golden Bough, #James George Frazer, #Occultism
  and buried in the earth or in subterranean chambers sacred to
  Cybele, where, like the offering of blood, they may have been deemed

1.39 - The Ritual of Osiris, #The Golden Bough, #James George Frazer, #Occultism
  between its horns, was carried out of the chamber in which it stood
  the rest of the year. The cow no doubt represented Isis herself, for
  --
  the holy sepulchre, a subterranean chamber over which appears to
  have grown a clump of Persea-trees. Entering the vault by the
  --
  reverently on a bed of sand in the chamber. So they left him to his
  rest, and departed from the sepulchre by the eastern door. Thus
  --
  a chamber dedicated to Osiris in the great temple of Isis at Philae.
  Here we see the dead body of Osiris with stalks of corn springing

1.40 - The Nature of Osiris, #The Golden Bough, #James George Frazer, #Occultism
  temple before a figure of Isis, and in the chambers dedicated to him
  at Philae the dead god is portrayed lying on his bier in an attitude

1.46 - The Corn-Mother in Many Lands, #The Golden Bough, #James George Frazer, #Occultism
  in, a bridal chamber is partitioned off in the barn, and furnished
  with a new mat, a lamp, and all kinds of toilet articles. Sheaves of

1.55 - The Transference of Evil, #The Golden Bough, #James George Frazer, #Occultism
  altar of duty, the saint is introduced into the chamber of death,
  and closely embraces the dying Rajah, saying to him, "O King, I

1.57 - Public Scapegoats, #The Golden Bough, #James George Frazer, #Occultism
  out of the city, he is detained for seven days in the great chamber
  of horrors at the Samyas monastery, surrounded by monstrous and

1.59 - Killing the God in Mexico, #The Golden Bough, #James George Frazer, #Occultism
  bearers set down at the door of the chamber in which the wooden
  image of the goddess stood. Now the chamber was adorned and
  wreathed, both outside and inside, with wreaths of maize-cobs,
  --
  the chamber, where stood the wooden image of the Maize Goddess, whom
  the girl personated. There they caused the damsel to descend from
  --
  had been spread in profusion on the floor of the sacred chamber.
  While she stood there all the elders and nobles came in a line, one
  --
  goddess, the walls of the chamber, and the offerings of corn,
  peppers, pumpkins, seeds, and vegetables which cumbered the floor.

17.01 - Hymn to Dawn, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   red: the dark Mother flings open her dark chambers.
   Both have the same Comrade, both are immortals, they

18.02 - Ramprasad, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   Within the chamber, there is a dark chamber,
   Oh, when it dawns, That will go into hiding!

1970 04 03, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
   442If I cared even for your praise, O ye saints, if I cherished my reputation, O ye prophets, my Lover would never have taken me into His bosom and given me the freedom of His secret chambers.
   443I was intoxicated with the rapture of my Lover and I threw the robe of the world from me even in the worlds highways. Why should I care that the worldlings mock and the Pharisees turn their faces?

1.anon - Enuma Elish (When on high), #Anonymous - Poems, #unset, #Zen
  In his sacred chamber in profound sleep he rested.
  He named it "Apsu," for shrines he assigned (it).
  --
  In the chamber of fates, the abode of destinies,
  A god was engendered, most potent and wisest of gods.

1.anon - Others have told me, #Anonymous - Poems, #unset, #Zen
     "At the gate of my marital chamber there lay an axe,
     "and people had collected about it.

1.anon - The Epic of Gilgamesh Tablet II, #Anonymous - Poems, #unset, #Zen
  Enkidu blocked the entry to the marital chamber,
  and would not allow Gilgamreh to be brought in.
  They grappled with each other at the entry to the marital chamber,
  in the street they attacked each other, the public square of the land.

1.anon - The Epic of Gilgamesh Tablet XI The Story of the Flood, #Anonymous - Poems, #unset, #Zen
   Ninurta was their chamberlain,
   Ennugi was their Minister of Canals.

1f.lovecraft - At the Mountains of Madness, #Lovecraft - Poems, #unset, #Zen
   dioxide; and there were odd evidences of air-storage chambers and
   methods of shifting respiration from the external orifice to at least
  --
   distance of some 100 feet, to where the topmost tier of chambers yawned
   snowily and ruinously open to the polar sky. Ascent was effected over
  --
   continuous maze of connected chambers and passages probably leading
   over unlimited areas outside this particular building. The Cyclopean
  --
   farther down this condition decreased. In some of the lower chambers
   and corridors there was little more than gritty dust or ancient
  --
   had passed many half-choked arches leading to chambers and corridors on
   the ground level. It did not look quite as it ought after countless

1f.lovecraft - Collapsing Cosmoses, #Lovecraft - Poems, #unset, #Zen
   Inter-Cosmic chamber of Commerce. Theres no time to loseat this rate
   theyll be upon us in less than six centuries. Hak Ni must have a
  --
   chamber held its sessions.
   [Within the Great Council chamber, which measured twenty-eight square
   feet (with quite a high ceiling), were gathered delegates from all the
  --
   the chamber and representative of the Milliners Soviet, raised his
   eyeless snout with dignity] and prepared to address the assembled

1f.lovecraft - Facts concerning the Late, #Lovecraft - Poems, #unset, #Zen
   August 3, 1913, being conveyed immediately to the large chamber which
   housed the collection of African specimens as arranged by Sir Robert

1f.lovecraft - He, #Lovecraft - Poems, #unset, #Zen
   nighted chamber below, choking with cobwebs and half swooning with
   terror. The green moon, shining through broken windows, shewed me the
  --
   that of the upper chamber had done, and once a crashing above had been
   followed by the fall past the west window of something which must have

1f.lovecraft - Herbert West-Reanimator, #Lovecraft - Poems, #unset, #Zen
   six chambers of his revolver into the nocturnal visitor.
   For that visitor was neither Italian nor policeman. Looming hideously
  --
   represented some secret chamber beneath the tomb of the Averills, where
   the last interment had been made in 1768. I was with him when he

1f.lovecraft - Hypnos, #Lovecraft - Poems, #unset, #Zen
   chambers of night, haggard and knowing, peace rests nevermore. Fool
   that I was to plunge with such unsanctioned phrensy into mysteries no
  --
   forbidden dreams in the tower studio chamber of the old manor-house in
   hoary Kent.

1f.lovecraft - In the Vault, #Lovecraft - Poems, #unset, #Zen
   odorous chamber with the eight carelessly placed coffins; but Birch in
   those days was insensitive, and was concerned only in getting the right

1f.lovecraft - In the Walls of Eryx, #Lovecraft - Poems, #unset, #Zen
   chamber about ten feet across; and from the position of the dead man
   against certain distant forest landmarks I judged that this chamber lay
   at or near the centre of the edifice. Out of it opened five corridors
  --
   return to the central chamber and steer my course anew. Exactly where I
   had made my mistake I could not tell. I glanced at the ground to see if
  --
   central chamber through memory. It seemed easier to get back to this
   room than to steer a definite, predetermined course away from it, and I
  --
   blundered back to the central chamber after a few false turns. After
   all, I would have to give up hope of sleeping on dry ground. Nothing
  --
   central chamber.
   About 1 p.m. I shifted my helmet marker to the next opening and began
  --
   off from the central chamber as well, even though I thought I had
   recorded every move I made. There seemed to be tricky twists and
  --
   As soon as I get back to the central chamberwhich ought to be fairly
   easyI shall try the extreme left-hand opening. Perhaps I can get
  --
   central chamber and moved my helmet to mark the last of the three
   possible doorways. Starting through this opening, I seemed to find the
  --
   steps to the central chamber and starting out anew. I constantly
   consulted my notes and sketches, and made fresh onestaking one false
  --
   chamber for the helmet which I had left as a markerusing this as a
   bowl and getting about two cupfuls of water. I drank most of it, but
  --
   which I had first reached the central chamber. Whenever I came to a
   lateral doorway or junction I would keep to the course which seemed

1f.lovecraft - Medusas Coil, #Lovecraft - Poems, #unset, #Zen
   struggled with the dampness-warped door of that silent chamber, and
   most hideous of all was a terrible sense of malign fulfilment and fatal

1f.lovecraft - Nyarlathotep, #Lovecraft - Poems, #unset, #Zen
   inconceivable, unlighted chambers beyond Time; the detestable pounding
   and piping whereunto dance slowly, awkwardly, and absurdly the

1f.lovecraft - Out of the Aeons, #Lovecraft - Poems, #unset, #Zen
   Tyog in his temple chamber and took from his sleeping form the metal
   cylinder; silently drawing out the potent scroll and putting in its
  --
   vast rooma chamber of Cyclopean masonryand I seemed to be viewing it
   from one of its corners. On the walls were carvings so hideous that
  --
   chamber was a colossal trap-door of stone, pushed upward to permit the
   emergence of some object from below. The object should have been

1f.lovecraft - Pickmans Model, #Lovecraft - Poems, #unset, #Zen
   the doorway to keep from keeling over. The other chamber had shewn a
   pack of ghouls and witches overrunning the world of our forefathers,
  --
   discharge of all six chambers of a revolver, fired spectacularly as a
   lion-tamer might fire in the air for effect. A muffled squeal or

1f.lovecraft - Polaris, #Lovecraft - Poems, #unset, #Zen
   Into the north window of my chamber glows the Pole Star with uncanny
   light. All through the long hellish hours of blackness it shines there.
  --
   But as I stood in the towers topmost chamber, I beheld the horned
   waning moon, red and sinister, quivering through the vapours that

1f.lovecraft - The Alchemist, #Lovecraft - Poems, #unset, #Zen
   It was in one of the vast and gloomy chambers of this remaining tower
   that I, Antoine, last of the unhappy and accursed Comtes de C, first
  --
   in a distant and unused chamber of the great edifice, telling too late
   that poor Michel had been killed in vain. As the Comte and his
  --
   subterranean chamber whose doorway now framed the hideous narrator; how
   he had seized Robert, son of Godfrey, in a field, forced poison down
  --
   entered the chamber beyond the Gothic door. Here I found what seemed
   much like an alchemists laboratory. In one corner was an immense pile

1f.lovecraft - The Case of Charles Dexter Ward, #Lovecraft - Poems, #unset, #Zen
   chambers or burrows. Something was rumoured, however, at the village of
   Pawtuxet about a mile below, where the river flows in falls over a
  --
   These chiefs conferred apart in a rear chamber, after which Capt.
   Whipple emerged to the great room and gave the gathered seamen their
  --
   as if by the ancient raiders. For many of the chambers seemed wholly
   untrodden by modern feet, and must have represented the earliest and
  --
   chambers, some vacant and some evidently used as storerooms; and in
   several of the latter he saw some very curious accumulations of various
  --
   The third archway led to a very sizeable chamber entirely lined with
   shelves and having in the centre a table bearing two lamps. These lamps
  --
   As the strong Argand blaze lit up the entire chamber the doctor saw
   that the wall opposite the door, between the two groups of torturing
  --
   beyond the faint acrid scent of the cryptic chamber bore no print or
   mark of any world but this. But in the text itself it did indeed reek

1f.lovecraft - The Diary of Alonzo Typer, #Lovecraft - Poems, #unset, #Zen
   wonder these chambers can contain its bulkand yet it has no visible
   bulk. Its age must be unutterably vastshockingly, indescribably so.
  --
   chambers can scarcely contain it. This time I feel more than one of the
   presences is of such a size, and I know now that the third Aklo
  --
   dim corners of the halls and chambersfaces and forms so hideous and
   loathsome that I dare not describe them. They seem allied in substance
  --
   presences whose nebulous bulk seems too vast for the chambers to
   contain. And now and then the grotesque, evanescent faces and forms,

1f.lovecraft - The Disinterment, #Lovecraft - Poems, #unset, #Zen
   vast shelves about the chamber were the familiar books and antiques I
   was accustomed to seeing in that secluded corner of the crumbling and
  --
   Retreating from the darkened chamber, I stumbled for the stairway door,
   sagged through it, and somehow reached the landing below. No lamps were
  --
   slowly through the musty, dimly lit chambers and staggered into my own
   studythe study I had deserted so many years before.

1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
   gnaws hungrily in inconceivable, unlighted chambers beyond time amidst
   the muffled, maddening beating of vile drums and the thin, monotonous
  --
   locked chambers above, and drew out the last of the zoogs moon-wine to
   loosen his tongue. The strange merchant drank heavily, but smirked
  --
   a chamber and left alone he scarcely had strength to crawl around and
   ascertain its form and dimensions. It was circular, and about twenty
  --
   in numerous hewn chambers were found terrible carven altars and
   doubtfully stained fonts and shrines for the worship of things more
  --
   that pale-litten and limitless chamber the hideous blast of a daemon
   trumpet. Three times pealed that frightful brazen scream, and when the
  --
   Presently from the chambers uttermost reaches a new sound came. This,
   too, was a rhythmic trumpeting; but of a kind far removed from the
  --
   inconceivable, unlighted chambers beyond Time wherein black Azathoth
   gnaws shapeless and ravenous amidst the muffled, maddening beat of vile

1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
  sombre halls and chambers, no small furry thing crept into his dismal
  eyrie to nuzzle him, and no record of the witch's incantations rewarded
  --
  hastened up to his own garret chamber without pausing to see if Elwood
  was in. It was when he turned on the feeble electric light that the

1f.lovecraft - The Dunwich Horror, #Lovecraft - Poems, #unset, #Zen
   was ever admitted to the closely boarded upper story. This chamber he
   lined with tall, firm shelving; along which he began gradually to

1f.lovecraft - The Evil Clergyman, #Lovecraft - Poems, #unset, #Zen
   I was shewn into the attic chamber by a grave, intelligent-looking man
   with quiet clothes and an iron-grey beard, who spoke to me in this

1f.lovecraft - The Green Meadow, #Lovecraft - Poems, #unset, #Zen
   course of analytical efforts made by the late Prof. chambers of
   Harvard, several pages, mostly at the conclusion of the narrative,

1f.lovecraft - The Haunter of the Dark, #Lovecraft - Poems, #unset, #Zen
   Blakes study, a large southwest chamber, overlooked the front garden
   on one side, while its west windowsbefore one of which he had his
  --
   the top of the stairs he found the tower chamber vacant of chimes, and
   clearly devoted to vastly different purposes.
  --
   of the cobwebbed chamber a ladder was built into the wall, leading up
   to the closed trap-door of the windowless steeple above.
  --
   blindly across the obstructed floor of the almost lightless chamber
   that encompassed him.

1f.lovecraft - The History of the Necronomicon, #Lovecraft - Poems, #unset, #Zen
   relatively few of the general public know) that R.W. chambers is said
   to have derived the idea of his early novel The King in Yellow.

1f.lovecraft - The Horror at Red Hook, #Lovecraft - Poems, #unset, #Zen
   whose chambers some singular and terrible things were discovered. The
   croaking organ was there, as well as a vast arched chapel with wooden

1f.lovecraft - The Horror in the Burying-Ground, #Lovecraft - Poems, #unset, #Zen
   chamber of death! Only Steve Barbour thought to bring up Thorndikes
   last choking words. Was he surely dead, when he himself had said he

1f.lovecraft - The Horror in the Museum, #Lovecraft - Poems, #unset, #Zen
   vaulted museum chamberan evil-looking crypt lighted dimly by dusty
   windows set slit-like and horizontal in the brick wall on a level with
  --
   an incredible interior chamber with wild carvings and a curious throne
   whose proportion could not have been designed for a human occupant. The
  --
   outside world. The vaulted museum chamber was like a tombghastly in
   its utter solitude. Even a mouse would be cheering company; yet Rogers
  --
   chamber with the cryptic throne which the fellow had claimed was part
   of a three-million-year-old ruin in the shunned and inaccessible
  --
   to pieces in that dark exhibition chamber, and had the whole fight with
   Rogers been a phantasm of fever? It would help to put him on his feet
  --
   chamber below an attendant touched his cap cheerfully. Perhaps
   everything had been a dream. Would he dare to knock at the door of the

1f.lovecraft - The Hound, #Lovecraft - Poems, #unset, #Zen
   Around the walls of this repellent chamber were cases of antique
   mummies alternating with comely, life-like bodies perfectly stuffed and
  --
   On the night of September 24, 19, I heard a knock at my chamber door.
   Fancying it St. Johns, I bade the knocker enter, but was answered only

1f.lovecraft - The Lurking Fear, #Lovecraft - Poems, #unset, #Zen
   apartment of this ancient victim was best for my purposes. The chamber,
   measuring about twenty feet square, contained like the other rooms some

1f.lovecraft - The Man of Stone, #Lovecraft - Poems, #unset, #Zen
   expanded in every direction to form a damp, twilight chamber floored
   with rubble and detritus. For a time we could make out very little, but

1f.lovecraft - The Moon-Bog, #Lovecraft - Poems, #unset, #Zen
   that streamed through the Gothic window, and the whole chamber was
   brilliant with a splendour intense and unearthly. My immediate actions

1f.lovecraft - The Mound, #Lovecraft - Poems, #unset, #Zen
   Yoth. Probably it had been an earthquake, opening up lower chambers of
   the lightless world which had been closed against the Yothic
  --
   and circular chamber of human construction; wholly covered with
   horrible carvings, and revealing at the farther end an arched
  --
   dematerialised freemen in the vaulted, circular chamber if the
   approachers did not heed her warning. She worked, he was told, in
  --
   least particular to the carving-lined chamber described in the Zamacona
   manuscript.

1f.lovecraft - The Nameless City, #Lovecraft - Poems, #unset, #Zen
   the chiselled chamber was very strange, for I could hardly more than
   kneel upright; but the area was so great that my torch shewed only part
  --
   wind was quite gone I crossed into the dark chamber from which it had
   come.
  --
   of other and brighter chambers there was only an illimitable void of
   uniform radiance, such as one might fancy when gazing down from the

1f.lovecraft - The Picture in the House, #Lovecraft - Poems, #unset, #Zen
   crossed into a small low-ceiled chamber but dimly lighted by its two
   dusty windows and furnished in the barest and most primitive possible

1f.lovecraft - The Rats in the Walls, #Lovecraft - Poems, #unset, #Zen
   tower chamber which I had chosen as my own, reached from the study by a
   stone staircase and short gallerythe former partly ancient, the latter
  --
   their effect; for on every side of the chamber the walls were alive
   with nauseous soundthe verminous slithering of ravenous, gigantic
  --
   myself retired in my own tower chamber, with Nigger-Man across my feet.
   Sleep came quickly, but hideous dreams assailed me. There was a vision

1f.lovecraft - The Shadow out of Time, #Lovecraft - Poems, #unset, #Zen
   horrible. I would seem to be in an enormous vaulted chamber whose lofty
   stone groinings were well-nigh lost in the shadows overhead. In
  --
   Afterward I saw them everywhere; swarming in all the great chambers and
   corridors, tending monstrous machines in vaulted crypts, and racing
  --
   thought of the frightful chambers and corridors and inclines as I
   recalled them from my dreams. Would the way to the central archives

1f.lovecraft - The Shadow over Innsmouth, #Lovecraft - Poems, #unset, #Zen
   There was, he said, no public library or chamber of commerce in
   Innsmouth, but I could probably find my way about. The street I had
  --
   For an instant I felt absolute despair, since my trapping in a chamber
   with no window egress seemed complete. A wave of almost abnormal horror

1f.lovecraft - The Shunned House, #Lovecraft - Poems, #unset, #Zen
   and chambers beneath other parts of the house; the crumbling stone
   staircase with ruined wooden hand-rail; and the crude and cavernous

1f.lovecraft - Through the Gates of the Silver Key, #Lovecraft - Poems, #unset, #Zen
   great black inner chamber with the pylon. Whose hands had carved that
   hint of a pylon out of the living rock? Old Wizard Edmundsor others
  --
   went to live with him in Bostona wretched place in chambers St. As for
   the parchmentI am pleased to help Mr. de Marigny in his perplexity. To

1.fs - Resignation, #Schiller - Poems, #Friedrich Schiller, #Poetry
  Within the chambers of the grave so cold,
   Thy fever calls this immortality!"

1.fs - The Walk, #Schiller - Poems, #Friedrich Schiller, #Poetry
   Round about me, who now from my chamber's confinement escaping,
   And from vain frivolous talk, gladly seek refuge with thee.
  --
   But in his silent chamber the thoughtful sage is projecting
   Magical circles, and steals e'en on the spirit that forms,

1.ia - Wild Is She, None Can Make Her His Friend, #Arabi - Poems, #Ibn Arabi, #Sufism
  she has gotten in her solitary chamber
  a mausoleum for remembrance.

1.jh - Lord, Where Shall I Find You?, #unset, #Arthur C Clarke, #Fiction
   English version by T. Carmi Original Language Hebrew Lord, where shall I find You? Your place is lofty and secret. And where shall I not find You? The whole earth is full of Your glory! You are found in man's innermost heart, yet You fixed earth's boundaries. You are a strong tower for those who are near, and the trust of those who are far. You are enthroned on the cherubim, yet You dwell in the heights of heaven. You are praised by Your hosts, but even their praise is not worthy of You. The sphere of heaven cannot contain You; how much less the chambers of the Temple! Even when You rise above Your hosts on a throne, high and exalted, You are nearer to them than their own bodies and souls. Their mouths attest that they have no Maker except You. Who shall not fear You? All bear the yoke of Your kingdom. And who shall not call to You? It is You who give them their food. I have sought to come near You, I have called to You with all my heart; and when I went out towards You, I found You coming towards me. I look upon Your wondrous power and awe. Who can say that he has not seen You? The heavens and their legions proclaim Your dread -- without a sound. [1835.jpg] -- from The Penguin Book of Hebrew Verse, Edited by T. Carmi

1.jk - Calidore - A Fragment, #Keats - Poems, #John Keats, #Poetry
  Soon in a pleasant chamber they are seated;
  The sweet-lipp'd ladies have already greeted

1.jk - Endymion - Book II, #Keats - Poems, #John Keats, #Poetry
  A chamber, myrtle wall'd, embowered high,
  Full of light, incense, tender minstrelsy,

1.jk - Hyperion, A Vision - Attempted Reconstruction Of The Poem, #Keats - Poems, #John Keats, #Poetry
  In the dark secret chambers of her skull
  Was acting, that could give so dread a stress

1.jk - Imitation Of Spenser, #Keats - Poems, #John Keats, #Poetry
  Now Morning from her orient chamber came,
   And her first footsteps touch'd a verdant hill;

1.jk - Isabella; Or, The Pot Of Basil - A Story From Boccaccio, #Keats - Poems, #John Keats, #Poetry
  And from her chamber-window he would catch
  Her beauty farther than the falcon spies;
  --
  She, to her chamber gone, a ditty fair
  Sang, of delicious love and honey'd dart;

1.jk - King Stephen, #Keats - Poems, #John Keats, #Poetry
  SCENE IV. A Presence chamber. Queen MAUD in a Chair of State, the
  Earls of GLOCESTER and CHESTER, Lords, Attendants.

1.jk - Lamia. Part II, #Keats - Poems, #John Keats, #Poetry
  Above the lintel of their chamber door,
  And down the passage cast a glow upon the floor.
  --
  And shut the chamber up, close, hushd and still,
  Complete and ready for the revels rude,

1.jk - Otho The Great - Act III, #Keats - Poems, #John Keats, #Poetry
  A window to her chamber neighboured near,
  I will from her turn off, and put the load

1.jk - Otho The Great - Act IV, #Keats - Poems, #John Keats, #Poetry
  At seeing me in this chamber.
  Conrad. Auranthe?
  --
  E'en to her chamber door, and there, fair boy,
  If with thy mother's milk thou hast suck'd in
  --
  Page. The chamber's empty!
  Ludolph. As I will be of mercy! So, at last,

1.jk - Otho The Great - Act V, #Keats - Poems, #John Keats, #Poetry
  In all the unknown chambers of the dead,
  Such horrors

1.jk - The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished, #Keats - Poems, #John Keats, #Poetry
  And breathe themselves at th' Emperor's chamber door,
  When Eban thought he heard a soft imperial snore.
  --
  First wily Crafticant, the chamberlain,
  Balanc'd upon his grey-grown pinions twain,

1.jk - The Eve Of St. Agnes, #Keats - Poems, #John Keats, #Poetry
    The level chambers, ready with their pride,
    Were glowing to receive a thousand guests:
  --
    For him, those chambers held barbarian hordes,
    Hyena foemen, and hot-blooded lords,
  --
    Even to Madeline's chamber, and there hide
    Him in a closet, of such privacy
  --
    The maiden's chamber, silken, hush'd and chaste;
    Where Porphyro took covert, pleas'd amain.

1.jwvg - Autumn Feel, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  Oh ye leaves, to seek my chamber,
  Up the trellis'd vine on high!

1.jwvg - Longing, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  From chamber and home?
  How round the cliffs gather

1.jwvg - The Visit, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  Then her chamber-door I gently open'd,
  When I found her wrapp'd in pleasing slumbers,
  --
  Gently, gently stole I from her chamber.
  When her eyes the darling one shall open,

1.kbr - To Thee Thou Hast Drawn My Love, #Songs of Kabir, #Kabir, #Sufism
  I was sleeping in my own chamber,
  and Thou didst awaken me;

1.lb - Bringing in the Wine, #Li Bai - Poems, #Li Bai, #Poetry
  See how lovely locks in bright mirrors in high chambers,
  Though silken-black at morning, have changed by night to snow.

1.lb - Moon at the Fortified Pass by Li Po, #Li Bai - Poems, #Li Bai, #Poetry
  And of those tonight in the upper chambers
  Who toss and sigh and cannot rest.

1.lb - Moon Over Mountain Pass, #Li Bai - Poems, #Li Bai, #Poetry
  In the towered chambers tonight,
  Ceaseless are the women's sighs.

1.lb - The Moon At The Fortified Pass, #Li Bai - Poems, #Li Bai, #Poetry
  And of those tonight in the upper chambers
  Who toss and sigh and cannot rest.

