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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [6] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
a_canto_of_Savitri_a_day_until_completion
all_questions_asked_to_the_Mother
all_questions_asked_to_the_Mother
chant
fictional_characters
letter
The_Temple_of_Sages
the_Temple_of_Sages
SEE ALSO


AUTH

BOOKS
8_Secrets_of_Tao_Te_Ching
A_Brief_History_of_Everything
Advanced_Dungeons_and_Dragons_2E
Agenda_Vol_02
Agenda_Vol_03
Agenda_Vol_04
Agenda_Vol_05
Agenda_Vol_06
Agenda_Vol_07
Agenda_Vol_08
Agenda_Vol_09
Agenda_Vol_10
Agenda_Vol_11
Agenda_Vol_12
Al-Fihrist
A_Treatise_on_Cosmic_Fire
Awaken_the_Giant_Within
Big_Mind,_Big_Heart
Blazing_the_Trail_from_Infancy_to_Enlightenment
Bodhinyana__a_collection_of_Dhamma_talks
books_(quotes)
chapters
City_of_God
Compassionate_Action
Contingency
Cybernetics,_or_Control_and_Communication_in_the_Animal_and_the_Machine
Dark_Night_of_the_Soul
DND_DM_Guide_5E
Education_As_a_Force_for_Social_Change
Education_in_the_New_Age
Enchiridion_text
Epigrams_from_Savitri
Essays_Divine_And_Human
Evolution_II
Faust
Flow_-_The_Psychology_of_Optimal_Experience
Full_Circle
General_Principles_of_Kabbalah
God_Exists
Heart_of_Matter
Hopscotch
How_to_think_like_Leonardo_Da_Vinci
Hundred_Thousand_Songs_of_Milarepa
Hymn_of_the_Universe
Infinite_Library
In_His_Steps__What_Would_Jesus_Do?
Initiates_of_Flame
Integral_Life_Practice_(book)
Integral_Spirituality
Introduction_To_The_Middle_Way__Chandrakirti's_Madhyamakavatara_with_Commentary_by_Dzongsar_Jamyang_Khyentse_Rinpoche
Isha_Upanishad
Journey_to_the_Lord_of_Power_-_A_Sufi_Manual_on_Retreat
Kena_and_Other_Upanishads
Know_Yourself
Let_Me_Explain
Letters_On_Poetry_And_Art
Letters_On_Yoga
Letters_On_Yoga_I
Letters_On_Yoga_II
Letters_On_Yoga_III
Letters_On_Yoga_IV
Liber_157_-_The_Tao_Teh_King
Liber_ABA
Liber_Null
Life_without_Death
Living_Dhamma
Maps_of_Meaning
Meditation__The_First_and_Last_Freedom
Modern_Man_in_Search_of_a_Soul
My_Burning_Heart
Mysterium_Coniunctionis
Narads_Infinite_Lexicon_of_terms_for_Savitri
old_bookshelf
On_Education
On_Interpretation
On_the_Way_to_Supermanhood
On_Thoughts_And_Aphorisms
Patanjali_Yoga_Sutras
Philosophy_of_Dreams
Plotinus_-_Complete_Works_Vol_01
Plotinus_-_Complete_Works_Vol_02
Plotinus_-_Complete_Works_Vol_03
Plotinus_-_Complete_Works_Vol_04
Poetics
Process_and_Reality
Questions_And_Answers_1929-1931
Questions_And_Answers_1950-1951
Questions_And_Answers_1953
Questions_And_Answers_1954
Questions_And_Answers_1955
Questions_And_Answers_1957-1958
Savitri
Sayings_of_Sri_Ramakrishna_(toc)
Self_Knowledge
Sex_Ecology_Spirituality
Some_Answers_From_The_Mother
Spiral_Dynamics
Stillness_Flowing__The_Life_and_Teachings_of_Ajahn_Chah
Tao_Te_Ching
The_5_Dharma_Types
The_Act_of_Creation
The_Archetypes_and_the_Collective_Unconscious
The_Bible
The_Black_Hole_War_-_My_Battle_with_Stephen_Hawking_to_Make_the_World_Safe_for_Quantum_Mechanics
The_Blue_Cliff_Records
the_Book
The_Book_of_Gates
the_Book_of_God
The_Book_of_Joy__Lasting_Happiness_in_a_Changing_World
The_Book_of_Lies
The_Book_of_Light
The_Book_of_Secrets__Keys_to_Love_and_Meditation
The_Categories
The_Diamond_Sutra
The_Divine_Comedy
The_Divine_Companion
The_Divine_Milieu
The_Epic_of_Gilgamesh
The_Essential_Songs_of_Milarepa
The_Ever-Present_Origin
The_Externalization_of_the_Hierarchy
The_Future_of_Man
The_Golden_Bough
The_Gospel_of_Sri_Ramakrishna
The_Heart_Is_Noble__Changing_the_World_from_the_Inside_Out
The_Heros_Journey
The_Hero_with_a_Thousand_Faces
The_Human_Cycle
The_I_Ching_or_Book_of_Changes
The_Imitation_of_Christ
The_Integral_Yoga
The_Interior_Castle_or_The_Mansions
The_Interpretation_of_Dreams
The_Ladder_of_Divine_Ascent
The_Lotus_Sutra
The_Master_Key_System
The_Mothers_Agenda
The_Mystical_Teachings_of_Jesus
The_Neverending_Story
The_Nicomachean_Ethics
The_Odyssey
The_Origin_of_Species
The_Perennial_Philosophy
The_Phenomenon_of_Man
The_Problems_of_Philosophy
The_Republic
The_Seals_of_Wisdom
The_Secret_Doctrine
The_Seven_Valleys_and_the_Four_Valleys
The_Study_and_Practice_of_Yoga
The_Sweet_Dews_of_Chan_Zen
The_Synthesis_Of_Yoga
The_Tarot_of_Paul_Christian
The_Tibetan_Yogas_of_Dream_and_Sleep
The_Use_and_Abuse_of_History
The_Way_of_Perfection
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_World_as_Will_and_Idea
The_Yoga_Sutras
Thought_Power
Three_Books_on_Occult_Philosophy
Thus_Spoke_Zarathustra
Toward_the_Future
Twilight_of_the_Idols
Vedic_and_Philological_Studies
Vishnu_Purana
Words_Of_Long_Ago
Words_Of_The_Mother_III
Writings_In_Bengali_and_Sanskrit

IN CHAPTERS TITLE
03.07_-_Brahmacharya
04.02_-_A_Chapter_of_Human_Evolution
05.08_-_True_Charity
05.09_-_The_Changed_Scientific_Outlook
06.17_-_Directed_Change
09.11_-_The_Supramental_Manifestation_and_World_Change
1.013_-_Defence_Mechanisms_of_the_Mind
1.02_-_Groups_and_Statistical_Mechanics
1.03_-_The_Gate_of_Hell._The_Inefficient_or_Indifferent._Pope_Celestine_V._The_Shores_of_Acheron._Charon._The
1.049_-_The_Chambers
1.04_-_ALCHEMY_AND_MANICHAEISM
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.05_-_Character_Of_The_Atoms
1.05_-_CHARITY
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_The_Change_of_Vision
1.11_-_The_Change_of_Power
1.13_-_ON_CHASTITY
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_The_element_of_Character_in_Tragedy.
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.20_-_The_Fourth_Bolgia__Soothsayers._Amphiaraus,_Tiresias,_Aruns,_Manto,_Eryphylus,_Michael_Scott,_Guido_Bonatti,_and_Asdente._Virgil_reproaches_Dante's_Pity.
1.22_-_Ciampolo,_Friar_Gomita,_and_Michael_Zanche._The_Malabranche_quarrel.
1.26_-_Continues_the_description_of_a_method_for_recollecting_the_thoughts._Describes_means_of_doing_this._This_chapter_is_very_profitable_for_those_who_are_beginning_prayer.
1.31_-_Continues_the_same_subject._Explains_what_is_meant_by_the_Prayer_of_Quiet._Gives_several_counsels_to_those_who_experience_it._This_chapter_is_very_noteworthy.
1.34_-_Fourth_Division_of_the_Ninth_Circle,_the_Judecca__Traitors_to_their_Lords_and_Benefactors._Lucifer,_Judas_Iscariot,_Brutus,_and_Cassius._The_Chasm_of_Lethe._The_Ascent.
1.38_-_Treats_of_the_great_need_which_we_have_to_beseech_the_Eternal_Father_to_grant_us_what_we_ask_in_these_words:_Et_ne_nos_inducas_in_tentationem,_sed_libera_nos_a_malo._Explains_certain_temptations._This_chapter_is_noteworthy.
1929-06-23_-_Knowledge_of_the_Yogi_-_Knowledge_and_the_Supermind_-_Methods_of_changing_the_condition_of_the_body_-_Meditation,_aspiration,_sincerity
1951-03-05_-_Disasters-_the_forces_of_Nature_-_Story_of_the_charity_Bazar_-_Liberation_and_law_-_Dealing_with_the_mind_and_vital-_methods
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-03-26_-_Losing_all_to_gain_all_-_psychic_being_-_Transforming_the_vital_-_physical_habits_-_the_subconscient_-_Overcoming_difficulties_-_weakness,_an_insincerity_-_to_change_the_world_-_Psychic_source,_flash_of_experience_-_preparation_for_yoga
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-19_-_Demands_and_needs_-_human_nature_-_Abolishing_the_ego_-_Food-_tamas,_consecration_-_Changing_the_nature-_the_vital_and_the_mind_-_The_yoga_of_the_body__-_cellular_consciousness
1951-04-21_-_Sri_Aurobindos_letter_on_conditions_for_doing_yoga_-_Aspiration,_tapasya,_surrender_-_The_lower_vital_-_old_habits_-_obsession_-_Sri_Aurobindo_on_choice_and_the_double_life_-_The_old_fiasco_-_inner_realisation_and_outer_change
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1954-08-25_-_Ananda_aspect_of_the_Mother_-_Changing_conditions_in_the_Ashram_-_Ascetic_discipline_-_Mothers_body
1954-09-08_-_Hostile_forces_-_Substance_-_Concentration_-_Changing_the_centre_of_thought_-_Peace
1955-04-06_-_Freuds_psychoanalysis,_the_subliminal_being_-_The_psychic_and_the_subliminal_-_True_psychology_-_Changing_the_lower_nature_-_Faith_in_different_parts_of_the_being_-_Psychic_contact_established_in_all_in_the_Ashram
1955-06-01_-_The_aesthetic_conscience_-_Beauty_and_form_-_The_roots_of_our_life_-_The_sense_of_beauty_-_Educating_the_aesthetic_sense,_taste_-_Mental_constructions_based_on_a_revelation_-_Changing_the_world_and_humanity
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-02-15_-_Nature_and_the_Master_of_Nature_-_Conscious_intelligence_-_Theory_of_the_Gita,_not_the_whole_truth_-_Surrender_to_the_Lord_-_Change_of_nature
1956-03-28_-_The_starting-point_of_spiritual_experience_-_The_boundless_finite_-_The_Timeless_and_Time_-_Mental_explanation_not_enough_-_Changing_knowledge_into_experience_-_Sat-Chit-Tapas-Ananda
1956-12-05_-_Even_and_objectless_ecstasy_-_Transform_the_animal_-_Individual_personality_and_world-personality_-_Characteristic_features_of_a_world-personality_-_Expressing_a_universal_state_of_consciousness_-_Food_and_sleep_-_Ordered_intuition
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-02-06_-_Death,_need_of_progress_-_Changing_Natures_methods
1.bs_-_Chanting,_chanting_the_Beloveds_name
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Crawling_Chaos
1.fs_-_The_Merchant
1.hs_-_Mystic_Chat
1.jk_-_Character_Of_Charles_Brown
1.jk_-_Sonnet._If_By_Dull_Rhymes_Our_English_Must_Be_Chaind
1.jk_-_Sonnet_To_Chatterton
1.jk_-_Sonnet._Written_On_A_Blank_Space_At_The_End_Of_Chaucers_Tale_Of_The_Floure_And_The_Lefe
1.jk_-_Sonnet_XI._On_First_Looking_Into_Chapmans_Homer
1.jk_-_Spenserian_Stanzas_On_Charles_Armitage_Brown
1.jk_-_To_Charles_Cowden_Clarke
1.jr_-_The_Time_Has_Come_For_Us_To_Become_Madmen_In_Your_Chain
1.jr_-_Who_makes_these_changes?
1.jt_-_In_losing_all,_the_soul_has_risen_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love_beyond_all_telling_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Oh,_the_futility_of_seeking_to_convey_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_When_you_no_longer_love_yourself_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jwvg_-_The_Exchange
1.kbr_-_The_Spiritual_Athlete_Often_Changes_The_Color_Of_His_Clothes
1.lb_-_A_Song_Of_Changgan
1.lb_-_Changgan_Memories
1.lb_-_Ho_Chih-chang
1.lb_-_The_River-Merchant's_Wife:_A_Letter
1.ltp_-_The_Hundred_Character_Tablet_(Bai_Zi_Bei)
1.pbs_-_Archys_Song_From_Charles_The_First_(A_Widow_Bird_Sate_Mourning_For_Her_Love)
1.pbs_-_A_Romans_Chamber
1.pbs_-_Charles_The_First
1.pbs_-_Fragment_-_Supposed_To_Be_An_Epithalamium_Of_Francis_Ravaillac_And_Charlotte_Corday
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_O_That_A_Chariot_Of_Cloud_Were_Mine!
1.pbs_-_Similes_For_Two_Political_Characters_of_1819
1.pbs_-_Sonnet_-_On_Launching_Some_Bottles_Filled_With_Knowledge_Into_The_Bristol_Channel
1.pbs_-_To_The_Lord_Chancellor
1.poe_-_The_Conversation_Of_Eiros_And_Charmion
1.rmr_-_The_Apple_Orchard
1.rmr_-_Torso_of_an_Archaic_Apollo
1.rt_-_Chain_Of_Pearls
1.rt_-_The_Champa_Flower
1.rt_-_The_Merchant
1.rt_-_Where_Shadow_Chases_Light
1.rwe_-_Character
1.rwe_-_Ode_-_Inscribed_to_W.H._Channing
1.rwe_-_The_Chartist's_Complaint
1.rwe_-_The_Enchanter
1.sca_-_What_a_great_laudable_exchange
1.sca_-_When_You_have_loved,_You_shall_be_chaste
1.shvb_-_O_Euchari_in_leta_via_-_Sequence_for_Saint_Eucharius
1.tc_-_After_Liu_Chai-Sangs_Poem
1.wby_-_He_Mourns_For_The_Change_That_Has_Come_Upon_Him_And_His_Beloved,_And_Longs_For_The_End_Of_The_World
1.wby_-_Michael_Robartes_And_The_Dancer
1.wby_-_Mohini_Chatterjee
1.wby_-_The_Chambermaids_First_Song
1.wby_-_The_Chambermaids_Second_Song
1.wby_-_The_Dancer_At_Cruachan_And_Cro-Patrick
1.wby_-_The_Double_Vision_Of_Michael_Robartes
1.wby_-_Tom_At_Cruachan
1.whitman_-_Chanting_The_Square_Deific
1.whitman_-_I_Hear_It_Was_Charged_Against_Me
1.ww_-_A_Character
1.ww_-_Characteristics_Of_A_Child_Three_Years_Old
1.ww_-_Character_Of_The_Happy_Warrior
1.ww_-_From_The_Dark_Chambers_Of_Dejection_Freed
1.ww_-_From_The_Italian_Of_Michael_Angelo
1.ww_-_Incident_Characteristic_Of_A_Favorite_Dog
1.ww_-_Inside_of_King's_College_Chapel,_Cambridge
1.ww_-_Michael_Angelo_In_Reply_To_The_Passage_Upon_His_Staute_Of_Sleeping_Night
1.ww_-_Michael-_A_Pastoral_Poem
1.ww_-_The_Fary_Chasm
1.ww_-_The_Prioresss_Tale_[from_Chaucer]
1.ww_-_The_Redbreast_Chasing_The_Butterfly
1.ww_-_To_The_Supreme_Being_From_The_Italian_Of_Michael_Angelo
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
2.04_-_The_Scourge,_the_Dagger_and_the_Chain
2.07_-_BANKIM_CHANDRA
2.1.7.06_-_On_the_Characters_of_the_Poem
22.08_-_The_Golden_Chain
2.20_-_Chance
26.08_-_Charyapda
29.08_-_The_Iron_Chain
30.09_-_Lines_of_Tantra_(Charyapada)
3.06_-_Charity
31.06_-_Jagadish_Chandra_Bose
3.16.2_-_Of_the_Charge_of_the_Spirit
3.2.06_-_The_Adwaita_of_Shankaracharya
3.20_-_Of_the_Eucharist
37.06_-_Indra_-_Virochana_and_Prajapati
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
40.02_-_The_Two_Chains_Of_The_Mother
4.02_-_Existence_And_Character_Of_The_Images
4.1.2.03_-_Preparation_for_the_Supramental_Change
4.2.1.01_-_The_Importance_of_the_Psychic_Change
4.2.4_-_Time_and_CHange_of_the_Nature
4.41_-_Chapter_One
4.4.2.09_-_Ascent_and_Change_of_the_Lower_Nature
4.42_-_Chapter_Two
4.43_-_Chapter_Three
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
Chapter_III_-_WHEREIN_IS_RELATED_THE_DROLL_WAY_IN_WHICH_DON_QUIXOTE_HAD_HIMSELF_DUBBED_A_KNIGHT
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
IS_-_Chapter_1
LUX.07_-_ENCHANTMENT