1.lovecraft - The Poe-ets Nightmare, #Lovecraft - Poems, #unset, #Zen
  Soon to his chamber the young bard repairs,
  And courts soft Somnus with sweet Lydian airs;

1.mbn - The Soul Speaks (from Hymn on the Fate of the Soul), #unset, #Arthur C Clarke, #Fiction
   English version by T. Carmi Original Language Hebrew From the very beginning, before times long past, I was stored among His hidden treasures. He had brought me forth from Nothing, but at the end of time I shall be summoned back before the King. My life flowed out of the depth of the spheres which gave me form and order. Divine forces shaped me to be treasured in the chambers of the King. Then He shined his light to bring me forth in hidden well-springs, on the left and on the right. He made me descend the steps leading down from the Pool of Shelah to the garden of the King. [1835.jpg] -- from The Penguin Book of Hebrew Verse, Edited by T. Carmi <
1.pbs - Adonais - An elegy on the Death of John Keats, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Within the twilight chamber spreads apace
  The shadow of white Death, and at the door

1.pbs - Alastor - or, the Spirit of Solitude, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Through some dim latticed chamber. He did place
  His pale lean hand upon the rugged trunk

1.pbs - And like a Dying Lady, Lean and Pale, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   Out of her chamber, led by the insane
   And feeble wanderings of her fading brain,

1.pbs - A Romans Chamber, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - A Romans chamber
  author class:Percy Bysshe Shelley
  --
  It was once a Romans chamber,
  Where he kept his darkest revels,

1.pbs - Charles The First, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  A chamber in Whitehall. Enter the King, Queen, Laud, Lord Strafford, Lord Cottington, and other Lords;Archy ; also St. John, with some Gentlemen of the Inns of Court.
  King.
  --
  Under the warrant of the Star chamber.
  The people shall not find the stubbornness
  --
  The Star chamber. Laud, Juxon, Strafford, and others, as Judges. Prynne as a Prisoner, and thenBastwick.
  Laud.

1.pbs - Epipsychidion, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And I have fitted up some chambers there
  Looking towards the golden Eastern air,

1.pbs - Epipsychidion (Excerpt), #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And I have fitted up some chambers there
  Looking towards the golden Eastern air,

1.pbs - Fragments Of An Unfinished Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Within my chamber. There the meteor lay,
  Panting forth light among the leaves and flowers,
  --
  Till it diffused itself, and all the chamber
  And walls seemed melted into emerald fire

1.pbs - Ginevra, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  From the dark chamber of a mortal fever,
  Bewildered, and incapable, and ever
  --
  The flowers upon my bridal chamber strewn
  Will serve unfaded for my bierso soon
  --
  From out the chamber where the women kept;--
  Their tears fell on the dear companion cold

1.pbs - Hellas - A Lyrical Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Unlock the seventh chamber in which lie
  The treasures of victorious Solyman,

1.pbs - Hymn to Intellectual Beauty, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   Through many a listening chamber, cave and ruin,
   And starlight wood, with fearful steps pursuing

1.pbs - I Arise from Dreams of Thee, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  To thy chamber-window, sweet!
  The wandering airs they faint

1.pbs - Letter To Maria Gisborne, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Whether the moon, into her chamber gone,
  Leaves midnight to the golden stars, or wan

1.pbs - Lines Written During The Castlereagh Administration, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Spread thy couch in the chamber of Life!
  Marry Ruin, thou Tyrant! and Hell be thy guide

1.pbs - Lines Written in the Bay of Lerici, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  In the chambers of the West.
  She left me, and I stayed alone

1.pbs - Ode To Heaven, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Thou art but the minds first chamber,
  Round which its young fancies clamber,

1.pbs - Peter Bell The Third, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Some gloomy chamber's window-panes
   With a broad light like day.

1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Within voluptuous chambers panting crawled:
  When Plague had fallen on man, and beast, and worm,

1.pbs - Rosalind and Helen - a Modern Eclogue, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
     Seven days within my chamber lay
     That corse, and my babes made holiday.

1.pbs - The Cenci - A Tragedy In Five Acts, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Towards her chamber,let your echoes talk
  Of my imperious step scorning surprise,
  --
  Bid Beatrice attend me in her chamber
  This evening:no, at midnight and alone.
  --
  Cardinal, thou art the Pope's chamberlain,
  Camillo, thou art chief justiciary,
  --
  Retire to your chamber, insolent girl!
  Beatrice.
  --
  One moment in your chamber.Speak to me.
  Bernardo.
  --
  Me least of all. Now get thee to thy chamber!
  Thou too, loathed image of thy cursd mother, [To Bernardo.
  --
  A chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
  Camillo.
  --
  And then extort concession. To thy chamber!
  Fly ere I spurn thee: and beware this night
  --
  Your father's chamber.
  [Exeunt Savella and Bernardo.
  --
  Hanging beneath the window of his chamber,
  Among the branches of a pine: he could not

1.pbs - The Daemon Of The World, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Nor in her moonlight chamber silently
  Doth Henry hear her regular pulses throb,
  --
  Filling the chamber and the moonlight sky.
  Maiden, the world's supremest spirit

1.pbs - The Devils Walk. A Ballad, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  He peeped in each hole, to each chamber stole,
  His promising live-stock to view;

1.pbs - The Indian Serenade, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  To thy chamber window, Sweet!
  II.

1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
    To a small chamber, which with mosses rare
   Was tapestried, where me his soft hands placed
  --
   'In secret chambers parents read, and weep,
    My writings to their babes, no longer blind;
  --
    At night two slaves he to her chamber sent,
   One was a green and wrinkled eunuch, grown

1.pbs - The Waning Moon, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Out of her chamber, led by the insane
  And feeble wanderings of her fading brain,

1.pbs - The Witch Of Atlas, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The chamber of gray rock in which she lay--
  She, in that dream of joy, dissolved away.
  --
   Strewn with faint blooms like bridal chamber floors,
  Where naked boys bridling tame water-snakes,
  --
  Under the Nile, through chambers high and deep
  She passed, observing mortals in their sleep.

1.pbs - The Zucca, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  I bore it to my chamber, and I planted
  It in a vase full of the lightest mould;
  --
  Was raving round the chamber hushed and warm;
  The birds were shivering in their leafless bowers,

1.poe - A Paean, #Poe - Poems, #unset, #Zen
  Through the grey chambers to my song,
  Shall be the accompaniment.

1.poe - The Raven, #Poe - Poems, #unset, #Zen
  As of some one gently rapping, rapping at my chamber door.
  "'Tis some visitor," I muttered, "tapping at my chamber door-
  Only this, and nothing more."
  --
  "'Tis some visitor entreating entrance at my chamber door-
  Some late visitor entreating entrance at my chamber door;-
  This it is, and nothing more."
  --
  And so faintly you came tapping, tapping at my chamber door,
  That I scarce was sure I heard you"- here I opened wide the door;-
  --
  Back into the chamber turning, all my soul within me burning,
  Soon again I heard a tapping somewhat louder than before.
  --
  But, with mien of lord or lady, perched above my chamber door-
  Perched upon a bust of Pallas just above my chamber door-
  Perched, and sat, and nothing more.
  --
  Ever yet was blest with seeing bird above his chamber door-
  Bird or beast upon the sculptured bust above his chamber door,
  With such name as "Nevermore."
  --
  On the pallid bust of Pallas just above my chamber door;
  And his eyes have all the seeming of a demon's that is dreaming,

1.poe - The Sleeper, #Poe - Poems, #unset, #Zen
     Flit through thy chamber in and out,
     And wave the curtain canopy
  --
     This chamber changed for one more holy,
     This bed for one more melancholy,

1.rb - Andrea del Sarto, #Browning - Poems, #Robert Browning, #Poetry
   This chamber for exampleturn your head
   All that's behind us! You don't understand

1.rb - Garden Francies, #Browning - Poems, #Robert Browning, #Poetry
  Hours alone in his lady's chamber:
   Into this crevice I dropped our friend.

1.rb - In A Gondola, #Browning - Poems, #Robert Browning, #Poetry
  Than mine! What should your chamber do?
  -With all its rarities that ache

1.rb - Introduction: Pippa Passes, #Browning - Poems, #Robert Browning, #Poetry
  Scene.A large mean airy chamber. A girl, Pippa, from the Silk-mills, springing out of bed.
  Day!

1.rbk - Epithalamium, #unset, #Arthur C Clarke, #Fiction
   English version by T. Carmi Original Language Hebrew 'Bound by affection, may your joy increase, as you are wed today in love and gladness; be glad and rejoice in the Lord your God. 'Bridegroom, delight in your glorious marriage chambers; excel in beauty among your companions; may your heart rejoice in the wife of your youth. 'Your radiant face, O bride, shall glow like wine; your enemies shall be as nothing; My parapet, your love is sweeter than wine.' Like one drinking wine or hearing the song of a swallow or a crane, I shall revel in the Holy One! 'I shall crown My dove with grace and kindness, as once I did when I revealed Myself in the flame of the consuming fire; for you have ravished My heart, My sister, My bride. 'Your fountains are a place of running water; I have shaken all your tormentors from you; My treasured one, lift up your eyes and look about you. 'I shall shower her who comes up from the wilderness with favours; I shall envelop My cornerstone with clouds of glory; I have likened your neck to an ivory tower.' Like one drinking wine or hearing the song of swallows or a crane, I shall revel in the Holy One! 'Arise, My beloved, and be married in love; give hymns and thanks to your King; sing and make music in My bridal chamber: "under the apple tree You have awakened me!"' [1835.jpg] -- from The Penguin Book of Hebrew Verse, Edited by T. Carmi

1.rbk - He Shall be King!, #unset, #Arthur C Clarke, #Fiction
   English version by T. Carmi Original Language Hebrew Yours, O Lord, is the sovereignty and You are exalted over all. A king who says to the sea: 'Thus far shall you come' -- He shall be king! A king of abomination, who comes from a stinking drop and goes no further than the grave -- why should he be king? A king who builds his upper chambers and the chariot-throne in the heavens -- He shall be king! A king who returns to the dust like an expiring candle -- why should he be king? A king who redeems from harm all those who trust in him -- He shall be king! A king who flees like a driven leaf because of his heart's dread -- why should he be king? A king distinguished among ten thousand, who brings forth thousands and tens of thousands of angels -- He shall be king! A king who fears, dreads, and is terrified at the judgment of his Master -- why should he be king? A king Who every was and shall be, in His grace and His bounty -- He shall be king! [1835.jpg] -- from The Penguin Book of Hebrew Verse, Edited by T. Carmi <
1.rb - O Lyric Love, #Browning - Poems, #Robert Browning, #Poetry
  Reached thee amid thy chambers, blanched their blue,
  And bared them of the gloryto drop down,

1.rb - Paracelsus - Part III - Paracelsus, #Browning - Poems, #Robert Browning, #Poetry
  Scene. Basil; a chamber in the house of Paracelsus. 1526.
  Paracelsus, Festus.

1.rb - Paracelsus - Part II - Paracelsus Attains, #Browning - Poems, #Robert Browning, #Poetry
  "His chamber till I know what I desire!"
  Was it the light wind sang it o'er the sea?
  --
  In these bright chambers level with the air,
  See thou to it! But if my spirit fail,

1.rb - Paracelsus - Part I - Paracelsus Aspires, #Browning - Poems, #Robert Browning, #Poetry
  In that dim chamber where the noon-streaks peer
  Half-frightened by the awful tomes around;

1.rb - Paracelsus - Part IV - Paracelsus Aspires, #Browning - Poems, #Robert Browning, #Poetry
  And my dim chamber has become a tent,
  Festus is sitting by me, and his Michal . . .

1.rb - Pippa Passes - Part IV - Night, #Browning - Poems, #Robert Browning, #Poetry
  Scene.Pippa's chamber again. She enters it.
  The bee with his comb,

1.rb - Protus, #Browning - Poems, #Robert Browning, #Poetry
  ``Born in the porphyry chamber at Byzant,
  ``Queens by his cradle, proud and ministrant:

1.rb - Sordello - Book the Fifth, #Browning - Poems, #Robert Browning, #Poetry
  The chamber, from the lattice o'er the girth
  Of pines, to the huge eagle blacked in earth
  --
  They left him in the chamber. All was blank.
  And even reeling down the narrow stair

1.rb - Sordello - Book the First, #Browning - Poems, #Robert Browning, #Poetry
  You gain the inmost chambers, gain at last
  A maple-panelled room: that haze which seems
  --
  Up to the solitary chambers where
  Sordello never came. Thus thrall reached thrall;

1.rb - Sordello - Book the Second, #Browning - Poems, #Robert Browning, #Poetry
  Of the North chamber, her red lips as rich,
  The same pure fleecy hair; one weft of which,
  --
  The maple chamber: did I say, its floor
  Was made of intersecting cedar beams?

1.rb - Sordello - Book the Third, #Browning - Poems, #Robert Browning, #Poetry
  "I knew it; where in maple chamber glooms,
  "Crowned with what sanguine-heart pomegranate blooms,
  --
  "In her lone chamber: only I beside:
  "Taurello far at Naples, and my sire

1.rb - The Flight Of The Duchess, #Browning - Poems, #Robert Browning, #Poetry
  That there ran half round our lady's chamber
  A balcony none of the hardest to clamber;
  --
  Of the lady's chamber standing sentry;
  I told the command and produced my companion,
  --
  In the chamber?-and to be certain
  I pushed the lattice, pulled the curtain,

1.rb - The Glove, #Browning - Poems, #Robert Browning, #Poetry
  And shelved to the chamber secluded
  Where Bluebeard, the great lion, brooded.
  --
  His wife, from her chamber, those straying
  Sad gloves she was always mislaying,

1.rb - The Pied Piper Of Hamelin, #Browning - Poems, #Robert Browning, #Poetry
  At the chamber door but a gentle tap?
  ``Bless us,'' cried the Mayor, ``what's that?''

1.rmr - Elegy X, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
  the silent chamber's countenance.
  They marvel at the regal head that has, forever silent,

1.rt - Urvashi, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  To the chamber of a groom
  For your first union.

1.rwe - Dirge, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  One chamber held ye all;
  A very tender history

1.rwe - Gnothi Seauton, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  From the deep chambers of thy mind thereto,-----
  The rest is straw.

1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  On from hall to chamber ran,
  From youth to maid, from boy to man,
  --
  Here weave your chamber weather-proof,
  Forgive our harms, and condescend

1.rwe - The Adirondacs, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  In well-hung chambers daintily bestowed,
  Lie here on hemlock-boughs, like Sacs and Sioux,

1.rwe - The World-Soul, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Vice nestles in your chambers,
   Beneath your roofs of slate.

1.rwe - Threnody, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Through smallest chambers takes its way,
  That thou might'st break thy daily bread

1.sig - Come to me at dawn, my beloved, and go with me, #unset, #Arthur C Clarke, #Fiction
   English version by Bernard Lewis Original Language Hebrew Come to me at dawn, my beloved, and go with me, for my soul thirsts to see the sons of my people. For thee I shall lay golden couches in my chamber I shall spread for thee a table, I shall make ready for thee my bread I shall fill for thee a bowl, from the clusters of my vineyard -- Drink to thy heart's delight, may my taste be pleasing to thee for with thee I shall rejoice, as the scion of my people the son of thy servant Jesse, the prince of Bethlehem. [1482.jpg] -- from Music of a Distant Drum: Classical Arabic, Persian, Turkish & Hebrew Poems, Translated by Bernard Lewis <
1.sig - Where Will I Find You, #unset, #Arthur C Clarke, #Fiction
   English version by Peter Cole Original Language Hebrew Where, Lord, will I find you: your place is high and obscured. And where won't I find you: your glory fills the world. You dwell deep within -- you've fixed the ends of creation. You stand, a tower for the near, refuge to those far off. You've lain above the Ark, here, yet live in the highest heavens. Exalted among your hosts, although beyond their hymns -- no heavenly sphere could ever contain you, let alone a chamber within. In being home above them on an exalted throne, you are closer to them than their breath and skin. Their mouths bear witness for them that you alone gave them form. Your kingdom's burden in theirs; who wouldn't fear you? And who could fail to search for you -- who sends down food when it is due? I sought your nearness. With all my heart I called you. And in my going out to meet you, I found you coming toward me, as in the wonders of your might and holy works I saw you. Who would say he hasn't seen your glory as the heavens' hordes declare their awe of you without a sound being heard? But could the Lord, in truth, dwell in men on earth? How would men you made from the dust and clay fathom your presence there, enthroned upon their praise? The creatures hovering over the world praise your wonders -- your throne borne high above their heads, as you beat all forever. [2610.jpg] -- from The Poetry of Kabbalah: Mystical Verse from the Jewish Tradition, Edited by Peter Cole <
1.snt - You, oh Christ, are the Kingdom of Heaven, #unset, #Arthur C Clarke, #Fiction
   English version by George A. Maloney, S.J. Original Language Greek You, oh Christ, are the Kingdom of Heaven; You, the land promised to the gentle; You the grazing lands of paradise; You, the hall of the celestial banquet; You, the ineffable marriage chamber; You the table set for all, You the bread of life; You, the unheard of drink; You, both the urn for the water and the life-giving water; You, moreover, the inextinguishable lamp for each one of the saints; You, the garment and the crown and the one who distributes crowns; You, the joy and the rest; You, the delight and glory; You the gaiety; You, the mirth; and Your grace, grace of the Spirit of all sanctity, will shine like the sun in all the saints; and You, inaccessible sun, will shine in their midst and all will shine brightly, to the degree of their faith, their asceticism, their hope and their love, their purification and their illumination by Your Spirit. [bk1sm.gif] -- from Hymns of Divine Love: Songs of praise by one of the great mystics of all church history, by Symeon the New Theologian / Channeled by Gearoge A. Maloney, S.J. <
1.wby - A Man Young And Old - Complete, #Yeats - Poems, #William Butler Yeats, #Poetry
  The bride is catried to the bridegroom's chamber
  through torchlight and tumultuous song;

1.wby - A Man Young And Old - XI. From Oedipus At Colonus, #Yeats - Poems, #William Butler Yeats, #Poetry
  The bride is carried to the bridegroom's chamber through torchlight and tumultuous song;
  I celebrate the silent kiss that ends short life or long.

1.wby - Meditations In Time Of Civil War, #Yeats - Poems, #William Butler Yeats, #Poetry
  Amid great chambers and long galleries, lined
  With famous portraits of our ancestors;
  --
  A winding stair, a chamber arched with stone,
  A grey stone fireplace with an open hearth,
  --
  In some like chamber, shadowing forth
  How the daemonic rage
  --
  And turn towards my chamber, caught
  In the cold snows of a dream.

1.wby - The Chambermaids First Song, #Yeats - Poems, #William Butler Yeats, #Poetry
  object:1.wby - The chambermaids First Song
  author class:William Butler Yeats

1.wby - The Chambermaids Second Song, #Yeats - Poems, #William Butler Yeats, #Poetry
  object:1.wby - The chambermaids Second Song
  author class:William Butler Yeats

1.wby - The Old Age Of Queen Maeve, #Yeats - Poems, #William Butler Yeats, #Poetry
  To that small chamber by the outer gate.
  The porter slept, although he sat upright

1.wby - The Three Bushes, #Yeats - Poems, #William Butler Yeats, #Poetry
  Dear chambermaid,' said she.
  "I know that I must drop down dead
  --
  But heaved a sigh if the chambermaid
  Looked half asleep all day.
  --
  The chambermaid lived long, and took
  Their graves into her charge,

1.wby - The Witch, #Yeats - Poems, #William Butler Yeats, #Poetry
  To the chamber where
  Lies one long sought

1.wby - To Dorothy Wellesley, #Yeats - Poems, #William Butler Yeats, #Poetry
  Climb to your chamber full of books and wait,
  No books upon the knee, and no one there

1.whitman - Proud Music Of The Storm, #Whitman - Poems, #unset, #Zen
       chamber,
   Come, for I have found the clue I sought so long,      

1.whitman - When Lilacs Last in the Dooryard Bloomd, #Whitman - Poems, #unset, #Zen
  what shall I hang on the chamber walls?
  And what shall the pictures be that I hang on the walls,

1.whitman - Yet, Yet, Ye Downcast Hours, #Whitman - Poems, #unset, #Zen
  Earth to a chamber of mourning turnsI hear the o'er weening, mocking
      voice,

1.ww - 1- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  Mourns she for lordly chamber's hearth        
  That to the sapling ash gives birth;

1.ww - 4- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  In her pale chambers of the west,
  Of that rash levy nought remained.

1.ww - Book Fourteenth [conclusion], #unset, #Arthur C Clarke, #Fiction
  And warble in its chambers. At a time
  When Nature, destined to remain so long

1.ww - Book Seventh [Residence in London], #unset, #Arthur C Clarke, #Fiction
  The Monument, and that chamber of the Tower
  Where England's sovereigns sit in long array,

1.ww - Book Third [Residence at Cambridge], #unset, #Arthur C Clarke, #Fiction
  When, in forlorn and naked chambers cooped      
  And crowded, o'er the ponderous books they hung

1.ww - From The Cuckoo And The Nightingale, #Wordsworth - Poems, #unset, #Zen
  Before the chamber-window of the Queen,
  At Woodstock, on the meadow green and gay.

1.ww - From The Dark Chambers Of Dejection Freed, #Wordsworth - Poems, #unset, #Zen
  object:1.ww - From The Dark chambers Of Dejection Freed
  author class:William Wordsworth
  --
  FROM the dark chambers of dejection freed,
  Spurning the unprofitable yoke of care,

1.ww - Mark The Concentrated Hazels That Enclose, #Wordsworth - Poems, #unset, #Zen
  Of a dark chamber where the Mighty sleep:
  For more than Fancy to the influence bends

1.ww - The Excursion- II- Book First- The Wanderer, #Wordsworth - Poems, #unset, #Zen
  Within her chamber-casement she espied
  A folded paper, lying as if placed

1.ww - The Excursion- IV- Book Third- Despondency, #Wordsworth - Poems, #unset, #Zen
  With all the chambers in its horrid towers,
  Fell to the ground:--by violence overthrown

1.ww - The Excursion- IX- Book Eighth- The Parsonage, #Wordsworth - Poems, #unset, #Zen
  Or dwell in chambers of some natural cave;
  Or where their ancestors erected huts,

1.ww - The Excursion- V- Book Fouth- Despondency Corrected, #Wordsworth - Poems, #unset, #Zen
  Within whose silent chambers treasure lies
  Preserved from age to age; more precious far
  --
  And chambers of transgression, now forlorn.
  O, calm contented days, and peaceful nights!

1.ww - Vaudracour And Julia, #Wordsworth - Poems, #unset, #Zen
  Her chamber-window did surpass in glory
  The portals of the dawn; all paradise
  --
  When to his chamber he retired, attempt
  Was made to seize him by three armed men,

2.01 - Habit 1 Be Proactive, #The 7 Habits of Highly Effective People, #Stephen Covey, #unset
  Look at Gandhi. While his accusers were in the legislative chambers criticizing him because he wouldn't join in their Circle of Concern rhetoric condemning the British Empire for their subjugation of the Indian people, Gandhi was out in the rice paddies, quietly, slowly, imperceptibly expanding his
  Circle of Influence with the field laborers. A ground swell of support, of trust, of confidence followed him through the countryside. Though he held no office or political position, through compassion, courage, fasting, and moral persuasion he eventually brought England to its knees, breaking political domination of 300 million people with the power of his greatly expanded Circle of Influence.

2.02 - Meeting With the Goddess, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  the deepest chamber of the heart.
  In the west of Ireland they still tell the tale of the Prince of the
  --
  twelve chambers. In each was a woman more beautiful than the
  one before. But when he reached the thirteenth chamber and
  opened the door, the flash of gold took the sight from his eyes.
  --
  the great bright chamber was a golden couch, resting on wheels
  of gold. The wheels turned continually; the couch went round
  --
  "The Virgin Mary is taken up into the bridal chamber of hea
  ven, where the King of Kings sits on his starry throne."

2.03 - On Medicine, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Sri Aurobindo: By liberality Idon't mean generosity but a sort of freedom of consciousness and a certain fairness. Because of these, along with their public spirit, there is not such confusion in public life in England as in France or in America. The English can vehemently criticise one another in the press even personally but that does not affect their private relationship. You have seen how Brailsford has attacked chamberlain; but their friendship, or private relations, won't be affected by that.
   Disciple: That might be only for show.

2.04 - ON PRIESTS, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  the bad odor of death chambers. And whoever lives
  near them lives near black ponds out of which an

2.05 - VISIT TO THE SINTHI BRAMO SAMAJ, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  The chamber of your heart!
  He continued: "When you mix with people outside your Samaj, love them all. When in their company be one of them. Don't harbour malice toward them. Don't turn up your nose in hatred and say: 'Oh, this man believes in God with form and not in the formless God. That man believes in the formless God and not in God with form. This man is a Christian. This man is a Hindu. And this man is a Musslman.' It is God alone who makes people see things in different ways. Know that people have different natures. Realize this and mix with them as much as you can. And love all. But enter your own inner chamber to enjoy peace and bliss.
  Lighting the lamp of Knowledge in the chamber of your heart, Behold the face of the Mother, Brahman's Embodiment.
  You can see your true Self only within your own chamber. The cowherds take the cows to graze in the pasture. There the cattle mix. They all form one herd. But on returning to their sheds in the evening they are separated. Then each stays by itself in its own stall.
  Therefore I say, dwell by yourself in your own chamber."
  It was ten o'clock in the evening. The Master got into a carriage to return to Dakshineswar. One or two attending devotees got in with him. The carriage stood under a tree, in deep darkness. Beni Pl wanted to send some sweets and other food with Sri Ramakrishna for Ramlal, the Master's nephew.

2.08 - On Non-Violence, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Elections to the French chamber of Deputies are going on. Mons. Valiant of Karikal saw Sri Aurobindo in connection with the elections. Certain instructions and advice were given to him.
   The Tarakeshwar temple Satyagraha came in for discussion. Sri Aurobindo seemed anxious to know the details. The report was that Abhayanand was the Mahant's man and hirelings had been engaged to beat the volunteers of Swami Satchidananda and Vishwananda. Satchidananda was saved from being killed by the Gurkha, the watchman, of a Marwari Dharmasala. Sri Aurobindo was not only interested but anxious that the fight must go through to success.

2.10 - The Primordial Kings Their Shattering, #General Principles of Kabbalah, #Rabbi Moses Luzzatto, #Kabbalah
  into man by means of deep ties and big chambers or cells,
  like the complicated mechanism of a watch. His primary
  --
  However in these chambers there is also evil, which
  also exists for the ultimate promulgation of the good.
  --
  the chambers, it too becomes converted to good. It
  therefore serves no purpose other than that of being
  --
  other contents in the chambers, it can be converted. So
  that when the Supreme Thought proceeds to emend the
  image of man (the sum total of all the chambers) He
  first brings forth the whole of evil itself and the entire
  --
  remaining chambers and joins evil with them so that
  evil might be subdued and not, itself, subdue. In this
  --
  good chambers are comprised in the image of man.*
  When the essence of evil is connected with these chambers
  for the sole purpose of being vanquished, it too will con

2.17 - December 1938, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Disciple: From chamberlain's speech today it seems Britain is not obliged to side with France in case of war it looks like it.
   Sri Aurobindo: The English always keep their policy open so that they may change and correct as they like.
  --
   Sri Aurobindo: A chamber of Rishis! That would not be very promising. They will at once begin to quarrel nn munir nn mat, as they say. Rishis in ancient times could guide kings because they were distributed over various places.
   Disciple: His idea is of gathering all great men together.
  --
   Sri Aurobindo: You have seen what chamberlain has said? "England is not obliged to help France in case of war with Italy." But if Italy combines with Germany one can't say what England will do.
   Disciple: In case there is a general war India will have an opportunity for independence.

2.18 - January 1939, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Disciple: Nothing seems to have come out of the chamberlain-Mussolini interview. Both parties say they are satisfied with the results.
   Sri Aurobindo: I can't understand England's policy. I don't know what she is after. France is being led by England, being stuck to her like a tail. It is said that Mussolini is waiting for General Franco's victory in Spain, then he will present his terms to France. Franco's victory will be dangerous for France. But it is very difficult to see how England profits by this. For as soon as Italy and Germany have crushed France, the next victim will be England. England knows very well Mussolini's ambition to create an Italian empire, and that means he will try to regain all that once belonged to Italy. England is deliberately raising Hitler and Mussolini against France and letting her down. I do not know why unless the three want to share the empire of France, and then England may try to put Hitler and Mussolini against each other. That may be her traditional self-centred policy, but it is a very risky game.
  --
   Sri Aurobindo: Why not? chamberlain has said that as long as England's interests are not involved she is not obliged to fight. England will say that Italy's demands have not been satisfied and so she has gone to war and Germany has joined her. There was no aggression on Italy's part, and so England is not obliged to come to the aid of France; any number of excuses could be given. Daladier told a friend (who is also a friend of our Suryakumari) that he had to betray Czechoslovakia because chamberlain told him that England will support him as far as it is diplomatically possible, but in case of war France should not count on England.
   Disciple: I wonder why Flandin wants to support Franco when Blum is against him. You know Flandin even sent a telegram to Mussolini conveying his congratulations! Hitler counts Flandin as a friend does he intend to join the Rome-Berlin axis and thus keep out England?
  --
   Sri Aurobindo: If that takes place it will make chamberlain fight in spite of himself. England does not want any German navy in the North Sea. But Germany wont do that unless she wants war with England.
   ( A disciple spoke of the canal scheme of Russia to enable to connect herself with Asia and the Arctic Sea. Then the topic of Lady B., an American visiting the Ashram in the company of Nishtha (Miss Wilson), came up.)
  --
   ( The talk turned to the Rajkot affair. P related the substance of the correspondence between the Thakore and Patel, and the instrumentation of the Dewan and others in helping the Thakore to retract from the agreed terms. Then he recounted the story of the suicide of Ranjit Singh who was insulted by the Viceroy in the chamber of Princes.)
   Sri Aurobindo: When is the Government going to inaugurate the Federation?

2.19 - Feb-May 1939, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Sri Aurobindo: But it is doubtful if he can carry the nation with him. The armaments are increased for Americas own defence, and if they are exported people may think it will involve them in a war. At any rate, his speech has come as a great blow to both Italy and Germany. chamberlain also may think of supporting France now. A remarkable man, this Roosevelt, he is very bold and ready to experiment and take risks. It is the old Roosevelt blood, only the first Roosevelt was Fascist. This one is more refined.
   Disciple: Jean Herbert says that there may not be any war after all.
  --
   Disciple: The French chamber voted unanimously against the Italian demand for colonies.
   Sri Aurobindo: That, of course; when somebody comes to take hold of a family possession, the family will unanimously refuse.
  --
   Sri Aurobindo: He is not reliable. Daladier has at least some force. On one occasion he refused to listen to Bonnet and said he would not tolerate any English interference in connection with the Italian question. The French people don't know that they have to stand up to the British and speak to them bluntly. During the Czech crisis when chamberlain told them that he would help them diplomatically as far as possible but they should not count on his military support, they should have replied that if England was attacked by Germany they should not count on them as allies. Then chamberlain would have come down.
   9 FEBRUARY 1939

2.19 - THE SOOTHSAYER, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  all death chambers, laughing at all the night watchmen
  and guardians of tombs and at whoever else is rattling

2.20 - THE MASTERS TRAINING OF HIS DISCIPLES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  MASTER: "Don't say such a thing! They love you so much! They await your coming as eagerly as the bridesmaids in the bridal chamber await the coming of the groom."
  GIRISH: "Everyone has the greatest respect for you."

2.21 - 1940, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Sri Aurobindo: That is what I don't understand how they can complain of want of men. chamberlain and Daladier both seem to be the same. I do not know whether it is stupidity or treachery.
   Disciple: Somebody raised a complaint that the British were not sending sufficient men.
  --
   Sri Aurobindo: And so Gamelin had to go! He was so much accustomed to the idea of fortress that he did not know what to do when the Germans came in through Flanders! Gamelin and Daladier are both so evidently weak that one is surprised how they were regarded as strong men. Government after government in France appointed Daladier as Foreign Minister, while he did nothing to prepare for war, and nor did chamberlain. You have only to look at their photographs at the Munich Conference where you can see a fierce, cunning, and crafty Hitler, while Daladier appears like one who can be broken in no time, and chamberlain looks like a cunning fool who thinks he is winning his point, while really he is not.
   There was a Nazi incident in Uruguay.

2.24 - The Message of the Gita, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  "This love that is knowledge, this love that can be the deep heart of your action, will be your most effective force for an utter consecration and complete perfection. An integral union of the individual's being with the Divine Being is the condition of a perfect spiritual life. Turn then altogether towards the Divine; make one with him by knowledge, love and works all your nature. Turn utterly towards him and give up ungrudgingly into his hands your mind and your heart and your will, all your consciousness and even your very senses and body. Let your consciousness be sovereignly moulded by him into a flawless mould of his divine consciousness. Let your heart become a lucid or flaming heart of the Divine. Let your will be an impeccable action of his will. Let your very sense and body be the rapturous sensation and body of the Divine. Adore and sacrifice to him with all you are; remember him in every thought and feeling, every impulsion and act. Persevere until all these things are wholly his and he has taken up even in most common and outward things as in the inmost sacred chamber of your spirit his constant transmuting presence.
  * *

2.25 - The Triple Transformation, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  If the psychic entity had been from the beginning unveiled and known to its ministers, not a secluded King in a screened chamber, the human evolution would have been a rapid souloutflowering, not the difficult, chequered and disfigured development it now is; but the veil is thick and we know not the secret Light within us, the light in the hidden crypt of the heart's innermost sanctuary. Intimations rise to our surface from the psyche, but our mind does not detect their source; it takes them for its own activities because, before even they come to the surface, they are clothed in mental substance: thus ignorant of their authority, it follows or does not follow them according to its bent or turn at the moment. If the mind obeys the urge of the vital ego, then there is little chance of the psyche at all controlling the nature or manifesting in us something of its secret spiritual stuff and native movement; or, if the mind is over-confident to act in its own smaller light, attached to its own judgment, will and action of knowledge, then also the soul will remain veiled and quiescent and wait for the mind's farther evolution. For the psychic part within is there to support the natural evolution, and the first natural evolution must be the development of body, life and mind, successively, and these must act each in its own kind or together in their ill-assorted partnership in order to grow and have experience and evolve. The soul gathers the essence of all our mental, vital and bodily experience and assimilates it for the farther evolution of our existence in Nature; but this action is occult and not obtruded on the surface. In the early material and vital stages of the evolution of being there is indeed no consciousness of soul; there are psychic activities, but the instrumentation, the form of these activities are vital and physical - or mental when the mind is active. For even the mind, so long as it is primitive or is developed but still too external, does not recognise their deeper character. It is easy to regard ourselves as physical beings or beings of life or mental beings using life and body and to ignore the existence of the soul altogether: for the only definite idea that we have of the soul is of something that survives the death of our bodies; but what this is we do not know because even if we are conscious sometimes of its presence, we are not normally conscious of its distinct reality nor do we feel clearly its direct action in our nature.
  As the evolution proceeds, Nature begins slowly and tentatively to manifest our occult parts; she leads us to look more and more within ourselves or sets out to initiate more clearly recognisable intimations and formations of them on the surface.
  --
  If the spirit could from the first dwell securely on the superior heights and deal with a blank and virgin stuff of mind and matter, a complete spiritual transformation might be rapid, even facile: but the actual process of Nature is more difficult, the logic of her movement more manifold, contorted, winding, comprehensive; she recognises all the data of the task she has set to herself and is not satisfied with a summary triumph over her own complexities. Every part of our being has to be taken in its own nature and character, with all the moulds and writings of the past still there in it: each minutest portion and movement must either be destroyed and replaced if it is unfit, or, if it is capable, transmuted into the truth of the higher being. If the psychic change is complete, this can be done by a painless process, though still the programme must be long and scrupulous and the progress deliberate; but otherwise one has to be satisfied with a partial result or, if one's own scrupulousness of perfection or hunger of the spirit is insatiable, consent to a difficult, often painful and seemingly interminable action. For ordinarily the consciousness does not rise to the summits except in the highest moments; it remains on the mental level and receives descents from above, sometimes a single descent of some spiritual power that stays and moulds the being into something predominatingly spiritual, or a succession of descents bringing into it more and more of the spiritual status and dynamis: but unless one can live on the highest height reached, there cannot be the complete or more integral change. If the psychic mutation has not taken place, if there has been a premature pulling down of the higher Forces, their contact may be too strong for the flawed and impure material of Nature and its immediate fate may be that of the unbaked jar of the Veda which could not hold the divine Soma Wine; or the descending influence may withdraw or be spilt because the nature cannot contain or keep it. Again, if it is Power that descends, the egoistic mind or vital may try to seize on it for its own use and a magnified ego or a hunting after powers and self-aggrandising masteries may be the untoward result. The Ananda descending cannot be held if there is too much sexual impurity creating an intoxicant or degrading mixture; the Power recedes, if there is ambition, vanity or other aggressive form of lower self, the Light if there is an attachment to obscurity or to any form of the Ignorance, the Presence if the chamber of the heart has not been made pure. Or some undivine Force may try to seize hold, not of the Power itself, for that withdraws, but of the result of force it leaves behind in the instrument and use it for the purposes of the Adversary. Even if none of these more disastrous faults or errors should take place, still the numerous mistakes of reception or the imperfections of the vessel may impede the transformation. The Power has to come at intervals and work meanwhile behind the veil or hold itself back through long periods of obscure assimilation or preparation of the recalcitrant parts of Nature; the Light has to work in darkness or semi-darkness on the regions in us that are still in the Night. At any moment the work may be stayed, personally for this life, because the nature is able to receive or assimilate no more, - for it has reached the present limits of its capacity, - or because the mind may be ready but the vital, when faced with a choice between the old life and the new, refuses, or if the vital accepts, the body may prove too weak, unfit or flawed for the necessary change of its consciousness and its dynamic transformation.
  Moreover, the necessity of working out the change separately in each part of the being in its own nature and character compels the consciousness to descend into each in turn and act there according to its state and its possibility. If the work were done from above, from some spiritual height, there might be a sublimation or uplifting or the creation of a new structure compelled by the sheer force of the influence from above: but this change might not be accepted as native to itself by the lower being; it would not be a total growth, an integral evolution, but a partial and imposed formation, affecting or liberating some parts of the being, suppressing others or leaving them as they were; a creation from outside the normal nature, by imposition upon it, it could be durable in its entirety only as long as there was a maintenance of the creating influence. A descent of consciousness into the lower levels is therefore necessary, but in this way also it is difficult to work out the full power of the higher principle; there is a modification, dilution, diminution which keeps up an imperfection and limitation in the results: the light of a greater knowledge comes down but gets blurred and modified, its significance misinterpreted or its truth mixed with mental and vital error, or the force, the power to fulfil itself is not commensurate with its light. A light and power of the overmind working in its own full right and in its own sphere is one thing, the same light working in the obscurity of the physical consciousness and under its conditions is something quite different and, owing to dilution and mixture, far inferior in its knowledge and force and results. A mutilated power, a partial effect or hampered movement is the consequence.

2.26 - Samadhi, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  The greatest value of the dream-state of Samadhi lies, however, not in these more outward things, but in its power to open up easily higher ranges and powers of thought, emotion, will by which the soul grows in height, range and self-mastery. Especially, withdrawing from the distraction of sensible things, it can, in a perfect power of concentrated self-seclusion, prepare itself by a free reasoning, thought, discrimination or more intimately, more finally, by an ever deeper vision and identification, for access to the Divine, the supreme Self, the transcendent Truth, both in its principles and powers and manifestations and in its highest original Being. Or it can by an absorbed inner joy and emotion, as in a sealed and secluded chamber of the soul, prepare itself for the delight of union with the divine Beloved, the Master of all bliss, rapture and Ananda.
  For the integral Yoga this method of Samadhi may seem to have the disadvantage that when it ceases, the thread is broken and the soul returns into the distraction and imperfection of the outward life, with only such an elevating effect upon that outer life as the general memory of these deeper experiences may produce. But this gulf, this break is not inevitable. In the first place, it is only in the untrained psychic being that the experiences of the trance are a blank to the waking mind; as it becomes the master of its Samadhi, it is able to pass without any gulf of oblivion from the inner to the outer waking. Secondly, when this has been once done, what is attained in the inner state, becomes easier to acquire by the waking consciousness and to turn into the normal experience, powers, mental status of the waking life. The subtle mind which is normally eclipsed by the insistence of the physical being, becomes powerful even in the waking state, until even there the enlarging man is able to live in his several subtle bodies as well as in his physical body, to be aware of them and in them, to use their senses, faculties, powers, to dwell in possession .of supra-physical truth, consciousness and experience.

2.26 - The Ascent towards Supermind, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  This law of Nature's procedure brings in the necessity of a gradation in the last transitional process, a climbing of degrees, an unfolding of higher and higher states that lead us from the spiritualised mind to supermind, - a steep passage that could not be accomplished otherwise. There are above us, we have seen, successive states, levels or graded powers of being overtopping our normal mind, hidden in our own superconscient parts, higher ranges of Mind, degrees of spiritual consciousness and experience; without them there would be no links, no helpful intervening spaces to make the immense ascension possible. It is indeed from these higher sources that the secret spiritual Power acts upon the being and by its pressure brings about the psychic transformation or the spiritual change; but in the early stages of our growth this action is not apparent, it remains occult and unseizable. At first what is necessary is that the pure touch of the spiritual force must intervene in mental nature: that awakening pressure must stamp itself upon mind and heart and life and give them their upward orientation; a subtle light or a great transmuting power must purify, refine and uplift their motions and suffuse them with a higher consciousness that does not belong to their own normal capacity and character. This can be done from within by an invisible action through the psychic entity and the psychic personality; a consciously felt descent from above is not indispensable. The presence of the spirit is there in every living being, on every level, in all things, and because it is there, the experience of Sachchidananda, of the pure spiritual existence and consciousness, of the delight of a divine presence, closeness, contact can be acquired through the mind or the heart or the life-sense or even through the physical consciousness; if the inner doors are flung sufficiently open, the light from the sanctuary can suffuse the nearest and the farthest chambers of the outer being. The necessary turn or change can also be brought about by an occult descent of the spiritual force from above, in which the influx, the influence, the spiritual consequence is felt, but the higher source is unknown and the actual feeling of a descent is not there. A consciousness so touched may be so much uplifted that the being turns to an immediate union with the Self or with the Divine by departure from the evolution and, if that is sanctioned, no question of graduality or steps or method intervenes, the rupture with Nature can be decisive: for the law of departure, once it is made possible, is not or need not be the same as the law of the evolutionary transformation and perfection; it is or can be a leap, a breaking out of bonds rapid or immediate, - the spiritual evasion is secured and its only remaining sanction is the destined fall of the body. But if the transformation of earth life is intended, the first touch of spiritualisation must be followed by an awakening to the higher sources and energies, a seeking for them and an enlargement and heightening of the being into their characteristic status and a conversion of the consciousness to their greater law and dynamic nature. This change must go step by step, till the stair of the ascension is transcended and there is an emergence to those greatest wide-open spaces of which the Veda speaks, the native spaces of a consciousness which is supremely luminous and infinite.
  For here there is the same process of evolution as in the rest of the movement of Nature; there is a heightening and widening of the consciousness, an ascent to a new level and a taking up of the lower levels, an assumption and new integration of the existence by a superior power of Being which imposes its own way of action and its character and force of substanceenergy on as much as it can reach of the previously evolved parts of nature. The demand for integration becomes at this highest stage of Nature's workings a point of cardinal importance. In the lower grades of the ascension the new assumption, the integration into a higher principle of consciousness, remains incomplete: the mind cannot wholly mentalise life and matter; there are considerable parts of the life being and the body which remain in the realm of the submental and the subconscient or inconscient. This is one serious obstacle to the mind's endeavour towards the perfection of the nature; for the continued share of the submental, the subconscient and inconscient in the government of the activities, by bringing in another law than that of the mental being, enables the conscious vital and the physical consciousness also to reject the law laid upon them by the mind and to follow their own impulses and instincts in defiance of the mental reason and the rational will of the developed intelligence.

2.4.1 - Human Relations and the Spiritual Life, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
  To be alone with the Divine is the highest of all privileged states for the sadhak, for it is that in which inwardly he comes nearest to the Divine and can make all existence a communion in the chamber of the heart as well as in the temple of the universe. Moreover that is the beginning and base of the real oneness with all, for it establishes that oneness in its true base, on the Divine, for it is in the Divine that he meets and unites with all and no longer in a precarious interchange of the mental and vital ego. So do not fear loneliness but put your trust in the Mother and go forward on the Path in her strength and Grace.
  ***

30.01 - World-Literature, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Now, what is meant by popular - "plebeian" - literature? It is the literature of the people, the common man, the literature that has grown up around the ordinary life of the ordinary run. When man is in his early childhood, when he has just dissociated himself from his mere animality and has begun to know and feel his own self, when he has learnt first to lisp, the delight which he then derives from expressing his feelings and perceptions through articulate words marks the origin of the first poet of nature. At this stage we find a spontaneous exuberance of kindly experiences. The poet's vision is utterly physical here. His eyes turn exclusively to the external world confined within his limited ken. The poet portrays through word and rhythm his normal daily experiences acquired in his own private chamber or while roving in the open fields around homely hamlets. His imagination is also circumscribed. by such or similar environments. The language is soft, fluid and partly expressive - it is molten and gliding. His themes stem from the happiness and sorrow of the common life, ready at hand; nothing complex is to be found there.
   Literary creation starts with proverbs and fairy tales. Another stage sets in when men do not relish merely the simple narration but want to narrate in a lucid and artistic manner. Not only that, they do not want to indulge in any ordinary subject but want to speak of something momentous and significant. And here is the foundation of true literature. But still there is the admixture of popular, plebeian manners, modes of rustic consciousness. The touch of spirituality, i.e.Soulfulness, the savour of a bliss found elsewhere in seclusion and isolation and the wide universal experiences of a true seer have not yet penetrated there. The great poet exceeds not only his surroundings - his own people and land; he is able to acquaint us with other climes and times, and he succeeds even in expressing .the thoughts of humanity at large; but in the parochial poet who may speak of such things there is still a reflection of narrowness, similar to tall talk In the mouths of children. Here there is not much selection, no restraint, no constructiveness, no high seriousness - there is instead an abundance, a prolixity, almost a confusion and an irresponsibility, as it were, and as in the ordinary life there is a pull towards the physical, the external and the small. The Ballads of the English and the Romantic Songs of the French fall under this category. Likewise, however deep in spiritual significance may be our kirtansor the songs of the religious wanderers of our country, they can, without injustice, be classed with those Ballads and Romances of the West.
  --
   The sense of universality means transcending the limitations of time and clime. Now, the main reason why man remains confined to a particular time and clime is this that he clings to a particular avocation or religion or institution - his very nature is to live within the confines of time and space. External life (life of the outside world) - that is to say, mixing with men of various countries, acquaintance and intimacy with the experiences and realisations of the different countries and epochs - can and do break and melt the narrowness to a considerable degree but cannot remove it altogether. For what is required is to cast a look at ourselves, to change something of our inner nature. One who has not been able to change this inner attitude will not get any genuine universality or all-pervading sovereignty even if he travels over the whole world. So what is required is to discover the universal soul in the heart and not outside. And, for that, three boundaries have to be crossed, three walls overleaped and this also in our inner being, in our inner chamber. The Vedic sage Shunahshepa says that the God Varuna has three knots and they have to be cut away: then and then alone man will ascend to the infinite wideness of Varuna and will get the limitless and unfathomable ocean of delight of Eternal Life. And what are these three knots? They are the knots of the Body, the Vital and the Mind. For the poets and litterateurs too there are three similar knots. First, the knot of the body, that is to say, the physical sight, mere perception of the senses - to accept that which is external as absolute truth and to draw a picture of the outer form visible to the eyes and palpable by the senses. In literature it has been termed 'realism'. A thing must be shown exactly as it is seen with the physical eyes: this means that art is a photograph of nature, and it is the principle of 'realism'. We can express in one word the objections that have been or may be raised against 'realism': it has neither given nor can give birth to true or universal literature. For where do we find the universe, the whole? That is not in the external, not in the body. What is exclusively external, what is merely a body is only a narrow field of differences and divisions and strifes. True, there is some concrete union or harmony of the universe. But so long as we remain bound to the body we cannot get a gleam of that thing. This is as much the case with the aspirant soul as with the artist. The artist who is engrossed with the exterior is compelled to be confined to a particular time and space. He is only archaeological in his outlook. He is likely to collect some materials for art but he himself cannot create anything of his own. The paintings of Ravi Varma can never be placed in the comity of the world, for we find there only the outer sheath, devoid of life. No doubt that sheath may awaken some curiosity for its grotesqueness but never can it touch the heart. If Zola or Goncourt deserves a place in the assembly of nations, then I believe it is not for 'realism' but for something else, although 'realism' is in abundance there.
   Therefore the idealist has put up a brave fight against the realist. The place of union of the universe is not in the body, but in the emotion of the vital being and the heart. Likewise vitalism stands over against materialism, and idealism or romanticism over against realism and naturalism. Bergson contraHaeckel, Paul Verlaine contraGuy de Maupassant and Thophile Gautier. But it does not mean that we shall arrive at the true universal literature if we solely cling to idealism, the vital being or emotion. True, the vital being is above the body, and the creation has been extended and liberated to a great extent in it, but the universal is not met even here. The vital being is the second bondage of man. The poetry that has been created or based exclusively on the vital or the emotional stuff is clumsy and disorderly. There we find too much of the personality, the idiosyncrasy and fancy of the particular individual. Naturally it cannot bear the message of the vast universal life-force. The poet who is a slave of his emotional impulse must perforce live in the imaginative circle of his own temporary experience - his ego, the knot of his heart - and consider the narrow compass of his surrounding and time as vast and gigantic. The universe, the universal does not get a chance to be reflected in him. He can at best be a poet of a particular sect, of a group or limited collectivity.

3.01 - Love and the Triple Path, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  If the mutual misunderstandings of these two powers are an ignorance, no less so is the tendency of both to look down on the way of works as inferior to their own loftier pitch of spiritual achievement. There is an intensity of love, as there is an intensity of knowledge, to which works seem something outward and distracting. But works are only thus outward and distracting when we have not found oneness of will and consciousness with the Supreme. When once that is found, works become the very power of knowledge and the very outpouring of love. If knowledge is the very state of oneness and love its bliss, divine works are the living power of its light and sweetness. There is a movement of love, as in the aspiration of human love, to separate the lover and the loved in the enjoyment of their exclusive oneness away from the world and from all others, shut up in the nuptial chambers of the heart. That is perhaps an inevitable movement of this path. But still the widest love fulfilled in knowledge sees the world not as something other and hostile to this joy, but as the being of the Beloved and all creatures as his being, and in that vision divine works find their joy and their justification. This is the knowledge in which an integral Yoga must live. We have to start Godward from the powers of the mind, the intellect, the will, the heart, and in the mind all is limited. Limitations, exclusiveness there can hardly fail to be at the beginning and for a long time on the way. But an integral Yoga will wear these more loosely than more exclusive ways of seeking, and it will sooner emerge from the mental necessity. It may commence with the way of love, as with the way of knowledge or of works; but where they meet, is the beginning of its joy of fulfilment. Love it cannot miss, even if it does not start from it; for love is the crown of works and the flowering of knowledge.
  * Gita

3.02 - Aridity in Prayer, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
  11.: All things obstruct us while prudence rules our actions; we are afraid of everything and therefore fear to make progress-as if we could reach the inner chambers while others make the journey for us! As this is impossible, sisters, for the love of God let us exert ourselves, and leave our reason and our fears in His hands, paying no attention to the weaknesses of nature which might retard us. Let our Superiors, to whom the charge belongs, look after our bodies; let our only care be to hasten to our Lord's presence-for though there are few or no indulgences to be obtained here, yet, regard for health might mislead us and it would be none the better for our care, as I know well.
  12.: I know, too, that our bodies are not the chief factors in the work we have before us; they are accessory: extreme humility is the principal point. It is the want of this, I believe, that stops people's progress. It may seem that we have made but little way: we should believe that is the case, and that our sisters are advancing much more rapidly than we are. Not only should we wish others to consider us the worst of all; we should endeavour to make them think so. If we act in this manner, our soul will do well; otherwise we shall make no progress and shall always remain the prey to a thousand troubles and miseries. The way will be difficult and wearisome without self-renunciation, weighed down as we are by the burden and frailties of human nature, which are no longer felt in the more interior mansions.