IN CHAPTERS CLASSNAME
00.00_-_Publishers_Note
00.00_-_Publishers_Note_A
00.00_-_Publishers_Note_B
0_0.01_-_Introduction
00.01_-_The_Approach_to_Mysticism
00.01_-_The_Mother_on_Savitri
00.02_-_Mystic_Symbolism
0_0.02_-_Topographical_Note
0_0.03_-_1951-1957._Notes_and_Fragments
00.03_-_Upanishadic_Symbolism
00.04_-_The_Beautiful_in_the_Upanishads
00.05_-_A_Vedic_Conception_of_the_Poet
0.00a_-_Introduction
0.00a_-_Participants_in_the_Evening_Talks
000_-_Humans_in_Universe
0.00_-_INTRODUCTION
0.00_-_Publishers_Note_C
0.00_-_The_Book_of_Lies_Text
0.00_-_THE_GOSPEL_PREFACE
0.00_-_The_Wellspring_of_Reality
0.00_-_To_the_Reader
0.01f_-_FOREWARD
0.01_-_I_-_Sri_Aurobindos_personality,_his_outer_retirement_-_outside_contacts_after_1910_-_spiritual_personalities-_Vibhutis_and_Avatars_-__transformtion_of_human_personality
0.01_-_Letters_from_the_Mother_to_Her_Son
0.01_-_Life_and_Yoga
0.02_-_II_-_The_Home_of_the_Guru
0.02_-_Letters_to_a_Sadhak
0.02_-_The_Three_Steps_of_Nature
0.03_-_III_-_The_Evening_Sittings
0.03_-_Letters_to_My_little_smile
0.03_-_The_Threefold_Life
0.04_-_Letters_to_a_Sadhak
0.04_-_The_Systems_of_Yoga
0.05_-_Letters_to_a_Child
0.05_-_The_Synthesis_of_the_Systems
0.06_-_INTRODUCTION
0.06_-_Letters_to_a_Young_Sadhak
0.07_-_DARK_NIGHT_OF_THE_SOUL
0.07_-_Letters_to_a_Sadhak
0.08_-_Letters_to_a_Young_Captain
0.09_-_Letters_to_a_Young_Teacher
01.01_-_A_Yoga_of_the_Art_of_Life
01.01_-_Sri_Aurobindo_-_The_Age_of_Sri_Aurobindo
01.01_-_The_New_Humanity
01.01_-_The_One_Thing_Needful
01.01_-_The_Symbol_Dawn
01.02_-_Natures_Own_Yoga
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Creative_Soul
01.02_-_The_Issue
01.02_-_The_Object_of_the_Integral_Yoga
01.03_-_Mystic_Poetry
01.03_-_Rationalism
01.03_-_Sri_Aurobindo_and_his_School
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.03_-_Yoga_and_the_Ordinary_Life
01.04_-_Motives_for_Seeking_the_Divine
01.04_-_Sri_Aurobindos_Gita
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
01.05_-_The_Nietzschean_Antichrist
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.06_-_On_Communism
01.06_-_Vivekananda
01.07_-_Blaise_Pascal_(1623-1662)
01.07_-_The_Bases_of_Social_Reconstruction
01.08_-_A_Theory_of_Yoga
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
01.09_-_The_Parting_of_the_Way
01.09_-_William_Blake:_The_Marriage_of_Heaven_and_Hell
0.10_-_Letters_to_a_Young_Captain
01.10_-_Nicholas_Berdyaev:_God_Made_Human
01.10_-_Principle_and_Personality
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.11_-_The_Basis_of_Unity
01.12_-_Goethe
01.12_-_Three_Degrees_of_Social_Organisation
01.13_-_T._S._Eliot:_Four_Quartets
01.14_-_Nicholas_Roerich
0.11_-_Letters_to_a_Sadhak
0.12_-_Letters_to_a_Student
0.13_-_Letters_to_a_Student
0.14_-_Letters_to_a_Sadhak
0_1951-09-21
0_1952-08-02
0_1954-08-25_-_what_is_this_personality?_and_when_will_she_come?
0_1955-03-26
0_1955-04-04
0_1955-06-09
0_1955-09-03
0_1955-09-15
0_1955-10-19
0_1956-02-29_-_First_Supramental_Manifestation_-_The_Golden_Hammer
0_1956-03-19
0_1956-03-20
0_1956-03-21
0_1956-04-04
0_1956-04-20
0_1956-04-23
0_1956-04-24
0_1956-05-02
0_1956-07-29
0_1956-08-10
0_1956-09-12
0_1956-09-14
0_1956-10-07
0_1956-10-08
0_1956-10-28
0_1956-11-22
0_1956-12-12
0_1956-12-26
0_1957-01-01
0_1957-01-18
0_1957-03-03
0_1957-04-09
0_1957-04-22
0_1957-07-03
0_1957-07-18
0_1957-09-27
0_1957-10-08
0_1957-10-17
0_1957-10-18
0_1957-11-12
0_1957-11-13
0_1957-12-13
0_1957-12-21
0_1958-01-01
0_1958-01-22
0_1958-01-25
0_1958-02-03a
0_1958-02-03b_-_The_Supramental_Ship
0_1958-02-15
0_1958-02-25
0_1958-03-07
0_1958-04-03
0_1958-05-01
0_1958-05-10
0_1958-05-11_-_the_ship_that_said_OM
0_1958-05-17
0_1958-05-30
0_1958-06-06_-_Supramental_Ship
0_1958-06-22
0_1958-07-02
0_1958-07-05
0_1958-07-06
0_1958-07-19
0_1958-07-21
0_1958-07-23
0_1958-07-25a
0_1958-07-25b
0_1958-08-07
0_1958-08-08
0_1958-08-09
0_1958-08-12
0_1958-08-29
0_1958-08-30
0_1958-09-16_-_OM_NAMO_BHAGAVATEH
0_1958-09-19
0_1958-10-01
0_1958-10-04
0_1958-10-06
0_1958-10-10
0_1958-10-17
0_1958-10-25_-_to_go_out_of_your_body
0_1958-11-02
0_1958-11-04_-_Myths_are_True_and_Gods_exist_-_mental_formation_and_occult_faculties_-_exteriorization_-_work_in_dreams
0_1958-11-08
0_1958-11-11
0_1958-11-14
0_1958-11-15
0_1958-11-20
0_1958-11-22
0_1958-11-26
0_1958-11-27_-_Intermediaries_and_Immediacy
0_1958-11-28
0_1958-11-30
0_1958-12-04
0_1958-12-15_-_tantric_mantra_-_125,000
0_1958-12-24
0_1958-12-28
0_1958_12_-_Floor_1,_young_girl,_we_shall_kill_the_young_princess_-_black_tent
0_1959-01-06
0_1959-01-14
0_1959-01-21
0_1959-01-27
0_1959-01-31
0_1959-03-10_-_vital_dagger,_vital_mass
0_1959-03-26_-_Lord_of_Death,_Lord_of_Falsehood
0_1959-04-07
0_1959-04-13
0_1959-04-21
0_1959-04-23
0_1959-04-24
0_1959-05-19_-_Ascending_and_Descending_paths
0_1959-05-25
0_1959-05-28
0_1959-06-03
0_1959-06-04
0_1959-06-07
0_1959-06-08
0_1959-06-09
0_1959-06-11
0_1959-06-13a
0_1959-06-13b
0_1959-06-17
0_1959-06-25
0_1959-07-09
0_1959-07-10
0_1959-07-14
0_1959-08-11
0_1959-08-15
0_1959-10-06_-_Sri_Aurobindos_abode
0_1959-10-15
0_1959-11-25
0_1960-01-28
0_1960-01-31
0_1960-03-03
0_1960-03-07
0_1960-04-07
0_1960-04-13
0_1960-04-14
0_1960-04-20
0_1960-04-24
0_1960-04-26
0_1960-05-06
0_1960-05-16
0_1960-05-21_-_true_purity_-_you_have_to_be_the_Divine_to_overcome_hostile_forces
0_1960-05-24_-_supramental_flood
0_1960-05-28_-_death_of_K_-_the_death_process-_the_subtle_physical
0_1960-06-03
0_1960-06-04
0_1960-06-07
0_1960-06-11
0_1960-06-Undated
0_1960-07-12_-_Mothers_Vision_-_the_Voice,_the_ashram_a_tiny_part_of_myself,_the_Mothers_Force,_sparkling_white_light_compressed_-_enormous_formation_of_negative_vibrations_-_light_in_evil
0_1960-07-15
0_1960-07-18_-_triple_time_vision,_Questions_and_Answers_is_like_circling_around_the_Garden
0_1960-07-23_-_The_Flood_and_the_race_-_turning_back_to_guide_and_save_amongst_the_torrents_-_sadhana_vs_tamas_and_destruction_-_power_of_giving_and_offering_-_Japa,_7_lakhs,_140000_per_day,_1_crore_takes_20_years
0_1960-07-26_-_Mothers_vision_-_looking_up_words_in_the_subconscient
0_1960-08-10_-_questions_from_center_of_Education_-_reading_Sri_Aurobindo
0_1960-08-16
0_1960-08-20
0_1960-08-27
0_1960-09-02
0_1960-09-20
0_1960-09-24
0_1960-10-02a
0_1960-10-02b
0_1960-10-08
0_1960-10-11
0_1960-10-15
0_1960-10-19
0_1960-10-22
0_1960-10-25
0_1960-10-30
0_1960-11-05
0_1960-11-08
0_1960-11-12
0_1960-11-15
0_1960-11-26
0_1960-12-02
0_1960-12-13
0_1960-12-17
0_1960-12-20
0_1960-12-23
0_1960-12-25
0_1960-12-31
0_1961-01-07
0_1961-01-10
0_1961-01-12
0_1961-01-17
0_1961-01-19
0_1961-01-22
0_1961-01-24
0_1961-01-27
0_1961-01-29
0_1961-01-31
0_1961-01-Undated
0_1961-02-04
0_1961-02-05
0_1961-02-07
0_1961-02-11
0_1961-02-14
0_1961-02-18
0_1961-02-25
0_1961-02-28
0_1961-03-04
0_1961-03-07
0_1961-03-11
0_1961-03-14
0_1961-03-17
0_1961-03-21
0_1961-03-25
0_1961-03-27
0_1961-04-07
0_1961-04-08
0_1961-04-12
0_1961-04-15
0_1961-04-18
0_1961-04-22
0_1961-04-25
0_1961-04-29
0_1961-05-02
0_1961-05-12
0_1961-05-19
0_1961-05-23
0_1961-05-30
0_1961-06-02
0_1961-06-06
0_1961-06-17
0_1961-06-20
0_1961-06-24
0_1961-06-27
0_1961-07-04
0_1961-07-07
0_1961-07-12
0_1961-07-15
0_1961-07-18
0_1961-07-26
0_1961-07-28
0_1961-08-02
0_1961-08-05
0_1961-08-08
0_1961-08-11
0_1961-08-18
0_1961-08-25
0_1961-09-03
0_1961-09-10
0_1961-09-16
0_1961-09-23
0_1961-09-28
0_1961-09-30
0_1961-10-02
0_1961-10-15
0_1961-10-30
0_1961-11-05
0_1961-11-06
0_1961-11-07
0_1961-11-12
0_1961-11-16a
0_1961-11-16b
0_1961-11-23
0_1961-12-16
0_1961-12-18
0_1961-12-20
0_1961-12-23
0_1962-01-09
0_1962-01-12
0_1962-01-12_-_supramental_ship
0_1962-01-15
0_1962-01-21
0_1962-01-24
0_1962-01-27
0_1962-02-03
0_1962-02-06
0_1962-02-09
0_1962-02-13
0_1962-02-17
0_1962-02-24
0_1962-02-27
0_1962-03-03
0_1962-03-06
0_1962-03-11
0_1962-03-13
0_1962-04-03
0_1962-04-13
0_1962-04-20
0_1962-04-28
0_1962-05-08
0_1962-05-13
0_1962-05-15
0_1962-05-18
0_1962-05-22
0_1962-05-24
0_1962-05-27
0_1962-05-29
0_1962-05-31
0_1962-06-02
0_1962-06-06
0_1962-06-09
0_1962-06-12
0_1962-06-16
0_1962-06-20
0_1962-06-23
0_1962-06-27
0_1962-06-30
0_1962-07-04
0_1962-07-07
0_1962-07-11
0_1962-07-14
0_1962-07-18
0_1962-07-21
0_1962-07-25
0_1962-07-28
0_1962-07-31
0_1962-08-04
0_1962-08-08
0_1962-08-11
0_1962-08-14
0_1962-08-18
0_1962-08-25
0_1962-08-28
0_1962-08-31
0_1962-09-05
0_1962-09-08
0_1962-09-15
0_1962-09-18
0_1962-09-22
0_1962-09-26
0_1962-09-29
0_1962-10-03
0_1962-10-06
0_1962-10-12
0_1962-10-16
0_1962-10-20
0_1962-10-24
0_1962-10-27
0_1962-10-30
0_1962-11-03
0_1962-11-07
0_1962-11-10
0_1962-11-14
0_1962-11-17
0_1962-11-20
0_1962-11-23
0_1962-11-27
0_1962-11-30
0_1962-12-04
0_1962-12-08
0_1962-12-12
0_1962-12-15
0_1962-12-19
0_1962-12-22
0_1962-12-25
0_1962-12-28
0_1963-01-02
0_1963-01-09
0_1963-01-12
0_1963-01-14
0_1963-01-18
0_1963-01-30
0_1963-02-15
0_1963-02-19
0_1963-02-21
0_1963-02-23
0_1963-03-06
0_1963-03-09
0_1963-03-13
0_1963-03-16
0_1963-03-19
0_1963-03-23
0_1963-03-27
0_1963-03-30
0_1963-04-06
0_1963-04-16
0_1963-04-20
0_1963-04-22
0_1963-04-25
0_1963-04-29
0_1963-05-03
0_1963-05-11
0_1963-05-15
0_1963-05-18
0_1963-05-22
0_1963-05-25
0_1963-05-29
0_1963-06-03
0_1963-06-08
0_1963-06-12
0_1963-06-15
0_1963-06-19
0_1963-06-22
0_1963-06-26a
0_1963-06-26b
0_1963-06-29
0_1963-07-03
0_1963-07-06
0_1963-07-10
0_1963-07-13
0_1963-07-17
0_1963-07-20
0_1963-07-24
0_1963-07-27
0_1963-07-31
0_1963-08-03
0_1963-08-07
0_1963-08-10
0_1963-08-13a
0_1963-08-13b
0_1963-08-17
0_1963-08-21
0_1963-08-24
0_1963-08-28
0_1963-08-31
0_1963-09-04
0_1963-09-07
0_1963-09-18
0_1963-09-21
0_1963-09-25
0_1963-09-28
0_1963-10-03
0_1963-10-05
0_1963-10-16
0_1963-10-19
0_1963-10-26
0_1963-10-30
0_1963-11-04
0_1963-11-13
0_1963-11-20
0_1963-11-23
0_1963-11-27
0_1963-11-30
0_1963-12-03
0_1963-12-07_-_supramental_ship
0_1963-12-11
0_1963-12-14
0_1963-12-18
0_1963-12-21
0_1963-12-25
0_1963-12-29
0_1963-12-31
0_1964-01-04
0_1964-01-08
0_1964-01-15
0_1964-01-18
0_1964-01-22
0_1964-01-25
0_1964-01-28
0_1964-01-29
0_1964-01-31
0_1964-02-05
0_1964-02-13
0_1964-02-15
0_1964-02-22
0_1964-02-26
0_1964-03-04
0_1964-03-07
0_1964-03-11
0_1964-03-14
0_1964-03-18
0_1964-03-21
0_1964-03-25
0_1964-03-28
0_1964-03-29
0_1964-03-31
0_1964-04-04
0_1964-04-08
0_1964-04-14
0_1964-04-19
0_1964-04-23
0_1964-04-25
0_1964-04-29
0_1964-05-02
0_1964-05-14
0_1964-05-15
0_1964-05-17
0_1964-05-21
0_1964-05-28
0_1964-06-04
0_1964-06-27
0_1964-06-28
0_1964-07-04
0_1964-07-13
0_1964-07-15
0_1964-07-18
0_1964-07-22
0_1964-07-25
0_1964-07-28
0_1964-07-31
0_1964-08-05
0_1964-08-08
0_1964-08-11
0_1964-08-14
0_1964-08-15
0_1964-08-19
0_1964-08-22
0_1964-08-26
0_1964-08-29
0_1964-09-02
0_1964-09-12
0_1964-09-16
0_1964-09-18
0_1964-09-23
0_1964-09-26
0_1964-09-30
0_1964-10-07
0_1964-10-10
0_1964-10-14
0_1964-10-17
0_1964-10-24a
0_1964-10-24b
0_1964-10-28
0_1964-10-30
0_1964-11-04
0_1964-11-07
0_1964-11-12
0_1964-11-14
0_1964-11-21
0_1964-11-25
0_1964-11-28
0_1964-12-02
0_1964-12-07
0_1964-12-10
0_1964-12-23
0_1965-01-06
0_1965-01-09
0_1965-01-12
0_1965-01-16
0_1965-01-24
0_1965-01-31
0_1965-02-04
0_1965-02-19
0_1965-02-24
0_1965-02-27
0_1965-03-03
0_1965-03-06
0_1965-03-10
0_1965-03-20
0_1965-03-24
0_1965-03-27
0_1965-04-07
0_1965-04-10
0_1965-04-17
0_1965-04-21
0_1965-04-23
0_1965-04-28
0_1965-04-30
0_1965-05-05
0_1965-05-08
0_1965-05-11
0_1965-05-15
0_1965-05-19
0_1965-05-29
0_1965-06-02
0_1965-06-05
0_1965-06-09
0_1965-06-12
0_1965-06-14
0_1965-06-18_-_supramental_ship
0_1965-06-23
0_1965-06-26
0_1965-06-30
0_1965-07-03
0_1965-07-07
0_1965-07-10
0_1965-07-14
0_1965-07-17
0_1965-07-21
0_1965-07-24
0_1965-07-28
0_1965-07-31
0_1965-08-04
0_1965-08-07
0_1965-08-14
0_1965-08-15
0_1965-08-18
0_1965-08-21
0_1965-08-25
0_1965-08-28
0_1965-08-31
0_1965-09-04
0_1965-09-08
0_1965-09-11
0_1965-09-15a
0_1965-09-15b
0_1965-09-18
0_1965-09-22
0_1965-09-25
0_1965-09-29
0_1965-10-10
0_1965-10-13
0_1965-10-16
0_1965-10-20
0_1965-10-27
0_1965-10-30
0_1965-11-03
0_1965-11-06
0_1965-11-10
0_1965-11-13
0_1965-11-15
0_1965-11-20
0_1965-11-23
0_1965-11-27
0_1965-11-30
0_1965-12-01
0_1965-12-04
0_1965-12-07
0_1965-12-10
0_1965-12-15
0_1965-12-18
0_1965-12-22
0_1965-12-25
0_1965-12-28
0_1965-12-30
0_1965-12-31
0_1966-01-08
0_1966-01-14
0_1966-01-19
0_1966-01-22
0_1966-01-26
0_1966-01-31
0_1966-02-11
0_1966-02-16
0_1966-02-19
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0_1966-02-26
0_1966-03-02
0_1966-03-04
0_1966-03-09
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0_1966-03-30
0_1966-04-06
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0_1966-04-16
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0_1967-11-22
0_1967-11-25
0_1967-11-29
0_1967-11-Prayers_of_the_Consciousness_of_the_Cells
0_1967-12-02
0_1967-12-06
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0_1973-01-10
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0_1973-01-20
0_1973-01-24
0_1973-01-31
0_1973-02-03
0_1973-02-07
0_1973-02-08
0_1973-02-14
0_1973-02-17
0_1973-02-18
0_1973-02-21
0_1973-02-28
0_1973-03-03
0_1973-03-07
0_1973-03-10
0_1973-03-14
0_1973-03-17
0_1973-03-19
0_1973-03-21
0_1973-03-24
0_1973-03-26
0_1973-03-28
0_1973-03-30
0_1973-03-31
0_1973-04-07
0_1973-04-08
0_1973-04-10
0_1973-04-11
0_1973-04-14
0_1973-04-18
0_1973-04-25
0_1973-04-29
0_1973-04-30
0_1973-05-05
0_1973-05-09
0_1973-05-14
0_1973-05-15
02.01_-_A_Vedic_Story
02.01_-_Metaphysical_Thought_and_the_Supreme_Truth
02.01_-_Our_Ideal
02.01_-_The_World-Stair
02.01_-_The_World_War
02.02_-_Lines_of_the_Descent_of_Consciousness
02.02_-_Rishi_Dirghatama
02.02_-_The_Kingdom_of_Subtle_Matter
02.02_-_The_Message_of_the_Atomic_Bomb
02.03_-_An_Aspect_of_Emergent_Evolution
02.03_-_National_and_International
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.04_-_The_Right_of_Absolute_Freedom
02.04_-_Two_Sonnets_of_Shakespeare
02.05_-_Federated_Humanity
02.05_-_Robert_Graves
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_Boris_Pasternak
02.06_-_The_Integral_Yoga_and_Other_Yogas
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.06_-_Vansittartism
02.07_-_George_Seftris
02.07_-_India_One_and_Indivisable
02.07_-_The_Descent_into_Night
02.08_-_Jules_Supervielle
02.08_-_The_Basic_Unity
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_The_Way_to_Unity
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_Independence_and_its_Sanction
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
02.11_-_Hymn_to_Darkness
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_Mysticism_in_Bengali_Poetry
02.12_-_The_Heavens_of_the_Ideal
02.12_-_The_Ideals_of_Human_Unity
02.13_-_In_the_Self_of_Mind
02.13_-_On_Social_Reconstruction
02.13_-_Rabindranath_and_Sri_Aurobindo
02.14_-_Appendix
02.14_-_Panacea_of_Isms
02.14_-_The_World-Soul
02.15_-_The_Kingdoms_of_the_Greater_Knowledge
03.01_-_Humanism_and_Humanism
03.01_-_The_Evolution_of_Consciousness
03.01_-_The_Malady_of_the_Century
03.01_-_The_New_Year_Initiation
03.01_-_The_Pursuit_of_the_Unknowable
03.02_-_Aspects_of_Modernism
03.02_-_The_Adoration_of_the_Divine_Mother
03.02_-_The_Gradations_of_Consciousness__The_Gradation_of_Planes
03.02_-_The_Philosopher_as_an_Artist_and_Philosophy_as_an_Art
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_Arjuna_or_the_Ideal_Disciple
03.03_-_A_Stainless_Steel_Frame
03.03_-_Modernism_-_An_Oriental_Interpretation
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.03_-_The_Inner_Being_and_the_Outer_Being
03.04_-_The_Body_Human
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_The_Vision_and_the_Boon
03.04_-_Towardsa_New_Ideology
03.05_-_Some_Conceptions_and_Misconceptions
03.05_-_The_Spiritual_Genius_of_India
03.05_-_The_World_is_One
03.06_-_Divine_Humanism
03.06_-_Here_or_Otherwhere
03.06_-_The_Pact_and_its_Sanction
03.07_-_Brahmacharya
03.07_-_Some_Thoughts_on_the_Unthinkable
03.07_-_The_Sunlit_Path
03.08_-_The_Democracy_of_Tomorrow
03.08_-_The_Spiritual_Outlook
03.08_-_The_Standpoint_of_Indian_Art
03.09_-_Art_and_Katharsis
03.09_-_Buddhism_and_Hinduism
03.09_-_Sectarianism_or_Loyalty
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.10_-_Sincerity
03.10_-_The_Mission_of_Buddhism
03.11_-_Modernist_Poetry
03.11_-_The_Language_Problem_and_India
03.11_-_True_Humility
03.12_-_Communism:_What_does_it_Mean?
03.12_-_TagorePoet_and_Seer
03.12_-_The_Spirit_of_Tapasya
03.13_-_Dynamic_Fatalism
03.13_-_Human_Destiny
03.14_-_From_the_Known_to_the_Unknown?
03.14_-_Mater_Dolorosa
03.15_-_Origin_and_Nature_of_Suffering
03.15_-_Towards_the_Future
03.16_-_The_Tragic_Spirit_in_Nature
03.17_-_The_Souls_Odyssey
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.01_-_The_Divine_Man
04.01_-_The_March_of_Civilisation
04.01_-_To_the_Heights_I
04.02_-_A_Chapter_of_Human_Evolution
04.02_-_Human_Progress
04.02_-_The_Growth_of_the_Flame
04.02_-_To_the_Heights_II
04.03_-_Consciousness_as_Energy
04.03_-_The_Call_to_the_Quest
04.03_-_The_Eternal_East_and_West
04.03_-_To_the_Heights_III
04.04_-_A_Global_Humanity
04.04_-_Evolution_of_the_Spiritual_Consciousness
04.04_-_The_Quest
04.04_-_To_the_Heights_IV
04.05_-_The_Freedom_and_the_Force_of_the_Spirit
04.05_-_The_Immortal_Nation
04.05_-_To_the_Heights_V
04.06_-_Evolution_of_the_Spiritual_Consciousness
04.06_-_To_Be_or_Not_to_Be
04.06_-_To_the_Heights_VI_(Maheshwari)
04.07_-_Matter_Aspires
04.07_-_Readings_in_Savitri
04.07_-_To_the_Heights_VII_(Mahakali)
04.08_-_An_Evolutionary_Problem
04.08_-_To_the_Heights_VIII_(Mahalakshmi)
04.09_-_To_the_Heights-I_(Mahasarswati)
04.09_-_Values_Higher_and_Lower
04.10_-_To_the_Heights-X
04.11_-_To_the_Heights-XI
04.12_-_To_the_Heights-XII
04.13_-_To_the_HeightsXIII
04.14_-_To_the_Heights-XXIV
04.15_-_To_the_Heights-XV_(God_the_Supreme_Mystery)
04.16_-_To_the_Heights-XVI
04.17_-_To_the_Heights-XVII
04.18_-_To_the_Heights-XVIII
04.19_-_To_the_Heights-XIX_(The_March_into_the_Night)
04.20_-_To_the_Heights-XX
04.21_-_To_the_HeightsXXI
04.22_-_To_the_Heights-XXII
04.23_-_To_the_Heights-XXIII
04.24_-_To_the_Heights-XXIV
04.25_-_To_the_Heights-XXV
04.26_-_To_the_Heights-XXVI
04.27_-_To_the_Heights-XXVII
04.28_-_To_the_Heights-XXVIII
04.29_-_To_the_Heights-XXIX
04.30_-_To_the_HeightsXXX
04.31_-_To_the_Heights-XXXI
04.32_-_To_the_Heights-XXXII
04.33_-_To_the_Heights-XXXIII
04.34_-_To_the_Heights-XXXIV
04.35_-_To_the_Heights-XXXV
04.36_-_To_the_Heights-XXXVI
04.37_-_To_the_Heights-XXXVII
04.38_-_To_the_Heights-XXXVIII
04.39_-_To_the_Heights-XXXIX
04.40_-_To_the_Heights-XL
04.41_-_To_the_Heights-XLI
04.42_-_To_the_Heights-XLII
04.43_-_To_the_Heights-XLIII
04.44_-_To_the_Heights-XLIV
04.45_-_To_the_Heights-XLV
04.46_-_To_the_Heights-XLVI
04.47_-_To_the_Heights-XLVII
05.01_-_At_the_Origin_of_Ignorance
05.01_-_Man_and_the_Gods
05.01_-_Of_Love_and_Aspiration
05.01_-_The_Destined_Meeting-Place
05.02_-_Gods_Labour
05.02_-_Of_the_Divine_and_its_Help
05.02_-_Physician,_Heal_Thyself
05.02_-_Satyavan
05.03_-_Bypaths_of_Souls_Journey
05.03_-_Of_Desire_and_Atonement
05.03_-_Satyavan_and_Savitri
05.03_-_The_Body_Natural
05.04_-_Of_Beauty_and_Ananda
05.04_-_The_Immortal_Person
05.04_-_The_Measure_of_Time
05.05_-_In_Quest_of_Reality
05.05_-_Man_the_Prototype
05.05_-_Of_Some_Supreme_Mysteries
05.06_-_Physics_or_philosophy
05.06_-_The_Birth_of_Maya
05.06_-_The_Role_of_Evil
05.07_-_Man_and_Superman
05.07_-_The_Observer_and_the_Observed
05.08_-_An_Age_of_Revolution
05.08_-_True_Charity
05.09_-_The_Changed_Scientific_Outlook
05.09_-_Varieties_of_Religious_Experience
05.10_-_Children_and_Child_Mentality
05.10_-_Knowledge_by_Identity
05.11_-_The_Place_of_Reason
05.11_-_The_Soul_of_a_Nation
05.12_-_The_Revealer_and_the_Revelation
05.12_-_The_Soul_and_its_Journey
05.13_-_Darshana_and_Philosophy
05.14_-_The_Sanctity_of_the_Individual
05.15_-_Sartrian_Freedom
05.16_-_A_Modernist_Mentality
05.17_-_Evolution_or_Special_Creation
05.18_-_Man_to_be_Surpassed
05.19_-_Lone_to_the_Lone
05.20_-_The_Urge_for_Progression
05.21_-_Being_or_Becoming_and_Having
05.22_-_Success_and_its_Conditions
05.23_-_The_Base_of_Sincerity
05.24_-_Process_of_Purification
05.25_-_Sweet_Adversity
05.26_-_The_Soul_in_Anguish
05.27_-_The_Nature_of_Perfection
05.28_-_God_Protects
05.29_-_Vengeance_is_Mine
05.30_-_Theres_a_Divinity
05.31_-_Divine_Intervention
05.32_-_Yoga_as_Pragmatic_Power
05.33_-_Caesar_versus_the_Divine
05.34_-_Light,_more_Light
06.01_-_The_End_of_a_Civilisation
06.01_-_The_Word_of_Fate
06.02_-_Darkness_to_Light
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.03_-_Types_of_Meditation
06.04_-_The_Conscious_Being
06.05_-_The_Story_of_Creation
06.06_-_Earth_a_Symbol
06.07_-_Total_Transformation_Demands_Total_Rejection
06.08_-_The_Individual_and_the_Collective
06.09_-_How_to_Wait
06.10_-_Fatigue_and_Work
06.11_-_The_Steps_of_the_Soul
06.12_-_The_Expanding_Body-Consciousness
06.13_-_Body,_the_Occult_Agent
06.14_-_The_Integral_Realisation
06.15_-_Ever_Green
06.16_-_A_Page_of_Occult_History
06.17_-_Directed_Change
06.18_-_Value_of_Gymnastics,_Mental_or_Other
06.19_-_Mental_Silence
06.20_-_Mind,_Origin_of_Separative_Consciousness
06.21_-_The_Personal_and_the_Impersonal
06.22_-_I_Have_Nothing,_I_Am_Nothing
06.23_-_Here_or_Elsewhere
06.24_-_When_Imperfection_is_Greater_Than_Perfection
06.25_-_Individual_and_Collective_Soul
06.26_-_The_Wonder_of_It_All
06.27_-_To_Learn_and_to_Understand
06.28_-_The_Coming_of_Superman
06.29_-_Towards_Redemption
06.30_-_Sweet_Holy_Tears
06.31_-_Identification_of_Consciousness
06.32_-_The_Central_Consciousness
06.33_-_The_Constants_of_the_Spirit
06.34_-_Selfless_Worker
06.35_-_Second_Sight
06.36_-_The_Mother_on_Herself
07.01_-_Realisation,_Past_and_Future
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.02_-_The_Spiral_Universe
07.03_-_The_Entry_into_the_Inner_Countries
07.03_-_This_Expanding_Universe
07.04_-_The_Triple_Soul-Forces
07.04_-_The_World_Serpent
07.05_-_The_Finding_of_the_Soul
07.05_-_This_Mystery_of_Existence
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.06_-_Record_of_World-History
07.07_-_Freedom_and_Destiny
07.07_-_The_Discovery_of_the_Cosmic_Spirit_and_the_Cosmic_Consciousness
07.08_-_The_Divine_Truth_Its_Name_and_Form
07.09_-_The_Symbolic_Ignorance
07.10_-_Diseases_and_Accidents
07.11_-_The_Problem_of_Evil
07.12_-_This_Ugliness_in_the_World
07.13_-_Divine_Justice
07.14_-_The_Divine_Suffering
07.15_-_Divine_Disgust
07.16_-_Things_Significant_and_Insignificant
07.17_-_Why_Do_We_Forget_Things?
07.18_-_How_to_get_rid_of_Troublesome_Thoughts
07.19_-_Bad_Thought-Formation
07.20_-_Why_are_Dreams_Forgotten?
07.21_-_On_Occultism
07.22_-_Mysticism_and_Occultism
07.23_-_Meditation_and_Some_Questions
07.24_-_Meditation_and_Meditation
07.25_-_Prayer_and_Aspiration
07.26_-_Offering_and_Surrender
07.27_-_Equality_of_the_Body,_Equality_of_the_Soul
07.28_-_Personal_Effort_and_Will
07.29_-_How_to_Feel_that_we_Belong_to_the_Divine
07.30_-_Sincerity_is_Victory
07.31_-_Images_of_Gods_and_Goddesses
07.32_-_The_Yogic_Centres
07.33_-_The_Inner_and_the_Outer
07.34_-_And_this_Agile_Reason
07.35_-_The_Force_of_Body-Consciousness
07.36_-_The_Body_and_the_Psychic
07.37_-_The_Psychic_Being,_Some_Mysteries
07.38_-_Past_Lives_and_the_Psychic_Being
07.39_-_The_Homogeneous_Being
07.40_-_Service_Human_and_Divine
07.41_-_The_Divine_Family
07.42_-_The_Nature_and_Destiny_of_Art
07.43_-_Music_Its_Origin_and_Nature
07.44_-_Music_Indian_and_European
07.45_-_Specialisation
08.01_-_Choosing_To_Do_Yoga
08.02_-_Order_and_Discipline
08.03_-_Death_in_the_Forest
08.03_-_Organise_Your_Life
08.04_-_Doing_for_Her_Sake
08.05_-_Will_and_Desire
08.06_-_A_Sign_and_a_Symbol
08.07_-_Sleep_and_Pain
08.08_-_The_Mind_s_Bazaar
08.09_-_Spirits_in_Trees
08.10_-_Are_Not_Dogs_More_Faithful_Than_Men?
08.11_-_The_Work_Here
08.12_-_Thought_the_Creator
08.13_-_Thought_and_Imagination
08.14_-_Poetry_and_Poetic_Inspiration
08.15_-_Divine_Living
08.16_-_Perfection_and_Progress
08.17_-_Psychological_Perfection
08.18_-_The_Origin_of_Desire
08.19_-_Asceticism
08.20_-_Are_Not_The_Ascetic_Means_Helpful_At_Times?
08.21_-_Human_Birth
08.22_-_Regarding_the_Body
08.23_-_Sadhana_Must_be_Done_in_the_Body
08.24_-_On_Food
08.25_-_Meat-Eating
08.26_-_Faith_and_Progress
08.27_-_Value_of_Religious_Exercises
08.28_-_Prayer_and_Aspiration
08.29_-_Meditation_and_Wakefulness
08.30_-_Dealing_with_a_Wrong_Movement
08.31_-_Personal_Effort_and_Surrender
08.32_-_The_Surrender_of_an_Inner_Warrior
08.33_-_Opening_to_the_Divine
08.34_-_To_Melt_into_the_Divine
08.35_-_Love_Divine
08.36_-_Buddha_and_Shankara
08.37_-_The_Significance_of_Dates
08.38_-_The_Value_of_Money
09.01_-_Prayer_and_Aspiration
09.01_-_Towards_the_Black_Void
09.02_-_Meditation
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.03_-_The_Psychic_Being
09.04_-_The_Divine_Grace
09.05_-_The_Story_of_Love
09.06_-_How_Can_Time_Be_a_Friend?
09.07_-_How_to_Become_Indifferent_to_Criticism?
09.08_-_The_Modern_Taste
09.09_-_The_Origin
09.10_-_The_Supramental_Vision
09.11_-_The_Supramental_Manifestation_and_World_Change
09.12_-_The_True_Teaching
09.13_-_On_Teachers_and_Teaching
09.14_-_Education_of_Girls
09.15_-_How_to_Listen
09.16_-_Goal_of_Evolution
09.17_-_Health_in_the_Ashram
09.18_-_The_Mother_on_Herself
100.00_-_Synergy
10.01_-_A_Dream
10.01_-_Cycles_of_Creation
1.001_-_The_Aim_of_Yoga
10.01_-_The_Dream_Twilight_of_the_Ideal
1.001_-_The_Opening
10.02_-_Beyond_Vedanta
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
1.002_-_The_Heifer
1.003_-_Family_of_Imran
10.03_-_Life_in_and_Through_Death
10.03_-_The_Debate_of_Love_and_Death
10.04_-_Lord_of_Time
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.04_-_Transfiguration
1.004_-_Women
10.05_-_Mind_and_the_Mental_World
1.005_-_The_Table
10.06_-_Beyond_the_Dualities
1.006_-_Livestock
10.06_-_Looking_around_with_Craziness
1.007_-_Initial_Steps_in_Yoga_Practice
10.07_-_The_Demon
1.007_-_The_Elevations
10.07_-_The_World_is_One
10.08_-_Consciousness_as_Freedom
1.008_-_The_Principle_of_Self-Affirmation
1.008_-_The_Spoils
10.09_-_Education_as_the_Growth_of_Consciousness
1.009_-_Perception_and_Reality
1.009_-_Repentance
1.00a_-_DIVISION_A_-_THE_INTERNAL_FIRES_OF_THE_SHEATHS.
1.00a_-_Foreword
1.00a_-_Introduction
1.00b_-_DIVISION_B_-_THE_PERSONALITY_RAY_AND_FIRE_BY_FRICTION
1.00b_-_INTRODUCTION
1.00b_-_Introduction
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00c_-_INTRODUCTION
1.00d_-_DIVISION_D_-_KUNDALINI_AND_THE_SPINE
1.00d_-_Introduction
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00f_-_DIVISION_F_-_THE_LAW_OF_ECONOMY
1.00g_-_Foreword
1.00h_-_Foreword
1.00_-_INTRODUCTION
1.00_-_Introduction_to_Alchemy_of_Happiness
1.00_-_INTRODUCTORY_REMARKS
1.00_-_Main
1.00_-_PREFACE
1.00_-_Preface
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.00_-_Preliminary_Remarks
1.00_-_PRELUDE_AT_THE_THEATRE
1.00_-_PROLOGUE_IN_HEAVEN
1.00_-_The_Constitution_of_the_Human_Being
1.00_-_The_way_of_what_is_to_come
10.10_-_A_Poem
10.10_-_Education_is_Organisation
1.010_-_Jonah
1.010_-_Self-Control_-_The_Alpha_and_Omega_of_Yoga
10.11_-_Beyond_Love_and_Hate
1.011_-_Hud
10.11_-_Savitri
10.12_-_Awake_Mother
1.012_-_Joseph
1.012_-_Sublimation_-_A_Way_to_Reshuffle_Thought
10.12_-_The_Divine_Grace_and_Love
1.013_-_Defence_Mechanisms_of_the_Mind
10.13_-_Go_Through
1.013_-_Thunder
1.014_-_Abraham
10.14_-_Night_and_Day
10.15_-_The_Evolution_of_Language
1.015_-_The_Rock
1.016_-_The_Bee
10.16_-_The_Relative_Best
10.17_-_Miracles:_Their_True_Significance
1.017_-_The_Night_Journey
10.18_-_Short_Notes_-_1-_The_Sense_of_Earthly_Evolution
1.018_-_The_Cave
1.019_-_Mary
10.19_-_Short_Notes_-_2-_God_Above_and_God_Within
1.01_-_About_the_Elements
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_An_Accomplished_Westerner
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Appearance_and_Reality
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Asana
1.01_-_BOOK_THE_FIRST
1.01_-_Description_of_the_Castle
1.01_-_DOWN_THE_RABBIT-HOLE
1.01_-_Economy
1.01f_-_Introduction
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Hatha_Yoga
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_'Imitation'_the_common_principle_of_the_Arts_of_Poetry.
1.01_-_Introduction
1.01_-_Isha_Upanishad
1.01_-_Maitreya_inquires_of_his_teacher_(Parashara)
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MASTER_AND_DISCIPLE
1.01_-_MAXIMS_AND_MISSILES
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_Newtonian_and_Bergsonian_Time
1.01_-_NIGHT
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_On_Love
1.01_-_On_renunciation_of_the_world
1.01_-_ON_THE_THREE_METAMORPHOSES
1.01_-_Our_Demand_and_Need_from_the_Gita
1.01_-_Prayer
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_Proem
1.01_-_SAMADHI_PADA
1.01_-_Seeing
1.01_-_Sets_down_the_first_line_and_begins_to_treat_of_the_imperfections_of_beginners.
1.01_-_Soul_and_God
1.01_-_Sri_Aurobindo
1.01_-_Tara_the_Divine
1.01_-_THAT_ARE_THOU
1.01_-_the_Call_to_Adventure
1.01_-_The_Castle
1.01_-_The_Corporeal_Being_of_Man
1.01_-_The_Cycle_of_Society
1.01_-_The_Dark_Forest._The_Hill_of_Difficulty._The_Panther,_the_Lion,_and_the_Wolf._Virgil.
1.01_-_The_Divine_and_The_Universe
1.01_-_The_Ego
1.01_-_The_First_Steps
1.01_-_The_Four_Aids
1.01_-_The_Highest_Meaning_of_the_Holy_Truths
1.01_-_The_Human_Aspiration
1.01_-_The_Ideal_of_the_Karmayogin
1.01_-_The_King_of_the_Wood
1.01_-_The_Lord_of_hosts
1.01_-_The_Mental_Fortress
1.01_-_The_Offering
1.01_-_THE_OPPOSITES
1.01_-_The_Path_of_Later_On
1.01_-_The_Rape_of_the_Lock
1.01_-_The_Science_of_Living
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_The_Three_Metamorphoses
1.01_-_The_True_Aim_of_Life
1.01_-_The_Unexpected
1.01_-_To_Watanabe_Sukefusa
1.01_-_Two_Powers_Alone
1.01_-_What_is_Magick?
1.01_-_Who_is_Tara
10.20_-_Short_Notes_-_3-_Emptying_and_Replenishment
1.020_-_Ta-Ha
1.020_-_The_World_and_Our_World
10.21_-_Short_Notes_-_4-_Ego
1.02.1_-_The_Inhabiting_Godhead_-_Life_and_Action
1.021_-_The_Prophets
1.02.2.1_-_Brahman_-_Oneness_of_God_and_the_World
1.02.2.2_-_Self-Realisation
10.22_-_Short_Notes_-_5-_Consciousness_and_Dimensions_of_View
1.022_-_The_Pilgrimage
1.02.3.1_-_The_Lord
1.02.3.2_-_Knowledge_and_Ignorance
1.02.3.3_-_Birth_and_Non-Birth
10.23_-_Prayers_and_Meditations_of_the_Mother
1.023_-_The_Believers
1.02.4.1_-_The_Worlds_-_Surya
1.02.4.2_-_Action_and_the_Divine_Will
1.024_-_Affiliation_With_Larger_Wholes
10.24_-_Savitri
1.024_-_The_Light
10.25_-_How_to_Read_Sri_Aurobindo_and_the_Mother
1.025_-_Sadhana_-_Intensifying_a_Lighted_Flame
1.025_-_The_Criterion
10.26_-_A_True_Professor
1.026_-_The_Poets
10.27_-_Consciousness
1.027_-_The_Ant
1.028_-_Bringing_About_Whole-Souled_Dedication
1.028_-_History
10.28_-_Love_and_Love
1.02.9_-_Conclusion_and_Summary
10.29_-_Gods_Debt
1.029_-_The_Spider
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_BOOK_THE_SECOND
1.02_-_Education
1.02_-_Fire_over_the_Earth
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_In_the_Beginning
1.02_-_IN_THE_COMPANY_OF_DEVOTEES
1.02_-_Isha_Analysis
1.02_-_Karma_Yoga
1.02_-_Karmayoga
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_Meeting_the_Master_-_Authors_second_meeting,_March_1921
1.02_-_Of_certain_spiritual_imperfections_which_beginners_have_with_respect_to_the_habit_of_pride.
1.02_-_On_detachment
1.02_-_On_the_Knowledge_of_God.
1.02_-_On_the_Service_of_the_Soul
1.02_-_ON_THE_TEACHERS_OF_VIRTUE
1.02_-_Outline_of_Practice
1.02_-_Prana
1.02_-_Pranayama,_Mantrayoga
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_Priestly_Kings
1.02_-_SADHANA_PADA
1.02_-_Self-Consecration
1.02_-_Shakti_and_Personal_Effort
1.02_-_Skillful_Means
1.02_-_SOCIAL_HEREDITY_AND_PROGRESS
1.02_-_Substance_Is_Eternal
1.02_-_Taras_Tantra
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Child_as_growing_being_and_the_childs_experience_of_encountering_the_teacher.
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Descent._Dante's_Protest_and_Virgil's_Appeal._The_Intercession_of_the_Three_Ladies_Benedight.
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Is_with_You
1.02_-_The_Divine_Teacher
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_The_Great_Process
1.02_-_The_Human_Soul
1.02_-_The_Magic_Circle
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Necessity_of_Magick_for_All
1.02_-_The_Objects_of_Imitation.
1.02_-_The_Philosophy_of_Ishvara
1.02_-_The_Pit
1.02_-_THE_POOL_OF_TEARS
1.02_-_The_Principle_of_Fire
1.02_-_THE_PROBLEM_OF_SOCRATES
1.02_-_THE_QUATERNIO_AND_THE_MEDIATING_ROLE_OF_MERCURIUS
1.02_-_The_Recovery
1.02_-_The_Refusal_of_the_Call
1.02_-_The_Shadow
1.02_-_The_Soul_Being_of_Man
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_The_Ultimate_Path_is_Without_Difficulty
1.02_-_The_Virtues
1.02_-_The_Vision_of_the_Past
1.02_-_THE_WITHIN_OF_THINGS
1.02_-_To_Zen_Monks_Kin_and_Koku
1.02_-_Twenty-two_Letters
1.02_-_What_is_Psycho_therapy?
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.03_-_
10.30_-_India,_the_World_and_the_Ashram
1.030_-_The_Romans
1.031_-_Intense_Aspiration
1.031_-_Luqman
10.31_-_The_Mystery_of_The_Five_Senses
1.032_-_Our_Concept_of_God
1.032_-_Prostration
10.32_-_The_Mystery_of_the_Five_Elements
10.33_-_On_Discipline
1.033_-_The_Confederates
10.34_-_Effort_and_Grace
1.034_-_Sheba
1.035_-_Originator
10.35_-_The_Moral_and_the_Spiritual
1.035_-_The_Recitation_of_Mantra
10.36_-_Cling_to_Truth
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
1.036_-_Ya-Seen
1.037_-_Preventing_the_Fall_in_Yoga
1.037_-_The_Aligners
10.37_-_The_Golden_Bridge
1.038_-_Impediments_in_Concentration_and_Meditation
1.038_-_Saad
1.039_-_Throngs
1.03_-_A_CAUCUS-RACE_AND_A_LONG_TALE
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_A_Sapphire_Tale
1.03_-_Bloodstream_Sermon
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Eternal_Presence
1.03_-_Fire_in_the_Earth
1.03_-_Hieroglypics__Life_and_Language_Necessarily_Symbolic
1.03_-_Hymns_of_Gritsamada
1.03_-_Invocation_of_Tara
1.03_-_Japa_Yoga
1.03_-_Man_-_Slave_or_Free?
1.03_-_Master_Ma_is_Unwell
1.03_-_Measure_of_time,_Moments_of_Kashthas,_etc.
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_Of_some_imperfections_which_some_of_these_souls_are_apt_to_have,_with_respect_to_the_second_capital_sin,_which_is_avarice,_in_the_spiritual_sense
1.03_-_On_Children
1.03_-_On_exile_or_pilgrimage
1.03_-_On_Knowledge_of_the_World.
1.03_-_ON_THE_AFTERWORLDLY
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Physical_Education
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Reading
1.03_-_.REASON._IN_PHILOSOPHY
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.03_-_Some_Practical_Aspects
1.03_-_Spiritual_Realisation,_The_aim_of_Bhakti-Yoga
1.03_-_Supernatural_Aid
1.03_-_Sympathetic_Magic
1.03_-_Tara,_Liberator_from_the_Eight_Dangers
1.03_-_The_Armour_of_Grace
1.03_-_The_Coming_of_the_Subjective_Age
1.03_-_The_Desert
1.03_-_The_Divine_and_Man
1.03_-_THE_EARTH_IN_ITS_EARLY_STAGES
1.03_-_The_End_of_the_Intellect
1.03_-_The_Gate_of_Hell._The_Inefficient_or_Indifferent._Pope_Celestine_V._The_Shores_of_Acheron._Charon._The
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_THE_GRAND_OPTION
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_The_Manner_of_Imitation.
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Phenomenon_of_Man
1.03_-_The_Principle_of_Water
1.03_-_The_Psychic_Prana
1.03_-_The_Sephiros
1.03_-_The_Spiritual_Being_of_Man
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_The_Sunlit_Path
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_The_three_first_elements
1.03_-_The_Two_Negations_2_-_The_Refusal_of_the_Ascetic
1.03_-_The_Uncreated
1.03_-_The_Void
1.03_-_Time_Series,_Information,_and_Communication
1.03_-_To_Layman_Ishii
1.03_-_VISIT_TO_VIDYASAGAR
1.03_-_Yama_and_Niyama
1.03_-_YIBHOOTI_PADA
1.04_-_
1.040_-_Forgiver
1.040_-_Re-Educating_the_Mind
1.041_-_Detailed
1.042_-_Consultation
1.043_-_Decorations
1.044_-_Smoke
1.045_-_Kneeling
1.045_-_Piercing_the_Structure_of_the_Object
1.046_-_The_Dunes
1.047_-_Muhammad
1.048_-_Victory
1.049_-_The_Chambers
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_ALCHEMY_AND_MANICHAEISM
1.04_-_A_Leader
1.04_-_Body,_Soul_and_Spirit
1.04_-_BOOK_THE_FOURTH
1.04_-_Communion
1.04_-_Descent_into_Future_Hell
1.04_-_Feedback_and_Oscillation
1.04_-_GOD_IN_THE_WORLD
1.04_-_Homage_to_the_Twenty-one_Taras
1.04_-_HOW_THE_.TRUE_WORLD._ULTIMATELY_BECAME_A_FABLE
1.04_-_Hymns_of_Bharadwaja
1.04_-_KAI_VALYA_PADA
1.04_-_Magic_and_Religion
1.04_-_Money
1.04_-_Nada_Yoga
1.04_-_Narayana_appearance,_in_the_beginning_of_the_Kalpa,_as_the_Varaha_(boar)
1.04_-_Nothing_Exists_Per_Se_Except_Atoms_And_The_Void
1.04_-_Of_other_imperfections_which_these_beginners_are_apt_to_have_with_respect_to_the_third_sin,_which_is_luxury.
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_On_Knowledge_of_the_Future_World.
1.04_-_ON_THE_DESPISERS_OF_THE_BODY
1.04_-_Pratyahara
1.04_-_Reality_Omnipresent
1.04_-_Relationship_with_the_Divine
1.04_-_Religion_and_Occultism
1.04_-_SOME_REFLECTIONS_ON_PROGRESS
1.04_-_Sounds
1.04_-_Te_Shan_Carrying_His_Bundle
1.04_-_The_33_seven_double_letters
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Control_of_Psychic_Prana
1.04_-_The_Core_of_the_Teaching
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Discovery_of_the_Nation-Soul
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_First_Circle,_Limbo__Virtuous_Pagans_and_the_Unbaptized._The_Four_Poets,_Homer,_Horace,_Ovid,_and_Lucan._The_Noble_Castle_of_Philosophy.
1.04_-_The_Fork_in_the_Road
1.04_-_The_Future_of_Man
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Need_of_Guru
1.04_-_The_Origin_and_Development_of_Poetry.
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Principle_of_Air
1.04_-_The_Qabalah__The_Best_Training_for_Memory
1.04_-_THE_RABBIT_SENDS_IN_A_LITTLE_BILL
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Self
1.04_-_The_Silent_Mind
1.04_-_THE_STUDY_(The_Compact)
1.04_-_To_the_Priest_of_Rytan-ji
1.04_-_Vital_Education
1.04_-_Wake-Up_Sermon
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.04_-_Wherefore_of_World?
1.04_-_Yoga_and_Human_Evolution
1.05_-_
1.050_-_Qaf
1.051_-_The_Spreaders
1.05_-_2010_and_1956_-_Doomsday?
1.052_-_The_Mount
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.053_-_A_Very_Important_Sadhana
1.053_-_The_Star
1.054_-_The_Moon
1.055_-_The_Compassionate
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.056_-_The_Inevitable
1.057_-_Iron
1.057_-_The_Four_Manifestations_of_Ignorance
1.058_-_The_Argument
1.059_-_The_Mobilization
1.05_-_Adam_Kadmon
1.05_-_ADVICE_FROM_A_CATERPILLAR
1.05_-_AUERBACHS_CELLAR
1.05_-_Bhakti_Yoga
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_Character_Of_The_Atoms
1.05_-_CHARITY
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Consciousness
1.05_-_Definition_of_the_Ludicrous,_and_a_brief_sketch_of_the_rise_of_Comedy.
1.05_-_Dharana
1.05_-_Hsueh_Feng's_Grain_of_Rice
1.05_-_Hymns_of_Bharadwaja
1.05_-_Knowledge_by_Aquaintance_and_Knowledge_by_Description
1.05_-_Mental_Education
1.05_-_Morality_and_War
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_Of_the_imperfections_into_which_beginners_fall_with_respect_to_the_sin_of_wrath
1.05_-_ON_ENJOYING_AND_SUFFERING_THE_PASSIONS
1.05_-_On_painstaking_and_true_repentance_which_constitute_the_life_of_the_holy_convicts;_and_about_the_prison.
1.05_-_On_the_Love_of_God.
1.05_-_Pratyahara_and_Dharana
1.05_-_Prayer
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Qualifications_of_the_Aspirant_and_the_Teacher
1.05_-_Ritam
1.05_-_Solitude
1.05_-_Some_Results_of_Initiation
1.05_-_Splitting_of_the_Spirit
1.05_-_The_Activation_of_Human_Energy
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_The_Belly_of_the_Whale
1.05_-_The_Creative_Principle
1.05_-_The_Destiny_of_the_Individual
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.05_-_The_New_Consciousness
1.05_-_THE_NEW_SPIRIT
1.05_-_The_Principle_of_Earth
1.05_-_The_Second_Circle__The_Wanton._Minos._The_Infernal_Hurricane._Francesca_da_Rimini.
1.05_-_The_True_Doer_of_Works
1.05_-_The_twelve_simple_letters
1.05_-_The_Universe__The_0_=_2_Equation
1.05_-_The_Ways_of_Working_of_the_Lord
1.05_-_To_Know_How_To_Suffer
1.05_-_True_and_False_Subjectivism
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.05_-_Work_and_Teaching
1.05_-_Yoga_and_Hypnotism
1.060_-_The_Woman_Tested
1.060_-_Tracing_the_Ultimate_Cause_of_Any_Experience
1.061_-_Column
1.062_-_Friday
1.063_-_The_Hypocrites
1.064_-_Gathering
1.065_-_Divorce
1.066_-_Prohibition
1.067_-_Sovereignty
1.068_-_The_Pen
1.069_-_The_Reality
1.06_-_Agni_and_the_Truth
1.06_-_A_Summary_of_my_Phenomenological_View_of_the_World
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Definition_of_Tragedy.
1.06_-_Dhyana
1.06_-_Dhyana_and_Samadhi
1.06_-_Five_Dreams
1.06_-_Gestalt_and_Universals
1.06_-_Hymns_of_Parashara
1.06_-_Iconography
1.06_-_Incarnate_Teachers_and_Incarnation
1.06_-_LIFE_AND_THE_PLANETS
1.06_-_Magicians_as_Kings
1.06_-_Man_in_the_Universe
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_Of_imperfections_with_respect_to_spiritual_gluttony.
1.06_-_On_Induction
1.06_-_On_remembrance_of_death.
1.06_-_ON_THE_PALE_CRIMINAL
1.06_-_On_Thought
1.06_-_On_Work
1.06_-_Origin_of_the_four_castes
1.06_-_PIG_AND_PEPPER
1.06_-_Psychic_Education
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_Quieting_the_Vital
1.06_-_Raja_Yoga
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_The_Desire_to_be
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Four_Powers_of_the_Mother
1.06_-_The_Greatness_of_the_Individual
1.06_-_The_Light
1.06_-_The_Literal_Qabalah
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Third_Circle__The_Gluttonous._Cerberus._The_Eternal_Rain._Ciacco._Florence.
1.06_-_The_Three_Mothers_or_the_First_Elements
1.06_-_The_Three_Schools_of_Magick_1
1.06_-_The_Transformation_of_Dream_Life
1.06_-_Wealth_and_Government
1.06_-_WITCHES_KITCHEN
1.06_-_Yun_Men's_Every_Day_is_a_Good_Day
1.070_-_The_Seven_Stages_of_Perfection
1.070_-_Ways_of_Ascent
1.071_-_Noah
1.072_-_The_Jinn
1.073_-_The_Enwrapped
1.074_-_The_Enrobed
1.075_-_Resurrection
1.075_-_Self-Control,_Study_and_Devotion_to_God
1.076_-_Man
1.077_-_The_Unleashed
1.078_-_Kumbhaka_and_Concentration_of_Mind
1.078_-_The_Event
1.079_-_The_Snatchers
1.07_-_Akasa_or_the_Ethereal_Principle
1.07_-_A_MAD_TEA-PARTY
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_A_STREET
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Hui_Ch'ao_Asks_about_Buddha
1.07_-_Hymn_of_Paruchchhepa
1.07_-_Incarnate_Human_Gods
1.07_-_Jnana_Yoga
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_Of_imperfections_with_respect_to_spiritual_envy_and_sloth.
1.07_-_On_Dreams
1.07_-_On_mourning_which_causes_joy.
1.07_-_On_Our_Knowledge_of_General_Principles
1.07_-_ON_READING_AND_WRITING
1.07_-_Past,_Present_and_Future
1.07_-_Production_of_the_mind-born_sons_of_Brahma
1.07_-_Raja-Yoga_in_Brief
1.07_-_Samadhi
1.07_-_Savitri
1.07_-_Sri_Aurobindo_and_The_Mother
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Continuity_of_Consciousness
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Fire_of_the_New_World
1.07_-_The_Fourth_Circle__The_Avaricious_and_the_Prodigal._Plutus._Fortune_and_her_Wheel._The_Fifth_Circle__The_Irascible_and_the_Sullen._Styx.
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.07_-_The_Ideal_Law_of_Social_Development
1.07_-_THE_.IMPROVERS._OF_MANKIND
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Literal_Qabalah_(continued)
1.07_-_The_Magic_Wand
1.07_-_The_Mantra_-_OM_-_Word_and_Wisdom
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Plot_must_be_a_Whole.
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Process_of_Evolution
1.07_-_The_Prophecies_of_Nostradamus
1.07_-_The_Psychic_Center
1.07_-_The_Three_Schools_of_Magick_2
1.07_-_TRUTH
1.080_-_He_Frowned
1.080_-_Pratyahara_-_The_Return_of_Energy
1.081_-_The_Application_of_Pratyahara
1.081_-_The_Rolling
1.082_-_The_Shattering
1.083_-_Choosing_an_Object_for_Concentration
1.083_-_The_Defrauders
1.084_-_The_Rupture
1.085_-_The_Constellations
1.086_-_The_Nightly_Visitor
1.087_-_The_Most_High
1.088_-_The_Overwhelming
1.089_-_The_Dawn
1.089_-_The_Levels_of_Concentration
1.08_-_Adhyatma_Yoga
1.08a_-_The_Ladder
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Civilisation_and_Barbarism
1.08_-_Departmental_Kings_of_Nature
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_Independence_from_the_Physical
1.08_-_Information,_Language,_and_Society
1.08_-_Introduction_to_Patanjalis_Yoga_Aphorisms
1.08_-_Karma,_the_Law_of_Cause_and_Effect
1.08_-_On_freedom_from_anger_and_on_meekness.
1.08_-_ON_THE_TREE_ON_THE_MOUNTAINSIDE
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Phlegyas._Philippo_Argenti._The_Gate_of_the_City_of_Dis.
1.08_-_Psycho_therapy_Today
1.08_-_RELIGION_AND_TEMPERAMENT
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_Stead_and_the_Spirits
1.08_-_Summary
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Magic_Sword,_Dagger_and_Trident
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_The_Plot_must_be_a_Unity.
1.08_-_THE_QUEEN'S_CROQUET_GROUND
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Discovery
1.08_-_The_Supreme_Will
1.08_-_The_Synthesis_of_Movement
1.08_-_The_Three_Schools_of_Magick_3
1.08_-_THINGS_THE_GERMANS_LACK
1.08_-_Wherein_is_expounded_the_first_line_of_the_first_stanza,_and_a_beginning_is_made_of_the_explanation_of_this_dark_night
1.08_-_Worship_of_Substitutes_and_Images
1.090_-_The_Land
1.091_-_The_Sun
1.092_-_The_Night
1.093_-_Morning_Light
1.094_-_The_Soothing
1.094_-_Understanding_the_Structure_of_Things
1.095_-_The_Fig
1.096_-_Clot
1.096_-_Powers_that_Accrue_in_the_Practice
1.097_-_Decree
1.097_-_Sublimation_of_Object-Consciousness
1.098_-_Clear_Evidence
1.098_-_The_Transformation_from_Human_to_Divine
1.099_-_The_Entry_of_the_Eternal_into_the_Individual
1.099_-_The_Quake
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_A_System_of_Vedic_Psychology
1.09_-_BOOK_THE_NINTH
1.09_-_Civilisation_and_Culture
1.09_-_Concentration_-_Its_Spiritual_Uses
1.09_-_Equality_and_the_Annihilation_of_Ego
1.09_-_FAITH_IN_PEACE
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Kundalini_Yoga
1.09_-_Legend_of_Lakshmi
1.09_-_Man_-_About_the_Body
1.09_-_Of_the_signs_by_which_it_will_be_known_that_the_spiritual_person_is_walking_along_the_way_of_this_night_and_purgation_of_sense.
1.09_-_On_remembrance_of_wrongs.
1.09_-_ON_THE_PREACHERS_OF_DEATH
1.09_-_(Plot_continued.)_Dramatic_Unity.
1.09_-_PROMENADE
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SELF-KNOWLEDGE
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Stead_and_Maskelyne
1.09_-_Talks
1.09_-_Taras_Ultimate_Nature
1.09_-_The_Absolute_Manifestation
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.09_-_The_Chosen_Ideal
1.09_-_The_Crown,_Cap,_Magus-Band
1.09_-_The_Furies_and_Medusa._The_Angel._The_City_of_Dis._The_Sixth_Circle__Heresiarchs.
1.09_-_The_Greater_Self
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Pure_Existent
1.09_-_The_Secret_Chiefs
1.09_-_The_Worship_of_Trees
1.09_-_To_the_Students,_Young_and_Old
1.09_-_WHO_STOLE_THE_TARTS?
1.100_-_The_Racers
1.1.01_-_Certitudes
1.1.01_-_Seeking_the_Divine
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
11.01_-_The_Opening_Scene_of_Savitri
1.101_-_The_Shocker
1.102_-_Abundance
1.1.02_-_Sachchidananda
1.1.02_-_The_Aim_of_the_Integral_Yoga
11.02_-_The_Golden_Life-line
1.1.03_-_Brahman
11.03_-_Cosmonautics
1.1.03_-_Man
1.103_-_Time
1.1.04_-_Philosophy
1.104_-_The_Backbiter
1.1.04_-_The_Self_or_Atman
11.04_-_The_Triple_Cord
1.105_-_The_Elephant
11.05_-_The_Ladder_of_Unconsciousness
1.1.05_-_The_Siddhis
1.106_-_Quraish
11.06_-_The_Mounting_Fire
1.107_-_Assistance
1.107_-_The_Bestowal_of_a_Divine_Gift
11.07_-_The_Labours_of_the_Gods:_The_five_Purifications
11.08_-_Body-Energy
1.108_-_Plenty
1.109_-_The_Disbelievers
11.09_-_Towards_the_Immortal_Body
1.10_-_Aesthetic_and_Ethical_Culture
1.10_-_ALICE'S_EVIDENCE
1.10_-_BOOK_THE_TENTH
1.10_-_Concentration_-_Its_Practice
1.10_-_Conscious_Force
1.10_-_Farinata_and_Cavalcante_de'_Cavalcanti._Discourse_on_the_Knowledge_of_the_Damned.
1.10_-_Fate_and_Free-Will
1.10_-_Foresight
1.10_-_GRACE_AND_FREE_WILL
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Life_and_Death._The_Greater_Guardian_of_the_Threshold
1.10_-_Mantra_Yoga
1.10_-_On_our_Knowledge_of_Universals
1.10_-_On_slander_or_calumny.
1.10_-_ON_WAR_AND_WARRIORS
1.10_-_(Plot_continued.)_Definitions_of_Simple_and_Complex_Plots.
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Absolute_of_the_Being
1.10_-_The_descendants_of_the_daughters_of_Daksa_married_to_the_Rsis
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Magical_Garment
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.10_-_The_Methods_and_the_Means
1.10_-_THE_NEIGHBORS_HOUSE
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Revolutionary_Yogi
1.10_-_The_Roughly_Material_Plane_or_the_Material_World
1.10_-_The_Scolex_School
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
1.10_-_The_Yoga_of_the_Intelligent_Will
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
1.1.1.01_-_Three_Elements_of_Poetic_Creation
1.1.1.02_-_Creation_by_the_Word
1.1.1.03_-_Creative_Power_and_the_Human_Instrument
1.1.1.04_-_Joy_of_Poetic_Creation
1.1.1.05_-_Essence_of_Inspiration
1.1.1.06_-_Inspiration_and_Effort
1.1.1.07_-_Aspiration,_Opening,_Recognition
1.1.1.08_-_Self-criticism
1.1.1.09_-_Correction_by_Second_Inspiration
11.10_-_The_Test_of_Truth
1.110_-_Victory
11.11_-_The_Ideal_Centre
1.111_-_Thorns
1.112_-_Monotheism
11.12_-_Two_Equations
1.113_-_Daybreak
11.13_-_In_these_Fateful_Days
1.114_-_Mankind
11.14_-_Our_Finest_Hour
11.15_-_Sri_Aurobindo
1.11_-_A_STREET
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Correspondence_and_Interviews
1.11_-_Delight_of_Existence_-_The_Problem
1.11_-_FAITH_IN_MAN
1.11_-_GOOD_AND_EVIL
1.11_-_Higher_Laws
1.11_-_Legend_of_Dhruva,_the_son_of_Uttanapada
1.11_-_Oneness
1.11_-_On_Intuitive_Knowledge
1.11_-_On_talkativeness_and_silence.
1.11_-_ON_THE_NEW_IDOL
1.11_-_(Plot_continued.)_Reversal_of_the_Situation,_Recognition,_and_Tragic_or_disastrous_Incident_defined_and_explained.
1.11_-_Powers
1.1.1_-_Text
1.11_-_The_Broken_Rocks._Pope_Anastasius._General_Description_of_the_Inferno_and_its_Divisions.
1.11_-_The_Change_of_Power
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Magical_Belt
1.11_-_The_Master_of_the_Work
1.1.1_-_The_Mind_and_Other_Levels_of_Being
1.11_-_The_Reason_as_Governor_of_Life
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.11_-_The_Three_Purushas
1.11_-_Transformation
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.11_-_Woolly_Pomposities_of_the_Pious_Teacher
1.11_-_Works_and_Sacrifice
1.1.2.01_-_Sources_of_Inspiration_and_Variety
1.1.2.02_-_Poetry_of_the_Material_or_Physical_Consciousness
1.12_-_BOOK_THE_TWELFTH
1.12_-_Brute_Neighbors
1.1.2_-_Commentary
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_Dhruva_commences_a_course_of_religious_austerities
1.12_-_Further_Magical_Aids
1.12_-_GARDEN
1.12_-_God_Departs
1.12_-_Independence
1.1.2_-_Intellect_and_the_Intellectual
1.12_-_Love_The_Creator
1.12_-_On_lying.
1.12_-_ON_THE_FLIES_OF_THE_MARKETPLACE
1.12_-_Sleep_and_Dreams
1.12_-_SOME_REFLECTIONS_ON_THE_RIGHTS_OF_MAN
1.12_-_The_Astral_Plane
1.12_-_The_Divine_Work
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Left-Hand_Path_-_The_Black_Brothers
1.12_-_The_Minotaur._The_Seventh_Circle__The_Violent._The_River_Phlegethon._The_Violent_against_their_Neighbours._The_Centaurs._Tyrants.
1.12_-_The_Office_and_Limitations_of_the_Reason
1.12_-_The_'quantitative_parts'_of_Tragedy_defined.
1.12_-_The_Sacred_Marriage
1.12_-_The_Significance_of_Sacrifice
1.12_-_The_Sociology_of_Superman
1.12_-_The_Strength_of_Stillness
1.12_-_The_Superconscient
1.12_-_TIME_AND_ETERNITY
1.12_-_Truth_and_Knowledge
1.13_-_A_Dream
1.13_-_A_GARDEN-ARBOR
1.13_-_And_Then?
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Conclusion_-_He_is_here
1.13_-_Dawn_and_the_Truth
1.13_-_Gnostic_Symbols_of_the_Self
1.13_-_Knowledge,_Error,_and_Probably_Opinion
1.1.3_-_Mental_Difficulties_and_the_Need_of_Quietude
1.13_-_ON_CHASTITY
1.13_-_On_despondency.
1.13_-_(Plot_continued.)_What_constitutes_Tragic_Action.
1.13_-_Posterity_of_Dhruva
1.13_-_Reason_and_Religion
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_System_of_the_O.T.O.
1.13_-_The_Divine_Maya
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_The_Lord_of_the_Sacrifice
1.13_-_THE_MASTER_AND_M.
1.13_-_The_Pentacle,_Lamen_or_Seal
1.13_-_The_Spirit
1.13_-_The_Supermind_and_the_Yoga_of_Works
1.13_-_The_Wood_of_Thorns._The_Harpies._The_Violent_against_themselves._Suicides._Pier_della_Vigna._Lano_and_Jacopo_da_Sant'_Andrea.
1.13_-_Under_the_Auspices_of_the_Gods
1.14_-_Bibliography
1.14_-_BOOK_THE_FOURTEENTH
1.14_-_Descendants_of_Prithu
1.14_-_FOREST_AND_CAVERN
1.14_-_IMMORTALITY_AND_SURVIVAL
1.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
1.14_-_Noise
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_ON_THE_FRIEND
1.14_-_(Plot_continued.)_The_tragic_emotions_of_pity_and_fear_should_spring_out_of_the_Plot_itself.
1.14_-_Postscript
1.14_-_The_Book_of_Magic_Formulae
1.14_-_The_Limits_of_Philosophical_Knowledge
1.14_-_The_Mental_Plane
1.1.4_-_The_Physical_Mind_and_Sadhana
1.14_-_The_Principle_of_Divine_Works
1.14_-_The_Sand_Waste_and_the_Rain_of_Fire._The_Violent_against_God._Capaneus._The_Statue_of_Time,_and_the_Four_Infernal_Rivers.
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Succesion_to_the_Kingdom_in_Ancient_Latium
1.14_-_The_Supermind_as_Creator
1.14_-_The_Suprarational_Beauty
1.14_-_The_Victory_Over_Death
1.14_-_TURMOIL_OR_GENESIS?
1.15_-_Conclusion
1.15_-_Index
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_LAST_VISIT_TO_KESHAB
1.15_-_MARGARETS_ROOM
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_ON_THE_THOUSAND_AND_ONE_GOALS
1.15_-_Prayers
1.15_-_Sex_Morality
1.15_-_SILENCE
1.15_-_THE_DIRECTIONS_AND_CONDITIONS_OF_THE_FUTURE
1.15_-_The_element_of_Character_in_Tragedy.
1.15_-_The_Possibility_and_Purpose_of_Avatarhood
1.15_-_The_Supramental_Consciousness
1.15_-_The_Suprarational_Good
1.15_-_The_Supreme_Truth-Consciousness
1.15_-_The_Transformed_Being
1.15_-_The_Value_of_Philosophy
1.15_-_The_Violent_against_Nature._Brunetto_Latini.
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.15_-_The_Worship_of_the_Oak
1.1.5_-_Thought_and_Knowledge
1.15_-_Truth
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_Guidoguerra,_Aldobrandi,_and_Rusticucci._Cataract_of_the_River_of_Blood.
1.16_-_Inquiries_of_Maitreya_respecting_the_history_of_Prahlada
1.16_-_Man,_A_Transitional_Being
1.16_-_MARTHAS_GARDEN
1.16_-_On_Concentration
1.16_-_On_love_of_money_or_avarice.
1.16_-_ON_LOVE_OF_THE_NEIGHBOUR
1.16_-_On_Self-Knowledge
1.16_-_(Plot_continued.)_Recognition__its_various_kinds,_with_examples
1.16_-_PRAYER
1.16_-_Religion
1.16_-_THE_ESSENCE_OF_THE_DEMOCRATIC_IDEA
1.16_-_The_Process_of_Avatarhood
1.16_-_The_Season_of_Truth
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_The_Triple_Status_of_Supermind
1.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
1.17_-_Astral_Journey__Example,_How_to_do_it,_How_to_Verify_your_Experience
1.17_-_AT_THE_FOUNTAIN
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_Geryon._The_Violent_against_Art._Usurers._Descent_into_the_Abyss_of_Malebolge.
1.17_-_God
1.17_-_Legend_of_Prahlada
1.17_-_M._AT_DAKSHINEWAR
1.17_-_On_poverty_(that_hastens_heavenwards).
1.17_-_On_Teaching
1.17_-_ON_THE_WAY_OF_THE_CREATOR
1.17_-_Practical_rules_for_the_Tragic_Poet.
1.17_-_Religion_as_the_Law_of_Life
1.17_-_SUFFERING
1.17_-_The_Burden_of_Royalty
1.17_-_The_Divine_Birth_and_Divine_Works
1.17_-_The_Divine_Soul
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Spiritus_Familiaris_or_Serving_Spirits
1.17_-_The_Transformation
1.18_-_Asceticism
1.18_-_DONJON
1.18_-_Evocation
1.18_-_FAITH
1.18_-_Further_rules_for_the_Tragic_Poet.
1.18_-_Hiranyakasipu's_reiterated_attempts_to_destroy_his_son
1.18_-_M._AT_DAKSHINESWAR
1.18_-_Mind_and_Supermind
1.18_-_On_Friendship
1.18_-_On_insensibility,_that_is,_deadening_of_the_soul_and_the_death_of_the_mind_before_the_death_of_the_body.
1.18_-_ON_LITTLE_OLD_AND_YOUNG_WOMEN
1.18_-_The_Divine_Worker
1.18_-_The_Eighth_Circle,_Malebolge__The_Fraudulent_and_the_Malicious._The_First_Bolgia__Seducers_and_Panders._Venedico_Caccianimico._Jason._The_Second_Bolgia__Flatterers._Allessio_Interminelli._Thais.
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Human_Fathers
1.18_-_The_Importance_of_our_Conventional_Greetings,_etc.
1.18_-_The_Infrarational_Age_of_the_Cycle
1.18_-_The_Perils_of_the_Soul
1.19_-_Dialogue_between_Prahlada_and_his_father
1.19_-_Equality
1.19_-_GOD_IS_NOT_MOCKED
1.19_-_Life
1.19_-_NIGHT
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.19_-_On_Talking
1.19_-_ON_THE_ADDERS_BITE
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.19_-_Tabooed_Acts
1.19_-_The_Act_of_Truth
1.19_-_The_Curve_of_the_Rational_Age
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.19_-_The_Practice_of_Magical_Evocation
1.19_-_The_Third_Bolgia__Simoniacs._Pope_Nicholas_III._Dante's_Reproof_of_corrupt_Prelates.
1.19_-_The_Victory_of_the_Fathers
1.19_-_Thought,_or_the_Intellectual_element,_and_Diction_in_Tragedy.
1.200-1.224_Talks
1.201_-_Socrates
1.2.01_-_The_Call_and_the_Capacity
12.01_-_The_Return_to_Earth
1.2.01_-_The_Upanishadic_and_Purancic_Systems
12.01_-_This_Great_Earth_Our_Mother
1.2.02_-_Qualities_Needed_for_Sadhana
12.02_-_The_Stress_of_the_Spirit
1.2.03_-_Purity
1.2.03_-_The_Interpretation_of_Scripture
12.03_-_The_Sorrows_of_God
12.04_-_Love_and_Death
1.2.04_-_Sincerity
1.2.05_-_Aspiration
12.05_-_Beauty
12.05_-_The_World_Tragedy
1.2.06_-_Rejection
12.06_-_The_Hero_and_the_Nymph
1.2.07_-_Surrender
12.07_-_The_Double_Trinity
1.2.08_-_Faith
12.08_-_Notes_on_Freedom
1.2.09_-_Consecration_and_Offering
12.09_-_The_Story_of_Dr._Faustus_Retold
1.20_-_CATHEDRAL
1.20_-_Death,_Desire_and_Incapacity
1.20_-_Diction,_or_Language_in_general.
1.20_-_Equality_and_Knowledge
1.20_-_HOW_MAY_WE_CONCEIVE_AND_HOPE_THAT_HUMAN_UNANIMIZATION_WILL_BE_REALIZED_ON_EARTH?
1.20_-_On_bodily_vigil_and_how_to_use_it_to_attain_spiritual_vigil_and_how_to_practise_it.
1.20_-_ON_CHILD_AND_MARRIAGE
1.20_-_On_Time
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_Talismans_-_The_Lamen_-_The_Pantacle
1.20_-_TANTUM_RELIGIO_POTUIT_SUADERE_MALORUM
1.20_-_The_End_of_the_Curve_of_Reason
1.20_-_The_Fourth_Bolgia__Soothsayers._Amphiaraus,_Tiresias,_Aruns,_Manto,_Eryphylus,_Michael_Scott,_Guido_Bonatti,_and_Asdente._Virgil_reproaches_Dante's_Pity.
1.20_-_The_Hound_of_Heaven
1.20_-_Visnu_appears_to_Prahlada
1.2.1.03_-_Psychic_and_Esoteric_Poetry
1.2.1.04_-_Mystic_Poetry
1.2.1.06_-_Symbolism_and_Allegory
1.2.10_-_Opening
12.10_-_The_Sunlit_Path
1.2.1.11_-_Mystic_Poetry_and_Spiritual_Poetry
1.2.1.12_-_Spiritual_Poetry
1.2.11_-_Patience_and_Perseverance
1.2.12_-_Vigilance
1.21_-_A_DAY_AT_DAKSHINESWAR
1.21_-_Chih_Men's_Lotus_Flower,_Lotus_Leaves
1.21_-_Families_of_the_Daityas
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_IDOLATRY
1.2.1_-_Mental_Development_and_Sadhana
1.21_-_My_Theory_of_Astrology
1.21_-_ON_FREE_DEATH
1.21_-_On_unmanly_and_puerile_cowardice.
1.21__-_Poetic_Diction.
1.21_-_Tabooed_Things
1.21_-_The_Ascent_of_Life
1.21_-_The_Fifth_Bolgia__Peculators._The_Elder_of_Santa_Zita._Malacoda_and_other_Devils.
1.21_-_The_Spiritual_Aim_and_Life
1.21_-_WALPURGIS-NIGHT
1.2.2.01_-_The_Poet,_the_Yogi_and_the_Rishi
1.2.2.06_-_Genius
1.22_-_ADVICE_TO_AN_ACTOR
1.22_-_Ciampolo,_Friar_Gomita,_and_Michael_Zanche._The_Malabranche_quarrel.
1.22__-_Dominion_over_different_provinces_of_creation_assigned_to_different_beings
1.22_-_EMOTIONALISM
1.22_-_How_to_Learn_the_Practice_of_Astrology
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_On_Prayer
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_On_the_many_forms_of_vainglory.
1.22_-_(Poetic_Diction_continued.)_How_Poetry_combines_elevation_of_language_with_perspicuity.
1.22_-_Tabooed_Words
1.22_-_THE_END_OF_THE_SPECIES
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.2.2_-_The_Place_of_Study_in_Sadhana
1.22_-_The_Problem_of_Life
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_DREARY_DAY
1.23_-_Epic_Poetry.
1.23_-_Escape_from_the_Malabranche._The_Sixth_Bolgia__Hypocrites._Catalano_and_Loderingo._Caiaphas.
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.23_-_Improvising_a_Temple
1.23_-_On_mad_price,_and,_in_the_same_Step,_on_unclean_and_blasphemous_thoughts.
1.23_-_Our_Debt_to_the_Savage
1.23_-_The_Double_Soul_in_Man
1.23_-_THE_MIRACULOUS
1.2.3_-_The_Power_of_Expression_and_Yoga
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_Describes_how_vocal_prayer_may_be_practised_with_perfection_and_how_closely_allied_it_is_to_mental_prayer
1.24_-_(Epic_Poetry_continued.)_Further_points_of_agreement_with_Tragedy.
1.24_-_Matter
1.24_-_Necromancy_and_Spiritism
1.24_-_NIGHT
1.24_-_On_Beauty
1.24_-_On_meekness,_simplicity,_guilelessness_which_come_not_from_nature_but_from_habit,_and_about_malice.
1.24_-_PUNDIT_SHASHADHAR
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.2.4_-_Speech_and_Yoga
1.24_-_The_Advent_and_Progress_of_the_Spiritual_Age
1.24_-_The_Killing_of_the_Divine_King
1.24_-_The_Seventh_Bolgia_-_Thieves._Vanni_Fucci._Serpents.
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_Critical_Objections_brought_against_Poetry,_and_the_principles_on_which_they_are_to_be_answered.
1.25_-_Describes_the_great_gain_which_comes_to_a_soul_when_it_practises_vocal_prayer_perfectly._Shows_how_God_may_raise_it_thence_to_things_supernatural.
1.25_-_DUNGEON
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_On_Religion
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_SPIRITUAL_EXERCISES
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.25_-_Vanni_Fucci's_Punishment._Agnello_Brunelleschi,_Buoso_degli_Abati,_Puccio_Sciancato,_Cianfa_de'_Donati,_and_Guercio_Cavalcanti.
1.26_-_Continues_the_description_of_a_method_for_recollecting_the_thoughts._Describes_means_of_doing_this._This_chapter_is_very_profitable_for_those_who_are_beginning_prayer.
1.26_-_FESTIVAL_AT_ADHARS_HOUSE
1.26_-_Mental_Processes_-_Two_Only_are_Possible
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_PERSEVERANCE_AND_REGULARITY
1.26_-_Sacrifice_of_the_Kings_Son
1.26_-_The_Ascending_Series_of_Substance
1.26_-_The_Eighth_Bolgia__Evil_Counsellors._Ulysses_and_Diomed._Ulysses'_Last_Voyage.
1.27_-_AT_DAKSHINESWAR
1.27_-_CONTEMPLATION,_ACTION_AND_SOCIAL_UTILITY
1.27_-_Describes_the_great_love_shown_us_by_the_Lord_in_the_first_words_of_the_Paternoster_and_the_great_importance_of_our_making_no_account_of_good_birth_if_we_truly_desire_to_be_the_daughters_of_God.
1.27_-_Guido_da_Montefeltro._His_deception_by_Pope_Boniface_VIII.
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_Structure_of_Mind_Based_on_that_of_Body
1.27_-_Succession_to_the_Soul
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Describes_the_nature_of_the_Prayer_of_Recollection_and_sets_down_some_of_the_means_by_which_we_can_make_it_a_habit.
1.28_-_Need_to_Define_God,_Self,_etc.
1.28_-_On_holy_and_blessed_prayer,_mother_of_virtues,_and_on_the_attitude_of_mind_and_body_in_prayer.
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.28_-_The_Ninth_Bolgia__Schismatics._Mahomet_and_Ali._Pier_da_Medicina,_Curio,_Mosca,_and_Bertr_and_de_Born.
1.29_-_Concerning_heaven_on_earth,_or_godlike_dispassion_and_perfection,_and_the_resurrection_of_the_soul_before_the_general_resurrection.
1.29_-_Continues_to_describe_methods_for_achieving_this_Prayer_of_Recollection._Says_what_little_account_we_should_make_of_being_favoured_by_our_superiors.
1.29_-_Geri_del_Bello._The_Tenth_Bolgia__Alchemists._Griffolino_d'_Arezzo_and_Capocchino._The_many_people_and_the_divers_wounds
1.29_-_The_Myth_of_Adonis
1.29_-_What_is_Certainty?
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
13.01_-_A_Centurys_Salutation_to_Sri_Aurobindo_The_Greatness_of_the_Great
1.3.01_-_Peace__The_Basis_of_the_Sadhana
13.02_-_A_Review_of_Sri_Aurobindos_Life
1.3.02_-_Equality__The_Chief_Support
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.3.03_-_Quiet_and_Calm
13.04_-_A_Note_on_Supermind
1.3.04_-_Peace
13.05_-_A_Dream_Of_Surreal_Science
1.3.05_-_Silence
13.06_-_The_Passing_of_Satyavan
13.07_-_The_Inter-Zone
13.08_-_The_Return
1.30_-_Adonis_in_Syria
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.30_-_Describes_the_importance_of_understanding_what_we_ask_for_in_prayer._Treats_of_these_words_in_the_Paternoster:_Sanctificetur_nomen_tuum,_adveniat_regnum_tuum._Applies_them_to_the_Prayer_of_Quiet,_and_begins_the_explanation_of_them.
1.30_-_Do_you_Believe_in_God?
1.30_-_Other_Falsifiers_or_Forgers._Gianni_Schicchi,_Myrrha,_Adam_of_Brescia,_Potiphar's_Wife,_and_Sinon_of_Troy.
1.3.1.02_-_The_Object_of_Our_Yoga
1.31_-_Adonis_in_Cyprus
1.31_-_Continues_the_same_subject._Explains_what_is_meant_by_the_Prayer_of_Quiet._Gives_several_counsels_to_those_who_experience_it._This_chapter_is_very_noteworthy.
1.31_-_Is_Thelema_a_New_Religion?
1.31_-_The_Giants,_Nimrod,_Ephialtes,_and_Antaeus._Descent_to_Cocytus.
1.3.2.01_-_I._The_Entire_Purpose_of_Yoga
1.32_-_Expounds_these_words_of_the_Paternoster__Fiat_voluntas_tua_sicut_in_coelo_et_in_terra._Describes_how_much_is_accomplished_by_those_who_repeat_these_words_with_full_resolution_and_how_well
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.32_-_The_Ninth_Circle__Traitors._The_Frozen_Lake_of_Cocytus._First_Division,_Caina__Traitors_to_their_Kindred._Camicion_de'_Pazzi._Second_Division,_Antenora__Traitors_to_their_Country._Dante_questions_Bocca_degli
1.32_-_The_Ritual_of_Adonis
1.33_-_Count_Ugolino_and_the_Archbishop_Ruggieri._The_Death_of_Count_Ugolino's_Sons.
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.33_-_Treats_of_our_great_need_that_the_Lord_should_give_us_what_we_ask_in_these_words_of_the_Paternoster__Panem_nostrum_quotidianum_da_nobis_hodie.
1.3.4.01_-_The_Beginning_and_the_End
1.3.4.02_-_The_Hour_of_God
1.3.4.04_-_The_Divine_Superman
1.34_-_Continues_the_same_subject._This_is_very_suitable_for_reading_after_the_reception_of_the_Most_Holy_Sacrament.
1.34_-_Fourth_Division_of_the_Ninth_Circle,_the_Judecca__Traitors_to_their_Lords_and_Benefactors._Lucifer,_Judas_Iscariot,_Brutus,_and_Cassius._The_Chasm_of_Lethe._The_Ascent.
1.34_-_The_Myth_and_Ritual_of_Attis
1.34_-_The_Tao_1
1.3.5.01_-_The_Law_of_the_Way
1.3.5.02_-_Man_and_the_Supermind
1.3.5.03_-_The_Involved_and_Evolving_Godhead
1.3.5.04_-_The_Evolution_of_Consciousness
1.3.5.05_-_The_Path
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_Describes_the_recollection_which_should_be_practised_after_Communion._Concludes_this_subject_with_an_exclamatory_prayer_to_the_Eternal_Father.
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.36_-_Quo_Stet_Olympus_-_Where_the_Gods,_Angels,_etc._Live
1.36_-_Treats_of_these_words_in_the_Paternoster__Dimitte_nobis_debita_nostra.
1.37_-_Death_-_Fear_-_Magical_Memory
1.37_-_Describes_the_excellence_of_this_prayer_called_the_Paternoster,_and_the_many_ways_in_which_we_shall_find_consolation_in_it.
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.38_-_Treats_of_the_great_need_which_we_have_to_beseech_the_Eternal_Father_to_grant_us_what_we_ask_in_these_words:_Et_ne_nos_inducas_in_tentationem,_sed_libera_nos_a_malo._Explains_certain_temptations._This_chapter_is_noteworthy.
1.38_-_Woman_-_Her_Magical_Formula
1.39_-_Continues_the_same_subject_and_gives_counsels_concerning_different_kinds_of_temptation._Suggests_two_remedies_by_which_we_may_be_freed_from_temptations.135
1.39_-_Prophecy
1.39_-_The_Ritual_of_Osiris
1.3_-_Mundaka_Upanishads
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
14.01_-_To_Read_Sri_Aurobindo
14.02_-_Occult_Experiences
1.4.02_-_The_Divine_Force
14.03_-_Janaka_and_Yajnavalkya
1.4.03_-_The_Guru
14.04_-_More_of_Yajnavalkya
14.05_-_The_Golden_Rule
14.06_-_Liberty,_Self-Control_and_Friendship
14.07_-_A_Review_of_Our_Ashram_Life
14.08_-_A_Parable_of_Sea-Gulls
1.40_-_Coincidence
1.40_-_Describes_how,_by_striving_always_to_walk_in_the_love_and_fear_of_God,_we_shall_travel_safely_amid_all_these_temptations.
1.40_-_The_Nature_of_Osiris
1.41_-_Are_we_Reincarnations_of_the_Ancient_Egyptians?
1.41_-_Isis
1.41_-_Speaks_of_the_fear_of_God_and_of_how_we_must_keep_ourselves_from_venial_sins.
1.4.2.02_-_The_English_Bible
1.42_-_Osiris_and_the_Sun
1.42_-_This_Self_Introversion
1.42_-_Treats_of_these_last_words_of_the_Paternoster__Sed_libera_nos_a_malo._Amen._But_deliver_us_from_evil._Amen.
1.439
1.43_-_Dionysus
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.44_-_Demeter_and_Persephone
1.44_-_Serious_Style_of_A.C.,_or_the_Apparent_Frivolity_of_Some_of_my_Remarks
1.450_-_1.500_Talks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.45_-_Unserious_Conduct_of_a_Pupil
1.46_-_Selfishness
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.47_-_Reincarnation
1.48_-_Morals_of_AL_-_Hard_to_Accept,_and_Why_nevertheless_we_Must_Concur
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
1.49_-_Thelemic_Morality
1.4_-_Readings_in_the_Taittiriya_Upanishad
15.01_-_The_Mother,_Human_and_Divine
15.02_-_1973-02-17
15.03_-_A_Canadian_Question
15.04_-_The_Mother_Abides
15.05_-_Twin_Prayers
15.06_-_Words,_Words,_Words...
15.07_-_Souls_Freedom
15.08_-_Ashram_-_Inner_and_Outer
15.09_-_One_Day_More
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.50_-_Eating_the_God
1.51_-_Homeopathic_Magic_of_a_Flesh_Diet
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_Mother-Love
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_On_Meanness
1.54_-_Types_of_Animal_Sacrament
1.550_-_1.600_Talks
1.55_-_Money
1.55_-_The_Transference_of_Evil
1.56_-_Marriage_-_Property_-_War_-_Politics
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Beings_I_have_Seen_with_my_Physical_Eye
1.57_-_Public_Scapegoats
1.58_-_Do_Angels_Ever_Cut_Themselves_Shaving?
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Geomancy
1.59_-_Killing_the_God_in_Mexico
16.01_-_
16.02_-_Mater_Dolorosa
16.03_-_Mater_Gloriosa
16.04_-_Maximes
16.05_-_Distiques
1.60_-_Between_Heaven_and_Earth
1.60_-_Knack
1.61_-_Power_and_Authority
1.61_-_The_Myth_of_Balder
1.62_-_The_Elastic_Mind
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_Magical_Power
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.65_-_Man
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_Faith
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_God-Letters
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
1.69_-_Original_Sin
17.00_-_Translations
17.01_-_Hymn_to_Dawn
17.02_-_Hymn_to_the_Sun
17.03_-_Agni_and_the_Gods
17.04_-_Hymn_to_the_Purusha
17.05_-_Hymn_to_Hiranyagarbha
17.06_-_Hymn_of_the_Supreme_Goddess
17.07_-_Ode_to_Darkness
17.08_-_Last_Hymn
17.09_-_Victory_to_the_World_Master
1.70_-_Morality_1
17.10_-_A_Hymn
17.11_-_A_Prayer
1.71_-_Morality_2
1.72_-_Education
1.73_-_Monsters,_Niggers,_Jews,_etc.
1.74_-_Obstacles_on_the_Path
1.75_-_The_AA_and_the_Planet
1.76_-_The_Gods_-_How_and_Why_they_Overlap
1.77_-_Work_Worthwhile_-_Why?
1.78_-_Sore_Spots
1.79_-_Progress
18.01_-_Padavali
18.02_-_Ramprasad
18.03_-_Tagore
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1.80_-_Life_a_Gamble
1.81_-_Method_of_Training
1.82_-_Epistola_Penultima_-_The_Two_Ways_to_Reality
1.83_-_Epistola_Ultima
19.01_-_The_Twins
19.02_-_Vigilance
19.03_-_The_Mind
19.04_-_The_Flowers
19.05_-_The_Fool
19.06_-_The_Wise
19.07_-_The_Adept
19.08_-_Thousands
19.09_-_On_Evil
19.10_-_Punishment
19.11_-_Old_Age
1912_11_02p
1912_11_03p
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1912_12_02p
1912_12_03p
1912_12_05p
1912_12_07p
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1912_12_11p
19.12_-_Of_The_Self
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1913_02_12p
1913_03_13p
1913_05_11p
1913_06_15p
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1913_12_13p
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19.13_-_Of_the_World
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19.14_-_The_Awakened
1915_01_02p
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19.15_-_On_Happiness
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19.16_-_Of_the_Pleasant
1917_01_04p
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19.17_-_On_Anger
1918_07_12p
1918_10_10p
19.18_-_On_Impurity
1919_09_03p
19.19_-_Of_the_Just
1920_06_22p
19.20_-_The_Path
19.21_-_Miscellany
19.22_-_Of_Hell
19.23_-_Of_the_Elephant
19.24_-_The_Canto_of_Desire
19.25_-_The_Bhikkhu
19.26_-_The_Brahmin
1927_05_06p
1928_12_28p
1929-04-07_-_Yoga,_for_the_sake_of_the_Divine_-_Concentration_-_Preparations_for_Yoga,_to_be_conscious_-_Yoga_and_humanity_-_We_have_all_met_in_previous_lives
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1929-04-21_-_Visions,_seeing_and_interpretation_-_Dreams_and_dreaml_and_-_Dreamless_sleep_-_Visions_and_formulation_-_Surrender,_passive_and_of_the_will_-_Meditation_and_progress_-_Entering_the_spiritual_life,_a_plunge_into_the_Divine
1929-04-28_-_Offering,_general_and_detailed_-_Integral_Yoga_-_Remembrance_of_the_Divine_-_Reading_and_Yoga_-_Necessity,_predetermination_-_Freedom_-_Miracles_-_Aim_of_creation
1929-05-05_-_Intellect,_true_and_wrong_movement_-_Attacks_from_adverse_forces_-_Faith,_integral_and_absolute_-_Death,_not_a_necessity_-_Descent_of_Divine_Consciousness_-_Inner_progress_-_Memory_of_former_lives
1929-05-12_-_Beings_of_vital_world_(vampires)_-_Money_power_and_vital_beings_-_Capacity_for_manifestation_of_will_-_Entry_into_vital_world_-_Body,_a_protection_-_Individuality_and_the_vital_world
1929-05-19_-_Mind_and_its_workings,_thought-forms_-_Adverse_conditions_and_Yoga_-_Mental_constructions_-_Illness_and_Yoga
1929-05-26_-_Individual,_illusion_of_separateness_-_Hostile_forces_and_the_mental_plane_-_Psychic_world,_psychic_being_-_Spiritual_and_psychic_-_Words,_understanding_speech_and_reading_-_Hostile_forces,_their_utility_-_Illusion_of_action,_true_action
1929-06-02_-__Divine_love_and_its_manifestation_-_Part_of_the_vital_being_in_Divine_love
1929-06-09_-_Nature_of_religion_-_Religion_and_the_spiritual_life_-_Descent_of_Divine_Truth_and_Force_-_To_be_sure_of_your_religion,_country,_family-choose_your_own_-_Religion_and_numbers
1929-06-16_-_Illness_and_Yoga_-_Subtle_body_(nervous_envelope)_-_Fear_and_illness
1929-06-23_-_Knowledge_of_the_Yogi_-_Knowledge_and_the_Supermind_-_Methods_of_changing_the_condition_of_the_body_-_Meditation,_aspiration,_sincerity
1929-06-30_-_Repulsion_felt_towards_certain_animals,_etc_-_Source_of_evil,_Formateurs_-_Material_world
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1929-08-04_-_Surrender_and_sacrifice_-_Personality_and_surrender_-_Desire_and_passion_-_Spirituality_and_morality
1931_11_24p
1933_12_23p
1935_01_04p
1936_08_21p
1937_10_23p
1938_08_17p
1950-12-21_-_The_Mother_of_Dreams
1950-12-23_-_Concentration_and_energy
1950-12-25_-_Christmas_-_festival_of_Light_-_Energy_and_mental_growth_-_Meditation_and_concentration_-_The_Mother_of_Dreams_-_Playing_a_game_well,_and_energy
1950-12-28_-_Correct_judgment.
1950-12-30_-_Perfect_and_progress._Dynamic_equilibrium._True_sincerity.
1951-01-04_-_Transformation_and_reversal_of_consciousness.
1951-01-08_-_True_vision_and_understanding_of_the_world._Progress,_equilibrium._Inner_reality_-_the_psychic._Animals_and_the_psychic.
1951-01-11_-_Modesty_and_vanity_-_Generosity
1951-01-13_-_Aim_of_life_-_effort_and_joy._Science_of_living,_becoming_conscious._Forces_and_influences.
1951-01-15_-_Sincerity_-_inner_discernment_-_inner_light._Evil_and_imbalance._Consciousness_and_instruments.
1951-01-20_-_Developing_the_mind._Misfortunes,_suffering;_developed_reason._Knowledge_and_pure_ideas.
1951-01-25_-_Needs_and_desires._Collaboration_of_the_vital,_mind_an_accomplice._Progress_and_sincerity_-_recognising_faults._Organising_the_body_-_illness_-_new_harmony_-_physical_beauty.
1951-01-27_-_Sleep_-_desires_-_repression_-_the_subconscient._Dreams_-_the_super-conscient_-_solving_problems._Ladder_of_being_-_samadhi._Phases_of_sleep_-_silence,_true_rest._Vital_body_and_illness.
1951-02-03_-_What_is_Yoga?_for_what?_-_Aspiration,_seeking_the_Divine._-_Process_of_yoga,_renouncing_the_ego.
1951-02-05_-_Surrender_and_tapasya_-_Dealing_with_difficulties,_sincerity,_spiritual_discipline_-_Narrating_experiences_-_Vital_impulse_and_will_for_progress
1951-02-08_-_Unifying_the_being_-_ideas_of_good_and_bad_-_Miracles_-_determinism_-_Supreme_Will_-_Distinguishing_the_voice_of_the_Divine
1951-02-10_-_Liberty_and_license_-_surrender_makes_you_free_-_Men_in_authority_as_representatives_of_the_divine_Truth_-_Work_as_offering_-_total_surrender_needs_time_-_Effort_and_inspiration_-_will_and_patience
1951-02-12_-_Divine_force_-_Signs_indicating_readiness_-_Weakness_in_mind,_vital_-_concentration_-_Divine_perception,_human_notion_of_good,_bad_-_Conversion,_consecration_-_progress_-_Signs_of_entering_the_path_-_kinds_of_meditation_-_aspiration
1951-02-15_-_Dreams,_symbolic_-_true_repose_-_False_visions_-_Earth-memory_and_history
1951-02-17_-_False_visions_-_Offering_ones_will_-_Equilibrium_-_progress_-_maturity_-_Ardent_self-giving-_perfecting_the_instrument_-_Difficulties,_a_help_in_total_realisation_-_paradoxes_-_Sincerity_-_spontaneous_meditation
1951-02-19_-_Exteriorisation-_clairvoyance,_fainting,_etc_-_Somnambulism_-_Tartini_-_childrens_dreams_-_Nightmares_-_gurus_protection_-_Mind_and_vital_roam_during_sleep
1951-02-22_-_Surrender,_offering,_consecration_-_Experiences_and_sincerity_-_Aspiration_and_desire_-_Vedic_hymns_-_Concentration_and_time
1951-02-24_-_Psychic_being_and_entity_-_dimensions_-_in_the_atom_-_Death_-_exteriorisation_-_unconsciousness_-_Past_lives_-_progress_upon_earth_-_choice_of_birth_-_Consecration_to_divine_Work_-_psychic_memories_-_Individualisation_-_progress
1951-02-26_-_On_reading_books_-_gossip_-_Discipline_and_realisation_-_Imaginary_stories-_value_of_-_Private_lives_of_big_men_-_relaxation_-_Understanding_others_-_gnostic_consciousness
1951-03-01_-_Universe_and_the_Divine_-_Freedom_and_determinism_-_Grace_-_Time_and_Creation-_in_the_Supermind_-_Work_and_its_results_-_The_psychic_being_-_beauty_and_love_-_Flowers-_beauty_and_significance_-_Choice_of_reincarnating_psychic_being
1951-03-03_-_Hostile_forces_-_difficulties_-_Individuality_and_form_-_creation
1951-03-05_-_Disasters-_the_forces_of_Nature_-_Story_of_the_charity_Bazar_-_Liberation_and_law_-_Dealing_with_the_mind_and_vital-_methods
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-10_-_Fairy_Tales-_serpent_guarding_treasure_-_Vital_beings-_their_incarnations_-_The_vital_being_after_death_-_Nightmares-_vital_and_mental_-_Mind_and_vital_after_death_-_The_spirit_of_the_form-_Egyptian_mummies
1951-03-12_-_Mental_forms_-_learning_difficult_subjects_-_Mental_fortress_-_thought_-_Training_the_mind_-_Helping_the_vital_being_after_death_-_ceremonies_-_Human_stupidities
1951-03-14_-_Plasticity_-_Conditions_for_knowing_the_Divine_Will_-_Illness_-_microbes_-_Fear_-_body-reflexes_-_The_best_possible_happens_-_Theories_of_Creation_-_True_knowledge_-_a_work_to_do_-_the_Ashram
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-03-22_-_Relativity-_time_-_Consciousness_-_psychic_Witness_-_The_twelve_senses_-_water-divining_-_Instinct_in_animals_-_story_of_Mothers_cat
1951-03-24_-_Descent_of_Divine_Love,_of_Consciousness_-_Earth-_a_symbolic_formation_-_the_Divine_Presence_-_The_psychic_being_and_other_worlds_-_Divine_Love_and_Grace_-_Becoming_consaious_of_Divine_Love_-_Finding_ones_psychic_being_-_Responsibility
1951-03-26_-_Losing_all_to_gain_all_-_psychic_being_-_Transforming_the_vital_-_physical_habits_-_the_subconscient_-_Overcoming_difficulties_-_weakness,_an_insincerity_-_to_change_the_world_-_Psychic_source,_flash_of_experience_-_preparation_for_yoga
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-03-31_-_Physical_ailment_and_mental_disorder_-_Curing_an_illness_spiritually_-_Receptivity_of_the_body_-_The_subtle-physical-_illness_accidents_-_Curing_sunstroke_and_other_disorders
1951-04-02_-_Causes_of_accidents_-_Little_entities,_helpful_or_mischievous-_incidents
1951-04-05_-_Illusion_and_interest_in_action_-_The_action_of_the_divine_Grace_and_the_ego_-_Concentration,_aspiration,_will,_inner_silence_-_Value_of_a_story_or_a_language_-_Truth_-_diversity_in_the_world
1951-04-07_-_Origin_of_Evil_-_Misery-_its_cause
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-12_-_Japan,_its_art,_landscapes,_life,_etc_-_Fairy-lore_of_Japan_-_Culture-_its_spiral_movement_-_Indian_and_European-_the_spiritual_life_-_Art_and_Truth
1951-04-14_-_Surrender_and_sacrifice_-_Idea_of_sacrifice_-_Bahaism_-_martyrdom_-_Sleep-_forgetfulness,_exteriorisation,_etc_-_Dreams_and_visions-_explanations_-_Exteriorisation-_incidents_about_cats
1951-04-17_-_Unity,_diversity_-_Protective_envelope_-_desires_-_consciousness,_true_defence_-_Perfection_of_physical_-_cinema_-_Choice,_constant_and_conscious_-_law_of_ones_being_-_the_One,_the_Multiplicity_-_Civilization-_preparing_an_instrument
1951-04-19_-_Demands_and_needs_-_human_nature_-_Abolishing_the_ego_-_Food-_tamas,_consecration_-_Changing_the_nature-_the_vital_and_the_mind_-_The_yoga_of_the_body__-_cellular_consciousness
1951-04-21_-_Sri_Aurobindos_letter_on_conditions_for_doing_yoga_-_Aspiration,_tapasya,_surrender_-_The_lower_vital_-_old_habits_-_obsession_-_Sri_Aurobindo_on_choice_and_the_double_life_-_The_old_fiasco_-_inner_realisation_and_outer_change
1951-04-23_-_The_goal_and_the_way_-_Learning_how_to_sleep_-_relaxation_-_Adverse_forces-_test_of_sincerity_-_Attitude_to_suffering_and_death
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-04-28_-_Personal_effort_-_tamas,_laziness_-_Static_and_dynamic_power_-_Stupidity_-_psychic_and_intelligence_-_Philosophies-_different_languages_-_Theories_of_Creation_-_Surrender_of_ones_being_and_ones_work
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-05_-_Needs_and_desires_-_Discernment_-_sincerity_and_true_perception_-_Mantra_and_its_effects_-_Object_in_action-_to_serve_-_relying_only_on_the_Divine
1951-05-07_-_A_Hierarchy_-_Transcendent,_universal,_individual_Divine_-_The_Supreme_Shakti_and_Creation_-_Inadequacy_of_words,_language
1951-05-11_-_Mahakali_and_Kali_-_Avatar_and_Vibhuti_-_Sachchidananda_behind_all_states_of_being_-_The_power_of_will_-_receiving_the_Divine_Will
1951-05-12_-_Mahalakshmi_and_beauty_in_life_-_Mahasaraswati_-_conscious_hand_-_Riches_and_poverty
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1953-03-18
1953-03-25
1953-04-01
1953-04-08
1953-04-15
1953-04-22
1953-04-29
1953-05-06
1953-05-13
1953-05-20
1953-05-27
1953-06-03
1953-06-10
1953-06-17
1953-06-24
1953-07-01
1953-07-08
1953-07-15
1953-07-22
1953-07-29
1953-08-05
1953-08-12
1953-08-19
1953-08-26
1953-09-02
1953-09-09
1953-09-16
1953-09-23
1953-09-30
1953-10-07
1953-10-14
1953-10-21
1953-10-28
1953-11-04
1953-11-11
1953-11-18
1953-11-25
1953-12-09
1953-12-16
1953-12-23
1953-12-30
1954-02-03_-_The_senses_and_super-sense_-_Children_can_be_moulded_-_Keeping_things_in_order_-_The_shadow
1954-02-10_-_Study_a_variety_of_subjects_-_Memory_-Memory_of_past_lives_-_Getting_rid_of_unpleasant_thoughts
1954-02-17_-_Experience_expressed_in_different_ways_-_Origin_of_the_psychic_being_-_Progress_in_sports_-Everything_is_not_for_the_best
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-03-24_-_Dreams_and_the_condition_of_the_stomach_-_Tobacco_and_alcohol_-_Nervousness_-_The_centres_and_the_Kundalini_-_Control_of_the_senses
1954-04-07_-_Communication_without_words_-_Uneven_progress_-_Words_and_the_Word
1954-04-14_-_Love_-_Can_a_person_love_another_truly?_-_Parental_love
1954-04-28_-_Aspiration_and_receptivity_-_Resistance_-_Purusha_and_Prakriti,_not_masculine_and_feminine
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-05-12_-_The_Purusha_-_Surrender_-_Distinguishing_between_influences_-_Perfect_sincerity
1954-05-19_-_Affection_and_love_-_Psychic_vision_Divine_-_Love_and_receptivity_-_Get_out_of_the_ego
1954-05-26_-_Symbolic_dreams_-_Psychic_sorrow_-_Dreams,_one_is_rarely_conscious
1954-06-02_-_Learning_how_to_live_-_Work,_studies_and_sadhana_-_Waste_of_the_Energy_and_Consciousness
1954-06-16_-_Influences,_Divine_and_other_-_Adverse_forces_-_The_four_great_Asuras_-_Aspiration_arranges_circumstances_-_Wanting_only_the_Divine
1954-06-23_-_Meat-eating_-_Story_of_Mothers_vegetable_garden_-_Faithfulness_-_Conscious_sleep
1954-06-30_-_Occultism_-_Religion_and_vital_beings_-_Mothers_knowledge_of_what_happens_in_the_Ashram_-_Asking_questions_to_Mother_-_Drawing_on_Mother
1954-07-07_-_The_inner_warrior_-_Grace_and_the_Falsehood_-_Opening_from_below_-_Surrender_and_inertia_-_Exclusive_receptivity_-_Grace_and_receptivity
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-07-21_-_Mistakes_-_Success_-_Asuras_-_Mental_arrogance_-_Difficulty_turned_into_opportunity_-_Mothers_use_of_flowers_-_Conversion_of_men_governed_by_adverse_forces
1954-07-28_-_Money_-_Ego_and_individuality_-_The_shadow
1954-08-04_-_Servant_and_worker_-_Justification_of_weakness_-_Play_of_the_Divine_-_Why_are_you_here_in_the_Ashram?
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-08-25_-_Ananda_aspect_of_the_Mother_-_Changing_conditions_in_the_Ashram_-_Ascetic_discipline_-_Mothers_body
1954-09-08_-_Hostile_forces_-_Substance_-_Concentration_-_Changing_the_centre_of_thought_-_Peace
1954-09-15_-_Parts_of_the_being_-_Thoughts_and_impulses_-_The_subconscient_-_Precise_vocabulary_-_The_Grace_and_difficulties
1954-09-22_-_The_supramental_creation_-_Rajasic_eagerness_-_Silence_from_above_-_Aspiration_and_rejection_-_Effort,_individuality_and_ego_-_Aspiration_and_desire
1954-09-29_-_The_right_spirit_-_The_Divine_comes_first_-_Finding_the_Divine_-_Mistakes_-_Rejecting_impulses_-_Making_the_consciousness_vast_-_Firm_resolution
1954-10-06_-_What_happens_is_for_the_best_-_Blaming_oneself_-Experiences_-_The_vital_desire-soul_-Creating_a_spiritual_atmosphere_-Thought_and_Truth
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1954-11-03_-_Body_opening_to_the_Divine_-_Concentration_in_the_heart_-_The_army_of_the_Divine_-_The_knot_of_the_ego_-Streng_thening_ones_will
1954-11-10_-_Inner_experience,_the_basis_of_action_-_Keeping_open_to_the_Force_-_Faith_through_aspiration_-_The_Mothers_symbol_-_The_mind_and_vital_seize_experience_-_Degrees_of_sincerity_-Becoming_conscious_of_the_Divine_Force
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1954-12-08_-_Cosmic_consciousness_-_Clutching_-_The_central_will_of_the_being_-_Knowledge_by_identity
1954-12-15_-_Many_witnesses_inside_oneself_-_Children_in_the_Ashram_-_Trance_and_the_waking_consciousness_-_Ascetic_methods_-_Education,_spontaneous_effort_-_Spiritual_experience
1954-12-22_-_Possession_by_hostile_forces_-_Purity_and_morality_-_Faith_in_the_final_success_-Drawing_back_from_the_path
1954-12-29_-_Difficulties_and_the_world_-_The_experience_the_psychic_being_wants_-_After_death_-Ignorance
1955-02-09_-_Desire_is_contagious_-_Primitive_form_of_love_-_the_artists_delight_-_Psychic_need,_mind_as_an_instrument_-_How_the_psychic_being_expresses_itself_-_Distinguishing_the_parts_of_ones_being_-_The_psychic_guides_-_Illness_-_Mothers_vision
1955-02-16_-_Losing_something_given_by_Mother_-_Using_things_well_-_Sadhak_collecting_soap-pieces_-_What_things_are_truly_indispensable_-_Natures_harmonious_arrangement_-_Riches_a_curse,_philanthropy_-_Misuse_of_things_creates_misery
1955-02-23_-_On_the_sense_of_taste,_educating_the_senses_-_Fasting_produces_a_state_of_receptivity,_drawing_energy_-_The_body_and_food
1955-03-02_-_Right_spirit,_aspiration_and_desire_-_Sleep_and_yogic_repose,_how_to_sleep_-_Remembering_dreams_-_Concentration_and_outer_activity_-_Mother_opens_the_door_inside_everyone_-_Sleep,_a_school_for_inner_knowledge_-_Source_of_energy
1955-03-09_-_Psychic_directly_contacted_through_the_physical_-_Transforming_egoistic_movements_-_Work_of_the_psychic_being_-_Contacting_the_psychic_and_the_Divine_-_Experiences_of_different_kinds_-_Attacks_of_adverse_forces
1955-03-23_-_Procedure_for_rejection_and_transformation_-_Learning_by_heart,_true_understanding_-_Vibrations,_movements_of_the_species_-_A_cat_and_a_Russian_peasant_woman_-_A_cat_doing_yoga
1955-03-30_-_Yoga-shakti_-_Energies_of_the_earth,_higher_and_lower_-_Illness,_curing_by_yogic_means_-_The_true_self_and_the_psychic_-_Solving_difficulties_by_different_methods
1955-04-06_-_Freuds_psychoanalysis,_the_subliminal_being_-_The_psychic_and_the_subliminal_-_True_psychology_-_Changing_the_lower_nature_-_Faith_in_different_parts_of_the_being_-_Psychic_contact_established_in_all_in_the_Ashram
1955-04-13_-_Psychoanalysts_-_The_underground_super-ego,_dreams,_sleep,_control_-_Archetypes,_Overmind_and_higher_-_Dream_of_someone_dying_-_Integral_repose,_entering_Sachchidananda_-_Organising_ones_life,_concentration,_repose
1955-04-27_-_Symbolic_dreams_and_visions_-_Curing_pain_by_various_methods_-_Different_states_of_consciousness_-_Seeing_oneself_dead_in_a_dream_-_Exteriorisation
1955-05-04_-_Drawing_on_the_universal_vital_forces_-_The_inner_physical_-_Receptivity_to_different_kinds_of_forces_-_Progress_and_receptivity
1955-05-18_-_The_Problem_of_Woman_-_Men_and_women_-_The_Supreme_Mother,_the_new_creation_-_Gods_and_goddesses_-_A_story_of_Creation,_earth_-_Psychic_being_only_on_earth,_beings_everywhere_-_Going_to_other_worlds_by_occult_means
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-01_-_The_aesthetic_conscience_-_Beauty_and_form_-_The_roots_of_our_life_-_The_sense_of_beauty_-_Educating_the_aesthetic_sense,_taste_-_Mental_constructions_based_on_a_revelation_-_Changing_the_world_and_humanity
1955-06-08_-_Working_for_the_Divine_-_ideal_attitude_-_Divine_manifesting_-_reversal_of_consciousness,_knowing_oneself_-_Integral_progress,_outer,_inner,_facing_difficulties_-_People_in_Ashram_-_doing_Yoga_-_Children_given_freedom,_choosing_yoga
1955-06-15_-_Dynamic_realisation,_transformation_-_The_negative_and_positive_side_of_experience_-_The_image_of_the_dry_coconut_fruit_-_Purusha,_Prakriti,_the_Divine_Mother_-_The_Truth-Creation_-_Pralaya_-_We_are_in_a_transitional_period
1955-06-22_-_Awakening_the_Yoga-shakti_-_The_thousand-petalled_lotus-_Reading,_how_far_a_help_for_yoga_-_Simple_and_complicated_combinations_in_men
1955-06-29_-_The_true_vital_and_true_physical_-_Time_and_Space_-_The_psychics_memory_of_former_lives_-_The_psychic_organises_ones_life_-_The_psychics_knowledge_and_direction
1955-07-06_-_The_psychic_and_the_central_being_or_jivatman_-_Unity_and_multiplicity_in_the_Divine_-_Having_experiences_and_the_ego_-_Mental,_vital_and_physical_exteriorisation_-_Imagination_has_a_formative_power_-_The_function_of_the_imagination
1955-07-13_-_Cosmic_spirit_and_cosmic_consciousness_-_The_wall_of_ignorance,_unity_and_separation_-_Aspiration_to_understand,_to_know,_to_be_-_The_Divine_is_in_the_essence_of_ones_being_-_Realising_desires_through_the_imaginaton
1955-07-20_-_The_Impersonal_Divine_-_Surrender_to_the_Divine_brings_perfect_freedom_-_The_Divine_gives_Himself_-_The_principle_of_the_inner_dimensions_-_The_paths_of_aspiration_and_surrender_-_Linear_and_spherical_paths_and_realisations
1955-08-03_-_Nothing_is_impossible_in_principle_-_Psychic_contact_and_psychic_influence_-_Occult_powers,_adverse_influences;_magic_-_Magic,_occultism_and_Yogic_powers_-Hypnotism_and_its_effects
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1955-10-05_-_Science_and_Ignorance_-_Knowledge,_science_and_the_Buddha_-_Knowing_by_identification_-_Discipline_in_science_and_in_Buddhism_-_Progress_in_the_mental_field_and_beyond_it
1955-10-12_-_The_problem_of_transformation_-_Evolution,_man_and_superman_-_Awakening_need_of_a_higher_good_-_Sri_Aurobindo_and_earths_history_-_Setting_foot_on_the_new_path_-_The_true_reality_of_the_universe_-_the_new_race_-_...
1955-10-19_-_The_rhythms_of_time_-_The_lotus_of_knowledge_and_perfection_-_Potential_knowledge_-_The_teguments_of_the_soul_-_Shastra_and_the_Gurus_direct_teaching_-_He_who_chooses_the_Infinite...
1955-10-26_-_The_Divine_and_the_universal_Teacher_-_The_power_of_the_Word_-_The_Creative_Word,_the_mantra_-_Sound,_music_in_other_worlds_-_The_domains_of_pure_form,_colour_and_ideas
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-11-09_-_Personal_effort,_egoistic_mind_-_Man_is_like_a_public_square_-_Natures_work_-_Ego_needed_for_formation_of_individual_-_Adverse_forces_needed_to_make_man_sincere_-_Determinisms_of_different_planes,_miracles
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1955-11-23_-_One_reality,_multiple_manifestations_-_Integral_Yoga,_approach_by_all_paths_-_The_supreme_man_and_the_divine_man_-_Miracles_and_the_logic_of_events
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1955-12-14_-_Rejection_of_life_as_illusion_in_the_old_Yogas_-_Fighting_the_adverse_forces_-_Universal_and_individual_being_-_Three_stages_in_Integral_Yoga_-_How_to_feel_the_Divine_Presence_constantly
1955-12-28_-_Aspiration_in_different_parts_of_the_being_-_Enthusiasm_and_gratitude_-_Aspiration_is_in_all_beings_-_Unlimited_power_of_good,_evil_has_a_limit_-_Progress_in_the_parts_of_the_being_-_Significance_of_a_dream
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-01-11_-_Desire_and_self-deception_-_Giving_all_one_is_and_has_-_Sincerity,_more_powerful_than_will_-_Joy_of_progress_Definition_of_youth
1956-01-18_-_Two_sides_of_individual_work_-_Cheerfulness_-_chosen_vessel_of_the_Divine_-_Aspiration,_consciousness,_of_plants,_of_children_-_Being_chosen_by_the_Divine_-_True_hierarchy_-_Perfect_relation_with_the_Divine_-_India_free_in_1915
1956-01-25_-_The_divine_way_of_life_-_Divine,_Overmind,_Supermind_-_Material_body__for_discovery_of_the_Divine_-_Five_psychological_perfections
1956-02-01_-_Path_of_knowledge_-_Finding_the_Divine_in_life_-_Capacity_for_contact_with_the_Divine_-_Partial_and_total_identification_with_the_Divine_-_Manifestation_and_hierarchy
1956-02-08_-_Forces_of_Nature_expressing_a_higher_Will_-_Illusion_of_separate_personality_-_One_dynamic_force_which_moves_all_things_-_Linear_and_spherical_thinking_-_Common_ideal_of_life,_microscopic
1956-02-15_-_Nature_and_the_Master_of_Nature_-_Conscious_intelligence_-_Theory_of_the_Gita,_not_the_whole_truth_-_Surrender_to_the_Lord_-_Change_of_nature
1956-02-22_-_Strong_immobility_of_an_immortal_spirit_-_Equality_of_soul_-_Is_all_an_expression_of_the_divine_Will?_-_Loosening_the_knot_of_action_-_Using_experience_as_a_cloak_to_cover_excesses_-_Sincerity,_a_rare_virtue
1956-02-29_-_Sacrifice,_self-giving_-_Divine_Presence_in_the_heart_of_Matter_-_Divine_Oneness_-_Divine_Consciousness_-_All_is_One_-_Divine_in_the_inconscient_aspires_for_the_Divine
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-03-14_-_Dynamic_meditation_-_Do_all_as_an_offering_to_the_Divine_-_Significance_of_23.4.56._-_If_twelve_men_of_goodwill_call_the_Divine
1956-03-21_-_Identify_with_the_Divine_-_The_Divine,_the_most_important_thing_in_life
1956-03-28_-_The_starting-point_of_spiritual_experience_-_The_boundless_finite_-_The_Timeless_and_Time_-_Mental_explanation_not_enough_-_Changing_knowledge_into_experience_-_Sat-Chit-Tapas-Ananda
1956-04-04_-_The_witness_soul_-_A_Gita_enthusiast_-_Propagandist_spirit,_Tolstoys_son
1956-04-11_-_Self-creator_-_Manifestation_of_Time_and_Space_-_Brahman-Maya_and_Ishwara-Shakti_-_Personal_and_Impersonal
1956-04-18_-_Ishwara_and_Shakti,_seeing_both_aspects_-_The_Impersonal_and_the_divine_Person_-_Soul,_the_presence_of_the_divine_Person_-_Going_to_other_worlds,_exteriorisation,_dreams_-_Telling_stories_to_oneself
1956-04-25_-_God,_human_conception_and_the_true_Divine_-_Earthly_existence,_to_realise_the_Divine_-_Ananda,_divine_pleasure_-_Relations_with_the_divine_Presence_-_Asking_the_Divine_for_what_one_needs_-_Allowing_the_Divine_to_lead_one
1956-05-02_-_Threefold_union_-_Manifestation_of_the_Supramental_-_Profiting_from_the_Divine_-_Recognition_of_the_Supramental_Force_-_Ascent,_descent,_manifestation
1956-05-09_-_Beginning_of_the_true_spiritual_life_-_Spirit_gives_value_to_all_things_-_To_be_helped_by_the_supramental_Force
1956-05-16_-_Needs_of_the_body,_not_true_in_themselves_-_Spiritual_and_supramental_law_-_Aestheticised_Paganism_-_Morality,_checks_true_spiritual_effort_-_Effect_of_supramental_descent_-_Half-lights_and_false_lights
1956-05-23_-_Yoga_and_religion_-_Story_of_two_clergymen_on_a_boat_-_The_Buddha_and_the_Supramental_-_Hieroglyphs_and_phonetic_alphabets_-_A_vision_of_ancient_Egypt_-_Memory_for_sounds
1956-05-30_-_Forms_as_symbols_of_the_Force_behind_-_Art_as_expression_of_contact_with_the_Divine_-_Supramental_psychological_perfection_-_Division_of_works_-_The_Ashram,_idle_stupidities
1956-06-06_-_Sign_or_indication_from_books_of_revelation_-_Spiritualised_mind_-_Stages_of_sadhana_-_Reversal_of_consciousness_-_Organisation_around_central_Presence_-_Boredom,_most_common_human_malady
1956-06-13_-_Effects_of_the_Supramental_action_-_Education_and_the_Supermind_-_Right_to_remain_ignorant_-_Concentration_of_mind_-_Reason,_not_supreme_capacity_-_Physical_education_and_studies_-_inner_discipline_-_True_usefulness_of_teachers
1956-06-20_-_Hearts_mystic_light,_intuition_-_Psychic_being,_contact_-_Secular_ethics_-_True_role_of_mind_-_Realise_the_Divine_by_love_-_Depression,_pleasure,_joy_-_Heart_mixture_-_To_follow_the_soul_-_Physical_process_-_remember_the_Mother
1956-06-27_-_Birth,_entry_of_soul_into_body_-_Formation_of_the_supramental_world_-_Aspiration_for_progress_-_Bad_thoughts_-_Cerebral_filter_-_Progress_and_resistance
1956-07-04_-_Aspiration_when_one_sees_a_shooting_star_-_Preparing_the_bodyn_making_it_understand_-_Getting_rid_of_pain_and_suffering_-_Psychic_light
1956-07-11_-_Beauty_restored_to_its_priesthood_-_Occult_worlds,_occult_beings_-_Difficulties_and_the_supramental_force
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-07-25_-_A_complete_act_of_divine_love_-_How_to_listen_-_Sports_programme_same_for_boys_and_girls_-_How_to_profit_by_stay_at_Ashram_-_To_Women_about_Their_Body
1956-08-01_-_Value_of_worship_-_Spiritual_realisation_and_the_integral_yoga_-_Symbols,_translation_of_experience_into_form_-_Sincerity,_fundamental_virtue_-_Intensity_of_aspiration,_with_anguish_or_joy_-_The_divine_Grace
1956-08-08_-_How_to_light_the_psychic_fire,_will_for_progress_-_Helping_from_a_distance,_mental_formations_-_Prayer_and_the_divine_-_Grace_Grace_at_work_everywhere
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1956-08-22_-_The_heaven_of_the_liberated_mind_-_Trance_or_samadhi_-_Occult_discipline_for_leaving_consecutive_bodies_-_To_be_greater_than_ones_experience_-_Total_self-giving_to_the_Grace_-_The_truth_of_the_being_-_Unique_relation_with_the_Supreme
1956-08-29_-_To_live_spontaneously_-_Mental_formations_Absolute_sincerity_-_Balance_is_indispensable,_the_middle_path_-_When_in_difficulty,_widen_the_consciousness_-_Easiest_way_of_forgetting_oneself
1956-09-05_-_Material_life,_seeing_in_the_right_way_-_Effect_of_the_Supermind_on_the_earth_-_Emergence_of_the_Supermind_-_Falling_back_into_the_same_mistaken_ways
1956-09-12_-_Questions,_practice_and_progress
1956-09-19_-_Power,_predominant_quality_of_vital_being_-_The_Divine,_the_psychic_being,_the_Supermind_-_How_to_come_out_of_the_physical_consciousness_-_Look_life_in_the_face_-_Ordinary_love_and_Divine_love
1956-09-26_-_Soul_of_desire_-_Openness,_harmony_with_Nature_-_Communion_with_divine_Presence_-_Individuality,_difficulties,_soul_of_desire_-_personal_contact_with_the_Mother_-_Inner_receptivity_-_Bad_thoughts_before_the_Mother
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-10-17_-_Delight,_the_highest_state_-_Delight_and_detachment_-_To_be_calm_-_Quietude,_mental_and_vital_-_Calm_and_strength_-_Experience_and_expression_of_experience
1956-10-24_-_Taking_a_new_body_-_Different_cases_of_incarnation_-_Departure_of_soul_from_body
1956-10-31_-_Manifestation_of_divine_love_-_Deformation_of_Love_by_human_consciousness_-_Experience_and_expression_of_experience
1956-11-07_-_Thoughts_created_by_forces_of_universal_-_Mind_Our_own_thought_hardly_exists_-_Idea,_origin_higher_than_mind_-_The_Synthesis_of_Yoga,_effect_of_reading
1956-11-14_-_Conquering_the_desire_to_appear_good_-_Self-control_and_control_of_the_life_around_-_Power_of_mastery_-_Be_a_great_yogi_to_be_a_good_teacher_-_Organisation_of_the_Ashram_school_-_Elementary_discipline_of_regularity
1956-11-21_-_Knowings_and_Knowledge_-_Reason,_summit_of_mans_mental_activities_-_Willings_and_the_true_will_-_Personal_effort_-_First_step_to_have_knowledge_-_Relativity_of_medical_knowledge_-_Mental_gymnastics_make_the_mind_supple
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-05_-_Even_and_objectless_ecstasy_-_Transform_the_animal_-_Individual_personality_and_world-personality_-_Characteristic_features_of_a_world-personality_-_Expressing_a_universal_state_of_consciousness_-_Food_and_sleep_-_Ordered_intuition
1956-12-12_-_paradoxes_-_Nothing_impossible_-_unfolding_universe,_the_Eternal_-_Attention,_concentration,_effort_-_growth_capacity_almost_unlimited_-_Why_things_are_not_the_same_-_will_and_willings_-_Suggestions,_formations_-_vital_world
1956-12-19_-_Preconceived_mental_ideas_-_Process_of_creation_-_Destructive_power_of_bad_thoughts_-_To_be_perfectly_sincere
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-02_-_Can_one_go_out_of_time_and_space?_-_Not_a_crucified_but_a_glorified_body_-_Individual_effort_and_the_new_force
1957-01-09_-_God_is_essentially_Delight_-_God_and_Nature_play_at_hide-and-seek_-__Why,_and_when,_are_you_grave?
1957-01-16_-_Seeking_something_without_knowing_it_-_Why_are_we_here?
1957-01-23_-_How_should_we_understand_pure_delight?_-_The_drop_of_honey_-_Action_of_the_Divine_Will_in_the_world
1957-01-30_-_Artistry_is_just_contrast_-_How_to_perceive_the_Divine_Guidance?
1957-02-06_-_Death,_need_of_progress_-_Changing_Natures_methods
1957-02-07_-_Individual_and_collective_meditation
1957-02-13_-_Suffering,_pain_and_pleasure_-_Illness_and_its_cure
1957-02-20_-_Limitations_of_the_body_and_individuality
1957-03-06_-_Freedom,_servitude_and_love
1957-03-08_-_A_Buddhist_story
1957-03-13_-_Our_best_friend
1957-03-15_-_Reminiscences_of_Tlemcen
1957-03-20_-_Never_sit_down,_true_repose
1957-03-22_-_A_story_of_initiation,_knowledge_and_practice
1957-03-27_-_If_only_humanity_consented_to_be_spiritualised
1957-04-03_-_Different_religions_and_spirituality
1957-04-10_-_Sports_and_yoga_-_Organising_ones_life
1957-04-17_-_Transformation_of_the_body
1957-04-24_-_Perfection,_lower_and_higher
1957-05-01_-_Sports_competitions,_their_value
1957-05-08_-_Vital_excitement,_reason,_instinct
1957-05-15_-_Differentiation_of_the_sexes_-_Transformation_from_above_downwards
1957-05-29_-_Progressive_transformation
1957-06-05_-_Questions_and_silence_-_Methods_of_meditation
1957-06-12_-_Fasting_and_spiritual_progress
1957-06-19_-_Causes_of_illness_Fear_and_illness_-_Minds_working,_faith_and_illness
1957-06-26_-_Birth_through_direct_transmutation_-_Man_and_woman_-_Judging_others_-_divine_Presence_in_all_-_New_birth
1957-07-03_-_Collective_yoga,_vision_of_a_huge_hotel
1957-07-09_-_Incontinence_of_speech
1957-07-10_-_A_new_world_is_born_-_Overmind_creation_dissolved
1957-07-17_-_Power_of_conscious_will_over_matter
1957-07-24_-_The_involved_supermind_-_The_new_world_and_the_old_-_Will_for_progress_indispensable
1957-07-31_-_Awakening_aspiration_in_the_body
1957-08-07_-_The_resistances,_politics_and_money_-_Aspiration_to_realise_the_supramental_life
1957-08-14_-_Meditation_on_Sri_Aurobindo
1957-08-21_-_The_Ashram_and_true_communal_life_-_Level_of_consciousness_in_the_Ashram
1957-08-28_-_Freedom_and_Divine_Will
1957-09-04_-_Sri_Aurobindo,_an_eternal_birth
1957-09-11_-_Vital_chemistry,_attraction_and_repulsion
1957-09-18_-_Occultism_and_supramental_life
1957-09-25_-_Preparation_of_the_intermediate_being
1957-10-02_-_The_Mind_of_Light_-_Statues_of_the_Buddha_-_Burden_of_the_past
1957-10-09_-_As_many_universes_as_individuals_-_Passage_to_the_higher_hemisphere
1957-10-16_-_Story_of_successive_involutions
1957-10-23_-_The_central_motive_of_terrestrial_existence_-_Evolution
1957-10-30_-_Double_movement_of_evolution_-_Disappearance_of_a_species
1957-11-13_-_Superiority_of_man_over_animal_-_Consciousness_precedes_form
1957-11-27_-_Sri_Aurobindos_method_in_The_Life_Divine_-_Individual_and_cosmic_evolution
1957-12-04_-_The_method_of_The_Life_Divine_-_Problem_of_emergence_of_a_new_species
1957-12-11_-_Appearance_of_the_first_men
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1958-01-01_-_The_collaboration_of_material_Nature_-_Miracles_visible_to_a_deep_vision_of_things_-_Explanation_of_New_Year_Message
1958-01-08_-_Sri_Aurobindos_method_of_exposition_-_The_mind_as_a_public_place_-_Mental_control_-_Sri_Aurobindos_subtle_hand
1958-01-15_-_The_only_unshakable_point_of_support
1958-01-22_-_Intellectual_theories_-_Expressing_a_living_and_real_Truth
1958-01-29_-_The_plan_of_the_universe_-_Self-awareness
1958-02-05_-_The_great_voyage_of_the_Supreme_-_Freedom_and_determinism
1958-02-12_-_Psychic_progress_from_life_to_life_-_The_earth,_the_place_of_progress
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-02-26_-_The_moon_and_the_stars_-_Horoscopes_and_yoga
1958-03-05_-_Vibrations_and_words_-_Power_of_thought,_the_gift_of_tongues
1958-03-12_-_The_key_of_past_transformations
1958-03-19_-_General_tension_in_humanity_-_Peace_and_progress_-_Perversion_and_vision_of_transformation
1958-03-26_-_Mental_anxiety_and_trust_in_spiritual_power
1958-04-02_-_Correcting_a_mistake
1958-04-09_-_The_eyes_of_the_soul_-_Perceiving_the_soul
1958-04-16_-_The_superman_-_New_realisation
1958-04-23_-_Progress_and_bargaining
1958-04-30_-_Mental_constructions_and_experience
1958-05-07_-_The_secret_of_Nature
1958-05-14_-_Intellectual_activity_and_subtle_knowing_-_Understanding_with_the_body
1958-05-21_-_Mental_honesty
1958-05-28_-_The_Avatar
1958-06-04_-_New_birth
1958-06-11_-_Is_there_a_spiritual_being_in_everybody?
1958-06-18_-_Philosophy,_religion,_occultism,_spirituality
1958-06-25_-_Sadhana_in_the_body
1958-07-09_-_Faith_and_personal_effort
1958-07-16_-_Is_religion_a_necessity?
1958-07-23_-_How_to_develop_intuition_-_Concentration
1958-07-30_-_The_planchette_-_automatic_writing_-_Proofs_and_knowledge
1958-08-06_-_Collective_prayer_-_the_ideal_collectivity
1958-08-13_-_Profit_by_staying_in_the_Ashram_-_What_Sri_Aurobindo_has_come_to_tell_us_-_Finding_the_Divine
1958-08-15_-_Our_relation_with_the_Gods
1958-08-27_-_Meditation_and_imagination_-_From_thought_to_idea,_from_idea_to_principle
1958-09-03_-_How_to_discipline_the_imagination_-_Mental_formations
1958-09-10_-_Magic,_occultism,_physical_science
1958_09_12
1958-09-17_-_Power_of_formulating_experience_-_Usefulness_of_mental_development
1958_09_19
1958-09-24_-_Living_the_truth_-_Words_and_experience
1958_09_26
1958-10-01_-_The_ideal_of_moral_perfection
1958_10_03
1958-10-08_-_Stages_between_man_and_superman
1958_10_10
1958_10_17
1958-10-22_-_Spiritual_life_-_reversal_of_consciousness_-_Helping_others
1958_10_24
1958-10-29_-_Mental_self-sufficiency_-_Grace
1958-11-05_-_Knowing_how_to_be_silent
1958_11_07
1958-11-12_-_The_aim_of_the_Supreme_-_Trust_in_the_Grace
1958_11_14
1958_11_21
1958-11-26_-_The_role_of_the_Spirit_-_New_birth
1958_11_28
1958_12_05
1960_01_05
1960_01_12
1960_01_20
1960_01_27
1960_02_03
1960_02_10
1960_02_17
1960_02_24
1960_03_02
1960_03_09
1960_03_16
1960_03_23
1960_03_30
1960_04_06
1960_04_07?_-_28
1960_04_20
1960_04_27
1960_05_04
1960_05_11
1960_05_18
1960_05_25
1960_06_03
1960_06_08
1960_06_16
1960_06_22
1960_06_29
1960_07_06
1960_07_13
1960_07_19
1960_08_24
1960_08_27
1960_10_24
1960_11_10
1960_11_11?_-_48
1960_11_12?_-_49
1960_11_13?_-_50
1960_11_14?_-_51
1961_01_18
1961_01_28
1961_02_02
1961_03_11_-_58
1961_03_17_-_56
1961_03_17_-_57
1961_04_26_-_59
1961_05_04_-_60
1961_05_20
1961_05_21?_-_62
1961_05_22?
1961_07_18
1961_07_27
1962_01_12
1962_01_21
1962_02_03
1962_02_27
1962_02_28?_-_73
1962_05_24
1962_10_06
1962_10_12
1963_01_14
1963_03_06
1963_05_15
1963_08_10
1963_08_11?_-_94
1963_11_04
1963_11_05?_-_96
1963_11_06?_-_97
1964_02_05
1964_02_05_-_98
1964_02_06?_-_99
1964_03_25
1964_09_16
1965_01_12
1965_03_03
1965_05_29
1965_09_25
1965_12_25
1965_12_26?
1966_07_06
1966_09_14
1967-05-24.1_-_Defining_the_Divine
1967-05-24.2_-_Defining_God
1969_08_03
1969_08_05
1969_08_07
1969_08_09
1969_08_14
1969_08_15?_-_133
1969_08_19
1969_08_21
1969_08_28
1969_08_30_-_139
1969_08_30_-_140
1969_08_31_-_141
1969_09_01_-_142
1969_09_04_-_143
1969_09_07_-_145
1969_09_14
1969_09_17
1969_09_18
1969_09_22
1969_09_23
1969_09_26
1969_09_27
1969_09_29
1969_09_30
1969_09_31?_-_165
1969_10_01?_-_166
1969_10_06
1969_10_07
1969_10_10
1969_10_13
1969_10_15
1969_10_17
1969_10_18
1969_10_19
1969_10_21
1969_10_23
1969_10_24
1969_10_28
1969_10_29
1969_10_30
1969_10_31
1969_11_07
1969_11_08?
1969_11_13
1969_11_15
1969_11_16
1969_11_18
1969_11_24
1969_11_25
1969_11_26
1969_11_27?
1969_12_01
1969_12_03
1969_12_04
1969_12_05
1969_12_07
1969_12_08
1969_12_09
1969_12_11
1969_12_13
1969_12_14
1969_12_15
1969_12_17
1969_12_18
1969_12_21
1969_12_22
1969_12_23
1969_12_26
1969_12_28
1969_12_29?
1969_12_31
1970_01_01
1970_01_03
1970_01_04
1970_01_06
1970_01_07
1970_01_08
1970_01_09
1970_01_10
1970_01_12
1970_01_13?
1970_01_15
1970_01_17
1970_01_20
1970_01_21
1970_01_22
1970_01_23
1970_01_24
1970_01_25
1970_01_26
1970_01_27
1970_01_28
1970_01_29
1970_01_30
1970_02_01
1970_02_02
1970_02_04
1970_02_05
1970_02_07
1970_02_08
1970_02_09
1970_02_10
1970_02_11
1970_02_12
1970_02_13
1970_02_16
1970_02_17
1970_02_18
1970_02_19
1970_02_20
1970_02_23
1970_02_25
1970_02_26
1970_02_27?
1970_03_02
1970_03_03
1970_03_05
1970_03_06?
1970_03_09
1970_03_10
1970_03_11
1970_03_12
1970_03_13
1970_03_14
1970_03_15
1970_03_17
1970_03_18
1970_03_19?
1970_03_21
1970_03_24
1970_03_25
1970_03_27
1970_03_29
1970_03_30
1970_04_01
1970_04_02
1970_04_03
1970_04_04
1970_04_06
1970_04_07
1970_04_08
1970_04_09
1970_04_10
1970_04_11
1970_04_12
1970_04_13
1970_04_14
1970_04_15
1970_04_17
1970_04_18
1970_04_19_-_484
1970_04_20_-_485
1970_04_21_-_490
1970_04_22_-_482
1970_04_22_-_493
1970_04_23_-_495
1970_04_24_-_497
1970_04_28
1970_04_29
1970_04_30
1970_05_01
1970_05_02
1970_05_03?
1970_05_12
1970_05_13?
1970_05_15
1970_05_16
1970_05_17
1970_05_21
1970_05_22
1970_05_23
1970_05_24
1970_05_25
1970_05_28
1970_06_01
1970_06_02
1970_06_03
1970_06_04
1970_06_05
1970_06_06
1970_06_07
1970_06_08_-_538
1970_06_08_-_541
1971_12_11
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_A_Birthday
1.ac_-_Adela
1.ac_-_An_Oath
1.ac_-_At_Sea
1.ac_-_Au_Bal
1.ac_-_Colophon
1.ac_-_Happy_Dust
1.ac_-_Independence
1.ac_-_Leah_Sublime
1.ac_-_Logos
1.ac_-_Lyric_of_Love_to_Leah
1.ac_-_On_-_On_-_Poet
1.ac_-_Optimist
1.ac_-_Power
1.ac_-_Prologue_to_Rodin_in_Rime
1.ac_-_The_Atheist
1.ac_-_The_Buddhist
1.ac_-_The_Disciples
1.ac_-_The_Five_Adorations
1.ac_-_The_Four_Winds
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Hawk_and_the_Babe
1.ac_-_The_Hermit
1.ac_-_The_Interpreter
1.ac_-_The_Ladder
1.ac_-_The_Mantra-Yoga
1.ac_-_The_Neophyte
1.ac_-_The_Pentagram
1.ac_-_The_Priestess_of_Panormita
1.ac_-_The_Quest
1.ac_-_The_Rose_and_the_Cross
1.ac_-_The_Tent
1.ac_-_The_Titanic
1.ac_-_The_Twins
1.ac_-_The_Wizard_Way
1.ac_-_Ut
1.ad_-_O_Christ,_protect_me!
1.ala_-_I_had_supposed_that,_having_passed_away
1.ami_-_Bright_are_Thy_tresses,_brighten_them_even_more_(from_Baal-i-Jibreel)
1.ami_-_O_Cup-bearer!_Give_me_again_that_wine_of_love_for_Thee_(from_Baal-i-Jibreel)
1.ami_-_O_wave!_Plunge_headlong_into_the_dark_seas_(from_Baal-i-Jibreel)
1.ami_-_Selfhood_can_demolish_the_magic_of_this_world_(from_Baal-i-Jibreel)
1.ami_-_The_secret_divine_my_ecstasy_has_taught_(from_Baal-i-Jibreel)
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_A_drum_beats
1.anon_-_But_little_better
1.anon_-_Eightfold_Fence.
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_If_this_were_a_world
1.anon_-_Less_profitable
1.anon_-_My_body,_in_its_withering
1.anon_-_Others_have_told_me
1.anon_-_Plucking_the_Rushes
1.anon_-_Song_of_Creation
1.anon_-_The_Epic_of_Gilgamesh_Tablet_II
1.anon_-_The_Epic_of_Gilgamesh_Tablet_III
1.anon_-_The_Epic_of_Gilgamesh_Tablet_IV
1.anon_-_The_Epic_of_Gilgamesh_TabletIX
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VIII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_X
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1.anon_-_The_Poem_of_Antar
1.anon_-_The_Poem_of_Imru-Ul-Quais
1.anon_-_The_Seven_Evil_Spirits
1.anon_-_The_Song_of_Songs
1.ap_-_The_Universal_Prayer
1.asak_-_A_pious_one_with_a_hundred_beads_on_your_rosary
1.asak_-_Beg_for_Love
1.asak_-_Detached_You_are,_even_from_your_being
1.asak_-_If_you_do_not_give_up_the_crowds
1.asak_-_If_you_keep_seeking_the_jewel_of_understanding
1.asak_-_In_my_heart_Thou_dwellest--else_with_blood_Ill_drench_it
1.asak_-_In_the_school_of_mind_you
1.asak_-_Love_came
1.asak_-_Love_came_and_emptied_me_of_self
1.asak_-_Mansoor,_that_whale_of_the_Oceans_of_Love
1.asak_-_My_Beloved-_dont_be_heartless_with_me
1.asak_-_My_Beloved-_this_torture_and_pain
1.asak_-_Nothing_but_burning_sobs_and_tears_tonight
1.asak_-_On_Unitys_Way
1.asak_-_Piousness_and_the_path_of_love
1.asak_-_Rise_early_at_dawn,_when_our_storytelling_begins
1.asak_-_Sorrow_looted_this_heart
1.asak_-_The_day_Love_was_illumined
1.asak_-_The_sum_total_of_our_life_is_a_breath
1.asak_-_This_is_My_Face,_said_the_Beloved
1.asak_-_Though_burning_has_become_an_old_habit_for_this_heart
1.asak_-_Whatever_road_we_take_to_You,_Joy
1.asak_-_When_the_desire_for_the_Friend_became_real
1.at_-_And_Galahad_fled_along_them_bridge_by_bridge_(from_The_Holy_Grail)
1.at_-_Crossing_the_Bar
1.at_-_Flower_in_the_crannied_wall
1.at_-_If_thou_wouldst_hear_the_Nameless_(from_The_Ancient_Sage)
1.at_-_St._Agnes_Eve
1.at_-_The_Higher_Pantheism
1.at_-_The_Human_Cry
1.bd_-_A_deluded_Mind
1.bd_-_Endless_Ages
1.bd_-_The_Greatest_Gift
1.bd_-_You_may_enter
1.bni_-_Raga_Ramkali
1.bs_-_Bulleh_has_no_identity
1.bs_-_Bulleh!_to_me,_I_am_not_known
1.bs_-_Chanting,_chanting_the_Beloveds_name
1.bsf_-_Do_not_speak_a_hurtful_word
1.bsf_-_Fathom_the_ocean
1.bsf_-_For_evil_give_good
1.bsf_-_His_grace_may_fall_upon_us_at_anytime
1.bsf_-_I_thought_I_was_alone_who_suffered
1.bsf_-_Like_a_deep_sea
1.bsf_-_On_the_bank_of_a_pool_in_the_moor
1.bsf_-_Raga_Asa
1.bsf_-_The_lanes_are_muddy_and_far_is_the_house
1.bsf_-_Turn_cheek
1.bsf_-_Wear_whatever_clothes_you_must
1.bsf_-_Why_do_you_roam_the_jungles?
1.bsf_-_You_are_my_protection_O_Lord
1.bsf_-_You_must_fathom_the_ocean
1.bs_-_He_Who_is_Stricken_by_Love
1.bs_-_If_the_divine_is_found_through_ablutions
1.bs_-_I_have_been_pierced_by_the_arrow_of_love,_what_shall_I_do?
1.bs_-_I_have_got_lost_in_the_city_of_love
1.bs_-_Look_into_Yourself
1.bs_-_Love_Springs_Eternal
1.bs_-_One_Point_Contains_All
1.bs_-_One_Thread_Only
1.bs_-_Remove_duality_and_do_away_with_all_disputes
1.bs_-_Seek_the_spirit,_forget_the_form
1.bs_-_The_moment_I_bowed_down
1.bs_-_The_preacher_and_the_torch_bearer
1.bs_-_The_soil_is_in_ferment,_O_friend
1.bs_-_this_love_--_O_Bulleh_--_tormenting,_unique
1.bsv_-_Dont_make_me_hear_all_day
1.bsv_-_Make_of_my_body_the_beam_of_a_lute
1.bsv_-_The_eating_bowl_is_not_one_bronze
1.bsv_-_The_pot_is_a_God
1.bsv_-_The_Temple_and_the_Body
1.bsv_-_The_waters_of_joy
1.bsv_-_Where_they_feed_the_fire
1.bs_-_What_a_carefree_game_He_plays!
1.bs_-_You_alone_exist-_I_do_not,_O_Beloved!
1.bs_-_Your_love_has_made_me_dance_all_over
1.bs_-_Your_passion_stirs_me
1.bts_-_Invocation
1.bts_-_Love_is_Lord_of_All
1.bts_-_The_Bent_of_Nature
1.bts_-_The_Mists_Dispelled
1.bts_-_The_Souls_Flight
1.bv_-_When_I_see_the_lark_beating
1.cj_-_Inscribed_on_the_Wall_of_the_Hut_by_the_Lake
1.cj_-_To_Be_Shown_to_the_Monks_at_a_Certain_Temple
1.cllg_-_A_Dance_of_Unwavering_Devotion
1.cs_-_Consumed_in_Grace
1.cs_-_We_were_enclosed_(from_Prayer_20)
1.ct_-_Creation_and_Destruction
1.ct_-_Distinguishing_Ego_from_Self
1.ct_-_Goods_and_Possessions
1.ct_-_Letting_go_of_thoughts
1.ct_-_One_Legged_Man
1.ct_-_Surrendering
1.da_-_All_Being_within_this_order,_by_the_laws_(from_The_Paradiso,_Canto_I)
1.da_-_And_as_a_ray_descending_from_the_sky_(from_The_Paradiso,_Canto_I)
1.da_-_Lead_us_up_beyond_light
1.da_-_The_glory_of_Him_who_moves_all_things_rays_forth_(from_The_Paradiso,_Canto_I)
1.da_-_The_love_of_God,_unutterable_and_perfect
1.dd_-_As_many_as_are_the_waves_of_the_sea
1.dd_-_So_priceless_is_the_birth,_O_brother
1.dd_-_The_Creator_Plays_His_Cosmic_Instrument_In_Perfect_Harmony
1.dz_-_A_Zen_monk_asked_for_a_verse_-
1.dz_-_Ching-chings_raindrop_sound
1.dz_-_Coming_or_Going
1.dz_-_Enlightenment_is_like_the_moon
1.dz_-_Impermanence
1.dz_-_In_the_stream
1.dz_-_I_wont_even_stop
1.dz_-_Joyful_in_this_mountain_retreat
1.dz_-_Like_tangled_hair
1.dz_-_One_of_fifteen_verses_on_Dogens_mountain_retreat
1.dz_-_One_of_six_verses_composed_in_Anyoin_Temple_in_Fukakusa,_1230
1.dz_-_On_Non-Dependence_of_Mind
1.dz_-_The_track_of_the_swan_through_the_sky
1.dz_-_The_Western_Patriarchs_doctrine_is_transplanted!
1.dz_-_The_whirlwind_of_birth_and_death
1.dz_-_Treading_along_in_this_dreamlike,_illusory_realm
1.dz_-_True_person_manifest_throughout_the_ten_quarters_of_the_world
1.dz_-_Viewing_Peach_Blossoms_and_Realizing_the_Way
1.dz_-_Wonderous_nirvana-mind
1.dz_-_Worship
1.dz_-_Zazen
1.ey_-_Socrates
1.fcn_-_a_dandelion
1.fcn_-_Airing_out_kimonos
1.fcn_-_cool_clear_water
1.fcn_-_From_the_mind
1.fcn_-_hands_drop
1.fcn_-_loneliness
1.fcn_-_on_the_road
1.fcn_-_skylark_in_the_heavens
1.fcn_-_spring_rain
1.fcn_-_To_the_one_breaking_it
1.fcn_-_whatever_I_pick_up
1.fcn_-_without_a_voice
1f.lovecraft_-_A_Reminiscence_of_Dr._Samuel_Johnson
1f.lovecraft_-_Ashes
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Azathoth
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Celephais
1f.lovecraft_-_Collapsing_Cosmoses
1f.lovecraft_-_Cool_Air
1f.lovecraft_-_Dagon
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Discarded_Draft_of
1f.lovecraft_-_Ex_Oblivione
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_From_Beyond
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_H.P._Lovecrafts
1f.lovecraft_-_Hypnos
1f.lovecraft_-_Ibid
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Memory
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Old_Bugs
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Polaris
1f.lovecraft_-_Sweet_Ermengarde
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Battle_that_Ended_the_Century
1f.lovecraft_-_The_Beast_in_the_Cave
1f.lovecraft_-_The_Book
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Cats_of_Ulthar
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Descendant
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Evil_Clergyman
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Ghost-Eater
1f.lovecraft_-_The_Green_Meadow
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Martins_Beach
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Little_Glass_Bottle
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Music_of_Erich_Zann
1f.lovecraft_-_The_Mysterious_Ship
1f.lovecraft_-_The_Mystery_of_the_Grave-Yard
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Slaying_of_the_Monster
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Terrible_Old_Man
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Tomb
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Tree_on_the_Hill
1f.lovecraft_-_The_Unnamable
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Two_Black_Bottles
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_What_the_Moon_Brings
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Amalia
1.fs_-_A_Peculiar_Ideal
1.fs_-_A_Problem
1.fs_-_Archimedes
1.fs_-_Astronomical_Writings
1.fs_-_Beauteous_Individuality
1.fs_-_Breadth_And_Depth
1.fs_-_Carthage
1.fs_-_Cassandra
1.fs_-_Columbus
1.fs_-_Count_Eberhard,_The_Groaner_Of_Wurtembert._A_War_Song
1.fs_-_Dangerous_Consequences
1.fs_-_Difference_Of_Station
1.fs_-_Different_Destinies
1.fs_-_Dithyramb
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_Elysium
1.fs_-_Evening
1.fs_-_Fame_And_Duty
1.fs_-_Fantasie_--_To_Laura
1.fs_-_Feast_Of_Victory
1.fs_-_Female_Judgment
1.fs_-_Fortune_And_Wisdom
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Friend_And_Foe
1.fs_-_Friendship
1.fs_-_Geniality
1.fs_-_Genius
1.fs_-_German_Faith
1.fs_-_Germany_And_Her_Princes
1.fs_-_Greekism
1.fs_-_Group_From_Tartarus
1.fs_-_Hero_And_Leander
1.fs_-_Honors
1.fs_-_Honor_To_Woman
1.fs_-_Hope
1.fs_-_Human_Knowledge
1.fs_-_Hymn_To_Joy
1.fs_-_Inside_And_Outside
1.fs_-_Jove_To_Hercules
1.fs_-_Light_And_Warmth
1.fs_-_Longing
1.fs_-_Love_And_Desire
1.fs_-_Majestas_Populi
1.fs_-_Melancholy_--_To_Laura
1.fs_-_My_Antipathy
1.fs_-_My_Faith
1.fs_-_Nadowessian_Death-Lament
1.fs_-_Naenia
1.fs_-_Ode_an_die_Freude
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_Odysseus
1.fs_-_Parables_And_Riddles
1.fs_-_Participation
1.fs_-_Political_Precept
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Punch_Song
1.fs_-_Punch_Song_(To_be_sung_in_the_Northern_Countries)
1.fs_-_Rapture_--_To_Laura
1.fs_-_Resignation
1.fs_-_Rousseau
1.fs_-_Shakespeare's_Ghost_-_A_Parody
1.fs_-_The_Agreement
1.fs_-_The_Alpine_Hunter
1.fs_-_The_Animating_Principle
1.fs_-_The_Antiques_At_Paris
1.fs_-_The_Antique_To_The_Northern_Wanderer
1.fs_-_The_Artists
1.fs_-_The_Assignation
1.fs_-_The_Bards_Of_Olden_Time
1.fs_-_The_Battle
1.fs_-_The_Best_State
1.fs_-_The_Best_State_Constitution
1.fs_-_The_Celebrated_Woman_-_An_Epistle_By_A_Married_Man
1.fs_-_The_Circle_Of_Nature
1.fs_-_The_Complaint_Of_Ceres
1.fs_-_The_Conflict
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Dance
1.fs_-_The_Difficult_Union
1.fs_-_The_Division_Of_The_Earth
1.fs_-_The_Driver
1.fs_-_The_Duty_Of_All
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fairest_Apparition
1.fs_-_The_Favor_Of_The_Moment
1.fs_-_The_Fight_With_The_Dragon
1.fs_-_The_Flowers
1.fs_-_The_Fortune-Favored
1.fs_-_The_Forum_Of_Woman
1.fs_-_The_Four_Ages_Of_The_World
1.fs_-_The_Fugitive
1.fs_-_The_Genius_With_The_Inverted_Torch
1.fs_-_The_German_Art
1.fs_-_The_Glove_-_A_Tale
1.fs_-_The_Gods_Of_Greece
1.fs_-_The_Greatness_Of_The_World
1.fs_-_The_Honorable
1.fs_-_The_Hostage
1.fs_-_The_Ideal_And_The_Actual_Life
1.fs_-_The_Ideals
1.fs_-_The_Iliad
1.fs_-_The_Imitator
1.fs_-_The_Immutable
1.fs_-_The_Infanticide
1.fs_-_The_Invincible_Armada
1.fs_-_The_Key
1.fs_-_Thekla_-_A_Spirit_Voice
1.fs_-_The_Knight_Of_Toggenburg
1.fs_-_The_Knights_Of_St._John
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Lay_Of_The_Mountain
1.fs_-_The_Learned_Workman
1.fs_-_The_Maiden_From_Afar
1.fs_-_The_Maiden's_Lament
1.fs_-_The_Maid_Of_Orleans
1.fs_-_The_Meeting
1.fs_-_The_Merchant
1.fs_-_The_Moral_Force
1.fs_-_The_Observer
1.fs_-_The_Philosophical_Egotist
1.fs_-_The_Pilgrim
1.fs_-_The_Playing_Infant
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Power_Of_Song
1.fs_-_The_Power_Of_Woman
1.fs_-_The_Present_Generation
1.fs_-_The_Proverbs_Of_Confucius
1.fs_-_The_Ring_Of_Polycrates_-_A_Ballad
1.fs_-_The_Secret
1.fs_-_The_Sexes
1.fs_-_The_Sower
1.fs_-_The_Triumph_Of_Love
1.fs_-_The_Two_Guides_Of_Life_-_The_Sublime_And_The_Beautiful
1.fs_-_The_Two_Paths_Of_Virtue
1.fs_-_The_Veiled_Statue_At_Sais
1.fs_-_The_Virtue_Of_Woman
1.fs_-_The_Walk
1.fs_-_The_Words_Of_Belief
1.fs_-_The_Words_Of_Error
1.fs_-_The_Youth_By_The_Brook
1.fs_-_To_A_Moralist
1.fs_-_To_Astronomers
1.fs_-_To_A_World-Reformer
1.fs_-_To_Emma
1.fs_-_To_Laura_At_The_Harpsichord
1.fs_-_To_Laura_(Mystery_Of_Reminiscence)
1.fs_-_To_Minna
1.fs_-_To_My_Friends
1.fs_-_To_Mystics
1.fs_-_To_Proselytizers
1.fs_-_To_The_Muse
1.fs_-_To_The_Spring
1.fs_-_Two_Descriptions_Of_Action
1.fs_-_Untitled_01
1.fs_-_Untitled_02
1.fs_-_Untitled_03
1.fs_-_Variety
1.fs_-_Votive_Tablets
1.fs_-_Wisdom_And_Prudence
1.fs_-_Worth_And_The_Worthy
1.fs_-_Written_In_A_Young_Lady's_Album
1.fua_-_A_dervish_in_ecstasy
1.fua_-_All_who,_reflecting_as_reflected_see
1.fua_-_A_slaves_freedom
1.fua_-_God_Speaks_to_David
1.fua_-_God_Speaks_to_Moses
1.fua_-_How_long_then_will_you_seek_for_beauty_here?
1.fua_-_Invocation
1.fua_-_I_shall_grasp_the_souls_skirt_with_my_hand
1.fua_-_Look_--_I_do_nothing-_He_performs_all_deeds
1.fua_-_Looking_for_your_own_face
1.fua_-_Mysticism
1.fua_-_The_angels_have_bowed_down_to_you_and_drowned
1.fua_-_The_Birds_Find_Their_King
1.fua_-_The_Dullard_Sage
1.fua_-_The_Eternal_Mirror
1.fua_-_The_Hawk
1.fua_-_The_Lover
1.fua_-_The_moths_and_the_flame
1.fua_-_The_Nightingale
1.fua_-_The_peacocks_excuse
1.fua_-_The_pilgrim_sees_no_form_but_His_and_knows
1.fua_-_The_Pupil_asks-_the_Master_answers
1.fua_-_The_Simurgh
1.fua_-_The_Valley_of_the_Quest
1.gmh_-_The_Alchemist_In_The_City
1.gnk_-_Ek_Omkar
1.gnk_-_Japji_15_-_If_you_ponder_it
1.gnk_-_Japji_38_-_Discipline_is_the_workshop
1.gnk_-_Japji_8_-_From_listening
1.gnk_-_Siri_ragu_9.3_-_The_guru_is_the_stepping_stone
1.grh_-_Gorakh_Bani
1.hccc_-_Silently_and_serenely_one_forgets_all_words
1.hcyc_-_10_-_The_rays_shining_from_this_perfect_Mani-jewel_(from_The_Shodoka)
1.hcyc_-_11_-_Always_working_alone,_always_walking_alone_(from_The_Shodoka)
1.hcyc_-_12_-_We_know_that_Shakyas_sons_and_daughters_(from_The_Shodoka)
1.hcyc_-_13_-_This_jewel_of_no_price_can_never_be_used_up_(from_The_Shodoka)
1.hcyc_-_14_-_The_best_student_goes_directly_to_the_ultimate_(from_The_Shodoka)
1.hcyc_-_15_-_Some_may_slander,_some_may_abuse_(from_The_Shodoka)
1.hcyc_-_16_-_When_I_consider_the_virtue_of_abusive_words_(from_The_Shodoka)
1.hcyc_-_17_-_The_incomparable_lion-roar_of_doctrine_(from_The_Shodoka)
1.hcyc_-_18_-_I_wandered_over_rivers_and_seas,_crossing_mountains_and_streams_(from_The_Shodoka)
1.hcyc_-_19_-_Walking_is_Zen,_sitting_is_Zen_(from_The_Shodoka)
1.hcyc_-_1_-_There_is_the_leisurely_one_(from_The_Shodoka)
1.hcyc_-_20_-_Our_teacher,_Shakyamuni,_met_Dipankara_Buddha_(from_The_Shodoka)
1.hcyc_-_21_-_Since_I_abruptly_realized_the_unborn_(from_The_Shodoka)
1.hcyc_-_22_-_I_have_entered_the_deep_mountains_to_silence_and_beauty_(from_The_Shodoka)
1.hcyc_-_23_-_When_you_truly_awaken_(from_The_Shodoka)
1.hcyc_-_24_-_Why_should_this_be_better_(from_The_Shodoka)
1.hcyc_-_25_-_Just_take_hold_of_the_source_(from_The_Shodoka)
1.hcyc_-_26_-_The_moon_shines_on_the_river_(from_The_Shodoka)
1.hcyc_-_27_-_A_bowl_once_calmed_dragons_(from_The_Shodoka)
1.hcyc_-_28_-_The_awakened_one_does_not_seek_truth_(from_The_Shodoka)
1.hcyc_-_29_-_The_mind-mirror_is_clear,_so_there_are_no_obstacles_(from_The_Shodoka)
1.hcyc_-_2_-_When_the_Dharma_body_awakens_completely_(from_The_Shodoka)
1.hcyc_-_30_-_To_live_in_nothingness_is_to_ignore_cause_and_effect_(from_The_Shodoka)
1.hcyc_-_31_-_Holding_truth_and_rejecting_delusion_(from_The_Shodoka)
1.hcyc_-_32_-_They_miss_the_Dharma-treasure_(from_The_Shodoka)
1.hcyc_-_33_-_Students_of_vigorous_will_hold_the_sword_of_wisdom_(from_The_Shodoka)
1.hcyc_-_34_-_They_roar_with_Dharma-thunder_(from_The_Shodoka)
1.hcyc_-_35_-_High_in_the_Himalayas,_only_fei-ni_grass_grows_(from_The_Shodoka)
1.hcyc_-_36_-_One_moon_is_reflected_in_many_waters_(from_The_Shodoka)
1.hcyc_-_37_-_One_level_completely_contains_all_levels_(from_The_Shodoka)
1.hcyc_-_38_-_All_categories_are_no_category_(from_The_Shodoka)
1.hcyc_-_39_-_Right_here_it_is_eternally_full_and_serene_(from_The_Shodoka)
1.hcyc_-_3_-_When_we_realize_actuality_(from_The_Shodoka)
1.hcyc_-_40_-_It_speaks_in_silence_(from_The_Shodoka)
1.hcyc_-_41_-_People_say_it_is_positive_(from_The_Shodoka)
1.hcyc_-_42_-_I_raise_the_Dharma-banner_and_set_forth_our_teaching_(from_The_Shodoka)
1.hcyc_-_43_-_The_truth_is_not_set_forth_(from_The_Shodoka)
1.hcyc_-_44_-_Mind_is_the_base,_phenomena_are_dust_(from_The_Shodoka)
1.hcyc_-_45_-_Ah,_the_degenerate_materialistic_world!_(from_The_Shodoka)
1.hcyc_-_46_-_People_hear_the_Buddhas_doctrine_of_immediacy_(from_The_Shodoka)
1.hcyc_-_47_-_Your_mind_is_the_source_of_action_(from_The_Shodoka)
1.hcyc_-_48_-_In_the_sandalwood_forest,_there_is_no_other_tree_(from_The_Shodoka)
1.hcyc_-_49_-_Just_baby_lions_follow_the_parent_(from_The_Shodoka)
1.hcyc_-_4_-_Once_we_awaken_to_the_Tathagata-Zen_(from_The_Shodoka)
1.hcyc_-_50_-_The_Buddhas_doctrine_of_directness_(from_The_Shodoka)
1.hcyc_-_51_-_Being_is_not_being-_non-being_is_not_non-being_(from_The_Shodoka)
1.hcyc_-_52_-_From_my_youth_I_piled_studies_upon_studies_(from_The_Shodoka)
1.hcyc_-_53_-_If_the_seed-nature_is_wrong,_misunderstandings_arise_(from_The_Shodoka)
1.hcyc_-_54_-_Stupid_ones,_childish_ones_(from_The_Shodoka)
1.hcyc_-_55_-_When_all_is_finally_seen_as_it_is,_(from_The_Shodoka)
1.hcyc_-_56_-_The_hungry_are_served_a_kings_repast_(from_The_Shodoka)
1.hcyc_-_57_-_Pradhanashura_broke_the_gravest_precepts_(from_The_Shodoka)
1.hcyc_-_58_-_The_incomparable_lion_roar_of_the_doctrine!_(from_The_Shodoka)
1.hcyc_-_59_-_Two_monks_were_guilty_of_murder_and_carnality_(from_The_Shodoka)
1.hcyc_-_5_-_No_bad_fortune,_no_good_fortune,_no_loss,_no_gain_(from_The_Shodoka)
1.hcyc_-_60_-_The_remarkable_power_of_emancipation_(from_The_Shodoka)
1.hcyc_-_61_-_The_King_of_the_Dharma_deserves_our_highest_respect_(from_The_Shodoka)
1.hcyc_-_62_-_When_we_see_truly,_there_is_nothing_at_all_(from_The_Shodoka)
1.hcyc_-_63_-_However_the_burning_iron_ring_revolves_around_my_head_(from_The_Shodoka)
1.hcyc_-_64_-_The_great_elephant_does_not_loiter_on_the_rabbits_path_(from_The_Shodoka)
1.hcyc_-_6_-_Who_has_no-thought?_Who_is_not-born?_(from_The_Shodoka)
1.hcyc_-_7_-_Release_your_hold_on_earth,_water,_fire,_wind_(from_The_Shodoka)
1.hcyc_-_8_-_Transience,_emptiness_and_enlightenment_(from_The_Shodoka)
1.hcyc_-_9_-_People_do_not_recognize_the_Mani-jewel_(from_The_Shodoka)
1.hcyc_-_In_my_early_years,_I_set_out_to_acquire_learning_(from_The_Song_of_Enlightenment)
1.hcyc_-_It_is_clearly_seen_(from_The_Song_of_Enlightenment)
1.hcyc_-_Let_others_slander_me_(from_The_Song_of_Enlightenment)
1.hcyc_-_Roll_the_Dharma_thunder_(from_The_Song_of_Enlightenment)
1.hcyc_-_Who_is_without_thought?_(from_The_Song_of_Enlightenment)
1.hcyc_-_With_Sudden_enlightened_understanding_(from_The_Song_of_Enlightenment)
1.he_-_Hakuins_Song_of_Zazen
1.he_-_Past,_present,_future-_unattainable
1.he_-_The_Form_of_the_Formless_(from_Hakuins_Song_of_Zazen)
1.he_-_The_monkey_is_reaching
1.he_-_You_no_sooner_attain_the_great_void
1.hs_-_A_Golden_Compass
1.hs_-_And_if,_my_friend,_you_ask_me_the_way
1.hs_-_A_New_World
1.hs_-_Arise_And_Fill_A_Golden_Goblet
1.hs_-_At_his_door,_what_is_the_difference
1.hs_-_Beauty_Radiated_in_Eternity
1.hs_-_Belief_and_unbelief
1.hs_-_Belief_brings_me_close_to_You
1.hs_-_Bloom_Like_a_Rose
1.hs_-_Bold_Souls
1.hs_-_Bring_all_of_yourself_to_his_door
1.hs_-_Bring_Perfumes_Sweet_To_Me
1.hs_-_Cupbearer,_it_is_morning,_fill_my_cup_with_wine
1.hs_-_Cypress_And_Tulip
1.hs_-_Hair_disheveled,_smiling_lips,_sweating_and_tipsy
1.hs_-_Heres_A_Message_for_the_Faithful
1.hs_-_If_life_remains,_I_shall_go_back_to_the_tavern
1.hs_-_I_Know_The_Way_You_Can_Get
1.hs_-_I_settled_at_Cold_Mountain_long_ago,
1.hs_-_It_Is_Time_to_Wake_Up!
1.hs_-_Its_your_own_self
1.hs_-_Lady_That_Hast_My_Heart
1.hs_-_Lifes_Mighty_Flood
1.hs_-_Loves_conqueror_is_he
1.hs_-_Meditation
1.hs_-_Melt_yourself_down_in_this_search
1.hs_-_My_Brilliant_Image
1.hs_-_My_friend,_everything_existing
1.hs_-_Mystic_Chat
1.hs_-_Naked_in_the_Bee-House
1.hs_-_No_tongue_can_tell_Your_secret
1.hs_-_Not_Worth_The_Toil!
1.hs_-_O_Cup_Bearer
1.hs_-_O_Saghi,_pass_around_that_cup_of_wine,_then_bring_it_to_me
1.hs_-_Rubys_Heart
1.hs_-_Several_Times_In_The_Last_Week
1.hs_-_Silence
1.hs_-_Slaves_Of_Thy_Shining_Eyes
1.hs_-_Someone_Should_Start_Laughing
1.hs_-_Spring_and_all_its_flowers
1.hs_-_Stop_Being_So_Religious
1.hs_-_Stop_weaving_a_net_about_yourself
1.hs_-_Streaming
1.hs_-_Sun_Rays
1.hs_-_Sweet_Melody
1.hs_-_Take_everything_away
1.hs_-_The_Beloved
1.hs_-_The_Bird_Of_Gardens
1.hs_-_The_Day_Of_Hope
1.hs_-_The_Essence_of_Grace
1.hs_-_The_Garden
1.hs_-_The_Glow_of_Your_Presence
1.hs_-_The_Good_Darkness
1.hs_-_The_Great_Secret
1.hs_-_The_Lute_Will_Beg
1.hs_-_The_Margin_Of_A_Stream
1.hs_-_Then_through_that_dim_murkiness
1.hs_-_The_Only_One
1.hs_-_The_path_consists_of_neither_words_nor_deeds
1.hs_-_The_Pearl_on_the_Ocean_Floor
1.hs_-_There_is_no_place_for_place!
1.hs_-_The_Road_To_Cold_Mountain
1.hs_-_The_Rose_Has_Flushed_Red
1.hs_-_The_Rose_Is_Not_Fair
1.hs_-_The_Secret_Draught_Of_Wine
1.hs_-_The_Tulip
1.hs_-_The_way_is_not_far
1.hs_-_The_Way_of_the_Holy_Ones
1.hs_-_The_way_to_You
1.hs_-_The_Wild_Rose_of_Praise
1.hs_-_Tidings_Of_Union
1.hs_-_To_Linger_In_A_Garden_Fair
1.hs_-_True_Love
1.hs_-_Until_you_are_complete
1.hs_-_We_tried_reasoning
1.hs_-_When_he_admits_you_to_his_presence
1.hs_-_Where_Is_My_Ruined_Life?
1.hs_-_Why_Carry?
1.hs_-_Will_Beat_You_Up
1.hs_-_With_Madness_Like_To_Mine
1.hs_-_Your_intellect_is_just_a_hotch-potch
1.ia_-_A_Garden_Among_The_Flames
1.ia_-_Allah
1.ia_-_An_Ocean_Without_Shore
1.ia_-_Approach_The_Dwellings_Of_The_Dear_Ones
1.ia_-_As_Night_Let_its_Curtains_Down_in_Folds
1.ia_-_At_Night_Lets_Its_Curtains_Down_In_Folds
1.ia_-_Fire
1.ia_-_He_Saw_The_Lightning_In_The_East
1.iai_-_A_feeling_of_discouragement_when_you_slip_up
1.ia_-_If_What_She_Says_Is_True
1.ia_-_If_what_she_says_is_true
1.iai_-_How_can_you_imagine_that_something_else_veils_Him
1.iai_-_How_utterly_amazing_is_someone_who_flees_from_something_he_cannot_escape
1.ia_-_I_Laid_My_Little_Daughter_To_Rest
1.ia_-_In_Memory_Of_Those
1.ia_-_In_Memory_of_Those_Who_Melt_the_Soul_Forever
1.ia_-_In_The_Mirror_Of_A_Man
1.ia_-_In_the_Mirror_of_a_Man
1.iai_-_The_best_you_can_seek_from_Him
1.iai_-_The_light_of_the_inner_eye_lets_you_see_His_nearness_to_you
1.iai_-_Those_travelling_to_Him
1.ia_-_Listen,_O_Dearly_Beloved
1.ia_-_Modification_Of_The_R_Poem
1.ia_-_My_Heart_Has_Become_Able
1.ia_-_My_heart_wears_all_forms
1.ia_-_My_Journey
1.ia_-_Oh-_Her_Beauty-_The_Tender_Maid!
1.ia_-_Reality
1.ia_-_Silence
1.ia_-_The_Hand_Of_Trial
1.ia_-_The_Invitation
1.ia_-_True_Knowledge
1.ia_-_Turmoil_In_Your_Hearts
1.ia_-_When_My_Beloved_Appears
1.ia_-_When_my_Beloved_appears
1.ia_-_When_The_Suns_Eye_Rules_My_Sight
1.ia_-_When_We_Came_Together
1.ia_-_When_we_came_together
1.ia_-_While_the_suns_eye_rules_my_sight
1.ia_-_Wild_Is_She,_None_Can_Make_Her_His_Friend
1.ia_-_With_My_Very_Own_Hands
1.ia_-_Wonder
1.is_-_A_Fisherman
1.is_-_Although_I_Try
1.is_-_Although_The_Wind
1.is_-_a_well_nobody_dug_filled_with_no_water
1.is_-_Every_day,_priests_minutely_examine_the_Law
1.is_-_Form_in_Void
1.is_-_If_The_One_Ive_Waited_For
1.is_-_I_Hate_Incense
1.is_-_Ikkyu_this_body_isnt_yours_I_say_to_myself
1.is_-_inside_the_koan_clear_mind
1.is_-_Like_vanishing_dew
1.is_-_Love
1.is_-_Many_paths_lead_from_the_foot_of_the_mountain,
1.is_-_only_one_koan_matters
1.is_-_plum_blossom
1.is_-_sick_of_it_whatever_its_called_sick_of_the_names
1.is_-_The_vast_flood
1.is_-_To_write_something_and_leave_it_behind_us
1.is_-_Watching_The_Moon
1.jc_-_On_this_summer_night
1.jda_-_My_heart_values_his_vulgar_ways_(from_The_Gitagovinda)
1.jda_-_Raga_Gujri
1.jda_-_Raga_Maru
1.jda_-_When_he_quickens_all_things_(from_The_Gitagovinda)
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jda_-_You_rest_on_the_circle_of_Sris_breast_(from_The_Gitagovinda)
1.jh_-_Lord,_Where_Shall_I_Find_You?
1.jh_-_O_My_Lord,_Your_dwelling_places_are_lovely
1.jk_-_Acrostic__-_Georgiana_Augusta_Keats
1.jk_-_A_Draught_Of_Sunshine
1.jk_-_A_Galloway_Song
1.jk_-_An_Extempore
1.jk_-_Answer_To_A_Sonnet_By_J.H.Reynolds
1.jk_-_A_Party_Of_Lovers
1.jk_-_Apollo_And_The_Graces
1.jk_-_A_Prophecy_-_To_George_Keats_In_America
1.jk_-_Asleep!_O_Sleep_A_Little_While,_White_Pearl!
1.jk_-_A_Song_About_Myself
1.jk_-_A_Thing_Of_Beauty_(Endymion)
1.jk_-_Ben_Nevis_-_A_Dialogue
1.jk_-_Bright_Star
1.jk_-_Calidore_-_A_Fragment
1.jk_-_Character_Of_Charles_Brown
1.jk_-_Daisys_Song
1.jk_-_Dawlish_Fair
1.jk_-_Dedication_To_Leigh_Hunt,_Esq.
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Extracts_From_An_Opera
1.jk_-_Faery_Songs
1.jk_-_Fancy
1.jk_-_Fill_For_Me_A_Brimming_Bowl
1.jk_-_Fragment_-_Modern_Love
1.jk_-_Fragment_Of_An_Ode_To_Maia._Written_On_May_Day_1818
1.jk_-_Fragment_Of_The_Castle_Builder
1.jk_-_Fragment._Welcome_Joy,_And_Welcome_Sorrow
1.jk_-_Fragment._Wheres_The_Poet?
1.jk_-_Give_Me_Women,_Wine,_And_Snuff
1.jk_-_Hither,_Hither,_Love
1.jkhu_-_A_Visit_to_Hattoji_Temple
1.jkhu_-_Gathering_Tea
1.jkhu_-_Living_in_the_Mountains
1.jkhu_-_Rain_in_Autumn
1.jkhu_-_Sitting_in_the_Mountains
1.jk_-_Hymn_To_Apollo
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Hyperion._Book_III
1.jk_-_Imitation_Of_Spenser
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_King_Stephen
1.jk_-_La_Belle_Dame_Sans_Merci
1.jk_-_La_Belle_Dame_Sans_Merci_(Original_version_)
1.jk_-_Lamia._Part_I
1.jk_-_Lamia._Part_II
1.jk_-_Lines
1.jk_-_Lines_On_Seeing_A_Lock_Of_Miltons_Hair
1.jk_-_Lines_On_The_Mermaid_Tavern
1.jk_-_Lines_Rhymed_In_A_Letter_From_Oxford
1.jk_-_Lines_To_Fanny
1.jk_-_Lines_Written_In_The_Highlands_After_A_Visit_To_Burnss_Country
1.jk_-_Meg_Merrilies
1.jk_-_Ode_On_A_Grecian_Urn
1.jk_-_Ode_On_Indolence
1.jk_-_Ode_On_Melancholy
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Apollo
1.jk_-_Ode_To_Autumn
1.jk_-_Ode_To_Fanny
1.jk_-_Ode_To_Psyche
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_On_A_Dream
1.jk_-_On_Death
1.jk_-_On_Hearing_The_Bag-Pipe_And_Seeing_The_Stranger_Played_At_Inverary
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_On_Receiving_A_Laurel_Crown_From_Leigh_Hunt
1.jk_-_On_Seeing_The_Elgin_Marbles_For_The_First_Time
1.jk_-_On_Visiting_The_Tomb_Of_Burns
1.jk_-_Otho_The_Great_-_Act_I
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Otho_The_Great_-_Act_III
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_Robin_Hood
1.jk_-_Sharing_Eves_Apple
1.jk_-_Sleep_And_Poetry
1.jk_-_Song._Hush,_Hush!_Tread_Softly!
1.jk_-_Song._I_Had_A_Dove
1.jk_-_Song_Of_Four_Faries
1.jk_-_Song_Of_The_Indian_Maid,_From_Endymion
1.jk_-_Song._Written_On_A_Blank_Page_In_Beaumont_And_Fletchers_Works
1.jk_-_Sonnet._A_Dream,_After_Reading_Dantes_Episode_Of_Paulo_And_Francesca
1.jk_-_Sonnet_-_After_Dark_Vapors_Have_Oppressd_Our_Plains
1.jk_-_Sonnet_-_As_From_The_Darkening_Gloom_A_Silver_Dove
1.jk_-_Sonnet_-_Before_He_Went
1.jk_-_Sonnet._If_By_Dull_Rhymes_Our_English_Must_Be_Chaind
1.jk_-_Sonnet_III._Written_On_The_Day_That_Mr._Leigh_Hunt_Left_Prison
1.jk_-_Sonnet_II._To_.........
1.jk_-_Sonnet_I._To_My_Brother_George
1.jk_-_Sonnet_IV._How_Many_Bards_Gild_The_Lapses_Of_Time!
1.jk_-_Sonnet_IX._Keen,_Fitful_Gusts_Are
1.jk_-_Sonnet_-_Oh!_How_I_Love,_On_A_Fair_Summers_Eve
1.jk_-_Sonnet._On_A_Picture_Of_Leander
1.jk_-_Sonnet._On_Leigh_Hunts_Poem_The_Story_of_Rimini
1.jk_-_Sonnet._On_Peace
1.jk_-_Sonnet_On_Sitting_Down_To_Read_King_Lear_Once_Again
1.jk_-_Sonnet._On_The_Sea
1.jk_-_Sonnet._The_Day_Is_Gone
1.jk_-_Sonnet._The_Human_Seasons
1.jk_-_Sonnet._To_A_Lady_Seen_For_A_Few_Moments_At_Vauxhall
1.jk_-_Sonnet._To_A_Young_Lady_Who_Sent_Me_A_Laurel_Crown
1.jk_-_Sonnet_To_Byron
1.jk_-_Sonnet_To_Chatterton
1.jk_-_Sonnet_To_George_Keats_-_Written_In_Sickness
1.jk_-_Sonnet_To_Homer
1.jk_-_Sonnet_To_John_Hamilton_Reynolds
1.jk_-_Sonnet_To_Mrs._Reynoldss_Cat
1.jk_-_Sonnet_To_Sleep
1.jk_-_Sonnet_To_Spenser
1.jk_-_Sonnet_To_The_Nile
1.jk_-_Sonnet_VIII._To_My_Brothers
1.jk_-_Sonnet_VII._To_Solitude
1.jk_-_Sonnet_VI._To_G._A._W.
1.jk_-_Sonnet_V._To_A_Friend_Who_Sent_Me_Some_Roses
1.jk_-_Sonnet_-_When_I_Have_Fears_That_I_May_Cease_To_Be
1.jk_-_Sonnet._Why_Did_I_Laugh_Tonight?
1.jk_-_Sonnet._Written_Before_Re-Read_King_Lear
1.jk_-_Sonnet._Written_In_Answer_To_A_Sonnet_By_J._H._Reynolds
1.jk_-_Sonnet._Written_In_Disgust_Of_Vulgar_Superstition
1.jk_-_Sonnet._Written_On_A_Blank_Page_In_Shakespeares_Poems,_Facing_A_Lovers_Complaint
1.jk_-_Sonnet._Written_On_A_Blank_Space_At_The_End_Of_Chaucers_Tale_Of_The_Floure_And_The_Lefe
1.jk_-_Sonnet._Written_Upon_The_Top_Of_Ben_Nevis
1.jk_-_Sonnet_XIII._Addressed_To_Haydon
1.jk_-_Sonnet_XII._On_Leaving_Some_Friends_At_An_Early_Hour
1.jk_-_Sonnet_XI._On_First_Looking_Into_Chapmans_Homer
1.jk_-_Sonnet_XIV._Addressed_To_The_Same_(Haydon)
1.jk_-_Sonnet_X._To_One_Who_Has_Been_Long_In_City_Pent
1.jk_-_Sonnet_XVII._Happy_Is_England
1.jk_-_Sonnet_XVI._To_Kosciusko
1.jk_-_Sonnet_XV._On_The_Grasshopper_And_Cricket
1.jk_-_Specimen_Of_An_Induction_To_A_Poem
1.jk_-_Spenserian_Stanzas_On_Charles_Armitage_Brown
1.jk_-_Spenserian_Stanza._Written_At_The_Close_Of_Canto_II,_Book_V,_Of_The_Faerie_Queene
1.jk_-_Staffa
1.jk_-_Stanzas._In_A_Drear-Nighted_December
1.jk_-_Stanzas_To_Miss_Wylie
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Devon_Maid_-_Stanzas_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Eve_Of_Saint_Mark._A_Fragment
1.jk_-_The_Eve_Of_St._Agnes
1.jk_-_The_Gadfly
1.jk_-_This_Living_Hand
1.jk_-_To_......
1.jk_-_To_.......
1.jk_-_To_Ailsa_Rock
1.jk_-_To_Charles_Cowden_Clarke
1.jk_-_To_Fanny
1.jk_-_To_George_Felton_Mathew
1.jk_-_To_Hope
1.jk_-_To_Some_Ladies
1.jk_-_To_The_Ladies_Who_Saw_Me_Crowned
1.jk_-_Translated_From_A_Sonnet_Of_Ronsard
1.jk_-_Two_Or_Three
1.jk_-_Two_Sonnets_On_Fame
1.jk_-_Two_Sonnets._To_Haydon,_With_A_Sonnet_Written_On_Seeing_The_Elgin_Marbles
1.jk_-_What_The_Thrush_Said._Lines_From_A_Letter_To_John_Hamilton_Reynolds
1.jk_-_Woman!_When_I_Behold_Thee_Flippant,_Vain
1.jk_-_Written_In_The_Cottage_Where_Burns_Was_Born
1.jk_-_You_Say_You_Love
1.jlb_-_Adam_Cast_Forth
1.jlb_-_Afterglow
1.jlb_-_At_the_Butchers
1.jlb_-_Browning_Decides_To_Be_A_Poet
1.jlb_-_Chess
1.jlb_-_Cosmogonia_(&_translation)
1.jlb_-_Daybreak
1.jlb_-_Elegy
1.jlb_-_Emanuel_Swedenborg
1.jlb_-_Emerson
1.jlb_-_Empty_Drawing_Room
1.jlb_-_Everness
1.jlb_-_Everness_(&_interpretation)
1.jlb_-_History_Of_The_Night
1.jlb_-_Inscription_on_any_Tomb
1.jlb_-_Instants
1.jlb_-_Limits
1.jlb_-_Oedipus_and_the_Riddle
1.jlb_-_Parting
1.jlb_-_Patio
1.jlb_-_Plainness
1.jlb_-_Remorse_for_any_Death
1.jlb_-_Rosas
1.jlb_-_Sepulchral_Inscription
1.jlb_-_Shinto
1.jlb_-_Simplicity
1.jlb_-_Spinoza
1.jlb_-_Susana_Soca
1.jlb_-_That_One
1.jlb_-_The_Art_Of_Poetry
1.jlb_-_The_Cyclical_Night
1.jlb_-_The_Enigmas
1.jlb_-_The_Golem
1.jlb_-_The_instant
1.jlb_-_The_Labyrinth
1.jlb_-_The_Other_Tiger
1.jlb_-_The_Recoleta
1.jlb_-_The_suicide
1.jlb_-_To_a_Cat
1.jlb_-_Unknown_Street
1.jlb_-_We_Are_The_Time._We_Are_The_Famous
1.jlb_-_When_sorrow_lays_us_low
1.jm_-_I_Have_forgotten
1.jm_-_Response_to_a_Logician
1.jm_-_Song_to_the_Rock_Demoness
1.jm_-_The_Profound_Definitive_Meaning
1.jm_-_The_Song_of_Food_and_Dwelling
1.jm_-_The_Song_of_Perfect_Assurance_(to_the_Demons)
1.jm_-_The_Song_of_the_Twelve_Deceptions
1.jm_-_The_Song_of_View,_Practice,_and_Action
1.jm_-_The_Song_on_Reaching_the_Mountain_Peak
1.jm_-_Upon_this_earth,_the_land_of_the_Victorious_Ones
1.jr_-_Ah,_what_was_there_in_that_light-giving_candle_that_it_set_fire_to_the_heart,_and_snatched_the_heart_away?
1.jr_-_All_Through_Eternity
1.jr_-_A_Moment_Of_Happiness
1.jr_-_Any_Lifetime
1.jr_-_Any_Soul_That_Drank_The_Nectar
1.jr_-_At_night_we_fall_into_each_other_with_such_grace
1.jr_-_A_World_with_No_Boundaries_(Ghazal_363)
1.jr_-_Because_I_Cannot_Sleep
1.jr_-_Birdsong
1.jr_-_Body_of_earth,_dont_talk_of_earth
1.jr_-_Book_1_-_Prologue
1.jr_-_Bring_Wine
1.jr_-_By_the_God_who_was_in_pre-eternity_living_and_moving_and_omnipotent,_everlasting
1.jr_-_come
1.jr_-_Come,_Come,_Whoever_You_Are
1.jr_-_Description_Of_Love
1.jr_-_Did_I_Not_Say_To_You
1.jr_-_During_the_day_I_was_singing_with_you
1.jr_-_Every_day_I_Bear_A_Burden
1.jr_-_Fasting
1.jr_-_Ghazal_Of_Rumi
1.jr_-_God_is_what_is_nearer_to_you_than_your_neck-vein,
1.jr_-_How_Long
1.jr_-_How_long_will_you_say,_I_will_conquer_the_whole_world
1.jr_-_I_Am_A_Sculptor,_A_Molder_Of_Form
1.jr_-_I_Am_Only_The_House_Of_Your_Beloved
1.jr_-_I_Closed_My_Eyes_To_Creation
1.jr_-_I_drink_streamwater_and_the_air
1.jr_-_If_continually_you_keep_your_hope
1.jr_-_If_I_Weep
1.jr_-_If_You_Show_Patience
1.jr_-_If_You_Want_What_Visable_Reality
1.jr_-_I_Have_A_Fire_For_You_In_My_Mouth
1.jr_-_I_Have_Been_Tricked_By_Flying_Too_Close
1.jr_-_I_Have_Fallen_Into_Unconsciousness
1.jr_-_I_lost_my_world,_my_fame,_my_mind
1.jr_-_Im_neither_beautiful_nor_ugly
1.jr_-_In_Love
1.jr_-_Inner_Wakefulness
1.jr_-_In_The_Arc_Of_Your_Mallet
1.jr_-_In_The_End
1.jr_-_In_The_Waters_Of_Purity
1.jr_-_I_regard_not_the_outside_and_the_words
1.jr_-_I_See_So_Deeply_Within_Myself
1.jr_-_I_smile_like_a_flower_not_only_with_my_lips
1.jr_-_I_Swear
1.jr_-_I_Will_Beguile_Him_With_The_Tongue
1.jr_-_Keep_on_knocking
1.jr_-_Laila_And_The_Khalifa
1.jr_-_Last_Night_My_Soul_Cried_O_Exalted_Sphere_Of_Heaven
1.jr_-_Last_Night_You_Left_Me_And_Slept
1.jr_-_Late,_By_Myself
1.jr_-_Let_Go_Of_Your_Worries
1.jr_-_Like_This
1.jr_-_look_at_love
1.jr_-_Lord,_What_A_Beloved_Is_Mine!
1.jr_-_Love_Has_Nothing_To_Do_With_The_Five_Senses
1.jr_-_Love_is_Here
1.jr_-_Love_Is_Reckless
1.jr_-_Love_Is_The_Water_Of_Life
1.jr_-_Lovers
1.jr_-_Moving_Water
1.jr_-_My_Mother_Was_Fortune,_My_Father_Generosity_And_Bounty
1.jr_-_No_end_to_the_journey
1.jr_-_No_One_Here_but_Him
1.jr_-_Not_Here
1.jr_-_Now_comes_the_final_merging
1.jr_-_On_Love
1.jr_-_Only_Breath
1.jr_-_On_the_Night_of_Creation_I_was_awake
1.jr_-_Out_Beyond_Ideas
1.jr_-_Reason,_leave_now!_Youll_not_find_wisdom_here!
1.jr_-_Rise,_Lovers
1.jr_-_Sacrifice_your_intellect_in_love_for_the_Friend
1.jr_-_Secret_Language
1.jr_-_Secretly_we_spoke
1.jr_-_Seeking_the_Source
1.jr_-_Seizing_my_life_in_your_hands,_you_thrashed_me_clean
1.jr_-_Shadow_And_Light_Source_Both
1.jr_-_Shall_I_tell_you_our_secret?
1.jr_-_Suddenly,_in_the_sky_at_dawn,_a_moon_appeared
1.jr_-_That_moon_which_the_sky_never_saw
1.jr_-_The_Absolute_works_with_nothing
1.jr_-_The_Beauty_Of_The_Heart
1.jr_-_The_Breeze_At_Dawn
1.jr_-_The_glow_of_the_light_of_daybreak_is_in_your_emerald_vault,_the_goblet_of_the_blood_of_twilight_is_your_blood-measuring_bowl
1.jr_-_The_grapes_of_my_body_can_only_become_wine
1.jr_-_The_Guest_House
1.jr_-_The_Intellectual_Is_Always_Showing_Off
1.jr_-_The_minute_I_heard_my_first_love_story
1.jr_-_The_minute_Im_disappointed,_I_feel_encouraged
1.jr_-_The_Ravings_Which_My_Enemy_Uttered_I_Heard_Within_My_Heart
1.jr_-_The_real_work_belongs_to_someone_who_desires_God
1.jr_-_There_Are_A_Hundred_Kinds_Of_Prayer
1.jr_-_There_Is_A_Candle
1.jr_-_There_Is_A_Community_Of_Spirit
1.jr_-_There_Is_A_Life-Force_Within_Your_Soul
1.jr_-_There_Is_A_Way
1.jr_-_There_is_some_kiss_we_want
1.jr_-_The_Seed_Market
1.jr_-_The_Self_We_Share
1.jr_-_The_Springtime_Of_Lovers_Has_Come
1.jr_-_The_Sun_Must_Come
1.jr_-_The_Taste_Of_Morning
1.jr_-_The_Thirsty
1.jr_-_The_Time_Has_Come_For_Us_To_Become_Madmen_In_Your_Chain
1.jr_-_This_Aloneness
1.jr_-_This_Is_Love
1.jr_-_This_love_sacrifices_all_souls,_however_wise,_however_awakened
1.jr_-_This_moment
1.jr_-_This_We_Have_Now
1.jr_-_Today_Im_out_wandering,_turning_my_skull
1.jr_-_Today,_like_every_other_day,_we_wake_up_empty
1.jr_-_Two_Friends
1.jr_-_Two_Kinds_Of_Intelligence
1.jr_-_Until_You've_Found_Pain
1.jr_-_We_are_the_mirror_as_well_as_the_face_in_it
1.jr_-_Weary_Not_Of_Us,_For_We_Are_Very_Beautiful
1.jr_-_What_can_I_do,_Muslims?_I_do_not_know_myself
1.jr_-_What_Hidden_Sweetness_Is_There
1.jr_-_What_I_want_is_to_see_your_face
1.jr_-_When_I_Am_Asleep_And_Crumbling_In_The_Tomb
1.jr_-_Whoever_finds_love
1.jr_-_Who_Is_At_My_Door?
1.jr_-_Who_makes_these_changes?
1.jr_-_Who_Says_Words_With_My_Mouth?
1.jr_-_With_Us
1.jr_-_You_and_I_have_spoken_all_these_words
1.jr_-_You_are_closer_to_me_than_myself_(Ghazal_2798)
1.jr_-_You_have_fallen_in_love_my_dear_heart
1.jr_-_You_only_need_smell_the_wine
1.jr_-_You_Personify_Gods_Message
1.jr_-_Zero_Circle
1.jt_-_As_air_carries_light_poured_out_by_the_rising_sun
1.jt_-_At_the_cross_her_station_keeping_(from_Stabat_Mater_Dolorosa)
1.jt_-_How_the_Soul_Through_the_Senses_Finds_God_in_All_Creatures
1.jt_-_In_losing_all,_the_soul_has_risen_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love_beyond_all_telling_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love-_infusing_with_light_all_who_share_Your_splendor_(from_In_Praise_of_Divine_Love)
1.jt_-_Love-_where_did_You_enter_the_heart_unseen?_(from_In_Praise_of_Divine_Love)
1.jt_-_Now,_a_new_creature
1.jt_-_Oh,_the_futility_of_seeking_to_convey_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_When_you_no_longer_love_yourself_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jwvg_-_Admonition
1.jwvg_-_After_Sensations
1.jwvg_-_A_Legacy
1.jwvg_-_Anacreons_Grave
1.jwvg_-_Anniversary_Song
1.jwvg_-_Another
1.jwvg_-_Answers_In_A_Game_Of_Questions
1.jwvg_-_A_Parable
1.jwvg_-_A_Plan_the_Muses_Entertained
1.jwvg_-_Apparent_Death
1.jwvg_-_April
1.jwvg_-_As_Broad_As_Its_Long
1.jwvg_-_A_Symbol
1.jwvg_-_At_Midnight
1.jwvg_-_Authors
1.jwvg_-_Autumn_Feel
1.jwvg_-_Book_Of_Proverbs
1.jwvg_-_By_The_River
1.jwvg_-_Calm_At_Sea
1.jwvg_-_Departure
1.jwvg_-_Epiphanias
1.jwvg_-_Epitaph
1.jwvg_-_Ever_And_Everywhere
1.jwvg_-_Faithful_Eckhart
1.jwvg_-_For_ever
1.jwvg_-_Found
1.jwvg_-_From
1.jwvg_-_From_The_Mountain
1.jwvg_-_Ganymede
1.jwvg_-_General_Confession
1.jwvg_-_Gipsy_Song
1.jwvg_-_Growth
1.jwvg_-_Happiness_And_Vision
1.jwvg_-_Human_Feelings
1.jwvg_-_In_A_Word
1.jwvg_-_In_Summer
1.jwvg_-_It_Is_Good
1.jwvg_-_Joy
1.jwvg_-_Joy_And_Sorrow
1.jwvg_-_June
1.jwvg_-_Legend
1.jwvg_-_Like_And_Like
1.jwvg_-_Living_Remembrance
1.jwvg_-_Longing
1.jwvg_-_Lover_In_All_Shapes
1.jwvg_-_Mahomets_Song
1.jwvg_-_Measure_Of_Time
1.jwvg_-_My_Goddess
1.jwvg_-_Nemesis
1.jwvg_-_Night_Thoughts
1.jwvg_-_Playing_At_Priests
1.jwvg_-_Presence
1.jwvg_-_Prometheus
1.jwvg_-_Proximity_Of_The_Beloved_One
1.jwvg_-_Reciprocal_Invitation_To_The_Dance
1.jwvg_-_Royal_Prayer
1.jwvg_-_Self-Deceit
1.jwvg_-_Solitude
1.jwvg_-_Symbols
1.jwvg_-_The_Beautiful_Night
1.jwvg_-_The_Best
1.jwvg_-_The_Bliss_Of_Absence
1.jwvg_-_The_Bliss_Of_Sorrow
1.jwvg_-_The_Bridegroom
1.jwvg_-_The_Buyers
1.jwvg_-_The_Drops_Of_Nectar
1.jwvg_-_The_Exchange
1.jwvg_-_The_Faithless_Boy
1.jwvg_-_The_Friendly_Meeting
1.jwvg_-_The_Godlike
1.jwvg_-_The_Instructors
1.jwvg_-_The_Mountain_Village
1.jwvg_-_The_Muses_Mirror
1.jwvg_-_The_Muses_Son
1.jwvg_-_The_Prosperous_Voyage
1.jwvg_-_The_Pupil_In_Magic
1.jwvg_-_The_Reckoning
1.jwvg_-_The_Remembrance_Of_The_Good
1.jwvg_-_The_Rule_Of_Life
1.jwvg_-_The_Sea-Voyage
1.jwvg_-_The_Treasure_Digger
1.jwvg_-_The_Visit
1.jwvg_-_The_Wanderer
1.jwvg_-_The_Warning
1.jwvg_-_The_Way_To_Behave
1.jwvg_-_To_My_Friend_-_Ode_I
1.jwvg_-_To_The_Chosen_One
1.jwvg_-_To_The_Distant_One
1.jwvg_-_To_The_Kind_Reader
1.jwvg_-_True_Enjoyment
1.jwvg_-_Welcome_And_Farewell
1.jwvg_-_Wholl_Buy_Gods_Of_Love
1.jwvg_-_Wont_And_Done
1.kaa_-_A_Path_of_Devotion
1.kaa_-_Devotion_for_Thee
1.kaa_-_Empty_Me_of_Everything_But_Your_Love
1.kaa_-_Give_Me
1.kaa_-_I_Came
1.kaa_-_In_Each_Breath
1.kaa_-_The_Beauty_of_Oneness
1.kaa_-_The_Friend_Beside_Me
1.kaa_-_The_one_You_kill
1.kbr_-_Abode_Of_The_Beloved
1.kbr_-_Are_you_looking_for_me?
1.kbr_-_Between_the_conscious_and_the_unconscious,_the_mind_has_put_up_a_swing
1.kbr_-_Between_the_Poles_of_the_Conscious
1.kbr_-_Brother,_I've_Seen_Some
1.kbr_-_Chewing_Slowly
1.kbr_-_Dohas_(Couplets)_I_(with_translation)
1.kbr_-_Dohas_II_(with_translation)
1.kbr_-_Do_Not_Go_To_The_Garden_Of_Flowers
1.kbr_-_Do_not_go_to_the_garden_of_flowers!
1.kbr_-_Friend,_Wake_Up!_Why_Do_You_Go_On_Sleeping?
1.kbr_-_Hang_Up_The_Swing_Of_Love_Today!
1.kbr_-_Hang_up_the_swing_of_love_today!
1.kbr_-_Having_Crossed_The_River
1.kbr_-_Having_crossed_the_river
1.kbr_-_He's_That_Rascally_Kind_Of_Yogi
1.kbr_-_Hes_that_rascally_kind_of_yogi
1.kbr_-_Hey_Brother,_Why_Do_You_Want_Me_To_Talk?
1.kbr_-_Hey_brother,_why_do_you_want_me_to_talk?
1.kbr_-_Hiding_In_This_Cage
1.kbr_-_hiding_in_this_cage
1.kbr_-_His_Death_In_Benares
1.kbr_-_Hope_For_Him
1.kbr_-_How_Do_You
1.kbr_-_How_Humble_Is_God
1.kbr_-_I_Burst_Into_Laughter
1.kbr_-_I_burst_into_laughter
1.kbr_-_I_Have_Attained_The_Eternal_Bliss
1.kbr_-_I_have_attained_the_Eternal_Bliss
1.kbr_-_I_have_been_thinking
1.kbr_-_I_Laugh_When_I_Hear_That_The_Fish_In_The_Water_Is_Thirsty
1.kbr_-_Illusion_and_Reality
1.kbr_-_I_Said_To_The_Wanting-Creature_Inside_Me
1.kbr_-_I_Talk_To_My_Inner_Lover,_And_I_Say,_Why_Such_Rush?
1.kbr_-_It_Is_Needless_To_Ask_Of_A_Saint
1.kbr_-_Ive_Burned_My_Own_House_Down
1.kbr_-_Ive_burned_my_own_house_down
1.kbr_-_I_Wont_Come
1.kbr_-_Knowing_Nothing_Shuts_The_Iron_Gates
1.kbr_-_Lift_The_Veil
1.kbr_-_lift_the_veil
1.kbr_-_Looking_At_The_Grinding_Stones_-_Dohas_(Couplets)_I
1.kbr_-_maddh_akas_ap_jahan_baithe
1.kbr_-_Many_Hoped
1.kbr_-_Many_hoped
1.kbr_-_My_Body_And_My_Mind
1.kbr_-_My_Body_Is_Flooded
1.kbr_-_My_body_is_flooded
1.kbr_-_My_Swan,_Let_Us_Fly
1.kbr_-_O_Friend
1.kbr_-_Oh_Friend,_I_Love_You,_Think_This_Over
1.kbr_-_O_how_may_I_ever_express_that_secret_word?
1.kbr_-_O_Servant_Where_Dost_Thou_Seek_Me
1.kbr_-_O_Slave,_liberate_yourself
1.kbr_-_Plucking_Your_Eyebrows
1.kbr_-_Poem_13
1.kbr_-_Poem_14
1.kbr_-_Poem_15
1.kbr_-_Poem_2
1.kbr_-_Poem_3
1.kbr_-_Poem_4
1.kbr_-_Poem_5
1.kbr_-_Poem_6
1.kbr_-_Poem_7
1.kbr_-_Poem_8
1.kbr_-_Poem_9
1.kbr_-_still_the_body
1.kbr_-_Tell_me_Brother
1.kbr_-_Tell_me,_O_Swan,_your_ancient_tale
1.kbr_-_Tentacles_of_Time
1.kbr_-_The_bhakti_path...
1.kbr_-_The_bhakti_path_winds_in_a_delicate_way
1.kbr_-_The_Bride-Soul
1.kbr_-_The_Drop_and_the_Sea
1.kbr_-_The_Dropp_And_The_Sea
1.kbr_-_The_Guest_Is_Inside_You,_And_Also_Inside_Me
1.kbr_-_The_Guest_is_inside_you,_and_also_inside_me
1.kbr_-_The_Impossible_Pass
1.kbr_-_The_impossible_pass
1.kbr_-_The_Light_of_the_Sun
1.kbr_-_The_light_of_the_sun,_the_moon,_and_the_stars_shines_bright
1.kbr_-_The_Lord_Is_In_Me
1.kbr_-_The_Lord_is_in_Me
1.kbr_-_The_moon_shines_in_my_body
1.kbr_-_Theres_A_Moon_Inside_My_Body
1.kbr_-_The_Self_Forgets_Itself
1.kbr_-_The_self_forgets_itself
1.kbr_-_The_Spiritual_Athlete_Often_Changes_The_Color_Of_His_Clothes
1.kbr_-_The_Swan_flies_away
1.kbr_-_The_Time_Before_Death
1.kbr_-_The_Word
1.kbr_-_To_Thee_Thou_Hast_Drawn_My_Love
1.kbr_-_What_Kind_Of_God?
1.kbr_-_When_I_Found_The_Boundless_Knowledge
1.kbr_-_When_I_found_the_boundless_knowledge
1.kbr_-_When_The_Day_Came
1.kbr_-_When_the_Day_Came
1.kbr_-_When_You_Were_Born_In_This_World_-_Dohas_Ii
1.kbr_-_Where_dost_thou_seem_me?
1.kbr_-_Where_do_you_search_me
1.kbr_-_Within_this_earthen_vessel
1.kg_-_Little_Tiger
1.khc_-_Idle_Wandering
1.khc_-_this_autumn_scenes_worth_words_paint
1.ki_-_Autumn_wind
1.ki_-_blown_to_the_big_river
1.ki_-_Buddha_Law
1.ki_-_Buddhas_body
1.ki_-_by_the_light_of_graveside_lanterns
1.ki_-_does_the_woodpecker
1.ki_-_Dont_weep,_insects
1.ki_-_even_poorly_planted
1.ki_-_First_firefly
1.ki_-_From_burweed
1.ki_-_In_my_hut
1.ki_-_into_morning-glories
1.ki_-_Just_by_being
1.ki_-_mountain_temple
1.ki_-_Never_forget
1.ki_-_now_begins
1.ki_-_Reflected
1.ki_-_rice_seedlings
1.ki_-_serene_and_still
1.ki_-_spring_begins
1.ki_-_spring_day
1.ki_-_stillness
1.ki_-_swatting_a_fly
1.ki_-_the_distant_mountains
1.ki_-_the_dragonflys_tail,_too
1.ki_-_Where_there_are_humans
1.ki_-_without_seeing_sunlight
1.kt_-_A_Song_on_the_View_of_Voidness
1.lb_-_A_Farewell_To_Secretary_Shuyun_At_The_Xietiao_Villa_In_Xuanzhou
1.lb_-_Alone_And_Drinking_Under_The_Moon
1.lb_-_Alone_and_Drinking_Under_the_Moon
1.lb_-_Alone_Looking_At_The_Mountain
1.lb_-_Alone_Looking_at_the_Mountain
1.lb_-_Amidst_the_Flowers_a_Jug_of_Wine
1.lb_-_A_Mountain_Revelry
1.lb_-_Amusing_Myself
1.lb_-_Ancient_Air_(39)
1.lb_-_A_Song_Of_An_Autumn_Midnight
1.lb_-_A_Song_Of_Changgan
1.lb_-_Atop_Green_Mountains_by_Li_Po
1.lb_-_Autumn_Air
1.lb_-_Autumn_Air_by_Li_Po
1.lb_-_Autumn_River_Song
1.lb_-_A_Vindication
1.lb_-_Ballads_Of_Four_Seasons:_Spring
1.lb_-_Ballads_Of_Four_Seasons:_Winter
1.lb_-_Bathed_And_Washed
1.lb_-_Bathed_and_Washed
1.lb_-_Before_The_Cask_of_Wine
1.lb_-_Bitter_Love_by_Li_Po
1.lb_-_Bringing_in_the_Wine
1.lb_-_Changgan_Memories
1.lb_-_Chiang_Chin_Chiu
1.lb_-_Ch'ing_P'ing_Tiao
1.lb_-_Chuang_Tzu_And_The_Butterfly
1.lb_-_Clearing_At_Dawn
1.lb_-_Clearing_at_Dawn
1.lb_-_Climbing_West_Of_Lotus_Flower_Peak
1.lb_-_Climbing_West_of_Lotus_Flower_Peak
1.lb_-_Confessional
1.lb_-_Crows_Calling_At_Night
1.lb_-_Down_From_The_Mountain
1.lb_-_Down_Zhongnan_Mountain
1.lb_-_Drinking_Alone_in_the_Moonlight
1.lb_-_Drinking_in_the_Mountains
1.lb_-_Drinking_With_Someone_In_The_Mountains
1.lb_-_Endless_Yearning_by_Li_Po
1.lb_-_Exile's_Letter
1.lb_-_[Facing]_Wine
1.lb_-_Facing_Wine
1.lb_-_Farewell
1.lb_-_Farewell_to_Meng_Hao-jan
1.lb_-_Farewell_to_Meng_Hao-jan_at_Yellow_Crane_Tower_by_Li_Po
1.lb_-_Farewell_to_Secretary_Shu-yun_at_the_Hsieh_Tiao_Villa_in_Hsuan-Chou
1.lb_-_For_Wang_Lun
1.lb_-_For_Wang_Lun_by_Li_Po
1.lb_-_Gazing_At_The_Cascade_On_Lu_Mountain
1.lb_-_Going_Up_Yoyang_Tower
1.lb_-_Gold_painted_jars_-_wines_worth_a_thousand
1.lb_-_Green_Mountain
1.lb_-_Hard_Is_The_Journey
1.lb_-_Hard_Journey
1.lb_-_Hearing_A_Flute_On_A_Spring_Night_In_Luoyang
1.lb_-_His_Dream_Of_Skyland
1.lb_-_Ho_Chih-chang
1.lb_-_In_Spring
1.lb_-_I_say_drinking
1.lb_-_Jade_Stairs_Grievance
1.lb_-_Lament_for_Mr_Tai
1.lb_-_Lament_of_the_Frontier_Guard
1.lb_-_Lament_On_an_Autumn_Night
1.lb_-_Leave-Taking_Near_Shoku
1.lb_-_Leaving_White_King_City
1.lb_-_Lines_For_A_Taoist_Adept
1.lb_-_Listening_to_a_Flute_in_Yellow_Crane_Pavillion
1.lb_-_Looking_For_A_Monk_And_Not_Finding_Him
1.lb_-_Lu_Mountain,_Kiangsi
1.lb_-_Marble_Stairs_Grievance
1.lb_-_Mng_Hao-jan
1.lb_-_Moon_at_the_Fortified_Pass_by_Li_Po
1.lb_-_Moon_Over_Mountain_Pass
1.lb_-_Mountain_Drinking_Song
1.lb_-_Nefarious_War
1.lb_-_Old_Poem
1.lb_-_On_A_Picture_Screen
1.lb_-_On_Climbing_In_Nan-King_To_The_Terrace_Of_Phoenixes
1.lb_-_On_Dragon_Hill
1.lb_-_On_Kusu_Terrace
1.lb_-_Poem_by_The_Bridge_at_Ten-Shin
1.lb_-_Question_And_Answer_On_The_Mountain
1.lb_-_Quiet_Night_Thoughts
1.lb_-_Reaching_the_Hermitage
1.lb_-_Remembering_the_Springs_at_Chih-chou
1.lb_-_Resentment_Near_the_Jade_Stairs
1.lb_-_Seeing_Off_Meng_Haoran_For_Guangling_At_Yellow_Crane_Tower
1.lb_-_Self-Abandonment
1.lb_-_She_Spins_Silk
1.lb_-_Sitting_Alone_On_Jingting_Mountain_by_Li_Po
1.lb_-_Song_of_an_Autumn_Midnight_by_Li_Po
1.lb_-_Song_of_the_Forge
1.lb_-_Song_Of_The_Jade_Cup
1.lb_-_South-Folk_in_Cold_Country
1.lb_-_Spring_Night_In_Lo-Yang_Hearing_A_Flute
1.lb_-_Staying_The_Night_At_A_Mountain_Temple
1.lb_-_Summer_Day_in_the_Mountains
1.lb_-_Summer_in_the_Mountains
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po_Tr._by_Ezra_Pound
1.lb_-_Talk_in_the_Mountains_[Question_&_Answer_on_the_Mountain]
1.lb_-_The_Ching-Ting_Mountain
1.lb_-_The_City_of_Choan
1.lb_-_The_Cold_Clear_Spring_At_Nanyang
1.lb_-_The_Moon_At_The_Fortified_Pass
1.lb_-_The_Old_Dust
1.lb_-_The_River-Captains_Wife__A_Letter
1.lb_-_The_River-Merchant's_Wife:_A_Letter
1.lb_-_The_River_Song
1.lb_-_The_Roosting_Crows
1.lb_-_The_Solitude_Of_Night
1.lb_-_Thoughts_In_A_Tranquil_Night
1.lb_-_Thoughts_On_a_Quiet_Night_by_Li_Po
1.lb_-_Thoughts_On_A_Still_Night
1.lb_-_Three_Poems_on_Wine
1.lb_-_Through_The_Yangzi_Gorges
1.lb_-_To_His_Two_Children
1.lb_-_To_My_Wife_on_Lu-shan_Mountain
1.lb_-_To_Tan-Ch'iu
1.lb_-_To_Tu_Fu_from_Shantung
1.lb_-_Viewing_Heaven's_Gate_Mountains
1.lb_-_Visiting_a_Taoist_Master_on_Tai-T'ien_Mountain_by_Li_Po
1.lb_-_Visiting_A_Taoist_On_Tiatien_Mountain
1.lb_-_Waking_from_Drunken_Sleep_on_a_Spring_Day_by_Li_Po
1.lb_-_We_Fought_for_-_South_of_the_Walls
1.lb_-_Yearning
1.lb_-_Ziyi_Song
1.lc_-_Jabberwocky
1.lla_-_A_thousand_times_I_asked_my_guru
1.lla_-_At_the_end_of_a_crazy-moon_night
1.lla_-_Coursing_in_emptiness
1.lla_-_Dance,_Lalla,_with_nothing_on
1.lla_-_Day_will_be_erased_in_night
1.lla_-_Dont_flail_about_like_a_man_wearing_a_blindfold
1.lla_-_Drifter,_on_your_feet,_get_moving!
1.lla_-_Dying_and_giving_birth_go_on
1.lla_-_Fool,_you_wont_find_your_way_out_by_praying_from_a_book
1.lla_-_Forgetful_one,_get_up!
1.lla_-_If_youve_melted_your_desires
1.lla_-_I_hacked_my_way_through_six_forests
1.lla_-_I,_Lalla,_willingly_entered_through_the_garden-gate
1.lla_-_I_made_pilgrimages,_looking_for_God
1.lla_-_Intense_cold_makes_water_ice
1.lla_-_I_searched_for_my_Self
1.lla_-_I_trapped_my_breath_in_the_bellows_of_my_throat
1.lla_-_I_traveled_a_long_way_seeking_God
1.lla_-_Its_so_much_easier_to_study_than_act
1.lla_-_I_wore_myself_out,_looking_for_myself
1.lla_-_Just_for_a_moment,_flowers_appear
1.lla_-_Learning_the_scriptures_is_easy
1.lla_-_Meditate_within_eternity
1.lla_-_Neither_You_nor_I,_neither_object_nor_meditation
1.lla_-_New_mind,_new_moon
1.lla_-_O_infinite_Consciousness
1.lla_-_One_shrine_to_the_next,_the_hermit_cant_stop_for_breath
1.lla_-_Playfully,_you_hid_from_me
1.lla_-_There_is_neither_you,_nor_I
1.lla_-_The_soul,_like_the_moon
1.lla_-_The_way_is_difficult_and_very_intricate
1.lla_-_To_learn_the_scriptures_is_easy
1.lla_-_Wear_the_robe_of_wisdom
1.lla_-_What_is_worship?_Who_are_this_man
1.lla_-_When_my_mind_was_cleansed_of_impurities
1.lla_-_When_Siddhanath_applied_lotion_to_my_eyes
1.lla_-_Word,_Thought,_Kula_and_Akula_cease_to_be_there!
1.lla_-_Your_way_of_knowing_is_a_private_herb_garden
1.lovecraft_-_An_American_To_Mother_England
1.lovecraft_-_An_Epistle_To_Rheinhart_Kleiner,_Esq.,_Poet-Laureate,_And_Author_Of_Another_Endless_Day
1.lovecraft_-_Arcadia
1.lovecraft_-_Astrophobos
1.lovecraft_-_Christmas_Blessings
1.lovecraft_-_Christmas_Snows
1.lovecraft_-_Christmastide
1.lovecraft_-_Despair
1.lovecraft_-_Egyptian_Christmas
1.lovecraft_-_Ex_Oblivione
1.lovecraft_-_Fact_And_Fancy
1.lovecraft_-_Festival
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Good_Saint_Nick
1.lovecraft_-_Halcyon_Days
1.lovecraft_-_Halloween_In_A_Suburb
1.lovecraft_-_Laeta-_A_Lament
1.lovecraft_-_Lifes_Mystery
1.lovecraft_-_Lines_On_General_Robert_Edward_Lee
1.lovecraft_-_Little_Tiger
1.lovecraft_-_March
1.lovecraft_-_Nathicana
1.lovecraft_-_Nemesis
1.lovecraft_-_Ode_For_July_Fourth,_1917
1.lovecraft_-_On_Reading_Lord_Dunsanys_Book_Of_Wonder
1.lovecraft_-_On_Receiving_A_Picture_Of_Swans
1.lovecraft_-_Pacifist_War_Song_-_1917
1.lovecraft_-_Poemata_Minora-_Volume_II
1.lovecraft_-_Providence
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_Revelation
1.lovecraft_-_St._John
1.lovecraft_-_Sunset
1.lovecraft_-_The_Ancient_Track
1.lovecraft_-_The_Bride_Of_The_Sea
1.lovecraft_-_The_Cats
1.lovecraft_-_The_City
1.lovecraft_-_The_Conscript
1.lovecraft_-_The_Garden
1.lovecraft_-_The_House
1.lovecraft_-_The_Messenger
1.lovecraft_-_Theodore_Roosevelt
1.lovecraft_-_The_Outpost
1.lovecraft_-_The_Peace_Advocate
1.lovecraft_-_The_Poe-ets_Nightmare
1.lovecraft_-_The_Rose_Of_England
1.lovecraft_-_The_Teutons_Battle-Song
1.lovecraft_-_The_Wood
1.lovecraft_-_To_Alan_Seeger-
1.lovecraft_-_To_Edward_John_Moreton_Drax_Plunkelt,
1.lovecraft_-_Tosh_Bosh
1.lovecraft_-_Waste_Paper-_A_Poem_Of_Profound_Insignificance
1.lovecraft_-_Where_Once_Poe_Walked
1.lr_-_An_Adamantine_Song_on_the_Ever-Present
1.ltp_-_My_heart_is_the_clear_water_in_the_stony_pond
1.ltp_-_People_may_sit_till_the_cushion_is_worn_through
1.ltp_-_Sojourning_in_Ta-yu_mountains
1.ltp_-_The_Hundred_Character_Tablet_(Bai_Zi_Bei)
1.ltp_-_What_is_Tao?
1.ltp_-_When_the_moon_is_high_Ill_take_my_cane_for_a_walk
1.lyb_-_Where_I_wander_--_You!
1.mah_-_I_am_the_One_Whom_I_Love
1.mah_-_I_am_the_One_whom_I_love
1.mah_-_If_They_Only_Knew
1.mah_-_I_Witnessed_My_Maker
1.mah_-_Kill_me-_my_faithful_friends
1.mah_-_My_One_and_Only,_only_You_can_make_me
1.mah_-_Seeking_Truth,_I_studied_religion
1.mah_-_Stillness
1.mah_-_To_Reach_God
1.mah_-_You_glide_between_the_heart_and_its_casing
1.mah_-_You_live_inside_my_heart-_in_there_are_secrets_about_You
1.mah_-_Your_spirit_is_mingled_with_mine
1.mah_-_You_Went_Away_but_Remained_in_Me
1.mb_-_a_bee
1.mb_-_a_caterpillar
1.mb_-_a_cicada_shell
1.mb_-_a_cold_rain_starting
1.mb_-_a_field_of_cotton
1.mb_-_All_I_Was_Doing_Was_Breathing
1.mb_-_all_the_day_long
1.mb_-_a_monk_sips_morning_tea
1.mb_-_a_snowy_morning
1.mb_-_as_they_begin_to_rise_again
1.mb_-_a_strange_flower
1.mb_-_autumn_moonlight
1.mb_-_awake_at_night
1.mb_-_Bitter-tasting_ice_-
1.mb_-_blowing_stones
1.mb_-_by_the_old_temple
1.mb_-_Clouds
1.mb_-_cold_night_-_the_wild_duck
1.mb_-_Collection_of_Six_Haiku
1.mb_-_coolness_of_the_melons
1.mb_-_Dark_Friend,_what_can_I_say?
1.mb_-_dont_imitate_me
1.mb_-_first_day_of_spring
1.mb_-_first_snow
1.mb_-_Fleas,_lice
1.mb_-_four_haiku
1.mb_-_Friend,_without_that_Dark_raptor
1.mb_-_from_time_to_time
1.mb_-_heat_waves_shimmering
1.mb_-_how_admirable
1.mb_-_how_wild_the_sea_is
1.mb_-_I_am_pale_with_longing_for_my_beloved
1.mb_-_I_am_true_to_my_Lord
1.mb_-_I_have_heard_that_today_Hari_will_come
1.mb_-_im_a_wanderer
1.mb_-_In_this_world_of_ours,
1.mb_-_it_is_with_awe
1.mb_-_Its_True_I_Went_to_the_Market
1.mb_-_long_conversations
1.mb_-_midfield
1.mb_-_Mira_is_Steadfast
1.mb_-_moonlight_slanting
1.mb_-_morning_and_evening
1.mbn_-_From_the_beginning,_before_the_world_ever_was_(from_Before_the_World_Ever_Was)
1.mb_-_None_is_travelling
1.mb_-_No_one_knows_my_invisible_life
1.mb_-_now_the_swinging_bridge
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mbn_-_The_Soul_Speaks_(from_Hymn_on_the_Fate_of_the_Soul)
1.mb_-_O_I_saw_witchcraft_tonight
1.mb_-_old_pond
1.mb_-_O_my_friends
1.mb_-_on_buddhas_deathbed
1.mb_-_on_the_white_poppy
1.mb_-_on_this_road
1.mb_-_Out_in_a_downpour
1.mb_-_passing_through_the_world
1.mb_-_souls_festival
1.mb_-_spring_rain
1.mb_-_staying_at_an_inn
1.mb_-_stillness
1.mb_-_taking_a_nap
1.mb_-_temple_bells_die_out
1.mb_-_The_Beloved_Comes_Home
1.mb_-_the_butterfly
1.mb_-_the_clouds_come_and_go
1.mb_-_The_Dagger
1.mb_-_The_Five-Coloured_Garment
1.mb_-_The_Heat_of_Midnight_Tears
1.mb_-_the_morning_glory_also
1.mb_-_The_Music
1.mb_-_The_Narrow_Road_to_the_Deep_North_-_Prologue
1.mb_-_the_oak_tree
1.mb_-_the_passing_spring
1.mb_-_the_petals_tremble
1.mb_-_the_squid_sellers_call
1.mb_-_the_winter_storm
1.mb_-_this_old_village
1.mb_-_Unbreakable,_O_Lord
1.mb_-_under_my_tree-roof
1.mb_-_ungraciously
1.mb_-_what_fish_feel
1.mb_-_when_the_winter_chysanthemums_go
1.mb_-_Why_Mira_Cant_Come_Back_to_Her_Old_House
1.mb_-_winter_garden
1.mb_-_with_every_gust_of_wind
1.mb_-_wont_you_come_and_see
1.mb_-_wrapping_the_rice_cakes
1.mb_-_you_make_the_fire
1.mdl_-_Inside_the_hidden_nexus_(from_Jacobs_Journey)
1.mdl_-_The_Creation_of_Elohim
1.mdl_-_The_Gates_(from_Openings)
1.ml_-_Realisation_of_Dreams_and_Mind
1.mm_-_A_fish_cannot_drown_in_water
1.mm_-_Effortlessly
1.mm_-_If_BOREAS_can_in_his_own_Wind_conceive_(from_Atalanta_Fugiens)
1.mm_-_In_pride_I_so_easily_lost_Thee
1.mm_-_Of_the_voices_of_the_Godhead
1.mm_-_Set_Me_on_Fire
1.mm_-_The_devil_also_offers_his_spirit
1.mm_-_Then_shall_I_leap_into_love
1.mm_-_The_Stone_that_is_Mercury,_is_cast_upon_the_(from_Atalanta_Fugiens)
1.mm_-_Three_Golden_Apples_from_the_Hesperian_grove_(from_Atalanta_Fugiens)
1.mm_-_Wouldst_thou_know_my_meaning?
1.mm_-_Yea!_I_shall_drink_from_Thee
1.ms_-_At_the_Nachi_Kannon_Hall
1.ms_-_Beyond_the_World
1.ms_-_Buddhas_Satori
1.ms_-_Clear_Valley
1.msd_-_Barns_burnt_down
1.msd_-_Masahides_Death_Poem
1.msd_-_When_bird_passes_on
1.ms_-_Hui-nengs_Pond
1.ms_-_Incomparable_Verse_Valley
1.ms_-_No_End_Point
1.ms_-_Old_Creek
1.ms_-_Snow_Garden
1.ms_-_Temple_of_Eternal_Light
1.ms_-_The_Gate_of_Universal_Light
1.ms_-_Toki-no-Ge_(Satori_Poem)
1.nb_-_A_Poem_for_the_Sefirot_as_a_Wheel_of_Light
1.nkt_-_Autumn_Wind
1.nkt_-_Lets_Get_to_Rowing
1.nmdv_-_He_is_the_One_in_many
1.nmdv_-_Laughing_and_playing,_I_came_to_Your_Temple,_O_Lord
1.nmdv_-_The_drum_with_no_drumhead_beats
1.nmdv_-_The_thundering_resonance_of_the_Word
1.nmdv_-_Thou_art_the_Creator,_Thou_alone_art_my_friend
1.nmdv_-_When_I_see_His_ways,_I_sing
1.nrpa_-_Advice_to_Marpa_Lotsawa
1.nrpa_-_The_Summary_of_Mahamudra
1.nrpa_-_The_Viewm_Concisely_Put
1.okym_-_10_-_With_me_along_the_strip_of_Herbage_strown
1.okym_-_11_-_Here_with_a_Loaf_of_Bread_beneath_the_Bough
1.okym_-_12_-_How_sweet_is_mortal_Sovranty!_--_think_some
1.okym_-_13_-_Look_to_the_Rose_that_blows_about_us_--_Lo
1.okym_-_14_-_The_Worldly_Hope_men_set_their_Hearts_upon
1.okym_-_15_-_And_those_who_husbanded_the_Golden_Grain
1.okym_-_16_-_Think,_in_this_batterd_Caravanserai
1.okym_-_17_-_They_say_the_Lion_and_the_Lizard_keep
1.okym_-_18_-_I_sometimes_think_that_never_blows_so_red
1.okym_-_19_-_And_this_delightful_Herb_whose_tender_Green
1.okym_-_1_-_AWAKE!_for_Morning_in_the_Bowl_of_Night
1.okym_-_20_-_Ah,_my_Beloved,_fill_the_Cup_that_clears
1.okym_-_21_-_Lo!_some_we_loved,_the_loveliest_and_best
1.okym_-_22_-_And_we,_that_now_make_merry_in_the_Room
1.okym_-_23_-_Ah,_make_the_most_of_what_we_may_yet_spend
1.okym_-_24_-_Alike_for_those_who_for_To-day_prepare
1.okym_-_25_-_Why,_all_the_Saints_and_Sages_who_discussd
1.okym_-_26_-_Oh,_come_with_old_Khayyam,_and_leave_the_Wise
1.okym_-_27_-_Myself_when_young_did_eagerly_frequent
1.okym_-_28_-_With_them_the_Seed_of_Wisdom_did_I_sow
1.okym_-_29_-_Into_this_Universe,_and_Why_not_knowing
1.okym_-_2_-_Dreaming_when_Dawns_Left_Hand_was_in_the_Sky
1.okym_-_30_-_What,_without_asking,_hither_hurried_whence?
1.okym_-_31_-_Up_from_Earths_Centre_through_the_Seventh_Gate
1.okym_-_32_-_There_was_a_Door_to_which_I_found_no_Key
1.okym_-_33_-_Then_to_the_rolling_Heavn_itself_I_cried
1.okym_-_34_-_Then_to_this_earthen_Bowl_did_I_adjourn
1.okym_-_35_-_I_think_the_Vessel,_that_with_fugitive
1.okym_-_36_-_For_in_the_Market-place,_one_Dusk_of_Day
1.okym_-_37_-_Ah,_fill_the_Cup-_--_what_boots_it_to_repeat
1.okym_-_38_-_One_Moment_in_Annihilations_Waste
1.okym_-_39_-_How_long,_how_long,_in_infinite_Pursuit
1.okym_-_3_-_And,_as_the_Cock_crew,_those_who_stood_before
1.okym_-_40_-_You_know,_my_Friends,_how_long_since_in_my_House
1.okym_-_41_-_For_Is_and_Is-not_though_with_Rule_and_Line
1.okym_-_41_-_later_edition_-_Perplext_no_more_with_Human_or_Divine_Perplext_no_more_with_Human_or_Divine
1.okym_-_42_-_And_lately,_by_the_Tavern_Door_agape
1.okym_-_42_-_later_edition_-_Waste_not_your_Hour,_nor_in_the_vain_pursuit_Waste_not_your_Hour,_nor_in_the_vain_pursuit
1.okym_-_43_-_The_Grape_that_can_with_Logic_absolute
1.okym_-_44_-_The_mighty_Mahmud,_the_victorious_Lord
1.okym_-_45_-_But_leave_the_Wise_to_wrangle,_and_with_me
1.okym_-_46_-_For_in_and_out,_above,_about,_below
1.okym_-_46_-_later_edition_-_Why,_be_this_Juice_the_growth_of_God,_who_dare_Why,_be_this_Juice_the_growth_of_God,_who_dare
1.okym_-_47_-_And_if_the_Wine_you_drink,_the_Lip_you_press
1.okym_-_48_-_While_the_Rose_blows_along_the_River_Brink
1.okym_-_49_-_Tis_all_a_Chequer-board_of_Nights_and_Days
1.okym_-_4_-_Now_the_New_Year_reviving_old_Desires
1.okym_-_50_-_The_Ball_no_Question_makes_of_Ayes_and_Noes
1.okym_-_51_-_later_edition_-_Why,_if_the_Soul_can_fling_the_Dust_aside
1.okym_-_51_-_The_Moving_Finger_writes-_and,_having_writ
1.okym_-_52_-_And_that_inverted_Bowl_we_call_The_Sky
1.okym_-_52_-_later_edition_-_But_that_is_but_a_Tent_wherein_may_rest
1.okym_-_53_-_later_edition_-_I_sent_my_Soul_through_the_Invisible
1.okym_-_53_-_With_Earths_first_Clay_They_did_the_Last_Man_knead
1.okym_-_54_-_I_tell_Thee_this_--_When,_starting_from_the_Goal
1.okym_-_55_-_The_Vine_has_struck_a_fiber-_which_about
1.okym_-_56_-_And_this_I_know-_whether_the_one_True_Light
1.okym_-_57_-_Oh_Thou,_who_didst_with_Pitfall_and_with_gin
1.okym_-_58_-_Oh,_Thou,_who_Man_of_baser_Earth_didst_make
1.okym_-_59_-_Listen_again
1.okym_-_5_-_Iram_indeed_is_gone_with_all_its_Rose
1.okym_-_60_-_And,_strange_to_tell,_among_that_Earthen_Lot
1.okym_-_61_-_Then_said_another_--_Surely_not_in_vain
1.okym_-_62_-_Another_said_--_Why,_neer_a_peevish_Boy
1.okym_-_63_-_None_answerd_this-_but_after_Silence_spake
1.okym_-_64_-_Said_one_--_Folks_of_a_surly_Tapster_tell
1.okym_-_65_-_Then_said_another_with_a_long-drawn_Sigh
1.okym_-_66_-_So_while_the_Vessels_one_by_one_were_speaking
1.okym_-_67_-_Ah,_with_the_Grape_my_fading_Life_provide
1.okym_-_68_-_That_evn_my_buried_Ashes_such_a_Snare
1.okym_-_69_-_Indeed_the_Idols_I_have_loved_so_long
1.okym_-_6_-_And_Davids_Lips_are_lockt-_but_in_divine
1.okym_-_70_-_Indeed,_indeed,_Repentance_oft_before
1.okym_-_71_-_And_much_as_Wine_has_playd_the_Infidel
1.okym_-_72_-_Alas,_that_Spring_should_vanish_with_the_Rose!
1.okym_-_73_-_Ah_Love!_could_thou_and_I_with_Fate_conspire
1.okym_-_74_-_Ah,_Moon_of_my_Delight_who_knowst_no_wane
1.okym_-_75_-_And_when_Thyself_with_shining_Foot_shall_pass
1.okym_-_7_-_Come,_fill_the_Cup,_and_in_the_Fire_of_Spring
1.okym_-_8_-_And_look_--_a_thousand_Blossoms_with_the_Day
1.okym_-_9_-_But_come_with_old_Khayyam,_and_leave_the_Lot
1.pbs_-_A_Bridal_Song
1.pbs_-_A_Dialogue
1.pbs_-_A_Dirge
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_A_Fragment_-_To_Music
1.pbs_-_A_Hate-Song
1.pbs_-_A_Lament
1.pbs_-_Alas!_This_Is_Not_What_I_Thought_Life_Was
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_An_Allegory
1.pbs_-_And_like_a_Dying_Lady,_Lean_and_Pale
1.pbs_-_And_That_I_Walk_Thus_Proudly_Crowned_Withal
1.pbs_-_A_New_National_Anthem
1.pbs_-_An_Exhortation
1.pbs_-_An_Ode,_Written_October,_1819,_Before_The_Spaniards_Had_Recovered_Their_Liberty
1.pbs_-_Another_Fragment_to_Music
1.pbs_-_Archys_Song_From_Charles_The_First_(A_Widow_Bird_Sate_Mourning_For_Her_Love)
1.pbs_-_Arethusa
1.pbs_-_A_Romans_Chamber
1.pbs_-_Art_Thou_Pale_For_Weariness
1.pbs_-_A_Serpent-Face
1.pbs_-_Asia_-_From_Prometheus_Unbound
1.pbs_-_A_Summer_Evening_Churchyard_-_Lechlade,_Gloucestershire
1.pbs_-_A_Tale_Of_Society_As_It_Is_-_From_Facts,_1811
1.pbs_-_Autumn_-_A_Dirge
1.pbs_-_A_Vision_Of_The_Sea
1.pbs_-_A_Widow_Bird_Sate_Mourning_For_Her_Love
1.pbs_-_Beautys_Halo
1.pbs_-_Bereavement
1.pbs_-_Bigotrys_Victim
1.pbs_-_Catalan
1.pbs_-_Charles_The_First
1.pbs_-_Chorus_from_Hellas
1.pbs_-_Dark_Spirit_of_the_Desart_Rude
1.pbs_-_Death
1.pbs_-_Death_In_Life
1.pbs_-_Death_Is_Here_And_Death_Is_There
1.pbs_-_Despair
1.pbs_-_Dirge_For_The_Year
1.pbs_-_English_translationItalian
1.pbs_-_Epigram_III_-_Spirit_of_Plato
1.pbs_-_Epigram_II_-_Kissing_Helena
1.pbs_-_Epigram_I_-_To_Stella
1.pbs_-_Epigram_IV_-_Circumstance
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Epitaph
1.pbs_-_Epithalamium
1.pbs_-_Epithalamium_-_Another_Version
1.pbs_-_Evening_-_Ponte_Al_Mare,_Pisa
1.pbs_-_Evening._To_Harriet
1.pbs_-_Eyes_-_A_Fragment
1.pbs_-_Faint_With_Love,_The_Lady_Of_The_South
1.pbs_-_Feelings_Of_A_Republican_On_The_Fall_Of_Bonaparte
1.pbs_-_Fiordispina
1.pbs_-_Fragment_-_A_Gentle_Story_Of_Two_Lovers_Young
1.pbs_-_Fragment_-_"Amor_Aeternus"
1.pbs_-_Fragment_-_Apostrophe_To_Silence
1.pbs_-_Fragment_-_A_Wanderer
1.pbs_-_Fragment_-_Follow_To_The_Deep_Woods_Weeds
1.pbs_-_Fragment_From_The_Wandering_Jew
1.pbs_-_Fragment_-_Great_Spirit
1.pbs_-_Fragment_-_Home
1.pbs_-_Fragment_-_"Igniculus_Desiderii"
1.pbs_-_Fragment_-_Is_It_That_In_Some_Brighter_Sphere
1.pbs_-_Fragment_-_Love_The_Universe_To-Day
1.pbs_-_Fragment_-_Miltons_Spirit
1.pbs_-_Fragment_-_My_Head_Is_Wild_With_Weeping
1.pbs_-_Fragment_Of_A_Ghost_Story
1.pbs_-_Fragment_Of_A_Satire_On_Satire
1.pbs_-_Fragment_Of_A_Sonnet._Farewell_To_North_Devon
1.pbs_-_Fragment_Of_A_Sonnet_-_To_Harriet
1.pbs_-_Fragment_Of_The_Elegy_On_The_Death_Of_Adonis
1.pbs_-_Fragment_Of_The_Elegy_On_The_Death_Of_Bion
1.pbs_-_Fragment_-_Omens
1.pbs_-_Fragment,_Or_The_Triumph_Of_Conscience
1.pbs_-_Fragment_-_Rain
1.pbs_-_Fragment_-_Satan_Broken_Loose
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragments_Supposed_To_Be_Parts_Of_Otho
1.pbs_-_Fragment_-_Such_Hope,_As_Is_The_Sick_Despair_Of_Good
1.pbs_-_Fragment_-_Sufficient_Unto_The_Day
1.pbs_-_Fragment_-_Supposed_To_Be_An_Epithalamium_Of_Francis_Ravaillac_And_Charlotte_Corday
1.pbs_-_Fragments_Written_For_Hellas
1.pbs_-_Fragment_-_The_Lakes_Margin
1.pbs_-_Fragment_-_There_Is_A_Warm_And_Gentle_Atmosphere
1.pbs_-_Fragment_-_The_Vine-Shroud
1.pbs_-_Fragment_-_Thoughts_Come_And_Go_In_Solitude
1.pbs_-_Fragment_-_To_A_Friend_Released_From_Prison
1.pbs_-_Fragment_-_To_Byron
1.pbs_-_Fragment_-_To_One_Singing
1.pbs_-_Fragment_-_To_The_Moon
1.pbs_-_Fragment_-_To_The_People_Of_England
1.pbs_-_Fragment_-_Wedded_Souls
1.pbs_-_Fragment_-_What_Mary_Is_When_She_A_Little_Smiles
1.pbs_-_Fragment_-_What_Men_Gain_Fairly
1.pbs_-_Fragment_-_Ye_Gentle_Visitations_Of_Calm_Thought
1.pbs_-_Fragment_-_Yes!_All_Is_Past
1.pbs_-_From
1.pbs_-_From_The_Arabic_-_An_Imitation
1.pbs_-_From_the_Arabic,_an_Imitation
1.pbs_-_From_The_Greek_Of_Moschus
1.pbs_-_From_The_Greek_Of_Moschus_-_Pan_Loved_His_Neighbour_Echo
1.pbs_-_From_The_Original_Draft_Of_The_Poem_To_William_Shelley
1.pbs_-_From_Vergils_Fourth_Georgic
1.pbs_-_From_Vergils_Tenth_Eclogue
1.pbs_-_Ghasta_Or,_The_Avenging_Demon!!!
1.pbs_-_Ginevra
1.pbs_-_Good-Night
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_HERE_I_sit_with_my_paper
1.pbs_-_Homers_Hymn_To_Castor_And_Pollux
1.pbs_-_Homers_Hymn_To_Minerva
1.pbs_-_Homers_Hymn_To_The_Earth_-_Mother_Of_All
1.pbs_-_Homers_Hymn_To_The_Moon
1.pbs_-_Homers_Hymn_To_The_Sun
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Hymn_of_Apollo
1.pbs_-_Hymn_of_Pan
1.pbs_-_Hymn_to_Intellectual_Beauty
1.pbs_-_Hymn_To_Mercury
1.pbs_-_I_Arise_from_Dreams_of_Thee
1.pbs_-_I_Faint,_I_Perish_With_My_Love!
1.pbs_-_Invocation
1.pbs_-_Invocation_To_Misery
1.pbs_-_I_Stood_Upon_A_Heaven-cleaving_Turret
1.pbs_-_I_Would_Not_Be_A_King
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Liberty
1.pbs_-_Life_Rounded_With_Sleep
1.pbs_-_Lines_--_Far,_Far_Away,_O_Ye
1.pbs_-_Lines_-_That_time_is_dead_for_ever,_child!
1.pbs_-_Lines_-_The_cold_earth_slept_below
1.pbs_-_Lines_To_A_Critic
1.pbs_-_Lines_To_A_Reviewer
1.pbs_-_Lines_-_We_Meet_Not_As_We_Parted
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Lines_Written_During_The_Castlereagh_Administration
1.pbs_-_Lines_Written_in_the_Bay_of_Lerici
1.pbs_-_Lines_Written_On_Hearing_The_News_Of_The_Death_Of_Napoleon
1.pbs_-_Love
1.pbs_-_Love-_Hope,_Desire,_And_Fear
1.pbs_-_Loves_Philosophy
1.pbs_-_Loves_Rose
1.pbs_-_Marenghi
1.pbs_-_Mariannes_Dream
1.pbs_-_Matilda_Gathering_Flowers
1.pbs_-_May_The_Limner
1.pbs_-_Melody_To_A_Scene_Of_Former_Times
1.pbs_-_Methought_I_Was_A_Billow_In_The_Crowd
1.pbs_-_Mighty_Eagle
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_Music
1.pbs_-_Music(2)
1.pbs_-_Music_And_Sweet_Poetry
1.pbs_-_Mutability
1.pbs_-_Mutability_-_II.
1.pbs_-_Ode_To_Heaven
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Ode_to_the_West_Wind
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_On_A_Faded_Violet
1.pbs_-_On_A_Fete_At_Carlton_House_-_Fragment
1.pbs_-_On_An_Icicle_That_Clung_To_The_Grass_Of_A_Grave
1.pbs_-_On_Death
1.pbs_-_One_sung_of_thee_who_left_the_tale_untold
1.pbs_-_On_Fanny_Godwin
1.pbs_-_On_Keats,_Who_Desired_That_On_His_Tomb_Should_Be_Inscribed--
1.pbs_-_On_Leaving_London_For_Wales
1.pbs_-_On_Robert_Emmets_Grave
1.pbs_-_On_The_Dark_Height_of_Jura
1.pbs_-_On_The_Medusa_Of_Leonardo_da_Vinci_In_The_Florentine_Gallery
1.pbs_-_Orpheus
1.pbs_-_O_That_A_Chariot_Of_Cloud_Were_Mine!
1.pbs_-_Otho
1.pbs_-_O_Thou_Immortal_Deity
1.pbs_-_Ozymandias
1.pbs_-_Passage_Of_The_Apennines
1.pbs_-_Pater_Omnipotens
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Poetical_Essay
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_I.
1.pbs_-_Queen_Mab_-_Part_II.
1.pbs_-_Queen_Mab_-_Part_III.
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_IX.
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_Vi_(Excerpts)
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Queen_Mab_-_Part_VIII.
1.pbs_-_Remembrance
1.pbs_-_Revenge
1.pbs_-_Rome_And_Nature
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Saint_Edmonds_Eve
1.pbs_-_Scene_From_Tasso
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Similes_For_Two_Political_Characters_of_1819
1.pbs_-_Sister_Rosa_-_A_Ballad
1.pbs_-_Song
1.pbs_-_Song._Cold,_Cold_Is_The_Blast_When_December_Is_Howling
1.pbs_-_Song._Come_Harriet!_Sweet_Is_The_Hour
1.pbs_-_Song._Despair
1.pbs_-_Song._--_Fierce_Roars_The_Midnight_Storm
1.pbs_-_Song_For_Tasso
1.pbs_-_Song_From_The_Wandering_Jew
1.pbs_-_Song._Hope
1.pbs_-_Song_Of_Proserpine_While_Gathering_Flowers_On_The_Plain_Of_Enna
1.pbs_-_Song._Sorrow
1.pbs_-_Song._To_--_[Harriet]
1.pbs_-_Song._To_[Harriet]
1.pbs_-_Song_To_The_Men_Of_England
1.pbs_-_Song._Translated_From_The_German
1.pbs_-_Song._Translated_From_The_Italian
1.pbs_-_Sonnet_-_England_in_1819
1.pbs_-_Sonnet_-_From_The_Italian_Of_Cavalcanti
1.pbs_-_Sonnet_-_From_The_Italian_Of_Dante
1.pbs_-_Sonnet_-_Lift_Not_The_Painted_Veil_Which_Those_Who_Live
1.pbs_-_Sonnet_-_On_Launching_Some_Bottles_Filled_With_Knowledge_Into_The_Bristol_Channel
1.pbs_-_Sonnet_-_Political_Greatness
1.pbs_-_Sonnet_-_To_A_Balloon_Laden_With_Knowledge
1.pbs_-_Sonnet_To_Byron
1.pbs_-_Sonnet_--_Ye_Hasten_To_The_Grave!
1.pbs_-_Stanza
1.pbs_-_Stanza_From_A_Translation_Of_The_Marseillaise_Hymn
1.pbs_-_Stanzas._--_April,_1814
1.pbs_-_Stanzas_From_Calderons_Cisma_De_Inglaterra
1.pbs_-_Stanzas_Written_in_Dejection,_Near_Naples
1.pbs_-_Stanza-_Written_At_Bracknell
1.pbs_-_St._Irvynes_Tower
1.pbs_-_Summer_And_Winter
1.pbs_-_The_Aziola
1.pbs_-_The_Birth_Place_of_Pleasure
1.pbs_-_The_Boat_On_The_Serchio
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cloud
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Death_Knell_Is_Ringing
1.pbs_-_The_Deserts_Of_Dim_Sleep
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Drowned_Lover
1.pbs_-_The_False_Laurel_And_The_True
1.pbs_-_The_First_Canzone_Of_The_Convito
1.pbs_-_The_Fitful_Alternations_of_the_Rain
1.pbs_-_The_Fugitives
1.pbs_-_The_Indian_Serenade
1.pbs_-_The_Irishmans_Song
1.pbs_-_The_Isle
1.pbs_-_The_Magnetic_Lady_To_Her_Patient
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Past
1.pbs_-_The_Pine_Forest_Of_The_Cascine_Near_Pisa
1.pbs_-_The_Question
1.pbs_-_The_Retrospect_-_CWM_Elan,_1812
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Rude_Wind_Is_Singing
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Sepulchre_Of_Memory
1.pbs_-_The_Solitary
1.pbs_-_The_Spectral_Horseman
1.pbs_-_The_Sunset
1.pbs_-_The_Tower_Of_Famine
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Two_Spirits_-_An_Allegory
1.pbs_-_The_Viewless_And_Invisible_Consequence
1.pbs_-_The_Wandering_Jews_Soliloquy
1.pbs_-_The_Waning_Moon
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_The_Woodman_And_The_Nightingale
1.pbs_-_The_Worlds_Wanderers
1.pbs_-_The_Zucca
1.pbs_-_Time
1.pbs_-_Time_Long_Past
1.pbs_-_To--
1.pbs_-_To_A_Skylark
1.pbs_-_To_A_Star
1.pbs_-_To_Coleridge
1.pbs_-_To_Constantia
1.pbs_-_To_Constantia-_Singing
1.pbs_-_To_Death
1.pbs_-_To_Edward_Williams
1.pbs_-_To_Emilia_Viviani
1.pbs_-_To_Harriet
1.pbs_-_To_Harriet_--_It_Is_Not_Blasphemy_To_Hope_That_Heaven
1.pbs_-_To_Ianthe
1.pbs_-_To--_I_Fear_Thy_Kisses,_Gentle_Maiden
1.pbs_-_To_Ireland
1.pbs_-_To_Italy
1.pbs_-_To_Jane_-_The_Invitation
1.pbs_-_To_Jane_-_The_Keen_Stars_Were_Twinkling
1.pbs_-_To_Jane_-_The_Recollection
1.pbs_-_To_Mary_-
1.pbs_-_To_Mary_Shelley
1.pbs_-_To_Mary_Shelley_(2)
1.pbs_-_To_Mary_Who_Died_In_This_Opinion
1.pbs_-_To_Mary_Wollstonecraft_Godwin
1.pbs_-_To-morrow
1.pbs_-_To--_Music,_when_soft_voices_die
1.pbs_-_To_Night
1.pbs_-_To--_Oh!_there_are_spirits_of_the_air
1.pbs_-_To--_One_word_is_too_often_profaned
1.pbs_-_To_Sophia_(Miss_Stacey)
1.pbs_-_To_The_Lord_Chancellor
1.pbs_-_To_The_Men_Of_England
1.pbs_-_To_The_Mind_Of_Man
1.pbs_-_To_the_Moon
1.pbs_-_To_The_Moonbeam
1.pbs_-_To_The_Nile
1.pbs_-_To_The_Queen_Of_My_Heart
1.pbs_-_To_The_Republicans_Of_North_America
1.pbs_-_To_William_Shelley
1.pbs_-_To_William_Shelley.
1.pbs_-_To_William_Shelley._Thy_Little_Footsteps_On_The_Sands
1.pbs_-_To_Wordsworth
1.pbs_-_To--_Yet_look_on_me
1.pbs_-_Ugolino
1.pbs_-_Unrisen_Splendour_Of_The_Brightest_Sun
1.pbs_-_Verses_On_A_Cat
1.pbs_-_Wake_The_Serpent_Not
1.pbs_-_War
1.pbs_-_When_A_Lover_Clasps_His_Fairest
1.pbs_-_When_Soft_Winds_And_Sunny_Skies
1.pbs_-_When_The_Lamp_Is_Shattered
1.pbs_-_Wine_Of_The_Fairies
1.pbs_-_With_A_Guitar,_To_Jane
1.pbs_-_Written_At_Bracknell
1.pbs_-_Zephyrus_The_Awakener
1.pc_-_Autumns_Cold
1.pc_-_Lute
1.pc_-_Staying_at_Bamboo_Lodge
1.poe_-_A_Dream
1.poe_-_A_Dream_Within_A_Dream
1.poe_-_Al_Aaraaf-_Part_1
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Alone
1.poe_-_An_Acrostic
1.poe_-_An_Enigma
1.poe_-_Annabel_Lee
1.poe_-_A_Paean
1.poe_-_A_Valentine
1.poe_-_Dreamland
1.poe_-_Dreams
1.poe_-_Eldorado
1.poe_-_Elizabeth
1.poe_-_Enigma
1.poe_-_Epigram_For_Wall_Street
1.poe_-_Eulalie
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Evening_Star
1.poe_-_Fairy-Land
1.poe_-_For_Annie
1.poe_-_Hymn
1.poe_-_Hymn_To_Aristogeiton_And_Harmodius
1.poe_-_Imitation
1.poe_-_Impromptu_-_To_Kate_Carol
1.poe_-_In_Youth_I_have_Known_One
1.poe_-_Israfel
1.poe_-_Lenore
1.poe_-_Romance
1.poe_-_Sancta_Maria
1.poe_-_Serenade
1.poe_-_Song
1.poe_-_Sonnet-_Silence
1.poe_-_Sonnet_-_To_Science
1.poe_-_Sonnet-_To_Zante
1.poe_-_Spirits_Of_The_Dead
1.poe_-_Tamerlane
1.poe_-_The_Bells
1.poe_-_The_Bells_-_A_collaboration
1.poe_-_The_Bridal_Ballad
1.poe_-_The_City_In_The_Sea
1.poe_-_The_City_Of_Sin
1.poe_-_The_Coliseum
1.poe_-_The_Conqueror_Worm
1.poe_-_The_Conversation_Of_Eiros_And_Charmion
1.poe_-_The_Divine_Right_Of_Kings
1.poe_-_The_Forest_Reverie
1.poe_-_The_Happiest_Day-The_Happiest_Hour
1.poe_-_The_Haunted_Palace
1.poe_-_The_Power_Of_Words_Oinos.
1.poe_-_The_Raven
1.poe_-_The_Sleeper
1.poe_-_The_Valley_Of_Unrest
1.poe_-_The_Village_Street
1.poe_-_To_--
1.poe_-_To_--_(2)
1.poe_-_To_--_(3)
1.poe_-_To_F--
1.poe_-_To_Frances_S._Osgood
1.poe_-_To_Helen_-_1831
1.poe_-_To_Helen_-_1848
1.poe_-_To_Isadore
1.poe_-_To_M--
1.poe_-_To_Marie_Louise_(Shew)
1.poe_-_To_My_Mother
1.poe_-_To_One_Departed
1.poe_-_To_One_In_Paradise
1.poe_-_To_The_Lake
1.poe_-_To_The_River
1.poe_-_Ulalume
1.pp_-_Raga_Dhanashri
1.raa_-_A_Holy_Tabernacle_in_the_Heart_(from_Life_of_the_Future_World)
1.raa_-_And_the_letter_is_longing
1.raa_-_And_YHVH_spoke_to_me_when_I_saw_His_name
1.raa_-_Circles_1_(from_Life_of_the_Future_World)
1.raa_-_Circles_2_(from_Life_of_the_Future_World)
1.raa_-_Circles_3_(from_Life_of_the_Future_World)
1.raa_-_Circles_4_(from_Life_of_the_Future_World)
1.raa_-_Their_mystery_is_(from_Life_of_the_Future_World)
1.rajh_-_God_Pursues_Me_Everywhere
1.rajh_-_Intimate_Hymn
1.rajh_-_The_Word_Most_Precious
1.rb_-_Abt_Vogler
1.rb_-_A_Cavalier_Song
1.rb_-_After
1.rb_-_A_Grammarian's_Funeral_Shortly_After_The_Revival_Of_Learning
1.rb_-_Aix_In_Provence
1.rb_-_A_Light_Woman
1.rb_-_A_Lovers_Quarrel
1.rb_-_Among_The_Rocks
1.rb_-_Andrea_del_Sarto
1.rb_-_An_Epistle_Containing_the_Strange_Medical_Experience_of_Kar
1.rb_-_Another_Way_Of_Love
1.rb_-_Any_Wife_To_Any_Husband
1.rb_-_A_Pretty_Woman
1.rb_-_A_Serenade_At_The_Villa
1.rb_-_A_Toccata_Of_Galuppi's
1.rb_-_A_Womans_Last_Word
1.rb_-_Before
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Bishop_Orders_His_Tomb_at_Saint_Praxed's_Church,_Rome,_The
1.rb_-_By_The_Fire-Side
1.rb_-_Caliban_upon_Setebos_or,_Natural_Theology_in_the_Island
1.rb_-_Childe_Roland_To_The_Dark_Tower_Came
1.rb_-_Cleon
1.rb_-_Confessions
1.rb_-_Cristina
1.rb_-_De_Gustibus
1.rb_-_Earth's_Immortalities
1.rb_-_Evelyn_Hope
1.rb_-_Fra_Lippo_Lippi
1.rb_-_Garden_Francies
1.rb_-_Holy-Cross_Day
1.rb_-_Home_Thoughts,_from_the_Sea
1.rb_-_How_They_Brought_The_Good_News_From_Ghent_To_Aix
1.rb_-_In_A_Gondola
1.rb_-_In_A_Year
1.rb_-_Incident_Of_The_French_Camp
1.rb_-_In_Three_Days
1.rb_-_Introduction:_Pippa_Passes
1.rbk_-_Epithalamium
1.rbk_-_He_Shall_be_King!
1.rb_-_Life_In_A_Love
1.rb_-_Love_Among_The_Ruins
1.rb_-_Love_In_A_Life
1.rb_-_Master_Hugues_Of_Saxe-Gotha
1.rb_-_Meeting_At_Night
1.rb_-_Memorabilia
1.rb_-_Mesmerism
1.rb_-_My_Last_Duchess
1.rb_-_My_Star
1.rb_-_Nationality_In_Drinks
1.rb_-_Never_the_Time_and_the_Place
1.rb_-_Now!
1.rb_-_Old_Pictures_In_Florence
1.rb_-_O_Lyric_Love
1.rb_-_One_Way_Of_Love
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Parting_At_Morning
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_III_-_Evening
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Pippa_Passes_-_Part_I_-_Morning
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Pippas_Song
1.rb_-_Popularity
1.rb_-_Porphyrias_Lover
1.rb_-_Prospice
1.rb_-_Protus
1.rb_-_Rabbi_Ben_Ezra
1.rb_-_Respectability
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Soliloquy_Of_The_Spanish_Cloister
1.rb_-_Song
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Boy_And_the_Angel
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Guardian-Angel
1.rb_-_The_Italian_In_England
1.rb_-_The_Laboratory-Ancien_Rgime
1.rb_-_The_Last_Ride_Together
1.rb_-_The_Lost_Leader
1.rb_-_The_Lost_Mistress
1.rb_-_The_Patriot
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rb_-_The_Twins
1.rb_-_Times_Revenges
1.rb_-_Two_In_The_Campagna
1.rb_-_Waring
1.rb_-_Why_I_Am_a_Liberal
1.rb_-_Women_And_Roses
1.rb_-_Youll_Love_Me_Yet
1.rmd_-_Raga_Basant
1.rmpsd_-_Come,_let_us_go_for_a_walk,_O_mind
1.rmpsd_-_Conquer_Death_with_the_drumbeat_Ma!_Ma!_Ma!
1.rmpsd_-_I_drink_no_ordinary_wine
1.rmpsd_-_In_the_worlds_busy_market-place,_O_Shyama
1.rmpsd_-_Its_value_beyond_assessment_by_the_mind
1.rmpsd_-_Kulakundalini,_Goddess_Full_of_Brahman,_Tara
1.rmpsd_-_Love_Her,_Mind
1.rmpsd_-_Ma,_Youre_inside_me
1.rmpsd_-_Meditate_on_Kali!_Why_be_anxious?
1.rmpsd_-_Mother,_am_I_Thine_eight-months_child?
1.rmpsd_-_Mother_this_is_the_grief_that_sorely_grieves_my_heart
1.rmpsd_-_O_Death!_Get_away-_what_canst_thou_do?
1.rmpsd_-_Of_what_use_is_my_going_to_Kasi_any_more?
1.rmpsd_-_O_Mother,_who_really
1.rmpsd_-_Once_for_all,_this_time
1.rmpsd_-_So_I_say-_Mind,_dont_you_sleep
1.rmpsd_-_Tell_me,_brother,_what_happens_after_death?
1.rmpsd_-_This_time_I_shall_devour_Thee_utterly,_Mother_Kali!
1.rmpsd_-_Who_in_this_world
1.rmpsd_-_Who_is_that_Syama_woman
1.rmpsd_-_Why_disappear_into_formless_trance?
1.rmr_-_Abishag
1.rmr_-_Adam
1.rmr_-_Again_and_Again
1.rmr_-_Along_the_Sun-Drenched_Roadside
1.rmr_-_As_Once_the_Winged_Energy_of_Delight
1.rmr_-_A_Sybil
1.rmr_-_Autumn
1.rmr_-_Autumn_Day
1.rmr_-_A_Walk
1.rmr_-_Before_Summer_Rain
1.rmr_-_Black_Cat_(Schwarze_Katze)
1.rmr_-_Blank_Joy
1.rmr_-_Buddha_in_Glory
1.rmr_-_Childhood
1.rmr_-_Child_In_Red
1.rmr_-_Death
1.rmr_-_Dedication
1.rmr_-_Dedication_To_M...
1.rmr_-_Early_Spring
1.rmr_-_Elegy_I
1.rmr_-_Elegy_IV
1.rmr_-_Elegy_X
1.rmr_-_Encounter_In_The_Chestnut_Avenue
1.rmr_-_English_translationGerman
1.rmr_-_Eve
1.rmr_-_Evening
1.rmr_-_Evening_Love_Song
1.rmr_-_Exposed_on_the_cliffs_of_the_heart
1.rmr_-_Extinguish_Thou_My_Eyes
1.rmr_-_Falconry
1.rmr_-_Falling_Stars
1.rmr_-_Fear_of_the_Inexplicable
1.rmr_-_Fire's_Reflection
1.rmr_-_For_Hans_Carossa
1.rmr_-_Girl_in_Love
1.rmr_-_Girl's_Lament
1.rmr_-_God_Speaks_To_Each_Of_Us
1.rmr_-_Going_Blind
1.rmr_-_Greek_Love-Talk
1.rmr_-_Growing_Old
1.rmr_-_Heartbeat
1.rmr_-_Ignorant_Before_The_Heavens_Of_My_Life
1.rmr_-_Interior_Portrait
1.rmr_-_In_The_Beginning
1.rmr_-_Lady_At_A_Mirror
1.rmr_-_Lady_On_A_Balcony
1.rmr_-_Lament
1.rmr_-_Lament_(O_how_all_things_are_far_removed)
1.rmr_-_Lament_(Whom_will_you_cry_to,_heart?)
1.rmr_-_Little_Tear-Vase
1.rmr_-_Loneliness
1.rmr_-_Losing
1.rmr_-_Love_Song
1.rmr_-_Moving_Forward
1.rmr_-_Music
1.rmr_-_My_Life
1.rmr_-_Narcissus
1.rmr_-_Night_(O_you_whose_countenance)
1.rmr_-_Night_(This_night,_agitated_by_the_growing_storm)
1.rmr_-_On_Hearing_Of_A_Death
1.rmr_-_Palm
1.rmr_-_Parting
1.rmr_-_Portrait_of_my_Father_as_a_Young_Man
1.rmr_-_Put_Out_My_Eyes
1.rmr_-_Rememberance
1.rmr_-_Sacrifice
1.rmr_-_Self-Portrait
1.rmr_-_Sense_Of_Something_Coming
1.rmr_-_Slumber_Song
1.rmr_-_Solemn_Hour
1.rmr_-_Song
1.rmr_-_Song_Of_The_Orphan
1.rmr_-_Song_Of_The_Sea
1.rmr_-_Song_Of_The_Women_To_The_Poet
1.rmr_-_Spanish_Dancer
1.rmr_-_Sunset
1.rmr_-_Telling_You_All
1.rmr_-_The_Alchemist
1.rmr_-_The_Apple_Orchard
1.rmr_-_The_Future
1.rmr_-_The_Grown-Up
1.rmr_-_The_Last_Evening
1.rmr_-_The_Lovers
1.rmr_-_The_Neighbor
1.rmr_-_The_Panther
1.rmr_-_The_Poet
1.rmr_-_The_Sisters
1.rmr_-_The_Song_Of_The_Beggar
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_I
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_VI
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_XIII
1.rmr_-_The_Sonnets_To_Orpheus_-_I
1.rmr_-_The_Sonnets_To_Orpheus_-_IV
1.rmr_-_The_Sonnets_To_Orpheus_-_X
1.rmr_-_The_Sonnets_To_Orpheus_-_XIX
1.rmr_-_The_Sonnets_To_Orpheus_-_XXV
1.rmr_-_The_Spanish_Dancer
1.rmr_-_The_Swan
1.rmr_-_The_Unicorn
1.rmr_-_The_Voices
1.rmr_-_The_Wait
1.rmr_-_Time_and_Again
1.rmr_-_To_Lou_Andreas-Salome
1.rmr_-_To_Music
1.rmr_-_Torso_of_an_Archaic_Apollo
1.rmr_-_To_Say_Before_Going_to_Sleep
1.rmr_-_Venetian_Morning
1.rmr_-_Water_Lily
1.rmr_-_What_Birds_Plunge_Through_Is_Not_The_Intimate_Space
1.rmr_-_What_Fields_Are_As_Fragrant_As_Your_Hands?
1.rmr_-_What_Survives
1.rmr_-_Woman_in_Love
1.rmr_-_World_Was_In_The_Face_Of_The_Beloved
1.rmr_-_You_Must_Not_Understand_This_Life_(with_original_German)
1.rmr_-_You_Who_Never_Arrived
1.rmr_-_You,_you_only,_exist
1.rt_-_(101)_Ever_in_my_life_have_I_sought_thee_with_my_songs_(from_Gitanjali)
1.rt_-_(103)_In_one_salutation_to_thee,_my_God_(from_Gitanjali)
1.rt_-_(1)_Thou_hast_made_me_endless_(from_Gitanjali)
1.rt_-_(38)_I_want_thee,_only_thee_(from_Gitanjali)
1.rt_-_(63)_Thou_hast_made_me_known_to_friends_whom_I_knew_not_(from_Gitanjali)
1.rt_-_(75)_Thy_gifts_to_us_mortals_fulfil_all_our_needs_(from_Gitanjali)
1.rt_-_(80)_I_am_like_a_remnant_of_a_cloud_of_autumn_(from_Gitanjali)
1.rt_-_(84)_It_is_the_pang_of_separation_that_spreads_throughout_the_world_(from_Gitanjali)
1.rt_-_Accept_me,_my_lord,_accept_me_for_this_while
1.rt_-_A_Dream
1.rt_-_A_Hundred_Years_Hence
1.rt_-_Akash_Bhara_Surya_Tara_Biswabhara_Pran_(Translation)
1.rt_-_All_These_I_Loved
1.rt_-_Along_The_Way
1.rt_-_And_In_Wonder_And_Amazement_I_Sing
1.rt_-_At_The_End_Of_The_Day
1.rt_-_At_The_Last_Watch
1.rt_-_Authorship
1.rt_-_Babys_Way
1.rt_-_Babys_World
1.rt_-_Beggarly_Heart
1.rt_-_Benediction
1.rt_-_Birth_Story
1.rt_-_Brahm,_Viu,_iva
1.rt_-_Brink_Of_Eternity
1.rt_-_Broken_Song
1.rt_-_Chain_Of_Pearls
1.rt_-_Closed_Path
1.rt_-_Clouds_And_Waves
1.rt_-_Colored_Toys
1.rt_-_Compensation
1.rt_-_Cruel_Kindness
1.rt_-_Death
1.rt_-_Defamation
1.rt_-_Distant_Time
1.rt_-_Dream_Girl
1.rt_-_Dungeon
1.rt_-_Endless_Time
1.rt_-_Face_To_Face
1.rt_-_Fairyland
1.rt_-_Farewell
1.rt_-_Fireflies
1.rt_-_Flower
1.rt_-_Fool
1.rt_-_Freedom
1.rt_-_Friend
1.rt_-_From_Afar
1.rt_-_Gift_Of_The_Great
1.rt_-_Gitanjali
1.rt_-_Give_Me_Strength
1.rt_-_Hard_Times
1.rt_-_Hes_there_among_the_scented_trees_(from_The_Lover_of_God)
1.rt_-_I
1.rt_-_I_Am_Restless
1.rt_-_I_Cast_My_Net_Into_The_Sea
1.rt_-_I_Found_A_Few_Old_Letters
1.rt_-_Innermost_One
1.rt_-_In_The_Country
1.rt_-_In_The_Dusky_Path_Of_A_Dream
1.rt_-_I_touch_God_in_my_song
1.rt_-_Journey_Home
1.rt_-_Keep_Me_Fully_Glad
1.rt_-_Kinu_Goalas_Alley
1.rt_-_Krishnakali
1.rt_-_Lamp_Of_Love
1.rt_-_Last_Curtain
1.rt_-_Leave_This
1.rt_-_Let_Me_Not_Forget
1.rt_-_Light
1.rt_-_Listen,_can_you_hear_it?_(from_The_Lover_of_God)
1.rt_-_Little_Flute
1.rt_-_Little_Of_Me
1.rt_-_Lord_Of_My_Life
1.rt_-_Lost_Star
1.rt_-_Lost_Time
1.rt_-_Lotus
1.rt_-_Lovers_Gifts_II_-_Come_To_My_Garden_Walk
1.rt_-_Lovers_Gifts_IV_-_She_Is_Near_To_My_Heart
1.rt_-_Lovers_Gifts_LII_-_Tired_Of_Waiting
1.rt_-_Lovers_Gifts_LIV_-_In_The_Beginning_Of_Time
1.rt_-_Lovers_Gifts_LVIII_-_Things_Throng_And_Laugh
1.rt_-_Lovers_Gifts_LVI_-_The_Evening_Was_Lonely
1.rt_-_Lovers_Gifts_LXX_-_Take_Back_Your_Coins
1.rt_-_Lovers_Gifts_VIII_-_There_Is_Room_For_You
1.rt_-_Lovers_Gifts_V_-_I_Would_Ask_For_Still_More
1.rt_-_Lovers_Gifts_XIII_-_Last_Night_In_The_Garden
1.rt_-_Lovers_Gifts_XIX_-_It_Is_Written_In_The_Book
1.rt_-_Lovers_Gifts_XL_-_A_Message_Came
1.rt_-_Lovers_Gifts_XLII_-_Are_You_A_Mere_Picture
1.rt_-_Lovers_Gifts_XLIII_-_Dying,_You_Have_Left_Behind
1.rt_-_Lovers_Gifts_XLIV_-_Where_Is_Heaven
1.rt_-_Lovers_Gifts_XLVIII_-_I_Travelled_The_Old_Road
1.rt_-_Lovers_Gifts_XLVII_-_The_Road_Is
1.rt_-_Lovers_Gifts_XVIII_-_Your_Days
1.rt_-_Lovers_Gifts_XVI_-_She_Dwelt_Here_By_The_Pool
1.rt_-_Lovers_Gifts_XXII_-_I_Shall_Gladly_Suffer
1.rt_-_Lovers_Gifts_XXVIII_-_I_Dreamt
1.rt_-_Lovers_Gifts_XXXIX_-_There_Is_A_Looker-On
1.rt_-_Maran-Milan_(Death-Wedding)
1.rt_-_Maya
1.rt_-_Meeting
1.rt_-_Moments_Indulgence
1.rt_-_My_Dependence
1.rt_-_My_Friend,_Come_In_These_Rains
1.rt_-_My_Polar_Star
1.rt_-_My_Pole_Star
1.rt_-_My_Present
1.rt_-_My_Song
1.rt_-_Ocean_Of_Forms
1.rt_-_Old_And_New
1.rt_-_Old_Letters_
1.rt_-_One_Day_In_Spring....
1.rt_-_Only_Thee
1.rt_-_On_many_an_idle_day_have_I_grieved_over_lost_time_(from_Gitanjali)
1.rt_-_On_The_Nature_Of_Love
1.rt_-_On_The_Seashore
1.rt_-_Our_Meeting
1.rt_-_Palm_Tree
1.rt_-_Paper_Boats
1.rt_-_Parting_Words
1.rt_-_Passing_Breeze
1.rt_-_Patience
1.rt_-_Playthings
1.rt_-_Poems_On_Beauty
1.rt_-_Poems_On_Life
1.rt_-_Poems_On_Man
1.rt_-_Poems_On_Time
1.rt_-_Prisoner
1.rt_-_Purity
1.rt_-_Rare
1.rt_-_Religious_Obsession_--_translation_from_Dharmamoha
1.rt_-_Roaming_Cloud
1.rt_-_Sail_Away
1.rt_-_Salutation
1.rt_-_Senses
1.rt_-_She
1.rt_-_Shyama
1.rt_-_Signet_Of_Eternity
1.rt_-_Silent_Steps
1.rt_-_Sit_Smiling
1.rt_-_Sleep
1.rt_-_Sleep-Stealer
1.rt_-_Song_Unsung
1.rt_-_Still_Heart
1.rt_-_Stray_Birds_01_-_10
1.rt_-_Stray_Birds_11-_20
1.rt_-_Stray_Birds_21_-_30
1.rt_-_Stray_Birds_31_-_40
1.rt_-_Stray_Birds_51_-_60
1.rt_-_Stray_Birds_61_-_70
1.rt_-_Stray_Birds_71_-_80
1.rt_-_Stray_Birds_81_-_90
1.rt_-_Stream_Of_Life
1.rt_-_Strong_Mercy
1.rt_-_Superior
1.rt_-_Sympathy
1.rt_-_The_Astronomer
1.rt_-_The_Banyan_Tree
1.rt_-_The_Beginning
1.rt_-_The_Boat
1.rt_-_The_Call_Of_The_Far
1.rt_-_The_Champa_Flower
1.rt_-_The_Child-Angel
1.rt_-_The_End
1.rt_-_The_First_Jasmines
1.rt_-_The_Flower-School
1.rt_-_The_Further_Bank
1.rt_-_The_Gardener_IV_-_Ah_Me
1.rt_-_The_Gardener_IX_-_When_I_Go_Alone_At_Night
1.rt_-_The_Gardener_LI_-_Then_Finish_The_Last_Song
1.rt_-_The_Gardener_LIX_-_O_Woman
1.rt_-_The_Gardener_LVII_-_I_Plucked_Your_Flower
1.rt_-_The_Gardener_LV_-_It_Was_Mid-Day
1.rt_-_The_Gardener_LXI_-_Peace,_My_Heart
1.rt_-_The_Gardener_LXIV_-_I_Spent_My_Day
1.rt_-_The_Gardener_LXIX_-_I_Hunt_For_The_Golden_Stag
1.rt_-_The_Gardener_LXVIII_-_None_Lives_For_Ever,_Brother
1.rt_-_The_Gardener_LXXIX_-_I_Often_Wonder
1.rt_-_The_Gardener_LXXV_-_At_Midnight
1.rt_-_The_Gardener_LXXXIII_-_She_Dwelt_On_The_Hillside
1.rt_-_The_Gardener_LXXXIV_-_Over_The_Green
1.rt_-_The_Gardener_LXXXI_-_Why_Do_You_Whisper_So_Faintly
1.rt_-_The_Gardener_XI_-_Come_As_You_Are
1.rt_-_The_Gardener_XIII_-_I_Asked_Nothing
1.rt_-_The_Gardener_XIV_-_I_Was_Walking_By_The_Road
1.rt_-_The_Gardener_XIX_-_You_Walked
1.rt_-_The_Gardener_XL_-_An_Unbelieving_Smile
1.rt_-_The_Gardener_X_-_Let_Your_Work_Be,_Bride
1.rt_-_The_Gardener_XLIII_-_No,_My_Friends
1.rt_-_The_Gardener_XLII_-_O_Mad,_Superbly_Drunk
1.rt_-_The_Gardener_XLIV_-_Reverend_Sir,_Forgive
1.rt_-_The_Gardener_XLVIII_-_Free_Me
1.rt_-_The_Gardener_XLVI_-_You_Left_Me
1.rt_-_The_Gardener_XLV_-_To_The_Guests
1.rt_-_The_Gardener_XVI_-_Hands_Cling_To_Eyes
1.rt_-_The_Gardener_XVIII_-_When_Two_Sisters
1.rt_-_The_Gardener_XX_-_Day_After_Day_He_Comes
1.rt_-_The_Gardener_XXII_-_When_She_Passed_By_Me
1.rt_-_The_Gardener_XXIV_-_Do_Not_Keep_To_Yourself
1.rt_-_The_Gardener_XXI_-_Why_Did_He_Choose
1.rt_-_The_Gardener_XXIX_-_Speak_To_Me_My_Love
1.rt_-_The_Gardener_XXVIII_-_Your_Questioning_Eyes
1.rt_-_The_Gardener_XXVII_-_Trust_Love
1.rt_-_The_Gardener_XXVI_-_What_Comes_From_Your_Willing_Hands
1.rt_-_The_Gardener_XXXIV_-_Do_Not_Go,_My_Love
1.rt_-_The_Gardener_XXXVIII_-_My_Love,_Once_Upon_A_Time
1.rt_-_The_Gift
1.rt_-_The_Golden_Boat
1.rt_-_The_Hero
1.rt_-_The_Hero(2)
1.rt_-_The_Home
1.rt_-_The_Homecoming
1.rt_-_The_Journey
1.rt_-_The_Judge
1.rt_-_The_Kiss
1.rt_-_The_Kiss(2)
1.rt_-_The_Land_Of_The_Exile
1.rt_-_The_Last_Bargain
1.rt_-_The_Little_Big_Man
1.rt_-_The_Lost_Star
1.rt_-_The_Merchant
1.rt_-_The_Music_Of_The_Rains
1.rt_-_The_Portrait
1.rt_-_The_Rainy_Day
1.rt_-_The_Recall
1.rt_-_The_Sailor
1.rt_-_The_Source
1.rt_-_The_Sun_Of_The_First_Day
1.rt_-_The_Tame_Bird_Was_In_A_Cage
1.rt_-_The_Unheeded_Pageant
1.rt_-_The_Wicked_Postman
1.rt_-_This_Dog
1.rt_-_Threshold
1.rt_-_Tumi_Sandhyar_Meghamala_-_You_Are_A_Cluster_Of_Clouds_-_Translation
1.rt_-_Twelve_OClock
1.rt_-_Unending_Love
1.rt_-_Ungrateful_Sorrow
1.rt_-_Untimely_Leave
1.rt_-_Unyielding
1.rt_-_Urvashi
1.rt_-_Vocation
1.rt_-_Waiting
1.rt_-_Waiting_For_The_Beloved
1.rt_-_We_Are_To_Play_The_Game_Of_Death
1.rt_-_When_And_Why
1.rt_-_When_Day_Is_Done
1.rt_-_When_I_Go_Alone_At_Night
1.rt_-_When_the_Two_Sister_Go_To_Fetch_Water
1.rt_-_Where_Shadow_Chases_Light
1.rt_-_Where_The_Mind_Is_Without_Fear
1.rt_-_Who_are_You,_who_keeps_my_heart_awake?_(from_The_Lover_of_God)
1.rt_-_Who_Is_This?
1.rt_-_Your_flute_plays_the_exact_notes_of_my_pain._(from_The_Lover_of_God)
1.rvd_-_How_to_Escape?
1.rvd_-_If_You_are_a_mountain
1.rvd_-_The_Name_alone_is_the_Truth
1.rvd_-_Upon_seeing_poverty
1.rvd_-_When_I_existed
1.rvd_-_You_are_me,_and_I_am_You
1.rwe_-_Alphonso_Of_Castile
1.rwe_-_A_Nations_Strength
1.rwe_-_Art
1.rwe_-_Astrae
1.rwe_-_Bacchus
1.rwe_-_Beauty
1.rwe_-_Berrying
1.rwe_-_Blight
1.rwe_-_Boston
1.rwe_-_Boston_Hymn
1.rwe_-_Brahma
1.rwe_-_Celestial_Love
1.rwe_-_Character
1.rwe_-_Compensation
1.rwe_-_Concord_Hymn
1.rwe_-_Culture
1.rwe_-_Days
1.rwe_-_Dirge
1.rwe_-_Dmonic_Love
1.rwe_-_Each_And_All
1.rwe_-_Eros
1.rwe_-_Etienne_de_la_Boce
1.rwe_-_Experience
1.rwe_-_Fable
1.rwe_-_Fate
1.rwe_-_Flower_Chorus
1.rwe_-_Forebearance
1.rwe_-_Forerunners
1.rwe_-_Freedom
1.rwe_-_Friendship
1.rwe_-_From_the_Persian_of_Hafiz_I
1.rwe_-_From_the_Persian_of_Hafiz_II
1.rwe_-_Gnothi_Seauton
1.rwe_-_Good-bye
1.rwe_-_Grace
1.rwe_-_Guy
1.rwe_-_Hamatreya
1.rwe_-_Heroism
1.rwe_-_Initial_Love
1.rwe_-_In_Memoriam
1.rwe_-_Letters
1.rwe_-_Life_Is_Great
1.rwe_-_Loss_And_Gain
1.rwe_-_Love_And_Thought
1.rwe_-_Lover's_Petition
1.rwe_-_Manners
1.rwe_-_May-Day
1.rwe_-_Merlin_I
1.rwe_-_Merlin_II
1.rwe_-_Merlin's_Song
1.rwe_-_Merops
1.rwe_-_Mithridates
1.rwe_-_Monadnoc
1.rwe_-_Musketaquid
1.rwe_-_My_Garden
1.rwe_-_Nature
1.rwe_-_Nemesis
1.rwe_-_Ode_-_Inscribed_to_W.H._Channing
1.rwe_-_Ode_To_Beauty
1.rwe_-_Poems
1.rwe_-_Politics
1.rwe_-_Quatrains
1.rwe_-_Rubies
1.rwe_-_Saadi
1.rwe_-_Seashore
1.rwe_-_Self_Reliance
1.rwe_-_Solution
1.rwe_-_Song_of_Nature
1.rwe_-_Spiritual_Laws
1.rwe_-_Sursum_Corda
1.rwe_-_Suum_Cuique
1.rwe_-_Tact
1.rwe_-_Teach_Me_I_Am_Forgotten_By_The_Dead
1.rwe_-_Terminus
1.rwe_-_The_Adirondacs
1.rwe_-_The_Amulet
1.rwe_-_The_Apology
1.rwe_-_The_Bell
1.rwe_-_The_Chartist's_Complaint
1.rwe_-_The_Cumberland
1.rwe_-_The_Days_Ration
1.rwe_-_The_Enchanter
1.rwe_-_The_Forerunners
1.rwe_-_The_Gods_Walk_In_The_Breath_Of_The_Woods
1.rwe_-_The_Humble_Bee
1.rwe_-_The_Lords_of_Life
1.rwe_-_The_Park
1.rwe_-_The_Past
1.rwe_-_The_Poet
1.rwe_-_The_Problem
1.rwe_-_The_Rhodora_-_On_Being_Asked,_Whence_Is_The_Flower?
1.rwe_-_The_River_Note
1.rwe_-_The_Romany_Girl
1.rwe_-_The_Snowstorm
1.rwe_-_The_Sphinx
1.rwe_-_The_Test
1.rwe_-_The_Titmouse
1.rwe_-_The_Visit
1.rwe_-_The_World-Soul
1.rwe_-_Threnody
1.rwe_-_To-day
1.rwe_-_To_Ellen,_At_The_South
1.rwe_-_To_Eva
1.rwe_-_To_J.W.
1.rwe_-_To_Laugh_Often_And_Much
1.rwe_-_To_Rhea
1.rwe_-_Two_Rivers
1.rwe_-_Una
1.rwe_-_Unity
1.rwe_-_Uriel
1.rwe_-_Voluntaries
1.rwe_-_Wakdeubsankeit
1.rwe_-_Water
1.rwe_-_Waves
1.rwe_-_Wealth
1.rwe_-_Woodnotes
1.rwe_-_Worship
1.ryz_-_Clear_in_the_blue,_the_moon!
1.sb_-_Cut_brambles_long_enough
1.sb_-_Gathering_the_Mind
1.sb_-_Precious_Treatise_on_Preservation_of_Unity_on_the_Great_Way
1.sb_-_Refining_the_Spirit
1.sb_-_Spirit_and_energy_should_be_clear_as_the_night_air
1.sb_-_The_beginning_of_the_sustenance_of_life
1.sca_-_Draw_me_after_You!
1.sca_-_Happy,_indeed,_is_she_whom_it_is_given_to_share_this_sacred_banquet
1.sca_-_O_blessed_poverty
1.sca_-_Place_your_mind_before_the_mirror_of_eternity!
1.sca_-_What_a_great_laudable_exchange
1.sca_-_What_you_hold,_may_you_always_hold
1.sca_-_When_You_have_loved,_You_shall_be_chaste
1.sdi_-_All_Adams_offspring_form_one_family_tree
1.sdi_-_Have_no_doubts_because_of_trouble_nor_be_thou_discomfited
1.sdi_-_How_could_I_ever_thank_my_Friend?
1.sdi_-_If_one_His_praise_of_me_would_learn
1.sdi_-_In_Love
1.sdi_-_The_man_of_God_with_half_his_loaf_content
1.sdi_-_The_world,_my_brother!_will_abide_with_none
1.sdi_-_To_the_wall_of_the_faithful_what_sorrow,_when_pillared_securely_on_thee?
1.sfa_-_Exhortation_to_St._Clare_and_Her_Sisters
1.sfa_-_How_Virtue_Drives_Out_Vice
1.sfa_-_Let_the_whole_of_mankind_tremble
1.sfa_-_Let_us_desire_nothing_else
1.sfa_-_Prayer_from_A_Letter_to_the_Entire_Order
1.sfa_-_Prayer_Inspired_by_the_Our_Father
1.sfa_-_The_Canticle_of_Brother_Sun
1.sfa_-_The_Praises_of_God
1.sfa_-_The_Prayer_Before_the_Crucifix
1.sfa_-_The_Salutation_of_the_Virtues
1.shvb_-_Ave_generosa_-_Hymn_to_the_Virgin
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_De_Spiritu_Sancto_-_To_the_Holy_Spirit
1.shvb_-_Laus_Trinitati_-_Antiphon_for_the_Trinity
1.shvb_-_O_Euchari_in_leta_via_-_Sequence_for_Saint_Eucharius
1.shvb_-_O_ignee_Spiritus_-_Hymn_to_the_Holy_Spirit
1.shvb_-_O_ignis_Spiritus_Paracliti
1.shvb_-_O_magne_Pater_-_Antiphon_for_God_the_Father
1.shvb_-_O_mirum_admirandum_-_Antiphon_for_Saint_Disibod
1.shvb_-_O_most_noble_Greenness,_rooted_in_the_sun
1.shvb_-_O_nobilissima_viriditas
1.shvb_-_O_spectabiles_viri_-_Antiphon_for_Patriarchs_and_Prophets
1.shvb_-_O_virga_mediatrix_-_Alleluia-verse_for_the_Virgin
1.shvb_-_O_Virtus_Sapientiae_-_O_Moving_Force_of_Wisdom
1.sig_-_Before_I_was,_Thy_mercy_came_to_me
1.sig_-_Come_to_me_at_dawn,_my_beloved,_and_go_with_me
1.sig_-_Ecstasy
1.sig_-_Humble_of_Spirit
1.sig_-_I_look_for_you_early
1.sig_-_I_Sought_Thee_Daily
1.sig_-_Lord_of_the_World
1.sig_-_Rise_and_open_the_door_that_is_shut
1.sig_-_The_Sun
1.sig_-_Thou_art_One
1.sig_-_Thou_art_the_Supreme_Light
1.sig_-_Thou_Livest
1.sig_-_Where_Will_I_Find_You
1.sig_-_Who_can_do_as_Thy_deeds
1.sig_-_Who_could_accomplish_what_youve_accomplished
1.sig_-_You_are_wise_(from_From_Kingdoms_Crown)
1.sjc_-_Dark_Night
1.sjc_-_Full_of_Hope_I_Climbed_the_Day
1.sjc_-_I_Entered_the_Unknown
1.sjc_-_I_Live_Yet_Do_Not_Live_in_Me
1.sjc_-_Loves_Living_Flame
1.sjc_-_Not_for_All_the_Beauty
1.sjc_-_On_the_Communion_of_the_Three_Persons_(from_Romance_on_the_Gospel)
1.sjc_-_Song_of_the_Soul_That_Delights_in_Knowing_God_by_Faith
1.sjc_-_The_Fountain
1.sjc_-_The_Sum_of_Perfection
1.sjc_-_Without_a_Place_and_With_a_Place
1.sk_-_Is_there_anyone_in_the_universe
1.snk_-_Endless_is_my_Wealth
1.snk_-_In_Praise_of_the_Goddess
1.snk_-_Nirvana_Shatakam
1.snk_-_The_Shattering_of_Illusion_(Moha_Mudgaram_from_The_Crest_Jewel_of_Discrimination)
1.snk_-_You_are_my_true_self,_O_Lord
1.snt_-_As_soon_as_your_mind_has_experienced
1.snt_-_By_what_boundless_mercy,_my_Savior
1.snt_-_How_are_You_at_once_the_source_of_fire
1.snt_-_How_is_it_I_can_love_You
1.snt_-_In_the_midst_of_that_night,_in_my_darkness
1.snt_-_O_totally_strange_and_inexpressible_marvel!
1.snt_-_The_fire_rises_in_me
1.snt_-_The_Light_of_Your_Way
1.snt_-_We_awaken_in_Christs_body
1.snt_-_What_is_this_awesome_mystery
1.snt_-_You,_oh_Christ,_are_the_Kingdom_of_Heaven
1.srd_-_Krishna_Awakes
1.srd_-_Shes_found_him,_she_has,_but_Radha_disbelieves
1.srh_-_The_Royal_Song_of_Saraha_(Dohakosa)
1.srmd_-_Companion
1.srmd_-_Every_man_who_knows_his_secret
1.srmd_-_He_and_I_are_one
1.srmd_-_He_dwells_not_only_in_temples_and_mosques
1.srmd_-_He_is_happy_on_account_of_my_humble_self
1.srmd_-_Hundreds_of_my_friends_became_enemies
1.srm_-_Disrobe,_show_Your_beauty_(from_The_Marital_Garland_of_Letters)
1.srmd_-_My_friend,_engage_your_heart_in_his_embrace
1.srmd_-_My_heart_searched_for_your_fragrance
1.srmd_-_Once_I_was_bathed_in_the_Light_of_Truth_within
1.srmd_-_The_ocean_of_his_generosity_has_no_shore
1.srmd_-_The_universe
1.srmd_-_To_the_dignified_station_of_love_I_was_raised
1.srm_-_The_Marital_Garland_of_Letters
1.srm_-_The_Necklet_of_Nine_Gems
1.srm_-_The_Song_of_the_Poppadum
1.ss_-_Its_something_no_on_can_force
1.ss_-_Most_of_the_time_I_smile
1.ss_-_Outside_the_door_I_made_but_dont_close
1.ss_-_Paper_windows_bamboo_walls_hedge_of_hibiscus
1.ss_-_This_bodys_lifetime_is_like_a_bubbles
1.ss_-_To_glorify_the_Way_what_should_people_turn_to
1.ss_-_Trying_to_become_a_Buddha_is_easy
1.stav_-_I_Live_Without_Living_In_Me
1.stav_-_In_the_Hands_of_God
1.stav_-_Let_nothing_disturb_thee
1.stav_-_My_Beloved_One_is_Mine
1.stav_-_Oh_Exceeding_Beauty
1.stav_-_On_Those_Words_I_am_for_My_Beloved
1.stav_-_You_are_Christs_Hands
1.st_-_Behold_the_glow_of_the_moon
1.st_-_Doesnt_anyone_see
1.st_-_I_live_in_a_place_without_limits
1.stl_-_My_Song_for_Today
1.stl_-_The_Atom_of_Jesus-Host
1.stl_-_The_Divine_Dew
1.sv_-_In_dense_darkness,_O_Mother
1.sv_-_Kali_the_Mother
1.sv_-_Song_of_the_Sanyasin
1.tc_-_After_Liu_Chai-Sangs_Poem
1.tc_-_Around_my_door_and_yard_no_dust_or_noise
1.tc_-_Autumn_chrysanthemums_have_beautiful_color
1.tc_-_I_built_my_hut_within_where_others_live
1.tc_-_In_youth_I_could_not_do_what_everyone_else_did
1.tc_-_Success_and_failure?_No_known_address
1.tc_-_Unsettled,_a_bird_lost_from_the_flock
1.tm_-_A_Messenger_from_the_Horizon
1.tm_-_A_Practical_Program_for_Monks
1.tm_-_A_Psalm
1.tm_-_Aubade_--_The_City
1.tm_-_Follow_my_ways_and_I_will_lead_you
1.tm_-_In_Silence
1.tm_-_Night-Flowering_Cactus
1.tm_-_O_Sweet_Irrational_Worship
1.tm_-_Song_for_Nobody
1.tm_-_Stranger
1.tm_-_The_Fall
1.tm_-_The_Sowing_of_Meanings
1.tm_-_When_in_the_soul_of_the_serene_disciple
1.tr_-_At_Dusk
1.tr_-_At_Master_Do's_Country_House
1.tr_-_Begging
1.tr_-_Blending_With_The_Wind
1.tr_-_Descend_from_your_head_into_your_heart
1.tr_-_Down_In_The_Village
1.tr_-_Dreams
1.tr_-_First_Days_Of_Spring_-_The_sky
1.tr_-_For_Children_Killed_In_A_Smallpox_Epidemic
1.tr_-_Have_You_Forgotten_Me
1.tr_-_How_Can_I_Possibly_Sleep
1.tr_-_Images,_however_sacred
1.tr_-_In_A_Dilapidated_Three-Room_Hut
1.tr_-_In_My_Youth_I_Put_Aside_My_Studies
1.tr_-_In_The_Morning
1.tr_-_I_Watch_People_In_The_World
1.tr_-_Like_The_Little_Stream
1.tr_-_Midsummer
1.tr_-_My_Cracked_Wooden_Bowl
1.tr_-_My_legacy
1.tr_-_No_Luck_Today_On_My_Mendicant_Rounds
1.tr_-_No_Mind
1.tr_-_Orchid
1.tr_-_Reply_To_A_Friend
1.tr_-_Returning_To_My_Native_Village
1.tr_-_Rise_Above
1.tr_-_Slopes_Of_Mount_Kugami
1.tr_-_Stretched_Out
1.tr_-_Teishin
1.tr_-_The_Lotus
1.tr_-_The_Plants_And_Flowers
1.tr_-_The_Thief_Left_It_Behind
1.tr_-_The_Way_Of_The_Holy_Fool
1.tr_-_The_Wind_Has_Settled
1.tr_-_The_Winds_Have_Died
1.tr_-_This_World
1.tr_-_Though_Frosts_come_down
1.tr_-_Three_Thousand_Worlds
1.tr_-_To_Kindle_A_Fire
1.tr_-_To_My_Teacher
1.tr_-_Too_Lazy_To_Be_Ambitious
1.tr_-_When_All_Thoughts
1.tr_-_When_I_Was_A_Lad
1.tr_-_White_Hair
1.tr_-_Wild_Roses
1.tr_-_Yes,_Im_Truly_A_Dunce
1.tr_-_You_Do_Not_Need_Many_Things
1.tr_-_You_Stop_To_Point_At_The_Moon_In_The_Sky
1.vpt_-_All_my_inhibition_left_me_in_a_flash
1.vpt_-_As_the_mirror_to_my_hand
1.vpt_-_He_promised_hed_return_tomorrow
1.vpt_-_My_friend,_I_cannot_answer_when_you_ask_me_to_explain
1.vpt_-_The_moon_has_shone_upon_me
1.wb_-_Auguries_of_Innocence
1.wb_-_Awake!_awake_O_sleeper_of_the_land_of_shadows
1.wb_-_Eternity
1.wb_-_Hear_the_voice_of_the_Bard!
1.wb_-_Of_the_Sleep_of_Ulro!_and_of_the_passage_through
1.wb_-_Reader!_of_books!_of_heaven
1.wb_-_The_Divine_Image
1.wb_-_The_Errors_of_Sacred_Codes_(from_The_Marriage_of_Heaven_and_Hell)
1.wb_-_To_see_a_world_in_a_grain_of_sand_(from_Auguries_of_Innocence)
1.wb_-_Trembling_I_sit_day_and_night
1.wby_-_A_Bronze_Head
1.wby_-_A_Coat
1.wby_-_A_Cradle_Song
1.wby_-_A_Crazed_Girl
1.wby_-_Adams_Curse
1.wby_-_A_Deep_Sworn_Vow
1.wby_-_A_Dialogue_Of_Self_And_Soul
1.wby_-_A_Dramatic_Poem
1.wby_-_A_Dream_Of_A_Blessed_Spirit
1.wby_-_A_Dream_Of_Death
1.wby_-_A_Drinking_Song
1.wby_-_A_Drunken_Mans_Praise_Of_Sobriety
1.wby_-_Aedh_Wishes_For_The_Cloths_Of_Heaven
1.wby_-_A_Faery_Song
1.wby_-_A_First_Confession
1.wby_-_A_Friends_Illness
1.wby_-_After_Long_Silence
1.wby_-_Against_Unworthy_Praise
1.wby_-_A_Last_Confession
1.wby_-_All_Souls_Night
1.wby_-_A_Lovers_Quarrel_Among_the_Fairies
1.wby_-_Alternative_Song_For_The_Severed_Head_In_The_King_Of_The_Great_Clock_Tower
1.wby_-_A_Man_Young_And_Old_-_Complete
1.wby_-_A_Man_Young_And_Old_-_I._First_Love
1.wby_-_A_Man_Young_And_Old_-_II._Human_Dignity
1.wby_-_A_Man_Young_And_Old_-_III._The_Mermaid
1.wby_-_A_Man_Young_And_Old_-_IV._The_Death_Of_The_Hare
1.wby_-_A_Man_Young_And_Old_-_IX._The_Secrets_Of_The_Old
1.wby_-_A_Man_Young_And_Old_-_VI._His_Memories
1.wby_-_A_Man_Young_And_Old_-_VIII._Summer_And_Spring
1.wby_-_A_Man_Young_And_Old_-_VII._The_Friends_Of_His_Youth
1.wby_-_A_Man_Young_And_Old_-_V._The_Empty_Cup
1.wby_-_A_Man_Young_And_Old_-_X._His_Wildness
1.wby_-_A_Man_Young_And_Old_-_XI._From_Oedipus_At_Colonus
1.wby_-_A_Meditation_in_Time_of_War
1.wby_-_A_Memory_Of_Youth
1.wby_-_A_Model_For_The_Laureate
1.wby_-_Among_School_Children
1.wby_-_An_Acre_Of_Grass
1.wby_-_An_Appointment
1.wby_-_Anashuya_And_Vijaya
1.wby_-_A_Nativity
1.wby_-_An_Image_From_A_Past_Life
1.wby_-_An_Irish_Airman_Foresees_His_Death
1.wby_-_Another_Song_Of_A_Fool
1.wby_-_Another_Song_of_a_Fool
1.wby_-_A_Poet_To_His_Beloved
1.wby_-_A_Prayer_For_My_Daughter
1.wby_-_A_Prayer_For_My_Son
1.wby_-_A_Prayer_For_Old_Age
1.wby_-_A_Prayer_On_Going_Into_My_House
1.wby_-_Are_You_Content?
1.wby_-_A_Song
1.wby_-_A_Song_From_The_Player_Queen
1.wby_-_A_Stick_Of_Incense
1.wby_-_At_Algeciras_-_A_Meditaton_Upon_Death
1.wby_-_At_Galway_Races
1.wby_-_A_Thought_From_Propertius
1.wby_-_At_The_Abbey_Theatre
1.wby_-_A_Woman_Homer_Sung
1.wby_-_A_Woman_Young_And_Old
1.wby_-_Baile_And_Aillinn
1.wby_-_Beautiful_Lofty_Things
1.wby_-_Before_The_World_Was_Made
1.wby_-_Beggar_To_Beggar_Cried
1.wby_-_Blood_And_The_Moon
1.wby_-_Broken_Dreams
1.wby_-_Brown_Penny
1.wby_-_Byzantium
1.wby_-_Colonel_Martin
1.wby_-_Colonus_Praise
1.wby_-_Come_Gather_Round_Me,_Parnellites
1.wby_-_Consolation
1.wby_-_Coole_Park_1929
1.wby_-_Coole_Park_And_Ballylee,_1931
1.wby_-_Crazy_Jane_And_Jack_The_Journeyman
1.wby_-_Crazy_Jane_And_The_Bishop
1.wby_-_Crazy_Jane_Grown_Old_Looks_At_The_Dancers
1.wby_-_Crazy_Jane_On_God
1.wby_-_Crazy_Jane_On_The_Day_Of_Judgment
1.wby_-_Crazy_Jane_On_The_Mountain
1.wby_-_Crazy_Jane_Reproved
1.wby_-_Crazy_Jane_Talks_With_The_Bishop
1.wby_-_Cuchulains_Fight_With_The_Sea
1.wby_-_Death
1.wby_-_Demon_And_Beast
1.wby_-_Do_Not_Love_Too_Long
1.wby_-_Down_By_The_Salley_Gardens
1.wby_-_Easter_1916
1.wby_-_Ego_Dominus_Tuus
1.wby_-_Ephemera
1.wby_-_Fallen_Majesty
1.wby_-_Father_And_Child
1.wby_-_Fergus_And_The_Druid
1.wby_-_Fiddler_Of_Dooney
1.wby_-_For_Anne_Gregory
1.wby_-_Fragments
1.wby_-_Friends
1.wby_-_From_A_Full_Moon_In_March
1.wby_-_From_The_Antigone
1.wby_-_Girls_Song
1.wby_-_Gratitude_To_The_Unknown_Instructors
1.wby_-_He_Bids_His_Beloved_Be_At_Peace
1.wby_-_He_Gives_His_Beloved_Certain_Rhymes
1.wby_-_He_Hears_The_Cry_Of_The_Sedge
1.wby_-_He_Mourns_For_The_Change_That_Has_Come_Upon_Him_And_His_Beloved,_And_Longs_For_The_End_Of_The_World
1.wby_-_Her_Anxiety
1.wby_-_Her_Dream
1.wby_-_He_Remembers_Forgotten_Beauty
1.wby_-_He_Reproves_The_Curlew
1.wby_-_Her_Praise
1.wby_-_Her_Triumph
1.wby_-_Her_Vision_In_The_Wood
1.wby_-_He_Tells_Of_A_Valley_Full_Of_Lovers
1.wby_-_He_Tells_Of_The_Perfect_Beauty
1.wby_-_He_Thinks_Of_His_Past_Greatness_When_A_Part_Of_The_Constellations_Of_Heaven
1.wby_-_He_Thinks_Of_Those_Who_Have_Spoken_Evil_Of_His_Beloved
1.wby_-_He_Wishes_His_Beloved_Were_Dead
1.wby_-_High_Talk
1.wby_-_His_Bargain
1.wby_-_His_Confidence
1.wby_-_His_Dream
1.wby_-_Hound_Voice
1.wby_-_I_Am_Of_Ireland
1.wby_-_Imitated_From_The_Japanese
1.wby_-_In_Memory_Of_Alfred_Pollexfen
1.wby_-_In_Memory_Of_Eva_Gore-Booth_And_Con_Markiewicz
1.wby_-_In_Memory_Of_Major_Robert_Gregory
1.wby_-_In_Taras_Halls
1.wby_-_In_The_Seven_Woods
1.wby_-_Into_The_Twilight
1.wby_-_John_Kinsellas_Lament_For_Mr._Mary_Moore
1.wby_-_King_And_No_King
1.wby_-_Lapis_Lazuli
1.wby_-_Leda_And_The_Swan
1.wby_-_Lines_Written_In_Dejection
1.wby_-_Long-Legged_Fly
1.wby_-_Loves_Loneliness
1.wby_-_Love_Song
1.wby_-_Lullaby
1.wby_-_Mad_As_The_Mist_And_Snow
1.wby_-_Maid_Quiet
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_Meeting
1.wby_-_Memory
1.wby_-_Men_Improve_With_The_Years
1.wby_-_Meru
1.wby_-_Michael_Robartes_And_The_Dancer
1.wby_-_Mohini_Chatterjee
1.wby_-_Never_Give_All_The_Heart
1.wby_-_News_For_The_Delphic_Oracle
1.wby_-_Nineteen_Hundred_And_Nineteen
1.wby_-_No_Second_Troy
1.wby_-_Now_as_at_all_times
1.wby_-_Oil_And_Blood
1.wby_-_Old_Memory
1.wby_-_Old_Tom_Again
1.wby_-_On_A_Picture_Of_A_Black_Centaur_By_Edmund_Dulac
1.wby_-_On_A_Political_Prisoner
1.wby_-_On_Being_Asked_For_A_War_Poem
1.wby_-_On_Hearing_That_The_Students_Of_Our_New_University_Have_Joined_The_Agitation_Against_Immoral_Literat
1.wby_-_On_Those_That_Hated_The_Playboy_Of_The_Western_World,_1907
1.wby_-_On_Woman
1.wby_-_Owen_Aherne_And_His_Dancers
1.wby_-_Parnell
1.wby_-_Parnells_Funeral
1.wby_-_Parting
1.wby_-_Paudeen
1.wby_-_Peace
1.wby_-_Politics
1.wby_-_Presences
1.wby_-_Quarrel_In_Old_Age
1.wby_-_Reconciliation
1.wby_-_Red_Hanrahans_Song_About_Ireland
1.wby_-_Remorse_For_Intemperate_Speech
1.wby_-_Responsibilities_-_Closing
1.wby_-_Responsibilities_-_Introduction
1.wby_-_Roger_Casement
1.wby_-_Running_To_Paradise
1.wby_-_Sailing_to_Byzantium
1.wby_-_September_1913
1.wby_-_Shepherd_And_Goatherd
1.wby_-_Sixteen_Dead_Men
1.wby_-_Slim_adolescence_that_a_nymph_has_stripped,
1.wby_-_Solomon_And_The_Witch
1.wby_-_Solomon_To_Sheba
1.wby_-_Spilt_Milk
1.wby_-_Statistics
1.wby_-_Stream_And_Sun_At_Glendalough
1.wby_-_Supernatural_Songs
1.wby_-_Sweet_Dancer
1.wby_-_Swifts_Epitaph
1.wby_-_Symbols
1.wby_-_That_The_Night_Come
1.wby_-_The_Apparitions
1.wby_-_The_Arrow
1.wby_-_The_Attack_On_the_Playboy_Of_The_Western_World,_1907
1.wby_-_The_Ballad_Of_Father_Gilligan
1.wby_-_The_Ballad_Of_Father_OHart
1.wby_-_The_Ballad_Of_Moll_Magee
1.wby_-_The_Ballad_Of_The_Foxhunter
1.wby_-_The_Balloon_Of_The_Mind
1.wby_-_The_Black_Tower
1.wby_-_The_Blessed
1.wby_-_The_Cap_And_Bells
1.wby_-_The_Cat_And_The_Moon
1.wby_-_The_Chambermaids_First_Song
1.wby_-_The_Chambermaids_Second_Song
1.wby_-_The_Choice
1.wby_-_The_Chosen
1.wby_-_The_Circus_Animals_Desertion
1.wby_-_The_Cloak,_The_Boat_And_The_Shoes
1.wby_-_The_Cold_Heaven
1.wby_-_The_Collar-Bone_Of_A_Hare
1.wby_-_The_Coming_Of_Wisdom_With_Time
1.wby_-_The_Countess_Cathleen_In_Paradise
1.wby_-_The_Crazed_Moon
1.wby_-_The_Curse_Of_Cromwell
1.wby_-_The_Dancer_At_Cruachan_And_Cro-Patrick
1.wby_-_The_Dawn
1.wby_-_The_Death_of_Cuchulain
1.wby_-_The_Dedication_To_A_Book_Of_Stories_Selected_From_The_Irish_Novelists
1.wby_-_The_Delphic_Oracle_Upon_Plotinus
1.wby_-_The_Dolls
1.wby_-_The_Double_Vision_Of_Michael_Robartes
1.wby_-_The_Everlasting_Voices
1.wby_-_The_Fairy_Pendant
1.wby_-_The_Falling_Of_The_Leaves
1.wby_-_The_Fascination_Of_Whats_Difficult
1.wby_-_The_Fish
1.wby_-_The_Fisherman
1.wby_-_The_Folly_Of_Being_Comforted
1.wby_-_The_Fool_By_The_Roadside
1.wby_-_The_Ghost_Of_Roger_Casement
1.wby_-_The_Gift_Of_Harun_Al-Rashid
1.wby_-_The_Great_Day
1.wby_-_The_Grey_Rock
1.wby_-_The_Gyres
1.wby_-_The_Happy_Townland
1.wby_-_The_Hawk
1.wby_-_The_Heart_Of_The_Woman
1.wby_-_The_Hosting_Of_The_Sidhe
1.wby_-_The_Host_Of_The_Air
1.wby_-_The_Hour_Before_Dawn
1.wby_-_The_Indian_To_His_Love
1.wby_-_The_Indian_Upon_God
1.wby_-_The_Ladys_First_Song
1.wby_-_The_Ladys_Second_Song
1.wby_-_The_Ladys_Third_Song
1.wby_-_The_Lake_Isle_Of_Innisfree
1.wby_-_The_Lamentation_Of_The_Old_Pensioner
1.wby_-_The_Leaders_Of_The_Crowd
1.wby_-_The_Living_Beauty
1.wby_-_The_Lover_Asks_Forgiveness_Because_Of_His_Many_Moods
1.wby_-_The_Lover_Mourns_For_The_Loss_Of_Love
1.wby_-_The_Lover_Pleads_With_His_Friend_For_Old_Friends
1.wby_-_The_Lover_Speaks_To_The_Hearers_Of_His_Songs_In_Coming_Days
1.wby_-_The_Lovers_Song
1.wby_-_The_Lover_Tells_Of_The_Rose_In_His_Heart
1.wby_-_The_Madness_Of_King_Goll
1.wby_-_The_Magi
1.wby_-_The_Man_And_The_Echo
1.wby_-_The_Man_Who_Dreamed_Of_Faeryland
1.wby_-_The_Mask
1.wby_-_The_Meditation_Of_The_Old_Fisherman
1.wby_-_The_Moods
1.wby_-_The_Mother_Of_God
1.wby_-_The_Mountain_Tomb
1.wby_-_The_Municipal_Gallery_Revisited
1.wby_-_The_New_Faces
1.wby_-_The_Nineteenth_Century_And_After
1.wby_-_The_Old_Age_Of_Queen_Maeve
1.wby_-_The_Old_Men_Admiring_Themselves_In_The_Water
1.wby_-_The_Old_Pensioner.
1.wby_-_The_Old_Stone_Cross
1.wby_-_The_ORahilly
1.wby_-_The_Peacock
1.wby_-_The_People
1.wby_-_The_Phases_Of_The_Moon
1.wby_-_The_Pilgrim
1.wby_-_The_Pity_Of_Love
1.wby_-_The_Players_Ask_For_A_Blessing_On_The_Psalteries_And_On_Themselves
1.wby_-_The_Poet_Pleads_With_The_Elemental_Powers
1.wby_-_The_Ragged_Wood
1.wby_-_The_Realists
1.wby_-_The_Results_Of_Thought
1.wby_-_The_Rose_In_The_Deeps_Of_His_Heart
1.wby_-_The_Rose_Of_Battle
1.wby_-_The_Rose_Of_Peace
1.wby_-_The_Rose_Of_The_World
1.wby_-_The_Rose_Tree
1.wby_-_The_Sad_Shepherd
1.wby_-_The_Saint_And_The_Hunchback
1.wby_-_The_Scholars
1.wby_-_These_Are_The_Clouds
1.wby_-_The_Second_Coming
1.wby_-_The_Secret_Rose
1.wby_-_The_Seven_Sages
1.wby_-_The_Shadowy_Waters_-_Introduction
1.wby_-_The_Shadowy_Waters_-_The_Harp_Of_Aengus
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Song_Of_The_Happy_Shepherd
1.wby_-_The_Song_Of_The_Old_Mother
1.wby_-_The_Song_Of_Wandering_Aengus
1.wby_-_The_Sorrow_Of_Love
1.wby_-_The_Spirit_Medium
1.wby_-_The_Spur
1.wby_-_The_Statesmans_Holiday
1.wby_-_The_Statues
1.wby_-_The_Stolen_Child
1.wby_-_The_Three_Beggars
1.wby_-_The_Three_Bushes
1.wby_-_The_Three_Hermits
1.wby_-_The_Three_Monuments
1.wby_-_The_Tower
1.wby_-_The_Travail_Of_Passion
1.wby_-_The_Two_Kings
1.wby_-_The_Two_Trees
1.wby_-_The_Unappeasable_Host
1.wby_-_The_Valley_Of_The_Black_Pig
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.wby_-_The_Wheel
1.wby_-_The_White_Birds
1.wby_-_The_Wild_Old_Wicked_Man
1.wby_-_The_Wild_Swans_At_Coole
1.wby_-_The_Winding_Stair
1.wby_-_The_Witch
1.wby_-_The_Withering_Of_The_Boughs
1.wby_-_Those_Dancing_Days_Are_Gone
1.wby_-_Those_Images
1.wby_-_Three_Marching_Songs
1.wby_-_Three_Movements
1.wby_-_Three_Songs_To_The_One_Burden
1.wby_-_Three_Songs_To_The_Same_Tune
1.wby_-_Three_Things
1.wby_-_To_A_Child_Dancing_In_The_Wind
1.wby_-_To_A_Friend_Whose_Work_Has_Come_To_Nothing
1.wby_-_To_An_Isle_In_The_Water
1.wby_-_To_A_Poet,_Who_Would_Have_Me_Praise_Certain_Bad_Poets,_Imitators_Of_His_And_Mine
1.wby_-_To_A_Shade
1.wby_-_To_A_Squirrel_At_Kyle-Na-No
1.wby_-_To_A_Wealthy_Man_Who_Promised_A_Second_Subscription_To_The_Dublin_Municipal_Gallery_If_It_Were_Prove
1.wby_-_To_A_Young_Beauty
1.wby_-_To_A_Young_Girl
1.wby_-_To_Be_Carved_On_A_Stone_At_Thoor_Ballylee
1.wby_-_To_Dorothy_Wellesley
1.wby_-_To_His_Heart,_Bidding_It_Have_No_Fear
1.wby_-_To_Ireland_In_The_Coming_Times
1.wby_-_Tom_At_Cruachan
1.wby_-_Tom_ORoughley
1.wby_-_Tom_The_Lunatic
1.wby_-_To_Some_I_Have_Talked_With_By_The_Fire
1.wby_-_To_The_Rose_Upon_The_Rood_Of_Time
1.wby_-_Towards_Break_Of_Day
1.wby_-_Two_Songs_From_A_Play
1.wby_-_Two_Songs_Of_A_Fool
1.wby_-_Two_Songs_Rewritten_For_The_Tunes_Sake
1.wby_-_Two_Years_Later
1.wby_-_Under_Ben_Bulben
1.wby_-_Under_Saturn
1.wby_-_Under_The_Moon
1.wby_-_Under_The_Round_Tower
1.wby_-_Upon_A_Dying_Lady
1.wby_-_Upon_A_House_Shaken_By_The_Land_Agitation
1.wby_-_Vacillation
1.wby_-_Veronicas_Napkin
1.wby_-_What_Then?
1.wby_-_What_Was_Lost
1.wby_-_When_Helen_Lived
1.wby_-_When_You_Are_Old
1.wby_-_Where_My_Books_go
1.wby_-_Who_Goes_With_Fergus?
1.wby_-_Why_Should_Not_Old_Men_Be_Mad?
1.wby_-_Wisdom
1.wby_-_Words
1.wby_-_Young_Mans_Song
1.wby_-_Youth_And_Age
1.whitman_-_1861
1.whitman_-_Aboard_At_A_Ships_Helm
1.whitman_-_A_Boston_Ballad
1.whitman_-_A_Broadway_Pageant
1.whitman_-_A_Carol_Of_Harvest_For_1867
1.whitman_-_A_child_said,_What_is_the_grass?
1.whitman_-_A_Childs_Amaze
1.whitman_-_A_Clear_Midnight
1.whitman_-_Adieu_To_A_Solider
1.whitman_-_A_Farm-Picture
1.whitman_-_After_an_Interval
1.whitman_-_After_The_Sea-Ship
1.whitman_-_Ages_And_Ages,_Returning_At_Intervals
1.whitman_-_A_Glimpse
1.whitman_-_A_Hand-Mirror
1.whitman_-_Ah_Poverties,_Wincings_Sulky_Retreats
1.whitman_-_A_Leaf_For_Hand_In_Hand
1.whitman_-_All_Is_Truth
1.whitman_-_A_March_In_The_Ranks,_Hard-prest
1.whitman_-_American_Feuillage
1.whitman_-_Among_The_Multitude
1.whitman_-_An_Army_Corps_On_The_March
1.whitman_-_A_Noiseless_Patient_Spider
1.whitman_-_A_Paumanok_Picture
1.whitman_-_Apostroph
1.whitman_-_A_Promise_To_California
1.whitman_-_Are_You_The_New_Person,_Drawn_Toward_Me?
1.whitman_-_A_Riddle_Song
1.whitman_-_As_Adam,_Early_In_The_Morning
1.whitman_-_As_A_Strong_Bird_On_Pinious_Free
1.whitman_-_As_At_Thy_Portals_Also_Death
1.whitman_-_As_Consequent,_Etc.
1.whitman_-_Ashes_Of_Soldiers
1.whitman_-_As_I_Ebbd_With_the_Ocean_of_Life
1.whitman_-_As_If_A_Phantom_Caressd_Me
1.whitman_-_A_Sight_in_Camp_in_the_Daybreak_Gray_and_Dim
1.whitman_-_As_I_Lay_With_My_Head_in_Your_Lap,_Camerado
1.whitman_-_As_I_Ponderd_In_Silence
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_As_I_Walk_These_Broad,_Majestic_Days
1.whitman_-_As_I_Watched_The_Ploughman_Ploughing
1.whitman_-_A_Song
1.whitman_-_Assurances
1.whitman_-_As_The_Time_Draws_Nigh
1.whitman_-_As_Toilsome_I_Wanderd
1.whitman_-_A_Woman_Waits_For_Me
1.whitman_-_Bathed_In_Wars_Perfume
1.whitman_-_Beat!_Beat!_Drums!
1.whitman_-_Beautiful_Women
1.whitman_-_Beginners
1.whitman_-_Beginning_My_Studies
1.whitman_-_Behavior
1.whitman_-_Behold_This_Swarthy_Face
1.whitman_-_Bivouac_On_A_Mountain_Side
1.whitman_-_Broadway
1.whitman_-_Brother_Of_All,_With_Generous_Hand
1.whitman_-_By_Broad_Potomacs_Shore
1.whitman_-_By_The_Bivouacs_Fitful_Flame
1.whitman_-_Camps_Of_Green
1.whitman_-_Carol_Of_Occupations
1.whitman_-_Carol_Of_Words
1.whitman_-_Cavalry_Crossing_A_Ford
1.whitman_-_Chanting_The_Square_Deific
1.whitman_-_City_Of_Orgies
1.whitman_-_City_Of_Ships
1.whitman_-_Come,_Said_My_Soul
1.whitman_-_Come_Up_From_The_Fields,_Father
1.whitman_-_Crossing_Brooklyn_Ferry
1.whitman_-_Darest_Thou_Now_O_Soul
1.whitman_-_Debris
1.whitman_-_Delicate_Cluster
1.whitman_-_Despairing_Cries
1.whitman_-_Dirge_For_Two_Veterans
1.whitman_-_Drum-Taps
1.whitman_-_Earth!_my_Likeness!
1.whitman_-_Eidolons
1.whitman_-_Election_Day,_November_1884
1.whitman_-_Elemental_Drifts
1.whitman_-_Ethiopia_Saluting_The_Colors
1.whitman_-_Europe,_The_72d_And_73d_Years_Of_These_States
1.whitman_-_Excelsior
1.whitman_-_Faces
1.whitman_-_Facing_West_From_Californias_Shores
1.whitman_-_Fast_Anchord,_Eternal,_O_Love
1.whitman_-_For_Him_I_Sing
1.whitman_-_For_You,_O_Democracy
1.whitman_-_France,_The_18th_Year_Of_These_States
1.whitman_-_From_Far_Dakotas_Canons
1.whitman_-_From_My_Last_Years
1.whitman_-_From_Paumanok_Starting
1.whitman_-_From_Pent-up_Aching_Rivers
1.whitman_-_Full_Of_Life,_Now
1.whitman_-_Germs
1.whitman_-_Give_Me_The_Splendid,_Silent_Sun
1.whitman_-_Gliding_Over_All
1.whitman_-_God
1.whitman_-_Good-Bye_My_Fancy!
1.whitman_-_Great_Are_The_Myths
1.whitman_-_Had_I_the_Choice
1.whitman_-_Hast_Never_Come_To_Thee_An_Hour
1.whitman_-_Here,_Sailor
1.whitman_-_Here_The_Frailest_Leaves_Of_Me
1.whitman_-_Hours_Continuing_Long
1.whitman_-_How_Solemn_As_One_By_One
1.whitman_-_Hushd_Be_the_Camps_Today
1.whitman_-_I_Am_He_That_Aches_With_Love
1.whitman_-_I_Dreamd_In_A_Dream
1.whitman_-_I_Hear_America_Singing
1.whitman_-_I_Heard_You,_Solemn-sweep_Pipes_Of_The_Organ
1.whitman_-_I_Hear_It_Was_Charged_Against_Me
1.whitman_-_In_Cabind_Ships_At_Sea
1.whitman_-_In_Former_Songs
1.whitman_-_In_Midnight_Sleep
1.whitman_-_In_Paths_Untrodden
1.whitman_-_Inscription
1.whitman_-_In_The_New_Garden_In_All_The_Parts
1.whitman_-_I_Saw_In_Louisiana_A_Live_Oak_Growing
1.whitman_-_I_Saw_Old_General_At_Bay
1.whitman_-_I_Sing_The_Body_Electric
1.whitman_-_I_Sit_And_Look_Out
1.whitman_-_Italian_Music_In_Dakota
1.whitman_-_I_Thought_I_Was_Not_Alone
1.whitman_-_I_Was_Looking_A_Long_While
1.whitman_-_I_Will_Take_An_Egg_Out_Of_The_Robins_Nest
1.whitman_-_Joy,_Shipmate,_Joy!
1.whitman_-_Kosmos
1.whitman_-_Laws_For_Creations
1.whitman_-_Lessons
1.whitman_-_Locations_And_Times
1.whitman_-_Longings_For_Home
1.whitman_-_Long_I_Thought_That_Knowledge
1.whitman_-_Long,_Too_Long_America
1.whitman_-_Look_Down,_Fair_Moon
1.whitman_-_Lo!_Victress_On_The_Peaks
1.whitman_-_Manhattan_Streets_I_Saunterd,_Pondering
1.whitman_-_Mannahatta
1.whitman_-_Mediums
1.whitman_-_Me_Imperturbe
1.whitman_-_Miracles
1.whitman_-_Mother_And_Babe
1.whitman_-_My_Picture-Gallery
1.whitman_-_Myself_And_Mine
1.whitman_-_Native_Moments
1.whitman_-_Night_On_The_Prairies
1.whitman_-_No_Labor-Saving_Machine
1.whitman_-_Not_Heat_Flames_Up_And_Consumes
1.whitman_-_Not_Heaving_From_My_Ribbd_Breast_Only
1.whitman_-_Not_My_Enemies_Ever_Invade_Me
1.whitman_-_Not_The_Pilot
1.whitman_-_Not_Youth_Pertains_To_Me
1.whitman_-_Now_Finale_To_The_Shore
1.whitman_-_Now_List_To_My_Mornings_Romanza
1.whitman_-_O_Bitter_Sprig!_Confession_Sprig!
1.whitman_-_O_Captain!_My_Captain!
1.whitman_-_Offerings
1.whitman_-_Of_Him_I_Love_Day_And_Night
1.whitman_-_Of_The_Terrible_Doubt_Of_Apperarances
1.whitman_-_Of_The_Visage_Of_Things
1.whitman_-_O_Hymen!_O_Hymenee!
1.whitman_-_Old_Ireland
1.whitman_-_O_Living_Always--Always_Dying
1.whitman_-_O_Me!_O_Life!
1.whitman_-_Once_I_Passd_Through_A_Populous_City
1.whitman_-_One_Hour_To_Madness_And_Joy
1.whitman_-_One_Song,_America,_Before_I_Go
1.whitman_-_Ones_Self_I_Sing
1.whitman_-_One_Sweeps_By
1.whitman_-_On_Journeys_Through_The_States
1.whitman_-_On_Old_Mans_Thought_Of_School
1.whitman_-_On_The_Beach_At_Night
1.whitman_-_Or_From_That_Sea_Of_Time
1.whitman_-_O_Star_Of_France
1.whitman_-_O_Sun_Of_Real_Peace
1.whitman_-_O_Tan-faced_Prairie_Boy
1.whitman_-_Other_May_Praise_What_They_Like
1.whitman_-_Out_From_Behind_His_Mask
1.whitman_-_Out_of_the_Cradle_Endlessly_Rocking
1.whitman_-_Out_of_the_Rolling_Ocean,_The_Crowd
1.whitman_-_Over_The_Carnage
1.whitman_-_O_You_Whom_I_Often_And_Silently_Come
1.whitman_-_Passage_To_India
1.whitman_-_Patroling_Barnegat
1.whitman_-_Pensive_And_Faltering
1.whitman_-_Pensive_On_Her_Dead_Gazing,_I_Heard_The_Mother_Of_All
1.whitman_-_Perfections
1.whitman_-_Pioneers!_O_Pioneers!
1.whitman_-_Poem_Of_Remembrance_For_A_Girl_Or_A_Boy
1.whitman_-_Poems_Of_Joys
1.whitman_-_Poets_to_Come
1.whitman_-_Portals
1.whitman_-_Prayer_Of_Columbus
1.whitman_-_Primeval_My_Love_For_The_Woman_I_Love
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_Quicksand_Years
1.whitman_-_Race_Of_Veterans
1.whitman_-_Reconciliation
1.whitman_-_Recorders_Ages_Hence
1.whitman_-_Red_Jacket_(From_Aloft)
1.whitman_-_Respondez!
1.whitman_-_Rise,_O_Days
1.whitman_-_Roaming_In_Thought
1.whitman_-_Roots_And_Leaves_Themselves_Alone
1.whitman_-_Salut_Au_Monde
1.whitman_-_Savantism
1.whitman_-_Says
1.whitman_-_Scented_Herbage_Of_My_Breast
1.whitman_-_Sea-Shore_Memories
1.whitman_-_Self-Contained
1.whitman_-_Shut_Not_Your_Doors
1.whitman_-_Sing_Of_The_Banner_At_Day-Break
1.whitman_-_So_Far_And_So_Far,_And_On_Toward_The_End
1.whitman_-_Solid,_Ironical,_Rolling_Orb
1.whitman_-_So_Long
1.whitman_-_Sometimes_With_One_I_Love
1.whitman_-_Song_At_Sunset
1.whitman_-_Song_For_All_Seas,_All_Ships
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_II
1.whitman_-_Song_Of_Myself-_III
1.whitman_-_Song_Of_Myself-_IV
1.whitman_-_Song_Of_Myself-_IX
1.whitman_-_Song_Of_Myself-_L
1.whitman_-_Song_Of_Myself-_LI
1.whitman_-_Song_Of_Myself-_LII
1.whitman_-_Song_Of_Myself-_V
1.whitman_-_Song_Of_Myself-_VII
1.whitman_-_Song_Of_Myself-_VIII
1.whitman_-_Song_Of_Myself-_X
1.whitman_-_Song_Of_Myself-_XI
1.whitman_-_Song_Of_Myself-_XII
1.whitman_-_Song_Of_Myself-_XIII
1.whitman_-_Song_Of_Myself-_XIV
1.whitman_-_Song_Of_Myself-_XIX
1.whitman_-_Song_Of_Myself-_XL
1.whitman_-_Song_Of_Myself-_XLI
1.whitman_-_Song_Of_Myself-_XLII
1.whitman_-_Song_Of_Myself-_XLIII
1.whitman_-_Song_Of_Myself-_XLIV
1.whitman_-_Song_Of_Myself-_XLIX
1.whitman_-_Song_Of_Myself-_XLV
1.whitman_-_Song_Of_Myself-_XLVI
1.whitman_-_Song_Of_Myself-_XLVII
1.whitman_-_Song_Of_Myself-_XLVIII
1.whitman_-_Song_Of_Myself-_XV
1.whitman_-_Song_Of_Myself-_XVI
1.whitman_-_Song_Of_Myself-_XVII
1.whitman_-_Song_Of_Myself-_XVIII
1.whitman_-_Song_Of_Myself-_XX
1.whitman_-_Song_Of_Myself-_XXI
1.whitman_-_Song_Of_Myself-_XXII
1.whitman_-_Song_Of_Myself-_XXIII
1.whitman_-_Song_Of_Myself-_XXIV
1.whitman_-_Song_Of_Myself-_XXIX
1.whitman_-_Song_Of_Myself-_XXV
1.whitman_-_Song_Of_Myself-_XXVI
1.whitman_-_Song_Of_Myself-_XXVII
1.whitman_-_Song_Of_Myself-_XXVIII
1.whitman_-_Song_Of_Myself-_XXX
1.whitman_-_Song_Of_Myself-_XXXI
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_Myself-_XXXIV
1.whitman_-_Song_Of_Myself-_XXXIX
1.whitman_-_Song_Of_Myself-_XXXV
1.whitman_-_Song_Of_Myself-_XXXVI
1.whitman_-_Song_Of_Myself-_XXXVII
1.whitman_-_Song_Of_Myself-_XXXVIII
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Open_Road
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Song_Of_The_Universal
1.whitman_-_Souvenirs_Of_Democracy
1.whitman_-_Spain_1873-74
1.whitman_-_Sparkles_From_The_Wheel
1.whitman_-_Spirit_That_Formd_This_Scene
1.whitman_-_Spirit_Whose_Work_Is_Done
1.whitman_-_Spontaneous_Me
1.whitman_-_Starting_From_Paumanok
1.whitman_-_States!
1.whitman_-_Still,_Though_The_One_I_Sing
1.whitman_-_Tears
1.whitman_-_Tests
1.whitman_-_That_Last_Invocation
1.whitman_-_That_Music_Always_Round_Me
1.whitman_-_That_Shadow,_My_Likeness
1.whitman_-_The_Artillerymans_Vision
1.whitman_-_The_Base_Of_All_Metaphysics
1.whitman_-_The_Centerarians_Story
1.whitman_-_The_City_Dead-House
1.whitman_-_The_Dalliance_Of_The_Eagles
1.whitman_-_The_Death_And_Burial_Of_McDonald_Clarke-_A_Parody
1.whitman_-_The_Great_City
1.whitman_-_The_Indications
1.whitman_-_The_Last_Invocation
1.whitman_-_The_Mystic_Trumpeter
1.whitman_-_The_Ox_tamer
1.whitman_-_The_Prairie-Grass_Dividing
1.whitman_-_The_Prairie_States
1.whitman_-_There_Was_A_Child_Went_Forth
1.whitman_-_The_Runner
1.whitman_-_These_Carols
1.whitman_-_These,_I,_Singing_In_Spring
1.whitman_-_The_Ship_Starting
1.whitman_-_The_Singer_In_The_Prison
1.whitman_-_The_Sleepers
1.whitman_-_The_Sobbing_Of_The_Bells
1.whitman_-_The_Torch
1.whitman_-_The_Unexpressed
1.whitman_-_The_Untold_Want
1.whitman_-_The_Voice_of_the_Rain
1.whitman_-_The_World_Below_The_Brine
1.whitman_-_The_Wound_Dresser
1.whitman_-_Thick-Sprinkled_Bunting
1.whitman_-_Think_Of_The_Soul
1.whitman_-_This_Compost
1.whitman_-_This_Day,_O_Soul
1.whitman_-_This_Dust_Was_Once_The_Man
1.whitman_-_This_Moment,_Yearning_And_Thoughtful
1.whitman_-_Thought
1.whitman_-_Thoughts
1.whitman_-_Thoughts_(2)
1.whitman_-_Thou_Orb_Aloft_Full-Dazzling
1.whitman_-_Thou_Reader
1.whitman_-_To_A_Certain_Cantatrice
1.whitman_-_To_A_Certain_Civilian
1.whitman_-_To_A_Common_Prostitute
1.whitman_-_To_A_Foild_European_Revolutionaire
1.whitman_-_To_A_Historian
1.whitman_-_To_A_Locomotive_In_Winter
1.whitman_-_To_A_President
1.whitman_-_To_A_Pupil
1.whitman_-_To_A_Stranger
1.whitman_-_To_A_Western_Boy
1.whitman_-_To_Foreign_Lands
1.whitman_-_To_Him_That_Was_Crucified
1.whitman_-_To_Old_Age
1.whitman_-_To_One_Shortly_To_Die
1.whitman_-_To_Oratists
1.whitman_-_To_Rich_Givers
1.whitman_-_To_The_East_And_To_The_West
1.whitman_-_To_Thee,_Old_Cause!
1.whitman_-_To_The_Garden_The_World
1.whitman_-_To_The_Leavend_Soil_They_Trod
1.whitman_-_To_The_Man-of-War-Bird
1.whitman_-_To_The_Reader_At_Parting
1.whitman_-_To_The_States
1.whitman_-_To_Think_Of_Time
1.whitman_-_To_You
1.whitman_-_Trickle,_Drops
1.whitman_-_Turn,_O_Libertad
1.whitman_-_Two_Rivulets
1.whitman_-_Unfolded_Out_Of_The_Folds
1.whitman_-_Unnamed_Lands
1.whitman_-_Vigil_Strange_I_Kept_on_the_Field_one_Night
1.whitman_-_Virginia--The_West
1.whitman_-_Visord
1.whitman_-_Voices
1.whitman_-_Walt_Whitmans_Caution
1.whitman_-_Wandering_At_Morn
1.whitman_-_Warble_Of_Lilac-Time
1.whitman_-_Washingtons_Monument,_February,_1885
1.whitman_-_Weave_In,_Weave_In,_My_Hardy_Life
1.whitman_-_We_Two_Boys_Together_Clinging
1.whitman_-_We_Two-How_Long_We_Were_Foold
1.whitman_-_What_Am_I_After_All
1.whitman_-_What_Best_I_See_In_Thee
1.whitman_-_What_General_Has_A_Good_Army
1.whitman_-_What_Place_Is_Besieged?
1.whitman_-_What_Think_You_I_Take_My_Pen_In_Hand?
1.whitman_-_What_Weeping_Face
1.whitman_-_When_I_Heard_At_The_Close_Of_The_Day
1.whitman_-_When_I_Heard_the_Learnd_Astronomer
1.whitman_-_When_I_Peruse_The_Conquerd_Fame
1.whitman_-_When_I_Read_The_Book
1.whitman_-_When_Lilacs_Last_in_the_Dooryard_Bloomd
1.whitman_-_Whispers_Of_Heavenly_Death
1.whitman_-_Whoever_You_Are,_Holding_Me_Now_In_Hand
1.whitman_-_Who_Is_Now_Reading_This?
1.whitman_-_Who_Learns_My_Lesson_Complete?
1.whitman_-_With_All_Thy_Gifts
1.whitman_-_With_Antecedents
1.whitman_-_World,_Take_Good_Notice
1.whitman_-_Year_Of_Meteors,_1859_60
1.whitman_-_Years_Of_The_Modern
1.whitman_-_Year_That_Trembled
1.whitman_-_Yet,_Yet,_Ye_Downcast_Hours
1.wh_-_Moon_and_clouds_are_the_same
1.wh_-_One_instant_is_eternity
1.wh_-_Ten_thousand_flowers_in_spring,_the_moon_in_autumn
1.wh_-_The_Great_Way_has_no_gate
1.ww_-_0-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons_-_Dedication
1.ww_-_10_-_Alone_far_in_the_wilds_and_mountains_I_hunt
1.ww_-_17_-_These_are_really_the_thoughts_of_all_men_in_all_ages_and_lands,_they_are_not_original_with_me
1.ww_-_18_-_With_music_strong_I_come,_with_my_cornets_and_my_drums
1.ww_-_1_-_I_celebrate_myself,_and_sing_myself
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_20_-_Who_goes_there?_hankering,_gross,_mystical,_nude
1.ww_-_24_-_Walt_Whitman,_a_cosmos,_of_Manhattan_the_son
1.ww_-_2_-_Houses_and_rooms_are_full_of_perfumes,_the_shelves_are_crowded_with_perfumes
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3_-_I_have_heard_what_the_talkers_were_talking,_the_talk_of_the_beginning_and_the_end
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_44_-_It_is_time_to_explain_myself_--_let_us_stand_up
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4_-_Trippers_and_askers_surround_me
1.ww_-_5_-_I_believe_in_you_my_soul,_the_other_I_am_must_not_abase_itself_to_you
1.ww_-_5-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_6_-_A_child_said_What_is_the_grass?_fetching_it_to_me_with_full_hands
1.ww_-_6-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_7_-_Has_anyone_supposed_it_lucky_to_be_born?
1.ww_-_7-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_8_-_The_little_one_sleeps_in_its_cradle
1.ww_-_9_-_The_big_doors_of_the_country_barn_stand_open_and_ready
1.ww_-_A_Character
1.ww_-_A_Complaint
1.ww_-_Address_To_A_Child_During_A_Boisterous_Winter_By_My_Sister
1.ww_-_Address_To_Kilchurn_Castle,_Upon_Loch_Awe
1.ww_-_Address_To_My_Infant_Daughter
1.ww_-_Address_To_The_Scholars_Of_The_Village_School_Of_---
1.ww_-_Admonition
1.ww_-_Advance__Come_Forth_From_Thy_Tyrolean_Ground
1.ww_-_A_Fact,_And_An_Imagination,_Or,_Canute_And_Alfred,_On_The_Seashore
1.ww_-_A_Farewell
1.ww_-_A_Flower_Garden_At_Coleorton_Hall,_Leicestershire.
1.ww_-_After-Thought
1.ww_-_A_Gravestone_Upon_The_Floor_In_The_Cloisters_Of_Worcester_Cathedral
1.ww_-_Ah!_Where_Is_Palafox?_Nor_Tongue_Nor_Pen
1.ww_-_A_Jewish_Family_In_A_Small_Valley_Opposite_St._Goar,_Upon_The_Rhine
1.ww_-_Alas!_What_Boots_The_Long_Laborious_Quest
1.ww_-_Alice_Fell,_Or_Poverty
1.ww_-_Among_All_Lovely_Things_My_Love_Had_Been
1.ww_-_A_Morning_Exercise
1.ww_-_A_Narrow_Girdle_Of_Rough_Stones_And_Crags,
1.ww_-_And_Is_It_Among_Rude_Untutored_Dales
1.ww_-_Andrew_Jones
1.ww_-_Anecdote_For_Fathers
1.ww_-_An_Evening_Walk
1.ww_-_A_Night-Piece
1.ww_-_A_Night_Thought
1.ww_-_Animal_Tranquility_And_Decay
1.ww_-_A_noiseless_patient_spider
1.ww_-_Anticipation,_October_1803
1.ww_-_A_Parsonage_In_Oxfordshire
1.ww_-_A_Poet!_He_Hath_Put_His_Heart_To_School
1.ww_-_A_Poet's_Epitaph
1.ww_-_A_Prophecy._February_1807
1.ww_-_Argument_For_Suicide
1.ww_-_Artegal_And_Elidure
1.ww_-_As_faith_thus_sanctified_the_warrior's_crest
1.ww_-_A_Sketch
1.ww_-_A_Slumber_did_my_Spirit_Seal
1.ww_-_At_Applewaite,_Near_Keswick_1804
1.ww_-_Avaunt_All_Specious_Pliancy_Of_Mind
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_A_Wren's_Nest
1.ww_-_Bamboo_Cottage
1.ww_-_Beggars
1.ww_-_Behold_Vale!_I_Said,_When_I_Shall_Con
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Fourteenth_[conclusion]
1.ww_-_Book_Fourth_[Summer_Vacation]
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_Bothwell_Castle
1.ww_-_Brave_Schill!_By_Death_Delivered
1.ww_-_British_Freedom
1.ww_-_Brook!_Whose_Society_The_Poet_Seeks
1.ww_-_By_Moscow_Self-Devoted_To_A_Blaze
1.ww_-_By_The_Seaside
1.ww_-_By_The_Side_Of_The_Grave_Some_Years_After
1.ww_-_Calais-_August_15,_1802
1.ww_-_Calais-_August_1802
1.ww_-_Call_Not_The_Royal_Swede_Unfortunate
1.ww_-_Calm_is_all_Nature_as_a_Resting_Wheel.
1.ww_-_Characteristics_Of_A_Child_Three_Years_Old
1.ww_-_Character_Of_The_Happy_Warrior
1.ww_-_Composed_After_A_Journey_Across_The_Hambleton_Hills,_Yorkshire
1.ww_-_Composed_At_The_Same_Time_And_On_The_Same_Occasion
1.ww_-_Composed_By_The_Sea-Side,_Near_Calais,_August_1802
1.ww_-_Composed_By_The_Side_Of_Grasmere_Lake_1806
1.ww_-_Composed_During_A_Storm
1.ww_-_Composed_In_The_Valley_Near_Dover,_On_The_Day_Of_Landing
1.ww_-_Composed_Near_Calais,_On_The_Road_Leading_To_Ardres,_August_7,_1802
1.ww_-_Composed_on_The_Eve_Of_The_Marriage_Of_A_Friend_In_The_Vale_Of_Grasmere
1.ww_-_Composed_Upon_Westminster_Bridge,_September_3,_1802
1.ww_-_Composed_While_The_Author_Was_Engaged_In_Writing_A_Tract_Occasioned_By_The_Convention_Of_Cintra
1.ww_-_Cooling_Off
1.ww_-_Crusaders
1.ww_-_Daffodils
1.ww_-_Deer_Fence
1.ww_-_Dion_[See_Plutarch]
1.ww_-_Drifting_on_the_Lake
1.ww_-_Elegiac_Stanzas_In_Memory_Of_My_Brother,_John_Commander_Of_The_E._I._Companys_Ship_The_Earl_Of_Aber
1.ww_-_Elegiac_Stanzas_Suggested_By_A_Picture_Of_Peele_Castle
1.ww_-_Ellen_Irwin_Or_The_Braes_Of_Kirtle
1.ww_-_Emperors_And_Kings,_How_Oft_Have_Temples_Rung
1.ww_-_England!_The_Time_Is_Come_When_Thou_Shouldst_Wean
1.ww_-_Epitaphs_Translated_From_Chiabrera
1.ww_-_Even_As_A_Dragons_Eye_That_Feels_The_Stress
1.ww_-_Expostulation_and_Reply
1.ww_-_Extempore_Effusion_upon_the_Death_of_James_Hogg
1.ww_-_Extract_From_The_Conclusion_Of_A_Poem_Composed_In_Anticipation_Of_Leaving_School
1.ww_-_Feelings_of_A_French_Royalist,_On_The_Disinterment_Of_The_Remains_Of_The_Duke_DEnghien
1.ww_-_Feelings_Of_A_Noble_Biscayan_At_One_Of_Those_Funerals
1.ww_-_Feelings_Of_The_Tyrolese
1.ww_-_Fidelity
1.ww_-_Fields_and_Gardens_by_the_River_Qi
1.ww_-_Foresight
1.ww_-_For_The_Spot_Where_The_Hermitage_Stood_On_St._Herbert's_Island,_Derwentwater.
1.ww_-_From_The_Cuckoo_And_The_Nightingale
1.ww_-_From_The_Dark_Chambers_Of_Dejection_Freed
1.ww_-_From_The_Italian_Of_Michael_Angelo
1.ww_-_George_and_Sarah_Green
1.ww_-_Gipsies
1.ww_-_Goody_Blake_And_Harry_Gill
1.ww_-_Grand_is_the_Seen
1.ww_-_Great_Men_Have_Been_Among_Us
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hail-_Twilight,_Sovereign_Of_One_Peaceful_Hour
1.ww_-_Hail-_Zaragoza!_If_With_Unwet_eye
1.ww_-_Hart-Leap_Well
1.ww_-_Here_Pause-_The_Poet_Claims_At_Least_This_Praise
1.ww_-_Her_Eyes_Are_Wild
1.ww_-_Hint_From_The_Mountains_For_Certain_Political_Pretenders
1.ww_-_Hoffer
1.ww_-_How_Sweet_It_Is,_When_Mother_Fancy_Rocks
1.ww_-_I_Grieved_For_Buonaparte
1.ww_-_I_Know_an_Aged_Man_Constrained_to_Dwell
1.ww_-_Incident_Characteristic_Of_A_Favorite_Dog
1.ww_-_Indignation_Of_A_High-Minded_Spaniard
1.ww_-_In_Due_Observance_Of_An_Ancient_Rite
1.ww_-_Influence_of_Natural_Objects
1.ww_-_Inscriptions_For_A_Seat_In_The_Groves_Of_Coleorton
1.ww_-_Inscriptions_In_The_Ground_Of_Coleorton,_The_Seat_Of_Sir_George_Beaumont,_Bart.,_Leicestershire
1.ww_-_Inscriptions_Written_with_a_Slate_Pencil_upon_a_Stone
1.ww_-_Inside_of_King's_College_Chapel,_Cambridge
1.ww_-_In_The_Pass_Of_Killicranky
1.ww_-_Invocation_To_The_Earth,_February_1816
1.ww_-_Is_There_A_Power_That_Can_Sustain_And_Cheer
1.ww_-_I_think_I_could_turn_and_live_with_animals
1.ww_-_It_Is_a_Beauteous_Evening
1.ww_-_It_Is_No_Spirit_Who_From_Heaven_Hath_Flown
1.ww_-_I_Travelled_among_Unknown_Men
1.ww_-_It_was_an_April_morning-_fresh_and_clear
1.ww_-_Lament_Of_Mary_Queen_Of_Scots
1.ww_-_Laodamia
1.ww_-_Lines_Composed_a_Few_Miles_above_Tintern_Abbey
1.ww_-_Lines_Left_Upon_The_Seat_Of_A_Yew-Tree,
1.ww_-_Lines_On_The_Expected_Invasion,_1803
1.ww_-_Lines_Written_As_A_School_Exercise_At_Hawkshead,_Anno_Aetatis_14
1.ww_-_Lines_Written_In_Early_Spring
1.ww_-_Lines_Written_On_A_Blank_Leaf_In_A_Copy_Of_The_Authors_Poem_The_Excursion,
1.ww_-_Living_in_the_Mountain_on_an_Autumn_Night
1.ww_-_London,_1802
1.ww_-_Look_Now_On_That_Adventurer_Who_Hath_Paid
1.ww_-_Louisa-_After_Accompanying_Her_On_A_Mountain_Excursion
1.ww_-_Lucy
1.ww_-_Lucy_Gray_[or_Solitude]
1.ww_-_Mark_The_Concentrated_Hazels_That_Enclose
1.ww_-_Maternal_Grief
1.ww_-_Matthew
1.ww_-_Memorials_Of_A_Tour_In_Scotland
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803
1.ww_-_Memorials_of_A_Tour_In_Scotland-_1803_I._Departure_From_The_Vale_Of_Grasmere,_August_1803
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Sonnet_Composed_At_----_Castle
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Yarrow_Unvisited
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XIV._Fly,_Some_Kind_Haringer,_To_Grasmere-Dale
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_X._Rob_Roys_Grave
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1814_I._Suggested_By_A_Beautiful_Ruin_Upon_One_Of_The_Islands_Of_Lo
1.ww_-_Memorials_Of_A_Tour_Of_Scotland-_1803_VI._Glen-Almain,_Or,_The_Narrow_Glen
1.ww_-_Memory
1.ww_-_Methought_I_Saw_The_Footsteps_Of_A_Throne
1.ww_-_Michael_Angelo_In_Reply_To_The_Passage_Upon_His_Staute_Of_Sleeping_Night
1.ww_-_Michael-_A_Pastoral_Poem
1.ww_-_Minstrels
1.ww_-_Most_Sweet_it_is
1.ww_-_Mutability
1.ww_-_My_Cottage_at_Deep_South_Mountain
1.ww_-_November,_1806
1.ww_-_November_1813
1.ww_-_Nuns_Fret_Not_at_Their_Convent's_Narrow_Room
1.ww_-_Nutting
1.ww_-_O_Captain!_my_Captain!
1.ww_-_Occasioned_By_The_Battle_Of_Waterloo_February_1816
1.ww_-_October,_1803
1.ww_-_October_1803
1.ww_-_Ode
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ode_to_Duty
1.ww_-_Ode_To_Lycoris._May_1817
1.ww_-_Oer_The_Wide_Earth,_On_Mountain_And_On_Plain
1.ww_-_Oerweening_Statesmen_Have_Full_Long_Relied
1.ww_-_O_Me!_O_life!
1.ww_-_On_A_Celebrated_Event_In_Ancient_History
1.ww_-_O_Nightingale!_Thou_Surely_Art
1.ww_-_On_the_Departure_of_Sir_Walter_Scott_from_Abbotsford
1.ww_-_On_the_Extinction_of_the_Venetian_Republic
1.ww_-_On_The_Final_Submission_Of_The_Tyrolese
1.ww_-_On_The_Same_Occasion
1.ww_-_Personal_Talk
1.ww_-_Picture_of_Daniel_in_the_Lion's_Den_at_Hamilton_Palace
1.ww_-_Power_Of_Music
1.ww_-_Remembrance_Of_Collins
1.ww_-_Repentance
1.ww_-_Resolution_And_Independence
1.ww_-_Rural_Architecture
1.ww_-_Ruth
1.ww_-_Say,_What_Is_Honour?--Tis_The_Finest_Sense
1.ww_-_Scorn_Not_The_Sonnet
1.ww_-_September_1,_1802
1.ww_-_September_1815
1.ww_-_September,_1819
1.ww_-_She_Was_A_Phantom_Of_Delight
1.ww_-_Siege_Of_Vienna_Raised_By_Jihn_Sobieski
1.ww_-_Simon_Lee-_The_Old_Huntsman
1.ww_-_Song_at_the_Feast_of_Brougham_Castle
1.ww_-_Song_Of_The_Spinning_Wheel
1.ww_-_Song_Of_The_Wandering_Jew
1.ww_-_Sonnet-_It_is_not_to_be_thought_of
1.ww_-_Sonnet-_On_seeing_Miss_Helen_Maria_Williams_weep_at_a_tale_of_distress
1.ww_-_Spanish_Guerillas
1.ww_-_Stanzas
1.ww_-_Stanzas_Written_In_My_Pocket_Copy_Of_Thomsons_Castle_Of_Indolence
1.ww_-_Star-Gazers
1.ww_-_Stepping_Westward
1.ww_-_Stone_Gate_Temple_in_the_Blue_Field_Mountains
1.ww_-_Strange_Fits_of_Passion_Have_I_Known
1.ww_-_Stray_Pleasures
1.ww_-_Surprised_By_Joy
1.ww_-_Sweet_Was_The_Walk
1.ww_-_Temple_Tree_Path
1.ww_-_The_Affliction_Of_Margaret
1.ww_-_The_Birth_Of_Love
1.ww_-_The_Brothers
1.ww_-_The_Childless_Father
1.ww_-_The_Complaint_Of_A_Forsaken_Indian_Woman
1.ww_-_The_Cottager_To_Her_Infant
1.ww_-_The_Danish_Boy
1.ww_-_The_Eagle_and_the_Dove
1.ww_-_The_Emigrant_Mother
1.ww_-_The_Excursion-_I-_Dedication-_To_the_Right_Hon.William,_Earl_of_Lonsdalee,_K.G.
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Fairest,_Brightest,_Hues_Of_Ether_Fade
1.ww_-_The_Farmer_Of_Tilsbury_Vale
1.ww_-_The_Fary_Chasm
1.ww_-_The_Force_Of_Prayer,_Or,_The_Founding_Of_Bolton,_A_Tradition
1.ww_-_The_Forsaken
1.ww_-_The_Fountain
1.ww_-_The_French_And_the_Spanish_Guerillas
1.ww_-_The_French_Army_In_Russia,_1812-13
1.ww_-_The_French_Revolution_as_it_appeared_to_Enthusiasts
1.ww_-_The_Germans_On_The_Heighs_Of_Hochheim
1.ww_-_The_Green_Linnet
1.ww_-_The_Happy_Warrior
1.ww_-_The_Highland_Broach
1.ww_-_The_Horn_Of_Egremont_Castle
1.ww_-_The_Idiot_Boy
1.ww_-_The_Idle_Shepherd_Boys
1.ww_-_The_King_Of_Sweden
1.ww_-_The_Kitten_And_Falling_Leaves
1.ww_-_The_Last_Of_The_Flock
1.ww_-_The_Last_Supper,_by_Leonardo_da_Vinci,_in_the_Refectory_of_the_Convent_of_Maria_della_GraziaMilan
1.ww_-_The_Longest_Day
1.ww_-_The_Martial_Courage_Of_A_Day_Is_Vain
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_The_Mother's_Return
1.ww_-_The_Oak_And_The_Broom
1.ww_-_The_Oak_Of_Guernica_Supposed_Address_To_The_Same
1.ww_-_The_Old_Cumberland_Beggar
1.ww_-_The_Passing_of_the_Elder_Bards
1.ww_-_The_Pet-Lamb
1.ww_-_The_Power_of_Armies_is_a_Visible_Thing
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
1.ww_-_The_Primrose_of_the_Rock
1.ww_-_The_Prioresss_Tale_[from_Chaucer]
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Redbreast_Chasing_The_Butterfly
1.ww_-_There_Is_A_Bondage_Worse,_Far_Worse,_To_Bear
1.ww_-_There_is_an_Eminence,--of_these_our_hills
1.ww_-_The_Reverie_of_Poor_Susan
1.ww_-_There_Was_A_Boy
1.ww_-_The_Sailor's_Mother
1.ww_-_The_Seven_Sisters
1.ww_-_The_Shepherd,_Looking_Eastward,_Softly_Said
1.ww_-_The_Simplon_Pass
1.ww_-_The_Solitary_Reaper
1.ww_-_The_Sonnet_Ii
1.ww_-_The_Sparrow's_Nest
1.ww_-_The_Stars_Are_Mansions_Built_By_Nature's_Hand
1.ww_-_The_Sun_Has_Long_Been_Set
1.ww_-_The_Tables_Turned
1.ww_-_The_Thorn
1.ww_-_The_Trosachs
1.ww_-_The_Two_April_Mornings
1.ww_-_The_Two_Thieves-_Or,_The_Last_Stage_Of_Avarice
1.ww_-_The_Vaudois
1.ww_-_The_Virgin
1.ww_-_The_Waggoner_-_Canto_First
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_The_Waggoner_-_Canto_Second
1.ww_-_The_Waggoner_-_Canto_Third
1.ww_-_The_Waterfall_And_The_Eglantine
1.ww_-_The_Wishing_Gate_Destroyed
1.ww_-_The_World_Is_Too_Much_With_Us
1.ww_-_Those_Words_Were_Uttered_As_In_Pensive_Mood
1.ww_-_Though_Narrow_Be_That_Old_Mans_Cares_.
1.ww_-_Thought_Of_A_Briton_On_The_Subjugation_Of_Switzerland
1.ww_-_Three_Years_She_Grew_in_Sun_and_Shower
1.ww_-_To_A_Butterfly
1.ww_-_To_A_Butterfly_(2)
1.ww_-_To_A_Distant_Friend
1.ww_-_To_a_Highland_Girl_(At_Inversneyde,_upon_Loch_Lomond)
1.ww_-_To_A_Sexton
1.ww_-_To_a_Sky-Lark
1.ww_-_To_a_Skylark
1.ww_-_To_A_Young_Lady_Who_Had_Been_Reproached_For_Taking_Long_Walks_In_The_Country
1.ww_-_To_B._R._Haydon
1.ww_-_To_Dora
1.ww_-_To_H._C.
1.ww_-_To_Joanna
1.ww_-_To_Lady_Beaumont
1.ww_-_To_Lady_Eleanor_Butler_and_the_Honourable_Miss_Ponsonby,
1.ww_-_To_Mary
1.ww_-_To_May
1.ww_-_To_M.H.
1.ww_-_To_My_Sister
1.ww_-_To--_On_Her_First_Ascent_To_The_Summit_Of_Helvellyn
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_To_Sleep
1.ww_-_To_The_Cuckoo
1.ww_-_To_The_Daisy
1.ww_-_To_The_Daisy_(2)
1.ww_-_To_The_Daisy_(Fourth_Poem)
1.ww_-_To_The_Daisy_(Third_Poem)
1.ww_-_To_The_Memory_Of_Raisley_Calvert
1.ww_-_To_The_Men_Of_Kent
1.ww_-_To_The_Poet,_John_Dyer
1.ww_-_To_The_Same_Flower
1.ww_-_To_The_Same_Flower_(Second_Poem)
1.ww_-_To_The_Same_(John_Dyer)
1.ww_-_To_The_Small_Celandine
1.ww_-_To_The_Spade_Of_A_Friend_(An_Agriculturist)
1.ww_-_To_The_Supreme_Being_From_The_Italian_Of_Michael_Angelo
1.ww_-_To_Thomas_Clarkson
1.ww_-_To_Toussaint_LOuverture
1.ww_-_Translation_Of_Part_Of_The_First_Book_Of_The_Aeneid
1.ww_-_Tribute_To_The_Memory_Of_The_Same_Dog
1.ww_-_Troilus_And_Cresida
1.ww_-_Upon_Perusing_The_Forgoing_Epistle_Thirty_Years_After_Its_Composition
1.ww_-_Upon_The_Punishment_Of_Death
1.ww_-_Upon_The_Same_Event
1.ww_-_Upon_The_Sight_Of_A_Beautiful_Picture_Painted_By_Sir_G._H._Beaumont,_Bart
1.ww_-_Vaudracour_And_Julia
1.ww_-_Vernal_Ode
1.ww_-_View_From_The_Top_Of_Black_Comb
1.ww_-_Waldenses
1.ww_-_Water-Fowl_Observed_Frequently_Over_The_Lakes_Of_Rydal_And_Grasmere
1.ww_-_Weak_Is_The_Will_Of_Man,_His_Judgement_Blind
1.ww_-_We_Are_Seven
1.ww_-_When_I_Have_Borne_In_Memory
1.ww_-_When_To_The_Attractions_Of_The_Busy_World
1.ww_-_Where_Lies_The_Land_To_Which_Yon_Ship_Must_Go?
1.ww_-_Who_Fancied_What_A_Pretty_Sight
1.ww_-_With_How_Sad_Steps,_O_Moon,_Thou_Climb'st_the_Sky
1.ww_-_With_Ships_the_Sea_was_Sprinkled_Far_and_Nigh
1.ww_-_Written_In_A_Blank_Leaf_Of_Macpherson's_Ossian
1.ww_-_Written_In_Germany_On_One_Of_The_Coldest_Days_Of_The_Century
1.ww_-_Written_in_London._September,_1802
1.ww_-_Written_in_March
1.ww_-_Written_In_Very_Early_Youth
1.ww_-_Written_Upon_A_Blank_Leaf_In_The_Complete_Angler.
1.ww_-_Written_With_A_Pencil_Upon_A_Stone_In_The_Wall_Of_The_House,_On_The_Island_At_Grasmere
1.ww_-_Written_With_A_Slate_Pencil_On_A_Stone,_On_The_Side_Of_The_Mountain_Of_Black_Comb
1.ww_-_Yarrow_Revisited
1.ww_-_Yarrow_Unvisited
1.ww_-_Yarrow_Visited
1.ww_-_Yes,_It_Was_The_Mountain_Echo
1.ww_-_Yes!_Thou_Art_Fair,_Yet_Be_Not_Moved
1.ww_-_Yew-Trees
1.ww_-_Young_England--What_Is_Then_Become_Of_Old
1.yb_-_a_moment
1.yb_-_Clinging_to_the_bell
1.yb_-_In_a_bitter_wind
1.yb_-_Miles_of_frost
1.yb_-_Mountains_of_Yoshino
1.yb_-_On_these_southern_roads
1.yb_-_Short_nap
1.yb_-_spring_rain
1.yb_-_The_late_evening_crow
1.yb_-_This_cold_winter_night
1.yb_-_white_lotus
1.yb_-_winter_moon
1.yby_-_In_Praise_of_God_(from_Avoda)
1.ym_-_Climbing_the_Mountain
1.ym_-_Gone_Again_to_Gaze_on_the_Cascade
1.ymi_-_at_the_end_of_the_smoke
1.ymi_-_Swallowing
1.ym_-_Just_Done
1.ym_-_Mad_Words
1.ym_-_Motto
1.ym_-_Nearing_Hao-pa
1.ym_-_Pu-to_Temple
1.ym_-_Wrapped,_surrounded_by_ten_thousand_mountains
1.yni_-_Hymn_from_the_Heavens
1.yni_-_The_Celestial_Fire
1.yt_-_Now_until_the_dualistic_identity_mind_melts_and_dissolves
1.yt_-_The_Supreme_Being_is_the_Dakini_Queen_of_the_Lake_of_Awareness!
1.yt_-_This_self-sufficient_black_lady_has_shaken_things_up
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.02_-_The_Golden_Journey
20.03_-_Act_I:The_Descent
20.04_-_Act_II:_The_Play_on_Earth
20.05_-_Act_III:_The_Return
20.06_-_Translations_in_French
2.00_-_BIBLIOGRAPHY
2.01_-_AT_THE_STAR_THEATRE
2.01_-_Habit_1__Be_Proactive
2.01_-_Indeterminates,_Cosmic_Determinations_and_the_Indeterminable
2.01_-_Isha_Upanishad__All_that_is_world_in_the_Universe
2.01_-_Mandala_One
2.01_-_On_Books
2.01_-_On_the_Concept_of_the_Archetype
2.01_-_Proem
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_THE_ARCANE_SUBSTANCE_AND_THE_POINT
2.01_-_The_Attributes_of_Omega_Point_-_a_Transcendent_God
2.01_-_THE_CHILD_WITH_THE_MIRROR
2.01_-_The_Mother
2.01_-_The_Object_of_Knowledge
2.01_-_The_Ordinary_Life_and_the_True_Soul
2.01_-_The_Path
2.01_-_The_Picture
2.01_-_The_Preparatory_Renunciation
2.01_-_The_Road_of_Trials
2.01_-_The_Sefirot
2.01_-_The_Tavern
2.01_-_The_Temple
2.01_-_The_Therapeutic_value_of_Abreaction
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.01_-_War.
2.02_-_Atomic_Motions
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Evolutionary_Creation_and_the_Expectation_of_a_Revelation
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_Meeting_With_the_Goddess
2.02_-_On_Letters
2.02_-_Surrender,_Self-Offering_and_Consecration
2.02_-_The_Bhakta.s_Renunciation_results_from_Love
2.02_-_The_Circle
2.02_-_THE_DURGA_PUJA_FESTIVAL
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Monstrance
2.02_-_The_Mother_Archetype
2.02_-_THE_SCINTILLA
2.02_-_The_Status_of_Knowledge
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.02_-_UPON_THE_BLESSED_ISLES
2.02_-_Yoga
2.02_-_Zimzum
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_ON_THE_PITYING
2.03_-_Renunciation
2.03_-_The_Altar
2.03_-_The_Christian_Phenomenon_and_Faith_in_the_Incarnation
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_The_Eternal_and_the_Individual
2.03_-_The_Integral_Yoga
2.03_-_THE_MASTER_IN_VARIOUS_MOODS
2.03_-_The_Mother-Complex
2.03_-_The_Naturalness_of_Bhakti-Yoga_and_its_Central_Secret
2.03_-_The_Purified_Understanding
2.03_-_The_Pyx
2.03_-_The_Supreme_Divine
2.03_-_The_Worlds
2.04_-_Absence_Of_Secondary_Qualities
2.04_-_ADVICE_TO_ISHAN
2.04_-_Agni,_the_Illumined_Will
2.04_-_Concentration
2.04_-_On_Art
2.04_-_ON_PRIESTS
2.04_-_Place
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Divine_and_the_Undivine
2.04_-_The_Forms_of_Love-Manifestation
2.04_-_The_Living_Church_and_Christ-Omega
2.04_-_The_Scourge,_the_Dagger_and_the_Chain
2.04_-_The_Secret_of_Secrets
2.04_-_Yogic_Action
2.05_-_Apotheosis
2.05_-_Aspects_of_Sadhana
2.05_-_Blessings
2.05_-_Habit_3__Put_First_Things_First
2.05_-_Infinite_Worlds
2.05_-_On_Poetry
2.05_-_ON_THE_VIRTUOUS
2.05_-_Renunciation
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Divine_Truth_and_Way
2.05_-_The_Holy_Oil
2.05_-_The_Line_of_Light_and_The_Impression
2.05_-_The_Religion_of_Tomorrow
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.05_-_Universal_Love_and_how_it_leads_to_Self-Surrender
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.06_-_On_Beauty
2.06_-_ON_THE_RABBLE
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_Revelation_and_the_Christian_Phenomenon
2.06_-_Tapasya
2.06_-_The_Higher_Knowledge_and_the_Higher_Love_are_one_to_the_true_Lover
2.06_-_The_Infinite_Light
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.06_-_The_Wand
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.06_-_WITH_VARIOUS_DEVOTEES
2.06_-_Works_Devotion_and_Knowledge
2.07_-_BANKIM_CHANDRA
2.07_-_I_Also_Try_to_Tell_My_Tale
2.07_-_On_Congress_and_Politics
2.07_-_ON_THE_TARANTULAS
2.07_-_Ten_Internal_and_Ten_External_Sefirot
2.07_-_The_Cup
2.07_-_The_Knowledge_and_the_Ignorance
2.07_-_The_Mother__Relations_with_Others
2.07_-_The_Release_from_Subjection_to_the_Body
2.07_-_The_Supreme_Word_of_the_Gita
2.07_-_The_Triangle_of_Love
2.07_-_The_Upanishad_in_Aphorism
2.08_-_ALICE_IN_WONDERLAND
2.08_-_AT_THE_STAR_THEATRE_(II)
2.08_-_Concentration
2.08_-_God_in_Power_of_Becoming
2.08_-_Memory,_Self-Consciousness_and_the_Ignorance
2.08_-_On_Non-Violence
2.08_-_ON_THE_FAMOUS_WISE_MEN
2.08_-_The_Branches_of_The_Archetypal_Man
2.08_-_The_God_of_Love_is_his_own_proof
2.08_-_The_Release_from_the_Heart_and_the_Mind
2.08_-_The_Sword
2.08_-_Three_Tales_of_Madness_and_Destruction
2.08_-_Victory_over_Falsehood
2.09_-_Human_representations_of_the_Divine_Ideal_of_Love
2.09_-_Meditation
2.09_-_Memory,_Ego_and_Self-Experience
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.09_-_THE_MASTERS_BIRTHDAY
2.09_-_THE_NIGHT_SONG
2.09_-_The_Pantacle
2.09_-_The_Release_from_the_Ego
2.09_-_The_World_of_Points
2.0_-_Reincarnation_and_Karma
2.0_-_THE_ANTICHRIST
2.1.01_-_God_The_One_Reality
2.1.01_-_The_Central_Process_of_the_Sadhana
21.01_-_The_Mother_The_Nature_of_Her_Work
2.1.01_-_The_Parts_of_the_Being
2.1.02_-_Classification_of_the_Parts_of_the_Being
2.1.02_-_Combining_Work,_Meditation_and_Bhakti
21.02_-_Gods_and_Men
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
21.03_-_The_Double_Ladder
2.10_-_Conclusion
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_On_Vedic_Interpretation
2.10_-_THE_DANCING_SONG
2.10_-_The_Lamp
2.10_-_THE_MASTER_AND_NARENDRA
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Realisation_of_the_Cosmic_Self
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.1.1.04_-_Reading,_Yogic_Force_and_the_Development_of_Style
2.11_-_On_Education
2.11_-_The_Boundaries_of_the_Ignorance
2.11_-_The_Crown
2.11_-_The_Guru
2.11_-_The_Modes_of_the_Self
2.1.1_-_The_Nature_of_the_Vital
2.11_-_The_Shattering_And_Fall_of_The_Primordial_Kings
2.11_-_THE_TOMB_SONG
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.11_-_WITH_THE_DEVOTEES_IN_CALCUTTA
2.12_-_On_Miracles
2.12_-_ON_SELF-OVERCOMING
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Origin_of_the_Ignorance
2.12_-_The_Position_of_The_Sefirot
2.12_-_The_Realisation_of_Sachchidananda
2.12_-_The_Robe
2.1.2_-_The_Vital_and_Other_Levels_of_Being
2.12_-_The_Way_and_the_Bhakta
2.1.3.1_-_Students
2.1.3.2_-_Study
2.1.3.3_-_Reading
2.1.3.4_-_Conduct
2.13_-_Exclusive_Concentration_of_Consciousness-Force_and_the_Ignorance
2.13_-_Kingdom-The_Seventh_Sefira
2.13_-_On_Psychology
2.13_-_ON_THOSE_WHO_ARE_SUBLIME
2.13_-_Psychic_Presence_and_Psychic_Being_-_Real_Origin_of_Race_Superiority
2.13_-_The_Book
2.13_-_The_Difficulties_of_the_Mental_Being
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.1.3_-_Wrong_Movements_of_the_Vital
2.1.4.1_-_Teachers
2.1.4.2_-_Teaching
2.1.4.3_-_Discipline
2.1.4.4_-_Homework
2.1.4.5_-_Tests
2.14_-_AT_RAMS_HOUSE
2.14_-_Faith
2.14_-_On_Movements
2.14_-_ON_THE_LAND_OF_EDUCATION
2.14_-_The_Bell
2.1.4_-_The_Lower_Vital_Being
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Passive_and_the_Active_Brahman
2.14_-_The_Two_Hundred_and_Eighty-Eight_Sparks
2.14_-_The_Unpacking_of_God
2.1.5.1_-_Study_of_Works_of_Sri_Aurobindo_and_the_Mother
2.1.5.2_-_Languages
2.1.5.4_-_Arts
2.1.5.5_-_Other_Subjects
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
2.15_-_ON_IMMACULATE_PERCEPTION
2.15_-_On_the_Gods_and_Asuras
2.15_-_Power_of_Right_Attitude
2.15_-_Reality_and_the_Integral_Knowledge
2.15_-_Selection_of_Sparks_Made_for_The_Purpose_of_The_Emendation
2.15_-_The_Cosmic_Consciousness
2.15_-_The_Lamen
2.16_-_Fashioning_of_The_Vessel_
2.16_-_Oneness
2.16_-_ON_SCHOLARS
2.16_-_Power_of_Imagination
2.16_-_The_15th_of_August
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.16_-_The_Magick_Fire
2.16_-_VISIT_TO_NANDA_BOSES_HOUSE
2.1.7.05_-_On_the_Inspiration_and_Writing_of_the_Poem
2.1.7.06_-_On_the_Characters_of_the_Poem
2.1.7.07_-_On_the_Verse_and_Structure_of_the_Poem
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_ON_POETS
2.17_-_The_Masculine_Feminine_World
2.17_-_THE_MASTER_ON_HIMSELF_AND_HIS_EXPERIENCES
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_Maeroprosopus_and_Maeroprosopvis
2.18_-_ON_GREAT_EVENTS
2.18_-_SRI_RAMAKRISHNA_AT_SYAMPUKUR
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.18_-_The_Soul_and_Its_Liberation
2.19_-_Feb-May_1939
2.19_-_Knowledge_of_the_Scientist_and_the_Yogi
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_MASTER_AND_DR._SARKAR
2.19_-_The_Planes_of_Our_Existence
2.19_-_THE_SOOTHSAYER
2.19_-_Union,_Gestation,_Birth
2.2.01_-_The_Outer_Being_and_the_Inner_Being
2.2.01_-_The_Problem_of_Consciousness
2.2.01_-_Work_and_Yoga
2.2.02_-_Becoming_Conscious_in_Work
2.2.02_-_Consciousness_and_the_Inconscient
2.2.02_-_The_True_Being_and_the_True_Consciousness
2.2.03_-_The_Divine_Force_in_Work
2.2.03_-_The_Psychic_Being
2.2.03_-_The_Science_of_Consciousness
22.04_-_On_The_Brink(I)
2.2.04_-_Practical_Concerns_in_Work
2.2.05_-_Creative_Activity
22.05_-_On_The_Brink(2)
22.06_-_On_The_Brink(3)
22.07_-_The_Ashram,_the_World_and_The_Individual[^4]
22.08_-_The_Golden_Chain
2.20_-_Chance
2.20_-_Nov-Dec_1939
2.20_-_ON_REDEMPTION
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_The_Lower_Triple_Purusha
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.20_-_The_Philosophy_of_Rebirth
2.2.1.01_-_The_World's_Greatest_Poets
2.21_-_1940
2.2.1_-_Cheerfulness_and_Happiness
2.21_-_IN_THE_COMPANY_OF_DEVOTEES_AT_SYAMPUKUR
2.21_-_ON_HUMAN_PRUDENCE
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.2.1_-_The_Prusna_Upanishads
2.21_-_The_Three_Heads,_The_Beard_and_The_Mazela
2.21_-_Towards_the_Supreme_Secret
2.2.2.01_-_The_Author_of_the_Bhagavad_Gita
2.2.2.03_-_Virgil
2.22_-_1941-1943
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.2.2_-_Sorrow_and_Suffering
2.22_-_The_Feminine_Polarity_of_ZO
2.2.2_-_The_Mandoukya_Upanishad
2.22_-_THE_MASTER_AT_COSSIPORE
2.22_-_THE_STILLEST_HOUR
2.22_-_The_Supreme_Secret
2.22_-_Vijnana_or_Gnosis
2.23_-_A_Virtuous_Woman_is_a_Crown_to_Her_Husband
2.2.3_-_Depression_and_Despondency
2.23_-_Life_Sketch_of_A._B._Purani
2.23_-_Man_and_the_Evolution
2.23_-_Supermind_and_Overmind
2.2.3_-_The_Aitereya_Upanishad
2.23_-_The_Conditions_of_Attainment_to_the_Gnosis
2.23_-_The_Core_of_the_Gita.s_Meaning
2.23_-_THE_MASTER_AND_BUDDHA
2.24_-_Back_to_Back__Face_to_Face__and_The_Process_of_Sawing_Through
2.24_-_Gnosis_and_Ananda
2.24_-_Note_on_the_Text
2.2.4_-_Sentimentalism,_Sensitiveness,_Instability,_Laxity
2.2.4_-_Taittiriya_Upanishad
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_THE_MASTERS_LOVE_FOR_HIS_DEVOTEES
2.24_-_The_Message_of_the_Gita
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_List_of_Topics_in_Each_Talk
2.25_-_Mercies_and_Judgements_of_Knowledge
2.25_-_The_Higher_and_the_Lower_Knowledge
2.25_-_The_Triple_Transformation
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.26_-_The_First_and_Second_Unions
2.26_-_The_Supramental_Descent
2.2.7.01_-_Some_General_Remarks
2.27_-_Hathayoga
2.27_-_The_Gnostic_Being
2.27_-_The_Two_Types_of_Unions
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.28_-_The_Two_Feminine_Polarities__Leah_and_Rachel
2.2.9.02_-_Plato
2.2.9.03_-_Aristotle
2.2.9.04_-_Plotinus
2.29_-_The_Worlds_of_Creation,_Formation_and_Action
2.3.01_-_Aspiration_and_Surrender_to_the_Mother
2.3.01_-_Concentration_and_Meditation
2.3.01_-_The_Planes_or_Worlds_of_Consciousness
2.3.02_-_Mantra_and_Japa
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_Integral_Yoga
2.3.03_-_The_Mother's_Presence
2.3.03_-_The_Overmind
2.3.04_-_The_Higher_Planes_of_Mind
2.3.04_-_The_Mother's_Force
2.3.05_-_Sadhana_through_Work_for_the_Mother
2.3.05_-_The_Lower_Nature_or_Lower_Hemisphere
2.3.06_-_The_Mind
2.3.06_-_The_Mother's_Lights
2.3.07_-_The_Mother_in_Visions,_Dreams_and_Experiences
2.3.07_-_The_Vital_Being_and_Vital_Consciousness
2.3.08_-_I_have_a_hundred_lives
2.3.08_-_The_Mother's_Help_in_Difficulties
2.3.08_-_The_Physical_Consciousness
23.09_-_Observations_I
2.30_-_The_Uniting_of_the_Names_45_and_52
2.3.1.01_-_Three_Essentials_for_Writing_Poetry
2.3.1.06_-_Opening_to_the_Force
2.3.1.08_-_The_Necessity_and_Nature_of_Inspiration
2.3.1.09_-_Inspiration_and_Understanding
23.10_-_Observations_II
2.3.10_-_The_Subconscient_and_the_Inconscient
2.3.1.10_-_Inspiration_and_Effort
2.3.1.13_-_Inspiration_during_Sleep
2.3.1.15_-_Writing_and_Concentration
23.11_-_Observations_III
2.3.1.20_-_Aspiration
23.12_-_A_Note_On_The_Mother_of_Dreams
2.3.1.52_-_The_Ode
2.3.1.54_-_An_Epic_Line
2.3.1_-_Ego_and_Its_Forms
2.3.1_-_Svetasvatara_Upanishad
2.31_-_The_Elevation_Attained_Through_Sabbath
2.3.2_-_Chhandogya_Upanishad
2.3.2_-_Desire
2.32_-_Prophetic_Visions
2.3.3_-_Anger_and_Violence
2.3.4_-_Fear
2.4.01_-_Divine_Love,_Psychic_Love_and_Human_Love
24.01_-_Narads_Visit_to_King_Aswapathy
2.4.02.08_-_Contact_with_the_Divine
2.4.02.09_-_Contact_and_Union_with_the_Divine
2.4.02_-_Bhakti,_Devotion,_Worship
24.02_-_Notes_on_Savitri_I
24.03_-_Notes_on_Savitri_II
24.04_-_Notes_on_Savitri_III
24.05_-_Vision_of_Dante
2.4.1_-_Human_Relations_and_the_Spiritual_Life
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
2.4.3_-_Problems_in_Human_Relations
25.01_-_An_Italian_Stanza
25.02_-_HYMN_TO_DAWN
25.03_-_Songs_of_Ramprasad
25.04_-_In_Love_with_Darkness
25.05_-_HYMN_TO_DARKNESS
25.06_-_FORWARD
25.07_-_TEARS_OF_GRIEF
25.08_-_THY_GRACE
25.09_-_CHILDRENS_SONG
25.10_-_WHEREFORE_THIS_HURRY?
25.11_-_EGO
25.12_-_AGNI
26.01_-_Vedic_Hymns
26.02_-_Other_Hymns_and_Prayers
26.03_-_Ramprasad
26.04_-_Rabindranath_Tagore
26.05_-_Modern_Poets
26.06_-_Ashram_Poets
26.07_-_Dhammapada
26.08_-_Charyapda
26.09_-_Le_Periple_d_Or_(Pome_dans_par_Yvonne_Artaud)
27.01_-_The_Golden_Harvest
27.02_-_The_Human_Touch_Divine
27.03_-_The_Great_Holocaust_-_Chhinnamasta
27.04_-_A_Vision
27.05_-_In_Her_Company
28.01_-_Observations
28.02_-_An_Impression
29.03_-_In_Her_Company
29.04_-_Mothers_Playground
29.05_-_The_Bride_of_Brahman
29.06_-_There_is_also_another,_similar_or_parallel_story_in_the_Veda_about_the_God_Agni,_about_the_disappearance_of_this
29.07_-_A_Small_Talk
29.08_-_The_Iron_Chain
29.09_-_Some_Dates
2_-_Other_Hymns_to_Agni
3.00.1_-_Foreword
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.03_-_Spirituality_in_Art
30.04_-_Intuition_and_Inspiration_in_Art
30.05_-_Rhythm_in_Poetry
30.06_-_The_Poet_and_The_Seer
30.07_-_The_Poet_and_the_Yogi
30.08_-_Poetry_and_Mantra
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Hymn_To_Pan
3.00_-_Introduction
3.00_-_The_Magical_Theory_of_the_Universe
30.10_-_The_Greatness_of_Poetry
30.11_-_Modern_Poetry
30.12_-_The_Obscene_and_the_Ugly_-_Form_and_Essence
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.15_-_The_Language_of_Rabindranath
30.16_-_Tagore_the_Unique
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_Fear_of_God
3.01_-_Forms_of_Rebirth
3.01_-_Hymn_to_Matter
3.01_-_INTRODUCTION
3.01_-_Love_and_the_Triple_Path
3.01_-_Natural_Morality
3.01_-_Proem
3.01_-_Sincerity
3.01_-_That_Which_is_Speaking
3.01_-_THE_BIRTH_OF_THOUGHT
3.01_-_The_Mercurial_Fountain
3.01_-_The_Principles_of_Ritual
3.01_-_The_Soul_World
3.01_-_THE_WANDERER
3.01_-_Towards_the_Future
3.02_-_Aridity_in_Prayer
3.02_-_Aspiration
3.02_-_King_and_Queen
3.02_-_Mysticism
3.02_-_Nature_And_Composition_Of_The_Mind
3.02_-_ON_THE_VISION_AND_THE_RIDDLE
3.02_-_On_Thought_-_Introduction
3.02_-_SOL
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Formulae_of_the_Elemental_Weapons
3.02_-_The_Great_Secret
3.02_-_The_Motives_of_Devotion
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.02_-_The_Soul_in_the_Soul_World_after_Death
3.03_-_Faith_and_the_Divine_Grace
3.03_-_ON_INVOLUNTARY_BLISS
3.03_-_On_Thought_-_II
3.03_-_SULPHUR
3.03_-_The_Ascent_to_Truth
3.03_-_The_Consummation_of_Mysticism
3.03_-_The_Formula_of_Tetragrammaton
3.03_-_The_Four_Foundational_Practices
3.03_-_The_Godward_Emotions
3.03_-_The_Mind_
3.03_-_THE_MODERN_EARTH
3.03_-_The_Naked_Truth
3.03_-_The_Soul_Is_Mortal
3.03_-_The_Spirit_Land
3.04_-_BEFORE_SUNRISE
3.04_-_Folly_Of_The_Fear_Of_Death
3.04_-_Immersion_in_the_Bath
3.04_-_LUNA
3.04_-_On_Thought_-_III
3.04_-_The_Crossing_of_the_Return_Threshold
3.04_-_The_Flowers
3.04_-_The_Formula_of_ALHIM
3.04_-_The_Spirit_in_Spirit-Land_after_Death
3.04_-_The_Way_of_Devotion
3.05_-_Cerberus_And_Furies,_And_That_Lack_Of_Light
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.05_-_The_Central_Thought
3.05_-_The_Conjunction
3.05_-_The_Divine_Personality
3.05_-_The_Fool
3.05_-_The_Formula_of_I.A.O.
3.05_-_The_Physical_World_and_its_Connection_with_the_Soul_and_Spirit-Lands
3.06_-_Charity
3.06_-_Death
3.06_-_The_Delight_of_the_Divine
3.06_-_The_Formula_of_The_Neophyte
3.06_-_The_Sage
3.06_-_Thought-Forms_and_the_Human_Aura
3.06_-_UPON_THE_MOUNT_OF_OLIVES
3.07.2_-_Finding_the_Real_Source
3.07.5_-_Who_Am_I?
3.07_-_ON_PASSING_BY
3.07_-_The_Adept
3.07_-_The_Ananda_Brahman
3.07_-_The_Ascent_of_the_Soul
3.07_-_The_Divinity_Within
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_ON_APOSTATES
3.08_-_Purification
3.08_-_The_Mystery_of_Love
3.08_-_The_Thousands
3.09_-_Evil
3.09_-_Of_Silence_and_Secrecy
3.09_-_THE_RETURN_HOME
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
3.1.01_-_Distinctive_Features_of_the_Integral_Yoga
3.1.01_-_Invitation
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Marbles_of_Time
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Asceticism_and_the_Integral_Yoga
3.1.02_-_A_Theory_of_the_Human_Being
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.02_-_The_Mother-_Worship_of_the_Bengalis
3.1.02_-_Who
3.1.03_-_A_Realistic_Adwaita
3.1.03_-_Miracles
31.03_-_The_Trinity_of_Bengal
3.1.04_-_Reminiscence
31.04_-_Sri_Ramakrishna
3.1.04_-_Transformation_in_the_Integral_Yoga
3.1.05_-_A_Vision_of_Science
31.05_-_Vivekananda
3.1.06_-_Immortal_Love
31.06_-_Jagadish_Chandra_Bose
3.1.07_-_A_Tree
31.07_-_Shyamakanta
31.08_-_The_Unity_of_India
3.1.08_-_To_the_Sea
3.1.09_-_Revelation
31.09_-_The_Cause_of_Indias_Decline
3.10_-_Of_the_Gestures
3.10_-_ON_THE_THREE_EVILS
3.10_-_Punishment
3.10_-_The_New_Birth
31.10_-_East_and_West
3.1.10_-_Karma
3.1.11_-_Appeal
3.1.12_-_A_Child.s_Imagination
3.1.13_-_The_Sea_at_Night
3.1.14_-_Vedantin.s_Prayer
3.1.15_-_Rebirth
3.1.16_-_The_Triumph-Song_of_Trishuncou
3.1.17_-_Life_and_Death
3.1.18_-_Evening
3.1.19_-_Parabrahman
3.11_-_Epilogue
3.11_-_Of_Our_Lady_Babalon
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.1.1_-_The_Transformation_of_the_Physical
3.1.20_-_God
3.1.23_-_The_Rishi
3.1.24_-_In_the_Moonlight
3.1.2_-_Levels_of_the_Physical_Being
3.12_-_Of_the_Bloody_Sacrifice
3.12_-_ON_OLD_AND_NEW_TABLETS
3.1.3_-_Difficulties_of_the_Physical_Being
3.13_-_Of_the_Banishings
3.13_-_THE_CONVALESCENT
3.14_-_Of_the_Consecrations
3.14_-_ON_THE_GREAT_LONGING
3.15_-_Of_the_Invocation
3.15_-_THE_OTHER_DANCING_SONG
3.16.1_-_Of_the_Oath
3.16.2_-_Of_the_Charge_of_the_Spirit
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.19_-_Of_Dramatic_Rituals
31_Hymns_to_the_Star_Goddess
3.2.01_-_On_Ideals
3.2.01_-_The_Newness_of_the_Integral_Yoga
32.01_-_Where_is_God?
32.02_-_Reason_and_Yoga
3.2.02_-_The_Veda_and_the_Upanishads
3.2.02_-_Vision
3.2.02_-_Yoga_and_Skill_in_Works
3.2.03_-_Conservation_and_Progress
32.03_-_In_This_Crisis
3.2.03_-_Jainism_and_Buddhism
3.2.03_-_To_the_Ganges
3.2.04_-_Sankhya_and_Yoga
3.2.04_-_Suddenly_out_from_the_wonderful_East
3.2.04_-_The_Conservative_Mind_and_Eastern_Progress
32.04_-_The_Human_Body
3.2.05_-_Our_Ideal
32.05_-_The_Culture_of_the_Body
3.2.05_-_The_Yoga_of_the_Bhagavad_Gita
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
3.2.07_-_Tantra
32.07_-_The_God_of_the_Scientist
3.2.08_-_Bhakti_Yoga_and_Vaishnavism
32.08_-_Fit_and_Unfit_(A_Letter)
32.09_-_On_Karmayoga_(A_Letter)
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
3.20_-_Of_the_Eucharist
32.10_-_A_Letter
3.2.10_-_Christianity_and_Theosophy
32.11_-_Life_and_Self-Control_(A_Letter)
32.12_-_The_Evolutionary_Imperative
3.2.1_-_Food
3.21_-_Of_Black_Magic
3.2.2_-_Sleep
3.2.3_-_Dreams
3.2.4_-_Sex
33.01_-_The_Initiation_of_Swadeshi
3.3.01_-_The_Superman
3.3.02_-_All-Will_and_Free-Will
33.02_-_Subhash,_Oaten:_atlas,_Russell
33.03_-_Muraripukur_-_I
3.3.03_-_The_Delight_of_Works
33.04_-_Deoghar
33.05_-_Muraripukur_-_II
33.06_-_Alipore_Court
33.07_-_Alipore_Jail
33.08_-_I_Tried_Sannyas
33.09_-_Shyampukur
33.10_-_Pondicherry_I
33.11_-_Pondicherry_II
33.12_-_Pondicherry_Cyclone
33.13_-_My_Professors
33.14_-_I_Played_Football
33.15_-_My_Athletics
33.16_-_Soviet_Gymnasts
33.17_-_Two_Great_Wars
33.18_-_I_Bow_to_the_Mother
3.3.1_-_Agni,_the_Divine_Will-Force
3.3.1_-_Illness_and_Health
3.3.2_-_Doctors_and_Medicines
3.3.3_-_Specific_Illnesses,_Ailments_and_Other_Physical_Problems
3.4.01_-_Evolution
34.01_-_Hymn_To_Indra
34.02_-_Hymn_To_All-Gods
3.4.02_-_The_Inconscient
34.03_-_Hymn_To_Dawn
3.4.03_-_Materialism
34.04_-_Hymn_of_Aspiration
34.05_-_Hymn_to_the_Mental_Being
34.06_-_Hymn_to_Sindhu
34.07_-_The_Bride_of_Brahman
34.08_-_Hymn_To_Forest-Range
34.09_-_Hymn_to_the_Pillar
3.4.1.01_-_Poetry_and_Sadhana
3.4.1.05_-_Fiction-Writing_and_Sadhana
3.4.1.06_-_Reading_and_Sadhana
3.4.1.07_-_Reading_and_Real_Knowledge
3.4.1.08_-_Novel-Reading_and_Sadhana
34.10_-_Hymn_To_Earth
3.4.1.11_-_Language-Study_and_Yoga
34.11_-_Hymn_to_Peace_and_Power
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.4.2.04_-_Dance_and_Sadhana
3.4.2_-_Guru_Yoga
3.4.2_-_The_Inconscient_and_the_Integral_Yoga
3.5.01_-_Aphorisms
35.01_-_Hymn_To_The_Sweet_Lord
3.5.01_-_Science
35.02_-_Hymn_to_Hara-Gauri
3.5.02_-_Religion
3.5.02_-_Thoughts_and_Glimpses
35.03_-_Hymn_To_Bhavani
3.5.03_-_Reason_and_Society
35.04_-_Hymn_To_Surya
3.5.04_-_Justice
35.05_-_Hymn_To_Saraswati
35.06_-_Who_Seeks_Holy_Places?
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
36.08_-_A_Commentary_on_the_First_Six_Suktas_of_Rigveda
36.09_-_THE_SIT_SUKTA
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.02_-_The_Story_of_Jabala-Satyakama
37.03_-_Satyakama_And_Upakoshala
37.04_-_The_Story_Of_Rishi_Yajnavalkya
37.05_-_Narada_-_Sanatkumara_(Chhandogya_Upanishad)
37.06_-_Indra_-_Virochana_and_Prajapati
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.02_-_The_Reincarnating_Soul
3.7.1.03_-_Rebirth,_Evolution,_Heredity
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.06_-_The_Ascending_Unity
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.10_-_Karma,_Will_and_Consequence
3.7.1.11_-_Rebirth_and_Karma
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.02_-_The_Terrestial_Law
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
3.7.2.06_-_Appendix_II_-_A_Clarification
38.01_-_Asceticism_and_Renunciation
38.02_-_Hymns_and_Prayers
38.03_-_Mute
38.04_-_Great_Time
38.05_-_Living_Matter
38.06_-_Ravana_Vanquished
38.07_-_A_Poem
3.8.1.01_-_The_Needed_Synthesis
3.8.1.02_-_Arya_-_Its_Significance
3.8.1.03_-_Meditation
3.8.1.04_-_Different_Methods_of_Writing
3.8.1.05_-_Occult_Knowledge_and_the_Hindu_Scriptures
3.8.1.06_-_The_Universal_Consciousness
39.08_-_Release
39.09_-_Just_Be_There_Where_You_Are
39.10_-_O,_Wake_Up_from_Vain_Slumber
39.11_-_A_Prayer
3_-_Commentaries_and_Annotated_Translations
40.01_-_November_24,_1926
40.02_-_The_Two_Chains_Of_The_Mother
4.01_-_Circumstances
4.01_-_Conclusion_-_My_intellectual_position
4.01_-_INTRODUCTION
4.01_-_Introduction
4.01_-_Prayers_and_Meditations
4.01_-_Proem
4.01_-_Sweetness_in_Prayer
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_THE_HONEY_SACRIFICE
4.01_-_The_Presence_of_God_in_the_World
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_Autobiographical_Evidence
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_Difficulties
4.02_-_Divine_Consolations.
4.02_-_Existence_And_Character_Of_The_Images
4.02_-_GOLD_AND_SPIRIT
4.02_-_Humanity_in_Progress
4.02_-_THE_CRY_OF_DISTRESS
4.02_-_The_Integral_Perfection
4.02_-_The_Psychology_of_the_Child_Archetype
4.03_-_CONVERSATION_WITH_THE_KINGS
4.03_-_Mistakes
4.03_-_Prayer_of_Quiet
4.03_-_Prayer_to_the_Ever-greater_Christ
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.03_-_THE_ULTIMATE_EARTH
4.04_-_Conclusion
4.04_-_In_the_Total_Christ
4.04_-_Some_Vital_Functions
4.04_-_THE_LEECH
4.04_-_The_Perfection_of_the_Mental_Being
4.04_-_THE_REGENERATION_OF_THE_KING
4.04_-_Weaknesses
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Instruments_of_the_Spirit
4.05_-_THE_MAGICIAN
4.05_-_The_Passion_Of_Love
4.06_-_Purification-the_Lower_Mentality
4.06_-_RETIRED
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_Purification-Intelligence_and_Will
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.07_-_THE_UGLIEST_MAN
4.08_-_The_Liberation_of_the_Spirit
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.08_-_THE_VOLUNTARY_BEGGAR
4.09_-_REGINA
4.09_-_The_Liberation_of_the_Nature
4.09_-_THE_SHADOW
4.0_-_NOTES_TO_ZARATHUSTRA
4.0_-_The_Path_of_Knowledge
4.1.01_-_The_Intellect_and_Yoga
41.01_-_Vedic_Hymns
41.02_-_Other_Hymns_and_Prayers
41.03_-_Bengali_Poems_of_Sri_Aurobindo
41.04_-_Modern_Bengali_Poems
4.10_-_AT_NOON
4.10_-_The_Elements_of_Perfection
4.1.1.01_-_The_Fundamental_Realisations
4.1.1.02_-_Four_Bases_of_Realisation
4.1.1.03_-_Three_Realisations_for_the_Soul
4.1.1.04_-_Foundations_of_the_Sadhana
4.1.1.05_-_The_Central_Process_of_the_Yoga
4.1.1_-_The_Difficulties_of_Yoga
4.11_-_The_Perfection_of_Equality
4.11_-_THE_WELCOME
4.1.2.01_-_Realisation_and_Transformation
4.1.2.02_-_The_Three_Transformations
4.1.2.03_-_Preparation_for_the_Supramental_Change
4.1.2_-_The_Difficulties_of_Human_Nature
4.12_-_THE_LAST_SUPPER
4.12_-_The_Way_of_Equality
4.1.3_-_Imperfections_and_Periods_of_Arrest
4.13_-_ON_THE_HIGHER_MAN
4.13_-_The_Action_of_Equality
4.1.4_-_Resistances,_Sufferings_and_Falls
4.14_-_The_Power_of_the_Instruments
4.14_-_THE_SONG_OF_MELANCHOLY
4.15_-_ON_SCIENCE
4.15_-_Soul-Force_and_the_Fourfold_Personality
4.16_-_AMONG_DAUGHTERS_OF_THE_WILDERNESS
4.16_-_The_Divine_Shakti
4.17_-_The_Action_of_the_Divine_Shakti
4.17_-_THE_AWAKENING
4.18_-_Faith_and_shakti
4.18_-_THE_ASS_FESTIVAL
4.19_-_THE_DRUNKEN_SONG
4.19_-_The_Nature_of_the_supermind
4.1_-_Jnana
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.2.03_-_The_Birth_of_Sin
4.2.04_-_Epiphany
4.20_-_The_Intuitive_Mind
4.20_-_THE_SIGN
4.2.1.01_-_The_Importance_of_the_Psychic_Change
4.2.1.02_-_The_Role_of_the_Psychic_in_Sadhana
4.2.1.03_-_The_Psychic_Deep_Within
4.2.1.04_-_The_Psychic_and_the_Mental,_Vital_and_Physical_Nature
4.2.1.05_-_The_Psychic_Awakening
4.2.1.06_-_Living_in_the_Psychic
4.21_-_The_Gradations_of_the_supermind
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.2.2.01_-_The_Meaning_of_Psychic_Opening
4.2.2.02_-_Conditions_for_the_Psychic_Opening
4.2.2.03_-_An_Experience_of_Psychic_Opening
4.2.2.04_-_The_Psychic_Opening_and_the_Inner_Centres
4.2.2.05_-_Opening_and_Coming_in_Front
4.2.2_-_Steps_towards_Overcoming_Difficulties
4.22_-_The_supramental_Thought_and_Knowledge
4.2.3.01_-_The_Meaning_of_Coming_to_the_Front
4.2.3.02_-_Signs_of_the_Psychic's_Coming_Forward
4.2.3.03_-_The_Psychic_and_the_Relation_with_the_Divine
4.2.3.04_-_Means_of_Bringing_Forward_the_Psychic
4.2.3.05_-_Obstacles_to_the_Psychic's_Emergence
4.23_-_The_supramental_Instruments_--_Thought-process
4.2.3_-_Vigilance,_Resolution,_Will_and_the_Divine_Help
4.2.4.01_-_The_Psychic_Touch_or_Influence
4.2.4.02_-_The_Psychic_Condition
4.2.4.03_-_The_Psychic_Fire
4.2.4.04_-_The_Psychic_Fire_and_Some_Inner_Visions
4.2.4.05_-_Agni
4.2.4.06_-_Agni_and_the_Psychic_Fire
4.2.4.07_-_Psychic_Joy
4.2.4.08_-_Psychic_Sorrow
4.2.4.09_-_Psychic_Tears_or_Weeping
4.2.4.10_-_Psychic_Yearning
4.2.4.11_-_Psychic_Intensity
4.2.4.12_-_The_Psychic_and_Uneasiness
4.24_-_The_supramental_Sense
4.2.4_-_Time_and_CHange_of_the_Nature
4.2.5.01_-_Psychisation_and_Spiritualisation
4.2.5.02_-_The_Psychic_and_the_Higher_Consciousness
4.2.5.03_-_The_Psychic_and_Spiritual_Movements
4.2.5.04_-_The_Psychic_Consciousness_and_the_Descent_from_Above
4.2.5.05_-_The_Psychic_and_the_Supermind
4.2.5_-_Dealing_with_Depression_and_Despondency
4.25_-_Towards_the_supramental_Time_Vision
4.26_-_The_Supramental_Time_Consciousness
4.2_-_Karma
4.3.1.01_-_Peace,_Calm,_Silence_and_the_Self
4.3.1.02_-_The_True_Self_Within
4.3.1.03_-_The_Self_and_the_Sense_of_Individuality
4.3.1.04_-_The_Disappearance_of_the_I_Sense
4.3.1.05_-_The_Self_and_the_Cosmic_Consciousness
4.3.1.06_-_A_Vision_of_the_Universal_Self
4.3.1.07_-_The_Self_Experienced_on_Various_Planes
4.3.1.08_-_The_Self_and_Time
4.3.1.09_-_The_Self_and_Life
4.3.1.10_-_Experiences_of_Infinity,_Oneness,_Unity
4.3.1.11_-_Living_in_the_Divine
4.3.1_-_The_Hostile_Forces_and_the_Difficulties_of_Yoga
4.3.2.01_-_The_Higher_or_Spiritual_Consciousness
4.3.2.02_-_Breaking_into_the_Spiritual_Consciousness
4.3.2.03_-_Wideness_and_the_Higher_Consciousness
4.3.2.04_-_Degrees_in_the_Higher_Consciousness
4.3.2.05_-_The_Higher_Planes_and_the_Supermind
4.3.2.06_-_Levels_of_the_Higher_Mind
4.3.2.07_-_An_Illumined_Mind_Experience
4.3.2.08_-_Overmind_Experiences
4.3.2.09_-_Overmind_Experiences_and_the_Supermind
4.3.2.10_-_Reflected_Experience_of_the_Higher_Planes
4.3.2.11_-_Trance_and_the_Higher_Planes
4.3.2.12_-_Living_in_a_Higher_Plane
4.3.2_-_Attacks_by_the_Hostile_Forces
4.3.3_-_Dealing_with_Hostile_Attacks
4.3.4_-_Accidents,_Possession,_Madness
4.3_-_Bhakti
4.4.1.01_-_The_Meaning_of_Spiritual_Transformation
4.4.1.02_-_A_Double_Movement_in_the_Sadhana
4.4.1.03_-_Both_Ascent_and_Descent_Necessary
4.4.1.04_-_The_Order_of_Ascent_and_Descent
4.4.1.05_-_Ascent_and_Descent_of_the_Kundalini_Shakti
4.4.1.06_-_Ascent_and_Descent_and_Problems_of_the_Lower_Nature
4.4.1.07_-_Experiences_of_Ascent_and_Descent
4.41_-_Chapter_One
4.4.2.01_-_Contact_with_the_Above
4.4.2.02_-_Ascension_or_Rising_above_the_Head
4.4.2.03_-_Ascent_and_Return_to_the_Ordinary_Consciousness
4.4.2.04_-_Ascent_and_Dissolution
4.4.2.05_-_Ascent_and_the_Psychic_Being
4.4.2.06_-_Ascent_and_the_Body
4.4.2.07_-_Ascent_and_Going_out_of_the_Body
4.4.2.08_-_Fixing_the_Consciousness_Above
4.4.2.09_-_Ascent_and_Change_of_the_Lower_Nature
4.42_-_Chapter_Two
4.4.3.01_-_The_Purpose_of_the_Descent
4.4.3.02_-_Calling_in_the_Higher_Consciousness
4.4.3.03_-_Preparatory_Experiences_and_Descent
4.4.3.04_-_The_Order_of_Descent_into_the_Being
4.4.3.05_-_The_Effect_of_Descent_into_the_Lower_Planes
4.43_-_Chapter_Three
4.4.4.01_-_The_Descent_of_Peace,_Force,_Light,_Ananda
4.4.4.02_-_Peace,_Calm,_Quiet_as_a_Basis_for_the_Descent
4.4.4.03_-_The_Descent_of_Peace
4.4.4.04_-_The_Descent_of_Silence
4.4.4.05_-_The_Descent_of_Force_or_Power
4.4.4.06_-_The_Descent_of_Fire
4.4.4.07_-_The_Descent_of_Light
4.4.4.08_-_The_Descent_of_Knowledge
4.4.4.09_-_The_Descent_of_Wideness
4.4.4.10_-_The_Descent_of_Ananda
4.4.4.11_-_The_Flow_of_Amrita
4.4.5.01_-_Descent_and_Experiences_of_the_Inner_Being
4.4.5.02_-_Descent_and_Psychic_Experiences
4.4.5.03_-_Descent_and_Other_Experiences
4.4.6.01_-_Sensations_in_the_Inner_Centres
4.4_-_Additional_Aphorisms
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.01_-_EPILOGUE
5.01_-_Message
5.01_-_On_the_Mysteries_of_the_Ascent_towards_God
5.01_-_Proem
5.01_-_The_Dakini,_Salgye_Du_Dalma
5.02_-_Against_Teleological_Concept
5.02_-_Perfection_of_the_Body
5.02_-_THE_STATUE
5.02_-_Two_Parallel_Movements
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.03_-_The_Divine_Body
5.03_-_The_World_Is_Not_Eternal
5.03_-_Towars_the_Supreme_Light
5.04_-_Formation_Of_The_World
5.04_-_Supermind_and_the_Life_Divine
5.04_-_THE_POLARITY_OF_ADAM
5.04_-_Three_Dreams
5.05_-_Origins_Of_Vegetable_And_Animal_Life
5.05_-_Supermind_and_Humanity
5.05_-_THE_OLD_ADAM
5.05_-_The_War
5.06_-_Origins_And_Savage_Period_Of_Mankind
5.06_-_Supermind_in_the_Evolution
5.06_-_THE_TRANSFORMATION
5.07_-_Beginnings_Of_Civilization
5.07_-_Mind_of_Light
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.08_-_Supermind_and_Mind_of_Light
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.01.9_-_Book_IX
5.1.01_-_Ilion
5.1.01_-_Terminology
5.1.02_-_Ahana
5.1.02_-_The_Gods
5.1.03_-_The_Hostile_Forces_and_Hostile_Beings
5.2.01_-_The_Descent_of_Ahana
5.2.01_-_Word-Formation
5.2.02_-_Aryan_Origins_-_The_Elementary_Roots_of_Language
5.2.02_-_The_Meditations_of_Mandavya
5.2.03_-_The_An_Family
5.3.04_-_Roots_in_M
5.3.05_-_The_Root_Mal_in_Greek
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5.4.02_-_Occult_Powers_or_Siddhis
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_Proem
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_Great_Meteorological_Phenomena,_Etc
6.02_-_STAGES_OF_THE_CONJUNCTION
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.04_-_The_Plague_Athens
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_Remembrances
6.06_-_SELF-KNOWLEDGE
6.07_-_Myself_and_My_Creed
6.07_-_THE_MONOCOLUS
6.08_-_Intellectual_Visions
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_Imaginary_Visions
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
6.0_-_Conscious,_Unconscious,_and_Individuation
6.1.07_-_Life
6.1.08_-_One_Day
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.01_-_The_Soul_(the_Psychic)
7.02_-_Courage
7.02_-_The_Mind
7.03_-_Cheerfulness
7.03_-_The_Heart
7.04_-_Self-Reliance
7.04_-_The_Vital
7.05_-_Patience_and_Perseverance
7.05_-_The_Senses
7.06_-_The_Body_(the_Physical)
7.06_-_The_Simple_Life
7.07_-_Prudence
7.07_-_The_Subconscient
7.08_-_Sincerity
7.09_-_Right_Judgement
7.10_-_Order
7.11_-_Building_and_Destroying
7.12_-_The_Giver
7.13_-_The_Conquest_of_Knowledge
7.14_-_Modesty
7.15_-_The_Family
7.16_-_Sympathy
7.2.03_-_The_Other_Earths
7.2.04_-_Thought_the_Paraclete
7.2.05_-_Moon_of_Two_Hemispheres
7.2.06_-_Rose_of_God
7.3.10_-_The_Lost_Boat
7.3.13_-_Ascent
7.3.14_-_The_Tiger_and_the_Deer
7.4.01_-_Man_the_Enigma
7.4.02_-_The_Infinitismal_Infinite
7.4.03_-_The_Cosmic_Dance
7.5.20_-_The_Hidden_Plan
7.5.21_-_The_Pilgrim_of_the_Night
7.5.26_-_The_Golden_Light
7.5.27_-_The_Infinite_Adventure
7.5.28_-_The_Greater_Plan
7.5.29_-_The_Universal_Incarnation
7.5.30_-_The_Godhead
7.5.31_-_The_Stone_Goddess
7.5.32_-_Krishna
7.5.33_-_Shiva
7.5.37_-_Lila
7.5.51_-_Light
7.5.52_-_The_Unseen_Infinite
7.5.56_-_Omnipresence
7.5.59_-_The_Hill-top_Temple
7.5.60_-_Divine_Hearing
7.5.61_-_Because_Thou_Art
7.5.62_-_Divine_Sight
7.5.63_-_Divine_Sense
7.5.64_-_The_Iron_Dictators
7.5.65_-_Form
7.5.66_-_Immortality
7.5.69_-_The_Inner_Fields
7.6.01_-_Symbol_Moon
7.6.02_-_The_World_Game
7.6.03_-_Who_art_thou_that_camest
7.6.04_-_One
7.6.09_-_Despair_on_the_Staircase
7.6.12_-_The_Mother_of_God
7.6.13_-_The_End?
7.9.20_-_Soul,_my_soul
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
A_God's_Labour
Apology
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
A_Secret_Miracle
authors_(code)
Avatars_of_the_Tortoise
Averroes_Search
Big_Mind_(non-dual)
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_I._-_Augustine_censures_the_pagans,_who_attributed_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
BOOK_IX._-_Of_those_who_allege_a_distinction_among_demons,_some_being_good_and_others_evil
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
Book_of_Psalms
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
CASE_1_-_JOSHUS_DOG
CASE_2_-_HYAKUJOS_FOX
CASE_3_-_GUTEIS_FINGER
CASE_4_-_WAKUANS_WHY_NO_BEARD?
CASE_5_-_KYOGENS_MAN_HANGING_IN_THE_TREE
CASE_6_-_THE_BUDDHAS_FLOWER
Chapter_III_-_WHEREIN_IS_RELATED_THE_DROLL_WAY_IN_WHICH_DON_QUIXOTE_HAD_HIMSELF_DUBBED_A_KNIGHT
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
City_of_God_-_BOOK_I
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_III
COSA_-_BOOK_IV
COSA_-_BOOK_IX
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_VIII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
Deutsches_Requiem
Diamond_Sutra_1
DM_2_-_How_to_Meditate
DS2
DS3
DS4
Emma_Zunz
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.02_-_Concerning_Virtue.
ENNEAD_01.02_-_Of_Virtues.
ENNEAD_01.03_-_Of_Dialectic,_or_the_Means_of_Raising_the_Soul_to_the_Intelligible_World.
ENNEAD_01.04_-_Whether_Animals_May_Be_Termed_Happy.
ENNEAD_01.05_-_Does_Happiness_Increase_With_Time?
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_01.07_-_Of_the_First_Good,_and_of_the_Other_Goods.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_01.09a_-_Of_Suicide.
ENNEAD_01.09b_-_Of_Suicide.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.02_-_About_the_Movement_of_the_Heavens.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.04b_-_Of_Matter.
ENNEAD_02.05_-_Of_the_Aristotelian_Distinction_Between_Actuality_and_Potentiality.
ENNEAD_02.06_-_Of_Essence_and_Being.
ENNEAD_02.07_-_About_Mixture_to_the_Point_of_Total_Penetration.
ENNEAD_02.08_-_Of_Sight,_or_of_Why_Distant_Objects_Seem_Small.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.01_-_Concerning_Fate.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.03_-_Continuation_of_That_on_Providence.
ENNEAD_03.04_-_Of_Our_Individual_Guardian.
ENNEAD_03.05_-_Of_Love,_or_Eros.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Entities_(Soul_and_and_Matter).
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Things.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08a_-_Of_Nature,_Contemplation,_and_of_the_One.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_03.09_-_Fragments_About_the_Soul,_the_Intelligence,_and_the_Good.
ENNEAD_04.01_-_Of_the_Being_of_the_Soul.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.02_-_Of_the_Nature_of_the_Soul.
ENNEAD_04.03_-_Problems_About_the_Soul.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.06a_-_Of_Sensation_and_Memory.
ENNEAD_04.06b_-_Of_Sensation_and_Memory.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_04.08_-_Of_the_Descent_of_the_Soul_Into_the_Body.
ENNEAD_04.09_-_Whether_All_Souls_Form_a_Single_One?
ENNEAD_05.01_-_The_Three_Principal_Hypostases,_or_Forms_of_Existence.
ENNEAD_05.02_-_Of_Generation_and_of_the_Order_of_Things_that_Follow_the_First.
ENNEAD_05.02_-_Of_Generation,_and_of_the_Order_of_things_that_Rank_Next_After_the_First.
ENNEAD_05.03_-_Of_the_Hypostases_that_Mediate_Knowledge,_and_of_the_Superior_Principle.
ENNEAD_05.03_-_The_Self-Consciousnesses,_and_What_is_Above_Them.
ENNEAD_05.04_-_How_What_is_After_the_First_Proceeds_Therefrom;_of_the_One.
ENNEAD_05.05_-_That_Intelligible_Entities_Are_Not_External_to_the_Intelligence_of_the_Good.
ENNEAD_05.06_-_The_Superessential_Principle_Does_Not_Think_-_Which_is_the_First_Thinking_Principle,_and_Which_is_the_Second?
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.04_-_The_One_and_Identical_Being_Is_Everywhere_Present_As_a_Whole.
ENNEAD_06.04_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.05_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Epistle_to_the_Romans
Euthyphro
Evening_Talks_With_Sri_Aurobindo
Ex_Oblivione
First_Epistle_of_Paul_to_the_Thessalonians
For_a_Breath_I_Tarry
Gods_Script
Gorgias
Guru_Granth_Sahib_first_part
Ion
IS_-_Chapter_1
Isha_Upanishads
I._THE_ATTRACTIVE_POWER_OF_GOD
Jaap_Sahib_Text_(Guru_Gobind_Singh)
Kafka_and_His_Precursors
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
Liber_MMM
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.03_-_INVOCATION
LUX.04_-_LIBERATION
LUX.05_-_AUGOEIDES
LUX.06_-_DIVINATION
LUX.07_-_ENCHANTMENT
Maps_of_Meaning_text
Medea_-_A_Vergillian_Cento
Meno
MMM.01_-_MIND_CONTROL
MMM.02_-_MAGIC
MMM.03_-_DREAMING
MoM_References
P.11_-_MAGICAL_WEAPONS
Partial_Magic_in_the_Quixote
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
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r1927_07_30_-_Record_of_Drishti
r1927_10_24
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Ragnarok
Sayings_of_Sri_Ramakrishna_(text)
SB_1.1_-_Questions_by_the_Sages
Sophist
Story_of_the_Warrior_and_the_Captive
Symposium_translated_by_B_Jowett
Tablet_1_-
Tablets_of_Baha_u_llah_text
Talks_001-025
Talks_026-050
Talks_051-075
Talks_076-099
Talks_100-125
Talks_125-150
Talks_151-175
Talks_176-200
Talks_225-239
Talks_500-550
Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Joshua
The_Book_of_Sand
The_Book_of_the_Prophet_Isaiah
The_Book_of_the_Prophet_Micah
The_Book_of_Wisdom
The_Book_(short_story)
The_Circular_Ruins
The_Coming_Race_Contents
The_Divine_Names_Text_(Dionysis)
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
The_Egg
The_Epistle_of_James
The_Epistle_of_Paul_to_the_Ephesians
The_Epistle_of_Paul_to_the_Philippians
the_Eternal_Wisdom
The_Fearful_Sphere_of_Pascal
The_First_Epistle_of_Paul_to_the_Corinthians
The_First_Epistle_of_Paul_to_Timothy
The_First_Epistle_of_Peter
The_First_Letter_of_John
The_Five,_Ranks_of_The_Apparent_and_the_Real
The_Garden_of_Forking_Paths_1
The_Garden_of_Forking_Paths_2
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Golden_Verses_of_Pythagoras
The_Gospel_According_to_John
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Gospel_of_Thomas
The_Great_Sense
The_Hidden_Words_text
The_House_of_Asterion
The_Immortal
The_Last_Question
The_Letter_to_the_Hebrews
The_Library_of_Babel
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Lottery_in_Babylon
The_Mirror_of_Enigmas
The_Monadology
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Pythagorean_Sentences_of_Demophilus
The_Revelation_of_Jesus_Christ_or_the_Apocalypse
The_Riddle_of_this_World
The_Second_Epistle_of_John
The_Second_Epistle_of_Paul_to_Timothy
The_Second_Epistle_of_Peter
The_Shadow_Out_Of_Time
The_Theologians
The_Third_Letter_of_John
The_Waiting
The_Wall_and_the_BOoks
The_Witness
The_Zahir
Thus_Spoke_Zarathustra_text
Timaeus
Ultima_Thule_-_Dedication_to_G._W._G.
Valery_as_Symbol
Verses_of_Vemana