3.05 - ON VIRTUE THAT MAKES SMALL, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  rooms and chambers-can men go in and out of them?
  They look to me as if made for silken dolls, or for

3.05 - SAL, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  And the beast had on its head four colours, black, then the colour of flame and blood, then golden, then white. After I had passed the beast by and had gone about thirty feet further, lo! a maiden met me, adorned as if coming forth from the bridal chamber, all in white and with white sandals, veiled to the forehead, and a turban for a head-dress, but her hair was white.575
  [302] The similarity between the two stories is so complete that one is tempted to assume that Maier had read the Shepherd of Hermas. This is not very likely. Though he had a good education in the humanities I can see in his writings no evidence that he was familiar with the patristic literature, and in his references to the writings of Albertus and Thomas Aquinas576 he might easily have let slip a remark of this kind. But one finds nothing, and it does not seem very probable, either, that Maier had direct knowledge of the New Testament Apocrypha.

3.16 - THE SEVEN SEALS OR THE YES AND AMEN SONG, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  as a sweeping gust to old musty tomb chambers; if ever
  I sat jubilating where old gods lie buried, world-blessing, world-loving, beside the monuments of old worldslanders-for I love even churches and tombs of gods,

31 Hymns to the Star Goddess, #unset, #Arthur C Clarke, #Fiction
  Thus came I to my lady's chamber; she it was who carrying roses had left this silvery thread as a clue to her hiding place.
  When I found her, her eyes were closed, as she pressed the fragrant the pink blossoms to her white breast.

3.3.03 - The Delight of Works, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Know last the Master to be thyself; but to this self put no form and seek for it no definition of quality. Be one with That in thy being, commune with That in thy consciousness, obey That in thy force, be subject to That and clasped by it in thy delight, fulfil That in thy life and body and mentality. Then before an opening eye within thee there shall emerge that true and only Person, thyself and not thyself, all others and more than all others, the Director and Enjoyer of thy works, the Master of the worker and the instrument, the Reveller and Trampler in the dance of the universe and yet hushed and alone with thee in thy souls silent and inner chamber.
  The joy of the Master possessed, there is nothing else for thee to conquer. For He shall give thee Himself and all things and all creatures gettings and havings and doings and enjoyings for thy own proper portion, and He shall give thee that also which cannot be portioned.

33.18 - I Bow to the Mother, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   The first time I heard about the Mother was shortly after our arrival here. It was Sri Aurobindo himself who told us about a French lady from Paris who was a great initiate. She was desirous of establishing personal contact with Sri Aurobindo. That the Great Soul whom she meant was no other than Sri Aurobindo would be evidenced by a sign: she would be sending him something that he might recognise. That something was Sri Aurobindo's own symbol - in the form of a diagram, known as Solomon's Seal. Needless to add, after this proof of identity, steps were taken to facilitate her coming. Monsieur Paul Richard was at that time much interested in spiritual thought and practice and he could I find an opportunity for coming here: he wanted to find out if he could get elected as one of the Representatives of French India in the French Parliament and he stood as a candidate for election. In those days, there used to be two elected representatives of French India, one in the Upper chamber, the Snat,the other in the Lower House, the Chambre des Dputs.I have already spoken to you about this business of elections; this was a real bloody affair with murders and mob-attacks that caused terror among the populace.
   The first time he came here for canvassing, he was alone. The Mother accompanied him the next time. To all outward appearances they arrived here to canvass support for the election, although M. Richard did not in the end get very many votes. But this provided the occasion for the Mother to meet Sri Aurobindo and gather a few trusted friends and devotees. In this connection the Mother had to pay a visit to Karikal once. This was her first direct experience of the actual India, that is, what it is in its crude outward aspect. She gave us an amusing description of the room where she was put up, an old dilapidated room as dark as it was dirty and a paradise of white ants. Thus it was that the Divine Mother, One who is fairer than the fairest and lovelier than infinite beauty had to come down and enter the darkness and evil of this human life; for how else could these poor mortals have a chance?

3-5 Full Circle, #unset, #Arthur C Clarke, #Fiction
  57. The following quotations are from a preliminary draft, kindly loaned me by William L. Wallace. The author, who has given his permission, is Senior Economist of the chamber of Commerce of the United States.
  58. Couturat, Louis, La Logique de Liebniz, d'aprs des documents indits, G. Olms Verlagsbuchhandlung, Hildesheim, W. Germany, 1961, pp. 71,f.

3.7.1.07 - Involution and Evolution, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  And is man a biological creation of a brute energy which has somehow unexpectedly and quite inexplicably managed to begin to feel and think, or is he in his real self that inner Being and Power which is the whole sense of the evolution and the master of Nature? Is Nature only the force of self-expression, self-formation, self-creation of a secret spirit, and man however hedged in his present capacity, the first being in Nature in whom that power begins to be consciently self-creative in the front of the action, in this outer chamber of physical being, there set to work and bring out by an increasingly self-conscious evolution what he can of all its human significance or its divine possibility?
  That is the clear conclusion we must arrive at in the end, if we once admit as the key of the whole movement, the reality of this whole mounting creation a spiritual evolution.
  --
  There is a parallel in the Yogic experience of the Kundalini, eternal Force coiled up in the body in the bottom root vessel or chamber, muladhara, pedestal, earth-centre of the physical nervous system. There she slumbers coiled up like a Python and filled full of all that she holds gathered in her being, but when she is struck by the freely coursing breath, by the current of Life which enters in to search for her, she awakes and rises flaming up the ladder of the spinal chord and forces open centre after centre of the involved dynamic secrets of consciousness till at the summit she finds, joins and becomes one with the spirit. Thus she passes from an involution in inconscience through a series of opening glories of her powers into the greatest eternal superconscience of the spirit. This mysterious evolving Nature in the world around us follows even such a course. Inconscient being is not so much a matrix as a chamber of materialised energy in which are gathered up all the powers of the spirit; they are there, but work in the conditions of the material energy, involved, we say, and therefore not apparent as themselves because they have
  324

38.04 - Great Time, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   Alone in the world's chamber:
   There sounded in my heart the tremendous voice of tripleeternity

4.03 - The Senses And Mental Pictures, #Of The Nature Of Things, #Lucretius, #Poetry
  In passing through shut chambers of a house,
  Is dulled, and in a jumble enters ears,

4.03 - THE TRANSFORMATION OF THE KING, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [357] Among the older medieval treatises there is the so-called Allegoria Merlini.32 So far as the name Merlinus is concerned, I must leave it an open question whether it refers to the magician Merlin33 or is a corruption of Merculinus.34 The allegory tells us of a certain king who made ready for battle. As he was about to mount his horse he wished for a drink of water. A servant asked him what water he would like, and the king answered: I demand the water which is closest to my heart, and which likes me above all things. When the servant brought it the king drank so much that all his limbs Avere filled and all his veins inflated, and he himself became discoloured. His soldiers urged him to mount his horse, but he said he could not: I am heavy and my head hurts me, and it seems to me as though all my limbs were falling apart. He demanded to be placed in a heated chamber where he could sweat the water out. But when, after a while, they opened the chamber he lay there as if dead. They summoned the Egyptian and the Alexandrian physicians, who at once accused one another of incompetence. Finally the Alexandrian physicians gave way to the Egyptian physicians, who tore the king into little pieces, ground them to powder, mixed them with their moistening medicines, and put the king back in his heated chamber as before. After some time they fetched him out again half-dead. When those present saw this, they broke out into lamentation, crying: Alas, the king is dead. The physicians said soothingly that he was only sleeping. They then washed him with sweet water until the juice of the medicines departed from him, and mixed him with new substances. Then they put him back in the chamber as before. When they took him out this time he was really dead. But the physicians said: We have killed him that he may become better and stronger in this world after his resurrection on the day of judgment. The kings relatives, however, considered them mountebanks, took their medicines away from them, and drove them out of the kingdom. They now wanted to bury the corpse, but the Alexandrian physicians, who had heard of these happenings, counselled them against it and said they would revive the king. Though the relatives were very mistrustful they let them have a try. The Alexandrian physicians took the body, ground it to powder a second time, washed it well until nothing of the previous medicines remained, and dried it. Then they took one part of sal ammoniac and two parts of Alexandrian nitre, mixed them with the pulverized corpse, made it into a paste with a little linseed oil, and placed it in a crucible-shaped chamber with holes bored in the bottom; beneath it they placed a clean crucible and let the corpse stand so for an hour. Then they heaped fire upon it and melted it, so that the liquid ran into the vessel below. Whereupon the king rose up from death and cried in a loud voice: Where are my enemies? I shall kill them all if they do not submit to me! All the kings and princes of other countries honoured and feared him. And when they wished to see something of his wonders, they put an ounce of well-purified mercury in a crucible, and scattered over it as much as a millet-seed of finger-nails or hair or of their blood, blew up a light charcoal fire, let the mercury cool down with these, and found the stone, as I do know.
  [358] This parable contains the primitive motif of the murder or sacrifice of the king for the purpose of renewing his kingly power and increasing the fertility of the land. Originally it took the form of killing the old and impotent king. In this tale the king was afflicted with a dropsy both real and metaphorical: he suffered from a general plethora and a total oedema because he drank too much of the special water. One would be inclined to think that the water closest to his heart which liked him above all things was eau de vie and that he suffered from cirrhosis of the liver, were it not that the extraction of the moist psyche from the elements was a preoccupation of alchemy long before the distillation of alcohol.35 The idea was to extract the pneuma or psyche or virtue from matter (e.g., from gold) in the form of a volatile or liquid substance, and thereby to mortify the body. This aqua permanens36 was then used to revive or reanimate the dead body and, paradoxically, to extract the soul again.37 The old body had to die; it was either sacrificed or simply killed, just as the old king had either to die or to offer sacrifice to the gods (much as Pharaoh offered libations to his own statue). Something of this kind was celebrated at the Sed festival. Moret thinks the Sed ceremony was a kind of humanized regicide.38
  --
  [365] If after this glimpse into the psychology of the solutio we turn back to the Allegoria Merlini, several things will become clear: the king personifies a hypertrophy of the ego which calls for compensation. He is about to commit an act of violencea sure sign of his morally defective state. His thirst is due to his boundless concupiscence and egotism. But when he drinks he is overwhelmed by the water, i.e., by the unconscious, and medical help becomes necessary. The two groups of doctors further assist his dissolution by dismemberment and pulverization.62 The original of this may be the dismemberment of Osiris and Dionysus.63 The king is subjected to various forms of dissolution: dismemberment, trituration, dissolution in water.64 His transfer to the heated chamber is the prototype of the laconicum (sweat-bath) of the king, often shown in later illustrations; it is a therapeutic method which we meet again in the American Indian sweat-lodge. The chamber also signifies the grave. The difference between the Egyptian and the Alexandrian physicians seems to be that the former moistened the corpse but the latter dried it (or embalmed or pickled it). The technical error of the Egyptians, therefore, was that they did not separate the conscious from the unconscious sufficiently, whereas the Alexandrians avoided this mistake.65 At any rate they succeeded in reviving the king and evidently brought about his rejuvenation.
  [366] If we examine this medical controversy from the standpoint of alchemical hermeneutics many of the allusions can be understood in a deeper sense. For instance the Alexandrians, though making just as thorough use of the Typhonian technique of dismemberment, avoided the (Typhonian) sea-water and dried the pulverized corpse, using instead the other constituent of the aqua pontica, namely salt in the form of sal ammoniac (mineral salt or rock-salt, also called sal de Arabia) and sal nitri (saltpetre).66 Primarily the preservative quality of both salts is meant, but secondarily, in the mind of the adepts, marination meant the in-forming penetration of sapientia (Dorns veritas) into the ignoble mass, whereby the corruptible form was changed into an incorruptible and immutable one.

4.04 - THE REGENERATION OF THE KING, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  The Mother unto her Chast chamber 96 goes,
  Where in a Bed of Honour she bestowes
  --
  Seals upp her chamber doore, and lyes Alone.
  Meanwhile she of the Peacocks Flesh did Eate
  --
  [409] In the lion hunt of Marchos172 the lion, as we have seen, takes the place of the king. Marchos prepares a trap and the lion, attracted by the sweet smell of a stone that is obviously an eye-charm,173 falls into it and is swallowed by the magic stone. And this stone, which the lion loves, is a woman.174 The trap was covered by a glass roof, and the interior, called by Senior the cucurbita, is here called the thalamus (bridal chamber). The lion therefore falls like a bridegroom into the bridal chamber, where the magic stone that is good for the eyes and is a woman, lies on a bed of coals. This stone swallows (transglutit) the lion so that nothing more of him was to be seen. This is a parallel of the Arisleus vision, where Beya causes Gabricus to disappear into her body.
  [410] In the lion hunt the incest, though veiled, is clear enough. The love-affair is projected on the lion, the animal nature or accrescent soul of the king; in other words it is enacted in his unconscious or in a dream. Because of his ambiguous character the lion is well suited to take over the role of this indecorous lover. As the king is represented by his animal and his mother by the magic stone, the royal incest can take place as though it were happening somewhere outside, in quite another sphere than the personal world of the king and his mother. Indeed the marriage not only seems to be unnatural but is actually intended to be so. The tabooed incest is imposed as a task and, as the wealth of allegories shows, it is always in some symbolical form and never concrete. One has the impression that this sacral act, of whose incestuous nature the alchemists were by no means unconscious, was not so much banished by them into the cucurbita or glass-house but was taking place in it all the time. Whoever wished to commit this act in its true sense would therefore have to get outside himself as if into an external glasshouse, a round cucurbita which represented the microcosmic space of the psyche. A little reason would teach us that we do not need to get outside ourselves but merely a little deeper into ourselves to experience the reality of incest and much else besides, since in each of us slumbers the beastlike primitive who may be roused by the doves of Diana (n. 168). This would account for the widespread suspicion that nothing good can come out of the psyche. Undoubtedly the hierosgamos of the substances is a projection of unconscious contents. These connstents, it is usually concluded, therefore belong to the psyche and, like the psyche itself, are inside man, Q.E.D. As against this the fact remains that only a very few people are or ever were conscious of having any incestuous fantasies worth mentioning. If such fantasies are present at all they are not yet conscious, like the collective unconscious in general. An analysis of dreams and other products of the unconscious is needed to make these fantasies visible. To that end considerable resistances have to be overcome, as though one were entering a strange territory, a region of the psyche to which one feels no longer related, let alone identical with it; and whoever has strayed into that territory, either out of negligence or by mistake, feels outside himself and a stranger in his own house. I think one should take cognizance of these facts and not attri bute to our personal psyche everything that appears as a psychic content. After all, we would not do this with a bird that happened to fly through our field of vision. It may well be a prejudice to restrict the psyche to being inside the body. In so far as the psyche has a non-spatial aspect, there may be a psychic outside-the-body, a region so utterly different from my psychic space that one has to get outside oneself or make use of some auxiliary technique in order to get there. If this view is at all correct, the alchemical consummation of the royal marriage in the cucurbita could be understood as a synthetic process in the psyche outside the ego.175
  --
  Her chamber without Corners smoothly stands,
  With Walls erected like her outstretched hands;
  --
  Her chamber doore was Lockd and Bolted fast,
  Admitting none to Vex her, first or last;
  --
  This is an attempt to describe the transformation in the sealed chamber. It is not clear whether the mother has already given birth to the child, and whether there (ibi) refers to the chamber or to the gravid uterus. The latter seems to me more probable in view of the next verse. Altogether verse 25 is obscure and clumsy in the extreme. The only thing to emerge with any clarity is the death and decomposition of the foetus in the uterus or in the chamber, and then the sudden appearance of Luna in the place of the mother after the foulness of the flesh had fallen away. Anyhow there is a tangle of thoughts here such as is frequently found in the texts. We must suppose that the poet meant something sensible with his apparent jumble of words, and that only his limited capacity for poetic expression prevented him from making himself intelligible. He was in fact trying to express a very difficult thought, namely the nature of the critical transformation. Chemically speaking, the mother overflowing with milk and tears is the solution, the mother liquid or matrix. She is the water in which the old king, as in the Arisleus vision, is dissolved into atoms. Here he is described as a foetus in utero. The dissolution signifies his death, and the uterus or cucurbita becomes his grave, that is, he disappears in the solution. At this moment something in the nature of a miracle occurs: the material solution loses its earthy heaviness, and solvent and solute together pass into a higher state immediately following the cauda pavonis, namely the albedo. This denotes the first stage of completion and is identified with Luna. Luna in herself is spirit, and she at once joins her husb and Sol, thus initiating the second and usually final stage, the rubedo. With that the work is completed, and the lapis, a living being endowed with soul and spirit and an incorruptible body, has taken shape.
  [435] We know that what hovered before the mind of the alchemist during this transformation was the almost daily miracle of transubstantiation at the Mass. This would very definitely have been the case with Canon Ripley. We have already seen from a number of examples how much religious conceptions were mixed up with his alchemical interests. The queen in the Cantilena is neither a wife nor mother in the first place but a tutelary madonna who adopts the king as her sonan indication that she stands in the same relationship to the king as Mater Ecclesia to the believer. He dies and is buried as if in the Church or in consecrated ground, where he awaits resurrection in a glorified body.

4.05 - THE DARK SIDE OF THE KING, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  The chamber walls
  Are bodies of worms.322

4.05 - The Instruments of the Spirit, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  Chitta, the basic consciousness, is largely subconscient; it has, open and hidden, two kinds of action, one passive or receptive, the other active or reactive and formative. As a passive power it receives all impacts, even those of which the mind is unaware or to which it is inattentive, and it stores them in an immense reserve of passive subconscient memory on which the mind as an active memory can draw. But ordinarily the mind draws only what it had observed and understood at the time, -- more easily what it had observed well and understood carefully, less easily what it had observed carelessly or ill understood; at the same time there is a power in consciousness to send up to the active mind for use what that mind had not at all observed or attended to or even consciously experienced. This power only acts observably in abnormal conditions, when some part of the subconscious Chitta comes as it were to the surface or when the subliminal being in us appears on the threshold and for a time plays some part in the outer chamber of mentality where the direct intercourse and commerce with the external world takes place and our inner dealings with ourselves develop on the surface. This action of memory is so fundamental to the entire mental action that it is sometimes said, memory is the man. Even in the submental action of the body and life, which is full of this subconscient Chitta, though not under the control of the conscious mind, there is a vital and physical memory. The vital and physical habits are largely formed by this submental memory. For this reason they can be changed to an indefinite extent by a more powerful action of conscious mind and will, when that can be developed and can find means to communicate to the subconscient Chitta the will of the spirit for a new law of vital and physical action. Even, the whole constitution of our life and body may be described as a bundle of habits formed by the past evolution in Nature and held together by the persistent memory of this secret consciousness. For Chitta, the primary stuff of consciousness, is like Prana and body universal in Nature, but is subconscient and mechanical in nature of Matter.
  But in fact all action of the mind or inner instrument arises out of this Chitta or basic consciousness, partly conscient, partly subconscient or subliminal to our active mentality. When it is struck by the world's impacts from outside or urged by the reflective powers of the subjective inner being, it throws up certain habitual activities, the mould of which has been determined by our evolution. One of these forms of activity is the emotional mind, -- the heart, as we may call it for the sake of a convenient brevity. Our emotions are the waves of reaction and response which rise up from the basic consciousness, cittavrtti. Their action too is largely regulated by habit and an emotive memory. They are not imperative, not laws of Necessity; there is no really binding law of our emotional being to which we must submit without remedy; we are not obliged to give responses of grief to certain impacts upon the mind, responses of anger to others, to yet others responses of hatred or dislike, to others responses of liking or love. All these things are only habits of our affective mentality; they can be changed by the conscious will of the spirit; they can be inhibited; we may even rise entirely above all subjection to grief, anger, hatred, the duality of liking and disliking. We are subject to these things only so long as we persist in subjection to the mechanical action of the Chitta in the emotive mentality, a thing difficult to get rid of because of the power of past habit and especially the importunate insistence of the vital part of mentality, the nervous life-mind or psychic Prana. This nature of the emotive mind as a reaction of Chitta with a certain close dependence upon the nervous life-sensations and responses of the psychic Prana is so characteristic that in some languages it is called Chitta and Prana, the heart, the life soul; it is indeed the most directly agitating and powerfully insistent action of the desire-soul which the immixture of vital desire and responsive consciousness has created in us. And yet the true emotive soul, the real psyche in us, is not a desire-soul, but a soul of pure love and delight; but that, like the rest of our true being, can only emerge when the deformation created by the life of desire is removed from the surface and is no longer the characteristic action of our being. To get that done is a necessary part of our purification, liberation, perfection.

4.0 - NOTES TO ZARATHUSTRA, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  Suddenly the terrible chamber of truth is opened, an unconscious
  self-protectiveness, caution, ambush, defence keeps us from the gravest

4.2.01 - The Mother of Dreams, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Doors have swung wide in the chambers of pride where the Gods reside and the Apsaras dance in their circles faster and faster.
  For thou art she whom we first can see when we pass the bounds of the mortal;

4.2.02 - An Image, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Even as apart in his chamber he played with his beautiful Helen,
  Touching her body rejoiced with a low and lyrical laughter,

4.20 - THE SIGN, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  stayed in their chambers even after you had awakened
  and come and given and distributed, how angry would

4.3 - Bhakti, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  441. If I cared even for your praise, O ye saints, if I cherished my reputation, O ye prophets, my Lover would never have taken me into His bosom and given me the freedom of His secret chambers.
  442. I was intoxicated with the rapture of my Lover and I threw the robe of the world from me even in the world's highways. Why should I care that the worldlings mock and the Pharisees turn their faces?

5.02 - THE STATUE, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  Like a bridegroom Christ went forth from his chamber, he went out with a presage of his nuptials into the field of the world. He ran like a giant exulting on his way, and came to the marriage bed of the cross, and there, in mounting it, he consummated his marriage. And when he perceived the sighs of the creature, by a loving exchange he gave himself up to the torment in place of his bride. He yielded up also the carbuncle, as the jewel of his blood, and he joined the woman to himself for ever. I have espoused you to one husband, says the apostle, that I may present you as a chaste virgin to Christ [2 Cor. 11 : 2].85
  [569] Since Adam signifies not only the beginning of the work, the prima materia, but also the end, the lapis, and the lapis is the product of the royal marriage, it is possible that Vigeneruss statua Dei, replacing the more usual imago Dei, has some connection with the Cabalistic interpretation of the stone of Bethel, which in turn marked the union of Tifereth and Malchuth. The statue stands for the inert materiality of Adam, who still needs an animating soul; it is thus a symbol for one of the main preoccupations of alchemy.

5.1.01.1 - The Book of the Herald, #5.1.01 - Ilion, #unset, #Zen
  High and insistent the call. In the dimness and hush of his chamber
  Charioted far in his dreams amid visions of glory and terror,
  --
  Trusted his high-voiced call, and from chambers still dim in their twilight
  Strong Aeneas armoured and mantled, leonine striding,
  --
  Each of its halls was a strophe, its chambers lines of an epode,
  Victor chant of Ilions destiny. Absent he entered,
  --
  Last from her chamber of sleep where she lay in the Ilian mansion
  Far in the heart of the house with the deep-bosomed daughters of Priam,
  --
  Princes of Troy, I have sat in your halls, I have slept in your chambers;
  Not in the battle alone as a warrior glad of his foemen,
  --
  Blood in the chambers of sweetness, the golden amorous city
  Swallowed by doom. Not broken I turned from the wrestle Titanic,
  --
  Choosing the field for my chamber of sleep and the battle for hearthside
  I shall go warring on till Asia enslaved to my footsteps
  --
  Work of the jar at the well and the hush of our innermost chambers,
  These were appointed thee, but thou hast scorned them, O Titaness, grasping
  --
  Brought to a chamber of rest in the luminous peace of the mansion,
  Grey he sat and endured the food and the wine of his foemen,

WORDNET



--- Overview of noun chamber

The noun chamber has 5 senses (first 3 from tagged texts)
                    
1. (6) chamber ::: (a natural or artificial enclosed space)
2. (1) chamber ::: (an enclosed volume in the body; "the chambers of his heart were healthy")
3. (1) chamber ::: (a room where a judge transacts business)
4. chamber ::: (a deliberative or legislative or administrative or judicial assembly; "the upper chamber is the senate")
5. bedroom, sleeping room, sleeping accommodation, chamber, bedchamber ::: (a room used primarily for sleeping)

--- Overview of verb chamber

The verb chamber has 1 sense (first 1 from tagged texts)
                    
1. (1) chamber ::: (place in a chamber)


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun chamber

5 senses of chamber                          

Sense 1
chamber
   => enclosure
     => area
       => structure, construction
         => artifact, artefact
           => whole, unit
             => object, physical object
               => physical entity
                 => entity

Sense 2
chamber
   => cavity, bodily cavity, cavum
     => structure, anatomical structure, complex body part, bodily structure, body structure
       => body part
         => part, piece
           => thing
             => physical entity
               => entity

Sense 3
chamber
   => room
     => area
       => structure, construction
         => artifact, artefact
           => whole, unit
             => object, physical object
               => physical entity
                 => entity

Sense 4
chamber
   => assembly
     => gathering, assemblage
       => social group
         => group, grouping
           => abstraction, abstract entity
             => entity

Sense 5
bedroom, sleeping room, sleeping accommodation, chamber, bedchamber
   => room
     => area
       => structure, construction
         => artifact, artefact
           => whole, unit
             => object, physical object
               => physical entity
                 => entity


--- Hyponyms of noun chamber

4 of 5 senses of chamber                        

Sense 1
chamber
   => airlock, air lock
   => bomb shelter, air-raid shelter, bombproof
   => burial chamber, sepulcher, sepulchre, sepulture
   => caisson, pneumatic caisson, cofferdam
   => camera obscura
   => core
   => cylinder, piston chamber
   => firing chamber, gun chamber
   => furnace
   => hyperbaric chamber
   => particle detector
   => resonator, cavity resonator, resonating chamber
   => steam chest
   => stokehold, stokehole, fireroom
   => stuffing box, packing box
   => tokamak
   => vacuum chamber

Sense 2
chamber
   => ventricle, heart ventricle
   => atrium

Sense 3
chamber
   => divan, diwan

Sense 5
bedroom, sleeping room, sleeping accommodation, chamber, bedchamber
   => boudoir
   => child's room
   => dormitory, dormitory room, dorm room
   => guestroom
   => hotel room
   => master bedroom
   => motel room


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun chamber

5 senses of chamber                          

Sense 1
chamber
   => enclosure

Sense 2
chamber
   => cavity, bodily cavity, cavum

Sense 3
chamber
   => room

Sense 4
chamber
   => assembly

Sense 5
bedroom, sleeping room, sleeping accommodation, chamber, bedchamber
   => room




--- Coordinate Terms (sisters) of noun chamber

5 senses of chamber                          

Sense 1
chamber
  -> enclosure
   => cage, coop
   => cargo area, cargo deck, cargo hold, hold, storage area
   => catchall
   => chamber
   => compound
   => dock
   => echo chamber
   => lock, lock chamber
   => nacelle
   => pen
   => pit
   => playpen, pen
   => plenum
   => pound, dog pound
   => recess, niche
   => vivarium
   => yard

Sense 2
chamber
  -> cavity, bodily cavity, cavum
   => blastocoel, blastocoele, blastocele, segmentation cavity, cleavage cavity
   => archenteron
   => sinus
   => locule, loculus
   => lumen
   => socket
   => pulp cavity
   => eye socket, orbit, cranial orbit, orbital cavity
   => buccal cavity
   => antrum
   => cloaca
   => vestibule
   => mediastinum
   => middle ear, tympanic cavity, tympanum
   => pleural cavity
   => chamber
   => cranial cavity, intracranial cavity
   => amniotic cavity
   => peritoneal cavity, greater peritoneal sac
   => bursa omentalis, omental bursa, lesser peritoneal cavity
   => pericardial cavity, pericardial space
   => vacuole
   => ventricle
   => sac
   => uterine cavity
   => nasal cavity
   => nasopharynx
   => oropharynx
   => laryngopharynx
   => cecum, caecum, blind gut
   => tubular cavity
   => armpit, axilla, axillary cavity, axillary fossa
   => chest cavity, thoracic cavity
   => abdominal cavity, abdomen
   => pelvis, renal pelvis
   => pelvic cavity
   => celom, coelom, celoma
   => pit, fossa

Sense 3
chamber
  -> room
   => anechoic chamber
   => anteroom, antechamber, entrance hall, hall, foyer, lobby, vestibule
   => back room
   => ballroom, dance hall, dance palace
   => barroom, bar, saloon, ginmill, taproom
   => bathroom, bath
   => bedroom, sleeping room, sleeping accommodation, chamber, bedchamber
   => belfry
   => billiard room, billiard saloon, billiard parlor, billiard parlour, billiard hall
   => boardroom, council chamber
   => cardroom
   => cell, jail cell, prison cell
   => cell, cubicle
   => chamber
   => checkroom, left-luggage office
   => classroom, schoolroom
   => clean room, white room
   => cloakroom, coatroom
   => closet
   => clubroom
   => compartment
   => conference room
   => control room
   => court, courtroom
   => cubby, cubbyhole, snuggery, snug
   => cutting room
   => darkroom
   => den
   => dinette
   => dining room, dining-room
   => door
   => dressing room
   => durbar
   => engineering, engine room
   => floor, trading floor
   => furnace room
   => gallery
   => gallery, art gallery, picture gallery
   => greenroom
   => guardroom
   => hall
   => hospital room
   => kitchen
   => library
   => living room, living-room, sitting room, front room, parlor, parlour
   => locker room
   => lounge, waiting room, waiting area
   => manor hall, hall
   => poolroom
   => presence chamber
   => rathole
   => reading room
   => reception room
   => recreation room, rec room
   => rotunda
   => scriptorium
   => scullery
   => sewing room
   => shipping room
   => shower room
   => sickbay, sick berth
   => sickroom
   => smoking room
   => squad room
   => squad room
   => steam bath, steam room, vapor bath, vapour bath
   => storeroom, storage room, stowage
   => study
   => sun parlor, sun parlour, sun porch, sunporch, sunroom, sun lounge, solarium
   => surgery
   => television room, tv room
   => test room, testing room
   => toilet, lavatory, lav, can, john, privy, bathroom
   => torture chamber
   => vestry, sacristy
   => walk-in
   => war room
   => workroom

Sense 4
chamber
  -> assembly
   => legislature, legislative assembly, legislative body, general assembly, law-makers
   => Areopagus
   => States General
   => chapter
   => deliberative assembly
   => council
   => chamber
   => Bench
   => court, tribunal, judicature
   => coven
   => sabbat, witches' Sabbath

Sense 5
bedroom, sleeping room, sleeping accommodation, chamber, bedchamber
  -> room
   => anechoic chamber
   => anteroom, antechamber, entrance hall, hall, foyer, lobby, vestibule
   => back room
   => ballroom, dance hall, dance palace
   => barroom, bar, saloon, ginmill, taproom
   => bathroom, bath
   => bedroom, sleeping room, sleeping accommodation, chamber, bedchamber
   => belfry
   => billiard room, billiard saloon, billiard parlor, billiard parlour, billiard hall
   => boardroom, council chamber
   => cardroom
   => cell, jail cell, prison cell
   => cell, cubicle
   => chamber
   => checkroom, left-luggage office
   => classroom, schoolroom
   => clean room, white room
   => cloakroom, coatroom
   => closet
   => clubroom
   => compartment
   => conference room
   => control room
   => court, courtroom
   => cubby, cubbyhole, snuggery, snug
   => cutting room
   => darkroom
   => den
   => dinette
   => dining room, dining-room
   => door
   => dressing room
   => durbar
   => engineering, engine room
   => floor, trading floor
   => furnace room
   => gallery
   => gallery, art gallery, picture gallery
   => greenroom
   => guardroom
   => hall
   => hospital room
   => kitchen
   => library
   => living room, living-room, sitting room, front room, parlor, parlour
   => locker room
   => lounge, waiting room, waiting area
   => manor hall, hall
   => poolroom
   => presence chamber
   => rathole
   => reading room
   => reception room
   => recreation room, rec room
   => rotunda
   => scriptorium
   => scullery
   => sewing room
   => shipping room
   => shower room
   => sickbay, sick berth
   => sickroom
   => smoking room
   => squad room
   => squad room
   => steam bath, steam room, vapor bath, vapour bath
   => storeroom, storage room, stowage
   => study
   => sun parlor, sun parlour, sun porch, sunporch, sunroom, sun lounge, solarium
   => surgery
   => television room, tv room
   => test room, testing room
   => toilet, lavatory, lav, can, john, privy, bathroom
   => torture chamber
   => vestry, sacristy
   => walk-in
   => war room
   => workroom




--- Grep of noun chamber
anechoic chamber
antechamber
bedchamber
boron chamber
bubble chamber
burial chamber
chamber
chamber music
chamber of commerce
chamber orchestra
chambered nautilus
chamberlain
chambermaid
chamberpot
chambers
cloud chamber
council chamber
cremation chamber
death chamber
echo chamber
firing chamber
gas chamber
gun chamber
hyperbaric chamber
ionization chamber
lock chamber
piston chamber
presence chamber
resonating chamber
spark chamber
star chamber
supply chamber
torture chamber
vacuum chamber
wilson cloud chamber



IN WEBGEN [10000/2243]

Wikipedia - 2 m Bubble Chamber (CERN)
Wikipedia - Aalst-Oudenaarde (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Academy of St Martin in the Fields -- English chamber orchestra
Wikipedia - A Chinese Torture Chamber Story -- 1994 film by Wong Jing
Wikipedia - A Closed and Common Orbit -- 2016 science fiction novel by Becky Chambers
Wikipedia - Addington Long Barrow -- Chambered long barrow in Kent, England
Wikipedia - Aide-de-camp to the Emperor of Japan -- Special military official whose primary duties are to report military affairs to the Japanese emperor of Japan and to act as a chamberlain
Wikipedia - A Large Attendance in the Antechamber
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Wikipedia - Andrew Horn -- English fishmonger, lawyer and legal scholar who served as Chamberlain of the City of London
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Wikipedia - Arboretum de Chamberet -- Arboretum in the Parc d'Angle, Chamberet, Correze, Limousin, France
Wikipedia - Ardwight Chamberlain -- American voice actor and screen writer
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Wikipedia - Arlon-Marche-Bastogne-NeufchM-CM-"teau-Virton (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - As One (opera) -- Chamber opera by Laura Kaminsky
Wikipedia - Atrial septal defect -- A heart defect present at birth in which blood can flow through an opening between the top chambers of the heart
Wikipedia - Atrial septostomy -- Surgical procedure in which a small hole is created between the upper two chambers of the heart, the atria
Wikipedia - Austen Chamberlain -- British politician
Wikipedia - Back-fire -- Explosion that occurs within the exhaust pipes of an internal combustion engine rather than in the combustion chamber
Wikipedia - Badshot Lea Long Barrow -- Unchambered long barrow in England
Wikipedia - Bangladesh Women Chamber of Commerce and Industry -- Chamber of commerce in Bangladesh
Wikipedia - Barpa Langass -- Chambered cairn in Scotland
Wikipedia - Basil Hall Chamberlain
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Wikipedia - Bengal Legislative Assembly -- Lower chamber of the legislature of Bengal in British India (1937-1947)
Wikipedia - Berkeley Ensemble -- British chamber music ensemble
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Wikipedia - Bicameralism -- Legislature with two chambers
Wikipedia - Birmingham Bach Choir -- British chamber choir
Wikipedia - Black Chamber
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Wikipedia - Category:Members of the Second Chamber of the Diet of the Grand Duchy of Baden
Wikipedia - Category:People killed by gas chamber by Nazi Germany
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Wikipedia - Chamber ballet
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Wikipedia - Chambered nautilus -- Species of nautilus
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Wikipedia - Chamber of deputies
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Wikipedia - Chamber of Peers (France)
Wikipedia - Chamber of Representatives (Belgium) -- Lower house of the federal parliament of Belgium
Wikipedia - Chamber of rhetoric -- Type of dramatic society in the Low Countries
Wikipedia - Chamber of Senators (Bolivia) -- Upper house of the Plurinational Legislative Assembly of Bolivia
Wikipedia - Chamber operator
Wikipedia - Chamber operator -- Chamber operator
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Wikipedia - Chambers Biographical Dictionary
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Wikipedia - Chambers Dictionary -- English language dictionary first published in 1872
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Wikipedia - Chambery -- Prefecture of Savoie, Auvergne-Rhone-Alpes, France
Wikipedia - Charleroi-Thuin (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Charles Chamberland -- French microbiologist
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Wikipedia - Chestnuts Long Barrow -- Chambered long barrow in Kent, England
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Wikipedia - Clare Chambers (novelist) -- British novelist of different genres
Wikipedia - Clava cairn -- Type of Bronze Age chamber tomb
Wikipedia - Clock Tower Chambers -- Municipal building in New Zealand
Wikipedia - Cloud chamber
Wikipedia - Coal Chamber -- American nu-metal band
Wikipedia - Coetan Arthur -- Neolithic burial chamber near St David's Head, west Wales
Wikipedia - Coldrum Long Barrow -- Neolithic chambered long barrow near Trottiscliffe, Kent, England
Wikipedia - Combustion chamber -- Part of an internal combustion engine or steam engine
Wikipedia - Compression ratio -- The ratio of the volume of a combustion chamber from its largest capacity to its smallest capacity
Wikipedia - Court cairn -- Type of chamber tomb found in western and northern Ireland, and southwest Scotland
Wikipedia - Craig Chambers
Wikipedia - Crypt -- Stone chamber or vault beneath the floor of a burial vault
Wikipedia - Cuween Hill Chambered Cairn -- Neolithic chambered cairn on Mainland in the islands of Orkney
Wikipedia - Cylinder (firearms) -- The cylindrical, rotating part of a revolver containing multiple chambers, each of which is capable of holding a single cartridge.
Wikipedia - Cyril Chamberlain -- English actor
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Wikipedia - David R. Nygren -- Particle Physicist who invented time projection chambers
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Wikipedia - Deck decompression chamber -- Hyperbaric chamber suitable for surface decompression or emergency use at a dive site
Wikipedia - Decompression chamber -- Hyperbaric pressure vessel for human occupation used in diving operations to decompress divers
Wikipedia - Dendermonde (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Dendermonde-Sint-Niklaas (Chamber of Representatives constituency) -- Belgian political subdivision
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Wikipedia - Dewan Rakyat -- Lower chamber of the Parliament of Malaysia
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Wikipedia - Diekirch (Chamber of Representatives constituency) -- Belgian political subdivision
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Wikipedia - Dinant-Philippeville (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Diving bell -- Chamber for transporting divers vertically through the water
Wikipedia - Diving chamber -- Hyperbaric pressure vessel for human occupation used in diving operations
Wikipedia - Dolmen -- Type of single-chamber megalithic tomb
Wikipedia - Donald D. Chamberlin
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Wikipedia - Dream of the Red Chamber -- One of China's Four Great Classical Novels
Wikipedia - Drip chamber -- Medical device
Wikipedia - Dwarfie Stane -- Carved Megalithic chambered tomb in Scotland
Wikipedia - Echo chamber (media) -- Situation that reinforces beliefs by repetition inside a closed system
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Wikipedia - E. K. Chambers -- 19th/20th-century English literary critic and Shakespearean scholar
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Wikipedia - Elimination Chamber (2010) -- 2010 World Wrestling Entertainment pay-per-view event
Wikipedia - Elimination Chamber (2011) -- 2011 World Wrestling Entertainment pay-per-view event
Wikipedia - Elimination Chamber (2012) -- 2012 WWE pay-per-view event
Wikipedia - Elimination Chamber (2013) -- 2013 WWE pay-per-view event
Wikipedia - Elimination Chamber (2014) -- 2014 WWE pay-per-view event
Wikipedia - Elimination Chamber (2015) -- 2015 WWE pay-per-view and WWE Network event
Wikipedia - Elimination Chamber (2017) -- 2017 WWE pay-per-view and WWE Network event
Wikipedia - Elimination Chamber (2018) -- 2018 WWE pay-per-view and WWE Network event
Wikipedia - Elimination Chamber (2019) -- 2019 WWE pay-per-view and WWE Network event
Wikipedia - Elimination Chamber (2020) -- 2020 WWE pay-per-view and WWE Network event
Wikipedia - Elimination Chamber -- Professional wrestling match type
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Wikipedia - Emma Chambers (Hollyoaks) -- Fictional character from the British soap opera Hollyoaks
Wikipedia - Emma Chambers -- English actress
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Wikipedia - English Chamber Choir
Wikipedia - Environmental scanning electron microscope -- A scanning electron microscope with a gaseous environment in the specimen chamber
Wikipedia - Ephraim Chambers
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Wikipedia - Ernest J. Chambers -- Canadian journalist and historian
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Wikipedia - Euchambersia -- Extinct genus of therapsid from Late Permian South Africa
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Wikipedia - Evaporative cooling chambers -- Non-electric cooling technology
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Wikipedia - Formicoxenus chamberlini -- Species of ant
Wikipedia - Fragrant Sense -- album by Doran Chambers
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Wikipedia - Francis Chamberlain (governor) -- Governor of Guernsey
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Wikipedia - Harry Potter and the Chamber of Secrets (film) -- 2002 fantasy film directed by Chris Columbus
Wikipedia - Harry Potter and the Chamber of Secrets (video game) -- 2002 action-adventure video game
Wikipedia - Harry Potter and the Chamber of Secrets -- 1998 fantasy novel by J. K. Rowling
Wikipedia - Hasselt-Tongeren-Maaseik (Chamber of Representatives constituency) -- Belgian political subdivision
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Wikipedia - Hendryk Schamberger -- German ice dancer
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Wikipedia - Henry Chamberlin -- New Zealand politician
Wikipedia - Henry H. Chambers -- American politician
Wikipedia - Hochdorf Chieftain's Grave -- Celtic burial chamber and museum in Germany
Wikipedia - Houston Chamberlain
Wikipedia - Houston Stewart Chamberlain
Wikipedia - Hugo Chamberlain -- Costa Rican sports shooter
Wikipedia - Huy (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Huy-Waremme (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Hydrogen Jukebox -- Chamber opera by Philip Glass and Allen GInsberg
Wikipedia - Hyperbaric chamber -- Hyperbaric chamber
Wikipedia - Idaho Senate -- Upper state chamber of a state of the United-States of America
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Wikipedia - Internal combustion engine -- Engine in which the combustion of a fuel occurs with an oxidizer in a combustion chamber
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Wikipedia - Ivan the Terrible (Treblinka guard) -- Nazi guard and operater of the gas chambers at Treblinka death camp
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Wikipedia - Johan de Fin -- Chamberlain to Franz Josef
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Wikipedia - John Chamberlain (letter writer) -- English writer
Wikipedia - John Chamberlain (sculptor)
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Wikipedia - John Chambers (programmer)
Wikipedia - John Chambers (statistician)
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Wikipedia - John Graham Chambers -- Welsh sports administrator
Wikipedia - John Henry Chamberlain -- British architect
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Wikipedia - Johnny Quick (Johnny Chambers)
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Wikipedia - John, the Lord Chamberlain