IN CHAPTERS TEXT
00.00_-_Publishers_Note
00.00_-_Publishers_Note_A
00.00_-_Publishers_Note_B
0_0.01_-_Introduction
00.01_-_The_Approach_to_Mysticism
00.01_-_The_Mother_on_Savitri
00.02_-_Mystic_Symbolism
0_0.02_-_Topographical_Note
0_0.03_-_1951-1957._Notes_and_Fragments
00.03_-_Upanishadic_Symbolism
00.04_-_The_Beautiful_in_the_Upanishads
00.05_-_A_Vedic_Conception_of_the_Poet
0.00a_-_Introduction
0.00a_-_Participants_in_the_Evening_Talks
000_-_Humans_in_Universe
0.00_-_INTRODUCTION
0.00_-_Publishers_Note_C
0.00_-_The_Book_of_Lies_Text
0.00_-_THE_GOSPEL_PREFACE
0.00_-_The_Wellspring_of_Reality
0.00_-_To_the_Reader
0.01f_-_FOREWARD
0.01_-_I_-_Sri_Aurobindos_personality,_his_outer_retirement_-_outside_contacts_after_1910_-_spiritual_personalities-_Vibhutis_and_Avatars_-__transformtion_of_human_personality
0.01_-_Letters_from_the_Mother_to_Her_Son
0.01_-_Life_and_Yoga
0.02_-_II_-_The_Home_of_the_Guru
0.02_-_Letters_to_a_Sadhak
0.02_-_The_Three_Steps_of_Nature
0.03_-_III_-_The_Evening_Sittings
0.03_-_Letters_to_My_little_smile
0.03_-_The_Threefold_Life
0.04_-_Letters_to_a_Sadhak
0.04_-_The_Systems_of_Yoga
0.05_-_Letters_to_a_Child
0.05_-_The_Synthesis_of_the_Systems
0.06_-_INTRODUCTION
0.06_-_Letters_to_a_Young_Sadhak
0.07_-_DARK_NIGHT_OF_THE_SOUL
0.07_-_Letters_to_a_Sadhak
0.08_-_Letters_to_a_Young_Captain
0.09_-_Letters_to_a_Young_Teacher
01.01_-_A_Yoga_of_the_Art_of_Life
01.01_-_Sri_Aurobindo_-_The_Age_of_Sri_Aurobindo
01.01_-_The_New_Humanity
01.01_-_The_One_Thing_Needful
01.01_-_The_Symbol_Dawn
01.02_-_Natures_Own_Yoga
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Creative_Soul
01.02_-_The_Issue
01.02_-_The_Object_of_the_Integral_Yoga
01.03_-_Mystic_Poetry
01.03_-_Rationalism
01.03_-_Sri_Aurobindo_and_his_School
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.03_-_Yoga_and_the_Ordinary_Life
01.04_-_Motives_for_Seeking_the_Divine
01.04_-_Sri_Aurobindos_Gita
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
01.05_-_The_Nietzschean_Antichrist
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.06_-_On_Communism
01.06_-_Vivekananda
01.07_-_Blaise_Pascal_(1623-1662)
01.07_-_The_Bases_of_Social_Reconstruction
01.08_-_A_Theory_of_Yoga
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
01.09_-_The_Parting_of_the_Way
01.09_-_William_Blake:_The_Marriage_of_Heaven_and_Hell
0.10_-_Letters_to_a_Young_Captain
01.10_-_Nicholas_Berdyaev:_God_Made_Human
01.10_-_Principle_and_Personality
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.11_-_The_Basis_of_Unity
01.12_-_Goethe
01.12_-_Three_Degrees_of_Social_Organisation
01.13_-_T._S._Eliot:_Four_Quartets
01.14_-_Nicholas_Roerich
0.11_-_Letters_to_a_Sadhak
0.12_-_Letters_to_a_Student
0.13_-_Letters_to_a_Student
0.14_-_Letters_to_a_Sadhak
0_1951-09-21
0_1952-08-02
0_1954-08-25_-_what_is_this_personality?_and_when_will_she_come?
0_1955-03-26
0_1955-04-04
0_1955-06-09
0_1955-09-03
0_1955-09-15
0_1955-10-19
0_1956-02-29_-_First_Supramental_Manifestation_-_The_Golden_Hammer
0_1956-03-19
0_1956-03-20
0_1956-03-21
0_1956-04-04
0_1956-04-20
0_1956-04-23
0_1956-04-24
0_1956-05-02
0_1956-07-29
0_1956-08-10
0_1956-09-12
0_1956-09-14
0_1956-10-07
0_1956-10-08
0_1956-10-28
0_1956-11-22
0_1956-12-12
0_1956-12-26
0_1957-01-01
0_1957-01-18
0_1957-03-03
0_1957-04-09
0_1957-04-22
0_1957-07-03
0_1957-07-18
0_1957-09-27
0_1957-10-08
0_1957-10-17
0_1957-10-18
0_1957-11-12
0_1957-11-13
0_1957-12-13
0_1957-12-21
0_1958-01-01
0_1958-01-22
0_1958-01-25
0_1958-02-03a
0_1958-02-03b_-_The_Supramental_Ship
0_1958-02-15
0_1958-02-25
0_1958-03-07
0_1958-04-03
0_1958-05-01
0_1958-05-10
0_1958-05-11_-_the_ship_that_said_OM
0_1958-05-17
0_1958-05-30
0_1958-06-06_-_Supramental_Ship
0_1958-06-22
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0_1958-12-04
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0_1969-02-01
0_1969-02-05
0_1969-02-08
0_1969-02-12
0_1969-02-15
0_1969-02-19
0_1969-02-22
0_1969-02-26
0_1969-03-01
0_1969-03-08
0_1969-03-12
0_1969-03-15
0_1969-03-19
0_1969-03-22
0_1969-03-26
0_1969-03-29
0_1969-04-02
0_1969-04-05
0_1969-04-09
0_1969-04-12
0_1969-04-16
0_1969-04-19
0_1969-04-23
0_1969-04-26
0_1969-04-30
0_1969-05-03
0_1969-05-07
0_1969-05-10
0_1969-05-14
0_1969-05-17
0_1969-05-21
0_1969-05-24
0_1969-05-28
0_1969-05-31
0_1969-06-04
0_1969-06-11
0_1969-06-25
0_1969-06-28
0_1969-07-02
0_1969-07-05
0_1969-07-12
0_1969-07-19
0_1969-07-23
0_1969-07-26
0_1969-07-30
0_1969-08-02
0_1969-08-06
0_1969-08-09
0_1969-08-16
0_1969-08-20
0_1969-08-23
0_1969-08-27
0_1969-08-30
0_1969-09-03
0_1969-09-06
0_1969-09-10
0_1969-09-13
0_1969-09-17
0_1969-09-20
0_1969-09-24
0_1969-09-27
0_1969-10-01
0_1969-10-08
0_1969-10-11
0_1969-10-12
0_1969-10-15
0_1969-10-18
0_1969-10-22
0_1969-10-25
0_1969-10-29
0_1969-11-01
0_1969-11-05
0_1969-11-08
0_1969-11-12
0_1969-11-15
0_1969-11-19
0_1969-11-22
0_1969-11-26
0_1969-11-29
0_1969-12-03
0_1969-12-06
0_1969-12-10
0_1969-12-13
0_1969-12-17
0_1969-12-20
0_1969-12-24
0_1969-12-27
0_1969-12-31
0_1970-01-01
0_1970-01-03
0_1970-01-07
0_1970-01-10
0_1970-01-14
0_1970-01-17
0_1970-01-21
0_1970-01-28
0_1970-01-31
0_1970-02-04
0_1970-02-07
0_1970-02-11
0_1970-02-18
0_1970-02-21
0_1970-02-25
0_1970-02-28
0_1970-03-04
0_1970-03-07
0_1970-03-13
0_1970-03-14
0_1970-03-18
0_1970-03-21
0_1970-03-25
0_1970-03-28
0_1970-04-01
0_1970-04-04
0_1970-04-08
0_1970-04-11
0_1970-04-15
0_1970-04-18
0_1970-04-22
0_1970-04-29
0_1970-05-02
0_1970-05-06
0_1970-05-09
0_1970-05-13
0_1970-05-16
0_1970-05-20
0_1970-05-23
0_1970-05-27
0_1970-05-30
0_1970-06-03
0_1970-06-06
0_1970-06-10
0_1970-06-13
0_1970-06-17
0_1970-06-20
0_1970-06-27
0_1970-07-01
0_1970-07-04
0_1970-07-08
0_1970-07-11
0_1970-07-18
0_1970-07-22
0_1970-07-25
0_1970-07-29
0_1970-08-01
0_1970-08-05
0_1970-08-12
0_1970-08-22
0_1970-09-02
0_1970-09-05
0_1970-09-06
0_1970-09-09
0_1970-09-12
0_1970-09-16
0_1970-09-19
0_1970-09-23
0_1970-09-26
0_1970-09-30
0_1970-10-03
0_1970-10-07
0_1970-10-10
0_1970-10-14
0_1970-10-17
0_1970-10-21
0_1970-10-24
0_1970-10-28
0_1970-10-31
0_1970-11-04
0_1970-11-05
0_1970-11-07
0_1970-11-11
0_1970-11-14
0_1970-11-18
0_1970-11-21
0_1970-11-25
0_1970-11-28
0_1970-12-02
0_1970-12-03
0_1971-01-01
0_1971-01-11
0_1971-01-16
0_1971-01-17
0_1971-01-23
0_1971-01-27
0_1971-01-30
0_1971-02-03
0_1971-02-06
0_1971-02-10
0_1971-02-13
0_1971-02-17
0_1971-02-20
0_1971-02-21
0_1971-02-24
0_1971-02-25
0_1971-02-27
0_1971-03-01
0_1971-03-02
0_1971-03-03
0_1971-03-04
0_1971-03-05
0_1971-03-06
0_1971-03-10
0_1971-03-13
0_1971-03-17
0_1971-03-24
0_1971-03-27
0_1971-03-31
0_1971-04-01
0_1971-04-03
0_1971-04-07
0_1971-04-10
0_1971-04-11
0_1971-04-14
0_1971-04-17
0_1971-04-21
0_1971-04-28
0_1971-04-29
0_1971-04-Undated
0_1971-05-01
0_1971-05-05
0_1971-05-08
0_1971-05-12
0_1971-05-15
0_1971-05-19
0_1971-05-22
0_1971-05-25
0_1971-05-26
0_1971-05-27
0_1971-05-29
0_1971-05-30
0_1971-06-02
0_1971-06-03
0_1971-06-05
0_1971-06-09
0_1971-06-12
0_1971-06-16
0_1971-06-23
0_1971-06-26
0_1971-06-30
0_1971-07-03
0_1971-07-10
0_1971-07-14
0_1971-07-17
0_1971-07-21
0_1971-07-24
0_1971-07-28
0_1971-07-31
0_1971-08-04
0_1971-08-07
0_1971-08-11
0_1971-08-14
0_1971-08-18
0_1971-08-21
0_1971-08-25
0_1971-08-28
0_1971-08-Undated
0_1971-09-01
0_1971-09-04
0_1971-09-08
0_1971-09-11
0_1971-09-14
0_1971-09-15
0_1971-09-18
0_1971-09-22
0_1971-09-29
0_1971-10-02
0_1971-10-06
0_1971-10-09
0_1971-10-13
0_1971-10-16
0_1971-10-20
0_1971-10-23
0_1971-10-27
0_1971-10-30
0_1971-11-10
0_1971-11-13
0_1971-11-17
0_1971-11-20
0_1971-11-24
0_1971-11-27
0_1971-12-01
0_1971-12-04
0_1971-12-08
0_1971-12-11
0_1971-12-13
0_1971-12-15
0_1971-12-18
0_1971-12-22
0_1971-12-25
0_1971-12-27
0_1971-12-29a
0_1971-12-29b
0_1972-01-01
0_1972-01-02
0_1972-01-05
0_1972-01-08
0_1972-01-12
0_1972-01-15
0_1972-01-19
0_1972-01-22
0_1972-01-26
0_1972-01-29
0_1972-01-30
0_1972-02-01
0_1972-02-02
0_1972-02-05
0_1972-02-07
0_1972-02-08
0_1972-02-09
0_1972-02-10
0_1972-02-11
0_1972-02-12
0_1972-02-16
0_1972-02-19
0_1972-02-22
0_1972-02-23
0_1972-02-26
0_1972-03-01
0_1972-03-04
0_1972-03-08
0_1972-03-10
0_1972-03-11
0_1972-03-15
0_1972-03-17
0_1972-03-18
0_1972-03-19
0_1972-03-22
0_1972-03-24
0_1972-03-25
0_1972-03-29a
0_1972-03-29b
0_1972-03-30
0_1972-04-02a
0_1972-04-02b
0_1972-04-03
0_1972-04-04
0_1972-04-05
0_1972-04-06
0_1972-04-08
0_1972-04-12
0_1972-04-13
0_1972-04-15
0_1972-04-19
0_1972-04-22
0_1972-04-26
0_1972-04-29
0_1972-05-04
0_1972-05-06
0_1972-05-07
0_1972-05-13
0_1972-05-17
0_1972-05-19
0_1972-05-20
0_1972-05-24
0_1972-05-26
0_1972-05-27
0_1972-05-29
0_1972-05-31
0_1972-06-03
0_1972-06-04
0_1972-06-07
0_1972-06-10
0_1972-06-14
0_1972-06-17
0_1972-06-18
0_1972-06-21
0_1972-06-23
0_1972-06-24
0_1972-06-28
0_1972-07-01
0_1972-07-05
0_1972-07-08
0_1972-07-12
0_1972-07-15
0_1972-07-19
0_1972-07-22
0_1972-07-26
0_1972-07-29
0_1972-08-02
0_1972-08-05
0_1972-08-09
0_1972-08-12
0_1972-08-16
0_1972-08-19
0_1972-08-26
0_1972-08-30
0_1972-09-06
0_1972-09-09
0_1972-09-13
0_1972-09-16
0_1972-09-20
0_1972-09-30
0_1972-10-07
0_1972-10-11
0_1972-10-14
0_1972-10-18
0_1972-10-21
0_1972-10-25
0_1972-10-28
0_1972-10-30
0_1972-11-02
0_1972-11-04
0_1972-11-08
0_1972-11-11
0_1972-11-15
0_1972-11-18
0_1972-11-22
0_1972-11-25
0_1972-11-26
0_1972-12-02
0_1972-12-06
0_1972-12-09
0_1972-12-10
0_1972-12-13
0_1972-12-16
0_1972-12-20
0_1972-12-23
0_1972-12-26
0_1972-12-27
0_1972-12-30
0_1973-01-01
0_1973-01-03
0_1973-01-10
0_1973-01-13
0_1973-01-17
0_1973-01-20
0_1973-01-24
0_1973-01-31
0_1973-02-03
0_1973-02-07
0_1973-02-08
0_1973-02-14
0_1973-02-17
0_1973-02-18
0_1973-02-21
0_1973-02-28
0_1973-03-03
0_1973-03-07
0_1973-03-10
0_1973-03-14
0_1973-03-17
0_1973-03-19
0_1973-03-21
0_1973-03-24
0_1973-03-26
0_1973-03-28
0_1973-03-30
0_1973-03-31
0_1973-04-07
0_1973-04-08
0_1973-04-10
0_1973-04-11
0_1973-04-14
0_1973-04-18
0_1973-04-25
0_1973-04-29
0_1973-04-30
0_1973-05-05
0_1973-05-09
0_1973-05-14
0_1973-05-15
02.01_-_A_Vedic_Story
02.01_-_Metaphysical_Thought_and_the_Supreme_Truth
02.01_-_Our_Ideal
02.01_-_The_World-Stair
02.01_-_The_World_War
02.02_-_Lines_of_the_Descent_of_Consciousness
02.02_-_Rishi_Dirghatama
02.02_-_The_Kingdom_of_Subtle_Matter
02.02_-_The_Message_of_the_Atomic_Bomb
02.03_-_An_Aspect_of_Emergent_Evolution
02.03_-_National_and_International
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.04_-_The_Right_of_Absolute_Freedom
02.04_-_Two_Sonnets_of_Shakespeare
02.05_-_Federated_Humanity
02.05_-_Robert_Graves
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_Boris_Pasternak
02.06_-_The_Integral_Yoga_and_Other_Yogas
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.06_-_Vansittartism
02.07_-_George_Seftris
02.07_-_India_One_and_Indivisable
02.07_-_The_Descent_into_Night
02.08_-_Jules_Supervielle
02.08_-_The_Basic_Unity
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_The_Way_to_Unity
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_Independence_and_its_Sanction
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
02.11_-_Hymn_to_Darkness
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_Mysticism_in_Bengali_Poetry
02.12_-_The_Heavens_of_the_Ideal
02.12_-_The_Ideals_of_Human_Unity
02.13_-_In_the_Self_of_Mind
02.13_-_On_Social_Reconstruction
02.13_-_Rabindranath_and_Sri_Aurobindo
02.14_-_Appendix
02.14_-_Panacea_of_Isms
02.14_-_The_World-Soul
02.15_-_The_Kingdoms_of_the_Greater_Knowledge
03.01_-_Humanism_and_Humanism
03.01_-_The_Evolution_of_Consciousness
03.01_-_The_Malady_of_the_Century
03.01_-_The_New_Year_Initiation
03.01_-_The_Pursuit_of_the_Unknowable
03.02_-_Aspects_of_Modernism
03.02_-_The_Adoration_of_the_Divine_Mother
03.02_-_The_Gradations_of_Consciousness__The_Gradation_of_Planes
03.02_-_The_Philosopher_as_an_Artist_and_Philosophy_as_an_Art
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_Arjuna_or_the_Ideal_Disciple
03.03_-_A_Stainless_Steel_Frame
03.03_-_Modernism_-_An_Oriental_Interpretation
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.03_-_The_Inner_Being_and_the_Outer_Being
03.04_-_The_Body_Human
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_The_Vision_and_the_Boon
03.04_-_Towardsa_New_Ideology
03.05_-_Some_Conceptions_and_Misconceptions
03.05_-_The_Spiritual_Genius_of_India
03.05_-_The_World_is_One
03.06_-_Divine_Humanism
03.06_-_Here_or_Otherwhere
03.06_-_The_Pact_and_its_Sanction
03.07_-_Brahmacharya
03.07_-_Some_Thoughts_on_the_Unthinkable
03.07_-_The_Sunlit_Path
03.08_-_The_Democracy_of_Tomorrow
03.08_-_The_Spiritual_Outlook
03.08_-_The_Standpoint_of_Indian_Art
03.09_-_Art_and_Katharsis
03.09_-_Buddhism_and_Hinduism
03.09_-_Sectarianism_or_Loyalty
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.10_-_Sincerity
03.10_-_The_Mission_of_Buddhism
03.11_-_Modernist_Poetry
03.11_-_The_Language_Problem_and_India
03.11_-_True_Humility
03.12_-_Communism:_What_does_it_Mean?
03.12_-_TagorePoet_and_Seer
03.12_-_The_Spirit_of_Tapasya
03.13_-_Dynamic_Fatalism
03.13_-_Human_Destiny
03.14_-_From_the_Known_to_the_Unknown?
03.14_-_Mater_Dolorosa
03.15_-_Origin_and_Nature_of_Suffering
03.15_-_Towards_the_Future
03.16_-_The_Tragic_Spirit_in_Nature
03.17_-_The_Souls_Odyssey
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.01_-_The_Divine_Man
04.01_-_The_March_of_Civilisation
04.01_-_To_the_Heights_I
04.02_-_A_Chapter_of_Human_Evolution
04.02_-_Human_Progress
04.02_-_The_Growth_of_the_Flame
04.02_-_To_the_Heights_II
04.03_-_Consciousness_as_Energy
04.03_-_The_Call_to_the_Quest
04.03_-_The_Eternal_East_and_West
04.03_-_To_the_Heights_III
04.04_-_A_Global_Humanity
04.04_-_Evolution_of_the_Spiritual_Consciousness
04.04_-_The_Quest
04.04_-_To_the_Heights_IV
04.05_-_The_Freedom_and_the_Force_of_the_Spirit
04.05_-_The_Immortal_Nation
04.05_-_To_the_Heights_V
04.06_-_Evolution_of_the_Spiritual_Consciousness
04.06_-_To_Be_or_Not_to_Be
04.06_-_To_the_Heights_VI_(Maheshwari)
04.07_-_Matter_Aspires
04.07_-_Readings_in_Savitri
04.07_-_To_the_Heights_VII_(Mahakali)
04.08_-_An_Evolutionary_Problem
04.08_-_To_the_Heights_VIII_(Mahalakshmi)
04.09_-_To_the_Heights-I_(Mahasarswati)
04.09_-_Values_Higher_and_Lower
04.10_-_To_the_Heights-X
04.11_-_To_the_Heights-XI
04.12_-_To_the_Heights-XII
04.13_-_To_the_HeightsXIII
04.14_-_To_the_Heights-XXIV
04.15_-_To_the_Heights-XV_(God_the_Supreme_Mystery)
04.16_-_To_the_Heights-XVI
04.17_-_To_the_Heights-XVII
04.18_-_To_the_Heights-XVIII
04.19_-_To_the_Heights-XIX_(The_March_into_the_Night)
04.20_-_To_the_Heights-XX
04.21_-_To_the_HeightsXXI
04.22_-_To_the_Heights-XXII
04.23_-_To_the_Heights-XXIII
04.24_-_To_the_Heights-XXIV
04.25_-_To_the_Heights-XXV
04.26_-_To_the_Heights-XXVI
04.27_-_To_the_Heights-XXVII
04.28_-_To_the_Heights-XXVIII
04.29_-_To_the_Heights-XXIX
04.30_-_To_the_HeightsXXX
04.31_-_To_the_Heights-XXXI
04.32_-_To_the_Heights-XXXII
04.33_-_To_the_Heights-XXXIII
04.34_-_To_the_Heights-XXXIV
04.35_-_To_the_Heights-XXXV
04.36_-_To_the_Heights-XXXVI
04.37_-_To_the_Heights-XXXVII
04.38_-_To_the_Heights-XXXVIII
04.39_-_To_the_Heights-XXXIX
04.40_-_To_the_Heights-XL
04.41_-_To_the_Heights-XLI
04.42_-_To_the_Heights-XLII
04.43_-_To_the_Heights-XLIII
04.44_-_To_the_Heights-XLIV
04.45_-_To_the_Heights-XLV
04.46_-_To_the_Heights-XLVI
04.47_-_To_the_Heights-XLVII
05.01_-_At_the_Origin_of_Ignorance
05.01_-_Man_and_the_Gods
05.01_-_Of_Love_and_Aspiration
05.01_-_The_Destined_Meeting-Place
05.02_-_Gods_Labour
05.02_-_Of_the_Divine_and_its_Help
05.02_-_Physician,_Heal_Thyself
05.02_-_Satyavan
05.03_-_Bypaths_of_Souls_Journey
05.03_-_Of_Desire_and_Atonement
05.03_-_Satyavan_and_Savitri
05.03_-_The_Body_Natural
05.04_-_Of_Beauty_and_Ananda
05.04_-_The_Immortal_Person
05.04_-_The_Measure_of_Time
05.05_-_In_Quest_of_Reality
05.05_-_Man_the_Prototype
05.05_-_Of_Some_Supreme_Mysteries
05.06_-_Physics_or_philosophy
05.06_-_The_Birth_of_Maya
05.06_-_The_Role_of_Evil
05.07_-_Man_and_Superman
05.07_-_The_Observer_and_the_Observed
05.08_-_An_Age_of_Revolution
05.08_-_True_Charity
05.09_-_The_Changed_Scientific_Outlook
05.09_-_Varieties_of_Religious_Experience
05.10_-_Children_and_Child_Mentality
05.10_-_Knowledge_by_Identity
05.11_-_The_Place_of_Reason
05.11_-_The_Soul_of_a_Nation
05.12_-_The_Revealer_and_the_Revelation
05.12_-_The_Soul_and_its_Journey
05.13_-_Darshana_and_Philosophy
05.14_-_The_Sanctity_of_the_Individual
05.15_-_Sartrian_Freedom
05.16_-_A_Modernist_Mentality
05.17_-_Evolution_or_Special_Creation
05.18_-_Man_to_be_Surpassed
05.19_-_Lone_to_the_Lone
05.20_-_The_Urge_for_Progression
05.21_-_Being_or_Becoming_and_Having
05.22_-_Success_and_its_Conditions
05.23_-_The_Base_of_Sincerity
05.24_-_Process_of_Purification
05.25_-_Sweet_Adversity
05.26_-_The_Soul_in_Anguish
05.27_-_The_Nature_of_Perfection
05.28_-_God_Protects
05.29_-_Vengeance_is_Mine
05.30_-_Theres_a_Divinity
05.31_-_Divine_Intervention
05.32_-_Yoga_as_Pragmatic_Power
05.33_-_Caesar_versus_the_Divine
05.34_-_Light,_more_Light
06.01_-_The_End_of_a_Civilisation
06.01_-_The_Word_of_Fate
06.02_-_Darkness_to_Light
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.03_-_Types_of_Meditation
06.04_-_The_Conscious_Being
06.05_-_The_Story_of_Creation
06.06_-_Earth_a_Symbol
06.07_-_Total_Transformation_Demands_Total_Rejection
06.08_-_The_Individual_and_the_Collective
06.09_-_How_to_Wait
06.10_-_Fatigue_and_Work
06.11_-_The_Steps_of_the_Soul
06.12_-_The_Expanding_Body-Consciousness
06.13_-_Body,_the_Occult_Agent
06.14_-_The_Integral_Realisation
06.15_-_Ever_Green
06.16_-_A_Page_of_Occult_History
06.17_-_Directed_Change
06.18_-_Value_of_Gymnastics,_Mental_or_Other
06.19_-_Mental_Silence
06.20_-_Mind,_Origin_of_Separative_Consciousness
06.21_-_The_Personal_and_the_Impersonal
06.22_-_I_Have_Nothing,_I_Am_Nothing
06.23_-_Here_or_Elsewhere
06.24_-_When_Imperfection_is_Greater_Than_Perfection
06.25_-_Individual_and_Collective_Soul
06.26_-_The_Wonder_of_It_All
06.27_-_To_Learn_and_to_Understand
06.28_-_The_Coming_of_Superman
06.29_-_Towards_Redemption
06.30_-_Sweet_Holy_Tears
06.31_-_Identification_of_Consciousness
06.32_-_The_Central_Consciousness
06.33_-_The_Constants_of_the_Spirit
06.34_-_Selfless_Worker
06.35_-_Second_Sight
06.36_-_The_Mother_on_Herself
07.01_-_Realisation,_Past_and_Future
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.02_-_The_Spiral_Universe
07.03_-_The_Entry_into_the_Inner_Countries
07.03_-_This_Expanding_Universe
07.04_-_The_Triple_Soul-Forces
07.04_-_The_World_Serpent
07.05_-_The_Finding_of_the_Soul
07.05_-_This_Mystery_of_Existence
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.06_-_Record_of_World-History
07.07_-_Freedom_and_Destiny
07.07_-_The_Discovery_of_the_Cosmic_Spirit_and_the_Cosmic_Consciousness
07.08_-_The_Divine_Truth_Its_Name_and_Form
07.09_-_The_Symbolic_Ignorance
07.10_-_Diseases_and_Accidents
07.11_-_The_Problem_of_Evil
07.12_-_This_Ugliness_in_the_World
07.13_-_Divine_Justice
07.14_-_The_Divine_Suffering
07.15_-_Divine_Disgust
07.16_-_Things_Significant_and_Insignificant
07.17_-_Why_Do_We_Forget_Things?
07.18_-_How_to_get_rid_of_Troublesome_Thoughts
07.19_-_Bad_Thought-Formation
07.20_-_Why_are_Dreams_Forgotten?
07.21_-_On_Occultism
07.22_-_Mysticism_and_Occultism
07.23_-_Meditation_and_Some_Questions
07.24_-_Meditation_and_Meditation
07.25_-_Prayer_and_Aspiration
07.26_-_Offering_and_Surrender
07.27_-_Equality_of_the_Body,_Equality_of_the_Soul
07.28_-_Personal_Effort_and_Will
07.29_-_How_to_Feel_that_we_Belong_to_the_Divine
07.30_-_Sincerity_is_Victory
07.31_-_Images_of_Gods_and_Goddesses
07.32_-_The_Yogic_Centres
07.33_-_The_Inner_and_the_Outer
07.34_-_And_this_Agile_Reason
07.35_-_The_Force_of_Body-Consciousness
07.36_-_The_Body_and_the_Psychic
07.37_-_The_Psychic_Being,_Some_Mysteries
07.38_-_Past_Lives_and_the_Psychic_Being
07.39_-_The_Homogeneous_Being
07.40_-_Service_Human_and_Divine
07.41_-_The_Divine_Family
07.42_-_The_Nature_and_Destiny_of_Art
07.43_-_Music_Its_Origin_and_Nature
07.44_-_Music_Indian_and_European
07.45_-_Specialisation
08.01_-_Choosing_To_Do_Yoga
08.02_-_Order_and_Discipline
08.03_-_Death_in_the_Forest
08.03_-_Organise_Your_Life
08.04_-_Doing_for_Her_Sake
08.05_-_Will_and_Desire
08.06_-_A_Sign_and_a_Symbol
08.07_-_Sleep_and_Pain
08.08_-_The_Mind_s_Bazaar
08.09_-_Spirits_in_Trees
08.10_-_Are_Not_Dogs_More_Faithful_Than_Men?
08.11_-_The_Work_Here
08.12_-_Thought_the_Creator
08.13_-_Thought_and_Imagination
08.14_-_Poetry_and_Poetic_Inspiration
08.15_-_Divine_Living
08.16_-_Perfection_and_Progress
08.17_-_Psychological_Perfection
08.18_-_The_Origin_of_Desire
08.19_-_Asceticism
08.20_-_Are_Not_The_Ascetic_Means_Helpful_At_Times?
08.21_-_Human_Birth
08.22_-_Regarding_the_Body
08.23_-_Sadhana_Must_be_Done_in_the_Body
08.24_-_On_Food
08.25_-_Meat-Eating
08.26_-_Faith_and_Progress
08.27_-_Value_of_Religious_Exercises
08.28_-_Prayer_and_Aspiration
08.29_-_Meditation_and_Wakefulness
08.30_-_Dealing_with_a_Wrong_Movement
08.31_-_Personal_Effort_and_Surrender
08.32_-_The_Surrender_of_an_Inner_Warrior
08.33_-_Opening_to_the_Divine
08.34_-_To_Melt_into_the_Divine
08.35_-_Love_Divine
08.36_-_Buddha_and_Shankara
08.37_-_The_Significance_of_Dates
08.38_-_The_Value_of_Money
09.01_-_Prayer_and_Aspiration
09.01_-_Towards_the_Black_Void
09.02_-_Meditation
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.03_-_The_Psychic_Being
09.04_-_The_Divine_Grace
09.05_-_The_Story_of_Love
09.06_-_How_Can_Time_Be_a_Friend?
09.07_-_How_to_Become_Indifferent_to_Criticism?
09.08_-_The_Modern_Taste
09.09_-_The_Origin
09.10_-_The_Supramental_Vision
09.11_-_The_Supramental_Manifestation_and_World_Change
09.12_-_The_True_Teaching
09.13_-_On_Teachers_and_Teaching
09.14_-_Education_of_Girls
09.15_-_How_to_Listen
09.16_-_Goal_of_Evolution
09.17_-_Health_in_the_Ashram
09.18_-_The_Mother_on_Herself
100.00_-_Synergy
10.01_-_A_Dream
10.01_-_Cycles_of_Creation
1.001_-_The_Aim_of_Yoga
10.01_-_The_Dream_Twilight_of_the_Ideal
1.001_-_The_Opening
10.02_-_Beyond_Vedanta
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
1.002_-_The_Heifer
1.003_-_Family_of_Imran
10.03_-_Life_in_and_Through_Death
10.03_-_The_Debate_of_Love_and_Death
10.04_-_Lord_of_Time
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.04_-_Transfiguration
1.004_-_Women
10.05_-_Mind_and_the_Mental_World
1.005_-_The_Table
10.06_-_Beyond_the_Dualities
1.006_-_Livestock
10.06_-_Looking_around_with_Craziness
1.007_-_Initial_Steps_in_Yoga_Practice
10.07_-_The_Demon
1.007_-_The_Elevations
10.07_-_The_World_is_One
10.08_-_Consciousness_as_Freedom
1.008_-_The_Principle_of_Self-Affirmation
1.008_-_The_Spoils
10.09_-_Education_as_the_Growth_of_Consciousness
1.009_-_Perception_and_Reality
1.009_-_Repentance
1.00a_-_DIVISION_A_-_THE_INTERNAL_FIRES_OF_THE_SHEATHS.
1.00a_-_Foreword
1.00a_-_Introduction
1.00b_-_DIVISION_B_-_THE_PERSONALITY_RAY_AND_FIRE_BY_FRICTION
1.00b_-_INTRODUCTION
1.00b_-_Introduction
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00c_-_INTRODUCTION
1.00d_-_DIVISION_D_-_KUNDALINI_AND_THE_SPINE
1.00d_-_Introduction
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00f_-_DIVISION_F_-_THE_LAW_OF_ECONOMY
1.00g_-_Foreword
1.00h_-_Foreword
1.00_-_INTRODUCTION
1.00_-_Introduction_to_Alchemy_of_Happiness
1.00_-_INTRODUCTORY_REMARKS
1.00_-_Main
1.00_-_PREFACE
1.00_-_Preface
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.00_-_Preliminary_Remarks
1.00_-_PRELUDE_AT_THE_THEATRE
1.00_-_PROLOGUE_IN_HEAVEN
1.00_-_The_Constitution_of_the_Human_Being
1.00_-_The_way_of_what_is_to_come
10.10_-_A_Poem
10.10_-_Education_is_Organisation
1.010_-_Jonah
1.010_-_Self-Control_-_The_Alpha_and_Omega_of_Yoga
10.11_-_Beyond_Love_and_Hate
1.011_-_Hud
10.11_-_Savitri
10.12_-_Awake_Mother
1.012_-_Joseph
1.012_-_Sublimation_-_A_Way_to_Reshuffle_Thought
10.12_-_The_Divine_Grace_and_Love
1.013_-_Defence_Mechanisms_of_the_Mind
10.13_-_Go_Through
1.013_-_Thunder
1.014_-_Abraham
10.14_-_Night_and_Day
10.15_-_The_Evolution_of_Language
1.015_-_The_Rock
1.016_-_The_Bee
10.16_-_The_Relative_Best
10.17_-_Miracles:_Their_True_Significance
1.017_-_The_Night_Journey
10.18_-_Short_Notes_-_1-_The_Sense_of_Earthly_Evolution
1.018_-_The_Cave
1.019_-_Mary
10.19_-_Short_Notes_-_2-_God_Above_and_God_Within
1.01_-_About_the_Elements
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_An_Accomplished_Westerner
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Appearance_and_Reality
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Asana
1.01_-_BOOK_THE_FIRST
1.01_-_Description_of_the_Castle
1.01_-_DOWN_THE_RABBIT-HOLE
1.01_-_Economy
1.01f_-_Introduction
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Hatha_Yoga
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_'Imitation'_the_common_principle_of_the_Arts_of_Poetry.
1.01_-_Introduction
1.01_-_Isha_Upanishad
1.01_-_Maitreya_inquires_of_his_teacher_(Parashara)
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MASTER_AND_DISCIPLE
1.01_-_MAXIMS_AND_MISSILES
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_Newtonian_and_Bergsonian_Time
1.01_-_NIGHT
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_On_Love
1.01_-_On_renunciation_of_the_world
1.01_-_ON_THE_THREE_METAMORPHOSES
1.01_-_Our_Demand_and_Need_from_the_Gita
1.01_-_Prayer
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_Proem
1.01_-_SAMADHI_PADA
1.01_-_Seeing
1.01_-_Sets_down_the_first_line_and_begins_to_treat_of_the_imperfections_of_beginners.
1.01_-_Soul_and_God
1.01_-_Sri_Aurobindo
1.01_-_Tara_the_Divine
1.01_-_THAT_ARE_THOU
1.01_-_the_Call_to_Adventure
1.01_-_The_Castle
1.01_-_The_Corporeal_Being_of_Man
1.01_-_The_Cycle_of_Society
1.01_-_The_Dark_Forest._The_Hill_of_Difficulty._The_Panther,_the_Lion,_and_the_Wolf._Virgil.
1.01_-_The_Divine_and_The_Universe
1.01_-_The_Ego
1.01_-_The_First_Steps
1.01_-_The_Four_Aids
1.01_-_The_Highest_Meaning_of_the_Holy_Truths
1.01_-_The_Human_Aspiration
1.01_-_The_Ideal_of_the_Karmayogin
1.01_-_The_King_of_the_Wood
1.01_-_The_Lord_of_hosts
1.01_-_The_Mental_Fortress
1.01_-_The_Offering
1.01_-_THE_OPPOSITES
1.01_-_The_Path_of_Later_On
1.01_-_The_Rape_of_the_Lock
1.01_-_The_Science_of_Living
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_The_Three_Metamorphoses
1.01_-_The_True_Aim_of_Life
1.01_-_The_Unexpected
1.01_-_To_Watanabe_Sukefusa
1.01_-_Two_Powers_Alone
1.01_-_What_is_Magick?
1.01_-_Who_is_Tara
10.20_-_Short_Notes_-_3-_Emptying_and_Replenishment
1.020_-_Ta-Ha
1.020_-_The_World_and_Our_World
10.21_-_Short_Notes_-_4-_Ego
1.02.1_-_The_Inhabiting_Godhead_-_Life_and_Action
1.021_-_The_Prophets
1.02.2.1_-_Brahman_-_Oneness_of_God_and_the_World
1.02.2.2_-_Self-Realisation
10.22_-_Short_Notes_-_5-_Consciousness_and_Dimensions_of_View
1.022_-_The_Pilgrimage
1.02.3.1_-_The_Lord
1.02.3.2_-_Knowledge_and_Ignorance
1.02.3.3_-_Birth_and_Non-Birth
10.23_-_Prayers_and_Meditations_of_the_Mother
1.023_-_The_Believers
1.02.4.1_-_The_Worlds_-_Surya
1.02.4.2_-_Action_and_the_Divine_Will
1.024_-_Affiliation_With_Larger_Wholes
10.24_-_Savitri
1.024_-_The_Light
10.25_-_How_to_Read_Sri_Aurobindo_and_the_Mother
1.025_-_Sadhana_-_Intensifying_a_Lighted_Flame
1.025_-_The_Criterion
10.26_-_A_True_Professor
1.026_-_The_Poets
10.27_-_Consciousness
1.027_-_The_Ant
1.028_-_Bringing_About_Whole-Souled_Dedication
1.028_-_History
10.28_-_Love_and_Love
1.02.9_-_Conclusion_and_Summary
10.29_-_Gods_Debt
1.029_-_The_Spider
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_BOOK_THE_SECOND
1.02_-_Education
1.02_-_Fire_over_the_Earth
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_In_the_Beginning
1.02_-_IN_THE_COMPANY_OF_DEVOTEES
1.02_-_Isha_Analysis
1.02_-_Karma_Yoga
1.02_-_Karmayoga
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_Meeting_the_Master_-_Authors_second_meeting,_March_1921
1.02_-_Of_certain_spiritual_imperfections_which_beginners_have_with_respect_to_the_habit_of_pride.
1.02_-_On_detachment
1.02_-_On_the_Knowledge_of_God.
1.02_-_On_the_Service_of_the_Soul
1.02_-_ON_THE_TEACHERS_OF_VIRTUE
1.02_-_Outline_of_Practice
1.02_-_Prana
1.02_-_Pranayama,_Mantrayoga
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_Priestly_Kings
1.02_-_SADHANA_PADA
1.02_-_Self-Consecration
1.02_-_Shakti_and_Personal_Effort
1.02_-_Skillful_Means
1.02_-_SOCIAL_HEREDITY_AND_PROGRESS
1.02_-_Substance_Is_Eternal
1.02_-_Taras_Tantra
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Child_as_growing_being_and_the_childs_experience_of_encountering_the_teacher.
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Descent._Dante's_Protest_and_Virgil's_Appeal._The_Intercession_of_the_Three_Ladies_Benedight.
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Is_with_You
1.02_-_The_Divine_Teacher
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_The_Great_Process
1.02_-_The_Human_Soul
1.02_-_The_Magic_Circle
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Necessity_of_Magick_for_All
1.02_-_The_Objects_of_Imitation.
1.02_-_The_Philosophy_of_Ishvara
1.02_-_The_Pit
1.02_-_THE_POOL_OF_TEARS
1.02_-_The_Principle_of_Fire
1.02_-_THE_PROBLEM_OF_SOCRATES
1.02_-_THE_QUATERNIO_AND_THE_MEDIATING_ROLE_OF_MERCURIUS
1.02_-_The_Recovery
1.02_-_The_Refusal_of_the_Call
1.02_-_The_Shadow
1.02_-_The_Soul_Being_of_Man
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_The_Ultimate_Path_is_Without_Difficulty
1.02_-_The_Virtues
1.02_-_The_Vision_of_the_Past
1.02_-_THE_WITHIN_OF_THINGS
1.02_-_To_Zen_Monks_Kin_and_Koku
1.02_-_Twenty-two_Letters
1.02_-_What_is_Psycho_therapy?
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.03_-_
10.30_-_India,_the_World_and_the_Ashram
1.030_-_The_Romans
1.031_-_Intense_Aspiration
1.031_-_Luqman
10.31_-_The_Mystery_of_The_Five_Senses
1.032_-_Our_Concept_of_God
1.032_-_Prostration
10.32_-_The_Mystery_of_the_Five_Elements
10.33_-_On_Discipline
1.033_-_The_Confederates
10.34_-_Effort_and_Grace
1.034_-_Sheba
1.035_-_Originator
10.35_-_The_Moral_and_the_Spiritual
1.035_-_The_Recitation_of_Mantra
10.36_-_Cling_to_Truth
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
1.036_-_Ya-Seen
1.037_-_Preventing_the_Fall_in_Yoga
1.037_-_The_Aligners
10.37_-_The_Golden_Bridge
1.038_-_Impediments_in_Concentration_and_Meditation
1.038_-_Saad
1.039_-_Throngs
1.03_-_A_CAUCUS-RACE_AND_A_LONG_TALE
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_A_Sapphire_Tale
1.03_-_Bloodstream_Sermon
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Eternal_Presence
1.03_-_Fire_in_the_Earth
1.03_-_Hieroglypics__Life_and_Language_Necessarily_Symbolic
1.03_-_Hymns_of_Gritsamada
1.03_-_Invocation_of_Tara
1.03_-_Japa_Yoga
1.03_-_Man_-_Slave_or_Free?
1.03_-_Master_Ma_is_Unwell
1.03_-_Measure_of_time,_Moments_of_Kashthas,_etc.
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_Of_some_imperfections_which_some_of_these_souls_are_apt_to_have,_with_respect_to_the_second_capital_sin,_which_is_avarice,_in_the_spiritual_sense
1.03_-_On_Children
1.03_-_On_exile_or_pilgrimage
1.03_-_On_Knowledge_of_the_World.
1.03_-_ON_THE_AFTERWORLDLY
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Physical_Education
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Reading
1.03_-_.REASON._IN_PHILOSOPHY
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.03_-_Some_Practical_Aspects
1.03_-_Spiritual_Realisation,_The_aim_of_Bhakti-Yoga
1.03_-_Supernatural_Aid
1.03_-_Sympathetic_Magic
1.03_-_Tara,_Liberator_from_the_Eight_Dangers
1.03_-_The_Armour_of_Grace
1.03_-_The_Coming_of_the_Subjective_Age
1.03_-_The_Desert
1.03_-_The_Divine_and_Man
1.03_-_THE_EARTH_IN_ITS_EARLY_STAGES
1.03_-_The_End_of_the_Intellect
1.03_-_The_Gate_of_Hell._The_Inefficient_or_Indifferent._Pope_Celestine_V._The_Shores_of_Acheron._Charon._The
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_THE_GRAND_OPTION
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_The_Manner_of_Imitation.
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Phenomenon_of_Man
1.03_-_The_Principle_of_Water
1.03_-_The_Psychic_Prana
1.03_-_The_Sephiros
1.03_-_The_Spiritual_Being_of_Man
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_The_Sunlit_Path
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_The_three_first_elements
1.03_-_The_Two_Negations_2_-_The_Refusal_of_the_Ascetic
1.03_-_The_Uncreated
1.03_-_The_Void
1.03_-_Time_Series,_Information,_and_Communication
1.03_-_To_Layman_Ishii
1.03_-_VISIT_TO_VIDYASAGAR
1.03_-_Yama_and_Niyama
1.03_-_YIBHOOTI_PADA
1.04_-_
1.040_-_Forgiver
1.040_-_Re-Educating_the_Mind
1.041_-_Detailed
1.042_-_Consultation
1.043_-_Decorations
1.044_-_Smoke
1.045_-_Kneeling
1.045_-_Piercing_the_Structure_of_the_Object
1.046_-_The_Dunes
1.047_-_Muhammad
1.048_-_Victory
1.049_-_The_Chambers
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_ALCHEMY_AND_MANICHAEISM
1.04_-_A_Leader
1.04_-_Body,_Soul_and_Spirit
1.04_-_BOOK_THE_FOURTH
1.04_-_Communion
1.04_-_Descent_into_Future_Hell
1.04_-_Feedback_and_Oscillation
1.04_-_GOD_IN_THE_WORLD
1.04_-_Homage_to_the_Twenty-one_Taras
1.04_-_HOW_THE_.TRUE_WORLD._ULTIMATELY_BECAME_A_FABLE
1.04_-_Hymns_of_Bharadwaja
1.04_-_KAI_VALYA_PADA
1.04_-_Magic_and_Religion
1.04_-_Money
1.04_-_Nada_Yoga
1.04_-_Narayana_appearance,_in_the_beginning_of_the_Kalpa,_as_the_Varaha_(boar)
1.04_-_Nothing_Exists_Per_Se_Except_Atoms_And_The_Void
1.04_-_Of_other_imperfections_which_these_beginners_are_apt_to_have_with_respect_to_the_third_sin,_which_is_luxury.
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_On_Knowledge_of_the_Future_World.
1.04_-_ON_THE_DESPISERS_OF_THE_BODY
1.04_-_Pratyahara
1.04_-_Reality_Omnipresent
1.04_-_Relationship_with_the_Divine
1.04_-_Religion_and_Occultism
1.04_-_SOME_REFLECTIONS_ON_PROGRESS
1.04_-_Sounds
1.04_-_Te_Shan_Carrying_His_Bundle
1.04_-_The_33_seven_double_letters
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Control_of_Psychic_Prana
1.04_-_The_Core_of_the_Teaching
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Discovery_of_the_Nation-Soul
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_First_Circle,_Limbo__Virtuous_Pagans_and_the_Unbaptized._The_Four_Poets,_Homer,_Horace,_Ovid,_and_Lucan._The_Noble_Castle_of_Philosophy.
1.04_-_The_Fork_in_the_Road
1.04_-_The_Future_of_Man
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Need_of_Guru
1.04_-_The_Origin_and_Development_of_Poetry.
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Principle_of_Air
1.04_-_The_Qabalah__The_Best_Training_for_Memory
1.04_-_THE_RABBIT_SENDS_IN_A_LITTLE_BILL
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Self
1.04_-_The_Silent_Mind
1.04_-_THE_STUDY_(The_Compact)
1.04_-_To_the_Priest_of_Rytan-ji
1.04_-_Vital_Education
1.04_-_Wake-Up_Sermon
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.04_-_Wherefore_of_World?
1.04_-_Yoga_and_Human_Evolution
1.05_-_
1.050_-_Qaf
1.051_-_The_Spreaders
1.05_-_2010_and_1956_-_Doomsday?
1.052_-_The_Mount
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.053_-_A_Very_Important_Sadhana
1.053_-_The_Star
1.054_-_The_Moon
1.055_-_The_Compassionate
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.056_-_The_Inevitable
1.057_-_Iron
1.057_-_The_Four_Manifestations_of_Ignorance
1.058_-_The_Argument
1.059_-_The_Mobilization
1.05_-_Adam_Kadmon
1.05_-_ADVICE_FROM_A_CATERPILLAR
1.05_-_AUERBACHS_CELLAR
1.05_-_Bhakti_Yoga
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_Character_Of_The_Atoms
1.05_-_CHARITY
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Consciousness
1.05_-_Definition_of_the_Ludicrous,_and_a_brief_sketch_of_the_rise_of_Comedy.
1.05_-_Dharana
1.05_-_Hsueh_Feng's_Grain_of_Rice
1.05_-_Hymns_of_Bharadwaja
1.05_-_Knowledge_by_Aquaintance_and_Knowledge_by_Description
1.05_-_Mental_Education
1.05_-_Morality_and_War
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_Of_the_imperfections_into_which_beginners_fall_with_respect_to_the_sin_of_wrath
1.05_-_ON_ENJOYING_AND_SUFFERING_THE_PASSIONS
1.05_-_On_painstaking_and_true_repentance_which_constitute_the_life_of_the_holy_convicts;_and_about_the_prison.
1.05_-_On_the_Love_of_God.
1.05_-_Pratyahara_and_Dharana
1.05_-_Prayer
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Qualifications_of_the_Aspirant_and_the_Teacher
1.05_-_Ritam
1.05_-_Solitude
1.05_-_Some_Results_of_Initiation
1.05_-_Splitting_of_the_Spirit
1.05_-_The_Activation_of_Human_Energy
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_The_Belly_of_the_Whale
1.05_-_The_Creative_Principle
1.05_-_The_Destiny_of_the_Individual
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.05_-_The_New_Consciousness
1.05_-_THE_NEW_SPIRIT
1.05_-_The_Principle_of_Earth
1.05_-_The_Second_Circle__The_Wanton._Minos._The_Infernal_Hurricane._Francesca_da_Rimini.
1.05_-_The_True_Doer_of_Works
1.05_-_The_twelve_simple_letters
1.05_-_The_Universe__The_0_=_2_Equation
1.05_-_The_Ways_of_Working_of_the_Lord
1.05_-_To_Know_How_To_Suffer
1.05_-_True_and_False_Subjectivism
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.05_-_Work_and_Teaching
1.05_-_Yoga_and_Hypnotism
1.060_-_The_Woman_Tested
1.060_-_Tracing_the_Ultimate_Cause_of_Any_Experience
1.061_-_Column
1.062_-_Friday
1.063_-_The_Hypocrites
1.064_-_Gathering
1.065_-_Divorce
1.066_-_Prohibition
1.067_-_Sovereignty
1.068_-_The_Pen
1.069_-_The_Reality
1.06_-_Agni_and_the_Truth
1.06_-_A_Summary_of_my_Phenomenological_View_of_the_World
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Definition_of_Tragedy.
1.06_-_Dhyana
1.06_-_Dhyana_and_Samadhi
1.06_-_Five_Dreams
1.06_-_Gestalt_and_Universals
1.06_-_Hymns_of_Parashara
1.06_-_Iconography
1.06_-_Incarnate_Teachers_and_Incarnation
1.06_-_LIFE_AND_THE_PLANETS
1.06_-_Magicians_as_Kings
1.06_-_Man_in_the_Universe
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_Of_imperfections_with_respect_to_spiritual_gluttony.
1.06_-_On_Induction
1.06_-_On_remembrance_of_death.
1.06_-_ON_THE_PALE_CRIMINAL
1.06_-_On_Thought
1.06_-_On_Work
1.06_-_Origin_of_the_four_castes
1.06_-_PIG_AND_PEPPER
1.06_-_Psychic_Education
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_Quieting_the_Vital
1.06_-_Raja_Yoga
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_The_Desire_to_be
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Four_Powers_of_the_Mother
1.06_-_The_Greatness_of_the_Individual
1.06_-_The_Light
1.06_-_The_Literal_Qabalah
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Third_Circle__The_Gluttonous._Cerberus._The_Eternal_Rain._Ciacco._Florence.
1.06_-_The_Three_Mothers_or_the_First_Elements
1.06_-_The_Three_Schools_of_Magick_1
1.06_-_The_Transformation_of_Dream_Life
1.06_-_Wealth_and_Government
1.06_-_WITCHES_KITCHEN
1.06_-_Yun_Men's_Every_Day_is_a_Good_Day
1.070_-_The_Seven_Stages_of_Perfection
1.070_-_Ways_of_Ascent
1.071_-_Noah
1.072_-_The_Jinn
1.073_-_The_Enwrapped
1.074_-_The_Enrobed
1.075_-_Resurrection
1.075_-_Self-Control,_Study_and_Devotion_to_God
1.076_-_Man
1.077_-_The_Unleashed
1.078_-_Kumbhaka_and_Concentration_of_Mind
1.078_-_The_Event
1.079_-_The_Snatchers
1.07_-_Akasa_or_the_Ethereal_Principle
1.07_-_A_MAD_TEA-PARTY
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_A_STREET
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Hui_Ch'ao_Asks_about_Buddha
1.07_-_Hymn_of_Paruchchhepa
1.07_-_Incarnate_Human_Gods
1.07_-_Jnana_Yoga
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_Of_imperfections_with_respect_to_spiritual_envy_and_sloth.
1.07_-_On_Dreams
1.07_-_On_mourning_which_causes_joy.
1.07_-_On_Our_Knowledge_of_General_Principles
1.07_-_ON_READING_AND_WRITING
1.07_-_Past,_Present_and_Future
1.07_-_Production_of_the_mind-born_sons_of_Brahma
1.07_-_Raja-Yoga_in_Brief
1.07_-_Samadhi
1.07_-_Savitri
1.07_-_Sri_Aurobindo_and_The_Mother
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Continuity_of_Consciousness
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Fire_of_the_New_World
1.07_-_The_Fourth_Circle__The_Avaricious_and_the_Prodigal._Plutus._Fortune_and_her_Wheel._The_Fifth_Circle__The_Irascible_and_the_Sullen._Styx.
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.07_-_The_Ideal_Law_of_Social_Development
1.07_-_THE_.IMPROVERS._OF_MANKIND
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Literal_Qabalah_(continued)
1.07_-_The_Magic_Wand
1.07_-_The_Mantra_-_OM_-_Word_and_Wisdom
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Plot_must_be_a_Whole.
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Process_of_Evolution
1.07_-_The_Prophecies_of_Nostradamus
1.07_-_The_Psychic_Center
1.07_-_The_Three_Schools_of_Magick_2
1.07_-_TRUTH
1.080_-_He_Frowned
1.080_-_Pratyahara_-_The_Return_of_Energy
1.081_-_The_Application_of_Pratyahara
1.081_-_The_Rolling
1.082_-_The_Shattering
1.083_-_Choosing_an_Object_for_Concentration
1.083_-_The_Defrauders
1.084_-_The_Rupture
1.085_-_The_Constellations
1.086_-_The_Nightly_Visitor
1.087_-_The_Most_High
1.088_-_The_Overwhelming
1.089_-_The_Dawn
1.089_-_The_Levels_of_Concentration
1.08_-_Adhyatma_Yoga
1.08a_-_The_Ladder
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Civilisation_and_Barbarism
1.08_-_Departmental_Kings_of_Nature
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_Independence_from_the_Physical
1.08_-_Information,_Language,_and_Society
1.08_-_Introduction_to_Patanjalis_Yoga_Aphorisms
1.08_-_Karma,_the_Law_of_Cause_and_Effect
1.08_-_On_freedom_from_anger_and_on_meekness.
1.08_-_ON_THE_TREE_ON_THE_MOUNTAINSIDE
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Phlegyas._Philippo_Argenti._The_Gate_of_the_City_of_Dis.
1.08_-_Psycho_therapy_Today
1.08_-_RELIGION_AND_TEMPERAMENT
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_Stead_and_the_Spirits
1.08_-_Summary
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Magic_Sword,_Dagger_and_Trident
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_The_Plot_must_be_a_Unity.
1.08_-_THE_QUEEN'S_CROQUET_GROUND
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Discovery
1.08_-_The_Supreme_Will
1.08_-_The_Synthesis_of_Movement
1.08_-_The_Three_Schools_of_Magick_3
1.08_-_THINGS_THE_GERMANS_LACK
1.08_-_Wherein_is_expounded_the_first_line_of_the_first_stanza,_and_a_beginning_is_made_of_the_explanation_of_this_dark_night
1.08_-_Worship_of_Substitutes_and_Images
1.090_-_The_Land
1.091_-_The_Sun
1.092_-_The_Night
1.093_-_Morning_Light
1.094_-_The_Soothing
1.094_-_Understanding_the_Structure_of_Things
1.095_-_The_Fig
1.096_-_Clot
1.096_-_Powers_that_Accrue_in_the_Practice
1.097_-_Decree
1.097_-_Sublimation_of_Object-Consciousness
1.098_-_Clear_Evidence
1.098_-_The_Transformation_from_Human_to_Divine
1.099_-_The_Entry_of_the_Eternal_into_the_Individual
1.099_-_The_Quake
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_A_System_of_Vedic_Psychology
1.09_-_BOOK_THE_NINTH
1.09_-_Civilisation_and_Culture
1.09_-_Concentration_-_Its_Spiritual_Uses
1.09_-_Equality_and_the_Annihilation_of_Ego
1.09_-_FAITH_IN_PEACE
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Kundalini_Yoga
1.09_-_Legend_of_Lakshmi
1.09_-_Man_-_About_the_Body
1.09_-_Of_the_signs_by_which_it_will_be_known_that_the_spiritual_person_is_walking_along_the_way_of_this_night_and_purgation_of_sense.
1.09_-_On_remembrance_of_wrongs.
1.09_-_ON_THE_PREACHERS_OF_DEATH
1.09_-_(Plot_continued.)_Dramatic_Unity.
1.09_-_PROMENADE
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SELF-KNOWLEDGE
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Stead_and_Maskelyne
1.09_-_Talks
1.09_-_Taras_Ultimate_Nature
1.09_-_The_Absolute_Manifestation
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.09_-_The_Chosen_Ideal
1.09_-_The_Crown,_Cap,_Magus-Band
1.09_-_The_Furies_and_Medusa._The_Angel._The_City_of_Dis._The_Sixth_Circle__Heresiarchs.
1.09_-_The_Greater_Self
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Pure_Existent
1.09_-_The_Secret_Chiefs
1.09_-_The_Worship_of_Trees
1.09_-_To_the_Students,_Young_and_Old
1.09_-_WHO_STOLE_THE_TARTS?
1.100_-_The_Racers
1.1.01_-_Certitudes
1.1.01_-_Seeking_the_Divine
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
11.01_-_The_Opening_Scene_of_Savitri
1.101_-_The_Shocker
1.102_-_Abundance
1.1.02_-_Sachchidananda
1.1.02_-_The_Aim_of_the_Integral_Yoga
11.02_-_The_Golden_Life-line
1.1.03_-_Brahman
11.03_-_Cosmonautics
1.1.03_-_Man
1.103_-_Time
1.1.04_-_Philosophy
1.104_-_The_Backbiter
1.1.04_-_The_Self_or_Atman
11.04_-_The_Triple_Cord
1.105_-_The_Elephant
11.05_-_The_Ladder_of_Unconsciousness
1.1.05_-_The_Siddhis
1.106_-_Quraish
11.06_-_The_Mounting_Fire
1.107_-_Assistance
1.107_-_The_Bestowal_of_a_Divine_Gift
11.07_-_The_Labours_of_the_Gods:_The_five_Purifications
11.08_-_Body-Energy
1.108_-_Plenty
1.109_-_The_Disbelievers
11.09_-_Towards_the_Immortal_Body
1.10_-_Aesthetic_and_Ethical_Culture
1.10_-_ALICE'S_EVIDENCE
1.10_-_BOOK_THE_TENTH
1.10_-_Concentration_-_Its_Practice
1.10_-_Conscious_Force
1.10_-_Farinata_and_Cavalcante_de'_Cavalcanti._Discourse_on_the_Knowledge_of_the_Damned.
1.10_-_Fate_and_Free-Will
1.10_-_Foresight
1.10_-_GRACE_AND_FREE_WILL
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Life_and_Death._The_Greater_Guardian_of_the_Threshold
1.10_-_Mantra_Yoga
1.10_-_On_our_Knowledge_of_Universals
1.10_-_On_slander_or_calumny.
1.10_-_ON_WAR_AND_WARRIORS
1.10_-_(Plot_continued.)_Definitions_of_Simple_and_Complex_Plots.
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Absolute_of_the_Being
1.10_-_The_descendants_of_the_daughters_of_Daksa_married_to_the_Rsis
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Magical_Garment
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.10_-_The_Methods_and_the_Means
1.10_-_THE_NEIGHBORS_HOUSE
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Revolutionary_Yogi
1.10_-_The_Roughly_Material_Plane_or_the_Material_World
1.10_-_The_Scolex_School
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
1.10_-_The_Yoga_of_the_Intelligent_Will
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
1.1.1.01_-_Three_Elements_of_Poetic_Creation
1.1.1.02_-_Creation_by_the_Word
1.1.1.03_-_Creative_Power_and_the_Human_Instrument
1.1.1.04_-_Joy_of_Poetic_Creation
1.1.1.05_-_Essence_of_Inspiration
1.1.1.06_-_Inspiration_and_Effort
1.1.1.07_-_Aspiration,_Opening,_Recognition
1.1.1.08_-_Self-criticism
1.1.1.09_-_Correction_by_Second_Inspiration
11.10_-_The_Test_of_Truth
1.110_-_Victory
11.11_-_The_Ideal_Centre
1.111_-_Thorns
1.112_-_Monotheism
11.12_-_Two_Equations
1.113_-_Daybreak
11.13_-_In_these_Fateful_Days
1.114_-_Mankind
11.14_-_Our_Finest_Hour
11.15_-_Sri_Aurobindo
1.11_-_A_STREET
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Correspondence_and_Interviews
1.11_-_Delight_of_Existence_-_The_Problem
1.11_-_FAITH_IN_MAN
1.11_-_GOOD_AND_EVIL
1.11_-_Higher_Laws
1.11_-_Legend_of_Dhruva,_the_son_of_Uttanapada
1.11_-_Oneness
1.11_-_On_Intuitive_Knowledge
1.11_-_On_talkativeness_and_silence.
1.11_-_ON_THE_NEW_IDOL
1.11_-_(Plot_continued.)_Reversal_of_the_Situation,_Recognition,_and_Tragic_or_disastrous_Incident_defined_and_explained.
1.11_-_Powers
1.1.1_-_Text
1.11_-_The_Broken_Rocks._Pope_Anastasius._General_Description_of_the_Inferno_and_its_Divisions.
1.11_-_The_Change_of_Power
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Magical_Belt
1.11_-_The_Master_of_the_Work
1.1.1_-_The_Mind_and_Other_Levels_of_Being
1.11_-_The_Reason_as_Governor_of_Life
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.11_-_The_Three_Purushas
1.11_-_Transformation
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.11_-_Woolly_Pomposities_of_the_Pious_Teacher
1.11_-_Works_and_Sacrifice
1.1.2.01_-_Sources_of_Inspiration_and_Variety
1.1.2.02_-_Poetry_of_the_Material_or_Physical_Consciousness
1.12_-_BOOK_THE_TWELFTH
1.12_-_Brute_Neighbors
1.1.2_-_Commentary
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_Dhruva_commences_a_course_of_religious_austerities
1.12_-_Further_Magical_Aids
1.12_-_GARDEN
1.12_-_God_Departs
1.12_-_Independence
1.1.2_-_Intellect_and_the_Intellectual
1.12_-_Love_The_Creator
1.12_-_On_lying.
1.12_-_ON_THE_FLIES_OF_THE_MARKETPLACE
1.12_-_Sleep_and_Dreams
1.12_-_SOME_REFLECTIONS_ON_THE_RIGHTS_OF_MAN
1.12_-_The_Astral_Plane
1.12_-_The_Divine_Work
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Left-Hand_Path_-_The_Black_Brothers
1.12_-_The_Minotaur._The_Seventh_Circle__The_Violent._The_River_Phlegethon._The_Violent_against_their_Neighbours._The_Centaurs._Tyrants.
1.12_-_The_Office_and_Limitations_of_the_Reason
1.12_-_The_'quantitative_parts'_of_Tragedy_defined.
1.12_-_The_Sacred_Marriage
1.12_-_The_Significance_of_Sacrifice
1.12_-_The_Sociology_of_Superman
1.12_-_The_Strength_of_Stillness
1.12_-_The_Superconscient
1.12_-_TIME_AND_ETERNITY
1.12_-_Truth_and_Knowledge
1.13_-_A_Dream
1.13_-_A_GARDEN-ARBOR
1.13_-_And_Then?
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Conclusion_-_He_is_here
1.13_-_Dawn_and_the_Truth
1.13_-_Gnostic_Symbols_of_the_Self
1.13_-_Knowledge,_Error,_and_Probably_Opinion
1.1.3_-_Mental_Difficulties_and_the_Need_of_Quietude
1.13_-_ON_CHASTITY
1.13_-_On_despondency.
1.13_-_(Plot_continued.)_What_constitutes_Tragic_Action.
1.13_-_Posterity_of_Dhruva
1.13_-_Reason_and_Religion
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_System_of_the_O.T.O.
1.13_-_The_Divine_Maya
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_The_Lord_of_the_Sacrifice
1.13_-_THE_MASTER_AND_M.
1.13_-_The_Pentacle,_Lamen_or_Seal
1.13_-_The_Spirit
1.13_-_The_Supermind_and_the_Yoga_of_Works
1.13_-_The_Wood_of_Thorns._The_Harpies._The_Violent_against_themselves._Suicides._Pier_della_Vigna._Lano_and_Jacopo_da_Sant'_Andrea.
1.13_-_Under_the_Auspices_of_the_Gods
1.14_-_Bibliography
1.14_-_BOOK_THE_FOURTEENTH
1.14_-_Descendants_of_Prithu
1.14_-_FOREST_AND_CAVERN
1.14_-_IMMORTALITY_AND_SURVIVAL
1.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
1.14_-_Noise
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_ON_THE_FRIEND
1.14_-_(Plot_continued.)_The_tragic_emotions_of_pity_and_fear_should_spring_out_of_the_Plot_itself.
1.14_-_Postscript
1.14_-_The_Book_of_Magic_Formulae
1.14_-_The_Limits_of_Philosophical_Knowledge
1.14_-_The_Mental_Plane
1.1.4_-_The_Physical_Mind_and_Sadhana
1.14_-_The_Principle_of_Divine_Works
1.14_-_The_Sand_Waste_and_the_Rain_of_Fire._The_Violent_against_God._Capaneus._The_Statue_of_Time,_and_the_Four_Infernal_Rivers.
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Succesion_to_the_Kingdom_in_Ancient_Latium
1.14_-_The_Supermind_as_Creator
1.14_-_The_Suprarational_Beauty
1.14_-_The_Victory_Over_Death
1.14_-_TURMOIL_OR_GENESIS?
1.15_-_Conclusion
1.15_-_Index
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_LAST_VISIT_TO_KESHAB
1.15_-_MARGARETS_ROOM
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_ON_THE_THOUSAND_AND_ONE_GOALS
1.15_-_Prayers
1.15_-_Sex_Morality
1.15_-_SILENCE
1.15_-_THE_DIRECTIONS_AND_CONDITIONS_OF_THE_FUTURE
1.15_-_The_element_of_Character_in_Tragedy.
1.15_-_The_Possibility_and_Purpose_of_Avatarhood
1.15_-_The_Supramental_Consciousness
1.15_-_The_Suprarational_Good
1.15_-_The_Supreme_Truth-Consciousness
1.15_-_The_Transformed_Being
1.15_-_The_Value_of_Philosophy
1.15_-_The_Violent_against_Nature._Brunetto_Latini.
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.15_-_The_Worship_of_the_Oak
1.1.5_-_Thought_and_Knowledge
1.15_-_Truth
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_Guidoguerra,_Aldobrandi,_and_Rusticucci._Cataract_of_the_River_of_Blood.
1.16_-_Inquiries_of_Maitreya_respecting_the_history_of_Prahlada
1.16_-_Man,_A_Transitional_Being
1.16_-_MARTHAS_GARDEN
1.16_-_On_Concentration
1.16_-_On_love_of_money_or_avarice.
1.16_-_ON_LOVE_OF_THE_NEIGHBOUR
1.16_-_On_Self-Knowledge
1.16_-_(Plot_continued.)_Recognition__its_various_kinds,_with_examples
1.16_-_PRAYER
1.16_-_Religion
1.16_-_THE_ESSENCE_OF_THE_DEMOCRATIC_IDEA
1.16_-_The_Process_of_Avatarhood
1.16_-_The_Season_of_Truth
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_The_Triple_Status_of_Supermind
1.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
1.17_-_Astral_Journey__Example,_How_to_do_it,_How_to_Verify_your_Experience
1.17_-_AT_THE_FOUNTAIN
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_Geryon._The_Violent_against_Art._Usurers._Descent_into_the_Abyss_of_Malebolge.
1.17_-_God
1.17_-_Legend_of_Prahlada
1.17_-_M._AT_DAKSHINEWAR
1.17_-_On_poverty_(that_hastens_heavenwards).
1.17_-_On_Teaching
1.17_-_ON_THE_WAY_OF_THE_CREATOR
1.17_-_Practical_rules_for_the_Tragic_Poet.
1.17_-_Religion_as_the_Law_of_Life
1.17_-_SUFFERING
1.17_-_The_Burden_of_Royalty
1.17_-_The_Divine_Birth_and_Divine_Works
1.17_-_The_Divine_Soul
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Spiritus_Familiaris_or_Serving_Spirits
1.17_-_The_Transformation
1.18_-_Asceticism
1.18_-_DONJON
1.18_-_Evocation
1.18_-_FAITH
1.18_-_Further_rules_for_the_Tragic_Poet.
1.18_-_Hiranyakasipu's_reiterated_attempts_to_destroy_his_son
1.18_-_M._AT_DAKSHINESWAR
1.18_-_Mind_and_Supermind
1.18_-_On_Friendship
1.18_-_On_insensibility,_that_is,_deadening_of_the_soul_and_the_death_of_the_mind_before_the_death_of_the_body.
1.18_-_ON_LITTLE_OLD_AND_YOUNG_WOMEN
1.18_-_The_Divine_Worker
1.18_-_The_Eighth_Circle,_Malebolge__The_Fraudulent_and_the_Malicious._The_First_Bolgia__Seducers_and_Panders._Venedico_Caccianimico._Jason._The_Second_Bolgia__Flatterers._Allessio_Interminelli._Thais.
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Human_Fathers
1.18_-_The_Importance_of_our_Conventional_Greetings,_etc.
1.18_-_The_Infrarational_Age_of_the_Cycle
1.18_-_The_Perils_of_the_Soul
1.19_-_Dialogue_between_Prahlada_and_his_father
1.19_-_Equality
1.19_-_GOD_IS_NOT_MOCKED
1.19_-_Life
1.19_-_NIGHT
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.19_-_On_Talking
1.19_-_ON_THE_ADDERS_BITE
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.19_-_Tabooed_Acts
1.19_-_The_Act_of_Truth
1.19_-_The_Curve_of_the_Rational_Age
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.19_-_The_Practice_of_Magical_Evocation
1.19_-_The_Third_Bolgia__Simoniacs._Pope_Nicholas_III._Dante's_Reproof_of_corrupt_Prelates.
1.19_-_The_Victory_of_the_Fathers
1.19_-_Thought,_or_the_Intellectual_element,_and_Diction_in_Tragedy.
1.200-1.224_Talks
1.201_-_Socrates
1.2.01_-_The_Call_and_the_Capacity
12.01_-_The_Return_to_Earth
1.2.01_-_The_Upanishadic_and_Purancic_Systems
12.01_-_This_Great_Earth_Our_Mother
1.2.02_-_Qualities_Needed_for_Sadhana
12.02_-_The_Stress_of_the_Spirit
1.2.03_-_Purity
1.2.03_-_The_Interpretation_of_Scripture
12.03_-_The_Sorrows_of_God
12.04_-_Love_and_Death
1.2.04_-_Sincerity
1.2.05_-_Aspiration
12.05_-_Beauty
12.05_-_The_World_Tragedy
1.2.06_-_Rejection
12.06_-_The_Hero_and_the_Nymph
1.2.07_-_Surrender
12.07_-_The_Double_Trinity
1.2.08_-_Faith
12.08_-_Notes_on_Freedom
1.2.09_-_Consecration_and_Offering
12.09_-_The_Story_of_Dr._Faustus_Retold
1.20_-_CATHEDRAL
1.20_-_Death,_Desire_and_Incapacity
1.20_-_Diction,_or_Language_in_general.
1.20_-_Equality_and_Knowledge
1.20_-_HOW_MAY_WE_CONCEIVE_AND_HOPE_THAT_HUMAN_UNANIMIZATION_WILL_BE_REALIZED_ON_EARTH?
1.20_-_On_bodily_vigil_and_how_to_use_it_to_attain_spiritual_vigil_and_how_to_practise_it.
1.20_-_ON_CHILD_AND_MARRIAGE
1.20_-_On_Time
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_Talismans_-_The_Lamen_-_The_Pantacle
1.20_-_TANTUM_RELIGIO_POTUIT_SUADERE_MALORUM
1.20_-_The_End_of_the_Curve_of_Reason
1.20_-_The_Fourth_Bolgia__Soothsayers._Amphiaraus,_Tiresias,_Aruns,_Manto,_Eryphylus,_Michael_Scott,_Guido_Bonatti,_and_Asdente._Virgil_reproaches_Dante's_Pity.
1.20_-_The_Hound_of_Heaven
1.20_-_Visnu_appears_to_Prahlada
1.2.1.03_-_Psychic_and_Esoteric_Poetry
1.2.1.04_-_Mystic_Poetry
1.2.1.06_-_Symbolism_and_Allegory
1.2.10_-_Opening
12.10_-_The_Sunlit_Path
1.2.1.11_-_Mystic_Poetry_and_Spiritual_Poetry
1.2.1.12_-_Spiritual_Poetry
1.2.11_-_Patience_and_Perseverance
1.2.12_-_Vigilance
1.21_-_A_DAY_AT_DAKSHINESWAR
1.21_-_Chih_Men's_Lotus_Flower,_Lotus_Leaves
1.21_-_Families_of_the_Daityas
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_IDOLATRY
1.2.1_-_Mental_Development_and_Sadhana
1.21_-_My_Theory_of_Astrology
1.21_-_ON_FREE_DEATH
1.21_-_On_unmanly_and_puerile_cowardice.
1.21__-_Poetic_Diction.
1.21_-_Tabooed_Things
1.21_-_The_Ascent_of_Life
1.21_-_The_Fifth_Bolgia__Peculators._The_Elder_of_Santa_Zita._Malacoda_and_other_Devils.
1.21_-_The_Spiritual_Aim_and_Life
1.21_-_WALPURGIS-NIGHT
1.2.2.01_-_The_Poet,_the_Yogi_and_the_Rishi
1.2.2.06_-_Genius
1.22_-_ADVICE_TO_AN_ACTOR
1.22_-_Ciampolo,_Friar_Gomita,_and_Michael_Zanche._The_Malabranche_quarrel.
1.22__-_Dominion_over_different_provinces_of_creation_assigned_to_different_beings
1.22_-_EMOTIONALISM
1.22_-_How_to_Learn_the_Practice_of_Astrology
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_On_Prayer
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_On_the_many_forms_of_vainglory.
1.22_-_(Poetic_Diction_continued.)_How_Poetry_combines_elevation_of_language_with_perspicuity.
1.22_-_Tabooed_Words
1.22_-_THE_END_OF_THE_SPECIES
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.2.2_-_The_Place_of_Study_in_Sadhana
1.22_-_The_Problem_of_Life
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_DREARY_DAY
1.23_-_Epic_Poetry.
1.23_-_Escape_from_the_Malabranche._The_Sixth_Bolgia__Hypocrites._Catalano_and_Loderingo._Caiaphas.
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.23_-_Improvising_a_Temple
1.23_-_On_mad_price,_and,_in_the_same_Step,_on_unclean_and_blasphemous_thoughts.
1.23_-_Our_Debt_to_the_Savage
1.23_-_The_Double_Soul_in_Man
1.23_-_THE_MIRACULOUS
1.2.3_-_The_Power_of_Expression_and_Yoga
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_Describes_how_vocal_prayer_may_be_practised_with_perfection_and_how_closely_allied_it_is_to_mental_prayer
1.24_-_(Epic_Poetry_continued.)_Further_points_of_agreement_with_Tragedy.
1.24_-_Matter
1.24_-_Necromancy_and_Spiritism
1.24_-_NIGHT
1.24_-_On_Beauty
1.24_-_On_meekness,_simplicity,_guilelessness_which_come_not_from_nature_but_from_habit,_and_about_malice.
1.24_-_PUNDIT_SHASHADHAR
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.2.4_-_Speech_and_Yoga
1.24_-_The_Advent_and_Progress_of_the_Spiritual_Age
1.24_-_The_Killing_of_the_Divine_King
1.24_-_The_Seventh_Bolgia_-_Thieves._Vanni_Fucci._Serpents.
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_Critical_Objections_brought_against_Poetry,_and_the_principles_on_which_they_are_to_be_answered.
1.25_-_Describes_the_great_gain_which_comes_to_a_soul_when_it_practises_vocal_prayer_perfectly._Shows_how_God_may_raise_it_thence_to_things_supernatural.
1.25_-_DUNGEON
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_On_Religion
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_SPIRITUAL_EXERCISES
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.25_-_Vanni_Fucci's_Punishment._Agnello_Brunelleschi,_Buoso_degli_Abati,_Puccio_Sciancato,_Cianfa_de'_Donati,_and_Guercio_Cavalcanti.
1.26_-_Continues_the_description_of_a_method_for_recollecting_the_thoughts._Describes_means_of_doing_this._This_chapter_is_very_profitable_for_those_who_are_beginning_prayer.
1.26_-_FESTIVAL_AT_ADHARS_HOUSE
1.26_-_Mental_Processes_-_Two_Only_are_Possible
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_PERSEVERANCE_AND_REGULARITY
1.26_-_Sacrifice_of_the_Kings_Son
1.26_-_The_Ascending_Series_of_Substance
1.26_-_The_Eighth_Bolgia__Evil_Counsellors._Ulysses_and_Diomed._Ulysses'_Last_Voyage.
1.27_-_AT_DAKSHINESWAR
1.27_-_CONTEMPLATION,_ACTION_AND_SOCIAL_UTILITY
1.27_-_Describes_the_great_love_shown_us_by_the_Lord_in_the_first_words_of_the_Paternoster_and_the_great_importance_of_our_making_no_account_of_good_birth_if_we_truly_desire_to_be_the_daughters_of_God.
1.27_-_Guido_da_Montefeltro._His_deception_by_Pope_Boniface_VIII.
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_Structure_of_Mind_Based_on_that_of_Body
1.27_-_Succession_to_the_Soul
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Describes_the_nature_of_the_Prayer_of_Recollection_and_sets_down_some_of_the_means_by_which_we_can_make_it_a_habit.
1.28_-_Need_to_Define_God,_Self,_etc.
1.28_-_On_holy_and_blessed_prayer,_mother_of_virtues,_and_on_the_attitude_of_mind_and_body_in_prayer.
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.28_-_The_Ninth_Bolgia__Schismatics._Mahomet_and_Ali._Pier_da_Medicina,_Curio,_Mosca,_and_Bertr_and_de_Born.
1.29_-_Concerning_heaven_on_earth,_or_godlike_dispassion_and_perfection,_and_the_resurrection_of_the_soul_before_the_general_resurrection.
1.29_-_Continues_to_describe_methods_for_achieving_this_Prayer_of_Recollection._Says_what_little_account_we_should_make_of_being_favoured_by_our_superiors.
1.29_-_Geri_del_Bello._The_Tenth_Bolgia__Alchemists._Griffolino_d'_Arezzo_and_Capocchino._The_many_people_and_the_divers_wounds
1.29_-_The_Myth_of_Adonis
1.29_-_What_is_Certainty?
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
13.01_-_A_Centurys_Salutation_to_Sri_Aurobindo_The_Greatness_of_the_Great
1.3.01_-_Peace__The_Basis_of_the_Sadhana
13.02_-_A_Review_of_Sri_Aurobindos_Life
1.3.02_-_Equality__The_Chief_Support
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.3.03_-_Quiet_and_Calm
13.04_-_A_Note_on_Supermind
1.3.04_-_Peace
13.05_-_A_Dream_Of_Surreal_Science
1.3.05_-_Silence
13.06_-_The_Passing_of_Satyavan
13.07_-_The_Inter-Zone
13.08_-_The_Return
1.30_-_Adonis_in_Syria
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.30_-_Describes_the_importance_of_understanding_what_we_ask_for_in_prayer._Treats_of_these_words_in_the_Paternoster:_Sanctificetur_nomen_tuum,_adveniat_regnum_tuum._Applies_them_to_the_Prayer_of_Quiet,_and_begins_the_explanation_of_them.
1.30_-_Do_you_Believe_in_God?
1.30_-_Other_Falsifiers_or_Forgers._Gianni_Schicchi,_Myrrha,_Adam_of_Brescia,_Potiphar's_Wife,_and_Sinon_of_Troy.
1.3.1.02_-_The_Object_of_Our_Yoga
1.31_-_Adonis_in_Cyprus
1.31_-_Continues_the_same_subject._Explains_what_is_meant_by_the_Prayer_of_Quiet._Gives_several_counsels_to_those_who_experience_it._This_chapter_is_very_noteworthy.
1.31_-_Is_Thelema_a_New_Religion?
1.31_-_The_Giants,_Nimrod,_Ephialtes,_and_Antaeus._Descent_to_Cocytus.
1.3.2.01_-_I._The_Entire_Purpose_of_Yoga
1.32_-_Expounds_these_words_of_the_Paternoster__Fiat_voluntas_tua_sicut_in_coelo_et_in_terra._Describes_how_much_is_accomplished_by_those_who_repeat_these_words_with_full_resolution_and_how_well
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.32_-_The_Ninth_Circle__Traitors._The_Frozen_Lake_of_Cocytus._First_Division,_Caina__Traitors_to_their_Kindred._Camicion_de'_Pazzi._Second_Division,_Antenora__Traitors_to_their_Country._Dante_questions_Bocca_degli
1.32_-_The_Ritual_of_Adonis
1.33_-_Count_Ugolino_and_the_Archbishop_Ruggieri._The_Death_of_Count_Ugolino's_Sons.
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.33_-_Treats_of_our_great_need_that_the_Lord_should_give_us_what_we_ask_in_these_words_of_the_Paternoster__Panem_nostrum_quotidianum_da_nobis_hodie.
1.3.4.01_-_The_Beginning_and_the_End
1.3.4.02_-_The_Hour_of_God
1.3.4.04_-_The_Divine_Superman
1.34_-_Continues_the_same_subject._This_is_very_suitable_for_reading_after_the_reception_of_the_Most_Holy_Sacrament.
1.34_-_Fourth_Division_of_the_Ninth_Circle,_the_Judecca__Traitors_to_their_Lords_and_Benefactors._Lucifer,_Judas_Iscariot,_Brutus,_and_Cassius._The_Chasm_of_Lethe._The_Ascent.
1.34_-_The_Myth_and_Ritual_of_Attis
1.34_-_The_Tao_1
1.3.5.01_-_The_Law_of_the_Way
1.3.5.02_-_Man_and_the_Supermind
1.3.5.03_-_The_Involved_and_Evolving_Godhead
1.3.5.04_-_The_Evolution_of_Consciousness
1.3.5.05_-_The_Path
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_Describes_the_recollection_which_should_be_practised_after_Communion._Concludes_this_subject_with_an_exclamatory_prayer_to_the_Eternal_Father.
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.36_-_Quo_Stet_Olympus_-_Where_the_Gods,_Angels,_etc._Live
1.36_-_Treats_of_these_words_in_the_Paternoster__Dimitte_nobis_debita_nostra.
1.37_-_Death_-_Fear_-_Magical_Memory
1.37_-_Describes_the_excellence_of_this_prayer_called_the_Paternoster,_and_the_many_ways_in_which_we_shall_find_consolation_in_it.
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.38_-_Treats_of_the_great_need_which_we_have_to_beseech_the_Eternal_Father_to_grant_us_what_we_ask_in_these_words:_Et_ne_nos_inducas_in_tentationem,_sed_libera_nos_a_malo._Explains_certain_temptations._This_chapter_is_noteworthy.
1.38_-_Woman_-_Her_Magical_Formula
1.39_-_Continues_the_same_subject_and_gives_counsels_concerning_different_kinds_of_temptation._Suggests_two_remedies_by_which_we_may_be_freed_from_temptations.135
1.39_-_Prophecy
1.39_-_The_Ritual_of_Osiris
1.3_-_Mundaka_Upanishads
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
14.01_-_To_Read_Sri_Aurobindo
14.02_-_Occult_Experiences
1.4.02_-_The_Divine_Force
14.03_-_Janaka_and_Yajnavalkya
1.4.03_-_The_Guru
14.04_-_More_of_Yajnavalkya
14.05_-_The_Golden_Rule
14.06_-_Liberty,_Self-Control_and_Friendship
14.07_-_A_Review_of_Our_Ashram_Life
14.08_-_A_Parable_of_Sea-Gulls
1.40_-_Coincidence
1.40_-_Describes_how,_by_striving_always_to_walk_in_the_love_and_fear_of_God,_we_shall_travel_safely_amid_all_these_temptations.
1.40_-_The_Nature_of_Osiris
1.41_-_Are_we_Reincarnations_of_the_Ancient_Egyptians?
1.41_-_Isis
1.41_-_Speaks_of_the_fear_of_God_and_of_how_we_must_keep_ourselves_from_venial_sins.
1.4.2.02_-_The_English_Bible
1.42_-_Osiris_and_the_Sun
1.42_-_This_Self_Introversion
1.42_-_Treats_of_these_last_words_of_the_Paternoster__Sed_libera_nos_a_malo._Amen._But_deliver_us_from_evil._Amen.
1.439
1.43_-_Dionysus
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.44_-_Demeter_and_Persephone
1.44_-_Serious_Style_of_A.C.,_or_the_Apparent_Frivolity_of_Some_of_my_Remarks
1.450_-_1.500_Talks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.45_-_Unserious_Conduct_of_a_Pupil
1.46_-_Selfishness
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.47_-_Reincarnation
1.48_-_Morals_of_AL_-_Hard_to_Accept,_and_Why_nevertheless_we_Must_Concur
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
1.49_-_Thelemic_Morality
1.4_-_Readings_in_the_Taittiriya_Upanishad
15.01_-_The_Mother,_Human_and_Divine
15.02_-_1973-02-17
15.03_-_A_Canadian_Question
15.04_-_The_Mother_Abides
15.05_-_Twin_Prayers
15.06_-_Words,_Words,_Words...
15.07_-_Souls_Freedom
15.08_-_Ashram_-_Inner_and_Outer
15.09_-_One_Day_More
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.50_-_Eating_the_God
1.51_-_Homeopathic_Magic_of_a_Flesh_Diet
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_Mother-Love
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_On_Meanness
1.54_-_Types_of_Animal_Sacrament
1.550_-_1.600_Talks
1.55_-_Money
1.55_-_The_Transference_of_Evil
1.56_-_Marriage_-_Property_-_War_-_Politics
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Beings_I_have_Seen_with_my_Physical_Eye
1.57_-_Public_Scapegoats
1.58_-_Do_Angels_Ever_Cut_Themselves_Shaving?
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Geomancy
1.59_-_Killing_the_God_in_Mexico
16.01_-_
16.02_-_Mater_Dolorosa
16.03_-_Mater_Gloriosa
16.04_-_Maximes
16.05_-_Distiques
1.60_-_Between_Heaven_and_Earth
1.60_-_Knack
1.61_-_Power_and_Authority
1.61_-_The_Myth_of_Balder
1.62_-_The_Elastic_Mind
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_Magical_Power
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.65_-_Man
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_Faith
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_God-Letters
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
1.69_-_Original_Sin
17.00_-_Translations
17.01_-_Hymn_to_Dawn
17.02_-_Hymn_to_the_Sun
17.03_-_Agni_and_the_Gods
17.04_-_Hymn_to_the_Purusha
17.05_-_Hymn_to_Hiranyagarbha
17.06_-_Hymn_of_the_Supreme_Goddess
17.07_-_Ode_to_Darkness
17.08_-_Last_Hymn
17.09_-_Victory_to_the_World_Master
1.70_-_Morality_1
17.10_-_A_Hymn
17.11_-_A_Prayer
1.71_-_Morality_2
1.72_-_Education
1.73_-_Monsters,_Niggers,_Jews,_etc.
1.74_-_Obstacles_on_the_Path
1.75_-_The_AA_and_the_Planet
1.76_-_The_Gods_-_How_and_Why_they_Overlap
1.77_-_Work_Worthwhile_-_Why?
1.78_-_Sore_Spots
1.79_-_Progress
18.01_-_Padavali
18.02_-_Ramprasad
18.03_-_Tagore
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1.80_-_Life_a_Gamble
1.81_-_Method_of_Training
1.82_-_Epistola_Penultima_-_The_Two_Ways_to_Reality
1.83_-_Epistola_Ultima
19.01_-_The_Twins
19.02_-_Vigilance
19.03_-_The_Mind
19.04_-_The_Flowers
19.05_-_The_Fool
19.06_-_The_Wise
19.07_-_The_Adept
19.08_-_Thousands
19.09_-_On_Evil
19.10_-_Punishment
19.11_-_Old_Age
1912_11_02p
1912_11_03p
1912_11_19p
1912_11_26p
1912_11_28p
1912_12_02p
1912_12_03p
1912_12_05p
1912_12_07p
1912_12_10p
1912_12_11p
19.12_-_Of_The_Self
1913_02_05p
1913_02_08p
1913_02_10p
1913_02_12p
1913_03_13p
1913_05_11p
1913_06_15p
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1913_12_13p
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19.13_-_Of_the_World
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19.14_-_The_Awakened
1915_01_02p
1915_01_11p
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1915_01_18p
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1915_03_03p
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1915_04_19p
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19.15_-_On_Happiness
1916_01_15p
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19.16_-_Of_the_Pleasant
1917_01_04p
1917_01_05p
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1917_09_24p
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1917_11_25p
19.17_-_On_Anger
1918_07_12p
1918_10_10p
19.18_-_On_Impurity
1919_09_03p
19.19_-_Of_the_Just
1920_06_22p
19.20_-_The_Path
19.21_-_Miscellany
19.22_-_Of_Hell
19.23_-_Of_the_Elephant
19.24_-_The_Canto_of_Desire
19.25_-_The_Bhikkhu
19.26_-_The_Brahmin
1927_05_06p
1928_12_28p
1929-04-07_-_Yoga,_for_the_sake_of_the_Divine_-_Concentration_-_Preparations_for_Yoga,_to_be_conscious_-_Yoga_and_humanity_-_We_have_all_met_in_previous_lives
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1929-04-21_-_Visions,_seeing_and_interpretation_-_Dreams_and_dreaml_and_-_Dreamless_sleep_-_Visions_and_formulation_-_Surrender,_passive_and_of_the_will_-_Meditation_and_progress_-_Entering_the_spiritual_life,_a_plunge_into_the_Divine
1929-04-28_-_Offering,_general_and_detailed_-_Integral_Yoga_-_Remembrance_of_the_Divine_-_Reading_and_Yoga_-_Necessity,_predetermination_-_Freedom_-_Miracles_-_Aim_of_creation
1929-05-05_-_Intellect,_true_and_wrong_movement_-_Attacks_from_adverse_forces_-_Faith,_integral_and_absolute_-_Death,_not_a_necessity_-_Descent_of_Divine_Consciousness_-_Inner_progress_-_Memory_of_former_lives
1929-05-12_-_Beings_of_vital_world_(vampires)_-_Money_power_and_vital_beings_-_Capacity_for_manifestation_of_will_-_Entry_into_vital_world_-_Body,_a_protection_-_Individuality_and_the_vital_world
1929-05-19_-_Mind_and_its_workings,_thought-forms_-_Adverse_conditions_and_Yoga_-_Mental_constructions_-_Illness_and_Yoga
1929-05-26_-_Individual,_illusion_of_separateness_-_Hostile_forces_and_the_mental_plane_-_Psychic_world,_psychic_being_-_Spiritual_and_psychic_-_Words,_understanding_speech_and_reading_-_Hostile_forces,_their_utility_-_Illusion_of_action,_true_action
1929-06-02_-__Divine_love_and_its_manifestation_-_Part_of_the_vital_being_in_Divine_love
1929-06-09_-_Nature_of_religion_-_Religion_and_the_spiritual_life_-_Descent_of_Divine_Truth_and_Force_-_To_be_sure_of_your_religion,_country,_family-choose_your_own_-_Religion_and_numbers
1929-06-16_-_Illness_and_Yoga_-_Subtle_body_(nervous_envelope)_-_Fear_and_illness
1929-06-23_-_Knowledge_of_the_Yogi_-_Knowledge_and_the_Supermind_-_Methods_of_changing_the_condition_of_the_body_-_Meditation,_aspiration,_sincerity
1929-06-30_-_Repulsion_felt_towards_certain_animals,_etc_-_Source_of_evil,_Formateurs_-_Material_world
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1929-08-04_-_Surrender_and_sacrifice_-_Personality_and_surrender_-_Desire_and_passion_-_Spirituality_and_morality
1931_11_24p
1933_12_23p
1935_01_04p
1936_08_21p
1937_10_23p
1938_08_17p
1950-12-21_-_The_Mother_of_Dreams
1950-12-23_-_Concentration_and_energy
1950-12-25_-_Christmas_-_festival_of_Light_-_Energy_and_mental_growth_-_Meditation_and_concentration_-_The_Mother_of_Dreams_-_Playing_a_game_well,_and_energy
1950-12-28_-_Correct_judgment.
1950-12-30_-_Perfect_and_progress._Dynamic_equilibrium._True_sincerity.
1951-01-04_-_Transformation_and_reversal_of_consciousness.
1951-01-08_-_True_vision_and_understanding_of_the_world._Progress,_equilibrium._Inner_reality_-_the_psychic._Animals_and_the_psychic.
1951-01-11_-_Modesty_and_vanity_-_Generosity
1951-01-13_-_Aim_of_life_-_effort_and_joy._Science_of_living,_becoming_conscious._Forces_and_influences.
1951-01-15_-_Sincerity_-_inner_discernment_-_inner_light._Evil_and_imbalance._Consciousness_and_instruments.
1951-01-20_-_Developing_the_mind._Misfortunes,_suffering;_developed_reason._Knowledge_and_pure_ideas.
1951-01-25_-_Needs_and_desires._Collaboration_of_the_vital,_mind_an_accomplice._Progress_and_sincerity_-_recognising_faults._Organising_the_body_-_illness_-_new_harmony_-_physical_beauty.
1951-01-27_-_Sleep_-_desires_-_repression_-_the_subconscient._Dreams_-_the_super-conscient_-_solving_problems._Ladder_of_being_-_samadhi._Phases_of_sleep_-_silence,_true_rest._Vital_body_and_illness.
1951-02-03_-_What_is_Yoga?_for_what?_-_Aspiration,_seeking_the_Divine._-_Process_of_yoga,_renouncing_the_ego.
1951-02-05_-_Surrender_and_tapasya_-_Dealing_with_difficulties,_sincerity,_spiritual_discipline_-_Narrating_experiences_-_Vital_impulse_and_will_for_progress
1951-02-08_-_Unifying_the_being_-_ideas_of_good_and_bad_-_Miracles_-_determinism_-_Supreme_Will_-_Distinguishing_the_voice_of_the_Divine
1951-02-10_-_Liberty_and_license_-_surrender_makes_you_free_-_Men_in_authority_as_representatives_of_the_divine_Truth_-_Work_as_offering_-_total_surrender_needs_time_-_Effort_and_inspiration_-_will_and_patience
1951-02-12_-_Divine_force_-_Signs_indicating_readiness_-_Weakness_in_mind,_vital_-_concentration_-_Divine_perception,_human_notion_of_good,_bad_-_Conversion,_consecration_-_progress_-_Signs_of_entering_the_path_-_kinds_of_meditation_-_aspiration
1951-02-15_-_Dreams,_symbolic_-_true_repose_-_False_visions_-_Earth-memory_and_history
1951-02-17_-_False_visions_-_Offering_ones_will_-_Equilibrium_-_progress_-_maturity_-_Ardent_self-giving-_perfecting_the_instrument_-_Difficulties,_a_help_in_total_realisation_-_paradoxes_-_Sincerity_-_spontaneous_meditation
1951-02-19_-_Exteriorisation-_clairvoyance,_fainting,_etc_-_Somnambulism_-_Tartini_-_childrens_dreams_-_Nightmares_-_gurus_protection_-_Mind_and_vital_roam_during_sleep
1951-02-22_-_Surrender,_offering,_consecration_-_Experiences_and_sincerity_-_Aspiration_and_desire_-_Vedic_hymns_-_Concentration_and_time
1951-02-24_-_Psychic_being_and_entity_-_dimensions_-_in_the_atom_-_Death_-_exteriorisation_-_unconsciousness_-_Past_lives_-_progress_upon_earth_-_choice_of_birth_-_Consecration_to_divine_Work_-_psychic_memories_-_Individualisation_-_progress
1951-02-26_-_On_reading_books_-_gossip_-_Discipline_and_realisation_-_Imaginary_stories-_value_of_-_Private_lives_of_big_men_-_relaxation_-_Understanding_others_-_gnostic_consciousness
1951-03-01_-_Universe_and_the_Divine_-_Freedom_and_determinism_-_Grace_-_Time_and_Creation-_in_the_Supermind_-_Work_and_its_results_-_The_psychic_being_-_beauty_and_love_-_Flowers-_beauty_and_significance_-_Choice_of_reincarnating_psychic_being
1951-03-03_-_Hostile_forces_-_difficulties_-_Individuality_and_form_-_creation
1951-03-05_-_Disasters-_the_forces_of_Nature_-_Story_of_the_charity_Bazar_-_Liberation_and_law_-_Dealing_with_the_mind_and_vital-_methods
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-10_-_Fairy_Tales-_serpent_guarding_treasure_-_Vital_beings-_their_incarnations_-_The_vital_being_after_death_-_Nightmares-_vital_and_mental_-_Mind_and_vital_after_death_-_The_spirit_of_the_form-_Egyptian_mummies
1951-03-12_-_Mental_forms_-_learning_difficult_subjects_-_Mental_fortress_-_thought_-_Training_the_mind_-_Helping_the_vital_being_after_death_-_ceremonies_-_Human_stupidities
1951-03-14_-_Plasticity_-_Conditions_for_knowing_the_Divine_Will_-_Illness_-_microbes_-_Fear_-_body-reflexes_-_The_best_possible_happens_-_Theories_of_Creation_-_True_knowledge_-_a_work_to_do_-_the_Ashram
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-03-22_-_Relativity-_time_-_Consciousness_-_psychic_Witness_-_The_twelve_senses_-_water-divining_-_Instinct_in_animals_-_story_of_Mothers_cat
1951-03-24_-_Descent_of_Divine_Love,_of_Consciousness_-_Earth-_a_symbolic_formation_-_the_Divine_Presence_-_The_psychic_being_and_other_worlds_-_Divine_Love_and_Grace_-_Becoming_consaious_of_Divine_Love_-_Finding_ones_psychic_being_-_Responsibility
1951-03-26_-_Losing_all_to_gain_all_-_psychic_being_-_Transforming_the_vital_-_physical_habits_-_the_subconscient_-_Overcoming_difficulties_-_weakness,_an_insincerity_-_to_change_the_world_-_Psychic_source,_flash_of_experience_-_preparation_for_yoga
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-03-31_-_Physical_ailment_and_mental_disorder_-_Curing_an_illness_spiritually_-_Receptivity_of_the_body_-_The_subtle-physical-_illness_accidents_-_Curing_sunstroke_and_other_disorders
1951-04-02_-_Causes_of_accidents_-_Little_entities,_helpful_or_mischievous-_incidents
1951-04-05_-_Illusion_and_interest_in_action_-_The_action_of_the_divine_Grace_and_the_ego_-_Concentration,_aspiration,_will,_inner_silence_-_Value_of_a_story_or_a_language_-_Truth_-_diversity_in_the_world
1951-04-07_-_Origin_of_Evil_-_Misery-_its_cause
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-12_-_Japan,_its_art,_landscapes,_life,_etc_-_Fairy-lore_of_Japan_-_Culture-_its_spiral_movement_-_Indian_and_European-_the_spiritual_life_-_Art_and_Truth
1951-04-14_-_Surrender_and_sacrifice_-_Idea_of_sacrifice_-_Bahaism_-_martyrdom_-_Sleep-_forgetfulness,_exteriorisation,_etc_-_Dreams_and_visions-_explanations_-_Exteriorisation-_incidents_about_cats
1951-04-17_-_Unity,_diversity_-_Protective_envelope_-_desires_-_consciousness,_true_defence_-_Perfection_of_physical_-_cinema_-_Choice,_constant_and_conscious_-_law_of_ones_being_-_the_One,_the_Multiplicity_-_Civilization-_preparing_an_instrument
1951-04-19_-_Demands_and_needs_-_human_nature_-_Abolishing_the_ego_-_Food-_tamas,_consecration_-_Changing_the_nature-_the_vital_and_the_mind_-_The_yoga_of_the_body__-_cellular_consciousness
1951-04-21_-_Sri_Aurobindos_letter_on_conditions_for_doing_yoga_-_Aspiration,_tapasya,_surrender_-_The_lower_vital_-_old_habits_-_obsession_-_Sri_Aurobindo_on_choice_and_the_double_life_-_The_old_fiasco_-_inner_realisation_and_outer_change
1951-04-23_-_The_goal_and_the_way_-_Learning_how_to_sleep_-_relaxation_-_Adverse_forces-_test_of_sincerity_-_Attitude_to_suffering_and_death
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-04-28_-_Personal_effort_-_tamas,_laziness_-_Static_and_dynamic_power_-_Stupidity_-_psychic_and_intelligence_-_Philosophies-_different_languages_-_Theories_of_Creation_-_Surrender_of_ones_being_and_ones_work
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-05_-_Needs_and_desires_-_Discernment_-_sincerity_and_true_perception_-_Mantra_and_its_effects_-_Object_in_action-_to_serve_-_relying_only_on_the_Divine
1951-05-07_-_A_Hierarchy_-_Transcendent,_universal,_individual_Divine_-_The_Supreme_Shakti_and_Creation_-_Inadequacy_of_words,_language
1951-05-11_-_Mahakali_and_Kali_-_Avatar_and_Vibhuti_-_Sachchidananda_behind_all_states_of_being_-_The_power_of_will_-_receiving_the_Divine_Will
1951-05-12_-_Mahalakshmi_and_beauty_in_life_-_Mahasaraswati_-_conscious_hand_-_Riches_and_poverty
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1953-03-18
1953-03-25
1953-04-01
1953-04-08
1953-04-15
1953-04-22
1953-04-29
1953-05-06
1953-05-13
1953-05-20
1953-05-27
1953-06-03
1953-06-10
1953-06-17
1953-06-24
1953-07-01
1953-07-08
1953-07-15
1953-07-22
1953-07-29
1953-08-05
1953-08-12
1953-08-19
1953-08-26
1953-09-02
1953-09-09
1953-09-16
1953-09-23
1953-09-30
1953-10-07
1953-10-14
1953-10-21
1953-10-28
1953-11-04
1953-11-11
1953-11-18
1953-11-25
1953-12-09
1953-12-16
1953-12-23
1953-12-30
1954-02-03_-_The_senses_and_super-sense_-_Children_can_be_moulded_-_Keeping_things_in_order_-_The_shadow
1954-02-10_-_Study_a_variety_of_subjects_-_Memory_-Memory_of_past_lives_-_Getting_rid_of_unpleasant_thoughts
1954-02-17_-_Experience_expressed_in_different_ways_-_Origin_of_the_psychic_being_-_Progress_in_sports_-Everything_is_not_for_the_best
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-03-24_-_Dreams_and_the_condition_of_the_stomach_-_Tobacco_and_alcohol_-_Nervousness_-_The_centres_and_the_Kundalini_-_Control_of_the_senses
1954-04-07_-_Communication_without_words_-_Uneven_progress_-_Words_and_the_Word
1954-04-14_-_Love_-_Can_a_person_love_another_truly?_-_Parental_love
1954-04-28_-_Aspiration_and_receptivity_-_Resistance_-_Purusha_and_Prakriti,_not_masculine_and_feminine
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-05-12_-_The_Purusha_-_Surrender_-_Distinguishing_between_influences_-_Perfect_sincerity
1954-05-19_-_Affection_and_love_-_Psychic_vision_Divine_-_Love_and_receptivity_-_Get_out_of_the_ego
1954-05-26_-_Symbolic_dreams_-_Psychic_sorrow_-_Dreams,_one_is_rarely_conscious
1954-06-02_-_Learning_how_to_live_-_Work,_studies_and_sadhana_-_Waste_of_the_Energy_and_Consciousness
1954-06-16_-_Influences,_Divine_and_other_-_Adverse_forces_-_The_four_great_Asuras_-_Aspiration_arranges_circumstances_-_Wanting_only_the_Divine
1954-06-23_-_Meat-eating_-_Story_of_Mothers_vegetable_garden_-_Faithfulness_-_Conscious_sleep
1954-06-30_-_Occultism_-_Religion_and_vital_beings_-_Mothers_knowledge_of_what_happens_in_the_Ashram_-_Asking_questions_to_Mother_-_Drawing_on_Mother
1954-07-07_-_The_inner_warrior_-_Grace_and_the_Falsehood_-_Opening_from_below_-_Surrender_and_inertia_-_Exclusive_receptivity_-_Grace_and_receptivity
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-07-21_-_Mistakes_-_Success_-_Asuras_-_Mental_arrogance_-_Difficulty_turned_into_opportunity_-_Mothers_use_of_flowers_-_Conversion_of_men_governed_by_adverse_forces
1954-07-28_-_Money_-_Ego_and_individuality_-_The_shadow
1954-08-04_-_Servant_and_worker_-_Justification_of_weakness_-_Play_of_the_Divine_-_Why_are_you_here_in_the_Ashram?
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-08-25_-_Ananda_aspect_of_the_Mother_-_Changing_conditions_in_the_Ashram_-_Ascetic_discipline_-_Mothers_body
1954-09-08_-_Hostile_forces_-_Substance_-_Concentration_-_Changing_the_centre_of_thought_-_Peace
1954-09-15_-_Parts_of_the_being_-_Thoughts_and_impulses_-_The_subconscient_-_Precise_vocabulary_-_The_Grace_and_difficulties
1954-09-22_-_The_supramental_creation_-_Rajasic_eagerness_-_Silence_from_above_-_Aspiration_and_rejection_-_Effort,_individuality_and_ego_-_Aspiration_and_desire
1954-09-29_-_The_right_spirit_-_The_Divine_comes_first_-_Finding_the_Divine_-_Mistakes_-_Rejecting_impulses_-_Making_the_consciousness_vast_-_Firm_resolution
1954-10-06_-_What_happens_is_for_the_best_-_Blaming_oneself_-Experiences_-_The_vital_desire-soul_-Creating_a_spiritual_atmosphere_-Thought_and_Truth
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1954-11-03_-_Body_opening_to_the_Divine_-_Concentration_in_the_heart_-_The_army_of_the_Divine_-_The_knot_of_the_ego_-Streng_thening_ones_will
1954-11-10_-_Inner_experience,_the_basis_of_action_-_Keeping_open_to_the_Force_-_Faith_through_aspiration_-_The_Mothers_symbol_-_The_mind_and_vital_seize_experience_-_Degrees_of_sincerity_-Becoming_conscious_of_the_Divine_Force
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1954-12-08_-_Cosmic_consciousness_-_Clutching_-_The_central_will_of_the_being_-_Knowledge_by_identity
1954-12-15_-_Many_witnesses_inside_oneself_-_Children_in_the_Ashram_-_Trance_and_the_waking_consciousness_-_Ascetic_methods_-_Education,_spontaneous_effort_-_Spiritual_experience
1954-12-22_-_Possession_by_hostile_forces_-_Purity_and_morality_-_Faith_in_the_final_success_-Drawing_back_from_the_path
1954-12-29_-_Difficulties_and_the_world_-_The_experience_the_psychic_being_wants_-_After_death_-Ignorance
1955-02-09_-_Desire_is_contagious_-_Primitive_form_of_love_-_the_artists_delight_-_Psychic_need,_mind_as_an_instrument_-_How_the_psychic_being_expresses_itself_-_Distinguishing_the_parts_of_ones_being_-_The_psychic_guides_-_Illness_-_Mothers_vision
1955-02-16_-_Losing_something_given_by_Mother_-_Using_things_well_-_Sadhak_collecting_soap-pieces_-_What_things_are_truly_indispensable_-_Natures_harmonious_arrangement_-_Riches_a_curse,_philanthropy_-_Misuse_of_things_creates_misery
1955-02-23_-_On_the_sense_of_taste,_educating_the_senses_-_Fasting_produces_a_state_of_receptivity,_drawing_energy_-_The_body_and_food
1955-03-02_-_Right_spirit,_aspiration_and_desire_-_Sleep_and_yogic_repose,_how_to_sleep_-_Remembering_dreams_-_Concentration_and_outer_activity_-_Mother_opens_the_door_inside_everyone_-_Sleep,_a_school_for_inner_knowledge_-_Source_of_energy
1955-03-09_-_Psychic_directly_contacted_through_the_physical_-_Transforming_egoistic_movements_-_Work_of_the_psychic_being_-_Contacting_the_psychic_and_the_Divine_-_Experiences_of_different_kinds_-_Attacks_of_adverse_forces
1955-03-23_-_Procedure_for_rejection_and_transformation_-_Learning_by_heart,_true_understanding_-_Vibrations,_movements_of_the_species_-_A_cat_and_a_Russian_peasant_woman_-_A_cat_doing_yoga
1955-03-30_-_Yoga-shakti_-_Energies_of_the_earth,_higher_and_lower_-_Illness,_curing_by_yogic_means_-_The_true_self_and_the_psychic_-_Solving_difficulties_by_different_methods
1955-04-06_-_Freuds_psychoanalysis,_the_subliminal_being_-_The_psychic_and_the_subliminal_-_True_psychology_-_Changing_the_lower_nature_-_Faith_in_different_parts_of_the_being_-_Psychic_contact_established_in_all_in_the_Ashram
1955-04-13_-_Psychoanalysts_-_The_underground_super-ego,_dreams,_sleep,_control_-_Archetypes,_Overmind_and_higher_-_Dream_of_someone_dying_-_Integral_repose,_entering_Sachchidananda_-_Organising_ones_life,_concentration,_repose
1955-04-27_-_Symbolic_dreams_and_visions_-_Curing_pain_by_various_methods_-_Different_states_of_consciousness_-_Seeing_oneself_dead_in_a_dream_-_Exteriorisation
1955-05-04_-_Drawing_on_the_universal_vital_forces_-_The_inner_physical_-_Receptivity_to_different_kinds_of_forces_-_Progress_and_receptivity
1955-05-18_-_The_Problem_of_Woman_-_Men_and_women_-_The_Supreme_Mother,_the_new_creation_-_Gods_and_goddesses_-_A_story_of_Creation,_earth_-_Psychic_being_only_on_earth,_beings_everywhere_-_Going_to_other_worlds_by_occult_means
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-01_-_The_aesthetic_conscience_-_Beauty_and_form_-_The_roots_of_our_life_-_The_sense_of_beauty_-_Educating_the_aesthetic_sense,_taste_-_Mental_constructions_based_on_a_revelation_-_Changing_the_world_and_humanity
1955-06-08_-_Working_for_the_Divine_-_ideal_attitude_-_Divine_manifesting_-_reversal_of_consciousness,_knowing_oneself_-_Integral_progress,_outer,_inner,_facing_difficulties_-_People_in_Ashram_-_doing_Yoga_-_Children_given_freedom,_choosing_yoga
1955-06-15_-_Dynamic_realisation,_transformation_-_The_negative_and_positive_side_of_experience_-_The_image_of_the_dry_coconut_fruit_-_Purusha,_Prakriti,_the_Divine_Mother_-_The_Truth-Creation_-_Pralaya_-_We_are_in_a_transitional_period
1955-06-22_-_Awakening_the_Yoga-shakti_-_The_thousand-petalled_lotus-_Reading,_how_far_a_help_for_yoga_-_Simple_and_complicated_combinations_in_men
1955-06-29_-_The_true_vital_and_true_physical_-_Time_and_Space_-_The_psychics_memory_of_former_lives_-_The_psychic_organises_ones_life_-_The_psychics_knowledge_and_direction
1955-07-06_-_The_psychic_and_the_central_being_or_jivatman_-_Unity_and_multiplicity_in_the_Divine_-_Having_experiences_and_the_ego_-_Mental,_vital_and_physical_exteriorisation_-_Imagination_has_a_formative_power_-_The_function_of_the_imagination
1955-07-13_-_Cosmic_spirit_and_cosmic_consciousness_-_The_wall_of_ignorance,_unity_and_separation_-_Aspiration_to_understand,_to_know,_to_be_-_The_Divine_is_in_the_essence_of_ones_being_-_Realising_desires_through_the_imaginaton
1955-07-20_-_The_Impersonal_Divine_-_Surrender_to_the_Divine_brings_perfect_freedom_-_The_Divine_gives_Himself_-_The_principle_of_the_inner_dimensions_-_The_paths_of_aspiration_and_surrender_-_Linear_and_spherical_paths_and_realisations
1955-08-03_-_Nothing_is_impossible_in_principle_-_Psychic_contact_and_psychic_influence_-_Occult_powers,_adverse_influences;_magic_-_Magic,_occultism_and_Yogic_powers_-Hypnotism_and_its_effects
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1955-10-05_-_Science_and_Ignorance_-_Knowledge,_science_and_the_Buddha_-_Knowing_by_identification_-_Discipline_in_science_and_in_Buddhism_-_Progress_in_the_mental_field_and_beyond_it
1955-10-12_-_The_problem_of_transformation_-_Evolution,_man_and_superman_-_Awakening_need_of_a_higher_good_-_Sri_Aurobindo_and_earths_history_-_Setting_foot_on_the_new_path_-_The_true_reality_of_the_universe_-_the_new_race_-_...
1955-10-19_-_The_rhythms_of_time_-_The_lotus_of_knowledge_and_perfection_-_Potential_knowledge_-_The_teguments_of_the_soul_-_Shastra_and_the_Gurus_direct_teaching_-_He_who_chooses_the_Infinite...
1955-10-26_-_The_Divine_and_the_universal_Teacher_-_The_power_of_the_Word_-_The_Creative_Word,_the_mantra_-_Sound,_music_in_other_worlds_-_The_domains_of_pure_form,_colour_and_ideas
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-11-09_-_Personal_effort,_egoistic_mind_-_Man_is_like_a_public_square_-_Natures_work_-_Ego_needed_for_formation_of_individual_-_Adverse_forces_needed_to_make_man_sincere_-_Determinisms_of_different_planes,_miracles
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1955-11-23_-_One_reality,_multiple_manifestations_-_Integral_Yoga,_approach_by_all_paths_-_The_supreme_man_and_the_divine_man_-_Miracles_and_the_logic_of_events
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1955-12-14_-_Rejection_of_life_as_illusion_in_the_old_Yogas_-_Fighting_the_adverse_forces_-_Universal_and_individual_being_-_Three_stages_in_Integral_Yoga_-_How_to_feel_the_Divine_Presence_constantly
1955-12-28_-_Aspiration_in_different_parts_of_the_being_-_Enthusiasm_and_gratitude_-_Aspiration_is_in_all_beings_-_Unlimited_power_of_good,_evil_has_a_limit_-_Progress_in_the_parts_of_the_being_-_Significance_of_a_dream
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-01-11_-_Desire_and_self-deception_-_Giving_all_one_is_and_has_-_Sincerity,_more_powerful_than_will_-_Joy_of_progress_Definition_of_youth
1956-01-18_-_Two_sides_of_individual_work_-_Cheerfulness_-_chosen_vessel_of_the_Divine_-_Aspiration,_consciousness,_of_plants,_of_children_-_Being_chosen_by_the_Divine_-_True_hierarchy_-_Perfect_relation_with_the_Divine_-_India_free_in_1915
1956-01-25_-_The_divine_way_of_life_-_Divine,_Overmind,_Supermind_-_Material_body__for_discovery_of_the_Divine_-_Five_psychological_perfections
1956-02-01_-_Path_of_knowledge_-_Finding_the_Divine_in_life_-_Capacity_for_contact_with_the_Divine_-_Partial_and_total_identification_with_the_Divine_-_Manifestation_and_hierarchy
1956-02-08_-_Forces_of_Nature_expressing_a_higher_Will_-_Illusion_of_separate_personality_-_One_dynamic_force_which_moves_all_things_-_Linear_and_spherical_thinking_-_Common_ideal_of_life,_microscopic
1956-02-15_-_Nature_and_the_Master_of_Nature_-_Conscious_intelligence_-_Theory_of_the_Gita,_not_the_whole_truth_-_Surrender_to_the_Lord_-_Change_of_nature
1956-02-22_-_Strong_immobility_of_an_immortal_spirit_-_Equality_of_soul_-_Is_all_an_expression_of_the_divine_Will?_-_Loosening_the_knot_of_action_-_Using_experience_as_a_cloak_to_cover_excesses_-_Sincerity,_a_rare_virtue
1956-02-29_-_Sacrifice,_self-giving_-_Divine_Presence_in_the_heart_of_Matter_-_Divine_Oneness_-_Divine_Consciousness_-_All_is_One_-_Divine_in_the_inconscient_aspires_for_the_Divine
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-03-14_-_Dynamic_meditation_-_Do_all_as_an_offering_to_the_Divine_-_Significance_of_23.4.56._-_If_twelve_men_of_goodwill_call_the_Divine
1956-03-21_-_Identify_with_the_Divine_-_The_Divine,_the_most_important_thing_in_life
1956-03-28_-_The_starting-point_of_spiritual_experience_-_The_boundless_finite_-_The_Timeless_and_Time_-_Mental_explanation_not_enough_-_Changing_knowledge_into_experience_-_Sat-Chit-Tapas-Ananda
1956-04-04_-_The_witness_soul_-_A_Gita_enthusiast_-_Propagandist_spirit,_Tolstoys_son
1956-04-11_-_Self-creator_-_Manifestation_of_Time_and_Space_-_Brahman-Maya_and_Ishwara-Shakti_-_Personal_and_Impersonal
1956-04-18_-_Ishwara_and_Shakti,_seeing_both_aspects_-_The_Impersonal_and_the_divine_Person_-_Soul,_the_presence_of_the_divine_Person_-_Going_to_other_worlds,_exteriorisation,_dreams_-_Telling_stories_to_oneself
1956-04-25_-_God,_human_conception_and_the_true_Divine_-_Earthly_existence,_to_realise_the_Divine_-_Ananda,_divine_pleasure_-_Relations_with_the_divine_Presence_-_Asking_the_Divine_for_what_one_needs_-_Allowing_the_Divine_to_lead_one
1956-05-02_-_Threefold_union_-_Manifestation_of_the_Supramental_-_Profiting_from_the_Divine_-_Recognition_of_the_Supramental_Force_-_Ascent,_descent,_manifestation
1956-05-09_-_Beginning_of_the_true_spiritual_life_-_Spirit_gives_value_to_all_things_-_To_be_helped_by_the_supramental_Force
1956-05-16_-_Needs_of_the_body,_not_true_in_themselves_-_Spiritual_and_supramental_law_-_Aestheticised_Paganism_-_Morality,_checks_true_spiritual_effort_-_Effect_of_supramental_descent_-_Half-lights_and_false_lights
1956-05-23_-_Yoga_and_religion_-_Story_of_two_clergymen_on_a_boat_-_The_Buddha_and_the_Supramental_-_Hieroglyphs_and_phonetic_alphabets_-_A_vision_of_ancient_Egypt_-_Memory_for_sounds
1956-05-30_-_Forms_as_symbols_of_the_Force_behind_-_Art_as_expression_of_contact_with_the_Divine_-_Supramental_psychological_perfection_-_Division_of_works_-_The_Ashram,_idle_stupidities
1956-06-06_-_Sign_or_indication_from_books_of_revelation_-_Spiritualised_mind_-_Stages_of_sadhana_-_Reversal_of_consciousness_-_Organisation_around_central_Presence_-_Boredom,_most_common_human_malady
1956-06-13_-_Effects_of_the_Supramental_action_-_Education_and_the_Supermind_-_Right_to_remain_ignorant_-_Concentration_of_mind_-_Reason,_not_supreme_capacity_-_Physical_education_and_studies_-_inner_discipline_-_True_usefulness_of_teachers
1956-06-20_-_Hearts_mystic_light,_intuition_-_Psychic_being,_contact_-_Secular_ethics_-_True_role_of_mind_-_Realise_the_Divine_by_love_-_Depression,_pleasure,_joy_-_Heart_mixture_-_To_follow_the_soul_-_Physical_process_-_remember_the_Mother
1956-06-27_-_Birth,_entry_of_soul_into_body_-_Formation_of_the_supramental_world_-_Aspiration_for_progress_-_Bad_thoughts_-_Cerebral_filter_-_Progress_and_resistance
1956-07-04_-_Aspiration_when_one_sees_a_shooting_star_-_Preparing_the_bodyn_making_it_understand_-_Getting_rid_of_pain_and_suffering_-_Psychic_light
1956-07-11_-_Beauty_restored_to_its_priesthood_-_Occult_worlds,_occult_beings_-_Difficulties_and_the_supramental_force
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-07-25_-_A_complete_act_of_divine_love_-_How_to_listen_-_Sports_programme_same_for_boys_and_girls_-_How_to_profit_by_stay_at_Ashram_-_To_Women_about_Their_Body
1956-08-01_-_Value_of_worship_-_Spiritual_realisation_and_the_integral_yoga_-_Symbols,_translation_of_experience_into_form_-_Sincerity,_fundamental_virtue_-_Intensity_of_aspiration,_with_anguish_or_joy_-_The_divine_Grace
1956-08-08_-_How_to_light_the_psychic_fire,_will_for_progress_-_Helping_from_a_distance,_mental_formations_-_Prayer_and_the_divine_-_Grace_Grace_at_work_everywhere
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1956-08-22_-_The_heaven_of_the_liberated_mind_-_Trance_or_samadhi_-_Occult_discipline_for_leaving_consecutive_bodies_-_To_be_greater_than_ones_experience_-_Total_self-giving_to_the_Grace_-_The_truth_of_the_being_-_Unique_relation_with_the_Supreme
1956-08-29_-_To_live_spontaneously_-_Mental_formations_Absolute_sincerity_-_Balance_is_indispensable,_the_middle_path_-_When_in_difficulty,_widen_the_consciousness_-_Easiest_way_of_forgetting_oneself
1956-09-05_-_Material_life,_seeing_in_the_right_way_-_Effect_of_the_Supermind_on_the_earth_-_Emergence_of_the_Supermind_-_Falling_back_into_the_same_mistaken_ways
1956-09-12_-_Questions,_practice_and_progress
1956-09-19_-_Power,_predominant_quality_of_vital_being_-_The_Divine,_the_psychic_being,_the_Supermind_-_How_to_come_out_of_the_physical_consciousness_-_Look_life_in_the_face_-_Ordinary_love_and_Divine_love
1956-09-26_-_Soul_of_desire_-_Openness,_harmony_with_Nature_-_Communion_with_divine_Presence_-_Individuality,_difficulties,_soul_of_desire_-_personal_contact_with_the_Mother_-_Inner_receptivity_-_Bad_thoughts_before_the_Mother
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-10-17_-_Delight,_the_highest_state_-_Delight_and_detachment_-_To_be_calm_-_Quietude,_mental_and_vital_-_Calm_and_strength_-_Experience_and_expression_of_experience
1956-10-24_-_Taking_a_new_body_-_Different_cases_of_incarnation_-_Departure_of_soul_from_body
1956-10-31_-_Manifestation_of_divine_love_-_Deformation_of_Love_by_human_consciousness_-_Experience_and_expression_of_experience
1956-11-07_-_Thoughts_created_by_forces_of_universal_-_Mind_Our_own_thought_hardly_exists_-_Idea,_origin_higher_than_mind_-_The_Synthesis_of_Yoga,_effect_of_reading
1956-11-14_-_Conquering_the_desire_to_appear_good_-_Self-control_and_control_of_the_life_around_-_Power_of_mastery_-_Be_a_great_yogi_to_be_a_good_teacher_-_Organisation_of_the_Ashram_school_-_Elementary_discipline_of_regularity
1956-11-21_-_Knowings_and_Knowledge_-_Reason,_summit_of_mans_mental_activities_-_Willings_and_the_true_will_-_Personal_effort_-_First_step_to_have_knowledge_-_Relativity_of_medical_knowledge_-_Mental_gymnastics_make_the_mind_supple
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-05_-_Even_and_objectless_ecstasy_-_Transform_the_animal_-_Individual_personality_and_world-personality_-_Characteristic_features_of_a_world-personality_-_Expressing_a_universal_state_of_consciousness_-_Food_and_sleep_-_Ordered_intuition
1956-12-12_-_paradoxes_-_Nothing_impossible_-_unfolding_universe,_the_Eternal_-_Attention,_concentration,_effort_-_growth_capacity_almost_unlimited_-_Why_things_are_not_the_same_-_will_and_willings_-_Suggestions,_formations_-_vital_world
1956-12-19_-_Preconceived_mental_ideas_-_Process_of_creation_-_Destructive_power_of_bad_thoughts_-_To_be_perfectly_sincere
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-02_-_Can_one_go_out_of_time_and_space?_-_Not_a_crucified_but_a_glorified_body_-_Individual_effort_and_the_new_force
1957-01-09_-_God_is_essentially_Delight_-_God_and_Nature_play_at_hide-and-seek_-__Why,_and_when,_are_you_grave?
1957-01-16_-_Seeking_something_without_knowing_it_-_Why_are_we_here?
1957-01-23_-_How_should_we_understand_pure_delight?_-_The_drop_of_honey_-_Action_of_the_Divine_Will_in_the_world
1957-01-30_-_Artistry_is_just_contrast_-_How_to_perceive_the_Divine_Guidance?
1957-02-06_-_Death,_need_of_progress_-_Changing_Natures_methods
1957-02-07_-_Individual_and_collective_meditation
1957-02-13_-_Suffering,_pain_and_pleasure_-_Illness_and_its_cure
1957-02-20_-_Limitations_of_the_body_and_individuality
1957-03-06_-_Freedom,_servitude_and_love
1957-03-08_-_A_Buddhist_story
1957-03-13_-_Our_best_friend
1957-03-15_-_Reminiscences_of_Tlemcen
1957-03-20_-_Never_sit_down,_true_repose
1957-03-22_-_A_story_of_initiation,_knowledge_and_practice
1957-03-27_-_If_only_humanity_consented_to_be_spiritualised
1957-04-03_-_Different_religions_and_spirituality
1957-04-10_-_Sports_and_yoga_-_Organising_ones_life
1957-04-17_-_Transformation_of_the_body
1957-04-24_-_Perfection,_lower_and_higher
1957-05-01_-_Sports_competitions,_their_value
1957-05-08_-_Vital_excitement,_reason,_instinct
1957-05-15_-_Differentiation_of_the_sexes_-_Transformation_from_above_downwards
1957-05-29_-_Progressive_transformation
1957-06-05_-_Questions_and_silence_-_Methods_of_meditation
1957-06-12_-_Fasting_and_spiritual_progress
1957-06-19_-_Causes_of_illness_Fear_and_illness_-_Minds_working,_faith_and_illness
1957-06-26_-_Birth_through_direct_transmutation_-_Man_and_woman_-_Judging_others_-_divine_Presence_in_all_-_New_birth
1957-07-03_-_Collective_yoga,_vision_of_a_huge_hotel
1957-07-09_-_Incontinence_of_speech
1957-07-10_-_A_new_world_is_born_-_Overmind_creation_dissolved
1957-07-17_-_Power_of_conscious_will_over_matter
1957-07-24_-_The_involved_supermind_-_The_new_world_and_the_old_-_Will_for_progress_indispensable
1957-07-31_-_Awakening_aspiration_in_the_body
1957-08-07_-_The_resistances,_politics_and_money_-_Aspiration_to_realise_the_supramental_life
1957-08-14_-_Meditation_on_Sri_Aurobindo
1957-08-21_-_The_Ashram_and_true_communal_life_-_Level_of_consciousness_in_the_Ashram
1957-08-28_-_Freedom_and_Divine_Will
1957-09-04_-_Sri_Aurobindo,_an_eternal_birth
1957-09-11_-_Vital_chemistry,_attraction_and_repulsion
1957-09-18_-_Occultism_and_supramental_life
1957-09-25_-_Preparation_of_the_intermediate_being
1957-10-02_-_The_Mind_of_Light_-_Statues_of_the_Buddha_-_Burden_of_the_past
1957-10-09_-_As_many_universes_as_individuals_-_Passage_to_the_higher_hemisphere
1957-10-16_-_Story_of_successive_involutions
1957-10-23_-_The_central_motive_of_terrestrial_existence_-_Evolution
1957-10-30_-_Double_movement_of_evolution_-_Disappearance_of_a_species
1957-11-13_-_Superiority_of_man_over_animal_-_Consciousness_precedes_form
1957-11-27_-_Sri_Aurobindos_method_in_The_Life_Divine_-_Individual_and_cosmic_evolution
1957-12-04_-_The_method_of_The_Life_Divine_-_Problem_of_emergence_of_a_new_species
1957-12-11_-_Appearance_of_the_first_men
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1958-01-01_-_The_collaboration_of_material_Nature_-_Miracles_visible_to_a_deep_vision_of_things_-_Explanation_of_New_Year_Message
1958-01-08_-_Sri_Aurobindos_method_of_exposition_-_The_mind_as_a_public_place_-_Mental_control_-_Sri_Aurobindos_subtle_hand
1958-01-15_-_The_only_unshakable_point_of_support
1958-01-22_-_Intellectual_theories_-_Expressing_a_living_and_real_Truth
1958-01-29_-_The_plan_of_the_universe_-_Self-awareness
1958-02-05_-_The_great_voyage_of_the_Supreme_-_Freedom_and_determinism
1958-02-12_-_Psychic_progress_from_life_to_life_-_The_earth,_the_place_of_progress
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-02-26_-_The_moon_and_the_stars_-_Horoscopes_and_yoga
1958-03-05_-_Vibrations_and_words_-_Power_of_thought,_the_gift_of_tongues
1958-03-12_-_The_key_of_past_transformations
1958-03-19_-_General_tension_in_humanity_-_Peace_and_progress_-_Perversion_and_vision_of_transformation
1958-03-26_-_Mental_anxiety_and_trust_in_spiritual_power
1958-04-02_-_Correcting_a_mistake
1958-04-09_-_The_eyes_of_the_soul_-_Perceiving_the_soul
1958-04-16_-_The_superman_-_New_realisation
1958-04-23_-_Progress_and_bargaining
1958-04-30_-_Mental_constructions_and_experience
1958-05-07_-_The_secret_of_Nature
1958-05-14_-_Intellectual_activity_and_subtle_knowing_-_Understanding_with_the_body
1958-05-21_-_Mental_honesty
1958-05-28_-_The_Avatar
1958-06-04_-_New_birth
1958-06-11_-_Is_there_a_spiritual_being_in_everybody?
1958-06-18_-_Philosophy,_religion,_occultism,_spirituality
1958-06-25_-_Sadhana_in_the_body
1958-07-09_-_Faith_and_personal_effort
1958-07-16_-_Is_religion_a_necessity?
1958-07-23_-_How_to_develop_intuition_-_Concentration
1958-07-30_-_The_planchette_-_automatic_writing_-_Proofs_and_knowledge
1958-08-06_-_Collective_prayer_-_the_ideal_collectivity
1958-08-13_-_Profit_by_staying_in_the_Ashram_-_What_Sri_Aurobindo_has_come_to_tell_us_-_Finding_the_Divine
1958-08-15_-_Our_relation_with_the_Gods
1958-08-27_-_Meditation_and_imagination_-_From_thought_to_idea,_from_idea_to_principle
1958-09-03_-_How_to_discipline_the_imagination_-_Mental_formations
1958-09-10_-_Magic,_occultism,_physical_science
1958_09_12
1958-09-17_-_Power_of_formulating_experience_-_Usefulness_of_mental_development
1958_09_19
1958-09-24_-_Living_the_truth_-_Words_and_experience
1958_09_26
1958-10-01_-_The_ideal_of_moral_perfection
1958_10_03
1958-10-08_-_Stages_between_man_and_superman
1958_10_10
1958_10_17
1958-10-22_-_Spiritual_life_-_reversal_of_consciousness_-_Helping_others
1958_10_24
1958-10-29_-_Mental_self-sufficiency_-_Grace
1958-11-05_-_Knowing_how_to_be_silent
1958_11_07
1958-11-12_-_The_aim_of_the_Supreme_-_Trust_in_the_Grace
1958_11_14
1958_11_21
1958-11-26_-_The_role_of_the_Spirit_-_New_birth
1958_11_28
1958_12_05
1960_01_05
1960_01_12
1960_01_20
1960_01_27
1960_02_03
1960_02_10
1960_02_17
1960_02_24
1960_03_02
1960_03_09
1960_03_16
1960_03_23
1960_03_30
1960_04_06
1960_04_07?_-_28
1960_04_20
1960_04_27
1960_05_04
1960_05_11
1960_05_18
1960_05_25
1960_06_03
1960_06_08
1960_06_16
1960_06_22
1960_06_29
1960_07_06
1960_07_13
1960_07_19
1960_08_24
1960_08_27
1960_10_24
1960_11_10
1960_11_11?_-_48
1960_11_12?_-_49
1960_11_13?_-_50
1960_11_14?_-_51
1961_01_18
1961_01_28
1961_02_02
1961_03_11_-_58
1961_03_17_-_56
1961_03_17_-_57
1961_04_26_-_59
1961_05_04_-_60
1961_05_20
1961_05_21?_-_62
1961_05_22?
1961_07_18
1961_07_27
1962_01_12
1962_01_21
1962_02_03
1962_02_27
1962_02_28?_-_73
1962_05_24
1962_10_06
1962_10_12
1963_01_14
1963_03_06
1963_05_15
1963_08_10
1963_08_11?_-_94
1963_11_04
1963_11_05?_-_96
1963_11_06?_-_97
1964_02_05
1964_02_05_-_98
1964_02_06?_-_99
1964_03_25
1964_09_16
1965_01_12
1965_03_03
1965_05_29
1965_09_25
1965_12_25
1965_12_26?
1966_07_06
1966_09_14
1967-05-24.1_-_Defining_the_Divine
1967-05-24.2_-_Defining_God
1969_08_03
1969_08_05
1969_08_07
1969_08_09
1969_08_14
1969_08_15?_-_133
1969_08_19
1969_08_21
1969_08_28
1969_08_30_-_139
1969_08_30_-_140
1969_08_31_-_141
1969_09_01_-_142
1969_09_04_-_143
1969_09_07_-_145
1969_09_14
1969_09_17
1969_09_18
1969_09_22
1969_09_23
1969_09_26
1969_09_27
1969_09_29
1969_09_30
1969_09_31?_-_165
1969_10_01?_-_166
1969_10_06
1969_10_07
1969_10_10
1969_10_13
1969_10_15
1969_10_17
1969_10_18
1969_10_19
1969_10_21
1969_10_23
1969_10_24
1969_10_28
1969_10_29
1969_10_30
1969_10_31
1969_11_07
1969_11_08?
1969_11_13
1969_11_15
1969_11_16
1969_11_18
1969_11_24
1969_11_25
1969_11_26
1969_11_27?
1969_12_01
1969_12_03
1969_12_04
1969_12_05
1969_12_07
1969_12_08
1969_12_09
1969_12_11
1969_12_13
1969_12_14
1969_12_15
1969_12_17
1969_12_18
1969_12_21
1969_12_22
1969_12_23
1969_12_26
1969_12_28
1969_12_29?
1969_12_31
1970_01_01
1970_01_03
1970_01_04
1970_01_06
1970_01_07
1970_01_08
1970_01_09
1970_01_10
1970_01_12
1970_01_13?
1970_01_15
1970_01_17
1970_01_20
1970_01_21
1970_01_22
1970_01_23
1970_01_24
1970_01_25
1970_01_26
1970_01_27
1970_01_28
1970_01_29
1970_01_30
1970_02_01
1970_02_02
1970_02_04
1970_02_05
1970_02_07
1970_02_08
1970_02_09
1970_02_10
1970_02_11
1970_02_12
1970_02_13
1970_02_16
1970_02_17
1970_02_18
1970_02_19
1970_02_20
1970_02_23
1970_02_25
1970_02_26
1970_02_27?
1970_03_02
1970_03_03
1970_03_05
1970_03_06?
1970_03_09
1970_03_10
1970_03_11
1970_03_12
1970_03_13
1970_03_14
1970_03_15
1970_03_17
1970_03_18
1970_03_19?
1970_03_21
1970_03_24
1970_03_25
1970_03_27
1970_03_29
1970_03_30
1970_04_01
1970_04_02
1970_04_03
1970_04_04
1970_04_06
1970_04_07
1970_04_08
1970_04_09
1970_04_10
1970_04_11
1970_04_12
1970_04_13
1970_04_14
1970_04_15
1970_04_17
1970_04_18
1970_04_19_-_484
1970_04_20_-_485
1970_04_21_-_490
1970_04_22_-_482
1970_04_22_-_493
1970_04_23_-_495
1970_04_24_-_497
1970_04_28
1970_04_29
1970_04_30
1970_05_01
1970_05_02
1970_05_03?
1970_05_12
1970_05_13?
1970_05_15
1970_05_16
1970_05_17
1970_05_21
1970_05_22
1970_05_23
1970_05_24
1970_05_25
1970_05_28
1970_06_01
1970_06_02
1970_06_03
1970_06_04
1970_06_05
1970_06_06
1970_06_07
1970_06_08_-_538
1970_06_08_-_541
1971_12_11
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_A_Birthday
1.ac_-_Adela
1.ac_-_An_Oath
1.ac_-_At_Sea
1.ac_-_Au_Bal
1.ac_-_Colophon
1.ac_-_Happy_Dust
1.ac_-_Independence
1.ac_-_Leah_Sublime
1.ac_-_Logos
1.ac_-_Lyric_of_Love_to_Leah
1.ac_-_On_-_On_-_Poet
1.ac_-_Optimist
1.ac_-_Power
1.ac_-_Prologue_to_Rodin_in_Rime
1.ac_-_The_Atheist
1.ac_-_The_Buddhist
1.ac_-_The_Disciples
1.ac_-_The_Five_Adorations
1.ac_-_The_Four_Winds
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Hawk_and_the_Babe
1.ac_-_The_Hermit
1.ac_-_The_Interpreter
1.ac_-_The_Ladder
1.ac_-_The_Mantra-Yoga
1.ac_-_The_Neophyte
1.ac_-_The_Pentagram
1.ac_-_The_Priestess_of_Panormita
1.ac_-_The_Quest
1.ac_-_The_Rose_and_the_Cross
1.ac_-_The_Tent
1.ac_-_The_Titanic
1.ac_-_The_Twins
1.ac_-_The_Wizard_Way
1.ac_-_Ut
1.ad_-_O_Christ,_protect_me!
1.ala_-_I_had_supposed_that,_having_passed_away
1.ami_-_Bright_are_Thy_tresses,_brighten_them_even_more_(from_Baal-i-Jibreel)
1.ami_-_O_Cup-bearer!_Give_me_again_that_wine_of_love_for_Thee_(from_Baal-i-Jibreel)
1.ami_-_O_wave!_Plunge_headlong_into_the_dark_seas_(from_Baal-i-Jibreel)
1.ami_-_Selfhood_can_demolish_the_magic_of_this_world_(from_Baal-i-Jibreel)
1.ami_-_The_secret_divine_my_ecstasy_has_taught_(from_Baal-i-Jibreel)
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_A_drum_beats
1.anon_-_But_little_better
1.anon_-_Eightfold_Fence.
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_If_this_were_a_world
1.anon_-_Less_profitable
1.anon_-_My_body,_in_its_withering
1.anon_-_Others_have_told_me
1.anon_-_Plucking_the_Rushes
1.anon_-_Song_of_Creation
1.anon_-_The_Epic_of_Gilgamesh_Tablet_II
1.anon_-_The_Epic_of_Gilgamesh_Tablet_III
1.anon_-_The_Epic_of_Gilgamesh_Tablet_IV
1.anon_-_The_Epic_of_Gilgamesh_TabletIX
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VIII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_X
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1.anon_-_The_Poem_of_Antar
1.anon_-_The_Poem_of_Imru-Ul-Quais
1.anon_-_The_Seven_Evil_Spirits
1.anon_-_The_Song_of_Songs
1.ap_-_The_Universal_Prayer
1.asak_-_A_pious_one_with_a_hundred_beads_on_your_rosary
1.asak_-_Beg_for_Love
1.asak_-_Detached_You_are,_even_from_your_being
1.asak_-_If_you_do_not_give_up_the_crowds
1.asak_-_If_you_keep_seeking_the_jewel_of_understanding
1.asak_-_In_my_heart_Thou_dwellest--else_with_blood_Ill_drench_it
1.asak_-_In_the_school_of_mind_you
1.asak_-_Love_came
1.asak_-_Love_came_and_emptied_me_of_self
1.asak_-_Mansoor,_that_whale_of_the_Oceans_of_Love
1.asak_-_My_Beloved-_dont_be_heartless_with_me
1.asak_-_My_Beloved-_this_torture_and_pain
1.asak_-_Nothing_but_burning_sobs_and_tears_tonight
1.asak_-_On_Unitys_Way
1.asak_-_Piousness_and_the_path_of_love
1.asak_-_Rise_early_at_dawn,_when_our_storytelling_begins
1.asak_-_Sorrow_looted_this_heart
1.asak_-_The_day_Love_was_illumined
1.asak_-_The_sum_total_of_our_life_is_a_breath
1.asak_-_This_is_My_Face,_said_the_Beloved
1.asak_-_Though_burning_has_become_an_old_habit_for_this_heart
1.asak_-_Whatever_road_we_take_to_You,_Joy
1.asak_-_When_the_desire_for_the_Friend_became_real
1.at_-_And_Galahad_fled_along_them_bridge_by_bridge_(from_The_Holy_Grail)
1.at_-_Crossing_the_Bar
1.at_-_Flower_in_the_crannied_wall
1.at_-_If_thou_wouldst_hear_the_Nameless_(from_The_Ancient_Sage)
1.at_-_St._Agnes_Eve
1.at_-_The_Higher_Pantheism
1.at_-_The_Human_Cry
1.bd_-_A_deluded_Mind
1.bd_-_Endless_Ages
1.bd_-_The_Greatest_Gift
1.bd_-_You_may_enter
1.bni_-_Raga_Ramkali
1.bs_-_Bulleh_has_no_identity
1.bs_-_Bulleh!_to_me,_I_am_not_known
1.bs_-_Chanting,_chanting_the_Beloveds_name
1.bsf_-_Do_not_speak_a_hurtful_word
1.bsf_-_Fathom_the_ocean
1.bsf_-_For_evil_give_good
1.bsf_-_His_grace_may_fall_upon_us_at_anytime
1.bsf_-_I_thought_I_was_alone_who_suffered
1.bsf_-_Like_a_deep_sea
1.bsf_-_On_the_bank_of_a_pool_in_the_moor
1.bsf_-_Raga_Asa
1.bsf_-_The_lanes_are_muddy_and_far_is_the_house
1.bsf_-_Turn_cheek
1.bsf_-_Wear_whatever_clothes_you_must
1.bsf_-_Why_do_you_roam_the_jungles?
1.bsf_-_You_are_my_protection_O_Lord
1.bsf_-_You_must_fathom_the_ocean
1.bs_-_He_Who_is_Stricken_by_Love
1.bs_-_If_the_divine_is_found_through_ablutions
1.bs_-_I_have_been_pierced_by_the_arrow_of_love,_what_shall_I_do?
1.bs_-_I_have_got_lost_in_the_city_of_love
1.bs_-_Look_into_Yourself
1.bs_-_Love_Springs_Eternal
1.bs_-_One_Point_Contains_All
1.bs_-_One_Thread_Only
1.bs_-_Remove_duality_and_do_away_with_all_disputes
1.bs_-_Seek_the_spirit,_forget_the_form
1.bs_-_The_moment_I_bowed_down
1.bs_-_The_preacher_and_the_torch_bearer
1.bs_-_The_soil_is_in_ferment,_O_friend
1.bs_-_this_love_--_O_Bulleh_--_tormenting,_unique
1.bsv_-_Dont_make_me_hear_all_day
1.bsv_-_Make_of_my_body_the_beam_of_a_lute
1.bsv_-_The_eating_bowl_is_not_one_bronze
1.bsv_-_The_pot_is_a_God
1.bsv_-_The_Temple_and_the_Body
1.bsv_-_The_waters_of_joy
1.bsv_-_Where_they_feed_the_fire
1.bs_-_What_a_carefree_game_He_plays!
1.bs_-_You_alone_exist-_I_do_not,_O_Beloved!
1.bs_-_Your_love_has_made_me_dance_all_over
1.bs_-_Your_passion_stirs_me
1.bts_-_Invocation
1.bts_-_Love_is_Lord_of_All
1.bts_-_The_Bent_of_Nature
1.bts_-_The_Mists_Dispelled
1.bts_-_The_Souls_Flight
1.bv_-_When_I_see_the_lark_beating
1.cj_-_Inscribed_on_the_Wall_of_the_Hut_by_the_Lake
1.cj_-_To_Be_Shown_to_the_Monks_at_a_Certain_Temple
1.cllg_-_A_Dance_of_Unwavering_Devotion
1.cs_-_Consumed_in_Grace
1.cs_-_We_were_enclosed_(from_Prayer_20)
1.ct_-_Creation_and_Destruction
1.ct_-_Distinguishing_Ego_from_Self
1.ct_-_Goods_and_Possessions
1.ct_-_Letting_go_of_thoughts
1.ct_-_One_Legged_Man
1.ct_-_Surrendering
1.da_-_All_Being_within_this_order,_by_the_laws_(from_The_Paradiso,_Canto_I)
1.da_-_And_as_a_ray_descending_from_the_sky_(from_The_Paradiso,_Canto_I)
1.da_-_Lead_us_up_beyond_light
1.da_-_The_glory_of_Him_who_moves_all_things_rays_forth_(from_The_Paradiso,_Canto_I)
1.da_-_The_love_of_God,_unutterable_and_perfect
1.dd_-_As_many_as_are_the_waves_of_the_sea
1.dd_-_So_priceless_is_the_birth,_O_brother
1.dd_-_The_Creator_Plays_His_Cosmic_Instrument_In_Perfect_Harmony
1.dz_-_A_Zen_monk_asked_for_a_verse_-
1.dz_-_Ching-chings_raindrop_sound
1.dz_-_Coming_or_Going
1.dz_-_Enlightenment_is_like_the_moon
1.dz_-_Impermanence
1.dz_-_In_the_stream
1.dz_-_I_wont_even_stop
1.dz_-_Joyful_in_this_mountain_retreat
1.dz_-_Like_tangled_hair
1.dz_-_One_of_fifteen_verses_on_Dogens_mountain_retreat
1.dz_-_One_of_six_verses_composed_in_Anyoin_Temple_in_Fukakusa,_1230
1.dz_-_On_Non-Dependence_of_Mind
1.dz_-_The_track_of_the_swan_through_the_sky
1.dz_-_The_Western_Patriarchs_doctrine_is_transplanted!
1.dz_-_The_whirlwind_of_birth_and_death
1.dz_-_Treading_along_in_this_dreamlike,_illusory_realm
1.dz_-_True_person_manifest_throughout_the_ten_quarters_of_the_world
1.dz_-_Viewing_Peach_Blossoms_and_Realizing_the_Way
1.dz_-_Wonderous_nirvana-mind
1.dz_-_Worship
1.dz_-_Zazen
1.ey_-_Socrates
1.fcn_-_a_dandelion
1.fcn_-_Airing_out_kimonos
1.fcn_-_cool_clear_water
1.fcn_-_From_the_mind
1.fcn_-_hands_drop
1.fcn_-_loneliness
1.fcn_-_on_the_road
1.fcn_-_skylark_in_the_heavens
1.fcn_-_spring_rain
1.fcn_-_To_the_one_breaking_it
1.fcn_-_whatever_I_pick_up
1.fcn_-_without_a_voice
1f.lovecraft_-_A_Reminiscence_of_Dr._Samuel_Johnson
1f.lovecraft_-_Ashes
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Azathoth
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Celephais
1f.lovecraft_-_Collapsing_Cosmoses
1f.lovecraft_-_Cool_Air
1f.lovecraft_-_Dagon
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Discarded_Draft_of
1f.lovecraft_-_Ex_Oblivione
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_From_Beyond
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_H.P._Lovecrafts
1f.lovecraft_-_Hypnos
1f.lovecraft_-_Ibid
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Memory
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Old_Bugs
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Polaris
1f.lovecraft_-_Sweet_Ermengarde
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Battle_that_Ended_the_Century
1f.lovecraft_-_The_Beast_in_the_Cave
1f.lovecraft_-_The_Book
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Cats_of_Ulthar
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Descendant
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Evil_Clergyman
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Ghost-Eater
1f.lovecraft_-_The_Green_Meadow
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Martins_Beach
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Little_Glass_Bottle
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Music_of_Erich_Zann
1f.lovecraft_-_The_Mysterious_Ship
1f.lovecraft_-_The_Mystery_of_the_Grave-Yard
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Slaying_of_the_Monster
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Terrible_Old_Man
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Tomb
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Tree_on_the_Hill
1f.lovecraft_-_The_Unnamable
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Two_Black_Bottles
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_What_the_Moon_Brings
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Amalia
1.fs_-_A_Peculiar_Ideal
1.fs_-_A_Problem
1.fs_-_Archimedes
1.fs_-_Astronomical_Writings
1.fs_-_Beauteous_Individuality
1.fs_-_Breadth_And_Depth
1.fs_-_Carthage
1.fs_-_Cassandra
1.fs_-_Columbus
1.fs_-_Count_Eberhard,_The_Groaner_Of_Wurtembert._A_War_Song
1.fs_-_Dangerous_Consequences
1.fs_-_Difference_Of_Station
1.fs_-_Different_Destinies
1.fs_-_Dithyramb
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_Elysium
1.fs_-_Evening
1.fs_-_Fame_And_Duty
1.fs_-_Fantasie_--_To_Laura
1.fs_-_Feast_Of_Victory
1.fs_-_Female_Judgment
1.fs_-_Fortune_And_Wisdom
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Friend_And_Foe
1.fs_-_Friendship
1.fs_-_Geniality
1.fs_-_Genius
1.fs_-_German_Faith
1.fs_-_Germany_And_Her_Princes
1.fs_-_Greekism
1.fs_-_Group_From_Tartarus
1.fs_-_Hero_And_Leander
1.fs_-_Honors
1.fs_-_Honor_To_Woman
1.fs_-_Hope
1.fs_-_Human_Knowledge
1.fs_-_Hymn_To_Joy
1.fs_-_Inside_And_Outside
1.fs_-_Jove_To_Hercules
1.fs_-_Light_And_Warmth
1.fs_-_Longing
1.fs_-_Love_And_Desire
1.fs_-_Majestas_Populi
1.fs_-_Melancholy_--_To_Laura
1.fs_-_My_Antipathy
1.fs_-_My_Faith
1.fs_-_Nadowessian_Death-Lament
1.fs_-_Naenia
1.fs_-_Ode_an_die_Freude
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_Odysseus
1.fs_-_Parables_And_Riddles
1.fs_-_Participation
1.fs_-_Political_Precept
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Punch_Song
1.fs_-_Punch_Song_(To_be_sung_in_the_Northern_Countries)
1.fs_-_Rapture_--_To_Laura
1.fs_-_Resignation
1.fs_-_Rousseau
1.fs_-_Shakespeare's_Ghost_-_A_Parody
1.fs_-_The_Agreement
1.fs_-_The_Alpine_Hunter
1.fs_-_The_Animating_Principle
1.fs_-_The_Antiques_At_Paris
1.fs_-_The_Antique_To_The_Northern_Wanderer
1.fs_-_The_Artists
1.fs_-_The_Assignation
1.fs_-_The_Bards_Of_Olden_Time
1.fs_-_The_Battle
1.fs_-_The_Best_State
1.fs_-_The_Best_State_Constitution
1.fs_-_The_Celebrated_Woman_-_An_Epistle_By_A_Married_Man
1.fs_-_The_Circle_Of_Nature
1.fs_-_The_Complaint_Of_Ceres
1.fs_-_The_Conflict
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Dance
1.fs_-_The_Difficult_Union
1.fs_-_The_Division_Of_The_Earth
1.fs_-_The_Driver
1.fs_-_The_Duty_Of_All
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fairest_Apparition
1.fs_-_The_Favor_Of_The_Moment
1.fs_-_The_Fight_With_The_Dragon
1.fs_-_The_Flowers
1.fs_-_The_Fortune-Favored
1.fs_-_The_Forum_Of_Woman
1.fs_-_The_Four_Ages_Of_The_World
1.fs_-_The_Fugitive
1.fs_-_The_Genius_With_The_Inverted_Torch
1.fs_-_The_German_Art
1.fs_-_The_Glove_-_A_Tale
1.fs_-_The_Gods_Of_Greece
1.fs_-_The_Greatness_Of_The_World
1.fs_-_The_Honorable
1.fs_-_The_Hostage
1.fs_-_The_Ideal_And_The_Actual_Life
1.fs_-_The_Ideals
1.fs_-_The_Iliad
1.fs_-_The_Imitator
1.fs_-_The_Immutable
1.fs_-_The_Infanticide
1.fs_-_The_Invincible_Armada
1.fs_-_The_Key
1.fs_-_Thekla_-_A_Spirit_Voice
1.fs_-_The_Knight_Of_Toggenburg
1.fs_-_The_Knights_Of_St._John
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Lay_Of_The_Mountain
1.fs_-_The_Learned_Workman
1.fs_-_The_Maiden_From_Afar
1.fs_-_The_Maiden's_Lament
1.fs_-_The_Maid_Of_Orleans
1.fs_-_The_Meeting
1.fs_-_The_Merchant
1.fs_-_The_Moral_Force
1.fs_-_The_Observer
1.fs_-_The_Philosophical_Egotist
1.fs_-_The_Pilgrim
1.fs_-_The_Playing_Infant
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Power_Of_Song
1.fs_-_The_Power_Of_Woman
1.fs_-_The_Present_Generation
1.fs_-_The_Proverbs_Of_Confucius
1.fs_-_The_Ring_Of_Polycrates_-_A_Ballad
1.fs_-_The_Secret
1.fs_-_The_Sexes
1.fs_-_The_Sower
1.fs_-_The_Triumph_Of_Love
1.fs_-_The_Two_Guides_Of_Life_-_The_Sublime_And_The_Beautiful
1.fs_-_The_Two_Paths_Of_Virtue
1.fs_-_The_Veiled_Statue_At_Sais
1.fs_-_The_Virtue_Of_Woman
1.fs_-_The_Walk
1.fs_-_The_Words_Of_Belief
1.fs_-_The_Words_Of_Error
1.fs_-_The_Youth_By_The_Brook
1.fs_-_To_A_Moralist
1.fs_-_To_Astronomers
1.fs_-_To_A_World-Reformer
1.fs_-_To_Emma
1.fs_-_To_Laura_At_The_Harpsichord
1.fs_-_To_Laura_(Mystery_Of_Reminiscence)
1.fs_-_To_Minna
1.fs_-_To_My_Friends
1.fs_-_To_Mystics
1.fs_-_To_Proselytizers
1.fs_-_To_The_Muse
1.fs_-_To_The_Spring
1.fs_-_Two_Descriptions_Of_Action
1.fs_-_Untitled_01
1.fs_-_Untitled_02
1.fs_-_Untitled_03
1.fs_-_Variety
1.fs_-_Votive_Tablets
1.fs_-_Wisdom_And_Prudence
1.fs_-_Worth_And_The_Worthy
1.fs_-_Written_In_A_Young_Lady's_Album
1.fua_-_A_dervish_in_ecstasy
1.fua_-_All_who,_reflecting_as_reflected_see
1.fua_-_A_slaves_freedom
1.fua_-_God_Speaks_to_David
1.fua_-_God_Speaks_to_Moses
1.fua_-_How_long_then_will_you_seek_for_beauty_here?
1.fua_-_Invocation
1.fua_-_I_shall_grasp_the_souls_skirt_with_my_hand
1.fua_-_Look_--_I_do_nothing-_He_performs_all_deeds
1.fua_-_Looking_for_your_own_face
1.fua_-_Mysticism
1.fua_-_The_angels_have_bowed_down_to_you_and_drowned
1.fua_-_The_Birds_Find_Their_King
1.fua_-_The_Dullard_Sage
1.fua_-_The_Eternal_Mirror
1.fua_-_The_Hawk
1.fua_-_The_Lover
1.fua_-_The_moths_and_the_flame
1.fua_-_The_Nightingale
1.fua_-_The_peacocks_excuse
1.fua_-_The_pilgrim_sees_no_form_but_His_and_knows
1.fua_-_The_Pupil_asks-_the_Master_answers
1.fua_-_The_Simurgh
1.fua_-_The_Valley_of_the_Quest
1.gmh_-_The_Alchemist_In_The_City
1.gnk_-_Ek_Omkar
1.gnk_-_Japji_15_-_If_you_ponder_it
1.gnk_-_Japji_38_-_Discipline_is_the_workshop
1.gnk_-_Japji_8_-_From_listening
1.gnk_-_Siri_ragu_9.3_-_The_guru_is_the_stepping_stone
1.grh_-_Gorakh_Bani
1.hccc_-_Silently_and_serenely_one_forgets_all_words
1.hcyc_-_10_-_The_rays_shining_from_this_perfect_Mani-jewel_(from_The_Shodoka)
1.hcyc_-_11_-_Always_working_alone,_always_walking_alone_(from_The_Shodoka)
1.hcyc_-_12_-_We_know_that_Shakyas_sons_and_daughters_(from_The_Shodoka)
1.hcyc_-_13_-_This_jewel_of_no_price_can_never_be_used_up_(from_The_Shodoka)
1.hcyc_-_14_-_The_best_student_goes_directly_to_the_ultimate_(from_The_Shodoka)
1.hcyc_-_15_-_Some_may_slander,_some_may_abuse_(from_The_Shodoka)
1.hcyc_-_16_-_When_I_consider_the_virtue_of_abusive_words_(from_The_Shodoka)
1.hcyc_-_17_-_The_incomparable_lion-roar_of_doctrine_(from_The_Shodoka)
1.hcyc_-_18_-_I_wandered_over_rivers_and_seas,_crossing_mountains_and_streams_(from_The_Shodoka)
1.hcyc_-_19_-_Walking_is_Zen,_sitting_is_Zen_(from_The_Shodoka)
1.hcyc_-_1_-_There_is_the_leisurely_one_(from_The_Shodoka)
1.hcyc_-_20_-_Our_teacher,_Shakyamuni,_met_Dipankara_Buddha_(from_The_Shodoka)
1.hcyc_-_21_-_Since_I_abruptly_realized_the_unborn_(from_The_Shodoka)
1.hcyc_-_22_-_I_have_entered_the_deep_mountains_to_silence_and_beauty_(from_The_Shodoka)
1.hcyc_-_23_-_When_you_truly_awaken_(from_The_Shodoka)
1.hcyc_-_24_-_Why_should_this_be_better_(from_The_Shodoka)
1.hcyc_-_25_-_Just_take_hold_of_the_source_(from_The_Shodoka)
1.hcyc_-_26_-_The_moon_shines_on_the_river_(from_The_Shodoka)
1.hcyc_-_27_-_A_bowl_once_calmed_dragons_(from_The_Shodoka)
1.hcyc_-_28_-_The_awakened_one_does_not_seek_truth_(from_The_Shodoka)
1.hcyc_-_29_-_The_mind-mirror_is_clear,_so_there_are_no_obstacles_(from_The_Shodoka)
1.hcyc_-_2_-_When_the_Dharma_body_awakens_completely_(from_The_Shodoka)
1.hcyc_-_30_-_To_live_in_nothingness_is_to_ignore_cause_and_effect_(from_The_Shodoka)
1.hcyc_-_31_-_Holding_truth_and_rejecting_delusion_(from_The_Shodoka)
1.hcyc_-_32_-_They_miss_the_Dharma-treasure_(from_The_Shodoka)
1.hcyc_-_33_-_Students_of_vigorous_will_hold_the_sword_of_wisdom_(from_The_Shodoka)
1.hcyc_-_34_-_They_roar_with_Dharma-thunder_(from_The_Shodoka)
1.hcyc_-_35_-_High_in_the_Himalayas,_only_fei-ni_grass_grows_(from_The_Shodoka)
1.hcyc_-_36_-_One_moon_is_reflected_in_many_waters_(from_The_Shodoka)
1.hcyc_-_37_-_One_level_completely_contains_all_levels_(from_The_Shodoka)
1.hcyc_-_38_-_All_categories_are_no_category_(from_The_Shodoka)
1.hcyc_-_39_-_Right_here_it_is_eternally_full_and_serene_(from_The_Shodoka)
1.hcyc_-_3_-_When_we_realize_actuality_(from_The_Shodoka)
1.hcyc_-_40_-_It_speaks_in_silence_(from_The_Shodoka)
1.hcyc_-_41_-_People_say_it_is_positive_(from_The_Shodoka)
1.hcyc_-_42_-_I_raise_the_Dharma-banner_and_set_forth_our_teaching_(from_The_Shodoka)
1.hcyc_-_43_-_The_truth_is_not_set_forth_(from_The_Shodoka)
1.hcyc_-_44_-_Mind_is_the_base,_phenomena_are_dust_(from_The_Shodoka)
1.hcyc_-_45_-_Ah,_the_degenerate_materialistic_world!_(from_The_Shodoka)
1.hcyc_-_46_-_People_hear_the_Buddhas_doctrine_of_immediacy_(from_The_Shodoka)
1.hcyc_-_47_-_Your_mind_is_the_source_of_action_(from_The_Shodoka)
1.hcyc_-_48_-_In_the_sandalwood_forest,_there_is_no_other_tree_(from_The_Shodoka)
1.hcyc_-_49_-_Just_baby_lions_follow_the_parent_(from_The_Shodoka)
1.hcyc_-_4_-_Once_we_awaken_to_the_Tathagata-Zen_(from_The_Shodoka)
1.hcyc_-_50_-_The_Buddhas_doctrine_of_directness_(from_The_Shodoka)
1.hcyc_-_51_-_Being_is_not_being-_non-being_is_not_non-being_(from_The_Shodoka)
1.hcyc_-_52_-_From_my_youth_I_piled_studies_upon_studies_(from_The_Shodoka)
1.hcyc_-_53_-_If_the_seed-nature_is_wrong,_misunderstandings_arise_(from_The_Shodoka)
1.hcyc_-_54_-_Stupid_ones,_childish_ones_(from_The_Shodoka)
1.hcyc_-_55_-_When_all_is_finally_seen_as_it_is,_(from_The_Shodoka)
1.hcyc_-_56_-_The_hungry_are_served_a_kings_repast_(from_The_Shodoka)
1.hcyc_-_57_-_Pradhanashura_broke_the_gravest_precepts_(from_The_Shodoka)
1.hcyc_-_58_-_The_incomparable_lion_roar_of_the_doctrine!_(from_The_Shodoka)
1.hcyc_-_59_-_Two_monks_were_guilty_of_murder_and_carnality_(from_The_Shodoka)
1.hcyc_-_5_-_No_bad_fortune,_no_good_fortune,_no_loss,_no_gain_(from_The_Shodoka)
1.hcyc_-_60_-_The_remarkable_power_of_emancipation_(from_The_Shodoka)
1.hcyc_-_61_-_The_King_of_the_Dharma_deserves_our_highest_respect_(from_The_Shodoka)
1.hcyc_-_62_-_When_we_see_truly,_there_is_nothing_at_all_(from_The_Shodoka)
1.hcyc_-_63_-_However_the_burning_iron_ring_revolves_around_my_head_(from_The_Shodoka)
1.hcyc_-_64_-_The_great_elephant_does_not_loiter_on_the_rabbits_path_(from_The_Shodoka)
1.hcyc_-_6_-_Who_has_no-thought?_Who_is_not-born?_(from_The_Shodoka)
1.hcyc_-_7_-_Release_your_hold_on_earth,_water,_fire,_wind_(from_The_Shodoka)
1.hcyc_-_8_-_Transience,_emptiness_and_enlightenment_(from_The_Shodoka)
1.hcyc_-_9_-_People_do_not_recognize_the_Mani-jewel_(from_The_Shodoka)
1.hcyc_-_In_my_early_years,_I_set_out_to_acquire_learning_(from_The_Song_of_Enlightenment)
1.hcyc_-_It_is_clearly_seen_(from_The_Song_of_Enlightenment)
1.hcyc_-_Let_others_slander_me_(from_The_Song_of_Enlightenment)
1.hcyc_-_Roll_the_Dharma_thunder_(from_The_Song_of_Enlightenment)
1.hcyc_-_Who_is_without_thought?_(from_The_Song_of_Enlightenment)
1.hcyc_-_With_Sudden_enlightened_understanding_(from_The_Song_of_Enlightenment)
1.he_-_Hakuins_Song_of_Zazen
1.he_-_Past,_present,_future-_unattainable
1.he_-_The_Form_of_the_Formless_(from_Hakuins_Song_of_Zazen)
1.he_-_The_monkey_is_reaching
1.he_-_You_no_sooner_attain_the_great_void
1.hs_-_A_Golden_Compass
1.hs_-_And_if,_my_friend,_you_ask_me_the_way
1.hs_-_A_New_World
1.hs_-_Arise_And_Fill_A_Golden_Goblet
1.hs_-_At_his_door,_what_is_the_difference
1.hs_-_Beauty_Radiated_in_Eternity
1.hs_-_Belief_and_unbelief
1.hs_-_Belief_brings_me_close_to_You
1.hs_-_Bloom_Like_a_Rose
1.hs_-_Bold_Souls
1.hs_-_Bring_all_of_yourself_to_his_door
1.hs_-_Bring_Perfumes_Sweet_To_Me
1.hs_-_Cupbearer,_it_is_morning,_fill_my_cup_with_wine
1.hs_-_Cypress_And_Tulip
1.hs_-_Hair_disheveled,_smiling_lips,_sweating_and_tipsy
1.hs_-_Heres_A_Message_for_the_Faithful
1.hs_-_If_life_remains,_I_shall_go_back_to_the_tavern
1.hs_-_I_Know_The_Way_You_Can_Get
1.hs_-_I_settled_at_Cold_Mountain_long_ago,
1.hs_-_It_Is_Time_to_Wake_Up!
1.hs_-_Its_your_own_self
1.hs_-_Lady_That_Hast_My_Heart
1.hs_-_Lifes_Mighty_Flood
1.hs_-_Loves_conqueror_is_he
1.hs_-_Meditation
1.hs_-_Melt_yourself_down_in_this_search
1.hs_-_My_Brilliant_Image
1.hs_-_My_friend,_everything_existing
1.hs_-_Mystic_Chat
1.hs_-_Naked_in_the_Bee-House
1.hs_-_No_tongue_can_tell_Your_secret
1.hs_-_Not_Worth_The_Toil!
1.hs_-_O_Cup_Bearer
1.hs_-_O_Saghi,_pass_around_that_cup_of_wine,_then_bring_it_to_me
1.hs_-_Rubys_Heart
1.hs_-_Several_Times_In_The_Last_Week
1.hs_-_Silence
1.hs_-_Slaves_Of_Thy_Shining_Eyes
1.hs_-_Someone_Should_Start_Laughing
1.hs_-_Spring_and_all_its_flowers
1.hs_-_Stop_Being_So_Religious
1.hs_-_Stop_weaving_a_net_about_yourself
1.hs_-_Streaming
1.hs_-_Sun_Rays
1.hs_-_Sweet_Melody
1.hs_-_Take_everything_away
1.hs_-_The_Beloved
1.hs_-_The_Bird_Of_Gardens
1.hs_-_The_Day_Of_Hope
1.hs_-_The_Essence_of_Grace
1.hs_-_The_Garden
1.hs_-_The_Glow_of_Your_Presence
1.hs_-_The_Good_Darkness
1.hs_-_The_Great_Secret
1.hs_-_The_Lute_Will_Beg
1.hs_-_The_Margin_Of_A_Stream
1.hs_-_Then_through_that_dim_murkiness
1.hs_-_The_Only_One
1.hs_-_The_path_consists_of_neither_words_nor_deeds
1.hs_-_The_Pearl_on_the_Ocean_Floor
1.hs_-_There_is_no_place_for_place!
1.hs_-_The_Road_To_Cold_Mountain
1.hs_-_The_Rose_Has_Flushed_Red
1.hs_-_The_Rose_Is_Not_Fair
1.hs_-_The_Secret_Draught_Of_Wine
1.hs_-_The_Tulip
1.hs_-_The_way_is_not_far
1.hs_-_The_Way_of_the_Holy_Ones
1.hs_-_The_way_to_You
1.hs_-_The_Wild_Rose_of_Praise
1.hs_-_Tidings_Of_Union
1.hs_-_To_Linger_In_A_Garden_Fair
1.hs_-_True_Love
1.hs_-_Until_you_are_complete
1.hs_-_We_tried_reasoning
1.hs_-_When_he_admits_you_to_his_presence
1.hs_-_Where_Is_My_Ruined_Life?
1.hs_-_Why_Carry?
1.hs_-_Will_Beat_You_Up
1.hs_-_With_Madness_Like_To_Mine
1.hs_-_Your_intellect_is_just_a_hotch-potch
1.ia_-_A_Garden_Among_The_Flames
1.ia_-_Allah
1.ia_-_An_Ocean_Without_Shore
1.ia_-_Approach_The_Dwellings_Of_The_Dear_Ones
1.ia_-_As_Night_Let_its_Curtains_Down_in_Folds
1.ia_-_At_Night_Lets_Its_Curtains_Down_In_Folds
1.ia_-_Fire
1.ia_-_He_Saw_The_Lightning_In_The_East
1.iai_-_A_feeling_of_discouragement_when_you_slip_up
1.ia_-_If_What_She_Says_Is_True
1.ia_-_If_what_she_says_is_true
1.iai_-_How_can_you_imagine_that_something_else_veils_Him
1.iai_-_How_utterly_amazing_is_someone_who_flees_from_something_he_cannot_escape
1.ia_-_I_Laid_My_Little_Daughter_To_Rest
1.ia_-_In_Memory_Of_Those
1.ia_-_In_Memory_of_Those_Who_Melt_the_Soul_Forever
1.ia_-_In_The_Mirror_Of_A_Man
1.ia_-_In_the_Mirror_of_a_Man
1.iai_-_The_best_you_can_seek_from_Him
1.iai_-_The_light_of_the_inner_eye_lets_you_see_His_nearness_to_you
1.iai_-_Those_travelling_to_Him
1.ia_-_Listen,_O_Dearly_Beloved
1.ia_-_Modification_Of_The_R_Poem
1.ia_-_My_Heart_Has_Become_Able
1.ia_-_My_heart_wears_all_forms
1.ia_-_My_Journey
1.ia_-_Oh-_Her_Beauty-_The_Tender_Maid!
1.ia_-_Reality
1.ia_-_Silence
1.ia_-_The_Hand_Of_Trial
1.ia_-_The_Invitation
1.ia_-_True_Knowledge
1.ia_-_Turmoil_In_Your_Hearts
1.ia_-_When_My_Beloved_Appears
1.ia_-_When_my_Beloved_appears
1.ia_-_When_The_Suns_Eye_Rules_My_Sight
1.ia_-_When_We_Came_Together
1.ia_-_When_we_came_together
1.ia_-_While_the_suns_eye_rules_my_sight
1.ia_-_Wild_Is_She,_None_Can_Make_Her_His_Friend
1.ia_-_With_My_Very_Own_Hands
1.ia_-_Wonder
1.is_-_A_Fisherman
1.is_-_Although_I_Try
1.is_-_Although_The_Wind
1.is_-_a_well_nobody_dug_filled_with_no_water
1.is_-_Every_day,_priests_minutely_examine_the_Law
1.is_-_Form_in_Void
1.is_-_If_The_One_Ive_Waited_For
1.is_-_I_Hate_Incense
1.is_-_Ikkyu_this_body_isnt_yours_I_say_to_myself
1.is_-_inside_the_koan_clear_mind
1.is_-_Like_vanishing_dew
1.is_-_Love
1.is_-_Many_paths_lead_from_the_foot_of_the_mountain,
1.is_-_only_one_koan_matters
1.is_-_plum_blossom
1.is_-_sick_of_it_whatever_its_called_sick_of_the_names
1.is_-_The_vast_flood
1.is_-_To_write_something_and_leave_it_behind_us
1.is_-_Watching_The_Moon
1.jc_-_On_this_summer_night
1.jda_-_My_heart_values_his_vulgar_ways_(from_The_Gitagovinda)
1.jda_-_Raga_Gujri
1.jda_-_Raga_Maru
1.jda_-_When_he_quickens_all_things_(from_The_Gitagovinda)
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jda_-_You_rest_on_the_circle_of_Sris_breast_(from_The_Gitagovinda)
1.jh_-_Lord,_Where_Shall_I_Find_You?
1.jh_-_O_My_Lord,_Your_dwelling_places_are_lovely
1.jk_-_Acrostic__-_Georgiana_Augusta_Keats
1.jk_-_A_Draught_Of_Sunshine
1.jk_-_A_Galloway_Song
1.jk_-_An_Extempore
1.jk_-_Answer_To_A_Sonnet_By_J.H.Reynolds
1.jk_-_A_Party_Of_Lovers
1.jk_-_Apollo_And_The_Graces
1.jk_-_A_Prophecy_-_To_George_Keats_In_America
1.jk_-_Asleep!_O_Sleep_A_Little_While,_White_Pearl!
1.jk_-_A_Song_About_Myself
1.jk_-_A_Thing_Of_Beauty_(Endymion)
1.jk_-_Ben_Nevis_-_A_Dialogue
1.jk_-_Bright_Star
1.jk_-_Calidore_-_A_Fragment
1.jk_-_Character_Of_Charles_Brown
1.jk_-_Daisys_Song
1.jk_-_Dawlish_Fair
1.jk_-_Dedication_To_Leigh_Hunt,_Esq.
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Extracts_From_An_Opera
1.jk_-_Faery_Songs
1.jk_-_Fancy
1.jk_-_Fill_For_Me_A_Brimming_Bowl
1.jk_-_Fragment_-_Modern_Love
1.jk_-_Fragment_Of_An_Ode_To_Maia._Written_On_May_Day_1818
1.jk_-_Fragment_Of_The_Castle_Builder
1.jk_-_Fragment._Welcome_Joy,_And_Welcome_Sorrow
1.jk_-_Fragment._Wheres_The_Poet?
1.jk_-_Give_Me_Women,_Wine,_And_Snuff
1.jk_-_Hither,_Hither,_Love
1.jkhu_-_A_Visit_to_Hattoji_Temple
1.jkhu_-_Gathering_Tea
1.jkhu_-_Living_in_the_Mountains
1.jkhu_-_Rain_in_Autumn
1.jkhu_-_Sitting_in_the_Mountains
1.jk_-_Hymn_To_Apollo
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Hyperion._Book_III
1.jk_-_Imitation_Of_Spenser
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_King_Stephen
1.jk_-_La_Belle_Dame_Sans_Merci
1.jk_-_La_Belle_Dame_Sans_Merci_(Original_version_)
1.jk_-_Lamia._Part_I
1.jk_-_Lamia._Part_II
1.jk_-_Lines
1.jk_-_Lines_On_Seeing_A_Lock_Of_Miltons_Hair
1.jk_-_Lines_On_The_Mermaid_Tavern
1.jk_-_Lines_Rhymed_In_A_Letter_From_Oxford
1.jk_-_Lines_To_Fanny
1.jk_-_Lines_Written_In_The_Highlands_After_A_Visit_To_Burnss_Country
1.jk_-_Meg_Merrilies
1.jk_-_Ode_On_A_Grecian_Urn
1.jk_-_Ode_On_Indolence
1.jk_-_Ode_On_Melancholy
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Apollo
1.jk_-_Ode_To_Autumn
1.jk_-_Ode_To_Fanny
1.jk_-_Ode_To_Psyche
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_On_A_Dream
1.jk_-_On_Death
1.jk_-_On_Hearing_The_Bag-Pipe_And_Seeing_The_Stranger_Played_At_Inverary
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_On_Receiving_A_Laurel_Crown_From_Leigh_Hunt
1.jk_-_On_Seeing_The_Elgin_Marbles_For_The_First_Time
1.jk_-_On_Visiting_The_Tomb_Of_Burns
1.jk_-_Otho_The_Great_-_Act_I
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Otho_The_Great_-_Act_III
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_Robin_Hood
1.jk_-_Sharing_Eves_Apple
1.jk_-_Sleep_And_Poetry
1.jk_-_Song._Hush,_Hush!_Tread_Softly!
1.jk_-_Song._I_Had_A_Dove
1.jk_-_Song_Of_Four_Faries
1.jk_-_Song_Of_The_Indian_Maid,_From_Endymion
1.jk_-_Song._Written_On_A_Blank_Page_In_Beaumont_And_Fletchers_Works
1.jk_-_Sonnet._A_Dream,_After_Reading_Dantes_Episode_Of_Paulo_And_Francesca
1.jk_-_Sonnet_-_After_Dark_Vapors_Have_Oppressd_Our_Plains
1.jk_-_Sonnet_-_As_From_The_Darkening_Gloom_A_Silver_Dove
1.jk_-_Sonnet_-_Before_He_Went
1.jk_-_Sonnet._If_By_Dull_Rhymes_Our_English_Must_Be_Chaind
1.jk_-_Sonnet_III._Written_On_The_Day_That_Mr._Leigh_Hunt_Left_Prison
1.jk_-_Sonnet_II._To_.........
1.jk_-_Sonnet_I._To_My_Brother_George
1.jk_-_Sonnet_IV._How_Many_Bards_Gild_The_Lapses_Of_Time!
1.jk_-_Sonnet_IX._Keen,_Fitful_Gusts_Are
1.jk_-_Sonnet_-_Oh!_How_I_Love,_On_A_Fair_Summers_Eve
1.jk_-_Sonnet._On_A_Picture_Of_Leander
1.jk_-_Sonnet._On_Leigh_Hunts_Poem_The_Story_of_Rimini
1.jk_-_Sonnet._On_Peace
1.jk_-_Sonnet_On_Sitting_Down_To_Read_King_Lear_Once_Again
1.jk_-_Sonnet._On_The_Sea
1.jk_-_Sonnet._The_Day_Is_Gone
1.jk_-_Sonnet._The_Human_Seasons
1.jk_-_Sonnet._To_A_Lady_Seen_For_A_Few_Moments_At_Vauxhall
1.jk_-_Sonnet._To_A_Young_Lady_Who_Sent_Me_A_Laurel_Crown
1.jk_-_Sonnet_To_Byron
1.jk_-_Sonnet_To_Chatterton
1.jk_-_Sonnet_To_George_Keats_-_Written_In_Sickness
1.jk_-_Sonnet_To_Homer
1.jk_-_Sonnet_To_John_Hamilton_Reynolds
1.jk_-_Sonnet_To_Mrs._Reynoldss_Cat
1.jk_-_Sonnet_To_Sleep
1.jk_-_Sonnet_To_Spenser
1.jk_-_Sonnet_To_The_Nile
1.jk_-_Sonnet_VIII._To_My_Brothers
1.jk_-_Sonnet_VII._To_Solitude
1.jk_-_Sonnet_VI._To_G._A._W.
1.jk_-_Sonnet_V._To_A_Friend_Who_Sent_Me_Some_Roses
1.jk_-_Sonnet_-_When_I_Have_Fears_That_I_May_Cease_To_Be
1.jk_-_Sonnet._Why_Did_I_Laugh_Tonight?
1.jk_-_Sonnet._Written_Before_Re-Read_King_Lear
1.jk_-_Sonnet._Written_In_Answer_To_A_Sonnet_By_J._H._Reynolds
1.jk_-_Sonnet._Written_In_Disgust_Of_Vulgar_Superstition
1.jk_-_Sonnet._Written_On_A_Blank_Page_In_Shakespeares_Poems,_Facing_A_Lovers_Complaint
1.jk_-_Sonnet._Written_On_A_Blank_Space_At_The_End_Of_Chaucers_Tale_Of_The_Floure_And_The_Lefe
1.jk_-_Sonnet._Written_Upon_The_Top_Of_Ben_Nevis
1.jk_-_Sonnet_XIII._Addressed_To_Haydon
1.jk_-_Sonnet_XII._On_Leaving_Some_Friends_At_An_Early_Hour
1.jk_-_Sonnet_XI._On_First_Looking_Into_Chapmans_Homer
1.jk_-_Sonnet_XIV._Addressed_To_The_Same_(Haydon)
1.jk_-_Sonnet_X._To_One_Who_Has_Been_Long_In_City_Pent
1.jk_-_Sonnet_XVII._Happy_Is_England
1.jk_-_Sonnet_XVI._To_Kosciusko
1.jk_-_Sonnet_XV._On_The_Grasshopper_And_Cricket
1.jk_-_Specimen_Of_An_Induction_To_A_Poem
1.jk_-_Spenserian_Stanzas_On_Charles_Armitage_Brown
1.jk_-_Spenserian_Stanza._Written_At_The_Close_Of_Canto_II,_Book_V,_Of_The_Faerie_Queene
1.jk_-_Staffa
1.jk_-_Stanzas._In_A_Drear-Nighted_December
1.jk_-_Stanzas_To_Miss_Wylie
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Devon_Maid_-_Stanzas_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Eve_Of_Saint_Mark._A_Fragment
1.jk_-_The_Eve_Of_St._Agnes
1.jk_-_The_Gadfly
1.jk_-_This_Living_Hand
1.jk_-_To_......
1.jk_-_To_.......
1.jk_-_To_Ailsa_Rock
1.jk_-_To_Charles_Cowden_Clarke
1.jk_-_To_Fanny
1.jk_-_To_George_Felton_Mathew
1.jk_-_To_Hope
1.jk_-_To_Some_Ladies
1.jk_-_To_The_Ladies_Who_Saw_Me_Crowned
1.jk_-_Translated_From_A_Sonnet_Of_Ronsard
1.jk_-_Two_Or_Three
1.jk_-_Two_Sonnets_On_Fame
1.jk_-_Two_Sonnets._To_Haydon,_With_A_Sonnet_Written_On_Seeing_The_Elgin_Marbles
1.jk_-_What_The_Thrush_Said._Lines_From_A_Letter_To_John_Hamilton_Reynolds
1.jk_-_Woman!_When_I_Behold_Thee_Flippant,_Vain
1.jk_-_Written_In_The_Cottage_Where_Burns_Was_Born
1.jk_-_You_Say_You_Love
1.jlb_-_Adam_Cast_Forth
1.jlb_-_Afterglow
1.jlb_-_At_the_Butchers
1.jlb_-_Browning_Decides_To_Be_A_Poet
1.jlb_-_Chess
1.jlb_-_Cosmogonia_(&_translation)
1.jlb_-_Daybreak
1.jlb_-_Elegy
1.jlb_-_Emanuel_Swedenborg
1.jlb_-_Emerson
1.jlb_-_Empty_Drawing_Room
1.jlb_-_Everness
1.jlb_-_Everness_(&_interpretation)
1.jlb_-_History_Of_The_Night
1.jlb_-_Inscription_on_any_Tomb
1.jlb_-_Instants
1.jlb_-_Limits
1.jlb_-_Oedipus_and_the_Riddle
1.jlb_-_Parting
1.jlb_-_Patio
1.jlb_-_Plainness
1.jlb_-_Remorse_for_any_Death
1.jlb_-_Rosas
1.jlb_-_Sepulchral_Inscription
1.jlb_-_Shinto
1.jlb_-_Simplicity
1.jlb_-_Spinoza
1.jlb_-_Susana_Soca
1.jlb_-_That_One
1.jlb_-_The_Art_Of_Poetry
1.jlb_-_The_Cyclical_Night
1.jlb_-_The_Enigmas
1.jlb_-_The_Golem
1.jlb_-_The_instant
1.jlb_-_The_Labyrinth
1.jlb_-_The_Other_Tiger
1.jlb_-_The_Recoleta
1.jlb_-_The_suicide
1.jlb_-_To_a_Cat
1.jlb_-_Unknown_Street
1.jlb_-_We_Are_The_Time._We_Are_The_Famous
1.jlb_-_When_sorrow_lays_us_low
1.jm_-_I_Have_forgotten
1.jm_-_Response_to_a_Logician
1.jm_-_Song_to_the_Rock_Demoness
1.jm_-_The_Profound_Definitive_Meaning
1.jm_-_The_Song_of_Food_and_Dwelling
1.jm_-_The_Song_of_Perfect_Assurance_(to_the_Demons)
1.jm_-_The_Song_of_the_Twelve_Deceptions
1.jm_-_The_Song_of_View,_Practice,_and_Action
1.jm_-_The_Song_on_Reaching_the_Mountain_Peak
1.jm_-_Upon_this_earth,_the_land_of_the_Victorious_Ones
1.jr_-_Ah,_what_was_there_in_that_light-giving_candle_that_it_set_fire_to_the_heart,_and_snatched_the_heart_away?
1.jr_-_All_Through_Eternity
1.jr_-_A_Moment_Of_Happiness
1.jr_-_Any_Lifetime
1.jr_-_Any_Soul_That_Drank_The_Nectar
1.jr_-_At_night_we_fall_into_each_other_with_such_grace
1.jr_-_A_World_with_No_Boundaries_(Ghazal_363)
1.jr_-_Because_I_Cannot_Sleep
1.jr_-_Birdsong
1.jr_-_Body_of_earth,_dont_talk_of_earth
1.jr_-_Book_1_-_Prologue
1.jr_-_Bring_Wine
1.jr_-_By_the_God_who_was_in_pre-eternity_living_and_moving_and_omnipotent,_everlasting
1.jr_-_come
1.jr_-_Come,_Come,_Whoever_You_Are
1.jr_-_Description_Of_Love
1.jr_-_Did_I_Not_Say_To_You
1.jr_-_During_the_day_I_was_singing_with_you
1.jr_-_Every_day_I_Bear_A_Burden
1.jr_-_Fasting
1.jr_-_Ghazal_Of_Rumi
1.jr_-_God_is_what_is_nearer_to_you_than_your_neck-vein,
1.jr_-_How_Long
1.jr_-_How_long_will_you_say,_I_will_conquer_the_whole_world
1.jr_-_I_Am_A_Sculptor,_A_Molder_Of_Form
1.jr_-_I_Am_Only_The_House_Of_Your_Beloved
1.jr_-_I_Closed_My_Eyes_To_Creation
1.jr_-_I_drink_streamwater_and_the_air
1.jr_-_If_continually_you_keep_your_hope
1.jr_-_If_I_Weep
1.jr_-_If_You_Show_Patience
1.jr_-_If_You_Want_What_Visable_Reality
1.jr_-_I_Have_A_Fire_For_You_In_My_Mouth
1.jr_-_I_Have_Been_Tricked_By_Flying_Too_Close
1.jr_-_I_Have_Fallen_Into_Unconsciousness
1.jr_-_I_lost_my_world,_my_fame,_my_mind
1.jr_-_Im_neither_beautiful_nor_ugly
1.jr_-_In_Love
1.jr_-_Inner_Wakefulness
1.jr_-_In_The_Arc_Of_Your_Mallet
1.jr_-_In_The_End
1.jr_-_In_The_Waters_Of_Purity
1.jr_-_I_regard_not_the_outside_and_the_words
1.jr_-_I_See_So_Deeply_Within_Myself
1.jr_-_I_smile_like_a_flower_not_only_with_my_lips
1.jr_-_I_Swear
1.jr_-_I_Will_Beguile_Him_With_The_Tongue
1.jr_-_Keep_on_knocking
1.jr_-_Laila_And_The_Khalifa
1.jr_-_Last_Night_My_Soul_Cried_O_Exalted_Sphere_Of_Heaven
1.jr_-_Last_Night_You_Left_Me_And_Slept
1.jr_-_Late,_By_Myself
1.jr_-_Let_Go_Of_Your_Worries
1.jr_-_Like_This
1.jr_-_look_at_love
1.jr_-_Lord,_What_A_Beloved_Is_Mine!
1.jr_-_Love_Has_Nothing_To_Do_With_The_Five_Senses
1.jr_-_Love_is_Here
1.jr_-_Love_Is_Reckless
1.jr_-_Love_Is_The_Water_Of_Life
1.jr_-_Lovers
1.jr_-_Moving_Water
1.jr_-_My_Mother_Was_Fortune,_My_Father_Generosity_And_Bounty
1.jr_-_No_end_to_the_journey
1.jr_-_No_One_Here_but_Him
1.jr_-_Not_Here
1.jr_-_Now_comes_the_final_merging
1.jr_-_On_Love
1.jr_-_Only_Breath
1.jr_-_On_the_Night_of_Creation_I_was_awake
1.jr_-_Out_Beyond_Ideas
1.jr_-_Reason,_leave_now!_Youll_not_find_wisdom_here!
1.jr_-_Rise,_Lovers
1.jr_-_Sacrifice_your_intellect_in_love_for_the_Friend
1.jr_-_Secret_Language
1.jr_-_Secretly_we_spoke
1.jr_-_Seeking_the_Source
1.jr_-_Seizing_my_life_in_your_hands,_you_thrashed_me_clean
1.jr_-_Shadow_And_Light_Source_Both
1.jr_-_Shall_I_tell_you_our_secret?
1.jr_-_Suddenly,_in_the_sky_at_dawn,_a_moon_appeared
1.jr_-_That_moon_which_the_sky_never_saw
1.jr_-_The_Absolute_works_with_nothing
1.jr_-_The_Beauty_Of_The_Heart
1.jr_-_The_Breeze_At_Dawn
1.jr_-_The_glow_of_the_light_of_daybreak_is_in_your_emerald_vault,_the_goblet_of_the_blood_of_twilight_is_your_blood-measuring_bowl
1.jr_-_The_grapes_of_my_body_can_only_become_wine
1.jr_-_The_Guest_House
1.jr_-_The_Intellectual_Is_Always_Showing_Off
1.jr_-_The_minute_I_heard_my_first_love_story
1.jr_-_The_minute_Im_disappointed,_I_feel_encouraged
1.jr_-_The_Ravings_Which_My_Enemy_Uttered_I_Heard_Within_My_Heart
1.jr_-_The_real_work_belongs_to_someone_who_desires_God
1.jr_-_There_Are_A_Hundred_Kinds_Of_Prayer
1.jr_-_There_Is_A_Candle
1.jr_-_There_Is_A_Community_Of_Spirit
1.jr_-_There_Is_A_Life-Force_Within_Your_Soul
1.jr_-_There_Is_A_Way
1.jr_-_There_is_some_kiss_we_want
1.jr_-_The_Seed_Market
1.jr_-_The_Self_We_Share
1.jr_-_The_Springtime_Of_Lovers_Has_Come
1.jr_-_The_Sun_Must_Come
1.jr_-_The_Taste_Of_Morning
1.jr_-_The_Thirsty
1.jr_-_The_Time_Has_Come_For_Us_To_Become_Madmen_In_Your_Chain
1.jr_-_This_Aloneness
1.jr_-_This_Is_Love
1.jr_-_This_love_sacrifices_all_souls,_however_wise,_however_awakened
1.jr_-_This_moment
1.jr_-_This_We_Have_Now
1.jr_-_Today_Im_out_wandering,_turning_my_skull
1.jr_-_Today,_like_every_other_day,_we_wake_up_empty
1.jr_-_Two_Friends
1.jr_-_Two_Kinds_Of_Intelligence
1.jr_-_Until_You've_Found_Pain
1.jr_-_We_are_the_mirror_as_well_as_the_face_in_it
1.jr_-_Weary_Not_Of_Us,_For_We_Are_Very_Beautiful
1.jr_-_What_can_I_do,_Muslims?_I_do_not_know_myself
1.jr_-_What_Hidden_Sweetness_Is_There
1.jr_-_What_I_want_is_to_see_your_face
1.jr_-_When_I_Am_Asleep_And_Crumbling_In_The_Tomb
1.jr_-_Whoever_finds_love
1.jr_-_Who_Is_At_My_Door?
1.jr_-_Who_makes_these_changes?
1.jr_-_Who_Says_Words_With_My_Mouth?
1.jr_-_With_Us
1.jr_-_You_and_I_have_spoken_all_these_words
1.jr_-_You_are_closer_to_me_than_myself_(Ghazal_2798)
1.jr_-_You_have_fallen_in_love_my_dear_heart
1.jr_-_You_only_need_smell_the_wine
1.jr_-_You_Personify_Gods_Message
1.jr_-_Zero_Circle
1.jt_-_As_air_carries_light_poured_out_by_the_rising_sun
1.jt_-_At_the_cross_her_station_keeping_(from_Stabat_Mater_Dolorosa)
1.jt_-_How_the_Soul_Through_the_Senses_Finds_God_in_All_Creatures
1.jt_-_In_losing_all,_the_soul_has_risen_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love_beyond_all_telling_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love-_infusing_with_light_all_who_share_Your_splendor_(from_In_Praise_of_Divine_Love)
1.jt_-_Love-_where_did_You_enter_the_heart_unseen?_(from_In_Praise_of_Divine_Love)
1.jt_-_Now,_a_new_creature
1.jt_-_Oh,_the_futility_of_seeking_to_convey_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_When_you_no_longer_love_yourself_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jwvg_-_Admonition
1.jwvg_-_After_Sensations
1.jwvg_-_A_Legacy
1.jwvg_-_Anacreons_Grave
1.jwvg_-_Anniversary_Song
1.jwvg_-_Another
1.jwvg_-_Answers_In_A_Game_Of_Questions
1.jwvg_-_A_Parable
1.jwvg_-_A_Plan_the_Muses_Entertained
1.jwvg_-_Apparent_Death
1.jwvg_-_April
1.jwvg_-_As_Broad_As_Its_Long
1.jwvg_-_A_Symbol
1.jwvg_-_At_Midnight
1.jwvg_-_Authors
1.jwvg_-_Autumn_Feel
1.jwvg_-_Book_Of_Proverbs
1.jwvg_-_By_The_River
1.jwvg_-_Calm_At_Sea
1.jwvg_-_Departure
1.jwvg_-_Epiphanias
1.jwvg_-_Epitaph
1.jwvg_-_Ever_And_Everywhere
1.jwvg_-_Faithful_Eckhart
1.jwvg_-_For_ever
1.jwvg_-_Found
1.jwvg_-_From
1.jwvg_-_From_The_Mountain
1.jwvg_-_Ganymede
1.jwvg_-_General_Confession
1.jwvg_-_Gipsy_Song
1.jwvg_-_Growth
1.jwvg_-_Happiness_And_Vision
1.jwvg_-_Human_Feelings
1.jwvg_-_In_A_Word
1.jwvg_-_In_Summer
1.jwvg_-_It_Is_Good
1.jwvg_-_Joy
1.jwvg_-_Joy_And_Sorrow
1.jwvg_-_June
1.jwvg_-_Legend
1.jwvg_-_Like_And_Like
1.jwvg_-_Living_Remembrance
1.jwvg_-_Longing
1.jwvg_-_Lover_In_All_Shapes
1.jwvg_-_Mahomets_Song
1.jwvg_-_Measure_Of_Time
1.jwvg_-_My_Goddess
1.jwvg_-_Nemesis
1.jwvg_-_Night_Thoughts
1.jwvg_-_Playing_At_Priests
1.jwvg_-_Presence
1.jwvg_-_Prometheus
1.jwvg_-_Proximity_Of_The_Beloved_One
1.jwvg_-_Reciprocal_Invitation_To_The_Dance
1.jwvg_-_Royal_Prayer
1.jwvg_-_Self-Deceit
1.jwvg_-_Solitude
1.jwvg_-_Symbols
1.jwvg_-_The_Beautiful_Night
1.jwvg_-_The_Best
1.jwvg_-_The_Bliss_Of_Absence
1.jwvg_-_The_Bliss_Of_Sorrow
1.jwvg_-_The_Bridegroom
1.jwvg_-_The_Buyers
1.jwvg_-_The_Drops_Of_Nectar
1.jwvg_-_The_Exchange
1.jwvg_-_The_Faithless_Boy
1.jwvg_-_The_Friendly_Meeting
1.jwvg_-_The_Godlike
1.jwvg_-_The_Instructors
1.jwvg_-_The_Mountain_Village
1.jwvg_-_The_Muses_Mirror
1.jwvg_-_The_Muses_Son
1.jwvg_-_The_Prosperous_Voyage
1.jwvg_-_The_Pupil_In_Magic
1.jwvg_-_The_Reckoning
1.jwvg_-_The_Remembrance_Of_The_Good
1.jwvg_-_The_Rule_Of_Life
1.jwvg_-_The_Sea-Voyage
1.jwvg_-_The_Treasure_Digger
1.jwvg_-_The_Visit
1.jwvg_-_The_Wanderer
1.jwvg_-_The_Warning
1.jwvg_-_The_Way_To_Behave
1.jwvg_-_To_My_Friend_-_Ode_I
1.jwvg_-_To_The_Chosen_One
1.jwvg_-_To_The_Distant_One
1.jwvg_-_To_The_Kind_Reader
1.jwvg_-_True_Enjoyment
1.jwvg_-_Welcome_And_Farewell
1.jwvg_-_Wholl_Buy_Gods_Of_Love
1.jwvg_-_Wont_And_Done
1.kaa_-_A_Path_of_Devotion
1.kaa_-_Devotion_for_Thee
1.kaa_-_Empty_Me_of_Everything_But_Your_Love
1.kaa_-_Give_Me
1.kaa_-_I_Came
1.kaa_-_In_Each_Breath
1.kaa_-_The_Beauty_of_Oneness
1.kaa_-_The_Friend_Beside_Me
1.kaa_-_The_one_You_kill
1.kbr_-_Abode_Of_The_Beloved
1.kbr_-_Are_you_looking_for_me?
1.kbr_-_Between_the_conscious_and_the_unconscious,_the_mind_has_put_up_a_swing
1.kbr_-_Between_the_Poles_of_the_Conscious
1.kbr_-_Brother,_I've_Seen_Some
1.kbr_-_Chewing_Slowly
1.kbr_-_Dohas_(Couplets)_I_(with_translation)
1.kbr_-_Dohas_II_(with_translation)
1.kbr_-_Do_Not_Go_To_The_Garden_Of_Flowers
1.kbr_-_Do_not_go_to_the_garden_of_flowers!
1.kbr_-_Friend,_Wake_Up!_Why_Do_You_Go_On_Sleeping?
1.kbr_-_Hang_Up_The_Swing_Of_Love_Today!
1.kbr_-_Hang_up_the_swing_of_love_today!
1.kbr_-_Having_Crossed_The_River
1.kbr_-_Having_crossed_the_river
1.kbr_-_He's_That_Rascally_Kind_Of_Yogi
1.kbr_-_Hes_that_rascally_kind_of_yogi
1.kbr_-_Hey_Brother,_Why_Do_You_Want_Me_To_Talk?
1.kbr_-_Hey_brother,_why_do_you_want_me_to_talk?
1.kbr_-_Hiding_In_This_Cage
1.kbr_-_hiding_in_this_cage
1.kbr_-_His_Death_In_Benares
1.kbr_-_Hope_For_Him
1.kbr_-_How_Do_You
1.kbr_-_How_Humble_Is_God
1.kbr_-_I_Burst_Into_Laughter
1.kbr_-_I_burst_into_laughter
1.kbr_-_I_Have_Attained_The_Eternal_Bliss
1.kbr_-_I_have_attained_the_Eternal_Bliss
1.kbr_-_I_have_been_thinking
1.kbr_-_I_Laugh_When_I_Hear_That_The_Fish_In_The_Water_Is_Thirsty
1.kbr_-_Illusion_and_Reality
1.kbr_-_I_Said_To_The_Wanting-Creature_Inside_Me
1.kbr_-_I_Talk_To_My_Inner_Lover,_And_I_Say,_Why_Such_Rush?
1.kbr_-_It_Is_Needless_To_Ask_Of_A_Saint
1.kbr_-_Ive_Burned_My_Own_House_Down
1.kbr_-_Ive_burned_my_own_house_down
1.kbr_-_I_Wont_Come
1.kbr_-_Knowing_Nothing_Shuts_The_Iron_Gates
1.kbr_-_Lift_The_Veil
1.kbr_-_lift_the_veil
1.kbr_-_Looking_At_The_Grinding_Stones_-_Dohas_(Couplets)_I
1.kbr_-_maddh_akas_ap_jahan_baithe
1.kbr_-_Many_Hoped
1.kbr_-_Many_hoped
1.kbr_-_My_Body_And_My_Mind
1.kbr_-_My_Body_Is_Flooded
1.kbr_-_My_body_is_flooded
1.kbr_-_My_Swan,_Let_Us_Fly
1.kbr_-_O_Friend
1.kbr_-_Oh_Friend,_I_Love_You,_Think_This_Over
1.kbr_-_O_how_may_I_ever_express_that_secret_word?
1.kbr_-_O_Servant_Where_Dost_Thou_Seek_Me
1.kbr_-_O_Slave,_liberate_yourself
1.kbr_-_Plucking_Your_Eyebrows
1.kbr_-_Poem_13
1.kbr_-_Poem_14
1.kbr_-_Poem_15
1.kbr_-_Poem_2
1.kbr_-_Poem_3
1.kbr_-_Poem_4
1.kbr_-_Poem_5
1.kbr_-_Poem_6
1.kbr_-_Poem_7
1.kbr_-_Poem_8
1.kbr_-_Poem_9
1.kbr_-_still_the_body
1.kbr_-_Tell_me_Brother
1.kbr_-_Tell_me,_O_Swan,_your_ancient_tale
1.kbr_-_Tentacles_of_Time
1.kbr_-_The_bhakti_path...
1.kbr_-_The_bhakti_path_winds_in_a_delicate_way
1.kbr_-_The_Bride-Soul
1.kbr_-_The_Drop_and_the_Sea
1.kbr_-_The_Dropp_And_The_Sea
1.kbr_-_The_Guest_Is_Inside_You,_And_Also_Inside_Me
1.kbr_-_The_Guest_is_inside_you,_and_also_inside_me
1.kbr_-_The_Impossible_Pass
1.kbr_-_The_impossible_pass
1.kbr_-_The_Light_of_the_Sun
1.kbr_-_The_light_of_the_sun,_the_moon,_and_the_stars_shines_bright
1.kbr_-_The_Lord_Is_In_Me
1.kbr_-_The_Lord_is_in_Me
1.kbr_-_The_moon_shines_in_my_body
1.kbr_-_Theres_A_Moon_Inside_My_Body
1.kbr_-_The_Self_Forgets_Itself
1.kbr_-_The_self_forgets_itself
1.kbr_-_The_Spiritual_Athlete_Often_Changes_The_Color_Of_His_Clothes
1.kbr_-_The_Swan_flies_away
1.kbr_-_The_Time_Before_Death
1.kbr_-_The_Word
1.kbr_-_To_Thee_Thou_Hast_Drawn_My_Love
1.kbr_-_What_Kind_Of_God?
1.kbr_-_When_I_Found_The_Boundless_Knowledge
1.kbr_-_When_I_found_the_boundless_knowledge
1.kbr_-_When_The_Day_Came
1.kbr_-_When_the_Day_Came
1.kbr_-_When_You_Were_Born_In_This_World_-_Dohas_Ii
1.kbr_-_Where_dost_thou_seem_me?
1.kbr_-_Where_do_you_search_me
1.kbr_-_Within_this_earthen_vessel
1.kg_-_Little_Tiger
1.khc_-_Idle_Wandering
1.khc_-_this_autumn_scenes_worth_words_paint
1.ki_-_Autumn_wind
1.ki_-_blown_to_the_big_river
1.ki_-_Buddha_Law
1.ki_-_Buddhas_body
1.ki_-_by_the_light_of_graveside_lanterns
1.ki_-_does_the_woodpecker
1.ki_-_Dont_weep,_insects
1.ki_-_even_poorly_planted
1.ki_-_First_firefly
1.ki_-_From_burweed
1.ki_-_In_my_hut
1.ki_-_into_morning-glories
1.ki_-_Just_by_being
1.ki_-_mountain_temple
1.ki_-_Never_forget
1.ki_-_now_begins
1.ki_-_Reflected
1.ki_-_rice_seedlings
1.ki_-_serene_and_still
1.ki_-_spring_begins
1.ki_-_spring_day
1.ki_-_stillness
1.ki_-_swatting_a_fly
1.ki_-_the_distant_mountains
1.ki_-_the_dragonflys_tail,_too
1.ki_-_Where_there_are_humans
1.ki_-_without_seeing_sunlight
1.kt_-_A_Song_on_the_View_of_Voidness
1.lb_-_A_Farewell_To_Secretary_Shuyun_At_The_Xietiao_Villa_In_Xuanzhou
1.lb_-_Alone_And_Drinking_Under_The_Moon
1.lb_-_Alone_and_Drinking_Under_the_Moon
1.lb_-_Alone_Looking_At_The_Mountain
1.lb_-_Alone_Looking_at_the_Mountain
1.lb_-_Amidst_the_Flowers_a_Jug_of_Wine
1.lb_-_A_Mountain_Revelry
1.lb_-_Amusing_Myself
1.lb_-_Ancient_Air_(39)
1.lb_-_A_Song_Of_An_Autumn_Midnight
1.lb_-_A_Song_Of_Changgan
1.lb_-_Atop_Green_Mountains_by_Li_Po
1.lb_-_Autumn_Air
1.lb_-_Autumn_Air_by_Li_Po
1.lb_-_Autumn_River_Song
1.lb_-_A_Vindication
1.lb_-_Ballads_Of_Four_Seasons:_Spring
1.lb_-_Ballads_Of_Four_Seasons:_Winter
1.lb_-_Bathed_And_Washed
1.lb_-_Bathed_and_Washed
1.lb_-_Before_The_Cask_of_Wine
1.lb_-_Bitter_Love_by_Li_Po
1.lb_-_Bringing_in_the_Wine
1.lb_-_Changgan_Memories
1.lb_-_Chiang_Chin_Chiu
1.lb_-_Ch'ing_P'ing_Tiao
1.lb_-_Chuang_Tzu_And_The_Butterfly
1.lb_-_Clearing_At_Dawn
1.lb_-_Clearing_at_Dawn
1.lb_-_Climbing_West_Of_Lotus_Flower_Peak
1.lb_-_Climbing_West_of_Lotus_Flower_Peak
1.lb_-_Confessional
1.lb_-_Crows_Calling_At_Night
1.lb_-_Down_From_The_Mountain
1.lb_-_Down_Zhongnan_Mountain
1.lb_-_Drinking_Alone_in_the_Moonlight
1.lb_-_Drinking_in_the_Mountains
1.lb_-_Drinking_With_Someone_In_The_Mountains
1.lb_-_Endless_Yearning_by_Li_Po
1.lb_-_Exile's_Letter
1.lb_-_[Facing]_Wine
1.lb_-_Facing_Wine
1.lb_-_Farewell
1.lb_-_Farewell_to_Meng_Hao-jan
1.lb_-_Farewell_to_Meng_Hao-jan_at_Yellow_Crane_Tower_by_Li_Po
1.lb_-_Farewell_to_Secretary_Shu-yun_at_the_Hsieh_Tiao_Villa_in_Hsuan-Chou
1.lb_-_For_Wang_Lun
1.lb_-_For_Wang_Lun_by_Li_Po
1.lb_-_Gazing_At_The_Cascade_On_Lu_Mountain
1.lb_-_Going_Up_Yoyang_Tower
1.lb_-_Gold_painted_jars_-_wines_worth_a_thousand
1.lb_-_Green_Mountain
1.lb_-_Hard_Is_The_Journey
1.lb_-_Hard_Journey
1.lb_-_Hearing_A_Flute_On_A_Spring_Night_In_Luoyang
1.lb_-_His_Dream_Of_Skyland
1.lb_-_Ho_Chih-chang
1.lb_-_In_Spring
1.lb_-_I_say_drinking
1.lb_-_Jade_Stairs_Grievance
1.lb_-_Lament_for_Mr_Tai
1.lb_-_Lament_of_the_Frontier_Guard
1.lb_-_Lament_On_an_Autumn_Night
1.lb_-_Leave-Taking_Near_Shoku
1.lb_-_Leaving_White_King_City
1.lb_-_Lines_For_A_Taoist_Adept
1.lb_-_Listening_to_a_Flute_in_Yellow_Crane_Pavillion
1.lb_-_Looking_For_A_Monk_And_Not_Finding_Him
1.lb_-_Lu_Mountain,_Kiangsi
1.lb_-_Marble_Stairs_Grievance
1.lb_-_Mng_Hao-jan
1.lb_-_Moon_at_the_Fortified_Pass_by_Li_Po
1.lb_-_Moon_Over_Mountain_Pass
1.lb_-_Mountain_Drinking_Song
1.lb_-_Nefarious_War
1.lb_-_Old_Poem
1.lb_-_On_A_Picture_Screen
1.lb_-_On_Climbing_In_Nan-King_To_The_Terrace_Of_Phoenixes
1.lb_-_On_Dragon_Hill
1.lb_-_On_Kusu_Terrace
1.lb_-_Poem_by_The_Bridge_at_Ten-Shin
1.lb_-_Question_And_Answer_On_The_Mountain
1.lb_-_Quiet_Night_Thoughts
1.lb_-_Reaching_the_Hermitage
1.lb_-_Remembering_the_Springs_at_Chih-chou
1.lb_-_Resentment_Near_the_Jade_Stairs
1.lb_-_Seeing_Off_Meng_Haoran_For_Guangling_At_Yellow_Crane_Tower
1.lb_-_Self-Abandonment
1.lb_-_She_Spins_Silk
1.lb_-_Sitting_Alone_On_Jingting_Mountain_by_Li_Po
1.lb_-_Song_of_an_Autumn_Midnight_by_Li_Po
1.lb_-_Song_of_the_Forge
1.lb_-_Song_Of_The_Jade_Cup
1.lb_-_South-Folk_in_Cold_Country
1.lb_-_Spring_Night_In_Lo-Yang_Hearing_A_Flute
1.lb_-_Staying_The_Night_At_A_Mountain_Temple
1.lb_-_Summer_Day_in_the_Mountains
1.lb_-_Summer_in_the_Mountains
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po_Tr._by_Ezra_Pound
1.lb_-_Talk_in_the_Mountains_[Question_&_Answer_on_the_Mountain]
1.lb_-_The_Ching-Ting_Mountain
1.lb_-_The_City_of_Choan
1.lb_-_The_Cold_Clear_Spring_At_Nanyang
1.lb_-_The_Moon_At_The_Fortified_Pass
1.lb_-_The_Old_Dust
1.lb_-_The_River-Captains_Wife__A_Letter
1.lb_-_The_River-Merchant's_Wife:_A_Letter
1.lb_-_The_River_Song
1.lb_-_The_Roosting_Crows
1.lb_-_The_Solitude_Of_Night
1.lb_-_Thoughts_In_A_Tranquil_Night
1.lb_-_Thoughts_On_a_Quiet_Night_by_Li_Po
1.lb_-_Thoughts_On_A_Still_Night
1.lb_-_Three_Poems_on_Wine
1.lb_-_Through_The_Yangzi_Gorges
1.lb_-_To_His_Two_Children
1.lb_-_To_My_Wife_on_Lu-shan_Mountain
1.lb_-_To_Tan-Ch'iu
1.lb_-_To_Tu_Fu_from_Shantung
1.lb_-_Viewing_Heaven's_Gate_Mountains
1.lb_-_Visiting_a_Taoist_Master_on_Tai-T'ien_Mountain_by_Li_Po
1.lb_-_Visiting_A_Taoist_On_Tiatien_Mountain
1.lb_-_Waking_from_Drunken_Sleep_on_a_Spring_Day_by_Li_Po
1.lb_-_We_Fought_for_-_South_of_the_Walls
1.lb_-_Yearning
1.lb_-_Ziyi_Song
1.lc_-_Jabberwocky
1.lla_-_A_thousand_times_I_asked_my_guru
1.lla_-_At_the_end_of_a_crazy-moon_night
1.lla_-_Coursing_in_emptiness
1.lla_-_Dance,_Lalla,_with_nothing_on
1.lla_-_Day_will_be_erased_in_night
1.lla_-_Dont_flail_about_like_a_man_wearing_a_blindfold
1.lla_-_Drifter,_on_your_feet,_get_moving!
1.lla_-_Dying_and_giving_birth_go_on
1.lla_-_Fool,_you_wont_find_your_way_out_by_praying_from_a_book
1.lla_-_Forgetful_one,_get_up!
1.lla_-_If_youve_melted_your_desires
1.lla_-_I_hacked_my_way_through_six_forests
1.lla_-_I,_Lalla,_willingly_entered_through_the_garden-gate
1.lla_-_I_made_pilgrimages,_looking_for_God
1.lla_-_Intense_cold_makes_water_ice
1.lla_-_I_searched_for_my_Self
1.lla_-_I_trapped_my_breath_in_the_bellows_of_my_throat
1.lla_-_I_traveled_a_long_way_seeking_God
1.lla_-_Its_so_much_easier_to_study_than_act
1.lla_-_I_wore_myself_out,_looking_for_myself
1.lla_-_Just_for_a_moment,_flowers_appear
1.lla_-_Learning_the_scriptures_is_easy
1.lla_-_Meditate_within_eternity
1.lla_-_Neither_You_nor_I,_neither_object_nor_meditation
1.lla_-_New_mind,_new_moon
1.lla_-_O_infinite_Consciousness
1.lla_-_One_shrine_to_the_next,_the_hermit_cant_stop_for_breath
1.lla_-_Playfully,_you_hid_from_me
1.lla_-_There_is_neither_you,_nor_I
1.lla_-_The_soul,_like_the_moon
1.lla_-_The_way_is_difficult_and_very_intricate
1.lla_-_To_learn_the_scriptures_is_easy
1.lla_-_Wear_the_robe_of_wisdom
1.lla_-_What_is_worship?_Who_are_this_man
1.lla_-_When_my_mind_was_cleansed_of_impurities
1.lla_-_When_Siddhanath_applied_lotion_to_my_eyes
1.lla_-_Word,_Thought,_Kula_and_Akula_cease_to_be_there!
1.lla_-_Your_way_of_knowing_is_a_private_herb_garden
1.lovecraft_-_An_American_To_Mother_England
1.lovecraft_-_An_Epistle_To_Rheinhart_Kleiner,_Esq.,_Poet-Laureate,_And_Author_Of_Another_Endless_Day
1.lovecraft_-_Arcadia
1.lovecraft_-_Astrophobos
1.lovecraft_-_Christmas_Blessings
1.lovecraft_-_Christmas_Snows
1.lovecraft_-_Christmastide
1.lovecraft_-_Despair
1.lovecraft_-_Egyptian_Christmas
1.lovecraft_-_Ex_Oblivione
1.lovecraft_-_Fact_And_Fancy
1.lovecraft_-_Festival
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Good_Saint_Nick
1.lovecraft_-_Halcyon_Days
1.lovecraft_-_Halloween_In_A_Suburb
1.lovecraft_-_Laeta-_A_Lament
1.lovecraft_-_Lifes_Mystery
1.lovecraft_-_Lines_On_General_Robert_Edward_Lee
1.lovecraft_-_Little_Tiger
1.lovecraft_-_March
1.lovecraft_-_Nathicana
1.lovecraft_-_Nemesis
1.lovecraft_-_Ode_For_July_Fourth,_1917
1.lovecraft_-_On_Reading_Lord_Dunsanys_Book_Of_Wonder
1.lovecraft_-_On_Receiving_A_Picture_Of_Swans
1.lovecraft_-_Pacifist_War_Song_-_1917
1.lovecraft_-_Poemata_Minora-_Volume_II
1.lovecraft_-_Providence
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_Revelation
1.lovecraft_-_St._John
1.lovecraft_-_Sunset
1.lovecraft_-_The_Ancient_Track
1.lovecraft_-_The_Bride_Of_The_Sea
1.lovecraft_-_The_Cats
1.lovecraft_-_The_City
1.lovecraft_-_The_Conscript
1.lovecraft_-_The_Garden
1.lovecraft_-_The_House
1.lovecraft_-_The_Messenger
1.lovecraft_-_Theodore_Roosevelt
1.lovecraft_-_The_Outpost
1.lovecraft_-_The_Peace_Advocate
1.lovecraft_-_The_Poe-ets_Nightmare
1.lovecraft_-_The_Rose_Of_England
1.lovecraft_-_The_Teutons_Battle-Song
1.lovecraft_-_The_Wood
1.lovecraft_-_To_Alan_Seeger-
1.lovecraft_-_To_Edward_John_Moreton_Drax_Plunkelt,
1.lovecraft_-_Tosh_Bosh
1.lovecraft_-_Waste_Paper-_A_Poem_Of_Profound_Insignificance
1.lovecraft_-_Where_Once_Poe_Walked
1.lr_-_An_Adamantine_Song_on_the_Ever-Present
1.ltp_-_My_heart_is_the_clear_water_in_the_stony_pond
1.ltp_-_People_may_sit_till_the_cushion_is_worn_through
1.ltp_-_Sojourning_in_Ta-yu_mountains
1.ltp_-_The_Hundred_Character_Tablet_(Bai_Zi_Bei)
1.ltp_-_What_is_Tao?
1.ltp_-_When_the_moon_is_high_Ill_take_my_cane_for_a_walk
1.lyb_-_Where_I_wander_--_You!
1.mah_-_I_am_the_One_Whom_I_Love
1.mah_-_I_am_the_One_whom_I_love
1.mah_-_If_They_Only_Knew
1.mah_-_I_Witnessed_My_Maker
1.mah_-_Kill_me-_my_faithful_friends
1.mah_-_My_One_and_Only,_only_You_can_make_me
1.mah_-_Seeking_Truth,_I_studied_religion
1.mah_-_Stillness
1.mah_-_To_Reach_God
1.mah_-_You_glide_between_the_heart_and_its_casing
1.mah_-_You_live_inside_my_heart-_in_there_are_secrets_about_You
1.mah_-_Your_spirit_is_mingled_with_mine
1.mah_-_You_Went_Away_but_Remained_in_Me
1.mb_-_a_bee
1.mb_-_a_caterpillar
1.mb_-_a_cicada_shell
1.mb_-_a_cold_rain_starting
1.mb_-_a_field_of_cotton
1.mb_-_All_I_Was_Doing_Was_Breathing
1.mb_-_all_the_day_long
1.mb_-_a_monk_sips_morning_tea
1.mb_-_a_snowy_morning
1.mb_-_as_they_begin_to_rise_again
1.mb_-_a_strange_flower
1.mb_-_autumn_moonlight
1.mb_-_awake_at_night
1.mb_-_Bitter-tasting_ice_-
1.mb_-_blowing_stones
1.mb_-_by_the_old_temple
1.mb_-_Clouds
1.mb_-_cold_night_-_the_wild_duck
1.mb_-_Collection_of_Six_Haiku
1.mb_-_coolness_of_the_melons
1.mb_-_Dark_Friend,_what_can_I_say?
1.mb_-_dont_imitate_me
1.mb_-_first_day_of_spring
1.mb_-_first_snow
1.mb_-_Fleas,_lice
1.mb_-_four_haiku
1.mb_-_Friend,_without_that_Dark_raptor
1.mb_-_from_time_to_time
1.mb_-_heat_waves_shimmering
1.mb_-_how_admirable
1.mb_-_how_wild_the_sea_is
1.mb_-_I_am_pale_with_longing_for_my_beloved
1.mb_-_I_am_true_to_my_Lord
1.mb_-_I_have_heard_that_today_Hari_will_come
1.mb_-_im_a_wanderer
1.mb_-_In_this_world_of_ours,
1.mb_-_it_is_with_awe
1.mb_-_Its_True_I_Went_to_the_Market
1.mb_-_long_conversations
1.mb_-_midfield
1.mb_-_Mira_is_Steadfast
1.mb_-_moonlight_slanting
1.mb_-_morning_and_evening
1.mbn_-_From_the_beginning,_before_the_world_ever_was_(from_Before_the_World_Ever_Was)
1.mb_-_None_is_travelling
1.mb_-_No_one_knows_my_invisible_life
1.mb_-_now_the_swinging_bridge
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mbn_-_The_Soul_Speaks_(from_Hymn_on_the_Fate_of_the_Soul)
1.mb_-_O_I_saw_witchcraft_tonight
1.mb_-_old_pond
1.mb_-_O_my_friends
1.mb_-_on_buddhas_deathbed
1.mb_-_on_the_white_poppy
1.mb_-_on_this_road
1.mb_-_Out_in_a_downpour
1.mb_-_passing_through_the_world
1.mb_-_souls_festival
1.mb_-_spring_rain
1.mb_-_staying_at_an_inn
1.mb_-_stillness
1.mb_-_taking_a_nap
1.mb_-_temple_bells_die_out
1.mb_-_The_Beloved_Comes_Home
1.mb_-_the_butterfly
1.mb_-_the_clouds_come_and_go
1.mb_-_The_Dagger
1.mb_-_The_Five-Coloured_Garment
1.mb_-_The_Heat_of_Midnight_Tears
1.mb_-_the_morning_glory_also
1.mb_-_The_Music
1.mb_-_The_Narrow_Road_to_the_Deep_North_-_Prologue
1.mb_-_the_oak_tree
1.mb_-_the_passing_spring
1.mb_-_the_petals_tremble
1.mb_-_the_squid_sellers_call
1.mb_-_the_winter_storm
1.mb_-_this_old_village
1.mb_-_Unbreakable,_O_Lord
1.mb_-_under_my_tree-roof
1.mb_-_ungraciously
1.mb_-_what_fish_feel
1.mb_-_when_the_winter_chysanthemums_go
1.mb_-_Why_Mira_Cant_Come_Back_to_Her_Old_House
1.mb_-_winter_garden
1.mb_-_with_every_gust_of_wind
1.mb_-_wont_you_come_and_see
1.mb_-_wrapping_the_rice_cakes
1.mb_-_you_make_the_fire
1.mdl_-_Inside_the_hidden_nexus_(from_Jacobs_Journey)
1.mdl_-_The_Creation_of_Elohim
1.mdl_-_The_Gates_(from_Openings)
1.ml_-_Realisation_of_Dreams_and_Mind
1.mm_-_A_fish_cannot_drown_in_water
1.mm_-_Effortlessly
1.mm_-_If_BOREAS_can_in_his_own_Wind_conceive_(from_Atalanta_Fugiens)
1.mm_-_In_pride_I_so_easily_lost_Thee
1.mm_-_Of_the_voices_of_the_Godhead
1.mm_-_Set_Me_on_Fire
1.mm_-_The_devil_also_offers_his_spirit
1.mm_-_Then_shall_I_leap_into_love
1.mm_-_The_Stone_that_is_Mercury,_is_cast_upon_the_(from_Atalanta_Fugiens)
1.mm_-_Three_Golden_Apples_from_the_Hesperian_grove_(from_Atalanta_Fugiens)
1.mm_-_Wouldst_thou_know_my_meaning?
1.mm_-_Yea!_I_shall_drink_from_Thee
1.ms_-_At_the_Nachi_Kannon_Hall
1.ms_-_Beyond_the_World
1.ms_-_Buddhas_Satori
1.ms_-_Clear_Valley
1.msd_-_Barns_burnt_down
1.msd_-_Masahides_Death_Poem
1.msd_-_When_bird_passes_on
1.ms_-_Hui-nengs_Pond
1.ms_-_Incomparable_Verse_Valley
1.ms_-_No_End_Point
1.ms_-_Old_Creek
1.ms_-_Snow_Garden
1.ms_-_Temple_of_Eternal_Light
1.ms_-_The_Gate_of_Universal_Light
1.ms_-_Toki-no-Ge_(Satori_Poem)
1.nb_-_A_Poem_for_the_Sefirot_as_a_Wheel_of_Light
1.nkt_-_Autumn_Wind
1.nkt_-_Lets_Get_to_Rowing
1.nmdv_-_He_is_the_One_in_many
1.nmdv_-_Laughing_and_playing,_I_came_to_Your_Temple,_O_Lord
1.nmdv_-_The_drum_with_no_drumhead_beats
1.nmdv_-_The_thundering_resonance_of_the_Word
1.nmdv_-_Thou_art_the_Creator,_Thou_alone_art_my_friend
1.nmdv_-_When_I_see_His_ways,_I_sing
1.nrpa_-_Advice_to_Marpa_Lotsawa
1.nrpa_-_The_Summary_of_Mahamudra
1.nrpa_-_The_Viewm_Concisely_Put
1.okym_-_10_-_With_me_along_the_strip_of_Herbage_strown
1.okym_-_11_-_Here_with_a_Loaf_of_Bread_beneath_the_Bough
1.okym_-_12_-_How_sweet_is_mortal_Sovranty!_--_think_some
1.okym_-_13_-_Look_to_the_Rose_that_blows_about_us_--_Lo
1.okym_-_14_-_The_Worldly_Hope_men_set_their_Hearts_upon
1.okym_-_15_-_And_those_who_husbanded_the_Golden_Grain
1.okym_-_16_-_Think,_in_this_batterd_Caravanserai
1.okym_-_17_-_They_say_the_Lion_and_the_Lizard_keep
1.okym_-_18_-_I_sometimes_think_that_never_blows_so_red
1.okym_-_19_-_And_this_delightful_Herb_whose_tender_Green
1.okym_-_1_-_AWAKE!_for_Morning_in_the_Bowl_of_Night
1.okym_-_20_-_Ah,_my_Beloved,_fill_the_Cup_that_clears
1.okym_-_21_-_Lo!_some_we_loved,_the_loveliest_and_best
1.okym_-_22_-_And_we,_that_now_make_merry_in_the_Room
1.okym_-_23_-_Ah,_make_the_most_of_what_we_may_yet_spend
1.okym_-_24_-_Alike_for_those_who_for_To-day_prepare
1.okym_-_25_-_Why,_all_the_Saints_and_Sages_who_discussd
1.okym_-_26_-_Oh,_come_with_old_Khayyam,_and_leave_the_Wise
1.okym_-_27_-_Myself_when_young_did_eagerly_frequent
1.okym_-_28_-_With_them_the_Seed_of_Wisdom_did_I_sow
1.okym_-_29_-_Into_this_Universe,_and_Why_not_knowing
1.okym_-_2_-_Dreaming_when_Dawns_Left_Hand_was_in_the_Sky
1.okym_-_30_-_What,_without_asking,_hither_hurried_whence?
1.okym_-_31_-_Up_from_Earths_Centre_through_the_Seventh_Gate
1.okym_-_32_-_There_was_a_Door_to_which_I_found_no_Key
1.okym_-_33_-_Then_to_the_rolling_Heavn_itself_I_cried
1.okym_-_34_-_Then_to_this_earthen_Bowl_did_I_adjourn
1.okym_-_35_-_I_think_the_Vessel,_that_with_fugitive
1.okym_-_36_-_For_in_the_Market-place,_one_Dusk_of_Day
1.okym_-_37_-_Ah,_fill_the_Cup-_--_what_boots_it_to_repeat
1.okym_-_38_-_One_Moment_in_Annihilations_Waste
1.okym_-_39_-_How_long,_how_long,_in_infinite_Pursuit
1.okym_-_3_-_And,_as_the_Cock_crew,_those_who_stood_before
1.okym_-_40_-_You_know,_my_Friends,_how_long_since_in_my_House
1.okym_-_41_-_For_Is_and_Is-not_though_with_Rule_and_Line
1.okym_-_41_-_later_edition_-_Perplext_no_more_with_Human_or_Divine_Perplext_no_more_with_Human_or_Divine
1.okym_-_42_-_And_lately,_by_the_Tavern_Door_agape
1.okym_-_42_-_later_edition_-_Waste_not_your_Hour,_nor_in_the_vain_pursuit_Waste_not_your_Hour,_nor_in_the_vain_pursuit
1.okym_-_43_-_The_Grape_that_can_with_Logic_absolute
1.okym_-_44_-_The_mighty_Mahmud,_the_victorious_Lord
1.okym_-_45_-_But_leave_the_Wise_to_wrangle,_and_with_me
1.okym_-_46_-_For_in_and_out,_above,_about,_below
1.okym_-_46_-_later_edition_-_Why,_be_this_Juice_the_growth_of_God,_who_dare_Why,_be_this_Juice_the_growth_of_God,_who_dare
1.okym_-_47_-_And_if_the_Wine_you_drink,_the_Lip_you_press
1.okym_-_48_-_While_the_Rose_blows_along_the_River_Brink
1.okym_-_49_-_Tis_all_a_Chequer-board_of_Nights_and_Days
1.okym_-_4_-_Now_the_New_Year_reviving_old_Desires
1.okym_-_50_-_The_Ball_no_Question_makes_of_Ayes_and_Noes
1.okym_-_51_-_later_edition_-_Why,_if_the_Soul_can_fling_the_Dust_aside
1.okym_-_51_-_The_Moving_Finger_writes-_and,_having_writ
1.okym_-_52_-_And_that_inverted_Bowl_we_call_The_Sky
1.okym_-_52_-_later_edition_-_But_that_is_but_a_Tent_wherein_may_rest
1.okym_-_53_-_later_edition_-_I_sent_my_Soul_through_the_Invisible
1.okym_-_53_-_With_Earths_first_Clay_They_did_the_Last_Man_knead
1.okym_-_54_-_I_tell_Thee_this_--_When,_starting_from_the_Goal
1.okym_-_55_-_The_Vine_has_struck_a_fiber-_which_about
1.okym_-_56_-_And_this_I_know-_whether_the_one_True_Light
1.okym_-_57_-_Oh_Thou,_who_didst_with_Pitfall_and_with_gin
1.okym_-_58_-_Oh,_Thou,_who_Man_of_baser_Earth_didst_make
1.okym_-_59_-_Listen_again
1.okym_-_5_-_Iram_indeed_is_gone_with_all_its_Rose
1.okym_-_60_-_And,_strange_to_tell,_among_that_Earthen_Lot
1.okym_-_61_-_Then_said_another_--_Surely_not_in_vain
1.okym_-_62_-_Another_said_--_Why,_neer_a_peevish_Boy
1.okym_-_63_-_None_answerd_this-_but_after_Silence_spake
1.okym_-_64_-_Said_one_--_Folks_of_a_surly_Tapster_tell
1.okym_-_65_-_Then_said_another_with_a_long-drawn_Sigh
1.okym_-_66_-_So_while_the_Vessels_one_by_one_were_speaking
1.okym_-_67_-_Ah,_with_the_Grape_my_fading_Life_provide
1.okym_-_68_-_That_evn_my_buried_Ashes_such_a_Snare
1.okym_-_69_-_Indeed_the_Idols_I_have_loved_so_long
1.okym_-_6_-_And_Davids_Lips_are_lockt-_but_in_divine
1.okym_-_70_-_Indeed,_indeed,_Repentance_oft_before
1.okym_-_71_-_And_much_as_Wine_has_playd_the_Infidel
1.okym_-_72_-_Alas,_that_Spring_should_vanish_with_the_Rose!
1.okym_-_73_-_Ah_Love!_could_thou_and_I_with_Fate_conspire
1.okym_-_74_-_Ah,_Moon_of_my_Delight_who_knowst_no_wane
1.okym_-_75_-_And_when_Thyself_with_shining_Foot_shall_pass
1.okym_-_7_-_Come,_fill_the_Cup,_and_in_the_Fire_of_Spring
1.okym_-_8_-_And_look_--_a_thousand_Blossoms_with_the_Day
1.okym_-_9_-_But_come_with_old_Khayyam,_and_leave_the_Lot
1.pbs_-_A_Bridal_Song
1.pbs_-_A_Dialogue
1.pbs_-_A_Dirge
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_A_Fragment_-_To_Music
1.pbs_-_A_Hate-Song
1.pbs_-_A_Lament
1.pbs_-_Alas!_This_Is_Not_What_I_Thought_Life_Was
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_An_Allegory
1.pbs_-_And_like_a_Dying_Lady,_Lean_and_Pale
1.pbs_-_And_That_I_Walk_Thus_Proudly_Crowned_Withal
1.pbs_-_A_New_National_Anthem
1.pbs_-_An_Exhortation
1.pbs_-_An_Ode,_Written_October,_1819,_Before_The_Spaniards_Had_Recovered_Their_Liberty
1.pbs_-_Another_Fragment_to_Music
1.pbs_-_Archys_Song_From_Charles_The_First_(A_Widow_Bird_Sate_Mourning_For_Her_Love)
1.pbs_-_Arethusa
1.pbs_-_A_Romans_Chamber
1.pbs_-_Art_Thou_Pale_For_Weariness
1.pbs_-_A_Serpent-Face
1.pbs_-_Asia_-_From_Prometheus_Unbound
1.pbs_-_A_Summer_Evening_Churchyard_-_Lechlade,_Gloucestershire
1.pbs_-_A_Tale_Of_Society_As_It_Is_-_From_Facts,_1811
1.pbs_-_Autumn_-_A_Dirge
1.pbs_-_A_Vision_Of_The_Sea
1.pbs_-_A_Widow_Bird_Sate_Mourning_For_Her_Love
1.pbs_-_Beautys_Halo
1.pbs_-_Bereavement
1.pbs_-_Bigotrys_Victim
1.pbs_-_Catalan
1.pbs_-_Charles_The_First
1.pbs_-_Chorus_from_Hellas
1.pbs_-_Dark_Spirit_of_the_Desart_Rude
1.pbs_-_Death
1.pbs_-_Death_In_Life
1.pbs_-_Death_Is_Here_And_Death_Is_There
1.pbs_-_Despair
1.pbs_-_Dirge_For_The_Year
1.pbs_-_English_translationItalian
1.pbs_-_Epigram_III_-_Spirit_of_Plato
1.pbs_-_Epigram_II_-_Kissing_Helena
1.pbs_-_Epigram_I_-_To_Stella
1.pbs_-_Epigram_IV_-_Circumstance
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Epitaph
1.pbs_-_Epithalamium
1.pbs_-_Epithalamium_-_Another_Version
1.pbs_-_Evening_-_Ponte_Al_Mare,_Pisa
1.pbs_-_Evening._To_Harriet
1.pbs_-_Eyes_-_A_Fragment
1.pbs_-_Faint_With_Love,_The_Lady_Of_The_South
1.pbs_-_Feelings_Of_A_Republican_On_The_Fall_Of_Bonaparte
1.pbs_-_Fiordispina
1.pbs_-_Fragment_-_A_Gentle_Story_Of_Two_Lovers_Young
1.pbs_-_Fragment_-_"Amor_Aeternus"
1.pbs_-_Fragment_-_Apostrophe_To_Silence
1.pbs_-_Fragment_-_A_Wanderer
1.pbs_-_Fragment_-_Follow_To_The_Deep_Woods_Weeds
1.pbs_-_Fragment_From_The_Wandering_Jew
1.pbs_-_Fragment_-_Great_Spirit
1.pbs_-_Fragment_-_Home
1.pbs_-_Fragment_-_"Igniculus_Desiderii"
1.pbs_-_Fragment_-_Is_It_That_In_Some_Brighter_Sphere
1.pbs_-_Fragment_-_Love_The_Universe_To-Day
1.pbs_-_Fragment_-_Miltons_Spirit
1.pbs_-_Fragment_-_My_Head_Is_Wild_With_Weeping
1.pbs_-_Fragment_Of_A_Ghost_Story
1.pbs_-_Fragment_Of_A_Satire_On_Satire
1.pbs_-_Fragment_Of_A_Sonnet._Farewell_To_North_Devon
1.pbs_-_Fragment_Of_A_Sonnet_-_To_Harriet
1.pbs_-_Fragment_Of_The_Elegy_On_The_Death_Of_Adonis
1.pbs_-_Fragment_Of_The_Elegy_On_The_Death_Of_Bion
1.pbs_-_Fragment_-_Omens
1.pbs_-_Fragment,_Or_The_Triumph_Of_Conscience
1.pbs_-_Fragment_-_Rain
1.pbs_-_Fragment_-_Satan_Broken_Loose
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragments_Supposed_To_Be_Parts_Of_Otho
1.pbs_-_Fragment_-_Such_Hope,_As_Is_The_Sick_Despair_Of_Good
1.pbs_-_Fragment_-_Sufficient_Unto_The_Day
1.pbs_-_Fragment_-_Supposed_To_Be_An_Epithalamium_Of_Francis_Ravaillac_And_Charlotte_Corday
1.pbs_-_Fragments_Written_For_Hellas
1.pbs_-_Fragment_-_The_Lakes_Margin
1.pbs_-_Fragment_-_There_Is_A_Warm_And_Gentle_Atmosphere
1.pbs_-_Fragment_-_The_Vine-Shroud
1.pbs_-_Fragment_-_Thoughts_Come_And_Go_In_Solitude
1.pbs_-_Fragment_-_To_A_Friend_Released_From_Prison
1.pbs_-_Fragment_-_To_Byron
1.pbs_-_Fragment_-_To_One_Singing
1.pbs_-_Fragment_-_To_The_Moon
1.pbs_-_Fragment_-_To_The_People_Of_England
1.pbs_-_Fragment_-_Wedded_Souls
1.pbs_-_Fragment_-_What_Mary_Is_When_She_A_Little_Smiles
1.pbs_-_Fragment_-_What_Men_Gain_Fairly
1.pbs_-_Fragment_-_Ye_Gentle_Visitations_Of_Calm_Thought
1.pbs_-_Fragment_-_Yes!_All_Is_Past
1.pbs_-_From
1.pbs_-_From_The_Arabic_-_An_Imitation
1.pbs_-_From_the_Arabic,_an_Imitation
1.pbs_-_From_The_Greek_Of_Moschus
1.pbs_-_From_The_Greek_Of_Moschus_-_Pan_Loved_His_Neighbour_Echo
1.pbs_-_From_The_Original_Draft_Of_The_Poem_To_William_Shelley
1.pbs_-_From_Vergils_Fourth_Georgic
1.pbs_-_From_Vergils_Tenth_Eclogue
1.pbs_-_Ghasta_Or,_The_Avenging_Demon!!!
1.pbs_-_Ginevra
1.pbs_-_Good-Night
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_HERE_I_sit_with_my_paper
1.pbs_-_Homers_Hymn_To_Castor_And_Pollux
1.pbs_-_Homers_Hymn_To_Minerva
1.pbs_-_Homers_Hymn_To_The_Earth_-_Mother_Of_All
1.pbs_-_Homers_Hymn_To_The_Moon
1.pbs_-_Homers_Hymn_To_The_Sun
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Hymn_of_Apollo
1.pbs_-_Hymn_of_Pan
1.pbs_-_Hymn_to_Intellectual_Beauty
1.pbs_-_Hymn_To_Mercury
1.pbs_-_I_Arise_from_Dreams_of_Thee
1.pbs_-_I_Faint,_I_Perish_With_My_Love!
1.pbs_-_Invocation
1.pbs_-_Invocation_To_Misery
1.pbs_-_I_Stood_Upon_A_Heaven-cleaving_Turret
1.pbs_-_I_Would_Not_Be_A_King
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Liberty
1.pbs_-_Life_Rounded_With_Sleep
1.pbs_-_Lines_--_Far,_Far_Away,_O_Ye
1.pbs_-_Lines_-_That_time_is_dead_for_ever,_child!
1.pbs_-_Lines_-_The_cold_earth_slept_below
1.pbs_-_Lines_To_A_Critic
1.pbs_-_Lines_To_A_Reviewer
1.pbs_-_Lines_-_We_Meet_Not_As_We_Parted
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Lines_Written_During_The_Castlereagh_Administration
1.pbs_-_Lines_Written_in_the_Bay_of_Lerici
1.pbs_-_Lines_Written_On_Hearing_The_News_Of_The_Death_Of_Napoleon
1.pbs_-_Love
1.pbs_-_Love-_Hope,_Desire,_And_Fear
1.pbs_-_Loves_Philosophy
1.pbs_-_Loves_Rose
1.pbs_-_Marenghi
1.pbs_-_Mariannes_Dream
1.pbs_-_Matilda_Gathering_Flowers
1.pbs_-_May_The_Limner
1.pbs_-_Melody_To_A_Scene_Of_Former_Times
1.pbs_-_Methought_I_Was_A_Billow_In_The_Crowd
1.pbs_-_Mighty_Eagle
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_Music
1.pbs_-_Music(2)
1.pbs_-_Music_And_Sweet_Poetry
1.pbs_-_Mutability
1.pbs_-_Mutability_-_II.
1.pbs_-_Ode_To_Heaven
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Ode_to_the_West_Wind
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_On_A_Faded_Violet
1.pbs_-_On_A_Fete_At_Carlton_House_-_Fragment
1.pbs_-_On_An_Icicle_That_Clung_To_The_Grass_Of_A_Grave
1.pbs_-_On_Death
1.pbs_-_One_sung_of_thee_who_left_the_tale_untold
1.pbs_-_On_Fanny_Godwin
1.pbs_-_On_Keats,_Who_Desired_That_On_His_Tomb_Should_Be_Inscribed--
1.pbs_-_On_Leaving_London_For_Wales
1.pbs_-_On_Robert_Emmets_Grave
1.pbs_-_On_The_Dark_Height_of_Jura
1.pbs_-_On_The_Medusa_Of_Leonardo_da_Vinci_In_The_Florentine_Gallery
1.pbs_-_Orpheus
1.pbs_-_O_That_A_Chariot_Of_Cloud_Were_Mine!
1.pbs_-_Otho
1.pbs_-_O_Thou_Immortal_Deity
1.pbs_-_Ozymandias
1.pbs_-_Passage_Of_The_Apennines
1.pbs_-_Pater_Omnipotens
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Poetical_Essay
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_I.
1.pbs_-_Queen_Mab_-_Part_II.
1.pbs_-_Queen_Mab_-_Part_III.
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_IX.
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_Vi_(Excerpts)
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Queen_Mab_-_Part_VIII.
1.pbs_-_Remembrance
1.pbs_-_Revenge
1.pbs_-_Rome_And_Nature
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Saint_Edmonds_Eve
1.pbs_-_Scene_From_Tasso
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Similes_For_Two_Political_Characters_of_1819
1.pbs_-_Sister_Rosa_-_A_Ballad
1.pbs_-_Song
1.pbs_-_Song._Cold,_Cold_Is_The_Blast_When_December_Is_Howling
1.pbs_-_Song._Come_Harriet!_Sweet_Is_The_Hour
1.pbs_-_Song._Despair
1.pbs_-_Song._--_Fierce_Roars_The_Midnight_Storm
1.pbs_-_Song_For_Tasso
1.pbs_-_Song_From_The_Wandering_Jew
1.pbs_-_Song._Hope
1.pbs_-_Song_Of_Proserpine_While_Gathering_Flowers_On_The_Plain_Of_Enna
1.pbs_-_Song._Sorrow
1.pbs_-_Song._To_--_[Harriet]
1.pbs_-_Song._To_[Harriet]
1.pbs_-_Song_To_The_Men_Of_England
1.pbs_-_Song._Translated_From_The_German
1.pbs_-_Song._Translated_From_The_Italian
1.pbs_-_Sonnet_-_England_in_1819
1.pbs_-_Sonnet_-_From_The_Italian_Of_Cavalcanti
1.pbs_-_Sonnet_-_From_The_Italian_Of_Dante
1.pbs_-_Sonnet_-_Lift_Not_The_Painted_Veil_Which_Those_Who_Live
1.pbs_-_Sonnet_-_On_Launching_Some_Bottles_Filled_With_Knowledge_Into_The_Bristol_Channel
1.pbs_-_Sonnet_-_Political_Greatness
1.pbs_-_Sonnet_-_To_A_Balloon_Laden_With_Knowledge
1.pbs_-_Sonnet_To_Byron
1.pbs_-_Sonnet_--_Ye_Hasten_To_The_Grave!
1.pbs_-_Stanza
1.pbs_-_Stanza_From_A_Translation_Of_The_Marseillaise_Hymn
1.pbs_-_Stanzas._--_April,_1814
1.pbs_-_Stanzas_From_Calderons_Cisma_De_Inglaterra
1.pbs_-_Stanzas_Written_in_Dejection,_Near_Naples
1.pbs_-_Stanza-_Written_At_Bracknell
1.pbs_-_St._Irvynes_Tower
1.pbs_-_Summer_And_Winter
1.pbs_-_The_Aziola
1.pbs_-_The_Birth_Place_of_Pleasure
1.pbs_-_The_Boat_On_The_Serchio
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cloud
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Death_Knell_Is_Ringing
1.pbs_-_The_Deserts_Of_Dim_Sleep
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Drowned_Lover
1.pbs_-_The_False_Laurel_And_The_True
1.pbs_-_The_First_Canzone_Of_The_Convito
1.pbs_-_The_Fitful_Alternations_of_the_Rain
1.pbs_-_The_Fugitives
1.pbs_-_The_Indian_Serenade
1.pbs_-_The_Irishmans_Song
1.pbs_-_The_Isle
1.pbs_-_The_Magnetic_Lady_To_Her_Patient
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Past
1.pbs_-_The_Pine_Forest_Of_The_Cascine_Near_Pisa
1.pbs_-_The_Question
1.pbs_-_The_Retrospect_-_CWM_Elan,_1812
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Rude_Wind_Is_Singing
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Sepulchre_Of_Memory
1.pbs_-_The_Solitary
1.pbs_-_The_Spectral_Horseman
1.pbs_-_The_Sunset
1.pbs_-_The_Tower_Of_Famine
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Two_Spirits_-_An_Allegory
1.pbs_-_The_Viewless_And_Invisible_Consequence
1.pbs_-_The_Wandering_Jews_Soliloquy
1.pbs_-_The_Waning_Moon
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_The_Woodman_And_The_Nightingale
1.pbs_-_The_Worlds_Wanderers
1.pbs_-_The_Zucca
1.pbs_-_Time
1.pbs_-_Time_Long_Past
1.pbs_-_To--
1.pbs_-_To_A_Skylark
1.pbs_-_To_A_Star
1.pbs_-_To_Coleridge
1.pbs_-_To_Constantia
1.pbs_-_To_Constantia-_Singing
1.pbs_-_To_Death
1.pbs_-_To_Edward_Williams
1.pbs_-_To_Emilia_Viviani
1.pbs_-_To_Harriet
1.pbs_-_To_Harriet_--_It_Is_Not_Blasphemy_To_Hope_That_Heaven
1.pbs_-_To_Ianthe
1.pbs_-_To--_I_Fear_Thy_Kisses,_Gentle_Maiden
1.pbs_-_To_Ireland
1.pbs_-_To_Italy
1.pbs_-_To_Jane_-_The_Invitation
1.pbs_-_To_Jane_-_The_Keen_Stars_Were_Twinkling
1.pbs_-_To_Jane_-_The_Recollection
1.pbs_-_To_Mary_-
1.pbs_-_To_Mary_Shelley
1.pbs_-_To_Mary_Shelley_(2)
1.pbs_-_To_Mary_Who_Died_In_This_Opinion
1.pbs_-_To_Mary_Wollstonecraft_Godwin
1.pbs_-_To-morrow
1.pbs_-_To--_Music,_when_soft_voices_die
1.pbs_-_To_Night
1.pbs_-_To--_Oh!_there_are_spirits_of_the_air
1.pbs_-_To--_One_word_is_too_often_profaned
1.pbs_-_To_Sophia_(Miss_Stacey)
1.pbs_-_To_The_Lord_Chancellor
1.pbs_-_To_The_Men_Of_England
1.pbs_-_To_The_Mind_Of_Man
1.pbs_-_To_the_Moon
1.pbs_-_To_The_Moonbeam
1.pbs_-_To_The_Nile
1.pbs_-_To_The_Queen_Of_My_Heart
1.pbs_-_To_The_Republicans_Of_North_America
1.pbs_-_To_William_Shelley
1.pbs_-_To_William_Shelley.
1.pbs_-_To_William_Shelley._Thy_Little_Footsteps_On_The_Sands
1.pbs_-_To_Wordsworth
1.pbs_-_To--_Yet_look_on_me
1.pbs_-_Ugolino
1.pbs_-_Unrisen_Splendour_Of_The_Brightest_Sun
1.pbs_-_Verses_On_A_Cat
1.pbs_-_Wake_The_Serpent_Not
1.pbs_-_War
1.pbs_-_When_A_Lover_Clasps_His_Fairest
1.pbs_-_When_Soft_Winds_And_Sunny_Skies
1.pbs_-_When_The_Lamp_Is_Shattered
1.pbs_-_Wine_Of_The_Fairies
1.pbs_-_With_A_Guitar,_To_Jane
1.pbs_-_Written_At_Bracknell
1.pbs_-_Zephyrus_The_Awakener
1.pc_-_Autumns_Cold
1.pc_-_Lute
1.pc_-_Staying_at_Bamboo_Lodge
1.poe_-_A_Dream
1.poe_-_A_Dream_Within_A_Dream
1.poe_-_Al_Aaraaf-_Part_1
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Alone
1.poe_-_An_Acrostic
1.poe_-_An_Enigma
1.poe_-_Annabel_Lee
1.poe_-_A_Paean
1.poe_-_A_Valentine
1.poe_-_Dreamland
1.poe_-_Dreams
1.poe_-_Eldorado
1.poe_-_Elizabeth
1.poe_-_Enigma
1.poe_-_Epigram_For_Wall_Street
1.poe_-_Eulalie
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Evening_Star
1.poe_-_Fairy-Land
1.poe_-_For_Annie
1.poe_-_Hymn
1.poe_-_Hymn_To_Aristogeiton_And_Harmodius
1.poe_-_Imitation
1.poe_-_Impromptu_-_To_Kate_Carol
1.poe_-_In_Youth_I_have_Known_One
1.poe_-_Israfel
1.poe_-_Lenore
1.poe_-_Romance
1.poe_-_Sancta_Maria
1.poe_-_Serenade
1.poe_-_Song
1.poe_-_Sonnet-_Silence
1.poe_-_Sonnet_-_To_Science
1.poe_-_Sonnet-_To_Zante
1.poe_-_Spirits_Of_The_Dead
1.poe_-_Tamerlane
1.poe_-_The_Bells
1.poe_-_The_Bells_-_A_collaboration
1.poe_-_The_Bridal_Ballad
1.poe_-_The_City_In_The_Sea
1.poe_-_The_City_Of_Sin
1.poe_-_The_Coliseum
1.poe_-_The_Conqueror_Worm
1.poe_-_The_Conversation_Of_Eiros_And_Charmion
1.poe_-_The_Divine_Right_Of_Kings
1.poe_-_The_Forest_Reverie
1.poe_-_The_Happiest_Day-The_Happiest_Hour
1.poe_-_The_Haunted_Palace
1.poe_-_The_Power_Of_Words_Oinos.
1.poe_-_The_Raven
1.poe_-_The_Sleeper
1.poe_-_The_Valley_Of_Unrest
1.poe_-_The_Village_Street
1.poe_-_To_--
1.poe_-_To_--_(2)
1.poe_-_To_--_(3)
1.poe_-_To_F--
1.poe_-_To_Frances_S._Osgood
1.poe_-_To_Helen_-_1831
1.poe_-_To_Helen_-_1848
1.poe_-_To_Isadore
1.poe_-_To_M--
1.poe_-_To_Marie_Louise_(Shew)
1.poe_-_To_My_Mother
1.poe_-_To_One_Departed
1.poe_-_To_One_In_Paradise
1.poe_-_To_The_Lake
1.poe_-_To_The_River
1.poe_-_Ulalume
1.pp_-_Raga_Dhanashri
1.raa_-_A_Holy_Tabernacle_in_the_Heart_(from_Life_of_the_Future_World)
1.raa_-_And_the_letter_is_longing
1.raa_-_And_YHVH_spoke_to_me_when_I_saw_His_name
1.raa_-_Circles_1_(from_Life_of_the_Future_World)
1.raa_-_Circles_2_(from_Life_of_the_Future_World)
1.raa_-_Circles_3_(from_Life_of_the_Future_World)
1.raa_-_Circles_4_(from_Life_of_the_Future_World)
1.raa_-_Their_mystery_is_(from_Life_of_the_Future_World)
1.rajh_-_God_Pursues_Me_Everywhere
1.rajh_-_Intimate_Hymn
1.rajh_-_The_Word_Most_Precious
1.rb_-_Abt_Vogler
1.rb_-_A_Cavalier_Song
1.rb_-_After
1.rb_-_A_Grammarian's_Funeral_Shortly_After_The_Revival_Of_Learning
1.rb_-_Aix_In_Provence
1.rb_-_A_Light_Woman
1.rb_-_A_Lovers_Quarrel
1.rb_-_Among_The_Rocks
1.rb_-_Andrea_del_Sarto
1.rb_-_An_Epistle_Containing_the_Strange_Medical_Experience_of_Kar
1.rb_-_Another_Way_Of_Love
1.rb_-_Any_Wife_To_Any_Husband
1.rb_-_A_Pretty_Woman
1.rb_-_A_Serenade_At_The_Villa
1.rb_-_A_Toccata_Of_Galuppi's
1.rb_-_A_Womans_Last_Word
1.rb_-_Before
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Bishop_Orders_His_Tomb_at_Saint_Praxed's_Church,_Rome,_The
1.rb_-_By_The_Fire-Side
1.rb_-_Caliban_upon_Setebos_or,_Natural_Theology_in_the_Island
1.rb_-_Childe_Roland_To_The_Dark_Tower_Came
1.rb_-_Cleon
1.rb_-_Confessions
1.rb_-_Cristina
1.rb_-_De_Gustibus
1.rb_-_Earth's_Immortalities
1.rb_-_Evelyn_Hope
1.rb_-_Fra_Lippo_Lippi
1.rb_-_Garden_Francies
1.rb_-_Holy-Cross_Day
1.rb_-_Home_Thoughts,_from_the_Sea
1.rb_-_How_They_Brought_The_Good_News_From_Ghent_To_Aix
1.rb_-_In_A_Gondola
1.rb_-_In_A_Year
1.rb_-_Incident_Of_The_French_Camp
1.rb_-_In_Three_Days
1.rb_-_Introduction:_Pippa_Passes
1.rbk_-_Epithalamium
1.rbk_-_He_Shall_be_King!
1.rb_-_Life_In_A_Love
1.rb_-_Love_Among_The_Ruins
1.rb_-_Love_In_A_Life
1.rb_-_Master_Hugues_Of_Saxe-Gotha
1.rb_-_Meeting_At_Night
1.rb_-_Memorabilia
1.rb_-_Mesmerism
1.rb_-_My_Last_Duchess
1.rb_-_My_Star
1.rb_-_Nationality_In_Drinks
1.rb_-_Never_the_Time_and_the_Place
1.rb_-_Now!
1.rb_-_Old_Pictures_In_Florence
1.rb_-_O_Lyric_Love
1.rb_-_One_Way_Of_Love
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Parting_At_Morning
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_III_-_Evening
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Pippa_Passes_-_Part_I_-_Morning
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Pippas_Song
1.rb_-_Popularity
1.rb_-_Porphyrias_Lover
1.rb_-_Prospice
1.rb_-_Protus
1.rb_-_Rabbi_Ben_Ezra
1.rb_-_Respectability
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Soliloquy_Of_The_Spanish_Cloister
1.rb_-_Song
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Boy_And_the_Angel
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Guardian-Angel
1.rb_-_The_Italian_In_England
1.rb_-_The_Laboratory-Ancien_Rgime
1.rb_-_The_Last_Ride_Together
1.rb_-_The_Lost_Leader
1.rb_-_The_Lost_Mistress
1.rb_-_The_Patriot
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rb_-_The_Twins
1.rb_-_Times_Revenges
1.rb_-_Two_In_The_Campagna
1.rb_-_Waring
1.rb_-_Why_I_Am_a_Liberal
1.rb_-_Women_And_Roses
1.rb_-_Youll_Love_Me_Yet
1.rmd_-_Raga_Basant
1.rmpsd_-_Come,_let_us_go_for_a_walk,_O_mind
1.rmpsd_-_Conquer_Death_with_the_drumbeat_Ma!_Ma!_Ma!
1.rmpsd_-_I_drink_no_ordinary_wine
1.rmpsd_-_In_the_worlds_busy_market-place,_O_Shyama
1.rmpsd_-_Its_value_beyond_assessment_by_the_mind
1.rmpsd_-_Kulakundalini,_Goddess_Full_of_Brahman,_Tara
1.rmpsd_-_Love_Her,_Mind
1.rmpsd_-_Ma,_Youre_inside_me
1.rmpsd_-_Meditate_on_Kali!_Why_be_anxious?
1.rmpsd_-_Mother,_am_I_Thine_eight-months_child?
1.rmpsd_-_Mother_this_is_the_grief_that_sorely_grieves_my_heart
1.rmpsd_-_O_Death!_Get_away-_what_canst_thou_do?
1.rmpsd_-_Of_what_use_is_my_going_to_Kasi_any_more?
1.rmpsd_-_O_Mother,_who_really
1.rmpsd_-_Once_for_all,_this_time
1.rmpsd_-_So_I_say-_Mind,_dont_you_sleep
1.rmpsd_-_Tell_me,_brother,_what_happens_after_death?
1.rmpsd_-_This_time_I_shall_devour_Thee_utterly,_Mother_Kali!
1.rmpsd_-_Who_in_this_world
1.rmpsd_-_Who_is_that_Syama_woman
1.rmpsd_-_Why_disappear_into_formless_trance?
1.rmr_-_Abishag
1.rmr_-_Adam
1.rmr_-_Again_and_Again
1.rmr_-_Along_the_Sun-Drenched_Roadside
1.rmr_-_As_Once_the_Winged_Energy_of_Delight
1.rmr_-_A_Sybil
1.rmr_-_Autumn
1.rmr_-_Autumn_Day
1.rmr_-_A_Walk
1.rmr_-_Before_Summer_Rain
1.rmr_-_Black_Cat_(Schwarze_Katze)
1.rmr_-_Blank_Joy
1.rmr_-_Buddha_in_Glory
1.rmr_-_Childhood
1.rmr_-_Child_In_Red
1.rmr_-_Death
1.rmr_-_Dedication
1.rmr_-_Dedication_To_M...
1.rmr_-_Early_Spring
1.rmr_-_Elegy_I
1.rmr_-_Elegy_IV
1.rmr_-_Elegy_X
1.rmr_-_Encounter_In_The_Chestnut_Avenue
1.rmr_-_English_translationGerman
1.rmr_-_Eve
1.rmr_-_Evening
1.rmr_-_Evening_Love_Song
1.rmr_-_Exposed_on_the_cliffs_of_the_heart
1.rmr_-_Extinguish_Thou_My_Eyes
1.rmr_-_Falconry
1.rmr_-_Falling_Stars
1.rmr_-_Fear_of_the_Inexplicable
1.rmr_-_Fire's_Reflection
1.rmr_-_For_Hans_Carossa
1.rmr_-_Girl_in_Love
1.rmr_-_Girl's_Lament
1.rmr_-_God_Speaks_To_Each_Of_Us
1.rmr_-_Going_Blind
1.rmr_-_Greek_Love-Talk
1.rmr_-_Growing_Old
1.rmr_-_Heartbeat
1.rmr_-_Ignorant_Before_The_Heavens_Of_My_Life
1.rmr_-_Interior_Portrait
1.rmr_-_In_The_Beginning
1.rmr_-_Lady_At_A_Mirror
1.rmr_-_Lady_On_A_Balcony
1.rmr_-_Lament
1.rmr_-_Lament_(O_how_all_things_are_far_removed)
1.rmr_-_Lament_(Whom_will_you_cry_to,_heart?)
1.rmr_-_Little_Tear-Vase
1.rmr_-_Loneliness
1.rmr_-_Losing
1.rmr_-_Love_Song
1.rmr_-_Moving_Forward
1.rmr_-_Music
1.rmr_-_My_Life
1.rmr_-_Narcissus
1.rmr_-_Night_(O_you_whose_countenance)
1.rmr_-_Night_(This_night,_agitated_by_the_growing_storm)
1.rmr_-_On_Hearing_Of_A_Death
1.rmr_-_Palm
1.rmr_-_Parting
1.rmr_-_Portrait_of_my_Father_as_a_Young_Man
1.rmr_-_Put_Out_My_Eyes
1.rmr_-_Rememberance
1.rmr_-_Sacrifice
1.rmr_-_Self-Portrait
1.rmr_-_Sense_Of_Something_Coming
1.rmr_-_Slumber_Song
1.rmr_-_Solemn_Hour
1.rmr_-_Song
1.rmr_-_Song_Of_The_Orphan
1.rmr_-_Song_Of_The_Sea
1.rmr_-_Song_Of_The_Women_To_The_Poet
1.rmr_-_Spanish_Dancer
1.rmr_-_Sunset
1.rmr_-_Telling_You_All
1.rmr_-_The_Alchemist
1.rmr_-_The_Apple_Orchard
1.rmr_-_The_Future
1.rmr_-_The_Grown-Up
1.rmr_-_The_Last_Evening
1.rmr_-_The_Lovers
1.rmr_-_The_Neighbor
1.rmr_-_The_Panther
1.rmr_-_The_Poet
1.rmr_-_The_Sisters
1.rmr_-_The_Song_Of_The_Beggar
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_I
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_VI
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_XIII
1.rmr_-_The_Sonnets_To_Orpheus_-_I
1.rmr_-_The_Sonnets_To_Orpheus_-_IV
1.rmr_-_The_Sonnets_To_Orpheus_-_X
1.rmr_-_The_Sonnets_To_Orpheus_-_XIX
1.rmr_-_The_Sonnets_To_Orpheus_-_XXV
1.rmr_-_The_Spanish_Dancer
1.rmr_-_The_Swan
1.rmr_-_The_Unicorn
1.rmr_-_The_Voices
1.rmr_-_The_Wait
1.rmr_-_Time_and_Again
1.rmr_-_To_Lou_Andreas-Salome
1.rmr_-_To_Music
1.rmr_-_Torso_of_an_Archaic_Apollo
1.rmr_-_To_Say_Before_Going_to_Sleep
1.rmr_-_Venetian_Morning
1.rmr_-_Water_Lily
1.rmr_-_What_Birds_Plunge_Through_Is_Not_The_Intimate_Space
1.rmr_-_What_Fields_Are_As_Fragrant_As_Your_Hands?
1.rmr_-_What_Survives
1.rmr_-_Woman_in_Love
1.rmr_-_World_Was_In_The_Face_Of_The_Beloved
1.rmr_-_You_Must_Not_Understand_This_Life_(with_original_German)
1.rmr_-_You_Who_Never_Arrived
1.rmr_-_You,_you_only,_exist
1.rt_-_(101)_Ever_in_my_life_have_I_sought_thee_with_my_songs_(from_Gitanjali)
1.rt_-_(103)_In_one_salutation_to_thee,_my_God_(from_Gitanjali)
1.rt_-_(1)_Thou_hast_made_me_endless_(from_Gitanjali)
1.rt_-_(38)_I_want_thee,_only_thee_(from_Gitanjali)
1.rt_-_(63)_Thou_hast_made_me_known_to_friends_whom_I_knew_not_(from_Gitanjali)
1.rt_-_(75)_Thy_gifts_to_us_mortals_fulfil_all_our_needs_(from_Gitanjali)
1.rt_-_(80)_I_am_like_a_remnant_of_a_cloud_of_autumn_(from_Gitanjali)
1.rt_-_(84)_It_is_the_pang_of_separation_that_spreads_throughout_the_world_(from_Gitanjali)
1.rt_-_Accept_me,_my_lord,_accept_me_for_this_while
1.rt_-_A_Dream
1.rt_-_A_Hundred_Years_Hence
1.rt_-_Akash_Bhara_Surya_Tara_Biswabhara_Pran_(Translation)
1.rt_-_All_These_I_Loved
1.rt_-_Along_The_Way
1.rt_-_And_In_Wonder_And_Amazement_I_Sing
1.rt_-_At_The_End_Of_The_Day
1.rt_-_At_The_Last_Watch
1.rt_-_Authorship
1.rt_-_Babys_Way
1.rt_-_Babys_World
1.rt_-_Beggarly_Heart
1.rt_-_Benediction
1.rt_-_Birth_Story
1.rt_-_Brahm,_Viu,_iva
1.rt_-_Brink_Of_Eternity
1.rt_-_Broken_Song
1.rt_-_Chain_Of_Pearls
1.rt_-_Closed_Path
1.rt_-_Clouds_And_Waves
1.rt_-_Colored_Toys
1.rt_-_Compensation
1.rt_-_Cruel_Kindness
1.rt_-_Death
1.rt_-_Defamation
1.rt_-_Distant_Time
1.rt_-_Dream_Girl
1.rt_-_Dungeon
1.rt_-_Endless_Time
1.rt_-_Face_To_Face
1.rt_-_Fairyland
1.rt_-_Farewell
1.rt_-_Fireflies
1.rt_-_Flower
1.rt_-_Fool
1.rt_-_Freedom
1.rt_-_Friend
1.rt_-_From_Afar
1.rt_-_Gift_Of_The_Great
1.rt_-_Gitanjali
1.rt_-_Give_Me_Strength
1.rt_-_Hard_Times
1.rt_-_Hes_there_among_the_scented_trees_(from_The_Lover_of_God)
1.rt_-_I
1.rt_-_I_Am_Restless
1.rt_-_I_Cast_My_Net_Into_The_Sea
1.rt_-_I_Found_A_Few_Old_Letters
1.rt_-_Innermost_One
1.rt_-_In_The_Country
1.rt_-_In_The_Dusky_Path_Of_A_Dream
1.rt_-_I_touch_God_in_my_song
1.rt_-_Journey_Home
1.rt_-_Keep_Me_Fully_Glad
1.rt_-_Kinu_Goalas_Alley
1.rt_-_Krishnakali
1.rt_-_Lamp_Of_Love
1.rt_-_Last_Curtain
1.rt_-_Leave_This
1.rt_-_Let_Me_Not_Forget
1.rt_-_Light
1.rt_-_Listen,_can_you_hear_it?_(from_The_Lover_of_God)
1.rt_-_Little_Flute
1.rt_-_Little_Of_Me
1.rt_-_Lord_Of_My_Life
1.rt_-_Lost_Star
1.rt_-_Lost_Time
1.rt_-_Lotus
1.rt_-_Lovers_Gifts_II_-_Come_To_My_Garden_Walk
1.rt_-_Lovers_Gifts_IV_-_She_Is_Near_To_My_Heart
1.rt_-_Lovers_Gifts_LII_-_Tired_Of_Waiting
1.rt_-_Lovers_Gifts_LIV_-_In_The_Beginning_Of_Time
1.rt_-_Lovers_Gifts_LVIII_-_Things_Throng_And_Laugh
1.rt_-_Lovers_Gifts_LVI_-_The_Evening_Was_Lonely
1.rt_-_Lovers_Gifts_LXX_-_Take_Back_Your_Coins
1.rt_-_Lovers_Gifts_VIII_-_There_Is_Room_For_You
1.rt_-_Lovers_Gifts_V_-_I_Would_Ask_For_Still_More
1.rt_-_Lovers_Gifts_XIII_-_Last_Night_In_The_Garden
1.rt_-_Lovers_Gifts_XIX_-_It_Is_Written_In_The_Book
1.rt_-_Lovers_Gifts_XL_-_A_Message_Came
1.rt_-_Lovers_Gifts_XLII_-_Are_You_A_Mere_Picture
1.rt_-_Lovers_Gifts_XLIII_-_Dying,_You_Have_Left_Behind
1.rt_-_Lovers_Gifts_XLIV_-_Where_Is_Heaven
1.rt_-_Lovers_Gifts_XLVIII_-_I_Travelled_The_Old_Road
1.rt_-_Lovers_Gifts_XLVII_-_The_Road_Is
1.rt_-_Lovers_Gifts_XVIII_-_Your_Days
1.rt_-_Lovers_Gifts_XVI_-_She_Dwelt_Here_By_The_Pool
1.rt_-_Lovers_Gifts_XXII_-_I_Shall_Gladly_Suffer
1.rt_-_Lovers_Gifts_XXVIII_-_I_Dreamt
1.rt_-_Lovers_Gifts_XXXIX_-_There_Is_A_Looker-On
1.rt_-_Maran-Milan_(Death-Wedding)
1.rt_-_Maya
1.rt_-_Meeting
1.rt_-_Moments_Indulgence
1.rt_-_My_Dependence
1.rt_-_My_Friend,_Come_In_These_Rains
1.rt_-_My_Polar_Star
1.rt_-_My_Pole_Star
1.rt_-_My_Present
1.rt_-_My_Song
1.rt_-_Ocean_Of_Forms
1.rt_-_Old_And_New
1.rt_-_Old_Letters_
1.rt_-_One_Day_In_Spring....
1.rt_-_Only_Thee
1.rt_-_On_many_an_idle_day_have_I_grieved_over_lost_time_(from_Gitanjali)
1.rt_-_On_The_Nature_Of_Love
1.rt_-_On_The_Seashore
1.rt_-_Our_Meeting
1.rt_-_Palm_Tree
1.rt_-_Paper_Boats
1.rt_-_Parting_Words
1.rt_-_Passing_Breeze
1.rt_-_Patience
1.rt_-_Playthings
1.rt_-_Poems_On_Beauty
1.rt_-_Poems_On_Life
1.rt_-_Poems_On_Man
1.rt_-_Poems_On_Time
1.rt_-_Prisoner
1.rt_-_Purity
1.rt_-_Rare
1.rt_-_Religious_Obsession_--_translation_from_Dharmamoha
1.rt_-_Roaming_Cloud
1.rt_-_Sail_Away
1.rt_-_Salutation
1.rt_-_Senses
1.rt_-_She
1.rt_-_Shyama
1.rt_-_Signet_Of_Eternity
1.rt_-_Silent_Steps
1.rt_-_Sit_Smiling
1.rt_-_Sleep
1.rt_-_Sleep-Stealer
1.rt_-_Song_Unsung
1.rt_-_Still_Heart
1.rt_-_Stray_Birds_01_-_10
1.rt_-_Stray_Birds_11-_20
1.rt_-_Stray_Birds_21_-_30
1.rt_-_Stray_Birds_31_-_40
1.rt_-_Stray_Birds_51_-_60
1.rt_-_Stray_Birds_61_-_70
1.rt_-_Stray_Birds_71_-_80
1.rt_-_Stray_Birds_81_-_90
1.rt_-_Stream_Of_Life
1.rt_-_Strong_Mercy
1.rt_-_Superior
1.rt_-_Sympathy
1.rt_-_The_Astronomer
1.rt_-_The_Banyan_Tree
1.rt_-_The_Beginning
1.rt_-_The_Boat
1.rt_-_The_Call_Of_The_Far
1.rt_-_The_Champa_Flower
1.rt_-_The_Child-Angel
1.rt_-_The_End
1.rt_-_The_First_Jasmines
1.rt_-_The_Flower-School
1.rt_-_The_Further_Bank
1.rt_-_The_Gardener_IV_-_Ah_Me
1.rt_-_The_Gardener_IX_-_When_I_Go_Alone_At_Night
1.rt_-_The_Gardener_LI_-_Then_Finish_The_Last_Song
1.rt_-_The_Gardener_LIX_-_O_Woman
1.rt_-_The_Gardener_LVII_-_I_Plucked_Your_Flower
1.rt_-_The_Gardener_LV_-_It_Was_Mid-Day
1.rt_-_The_Gardener_LXI_-_Peace,_My_Heart
1.rt_-_The_Gardener_LXIV_-_I_Spent_My_Day
1.rt_-_The_Gardener_LXIX_-_I_Hunt_For_The_Golden_Stag
1.rt_-_The_Gardener_LXVIII_-_None_Lives_For_Ever,_Brother
1.rt_-_The_Gardener_LXXIX_-_I_Often_Wonder
1.rt_-_The_Gardener_LXXV_-_At_Midnight
1.rt_-_The_Gardener_LXXXIII_-_She_Dwelt_On_The_Hillside
1.rt_-_The_Gardener_LXXXIV_-_Over_The_Green
1.rt_-_The_Gardener_LXXXI_-_Why_Do_You_Whisper_So_Faintly
1.rt_-_The_Gardener_XI_-_Come_As_You_Are
1.rt_-_The_Gardener_XIII_-_I_Asked_Nothing
1.rt_-_The_Gardener_XIV_-_I_Was_Walking_By_The_Road
1.rt_-_The_Gardener_XIX_-_You_Walked
1.rt_-_The_Gardener_XL_-_An_Unbelieving_Smile
1.rt_-_The_Gardener_X_-_Let_Your_Work_Be,_Bride
1.rt_-_The_Gardener_XLIII_-_No,_My_Friends
1.rt_-_The_Gardener_XLII_-_O_Mad,_Superbly_Drunk
1.rt_-_The_Gardener_XLIV_-_Reverend_Sir,_Forgive
1.rt_-_The_Gardener_XLVIII_-_Free_Me
1.rt_-_The_Gardener_XLVI_-_You_Left_Me
1.rt_-_The_Gardener_XLV_-_To_The_Guests
1.rt_-_The_Gardener_XVI_-_Hands_Cling_To_Eyes
1.rt_-_The_Gardener_XVIII_-_When_Two_Sisters
1.rt_-_The_Gardener_XX_-_Day_After_Day_He_Comes
1.rt_-_The_Gardener_XXII_-_When_She_Passed_By_Me
1.rt_-_The_Gardener_XXIV_-_Do_Not_Keep_To_Yourself
1.rt_-_The_Gardener_XXI_-_Why_Did_He_Choose
1.rt_-_The_Gardener_XXIX_-_Speak_To_Me_My_Love
1.rt_-_The_Gardener_XXVIII_-_Your_Questioning_Eyes
1.rt_-_The_Gardener_XXVII_-_Trust_Love
1.rt_-_The_Gardener_XXVI_-_What_Comes_From_Your_Willing_Hands
1.rt_-_The_Gardener_XXXIV_-_Do_Not_Go,_My_Love
1.rt_-_The_Gardener_XXXVIII_-_My_Love,_Once_Upon_A_Time
1.rt_-_The_Gift
1.rt_-_The_Golden_Boat
1.rt_-_The_Hero
1.rt_-_The_Hero(2)
1.rt_-_The_Home
1.rt_-_The_Homecoming
1.rt_-_The_Journey
1.rt_-_The_Judge
1.rt_-_The_Kiss
1.rt_-_The_Kiss(2)
1.rt_-_The_Land_Of_The_Exile
1.rt_-_The_Last_Bargain
1.rt_-_The_Little_Big_Man
1.rt_-_The_Lost_Star
1.rt_-_The_Merchant
1.rt_-_The_Music_Of_The_Rains
1.rt_-_The_Portrait
1.rt_-_The_Rainy_Day
1.rt_-_The_Recall
1.rt_-_The_Sailor
1.rt_-_The_Source
1.rt_-_The_Sun_Of_The_First_Day
1.rt_-_The_Tame_Bird_Was_In_A_Cage
1.rt_-_The_Unheeded_Pageant
1.rt_-_The_Wicked_Postman
1.rt_-_This_Dog
1.rt_-_Threshold
1.rt_-_Tumi_Sandhyar_Meghamala_-_You_Are_A_Cluster_Of_Clouds_-_Translation
1.rt_-_Twelve_OClock
1.rt_-_Unending_Love
1.rt_-_Ungrateful_Sorrow
1.rt_-_Untimely_Leave
1.rt_-_Unyielding
1.rt_-_Urvashi
1.rt_-_Vocation
1.rt_-_Waiting
1.rt_-_Waiting_For_The_Beloved
1.rt_-_We_Are_To_Play_The_Game_Of_Death
1.rt_-_When_And_Why
1.rt_-_When_Day_Is_Done
1.rt_-_When_I_Go_Alone_At_Night
1.rt_-_When_the_Two_Sister_Go_To_Fetch_Water
1.rt_-_Where_Shadow_Chases_Light
1.rt_-_Where_The_Mind_Is_Without_Fear
1.rt_-_Who_are_You,_who_keeps_my_heart_awake?_(from_The_Lover_of_God)
1.rt_-_Who_Is_This?
1.rt_-_Your_flute_plays_the_exact_notes_of_my_pain._(from_The_Lover_of_God)
1.rvd_-_How_to_Escape?
1.rvd_-_If_You_are_a_mountain
1.rvd_-_The_Name_alone_is_the_Truth
1.rvd_-_Upon_seeing_poverty
1.rvd_-_When_I_existed
1.rvd_-_You_are_me,_and_I_am_You
1.rwe_-_Alphonso_Of_Castile
1.rwe_-_A_Nations_Strength
1.rwe_-_Art
1.rwe_-_Astrae
1.rwe_-_Bacchus
1.rwe_-_Beauty
1.rwe_-_Berrying
1.rwe_-_Blight
1.rwe_-_Boston
1.rwe_-_Boston_Hymn
1.rwe_-_Brahma
1.rwe_-_Celestial_Love
1.rwe_-_Character
1.rwe_-_Compensation
1.rwe_-_Concord_Hymn
1.rwe_-_Culture
1.rwe_-_Days
1.rwe_-_Dirge
1.rwe_-_Dmonic_Love
1.rwe_-_Each_And_All
1.rwe_-_Eros
1.rwe_-_Etienne_de_la_Boce
1.rwe_-_Experience
1.rwe_-_Fable
1.rwe_-_Fate
1.rwe_-_Flower_Chorus
1.rwe_-_Forebearance
1.rwe_-_Forerunners
1.rwe_-_Freedom
1.rwe_-_Friendship
1.rwe_-_From_the_Persian_of_Hafiz_I
1.rwe_-_From_the_Persian_of_Hafiz_II
1.rwe_-_Gnothi_Seauton
1.rwe_-_Good-bye
1.rwe_-_Grace
1.rwe_-_Guy
1.rwe_-_Hamatreya
1.rwe_-_Heroism
1.rwe_-_Initial_Love
1.rwe_-_In_Memoriam
1.rwe_-_Letters
1.rwe_-_Life_Is_Great
1.rwe_-_Loss_And_Gain
1.rwe_-_Love_And_Thought
1.rwe_-_Lover's_Petition
1.rwe_-_Manners
1.rwe_-_May-Day
1.rwe_-_Merlin_I
1.rwe_-_Merlin_II
1.rwe_-_Merlin's_Song
1.rwe_-_Merops
1.rwe_-_Mithridates
1.rwe_-_Monadnoc
1.rwe_-_Musketaquid
1.rwe_-_My_Garden
1.rwe_-_Nature
1.rwe_-_Nemesis
1.rwe_-_Ode_-_Inscribed_to_W.H._Channing
1.rwe_-_Ode_To_Beauty
1.rwe_-_Poems
1.rwe_-_Politics
1.rwe_-_Quatrains
1.rwe_-_Rubies
1.rwe_-_Saadi
1.rwe_-_Seashore
1.rwe_-_Self_Reliance
1.rwe_-_Solution
1.rwe_-_Song_of_Nature
1.rwe_-_Spiritual_Laws
1.rwe_-_Sursum_Corda
1.rwe_-_Suum_Cuique
1.rwe_-_Tact
1.rwe_-_Teach_Me_I_Am_Forgotten_By_The_Dead
1.rwe_-_Terminus
1.rwe_-_The_Adirondacs
1.rwe_-_The_Amulet
1.rwe_-_The_Apology
1.rwe_-_The_Bell
1.rwe_-_The_Chartist's_Complaint
1.rwe_-_The_Cumberland
1.rwe_-_The_Days_Ration
1.rwe_-_The_Enchanter
1.rwe_-_The_Forerunners
1.rwe_-_The_Gods_Walk_In_The_Breath_Of_The_Woods
1.rwe_-_The_Humble_Bee
1.rwe_-_The_Lords_of_Life
1.rwe_-_The_Park
1.rwe_-_The_Past
1.rwe_-_The_Poet
1.rwe_-_The_Problem
1.rwe_-_The_Rhodora_-_On_Being_Asked,_Whence_Is_The_Flower?
1.rwe_-_The_River_Note
1.rwe_-_The_Romany_Girl
1.rwe_-_The_Snowstorm
1.rwe_-_The_Sphinx
1.rwe_-_The_Test
1.rwe_-_The_Titmouse
1.rwe_-_The_Visit
1.rwe_-_The_World-Soul
1.rwe_-_Threnody
1.rwe_-_To-day
1.rwe_-_To_Ellen,_At_The_South
1.rwe_-_To_Eva
1.rwe_-_To_J.W.
1.rwe_-_To_Laugh_Often_And_Much
1.rwe_-_To_Rhea
1.rwe_-_Two_Rivers
1.rwe_-_Una
1.rwe_-_Unity
1.rwe_-_Uriel
1.rwe_-_Voluntaries
1.rwe_-_Wakdeubsankeit
1.rwe_-_Water
1.rwe_-_Waves
1.rwe_-_Wealth
1.rwe_-_Woodnotes
1.rwe_-_Worship
1.ryz_-_Clear_in_the_blue,_the_moon!
1.sb_-_Cut_brambles_long_enough
1.sb_-_Gathering_the_Mind
1.sb_-_Precious_Treatise_on_Preservation_of_Unity_on_the_Great_Way
1.sb_-_Refining_the_Spirit
1.sb_-_Spirit_and_energy_should_be_clear_as_the_night_air
1.sb_-_The_beginning_of_the_sustenance_of_life
1.sca_-_Draw_me_after_You!
1.sca_-_Happy,_indeed,_is_she_whom_it_is_given_to_share_this_sacred_banquet
1.sca_-_O_blessed_poverty
1.sca_-_Place_your_mind_before_the_mirror_of_eternity!
1.sca_-_What_a_great_laudable_exchange
1.sca_-_What_you_hold,_may_you_always_hold
1.sca_-_When_You_have_loved,_You_shall_be_chaste
1.sdi_-_All_Adams_offspring_form_one_family_tree
1.sdi_-_Have_no_doubts_because_of_trouble_nor_be_thou_discomfited
1.sdi_-_How_could_I_ever_thank_my_Friend?
1.sdi_-_If_one_His_praise_of_me_would_learn
1.sdi_-_In_Love
1.sdi_-_The_man_of_God_with_half_his_loaf_content
1.sdi_-_The_world,_my_brother!_will_abide_with_none
1.sdi_-_To_the_wall_of_the_faithful_what_sorrow,_when_pillared_securely_on_thee?
1.sfa_-_Exhortation_to_St._Clare_and_Her_Sisters
1.sfa_-_How_Virtue_Drives_Out_Vice
1.sfa_-_Let_the_whole_of_mankind_tremble
1.sfa_-_Let_us_desire_nothing_else
1.sfa_-_Prayer_from_A_Letter_to_the_Entire_Order
1.sfa_-_Prayer_Inspired_by_the_Our_Father
1.sfa_-_The_Canticle_of_Brother_Sun
1.sfa_-_The_Praises_of_God
1.sfa_-_The_Prayer_Before_the_Crucifix
1.sfa_-_The_Salutation_of_the_Virtues
1.shvb_-_Ave_generosa_-_Hymn_to_the_Virgin
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_De_Spiritu_Sancto_-_To_the_Holy_Spirit
1.shvb_-_Laus_Trinitati_-_Antiphon_for_the_Trinity
1.shvb_-_O_Euchari_in_leta_via_-_Sequence_for_Saint_Eucharius
1.shvb_-_O_ignee_Spiritus_-_Hymn_to_the_Holy_Spirit
1.shvb_-_O_ignis_Spiritus_Paracliti
1.shvb_-_O_magne_Pater_-_Antiphon_for_God_the_Father
1.shvb_-_O_mirum_admirandum_-_Antiphon_for_Saint_Disibod
1.shvb_-_O_most_noble_Greenness,_rooted_in_the_sun
1.shvb_-_O_nobilissima_viriditas
1.shvb_-_O_spectabiles_viri_-_Antiphon_for_Patriarchs_and_Prophets
1.shvb_-_O_virga_mediatrix_-_Alleluia-verse_for_the_Virgin
1.shvb_-_O_Virtus_Sapientiae_-_O_Moving_Force_of_Wisdom
1.sig_-_Before_I_was,_Thy_mercy_came_to_me
1.sig_-_Come_to_me_at_dawn,_my_beloved,_and_go_with_me
1.sig_-_Ecstasy
1.sig_-_Humble_of_Spirit
1.sig_-_I_look_for_you_early
1.sig_-_I_Sought_Thee_Daily
1.sig_-_Lord_of_the_World
1.sig_-_Rise_and_open_the_door_that_is_shut
1.sig_-_The_Sun
1.sig_-_Thou_art_One
1.sig_-_Thou_art_the_Supreme_Light
1.sig_-_Thou_Livest
1.sig_-_Where_Will_I_Find_You
1.sig_-_Who_can_do_as_Thy_deeds
1.sig_-_Who_could_accomplish_what_youve_accomplished
1.sig_-_You_are_wise_(from_From_Kingdoms_Crown)
1.sjc_-_Dark_Night
1.sjc_-_Full_of_Hope_I_Climbed_the_Day
1.sjc_-_I_Entered_the_Unknown
1.sjc_-_I_Live_Yet_Do_Not_Live_in_Me
1.sjc_-_Loves_Living_Flame
1.sjc_-_Not_for_All_the_Beauty
1.sjc_-_On_the_Communion_of_the_Three_Persons_(from_Romance_on_the_Gospel)
1.sjc_-_Song_of_the_Soul_That_Delights_in_Knowing_God_by_Faith
1.sjc_-_The_Fountain
1.sjc_-_The_Sum_of_Perfection
1.sjc_-_Without_a_Place_and_With_a_Place
1.sk_-_Is_there_anyone_in_the_universe
1.snk_-_Endless_is_my_Wealth
1.snk_-_In_Praise_of_the_Goddess
1.snk_-_Nirvana_Shatakam
1.snk_-_The_Shattering_of_Illusion_(Moha_Mudgaram_from_The_Crest_Jewel_of_Discrimination)
1.snk_-_You_are_my_true_self,_O_Lord
1.snt_-_As_soon_as_your_mind_has_experienced
1.snt_-_By_what_boundless_mercy,_my_Savior
1.snt_-_How_are_You_at_once_the_source_of_fire
1.snt_-_How_is_it_I_can_love_You
1.snt_-_In_the_midst_of_that_night,_in_my_darkness
1.snt_-_O_totally_strange_and_inexpressible_marvel!
1.snt_-_The_fire_rises_in_me
1.snt_-_The_Light_of_Your_Way
1.snt_-_We_awaken_in_Christs_body
1.snt_-_What_is_this_awesome_mystery
1.snt_-_You,_oh_Christ,_are_the_Kingdom_of_Heaven
1.srd_-_Krishna_Awakes
1.srd_-_Shes_found_him,_she_has,_but_Radha_disbelieves
1.srh_-_The_Royal_Song_of_Saraha_(Dohakosa)
1.srmd_-_Companion
1.srmd_-_Every_man_who_knows_his_secret
1.srmd_-_He_and_I_are_one
1.srmd_-_He_dwells_not_only_in_temples_and_mosques
1.srmd_-_He_is_happy_on_account_of_my_humble_self
1.srmd_-_Hundreds_of_my_friends_became_enemies
1.srm_-_Disrobe,_show_Your_beauty_(from_The_Marital_Garland_of_Letters)
1.srmd_-_My_friend,_engage_your_heart_in_his_embrace
1.srmd_-_My_heart_searched_for_your_fragrance
1.srmd_-_Once_I_was_bathed_in_the_Light_of_Truth_within
1.srmd_-_The_ocean_of_his_generosity_has_no_shore
1.srmd_-_The_universe
1.srmd_-_To_the_dignified_station_of_love_I_was_raised
1.srm_-_The_Marital_Garland_of_Letters
1.srm_-_The_Necklet_of_Nine_Gems
1.srm_-_The_Song_of_the_Poppadum
1.ss_-_Its_something_no_on_can_force
1.ss_-_Most_of_the_time_I_smile
1.ss_-_Outside_the_door_I_made_but_dont_close
1.ss_-_Paper_windows_bamboo_walls_hedge_of_hibiscus
1.ss_-_This_bodys_lifetime_is_like_a_bubbles
1.ss_-_To_glorify_the_Way_what_should_people_turn_to
1.ss_-_Trying_to_become_a_Buddha_is_easy
1.stav_-_I_Live_Without_Living_In_Me
1.stav_-_In_the_Hands_of_God
1.stav_-_Let_nothing_disturb_thee
1.stav_-_My_Beloved_One_is_Mine
1.stav_-_Oh_Exceeding_Beauty
1.stav_-_On_Those_Words_I_am_for_My_Beloved
1.stav_-_You_are_Christs_Hands
1.st_-_Behold_the_glow_of_the_moon
1.st_-_Doesnt_anyone_see
1.st_-_I_live_in_a_place_without_limits
1.stl_-_My_Song_for_Today
1.stl_-_The_Atom_of_Jesus-Host
1.stl_-_The_Divine_Dew
1.sv_-_In_dense_darkness,_O_Mother
1.sv_-_Kali_the_Mother
1.sv_-_Song_of_the_Sanyasin
1.tc_-_After_Liu_Chai-Sangs_Poem
1.tc_-_Around_my_door_and_yard_no_dust_or_noise
1.tc_-_Autumn_chrysanthemums_have_beautiful_color
1.tc_-_I_built_my_hut_within_where_others_live
1.tc_-_In_youth_I_could_not_do_what_everyone_else_did
1.tc_-_Success_and_failure?_No_known_address
1.tc_-_Unsettled,_a_bird_lost_from_the_flock
1.tm_-_A_Messenger_from_the_Horizon
1.tm_-_A_Practical_Program_for_Monks
1.tm_-_A_Psalm
1.tm_-_Aubade_--_The_City
1.tm_-_Follow_my_ways_and_I_will_lead_you
1.tm_-_In_Silence
1.tm_-_Night-Flowering_Cactus
1.tm_-_O_Sweet_Irrational_Worship
1.tm_-_Song_for_Nobody
1.tm_-_Stranger
1.tm_-_The_Fall
1.tm_-_The_Sowing_of_Meanings
1.tm_-_When_in_the_soul_of_the_serene_disciple
1.tr_-_At_Dusk
1.tr_-_At_Master_Do's_Country_House
1.tr_-_Begging
1.tr_-_Blending_With_The_Wind
1.tr_-_Descend_from_your_head_into_your_heart
1.tr_-_Down_In_The_Village
1.tr_-_Dreams
1.tr_-_First_Days_Of_Spring_-_The_sky
1.tr_-_For_Children_Killed_In_A_Smallpox_Epidemic
1.tr_-_Have_You_Forgotten_Me
1.tr_-_How_Can_I_Possibly_Sleep
1.tr_-_Images,_however_sacred
1.tr_-_In_A_Dilapidated_Three-Room_Hut
1.tr_-_In_My_Youth_I_Put_Aside_My_Studies
1.tr_-_In_The_Morning
1.tr_-_I_Watch_People_In_The_World
1.tr_-_Like_The_Little_Stream
1.tr_-_Midsummer
1.tr_-_My_Cracked_Wooden_Bowl
1.tr_-_My_legacy
1.tr_-_No_Luck_Today_On_My_Mendicant_Rounds
1.tr_-_No_Mind
1.tr_-_Orchid
1.tr_-_Reply_To_A_Friend
1.tr_-_Returning_To_My_Native_Village
1.tr_-_Rise_Above
1.tr_-_Slopes_Of_Mount_Kugami
1.tr_-_Stretched_Out
1.tr_-_Teishin
1.tr_-_The_Lotus
1.tr_-_The_Plants_And_Flowers
1.tr_-_The_Thief_Left_It_Behind
1.tr_-_The_Way_Of_The_Holy_Fool
1.tr_-_The_Wind_Has_Settled
1.tr_-_The_Winds_Have_Died
1.tr_-_This_World
1.tr_-_Though_Frosts_come_down
1.tr_-_Three_Thousand_Worlds
1.tr_-_To_Kindle_A_Fire
1.tr_-_To_My_Teacher
1.tr_-_Too_Lazy_To_Be_Ambitious
1.tr_-_When_All_Thoughts
1.tr_-_When_I_Was_A_Lad
1.tr_-_White_Hair
1.tr_-_Wild_Roses
1.tr_-_Yes,_Im_Truly_A_Dunce
1.tr_-_You_Do_Not_Need_Many_Things
1.tr_-_You_Stop_To_Point_At_The_Moon_In_The_Sky
1.vpt_-_All_my_inhibition_left_me_in_a_flash
1.vpt_-_As_the_mirror_to_my_hand
1.vpt_-_He_promised_hed_return_tomorrow
1.vpt_-_My_friend,_I_cannot_answer_when_you_ask_me_to_explain
1.vpt_-_The_moon_has_shone_upon_me
1.wb_-_Auguries_of_Innocence
1.wb_-_Awake!_awake_O_sleeper_of_the_land_of_shadows
1.wb_-_Eternity
1.wb_-_Hear_the_voice_of_the_Bard!
1.wb_-_Of_the_Sleep_of_Ulro!_and_of_the_passage_through
1.wb_-_Reader!_of_books!_of_heaven
1.wb_-_The_Divine_Image
1.wb_-_The_Errors_of_Sacred_Codes_(from_The_Marriage_of_Heaven_and_Hell)
1.wb_-_To_see_a_world_in_a_grain_of_sand_(from_Auguries_of_Innocence)
1.wb_-_Trembling_I_sit_day_and_night
1.wby_-_A_Bronze_Head
1.wby_-_A_Coat
1.wby_-_A_Cradle_Song
1.wby_-_A_Crazed_Girl
1.wby_-_Adams_Curse
1.wby_-_A_Deep_Sworn_Vow
1.wby_-_A_Dialogue_Of_Self_And_Soul
1.wby_-_A_Dramatic_Poem
1.wby_-_A_Dream_Of_A_Blessed_Spirit
1.wby_-_A_Dream_Of_Death
1.wby_-_A_Drinking_Song
1.wby_-_A_Drunken_Mans_Praise_Of_Sobriety
1.wby_-_Aedh_Wishes_For_The_Cloths_Of_Heaven
1.wby_-_A_Faery_Song
1.wby_-_A_First_Confession
1.wby_-_A_Friends_Illness
1.wby_-_After_Long_Silence
1.wby_-_Against_Unworthy_Praise
1.wby_-_A_Last_Confession
1.wby_-_All_Souls_Night
1.wby_-_A_Lovers_Quarrel_Among_the_Fairies
1.wby_-_Alternative_Song_For_The_Severed_Head_In_The_King_Of_The_Great_Clock_Tower
1.wby_-_A_Man_Young_And_Old_-_Complete
1.wby_-_A_Man_Young_And_Old_-_I._First_Love
1.wby_-_A_Man_Young_And_Old_-_II._Human_Dignity
1.wby_-_A_Man_Young_And_Old_-_III._The_Mermaid
1.wby_-_A_Man_Young_And_Old_-_IV._The_Death_Of_The_Hare
1.wby_-_A_Man_Young_And_Old_-_IX._The_Secrets_Of_The_Old
1.wby_-_A_Man_Young_And_Old_-_VI._His_Memories
1.wby_-_A_Man_Young_And_Old_-_VIII._Summer_And_Spring
1.wby_-_A_Man_Young_And_Old_-_VII._The_Friends_Of_His_Youth
1.wby_-_A_Man_Young_And_Old_-_V._The_Empty_Cup
1.wby_-_A_Man_Young_And_Old_-_X._His_Wildness
1.wby_-_A_Man_Young_And_Old_-_XI._From_Oedipus_At_Colonus
1.wby_-_A_Meditation_in_Time_of_War
1.wby_-_A_Memory_Of_Youth
1.wby_-_A_Model_For_The_Laureate
1.wby_-_Among_School_Children
1.wby_-_An_Acre_Of_Grass
1.wby_-_An_Appointment
1.wby_-_Anashuya_And_Vijaya
1.wby_-_A_Nativity
1.wby_-_An_Image_From_A_Past_Life
1.wby_-_An_Irish_Airman_Foresees_His_Death
1.wby_-_Another_Song_Of_A_Fool
1.wby_-_Another_Song_of_a_Fool
1.wby_-_A_Poet_To_His_Beloved
1.wby_-_A_Prayer_For_My_Daughter
1.wby_-_A_Prayer_For_My_Son
1.wby_-_A_Prayer_For_Old_Age
1.wby_-_A_Prayer_On_Going_Into_My_House
1.wby_-_Are_You_Content?
1.wby_-_A_Song
1.wby_-_A_Song_From_The_Player_Queen
1.wby_-_A_Stick_Of_Incense
1.wby_-_At_Algeciras_-_A_Meditaton_Upon_Death
1.wby_-_At_Galway_Races
1.wby_-_A_Thought_From_Propertius
1.wby_-_At_The_Abbey_Theatre
1.wby_-_A_Woman_Homer_Sung
1.wby_-_A_Woman_Young_And_Old
1.wby_-_Baile_And_Aillinn
1.wby_-_Beautiful_Lofty_Things
1.wby_-_Before_The_World_Was_Made
1.wby_-_Beggar_To_Beggar_Cried
1.wby_-_Blood_And_The_Moon
1.wby_-_Broken_Dreams
1.wby_-_Brown_Penny
1.wby_-_Byzantium
1.wby_-_Colonel_Martin
1.wby_-_Colonus_Praise
1.wby_-_Come_Gather_Round_Me,_Parnellites
1.wby_-_Consolation
1.wby_-_Coole_Park_1929
1.wby_-_Coole_Park_And_Ballylee,_1931
1.wby_-_Crazy_Jane_And_Jack_The_Journeyman
1.wby_-_Crazy_Jane_And_The_Bishop
1.wby_-_Crazy_Jane_Grown_Old_Looks_At_The_Dancers
1.wby_-_Crazy_Jane_On_God
1.wby_-_Crazy_Jane_On_The_Day_Of_Judgment
1.wby_-_Crazy_Jane_On_The_Mountain
1.wby_-_Crazy_Jane_Reproved
1.wby_-_Crazy_Jane_Talks_With_The_Bishop
1.wby_-_Cuchulains_Fight_With_The_Sea
1.wby_-_Death
1.wby_-_Demon_And_Beast
1.wby_-_Do_Not_Love_Too_Long
1.wby_-_Down_By_The_Salley_Gardens
1.wby_-_Easter_1916
1.wby_-_Ego_Dominus_Tuus
1.wby_-_Ephemera
1.wby_-_Fallen_Majesty
1.wby_-_Father_And_Child
1.wby_-_Fergus_And_The_Druid
1.wby_-_Fiddler_Of_Dooney
1.wby_-_For_Anne_Gregory
1.wby_-_Fragments
1.wby_-_Friends
1.wby_-_From_A_Full_Moon_In_March
1.wby_-_From_The_Antigone
1.wby_-_Girls_Song
1.wby_-_Gratitude_To_The_Unknown_Instructors
1.wby_-_He_Bids_His_Beloved_Be_At_Peace
1.wby_-_He_Gives_His_Beloved_Certain_Rhymes
1.wby_-_He_Hears_The_Cry_Of_The_Sedge
1.wby_-_He_Mourns_For_The_Change_That_Has_Come_Upon_Him_And_His_Beloved,_And_Longs_For_The_End_Of_The_World
1.wby_-_Her_Anxiety
1.wby_-_Her_Dream
1.wby_-_He_Remembers_Forgotten_Beauty
1.wby_-_He_Reproves_The_Curlew
1.wby_-_Her_Praise
1.wby_-_Her_Triumph
1.wby_-_Her_Vision_In_The_Wood
1.wby_-_He_Tells_Of_A_Valley_Full_Of_Lovers
1.wby_-_He_Tells_Of_The_Perfect_Beauty
1.wby_-_He_Thinks_Of_His_Past_Greatness_When_A_Part_Of_The_Constellations_Of_Heaven
1.wby_-_He_Thinks_Of_Those_Who_Have_Spoken_Evil_Of_His_Beloved
1.wby_-_He_Wishes_His_Beloved_Were_Dead
1.wby_-_High_Talk
1.wby_-_His_Bargain
1.wby_-_His_Confidence
1.wby_-_His_Dream
1.wby_-_Hound_Voice
1.wby_-_I_Am_Of_Ireland
1.wby_-_Imitated_From_The_Japanese
1.wby_-_In_Memory_Of_Alfred_Pollexfen
1.wby_-_In_Memory_Of_Eva_Gore-Booth_And_Con_Markiewicz
1.wby_-_In_Memory_Of_Major_Robert_Gregory
1.wby_-_In_Taras_Halls
1.wby_-_In_The_Seven_Woods
1.wby_-_Into_The_Twilight
1.wby_-_John_Kinsellas_Lament_For_Mr._Mary_Moore
1.wby_-_King_And_No_King
1.wby_-_Lapis_Lazuli
1.wby_-_Leda_And_The_Swan
1.wby_-_Lines_Written_In_Dejection
1.wby_-_Long-Legged_Fly
1.wby_-_Loves_Loneliness
1.wby_-_Love_Song
1.wby_-_Lullaby
1.wby_-_Mad_As_The_Mist_And_Snow
1.wby_-_Maid_Quiet
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_Meeting
1.wby_-_Memory
1.wby_-_Men_Improve_With_The_Years
1.wby_-_Meru
1.wby_-_Michael_Robartes_And_The_Dancer
1.wby_-_Mohini_Chatterjee
1.wby_-_Never_Give_All_The_Heart
1.wby_-_News_For_The_Delphic_Oracle
1.wby_-_Nineteen_Hundred_And_Nineteen
1.wby_-_No_Second_Troy
1.wby_-_Now_as_at_all_times
1.wby_-_Oil_And_Blood
1.wby_-_Old_Memory
1.wby_-_Old_Tom_Again
1.wby_-_On_A_Picture_Of_A_Black_Centaur_By_Edmund_Dulac
1.wby_-_On_A_Political_Prisoner
1.wby_-_On_Being_Asked_For_A_War_Poem
1.wby_-_On_Hearing_That_The_Students_Of_Our_New_University_Have_Joined_The_Agitation_Against_Immoral_Literat
1.wby_-_On_Those_That_Hated_The_Playboy_Of_The_Western_World,_1907
1.wby_-_On_Woman
1.wby_-_Owen_Aherne_And_His_Dancers
1.wby_-_Parnell
1.wby_-_Parnells_Funeral
1.wby_-_Parting
1.wby_-_Paudeen
1.wby_-_Peace
1.wby_-_Politics
1.wby_-_Presences
1.wby_-_Quarrel_In_Old_Age
1.wby_-_Reconciliation
1.wby_-_Red_Hanrahans_Song_About_Ireland
1.wby_-_Remorse_For_Intemperate_Speech
1.wby_-_Responsibilities_-_Closing
1.wby_-_Responsibilities_-_Introduction
1.wby_-_Roger_Casement
1.wby_-_Running_To_Paradise
1.wby_-_Sailing_to_Byzantium
1.wby_-_September_1913
1.wby_-_Shepherd_And_Goatherd
1.wby_-_Sixteen_Dead_Men
1.wby_-_Slim_adolescence_that_a_nymph_has_stripped,
1.wby_-_Solomon_And_The_Witch
1.wby_-_Solomon_To_Sheba
1.wby_-_Spilt_Milk
1.wby_-_Statistics
1.wby_-_Stream_And_Sun_At_Glendalough
1.wby_-_Supernatural_Songs
1.wby_-_Sweet_Dancer
1.wby_-_Swifts_Epitaph
1.wby_-_Symbols
1.wby_-_That_The_Night_Come
1.wby_-_The_Apparitions
1.wby_-_The_Arrow
1.wby_-_The_Attack_On_the_Playboy_Of_The_Western_World,_1907
1.wby_-_The_Ballad_Of_Father_Gilligan
1.wby_-_The_Ballad_Of_Father_OHart
1.wby_-_The_Ballad_Of_Moll_Magee
1.wby_-_The_Ballad_Of_The_Foxhunter
1.wby_-_The_Balloon_Of_The_Mind
1.wby_-_The_Black_Tower
1.wby_-_The_Blessed
1.wby_-_The_Cap_And_Bells
1.wby_-_The_Cat_And_The_Moon
1.wby_-_The_Chambermaids_First_Song
1.wby_-_The_Chambermaids_Second_Song
1.wby_-_The_Choice
1.wby_-_The_Chosen
1.wby_-_The_Circus_Animals_Desertion
1.wby_-_The_Cloak,_The_Boat_And_The_Shoes
1.wby_-_The_Cold_Heaven
1.wby_-_The_Collar-Bone_Of_A_Hare
1.wby_-_The_Coming_Of_Wisdom_With_Time
1.wby_-_The_Countess_Cathleen_In_Paradise
1.wby_-_The_Crazed_Moon
1.wby_-_The_Curse_Of_Cromwell
1.wby_-_The_Dancer_At_Cruachan_And_Cro-Patrick
1.wby_-_The_Dawn
1.wby_-_The_Death_of_Cuchulain
1.wby_-_The_Dedication_To_A_Book_Of_Stories_Selected_From_The_Irish_Novelists
1.wby_-_The_Delphic_Oracle_Upon_Plotinus
1.wby_-_The_Dolls
1.wby_-_The_Double_Vision_Of_Michael_Robartes
1.wby_-_The_Everlasting_Voices
1.wby_-_The_Fairy_Pendant
1.wby_-_The_Falling_Of_The_Leaves
1.wby_-_The_Fascination_Of_Whats_Difficult
1.wby_-_The_Fish
1.wby_-_The_Fisherman
1.wby_-_The_Folly_Of_Being_Comforted
1.wby_-_The_Fool_By_The_Roadside
1.wby_-_The_Ghost_Of_Roger_Casement
1.wby_-_The_Gift_Of_Harun_Al-Rashid
1.wby_-_The_Great_Day
1.wby_-_The_Grey_Rock
1.wby_-_The_Gyres
1.wby_-_The_Happy_Townland
1.wby_-_The_Hawk
1.wby_-_The_Heart_Of_The_Woman
1.wby_-_The_Hosting_Of_The_Sidhe
1.wby_-_The_Host_Of_The_Air
1.wby_-_The_Hour_Before_Dawn
1.wby_-_The_Indian_To_His_Love
1.wby_-_The_Indian_Upon_God
1.wby_-_The_Ladys_First_Song
1.wby_-_The_Ladys_Second_Song
1.wby_-_The_Ladys_Third_Song
1.wby_-_The_Lake_Isle_Of_Innisfree
1.wby_-_The_Lamentation_Of_The_Old_Pensioner
1.wby_-_The_Leaders_Of_The_Crowd
1.wby_-_The_Living_Beauty
1.wby_-_The_Lover_Asks_Forgiveness_Because_Of_His_Many_Moods
1.wby_-_The_Lover_Mourns_For_The_Loss_Of_Love
1.wby_-_The_Lover_Pleads_With_His_Friend_For_Old_Friends
1.wby_-_The_Lover_Speaks_To_The_Hearers_Of_His_Songs_In_Coming_Days
1.wby_-_The_Lovers_Song
1.wby_-_The_Lover_Tells_Of_The_Rose_In_His_Heart
1.wby_-_The_Madness_Of_King_Goll
1.wby_-_The_Magi
1.wby_-_The_Man_And_The_Echo
1.wby_-_The_Man_Who_Dreamed_Of_Faeryland
1.wby_-_The_Mask
1.wby_-_The_Meditation_Of_The_Old_Fisherman
1.wby_-_The_Moods
1.wby_-_The_Mother_Of_God
1.wby_-_The_Mountain_Tomb
1.wby_-_The_Municipal_Gallery_Revisited
1.wby_-_The_New_Faces
1.wby_-_The_Nineteenth_Century_And_After
1.wby_-_The_Old_Age_Of_Queen_Maeve
1.wby_-_The_Old_Men_Admiring_Themselves_In_The_Water
1.wby_-_The_Old_Pensioner.
1.wby_-_The_Old_Stone_Cross
1.wby_-_The_ORahilly
1.wby_-_The_Peacock
1.wby_-_The_People
1.wby_-_The_Phases_Of_The_Moon
1.wby_-_The_Pilgrim
1.wby_-_The_Pity_Of_Love
1.wby_-_The_Players_Ask_For_A_Blessing_On_The_Psalteries_And_On_Themselves
1.wby_-_The_Poet_Pleads_With_The_Elemental_Powers
1.wby_-_The_Ragged_Wood
1.wby_-_The_Realists
1.wby_-_The_Results_Of_Thought
1.wby_-_The_Rose_In_The_Deeps_Of_His_Heart
1.wby_-_The_Rose_Of_Battle
1.wby_-_The_Rose_Of_Peace
1.wby_-_The_Rose_Of_The_World
1.wby_-_The_Rose_Tree
1.wby_-_The_Sad_Shepherd
1.wby_-_The_Saint_And_The_Hunchback
1.wby_-_The_Scholars
1.wby_-_These_Are_The_Clouds
1.wby_-_The_Second_Coming
1.wby_-_The_Secret_Rose
1.wby_-_The_Seven_Sages
1.wby_-_The_Shadowy_Waters_-_Introduction
1.wby_-_The_Shadowy_Waters_-_The_Harp_Of_Aengus
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Song_Of_The_Happy_Shepherd
1.wby_-_The_Song_Of_The_Old_Mother
1.wby_-_The_Song_Of_Wandering_Aengus
1.wby_-_The_Sorrow_Of_Love
1.wby_-_The_Spirit_Medium
1.wby_-_The_Spur
1.wby_-_The_Statesmans_Holiday
1.wby_-_The_Statues
1.wby_-_The_Stolen_Child
1.wby_-_The_Three_Beggars
1.wby_-_The_Three_Bushes
1.wby_-_The_Three_Hermits
1.wby_-_The_Three_Monuments
1.wby_-_The_Tower
1.wby_-_The_Travail_Of_Passion
1.wby_-_The_Two_Kings
1.wby_-_The_Two_Trees
1.wby_-_The_Unappeasable_Host
1.wby_-_The_Valley_Of_The_Black_Pig
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.wby_-_The_Wheel
1.wby_-_The_White_Birds
1.wby_-_The_Wild_Old_Wicked_Man
1.wby_-_The_Wild_Swans_At_Coole
1.wby_-_The_Winding_Stair
1.wby_-_The_Witch
1.wby_-_The_Withering_Of_The_Boughs
1.wby_-_Those_Dancing_Days_Are_Gone
1.wby_-_Those_Images
1.wby_-_Three_Marching_Songs
1.wby_-_Three_Movements
1.wby_-_Three_Songs_To_The_One_Burden
1.wby_-_Three_Songs_To_The_Same_Tune
1.wby_-_Three_Things
1.wby_-_To_A_Child_Dancing_In_The_Wind
1.wby_-_To_A_Friend_Whose_Work_Has_Come_To_Nothing
1.wby_-_To_An_Isle_In_The_Water
1.wby_-_To_A_Poet,_Who_Would_Have_Me_Praise_Certain_Bad_Poets,_Imitators_Of_His_And_Mine
1.wby_-_To_A_Shade
1.wby_-_To_A_Squirrel_At_Kyle-Na-No
1.wby_-_To_A_Wealthy_Man_Who_Promised_A_Second_Subscription_To_The_Dublin_Municipal_Gallery_If_It_Were_Prove
1.wby_-_To_A_Young_Beauty
1.wby_-_To_A_Young_Girl
1.wby_-_To_Be_Carved_On_A_Stone_At_Thoor_Ballylee
1.wby_-_To_Dorothy_Wellesley
1.wby_-_To_His_Heart,_Bidding_It_Have_No_Fear
1.wby_-_To_Ireland_In_The_Coming_Times
1.wby_-_Tom_At_Cruachan
1.wby_-_Tom_ORoughley
1.wby_-_Tom_The_Lunatic
1.wby_-_To_Some_I_Have_Talked_With_By_The_Fire
1.wby_-_To_The_Rose_Upon_The_Rood_Of_Time
1.wby_-_Towards_Break_Of_Day
1.wby_-_Two_Songs_From_A_Play
1.wby_-_Two_Songs_Of_A_Fool
1.wby_-_Two_Songs_Rewritten_For_The_Tunes_Sake
1.wby_-_Two_Years_Later
1.wby_-_Under_Ben_Bulben
1.wby_-_Under_Saturn
1.wby_-_Under_The_Moon
1.wby_-_Under_The_Round_Tower
1.wby_-_Upon_A_Dying_Lady
1.wby_-_Upon_A_House_Shaken_By_The_Land_Agitation
1.wby_-_Vacillation
1.wby_-_Veronicas_Napkin
1.wby_-_What_Then?
1.wby_-_What_Was_Lost
1.wby_-_When_Helen_Lived
1.wby_-_When_You_Are_Old
1.wby_-_Where_My_Books_go
1.wby_-_Who_Goes_With_Fergus?
1.wby_-_Why_Should_Not_Old_Men_Be_Mad?
1.wby_-_Wisdom
1.wby_-_Words
1.wby_-_Young_Mans_Song
1.wby_-_Youth_And_Age
1.whitman_-_1861
1.whitman_-_Aboard_At_A_Ships_Helm
1.whitman_-_A_Boston_Ballad
1.whitman_-_A_Broadway_Pageant
1.whitman_-_A_Carol_Of_Harvest_For_1867
1.whitman_-_A_child_said,_What_is_the_grass?
1.whitman_-_A_Childs_Amaze
1.whitman_-_A_Clear_Midnight
1.whitman_-_Adieu_To_A_Solider
1.whitman_-_A_Farm-Picture
1.whitman_-_After_an_Interval
1.whitman_-_After_The_Sea-Ship
1.whitman_-_Ages_And_Ages,_Returning_At_Intervals
1.whitman_-_A_Glimpse
1.whitman_-_A_Hand-Mirror
1.whitman_-_Ah_Poverties,_Wincings_Sulky_Retreats
1.whitman_-_A_Leaf_For_Hand_In_Hand
1.whitman_-_All_Is_Truth
1.whitman_-_A_March_In_The_Ranks,_Hard-prest
1.whitman_-_American_Feuillage
1.whitman_-_Among_The_Multitude
1.whitman_-_An_Army_Corps_On_The_March
1.whitman_-_A_Noiseless_Patient_Spider
1.whitman_-_A_Paumanok_Picture
1.whitman_-_Apostroph
1.whitman_-_A_Promise_To_California
1.whitman_-_Are_You_The_New_Person,_Drawn_Toward_Me?
1.whitman_-_A_Riddle_Song
1.whitman_-_As_Adam,_Early_In_The_Morning
1.whitman_-_As_A_Strong_Bird_On_Pinious_Free
1.whitman_-_As_At_Thy_Portals_Also_Death
1.whitman_-_As_Consequent,_Etc.
1.whitman_-_Ashes_Of_Soldiers
1.whitman_-_As_I_Ebbd_With_the_Ocean_of_Life
1.whitman_-_As_If_A_Phantom_Caressd_Me
1.whitman_-_A_Sight_in_Camp_in_the_Daybreak_Gray_and_Dim
1.whitman_-_As_I_Lay_With_My_Head_in_Your_Lap,_Camerado
1.whitman_-_As_I_Ponderd_In_Silence
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_As_I_Walk_These_Broad,_Majestic_Days
1.whitman_-_As_I_Watched_The_Ploughman_Ploughing
1.whitman_-_A_Song
1.whitman_-_Assurances
1.whitman_-_As_The_Time_Draws_Nigh
1.whitman_-_As_Toilsome_I_Wanderd
1.whitman_-_A_Woman_Waits_For_Me
1.whitman_-_Bathed_In_Wars_Perfume
1.whitman_-_Beat!_Beat!_Drums!
1.whitman_-_Beautiful_Women
1.whitman_-_Beginners
1.whitman_-_Beginning_My_Studies
1.whitman_-_Behavior
1.whitman_-_Behold_This_Swarthy_Face
1.whitman_-_Bivouac_On_A_Mountain_Side
1.whitman_-_Broadway
1.whitman_-_Brother_Of_All,_With_Generous_Hand
1.whitman_-_By_Broad_Potomacs_Shore
1.whitman_-_By_The_Bivouacs_Fitful_Flame
1.whitman_-_Camps_Of_Green
1.whitman_-_Carol_Of_Occupations
1.whitman_-_Carol_Of_Words
1.whitman_-_Cavalry_Crossing_A_Ford
1.whitman_-_Chanting_The_Square_Deific
1.whitman_-_City_Of_Orgies
1.whitman_-_City_Of_Ships
1.whitman_-_Come,_Said_My_Soul
1.whitman_-_Come_Up_From_The_Fields,_Father
1.whitman_-_Crossing_Brooklyn_Ferry
1.whitman_-_Darest_Thou_Now_O_Soul
1.whitman_-_Debris
1.whitman_-_Delicate_Cluster
1.whitman_-_Despairing_Cries
1.whitman_-_Dirge_For_Two_Veterans
1.whitman_-_Drum-Taps
1.whitman_-_Earth!_my_Likeness!
1.whitman_-_Eidolons
1.whitman_-_Election_Day,_November_1884
1.whitman_-_Elemental_Drifts
1.whitman_-_Ethiopia_Saluting_The_Colors
1.whitman_-_Europe,_The_72d_And_73d_Years_Of_These_States
1.whitman_-_Excelsior
1.whitman_-_Faces
1.whitman_-_Facing_West_From_Californias_Shores
1.whitman_-_Fast_Anchord,_Eternal,_O_Love
1.whitman_-_For_Him_I_Sing
1.whitman_-_For_You,_O_Democracy
1.whitman_-_France,_The_18th_Year_Of_These_States
1.whitman_-_From_Far_Dakotas_Canons
1.whitman_-_From_My_Last_Years
1.whitman_-_From_Paumanok_Starting
1.whitman_-_From_Pent-up_Aching_Rivers
1.whitman_-_Full_Of_Life,_Now
1.whitman_-_Germs
1.whitman_-_Give_Me_The_Splendid,_Silent_Sun
1.whitman_-_Gliding_Over_All
1.whitman_-_God
1.whitman_-_Good-Bye_My_Fancy!
1.whitman_-_Great_Are_The_Myths
1.whitman_-_Had_I_the_Choice
1.whitman_-_Hast_Never_Come_To_Thee_An_Hour
1.whitman_-_Here,_Sailor
1.whitman_-_Here_The_Frailest_Leaves_Of_Me
1.whitman_-_Hours_Continuing_Long
1.whitman_-_How_Solemn_As_One_By_One
1.whitman_-_Hushd_Be_the_Camps_Today
1.whitman_-_I_Am_He_That_Aches_With_Love
1.whitman_-_I_Dreamd_In_A_Dream
1.whitman_-_I_Hear_America_Singing
1.whitman_-_I_Heard_You,_Solemn-sweep_Pipes_Of_The_Organ
1.whitman_-_I_Hear_It_Was_Charged_Against_Me
1.whitman_-_In_Cabind_Ships_At_Sea
1.whitman_-_In_Former_Songs
1.whitman_-_In_Midnight_Sleep
1.whitman_-_In_Paths_Untrodden
1.whitman_-_Inscription
1.whitman_-_In_The_New_Garden_In_All_The_Parts
1.whitman_-_I_Saw_In_Louisiana_A_Live_Oak_Growing
1.whitman_-_I_Saw_Old_General_At_Bay
1.whitman_-_I_Sing_The_Body_Electric
1.whitman_-_I_Sit_And_Look_Out
1.whitman_-_Italian_Music_In_Dakota
1.whitman_-_I_Thought_I_Was_Not_Alone
1.whitman_-_I_Was_Looking_A_Long_While
1.whitman_-_I_Will_Take_An_Egg_Out_Of_The_Robins_Nest
1.whitman_-_Joy,_Shipmate,_Joy!
1.whitman_-_Kosmos
1.whitman_-_Laws_For_Creations
1.whitman_-_Lessons
1.whitman_-_Locations_And_Times
1.whitman_-_Longings_For_Home
1.whitman_-_Long_I_Thought_That_Knowledge
1.whitman_-_Long,_Too_Long_America
1.whitman_-_Look_Down,_Fair_Moon
1.whitman_-_Lo!_Victress_On_The_Peaks
1.whitman_-_Manhattan_Streets_I_Saunterd,_Pondering
1.whitman_-_Mannahatta
1.whitman_-_Mediums
1.whitman_-_Me_Imperturbe
1.whitman_-_Miracles
1.whitman_-_Mother_And_Babe
1.whitman_-_My_Picture-Gallery
1.whitman_-_Myself_And_Mine
1.whitman_-_Native_Moments
1.whitman_-_Night_On_The_Prairies
1.whitman_-_No_Labor-Saving_Machine
1.whitman_-_Not_Heat_Flames_Up_And_Consumes
1.whitman_-_Not_Heaving_From_My_Ribbd_Breast_Only
1.whitman_-_Not_My_Enemies_Ever_Invade_Me
1.whitman_-_Not_The_Pilot
1.whitman_-_Not_Youth_Pertains_To_Me
1.whitman_-_Now_Finale_To_The_Shore
1.whitman_-_Now_List_To_My_Mornings_Romanza
1.whitman_-_O_Bitter_Sprig!_Confession_Sprig!
1.whitman_-_O_Captain!_My_Captain!
1.whitman_-_Offerings
1.whitman_-_Of_Him_I_Love_Day_And_Night
1.whitman_-_Of_The_Terrible_Doubt_Of_Apperarances
1.whitman_-_Of_The_Visage_Of_Things
1.whitman_-_O_Hymen!_O_Hymenee!
1.whitman_-_Old_Ireland
1.whitman_-_O_Living_Always--Always_Dying
1.whitman_-_O_Me!_O_Life!
1.whitman_-_Once_I_Passd_Through_A_Populous_City
1.whitman_-_One_Hour_To_Madness_And_Joy
1.whitman_-_One_Song,_America,_Before_I_Go
1.whitman_-_Ones_Self_I_Sing
1.whitman_-_One_Sweeps_By
1.whitman_-_On_Journeys_Through_The_States
1.whitman_-_On_Old_Mans_Thought_Of_School
1.whitman_-_On_The_Beach_At_Night
1.whitman_-_Or_From_That_Sea_Of_Time
1.whitman_-_O_Star_Of_France
1.whitman_-_O_Sun_Of_Real_Peace
1.whitman_-_O_Tan-faced_Prairie_Boy
1.whitman_-_Other_May_Praise_What_They_Like
1.whitman_-_Out_From_Behind_His_Mask
1.whitman_-_Out_of_the_Cradle_Endlessly_Rocking
1.whitman_-_Out_of_the_Rolling_Ocean,_The_Crowd
1.whitman_-_Over_The_Carnage
1.whitman_-_O_You_Whom_I_Often_And_Silently_Come
1.whitman_-_Passage_To_India
1.whitman_-_Patroling_Barnegat
1.whitman_-_Pensive_And_Faltering
1.whitman_-_Pensive_On_Her_Dead_Gazing,_I_Heard_The_Mother_Of_All
1.whitman_-_Perfections
1.whitman_-_Pioneers!_O_Pioneers!
1.whitman_-_Poem_Of_Remembrance_For_A_Girl_Or_A_Boy
1.whitman_-_Poems_Of_Joys
1.whitman_-_Poets_to_Come
1.whitman_-_Portals
1.whitman_-_Prayer_Of_Columbus
1.whitman_-_Primeval_My_Love_For_The_Woman_I_Love
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_Quicksand_Years
1.whitman_-_Race_Of_Veterans
1.whitman_-_Reconciliation
1.whitman_-_Recorders_Ages_Hence
1.whitman_-_Red_Jacket_(From_Aloft)
1.whitman_-_Respondez!
1.whitman_-_Rise,_O_Days
1.whitman_-_Roaming_In_Thought
1.whitman_-_Roots_And_Leaves_Themselves_Alone
1.whitman_-_Salut_Au_Monde
1.whitman_-_Savantism
1.whitman_-_Says
1.whitman_-_Scented_Herbage_Of_My_Breast
1.whitman_-_Sea-Shore_Memories
1.whitman_-_Self-Contained
1.whitman_-_Shut_Not_Your_Doors
1.whitman_-_Sing_Of_The_Banner_At_Day-Break
1.whitman_-_So_Far_And_So_Far,_And_On_Toward_The_End
1.whitman_-_Solid,_Ironical,_Rolling_Orb
1.whitman_-_So_Long
1.whitman_-_Sometimes_With_One_I_Love
1.whitman_-_Song_At_Sunset
1.whitman_-_Song_For_All_Seas,_All_Ships
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_II
1.whitman_-_Song_Of_Myself-_III
1.whitman_-_Song_Of_Myself-_IV
1.whitman_-_Song_Of_Myself-_IX
1.whitman_-_Song_Of_Myself-_L
1.whitman_-_Song_Of_Myself-_LI
1.whitman_-_Song_Of_Myself-_LII
1.whitman_-_Song_Of_Myself-_V
1.whitman_-_Song_Of_Myself-_VII
1.whitman_-_Song_Of_Myself-_VIII
1.whitman_-_Song_Of_Myself-_X
1.whitman_-_Song_Of_Myself-_XI
1.whitman_-_Song_Of_Myself-_XII
1.whitman_-_Song_Of_Myself-_XIII
1.whitman_-_Song_Of_Myself-_XIV
1.whitman_-_Song_Of_Myself-_XIX
1.whitman_-_Song_Of_Myself-_XL
1.whitman_-_Song_Of_Myself-_XLI
1.whitman_-_Song_Of_Myself-_XLII
1.whitman_-_Song_Of_Myself-_XLIII
1.whitman_-_Song_Of_Myself-_XLIV
1.whitman_-_Song_Of_Myself-_XLIX
1.whitman_-_Song_Of_Myself-_XLV
1.whitman_-_Song_Of_Myself-_XLVI
1.whitman_-_Song_Of_Myself-_XLVII
1.whitman_-_Song_Of_Myself-_XLVIII
1.whitman_-_Song_Of_Myself-_XV
1.whitman_-_Song_Of_Myself-_XVI
1.whitman_-_Song_Of_Myself-_XVII
1.whitman_-_Song_Of_Myself-_XVIII
1.whitman_-_Song_Of_Myself-_XX
1.whitman_-_Song_Of_Myself-_XXI
1.whitman_-_Song_Of_Myself-_XXII
1.whitman_-_Song_Of_Myself-_XXIII
1.whitman_-_Song_Of_Myself-_XXIV
1.whitman_-_Song_Of_Myself-_XXIX
1.whitman_-_Song_Of_Myself-_XXV
1.whitman_-_Song_Of_Myself-_XXVI
1.whitman_-_Song_Of_Myself-_XXVII
1.whitman_-_Song_Of_Myself-_XXVIII
1.whitman_-_Song_Of_Myself-_XXX
1.whitman_-_Song_Of_Myself-_XXXI
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_Myself-_XXXIV
1.whitman_-_Song_Of_Myself-_XXXIX
1.whitman_-_Song_Of_Myself-_XXXV
1.whitman_-_Song_Of_Myself-_XXXVI
1.whitman_-_Song_Of_Myself-_XXXVII
1.whitman_-_Song_Of_Myself-_XXXVIII
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Open_Road
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Song_Of_The_Universal
1.whitman_-_Souvenirs_Of_Democracy
1.whitman_-_Spain_1873-74
1.whitman_-_Sparkles_From_The_Wheel
1.whitman_-_Spirit_That_Formd_This_Scene
1.whitman_-_Spirit_Whose_Work_Is_Done
1.whitman_-_Spontaneous_Me
1.whitman_-_Starting_From_Paumanok
1.whitman_-_States!
1.whitman_-_Still,_Though_The_One_I_Sing
1.whitman_-_Tears
1.whitman_-_Tests
1.whitman_-_That_Last_Invocation
1.whitman_-_That_Music_Always_Round_Me
1.whitman_-_That_Shadow,_My_Likeness
1.whitman_-_The_Artillerymans_Vision
1.whitman_-_The_Base_Of_All_Metaphysics
1.whitman_-_The_Centerarians_Story
1.whitman_-_The_City_Dead-House
1.whitman_-_The_Dalliance_Of_The_Eagles
1.whitman_-_The_Death_And_Burial_Of_McDonald_Clarke-_A_Parody
1.whitman_-_The_Great_City
1.whitman_-_The_Indications
1.whitman_-_The_Last_Invocation
1.whitman_-_The_Mystic_Trumpeter
1.whitman_-_The_Ox_tamer
1.whitman_-_The_Prairie-Grass_Dividing
1.whitman_-_The_Prairie_States
1.whitman_-_There_Was_A_Child_Went_Forth
1.whitman_-_The_Runner
1.whitman_-_These_Carols
1.whitman_-_These,_I,_Singing_In_Spring
1.whitman_-_The_Ship_Starting
1.whitman_-_The_Singer_In_The_Prison
1.whitman_-_The_Sleepers
1.whitman_-_The_Sobbing_Of_The_Bells
1.whitman_-_The_Torch
1.whitman_-_The_Unexpressed
1.whitman_-_The_Untold_Want
1.whitman_-_The_Voice_of_the_Rain
1.whitman_-_The_World_Below_The_Brine
1.whitman_-_The_Wound_Dresser
1.whitman_-_Thick-Sprinkled_Bunting
1.whitman_-_Think_Of_The_Soul
1.whitman_-_This_Compost
1.whitman_-_This_Day,_O_Soul
1.whitman_-_This_Dust_Was_Once_The_Man
1.whitman_-_This_Moment,_Yearning_And_Thoughtful
1.whitman_-_Thought
1.whitman_-_Thoughts
1.whitman_-_Thoughts_(2)
1.whitman_-_Thou_Orb_Aloft_Full-Dazzling
1.whitman_-_Thou_Reader
1.whitman_-_To_A_Certain_Cantatrice
1.whitman_-_To_A_Certain_Civilian
1.whitman_-_To_A_Common_Prostitute
1.whitman_-_To_A_Foild_European_Revolutionaire
1.whitman_-_To_A_Historian
1.whitman_-_To_A_Locomotive_In_Winter
1.whitman_-_To_A_President
1.whitman_-_To_A_Pupil
1.whitman_-_To_A_Stranger
1.whitman_-_To_A_Western_Boy
1.whitman_-_To_Foreign_Lands
1.whitman_-_To_Him_That_Was_Crucified
1.whitman_-_To_Old_Age
1.whitman_-_To_One_Shortly_To_Die
1.whitman_-_To_Oratists
1.whitman_-_To_Rich_Givers
1.whitman_-_To_The_East_And_To_The_West
1.whitman_-_To_Thee,_Old_Cause!
1.whitman_-_To_The_Garden_The_World
1.whitman_-_To_The_Leavend_Soil_They_Trod
1.whitman_-_To_The_Man-of-War-Bird
1.whitman_-_To_The_Reader_At_Parting
1.whitman_-_To_The_States
1.whitman_-_To_Think_Of_Time
1.whitman_-_To_You
1.whitman_-_Trickle,_Drops
1.whitman_-_Turn,_O_Libertad
1.whitman_-_Two_Rivulets
1.whitman_-_Unfolded_Out_Of_The_Folds
1.whitman_-_Unnamed_Lands
1.whitman_-_Vigil_Strange_I_Kept_on_the_Field_one_Night
1.whitman_-_Virginia--The_West
1.whitman_-_Visord
1.whitman_-_Voices
1.whitman_-_Walt_Whitmans_Caution
1.whitman_-_Wandering_At_Morn
1.whitman_-_Warble_Of_Lilac-Time
1.whitman_-_Washingtons_Monument,_February,_1885
1.whitman_-_Weave_In,_Weave_In,_My_Hardy_Life
1.whitman_-_We_Two_Boys_Together_Clinging
1.whitman_-_We_Two-How_Long_We_Were_Foold
1.whitman_-_What_Am_I_After_All
1.whitman_-_What_Best_I_See_In_Thee
1.whitman_-_What_General_Has_A_Good_Army
1.whitman_-_What_Place_Is_Besieged?
1.whitman_-_What_Think_You_I_Take_My_Pen_In_Hand?
1.whitman_-_What_Weeping_Face
1.whitman_-_When_I_Heard_At_The_Close_Of_The_Day
1.whitman_-_When_I_Heard_the_Learnd_Astronomer
1.whitman_-_When_I_Peruse_The_Conquerd_Fame
1.whitman_-_When_I_Read_The_Book
1.whitman_-_When_Lilacs_Last_in_the_Dooryard_Bloomd
1.whitman_-_Whispers_Of_Heavenly_Death
1.whitman_-_Whoever_You_Are,_Holding_Me_Now_In_Hand
1.whitman_-_Who_Is_Now_Reading_This?
1.whitman_-_Who_Learns_My_Lesson_Complete?
1.whitman_-_With_All_Thy_Gifts
1.whitman_-_With_Antecedents
1.whitman_-_World,_Take_Good_Notice
1.whitman_-_Year_Of_Meteors,_1859_60
1.whitman_-_Years_Of_The_Modern
1.whitman_-_Year_That_Trembled
1.whitman_-_Yet,_Yet,_Ye_Downcast_Hours
1.wh_-_Moon_and_clouds_are_the_same
1.wh_-_One_instant_is_eternity
1.wh_-_Ten_thousand_flowers_in_spring,_the_moon_in_autumn
1.wh_-_The_Great_Way_has_no_gate
1.ww_-_0-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons_-_Dedication
1.ww_-_10_-_Alone_far_in_the_wilds_and_mountains_I_hunt
1.ww_-_17_-_These_are_really_the_thoughts_of_all_men_in_all_ages_and_lands,_they_are_not_original_with_me
1.ww_-_18_-_With_music_strong_I_come,_with_my_cornets_and_my_drums
1.ww_-_1_-_I_celebrate_myself,_and_sing_myself
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_20_-_Who_goes_there?_hankering,_gross,_mystical,_nude
1.ww_-_24_-_Walt_Whitman,_a_cosmos,_of_Manhattan_the_son
1.ww_-_2_-_Houses_and_rooms_are_full_of_perfumes,_the_shelves_are_crowded_with_perfumes
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3_-_I_have_heard_what_the_talkers_were_talking,_the_talk_of_the_beginning_and_the_end
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_44_-_It_is_time_to_explain_myself_--_let_us_stand_up
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4_-_Trippers_and_askers_surround_me
1.ww_-_5_-_I_believe_in_you_my_soul,_the_other_I_am_must_not_abase_itself_to_you
1.ww_-_5-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_6_-_A_child_said_What_is_the_grass?_fetching_it_to_me_with_full_hands
1.ww_-_6-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_7_-_Has_anyone_supposed_it_lucky_to_be_born?
1.ww_-_7-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_8_-_The_little_one_sleeps_in_its_cradle
1.ww_-_9_-_The_big_doors_of_the_country_barn_stand_open_and_ready
1.ww_-_A_Character
1.ww_-_A_Complaint
1.ww_-_Address_To_A_Child_During_A_Boisterous_Winter_By_My_Sister
1.ww_-_Address_To_Kilchurn_Castle,_Upon_Loch_Awe
1.ww_-_Address_To_My_Infant_Daughter
1.ww_-_Address_To_The_Scholars_Of_The_Village_School_Of_---
1.ww_-_Admonition
1.ww_-_Advance__Come_Forth_From_Thy_Tyrolean_Ground
1.ww_-_A_Fact,_And_An_Imagination,_Or,_Canute_And_Alfred,_On_The_Seashore
1.ww_-_A_Farewell
1.ww_-_A_Flower_Garden_At_Coleorton_Hall,_Leicestershire.
1.ww_-_After-Thought
1.ww_-_A_Gravestone_Upon_The_Floor_In_The_Cloisters_Of_Worcester_Cathedral
1.ww_-_Ah!_Where_Is_Palafox?_Nor_Tongue_Nor_Pen
1.ww_-_A_Jewish_Family_In_A_Small_Valley_Opposite_St._Goar,_Upon_The_Rhine
1.ww_-_Alas!_What_Boots_The_Long_Laborious_Quest
1.ww_-_Alice_Fell,_Or_Poverty
1.ww_-_Among_All_Lovely_Things_My_Love_Had_Been
1.ww_-_A_Morning_Exercise
1.ww_-_A_Narrow_Girdle_Of_Rough_Stones_And_Crags,
1.ww_-_And_Is_It_Among_Rude_Untutored_Dales
1.ww_-_Andrew_Jones
1.ww_-_Anecdote_For_Fathers
1.ww_-_An_Evening_Walk
1.ww_-_A_Night-Piece
1.ww_-_A_Night_Thought
1.ww_-_Animal_Tranquility_And_Decay
1.ww_-_A_noiseless_patient_spider
1.ww_-_Anticipation,_October_1803
1.ww_-_A_Parsonage_In_Oxfordshire
1.ww_-_A_Poet!_He_Hath_Put_His_Heart_To_School
1.ww_-_A_Poet's_Epitaph
1.ww_-_A_Prophecy._February_1807
1.ww_-_Argument_For_Suicide
1.ww_-_Artegal_And_Elidure
1.ww_-_As_faith_thus_sanctified_the_warrior's_crest
1.ww_-_A_Sketch
1.ww_-_A_Slumber_did_my_Spirit_Seal
1.ww_-_At_Applewaite,_Near_Keswick_1804
1.ww_-_Avaunt_All_Specious_Pliancy_Of_Mind
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_A_Wren's_Nest
1.ww_-_Bamboo_Cottage
1.ww_-_Beggars
1.ww_-_Behold_Vale!_I_Said,_When_I_Shall_Con
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Fourteenth_[conclusion]
1.ww_-_Book_Fourth_[Summer_Vacation]
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_Bothwell_Castle
1.ww_-_Brave_Schill!_By_Death_Delivered
1.ww_-_British_Freedom
1.ww_-_Brook!_Whose_Society_The_Poet_Seeks
1.ww_-_By_Moscow_Self-Devoted_To_A_Blaze
1.ww_-_By_The_Seaside
1.ww_-_By_The_Side_Of_The_Grave_Some_Years_After
1.ww_-_Calais-_August_15,_1802
1.ww_-_Calais-_August_1802
1.ww_-_Call_Not_The_Royal_Swede_Unfortunate
1.ww_-_Calm_is_all_Nature_as_a_Resting_Wheel.
1.ww_-_Characteristics_Of_A_Child_Three_Years_Old
1.ww_-_Character_Of_The_Happy_Warrior
1.ww_-_Composed_After_A_Journey_Across_The_Hambleton_Hills,_Yorkshire
1.ww_-_Composed_At_The_Same_Time_And_On_The_Same_Occasion
1.ww_-_Composed_By_The_Sea-Side,_Near_Calais,_August_1802
1.ww_-_Composed_By_The_Side_Of_Grasmere_Lake_1806
1.ww_-_Composed_During_A_Storm
1.ww_-_Composed_In_The_Valley_Near_Dover,_On_The_Day_Of_Landing
1.ww_-_Composed_Near_Calais,_On_The_Road_Leading_To_Ardres,_August_7,_1802
1.ww_-_Composed_on_The_Eve_Of_The_Marriage_Of_A_Friend_In_The_Vale_Of_Grasmere
1.ww_-_Composed_Upon_Westminster_Bridge,_September_3,_1802
1.ww_-_Composed_While_The_Author_Was_Engaged_In_Writing_A_Tract_Occasioned_By_The_Convention_Of_Cintra
1.ww_-_Cooling_Off
1.ww_-_Crusaders
1.ww_-_Daffodils
1.ww_-_Deer_Fence
1.ww_-_Dion_[See_Plutarch]
1.ww_-_Drifting_on_the_Lake
1.ww_-_Elegiac_Stanzas_In_Memory_Of_My_Brother,_John_Commander_Of_The_E._I._Companys_Ship_The_Earl_Of_Aber
1.ww_-_Elegiac_Stanzas_Suggested_By_A_Picture_Of_Peele_Castle
1.ww_-_Ellen_Irwin_Or_The_Braes_Of_Kirtle
1.ww_-_Emperors_And_Kings,_How_Oft_Have_Temples_Rung
1.ww_-_England!_The_Time_Is_Come_When_Thou_Shouldst_Wean
1.ww_-_Epitaphs_Translated_From_Chiabrera
1.ww_-_Even_As_A_Dragons_Eye_That_Feels_The_Stress
1.ww_-_Expostulation_and_Reply
1.ww_-_Extempore_Effusion_upon_the_Death_of_James_Hogg
1.ww_-_Extract_From_The_Conclusion_Of_A_Poem_Composed_In_Anticipation_Of_Leaving_School
1.ww_-_Feelings_of_A_French_Royalist,_On_The_Disinterment_Of_The_Remains_Of_The_Duke_DEnghien
1.ww_-_Feelings_Of_A_Noble_Biscayan_At_One_Of_Those_Funerals
1.ww_-_Feelings_Of_The_Tyrolese
1.ww_-_Fidelity
1.ww_-_Fields_and_Gardens_by_the_River_Qi
1.ww_-_Foresight
1.ww_-_For_The_Spot_Where_The_Hermitage_Stood_On_St._Herbert's_Island,_Derwentwater.
1.ww_-_From_The_Cuckoo_And_The_Nightingale
1.ww_-_From_The_Dark_Chambers_Of_Dejection_Freed
1.ww_-_From_The_Italian_Of_Michael_Angelo
1.ww_-_George_and_Sarah_Green
1.ww_-_Gipsies
1.ww_-_Goody_Blake_And_Harry_Gill
1.ww_-_Grand_is_the_Seen
1.ww_-_Great_Men_Have_Been_Among_Us
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hail-_Twilight,_Sovereign_Of_One_Peaceful_Hour
1.ww_-_Hail-_Zaragoza!_If_With_Unwet_eye
1.ww_-_Hart-Leap_Well
1.ww_-_Here_Pause-_The_Poet_Claims_At_Least_This_Praise
1.ww_-_Her_Eyes_Are_Wild
1.ww_-_Hint_From_The_Mountains_For_Certain_Political_Pretenders
1.ww_-_Hoffer
1.ww_-_How_Sweet_It_Is,_When_Mother_Fancy_Rocks
1.ww_-_I_Grieved_For_Buonaparte
1.ww_-_I_Know_an_Aged_Man_Constrained_to_Dwell
1.ww_-_Incident_Characteristic_Of_A_Favorite_Dog
1.ww_-_Indignation_Of_A_High-Minded_Spaniard
1.ww_-_In_Due_Observance_Of_An_Ancient_Rite
1.ww_-_Influence_of_Natural_Objects
1.ww_-_Inscriptions_For_A_Seat_In_The_Groves_Of_Coleorton
1.ww_-_Inscriptions_In_The_Ground_Of_Coleorton,_The_Seat_Of_Sir_George_Beaumont,_Bart.,_Leicestershire
1.ww_-_Inscriptions_Written_with_a_Slate_Pencil_upon_a_Stone
1.ww_-_Inside_of_King's_College_Chapel,_Cambridge
1.ww_-_In_The_Pass_Of_Killicranky
1.ww_-_Invocation_To_The_Earth,_February_1816
1.ww_-_Is_There_A_Power_That_Can_Sustain_And_Cheer
1.ww_-_I_think_I_could_turn_and_live_with_animals
1.ww_-_It_Is_a_Beauteous_Evening
1.ww_-_It_Is_No_Spirit_Who_From_Heaven_Hath_Flown
1.ww_-_I_Travelled_among_Unknown_Men
1.ww_-_It_was_an_April_morning-_fresh_and_clear
1.ww_-_Lament_Of_Mary_Queen_Of_Scots
1.ww_-_Laodamia
1.ww_-_Lines_Composed_a_Few_Miles_above_Tintern_Abbey
1.ww_-_Lines_Left_Upon_The_Seat_Of_A_Yew-Tree,
1.ww_-_Lines_On_The_Expected_Invasion,_1803
1.ww_-_Lines_Written_As_A_School_Exercise_At_Hawkshead,_Anno_Aetatis_14
1.ww_-_Lines_Written_In_Early_Spring
1.ww_-_Lines_Written_On_A_Blank_Leaf_In_A_Copy_Of_The_Authors_Poem_The_Excursion,
1.ww_-_Living_in_the_Mountain_on_an_Autumn_Night
1.ww_-_London,_1802
1.ww_-_Look_Now_On_That_Adventurer_Who_Hath_Paid
1.ww_-_Louisa-_After_Accompanying_Her_On_A_Mountain_Excursion
1.ww_-_Lucy
1.ww_-_Lucy_Gray_[or_Solitude]
1.ww_-_Mark_The_Concentrated_Hazels_That_Enclose
1.ww_-_Maternal_Grief
1.ww_-_Matthew
1.ww_-_Memorials_Of_A_Tour_In_Scotland
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803
1.ww_-_Memorials_of_A_Tour_In_Scotland-_1803_I._Departure_From_The_Vale_Of_Grasmere,_August_1803
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Sonnet_Composed_At_----_Castle
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Yarrow_Unvisited
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XIV._Fly,_Some_Kind_Haringer,_To_Grasmere-Dale
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_X._Rob_Roys_Grave
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1814_I._Suggested_By_A_Beautiful_Ruin_Upon_One_Of_The_Islands_Of_Lo
1.ww_-_Memorials_Of_A_Tour_Of_Scotland-_1803_VI._Glen-Almain,_Or,_The_Narrow_Glen
1.ww_-_Memory
1.ww_-_Methought_I_Saw_The_Footsteps_Of_A_Throne
1.ww_-_Michael_Angelo_In_Reply_To_The_Passage_Upon_His_Staute_Of_Sleeping_Night
1.ww_-_Michael-_A_Pastoral_Poem
1.ww_-_Minstrels
1.ww_-_Most_Sweet_it_is
1.ww_-_Mutability
1.ww_-_My_Cottage_at_Deep_South_Mountain
1.ww_-_November,_1806
1.ww_-_November_1813
1.ww_-_Nuns_Fret_Not_at_Their_Convent's_Narrow_Room
1.ww_-_Nutting
1.ww_-_O_Captain!_my_Captain!
1.ww_-_Occasioned_By_The_Battle_Of_Waterloo_February_1816
1.ww_-_October,_1803
1.ww_-_October_1803
1.ww_-_Ode
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ode_to_Duty
1.ww_-_Ode_To_Lycoris._May_1817
1.ww_-_Oer_The_Wide_Earth,_On_Mountain_And_On_Plain
1.ww_-_Oerweening_Statesmen_Have_Full_Long_Relied
1.ww_-_O_Me!_O_life!
1.ww_-_On_A_Celebrated_Event_In_Ancient_History
1.ww_-_O_Nightingale!_Thou_Surely_Art
1.ww_-_On_the_Departure_of_Sir_Walter_Scott_from_Abbotsford
1.ww_-_On_the_Extinction_of_the_Venetian_Republic
1.ww_-_On_The_Final_Submission_Of_The_Tyrolese
1.ww_-_On_The_Same_Occasion
1.ww_-_Personal_Talk
1.ww_-_Picture_of_Daniel_in_the_Lion's_Den_at_Hamilton_Palace
1.ww_-_Power_Of_Music
1.ww_-_Remembrance_Of_Collins
1.ww_-_Repentance
1.ww_-_Resolution_And_Independence
1.ww_-_Rural_Architecture
1.ww_-_Ruth
1.ww_-_Say,_What_Is_Honour?--Tis_The_Finest_Sense
1.ww_-_Scorn_Not_The_Sonnet
1.ww_-_September_1,_1802
1.ww_-_September_1815
1.ww_-_September,_1819
1.ww_-_She_Was_A_Phantom_Of_Delight
1.ww_-_Siege_Of_Vienna_Raised_By_Jihn_Sobieski
1.ww_-_Simon_Lee-_The_Old_Huntsman
1.ww_-_Song_at_the_Feast_of_Brougham_Castle
1.ww_-_Song_Of_The_Spinning_Wheel
1.ww_-_Song_Of_The_Wandering_Jew
1.ww_-_Sonnet-_It_is_not_to_be_thought_of
1.ww_-_Sonnet-_On_seeing_Miss_Helen_Maria_Williams_weep_at_a_tale_of_distress
1.ww_-_Spanish_Guerillas
1.ww_-_Stanzas
1.ww_-_Stanzas_Written_In_My_Pocket_Copy_Of_Thomsons_Castle_Of_Indolence
1.ww_-_Star-Gazers
1.ww_-_Stepping_Westward
1.ww_-_Stone_Gate_Temple_in_the_Blue_Field_Mountains
1.ww_-_Strange_Fits_of_Passion_Have_I_Known
1.ww_-_Stray_Pleasures
1.ww_-_Surprised_By_Joy
1.ww_-_Sweet_Was_The_Walk
1.ww_-_Temple_Tree_Path
1.ww_-_The_Affliction_Of_Margaret
1.ww_-_The_Birth_Of_Love
1.ww_-_The_Brothers
1.ww_-_The_Childless_Father
1.ww_-_The_Complaint_Of_A_Forsaken_Indian_Woman
1.ww_-_The_Cottager_To_Her_Infant
1.ww_-_The_Danish_Boy
1.ww_-_The_Eagle_and_the_Dove
1.ww_-_The_Emigrant_Mother
1.ww_-_The_Excursion-_I-_Dedication-_To_the_Right_Hon.William,_Earl_of_Lonsdalee,_K.G.
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Fairest,_Brightest,_Hues_Of_Ether_Fade
1.ww_-_The_Farmer_Of_Tilsbury_Vale
1.ww_-_The_Fary_Chasm
1.ww_-_The_Force_Of_Prayer,_Or,_The_Founding_Of_Bolton,_A_Tradition
1.ww_-_The_Forsaken
1.ww_-_The_Fountain
1.ww_-_The_French_And_the_Spanish_Guerillas
1.ww_-_The_French_Army_In_Russia,_1812-13
1.ww_-_The_French_Revolution_as_it_appeared_to_Enthusiasts
1.ww_-_The_Germans_On_The_Heighs_Of_Hochheim
1.ww_-_The_Green_Linnet
1.ww_-_The_Happy_Warrior
1.ww_-_The_Highland_Broach
1.ww_-_The_Horn_Of_Egremont_Castle
1.ww_-_The_Idiot_Boy
1.ww_-_The_Idle_Shepherd_Boys
1.ww_-_The_King_Of_Sweden
1.ww_-_The_Kitten_And_Falling_Leaves
1.ww_-_The_Last_Of_The_Flock
1.ww_-_The_Last_Supper,_by_Leonardo_da_Vinci,_in_the_Refectory_of_the_Convent_of_Maria_della_GraziaMilan
1.ww_-_The_Longest_Day
1.ww_-_The_Martial_Courage_Of_A_Day_Is_Vain
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_The_Mother's_Return
1.ww_-_The_Oak_And_The_Broom
1.ww_-_The_Oak_Of_Guernica_Supposed_Address_To_The_Same
1.ww_-_The_Old_Cumberland_Beggar
1.ww_-_The_Passing_of_the_Elder_Bards
1.ww_-_The_Pet-Lamb
1.ww_-_The_Power_of_Armies_is_a_Visible_Thing
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
1.ww_-_The_Primrose_of_the_Rock
1.ww_-_The_Prioresss_Tale_[from_Chaucer]
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Redbreast_Chasing_The_Butterfly
1.ww_-_There_Is_A_Bondage_Worse,_Far_Worse,_To_Bear
1.ww_-_There_is_an_Eminence,--of_these_our_hills
1.ww_-_The_Reverie_of_Poor_Susan
1.ww_-_There_Was_A_Boy
1.ww_-_The_Sailor's_Mother
1.ww_-_The_Seven_Sisters
1.ww_-_The_Shepherd,_Looking_Eastward,_Softly_Said
1.ww_-_The_Simplon_Pass
1.ww_-_The_Solitary_Reaper
1.ww_-_The_Sonnet_Ii
1.ww_-_The_Sparrow's_Nest
1.ww_-_The_Stars_Are_Mansions_Built_By_Nature's_Hand
1.ww_-_The_Sun_Has_Long_Been_Set
1.ww_-_The_Tables_Turned
1.ww_-_The_Thorn
1.ww_-_The_Trosachs
1.ww_-_The_Two_April_Mornings
1.ww_-_The_Two_Thieves-_Or,_The_Last_Stage_Of_Avarice
1.ww_-_The_Vaudois
1.ww_-_The_Virgin
1.ww_-_The_Waggoner_-_Canto_First
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_The_Waggoner_-_Canto_Second
1.ww_-_The_Waggoner_-_Canto_Third
1.ww_-_The_Waterfall_And_The_Eglantine
1.ww_-_The_Wishing_Gate_Destroyed
1.ww_-_The_World_Is_Too_Much_With_Us
1.ww_-_Those_Words_Were_Uttered_As_In_Pensive_Mood
1.ww_-_Though_Narrow_Be_That_Old_Mans_Cares_.
1.ww_-_Thought_Of_A_Briton_On_The_Subjugation_Of_Switzerland
1.ww_-_Three_Years_She_Grew_in_Sun_and_Shower
1.ww_-_To_A_Butterfly
1.ww_-_To_A_Butterfly_(2)
1.ww_-_To_A_Distant_Friend
1.ww_-_To_a_Highland_Girl_(At_Inversneyde,_upon_Loch_Lomond)
1.ww_-_To_A_Sexton
1.ww_-_To_a_Sky-Lark
1.ww_-_To_a_Skylark
1.ww_-_To_A_Young_Lady_Who_Had_Been_Reproached_For_Taking_Long_Walks_In_The_Country
1.ww_-_To_B._R._Haydon
1.ww_-_To_Dora
1.ww_-_To_H._C.
1.ww_-_To_Joanna
1.ww_-_To_Lady_Beaumont
1.ww_-_To_Lady_Eleanor_Butler_and_the_Honourable_Miss_Ponsonby,
1.ww_-_To_Mary
1.ww_-_To_May
1.ww_-_To_M.H.
1.ww_-_To_My_Sister
1.ww_-_To--_On_Her_First_Ascent_To_The_Summit_Of_Helvellyn
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_To_Sleep
1.ww_-_To_The_Cuckoo
1.ww_-_To_The_Daisy
1.ww_-_To_The_Daisy_(2)
1.ww_-_To_The_Daisy_(Fourth_Poem)
1.ww_-_To_The_Daisy_(Third_Poem)
1.ww_-_To_The_Memory_Of_Raisley_Calvert
1.ww_-_To_The_Men_Of_Kent
1.ww_-_To_The_Poet,_John_Dyer
1.ww_-_To_The_Same_Flower
1.ww_-_To_The_Same_Flower_(Second_Poem)
1.ww_-_To_The_Same_(John_Dyer)
1.ww_-_To_The_Small_Celandine
1.ww_-_To_The_Spade_Of_A_Friend_(An_Agriculturist)
1.ww_-_To_The_Supreme_Being_From_The_Italian_Of_Michael_Angelo
1.ww_-_To_Thomas_Clarkson
1.ww_-_To_Toussaint_LOuverture
1.ww_-_Translation_Of_Part_Of_The_First_Book_Of_The_Aeneid
1.ww_-_Tribute_To_The_Memory_Of_The_Same_Dog
1.ww_-_Troilus_And_Cresida
1.ww_-_Upon_Perusing_The_Forgoing_Epistle_Thirty_Years_After_Its_Composition
1.ww_-_Upon_The_Punishment_Of_Death
1.ww_-_Upon_The_Same_Event
1.ww_-_Upon_The_Sight_Of_A_Beautiful_Picture_Painted_By_Sir_G._H._Beaumont,_Bart
1.ww_-_Vaudracour_And_Julia
1.ww_-_Vernal_Ode
1.ww_-_View_From_The_Top_Of_Black_Comb
1.ww_-_Waldenses
1.ww_-_Water-Fowl_Observed_Frequently_Over_The_Lakes_Of_Rydal_And_Grasmere
1.ww_-_Weak_Is_The_Will_Of_Man,_His_Judgement_Blind
1.ww_-_We_Are_Seven
1.ww_-_When_I_Have_Borne_In_Memory
1.ww_-_When_To_The_Attractions_Of_The_Busy_World
1.ww_-_Where_Lies_The_Land_To_Which_Yon_Ship_Must_Go?
1.ww_-_Who_Fancied_What_A_Pretty_Sight
1.ww_-_With_How_Sad_Steps,_O_Moon,_Thou_Climb'st_the_Sky
1.ww_-_With_Ships_the_Sea_was_Sprinkled_Far_and_Nigh
1.ww_-_Written_In_A_Blank_Leaf_Of_Macpherson's_Ossian
1.ww_-_Written_In_Germany_On_One_Of_The_Coldest_Days_Of_The_Century
1.ww_-_Written_in_London._September,_1802
1.ww_-_Written_in_March
1.ww_-_Written_In_Very_Early_Youth
1.ww_-_Written_Upon_A_Blank_Leaf_In_The_Complete_Angler.
1.ww_-_Written_With_A_Pencil_Upon_A_Stone_In_The_Wall_Of_The_House,_On_The_Island_At_Grasmere
1.ww_-_Written_With_A_Slate_Pencil_On_A_Stone,_On_The_Side_Of_The_Mountain_Of_Black_Comb
1.ww_-_Yarrow_Revisited
1.ww_-_Yarrow_Unvisited
1.ww_-_Yarrow_Visited
1.ww_-_Yes,_It_Was_The_Mountain_Echo
1.ww_-_Yes!_Thou_Art_Fair,_Yet_Be_Not_Moved
1.ww_-_Yew-Trees
1.ww_-_Young_England--What_Is_Then_Become_Of_Old
1.yb_-_a_moment
1.yb_-_Clinging_to_the_bell
1.yb_-_In_a_bitter_wind
1.yb_-_Miles_of_frost
1.yb_-_Mountains_of_Yoshino
1.yb_-_On_these_southern_roads
1.yb_-_Short_nap
1.yb_-_spring_rain
1.yb_-_The_late_evening_crow
1.yb_-_This_cold_winter_night
1.yb_-_white_lotus
1.yb_-_winter_moon
1.yby_-_In_Praise_of_God_(from_Avoda)
1.ym_-_Climbing_the_Mountain
1.ym_-_Gone_Again_to_Gaze_on_the_Cascade
1.ymi_-_at_the_end_of_the_smoke
1.ymi_-_Swallowing
1.ym_-_Just_Done
1.ym_-_Mad_Words
1.ym_-_Motto
1.ym_-_Nearing_Hao-pa
1.ym_-_Pu-to_Temple
1.ym_-_Wrapped,_surrounded_by_ten_thousand_mountains
1.yni_-_Hymn_from_the_Heavens
1.yni_-_The_Celestial_Fire
1.yt_-_Now_until_the_dualistic_identity_mind_melts_and_dissolves
1.yt_-_The_Supreme_Being_is_the_Dakini_Queen_of_the_Lake_of_Awareness!
1.yt_-_This_self-sufficient_black_lady_has_shaken_things_up
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.02_-_The_Golden_Journey
20.03_-_Act_I:The_Descent
20.04_-_Act_II:_The_Play_on_Earth
20.05_-_Act_III:_The_Return
20.06_-_Translations_in_French
2.00_-_BIBLIOGRAPHY
2.01_-_AT_THE_STAR_THEATRE
2.01_-_Habit_1__Be_Proactive
2.01_-_Indeterminates,_Cosmic_Determinations_and_the_Indeterminable
2.01_-_Isha_Upanishad__All_that_is_world_in_the_Universe
2.01_-_Mandala_One
2.01_-_On_Books
2.01_-_On_the_Concept_of_the_Archetype
2.01_-_Proem
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_THE_ARCANE_SUBSTANCE_AND_THE_POINT
2.01_-_The_Attributes_of_Omega_Point_-_a_Transcendent_God
2.01_-_THE_CHILD_WITH_THE_MIRROR
2.01_-_The_Mother
2.01_-_The_Object_of_Knowledge
2.01_-_The_Ordinary_Life_and_the_True_Soul
2.01_-_The_Path
2.01_-_The_Picture
2.01_-_The_Preparatory_Renunciation
2.01_-_The_Road_of_Trials
2.01_-_The_Sefirot
2.01_-_The_Tavern
2.01_-_The_Temple
2.01_-_The_Therapeutic_value_of_Abreaction
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.01_-_War.
2.02_-_Atomic_Motions
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Evolutionary_Creation_and_the_Expectation_of_a_Revelation
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_Meeting_With_the_Goddess
2.02_-_On_Letters
2.02_-_Surrender,_Self-Offering_and_Consecration
2.02_-_The_Bhakta.s_Renunciation_results_from_Love
2.02_-_The_Circle
2.02_-_THE_DURGA_PUJA_FESTIVAL
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Monstrance
2.02_-_The_Mother_Archetype
2.02_-_THE_SCINTILLA
2.02_-_The_Status_of_Knowledge
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.02_-_UPON_THE_BLESSED_ISLES
2.02_-_Yoga
2.02_-_Zimzum
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_ON_THE_PITYING
2.03_-_Renunciation
2.03_-_The_Altar
2.03_-_The_Christian_Phenomenon_and_Faith_in_the_Incarnation
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_The_Eternal_and_the_Individual
2.03_-_The_Integral_Yoga
2.03_-_THE_MASTER_IN_VARIOUS_MOODS
2.03_-_The_Mother-Complex
2.03_-_The_Naturalness_of_Bhakti-Yoga_and_its_Central_Secret
2.03_-_The_Purified_Understanding
2.03_-_The_Pyx
2.03_-_The_Supreme_Divine
2.03_-_The_Worlds
2.04_-_Absence_Of_Secondary_Qualities
2.04_-_ADVICE_TO_ISHAN
2.04_-_Agni,_the_Illumined_Will
2.04_-_Concentration
2.04_-_On_Art
2.04_-_ON_PRIESTS
2.04_-_Place
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Divine_and_the_Undivine
2.04_-_The_Forms_of_Love-Manifestation
2.04_-_The_Living_Church_and_Christ-Omega
2.04_-_The_Scourge,_the_Dagger_and_the_Chain
2.04_-_The_Secret_of_Secrets
2.04_-_Yogic_Action
2.05_-_Apotheosis
2.05_-_Aspects_of_Sadhana
2.05_-_Blessings
2.05_-_Habit_3__Put_First_Things_First
2.05_-_Infinite_Worlds
2.05_-_On_Poetry
2.05_-_ON_THE_VIRTUOUS
2.05_-_Renunciation
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Divine_Truth_and_Way
2.05_-_The_Holy_Oil
2.05_-_The_Line_of_Light_and_The_Impression
2.05_-_The_Religion_of_Tomorrow
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.05_-_Universal_Love_and_how_it_leads_to_Self-Surrender
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.06_-_On_Beauty
2.06_-_ON_THE_RABBLE
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_Revelation_and_the_Christian_Phenomenon
2.06_-_Tapasya
2.06_-_The_Higher_Knowledge_and_the_Higher_Love_are_one_to_the_true_Lover
2.06_-_The_Infinite_Light
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.06_-_The_Wand
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.06_-_WITH_VARIOUS_DEVOTEES
2.06_-_Works_Devotion_and_Knowledge
2.07_-_BANKIM_CHANDRA
2.07_-_I_Also_Try_to_Tell_My_Tale
2.07_-_On_Congress_and_Politics
2.07_-_ON_THE_TARANTULAS
2.07_-_Ten_Internal_and_Ten_External_Sefirot
2.07_-_The_Cup
2.07_-_The_Knowledge_and_the_Ignorance
2.07_-_The_Mother__Relations_with_Others
2.07_-_The_Release_from_Subjection_to_the_Body
2.07_-_The_Supreme_Word_of_the_Gita
2.07_-_The_Triangle_of_Love
2.07_-_The_Upanishad_in_Aphorism
2.08_-_ALICE_IN_WONDERLAND
2.08_-_AT_THE_STAR_THEATRE_(II)
2.08_-_Concentration
2.08_-_God_in_Power_of_Becoming
2.08_-_Memory,_Self-Consciousness_and_the_Ignorance
2.08_-_On_Non-Violence
2.08_-_ON_THE_FAMOUS_WISE_MEN
2.08_-_The_Branches_of_The_Archetypal_Man
2.08_-_The_God_of_Love_is_his_own_proof
2.08_-_The_Release_from_the_Heart_and_the_Mind
2.08_-_The_Sword
2.08_-_Three_Tales_of_Madness_and_Destruction
2.08_-_Victory_over_Falsehood
2.09_-_Human_representations_of_the_Divine_Ideal_of_Love
2.09_-_Meditation
2.09_-_Memory,_Ego_and_Self-Experience
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.09_-_THE_MASTERS_BIRTHDAY
2.09_-_THE_NIGHT_SONG
2.09_-_The_Pantacle
2.09_-_The_Release_from_the_Ego
2.09_-_The_World_of_Points
2.0_-_Reincarnation_and_Karma
2.0_-_THE_ANTICHRIST
2.1.01_-_God_The_One_Reality
2.1.01_-_The_Central_Process_of_the_Sadhana
21.01_-_The_Mother_The_Nature_of_Her_Work
2.1.01_-_The_Parts_of_the_Being
2.1.02_-_Classification_of_the_Parts_of_the_Being
2.1.02_-_Combining_Work,_Meditation_and_Bhakti
21.02_-_Gods_and_Men
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
21.03_-_The_Double_Ladder
2.10_-_Conclusion
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_On_Vedic_Interpretation
2.10_-_THE_DANCING_SONG
2.10_-_The_Lamp
2.10_-_THE_MASTER_AND_NARENDRA
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Realisation_of_the_Cosmic_Self
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.1.1.04_-_Reading,_Yogic_Force_and_the_Development_of_Style
2.11_-_On_Education
2.11_-_The_Boundaries_of_the_Ignorance
2.11_-_The_Crown
2.11_-_The_Guru
2.11_-_The_Modes_of_the_Self
2.1.1_-_The_Nature_of_the_Vital
2.11_-_The_Shattering_And_Fall_of_The_Primordial_Kings
2.11_-_THE_TOMB_SONG
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.11_-_WITH_THE_DEVOTEES_IN_CALCUTTA
2.12_-_On_Miracles
2.12_-_ON_SELF-OVERCOMING
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Origin_of_the_Ignorance
2.12_-_The_Position_of_The_Sefirot
2.12_-_The_Realisation_of_Sachchidananda
2.12_-_The_Robe
2.1.2_-_The_Vital_and_Other_Levels_of_Being
2.12_-_The_Way_and_the_Bhakta
2.1.3.1_-_Students
2.1.3.2_-_Study
2.1.3.3_-_Reading
2.1.3.4_-_Conduct
2.13_-_Exclusive_Concentration_of_Consciousness-Force_and_the_Ignorance
2.13_-_Kingdom-The_Seventh_Sefira
2.13_-_On_Psychology
2.13_-_ON_THOSE_WHO_ARE_SUBLIME
2.13_-_Psychic_Presence_and_Psychic_Being_-_Real_Origin_of_Race_Superiority
2.13_-_The_Book
2.13_-_The_Difficulties_of_the_Mental_Being
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.1.3_-_Wrong_Movements_of_the_Vital
2.1.4.1_-_Teachers
2.1.4.2_-_Teaching
2.1.4.3_-_Discipline
2.1.4.4_-_Homework
2.1.4.5_-_Tests
2.14_-_AT_RAMS_HOUSE
2.14_-_Faith
2.14_-_On_Movements
2.14_-_ON_THE_LAND_OF_EDUCATION
2.14_-_The_Bell
2.1.4_-_The_Lower_Vital_Being
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Passive_and_the_Active_Brahman
2.14_-_The_Two_Hundred_and_Eighty-Eight_Sparks
2.14_-_The_Unpacking_of_God
2.1.5.1_-_Study_of_Works_of_Sri_Aurobindo_and_the_Mother
2.1.5.2_-_Languages
2.1.5.4_-_Arts
2.1.5.5_-_Other_Subjects
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
2.15_-_ON_IMMACULATE_PERCEPTION
2.15_-_On_the_Gods_and_Asuras
2.15_-_Power_of_Right_Attitude
2.15_-_Reality_and_the_Integral_Knowledge
2.15_-_Selection_of_Sparks_Made_for_The_Purpose_of_The_Emendation
2.15_-_The_Cosmic_Consciousness
2.15_-_The_Lamen
2.16_-_Fashioning_of_The_Vessel_
2.16_-_Oneness
2.16_-_ON_SCHOLARS
2.16_-_Power_of_Imagination
2.16_-_The_15th_of_August
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.16_-_The_Magick_Fire
2.16_-_VISIT_TO_NANDA_BOSES_HOUSE
2.1.7.05_-_On_the_Inspiration_and_Writing_of_the_Poem
2.1.7.06_-_On_the_Characters_of_the_Poem
2.1.7.07_-_On_the_Verse_and_Structure_of_the_Poem
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_ON_POETS
2.17_-_The_Masculine_Feminine_World
2.17_-_THE_MASTER_ON_HIMSELF_AND_HIS_EXPERIENCES
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_Maeroprosopus_and_Maeroprosopvis
2.18_-_ON_GREAT_EVENTS
2.18_-_SRI_RAMAKRISHNA_AT_SYAMPUKUR
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.18_-_The_Soul_and_Its_Liberation
2.19_-_Feb-May_1939
2.19_-_Knowledge_of_the_Scientist_and_the_Yogi
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_MASTER_AND_DR._SARKAR
2.19_-_The_Planes_of_Our_Existence
2.19_-_THE_SOOTHSAYER
2.19_-_Union,_Gestation,_Birth
2.2.01_-_The_Outer_Being_and_the_Inner_Being
2.2.01_-_The_Problem_of_Consciousness
2.2.01_-_Work_and_Yoga
2.2.02_-_Becoming_Conscious_in_Work
2.2.02_-_Consciousness_and_the_Inconscient
2.2.02_-_The_True_Being_and_the_True_Consciousness
2.2.03_-_The_Divine_Force_in_Work
2.2.03_-_The_Psychic_Being
2.2.03_-_The_Science_of_Consciousness
22.04_-_On_The_Brink(I)
2.2.04_-_Practical_Concerns_in_Work
2.2.05_-_Creative_Activity
22.05_-_On_The_Brink(2)
22.06_-_On_The_Brink(3)
22.07_-_The_Ashram,_the_World_and_The_Individual[^4]
22.08_-_The_Golden_Chain
2.20_-_Chance
2.20_-_Nov-Dec_1939
2.20_-_ON_REDEMPTION
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_The_Lower_Triple_Purusha
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.20_-_The_Philosophy_of_Rebirth
2.2.1.01_-_The_World's_Greatest_Poets
2.21_-_1940
2.2.1_-_Cheerfulness_and_Happiness
2.21_-_IN_THE_COMPANY_OF_DEVOTEES_AT_SYAMPUKUR
2.21_-_ON_HUMAN_PRUDENCE
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.2.1_-_The_Prusna_Upanishads
2.21_-_The_Three_Heads,_The_Beard_and_The_Mazela
2.21_-_Towards_the_Supreme_Secret
2.2.2.01_-_The_Author_of_the_Bhagavad_Gita
2.2.2.03_-_Virgil
2.22_-_1941-1943
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.2.2_-_Sorrow_and_Suffering
2.22_-_The_Feminine_Polarity_of_ZO
2.2.2_-_The_Mandoukya_Upanishad
2.22_-_THE_MASTER_AT_COSSIPORE
2.22_-_THE_STILLEST_HOUR
2.22_-_The_Supreme_Secret
2.22_-_Vijnana_or_Gnosis
2.23_-_A_Virtuous_Woman_is_a_Crown_to_Her_Husband
2.2.3_-_Depression_and_Despondency
2.23_-_Life_Sketch_of_A._B._Purani
2.23_-_Man_and_the_Evolution
2.23_-_Supermind_and_Overmind
2.2.3_-_The_Aitereya_Upanishad
2.23_-_The_Conditions_of_Attainment_to_the_Gnosis
2.23_-_The_Core_of_the_Gita.s_Meaning
2.23_-_THE_MASTER_AND_BUDDHA
2.24_-_Back_to_Back__Face_to_Face__and_The_Process_of_Sawing_Through
2.24_-_Gnosis_and_Ananda
2.24_-_Note_on_the_Text
2.2.4_-_Sentimentalism,_Sensitiveness,_Instability,_Laxity
2.2.4_-_Taittiriya_Upanishad
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_THE_MASTERS_LOVE_FOR_HIS_DEVOTEES
2.24_-_The_Message_of_the_Gita
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_List_of_Topics_in_Each_Talk
2.25_-_Mercies_and_Judgements_of_Knowledge
2.25_-_The_Higher_and_the_Lower_Knowledge
2.25_-_The_Triple_Transformation
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.26_-_The_First_and_Second_Unions
2.26_-_The_Supramental_Descent
2.2.7.01_-_Some_General_Remarks
2.27_-_Hathayoga
2.27_-_The_Gnostic_Being
2.27_-_The_Two_Types_of_Unions
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.28_-_The_Two_Feminine_Polarities__Leah_and_Rachel
2.2.9.02_-_Plato
2.2.9.03_-_Aristotle
2.2.9.04_-_Plotinus
2.29_-_The_Worlds_of_Creation,_Formation_and_Action
2.3.01_-_Aspiration_and_Surrender_to_the_Mother
2.3.01_-_Concentration_and_Meditation
2.3.01_-_The_Planes_or_Worlds_of_Consciousness
2.3.02_-_Mantra_and_Japa
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_Integral_Yoga
2.3.03_-_The_Mother's_Presence
2.3.03_-_The_Overmind
2.3.04_-_The_Higher_Planes_of_Mind
2.3.04_-_The_Mother's_Force
2.3.05_-_Sadhana_through_Work_for_the_Mother
2.3.05_-_The_Lower_Nature_or_Lower_Hemisphere
2.3.06_-_The_Mind
2.3.06_-_The_Mother's_Lights
2.3.07_-_The_Mother_in_Visions,_Dreams_and_Experiences
2.3.07_-_The_Vital_Being_and_Vital_Consciousness
2.3.08_-_I_have_a_hundred_lives
2.3.08_-_The_Mother's_Help_in_Difficulties
2.3.08_-_The_Physical_Consciousness
23.09_-_Observations_I
2.30_-_The_Uniting_of_the_Names_45_and_52
2.3.1.01_-_Three_Essentials_for_Writing_Poetry
2.3.1.06_-_Opening_to_the_Force
2.3.1.08_-_The_Necessity_and_Nature_of_Inspiration
2.3.1.09_-_Inspiration_and_Understanding
23.10_-_Observations_II
2.3.10_-_The_Subconscient_and_the_Inconscient
2.3.1.10_-_Inspiration_and_Effort
2.3.1.13_-_Inspiration_during_Sleep
2.3.1.15_-_Writing_and_Concentration
23.11_-_Observations_III
2.3.1.20_-_Aspiration
23.12_-_A_Note_On_The_Mother_of_Dreams
2.3.1.52_-_The_Ode
2.3.1.54_-_An_Epic_Line
2.3.1_-_Ego_and_Its_Forms
2.3.1_-_Svetasvatara_Upanishad
2.31_-_The_Elevation_Attained_Through_Sabbath
2.3.2_-_Chhandogya_Upanishad
2.3.2_-_Desire
2.32_-_Prophetic_Visions
2.3.3_-_Anger_and_Violence
2.3.4_-_Fear
2.4.01_-_Divine_Love,_Psychic_Love_and_Human_Love
24.01_-_Narads_Visit_to_King_Aswapathy
2.4.02.08_-_Contact_with_the_Divine
2.4.02.09_-_Contact_and_Union_with_the_Divine
2.4.02_-_Bhakti,_Devotion,_Worship
24.02_-_Notes_on_Savitri_I
24.03_-_Notes_on_Savitri_II
24.04_-_Notes_on_Savitri_III
24.05_-_Vision_of_Dante
2.4.1_-_Human_Relations_and_the_Spiritual_Life
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
2.4.3_-_Problems_in_Human_Relations
25.01_-_An_Italian_Stanza
25.02_-_HYMN_TO_DAWN
25.03_-_Songs_of_Ramprasad
25.04_-_In_Love_with_Darkness
25.05_-_HYMN_TO_DARKNESS
25.06_-_FORWARD
25.07_-_TEARS_OF_GRIEF
25.08_-_THY_GRACE
25.09_-_CHILDRENS_SONG
25.10_-_WHEREFORE_THIS_HURRY?
25.11_-_EGO
25.12_-_AGNI
26.01_-_Vedic_Hymns
26.02_-_Other_Hymns_and_Prayers
26.03_-_Ramprasad
26.04_-_Rabindranath_Tagore
26.05_-_Modern_Poets
26.06_-_Ashram_Poets
26.07_-_Dhammapada
26.08_-_Charyapda
26.09_-_Le_Periple_d_Or_(Pome_dans_par_Yvonne_Artaud)
27.01_-_The_Golden_Harvest
27.02_-_The_Human_Touch_Divine
27.03_-_The_Great_Holocaust_-_Chhinnamasta
27.04_-_A_Vision
27.05_-_In_Her_Company
28.01_-_Observations
28.02_-_An_Impression
29.03_-_In_Her_Company
29.04_-_Mothers_Playground
29.05_-_The_Bride_of_Brahman
29.06_-_There_is_also_another,_similar_or_parallel_story_in_the_Veda_about_the_God_Agni,_about_the_disappearance_of_this
29.07_-_A_Small_Talk
29.08_-_The_Iron_Chain
29.09_-_Some_Dates
2_-_Other_Hymns_to_Agni
3.00.1_-_Foreword
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.03_-_Spirituality_in_Art
30.04_-_Intuition_and_Inspiration_in_Art
30.05_-_Rhythm_in_Poetry
30.06_-_The_Poet_and_The_Seer
30.07_-_The_Poet_and_the_Yogi
30.08_-_Poetry_and_Mantra
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Hymn_To_Pan
3.00_-_Introduction
3.00_-_The_Magical_Theory_of_the_Universe
30.10_-_The_Greatness_of_Poetry
30.11_-_Modern_Poetry
30.12_-_The_Obscene_and_the_Ugly_-_Form_and_Essence
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.15_-_The_Language_of_Rabindranath
30.16_-_Tagore_the_Unique
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_Fear_of_God
3.01_-_Forms_of_Rebirth
3.01_-_Hymn_to_Matter
3.01_-_INTRODUCTION
3.01_-_Love_and_the_Triple_Path
3.01_-_Natural_Morality
3.01_-_Proem
3.01_-_Sincerity
3.01_-_That_Which_is_Speaking
3.01_-_THE_BIRTH_OF_THOUGHT
3.01_-_The_Mercurial_Fountain
3.01_-_The_Principles_of_Ritual
3.01_-_The_Soul_World
3.01_-_THE_WANDERER
3.01_-_Towards_the_Future
3.02_-_Aridity_in_Prayer
3.02_-_Aspiration
3.02_-_King_and_Queen
3.02_-_Mysticism
3.02_-_Nature_And_Composition_Of_The_Mind
3.02_-_ON_THE_VISION_AND_THE_RIDDLE
3.02_-_On_Thought_-_Introduction
3.02_-_SOL
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Formulae_of_the_Elemental_Weapons
3.02_-_The_Great_Secret
3.02_-_The_Motives_of_Devotion
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.02_-_The_Soul_in_the_Soul_World_after_Death
3.03_-_Faith_and_the_Divine_Grace
3.03_-_ON_INVOLUNTARY_BLISS
3.03_-_On_Thought_-_II
3.03_-_SULPHUR
3.03_-_The_Ascent_to_Truth
3.03_-_The_Consummation_of_Mysticism
3.03_-_The_Formula_of_Tetragrammaton
3.03_-_The_Four_Foundational_Practices
3.03_-_The_Godward_Emotions
3.03_-_The_Mind_
3.03_-_THE_MODERN_EARTH
3.03_-_The_Naked_Truth
3.03_-_The_Soul_Is_Mortal
3.03_-_The_Spirit_Land
3.04_-_BEFORE_SUNRISE
3.04_-_Folly_Of_The_Fear_Of_Death
3.04_-_Immersion_in_the_Bath
3.04_-_LUNA
3.04_-_On_Thought_-_III
3.04_-_The_Crossing_of_the_Return_Threshold
3.04_-_The_Flowers
3.04_-_The_Formula_of_ALHIM
3.04_-_The_Spirit_in_Spirit-Land_after_Death
3.04_-_The_Way_of_Devotion
3.05_-_Cerberus_And_Furies,_And_That_Lack_Of_Light
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.05_-_The_Central_Thought
3.05_-_The_Conjunction
3.05_-_The_Divine_Personality
3.05_-_The_Fool
3.05_-_The_Formula_of_I.A.O.
3.05_-_The_Physical_World_and_its_Connection_with_the_Soul_and_Spirit-Lands
3.06_-_Charity
3.06_-_Death
3.06_-_The_Delight_of_the_Divine
3.06_-_The_Formula_of_The_Neophyte
3.06_-_The_Sage
3.06_-_Thought-Forms_and_the_Human_Aura
3.06_-_UPON_THE_MOUNT_OF_OLIVES
3.07.2_-_Finding_the_Real_Source
3.07.5_-_Who_Am_I?
3.07_-_ON_PASSING_BY
3.07_-_The_Adept
3.07_-_The_Ananda_Brahman
3.07_-_The_Ascent_of_the_Soul
3.07_-_The_Divinity_Within
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_ON_APOSTATES
3.08_-_Purification
3.08_-_The_Mystery_of_Love
3.08_-_The_Thousands
3.09_-_Evil
3.09_-_Of_Silence_and_Secrecy
3.09_-_THE_RETURN_HOME
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
3.1.01_-_Distinctive_Features_of_the_Integral_Yoga
3.1.01_-_Invitation
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Marbles_of_Time
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Asceticism_and_the_Integral_Yoga
3.1.02_-_A_Theory_of_the_Human_Being
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.02_-_The_Mother-_Worship_of_the_Bengalis
3.1.02_-_Who
3.1.03_-_A_Realistic_Adwaita
3.1.03_-_Miracles
31.03_-_The_Trinity_of_Bengal
3.1.04_-_Reminiscence
31.04_-_Sri_Ramakrishna
3.1.04_-_Transformation_in_the_Integral_Yoga
3.1.05_-_A_Vision_of_Science
31.05_-_Vivekananda
3.1.06_-_Immortal_Love
31.06_-_Jagadish_Chandra_Bose
3.1.07_-_A_Tree
31.07_-_Shyamakanta
31.08_-_The_Unity_of_India
3.1.08_-_To_the_Sea
3.1.09_-_Revelation
31.09_-_The_Cause_of_Indias_Decline
3.10_-_Of_the_Gestures
3.10_-_ON_THE_THREE_EVILS
3.10_-_Punishment
3.10_-_The_New_Birth
31.10_-_East_and_West
3.1.10_-_Karma
3.1.11_-_Appeal
3.1.12_-_A_Child.s_Imagination
3.1.13_-_The_Sea_at_Night
3.1.14_-_Vedantin.s_Prayer
3.1.15_-_Rebirth
3.1.16_-_The_Triumph-Song_of_Trishuncou
3.1.17_-_Life_and_Death
3.1.18_-_Evening
3.1.19_-_Parabrahman
3.11_-_Epilogue
3.11_-_Of_Our_Lady_Babalon
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.1.1_-_The_Transformation_of_the_Physical
3.1.20_-_God
3.1.23_-_The_Rishi
3.1.24_-_In_the_Moonlight
3.1.2_-_Levels_of_the_Physical_Being
3.12_-_Of_the_Bloody_Sacrifice
3.12_-_ON_OLD_AND_NEW_TABLETS
3.1.3_-_Difficulties_of_the_Physical_Being
3.13_-_Of_the_Banishings
3.13_-_THE_CONVALESCENT
3.14_-_Of_the_Consecrations
3.14_-_ON_THE_GREAT_LONGING
3.15_-_Of_the_Invocation
3.15_-_THE_OTHER_DANCING_SONG
3.16.1_-_Of_the_Oath
3.16.2_-_Of_the_Charge_of_the_Spirit
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.19_-_Of_Dramatic_Rituals
31_Hymns_to_the_Star_Goddess
3.2.01_-_On_Ideals
3.2.01_-_The_Newness_of_the_Integral_Yoga
32.01_-_Where_is_God?
32.02_-_Reason_and_Yoga
3.2.02_-_The_Veda_and_the_Upanishads
3.2.02_-_Vision
3.2.02_-_Yoga_and_Skill_in_Works
3.2.03_-_Conservation_and_Progress
32.03_-_In_This_Crisis
3.2.03_-_Jainism_and_Buddhism
3.2.03_-_To_the_Ganges
3.2.04_-_Sankhya_and_Yoga
3.2.04_-_Suddenly_out_from_the_wonderful_East
3.2.04_-_The_Conservative_Mind_and_Eastern_Progress
32.04_-_The_Human_Body
3.2.05_-_Our_Ideal
32.05_-_The_Culture_of_the_Body
3.2.05_-_The_Yoga_of_the_Bhagavad_Gita
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
3.2.07_-_Tantra
32.07_-_The_God_of_the_Scientist
3.2.08_-_Bhakti_Yoga_and_Vaishnavism
32.08_-_Fit_and_Unfit_(A_Letter)
32.09_-_On_Karmayoga_(A_Letter)
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
3.20_-_Of_the_Eucharist
32.10_-_A_Letter
3.2.10_-_Christianity_and_Theosophy
32.11_-_Life_and_Self-Control_(A_Letter)
32.12_-_The_Evolutionary_Imperative
3.2.1_-_Food
3.21_-_Of_Black_Magic
3.2.2_-_Sleep
3.2.3_-_Dreams
3.2.4_-_Sex
33.01_-_The_Initiation_of_Swadeshi
3.3.01_-_The_Superman
3.3.02_-_All-Will_and_Free-Will
33.02_-_Subhash,_Oaten:_atlas,_Russell
33.03_-_Muraripukur_-_I
3.3.03_-_The_Delight_of_Works
33.04_-_Deoghar
33.05_-_Muraripukur_-_II
33.06_-_Alipore_Court
33.07_-_Alipore_Jail
33.08_-_I_Tried_Sannyas
33.09_-_Shyampukur
33.10_-_Pondicherry_I
33.11_-_Pondicherry_II
33.12_-_Pondicherry_Cyclone
33.13_-_My_Professors
33.14_-_I_Played_Football
33.15_-_My_Athletics
33.16_-_Soviet_Gymnasts
33.17_-_Two_Great_Wars
33.18_-_I_Bow_to_the_Mother
3.3.1_-_Agni,_the_Divine_Will-Force
3.3.1_-_Illness_and_Health
3.3.2_-_Doctors_and_Medicines
3.3.3_-_Specific_Illnesses,_Ailments_and_Other_Physical_Problems
3.4.01_-_Evolution
34.01_-_Hymn_To_Indra
34.02_-_Hymn_To_All-Gods
3.4.02_-_The_Inconscient
34.03_-_Hymn_To_Dawn
3.4.03_-_Materialism
34.04_-_Hymn_of_Aspiration
34.05_-_Hymn_to_the_Mental_Being
34.06_-_Hymn_to_Sindhu
34.07_-_The_Bride_of_Brahman
34.08_-_Hymn_To_Forest-Range
34.09_-_Hymn_to_the_Pillar
3.4.1.01_-_Poetry_and_Sadhana
3.4.1.05_-_Fiction-Writing_and_Sadhana
3.4.1.06_-_Reading_and_Sadhana
3.4.1.07_-_Reading_and_Real_Knowledge
3.4.1.08_-_Novel-Reading_and_Sadhana
34.10_-_Hymn_To_Earth
3.4.1.11_-_Language-Study_and_Yoga
34.11_-_Hymn_to_Peace_and_Power
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.4.2.04_-_Dance_and_Sadhana
3.4.2_-_Guru_Yoga
3.4.2_-_The_Inconscient_and_the_Integral_Yoga
3.5.01_-_Aphorisms
35.01_-_Hymn_To_The_Sweet_Lord
3.5.01_-_Science
35.02_-_Hymn_to_Hara-Gauri
3.5.02_-_Religion
3.5.02_-_Thoughts_and_Glimpses
35.03_-_Hymn_To_Bhavani
3.5.03_-_Reason_and_Society
35.04_-_Hymn_To_Surya
3.5.04_-_Justice
35.05_-_Hymn_To_Saraswati
35.06_-_Who_Seeks_Holy_Places?
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
36.08_-_A_Commentary_on_the_First_Six_Suktas_of_Rigveda
36.09_-_THE_SIT_SUKTA
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.02_-_The_Story_of_Jabala-Satyakama
37.03_-_Satyakama_And_Upakoshala
37.04_-_The_Story_Of_Rishi_Yajnavalkya
37.05_-_Narada_-_Sanatkumara_(Chhandogya_Upanishad)
37.06_-_Indra_-_Virochana_and_Prajapati
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.02_-_The_Reincarnating_Soul
3.7.1.03_-_Rebirth,_Evolution,_Heredity
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.06_-_The_Ascending_Unity
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.10_-_Karma,_Will_and_Consequence
3.7.1.11_-_Rebirth_and_Karma
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.02_-_The_Terrestial_Law
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
3.7.2.06_-_Appendix_II_-_A_Clarification
38.01_-_Asceticism_and_Renunciation
38.02_-_Hymns_and_Prayers
38.03_-_Mute
38.04_-_Great_Time
38.05_-_Living_Matter
38.06_-_Ravana_Vanquished
38.07_-_A_Poem
3.8.1.01_-_The_Needed_Synthesis
3.8.1.02_-_Arya_-_Its_Significance
3.8.1.03_-_Meditation
3.8.1.04_-_Different_Methods_of_Writing
3.8.1.05_-_Occult_Knowledge_and_the_Hindu_Scriptures
3.8.1.06_-_The_Universal_Consciousness
39.08_-_Release
39.09_-_Just_Be_There_Where_You_Are
39.10_-_O,_Wake_Up_from_Vain_Slumber
39.11_-_A_Prayer
3_-_Commentaries_and_Annotated_Translations
40.01_-_November_24,_1926
40.02_-_The_Two_Chains_Of_The_Mother
4.01_-_Circumstances
4.01_-_Conclusion_-_My_intellectual_position
4.01_-_INTRODUCTION
4.01_-_Introduction
4.01_-_Prayers_and_Meditations
4.01_-_Proem
4.01_-_Sweetness_in_Prayer
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_THE_HONEY_SACRIFICE
4.01_-_The_Presence_of_God_in_the_World
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_Autobiographical_Evidence
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_Difficulties
4.02_-_Divine_Consolations.
4.02_-_Existence_And_Character_Of_The_Images
4.02_-_GOLD_AND_SPIRIT
4.02_-_Humanity_in_Progress
4.02_-_THE_CRY_OF_DISTRESS
4.02_-_The_Integral_Perfection
4.02_-_The_Psychology_of_the_Child_Archetype
4.03_-_CONVERSATION_WITH_THE_KINGS
4.03_-_Mistakes
4.03_-_Prayer_of_Quiet
4.03_-_Prayer_to_the_Ever-greater_Christ
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.03_-_THE_ULTIMATE_EARTH
4.04_-_Conclusion
4.04_-_In_the_Total_Christ
4.04_-_Some_Vital_Functions
4.04_-_THE_LEECH
4.04_-_The_Perfection_of_the_Mental_Being
4.04_-_THE_REGENERATION_OF_THE_KING
4.04_-_Weaknesses
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Instruments_of_the_Spirit
4.05_-_THE_MAGICIAN
4.05_-_The_Passion_Of_Love
4.06_-_Purification-the_Lower_Mentality
4.06_-_RETIRED
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_Purification-Intelligence_and_Will
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.07_-_THE_UGLIEST_MAN
4.08_-_The_Liberation_of_the_Spirit
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.08_-_THE_VOLUNTARY_BEGGAR
4.09_-_REGINA
4.09_-_The_Liberation_of_the_Nature
4.09_-_THE_SHADOW
4.0_-_NOTES_TO_ZARATHUSTRA
4.0_-_The_Path_of_Knowledge
4.1.01_-_The_Intellect_and_Yoga
41.01_-_Vedic_Hymns
41.02_-_Other_Hymns_and_Prayers
41.03_-_Bengali_Poems_of_Sri_Aurobindo
41.04_-_Modern_Bengali_Poems
4.10_-_AT_NOON
4.10_-_The_Elements_of_Perfection
4.1.1.01_-_The_Fundamental_Realisations
4.1.1.02_-_Four_Bases_of_Realisation
4.1.1.03_-_Three_Realisations_for_the_Soul
4.1.1.04_-_Foundations_of_the_Sadhana
4.1.1.05_-_The_Central_Process_of_the_Yoga
4.1.1_-_The_Difficulties_of_Yoga
4.11_-_The_Perfection_of_Equality
4.11_-_THE_WELCOME
4.1.2.01_-_Realisation_and_Transformation
4.1.2.02_-_The_Three_Transformations
4.1.2.03_-_Preparation_for_the_Supramental_Change
4.1.2_-_The_Difficulties_of_Human_Nature
4.12_-_THE_LAST_SUPPER
4.12_-_The_Way_of_Equality
4.1.3_-_Imperfections_and_Periods_of_Arrest
4.13_-_ON_THE_HIGHER_MAN
4.13_-_The_Action_of_Equality
4.1.4_-_Resistances,_Sufferings_and_Falls
4.14_-_The_Power_of_the_Instruments
4.14_-_THE_SONG_OF_MELANCHOLY
4.15_-_ON_SCIENCE
4.15_-_Soul-Force_and_the_Fourfold_Personality
4.16_-_AMONG_DAUGHTERS_OF_THE_WILDERNESS
4.16_-_The_Divine_Shakti
4.17_-_The_Action_of_the_Divine_Shakti
4.17_-_THE_AWAKENING
4.18_-_Faith_and_shakti
4.18_-_THE_ASS_FESTIVAL
4.19_-_THE_DRUNKEN_SONG
4.19_-_The_Nature_of_the_supermind
4.1_-_Jnana
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.2.03_-_The_Birth_of_Sin
4.2.04_-_Epiphany
4.20_-_The_Intuitive_Mind
4.20_-_THE_SIGN
4.2.1.01_-_The_Importance_of_the_Psychic_Change
4.2.1.02_-_The_Role_of_the_Psychic_in_Sadhana
4.2.1.03_-_The_Psychic_Deep_Within
4.2.1.04_-_The_Psychic_and_the_Mental,_Vital_and_Physical_Nature
4.2.1.05_-_The_Psychic_Awakening
4.2.1.06_-_Living_in_the_Psychic
4.21_-_The_Gradations_of_the_supermind
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.2.2.01_-_The_Meaning_of_Psychic_Opening
4.2.2.02_-_Conditions_for_the_Psychic_Opening
4.2.2.03_-_An_Experience_of_Psychic_Opening
4.2.2.04_-_The_Psychic_Opening_and_the_Inner_Centres
4.2.2.05_-_Opening_and_Coming_in_Front
4.2.2_-_Steps_towards_Overcoming_Difficulties
4.22_-_The_supramental_Thought_and_Knowledge
4.2.3.01_-_The_Meaning_of_Coming_to_the_Front
4.2.3.02_-_Signs_of_the_Psychic's_Coming_Forward
4.2.3.03_-_The_Psychic_and_the_Relation_with_the_Divine
4.2.3.04_-_Means_of_Bringing_Forward_the_Psychic
4.2.3.05_-_Obstacles_to_the_Psychic's_Emergence
4.23_-_The_supramental_Instruments_--_Thought-process
4.2.3_-_Vigilance,_Resolution,_Will_and_the_Divine_Help
4.2.4.01_-_The_Psychic_Touch_or_Influence
4.2.4.02_-_The_Psychic_Condition
4.2.4.03_-_The_Psychic_Fire
4.2.4.04_-_The_Psychic_Fire_and_Some_Inner_Visions
4.2.4.05_-_Agni
4.2.4.06_-_Agni_and_the_Psychic_Fire
4.2.4.07_-_Psychic_Joy
4.2.4.08_-_Psychic_Sorrow
4.2.4.09_-_Psychic_Tears_or_Weeping
4.2.4.10_-_Psychic_Yearning
4.2.4.11_-_Psychic_Intensity
4.2.4.12_-_The_Psychic_and_Uneasiness
4.24_-_The_supramental_Sense
4.2.4_-_Time_and_CHange_of_the_Nature
4.2.5.01_-_Psychisation_and_Spiritualisation
4.2.5.02_-_The_Psychic_and_the_Higher_Consciousness
4.2.5.03_-_The_Psychic_and_Spiritual_Movements
4.2.5.04_-_The_Psychic_Consciousness_and_the_Descent_from_Above
4.2.5.05_-_The_Psychic_and_the_Supermind
4.2.5_-_Dealing_with_Depression_and_Despondency
4.25_-_Towards_the_supramental_Time_Vision
4.26_-_The_Supramental_Time_Consciousness
4.2_-_Karma
4.3.1.01_-_Peace,_Calm,_Silence_and_the_Self
4.3.1.02_-_The_True_Self_Within
4.3.1.03_-_The_Self_and_the_Sense_of_Individuality
4.3.1.04_-_The_Disappearance_of_the_I_Sense
4.3.1.05_-_The_Self_and_the_Cosmic_Consciousness
4.3.1.06_-_A_Vision_of_the_Universal_Self
4.3.1.07_-_The_Self_Experienced_on_Various_Planes
4.3.1.08_-_The_Self_and_Time
4.3.1.09_-_The_Self_and_Life
4.3.1.10_-_Experiences_of_Infinity,_Oneness,_Unity
4.3.1.11_-_Living_in_the_Divine
4.3.1_-_The_Hostile_Forces_and_the_Difficulties_of_Yoga
4.3.2.01_-_The_Higher_or_Spiritual_Consciousness
4.3.2.02_-_Breaking_into_the_Spiritual_Consciousness
4.3.2.03_-_Wideness_and_the_Higher_Consciousness
4.3.2.04_-_Degrees_in_the_Higher_Consciousness
4.3.2.05_-_The_Higher_Planes_and_the_Supermind
4.3.2.06_-_Levels_of_the_Higher_Mind
4.3.2.07_-_An_Illumined_Mind_Experience
4.3.2.08_-_Overmind_Experiences
4.3.2.09_-_Overmind_Experiences_and_the_Supermind
4.3.2.10_-_Reflected_Experience_of_the_Higher_Planes
4.3.2.11_-_Trance_and_the_Higher_Planes
4.3.2.12_-_Living_in_a_Higher_Plane
4.3.2_-_Attacks_by_the_Hostile_Forces
4.3.3_-_Dealing_with_Hostile_Attacks
4.3.4_-_Accidents,_Possession,_Madness
4.3_-_Bhakti
4.4.1.01_-_The_Meaning_of_Spiritual_Transformation
4.4.1.02_-_A_Double_Movement_in_the_Sadhana
4.4.1.03_-_Both_Ascent_and_Descent_Necessary
4.4.1.04_-_The_Order_of_Ascent_and_Descent
4.4.1.05_-_Ascent_and_Descent_of_the_Kundalini_Shakti
4.4.1.06_-_Ascent_and_Descent_and_Problems_of_the_Lower_Nature
4.4.1.07_-_Experiences_of_Ascent_and_Descent
4.41_-_Chapter_One
4.4.2.01_-_Contact_with_the_Above
4.4.2.02_-_Ascension_or_Rising_above_the_Head
4.4.2.03_-_Ascent_and_Return_to_the_Ordinary_Consciousness
4.4.2.04_-_Ascent_and_Dissolution
4.4.2.05_-_Ascent_and_the_Psychic_Being
4.4.2.06_-_Ascent_and_the_Body
4.4.2.07_-_Ascent_and_Going_out_of_the_Body
4.4.2.08_-_Fixing_the_Consciousness_Above
4.4.2.09_-_Ascent_and_Change_of_the_Lower_Nature
4.42_-_Chapter_Two
4.4.3.01_-_The_Purpose_of_the_Descent
4.4.3.02_-_Calling_in_the_Higher_Consciousness
4.4.3.03_-_Preparatory_Experiences_and_Descent
4.4.3.04_-_The_Order_of_Descent_into_the_Being
4.4.3.05_-_The_Effect_of_Descent_into_the_Lower_Planes
4.43_-_Chapter_Three
4.4.4.01_-_The_Descent_of_Peace,_Force,_Light,_Ananda
4.4.4.02_-_Peace,_Calm,_Quiet_as_a_Basis_for_the_Descent
4.4.4.03_-_The_Descent_of_Peace
4.4.4.04_-_The_Descent_of_Silence
4.4.4.05_-_The_Descent_of_Force_or_Power
4.4.4.06_-_The_Descent_of_Fire
4.4.4.07_-_The_Descent_of_Light
4.4.4.08_-_The_Descent_of_Knowledge
4.4.4.09_-_The_Descent_of_Wideness
4.4.4.10_-_The_Descent_of_Ananda
4.4.4.11_-_The_Flow_of_Amrita
4.4.5.01_-_Descent_and_Experiences_of_the_Inner_Being
4.4.5.02_-_Descent_and_Psychic_Experiences
4.4.5.03_-_Descent_and_Other_Experiences
4.4.6.01_-_Sensations_in_the_Inner_Centres
4.4_-_Additional_Aphorisms
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.01_-_EPILOGUE
5.01_-_Message
5.01_-_On_the_Mysteries_of_the_Ascent_towards_God
5.01_-_Proem
5.01_-_The_Dakini,_Salgye_Du_Dalma
5.02_-_Against_Teleological_Concept
5.02_-_Perfection_of_the_Body
5.02_-_THE_STATUE
5.02_-_Two_Parallel_Movements
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.03_-_The_Divine_Body
5.03_-_The_World_Is_Not_Eternal
5.03_-_Towars_the_Supreme_Light
5.04_-_Formation_Of_The_World
5.04_-_Supermind_and_the_Life_Divine
5.04_-_THE_POLARITY_OF_ADAM
5.04_-_Three_Dreams
5.05_-_Origins_Of_Vegetable_And_Animal_Life
5.05_-_Supermind_and_Humanity
5.05_-_THE_OLD_ADAM
5.05_-_The_War
5.06_-_Origins_And_Savage_Period_Of_Mankind
5.06_-_Supermind_in_the_Evolution
5.06_-_THE_TRANSFORMATION
5.07_-_Beginnings_Of_Civilization
5.07_-_Mind_of_Light
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.08_-_Supermind_and_Mind_of_Light
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.01.9_-_Book_IX
5.1.01_-_Ilion
5.1.01_-_Terminology
5.1.02_-_Ahana
5.1.02_-_The_Gods
5.1.03_-_The_Hostile_Forces_and_Hostile_Beings
5.2.01_-_The_Descent_of_Ahana
5.2.01_-_Word-Formation
5.2.02_-_Aryan_Origins_-_The_Elementary_Roots_of_Language
5.2.02_-_The_Meditations_of_Mandavya
5.2.03_-_The_An_Family
5.3.04_-_Roots_in_M
5.3.05_-_The_Root_Mal_in_Greek
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5.4.02_-_Occult_Powers_or_Siddhis
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_Proem
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_Great_Meteorological_Phenomena,_Etc
6.02_-_STAGES_OF_THE_CONJUNCTION
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.04_-_The_Plague_Athens
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_Remembrances
6.06_-_SELF-KNOWLEDGE
6.07_-_Myself_and_My_Creed
6.07_-_THE_MONOCOLUS
6.08_-_Intellectual_Visions
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_Imaginary_Visions
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
6.0_-_Conscious,_Unconscious,_and_Individuation
6.1.07_-_Life
6.1.08_-_One_Day
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.01_-_The_Soul_(the_Psychic)
7.02_-_Courage
7.02_-_The_Mind
7.03_-_Cheerfulness
7.03_-_The_Heart
7.04_-_Self-Reliance
7.04_-_The_Vital
7.05_-_Patience_and_Perseverance
7.05_-_The_Senses
7.06_-_The_Body_(the_Physical)
7.06_-_The_Simple_Life
7.07_-_Prudence
7.07_-_The_Subconscient
7.08_-_Sincerity
7.09_-_Right_Judgement
7.10_-_Order
7.11_-_Building_and_Destroying
7.12_-_The_Giver
7.13_-_The_Conquest_of_Knowledge
7.14_-_Modesty
7.15_-_The_Family
7.16_-_Sympathy
7.2.03_-_The_Other_Earths
7.2.04_-_Thought_the_Paraclete
7.2.05_-_Moon_of_Two_Hemispheres
7.2.06_-_Rose_of_God
7.3.10_-_The_Lost_Boat
7.3.13_-_Ascent
7.3.14_-_The_Tiger_and_the_Deer
7.4.01_-_Man_the_Enigma
7.4.02_-_The_Infinitismal_Infinite
7.4.03_-_The_Cosmic_Dance
7.5.20_-_The_Hidden_Plan
7.5.21_-_The_Pilgrim_of_the_Night
7.5.26_-_The_Golden_Light
7.5.27_-_The_Infinite_Adventure
7.5.28_-_The_Greater_Plan
7.5.29_-_The_Universal_Incarnation
7.5.30_-_The_Godhead
7.5.31_-_The_Stone_Goddess
7.5.32_-_Krishna
7.5.33_-_Shiva
7.5.37_-_Lila
7.5.51_-_Light
7.5.52_-_The_Unseen_Infinite
7.5.56_-_Omnipresence
7.5.59_-_The_Hill-top_Temple
7.5.60_-_Divine_Hearing
7.5.61_-_Because_Thou_Art
7.5.62_-_Divine_Sight
7.5.63_-_Divine_Sense
7.5.64_-_The_Iron_Dictators
7.5.65_-_Form
7.5.66_-_Immortality
7.5.69_-_The_Inner_Fields
7.6.01_-_Symbol_Moon
7.6.02_-_The_World_Game
7.6.03_-_Who_art_thou_that_camest
7.6.04_-_One
7.6.09_-_Despair_on_the_Staircase
7.6.12_-_The_Mother_of_God
7.6.13_-_The_End?
7.9.20_-_Soul,_my_soul
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
A_God's_Labour
Apology
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
A_Secret_Miracle
authors_(code)
Avatars_of_the_Tortoise
Averroes_Search
Big_Mind_(non-dual)
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_I._-_Augustine_censures_the_pagans,_who_attributed_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
BOOK_IX._-_Of_those_who_allege_a_distinction_among_demons,_some_being_good_and_others_evil
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
Book_of_Psalms
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
CASE_1_-_JOSHUS_DOG
CASE_2_-_HYAKUJOS_FOX
CASE_3_-_GUTEIS_FINGER
CASE_4_-_WAKUANS_WHY_NO_BEARD?
CASE_5_-_KYOGENS_MAN_HANGING_IN_THE_TREE
CASE_6_-_THE_BUDDHAS_FLOWER
Chapter_III_-_WHEREIN_IS_RELATED_THE_DROLL_WAY_IN_WHICH_DON_QUIXOTE_HAD_HIMSELF_DUBBED_A_KNIGHT
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
City_of_God_-_BOOK_I
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_III
COSA_-_BOOK_IV
COSA_-_BOOK_IX
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_VIII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
Deutsches_Requiem
Diamond_Sutra_1
DM_2_-_How_to_Meditate
DS2
DS3
DS4
Emma_Zunz
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.02_-_Concerning_Virtue.
ENNEAD_01.02_-_Of_Virtues.
ENNEAD_01.03_-_Of_Dialectic,_or_the_Means_of_Raising_the_Soul_to_the_Intelligible_World.
ENNEAD_01.04_-_Whether_Animals_May_Be_Termed_Happy.
ENNEAD_01.05_-_Does_Happiness_Increase_With_Time?
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_01.07_-_Of_the_First_Good,_and_of_the_Other_Goods.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_01.09a_-_Of_Suicide.
ENNEAD_01.09b_-_Of_Suicide.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.02_-_About_the_Movement_of_the_Heavens.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.04b_-_Of_Matter.
ENNEAD_02.05_-_Of_the_Aristotelian_Distinction_Between_Actuality_and_Potentiality.
ENNEAD_02.06_-_Of_Essence_and_Being.
ENNEAD_02.07_-_About_Mixture_to_the_Point_of_Total_Penetration.
ENNEAD_02.08_-_Of_Sight,_or_of_Why_Distant_Objects_Seem_Small.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.01_-_Concerning_Fate.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.03_-_Continuation_of_That_on_Providence.
ENNEAD_03.04_-_Of_Our_Individual_Guardian.
ENNEAD_03.05_-_Of_Love,_or_Eros.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Entities_(Soul_and_and_Matter).
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Things.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08a_-_Of_Nature,_Contemplation,_and_of_the_One.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_03.09_-_Fragments_About_the_Soul,_the_Intelligence,_and_the_Good.
ENNEAD_04.01_-_Of_the_Being_of_the_Soul.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.02_-_Of_the_Nature_of_the_Soul.
ENNEAD_04.03_-_Problems_About_the_Soul.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.06a_-_Of_Sensation_and_Memory.
ENNEAD_04.06b_-_Of_Sensation_and_Memory.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_04.08_-_Of_the_Descent_of_the_Soul_Into_the_Body.
ENNEAD_04.09_-_Whether_All_Souls_Form_a_Single_One?
ENNEAD_05.01_-_The_Three_Principal_Hypostases,_or_Forms_of_Existence.
ENNEAD_05.02_-_Of_Generation_and_of_the_Order_of_Things_that_Follow_the_First.
ENNEAD_05.02_-_Of_Generation,_and_of_the_Order_of_things_that_Rank_Next_After_the_First.
ENNEAD_05.03_-_Of_the_Hypostases_that_Mediate_Knowledge,_and_of_the_Superior_Principle.
ENNEAD_05.03_-_The_Self-Consciousnesses,_and_What_is_Above_Them.
ENNEAD_05.04_-_How_What_is_After_the_First_Proceeds_Therefrom;_of_the_One.
ENNEAD_05.05_-_That_Intelligible_Entities_Are_Not_External_to_the_Intelligence_of_the_Good.
ENNEAD_05.06_-_The_Superessential_Principle_Does_Not_Think_-_Which_is_the_First_Thinking_Principle,_and_Which_is_the_Second?
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.04_-_The_One_and_Identical_Being_Is_Everywhere_Present_As_a_Whole.
ENNEAD_06.04_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.05_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Epistle_to_the_Romans
Euthyphro
Evening_Talks_With_Sri_Aurobindo
Ex_Oblivione
First_Epistle_of_Paul_to_the_Thessalonians
For_a_Breath_I_Tarry
Gods_Script
Gorgias
Guru_Granth_Sahib_first_part
Ion
IS_-_Chapter_1
Isha_Upanishads
I._THE_ATTRACTIVE_POWER_OF_GOD
Jaap_Sahib_Text_(Guru_Gobind_Singh)
Kafka_and_His_Precursors
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
Liber_MMM
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.03_-_INVOCATION
LUX.04_-_LIBERATION
LUX.05_-_AUGOEIDES
LUX.06_-_DIVINATION
LUX.07_-_ENCHANTMENT
Maps_of_Meaning_text
Medea_-_A_Vergillian_Cento
Meno
MMM.01_-_MIND_CONTROL
MMM.02_-_MAGIC
MMM.03_-_DREAMING
MoM_References
P.11_-_MAGICAL_WEAPONS
Partial_Magic_in_the_Quixote
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
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Ragnarok
Sayings_of_Sri_Ramakrishna_(text)
SB_1.1_-_Questions_by_the_Sages
Sophist
Story_of_the_Warrior_and_the_Captive
Symposium_translated_by_B_Jowett
Tablet_1_-
Tablets_of_Baha_u_llah_text
Talks_001-025
Talks_026-050
Talks_051-075
Talks_076-099
Talks_100-125
Talks_125-150
Talks_151-175
Talks_176-200
Talks_225-239
Talks_500-550
Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Joshua
The_Book_of_Sand
The_Book_of_the_Prophet_Isaiah
The_Book_of_the_Prophet_Micah
The_Book_of_Wisdom
The_Book_(short_story)
the_Castle
The_Circular_Ruins
The_Coming_Race_Contents
The_Divine_Names_Text_(Dionysis)
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
The_Egg
The_Epistle_of_James
The_Epistle_of_Paul_to_the_Ephesians
The_Epistle_of_Paul_to_the_Philippians
The_Essentials_of_Education
the_Eternal_Wisdom
The_Fearful_Sphere_of_Pascal
The_First_Epistle_of_Paul_to_the_Corinthians
The_First_Epistle_of_Paul_to_Timothy
The_First_Epistle_of_Peter
The_First_Letter_of_John
The_Five,_Ranks_of_The_Apparent_and_the_Real
The_Garden_of_Forking_Paths_1
The_Garden_of_Forking_Paths_2
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Golden_Verses_of_Pythagoras
The_Gospel_According_to_John
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Gospel_of_Thomas
The_Great_Sense
The_Hidden_Words_text
The_House_of_Asterion
The_Immortal
The_Last_Question
The_Letter_to_the_Hebrews
The_Library_of_Babel
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Lottery_in_Babylon
The_Mirror_of_Enigmas
The_Monadology
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Pythagorean_Sentences_of_Demophilus
The_Revelation_of_Jesus_Christ_or_the_Apocalypse
The_Riddle_of_this_World
The_Second_Epistle_of_John
The_Second_Epistle_of_Paul_to_Timothy
The_Second_Epistle_of_Peter
The_Shadow_Out_Of_Time
The_Theologians
The_Third_Letter_of_John
The_Waiting
The_Wall_and_the_BOoks
The_Witness
The_Zahir
Thus_Spoke_Zarathustra_text
Timaeus
Ultima_Thule_-_Dedication_to_G._W._G.
Valery_as_Symbol
Verses_of_Vemana

PRIMARY CLASS

bot
cha
injunction
object
Offering
Place
programming
room
temp
The_Mother_With_Letters_On_The_Mother
thing
SIMILAR TITLES
Ajahn Chah
Algernon Charles Swinburne
Archangel
Barrett Chapman Brown
BS 2 - Genesis 1 Chaos + Order
cha
Chain
challenge
chamber
Chamtrul Rinpoche
change
channel
chant
chapters
chapters (by alpha)
characters
Charles Baudelaire
Charles Darwin
Charles Dickens
Charles F Haanel
Charles Webster Leadbeater
Charm
chatbot
chatbot.py
chatroom
Education As a Force for Social Change
enchanting
fictional characters
Game Dev Challenge
Hemachandra
Introduction To The Middle Way Chandrakirti's Madhyamakavatara with Commentary by Dzongsar Jamyang Khyentse Rinpoche
Levi Yitzchak of Berditchov
list of geniuses from Charles Murray
mechanic
mechanical
Mechanical Engineering
Mechanical Mind
mechanism
Mechatronics Engineering
Michael Ende
Michael Maier
Naftali Bacharach
new game dev challenge
Pierre Teilhard de Chardin
poetry-chaikhana
Richard Hartz
Richard P Feynman
Richard Swinburne
Savitri chapters quotes
state chaser
Stillness Flowing The Life and Teachings of Ajahn Chah
The Black Hole War - My Battle with Stephen Hawking to Make the World Safe for Quantum Mechanics
The Book of Joy Lasting Happiness in a Changing World
the Chakras
the Charter
the Divine Chariot
the Great Chain of Being
The Heart Is Noble Changing the World from the Inside Out
The I Ching or Book of Changes
the Player Character
The Sweet Dews of Chan Zen