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Wikipedia - Jose Luis Luege Tamargo -- Member of Chamber of Deputies
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Wikipedia - Joseph Chamberlain -- British politician
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Wikipedia - Joshua Chamberlain -- Union Army general and Medal of Honor recipient
Wikipedia - Joy Chambers -- Actress and author
Wikipedia - Judi Chamberlin
Wikipedia - Julia Chambers -- British actress
Wikipedia - Junior Chamber International -- Organization
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Wikipedia - Kampala Medical Chambers Hospital -- Private hospital in Uganda
Wikipedia - Karachi Chamber of Commerce and Industry Building -- Historic building in Karachi, Pakistan
Wikipedia - Kelly Chambers -- American politician
Wikipedia - Kevin Chamberlin -- American actor
Wikipedia - Kimberley Chambers (author) -- British novelist
Wikipedia - Kim Chambers -- American retired pornographic actress
Wikipedia - King's Men personnel -- personnel associated with the 16th/17th-century laying companies the Lord Chamberlain's Men and the King's Men
Wikipedia - Kody Chamberlain
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Wikipedia - Kortrijk-Roeselare-Tielt (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Lauren Chamberlain -- American softball player
Wikipedia - Law of Guarantees -- Law passed by the senate and chamber of the Italian parliament, 13 May, 1871, concerning the prerogatives of the Holy See
Wikipedia - Lee Chamberlin -- American actress
Wikipedia - Legends of Chamberlain Heights -- American animated television series
Wikipedia - Leif Ove Andsnes -- Norwegian pianist and chamber musician
Wikipedia - Lenoir Chambers -- American journalist
Wikipedia - Leo Chamberlain -- British monk and teacher
Wikipedia - Les Escapades -- German chamber music ensemble
Wikipedia - Lester Chambers -- American musician
Wikipedia - Liam Chambers -- Irish historian and academic
Wikipedia - Life Begins Again -- album by Jimmy Chamberlin
Wikipedia - Lin Chambers -- American physical scientist
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Wikipedia - Lindy Chamberlain-Creighton -- Australian wrongly convicted of murder
Wikipedia - Lisa Chambers -- Irish politician
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Wikipedia - List of Chairmen of the Chamber of Deputies of Czechoslovakia -- Wikipedia list article
Wikipedia - List of Chairmen of the Chamber of Representatives of the State Assembly of Bashkortostan -- Wikipedia list article
Wikipedia - List of Chairmen of the Chamber of the Nations (Czechoslovakia) -- Wikipedia list article
Wikipedia - List of Chairmen of the Chamber of the People (Czechoslovakia) -- Wikipedia list article
Wikipedia - List of Chairmen of the Legislative Chamber of the State Assembly of Bashkortostan -- Wikipedia list article
Wikipedia - List of chamber music works by Johann Sebastian Bach -- Wikipedia list article
Wikipedia - List of chamber pieces by Christoph Graupner -- Wikipedia list article
Wikipedia - List of chambers of rhetoric -- Wikipedia list article
Wikipedia - List of highways in Chambers County, Texas -- Wikipedia list article
Wikipedia - List of presidents of the Argentine Chamber of Deputies -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Citizens of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of presidents of the Chamber of Deputies (Italy) -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Deputies (Kingdom of Portugal) -- Wikipedia list article
Wikipedia - List of presidents of the Chamber of Deputies of Luxembourg -- Wikipedia list article
Wikipedia - List of presidents of the Chamber of Deputies of Paraguay -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Education and Culture of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Health and Social Welfare of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Most Worthy Peers (Kingdom of Portugal) -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Nationalities of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of presidents of the Chamber of Representatives of Belgium -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Representatives of Colombia -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Representatives of the Great Khural of Tuva -- Wikipedia list article
Wikipedia - List of presidents of the Chamber of Representatives of Uruguay -- Wikimedia list article
Wikipedia - List of Presidents of the Chamber of Republics and Provinces of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Presidents of the Chamber of Republics of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Presidents of the Economic Chamber of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Presidents of the Federal Chamber of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Presidents of the First Chamber of the Estates of Wurttemberg -- Wikipedia list article
Wikipedia - List of Presidents of the First Chamber of the Landtag of Alsace-Lorraine -- Wikipedia list article
Wikipedia - List of Presidents of the First Chamber of the States of the Grand Duchy of Hesse -- Wikipedia list article
Wikipedia - List of Presidents of the I Chamber of the Landtag of Saxony -- Wikipedia list article
Wikipedia - List of Presidents of the II Chamber of the Landtag of Saxony -- Wikipedia list article
Wikipedia - List of presidents of the Junior Chamber International -- Wikimedia list article
Wikipedia - List of Presidents of the Legislative Chamber of the Great Khural of Tuva -- Wikipedia list article
Wikipedia - List of Presidents of the Second Chamber of the Estates of Wurttemberg -- Wikipedia list article
Wikipedia - List of Presidents of the Second Chamber of the Landtag of Alsace-Lorraine -- Wikipedia list article
Wikipedia - List of Presidents of the Second Chamber of the States of the Grand Duchy of Hesse -- Wikipedia list article
Wikipedia - List of Presidents of the Socio-Political Chamber of the Federal Assembly of Yugoslavia -- Wikipedia list article
Wikipedia - List of Speakers of the Chamber of Deputies (Czech Republic) -- Wikipedia list article
Wikipedia - List of speakers of the Chamber of Deputies of Rwanda -- Wikipedia list article
Wikipedia - Little Witch Academia: Chamber of Time -- 2017 action role-playing video game developed by A+ Games and published by Bandai Namco Entertainment
Wikipedia - Lligwy Burial Chamber -- Neolithic dolmen in Wales
Wikipedia - London Diving Chamber Dive Lectures -- A series of public lectures that have been hosted at the Royal Geographical Society in London
Wikipedia - Lord Chamberlain's Men
Wikipedia - Lord Chamberlain
Wikipedia - Love, Peace and Happiness -- Live album by The Chambers Brothers
Wikipedia - Lower house -- Chamber of a bicameral legislature
Wikipedia - Maaseik (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Maastricht (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Maeshowe -- Neolithic chambered cairn and passage grave situated on Mainland Orkney, Scotland
Wikipedia - Magma chamber -- Accumulation of molten rock within the Earth's crust
Wikipedia - Mahratta Chamber of Commerce, Industries and Agriculture -- Business advocacy group in Pune, Maharashtra, India
Wikipedia - Majlis al Jinn -- cave chamber in Oman
Wikipedia - Manchester Camerata -- English chamber orchestra
Wikipedia - Marche (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Margaret Catchpole (opera) -- 1979 English chamber opera
Wikipedia - Marilyn Chambers
Wikipedia - Marisha Chamberlin -- American writer
Wikipedia - Mark Chamberlain (educator) -- American educator
Wikipedia - Mark Chamberlain (photographer) -- American photographer
Wikipedia - Mary Anne Chambers -- Canadian politician
Wikipedia - Mary Chamberlain -- British novelist and historian
Wikipedia - Matrix Chambers -- Set of barristers' chambers
Wikipedia - Matt Chamberlain -- Musician
Wikipedia - Maulbronn Chamber Choir -- German choir
Wikipedia - Mausoleum -- Monument enclosing the interment space or burial chamber of a deceased person or people
Wikipedia - Maxwell Chambers House -- United States national historic place
Wikipedia - McCann Rescue Chamber -- Device for rescuing submariners
Wikipedia - Mechelen (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Mechelen-Turnhout (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Michael Chamberlin (biologist)
Wikipedia - Michael Chamberlin (comedian) -- Australian comedian
Wikipedia - Michael Chambers -- American dancer and actor
Wikipedia - Michigan House of Representatives -- Lower state chamber of Michigan
Wikipedia - Michigan Senate -- Upper state chamber of Michigan
Wikipedia - Midhowe Chambered Cairn -- Neolithic chambered cairn in Scotland
Wikipedia - Mons (Chamber of Representatives constituency) -- Belgian Chamber of Representatives constituency between 1831 and 1999
Wikipedia - Montague Chamberlain -- Canadian-American businessman, naturalist, and ethnographer
Wikipedia - Moon pool -- An opening in the base of a hull, platform, or chamber giving access to the water below
Wikipedia - Mortimer Chambers -- American historian
Wikipedia - Moscow Chamber Musical Theatre
Wikipedia - Multiwire proportional chamber
Wikipedia - Municipal Chamber of Rio de Janeiro -- Legislative body
Wikipedia - Munro Chambers -- Canadian actor
Wikipedia - Muriel Chamberlain
Wikipedia - Nadia Chambers -- British actress
Wikipedia - Namur-Dinant-Philippeville (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Namur (former Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Nanci Chambers -- Canadian-born American actress
Wikipedia - National Convention -- Single-chamber assembly in France from 21 September 1792 to 26 October 1795
Wikipedia - Navajo Nation Council Chamber -- government center of the Navajo Nation in the Southwestern United States
Wikipedia - Neil Chambers -- American architect, writer and blogger
Wikipedia - Nembrotha chamberlaini -- Species of mollusc
Wikipedia - NeufchM-CM-"teau (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - NeufchM-CM-"teau-Virton (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Neville Chamberlain (police officer) -- Inventor of snooker
Wikipedia - Neville Chamberlain -- Prime Minister of the United Kingdom from 1937 to 1940
Wikipedia - New Dublin Voices -- Irish chamber choir
Wikipedia - New South Wales Legislative Assembly -- One of the two chambers of the Parliament of New South Wales
Wikipedia - New York State Senate -- Upper state chamber of New York State
Wikipedia - New Zealand House of Representatives -- Sole chamber of the New Zealand Parliament
Wikipedia - Nicholas Chamberlain -- British Anglican bishop
Wikipedia - Nivelles (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Norddeutscher Kammerchor -- German chamber Chor
Wikipedia - Norman S. Chamberlain -- American painter
Wikipedia - Octet (musical) -- Chamber choir musical
Wikipedia - Operant conditioning chamber
Wikipedia - Oswald Chambers
Wikipedia - Oudenaarde (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Owen Chamberlain
Wikipedia - Painted Chamber -- Part of the medieval Palace of Westminster, London, England
Wikipedia - Pant-y-Saer Burial Chamber -- Burial Chamber in Anglesey, Wales
Wikipedia - Parc Cwm long cairn -- Burial chamber in Wales
Wikipedia - Paris Chamber of Commerce -- Chamber of commerce of the Paris region
Wikipedia - Paris M-CM-^Nle-de-France Regional Chamber of Commerce and Industry -- French chamber of commerce
Wikipedia - Patent foramen ovale -- A congenital heart defect in which blood can flow through an opening between the atrial chambers of the heart
Wikipedia - Paul Chamberlain -- Canadian philosopher and professor
Wikipedia - Paul Chambers (Paralympian) -- New Zealand Paralympian athlete
Wikipedia - Paul Chambers -- American musician
Wikipedia - Peace for our time -- Phrase used by Neville Chamberlain in his 30 September 1938 speech about the Munich Agreement and the Anglo-German Declaration
Wikipedia - Philadelphia Virtuosi Chamber Orchestra -- Chamber orchestra based in Philadelphia
Wikipedia - Phil Chambers -- American actor
Wikipedia - Philippeville (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Philippine Chamber of Commerce and Industry -- Agency of the Philippine government
Wikipedia - Pistol -- Type of handgun where the firing chamber is integral to the barrel
Wikipedia - Pit crater -- A depression formed by a sinking or collapse of the surface lying above a void or empty chamber
Wikipedia - President of the Chamber of Deputies of Chile -- Presiding Officer of the Lower House of the Chilean Congress
Wikipedia - Privy chamberlain
Wikipedia - Privy Chamber
Wikipedia - Puerto Rico Chamber of Commerce -- Non-profit organization
Wikipedia - Puerto Rico Chamber of Marketing, Industry, and Distribution of Food -- Organization
Wikipedia - Quoyness chambered cairn -- Chambered cairn located on Sanday in Orkney, Scotland
Wikipedia - Ralph Vary Chamberlin
Wikipedia - Ray Chambers
Wikipedia - Raymond J. Chambers -- Australian accountant
Wikipedia - Raymond Wilson Chambers
Wikipedia - Rebecca Ballard Chambers -- American newspaper editor and temperance worker
Wikipedia - Recompression chamber -- A hyperbaric chamber used to treat divers suffering from decompression illness
Wikipedia - Record of a Spaceborn Few -- Science fiction novel by Becky Chambers
Wikipedia - Resurgent dome -- A dome formed by swelling or rising of a caldera floor due to movement in the magma chamber beneath it
Wikipedia - Return to the 36th Chamber -- 1980 film directed by Lau Kar-leung
Wikipedia - Ricardo Chambers -- Jamaican track and field athlete
Wikipedia - Richard Chamberlain -- American actor
Wikipedia - Richard Eliot Chamberlin -- American mathematician
Wikipedia - Rikki Chamberlain -- British actor
Wikipedia - Rise of Neville Chamberlain -- Early life, business career, and political rise of a British politician
Wikipedia - Robert Armin -- member of the Lord Chamberlain's Men, a Shakespearean actor
Wikipedia - Robert Arthur Briggs Chamberlain -- British settler (b. 1865, d. 1948)
Wikipedia - Robert Chambers (criminal) -- American criminal
Wikipedia - Robert Chambers (development scholar) -- British sociologist, born 1932
Wikipedia - Robert Chambers Jr. -- Scottish publisher and encyclopaedist
Wikipedia - Robert Chambers (publisher born 1802)
Wikipedia - Robert Chambers (publisher, born 1802) -- Scottish publisher and writer
Wikipedia - Robert Chambers (sculptor) -- American sculptor from Miami Florida
Wikipedia - Robert G. Chambers -- British physicist
Wikipedia - Robert W. Chambers -- American artist, novelist, short story writer
Wikipedia - Rodrigo de Esparza -- Basque nobleman, mosM-CM-)n and chamberlain of King Charles III of Navarre
Wikipedia - Roermond (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Roeselare (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Romance of the Western Chamber (film) -- 1927 film by Hou Yao
Wikipedia - RondM-CM-2 Veneziano -- Italian chamber orchestra
Wikipedia - R.W. Chambers
Wikipedia - Salut Salon -- Chamber music quartet from Hamburg, Germany
Wikipedia - Satoru Yamamoto -- Grand Chamberlain of Japan
Wikipedia - Saturation system -- A surface hyperbaric complex including a living chamber, transfer chamber, closed diving bell and the infrastructure to operate them
Wikipedia - Shireen Chambers -- British forester
Wikipedia - Shooting of Kenneth Chamberlain Sr. -- Police shooting victim
Wikipedia - Sialkot Chamber of Commerce and Industry -- Business chamber in Sialkot, Punjab, Pakistan
Wikipedia - Sinfonia da Camera -- American chamber orchestra
Wikipedia - Sir Leonard Chamberlain -- 16th-century English politician
Wikipedia - Soignies (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Spark chamber -- Charged particle detector
Wikipedia - Spencer Chamberlain -- American musician
Wikipedia - SS Selah Chamberlain -- Great Lakes freighter that sank on Lake Michigan in 1886
Wikipedia - Star Chamber -- Term used for a secret court
Wikipedia - Stephen Chambers -- British artist and Royal Academician
Wikipedia - St Lythans burial chamber -- Megalithic dolmen in Wales
Wikipedia - Stoney Littleton Long Barrow -- Neolithic chambered tomb in England
Wikipedia - Surface decompression -- Decompression in a diving chamber out of the water
Wikipedia - Suzanne Chambers -- Australian researcher in psycho-oncology
Wikipedia - Swiss Chamber Soloists -- Chamber ensemble
Wikipedia - Szymon Krzeszowiec -- Polish violinist, chamber musician and teacher
Wikipedia - Tashi Quartet -- American chamber music ensemble
Wikipedia - Teresa Chambers -- American police officer
Wikipedia - Terry Chambers -- English drummer
Wikipedia - The 36th Chamber of Shaolin -- 1978 film
Wikipedia - The Bloody Chamber -- Collection of short stories by Angela Carter
Wikipedia - The Bridestones -- Neolithic chambered cairn in Cheshire, England
Wikipedia - The Chamber (game show) -- Game show
Wikipedia - The Chambermaid (film) -- 2018 film
Wikipedia - The Chambermaid Lynn -- 2015 German film drama directed by Ingo Haeb
Wikipedia - The Dutch Trio -- Chamber musical ensemble 1899-1910
Wikipedia - The Inner Chamber -- 1921 film
Wikipedia - The King in Yellow -- 1895 book of short stories by Robert W. Chambers
Wikipedia - The Long Way to a Small, Angry Planet -- 2014 science fiction novel by Becky Chambers
Wikipedia - The Parable (album) -- Jimmy Chamberlin Complex album
Wikipedia - The Prophets' Paradise -- Series of prose poems by Robert W. Chambers
Wikipedia - The Repairer of Reputations -- Short story by Robert W. Chambers
Wikipedia - The Selfish Giant (folk opera) -- folk opera by Guy Chambers
Wikipedia - The Seventh Chamber
Wikipedia - The Time Has Come (The Chambers Brothers album) -- 1968 album by The Chambers Brothers
Wikipedia - The White Chamber
Wikipedia - The Wound-Dresser -- Piece by composer John Adams for chamber orchestra and baritone singer
Wikipedia - Thomas Chamberlayne (cricketer) -- English cricketer and yachtsman
Wikipedia - Thoracic cavity -- Chamber of the body of vertebrates that is protected by the rib cage
Wikipedia - Thuin (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Tielt (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Time Has Come Today -- 1966 single by The Chambers Brothers
Wikipedia - Timothy Chambers
Wikipedia - TM-EM-7 Newydd Burial Chamber -- Neolithic dolmen in Wales
Wikipedia - Tomb of Orcus -- Etruscan hypogeum (burial chamber) in Tarquinia, Italy
Wikipedia - Tomb of the Augurs -- Etruscan burial chamber
Wikipedia - Tomb of the Eagles -- Neolithic chambered tomb
Wikipedia - Tom Chambers (trade unionist) -- British trade unionist
Wikipedia - Tongeren (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Torricellian chamber -- An air space in a cave chamber with pressure below atmospheric
Wikipedia - Tuckamore Festival -- Chamber music festival in Newfoundland, Canada.
Wikipedia - Turnhout (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Unchambered long barrow
Wikipedia - Unchambered long cairn -- Type of cairn
Wikipedia - United States Chamber of Commerce -- Chamber of Commerce in the U.S.
Wikipedia - United States Junior Chamber -- A leadership training and civic organization for young people
Wikipedia - Unstan Chambered Cairn -- Neolithic chambered cairn
Wikipedia - Upper house -- Chamber of a bicameral legislature
Wikipedia - Uusinta Ensemble -- Finnish chamber ensemble
Wikipedia - Vancouver Chamber Choir -- Canadian choir
Wikipedia - Ventricle (heart) -- Chamber of the heart
Wikipedia - Veronica Chambers -- Writer
Wikipedia - Versailles-Val-d'Oise-Yvelines Chamber of Commerce -- Chamber of Commerce of the Paris region
Wikipedia - Verviers (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Vestibule (architecture) -- Anteroom (antechamber) or small foyer leading into a larger space
Wikipedia - Veurne (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Veurne-Diksmuide-Ostend (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Veurne-Diksmuide-Ostend-Ypres (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Viewport (diving) -- Transparent part of a helmet or diving chamber
Wikipedia - Virton (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Vita Chambers -- Canadian singer and songwriter
Wikipedia - Volcano -- rupture in the crust of a planetary-mass object that allows hot lava, volcanic ash, and gases to escape from a magma chamber below the surface
Wikipedia - Ward Chamberlin -- American television executive
Wikipedia - Wayland's Smithy -- Neolithic long barrow and chamber tomb site in Oxfordshire, England
Wikipedia - Wendy Chamberlain -- British politician
Wikipedia - Wendy Chamberlin -- American diplomat
Wikipedia - Wendy Mae Chambers -- American composer
Wikipedia - Wheaton Chambers -- American actor (1887-1958)
Wikipedia - White Chamber (film) -- 2018 film directed by Paul Raschid
Wikipedia - White Chamber -- A dining hall and meeting place during Medieval times
Wikipedia - Whittaker Chambers -- Defected communist spy, writer, editor
Wikipedia - William Chambers (architect) -- Scottish-Swedish architect
Wikipedia - William Chambers (MP) -- 16th-century English politician
Wikipedia - William Chambers (publisher) -- Scottish publisher and politician
Wikipedia - William Harding of Baraset -- Gentleman of the Privy Chamber to George III
Wikipedia - William Henry Chamberlin (philosopher)
Wikipedia - William Keith Chambers Guthrie
Wikipedia - Wire chamber -- Proportional counter that detects charged particles and photons
Wikipedia - Woman of the Bedchamber -- A female aide to a queen
Wikipedia - W. Paris Chambers -- American composer and bandmaster
Wikipedia - Wurttemberg Chamber Orchestra Heilbronn -- German chamber orchestra
Wikipedia - WWE Elimination Chamber -- WWE pay-per-view series
Wikipedia - Ypres (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Zagreb Soloists -- Croatian chamber orchestra
Jimmy Chamberlin ::: Born: June 10, 1964; Occupation: Drummer;
Joshua Chamberlain ::: Born: September 8, 1828; Died: February 24, 1914; Occupation: Former Governor of Maine;
Neville Chamberlain ::: Born: March 18, 1869; Died: November 9, 1940; Occupation: Former Prime Minister of the United Kingdom;
Richard Chamberlain ::: Born: March 31, 1934; Occupation: Actor;
Wilt Chamberlain ::: Born: August 21, 1936; Died: October 12, 1999; Occupation: Basketball player;
Oswald Chambers ::: Born: July 24, 1874; Died: November 15, 1917;
Whittaker Chambers ::: Born: April 1, 1901; Died: July 9, 1961; Occupation: Writer;
Alan Chambers ::: Born: February 21, 1972; Occupation: Exodus International;
Austen Chamberlain ::: Born: October 16, 1863; Died: March 17, 1937; Occupation: British statesman;
Joseph Chamberlain ::: Born: July 8, 1836; Died: July 2, 1914; Occupation: British Politician;
Justin Chambers ::: Born: July 11, 1970; Occupation: Actor;