DEFINITIONS


TERMS STARTING WITH

chabasite ::: n. --> Alt. of Cabazite

chachalaca ::: n. --> The Texan guan (Ortalis vetula).

chablis ::: n. --> A white wine made near Chablis, a town in France.
a white wine resembling Chablis{1}, but made elsewhere, as in California.


chab ::: n. --> The red-bellied wood pecker (Melanerpes Carolinus).

chabouk ::: n. --> Alt. of Chabuk

chabuk ::: n. --> A long whip, such as is used in the East in the infliction of punishment.

chace ::: n. --> See 3d Chase, n., 3. ::: v. t. --> To pursue. See Chase v. t.

chacma ::: n. --> A large species of African baboon (Cynocephalus porcarius); -- called also ursine baboon. [See Illust. of Baboon.]

chaconne ::: n. --> An old Spanish dance in moderate three-four measure, like the Passacaglia, which is slower. Both are used by classical composers as themes for variations.

chad ::: n. --> See Shad.

chaetetes ::: n. --> A genus of fossil corals, common in the lower Silurian limestones.

chaetiferous ::: a. --> Bearing setae.

chaetodont ::: n. --> A marine fish of the family Chaetodontidae. The chaetodonts have broad, compressed bodies, and usually bright colors. ::: a. --> Of or pertaining to the Chaetodonts or the family Chaetodontidae.

chaetognatha ::: n. pl. --> An order of free-swimming marine worms, of which the genus Sagitta is the type. They have groups of curved spines on each side of the head.

chaetognath ::: a. --> Of or pertaining to the Chaetognatha.

chaetopoda ::: n. pl. --> A very extensive order of Annelida, characterized by the presence of lateral setae, or spines, on most or all of the segments. They are divided into two principal groups: Oligochaeta, including the earthworms and allied forms, and Polychaeta, including most of the marine species.

chaetopod ::: a. --> Pertaining to the Chaetopoda. ::: n. --> One of the Chaetopoda.

chaetotaxy ::: n. --> The arrangement of bristles on an insect.

chafed ::: imp. & p. p. --> of Chafe

chafer ::: n. --> One who chafes.
A vessel for heating water; -- hence, a dish or pan.
A kind of beetle; the cockchafer. The name is also applied to other species; as, the rose chafer.


chafery ::: v. t. --> An open furnace or forge, in which blooms are heated before being wrought into bars.

chafe ::: v. t. --> To excite heat in by friction; to rub in order to stimulate and make warm.
To excite passion or anger in; to fret; to irritate.
To fret and wear by rubbing; as, to chafe a cable. ::: v. i. --> To rub; to come together so as to wear by rubbing; to


chafewax ::: n. --> Alt. of Chaffwax

chafeweed ::: n. --> The cudweed (Gnaphalium), used to prevent or cure chafing.

chaffed ::: imp. & p. p. --> of Chaff

chaffered ::: imp. & p. p. --> of Chaffer

chafferer ::: n. --> One who chaffers; a bargainer.

chaffering ::: p. pr. & vb. n. --> of Chaffer

chafferings ::: acts of bargaining, haggling.

chaffer ::: n. --> One who chaffs.
Bargaining; merchandise.
To treat or dispute about a purchase; to bargain; to haggle or higgle; to negotiate.
To talk much and idly; to chatter. ::: v. t.


chaffern ::: v. t. --> A vessel for heating water.

chaffery ::: n. --> Traffic; bargaining.

chaffinch ::: n. --> A bird of Europe (Fringilla coelebs), having a variety of very sweet songs, and highly valued as a cage bird; -- called also copper finch.

chaffing ::: p. pr. & vb. n. --> of Chaff ::: n. --> The use of light, frivolous language by way of fun or ridicule; raillery; banter.

chaffless ::: a. --> Without chaff.

chaff ::: n. --> The glumes or husks of grains and grasses separated from the seed by threshing and winnowing, etc.
Anything of a comparatively light and worthless character; the refuse part of anything.
Straw or hay cut up fine for the food of cattle.
Light jesting talk; banter; raillery.
The scales or bracts on the receptacle, which subtend each flower in the heads of many Compositae, as the sunflower.


chaffwax ::: n. --> Formerly a chancery officer who fitted wax for sealing writs and other documents.

chaffy ::: a. --> Abounding in, or resembling, chaff.
Light or worthless as chaff.
Resembling chaff; composed of light dry scales.
Bearing or covered with dry scales, as the under surface of certain ferns, or the disk of some composite flowers.


chafing ::: p pr. & vb. n. --> of Chafe ::: v. t. --> The act of rubbing, or wearing by friction; making by rubbing.

chagreen ::: n. --> See Shagreen.

chagrined ::: imp. & p. p. --> of Chagrin

chagrin ::: n. --> Vexation; mortification.
To excite ill-humor in; to vex; to mortify; as, he was not a little chagrined. ::: v. i. --> To be vexed or annoyed.


chained ::: imp. p. p. --> of Chain

chained ::: restrained or confined as if with chains. love-chained.

chaining ::: p. pr. & vb. n. --> of Chain

chainless ::: a. --> Having no chain; not restrained or fettered.

chainless ::: free of restraint; unconstrained.

chainlet ::: n. --> A small chain.

chain ::: n. 1. A series of things connected or following in succession. 2. Something that binds or restrains. chains. v. 3. Fig. To restrain or confine with or as with a chain.

chain ::: n. --> A series of links or rings, usually of metal, connected, or fitted into one another, used for various purposes, as of support, of restraint, of ornament, of the exertion and transmission of mechanical power, etc.
That which confines, fetters, or secures, as a chain; a bond; as, the chains of habit.
A series of things linked together; or a series of things connected and following each other in succession; as, a chain of


chain pump ::: --> A pump consisting of an endless chain, running over a drum or wheel by which it is moved, and dipping below the water to be raised. The chain has at intervals disks or lifts which fit the tube through which the ascending part passes and carry the water to the point of discharge.

chain stitch ::: --> An ornamental stitch like the links of a chain; -- used in crocheting, sewing, and embroidery.
A stitch in which the looping of the thread or threads forms a chain on the under side of the work; the loop stitch, as distinguished from the lock stitch. See Stitch.


chain wheel ::: --> A chain pulley, or sprocket wheel.
An inversion of the chain pump, by which it becomes a motor driven by water.


chain-work ::: handiwork in which parts are looped or woven together like the links of a chain.

chainwork ::: n. --> Work looped or linked after the manner of a chain; chain stitch work.

chaired ::: imp. & p. pr. --> of Chair

chairing ::: p. pr. & vb. n. --> of Chair

chairman ::: n. --> The presiding officer of a committee, or of a public or private meeting, or of any organized body.
One whose business it is to cary a chair or sedan.


chairmanship ::: n. --> The office of a chairman of a meeting or organized body.

chairmen ::: pl. --> of Chairman

chair ::: n. --> A movable single seat with a back.
An official seat, as of a chief magistrate or a judge, but esp. that of a professor; hence, the office itself.
The presiding officer of an assembly; a chairman; as, to address the chair.
A vehicle for one person; either a sedan borne upon poles, or two-wheeled carriage, drawn by one horse; a gig.
An iron block used on railways to support the rails and


chaise ::: n. --> A two-wheeled carriage for two persons, with a calash top, and the body hung on leather straps, or thorough-braces. It is usually drawn by one horse.
a carriage in general.


chaitanya &

chaja ::: n. --> The crested screamer of Brazil (Palamedea, / Chauna, chavaria), so called in imitation of its notes; -- called also chauna, and faithful kamichi. It is often domesticated and is useful in guarding other poultry. See Kamichi.

chakrapani. ::: Diety with eight arms and a blissful embodiment of Lord Vishnu

chakras. ::: the six main yogic centres in the body; points or knots in the subtle human body located at the physical counterparts of the major plexuses of arteries, veins and nerves; meeting points of the subtle, non-physical energy channels, called nadis

chakshuh. ::: eye; the subtle organ of sight; visual sense

chakshu lajja ::: see caksu lajja

chak ::: v. i. --> To toss up the head frequently, as a horse to avoid the restraint of the bridle.

chalana. ::: movement

chalazae ::: pl. --> of Chalaza

chalazal ::: a. --> Of or pertaining to the chalaza.

chalaza ::: n. --> The place on an ovule, or seed, where its outer coats cohere with each other and the nucleus.
A spiral band of thickened albuminous substance which exists in the white of the bird&


chalazas ::: pl. --> of Chalaza

chalaze ::: n. --> Same as Chalaza.

chalaziferous ::: a. --> Having or bearing chalazas.

chalazion ::: n. --> A small circumscribed tumor of the eyelid caused by retention of secretion, and by inflammation of the Melbomian glands.

chalcanthite ::: n. --> Native blue vitriol. See Blue vitriol, under Blue.

chalcedonic ::: a. --> Of or pertaining to chalcedony.

chalcedonies ::: pl. --> of Chalcedony

chalcedony ::: n. --> A cryptocrystalline, translucent variety of quartz, having usually a whitish color, and a luster nearly like wax.

chalchihuitl ::: n. --> The Mexican name for turquoise. See Turquoise.

chalcid fly ::: --> One of a numerous family of hymenopterous insects (Chalcididae. Many are gallflies, others are parasitic on insects.

chalcidian ::: n. --> One of a tropical family of snakelike lizards (Chalcidae), having four small or rudimentary legs.

chalcocite ::: n. --> Native copper sulphide, called also copper glance, and vitreous copper; a mineral of a black color and metallic luster.

chalcographer ::: n. --> Alt. of Chalcographist

chalcographist ::: n. --> An engraver on copper or brass; hence, an engraver of copper plates for printing upon paper.

chalcography ::: n. --> The act or art of engraving on copper or brass, especially of engraving for printing.

chalcopyrite ::: n. --> Copper pyrites, or yellow copper ore; a common ore of copper, containing copper, iron, and sulphur. It occurs massive and in tetragonal crystals of a bright brass yellow color.

chaldaic ::: a. --> Of or pertaining to Chaldea. ::: n. --> The language or dialect of the Chaldeans; Chaldee.

chaldaism ::: n. --> An idiom or peculiarity in the Chaldee dialect.

chaldean ::: a. --> Of or pertaining to Chaldea. ::: n. --> A native or inhabitant of Chaldea.
A learned man, esp. an astrologer; -- so called among the Eastern nations, because astrology and the kindred arts were much cultivated by the Chaldeans.


chaldee ::: a. --> Of or pertaining to Chaldea. ::: n. --> The language or dialect of the Chaldeans; eastern Aramaic, or the Aramaic used in Chaldea.

chalder ::: n. --> A kind of bird; the oyster catcher.

chaldrich ::: n. --> Alt. of Chalder

chaldron ::: n. --> An English dry measure, being, at London, 36 bushels heaped up, or its equivalent weight, and more than twice as much at Newcastle. Now used exclusively for coal and coke.

chalet ::: n. --> A herdsman&

chalice ::: a cup or goblet often of gold or silver used esp. in religious services.

chaliced ::: a. --> Having a calyx or cup; cup-shaped.

chalice ::: n. --> A cup or bowl; especially, the cup used in the sacrament of the Lord&

chalkcutter ::: n. --> A man who digs chalk.

chalked ::: imp. & p. p. --> of Chalk

chalkiness ::: n. --> The state of being chalky.

chalking ::: p. pr. & vb. n. --> of Chalk

chalk ::: n. --> A soft, earthy substance, of a white, grayish, or yellowish white color, consisting of calcium carbonate, and having the same composition as common limestone.
Finely prepared chalk, used as a drawing implement; also, by extension, a compound, as of clay and black lead, or the like, used in the same manner. See Crayon. ::: v. t.


chalkstone ::: n. --> A mass of chalk.
A chalklike concretion, consisting mainly of urate of sodium, found in and about the small joints, in the external ear, and in other situations, in those affected with gout; a tophus.


chalky ::: a. --> Consisting of, or resembling, chalk; containing chalk; as, a chalky cliff; a chalky taste.

challenge ::: 1. A call or summons to engage in a contest, fight, or competition. 2. A demand for explanation or justification; a calling into question. v. **3. To invite; arouse; stimulate; provoke. challenges, challenged, challenging.**

challengeable ::: a. --> That may be challenged.

challenged ::: imp. & p. p. --> of Challenge

challenge ::: n. --> An invitation to engage in a contest or controversy of any kind; a defiance; specifically, a summons to fight a duel; also, the letter or message conveying the summons.
The act of a sentry in halting any one who appears at his post, and demanding the countersign.
A claim or demand.
The opening and crying of hounds at first finding the scent of their game.


challenger ::: n. --> One who challenges.

challenging ::: p. pr. & vb. n. --> of Challenge

challis ::: n. --> A soft and delicate woolen, or woolen and silk, fabric, for ladies&

chalon ::: n. --> A bed blanket.

chalybean ::: a. --> Of or pertaining to the Chalybes, an ancient people of Pontus in Asia Minor, celebrated for working in iron and steel.
Of superior quality and temper; -- applied to steel.


chalybeate ::: a. --> Impregnated with salts of iron; having a taste like iron; as, chalybeate springs. ::: n. --> Any water, liquid, or medicine, into which iron enters as an ingredient.

chalybeous ::: a. --> Steel blue; of the color of tempered steel.

chalybite ::: n. --> Native iron carbonate; -- usually called siderite.

chamade ::: n. --> A signal made for a parley by beat of a drum.

chamal ::: n. --> The Angora goat. See Angora goat, under Angora.

chamber ::: 1. Archaic or poetic: A room in a private house, esp. a bedroom. 2. An enclosed space; compartment. chamber"s, chambers, work-chamber.

chambered ::: enclosed in or as in a chamber.

chambered ::: imp. & p. p. --> of Chamber ::: a. --> Having a chamber or chambers; as, a chambered shell; a chambered gun.

chamberer ::: n. --> One who attends in a chamber; a chambermaid.
A civilian; a carpetmonger.


chambering ::: p. pr. & vb. n. --> of Chamber ::: n. --> Lewdness.

chamberlain ::: n. --> An officer or servant who has charge of a chamber or chambers.
An upper servant of an inn.
An officer having the direction and management of the private chambers of a nobleman or monarch; hence, in Europe, one of the high officers of a court.
A treasurer or receiver of public money; as, the chamberlain of London, of North Wales, etc.


chamberlainship ::: n. --> Office of a chamberlain.

chambermaid ::: n. --> A maidservant who has the care of chambers, making the beds, sweeping, cleaning the rooms, etc.
A lady&


chamber ::: n. --> A retired room, esp. an upper room used for sleeping; a bedroom; as, the house had four chambers.
Apartments in a lodging house.
A hall, as where a king gives audience, or a deliberative body or assembly meets; as, presence chamber; senate chamber.
A legislative or judicial body; an assembly; a society or association; as, the Chamber of Deputies; the Chamber of Commerce.
A compartment or cell; an inclosed space or cavity; as,


chambertin ::: n. --> A red wine from Chambertin near Dijon, in Burgundy.

chambrel ::: n. --> Same as Gambrel.

chameck ::: n. --> A kind of spider monkey (Ateles chameck), having the thumbs rudimentary and without a nail.

chameleon ::: any of numerous Old World lizards of the family Chamaeleontidae, characterized by the ability to change the colour of their skin, very slow locomotion, and a projectile tongue.

chameleonize ::: v. t. --> To change into various colors.

chameleon ::: n. --> A lizardlike reptile of the genus Chamaeleo, of several species, found in Africa, Asia, and Europe. The skin is covered with fine granulations; the tail is prehensile, and the body is much compressed laterally, giving it a high back.

chamfered ::: imp. & p. p. --> of Chamfer

chamfering ::: p. pr. & vb. n. --> of Chamfer

chamfer ::: n. --> The surface formed by cutting away the arris, or angle, formed by two faces of a piece of timber, stone, etc. ::: v. t. --> To cut a furrow in, as in a column; to groove; to channel; to flute.
To make a chamfer on.


chamfret ::: n. --> A small gutter; a furrow; a groove.
A chamfer.


chamfron ::: n. --> The frontlet, or head armor, of a horse.

chamlet ::: n. --> See Camlet.

chamois ::: n. --> A small species of antelope (Rupicapra tragus), living on the loftiest mountain ridges of Europe, as the Alps, Pyrenees, etc. It possesses remarkable agility, and is a favorite object of chase.
A soft leather made from the skin of the chamois, or from sheepskin, etc.; -- called also chamois leather, and chammy or shammy leather. See Shammy.


chamomile ::: n. --> A genus of herbs (Anthemis) of the Composite family. The common camomile, A. nobilis, is used as a popular remedy. Its flowers have a strong and fragrant and a bitter, aromatic taste. They are tonic, febrifugal, and in large doses emetic, and the volatile oil is carminative.
See Camomile.


champagne ::: n. --> A light wine, of several kinds, originally made in the province of Champagne, in France.

champaign ::: n. --> A flat, open country. ::: a. --> Flat; open; level.

champed ::: imp. & p. p. --> of Champ

champe ::: n. --> The field or ground on which carving appears in relief.

champer ::: n. --> One who champs, or bites.

champertor ::: n. --> One guilty of champerty; one who purchases a suit, or the right of suing, and carries it on at his own expense, in order to obtain a share of the gain.

champerty ::: n. --> Partnership in power; equal share of authority.
The prosecution or defense of a suit, whether by furnishing money or personal services, by one who has no legitimate concern therein, in consideration of an agreement that he shall receive, in the event of success, a share of the matter in suit; maintenance with the addition of an agreement to divide the thing in suit. See Maintenance.


champignon ::: n. --> An edible species of mushroom (Agaricus campestris).

champing ::: p. pr. & vb. n. --> of Champ

champion ::: an ardent defender or supporter of a cause.

championed ::: imp. & p. p. --> of Champion

championing ::: p. pr. & vb. n. --> of Champion

championness ::: n. --> A female champion.

championship ::: n. --> State of being champion; leadership; supremacy.

champion ::: v. t. --> To furnish with a champion; to attend or defend as champion; to support or maintain; to protect.

champlain period ::: --> A subdivision of the Quaternary age immediately following the Glacial period; -- so named from beds near Lake Champlain.

champ ::: v. t. --> To bite with repeated action of the teeth so as to be heard.
To bite into small pieces; to crunch. ::: v. i. --> To bite or chew impatiently.


chamsin ::: n. --> See Kamsin.

cham ::: v. t. --> To chew. ::: n. --> The sovereign prince of Tartary; -- now usually written khan.

chanceable ::: a. --> Fortuitous; casual.

chanceably ::: adv. --> By chance.

chance ::: “Chance is not in this universe; the idea of illusion is itself an illusion. There was never illusion yet in the human mind that was not the concealing [?shape] and disfigurement of a truth.” Essays Divine and Human

chanced ::: imp. & p. p. --> of Chance

chanceful ::: a. --> Hazardous.

chancellery ::: n. --> Chancellorship.

chancellor ::: n. --> A judicial court of chancery, which in England and in the United States is distinctively a court with equity jurisdiction.

chancellorship ::: n. --> The office of a chancellor; the time during which one is chancellor.

chancel ::: v. t. --> That part of a church, reserved for the use of the clergy, where the altar, or communion table, is placed.
All that part of a cruciform church which is beyond the line of the transept farthest from the main front.


chance-medley ::: n. --> The killing of another in self-defense upon a sudden and unpremeditated encounter. See Chaud-Medley.
Luck; chance; accident.


chance ::: n. 1. The absence of any cause of events that can be predicted, understood, or controlled: often personified or treated as a positive agency. 2. The happening of events; the way in which things happen; fortune. 3. An opportune or favourable time; opportunity. 4. Fortune; luck; fate. Chance, chances. *adj.* 5. Not planned or expected; accidental. v. 6. To happen by chance; be the case by chance.** chanced.

chance ::: n. --> A supposed material or psychical agent or mode of activity other than a force, law, or purpose; fortune; fate; -- in this sense often personified.
The operation or activity of such agent.
The supposed effect of such an agent; something that befalls, as the result of unknown or unconsidered forces; the issue of uncertain conditions; an event not calculated upon; an unexpected occurrence; a happening; accident; fortuity; casualty.


chance on, upon or into

chancery ::: n. --> In England, formerly, the highest court of judicature next to the Parliament, exercising jurisdiction at law, but chiefly in equity; but under the jurisdiction act of 1873 it became the chancery division of the High Court of Justice, and now exercises jurisdiction only in equity.
In the Unites States, a court of equity; equity; proceeding in equity.


chancing ::: p. pr. & vb. n. --> of Chance

chancre ::: n. --> A venereal sore or ulcer; specifically, the initial lesion of true syphilis, whether forming a distinct ulcer or not; -- called also hard chancre, indurated chancre, and Hunterian chancre.

chancroid ::: n. --> A venereal sore, resembling a chancre in its seat and some external characters, but differing from it in being the starting point of a purely local process and never of a systemic disease; -- called also soft chancre.

chancrous ::: a. --> Of the nature of a chancre; having chancre.

chandala. ::: outcaste

chandas ::: rhythm; [metre; a Vedic hymn]. ::: chandamsi [plural]

chandelier ::: n. --> A candlestick, lamp, stand, gas fixture, or the like, having several branches; esp., one hanging from the ceiling.
A movable parapet, serving to support fascines to cover pioneers.


chandlerly ::: a. --> Like a chandler; in a petty way.

chandler ::: n. --> A maker or seller of candles.
A dealer in other commodities, which are indicated by a word prefixed; as, ship chandler, corn chandler.


chandlery ::: n. --> Commodities sold by a chandler.

chandoo ::: n. --> An extract or preparation of opium, used in China and India for smoking.

chandra. ::: the moon; the presiding deity of the moon or the astral lunar world

chandry ::: n. --> Chandlery.

chanfrin ::: n. --> The fore part of a horse&

changeability ::: n. --> Changeableness.

changeable ::: a. --> Capable of change; subject to alteration; mutable; variable; fickle; inconstant; as, a changeable humor.
Appearing different, as in color, in different lights, or under different circumstances; as, changeable silk.


changeableness ::: n. --> The quality of being changeable; fickleness; inconstancy; mutability.

changeably ::: adv. --> In a changeable manner.

changed ::: imp. & p. p. --> of Change

changeful ::: a. --> Full of change; mutable; inconstant; fickle; uncertain.

changeful ::: often changing; inconstant; variable.

changeless ::: a. --> That can not be changed; constant; as, a changeless purpose.

changelessness ::: the quality of being unchangeable; having a marked tendency to remain unchanged.

changeless ::: unchanging, constant.

changeling ::: n. --> One who, or that which, is left or taken in the place of another, as a child exchanged by fairies.
A simpleton; an idiot.
One apt to change; a waverer. ::: a. --> Taken or left in place of another; changed.


changer ::: n. --> One who changes or alters the form of anything.
One who deals in or changes money.
One apt to change; an inconstant person.


change ::: “The motion of the world works under the government of a perpetual stability. Change represents the constant shifting of apparent relations in an eternal Immutability.” The Upanishads

change ::: v. 1. To make the form, nature, content, future course, etc. of (something) different from what it is or from what it would be if left alone. 2. To become different or undergo alteration. changes, changed, changing, ever-changing.* n. 3. The act or fact of changing; transformation or modification of anything. Change, changes, soul-change.

change ::: v. t. --> To alter; to make different; to cause to pass from one state to another; as, to change the position, character, or appearance of a thing; to change the countenance.
To alter by substituting something else for, or by giving up for something else; as, to change the clothes; to change one&


changing ::: p. pr. & vb. n. --> of Change

changings ::: the action, process, or result of altering or modifying things.

chank ::: n. --> The East Indian name for the large spiral shell of several species of sea conch much used in making bangles, esp. Turbinella pyrum. Called also chank chell.

channeled ::: imp. & p. p. --> of Channel

channeling ::: p. pr. & vb. n. --> of Channel ::: n. --> The act or process of forming a channel or channels.
A channel or a system of channels; a groove.


channelled ::: --> of Channel

channelling ::: --> of Channel

channel ::: n. **1. A course through which something may be transmitted or through which something may be moved or directed onward. 2. The bed of a stream or river, etc. v. 3. To direct or convey something through (or as through) a channel. channels.**

channel ::: n. --> The hollow bed where a stream of water runs or may run.
The deeper part of a river, harbor, strait, etc., where the main current flows, or which affords the best and safest passage for vessels.
A strait, or narrow sea, between two portions of lands; as, the British Channel.
That through which anything passes; means of passing, conveying, or transmitting; as, the news was conveyed to us by


chanson ::: n. --> A song.

chansonnette ::: n. --> A little song.

chansonnettes ::: pl. --> of Chansonnette

chantant ::: a. --> Composed in a melodious and singing style.

chanted ::: imp. & p. p. --> of Chant

chanterelle ::: n. --> A name for several species of mushroom, of which one (Cantharellus cibrius) is edible, the others reputed poisonous.

chanter ::: n. --> One who chants; a singer or songster.
The chief singer of the chantry.
The flute or finger pipe in a bagpipe. See Bagpipe.
The hedge sparrow.


chanticleer ::: n. --> A cock, so called from the clearness or loudness of his voice in crowing.

chantiers ::: chantiers—French—chantiers

chantiers ::: Jhumur: “It is a building site where you dig the foundations. There is a lot of building. In order to build up you have to dig down. It is like building a world.”

chantiers ::: unfinished construction sites; workshops.

chanting ::: p. pr. & vb. n. --> of Chant ::: n. --> Singing, esp. as a chant is sung.

chant ::: n. **1. A short, simple series of syllables or words that are sung on or intoned to the same note or a limited range of notes. 2. A song or melody. v. 3. To sing, especially in the manner of a chant. chants, chanted, chanting, chantings.**

chantor ::: n. --> A chanter.

chantress ::: n. --> A female chanter or singer.

chantries ::: pl. --> of Chantry

chantry ::: n. --> An endowment or foundation for the chanting of masses and offering of prayers, commonly for the founder.
A chapel or altar so endowed.


chant ::: v. t. --> To utter with a melodious voice; to sing.
To celebrate in song.
To sing or recite after the manner of a chant, or to a tune called a chant.
Song; melody.
A short and simple melody, divided into two parts by double bars, to which unmetrical psalms, etc., are sung or recited. It is the most ancient form of choral music.


chaomancy ::: n. --> Divination by means of appearances in the air.

chaos ::: 1. The infinity of space or formless matter supposed to have preceded the existence of the ordered universe. 2. A condition, place, or state of great disorder or confusion. 3. A disorderly mass; a jumble. Chaos.

chaos ::: n. --> An empty, immeasurable space; a yawning chasm.
The confused, unorganized condition or mass of matter before the creation of distinct and orderly forms.
Any confused or disordered collection or state of things; a confused mixture; confusion; disorder.


chaotically ::: adv. --> In a chaotic manner.

chaotic ::: a. --> Resembling chaos; confused.

chaparral ::: n. --> A thicket of low evergreen oaks.
An almost impenetrable thicket or succession of thickets of thorny shrubs and brambles.


chapbook ::: n. --> Any small book carried about for sale by chapmen or hawkers. Hence, any small book; a toy book.

chapeau ::: n. --> A hat or covering for the head.
A cap of maintenance. See Maintenance.


chaped ::: p. p. / a. --> Furnished with a chape or chapes.

chapel ::: a place of worship that is smaller than and subordinate to a church.

chapeless ::: a. --> Without a chape.

chapelet ::: n. --> A pair of straps, with stirrups, joined at the top and fastened to the pommel or the frame of the saddle, after they have been adjusted to the convenience of the rider.
A kind of chain pump, or dredging machine.


chapellanies ::: pl. --> of Chapellany

chapellany ::: n. --> A chapel within the jurisdiction of a church; a subordinate ecclesiastical foundation.

chapel ::: n. --> A subordinate place of worship
a small church, often a private foundation, as for a memorial
a small building attached to a church
a room or recess in a church, containing an altar.
A place of worship not connected with a church; as, the chapel of a palace, hospital, or prison.
In England, a place of worship used by dissenters from the


chapelry ::: n. --> The territorial district legally assigned to a chapel.

chape ::: n. --> The piece by which an object is attached to something, as the frog of a scabbard or the metal loop at the back of a buckle by which it is fastened to a strap.
The transverse guard of a sword or dagger.
The metal plate or tip which protects the end of a scabbard, belt, etc.


chaperonage ::: n. --> Attendance of a chaperon on a lady in public; protection afforded by a chaperon.

chaperoned ::: imp. & p. p. --> of Chaperon

chaperoning ::: p. pr. & vb. n. --> of Chaperon

chaperon ::: n. --> A hood; especially, an ornamental or an official hood.
A device placed on the foreheads of horses which draw the hearse in pompous funerals.
A matron who accompanies a young lady in public, for propriety, or as a guide and protector. ::: v. t.


chapeux ::: pl. --> of Chapeau

chapfallen ::: a. --> Having the lower chap or jaw drooping, -- an indication of humiliation and dejection; crestfallen; discouraged. See Chopfallen.

chapiter ::: n. --> A capital [Obs.] See Chapital.
A summary in writing of such matters as are to be inquired of or presented before justices in eyre, or justices of assize, or of the peace, in their sessions; -- also called articles.


chaplaincy ::: n. --> The office, position, or station of a chaplain.

chaplain ::: n. --> An ecclesiastic who has a chapel, or who performs religious service in a chapel.
A clergyman who is officially attached to the army or navy, to some public institution, or to a family or court, for the purpose of performing divine service.
Any person (clergyman or layman) chosen to conduct religious exercises for a society, etc.; as, a chaplain of a Masonic or a temperance lodge.


chaplainship ::: n. --> The office or business of a chaplain.
The possession or revenue of a chapel.


chapless ::: a. --> Having no lower jaw; hence, fleshless.

chapleted ::: imp. & p. p. --> of Chaplet

chaplet ::: n. --> A garland or wreath to be worn on the head.
A string of beads, or part of a string, used by Roman Catholic in praying; a third of a rosary, or fifty beads.
A small molding, carved into beads, pearls, olives, etc.
A chapelet. See Chapelet, 1.
A bent piece of sheet iron, or a pin with thin plates on its ends, for holding a core in place in the mold.
A tuft of feathers on a peacock&


chapman ::: n. --> One who buys and sells; a merchant; a buyer or a seller.
A peddler; a hawker.


chapmen ::: pl. --> of Chapman

chapped ::: imp. & p. p. --> of Chap

chapping ::: p. pr. & vb. n. --> of Chap

chappion ::: n. --> One who engages in any contest; esp. one who in ancient times contended in single combat in behalf of another&

chappy ::: --> Full of chaps; cleft; gaping; open.

chaps ::: n. pl. --> The jaws, or the fleshy parts about them. See Chap.

chapter ::: an important portion or division of anything, esp. of a book, treatise, or other literary work. chapter"s, Chapters.

chapter ::: n. --> A division of a book or treatise; as, Genesis has fifty chapters.
An assembly of monks, or of the prebends and other clergymen connected with a cathedral, conventual, or collegiate church, or of a diocese, usually presided over by the dean.
A community of canons or canonesses.
A bishop&


chaptrel ::: n. --> An impost.

chap ::: v. t. --> To cause to open in slits or chinks; to split; to cause the skin of to crack or become rough.
To strike; to beat. ::: v. i. --> To crack or open in slits; as, the earth chaps; the hands chap.


char-a-bancs ::: n. --> A long, light, open vehicle, with benches or seats running lengthwise.

charactered ::: imp. & p. p. --> of Character

characterism ::: n. --> A distinction of character; a characteristic.

characteristical ::: a. --> Characteristic.

characteristically ::: adv. --> In a characteristic manner; in a way that characterizes.

characteristic ::: a. --> Pertaining to, or serving to constitute, the character; showing the character, or distinctive qualities or traits, of a person or thing; peculiar; distinctive. ::: n. --> A distinguishing trait, quality, or property; an element of character; that which characterized.

characterization ::: n. --> The act or process of characterizing.

characterized by an attitude of ready accessibility (especially about one"s actions or purposes); without concealment; not secretive.

characterized by or exhibiting variety; various; diverse; diversified.

characterized ::: imp. & p. p. --> of Characterize

characterize ::: v. t. --> To make distinct and recognizable by peculiar marks or traits; to make with distinctive features.
To engrave or imprint.
To indicate the character of; to describe.
To be a characteristic of; to make, or express the character of.


characterizing ::: p. pr. & vb. n. --> of Characterize

characterless ::: a. --> Destitute of any distinguishing quality; without character or force.

character ::: n. --> A distinctive mark; a letter, figure, or symbol.
Style of writing or printing; handwriting; the peculiar form of letters used by a particular person or people; as, an inscription in the Runic character.
The peculiar quality, or the sum of qualities, by which a person or a thing is distinguished from others; the stamp impressed by nature, education, or habit; that which a person or thing really is; nature; disposition.


characters ::: 1. The combination of qualities, features and traits that distinguishes one person, group, or thing from another. 2. The marks or symbols used in writing systems such as the letters of the alphabet.

charactery ::: n. --> The art or means of characterizing; a system of signs or characters; symbolism; distinctive mark.
That which is charactered; the meaning.


charact ::: n. --> A distinctive mark; a character; a letter or sign. [Obs.] See Character.

charade ::: a game in which each syllable of a word, and then the whole word, is acted and the audience has to guess the word.

charade ::: n. --> A verbal or acted enigma based upon a word which has two or more significant syllables or parts, each of which, as well as the word itself, is to be guessed from the descriptions or representations.

chara ::: n. --> A genus of flowerless plants, having articulated stems and whorled branches. They flourish in wet places.

charan-amrita. :::"nectar of the Lord's feet"; bliss of the Self; perfumed "holy water" sanctified by the feet of a deity or of a holy man

charbocle ::: n. --> Carbuncle.

charbon ::: n. --> A small black spot or mark remaining in the cavity of the corner tooth of a horse after the large spot or mark has become obliterated.
A very contagious and fatal disease of sheep, horses, and cattle. See Maligmant pustule.


charcoal ::: v. t. --> Impure carbon prepared from vegetable or animal substances; esp., coal made by charring wood in a kiln, retort, etc., from which air is excluded. It is used for fuel and in various mechanical, artistic, and chemical processes.
Finely prepared charcoal in small sticks, used as a drawing implement.


chard ::: n. --> The tender leaves or leafstalks of the artichoke, white beet, etc., blanched for table use.
A variety of the white beet, which produces large, succulent leaves and leafstalks.


chare ::: v. t. --> To perform; to do; to finish.
To work or hew, as stone. ::: v. i. --> To work by the day, without being a regularly hired servant; to do small jobs.


charge ::: 1. An assigned duty or task; a responsibility given to one. 2. Care; custody. 3. An order, an impetuous onset or attack, command, or injunction. 4. The quantity of anything that a receptacle is intended to hold. v. 5. *Fig. To load to capacity; fill. *charged.

chargeable ::: a. --> That may be charged, laid, imposed, or imputes; as, a duty chargeable on iron; a fault chargeable on a man.
Subject to be charge or accused; liable or responsible; as, revenues chargeable with a claim; a man chargeable with murder.
Serving to create expense; costly; burdensome.


chargeableness ::: n. --> The quality of being chargeable or expensive.

chargeably ::: adv. --> At great cost; expensively.

chargeant ::: a. --> Burdensome; troublesome.

charged ::: 1. Filled; loaded to capacity. 2. Given the responsibility of or for; entrusted.

charged ::: imp. & p. p. --> of Charge

chargeful ::: a. --> Costly; expensive.

chargehouse ::: n. --> A schoolhouse.

chargeless ::: a. --> Free from, or with little, charge.

chargeous ::: a. --> Burdensome.

charger ::: n. --> One who, or that which charges.
An instrument for measuring or inserting a charge.
A large dish.
A horse for battle or parade. html{color:


chargeship ::: n. --> The office of a charge d&

charge ::: v. t. --> To lay on or impose, as a load, tax, or burden; to load; to fill.
To lay on or impose, as a task, duty, or trust; to command, instruct, or exhort with authority; to enjoin; to urge earnestly; as, to charge a jury; to charge the clergy of a diocese; to charge an agent.
To lay on, impose, or make subject to or liable for.
To fix or demand as a price; as, he charges two dollars html{color:


charging ::: p. pr. & vb. n. --> of Charge

chargrining ::: p. pr. & vb. n. --> of Chagrin

charily ::: adv. --> In a chary manner; carefully; cautiously; frugally.

chariness ::: n. --> The quality of being chary.

chariot ::: A chariot of the marvels of the heavens

chariot ::: an ancient horse-drawn, four-wheeled carriage used for occasions of ceremony or transport. chariot"s, chariots, chariot-course.

charioted ::: imp. & p. p. --> of Chariot

chariotee ::: n. --> A light, covered, four-wheeled pleasure carriage with two seats.

charioteer ::: n. --> One who drives a chariot.
A constellation. See Auriga, and Wagones.


charioteer ::: the driver of a chariot.

charioting ::: p. pr. & vb. n. --> of Chariot

chariot ::: n. --> A two-wheeled car or vehicle for war, racing, state processions, etc.
A four-wheeled pleasure or state carriage, having one seat. ::: v. t. --> To convey in a chariot.


charismatic ::: a. --> Of or pertaining to a charism.

charism ::: n. --> A miraculously given power, as of healing, speaking foreign languages without instruction, etc., attributed to some of the early Christians.

charitable ::: a. --> Full of love and good will; benevolent; kind.
Liberal in judging of others; disposed to look on the best side, and to avoid harsh judgment.
Liberal in benefactions to the poor; giving freely; generous; beneficent.
Of or pertaining to charity; springing from, or intended for, charity; relating to almsgiving; eleemosynary; as, a charitable institution.


charitableness ::: n. --> The quality of being charitable; the exercise of charity.

charitably ::: adv. --> In a charitable manner.

charities ::: pl. --> of Charity

charity ::: benevolence or generosity toward others or toward humanity.

charity ::: n. --> Love; universal benevolence; good will.
Liberality in judging of men and their actions; a disposition which inclines men to put the best construction on the words and actions of others.
Liberality to the poor and the suffering, to benevolent institutions, or to worthy causes; generosity.
Whatever is bestowed gratuitously on the needy or suffering for their relief; alms; any act of kindness.


charivari ::: n. --> A mock serenade of discordant noises, made with kettles, tin horns, etc., designed to annoy and insult.

charked ::: imp. & p. p. --> of Chark

chark ::: n. --> Charcoal; a cinder. ::: v. t. --> To burn to a coal; to char.

charlatanic ::: a. --> Alt. of Charlatanical

charlatanical ::: a. --> Of or like a charlatan; making undue pretension; empirical; pretentious; quackish.

charlatanism ::: n. --> Charlatanry.

charlatanism ::: the quality of having characteristics of a fraud.

charlatan ::: n. --> One who prates much in his own favor, and makes unwarrantable pretensions; a quack; an impostor; an empiric; a mountebank.

charlatan ::: one who makes elaborate, fraudulent, and often voluble claims to skill or knowledge; a quack or fraud; a flamboyant deceiver.

charlatanry ::: n. --> Undue pretensions to skill; quackery; wheedling; empiricism. html{color:

charlock ::: n. --> A cruciferous plant (Brassica sinapistrum) with yellow flowers; wild mustard. It is troublesome in grain fields. Called also chardock, chardlock, chedlock, and kedlock.

charlotte ::: n. --> A kind of pie or pudding made by lining a dish with slices of bread, and filling it with bread soaked in milk, and baked.

charm ::: 1. An action or formula thought to have magical power. 2. A particular quality that attracts; a delight. charms.

charmed ::: 1. Delighted or fascinated. 2. Marked by good fortune or privilege. 3. Protected from evil and harm as by a magical power vested in an amulet, etc. 4. Filled with wonder and delight.

charmed ::: imp. & p. p. --> of Charm

charmel ::: n. --> A fruitful field.

charmeress ::: n. --> An enchantress.

charmer ::: n. --> One who charms, or has power to charm; one who uses the power of enchantment; a magician.
One who delights and attracts the affections.


charmful ::: a. --> Abounding with charms.

charming ::: p. pr. & vb. n. --> of Charm ::: a. --> Pleasing the mind or senses in a high degree; delighting; fascinating; attractive.

charmless ::: a. --> Destitute of charms.

charm ::: n. --> A melody; a song.
A word or combination of words sung or spoken in the practice of magic; a magical combination of words, characters, etc.; an incantation.
That which exerts an irresistible power to please and attract; that which fascinates; any alluring quality.
Anything worn for its supposed efficacy to the wearer in averting ill or securing good fortune.


char ::: n. --> Alt. of Charr
A car; a chariot.
Work done by the day; a single job, or task; a chore.
To reduce to coal or carbon by exposure to heat; to reduce to charcoal; to burn to a cinder.
To burn slightly or partially; as, to char wood. ::: v. t.


charneco ::: n. --> Alt. of Charnico

charnel ::: a. --> Containing the bodies of the dead. ::: n. --> A charnel house; a grave; a cemetery.

charnico ::: n. --> A sort of sweet wine.

charon ::: n. --> The son of Erebus and Nox, whose office it was to ferry the souls of the dead over the Styx, a river of the infernal regions.

charpie ::: n. --> Straight threads obtained by unraveling old linen cloth; -- used for surgical dressings.

charqui ::: n. --> Jerked beef; beef cut into long strips and dried in the wind and sun.

charras ::: n. --> The gum resin of the hemp plant (Cannabis sativa). Same as Churrus.

charred ::: imp. & p. p. --> of Char

charre ::: n. --> See Charge, n., 17.

charring ::: p. pr. & vb. n. --> of Char

charr ::: n. --> One of the several species of fishes of the genus Salvelinus, allied to the spotted trout and salmon, inhabiting deep lakes in mountainous regions in Europe. In the United States, the brook trout (Salvelinus fontinalis) is sometimes called a char.
See 1st Char.


charry ::: a. --> Pertaining to charcoal, or partaking of its qualities.

chars-a-banc ::: pl. --> of Char-a-bancs

chartaceous ::: a. --> Resembling paper or parchment; of paper-like texture; papery.

charta ::: n. --> Material on which instruments, books, etc., are written; parchment or paper.
A charter or deed; a writing by which a grant is made. See Magna Charta.


charted ::: imp. & p. p. --> of Chart

charte ::: n. --> The constitution, or fundamental law, of the French monarchy, as established on the restoration of Louis XVIII., in 1814.

chartered ::: imp. & p. p. --> of Charter ::: a. --> Granted or established by charter; having, or existing under, a charter; having a privilege by charter.
Hired or let by charter, as a ship.


charterer ::: n. --> One who charters; esp. one who hires a ship for a voyage.

charterhouse ::: n. --> A well known public school and charitable foundation in the building once used as a Carthusian monastery (Chartreuse) in London.

chartering ::: p. pr. & vb. n. --> of Charter

charterist ::: n. --> Same as Chartist.

charter ::: n. --> A written evidence in due form of things done or granted, contracts made, etc., between man and man; a deed, or conveyance.
An instrument in writing, from the sovereign power of a state or country, executed in due form, bestowing rights, franchises, or privileges.
An act of a legislative body creating a municipal or other corporation and defining its powers and privileges. Also, an instrument in writing from the constituted authorities of an order or society (as


chartism ::: n. --> The principles of a political party in England (1838-48), which contended for universal suffrage, the vote by ballot, annual parliaments, equal electoral districts, and other radical reforms, as set forth in a document called the People&

chartist ::: n. --> A supporter or partisan of chartism.

chartless ::: a. --> Without a chart; having no guide.
Not mapped; uncharted; vague.


chart ::: n. --> A sheet of paper, pasteboard, or the like, on which information is exhibited, esp. when the information is arranged in tabular form; as, an historical chart.
A map; esp., a hydrographic or marine map; a map on which is projected a portion of water and the land which it surrounds, or by which it is surrounded, intended especially for the use of seamen; as, the United States Coast Survey charts; the English Admiralty charts.
A written deed; a charter.


chartographer ::: n. --> Alt. of Chartography

chartographic ::: n. --> Alt. of Chartography

chartography ::: n. --> Same as Cartographer, Cartographic, Cartography, etc.

chartomancy ::: n. --> Divination by written paper or by cards.

chartometer ::: n. --> An instrument for measuring charts or maps.

chartreuse ::: n. --> A Carthusian monastery; esp. La Grande Chartreuse, mother house of the order, in the mountains near Grenoble, France.
An alcoholic cordial, distilled from aromatic herbs; -- made at La Grande Chartreuse.


chartreux ::: n. --> A Carthusian.

charts ::: visual displays of information, as maps, graphs, tables, or sheets of information in the form of a diagram delineating a particular subject.

chartulary ::: n. --> See Cartulary.

charwoman ::: n. --> A woman hired for odd work or for single days.

charwomen ::: pl. --> of Charwoman

chary ::: a. --> Careful; wary; cautious; not rash, reckless, or spendthrift; saving; frugal.

charya. ::: follow; regular observance of rites; activity; mode of behavior; a way of life

charybdis ::: n. --> A dangerous whirlpool on the coast of Sicily opposite Scylla on the Italian coast. It is personified as a female monster. See Scylla.

chasable ::: a. --> Capable of being chased; fit for hunting.

chased ::: 1. Followed rapidly in order to catch; overtake; pursued. 2. Put to flight; driven away by force.

chased ::: imp. & p. p. --> of Chase

chaser ::: n. --> One who or that which chases; a pursuer; a driver; a hunter.
Same as Chase gun, esp. in terms bow chaser and stern chaser. See under Bow, Stern.
One who chases or engraves. See 5th Chase, and Enchase.
A tool with several points, used for cutting or finishing screw threads, either external or internal, on work revolving in a lathe.


chase ::: v. **1. To follow rapidly in order to catch or overtake; pursue. 2. To follow or devote one"s attention to with the hope of attracting, winning, gaining, etc. 3. To put to flight; drive out. ::: —chases, chased.* *n. 3. The act of pursuing in an effort to overtake or capture thunder-chase.**

chase ::: v. t. --> To pursue for the purpose of killing or taking, as an enemy, or game; to hunt.
To follow as if to catch; to pursue; to compel to move on; to drive by following; to cause to fly; -- often with away or off; as, to chase the hens away.
To pursue eagerly, as hunters pursue game.
To ornament (a surface of metal) by embossing, cutting away parts, and the like.


chasible ::: n. --> See Chasuble.

chasing ::: p. pr. & vb. n. --> of Chase ::: n. --> The art of ornamenting metal by means of chasing tools; also, a piece of ornamental work produced in this way.

chasm ::: 1. A deep, steep-sided opening in the earth"s surface; an abyss or gorge. 2. A void or gap. chasms.

chasmed ::: a. --> Having gaps or a chasm.

chasm ::: n. --> A deep opening made by disruption, as a breach in the earth or a rock; a yawning abyss; a cleft; a fissure.
A void space; a gap or break, as in ranks of men.


chasmy ::: a. --> Of or pertaining to a chasm; abounding in chasms.

chasselas ::: n. --> A white grape, esteemed for the table.

chasse ::: n. --> A movement in dancing, as across or to the right or left. ::: v. i. --> To make the movement called chasse; as, all chasse; chasse to the right or left.

chassepot ::: n. --> A kind of breechloading, center-fire rifle, or improved needle gun.

chasseur ::: n. --> One of a body of light troops, cavalry or infantry, trained for rapid movements.
An attendant upon persons of rank or wealth, wearing a plume and sword.


chassis ::: n. --> A traversing base frame, or movable railway, along which the carriage of a barbette or casemate gun moves backward and forward. [See Gun carriage.]

chaste ::: a. --> Pure from unlawful sexual intercourse; virtuous; continent.
Pure in thought and act; innocent; free from lewdness and obscenity, or indecency in act or speech; modest; as, a chaste mind; chaste eyes.
Pure in design and expression; correct; free from barbarisms or vulgarisms; refined; simple; as, a chaste style in composition or art.
Unmarried.


chastely ::: adv. --> In a chaste manner; with purity.

chastened ::: 1. Restrained, subdued. 2. Made pure or refined in style; simplified; rid of excess.

chastened ::: imp. & p. p. --> of Chasten ::: a. --> Corrected; disciplined; refined; purified; toned down.

chastener ::: n. --> One who chastens.

chasteness ::: n. --> Chastity; purity.
Freedom from all that is meretricious, gaudy, or affected; as, chasteness of design.


chastening ::: p. pr. & vb. n. --> of Chasten

chasten ::: v. t. --> To correct by punishment; to inflict pain upon the purpose of reclaiming; to discipline; as, to chasten a son with a rod.
To purify from errors or faults; to refine.


chaste ::: pure in thought and conduct.

chastisable ::: a. --> Capable or deserving of chastisement; punishable.

chastise ::: 1. To discipline or punish, esp. by beating. *v. *2. Purify; refine.

chastised ::: imp. & p. p. --> of Chastise

chastisement ::: n. --> The act of chastising; pain inflicted for punishment and correction; discipline; punishment.

chastisement ::: verbal (often physical) punishment; discipline.

chastiser ::: n. --> One who chastises; a punisher; a corrector.

chastise ::: v. t. --> To inflict pain upon, by means of stripes, or in any other manner, for the purpose of punishment or reformation; to punish, as with stripes.
To reduce to order or obedience; to correct or purify; to free from faults or excesses.


chastising ::: p. pr. & vb. n. --> of Chastise

chastity ::: n. --> The state of being chaste; purity of body; freedom from unlawful sexual intercourse.
Moral purity.
The unmarried life; celibacy.
Chasteness.


chast ::: v. t. --> to chasten.

chasuble ::: n. --> The outer vestment worn by the priest in saying Mass, consisting, in the Roman Catholic Church, of a broad, flat, back piece, and a narrower front piece, the two connected over the shoulders only. The back has usually a large cross, the front an upright bar or pillar, designed to be emblematical of Christ&

chateau ::: n. --> A castle or a fortress in France.
A manor house or residence of the lord of the manor; a gentleman&


chatelaine ::: n. --> An ornamental hook, or brooch worn by a lady at her waist, and having a short chain or chains attached for a watch, keys, trinkets, etc. Also used adjectively; as, a chatelaine chain.

chatelet ::: n. --> A little castle.

chatellany ::: n. --> Same as Castellany.

chateux ::: pl. --> of Chateau

chati ::: n. --> A small South American species of tiger cat (Felis mitis).

chatoyant ::: a. --> Having a changeable, varying luster, or color, like that of a changeable silk, or oa a cat&

chatoyment ::: n. --> Changeableness of color, as in a mineral; play of colors.

chatted ::: imp. & p. p. --> of Chat

chattel ::: a slave.

chattelism ::: n. --> The act or condition of holding chattels; the state of being a chattel.

chattel ::: n. --> Any item of movable or immovable property except the freehold, or the things which are parcel of it. It is a more extensive term than goods or effects.

chatteration ::: n. --> The act or habit of chattering.

chattered ::: imp. & p. p. --> of Chatter

chatterer ::: n. --> A prater; an idle talker.
A bird of the family Ampelidae -- so called from its monotonous note. The Bohemion chatterer (Ampelis garrulus) inhabits the arctic regions of both continents. In America the cedar bird is a more common species. See Bohemian chatterer, and Cedar bird.


chattering ::: p. pr. & vb. n. --> of Chatter ::: n. --> The act or habit of talking idly or rapidly, or of making inarticulate sounds; the sounds so made; noise made by the collision of the teeth; chatter.

chatter ::: v. i. --> To utter sounds which somewhat resemble language, but are inarticulate and indistinct.
To talk idly, carelessly, or with undue rapidity; to jabber; to prate.
To make a noise by rapid collisions. ::: v. t.


chattiness ::: n. --> The quality of being chatty, or of talking easily and pleasantly.

chatting ::: p. pr. & vb. n. --> of Chat

chattram. ::: a place of free lodging for pilgrims and travellers

chatty ::: a. --> Given to light, familiar talk; talkative. ::: n. --> A porous earthen pot used in India for cooling water, etc.

chat ::: v. i. --> To talk in a light and familiar manner; to converse without form or ceremony; to gossip. ::: v. t. --> To talk of. ::: n.

chatwood ::: n. --> Little sticks; twigs for burning; fuel.

chaud-medley ::: n. --> The killing of a person in an affray, in the heat of blood, and while under the influence of passion, thus distinguished from chance-medley or killing in self-defense, or in a casual affray.

chaudron ::: n. --> See Chawdron.

chauffer ::: n. --> A table stove or small furnace, usually a cylindrical box of sheet iron, with a grate at the bottom, and an open top.

chauldron ::: n. --> See Chawdron.

chaun ::: n. --> A gap. ::: v. t. & i. --> To open; to yawn.

chaunterie ::: n. --> See Chantry.

chaunter ::: n. --> A street seller of ballads and other broadsides.
A deceitful, tricky dealer or horse jockey.
The flute of a bagpipe. See Chanter, n., 3.


chaunt ::: n. & v. --> See Chant.

chaus ::: n. --> a lynxlike animal of Asia and Africa (Lynx Lybicus).

chausses ::: n. pl. --> The garment for the legs and feet and for the body below the waist, worn in Europe throughout the Middle Ages; applied also to the armor for the same parts, when fixible, as of chain mail.

chaussure ::: n. --> A foot covering of any kind.

chauvinism ::: n. --> Blind and absurd devotion to a fallen leader or an obsolete cause; hence, absurdly vainglorious or exaggerated patriotism.

chavender ::: n. --> The chub.

chawdron ::: n. --> Entrails.

chawed ::: imp. & p. p. --> of Chaw

chawing ::: p. pr. & vb. n. --> of Chaw

chaw ::: v. t. --> To grind with the teeth; to masticate, as food in eating; to chew, as the cud; to champ, as the bit.
To ruminate in thought; to consider; to keep the mind working upon; to brood over.
As much as is put in the mouth at once; a chew; a quid.
The jaw.


chaya (Chhaya) ::: [shadow]; negative luminosity.

chay root ::: --> The root of the Oldenlandia umbellata, native in India, which yieds a durable red dyestuff.

chazy epoch ::: --> An epoch at the close of the Canadian period of the American Lower Silurian system; -- so named from a township in Clinton Co., New York. See the Diagram under Geology.

Chaddar ::: see caddar

Chaitanya etc. ::: see caitanya etc.

Chaitya Purusha ::: see caitya purusa

Chaitya Purusha which supports and carries all these as it were.

Chakra (circular movement) ::: Always sign of energy in action, generally creative action.

Chakra ::: see cakra

Chakras, messages, intuitions, openings of the inner powers, etc.

Chakravarti Raja ::: see cakravartin

Champaklal: “What is the meaning of this blue lotus?”

Chance ::: Madhav: “Chance, erratic happening, is only an appearance. It is not the governing truth or feature of this existence. What look like unregulated result is really an effect foreseeable by an Intelligence higher than the mental reason; in fact, it is part of a process initiated and conducted by a divine wisdom, prajna, that rules the universe. What passes for chance is a purposive movement permitted and contained in the larger operations of the Law.” Readings in Savitri, Vol. I.

Chandala ::: see candala

Chandibhava ::: see candibhava

Chandi ::: see candi

Chandraloka ::: see candraloka

Chandra ::: see candra

CHANGE OF NATURE. ::: The first step is to become cons- cious and separate from the old surface nature. For this rajasic vital nature change by the force of the psychic perception and the Peace and Power and Light from above the surface being.

Changing his imaged self from form to form,

Chapras ::: see capras

Charvaka ::: see Carvaka

Chaturvarna ::: see caturvarna

Chaturvarnya ::: see caturvarnya

Chatushtaya ::: see catustaya


TERMS ANYWHERE

1. A distinctive and pervasive quality or character; air; atmosphere. 2. A subtle emanation from and enveloping living persons and things, viewed by mystics as consisting of the essence of the individual.

1. A dog. 2. A domestic dog of any of various breeds commonly used for hunting, characteristically having drooping ears, a short coat, and a deep resonant voice. 3. In literary use the image of the hound is of something that pursues or chases relentlessly.

1. Any abnormal phenomenon or product or unusual object; anomaly; aberration. 2. A sudden and apparently causeless change or turn or events; occurrence, etc. freaks.

1. Feeling or showing enmity or ill will; antagonistic. 2. Of, relating to, or characteristic of an enemy.

abased ::: lowered, humbled, degraded in condition, character, feelings, etc.

  "A change into a higher consciousness or state of being is not only the whole aim and process of religion, of all higher askesis, of Yoga, but it is also the very trend of our life itself, the secret purpose found in the sum of its labour.” *The Life Divine

abrupt ::: 1. Characterized by sudden interruption or change; unannounced and unexpected; sudden, hasty. 2. Precipitous, steep. 3. Of strata: Suddenly cropping out and presenting their edges.

absolute reality ::: Sri Aurobindo: "I would myself say that bliss and oneness are the essential condition of the absolute reality, and love as the most characteristic dynamic power of bliss and oneness must support fundamentally and colour their activities; . . . .” Letters on Yoga

absolve ::: 1. To free from guilt, blame or their consequences; discharge (from obligations, liabilities, etc.). 2. To set free, release. 3. To clear off, discharge, acquit oneself of (a task, etc.); to perform completely, accomplish, finish. absolves, absolved.

abstract ::: adj. 1. Withdrawn or separated from matter, from material embodiment, from practice, or from particular examples; theoretical. 2. In the fine arts, characterized by lack of or freedom from representational qualities. n. 3. Something that concentrates in itself the essential qualities of anything more extensive or more general, or of several things; essence.

abyss ::: 1. The great deep, the primal chaos; the ‘bowels of the earth", the supposed cavity of the lower world; the ‘infernal pit". 2. A bottomless gulf; any unfathomable or apparently unfathomable cavity or void space; a profound gulf, chasm, or void extending beneath. Abyss, abyss"s, abysses.

access ::: 1. The ability, right, or permission to approach, enter, speak with, or use; admittance. 2. A way or means of approach; an entrance, channel, passage, or doorway.

accident ::: 1. Any event that happens unexpectedly, without a deliberate plan or cause. 2. A fortuitous circumstance, quality, or characteristic. 3. An unfortunate event, a disaster, a mishap. accidents.

accuse ::: to charge with a fault; to find fault with, blame, censure. accused.

::: "A cosmic Will and Wisdom observant of the ascending march of the soul"s consciousness and experience as it emerges out of subconscient Matter and climbs to its own luminous divinity fixes the norm and constantly enlarges the lines of the law — or, let us say, since law is a too mechanical conception, — the truth of Karma.” Essays in Philosophy and Yoga

acquittance ::: release from a debt or obligation; discharge.

"Action is a resultant of the energy of the being, but this energy is not of one sole kind; the Consciousness-Force of the Spirit manifests itself in many kinds of energies: there are inner activities of mind, activities of life, of desire, passion, impulse, character, activities of the senses and the body, a pursuit of truth and knowledge, a pursuit of beauty, a pursuit of ethical good or evil, a pursuit of power, love, joy, happiness, fortune, success, pleasure, life-satisfactions of all kinds, life-enlargement, a pursuit of individual or collective objects, a pursuit of the health, strength, capacity, satisfaction of the body.” The Life Divine*

A Dictionary of Words and Terms in Sri Aurobindo"s SavitriLexicon of an Infinite MindNarad (Richard Eggenberger)

adj. 1. Beautiful. 2. Fine, bright, sunny. 3. Free from blemish, imperfection, or anything that impairs the appearance, quality, or character. 4. Of pleasing form or appearance. 5. Neither excellent nor poor; moderately or tolerably good. fairer.* *n. 6.* That which is fair (in senses of the adj.*).

adj. **1. Void or empty space. 2. Having a cavity, gap, or space within. 3. Fig. Without substance or character; devoid of truth or validity; specious. n. 3. A void space. 4. A cavity, opening, space, or burrow. hollows.**

adjunct ::: joined or added (to anything); connected, annexed; subordinate in position, function, character, or essence. adjuncts.

adventure ::: n. 1. Any novel or unexpected event in which one shares; an exciting or remarkable incident befalling any one. 2. The encountering of risks or participation in novel and exciting events; bold or daring activity, enterprise. adventure"s, world-adventure, world-adventure"s. *v. 3. To take the chance of; to commit to fortune; to undertake a thing of doubtful issue; to try, to chance, to venture into or upon. 4. To risk or hazard; stake. *adventuring.

adytum ::: the innermost part of a temple; the secret shrine whence oracles were delivered; a most sacred or reserved part of any place of worship; hence, fig. a private or inner chamber, a sanctum.

aesthetic ::: pertaining to a sense of the beautiful or pleasing; characterized by a love of beauty; tasteful, of refined taste.

age ::: n. **1. A great period or stage of the history of the Earth. 2. Hist. Any great period or portion of human history distinguished by certain characters real or mythical, as the Golden Age, the Patriarchal Age, the Bronze Age, the Age of the Reformation, the Middle Ages, the Prehistoric Age. 3. A generation or a series of generations. 4. Advanced years; old age. age"s, ages, ages". v. 5.** To grow old; to become aged.

air ::: 1. The transparent, invisible, inodorous, and tasteless gaseous substance which envelopes the earth. 2. *Fig. With reference to its unsubstantial or impalpable nature. 3. Outward appearance, apparent character, manner, look, style: esp. in phrases like ‘an air of absurdity"; less commonly of a thing tangible, as ‘the air of a mansion". 4. Mien or gesture (expressive of a personal quality or emotion). *air"s.

akin ::: allied by nature; having the same properties; near in nature or character.

"All change must come from within with the felt or the secret support of the Divine Power; it is only by one"s own inner opening to that that one can receive help, not by mental, vital or physical contact with others.” Letters on Yoga

"All true law is the right motion and process of a reality, an energy or power of being in action fulfilling its own inherent movement self-implied in its own truth of existence. This law may be inconscient and its working appear to be mechanical, — that is the character or, at least, the appearance of law in material Nature: it may be a conscious energy, freely determined in its action by the consciousness in the being aware of its own imperative of truth, aware of its plastic possibilities of self-expression of that truth, aware, always in the whole and at each moment in the detail, of the actualities it has to realise; this is the figure of the law of the Spirit.” *The Life Divine

allured ::: 1. Attracted as to a lure; drawn or enticed to a place or to a course of action. 2. Attracted or tempted by something flattering or desirable; fascinated, charmed. alluring, **alluringly, allurement.

alter ::: to make otherwise or different in some respect; to make some change in character, shape, condition, position, quantity, value, etc. without changing the thing itself for another; to modify, to change the appearance of. alters, altered, altering.

amber ::: a pale yellow, sometimes reddish or brownish, fossil resin of vegetable origin, translucent, brittle, and capable of gaining a negative electrical charge by friction and of being an excellent insulator. 2. The yellowish-brown colour of resin.

ambience ::: 1. The mood, character, quality, tone, atmosphere, etc., particularly of an environment or milieu. 2. That which surrounds or encompasses.

amicable ::: characterized by or showing goodwill; friendly; done in a friendly manner; peaceable.

anarchy ::: a state of society without government or law ; lawlessness, confusion, chaos, disorder.

an artificially induced trance state resembling sleep, characterised by heightened susceptibility to suggestion.

anchor ::: 1. Any of various devices dropped by a chain, cable, or rope to the bottom of a body of water for preventing or restricting the motion of a vessel or other floating object, typically having broad, hooklike arms that bury themselves in the bottom to provide a firm hold. 2. A person or thing that can be relied on for support, stability, or security; mainstay.

:::   "An incarnation is something more, something special and individual to the individual being. It is the substitution of the Person of a divine being for the human person and an infiltration of it into all the movements so that there is a dynamic personal change in all of them and in the whole nature; not merely a change of the character of the consciousness or general surrender into its hands, but a subtle intimate personal change. Even when there is an incarnation from the birth, the human elements have to be taken up, but when there is a descent, there is a total conscious substitution.” Letters on Yoga

antechambers ::: 1. Chambers or rooms that serve as waiting rooms and entrances to larger rooms or apartments; anterooms. 2. Any areas that are entrances to other areas.

ape ::: 1. Any of a group of anthropoid primates characterized by long arms, a broad chest, and the absence of a tail; an animal of the monkey tribe. 2. An imitator, a mimic. apelike.

"A philosophy of change?(1) But what is change? In ordinary parlance change means passage from one condition to another and that would seem to imply passage from one status to another status. The shoot changes into a tree, passes from the status of shoot to the status of tree and there it stops; man passes from the status of young man to the status of old man and the only farther change possible to him is death or dissolution of his status. So it would seem that change is not something isolated which is the sole original and eternal reality, but it is something dependent on status, and if status were non-existent, change also could not exist. For we have to ask, when you speak of change as alone real, change of what, from what, to what? Without this ‘what" change could not be. ::: —Change is evidently the change of some form or state of existence from one condition to another condition.” Essays Divine and Human

approach ::: v. 1. To come near or nearer to; draw near. 2. To come near to a person: i.e. into personal relations; into his presence or audience; or fig. within the range of his notice or attention. 3. To come near in quality, character, time, or condition; to be nearly equal. approaches, approached, approaching.* *n. 4. Any means of access or way of passage, avenue. 5. The act of drawing near. approaches.**

archangel ::: a chief or principal angel, the highest angel in rank. Archangel, Archangel"s.

archipelago ::: 1. Any sea, or body of water, in which there are numerous islands. 2. A large group or chain of islands.

architecture ::: 1. The profession of designing buildings and other artificial constructions and environments, usually with some regard to aesthetic effect. 2. The character or style of building. 3. Construction or structure generally. architectures.

ardent ::: 1. Having, expressive of, or characterized by intense feeling; glowing with passion, animated by keen desire; intensely eager, zealous, fervent, fervid. 2. Burning, fiery, or hot. ardent-hued.

argosies ::: fleets of large merchant ships, especially with rich cargo.

armour ::: 1. Any covering worn as a defense against weapons, especially a metallic sheathing, suit of armour, mail. 2. Any quality, characteristic, situation, or thing that serves as protection. armours, armoured.* n. 1. Weapons. v. 2. Provides with weapons or whatever will add strength, force or security; supports; fortifies. *armed, arming.

arraigned ::: called (an accused person) before a court to answer the charge made against him or her by indictment, information, or complaint, or brought before a court to answer to an indictment; accused, charged with fault.

artist ::: 1. One who practises the creative arts; one who seeks to express the beautiful in visible form. 2. A follower of a manual art; an artificer, mechanic, craftsman, artisan. artists. (Sri Aurobindo often employs the word as an adj.)

art ::: v. archaic** A second person singular present indicative of be, now only poet., not in modern usage. All other references are to art as the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance. Also, the class of objects subject to aesthetic criteria. art"s, arts, art-parades.

::: "As for immortality, it cannot come if there is attachment to the body, — for it is only by living in the immortal part of oneself which is unidentified with the body and bringing down its consciousness and force into the cells that it can come. I speak of course of yogic means. The scientists now hold that it is (theoretically at least) possible to discover physical means by which death can be overcome, but that would mean only a prolongation of the present consciousness in the present body. Unless there is a change of consciousness and change of functionings it would be a very small gain.” Letters on Yoga

:::   "As for prophecy, I have never met or known of a prophet, however reputed, who was infallible. Some of their predictions come true to the letter, others do not, — they half-fulfil or misfire entirely. It does not follow that the power of prophecy is unreal or the accurate predictions can be all explained by probability, chance, coincidence. The nature and number of those that cannot is too great. The variability of fulfilment may be explained either by an imperfect power in the prophet sometimes active, sometimes failing or by the fact that things are predictable in part only, they are determined in part only or else by different factors or lines of power, different series of potentials and actuals. So long as one is in touch with one line, one predicts accurately, otherwise not — or if the lines of power change, one"s prophecy also goes off the rails. All the same, one may say, there must be, if things are predictable at all, some power or plane through which or on which all is foreseeable; if there is a divine Omniscience and Omnipotence, it must be so. Even then what is foreseen has to be worked out, actually is worked out by a play of forces, — spiritual, mental, vital and physical forces — and in that plane of forces there is no absolute rigidity discoverable. Personal will or endeavour is one of those forces.” Letters on Yoga

aspect ::: 1. Appearance to the eye or mind; look. 2. Nature; quality, character. 3. A way in which a thing may be viewed or regarded; interpretation; view. 4. Part; feature; phase. aspects.

assail ::: 1. To attack vigorously or violently; assault. 2. To impinge upon; make an impact on; beset. 3. To take upon oneself a difficult challenge with the intention of mastering it. assailed, assailing.

"As soon as we become aware of the Self, we are conscious of it as eternal, unborn, unembodied, uninvolved in its workings: it can be felt within the form of being, but also as enveloping it, as above it, surveying its embodiment from above, adhyaksa; it is omnipresent, the same in everything, infinite and pure and intangible for ever. This Self can be experienced as the Self of the individual, the Self of the thinker, doer, enjoyer, but even so it always has this greater character; its individuality is at the same time a vast universality or very readily passes into that, and the next step to that is a sheer transcendence or a complete and ineffable passing into the Absolute. The Self is that aspect of the Brahman in which it is intimately felt as at once individual, cosmic, transcendent of the universe. The realisation of the Self is the straight and swift way towards individual liberation, a static universality, a Nature-transcendence. At the same time there is a realisation of Self in which it is felt not only sustaining and pervading and enveloping all things, but constituting everything and identified in a free identity with all its becomings in Nature. Even so, freedom and impersonality are always the character of the Self. There is no appearance of subjection to the workings of its own Power in the universe, such as the apparent subjection of the Purusha to Prakriti. To realise the Self is to realise the eternal freedom of the Spirit.” The Life Divine

assured ::: 1. Made certain; guaranteed. 2. Certified, verified. 3. Made secure or certain; confirmed. 4. Confident, characterized by certainty or security; satisfied as to the truth of something. assuring.

a star so distant from Earth that its position in relation to other stars appears not to change.

". . . as there is a constant dynamic energy in movement in the universe which takes various material forms more or less subtle or gross, so in each physical body or object, plant or animal or metal, there is stored and active the same constant dynamic force; a certain interchange of these two gives us the phenomena which we associate with the idea of life. It is this action that we recognise as the action of Life-Energy and that which so energises itself is the Life-Force. Mind-Energy, Life-Energy, material Energy are different dynamisms of one World-Force.” The Life Divine

atavism ::: 1. The reappearance in an individual of characteristics of some remote ancestor that have been absent in intervening generations. 2. Reversion to an earlier type.

atom ::: 1. A unit of matter, the smallest unit of an element, having all the characteristics of that element and consisting of a dense, central, positively charged nucleus surrounded by a system of electrons. 2. The smallest component of an element having the chemical properties of the element. 3. An extremely small part, quantity, or amount. The smallest conceivable unit of an element or of anything. atom"s, atoms, atomic.

automaton ::: one whose actions are purely involuntary or mechanical; a robot.

"Aware of the Divine as the Master of our being and action, we can learn to become channels of his Shakti, the Divine Puissance, and act according to her dictates or her rule of light and power within us.” The Life Divine

bacchanal ::: a wild gathering involving excessive drinking and promiscuity.

bacchant ::: n. **1. A priest or votary of Bacchus (the god of wine). 2. A drunken reveller. adj. 3. Inclined to revelry. Bacchant.**

bank ::: 1. The slope of land adjoining a body of water, especially adjoining a river, lake, or channel. 2. A slope, as of a hill. 3. A long raised mass, esp. of earth. 4. A piled-up mass, as of snow or clouds. banks, cloud-bank.

bank ::: a business establishment in which money is kept for saving or commercial purposes or is invested, supplied for loans, or exchanged.

bankruptcy ::: 1. A state of complete lack of some abstract property; "spiritual bankruptcy”; "moral bankruptcy”; "intellectual bankruptcy”. 2. Depleted of valuable qualities or characteristics.

barter ::: to trade goods or services without the exchange of money. bartered.

chafferings ::: acts of bargaining, haggling.

chained ::: restrained or confined as if with chains. love-chained.

chainless ::: free of restraint; unconstrained.

chain ::: n. 1. A series of things connected or following in succession. 2. Something that binds or restrains. chains. v. 3. Fig. To restrain or confine with or as with a chain.

chain-work ::: handiwork in which parts are looped or woven together like the links of a chain.

chalice ::: a cup or goblet often of gold or silver used esp. in religious services.

challenge ::: 1. A call or summons to engage in a contest, fight, or competition. 2. A demand for explanation or justification; a calling into question. v. **3. To invite; arouse; stimulate; provoke. challenges, challenged, challenging.**

chamber ::: 1. Archaic or poetic: A room in a private house, esp. a bedroom. 2. An enclosed space; compartment. chamber"s, chambers, work-chamber.

chambered ::: enclosed in or as in a chamber.

chameleon ::: any of numerous Old World lizards of the family Chamaeleontidae, characterized by the ability to change the colour of their skin, very slow locomotion, and a projectile tongue.

champion ::: an ardent defender or supporter of a cause.

chance ::: n. 1. The absence of any cause of events that can be predicted, understood, or controlled: often personified or treated as a positive agency. 2. The happening of events; the way in which things happen; fortune. 3. An opportune or favourable time; opportunity. 4. Fortune; luck; fate. Chance, chances. *adj.* 5. Not planned or expected; accidental. v. 6. To happen by chance; be the case by chance.** chanced.

chance on, upon or into

::: changed

changeful ::: often changing; inconstant; variable.

changelessness ::: the quality of being unchangeable; having a marked tendency to remain unchanged.

changeless ::: unchanging, constant.

change ::: v. 1. To make the form, nature, content, future course, etc. of (something) different from what it is or from what it would be if left alone. 2. To become different or undergo alteration. changes, changed, changing, ever-changing.* n. 3. The act or fact of changing; transformation or modification of anything. Change, changes, soul-change.

changings ::: the action, process, or result of altering or modifying things.

channel ::: n. **1. A course through which something may be transmitted or through which something may be moved or directed onward. 2. The bed of a stream or river, etc. v. 3. To direct or convey something through (or as through) a channel. channels.**

chantiers ::: unfinished construction sites; workshops.

chant ::: n. **1. A short, simple series of syllables or words that are sung on or intoned to the same note or a limited range of notes. 2. A song or melody. v. 3. To sing, especially in the manner of a chant. chants, chanted, chanting, chantings.**

chaos ::: 1. The infinity of space or formless matter supposed to have preceded the existence of the ordered universe. 2. A condition, place, or state of great disorder or confusion. 3. A disorderly mass; a jumble. Chaos.

chapel ::: a place of worship that is smaller than and subordinate to a church.

chapter ::: an important portion or division of anything, esp. of a book, treatise, or other literary work. chapter"s, Chapters.

characterized by an attitude of ready accessibility (especially about one"s actions or purposes); without concealment; not secretive.

characters ::: 1. The combination of qualities, features and traits that distinguishes one person, group, or thing from another. 2. The marks or symbols used in writing systems such as the letters of the alphabet.

charade ::: a game in which each syllable of a word, and then the whole word, is acted and the audience has to guess the word.

charge ::: 1. An assigned duty or task; a responsibility given to one. 2. Care; custody. 3. An order, an impetuous onset or attack, command, or injunction. 4. The quantity of anything that a receptacle is intended to hold. v. 5. *Fig. To load to capacity; fill. *charged.

charged ::: 1. Filled; loaded to capacity. 2. Given the responsibility of or for; entrusted.

chariot ::: an ancient horse-drawn, four-wheeled carriage used for occasions of ceremony or transport. chariot"s, chariots, chariot-course.

charioteer ::: the driver of a chariot.

charity ::: benevolence or generosity toward others or toward humanity.

charlatanism ::: the quality of having characteristics of a fraud.

charlatan ::: one who makes elaborate, fraudulent, and often voluble claims to skill or knowledge; a quack or fraud; a flamboyant deceiver.

charm ::: 1. An action or formula thought to have magical power. 2. A particular quality that attracts; a delight. charms.

charmed ::: 1. Delighted or fascinated. 2. Marked by good fortune or privilege. 3. Protected from evil and harm as by a magical power vested in an amulet, etc. 4. Filled with wonder and delight.

charts ::: visual displays of information, as maps, graphs, tables, or sheets of information in the form of a diagram delineating a particular subject.

chased ::: 1. Followed rapidly in order to catch; overtake; pursued. 2. Put to flight; driven away by force.

chase ::: v. **1. To follow rapidly in order to catch or overtake; pursue. 2. To follow or devote one"s attention to with the hope of attracting, winning, gaining, etc. 3. To put to flight; drive out. ::: —chases, chased.* *n. 3. The act of pursuing in an effort to overtake or capture thunder-chase.**

chasm ::: 1. A deep, steep-sided opening in the earth"s surface; an abyss or gorge. 2. A void or gap. chasms.

chastened ::: 1. Restrained, subdued. 2. Made pure or refined in style; simplified; rid of excess.

chaste ::: pure in thought and conduct.

chastise ::: 1. To discipline or punish, esp. by beating. *v. *2. Purify; refine.

chastisement ::: verbal (often physical) punishment; discipline.

chattel ::: a slave.

bear ::: 1. To carry. Also fig. 2. To hold up, support. Also fig. 3. To have a tolerance for; endure something with tolerance and patience. 5. To possess, as a quality or characteristic; have in or on. 6. To tend in a course or direction; move; go. 7. To render; afford; give. 8. To produce by natural growth. bears, bore, borne bearing.

being ::: 1. The state or quality of having existence. 2. The totality of all things that exist. 3. One"s basic or essential nature; self. 4. All the qualities constituting one that exists; the essence. 5. A person; human being. 6. The Divine, the Supreme; God. Being, being"s, Being"s, beings, Beings, beings", earth-being"s, earth-beings, fragment-being, non-being, non-being"s, Non-Being, Non-Being"s, world-being"s.

Sri Aurobindo: "Pure Being is the affirmation by the Unknowable of Itself as the free base of all cosmic existence.” *The Life Divine :::

   "The Absolute manifests itself in two terms, a Being and a Becoming. The Being is the fundamental reality; the Becoming is an effectual reality: it is a dynamic power and result, a creative energy and working out of the Being, a constantly persistent yet mutable form, process, outcome of its immutable formless essence.” *The Life Divine

"What is original and eternal for ever in the Divine is the Being, what is developed in consciousness, conditions, forces, forms, etc., by the Divine Power is the Becoming. The eternal Divine is the Being; the universe in Time and all that is apparent in it is a Becoming.” Letters on Yoga

"Being and Becoming, One and Many are both true and are both the same thing: Being is one, Becomings are many; but this simply means that all Becomings are one Being who places Himself variously in the phenomenal movement of His consciousness.” The Upanishads :::

   "Our whole apparent life has only a symbolic value & is good & necessary as a becoming; but all becoming has being for its goal & fulfilment & God is the only being.” *Essays Divine and Human

"Our being is a roughly constituted chaos into which we have to introduce the principle of a divine order.” The Synthesis of Yoga*


belt ::: 1. Any encircling or transverse band, strip, or stripe characteristically distinguished from the surface it crosses. 2. An elongated region having distinctive properties or characteristics and long in proportion to its breadth. 3. A zone or district.

blank ::: n. 1. Fig. Any void space. blanks. adj. 2. Empty, without contents, void, bare. 3. Devoid of activity, interest, or distinctive character; empty. 4. Mere, bare, simple. 5. Lacking expression; expressionless, showing no interest or emotion, vacant. 6. Absolute; complete. blankness.

blind ::: adj. 1. Unable to see; lacking the sense of sight; sightless. Also fig. 2. Unwilling or unable to perceive or understand. 3. Lacking all consciousness or awareness. 4. Not having or based on reason or intelligence; absolute and unquestioning. 5. Not characterized or determined by reason or control. 6. Purposeless; fortuitous, random. 7. Undiscriminating; heedless; reckless. 8. Enveloped in darkness; dark, dim, obscure. 9. Dense enough to form a screen. 10. Covered or concealed from sight; hidden from immediate view. 11. Having no openings or passages for light; (a window or door) walled up. blindest, half-blind. v. 12. To deprive of sight permanently or temporarily. 13. To make sightless momentarily; dazzle. blinded.* n. 14. A blind person, esp. as pl., those who are blind. 15. Fig.* Any thing or action intended to conceal one"s real intention; a pretence, a pretext; subterfuge.

bloom ::: n. **1. The flower of a plant. 2. Fig. A condition or time of vigour, freshness, and beauty; prime. 3. Fig. Glowing charm; delicate beauty. blooms. v. 4. To bear flowers; to blossom. Also fig. 5. To be in a healthy, glowing, or flourishing condition. 6. To flourish or grow. 7. To cause to flourish or grow; to flourish. Chiefly fig. blooms, bloomed.**

blue lotus of the Idea. ::: Sri Aurobindo: "It can be taken as the (Avatar) incarnation on the mental plane.” Visions of Champaklal

brave ::: possessing or exhibiting courage or courageous endurance. 2. *Archaic. Excellent; fine; admirable*.

breeds ::: a group of organisms within a species, esp. a group of domestic animals, originated and maintained by man and having a clearly defined set of characteristics.

bright ::: 1. Emitting or reflecting light readily or in large amounts; shining; radiant. 2. Magnificent; glorious. 3. Favourable or auspicious. 4. Fig. Characterized by happiness or gladness; full of promise and hope. 5. Distinct and clear to the mind, etc. 6. Intensely clear and vibrant in tone or quality. 7. Polished; glistening as with brilliant color. brighter, brightest, bright-hued, bright-pinioned, flame-bright, moon-bright, pearl-bright, sun-bright.

burdened ::: 1. Weighed down; oppressed. 2. Bearing a heavy load of work, difficulties or responsibilities. 3. Laden with; charged with. pleasure-burdened, sign-burdened.

burning ::: adj. 1. Aflame; on fire. Also fig. 2. Very bright; glowing; luminous. 3. Characterized by intense emotion; passionate. 4. Urgent or crucial. 5. Extremely hot; scorching. 6. Very hot. ever-burning.* *n. 7. The state, process, sensation, or effect of being on fire, burned, or subjected to intense heat. altar-burnings.**

"But in a higher than our present mental consciousness we find that this duality is only a phenomenal appearance. The highest and real truth of existence is the one Spirit, the supreme Soul, Purushottama, and it is the power of being of this Spirit which manifests itself in all that we experience as universe. This universal Nature is not a lifeless, inert or unconscious mechanism, but informed in all its movements by the universal Spirit. The mechanism of its process is only an outward appearance and the reality is the Spirit creating or manifesting its own being by its own power of being in all that is in Nature. Soul and Nature in us too are only a dual appearance of the one existence.” The Synthesis of Yoga*

"But in the larger universal consciousness there must be a power of carrying this movement to its absolute point, to the greatest extreme possible for any relative movement to reach, and this point is reached, not in human unconsciousness which is not abiding and always refers back to the awakened conscious being that man normally and characteristically is, but in the inconscience of material Nature. This inconscience is no more real than the ignorance of exclusive concentration in our temporary being which limits the waking consciousness of man; for as in us, so in the atom, the metal, the plant, in every form of material Nature, in every energy of material Nature, there is, we know, a secret soul, a secret will, a secret intelligence at work, other than the mute self-oblivious form, the Conscient, — conscient even in unconscious things, — of the Upanishad, without whose presence and informing Conscious-Force or Tapas no work of Nature could be done.” The Life Divine

by chance

call ::: Sri Aurobindo: "All Yoga is in its nature a new birth; it is a birth out of the ordinary, the mentalised material life of man into a higher spiritual consciousness and a greater and diviner being. No Yoga can be successfully undertaken and followed unless there is a strong awakening to the necessity of that larger spiritual existence. The soul that is called to this deep and vast inward change, may arrive in different ways to the initial departure. It may come to it by its own natural development which has been leading it unconsciously towards the awakening; it may reach it through the influence of a religion or the attraction of a philosophy; it may approach it by a slow illumination or leap to it by a sudden touch or shock; it may be pushed or led to it by the pressure of outward circumstances or by an inward necessity, by a single word that breaks the seals of the mind or by long reflection, by the distant example of one who has trod the path or by contact and daily influence. According to the nature and the circumstances the call will come.” *The Synthesis of Yoga

canalise ::: to divert into certain channels; give a certain direction to or provide a certain outlet for, in order to control or regulate. canalises, canalised.

candid ::: 1. Characterized by openness and sincerity of expression; unreservedly straightforward. 2. Free from prejudice; impartial. 3. Clear or pure 4. Not posed or rehearsed.

canticle ::: a song, poem, or hymn, esp. one that is religious and praiseful in character.

caprice ::: 1. A sudden, unpredictable change or series of actions or changes. 2. A sudden, unpredictable change, as of one"s mind; whim, fancy. caprices.

car ::: an ornate, splendid chariot, carriage, or cart.

care ::: n. **1. A burdened state of mind, as that arising from heavy responsibilities; worry. 2. An object of or cause for concern. 3. Watchful oversight; charge or supervision. 4. An object or source of worry, attention, or solicitude. care, cares. v. 5. To be concerned or interested, have concern for. cares, cared.**

caricature ::: a grotesque imitation, misrepresentation or distorted image, as a drawing or description of a person which exaggerates characteristic features for comic effect.

casual ::: 1. Occurring by chance; accidental. 2. Occurring offhand; not premeditated. 3. Occurring at irregular or infrequent intervals; occasional. 4. Without definite or serious intention; careless or offhand; passing.

cavern ::: a large underground chamber, as in a cave. caverns, cavern-passages.

chequered ::: 1. Marked by numerous and various shifts and changes. 2. Marked by dubious episodes; suspect in character or quality. 3. Diversified in colour, variegated.

chrysoprase ::: a brittle, translucent, semiprecious chalcedony (q.v.), a variety of the silica mineral quartz. It owes its bright apple-green colour to colloidally dispersed hydrated nickel silicate. Valued in ancient times as it shone in the dark.

circe ::: 1. In Classical Mythology. the enchantress represented by Homer as turning the companions of Odysseus into swine by means of a magic drink, therefore an alluring but dangerous temptress or temptation.

circean ::: relating to or resembling Circe, the fabled enchantress described by Homer. She was supposed to possess great knowledge of magic and venomous herbs which she offered as a drink to her charmed and fascinated victims who then changed into swine; hence, pleasing, but harmful; fascinating, but degrading.

classed ::: arranged, grouped, or rated according to qualities or characteristics; assigned to a class; classified.

cloistral ::: of, like, or characteristic of a cloister.

clothe ::: 1. To cover as if with clothing. 2. To present in a specific form. 3. To furnish or invest with power or authority or endue or endow attributes, qualities. 4. To cover or envelop (something) so as to change its appearance, as the face of the earth. clothes, clothed.

coïl ::: a large bird belonging to the cuckoo family, native to India, with a characteristic call reminiscent of the sound of its name. coïl"s

commerce ::: 1. The buying and selling of goods, especially on a large scale, as between cities or nations. 2. Intellectual exchange or social interaction. 3. Intellectual or spiritual interchange; communion.

commissioned ::: issued with an authoritative order, charge, or direction.

common ::: 1. Belonging equally to or shared alike by two or more. 2. Of or relating to the community or humanity as a whole. 3. Belonging equally to or shared equally by two or more; joint. 4. Not distinguished by superior or noteworthy characteristics; average; ordinary. 5. Occurring frequently or habitually; usual. commonest.

commonalty ::: not distinguished by superior or noteworthy characteristics; average; ordinary.

communicated ::: 1. Had an interchange, as of ideas. 2. Conveyed information about; imparted knowledge of; made known. communicates, communicating.

concept ::: 1. An idea, esp. an abstract idea or notion. 2. An idea of something formed by mentally combining all its characteristics or particulars; a construct. 3. A directly conceived or intuited object of thought. concept"s, concept-maps.

confused ::: 1. Lacking logical order or sense. 2. *adj. Disordered and difficult to understand or make sense of. *3. Chaotic; jumbled.

consigned ::: handed over or given into the care or charge of another; entrusted.

constancy ::: the quality of being enduring and free from change or variation.

constant ::: 1. Unchanging in nature, value, or extent; invariable. 2. Continuing without pause or letup; unceasing. 3. Steadfast; firm in mind or purpose; resolute.

contrary ::: something that is opposite in nature or character; diametrically or mutually opposed. contraries.

conversed ::: talked informally with another or others; exchanged views, opinions, etc.; communed with.

converse ::: spoken interchange of thoughts and feelings; conversation.

corporeal ::: of, relating to, or characteristic of the body.

cosmic mind ::: Sri Aurobindo: "Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes, — towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” *The Life Divine

"If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies, — not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine

"There is one cosmic Mind, one cosmic Life, one cosmic Body. All the attempt of man to arrive at universal sympathy, universal love and the understanding and knowledge of the inner soul of other existences is an attempt to beat thin, breach and eventually break down by the power of the enlarging mind and heart the walls of the ego and arrive nearer to a cosmic oneness.” *The Synthesis of Yoga

"[The results of the opening to the cosmic Mind:] One is aware of the cosmic Mind and the mental forces that move there and how they work on one"s mind and that of others and one is able to deal with one"s own mind with a greater knowledge and effective power. There are many other results, but this is the fundamental one.” Letters on Yoga

"The cosmic consciousness has many levels — the cosmic physical, the cosmic vital, the cosmic Mind, and above the higher planes of cosmic Mind there is the Intuition and above that the overmind and still above that the supermind where the Transcendental begins. In order to live in the Intuition plane (not merely to receive intuitions), one has to live in the cosmic consciousness because there the cosmic and individual run into each other as it were, and the mental separation between them is already broken down, so nobody can reach there who is still in the separative ego.” Letters on Yoga*


cosmic ::: of or pertaining to the cosmos and characteristic of its phenomena as forming a part of the material universe; infinite.

cosmic Self ::: Sri Aurobindo: "When one has the cosmic consciousness, one can feel the cosmic Self as one"s own self, one can feel one with other beings in the cosmos, one can feel all the forces of Nature as moving in oneself, all selves as one"s own self. There is no why except that it is so, since all is the One.” Letters on Yoga (See also Cosmic Spirit)

"Impersonality is the first character of cosmic self; . . . .” *The Life Divine

"An eternal infinite self-existence is the supreme reality, but the supreme transcendent eternal Being, Self and Spirit, — an infinite Person, we may say, because his being is the essence and source of all personality, — is the reality and meaning of self-existence: so too the cosmic Self, Spirit, Being, Person is the reality and meaning of cosmic existence; the same Self, Spirit, Being or Person manifesting its multiplicity is the reality and meaning of individual existence.” The Life Divine

"But this cosmic self is spiritual in essence and in experience; it must not be confused with the collective existence, with any group soul or the life and body of a human society or even of all mankind.” The Synthesis of Yoga

"It is the Cosmic Self and Spirit that is in and behind all things and beings, from which and in which all is manifested in the universe — although it is now a manifestation in the Ignorance.” Letters on Yoga*


cosmos ::: the universe regarded as an orderly, harmonious whole. cosmos", cosmos-chaos.

costume ::: n. A style of dress, including garments, accessories, and hairstyle, especially as characteristic of a particular country, period, or people. costumes. *v. 2. To furnish with a mode of attire, set of garments; dress. *costuming.

couchant ::: 1. Lying down; crouching, with the head raised. 2. (Of an animal) Lying on the stomach with head raised and legs pointed forward.

course ::: 1. A direction or route taken or to be taken. 2. The path, route, or channel along which anything moves. 3. Advance or progression in a particular direction; forward or onward movement. 4. The continuous passage or progress through time or a succession of stages. chariot-course.

cruelty ::: the quality or characteristic of being cruel and delighting in the deliberate infliction of pain or suffering. cruelties.

cry ::: 1. To entreat loudly; supplicate. 2. To call loudly; shout. 3. To sob or shed tears because of grief, sorrow, or pain; weep. 4. To utter or shout (words of appeal, exclamation, fear, etc.) 5. To utter a characteristic sound or call. Used of an animal. cries, cried, criedst, criest, crying.

crypt ::: 1. An underground vault or chamber, especially one beneath a church that is used as a burial place. 2. A cellar, vault or tunnel. 3. A location for secret meetings, etc. crypts.

crystal ::: 1. A mineral, especially a transparent form of quartz, having a crystalline structure, often characterized by external planar faces. 2. Resembling crystal; transparent as water or a liquid. 3. Fig. Sometimes used to describe the eyes.

currency ::: money in any form when in actual use as a medium of exchange; also anything that has value.

current ::: 1. (esp. of water or air) A steady usually natural flow in a particular direction. 2. A flow of electric charge through a conductor. current"s, currents.

curse ::: n. 1. The expression of a wish that misfortune, evil, doom, etc., befall a person, group, etc. 2. A formula or charm intended to cause such misfortune to another. 3. An evil brought or inflicted upon one. 4. The cause of evil, misfortune, or trouble. 5. A profane or obscene expression or oath. curses. v. 6. To wish harm upon; invoke evil upon. 7. To invoke supernatural powers to bring harm to (someone or something). cursed.

customs-line ::: an area (or line) where a governmental agency checks baggage or merchandise for contraband and goods subject to duty.

cycle ::: 1. An interval of time during which a characteristic, often regularly repeated event or sequence of events occurs. 2. A periodically repeated sequence of events. 3. A long period of time; an age. cycles.

cyclic ::: 1. Of, relating to, or characterized by cycles. 2. Recurring or moving in specific chronological cycles.

dark ::: adj. 1. Lacking or having very little light. 2. Concealed or secret; mysterious. 3. Difficult to understand; obscure. 4. Characterized by gloom; dismal. 5. Fig. Sinister; evil; absent moral or spiritual values. 6. (used of color) Having a dark hue; almost black. 7. Showing a brooding ill humor. 8. Having a complexion that is not fair; swarthy. darker, darkest, dark-browed, dark-robed.* n. 9. Absence of light; dark state or condition; darkness, esp. that of night. 10. A dark place: a place of darkness. 11. The condition of being hidden from view, obscure, or unknown; obscurity. *in the dark: in concealment or secrecy.

darkness ::: 1. Absence of light or illumination. 2. Fig. Absence of moral or spiritual values. 3. Obscurity; lack of knowledge or enlightenment; an unenlightened state. 4. A condition of secrecy, mystery, characterized by things hidden. 5. Wickedness or evil. Darkness, darkness", darknesses.

"Death has no reality except as a process of life. Disintegration of substance and renewal of substance, maintenance of form and change of form are the constant process of life; death is merely a rapid disintegration subservient to life"s necessity of change and variation of formal experience. Even in the death of the body there is no cessation of Life, only the material of one form of life is broken up to serve as material for other forms of life.” The Life Divine

"Death is there because the being in the body is not yet developed enough to go on growing in the same body without the need of change and the body itself is not sufficiently conscious. If the mind and vital and the body itself were more conscious and plastic, death would not be necessary.” Letters on Yoga

debase ::: to reduce in quality, value, or character; to adulterate. debased.

declining ::: failing in strength, vigour, character value, etc.; deteriorating.

deed ::: 1. Something that is done, performed, or accomplished; an act. 2. An exploit or achievement; feat. 3. Often plural as an act or gesture, esp. as illustrative of intentions, one"s character, or the like. deeds.

deformation ::: 1. The result of deforming; change of form, esp. for the worse. 2. An altered form. deformation"s.

degraded ::: lowered or reduced in character, quality or value; debased; vulgarized.

deity ::: 1. A god or goddess. 2. Divine character or nature, esp. that of the Supreme Being; divinity. deities. ::: the Deity. God, Supreme Being. **Deity"s.

delicate ::: 1. Distinguishing subtle differences. 2. Of instruments: precise, skilled, or sensitive in action or operation. 3. Marked by sensitivity of discrimination and skillful in expression, technique, etc. 4. Exquisitely or beautifully fine in texture, construction, or finish. 5. Exquisite, fine, or subtle in quality, character, construction, etc. 6. (of colour, tone, taste, etc.) Pleasantly subtle, soft, or faint.

delirium ::: 1. A more or less temporary disorder of the mental faculties, as in fevers, disturbances of consciousness, or intoxication, characterised by restlessness, excitement, delusions, hallucinations, etc. 2. A state of violent excitement or emotion.

demiurges ::: 1. A Platonic deity who orders or fashions the material world out of chaos. 2. (in Gnostic and some other philosophies) The creator of the universe, supernatural but subordinate to the Supreme Being. ::: Demiurges.

despair ::: the state in which all hope is lost or absent. despairs, despairing *adj.* Characterized by or resulting from despair; hopeless.

different ::: 1. Not alike in character or quality; differing; dissimilar. 2. Not identical; separate or distinct.

disarmed ::: divested or relieved of hostility, suspicion, etc.; won the affection or approval of; charmed. disarming.

discharged ::: relieved of a burden, load, or weight or obligation. discharging.

discarded ::: adj. Cast off, rejected; discharged.

discolouring ::: changing or causing to change in colour; fading or staining, often in an undesired manner.

disguise ::: n. 1. A mask, costume, or manner that conceals the identity of. 2. Something that serves or is intended for concealment of identity, character, or quality; a deceptive covering, condition, manner, etc. 3. The state of being disguised; masquerade. disguises, self-disguise. v. 4. To hide under a false appearance. disguised.

disillusion ::: 1. To deprive of belief, idealism, etc. to disenchant. 2. To free from false belief or illusions. disillusioned, world-disillusion"s.

divine Comedy ::: a stage-play of a light and amusing character, with a happy conclusion to its plot. Its mediaeval use for a narrative poem with an agreeable ending. (Probably taken from Italian; cf. the Divine Comedy, the great tripartite poem of Dante, called by its author La Commedia, because in the conclusion, it is prosperous, pleasant, and desirable.)

divine life ::: Sri Aurobindo: "A life of gnostic beings carrying the evolution to a higher supramental status might fitly be characterised as a divine life; for it would be a life in the Divine, a life of the beginnings of a spiritual divine light and power and joy manifested in material Nature.” *The Life Divine ::: "The ascent to the divine Life is the human journey, the Work of works, the acceptable Sacrifice. This alone is man"s real business in the world and the justification of his existence, without which he would be only an insect crawling among other ephemeral insects on a speck of surface mud and water which has managed to form itself amid the appalling immensities of the physical universe.” The Life Divine

dole ::: n. **1. A portion or allotment of money, food, etc., esp. as given at regular intervals by a charity or for maintenance. v. 2. To give out sparingly or in small quantities (usually followed by out). doled, doles.**

domain ::: 1. A sphere of activity, concern, or function; a field. 2. A region characterized by a specific feature, type of growth or wildlife, etc. domains.

double ::: 1. Composed of two like or unlike parts. 2. Twofold in character or meaning, dual.

drama ::: 1. A composition in prose or verse presenting in dialogue or pantomime a story involving conflict or contrast of character, esp. one intended to be acted on the stage; a play. 2. Any situation or series of events having vivid, emotional or conflicting interest or results. drama"s, dramas.

draw ::: 1. To cause to move in a given direction or to a given position, as by leading. 2. To bring towards oneself or itself, as by inherent force or influence; attract. 3. To cause to come by attracting; attract. 4. To cause to move in a particular direction by or as by a pulling force; pull; drag. 5. To get, take or obtain as from a source; to derive. 6. To bring, take, or pull out, as from a receptacle or source. 7. To draw a (or the) line (fig.) to determine or define the limit between two things or groups; in modern colloquial use (esp. with at), to lay down a definite limit of action beyond which one refuses to go. 8. To make, sketch (a picture or representation of someone or something) in lines or words; to design, trace out, delineate; depict; also, to mould, model. 9. To mark or lay out; trace. 10. To compose or write out in legal format. 11. To write out (a bill of exchange or promissory note). 12. To disembowel. 13. To move or pull so as to cover or uncover something. 14. To suck or take in (air, for example); inhale. 15. To extend, lengthen, prolong, protract. 16. To cause to move after or toward one by applying continuous force; drag. draws, drew, drawn, drawing, wide-drawn.

dual ::: 1. Composed of two usually like or complementary parts; double. 2. Having a two-fold, or double, character or nature. dual"s.

dubbed ::: invested with any name, character, dignity, or title; styled; named; called.

dungeon ::: a dark, often underground chamber or cell used to confine prisoners. (Sri Aurobindo employs the word as an adjective.)

durst ::: archaic. pt. of dare.

dynamic ::: 1. Pertaining to or characterized by energy or effective action; vigorously active; forceful; energetic. 2. Of or concerned with energy or forces that produce motion, as opposed to static.

elfin ::: suggestive of an elf in strangeness and otherworldliness; in reference to legendary beings with magical powers, usually characterized as small, manlike, and mischievous.

embargo ::: a government order prohibiting the movement of merchant ships into or out of its ports.

enchanted ::: 1. Possessing a magical influence or quality. 2. Under a spell; bewitched; magical. 3. Utterly delighted or captivated; fascinated; charmed. enchantment, enchantment"s, enchantments.

enchanter ::: something that delights, often as with sorcery or a spell.

endearing ::: inspiring affection or warm sympathy; charming.

ensorcelling ::: enchanting, bewitching.

entrancing ::: delightful; enchanting.

errant ::: 1. Wandering in search of adventure. 2. Straying from the proper course or standards. 3. Moving in an aimless or lightly changing manner.

ethereal ::: 1. Of the celestial spheres; heavenly. 2. Characterized by lightness and insubstantiality; as impalpable or intangible as air. 3. Characterized by unusual lightness and delicacy 4. Of heaven or the spirit. ethereal-tressed.

evil ::: n. 1. Morally bad or wrong; wicked, sinful, as opposed to good. 2. Anything causing injury or harm. Evil, evil"s, Evil"s. adj. 3. Characterized by or indicating future misfortune; ominous; disastrous. 4. Harmful; injurious. 5. Boding ill.

exalt ::: to raise in rank, character, or status; elevate. exalted.

exchanged ::: given up (something) for something else.

exchange ::: the act, process or an instance of exchanging; interchange, trade, traffic, business, commerce. Exchange.

exercised ::: discharged, performed, fulfilled (functions).

:::   "Experiences are of all kinds and take all forms in the consciousness. When the consciousness undergoes, sees or feels anything spiritual or psychic or even occult, that is an experience — in the technical yogic sense, for there are of course all sorts of experiences that are not of that character.” Letters on Yoga

feature ::: a prominent or conspicuous part or characteristic.

ferment ::: 1. A state of agitation or of turbulent change or development. 2. A process of nature involving the addition of yeasts, moulds and certain bacteria (to liquids or solids) causing an effervescence or internal commotion, with evolution of heat, in the substance operated on, and a resulting alteration of its properties.

fettered ::: bound with chains or ropes, etc. around the legs, as an animal, to restrict the movement of. Hence, fig. imposed restraint upon; confined, impeded, restrained.

fibre ::: 1. A filamentous substance; a web of thread-like tissue such as composes living tissue generally. 2. That which fundamentally constitutes the strength of a thing; sinew; stuff; character. fibres, fibred.

field ::: 1. A wide unbroken expanse, as of ice. 2. An area or sphere of activity. 3. A broad, level, open expanse of land; a stretch of open land, esp. one used for pasture or tillage; a plain. 4. The surface on which something is portrayed or enacted. An area of human activity or interest. 5. A piece of ground devoted to sports or contests; playing field. 6. A region of space characterized by a physical property, such as gravitational or electromagnetic force or fluid pressure. fields, field-paths, star-field, time-field, play-fields, race-fields.

fiery ::: 1. Like or suggestive of fire. 2. Burning or glowing. 3. Charged with emotion; fervent, vehement, impassioned. fierier, fiery-footed.

fine ::: 1. Of superior quality, skill, or appearance. 2. Superior or consummate in quality. 3. Exhibiting careful and delicate artistry. 4. Characterized by refinement or elegance. 5. Subtle or precise; refined. finer, fine-curved, fine-linked.

firm ::: 1. Resistant to externally applied pressure. 2. Not subject to change; fixed and definite.; not likely to change. 3. Securely fixed in place. 4. Steadfast and determined. 5. Indicating firmness and steadfastness. 6. Definitely established; decided; settled. firm-based.

flight ::: 1. The act or process of flying through the air with or without wings. 2. Fig. A passing above and beyond ordinary bounds. 3. A swift movement, transition, or progression. 4. A series of steps, terraces, etc., ascending without change of direction. flights.

floating ::: adj. 1. Being buoyed up on water or other liquid. 2. Having little or no attachment; moving from one place to another. 3. Continually changing especially as from one abode or occupation to another. 4. Being suspended in or as in a liquid with freedom to move; also, to move freely through (something).

fluctuating ::: changing continually; shifting back and forth; varying irregularly.

fluent ::: fig. Changeable; not rigid or fixed.

fluid ::: changing readily; shifting; not fixed, stable, or rigid.

flux ::: 1. Constant or frequent change; fluctuation; movement. 2. A flowing or flow: Also used with reference to other forms of matter and energy that can be regarded as flowing, such as radiant energy, particles, etc.

"For each birth is a new start; it develops indeed from the past, but is not its mechanical continuation: rebirth is not a constant reiteration but a progression, it is the machinery of an evolutionary process.” The Life Divine

fortuitous ::: happening or produced by chance; accidental; lucky; fortunate.

fortune ::: 1. The chance happening of fortunate or adverse events; luck. 2. Success, luck, prosperity. fortune"s.

fortune ::: chance personified, commonly regarded as a mythical being distributing arbitrarily or capriciously the lots of life. Fortune.

fraught ::: filled or charged; attended. deep-fraught, marvel-fraught, pain-fraught.

gene ::: the basic physical unit of heredity which leads to the expression of hereditary character.

glamour ::: 1. Charm and allure; fascination. 2. The often false or superficial beauty or charm which attracts. glamorous.

god ::: a being conceived as the perfect, omnipotent, omniscient originator and ruler of the universe, the principal object of faith and worship in monotheistic religions. gods, gods", God"s, Gods, God-bliss, God-born, god-chant, God-child, god-children, God-ecstasy, God-face, God-frame, God-Force, God-given, god-haunts, God-instinct"s, God-joy, God-Light, god-kind, God-knowledge, God-language, God-light, god-mind, god-phase, God-spark, god-speech, God-state, god-touch, God-vision"s, god-wings, child-god, dream-god"s, half-god, Sun-god"s.

"God is the one stable and eternal Reality. He is One because there is nothing else, since all existence and non-existence are He. He is stable or unmoving, because motion implies change in Space and change in Time, and He, being beyond Time and Space, is immutable. He possesses eternally in Himself all that is, has been or ever can be, and He therefore does not increase or diminish. He is beyond causality and relativity and therefore there is no change of relations in His being.” The Upanishads

golden Child ::: Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga

gracious ::: 1. Characterized by kindness and warm courtesy. 2. Pleasantly kind, benevolent, and courteous; charming and elegant. 3. Tender, mild, gentle. 4. Of a merciful or compassionate nature.

grandeur ::: 1. Nobility or greatness of character. 2. The quality of being magnificent or splendid or grand. Grandeur, grandeur"s, grandeurs.

grandiose ::: characterized by greatness of scope or intent; grand.

graphic characters or figures that indicate the meaning of a thing without indicating the sounds used to express it.

grotesques ::: characterized by ludicrous or incongruous distortion, as of appearance or manner; bizarre; outlandish.

guard ::: n. 1. Something that gives protection; a safeguard. 2. A body of people, esp. soldiers, charged with guarding a place from disturbance, theft, etc. guards. v. 3. To keep safe from harm or danger; to take care of, watch over, protect, defend. 4. To protect from harm by or as if by watching over. guards, guarded, guarding, deep-guarded, self-guarded. ::: on guard. Vigilant; watchful.

gulf ::: 1. A portion of an ocean or sea partly enclosed by land. 2. A deep, wide chasm; an abyss. 3. Any wide separation. gulfs.

gutter ("s) ::: 1. A trough fixed under or along the eaves for draining rainwater from a roof. 2. A channel at the edge of a street or road for carrying off surface water.

habit ::: 1. A recurrent, often unconscious pattern of behaviour that is acquired through frequent repetition. 2. A dominant or regular disposition or tendency; prevailing character or quality. habit"s, habits, earth-habit"s, Nature-habit"s.

hang ::: 1. To fasten or attach (pictures, etc.) to a wall. 2. To suspend (something) around or in front of anything. 3.* Fig. To remain unresolved or uncertain. 4. To make (an idea, form, etc.) dependent on the situation, structure, concept, or the like, usually derived from another source. 5. To fasten or be fastened from above, esp. by a cord, chain, etc.; suspend. 6. To be suspended or poised; hover. 7. To bend forward or downward; to lean over. *hangs, hung, hanging, flower-hung, shadow-hung. ::: hung on: Remained clinging, usually implying expectation or unwillingness to sever one"s connection.

haphazard ::: characterized by lack of order or planning, by irregularity, or by randomness; determined by or dependent on chance; aimless.

happens ::: 1. Comes to pass. 2. Comes to pass by chance; occurs without apparent reason or design. happened.

harbour ::: n. 1. A sheltered port where ships can take on or discharge cargo. 2. Any place of shelter or refuge. v. 3. To give shelter or refuge to. 4. To cherish within one"s breast. 5. To house or contain. harbours, harboured, harbouring, all-harbouring.

harmonic ::: of, involving, producing, or characterized by harmony. harmonious.

hasty ::: characterized by speed; rapid.

hazard ::: n. 1. An unavoidable danger or risk, even though often foreseeable. 2. Something causing unavoidable danger, peril, risk, or difficulty. 3. The absence or lack of predictability; chance; uncertainty. hazard"s, hazards. *v. 4. To expose to hazard or risk. 5. To venture (something); dare. 6. To venture upon (anything of doubtful issue). *hazards, hazarded.

hazardous ::: 1. Full of risk; perilous; risky. 2. Dependent on chance; uncertain.

heritage ::: something inherited at birth, such as personal characteristics, status, and possessions.

heroic ::: having, displaying, or characteristic of the qualities appropriate to a hero, such as bravery and courageousness.

high-browed ::: of, pertaining to, or characteristic of one who possesses superior intellectual attainments or interests; intellectually superior.

high-pitched ::: 1. Acoustically, a pitch that is perceived as above other pitches. 2. Marked by or indicating lofty character or intense emotion.

  "Hostile Forces. The purpose they serve in the world is to give a full chance to the possibilities of the Inconscience and Ignorance — for this world was meant to be a working out of these possibilities with the supramental harmonisation as its eventual outcome.” *Letters on Yoga

http://savitri.in/books/narad-richard-eggenberger/lexicon-of-an-infinite-mind

"Ideals are truths that have not yet effected themselves for man, the realities of a higher plane of existence which have yet to fulfil themselves on this lower plane of life and matter, our present field of operation. To the pragmatical intellect which takes its stand upon the ever-changing present, ideals are not truths, not realities, they are at most potentialities of future truth and only become real when they are visible in the external fact as work of force accomplished. But to the mind which is able to draw back from the flux of force in the material universe, to the consciousness which is not imprisoned in its own workings or carried along in their flood but is able to envelop, hold and comprehend them, to the soul that is not merely the subject and instrument of the world-force but can reflect something of that Master-Consciousness which controls and uses it, the ideal present to its inner vision is a greater reality than the changing fact obvious to its outer senses. The Supramental Manifestation*

illumined mind ::: Sri Aurobindo: "This greater Force is that of the Illumined Mind, a Mind no longer of higher Thought, but of spiritual light. Here the clarity of the spiritual intelligence, its tranquil daylight, gives place or subordinates itself to an intense lustre, a splendour and illumination of the Spirit: a play of lightnings of spiritual truth and power breaks from above into the consciousness and adds to the calm and wide enlightenment and the vast descent of peace which characterise or accompany the action of the larger conceptual-spiritual principle, a fiery ardour of realisation and a rapturous ecstasy of knowledge.” *The Life Divine

"The Illumined Mind does not work primarily by thought, but by vision; . . . .” The Life Divine

"As the Higher Mind brings a greater consciousness into the being through the spiritual idea and its power of truth, so the Illumined Mind brings in a still greater consciousness through a Truth-sight and Truth-light and its seeing and seizing power.” The Life Divine*


"I may say that the opening upwards, the ascent into the Light and the subsequent descent into the ordinary consciousness and normal human life is very common as the first decisive experience in the practice of yoga and may very well happen even without the practice of yoga in those who are destined for the spiritual change, especially if there is a dissatisfaction somewhere with the ordinary life and a seeking for something more, greater or better.” Letters on Yoga*

immutable ::: not subject or susceptible to change. Immutable, immutable"s, immutably, immutability.

impeccable ::: faultless, unerring, flawless, irreproachable.

imperfect ::: 1. Of, pertaining to, or characterized by defects or weaknesses; faulty. 2. Not perfect; lacking completeness; deficient.

impersonal ::: 1. Having no personal reference or connection. 2. Lacking personality; not being a person; devoid of human character or traits.

impetuous ::: 1. Moving with great force or violence; rushing. 2. Characterized by sudden and forceful energy or emotion; impulsive and passionate.

impostor ::: a person who practices deception under an assumed character, identity, or name.

impress ::: a distinctive character or effect imparted.

impressed ::: fig. Stamped (a character or quality) upon anything.

inalterable ::: unchangeable, immutable; not capable of being modified. inalterably.

inconsequent ::: 1. Characterized by lack of proper sequence in thought, speech, or action. 2. Without worth or consequence; trivial. inconsequence, Inconsequence.

inconstant ::: changing or varying, especially often and without discernible pattern or reason.

incurable ::: 1. Not curable; that cannot be cured, remedied, or corrected. 2. Not susceptible to change.

indulgent ::: characterised by benign leniency or permissiveness; forbearing, tolerant. indulgence.

inflexible ::: 1. Unyielding in purpose, principle, or temper; immovable. 2. Not permitting change or variation; unalterable.

inform ::: to give form or character to; impart; imbue with a quality or an essence.

ingenious ::: 1. Characterised by cleverness or originality of invention or construction. 2. Cleverly inventive or resourceful. ingeniously.

in political and legal philosophy and theology, doctrines based on the theory that there are certain unchanging laws which pertain to man"s nature, which can be discovered by reason, and therefore ethically binding in human society, and to which man-made laws should conform.

inquisition ::: an official investigation, esp. one of a political or religious nature, characterised by a lack of regard for individual rights, prejudice on the part of the examiners, and recklessly cruel punishments.

inscribe ::: to mark (a surface) with words, characters, etc., especially in a durable or conspicuous way. inscribed.

insight ::: penetrating mental vision or discernment; faculty of seeing into the inner character or underlying truth of things.

"In spiritual experience it [nirvana]is sometimes the loss of all sense of individuality in a boundless cosmic consciousness; what was the individual remains only as a centre or a channel for the flow of a cosmic consciousness and a cosmic force and action. Or it may be the experience of the loss of individuality in a transcendent being and consciousness in which the sense of cosmos as well as the individual disappears. Or again, it may be in a transcendence which is aware of and supports the cosmic action. . . Nirvana is a step towards it; the disappearance of the false separative individuality is a necessary condition for our realising and living in our true eternal being, living divinely in the Divine. But this we can do in the world and in life.” Letters on Yoga

:::   ". . . in such a view, the word consciousness changes its meaning. It is no longer synonymous with mentality but indicates a self-aware force of existence of which mentality is a middle term; below mentality it sinks into vital and material movements which are for us subconscient; above, it rises into the supramental which is for us the superconscient. But in all it is one and the same thing organising itself differently. This is, once more, the Indian conception of Chit which, as energy, creates the worlds.” *The Life Divine

intense ::: 1. Existing or occurring in a high or extreme degree. 2. Having a characteristic quality in a high degree. 3. Characterized by deep or forceful feelings or emotions. 4. Of an extreme kind; very great, as in strength, keenness, severity, or the like. intenser, intensity, intensities.

interchange ::: to give and receive (things) reciprocally; exchange.

In the middle of the forehead — the Ajna Chakra — (will, vision, dynamic thought).

  "In the spiritual sense, however, sacrifice has a different meaning — it does not so much indicate giving up what is held dear as an offering of oneself, one"s being, one"s mind, heart, will, body, life, actions to the Divine. It has the original sense of ‘making sacred" and is used as an equivalent of the word yajna. When the Gita speaks of the ‘sacrifice of knowledge", it does not mean a giving up of anything, but a turning of the mind towards the Divine in the search for knowledge and an offering of oneself through it. It is in this sense, too, that one speaks of the offering or sacrifice of works. The Mother has written somewhere that the spiritual sacrifice is joyful and not painful in its nature. On the spiritual path, very commonly, if a seeker still feels the old ties and responsibilities strongly he is not asked to sever or leave them, but to let the call in him grow till all within is ready. Many, indeed, come away earlier because they feel that to cut loose is their only chance, and these have to go sometimes through a struggle. But the pain, the struggle, is not the essential character of this spiritual self-offering.” Letters on Yoga

intones ::: speaks or recites in a singing voice, esp. in monotone; chants. intoning.

intuition ::: direct perception of truth, fact, etc., independent of any reasoning process. intuition"s, intuitions, half-intuition.

Sri Aurobindo: "Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrates with the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.” *The Life Divine

   "Intuition is always an edge or ray or outleap of a superior light; it is in us a projecting blade, edge or point of a far-off supermind light entering into and modified by some intermediate truth-mind substance above us and, so modified, again entering into and very much blinded by our ordinary or ignorant mind-substance; but on that higher level to which it is native its light is unmixed and therefore entirely and purely veridical, and its rays are not separated but connected or massed together in a play of waves of what might almost be called in the Sanskrit poetic figure a sea or mass of ``stable lightnings"". When this original or native Intuition begins to descend into us in answer to an ascension of our consciousness to its level or as a result of our finding of a clear way of communication with it, it may continue to come as a play of lightning-flashes, isolated or in constant action; but at this stage the judgment of reason becomes quite inapplicable, it can only act as an observer or registrar understanding or recording the more luminous intimations, judgments and discriminations of the higher power. To complete or verify an isolated intuition or discriminate its nature, its application, its limitations, the receiving consciousness must rely on another completing intuition or be able to call down a massed intuition capable of putting all in place. For once the process of the change has begun, a complete transmutation of the stuff and activities of the mind into the substance, form and power of Intuition is imperative; until then, so long as the process of consciousness depends upon the lower intelligence serving or helping out or using the intuition, the result can only be a survival of the mixed Knowledge-Ignorance uplifted or relieved by a higher light and force acting in its parts of Knowledge.” *The Life Divine

  "I use the word ‘intuition" for want of a better. In truth, it is a makeshift and inadequate to the connotation demanded of it. The same has to be said of the word ‘consciousness" and many others which our poverty compels us to extend illegitimately in their significance.” *The Life Divine - Sri Aurobindo"s footnote.

"For intuition is an edge of light thrust out by the secret Supermind. . . .” The Life Divine

". . . intuition is born of a direct awareness while intellect is an indirect action of a knowledge which constructs itself with difficulty out of the unknown from signs and indications and gathered data.” The Life Divine

"Intuition is above illumined Mind which is simply higher Mind raised to a great luminosity and more open to modified forms of intuition and inspiration.” Letters on Yoga

"Intuition sees the truth of things by a direct inner contact, not like the ordinary mental intelligence by seeking and reaching out for indirect contacts through the senses etc. But the limitation of the Intuition as compared with the supermind is that it sees things by flashes, point by point, not as a whole. Also in coming into the mind it gets mixed with the mental movement and forms a kind of intuitive mind activity which is not the pure truth, but something in between the higher Truth and the mental seeking. It can lead the consciousness through a sort of transitional stage and that is practically its function.” Letters on Yoga


inverting ::: 1. Turning upside down. 2. Turning or changing to the opposite or contrary, as in nature, bearing, or effect.

irresistibly attractive, charming; enchanting; captivating.

irrevocable ::: impossible to retract or be revoked, changed, undone or annulled.

joyous ::: full of or characterized by joy.

keeper ::: one that has the charge or care of something. keepers.

kind ::: 1. A class or group of individual objects, people, animals, etc., of the same nature or character, or classified together because they have traits in common; category. 2. Nature or character as determining likeness or difference between things. 3. One"s family, clan, kin, or kinsfolk. earth-kind, god-kind, self-kind.

kindred ::: 1. A group of people related by blood or marriage. 2. Having a similar or related origin, nature, or character.

kinship ::: 1. Connection by blood, marriage, or adoption; family relationship. 2. Relationship by nature or character; affinity. kinship"s.

lance ::: a long wooden shaft with a pointed metal head, used as a weapon by knights and horsemen in charging at full speed.

::: "Law is necessary for order and stability, but it becomes a conservative and hampering force unless it provides itself with an effective machinery for changing the laws as soon as circumstances and new needs make that desirable.” *The Human Cycle

lease ::: a contract granting use or occupation of property during a specified period in exchange for a specified compensation.

leash ::: a chain, strap, etc. for controlling or leading a dog or other animal.

leave ::: 1. To go away from, depart from permanently, quit (a place, person, or thing). 2. To let remain or have remaining behind after going, disappearing, ceasing, etc. 3. To go without taking. 4. To permit, allow. 5. To let (someone) remain in a position to do something without interference. 6. To give in charge; entrust. 7. Have as a result or residue. leaves. (All other references to leaves are as pl. of leaf.)

lenient ::: characterized by tolerance and mercy. leniency.

leonine ::: of, relating to, or characteristic of a lion.

"Life is universal Force working so as to create, energise, maintain and modify, even to the extent of dissolving and reconstructing, substantial forms with mutual play and interchange of an overtly or secretly conscious energy as its fundamental character.” The Life Divine

lofty ::: 1. Of majestic or imposing height. 2. Elevated in character; exalted. loftier.

lotus (as chakra) ::: Sri Aurobindo: "This arrangement of the psychic body is reproduced in the physical with the spinal column as a rod and the ganglionic centres as the chakras which rise up from the bottom of the column, where the lowest is attached, to the brain and find their summit in the brahmarandhra at the top of the skull. These chakras or lotuses, however, are in physical man closed or only partly open, with the consequence that only such powers and only so much of them are active in him as are sufficient for his ordinary physical life, and so much mind and soul only is at play as will accord with its need. This is the real reason, looked at from the mechanical point of view, why the embodied soul seems so dependent on the bodily and nervous life, — though the dependence is neither so complete nor so real as it seems. The whole energy of the soul is not at play in the physical body and life, the secret powers of mind are not awake in it, the bodily and nervous energies predominate. But all the while the supreme energy is there, asleep; it is said to be coiled up and slumbering like a snake, — therefore it is called the kundalinî sakti, — in the lowest of the chakras, in the mûlâdhâra.” *The Synthesis of Yoga

:::   "Love is in its nature the desire to give oneself to others and to receive others in exchange; it is a commerce between being and being.” *The Life Divine

lovely ::: 1. Having a beauty that appeals to the heart or mind as well as to the eye; charmingly or exquisitely beautiful. 2. Of a great spiritual beauty. lovelier, loveliness.

lowings ::: the deep, low sounds characteristic of cattle.

lowness ::: humble in status or character; lowly; also unrefined, coarse.

lyric ::: 1. Having the form and musical quality of a song. 2. Characterized by or expressing direct feeling. 3. A high and light singing voice. 4. Often plural, the words of a song.

maenad ::: in Grecian mythology, a priestess of Bacchus. See **Bacchante.**

magic ::: n. 1. The art of producing a desired effect or result through the use of incantation or various other techniques that presumably assure human control of supernatural agencies or the forces of nature. 2. Any extraordinary or mystical influence, charm, power, etc. magic"s. adj. 3. Of, pertaining to, or due to magic. magical, magically.

magnanimity ::: liberality in bestowing gifts; extremely liberal and generous of spirit; generosity or nobility of mind, character, etc.

mail ::: flexible armor composed of small overlapping metal rings, loops of chain, or scales. mailed.

majesty ::: 1. Regal, lofty, or stately dignity; imposing character; grandeur. 2. Supreme greatness or authority; sovereignty.

malefice ::: an evil deed; artifice; enchantment.

Man alive, your proposed emendations are an admirable exposition of the art of bringing a line down the steps till my poor "slow miraculous” above-mind line meant to give or begin the concrete portrayal of an act of some hidden Godhead finally becomes a mere metaphor thrown out from its more facile mint by a brilliantly imaginative poetic intelligence. First of all, you shift my "dimly” out of the way and transfer it to something to which it does not inwardly belongs make it an epithet of the gesture or an adverb qualifying its epithet instead of something that qualifies the atmosphere in which the act of the Godhead takes place. That is a preliminary havoc which destroys what is very important to the action, its atmosphere. I never intended the gesture to be dim, it is a luminous gesture, but forcing its way through the black quietude it comes dimly. Then again the bald phrase "a gesture came” without anything to psychicise it becomes simply something that "happened”, "came” being a poetic equivalent for "happened”, instead of the expression of the slow coming of the gesture. The words "slow” and "dimly” assure this sense of motion and this concreteness to the word"s sense here. Remove one or both whether entirely or elsewhere and you ruin the vision and change altogether its character. That is at least what happens wholly in your penultimate version and as for the last its "came” gets another meaning and one feels that somebody very slowly decided to let out the gesture from himself and it was quite a miracle that it came out at all! "Dimly miraculous” means what precisely or what "miraculously dim” — it was miraculous that it managed to be so dim or there was something vaguely miraculous about it after all? No doubt they try to mean something else — but these interpretations come in their way and trip them over. The only thing that can stand is the first version which is no doubt fine poetry, but the trouble is that it does not give the effect I wanted to give, the effect which is necessary for the dawn"s inner significance. Moreover, what becomes of the slow lingering rhythm of my line which is absolutely indispensable? Letters on Savitri

mantra ::: Sri Aurobindo: "The mantra as I have tried to describe it in The Future Poetry is a word of power and light that comes from the Overmind inspiration or from some very high plane of Intuition. Its characteristics are a language that conveys infinitely more than the mere surface sense of the words seems to indicate, a rhythm that means even more than the language and is born out of the Infinite and disappears into it, and the power to convey not merely the mental, vital or physical contents or indications or values of the thing uttered, but its significance and figure in some fundamental and original consciousness which is behind all these and greater.” *The Future Poetry

mark ::: n. **1. A sign, symbol, action, event or other indication that distinguishes something. 2. A visible impression on something. 3. A distinctive trait or characteristic. 4. A fixed or recognized standard. caste-mark, hoof-mark, question-mark. v. 5. To make a visible trace or impression on, as with a spot, line, or dent. Also fig. 6. To record; to indicate in writing, note. 7. Fig. To designate as if by placing a mark upon; to indicate. 8. To take notice. marks, marked, marking.**

master of Existence ::: Sri Aurobindo: "I am here with thee in thy chariot of battle revealed as the Master of Existence within and without thee and I repeat the absolute assurance, the infallible promise that I will lead thee to myself through and beyond all sorrow and evil. Whatever difficulties and perplexities arise, be sure of this that I am leading thee to a complete divine life in the universal and an immortal existence in the transcendent Spirit.” Essays on the Gita

maya ::: Sri Aurobindo: "Maya in its original sense meant a comprehending and containing consciousness capable of embracing, measuring and limiting and therefore formative; it is that which outlines, measures out, moulds forms in the formless, psychologises and seems to make knowable the Unknowable, geometrises and seems to make measurable the limitless. Later the word came from its original sense of knowledge, skill, intelligence to acquire a pejorative sense of cunning, fraud or illusion, and it is in the figure of an enchantment or illusion that it is used by the philosophical systems.” *The Life Divine

mechanic ::: n. 1. A worker skilled in making, using, or repairing machines, vehicles, and tools. mechanic"s. adj. **2. Resembling the action of a machine. 3. Resembling (inanimate) machines or their operations; acting or performed without the exercise of thought or volition; lacking spontaneity or originality; machine-like; automatic. 4. Habitual; routine; automatic. 5. Pertaining to, or controlled or affected by, physical force. mechanical, mechanically.**

mechanism ::: an assembly of moving parts performing a complete functional motion, often being part of a large machine or likened to one; linkage.

mediate ::: effect or convey as an intermediate agent or mechanism. mediating.

melt ::: 1. To become liquid; dissolve; evaporate; disperse. 2. To pass, change, or blend gradually (often followed by into). 3. To remake or refashion into something else. melted, melting.

merchant ::: n. 1. One who runs a retail business; a shopkeeper. adj. 2. Pertaining to or used for trade or commerce.

metamorphosis ::: 1. Any complete change in appearance, character, circumstances, etc. 2. A change or succession of changes in form during the life cycle of an animal, allowing it to adapt to different environmental conditions, as a caterpillar into a butterfly.

mighty ::: 1. Having, characterized by or showing superior power or strength. 2. Very great in extent, importance, etc. 3. Of great size; huge. Mighty, mightier, mightiest.

mild ::: 1. Gentle or temperate in character, climate, behaviour, etc. 2. Gentle or kind in disposition, manners, or behavior. 3. Warm and full of sunshine; pleasant.

mind, illumined ::: Sri Aurobindo: "This greater Force is that of the Illumined Mind, a Mind no longer of higher Thought, but of spiritual light. Here the clarity of the spiritual intelligence, its tranquil daylight, gives place or subordinates itself to an intense lustre, a splendour and illumination of the Spirit: a play of lightnings of spiritual truth and power breaks from above into the consciousness and adds to the calm and wide enlightenment and the vast descent of peace which characterise or accompany the action of the larger conceptual-spiritual principle, a fiery ardour of realisation and a rapturous ecstasy of knowledge.” *The Life Divine

miserable ::: of wretched quality or character; contemptible, despicable.

missioned ::: adj. Chiefly poet. Charged with a mission.

mission ::: n. **1. The business with which a person or a body of persons is charged. 2. An assigned or self-imposed duty or task. v. 3. To send forth to someone. missioned.**

mobile ::: 1. Flowing freely. 2. Changeable or changing easily in expression, mood, purpose, etc. 3. Capable of moving or of being moved readily from place to place. mobility.

modesty ::: moderation; the quality or characteristic of being unassuming; unobtrusive, retiring; diffident.

monarch ::: in the manner of, belonging to, or characteristic of a sovereign, as a king, queen or emperor.

monstrosity ::: the quality or character of being monstrous.

moonbelts ::: broad bands or stripes characteristically distinguished from the surface they cross; tracts or districts long in proportion to their breadths. Also, zones or districts, usually with defining term denoting the principal characteristic.

motion ::: 1. The action or process of changing position or place. 2. The ability or power to move. 3. A meaningful or expressive change in the position of the body or a part of the body; a gesture. motion"s, motions, motion-parable myriad-motioned.

mournful ::: gloomy, sombre, or dreary, as in appearance or character.

movement ::: 1. The act or an instance of moving; a change in place or position. A particular manner of moving. 2. Usually, movements, actions or activities, as of a person or a body of persons. ::: movement"s, movements, many-movemented.

Sri Aurobindo: "When we withdraw our gaze from its egoistic preoccupation with limited and fleeting interests and look upon the world with dispassionate and curious eyes that search only for the Truth, our first result is the perception of a boundless energy of infinite existence, infinite movement, infinite activity pouring itself out in limitless Space, in eternal Time, an existence that surpasses infinitely our ego or any ego or any collectivity of egos, in whose balance the grandiose products of aeons are but the dust of a moment and in whose incalculable sum numberless myriads count only as a petty swarm." *The Life Divine

". . . the purest, freest form of insight into existence as it is shows us nothing but movement. Two things alone exist, movement in Space, movement in Time, the former objective, the latter subjective.” The Life Divine

"The world is a cyclic movement (samsâra ) of the Divine Consciousness in Space and Time. Its law and, in a sense, its object is progression; it exists by movement and would be dissolved by cessation of movement. But the basis of this movement is not material; it is the energy of active consciousness which, by its motion and multiplication in different principles (different in appearance, the same in essence), creates oppositions of unity and multiplicity, divisions of Time and Space, relations and groupings of circumstance and Causality. All these things are real in consciousness, but only symbolic of the Being, somewhat as the imaginations of a creative Mind are true representations of itself, yet not quite real in comparison with itself, or real with a different kind of reality.” The Upanishads*



moving rapidly, changing location rapidly; moving or acting with speed or haste.

muddy ::: 1. Full of or covered with mud. 2. Fig. Not clear; obscure; vague; muddled. 3. Not pure in character.

murderous ::: characteristic of or giving rise to murder or bloodshed.

mutable ::: capable of or subject to change or alteration.

mutation (‘s) ::: an alteration or change, as in nature, form, or quality. mutations.

mystery ::: 1. A spiritual truth that is incomprehensible to reason and knowable only through divine revelation. 2. Something that is not fully understood or that baffles or eludes the understanding; an enigma. 3. A mysterious character or quality. 4. The skills, lore, practices and secret rites that are peculiar to a particular activity or group and are regarded as the special province of initiates. Mystery, mystery"s, Mystery"s, mysteries, mystery-altar"s. (Sri Aurobindo also employs the word as an adj.)

mystic ::: n. **1. One who believes in the existence of realities beyond human comprehension and who has had spiritual experiences. mystic"s. adj. 2. Of occult character, power, or significance. 3. Of the nature of or pertaining to mysteries known only to the initiated; esoteric. 4.** Having an import not apparent to the senses nor obvious to the intelligence; beyond ordinary understanding.

n. **1. A manner of walking or running. 2. Fig. The relative speed of progress or change. 3. A rate of activity, progress, growth, performance; tempo. 4. Fig. The rate of speed at which an activity or movement proceeds. v. 5. To walk with slow regular strides. 6. To walk with regular slow or fast paces or steps. paces, paced, pacing.**

naked ::: 1. Having no clothing on the body; nude. 2. Being without addition, concealment, disguise, or embellishment. 3. Exposed to harm; vulnerable. 4. Plain, simple, unadorned. 5. Not accompanied or supplemented by anything else. 6. Devoid of a specified quality, characteristic, or element. 7. With no qualification or concealment; stark, plain. 8. Unsupported by authority or financial or other consideration. World-naked.

name ::: Sri Aurobindo: "Name in its deeper sense is not the word by which we describe the object, but the total of power, quality, character of the reality which a form of things embodies and which we try to sum up by a designating sound, a knowable name, Nomen. Nomen in this sense, we might say, is Numen; the secret Names of the Gods are their power, quality, character of being caught up by the consciousness and made conceivable. The Infinite is nameless, but in that namelessness all possible names, Numens of the gods, the names and forms of all realities, are already envisaged and prefigured, because they are there latent and inherent in the All-Existence.” The Life Divine

natural ::: 1. Not acquired; inherent. 2. Having a particular character by nature. 3. Of, pertaining to, or proper to the nature or essential constitution. 4. Functioning or occurring in a normal way; lacking abnormalities or deficiencies. 5. Of or pertaining to nature or the universe.

nature ::: 1. The universe, with all its phenomena. 2. The forces and processes that produce and control all the phenomena of the material world. 3. The material world, esp. as surrounding human kind and existing independently of human activities. 4. The essential characteristics and qualities of a human being. 5. A particular combination of qualities belonging to a person, animal, thing, of class by birth, origin, or constitution; native or inherent character. 6. Characteristic disposition; temperament. nature"s, Nature"s, natures, earth-nature ("s), Earth-Nature"s, Heaven-nature"s, life-nature"s, soul-nature, World-Nature"s, twi-natured.

necessity ::: Sri Aurobindo: ". . . Necessity is the child of the spirit"s free self-determination. What affects us as Necessity, is a Will which works in sequence and not a blind Force driven by its own mechanism.” *Essays in Philosophy and Yoga

neutral ::: 1. Not aligned with or supporting any side or position. 2. Possessing no distinctive quality or characteristics. half-neutral.

nobility ::: 1. The state or quality of being exalted in character or spirit. 2. The noble class; noble birth or rank. 3. Grandeur or magnificence. nobility"s.

noble ::: 1. Of an exalted character or excellence; lofty. 2. Admirable in dignity of conception, manner of expression, execution or composition. 3. Of superior quality or kind; excellent; notably superior. 4. Grand and stately in appearance; majestic. nobler.

non-Being ::: Sri Aurobindo: "Non-Being is only a word. When we examine the fact it represents, we can no longer be sure that absolute non-existence has any better chance than the infinite Self of being more than an ideative formation of the mind. We really mean by this Nothing something beyond the last term to which we can reduce our purest conception and our most abstract or subtle experience of actual being as we know or conceive it while in this universe. This Nothing then is merely a something beyond positive conception. And when we say that out of Non-Being Being appeared, we perceive that we are speaking in terms of Time about that which is beyond Time.” The Life Divine ::: Non-Being"s, Non-being"s, non-being, non-being"s,

"No system indeed by its own force can bring about the change that humanity really needs; for that can only come by its growth into the firmly realised possibilities of its own higher nature, and this growth depends on an inner and not an outer change. But outer changes may at least prepare favourable conditions for that more real amelioration, — or on the contrary they may lead to such conditions that the sword of Kalki can alone purify the earth from the burden of an obstinately Asuric humanity. The choice lies with the race itself; for as it sows, so shall it reap the fruit of its Karma.” The Human Cycle*

not noble in quality, character, or purpose; base or mean.

obstinate ::: 1. Firmly or stubbornly adhering to one"s purpose, opinion, etc. 2. Characterized by inflexible persistence or an unyielding attitude. obstinately.

obtuse ::: characterized by a lack of intelligence or sensitivity; dull.

odour ::: the property of a substance that gives it a characteristic scent or smell.

"Of course, that is the real fact — death is only a shedding of the body, not a cessation of the personal existence. A man is not dead because he goes into another country and changes his clothes to suit that climate.” Letters on Yoga

office ::: 1. A room where business is conducted. 2. A duty, service, or charge falling or assigned to one; a service or task to be performed. 3. A position of authority, duty, or trust given to a person, as in a government or corporation. offices.

old-world ::: of, relating to, or characteristic of the ancient world or a past era.

"One can speak of the chakras only in reference to yoga. In ordinary people the chakras are not open, it is only when they do sadhana that the chakras open. For the chakras are the centres of the inner consciousness and belong originally to the subtle body. So much as is active in ordinary people is very little — for in them it is the outer consciousness that is active.” Letters on Yoga

oratory ::: a place for prayer, such as a small private chapel.

organ ::: an instrument consisting of a number of pipes that sound tones when supplied with air and a keyboard that operates a mechanism controlling the flow of air to the pipes.

::: "Our incapacity does not matter — there is no human being who is not in his parts of nature incapable — but the Divine Force also is there. If one puts one"s trust in that, incapacity will be changed into capacity. Difficulty and struggle themselves then become a means towards the achievement.” Letters on Yoga

paean ::: a song or lyric poem expressing triumph or thanksgiving, or joy. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice (monody). It comes from the Greek παιάν (also παιήων or παιών), "song of triumph, any solemn song or chant.” paeans, paean-song.

paged ::: indicated the sequence of pages in (a book, manuscript, etc.) by placing numbers or other characters on each leaf; Numbered the pages of; paginated.

painfully ::: adv. In a laborious; exacting or difficult manner. 2. In a manner characterized by pain or causing pain.

passage ::: 1. A movement from one place to another, as by going by, through, over, or across; transit or migration. 2. Fig. The process of passing from one condition or stage to another; transition. 3. An opening or entrance into, through, or out of something. 4. A path, channel, or duct through, over, or along which something may pass. 5. A hall or corridor; passageway. passages, cavern-passages.

passer-by ::: a person who passes by, especially casually or by chance. passers-by.

"Patience is our first great necessary lesson, but not the dull slowness to move of the timid, the sceptical, the weary, the slothful, the unambitious or the weakling; a patience full of a calm and gathering strength which watches and prepares itself for the hour of swift great strokes, few but enough to change destiny.” Essays in Philosophy and Yoga

patron ::: one that supports, protects, or champions someone or something, such as an institution, event, or cause; a sponsor or benefactor.

pattern ::: 1. A model or original used as an archetype. 2. A plan or diagram used as a guide in making something. 3. An artistic or decorative design. 4. A combination of qualities, acts, tendencies, etc., forming a consistent or characteristic arrangement; order or form discernible in things, actions, ideas, situations, etc. patterns, patterned, many-patterned.

peculiar ::: distinctive in nature or character from others.

periods ::: rather large intervals of time that are meaningful in the life of a person, in history, etc., because of its particular characteristics.

phantasmal ::: resembling or characteristic of a phantom; unreal.

photon ::: the quantum of electromagnetic energy, regarded as a discrete particle having zero mass, no electric charge, and an indefinitely long lifetime. photon"s.

phrase ::: 1. A characteristic way or mode of expression. 2. An expression of two or more words in sequence that form a syntactic unit that is less than a complete sentence. phrases.

pilot ::: 1. A person qualified to guide ships through difficult waters going into or out of a harbour. 2. Fig. One who acts as a leader or guide through difficulties or challenges.

positive ::: n. 1. An affirmative element or characteristic; reality. adj. 2. Characterized by or displaying certainty, acceptance, or affirmation. 3. Independent of circumstances; absolute or unqualified.

powers ::: Sri Aurobindo: "These are the forces and beings that are interested in maintaining the falsehoods they have created in the world of the Ignorance and in putting them forward as the Truth which men must follow. In India they are termed Asuras, Rakshasas, Pishachas (beings respectively of the mentalised vital, middle vital and lower vital planes) who are in opposition to the Gods, the Powers of Light. These too are Powers, for they too have their cosmic field in which they exercise their function and authority and some of them were once divine Powers (the former gods, purve devah , as they are called somewhere in the Mahabharata) who have fallen towards the darkness by revolt against the divine Will behind the cosmos.” Letters on Yoga

prating ::: uttering empty or foolish talk; chattering; babbling.

precarious ::: 1. Dangerously lacking in security or stability. 2. Subject to chance or unknown conditions.

presence ::: 1. The state or fact of being present; current existence or occurrence. 2. A divine, spiritual, or supernatural spirit or influence felt or conceived as present. 3. The immediate proximity of someone or something.

Sri Aurobindo: "It is intended by the word Presence to indicate the sense and perception of the Divine as a Being, felt as present in one"s existence and consciousness or in relation with it, without the necessity of any further qualification or description. Thus, of the ‘ineffable Presence" it can only be said that it is there and nothing more can or need be said about it, although at the same time one knows that all is there, personality and impersonality, Power and Light and Ananda and everything else, and that all these flow from that indescribable Presence. The word may be used sometimes in a less absolute sense, but that is always the fundamental significance, — the essential perception of the essential Presence supporting everything else.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” Essays Divine and Human

"But if we learn to live within, we infallibly awaken to this presence within us which is our more real self, a presence profound, calm, joyous and puissant of which the world is not the master — a presence which, if it is not the Lord Himself, is the radiation of the Lord within.” *The Life Divine

"The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” *The Life Divine

"If we need any personal and inner witness to this indivisible All-Consciousness behind the ignorance, — all Nature is its external proof, — we can get it with any completeness only in our deeper inner being or larger and higher spiritual state when we draw back behind the veil of our own surface ignorance and come into contact with the divine Idea and Will behind it. Then we see clearly enough that what we have done by ourselves in our ignorance was yet overseen and guided in its result by the invisible Omniscience; we discover a greater working behind our ignorant working and begin to glimpse its purpose in us: then only can we see and know what now we worship in faith, recognise wholly the pure and universal Presence, meet the Lord of all being and all Nature.” *The Life Divine

"The presence of the Spirit is there in every living being, on every level, in all things, and because it is there, the experience of Sachchidananda, of the pure spiritual existence and consciousness, of the delight of a divine presence, closeness, contact can be acquired through the mind or the heart or the life-sense or even through the physical consciousness; if the inner doors are flung sufficiently open, the light from the sanctuary can suffuse the nearest and the farthest chambers of the outer being.” *The Life Divine

"There is a secret divine Will, eternal and infinite, omniscient and omnipotent, that expresses itself in the universality and in each particular of all these apparently temporal and finite inconscient or half-conscient things. This is the Power or Presence meant by the Gita when it speaks of the Lord within the heart of all existences who turns all creatures as if mounted on a machine by the illusion of Nature.” *The Synthesis of Yoga

"For what Yoga searches after is not truth of thought alone or truth of mind alone, but the dynamic truth of a living and revealing spiritual experience. There must awake in us a constant indwelling and enveloping nearness, a vivid perception, a close feeling and communion, a concrete sense and contact of a true and infinite Presence always and everywhere. That Presence must remain with us as the living, pervading Reality in which we and all things exist and move and act, and we must feel it always and everywhere, concrete, visible, inhabiting all things; it must be patent to us as their true Self, tangible as their imperishable Essence, met by us closely as their inmost Spirit. To see, to feel, to sense, to contact in every way and not merely to conceive this Self and Spirit here in all existences and to feel with the same vividness all existences in this Self and Spirit, is the fundamental experience which must englobe all other knowledge.” *The Synthesis of Yoga

"One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right time He will reveal His Presence.” *Letters on Yoga

"They [the psychic being and the Divine Presence in the heart] are quite different things. The psychic being is one"s own individual soul-being. It is not the Divine, though it has come from the Divine and develops towards the Divine.” *Letters on Yoga

"For it is quietness and inwardness that enable one to feel the Presence.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” *Essays Divine and Human

The Mother: "For, in human beings, here is a presence, the most marvellous Presence on earth, and except in a few very rare cases which I need not mention here, this presence lies asleep in the heart — not in the physical heart but the psychic centre — of all beings. And when this Splendour is manifested with enough purity, it will awaken in all beings the echo of his Presence.” Words of the Mother, MCW, Vol. 15.


priestly ::: sacred; characteristic of a priest.

principle ::: a basic or essential quality or element determining intrinsic nature or characteristic behaviour.

problem-game ::: a challenging game in which a problem is to be solved.

process ::: a continuous action, operation, or series of changes taking place in a definite manner. processes.

product ::: 1. A thing produced by labour. 2. Something produced by human or mechanical effort or by a natural process. products.

prometheus ::: gr. Myth. A Titan who stole fire from Olympus and gave it to humankind, for which Zeus chained him to a rock and sent an eagle to eat his liver, which grew back daily.

prophetic ::: of, belonging to, or characteristic of a prophet or prophecy.

protagonist ::: the main character in a drama or other literary work.

proton ::: a positively charged elementary particle that is a fundamental constituent of all atomic nuclei.

pursue ::: 1. To follow in pursuit, to chase. 2. To seek or ‘hunt" after. 3. To follow in an effort to overtake or capture; chase. 4. To follow close upon; go with; attend. 5. To strive to gain; seek to attain or accomplish (an end, object, purpose, etc.). 6. To continue, carry on or participate in an activity; be involved in. pursues, pursued, pursuing.

pursuit ::: 1. The act or an instance of chasing or pursuing. 2. The act of striving to accomplish; endeavouring.

quality ::: Sri Aurobindo: "A quality is the character of a power of conscious being; or we may say that the consciousness of being expressing what is in it makes the power it brings out recognisable by a native stamp on it which we call quality or character.” The Life Divine

questionable ::: open to doubt or challenge; problematic.

question ::: n. 1. An interrogative sentence, phrase, or gesture. v. 2. To pose a question. 3. To challenge the accuracy, probity, or propriety of. 4. To express uncertainty about the validity, truth, etc., of (something); doubt. questions, questioned, questioning.

rapid ::: 1. Moving, acting, or occurring with great speed. 2. Characterized by speed; moving with or capable of moving with high speed. 3. Done or occurring in a brief period of time.

rapt ::: 1. Deeply engrossed or absorbed. 2. Entranced; transported with emotion; enraptured; ecstatic. 3. Indicating, proceeding from, characterized by, a state of rapture. 4. Carried off spiritually to another place, sphere of existence, etc. self-rapt.

rash ::: n. 1. An outbreak of many instances within a brief period. adj. 2. Characterized by or resulting from ill-considered haste or boldness; impetuous. 3. Characterized by defiant disregard for danger or consequences.

ravishing ::: 1. Extremely delightful; very lovely. 2. Extremely beautiful or attractive; enchanting; entrancing.

refine ::: 1. To make more fine, subtle, or precise. 2. To make or become free from coarse characteristics; make or become elegant or polished. refined, refining.

response ::: 1. A reply or an answer. 2. Fig. A reaction, as that of an organism or a mechanism, to a specific stimulus. responses.

resting chamber ::: a shelter for repose or sleep.

reversed ::: opposite or contrary in position, direction, order, or character.

reverse ::: n. **1. The side of a coin or medal that does not carry the principal design. v. 2. To revoke or set aside (a judgment, decree, etc.); annul. 3. To change into something different or contrary; alter completely. 4. To turn and proceed in the opposite direction. reversed, reversing.**

revolution ::: 1. A turning or rotational motion about an axis. 2. A sudden or momentous change in a situation esp. one accompanied by violence. 3. The orbital or circular movement of the stars, etc. **revolution"s, revolutions.

rhapsody ::: a composition free in structure and highly emotional in character.

ridge ::: 1. A long, narrow chain of hills or mountains. 2. A long, narrow upper section or crest. ridges, gleam-ridge, far-ridged.

rigorous ::: 1. Characterized by or proceeding from rigour; harsh, strict, or severe. 2. Rigidly accurate; precise.

robot ::: one who acts and responds in a mechanical, routine manner, usually subject to another"s will; automaton.

rotated ::: caused to go through a cycle of changes; caused to pass or follow in a fixed routine of succession.

routine ::: 1. A prescribed, detailed course of action to be followed regularly; a standard procedure. 2. A set of customary and often mechanically performed procedures or activities.

royalty ::: 1. Character or quality proper to or befitting a sovereign; nobility. 2. Royal status, dignity, or power; sovereignty.

rugged ::: 1. Having an uneven or jagged surface; rocky or steep. 2. Of a rough, severe, stern, or strong character.

ruinous ::: causing, tending to cause, or characterized by ruin or destruction.

rustic ::: having a rough or textured appearance, charmingly simple.

saddle ::: to load or burden; encumber; charge.

sainthood ("s) ::: the status, character or condition, of being a saint.

sardonic ::: characterized by irony, cynical mockery or derision.

scourge ::: n. 1. A whip used to inflict punishment. 2. A cause of affliction or calamity. v. 3. To punish severely; whip; flog. 4. To chastise severely.

script ::: 1. A kind of writing, a system of alphabetical or other written characters. 2. Handwriting, esp. cursive writing, the characters used in hand-writing (as distinguished from print). 3. A manuscript or document. 4. A manuscript or written text of a play, motion picture, etc. scripts.

scripture ::: 1. Any writing or book, esp. when of a sacred or religious nature. 2. Written characters.

seasons ::: one of the four natural divisions of the year, spring, summer, fall and winter, in the North and South Temperate zones. Each season, beginning astronomically at an equinox or solstice, is characterized by specific meteorological or climatic conditions.

seat ::: n. 1. Something such as a chair or bench, that may be sat on. 2. A chair for the king, bishop, etc., the throne of God or the angels; specifically as a center of authority. 3. A place in which something belongs, occurs, or is established; site; location. 4. A place in which administrative power or the like is centred. 5. A sitting body, court of justice. 6. The office or authority of a ruler or power such as a king, etc. seats, earth-seat. *v. 7. To set firmly in place or cause to sit down. 8. To establish (a person or thing) in a position of authority or dignity. *seats.

:::   See also lotus (as chakras*).

self-giving ::: characterized by self-sacrificing behavior; giving oneself through devotion or for others.

"Self-giving in fact means a change from ego-centricity to God-centricity; . . .” Letters on Yoga

sentinel ::: 1. A tower used by the military to watch for the enemy and defend a camp, etc. 2. A person or thing that watches or stands as if watching. 3. A soldier stationed as a guard to challenge all comers and prevent a surprise attack; a sentry. (Sri Aurobindo often employs the word as an adjective.) sentinels.

seraphim ::: "Hybrid celestial beings [including Cherubim] with human, animal, or birdlike characteristics that are depicted in Jewish, Christian and Islamic literature. They act as throne bearers or throne guardians of the deity. In later theology Cherubim is an angel of the second order, and Seraphim of the first. They correspond, according to Sri Aurobindo, to the Gandharvas and Venas of India tradition. (Enc. Br.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works

serpentine ::: 1. Of, characteristic of, or resembling a serpent, as in form or movement; sinuous. 2. Having a twisting or winding course similar to that of a serpent"s motion.

-shackled ::: bound with a chain, ring, or other fastening as of iron for the ankle or wrist of a prisoner, usually one of a pair, which is fastened to a ring-bolt in the floor or wall of the cell. sense-shackled.

Sri Aurobindo: "A life of gnostic beings carrying the evolution to a higher supramental status might fitly be characterised as a divine life; for it would be a life in the Divine, a life of the beginnings of a spiritual divine light and power and joy manifested in material Nature.” *The Life Divine

Sri Aurobindo: "As there are Powers of Knowledge or Forces of the Light, so there are Powers of Ignorance and tenebrous Forces of the Darkness whose work is to prolong the reign of Ignorance and Inconscience. As there are Forces of Truth, so there are Forces that live by the Falsehood and support it and work for its victory; as there are powers whose life is intimately bound up with the existence, the idea and the impulse of Good, so there are Forces whose life is bound up with the existence and the idea and the impulse of Evil. It is this truth of the cosmic Invisible that was symbolised in the ancient belief of a struggle between the powers of Light and Darkness, Good and Evil for the possession of the world and the government of the life of man; — this was the significance of the contest between the Vedic Gods and their opponents, sons of Darkness and Division, figured in a later tradition as Titan and Giant and Demon, Asura, Rakshasa, Pisacha; the same tradition is found in the Zoroastrian Double Principle and the later Semitic opposition of God and his Angels on the one side and Satan and his hosts on the other, — invisible Personalities and Powers that draw man to the divine Light and Truth and Good or lure him into subjection to the undivine principle of Darkness and Falsehood and Evil.” The Life Divine

Sri Aurobindo: "Aware of the Divine as the Master of our being and action, we can learn to become channels of his Shakti, the Divine Puissance, and act according to her dictates or her rule of light and power within us.” The Life Divine

Sri Aurobindo: "Chance is not *in this universe; the idea of illusion is itself an illusion. There was never illusion yet in the human mind that was not the concealing [?shape] and disfigurement of a truth.” Essays Divine and Human

Sri Aurobindo: "History teaches us nothing; it is a confused torrent of events and personalities or a kaleidoscope of changing institutions. We do not seize the real sense of all this change and this continual streaming forward of human life in the channels of Time. What we do seize are current or recurrent phenomena, facile generalisations, partial ideas. We talk of democracy, aristocracy and autocracy, collectivism and individualism, imperialism and nationalism, the State and the commune, capitalism and labour; we advance hasty generalisations and make absolute systems which are positively announced today only to be abandoned perforce tomorrow; we espouse causes and ardent enthusiasms whose triumph turns to an early disillusionment and then forsake them for others, perhaps for those that we have taken so much trouble to destroy. For a whole century mankind thirsts and battles after liberty and earns it with a bitter expense of toil, tears and blood; the century that enjoys without having fought for it turns away as from a puerile illusion and is ready to renounce the depreciated gain as the price of some new good. And all this happens because our whole thought and action with regard to our collective life is shallow and empirical; it does not seek for, it does not base itself on a firm, profound and complete knowledge. The moral is not the vanity of human life, of its ardours and enthusiasms and of the ideals it pursues, but the necessity of a wiser, larger, more patient search after its true law and aim.” *The Human Cycle etc.

*Sri Aurobindo: "If thou think defeat is the end of thee, then go not forth to fight, even though thou be the stronger. For Fate is not purchased by any man nor is Power bound over to her possessors. But defeat is not the end, it is only a gate or a beginning.” Essays Human and Divine*

Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga

Sri Aurobindo: " Karma is nothing but the will of the Spirit in action, consequence nothing but the creation of will. What is in the will of being, expresses itself in karma and consequence. When the will is limited in mind, karma appears as a bondage and a limitation, consequence as a reaction or an imposition. But when the will of the being is infinite in the spirit, karma and consequence become instead the joy of the creative spirit, the construction of the eternal mechanist, the word and drama of the eternal poet, the harmony of the eternal musician, the play of the eternal child.” Essays in Philosophy and Yoga

*Sri Aurobindo: "Man cannot by his own effort make himself more than man; the mental being cannot by his own unaided force change himself into a supramental spirit. A descent of the Divine Nature can alone divinise the human receptacle.” Essays Divine and Human

Sri Aurobindo: "The centres or Chakras are seven in number: ::: The thousand-petalled lotus on the top of the head.

Sri Aurobindo: "The motion of the world works under the government of a perpetual stability. Change represents the constant shifting of apparent relations in an eternal Immutability.” The Upanishads

Sri Aurobindo: ". The mystic Muse is more of an inspired Bacchante of the Dionysian wine than an orderly housewife.” Letters on Savitri

Sri Aurobindo: "The nature of Bhakti is adoration, worship, self-offering to what is greater than oneself; the nature of love is a feeling or a seeking for closeness and union. Self-giving is the character of both; both are necessary in the yoga and each gets its full force when supported by the other.” *Letters on Yoga

*Sri Aurobindo: "The typal worlds do not change. In his own world a god is always a god, the Asura always an Asura, the demon always a demon. To change they must either migrate into an evolutionary body or else die entirely to themselves that they may be new born into other Nature.” Essays Divine and Human*

Sri Aurobindo: "Universal love is the spiritual founded on the sense of the One and the Divine everywhere and the change of the personal into a wide universal consciousness, free from attachment and ignorance.” *Letters on Yoga

"The characteristic power of the reason in its fullness is a logical movement assuring itself first of all available materials and data by observation and arrangement, then acting upon them for a resultant knowledge gained, assured and enlarged by a first use of the reflective powers, and lastly assuring itself of the correctness of its results by a more careful and formal action, more vigilant, deliberate, severely logical which tests, rejects or confirms them according to certain secure standards and processes developed by reflection and experience.” The Synthesis of Yoga

"The colours of the lotuses and the numbers of petals are respectively, from bottom to top: — (1) the Muladhara or physical consciousness centre, four petals, red; (2) the abdominal centre, six petals, deep purple red; (3) the navel centre, ten petals, violet; (4) the heart centre, twelve petals, golden pink; (5) the throat centre, sixteen petals, grey; (6) the forehead centre between the eye-brows, two petals, white; (7) the thousand-petalled lotus above the head, blue with gold light around. The functions are, according to our yoga, — (1) commanding the physical consciousness and the subconscient; (2) commanding the small vital movements, the little greeds, lusts, desires, the small sense-movements; (3) commanding the larger life-forces and the passions and larger desire-movements; (4) commanding the higher emotional being with the psychic deep behind it; (5) commanding expression and all externalisation of the mind movements and mental forces; (6) commanding thought, will, vision; (7) commanding the higher thinking mind and the illumined mind and opening upwards to the intuition and overmind. The seventh is sometimes or by some identified with the brain, but that is an error — the brain is only a channel of communication situated between the thousand-petalled and the forehead centre. The former is sometimes called the void centre, sunya , either because it is not in the body, but in the apparent void above or because rising above the head one enters first into the silence of the self or spiritual being.” Letters on Yoga*

"The cosmic consciousness is that in which the limits of ego, personal mind and body disappear and one becomes aware of a cosmic vastness which is or filled by a cosmic spirit and aware also of the direct play of cosmic forces, universal mind forces, universal life forces, universal energies of Matter, universal overmind forces. But one does not become aware of all these together; the opening of the cosmic consciousness is usually progressive. It is not that the ego, the body, the personal mind disappear, but one feels them as only a small part of oneself. One begins to feel others too as part of oneself or varied repetitions of oneself, the same self modified by Nature in other bodies. Or, at the least, as living in the larger universal self which is henceforth one"s own greater reality. All things in fact begin to change their nature and appearance; one"s whole experience of the world is radically different from that of those who are shut up in their personal selves. One begins to know things by a different kind of experience, more direct, not depending on the external mind and the senses. It is not that the possibility of error disappears, for that cannot be so long as mind of any kind is one"s instrument for transcribing knowledge, but there is a new, vast and deep way of experiencing, seeing, knowing, contacting things; and the confines of knowledge can be rolled back to an almost unmeasurable degree. The thing one has to be on guard against in the cosmic consciousness is the play of a magnified ego, the vaster attacks of the hostile forces — for they too are part of the cosmic consciousness — and the attempt of the cosmic Illusion (Ignorance, Avidya) to prevent the growth of the soul into the cosmic Truth. These are things that one has to learn from experience; mental teaching or explanation is quite insufficient. To enter safely into the cosmic consciousness and to pass safely through it, it is necessary to have a strong central unegoistic sincerity and to have the psychic being, with its divination of truth and unfaltering orientation towards the Divine, already in front in ::: —the nature.” Letters on Yoga*

"The divinisation of the nature of which we speak is a metamorphosis, not a mere growth into some kind of super-humanity, but a change from the falsehood of our ignorant nature into the truth of God-nature.” The Hour of God

:::   "The efficacy of prayer is often doubted and prayer itself supposed to be a thing irrational and necessarily superfluous and ineffective. It is true that the universal will executes always its aim and cannot be deflected by egoistic propitiation and entreaty, it is true of the Transcendent who expresses himself in the universal order that being omniscient his larger knowledge must foresee the thing to be done and it does not need direction or stimulation by human thought and that the individual"s desires are not and cannot be in any world-order the true determining factor. But neither is that order or the execution of the universal will altogether effected by mechanical Law, but by powers and forces of which for human life at least human will, aspiration and faith are not among the least important.

"The elementary state of material Force is, in the view of the old Indian physicists, a condition of pure material extension in Space of which the peculiar property is vibration typified to us by the phenomenon of sound. But vibration in this state of ether is not sufficient to create forms. There must first be some obstruction in the flow of the Force ocean, some contraction and expansion, some interplay of vibrations, some impinging of force upon force so as to create a beginning of fixed relations and mutual effects. Material Force modifying its first ethereal status assumes a second, called in the old language the aerial, of which the special property is contact between force and force, contact that is the basis of all material relations. Still we have not as yet real forms but only varying forces. A sustaining principle is needed. This is provided by a third self-modification of the primitive Force of which the principle of light, electricity, fire and heat is for us the characteristic manifestation. Even then, we can have forms of force preserving their own character and peculiar action, but not stable forms of Matter. A fourth state characterised by diffusion and a first medium of permanent attractions and repulsions, termed picturesquely water or the liquid state, and a fifth of cohesion, termed earth or the solid state, complete the necessary elements.” The Life Divine*

:::   "The greater the destruction, the freer the chances of creation; but the destruction is often long, slow and oppressive, the creation tardy in its coming or interrupted in its triumph. The night returns again and again and the day lingers or seems even to have been a false dawning. Despair not therefore, but watch and work. Those who hope violently, despair swiftly: neither hope nor fear, but be sure of God"s purpose and thy will to accomplish.” *Essays in Philosophy and Yoga

::: "The heart is the centre of the emotional being and the emotions are vital movements. When the heart is purified, the vital emotions change into psychic feelings or else psychicised vital movements.” Letters on Yoga

"The idea of purpose, of a goal is born of the progressive self-unfolding by the world of its own true nature to the individual Souls inhabiting its forms; for the Being is gradually self-revealed within its own becomings, real Unity emerges out of the Multiplicity and changes entirely the values of the latter to our consciousness.” The Upanishads

::: ". . . the modern man, even the modern cultured man, is or tends to be to a degree quite unprecedented politikon zôon, a political, economic and social being valuing above all things the efficiency of the outward existence and the things of the mind and spirit mainly, when not exclusively, for their aid to humanity"s vital and mechanical progress: he has not that regard of the ancients which looked up towards the highest heights and regarded an achievement in the things of the mind and the spirit with an unquestioning admiration or a deep veneration for its own sake as the greatest possible contribution to human culture and progress. And although this modern tendency is exaggerated and ugly and degrading in its exaggeration, inimical to humanity"s spiritual evolution, it has this much of truth behind it that while the first value of a culture is its power to raise and enlarge the internal man, the mind, the soul, the spirit, its soundness is not complete unless it has shaped also his external existence and made of it a rhythm of advance towards high and great ideals. This is the true sense of progress and there must be as part of it a sound political, economic and social life, a power and efficiency enabling a people to survive, to grow and to move securely towards a collective perfection, and a vital elasticity and responsiveness that will give room for a constant advance in the outward expression of the mind and the spirit.” The Renaissance in India

The Mother: "That which can easily change its form is ‘plastic". Figuratively, it is suppleness, a capacity of adaptation to circumstances and necessities.” Questions and Answers, MCW Vol. 4.

The Mother: "To be humble means for the mind, the vital and the body never to forget that without the Divine they know nothing, are noting and can do nothing; with the Divine they are nothing but ignorance, chaos and impotence. The Divine alone is Truth, Life, Power, Love, Felicity.” Words of the Mother, MCW Vol. 14.

:::   ". . . the Person puts forward the personality as his role, character, persona, in the present act of his long drama of manifested existence. But the Person is larger than his personality, and it may happen that this inner largeness overflows into the surface formation; the result is a self-expression of being which can no longer be described by fixed qualities, normalities of mood, exact lineaments, or marked out by any structural limits.” *The Life Divine

"There are, we might say, two beings in us, one on the surface, our ordinary exterior mind, life, body consciousness, another behind the veil, an inner mind, an inner life, an inner physical consciousness constituting another or inner self. This inner self once awake opens in its turn to our true real eternal self. It opens inwardly to the soul, called in the language of this yoga the psychic being which supports our successive births and at each birth assumes a new mind, life and body. It opens above to the Self or Spirit which is unborn and by conscious recovery of it we transcend the changing personality and achieve freedom and full mastery over our nature.” Letters on Yoga

"There is no such thing as death, for it is the body that dies and the body is not the man. That which really is, cannot go out of existence, though it may change the forms through which it appears, just as that which is non-existent cannot come into being. The soul is and cannot cease to be. This opposition of is and is not, this balance of being and becoming which is the mind"s view of existence, finds its end in the realisation of the soul as the one imperishable self by whom all this universe has been extended. Finite bodies have an end, but that which possesses and uses the body, is infinite, illimitable, eternal, indestructible. It casts away old and takes up new bodies as a man changes worn-out raiment for new; and what is there in this to grieve at and recoil and shrink? This is not born, nor does it die, nor is it a thing that comes into being once and passing away will never come into being again. It is unborn, ancient, sempiternal; it is not slain with the slaying of the body. Who can slay the immortal spirit? Weapons cannot cleave it, nor the fire burn, nor do the waters drench it, nor the wind dry. Eternally stable, immobile, all-pervading, it is for ever and for ever. Not manifested like the body, but greater than all manifestation, not to be analysed by the thought, but greater than all mind, not capable of change and modification like the life and its organs and their objects, but beyond the changes of mind and life and body, it is yet the Reality which all these strive to figure.” Essays on the Gita

  These notes were written apropos of Bergson"s ‘philosophy of change", ‘you" would refer to a proponent of this philosophy.

"The spiritual change is the established descent of the peace, light, knowledge, power, bliss from above, the awareness of the Self and the Divine and of a higher cosmic consciousness and the change of the whole consciousness to that.” Letters on Yoga

::: "The true physical mind is the receiving and externalising intelligence which has two functions — first, to work upon external things and give them a mental order with a way of practically dealing with them and, secondly, to be the channel of materialising and putting into effect whatever the thinking and dynamic mind sends down to it for the purpose.” Letters on Yoga

"The whole energy of the soul is not at play in the physical body and life, the secret powers of mind are not awake in it, the bodily and nervous energies predominate. But all the while the supreme energy is there, asleep; it is said to be coiled up and slumbering like a snake, — therefore it is called the kundalinî sakti, — in the lowest of the chakras, in the mûlâdhâra. When by Pranayama the division between the upper and lower prana currents in the body is dissolved, this Kundalini is struck and awakened, it uncoils itself and begins to rise upward like a fiery serpent breaking open each lotus as it ascends until the Shakti meets the Purusha in the brahmarandhra in a deep samadhi of union.” The Synthesis of Yoga

::: "This conception of the Person and Personality, if accepted, must modify at the same time our current ideas about the immortality of the soul; for, normally, when we insist on the soul"s undying existence, what is meant is the survival after death of a definite unchanging personality which was and will always remain the same throughout eternity. It is the very imperfect superficial I'' of the moment, evidently regarded by Nature as a temporary form and not worth preservation, for which we demand this stupendous right to survival and immortality. But the demand is extravagant and cannot be conceded; theI"" of the moment can only merit survival if it consents to change, to be no longer itself but something else, greater, better, more luminous in knowledge, more moulded in the image of the eternal inner beauty, more and more progressive towards the divinity of the secret Spirit. It is that secret Spirit or divinity of Self in us which is imperishable, because it is unborn and eternal. The psychic entity within, its representative, the spiritual individual in us, is the Person that we are; but the I'' of this moment, theI"" of this life is only a formation, a temporary personality of this inner Person: it is one step of the many steps of our evolutionary change, and it serves its true purpose only when we pass beyond it to a farther step leading nearer to a higher degree of consciousness and being. It is the inner Person that survives death, even as it pre-exists before birth; for this constant survival is a rendering of the eternity of our timeless Spirit into the terms of Time.” The Life Divine

:::   "This is the omniscient who knows the law of our being and is sufficient to his works; let us build the song of his truth by our thought and make it as if a chariot on which he shall mount. When he dwells with us, then a happy wisdom becomes ours. With him for friend we cannot come to harm.” The Secret of the Veda

to come upon by chance; meet unexpectedly.

"To me, for instance, consciousness is the very stuff of existence and I can feel it everywhere enveloping and penetrating the stone as much as man or the animal. A movement, a flow of consciousness is not to me an image but a fact. If I wrote "His anger climbed against me in a stream", it would be to the general reader a mere image, not something that was felt by me in a sensible experience; yet I would only be describing in exact terms what actually happened once, a stream of anger, a sensible and violent current of it rising up from downstairs and rushing upon me as I sat in the veranda of the Guest-House, the truth of it being confirmed afterwards by the confession of the person who had the movement. This is only one instance, but all that is spiritual or psychological in Savitri is of that character. What is to be done under these circumstances? The mystical poet can only describe what he has felt, seen in himself or others or in the world just as he has felt or seen it or experienced through exact vision, close contact or identity and leave it to the general reader to understand or not understand or misunderstand according to his capacity. A new kind of poetry demands a new mentality in the recipient as well as in the writer.” Letters on Savitri

". . . universal love is not personal — it has to be held within as a condition of the consciousness which will have its effects according to the Divine Will or be used by that Will if necessary; . . . .” Letters on Yoga ::: *love"s, loves, loved, loving, love-chained, love-maddened, love-music, love-note, all-love, All-love, All-Love.

"We arrive then necessarily at this conclusion that human birth is a term at which the soul must arrive in a long succession of rebirths and that it has had for its previous and preparatory terms in the succession the lower forms of life upon earth; it has passed through the whole chain that life has strung in the physical universe on the basis of the body, the physical principle.” The Life Divine

"What we call Chance is a play of the possibilities of the Infinite; . . . .” Essays Divine and Human*

"What we have called specifically the Mind of Light is indeed the last of a series of descending planes of consciousness in which the Supermind veils itself by a self-chosen limitation or modification of its self-manifesting activities, but its essential character remains the same: there is in it an action of light, of truth, of knowledge in which inconscience, ignorance and error claim no place.” Essays in Philosophy and Yoga*

wine for use in a Eucharistic (referring to the Christian sacrament of the Lord"s Supper, the Communion) service.

"Yet there is still the unknown underlying Oneness which compels us to strive slowly towards some form of harmony, of interdependence, of concording of discords, of a difficult unity. But it is only by the evolution in us of the concealed superconscient powers of cosmic Truth and of the Reality in which they are one that the harmony and unity we strive for can be dynamically realised in the very fibre of our being and all its self-expression and not merely in imperfect attempts, incomplete constructions, ever-changing approximations.” The Life Divine*



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*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

1:Hey boys, nice to look at cha ~ Harper Sloan,
2:lokam soka hatham cha samastham. ~ Sukhabodhananda,
3:It's human nay-cha...For me to sperminay-cha. ~ Megan McCafferty,
4:The Cha-Cha is no more ridiculous than life itself. ~ Whit Stillman,
5:So you're the guy who did the no-no cha-cha with my baby sister. ~ Lish McBride,
6:A guy who cooked, cleaned and looked good while doing it? Cha-ching. ~ Hailey Edwards,
7:Dead by her hand. All dead. The price of her freedom? Chung-Cha’s soul. ~ David Baldacci,
8:What's the matter Jaimy? Ain't-cha never seen a girl before?
-Jacky Faber ~ L A Meyer,
9:Shirley “Cha Cha” Muldowney, who was the first female Top Fuel dragster champion, but ~ Eric Metaxas,
10:These devils find a way to get at'cha. All it takes is some green and your face on the screen. ~ Lil Kim,
11:Half a league Half a league Half a league onward With a hey-nonny-nonny And a hot cha-cha. ~ P G Wodehouse,
12:Betcha I wet cha like hurricanes and typhoons, got buffoons eating my pussy while I watch cartoons. ~ Lil Kim,
13:Ain't 'cha gonna run?" she asked.
"No," he said, shoving the sheet away. "I'm gonna fly. ~ Katherine Paterson,
14:Ascente cha ores ri ve breazza."
"Turn your ear to the wind," she interpreted. "Stand strong. ~ Mary E Pearson,
15:If there's anything I hate, it's the vibraphone. And the cha-cha-cha. And Latin rhythms generally. ~ Edward Abbey,
16:Half a league
Half a league
Half a league onward
With a hey-nonny-nonny
And a hot cha-cha. ~ P G Wodehouse,
17:A fat woman was dancing the cha-cha with a cat, and a thunderous chorus was singing the praises of Purina Cat Chow. ~ Dean Koontz,
18:Any Latin dance, whether it be salsa, cha cha, samba, etc., is very sexy for me to see a woman do. Using your hips is the key. ~ Ryan Guzman,
19:I find your lack of focus worrisome,” Cha’ril said. “I’m just a leaf on the wind right now,” Aignar said. “A big metal leaf. With guns.” “If ~ Richard Fox,
20:CHUNG-CHA HAD NEVER MET a westerner who could tell the difference between a Chinese and a Japanese, much less a North Korean and a South Korean. ~ David Baldacci,
21:If a witch comes up to me some day, enlarges her pupils, and says: “With a hey nonnie nonnie and a hotcha cha,” she’ll be sure to get my attention! ~ Anton Szandor LaVey,
22:Klein y Riviere r e cha - z a ron e l t r aba jo de Winni cot t por c a r e c e r de valor, y a s egur a - ron que s e t r a t aba de l r e sul t ado de su enf e rmedad ~ Anonymous,
23:For the loss of Chung-Cha. And she was scared. “Hey, guys, come on in,” said Julie warmly. Her guardian, Jerome Cassidy, had recovered from his injuries at the hands of ~ David Baldacci,
24:You are a dickhead.” Cha’ril pronounced the insult with an Australian accent. “And a runt. No, a tunt. You are a tunt.” “I think you mean—” “Let that one go,” Aignar said. A ~ Richard Fox,
25:Dating is a social brain teaser, as it requires constantly changing ratios of intimacy and distance, an erotic mental cha-cha choreographed by chemistry, insight, and fear. ~ Marilyn Suzanne Miller,
26:Miz Louisa, she believed in God with all her soul. But she don’t subscribe to church much. She say the way some folk run they’s churches, it take God right out cha heart.’ - Eugene Randall ~ David Baldacci,
27:Cha-Cha should have stopped running. Better to walk as if he’d been walking all along, then make a slow circle back to his truck. But he couldn’t stop himself. He wasn’t skilled at acting natural. ~ Angela Flournoy,
28:You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!” ~ Jeff Bridges,
29:ngày nay dân chúng không so sánh đời họ với đời cha ông họ. Họ có thêm nhiều thông tin hơn. Giờ đây họ so sánh đời họ với đời sống của dân nước láng giềng, dân nơi khác. Vì họ có thể nhận biết qua truyền hình, vệ tinh, DVD và Internet. ~ Thomas L Friedman,
30:Black musicians rhythmicized the contredanse, creating musical styles which evolved into the habanera (also known as the tango) and, later, ragtime, as well as the danza, danzón, and ultimately the danzón mambo and its offspring the cha-cha-chá. ~ Ned Sublette,
31:Guys like this Henry always pushed even the most unfunny joke two steps too far...then looked wounded and misunderstood when someone yelled at them. And it was always Wassa matter? and it was Can'tcha take a joke? and it was Why don'cha lighten up a little? ~ Stephen King,
32:Con người tiếp tục trốn chạy nổi lo âu, sợ hãi bằng hình thức giải trí, đơn giản bởi nó thống soái tới mức có thể thay thế luôn cả Thượng đế. Vậy thì làm sao để chạy trốn giải trí đây? Câu trả lời là: đương đầu với nổi sợ hãi. ~ Fr d ric Beigbeder,
33:Pyotr said that all children were God’s children, even those whose minds had been overwritten by alien memes.
“What about the Jackaroo and the !Cha?” Tony said.
“Those also.”
“And the Elder Cultures?”
“Of course. The universe and everything in it is Her Kingdom. ~ Paul McAuley,
34:Bầu trời xanh, bàn tay có năm ngón, ta có cha, có mẹ, ta chào hỏi một người lạ gặp trên đường... Tất cả giống như ta đang uống một dòng nước mát. Ta không thể sống tiếp được nếu hàng ngày không uống dòng nước đó... nếu có tất cả những thứ đó mà không uống, ta sẽ chết vì khát. ~ Banana Yoshimoto,
35:Ghazal 12
rasm-e-ulfat sikha gaya koi
dil ki duniya pe cha gaya koi
ta qayamat kisi tarah na bujhe
ag aisi laga gaya koi
dil ki duniya ujar si kyun hai
kya yahan se chala gaya koi
vaqt-e-rukhsat gale laga kar 'Dag'
hansate hansate rula gaya koi
~ Daagh Dehlvi,
36:I decided that ten positions would be sufficient initially. More could be learned if the initial encounter was successful. It did not take long—less time than learning the cha-cha. In terms of reward for effort, it seemed strongly preferable to dancing and I was greatly looking forward to it. ~ Graeme Simsion,
37:If words are to be uttered, they would be from behind the partition. Unaccountable is distance, time to transport from this present minute.

If words are to be sounded, impress through the partition in ever slight measure to the other side the other signature the other hearing the other speech the other grasp. ~ Theresa Hak Kyung Cha,
38:Min had innumerable questions, and Chung-Cha tried to answer them all as best she could. “Is the Supreme Leader really three meters tall?” “I have never met him, so I do not know.” “They say he is the strongest person on earth and his mind is full of all the knowledge in the world.” “They said the same to me about his father. ~ David Baldacci,
39:Các cặp vợ chồng trẻ đang loạn lên vì hàng tỷ thứ quấy rầy đầu óc cứ ngỡ rằng họ lấy nhau vì tình yêu hoặc vị hạnh phúc gia đình, trong khi trên thực tế, họ cưới nhau là để chúng ta bán được cho họ nhiều xoong chảo, bát đĩa, khăn tắm, bình pha cà phê, đi văng, lò vi sóng ... hơn. ~ Fr d ric Beigbeder,
40:This first period includes the Rise of Venice, her noblest achievements, and the circumstances which determined her cha* Hist- def Rep. Ital., vol. i. ch. v. f Appendix 3.: "Serra r Del t "Ha Maputo trove mo do Che non uni, non pooch, non molt i, ma molt i bubonic, pooch migliori, e insiememente, ultimo solo."— Ah, well done, Venice! Wisdom ~ John Ruskin,
41:Người sinh ra ở đời có học mà không khôn mới làm hết được bổn phận làm người. Làm quan chẳng qua là một việc trong sự làm người đó mà thôi. Thế mà người mình có cái tính di truyền “đi học cốt để làm quan", cha truyền con nối, trước bày nay làm, dầu cho ngày nay phép học phép thi đổi ra cách mới, mà người đi học vẫn ôm cái hy vọng làm quan chủ chốt. ~ Anonymous,
42:Why resurrect it all now. From the Past. History, the old wound. The past emotions all over again. To confess to relive the same folly. To name it now so as not to repeat history in oblivion. To extract each fragment by each fragment from the word from the image another word another image the reply that will not repeat history in oblivion. ~ Theresa Hak Kyung Cha,
43:Archer’s eyes narrowed. “I can’t believe you two..”
The whole time he was talking, I was singing “Don’t Cha” in my head, desperately trying not to think about the marriage, but one of us must’ve failed, because Archer’s mouth snapped shut, and he looked floored. Like someone just explained to him that you can have an endless salad bowl at Olive Garden. ~ Jennifer L Armentrout,
44:The report helpfully provided that Quakers are a religious group that pride themselves on their nonviolent beliefs. That was a stupid principle on which to found a religion, Chung-Cha thought. One could not rule out violence, because violence was often necessary. And since other religions routinely employed violence, those that did not were in constant danger of being rendered extinct. ~ David Baldacci,
45:Aged teas are prized for the increased energy (cha-qi) that they possess, and for their ability to connect with and increase the level of internal bodily energy (qi) in those sipping these teas. This marriage of cha-qi and qi generates strong feelings of contentment and peacefulness within the tea drinker and is an anticipated and esteemed trait that is especially powerful and prevalent in aged teas. ~ Mary Lou Heiss,
46:What’ cha doing out here all alone? Did you forget how to find Sanctuary? (Simi) No. I want to be alone for a bit. (Gallagher) Why? Were the bears mean to you? Mama can get a bit cranky whenever I play with the cubs. She thinks I’m going to eat one, but bleh! They’re way too hairy. Now if she’d let me skin one, I might be interested. (Simi) Are you joking? (Gallagher) Oh no. I never joke about hairy food. (Simi) ~ Sherrilyn Kenyon,
47:What’ cha doing out here all alone? Did you forget how to find Sanctuary? (Simi)
No. I want to be alone for a bit. (Gallagher)
Why? Were the bears mean to you? Mama can get a bit cranky whenever I play with the cubs. She thinks I’m going to eat one, but bleh! They’re way too hairy. Now if she’d let me skin one, I might be interested. (Simi)
Are you joking? (Gallagher)
Oh no. I never joke about hairy food. (Simi) ~ Sherrilyn Kenyon,
48:Slavery. Did there ever exist a more annoying way to try to make a modern-day black man feel like his troubles were insignificant, that he should be satisfied with the sorry hand society dealt him? Cha-Cha thought not. The line of reasoning was faulty; it was precisely because his grandfather’s father was born a slave that he should expect more from life, and more from this country, to make up for lost time at the very least. “I’m ~ Angela Flournoy,
49:Cha-Cha favored short, earnest prayer, and he often wondered what took others so long., It had something to do with excess supplication, he suspected. He never presented a long list of specific requests to God, had always felt uncomfortable with the presumptuousness of "Ask and you shall receive." This might have been a result of pride, or his own middling ambition, but mostly Cha-Cha's prayers were a series of thank-yous and I'm sorrys. ~ Angela Flournoy,
50:They had a term, too, for that thing I did where something would bother me and I would immediately project forward to an unpleasant future (e.g., Balding → Unemployment → Flophouse). The Buddhists called this prapañca (pronounced pra-PUN-cha), which roughly translates to “proliferation,” or “the imperialistic tendency of mind.” That captured it beautifully, I thought: something happens, I worry, and that concern instantaneously colonizes my future. ~ Dan Harris,
51:I have the documents. Documents, proof, evidence, photograph, signature. One day you raise your right hand and you are American. They give you an American Pass port. The United States of America. Somewhere someone has taken my identity and replaced it with their photograph. The other one. Their signature their seals. Their own image. And you learn the executive branch the legislative branch and the third. Justice. Judicial branch. It makes the difference The rest is past. ~ Theresa Hak Kyung Cha,
52:John?” came a small voice. There, standing in the doorway from the kitchen, was Chris with his favorite snuggly toy, the one with the blue-and-gray plaid flannel leg. “What’cha doing, John?” Preacher’s face melted into a soft smile and he went to the boy. He lifted him into his arms. “Huntin’,” he said. “Just a little huntin’.” “Where’s Mom?” Preacher kissed his pink cheek. “She’ll be back pretty soon. She’s off on errands. And you’re going to stay with Mel and Brie while we’re huntin’.” * ~ Robyn Carr,
53:Khi đến một trong những khoảnh khắc mà con phải nói về bản thân mình trong cuộc sống, về việc con từng là ai, những gì con đã làm và con có nghĩa thế nào với cuộc đời, cha nguyện cầu con sẽ không quên rằng, con đã từng lấp đầy tháng ngày của một người đàn ông đang chết bằng một niềm vui chan chứa, một niềm vui cha chưa từng biết đến trong suốt những năm trước đây, một niềm vui không khiến cha khao khát thèm thuồng hơn nữa mà là thỏa mãn, bình an. Tại thời điểm này, ngay lúc này, đó là điều vĩ đại ~ Paul Kalanithi,
54:The Confidante Loquitur
That gay one who is the abode of virtue
Incessantly murmurs thy name,
On hearing a word of thee
His limbs are pervaded by a thrill,
Bending down lowly his head
Tears pour from his eyes,
If one should ask him a word
He waves (him) away with his hand,
If one should speak concerning thee
Thou wilt see there is nothing else in his mind.
There is no firmness (left) in him;
A serious matter Cha.n.dî Dâs sings.
[From 'Sacred Texts']
~ Chandidas,
55:Mọi người im lặng. Cả hai gian nhà đột nhiên im phăng phắc như chùa ngày dưng. Bởi lần đầu tiên, người ta mới dám nhìn thẳng vào nỗi sợ hãi của mình. Nỗi sợ hãi ấy vẫn chung sống với họ đời đời kiếp kiếp, như bóng với hình, nhưng không ai dám gọi tên, không ai dám duy danh định nghĩa. Người ta lảng tránh nó, người ta đậy điệm nó dưới đủ mọi duyên cớ, nào danh dự gia đình, nào tình huyết mạch thiêng liêng, nào bổn phận người làm cha làm mẹ, nhưng thực chất, nó ẩn nấp trong những xó xỉnh tối tăm nhất của tâm hồn. ~ D ng Thu H ng,
56:According to these books, if everyone follows the rules and plays their roles—if the right person leads (the man) and the right person follows (the woman), if one person makes the money (the man) and the other person keeps the home (the woman), if there is one protector (the man) and one nurturer (the woman)—then everything will work out. But what Dan and I found within just a few months of living together is that marriage isn’t about sticking to a script; it’s about making a life together. It’s not a choreographed cha-cha, it’s an intimate slow dance. ~ Rachel Held Evans,
57:The Last and Most Important Lesson about This A lot of activity has to do with attempting perfection or attempting mistake-proof, criticism-proof, ass-fully-covered, fail-safe implementation. Some of this may be your fault. If you manage in a way that makes people fearful of making than in a way that is focused on profitable you are to blame. If you prize perfection and are thin-skinned about criticism, you are your business's worst enemy. I tell people that success gets CHA P T ER 35 ACTIVITY MA SQUERADING AS ACCOMP L I SHMENT R u t h l e ss M a n a g e m e nt of P e o p ~ Anonymous,
58:Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentlema. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschole with the ear trumpet loves old Mrs VErschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody. ~ James Joyce,
59:believing, Jody Hotchkiss (Onward!), David Grossman, Helen Heller, and the tireless Chandler Crawford. I am grateful and indebted to every single person at Riverhead Books. In particular, I want to thank Susan Petersen Kennedy and Geoffrey Kloske for their faith in this story. My heartfelt thanks also go to Marilyn Ducksworth, Mih-Ho Cha, Catharine Lynch, Craig D. Burke, Leslie Schwartz, Honi Werner, and Wendy Pearl. Special thanks to my sharp-eyed copy editor, Tony Davis, who misses nothing, and, lastly, to my talented editor, Sarah McGrath, for her patience, foresight, and guidance. Finally, thank you, Roya. ~ Khaled Hosseini,
60:I stared at the pictogram of a burger nestled between similar representations of shakes, sodas, and fries, on the front of my register. I wondered why humankind seemed so dead set on destroying all of its accomplishments. We draw on cave walls, spend thousands of years developing complex language systems, the printing press, computers, and what do we do with it? Create a cash register with the picture of a burger on it, just in case the cashier didn't finish the second grade. One step forward, two steps back-- like an evolutionary cha-cha. Working here just proved that the only thing separating me from a monkey was pants. ~ Lish McBride,
61:Mason prefers to switch over to Tea, when it is Dixon’s turn to begin shaking his head. “Can’t understand how anyone abides that stuff.” “How so?” Mason unable not to react. “Well, it’s disgusting, isn’t it? Half-rotted Leaves, scalded with boiling Water and then left to lie, and soak, and bloat?” “Disgusting? this is Tea, Friend, Cha,— what all tasteful London drinks,— that,” pollicating the Coffee-Pot, “is what’s disgusting.” “Au contraire,” Dixon replies, “Coffee is an art, where precision is all,— Water-Temperature, mean particle diameter, ratio of Coffee to Water or as we say, CTW, and dozens more Variables I’d mention, were they not so clearly out of thy technical Grasp,— ~ Thomas Pynchon,
62:I’m trying to decide
Which way to go
I think I made a wrong turn back there somewhere

Didn’t cha know, didn’t cha know
Tried to move but I lost my way
Didn’t cha know, didn’t cha know
Stopped to watch my emotions sway
Didn’t cha know, didn’t cha know
Knew the toll, but I would not pay
Didn’t cha know, didn’t cha know
Cause you never know where the cards may lay

Time to save the world
Where in the world is all the time
So many things I still don’t know
So many times I’ve changed my mind
Guess I was born to make mistakes
But I ain’t scared to take the weight
So when I stumble off the path
I know my heart will guide me back ~ Erykah Badu,
63:I fear the democratization of plastic surgery, when it's so cheap that everyone - the butcher, the baker, and the candlestick maker - goes under the knife and winds up looking like these tightly pulled, slightly surprised-looking society and celebrity aliens from Planet Botox. . . . When I was young, I could have bottled up my self-loathing and filled a mile of train cars with it. Now that I'm old, I can't think of anyone I'd rather be than me. . . . That's what we need now: surgeons who can slice away the self-consciousness, the fear, the loneliness, and inject a little hope instead. A little love. Or a doctor who implants only high spirits, penchants for practical jokes, or the ability to cha-cha even to a dirge beat. ~ Lorna Landvik,
64:In defending HUD before the Supreme Court, President Gerald Ford's solicitor general, Robert Bork, expressed the government's opposition to placing public housing in white areas: "There will be an enormous practical impact on innocent communities who have to bear the burden of the housing, who will have to house a plaintiff class from Chicago, which they wronged in no way." Thus, the federal government described nondiscriminatory housing policy as punishment visited on the innocent.

   The Supreme Court rejected Bork's objection, upholding lower court orders that HUD must henceforth construct apartments in predominately white areas of Chicago and its suburbs. The CHA-HUD response was to cease building public housing altogether.

~ Richard Rothstein,
65:9. Những gì diễn ra sau đó là những năm hạnh phúc nhất trong đời họ

Họ sống trong một căn nhà tràn ngập ánh nắng có hoa giấy phủ trên mái ở Ramat Gan. Cha tôi trồng một cây ô liu, một cây chanh trong vườn và đào quanh mỗi cây một rãnh nhỏ để nước chảy vào. Ban đêm họ nghe âm nhạc Mỹ qua chiếc đài sóng ngắn của ông. Khi các cửa sổ mở và gió thổi đúng hướng, họ có thể thấy hương vị của biển. Cuối cùng họ làm lễ cưới trên bãi biển ở Tel Aviv, kỳ trăng mật là hai tháng du lịch ở Nam Mỹ. Khi hai người trở về, mẹ tôi bắt đầu dịch sách sang tiếng Anh - ban đầu từ tiếng Tây Ban Nha, rồi sau đó cả từ tiếng Hebrew nữa. Năm năm như thế trôi qua, thế rồi cha tôi được mời một công việc ông không thể từ chối - làm cho một công ty Mỹ trong ngành vũ trụ. ~ Nicole Krauss,
66:Cha xứ đã nói điều gì đó giống như: “Trong tất cả các ngôn ngữ trên thế gian, đều có cùng một câu ngạn ngữ: ‘Mắt không nhìn thấy thì trái tim không đau.’ À, tôi nói rằng không hề có một chút sự thật nào trong câu nói đó. Chúng càng ở xa, thì tất cả những cảm xúc mà chúng ta cố trấn áp và quên lãng lại càng gần gũi với trái tim ta hơn. Nếu chúng ta đang phải sống tha hương, chúng ta sẽ muốn tích giữ mọi ký ức dù là nhỏ bé của nguồn cội ấy. Nếu ta ở cách xa những người ta yêu thương, mỗi người lướt qua trên phố đều sẽ gợi cho ta nhớ về họ.
...
Cuối buổi lễ, tôi gặp cha xứ để cảm ơn ông: Tôi đã nói rằng tôi là một người lạ mặt giữa một miền đất xa lạ, và tôi cảm ơn cha vì đã nhắc tôi nhớ rằng có những thứ đôi mắt không nhìn thấy, nhưng trái tim vẫn đau... ~ Paulo Coelho,
67:such as “comparing mind,” and “wanting mind.” They had a term, too, for that thing I did where something would bother me and I would immediately project forward to an unpleasant future (e.g., Balding → Unemployment → Flophouse). The Buddhists called this prapañca (pronounced pra-PUN-cha), which roughly translates to “proliferation,” or “the imperialistic tendency of mind.” That captured it beautifully, I thought: something happens, I worry, and that concern instantaneously colonizes my future. My favorite Buddhist catchphrase, however, was the one they used to describe the churning of the ego: “monkey mind.” I’ve always been a sucker for animal metaphors, and I thought this one was perfect. Our minds are like furry little gibbons: always agitated, never at rest. ~ Dan Harris,
68:Tôi là Bêtô.
Tôi chưa bao giờ tự gọi tên tôi. Hôm nay là lần đầu và tôi ngạc nhiên nhận ra mình tự gọi tên mình rồi lim dim mắt lắng nghe cái âm thanh vừa thân thiết vừa bổng nhiên lạ lẫm đó ngân nga trong tai là một điều vô cùng thú vị.
Nếu không tin bạn hãy thử gọi tên bạn một lần đi, bạn sẽ thấy lòng bạn nẩy mầm một cảm xúc gì đó như là sự trìu mến, nỗi hân hoan và niềm kiêu hãnh – cùng một lúc.
Đó cũng là một trong vô vàn những điều thú vị mà cuộc sống cố tình giấu kín ở ngóc ngách nào đó trong tâm hồn của mỗi chúng ta theo cái cách các bậc cha mẹ vẫn giấu quà tặng con cái ở những nơi bất ngờ nhất trong nhà.
Khám phá những điều thú vị đó, hay tìm thấy những món quà đó, chính là làm giàu thêm ý nghĩa của cuộc sống và bổ sung thêm lý do để cuộc sống trở nên đáng sống. ~ Nguy n Nh t nh,
69:Mỗi người sinh ra đều có một cái tên.
Cái tên là dấu hiệu để phân biệt người này với người khác. Không có tên, người ta gọi là vô danh. Vô danh thì không đọng lại được trong tâm trí bất kỳ ai, không phân biệt được với ai. Nó không có hình thù. Nó chỉ là một khối nhờ nhờ.
Bạn cũng biết rồi đó, cái tên khi được cha mẹ đặt cho một cách ngẫu nhiên, nhưng chính cách sống của bạn đã không ngừng chưng cất cái tên của mình qua năm tháng, giúp cho nó tỏa hương.
Lão Hiếng chắc cũng từng có một cái tên như những người khác. Nhưng tính cách của lão đã lấn át và nhuộm đen cái tên cha mẹ đặt cho lão và bằng cách đó lão đã tẩy xóa cả lão lẫn cái tên của lão khỏi ký ức mọi người.
Chúng tôi gọi lão Hiếng như gọi một thế lực, một hiểm họa hay một bệnh dịch chứ không như gọi một con người. ~ Nguy n Nh t nh,
70:4) -- Chớ có sợ, này Mahànàma! Chớ có sợ, này Mahànàma! Không ác sẽ là cái chết của Ông! Không ác là cái chết của ông! Này Mahànàma, với ai đã lâu ngày tâm tu tập trọn vẹn về tín, tâm tu tập trọn vẹn về giới, tâm tu tập trọn vẹn về sở văn, tâm tu tập trọn vẹn về thí xả, tâm tu tập trọn vẹn về trí tuệ; với người ấy, dầu thân có sắc này, do bốn đại hợp thành, do cha mẹ sanh, do cơm cháo nuôi dưỡng, có bị vô thường phá hoại, phấn toái, đoạn tuyệt, hoại diệt; dầu cho thân này ở đây bị quạ ăn, chim kên ăn, chim ưng ăn, chó ăn, hay giả-can ăn, hay các loại chúng sanh sai khác ăn; nhưng nếu tâm của vị ấy được lâu ngày tu tập trọn vẹn về tín, tu tập trọn vẹn về giới, tu tập trọn vẹn về sở văn, tu tập trọn vẹn về thí xả, tu tập trọn vẹn về trí tuệ, thời tâm của vị ấy thượng thặng, đi đến thù thắng. ~ Anonymous,
71:The Confidante Loquitur (Modern Translation)
Ah lady! ah lady! hear a word,
At length having seen (him) I have come again;
Looking, looking, (my) pain increased,
Whatever was done profited not.
He binds not his hair, he girds not his waist,
He eats not food, he drinks not water.
The colour of gold Šyâm has become,
Constantly remembering thy name.
He does not recognize any one, his eye does not wink,
He remains with fixed look like a doll of wood.
I placed a piece of wool to his nose,
Then only I perceived that he breathed,
There is breath, but there remains no life,
Delay not, my happiness depends on it!
Cha.n.dî Dâs saith (it is) the anguish of separation
In his heart, the only medicine is Radha.
[From 'Sacred Texts']
~ Chandidas,
72:Không có đứa trẻ nào phải lớn lên mà không có một người cha trong gia đình, và một phần thiên tính trong bản năng người mẹ của bạn là muốn con cái mình được sống trong một gia đình nguyên vẹn nếu đây là sự lựa chọn sau cùng. Điều này thật đáng giá. Nhưng có đáng chăng khi đứa con của bạn thấy mẹ nó lúc nào cũng sống trong khổ sở? Ai sẽ được lợi nếu bạn tất bật với công việc nấu nướng, dọn dẹp, nuôi dạy con, và chỉ nhận lại những đau khổ và thất vọng, chứ không phải những gì bạn muốn và cần? Liệu có tốt cho tất cả nếu con bạn không biết đến yêu thương và lòng kính trọng là gì? Tôi thậm chí còn nghe phụ nữ nói rằng vì lợi ích của con cái, họ đơn giản sẽ chỉ chịu đựng cuộc sống chung được thu xếp ấy cho đến khi bọn trẻ tốt nghiệp, sau đó thì họ sẽ ra đi. Hạnh phúc mà phải chờ đợi như thế thì lâu quá. ~ Steve Harvey,
73:Have a cup of tea,' said the bosun in a very loud voice; and then louder still, 'Tea. Cha.'
The odabashi made no reply but an awkward writhe of his body and stood looking at the ground, his arms dangling low on either side.
'Well, this is a hairy bugger, and no mistake,' said the bosun, surveying him. 'Such a ugly cove I never seen: more like a hape than what you might call a human.'
'Hape!' cried the odabashi, stung out of his shyness, 'You can put that where the monkey put the nuts. You're no oil-painting yourself, neither.'
The dead silence that followed this was broken at last by the bosun, who asked 'did the odabashi speak English?'
'Not a fucking word,' said the odabashi.
'No offence intended, mate,' said the bosun, holding out his hand.
'And none taken,' said the odabashi, shaking it. ~ Patrick O Brian,
74:Mẹ tôi đã duy trì tình yêu với cha nguyên vẹn như mùa hè họ gặp nhau lần đầu. Để làm được điều này, mẹ quay lưng lại với cuộc sống. Thi thoảng mẹ cố gắng sống vài ngày chỉ bằng nước và không khí. Mẹ là sinh vật phức tạp duy nhất làm việc này, nên có một loài mới đặt tên theo mẹ mới đúng. Một lần cậu Julian giải thích cho tôi điều mà nhà điêu khắc, hoạ sĩ Alberto Giacometti nói, rằng đôi khi chỉ để vẽ một cái đầu, ta phải bỏ đi toàn bộ cơ thể. Để vẽ một chiếc lá, ta phải hy sinh cả khung cảnh. Ban đầu có vẻ giống như ta đang tự giới hạn mình, song sau một thời gian ta nhận thấy rằng sở hữu một phần nhỏ nhoi của thứ gì đó giúp ta có cơ hội nắm giữ một cảm xúc cụ thể của vũ trụ hơn khi ta vờ như đang có cả bầu trời.

Mẹ tôi đã không chọn một chiếc lá hay cái đầu. Mẹ đã chọn cha, và để nắm giữ một cảm xúc cụ thể, bà đã hy sinh cả thế giới. ~ Nicole Krauss,
75:I met Ana doing free weights,” Roger said. “This hard-body señorita was putting me to shame on squats, and I asked her how she got such a tight ass —”

“And then she decked you.”

“Nah, she loved it! She’s real proud of that butt — she should be. She took me to one of her classes, and I got hooked. She’s a Zumba instructor.”

Grant absorbed that information for a moment. “You do...Zumba?”

“It’s great! Much more fun than PT. You just get going...” He did a little two-step maneuver on the city street, dancing to an unknown Latin beat. “Cha cha cha. Heeuh? Ana does this a little better than me...”

Grant tried to hold it in. He really did. But his body quivered, his shoulders shook, and soon a whooping laugh erupted — which lasted quite a few seconds.

Roger abruptly stopped his dance. “You judge, Madsen. Not cool. ~ Jennifer Lane,
76:Father Forgive Us For Livin’
Why All My Homies Stuck In Prison?
Barely Breathin’ Believin That The World Is A Prison,
It’s Like A Ghetto We Could Neva Leave…

A Broken Rose, Trying to Bloom Through The Cracks Of The Concrete,
So Many Otha Things For Us To See, Things To Be,
Our History so Full Of Tragedy And Misery,

To All My Homies Neva Made It Home,
The Dead Peers I Shed Tatooed Tears For
When I’m Alone,

Picture Us Inside A Ghetto Heaven, A Place To Rest,
Findin’ Peace Through This Land Of Stress,

In My Chest I Feel Pain, Come In Sudden Storms,
Life Full Of Rain In This Game Watch For landstorms,

Our Unborn,
Neva Gotta Grow
Neva Gotta See What’s Next,
In This World Full Of Countless Threats,

I Beg God To Make A Way
For Our Ghetto Kids To Breathe
Show A Sign
Make Us All Believe,
Coz I Ain’t Mad At Cha ~ Tupac Shakur,
77:Ta thử xem gia đình của ta bây giờ thì cha mẹ coi con như của, nói rằng của mình đã sinh ra, mình muốn thế nào thì phải thế. Đại khái cha mẹ không muốn lo việc đời, thì cũng không muốn cho con đi xa, cha mẹ muốn lòn cúi các cửa ông lớn này, ông lớn nọ để con làm các sở cho vẻ vang thì cũng bắt con như thế, thật không còn gì là cho con một chút tự do. Ấy là tôi nói mấy nhà giàu, còn như các nhà nghèo thì dạy con thì tát, thì chửi, thì đánh thì nói rằng thương con cho roi cho vọt, mà không biết rằng làm như thế là nuôi cho con một cái tính phục tùng nô lệ. Khi còn ở trong gia đình thì thở cái không khí chuyên chế của gia đình, khi đến trường học thì thở cái không khí trong trường học (tính người mình hay thích giao con cho một ông thầy dữ đòn) thì làm sao khi bước chân ra ngoài xã hội khỏi quen tính nô lệ, chịu lòn cúi người. Cái tính nô lệ của người mình ngày nay chính là mang từ lúc trong gia đình chuyên chế mà ra vậy. ~ Anonymous,
78:In addi t ion, the pr a c - t i t ione r should compl e t e the pr e l imina ry pr a c t i c e s and achieve a thorough grounding in the founda t iona l pa ths of the sut r a s , whi ch includes the deve lopment of the a l t rui s t i c int ent ion to a t t a in enl ight enment (bodhicitta), the deve lopment of c a lm abiding- the s t abi l i s a t ion of a t t ent ion on an int e rna l obj e c t of medi t a t ion- and the deve lopment of pene t r a t ive ins ight - an ana lyt i c a l medi t a t ive s t a t e tha t dissects the na tur e of its obj e c t , its r e l a t ionships , cha r a c - teristics and func t ion. The deve lopment of c a lm abiding and pene t r a t ive ins ight a r c the me ans by whi ch the pr a c t i t ione r c an cul t iva t e his or he r unde r s t anding of empt ine s s , whi ch is an appr e c i a t ion of the tot a l abs enc e of inhe r ent exi s t enc e and selfident i ty wi th r e spe c t to all phenomena ~ Anonymous,
79:Có một câu chuyện cổ Tây Tạng mà tôi rất thích, gọi là "Cha của Nổi-TiếngNhư-Mặt-Trăng": Một người nghèo kiết xác sau khi làm lụng khá vất vả đã tích trữ được một bao lúa đầy. Anh ta lấy làm hãnh diện, treo bao lúa trên xà nhà để đề phòng chuột và kẻ trộm, rồi để chắc ăn hơn nữa, anh nằm ngay phía dưới. Khi nằm đấy anh bắt đầu suy nghĩ lan man: - Nếu đem bán lẻ số lúa này, mình sẽ lời to, lấy tiền ấy mua thêm và lại bán, cứ mua đi bán lại như thế chẳng bao lâu ta sẽ giàu, sẽ thành một người quan trọng trong làng xóm. Con gái theo nườm nượp. Ta sẽ cưới một cô thật đẹp, và chẳng bao lâu ta sẽ có một đứa con... Có lẽ là một thằng con trai. Ta sẽ đặt tên nó là gì nhỉ? Nhìn quanh nhà, tia mắt anh gặp phải khung cửa sổ qua đó anh thấy ánh trăng đang lên. Anh nghĩ: - Thật là điềm tốt! Ta đã tìm được một cái tên hay. Ta sẽ gọi thằng con đó là Nổi-Tiếng-Như-Mặt-Trăng... Trong khi anh ta đang nghĩ vơ vẩn thì một con chuột đã trèo lên bao gạo, gặm đứt sợi dây. Vừa khi anh thốt mấy tiếng đặt tên đứa con, thì bao gạo trên xà nhà rớt trúng làm anh chết tức khắc. Dĩ nhiên là đứa con ấy không bao giờ được sinh ra. ~ Anonymous,
80:Thưa quí bà quí ông trong đoàn bồi thẩm, những tội phạm tình dục, thèm khát quan hệ thể xác với một bé gái theo cách nào đó, rạo rực đến độ sướng rên lên, nhưng không nhất thiết là giao hợp, đa phần là những kẻ vô tích sự, bất tức, thụ động, rụt rè, những kẻ cha căng chú kiết chì cầu xin cộng đồng cho họ được phép theo đuổi cách hành xử gọi là dị thường nhưng hầu như vô hại của họ, được phép kín đáo duy trì tí chút hành vi tình dục trái thói, vừa nóng bỏng vừa ướt át của họ, mà không bị cảnh sát và xã hội trấn áp. Chúng tôi không phải là những tên quỷ dâm dục! Chúng tôi không hiếp đám như đám binh sĩ hảo hớn. Chúng tôi là những người ngoài hoa phong nhã bất hạnh, hiều hòa với đôi mắt cho tiu nghỉu, đã hội nhập đủ mức với cộng đồng để biết kiềm chế xung động của mình trước mặt những người lớn tuổi, những sẵn sàng đổi nhiều, nhiều năm sống lấy một cơ hội chung đụng với một tiểu nữ thần. Xin nhất mjanh rằng chúng tôi tuyệt đối không pahr là những kẻ giết người. Thi sĩ không giết người bao giờ. Ôi, Charlotte tội nghiệp của tôi, đừng có căm ghét tôi, từ bầu trời vĩnh cửu của mình, giữa một thuật giả kim vĩnh cửu của nhựa đường và cao su và kim loại và đá - nhưng đội ơn Chúa, không có nước, không có nước! ~ Vladimir Nabokov,
81:What’s going on?”
He looked up at me, a scowl marring his cherubic features. “Bloody handcuffs—made of steel, which has too much iron, which means I can’t go anywhere.”
“Well, yes, clearly, but what’s going on?”
“Search me. Oh wait, they already did. You know, I take back everything I said about you being my only friend. I don’t like you at all. No amount of fun makes up for all the pain and annoyance you introduce into my life.”
“Right back at ’cha,” I muttered, walking past him. I wished I had Tasey, but then again, being armed right now was probably a bad idea. I wondered why no one was watching Jack, but that was quickly answered when I walked past the corner of the unattached garage and had a view of the wraparound porch. Arianna stood there, continuing her verbal abuse, surrounded by a dozen uniformed men.
I shouldn’t have found the sight amusing, but she had all of them fighting with one another. Clearly her vampire powers of compelling people were in full force, but since she could only push someone in a direction they were inclined to go anyway, the only police she could affect were those that felt some sympathy for her. Those ones were passionately arguing with the others to leave Arianna the creatively-cuss-laden-adjectives alone. ~ Kiersten White,
82:Mason prefers to switch over to Tea, when it is Dixon’s turn to begin shaking his head. “Can’t understand how anyone abides that stuff.” “How so?” Mason unable not to react. “Well, it’s disgusting, isn’t it? Half-rotted Leaves, scalded with boiling Water and then left to lie, and soak, and bloat?” “Disgusting? this is Tea, Friend, Cha,— what all tasteful London drinks,— that,” pollicating the Coffee-Pot, “is what’s disgusting.” “Au contraire,” Dixon replies, “Coffee is an art, where precision is all,— Water-Temperature, mean particle diameter, ratio of Coffee to Water or as we say, CTW, and dozens more Variables I’d mention, were they not so clearly out of thy technical Grasp,— ” “How is it,” Mason pretending amiable curiosity, “that of each Pot of Coffee, only the first Cup is ever worth drinking,— and that, by the time I get to it, someone else has already drunk it?” Dixon shrugs. “You must improve your Speed . . . ? As to the other, why aye, only the first Cup’s any good, owing to Coffee’s Sacramental nature, the Sacrament being Penance, entirely absent from thy sunlit World of Tay,— whereby the remainder of the Pot, often dozens of cups deep, represents the Price for enjoying that first perfect Cup.” “Folly,” gapes Mason. “Why, ev’ry cup of Tea is perfect . . . ?” “For what? curing hides? ~ Thomas Pynchon,
83:Trạng thái cô độc thật lạ lùng, và nó cũng gây kinh hãi làm sao! Chúng ta không bao giờ dám cho phép mình tiến sát gần nó; và nếu qua sự tình cờ nào đó chúng ta gần gũi nó, vội vàng chúng ta trốn chạy thật nhanh. Chúng ta sẽ làm bất kỳ thứ gì để tẩu thoát khỏi sự cô độc, để che đậy nó. Dường như sự quan tâm của cả tầng ý thức bên ngoài lẫn bên trong là lẩn tránh nó hay khuất phục nó. Lẩn tránh hay khuất phục sự cô độc đều vô ích; mặc dù bị đè nén hay bị bỏ quên, sự đau khổ, cái vấn đề, vẫn còn đó. Bạn có lẽ bị cuốn hút trong một đám đông, nhưng vẫn còn hoàn toàn cô độc; bạn có lẽ hoạt động thật nhiều, nhưng lặng lẽ sự cô độc len lẻn lan vào bạn; đặt quyển sách xuống, và nó ở đó. Vui chơi và nhậu nhẹt không thể dìm chết sự cô độc; có lẽ nhất thời bạn tạm quên nó, nhưng khi tiếng cười đùa và những ảnh hưởng của rượu qua đi, sự sợ hãi của cô độc quay trở lại, bạn có lẽ đầy tham vọng và thành công, bạn có lẽ có thật nhiều quyền hành với những người khác, bạn có lẽ dư thừa hiểu biết, bạn có lẽ tôn sùng và quên lãng mình trong những nghi lễ không đầu không đuôi; nhưng dù bạn muốn làm bất kỳ việc gì, sự đau khổ của cô độc vẫn còn tiếp tục. Bạn có lẽ tồn tại chỉ vì người con trai, vì người Thầy, vì sự biểu lộ tài năng của bạn; nhưng giống như màn đêm, cô độc phủ kín bạn. Bạn có lẽ thương yêu hay hận thù, tẩu thoát nó tùy theo những đòi hỏi thuộc tâm lý và tính khí; nhưng cô độc ở đó, đang chờ đợi và đang quan sát, đang thối lui chỉ để tiến tới lại. ~ Jiddu Krishnamurti,
84:vào nhà bạt của dân du mục lúc ngồi không được để lưng hướng vào Phật đàn vì sau gáy có hơi thối của người xông ra; không được duỗi chân hất xì hơi và nói tục ở Phật đàn vì Phật ưu thể diện và thích sạch sẽ. Không đi qua bên trái của gò đá khắc kinh Ma-ni, vì đó là đường đi của thần Đất và thần Thanh Khoa. Không được bắt cá và ăn cá, vì khi người chết thuỷ táng, chính những con cá là sứ giả dẫn dắt linh hồn người chết, vị trí của nó chỉ thua con chim ưng đầu trọc khi người chết thiên táng. Không được ăn thức ăn xào bằng dầu mỡ vì sẽ làm hoen ố thức ăn do thần ban cho. Không được ăn thịt súc vật vừa mới giết mổ vì linh hồn của chúng chưa lên trời. Không được bắt chim, đánh rắn, hành hạ súc vật, vì kiếp trước chúng là người thân của mình. Không được phép vỗ vào vai người đàn ông vì trên vai họ có thần chiến hoặc thần thù địch. Không được phơi phóng quần áo trên nhà bạt vì Không Hành Mẫu Thần đem lại cát tường đang ở trên đó. Không vào nhà bếp khi lò đang toả khói cháy những cục phân ẩm ướt, đấy là dấu hiệu trong nhà có người ốm. Không được bước qua bếp lửa vì đấy là hành động đắc tội với thần bếp. Không được phép đại tiểu tiện trong chuồng gia súc vì con quỷ vác cái túi đựng đầy dịch bệnh sẽ mượn những thứ ô uế bẩn thỉu để phát tán hơi độc. Không được giúp dân du mục làm chè bơ vì thần chè bơ không thích người lạ. Không được đánh chó của dân cũng như những con chó hoang, vì chó là hình bóng của con người. Thậm chỉ ở trong nhà bạt cũng không được trung tiện, vì Bảo chướng hộ pháp nghe thấy mùi ô uế sẽ rời khỏi nhà. ~ Anonymous,
85:vào nhà bạt của dân du mục lúc ngồi không được để lưng hướng vào Phật đàn vì sau gáy có hơi thối của người xông ra; không được duỗi chân hất xì hơi và nói tục ở Phật đàn vì Phật ưu thể diện và thích sạch sẽ. Không đi qua bên trái của gò đá khắc kinh Ma-ni, vì đó là đường đi của thần Đất và thần Thanh Khoa. Không được bắt cá và ăn cá, vì khi người chết thuỷ táng, chính những con cá là sứ giả dẫn dắt linh hồn người chết, vị trí của nó chỉ thua con chim ưng đầu trọc khi người chết thiên táng. Không được ăn thức ăn xào bằng dầu mỡ vì sẽ làm hoen ố thức ăn do thần ban cho. Không được ăn thịt súc vật vừa mới giết mổ vì linh hồn của chúng chưa lên trời. Không được bắt chim, đánh rắn, hành hạ súc vật, vì kiếp trước chúng là người thân của mình. Không được phép vỗ vào vai người đàn ông vì trên vai họ có thần chiến hoặc thần thù địch. Không được phơi phóng quần áo trên nhà bạt vì Không Hành Mẫu Thần đem lại cát tường đang ở trên đó. Không vào nhà bếp khi lò đang toả khói cháy những cục phân ẩm ướt, đấy là dấu hiệu trong nhà có người ốm. Không được bước qua bếp lửa vì đấy là hành động đắc tội với thần bếp. Không được phép đại tiểu tiện trong chuồng gia súc vì con quỷ vác cái túi đựng đầy dịch bệnh sẽ mượn những thứ ô uế bẩn thỉu để phát tán hơi độc. Không được giúp dân du mục làm che�� bơ vì thần chè bơ không thích người lạ. Không được đánh chó của dân cũng như những con chó hoang, vì chó là hình bóng của con người. Thậm chỉ ở trong nhà bạt cũng không được trung tiện, vì Bảo chướng hộ pháp nghe thấy mùi ô uế sẽ rời khỏi nhà. ~ Anonymous,
86:Nếu biết được tình yêu của Đức Giêsu dành cho chúng ta lớn lao nhường nào, chúng ta sẽ không bao giờ sợ hãi để đến với Ngài trong cơn túng quẫn, yếu đuối hoặc trong sự thảm hại và nhu nhược thiêng liêng của mình. Thật vậy, hiểu được bản chất đích thực tình yêu Đức Kitô dành cho chúng ta, chúng ta sẽ thích đến với Ngài, Đấng nghèo hèn và bơ vơ hơn cả chúng ta. Chúng ta sẽ không bao giờ cảm thấy xấu hổ về sự khốn cùng của mình. Sự khốn cùng trở nên ích lợi khi chúng ta không còn gì để tìm kiếm ngoại trừ lòng nhân hậu. Chúng ta có thể vui mừng về sự bơ vơ của mình khi thực sự tin rằng, quyền năng của Đức Kitô được hoàn thiện trong sự yếu đuối đó.

Dấu hiệu chắc chắn nhất cho thấy mỗi người có được một sự hiểu biết thiêng liêng về tình yêu Thiên Chúa dành cho mình chính là họ cảm kích cảnh túng quẫn của bản thân trong ánh sáng của lòng thương xót vô hạn của Ngài.

Chúng ta phải yêu chính sự nghèo khó riêng lòng mình có như Đức Giêsu yêu nó. Với Ngài, nó quá giá trị đến nỗi Ngài đã chết trên thánh giá để biểu tỏ sự khốn cùng của chúng ta cho Cha Ngài và ban sự giàu có của lòng nhân từ vô hạn của chính Ngài cho chúng ta.

Chúng ta cũng phải yêu sự khốn cùng của người khác như Đức Giêsu yêu nó. Phải thấy họ bằng đôi mắt đầy lòng thương xót của Ngài. Thế nhưng, sẽ không thể động lòng thương xót thật sự trước người khác nếu chúng ta không sẵn lòng chấp nhận những điều đáng tiếc và đón nhận sự tha thứ tội lỗi của chính mình.

Chúng ta sẽ thật sự không biết làm thế nào để có thể tha thứ cho đến khi biết được thứ tha là gì. Vì thế, hãy vui mừng khi chúng ta có thể được tha thứ bởi anh em. Chính sự tha thứ cho nhau làm cho tình yêu của Đức Giêsu dành cho chúng ta được thể hiện trong đời sống mình, vì khi tha thứ cho nhau, chúng ta đối xử với nhau như Ngài đối xử với chúng ta. ~ Thomas Merton,
87:- Tai jūs – Rikas? Vadinasi, jūs – Rikas!
- o kas čia juokinga, vaikeliuk? Senis irgi nori pasijuokti!
- Jūs nesuprasite, aš čia šį tą prisiminiau. Cha cha! – Ašaros sruvo Etiliui per skruostus tiesiai į burną. Jis vis mušė kumščiu į stalą ir kartojo: - Vadinasi, jūs – Rikas! Kas būtų galėjęs pamanyti, kad taip juokingai! Nei pūpsančių raumenų, nei valingo smakro, nei šautuvo. Tik pilnas pinigų kapšas, smaragdinis žiedas ir atsikišęs pilvas!
- Ei, galvok, ką šneki! Aš gal ir ne Apolonoas, bet...
- Duokite ranką, Rikai. Seniai norėjau su jumis susipažinti. Tai jūs užkariausite Marsą su kokteilių plaktuvais, supinatoriais, pokerio kauliukais, jodinėtojų šmaikštais, auliniais batais, languotomis kepi ir romu.
- Aš viso labo tik kuklus biznesmenas, - droviai nuleidęs akutes pasakė Van Plankas. – Dirbu savo darbą ir gaunu už tai kuklų užmokestį. Bet, kaip sakiau, Mortai, aš jau seniai galvoju, kad reikia aprūpinti Marsą dėdulės Vigilio žaislais ir Diko treisio komiksais – ten tie dalykai bus naujovė. Šitokia didelė prekybos rinka,- juk pas jus niekas nėra girdėjęs apie politines karikatūras, ar ne? Na, matai! Trumpai drūtai - mes apibersime Marsą visokiomis gėrybėmis. Jie mūsų prekes grobstyte išgrobstys, vaikeliuk! Kas nenorės kvepalų, paryžietiškų suknelių, madingų kombinezonų, sakyk? O aukščiausios klasės avalynė?..
- Mes vaikštome basi.
- Ką aš girdžiu? – kreipėsi į lubas R.R. – Klajojančių žemdirbių planeta? Klausyk, Džo, mes tuo pasirūpinsim. Sugėdinsim visus, ir jie apsiaus. O tada parduosime jiems batų tepalo.
- O!
Jis pliaukštelėjo Etiliui per ranką.
- Tai kaip, tinka? Nori būti techninis mano filmo direktorius? Pradžiai gausi po du šimtus per savaitę, o į galą turėsi iki penkių šimtų. Ką pasakysi?
- Mane pykina, - pasakė Etilis. Jis buvo išgėręs visą „Manheteną“ ir dabar jau pradėjo mėlti.
- Persiprašau. nemaniau, kad tave šitaip susuks. ~ Ray Bradbury,
88:Đừng làm quen với nó, bởi vì nó rất dễ trở thành thói quen; nó là một chất gây nghiện mạnh. Nó có trong cuộc sống hàng ngày của chúng ta, trong sự đau khổ mà chúng ta cố che giấu, trong những hi sinh mà chúng ta làm, đổ lỗi cho tình yêu vì sự tan vỡ của những giấc mơ. Đau đớn thật khủng khiếp khi nó phô bày bộ mặt thật sự của nó, nhưng nó cám dỗ, lôi cuốn khi nó được trá hình như là một sự hi sinh hay một sự tự phủ nhận. Hay tính hèn nhát. Thế nhưng càng chối bỏ, chúng ta lại càng tìm được cách tồn tại với nó, với sự ve vãn của nó và biến nó thành một phần trong cuộc sống của chúng ta.”

“Em không tin điều đó. Không một ai muốn đau khổ cả.”

“Nếu em nghĩ em có thể sống mà không đau khổ, đó sẽ là một bước tiến lớn, nhưng đừng tưởng tượng rằng những người khác sẽ hiểu em. Đúng, sự thật là không ai muốn đau khổ, ngay cả những người vẫn tìm kiếm đau đớn và sự hi sinh kia, nhưng rồi họ cảm thấy sự hợp lý, rõ ràng ở đó, và họ đang được nhận sự tôn trọng của con cái, những người chồng, hàng xóm láng giềng, và cả Chúa Trời. Bây giờ chúng ta đừng nghĩ về điều đó nữa; tất cả những gì em cần biết là cách điều khiển cho thế giới này quay tròn, không phải là hành trình kiếm tìm khoái cảm, mà là sự hi sinh quên mình vì tất cả, đó mới là điều quan trọng.

Có phải một người lính tham gia các cuộc chiến tranh là để giết quân thù hay không? Không, anh ta ra đi để hi sinh vì Tổ Quốc. Có phải một người vợ muốn chồng thấy mình đang hạnh phúc như thế nào không? Không, cô ấy muốn chồng thấy cô ấy chân tình như thế nào, cô ấy chịu đựng như thế nào để khiến anh ta hạnh phúc. Có phải một người chồng đi làm vì nghĩ rằng anh ta sẽ tìm được sự đáp ứng đầy đủ nhu cầu cá nhân ở nơi làm việc không? Không, anh ta đang đem những giọt mồ hôi và những giọt nước mắt đổi lấy sự tốt đẹp, an lành cho gia đình. Và vì vậy cuộc sống vẫn có những đứa con trai từ bỏ những giấc mơ của chúng để làm vui lòng cha mẹ, cha mẹ từ bỏ cuộc sống của họ vì con cái; đau đớn và khổ sở được dùng để bào chữa cho một thứ duy nhất đem lại niềm vui sướng: tình yêu. ~ Paulo Coelho,
89:You will eat”--unmistakable laughter played upon his face--“so you will stay strong. We cannot fight the big fight if you tremble from hunger.”
Loretta lowered her gaze. A rush of conflicting emotions assailed her. She detested this man. She shouldn’t care if he didn’t get enough to eat or feel in the least guilty for having wasted his stupid meat. Yet she did. And for the life of her, she couldn’t accept part of his meager portion only to toss it away. She hated herself for that and hated him for eliciting such traitorous feelings within her.
When she didn’t take the meat, he hunkered next to her. Why wouldn’t he leave her be? She was so tired, so awfully, horribly tired. Tired of being afraid. Tired of fighting him. Tired of fighting herself.
Hein ein mah-su-ite, what do you want?” he asked in a low voice. “The little rabbit is good. The tosi tivo, white men, eat rabbit, do they not?”
Loretta kept her face averted.
He sighed. “Blue Eyes, you will see into me, eh?” Because he was still holding the two pieces of meat, he didn’t have a free hand and nudged her shoulder with his forearm. “Nabone, look.”
For the first time, she detected a note of entreaty in his voice, scarcely recognizable under his martial arrogance, but there.
When she looked up, his eyes caught and held hers. After a long moment he said, “You are to-ho-ba-ka, the enemy. That is so, eh? Tosi mah-ocu-ah, a white woman? And I am the enemy to your people, a Te-j-as, a Comanche.” He held his arm out in front of him, his forearm waist high and horizontal, and made a writhing motion around to his side. “Snakes Who Come Back, eh?” His mouth tipped into a grin that transformed his face. For a moment he not only looked human, but handsome. “You like that, eh? Comanche and snakes, all the same?”
The grin set her off balance, and again she averted her face. He shoved a piece of the meat under her nose.
“The rabbit, he is not to-ho-ba-ka, the enemy. He is tao-yo-cha, a child of Mother Earth, eh? You can eat him. It is not surrender when we eat the gifts of Mother Earth. ~ Catherine Anderson,
90: Carajo!" Paco says, throwing down his lunch. "They think they can buy a U-shaped shell, stuff it, and call it a taco, but those cafeteria workers wouldn't know taco meat from a piece of shit. That's what this tastes like, Alex."
"You're makin' me sick, man," I tell him.
I stare uncomfortably at the food I brought from home. Thanks to Paco everything looks like mierda now. Disgusted, I shove what's left of my lunch into my brown paper bag.
"Want some of it?" Paco says with a grin as he holds out the shitty taco to me.
"Bring that one inch closer to me and you'll be sorry," I threaten.
"I'm shakin' in my pants."
Paco wiggles the offending taco, goading me. He should seriously know better.
"If any of that gets on me--"
"What'cha gonna do, kick my ass?" Paco sings sarcastically, still shaking the taco. Maybe I should punch him in the face, knocking him out so I won't have to deal with him right now.
As I have that thought, I feel something drop on my pants. I look down even though I know what I'll see. Yes, a big blob of wet, gloppy stuff passing as taco meat lands right on the crotch of my faded jeans.
"Fuck," Paco says, his face quickly turning from amusement to shock. "Want me to clean it off for you?"
"If your fingers get anywhere close to my dick, I'm gonna personally shoot you in the huevos," I growl through clenched teeth.
I flick the mystery meat off my crotch. A big, greasy stain lingers. I turn back to Paco. "You got ten minutes to get me a new pair of pants."
"How the hell am I s'posed to do that?"
"Be creative."
"Take mine." Paco stands and brings his fingers to the waistband of his jeans, unbuttoning right in the middle of the courtyard.
"Maybe I wasn't specific enough," I tell him, wondering how I'm going to act like the cool guy in chem class when it looks like I've peed in my pants. "I meant, get me a new pair of pants that will fit me, pendejo. You're so short you could audition to be one of Santa Claus's elves."
"I'm toleratin' your insults because we're like brothers."
"Nine minutes and thirty seconds."
It doesn't take Paco more than that to start running toward the school parking lot. ~ Simone Elkeles,
91:¡Carajoǃ” Paco says, throwing down his lunch. “They think they can buy a U-shaped shell, stuff it, and call it a taco, but those cafeteria workers wouldn’t know taco meat from a piece of shit. That’s what this tastes like, Alex.”
“You’re makin’ me sick, man,” I tell him.
I stare uncomfortably at the food I brought from home. Thanks to Paco everything looks like mierda now. Disgusted, I shove what’s left of my lunch into my brown paper bag.
“Want some of it?” Paco says with a grin as he holds out the shitty taco to me.
“Bring that one inch closer to me and you’ll be sorry,” I threaten.
“I’m shakin’ in my pants.”
Paco wiggles the offending taco, goading me. He should seriously know better.
“If any of that gets on me--”
“What’cha gonna do, kick my ass?” Paco sings sarcastically, still shaking the taco. Maybe I should punch him in the face, knocking him out so I won’t have to deal with him right now.
As I have that thought, I feel something drop on my pants. I look down even though I know what I’ll see. Yes, a big blob of wet, gloppy stuff passing as taco meat lands right on the crotch of my faded jeans.
“Fuck,” Paco says, his face quickly turning from amusement to shock. “Want me to clean it off for you?”
“If your fingers come anywhere close to my dick, I’m gonna personally shoot you in the huevos,” I growl through clenched teeth.
I flick the mystery meat off my crotch. A big, greasy stain lingers. I turn back to Paco. “You got ten minutes to get me a new pair of pants.”
“How the hell am I s’posed to do that?”
“Be creative.”
“Take mine.” Paco stands and brings his fingers to the waistband of his jeans, unbuttoning right in the middle of the courtyard.
“Maybe I wasn’t specific enough,” I tell him, wondering how I’m going to act like the cool guy in chem class when it looks like I’ve peed in my pants. “I meant, get me a new pair of pants that will fit me, pendejo. You’re so short you could audition to be one of Santa Claus’s elves.”
“I’m toleratin’ your insults because we’re like brothers.”
“Nine minutes and thirty seconds.”
It doesn’t take Paco more than that to start running toward the school parking lot.
I seriously don’t give a crap how I get the pants; just that I get ‘em before my next class. A wet crotch is not the way to show Brittany I’m a stud. ~ Simone Elkeles,
92:A qui écris-tu?
-A toi. En fait, je ne t'écris pas vraiment, j'écris ce que j'ai envie de faire avec toi...
Il y avait des feuilles partout. Autour d'elle, à ses pieds, sur le lit. J'en ai pris une au hasard:
"...Pique-niquer, faire la sieste au bord d'une rivière, manger des pêches, des crevettes, des croissants, du riz gluant, nager, danser, m'acheter des chaussures, de la lingerie, du parfum, lire le journal, lécher les vitrines, prendre le métro, surveiller l'heure, te pousser quand tu prends toute la place, étendre le linge, aller à l'Opéra, faire des barbecues, râler parce que tu as oublié le charbon, me laver les dents en même temps que toi, t'acheter des caleçons, tondre la pelouse, lire le journal par-dessus ton épaule, t'empêcher de manger trop de cacahuètes, visiter les caves de la Loire, et celles de la Hunter Valley, faire l'idiote, jacasser, cueillir des mûres, cuisiner, jardiner, te réveiller encore parce que tu ronfles, aller au zoo, aux puces, à Paris, à Londres, te chanter des chansons, arrêter de fumer, te demander de me couper les ongles, acheter de la vaisselle, des bêtises, des choses qui ne servent à rien, manger des glaces, regarder les gens, te battre aux échecs, écouter du jazz, du reggae, danser le mambo et le cha-cha-cha, m'ennuyer, faire des caprices, bouder, rire, t'entortiller autour de mon petit doigt, chercher une maison avec vue sur les vaches, remplir d'indécents Caddie, repeindre un plafond, coudre des rideaux, rester des heures à table à discuter avec des gens intéressants, te tenir par la barbichette, te couper les cheveux, enlever les mauvaises herbes, laver la voiture, voir la mer, t'appeler encore, te dire des mots crus, apprendre à tricoter, te tricoter une écharpe, défaire cette horreur, recueillir des chats, des chiens, des perroquets, des éléphants, louer des bicyclettes, ne pas s'en servir, rester dans un hamac, boire des margaritas à l'ombre, tricher, apprendre à me servir d'un fer à repasser, jeter le fer à repasser par la fenêtre, chanter sous la pluie, fuire les touristes, m'enivrer, te dire toute la vérité, me souvenir que toute vérité n'est pas bonne à dire, t'écouter, te donner la main, récupérer mon fer à repasser, écouter les paroles des chansons, mettre le réveil, oublier nos valises, m'arrêter de courir, descendre les poubelles, te demander si tu m'aimes toujours, discuter avec la voisine, te raconter mon enfance, faire des mouillettes, des étiquettes pour les pots de confiture..."
Et ça continuais comme ça pendant des pages et des pages... ~ Anna Gavalda,
93:Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower.
“What’cha staring at?” I asked.
He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign.
I pumped him for more info, to make sure. “What about my tank top?”
“You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me.
No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch.
“Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.”
Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh.
He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.”
“Why not?”
“Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that.
I shrugged. “Fine, little brim. Little bass.”
He walked toward the stairs.
“Little striper.”
He turned. “What if Sean actually asked you out?”
I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“
“He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?”
“In his lap?”
A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step. ~ Jennifer Echols,
94:Câu thứ nhất: Nhập môn quan lai ý, xuất ngôn mạc trù trừ. Ý là khi có người đến xem tướng số cho chính mình, hoặc giả xem cho người khác, ta không nên nói gì, phải nghe họ trình bày trước đã, họ nói càng nhiều, sẽ càng để lộ ra nhiều thông tin quý báu. Khi đó ta phải nắm đúng thời cơ, đột nhiên phán một câu lạnh lùng, đánh đúng chỗ hiểm. Nhất thiết không được chần chừ ngập ngừng, chớ úp mở không rõ ràng, nếu không đối phương sẽ cho rằng trình độ của ta còn non kém. Vậy làm thế nào để bắt được chỗ hiểm, hãy nghiền ngẫm kỹ những câu tiếp theo dưới đây. Câu thứ hai: Thiên lai vấn truy dục truy quý, truy lai vấn thiên vi thiên ưu. Thiên chỉ người cha, truy chỉ người con. Câu này nghĩa là: chỉ cần cha đến xem tướng số cho con, về cơ bản đều muốn biết tiền đồ của con cái mình thế nào, sau này có thể phát phú phát quý không. Phàm là bậc làm cha mẹ trong thiên hạ, ai mà chẳng hy vọng con cái thành tài, trai thành rồng, gái thành phượng, cho dù bản thân mình chỉ là con gà trụi lông. Dạng người này đến xem tướng số, một khi đã hỏi đến những vấn đề đó, hầu hết con trai hoặc con gái họ đều không có chí tiến thủ, hoặc không hề có một chút biểu hiện gì của phú quý, hoặc ngỗ ngược càn quấy. Cứ bám theo mạch này để phán đoán, đảm bảo không bao giờ sai. Nửa câu sau chính là nói hễ con cái xem tướng số cho cha mẹ, chắc chắn cha hoặc mẹ của họ sức khỏe không tốt, hoặc đang bệnh nặng, hoặc sắp quy tiên. Ngoài những điều đó ra, con cái chẳng còn vấn đề gì để hỏi liên quan đến cha mẹ mình cả. Do đó ta cứ trực tiếp phán đoán cha hoặc mẹ của họ sức khỏe có vấn đề, khẳng định không đúng không lấy tiền. Câu thứ ba: Bát vấn thất, hỷ giả dục bằng thất quý, oán giả thực vi thất sầu. Bát là chỉ người vợ, thất là chỉ người chồng, tức chỉ cần là vợ đến xem tiền đồ và vận thế cho chồng. Nếu người phụ nữ đến với niềm hân hoan vui mừng hiện rõ trên từng cử chỉ nét mặt, điều này chứng tỏ người chồng thời gian gần đây có thể sắp có vận quan chức hoặc vận tài lộc. Tóm lại là việc tốt. Chỉ có điều, việc tốt vẫn chưa đến, hoặc mới chỉ manh nha nảy mầm, người này thường mang tâm lý đón đầu, muốn đến xem một quẻ bói trước. Vậy ta có thể trực tiếp phán đoán rằng chồng của bà (cô) ta có phúc có lộc, sắp hành đại vận đến nơi rồi. Khỏi cần quan tâm kết quả ra sao, khi đó các bà các cô chắc chắn sẽ chớp chớp đôi mắt, mỉm cười như một chú nai ngơ ngác, vung tay thưởng hậu hĩnh cho thầy tướng số. Ngược lại, nếu người phụ nữ này đến với gương mặt lo âu, phiền muộn, chắc chắn chồng của họ gần đây hành vận kém, gặp nhiều điều xui xẻo, hoặc sắp bị mất chức, hoặc sắp phá sản, hoặc tình cảm vợ chồng bất hòa, thậm chí sắp bỏ rơi họ thì ta có thể lập tức phán đoán theo hướng hung họa, chắc chắn sẽ trúng đến tám chín phần. Sau đó đánh mạnh vào tâm lý của họ, phán rằng nếu không giải hạn, sớm muộn gì hung họa sẽ ngày càng nặng, thậm chí còn liên quan đến tính mạng. Lúc này họ sẽ ngoan ngoãn móc tiền ra. Ta lừa họ, mà họ còn vái lạy tạ ơn ta rối rít. Câu thứ tư: Thất vấn bát, phi b ~ Anonymous,
95:Câu thứ nhất: Nhập môn quan lai ý, xuất ngôn mạc trù trừ. Ý là khi có người đến xem tướng số cho chính mình, hoặc giả xem cho người khác, ta không nên nói gì, phải nghe họ trình bày trước đã, họ nói càng nhiều, sẽ càng để lộ ra nhiều thông tin quý báu. Khi đó ta phải nắm đúng thời cơ, đột nhiên phán một câu lạnh lùng, đánh đúng chỗ hiểm. Nhất thiết không được chần chừ ngập ngừng, chớ úp mở không rõ ràng, nếu không đối phương sẽ cho rằng trình độ của ta còn non kém. Vậy làm thế nào để bắt được chỗ hiểm, hãy nghiền ngẫm kỹ những câu tiếp theo dưới đây. Câu thứ hai: Thiên lai vấn truy dục truy quý, truy lai vấn thiên vi thiên ưu. Thiên chỉ người cha, truy chỉ người con. Câu này nghĩa là: chỉ cần cha đ���n xem tướng số cho con, về cơ bản đều muốn biết tiền đồ của con cái mình thế nào, sau này có thể phát phú phát quý không. Phàm là bậc làm cha mẹ trong thiên hạ, ai mà chẳng hy vọng con cái thành tài, trai thành rồng, gái thành phượng, cho dù bản thân mình chỉ là con gà trụi lông. Dạng người này đến xem tướng số, một khi đã hỏi đến những vấn đề đó, hầu hết con trai hoặc con gái họ đều không có chí tiến thủ, hoặc không hề có một chút biểu hiện gì của phú quý, hoặc ngỗ ngược càn quấy. Cứ bám theo mạch này để phán đoán, đảm bảo không bao giờ sai. N��a câu sau chính là nói hễ con cái xem tướng số cho cha mẹ, chắc chắn cha hoặc mẹ của họ sức khỏe không tốt, hoặc đang bệnh nặng, hoặc sắp quy tiên. Ngoài những điều đó ra, con cái chẳng còn vấn đề gì để hỏi liên quan đến cha mẹ mình cả. Do đó ta cứ trực tiếp phán đoán cha hoặc mẹ của họ sức khỏe có vấn đề, khẳng định không đúng không lấy tiền. Câu thứ ba: Bát vấn thất, hỷ giả dục bằng thất quý, oán giả thực vi thất sầu. Bát là chỉ người vợ, thất là chỉ người chồng, tức chỉ cần là vợ đến xem tiền đồ và vận thế cho chồng. Nếu người phụ nữ đến với niềm hân hoan vui mừng hiện rõ trên từng cử chỉ nét mặt, điều này chứng tỏ người chồng thời gian gần đây có thể sắp có vận quan chức hoặc vận tài lộc. Tóm lại là việc tốt. Chỉ có điều, việc tốt vẫn chưa đến, hoặc mới chỉ manh nha nảy mầm, người này thường mang tâm lý đón đầu, muốn đến xem một quẻ bói trước. Vậy ta có thể trực tiếp phán đoán rằng chồng của bà (cô) ta có phúc có lộc, sắp hành đại vận đến nơi rồi. Khỏi cần quan tâm kết quả ra sao, khi đó các bà các cô chắc chắn sẽ chớp chớp đôi mắt, mỉm cười như một chú nai ngơ ngác, vung tay thưởng hậu hĩnh cho thầy tướng số. Ngược lại, nếu người phụ nữ này đến với gương mặt lo âu, phiền muộn, chắc chắn chồng của họ gần đây hành vận kém, gặp nhiều điều xui xẻo, hoặc sắp bị mất chức, hoặc sắp phá sản, hoặc tình cảm vợ chồng bất hòa, thậm chí sắp bỏ rơi họ thì ta có thể lập tức phán đoán theo hướng hung họa, chắc chắn sẽ trúng đến tám chín phần. Sau đó đánh mạnh vào tâm lý của họ, phán rằng nếu không giải hạn, sớm muộn gì hung họa sẽ ngày càng nặng, thậm chí còn liên quan đến tính mạng. Lúc này họ sẽ ngoan ngoãn móc tiền ra. Ta lừa họ, mà họ còn vái lạy tạ ơn ta rối rít. Câu thứ tư: Thất vấn bát, phi b ~ Anonymous,
96:34. Vậy nên bạch Thế Tôn, con cũng hỏi Thế Tôn. bạch Thế Tôn, cũng như các công nghệ chức nghiệp. Như điều tượng sư, điều mã sư, xa thuật sư, cung thuật sư, quân kỳ binh, nguyên soái, chiến sĩ, thượng sĩ quan, thám tử, dũng sĩ can đảm như voi chúa, anh hùng, trang giáp binh, nô lệ xuất thân, hỏa đầu quân, thợ hớt tóc, người hầu tắm, thợ làm bánh, nhà vòng hoa, thợ giặt, thợ dệt, nhà làm thúng rổ, thợ đồ gốm, nhà toán số, nhà ấn bản, các công nghệ chức nghiệp khác. Chúng hưởng được kết quả thiết thực hiện tại công nghệ chức nghiệp của chúng. Chúng giúp cho tự thân được sống an lạc, hạnh phúc. Chúng giúp cho cha mẹ được sống an lạc, hạnh phúc. Chúng giúp cho cha mẹ được sống an lạc hạnh phúc. Chúng giúp cho bạn bè được sống an lạc hạnh phúc. Chúng dâng các vật cúng dường cho Sa-môn, Bà-la-môn, sự cúng dường này có ảnh hưởng đến đời sau, liên hệ đến thiên giới, thọ hưởng phước báo an lạc, thác sanh lên cõi trời. Bạch Thế Tôn, Thế Tôn có thể cho biết kết quả thiết thực hiện tại của hạnh Sa-môn chăng? - Ðại vương có thể được. Này Ðại vương, ta sẽ hỏi Ðại vương về vấn đề này. Ðại vương hãy trả lời tùy theo ý muốn của Ðại vương. 35. Ðại vương nghĩ sao? Nếu Ðại vương có một người nô bộc, dậy sớm, thức khuya, thi hành mọi mệnh lệnh của chủ, làm đẹp lòng mọi người, lời nói kính ái, chú ý từng nét mặt (của Ðại vương). Người ấy nghĩ: "Thật hy hữu thay! Thật kỳ diệu thay quả vị thác sanh của các công đức, quả dị thục của các công đức. Ðức vua Ajàtasattu, con của bà Videhi của nước Magadha, là người, tôi đây là người. Vị vua Ajàtasattu con bà Videhi, của nước Magadha, sống tận hưởng đầy đủ năm món dục lạc, tôi nghĩ không khác gì vị thiên thần, còn tôi là người nô bộc, làm mọi công việc, dậy sớm, thức khuya, thi hành mọi mệnh lệnh của chủ, làm đẹp lòng mọi người, lời nói kính ái, chú ý từng nét mặt (của vua). Vậy ta hãy làm các công đức như vua kia, ta hãy cạo bỏ râu tóc, khoác áo cà sa, từ bỏ gia đình xuất gia tu đạo". Và người nô lệ ấy, một thời khác, cạo bỏ râu tóc, khoác áo cà sa, từ bỏ gia đình, sống không gia đình, xuất gia tu đạo. Sau khi xuất gia như vậy, người ấy sống chế ngự thân, sống chế ngự lời nói, sống chế ngự ý nghĩ, bằng lòng với nhu cầu tối thiểu về ăn uống, y áo, hoan hỉ sống an tịnh. Nếu những người của Ðại vương đến tâu với Ðại vương. "Ðại vương có biết chăng? Có người nô bộc của Ðại vương, làm mọi công việc, dậy sớm, thức khuya, thi hành mọi mệnh lệnh của chủ, làm đẹp lòng mọi người, lời nói kính ái, chú ý từng nét mặt (của Ðại vương). Tâu Ðại vương, người ấy đã cạo bỏ râu tóc, khoác áo cà sa, từ bỏ gia đình, sống không gia đình, xuất gia tu đạo. Sau khi xuất gia như vậy, người ấy sống chế ngự thân, chế ngự lời nói, chế ngự ý nghĩ, bằng lòng với nhu cầu tối thiểu về ăn uống, y áo, hoan hỷ sống trong an tịnh". Này Ðại vương, Ðại vương có nói như sau chăng?: "Người ấy hãy lại với ta, hãy làm lại người nô bộc, làm mọi công việc, dậy sớm, thức khuya, thi hành mọi mệnh lệnh của chủ, làm đẹp lòng mọi người, lời nói kính ái chú ý từng nét mặt?" 36 ~ Anonymous,
97:My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted.

Each of his thumbs curved over the shells of my ears. "That's my girl."

His girl.
After all the crap that I'd gone through today, there couldn't have been three better words to hear.

Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now.

What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings.

“What’cha thinkin’, Ritz?”

I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?”

Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine.

"And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me."

He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you."

He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you."

The feeling that swamped me was indescribable.

He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it.

"Dex," I exhaled his name.

He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby."

I choked out a laugh.

Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass."

Fire shot straight through my chest. "Yeah?" I panted.

"Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine. ~ Mariana Zapata,
98:The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again.
Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home.
With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past.
Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?
Loretta had no idea what the child had asked until Blackbird steepled her fingers.
“Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.”
Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers.
A deep voice came from behind her. “She asks how long you will eat and keep warm with us.”
Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless.
“You will tell her, ‘Pihet tabbe.’”
Trust didn’t come easily to Loretta. “What does that mean?”
A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.”
Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.
Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.”
Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door. ~ Catherine Anderson,
99:Không có thực thể tách rời khỏi khao khát; chỉ có khao khát; không có người khao khát. Khao khát khoác lên những mặt nạ khác nhau tại những thời điểm khác nhau, tùy thuộc vào những hứng thú của nó. Ký ức của những hứng thú khác nhau này gặp gỡ cái mới mẻ, mà tạo ra xung đột, và thế là người chọn lựa bị sinh ra, tự thiết lập anh ấy như một thực thể tách rời và khác biệt sự khao khát. Nhưng thực thể không khác biệt những phẩm chất của nó. Thực thể mà cố gắng lấp đầy hay chạy trốn trạng thái trống rỗng, trạng thái không trọn vẹn, trạng thái cô độc, không khác biệt trạng thái mà anh ấy đang chạy trốn; anh ấy là trạng thái đó. Anh ấy không thể chạy trốn khỏi chính anh ấy; mọi việc anh ấy có thể làm là hiểu rõ chính anh ấy. Anh ấy là trạng thái cô độc của anh ấy, trạng thái trống rỗng của anh ấy; và chừng nào anh ấy còn suy nghĩ về trạng thái đó như điều gì đó tách rời khỏi chính anh ấy, anh ấy sẽ ở trong ảo tưởng và xung đột liên tục. Khi anh ấy trực tiếp trải nghiệm rằng anh ấy là trạng thái cô độc riêng của anh ấy, chỉ đến lúc đó có thể có sự tự do khỏi sợ hãi. Sợ hãi tồn tại chỉ trong sự liên hệ với một ý tưởng, và ý tưởng là sự đáp lại của ký ức như tư tưởng. Tư tưởng là kết quả của trải nghiệm; và mặc dù nó có thể trầm tư về trạng thái trống rỗng, có những cảm giác về nó, tư tưởng lại không thể biết trực tiếp trạng thái trống rỗng. Từ ngữ trống rỗng, cùng những ký ức về đau khổ và sợ hãi của nó ngăn cản trải nghiệm nó trong sáng lại. Từ ngữ là ký ức, và khi từ ngữ không còn ý nghĩa, vậy là sự liên hệ giữa người trải nghiệm và vật được trải nghiệm hoàn toàn khác hẳn; vậy là liên hệ đó trực tiếp và không thông qua một từ ngữ, không qua ký ức; vậy là người trải nghiệm là trải nghiệm, mà tự nó mang lại sự tự do khỏi sợ hãi.

Tình yêu và trạng thái trống rỗng không thể sống cùng nhau; khi cảm thấy trống rỗng, tình yêu không hiện diện. Bạn có thể giấu giếm trạng thái trống rỗng dưới từ ngữ tình yêu, nhưng khi mục tiêu tình yêu của bạn không còn đó hay không đáp lại, lúc đó bạn ý thức được trạng thái trống rỗng, bạn bị tuyệt vọng. Chúng ta sử dụng từ ngữ tình yêu như một phương tiện tẩu thoát khỏi chính chúng ta, khỏi sự thiếu thốn riêng của chúng ta. Chúng ta bấu víu người chúng ta thương yêu, chúng ta ghen tuông, chúng ta nhớ anh ấy khi anh ấy không ở đó và hoàn toàn hụt hẫng khi anh ấy ra đi; và rồi chúng ta tìm kiếm sự thanh thản trong hình thức khác nào đó, trong niềm tin nào đó, trong thay thế nào đó. Tất cả điều này là tình yêu hay sao? Tình yêu không phải là ý tưởng, kết quả của sự liên tưởng; tình yêu không là cái gì đó để bị sử dụng như một cách tẩu thoát khỏi sự khốn khổ riêng của chúng ta, và khi chúng ta sử dụng nó như thế, chúng ta làm cho những vấn đề trở thành không có lời giải đáp. Tình yêu không phải là một sự trừu tượng, nhưng sự thực của nó có thể được trải nghiệm chỉ khi nào ý tưởng, cái trí, không còn là nhân tố tối thượng. ~ Jiddu Krishnamurti,
100:Here Foloweth Colyn Blowbols Testament
Whan that Bachus, the myghti lorde,
And Juno eke, both by one accorde,
Hath sette a-broche of myghti wyne a tone,
And after wardys in to the brayn ran
Of Colyn Blobolle, whan he had dronke a tante
Bothe of Teynt and of wyne Alycaunt,
Till he was drounke as any swyne;
And after this, with a mery chere,
He rensyd had many an ale picher,
That he began to loken and to stare,
Like a wode bole or a wilde mare;
So toty was the brayn of his hede,
That he desirid for to go to bede,
And whan he was ones therin laide,
With hym self mervailously he fraide;
He gan to walow and turn up and downe,
And for to tell in conclucioun,
Sore he spwed, and alle vppe he kest
That he had recevyd in his brest,
So that it was grete pité for to here
His lametacionne and his hevy chere.
An hors wold wepe to se the sorow he maide,
His evy countenaunces and his colour fade.
I trow he was infecte certeyn
With the faitour, or the fever lordeyn,
Or with a sekenesse called a knave ateynt;
And anon his herte he gan to faynt,
And after ward their toke hym many a throw
Of good ale bolys that he had i-blowe;
He lokyd furyous as a wyld catt,
And pale of hew like a drowned ratte;
And in his bake their toke hym one so felle,
That after ward folowed a very stynkyng smell,
That for to cast was more vnholsam
Than aurum potab[i]le or aurum pimentum.
And whan his angwyssh some what gan apese,
He recovered of his dronken dessese;
He set hym vppe and sawe their biside
A sad man, in whom is no pride,
297
Right a discrete confessour, as I trow,
His name was called sir John Doclow;
He had commensed in many a worthier place
Then ever was Padow, or Boleyne de Grace;
Of so grete reverens werre the universities,
That men toke entrie knelyng on their knees;
In suche places his fader for hym had ben,
Whate shuld I tell you? ye wotte where I mene.
And yet in phisike he cowth no skylle at alle,
Whiche men callen baas naturalle;
Good drynke he lovyd better than he did wepit,
Men called hym maister John-with-the-shorte-tipet.
Hereby menne may welle understonde and see,
That in scolys he had take degré,
And was welle laboured in the rough byble,
Ffor he loved in no wise to be idele;
An able man to be aboute a pope,
Because he coude a conscience so welle grope,
And make an man to bryng out his mynde
Every thing that he had left behynde.
He gaf me many a good certacion,
With right and holsom predicacion,
That he had laboured in Venus secrete celle,
And me exponyd many a good gossepelle,
And many a right swete epistell eke,
In hem perfite and not for to seke;
And he had them i-lerneid and i-rade,
And alle were good, I trow their were none bade.
And right like an hevynly instrument
Unto me ever his tounge wente,
It was joie for to here and see
The fructuons talkyng that he had to me;
He behavyd hym so lich a gostly leche,
Both in countenaunce and in his speche,
And bad I shuld, by cause I was seke,
Unto Lucina and to Ciraa eke
My soule byqueth, or I hens deperte,
As I wold have his prayers after ward.
He promysyd me also, that he wold syng
Foure devoite masses at my biryng,
On of Bachus, anothir of Lucina,
The third of Juno, the fourth of Ciria,
298
And at Venus temple with grette devocion,
I have to you so grette dilection;
And for my soule ryng many a mery pele,
In Venus temple and eke in hir chapelle,
And also in many an othir holy stede,
Where Spade may not helpe women at ther nede;
And bad me eke be of right good chere
Alle the wyle I shold abyde here,
And for any thing that he coude feele,
That was in me, I sholde do right wele.
And yet he said: Be myne avisment,
Withoute tarying ye make your Testament,
And by good avice alle thing welle besett,
Loke ye do soo: for ye shalle fare the bette;
Whylis ye have your right memorie,
Calle unto you your owne secretory,
Maister Grombold, that cane handelle a pen,
For on booke he skrapith like an hen,
That no man may his letters know nor se,
Allethough he looke trughe spectacles thre.
Lete such a man writte your Testament,
For he shalle best folow your entent.
In Bachus Nomine, Amen!
I Colyn Blowbolle, all thinges to fulfille,
Wol that this be my last welle:
First, I bequeth my goost that is bareyn,
Whan it is depertid from the careyne,
Unto the godesse called Lucina,
And to hir sustir called Ciria;
For Lucina hath the governale
Of the salt flodes, wher many a ship doith saile,
And ofentymes ther they gone to wrake;
That causeth the stormes and the wawes blake;
And Ciria eke, as Fulgenes tellys,
Abideth moste in flodis and spring wellys.
And for be cause I have sette my plesaunce
In plenté of drynke, I shalle haue in penaunce
To dwelle in wayters as for a purgatory,
Whan I deperte from this world transetory,
299
Unto the tyme, that Dyane of hir grace
List ordeyn me an other dwellyng place;
But every sin must have his purgacion
Here or in an nothir habitacion.
And for the swete wynes that arn so myghti,
In whom I have sette alle my glorie,
Therefor of right it must nedis be thus,
My soule to dwelle in waters troublous,
That ben salt and bitter for taste,
And them to take as for my repaste;
Ffor of right, and as old bookes doon trete,
Sharpe sawce was ordeigned for swete mete.
And I bequeth also my wrecchid cors,
Whiche of the soule gafe litelle fors,
In the temple of Bachus to have his sepulture,
That alwey hath done his best cure,
To serve hym best with alle his hole entent,
Erly and late and ay right diligent;
The cause why I shalle to you devyne,
Ffor Bachus is called the god of wyne;
And for that licour is so presious,
That oft hath made [me] dronke as any mous,
Therfor I wille that ther it beryd be
My wrecchid body afore this god, pardé,
Mighti Bachus, that is myn owen lorde,
Without variaunce to serve hym, or discorde.
And after that another throw hym toke,
And therwith alle his body alle to-shooke,
Lyke as a fever that bernned hym so hote,
And was to hym grete payne, I wote;
And other whiles such a f-- he lete,
That men wend verely he had shete;
Ther ys no storme ne tempest ay doth lest;
But also sone as his anwhushe was past,
He procedid to performe his wille:
And byqueth, as it was right and skille,
Unto the abbasse of this monestary,
I mene of Bachus, that myghti lorde in glorie;
Alas Sloth, that devoute woman,
Whiche hath the propreté of a swan,
Evyr to be in plenté of licour,
And in the morenyng by viij. was his houre
300
To be as dronke as any swyne,
With wyne, or ale, or some licour devyne,
And to her sustres of that condicioun,
Wheir ever they dwelle, in citie or in towne,
Alle the londys and possessions
That I have lying within the bowns
Of Southwerke and of the stwes syde,
As wynde-melles and water-milles eke,
With alle their purtenaunces lying on every syde,
That be there redy and ar not for to seke,
Sufficient i-nough, yf they were alle told,
Ffor to serve many a grete houshold,
By a charter to have and to hold,
Under my seale of lede made the mold,
And written in the skyne of swyne,
What that it is made in parchemyne,
Be cause it shuld perpetually endure,
And unto them be both stable and sure,
Sauf only a certeyn quyte-rent,
Which that I have gevyn with good entent
To pay for me, unto my confessour,
That called is a man of grette honoure,
At the stewes side and their fast by,
To have an hous and dwelle therin yerely;
And to be paid of penaunce ten or twelve,
As good livers as he is hym selfe,
To fete it their, whan he hath need therto:
It is my wille right evyn that it be so;
And of this rent, yf that he doith faile,
I gyve hym powre to skore on the tale,
And take an[d] stresse, yf that nede be,
Upon the grounde, one, two, or thre,
And with hym home his stressis fo[r] to cary,
And in his chamber to make them for to tary,
Tille he be paid fully of the quyte-rent,
And wel i-plesid after hys owyn entent.
And at his forsaid charter maykyng,
And also at the possession takyng,
Alle good drynkers that any where may be hade,
With braynles people and other that ben made,
Shuld be at doing of this dede.
The blissing of Bachus I graunte hym to mede,
301
To be wittness of this cha[r]ter sealyng.
Be cause I wold they shold for no thing
Be interupt of their possessouns,
That I have gyve them lying in the bounss
Of Southewerke and of the stweys syde,
But evermore with them to abyde;
To make them haue the mor devocion
Ffor me to say many an orison,
On nightes specially whan other men do wy[n]ke,
By cause I sette my plesaunce in good drynke.
And I byqueth unto my secrytory,
Regestered a brother in the order of foly,
Ffor his labour and his diligence,
Six marke of pruce to have for his dispence,
To this entent, that he bistow it shalle
Upon good drynk, and on no mete at alle;
My custom ever hath ben to doo soo,
It is my will that he shuld the same [doo].
And I bequeth, yef that I dey shalle,
Ffor to hold my fest funeralle,
An hundredth marke of pruce money fyne,
Ffor to bistow upon bred and wyne,
With other drynkys that dilicious be,
Whiche in ordre herafter ye shall se.
And for to be at this fest funeralle,
I will have called in generalle
Alle the that ben very good drynkers,
And eke also alle feoble swyvers,
And they also that can lyft a bole,
Tille that the drynke hath take them by the polle;
And they also that ben dronkyn wyce,
And othir that arn dronken fooles nyce;
And many droken people shalbe there,
And none of these may fayle at this dyner.
And for to s[o]moun alle them to this fest,
The baily of Ro[y]ston therto is the beste;
Sauf I wille have after myn owyn entent,
An hous for them, that is convenient,
And it shalbe Didalus is hous.
And every man shalbe as drownke as any mous,
Or any of them from this fest passe.
And for to telle how this hows maide was,
302
Ther werre thereto sevynty and sevin
Of dores in nombre, as poets doo nevin,
And he that was ones entered in,
Coulde fynde no wey out for to wyn,
Till that he com yn to a gardeyn,
And their he shuld fynd in certeyn
A clew of yern, and therto he must wynd,
And thereof take a thred by the ende,
And make a knot about hys fynger with alle,
And with the thred wynd hym oute he shalle,
But othre wise myght no man oute wyne,
After that he was ones entered in.
And for be cause so many dores be
Unto the hous, and so fer entré,
Me thingith therfore, as by my jugement,
This is a hous for them most convenient.
But whan all folk ones be entrid in,
I will these people the high borde begyn,
Tho specially that arn droken wise,
People most able, after myne avise,
To sett their among alle other thing
To make them wise in ther owyn talkyng,
And wenith thir wittes be be yonde the mone,
And medle of thynges, that they have nought to done,
And deme them self as wise, withoute lees,
As ever was Aristotle, Plato, or Socrates;
And their thinges begyne to lye,
Ffor than they ben as dronke-lyight as a flye,
And wille telle of thinges that have be done,
Where as never shyneth sone ne mone.
I wille therfor, for myn honesty,
At the hy dees these people sette be.
And to begin also the secounde table,
I wille ther be honest men and able,
Such as wilbe as drongen as an ape,
And they wille skoff now, and jape,
And be also as fulle of nyce toyes,
As ben yong childern or elis wantown boyes;
And they whiche also both gape and gren,
Like the --- of a squirtyng hen.
And in suche caas often tymes they be,
That one may make them play with strawes thre,
303
And be as nyce in a mannys hous,
As is a catt playing with a mous,
Therfor I wille [not] this people sett there,
A place ther is for them elleswhere.
The thirde table shal be gyne as tyte,
They that be manly in dronkenesse for to fyte,
Whan one ther hede is sett a barly-hate,
Than arn they as manly as a ganat,
And than they wille kylle every fle and lous,
And in ther way bydith nodir ratte ne mous;
They will kylle in that grete hete
Huge Golyas, with their wordis grete,
And also the grete Gogmagog,
Cresced worme and the water ffrog.
Than they begyn to swere and to stare,
And be as braynles as a Marshe hare,
When they have one their habergon of malt,
They wene to make many a man to halt,
Ffor they be than so angry and so wraw,
And yet they wille stombile at a straw.
And every table shalle fulfilled be
[Wyth] men of worship and men of honesté;
After that they shalbe servyd wele,
Bute of drynke and mete never a dele.
And wille theire be supervysours,
With officers, as conyng surveyours,
Bakers, bruers, and buttelers of the best,
Tene them of brede and drynke, ne they rest,
Tille every man have plenté and sufficiaunce,
Of mete and drynk right large abundaunce;
Som to serve, and some for to sew
Them brede and drynke, as they sit a-rew;
And what with gestes and with servauntes eke,
I trow their shalbe an honeste felowship.
Sauf ffirst shalle they of ale have new bake bonns,
With stronge ale bruen in fattes and in tonnes,
Pyng, Drangolle, and the Braget fyne,
Methe, Mathebru, and Mathelynge,
Rede wyn, the claret, and the white,
With Teynt and Alycaunt, in whom I delite;
Wyn ryvers and wyn sake also,
Wyne of Langdoke and of Orliaunce therto,
304
Sengle bere, and othire that is dwobile,
Which causith the brayn of man to trouble;
Spruce beer, and the beer of Hambur,
Whiche makyth oft tymes men to stambur;
Malmasyes, Tires, and Rumneys,
With Caperikis, Campletes, and Osneys,
Vernage, Cute, and Raspays also,
Whippett and Pyngmedo, that ben lawyers therto;
And I wille have also wyne de Ryne,
With new maid Clarye, that is good and fyne,
Muscadelle, Terantyne, and Bastard,
With Ypocras and Pyment comyng after warde.
And as for mete I will that goo quyte,
Ffor I had never therin grete dylite,
So that I myyt have drynke at my wille,
Good ale or wyne my bely for to fille.
Also I will eke that John Aly,
And his brother Laurens Sty,
Be surveyours cheyff at this dynere,
And serve oute drynkes, that ben both brith and cleyre,
And se that every man have sufficiaunce,
Of alle drynkys plenté and abundaunce.
Also I wille that other men ther be
To serve the people everiche in degree:
That is to say, Robert Otwey,
Nicholas Inglond and Robert Horsley,
And Colyn Blobolle and Robert Curé;
And to gadre in the cuppys grett and smale,
Theire shalbe muster William Copyndale,
And othir such they ben to few,
Theym for to serve, and their dishes to sew.
And to se alle thinges truly doone
After my deth, dwely and right sone,
I ordeyn to be my executour
Of my last will, with a supervisour,
Aleyn Maltson, to se truly
My wille performyd wele and duly,
As I have ordeynd here after myn entent,
By good avicement in my Testament.
And I wille, that supervisour bee
Over hym a man of honesté,
Sybour Groutehed, a man fulle discrette,
305
Whiche wilbe dronke with myghti wynes swete,
Thaugh he non drynk but semell ones therto.
I hold hym mekly therfor to have adoo
In suche a mater of so grete a charge.
And for their labour I reward them large,
Ffor myn executour shalle have xxti marke,
And to my supervisour, for his besy warke,
And his labour, and his diligence,
He shalle have yerely viij marke for his dispence.
Thus I Colyn Blowbolle, with good avisement,
Make an end now of my Testament,
And willyng every man in his degree,
Ffor me to pray vnto the deyté
Of mighti Bachus, and of myghti Juno,
When I hens weynd, that I may com them too;
Whiche have ever be right diligent
To serve them best, with alle myn hole entent,
And so shalle I doo unto my lyves ende.
So pray for me, that I may to them wynde,
Whan Antropus shalle twyn a-two the thirde;
And or that tyme no man shalbe d[r]ede,
Of the mevyng of my mortalle body,
That I may then entre into their glorie.
And me remember with your devocion,
Hertely with alle your mencion,
With som good prayres whan ye upon me thynke,
Whiche hath ben ever a lover of goode drynke.
Thow litelle quayer, how darst thow shew thy face,
Or com yn presence of men of honesté?
Sith thow ard rude, and folowist not the trace
Of faire langage, nor haiste no bewté;
Wherefore of wysedom thus I councelle the,
To draw the bake fer out of their sight,
Lest thow be had in reproef and dispite.
Here endyth Colyn Blobollys Testament.
~ Anonymous Olde English,
101:Scene.Over Orcana. The house of Jules, who crosses its threshold with Phene: she is silent, on which Jules begins
Do not die, Phene! I am yours now, you
Are mine now; let fate reach me how she likes,
If you'll not die: so, never die! Sit here
My work-room's single seat. I over-lean
This length of hair and lustrous front; they turn
Like an entire flower upward: eyes, lips, last
Your chinno, last your throat turns: 't is their scent
Pulls down my face upon you. Nay, look ever
This one way till I change, grow youI could
Change into you, beloved!
             You by me,
And I by you; this is your hand in mine,
And side by side we sit: all's true. Thank God!
I have spoken: speak you!
             O my life to come!
My Tydeus must be carved that's there in clay;
Yet how be carved, with you about the room?
Where must I place you? When I think that once
This room-full of rough block-work seemed my heaven
Without you! Shall I ever work again,
Get fairly into my old ways again,
Bid each conception stand while, trait by trait,
My hand transfers its lineaments to stone?
Will my mere fancies live near you, their truth
The live truth, passing and repassing me,
Sitting beside me?
         Now speak!
                         Only first,
See, all your letters! Was't not well contrived?
Their hiding-place is Psyche's robe; she keeps
Your letters next her skin: which drops out foremost?
Ah,this that swam down like a first moonbeam
Into my world!
       Again those eyes complete
Their melancholy survey, sweet and slow,
Of all my room holds; to return and rest
On me, with pity, yet some wonder too:
As if God bade some spirit plague a world,
And this were the one moment of surprise
And sorrow while she took her station, pausing
O'er what she sees, finds good, and must destroy!
What gaze you at? Those? Books, I told you of;
Let your first word to me rejoice them, too:
This minion, a Coluthus, writ in red
Bistre and azure by Bessarion's scribe
Read this line . . . no, shameHomer's be the Greek
First breathed me from the lips of my Greek girl!
This Odyssey in coarse black vivid type
With faded yellow blossoms 'twixt page and page,
To mark great places with due gratitude;
"He said, and on Antinous directed
"A bitter shaft" . . . a flower blots out the rest!
Again upon your search? My statues, then!
Ah, do not mind thatbetter that will look
When cast in bronzean Almaign Kaiser, that,
Swart-green and gold, with truncheon based on hip.
This, rather, turn to! What, unrecognized?
I thought you would have seen that here you sit
As I imagined you,Hippolyta,
Naked upon her bright Numidian horse.
Recall you this then? "Carve in bold relief"
So you commanded"carve, against I come,
"A Greek, in Athens, as our fashion was,
"Feasting, bay-filleted and thunder-free,
"Who rises 'neath the lifted myrtle-branch.
"'Praise those who slew Hipparchus!' cry the guests,
"'While o'er thy head the singer's myrtle waves
"'As erst above our champion: stand up, all!'"
See, I have laboured to express your thought.
Quite round, a cluster of mere hands and arms,
(Thrust in all senses, all ways, from all sides,
Only consenting at the branch's end
They strain toward) serves for frame to a sole face,
The Praiser's, in the centre: who with eyes
Sightless, so bend they back to light inside
His brain where visionary forms throng up,
Sings, minding not that palpitating arch
Of hands and arms, nor the quick drip of wine
From the drenched leaves o'erhead, nor crowns cast off,
Violet and parsley crowns to trample on
Sings, pausing as the patron-ghosts approve,
Devoutly their unconquerable hymn.
But you must say a "well" to thatsay "well!"
Because you gazeam I fantastic, sweet?
Gaze like my very life's-stuff, marblemarbly
Even to the silence! Why, before I found
The real flesh Phene, I inured myself
To see, throughout all nature, varied stuff
For better nature's birth by means of art:
With me, each substance tended to one form
Of beautyto the human archetype.
On every side occurred suggestive germs
Of thatthe tree, the floweror take the fruit,
Some rosy shape, continuing the peach,
Curved beewise o'er its bough; as rosy limbs,
Depending, nestled in the leaves; and just
From a cleft rose-peach the whole Dryad sprang.
But of the stuffs one can be master of,
How I divined their capabilities!
From the soft-rinded smoothening facile chalk
That yields your outline to the air's embrace,
Half-softened by a halo's pearly gloom;
Down to the crisp imperious steel, so sure
To cut its one confided thought clean out
Of all the world. But marble!'neath my tools
More pliable than jellyas it were
Some clear primordial creature dug from depths
In the earth's heart, where itself breeds itself,
And whence all baser substance may be worked;
Refine it off to air, you may,condense it
Down to the diamond;is not metal there,
When o'er the sudden speck my chisel trips?
Not flesh, as flake off flake I scale, approach,
Lay bare those bluish veins of blood asleep?
Lurks flame in no strange windings where, surprised
By the swift implement sent home at once,
Flushes and glowings radiate and hover
About its track?
         Phene? whatwhy is this?
That whitening cheek, those still dilating eyes!
Ah, you will dieI knew that you would die!
Phene begins, on his having long remained silent.
Now the end's coming; to be sure, it must
Have ended sometime! Tush, why need I speak
Their foolish speech? I cannot bring to mind
One half of it, beside; and do not care
For old Natalia now, nor any of them.
Oh, youwhat are you?if I do not try
To say the words Natalia made me learn,
To please your friends,it is to keep myself
Where your voice lifted me, by letting that
Proceed: but can it? Even you, perhaps,
Cannot take up, now you have once let fall,
The music's life, and me along with that
No, or you would! We'll stay, then, as we are:
Above the world.
         You creature with the eyes!
If I could look for ever up to them,
As now you let me,I believe, all sin,
All memory of wrong done, suffering borne,
Would drop down, low and lower, to the earth
Whence all that's low comes, and there touch and stay
Never to overtake the rest of me,
All that, unspotted, reaches up to you,
Drawn by those eyes! What rises is myself,
Not me the shame and suffering; but they sink,
Are left, I rise above them. Keep me so,
Above the world!
         But you sink, for your eyes
Are alteringaltered! Stay"I love you, love" . . .
I could prevent it if I understood:
More of your words to me: was't in the tone
Or the words, your power?
             Or stayI will repeat
Their speech, if that contents you! Only change
No more, and I shall find it presently
Far back here, in the brain yourself filled up.
Natalia threatened me that harm should follow
Unless I spoke their lesson to the end,
But harm to me, I thought she meant, not you.
Your friends,Natalia said they were your friends
And meant you well,because, I doubted it,
Observing (what was very strange to see)
On every face, so different in all else,
The same smile girls like me are used to bear,
But never men, men cannot stoop so low;
Yet your friends, speaking of you, used that smile,
That hateful smirk of boundless self-conceit
Which seems to take possession of the world
And make of God a tame confederate,
Purveyor to their appetites . . . you know!
But still Natalia said they were your friends,
And they assented though they smiled the more,
And all came round me,that thin Englishman
With light lank hair seemed leader of the rest;
He held a paper"What we want," said he,
Ending some explanation to his friends
"Is something slow, involved and mystical,
"To hold Jules long in doubt, yet take his taste
"And lure him on until, at innermost
"Where he seeks sweetness' soul, he may findthis!
"As in the apple's core, the noisome fly:
"For insects on the rind are seen at once,
"And brushed aside as soon, but this is found
"Only when on the lips or loathing tongue."
And so he read what I have got by heart:
I'll speak it,"Do not die, love! I am yours."
Nois not that, or like that, part of words
Yourself began by speaking? Strange to lose
What cost such pains to learn! Is this more right?
I am a painter who cannot paint;
In my life, a devil rather than saint;
In my brain, as poor a creature too:
No end to all I cannot do!
Yet do one thing at least I can
Love a man or hate a man
Supremely: thus my lore began.
Through the Valley of Love I went,
In the lovingest spot to abide,
And just on the verge where I pitched my tent,
I found Hate dwelling beside.
(Let the Bridegroom ask what the painter meant,
Of his Bride, of the peerless Bride!)
And further, I traversed Hate's grove,
In the hatefullest nook to dwell;
But lo, where I flung myself prone, couched Love
Where the shadow threefold fell.
(The meaningthose black bride's-eyes above,
Not a painter's lip should tell!)
"And here," said he, "Jules probably will ask,
"'You have black eyes, Love,you are, sure enough,
"'My peerless bride,then do you tell indeed
"'What needs some explanation! What means this?'"
And I am to go on, without a word
So, I grew wise in Love and Hate,
From simple that I was of late.
Once, when I loved, I would enlace
Breast, eyelids, hands, feet, form and face
Of her I loved, in one embrace
As if by mere love I could love immensely!
Once, when I hated, I would plunge
My sword, and wipe with the first lunge
My foe's whole life out like a sponge
As if by mere hate I could hate intensely!
But now I am wiser, know better the fashion
How passion seeks aid from its opposite passion:
And if I see cause to love more, hate more
Than ever man loved, ever hated before
And seek in the Valley of Love,
The nest, or the nook in Hate's Grove,
Where my soul may surely reach
The essence, nought less, of each,
The Hate of all Hates, the Love
Of all Loves, in the Valley or Grove,
I find them the very warders
Each of the other's borders.
When I love most, Love is disguised
In Hate; and when Hate is surprised
In Love, then I hate most: ask
How Love smiles through Hate's iron casque,
Hate grins through Love's rose-braided mask,
And how, having hated thee,
I sought long and painfully
To reach thy heart, nor prick
The skin but pierce to the quick
Ask this, my Jules, and be answered straight
By thy bridehow the painter Lutwyche can hate!
Jules interposes
Lutwyche! Who else? But all of them, no doubt,
Hated me: they at Venicepresently
Their turn, however! You I shall not meet:
If I dreamed, saying this would wake me.
                     Keep
What's here, the goldwe cannot meet again,
Consider! and the money was but meant
For two years' travel, which is over now,
All chance or hope or care or need of it.
Thisand what comes from selling these, my casts
And books and medals, except . . . let them go
Together, so the produce keeps you safe
Out of Natalia's clutches! If by chance
(For all's chance here) I should survive the gang
At Venice, root out all fifteen of them,
We might meet somewhere, since the world is wide.
[From without is heard the voice of Pippa, singing]
Give her but a least excuse to love me!
Whenwhere
Howcan this arm establish her above me,
If fortune fixed her as my lady there,
There already, to eternally reprove me?
("Hist!"said Kate the Queen;
But "Oh!"cried the maiden, binding her tresses,
"'T is only a page that carols unseen,
"Crumbling your hounds their messes!")
Is she wronged?To the rescue of her honour,
My heart!
Is she poor?What costs it to be styled a donor?
Merely an earth to cleave, a sea to part.
But that fortune should have thrust all this upon her!
("Nay, list!"bade Kate the Queen;
And still cried the maiden, binding her tresses,
"'T is only a page that carols unseen,
"Fitting your hawks their jesses!")
[Pippa passes]
Jules resumes
What name was that the little girl sang forth?
Kate? The Cornaro, doubtless, who renounced
The crown of Cyprus to be lady here
At Asolo, where still her memory stays,
And peasants sing how once a certain page
Pined for the grace of her so far above
His power of doing good to, "Kate the Queen
"She never could be wronged, be poor," he sighed,
"Need him to help her!"
            Yes, a bitter thing
To see our lady above all need of us;
Yet so we look ere we will love; not I,
But the world looks so. If whoever loves
Must be, in some sort, god or worshipper,
The blessing or the blest one, queen or page,
Why should we always choose the page's part?
Here is a woman with utter need of me,
I find myself queen here, it seems!
                   How strange!
Look at the woman here with the new soul,
Like my own Psyche,fresh upon her lips
Alit, the visionary butterfly.
Waiting my word to enter and make bright,
Or flutter off and leave all blank as first.
This body had no soul before, but slept
Or stirred, was beauteous or ungainly, free
From taint or foul with stain, as outward things
Fastened their image on its passiveness:
Now, it will wake, feel, liveor die again!
Shall to produce form out of unshaped stuff
Be Artand further, to evoke a soul
From form be nothing? This new soul is mine!
Now, to kill Lutwyche, what would that do?save
A wretched dauber, men will hoot to death
Without me, from their hooting. Oh, to hear
God's voice plain as I heard it first, before
They broke in with their laughter! I heard them
Henceforth, not God.
           To AnconaGreecesome isle!
I wanted silence only; there is clay
Everywhere. One may do whate'er one likes
In Art: the only thing is, to make sure
That one does like itwhich takes pains to know.
Scatter all this, my Phenethis mad dream!
Who, what is Lutwyche, what Natalia's friends,
What the whole world except our lovemy own,
Own Phene? But I told you, did I not,
Ere night we travel for your landsome isle
With the sea's silence on it? Stand aside
I do but break these paltry models up
To begin Art afresh. Meet Lutwyche, I
And save him from my statue meeting him?
Some unspected isle in the far seas!
Like a god going through his world, there stands
One mountain for a moment in the dusk,
Whole brotherhoods of cedars on its brow:
And you are ever by me while I gaze
Are in my arms as nowas nowas now!
Some unsuspected isle in the far seas!
Some unsuspected isle in far-off seas!
Talk by the way, while Pippa is passing from Orcana to the Turret. Two or three of the Austrian Police loitering with Bluphocks, an English vagabond, just in view of the Turret.
Bluphocks

So, that is your Pippa, the little girl who passed us singing? Well, your Bishop's Intendant's money shall be honestly earned:now, don't make me that sour face because I bring the Bishop's name into the business; we know he can have nothing to do with such horrors: we know that he is a saint and all that a bishop should be, who is a great man beside. Oh were but every worm a maggot, Every fly a grig, Every bough a Christmas ****, Every tune a jig! In fact, I have abjured all religions; but the last I inclined to, was the Armenian: for I have travelled, do you see, and at Koenigsberg, Prussia Improper (so styled because there's a sort of bleak hungry sun there), you might remark over a venerable house-porch, a certain Chaldee inscription; and brief as it is, a mere glance at it used absolutely to change the mood of every bearded passenger. In they turned, one and all; the young and lightsome, with no irreverent pause, the aged and decrepit, with a sensible alacrity: 't was the Grand Rabbi's abode, in short. Struck with curiosity, I lost no time in learning Syriac (these are vowels, you dogs,follow my stick's end in the mudCelarent, Darii, Ferio!) and one morning presented myself, spelling-book in hand, a, b, c,I picked it out letter by letter, and what was the purport of this miraculous posy? Some cherished legend of the past, you'll say"How Moses hocus-pocussed Egypt's land with fly and locust,"or, "How to Jonah sounded harshish, Get thee up and go to Tarshish,"or, "How the angel meeting Balaam, Straight his **** returned a salaam," In no wise! "ShackabrackBoachsomebody or other Isaach, Re-cei-ver, Pur-cha-ser and Ex-chan-ger ofStolen Goods! " So, talk to me of the religion of a bishop! I have renounced all bishops save Bishop Beveridgemean to live soand dieAs some Greek dog-sage, dead and merry, Hellward bound in Charon's wherry, With food for both worlds, under and upper, Lupine-seed and Hecate's supper, And never an obolus . . . (Though thanks to you, or this Intendant through you, or this Bishop through his IntendantI possess a burning pocketful of zwanzigers) . . . To pay the Stygian Ferry!

1st Policeman
There is the girl, then; go and deserve them the moment you have pointed out to us Signor Luigi and his mother. [To the rest.]
I have been noticing a house yonder, this long while: not a shutter unclosed since morning!

2nd Policeman
Old Luca Gaddi's, that owns the silkmills here: he dozes by the hour, wakes up, sighs deeply, says he should like to be Prince Metternich, and then dozes again, after having bidden young Sebald, the foreigner, set his wife to playing draughts. Never molest such a household, they mean well.

Bluphocks
Only, cannot you tell me something of this little Pippa, I must have to do with? One could make something of that name. Pippathat is, short for Felippa rhyming to Panurge consults HertrippaBelievest thou, King Agrippa? Something might be done with that name.

2nd Policeman
Put into rhyme that your head and a ripe musk-melon would not be dear at half a zwanziger! Leave this fooling, and look out; the afternoon's over or nearly so.

3rd Policeman
Where in this passport of Signor Luigi does our Principal instruct you to watch him so narrowly? There? What's there beside a simple signature? (That English fool's busy watching.)

2nd Policeman
Flourish all round"Put all possible obstacles in his way;" oblong dot at the end"Detain him till further advices reach you;" scratch at bottom "Send him back on pretence of some informality in the above;" ink-spirt on right-hand side (which is the case here)"Arrest him at once." Why and wherefore, I don't concern myself, but my instructions amount to this: if Signor Luigi leaves home to-night for Vienna well and good, the passport deposed with us for our visa is really for his own use, they have misinformed the Office, and he means well; but let him stay over to-nightthere has been the pretence we suspect, the accounts of his corresponding and holding intelligence with the Carbonari are correct, we arrest him at once, to-morrow comes Venice, and presently Spielberg. Bluphocks makes the signal, sure enough! That is he, entering the turret with his mother, no doubt.


~ Robert Browning, Pippa Passes - Part II - Noon
,

IN CHAPTERS [300/5440]



2277 Integral Yoga
1525 Poetry
  281 Occultism
  259 Philosophy
  230 Fiction
  186 Christianity
  158 Mysticism
  129 Yoga
  116 Philsophy
   91 Psychology
   47 Islam
   40 Science
   26 Hinduism
   22 Mythology
   20 Education
   17 Sufism
   16 Theosophy
   16 Integral Theory
   15 Buddhism
   12 Kabbalah
   8 Cybernetics
   6 Zen
   6 Baha i Faith
   1 Thelema
   1 Alchemy


1216 The Mother
1097 Sri Aurobindo
  787 Satprem
  419 Nolini Kanta Gupta
  174 William Wordsworth
  163 John Keats
  131 Percy Bysshe Shelley
  126 Aleister Crowley
  118 Walt Whitman
  118 Li Bai
  118 H P Lovecraft
  116 Ralph Waldo Emerson
  102 William Butler Yeats
   90 Carl Jung
   69 Robert Browning
   67 Pierre Teilhard de Chardin
   66 James George Frazer
   64 Friedrich Schiller
   58 Friedrich Nietzsche
   57 Sri Ramakrishna
   57 Plotinus
   52 Rabindranath Tagore
   47 Muhammad
   46 Johann Wolfgang von Goethe
   37 Swami Krishnananda
   35 Jorge Luis Borges
   34 Saint Augustine of Hippo
   31 Anonymous
   31 A B Purani
   30 Swami Vivekananda
   29 Lucretius
   29 Aldous Huxley
   28 Saint John of Climacus
   25 Saint Teresa of Avila
   22 Rudolf Steiner
   20 Franz Bardon
   20 Edgar Allan Poe
   18 Rainer Maria Rilke
   18 Aristotle
   16 Jalaluddin Rumi
   15 Vyasa
   14 Ovid
   14 Nirodbaran
   12 Rabbi Moses Luzzatto
   12 Plato
   12 Paul Richard
   12 Kabir
   11 Peter J Carroll
   11 George Van Vrekhem
   9 Symeon the New Theologian
   9 Swami Sivananda Saraswati
   8 Sri Ramana Maharshi
   8 Norbert Wiener
   8 Joseph Campbell
   7 Jordan Peterson
   7 Henry David Thoreau
   7 Hafiz
   7 Baha u llah
   6 Thubten Chodron
   6 Jetsun Milarepa
   6 Bokar Rinpoche
   6 Alice Bailey
   6 Al-Ghazali
   5 Lewis Carroll
   5 Jacopone da Todi
   5 Bulleh Shah
   4 Saint John of the Cross
   4 Saint Francis of Assisi
   4 Patanjali
   4 Lalla
   4 Hakim Sanai
   3 Solomon ibn Gabirol
   3 Shankara
   3 Moses de Leon
   3 Ken Wilber
   3 Boethius
   2 William Blake
   2 Tao Chien
   2 Taigu Ryokan
   2 Saint Hildegard von Bingen
   2 R Buckminster Fuller
   2 Matsuo Basho
   2 Mahendranath Gupta
   2 Kobayashi Issa
   2 Jorge Luis Borges
   2 Jean Gebser
   2 Jayadeva
   2 Italo Calvino
   2 Ikkyu
   2 Ibn Arabi
   2 Hsuan Chueh of Yung Chia
   2 Genpo Roshi
   2 Eleazar ben Kallir
   2 Allama Muhammad Iqbal
   2 Abu-Said Abil-Kheir


  383 Record of Yoga
  174 Wordsworth - Poems
  163 Keats - Poems
  137 The Synthesis Of Yoga
  131 Shelley - Poems
  118 Lovecraft - Poems
  118 Li Bai - Poems
  116 Whitman - Poems
  116 Emerson - Poems
  102 Yeats - Poems
   80 Collected Works of Nolini Kanta Gupta - Vol 03
   78 Agenda Vol 01
   75 Questions And Answers 1957-1958
   75 Magick Without Tears
   72 On Thoughts And Aphorisms
   72 Collected Works of Nolini Kanta Gupta - Vol 04
   69 Collected Works of Nolini Kanta Gupta - Vol 01
   69 Browning - Poems
   66 The Golden Bough
   66 Agenda Vol 10
   64 Schiller - Poems
   63 Agenda Vol 11
   61 Agenda Vol 03
   59 Collected Works of Nolini Kanta Gupta - Vol 07
   58 Essays In Philosophy And Yoga
   58 Agenda Vol 08
   57 Agenda Vol 13
   57 Agenda Vol 12
   57 Agenda Vol 09
   56 Agenda Vol 04
   55 The Gospel of Sri Ramakrishna
   54 The Life Divine
   51 Questions And Answers 1950-1951
   51 Agenda Vol 06
   51 Agenda Vol 02
   48 Prayers And Meditations
   48 Collected Works of Nolini Kanta Gupta - Vol 02
   48 Agenda Vol 07
   48 Agenda Vol 05
   47 Tagore - Poems
   47 Quran
   47 Letters On Yoga III
   46 Thus Spoke Zarathustra
   46 Savitri
   46 Letters On Yoga IV
   45 Questions And Answers 1956
   45 Collected Works of Nolini Kanta Gupta - Vol 05
   44 Letters On Yoga II
   41 Liber ABA
   37 The Study and Practice of Yoga
   37 Mysterium Coniunctionis
   35 Questions And Answers 1953
   33 Questions And Answers 1955
   33 Questions And Answers 1954
   32 Collected Poems
   31 Evening Talks With Sri Aurobindo
   29 The Perennial Philosophy
   29 Of The Nature Of Things
   29 Essays On The Gita
   28 The Ladder of Divine Ascent
   27 Words Of Long Ago
   27 The Bible
   26 Questions And Answers 1929-1931
   26 Goethe - Poems
   25 Labyrinths
   24 The Practice of Psycho therapy
   24 The Human Cycle
   24 Letters On Yoga I
   24 Collected Works of Nolini Kanta Gupta - Vol 08
   23 The Divine Comedy
   22 The Future of Man
   22 Essays Divine And Human
   22 City of God
   20 Faust
   20 Collected Works of Nolini Kanta Gupta - Vol 06
   19 Sri Aurobindo or the Adventure of Consciousness
   19 Poe - Poems
   19 Plotinus - Complete Works Vol 01
   19 On Education
   18 Rilke - Poems
   18 Poetics
   18 Let Me Explain
   17 On the Way to Supermanhood
   16 Plotinus - Complete Works Vol 04
   15 Vishnu Purana
   15 The Archetypes and the Collective Unconscious
   15 Letters On Poetry And Art
   14 Twelve Years With Sri Aurobindo
   14 The Secret Of The Veda
   14 The Phenomenon of Man
   14 Some Answers From The Mother
   14 Metamorphoses
   14 Bhakti-Yoga
   14 Aion
   13 Words Of The Mother II
   13 The Confessions of Saint Augustine
   13 Hymn of the Universe
   13 Crowley - Poems
   12 Vedic and Philological Studies
   12 Twilight of the Idols
   12 Talks
   12 Isha Upanishad
   12 General Principles of Kabbalah
   12 Anonymous - Poems
   11 The Way of Perfection
   11 The Practice of Magical Evocation
   11 The Mother With Letters On The Mother
   11 Raja-Yoga
   11 Preparing for the Miraculous
   11 Plotinus - Complete Works Vol 03
   11 Plotinus - Complete Works Vol 02
   11 Liber Null
   10 The Problems of Philosophy
   10 Theosophy
   10 Knowledge of the Higher Worlds
   10 Borges - Poems
   10 A Garden of Pomegranates - An Outline of the Qabalah
   9 Songs of Kabir
   9 Initiation Into Hermetics
   9 5.1.01 - Ilion
   8 The Interior Castle or The Mansions
   8 The Hero with a Thousand Faces
   8 Kena and Other Upanishads
   8 Hymns to the Mystic Fire
   8 Cybernetics
   7 Walden
   7 Maps of Meaning
   7 Dark Night of the Soul
   7 Amrita Gita
   6 Writings In Bengali and Sanskrit
   6 Words Of The Mother III
   6 The Secret Doctrine
   6 The Red Book Liber Novus
   6 The Integral Yoga
   6 The Alchemy of Happiness
   6 Tara - The Feminine Divine
   6 Rumi - Poems
   6 Milarepa - Poems
   6 How to Free Your Mind - Tara the Liberator
   6 A Treatise on Cosmic Fire
   5 The Blue Cliff Records
   5 Hafiz - Poems
   5 Alice in Wonderland
   4 The 7 Habits of Highly Effective People
   4 Sefer Yetzirah The Book of Creation In Theory and Practice
   4 Patanjali Yoga Sutras
   3 The Zen Teaching of Bodhidharma
   3 The Tibetan Yogas of Dream and Sleep
   3 The Lotus Sutra
   3 The Book of Certitude
   3 Sex Ecology Spirituality
   3 Beating the Cloth Drum Letters of Zen Master Hakuin
   2 Words Of The Mother I
   2 The Ever-Present Origin
   2 The Essentials of Education
   2 The Castle of Crossed Destinies
   2 Synergetics - Explorations in the Geometry of Thinking
   2 Symposium
   2 Song of Myself
   2 Selected Fictions
   2 Ryokan - Poems
   2 God Exists
   2 Basho - Poems
   2 Arabi - Poems
   2 Agenda Vol 1
   2 Advanced Dungeons and Dragons 2E


0 0.01 - Introduction, #Agenda Vol 1, #The Mother, #Integral Yoga
  Never had this precarious invention had any other aim through millions of species than to discover that which surpassed his own species, perhaps the means to change his species - a light and lawless species. After rediscovering a million years in the great, rhythmic night, a man was still something to be invented. It was the invention of himself, where all was not yet said and done.
  And then, and then ... a singular air, an incurable lightness, was beginning to fill his lungs. And what if we were a fable? And what are the means?
  --
  We had our bellyful of adventure at last: if you go astray in the forest, you get delightfully lost yet still with the same old skin on your back, whereas here, there is nothing left to get lost in! It is no longer just a matter of getting lost - you have to chaNGE your skin. Or die. Yes, change species.
  Or become one more nauseating little worshipper - which was not on our program. 'We are the enemy of our own conception of the Divine,' She told us one day with her mischievous little smile.
  --
  Mother, for She never ceased being a mystery right to her ninety-fifth year, and to this day still, challenges us from the other side of a wall of invisibility and keeps us floundering fully in the mystery - with a smile. She always smiles. But the mystery is not solved.
  Perhaps this AGENDA is really an endeavor to solve the mystery in the company of a certain
  --
  Then we have caught the tail of the Great Possible, we are upon the wayless way, radically in the new, and we flow with the little lizard, the pelican, the big man, we flow everywhere in a world that has lost its old separating skin and its little baggage of habits. We begin seeing otherwise, feeling otherwise. We have opened the gate into an inconceivable clearing. Just a light little vibration that carries you away. Then we begin to understand how it CAN chaNGE, what the me chanism is - a light little me chanism and so miraculous that it looks like nothing. We begin feeling the wonder of a pure little cell, and that a sparkling of joy would be enough to turn the world inside out. We were living in a little thinking fishbowl, we were dying in an old, bottled habit. And then suddenly, all is different. The Earth is free! Who wants freedom?
  It begins in a cell.

00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Mysticism is not only a science but also, and in a greater degree, an art. To approach it merely as a science, as the modern mind attempts to do, is to move towards futility, if not to land in positive disaster. Sufficient stress is not laid on this aspect of the matter, although the very crux of the situation lies here. The mystic domain has to be apprehended not merely by the true mind and understanding but by the right temperament and character. Mysticism is not merely an object of knowledge, a problem for inquiry and solution, it is an end, an ideal that has to be achieved, a life that has to be lived. The mystics themselves have declared long ago with no uncertain or faltering voice: this cannot be attained by intelligence or much learning, it can be seized only by a purified and clear temperament.
   The warning seems to have fallen, in the modern age, on unheeding ears. For the modern mind, being pre-eminently and uncompromisingly scientific, can entertain no doubt as to the perfect competency of science and the scientific method to seize and unveil any secret of Nature. If, it is argued, mysticism is a secret, if there is at all a truth and reality in it, then it is and must be amenable to the rules and regulations of science; for science is the revealer of Nature's secrecies.
  --
   A scientist once thought that he had clinched the issue and cut the Gordian knot when he declared triumphantly with reference to spirit sances: "Very significant is the fact that spirits appear only in closed chambers, in half obscurity, to somnolent minds; they are nowhere in the open air, in broad daylight to the wide awake and vigilant intellect!" Well, if the fact is as it is stated, what does it prove? Night alone reveals the stars, during the day they vanish, but that is no proof that stars are not existent. Rather the true scientific spirit should seek to know why (or how) it is so, if it is so, and such a fact would exactly serve as a pointer, a significant starting ground. The attitude of the jesting Pilate is not helpful even to scientific inquiry. This matter of the Spirits we have taken only as an illustration and it must not be understood that this is a domain of high mysticism; rather the contrary. The spiritualists' approach to Mysticism is not the right one and is fraught with not only errors but dangers. For the spiritualists approach their subject with the entire scientific apparatus the only difference being that the scientist does not believe while the spiritualist believes.
   Mystic realities cannot be reached by the scientific consciousness, because they are far more subtle than the subtlest object that science can contemplate. The neutrons and positrons are for science today the finest and profoundest object-forces; they belong, it is said, almost to a borderl and where physics ends. Nor for that reason is a mystic reality something like a mathematical abstraction, -n for example. The mystic reality is subtler than the subtlest of physical things and yet, paradoxical to say, more concrete than the most concrete thing that the senses apprehend.
  --
   The mystic forces are not only of immense potency but of a definite moral disposition and character, that is to say, they are of immense potency either for good or for evil. They are not me chanical and amoral forces like those that physical sciences deal with; they are forces of consciousness and they are conscious forces, they act with an aim and a purpose. The mystic forces are forces either of light or of darkness, either Divine or Titanic. And it is most often the powers of darkness that the naturally ignorant consciousness of man contacts when it seeks to cross the borderline without training or guidance, by the sheer arrogant self-sufficiency of mental scientific reason.
   Ignorance, certainly, is not man's ideal conditionit leads to death and dissolution. But knowledge also can be equally disastrous if it is not of the right kind. The knowledge that is born of spiritual disobedience, inspired by the Dark ones, leads to the soul's fall and its calvary through pain and suffering on earth. The seeker of true enlightenment has got to make a distinction, learn to separate the true and the right from the false and the wrong, unmask the luring Mra say clearly and unfalteringly to the dark light of Luciferapage Satana, if he is to come out into the true light and comm and the right forces. The search for knowledge alone, knowledge for the sake of knowledge, the path of pure scientific inquiry and inquisitiveness, in relation to the mystic world, is a dangerous thing. For such a spirit serves only to encourage and enhance man's arrogance and in the end not only limits but warps and falsifies the knowledge itself. A knowledge based on and secured exclusively through the reason and mental light can go only so far as that faculty can be reasonably stretched and not infinitelyto stretch it to infinity means to snap it. This is the warning that Yajnavalkya gave to Gargi when the latter started renewing her question ad infinitum Yajnavalkya said, "If you do not stop, your head will fall off."
  --
   The mystic's knowledge is a part and a formation of his life. That is why it is a knowledge not abstract and remote but living and intimate and concrete. It is a knowledge that pulsates with delight: indeed it is the radiance that is shed by the purest and intensest joy. For this reason it may be that in approaching through the heart there is a chance of one's getting arrested there and not caring for the still higher, the solar lights; but this need not be so. In the heart there is a golden door leading to the deepest delights, but there is also a diamond door opening up into the skies of the brightest luminosities.
   For it must be understood that the heart, the mystic heart, is not the external thing which is the seat of emotion or passion; it is the secret heart that is behind, the inner heartantarhdaya of the Upanishadwhich is the centre of the individual consciousness, where all the divergent lines of that consciousness meet and from where they take their rise. That is what the Upanishad means when it says that the heart has a hundred channels which feed the human vehicle. That is the source, the fount and origin, the very substance of the true personality. Mystic knowledge the true mystic knowledge which saves and fulfilsbegins with the awakening or the entrance into this real being. This being is pure and luminous and blissful and sovereignly real, because it is a portion, a spark of the Divine Consciousness and Nature: a contact and communion with it brings automatically into play the light and the truth that are its substance. At the same time it is an uprising flame that reaches out naturally to higher domains of consciousness and manifests them through its translucid dynamism.
   The knowledge that is obtained without the heart's instrumentation or co-operation is liable to be what the Gita describes as Asuric. First of all, from the point of view of knowledge itself, it would be, as I have already said, egocentric, a product and agent of one's limited and isolated self, easily put at the service of desire and passion. This knowledge, whether rationalistic or occult, is, as it were, hard and dry in its constitution, and oftener than not, negative and destructivewi thering and blasting in its career like the desert simoom.

00.01 - The Mother on Savitri, #Sweet Mother - Harmonies of Light, #unset, #Zen
  All this is His own experience, and what is most surprising is that it is my own experience also. It is my sadhana which He has worked out. Each object, each event, each realisation, all the descriptions, even the colours are exactly what I saw and the words, phrases are also exactly what I heard. And all this before having read the book. I read Savitri many times afterwards, but earlier, when He was writing He used to read it to me. Every morning I used to hear Him read Savitri. During the night He would write and in the morning read it to me. And I observed something curious, that day after day the experiences He read out to me in the morning were those I had had the previous night, word by word. Yes, all the descriptions, the colours, the pictures I had seen, the words I had heard, all, all, I heard it all, put by Him into poetry, into miraculous poetry. Yes, they were exactly my experiences of the previous night which He read out to me the following morning. And it was not just one day by chance, but for days and days together. And every time I used to compare what He said with my previous experiences and they were always the same. I repeat, it was not that I had told Him my experiences and that He had noted them down afterwards, no, He knew already what I had seen. It is my experiences He has presented at length and they were His experiences also. It is, moreover, the picture of Our joint adventure into the unknown or rather into the Supermind.
  These are experiences lived by Him, realities, supracosmic truths. He experienced all these as one experiences joy or sorrow, physically. He walked in the darkness of inconscience, even in the neighborhood of death, endured the sufferings of perdition, and emerged from the mud, the world-misery to brea the the sovereign plenitude and enter the supreme Ananda. He crossed all these realms, went through the consequences, suffered and endured physically what one cannot imagine. Nobody till today has suffered like Him. He accepted suffering to transform suffering into the joy of union with the Supreme. It is something unique and incomparable in the history of the world. It is something that has never happened before, He is the first to have traced the path in the Unknown, so that we may be able to walk with certitude towards the Supermind. He has made the work easy for us. Savitri is His whole Yoga of transformation, and this Yoga appears now for the first time in the earth-consciousness.
  --
  My child, every day you are going to read Savitri; read properly, with the right attitude, concentrating a little before opening the pages and trying to keep the mind as empty as possible, absolutely without a thought. The direct road is through the heart. I tell you, if you try to really concentrate with this aspiration you can light the flame, the psychic flame, the flame of purification in a very short time, perhaps in a few days. What you cannot do normally, you can do with the help of Savitri. Try and you will see how very different it is, how new, if you read with this attitude, with this something at the back of your consciousness; as though it were an offering to Sri Aurobindo. You know it is charged, fully charged with consciousness; as if Savitri were a being, a real guide. I tell you, whoever, wanting to practice Yoga, tries sincerely and feels the necessity for it, will be able to climb with the help of Savitri to the highest rung of the ladder of Yoga, will be able to find the secret that Savitri represents. And this without the help of a Guru. And he will be able to practice it anywhere. For him Savitri alone will be the guide, for all that he needs he will find Savitri. If he remains very quiet when before a difficulty, or when he does not know where to turn to go forward and how to overcome obstacles, for all these hesitations and incertitudes which overwhelm us at every moment, he will have the necessary indications, and the necessary concrete help. If he remains very calm, open, if he aspires sincerely, always he will be as if lead by the hand. If he has faith, the will to give himself and essential sincerity he will reach the final goal.
  Indeed, Savitri is something concrete, living, it is all replete, packed with consciousness, it is the supreme knowledge above all human philosophies and religions. It is the spiritual path, it is Yoga, Tapasya, Sadhana, everything, in its single body. Savitri has an extraordinary power, it gives out vibrations for him who can receive them, the true vibrations of each stage of consciousness. It is incomparable, it is truth in its plenitude, the Truth Sri Aurobindo brought down on the earth. My child, one must try to find the secret that Savitri represents, the prophetic message Sri Aurobindo reveals there for us. This is the work before you, it is hard but it is worth the trouble. - 5 November 1967

00.02 - Mystic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The Mystics all over the world and in all ages have clothed their sayings in proverbs and parables, in figures and symbols. To speak in symbols seems to be in their very nature; it is their characteristic manner, their inevitable style. Let us see what is the reason behind it. But first who are the Mystics? They are those who are in touch with supra-sensual things, whose experiences are of a world different from the common physical world, the world of the mind and the senses.
   These other worlds are constituted in other ways than ours. Their contents are different and the laws that obtain there are also different. It would be a gross blunder to attempt a chart of any of these other systems, to use an Einsteinian term, with the measures and conventions of the system to which our external waking consciousness belongs. For, there "the sun shines not, nor the moon, nor the stars, neither these lightnings nor this fire." The difficulty is further enhanced by the fact that there are very many unseen worlds and they all differ from the seen and from one another in manner and degree. Thus, for example, the Upanishads speak of the swapna, the suupta, and the turya, domains beyond the jgrat which is that where the rational being with its mind and senses lives and moves. And there are other systems and other ways in which systems exist, and they are practically innumerable.
   If, however, we have to speak of these other worlds, then, since we can speak only in the terms of this world, we have to use them in a different sense from those they usually bear; we must employ them as figures and symbols. Even then they may prove inadequate and misleading; so there are Mystics who are averse to all speech and expression they are mauni; in silence they experience the inexpressible and in silence they communicate it to the few who have the capacity to receive in silence.
  --
   We can make a distinction here between two types of expression which we have put together indiscriminately, figures and symbols. Figures, we may say, are those that are constructed by the rational mind, the intellect; they are mere metaphors and similes and are not organically related to the thing experienced, but put round it as a robe that can be dropped or changed without affecting the experience itself. Thus, for example, when the Upanishad says, tmnam rathinam viddhi (Know that the soul is the master of the chariot who sits within it) or indriyi haynhu (The senses, they say, are the horses), we have here only a comparison or analogy that is common and natural to the poetic manner. The particular figure or simile used is not inevitable to the idea or experience that it seeks to express, its part and parcel. On the other hand, take this Upanishadic perception: hirayamayena patrea satyasyphitam mukham (The face of the Truth lies hidden under the golden orb). Here the symbol is not mere analogy or comparison, a figure; it is one with the very substance of the experience the two cannot be separated. Or when the Vedas speak of the kindling of the Fire, the rushing of the waters or the rise of the Dawn, the images though taken from the material world, are not used for the sake of mere comparison, but they are the embodiments, the living forms of truths experienced in another world.
   When a Mystic refers to the Solar Light or to the Fire the light, for example, that struck down Saul and transformed him into Saint Paul or the burning bush that visited Moses, it is not the physical or material object that he means and yet it is that in a way. It is the materialization of something that is fundamentally not material: some movement in an inner consciousness precipitates itself into the region of the senses and takes from out of the material the form commensurable with its nature that it finds there.
  --
   Thus there is a great diversity of symbols. At the one end is the mere metaphor or simile or allegory ('figure', as we have called it) and at the other end is the symbol identical with the thing symbolized. And upon this inner character of the symbol depends also to a large extent its range and scope. There are symbols which are universal and intimately ingrained in the human consciousness itself. Mankind has used them in all ages and climes almost in the same sense and significance. There are others that are limited to peoples and ages. They are made out of forms that are of local and temporal interest and importance. Their significances vary according to time and place. Finally, there are symbols which are true of the individual consciousness only; they depend on personal peculiarities and idiosyncrasies, on one's environment and upbringing and education.
   Man being an embodied soul, his external consciousness (what the Upanishad calls jgrat) is the milieu in which his soul-experiences naturally manifest and find their play. It is the forms and movements of that consciousness which clo the and give a concrete habitation and name to perceptions on the subtler ranges of the inner existence. If the experiences on these planes are to be presented to the conscious memory and to the brain-mind and made communicable to others through speech, this is the inevitable and natural process. Symbols are a translation in mental and sensual (and vocal) terms of experiences that are beyond the mind and the sense and the speech and yet throw a kind of echoing vibrations upon these lesser levels.

0 0.02 - Topographical Note, #Agenda Vol 1, #The Mother, #Integral Yoga
  Mother would be seated in this rather medieval-looking chair with its high, carved back, her feet on a little tabouret, while we sat on the floor, on a slightly faded carpet, conquered and seduced, revolted and never satisfied - but nevertheless, very interested. Treasures, never noted down, were lost until, with the cunning of the Sioux, we succeeded in making Mother consent to the presence of a tape recorder. But even then, and for a long time thereafter, She carefully made us erase or delete in our notes all that concerned Her rather too personally - sometimes we disobeyed Her.
  But finally we were able to convince Her of the value inherent in keeping a chronicle of the route.
  --
  From 1960, the Agenda took its final shape arid grew for thirteen years, until May 1973, filling thirteen volumes in all (some six thousand pages), with a change of setting in March 1962 at the time of the Great Turning in Mother's yoga when She permanently retired to her room upstairs, as had Sri Aurobindo in 1926. The interviews then took place high up in this large room carpeted in golden wool, like a ship's stateroom, amidst the rustling of the Copper Pod tree and the cawing of crows. Mother would sit in a low rosewood chair, her face turned towards Sri Aurobindo's tomb, as though She were wearing down the distance separating that world from our own. Her voice had become like that of a child, one could hear her laughter. She always laughed, this Mother. And then her long silences. Until the day the disciples closed her door on us. It was May 19, 1973. We did not want to believe it. She was alone, just as we were suddenly alone. Slowly, painfully, we had to discover the why of this rupture. We understood nothing of the jealousies of the old species, we did not yet realize that they were becoming the 'owners' of Mother - of the Ashram, of Auroville, of
  Sri Aurobindo, of everything - and that the new world was going to be denatured into a new

00.03 - Upanishadic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Now, before any explanation is attempted it is important to bear in mind that the Upanishads speak of things experiencednot merely thought, reasoned or argued and that these experiences belong to a world and consciousness other than that of the mind and the senses. One should naturally expect here a different language and mode of expression than that which is appropriate to mental and physical things. For example, the world of dreams was once supposed to be a sheer chaos, a mass of meaningless confusion; but now it is held to be quite otherwise. Psychological scientists have discovered a methodeven a very well-defined and strict methodin the madness of that domain. It is an ordered, organised, significant world; but its terminology has to be understood, its code deciphered. It is not a jargon, but a foreign language that must be learnt and mastered.
   In the same way, the world of spiritual experiences is also something methodical, well-organized, significant. It may not be and is not the rational world of the mind and the sense; but it need not, for that reason, be devoid of meaning, mere fancifulness or a child's imagination running riot. Here also the right key has to be found, the grammar and vocabulary of that language mastered. And as the best way to have complete mastery of a language is to live among the people who speak it, so, in the matter of spiritual language, the best and the only way to learn it is to go and live in its native country.
  --
   My suggestion is that the dog is a symbol of the keen sight of Intuition, the unfailing perception of direct knowledge. With this clue the Upanishadic story becomes quite sensible and clear and not mere abracadabra. To the aspirant for Knowledge came first a purified power of direct understanding, an Intuition of fundamental value, and this brought others of the same species in its train. They were all linked together organically that is the significance of the circle, and formed a rhythmic utterance and expression of the supreme truth (Om). It is also to be noted that they came and met at dawn to chant, the Truth. Dawn is the opening and awakening of the consciousness to truths that come from above and beyond.
   It may be asked why the dog has been chosen as the symbol of Intuition. In the Vedas, the cow and the horse also play a large part; even the donkey and the frog have their own assigned roles. These objects are taken from the environment of ordinary life, and are those that are most familiar to the external consciousness, through which the inner experiences have to express themselves, if they are to be expressed at all. These material objects represent various kinds of forces and movements and subtle and occult and spiritual dynamisms. Strictly speaking, however, symbols are not chosen in a subtle or spiritual experience, that is to say, they are not arbitrarily selected and constructed by the conscious intelligence. They form part of a dramatization (to use a term of the Freudian psychology of dreams), a psychological alchemy, whose method and process and rationale are very obscure, which can be penetrated only by the vision of a third eye.
  --
   Some Western and Westernised scholars have tried to show that the phenomenon described here is an exclusively natural phenomenon, actually visible in the polar region where the sun never sets for six months and moves in a circle whose plane is parallel to the plane of the horizon on the summer solstice and is gradually inclined as the sun regresses towards the equinox (on which day just half the solar disc is visible above the horizon). The sun may be said there to move in the direction East-South-West-North and again East. Indeed the Upanishad mentions the positions of the sun in that order and gives a character to each successive station. The Ray from the East is red, symbolising the Rik, the Southern Ray is white, symbolising the Yajur, the Western Ray is black symbolising the Atharva. The natural phenomenon, however, might have been or might not have been before the mind's eye of the Rishi, but the symbolism, the esotericism of it is clear enough in the way the Rishi speaks of it. Also, apart from the first four movements (which it is already sufficiently difficult to identify completely with what is visible), the fifth movement, as a separate descending movement from above appears to be a foreign element in the context. And although, with regard to the sixth movement or status, the sun is visible as such exactly from the point of the North Pole for a while, the ring of the Rishi's utterance is unmistakably spiritual, it cannot but refer to a fact of inner consciousness that is at least what the physical fact conveys to the Rishi and what he seeks to convey and express primarily.
   Now this is what is sought to be conveyed and expressed. The five movements of the sun here also are nothing but the five smas and they refer to the cycle of the Cosmic or Universal Brahman. The sixth status where all movements cease, where there is no rising and setting, no ebb and flow, no waxing and waning, where there is the immutable, the ever-same unity, is very evidently the Transcendental Brahman. It is That to which the Vedic Rishi refers when he prays for a constant and fixed vision of the eternal Sunjyok ca sryam drie.
   It would be interesting to know what the five ranges or levels or movements of consciousness exactly are that make up the Universal Brahman described in this passage. It is the mystic knowledge, the Upanishad says, of the secret delight in thingsmadhuvidy. The five ranges are the five fundamental principles of delightimmortalities, the Veda would say that form the inner core of the pyramid of creation. They form a rising tier and are ruled respectively by the godsAgni, Indra, Varuna, Soma and Brahmawith their emanations and instrumental personalities the Vasus, the Rudras, the Adityas, the Maruts and the Sadhyas. We suggest that these refer to the five well-known levels of being, the modes or nodi of consciousness or something very much like them. The Upanishad speaks elsewhere of the five sheaths. The six chakras of Tantric system lie in the same line. The first and the basic mode is the physical and the ascent from the physical: Agni and the Vasus are always intimately connected with the earth and -the earth-principles (it can be compared with the Muladhara of the Tantras). Next, second in the line of ascent is the Vital, the centre of power and dynamism of which the Rudras are the deities and Indra the presiding God (cf. Swadhishthana of the Tantras the navel centre). Indra, in the Vedas, has two aspects, one of knowledge and vision and the other of dynamic force and drive. In the first aspect he is more often considered as the Lord of the Mind, of the Luminous Mind. In the present passage, Indra is taken in his second aspect and instead of the Maruts with whom he is usually invoked has the Rudras as his agents and associates.
   The third in the line of ascension is the region of Varuna and the Adityas, that is to say, of the large Mind and its lightsperhaps it can be connected with Tantric Ajna chakra. The fourth is the domain of Soma and the Marutsthis seems to be the inner heart, the fount of delight and keen and sweeping aspirations the Anahata of the Tantras. The fifth is the region of the crown of the head, the domain of Brahma and the Sadhyas: it is the Overmind status from where comes the descending inflatus, the creative Maya of Brahma. And when you go beyond, you pass into the ultimate status of the Sun, the reality absolute, the Transcendent which is indescribable, unseizable, indeterminate, indeterminable, incommensurable; and once there, one never returns, neverna ca punarvartate na ca punarvartate.
  --
   In Yajnavalkya's enumeration, however, it is to be noted, first of all, that he stresses on the number three. The principle of triplicity is of very wide application: it permeates all fields of consciousness and is evidently based upon a fundamental fact of reality. It seems to embody a truth of synthesis and comprehension, points to the order and harmony that reigns in the cosmos, the spheric music. The metaphysical, that is to say, the original principles that constitute existence are the well-known triplets: (i) the superior: Sat, Chit, Ananda; and (ii) the inferior: Body, Life and Mindthis being a reflection or translation or concretisation of the former. We can see also here how the dual principle comes in, the twin godhead or the two gods to which Yajnavalkya refers. The same principle is found in the conception of Ardhanarishwara, Male and Female, Purusha-Prakriti. The Upanishad says 14 yet again that the One original Purusha was not pleased at being alone, so for a companion he created out of himself the original Female. The dual principle signifies creation, the manifesting activity of the Reality. But what is this one and a half to which Yajnavalkya refers? It simply means that the other created out of the one is not a wholly separate, independent entity: it is not an integer by itself, as in the Manichean system, but that it is a portion, a fraction of the One. And in the end, in the ultimate analysis, or rather synthesis, there is but one single undivided and indivisible unity. The thousands and hundreds, very often mentioned also in the Rig Veda, are not simply multiplications of the One, a graphic description of its many-sidedness; it indicates also the absolute fullness, the complete completeness (prasya pram) of the Reality. It includes and comprehends all and is a rounded totality, a full circle. The hundred-gated and the thousand-pillared cities of which the ancient Rishis chanted are formations and embodiments of consciousness human and divine, are realities whole and entire englobing all the layers and grades of consciousness.
   Besides this metaphysics there is also an occult aspect in numerology of which Pythagoras was a well-known adept and in which the Vedic Rishis too seem to take special delight. The multiplication of numbers represents in a general way the principle of emanation. The One has divided and subdivided itself, but not in a haphazard way: it is not like the chaotic pulverisation of a piece of stone by hammer-blows. The process of division and subdivision follows a pattern almost as neat and methodical as a genealogical tree. That is to say, the emanations form a hierarchy. At the top, the apex of the pyramid, stands the one supreme Godhead. That Godhead is biune in respect of manifestation the Divine and his creative Power. This two-in-one reality may be considered, according to one view of creation, as dividing into three forms or aspects the well-known Brahma, Vishnu and Rudra of Hindu mythology. These may be termed the first or primary emanations.
   Now, each one of them in its turn has its own emanations the eleven Rudriyas are familiar. These are secondary and there are tertiary and other graded emanations the last ones touch the earth and embody physico-vital forces. The lowest formations or beings can trace their origin to one or other of the primaries and their nature and function partake of or are an echo of their first ancestor.
   Man, however, is an epitome of creation. He embraces and incarnates the entire gamut of consciousness and comprises in him all beings from the highest Divinity to the lowest jinn or elf. And yet each human being in his true personality is a lineal descendant of one or other typal aspect or original Personality of the one supreme Reality; and his individual character is all the more pronounced and well-defined the more organised and developed is the being. The psychic being in man is thus a direct descent, an immediate emanation along a definite line of devolution of the supreme consciousness. We may now understand and explain easily why one chooses a particular Ishta, an ideal god, what is the drive that pushes one to become a worshipper of Siva or Vishnu or any other deity. It is not any rational understanding, a weighing of pros and cons and then a resultant conclusion that leads one to choose a path of religion or spirituality. It is the soul's natural call to the God, the type of being and consciousness of which it is a spark, from which it has descended, it is the secret affinity the spiritual blood-relation as it were that determines the choice and adherence. And it is this that we name Faith. And the exclusiveness and violence and bitterness which attend such adherence and which go "by the "name of partisanship, sectarianism, fanaticism etc., a;e a deformation in the ignorance on the physico-vital plane of the secret loyalty to one's source and origin. Of course, the pattern or law is not so simple and rigid, but it gives a token or typal pattern. For it must not be forgotten that the supreme source or the original is one and indivisible and in the highest integration consciousness is global and not exclusive. And the human being that attains such a status is not bound or wholly limited to one particular formation: its personality is based on the truth of impersonality. And yet the two can go together: an individual can be impersonal in consciousness and yet personal in becoming and true to type.
   The number of gods depends on the level of consciousness on which we stand. On this material plane there are as many gods as there are bodies or individual forms (adhar). And on the supreme height there is only one God without a second. In between there are gradations of types and sub-types whose number and function vary according to the aspect of consciousness that reveals itself.
  --
   The secularisation of man's vital functions in modem ages has not been a success. It has made him more egocentric and blatantly hedonistic. From an occult point of view he has in this way subjected himself to the influences of dark and undesirable world-forces, has made an opening, to use an Indian symbolism, for Kali (the Spirit of the Iron Age) to enter into him. The sex-force is an extremely potent agent, but it is extremely fluid and elusive and uncontrollable. It was for this reason that the ancients always sought to give it a proper mould, a right continent, a fixed and definite channel; the moderns, on the other hand, allow it to run free and play with it recklessly. The result has been, in the life of those born under such circumstances, a growing lack of poise and balance and a corresponding incidence of neuras thenia, hysteria and all abnormal pathological conditions.
   Chhandyogya, II, III.

00.04 - The Beautiful in the Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The white Mother comes reddening with the ruddy child; the dark Mother opens wide her chambers, the feeling and the expression of the beautiful raise no questioning; they are au thentic as well as evident. All will recognise at once t at we have here beautiful things said in a beautiful way. No less au thentic however is the sense of the beautiful that underlies these Upanishadic lines:
   na tatra sryo bhti na candratrakam
  --
   it cannot be defined or figured in the terms of the phenomenal consciousness. In speaking of it, however, the Upanishads invariably and repeatedly refer to two attributes that characterise its fundamental nature. These two aspects have made such an impression upon the consciousness of the Upanishadic seer that his enthusiasm almost wholly plays about them and is centred on them. When he contemplates or communes with the Supreme Object, these seem to him to be the mark of its au thenticity, the seal of its high status and the reason of all the charm and magic it possesses. The first aspect or attri bute is that of light the brilliance, the solar effulgenceravituly-arpa the bright, clear, shadow less Light of lightsvirajam ubhram jyotim jyoti The second aspect is that of delight, the bliss, the immortality inherent in that wide effulgencenandarpam amtam yad vibhti.
   And what else is the true character, the soul of beauty than light and delight? "A thing of beauty is a joy for ever." And a thing of joy is a thing of light. Joy is the radiance rippling over a thing of beauty. Beauty is always radiant: the charm, the loveliness of an object is but the glow of light that it emanates. And it would not be a very incorrect mensuration to measure the degree of beauty by the degree of light radiated. The diamond is not only a thing of value, but a thing of beauty also, because of the concentrated and undimmed light that it enshrines within itself. A dark, dull and dismal thing, devoid of interest and attraction becomes aesthetically precious and significant as soon as the artist presents it in terms of the values of light. The entire art of painting is nothing but the expression of beauty, in and through the modalities of light.
   And where there is light, there is cheer and joy. Rasamaya and jyotirmayaare thus the two conjoint characteristics fundamental to the nature of the ultimate reality. Sometimes these two are named as the 'solar and the lunar aspect. The solar aspect refers obviously to the Light, that is to say, to the Truth; the lunar aspect refers to the rasa (Soma), to Immortality, to Beauty proper,
   yatte suamam hdayam adhi candramasi ritam
  --
   The rich and sensuous beauty luxuriating in high colour and ample decoration that one meets often in the creation of the earlier Vedic seers returned again, in a more chiselled and polished and stylised manner, in the classical poets. The Upanishads in this respect have a certain kinship with the early poets of the intervening ageVyasa and Valmiki. Upam KlidsasyaKalidasa revels in figures and images; they are profusely heaped on one another and usually possess a complex and composite texture. Valmiki's images are simple and elemental, brief and instinct with a vast resonance, spare and full of power. The same brevity and simplicity, vibrant with an extraordinary power of evocation, are also characteristic of the Upanishadic mantra With Valmiki's
   kamiva dupram

00.05 - A Vedic Conception of the Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   'Kavi' is an invariable epithet of the gods. The Vedas mean by this attribute to bring out a most fundamental character, an inalienable dharma of the heavenly host. All the gods are poets; and a human being can become a poet only in so far as he attains to the nature and status of a god. Who is then a kavi? The Poet is he who by his poetic power raises forms of beauty in heavenkavi kavitv divi rpam sajat.1Thus the essence of poetic power is to fashion divine Beauty, to reveal heavenly forms. What is this Heaven whose forms the Poet discovers and embodies? HeavenDyaushas a very definite connotation in the Veda. It means the luminous or divine Mind 2the mind purified of its obscurity and limitations, due to subjection to the external senses, thus opening to the higher Light, receiving and recording faithfully the deeper and vaster movements and vibrations of the Truth, giving them a form, a perfect body of the right thought and the right word. Indra is the lord of this world and he can be approached only with an enkindled intelligence, ddhay man,3a faultless understanding, sumedh. He is the supreme Artisan of the poetic power,Tash, the maker of perfect forms, surpa ktnum.4 All the gods turn towards Indra and become gods and poets, attain their Great Names of Supreme Beauty.5 Indra is also the master of the senses, indriyas, who are his hosts. It is through this mind and the senses that the poetic creation has to be manifested. The mind spreads out wide the Poet's weaving;6 the poet is the priest who calls down and works out the right thinking in the sacrificial labour of creation.7 But that creation is made in and through the inner mind and the inner senses that are alive to the subtle formation of a vaster knowledge.8 The poet envisages the golden forms fashioned out of the very profundity of the consciousness.9 For the substance, the material on which the Poet works, is Truth. The seat of the Truth the poets guard, they uphold the supreme secret Names.10 The poet has the expressive utterance, the creative word; the poet is a poet by his poetic creation-the shape faultlessly wrought out that unveils and holds the Truth.11The form of beauty is the body of the Truth.
   The poet is a trinity in himself. A triune consciousness forms his personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara. He has the direct vision, the luminous intelligence, the immediate perception.12 A subtle and profound and penetrating consciousness is his,nigam, pracetas; his is the eye of the Sun,srya caku.13 He secures an increased being through his effulgent understanding.14 In the second place, the Poet is not only Seer but Doer; he is knower as well as creator. He has a dynamic knowledge and his vision itself is power, ncak;15 he is the Seer-Will,kavikratu.16 He has the blazing radiance of the Sun and is supremely potent in his self-Iuminousness.17 The Sun is the light and the energy of the Truth. Even like the Sun the Poet gives birth to the Truth, srya satyasava, satyya satyaprasavya. But the Poet as Power is not only the revealer or creator,savit, he is also the builder or fashioner,ta, and he is the organiser,vedh is personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara, of the Truth.18 As Savita he manifests the Truth, as Tashta he gives a perfected body and form to the Truth, and as Vedha he maintains the Truth in its dynamic working. The effective marshalling and organisation of the Truth is what is called Ritam, the Right; it is also called Dharma,19 the Law or the Rhythm, the ordered movement and invincible execution of the Truth. The Poet pursues the Path of the Right;20 it is he who lays out the Path for the march of the Truth, the progress of the Sacrifice.21 He is like a fast steed well-yoked, pressing forward;22 he is the charger that moves straight and unswerving and carries us beyond 23into the world of felicity.
   Indeed delight is the third and the supremely intimate element of the poetic personality. Dear and delightful is the poet, dear and delightful his works, priya, priyi His hand is dripping with sweetness,kavir hi madhuhastya.24 The Poet-God shines in his pristine beauty and is showering delight.25 He is filled with utter ecstasy so that he may rise to the very source of the luminous Energy.26? Pure is the Divine Joy and it enters and purifies all forms as it moves to the seat of the Immortals.27Indeed this sparkling Delight is the Poet-Seer and it is that that brings forth the creative word, the utterance of Indra.28

0.00a - Introduction, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  The age-old advice, "Know thyself," is more imperative than ever. The tempo of science has accelerated to such a degree that today's discoveries frequently make yesterday's equations obsolescent almost before they can be chalked up on a blackboard. Small wonder, then that every other hospital bed is occupied by a mental patient. Man was not constructed to spend his life at a crossroads, one of which leads he knows not where, and the other to threatened annihilation of his species.
  In view of this situation it is doubly reassuring to know that, even in the midst of chaotic concepts and conditions there still remains a door through which man, individually, can enter into a vast store-house of knowledge, knowledge as dependable and immutable as the measured tread of Eternity.
  For this reason I am especially pleased to be writing an introduction to a new edition of A Garden of Pomegranates. I feel that never, perhaps, was the need more urgent for just such a roadmap as the Qabalistic system provides. It should be equally useful to any who chooses to follow it, whether he be Jew, Christian or Buddhist, Deist, Theosophist, agnostic or atheist.
  --
  But the Qabalah is more. It also lays the foundation on which rests another ar chaic science- Magic. Not to be confused with the conjurer's sleight-of-hand, Magic has been defined by Aleister Crowley as "the science and art of causing change to occur in conformity with will." Dion Fortune qualifies this nicely with an added clause, " changes in consciousness."
  The Qabalah reveals the nature of certain physical and psychological phenomena. Once these are apprehended, understood and correlated, the student can use the principles of Magic to exercise control over life's conditions and circumstances not otherwise possible. In short. Magic provides the practical application of the theories supplied by the Qabalah.
  --
  Each letter of the Qabalistic alphabet has a number, color, many symbols and a Tarot card attributed to it. The Qabalah not only aids in an understanding of the Tarot, but teaches the student how to classify and organize all such ideas, numbers and symbols. Just as a knowledge of Latin will give insight into the meaning of an unfamiliar English word with a Latin root, so the knowledge of the Qabalah with the various attri butions to each character in its alphabet will enable the student to understand and correlate ideas and concepts which otherwise would have no apparent relation.
  A simple example is the concept of the Trinity in the Christian religion. The student is frequently amazed to learn through a study of the Qabalah that Egyptian mythology followed a similar concept with its trinity of gods, Osiris the father, Isis the virgin-mother, and Horus the son. The Qabalah indicates similar correspondences in the pantheon of Roman and Greek deities, proving the father-mother (Holy Spirit) - son principles of deity are primordial archetypes of man's psyche, rather than being, as is frequently and erroneously supposed a development peculiar to the Christian era.
  --
  Much knowledge obtained by the ancients through the use of the Qabalah has been supported by discoveries of modern scientists- anthropologists, astronomers, psychiatrists, et al. Learned Qabalists for hundreds of years have been aware of what the psychiatrist has only discovered in the last few decades-that man's concept of himself, his deities and the Universe is a constantly evolving process, changing as man himself evolves on a higher spiral. But the roots of his concepts are buried in a race-consciousness that antedated Neanderthal man by uncounted aeons of time.
  What Jung calls archetypal images constantly rise to the surface of man's awareness from the vast unconscious that is the common heritage of all mankind.
  --
  Prior to the closing down of the Mandrake Press in London about 1930-31, I was employed as company secretary for a while. Along with several Crowley books, the Mandrake Press published a lovely little monogram by D. H. Lawrence entitled "Apropos of Lady chatterley's Lover." My own copy accompanied me on my travels for long years. Only recently did I discover that it had been lost. I hope that any one of my former patients who had borrowed it will see fit to return it to me forthwith.
  The last chapter of A Garden deals with the Way of Return. It used almost entirely Crowley's concept of the Path as described in his superb essay "One Star in Sight." In addition to this, I borrowed extensively from Lawrence's Apropos. Somehow, they all fitted together very nicely. In time, all these variegated notes were incorporated into the text without acknowledgment, an oversight which I now feel sure would be forgiven, since I was only twenty-four at the time.
  Some modern Nature-worshippers and members of the newly-washed and redeemed witch-cult have complimented me on this closing chapter which I entitled 'The Ladder." I am pleased about this. For a very long time I was not at all familiar with the topic of witchcraft. I had avoided it entirely, not being attracted to its literature in any way. In fact, I only became slightly conversant with its theme and literature just a few years ago, after reading "The Anatomy of Eve" written by Dr. Leopold Stein, a Jungian analyst. In the middle of his study of four cases, he included a most informative chapter on the subject. This served to stimulate me to wider reading in that area.
  In 1932, at the suggestion of Thomas Burke, the novelist, I submitted my manuscript to one of his publishers, Messrs. Constable in London. They were unable to use it, but made some encouraging comments and advised me to submit it to Riders. To my delight and surprise, Riders published it, and throughout the years the reaction it has had indicated other students found it also fulfilled their need for a condensed and simplified survey of such a vast subject as the Qabalah.

0.00a - Participants in the Evening Talks, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Suresh chakravarty (Moni) T. Kodandarama Rao
   K. Aravamuda chari (Amrita) Purushottam Patel
  --
   Khitish chandra Dutt
   A. B. Purani
  --
   champaklal
   Purna chand
  --
   champaklal Dr. Srinivasa Rao
   Satyendra Thakore Dr. Savoor

0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  KESHAB chaNDRA SEN
  OTHER BRAHMO LEADERS
  --
  About his parents Sri Ramakrishna once said: "My mother was the personification of rectitude and gentleness. She did not know much about the ways of the world; innocent of the art of concealment, she would say what was in her mind. People loved her for her open-heartedness. My father, an orthodox brahmin, never accepted gifts from the sudras. He spent much of his time in worship and meditation, and in repeating God's name and chanting His glories. Whenever in his daily prayers he invoked the Goddess Gayatri, his chest flushed and tears rolled down his cheeks. He spent his leisure hours making garlands for the Family Deity, Raghuvir."
  Khudiram chattopadhyaya and chandra Devi, the parents of Sri Ramakrishna, were married in 1799. At that time Khudiram was living in his ancestral village of Dereypore, not far from Kamarpukur. Their first son, Ramkumar, was born in 1805, and their first daughter, Katyayani, in 1810. In 1814 Khudiram was ordered by his landlord to bear false witness in court against a neighbour. When he refused to do so, the landlord brought a false case against him and deprived him of his ancestral property. Thus dispossessed, he arrived, at the invitation of another landlord, in the quiet village of Kamarpukur, where he was given a dwelling and about an acre of fertile land. The crops from this little property were enough to meet his family's simple needs. Here he lived in simplicity, dignity, and contentment.
  Ten years after his coming to Kamarpukur, Khudiram made a pilgrimage on foot to Rameswar, at the southern extremity of India. Two years later was born his second son, whom he named Rameswar. Again in 1835, at the age of sixty, he made a pilgrimage, this time to Gaya. Here, from ancient times, Hindus have come from the four corners of India to dis charge their duties to their departed ancestors by offering them food and drink at the sacred footprint of the Lord Vishnu. At this holy place Khudiram had a dream in which the Lord Vishnu promised to he born as his son. And chandra Devi, too, in front of the Siva temple at Kamarpukur, had a vision indicating the birth of a divine child. Upon his return the husband found that she had conceived.
  It was on February 18, 1836, that the child, to be known afterwards as Ramakrishna, was born. In memory of the dream at Gaya he was given the name of Gadadhar, the "Bearer of the Mace", an epithet of Vishnu. Three years later a little sister was born.
  --
   Gadadhar himself now organized a dramatic company with his young friends. The stage was set in the mango or chard. The themes were selected from the stories of the Ramayana and the Mahabharata. Gadadhar knew by heart almost all the roles, having heard them from professional actors. His favourite theme was the Vrindavan episode of Krishna's life, depicting those exquisite love-stories of Krishna and the milkmaids and the cowherd boys. Gadadhar would play the parts of Radha or Krishna and would often lose himself in the character he was portraying. His natural feminine grace heightened the dramatic effect. The mango or chard would ring with the loud kirtan of the boys. Lost in song and merry-making, Gadadhar became indifferent to the routine of school.
   In 1849 Ramkumar, the eldest son, went to Calcutta to improve the financial condition of the family.
  --
   When Ramkumar reprimanded Gadadhar for neglecting a "bread-winning education", the inner voice of the boy reminded him that the legacy of his ancestors — the legacy of Rama, Krishna, Buddha, Sankara, Ramanuja, chaitanya — was not worldly security but the Knowledge of God. And these noble sages were the true representatives of Hindu society. Each of them was seated, as it were, on the crest of the wave that followed each successive trough in the tumultuous course of Indian national life. All demonstrated that the life current of India is spirituality. This truth was revealed to Gadadhar through that inner vision which scans past and future in one sweep, unobstructed by the barriers of time and space. But he was unaware of the history of the profound change that had taken place in the land of his birth during the previous one hundred years.
   Hindu society during the eighteenth century had been passing through a period of decadence. It was the twilight of the Mussalman rule. There were anarchy and confusion in all spheres. Superstitious practices dominated the religious life of the people. Rites and rituals passed for the essence of spirituality. Greedy priests became the custodians of heaven. True philosophy was supplanted by dogmatic opinions. The pundits took delight in vain polemics.
  --
   Ramkumar could hardly understand the import of his young brother's reply. He described in bright colours the happy and easy life of scholars in Calcutta society. But Gadadhar intuitively felt that the scholars, to use one of his own vivid illustrations, were like so many vultures, soaring high on the wings of their uninspired intellect, with their eyes fixed on the charnel-pit of greed and lust. So he stood firm and Ramkumar had to give way.
   --- KALI TEMPLE AT DAKSHINESWAR
  --
   The temple garden stands directly on the east bank of the Ganges. The northern section of the land and a portion to the east contain an or chard, flower gardens, and two small reservoirs. The southern section is paved with brick and mortar. The visitor arriving by boat ascends the steps of an imposing bathing-ghat which leads to the chandni, a roofed terrace, on either side of which stand in a row six temples of Siva. East of the terrace and the Siva temples is a large court, paved, rectangular in shape, and running north and south. Two temples stand in the centre of this court, the larger one, to the south and facing south, being dedicated to Kali, and the smaller one, facing the Ganges, to Radhakanta, that is, Krishna, the Consort of Radha. Nine domes with spires surmount the temple of Kali, and before it stands the spacious natmandir, or music hall, the terrace of which is sup- ported by stately pillars. At the northwest and southwest
   corners of the temple compound are two nahabats, or music towers, from which music flows at different times of day, especially at sunup, noon, and sundown, when the worship is performed in the temples. Three sides of the paved courtyard — all except the west — are lined with rooms set apart for kitchens, store-rooms, dining-rooms, and quarters for the temple staff and guests. The chamber in the northwest angle, just beyond the last of the Siva temples, is of special interest to us; for here Sri Ramakrishna was to spend a considerable part of his life. To the west of this chamber is a semicircular porch overlooking the river. In front of the porch runs a foot-path, north and south, and beyond the path is a large garden and, below the garden, the Ganges. The or chard to the north of the buildings contains the Pan chavati, the banyan, and the bel-tree, associated with Sri Ramakrishna's spiritual practices. Outside and to the north of the temple compound proper is the kuthi, or bungalow, used by members of Rani Rasmani's family visiting the garden. And north of the temple garden, separated from it by a high wall, is a powder-magazine belonging to the British Government.
   --- SIVA
  --
   The temple of Radhakanta, also known as the temple of Vishnu, contains the images of Radha and Krishna, the symbol of union with God through ecstatic love. The two images stand on a pedestal facing the west. The floor is paved with marble. From the ceiling of the porch hang chandeliers protected from dust by coverings of red cloth. Canvas screens shield the images from the rays of the setting sun. Close to the threshold of the inner shrine is a small brass cup containing holy water. Devoted visitors reverently drink a few drops from the vessel.
   --- KALI
  --
   Mathur begged Sri Ramakrishna to take charge of the worship in the Kali temple. The young priest pleaded his incompetence and his ignorance of the scriptures. Mathur insisted that devotion and sincerity would more than compensate for any lack of formal knowledge and make the Divine Mother manifest Herself through the image. In the end, Sri Ramakrishna had to yield to Mathur's request. He became the priest of Kali.
   In 1856 Ramkumar breathed his last. Sri Ramakrishna had already witnessed more than one death in the family. He had come to realize how impermanent is life on earth. The more he was convinced of the transitory nature of worldly things, the more eager he became to realize God, the Fountain of Immortality.
  --
   In 1858 there came to Dakshineswar a cousin of Sri Ramakrishna, Haladhari by name, who was to remain there about eight years. On account of Sri Ramakrishna's indifferent health, Mathur appointed this man to the office of priest in the Kali temple. He was a complex character, versed in the letter of the scriptures, but hardly aware of their spirit. He loved to participate in hair-splitting theological discussions and, by the measure of his own erudition, he proceeded to gauge Sri Ramakrishna. An orthodox brahmin, he thoroughly disapproved of his cousin's unorthodox actions, but he was not unimpressed by Sri Ramakrishna's purity of life, ecstatic love of God, and yearning for realization.
   One day Haladhari upset Sri Ramakrishna with the statement that God is incomprehensible to the human mind. Sri Ramakrishna has described the great moment of doubt when he wondered whether his visions had really misled him: "With sobs I prayed to the Mother, 'Canst Thou have the heart to deceive me like this because I am a fool?' A stream of tears flowed from my eyes. Shortly afterwards I saw a volume of mist rising from the floor and filling the space before me. In the midst of it there appeared a face with flowing beard, calm, highly expressive, and fair. Fixing its gaze steadily upon me, it said solemnly, 'Remain in bhavamukha, on the threshold of relative consciousness.' This it repeated three times and then it gently disappeared in the mist, which itself dissolved. This vision reassured me."
   A garbled report of Sri Ramakrishna's failing health, indifference to worldly life, and various abnormal activities reached Kamarpukur and filled the heart of his poor mother with anguish. At her repeated request he returned to his village for a change of air. But his boyhood friends did not interest him any more. A divine fever was consuming him. He spent a great part of the day and night in one of the cremation grounds, in meditation. The place reminded him of the impermanence of the human body, of human hopes and achievements. It also reminded him of Kali, the Goddess of destruction.
   --- MARRIAGE AND AFTER
  --
   Saradamani, a little girl of five, lived in the neighbouring village of Jayrambati. Even at this age she had been praying to God to make her character as stainless and fragrant as the white tuberose. Looking at the full moon, she would say: "O God, there are dark spots even on the moon. But make my character spotless." It was she who was selected as the bride for Sri Ramakrishna.
   The marriage ceremony was duly performed. Such early marriage in India is in the nature of a betrothal, the marriage being consummated when the girl attains puberty. But in this case the marriage remained for ever unconsummated. Sri Ramakrishna lived at Kamarpukur about a year and a half and then returned to Dakshineswar.
  --
   Sri Ramakrishna welcomed the visitor with great respect, described to her his experiences and visions, and told her of people's belief that these were symptoms of madness. She listened to him attentively and said: "My son, everyone in this world is mad. Some are mad for money, some for creature comforts, some for name and fame; and you are mad for God." She assured him that he was passing through the almost unknown spiritual experience described in the scriptures as mahabhava, the most exalted rapture of divine love. She told him that this extreme exaltation had been described as manifesting itself through nineteen physical symptoms, including the shedding of tears, a tremor of the body, horripilation, perspiration, and a burning sensation. The Bhakti scriptures, she declared, had recorded only two instances of the experience, namely, those of Sri Radha and Sri chaitanya.
   Very soon a tender relationship sprang up between Sri Ramakrishna and the Brahmani, she looking upon him as the Baby Krishna, and he upon her as mother. Day after day she watched his ecstasy during the kirtan and meditation, his samadhi, his mad yearning; and she recognized in him a power to transmit spirituality to others. She came to the conclusion that such things were not possible for an ordinary devotee, not even for a highly developed soul. Only an Incarnation of God was capable of such spiritual manifestations. She proclaimed openly that Sri Ramakrishna, like Sri chaitanya, was an Incarnation of God.
   When Sri Ramakrishna told Mathur what the Brahmani had said about him, Mathur shook his head in doubt. He was reluctant to accept him as an Incarnation of God, an Avatar comparable to Rama, Krishna, Buddha, and chaitanya, though he admitted Sri Ramakrishna's extraordinary spirituality. Whereupon the Brahmani asked Mathur to arrange a conference of scholars who should discuss the matter with her. He agreed to the proposal and the meeting was arranged. It was to be held in the natmandir in front of the Kali temple.
   Two famous pundits of the time were invited: Vaishnav charan, the leader of the Vaishnava society, and Gauri. The first to arrive was Vaishnav charan, with a distinguished company of scholars and devotees. The Brahmani, like a proud mother, proclaimed her view before him and supported it with quotations from the scriptures. As the pundits discussed the deep theological question, Sri Ramakrishna, perfectly indifferent to everything happening around him, sat in their midst like a child, immersed in his own thoughts, sometimes smiling, sometimes chewing a pinch of spices from a pouch, or again saying to Vaishnav charan with a nudge: "Look here. Sometimes I feel like this, too." Presently Vaishnav charan arose to declare himself in total agreement with the view of the Brahmani. He declared that Sri Ramakrishna had undoubtedly experienced mahabhava and that this was the certain sign of the rare manifestation of God in a man. The people assembled
  --
   Gauri said: "I feel it in my heart and I have the scriptures on my side. I am ready to prove it to anyone who challenges me."
   "Well," Sri Ramakrishna said, "it is you who say so; but, believe me, I know nothing about it."
   Thus the insane priest was by verdict of the great scholars of the day proclaimed a Divine Incarnation. His visions were not the result of an over-heated brain; they had precedent in spiritual history. And how did the proclamation affect Sri Ramakrishna himself? He remained the simple child of the Mother that he had been since the first day of his life. Years later, when two of his householder disciples openly spoke of him as a Divine Incarnation and the matter was reported to him, he said with a touch of sarcasm: "Do they think they will enhance my glory that way? One of them is an actor on the stage and the other a physician. What do they know about Incarnations? Why, years ago pundits like Gauri and Vaishnav charan declared me to be an Avatar. They were great scholars and knew what they said. But that did not make any change in my mind."
   Sri Ramakrishna was a learner all his life. He often used to quote a proverb to his disciples: "Friend, the more I live the more I learn." When the excitement created by the Brahmani's declaration was over, he set himself to the task of practising spiritual disciplines according to the traditional methods laid down in the Tantra and Vaishnava scriptures. Hitherto he had pursued his spiritual ideal according to the promptings of his own mind and heart. Now he accepted the Brahmani as his guru and set foot on the traditional highways.
  --
   There are two stages of bhakti. The first is known as vaidhi-bhakti, or love of God qualified by scriptural injunctions. For the devotees of this stage are prescribed regular and methodical worship, hymns, prayers, the repetition of God's name, and the chanting of His glories. This lower bhakti in course of time matures into para-bhakti, or supreme devotion, known also as prema, the most intense form of divine love. Divine love is an end in itself. It exists potentially in all human hearts, but in the case of bound creatures it is misdirected to earthly objects.
   To develop the devotee's love for God, Vaishnavism humanizes God. God is to be regarded as the devotee's Parent, Master, Friend, Child, Husband, or Sweetheart, each succeeding relationship representing an intensification of love. These bhavas, or attitudes toward God, are known as santa, dasya, sakhya, vatsalya, and madhur. The rishis of the Vedas, Hanuman, the cow-herd boys of Vrindavan, Rama's mother Kausalya, and Radhika, Krishna's sweetheart, exhibited, respectively, the most perfect examples of these forms. In the ascending scale the-glories of God are gradually forgotten and the devotee realizes more and more the intimacy of divine communion. Finally he regards himself as the mistress of his Beloved, and no artificial barrier remains to separate him from his Ideal. No social or moral obligation can bind to the earth his soaring spirit. He experiences perfect union with the Godhead. Unlike the Vedantist, who strives to transcend all varieties of the subject-object relationship, a devotee of the Vaishnava path wishes to retain both his own individuality and the personality of God. To him God is not an intangible Absolute, but the Purushottama, the Supreme Person.
  --
   Sri chaitanya, also known as Gauranga, Gora, or Nimai, born in Bengal in 1485 and regarded as an Incarnation of God, is a great prophet of the Vaishnava religion. chaitanya declared the chanting of God's name to be the most efficacious spiritual discipline for the Kaliyuga.
   Sri Ramakrishna, as the monkey Hanuman, had already worshipped God as his Master. Through his devotion to Kali he had worshipped God as his Mother. He was now to take up the other relationships prescribed by the Vaishnava scriptures.
  --
   While worshipping Ramlala as the Divine Child, Sri Ramakrishna's heart became filled with motherly tenderness, and he began to regard himself as a woman. His speech and gestures changed. He began to move freely with the ladies of Mathur's family, who now looked upon him as one of their own sex. During this time he worshipped the Divine Mother as Her companion or handmaid.
   --- IN COMMUNION WITH THE DIVINE BELOVED
  --
   Totapuri was the bearer of a philosophy new to Sri Ramakrishna, the non-dualistic Vedanta philosophy, whose conclusions Totapuri had experienced in his own life. This ancient Hindu system designates the Ultimate Reality as Brahman, also described as Satchidananda, Existence-Knowledge-Bliss Absolute. Brahman is the only Real Existence. In It there is no time, no space, no causality, no multiplicity. But through maya, Its inscrutable Power, time, space, and causality are created and the One appears to break into the many. The eternal Spirit appears as a manifold of individuals endowed with form and subject to the conditions of time. The Immortal becomes a victim of birth and death. The changeless undergoes change. The sinless Pure Soul, hypnotized by Its own maya, experiences the joys of heaven and the pains of hell. But these experiences based on the duality of the subject-object relationship are unreal. Even the vision of a Personal God
   is, ultimately speaking, as illusory as the experience of any other object. Man attains his liberation, therefore, by piercing the veil of maya and rediscovering his total identity with Brahman. Knowing himself to be one with the Universal Spirit, he realizes ineffable Peace. Only then does he go beyond the fiction of birth and death; only then does he become immortal. 'And this is the ultimate goal of all religions — to dehypnotize the soul now hypnotized by its own ignorance.
   The path of the Vedantic discipline is the path of negation, "neti", in which, by stern determination, all that is unreal is both negated and renounced. It is the path of jnana, knowledge, the direct method of realizing the Absolute. After the negation of everything relative, including the discriminating ego itself, the aspirant merges in the One without a Second, in the bliss of nirvikalpa samadhi, where subject and object are alike dissolved. The soul goes beyond the realm of thought. The domain of duality is transcended. Maya is left behind with all its changes and modifications. The Real Man towers above the delusions of creation, preservation, and destruction. An avalanche of indescribable Bliss sweeps away all relative ideas of pain and pleasure, good and evil. There shines in the heart the glory of the Eternal Brahman, Existence-Knowledge-Bliss Absolute. Knower, knowledge, and known are dissolved in the Ocean of one eternal Consciousness; love, lover, and beloved merge in the unbounded Sea of supreme Felicity; birth, growth, and death vanish in infinite Existence. All doubts and misgivings are quelled for ever; the oscillations of the mind are stopped; the momentum of past actions is exhausted. Breaking down the ridge-pole of the tabernacle in which the soul has made its abode for untold ages, stilling the body, calming the mind, drowning the ego, the sweet joy of Brahman wells up in that superconscious state. Space disappears into nothingness, time is swallowed in eternity, and causation becomes a dream of the past. Only Existence is. Ah! Who can describe what the soul then feels in its communion with the Self?
   Even when man descends from this dizzy height, he is devoid of ideas of "I" and "mine"; he looks on the body as a mere shadow, an outer sheath encasing the soul. He does not dwell on the past, takes no thought for the future, and looks with indifference on the present. He surveys everything in the world with an eye of equality; he is no longer touched by the infinite variety of phenomena; he no longer reacts to pleasure and pain. He remains unmoved whether he — that is to say, his body — is worshipped by the good or tormented by the wicked; for he realizes that it is the one Brahman that manifests Itself through everything. The impact of such an experience devastates the body and mind. Consciousness becomes blasted, as it were, with an excess of Light. In the Vedanta books it is said that after the experience of nirvikalpa samadhi the body drops off like a dry leaf. Only those who are born with a special mission for the world can return
  --
   Totapuri had no idea of the struggles of ordinary men in the toils of passion and desire. Having maintained all through life the guilelessness of a child, he laughed at the idea of a man's being led astray by the senses. He was convinced that the world was maya and had only to be denounced to vanish for ever. A born non-dualist, he had no faith in a Personal God. He did not believe in the terrible aspect of Kali, much less in Her benign aspect. Music and the chanting of God's holy name were to him only so much nonsense. He ridiculed the spending of emotion on the worship of a Personal God.
   --- KALI AND MAYA
  --
   Eight years later, some time in November 1874, Sri Ramakrishna was seized with an irresistible desire to learn the truth of the Christian religion. He began to listen to readings from the Bible, by Sambhu charan Mallick, a gentleman of Calcutta and a devotee of the Master. Sri Ramakrishna became fascinated by the life and teachings of Jesus. One day he was seated in the parlour of Jadu Mallick's garden house (This expression is used throughout to translate the Bengali word denoting a rich man's country house set in a garden.) at Dakshineswar, when his eyes became fixed on a painting of the Madonna and Child. Intently watching it, he became gradually overwhelmed with divine emotion. The figures in the picture took on life, and the rays of light emanating from them entered his soul. The effect of this experience was stronger than that of the vision of Mohammed. In dismay he cried out, "O Mother! What are You doing to me?" And, breaking through the barriers of creed and religion, he entered a new realm of ecstasy. Christ possessed his soul. For three days he did not set foot in the Kali temple. On the fourth day, in the afternoon, as he was walking in the Pan chavati, he saw coming toward him a person with beautiful large eyes, serene countenance, and fair skin. As the two faced each other, a voice rang out in the depths of Sri Ramakrishna's soul: "Behold the Christ, who shed His heart's blood for the redemption of the world, who suffered a sea of anguish for love of men. It is He, the Master Yogi, who is in eternal union with God. It is Jesus, Love Incarnate." The Son of Man embraced the Son of the Divine Mother and merged in him. Sri Ramakrishna krishna realized his identity with Christ, as he had already realized his identity with Kali, Rama, Hanuman, Radha, Krishna, Brahman, and Mohammed. The Master went into samadhi and communed with the Brahman with attributes. Thus he experienced the truth that Christianity, too, was a path leading to God-Consciousness. Till the last moment of his life he believed that Christ was an Incarnation of God. But Christ, for him, was not the only Incarnation; there were others — Buddha, for instance, and Krishna.
   --- ATTITUDE TOWARD DIFFERENT RELIGIONS
  --
   In 1867 Sri Ramakrishna returned to Kamarpukur to recuperate from the effect of his austerities. The peaceful countryside, the simple and artless companions of his boyhood, and the pure air did him much good. The villagers were happy to get back their playful, frank, witty, kind-hearted, and truthful Gadadhar, though they did not fail to notice the great change that had come over him during his years in Calcutta. His wife, Sarada Devi, now fourteen years old, soon arrived at Kamarpukur. Her spiritual development was much beyond her age and she was able to understand immediately her husband's state of mind. She became eager to learn from him about God and to live with him as his attendant. The Master accepted her cheerfully both as his disciple and as his spiritual companion. Referring to the experiences of these few days, she once said: "I used to feel always as if a pitcher full of bliss were placed in my heart. The joy was indescribable."
   --- PILGRIMAGE
  --
   In 1870 the Master went on a pilgrimage to Nadia, the birth-place of Sri chaitanya. As the boat by which he travelled approached the sand-bank close to Nadia, Sri Ramakrishna had a vision of the "two brothers", Sri chaitanya and his companion Nityananda, "bright as molten gold" and with haloes, rushing to greet him with uplifted hands. "There they come! There they come!" he cried. They entered his body and he went into a deep trance.
   --- RELATION WITH HIS WIFE
  --
   In March 1875, about a year before the death of his mother, the Master met Keshab chandra Sen. The meeting was a momentous event for both Sri Ramakrishna and Keshab. Here the Master for the first time came into actual, contact with a worthy representative of modern India.
   --- BRAHMO SAMAJ
  --
   By far the ablest leader of the Brahmo movement was Keshab chandra Sen (1838-1884). Unlike Raja Rammohan Roy and Devendranath Tagore, Keshab was born of a middle-class Bengali family and had been brought up in an English school. He did not know Sanskrit and very soon broke away from the popular Hindu religion. Even at an early age he came under the spell of Christ and professed to have experienced the special favour of John the Baptist, Christ, and St. Paul. When he strove to introduce Christ to the Brahmo Samaj, a rupture became inevitable with Devendranath. In 1868 Keshab broke with the older leader and founded the Brahmo Samaj of India, Devendra retaining leadership of the first Brahmo Samaj, now called the Adi Samaj.
   Keshab possessed a complex nature. When passing through a great moral crisis, he spent much of his time in solitude and felt that he heard the voice of God, When a devotional form of worship was introduced into the Brahmo Samaj, he spent hours in singing kirtan with his followers. He visited England land in 1870 and impressed the English people with his musical voice, his simple English, and his spiritual fervour. He was entertained by Queen Victoria. Returning to India, he founded centres of the Brahmo Samaj in various parts of the country. Not unlike a professor of comparative religion in a European university, he began to discover, about the time of his first contact with Sri Ramakrishna, the harmony of religions. He became sympathetic toward the Hindu gods and goddesses, explaining them in a liberal fashion. Further, he believed that he was called by God to dictate to the world God's newly revealed law, the New Dispensation, the Navavidhan.
  --
   The other movement playing an important part in the nineteenth-century religious revival of India was the Arya Samaj. The Brahmo Samaj, essentially a movement of compromise with European culture, tacitly admitted the superiority of the West. But the founder of the Arya Samaj was a ' pugnacious Hindu sannyasi who accepted the challenge of Islam and Christianity and was resolved to combat all foreign influence in India. Swami Dayananda (1824-1883) launched this movement in Bombay in 1875, and soon its influence was felt throughout western India. The Swami was a great scholar of the Vedas, which he explained as being strictly monotheistic. He preached against the worship of images and re-established the ancient Vedic sacrificial rites. According to him the Vedas were the ultimate authority on religion, and he accepted every word of them as literally true. The Arya Samaj became a bulwark against the encroachments of Islam and Christianity, and its orthodox flavour appealed to many Hindu minds. It also assumed leadership in many movements of social reform. The caste-system became a target of its attack. Women it liberated from many of their social disabilities. The cause of education received from it a great impetus. It started agitation against early marriage and advocated the remarriage of Hindu widows. Its influence was strongest in the Punjab, the battle-ground of the Hindu and Islamic cultures. A new fighting attitude was introduced into the slumbering Hindu society. Unlike the Brahmo Samaj, the influence of the Arya Samaj was not confined to the intellectuals. It was a force that spread to the masses. It was a dogmatic movement intolerant of those who disagreed with its views, and it emphasized only one way, the Arya Samaj way, to the realization of Truth. Sri Ramakrishna met Swami Dayananda when the latter visited Bengal.
   --- KESHAB chaNDRA SEN
   Keshab chandra Sen and Sri Ramakrishna met for the first time in the garden house of Jaygopal Sen at Belgharia, a few miles from Dakshineswar, where the great Brahmo leader was staying with some of his disciples. In many respects the two were poles apart, though an irresistible inner attraction was to make them intimate friends. The Master had realized God as Pure Spirit and Consciousness, but he believed in the various forms of God as well. Keshab, on the other hand, regarded image worship as idolatry and gave allegorical explanations of the Hindu deities. Keshab was an orator and a writer of books and magazine articles; Sri Ramakrishna had a horror of lecturing and hardly knew how to write his own name, Keshab's fame spread far and wide, even reaching the distant shores of England; the Master still led a secluded life in the village of Dakshineswar. Keshab emphasized social reforms for India's regeneration; to Sri Ramakrishna God-realization was the only goal of life. Keshab considered himself a disciple of Christ and accepted in a diluted form the Christian sacraments and Trinity; Sri Ramakrishna was the simple child of Kali, the Divine Mother, though he too, in a different way, acknowledged Christ's divinity. Keshab was a householder holder and took a real interest in the welfare of his children, whereas Sri Ramakrishna was a paramahamsa and completely indifferent to the life of the world. Yet, as their acquaintance ripened into friendship, Sri Ramakrishna and Keshab held each other in great love and respect. Years later, at the news of Keshab's death, the Master felt as if half his body had become paralyzed. Keshab's concepts of the harmony of religions and the Motherhood of God were deepened and enriched by his contact with Sri Ramakrishna.
   Sri Ramakrishna, dressed in a red-bordered dhoti, one end of which was carelessly thrown over his left shoulder, came to Jaygopal's garden house accompanied by Hriday. No one took notice of the unostentatious visitor. Finally the Master said to Keshab, "People tell me you have seen God; so I have come to hear from you about God." A magnificent conversation followed. The Master sang a thrilling song about Kali and forthwith went into samadhi. When Hriday uttered the sacred "Om" in his ears, he gradually came back to consciousness of the world, his face still radiating a divine brilliance. Keshab and his followers were amazed. The contrast between Sri Ramakrishna and the Brahmo devotees was very interesting. There sat this small man, thin and extremely delicate. His eyes were illumined with an inner light. Good humour gleamed in his eyes and lurked in the corners of his mouth. His speech was Bengali of a homely kind with a slight, delightful stammer, and his words held men enthralled by their wealth of spiritual experience, their inexhaustible store of simile and metaphor, their power of observation, their bright and subtle humour, their wonderful catholicity, their ceaseless flow of wisdom. And around him now were the sophisticated men of Bengal, the best products of Western education, with Keshab, the idol of young Bengal, as their leader.
  --
   Among the Brahmo leaders who knew the Master closely were Pratap chandra Mazumdar, Vijaykrishna Goswami, Trailokyanath Sannyal, and Shivanath Shastri.
   Shivanath, one day, was greatly impressed by the Master's utter simplicity and abhorrence of praise. He was seated with Sri Ramakrishna in the latter's room when several rich men of Calcutta arrived. The Master left the room for a few minutes. In the mean time Hriday, his nephew, began to describe his samadhi to the visitors. The last few words caught the Master's ear as he entered the room. He said to Hriday: "What a mean-spirited fellow you must be to extol me thus before these rich men! You have seen their costly apparel and their gold watches and chains, and your object is to get from them as much money as you can. What do I care about what they think of me? (Turning to the gentlemen) No, my friends, what he has told you about me is not true. It was not love of God that made me absorbed in God and indifferent to external life. I became positively insane for some time. The sadhus who frequented this temple told me to practise many things. I tried to follow them, and the consequence was that my austerities drove me to insanity." This is a quotation from one of Shivanath's books. He took the Master's words literally and failed to see their real import.
   Shivanath vehemently criticized the Master for his other-worldly attitude toward his wife. He writes: "Ramakrishna was practically separated from his wife, who lived in her village home. One day when I was complaining to some friends about the virtual widowhood of his wife, he drew me to one side and whispered in my ear: 'Why do you complain? It is no longer possible; it is all dead and gone.' Another day as I was inveighing against this part of his teaching, and also declaring that our program of work in the Brahmo Samaj includes women, that ours is a social and domestic religion, and that we want to give education and social liberty to women, the saint became very much excited, as was his way when anything against his settled conviction was asserted — a trait we so much liked in him — and exclaimed, 'Go, thou fool, go and perish in the pit that your women will dig for you.' Then he glared at me and said: 'What does a gardener do with a young plant? Does he not surround it with a fence, to protect it from goats and cattle? And when the young plant has grown up into a tree and it can no longer be injured by cattle, does he not remove the fence and let the tree grow freely?' I replied, 'Yes, that is the custom with gardeners.' Then he remarked, 'Do the same in your spiritual life; become strong, be full-grown; then you may seek them.' To which I replied, 'I don't agree with you in thinking that women's work is like that of cattle, destructive; they are our associates and helpers in our spiritual struggles and social progress' — a view with which he could not agree, and he marked his dissent by shaking his head. Then referring to the lateness of the hour he jocularly remarked, 'It is time for you to depart; take care, do not be late; otherwise your woman will not admit you into her room.' This evoked hearty laughter."
   Pratap chandra Mazumdar, the right-hand man of Keshab and an accomplished Brahmo preacher in Europe and America, bitterly criticized Sri Ramakrishna's use of uncultured language and also his austere attitude toward his wife. But he could not escape the spell of the Master's personality. In the course of an article about Sri Ramakrishna, Pratap wrote in the "Theistic Quarterly Review": "What is there in common between him and me? I, a Europeanized, civilized, self-centred, semi-sceptical, so-called educated reasoner, and he, a poor, illiterate, unpolished, half-idolatrous, friendless Hindu devotee? Why should I sit long hours to attend to him, I, who have listened to Disraeli and Fawcett, Stanley and Max Muller, and a whole host of European scholars and divines? . . . And it is not I only, but dozens like me, who do the same. . . . He worships Siva, he worships Kali, he worships Rama, he worships Krishna, and is a confirmed advocate of Vedantic doctrines. . . . He is an idolater, yet is a faithful and most devoted meditator on the perfections of the One Formless, Absolute, Infinite Deity. . . . His religion is ecstasy, his worship means transcendental insight, his whole nature burns day and night with a permanent fire and fever of a strange faith and feeling. . . . So long as he is spared to us, gladly shall we sit at his feet to learn from him the sublime precepts of purity, unworldliness, spirituality, and inebriation in the love of God. . . . He, by his childlike bhakti, by his strong conceptions of an ever-ready Motherhood, helped to unfold it [God as our Mother] in our minds wonderfully. . . . By associating with him we learnt to realize better the divine attributes as scattered over the three hundred and thirty millions of deities of mythological India, the gods of the Puranas."
   The Brahmo leaders received much inspiration from their contact with Sri Ramakrishna. It broadened their religious views and kindled in their hearts the yearning for God-realization; it made them understand and appreciate the rituals and symbols of Hindu religion, convinced them of the manifestation of God in diverse forms, and deepened their thoughts about the harmony of religions. The Master, too, was impressed by the sincerity of many of the Brahmo devotees. He told them about his own realizations and explained to them the essence of his teachings, such as the necessity of renunciation, sincerity in the pursuit of one's own course of discipline, faith in God, the performance of one's duties without thought of results, and discrimination between the Real and the unreal.
  --
   Suresh Mitra, a beloved disciple whom the Master often addressed as Surendra, had received an English education and held an important post in an English firm. Like many other educated young men of the time, he prided himself on his atheism and led a Bohemian life. He was addicted to drinking. He cherished an exaggerated notion about man's free will. A victim of mental depression, he was brought to Sri Ramakrishna by Ram chandra chandra Dutta. When he heard the Master asking a disciple to practise the virtue of self-surrender to God, he was impressed. But though he tried thenceforth to do so, he was unable to give up his old associates and his drinking. One day the Master said in his presence, "Well, when a man goes to an undesirable place, why doesn't he take the Divine Mother with him?" And to Surendra himself Sri Ramakrishna said: "Why should you drink wine as wine? Offer it to Kali, and then take it as Her prasad, as consecrated drink
  . But see that you don't become intoxicated; you must not reel and your thoughts must not wander. At first you will feel ordinary excitement, but soon you will experience spiritual exaltation." Gradually Surendra's entire life was changed. The Master designated him as one of those commissioned by the Divine Mother to defray a great part of his expenses. Surendra's purse was always open for the Master's comfort.
   --- KEDAR
   Kedarnath chatterji was endowed with a spiritual temperament and had tried various paths of religion, some not very commendable. When he met the Master at Dakshineswar he understood the true meaning of religion. It is said that the Master, weary of instructing devotees who were coming to him in great numbers for guidance, once prayed to the Goddess Kali: "Mother, I am tired of speaking to people. Please give power to Kedar, Girish, Ram, Vijay, and Mahendra to give them the preliminary instruction, so that just a little teaching from me will be enough." He was aware, however, of Kedar's lingering attachment to worldly things and often warned him about it.
   --- HARISH
  --
   Bhavanath chatterji visited the Master while he was still in his teens. His parents and relatives regarded Sri Ramakrishna as an insane person and tried their utmost to prevent him from becoming intimate with the Master. But the young boy was very stubborn and often spent nights at Dakshineswar. He was greatly attached to Narendra, and the Master encouraged their friendship. The very sight of him often awakened Sri Ramakrishna's spiritual emotion.
   --- BALARAM BOSE
  --
   Girish chandra Ghosh was a born rebel against God, a sceptic, a Bohemian, a drunkard. He was the greatest Bengali dramatist of his time, the father of the modem Bengali stage. Like other young men he had imbibed all the vices of the West. He had plunged into a life of dissipation and had become convinced that religion was only a fraud. Materialistic philosophy he justified as enabling one to get at least a little fun out of life. But a series of reverses shocked him and he became eager to solve the riddle of life. He had heard people say that in spiritual life the help of a guru was imperative and that the guru was to be regarded as God Himself. But Girish was too well acquainted with human nature to see perfection in a man. His first meeting with Sri Ramakrishna did not impress him at all. He returned home feeling as if he had seen a freak at a circus; for the Master, in a semi-conscious mood, had inquired whether it was evening, though the lamps were burning in the room. But their paths often crossed, and Girish could not avoid further encounters. The Master attended a performance in Girish's Star Theatre. On this occasion, too, Girish found nothing impressive about him. One day, however, Girish happened to see the Master dancing and singing with the devotees. He felt the contagion and wanted to join them, but restrained himself for fear of ridicule. Another day Sri Ramakrishna was about to give him spiritual instruction, when Girish said: "I don't want to listen to instructions. I have myself written many instructions. They are of no use to me. Please help me in a more tangible way If you can." This pleased the Master and he asked Girish to cultivate faith.
   As time passed, Girish began to learn that the guru is the one who silently unfolds the disciple's inner life. He became a steadfast devotee of the Master. He often loaded the Master with insults, drank in his presence, and took liberties which astounded the other devotees. But the Master knew that at heart Girish was tender, faithful, and sincere. He would not allow Girish to give up the theatre. And when a devotee asked him to tell Girish to give up drinking, he sternly replied: "That is none of your business. He who has taken charge of him will look after him. Girish is a devotee of heroic type. I tell you, drinking will not affect him." The Master knew that mere words could not induce a man to break deep-rooted habits, but that the silent influence of love worked miracles. Therefore he never asked him to give up alcohol, with the result that Girish himself eventually broke the habit. Sri Ramakrishna had strengthened Girish's resolution by allowing him to feel that he was absolutely free.
   One day Girish felt depressed because he was unable to submit to any routine of spiritual discipline. In an exalted mood the Master said to him: "All right, give me your power of attorney. Henceforth I assume responsibility for you. You need not do anything." Girish heaved a sigh of relief. He felt happy to think that Sri Ramakrishna had assumed his spiritual responsibilities. But poor Girish could not then realize that He also, on his part, had to give up his freedom and make of himself a puppet in Sri Ramakrishna's hands. The Master began to discipline him according to this new attitude. One day Girish said about a trifling matter, "Yes, I shall do this." "No, no!" the Master corrected him. "You must not speak in that egotistic manner. You should say, 'God willing, I shall do it.'" Girish understood. Thenceforth he tried to give up all idea of personal responsibility and surrender himself to the Divine Will. His mind began to dwell constantly on Sri Ramakrishna. This unconscious meditation in time chastened his turbulent spirit.
   The householder devotees generally visited Sri Ramakrishna on Sunday afternoons and other holidays. Thus a brotherhood was gradually formed, and the Master encouraged their fraternal feeling. Now and then he would accept an invitation to a devotee's home, where other devotees would also be invited. Kirtan would be arranged and they would spend hours in dance and devotional music. The Master would go into trances or open his heart in religious discourses and in the narration of his own spiritual experiences. Many people who could not go to Dakshineswar participated in these meetings and felt blessed. Such an occasion would be concluded with a sumptuous feast.
  --
   Mahima charan and Pratap Hazra were two devotees outstanding for their pretentiousness and idiosyncrasies. But the Master showed them his unfailing love and kindness, though he was aware of their shortcomings. Mahima charan chakravarty had met the Master long before the arrival of the other disciples. He had had the intention of leading a spiritual life, but a strong desire to acquire name and fame was his weakness. He claimed to have been initiated by Totapuri and used to say that he had been following the path of knowledge according to his guru's instructions. He possessed a large library of English and Sanskrit books. But though he pretended to have read them, most of the leaves were uncut. The Master knew all his limitations, yet enjoyed listening to him recite from the Vedas and other scriptures. He would always exhort Mahima to meditate on the meaning of the scriptural texts and to practise spiritual discipline.
   Pratap Hazra, a middle-aged man, hailed from a village near Kamarpukur. He was not altogether unresponsive to religious feelings. On a moment's impulse he had left his home, aged mother, wife, and children, and had found shelter in the temple garden at Dakshineswar, where he intended to lead a spiritual life. He loved to argue, and the Master often pointed him out as an example of barren argumentation. He was hypercritical of others and cherished an exaggerated notion of his own spiritual advancement. He was mischievous and often tried to upset the minds of the Master's young disciples, criticizing them for their happy and joyous life and asking them to devote their time to meditation. The Master teasingly compared Hazra to Jatila and Kutila, the two women who always created obstructions in Krishna's sport with the gopis, and said that Hazra lived at Dakshineswar to "thicken the plot" by adding complications.
  --
   Sri Ramakrishna also became acquainted with a number of people whose scholarship or wealth entitled them everywhere to respect. He had met, a few years before, Devendranath Tagore, famous all over Bengal for his wealth, scholarship, saintly character, and social position. But the Master found him disappointing; for, whereas Sri Ramakrishna expected of a saint complete renunciation of the world, Devendranath combined with his saintliness a life of enjoyment. Sri Ramakrishna met the great poet Mi chael Madhusudan, who had embraced Christianity "for the sake of his stomach". To him the Master could not impart instruction, for the Divine Mother "pressed his tongue". In addition he met Maharaja Jatindra Mohan Tagore, a titled aristocrat of Bengal; Kristodas Pal, the editor, social reformer, and patriot; Iswar Vidyasagar, the noted philanthropist and educator; Pundit Shashadhar, a great champion of Hindu orthodoxy; Aswini Kumar Dutta, a headmaster, moralist, and leader of Indian Nationalism; and Bankim chatterji, a deputy magistrate, novelist, and essayist, and one of the fashioners of modern Bengali prose. Sri Ramakrishna was not the man to be dazzled by outward show, glory, or eloquence. A pundit without discrimination he regarded as a mere straw. He would search people's hearts for the light of God, and if that was missing he would have nothing to do with them.
   --- KRISTODAS PAL
   The Europeanized Kristodas Pal did not approve of the Master's emphasis on renunciation and said; "Sir, this cant of renunciation has almost ruined the country. It is for this reason that the Indians are a subject nation today. Doing good to others, bringing education to the door of the ignorant, and above all, improving the material conditions of the country — these should be our duty now. The cry of religion and renunciation would, on the contrary, only weaken us. You should advise the young men of Bengal to resort only to such acts as will uplift the country." Sri Ramakrishna gave him a searching look and found no divine light within, "You man of poor understanding!" Sri Ramakrishna said sharply. "You dare to slight in these terms renunciation and piety, which our scriptures describe as the greatest of all virtues! After reading two pages of English you think you have come to know the world! You appear to think you are omniscient. Well, have you seen those tiny crabs that are born in the Ganges just when the rains set in? In this big universe you are even less significant than one of those small creatures. How dare you talk of helping the world? The Lord will look to that. You haven't the power in you to do it." After a pause the Master continued: "Can you explain to me how you can work for others? I know what you mean by helping them. To feed a number of persons, to treat them when they are sick, to construct a road or dig a well — isn't that all? These, are good deeds, no doubt, but how trifling in comparison with the vastness of the universe! How far can a man advance in this line? How many people can you save from famine? Malaria has ruined a whole province; what could you do to stop its onslaught? God alone looks after the world. Let a man first realize Him. Let a man get the authority from God and be endowed with His power; then, and then alone, may he think of doing good to others. A man should first be purged of all egotism. Then alone will the Blissful Mother ask him to work for the world." Sri Ramakrishna mistrusted philanthropy that presumed to pose as charity. He warned people against it. He saw in most acts of philanthropy nothing but egotism, vanity, a desire for glory, a barren excitement to kill the boredom of life, or an attempt to soothe a guilty conscience. True charity, he taught, is the result of love of God — service to man in a spirit of worship.
   --- MONASTIC DISCIPLES
  --
   Rakhal chandra Ghosh (Swami Brahmananda)
   Gopal Sur (Swami Advaitananda)
  --
   Sashibhushan chakravarty. (Swami Ramakrishnananda)
   Sarat chandra chakravarty (Swami Saradananda)
   Latu (Swami Adbhutananda)
  --
   Kaliprasad chandra (Swami Abhedananda)
   Harinath chattopadhyaya (Swami Turiyananda)
   Sarada Prasanna (Swami Trigunatitananda)
  --
   Tulasi charan Dutta (Swami Nirmalananda)
   Hariprasanna chatterji (Swami Vijnanananda)
   --- LATU
  --
   Even before Rakhal's coming to Dakshineswar, the Master had had visions of him as his spiritual son and as a playmate of Krishna at Vrindavan. Rakhal was born of wealthy parents. During his childhood he developed wonderful spiritual traits and used to play at worshipping gods and goddesses. In his teens he was married to a sister of Manomohan Mitra, from whom he first heard of the Master. His father objected to his association with Sri Ramakrishna but afterwards was reassured to find that many celebrated people were visitors at Dakshineswar. The relationship between the Master and this beloved disciple was that of mother and child. Sri Ramakrishna allowed Rakhal many liberties denied to others. But he would not hesitate to chastise the boy for improper actions. At one time Rakhal felt a childlike jealousy because he found that other boys were receiving the Master's affection. He soon got over it and realized his guru as the Guru of the whole universe. The Master was worried to hear of his marriage, but was relieved to find that his wife was a spiritual soul who would not be a hindrance to his progress.
   --- THE ELDER GOPAL
  --
   Narendra was born in Calcutta on January 12, 1863, of an aristocratic kayastha family. His mother was steeped in the great Hindu epics, and his father, a distinguished attorney of the Calcutta High Court, was an agnostic about religion, a friend of the poor, and a mocker at social conventions. Even in his boyhood and youth Narendra possessed great physical courage and presence of mind, a vivid imagination, deep power of thought, keen intelligence, an extraordinary memory, a love of truth, a passion for purity, a spirit of independence, and a tender heart. An expert musician, he also acquired proficiency in physics, astronomy, mathematics, philosophy, history, and literature. He grew up into an extremely handsome young man. Even as a child he practised meditation and showed great power of concentration. Though free and passionate in word and action, he took the vow of austere religious chastity and never allowed the fire of purity to be extinguished by the slightest defilement of body or soul.
   As he read in college the rationalistic Western philosophers of the nineteenth century, his boyhood faith in God and religion was unsettled. He would not accept religion on mere faith; he wanted demonstration of God. But very soon his passionate nature discovered that mere Universal Reason was cold and bloodless. His emotional nature, dissatisfied with a mere abstraction, required a concrete support to help him in the hours of temptation. He wanted an external power, a guru, who by embodying perfection in the flesh would still the commotion of his soul. Attracted by the magnetic personality of Keshab, he joined the Brahmo Samaj and became a singer in its choir. But in the Samaj he did not find the guru who could say that he had seen God.
  --
   A few more meetings completely removed from Narendra's mind the last traces of the notion that Sri Ramakrishna might be a monomaniac or wily hypnotist. His integrity, purity, renunciation, and unselfishness were beyond question. But Narendra could not accept a man, an imperfect mortal, as his guru. As a member of the Brahmo Samaj, he could not believe that a human intermediary was necessary between man and God. Moreover, he openly laughed at Sri Ramakrishna's visions as hallucinations. Yet in the secret chamber of his heart he bore a great love for the Master.
   Sri Ramakrishna was grateful to the Divine Mother for sending him one who doubted his own realizations. Often he asked Narendra to test him as the money- changers test their coins. He laughed at Narendra's biting criticism of his spiritual experiences and samadhi. When at times Narendra's sharp words distressed him, the Divine Mother Herself would console him, saying: "Why do you listen to him? In a few days he will believe your every word." He could hardly bear Narendra's absences. Often he would weep bitterly for the sight of him. Sometimes Narendra would find the Master's love embarrassing; and one day he sharply scolded him, warning him that such infatuation would soon draw him down to the level of its object. The Master was distressed and prayed to the Divine Mother. Then he said to Narendra: "You rogue, I won't listen to you any more. Mother says that I love you because I see God in you, and the day I no longer see God in you I shall not be able to bear even the sight of you."
  --
   Narendra began to talk of his doubt of the very existence of God. His friends thought he had become an atheist, and piously circulated gossip adducing unmentionable motives for his unbelief. His moral character was maligned. Even some of the Master's disciples partly believed the gossip, and Narendra told these to their faces that only a coward believed in God through fear of suffering or hell. But he was distressed to think that Sri Ramakrishna, too, might believe these false reports. His pride revolted. He said to himself: "What does it matter? If a man's good name rests on such slender foundations, I don't care." But later on he was amazed to learn that the Master had never lost faith in him. To a disciple who complained about Narendra's degradation, Sri Ramakrishna replied: "Hush, you fool! The Mother has told me it can never be so. I won't look at you if you speak that way again."
   The moment came when Narendra's distress reached its climax. He had gone the whole day without food. As he was returning home in the evening he could hardly lift his tired limbs. He sat down in front of a house in sheer exhaustion, too weak even to think. His mind began to wander. Then, suddenly, a divine power lifted the veil over his soul. He found the solution of the problem of the coexistence of divine justice and misery, the presence of suffering in the creation of a blissful Providence. He felt bodily refreshed, his soul was bathed in peace, and he slept serenely.
  --
   Jogindranath, on the other hand, was gentle to a fault. One day, under circumstances very like those that had evoked Niranjan's anger, he curbed his temper and held his peace instead of threatening Sri Ramakrishna's abusers. The Master, learning of his conduct, scolded him roundly. Thus to each the fault of the other was recommended as a virtue. The guru was striving to develop, in the first instance, composure, and in the second, mettle. The secret of his training was to build up, by a tactful recognition of the requirements of each given case, the character of the devotee.
   Jogindranath came of an aristocratic brahmin family of Dakshineswar. His father and relatives shared the popular mistrust of Sri Ramakrishna's sanity. At a very early age the boy developed religious tendencies, spending two or three hours daily in meditation, and his meeting with Sri Ramakrishna deepened his desire for the realization of God. He had a perfect horror of marriage. But at the earnest request of his mother he had had to yield, and he now believed that his spiritual future was doomed. So he kept himself away from the Master.
  --
   Harinath had led the austere life of a brahma chari even from his early boyhood — bathing in the Ganges every day, cooking his own meals, waking before sunrise, and reciting the Gita from memory before leaving bed. He found in the Master the embodiment of the Vedanta scriptures. Aspiring to be a follower of the ascetic Sankara, he cherished a great hatred for women. One day he said to the Master that he could not allow even small girls to come near him. The Master scolded him and said: "You are talking like a fool. Why should you hate women? They are the manifestations of the Divine Mother. Regard them as your own mother and you will never feel their evil influence. The more you hate them, the more you will fall into their snares." Hari said later that these words completely changed his attitude toward women.
   The Master knew Hari's passion for Vedanta. But he did not wish any of his disciples to become a dry ascetic or a mere bookworm. So he asked Hari to practise Vedanta in life by giving up the unreal and following the Real. "But it is not so easy", Sri Ramakrishna said, "to realize the illusoriness of the world. Study alone does not help one very much. The grace of God is required. Mere personal effort is futile. A man is a tiny creature after all, with very limited powers. But he can achieve the impossible if he prays to God for His grace." Whereupon the Master sang a song in praise of grace. Hari was profoundly moved and shed tears. Later in life Hari achieved a wonderful synthesis of the ideals of the Personal God and the Impersonal Truth.
  --
   She spent about two months in uninterrupted communion with God, the Baby Gopala never leaving her for a moment. Then the intensity of her vision was lessened; had it not been, her body would have perished. The Master spoke highly of her exalted spiritual condition and said that such vision of God was a rare thing for ordinary mortals. The fun-loving Master one day confronted the critical Narendranath with this simple-minded woman. No two could have presented a more striking contrast. The Master knew of Narendra's lofty contempt for all visions, and he asked the old lady to narrate her experiences to Narendra. With great hesitation she told him her story. Now and then she interrupted her maternal chatter to ask Narendra: "My son, I am a poor ignorant woman. I don't understand anything. You are so learned. Now tell me if these visions of Gopala are true." As Narendra listened to the story he was profoundly moved. He said, "Yes, mother, they are quite true." Behind his cynicism Narendra, too, possessed a heart full of love and tenderness.
   --- THE MARCH OF EVENTS
  --
   It took the group only a few days to become adjusted to the new environment. The Holy Mother, assisted by Sri Ramakrishna's niece, Lakshmi Devi, and a few woman devotees, took charge of the cooking for the Master and his attendants. Surendra willingly bore the major portion of the expenses, other householders contributing according to their means. Twelve disciples were constant attendants of the Master: Narendra, Rakhal, Baburam, Niranjan, Jogin, Latu, Tarak, the-elder Gopal, Kali, Sashi, Sarat, and the younger Gopal. Sarada, Harish, Hari, Gangadhar, and Tulasi visited the Master from time to time and practised sadhana at home. Narendra, preparing for his law examination, brought his books to the garden house in order to continue his studies during the infrequent spare moments. He encouraged his brother disciples to intensify their meditation, scriptural studies, and other spiritual disciplines. They all forgot their relatives and their
   worldly duties.
  --
   The Master did not hide the fact that he wished to make Narendra his spiritual heir. Narendra was to continue the work after Sri Ramakrishna's passing. Sri Ramakrishna said to him: "I leave these young men in your charge. See that they develop their spirituality and do not return home." One day he asked the boys, in preparation for a monastic life, to beg their food from door to door without thought of caste. They hailed the Master's order and went out with begging-bowls. A few days later he gave the ochre cloth of the sannyasi to each of them, including Girish, who was now second to none in his spirit of renunciation. Thus the Master himself laid the foundation of the future Ramakrishna Order of monks.
   Sri Ramakrishna was sinking day by day. His diet was reduced to a minimum and he found it almost impossible to swallow. He whispered to M.: "I am bearing all this cheerfully, for otherwise you would be weeping. If you all say that it is better that the body should go rather than suffer this torture, I am willing." The next morning he said to his depressed disciples seated near the bed: "Do you know what I see? I see that God alone has become everything. Men and animals are only frameworks covered with skin, and it is He who is moving through their heads and limbs. I see that it is God Himself who has become the block, the executioner, and the victim for the sacrifice.' He fainted with emotion. Regaining partial consciousness, he said: "Now I have no pain. I am very well." Looking at Latu he said: "There sits Latu resting his head on the palm of his hand. To me it is the Lord who is seated in that posture."

0.00 - Publishers Note C, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   The present volume consists of three books: Light of Lights, Eight Talks and Sweet Mother; there are also translations from Sanskrit, Pali, Bengali and French. These, along with the translations of the Dhammapada and charyapada, have been mostly serialised in Ashram journals.
   His original writings in French have also been included here. We are grateful to the Government of India for a grant towards meeting the cost of publication of this volume.

0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
       with an additional commentary to each chapter.
              "Break, break, break
  --
    to THE BOOK OF LIES. In this there are 93 chapters:
    we count as a chapter the two pages filled re-
    respectively with a note of interrogation and a mark of
    exclamation. The other chapters contain sometimes a
    single word, more frequently from a half-dozen to
    twenty paragraphs. The subject of each chapter is
    determined more or less definitely by the Qabalistic
    import of its number. Thus chapter 25 gives a revised
    ritual of the Pentagram; 72 is a rondel with the refrain
  --
    these chapters bothered me. I could not write it. I
    invoked Dionysus with particular fervour, but still
  --
    spirit came over me, and I scribbled the chapter
    down by the light of a farthing dip.. When I read it
  --
    pointed to a passage in the despised chapter. It
    instantly flashed upon me. The entire symbolism not
  --
       COMMENTARY (The chapter that is not a chapter)
     This chapter, numbered 0, corresponds to the Negative,
    which is before Kether in the Qabalistic system.
  --
     This chapter begins by the letter O, followed by a mark of
    exclamation; its reference to the theogony of "Liber Legis" is
  --
     The rest of the chapter follows the Sephirotic system of the
    Qabalah, and constitutes a sort of quintessential comment upon
  --
     The chapter many therefore be considered as the most complete
    treatise on existence ever written.
  --
     chapter is therefore called the Sabbath of the Goat, the
    Witches' Sabbath, in which the Phallus is adored.
     The chapter begins with a repetition of O! referred
    to in the previous chapter. It is explained that this triad
    lives in Night, the Night of Pan, which is mystically
  --
    mentary on Nox, see Liber VII, chapter I.
     Nox adds to 210, which symbolises the reduction of
  --
     The Student is then charged to understand the
    spiritual importance of this physical procession in
  --
     The chapter begins with a comment on Liber Legis
    III, 49.
  --
    to Horus. Compare this with the version in chapter 44.
    There are ten sections in this prayer, and, as the prayer
  --
    number of the chapter, B, which is Beth the letter of
    Mercury, the Magus of the Tarot, who has four
  --
     chapter gives the initiated feminine point of view; it is
    therefore called the Oyster, a symbol of the Yoni. In
  --
    A.'.A.'. have changed the formula of their progress.
    These two formulae, Solve et Coagula, are now ex-
  --
     The chapter is a counsel to accept all impressions;
    it is the formula of the Scarlet woman; but no impression
  --
     chapter to a contemplation of the Pentagram, con-
    sidered as a glyph of the ultimate.
  --
     So far the chapter has followed the Sephiroth from
    Kether to Chesed, and Chesed is united to the Supernal
  --
    the Mother in the Tetragrammaton. See chapter 0,
    "God the Father and Mother is concealed in genera-
  --
     The rest of the chapter therefor points out the duality,
    and therefore the imperfection, of all the lower Sephiroth
  --
     This chapter is presumably called Caviar because
    that substance is composed of many spheres.
  --
     This chapter gives a list of those special messengers
    of the Infinite who initiate periods. they are called
  --
     tions, changeth momently, finally is dead.
    Therefore is man only himself when lost to himself
     in The charioting.
                   [26]
  --
     Cheth is the chariot in the Tarot. The charioteer is
    the bearer of the Holy Grail. All this should be studied
  --
     The chapter is called "Steeped Horsehair" because
    of the mediaeval tradition that by steeping horsehair
  --
     The meaning of the chapter is quite clear; the whole
    race-consciousness, that which is omnipotent, omnis-
  --
     This chapter is called "The Branks", an even more
    powerful symbol, for it is the Scottish, and only known,
  --
     The chapter is formally an attack upon the parts of
    speech, the interjection, the meaningless utterance of
  --
    of this chapter and its subject.
     It does, however, refer to the key of the Tarot called
  --
    extended Phallus. This chapter should be studied in
    the light of what is said in "Aha!" and in the Temple
  --
    Below them is a seeming duality of chaos and
     Babalon; these are called Father and Mother, but
  --
     chapter indicates a supreme magical method; but it is
    really called eleven, because of Liber Legis, I, 60.
     The first part of the chapter describes the universe
    in its highest sense, down to Tiphareth; it is the new
  --
     chaos and Babalon are Chokmah and Binah, but
    they are really one; the essential unity of the supernal
  --
     Paragraph 1 mere repeats chapter 4 in quintessence;
    1001, being 11{Sigma} (1-13), is a symbol of the complete
  --
     The whole chapter is, again, a comment on Liber
    legis, 1, 28-30.
  --
     thy weariness is changed into Ineffable Rest.
    For there is not Thou upon That Path: thou hast
  --
     This chapter is perfectly clear to anyone who has
    studied the career of an Adept.
  --
     The chapter resembles strongly Dupin's account of
    how he was able to win at the game of guessing odd or
  --
     changes radically one's point of view; nearly always it
    amounts to a reversal.
  --
    described in chapter 34. All individual existence is
    tragic. Perception of this fact is the essence of comedy.
  --
     At the end of the chapter it is, however, seen that to
    the Master of the Temple the opposite perception occurs
  --
     The title of the chapter refers to the Phallus, which
    is here identified with the will. The Greek word
  --
     This chapter is quite clear, but one my remark in
    the last paragraph a reference to the nature of Samadhi.
  --
    Death implies change and individuality if thou be
     THAT which hath no person, which is beyond the
     changing, even beyond changelessness, what hast
     thou to do with death?
  --
     This seems a comment on the previous chapter; the
    Stag-Beetle is a reference the Kheph-ra, the Egyptian
  --
    In this chapter death is regarded as a form of marriage.
    Modern Greek peasants, in many cases, cling to Pagan
  --
     This Swan is Aum. The chapter is inspired by
    Frater P.'s memory of the wild swans he shot in the
  --
     (11) This chapter must be read in connection with
    Wagner's "Parsifal".
  --
     chapter title is obvious.
     The chapter must be read in connection with
     chapters 1 and 16.
     I the penultimate paragraph, Vindu is identified
  --
     charged to let it have its own way. It has a will of its
    own, which is more in accordance with the Cosmic Will,
  --
    among its secret power. The chapter is taken from
    Rudyard Kiplin's "Just So Stories".
  --
     The moral of this chapter is, therefore, and exposition
    of the last paragraph of chapter 18.
     It is the critical spirit which is the Devil, and gives
  --
     Therefore the best king would be Pure chance.
    It is Pure chance that rules the Universe; therefore,
     and only therefore, life is good.
  --
    of this chapter.
                   [55]
  --
    meaning "Get out". This chapter describes the Great
    Work under the figure of a man ridding himself of all
  --
     The rest of the chapter is clear, for the note.
                  NOTES
  --
     chapters 1, 8, 16 and 18.
     For the meaning of the word hriliu consult Liber 418.
  --
     The chapter is a new and more elaborate version of
    the Banishing Ritual of the Pentagram.
  --
     The title of the chapter refers to the Hindu legend.
     The first paragraph should be read in connection
  --
     The number of the chapter, 26, is that of Tetra-
    grammaton, the manifest creator, Jehovah.
  --
     This chapter gives the reverse of the medal; it is the
    contrast to chapter 15.
     The Sorcerer is to be identified with The Brother of
  --
     This now introduces the principal character of this
    book, Laylah, who is the ultimate feminine symbol, to
  --
     But in this chapter, little hint is given of anything
    beyond physical love. It is called the Pole-Star, because
  --
     chapter 29 continues chapter 28.
     Note that the word Laylah is the Arabic for "Night".
  --
     the chapter is called "The Southern Cross", because,
    on the physical plane, Laylah is an Australian.
  --
     This chapter is to read in connection with chapter 8,
    and also with those previous chapters in which the
    reason is attacked.
  --
     A new character is now introduce under the title of
    IT, I being the secret, and T being the manifested,
  --
     This chapter should be compared with chapter 11;
    that method of destroying the reason by formulating
  --
     chapter, "The Garotte".
     The idea is that, by forcing the mind to follow, and
  --
    last paragraph of the chapter.
     Frater P., as is well known, is a mountaineer.
    This chapter should be read in conjunction with
     chapters 8 and 30.
     It is a practical instruction, the gist of which is
  --
     The chapter needs no explanation; it is a definite
    point of view of life, and recommends a course of action
  --
     (18) This chapter was written to clarify {Chi-epsilon-psi-
                        iota-delta} of
  --
     This chapter must be read in connection with
     chapters 1, 3, 4, 8, 15, 16, 18, 24, 28, 29.
     The last sentence of paragraph 4 also connects with
    the first paragraph of chapter 26.
     The title "Venus of Milo" is an argument in support
  --
    of chapter 25; 36 being the square of 6, as 25 is of %.
     This chapter gives the real and perfect Ritual of the
    Hexagram.
  --
     There may be some significance in the chapter
    number, which is that of Jechidah the highest unity of
  --
     In this chapter, the idea is given that all limitation
    and evil is an exceedingly rare accident; there can be
  --
     This chapter will be readily intelligible to E.A.
    Freemasons, and it cannot be explained to others.
  --
    in chapters 11 and 31. This method, however, occurs
    throughout the book on numerous occasions, and even
    in the chapter itself it is employed in the last paragraphs.
                   [89]
  --
    means that the statements in this chapter are to be
    understood in the most ordinary and commonplace
  --
     The chapter should be read most carefully in connection with
    the 10th Aethyr. It is to that dramatic experience that it refers.
  --
    a spiral force. It will be difficult to understand this chapter with-
    out some experience in the transvaluation of values, which occurs
  --
     The title of this chapter refers to a Hebrew legend,
    that of the prophet who heard "a going in the mulberry
  --
    as has been explained as nauseam in previous chapters.
    We shall frequently recur to this subject.
  --
    conical phallus. For wheels, see chapter 78.
                   [97]
  --
     This chapter is explained in chapter 62.
     It would be improper to comment further upon a
  --
     The title of this chapter is drawn from paragraph 7.
     We now, for the first time, attack the question of
  --
     The title of this chapter is best explained by a refer-
    ence to Mistinguette and Mayol.
  --
     The lesson of the chapter is thus always to rise
    hungry from a meal, always to violate on's own nature.
  --
     The chapter consists of two points of view from which
    to regard Yoga, two odes upon a distant prospect of the
  --
     This chapter is perfectly simple, and needs no
    comment whatsoever.
  --
     The chapter should be read in connection with chapter 31
    for IT now reappears.
     The chapter heading, the Waratah, is a voluptuous scarlet
    flower, common in Australia, and this connects the chapter
    with chapters 28 and 29; but this is only an allusion, for
    the subject of the chapter is OUR LADY BABALON,
    who is conceived as the feminine counterpart of IT.
  --
    theogony of chapter 11; but it is to be explained by the
    dithyrambic nature of the chapter.
     In paragraph 3 NO MAN is of course NEMO, the
  --
    allusions in this chapter.
     In paragraphs 5 and 6 the author frankly identifies him-
  --
    a border, is the official seal of the A.'.A.'. Compare chapter
    3.
  --
    in chapter 16. It is a merely literary touch.
     the chapter is a resolution of the universe into
    Tetragrammaton; God the macrocosm and the micro-
  --
     The title of the chapter is borrowed from the health-
    giving and fascinating sport of fox-hunting, which
  --
     This chapter should be read in connection with "The
    Soldier and the Hunchback" of which it is in some sort
  --
    (Compare chapter 46.)
     Beyond that is a still deeper state of mind, which is
  --
    refer to the ninety-one chapters of this little master-
    piece, or even to the numerous volumes he has penned,
  --
    "In the spring a livelier iris changes on the burnished dove,
     In the Spring a young man's fancy lightly turns to thoughts
  --
     The title of this chapter refers to the duty of the Tyler
    in a blue lodge of Freemasons.
  --
     The moral of the chapter is apparently that the
    mother-letter {Aleph} is an inadequate solution of the Great
  --
    should then be read in connection with chapters 28, 29,
    49.
  --
     The number of the chapter refers to Liber Legis I, 24,
    for paragraph 1 refers to Nuit. The "twins" in the
  --
     In paragraph 4 is the gist of the chapter, Laylah
    being again introduced, as in chapters 28, 29, 49 and
    55.
  --
     The title of the chapter suggest the two in one, since
    the ornithorhynchus is both bird and beast; it is also
  --
     This chapter is an apology for the universe.
     Paragraphs 1-3 repeat the familiar arguments
  --
    but to do so would render the humour of the chapter too
    subtle for the average reader in Oshkosh for whom
  --
    Officer in a chapter of the Royal Arch Masons.
     In this chapter the author, in a sort of raging
    eloquence, bewails his impotence to express himself,
  --
     The chapter is a short essay in poetic form on
    Determinism. It hymns the great law of Equilibrium
  --
     the code is not changed because it is too hard, but
     because if is fulfilled.
  --
     The number of the chapter may refer to the letter
    Samech ({Samech}), Temperence, in the Tarot.
     I paragraph 1 the real chastity of Percivale or
    Parsifal, a chastity which did not prevent his dipping
    the point of the sacred lance into the Holy Grail, is
  --
     (27) chapter so called because Amfortas was
    wounded by his own spear, the spear that had made him
  --
   The number of this chapter refers to the Hebrew word Ain, the negative and
  Ani, 61.
  --
   The chapter consists of a series of complicated puns on 1 and I, with regard
  their shape, sound, and that of the figures which resemble them in shape.
  --
   (N.B. Frater P. wrote this chapter-61-while dining with friends, in about a
  minute and a half. That is how you must know the Qabalah.)
  --
     This chapter is itself a comment on chapter 44.
                   NOTE
  --
     This chapter returns to the subject of Laylah, and
    to the subject already discussed in chapters 3 and
    others, particularly chapter 56.
     The title of the chapter refers to the old rime:
         "See-saw, Margery Daw,
  --
    upon this chapter. To the Master of the Temple
    opposite rules apply. His unity seeks the many, and
  --
     Th moral of the chapter is that one wants liberty,
    although one may not wish to exercise it: the author
  --
     The chapter title means, "So may he pass away",
    the blank obviously referring to N E M O.
  --
     The chapter recurs to the subject of Laylah, whom
    the author exalts above God, in continuation of the
    reasonings given in chapter 56 and 63. She is
    identified with N.O.X. by the quotation from Liber 65.
  --
     This chapter means that it is useless to try to abandon
    the Great Work. You may occupy yourself for a time
  --
    bitterness, rivet the chains still on your feet.
     Paragraph 4 is a practical counsel to mystics not
  --
     The key to the understanding of this chapter is given
    in the number and the title, the former being intelligible
  --
     The chapter alludes to Levi's drawing of the Hexa-
    gram, and is a criticism of, or improvement upon, it.
  --
    of the chapter.
     The remaining paragraphs continue the Gallic
  --
     The chapter refers to the Witches' Sabbath, the
    description of which in Payne Knight should be
    carefully read before studying this chapter. All the
    allusions will then be obvious, save those which we
  --
     I paragraph 7 is seen the meaning of the chapter;
    the obscene and distorted character of much of the
    universe is a whim of the Creator.
  --
              KING'S COLLEGE chaPEL
    For mind and body alike there is no purgative like
  --
     This chapter is a plain statement of fact, put in
    anthem form for emphasis.
  --
   The title of the chapter is borrowed from the well-known lines of Rudyard
  Kipling:
  --
  first and second persons. Cf. Liber LXV, chapter III, vv. 21-24, and
  FitzGerald's Omar Khayyam:
  --
    and the rest of the chapter in poetry, the upward.
     The first part shows the fall from Nought in four
  --
    indicated in various chapters. It is quite conventional
    mysticism.
  --
     years, and lastly peace, and change the intonations
     --each time reverse the meaning!
  --
     Paragraph 1 means that change of diet is pleasant;
    vanity pleases the mind; the idee fixe is a sign of
  --
   Phaeton was the charioteer of the Sun in Greek mythology.
   At first sight the prose of this chapter, though there is only one dissyllabl
  e in
  --
  Pyrrhonism and Agnosticism; O! = The system of Liber Legis. (See chapter 0.)
   Eye = Phallicism (cf. chapters 61 and 70); I = Fichteanism; Hi! =
  Transcendentalism; Y? = Scepticism, and the method of science. No denies
  --
   No, some negative conception beyond the IT spoken of in chapters 31, 49
  and elsewhere.
  --
   The prose of this chapter combines, and of course denies, all these meanings,
  both singly and in combination. It is intended to stimulate thought to the
  --
   A study of this chapter is probably the best short cut to Nibbana.
   The thought of the Master in this chapter is exceptionally lofty.
   That this is the true meaning, or rather use, of this chapter, is evident fro
  the poetry.
  --
  themselves worthless animals (without the epithets), carry the charioteer in th
  path of the Sun. The question, How? Not by their own virtues, but by the
  --
   It would be possible to interpret this chapter in its entirety as an adverse
  criticism of metaphysics as such, and this is doubtless one of its many sub-
  --
     chapter is wholly devoted.
     The first section of the title is an analysis of 77 considered
  --
    this chapter, Laylah is herself not devoid of "Devil", but,
    as she habitually remarks, on being addressed in terms
  --
    true meaning of the chapter, which is, that Redemption is
    really as simple as it appears complex, that the names (or
  --
    former. This chapter is therefore an apology, were one
    needed, for the Book of Lies itself. In these few simple
  --
     The number of this chapter is that of the cards of the
    Tarot.
     The title of this chapter is a pun of the phrase "weal
    and woe". It means motion and rest. The moral is the
  --
     Five wheels are mentioned in this chapter; all but
    the third refer to the universe as it is; but the wheel of
  --
     the title of this chapter is a place frequented by
    Frater P. until it became respectable.
     The chapter is a rebuke to those who can see nothing
    but sorrow and evil in the universe.
  --
     Frater P. continues the subject of chapter 79.
     He pictures himself as a vigorous, reckless, almost
  --
     Of baffled birth, in death still lurks a change;
     And all the leopards in thy woods that range,
  --
      This chapter is called Imperial Purple
           and A Punic War.
  --
     The title of this chapter, and its two sub-titles, will
    need no explanation to readers of the classics.
  --
    Three characteristics?
     In verse 2, he shows that death is impotent against
  --
    Beware, O my brother, lest this chapter deceive
     thee!
  --
     The title of this chapter refers to the Greek number,
    PG being "Pig" without an "i".
     The subject of the chapter is consequently corollary
    to chapters 79 and 80, the ethics of Adept life.
     The Adept has performed the Great Work; He has
  --
     This continues the subject of chapter 83.
     The title refers to the mental attitude of the Master;
  --
     We now return to that series of chapters which started
    with chapter 8 ({Eta}).
     The chapter is perfectly simple and needs no com-
    ment.
  --
   This chapter is an attempt to replace Elohim by a more
  satisfactory hieroglyph of the elements.
  --
     This chapter is technically one of the Laylah chapters.
     It means that, however great may be one's own
  --
     The chapter is a setting of an old story.
     A man advertises that he could tell anyone how to
  --
     The moral of the chapter is, that it is no good trying
    to teach people who need to be taught.
  --
     chapter.
    That, too, is wise; for since I am annoyed, I could
  --
     The four meanings completely describe the chapter.)
                  [189]
  --
    This chapter is a sort of final Confession of Faith.
    It is the unification of all symbols and all planes.
  --
     It is a good title for the last chapter of this book, and
    it also symbolises the eventual coming out into the light
  --
     The chapter consists of an analysis of this word, but
    gives no indication as to the result of this analysis, as
  --
    71. King's College chapel.
    72. Hashed Pheasant.