Houston Stewart Chamberlain ::: Born: September 9, 1855; Died: January 9, 1927; Occupation: Author;
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https://www.goodreads.com/author/show/8389735.Becky_Chambers
https://www.goodreads.com/author/show/8450054.Natalie_Chambers_Snapp
https://www.goodreads.com/author/show/93345.Diane_Chamberlain
https://www.goodreads.com/author/show/9495.James_Chambers
https://www.goodreads.com/author/show/958699.Mark_Chambers
https://www.goodreads.com/author/show/98298.Anthony_H_Chambers
Goodreads author - Kody_Chamberlain
Goodreads author - Ann_Chamberlin
Goodreads author - Jon_Chambers
Goodreads author - Holly_Chamberlin
Goodreads author - International_Chamber_of_Commerce
Goodreads author - Joanna_Chambers
Goodreads author - Jamie_Chambers
Goodreads author - Oswald_Chambers
Goodreads author - Clare_Chambers
Goodreads author - Robert_W_Chambers
Goodreads author - Aidan_Chambers
Goodreads author - Jonathan_Chamberlain_Williams
Goodreads author - Michael_Chambers
Goodreads author - A_H_Chambers
Goodreads author - Becky_Chambers
Goodreads author - Natalie_Chambers_Snapp
Goodreads author - Diane_Chamberlain
https://familypedia.wikia.org/wiki/File:Scottish_Parliament_Debating_Chamber_2.jpg
https://military.wikia.org/wiki/Gas_chamber
https://religion.wikia.org/wiki/Houston_Stewart_Chamberlain
https://religion.wikia.org/wiki/Japanese_creation_myth#CITEREFChamberlain2008
https://religion.wikia.org/wiki/Kamiumi#CITEREFChamberlain2008
https://religion.wikia.org/wiki/Kamiyonanayo#CITEREFChamberlain2008
Integral World - Wilber on evolution, A Few Comments, Jim Chamberlain
Integral World - Whither Ken Wilber?, Jim Chamberlain
Integral World - Beware of the God, The Pitbull of Gurus, Jim Chamberlain
Integral World - The Theological Echo Chamber, David Lane
Integral World - "Sorry, it's just over your head: Wilber's response to recent criticism", Jim Chamberlain
Psychology Wiki - Debating_Chamber
https://tvtropes.org/pmwiki/pmwiki.php/Characters/TheDarkCrystalTheChamberlain
https://tvtropes.org/pmwiki/pmwiki.php/Creator/BeckyChambers
https://tvtropes.org/pmwiki/pmwiki.php/Creator/DaniChambers
https://tvtropes.org/pmwiki/pmwiki.php/Creator/MunroChambers
https://tvtropes.org/pmwiki/pmwiki.php/Creator/NanciChambers
https://tvtropes.org/pmwiki/pmwiki.php/Creator/RichardChamberlain
https://tvtropes.org/pmwiki/pmwiki.php/Creator/RobertWChambers
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/AfterTheChamberLordsAndLadies
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/LunaLovegoodAndTheChamberOfInnocence
https://tvtropes.org/pmwiki/pmwiki.php/Film/DiaryOfAChambermaid1964
https://tvtropes.org/pmwiki/pmwiki.php/Film/DisciplesOfThe36thChamber
https://tvtropes.org/pmwiki/pmwiki.php/Film/HarryPotterAndTheChamberOfSecrets
https://tvtropes.org/pmwiki/pmwiki.php/Film/OneInTheChamber
https://tvtropes.org/pmwiki/pmwiki.php/Film/ReturnToThe36thChamber
https://tvtropes.org/pmwiki/pmwiki.php/Film/The36thChamberOfShaolin
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheStarChamber
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheTortureChamberOfDrSadism
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/Antichamber
https://tvtropes.org/pmwiki/pmwiki.php/Literature/DreamOfTheRedChamber
https://tvtropes.org/pmwiki/pmwiki.php/Literature/HarryPotterAndTheChamberOfSecrets
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheBloodyChamber
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChamber
https://tvtropes.org/pmwiki/pmwiki.php/Main/AfterlifeAntechamber
https://tvtropes.org/pmwiki/pmwiki.php/Main/DecontaminationChamber
https://tvtropes.org/pmwiki/pmwiki.php/Main/DisintegrationChamber
https://tvtropes.org/pmwiki/pmwiki.php/Main/GasChamber
https://tvtropes.org/pmwiki/pmwiki.php/Main/MaximumFunChamber
https://tvtropes.org/pmwiki/pmwiki.php/Main/TortureChamberEpisode
https://tvtropes.org/pmwiki/pmwiki.php/Music/CoalChamber
https://tvtropes.org/pmwiki/pmwiki.php/Music/KaseyChambers
https://tvtropes.org/pmwiki/pmwiki.php/Series/TheChamber
https://tvtropes.org/pmwiki/pmwiki.php/Trivia/Antichamber
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/NevilleChamberlain
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/WiltChamberlain
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Antichamber
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/HarryPotterAndTheChamberOfSecrets
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/JeoffreysChamber
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheWhiteChamber
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/BlackWardEmptyChambers
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/EchoChamber
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/LegendsOfChamberlainHeights
https://tvtropes.org/pmwiki/pmwiki.php/WMG/Antichamber
https://tvtropes.org/pmwiki/pmwiki.php/Wrestling/EliminationChamber
https://tvtropes.org/pmwiki/pmwiki.php/YMMV/Antichamber
https://en.wikiquote.org/wiki/Austen_Chamberlain
https://en.wikiquote.org/wiki/Dream_of_the_Red_Chamber
https://en.wikiquote.org/wiki/Edward_Chamberlayne
https://en.wikiquote.org/wiki/Gas_chamber
https://en.wikiquote.org/wiki/Harry_Potter_and_the_Chamber_of_Secrets_(film)
https://en.wikiquote.org/wiki/Houston_Stewart_Chamberlain
https://en.wikiquote.org/wiki/John,_the_Lord_Chamberlain
https://en.wikiquote.org/wiki/Joseph_Chamberlain
https://en.wikiquote.org/wiki/Joshua_Chamberlain
https://en.wikiquote.org/wiki/Mortimer_Chambers
https://en.wikiquote.org/wiki/Neville_Chamberlain
https://en.wikiquote.org/wiki/Oswald_Chambers
https://en.wikiquote.org/wiki/Robert_Chambers_(publisher_born_1802)
https://en.wikiquote.org/wiki/Robert_Chambers_(publisher,_born_1802)
https://en.wikiquote.org/wiki/Shaun_Chamberlin
https://en.wikiquote.org/wiki/The_Star_Chamber
https://en.wikiquote.org/wiki/Veronica_Chambers
https://en.wikiquote.org/wiki/Whittaker_Chambers
https://en.wikiquote.org/wiki/William_Chamberlayne_(poet)
https://en.wikiquote.org/wiki/Wilt_Chamberlain
https://allpoetry.com/James-Chamberlayne
https://allpoetry.com/Oswald-Chambers
https://allpoetry.com/Rudolph-Chambers-Lehmann
https://allpoetry.com/William-Chamberlayne
Mighty Morphin Power Rangers: The Movie(1995) - The galactically feared, universally despised Ivan Ooze is released from a hyperlock chamber after six thousands years. The first thing on his agenda - conquer Earth. A plan which involves revenge on his imprisoner, and mentor of the Rangers, Zordon! The Rangers, stripped of their powers, must journ...
Harry Potter and the Chamber of secrets(2002) - Harry Potter has not had a good summer. Not only has he had to put up with his overbearing Aunt Petunia and Uncle Vernon Dursley and their dread of his magical abilities, but it seems as if Harry's best friends Ron Weasley and Hermione Granger have forgotten him as they haven't replied to a single o...
Breakin'(1984) - A struggling young jazz dancer Kelly (Lucinda Dickey) meets up with two break-dancers, Ozone (Adolfo Quinones) and Turbo (Michael Chambers). Together they become the sensation of the street crowds. Features ICE-T in his film debut as a club MC.
Don't Look Under the Bed(1999) - The movie is about a girl named Frances Bacon McCausland (Erin Chambers). Strange things have been going on in the town of Middleberg. Dogs on people's roofs, alarm clocks going off three hours early, eggs all over the teacher's car, Jello in the swimming pool, and B's spray-painted all over town, i...
Ghoulies III: Ghoulies Go to College(1991) - Though representing a slight step upward in budget from the previous two Ghoulies installments, this is still a rather silly exercise in childish fart jokes and rubbery monster effects. The title critters are mini-demons summoned forth from a demonic chamber pot (seriously!) by the occult-obsessed D...
The Postman Always Rings Twice(1981) - Drifter Frank Chambers (Jack Nicholson) falls in love with Cora Papadakis (Jessica Lange), whose husband runs a restaurant. Together, they make plans to murder him.
The Star Chamber(1983) - The justice system is in very bad condition, or so an idealistic judge named Steven Hardin (Michael Douglas) believes. He eventually comes across a group of judges who take the concept of the kangaroo court to a deadly level.
Rabid(1977) - A young woman(Marilyn Chambers),after having plastic surgery,develops a taste for human blood.The woman begins attacking people,draining their blood,and turning them into cannibalistic zombies.
Casanova(1987) - This was a TV movie about the infamous lover, played here by Richard Chamberlain.
Lone Wolf and Cub: Baby Cart to Hades(1972) - In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.
Cinderella II: Dreams Come True(2002) - In a castle, Cinderella's mice friends Gus and Jaq race to a chamber where the Fairy Godmother is reading the story of Cinderella to the other mice. Much to their disappointment, Gus and Jaq arrive just as the Fairy Godmother has finished the story. With the Fairy Godmother's help, the mice set off...
The Wedding Planner(2001) - When a wedding planner named Mary (Jennifer Lopez) is asked by her father to marry re-introduced childhood friend Massimo(Justin Chambers) she figures she only wants to focus on her career of becoming the partner for her company. Things change when she runs into a man named Steve Edison(Matthew McCo...
Chambers ::: TV-MA | 1h | Drama, Fantasy, Horror | TV Series (2019) -- A woman survives a heart transplant and begins to develop different personality traits. Creator: Leah Rachel
Deca-Dence ::: TV-14 | 23min | Animation, Action, Adventure | TV Series (2020) Episode Guide 12 episodes Deca-Dence Poster Humanity was driven to the brink of extinction by unknown life forms Gadoll. Until one day, Natsume, a girl who dreams of becoming a warriors meets Kaburagi, an armor repairman. They will shake the future of this world. Stars: Dani Chambers, Kimberly Grace, Gabe Kunda
Harry Potter and the Chamber of Secrets (2002) ::: 7.4/10 -- PG | 2h 41min | Adventure, Family, Fantasy | 15 November 2002 (USA) -- An ancient prophecy seems to be coming true when a mysterious presence begins stalking the corridors of a school of magic and leaving its victims paralyzed. Director: Chris Columbus Writers:
Resident Evil: Vendetta (2017) ::: 6.3/10 -- R | 1h 37min | Animation, Action, Adventure | 19 June 2017 (USA) -- Chris Redfield enlists the help of Leon S. Kennedy and Rebecca Chambers to stop a death merchant, with a vengeance, from spreading a deadly virus in New York. Director: Takanori Tsujimoto Writers:
The Red House (1947) ::: 6.8/10 -- Approved | 1h 40min | Drama, Film-Noir, Mystery | 1947 (UK) -- An old man and his sister are concealing a terrible secret from their adopted teen daughter, concerning a hidden abandoned farmhouse, located deep in the woods. Director: Delmer Daves Writers: George Agnew Chamberlain (novel), Delmer Daves (written for the screen by)
https://adventuretime.fandom.com/wiki/The_Chamber_of_Frozen_Blades
https://allthetropes.fandom.com/wiki/Decontamination_Chamber
https://althistory.fandom.com/wiki/Chamberlain's_Failure
https://althistory.fandom.com/wiki/Chamberlain's_Legacy
https://amnesia.fandom.com/wiki/The_Portal_Chamber
https://aoc.fandom.com/wiki/Onyx_Chambers
https://aoc.fandom.com/wiki/Preparation_Chamber
https://aoc.fandom.com/wiki/Soul_Chambers
https://aoc.fandom.com/wiki/The_Soul_Chamber
https://banjokazooie.fandom.com/wiki/Code_Chamber
https://banjokazooie.fandom.com/wiki/Treasure_Chamber
https://bignate.fandom.com/wiki/Chamber_of_Horrors
https://business.fandom.com/wiki/Chambers_of_Commerce
https://characters.fandom.com/wiki/Blessing_Chambers
https://characters.fandom.com/wiki/Chris_Chambers
https://characters.fandom.com/wiki/Message_Wall:J.J._Chambers
https://cheers.fandom.com/wiki/Diane_Chambers
https://civilization.fandom.com/wiki/Holon_Chamber_(CivBE)
https://community-sitcom.fandom.com/wiki/The_Sun_Chamber
https://concord.fandom.com/wiki/Harry_Potter_And_The_Chamber_of_Secrets:_Chapter_1
https://dc.fandom.com/wiki/Jess_Chambers_(Future_State:_Earth_11)
https://dc.fandom.com/wiki/Jesse_Chambers_(Created_Equal)
https://dc.fandom.com/wiki/Jesse_Chambers_(New_Earth)
https://dc.fandom.com/wiki/Jesse_Chambers_(Prime_Earth)
https://dc.fandom.com/wiki/Wardell_Chambers_(Prime_Earth)
https://diablo.fandom.com/wiki/Andrew_Chambers
https://diablo.fandom.com/wiki/Chamber_of_Bone
https://diablo.fandom.com/wiki/Chamber_of_Queen_Araneae
https://diablo.fandom.com/wiki/Chamber_of_Suffering
https://diablo.fandom.com/wiki/Chamber_of_the_Lost_Idol
https://diablo.fandom.com/wiki/Desolate_Chamber
https://diablo.fandom.com/wiki/Soulstone_Chamber
https://diablo.fandom.com/wiki/Tal_Rasha%27s_Chamber
https://diablo.fandom.com/wiki/Tal_Rasha's_Chamber
https://diablo.fandom.com/wiki/The_Worldstone_Chamber
https://diablo.fandom.com/wiki/Worldstone_Chamber
https://dragonsdogma.fandom.com/wiki/Chamber_of_Estrangement
https://dragonsdogma.fandom.com/wiki/Chamber_of_Remorse
https://dragonsdogma.fandom.com/wiki/Offering_Chamber
https://dvd.fandom.com/wiki/DVD_Database:Image_chamber
https://ecwf4life.fandom.com/wiki/ECWF_Chamber_of_Horrors
https://ecwf4life.fandom.com/wiki/ECWF_Chamber_of_Horrors_(PPV)
https://elderscrolls.fandom.com/wiki/Ald_Daedroth,_Antechamber
https://elderscrolls.fandom.com/wiki/Ansilvund_Burial_Chambers
https://elderscrolls.fandom.com/wiki/Chamber_Guardian
https://elderscrolls.fandom.com/wiki/Chamberlain_Croix
https://elderscrolls.fandom.com/wiki/Chamberlain_Weller
https://elderscrolls.fandom.com/wiki/Elder_Council_Chambers
https://elderscrolls.fandom.com/wiki/Imbuing_Chamber
https://elderscrolls.fandom.com/wiki/On_the_Chamber_of_Passage
https://elderscrolls.fandom.com/wiki/Torture_chamber
https://eq2.fandom.com/wiki/A'Nstasi's_Experimentation_Chamber
https://eq2.fandom.com/wiki/Antechamber_of_Agony
https://eq2.fandom.com/wiki/Antechamber_of_Fate
https://eq2.fandom.com/wiki/Antechamber_of_Gears
https://eq2.fandom.com/wiki/Antechamber_of_the_Automaton_(Challenge_Duo)
https://eq2.fandom.com/wiki/Antonia_Bayle's_Chambers
https://eq2.fandom.com/wiki/Audience_Chamber
https://eq2.fandom.com/wiki/Bedchamber_of_the_Master
https://eq2.fandom.com/wiki/Captain's_Chamber
https://eq2.fandom.com/wiki/Chamberlain_X'Haviz
https://eq2.fandom.com/wiki/Chamber_of_Animation
https://eq2.fandom.com/wiki/Chamber_of_Ascension
https://eq2.fandom.com/wiki/Chamber_of_Automation
https://eq2.fandom.com/wiki/Chamber_of_Bloodshed
https://eq2.fandom.com/wiki/Chamber_of_Energy
https://eq2.fandom.com/wiki/Chamber_of_Evolution
https://eq2.fandom.com/wiki/Chamber_of_Hollow_Life
https://eq2.fandom.com/wiki/Chamber_of_Immortality
https://eq2.fandom.com/wiki/Chamber_of_Oscillation
https://eq2.fandom.com/wiki/Chamber_of_Scorn_(SoH:_Utter_Contempt)
https://eq2.fandom.com/wiki/Chamber_of_the_Diviners
https://eq2.fandom.com/wiki/Chamber_of_the_Sentinels
https://eq2.fandom.com/wiki/Chamber_of_the_Sovereign
https://eq2.fandom.com/wiki/Chamber_of_the_Speaker_of_Fates
https://eq2.fandom.com/wiki/Chamber_of_the_Vaultkeeper
https://eq2.fandom.com/wiki/Chamber_of_War_Planning
https://eq2.fandom.com/wiki/Charasis:_Maiden's_Chamber
https://eq2.fandom.com/wiki/Charasis:_Maiden's_Chamber_(Agnostic)
https://eq2.fandom.com/wiki/Control_Chamber_Alpha
https://eq2.fandom.com/wiki/Control_Chamber_Beta
https://eq2.fandom.com/wiki/Control_Chamber_Delta
https://eq2.fandom.com/wiki/Crypt_of_Dalnir:_Ritual_Chamber_(Heroic)
https://eq2.fandom.com/wiki/Crypt_of_Dalnir:_Ritual_Chamber_(Solo)
https://eq2.fandom.com/wiki/Drayek's_Chamber
https://eq2.fandom.com/wiki/Drayek's_Chamber:_Throne_of_the_Kromise_King
https://eq2.fandom.com/wiki/Enhance:_Magma_Chamber
https://eq2.fandom.com/wiki/Into_the_Chamber_of_Phrotis
https://eq2.fandom.com/wiki/Ssrez'Ras:_Chamber_of_Stasis
https://eq2.fandom.com/wiki/Ssrez'Ras:_Chamber_of_Stasis_(Heroic)
https://eq2.fandom.com/wiki/The_Chamberlain's_Flayed_Skin
https://eq2.fandom.com/wiki/The_Chamber_of_Destiny
https://eq2.fandom.com/wiki/The_Chamber_of_Rulgax
https://eq2.fandom.com/wiki/The_Chamber_of_the_Claymore_(Zone)
https://eq2.fandom.com/wiki/The_Chamber_of_the_Keeper
https://eq2.fandom.com/wiki/The_Fabled_Antechamber_of_Fate_(Raid)
https://eq2.fandom.com/wiki/Zarrakon's_Abyssal_Chamber
https://fallout.fandom.com/wiki/Decompression_chamber
https://fallout.fandom.com/wiki/Drainage_chamber
https://ffxiclopedia.fandom.com/wiki/Brunhilde's_Chamber
https://ffxiclopedia.fandom.com/wiki/Chamber_of_Oracles
https://ffxiclopedia.fandom.com/wiki/Gerhilde's_Chamber
https://ffxiclopedia.fandom.com/wiki/Grimgerde's_Chamber
https://ffxiclopedia.fandom.com/wiki/Helmwige's_Chamber
https://ffxiclopedia.fandom.com/wiki/Navukgo_Execution_Chamber
https://ffxiclopedia.fandom.com/wiki/Sacrificial_Chamber
https://ffxiclopedia.fandom.com/wiki/Sacrificial_Chamber_Key
https://ffxiclopedia.fandom.com/wiki/The_Chamber_of_Oracles
https://fictionalcharacterbattles.fandom.com/wiki/Message_Wall:J.J._Chambers
https://filthy-frank.fandom.com/wiki/Vegan_Protection_Chamber
https://firefly.fandom.com/wiki/Jamie_Chambers
https://forgottenrealms.fandom.com/wiki/Arcane_Chambers
https://forgottenrealms.fandom.com/wiki/Chamber_of_Law_and_Civility
https://forgottenrealms.fandom.com/wiki/Gregg_Chamberlain
https://geometry-dash.fandom.com/wiki/Chamber_of_Time
https://halloweenmovie.fandom.com/wiki/Marion_Chambers
https://harrypotter.fandom.com/wiki/Chamber_of_Reception
https://harrypotter.fandom.com/wiki/Chamber_of_Secrets
https://harrypotter.fandom.com/wiki/Chessboard_Chamber
https://harrypotter.fandom.com/wiki/Creator:_Harry_Potter_and_the_Chamber_of_Secrets
https://harrypotter.fandom.com/wiki/Detention_Chamber
https://harrypotter.fandom.com/wiki/Harry_Potter_and_the_Chamber_of_Secrets
https://harrypotter.fandom.com/wiki/Harry_Potter_and_the_Chamber_of_Secrets_(film)
https://harrypotter.fandom.com/wiki/Harry_Potter_and_the_Chamber_of_Secrets_(soundtrack)
https://harrypotter.fandom.com/wiki/Harry_Potter_and_the_Chamber_of_Secrets_(video_game)
https://harrypotter.fandom.com/wiki/Harry_Potter_and_the_Chamber_of_Secrets_(video_game_soundtrack)
https://harrypotter.fandom.com/wiki/House_Point_Ceremony_chamber
https://harrypotter.fandom.com/wiki/LEGO_Creator:_Harry_Potter_and_the_Chamber_of_Secrets
https://harrypotter.fandom.com/wiki/Lower_Chambers_Corridor_North-East
https://harrypotter.fandom.com/wiki/Lower_Chambers_Corridor_West
https://harrypotter.fandom.com/wiki/Lower_Chambers_Portrait_Corridor
https://harrypotter.fandom.com/wiki/Philosopher's_Stone_chambers
https://harrypotter.fandom.com/wiki/Resting_Chamber_of_Lord_Voldemort
https://harrypotterwizardsunite.fandom.com/wiki/Chambers
https://harrypotterwizardsunite.fandom.com/wiki/Forest_Chambers
https://herofactoryreviews.fandom.com/wiki/Quaza_Chamber
https://icarly.fandom.com/wiki/Chuck_Chambers
https://itfc.fandom.com/wiki/Luke_Chambers
https://kinginyellow.fandom.com/wiki/Robert_W._Chambers
https://kuroshitsuji.fandom.com/wiki/Aleister_Chamber
https://literature.fandom.com/wiki/Harry_Potter_and_the_Chamber_of_Secrets
https://marvel.fandom.com/wiki/.675_side-slung_deflected_chamber_Van_Damme-Seagal_repeating_rifle
https://marvel.fandom.com/wiki/.675_side-slung_deflected_chamber_Van_Damme-Seagal_repeating_rifle/Gallery
https://memory-alpha.fandom.com/wiki/Amanda_Chamberlain
https://memory-alpha.fandom.com/wiki/Antimatter_chamber
https://memory-alpha.fandom.com/wiki/Assimilation_chamber
https://memory-alpha.fandom.com/wiki/Bedchamber
https://memory-alpha.fandom.com/wiki/Bio-temporal_chamber
https://memory-alpha.fandom.com/wiki/Carbon_reaction_chamber
https://memory-alpha.fandom.com/wiki/Cellular_regeneration_and_entertainment_chamber
https://memory-alpha.fandom.com/wiki/Cellular_regeneration_chamber
https://memory-alpha.fandom.com/wiki/Chamber_of_Horrors
https://memory-alpha.fandom.com/wiki/Chamber_of_Ministers
https://memory-alpha.fandom.com/wiki/Chamber_of_Opportunity
https://memory-alpha.fandom.com/wiki/Chamber_of_Petitioners
https://memory-alpha.fandom.com/wiki/Chamber_of_the_Ages
https://memory-alpha.fandom.com/wiki/Chambers_coil
https://memory-alpha.fandom.com/wiki/Cloud_City_Council_Chamber
https://memory-alpha.fandom.com/wiki/Containment_chamber
https://memory-alpha.fandom.com/wiki/Cryo-stasis_chamber
https://memory-alpha.fandom.com/wiki/Cullen_Chambers
https://memory-alpha.fandom.com/wiki/Decompression_chamber
https://memory-alpha.fandom.com/wiki/Decon_chamber
https://memory-alpha.fandom.com/wiki/Decontamination_chamber
https://memory-alpha.fandom.com/wiki/Dilithium_chamber
https://memory-alpha.fandom.com/wiki/Dilithium_chamber_hatch
https://memory-alpha.fandom.com/wiki/Dilithium_crystal_chamber
https://memory-alpha.fandom.com/wiki/Elysian_Council_Chamber
https://memory-alpha.fandom.com/wiki/Eric_Chambers
https://memory-alpha.fandom.com/wiki/Experimentation_chamber
https://memory-alpha.fandom.com/wiki/Fission_chamber
https://memory-alpha.fandom.com/wiki/Forced_chamber_explosion
https://memory-alpha.fandom.com/wiki/Harmonic_resonance_chamber
https://memory-alpha.fandom.com/wiki/Hyperbaric_chamber
https://memory-alpha.fandom.com/wiki/Imaging_chamber
https://memory-alpha.fandom.com/wiki/Intermix_chamber
https://memory-alpha.fandom.com/wiki/Ion_chamber
https://memory-alpha.fandom.com/wiki/Isolation_chamber
https://memory-alpha.fandom.com/wiki/Jacob_Chambers
https://memory-alpha.fandom.com/wiki/John_Chambers
https://memory-alpha.fandom.com/wiki/Klingon_High_Council_Chamber
https://memory-alpha.fandom.com/wiki/Klingon_Rite_of_Ascension_Chamber
https://memory-alpha.fandom.com/wiki/Main_stage_flux_chamber
https://memory-alpha.fandom.com/wiki/Mandy_Chamberlin_(Captain)
https://memory-alpha.fandom.com/wiki/Mandy_Chamberlin_(Lieutenant)
https://memory-alpha.fandom.com/wiki/Marie_Chambers
https://memory-alpha.fandom.com/wiki/Maturation_chamber
https://memory-alpha.fandom.com/wiki/M._Chambers
https://memory-alpha.fandom.com/wiki/Microfusion_chamber
https://memory-alpha.fandom.com/wiki/Monique_K._Chambers
https://memory-alpha.fandom.com/wiki/Multiphasic_chamber
https://memory-alpha.fandom.com/wiki/Prefire_chamber
https://memory-alpha.fandom.com/wiki/Prestage_flux_chamber
https://memory-alpha.fandom.com/wiki/Stacey_Chamberlin
https://memory-alpha.fandom.com/wiki/Stasis_chamber
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Biohazard: Vendetta -- -- Marza Animation Planet -- 1 ep -- Game -- Action Horror Sci-Fi -- Biohazard: Vendetta Biohazard: Vendetta -- Chris Redfield enlists the help of Leon S. Kennedy and Rebecca Chambers to stop a death merchant, with a vengeance, from spreading a deadly virus in New York. -- -- (Source: IMDB) -- Movie - May 27, 2017 -- 15,533 7.04
Kimera -- -- animate Film -- 1 ep -- Manga -- Action Horror Sci-Fi Shounen Ai Supernatural Vampire -- Kimera Kimera -- Osamu and Jay are two cereal salesmen traveling for work when they encounter a barricade. Curious as to what is going on, they step out of their car and enter into a government secret. Two mysterious demon-like men have been terrorizing the military, who came to respond to a car crash involving a vehicle carrying government research material. Inside the car wreckage, Osamu finds a beautiful hermaphrodite with gold and crimson eyes trapped in a frozen chamber. Osamu shares a kiss with them through the glass before he is forced to flee the scene. -- -- Osamu and Jay interrogate Jay's father, a top researcher at a government laboratory, who reveals that what Osamu and Jay saw was top-secret, and they would likely be sitting in prison if it weren't for his influence. While Jay is ready to forget everything that happened, Osamu cannot let it go that easily. After stealing a security badge, Osamu finds where the person he kissed is being kept, and learns that their name is Kimera. Osamu wants to run away with the beautiful Kimera, though he does not know why Kimera is being held captive or what a relationship with them means for the future of humanity. -- -- -- Licensor: -- ADV Films -- OVA - Jul 31, 1996 -- 6,184 5.12
Kimera -- -- animate Film -- 1 ep -- Manga -- Action Horror Sci-Fi Shounen Ai Supernatural Vampire -- Kimera Kimera -- Osamu and Jay are two cereal salesmen traveling for work when they encounter a barricade. Curious as to what is going on, they step out of their car and enter into a government secret. Two mysterious demon-like men have been terrorizing the military, who came to respond to a car crash involving a vehicle carrying government research material. Inside the car wreckage, Osamu finds a beautiful hermaphrodite with gold and crimson eyes trapped in a frozen chamber. Osamu shares a kiss with them through the glass before he is forced to flee the scene. -- -- Osamu and Jay interrogate Jay's father, a top researcher at a government laboratory, who reveals that what Osamu and Jay saw was top-secret, and they would likely be sitting in prison if it weren't for his influence. While Jay is ready to forget everything that happened, Osamu cannot let it go that easily. After stealing a security badge, Osamu finds where the person he kissed is being kept, and learns that their name is Kimera. Osamu wants to run away with the beautiful Kimera, though he does not know why Kimera is being held captive or what a relationship with them means for the future of humanity. -- -- OVA - Jul 31, 1996 -- 6,184 5.12
Lily C.A.T. -- -- Studio Pierrot -- 1 ep -- Original -- Sci-Fi Space Horror -- Lily C.A.T. Lily C.A.T. -- The Deep Sleep Capsules, technology that has allowed man to reach out to the stars. These chambers slow the aging process by 95%. A 20-year trip passes, and the traveler has only aged 1 year. It definitely has its advantages, but after you've been on a few trips, it sure gets very lonely. -- -- Right now, however, that's not the big issue. The year is 2264. The Syncam Corporation has sent the Saldes and its crew of 13 (and 1 cat) out into deep space to explore the potential of a newfound planet 20 years away. Soon after they awaken from their stasis, however, things are happening one after another. First, the crew learns that two of the crew are not who they claim to be. Then, one by one, crewmembers die suddenly. Then, the ship begins to turn against them. And as if it couldn't get any worse, they find another mess on their hands and it is ugly. -- -- What was supposed to be a simple exploratory mission has become a struggle for survival in the depths of space. 20 years from home, they're all alone and no one can hear them scream. -- -- (Source: AnimeNfo) -- -- Licensor: -- Discotek Media -- OVA - Sep 1, 1987 -- 5,679 5.90
Mushrambo -- -- Toei Animation -- 32 eps -- Original -- Sci-Fi Adventure Drama Fantasy Shounen -- Mushrambo Mushrambo -- In the world of Mushrambo, human life has all but come to an end. After a deadly virus threatened the extinction of mankind, a new race called the Enterrans was created to preserve life on Earth. However, relations between the Enterrans and their creators did not remain peaceful. Soon a war broke out with the Enterrans fighting against the humans and their robots. Ultimately the Enterrans were the victors of this conflict, renaming Earth as Enterra in honor of their victory. -- -- Before the last vestiges of humanity fell, one of the few remaining scientists put his daughter, Yakumo Shindou, into a sleep chamber. His hope was that his daughter would one day reawaken and find the human sanctuary known as Shinzo, reviving humanity and restoring peace between humans and Enterrans. Centuries have passed since the war; Yakumo now awakens and meets an Enterran named Mashura who pledges to assist in her quest. Also joined by the Enterrans Sago and Kutal, the group must now work to locate Yakumo's missing memories and locate Shinzo. But not every Enterran is as kind as Yakumo's new friends and some are prepared to commit any atrocity to prevent the return of humanity. -- -- Licensor: -- Saban Entertainment -- 13,510 6.97