0.00 - THE GOSPEL PREFACE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  But, all doctrinal writing is in some measure formal and impersonal, while the autobiographer tends to omit what he regards as trifling matters and suffers from the further disadvantage of being unable to say how he strikes other people and in what way he affects their lives. Moreover, most saints have left neither writings nor self-portraits, and for knowledge of their lives, their characters and their teachings, we are forced to rely upon the records made by their disciples who, in most cases, have proved themselves singularly incompetent as reporters and biographers. Hence the special interest attaching to this enormously detailed account of the daily life and conversations of Sri Ramakrishna.
  "M", as the author modestly styles himself, was peculiarly qualified for his task. To a reverent love for his master, to a deep and experiential knowledge of that master's teaching, he added a prodigious memory for the small happenings of each day and a happy gift for recording them in an interesting and realistic way. Making good use of his natural gifts and of the circumstances in which he found himself, "M" produced a book unique, so far as my knowledge goes, in the literature of hagiography. No other saint has had so able and indefatigable a Boswell. Never have the small events of a contemplative's daily life been described with such a wealth of intimate detail. Never have the casual and unstudied utterances of a great religious teacher been set down with so minute a fidelity. To Western readers, it is true, this fidelity and this wealth of detail are sometimes a trifle disconcerting; for the social, religious and intellectual frames of reference within which Sri Ramakrishna did his thinking and expressed his feelings were entirely Indian. But after the first few surprises and bewilderments, we begin to find something peculiarly stimulating and instructive about the very strangeness and, to our eyes, the eccentricity of the man revealed to us in "M's" narrative. What a scholastic philosopher would call the "accidents" of Ramakrishna's life were intensely Hindu and therefore, so far as we in the West are concerned, unfamiliar and hard to understand; its "essence", however, was intensely mystical and therefore universal. To read through these conversations in which mystical doctrine alternates with an unfamiliar kind of humour, and where discussions of the oddest aspects of Hindu mythology give place to the most profound and subtle utterances about the nature of Ultimate Reality, is in itself a liberal, education in humility, tolerance and suspense of judgment. We must be grateful to the translator for his excellent version of a book so curious and delightful as a biographical document, so precious, at the same time, for what it teaches us of the life of the spirit.
  --
  The Gospel of Sri Ramakrishna is the English translation of the Sri Sri Rmakrishna Kathmrita, the conversations of Sri Ramakrishna with his disciples, devotees, and visitors, recorded by Mahendranth Gupta, who wrote the book under the pseudonym of "M." The conversations in Bengali fill five volumes, the first of which was published in 1897 and the last shortly after M.'s death in 1932. Sri Ramakrishna Math, Madras, has published in two volumes an English translation of selected chapters from the monumental Bengali work. I have consulted these while preparing my translation.
  M., one of the intimate disciples of Sri Ramakrishna, was present during all the conversations recorded in the main body of the book and noted them down in his diary.
  --
  I have made a literal translation, omitting only a few pages of no particular interest to English-speaking readers. Often literary grace has been sacrificed for the sake of literal translation. No translation can do full justice to the original. This difficulty is all the more felt in the present work, whose contents are of a deep mystical nature and describe the inner experiences of a great seer. Human language is an altogether inadequate vehicle to express supersensuous perception. Sri Ramakrishna was almost illiterate. He never clothed his thoughts in formal language. His words sought to convey his direct realization of Truth. His conversation was in a village patois. Therein lies its charm. In order to explain to his listeners an abstruse philosophy, he, like Christ before him, used with telling effect homely parables and illustrations, culled from his observation of the daily life around him.
  The reader will find mentioned in this work many visions and experiences that fall outside the ken of physical science and even psychology. With the development of modern knowledge the border line between the natural and the supernatural is ever shifting its position. Genuine mystical experiences are not as suspect now as they were half a century ago. The words of Sri Ramakrishna have already exerted a tremendous influence in the land of his birth. Savants of Europe have found in his words the ring of universal truth.
  --
  There are repetitions of teachings and parables in the book. I have kept them purposely. They have their charm and usefulness, repeated as they were in different settings. Repetition is unavoidable in a work of this kind. In the first place, different seekers come to a religious teacher with questions of more or less identical nature; hence the answers will be of more or less identical pattern. Besides, religious teachers of all times and climes have tried, by means of repetition, to hammer truths into the stony soil of the recalcitrant human mind. Finally, repetition does not seem tedious if the ideas repeated are dear to a man's heart.
  I have thought it necessary to write a rather lengthy Introduction to the book. In it I have given the biography of the Master, descriptions of people who came in contact with him, short explanations of several systems of Indian religious thought intimately connected with Sri Ramakrishna's life, and other relevant matters which, I hope, will enable the reader better to understand and appreciate the unusual contents of this book. It is particularly important that the Western reader, unacquainted with Hindu religious thought, should first read carefully the introductory chapter, in order that he may fully enjoy these conversations. Many Indian terms and names have been retained in the book for want of suitable English equivalents. Their meaning is given either in the Glossary or in the foot-notes. The Glossary also gives explanations of a number of expressions unfamiliar to Western readers. The diacritical marks are explained under Notes on Pronunciation.
  In the Introduction I have drawn much material from the Life of Sri Ramakrishna, published by the Advaita Ashrama, Myvati, India. I have also consulted the excellent article on Sri Ramakrishna by Swami Nirvednanda, in the second volume of the Cultural Heritage of India.
  --
  He was an educationist all his life both in a spiritual and in a secular sense. After he passed out of College, he took up work as headmaster in a number of schools in succession Narail High School, City School, Ripon College School, Metropolitan School, Aryan School, Oriental School, Oriental Seminary and Model School. The causes of his migration from school to school were that he could not get on with some of the managements on grounds of principles and that often his spiritual mood drew him away to places of pilgrimage for long periods. He worked with some of the most noted public men of the time like Iswar chandra Vidysgar and Surendranath Banerjee. The latter appointed him as a professor in the City and Ripon Colleges where he taught subjects like English, philosophy, history and economics. In his later days he took over the Morton School, and he spent his time in the staircase room of the third floor of it, administering the school and preaching the message of the Master. He was much respected in educational circles where he was usually referred to as Rector Mahashay. A teacher who had worked under him writes thus in warm appreciation of his teaching methods: "Only when I worked with him in school could I appreciate what a great educationist he was. He would come down to the level of his students when teaching, though he himself was so learned, so talented. Ordinarily teachers confine their instruction to what is given in books without much thought as to whether the student can accept it or not. But M., would first of all gauge how much the student could take in and by what means. He would employ aids to teaching like maps, pictures and diagrams, so that his students could learn by seeing. Thirty years ago (from 1953) when the question of imparting education through the medium of the mother tongue was being discussed, M. had already employed Bengali as the medium of instruction in the Morton School." (M The Apostle and the Evangelist by Swami Nityatmananda Part I. P. 15.)
  Imparting secular education was, however, only his profession ; his main concern was with the spiritual regeneration of man a calling for which Destiny seems to have chosen him. From his childhood he was deeply pious, and he used to be moved very much by Sdhus, temples and Durga Puja celebrations. The piety and eloquence of the great Brahmo leader of the times, Keshab chander Sen, elicited a powerful response from the impressionable mind of Mahendra Nath, as it did in the case of many an idealistic young man of Calcutta, and prepared him to receive the great Light that was to dawn on him with the coming of Sri Ramakrishna into his life.
  This epoch-making event of his life came about in a very strange way. M. belonged to a joint family with several collateral members. Some ten years after he began his career as an educationist, bitter quarrels broke out among the members of the family, driving the sensitive M. to despair and utter despondency. He lost all interest in life and left home one night to go into the wide world with the idea of ending his life. At dead of night he took rest in his sister's house at Baranagar, and in the morning, accompanied by a nephew Siddheswar, he wandered from one garden to another in Calcutta until Siddheswar brought him to the Temple Garden of Dakshineswar where Sri Ramakrishna was then living. After spending some time in the beautiful rose gardens there, he was directed to the room of the Paramahamsa, where the eventful meeting of the Master and the disciple took place on a blessed evening (the exact date is not on record) on a Sunday in March 1882. As regards what took place on the occasion, the reader is referred to the opening section of the first chapter of the Gospel.
  The Master, who divined the mood of desperation in M, his resolve to take leave of this 'play-field of deception', put new faith and hope into him by his gracious words of assurance: "God forbid! Why should you take leave of this world? Do you not feel blessed by discovering your Guru? By His grace, what is beyond all imagination or dreams can be easily achieved!" At these words the clouds of despair moved away from the horizon of M.'s mind, and the sunshine of a new hope revealed to him fresh vistas of meaning in life. Referring to this phase of his life, M. used to say, "Behold! where is the resolve to end life, and where, the discovery of God! That is, sorrow should be looked upon as a friend of man. God is all good." ( Ibid P.33.)
  --
  It did not take much time for M. to become very intimate with the Master, or for the Master to recognise in this disciple a divinely commissioned partner in the fulfilment of his spiritual mission. When M. was reading out the chaitanya Bhagavata, the Master discovered that he had been, in a previous birth, a disciple and companion of the great Vaishnava Teacher, Sri chaitanya Mahaprabhu, and the Master even saw him 'with his naked eye' participating in the ecstatic mass-singing of the Lord's name under the leadership of that Divine personality. So the Master told M, "You are my own, of the same substance as the father and the son," indicating thereby that M. was one of the chosen few and a part and parcel of his Divine mission.
  There was an urge in M. to abandon the household life and become a Sannysin. When he communicated this idea to the Master, he forbade him saying," Mother has told me that you have to do a little of Her work you will have to teach Bhagavata, the word of God to humanity. The Mother keeps a Bhagavata Pandit with a bondage in the world!"
  --
  Sri Ramakrishna was a teacher for both the Orders of mankind, Sannysins and householders. His own life offered an ideal example for both, and he left behind disciples who followed the highest traditions he had set in respect of both these ways of life. M., along with Nag Mahashay, exemplified how a householder can rise to the highest level of sagehood. M. was married to Nikunja Devi, a distant relative of Keshab chander Sen, even when he was reading at College, and he had four children, two sons and two daughters. The responsibility of the family, no doubt, made him dependent on his professional income, but the great devotee that he was, he never compromised with ideals and principles for this reason. Once when he was working as the headmaster in a school managed by the great Vidysgar, the results of the school at the public examination happened to be rather poor, and Vidysgar attri buted it to M's preoccupation with the Master and his consequent failure to attend adequately to the school work. M. at once resigned his post without any thought of the morrow. Within a fortnight the family was in poverty, and M. was one day pacing up and down the verandah of his house, musing how he would feed his children the next day. Just then a man came with a letter addressed to 'Mahendra Babu', and on opening it, M. found that it was a letter from his friend Sri Surendra Nath Banerjee, asking whether he would like to take up a professorship in the Ripon College. In this way three or four times he gave up the job that gave him the wherewithal to support the family, either for upholding principles or for practising spiritual Sadhanas in holy places, without any consideration of the possible dire worldly consequences; but he was always able to get over these difficulties somehow, and the interests of his family never suffered. In spite of his disregard for worldly goods, he was, towards the latter part of his life, in a fairly flourishing condition as the proprietor of the Morton School which he developed into a noted educational institution in the city. The Lord has said in the Bhagavad Git that in the case of those who think of nothing except Him, He Himself would take up all their material and spiritual responsibilities. M. was an example of the truth of the Lord's promise.
  Though his children received proper attention from him, his real family, both during the Master's lifetime and after, consisted of saints, devotees, Sannysins and spiritual aspirants. His life exemplifies the Master's teaching that an ideal householder must be like a good maidservant of a family, loving and caring properly for the children of the house, but knowing always that her real home and children are elsewhere. During the Master's lifetime he spent all his Sundays and other holidays with him and his devotees, and besides listening to the holy talks and devotional music, practised meditation both on the Personal and the Impersonal aspects of God under the direct guidance of the Master. In the pages of the Gospel the reader gets a picture of M.'s spiritual relationship with the Master how from a hazy belief in the Impersonal God of the Brahmos, he was step by step brought to accept both Personality and Impersonality as the two aspects of the same Non-dual Being, how he was convinced of the manifestation of that Being as Gods, Goddesses and as Incarnations, and how he was established in a life that was both of a Jnni and of a Bhakta. This Jnni-Bhakta outlook and way of living became so dominant a feature of his life that Swami Raghavananda, who was very closely associated with him during his last six years, remarks: "Among those who lived with M. in latter days, some felt that he always lived in this constant and conscious union with God even with open eyes (i.e., even in waking consciousness)." (Swami Raghavananda's article on M. in Prabuddha Bharata vol. XXXVII. P. 442.)
  --
  Besides the prompting of his inherent instinct, the main inducement for M. to keep this diary of his experiences at Dakshineswar was his desire to provide himself with a means for living in holy company at all times. Being a school teacher, he could be with the Master only on Sundays and other holidays, and it was on his diary that he depended for 'holy company' on other days. The devotional scriptures like the Bhagavata say that holy company is the first and most important means for the generation and growth of devotion. For, in such company man could hear talks on spiritual matters and listen to the glorification of Divine attri butes, charged with the fervour and conviction emanating from the hearts of great lovers of God. Such company is therefore the one certain means through which Sraddha (Faith), Rati (attachment to God) and Bhakti (loving devotion) are generated. The diary of his visits to Dakshineswar provided M. with material for re-living, through reading and contemplation, the holy company he had had earlier, even on days when he was not able to visit Dakshineswar. The wealth of details and the vivid description of men and things in the midst of which the sublime conversations are set, provide excellent material to re-live those experiences for any one with imaginative powers. It was observed by M.'s disciples and admirers that in later life also whenever he was free or alone, he would be pouring over his diary, transporting himself on the wings of imagination to the glorious days he spent at the feet of the Master.
  During the Master's lifetime M. does not seem to have revealed the contents of his diary to any one. There is an unconfirmed tradition that when the Master saw him taking notes, he expressed apprehension at the possibility of his utilising these to publicise him like Keshab Sen; for the Great Master was so full of the spirit of renunciation and humility that he disliked being lionised. It must be for this reason that no one knew about this precious diary of M. for a decade until he brought out selections from it as a pamphlet in English in 1897 with the Holy Mother's blessings and permission. The Holy Mother, being very much pleased to hear parts of the diary read to her in Bengali, wrote to M.: "When I heard the Kathmrita, (Bengali name of the book) I felt as if it was he, the Master, who was saying all that." ( Ibid Part I. P 37.)
  --
  And Swamiji added a post script to the letter: "Socratic dialogues are Plato all over you are entirely hidden. Moreover, the dramatic part is infinitely beautiful. Everybody likes it here or in the West." Indeed, in order to be unknown, Mahendranath had used the pen-name M., under which the book has been appearing till now. But so great a book cannot remain obscure for long, nor can its author remain unrecognised by the large public in these modern times. M. and his book came to be widely known very soon and to meet the growing demand, a full-sized book, Vol. I of the Gospel, translated by the author himself, was published in 1907 by the Brahmavadin Office, Madras. A second edition of it, revised by the author, was brought out by the Ramakrishna Math, Madras in December 1911, and subsequently a second part, containing new chapters from the original Bengali, was published by the same Math in 1922. The full English translation of the Gospel by Swami Nikhilananda appeared first in 1942.
  In Bengali the book is published in five volumes, the first part having appeared in 1902
  --
  Though a much-sought-after spiritual guide, an educationist of repute, and a contemporary and close associate of illustrious personages like Sri Ramakrishna, Swami Vivekananda, Keshab chander Sen and Iswar chander Vidysgar, he was always moved by the noble humanity of a lover of God, which consists in respecting the personalities of all as receptacles of the Divine Spirit. So he taught without the consciousness of a teacher, and no bar of superiority stood in the way of his doing the humblest service to his students and devotees. "He was a commission of love," writes his close devotee, Swami Raghavananda, "and yet his soft and sweet words would pierce the stoniest heart, make the worldly-minded weep and repent and turn Godwards."
  ( Prabuddha Bharata Vol. XXXVII P 499.)
  --
  About twenty-seven years of his life he spent in this way in the heart of the great city of Calcutta, radiating the Master's thoughts and ideals to countless devotees who flocked to him, and to still larger numbers who read his Kathmrita (English Edition : The Gospel of Sri Ramakrishna), the last part of which he had completed before June 1932 and given to the press. And miraculously, as it were, his end also came immediately after he had completed his life's mission. About three months earlier he had come to stay at his home at 13/2 Gurdasprasad chaudhuary Lane at Thakur Bari, where the Holy Mother had herself installed the Master and where His regular worship was being conducted for the previous 40 years. The night of 3rd June being the Phalahrini Kli Pooja day, M.
  had sent his devotees who used to keep company with him, to attend the special worship at Belur Math at night. After attending the service at the home shrine, he went through the proof of the Kathmrita for an hour. Suddenly he got a severe attack of neuralgic pain, from which he had been suffering now and then, of late. Before 6 a.m. in the early hours of 4th June 1932 he passed away, fully conscious and chanting: 'Gurudeva-Ma, Kole tule na-o (Take me in your arms! O Master! O Mother!!)'
  SWMI TAPASYNANDA

0.00 - The Wellspring of Reality, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
  Mind is the weightless and uniquely human faculty that surveys the ever larger inventory of special-case experiences stored in the brain bank and, seeking to identify their intercomplementary significance, from time to time discovers one of the rare scientifically generalizable principles running consistently through all the relevant experience set. The thoughts that discover these principles are weightless and tentative and may also be eternal. They suggest eternity but do not prove it, even though there have been no experiences thus far that imply exceptions to their persistence. It seems also to follow that the more experiences we have, the more chances there are that the mind may discover, on the one hand, additional generalized principles or, on the other hand, exceptions that disqualify one or another of the already catalogued principles that, having heretofore held "true" without contradiction for a long time, had been tentatively conceded to be demonstrating eternal persistence of behavior. Mind's relentless reviewing of the comprehensive brain bank's storage of all our special-case experiences tends both to progressive enlargement and definitive refinement of the catalogue of generalized principles that interaccommodatively govern all transactions of Universe.
  It follows that the more specialized society becomes, the less attention does it pay to the discoveries of the mind, which are intuitively beamed toward the brain, there to be received only if the switches are "on." Specialization tends to shut off the wide-band tuning searches and thus to preclude further discovery of the all-powerful generalized principles. Again we see how society's perverse fixation on specialization leads to its extinction. We are so specialized that one man discovers empirically how to release the energy of the atom, while another, unbeknownst to him, is ordered by his political factotum to make an atomic bomb by use of the secretly and anonymously published data. That gives much expedient employment, which solves the politician's momentary problem, but requires that the politicians keep on preparing for further warring with other political states to keep their respective peoples employed. It is also mistakenly assumed that employment is the only means by which humans can earn the right to live, for politicians have yet to discover how much wealth is available for distribution. All this is rationalized on the now scientifically discredited premise that there can never be enough life support for all. Thus humanity's specialization leads only toward warring and such devastating tools, both, visible and invisible, as ultimately to destroy all Earthians.
  --
  Intellectually advantaged with no more than the child's facile, lucid eagerness to understand constructively and usefully the major transformational events of our own times, it probably is synergetically advantageous to review swiftly the most comprehensive inventory of the most powerful human environment transforming events of our totally known and reasonably extended history. This is especially useful in winnowing out and understanding the most significant of the metaphysical revolutions now recognized as swiftly tending to reconstitute history. By such a comprehensively schematic review, we might identify also the unprecedented and possibly heretofore overlooked pivotal revolutionary events not only of today but also of those trending to be central to tomorrow's most cataclysmic changes.
  It is synergetically reasonable to assume that relativistic evaluation of any of the separate drives of art, science, education, economics, and ideology, and their complexedly interacting trends within our own times, may be had only through the most comprehensive historical sweep of which we are capable.

0.01f - FOREWARD, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  author class:Pierre Teilhard de chardin
  subject class:Christianity
  --
  mitted to it or changing it. They are now beginning to realise
  that even the most objective of their observations are steeped in
  --
  of the landscape he is crossing. But what happens when chance
  directs his steps to a point of vantage (a cross-roads, or intersecting
  --
  in the slightest change in the universe ;
  A sense of proportion, realising as best we can the difference
  --
  Thirdly, to stress the special character of the Essay I am pre-
  senting.

0.01 - I - Sri Aurobindos personality, his outer retirement - outside contacts after 1910 - spiritual personalities- Vibhutis and Avatars - transformtion of human personality, #Evening Talks With Sri Aurobindo, #unset, #Zen
   The question which Arjuna asks Sri Krishna in the Gita (second chapter) occurs pertinently to many about all spiritual personalities: "What is the language of one whose understanding is poised? How does he speak, how sit, how walk?" Men want to know the outer signs of the inner attainment, the way in which a spiritual person differs outwardly from other men. But all the tests which the Gita enumerates are inner and therefore invisible to the outer view. It is true also that the inner or the spiritual is the essential and the outer derives its value and form from the inner. But the transformation about which Sri Aurobindo writes in his books has to take place in nature, because according to him the divine Reality has to manifest itself in nature. So, all the parts of nature including the physical and the external are to be transformed. In his own case the very physical became the transparent mould of the Spirit as a result of his intense Sadhana. This is borne out by the impression created on the minds of sensitive outsiders like Sj. K. M. Munshi who was deeply impressed by his radiating presence when he met him after nearly forty years.
   The Evening Talks collected here may afford to the outside world a glimpse of his external personality and give the seeker some idea of its richness, its many-sidedness, its uniqueness. One can also form some notion of Sri Aurobindo's personality from the books in which the height, the universal sweep and clear vision of his integral ideal and thought can be seen. His writings are, in a sense, the best representative of his mental personality. The versatile nature of his genius, the penetrating power of his intellect, his extraordinary power of expression, his intense sincerity, his utter singleness of purpose all these can be easily felt by any earnest student of his works. He may discover even in the realm of mind that Sri Aurobindo brings the unlimited into the limited. Another side of his dynamic personality is represented by the Ashram as an institution. But the outer, if one may use the phrase, the human side of his personality, is unknown to the outside world because from 1910 to 1950 a span of forty years he led a life of outer retirement. No doubt, many knew about his staying at Pondicherry and practising some kind of very special Yoga to the mystery of which they had no access. To some, perhaps, he was living a life of enviable solitude enjoying the luxury of a spiritual endeavour. Many regretted his retirement as a great loss to the world because they could not see any external activity on his part which could be regarded as 'public', 'altruistic' or 'beneficial'. Even some of his admirers thought that he was after some kind of personal salvation which would have very little significance for mankind in general. His outward non-participation in public life was construed by many as lack of love for humanity.
  --
   Sri Aurobindo has explained the mystery of personality in some of his writings. Ordinarily by personality we mean something which can be described as "a pattern of being marked out by a settled combination of fixed qualities, a determined character.... In one view personality is regarded as a fixed structure of recognisable qualities expressing a power of being"; another idea regards "personality as a flux of self-expressive or sensitive and responsive being.... But flux of nature and fixity of nature" which some call character "are two aspects of being neither of which, nor indeed both together, can be a definition of personality.... But besides this flux and this fixity there is also a third and occult element, the Person behind of whom the personality is a self-expression; the Person puts forward the personality as his role, character, persona, in the present act of his long drama of manifested existence. But the Person is larger than his personality, and it may happen that this inner largeness overflows into the surface formation; the result is a self-expression of being which can no longer be described by fixed qualities, normalities of mood, exact lineaments, or marked out by structural limits."[4]
   The gospel of the Supermind which Sri Aurobindo brought to man envisages a new level of consciousness beyond Mind. When this level is attained it imposes a complete and radical reintegration of the human personality. Sri Aurobindo was not merely the exponent but the embodiment of the new, dynamic truth of the Supermind. While exploring and sounding the tremendous possibilities of human personality in his intense spiritual Sadhana, he has shown us that practically there are no limits to its expansion and ascent. It can reach in its growth what appears to man at present as a 'divine' status. It goes without saying that this attainment is not an easy task; there are conditions to be fulfilled for the transformation from the human to the divine.
   The Gita in its chapters on the Vibhuti and the Avatar takes in general the same position. It shows that the present formula of our nature, and therefore the mental personality of man, is not final. A Vibhuti embodies in a human manifestation a certain divine quality and thus demonstrates the possibility of overcoming the limits of ordinary human personality. The Vibhuti the embodiment of a divine quality or power, and the Avatar the divine incarnation, are not to be looked upon as supraphysical miracles thrown at humanity without regard to the process of evolution; they are, in fact, indications of human possibility, a sign that points to the goal of evolution.
   In his Essays on the Gita, Sri Aurobindo says about the Avatar: "He may, on the other hand, descend as an incarnation of divine life, the divine personality and power in its characteristic action, for a mission ostensibly social, ethical and political, as is represented in the story of Rama or Krishna; but always then this descent becomes in the soul of the race a permanent power for the inner living and the spiritual rebirth."[5]
   "He comes as the divine power and love which calls men to itself, so that they may take refuge in that and no longer in the insufficiency of their human wills and the strife of their human fear, wrath and passion, and liberated from all this unquiet and suffering may live in the calm and bliss of the Divine."[6]
  --
   It is clear that Sri Aurobindo interpreted the traditional idea of the Vibhuti and the Avatar in terms of the evolutionary possibilities of man. But more directly he has worked out the idea of the 'gnostic individual' in his masterpiece The Life Divine. He says: "A supramental gnostic individual will be a spiritual Person, but not a personality in the sense of a pattern of being marked out by a settled combination of fixed qualities, a determined character; he cannot be that since he is a conscious expression of the universal and the transcendent." Describing the gnostic individual he says: "We feel ourselves in the presence of a light of consciousness, a potency, a sea of energy, can distinguish and describe its free waves of action and quality, but not fix itself; and yet there is an impression of personality, the presence of a powerful being, a strong, high or beautiful recognisable Someone, a Person, not a limited creature of Nature but a Self or Soul, a Purusha."[8]
   One feels that he was describing the feeling of some of us, his disciples, with regard to him in his inimitable way.

0.01 - Letters from the Mother to Her Son, #Some Answers From The Mother, #The Mother, #Integral Yoga
  It may be that life on earth has always been a chaos - whatever the Bible may say, the Light has not yet made its appearance.
  Let us hope that it will not be long in coming.
  --
  been changed to "The Supreme Discovery".4 Rather pompous
  for my taste, but...

0.01 - Life and Yoga, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  HERE are two necessities of Nature's workings which seem always to intervene in the greater forms of human activity, whether these belong to our ordinary fields of movement or seek those exceptional spheres and fulfilments which appear to us high and divine. Every such form tends towards a harmonised complexity and totality which again breaks apart into various channels of special effort and tendency, only to unite once more in a larger and more puissant synthesis. Secondly, development into forms is an imperative rule of effective manifestation; yet all truth and practice too strictly formulated becomes old and loses much, if not all, of its virtue; it must be constantly renovated by fresh streams of the spirit revivifying the dead or dying vehicle and changing it, if it is to acquire a new life. To be perpetually reborn is the condition of a material immortality. We are in an age, full of the throes of travail, when all forms of thought and activity that have in themselves any strong power of utility or any secret virtue of persistence are being subjected to a supreme test and given their opportunity of rebirth. The world today presents the aspect of a huge cauldron of Medea in which all things are being cast, shredded into pieces, experimented on, combined and recombined either to perish and provide the scattered material of new forms or to emerge rejuvenated and changed for a fresh term of existence. Indian Yoga, in its essence a special action or formulation of certain great powers of Nature, itself specialised, divided and variously formulated, is potentially one of these dynamic elements of the future life of humanity. The child of immemorial ages, preserved by its vitality and truth into our modern times, it is now emerging from the secret schools and ascetic retreats in which it had taken refuge and is seeking its place in the future sum of living human powers and utilities. But it has first to rediscover itself, bring to the surface
  The Conditions of the Synthesis
  --
  Rajayoga, for instance, depends on this perception and experience that our inner elements, combinations, functions, forces, can be separated or dissolved, can be new-combined and set to novel and formerly impossible workings or can be transformed and resolved into a new general synthesis by fixed internal processes. Hathayoga similarly depends on this perception and experience that the vital forces and functions to which our life is normally subjected and whose ordinary operations seem set and indispensable, can be mastered and the operations changed or suspended with results that would otherwise be impossible and that seem miraculous to those who have not seized the rationale of their process. And if in some other of its forms this character of Yoga is less apparent, because they are more intuitive and less me chanical, nearer, like the Yoga of Devotion, to a supernal ecstasy or, like the Yoga of Knowledge, to a supernal infinity of consciousness and being, yet they too start from the use of some principal faculty in us by ways and for ends not contemplated in its everyday spontaneous workings. All methods grouped under the common name of Yoga are special psychological processes founded on a fixed truth of Nature and developing, out of normal functions, powers and results which were always latent but which her ordinary movements do not easily or do not often manifest.
  But as in physical knowledge the multiplication of scientific processes has its disadvantages, as that tends, for instance, to develop a victorious artificiality which overwhelms our natural human life under a load of machinery and to pur chase certain forms of freedom and mastery at the price of an increased servitude, so the preoccupation with Yogic processes and their exceptional results may have its disadvantages and losses. The

0.02 - II - The Home of the Guru, #Evening Talks With Sri Aurobindo, #unset, #Zen
   The Master, the Guru, set at rest the puzzled human mind by his illuminating answers, perhaps even more by his silent consciousness, so that it might be able to pursue unhampered the path of realisation of the Truth. Those ancient discourses answer the mind of man today even across the ages. They have rightly acquired as everything of the past does a certain sanctity. But sometimes that very reverence prevents men from properly evaluating, and living in, the present. This happens when the mind instead of seeking the Spirit looks at the form. For instance, it is not necessary for such discourses that they take place in forest-groves in order to be highly spiritual. Wherever the Master is, there is Light. And guru-griha the house of the Master can be his private dwelling place. So much was this feeling a part of Sri Aurobindo's nature and so particular was he to maintain the personal character of his work that during the first few years after 1923 he did not like his house to be called an 'Ashram', as the word had acquired the sense of a public institution to the modern mind. But there was no doubt that the flower of Divinity had blossomed in him; and disciples, like bees seeking honey, came to him. It is no exaggeration to say that these Evening Talks were to the small company of disciples what the Aranyakas were to the ancient seekers. Seeking the Light, they came to the dwelling place of their Guru, the greatest seer of the age, and found it their spiritual home the home of their parents, for the Mother, his companion in the great mission, had come. And these spiritual parents bestowed upon the disciples freely of their Light, their Consciousness, their Power and their Grace. The modern reader may find that the form of these discourses differs from those of the past but it was bound to be so for the simple reason that the times have changed and the problems that puzzle the modern mind are so different. Even though the disciples may be very imperfect representations of what he aimed at in them, still they are his creations. It is in order to repay, in however infinitesimal a degree, the debt which we owe to him that the effort is made to partake of the joy of his company the Evening Talks with a larger public.
   ***

0.02 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  To the sadhak in charge of the Sri Aurobindo Ashram Building
  Department during the 1930s and early 1940s.
  --
  I do not see at all the need of changing the notebook every
  month. Will you see if indeed the previous book is finished or
  --
  fact that the "gris entretien" must be kept for the doors and windows in Sri Aurobindo's room only, told to those in charge?(!)
  Why was my stool at all painted with gris entretien? I did
  --
  atmosphere made of the vibrations that come from his character,
  his mood, his way of thinking, feeling, acting. These atmospheres
  --
  your relationships with one another, have much to change and
  much to learn.
  --
  necessary force for it to become an effective formation charged
  with the power of realisation, and I said that the work could
  --
  of Your presence which changes the attitude of others
  too.

0.03 - III - The Evening Sittings, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Sri Aurobindo was never a social man in the current sense of the term and definitely he was not a man of the crowd. This was due to his grave temperament, not to any feeling of superiority or to repulsion for men. At Baroda there was an Officers' Club which was patronised by the Maharajah and though Sri Aurobindo enrolled himself as a member he hardly went to the Club even on special occasions. He rather liked a small congenial circle of friends and spent most of his evenings with them whenever he was free and not occupied with his studies or other works. After Baroda when he went to Calcutta there was hardly any time in the storm and stress of revolutionary politics to permit him to lead a 'social life'. What little time he could spare from his incessant activities was spent in the house of Raja Subodh Mallick or at the Grey Street house. In the Karmayogin office he used to sit after the office hours till late chatting with a few persons or trying automatic writing. Strange dictations used to be received sometimes: one of them was the following: "Moni [Suresh chakravarty] will bomb Sir Edward Grey when he will come as the Viceroy of India." In later years at Pondicherry there used to be a joke that Sir Edward took such a fright at the prospect of Moni's bombing him that he never came to India!
   After Sri Aurobindo had come to Pondicherry from chandernagore, he entered upon an intense period of Sadhana and for a few months he refused to receive anyone. After a time he used to sit down to talk in the evening and on some days tried automatic writing. Yogic Sadhan, a small book, was the result. In 1913 Sri Aurobindo moved to Rue Franois Martin No. 41 where he used to receive visitors at fixed times. This was generally in the morning between 9 and 10.30.
   But, over and above newcomers, some local people and the few inmates of the house used to have informal talks with Sri Aurobindo in the evening. In the beginning the inmates used to go out for playing football, and during their absence known local individuals would come in and wait for Sri Aurobindo. Afterwards regular meditations began at about 4 p.m. in which practically all the inmates participated. After the meditation all of the members and those who were permitted shared in the evening sitting. This was a very informal gathering depending entirely upon Sri Aurobindo's leisure.
  --
   As years passed the evening sittings went on changing their time and often those disciples who came from outside for a temporary stay for Sadhana were allowed to join them. And, as the number of sadhaks practising the Yoga increased, the evening sittings also became more full, and the small verandah upstairs in the main building was found insufficient. Members of the household would gather every day at the fixed time with some sense of expectancy and start chatting in low tones. Sri Aurobindo used to come last and it was after his coming that the session would really commence.
   He came dressed as usual in dhoti, part of which was used by him to cover the upper part of his body. Very rarely he came out with chaddar or shawl and then it was "in deference to the climate" as he sometimes put it. At times for minutes he would be gazing at the sky from a small opening at the top of the grass-curtains that covered the verandah upstairs in No. 9, Rue de la Marine. How much were these sittings dependent on him may be gathered from the fact that there were days when more than three-fourths of the time passed in complete silence without any outer suggestion from him, or there was only an abrupt "Yes" or "No" to all attempts at drawing him out in conversation. And even when he participated in the talk one always felt that his voice was that of one who does not let his whole being flow into his words; there was a reserve and what was left unsaid was perhaps more than what was spoken. What was spoken was what he felt necessary to speak.
   Very often some news-item in the daily newspaper, town-gossip, or some interesting letter received either by him or by a disciple, or a question from one of the gathering, occasionally some remark or query from himself would set the ball rolling for the talk. The whole thing was so informal that one could never predict the turn the conversation would take. The whole house therefore was in a mood to enjoy the freshness and the delight of meeting the unexpected. There were peals of laughter and light talk, jokes and criticism which might be called personal, there was seriousness and earnestness in abundance.
  --
   From 1918 to 1922, we gathered at No. 41, Rue Franois Martin, called the Guest House, upstairs, on a broad verandah into which four rooms opened and whose main piece of furniture was a small table 3' x 1' covered with a blue cotton cloth. That is where Sri Aurobindo used to sit in a hard wooden chair behind the table with a few chairs in front for the visitors or for the disciples.
   From 1922 to 1926, No. 9, Rue de la Marine, where he and the Mother had shifted, was the place where the sittings were held. There, also upstairs, was a less broad verandah than at the Guest House, a little bigger table in front of the central door out of three, and a broad Japanese chair, the table covered with a better cloth than the one in the Guest House, a small flower vase, an ash-tray, a block calendar indicating the date and an ordinary time-piece, and a number of chairs in front in a line. The evening sittings used to be after meditation at 4 or 4.30 p.m. After 24 November 1926, the sittings began to get later and later, till the limit of 1 o'clock at night was reached. Then the curtain fell. Sri Aurobindo retired completely after December 1926, and the evening sittings came to a close.
   On 8 February 1927, Sri Aurobindo and the Mother moved to No. 28, Rue Franois Martin, a house on the north-east of the same block as No. 9, Rue de la Marine.
   Then, on 23 November 1938, I got up at 2 o'clock to prepare hot water for the Mother's early bath because the 24th was Darshan day. Between 2.20 and 2.30 the Mother rang the bell. I ran up the staircase to be told about an accident that had happened to Sri Aurobindo's thigh and to be asked to fetch the doctor. This accident brought about a change in his complete retirement, and rendered him available to those who had to attend on him. This opened out a long period of 12 years during which his retirement was modified owing to circumstances, inner and outer, that made it possible for him to have direct physical contacts with the world outside.
   The long period of the Second World War with all its vicissitudes passed through these years. It was a priceless experience to see how he devoted his energies to the task of saving humanity from the threatened reign of Nazism. It was a practical lesson of solid work done for humanity without any thought of return or reward, without even letting humanity know what he was doing for it! Thus he lived the Divine and showed us how the Divine cares for the world, how He comes down and works for man. I shall never forget how he who was at one time in his own words "not merely a non-co-operator but an enemy of British Imperialism" bestowed such anxious care on the health of Churchill, listening carefully to the health-bulletins! It was the work of the Divine, it was the Divine's work for the world.

0.03 - Letters to My little smile, #Some Answers From The Mother, #The Mother, #Integral Yoga
  a very rare chance. My vital being always wants more
  and more; it is never satisfied with what You give it.
  --
  and difficulties - it is your smile that will chase them away.
  16 December 1932
  --
  is only so you may understand that I don't hold you responsible for this change which has come over you from outside.
  Now there is only one way open, the way of progress - since
  --
  They are absolutely charming! It is impossible to say which is
  the original and which the copy, and it may very well be that
  --
  drawing, and if by chance another difficulty crops up, this little
  child may once again say: "I am disappointed, I don't want to
  --
  Are you aware of any cause for this change? Surely there is
  one. Besides, these days when the Ashram is full of visitors,9
  --
  Yes, I think I know the cause of this change. Isn't
  it the desire to be admired by people - ego? Or is it

0.03 - The Threefold Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  In ordinary Nature they have each their own characteristic and governing impulse.
  The characteristic energy of bodily Life is not so much in progress as in persistence, not so much in individual selfenlargement as in self-repetition. There is, indeed, in physical Nature a progression from type to type, from the vegetable to the animal, from the animal to man; for even in inanimate Matter Mind is at work. But once a type is marked off physically, the chief immediate preoccupation of the terrestrial Mother seems to be to keep it in being by a constant reproduction. For Life always seeks immortality; but since individual form is impermanent and only the idea of a form is permanent in the consciousness that creates the universe, - for there it does not perish, - such constant reproduction is the only possible material immortality.
  Self-preservation, self-repetition, self-multiplication are necessarily, then, the predominant instincts of all material existence.
  --
  The characteristic energy of pure Mind is change, and the more our mentality acquires elevation and organisation, the more this law of Mind assumes the aspect of a continual enlargement, improvement and better arrangement of its gains and so of a continual passage from a smaller and simpler to a larger and more complex perfection. For Mind, unlike bodily life, is infinite in its field, elastic in its expansion, easily variable in its formations. change, then, self-enlargement and selfimprovement are its proper instincts. Mind too moves in cycles, but these are ever-enlarging spirals. Its faith is perfectibility, its watchword is progress.
  The characteristic law of Spirit is self-existent perfection and immutable infinity. It possesses always and in its own right the immortality which is the aim of Life and the perfection which is the goal of Mind. The attainment of the eternal and the realisation of that which is the same in all things and beyond all things, equally blissful in universe and outside it, untouched by the imperfections and limitations of the forms and activities in which it dwells, are the glory of the spiritual life.
  In each of these forms Nature acts both individually and collectively; for the Eternal affirms Himself equally in the single form and in the group-existence, whether family, clan and nation or groupings dependent on less physical principles or the supreme group of all, our collective humanity. Man also may seek his own individual good from any or all of these spheres of activity, or identify himself in them with the collectivity and live for it, or, rising to a truer perception of this complex universe, harmonise the individual realisation with the collective aim. For as it is the right relation of the soul with the Supreme, while it is in the universe, neither to assert egoistically its separate being nor to blot itself out in the Indefinable, but to realise its unity with the Divine and the world and unite them in the individual, so the right relation of the individual with the collectivity is neither to pursue egoistically his own material or mental progress or spiritual salvation without regard to his fellows, nor for the sake of the community to suppress or maim his proper development, but to sum up in himself all its best and completest possibilities and pour them out by thought, action and all other means on his surroundings so that the whole race may approach nearer to the attainment of its supreme personalities.
  --
  But by that very utility such men and the life they lead are condemned to be limited, irrationally conservative and earthbound. The customary routine, the customary institutions, the inherited or habitual forms of thought, - these things are the life-breath of their nostrils. They admit and jealously defend the changes compelled by the progressive mind in the past, but combat with equal zeal the changes that are being made by it in the present. For to the material man the living progressive thinker is an ideologue, dreamer or madman. The old Semites who stoned the living prophets and adored their memories when dead, were the very incarnation of this instinctive and unintelligent principle in Nature. In the ancient Indian distinction between the once born and the twice born, it is to this material man that the former description can be applied. He does Nature's inferior works; he assures the basis for her higher activities; but not to him easily are opened the glories of her second birth.
  Yet he admits so much of spirituality as has been enforced on his customary ideas by the great religious outbursts of the past and he makes in his scheme of society a place, venerable though not often effective, for the priest or the learned theologian who can be trusted to provide him with a safe and ordinary spiritual pabulum. But to the man who would assert for himself the liberty of spiritual experience and the spiritual life, he assigns, if he admits him at all, not the vestment of the priest but the robe of the Sannyasin. Outside society let him exercise his dangerous freedom. So he may even serve as a human lightning-rod receiving the electricity of the Spirit and turning it away from the social edifice.
  Nevertheless it is possible to make the material man and his life moderately progressive by imprinting on the material mind the custom of progress, the habit of conscious change, the fixed idea of progression as a law of life. The creation by this means of progressive societies in Europe is one of the greatest triumphs of Mind over Matter. But the physical nature has its revenge; for the progress made tends to be of the grosser and more outward kind and its attempts at a higher or a more rapid movement bring about great wearinesses, swift exhaustions, startling recoils.
  It is possible also to give the material man and his life a moderate spirituality by accustoming him to regard in a religious spirit all the institutions of life and its customary activities. The creation of such spiritualised communities in the East has been one of the greatest triumphs of Spirit over Matter. Yet here, too, there is a defect; for this often tends only to the creation of a religious temperament, the most outward form of spirituality.
  --
  She demands their alliance in a complete effort before she will suffer a complete change in humanity. But, usually, these two great agents are unwilling to make to each other the necessary concessions.
  The mental life concentrates on the aesthetic, the ethical and the intellectual activities. Essential mentality is idealistic and a seeker after perfection. The subtle self, the brilliant Atman,1 is ever a dreamer. A dream of perfect beauty, perfect conduct, perfect Truth, whether seeking new forms of the Eternal or revitalising the old, is the very soul of pure mentality. But it knows not how to deal with the resistance of Matter. There it is hampered and inefficient, works by bungling experiments and has either to withdraw from the struggle or submit to the grey actuality. Or else, by studying the material life and accepting the conditions of the contest, it may succeed, but only in imposing temporarily some artificial system which infinite Nature either rends and casts aside or disfigures out of recognition or by withdrawing her assent leaves as the corpse of a dead ideal. Few and far between have been those realisations of the dreamer in Man which the world has gladly accepted, looks back to with a fond memory and seeks, in its elements, to cherish.
  --
  When the gulf between actual life and the temperament of the thinker is too great, we see as the result a sort of withdrawing of the Mind from life in order to act with a greater freedom in its own sphere. The poet living among his brilliant visions, the artist absorbed in his art, the philosopher thinking out the problems of the intellect in his solitary chamber, the scientist, the scholar caring only for their studies and their experiments, were often in former days, are even now not unoften the Sannyasins of the intellect. To the work they have done for humanity, all its past bears record.
  But such seclusion is justified only by some special activity.
  --
  This mixing with life may, however, be pursued for the sake of the individual mind and with an entire indifference to the forms of the material existence or the uplifting of the race. This indifference is seen at its highest in the Epicurean discipline and is not entirely absent from the Stoic; and even altruism does the works of compassion more often for its own sake than for the sake of the world it helps. But this too is a limited fulfilment. The progressive mind is seen at its noblest when it strives to elevate the whole race to its own level whether by sowing broadcast the image of its own thought and fulfilment or by changing the material life of the race into fresh forms, religious, intellectual, social or political, intended to represent more nearly that ideal of truth, beauty, justice, righteousness with which the man's own soul is illumined. Failure in such a field matters little; for the mere attempt is dynamic and creative. The struggle of Mind to elevate life is the promise and condition of the conquest of life by that which is higher even than Mind.
  That highest thing, the spiritual existence, is concerned with what is eternal but not therefore entirely aloof from the transient. For the spiritual man the mind's dream of perfect beauty is realised in an eternal love, beauty and delight that has no dependence and is equal behind all objective appearances; its dream of perfect Truth in the supreme, self-existent, self-apparent and eternal Verity which never varies, but explains and is the secret of all variations and the goal of all progress; its dream of perfect action in the omnipotent and self-guiding Law that is inherent for ever in all things and translates itself here in the rhythm of the worlds. What is fugitive vision or constant effort of creation in the brilliant Self is an eternally existing Reality in the Self that knows2 and is the Lord.
  --
  But if Progress also is one of the chief terms of worldexistence and a progressive manifestation of the Divine the true sense of Nature, this limitation also is invalid. It is possible for the spiritual life in the world, and it is its real mission, to change the material life into its own image, the image of the Divine. Therefore, besides the great solitaries who have sought and attained their self-liberation, we have the great spiritual teachers who have also liberated others and, supreme of all, the great dynamic souls who, feeling themselves stronger in the might of the Spirit than all the forces of the material life banded together, have thrown themselves upon the world, grappled with it in a loving wrestle and striven to compel its consent to its own transfiguration. Ordinarily, the effort is concentrated on a mental and moral change in humanity, but it may extend itself also to the alteration of the forms of our life and its institutions so that they too may be a better mould for the inpourings of the Spirit. These attempts have been the supreme landmarks in the progressive development of human ideals and the divine preparation of the race. Every one of them, whatever its outward results, has left Earth more capable of Heaven and quickened in its tardy movements the evolutionary Yoga of Nature.
  In India, for the last thousand years and more, the spiritual life and the material have existed side by side to the exclusion of the progressive mind. Spirituality has made terms for itself with Matter by renouncing the attempt at general progress. It has obtained from society the right of free spiritual development for all who assume some distinctive symbol, such as the garb of the Sannyasin, the recognition of that life as man's goal and those who live it as worthy of an absolute reverence, and the casting of society itself into such a religious mould that its most customary acts should be accompanied by a formal reminder of the spiritual symbolism of life and its ultimate destination. On the other hand, there was conceded to society the right of inertia and immobile self-conservation. The concession destroyed much of the value of the terms. The religious mould being fixed, the formal reminder tended to become a routine and to lose its living sense. The constant attempts to change the mould by new sects and religions ended only in a new routine or a modification of the old; for the saving element of the free and active mind had been exiled. The material life, handed over to the Ignorance, the purposeless and endless duality, became a leaden and dolorous yoke from which flight was the only escape.
  The schools of Indian Yoga lent themselves to the compromise. Individual perfection or liberation was made the aim, seclusion of some kind from the ordinary activities the condition, the renunciation of life the culmination. The teacher gave his knowledge only to a small circle of disciples. Or if a wider movement was attempted, it was still the release of the individual soul that remained the aim. The pact with an immobile society was, for the most part, observed.
  --
  previous chapter: 0.02 - The Three Steps of Nature
  next chapter: 0.04 - The Systems of Yoga

0.04 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  To the sadhak in charge of the Sri Aurobindo Ashram's cows,
  bullocks and carts during the 1930s.1
  --
  quite intelligent enough to feel the change of people. This new
  man is not an expert and moreover he has something of a brute
  --
  dejected and work reluctantly. I see no solution but to change
  the man and to find a better one.
  --
  I think that chakki work3 is very disgusting for the bullocks;
  it brings down their vitality because of that, and makes them

0.05 - Letters to a Child, #Some Answers From The Mother, #The Mother, #Integral Yoga
  Give me a chance, Mother, please.
  One thing I want to ask you: Mother, will you
  --
  I am, and I don't know whether there is any chance of
  my making any progress. It seems that all the obscurities
  --
  there is bad will or revolt, Kali may come and chastise but she
  always does it with love.
  --
  useless; it is the "inside" that must change. Keep your resolution
  and my help will work.
  --
  The vital is a most bothersome character who prefers to be
  bad rather than to go unnoticed. You must teach him that he is

0.05 - The Synthesis of the Systems, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  Nature, that which we know and are and must remain so long as the faith in us is not changed, acts through limitation and division, is of the nature of Ignorance and culminates in the life of the ego; but the higher Nature, that to which we aspire, acts by unification and transcendence of limitation, is of the nature of Knowledge and culminates in the life divine. The passage from the lower to the higher is the aim of Yoga; and this passage
  The Synthesis of the Systems
  --
  Secondly, the process, being integral, accepts our nature such as it stands organised by our past evolution and without rejecting anything essential compels all to undergo a divine change.
  Everything in us is seized by the hands of a mighty Artificer and transformed into a clear image of that which it now seeks confusedly to present. In that ever-progressive experience we begin to perceive how this lower manifestation is constituted and that everything in it, however seemingly deformed or petty or vile, is the more or less distorted or imperfect figure of some element or action in the harmony of the divine Nature. We begin to understand what the Vedic Rishis meant when they spoke of the human forefa thers fashioning the gods as a smith forges the crude material in his smithy.
  --
  Beloved. And by a similar wideness, being capable of a freedom in spirit that embraces life and does not depend upon withdrawal from life, we are able to become without egoism, bondage or reaction the channel in our mind and body for a divine action poured out freely upon the world.
  The divine existence is of the nature not only of freedom, but of purity, beatitude and perfection. An integral purity which shall enable on the one hand the perfect reflection of the divine

0.06 - INTRODUCTION, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  1Ascent, Bk. I, chap. i, 2.
  2Op, cit., 3.
  3Dark Night, Bk. 1, chap. iii, 3.
  The Passive Nights, in which it is God Who accomplishes the purgation, are
  --
  by one, following the order of the seven deadly sins, in chapters (ii-viii) which once
  more reveal the author's skill as a director of souls. They are easy chapters to
  understand, and of great practical utility, comparable to those in the first book of
  --
  In chapter viii, St. John of the Cross begins to describe the Passive Night of
  the senses, the principal aim of which is the purgation or stripping of the soul of its
  --
  Having described this Passive Night of Sense in chapter viii, he explains
  with great insight and discernment how it may be recognized whether any given
  --
  Both these chapters have contri buted to the reputation of St. John of the
  Cross as a consummate spiritual master. And this not only for the objective value of
  --
  In chapter x, the Saint describes the discipline which the soul in this Dark
  Night must impose upon itself; this, as might be logically deduced from the Ascent,
  --
  4Op. cit., Bk. I, chap. i, 1.
  5Dark Night, Bk. 1, chap. viii, 1.
  6Op. cit., Bk. I, chap. viii, 2.
  7Ibid.
  --
  from this aridity, while chapter xiv briefly expounds the last line of the first stanza
  and brings to an end what the Saint desires to say with respect to the first Passive
  --
  whether in the soul or in its faculties ( chapters iv-viii). These chapters are brilliant
  beyond all description; in them we seem to reach the culminating point of their
  --
  preparing itself to receive with greater abundance. The following chapter makes the
  comparison between spiritual purgation and the log of wood which gradually
  --
  admirable chapters (xi-xiii), while one short chapter (xiv) suffices for the three lines
  remaining. We then embark upon the second stanza, which describes the soul's
  8Dark Night, Bk. I, chap. x, 4.
  9Op. cit., Bk. II, chap. iii, 1.
  10Op. cit., Bk. II, chap. i, 1.
  11Dark Night, Bk. II, chap. xi, 1.
  security in the Dark Nightdue, among other reasons, to its being freed 'not only
  --
  comprise St. Bernard's mystical ladder. chapter xxi describes the soul's 'disguise,'
  from which the book passes on ( chapters xxii, xxiii) to extol the 'happy chance'
  which led it to journey 'in darkness and concealment' from its enemies, both without

0.06 - Letters to a Young Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  What we want to bring to the earth can hardly be called a revolution, although it will be the most marvellous change ever seen;
  in any case this cannot be compared at all with the bloody revolutions which quite uselessly tear up countries without bringing
  any great change after them, because they leave men as false, as
  ignorant, as egoistic as before.
  --
  the appearances are changing more than you say. Only, this is
  not very easily seen because it happens normally, in accordance
  --
  to change. They will have to yield and be transformed one day
  or another.
  --
  in the world and that everything is in perpetual change.
  I do not understand a phrase in Your Prayers: "and that
  --
  And that other idea that if the body is changed the next
  one will necessarily be better, is also a mistake. It is only when
  --
  was changed in me; then I was in joy and peace and all
  difficulties suddenly disappeared. Since that day I have
  --
  me to make you aware of what is to be changed in you.
  I feel, Mother, that I am a very frivolous fellow; won't
  You change me?
  I would be very happy to change you, but are you quite sure
  that what is frivolous in you wants to change?
  How do you expect me to help you if you have no trust in me!
  --
  else except that red rose which signifies "Human passions changed into love for the Divine". I want to know
  precisely what the human passions are.
  --
  and emotions which are characteristic of the heart. It is always
  preferable not to live in the sensations but to consider them as
  --
  It would have been better to have sat in my chair and
  thought about the moonlight playing upon the water.
  --
  one has nine chances out of ten of saying something stupid when
  one speaks.
  --
  I have always thought that something in the teacher's character
  was responsible for the indiscipline of his students.

0.07 - DARK NIGHT OF THE SOUL, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  1. On a dark night, Kindled in love with yearningsoh, happy chance!
  I went forth without being observed, My house being now at rest.
  2. In darkness and secure, By the secret ladder, disguisedoh, happy chance!
  In darkness and in concealment, My house being now at rest.
  --
  Begins the exposition of the stanzas which treat of the way and manner which the soul follows upon the road of the union of love with God. Before we enter upon the exposition of these stanzas, it is well to understand here that the soul that utters them is now in the state of perfection, which is the union of love with God, having already passed through severe trials and straits, by means of spiritual exercise in the narrow way of eternal life whereof Our Saviour speaks in the Gospel, along which way the soul ordinarily passes in order to reach this high and happy union with God. Since this road (as the Lord Himself says likewise) is so strait, and since there are so few that enter by it,19 the soul considers it a great happiness and good chance to have passed along it to the said perfection of love, as it sings in this first stanza, calling this strait road with full propriety 'dark night,' as will be explained hereafter in the lines of the said stanza. The soul, then, rejoicing at having passed along this narrow road whence so many blessings have come to it, speaks after this manner.
  BOOK THE FIRST

0.07 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  with the heavy chains of a mortal's nature pulling at my
  feet?
  --
  In the secret recesses of my heart's chamber I have
  always been aware of an instinctive belief that you are an

0.08 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
  What is the difference between the psychic change
  and the spiritual change?
  The psychic change is the change that puts you in contact with
  the immanent Divine, the Divine who is at the centre of each
  --
  expression. By the psychic change one passes from the individual
  Divine to the universal Divine and finally to the Transcendent.
  The spiritual change puts you directly in contact with the
  Supreme.
  --
  each one characterises circumstances as good or bad depending
  on whether they are more or less favourable to him; and this
  --
  Then my body, completely passive, is nothing but a channel
  through which the Lord passes His forces freely and pours upon
  --
  evolves, it will change into superconscience.
  We too, then, carry in ourselves the subconscience which
  --
  origin who have been charged with supervising, directing and
  This question and the three that follow are based on terms used by Sri Aurobindo in
  The Life Divine, especially in its final chapters.
  organising the evolution of the universe; and more specifically,
  --
  have changed this state of things.
  We are still only in a period of preparation.

0.09 - Letters to a Young Teacher, #Some Answers From The Mother, #The Mother, #Integral Yoga
  receive all the help needed to be able to change in themselves
  what needs to be changed. You can be sure that my force will
  always be with you so that you can make all the progress you

01.01 - A Yoga of the Art of Life, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Sri Aurobindo saw that the very core of his teaching was being missed by this common interpretation of his saying. So he changed his words and said, Our Yoga is not for humanity but for the Divine. But I am afraid this change of front, this volte-face, as it seemed, was not welcomed in many quarters; for thereby all hope of having him back for the work of the country or the world appeared to be totally lost and he came to be looked upon again as an irrevocable metaphysical dreamer, aloof from physical things and barren, even like the Immutable Brahman.
   II
   In order to get a nearer approach to the ideal for which Sri Aurobindo has been labouring, we may combine with advantage the two mottoes he has given us and say that his mission is to find and express the Divine in humanity. This is the service he means to render to humanity, viz, to manifest and embody in it the Divine: his goal is not merely an amelioration, but a total change and transformation, the divinisation of human life.
   Here also one must guard against certain misconceptions that are likely to occur. The transformation of human life does not necessarily mean that the entire humanity will be changed into a race of gods or divine beings; it means the evolution or appearance on earth of a superior type of humanity, even as man evolved out of animality as a superior type of animality, not that the entire animal kingdom was changed into humanity.
   As regards the possibility of such a consummation,Sri Aurobindo says it is not a possibility but an inevitabilityone must remember that the force that will bring about the result and is already at work is not any individual human power, however great it may be, but the Divine himself, it is the Divine's own Shakti that is labouring for the destined end.

01.01 - Sri Aurobindo - The Age of Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The ideal or perhaps one should say the policy of Real-politick is the thing needed in this world. To achieve something actually in the physical and material field, even a lesser something, is worth much more than speculating on high flaunting chimeras and indulging in day-dreams. Yes, but what is this something that has to be achieved in the material world? It is always an ideal. Even procuring food for each and every person, clothing and housing all is not less an ideal for all its concern about actuality. Only there are ideals and ideals; some are nearer to the earth, some seem to be in the background. But the mystery is that it is not always the ideal nearest to the earth which is the easiest to achieve or the first thing to be done first. Do we not see before our very eye show some very simple innocent social and economic changes are difficult to carry outthey bring in their train quite disproportionately gestures and movements of violence and revolution? That is because we seek to cure the symptoms and not touch the root of the disease. For even the most innocent-looking social, economic or political abuse has at its base far-reaching attitudes and life-urgeseven a spiritual outlook that have to be sought out and tackled first, if the attempt at reform is to be permanently and wholly successful. Even in mundane matters we do not dig deep enough, or rise high enough.
   Indeed, looking from a standpoint that views the working of the forces that act and achieve and not the external facts and events and arrangements aloneone finds that things that are achieved on the material plane are first developed and matured and made ready behind the veil and at a given moment burst out and manifest themselves often unexpectedly and suddenly like a chick out of the shell or the young butterfly out of the cocoon. The Gita points to that truth of Nature when it says: "These beings have already been killed by Me." It is not that a long or strenuous physical planning and preparation alone or in the largest measure brings about a physical realisation. The deeper we go within, the farther we are away from the surface, the nearer we come to the roots and sources of things even most superficial. The spiritual view sees and declares that it is the Brahmic consciousness that holds, inspires, builds up Matter, the physical body and form of Brahman.

01.01 - The New Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   This mastery will be effected not merely in will, but in mind and heart also. For the New Man will know not by the intellect which is egocentric and therefore limited, not by ratiocination which is an indirect and doubtful process, but by direct vision, an inner communion, a soul revelation. The new knowledge will be vast and profound and creative, based as it will be upon the reality of things and not upon their shadows. Truth will shine through every experience and every utterance"a truth shall have its seat on our speech and mind and hearing", so have the Vedas said. The mind and intellect will not be active and constructive agents but the luminous channel of a self-luminous knowledge. And the heart too which is now the field of passion and egoism will be cleared of its noise and obscurity; a serener sky will shed its pure warmth and translucent glow. The knot will be rent asunderbhidyate hridaya granthih and the vast and mighty streams of another ocean will flow through. We will love not merely those to whom we are akin but God's creatures, one and all; we will love not with the yearning and hunger of a mortal but with the wide and intense Rasa that lies in the divine identity of souls.
   And the new society will be based not upon competition, nor even upon co-operation. It will not be an open conflict, neither will it be a convenient compromise of rival individual interests. It will be the organic expression of the collective soul of humanity, working and achieving through each and every individual soul its most wide-winging freedom, manifesting the godhead that is, proper to each and every one. It will be an organisation, most delicate and subtle and supple, the members of which will have no need to live upon one another but in and through one another. It will be, if you like, a henotheistic hierarchy in which everyone will be the greatest, since everyone is all and all everyone simultaneously.
   The New Humanity will be something in the mould that we give to the gods. It will supply the link that we see missing between gods and men; it will be the race of embodied gods. Man will attain that thing which has been his first desire and earliest dream, for which he coveted the gods Immortality, amritatwam. The mortalities that cut and divide, limit and bind man make him the sorrowful being he is. These are due to his ignorance and weakness and egoism. These are due to his soul itself. It is the soul that requires change, a new birth, as Christ demanded. Ours is a little soul that has severed itself from the larger and mightier self that it is. And therefore does it die every moment and even while living is afraid to live and so lives poorly and miserably. But the age is now upon us when the god-like soul anointed with its immortal royalties is ready to emerge and claim our salutation.
   The breath and the surge of the new creation cannot be mistaken. The question that confronts us today is no longer whether the New Man, the Super-humanity, will come or if at all, when; but the question we have to answer is who among us are ready to be its receptacle, its instrument and embodiment.

01.01 - The One Thing Needful, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  To find the Divine is indeed the first reason for seeking the spiritual Truth and the spiritual life; it is the one thing indispensable and all the resit is nothing without it. The Divine once found, to manifest Him, - that is, first of all to transform one's own limited consciousness into the Divine Consciousness, to live in the infinite Peace, Light, Love, Strength, Bliss, to become that in one's essential nature and, as a consequence, to be its vessel, channel, instrument in one's active nature. To bring into activity the principle of oneness on the material plane or to work for humanity is a mental mistranslation of the Truth - these things cannot be the first true object of spiritual seeking. We must find the Self, the Divine, then only can we know what is the work the Self or the Divine demands from us. Until then our life and action can only be a help or a means towards finding the Divine and it ought not to have any other purpose. As we grow in inner consciousness, or as the spiritual Truth of the Divine grows in us, our life and action must indeed more and more flow from that, be one with that. But to decide beforeh and by our limited mental conceptions what they must be is to hamper the growth of the spiritual Truth within. As that grows we shall feel the Divine Light and Truth, the Divine Power and Force, the Divine Purity and Peace working within us, dealing with our actions as well as our consciousness, making use of them to reshape us into the Divine Image, removing the dross, substituting the pure Gold of the Spirit. Only when the Divine Presence is there in us always and the consciousness transformed, can we have the right to say that we are ready to manifest the Divine on the material plane. To hold up a mental ideal or principle and impose that on the inner working brings the danger of limiting ourselves to a mental realisation or of impeding or even falsifying by a halfway formation the truth growth into the full communion and union with the Divine and the free and intimate outflowing of His will in our life. This is a mistake of orientation to which the mind of today is especially prone. It is far better to approach the Divine for the Peace or Light or Bliss that the realisation of Him gives than to bring in these minor things which can divert us from the one thing needful. The divinisation of the material life also as well as the inner life is part of what we see as the Divine Plan, but it can only be fulfilled by an ourflowing of the inner realisation, something that grows from within outwards, not by the working out of a mental principle.
  The realisation of the Divine is the one thing needful and the rest is desirable only in so far as it helps or leads towards that or when it is realised, extends and manifests the realisation. Manifestation and organisation of the whole life for the divine work, - first, the sadhana personal and collective necessary for the realisation and a common life of God-realised men, secondly, for help to the world to move towards that, and to live in the Light - is the whole meaning and purpose of my Yoga. But the realisation is the first need and it is that round which all the rest moves, for apart from it all the rest would have no meaning.
  Yoga is directed towards God, not towards man. If a divine supramental consciousness and power can be brought down and established in the material world, that obviously would mean an immense change for the earth including humanity and its life. But the effect on humanity would only be one result of the change; it cannot be the object of the sadhana. The object of the sadhana can only be to live in the divine consciousness and to manifest it in life.
  Sadhana must be the main thing and sadhana means the purification of the nature, the consecration of the being, the opening of the psychic and the inner mind and vital, the contact and presence of the Divine, the realisation of the Divine in all things, surrender, devotion, the widening of the consciousness into the cosmic Consciousness, the Self one in all, the psychic and the spiritual transformation of the nature.
  ... the principle of this Yoga is not perfection of the human nature as it is but a psychic and spiritual transformation of all the parts of the being through the action of an inner consciousness and then of a higher consciousness which works on them, throws out the old movements or changes them into the image of its own and so transmutes lower into higher nature. It is not so much the perfection of the intellect as a transcendence of it, a transformation of the mind, the substitution of a larger greater principle of knowledge - and so with all the rest of the being.
    This is a slow and difficult process; the road is long and it is hard to establish even the necessary basis. The old existing nature resists and obstructs and difficulties rise one after another and repeatedly till they are overcome. It is therefore necessary to be sure that this is the path to which one is called before one finally decides to tread it.

01.01 - The Symbol Dawn, #Savitri, #Sri Aurobindo, #Integral Yoga
  And a blank prescience yearned towards distant change.
  As if a childlike finger laid on a cheek
  --
  Ambassadress twixt eternity and change,
  The omniscient Goddess leaned across the breadths
  --
  That hastened to join the brilliant Summoner's chant
  And, lured by the beauty of the apparent ways,
  --
  Hard is it to persuade earth-nature's change;
  Mortality bears ill the eternal's touch:
  --
  And from its dim chasms welled a dire return,
  A portion of its sorrow, struggle, fall.

01.02 - Natures Own Yoga, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Sri Aurobindo's Yoga is in the direct line of Nature's own Yoga. Nature has a Yoga, which she follows unfailingly, and inevitably for it is her innermost law of being. Yoga means, in essence, a change or transformation of consciousness, a heightening and broadening of consciousness, which is effected by communion or union or identification with a higher and vaster consciousness.
   This process of a developing consciousness in Nature is precisely what is known as Evolution. It is the bringing out and fixing of a higher and higher principle of consciousness, hitherto involved and concealed behind the veil, in the earth consciousness as a dynamic factor in Nature's manifest working. Thus, the first stage of evolution is the status of inconscient Matter, of the lifeless physical elements; the second stage is that of the semi-conscious life in the plant, the third that of the conscious life in the animal, and finally the fourth stage, where we stand at present, is that of the embodied self-conscious life in man.
  --
   This has been the highest consummation, the supreme goal which the purest spiritual experience and the deepest aspiration of the human consciousness generally sought to attain. But in this view, the world or creation or Nature came in the end to be looked upon as fundamentally a product of Ignorance: ignorance and suffering and incapacity and death were declared to be the very hallmark of things terrestrial. The Light that dwells above and beyond can be made to shed for a while some kind of lustre upon the mortal darkness but never altogether to remove or change itto live in the full light, to be in and of the Light means to pass beyond. Not that there have not been other strands and types of spiritual experiences and aspirations, but the one we are considering has always struck the major chord and dominated and drowned all the rest.
   But the initial illusory consciousness of the Overmind need not at all lead to the static Brahmic consciousness or Sunyam alone. As a matter of fact, there is in this particular processes of consciousness a hiatus between the two, between Maya and Brahman, as though one has to leap from the one into the other somehow. This hiatus is filled up in Sri Aurobindo's Yoga by the principle of Supermind, not synthetic-analytic2 in knowledge like Overmind and the highest mental intelligence, but inescapably unitarian even in the utmost diversity. Supermind is the Truth-consciousness at once static and dynamic, self-existent and creative: in Supermind the Brahmic consciousness Sachchidanandais ever self-aware and ever manifested and embodied in fundamental truth-powers and truth-forms for the play of creation; it is the plane where the One breaks out into the Many and the Many still remain one, being and knowing themselves to be but various self-expressions of the One; it develops the spiritual archetypes, the divine names and forms of all individualisations of an evolving existence.
  --
   In the Supermind things exist in their perfect spiritual reality; each is consciously the divine reality in its transcendent essence, its cosmic extension, its, spiritual individuality; the diversity of a manifested existence is there, but the mutually exclusive separativeness has not yet arisen. The ego, the knot of separativity, appears at a later and lower stage of involution; what is here is indivisible nexus of individualising centres of the one eternal truth of being. Where Supermind and Overmind meet, one can see the multiple godheads, each distinct in his own truth and beauty and power and yet all together forming the one supreme consciousness infinitely composite and inalienably integral. But stepping back into Supermind one sees something moreOneness gathering into itself all diversity, not destroying it, but annulling and forbidding the separative consciousness that is the beginning of Ignorance. The first shadow of the Illusory Consciousness, the initial possibility of the movement of Ignorance comes in when the supramental light enters the penumbra of the mental sphere. The movement of Supermind is the movement of light without obscurity, straight, unwavering, unswerving, absolute. The Force here contains and holds in their oneness of Reality the manifold but not separated lines of essential and unalloyed truth: its march is the inevitable progression of each one assured truth entering into and upholding every other and therefore its creation, play or action admits of no trial or stumble or groping or deviation; for each truth rests on all others and on that which harmonises them all and does not act as a Power diverging from and even competing with other Powers of being. In the Overmind commences the play of divergent possibilities the simple, direct, united and absolute certainties of the supramental consciousness retire, as it were, a step behind and begin to work themselves out through the interaction first of separately individualised and then of contrary and contradictory forces. In the Overmind there is a conscious underlying Unity but yet each Power, Truth, Aspect of that Unity is encouraged to work out its possibilities as if it were sufficient to itself and the others are used by it for its own enhancement until in the denser and darker reaches below Overmind this turns out a thing of blind conflict and battle and, as it would appear, of chance survival. Creation or manifestation originally means the concretisation or devolution of the powers of Conscious Being into a play of united diversity; but on the line which ends in Matter it enters into more and more obscure forms and forces and finally the virtual eclipse of the supreme light of the Divine Consciousness. Creation as it descends' towards the Ignorance becomes an involution of the Spirit through Mind and Life into Matter; evolution is a movement backward, a return journey from Matter towards the Spirit: it is the unravelling, the gradual disclosure and deliverance of the Spirit, the ascension and revelation of the involved consciousness through a series of awakeningsMatter awakening into Life, Life awakening into Mind and Mind now seeking to awaken into something beyond the Mind, into a power of conscious Spirit.
   The apparent or actual result of the movement of Nescienceof Involutionhas been an increasing negation of the Spirit, but its hidden purpose is ultimately to embody the Spirit in Matter, to express here below in cosmic Time-Space the splendours of the timeless Reality. The material body came into existence bringing with it inevitably, as it seemed, mortality; it appeared even to be fashioned out of mortality, in order that in this very frame and field of mortality, Immortality, the eternal Spirit Consciousness which is the secret truth and reality in Time itself as well as behind it, might be established and that the Divine might be possessed, or rather, possess itself not in one unvarying mode of the static consciousness, as it does even now behind the cosmic play, but in the play itself and in the multiple mode of the terrestrial existence.
  --
   An organ in the human being has been especially developed to become the effective instrument of this accelerated Yogic process the self-consciousness which I referred to as being the distinctive characteristic of man is a function of this organ. It is his soul, his psychic being; originally it is the spark of the Divine Consciousness which came down and became involved in Matter and has been endeavouring ever since to release itself through the upward march of evolution. It is this which presses on continually as the stimulus to the evolutionary movement; and in man it has attained sufficient growth and power and has come so far to the front from behind the veil that it can now lead and mould his external consciousness. It is also the channel through which the Divine Consciousness can flow down into the inferior levels of human nature. It is the being no bigger than the thumb ever seated within the heart, spoken of in the Upanishads. It is likewise the basis of true individuality and personal identity. It is again the reflection or expression in evolutionary Nature of one's essential selfjivtman that is above, an eternal portion of the Divine, one with the Divine and yet not dissolved and lost in it. The psychic being is thus on the one hand in direct contact with the Divine and the higher consciousness, and on the other it is the secret upholder and controller' (bhart, antarymin) of the inferior consciousness, the hidden nucleus round which the body and the life and the mind of the individual are built up and organised.
   The first decisive step in Yoga is taken when one becomes conscious of the psychic being, or, looked at from the other side, when the psychic being comes forward and takes possession of the external being, begins to initiate and influence the movements of the mind and life and body and gradually free them from the ordinary round of ignorant nature. The awakening of the psychic being means, as I have said, not only a deepening and heightening of the consciousness and its release from the obscurity and limitation of the inferior Prakriti, confined to the lower threefold status, into what is behind and beyond; it means also a return of the deeper and higher consciousness upon the lower hemisphere and a consequent purification and illumination and regeneration of the latter. Finally, when the psychic being is in full self-possession and power, it can be the vehicle of the direct supramental consciousness which will then be able to act freely and absolutely for the entire transformation of the external nature, its transfiguration into a perfect body of the Truth-consciousness in a word, its divinisation.
  --
   The soul or the true being in man uplifted in the supramental consciousness and at the same time coming forward to possess a divinised mind and life and body as an instrument and channel of its self-expression and an embodiment of the Divine Will and Purposesuch is the goal that Nature is seeking to realise at present through her evolutionary lan. It is to this labour that man has been called so that in and through him the destined transcendence and transformation can take place.
   It is not easy, however, nor is it necessary for the moment to envisage in detail what this divinised man would be like, externallyhis mode of outward being and living, kimsita vrajeta kim, as Arjuna queriedor how the collective life of the new humanity would function or what would be the composition of its social fabric. For what is happening is a living process, an organic growth; it is being elaborated through the actions and reactions of multitudinous forces and conditions, known and unknown; the precise configuration of the final outcome cannot be predicted with exactitude. But the Power that is at work is omniscient; it is selecting, rejecting, correcting, fashioning, creating, co-ordinating elements in accordance with and by the drive of the inviolable law of Truth and Harmony that reigns in Light's own homeswe dame the Supermind.

01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   What is the world that Sri Aurobindo sees and creates? Poetry is after all passion. By passion I do not mean the fury of emotion nor the fume of sentimentalism, but what lies behind at their source, what lends them the force they have the sense of the "grandly real," the vivid and pulsating truth. What then is the thing that Sri Aurobindo has visualised, has endowed with a throbbing life and made a poignant reality? Victor Hugo said: Attachez Dieu au gibet, vous avez la croixTie God to the gibbet, you have the cross. Even so, infuse passion into a thing most prosaic, you create sublime poetry out of it. What is the dead matter that has found life and glows and vibrates in Sri Aurobindo's passion? It is something which appears to many poetically intractable, not amenable to aesthetic treatment, not usually, that is to say, nor in the supreme manner. Sri Aurobindo has thrown such a material into his poetic fervour and created a sheer beauty, a stupendous reality out of it. Herein lies the greatness of his achievement. Philosophy, however divine, and in spite of Milton, has been regarded by poets as "harsh and crabbed" and as such unfit for poetic delineation. Not a few poets indeed foundered upon this rock. A poet in his own way is a philosopher, but a philosopher chanting out his philosophy in sheer poetry has been one of the rarest spectacles.1 I can think of only one instance just now where a philosopher has almost succeeded being a great poet I am referring to Lucretius and his De Rerum Natura. Neither Shakespeare nor Homer had anything like philosophy in their poetic creation. And in spite of some inclination to philosophy and philosophical ideas Virgil and Milton were not philosophers either. Dante sought perhaps consciously and deliberately to philosophise in his Paradiso I Did he? The less Dante then is he. For it is his Inferno, where he is a passionate visionary, and not his Paradiso (where he has put in more thought-power) that marks the nee plus ultra of his poetic achievement.
   And yet what can be more poetic in essence than philosophy, if by philosophy we mean, as it should mean, spiritual truth and spiritual realisation? What else can give the full breath, the integral force to poetic inspiration if it is not the problem of existence itself, of God, Soul and Immortality, things that touch, that are at the very root of life and reality? What can most concern man, what can strike the deepest fount in him, unless it is the mystery of his own being, the why and the whither of it all? But mankind has been taught and trained to live merely or mostly on earth, and poetry has been treated as the expression of human joys and sorrows the tears in mortal things of which Virgil spoke. The savour of earth, the thrill of the flesh has been too sweet for us and we have forgotten other sweetnesses. It is always the human element that we seek in poetry, but we fail to recognise that what we obtain in this way is humanity in its lower degrees, its surface formulations, at its minimum magnitude.
   We do not say that poets have never sung of God and Soul and things transcendent. Poets have always done that. But what I say is this that presentation of spiritual truths, as they are in their own home, in other words, treated philosophically and yet in a supreme poetic manner, has always been a rarity. We have, indeed, in India the Gita and the Upanishads, great philosophical poems, if there were any. But for one thing they are on dizzy heights out of the reach of common man and for another they are idolised more as philosophy than as poetry. Doubtless, our Vaishnava poets sang of God and Love Divine; and Rabindranath, in one sense, a typical modern Vaishnava, did the same. And their songs are masterpieces. But are they not all human, too human, as the mad prophet would say? In them it is the human significance, the human manner that touches and moves us the spiritual significance remains esoteric, is suggested, is a matter of deduction. Sri Aurobindo has dealt with spiritual experiences in a different way. He has not clothed them in human symbols and allegories, in images and figures of the mere earthly and secular life: he presents them in their nakedness, just as they are seen and realised. He has not sought to tone down the rigour of truth with contrivances that easily charm and captivate the common human mind and heart. Nor has he indulged like so many poet philosophers in vague generalisations and colourless or too colourful truisms that do not embody a clear thought or rounded idea, a radiant judgment. Sri Aurobindo has given us in his poetry thoughts that are clear-cut, ideas beautifully chiselledhe is always luminously forceful.
   Take these Vedantic lines that in their limpidity and harmonious flow beat anything found in the fine French poet Lamartine:
  --
   It is the bare truth, "truth in its own home", as I have said already using a phrase of the ancient sages, that is formulated here without the prop of any external symbolism. There is no veil, no mist, no uncertainty or ambiguity. It is clarity itself, an almost scientific exactness and precision. In all this there is something of the straightness and fullness of vision that characterised the Vedic Rishis, something of their supernal genius which could mould speech into the very expression of what is beyond speech, which could sublimate the small and the finite into forms of the Vast and the Infinite. Mark how in these aphoristic lines embodying a deep spiritual experience, the inexpressible has been expressed with a luminous felicity:
   Delight that labours in its opposite,
  --
   Indeed it would be wrong to associate any cold ascetic nudity to the spiritual body of Sri Aurobindo. His poetry is philosophic, abstract, no doubt, but every philosophy has its practice, every abstract thing its concrete application,even as the soul has its body; and the fusion, not mere union, of the two is very characteristic in him. The deepest and unseizable flights of thought he knows how to clo the with a Kalidasian richness of imagery, or a Keatsean gusto of sensuousness:
   . . . . .O flowers, O delight on the tree-tops burning!
  --
   See, how the coursers divine champ spirited
   pawing the mountains!
  --
   Shudders below into sunless depths, along chasms
   unending,

01.02 - The Creative Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The cosmic soul is true. But that truth is borne out, effectuated only by the truth of the individual soul. When the individual soul becomes itself fully and integrally, by that very fact it becomes also the cosmic soul. The individuals are the channels through which flows the Universal and the Infinite in its multiple emphasis. Each is a particular figure, aspectBhava, a particular angle of vision of All. The vision is entire and the figure perfect if it is not refracted by the lower and denser parts of our being. And for that the individual must first come to itself and shine in its opal clarity and translucency.
   Not to do what others do, but what your soul impels you to do. Not to be others but your own self. Not to be anything but the very cosmic and infinite divinity of your soul. Therein lies your highest freedom and perfect delight. And there you are supremely creative. Each soul has a consortPrakriti, Naturewhich it creates out of its own rib. And in this field of infinite creativity the soul lives, moves and has its being.

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
  That joins these changing names, these numberless lives,
  These new oblivious personalities
  --
  And the hours forgot to pass towards grief and change.
  3.27
  --
  Where life is not exposed to sorrowful change,
  Remembered beauty death-claimed lids ignore
  --
  Lit up the chasm of the unfinished world
  And called her to fill with her vast self the abyss.
  --
  A chattel and a plaything of Time's lords,
  Or one more pawn who comes destined to be pushed
  --
  Where all must move between an ordered chance
  And an uncaring blind Necessity,
  --
  Or yield her high destiny up to passing chance.
  4.33
  --
  Barring its dreadful route no will can change,
  She faced the engines of the universe;
  --
  One mighty deed can change the course of things;
  A lonely thought becomes omnipotent.
  --
  And long determination's rigid chain,
  Her firm and changeless habits aping Law,
  Her empire of unconscious deft device
  --
  Of a tied chance repeating her old steps
  In circles around Matter's binding-posts.

01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   both so idealise, etherealize, almost spiritualise the earth and the flesh that they seem ostensibly only a vesture of something else behind, something mysterious and other-worldly, something other than, even just opposite to what they actually are or appear to be. That is the mystique of the senses which is a very characteristic feature of some of the best poetic inspirations of France. Baudelaire too, the Satanic poet, by the sheer intensity of sympathy and sincerity, pierces as it were into the soul of things and makes the ugly, the unclean, the diseased, the sordid throb and glow with an almost celestial light. Here is the Baudelairean manner:
   Tout casss
  --
   one chain of thy neck.. . .
   one can explain that it is the Christ calling the Church or God appealing to the human soul or one can simply find in it nothing more than a man pining for his woman. Anyhow I would not call it spiritual poetry or even mystic poetry. For in itself it does not carry any double or oblique meaning, there is no suggestion that it is applicable to other fields or domains of consciousness: it is, as it were, monovalent. An allegory is never mysticism. There is more mysticism in Wordsworth, even in Shelley and Keats, than in Spenser, for example, who stands in this respect on the same ground as Bunyan in his The Pilgrim's Progress. Take Wordsworth as a Nature-worshipper,
  --
   We left out the Metaphysicals, for they can be grouped as a set apart. They are not so much metaphysical as theological, religious. They have a brain-content stirring with theological problems and speculations, replete with scintillating conceits and intricate fancies. Perhaps it is because of this philosophical burden, this intellectual bias that the Metaphysicals went into obscurity for about two centuries and it is precisely because of that that they are slowly coming out to the forefront and assuming a special value with the moderns. For the modern mind is characteristically thoughtful, introspective"introvert"and philosophical; even the exact physical sciences of today are rounded off in the end with metaphysics.
   The growth of a philosophical thought-content in poetry has been inevitable. For man's consciousness in its evolutionary march is driving towards a consummation which includes and presupposes a development along that line. The mot d'ordre in old-world poetry was "fancy", imaginationremember the famous lines of Shakespeare characterising a poet; in modern times it is Thought, even or perhaps particularly abstract metaphysical thought. Perceptions, experiences, realisationsof whatever order or world they may beexpressed in sensitive and aesthetic terms and figures, that is poetry known and appreciated familiarly. But a new turn has been coming on with an increasing insistencea definite time has been given to that, since the Renaissance, it is said: it is the growing importance of Thought or brain-power as a medium or atmosphere in which poetic experiences find a sober and clear articulation, a definite and strong formulation. Rationalisation of all experiences and realisations is the keynote of the modern mentality. Even when it is said that reason and rationality are not ultimate or final or significant realities, that the irrational or the submental plays a greater role in our consciousness and that art and poetry likewise should be the expression of such a mentality, even then, all this is said and done in and through a strong rational and intellectual stress and frame the like of which cannot be found in the old-world frankly non-intellectual creations.
   The religious, the mystic or the spiritual man was, in the past, more or Jess methodically and absolutely non-intellectual and anti-intellectual: but the modern age, the age of scientific culture, is tending to make him as strongly intellectual: he has to explain, not only present the object but show up its me chanism alsoexplain to himself so that he may have a total understanding and a firmer grasp of the thing which he presents and explains to others as well who demand a similar approach. He feels the necessity of explaining, giving the rationality the rationale the science, of his art; for without that, it appears to him, a solid ground is not given to the structure of his experience: analytic power, preoccupation with methodology seems inherent in the modern creative consciousness.
  --
   This is what I was trying to make out as the distinguishing trait of the real spiritual consciousness that seems to be developing in the poetic creation of tomorrow, e.g., it has the same rationality, clarity, concreteness of perception as the scientific spirit has in its own domain and still it is rounded off with a halo of magic and miracle. That is the nature of the logic of the infinite proper to the spiritual consciousness. We can have a Science of the Spirit as well as a Science of Matter. This is the Thought element or what corresponds to it, of which I was speaking, the philosophical factor, that which gives form to the formless or definition to that which is vague, a nearness and familiarity to that which is far and alien. The fullness of the spiritual consciousness means such a thing, the presentation of a divine name and form. And this distinguishes it from the mystic consciousness which is not the supreme solar consciousness but the nearest approach to it. Or, perhaps, the mystic dwells in the domain of the Divine, he may even be suffused with a sense of unity but would not like to acquire the Divine's nature and function. Normally and generally he embodies all the aspiration and yearning moved by intimations and suggestions belonging to the human mentality, the divine urge retaining still the human flavour. We can say also, using a Vedantic terminology, that the mystic consciousness gives us the tatastha lakshana, the nearest approximative attribute of the attri buteless; or otherwise, it is the hiranyagarbha consciousness which englobes the multiple play, the coruscated possibilities of the Reality: while the spiritual proper may be considered as prajghana, the solid mass, the essential lineaments of revelatory knowledge, the typal "wave-particles" of the Reality. In the former there is a play of imagination, even of fancy, a decorative aesthesis, while in the latter it is vision pure and simple. If the spiritual poetry is solar in its nature, we can say, by extending the analogy, that mystic poetry is characteristically lunarMoon representing the delight and the magic that Mind and mental imagination, suffused, no doubt, with a light or a reflection of some light from beyond, is capable of (the Upanishad speaks of the Moon being born of the Mind).
   To sum up and recapitulate. The evolution of the poetic expression in man has ever been an attempt at a return and a progressive approach to the spiritual source of poetic inspiration, which was also the original, though somewhat veiled, source from the very beginning. The movement has followed devious waysstrongly negative at timeseven like man's life and consciousness in general of which it is an organic member; but the ultimate end and drift seems to have been always that ideal and principle even when fallen on evil days and evil tongues. The poet's ideal in the dawn of the world was, as the Vedic Rishi sang, to raise things of beauty in heaven by his poetic power,kavi kavitv divi rpam sajat. Even a Satanic poet, the inaugurator, in a way, of modernism and modernistic consciousness, charles Baudelaire, thus admonishes his spirit:
   "Flyaway, far from these morbid miasmas, go and purify yourself in the higher air and drink, like a pure and divine liquor, the clear fire that fills the limpid spaces."18
  --
   Poetry, actually however, has been, by and large, a profane and mundane affair: for it expresses the normal man's perceptions and feelings and experiences, human loves and hates and desires and ambitions. True. And yet there has also always been an attempt, a tendency to deal with them in such a way as can bring calm and puritykatharsisnot trouble and confusion. That has been the purpose of all Art from the ancient days. Besides, there has been a growth and development in the historic process of this katharsis. As by the sublimation of his bodily and vital instincts and impulses., man is gradually growing into the mental, moral and finally spiritual consciousness, even so the artistic expression of his creative activity has followed a similar line of transformation. The first and original transformation happened with religious poetry. The religious, one may say, is the profane inside out; that is to say, the religious man has almost the same tone and temper, the same urges and passions, only turned Godward. Religious poetry too marks a new turn and development of human speech, in taking the name of God human tongue acquires a new plasticity and flavour that transform or give a new modulation even to things profane and mundane it speaks of. Religious means at bottom the colouring of mental and moral idealism. A parallel process of katharsis is found in another class of poetic creation, viz., the allegory. Allegory or parable is the stage when the higher and inner realities are expressed wholly in the modes and manner, in the form and character of the normal and external, when moral, religious or spiritual truths are expressed in the terms and figures of the profane life. The higher or the inner ideal is like a loose clothing upon the ordinary consciousness, it does not fit closely or fuse. In the religious, however, the first step is taken for a mingling and fusion. The mystic is the beginning of a real fusion and a considerable ascension of the lower into the higher. The philosopher poet follows another line for the same katharsisinstead of uplifting emotions and sensibility, he proceeds by thought-power, by the ideas and principles that lie behind all movements and give a pattern to all things existing. The mystic can be of either type, the religious mystic or the philosopher mystic, although often the two are welded together and cannot be very well separated. Let us illustrate a little:
   The spacious firmament on high,
  --
   Bring me my chariot of fire!26
   An allegorical structure has been transfused into a living and burning symbolism of an inner world.
  --
   Harindranath chattopadhyaya: "Blue Profound" in Strange Journey.
   Katha Upanishad.

01.03 - Rationalism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Does this mean that real knowledge is irrational or against Reason? Not so necessarily. There is a super-rational power for knowledge and Reason may either be a channel or an obstacle. If we take our stand upon Reason and then proceed to know, if we take the forms and categories of Reason as the inviolable schemata of knowledge, then indeed Reason becomes an obstacle to that super-rational power. If, on the other hand, Reason does not offer any set-form from beforehand, does not insist upon its own conditions, is passive and simply receives and reflects what is given to it, then it becomes a luminous and sure channel for that higher and real knowledge.
   The fact is that Reason is a lower manifestation of knowledge, it is an attempt to express on the mental level a power that exceeds it. It is the section of a vast and unitarian Consciousness-Power; the section may be necessary under certain conditions and circumstances, but unless it is viewed in its relation to the ensemble, unless it gives up its exclusive absolutism, it will be perforce arbitrary and misleading. It would still remain helpful and useful, but its help and use would be always limited in scope and temporary in effectivity.

01.03 - Sri Aurobindo and his School, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   European science is conquering Nature in a way. It has attained to a certain kind and measure, in some fields a great measure, of control and conquest; but however great or striking it may be in its own province, it does not touch man in his more intimate reality and does not bring about any true change in his destiny or his being. For the most vital part of nature is the region of the life-forces, the powers of disease and age and death, of strife and greed and lustall the instincts of the brute in man, all the dark aboriginal forces, the forces of ignorance that form the very groundwork of man's nature and his society. And then, as we rise next to the world of the mind, we find a twilight region where falsehood masquerades as truth, where prejudices move as realities, where notions rule as ideals.
   This is the present nature of man, with its threefold nexus of mind and life and body, that stands there to be fought and conquered. This is the inferior nature, of which the ancients spoke, that holds man down inexorably to a lower dharma, imperfect mode of life the life that is and has been the human order till today. No amount of ceaseless action, however selflessly done, can move this wheel of Nature even by a hair's breadth away from the path that it has carved out from of old. Human nature and human society have been built up and are run by the forces of this inferior nature, and whatever shuffling and reshuffling we may make in its apparent factors and elements, the general scheme and fundamental form of life will never change. To displace earth (and to conquer nature means nothing less than that) and give it another orbit, one must find a fulcrum outside earth.
   Sri Aurobindo does not preach flight from life and a retreat into the silent and passive Infinite; the goal of life is not, in his view, the extinction of life. Neither is he satisfied on that account to hold that life is best lived in the ordinary round of its unregenerate dharma. If the first is a blind alley, the second is a vicious circle,both lead nowhere.
  --
   And, properly speaking, it is not at all a school, least of all a mere school of thought, that is growing round Sri Aurobindo. It is rather the nucleus of a new life that is to come. Quite naturally it has almost insignificant proportions at present to the outward eye, for the work is still of the nature of experiment and trial in very restricted limits, something in the nature of what is done in a laboratory when a new power has been discovered, but has still to be perfectly formulated in its process. And it is quite a mistake to suppose that there is a vigorous propaganda carried on in its behalf or that there is a large demand for recruits. Only the few, who possess the call within and are impelled by the spirit of the future, have a chance of serving this high attempt and great realisation and standing among its first instruments and pioneer workers.
   ***

01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  As the security of her changing world
  And shapes the figure of her unborn mights.
  --
  He sat in secret chambers looking out
  Into the luminous countries of the unborn
  --
  A channel of universal harmony,
  Hearing was a stream of magic audience,
  --
  The wide world-rhythms wove their stupendous chant
  To which life strives to fit our rhyme-beats here,
  --
  Into the half-ordered chaos of mortal life
  The formless Power, the Self of eternal light
  --
  Till they too feel the need and will to change.
  All here must learn to obey a higher law,
  --
  Transmuted chance recurrences into laws,
  A chaos of signs into a universe.
  Out of the rich wonders and the intricate whorls
  --
  Its magic of a changing eternity.
  A glimpse was caught of things for ever unknown:
  --
  Of Wisdom suckling the child-laughter of chance,
  Silence, the nurse of the Almighty's power,
  --
  Left in the chantiers of the bottomless world
  And stolen by the robbers of the Deep,
  --
  All the world's values changed heightening life's aim;
  A wiser word, a larger thought came in
  --
  A me chanism no more or work of chance,
  But a living movement of the body of God.
  --
  The game of chance of an omnipotent Will.
  A glory and a rapture and a charm,
  The All-Blissful sat unknown within the heart;
  --
  The trudge of Time changed to a splendid march;
  The divine Dwarf towered to unconquered worlds,
  --
  His mind and body's first spiritual change.
  A wide God-knowledge poured down from above,

01.03 - Yoga and the Ordinary Life, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  In the Yoga practised here the aim is to rise to a higher consciousness and to live out of the higher consciousness alone, not with the ordinary motives. This means a change of life as well as a change of consciousness. But all are not so circumstanced that they can cut loose from the ordinary life; they accept it therefore as a field of experience and self-training in the earlier stages of the sadhana. But they must take care to look at it as a field of experience only and to get free from the ordinary desires, attachments and ideas which usually go with it; otherwise it becomes a drag and hindrance on their sadhana. When one is not compelled by circumstances there is no necessity to continue the ordinary life.
  It is not helpful to abandon the ordinary life before the being is ready for the full spiritual life. To do so means to precipitate a struggle between the different elements and exasperate it to a point of intensity which the nature is not ready to bear. The vital elements in you have partly to be met by the discipline and experience of life, while keeping the spiritual aim in view and trying to govern life by it progressively in the spirit of Karmayoga.
  --
  The religious life is a movement of the same ignorant human consciousness, turning or trying to turn away from the earth towards the Divine but as yet without knowledge and led by the dogmatic tenets and rules of some sect or creed which claims to have found the way out of the bonds of the earth-consciousness into some beatific Beyond. The religious life may be the first approach to the spiritual, but very often it is only a turning about in a round of rites, ceremonies and practices or set ideas and forms without any issue. The spiritual life, on the contrary, proceeds directly by a change of consciousness, a change from the ordinary consciousness, ignorant and separated from its true self and from God, to a greater consciousness in which one finds one's true being and comes first into direct and living contact and then into union with the Divine. For the spiritual seeker this change of consciousness is the one thing he seeks and nothing else matters.
  Morality is a part of the ordinary life; it is an attempt to govern the outward conduct by certain mental rules or to form the character by these rules in the image of a certain mental ideal. The spiritual life goes beyond the mind; it enters into the deeper consciousness of the Spirit and acts out of the truth of the Spirit.
  The principle of life which I seek to establish is spiritual.

01.04 - Motives for Seeking the Divine, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  What your reasoning ignores is that which is absolute or tends towards the absolute in man and his seeking as well as in the Divine - something not to be explained by mental reasoning or vital motive. A motive, but a motive of the soul, not of vital desire; a reason not of the mind, but of the self and spirit. An asking too, but the asking that is the soul's inherent aspiration, not a vital longing. That is what comes up when there is the sheer self-giving, when "I seek you for this, I seek you for that" changes to a sheer "I seek you for you." It is that marvellous and ineffable absolute in the Divine that Krishnaprem means when he says, "Not knowledge nor this nor that, but Krishna."
  The pull of that is indeed a categorical imperative, the self in us drawn to the Divine because of the imperative call of its greater Self, the soul ineffably drawn towards the object of its adoration, because it cannot be otherwise, because it is it and

01.04 - Sri Aurobindos Gita, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Arrived so far, we now find, if we look back, a change in the whole perspective. Karma and even Karmayoga, which hitherto seemed to be the pivot of the Gita's teaching, retire somewhat into the background and present a diminished stature and value. The centre of gravity has shifted to the conception of the Divine Nature, to the Lord's own status, to the consciousness above the three Gunas, to absolute consecration of each limb of man's humanity to the Supreme Purusha for his descent and incarnation and play in and upon this human world.
   The higher secret of the Gita lies really in the later chapters, the earlier chapters being a preparation and passage to it orpartial and practical application. This has to be pointed out, since there is a notion current which seeks to limit the Gita's effective teaching to the earlier part, neglecting or even discarding the later portion.
   The style and manner of Sri Aurobindo's interpretation1 is also supremely characteristic: it does not carry the impress of a mere metaphysical dissertation-although in matter it clothes throughout a profound philosophy; it is throbbing with the luminous life of a prophet's message, it is instinct with something of the Gita's own mantraakti.
   Essays on the Gita, Sri Aurobindo Ashram, Pondicherry

01.04 - The Intuition of the Age, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   A new impulse is there, no one can deny, and it has vast possibilities before it, that also one need not hesitate to accept. But in order that we may best fructuate what has been spontaneously sown, we must first recognise it, be luminously conscious of it and develop it along its proper line of growth. For, also certain it is that this new impulse or intuition, however true and strong in itself, is still groping and erring and miscarrying; it is still wasting much of its energy in tentative things, in mere experiments, in even clear failures. The fact is that the intuition has not yet become an enlightened one, it is still moving, as we shall presently explain, in the dark vital regions of man. And vitalism is naturally and closely affianced to pragmatism, that is to say, the mere vital impulse seeks immediately to execute itself, it looks for external effects, for changes in the form, in the machinery only. Thus it is that we see in art and literature discussions centred upon the scheme of composition, as whether the new poetry should be lyrical or dramatic, popular or aristocratic, metrical or free of metre, and in practical life we talk of remodelling the state by new methods of representation and governance, of purging society by bills and legislation, of reforming humanity by a business pact.
   All this may be good and necessary, but there is the danger of leaving altogether out of account the one thing needful. We must then pause and turn back, look behind the apparent impulsion that effectuates to the Will that drives, behind the ideas and ideals of the mind to the soul that informs and inspires; we must carry ourselves up the stream and concentrate upon the original source, the creative intuition that lies hidden somewhere. And then only all the new stirrings that we feel in our heartour urges and ideals and visions will attain an effective clarity, an unshaken purpose and an inevitable achievement.
   That is to say, the change has been in the soul of man himself, the being has veered round and taken a new orientation. It is this which one must envisage, recognise and consciously possess, in order that one may best fulfil the call of the age. But what we are doing instead is to observe the mere external signs and symbols and symptoms, to fix upon the distant quiverings, the echoes on the outermost rim, which are not always faithful representations, but very often distorted images of the truth and life at the centre and source and matrix. We must know that if there has been going on a redistribution and new-marshalling of forces, it is because the fiat has come from the Etat Major.
   Now, in order to understand the new orientation of the spirit of the present age, we may profitably ask what was the inspiration of the past age, the characteristic note which has failed to satisfy us and which we are endeavouring to transform. We know that that age was the Scientific age or the age of Reason. Its great prophets were Voltaire and the Encyclopaedists or if you mount further up in time, we may begin from Bacon and the humanists. Its motto was first, "The proper study of mankind is man" and secondly, Reason is the supreme organon of knowledge, the highest deity in manla Desse Raison. And it is precisely against these two basic principles that the new age has entered its protest. In face of Humanism, Nietzsche has posited the Superman and in face of Reason Bergson has posited Intuition.
   The worship of man as something essentially and exclusively human necessitates as a corollary, the other doctrine, viz the deification of Reason; and vice versa. Humanism and Scientism go together and the whole spirit and mentality of the age that is passing may be summed up in those two words. So Nietzsche says, "All our modern world is captured in the net of the Alexandrine culture and has, for its ideal, the theoretical man, armed with the most powerful instruments of knowledge, toiling in the service of science and whose prototype and original ancestor is Socrates." Indeed, it may be generally asserted that the nation whose prophet and sage claimed to have brought down Philosophia from heaven to dwell upon earth among men was precisely the nation, endowed with a clear and logical intellect, that was the very embodiment of rationality and reasonableness. As a matter of fact, it would not be far, wrong to say that it is the Hellenic culture which has been moulding humanity for ages; at least, it is this which has been the predominating factor, the vital and dynamic element in man's nature. Greece when it died was reborn in Rome; Rome, in its return, found new life in France; and France means Europe. What Europe has been and still is for the world and humanity one knows only too much. And yet, the Hellenic genius has not been the sole motive power and constituent element; there has been another leaven which worked constantly within, if intermittently without. If Europe represented mind and man and this side of existence, Asia always reflected that which transcends the mind the spirit, the Gods and the Beyonds.
  --
   So instead of the rational principle, the new age wants the principle of Nature or Life. Even as regards knowledge Reason is not the only, nor the best instrument. For animals have properly no reason; the nature-principle of knowledge in the animal is Instinct the faculty that acts so faultlessly, so marvellously where Reason can only pause and be perplexed. This is not to say that man is to or can go back to this primitive and animal function; but certainly he can replace it by something akin which is as natural and yet purified and self-consciousillumined instinct, we may say or Intuition, as Bergson terms it. And Nietzsche's definition of the Superman has also a similar orientation and significance; for, according to him, the Superman is man who has outgrown his Reason, who is not bound by the standards and the conventions determined by Reason for a special purpose. The Superman is one who has gone beyond "good and evil," who has shaken off from his nature and character elements that are "human, all too human"who is the embodiment of life-force in its absolute purity and strength and freedom.
   This then is the mantra of the new ageLife with Intuition as its guide and not Reason and me chanical efficiency, not Man but Superman. The right mantra has been found, the principle itself is irreproa chable. But the interpretation, the application, does not seem to have been always happy. For, Nietzsche's conception of the Superman is full of obvious lacunae. If we have so long been adoring the intellectual man, Nietzsche asks us, on the other hand, to deify the vital man. According to him the superman is he who has (1) the supreme sense of the ego, (2) the sovereign will to power and (3) who lives dangerously. All this means an Asura, that is to say, one who has, it may be, dominion over his animal and vital impulsions in order, of course, that he may best gratify them but who has not purified them. Purification does not necessarily mean, annihilation but it does mean sublimation and transformation. So if you have to transcend man, you have to transcend egoism also. For a conscious egoism is the very characteristic of man and by increasing your sense of egoism you do not supersede man but simply aggrandise your humanity, fashion it on a larger, a titanic scale. And then the will to power is not the only will that requires fulfilment, there is also the will to knowledge and the will to love. In man these three fundamental constitutive elements coexist, although they do it, more often than not, at the expense of each other and in a state of continual disharmony. The superman, if he is to be the man "who has surmounted himself", must embody a poise of being in which all the three find a fusion and harmonya perfect synthesis. Again, to live dangerously may be heroic, but it is not divine. To live dangerously means to have eternal opponents, that is to say, to live ever on the same level with the forces you want to dominate. To have the sense that one has to fight and control means that one is not as yet the sovereign lord, for one has to strive and strain and attain. The supreme lord is he who is perfectly equanimous with himself and with the world. He has not to batter things into a shape in order to create. He creates means, he manifests. He wills and he achieves"God said 'let there be light' and there was light."
   As a matter of fact, the superman is not, as Nietzsche thinks him to be, the highest embodiment of the biological force of Nature, not even as modified and refined by the aesthetic and aristocratic virtues of which the higher reaches of humanity seem capable. For that is after all humanity only accentuated in certain other fundamentally human modes of existence. It does not carry far enough the process of surmounting. In reality it is not a surmounting but a new channelling. Instead of the ethical and intellectual man, we get the vital and aesthetic man. It may be a change but not a transfiguration.
   And the faculty of Intuition said to be the characteristic of the New Man does not mean all that it should, if we confine ourselves to Bergson's definition of it. Bergson says that Intuition is a sort of sympathy, a community of feeling or sensibility with the urge of the life-reality. The difference between the sympathy of Instinct and the sympathy of Intuition being that while the former is an unconscious or semi-conscious power, the latter is illumined and self-conscious. Now this view emphasises only the feeling-tone of Intuition, the vital sensibility that attends the direct communion with the life movement. But Intuition is not only purified feeling and sensibility, it is also purified vision and knowledge. It unites us not only with the movement of life, but also opens out to our sight the Truths, the fundamental realities behind that movement. Bergson does not, of course, point to any existence behind the continuous flux of life-power the elan vital. He seems to deny any static truth or truths to be seen and seized in any scheme of knowledge. To him the dynamic flow the Heraclitian panta reei is the ultimate reality. It is precisely to this view of things that Bergson owes his conception of Intuition. Since existence is a continuum of Mind-Energy, the only way to know it is to be in harmony or unison with it, to move along its current. The conception of knowledge as a fixing and delimiting of things is necessarily an anomaly in this scheme. But the question is, is matter the only static and separative reality? Is the flux of vital Mind-Energy the ultimate truth?
   Matter forms the lowest level of reality. Above it is the elan vital. Above the elan vital there is yet the domain of the Spirit. And the Spirit is a static substance and at the same a dynamic creative power. It is Being (Sat) that realises or expresses itself through certain typal nuclei or nodi of consciousness (chit) in a continuous becoming, in a flow of creative activity (ananda). The dynamism of the vital energy is only a refraction or precipitation of the dynamism of the spirit; and so also static matter is only the substance of the spirit concretised and solidified. It is in an uplift both of matter and vital force to their prototypesswarupa and swabhavain the Spirit that lies the real transformation and transfiguration of the humanity of man.
  --
   Certainly this does not go far enough into the motive of the change. The cosmic order does not mean mentalised vitalism which is also in its turn a section of the integral reality. It means the order of the spirit, it means the transfiguration of the physical, the vital and the intellectual into the supernal Substance, Power and Light of that Spirit. The real transcendence of humanity is not the transcendence of one or other of its levels but the total transcendence to an altogether different status and the transmutation of humanity in the mould of that statusnot a Nietzschean Titan nor a Bergsonian Dionysus but the tranquil vision and delight and dynamism of the Spirit the incarnation of a god-head.
   ***

01.04 - The Poetry in the Making, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   I said that the supreme artist is superconscious: his consciousness withdraws from the normal mental consciousness and becomes awake and alive in another order of consciousness. To that superior consciousness the artist's mentalityhis ideas and dispositions, his judgments and valuations and acquisitions, in other words, his normal psychological make-upserves as a channel, an instrument, a medium for transcription. Now, there are two stages, or rather two lines of activity in the processus, for they may be overlapping and practically simultaneous. First, there is the withdrawal and the in-gathering of consciousness and then its reappearance into expression. The consciousness retires into a secret or subtle worldWords-worth's "recollected in tranquillity"and comes back with the riches gathered or transmuted there. But the purity of the gold thus garnered and stalled in the artistry of words and sounds or lines and colours depends altogether upon the purity of the channel through which it has to pass. The mental vehicle receives and records and it can do so to perfection if it is perfectly in tune with what it has to receive and record; otherwise the transcription becomes mixed and blurred, a faint or confused echo, a poor show. The supreme creators are precisely those in whom the receptacle, the instrumental faculties offer the least resistance and record with absolute fidelity the experiences of the over or inner consciousness. In Shakespeare, in Homer, in Valmiki the inflatus of the secret consciousness, the inspiration, as it is usually termed, bears down, sweeps away all obscurity or contrariety in the recording mentality, suffuses it with its own glow and puissance, indeed resolves it into its own substance, as it were. And the difference between the two, the secret norm and the recording form, determines the scale of the artist's creative value. It happens often that the obstruction of a too critically observant and self-conscious brain-mind successfully blocks up the flow of something supremely beautiful that wanted to come down and waited for an opportunity.
   Artists themselves, almost invariably, speak of their inspiration: they look upon themselves more or less as mere instruments of something or some Power that is beyond them, beyond their normal consciousness attached to the brain-mind, that controls them and which they cannot control. This perception has been given shape in myths and legends. Goddess Saraswati or the Muses are, however, for them not a mere metaphor but concrete realities. To what extent a poet may feel himself to be a mere passive, almost inanimate, instrumentnothing more than a mirror or a sensitive photographic plateis illustrated in the famous case of Coleridge. His Kubla Khan, as is well known, he heard in sleep and it was a long poem very distinctly recited to him, but when he woke up and wanted to write it down he could remember only the opening lines, the rest having gone completely out of his memory; in other words, the poem was ready-composed somewhere else, but the transmitting or recording instrument was faulty and failed him. Indeed, it is a common experience to hear in sleep verses or musical tunes and what seem then to be very beautiful things, but which leave no trace on the brain and are not recalled in memory.
  --
   But the Yogi is a wholly conscious being; a perfect Yogi is he who possesses a conscious and willed control over his instruments, he silences them, as and when he likes, and makes them convey and express with as little deviation as possible truths and realities from the Beyond. Now the question is, is it possible for the poet also to do something like that, to consciously create and not to be a mere unconscious or helpless channel? Conscious artistry, as we have said, means to be conscious on two levels of consciousness at the same time, to be at home in both equally and simultaneously. The general experience, however, is that of "one at a time": if the artist dwells more in the one, the other retires into the background to the same measure. If he is in the over-consciousness, he is only half-conscious in his brain consciousness, or even not conscious at allhe does not know how he has created, the sources or process of his creative activity, he is quite oblivious of them" gone through them all as if per saltum. Such seems to have been the case with the primitives, as they are called, the elemental poetsShakespeare and Homer and Valmiki. In some others, who come very near to them in poetic genius, yet not quite on a par, the instrumental intelligence is strong and active, it helps in its own way but in helping circumscribes and limits the original impulsion. The art here becomes consciously artistic, but loses something of the initial freshness and spontaneity: it gains in correctness, polish and elegance and has now a style in lieu of Nature's own naturalness. I am thinking of Virgil and Milton and Kalidasa. Dante's place is perhaps somewhere in between. Lower in the rung where the mental medium occupies a still more preponderant place we have intellectual poetry, poetry of the later classical age whose representatives are Pope and Dryden. We can go farther down and land in the domain of versificationalthough here, too, there can be a good amount of beauty in shape of ingenuity, cleverness and conceit: Voltaire and Delille are of this order in French poetry.
   The three or four major orders I speak of in reference to conscious artistry are exampled characteristically in the history of the evolution of Greek poetry. It must be remembered, however, at the very outset that the Greeks as a race were nothing if not rational and intellectual. It was an element of strong self-consciousness that they brought into human culture that was their special gift. Leaving out of account Homer who was, as I said, a primitive, their classical age began with Aeschylus who was the first and the most spontaneous and intuitive of the Great Three. Sophocles, who comes next, is more balanced and self-controlled and pregnant with a reasoned thought-content clothed in polished phrasing. We feel here that the artist knew what he was about and was exercising a conscious control over his instruments and materials, unlike his predecessor who seemed to be completely carried away by the onrush of the poetic enthousiasmos. Sophocles, in spite of his artistic perfection or perhaps because of it, appears to be just a little, one remove, away from the purity of the central inspiration there is a veil, although a thin transparent veil, yet a veil between which intervenes. With the third of the Brotherhood, Euripides, we slide lower downwe arrive at a predominantly mental transcription of an experience or inner conception; but something of the major breath continues, an aura, a rhythm that maintains the inner contact and thus saves the poetry. In a subsequent age, in Theocritus, for example, poetry became truly very much 'sicklied o'er with the pale cast of thought', so much of virtuosity and precocity entered into it; in other words, the poet then was an excessively self-conscious artist. That seems to be the general trend of all literature.
   But should there be an inherent incompatibility between spontaneous creation and self-consciousness? As we have seen, a harmony and fusion can and do happen of the superconscious and the normally conscious in the Yogi. Likewise, an artist also can be wakeful and transparent enough so that he is conscious on both the levels simultaneouslyabove, he is conscious of the source and origin of his inspiration, and on the level plain he is conscious of the working of the instrument, how the vehicle transcribes and embodies what comes from elsewhere. The poet's consciousness becomes then divalent as it werethere is a sense of absolute passivity in respect of the receiving apparatus and coupled and immisced with it there is also the sense of dynamism, of conscious agency as in his secret being he is the master of his apparatus and one with the Inspirerin other words, the poet is both a seer (kavih) and a creator or doer (poits).
  --
   The modern critical self-consciousness in the artist originated with the Romantics. The very essence of Romanticism is curiosity the scientist's pleasure in analysing, observing, experimenting, changing the conditions of our reactions, mental or sentimental or even nervous and physical by way of discovery of new and unforeseen or unexpected modes of "psychoses" or psychological states. Goethe, Wordsworth, Stendhal represented a mentality and initiated a movement which led logically to the age of Hardy, Housman and Bridges and in the end to that of Lawrence and Joyce, Ezra Pound and Eliot and Auden. On the Continent we can consider Flaubert as the last of the classicists married to the very quintessence of Romanticism. A hard, self-regarding, self-critical mentality, a cold scalpel-like gaze that penetrates and upturns the reverse side of things is intimately associated with the poetic genius of Mallarm and constitutes almost the whole of Valry's. The impassioned lines of a very modern poet like Aragon are also characterised by a consummate virtuosity in chiselled artistry, conscious and deliberate and willed at every step and turn.
   The consciously purposive activity of the poetic consciousness in fact, of all artistic consciousness has shown itself with a clear and unambiguous emphasis in two directions. First of all with regard to the subject-matter: the old-world poets took things as they were, as they were obvious to the eye, things of human nature and things of physical Nature, and without questioning dealt with them in the beauty of their normal form and function. The modern mentality has turned away from the normal and the obvious: it does not accept and admit the "given" as the final and definitive norm of things. It wishes to discover and establish other norms, it strives to bring about changes in the nature and condition of things, envisage the shape of things to come, work for a brave new world. The poet of today, in spite of all his effort to remain a pure poet, in spite of Housman's advocacy of nonsense and not-sense being the essence of true Art, is almost invariably at heart an incorrigible prophet. In revolt against the old and established order of truths and customs, against all that is normally considered as beautiful,ideals and emotions and activities of man or aspects and scenes and movements of Natureagainst God or spiritual life, the modern poet turns deliberately to the ugly and the macabre, the meaningless, the insignificant and the triflingtins and teas, bone and dust and dustbin, hammer and sicklehe is still a prophet, a violent one, an iconoclast, but one who has his own icon, a terribly jealous being, that seeks to pull down the past, erase it, to break and batter and knead the elements in order to fashion out of them something conforming to his heart's desire. There is also the class who have the vision and found the truth and its solace, who are prophets, angelic and divine, messengers and harbingers of a new beauty that is to dawn upon earth. And yet there are others in whom the two strains mingle or approach in a strange way. All this means that the artist is far from being a mere receiver, a me chanical executor, a passive unconscious instrument, but that he is supremely' conscious and master of his faculties and implements. This fact is doubly reinforced when we find how much he is preoccupied with the technical aspect of his craft. The richness and variety of patterns that can be given to the poetic form know no bounds today. A few major rhythms were sufficient for the ancients to give full expression to their poetic inflatus. For they cared more for some major virtues, the basic and fundamental qualitiessuch as truth, sublimity, nobility, forcefulness, purity, simplicity, clarity, straightforwardness; they were more preoccupied with what they had to say and they wanted, no doubt, to say it beautifully and powerfully; but the modus operandi was not such a passion or obsession with them, it had not attained that almost absolute value for itself which modern craftsmanship gives it. As technology in practical life has become a thing of overwhelming importance to man today, become, in the Shakespearean phrase, his "be-all and end-all", even so the same spirit has invaded and pervaded his aesthetics too. The subtleties, variations and refinements, the revolutions, reversals and inventions which the modern poet has ushered and takes delight in, for their own sake, I repeat, for their intrinsic interest, not for the sake of the subject which they have to embody and clothe, have never been dream by Aristotle, the supreme legislator among the ancients, nor by Horace, the almost incomparable craftsman among the ancients in the domain of poetry. Man has become, to be sure, a self-conscious creator to the pith of his bone.
   Such a stage in human evolution, the advent of Homo Faber, has been a necessity; it has to serve a purpose and it has done admirably its work. Only we have to put it in its proper place. The salvation of an extremely self-conscious age lies in an exceeding and not in a further enhancement or an exclusive concentration of the self-consciousness, nor, of course, in a falling back into the original unconsciousness. It is this shift in the poise of consciousness that has been presaged and prepared by the conscious, the scientific artists of today. Their task is to forge an instrument for a type of poetic or artistic creation completely new, unfamiliar, almost revolutionary which the older mould would find it impossible to render adequately. The yearning of the human consciousness was not to rest satisfied with the familiar and the ordinary, the pressure was for the discovery of other strands, secret stores of truth and reality and beauty. The first discovery was that of the great Unconscious, the dark and mysterious and all-powerful subconscient. Many of our poets and artists have been influenced by this power, some even sought to enter into that region and become its denizens. But artistic inspiration is an emanation of Light; whatever may be the field of its play, it can have its origin only in the higher spheres, if it is to be truly beautiful and not merely curious and scientific.
  --
   Whether the original and true source of the poet's inspiration lies deep within or high above, all depends upon the mediating instrument the mind (in its most general sense) and speech for a successful transcription. Man's ever-growing consciousness demanded also a conscious development and remoulding of these two factors. A growth, a heightening and deepening of the consciousness meant inevitably a movement towards the spiritual element in things. And that means, we have said, a twofold change in the future poet's make-up. First as regards the substance. The revolutionary shift that we notice in modern poets towards a completely new domain of subject-matter is a signpost that more is meant than what is expressed. The superficialities and futilities that are dealt with do not in their outward form give the real trend of things. In and through all these major and constant preoccupation of our poets is "the pain of the present and the passion for the future": they are, as already stated, more prophets than poets, but prophets for the moment crying in the wildernessalthough some have chosen the path of denial and revolt. They are all looking ahead or beyond or deep down, always yearning for another truth and reality which will explain, justify and transmute the present calvary of human living. Such an acute tension of consciousness has necessitated an overhauling of the vehicle of expression too, the creation of a mode of expressing the inexpressible. For that is indeed what human consciousness and craft are aiming at in the present stage of man's evolution. For everything, almost everything that can be normally expressed has been expressed and in a variety of ways as much as is possible: that is the history of man's aesthetic creativity. Now the eye probes into the unexpressed world; for the artist too the Upanishadic problem has cropped up:
   By whom impelled does the mind fall to its target, what is the agent that is behind the eye and sees through the eyes, what is the hearing and what the speech that their respective sense organs do not and cannot convey and record adequately or at all?
  --
   Ifso long the poet was more or less a passive, a half-conscious or unconscious intermediary between the higher and the lower lights and delights, his role in the future will be better fulfilled when he becomes fully aware of it and consciously moulds and directs his creative energies. The poet is and has to be the harbinger and minstrel of unheard-of melodies: he is the fashioner of the creative word that brings down and embodies the deepest aspirations and experiences of the human consciousness. The poet is a missionary: he is missioned by Divine Beauty to radiate upon earth something of her charm and wizardry. The fullness of his role he can only play up when he is fully conscious for it is under that condition that all obstructing and obscuring elements lying across the path of inspiration can be completely and wholly eradicated: the instrument purified and tempered and transmuted can hold and express golden truths and beauties and puissances that otherwise escape the too human mould.
   "The Last Voyage" by charles Williams-A Little Book of Modern Verse, (Faber and Faber).
   W. B. Yeats: "The Lover tells of the Rose in his Heart"-The Wind among the Reeds.

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  A Voice calls from the chambers of the soul;
  We meet the ecstasy of the Godhead's touch
  --
  Awaiting the slow miracle of our change
  In the sure deliberate process of world-force
  --
  Some chance has settled or hazarded some Will,
  Or a Necessity without aim or cause
  --
  A net of death in which by chance we live.
  All we have learned appears a doubtful guess,
  --
  A chance happening or a fortuitous fate.
  Out of the unknown we move to the unknown.
  --
  A change comes near that flees from her surmise
  And, ever postponed, compels attempt and hope,
  --
  And even this random Fate that imitates chance,
  This mass of unintelligible results,
  --
  To a changing present is his narrow right;
  His memory stares back at a phantom past,
  --
  He saves his fruits of work from adverse chance.
  A struggling ignorance is his wisdom's mate:
  --
  Who are overseers of Fate and chance and Will
  And experts of the theorem of world-need,
  Can see the Idea, the Might that change Time's course,
  Come maned with light from undiscovered worlds,
  --
  Behind this clock-work chance and vague surmise,
  Amid the wrestle of force, the trampling feet,
  --
  A Power into mind's inner chamber steal,
  A charm and sweetness open life's closed doors
  And beauty conquer the resisting world,
  --
  Deathless, watching the works of Death and chance,
  Immobile, seeing the millenniums pass,
  --
  No will can take away and no doom change,
  The crown of conscious Immortality,
  --
  To leap and bridge the chasms of Ignorance
  And heal the hollow yearning gulfs of Life
  --
  Absolves from hour to hour her secret charge.
  All she foresees in masked imperative depths;
  --
  Dreaming she chases her idea of him,
  And catches here a look and there a gest:
  --
  The fluctuating chance turns of her mood,
  Works out her meanings she seems not to know
  --
  And chance that wears the rigid face of fate
  And her sport of death and pain and Nescience,
  His changed and struggling immortality.
  His soul is a subtle atom in a mass,
  --
  In each event and every moment's chance.
  All she can do is marvellous in his sight:
  --
  Where all seems sure and, even when changed, the same,
  Even though the end is left for ever unknown
  --
  He chances on unimagined continents:
  A seeker of the islands of the Blest,
  --
  Life changes for him its time-constructed scenes,
  Its images veiling infinity.
  --
  At last he hears a chanting on the heights
  And the far speaks and the unknown grows near:

01.05 - Rabindranath Tagore: A Great Poet, a Great Man, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The spirit of the age demands this new gospel. Mankind needs and awaits a fresh revelation. The world and life are not an illusion or a lesser reality: they are, if taken rightly, as real as the pure Spirit itself. Indeed, Spirit and Flesh, Consciousness and Matter are not antinomies; to consider them as such is itself an illusion. In fact, they are only two poles or modes or aspects of the same reality. To separate or divide them is a one-sided concentration or abstraction on the part of the human mind. The fulfilment of the Spirit is in its expression through Matter; human life too reaches its highest term, its summum bonum, in embodying the spiritual consciousness here on earth and not dissolving itself in the Transcendence. That is the new Dispensation which answers to the deepest aspiration in man and towards which he has been travelling through the ages in the course of the evolution of his consciousness. Many, however, are the prophets and sages who have set this ideal before humanity and more and more insistently and clearly as we come nearer to the age we live in. But none or very few have expressed it with such beauty and charm and compelling persuasion. It would be carping criticism to point out-as some, purists one may call them, have done-that in poetising and aesthetising the spiritual truth and reality, in trying to make it human and terrestrial, he has diminished and diluted the original substance, in endeavouring to render the diamond iridescent, he has turned it into a baser alloy. Tagore's is a poetic soul, it must be admitted; and it is not necessary that one should find in his ideas and experiences and utterances the cent per cent accuracy and inevitability of a Yogic consciousness. Still his major perceptions, those that count, stand and are borne out by the highest spiritual realisation.
   Tagore is no inventor or innovator when he posits Spirit as Beauty, the spiritual consciousness as the ardent rhythm of ecstasy. This experience is the very core of Vaishnavism and for which Tagore is sometimes called a Neo-Vaishnava. The Vaishnava sees the world pulsating in glamorous beauty as the Lila (Play) of the Lord, and the Lord, God himself, is nothing but Love and Beauty. Still Tagore is not all Vaishnava or merely a Vaishnava; he is in addition a modern (the carping voice will say, there comes the dilution and adulteration)in the sense that problems exist for himsocial, political, economic, national, humanitarianwhich have to be faced and solved: these are not merely mundane, but woven into the texture of the fundamental problem of human destiny, of Soul and Spirit and God. A Vaishnava was, in spite of his acceptance of the world, an introvert, to use a modern psychological phrase, not necessarily in the pejorative sense, but in the neutral scientific sense. He looks upon the universe' and human life as the play of the Lord, as an actuality and not mere illusion indeed; but he does not participate or even take interest in the dynamic working out of the world process, he does not care to know, has no need of knowing that there is a terrestrial purpose and a diviner fulfilment of the mortal life upon earth. The Vaishnava dwells more or less absorbed in the Vaikuntha of his inner consciousness; the outer world, although real, is only a symbolic shadowplay to which he can but be a witness-real, is only a nothing more.
  --
   Not the acceptance of the world as it is, not even a joyous acceptance, viewing it as an inexplicable and mysterious and magic play of, God, but the asp ration and endeavour to change it, mould it in the pattern of its inner divine realities for there are such realities which seek expression and embodiment in earthly life that is the great mission and labour of humanity and that is all the meaning of man's existence here below. And Tagore is one of the great prophets and labourers who had the vision of the shape of things to come and worked for it. Only it must be noted, as I have already said, that unlike mere moral reformists or scientific planners, Tagore grounded himself upon the eternal ancient truths that "age cannot wither nor custom stale"the divine truths of the Spirit.
   Tagore was a poet; this poetic power of his he put in the service of the great cause for the divine uplift of humanity. Naturally, it goes without saying, his poetry did not preach or propagandize the truths for which he stoodhe had a fine and powerful weapon in his prose to do the work, even then in a poetic way but to sing them. And he sang them not in their philosophical bareness, like a Lucretius, or in their sheer transcendental austerity like some of the Upanishadic Rishis, but in and through human values and earthly norms. The especial aroma of Tagore's poetry lies exactly here, as he himself says, in the note of unboundedness in things bounded that it describes. A mundane, profane sensuousness, Kalidasian in richness and sweetness, is matched or counterpointed by a simple haunting note imbedded or trailing somewhere behind, a lyric cry persevering into eternity, the nostalgic cry of the still small voice.2

01.05 - The Nietzschean Antichrist, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Nietzsche as the apostle of force is a name now familiar to all the world. The hero, the warrior who never tamely accepts suffering and submission and defeat under any condition but fights always and fights to conquersuch is the ideal man, according to Nietzsche,the champion of strength, of greatness, of mightiness. The dominating personality infused with the supreme "will to power"he is Ubermensch, the Superman. Sentiment does not move the mountains, emotion diffuses itself only in vague aspiration. The motive power, the creative fiat does not dwell in the heart but somewhere higher. The way of the Cross, the path of love and charity and pity does not lead to the kingdom of Heaven. The world has tried it for the last twenty centuries of its Christian civilisation and the result is that we are still living in a luxuriant abundance of misery and sordidness and littleness. This is how Nietzsche thinks and feels. He finds no virtue in the old rgimes and he revolts from them. He wants a speedy and radical remedy and teaches that by violence only the Kingdom of Heaven can be seized. For, to Nietzsche the world is only a clash of forces and the Superman therefore is one who is the embodiment of the greatest force. Nietzsche does not care for the good, it is the great that moves him. The good, the moral is of man, conventional and has only a fictitious value. The great, the non-moral is, on the other hand, divine. That only has a value of its own. The good is nothing but a sort of makeshift arrangement which man makes for himself in order to live commodiously and which changes according to his temperament. But the great is one with the Supreme Wisdom and is absolute and imperative. The good cannot create the great; it is the great that makes for the good. This is what he really means when he says, "They say that a good cause sanctifies war but I tell thee it is a good war that sanctifies all cause." For the goodness of your cause you judge by your personal predilections, by your false conventionalities, by a standard that you set up in your ignoranceBut a good war, the output of strength in any cause is in itself a cause of salvation. For thereby you are the champion of that ultimate verity which conduces to the ultimate good. Do not shrink, he would say, to be even like the cyclone and the avalanche, destructive, indeed, but grand and puissant and therefore truer emblems of the BeyondJenseitsthan the weak, the little, the pitiful that do not dare to destroy and by that very fact cannot hope to create.
   This is the Nietzsche we all know. But there is another aspect of his which the world has yet been slow to recognise. For, at bottom, Nietzsche is not all storm and fury. If his Superman is a Destroying Angel, he is none the less an angel. If he is endowed with a supreme sense of strength and power, there is also secreted in the core of his heart a sense of the beautiful that illumines his somewhat sombre aspect. For although Nietzsche is by birth a Slavo-Teuton, by culture and education he is pre-eminently Hellenic. His earliest works are on the subject of Greek tragedy and form what he describes as an "Apollonian dream." And to this dream, to this Greek aesthetic sense more than to any thing else he sacrifices justice and pity and charity. To him the weak and the miserable, the sick and the maimed are a sort of blot, a kind of ulcer on the beautiful face of humanity. The herd that wallow in suffering and relish suffering disfigure the aspect of the world and should therefore be relentlessly mowed out of existence. By being pitiful to them we give our tacit assent to their persistence. And it is precisely because of this that Nietzsche has a horror of Christianity. For compassion gives indulgence to all the ugliness of the world and thus renders that ugliness a necessary and indispensable element of existence. To protect the weak, to sympathise with the lowly brings about more of weakness and more of lowliness. Nietzsche has an aristocratic taste par excellencewhat he aims at is health and vigour and beauty. But above all it is an aristocracy of the spirit, an aristocracy endowed with all the richness and beauty of the soul that Nietzsche wants to establish. The beggar of the street is the symbol of ugliness, of the poverty of the spirit. And the so-called aristocrat, die millionaire of today is as poor and ugly as any helpless leper. The soul of either of them is made of the same dirty, sickly stuff. The tattered rags, the crouching heart, the effeminate nerve, the unenlightened soul are the standing ugliness of the world and they have no place in the ideal, the perfect humanity. Humanity, according to Nietzsche, is made in order to be beautiful, to conceive the beautiful, to create the beautiful. Nietzsche's Superman has its perfect image in a Grecian statue of Zeus cut out in white marble-Olympian grandeur shedding in every lineament Apollonian beauty and Dionysian vigour.
   The real secret of Nietzsche's philosophy is not an adoration of brute force, of blind irrational joy in fighting and killing. Far from it, Nietzsche has no kinship with Treitschke or Bernhard. What Nietzsche wanted was a world purged of littleness and ugliness, a humanity, not of saints, perhaps, but of heroes, lofty in their ideal, great in their achievement, majestic in their empirea race of titanic gods breathing the glory of heaven itself.

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  There in a hidden chamber closed and mute
  Are kept the record graphs of the cosmic scribe,
  --
  A meaning met the stumbling pace of chance
  And Fate revealed a chain of seeing Will;
  A conscious wideness filled the old dumb Space.
  --
  Its earthly dialect to God-language change,
  In living symbols study Reality
  --
  Here chaos sorts itself into a world,
  A brief formation drifting in the void:
  --
  And chaos waits on every cosmos formed:
  In each success a seed of failure lurks.
  --
  And underwent a new and bourneless change.
  An Omniscient knowing without sight or thought,
  --
  In shadowy chambers lit by a strange sun
  And opening hardly to hid mystic keys
  --
  Mind can suspend or change earth's concrete law.
  Affranchised from earth-habit's drowsy seal
  --
  Within its chambers of mysterious trance:
  It makes the body's sleep a puissant arm,
  --
  All's miracle here and can by miracle change.
  This is that secret Nature's edge of might.
  --
  This bizarre kingdom passed into his charge.
  As one resisting more the more she loves,
  --
  And countless voices visited the charmed ear;
  A million figures passed and were seen no more.
  --
  The endless chapter of their differences
  Retold in light by an omniscient Scribe
  --
  Above were the Immortal's changeless seats,
  White chambers of dalliance with eternity
  And the stupendous gates of the Alone.

01.06 - On Communism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Communism is the synthesis of collectivism and individualism. The past ages of society were characterised more or less by a severe collectivism. In ancient Greece, more so in Sparta and in Rome, the individual had, properly speaking, no separate existence of his own; he was merged in the State or Nation. The individual was considered only as a limb of the collective being, had to live and labour for the common weal. The value attached to each person was strictly in reference to the output that the group to which he belonged received from him. Apart from this service for the general unit the body politicany personal endeavour and achievement, if not absolutely discouraged and repressed, was given a very secondary place of merit. The summum bonum of the individual was to sacrifice at the altar of the res publica, the bonum publicum. In India, the position and function of the State or Nation was taken up by the society. Here too social institutions were so constituted and men were so bred and brought up that individuality had neither the occasion nor the incentive to express itself, it was a thing that remained, in the Kalidasian phrase, an object for the ear onlysrutau sthita. Those who sought at all an individual aim and purpose, as perhaps the Sannyasins, were put outside the gate of law and society. Within the society, in actual life and action, it was a sin and a crime or at least a gross imperfection to have any self-regarding motive or impulse; personal preference was the last thing to be considered, virtue consisted precisely in sacrificing one's own taste and inclination for the sake of that which the society exacts and sanctions.
   Against this tyranny of the group, this absolute rule of the collective will, the human mind rose in revolt and the result was Individualism. For whatever may be the truth and necessity of the Collective, the Individual is no less true and necessary. The individual has his own law and urge of being and his own secret godhead. The collective godhead derides the individual godhead at its peril. The first movement of the reaction, however, was a run to the other extremity; a stern collectivism gave birth to an intransigent individualism. The individual is sacred and inviolable, cost what it may. It does not matter what sort of individuality one seeks, it is enough if the thing is there. So the doctrine of individualism has come to set a premium on egoism and on forces that are disruptive of all social bonds. Each and every individual has the inherent right, which is also a duty, to follow his own impetus and impulse. Society is nothing but the battle ground for competing individualities the strongest survive and the weakest go to the wall. Association and co-operation are instruments that the individual may use and utilise for his own growth and development but in the main they act as deterrents rather than as aids to the expression and expansion of his characteristic being. In reality, however, if we probe sufficiently deep into the matter we find that there is no such thing as corporate life and activity; what appears as such is only a camouflage for rigorous competition; at the best, there maybe only an offensive and defensive alliancehumanity fights against nature, and within humanity itself group fights against group and in the last analysis, within the group, the individual fights against the individual. This is the ultimate Law-the Dharma of creation.
   Now, what such an uncompromising individualism fails to recognise is that individuality and ego are not the same thing, that the individual may have his individuality intact and entire and yet sacrifice his ego, that the soul of man is a much greater thing than his vital being. It is simply ignoring the fact and denying the truth to say that man is only a fighting animal and not a loving god, that the self within the individual realises itself only through competition and not co-operation. It is an error to conceive of society as a mere parallelogram of forces, to suppose that it has risen simply out of the struggle of individual interests and continues to remain by that struggle. Struggle is only one aspect of the thing, a particular form at a particular stage, a temporary manifestation due to a particular system and a particular habit and training. It would be nearer the truth to say that society came into being with the demand of the individual soul to unite with the individual soul, with the stress of an Over-soul to express itself in a multitude of forms, diverse yet linked together and organised in perfect harmony. Only, the stress for union manifested itself first on the material plane as struggle: but this is meant to be corrected and transcended and is being continually corrected and transcended by a secret harmony, a real commonality and brotherhood and unity. The individual is not so self-centred as the individualists make him to be, his individuality has a much vaster orbit and fulfils itself only by fulfilling others. The scientists have begun to discover other instincts in man than those of struggle and competition; they now place at the origin of social grouping an instinct which they name the herd-instinct: but this is only a formulation in lower terms, a translation on the vital plane of a higher truth and reality the fundamental oneness and accord of individuals and their spiritual impulsion to unite.
  --
   Now, a spiritual communism embraces individualism and collectivism, fuses them in a higher truth, establishes them in an intimate and absolute harmony. The individual is the centre, the group is the circumference and the two form one whore circle. The individual by fulfilling the truth of his real individuality fulfils also the truth of a commonality. There are no different laws for the two. The individuals do not stand apart from and against one another, the dharma of one does not clash with the dharma of the other. The ripples in the bosom of the sea, however distinct and discrete in appearance, form but a single mass, all follow the same law of hydrodynamics that the mother sea incarnates. Stars and planets and nebulae, each separate heavenly body has its characteristic form and nature and function and yet all fulfil the same law of gravitation and beat the measure of the silent symphony of spaces. Individualities are the freedoms of the collective being and collectivity the concentration of individual beings. The same soul looking inward appears as the individual being and looking outward appears as the collective being.
   Communism takes man not as ego or the vital creature; it turns him upside downurdhomulo' vaksakhah and establishes him upon his soul, his inner godhead. Thus established the individual soul finds and fulfils the divine law that by increasing itself it increases others and by increasing others it increases itself and thus by increasing one another they attain the supreme good. Unless man goes beyond himself and reaches this self, this godhead above, he will not find any real poise, will always swing between individualism and collectivism, he will remain always boundbound either in his freedom or in his bondage.
  --
   As a matter of fact, the individual is not and cannot be such an isolated thing as our egoistic sense would like to have it. The sharp angularities of the individual are being, at every moment, chastened by the very primary conditions of life; and to fail to recognise this is the blindest form of ignorance. It is no easy task to draw exactly the line of distinction between our individual being and our social or communal being. In actual life they are so blended together that in trying to extricate them from each other, we but tear and lacerate them both. The highest wisdom is to take the two together as they are, and by a gradual purifying processboth internal and external, internal in thought and knowledge and will, external in life and actionrestore them to their respective truth and lawSatyam and Ritam.
   The individual who leads a severely individual life from the very beginning, whose outlook of the world has been fashioned by that conception, can hardly, if at all, enter at the end the communal life. He must perforce be either a vagabond or a recluse: But the recluse is not an integral man, nor the vagabond an ideal personality. The individual need not be too chaste and shy to associate with others and to give and take as freely and fully as he can. Individuality is not necessarily curtailed or mutilated in this process, but there is this other greater possibility of its getting enlarged and enhanced. Rather it is when you shut yourself up in your own self, that you stick to only one line of your personality, to a single phase of your self and thus limit and diminish yourself; the breadth and height and depth of your self, the cubic completeness of your personality you can attain only through a multiple and variegated stress by which you come in contact with the world and things.
   So first the individual and then the commune is not the natural nor the ideal principle. On the other hand, first the commune and then the individual would appear to be an equally defective principle. For first a commune means an organisation, its laws and rules and regulations, its injunctions and prohibitions; all which signifies or comes to signify that every individual is not free to enter its fold and that whoever enters must know how to dovetail himself therein and thus crush down the very life-power whose enhancement and efflorescence is sought. First a commune means necessarily a creed, a dogma, a set form of being and living indelibly marked out from beforehand. The individual has there no choice of finding and developing the particular creed or dogma or mode of being and living, from out of his own self, along his particular line of natural growth; all that is imposed upon him and he has to accept and make it his own by trial and effort and self-torture. Even if the commune be a contractual association, the members having joined together in a common cause to a common end, by voluntarily sacrificing a portion of their personal choice and freedom, even then it is not the ideal thing; the collective soul will be diminished in exact proportion as each individual soul has had to be diminished, be that voluntary or otherwise. That commune is plenary and entire which ensures plenitude and entirety to each of its individuals.

01.06 - Vivekananda, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The gospel of strength that Vivekananda spread was very characteristic of the man. For it is not mere physical or nervous bravery, although that too is indispensable, and it is something more than moral courage. In the speeches referred to, the subject-matter (as well as the manner to a large extent) is philosophical, metaphysical, even abstract in outlook and treatment: they are not a call to arms, like the French National Anthem, for example; they are not merely an ethical exhortation, a moral lesson either. They speak of the inner spirit, the divine in man, the supreme realities that lie beyond. And yet the words are permeated through and through with a vibration life-giving and heroic-not so much in the explicit and apparent meaning as in the style and manner and atmosphere: it is catching, even or precisely when he refers, for example, to these passages in the Vedas and the Upanishads, magnificent in their poetic beauty, sublime in their spiritual truth,nec plus ultra, one can say, in the grand style supreme:
   Yasyaite himavanto mahitv
  --
   The consciousness that breathed out these mighty words, these heavenly sounds was in itself mighty and heavenly and it is that that touches you, penetrates you, vibrates in you a kindred chord, "awakening in you someone dead" till thenmrtam kcana bodhayant. More than the matter, the thing that was said, was the personality, the being who embodied the truth expressed, the living consciousness behind the words and the speech that set fire to your soul. Indeed it was the soul that Vivekananda could awaken and stir in you. Any orator, any speaker with some kind of belief, even if it is for the moment, in what he says, by the sheer force of assertion, can convince your mind and draw your acquiescence and adhesion. A leader of men, self-confident and bold and fiery, can carry you off your feet and make you do brave things. But that is a lower degree of character and nature, ephemeral and superficial, that is touched in you thereby. The spiritual leader, the Guide, goes straight to the spirit in youit is the call of the deep unto the deep. That was what Vivekananda meant when he said that Brahman is asleep in you, awaken it, you are the Brahman, awaken it, you are free and almighty. It is the spirit consciousness Sachchidananda that is the real man in you and that is supremely mighty and invincible and free absolutely. The courage and fearlessness that Vivekananda gave you was the natural attribute of the lordship of your spiritual reality. Vivekananda spoke and roused the Atman in man.
   Vivekananda spoke to the Atman in man, he spoke to the Atman of the world, and he spoke specially to the Atman of India. India had a large place in Vivekananda's consciousness: for the future of humanity and the world is wedded to India's future. India has a great mission, it has a spiritual, rather the spiritual work to do. Here is India's work as Vivekananda conceived it in a nutshell:

01.07 - Blaise Pascal (1623-1662), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   "The zeal for the Lord hath eaten me up." Such has indeed been the case with Pascal, almost literally. The fire that burned in him was too ardent and vehement for the vehicle, the material instrument, which was very soon used up and reduced to ashes. At twenty-four he was already a broken man, being struck with paralysis and neuras thenia; he died at the comparatively early age of 39, emulating, as it were, the life career of his Lord the Christ who died at 33. The Fire martyrised the body, but kindled and brought forth experiences and realisations that save and truths that abide. It was the Divine Fire whose vision and experience he had on the famous night of 23 November 1654 which brought about his final and definitive conversion. It was the same fire that had blazed up in his brain, while yet a boy, and made him a precocious genius, a marvel of intellectual power in the exact sciences. At 12 this prodigy discovered by himself the 32nd proposition of Euclid, Book I. At sixteen he wrote a treatise on conic sections. At nineteen he invented a calculating machine which, without the help of any mathematical rule or process, gave absolutely accurate results. At twenty-three he published his experiments with vacuum. At twenty-five he conducted the well-known experiment from the tower of St. Jacques, proving the existence of atmospheric pressure. His studies in infinitesimal calculus were remarkably creative and original. And it might be said he was a pioneer in quite a new branch of mathematics, viz., the mathematical theory of probability. We shall see presently how his preoccupation with the mathematics of chance and probability coloured and reinforced his metaphysics and theology.
   But the pressure upon his dynamic and heated brain the fiery zeal in his mindwas already proving too much and he was advised medically to take complete rest. Thereupon followed what was known as Pascal's mundane lifea period of distraction and dissipation; but this did not last long nor was it of a serious nature. The inner fire could brook no delay, it was eager and impatient to englobe other fields and domains. Indeed, it turned to its own field the heart. Pascal became initiated into the mystery of Faith and Grace. Still he had to pass through a terrible period of dejection and despair: the life of the world had given him no rest or relaxation, it served only to fill his cup of misery to the brim. But the hour of final relief was not long postponed: the Grace came to him, even as it came to Moses or St. Paul as a sudden flare of fire which burnt up the Dark Night and opened out the portals of Morning Glory.
  --
   What characterises Pascal is the way in which he has bent his brainnot rejected it but truly bent and forced even the dry "geometrical brain" to the service of Faith.
   In his inquiry into truth and certitude Pascal takes his stand upon what he calls the geometrical method, the only valid method, according to him, in the sphere of reason. The characteristic of this method is that it takes for granted certain fundamental principles and realitiescalled axioms and postulates or definitionsand proceeds to other truths that are infallibly and inevitably deduced from them, that are inherent and implied in them. There is no use or necessity in trying to demonstrate these fundamentals also; that will only land us into confusion and muddle. They have to be simply accepted, they do not require demonstration, it is they that demonstrate others. Such, for instance, are space, time, number, the reality of which it is foolishness and pedantry to I seek to prove. There is then an order of truths that do not i require to be proved. We are referring only to the order of I physical truths. But there is another order, Pascal says, equally I valid and veritable, the order of the Spirit. Here we have another set of fundamentals that have to be accepted and taken for granted, matrix of other truths and realities. It can also be called the order of the Heart. Reason posits physical fundamentals; it does not know of the fundamentals of the Heart which are beyond its reach; such are God, Soul, Immortality which are evident only to Faith.
   But Faith and Reason, according to Pascal, are not contraries nor irreconcilables. Because the things of faith are beyond reason, it is not that they are irrational. Here is what Pascal says about the function and limitation of reason:
  --
   The process of conversion of the doubting mind, of the dry intellectual reason as propounded and perhaps practised by Pascal is also a characteristic mark of his nature and genius. It is explained in his famous letter on "bet" or "game of chance" (Le Pari). Here is how he puts the issue to the doubting mind (I am giving the substance, not his words): let us say then that in the world we are playing a game of chance. How do the chances stand? What are the gains and losses if God does not exist? What 'are the gains and losses if God does exist? If God exists, by accepting and reaching him what do we gain? All that man cares forhappiness, felicity. And what do we lose? We lose the world of misery. If, on the other 'hand, God does not exist, by believing him to exist, we lose nothing, we are not more miserable than what we are. If, however, God exists and we do not believe him, we gain this world of misery but we lose all that is worth having. Thus Pascal concludes that even from the standpoint of mere gain and loss, belief in God is more advantageous than unbelief. This is how he applied to metaphysics the mathematics of probability.
   One is not sure if such reasoning is convincing to the intellect; but perhaps it is a necessary stage in conversion. At least we can conclude that Pascal had to pass through such a stage; and it indicates the difficulty his brain had to undergo, the tension or even the torture he made it pass through. It is true, from Reason Pascal went over to Faith, even while giving Reason its due. Still it seems the two were not perfectly synthetised or fused in him. There was a gap between that was not thoroughly bridged. Pascal did not possess the higher, intuitive, luminous mind that mediates successfully between the physical discursive ratiocinative brain-mind and the vision of faith: it is because deep in his consciousness there lay this chasm. Indeed,Pascal's abyss (l' abme de Pascal) is a well-known legend. Pascal, it appears, used to have very often the vision of an abyss about to open before him and he shuddered at the prospect of falling into it. It seems to us to be an experience of the Infinity the Infinity to which he was so much attracted and of which he wrote so beautifully (L'infiniment grand et l'infiniment petit)but into which he could not evidently jump overboard unreservedly. This produced a dichotomy, a lack of integration of personality, Jung would say. Pascal's brain was cold, firm, almost rigid; his heart was volcanic, the faith he had was a fire: it lacked something of the pure light and burned with a lurid glare.
   And the reason is his metaphysics. It is the Jansenist conception of God and human nature that inspired and coloured all his experience and consciousness. According to it, as according to the Calvinist conception, man is a corrupt being, corroded to the core, original sin has branded his very soul. Only Grace saves him and releases him. The order of sin and the order of Grace are distinct and disparate worlds and yet they complement each other and need each other. Greatness and misery are intertwined, united, unified with each other in him. Here is an echo of the Manichean position which also involves an abyss. But even then God's grace is not a free agent, as Jesuits declare; there is a predestination that guides and controls it. This was one of the main subjects he treated in his famous open letters (Les Provinciales) that brought him renown almost overnight. Eternal hell is a possible prospect that faces the Jansenist. That was why a Night always over-shadowed the Day in Pascal's soul.
  --
   A translation cannot give any idea of the Pascalian style; but an inner echo of the same can perhaps be caught from the thought movement of these characteristic sayings of his with which we conclude:
   "Contradiction is not a mark of falsehood, nor is uncontradiction a mark of truth."8
   "The infinite distance of the body from the mind images the distance infinitely more infinite of the mind from charity (Divine Grace, Faith)."9
   "The heart has its reasons which Reason knows not... I say, the heart loves the universal being naturally, and itself also naturally, according to which so ever it gives itself. And it hardens itself against the one or the other according to its choice. You have rejected one and preserved the other. Is it by the reason that you love ?"10
  --
   "La dernire dmarche de la raison, c'est de connatre qu'il y a une infinit de chases qui la surpassent. Elle est bien faible si elle ne va jusque-l
   "Il faut savoir douter o il faut, se soumettre o il faut."
  --
   "La distance infinite des corps aux esprits figure la distance infiniment plus infinie des esprits la charit."
   "Le coeur a ses raisons que la raison ne connat point; ... Je dis que Ie coeur aime l'tre universel naturellement, et soi-mme naturellement, selon qu'il s'y donne; et il se durcit contre l'un ou l'autre, son choix. Vous avez rejet l'un et conserv l'autre. Est-ce par raison que vous aimez?"

01.07 - The Bases of Social Reconstruction, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Any real reconstruction of society, any permanent reformation of the world presupposes a real reconstruction, a permanent reformation of human nature. Otherwise any amount of casting and recasting the mere machineries would not bring about any appreciable result, but leave the thing as it is. change the laws as much as you like, but if you do not change the nature of man, the world will not change. For it is man that makes laws and not laws that make man. Laws express at best the demand which man feels within himself. A truth must realise itself in human nature before it can be codified. You may certainly legalise an ideal, but that does not necessarily mean realising it. The realisation must come first in nature and character, then it is naturally translated into laws and institutions. A man lives the laws of his soul and being and not the law given him by the shastras. He violates the shastras, modifies them, utilises them according to the greater imperative of his Swabhava.
   The French Revolution wanted to remould human society and its ideal was liberty, equality and fraternity. It pulled down the old machinery and set up a new one in its stead. And the result? "Liberty, Equality, Fraternity" remained always in effect a cry in the wilderness. Another wave of idealism is now running over the earth and the Bolshevists are its most fiercely practical exponents. Instead of dealing merely with the political machinery, the Socialistic Revolution tries to break and remake, above all, the social machinery. But judged from the results as yet attained and the tendencies at work, few are the reasons to hope but many to fear the worst. Even education does not seem to promise us anything better. Which nation was better educatedin the sense we understood and still commonly understand the wordthan Germany?
   And yet we have no hesitation today to call them Huns and Barbarians. That education is not giving us the right thing is proved further by the fact that we are constantly changing our programmes and curriculums, everyday remodelling old institutions and founding new ones. Even a revolution in the educational system will not bring about the desired millennium, so long as we lay so much stress upon the system and not upon man himself. And finally, look to all the religions of the worldwe have enough of creeds and dogmas, of sermons and mantras, of churches and templesand yet human life and society do not seem to be any the more worthy for it.
   Are we then to say that human nature is irrevocably vitiated by an original sin and that all our efforts at reformation and regeneration are, as the Indian saying goes, like trying to straighten out the crooked tail of a dog?
   It is this persuasion which, has led many spiritual souls, siddhas, to declare that theirs is not the kingdom upon this earth, but that the kingdom of Heaven is within. And it is why great lovers of humanity have sought not to eradicate but only to mitigate, as far as possible, the ills of life. Earth and life, it is said, contain in their last analysis certain ugly and loathsome realities which are an inevitable and inexorable part of their substance and to eliminate one means to annihilate the other. What can be done is to throw a veil over the nether regions in human nature, to put a ban on their urges and velleities and to create opportunities to make social arrangements so that the higher impulses only find free play while the lower impulses, for want of scope and indulgence, may fall down to a harmless level. This is what the Reformists hope and want and no more. Life is based upon animality, the soul is encased in an earth-sheathman needs must procreate, man needs must seek food. But what human effort can achieve is to set up barriers and limitations and form channels and openings, which will restrain these impulses, allow them a necessary modicum of play and which for the greater part will serve to encourage and enhance the nobler urges in man. Of course, there will remain always the possibility of the whole scaffolding coming down with a crash and the aboriginal in man running riot in his nudity. But we have to accept the chance and make the best of what materials we have in hand.
   No doubt this is a most dismal kind of pessimism. But it is the logical conclusion of all optimism that bases itself upon a particular view of human nature. If we question that pessimism, we have to question the very grounds of our optimism also. As a matter of fact, all our idealism has been so long infructuous and will be so in the future, if we do not shift our foundation and start from a different IntuitionWeltans chauung.
   Our ideals have been mental constructions, rather than spiritual realitiesrealities of the deepest and highest being. And the power by which we sought to realise those ideals was mainly the insistence of our emotional urges, rather than Nature's Truth-Power. For this must be understood that the mental, the vital and the physical form a nexus of reality which works in its own inexorable law and so long as we are within them we cannot but obey the laws that guide them. Of these three strata which form the human adhara, it is the vital which holds the key to man's nature. It is the executive power, the force that fashions the realities on the physical plane; it is what creates the character. The power of thought and sentiment is often much too exaggerated, even so the power of the body, that of physical and external rules and regulations. The mental or the physical or both together can mould the vital only to a limited extent, to the extent which is allowed by the inherent law of the vital. If the demands of the mental and the physical are stretched too far and are not suffered by the vital, a crash and catastrophe is bound to come in the end.
   This is the meaning of the Reformist's pessimism. So long as we remain within the domain of the triple nexus, we must always take account of an original sin, an aboriginal irredeemability in human nature. And it, is this fact which a too hasty optimistic idealism is apt to ignore. The point, however, is that man need not be necessarily bound to this triple chord of life. He can go beyond, transcend himself and find a reality which is the basis of even this lower poise of the mental and vital and physical. Only in order to get into that higher poise we must really transcend the lower, that is to say, we must not be satisfied with experiencing or envisaging it through the mind and heart but must directly commune with it, be it. There is a higher law that rules there, a power that is the truth-substance of even the vital and hence can remould it with a sovereign inevitability, according to a pattern which may not and is not the pattern of mental and emotional idealism, but the pattern of a supreme spiritual realism.

01.08 - A Theory of Yoga, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The recent science of Psycho-analysis has brought to light certain hidden springs and undercurrents of the mind; it has familiarised us with a mode of viewing the entire psychical life of man which will be fruitful for our present enquiry. Mind, it has been found, is a house divided, against itself, that is to say it is an arena where different and divergent forces continually battle against one another. There must be, however, at the same time, some sort of a resolution of these forces, some equation that holds them in balance, otherwise the mind the human being itselfwould cease to exist as an entity. What is the me chanism of this balance of power in the human mind? In order to ascertain that we must first of all know the fundamental nature of the struggle and also the character of the more elemental forces that are engaged in it.
   There are some primary desires that seek satisfaction in man. They are the vital urges of life, the most prominent among them being the instinct of self-preservation and that of self-reproduction or the desire to preserve one's body by defensive as well as by offensive means and the desire to multiply oneself by mating. These are the two biological necessities that are inevitable to man's existence as a physical being. They give the minimum conditions required to be fulfilled by man in order that he may live and hence they are the strongest and the most fundamental elements that enter into his structure and composition.
  --
   Secondly, there is the line of Substitution. Here the mind does not stand in an antagonistic and protestant mood to combat and repress the impulse, but seeks to divert it into other channels, use it to other purposes which do not demand equal sacrifice, may even, on the other hand, be considered by the conscious mind as worthy of human pursuit. Thus the energy that normally would seek sexual gratification might find its outlet in the cultivation of art and literature. It is a common thing in novels to find the heroine disappointed in love taking finally to works of charity and beneficence and thus forgetting her disappointment. Another variety of this is what is known as "drowning one's sorrow in drinking."
   Thirdly, there is the line of Sublimationit is when the natural impulse is neither repressed nor diverted but lifted up into a higher modality. The thing is given a new sense and a new value which serve to remove the stigma usually attached to it and thus allow its free indulgence. Instances of carnal love sublimated into spiritual union, of passion transmuted into devotion (Bhakti) are common enough to illustrate the point.
  --
   Yoga, then, comes at this stage and offers the solution in its power of what we may call Transubstantiation. That is to say, here the mere form is not changed, nor the functions restrained, regulated and purified, but the very substance of the instincts is transmuted. The power of conscious control is a power of the human will, i.e. of an individual personal will and therefore necessarily limited both in intent and extent. It is a power complementary to the power of Nature, it may guide and fashion the latter according to a new pattern, but cannot change the basic substance, the stuff of Nature. To that end yoga seeks a power that transcends the human will, brings into play the supernal puissance of a Divine Will.
   This is the real meaning and sense of the moral struggle in man, the continuous endeavour towards a transvaluation of the primary and aboriginal instincts and impulses. Looked at from one end, from below up the ascending line, man's ethical and spiritual ideals are a dissimulation and sublimation of the animal impulsions. But this is becauseas we see, if we look from the other end, from above down the descending lineman is not all instinct, he is not a mere blind instrument in the hands of Nature forces. He has in him another source, an opposite pole of being from which other impulsions flow and continually modify the structure of the lower levels. If the animal is the foundation of his nature, the divine is its summit. If the bodily demands form his manifest reality, the demands of the spirit enshrine his higher reality. And if as regards the former he is a slave, as regards the latter he is the Master. It is by the interaction of these double forces that his whole nature has been and is being fashioned. Man does not and cannot give carte blanche to his vital, inclinations, since there is a pressure upon them of higher forces coming down from his mental and spiritual levels. It is these latter which have deviated him from the direct line of the pure animal life.

01.08 - Walter Hilton: The Scale of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   This spiritual march or progress can also be described as a growing into the likeness of the Lord. His true self, his own image is implanted within us; he is there in the profoundest depth of our being as Jesus, our beloved and our soul rests in him in utmost bliss. We are aware neither of Jesus nor of his spouse, our soul, because of the obsession of the flesh, the turmoil raised by the senses, the blindness of pride and egoism. All that constitutes the first or old Adam, the image of Nought, the body of death which means at bottom the "false misruled love in to thyself." This self-love is the mother of sin, is sin itself. What it has to be replaced by is charity that is the true meaning of Christian charity, forgetfulness of self. "What is sin but a wanting and a forbearing of God." And the whole task, the discipline consists in "the shaping of Christ in you, the casting of sin through Christ." Who then is Christ, what is he? This knowledge you get as you advance from your sense-bound perception towards the inner and inmost seeing. As your outer nature gets purified, you approach gradually your soul, the scales fall off from your eyes too and you have the knowledge and "ghostly vision." Here too there are three degrees; first, you start with faith the senses can do nothing better than have faith; next, you rise to imagination which gives a sort of indirect touch or inkling of the truth; finally, you have the "understanding", the direct vision. "If he first trow it, he shall afterwards through grace feel it, and finally understand it."
   It is never possible for man, weak and bound as he is, to reject the thraldom of his flesh, he can never purify himself wholly by his own unaided strength. God in his infinite mercy sent his own son, an emanation created out of his substancehis embodied loveas a human being to suffer along with men and take upon himself the burden of their sins. God the Son lived upon earth as man and died as man. Sin therefore has no longer its final or definitive hold upon mankind. Man has been made potentially free, pure and worthy of salvation. This is the mystery of Christ, of God the Son. But there is a further mystery. Christ not only lived for all men for all time, whether they know him, recognise him or not; but he still lives, he still chooses his beloved and his beloved chooses him, there is a conscious acceptance on either side. This is the function of the Holy Ghost, the redeeming power of Love active in him who accepts it and who is accepted by it, the dynamic Christ-Consciousness in the true Christian.
  --
   The characteristic then of the path is a one-pointed concentration. Great stress is laid upon "oneliness", "onedness":that is to say, a perfect and complete withdrawal from the outside and the world; an unmixed solitude is required for the true experience and realisation to come. "A full forsaking in will of the soul for the love of Him, and a living of the heart to Him. This asks He, for this gave He." The rigorous exclusion, the uncompromising asceticism, the voluntary self-torture, the cruel dark night and the arid desert are necessary conditions that lead to the "onlyness of soul", what another prophet (Isaiah, XXIV, 16) describes as "My privity to me". In that secreted solitude, the "onlistead"the graphic language of the author calls itis found "that dignity and that ghostly fairness which a soul had by kind and shall have by grace." The utter beauty of the soul and its absolute love for her deity within her (which has the fair name of Jhesu), the exclusive concentration of the whole of the being upon one point, the divine core, the manifest Grace of God, justifies the annihilation of the world and life's manifold existence. Indeed, the image of the Beloved is always within, from the beginning to the end. It is that that keeps one up in the terrible struggle with one's nature and the world. The image depends upon the consciousness which we have at the moment, that is to say, upon the stage or the degree we have ascended to. At the outset, when we can only look through the senses, when the flesh is our master, we give the image a crude form and character; but even that helps. Gradually, as we rise, with the clearing of our nature, the image too slowly regains its original and true shape. Finally, in the inmost soul we find Jesus as he truly is: "an un changeable being, a sovereign might, a sovereign soothfastness, sovereign goodness, a blessed life and endless bliss." Does not the Gita too say: "As one approaches Me, so do I appear to him."Ye yath mm prapadyante.
   Indeed, it would be interesting to compare and contrast the Eastern and Western approach to Divine Love, the Christian and the Vaishnava, for example. Indian spirituality, whatever its outer form or credal formulation, has always a background of utter unity. This unity, again, is threefold or triune and is expressed in those great Upanishadic phrases,mahvkyas,(1) the transcendental unity: the One alone exists, there is nothing else than theOneekamevdvityam; (2) the cosmic unity: all existence is one, whatever exists is that One, thereare no separate existences:sarvam khalvidam brahma neha nnsti kincaa; (3) That One is I, you too are that One:so' ham, tattvamasi; this may be called the individual unity. As I have said, all spiritual experiences in India, of whatever school or line, take for granted or are fundamentally based upon this sense of absolute unity or identity. Schools of dualism or pluralism, who do not apparently admit in their tenets this extreme monism, are still permeated in many ways with that sense and in some form or other take cognizance of the truth of it. The Christian doctrine too says indeed, 'I and my Father in Heaven are one', but this is not identity, but union; besides, the human soul is not admitted into this identity, nor the world soul. The world, we have seen, according to the Christian discipline has to be altogether abandoned, negatived, as we go inward and upward towards our spiritual status reflecting the divine image in the divine company. It is a complete rejection, a cutting off and casting away of world and life. One extreme Vedantic path seems to follow a similar line, but there it is not really rejection, but a resolution, not the rejection of what is totally foreign and extraneous, but a resolution of the external into its inner and inmost substance, of the effect into its original cause. Brahman is in the world, Brahman is the world: the world has unrolled itself out of the Brahmansi, pravttiit has to be rolled back into its, cause and substance if it is to regain its pure nature (that is the process of nivitti). Likewise, the individual being in the world, "I", is the transcendent being itself and when it withdraws, it withdraws itself and the whole world with it and merges into the Absolute. Even the Maya of the Mayavadin, although it is viewed as something not inherent in Brahman but superimposed upon Brahman, still, has been accepted as a peculiar power of Brahman itself. The Christian doctrine keeps the individual being separate practically, as an associate or at the most as an image of God. The love for one's neighbour, charity, which the Christian discipline enjoins is one's love for one's kind, because of affinity of nature and quality: it does not dissolve the two into an integral unity and absolute identity, where we love because we are one, because we are the One. The highest culmination of love, the very basis of love, according to the Indian conception, is a transcendence of love, love trans-muted into Bliss. The Upanishad says, where one has become the utter unity, who loves whom? To explain further our point, we take two examples referred to in the book we are considering. The true Christian, it is said, loves the sinner too, he is permitted to dislike sin, for he has to reject it, but he must separate from sin the sinner and love him. Why? Because the sinner too can change and become his brother in spirit, one loves the sinner because there is the possibility of his changing and becoming a true Christian. It is why the orthodox Christian, even such an enlightened and holy person as this mediaeval Canon, considers the non-Christian, the non-baptised as impure and potentially and fundamentally sinners. That is also why the Church, the physical organisation, is worshipped as Christ's very body and outside the Church lies the pagan world which has neither religion nor true spirituality nor salvation. Of course, all this may be symbolic and it is symbolic in a sense. If Christianity is taken to mean true spirituality, and the Church is equated with the collective embodiment of that spirituality, all that is claimed on their behalf stands justified. But that is an ideal, a hypothetical standpoint and can hardly be borne out by facts. However, to come back to our subject, let us ow take the second example. Of Christ himself, it is said, he not only did not dislike or had any aversion for Judas, but that he positively loved the traitor with a true and sincere love. He knew that the man would betray him and even when he was betraying and had betrayed, the Son of Man continued to love him. It was no make-believe or sham or pretence. It was genuine, as genuine as anything can be. Now, why did he love his enemy? Because, it is said, the enemy is suffered by God to do the misdeed: he has been allowed to test the faith of the faithful, he too has his utility, he too is God's servant. And who knows even a Judas would not change in the end? Many who come to scoff do remain to pray. But it can be asked, 'Does God love Satan too in the same way?' The Indian conception which is basically Vedantic is different. There is only one reality, one truth which is viewed differently. Whether a thing is considered good or evil or neutral, essentially and truly, it is that One and nothing else. God's own self is everywhere and the sage makes no difference between the Brahmin and the cow and the elephant. It is his own self he finds in every person and every objectsarvabhtsthitam yo mm bhajati ekatvamsthitah"he has taken his stand upon oneness and loves Me in all beings."2
   This will elucidate another point of difference between the Christian's and the Vaishnava's love of God, for both are characterised by an extreme intensity and sweetness and exquisiteness of that divine feeling. This Christian's, however, is the union of the soul in its absolute purity and simplicity and "privacy" with her lord and master; the soul is shred here of all earthly vesture and goes innocent and naked into the embrace of her Beloved. The Vaishnava feeling is richer and seems to possess more amplitude; it is more concrete and less ethereal. The Vaishnava in his passionate yearning seeks to carry as it were the whole world with him to his Lord: for he sees and feels Him not only in the inmost chamber of his soul, but meets Him also in and I through his senses and in and through the world and its objects around. In psychological terms one can say that the Christian realisation, at its very source, is that of the inmost soul, what we call the "psychic being" pure and simple, referred to in the book we are considering; as: "His sweet privy voice... stirreth thine heart full stilly." Whereas the Vaishnava reaches out to his Lord with his outer heart too aflame with passion; not only his inmost being but his vital being also seeks the Divine. This bears upon the occult story of man's spiritual evolution upon earth. The Divine Grace descends from the highest into the deepest and from the deepest to the outer ranges of human nature, so that the whole of it may be illumined and transformed and one day man can embody in his earthly life the integral manifestation of God, the perfect Epiphany. Each religion, each line of spiritual discipline takes up one limb of manone level or mode of his being and consciousness purifies it and suffuses it with the spiritual and divine consciousness, so that in the end the whole of man, in his integral living, is recast and remoulded: each discipline is in charge of one thread as it were, all together weave the warp and woof in the evolution of the perfect pattern of a spiritualised and divinised humanity.
   The conception of original sin is a cardinal factor in Christian discipline. The conception, of sinfulness is the very motive-power that drives the aspirant. "Seek tensely," it is said, "sorrow and sigh deep, mourn still, and stoop low till thine eye water for anguish and for pain." Remorse and grief are necessary attendants; the way of the cross is naturally the calvary strewn with pain and sorrow. It is the very opposite of what is termed the "sunlit path" in spiritual ascension. Christian mystics have made a glorious spectacle of the process of "dying to the world." Evidently, all do not go the whole length. There are less gloomy and happier temperaments, like the present one, for example, who show an unusual balance, a sturdy common sense even in the midst of their darkest nights, who have chalked out as much of the sunlit path as is possible in this line. Thus this old-world mystic says: it is true one must see and admit one's sinfulness, the grosser and apparent and more violent ones as well as all the subtle varieties of it that are in you or rise up in you or come from the Enemy. They pursue you till the very end of your journey. Still you need not feel overwhelmed or completely desperate. Once you recognise the sin in you, even the bare fact of recognition means for you half the victory. The mystic says, "It is no sin as thou feelest them." The day Jesus gave himself away on the Cross, since that very day you are free, potentially free from the bondage of sin. Once you give your adherence to Him, the Enemies are rendered powerless. "They tease the soul, but they harm not the soul". Or again, as the mystic graphically phrases it: "This soul is not borne in this image of sin as a sick man, though he feel it; but he beareth it." The best way of dealing with one's enemies is not to struggle and "strive with them." The aspirant, the lover of Jesus, must remember: "He is through grace reformed to the likeness of God ('in the privy substance of his soul within') though he neither feel it nor see it."
   If you are told you are still full of sins and you are not worthy to follow the path, that you must go and work out your sins first, here is your answer: "Go shrive thee better: trow not this saying, for it is false, for thou art shriven. Trust securely that thou art on the way, and thee needeth no ransacking of shrift for that that is passed, hold forth thy way and think on Jerusalem." That is to say, do not be too busy with the difficulties of the moment, but look ahead, as far as possible, fix your attention upon the goal, the intermediate steps will become easy. Jerusalem is another name of the Love of Jesus or the Bliss in Heaven. Grow in this love, your sins will fade away of themselves. "Though thou be thrust in an house with thy body, nevertheless in thine heart, where the stead of love is, thou shouldst be able to have part of that love... " What exquisite utterance, what a deep truth!
  --
   The ultimate truth is that God is the sole doer and the best we can do is to let him do freely without let or hindrance. "He that through Grace may see Jhesu, how that He doth all and himself doth right nought but suffereth Jhesu work in him what him liketh, he is meek." And yet one does not arrive at that condition from the beginning or all at once. "The work is not of the hour nor of a day, but of many days and years." And for a long time one has to take up one's burden and work, co-operate with the Divine working. In the process there is this double movement necessary for the full achievement. "Neither Grace only without full working of a soul that in it is nor working done without grace bringeth a soul to reforming but that one joined to that other." Mysticism is not all eccentricity and irrationality: on the contrary, sanity seems to be the very character of the higher mysticism. And it is this sanity, and even a happy sense of humour accompanying it, that makes the genuine mystic teacher say: "It is no mastery to me for to say it, but for to do it there is mastery." Amen.
   Ascendimus ascensiones in corde et cantamus canticum graduum." Confessions of St. Augustine XIII. 9.

01.09 - The Parting of the Way, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   To remain human means to continue the fundamental nature of man. In what consists the humanity of man? We can ascertain it by distinguishing what forms the animality of the animal, since that will give us the differentia that nature has evolved to raise man over the animal. The animal, again, has a characteristic differentiating it from the vegetable world, which latter, in its turn, has something to mark it off from the inorganic world. The inorganic, the vegetable, the animal and finally manthese are the four great steps of Nature's evolutionary course.
   The differentia, in each case, lies in the degree and nature of consciousness, since it is consciousness that forms the substance and determines the mode of being. Now, the inorganic is characterised by un-consciousness, the vegetable by sub-consciousness, the animal by consciousness and man by self-consciousness. Man knows that he knows, an animal only knows; a plant does not even know, it merely feels or senses; matter cannot do that even, it simply acts or rather is acted upon. We are not concerned here, however, with the last two forms of being; we will speak of the first two only.
   We say, then, that man is distinguished from the animal by his having consciousness as it has, but added to it the consciousness of self. Man acts and feels and knows as much as the animal does; but also he knows that he acts, he knows that he feels, he knows that he knowsand this is a thing the animal cannot do. It is the awakening of the sense of self in every mode of being that characterises man, and it is owing to this consciousness of an ego behind, of a permanent unit of reference, which has modified even the functions of knowing and feeling and acting, has refashioned them in a mould which is not quite that of the animal, in spite of a general similarity.
   So the humanity of man consists in his consciousness of the self or ego. Is there no other higher mode of consciousness? Or is self-consciousness the acme, the utmost limit to which consciousness can raise itself? If it is so, then we are bound to conclude that humanity will remain eternally human in its fundamental nature; the only progress, if progress at all we choose to call it, will consist perhaps in accentuating this consciousness of the self and in expressing it through a greater variety of stresses, through a richer combination of its colour and light and shade and rhythm. But also, this may not be sothere may be the possibility of a further step, a transcending of the consciousness of the self. It seems unnatural and improbable that having risen from un-consciousness to self-consciousness through a series of continuous marches, Nature should suddenly stop and consider what she had achieved to be her final end. Has Nature become bankrupt of her creative genius, exhausted of her upward drive? Has she to remain content with only a clever manipulation, a mere shuffling and re-arranging of the materials already produced?
   As a matter of fact it is not so. The glimpses of a higher form of consciousness we can see even now present in self-consciousness. We have spoken of the different stages of evolution as if they were separate and distinct and incommensurate entities. They may be described as such for the purpose of a logical understanding, but in reality they form a single progressive continuum in which one level gradually fuses into another. And as the higher level takes up the law of the lower and evolves out of it a characteristic function, even so the law of the higher level with its characteristic function is already involved and envisaged in the law of the lower level and its characteristic function. It cannot be asserted positively that because man's special virtue is self-consciousness, animals cannot have that quality on any account. We do see, if we care to observe closely and dispassionately, that animals of the higher order, as they approach the level of humanity, show more and more evident signs of something which is very much akin to, if not identical with the human characteristic of self-consciousness.
   So, in man also, especially of that order which forms the crown of humanityin poets and artists and seers and great men of actioncan be observed a certain characteristic form of consciousness, which is something other than, greater than the consciousness of the mere self. It is difficult as yet to characterise definitely what that thing is. It is the awakening of the self to something which is beyond itselfit is the cosmic self, the oversoul, the universal being; it is God, it is Turiya, it is sachchidanandain so many ways the thing has been sought to be envisaged and expressed. The consciousness of that level has also a great variety of names given to it Intuition, Revelation, cosmic consciousness, God-consciousness. It is to be noted here, however, that the thing we are referring to, is not the Absolute, the Infinite, the One without a second. It is not, that is to say, the supreme Reality the Brahmanin its static being, in its undivided and indivisible unity; it is the dynamic Brahman, that status of the supreme Reality where creation, the diversity of Becoming takes rise, it is the Truth-worldRitam the domain of typal realities. The distinction is necessary, as there does seem to be such a level of consciousness intermediary, again, between man and the Absolute, between self-consciousness and the supreme consciousness. The simplest thing would be to give that intermediate level of consciousness a negative namesince being as yet human we cannot foresee exactly its composition and function the super-consciousness.
   The inflatus of something vast and transcendent, something which escapes all our familiar schemes of cognisance and yet is insistent with a translucent reality of its own, we do feel sometimes within us invading and enveloping our individuality, lifting up our sense of self and transmuting our personality into a reality which can hardly be called merely human. All this life of ego-bound rationality then melts away and opens out the passage for a life of vision and power. Thus it is the poet has felt when he says, "there is this incalculable element in human life influencing us from the mystery which envelops our being, and when reason is satisfied, there is something deeper than Reason which makes us still uncertain of truth. Above the human reason there is a transcendental sphere to which the spirit of men sometimes rises, and the will may be forged there at a lordly smithy and made the unbreakable pivot."(A.E.)
   This passage from the self-conscient to the super-conscient does not imply merely a shifting of the focus of consciousness. The transmutation of consciousness involves a purer illumination, a surer power and a wider compass; it involves also a fundamental change in the very mode of being and living. It gives quite a different life-intuition and a different life-power. The change in the motif brings about a new form altogether, a re-casting and re-shaping and re-energising of the external materials as well. As the lift from mere consciousness to self-consciousness meant all the difference between an animal and a man, so the lift again from self-consciousness to super-consciousness will mean the difference of a whole world between man and the divine creature that is to be.
   Indeed it is a divine creature that should be envisaged on the next level of evolution. The mental and the moral, the psychical and the physical transfigurations which must follow the change in the basic substratum do imply such a mutation, the birth of a new species, as it were, fashioned in the nature of the gods. The vision of angels and Siddhas, which man is having ceaselessly since his birth, may be but a prophecy of the future actuality.
   This then, it seems to us, is the immediate problem that Nature has set before herself. She is now at the parting of the ways. She has done with man as an essentially human being, she has brought out the fundamental possibilities of humanity and perfected it, so far as perfection may be attained within the cadre by which she chose to limit herself; she is now looking forward to another kind of experiment the evolving of another life, another being out of her entrails, that will be greater than the humanity we know today, that will be superior even to the supreme that has yet been actualised.

01.09 - William Blake: The Marriage of Heaven and Hell, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Touching the very core of the malady of our age he says that our modern enlightenment seeks to cancel altogether the higher values and install instead the lower alone as true. Thus, for example, Marx and Freud, its twin arch priests, are brothers. Both declare that it is the lower, the under layer alone that matters: to one "the masses", to the other "the instincts". Their wild imperative roars: "Sweep away this pseudo-higher; let the instincts rule, let the pro-letariat dictate!" But more characteristic, Monsieur Thibon has made another discovery which gives the whole value and speciality to his outlook. He says the moderns stress the lower, no doubt; but the old world stressed only the higher and neglected the lower. Therefore the revolt and wrath of the lower, the rage of Revanche in the heart of the dispossessed in the modern world. Enlightenment meant till now the cultivation and embellishment of the Mind, the conscious Mind, the rational and nobler faculties, the height and the depth: and mankind meant the princes and the great ones. In the individual, in the scheme of his culture and education, the senses were neglected, left to go their own way as they pleased; and in the collective field, the toiling masses in the same way lived and moved as best as they could under the economics of laissez-faire. So Monsieur Thibon concludes: "Salvation has never come from below. To look for it from above only is equally vain. No doubt salvation must come from the higher, but on condition that the higher completely adopts and protects the lower." Here is a vision luminous and revealing, full of great import, if we follow the right track, prophetic of man's true destiny. It is through this infiltration of the higher into the lower and the integration of the lower into the higher that mankind will reach the goal of its evolution, both individually and collectively.
   But the process, Monsieur Thibon rightly asserts, must begin with the individual and within the individual. Man must "turn within, feel alive within himself", re-establish his living contact with God, the source and origin from which he has cut himself off. Man must learn to subordinate having to being. Each individual must be himself, a free and spontaneous expression. Upon such individual , upon individuals grouped naturally in smaller collectivities and not upon unformed or ill-formed wholesale masses can a perfect human society be raised and will be raised. Monsieur Thibon insistsand very rightlyupon the variety and diversity of individual and local growths in a unified humanity and not a dead uniformity of regimented oneness. He declares, as the reviewer of the London Times succinctly puts it: "Let us abolish our insensate worship of number. Let us repeal the law of majorities. Let us work for the unity that draws together instead of idolizing the multiplicity that disintegrates. Let us understand that it is not enough for each to have a place; what matters is that each should be in his right place. For the atomized society let us substitute an organic society, one in which every man will be free to do what he alone is qualified and able to do."

0.10 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
  can be done at present! To change our consciousness and
  become an elite will take a lot of time. At present, we
  --
  This is even more impossible than to change and become an
  elite. So the best thing to do is to set to work immediately. The
  --
  a dark corner, something that does not want to change and is
  afraid of the Light.
  --
  lawyer Perry Mason changes the situation. Throughout
  the story there are mysteries, and the trial is like the
  --
  There is an almost infinite variety of shades and combinations of character, and although there are categories of very
  similar types, no two cases are identical.
  --
   change them and at the moment when one can make the change.
  8 July 1963
  --
  and his limits - that is why he does not change.
  24 September 1963
  --
  One can find in everything a chance to progress in consciousness and self-mastery. And this effort for progress immediately
  makes the thing interesting, no matter what it is.
  --
  There is no habit that cannot be changed.
  14 October 1963
  --
  Gandhi, but only for a fortnight. Then a period of chaos
  in the Government will follow. After that, a young man
  --
  ignorance, and this error is effaced as soon as the ignorance is replaced by knowledge and the way of acting completely changed.
  What man in his ignorance calls "pardon" is the effacement, the
  --
  commemorative character? How can one take advantage
  of this occasion?
  --
  the nobility of the human character or an idea that we are here
  to establish mental and moral and social Truth and justice on
  --
  The "supreme and radical" change of the whole nature
  can only come about after a long and slow preparation, and
  --
  one wants to change...."24
  Mother, what does he mean by "One creates a new
  body for oneself when one wants to change"? Does this
   change take place in the present body or does one have
  --
  transformation will be such that one will also be able to change
  the form of that body at will.
  --
  What do You mean by "to change the form of that
  body at will"? For example, will a hundred-year old man
  --
  a sort of disequilibrium and chaos. Does this mean that
  it is preparing for the manifestation of a new force, for
  --
  It is both at the same time - a chaotic means of preparation.
  India ought to be the spiritual guide who explains what is happening and helps to hasten the movement. But unfortunately,
  --
  comes down to manifest upon earth, some change is
  effected in the earth's atmosphere."29
  (1) Is this change always violent and destructive,
  such as a revolution or a war?
  --
  possible to be strict and the nature of the life changed.
  Now the Ashram has become a symbolic representation of
  --
  for moulding the character of those who want to progress.
  13 April 1966
  --
  This famous chapter is closed.
  Very good. And everything I did was precisely to bring you to
  --
  Why this chaotic condition in our present government? Is it the sign of a change for the better, for the
  reign of Truth?
  --
  giving them their chance; (3) the Divine Grace which acts more incalculably but also
  more irresistibly than the others." - Letters on Yoga, SABCL, Vol. 23, p. 609.
  --
  The character can change and must change, but it is a long
  and minute work which requires sustained effort and a great
  --
  and always they struck me by their special character. It was as
  if one had, one cannot exactly say an emotion, but a certain
  --
  the last chance given to us. For me, allusions to other
  lives are intangible and academic rather than a help and

01.10 - Nicholas Berdyaev: God Made Human, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   There is another aspect of personality as viewed by Berdyaev which involves a bias of the more orthodox Christian faith: the Christ is inseparable from the Cross. So he says: "There is no such thing as personality if there is no capacity for suffering. Suffering is inherent in God too, if he is a personality, and not merely an abstract idea. God shares in the sufferings of men. He yearns for responsive love. There are divine as well as human passions and therefore divine or creative personality must always suffer to the end of time. A condition of anguish and distress is inherent in it." The view is logically enforced upon the Christian, it is said, if he is to accept incarnation, God becoming flesh. Flesh cannot but be weak. This very weakness, so human, is and must be specially characteristic of God also, if he is one with man and his lover and saviour.
   Eastern spirituality does not view sorrow and sufferingevilas an integral part of the Divine Consciousness. It is born out of the Divine, no doubt, as nothing can be outside the Divine, but it is a local and temporal formation; it is a disposition consequent upon certain conditions and with the absence or elimination of those conditions, this disposition too disappears. God and the Divine Consciousness can only be purity, light, immortality and delight. The compassion that a Buddha feels for the suffering humanity is not at all a feeling of suffering; pain or any such normal human reaction does not enter into its composition; it is the movement of a transcendent consciousness which is beyond and purified of the normal reactions, yet overarching them and entering into them as a soothing and illumining and vivifying presence. The healer knows and understands the pain and suffering of his patient but is not touched by them; he need not contract the illness of his patient in order to be in sympathy with him. The Divine the Soulcan be in flesh and yet not smirched with its mire; the flesh is not essentially or irrevocably the ooze it is under certain given conditions. The divine physical body is composed of radiant matter and one can speak of it even as of the soul that weapons cannot pierce it nor can fire burn it.

01.10 - Principle and Personality, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The world is full of ikons and archons; we cannot escape them, even if we try the world itself being a great ikon and as great an archon. Those who swear by principles, swear always by some personality or other, if not by a living creature then by a lifeless book, if not by Religion then by Science, if not by the East then by the West, if not by Buddha or Christ then by Bentham or Voltaire. Only they do it unwittingly they change one set of personalities for another and believe they have rejected them all. The veils of Maya are a thousand-fold tangle and you think you have entirely escaped her when you have only run away from one fold to fall into another. The wise do not attempt to reject and negate Maya, but consciously accept herfreedom lies in a knowing affirmation. So we too have accepted and affirmed an icon, but we have done it consciously and knowingly; we are not bound by our idol, we see the truth of it, and we serve and utilise it as best as we may.
   ***

01.11 - Aldous Huxley: The Perennial Philosophy, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   A similar compilation was published in the Arya, called The Eternal Wisdom (Les Paroles ternelles, in French) a portion of which appeared later on in book-form: that was more elaborate, the contents were arranged in such a way that no comments were needed, they were self-explanatory, divided as they were in chapters and sections and subsections with proper headings, the whole thing put in a logical and organised sequence. Huxley's compilation begins under the title of the Upanishadic text "That art Thou" with this saying of Eckhart: "The more God is in all things, the more He is outside them. The more He is within, the more without". It will be interesting to note that the Arya compilation too starts with the same idea under the title "The God of All; the God who is in All", the first quotation being from Philolaus, "The Universe is a Unity".The Eternal Wisdom has an introduction called "The Song of Wisdom" which begins with this saying from the Book of Wisdom: "We fight to win sublime Wisdom; therefore men call us warriors".
   Huxley gives only one quotation from Sri Aurobindo under the heading "God in the World". Here it is:

01.11 - The Basis of Unity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   India's historical development is marked by a special characteristic which is at once the expression of her inmost nature and the setting of a problem which she has to solve for herself and for the whole human race. I have spoken of the diversity and divergence of affiliations in a modern social unit. But what distinguishes India from all other peoples is that the diversity and divergence have culminated here in contradictoriness and mutual exclusion.
   The first extremes that met in India and fought and gradually coalesced to form a single cultural and social whole were, as is well known, the Aryan and the non-Aryan. Indeed, the geologists tell us, the land itself is divided into two parts structurally quite different and distinct, the Deccan plateau and the Himalayan ranges with the Indo-Gangetic plain: the former is formed out of the most ancient and stable and, on the whole, horizontally bedded rocks of the earth, while the latter is of comparatively recent origin, formed out of a more flexible and weaker belt (the Himalayan region consisting of a colossal flexing and crumpling of strata). The disparity is so much that a certain group of geologists hold that the Deccan plateau did not at all form part of the Asiatic continent, but had drifted and dashed into it:in fact the Himalayas are the result of this mighty impact. The usual division of an Aryan and a Dravidian race may be due to a memory of the clash of the two continents and their races.
   However, coming to historical times, we see wave after wave of the most heterogeneous and disparate elementsSakas and Huns and Greeks, each bringing its quota of exotic materialenter into the oceanic Indian life and culture, lose their separate foreign identity and become part and parcel of the common whole. Even so,a single unitary body was formed out of such varied and shifting materialsnot in the political, but in a socio-religious sense. For a catholic religious spirit, not being solely doctrinal and personal, admitted and embraced in its supple and wide texture almost an infinite variety of approaches to the Divine, of forms and norms of apprehending the Beyond. It has been called Hinduism: it is a vast synthesis of multiple affiliations. It expresses the characteristic genius of India and hence Hinduism and Indianism came to be looked upon as synonymous terms. And the same could be defined also as Vedic religion and culture, for its invariable basis the bed-rock on which it stood firm and erectwas the Vedas, the Knowledge seen by the sages. But there had already risen a voice of dissidence and discord that of Buddha, not so much, perhaps, of Buddha as of Buddhism. The Buddhistic enlightenment and discipline did not admit the supreme authority of the Vedas; it sought other bases of truth and reality. It was a great denial; and it meant and worked for a vital schism. The denial of the Vedas by itself, perhaps, would not be serious, but it became so, as it was symptomatic of a deeper divergence. Denying the Vedas, the Buddhistic spirit denied life. It was quite a new thing in the Indian consciousness and spiritual discipline. And it left such a stamp there that even today it stands as the dominant character of the Indian outlook. However, India's synthetic genius rose to the occasion and knew how to bridge the chasm, close up the fissure, and present again a body whole and entire. Buddha became one of the Avataras: the discipline of Nirvana and Maya was reserved as the last duty to be performed at the end of life, as the culmination of a full-length span of action and achievement; the way to Moksha lay through Dharma and Artha and Kama, Sannyasa had to be built upon Brahma charya and Garhasthya. The integral ideal was epitomized by Kalidasa in his famous lines about the character of the Raghus:
   They devoted themselves to study in their boyhood, in youth they pursued the objects of life; when old they took to spiritual austerities, and in the end they died united with the higher consciousness.
  --
   Unlike the previous irruptions that merged and were lost in the general life and consciousness, Islam entered as a leaven that maintained its integrity and revolutionized Indian life and culture by infusing into its tone a Semitic accent. After the Islamic impact India could not be what she was beforea change became inevitable even in the major note. It was a psychological cataclysm almost on a par with the geological one that formed her body; but the spirit behind which created the body was working automatically, inexorably towards the greater and more difficult synthesis demanded by the situation. Only the thing is to be done now consciously, not through an unconscious process of laissez-faire as on the inferior stages of evolution in the past. And that is the true genesis of the present conflict.
   History abounds in instances of racial and cultural immixture. Indeed, all major human groupings of today are invariably composite formations. Excepting, perhaps, some primitiveaboriginal tribes there are no pure races existent. The Briton, the Dane, the Anglo-Saxon, and the Norman have combined to form the British; a Frenchman has a Gaul, a Roman, a Frank in him; and a Spaniard's blood would show an Iberian, a Latin, a Gothic, a Moorish element in it. And much more than a people, a culture in modern times has been a veritable cockpit of multifarious and even incongruous elements. There are instances also in which a perfect fusion could not be accomplished, and one element had to be rejected or crushed out. The complete disappearance of the Aztecs and Mayas in South America, the decadence of the Red Indians in North America, of the Negroes in Africa as a result of a fierce clash with European peoples and European culture illustrate the point.
  --
   If it is said that this is an ideal for the few only, not for the mass, our answer to that is the answer of the GitaYad yad a charati sreshthah. Let the few then practise and achieve the ideal: the mass will have to follow as far as it is possible and necessary. It is the very character of the evolutionary system of Nature, as expressed in the principle of symbiosis, that any considerable change in one place (in one species) is accompanied by a corresponding change in the same direction in other contiguous places (in other associated species) in order that the poise and balance of the system may be maintained.
   It is precisely strong nuclei that are needed (even, perhaps, one strong nucleus is sufficient) where the single and integrated spiritual consciousness is an accomplished and established fact: that acts inevitably as a solvent drawing in and assimilating or transforming and re-creating as much, of the surroundings as its own degree and nature of achievement inevitably demand.

01.12 - Goethe, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The challenge and the Pact
   There is on the earthly stage the play of a challenge, a twofold challenge, one between God and Satan and another, as a consequence, between Man and Satan.
   Satan is jealous of man who is God's favourite. He tells God that his partiality to man is misplaced. God has put into man a little of his light (reason and intelligence and something more perhaps), but to what purpose? Man tries to soar, he thinks he flies high and wide, but in fact he is and will be an insect that "lies always in the grass and sings its old song in the grass." God answers that whatever the perplexity in which man now is, in the end he will come out and reach the Light with a greater and richer experience of it. Satan smiles in return and says he will prove otherwise. Given a free hand, he can do whatever he likes with man: "Dust shall he eat and with a relish." God willingly agrees to the challenge: there is no harm in Satan's trying his hand. Indeed, Satan will prove to be a good companion to man; for man is normally prone to inertia and sinks into repose and rest and stagnation. Satan will be the goad, the force that drives towards ceaseless activity. For activity is life, and without activity no progress.
   Thus, as sanctioned by God, there is a competition, a wager between man and Satan. The pact between the parties is this that, on the one hand, Satan will serve man here in life upon earth, and on the other hand, in return, man will have to serve Satan there, on the other side of life. That is to say, Satan will give the whole world to man to enjoy, man will have to give Satan only his soul. Man in his ignorance says he does not care for his soul, does not know of a there or elsewhere: he will be satisfied if he gets what he wants upon earth. That, evidently, is the demand of what is familiarly known as life-force (lan vital): the utmost fulfilment of the life-force is what man stands for, although the full significance of the movement may not be clear to him or even to Satan at the moment. For life-force does not necessarily drag man down, as its grand finale as it were, into hellhowever much Satan might wish it to be so. In what way, we shall see presently. Now Satan promises man all that he would desire and even more: he would give him his fill so' that he will ask for no more. Man takes up the challenge and declares that his hunger is insatiable, whatever Satan can bring to it, it will take in and press on: satisfaction and satiety will never come in his way. Satan thinks he knows better, for he is armed with a master weapon to lay man low and make him cry halt!
   Love Human and Love Divine
   Satan proposes to lead man down into hell through a sure means, nothing more sure, according to him, viz., love for a woman and a woman's love in return. Nothing like that to make man earth-bound or hell-bound and force out of him the nostalgic cry, "Time must have a stop." A most simple, primal and primeval lyric love will most suit Satan's purpose. Hence the Margaret episode. Love=Passion=Lust=Hell; that is the inevitable equation sequence, and through which runs the magic thread of infatuation. And that charm is invincible. Satan did succeed and was within an ace, as they say, of the final and definitive triumph: but that was not to be, for he left out of account an incalculable element. Love, even human love has, at least can have, a wonderful power, the potency of reversing the natural decree and bring about a supernatural intervention. Human love can at a crucial momentin extremiscall down the Divine Grace, which means God's love for man. And the soul meant for perdition and about to be seized and carried away by Satan finds itself suddenly free and lifted up and borne by Heaven's messengers. Human Jove is divine love itself in earthly form and figure and whatever its apparent aberrations it is in soul and substance that thing. Satan is hoisted with his own petard. That is God's irony.
   But Goethe's Satan seems to know or feel something of his fate. He knows his function and the limit too of his function. He speaks of the doomsday for people, but it is his doomsday also, he says in mystic terms. Yes, it is his doomsday, for it is the day of man's liberation. Satan has to release man from the pact that stands cancelled. The soul of man cannot be sold, even if he wanted it.
  --
   The angels weave the symphony that is creation. They represent the various notes and rhythmsin their higher and purer degrees that make up the grand harmony of the spheres. It is magnificent, this music that moves the cosmos, and wonderful the glory of God manifest therein. But is it absolutely perfect? Is there nowhere any flaw in it? There is a doubting voice that enters a dissenting note. That is Satan, the Antagonist, the Evil One. Man is the weakest link in the chain of the apparently all-perfect harmony. And Satan boldly proposes to snap it if God only let him do so. He can prove to God that the true nature of his creation is not cosmos but chaos not a harmony in peace and light, but a confusion, a Walpurgis Night. God acquiesces in the play of this apparent breach and proves in the end that it is part of a wider scheme, a vaster harmony. Evil is rounded off by Grace.
   The total eradication of Evil from the world and human nature and the remoulding of a terrestrial life in the substance and pattern of the Highest Good that is beyond all dualities is a conception which it was not for Goe the to envisage. In the order of reality or existence, first there is the consciousness of division, of tren chant separation in which Good is equated with not-evil and evil with not-good. This is the outlook of individualised consciousness. Next, as the consciousness grows and envelops the whole existence, good and evil are both embraced and are found to form a secret and magic harmony. That is the universal or cosmic consciousness. And Goethe's genius seems to be an outflowering of something of this status of consciousness. But there is still a higher status, the status of transcendence in which evil is not simply embraced but dissolved and even transmuted into a supreme reality of which it is an aberration, a reflection or projection, a lower formulation. That is the mystery of a spiritual realisation to which Goe the aspired perhaps, but had not the necessary initiation to enter into.

01.12 - Three Degrees of Social Organisation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Declaration of Rights is a characteristic modern phenomenon. It is a message of liberty and freedom,no doubt of secular liberty and freedomthings not very common in the old world; and yet at the same time it is a clarion that calls for and prepares strife and battle. If the conception of Right has sanctified the individual or a unit collectivity, it has also pari passu developed a fissiparous tendency in human organisation. Society based on or living by the principle of Right becomes naturally and inevitably a competitive society. Where man is regarded as nothing moreand, of course, nothing lessthan a bundle of rights, human aggregation is bound to be an exact image of Darwinian Naturered in tooth and claw.
   But Right is not the only term on which an ideal or even a decent society can be based. There is another term which can serve equally well, if not better. I am obviously referring to the conception of duty. I tis an old world conception; it isa conception particularly familiar to the East. The Indian term for Right is also the term for dutyadhikara means both. In Europe too, in more recent times, when after the frustration of the dream of a new world envisaged by the French Revolution, man was called upon again to rise and hope, it was Mazzini who brought forward the new or discarded principle as a mantra replacing the other more dangerous one. A hierarchy of duties was given by him as the pattern of a fulfilled ideal life. In India, in our days the distinction between the two attitudes was very strongly insisted upon by the great Vivekananda.
  --
   What is required is not therefore an external delimitation of frontiers between unit and unit, but an inner outlook of nature and a poise of character. And this can be cultivated and brought into action by learning to live by the sense of duty. Even then, even the sense of duty, we have to admit, is not enough. For if it leads or is capable of leading into an aberration, we must have something else to check and control it, some other higher and more potent principle. Indeed, both the conceptions of Duty and Right belong to the domain of mental ideal, although one is usually more aggressive and militant (Rajasic) and the other tends to be more tolerant and considerate (sattwic): neither can give an absolute certainty of poise, a clear guarantee of perfect harmony.
   Indian wisdom has found this other, a fairer terma tertium quid,the mystic factor, sought for by so many philosophers on so many counts. That is the very well- known, the very familiar termDharma. What is Dharma then? How does it accomplish the miracle which to others seems to have proved an impossibility? Dharma is self-law, that is to say, the law of the Self; it is the rhythm and movement of our inner or inmost being, the spontaneous working out of our truth-conscious nature.

01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   In these latest poems of his, Eliot has become outright a poet of the Dark Night of the Soul. The beginnings of the new avatar were already there certainly at the very beginning. The Waste Land is a good preparation and passage into the Night. Only, the negative element in it was stronger the cynicism, the bleakness, the sereness of it all was almost overwhelming. The next stage was "The Hollow Men": it took us right up to the threshold, into the very entrance. It was gloomy and fore-boding enough, grim and seriousno glint or hint of the silver lining yet within reach. Now as we find ourselves into the very heart of the Night, things appear somewhat changed: we look at the past indeed, but can often turn to the future, feel the pressure of the Night yet sense the Light beyond overarching and embracing us. This is how the poet begins:
   I said to my soul, be still, and let the dark come upon you
  --
   but what he adds is characteristic of the new outlook
   For hope would be hope for the wrong thing; wait without love
  --
   The Divine Love is a greater fire than the low smouldering fire that our secular unregenerate life is. One has to choose and declare his adhesion. Indeed, the stage of conversion, the crucial turn from the ordinary life to the spiritual life Eliot has characterised in a very striking manner. We usually say, sometimes in an outburst of grief, sometimes in a spirit of sudden disgust and renunciation that the world is dark and dismal and lonesome, the only thing to do here is to be done with it. The true renunciation, that which is deep and abiding, is not, however, so simple a thing, such a short cut. So our poet says, but the world is not dark enough, it is not lonesome enough: the world lives and moves in a superficial half-light, it is neither real death nor real life, it is death in life. It is this miserable mediocrity, the shallow uncertainty of consciousness that spells danger and ruin for the soul. Hence the poet exclaims:
   . . . . Not here
  --
   Eliot's is a very Christian soul, but we must remember at the same time that he is nothing if not modern. And this modernism gives all the warp and woof woven upon that inner core. How is it characterised? First of all, an intellectualism that requires a reasoned and rational synthesis of all experiences. Another poet, a great poet of the soul's Dark Night was, as we all know, Francis Thompson: it was in his case not merely the soul's night, darkness extended even to life, he lived the Dark Night actually and physically. His haunting, weird lines, seize within their grip our brain and mind and very flesh
   My days have crackled and gone up in smoke,5
  --
   Scolding, mocking, or merely chattering,
   Always assail them. The Word in the desert

01.14 - Nicholas Roerich, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   I speak of Roerich as a Western soul, but more precisely perhaps he is a soul of the mid-region (as also in another sense we shall see subsequently) intermediary between the East and the West. His external make-up had all the characteristic elements of the Western culture, but his mind and temperament, his inner soul was oriental. And yet it was not the calm luminous staticancientsoul that an Indian or a Chinese sage is; it is a nomad soul, newly awakened, young and fresh and ardent, something primitive, pulsating with the unspoilt green sap of life something in the manner of Whitman. And that makes him all the more representative of the young and ardent West yearning for the light that was never on sea or land.
   Is it not strange that one should look to the East for the light? There is a light indeed that dwells in the setting suns, but that is the inferior light, the light that moves level with the earth, pins us down to the normal and ordinary life and consciousness: it" leads into the Night, into Nihil, pralaya. It is the light of the morning sun that man looks up to in his forward march, the sun that rises in the East whom the Vedic Rishi invoked in these magnificent lines:
  --
   Roerich discovered and elaborated his own technique to reveal that which is secret, express that which is not expressed or expressible. First of all, he is symbolical and allegorical: secondly, the choice of his symbols and allegories is hieratic, that is to say, the subject-matter refers to objects and events connected with saints and legends, shrines and en chanted places, hidden treasures, spirits and angels, etc. etc.; thirdly, the manner or style of execution is what we may term pantomimic, in other words, concrete, graphic, dramatic, even melodramatic. He has a special predilection for geometrical patterns the artistic effect of whichbalance, regularity, fixity, soliditywas greatly utilised by the French painter Czanne and poet Mallarm who seem to have influenced Roerich to a considerable degree. But this Northerner had not the reticence, the suavity, the tonic unity of the classicist, nor the normality and clarity of the Latin temperament. The prophet, the priest in him was the stronger element and made use of the artist as the rites andceremoniesmudras and chakrasof his vocation demanded. Indeed, he stands as the hierophant of a new cultural religion and his paintings and utterances are, as it were, gestures that accompany a holy ceremonial.
   A Russian artist (Monsieur Benois) has stressed upon the primitivealmost aboriginalelement in Roerich and was not happy over it. Well, as has been pointed out by other prophets and thinkers, man today happens to be so sophisticated, artificial, material, cerebral that a [all-back seems to be necessary for him to take a new leap forward on to a higher ground. The pure aesthete is a closed system, with a consciousness immured in an ivory tower; but man is something more. A curious paradox. Man can reach the highest, realise the integral truth when he takes his leap, not from the relatively higher levels of his consciousness his intellectual and aesthetic and even moral status but when he can do so from his lower levels, when the physico-vital element in him serves as the springing-board. The decent and the beautiful the classic grace and aristocracyform one aspect of man, the aspect of "light"; but the aspect of energy and power lies precisely in him where the aboriginal and the barbarian find also a lodging. Man as a mental being is naturally sattwic, but prone to passivity and weakness; his physico-vital reactions, on the other hand, are obscure and crude, simple and vehement, but they have life and energy and creative power, they are there to be trained and transfigured, made effective instruments of a higher illumination.

0.11 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  Although there is a certain charm and poetry in the
  fact that there is no formal date for the creation of
  --
  You. What stupidity! How can I change this?
  We are made up of many different parts which have to be unified
  --
  to open the chakras from below, whereas in the integral
  yoga the chakras open from above by the descent of the
  Mother's force.
  --
  opening of the chakras in these two systems?
  In Sri Aurobindo's integral yoga, there are no such rigid rules
  --
  Mother, why this change was made?
  Because most people, when they hear the word "unity", understand uniformity and nothing can be further from the truth.
  --
  a change of psychological attitude on the part of those
  who own money than any change in the law of property.
  Undoubtedly.
  Only the psychological change can be a solution.
  6 January 1968
  --
  The very notion of good and bad is completely changed.
  One can say very simply that all that leads to the Divine is
  --
  "All things shall change in God's transfiguring hour."22
  Can man delay or hasten the coming of this hour?
  --
  towards the outward appearance that changes completely.
  25 December 1968

0.12 - Letters to a Student, #Some Answers From The Mother, #The Mother, #Integral Yoga
  will for progress. And if the vital and the mind are left in charge
  of action, they simply harass the body, destroy its balance and
  --
  in oneself considerably changes one's whole way of being and
  gives an exceptional control over all activities, mental, vital and
  --
  In the new race, will our body change form?
  Between the body of the supramental being and the body of

0.13 - Letters to a Student, #Some Answers From The Mother, #The Mother, #Integral Yoga
  What will be the result of changing the vital into
  something good; in other words, what will be the
  --
  Divine, one's vision of things changes totally, and they have all
  come to the same conclusion: unite with the Divine and you will
  --
  Because it is a chance to put in greater effort and thus make
  faster progress.
  --
  one's own character and, to a large extent, over events.
  23 December 1969
  --
  "The world is preparing for a big change. Will you
  help?"2
  What is this great change that you speak of? And
  how can we be of help to it?
  This great change is the appearance on earth of a new race that
  will be to man what man is to the animal. The consciousness of
  --
  the characters and if the film is tragic or full of suspense,
  we get so involved that we cry or feel frightened. And if

0.14 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  compared to human life. Matter is changing in order to prepare
  itself for the new manifestation, but the human body is not
  --
  Those who want to progress now have an exceptional chance,
  because the transformation begins with the opening of the consciousness to the action of the new forces; thus individuals have
  --
  proceeds, for each ego has its own character and needs a particular method. The only qualities indispensable for all are absolute
  perseverance and sincerity. The least tendency to deceive oneself
  --
  one becomes an inexhaustible channel rather than a vessel that
  empties itself by giving.
  --
  to progress in regard to character, to cultivate our qualities and
  correct our defects, so that everything may be an opportunity to

0 1954-08-25 - what is this personality? and when will she come?, #Agenda Vol 01, #unset, #Zen
   She has come, bringing with Her a splendor of power and love, an intensity of divine joy heretofore unknown to the Earth. The physical atmosphere has been completely changed by her descent, permeated with new and marvelous possibilities.
   But if She is ever to reside and act here, She has to find at least a minimal receptivity, at least one human being with the required vital and physical qualities, a kind of super-Parsifal gifted with an innate and integral purity, yet possessing at the same time a body strong enough and poised enough to bear unwaveringly the intensity of the Ananda She brings.
  --
   It is true that at present, her presence is more rhetorical than factual, since so far She has had no chance to manifest. Yet even so, She is a powerful instrument in the Work, for of all the Mothers aspects, She holds the greatest power to transform the body. Indeed, those cells which can vibrate at the touch of the divine Joy, receive it and bear it, are cells reborn, on their way to becoming immortal.
   But the vibrations of divine Bliss and those of pleasure cannot cohabit in the same vital and physical house. We must therefore TOTALLY renounce all feelings of pleasure to be ready to receive the divine Ananda. But rare are those who can renounce pleasure without thereby renouncing all active participation in life or sinking into a stern asceticism. And among those who realize that the transformation is to be wrought in active life, some pretend that pleasure is a form of Ananda gone more or less astray and legitimize their search for self-satisfaction, thereby creating a virtually insuperable obstacle to their own transformation.
  --
   The world is recreated from minute to minute. If you knew how I mean if you could change your natureyou could recreate a new world this very minute!
   I didnt say She HAD gone. I said She was CONTEMPLATING it at times, now and then.
  --
   This is borne out by the fact that her descent took place at a given moment and for two or three weeks the atmospherenot only of the Ashram but of the Earthwas so highly charged with such a power of such an intense divine Bliss creating so marvelous a force that things difficult to do before could be done almost instantly.
   There were repercussions the world over. But I dont believe that a single one of you noticed it you cannot even tell me when it happened, can you?
  --
   Try to change your consciousness.
   (silence)
  --
   Yes, I have always said that it changed when we had to take the very little children. How can you envision an ascetic life with little sprouts no bigger than that? Its impossible! But thats the little surprise package the war left on our doorstep. When it was found that Pondicherry was the safest place on earth, naturally people came wheeling in here with all their baby carriages filled and asked us if we could shelter them, so we couldnt very well turn them away, could we?! Thats how it happened, and in no other way But, in the beginning, the first condition for coming here was that you would have nothing more to do with your family! If a man was married, then he had to completely overlook the fact that he had a wife and childrencompletely sever all ties, have nothing further to do with them. And if ever a wife asked to come just because her husb and happened to be here, we told her, You have no business coming here!
   In the beginning, it was very, very strict for a long time.
  --
   But as I said, bit by bit things changed. However, this had one advantage: we were too much outside of life. So there were a number of problems which had never arisen but which would have suddenly surged up the moment we wanted a complete manifestation. We took on all these problems a little prematurely, but it gave us the opportunity to solve them. In this way we learned many things and surmounted many difficulties, only it complicated things considerably. And in the present situation, given such a large number of elements who havent even the slightest idea why theyre here (!) well, it demands a far greater effort on the disciples part than before.
   Before, when there were we started with 35 or 36 people but even when it got up to 150, even with 150it was as if they were all nestled in a cocoon in my consciousness: they were so near to me that I could constantly guide ALL their inner or outer movements. Day and night, at each moment, everything was totally under my control. And naturally, I think they made a great deal of progress at that time: it is a fact that I was CONSTANTLY doing the sadhana2 for them. But then, with this baby boom The sadhana cant be done for little sprouts who are 3 or 4 or 5 years old! Its out of the question. The only thing I can do is wrap them in the Consciousness and try to see that they grow up in the best of all possible conditions. However, the one advantage to all this is that instead of there being such a COMPLETE and PASSIVE dependence on the disciples part, each one has to make his own little effort. Truly, thats excellent.
   I dont know to whom I was mentioning this today (I think it was for a Birthday3 No, I dont know now. It was to someone who told me he was 18 years old. I said that between the ages of 18 and 20, I had attained a constant and conscious union with the Divine Presence and that I had done this ALL ALONE, without ANYONES help, not even books. When a little later I chanced upon Vivekanandas Raja Yoga, it really seemed so wonderful to me that someone could explain something to me! And it helped me realize in only a few months what would have otherwise taken years.
   I met a man (I was perhaps 20 or 21 at the time), an Indian who had come to Europe and who told me of the Gita. There was a French translation of it (a rather poor one, I must say) which he advised me to read, and then he gave me the key (HIS key, it was his key). He said, Read the Gita (this translation of the Gita which really wasnt worth much but it was the only one available at the timein those days I wouldnt have understood anything in other languages; and besides, the English translations were just as bad and well, Sri Aurobindo hadnt done his yet!). He said, Read the Gita knowing that Krishna is the symbol of the immanent God, the God within. That was all. Read it with THAT knowledgewith the knowledge that Krishna represents the immanent God, the God within you. Well, within a month, the whole thing was done!
  --
   If you look at yourselves straight in the face and you see what you are, then if by chance you should resolve to But what really astounds me is that you dont even seem to feel an intense NEED to do this! But how can we know? Because you DO know, you have been told over and over again, it has been drummed into your heads. You KNOW that you have a divine consciousness within you. And yet you can go on sleeping night after night, playing day after day, doing your lessons ad infinitum and still not be not have a BURNING desire and will to come into contact with yourselves!With yourselves, yes, the you just there, inside (motion towards the center of the chest) Really, its beyond me!
   As soon as I found outand no one told me, I found out through an experienceas soon as I found out that there was a discovery to be made within myself, well, it became THE MOST IMPORTANT thing in the world. It took precedence over everything else!
   And when, as I told you, I chanced upon a book or an individual that could give me just a little clue and tell me, Here. If you do such and such, you will find your pathwell I charged into it like a cyclone and nothing could have stopped me.
   And how many years have you all been here, half-asleep? Naturally, youre happy to think about it now and thenespecially when I speak to you about it or sometimes when you read. But THATthat fire, that will which plows through all barriers, that concentration which can triumph over EVERYTHING
  --
   For Her, this body is but one instrument among so many others in an eternity of ages to come, and for Her its only importance is that attributed to it by the Earth and mankind the extent to which it can be used as a channel to further Her manifestation. If I find myself surrounded by people who are incapable of receiving Her, then for Her, I am quite useless.
   It is very clear. So it is not I who can make Her stay. And I certainly cannot ask Her to stay for egotistical reasons. Moreover, all these Aspects, all these Personalities manifest constantly but they never manifest for personal reason. Not one of them has ever thought of helping my bodybesides, I dont ask them to because that is not their purpose. But it is more than obvious that if the people around me were receptive, She could permanently manifest since they could receive Herand this would help my body enormously because all these vibrations would run through it. But She never gets even a chance to manifestnot a single one. She only meets people who dont even feel Her when Shes there! They dont even notice Her, theyre not even aware of her presence. So how can She manifest in these conditions? Im not going to ask Her, Please come and change my body. We dont have that kind of relationship! Furthermore, the body itself wouldnt agree. It never thinks of itself, it never pays attention to itself, and besides, it is only through the work that it can be transformed.
   Yes, certainly had there been any receptivity when She came down and had She been able to manifest with the power with which She came But I can tell you one thing: even before Her coming, when, with Sri Aurobindo, I had begun going down (for the Yoga) from the mental plane to the vital plane, when we brought our yoga down from the mental plane into the vital plane, in less than a month (I was forty years old at the time I didnt seem very old, I looked less than forty, but I was forty anyway), after no more than a month of this yoga, I looked exactly like an 18 year old! And someone who knew me and had stayed with me in Japan5 came here, and when he saw me, he could scarcely believe his eyes! He said, But my god, is it you? I said, Of course!
   Only when we went down from the vital plane into the physical plane, all this went awaybecause on the physical plane, the work is much harder and we had so much to do, so many things to change.
   But if a force like Hers could manifest and be received here, it would have INESTIMABLE results!