Ryuuseiki Gakusaver -- -- Production I.G -- 6 eps -- Original -- Action Sci-Fi Space Comedy Parody Mecha School -- Ryuuseiki Gakusaver Ryuuseiki Gakusaver -- A gigantic meteorite landed on earth a few years back. A mysterious capsule believed to have belonged to the aliens was discovered. Called the "black box," an international organization called "Project BB" was created to research it. -- -- Eight boys, including Manabu Yoshimura, attend International Academy, a school located near Project BB headquarters. They are enticed by their teacher Toukichi Hashiba's promise of "I'll give you class credit," and end up getting involved in his experiment. The experiment was to enter the eight empty chambers of meteorite. According to Hashiba's theory, the meteorite should strongly respond to strong human thoughts. He tells them to have a clear image of a great looking gigantic robot; if they do, something should happen... -- -- Then, a big spaceship appears in the sky and an alien calling himself Wercury appears in a 3-D image. He tells them he is from the Star of Prokimasi and that he has come to collect the meteorite of the Choshin people. If they do not hand it over, he will challenge the earth beings to a battle. Manabu and his friends are confused by the unexpected turn of events but the meteorite responds to the thoughts of the group and suddenly starts to transform itself into a gigantic robot. Then, attacked by the invading Prokimasi robot, they are forced to pull their strength together and fight back. But it is extremely difficult to put the wills of the eight together as one and the robot cannot fight in the way it should. The gigantic robot that Hashiba named "Gakusaver" and Manabu's eight; can they manage to protect Earth and the meteorite from the Prokimasi invasion? -- -- (Source: King Records) -- OVA - Aug 21, 1993 -- 1,103 6.47
Suisei no Gargantia -- -- Production I.G -- 13 eps -- Original -- Action Sci-Fi Adventure Mecha -- Suisei no Gargantia Suisei no Gargantia -- In the distant future, a majority of humans have left the Earth, and the Galactic Alliance of Humanity is founded to guide exploration and ensure the prosperity of mankind. However, a significant threat arises in the form of strange creatures called Hideauze, resulting in an interstellar war to prevent humanity's extinction. Armed with Chamber, an autonomous robot, 16-year-old lieutenant Ledo of the Galactic Alliance joins the battle against the monsters. In an unfortunate turn of events, Ledo loses control during the battle and is cast out to the far reaches of space, crash-landing on a waterlogged Earth. -- -- On the blue planet, Gargantia—a large fleet of scavenger ships—comes across Chamber and retrieves it from the ocean, thinking they have salvaged something of value. Mistaking their actions for hostility, Ledo sneaks aboard and takes a young messenger girl named Amy hostage, only to realize that the residents of Gargantia are not as dangerous as he had believed. Faced with uncertainty, and unable to communicate with his comrades in space, Ledo attempts to get his bearings and acclimate to a new lifestyle. But his peaceful days are about to be short-lived, as there is more to this ocean-covered planet than meets the eye. -- -- -- Licensor: -- VIZ Media -- 289,134 7.49
https://commons.wikimedia.org/wiki/Category:Buildings_by_W._E._Chamberlin
https://commons.wikimedia.org/wiki/Category:Buildings_of_William_Chambers
https://commons.wikimedia.org/wiki/Category:Images_from_Chambers's_encyclop
https://commons.wikimedia.org/wiki/Category:Images_from_the_Chamber_of_Deputies_(Italy)
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https://commons.wikimedia.org/wiki/File:A_peep_into_one_of_the_courts_of_the_convent._Showing_a_rude_flight_of_steps_leading_to_the_upper_chambers._On_the_left_the_summits_of_the_belfry_of_the_church_and_the_minaret_of_the_mosque_(NYPL_b10607452-80710).tiff
https://commons.wikimedia.org/wiki/File:Chambers_1908_Phylactery.png
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https://commons.wikimedia.org/wiki/File:Convex_lower_chamber_BET.svg
https://commons.wikimedia.org/wiki/File:Image_taken_from_page_29_of_'Chambers's_Alternative_Geography_Readers._Standard_IV.(-VII.)'_(11295333224).jpg
https://commons.wikimedia.org/wiki/File:Minimum_Monument_art_installation_by_Nele_Azevedo_in_Chamberlain_Square,_Birmingham_UK.JPG
https://commons.wikimedia.org/wiki/File:Simulation_of_comet_tail_in_a_vacuum_chamber.jpg
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.223 Wylde chamber
30 cm Bubble Chamber (CERN)
39 Essex Chambers
49 Chambers
49th Legislature of the Chamber of Deputies of Uruguay
81 cm Saclay Bubble Chamber
Aalst (Chamber of Representatives constituency)
Aalst-Oudenaarde (Chamber of Representatives constituency)
Accounting Chamber (Ukraine)
Accounts Chamber of Russia
A Chinese Torture Chamber Story
Adam Chamberlain
Adam Chambers
Aidan Chambers
Alan Chambers
Alan Chambers (activist)
Alan Chambers (explorer)
A Large Attendance in the Antechamber
Albert A. Chambers
Alexander Chambers
Alexander Francis Chamberlain
Alex Oxlade-Chamberlain
Alvarez Chamber Orchestra
Amanda and Samuel Chambers
Amaryllis Chamber Ensemble
American Chamber of Commerce in Kyrgyzstan
American Chamber of Commerce in Shanghai
American Chamber of Commerce in Sri Lanka
American Chamber of Commerce in Taipei
American Chamber of Commerce in the People's Republic of China
American Chamber of Commerce Japan
American Chamber of Commerce to the European Union
Andrew Chambers
Andy Chambers
Andy Chambers Ranch Historic District
Anechoic chamber
Anna Chamber
Anne Chamberlain
Anne Chambers
Anne Cox Chambers
Annie Chambers Ketchum
Antechamber
Antechamber Bay, South Australia
Anterior chamber angle
Anterior chamber of eyeball
Antichamber
Aphonopelma chamberlini
A Porter's Love Song to a Chambermaid
Apple Hill Center for Chamber Music
Arab American Chamber of Commerce
Arab British Chamber of Commerce
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Arbitration Court at Saint Petersburg Chamber of Commerce and Industry
Arboretum de Chamberet
Arna chamber theatre
Argentine Chamber of Deputies
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Arlon (Chamber of Representatives constituency)
Armenian National Radio Chamber Choir
Ashley Chambers
Asia-Pacific Council of American Chambers of Commerce
Associated Chamber Music Players
Association of German Chambers of Industry and Commerce
Astra Chamber Music Society
Ath (Chamber of Representatives constituency)
Atlanta Chamber Winds
Audit Chamber of Armenia
Austen Chamberlain
Austin v. Michigan Chamber of Commerce
Australian Chamber of Commerce and Industry
Australian Chamber Orchestra
Australian Festival of Chamber Music
Australian Indigenous Chamber of Commerce
Australian Women Chamber of Commerce & Industry
Austrian Economic Chamber
Avanti! Chamber Orchestra
Barbados Chamber Orchestra
Barlow and Chambers execution
Barzillai J. Chambers
Basil Hall Chamberlain
Bastogne (Chamber of Representatives constituency)
Baylor University Chamber of Commerce
Bedchamber crisis
Belgian Chamber Committee on Justice
Belgian Chamber Committee on Naturalisations
Belgian Chamber Committee on the Interior
Belgian Chamber of Translators and Interpreters
Bengal Chamber of Commerce and Industry
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Berlin Philharmonic Chamber Orchestra
Berne Infinitesimal Bubble Chamber
Bibliography of Whittaker Chambers
Big European Bubble Chamber
Bill Chamber
Black Chamber
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Board of Chamberlains
Bon Voyage (Melody's Echo Chamber album)
Bowdown and Chamberhouse Woods
BowmanChamberlain House
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Bubble chamber
Buenos Aires Province Chamber of Deputies
Burial Chamber Trio
Cairns City Council Chambers
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Category:Chamber music by Ludwig van Beethoven
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Chamber Taluka
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Chambertin
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Chamber tomb
Chamber Woman
Chambery, Edmonton
Chapelle-Chambertin
Charles Bosseron Chambers
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Charles Chambers
Charles E. Chamberlain
Charles E. Chamberlain Federal Building & Post Office
Charles Joseph Chamberlain
Charlie Chambers
Charmes-Chambertin
Chteau Chambert-Marbuzet
Chteau de Gevrey-Chambertin
Chicagoland Chamber of Commerce
Chris Chambers
Christopher Chambers
Chuck Chambers
City Chamber Orchestra of Hong Kong
City Chambers
Civic Chamber of the Russian Federation
Clare Chambers
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Clarence Chamberlin
Classic 100 Chamber (ABC)
Cliff Chambers
Clock Tower Chambers
Closed Chambers
Cloud chamber
Cloud Chamber for the Trees and Sky
Coal Chamber
Coal Chamber (album)
Combustion chamber
Compton Chamberlayne
Concerto for String Quartet and Chamber Orchestra (Hosseini)
Constitutional Chamber of the Supreme Court of Kyrgyzstan
Cook Shire Council Chambers
Corporate chambers (Estonia)
Court of Exchequer Chamber
Crawford Chamberlain
Croatian Chamber of Economy
Crypt Chambers
Dalit Indian Chamber of Commerce and Industry
Dallas Regional Chamber
Daniel Chamberlain
Daniel Henry Chamberlain
Danish Chamber Orchestra
Dark Days (Coal Chamber album)
David Chamberlain
David Chambers
David John Chambers
Death of Azaria Chamberlain
Debate chamber
Dennis Chamberland
Detmold Chamber Orchestra
Devil's torture chamber
Dhaka Chamber of Commerce & Industry
Diane Chambers
Diary of a Chambermaid (1964 film)
Diary of a Chambermaid (2015 film)
Digestion chambers
Disappearance of Thora Chamberlain
Disciples of the 36 Chambers
Disciples of the 36th Chamber
Divertimento for Chamber Orchestra after Keyboard Pieces by Couperin
Diving chamber
Doctor's Chamber of Macedonia
Donald Chambers
Donald D. Chamberlin
Doran Chambers
Dorothea Douglass Lambert Chambers
Draft:New Ideas Chamber Orchestra
Dream of the Red Chamber
Dream of the Red Chamber (1944 film)
Dream of the Red Chamber (1987 TV series)
Dream of the Red Chamber Award
Dream of the Red Chamber (opera)
Drip chamber
Dubai Chamber of Commerce and Industry
Dublin Chamber of Commerce
Dwain Chambers
Ebenezer M. Chamberlain
Echo chamber
Echo Chamber (disambiguation)
Echo chamber (media)
Eddie Chambers
Eddie Chambers (artist)
Edinburgh City Chambers
Edson Joseph Chamberlin
Edward Chamberlain
Edward Chamberlain (14801543)
Edward Chamberlain (died 1557)
Edward Chamberlin
Edward Chambers
E. K. Chambers
Eleanor McWilliams Chamberlain
Electromagnetic reverberation chamber
Elimination Chamber
Elimination Chamber (2010)
Elimination Chamber (2011)
Elimination Chamber (2012)
Elimination Chamber (2013)
Elimination Chamber (2014)
Elimination Chamber (2015)
Elimination Chamber (2017)
Elimination Chamber (2019)
Elizabeth Chamber
Elizabeth Chamberlain
Elizabeth Chamberlain Gibson
Elizabeth Chambers
Elizabeth Chambers (actress)
Elizabeth Chambers (pilot)
Elmer Chambers
Emma Chamberlain
Emma Chambers
English Chamber Choir
English Chamber Orchestra
Enter the Wu-Tang (36 Chambers)
Environmental chamber
Ernest Chambers
Ernest Chambers (cyclist)
Ernest J. Chambers
Ernie Chambers
Erwin Chamberlain
Esch-sur-Alzette (Chamber of Deputies of Luxembourg constituency)
Est (Chamber of Deputies of Luxembourg constituency)
Euchambersia
EU-Malaysia Chamber of Commerce and Industry
European American Chamber of Commerce
European Chamber of Commerce in Cambodia
European foreign policy of the Chamberlain ministry
Eva Chamberlain
Execution chamber
Executive Chamber of David Paterson
Executive Chamber of Eliot Spitzer
Exmoor Singers of London Chamber Choir
Expansion chamber
Ezekiel F. Chambers
Fanny Chamberlain
Fanny Chambers Gooch
Faune A. Chambers
Fear Chamber
Federation of Bangladesh Chambers of Commerce & Industries
Federation of Indian Chambers of Commerce & Industry
Federation of Nepalese Chambers of Commerce and Industry
Federation of Pakistan Chambers of Commerce & Industry
Federation of Telangana and Andhra Pradesh Chambers of Commerce and Industry
First Lady of the Bedchamber
Fischoff National Chamber Music Association
Fischoff National Chamber Music Competition
Five Men of the Pear Chamber
Francis Chamberlain
Franco-Nigerian Chamber of Commerce & Industry
Franco-Thai Chamber of Commerce
Frank Chamberlain
Frank Chamberlain Clark
Frank Chamberlain Clark House
Frank O. Chamberlain
Frank Tolles Chamberlin
Fred and Linda Chamberlain
Frost, Briggs & Chamberlain
Gas chamber
Gentleman of the Bedchamber
Geoffrey Chamberlain
George B. Chambers
George Chamberlain
George Chamberlain (bishop)
George Chamberlayne
George Chamberlin
George Chambers
George Chambers (disambiguation)
George Chambers (painter)
George Earle Chamberlain
George Earle Chamberlain House
George Philip Chamberlain
Georgia Chamber of Commerce
Gevrey-Chambertin
Gevrey-Chambertin wine
Glasgow City Chambers
Gleichamberg
Gnomes and Trolls: The Secret Chamber
Google's Ideological Echo Chamber
Go (Paul Chambers album)
Governor Chamberlain
Grammy Award for Best Chamber Music Performance
Grammy Award for Best Chamber Music/Small Ensemble Performance
Grand Chamber
Grand Chamberlain of France
Great chamber
Greater New York Chamber Of Commerce
Greater Omaha Chamber of Commerce
Greater Philadelphia Hispanic Chamber of Commerce
Greater Pittsburgh Chamber of Commerce
Green chamber
Grevenmacher (Chamber of Deputies of Luxembourg constituency)
Grevenmacher (Chamber of Representatives constituency)
Griotte-Chambertin
Groom of the Chamber
Grosvenor Chambers
Guy Chamberlin
Guy Chambers
Hafnia Chamber Orchestra
Hamburg Chamber of Commerce
Harry Chamberlin
Harry Potter and the Chamber of Secrets
Harry Potter and the Chamber of Secrets (film)
Harry Potter and the Chamber of Secrets (video game)
Helcystogramma chambersella
Hemispherical combustion chamber
Henderson Chambers
Hendryk Schamberger
Henry Chamberlain
Henry Chamberlain Russell
Henry Chamberlin
Henry Chambers
Henry Chambers (Indian Army officer)
Henry Neville (Gentleman of the Privy Chamber)
Holographic Lexan Bubble Chamber
Hong Kong Chamber Orchestra
Hong Kong General Chamber of Commerce
Honolulu Japanese Chamber of Commerce
House with Chambers in Small Palashevsky Lane
Houston Chamber Choir
Houston Stewart Chamberlain
Howland Chamberlain
Hugh Chamberlen
Human Rights Chamber for Bosnia and Herzegovina
Hsavk Chamber of Commerce and Tourism
Huy (Chamber of Representatives constituency)
Hypobaric chamber
Ice Box Chamberlain
I Musici de Montral Chamber Orchestra
In a Chamber
In-chambers opinion
Indian Merchants' Chamber
In Good Company (Canadian Chamber Choir album)
International Chamber Choir Competition Marktoberdorf
International Chamber Music Festival of Cervo
International Chamber Music Festival (Plovdiv)
International Chamber of Commerce
International Shostakovich Chamber Music Competition
In the Chamber with Linkin Park
Ionization chamber
Iran Chamber of Commerce, Industries, Mines & Agriculture
Islamabad Chamber of Commerce & Industry
Israel Chamber Orchestra
Istanbul Medical Chamber
Ithaca Town Council Chambers
Ivory Chamberlain
Jack Chamberlain
Jack Chamberlain (sportsman)
Jack Chambers
Jack Chambers (choreographer)
Jacob P. Chamberlain
Jamaica Chamber of Commerce Building
James Chamberlain Crawford
James Chambers
James S. Chambers (editor)
James S. Chambers (publisher)
Jay Frank Schamberg
J. D. Chambers
Jeddah Chamber of Commerce & Industry
Jeremiah Chamberlain
Jerry Chamberlain
Jesse Chambers
Jess de Chamber
Jim Chamberlin
Jim Chambers
Jimmy Chamberlin
Joan Chambers
Joba Chamberlain
Jocelyn Chambers
John Chaffee and Jason Chamberlain
John Chamber
John Chamber (academic)
John Chamberlain
John Chamberlaine
John Chamberlain (journalist)
John Chamberlain (sculptor)
John Chamberlayne
John Chamberlin
John Chambers
John Chambers (businessman)
John Chambers College of Business and Economics
John Chambers Hughes
John Chambers (statistician)
John Chambers (topographer)
John Curtis Chamberlain
John Henry Chamberlain
John M. Chamberlain
John Norreys (Usher of the Chamber)
John T. Chambers
John, the Lord Chamberlain series
John Thomas Chambers Jr.
Joseph Chamberlain
Joseph Chamberlain (disambiguation)
Joseph Chamberlain Memorial Clock Tower
Joseph Chamberlain (planetarium director)
Joseph Chamberlain Sixth Form College
Joseph Chambers
Joseph Conrad Chamberlin
Joseph Edgar Chamberlin
Joshua Chamberlain
Joshua L. Chamberlain Museum
Judi Chamberlin
Judy Chamberlain
Jules Lger Prize for New Chamber Music
Julius Chambers
Junior Chamber International
Juno Award for Classical Album of the Year Solo or Chamber Ensemble
Justice M. Chambers
Karachi Chamber of Commerce & Industry
Karachi Chamber of Commerce and Industry Building
Kasey Chambers
Kimberley Chambers (author)
Kim Chambers
Kingaroy Shire Council Chambers
Kings Chamber Orchestra
Klaipda Chamber Orchestra
Komitas Chamber Music House
Kosovo Specialist Chambers and Specialist Prosecutor's Office
Kuwait Chamber of Commerce and Industry
Kyiv Chamber Choir
Kyiv Chamber Orchestra
Lady of the Bedchamber
Lagos Chamber of Commerce and Industry
Lahore Chamber of Commerce & Industry
Lake Mary Chamber of Commerce Building
Las Pias Chamber
Latricires-Chambertin
Lawrence Chambers
Lead chamber process
Lee Chamberlin
Legends of Chamberlain Heights
Legislative chamber
Legislative Chamber of the Federal District
Legislative Chamber of Uzbekistan
Lend Me Your Ears (Jeremy Steig, Eddie Gmez and Joe Chambers album)
Leo Chamberlain
Leonard Chamberlain
Leonard Chambers
Les Sirnes Female Chamber Choir
LExan Bubble Chamber
Lige (Chamber of Representatives constituency)
Linc Chamberland
Lin Chambers
Linda Chambers
Lindy Chamberlain-Creighton
Lion Chambers
List of career achievements by Wilt Chamberlain
List of Chairmen of the Chamber of Deputies of Czechoslovakia
List of Chairmen of the Chamber of the Nations (Czechoslovakia)
List of Chairmen of the Chamber of the People (Czechoslovakia)
List of chamber music works by Anton Bruckner
List of chamber music works by Johann Sebastian Bach
List of Lord Chamberlains to British royal consorts
List of members of the Chamber of Deputies of Luxembourg 20042009
List of members of the Chamber of Deputies of Luxembourg 20092013
List of members of the Chamber of Deputies of Luxembourg 20182023
List of members of the Chamber of Representatives of Belgium, 19992003
List of members of the Chamber of Representatives of Belgium, 20032007
List of members of the Chamber of Representatives of Belgium, 20072010
List of members of the Chamber of Representatives of Belgium, 20102014
List of members of the Chamber of Representatives of Belgium, 20142019
List of members of the Chamber of Representatives of Belgium, 201924
List of members of the Italian Chamber of Deputies, 20132018
List of members of the Italian Chamber of Deputies, 2018
List of presidents of the Argentine Chamber of Deputies
List of presidents of the Chamber of Deputies (Italy)
List of presidents of the Chamber of Deputies of Luxembourg
List of presidents of the Chamber of Deputies of Paraguay
List of presidents of the Chamber of Representatives of Belgium
List of Presidents of the Chamber of Representatives of Colombia
List of presidents of the Chamber of Representatives of Uruguay
List of presidents of the Junior Chamber International
List of Presidents of the Legislative Chamber of the Great Khural of Tuva
List of Speakers of the Chamber of Deputies (Czech Republic)
List of speakers of the Chamber of Deputies of Rwanda
List of vice-chamberlains to British royal consorts
Little Witch Academia: Chamber of Time
London Chamber of Commerce & Industry
London Diving Chamber Dive Lectures
Lord Chamberlain
Lord Chamberlain's Men
Lord Chamberlain's Office
Lord Chamberlain (Norway)
Lord Chamberlain of Denmark
Lord Great Chamberlain
Lord High Chamberlain of Scotland
Lord of the Bedchamber
Los Angeles Area Chamber of Commerce
Los Angeles Chamber Orchestra
Lucinda Chambers
MacArthur Chambers
Madras Chamber of Commerce and Industry
Magma chamber
Mahler Chamber Orchestra
Mahratta Chamber of Commerce, Industries and Agriculture
Maid of the Bedchamber
Makkah Chamber of Commerce and Industry
Manitoba Chamber Orchestra
Marianne Chambers
Marilyn Chambers
Marilyn Chambers (Home and Away)
Marise Chamberlain
Marjorie Chambers
Mark Chamberlain
Mark Chamberlain (photographer)
Mark Chamberlin
Marsh v. Chambers
Martin & Chamberlain
Martyn Chamberlain
Mary Anne Chambers
Mary Chamberlain
Mary E. Woolley Chamberlain
Matt Chamberlain
Matthew Chambers
Maulbronn Chamber Choir
Mazis-Chambertin
Mazoyres-Chambertin
McCann Rescue Chamber
M. E. Chamberlain
Merle Chambers
Metro Atlanta Chamber of Commerce
Michael Chamberlain
Michael Chamberlin
Michael Chamberlin (biologist)
Michael Chambers
Midhowe Chambered Cairn
Mine rescue chamber
Molly's Chambers
Mons (Chamber of Representatives constituency)
Mons-Soignies (Chamber of Representatives constituency)
Montague Chambers
Morton Livingston Schamberg
Moscow Chamber Musical Theatre
Moscow Chamber Orchestra
Moses Chamberlain Edey
Mount Chambers Gorge
Munich Chamber Orchestra
Municipal Chamber of Porto Alegre
Municipal Chamber of Rio de Janeiro
Municipal Chamber of So Paulo
Municipal Chambers
Munro Chambers
Music Mountain Summer Chamber Music Festival
My Lord Chamberlain, His Galliard
Namur (former Chamber of Representatives constituency)
Nashville Area Hispanic Chamber of Commerce
Nathan Chamberlain
National Black Chamber of Commerce
National Chamber Orchestra of Armenia
National LGBT Chamber of Commerce
National U.S.Arab Chamber of Commerce
Neil W. Chamberlain
Netherlands Chamber Orchestra
Netherlands Radio Chamber Philharmonic
Neville Bowles Chamberlain
Neville Chamberlain
Neville Chamberlain (disambiguation)
Neville Chamberlain (police officer)
New Chamber Opera
New Chambers (Sanssouci)
Newport Beach Chamber of Commerce
Newton, Chambers & Co.
New York Chamber Virtuosi
Nicholas Chamberlain
Nicholas Chamberlaine
No5 Chambers
Noel Chamberlain
Noel Chambers
Nord (Chamber of Deputies of Luxembourg constituency)
Norfolk Chamber Music Festival
Norman S. Chamberlain
North Dallas Chamber of Commerce
North Rockhampton Borough Chambers
NSW Business Chamber
One in the Chamber
oku: The Inner Chambers
Operant conditioning chamber
rebro Chamber Orchestra
Oriel Chambers, Kingston upon Hull
Orpheus Chamber Orchestra
Oswald Chambers
Ottawa Chamberfest
Palo Alto Chamber Orchestra
Pan African Chamber of Commerce and Industry
Pant-y-Saer Burial Chamber
Parallel-plate flow chamber
Paris Chamber of Commerce
Paris le-de-France Regional Chamber of Commerce and Industry
Pat Chambers
Paul Chambers
Paul Chambers (industrialist)
Paul Chambers (Paralympian)
Pent-roof combustion chamber
Perjury: The HissChambers Case
Peter Chamberlen
Peter Chamberlen the elder
Peter Chamberlin
Philadelphia Virtuosi Chamber Orchestra
Physaria chambersii
Polish Chamber Philharmonic Orchestra Sopot
Pony (Kasey Chambers song)
Portland Chamber Orchestra
Portuguese Chamber Orchestra
Posterior chamber of eyeball
Presaddfed Burial Chamber
President of the Chamber of Advisors
President of the Chamber of Deputies (Brazil)
President of the Chamber of Deputies (Mexico)
President of the Chamber of Deputies of Bolivia
President of the Chamber of Deputies of Chile
President of the Chamber of Senators of Bolivia
President of the Municipal Chamber
Prince William Chamber of Commerce
Privy chamber
Pro Arte Chamber Orchestra of Boston
Public Opinion (Chambersburg)
Puerto Rico Chamber of Commerce
Pye Chamberlayne
Qatar Chamber of Commerce and Industry
QEB Hollis Whiteman (chambers)
Queen Sofa Chamber Orchestra
Quoyness chambered cairn
Raid on Chambersburg
Ralph Vary Chamberlin
Ray Chamberlain
Ray Chamberlain (musician)
Ray Chamberlain (umpire)
Ray Chambers
Raymond J. Chambers
Raymond Wilson Chambers
Rebecca Ballard Chambers
Rebecca Chambers
Rebecca Chambers (character)
R. E. Chambers Company
Red chamber
Red Lion Chambers
Reed McKinley Chambers
Reich Chamber of Culture
Rescue Chamber
Return to the 36 Chambers: The Dirty Version
Return to the 36th Chamber
Reuss Chamber Orchestra
Richard Chamberlain
Richard Chamberlain (disambiguation)
Richard Chamberlain (MP for Calne)
Richard Chamberlin
Richard Chambers
Richard Harvey Chambers
Richland-Chambers Reservoir
Riley Chamberlin
Robert Chamberlain
Robert Chambers
Robert Chambers (criminal)
Robert Chambers Jr.
Robert Chambers (publisher, born 1802)
Robert Charles Chambers
Robert W. Chambers
Roger Chamberlain
Romance of the Western Chamber
Romance of the Western Chamber (film)
Romance of the Western Chamber (TV series)
Romanian-American Chamber of Commerce
Ronald Chamberlain
Rouxiella chamberiensis
Roy Chamberlain
Royd Chambers
Ruchottes-Chambertin
Russian Conservatoria Chamber Capella
Saint Louis Chamber Chorus
Saint Paul Chamber Orchestra
Samuel Chamberlain
Samuel Selwyn Chamberlain
Sandra Chambers
San Francisco Chamber Orchestra
San Francisco Composers Chamber Orchestra
Sarawak Chamber
Schamberg disease
Seattle Chamber Music Society
Seattle Chamber Players
Seattle Metropolitan Chamber of Commerce
Senator Chambers
Seven Songs for Quartet and Chamber Orchestra
Shaft and chamber tomb
Shamawd Chambers
Shaun Chamberlin
Shooting of Kenneth Chamberlain Sr.
Sialkot Chamber of Commerce and Industry
Sinead Chambers
Singapore Chinese Chamber of Commerce and Industry
Single-chamber
Siobhan Chamberlain
Sir Leonard Chamberlain
Sir Thomas Chamberlayne, 1st Baronet
Sir Thomas Chamberlayne, 2nd Baronet
Sleep Chamber
Solomon Chamberlin
Somerset Chamber Choir
South African Chamber for Agricultural Development in Africa
South Australian Chamber of Manufactures
South Australian Chamber of Mines and Energy
South Australian Employers' Chamber of Commerce and Industry
Southern Indian Chamber of Commerce and Industry
South Indian Film Chamber of Commerce
Southwest Chamber Music
Sparganothis chambersana
Spark chamber
Speaker of the Chamber of Deputies (Czech Republic)
Spencer Chamberlain
SS Selah Chamberlain
Star Chamber
Star Chamber (disambiguation)
Star Chamber: The Harbinger Saga
Stephen Chambers
Stephen J. Chamberlin
Steve Chambers
Steven Chambers
St. Louis Regional Chamber
St Lythans burial chamber
St Oswald's Chambers, Chester
Straw chamber
Stuart Chambers
Sud (Chamber of Deputies of Luxembourg constituency)
Sura Chamber Choir
Swedish Chamber Choir
Swedish Chamber Orchestra
Swiss Chamber of Commerce and Industry in Singapore
Sydney Business Chamber
Sydney Chamber Choir
Sydney Chamber Opera
Tanzania Chamber of Commerce, Industry and Agriculture
Ted Chamberlain
Texas Argentine Chamber of Commerce
The 36th Chamber of Shaolin
The Best of Coal Chamber
The Bloody Chamber
The Career of a Chambermaid
The Chamber
The Chamber (1996 film)
The Chamberlin
The Chambermaid
The Chambermaid (film)
The Chambermaid Lynn
The Chambermaid on the Titanic
The Chamber (novel)
The Chambers Brothers
The Chamber (song)
The Chamber Wind Music of Jack Cooper
The Diary of a Chambermaid
The Diary of a Chambermaid (1946 film)
The Diary of a Chambermaid (novel)
The Dirtchamber Sessions Volume One
The Disappearance of Azaria Chamberlain
The Herb Chambers Companies
The Mystery of the Great Pyramid, Volume 2: The Chamber of Horus
Theodore F. Chamberlain
Thermal vacuum chamber
The Star Chamber
The White Chamber
Thomas Chamberlain
Thomas Chamberlayne
Thomas Chamberlayne (judge)
Thomas Chambers (colonial administrator)
Thomas Chambers Hine
Thomas Chrowder Chamberlin
Thomas Jefferson Chambers
Tim Chambers
Time projection chamber
Tom Bellchambers
Tom Chamberlain
Tom Chambers
Tony Chambers
Toronto Chamber Orchestra
Torture Chamber
Treasurer of the Chamber
Tregiffian Burial Chamber
Trustees Chambers
Tsarina's Golden Chamber
Turkish Cypriot Chamber of Commerce
T Newydd Burial Chamber
UK Chamber of Shipping
Unchambered long barrow
Unchambered long cairn
Union of Chambers and Commodity Exchanges of Turkey
Union of Chambers of Turkish Engineers and Architects
Union of Myanmar Federation of Chambers of Commerce and Industry
University of Chicago Contemporary Chamber Players
University of the Thai Chamber of Commerce
Unstan Chambered Cairn
U.S. Chamber of Commerce Building
USNS Washington Chambers (T-AKE-11)
USS Chambers (DE-391)
USS James S. Chambers (1861)
U.S. Women's Chamber of Commerce
Utah Chamber Artists
Vactor Tousey Chambers
Vancouver Chamber Choir
Venezuelan Chamber of Deputies
Venezuelan Federation of Chambers of Commerce
Veronica Chambers
Versailles-Val-d'Oise-Yvelines Chamber of Commerce
Vice-Chamberlain of the Household
Vicente Chamber Orchestra
Victorian Chamber of Commerce and Industry
Vienna Chamber Orchestra
Vietnam Chamber of Commerce and Industry
Visions of the 10th Chamber
Vitreous chamber
Voices New Zealand Chamber Choir
Walter B. Chambers
Walter M. Chambers
Washington Chamber Symphony
Washington Irving Chambers
Waterloo Chamber
W. Chamberlain & Co.
Wendy Chamberlain
Wendy Chamberlin
W. H. Chamberlin
Whims of Chambers
Whittaker Chambers
Whittaker Chambers Farm
Willard Joseph Chamberlin
William Chamberlain
William Chamberlayne
William Chamberlin
William Chambers
William Chambers (architect)
William Chambers Coker
William Chambers (milliner)
William Chambers (publisher)
William Henry Chamberlin
William Henry Chamberlin (philosopher)
William Lea Chambers
Wilson Chambers Building
WilsonChambers Mortuary
Wilt Chamberlain
Wilt Chamberlain's 100-point game
Windsor Shire Council Chambers
Wire chamber
Woman of the Bedchamber
Women Chamber of Commerce Quetta
World Chamber of Commerce
W. Paris Chambers
Wrttemberg Chamber Orchestra Heilbronn
Wu-Tang Chamber Music
WWE Elimination Chamber
Zurich Chamber Orchestra



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