0 1955-04-04, #Agenda Vol 01, #unset, #Zen
   I feel that I am turning in circles and taking one step backward for each one forward. Furthermore, instead of helping me draw nearer to the divine consciousness, my work in the Ashram (the very fact of working for to change work, even if I felt like it, would not change the overall situation), diverts me from this divine consciousness, or at least keeps me in a superficial consciousness from which I am unable to unglue myself as long as I am busy writing letters, doing translations, corrections or classes.1 I know its my own fault, that I should know how to be detached from my work and do it by relying upon a deeper consciousness, but what can be done? Unless I receive the grace, I cannot remember the essential thing as long as the outer part of my being is active.
   When I am not immediately engrossed in work, I have to confront a thousand little temptations and daily difficulties that come from my contact with other beings and a life that does indeed remain in life. Here, even more, there is the feeling of an impossible struggle, and all these little difficulties seem to gnaw away at me; scarcely has one hole been filled when another opens up, or the same one reappears, and there is never any real victoryone has constantly to begin everything again. Finally, it seems to me that I really live only one hour a day, during the evening distribution at the playground.2 It is scarcely a life and scarcely a sadhana!

0 1956-05-02, #Agenda Vol 01, #unset, #Zen
   But we do not call a miracle the constant miracle of the forces that intervene to change circumstances and human natures and which have very far-reaching consequences, for we see only the appearance, and this appearance seems quite natural. But in truth, if you were to reflect upon the least thing that happens, you would be forced to acknowledge that it is miraculous.
   It is simply because you do not reflect upon it and assume things to be as they are, what they are, unquestioningly; otherwise you would have quite a number of opportunities everyday to say to yourself, But look! That is absolutely amazing! How did it happen?
  --
   If you want it to change you, you must open yourself and strive to progress.
   Will we benefit collectively or individually from this new manifestation?

0 1956-08-10, #Agenda Vol 01, #unset, #Zen
   My Lord, through me thou hast challenged the world and all the adverse forces have risen in protest.1
   But Thy Grace is winning the victory.

0 1956-09-14, #Agenda Vol 01, #unset, #Zen
   For my part, there has been no cut and I have not been severe My feelings cannot change, for they are based upon something other than outer circumstances.
   But perhaps you have felt this way because you had left your work in the Ashram for an entirely personal, that is, necessarily egoistical reason, and egoism always isolates one from the great current of universal forces. That is why, too, you no longer clearly perceive my love and my help which nevertheless are always with you.

0 1956-10-08, #Agenda Vol 01, #unset, #Zen
   No, it is exactly the opposite of what you are saying. It is not that the Divine in his divinity is opposed to his own manifested selfHe is very far beyond, beyond the necessity for Grace; He perceives his unique and exclusive responsibility, and that it is He and He alone who must change in His Manifestation so that all may change.
   ***

0 1956-10-28, #Agenda Vol 01, #unset, #Zen
   One should beware of the charm of memories. What remains of past experiences is the effect they have had in the development of the consciousness. But when one attempts to relive a memory by placing oneself again in similar circumstances, one realizes quite rapidly how devoid they are of their power and charm, because they have lost their usefulness for progress.
   You are now beyond the stage when the virgin forest and the desert can be useful for your growth. They had put you in contact with a life vaster than your own and they widened the limits of your consciousness. But now you need something else.
  --
   Open a new chapter in your existence. Live, no longer for your own realization or the realization of your ideal, however exalted it may be, but to serve an eternal work that transcends your individuality on all sides.
   Signed: Mother

0 1957-01-18, #Agenda Vol 01, #unset, #Zen
   You told me one day that I could be useful to you. Then, by chance, I came across this passage from Sri Aurobindo the other day: Everyone has in him something divine, something his own, a chance of perfection and strength in however small a sphere which God offers him to take or refuse.
   Could you tell me, as a favor, what this particular thing is in me which may be useful to you and serve you? If I could only know what my real work is in this world All the conflicting impulses in me stem from my being like an unemployed force, like a being whose place has not yet been determined.

0 1957-04-09, #Agenda Vol 01, #unset, #Zen
   I read your letter yesterday, and here is the answer that immediately came to me. I add to it the assurance that nothing has changed, nor can change, in my relationship with you, and that you are and always will be my child for that is the truth of your being.
   Here is what I wrote:

0 1957-07-03, #Agenda Vol 01, #unset, #Zen
   This vision took place early in the night and woke me up with a rather unpleasant feeling. Then I fell back to sleep and forgot about it; but a little while ago, when I was thinking of the question put to me, it returned. It returned with a great intensity and so imperatively that now, just as I wanted to tell you what kind of collectivity we wish to realize according to the ideal described by Sri Aurobindo in the last chapter of The Life Divinea gnostic, supramental collectivity, the only kind that can do Sri Aurobindos integral yoga and be realized physically in a progressive collective body becoming more and more divine the recollection of this vision became so imperative that I couldnt speak.
   Its symbolism was very clear, though of quite a familiar nature, as it were, and because of its very familiarity, unmistakable in its realism Were I to tell you all the details, you would probably not even be able to follow: it was rather intricate. It was a kind of (how can I express it?)an immense hotel where all the terrestrial possibilities were lodged in different apartments. And it was all in a constant state of transformation: parts or entire wings of the building were suddenly torn down and rebuilt while people were still living in them, such that if you went off somewhere within the immense hotel itself, you ran the risk of no longer finding your room when you wanted to return to it, for it might have been torn down and was being rebuilt according to another plan! It was orderly, it was organized yet there was this fantastic chaos which I mentioned. And all this was a symbola symbol that certainly applies to what Sri Aurobindo has written here1 regarding the necessity for the transformation of the body, the type of transformation that has to take place for life to become a divine life.
   It went something like this: somewhere, in the center of this enormous edifice, there was a room reservedas it seemed in the story for a mother and her daughter. The mother was a lady, an elderly lady, a very influential matron who had a great deal of authority and her own views concerning the entire organization. Her daughter seemed to have a power of movement and activity enabling her to be everywhere at once while at the same time remaining in her room, which was well, a bit more than a roomit was a kind of apartment which, above all, had the characteristic of being very central. But she was constantly arguing with her mother. The mother wanted to keep things just as they were, with their usual rhythm, which precisely meant the habit of tearing down one thing to rebuild another, then again tearing down that to build still another, thus giving the building an appearance of frightful confusion. But the daughter did not like this, and she had another plan. Most of all, she wanted to bring something completely new into the organization: a kind of super-organization that would render all this confusion unnecessary. Finally, as it was impossible for them to reach an understanding, the daughter left the room to go on a kind of general inspection She went out, looked everything over, and then wanted to return to her room to decide upon some final measures. But this is where something rather peculiar began happening.
   She clearly remembered where her room was, but each time she set out to go there, either the staircase disappeared or things were so changed that she could no longer find her way! So she went here and there, up and down, searched, went in and out but it was impossible to find the way to her room! Since all of this assumed a physical appearanceas I said, a very familiar and very common appearance, as is always the case in these symbolic visions there was somewhere (how shall I put it?) the hotels administrative office and a woman who seemed to be the manager, who had all the keys and who knew where everyone was staying. So the daughter went to this person and asked her, Could you show me the way to my room?But of course! Easily! Everyone around the manager looked at her as if to say, How can you say that? However, she got up, and with authority asked for a key the key to the daughters roomsaying, I shall take you there. And off she went along all kinds of paths, but all so complicated, so bizarre! The daughter was following along behind her very attentively, you see, so as not to lose sight of her. But just as they should have come to the place where the daughters room was supposed to be, suddenly the manageress (let us call her the manageress), both the manageress and her key vanished! And the sense of this vanishing was so acute that at the same time, everything vanished!
   So to help you understand this enigma, let me tell you that the mother is physical Nature as she is, and the daughter is the new creation. The manageress is the worlds organizing mental consciousness as Nature has developed it thus far, that is, the most advanced organizing sense to have manifested in the present state of material Nature. This is the key to the vision.
  --
   It is certainly not an arbitrary construction of the type built by men, where everything is put pell-mell, without any order, without reality, and which is held together by only illusory ties. Here, these ties were symbolized by the hotels walls, while actually in ordinary human constructions (if we take a religious community, for example), they are symbolized by the building of a monastery, an identity of clothing, an identity of activities, an identity even of movementor to put it more precisely: everyone wears the same uniform, everyone gets up at the same time, everyone eats the same thing, everyone says his prayers together, etc.; there is an overall identity. But naturally, on the inside there remains the chaos of many disparate consciousnesses, each one following its own mode, for this kind of group identification, which extends right up to an identity of beliefs and dogma, is absolutely illusory.
   Yet it is one of the most common types of human collectivityto group together, band together, unite around a common ideal, a common action, a common realization but in an absolutely artificial way. In contrast to this, Sri Aurobindo tells us that a true communitywhat he terms a gnostic or supramental communitycan be based only upon the INNER REALIZATION of each one of its members, each realizing his real, concrete oneness and identity with all the other members of the community; that is, each one should not feel himself a member connected to all the others in an arbitrary way, but that all are one within himself. For each one, the others should be as much himself as his own bodynot in a mental and artificial way, but through a fact of consciousness, by an inner realization.
  --
   So, the best way to use these meditations (and they are going to increase, since we are now also going to replace the distributions with short meditations) is to go deep within yourselves, as far as you can, and find the place where you can feel, perceive and perhaps even create an atmosphere of oneness wherein a force of order and organization can put each element in its true place, and out of the chaos existing at this hour, make a new, harmonious world surge forth.
   The Supramental Manifestation, (Cent. Ed. XVI, pp. 33-36.)

0 1957-07-18, #Agenda Vol 01, #unset, #Zen
   I have just received a letter from my friends in charge of the French Ar chaeological Expedition to Afghanistan. They need someone to assist them on their next field excavations (August 15 December 15) and have offered to take me if I wish to join them.
   If I must have some new experience outside, this one has the advantage of being short-termed and not far away from India, and it is also in an interesting milieu. The only disadvantage is that I would have to pay for the trip as far as Kabul. But I dont want to do anything that displeases you or of which you do not really approve. In the event you might feel this to be a worthwhile experience, I would have to leave by the beginning of August.

0 1957-10-17, #Agenda Vol 01, #unset, #Zen
   During the flu epidemic, for example, I spent every day in the midst of people who were germ carriers. And one day, I clearly felt that the body had decided not to catch this flu. It asserted its autonomy. You see, it was not a question of the higher Will deciding, no. It didnt take place in the highest consciousness: the body itself decided. When you are way above in your consciousness, you see things, you know things; but in actual fact, once you descend again into matter, it is like water running through sand. In this respect, things have changed, the body has a DIRECT power, independent of any outer intervention. Even though it is barely visible, I consider this to be a very important result.
   And this new vibration in the body has allowed me to understand the me chanism of the transformation. It is not something that comes from a higher Will, not a higher consciousness that imposes itself upon the body: it is the body itself awakening in its cells, a freedom of the cells themselves, an absolutely new vibration that sets disorders righteven disorders that existed prior to the supramental manifestation.

0 1958-01-01, #Agenda Vol 01, #unset, #Zen
   I have one thing to add: we must not misinterpret the meaning of this experience and imagine that henceforth everything will take place without difficulties or always in accordance with our personal desires. It is not at this level. It does not mean that when we do not want it to rain, it will not rain! Or when we want some event to take place in the world, it will immediately take place, or that all difficulties will be abolished and everything will be like a fairy tale. It is not like that. It is something more profound. Nature has accepted into her play of forces the newly manifested Force and has included it in her movements. But as always, the movements of Nature take place on a scale infinitely surpassing the human scale and invisible to the ordinary human consciousness. It is more of an inner, psychological possibility that has been born in the world than a spectacular change in earthly events.
   I mention this because you might be tempted to believe that fairy tales are going to be realized upon earth. The time has not yet come.

0 1958-01-25, #Agenda Vol 01, #unset, #Zen
   It is quite evident that for some reason or otheror perhaps for no reason at all the Supreme has changed His mind about it.
   ***

0 1958-02-03b - The Supramental Ship, #Agenda Vol 01, #unset, #Zen
   This immense ship had just arrived at the shore of the supramental world, and a first batch of people destined to become the future inhabitants of the supramental world were about to disembark. Everything was arranged for this first landing. A certain number of very tall beings were posted on the wharf. They were not human beings and never before had they been men. Nor were they permanent inhabitants of the supramental world. They had been delegated from above and posted there to control and supervise the landing. I was in charge of all this since the beginning and throughout. I myself had prepared all the groups. I was standing on the bridge of the ship, calling the groups forward one by one and having them disembark on the shore. The tall beings posted there seemed to be reviewing those who were disembarking, allowing those who were ready to go ashore and sending back those who were not and who had to continue their training aboard the ship. While standing there watching everyone, that part of my consciousness coming from here became extremely interested: it wanted to see, to identify all the people, to see how they had changed and to find out who had been taken immediately as well as those who had to remain and continue their training. After awhile, as I was observing, I began to feel pulled backwards and that my body was being awakened by a consciousness or a person from here1and in my consciousness, I protested: No, no, not yet! Not yet! I want to see whos there! I was watching all this and noting it with intense interest It went on like that until, suddenly, the clock here began striking three, which violently jerked me back. There was the sensation of a sudden fall into my body. I came back with a shock, but since I had been called back very suddenly, all my memory was still intact. I remained quiet and still until I could bring back the whole experience and preserve it.
   The nature of objects on this ship was not that which we know upon earth; for example, the clothes were not made of cloth, and this thing that resembled cloth was not manufacturedit was a part of the body, made of the same substance that took on different forms. It had a kind of plasticity. When a change had to be made, it was done not by artificial and outer means but by an inner working, by a working of the consciousness that gave the substance its form or appearance. Life created its own forms. There was ONE SINGLE substance in all things; it changed the nature of its vibration according to the needs or uses.
   Those who were sent back for more training were not of a uniform color; their bodies seemed to have patches of a grayish opacity, a substance resembling the earth substance. They were dull, as though they had not been wholly permeated by the light or wholly transformed. They were not like this all over, but in places.
  --
   When I came back, along with the memory of the experience, I knew that the supramental world was permanent, that my presence there is permanent, and that only a missing link is needed to allow the consciousness and the substance to connectand it is this link that is being built. At that time, my impression (an impression which remained rather long, almost the whole day) was of an extreme relativityno, not exactly that, but an impression that the relationship between this world and the other completely changes the criterion by which things are to be evaluated or judged. This criterion had nothing mental about it, and it gave the strange inner feeling that so many things we consider good or bad are not really so. It was very clear that everything depended upon the capacity of things and upon their ability to express the supramental world or be in relationship with it. It was so completely different, at times even so opposite to our ordinary way of looking at things! I recall one little thing that we usually consider bad actually how funny it was to see that it is something excellent! And other things that we consider important were really quite unimportant there! Whether it was like this or like that made no difference. What is very obvious is that our appreciation of what is divine or not divine is incorrect. I even laughed at certain things Our usual feeling about what is anti-divine seems artificial, based upon something untrue, unliving (besides, what we call life here appeared lifeless in comparison with that world); in any event, this feeling should be based upon our relationship between the two worlds and according to whether things make this relationship easier or more difficult. This would thus completely change our evaluation of what brings us nearer to the Divine or what takes us away from Him. With people, too, I saw that what helps them or prevents them from becoming supramental is very different from what our ordinary moral notions imagine. I felt just how ridiculous we are.
   (Then Mother speaks to the children)
  --
   In ordinary life, EVERYTHING is artificial. Depending upon the chance of your birth or circumstances, you have a more or less high position or a more or less comfortable life, not because it is the spontaneous, natural and sincere expression of your way of being and of your inner need, but because the fortuity of lifes circumstances has placed you in contact with these things. An absolutely worthless man may be in a very high position, and a man who might have marvelous capacities of creation and organization may find himself toiling in a quite limited and inferior position, whereas he would be a wholly useful individual if the world were sincere.
   It is this artificiality, this insincerity, this complete lack of truth that appeared so shocking to me that one wonders how, in a world as false as this one, we can arrive at any truthful evaluation of things.

0 1958-02-15, #Agenda Vol 01, #unset, #Zen
   Last night, I had the vision of what this supramental world could become if men were not sufficiently prepared. The confusion existing at present upon earth is nothing in comparison to what could take place. Imagine that every powerful will has the power to transform matter as it likes! If the sense of collective oneness did not grow in proportion to the development of power, the resulting conflict would be yet more acute and chaotic than our material conflicts.
   ***

0 1958-04-03, #Agenda Vol 01, #unset, #Zen
   I was waiting for things to be well established in me before writing you again. An important change has occurred: it seems that something in me has clickedwhat Sri Aurobindo calls the central will, perhapsand I am living literally in the obsession of divine realization. This is what I want, nothing else, it is the only goal in life, and at last I have understood (not with the head) that the outer realization in the world will be the consequence of the inner realization. So thousands of times a day, I repeat, Mother, I want to be your instrument, ever more conscious, I want to express your truth, your light. I want to be what you want, as you want, when you want. There is in me now a kind of need for perfection, a will to abolish this ego, a real understanding that to become your instrument means at the same time to find the perfect plenitude of ones personality. So I am living in an almost constant state of aspiration, I feel your force constantly, or nearly so, and if I am distracted a few minutes, I experience a void, an uneasiness that calls me back to you.
   And at the same time, I saw that it is you who is doing everything, you who aspires in me, you who wants the progress, and that all I myself am in this affair is a screen, a resisting obstacle. O Mother, break this screen that I may be wholly transparent before you, that your transforming force may purify all the secret recesses in my being, that nothing may remain but you and you alone. O Mother, may all my being be a living expression of your light, your truth.
  --
   We are still in Kataragama, and we shall only go up to northern Ceylon, to Jaffna, around the 15th, then return to India towards the beginning of May if the visa problems are settled. Only in India, at the temple of Rameswaram, can I receive the orange robe. I am living here as a sannyasi, but dressed in white, like a Hindu. It is a stark life, nothing more. I have seen however, that truth does not lie in starkness but in a change of consciousness. (Desire always finds a means to entrench itself in very small details and in very petty and stupid, though well-rooted, avidities.)
   Mother, I am seeing all the mean pettiness that obstructs your divine work. Destroy my smallness and take me unto you. May I be sincere, integrally sincere.

0 1958-05-10, #Agenda Vol 01, #unset, #Zen
   And the proof I have the proof because I experienced it myselfis that from the minute you are in the other consciousness, the true consciousness, all these things which appear so real, so concrete, change INSTANTLY. There are a number of things, certain material conditions of my bodymaterial that changed instantly. It did not last long enough for everything to change, but some things changed and never returned, they remained changed. In other words, if that consciousness were kept constantly, it would be a perpetual miracle (what we would call a miracle from our ordinary point of view), a fantastic and perpetual miracle! But from the supramental point of view, it would not be a miracle at all, it would be the most normal of things.
   Therefore, if we do not want to oppose the supramental action by an obscure, inert and obstinate resistance, we have to admit once and for all that none of these things should be legitimized.

0 1958-05-11 - the ship that said OM, #Agenda Vol 01, #unset, #Zen
   During an Indian film on Dhruva in which this manna was chanted for a long time. This film was shown at the Ashram Playground on April 29, 1958.
   In the same film.

0 1958-06-06 - Supramental Ship, #Agenda Vol 01, #unset, #Zen
   It was represented by a kind of image in which I was as vast as the Universe, and each way of approaching the Divine was like a tiny image containing the characteristic form of this approach. And my impression was this: Why do people always limit, limit themselves? Narrow, narrow, narrow! They understand only when it is narrow.
   Take all! Take all within you. And then you will begin to understandyou will begin.
  --
   It was in 1910 that I had this sort of reversal of consciousness about which I spoke the other evening that is, the first contact with the higher Divine and it completely changed my life.
   From that moment on, I was conscious that all one does is the expression of the indwelling Divine Will. But it is the Divine Will AT THE VERY CENTER of oneself, although for a while there remained an activity in the physical mind. But this was stilled two or three days after I saw Sri Aurobindo for the first time in 1914, and it never started up again. Silence settled. And the consciousness was established above the head.
  --
   As for the latest experience,1 I cant say for sure that no one has ever had it, because someone like Ramakrishna, individuals like that, could have had it. But I am not sure, for when I had this experience (not of the divine Presence, which I had already felt in the cells for a long time, but the experience that the Divine ALONE is acting in the body, that He has BECOME the body, yet all the while retaining his character of divine omniscience and omnipotence) well, the whole time it remained actively like that, it was absolutely impossible to have the LEAST disorder in the body, and not only in the body, but IN ALL THE SURROUNDING MATTER. It was as if every object obeyed without even needing to decide to obey: it was automatic. There was a divine harmony in EVERYTHING (it took place in my bathroom upstairs, certainly to demonstrate that it exists in the most trivial things), in everything, constantly. So if that is established in a permanent way, there CAN NO LONGER be illness it is impossible. There can no longer be accidents, there can no longer be illness, there can no longer be disorders, and everything should harmonize (probably in a progressive way) just as that was harmonized: all the objects in the bathroom were full of a joyful enthusiasmeverything obeyed, everything!
   As it was the first experience, it started to fade slightly when I began having contact with people; but I really had the feeling that it was a first experience, new upon earth. For I have experienced an absolute identity of the will with the divine Will ever since 1910, it has never left me. It isnt that, its SOMETHING ELSE. It is MATTER BECOMING THE DIVINE. And it really came with the feeling that this thing was happening for the first time upon earth. It is difficult to say for sure, but Ramakrishna died of cancer, and now that I have had the experience, I know in an ABSOLUTE way that this is impossible. If he had decided to go because the Divine wanted him to go, it would have been an orderly departure, in total harmony and with a total will, whereas this illness is a means of disorder.
  --
   It is truly a state of absolute omniscience and omnipotence in the body which changes all the vibrations around it.
   It is likely that the greatest resistance will be in the most conscious beings due to a lack of mental receptivity, due to the mind itself which wants things to continue (as Sri Aurobindo has written) according to its own mode of ignorance. So-called inert matter is much more easily responsive, much moreit does not resist. And I am convinced that among plants, for example, or among animals, the response will be much quicker than among men. It will be more difficult to act upon a very organized mind; beings who live in an entirely crystallized, organized mental consciousness are as hard as stone! It resists. According to my experience, what is unconscious will certainly follow more easily. It was a delight to see the water from the tap, the mouthwash in the bottle, the glass, the spongeit all had such an air of joy and consent! There is much less ego, you see, it is not a conscious ego.

0 1958-07-02, #Agenda Vol 01, #unset, #Zen
   Ramdas1 must be a continuation of the line of chaitanya, Ramakrishna, etc .
   (silence)
  --
   In The Synthesis of Yoga, Sri Aurobindo says that this idea of good and bad, of pure and impure, is a notion needed for action; but the purists, such as chaitanya, Ramakrishna and others, do not agree. They do not agree that it is indispensable for action. They simply say: your acceptance of action as a necessary thing is contrary to your perception of the Divine in all things.
   How can the two be reconciled?
  --
   No, but I know all these people, I know them thoroughly! I know chaitanya, Ramakrishna and Ramdas thoroughly. They are utterly familiar to me. It doesnt bother them. These are people who live with a certain feeling, who have an entirely concrete experience and live in this experience, but they dont care at all if their formation they have not even crystallized it, they leave it like that, vaguecontains things that are mutually contradictory, because, in appearance, they reconcile them. They do not raise any questions, they do not have the need for an absolutely clear vision; their feeling is absolutely clear, and thats enough for them. Ramakrishna was like that; he said the most contradictory things without being bothered in the least, and they are all exactly and equally true.
   But this crystal clear vision Sri Aurobindo had, where everything is in its place, where contradictions no longer existthey never soared to that height. This was the thing, this really crystalline, perfect supramental vision, even from the standpoint of understanding and knowledge. They never went that far.

0 1958-07-06, #Agenda Vol 01, #unset, #Zen
   And it is always like that. I never ask for anything, but if by chance I say to myself, Hmm, wouldnt it be nice to have that, mountains of them pour in! So last year, I made an experiment, I told Nature, Listen, my little one, you say that you will collaborate, you told me I would never lack anything. Well then, to put it on a level of feelings, it would really be fun, it would give me joy (in the style of Krishnas joy), to have A LOT of money to do everything I feel like doing. Its not that I want to increase things for myself, no; you give me more than I need. But to have some fun, to be able to give freely, to do things freely, to spend freely I am asking you to give me a crore of rupees1 for my birthday!
   She didnt do a thing! Nothing, absolutely nothing: a complete refusal. Did she refuse or was she unable to? It may be that I always saw that money was under the control of an asuric force. (I am speaking of currency, cash; I dont want to do business. When I try to do business, it generally succeeds very well, but I dont mean that. I am speaking of cash.) I never asked her that question.
  --
   But yesterday, in fact, I was looking (with all these mantras and these prayers and this whole vibration that has descended into the atmosphere, creating a state of constant calling in the atmosphere), and I remembered the old movements and how everything now has changed! I was also thinking of the old disciplines, one of which is to say, I am That.7 People were told to sit in meditation and repeat, I am That, to reach an identification. And it all seemed to me so obsolete, so childish, but at the same time a part of the whole. I looked, and it seemed so absurd to sit in meditation and say, I am That! I, what is this I who is That; what is this I, where is it? I was trying to find it, and I saw a tiny, microscopic point (to see it would almost require some gigantic instrument), a tiny, obscure point in an im-men-sity of Light, and that little point was the body. At the same timeit was absolutely simultaneous I saw the Presence of the Supreme as a very, very, very, VERY immense Being, within which was I in an attitude of (I was only a sensation, you see), an attitude (gesture of surrender) like this. There were no limits, yet at the same time, one felt the joy of being permeated, enveloped and of being able to widen, widen, widen indefinitelyto widen the whole being, from the highest consciousness to the most material consciousness. And then, at the same time, to look at this body and to see every cell, every atom vibrating with a divine, radiant Presence with all its Consciousness, all its Power, all its Will, all its Loveall, all, really and a joy! An extraordinary joy. And one did not disturb the other, nothing was contradictory and everything was felt at the same time. That was when I said, But truly! This body had to have the training it has had for more than seventy years to be able to bear all that without starting to cry out or dance or leap up or whatever it might be! No, it was calm (it was exultant, but it was very calm), and it remained in control of its movements and its words. In spite of the fact that it was really living in another world, it could apparently act normal due to this strenuous training in self-control by the REASONby the reasonover the whole being, which has tamed it and given it such a great cohesive power that I can BE in the experience, I can LIVE this experience, and at the same time respond with the most amiable of smiles to the most idiotic questions!
   And then, it always ends in the same way, by a canticle to the action of the grace: O, Lord! You are truly marvelous! All the experiences I have needed to pass through You have given to me, all the things I needed to do to make this body ready You have made me do, and always with the feeling that it was You who was making me do itand with the universal disapproval of all the right-minded humanity!

0 1958-07-21, #Agenda Vol 01, #unset, #Zen
   Human beings dont know how to keep energy. When something happensan accident or an illness, for example and they ask for help, a double or a triple dose of energy is sent. If they happen to be receptive, they receive it. This energy is given for two reasons: to restore order out of the disorder caused by the accident or illness, and to impart a transformative force to repair or change the source of the illness or accident.
   But instead of using the energy in this way, they immediately throw it out. They start stirring about, reacting, working, speaking They feel full of energy and they throw it all out! They cant keep anything. So naturally, since the energy was not sent to be wasted like that but for an inner use, they feel absolutely flat, run down. And it is universal. They dont know, they do not know how to make this movementto turn within, to use the energy (not to keep it, it doesnt keep), to use it to repair the damage done to the body and to go deeply within to find the reason for this accident or illness, and there to change it by an aspiration, an inner transformation. Instead of that, right away they start speaking, stirring about, reacting, doing this or that!
   In fact, the immense majority of human beings feel they are living only when they waste their energy. Otherwise, it does not seem to them to be life.

0 1958-07-23, #Agenda Vol 01, #unset, #Zen
   But the Supreme Lord answers that the comedy is not entirely played out, and He adds: Wait for the last act; undoubtedly you will change your mind.
   ***

0 1958-08-07, #Agenda Vol 01, #unset, #Zen
   Last night, I had many dreams (not really dreams, but ); I used to find them very interesting because they gave me certain indications, all kinds of things, but when I saw it all now, I said to myself, Good Lord! What a waste of time! Instead, I could be living in a supramental consciousness and seeing things. So during the night, I made a resolution to change all this too. My nights have to change. I am already changing my days; now my nights have to change. But then all this subconscious in Matter, all this, it all has to change! Theres no choice, it has to be seen to.
   Once you set to this work, it is such a formidable task! But what can I do?

0 1958-08-09, #Agenda Vol 01, #unset, #Zen
   Anusuya: wife of the rishi Atri and endowed with a great inner force. In her husband's absence, three gods came (Brahma, Vishnu and Shiva) disguised as brahmins and asked her for something to eat. Then they refused to eat unless she served them naked. Since they were brahmins, she could not send them away without feeding them, so by her inner power, she changed them into babies and served them naked. This film was shown at the Ashram Playground on August 5, 1958.
   ***

0 1958-09-16 - OM NAMO BHAGAVATEH, #Agenda Vol 01, #unset, #Zen
   And it has such a transformative power! I felt that if it continued, something would happen, something like a change in the equilibrium of the bodys cells.
   Unfortunately, I was unable to continue, because I dont have the time; it was just before the balcony darshan and I was going to be late. Something told me, That is for people who have nothing to do. Then I said, I belong to my work, and I slowly withdrew. I put on the brakes, and the action was cut short. But what remains is that whenever I repeat this mantra everything starts vibrating.
  --
   The physical seems to be more open to something that is repetitious for example, the music we play on Sundays, which has three series of combined mantras. The first is that of chandi, addressed to the universal Mother:
   Ya devi sarvabhuteshu matrirupena sansthita

0 1958-10-04, #Agenda Vol 01, #unset, #Zen
   There is an interdependence between the individual progress and the collective progress, between that which works and that which is worked upon. It proceeds like this (gesture of intermeshing), and as one progresses, the other progresses. The progress above not only hastens the progress below but brings the two nearer together, thus changing the distance in the relationship; that is, the distance will not remain the same, the ratio between the progress here and the progress above wont always be identical.
   The progress above follows a certain trajectory, and in some cases the distance increases, in others it decreases (although on the whole, the distance remains relatively un changed), but my feeling is that the collective receptivity will increase as the action becomes increasingly supramentalized. And the need for an individual receptivitywith all its distortions and alterations and limitationswill decrease in importance as the supramental influence increasingly imposes its power. This influence will impose itself in such a way that it will no longer be subject to the defects in receptivity.
  --
   But how many people know how to use it in this way? Very few, which is why they have to be taught. What I call teach is to show, to give the example. We want to be the example of true living in the world. Its a challenge I am placing before the whole financial world: I am telling them that they are in the process of withering and ruining the earth with their idiotic system; and with even less than they are now spending for useless thingsmerely for inflating something that has no inherent life, that should be only an instrument at the service of life, that has no reality in itself, that is only a means and not an end (they make an end of something that is only a means)well then, instead of making of it an end, they should make it the means. With what they have at their disposal they could oh, transform the earth so quickly! Transform it, put it into contact, truly into contact, with the supramental forces that would make life bountiful and, indeed, constantly renewedinstead of becoming withered, stagnant, shrivelled up: a future moon. A dead moon.
   We are told that in a few millions or billions of years, the earth will become some kind of moon. The movement should be the opposite: the earth should become more and more a resplendent sun, but a sun of life. Not a sun that burns, but a sun that illuminesa radiant glory.

0 1958-11-04 - Myths are True and Gods exist - mental formation and occult faculties - exteriorization - work in dreams, #Agenda Vol 01, #unset, #Zen
   The gods of the Puranas are merciless gods who respect only power and have nothing of the true love, charity or profound goodness that the Divine has put into the human consciousness and which compensate psychically for all the outer defects. They themselves have nothing of this, they have no psychic.1 The Puranic gods have no psychic, so they act according to their power. They are restrained only when their power is not all-powerful, thats all.
   But what does Anusuya represent?2
  --
   The story narrated in the film went like this: Narada, as usual, was having fun. (Narada is a demigod with a divine position that is, he can communicate with man and with the gods as he pleases, and he serves as an intermediary, but then he likes to have fun!) So he was quarrelling with one of the goddesses, I no longer recall which one, and he told her (Ah, yes! The quarrel was with Saraswati.) Saraswati was telling him that knowledge is much greater than love (much greater in that it is much more powerful than love), and he replied to her, You dont know what youre talking about! (Mother laughs) Love is much more powerful than knowledge. So she challenged him, saying, Well then, prove it to me.I shall prove it to you, he replied. And the whole story starts there. He began creating a whole imbroglio on earth just to prove his point.
   It was only a film story, but anyway, the goddesses, the three wives of the Trimurti that is, the consort of Brahma, the consort of Vishnu and the consort of Shivajoined forces (!) and tried all kinds of things to foil Narada. I no longer recall the details of the story Oh yes, the story begins like this: one of the three I believe it was Shivas consort, Parvati (she was the worst one, by the way!)was doing her puja. Shiva was in meditation, and she began doing her puja in front of him; she was using an oil lamp for the puja, and the lamp fell down and burned her foot. She cried out because she had burned her foot. So Shiva at once came out of his meditation and said to her, What is it, Devi? (laughter) She answered, I burned my foot! Then Narada said, Arent you ashamed of what you have done?to make Shiva come out of his meditation simply because you have a little burn on your foot, which cannot even hurt you since you are immortal! She became furious and snapped at him, Show me that it can be otherwise! Narada replied, I am going to show you what it is to really love ones husbandyou dont know anything about it!
  --
   There is the whole chaldean tradition, and there is also the Vedic tradition, and there was very certainly a tradition anterior to both that split into two branches. Well, all these occult experiences have been the same. Only the description differs depending upon the country and the language. The story of creation is not told from a metaphysical or psychological point of view, but from an objective point of view, and this story is as real as our stories of historical periods. Of course, its not the only way of seeing, but it is just as legitimate a way as the others, and in any event, it recognizes the concrete reality of all these divine beings. Even now, the experiences of Western occultists and those of Eastern occultists exhibit great similarities. The only difference is in the way they are expressed, but the manipulation of the forces is the same.
   I learned all this through Theon. Probably, he was I dont know if he was Russian or Polish (a Russian or Polish Jew), he never said who he really was or where he was born, nor his age nor anything.
  --
   So very probably there was a tradition anterior to both. I have recollections (for me, these are always things I have LIVED), very clear, very distinct recollections of a time that was certainly VERY anterior to the Vedic times and to the Cabala, to the chaldean tradition.
   But now, there is only a very small number of people in the West who know that it isnt merely subjective or imaginative (the result of a more or less unbridled imagination), and that it corresponds to a universal truth.
   All these regions, all these realms are filled with beings who exist separately in their own realms, and if you are awake and conscious on a given plane for example, if while going out of a more material body you awaken on some higher planeyou can have the same relationship with the things and people of that plane as with the things and people of the material world. In other words, there exists an entirely objective relationship that has nothing to do with your own idea of things. Naturally, the resemblance becomes greater and greater as you draw nearer the physical world, the material world, and there is even a moment when one region can act directly upon the other. In any case, in what Sri Aurobindo calls the kingdoms of the overmind, you find a concrete reality entirely independent of your personal experience; whenever you come back to it, you again find the same things, with some differences that may have occurred DURING YOUR ABSENCE. And your relationships with the beings there are identical to those you have with physical beings, except that they are more flexible, more supple and more direct (for example, there is a capacity to change the outer form, the visible form, according to your inner state), but you can make an appointment with someone, come to the meeting and again find the same being, with only certain differences that may have occurred during your absence but it is absolutely concrete, with absolutely concrete results.
   However, you must have at least a little experience of these things to understand them. Otherwise, if you are convinced that all this is just human fancy or mental formations, if you believe that these gods have such and such a form because men have imagined them to be like that, or that they have such and such defects or qualities because men have envisioned it that wayas with all those who say God is created in the image of man and exists only in human thoughtall such people wont understand, it will seem absolutely ridiculous to them, a kind of madness. You must live a little, touch the subject a little to know how concrete it is.

0 1958-11-08, #Agenda Vol 01, #unset, #Zen
   I found my message for the 1st of January It was quite unforeseen. Yesterday morning, I thought, All the same, I have to find my message, but what? I was absolutely like that, neutral, nothing. Then yesterday evening at the class (of Friday, November 7) I noticed that these children who had had a whole week to prepare their questions on the text had not found a single one! A terrible lethargy! A total lack of interest. And when I had finished speaking, I thought to myself, But what IS there in these people who are interested in nothing but their personal little affairs? So I began descending into their mental atmosphere, in search of the little light, of that which responds And it literally pulled me downwards as into a hole, but in such a material way; my hand, which was on the arm of the chair, began slipping down, my other hand went like this (to the ground), my head, too! I thought it was going to touch my knees!
   And I had the impression It was not an impression I saw it. I was descending into a crevasse between two steep rocks, rocks that appeared to be made of something harder than basalt, BLACK, but metallic at the same time, with such sharp edgesit seemed that a mere touch would lacerate you. It appeared endless and bottomless, and it kept getting narrower, narrower and narrower, narrower and narrower, like a funnel, so narrow that there was almost no more roomnot even for the consciousness to pass through. And the bottom was invisible, a black hole. And it went down, down, down, like that, without air, without light, except for a sort of glimmer that enabled me to make out the rock edges. They seemed to be cut so steeply, so sharply Finally, when my head began touching my knees, I asked myself, But what is there at the bottom of this this hole?
  --
   And so, physically, the body followed. My body has been taught to express the inner experience to a certain extent. In the body there is the body-force or the body-form or the body-spirit (according to the different schools, it bears a different name), and this is what leaves the body last when one dies, usually taking a period of seven days to leave.2 With special training, it can acquire a conscious lifeindependent and consciousto such a degree that not only in a state of trance (in trance, it frequently happens that one can speak and move if one is slightly trained or educated), but even in a cataleptic state it can produce sounds and even make the body move. Thus, through training, the body begins to have somnambulistic capacitiesnot an ordinary somnambulism, but it can live an autonomous life.3 This is what took place, yesterday evening it was like that I had gone out of my body, but my body was participating. And then I was pulled downwards: my hand, which had been on the arm of the chair, slipped down, then the other hand, then my head was almost touching my knees! (The consciousness was elsewhere, I saw it from outsideit was not that I didnt know what I was doing, I saw it from outside.) So I said, In any case, this has to stop somewhere because if it continues, my head (laughing) is going to be on the ground! And I thought, But what is there at the bottom of this hole?
   Scarcely had these words been formulated when there I was, at the bottom of the hole! And it was absolutely as if a tremendous, almighty spring were there, and then (Mother hits the table) vrrrm! I was cast out of the abyss into a vastness. My body immediately sat straight up, head on high, following the movement. If someone had been watching, this is what he would have seen: in a single bound, vrrrm! Straight up, to the maximum, my head on high.

0 1958-11-11, #Agenda Vol 01, #unset, #Zen
   (Mother arrives with a new change in her message for January 1, 1959: instead of 'an almighty spring that cast me up forthwith into a formless, limitless Vast, generator of the new world,' Mother puts 'a formless, limitless Vast vibrating with the seeds of a new world')
   The objectification of the experience came progressively, as always happens to me. When I have the experience, I am absolutely blank, like a newborn baby to whom things come just like that. I dont know what is happening, and I expect nothing. How much time it has taken me to learn this!
  --
   Because the starting point, precisely, was to look into the mental unconsciousness of these people. It was the mental Inconscient. Well, the mental Inconscient REFUSES to changewhich is not true of the other one; the other is nothing, it doesnt exist, it is not organized in any way, it has no way of being, whereas this one is an ORGANIZED Inconscientorganized by a beginning mental influence. A hundred times worse!
   This is a very interesting point to note.
   It is not the experience, which I had once before, of the original Inconscient. The experience I had this time is of the Inconscient that has undergone the influence of the Mind in creation. It has become It has become a FAR greater obstacle than before. Before, it did not even have the power to resist, it had nothing, it was truly unconscious. Now it is an Inconscient organized in its refusal to change!
   It was a very new experience.

0 1958-11-15, #Agenda Vol 01, #unset, #Zen
   The quality of the consciousness itself seems to change. It is not something higher than the summit we can attain here, it is not one MORE rung, not that. Here, we have reached the end, the summit, but its the quality that is different. The quality, in the sense that a fullness, a richness, a power is there (this is a translation, you see, in our way), but there is a something that that eludes us. It is truly a new reversal of consciousness.
   When we begin living the spiritual life, a reversal of consciousness takes place which for us is the proof that we have entered the spiritual life; well, yet another occurs when we enter the supramental world.

0 1958-11-27 - Intermediaries and Immediacy, #Agenda Vol 01, #unset, #Zen
   And when I studied this, when I looked at this science of processes, of intermediaries, suddenly I clearly understood the working of karma, which I had not understood before. I had worked and intervened quite often to change someones karma, but sometimes I had to wait, without exactly knowing why the result was not immediate. I simply used to wait without worrying about the reasons for this slowness or delay. Thats how it was. And generally it ended, as I said, with the exact vision of the karmas source, its initial cause; and scarcely would I have this vision when the Power would come, and the thing would be dissolved. But I didnt bother about finding out why it was like that.
   One day I had mentioned this to X1 when he was showing me or describing to me the different movements of the pujas, the procedure, the process of the puja. I said to him, Oh, I see! For the action to be immediate, for the result to be immediate, one must acknowledge, for example, the role or the participation of certain spirits or certain forces and enter into a friendly relationship or collaboration with these forces in order to obtain an immediate result, is it not so? Then he told me, Yes, otherwise it leaves an indefinite time to the play of the forces, and you dont know when you will get the result of your puja.
  --
   It remains to be seen if all this has first to be mastered before there is even the possibility of holding the Supramental, of FIXING it in the manifestation. That is the great difference. For example, those with the power to materialize forces or beings lack the capacity to fix them, for these are fluid things which act and are then dissolved. That is the difference with the physical world where it is this condensation of energy that makes things (Mother strikes the arms of her chair) stable. All the things in the extraphysical realms are not stable, they are fluidfluid and consequently uncertain.3
   The disciple's tantric guru.

0 1958-12-04, #Agenda Vol 01, #unset, #Zen
   Mother, I have made many mistakes, I have often been rebellious and fallen into many holes. Help me to pick myself up, give me nonetheless a little of your Love. This has to change.
   I do not want to remain in Hyderabad. This is not the atmosphere I need, although everything is very quiet here.
  --
   Otherwise, if you consider it preferable to wait, I could go join Swami in Rameswaram, discarding all my little personal reactions towards him. And I would try my best to find again the Light of the first time and return to you stronger. I dont know. I will do what you say. All this really has to change. I dont know, moreover, whether Swami wishes to have me.
   Mother, I need you, I need you. Forgive me and tell me what I should do.

0 1958-12-15 - tantric mantra - 125,000, #Agenda Vol 01, #unset, #Zen
   I clearly see that the hour has come: either I will perish right here, or else I will emerge from this COMPLETELY changed. But something has to change. Mother, you are with me, I know, and you are protecting me, you love me I have only you, only you, you are my Mother. If these moments of utter darkness return and they are bound to return for everything to be exorcised and conqueredprotect me in spite of myself. Mother, may your Grace not abandon me. I want to be done with all these old phantoms, I want to be born anew in your Light; it has to beotherwise I can no longer go on.
   Mother, I believe I understand something of all that you yourself are suffering, and the crucifixion of the Divine in Matter is a real crucifixion. In this moment of consciousness, I offer you all my trials and little sufferings. I would like to triumph so that it be your triumph, one weight less upon your heart.

0 1958-12-24, #Agenda Vol 01, #unset, #Zen
   Your last letter was a great comfort to me. If you were not there, with me, everything would be so absurd and impossible. I am again disturbing you because Swami tells me that you are worried and that I should write to you. Not much has changed, except that I am holding on and am confident. Yesterday, I again suffered an agonizing wave, in the temple, and I found just enough strength to repeat your name with each beat of my heart, like someone drowning. I remained as motionless as a pillar of stone before the sanctuary, with only your name (my mantra would not come out), then it cleared. It was brutal. I am confident that with each wave I am gaining in strength, and I know you are there. But I am aware that if the enemy is so violent it is because something in me responds, or has responded, something that has not made its surrender that is the critical point. Mother, may your grace help me to place everything in your hands, everything, without any shadow. I want so much to emerge into the Light, to be rid of all this once and for all.
   I am following Swamis instructions to the letter. Sometimes it all seems to lack warmth and spontaneity, but I am holding on. I might add that we are living right next to the bazaar, amidst a great racket 20 hours a day, which does not make things easier. So I repeat my mantra as one pounds his fists against the walls of a prison. Sometimes it opens a little, you send me a little joy, and then everything becomes better again.

0 1958-12-28, #Agenda Vol 01, #unset, #Zen
   It seems to me that everything has changed since I have understood that it is not a personal battle, and that I can serve. Your grace is everywhere, everywhere.
   ***
  --
   I have just now received your letter of the 28th. On that day I definitely felt that there was a decisive change in the situation and I understood right away that you had spoken to Swami and also that what I had written to you gave you the opportunity to take a great step. I am very happy and can say with certitude that the worst is over. However, from several points of view, I infinitely appreciate Xs offer. And although I do not think it necessary, or even desirable, that they both come here (it would create a veritable revolution and perhaps even a panic among the ashramites), I am sure that their intervention in Rameswaram itself would not only be useful but most effective
   Yes, everything has changed since you now understand that your battle is not only a personal battle and that by winning it, it is a real service you are rendering to the Divine Work.
   Happy New Year, my dear child! I am sure it will bring us a decisive victory.

0 1958 12 - Floor 1, young girl, we shall kill the young princess - black tent, #Agenda Vol 01, #unset, #Zen
   (This note was written by Mother in English. It concerns an attack of black magic that threatened her life and in the end completely changed her outer existence. A new stage begins.)
   Two or three days after I retired to my room upstairs,1 early in the night I fell into a very heavy sleep and found myself out of the body much more materially than I do usually. This degree of density in which you can see the material surroundings exactly as they are. The part that was out seemed to be under a spell and only half conscious. When I found myself at the first floor where everything was absolutely black, I wanted to go up again, but then I discovered that my hand was held by a young girl whom I could not see in the darkness but whose contact was very familiar. She pulled me by the hand telling me laughingly, No, come, come down with me, we shall kill the young princess. I could not understand what she meant by this young princess and, rather unwillingly, I followed her to see what it was. Arriving in the anteroom which is at the top of the staircase leading to the ground floor, my attention was drawn in the midst of all this total obscurity to the white figure of Kamala2 standing in the middle of the passage between the hall and Sri Aurobindos room. She was as it were in full light while everything else was black. Then I saw on her face such an expression of intense anxiety that to comfort her I said, I am coming back. The sound of my voice shook off from me the semi-trance in which I was before and suddenly I thought, Where am I going? and I pushed away from me the dark figure who was pulling me and in whom, while she was running down the steps, I recognized a young girl who lived with Sri Aurobindo and me for many years and died five years back. This girl during her life was under the most diabolical influence. And then I saw very distinctly (as through the walls of the staircase) down below a small black tent which could scarcely be perceived in the surrounding darkness and standing in the middle of the tent the figure of a man, head and face shaved (like the sannyasin or the Buddhist monks) covered from head to foot with a knitted outfit following tightly the form of his body which was tall and slim. No other cloth or garment could give an indication as to who he could be. He was standing in front of a black pot placed on a dark red fire which was throwing its reddish glow on him. He had his right arm stretched over the pot, holding between two fingers a thin gold chain which looked like one of mine and was unnaturally visible and bright. Shaking gently the chain he was chanting some words which translated in my mind, She must die the young princess, she must pay for all she has done, she must die the young princess.
   Then I suddenly realized that it was I the young Princess and as I burst into laughter, I found myself awake in my bed.

0 1959-04-07, #Agenda Vol 01, #unset, #Zen
   I read your P.S. and I understand. This too confirms my feeling. I am not happy that you are plagued with work, and especially urgent work that has to be done quicklyit is contrary to the inner calm and concentration so indispensable for getting rid of ones difficulties. I am going to do what is necessary to change this situation. Besides, this is why I have been telling you recently that my work is not urgent. But this work for the Bulletin should stop for the moment.
   The other point also has its element of truthwe shall speak of it later.

0 1959-04-13, #Agenda Vol 01, #unset, #Zen
   It is a rough sketch, and in the actual process of writing, the proposed sequence may change according to the inner necessity, but these are the themes to be developed. So now T would like to know what you feel and if you see anything to be changed, added or deleted.
   Your child, with love.

0 1959-05-25, #Agenda Vol 01, #unset, #Zen
   I want to go to New Caledonia. There, or elsewhere there are forests there. Africa is closing up. You must help me one last time by giving me the means to leave and try something else with a minimum of chancealthough, at the point Im at, I laugh in the face of chance. I need 2,000 rupees, if that is possible for you. If you do not want to, or if you cannot, I will leave anyway, no matter where, no matter how.
   And once again, you can judge me all you want, I acknowledge all my wrongs. I am guilty in a guilty and stupid world (which loves its stupidity, no doubt).

0 1959-05-28, #Agenda Vol 01, #unset, #Zen
   There is a spiritual destiny in me, but there are three other destinies so intimately bound up with it that I cannot cut off any one without mutilating something of my living soulwhich is why, periodically, these suppressed destinies awaken and call to meand the dark forces seize upon these occasions to sow chaos within and drive me to ruin everything since I cannot really fulfill myself. And the problem is insoluble.
   1) There is the destiny of the adventurer: it is the one in me that needs the sea or the forest and wide open spaces and struggles. This was the best part of my childhood. I can sit on it and tell myself that the adventure is within, and it might work for a while. But this untamed child in me continues to live all the same, and it is something very valuable in me. I cannot kill it through reasoning, even spiritual reasoning. And if I tell it that everything lies within, not without, it replies, Then why was I born, why this manifestation in the outer world? In the end, it is not a question of reasoning. It is a fact, like the wind upon the heaths.

0 1959-06-08, #Agenda Vol 01, #unset, #Zen
   Even before receiving your second letter in which you say that the mantra is all right, X told me this morning that he had repeated your mantra during his puja and that it was very good, that there is nothing to be changed: The vibration is good.
   Here are a few additional indications regarding the forthcoming events.

0 1959-06-11, #Agenda Vol 01, #unset, #Zen
   As of yesterday evening I am a man delivered. It took only a very little word from X, and suddenly a weight seemed to have been lifted from me, and I knew at last that I would be fulfilled. All this is still so new, so improbable that I can scarcely believe it, and I wonder if by chance some evil blow is not still lurking in wait for me behind this promise of happiness; thus I shall be reassured only when I have told you everything, recounted all. But X has asked, me to wait a few more days before telling you this story, for he wants to give me certain additional details so that you may have all the elements, as accurately as possible.
   But I did not want to wait any longer to express my gratitude. I am still not so sure how all this will turn out nor how this destiny that he predicts for me can be realized, but I want to repeat to you, with all my confidence: I am your child, may your will be done now and forever.

0 1959-06-13a, #Agenda Vol 01, #unset, #Zen
   I have received your last two letters of the 10th and 11th. I told X what you wrote about this trip to France and that your finances are in an almost desperate state. He replied with perfect assurance, Soon it will increase, very soon it will change. I am obviously hesitant to accept your generous offer and I do not know what I should do. I had never thought of returning to France, except in a distant future. I dont know why X told me that I should return there, except perhaps because he felt who my mother is. I know that she is sad, that she believes me lost to her and thinks she will die without seeing me again. It would surely be a great joy to her. But other than that, I have no desire to go there, for each time I go to France, I feel like I am entering a prison. Naturally I would be happy for my mothers joy; she is a great soul, but is this reason enough?
   Sunday, 14th

0 1959-10-06 - Sri Aurobindos abode, #Agenda Vol 01, #unset, #Zen
   And yet, it would take little, very little, to pass from this world to the other, or for the other to become the real world. A little click would be enough, or rather a little reversal in the inner attitude. How should I put it? It is imperceptible to the ordinary consciousness; a very little inner shift would be enough, a change in quality.
   It is similar with this japa: an imperceptible little change, and one can pass from a more or less me chanical, more or less efficient and real japa, to the true japa full of power and light. I even wondered if this difference is what the tantrics call the power of the japa. For example, the other day I was down with a cold. Each time I opened my mouth, there was a spasm in the throat and I coughed and coughed. Then a fever came. So I looked, I saw where it was coming from, and I decided that it had to stop. I got up to do my japa as usual, and I started walking back and forth in my room. I had to apply a certain will. Of course, I could do my japa in trance, I could walk in trance while repeating the japa, because then you feel nothing, none of all the bodys drawbacks. But the work has to be done in the body! So I got up and started doing my japa. Then, with each word pronounced the Light, the full Power. A power that heals everything. I began the japa tired, ill, and I came out of it refreshed, rested, cured. So those who tell me they come out of it exhausted, contracted, emptied, it means that they are not doing it in the true way.
   I understand why certain tantrics advise saying the japa in the heart center. When one applies a certain enthusiasm, when each word is said with a warmth of aspiration, then everything changes. I could feel this difference in myself, in my own japa.
   In fact, when I walk back and forth in my room, I dont cut myself off from the rest of the worldalthough it would be so much more convenient! All kinds of things come to mesuggestions, wills, aspirations. But automatically I make a movement of offering: things come to me and just as they are about to touch my head, I turn them upwards and offer them to the Light. They dont enter into me. For example, if someone speaks to me while I am saying my japa, I hear quite well what is being said, I may even answer, but the words remain a little outside, at a certain distance from the head. And yet sometimes, there are things that insist, more defined wills that present themselves to me, so then I have to do a little work, but all that without a pause in the japa. If that happens, there is sometimes a change in the quality of my japa, and instead of being fully the power, fully the light, it is certainly something that produces results, but results more or less sure, more or less long to fructify; it becomes uncertain, as with all things of this physical world. Yet the difference between the two japas is imperceptible; its not a difference between saying the japa in a more or less me chanical way and saying it consciously, because even while I work I remain fully conscious of the japa I continue to repeat it putting the full meaning into each syllable. But nevertheless, there is a difference. One is the all-powerful japa; the other, an almost ordinary japa There is a difference in the inner attitude. Perhaps for the japa to become true, a kind of joy, an elation, a warmth of enthusiasm has to be added but especially joy. Then everything changes.
   Well, it is the same thing, the same imperceptible difference, when it comes to entering the world of Truth. On one side there is the falsehood, and on the other, close by, like the lining of this one, the true life. Only a little difference in the inner quality, a little reversal, is enough to pass to the other side, into the Truth and Light.
  --
   Of course, Sri Aurobindo himself had joy. But I had the impression that it was not total and that this is why I had to continue the work. I felt that it could only be total when things here have changed.
   See July 24-25.

0 1959-10-15, #Agenda Vol 01, #unset, #Zen
   2) X spoke to me of the Ashrams financial difficulties and said I shall tell you the secret why there are such difficulties. I think he is going to speak to me today or tomorrow. In any case, he told me that he was working (I am preparing) to change these conditions, and he asked me if there had been any improvement as yet. I replied that I did not believe the situation had changed very much. He spoke as well of certain people in the Ashram, but I will tell you about this in person. He had a rather amusing way of speaking about people, people who pretend to worship the Mother but who keep their mind as a dustbin!
   7) X wants to send me back to Pondicherry this Sunday (Sunday the 18th, arriving Monday the 19th morning). He says it is useless for me now to remain here any longer since his house is not ready and he can do nothing. But, he said, I will have you come to my house for 3 months and I shall give you a training by which you can know Past, Present and Future, and have the same qualifications as me!
  --
   I would wish to be like Sujata, completely transparent, your child with her at your feet. Mother, help me. I need you. Sujata is healing something that was very painful in me, as though it were flayed or wounded, and which threw me into revolt. With this calming influence, I would like to begin a new life of self-giving. This change of residence is for me like the symbol of another change. Oh, Mother! may the painful road be over, and may all be achieved in the joy of your Will.
   Your child,

0 1959-11-25, #Agenda Vol 01, #unset, #Zen
   There is one element that remains fixed: for each type of atom, the inner organization of the elements is different, which is what creates the difference in their substance. So perhaps similarly, each individual has a different, particular way of organizing the cells of his body, and it is this particular way that persists through all the outer changes. All the rest is undone and redone, but undone in a forward thrust towards the new instead of collapsing backwards into death, and redone in a constant aspiration to follow the progressive movement of the divine Truth.
   But for that, the body the body-consciousness must first learn to widen itself. It is indispensable, for otherwise all the cells become a kind of boiling porridge under the pressure of the supramental light.

0 1960-01-28, #Agenda Vol 01, #unset, #Zen
   Some difficulties remained, of course, but they stemmed more from what had to change within.
   Actually, difficulties come from very small things; they may seem quite commonplace, totally uninteresting, but they block the way. They come for no earthly reasonsome detail, a word that comes rubbing against a sensitive spot, an illness in someone close to me, anything at all, and suddenly something in me contracts. Then all the work has to be started afresh as though nothing had been done.
  --
   Yet its HAPPY. It loves doing the work, it lives only for thatto change, to transform itself is its reason for being. And its such a docile instrument, so full of good will! Once it even started wailing like a baby: O Lord, give me the time, the time to be transformed It has such a simple fervor for the work, but it needs timetime, thats it. It wants to live only to conquer, to win the Lords Victory.3
   One crore = 10 million.

0 1960-01-31, #Agenda Vol 01, #unset, #Zen
   When I began the readings from the Dhammapada, I had hoped that my listeners would take enough interest in the practical spiritual side for me to read only one verse at a time. But quite quickly, I saw they found this very boring and were making no effort to benefit from the meditation. The only solution then was to treat the matter as an intellectual study, which is why I started reading chapter by chapter.
   ***

0 1960-03-03, #Agenda Vol 01, #unset, #Zen
   Only a few days ago, on the morning of the 29th, I had one of those experiences that mark ones life. It happened upstairs in my room. I was doing my japa, walking up and down with my eyes wide open, when suddenly Krishna camea gold Krishna, all golden, in a golden light that filled the whole room. I was walking, but I could not even see the windows or the rug any longer, for this golden light was everywhere with Krishna at its center. And it must have lasted at least fifteen minutes. He was dressed in those same clothes in which he is normally portrayed when he dances. He was all light, all dancing: You see, I will be there this evening during the Darshan.1 And suddenly, the chair I use for darshan came into the room! Krishna climbed up onto it, and his eyes twinkled mischievously, as if to say, I will be there, you see, and therell be no room for you.
   When I came down that evening for distribution,2 at first I was annoyed. I had said that I didnt want anybody in the hall, precisely because I wanted to establish an atmosphere of concentration, the immobility of the Spirit but there were at least thirty people in there, those who had decorated the hall, thirty of them stirring, stirring about, a mass of little vibrations. And before I could even say scat I had hardly taken my seatsomeone put the tray of medals on my lap and they started filing past.

0 1960-05-21 - true purity - you have to be the Divine to overcome hostile forces, #Agenda Vol 01, #unset, #Zen
   What was needed was to effect a shift, a sort of transference upwards, a lifting up of all these things that come to meso that each one, each thing, each circumstance could directly and automatically receive the force from above, the light, the response from above, and I would be a mere intermediary and a channel of the Light and the Force.
   Well, I tried hard but I couldnt really find the way. At times, I almost seemed to have it, a mere nothing would have been enough; it was just a matter of getting the knack (and at heart, this is what Power is all aboutto get the knack, to suddenly seize upon the means, the right vibration, what in India is called siddhi). Well, after his departure, all of a sudden it came. It happened while I was doing my japa, while I was walking up and down my room As if I were holding all that in my armsit was so concrete and lifting it up towards the Light, along with this ascending OM, rising from the very depths, OM!and I was carrying all these people, and it was spreading forth, PHYSICALLY spreading, and I was carrying the earth, I was carrying the whole universe, but in such a tangible, concrete wayall towards the Supreme Lord.

0 1960-05-24 - supramental flood, #Agenda Vol 01, #unset, #Zen
   And during the time my experience lasted, I had no feeling of anything exceptional, but rather simply the fact that after all its preparation, the body consciousness was ready for a total identification with Thatin my consciousness its always the same, a perpetual, constant and eternal state in that it never leaves me. Its like that, and it never varies. What diminishes the immensity of the Vibration are the limitations of the material consciousness which can color it and even sometimes change it by giving it a personal appearance. Thus, when I see someone and speak to him, for example, when my eyes concentrate on the person, I have almost the sensation of this flood flowing from me towards the person or of it passing through me to go onto the person. There is an awareness of the eyes, the body. And it is this which limits or even changes a little the immensity of the thing But already this feeling has almost disappeared; this immensity seems to be acting almost constantly. There are moments when I am less interiorized, when I am more on the surface, and it feels like its passing through a bodymoments when the body consciousness comes back a little. And this is what diminishes the thing.
   This experience last night also enabled me to understand what X had felt during one of our meditations. He had explained his experience by way of saying that I was this mystic tree whose roots plunge into the Supreme and whose branches spread forth over the world,3 and he said that one of these branches had entered into himand it had been a unique experience. He had said, this is the Mother.

0 1960-06-03, #Agenda Vol 01, #unset, #Zen
   Pardon my grumblings. If only at least I knew what I could do to change all this.
   Your child,

0 1960-06-04, #Agenda Vol 01, #unset, #Zen
   There are two things to avoid: falling into a stupor of unconsciousness, with all those things coming up from the subconscious and the unconscious that invade and penetrate you, and a vital and mental hyperactivity in which you pass your time literally fightingterrible battles. People come out of that black and blue, as if they had been beaten and they have been, it is not as if! And I see only one way outto change the nature of sleep.
   Mother added:

0 1960-06-07, #Agenda Vol 01, #unset, #Zen
   Something changes, of course, but its so phew! I mean, at the speed its going, it will take us millions of years to make any perceptible progress. We might just as well say its not moving.
   These days Ive been feeling very clearly this thing that doesnt move.

0 1960-06-11, #Agenda Vol 01, #unset, #Zen
   Sometimes the Force comes direct. And it picks up words, any words at all, that makes no difference; the nature of the words changes, and they become expressive BECAUSE of the power entering into them. This happens when I look directly at the thing.
   But when a question is put to me, it comes coated with all the mental atmosphere of whoever is asking the question. And this coating is often a mere reflectionmuch of the life has been removed.
   The same thing occurs, there is the same difference, when I say something and when I see it (for example, when I look at one of those essential problems that will be solved only when the world changes). When I look at that in silence, there is a power of life and truthwhich evaporates when its put into words. It becomes diminished, impoverished and of course distorted. When you write or speak, the experience disintegrates, its inevitable.
   We need a new language.

0 1960-07-12 - Mothers Vision - the Voice, the ashram a tiny part of myself, the Mothers Force, sparkling white light compressed - enormous formation of negative vibrations - light in evil, #Agenda Vol 01, #unset, #Zen
   The first reaction is always a kind of shrinking before things which seem horrible, but if you can overcome that and really have the experience, everything changes.
   And there are hundreds and hundreds of little experiences like that, like so many little stones marking the way. Then you see that the two things are ALWAYS together: the destructive and the constructive. You cant see one without seeing the other. A time comes when the effort is to conquer the negative parts of creation and death (as at the end of Savitri), and when you have conquered that, then youre above. And then if you look at all these things, even those which seem the most opposed to the Divine, even acts of cruelty done for the pleasure of cruelty, you see the Presence the Presence that annuls their effects. And its absolutely marvelous.

0 1960-07-23 - The Flood and the race - turning back to guide and save amongst the torrents - sadhana vs tamas and destruction - power of giving and offering - Japa, 7 lakhs, 140000 per day, 1 crore takes 20 years, #Agenda Vol 01, #unset, #Zen
   It was as if the doors of destruction had been flung open. Floodsfloods as vast as an oceanwere rushing down onto something the earth? A formidable current pouring down at an insane speed, with an unstoppable power. It was brackish waternot transparent, but brackish. And it was imperative to reach a certain spot BEFORE the water. Had the water reached there ahead of me, nothing could have been done. Whereas if I got there first (I say I, but it was not I with this body), if I got to the other side before the water, I would be completely safe; and from this safe position, I would be able, I would have a chance to help those left behind.
   And this vehicle was going faster than the flood (I saw and felt it by its motion)a formidable flood, but the vehicle was going still faster. It was so wonderful. In places there were some especially difficult and dangerous spots, but I ALWAYS got there before the water, just before the water barred the way. And we kept going and going and going. Then, with a final effort (there was no effort, really, it was willed), with a final push, we made it to the other side and the water came rushing just behind! It rushed down at a fantastic speed. We had made it. Then, just on the other side, it changed color. It was it changed in color to a predominant blue, this powerful blue which is the force, the organizing force in the most material world. So there we were, and the vehicle stopped. And then, after having been looking straight ahead the whole time we were speeding along, I turned around and said, Ah, now I can start helping those who are behind.
   Here, Ill draw you a little sketch:
  --
   I turned around and saw all this water rushing down, and I thought, Now lets see if we can do something here. There was someone behind who interested me, someone or somethingit was still something; it was very likable and had something of the blue color that was here on the other side. Not really individuals, but more like beings representative of something that was following me quite closely. When I was there, it also was there, but it could not keep up, it kept losing groundas my speed increased, its decreased. It could not keep up. But it interested me in a special way. Oh, hes so close (he or it); he might just make it, I thought. And at that moment, I saw that all this destructive will with its instrument of water, symbolically water, had rushed past and was spreading out everywhere. But there was still a chance of saving all those who were along this path. And thats immediately what I thought of, it was my first wish: Lets see if they can still get across, if I can manage to get them across. I remembered some especially dangerous spots (while speeding past, I had remarked, Oh, here we might still be able to do this, there that could still be donemy consciousness moved at the same speed, and I noted everything along the way), and once I was firmly there on the other side, I started sending back messages.
   Down below, the water was having a grand time; it was it was hopeless. But here, along this path, there was still a hope, even even after the water had passed; I probably had a certain power at my disposal to help others cross these fissured places. But because I woke up, I didnt see what it was. So that stopped everything. Probably because I woke up rather abruptly, I could not see what it meant.
  --
   I remember wandering about one night some time ago. Its no longer very clear, but one thing has remained I had gone out of India, and then when I returned to India, I found huge elephants installed EVERYWHEREenormous elephants. At that time I was not at all aware that the Communists in India had adopted the elephant as their symbol; I only learned that later. What does this mean, I said to myself. Does it signify the Indian army? But they did not resemble war elephants. These elephants were like immense mammoths, and they looked like they were settling down with all the power of a tremendous inertia. That was the impression something heavy in an inert and very tamasic way, forever immovable. I did not like this occupation. When I came back, I had a rather painful feeling, and for several days I wondered if it did not mean war. Then by chance, in a conversation, I learned that the Communists had selected the elephant as their symbol whereas the Congress had chosen the bullock In my vision, I was moving (as I always do), I was moving among them, and nothing moved. And if I needed room, some of them even tried to stir a little.
   But when human beings are involved, I believe that visions take on a special formits a special image. Not an inundation like this. That was very, very impersonal. They were forces. A feeling of floodgates bursting open, of something being held back, retained or prevented, then suddenly
  --
   But there may be some changes.
   ***

0 1960-07-26 - Mothers vision - looking up words in the subconscient, #Agenda Vol 01, #unset, #Zen
   I had taken out a dictionary. There, its this one, I said. Someone was next to me, but this someone is always symbolic: each activity takes on a special form which may resemble someone or other. (The people around me for the work here are like families in those worlds there; they are types, that iseach person represents a typeso then I know that Im in contact with all the people of this same type. If they were conscious, they would know that I was there telling them something in particular. But its not a person, its a type and not a type of character, but a type of activity and relationship with me.)
   I was with a certain type, and I was looking for a word, I wanted to conjugate the verb vaincre [to conquer]: je vaincs, tu vaincs, il vaincgood, now nous vainquons, how do you spell that, nous vainquons? It was so funny! And I was looking it up in the dictionaryvainquons, how do you spell that?

0 1960-08-20, #Agenda Vol 01, #unset, #Zen
   Thats what happensthings change. Its not that the project stops, but its forced to take other paths.
   But this film project has been completely abandoned now, hasnt it?

0 1960-09-20, #Agenda Vol 01, #unset, #Zen
   And he isnt aware of this, actually, he isnt aware at all. If he were told, he would absolutely deny it for him, its an opening onto Infinity! But in fact, its always like that, we are always shut in, each of useach one is enclosed inside certain limits which he doesnt feel, for should he feel it, he would get out! Oh, I know this feeling very well, for when I was with Sri Aurobindo I was open in this way (gesture towards the heights), and I always had this feeling of Yes, my child He tolerated me the way I was and waited for it to change. Thats truly how things are, you know. And now I feel my limits, which are the limits of the world as it is at present, but beyond that theres an unmanifested immensity, eternity and infinityto which we are closed. It merely seeps init is not the great opening. What I am trying to bring about is the great opening. Only when it has opened wide will there really be the (how should I put it?) the irreducible thing, and all the worlds resistance, all its inertia, even its obscurity will be unable to swallow it up the determining and transforming thing I dont know when it will come.
   But this experience with X was really interesting. I learned many things that day, many things If you concentrate long enough on any one point, you discover the Infinite (and in his own experience he found the infinite), what could be called your own Infinite. But this is not what WE want, not this; what we want is the direct and integral contact between the manifested universe and the Infinite out of which this universe has emerged. So then it is no longer an individual or personal contact with the Infinite, its a total contact. And Sri Aurobindo insists on this, he says that its absolutely impossible to have the transformation (not the contact, but the supramental transformation) without becoming universalized that is the first condition. You cannot become supramental before being universal. And to be universal means to accept everything, be everything, become everythingreally to accept everything. And as for all those who are shut up in a system, even if it belongs to the highest regions of thought, it is not THAT.
   But to each his destiny, to each his work, to each his realization, and to want to change someones destiny or someones realization is very wrong. For it simply throws him off balance thats all it does.
   But for us who want an integral realization, are all these mantras and this daily japa really a help, or do they also shut us in?
   It gives discipline. Its an almost subconscious discipline of the character more than of thought.
   Especially at the beginning, Sri Aurobindo used to shatter to pieces all moral ideas (you know, as in the Aphorisms, for example). He shattered all those things, he shattered them, really shattered them to pieces. So theres a whole group of youngsters7 here who were brought up with this idea that we can do whatever we want, it doesnt matter in the least!that they need not bother about all those concepts of ordinary morality. Ive had a hard time making them understand that this morality can be abandoned only for a higher one So, one has to be careful not to give them the Power too soon.
  --
   Of course not! A disciplined work, which to us seems important, is to him basically an ignorance. What is true to such a person is a contemplative, ecstatic lifealong with a sentiment of compassion and charity, so that nonetheless you spend a bit of your time helping out the poor brutes! But the true thing is ecstatic contemplation. As for those who are advanced and yet still attach some importance to workits irrational!
   The only way I can make him understand that I have work to do is to tell him, Mother asked me to do it; then he keeps quiet.

0 1960-10-02b, #Agenda Vol 01, #unset, #Zen
   In this way we keep the word appel [call], which is strong. All I did was change the relative pronoun (at first you had translated it as qui, nos portes, attend notre appel2).
   I dont know. Perhaps it is more incisive this way.

0 1960-10-11, #Agenda Vol 01, #unset, #Zen
   I told this to Xor rather had someone tell himto see his reaction. And I realized that he did not understand in the least! Once Amrita asked him how he himself SAW and KNEW things. So he tried to explain; he told Amrita that he had to pull his consciousness upwards by a gradual effort, to go beyond the heart, beyond the throat center to pull it right up here (the top of the head), and once there, youre divine, you know! All of a sudden, I understood that when I said it was there, above the head, it must have seemed absolutely impossible to him! For him, its the crown of the head1 (what they call the thousand-petalled lotus), just at the top of the head, whereas in my experience it opens, it rises and you go above, and then you settle there For a number of years it even changed my [physical] visionit was as if I were looking at things from above. It returns from time to time, too, as if suddenly I were seeing from above instead of from here, at eye level.
   But the faculty of forming thoughts is now there, up above; its no longer here (Mother points to her forehead). And thats contrary to their teachings.
   The tantrics recognize seven chakras,2 I believe. Theon said he knew of more, specifically two below the body and three above. That is my experience as well I know of twelve chakras. And really, the contact with the Divine Consciousness is there (Mother motions above the head), not here (at the top of the head). One must surge up above.
   Doing japa seems to exert a pressure on my physical consciousness, which goes on turning! How can I silence it? As soon as my concentration is not absolute, the physical mind starts upit grabs at anything, anything at all, any word, fact or event that comes along, and it starts turning, turning. If you stop it, if you put some pressure on it, then it springs back up two minutes later And there is no inner consent at all. It chews on words, it chews on ideas or feelingsinterminably. What should I do?
  --
   chakra: center of consciousness. 1) The crown of the head (sahasradala), 2) between the eyebrows (ajna), 3) the throat (vishuddha), 4) the heart (anahata) 5) the navel (manipura), 6) the abdomen (svadhishthana), 7) the base of the spine (muladhara).
   Rue Lemercier.

0 1960-10-19, #Agenda Vol 01, #unset, #Zen
   She has already been here for two days and Oh, yesterday especially, she was so in such a mood!like a warrior. I said to her, But why not change them through through an excess of love?
   So then she answered (I remember how she put it), First a good punch in the chest (she didnt say in the nose!), a good punch in the chest, and then when theyre down, gasping for air, theyre ready.
  --
   And when it came to others he could remove an illness like that (gesture, as if Mother were calmly extracting an illness from the body with her fingertips). That happened to you once, didnt it? You said that I had done this for you but it wasnt me; he was the one who did it He could give you peace in the mind in the same way (Mother brushes her hand across her forehead). You see, his actions were absolutely On others, it had all the characteristics of a total mastery Absolutely superhuman.
   One day, hell tell you all this himself.1

0 1960-10-22, #Agenda Vol 01, #unset, #Zen
   Im going to tell you what I sawits very interesting. First, emanating from here (Mother indicates the chest), a florescence of every color like a peacocks tail spread wide; but it was made of light, and it was very, very delicate, very fine, like this (gesture). Then it rose up and formed what truly seemed like a luminous peacock, up above, and it remained like that. Then, from here (the chest), what looked like a sword of white light climbed straight up. It went up very high and formed a kind of expanse, a very vast expanse, which was like a callthis lasted the longest. And then, in response, a veritable rain, like (no, it was much finer than drops) a golden lightwhite and goldenwith various shades, at times more towards white, at times more golden, at times with a tinge of pink. And all this was descending, descending into you. And here (the chest), it changed into this same deep blue light, with a powdering of green light inside itemerald green. And at that moment, when it reached here (the level of the heart), a number of little divinities of living golda deep, living goldcame, like this, and then looked at you. And just as they looked at you, there was the image of the Mother right at the very center of younot as she is commonly portrayed but as she is in the Indian consciousness Very serene and pure and luminous. And then that changed into a temple, and inside the temple there seemed to be an image of Sri Aurobindo and an image of me but living images in a powdering of light. Then it grew into a magnificent edifice and settled in with an extraordinary power. And it remained motionless.
   That is the representation of your japa.

0 1960-10-25, #Agenda Vol 01, #unset, #Zen
   Finally, they had him work as a waiter in a small caf in Ahmedabad, near the station. One day it even happened that his brother and his brothers friend stopped by (he vaguely recalls having seen them) but he was incapable of speaking to them or of getting them to recognize him. Another time, he tried to leave and headed towards the station, but after awhile he could no longer walk, he was suddenly stopped by something (he doesnt know what), and he had to go back. Thats how it wasquite a unique state. But one day, a friend of the brother stopped at this caf to drink something, and this same boy served him. He had changed a lot, but the other fellow recognized him all the same and asked, Whats your name? He saw that the boy seemed dazed and couldnt answer. So he didnt say anything but ran immediately to where the elder brother lived; they came back, took the boy into a corner and doused his face with seltzer water. It seems that then he started becoming more alive. Then they led him away and informed the police.
   I dont have any more details yet
  --
   Things are not going so well for X either; everywhere its grating. It was probably very important I am hopeful that it can bring some change.
   But normally, shouldnt the mantra bounce back on them?
  --
   (No sooner had Mother finished telling this story than, by a curious coincidence, someone brought her a portrait drawn by P.K., one of the Ashram artists. Several days earlier, at about two in the morning during an uncommonly violent lightning storm, P.K. had suddenly SEEN amidst the flashes of lightning in the sky a rather terrible, demoniacal head in front of his very eyes. Having nothing else available, he hastily drew his vision in chalk on a schoolchilds slate, which is the portrait Mother speaks of here:)
   Well, well! So P.K. is clairvoyant! Its him, for surethis is the being behind those people. Thats why they had so much power. And he came here because of tha the was furious. Quite a demon!
  --
   Theres also this old idea rooted in religions of chaldean or Christian origin of a God with whom you can have no true contactan abyss between the two. That is terrible.
   That absolutely has to stop.
   For with that idea, the earth and men will NEVER be able to change. This is why I have often said that this idea is the work of the Asuras,10 and with it they have ruled the earth.
   Whereas whatever the effort, whatever the difficulty, whatever time it takes, whatever number of lives, you must know that all this doesnt matter: you KNOW you ARE the Master, that the Master and you are the same. All thats necessary is to know it INTEGRALLY, and nothing must belie it. Thats the way out.

0 1960-10-30, #Agenda Vol 01, #unset, #Zen
   Was it by chance the wallet that brought this to mind? I wondered right at first. I had the impression of having given you something Egyptian, but I could no longer remember what it was Im happy it wasnt that! I hesitated for barely a moment, then said to myself, Why? And what came is that everything, even apparently accidental things, is organized by the same Consciousness for the same endsits obvious.
   But I found this interesting, so I began looking, and I LIVED the scene, all kinds of scenes of initiation, worship, etc., for quite some time. When that lifted, a light much stronger than the last time (during the last meditation) came down, in a wonderful silence. (I might add that the first thing I did, at the beginning, was to try to establish a silence around you, to insulate you from other things so as to keep your mind quiet; it kept jumping a little, but once this light came down ) And it came down with a very hieratic quality and (how can I put this?) Egyptian in charactervery occult, very occult, very, very distinct, very specific, like this (gesture indicating a block of silence descending).
   And then there came a long moment of absolutely motionless contemplation with something that now escapes meit may come back.

0 1960-11-05, #Agenda Vol 01, #unset, #Zen
   To change it, you have to descend into itwhich is what Im in the midst of doing. But you know, it makes for painful moments. Anyway, once its done, it will be something. When that is done, Ill explain it to you. And then Ill have the power to restore you to health.
   ***

0 1960-11-08, #Agenda Vol 01, #unset, #Zen
   The mistake we make is to remain there too long, for if you spend your whole life in that, well, youll probably need many more lifetimes. But once the chance to get out of it comes, you can look at it with a smile and say, Yes, its really a sort of love for fiction!people love fiction, they want fiction, they need fiction! Otherwise its boring and all much too flat.
   All this came to me yesterday. I kept Z with me for more than half an hour, nearly 45 minutes. He told me some very interesting things. What he said was quite good and I encouraged him a great dealsome action on the right lines which will be quite useful, and then a book unfortunately mixed with an influence from that artificial world (but actually, even that can be used as a link to attract people). He must have spoken to you about this. He wants to write a kind of dialogue to introduce Sri Aurobindos ideasits a good idealike the conversations in Les Hommes de Bonne Volont by Jules Romain. He wants to do it, and I told him it was an excellent idea. And not only one typehe should take all types of people who for the moment are closed to this vision of life, from the Catholic, the fervent believer, right to the utmost materialist, men of science, etc. It could be very interesting.

0 1960-11-12, #Agenda Vol 01, #unset, #Zen
   But its explained very well in Savitri! All these things have their laws and their conventions (and truly speaking, a really FORMIDABLE power is needed to change anything of their rights, for they have rightswhat they call laws) Sri Aurobindo explains this very well when Savitri, following Satyavan into death, argues with the god of Death.3 Its the Law, and who has the right to change the Law? he says. And then comes this wonderful passage at the end where she replies, My God can change it. And my God is a God of Love. Oh, how magnificent!
   And by force of repeating this to him, he yields She replies in this way to EVERYTHING.
  --
   But generally and this is something Theon had told me (Theon was very qualified on the subject of hostile forces and the workings of all that resists the divine influence, and he was a great fighteras you might imagine! He himself was an incarnation of an asura, so he knew how to tackle these things!); he was always saying, If you make a VERY SMALL concession or suffer a minor defeat, it gives you the right to a very great victory. Its a very good trick. And I have observed, in practice, that for all things, even for the very little things of everyday life, its trueif you yield on one point (if, even though you see what should be, you yield on a very secondary and unimportant point), it immediately gives you the power to impose your will for something much more important. I mentioned this to Sri Aurobindo and he said that it was true. It is true in the world as it is today, but its not what we want; we want it to change, really change.
   He wrote this in a letter, I believe, and he spoke of this system of compensation for example, those who take an illness on themselves in order to have the power to cure; and then theres the symbolic story of Christ dying on the cross to set men free. And Sri Aurobindo said, Thats fine for a certain age, but we must now go beyond that. As he told me (its even one of the first things he told me), We are no longer at the time of Christ when, to be victorious, it was necessary to die.
  --
   But things are PULLING backwardsphew, how they pull! The Law, the Law, its a Law. Dont you understand, its a LAW, you cant change the Law.
   But I CAME to change the Law.
   Then pay the price.
  --
   On a small scale, in very small details, I feel that of all the forces, this is the strongest. And its the only one with a power over hostile wills. Only for the world to change, it must manifest here in all its fullness. We have to be up to it
   Sri Aurobindo had also written to the effect, If Divine Love were to manifest now in all its fullness and totality, not a single material organism would but burst. So we must learn to widen, widen, widen not only the inner consciousness (that is relatively easyat least feasible), but even this conglomeration of cells. And Ive experienced this: you have to be able to widen this sort of crystallization if you want to be able to hold this Force. I know. Two or three times, upstairs (in Mothers room), I felt the body about to burst. Actually, I was on the verge of saying, burst and be done with. But Sri Aurobindo always intervenedall three times he intervened in an entirely tangible, living and concrete way and he arranged everything so that I was forced to wait.
  --
   So I explained the problem to Sri Aurobindo, and he replied (by his expression, not with words, but it was clear), Patience, patiencepatience, it will come. And a few days after this experience, by chance I came upon something he had written where precisely he explained that we are much too rigid, coagulated, clenched for these things to be able to manifestwe must widen, relax, become plastic.
   But this takes time.
   I dont really see what we can do I mean, its you who does, of course, but I dont see what we can do to help change things.
   Nor do I!

0 1960-11-15, #Agenda Vol 01, #unset, #Zen
   Its quite odd, for this was not a personal consciousness, it was not someone remembering his lifethis is what I found most interesting; what came were pieces, little chunks of lifes construction, a collection of people and circumstances. And it is impossible to separate the individual from all that is around him, its clear! It all holds together like (if you change one thing, everything is changed) it holds together like an agglomerated mass.
   I had seen this earlier from another angle. In the beginning, when I started having the consciousness of immortality and when I brought together this true consciousness of immortality and the human conception of it (which is entirely different), I saw so clearly that when a human (even quite an ordinary human, one who is not a collectivity in himselfas is a writer, for example, or a philosopher or statesman) projects himself through his imagination into what he calls immortality (meaning an indefinite duration of time) he doesnt project himself alone but rather, inevitably and always, what is projected along with himself is a whole agglomeration, a collectivity or totality of things which represent the life and the consciousness of his present existence. And then I made the following experiment on a number of people; I said to them, Excuse me, but lets say that through a special discipline or a special grace your life were to continue indefinitely. What you would most likely extend into this indefinite future are the circumstances of your life, this formation you have built around yourself that is made up of people, relationships, activities, a whole collection of more or less living or inert things.
   But that CANNOT be extended as it is, for everything is constantly changing! And to be immortal, you have to follow this perpetual change; otherwise, what will naturally happen is what now happensone day you will die because you can no longer follow the change. But if you can follow it, then all this will fall from you! Understand that what will survive in you is something you dont know very well, but its the only thing that can survive and all the rest will keep falling off all the time Do you still want to be immortal?Not one in ten said yes! Once you are able to make them feel the thing concretely, they tell you, Oh no! Oh no! Since everything else is changing, the body might as well change too! What difference would it make! But what remains is THAT; THAT is what you must truly hold on to but then you must BE THAT, not this whole agglomeration. What you now call you is not THAT, its a whole collection of things..
   Formerly, that was my first stepa long time ago. Now its so very different I wonder how it was possible to have been so totally blind as to call that oneself at any moment in ones life! Its a collection of things. And what was the link by which that could be called oneself? Thats more difficult to find out. Only when you climb above do you come to realize that THAT is at work here, but it could work there as well, or as well here, or here, or here At times there is suddenly a drop of something (Oh, I saw that this morningit was like a drop, a little drop, but with SUCH an intense and perfect light ), and where THAT falls it makes its center and begins radiating out and acting. THAT is what can be called oneselfnothing else. And THAT precisely is what enabled me to live in such dreadfully uninteresting, such nonexistent circumstances. And at the moment when you ARE that, you see how that has lived and how that has used everything, not only in this body but in all bodies and through all time.
   At the core, this is the experience; it is no longer knowledge. I now understand quite clearly the difference between the knowledge of the eternal soul, of life eternal through all its changes, and this CONCRETE experience of the thing.
   Its very moving.

0 1960-11-26, #Agenda Vol 01, #unset, #Zen
   Before I fell sick, I had a peculiar dream. I was here in the corridor, and someone quite dark came to tell me that Mother wanted me to change my work. And I recall trying with all my might to ask him, But why, why? Finally you arrived. You were there at a table with some others. I was quite annoyed because all these people upset me, they were hindering me from being with you. And you said to me very clearly, Its time this gentleman goes. perhaps this gentleman represented a part of my being which had to disappear or change, but anyway you asked me to do something extremely difficultl felt a very great difficulty doing it. I even remember, in my dream, having left you for an instant, as if I wanted to leave the Ashram, then I must have walked up and down for a while. Finally, I must have made an enormous effort to come back and sit next to you on a bench which symbolically was very hard The next morning I woke up with the flu.
   So, its very simple. The sickness was due to one part of your being going faster than the rest. A part of the physical consciousness probably remained behind, and that created this imbalance and triggered the sickness.
  --
   You see, Im doing the sadhana really along a a path that has never been trod by anyone. Sri Aurobindo did it in principle. But he gave the charge of doing it in the body to me.
   That was the wonderful thing when we were together and all these hostile forces were fighting (they tried to kill me any number of times. He always saved me in an absolutely miraculous and marvelous way). But you see, this seemed to create very great BODILY difficulties for him. We discussed this a great deal, and I told him, If one of us must go, I want that it should be me.
  --
   And then, at the same time, some rather interesting things are happening. Imagine, X is starting to understand certain things that is, in his own way he is discovering the progress I am making; hes discovering it as a received teaching (through subtle channels). He wrote a letter to Amrita two or three days ago in which he translates in his own language, with his own words and his own way of speaking, exactly my most recent experiencesthings that I have conquered in a general way.
   This interests me, for these things do not at all enter through the mind (he doesnt receive a thing there, hes closed there). So in his letter he says that this thing or that is necessary (he describes it in his own words), and he adds, This is why we must be so grateful to have among us the the great Mother7 (as he puts it), the great Mother who knows these things.Good! I said to myself. (It had to do with something specific concerning the capacity for discrimination in the outside world, the different qualities and different functions of different beings, all of which depends on ones inner construction, as it were.) So I see that even this, even these physical experiences, is received (and yet I hadnt tried, I had never tried to make him receive it); it merely works like this, you see (gesture of a widespread diffusion), and the experience is veryhow should I say?drastic, with a kind of (power of radiation). Imperative.

0 1960-12-13, #Agenda Vol 01, #unset, #Zen
   I tried every possible way To get out of it is relatively easy. But then it doesnt change.
   The problem appeared again to me very intensely when I read Sri Aurobindos The Yoga of Self-Perfection. I was confronted with a whole formidable world to be transformedto transform what is already luminous is quite easy, but to transform that! ughthis stuff of life, so low and so coarse, so ordinary its much more difficult.1
  --
   Now X is coming, and these days of meditation with him.2 What is going to happen? By the way, he no longer writes that hes coming to help the Ashram. He wrote to Amrita that hes coming to have the opportunity (I cant exactly remember his words) anyway, to take advantage of his meditations with me so that he can make the necessary transformations! Quite a changed attitude. I had several visions concerning him which Ill tell you later.
   Later, Mother added the following: 'In this regard I don't know where, but somewhereSri Aurobindo spoke of this physical mind, and he said that there was nothing you could do with it; it must only be destroyed.'

0 1960-12-17, #Agenda Vol 01, #unset, #Zen
   And they protest when you want them to change!
   Even last night I went down into it It was so gray and dull and phew! Banal, lifeless. When they are told that, they retort, No, not at all! Things are quite all right as they are, its you who is living in a dreamland!
  --
   Its what Sri Aurobindo always said: FIRST you must accept EVERYTHINGaccept it as coming from the Divine, as the Divine Will; accept without disgust, without regret, without getting upset or impatient. Accept with a perfect equanimity; and only AFTER that can you say, Now lets get to work to change it.
   But to work to change it before having attained a perfect equanimity is impossible. Thats what I have learned during these last years.
   And for every detail, its the same. First, May Thy Will be done; then, afterwards, The Will of tomorrow and then those things will disappear. But first, one must accept.
  --
   (Soon afterwards, concerning the conversation of November 5 on the subconscious roots in the cells that can make everything fall apart in a second: To change it, you have to descend into it it makes for painful moments Once its done, Ill have the power )
   When was this? November 5? And now its December 17 Well, its still continuing!

0 1960-12-20, #Agenda Vol 01, #unset, #Zen
   Theres the religious attitude, and then theres ordinary life where people do thingsworking, living, eating, enjoying life; they regard these as the essentials, and as for the rest, well, when theres time they think about it. But what Sri Aurobindo brought down, precisely I remember at Tlemcen, Theon used to say that there was a whole world of things, such as eating, for example, or taking care of your body, that should be done automatically, without giving it any importanceits not the time to think of things divine.(!) Thats what he preached. So you have the religious attitude of all the religious types, and then ordinary life I found both of them equally unsatisfactory. Then I came here and told Sri Aurobindo my feeling; I said that if someone is truly in union with the Divine, it CANNOT change no matter what he does (the quality of what youre doing may change, but the union cant change no matter what youre doing). And when he said that this was the truth, I felt a relief. And that feeling has stayed with me all through my life.
   And now, all these different attitudes which individuals, groups and categories of men hold are coming from every direction (while Im walking upstairs) to assert their own points of view as the true thing. And I see that for myself, Im being forced to deal with a whole mass of things, most of which are quite futile from an ordinary point of viewnot to mention the things of which these moral or religious types disapprove. Quite interestingly, all kinds of mental formations come like arrows while Im walking for my japa upstairs (Mother makes a gesture of little arrows in the air coming into her mental atmosphere from every direction); and yet, Im entirely in what I could call the joy and happiness of my japa, full of the energy of walking (the purpose of walking is to give a material energy to the experience, in all the bodys cells). Yet in spite of this, one thing after another comes, like this, like that (Mother draws little arrows in the air): what I must do, what I must answer to this person, what I must say to that one, what has to be done All kinds of things, most of which might be considered most futile! And I see that all this is SITUATED in a totality, and this totality I could say that its nothing but the body of the Divine. I FEEL it, actually, I feel it as if I were touching it everywhere (Mother touches her arms, her hands, her body). And all these things neither veil nor destroy nor divert this feeling of being entirely this a movement, an action in the body of the Divine. And its increasing from day to day, for it seems that He is plunging me more and more into entirely material things with the will that THERE TOO it must be done that all these things must be consciously full of Him; they are full of Him, in actual fact, but it must become conscious, with the perception that it is all the very substance of His being which is moving in everything

0 1960-12-25, #Agenda Vol 01, #unset, #Zen
   I want to tell you that X completely changed my japa this morning. Instead of ten hours a day, I now have only about half an hour to do three times a day!
   He told me that everything is in this new japa.

0 1960-12-31, #Agenda Vol 01, #unset, #Zen
   This throng looks more like a chaos. A dreadful confusion. But from next week people will start leaving. The crowning day will be January 6, which is Epiphany (but we have made it into a day for the offering of the material world to the Divine: the material world giving itself to the Divine)it will be the climax,2 and I shall then see you on the 7th. After that, well work hard! But until then, no workmy heads in a kind of soup Oh, if you only knew! Its dreadful what people bring me, what they ask
   (Mother sits at the harmonium)
  --
   On the 6th, everyone will finally be gone. But tomorrow is going to be dreadful; I have to sit there for at least two hours distributing calendars. And on top of that, there are all these controversies over the music they play at the library each week. Some say that its very good, others that its very bad (the usual things). And each party has pleaded his case. They told me that theyll give me a concert at Prosperity4 so that I may judge for myself. Its all recorded. Im afraid it will be rather noisy For myself, I know quite well how to get out of it I think of something else! But its going to I can see it already. Didnt I tell you were in a chaos? Well, I have the feeling that this is going to beat all.
   How do you mean a chaos?
   Noise, movement, confusion, people Noise always gives me the impression of chaos, always.
   I must say that downstairs on Darshan days people chat, look each other over, see how he or she is dressedits like a county fair around the Samadhi.
   Yes, its truewhos there, who isnt, how he looks, whos he with Oh!
  --
   I have had hundreds of such examples Its not always the same scene. The scenes are different, but the story is always the same the thing, in its truth, is absolutely luminous, pleasant, charming; then as soon as men get involved, it becomes an abominable complication. And once you say, No! Ive had enough of all thisits NOT TRUE! it goes away.
   There have been similar stories in dreams with X. I saw him when he was very young (his education, the ideas he had, how he was trained). And the same thing happened. I was with him but Ill tell you that another time6 And then at the end, Id had enough and I said, Oh, no! Its too ridiculous! and with that I left the house. At the door was a little squirrel sitting on his haunches making friendly little gestures towards me. Oh! I said, heres someone who understands better!

0 1961-01-10, #Agenda Vol 02, #The Mother, #Integral Yoga
   Put this way, there is no need to bring the principle of love into our explanation. But if we want to know or understand the nature of the Force or Power that permits and accomplishes this transformation (specially in the case of evil, but for ugliness to some extent as well), we see that of all powers, Love is obviously the mightiest, the most integralintegral in that it applies to all cases. Its even mightier than the power of purification which dissolves bad wills and is, in a way, master over the adverse forces, but which doesnt have the direct transforming power; because the power of purification Must FIRST dissolve in order to form again later. It destroys one form to make a better one from it, while Love doesnt need to dissolve in order to transform: it has the direct transforming power. Love is like a flame changing the hard into the malleable, then sublimating even the malleable into a kind of purified vapor. It doesnt destroy: it transforms.
   Love, in its essence and in its origin, is like a white flame obliterating ALL resistances. You can have the experience yourself: whatever the difficulty in your being, whatever the weight of accumulated mistakes, the ignorance, incapacity, bad will, a single SECOND of this Lovepure, essential, suprememelts everything in its almighty flame. One single moment and an entire past can vanish. One single TOUCH of That in its essence and the whole burden is consumed.

0 1961-01-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   Of course, people who dont think deeply enough will say, Oh, but if we see that things are exactly as they should be, then nothing will budge. But no! There isnt a fraction of a second when things arent moving: theres a continuous and total transformation, a movement that never stops. Only because its difficult for us to feel that way can we imagine that by our entering certain states of consciousness things would not change. Even if we entered into an apparently total inertia, things would continue to change and we along with them!
   Ultimately, disgust, rebellion and anger, all movements of violence, are necessarily movements of ignorance and of limitation with all the weakness that limitation implies. Rebellion is a weakness, for its the feeling of an impotent will. When you feel, when you see that things are not as they should be, then you rebel against whatever is out of keeping with your vision. But if you were all-powerful, if your will and your vision were all-powerful, there would be no opportunity to rebel! You would always see that all things are as they should be! That is omnipotence.1 Then all these movements of violence become not only useless but profoundly ridiculous.

0 1961-01-17, #Agenda Vol 02, #The Mother, #Integral Yoga
   But until then, there is this kind of indignation stemming from the fact that one is not entirely above: its a period when one totally disapproves of certain things and would be incapable of doing them. And up to this point, there is nothing to say, unless one gives an external, violent expression to his indignation. If anger interferes, it indicates an entire contradiction between the feeling one wants to have and this reaction towards others. Because anger is a deformation of vital power originating from an obscure and thoroughly unregenerate vital,1 a vital still subject to all the ordinary actions and reactions. When an ignorant, egoistic individual will exploits this vital power and encounters opposition from other individual wills around it, then under the pressure of opposition this power changes into anger and tries to obtain through violence what could not be achieved by the pressure of the Force alone.
   Anger, moreover, like all forms of violence, is always a sign of weakness, impotence and incapacity. Here the deception comes from the approval one gives it or the flattering adjective one covers it with; for rage can be no more than blind, ignorant and asuricopposed to the light.

0 1961-01-22, #Agenda Vol 02, #The Mother, #Integral Yoga
   Oh, no! (Mother laughs) I dont use such violent means! No, no! It was very strange. When it fell upon me (four or five days ago, I no longer recall), everything I had gained materially disappeared! As though all that had been conquered and mastered, even what had begun to change, even wrong functionings that had completely ceased, all that had been set right and brought under control: gone! Gone! Completely gone! As if everything came back in one fell swoop.
   I remained perfectly tranquil, there was nothing else to do; I knew it meant a battle. I was perfectly tranquil, but I could no longer eat, I could no longer rest, do japa2 or walk, and my head felt as though it would burst. I could only abandon myself (Mother opens her arms in a gesture of surrender), enter into a very, very deep trance, a very deep samadhithis is something one can always do. But that was the only thing left to me. Ideas were just as clear as ever (all that is above and doesnt budge), but my body was in a very bad way. It was a fight, a fight at each second. The least thing, just to walk a step, was a struggle, an awful battle!
   Then last night I saw the symbol, the image of the thing. But what was it? It was an element in the most material Matter,3 because it was deep down below; yet despite it all, Mother Nature was in charge there: she was familiar with everything, knew everything and it was all at her disposalabsolutely the most material Nature. And she herself had no light, but was very, very she had a concealed power that was completely invisible.
   Each time I set out to leave her domain and ascend above, it triggered a hurricane. I would pass this way and the storm started up, pass that way, unleash a gale. Finally she approached me and said very gently, very sweetly, in a most unassuming way, No, dont go there, dont go! Dont try to return to your home. They have set up a dreadful hurricane! And artificial: there were explosions like bombs everywhere, and even worse, like thunderbolts. One could see the artificial tricks and electrical effects they were using to create their thunder, but it was on a tremendous scale!
  --
   Something was obviously bent on preventing me from going down for the distribution.4 But by an act of will I went down. I will do it, I said. But it was difficult. There were moments when it sidled up to me: Now youre going to faint, and then, Now your legs will no longer be able to walk. Now. It kept coming like that. So I kept repeating the japa the whole time, and it was touch-and-go right up to the end. Finally I couldnt distinguish people, I saw only shapes, forms passing by, and not clearly. When the distribution was over, I got up (I knew I had to get up), I stood up without flinching and stepped down from the chair without faltering. But I was not careful and when I turned away from the light in the room to go towards the staircasean abrupt blackout. Not the blackout of a faintmy eyes no longer saw. I saw only shadows. Ah! I said to myself, where is the step?! And to avoid missing it, I clutched the railing. What a commotion that made! champaklal came rushing up, thinking I was about to fall!
   Anyhow.

0 1961-01-24, #Agenda Vol 02, #The Mother, #Integral Yoga
   Then yesterday afternoon, when I went upstairs to walk,1 a couple of things occurrednot personal, but of a general natureconcerning, for instance, certain old-fashioned conventions having to do with women and their particular nature (not psychological, physical)old ideas like that which had always seemed utterly stupid to me suddenly provoked a kind of reprobation completely out of proportion to the fact itself. Then one or two other things2 happened in regard to certain people, certain circumstances (nothing to do with me personally: it came from here and there). Then suddenly, I saw a Force coming (coming, well, manifesting) which was the same as that thing I had felt within me but even bigger; it began whirling upon the earth and within circumstances oh, like a cyclone of compact power moving forward with the intention of changing all this! It had to change. At all costs, it must change!
   I was above, as usual (Mother points above her head, indicating the higher consciousness), and I looked at that (Mother bends over, as if looking down at the earth), and said to myself, Hmm, this is getting dangerous. If it continues like this, it will result in in a war or a revolution or some catastrophea tidal wave or an earthquake. So I tried to counteract it by applying the highest consciousness to it, that of a perfect serenity. And I saw especially that this consciousness has been missioned to transform the earth through the Supermind and by the supramental Force, avoiding all catastrophes as far as possible: the Work is to be done as luminously and harmoniously as the earth would allow, even by going at a slower pace if need be. That was the idea. And I tried to counteract that whirlwind power with this consciousness.
  --
   I must say that after this, when I read The Secret of the Veda as I do each evening. In fact, I am in very close contact with the entire Vedic world since Ive been reading that book: I see beings, hear phrases. It comes up in a sort of subliminal consciousness, a lot of things are from the ancient Vedic tradition. (By the way, I have even come to see that the pink marble bathtub I told you about last time, which Nature had offered me, belongs to the Vedic world, to a civilization of that epoch.3) There werethere are alwaysSanskrit words coming up, sentences, bits of dialogue. This is of interest, because I realized that what I had seen the other day (I told you about it) and then what I saw yesterday that whole domainwas connected to what the Vedas call the dasyus the panis and the dasyus4the enemies of the Light. And this Force that came was very clearly a power like Indras5 (though something far, far greater), and at war with darkness everywhere, like this (Mother sketches in space a whirling force touching points here and there throughout the world), this Force attacked all darkness: ideas, people, movements, events, whatever made stains, patches of shadow. And it kept on going, a formidable power, so great that my hands were like this (Mother clenches her fists). Later when I read (I happened to be reading just the chapter concerning the fight against the dasyus), this proximity to my own experience became interesting, for it was not at all intellectual or mental there was no idea, no thought involved.
   The remainder of the evening passed as usual. I went to bed, and at exactly a quarter to twelve I got up with the feeling that this presence in me had increased even further and really become rather formidable. I had to instill a great deal of peace and confidence into my body, which felt as though it wasnt so easy to bear. So I concentrated, I told my body to be calm and to let itself go completely.
  --
   A truly ESSENTIAL change in the body has occurred.
   I see that the body will have tohow can I express it? It will have to accustom itself to this new Power. But essentially the change has been accomplished.
   Its not it is far, very far from being the final change, theres a lot more to be done. But we may say that its the conscious and total presence of the supramental Force in the body.
   (silence)
  --
   Does a servant come to your house? No one is sick in his family? Because what happens is that they dont want to lose their jobs or their salary, so they dont warn you. They may have smallpox or measles or chickenpox and they dont take the slightest care to wash or change their clothes; they come to your house and of course they bring along the disease. So the number of cases keeps multiplying and multiplying. I have been meaning to tell Pavitra to be careful of that little character who works for himeven ordinarily I dont like to see him running around here. Its strange how it sullies the atmosphereoh, you cant imagine! Almost all of them, almost all!
   Its not at all the same as in the West, in Europe or America, not at all. Basically, the people in those countries are made of the same stuff as we are. But here thats not the case, because for centuries it never changeda Brahmin, for example, always remained a Brahmin, a Kshatria was always a Kshatria and all his servants were Kshatrias. It stayed in the family, in the sense that in each caste the servantsoften poor relativesbe longed to that same caste. From a social standpoint this might not have been too pleasant, but as far as atmosphere was concerned, it was very good. This was changed, however, first by the Muslim invasion, and then especially by the British.
   The British, you see, were served only by pariahs (in fact, its we Europeans who named them that!). But they were not actually pariahs by birth, they became pariahs out of HABIT.
  --
   In any case, I really tried my best, with all the power I had, all the knowledge I had, because I liked this girl a lot, it wasnt at all a question of charity, I found her very interesting. But I watchedwith a kind of horror, reallyas this past repossessed her more and more, more and more each day, until we were finally obliged to dismiss her, to tell her, Go. Yes, I understand, she replied, I cant stay here.
   She lived in France from the age of thirteen, with all that those people did for her! (It was Ambroise Thomas, I remember now. They were so kind to her.) And naturally she had picked up very fine manners the outer appearances were all there.
  --
   Satprem later asked Mother what she meant by these 'things,' and Mother replied: 'For example, there was a certain man's attitude with respect to life and to the Divine, and what he thought of himself, and so forth. You see, what came was a whole range of characters and one particular action of one man, and then something else came up.... How to explain? ... These are POINTS OF WORK which come to me, things that present themselves in the atmosphere for me to seethings I see and which have to be acted upon.'
   A few days later, Mother rectified: 'I have looked at the experience again and realized that it's not Vedic but pre-Vedic. The experience put me into contact with a civilization prior to the Vedas the Rishis and the Vedas are a kind of transition between that vanished civilization and the Indian civilization which grew out of the Vedic Age. It was yesterday [January 26] that I perceived this, and it was quite interesting.'

0 1961-01-27, #Agenda Vol 02, #The Mother, #Integral Yoga
   To illustrate this, an interesting thing came upyesterday, I think. (All these experiences come to show me the difference, as if to give proof of the change.) Someone had had a dream about me whispered to him by the adverse forces for specific reasons (I wont go into the details). He was much affected by it, so he wrote down the dream and gave it to me. I was carrying his letter along with all the others, as I usually do, but suddenly I knew I had to read it right away: I read it. Then I saw the whole thing with such clarity, precision, accuracy: how it had come about, how the dream had been produced, its effect the whole functioning of all the forces. As I read along and it went on unfolding, I did what was necessary for him (he was present at the time) in order to undo what the adverse forces had done. Then at the end, when I had finished, said everything, explained what it was all about and what had to be done, something SO CATEGORICAL came into me (I cannot verbalize this kind of experience, it is what I call the difference in power: something categorical). I took the letter, uttered a few words (which I wont repeat) and said, You see, its like this: so much for that, and I ripped the letter a first time. Then, thats for that, I tore it a second time and so on. I ripped it up five times and the fifth time I saw that their power was destroyed.
   I have done these things beforeits a knowledge I already hadand it always had its effect when I did them; its not that I am passing from powerlessness to power, not at all. But its this kind of yes, something definite, absolutea kind of absolute in vision, in knowledge, in action and ABOVE ALL in powera kind of absolute that doesnt need to conquer obstacles and resistances, but ANNULS the resistance automatically. Then I saw that something had truly changed.
   (After a digression, Mother gives another example of the change:)
   I told you something concerning the power of the will, didnt I?
  --
   And that is a change, truly a change.
   The tantric guru.

0 1961-01-31, #Agenda Vol 02, #The Mother, #Integral Yoga
   I am translating it to make myself understoodit wasnt like that at the time of the experience. Suppose, for example, that there was a disorder here or there in the body, not actually an illness (because illness implies some important inner factor such as an attack or the necessity for some transformation, many different things), but the outer expression of a disorder, such as swollen legs or a malfunctioning liver not an illness, a disorder, a functional disorder. Well, it was all utterly unimportant: IT IN NO WAY chaNGES THE BODYS TRUE CONSCIOUSNESS. Although we are in the habit of thinking that the body is very disturbed when its ill, when something is going wrong, its not so. It isnt disturbed in the way we understand it.
   Then what is disturbed if not the body?

0 1961-02-04, #Agenda Vol 02, #The Mother, #Integral Yoga
   A formidable concentration of vitalityof all animals, the serpent has the most vitality. Its tremendous! And energy progressive energy, energy of movement (progressive in the me chanical sense). Its meaning has been changed to a psychological one, but its a force of movement.
   Then why do these creatures always seem so evil to us?

0 1961-02-11, #Agenda Vol 02, #The Mother, #Integral Yoga
   55Be wide in me, O Varuna; be mighty in me, O Indra; O Sun, be very bright and luminous; O Moon, be full of charm and sweetness. Be fierce and terrible, O Rudra; be impetuous and swift, O Maruts; be strong and bold, O Aryama; be voluptuous and pleasurable, O Bhaga; be tender and kind and loving and passionate, O Mitra. Be bright and revealing, O Dawn; O Night, be solemn and pregnant. O Life, be full, ready and buoyant; O Death, lead my steps from mansion to mansion. Harmonise all these, O Brahmanaspati. Let me not be subject to these gods, O Kali.1
   He invokes all these Vedic gods and tells each one to take possession of him; and THEN he tells Kali to free him from their influence! It is very amusing!
  --
   The body doesnt ask (its so docile), it doesnt even ask for its sufferings to stopit adapts to them. Its mainly my contact with people that makes the thing difficult: when I am all alone upstairs, everything goes well, quite well. But when I spend one or one and a half hours in the afternoon seeing people, afterwards I feel exhausted. That, obviously, is whats making the thing difficult. But the body doesnt complain. It doesnt complain, its ready. The other day when it went back upstairs, it felt a bitwell, at the end of its resources, as though it had pushed itself to the limit. It said to the Lord (and it said this so clearly, as though the consciousness of the cells were speaking; I noted it down): If this (I cant call it an illness there is no illness! Its a condition of general disequilibrium), if this condition is necessary for Your Work, then so be it, let it go on. But if its an effect of my stupidity (you see, its the BODY saying, If its because I dont understand or I am not adapting or not doing what I should or not taking the proper attitude), if it is an effect of my stupidity, then truly I pray that. It asks only to changeto know and to change!
   It is attached to nothing: none of its habits, none of its ways of being-nothing. It says in all sincerity, I ask only for the Light, only to change. That is its state. it has never, never said, Oh, Im tired, Ive had enough! Bah! Its not like that. It is attached to nothing for a long, long time it has ceased to have desiresit is attached to nothing at all, to nothing. There isnt a single thing for which it says, Oh, I cant do without that! Not one. It doesnt care-if something comes, it takes it; if it doesnt come, the body doesnt think about it. In other words, its truly good-natured. But if this isnt sufficient, then it doesnt know and it says, If there is something I cant do or I dont know or I am not doing It asks for nothing more than to make the necessary effort!
   (silence)
  --
   Yet I havent the slightest impression that the horizon is blockedyou know, that the end is at hand, that the condition has to be changed and the Work begin again on another plane and in another way; in other words, that everything attempted so far would have been only a preparation for for later. I still dont have that feeling. If I ever do, I will say, Very well, thats quite all right with me, but I dont have this feeling. Will I ever have it? I dont knowusually (laughing), I know these things! For instance, I know for certain when someone is going to die, even before theres the least indication. So.
   In the present case, of course, the body is always saying, I am ready for everything I will do anything at all; yet I still cant say that it has this. Its trying to be completely pure according to the spiritual conceptit doesnt sense its separate personality. More and more, year after year, it has been striving to feel only the divine Presence, the divine Life, the divine Force and the divine Will, all within itself; and to feel that without them it is nothing, it doesnt exist. This is fully realized in its consciousness (the conscious part). In the subconscient and inconscient,5 obviously it is not realized otherwise, logically, it shouldnt be ill.
  --
   Thats how it works. Because all substance is ONE. All is onewe constantly forget that! We always have a sense of separation, and that is total, total falsehood; its because we rely on what our eyes see, on (Mother touches her hands and arms, as if to indicate a separate body, cut off from other bodies). That is truly Falsehood. As soon as your consciousness changes a little, you realize that what we see is like an image plastered over something. But its not true, NOT TRUE AT ALL. Even in the most material Matter, even a stoneeven in a stoneas soon as ones consciousness changes, all this separation, all this division, completely vanishes. These are (how to put it?) modes of concentration (something akin to yet not quite that), vibratory modes WITHIN THE SAME THING.8
   (The clock strikes) Oh, now I must go!

0 1961-02-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   So well see how long this is going to last. I understand why people have never tried to change it: stir up that quagmire? No! It takes a lot (laughing), a lot of courage! Oh, its so easy to escape, so easy to say, None of that concerns me. I belong to higher spheres, it doesnt concern me.
   Anyway, its obvious that nobody has succeeded, so far not a single person and I understand! I understand. When you find yourself face to face with it, you wonder, How could anything possibly withstand this!
  --
   Act from above. My child, I have been acting from above for more than thirty years! It changes nothingor if it changes it doesnt transform.
   Then one must descend to that level?
  --
   The worlds outer evolution is moving ahead so rapidlyin terms of scientific developments that this change CANNOT be put off for millions of years. Mans inner development needs to catch up with all that, doesnt it?
   Yes, surelyoh, yes!
  --
   It has given the physical consciousness a certain self-confidence in the sense that when I see something now, I am sure of it, there are no hesitations: Is this right or not? Is this true, is this.All that has vanishedwhen I see, there is certainty. That is, there has really been a great change in the material CONSCIOUSNESS; but that formidable power is not there. I tell you, had that power stayed here, had I remained constantly as I was during those hours that night, well, many things would obviously have changed.
   All this must be a preparation; there is a lot to be cleared out before the experience can be firmly established. Thats logical, it is quite natural.

0 1961-02-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   The first sign is perfect equality as Sri Aurobindo has described it (you must know it, theres a whole chapter on equality, samat, in The Synthesis of Yoga)exactly as he described it with such wonderful precision! But this equality (which is not equanimity) is a particular STATE where one relates to all things, outer and inner, and to each individual thing, in the same way. That is truly perfect equality: vibrations from things, from people, from contacts have no power to alter that state.
   In my reply I mentioned this first, though I didnt give him all these explanations. I put it in a few words as a kind of test of his intelligence, and in a somewhat cryptic form to see if he would understand.
  --
   The day we find it things will change.
   (silence)
  --
   It is the VERY NATURE that changes, it is something else.
   Always, when this feeling of absolutenessan absolutecomes (in whatever realm it may be), it carries EVERYTHING within it, it is.
  --
   To be perfect, the equality must be invariable and spontaneous, effortless, towards all circumstances, all happenings, all contacts, material or psychological, irrespective of their character and impact.
   The absolute and indisputable certainty of an infallible knowledge through identity.
  --
   I.e., it is not through any effort or tapasya that the true change is brought about.
   Barringtonia speciosa ('Supramental Action').

0 1961-03-04, #Agenda Vol 02, #The Mother, #Integral Yoga
   In addition, I told them it was preferable not to hold any functions herethey can be held at Tapogiri in the Himalayas, or elsewhere and this is understood. They did hold a seminar here (a perfect fiasco, besides), but it had been arranged a long time ago. They invited people who promised to come (I think very few showed up in the end), and it was of very secondary importance. Nevertheless, I told them, This is the last time; dont do it here any more. At Tapogiri, as often as you like: its a beautiful spot in the mountains, a health resort, people go there in the summer for the fresh air and to sit around and chat!
   What shocked me was. You know I rarely leave my house, but each time I would come to the Ashram for darshan or to see you, always, as if by chance, I would find J. off in a corner with some European visitor. The repetition of this coincidence made me wonder, Whats he doing so systematically with ALL the European visitors?! And it shocked me to imagine myself in their place: just suppose, I said to myself, you are coming to the Ashram for the first time, very open, in search of a great truth, and you stumble upon this man who tells you: Sri Aurobindo = World Union. Well, my first reaction would be, Im leaving, Im not interested!
   It serves as a test, my child, a very good test! There are many things like that.
  --
   This is the text of Mother's reply to J.: 'I have read Z's account and your own letter on this subject. in the faith of his devotion, he must have been quite offended. The truth in what he says is that any idea, WHATEVER its degree of truth, is ineffective if it does not also carry the power acquired through realization, by a real change of consciousness. And if the proponent of this idea does not himself have the realization, he must seek the backing of those who have the power. On the other hand, what you say is true: an idea ought to be accepted on the basis of its inherent truth and not because of the personality expounding it, however great this personality may be. These two truths or aspects of the question are equally true but also equally incomplete: they are not the whole truth. Both of them must be accepted and combined with many other aspects of the question if you want to even begin to approach the dynamic power of the realization. Don't you see how ridiculous this situation is? Three people of goodwill meet in the hope of teaching men the necessity for a "World Union" and they are not even able to keep a tolerant or tolerable union among themselves, because each sees a different angle of the procedure to be followed for implementing their plan.'
   Although it began as a fund-raising organization for the needs of the Ashram and Auroville, this 'strictly external thing,' which had 'nothing to do with working for an ideal,' would, after Mother's departure, coolly declare itself the 'owner' and guide of Auroville.

0 1961-03-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   I knew when I caught it: it was at the Playground.4 Certain people poisoned me with a mosquito bite the instant the mosquito bit me, I knew, because it so happens I am a little bit conscious! But I controlled it like this (gesture of holding the disease in abeyance and under control), so it couldnt stir. Probably it would never have stirred if I hadnt had that experience of January 24 and the body didnt need to be made ready. For the body to be ready, a host of things belonging to the dasyus, as the Vedas say, cant be stored inside it! These are very nasty little dasyus (laughing), they have to be chased away!
   When the disease came back, I said to myself, Very well, this means it must be dealt with in a new way.

0 1961-03-11, #Agenda Vol 02, #The Mother, #Integral Yoga
   56When, O eager disputant, thou hast prevailed in a debate, then art thou greatly to be pitied; for thou hast lost a chance of widening knowledge.
   How fine! Many things could be said.
  --
   So, mon petit, weve had quite a little chat!
   Is everything all right? Yes?
  --
   It doesnt matter. Fundamentally, it doesnt matter. Yesterday, while I was walking I was walking in a kind of universe that was EXCLUSIVELY the Divineit could be touched, felt: it was within, without, everywhere. For three-quarters of an hour, NOTHING but that, everywhere. Well, I can assure you, at that moment there were certainly no more problems! And what simplicitynothing to think about, nothing to want, nothing to decide: to BE, be, be! (Mother seems to dance) To be in the infinite complexity of a perfect unity: all was there but nothing was separate; all was in movement yet nothing changed place. Truly an experience.
   When we become like that, it will be very easy.

0 1961-03-14, #Agenda Vol 02, #The Mother, #Integral Yoga
   Then there are days when you are in contact with the divine Consciousness, with the Grace, and all is tinged, colored by this Presence, and things which usually seem dull to you become charming and pleasant all is alive, all is vibrant. At other moments you are clouded, closed, you no longer feel anything, everything loses its flavor you are like a walking block of wood.
   It comes and goes along the way, you dont keep it permanently; its like crossing a zone, a perfumed zone, and then its past for the moment, its over. A fleeting caress.
  --
   How to explain it? Its rather strange: the cells attitude and their state of consciousness is changing with extraordinary rapidity; yet from the ordinary viewpoint of health, there is no corresponding progress, quite the contrary. One could say things arent going too well, but I see clearly that its not true. I see that it isnt true, its only an appearance but reconciling the two is difficult.
   I have been honored with a form of filariasis which occurs perhaps not once in a million cases. The doctor isnt tearing his hair out because thats not his way, but he is perplexed.

0 1961-03-21, #Agenda Vol 02, #The Mother, #Integral Yoga
   I had told N. to knock at the door when he arrived with X, but he didnt do itluckily I heard the door opening. I stood up, still in that state and almost fell over! X must have thought I was having a spell of weakness or something, because I was holding onto the arms of the chair, and when I took his flowers, my hands were trembling I wasnt in my body. And afterwards, ah, what a concentration! We remained in it for about thirty-five minutes. It was SOLIDan extraordinary solidity! I didnt want to waste time waiting for it to subside before coming here, and you must have seen how I was when I arrived: like a sleepwalker! I said to the people I passed in the corridor, Im coming back, Im coming back! Thats all I could say, like an idiot.
   (silence)

0 1961-03-27, #Agenda Vol 02, #The Mother, #Integral Yoga
   You know he said someone has been doing black magic against me; but I have never felt anything of the sort in the room where we meditate, because I make a point of coming half an hour early and this of course clears the atmosphere: everything is always ready when he arrives, in silence, in perfect peace. Hasnt he always told you that when he comes into that room he enters another world, like Kailas?1 And thats the way it has always been. If there has been a change, its that now its even more like thatbecause (how to put it?) its more stable. Before, it fluctuated a bit: it came, went, came. But now its like a tranquil mass (Mother lowers her arms) that doesnt stir. Yesterday in particular, this was the experience: I felt him coming (when he is about to come in, I always sense something drawing me outward a little so that I wont be completely in trance and can stand up), and this prayer came so spontaneously, oh! And then (laughing) in the afternoon N. tells me, Oh, X said he had some difficulty at the start of todays meditationa hostile force was present and it took him five minutes to clarify the atmosphere!
   It gave me the impression you get in outer life: all the pieces more or less dovetail but with no inner unitytheres not ONE thing, not one, that is true, essentially and always true. We know it is like that outwardly, of course; but I have always felt that with people who have an inner life, one could attain a kind of identity of vibration and knowledge but no!
  --
   It reinforces what the old Schools have always taught but Sri Aurobindo rejected it! Sri Aurobindo told us precisely that the Truth could be lived IN material life. Of course, there must be a change of consciousness, but I thought.
   (silence)
   My bodys consciousness has changed that much I know. Not totally, of course, but enough to feel that theres no separation, that vibrations are unpartitioned there are no partitions! And I felt this very strongly with X: that when we were face to face in meditation there was no longer any difference between us, that this Vibration I was feelingthis Vibration of a strong and very solid, very balanced peacewas the same for him as for me. I didnt feel that I was here and he was there. I had only to shut my eyes and there was no difference between us. (This doesnt happen just with him: I feel it with everyone; but I am aware of how it is with others, I can sense why they dont feel it.) But I was under the impression that he, at least, would have felt it I must have been mistaken! This incident came to tell me I was mistaken.
   Still, it surprises me. Because sitting in that room, one has the feeling (I say one, its probably I dont know what it is), I thought he had the same feeling I did: oh, it could last an eternity! Its like that: tranquil, tranquil, peaceful, balanced, strong. On other occasions there was a kind of movement: it came, went, came, went; but this time (Mother stretches forth her arms as if time had stopped) and I am like that (not the I here, the I above), I see it like that. Then just as the clock is about to strike, when the half-hour is finished, something comes and tells my body, Now! A tiny shock, and two or three seconds later the clock strikes. I always feel beforehand, Now its over. Otherwise there would be no reason for it to endits so peaceful! And not something diluted, as it were, but strong, compact. Compact. Then that tiny shock and the body comes to attention: Ah, Im going to have to move! And always after about two seconds, the clock strikes. I open my eyes, look at X and wait. Three or four seconds later, or after a minute or two, he opens his eyes, bows to me and gets up. Then I get up. Its always the same. So I dont know why. I dont understand what goes on in his consciousness. I no longer understand.
  --
   The absolute certainty of the Victory is unquestionable; but I am not speaking at the scale of our bounded mind. Its up to us to chaNGE TACKthis is whats expected of us, to change tack and not keep going round in circles.
   There you are, petit.

0 1961-04-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   What we really have to do is come alive from minute to minute, living always in the present moment, stubbornly, like this (Mother puts a fist on the arm of her chair, then another, and so on, in a slow, dogged, unrelenting march).,
   Yet Sri Aurobindo seemed to say that things would be easier once the Supermind came down.

0 1961-04-08, #Agenda Vol 02, #The Mother, #Integral Yoga
   He is used to maintaining a kind of poise, the poise of the traditional attitude of indifference towards everything material: Its an illusion, it has no importance, theres no need to be concerned with it. Nature is acting, not 1; Nature is acting and Nature is built like that, so why bother about it, why worry. Thats how he lived until he came here, and its why he had this attitude of indifference. But here it began to change. And of course his body isnt used to it; it has difficulty keeping up, it lacks plasticity.
   The first thing he did was to go see the Doctor and ask him to heal his ear, heal his stomach, heal. So the Doctor told him, But why do you eat just anything at any time of day? Naturally youre sick. And then he was constantly running up against our ways of organizing material things herepeople like him dont organize, they dont care, they just let things drift. Regarding his son, for instance, the Doctor told him, Its because you dont look after him. If you did, this wouldnt happen. And X very bluntly replied, But why!?

0 1961-04-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   I had a nice photo of him with a Sanskrit dedication, placed on top of a kind of wardrobe in my bedroom. I open the door and the photo falls. (There was no draft or anything.) It fell and the glass broke into smithereens. Immediately I said, Oh! Something has happened to Fontenay. (That was his name: charles de Fontenay.) After that I came back down from my room, and then I hear a miaowing at the door (the door opened onto a large garden courtyard1). I open the door: a cat bursts in and jumps on me, like that (Mother thumps her breast). I speak to him: What is it, whats the matter? He drops to the ground and looks at meFontenays eyes! Absolutely! No one elses. And he just stayed put, he didnt want to go. I said to myself, Fontenay is dead.
   The news came a week later. But the newspapers gave the date when they had moved out of the trenches and been killedit had been on that day.
  --
   But both times, the incarnation was so (how to put it?) powerful that the eyes changed; the eyes of the cat changed completely into the eyes of the dead person. Unmistakable. Both came to me and both times there was the same movement, the same kind of feline howlyou know how they sound.
   But I have had some cats. I had a cat who was the reincarnation of the mind of a Russian woman. I had a vision of it one day, it was so strangethis woman had been murdered at the time of the Russian Revolution, along with her two little children. And her mind entered a cat here. (How? I dont know.) But this cat, mon petit. I got her when she was very young. She would come and lie down, stretched out like a human being, with her head on my arm! (I used to sleep on a Japanese tatami on the floor.) And she would stay there, so well-behaved, didnt stir all night long! I was really amazed. Then she had kittens, and wanted to give birth to them lying stretched out, not at all like a cat. It was very difficult to make her understand that it couldnt be done that way! And one night after she had had her kittens, I saw her I saw a young woman in furs, with a fur bonnetyou could just see a tiny human face; she had two little ones and she came to me and placed them at my feet. Her whole story was there in her consciousness: how she and the two children had been murdered. And then I realized she was the cat!
  --
   I had another cat named Kiki. He had a wonderful color and was just like velvet. We used to have meditations and he would come, get up on a chair and go into trance; he would make the brusque movements of trance during the meditation. And I had to rouse him out of it, otherwise he wouldnt wake up!
   Once this cat was stung by a scorpion. A foolhardy youngster, he used to play with scorpions. I had to rescue him one day; I came onto the verandah just when he was playing with a big scorpion. I caught the cat, put him on my shoulder and killed the scorpion. But another time I wasnt there, and he was stung. He came inside, done for. I clearly saw the signs that he had been poisoned by a scorpion. I put him on a table and went to call Sri Aurobindo. Kiki has been stung by a scorpion, I said. (He was dying, almost in a coma.) Sri Aurobindo pulled up a chair, sat down facing the table and began to gaze at Kiki. This lasted about twenty or twenty-five minutes. Then suddenly the cat relaxed completely and fell asleep. When he woke up, he was entirely cured.
   Sri Aurobindo didnt touch him, he didnt do anything; he simply gazed at him.
  --
   Because later on he would go roaming about; he had become terribly strong and would prowl around everywhere. At that time I was living in the Library house, and he would go off as far as the Ashram street (the Ashram didnt belong to us yet, the house was owned by all kinds of people), but when I would go out on the terrace across from champaklals kitchen and call, Big boy! Big Boy! although he couldnt hear it, he could sense it, and he would come back galloping, galloping. He always came back, unfailingly. The day he didnt come back, I got worried; the servant went looking for himand found him moaning, vomiting, poisoned. He brought him to me. Oh, really! it was. He was so nice! He wasnt a thief or anythinghe was a wonderful cat. Someone had laid out poison for god knows what cat, and he ate it. I showed him to Sri Aurobindo and said, He has been killed.
   Before that, I lost another one from that kind of typhoid cats get. He was called Browny and he was so beautiful, so nice, such a marvelous cat! Even when utterly sick, he wouldnt make a mess, except in a corner prepared just for that; he would call me to carry him to his box, with such a soft and mournful voice. He was so nice, with something sweeter and more trusting than a child. There is a trust in animals which doesnt exist in humans (even children already have too much of a questioning mind). But with him, there was a kind of worship, an adoration, as soon as I took him in my armsif he could have smiled, he would have. As soon as I held him, he became blissful.

0 1961-04-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   In one chapter of The Synthesis of Yoga, Sri Aurobindo says that there is a state of consciousness in which all is from all eternityeverything, without exception, that is to be manifested here.
   In detail?
  --
   But you must have a firm head on your shoulders! Reading some of these chapters in Self-Perfection, I thought it would be better if it didnt fall into just anyones hands.
   Anyway, in this state the feeling of uncertainty completely disappears (he explains it very well).
  --
   But things as they are wouldnt be changed at all. I have had a very clear experience of this: the absoluteness of all that is materially; everything we think we are doing, or are planning, or intending, doesnt change anything about anything. But then, I was intent upon understanding what difference there can be between the true and the false state, SINCE MATERIALLY EVERYTHING IS EXACTLY AS IT SHOULD BE. (We think that things are like this or like that because of certain reactions we have, but our very reactions are as absolute and decreed as the thing itself.) And yet.
   I have had this experience, and I remember it even went on for several days; I saw all material circumstances as an absolutean absolute that we perceive as an unfolding, but which is an eternally existing absolute. I had this experience, and at the same time I had a very clear perception of what falsehood is the lie; what, from the psychological, the mental point of view, Sri Aurobindo, translating from the Sanskrit, called crookedness.3 We attribute the course of circumstances to our psychological reactionsand indeed, they are used momentarily because everything collaborates either consciously or unconsciously to make things be what they have to be but things could be what they have to be without the intervention of this falsehood. I lived in that consciousness for several days, and it became apparent that this was what separated falsehood from truth. In this state of knowledge-consciousness, the distinction can be made between falsehood and truth; and when seen in that truth-consciousness, material circumstances change character.
   Now I no longer have the experience of that state except as a memory, so I cant formulate it accurately. But what was very clear and comes very oftenvery oftenis the perception of a superimposition of falsehood over a real fact. This brings us back to what I was telling you some time ago,4 that everything is very simple in its truth, that human consciousness is what complicates everything. But the former was an even more total experience of it.
  --
   No! Thats exactly our falsehood! What we see is not THE THING; its a reflection, a distorted image in our consciousness. The thing itself exists outside this reflection, and in that existence it doesnt have the character we attri bute to it. Once we have grasped this, we understand that we can get out of itotherwise, we could never get out!
   There is a universal unfolding, the true unfolding, that of the Supreme Lord who watches (this is the best way to put it) his own unfoldment. But for some reason or other, there has been a deformation of consciousness which makes us see this unfolding as something separate, a more or less adequate expression of the Divine Will. But it isnt so! It is the very unfolding of the Divine within Himselfwithin Himself, from Himself, for Himself. And its simply our falsehood that makes a separate thing of it The very fact of objectifying (what WE call objectification) is already a falsehood.5
  --
   Only just towards the end of the night, after 2 a.m., does all this subconscient rise up to be relived. And with such a new and unexpected perception, oh! Its incredible! It changes all values and relationships and reactions (Mother shapes great movements of shifting forces); its like a chessboard absolutely unexpected!
   And I see a very steady, insistent and regular action to eliminate moral values. How I have been plagued all my life by these moral values! Everything is immediately placed on a scale of moral values (not ordinary moralityfar from it! But a sense of what has to be encouraged or discouraged, what helps me towards progress or what hampers it); instantly everything was seen from the angle of this will to progresseverything, all circumstances, reactions, movements, absolutely everything was translated by that. Now, the subconscient is mounting upwards and, knee-deep in it, you see it as a lesson to tell you: so much for all your notions of progress! They are all based on illusionsa general lie. Things are not at all what they seem, they dont have the effects they appear to have, nor the results that are perceivedall, all, all, oh Lord!
  --
   Well, obviously to establish contact with and manifest what the people of the Vedas called the Truth, I still have a lot of things to change a lot.
   And yet its a fact that I am in the state where nothing exists any longer but the Divine, the Supreme the Supreme in every vibration, in everything I do, everything I feel. But in some way it must still be conditioned by my consciousness, since since its not yet THE Truth.
  --
   Once again, Mother's experience coincides with modern science, which is beginning to discover that time and space are not fixed and INDEPENDENT quantitiesas, from the Greeks right up to Newton, we had been accustomed to believe but a four-dimensional system, with three coordinates of space and one of time, DEPENDENT UPON THE PHYSICAL PHENOMENA DEVELOPING THEREIN. Such is 'Riemann's Space,' used by Einstein in his General Theory of Relativity. Thus, a trajectoryi.e., in principle, a fixed distance, a quantity of space to be traversed-is a function of the time taken to traverse it: there is no straight line between two points, or rather the I straight' line is a function of the rate of speed. There is no 'fixed' quantity of space, but rather rates of speed which determine their own space (or their own measure of space). Space-time is thus no longer a fixed quantity, but, according to science, the PRODUCT ... of what? Of a certain rate of unfolding? But what is unfolding? A rocket, a train, muscles?... Or a certain brain which has generated increasingly perfected instruments adapted to its own mode of being, like a flying fish flying farther and farther (and faster and faster) but finally failing back into its own oceanic fishbowl. Yet what would this space-time be for another kind of fishbowl, another kind of consciousness: a supramental consciousness, for example, which can be instantaneously at any point in 'space'there is no more space! And no more time. There is no more 'trajectory': the trajectory is within itself. The fishbowl is shattered, and the whole evolutionary succession of little fishbowls as well. Thus, as Mother tells it, space and time are a 'PRODUCT Of the movement of consciousness.' A variable space-time, which not only changes according to our me chanical equipment, but according to the consciousness utilizing the equipment, and which ultimately utilizes only itself; consciousness, at the end of the evolutionary curve, has become its own equipment and the sole me chanism of the universe.
   ***

0 1961-04-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   What is most interesting is that everything stays the same. Everything stays the same. You see how it is I can do anything, I talk to you, I joke. Everything stays the same, it doesnt make a change in anything.
   My problem begins when I ask myself how its going to change!
   There it is, petit. I think we would do well to keep all this secret.14

0 1961-04-29, #Agenda Vol 02, #The Mother, #Integral Yoga
   Men are such fools (laughing: it doesnt get any better!) that they can change anything at all into a religion, so great is their need for a fixed framework for their narrow thought and limited action. They dont feel secure unless they can affirm: This is true and that is not but such an affirmation becomes impossible for anyone who has read and understood what Sri Aurobindo has written. Religion and yoga are not situated on the same plane of the being, and the spiritual life can exist in its purity only if it is free from all mental dogma.
   People must really be made to understand this.
  --
   I remember once going into a church (which I wont name) and I found it a very beautiful place. It wasnt a feast or ceremony day, so it was empty. There were just one or two people at prayer. I went in and sat down in a little chapel off to the side. Someone was praying there, someone who must have been in distressshe was crying and praying. And there was a statue, I no longer know of whom: Christ or the Virgin or a Saint I have no idea. And, oh! Suddenly, in place of the statue, I saw an enormous spider like a tarantula, you know, but (gesture) huge! It covered the entire wall of the chapel and was just waiting there to swallow all the vital force of the people who came. It was heart-rending. I said to myself, Oh, these people There was this miserable woman who had come seeking solace, who was praying there, weeping, hoping to find solace; and instead of reaching a consciousness that was at least compassionate, her supplications were feeding this monster!
   I have seen other things but I have rarely seen anything favorable in churches. Here, I remember going to M I was taken inside and received there in quite an unusual waya highly respected person introduced me as a great saint! They led me up to the main altar where people are not usually allowed to go, and what did I see there! An asura (oh, not a very high-ranking one, more like a rakshasa4), but such a monster! Hideous. So I went wham! (gesture of giving a blow) I thought something was going to happen. But this being left the altar and came over to try to intimidate me; of course, he saw it was useless, so he offered to make an alliance: If you just keep quiet and dont do anything, I will share all I get with you. Well, I sent him packing! The head of this Math5. It was a Math with a monastery and temple, which means a substantial fortune; the head of the Math has it all at his disposal for as long as he holds the position and he is appointed for life. But he has to name his successor and as a rule, his own life is considerably shortened by the successorthis is how it works. Everyone knew that the present head had considerably shortened the life of his predecessor. And what a creature! As asuric as the god he worshipped! I saw some poor fellows throw themselves at his feet (he must have been squeezing them pitilessly), to beg forgiveness and mercyan absolutely ruthless man. But he received meyou should have seen it! I said nothing, not a word about their god; I gave no sign that I knew anything. But I thought to myself, So thats how it is!
  --
   At the age of eighteen, I remember having such an intense need in me to KNOW. Because I was having experiences I had all kinds of experiences but my surroundings offered me no chance to receive an intellectual knowledge which would have given me the meaning of it all: I couldnt even speak of them. I was having experience after experience. For years, I had experiences during the night (but I was very careful never to speak about them!)memories from past lives, all sorts of things, but without any base of intellectual knowledge. (Of course, the advantage of this was that my experiences were not mentally contrived; they were entirely spontaneous.) But I had such a NEED in me to know! I remember living in a house (one of these houses with a lot of apartments), and in the apartment next door were some young Catholics whose faith was very they were very convinced. And seeing all that, I remember saying to myself one day while brushing my hair, These people are lucky to be born into a religion and believe unquestioningly! Its so easy! You have nothing to do but believehow simple that makes it. I was feeling like this, and then when I realized what I was thinking (laughing), well, I gave myself a good scolding: Lazybones!
   To know, know, KNOW! You see, I knew nothing, really, nothing but the things of ordinary life: external knowledge. I had learned everything I had been given to learn. I not only learned what I was taught but also what my brother was taughthigher mathematics and all that! I learned and I learned and I learned and it was NOTHING. None of it explained anything to menothing. I couldnt understand a thing!
  --
   I remember a good-hearted priest in Pau [Southern France] who was an artist and wanted to have his church decorateda tiny cathedral. He consulted a local anarchist (a great artist) about it. The anarchist was acquainted with Andrs father and me. He told the priest, I recommend these people to do the paintings they are true artists. He was doing the mural decorationsome eight panels in all, I believe. So I set to work on one of the panels. (The church was dedicated to San Juan de Compostello, a hero of Spanish history; he had appeared in a battle between the Christians and the Moors and his apparition vanquished the Moors. And he was magnificent! He appeared in golden light on a white horse, almost like Kalki.6) All the slaughtered and struggling Moors were depicted at the bottom of the painting, and it was I who painted them; it was too hard for me to climb high up on a ladder to paint, so I did the things at the bottom! But anyway, it all went quite well. Then, naturally, the priest received us and invited us to dinner with the anarchist. And he was so nicereally a kind-hearted man! I was already a vegetarian and didnt drink, so he scolded me very gently, saying, But its Our Lord who gives us all this, so why shouldnt you take it? I found him charming. And when he looked at the paintings, he tapped Morisset on the shoulder (Morisset was an unbeliever), and said, with the accent of Southern France, Say what you like, but you know Our Lord; otherwise you could never have painted like that!
   Well.
  --
   I thought we would prepare a reply to T., but then I chatted away.
   But surely much of this could be used? Ill note down whats publishable make a selection.
   Oh, yes, definitely do that. But I am not keen on keeping all thatits much too personal. It involves a lot of people and a lot of things, and I dont want. Ive told it to you, thats all. Keep it for yourselfnot even for the Agenda, its not necessary. If you enjoy it, you can keep it thats all. I told it to you just like thatprobably because I felt like chatting!
   I could say many other things which would be almost the opposite of all Ive just said! It all depends on the orientation. If I really started talking, you know, I would seem like I dont know what, something like a lunatic, because with equal sincerity and equal truth, I could say the most opposing things.
  --
   No, its not to ask you to come I just want to know, if by chance I dont find you in the crowd, whether youre there and I am just not seeing you.
   I could come, but.

0 1961-05-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   The Immortal can pass from the condition of life to the condition of death (but not death as we understand it); can die means can change condition. The Immortal can pass from this condition to that condition and back and forth again. We call it death, but it has nothing to do with either life or death. They are changes of state.
   (silence)

0 1961-05-19, #Agenda Vol 02, #The Mother, #Integral Yoga
   The movement of initiating the action always proceeds in the same wayas something imperatively SEEN. Consequently, it should ALWAYS have an effect; but all kinds of things enter and cause a disturbance. So I dont call that Powerits too haphazard. But dont worry yourself over all this chatter.
   Oh, listen!

0 1961-05-23, #Agenda Vol 02, #The Mother, #Integral Yoga
   If you become identified with the Supreme and there is but ONE willHis then of course you have supreme mastery. Otherwise its all nothing but illusion. You imagine that by wanting a certain thing you can change circumstances, but you still have to be in total ignorance to believe that the change occurs because YOU want it toin fact, the Supreme is making use of you. Consequently, you have no mastery at all; you are an instrument used by the Supreme, and thats all.
   So all these things [the earlier Questions and Answers] seem quite childish to me, quite childishirrelevant chatter. You are outside the garden talking about what is within. It would be best to delete the whole thing.
   (In vain, Satprem protests, complaining that Mother always wants to delete everything.)

0 1961-05-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   Personally I have stopped I have stopped trying to know. With the stubbornness of a child, I keep repeating to the Lord, Its time You change all this!
   There are moments, you know, when you want to weepwhich is idiotic! So you surrender it all to the Lord: I leave this work to Youdo what You will, as You will, when You will.

0 1961-06-02, #Agenda Vol 02, #The Mother, #Integral Yoga
   many things will change,
   a great victory will be won.
  --
   D. asked me if changing the time of her japa had much importance. I told her she can change the time if she has to, provided she remains sincere thats the most important thing.
   These are small details. I myself am unable to do it at fixed hours; I had always hoped to do it between 5 and 6 in the afternoon, but I usually cant manage to go upstairs before ten to six! So so I do it from 6 to 7.
   Fundamentally, I have noticed one thing: if you yourself are in the right state, the right atmosphere is immediately created. And in addition, I am always in a sort of not even a convictionan ABSOLUTE perception that all that happens is the Lords doing. When He makes me late going upstairs its because He wants me to be late, and consequently, if I take it wellif instead of closing myself and getting annoyed I say, Good, thats fineimmediately a very interesting atmosphere is created, because at the same time I see all the advantages of this change. But this movement must not be mentalit has to be spontaneous.
   Therefore, I have told her (to put it simply): provided you are sincere in your attitude, all is well.
  --
   It was an odd thing, it seized me suddenly I was no longer able to climb the stairs! I didnt know how to do it! It also took hold of me once as I was having lunch I no longer knew how to eat! This, of course, is what the external world calls lapsing into second childhood. So I considered the problem of the poor old people who are thought to be lapsing into their second childhoodsmight they not, by chance, be on the frontier of liberation?! Perhaps.
   My brain is good!! (Mother laughs)
   Its good, but my skull. You know, there are people who read your character from the shape of your skullit would be interesting to have one of them touch mine. Mon petit, its a mountain range! With peaks and valleys! There are deep hollows, precipices, Himalayan peaks! And its increasing!
   Increasing!

0 1961-06-06, #Agenda Vol 02, #The Mother, #Integral Yoga
   No. I had finished reading the Veda and wanted to take up The Life Divine, but as I had never read On Himself,1 I chose it instead. I read the first chapter dealing with his life in England and to me it all seemed. Oh, why speak of all these things in connection with Sri Aurobindo? Why? I know quite well that he himself has repliedor rather rectified inexact things people had said about him but it made such a painful impression on me! Such a painful impression.
   Something must definitely be done which is free of that whole useless jumble about who his father was and so forthpah! I dont like that sort of thing.
  --
   Strangely, it happened after reading that first chapter of On Himself; while reading I felt a sort of malaise in my body, so slight that it was almost imperceptible, but still a malaise and it lasted through the night. Why? Nothing had changed in the consciousness.
   More and more I have the impression ofwhat? How can it be explained? A question of vibrations in Matter. Its incomprehensible, completely eluding all mental law, all psychological law: a self-existent something.

0 1961-06-24, #Agenda Vol 02, #The Mother, #Integral Yoga
   I have to goa high-priest is waiting for me! Yes, the man in charge of all the temples of Gujarat, thoroughly orthodoxhe has come to the Ashram for some mysterious reason and he wants to see me. Is it really necessary? I asked. He wanted an interview, he wants to speak to me (naturally hell be speaking god knows whatGujarati!). I had him told, I cant hear, Im deaf! Its very convenient Im deaf, I cant hear. If he wants to receive a flower from me (I didnt say make a pranam,8 because that would be scandalous!), he can come and Ill give him a flower. I told him eleven oclockits that time now.
   This is all Xs work. The most unexpected people, people youd think would rather be cursed than come to a place like this, are coming from everywhere, from the most diverse milieus the most materialistic materialists, fanatical communists, as well as all sorts of sannyasis, bhikkus, swamis, priestsoh! People who previously were not at all they werent so much disinterested as actually displeased with the Ashram.
  --
   Among Mother's papers we have found the following, which indicates that a state of dispersion after death is rather frequent (it concerns a disciple's mother who did not herself live at the Ashram): 'She has left her body without being at all prepared for the change of condition and has found herself disoriented and rather dispersed. She will need some time to recover from this dispersion before anything useful can be done for her.'
   May 17, 1959.

0 1961-06-27, #Agenda Vol 02, #The Mother, #Integral Yoga
   I have had an oft repeated experience of reliving the past1 (its a phenomenon of consciousness, possible because everything is preserved and continues to exist somewhere), with a kind of willwhich would be the sign of a powerto change it. I dont know, but at the moment of reliving it, instead of reliving the past just as it had been preserved, a power to make it different was introduced. I am not speaking of the power to change the consequences of the past (that is obvious and functions all the time)it wasnt that; it was the power to change the circumstances themselves (circumstances not quite material but of the subtle physical, with a predominantly psychological content). And since the will was there, from the standpoint of consciousness it actually happened that is, instead of circumstances developing in one direction, they developed in another. So it must correspond to something real, otherwise I would not have had the experience. It wasnt a product of the imagination; it wasnt something one thinks of and would really like to be differentit wasnt that; it was a phenomenon of consciousness: my consciousness was reliving certain circumstances (which are still quite living and obviously continue to exist within their own domain), but reliving them with the power and the knowledge acquired between that past moment and the present, and with a power to change the past moment. A new power entered the scene and turned the circumstance being relived in a new direction. I have had this experience many times and it has always surprised meits not a phenomenon of mental imagination, which is something else entirely.
   It opens the door to everything.
  --
   Does the past? We know it remains present somewhere. Does this fact enable the past to participate in the progressive movement (progressive for us) of universal change within the manifestation? There is no reason why not.
   But it remains present through its consequences.
  --
   I have what could be called a tactile sensation that the contents of the subtle atmosphere are increasing. This atmosphere is not part of material space as we conceive of or see it physically, where one thing has to give place to another (Mother changes the position of an eraser on the table)and even that (laughing) I believe is an illusion! It only SEEMS like that to us! Its not on the wholly material plane, but just behind or within (how to put it?), and its contents are increasing. And as its happening within inner dimensions, it can augment, so to speak, indefinitely; things become more and more interwoven, if you see what I meanwhere there was one phenomenon of consciousness there may now be hundreds, interwoven with each other in the inner dimensions; which means, for example, considering only our tiny planet, that the earth is becoming more and more compact and rich with all that has been since the beginning of its formationbecause its all there, it is all still there.
   Actually, as soon as one is not totally, totally tied down by the physical sense organs. For example, I am more and more frequently experiencing changes in the quality of vision. Quite recently, yesterday or the day before, I was sitting in the bathroom drying my face before going out and I raised my eyes (I was sitting before a mirror, although I dont usually look at myself); I raised my eyes and looked, and I saw many things (Mother laughs, greatly amused). At that moment, I had an experience which made me say to myself, Ah! Thats why, from the physical, purely material standpoint, my vision seems to be a bit blurred. Because what I was seeing was MUCH clearer and infinitely more expressive than normal physical sight. And I recalled that it is with these clearer eyes that I see and recognize all my people at balcony darshan. (From the balcony I recognize all my people.) And its that vision (but with open eyes!) which. It is of another order.
   I am going to study what Sri Aurobindo says when I come to it in The Yoga of Self-Perfection. He says there comes a time when the senses changeits not that you employ the senses proper to another plane (we have always known we had senses on all the different planes); its quite different from that: the senses THEMSELVES change. He foretells this changehe says it will occur. And I believe it begins in the way I am experiencing it now.
   The CONTENT is different, mon petit. I see I see, but. The state of consciousness of the person Im looking at, for instance, changes his physical appearance for my PHYSICAL eyes. And this has nothing to do with the banalities of ordinary psychology, where your physiognomy is said to be changed by the feelings you experience. The CONTENT of what I see is different. And then the eyes of the person I am looking at are not the sameit is rather. I couldnt sketch it, but perhaps if I made a painting it would give some idea (I would need to use a somewhat blurred technique, not too precise). The eyes are not quite the same, and the rest of the face too, even the color and the shape thats what sometimes makes me hesitate. I see people (I see my people every morning) and I recognize them, and yet they are different, they are not the same every day (some are always, always the same, like a rock, but others are not). And I even I hesitate sometimes: Is it really he? But he is very. It is indeed he, but I dont quite know him. This generally coincides with changes in the persons consciousness.
   In conclusion: we know nothing.

0 1961-07-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   Ah! I have seen T., who told me she was finding it too difficult to ask questions [on Sri Aurobindos Aphorisms] because it always seemed to be the same thing! So now she has nothing to ask. We have decided she wont ask any more questions, unless, by chance, something suddenly arouses a question in her. Otherwise, no more questions (Mother breathes a sigh of relief).
   63God is great, says the Mahomedan. Yes, He is so great that He can afford to be weak, whenever that too is necessary.
  --
   Thats not how it is, mon petit! This is precisely how the modern Western attitude has become twisted compared to the ancient attitude, the attitudeit isnt exactly ancientof the Gita. Its extremely difficult for the Western mind to comprehend vividly and concretely that ALL is the Divine. It is so impregnated with the Christian spirit, with the idea of a Creator the creation on one side and God on the other! Upon reflection, one rejects this, but it has entered into our sensations and feelings, and sospontaneously, instinctively, almost subconsciouslyone credits God with all one considers to be the best, the most beautiful, and especially with what one wishes to attain, to realize. (Each individual, of course, changes the content of his God according to his own consciousness, but its always what he considers to be the best.) And just as instinctively, spontaneously and subconsciously, one is shocked by the idea that things one doesnt like or doesnt approve of or which dont seem to be the best, could also be God.
   I am putting this purposely into rather childish terms so that it will be clearly understood. But this is the way it is. I am sure of it because I have observed it in myself for a VERY long time, and I had to. Due to the whole subconscious formation of childhoodenvironment, education, and so forthwe have to DRUM into this (Mother touches her body) the consciousness of Unity : the absolute, EXCLUSIVE unity of the Divineexclusive in the sense that nothing exists apart from this Unity, even the things which seem most repulsive.

0 1961-07-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   This japa, you know, didnt at all come from here (Mother points to her head). Its something I received fully formed, and to such an extent that I couldnt even change the place of a single thinga will seemed to oppose any change. Its a long series unfolding according to a law that probably corresponds to what is needed to develop this consciousness and the work it has to do (I suppose I dont really know and I havent tried to know). But a sort of law makes it impossible to change the position of even a single word, because these are not wordsthey are fully formed states of consciousness. And the whole series culminates with:
   Manifest Your Love.

0 1961-07-15, #Agenda Vol 02, #The Mother, #Integral Yoga
   For the past two days there has been the feeling of not knowing anythingNOTHING at all. I have had this feeling for a very long time, but now it has become extremely acute, as it always does at times of crisis, at times when things are on the verge of changingor of getting clarified, or of exploding, or. From the purely material standpointchemically, biologically, medically, therapeutically speaking I dont believe many people do know (there may be some). But it doesnt seem very clear to mein any case, I dont know. Yogically (I dont mean spiritually: that was the first stage of my sadhana), its very easy to be a saint! Oh, even to be a sage is very easy. I feel I was born with itits spontaneous and natural for me, and so simple! You know all that has to be done, and doing it is as easy as knowing it. Its nothing. But this transformation of Matter! What has to be done? How is it to be done? What is the path?
   Is there a path? Is there a procedure? Probably not.
  --
   But nothing has stopped! Thats precisely the poin the refuses to acknowledge that anything has stopped. Nothing has stopped. He came for that, and he arranged things to to give a maximum number of chances ( chance is one way of putting it), of possibilitiesto put all the winning cards on our side.
   (long silence)
   Obviously, were I to leave now I can say there would be a halt, because I dont see anyone at the moment who could continue. But theres a good chance that. We will see.
   Yes, we will see.

0 1961-07-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   Of course, we know that such a thing will require a considerable amount of time to be done, and it will probably go by stages, by degrees, with faculties appearing that at the moment we cant know or imagine, and which will change the conditions of the earththis is looking ahead a few thousand years.
   There is still this problem: is it possible to make use of the notion of space I mean space on the planet earth?5 Is it possible to find a place where the embryo or seed of the future supramental world might be created?
  --
   There are stories like this, you know, about people who lived in an ideal solitude, and its not at all impossible to imagine. When one is in contact with this Power, when it is within you, you can see that such things are childs play! It even reaches the point where there is the possibility of changing certain things, of influencing vibrations and forms in the surrounding environment by contagion, so that automatically they begin to be supramentalized. All that is possible but confined to the individual scale. While if we take the example of what is happening here, where the individual remains right in the midst of all this chaos. Thats the difficulty! Doesnt this very fact make a certain perfection in realization impossible to attain? But the other case, the individual isolated in the forest, is always the same thingan example giving no proof that the rest will be able to follow; while whats happening here should already have a much broader radiating influence. At some point this has to happenit MUST happen. But the problem still remains: can it happen simultaneously with or even before the supramentalization of the single individual?
   (silence)
  --
   There was an instance of this the other day: someone in a completely detestable mood wrote me a letter; it was impossible, I couldnt reply I didnt know what to say. I simply applied the Force and remained like this (gesture of an offering to the Light). I said, We shall see. Several hours later (I knew I was going to see this person) I didnt even know if I was going to say I had read the letteror rather if what I was going to say would result from having read it. I had come to that pointnothing. But that very morning a little circumstance occurred that changed everything! And when I met the person I knew immediately what had to be said, what had to be done, and everything worked out.
   That is ONE example. I mention it because it happened the day before yesterday, but this goes on all the time.

0 1961-07-28, #Agenda Vol 02, #The Mother, #Integral Yoga
   The way Theon told it, there was first the universal Mother (he didnt call her the universal Mother, but Sri Aurobindo used that name), the universal Mother in charge of creation. For creating she made four emanations: Consciousness or Light; Life; Love or Beatitude and (Mother tries in vain to remember the fourth) I must have cerebral anemia today! In India they speak only of three: Sat-Chit-Ananda (Sat is Existence, expressed by Life; Chit is Consciousness, expressed by Power; Ananda is Bliss, synonymous with Love). But according to Theon, there were four (I knew them by heart). Well, these emanations (Theon narrated it in such a way that someone not a philosopher, someone with a childlike mind, could understand), these emanations, conscious of their own power, separated themselves from their Origin; that is, instead of being entirely surrendered to the supreme Will and expressing only. Ah, the fourth emanation is Truth! Instead of carrying out only the supreme Will, they seem to have acquired a sense of personal power. (They were personalities of sorts, universal personalities, each representing a mode of being.) Instead of remaining connected, they cut the linkeach acted on his own, to put it simply. Then, naturally, Light became darkness, Life became death, Bliss became suffering and Truth became falsehood. And these are the four great Asuras: the Asura of Inconscience, the Asura of Falsehood, the Asura of Suffering and the Asura of Death.
   Once this had occurred, the divine Consciousness turned towards the Supreme and said (Mother laughs): Well, heres what has happened. Whats to be done? Then from the Divine came an emanation of Love (in the first emanation it wasnt Love, it was Ananda, Bliss, the Delight of being which became Suffering), and from the Supreme came Love; and Love descended into this domain of Inconscience, the result of the creation of the first emanation, Consciousness Consciousness and Light had become Inconscience and Darkness. Love descended straight from the Supreme into this Inconscience; the Supreme, that is, created a new emanation, which didnt pass through the intermediate worlds (because, according to the story, the universal Mother first created all the gods who, when they descended, remained in contact with the Supreme and created all the intermediate worlds to counterbalance this fallits the old story of the Fall, this fall into the Inconscient. But that wasnt enough). Simultaneously with the creation of the gods, then, came this direct Descent of Love into Matter, without passing through all the intermediate worlds. Thats the story of the first Descent. But youre speaking of the descent heralded by Sri Aurobindo, the Supramental Descent, arent you?

0 1961-08-02, #Agenda Vol 02, #The Mother, #Integral Yoga
   When one descends into the subconscient, a time comes when its no longer personal the whole world is there! Then what can we do? Im not speaking of you, but what can people like us do to change it? Its a Sisyphean labor! Vibrations from the whole world keep coming in at each instant. How can we change it?
   No, you have to approach the problem from the other direction.
   Evolution begins with the Inconscient, complete Inconscience; and from this Inconscient a Subconscient gradually emerges that is, a half or quarter-consciousness. There are two different things here. Consider life on earth (because the process is slightly different in the universe); earth-life begins with total Inconscience and little by little what was involved within it works out and changes this Inconscience into semi-consciousness or subconsciousness. At the same time, there is an individual working that awakens the INDIVIDUAL inconscient to an individual semiconsciousness, and here, of course, the individual has controlalthough its not actually individualized because individualization begins with consciousness. The subconscient of plants or animals, for example, isnt individualized; what we call an animals behavior doesnt arise from individualization but from the genius of the species. Consequently, the individual subconscient is something already evolved out of the general Subconscient. But when one descends to accomplish a work of transformationto bring Light into the different layers of life, for instanceone descends into a cosmic, terrestrial Subconscient, not an individual Subconscient. And the work of transformation is done within the wholenot through individualization, but through the opposite movement, through a sort of universalization.
   No, what I mean is that as we progress, we automatically become universalized.
  --
   And we are told that we have to change the Subconscient, to bring Light into it; but being universal it has no end! New vibrations keep coming in at every instant
   No!
   vibrations from the outside, from here, there its endless. How can we change it?
   No, it isnt endlessits limited to the earths atmosphere.
  --
   Then are our vibrations of consciousness effective for changing these general vibrations?
   Ah, yes!
  --
   Yes, in a certain way. It will become receptive. The mode of life wont necessarily change, but the form of life will change. Matter will become responsive. Do we say that in French?
   Receptive?
  --
   Then I went into Sri Aurobindos room and told him, Heres what I have seen. Yes, I know! he replied (Mother laughs) Thats fine; I have decided to retire to my room, and you will take charge of the people. You take charge. (There were about thirty people at the time.) Then he called everyone together for one last meeting. He sat down, had me sit next to him, and said, I called you here to tell you that, as of today, I am withdrawing for purposes of sadhana, and Mother will now take charge of everyone; you should address yourselves to her; she will represent me and she will do all the work. (He hadnt mentioned this to me!Mother bursts into laughter)
   These people had always been very intimate with Sri Aurobindo, so they asked: Why, why, Why? He replied, It will be explained to you. I had no intention of explaining anything, and I left the room with him, but Datta began speaking. (She was an Englishwoman who had left Europe with me; she stayed here until her deatha person who received inspirations.) She said she felt Sri Aurobindo speaking through her and she explained everything: that Krishna had incarnated and that Sri Aurobindo was now going to do an intensive sadhana for the descent of the Supermind; that it meant Krishnas adherence to the Supramental Descent upon earth and that, as Sri Aurobindo would now be too occupied to deal with people, he had put me in charge and I would be doing all the work.
   This was in 1926.

0 1961-08-05, #Agenda Vol 02, #The Mother, #Integral Yoga
   Did I tell you what happened to my brother? No? My brother was a terribly serious boy, and frightfully studiousoh, it was awful! But he also had a very strong character, a strong will, and there was something interesting about him. When he was studying to enter the Polytechnique, I studied with himit interested me. We were very intimate (there were only eighteen months between us). He was quite violent, but with an extraordinary strength of character. He almost killed me three times,9 but when my mother told him, Next time, you will kill her, he resolved that it wouldnt happen again and it never did. But what I wanted to tell you is that one day when he was eighteen, just before the Polytechnique exams, as he was crossing the Seine (I think it was the Pont des Arts), suddenly in the middle of the bridge he felt something descend into him with such force that he became immobilized, petrified; then, although he didnt exactly hear a voice, a very clear message came to him: If you want, you can become a godit was translated like that in his consciousness. He told me that it took hold of him entirely, immobilized hima formidable and extremely luminous power: If you want, you can become a god. Then, in the thick of the experience itself, he replied, No, I want to serve humanity. And it was gone. Of course, he took great care to say nothing to my mother, but we were intimate enough for him to tell me about it. I told him, Well (laughing), what an idiot you are!
   Thats the story.
  --
   Anyway, I think thats enough for now. How I have chatted away! You always make me chat!
   Phlox
  --
   On another occasion, Mother told Sujata more about these three times her brother almost killed her: 'One day we were playing croquet, and either because he got beaten or for some other reason, he flew into a rage and struck me hard with his Mallet; fortunately I escaped with only a slight scratch. Another time, we were sitting in a room and he threw a big chair towards me I ducked just in time and the chair passed over my head. A third time, as we were descending from a carriage, he pushed me down under it; luckily the horse didn't move.'
   ***

0 1961-09-10, #Agenda Vol 02, #The Mother, #Integral Yoga
   Its hard. I would rather have been a musicianit would have changed my life completely. I feel I have always lacked something to open up.
   No. Perhaps.
   I dont know, but Sri Aurobindo spoke of it at the end of the book on the Vedas, in the chapter on the origin of languages. He seems to be saying that its better if one goes back to the origin of the vibrations. Ultimately, as a language grows more intellectual, it hardens and dries up. Perhaps when we had only sounds (the As and the Os; the Os especially are very flexible, the whole gamut of Os), perhaps it was more supple.
   I feel this so often now. How to put it. I always try not to talktalking bothers me. Yes, its a real nuisance. When I see someone, the first thing I do is to avoid talking. Then, when the Vibration comes, its good; there is a sort of communication, and if the person is the least bit receptive, what comes is like a its subtler than music; its a vibration bringing its own principle of harmony. But people usually get impatient after a while and, wanting something more concrete, oblige me to talk. They always insist on it. Then, being in a certain atmosphere, a certain vibration, I immediately feel something going like this (gesture of a fall to another level), and then hardening. Even when I babble (you see, the very effort of trying to be more subtle makes me babble), even my babblings (laughing) become dry by comparison. There are all sorts of things that are so much fullerfull, packed with an inner richnessand as soon as this is put into words, oh!
  --
   Maybe this is what you were thinking ofwhat you would like to express in your book. It occurred in a place similar to the realm of expression where, as I told you, I have frequently been going lately. It is very, very vast, very open, but this time there were no walls. No ceiling, no walls. There was only a kind of groundvery pale, luminous, vast and very empty, empty. People were seated but I didnt see any chairs. Only the pianos were visible, and they were quite odd: you could hardly see anything but the keyboards, which were sort of overlapping. In front was a grand piano, and over here was a somewhat bigger one the one I had been leaning over sideways to play on and then there was one turned to the other side. And then this grand piano, right in front but with only the keyboard visible! Well, why shouldnt I be comfortable! I said to myself, and I sat down. Then everything became bluegreat, blue notes. How am I going to play? I wondered. I tried to play as usual and then: It doesnt work, it doesnt work, I said. Ah! It has to be played from aboveit has to be played from above! So I place my hands on the keys, I concentrate and brrff! It was like some not violent, not loud and noisy, butoh, overwhelming! Three, fournot notes: sounds, harmonies I dont really know what.
   But this must be what you were thinking of, what you would like to use for your book.1

0 1961-09-23, #Agenda Vol 02, #The Mother, #Integral Yoga
   This analogy between the ancient form of spiritual revelations and Savitri, this blossoming into poetry of his prophetic revelation is what could be called the most exceptional part of his work. And what is remarkable (I saw him do it) is that he changed Savitri: he went along changing it as his experience changed.
   It is clearly the continuing expression of his experience.
   There were whole sections he redid completely, which were like descriptions of what I had told him of my own experiences. Nolini said this. When I recently reread Savitri, some phrases were very familiar and I said to Nolini, How odd, these are almost my very words! And he replied, But this has been changed, it was written differently; it has BECOME like this. As the thing became more and more concrete for him, he changed it. The breath of revelatory prophecy is extraordinary! It has an extraordinary POWER!
   What struck me is that he never wanted to write anything else. To write those articles for the Bulletin1 was really a heavy sacrifice for him. He had said he would complete certain parts of The Synthesis of Yoga,2 but when he was asked to do so, he replied, No, I dont want to go down to that mental level!

0 1961-09-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   These are what could be called the two modes, not of your character, but of your soul.1
   (silence)

0 1961-10-02, #Agenda Vol 02, #The Mother, #Integral Yoga
   And that very day, I had this experience with the possessed personit all came together. And then afterwards, a sort of mastery over the problem and the impression of a breakthroughan opening up of the WAY to change, which is this enlargement. First, the movement of generosity (not that shriveling movement, but its exact opposite the movement of expansion), and from there you go on to universality, and from universality to Totality.
   It makes a whole set of interesting experiences.
   Then there is a doctor, V., who comes here twice a year to give a check-up to all who take part in the physical education program and all the children. He is an extremely honest and sincere man who believes in the mission of medical science. Each time he comes, I write something in his diary on the day of his departure (his whole diary is full of things Ive written they usually appear in the Bulletin or somewhere). On that very same day I learned that V. was leaving, and it suddenly came to meso clearly! Falsehood in the body that sort of juxtaposition of contraries, the inversion of the Vibration (only it doesnt really invertits a curious phenomenon: the vibration remains what it is but its received inverted)this falsehood in the body is a falsehood in the CONSCIOUSNESS. The falsity of the consciousness naturally has material consequences and thats what illness is! I immediately made an experiment on my body to see if this held, if it actually works that way. And I realized that its true! When you are open and in contact with the Divine, the Vibration gives you strength, energy; and if you are quiet enough, it fills you with great joyand all of this in the cells of the body. You fall back into the ordinary consciousness and straightaway, without anything changing, the SAME thing, the SAME vibration coming from the SAME source turns into a pain, a malaise, a feeling of uncertainty, instability and decrepitude. To be sure of this, I repeated the experiment three or four times, and it was absolutely automatic, like the operation of a chemical formula: same conditions, same results.
   This interested me greatly.

0 1961-10-15, #Agenda Vol 02, #The Mother, #Integral Yoga
   After speaking of the descent of the Supermind, he said that an INTERMEDIARY must be prepared between our present mental state (even the most elevated higher mind) and the supramental region, because if one entered directly into Gnosis, well, it would produce such an abrupt change that our physical constitutions would be unable to support itan intermediary is needed. The experiences Ive had make me absolutely convinced of it; twice the supramental world took veritable possession of me and both times it was as if the bodytruly the physical bodywas going to completely disintegrate, due to what you could almost call the opposition of the two conditions.
   And yesterday again I clearly saw (Mother touches this mass in her head). My eyes are full of it my eyes are full, you know, and I see that as it works to settle itself in here, it produces this little vibrationa twinkling of vibrationswhich seems to be indispensable for it to enter into this Matter.

0 1961-10-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   There is obviously a Secret, and all the traditions bear witness to it the Rishis, the Mages of Iran, the priests of chaldea or Memphis or Yucatan.
   ***

0 1961-11-05, #Agenda Vol 02, #The Mother, #Integral Yoga
   Anyway, it was because of Theon that I first found the Mantra of Life, the mantra that gives life, and he wanted me to give it to him, he wanted to possess itit was something formidable! It was the mantra that gives life (it can make anyone at all come back into life, but thats only a small part of its power). And it was shut away in a particular place,2 sealed up, with my name in Sanskrit on it. I didnt know Sanskrit at that time, but he did, and when he led me to that place, I told him what I saw: Theres a sort of design, it must be Sanskrit. (I could recognize the characters as Sanskrit). He told me to reproduce what I was seeing, and I did so. It was my name, Mirra, written in Sanskrit the mantra was for me and I alone could open it. Open it and tell me whats there, he said. (All this was going on while I was in a cataleptic trance.) Then immediately something in me KNEW, and I answered, No, and did not read it.
   I found it again when I was with Sri Aurobindo and I gave it to Sri Aurobindo.
  --
   According to Mother's wishes, the tape was erased up to this point. But years passed and circumstances changed, and when Satprem found the transcription of this conversation among his papers, he deemed it worthwhile to preserve the major portion of it for its historical interest. Mother's difficulties are always the difficulties of the 'Terrestrial Work'; and this particular Asura, who disturbed the earth in such a particular way, could hardly be passed over in silence.
   See conversation of July 28, p. 279.

0 1961-11-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   It is by rising to the summit of consciousness through a progressive ascent (thats what I meant just now by leaving the body, but without going into details), that one unites with the Supermind. But as soon as the union is achieved, one knows and one sees that the Supermind exists in the heart of the Inconscient as well. When one is in that state, there is neither high nor low. But GENERALLY, (I emphasized this to make it clear that I am not making an absolute assertion) it is by REDESCENDING through the levels of the being with a supramentalized consciousness that one can accomplish the permanent transformation of physical nature. (This can be experienced in all sorts of ways, but what WE want and what Sri Aurobindo spoke of is a change that will never be revoked, that will persist, that will be as durable as the present terrestrial conditions. That is why I put permanent.) There is no proof that the Rishis used another method, although, to effect this transformation (if they ever did) they must necessarily have fought their way through the powers of inconscience and obscurity.
   Yes, the Rishis give an absolutely living description of what you experience and experience continuallyas soon as you descend into the Subconscient: all these battles with the beings who conceal the Light and so on. I experienced these things continually at Tlemcen and again with Sri Aurobindo when we were doing the Workits raging quite merrily even now!
   As soon as you go down there, thats what happensyou have to fight against all that is unwilling to change, all that dominates the world and does not want to change.
   Ignore the spelling mistakes!

0 1961-11-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   No, I dont really mean linking, rather. Take what came this morning, for instance; it showed me (I think) that something really had to be changed. I have that feeling.
   (Mother nods her head.)

0 1961-12-16, #Agenda Vol 02, #The Mother, #Integral Yoga
   The experience was extremely intense, so I didnt do anything with my note, I put it aside. Then recently someone mentioned the first of January. What the devil am I going to read to them? I wondered (I usually read them a message). And I thought of this text: Ill change this scribble a bit, humanize it and bring it down a few rungs (smiling); then it will do. So I wrote: WE thirst for perfection, etc. In the experience it was only the BODY, you understand (the other part of the being is quite all right)the body is in this state. All the rest is very happyvery happy, in perpetual joy and eurythmy (gesture of great waves), feeling divine Love (not Love as such I dont know how to say it): this Love without object, this Love which is neither originated nor receivedwithout object, without cause or origin. Its the feeling of floating in something.
   Thats all very fine. But the body remains miserable.

0 1961-12-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   I suppose you can return their money and cancel the contract but reserve the right to print the book yourself, changing the presentation to avoid any confusion with their collection.
   ***

0 1961-12-20, #Agenda Vol 02, #The Mother, #Integral Yoga
   Dear Sir I must begin by telling you that although this text is an excellent essay, it is not, in its present form, a book for the Spiritual Masters series. Let us enumerate the reasons for this. First of all, the general impression is of an ABSTRACT text. I can straight-away imagine your reaction to this and I dread misunderstandings! But putting myself in the readers place, since, once again, it does involve a collection intended for a wide public that we are beginning to know well, I can assure you that this public will not be able to follow page after page of reflections upon what one is bound to call a philosophical and spiritual system. Obviously this impression is caused primarily by the fact that you have begun with twenty-one pages where the reader is assumed to already know of Sri Aurobindos historical existence and the content of the Vedas and the Upanishads, plus I dont know how many other notions of rite, truth, divinity, wisdom, etc., etc. In my view, and the solution is going to appear cruel to you, for you certainly value these twenty-one pages [on the Secret of the Veda], they should purely and simply be deleted, for everything you say there, which is very rich in meaning, can only become clear when one has read what follows. There are many books in which readers can be asked to make the effort entailed in not understanding the beginning until they have read the end: but not books of popular culture. One could envisage an introduction of three or four pages to situate the spiritual climate and cultural world in which Sri Aurobindos thought has taken place, provided, however, that it is sufficiently descriptive, and not a pre-synthesis of everything to be expounded upon in what follows. In a general way you are going to smile, finding me quite Cartesian! But the readership we address is more or less permeated by a widespread Cartesianism, and you can help them, if you like, to reverse their methodology, but on the condition that you make yourself understood right from the start. Generally, you dont make enough use of analysis and, even before analysis, of a description of the realities being analyzed. That is why the sections of pure philosophical analysis seem much too long to us, and, even apart from the abstract character of the chapter on evolution (which should certainly be shorter), one feels at a positive standstill! After having waited patiently, and sometimes impatiently, for some light to be thrown on Sri Aurobindos own experience, one reads with genuine amazement that one can draw on energies from above instead of drawing on them from the material nature around oneself, or from an animal sleep, or that one can modify his sleep and render it conscious master illnesses before they enter the body. All of that in less than a page; and you conclude that the spirit that was the slave of matter becomes again the master of evolution. But how Sri Aurobindo was led to think this, the experiences that permitted him to verify it, those that permit other men to consider the method transmittable, the difficulties, the obstacles, the realizationsdoesnt this constitute the essence of what must be said to make the reader understand? Once again, it is the question of a pedagogy intimately tied in with the spirit of the collection. Let me add as well that I always find it deplorable when a thought is not expressed purely for its own sake, but is accompanied by an aggressive irony towards concepts which the author does not share. This is pointless and harms the ideas being presented, all the more so because they are expressed in contrast with caricatured notions: the allusions you make to such concepts as you think yourself capable of evoking the soul, creation, virtue, sin, salvationwould only hold some interest if the reader could find those very concepts within himself. But, as they are caricatured by your pen, the reader is given the impression of an all too easily obtained contrast between certain ideas admired and others despised. Whereas it would be far more to the point if they corresponded to something real in the religious consciousness of the West. I have too much esteem for you and the spiritual world in which you live to avoid saying this through fear of upsetting you.
   Amen.
  --
   I dont believe your book can be changedits meaningless to snip at it. If you really want to know what I would do, I would write another one, putting myself in their place: something showing a comprehensible Sri Aurobindoalmost a congenial Sri Aurobindo that is, only the constructive side of his teaching, in its most external form, leaving out not the philosophical notions, but the truly spiritual ones, for that is completely sealed to their understanding.
   They are not ready! They are not ready.
  --
   From the practical standpoint, I would much prefer the book to be printed here and for us to make the necessary effort for it to go out and touch as many people as possible. The publisher may be a handy and less troublesome channel, but hes not at all the best onefar from it. THAT I know, because I am constantly seeing your book with Sri Aurobindos perception, and I am absolutely positive that he likes it very much; he has put a lot into it and he sees that it can be an enormous help but not in the short run. There is always the sense of it needing a hundred years to have its full effect. With your publisher, on the other hand, the effects are far more violent, more external and noisy, but they fade far more quickly.
   And I feel its rather essential to change all the emphasis on pictures. I let them go because there was nothing else to do, but I must say I wasnt too happy about it.1 it was not a deep understanding, a soul-understanding, that chose the pictures, but a very developed intellect.
   A few pictures, very few, simply giving an opening for the soul, is quite sufficient.
  --
   I know it would create a furor if I wrote this book! Because any fool could read it like a story and feel perfectly satisfied and he wouldnt even notice it taking hold of him inside and changing him.
   A philosophical book? No. A spiritual book? No, not at all! Just a nice, little commonsense book thats what they would see!
  --
   I feel it will be told one day. But first of all, this (Mother touches her body) must be sufficiently changed. Then the story will take on its full value.
   You understand, none of my certitudesnone, without exceptionhave EVER come through the mind. The intellectual comprehension of each of these experiences came much later. Little by little, little by little, came the higher understanding of the intellectual consciousness, long after the experience (I dont mean philosophical knowledge thats nothing but scholarly mumbo-jumbo and leaves me cold). Since my earliest childhood, experiences have come like that: something massive takes hold of you and you dont need to believe or disbelieve, know or not knowbam! Theres nothing to say; you are facing a fact.
  --
   But it never passed through my head first, never, never, never! Experiences came in my childhood that I didnt understand until Sri Aurobindo told me certain things; then I said, Ah, so thats what it was! But I never had that kind of curiosity, I never cared to understand with the head, I wasnt interested. I was interested in the result, in the inner change: how my attitude towards the world changed, my position relative to the creation that interested me from my infancy; how what seemed to be quite ordinary incidents could so completely change my relationship with that whole little world of children. And it was always the same thing: instead of feeling burdened, with a weight on your head, and just plodding on like a donkey, something would lift (gesture) and you would be on top of ityou could smile and begin to change. See that thing thats out of place? Why not set it right! Like arranging things in a drawer.
   Why? How? What does it all mean? What do I care! Setting it right is whats important!

0 1961-12-23, #Agenda Vol 02, #The Mother, #Integral Yoga
   (Concerning the Sri Aurobindo manuscript, Mother advises against replying to the publisher too hastily, because she sees a possibility that could change the situation.)
   There is something deeper. And within this deeper thing there was: quiet, quiet, quiet, we will wait; and the impression (but vague, distant and uncertain) of some attempt being made to introduce a very good possibility into the atmosphere. I never see on the purely physical plane, you know (its always on the subtle physical, the plane of possibilities thats more real to me; the purely physical generally eludes me, but I see the subtle physical clearly), and I was seeing I dont know, it was like something higher, from above, trying to make someone enter the field of possibilities, a brain that would suddenly be touched by the book and reverse the situation. I dont know who, I dont know what, I dont know how. Ah, you know that yellow rose I just gave you? Its fringed in pink. Well, what came was like a slender pink fringe winding through the atmosphere of this situation.
  --
   Because there comes a time when one perceives the entire universe in such a total and comprehensive way that, in truth, it is impossible to remove anything from it without disturbing everything. And going a couple of steps further, one knows for certain that things which shock us as contradictions of the Divine are simply things out of place. Each thing must be exactly in its place, and whats more, be supple enough, plastic enough, to admit into a harmonious, progressive organization all the new elements constantly being added to the manifest universe. The universe is in a perpetual movement of internal reorganization, and at the same time its growing: its becoming more and more complex, more and more complete, more and more integralindefinitely. And as the new elements manifest, the whole reorganization must be built on a new basis, and thus there isnt a second when ALL is not in perpetual movement. And when the movement is in accord with the divine order, its harmonious, so perfectly harmonious that its almost imperceptible. Now, if you descend from this consciousness towards a more external consciousness, you begin naturally to have a very precise feeling of what helps you attain the true consciousness and what bars the way or pulls you backwards or even fights against your progress. And so the perspective changes and you are obliged to say: this is divine or a help towards the Divine; and that goes against the Divine, its the Divines enemy. But this is a pragmatic standpoint, geared to action, to movement in material lifebecause you havent yet attained the consciousness surpassing all that; because you havent reached that inner perfection where you no longer have to fight, since you have gone beyond the field or the time or the utility of struggle. But before reaching that state in your consciousness and action, there is necessarily struggle; and if there is struggle, there is choice; and to choose, you need discrimination.
   (Mother remains silent)
  --
   And in the experience there was no difference between my physical and my inner being (actually, its that way more and more for me); even physically, externally, there was a kind of love full of adoration, and so spontaneousnot even any sense of wonder! And there was such a formidable Power in it, formidable from the standpoint of the entire earth. It lasted one hour. After an hour, the experience slowly began to fade (it had to fade for purely practical reasons). But it left me so confident of a radical changenot a total change, for it wasnt permanent but so radical that even outwardly, way down below in me, something was saying, Ah, how will the meditations with X be now? I caught Myself not thinking, not myself: someone thought like that, somewhere way down below. This pulled me out of the experience and I wondered, Thats strange, whos thinking like that? It was one of the personalities4 (in terms of work, its the one that gives each action its proper place), someone way down below, spontaneously feeling: But thats going to change the meditations! What will they be like now? When I returned and began to look at things with the usual discernment, I told myself that perhaps there actually will be a change.
   But truly, EVERYTHING was changed at that moment: something was achieved. It was the perception of Power the Power that comes from Love (what Love is to the Supreme Consciousness, which has nothing to do with what we usually mean by the word love). And it was it was simple! None of those complications resulting from thought, intellect, understandingall that was gone, all gone. A formidable Power! And it made me understand one thing, that the state I had been put in (by the Lord of Yoga, in fact) was for obtaining the particular power that comes through an identity with all material things, a power possessed by certain personsnot always yogis, certain mediums, for instance. I saw it with Madame Theon: she would will a thing to come to her instead of going to the thing herself; instead of going to get her sandals when she wanted them, she made the sandals come to her. She did this through a capacity to radiate her mattershe exercised a will over her matterher central will acted upon matter anywhere, since she WAS THERE. With her, then, I saw this power in a methodical, organized way, not as something accidental or spasmodic (as it is with mediums), but as an organization of Matter. And so I began to understand: With this comes the power to put each thing in its place! provided one is universal enough.
   Well, I have understood. And now I know where I stand.
  --
   And if to this material capacity of identification, of exercising the will, is added that Something which was there during my experience and is truly the expression. I dont know if its the supreme expression, but for the time being its certainly the highest I know of. (Its far superior to pure Knowledge through identity, to knowing the thing because one IS itits infinitely more powerful than that.) its something formidable! It has the power to change everything and how!
   One IS simply Thatone vibration of THAT.

0 1962-01-09, #Agenda Vol 03, #The Mother, #Integral Yoga
   Its exactly what I was complaining about: If this stuff cant go on without flagging, if it cant take it and absolutely has to relax, if it cant keep up with the movement of consciousness and just has to slacken from time to time, well how can it ever be supramentalized? Precisely what everyone has always said: It CANNOT hold the charge, it has to let go. It cant hold the charge of Energy. And especially THIS Energy, which seems almost abnormal to peoplean Energy that works like this (inflexible gesture) and can keep it up indefinitely.
   And when the body cant take it like this, it breaksyou find yourself between a table and and suddenly youre flat on the floor!
  --
   Given the worlds present set-up, this is normal but if the supramental world were to be realized, it shouldnt remain normal. Clearly, a considerable change has to take place in the physical substance. That will probably be the essential difference between the bodies fashioned by Natures methods and those to be fashioned by supramental knowledgea new element will come in, and we will no longer be natural. But so long as this natural element is present, well, a certain amount of patience is probably requiredlet the body catch its breath, otherwise something gives way.
   It gets much less winded, of course, when you have the inner equality of the divine Presence. So much fatigue is due to excess tension produced by desire or effort or struggle, by the constant battle against all opposing forces. All that can go.
  --
   And the torment didnt come from me, it came from that character hooked on to my consciousness and constantly whipping me, hounding me, ill-treating mewhat people call their conscience, which has nothing whatsoever to do with consciousness!13 Its an adverse being, and whatever it can change, it changes for the worse; whatever is susceptible to being changed into something antidivine, it changes. And it is constantly repeating the same thing: This is wrong, that is wrong, this is wrong.
   But this was the only thing; there was never, never the idea of being either virtuous or sinfulnever. It was a matter of doing the right thing or not doing the right thing. Thats all. No sense of being virtuous or sinful, none at all! I never, ever had that sense.
  --
   At that time, my impression (an impression which remained rather long, almost the whole day) was of an extreme relativityno, not exactly that, but an impression that the relationship between this world and the other completely changes the criterion by which things are to be evaluated or judged.
   Yes!
  --
   Here is the text of Sri Aurobindo's letter: "There is a confusion here. The Mother's grace is one thing, the call to change another, the pressure of nearness to her is yet another. Those who are physically near to her are not so by any special grace or favour, but by the necessity of their work that is what everybody here refuses to understand or believe, but it is the fact: that nearness acts automatically as a pressure, if for nothing else, to adapt their consciousness to hers which means change, but it is difficult for them because the difference between the two consciousnesses is enormous especially on the physical level and it is on the physical level that they are meeting her in the work."
   Centenary Edition, Vol. XXV, p. 297

0 1962-01-12 - supramental ship, #Agenda Vol 03, #The Mother, #Integral Yoga
   As for the physical, its an old and well-known storyascetics have always rejected it; but they also reject the vital. And theyre all like that here, even X may have changed somewhat by now, but at the beginning he was no different either. Only things classically recognized as holy or admitted by religious tradition were accepted the sanctity of marriage, for example, and things like that. But a free life? Not a chance! It was wholly incompatible with religious life.
   Well, all that has been completely swept away, once and for all.
  --
   With the mind, its rather easyyou can put things back in order in five minutes, its not difficult. With the vital its already a bit more troublesome, it takes a little longer. But when you come to the material level, well. Theres a CONTAGION of wrong cellular functioning and a kind of internal disorganizationthings not staying in their proper places. Each vibration absorbed from the outside instantly creates a disorder, dislocates everything, creates wrong contacts and disrupts the organization; it sometimes takes HOURS to put it all back in order. Consequently, if I really want to make use of this bodys possibility without having to face the necessity of changing it because it cant follow along, then, materially, I would really need, as much as possible, to stop having to gulp down all sorts of things that drag me years backwards.
   Its difficult difficult.
  --
   There have been times, while working in the most material mind (the mind ingrained in the material substance), when I felt my brain swelling and swelling and swelling, and my head becoming so large it seemed about to burst! On two occasions I was forced to stop, because it was (was it only an impression, or was it a fact?) in any event it seemed dangerous, as if the head would burst, because what was inside was becoming too tremendous (it was that power in Matter, that very powerful deep blue light which has such powerful vibrations; it is able to heal, for example, and change the functioning of the organsreally a very powerful thing materially). Well then, thats what was filling my head, more and more, more and more, and I had the feeling that my skull was (it was painful, you know) that there was a pressure inside my skull pushing out, pushing everything out. I wondered what was going to happen. Then, instead of following the movement, helping it along and going with it, I became immobile, passive, to see what would happen. And both times it stopped. I was no longer helping the movement along, you see, I simply remained passive and it came to a halt, there was a sort of stabilization.
   (silence)
  --
   The question, of course, is the supramentalization of MATTER the consciousness, thats nothing at all. Most people who have had that experience had it on the mental level, which is relatively easy. Its very easy: abolition of limits set by the ego, indefinite expansion with a movement following the rhythm of the Becoming. Mentally, its all very easy. Vitally. A few months after I withdrew to my room, I had the experience in the vitalwonderful, magnificent! Of course to have the experience there, the mind must have undergone a change, one must be in complete communion; without exception, any individual vital being that hasnt been prepared by what might be called a sufficient mental foundation would be panic-stricken. All those poor people who get scared at the least little experience had better not dabble with thistheyd panic! But as it happensthrough divine grace, you might saymy vital, the vital being of this present incarnation, was born free and victorious. It has never been afraid of anything in the vital world; the most fantastic experiences were practically childs play. But when I had that experience, it was so interesting that for a few weeks I was tempted to stay in it; it was. I once told you a little about that experience (it was quite a while ago, at least two years).5 I told you that even during the day I seemed to be sitting on top of the Earth that was this realization in the vital world. And what fantastic nights it gave me! Nights I have never been able to describe to anyone and never mentioned but I would look forward to the night as a marvelous adventure.
   I voluntarily renounced all that in order to go further. And when I did it, I understood what people here in India mean when they say: he surrendered his experience. I had never really understood what that meant. When I did it, I understood. No, I said, I dont want to stop there; I am giving it all to You, that I may go on to the end. Then I understood what it meant.
  --
   So we can say that the Supermind can express itself through a terrestrial consciousness only when there is a constant state of perfect equalityequality arising out of spiritual identification with the Supreme: all becomes the Supreme in perfect equality. And it must be automatic, not an equality obtained through conscious will or intellectual effort or an understanding preceding the state itselfnone of that. It has to be spontaneous and automatic; one must no longer react to what comes from outside as though it were coming from outside. That pattern of reception and reaction must be replaced by a state of constant perception and (I dont mean identical in all cases, because each thing necessarily calls forth its own particular reaction) but practically free from all rebound, you might say. Its the difference between something coming from outside and striking you, making you react, and something freely circulating and quite naturally generating the vibrations needed for the overall action. I dont know if I am making myself clear. Its the difference between a vibratory movement circulating within an IDENTICAL field of action, and a movement from an outside source, touching you and getting a reaction (this is the usual state of human consciousness). But once the consciousness is identified with the Supreme, all movements are, so to speak, innerinner in the sense that nothing comes from outside; there are only things circulating, which, through similarity or necessity, naturally generate or change the vibrations within the circulatory milieu.
   I am very familiar with this, because I am now constantly in that state. I never have the feeling of something coming from outside and bumping into me; theres rather the sense of multiple and sometimes contradictory inner movements, and of a constant circulation generating the inner changes necessary to the movement.
   This is the indispensable foundation.

0 1962-01-21, #Agenda Vol 03, #The Mother, #Integral Yoga
   70Examine thyself without pity, then thou wilt be more charitable and pitiful to others.
   Very good! (Mother laughs) Thats very good.
  --
   And there was the sudden vision of all the error, all the incomprehension, all the ignorance, all the darkness andeven worseall the ill will in the earths consciousness, which felt responsible for the prolongation of those adverse forces and beings and offered them up in a great it was more than an aspiration, it was a sort of holocaust, so that the adverse forces might disappear, might no longer have any reason to exist, no longer need to be there to point out all that has to change.
   The adverse forces were necessitated by all these negations of the divine life. And this movement of earth consciousness towards the Supreme, the offering of all these things with such extraordinary intensity, was a kind of reparation so that those adverse forces might disappear.
  --
   Do not try to be virtuous. See to what extent you are united, ONE with all that is antidivine. Take up your share of the burden; accept to be impure and false yourself, and in so doing you will be able to take up the Shadow and offer it. And insofar as you are able to take it and offer it, things will change.3
   Dont try to be among the pure. Accept to be with those who are in darkness and, in total love, offer it all.
  --
   The first rather tangible manifestation was this vision of the boat; with that, things became more concrete, it radically changed something in the attitude.
   Were at another stage now.
  --
   It is true that the subliminal in man is the largest part of his nature and has in it the secret of the unseen dynamisms which explain his surface activities. But the lower vital subconscious which is all that this psycho-analysis of Freud seems to know, and even of that it knows only a few ill-lit corners,is no more than a restricted and very inferior portion of the subliminal whole. The subliminal self stands behind and supports the whole superficial man; it has in it a larger and more efficient mind behind the surface mind, a larger and more powerful vital behind the surface vital, a subtler and freer physical consciousness behind the surface bodily existence. And above them it opens to higher superconscient as well as below them to lower subconscient ranges. If one wishes to purify and transform the nature, it is the power of these higher ranges to which one must open and raise to them and change by them both the subliminal and the surface being. Even this should be done with care, not prematurely or rashly, following a higher guidance, keeping always the right attitude; for otherwise the force that is drawn down may be too strong for an obscure and weak frame of nature. But to begin by opening up the lower subconscious, risking to raise up all that is foul or obscure in it, is to go out of ones way to invite trouble. First, one should make the higher mind and vital strong and firm and full of light and peace from above; afterwards one can open up or even dive into the subconscious with more safety and some chance of a rapid and successful change.
   The system of getting rid of things by anubhava [experience] can also be a dangerous one; for on this way one can easily become more entangled instead of arriving at freedom. This method has behind it two well-known psychological motives. One, the motive of purposeful exhaustion, is valid only in some cases, especially when some natural tendency has too strong a hold or too strong a drive in it to be got rid of by vicra [intellectual reflection] or by the process of rejection and the substitution of the true movement in its place; when that happens in excess, the sadhak has sometimes even to go back to the ordinary action of the ordinary life, get the true experience of it with a new mind and will behind and then return to the spiritual life with the obstacle eliminated or else ready for elimination. But this method of purposive indulgence is always dangerous, though sometimes inevitable. It succeeds only when there is a very strong will in the being towards realisation; for then indulgence brings a strong dissatisfaction and reaction, vairagya, and the will towards perfection can be carried down into the recalcitrant part of the nature.
   The other motive for anubhava is of a more general applicability; for in order to reject anything from the being one has first to become conscious of it, to have the clear inner experience of its action and to discover its actual place in the workings of the nature. One can then work upon it to eliminate it, if it is an entirely wrong movement, or to transform it if it is only the degradation of a higher and true movement. It is this or something like it that is attempted crudely and improperly with a rudimentary and insufficient knowledge in the system of psycho-analysis. The process of raising up the lower movements into the full light of consciousness in order to know and deal with them is inevitable; for there can be no complete change without it. But it can truly succeed only when a higher light and force are sufficiently at work to overcome, sooner or later, the force of the tendency that is held up for change. Many, under the pretext of anubhava, not only raise up the adverse movement, but support it with their consent instead of rejecting it, find justifications for continuing or repeating it and so go on playing with it, indulging its return, eternising it; afterwards when they want to get rid of it, it has got such a hold that they find themselves helpless in its clutch and only a terrible struggle or an intervention of divine grace can liberate them.Some do this out of a vital twist or perversity, others out of sheer ignorance; but in yoga, as in life, ignorance is not accepted by Nature as a justifying excuse. This danger is there in all improper dealings with the ignorant parts of the nature; but none is more ignorant, more perilous, more unreasoning and obstinate in recurrence than the lower vital subconscious and its movements. To raise it up prematurely or improperly for anubhava is to risk suffusing the conscious parts also with its dark and dirty stuff and thus poisoning the whole vital and even the mental nature. Always therefore one should begin by a positive, not a negative experience, by bringing down something of the divine nature, calm, light, equanimity, purity, divine strength into the parts of the conscious being that have to be changed; only when that has been sufficiently done and there is a firm positive basis, is it safe to raise up the concealed subconscious adverse elements in order to destroy and eliminate them by the strength of the divine calm, light, force and knowledge. Even so, there will be enough of the lower stuff rising up of itself to give you as much of the anubhava as you will need for getting rid of the obstacles; but then they can be dealt with with much less danger and under a higher internal guidance.
   ***

0 1962-02-03, #Agenda Vol 03, #The Mother, #Integral Yoga
   Im glad. I can see that my consciousness is steadier. I feel clearly that something is helping me to be conscious.2 Where I go isnt so interesting, but that will change, I expect.
   The point is to become conscious of ones activities and master of ones actions.
  --
   And so according to your mission in the world, you have to find for yourself the right proportion between this work and external, intellectual or organizational work; and then there are the bodys needs, which can be met in the same way, trying to make it possible for the Lord to take delight in them. I have seen this for trivial things: for example, making your bath a pleasant experience, or caring for your hair, or whatever (of course, its been a long time since there have been any of those stupid, petty ideas of personal pleasure), so that these things arent done indifferently, out of habit and necessity, but with a touch of beauty, a touch of charm and delight for the Lord.
   There, thats all.

0 1962-02-06, #Agenda Vol 03, #The Mother, #Integral Yoga
   Yes, I have noticed that in the space of (I dont remember when we performed it,2 you were already here) between then and now there is at least a good fifty years differencea fifty-year change in consciousness.
   But in practice, I am always up against the same problem.
  --
   In Sri Aurobindo's play, Andromeda, daughter of the King of Syria, is condemned by her own people to be devoured by Poseidon, the Sea-god, for some impiety she had committed against him. The story is actually about the passage of a half-primitive tribe, living in terror of the old dark and cruel gods, to a more evolved and sunlit stage. Perseus, son of Diana and Zeus, and protected by Pallas Athene, goddess of wisdom and intelligence, comes to deliver Andromeda from the rock she is chained to (the rock symbolizes the Inconscient for the Rishis), and founds the religion of Athene, "... the Omnipotent / Made from His being to lead and discipline / The immortal spirit of man, till it attain / To order and magnificent mastery / Of all his outward world" (in the words of Sri Aurobindo). It is the force of progress pitted against the old priests of the old religions, symbolized by the cruel and ambitious Polydaon. Here Mother is scrutinizing an old problem"Always the same problem"that she must have encountered in many existences (Egypt included) and would encounter again eleven years later: the acceptance of the death she is forced into as the Supreme's Will, and then this "love of Life" she twice mentions here.
   ***

0 1962-02-13, #Agenda Vol 03, #The Mother, #Integral Yoga
   You see, its like trying to alter the functioning of the organs. What is the process? Already the two are beginning to exist simultaneously. What does it take for one to disappear and the other to remain on its own, changed? changed, because as it is now it wouldnt be enough to make the body function; the body wouldnt perform all the things it must perform, it would stay in a blissful state, delighting in its condition, but not for longit still has a lot of needs! Thats the trouble. It will be very easy for those who come in one or two hundred years; they will only have to choose: not to belong to the old system any more or else to belong to the new.2 But now. A stomach has got to digest, after all! Well, that will mean a new way of adapting to the forces of Nature, a new functioning.
   But for that to happen, some beings would have to prepare this new functioning.
  --
   And the animals the animals and all the things receiving the Influence [of the mantra] and changing.6
   What remains is an impression, not the precise knowledge.
  --
   In fact, in the Agenda conversations of 1958 and '59 (never noted by Satprem because he believed them too "personal"), Mother mentioned this as one of the main reasons for encouraging his tantric discipline. He even set out for the Himalayas, like a knight of yore, with the idea of bringing back to Mother the secrets of transformation; and Mother indicated to him the spot where one of her former bodies lay in a Himalayan cave, petrified by a mineral spring. But the secret of the new species can manifestly not be found through any "trick" tantric or otherwiseone's very nature must change. No one could help Mother because if someone "knew," it would already be done.
   Mother means that it wasn't possible for Sri Aurobindo to continue.

0 1962-02-24, #Agenda Vol 03, #The Mother, #Integral Yoga
   Something seems to have changed.
   For a long time, several months, things were constantly on the brink, and dangerously so; I felt they could go either this way or that. Then on my birthday1 something suddenly tilted. All at once a formation seemed to have been lifted, a formation weighing terribly on I wont say on what, because it appeared to be everything it was lifted with the sweep of a hand, exactly the same movement Sri Aurobindo used for taking away illnesses.2
   It has made a tremendous change for this body, as though I had abruptly gotten out of a very tight corner.
   And in the afternoon, I had a funny experience at the Playground.3 When I got down from the car to go inside, I felt. For close to a year now I have been saddled with (I mean it was imposed on me) a useless pair of legs: weak, awkward, old, worn outworthless. I constantly had to will them to walk, and even then they were more than clumsy. And it was all swept away in the same manner (sweeping gesture). I literally almost danced! Imagine, getting rid of a pair of legs just like that! INSTANTLY my legs felt the way they used to (I have always had strong legs)that alert, solid, agile strength and I had to restrain myself from cavorting about! Ah, now we can walk! Keep calm, I had to tell them, or they would have started skipping and prancing!
  --
   I should mention that three or four days before my birthday something apparently very troublesome happened5 (it could have been troublesome, anyway), and it made me wonder: Will I be able to do what I have to on the 21st? I wasnt happy about it. No, I said, I cant let these people down when theyre expecting so much from this day; thats not right. So throughout the 20th I stayed exclusively concentrated in a very, very deep, very interiorized invocation, not in the least superficial, far from all emotions and sentiments something really at the summit of the being. And I remained in contact with That, for everything to be truly for the best, free from any false movement in Matter whatsoever. And that night I was CLEARLY cured; I mean I followed the action and saw myself really and truly cured. When I got up in the morning, I got up cured. All the things I constantly had to do, all the tapasyas just to keep going, were no longer necessarysomeone had taken charge of everything, and it was all over and done with. And on the morning of the 21st, with a crowd of two thousand and some hundred people, it went perfectly smoothly, without the slightest hitch. Then in the afternoon I had that very special experience for my legs.
   So on the 21st morning I could say quite spontaneously and unhesitatingly, Today the Lord has given me the gift of healing me. (I was speaking in English about the things people had given me, and I said, and the Lord has given me the gift of healing me.)
  --
   The 19th was so-so, and on the 20th I was concentrated all day long: no contacts with anyone, nothing external, only an intense invocation as intense and concentrated as when youre trying to melt into the Lord at death. It was like that. The same movement of identification, but at its core a will for everything to work out in a good way here [on the material plane]. In a good way I mean I said to the Lord, YOUR Good, the true Good, not. The true Good, a victorious Good, a real progress over the way life is usually lived. And I stayed in this unwavering concentration the whole day, all the time, all the time: even when I spoke, it was something very external speaking. And then at night when I went to bed I felt something had changed the body felt completely different. When I got up in the morning, all the pains and disorders and dangers had vanished. Lord, I said, You have given me a gift of health.
   And with this change, the bodily substance, the very stuff of the cells, was constantly being told, Dont you forget, now you see that miracles CAN happen. In other words, the way things work out in physical substance may not at all conform to the laws of Nature. Dont forget, now! It kept coming back like a refrain: Dont forget, now! This is how it is. And I saw how necessary this repetition was for the cells: they forget right away and try to find explanations (oh, how stupid can you be!). Its a sort of feeling (not at all an individual way of thinking), its Matters way of thinking. Matter is built like that, its part of its make-up. We call it thinking for lack of a better word, but its not thinking: it is a material way of understanding things, the way Matter is able to understand.
   Oh, thats enough talk for now!
  --
   Now I would add one thing: by experience. By changing knowledge into experience. And one experience automatically leads to another.
   What I mean by experience is something totally different from what people normally understand. Its something almost not new as such but assuming a new reality. It is not experiencing what one knows thats taken for granted, its banal but. We would need another word. Instead of knowing something (even a knowledge far superior to mental knowledge, even a very integral knowledge), you become the power that makes it BE.
  --
   The Manifestation is always said to begin with Sachchidananda: first Sat, pure Existence; then Chit, the awareness of this Existence; and then Ananda, the Delight of Existence which makes it go on. But between Chit and Ananda there is Tapas that is, Chit realizing itself. And when you become this tapas, this tapas of things, you have the knowledge that gives the power to change.9 The tapas of things is what governs their existence in the Manifestation.
   You see, I am expressing this for the first time, but I began to live it a while back. When you are THERE, you have a feeling of (what shall I say?) of such formidable power! The universal power, really. You have the sense of total mastery over the universe.

0 1962-02-27, #Agenda Vol 03, #The Mother, #Integral Yoga
   This is so because the original Will is reflected, as it were, in different realms, and in each realm the organization and relation of the images are changed. The world we live in is a world of imagesnot THE thing itself in its essence, but its reflection. We could say that in our material existence we are merely a reflection, an image of what we are in our essential reality. And the modalities of these reflections are what introduce all the errors and all the falsifications (what is seen in its essence is perfectly true and pure, existing from all eternity, while images are essentially variable). And according to the amount of falsehood introduced into the vibrations, the amount of distortion and alteration increases. Each circumstance, each event and each thing can be said to have one pure existenceits true existence and a considerable number of impure or distorted existences in the various realms of being. There is a substantial beginning of distortion, for instance, in the intellectual realm (indeed, the mental realm holds a considerable amount of distortion), and it increases as all the emotional and censorial realms interfere. Arriving at the material plane, the vision is most often unrecognizable. Completely distorted. To such a point that its sometimes very hard to realize that this is the material expression of thattheres not much resemblance any longer!
   This approach to the problem is rather new and can provide the key to many things.
   Take the case of someone you know well and are used to seeing materially: seeing him in the subtle physical, certain aspects become more prominent, more visible, more marked; physically they went unseen because in the material grayness they had blended with many other things. Certain character traits that never showed up physically now become so marked as to be quite visible. When you look at someone physically, you see the color of his complexion, the shape of his features, his expression. Seeing him at the same moment in the subtle physical, you suddenly notice different colors on different parts of the face, in the eyes an expression or a particular light you hadnt seen beforea strong impression of a very different overall appearance, which to our physical eyes would seem rather outlandish. But for the subtle vision its all very expressive and revealing of the persons character, or even of the influences hes under (what I am talking about is something I observed a few days ago).
   So, according to the plane where you are conscious and can see, you perceive images and see events from varying distances and with varying degrees of accuracy. The only true and sure vision is the vision of the Divine Consciousness. The problem, therefore, is to become conscious of the Divine Consciousness and constantly maintain it in all lifes details.
   Meanwhile, there are all sorts of ways to receive indications. That exact, precise and (whats the word?) habitual vision certain people have may stem from various sources. It may be a vision through identity with circumstances and things when you have learned to expand your consciousness. It may be an indication from some chatterbox of the invisible world, who has got it into his head to let you know whats going to happenthis is often the case. Then everything depends on your harbingers morals: if he is having fun at your expense, he spins stories for youthis almost always happens to those who receive their information from entities. To bait you, they may repeatedly tell you how things are going to turn out (for they have a universal vision in some vital or mental realm); then, when they are sure you trust them, they may start telling you fibs and, as they say in English, you make a fool of yourself. This happens frequently! You have to be in a higher consciousness than these fellows, these entities (or these minor gods, as some call them) and able to check from above the value of their statements.
   With a universal mental vision, you can see (and this is very interesting) how the mental world operates to get realized on the physical plane. You see the various mental formations, how they converge, conflict, combine and relate to one another, which ones get the upper hand, exert a stronger influence and achieve a more total realization. Now, if you really want a higher vision, you must get out of the mental world and see the original wills as they descend to take expression. In this case, you may not have all the details, but the central FACT, the fact in its central truth, is indisputable, undeniable, absolutely correct.
  --
   Of course, in every case there is invariably a time-lag, sometimes a few hours (thats the maximum), sometimes a few seconds. Quite frequently things announce their presence, but to come in contact with your consciousness, it may take them a couple of minutes or just seconds. I am constantly, constantly aware of whats going to happenutterly uninteresting things, as a matter of fact; knowing them in advance changes nothing. But they exist all around us, and with a wide enough consciousness we can know it all. For example, I know that so and so is going to bring me a parcel, that someone is about to come, and so forth. And its like this every day. Because my consciousness is spread far and wideit comes into contact with things.
   But the thing already exists, so it cant be called a premonition; its just that to come true for us it needs a few seconds to make contact with our senses, because a door or a wall or something prevents us from seeing it.
  --
   For the subtler senses, the method is to create an exact image of what you want, make contact with the corresponding vibration and then concentrate and practice. For instance, you practice seeing through an object, or hearing through a sound2 or seeing at a distance. As an example, I was once bedridden for several months, which I found quite boring I wanted to see. I was staying in one room and beyond that room was another little room and after that a sort of bridge; in the middle of the garden the bridge changed into a stairway going down into a very spacious and beautiful studio built in the middle of the garden.3 I wanted to go see what was happening in the studio I was bored stiff in my room! So I stayed very still, shut my eyes and gradually, gradually sent out my consciousness. I did the exercise regularly, day after day, at a set hour. You begin with your imagination, and then it becomes a fact. After a while, I distinctly sensed my vision physically moving: I followed it and saw things going on downstairs I knew absolutely nothing about. I would verify it in the evening, asking, Did it happen like this? Was that how it was?
   But each of these things must be practiced for months, patiently, almost stubbornly. You take the senses one after another: hearing, sight, and eventually even the subtle aspects of taste, smell and touch.

0 1962-03-11, #Agenda Vol 03, #The Mother, #Integral Yoga
   No, I dont know if its wise to publish this Talk; if too incomplete, it looks like ignorant chatter. And I have always deliberately refused to say things in full since its so very disconcerting for people, very disconcerting.
   But couldnt what you just said be added to the Talk?

0 1962-03-13, #Agenda Vol 03, #The Mother, #Integral Yoga
   Because it comes from very highits not from here, not at all; it was decided on high, and a long, LONG time ago. Before you came here, I was constantly feeling. Besides, it hadnt been so long without Sri Aurobindo; when Sri Aurobindo was here I had nothing to say, and if I did speak it was almost by chance. Thats all. What had to be said was said by him. And when he left and I began to read his books (which I hadnt read before), I told myself, Well, what do you know! There was absolutely no need for me to say anything. And I had less and less desire to speak. The minute I met you, I began to get interested. Ah, I thought, collaboration! Something interesting can be done.
   None of this is random chance. Its not that were taking advantage of circumstances, not at all; it was DECREED.
   All my life I have always, always felt I had something to say, but that there had to be another instrument to say it, to give it a kind of perfection of form I myself was unable to give. Because thats not my job. Its not my job.

0 1962-04-13, #Agenda Vol 03, #The Mother, #Integral Yoga
   (After a perilous month, Mother has suddenly had the formidable, decisive experience, and she gives her first message. She is lying on her bed in the room upstairs, and has become quite thin. It is around ten in the morning. Her voice has greatly changed. Schoolchildren can be heard playing in the distance:)
   Night of April 12-13.1
  --
   The heavens are ringing with chants of Victory!
   Truth alone exists; Truth alone shall manifest. Onward! Onward!

0 1962-05-13, #Agenda Vol 03, #The Mother, #Integral Yoga
   (This is the first conversation with Mother in two months. She is still reclining on her chaise longue. She looks quite pale and fragile, almost translucent. She enlarges upon the experience she had a month earlier, on April 13. The following text was not taped but noted down from memory and then read out to Mother.)
   I was at the Origin I WAS the Origin. For more than two hours, consciously, here on this bed, I was the Origin. And it was like gustslike great gusts ending in explosions. And each one of these gusts was a span of the universe.
  --
   Then began the process of descent,1 and the Voice was explaining it to me I lived through it all in detail, and it wasnt pleasant. It took an hour and a half to change from that true Consciousness to the individual consciousness. Because throughout the experience this present individuality no longer existed, this body no longer existed, there were no more limits, I was no longer herewhat was here was THE PERSON. An hour and a half was needed to return to the body-consciousness (not the physical consciousness but the body-consciousness), to the individual body-consciousness.
   The first sign of the return to individuality was a prick of pain, a tiny point (Mother holds between her fingers a minuscule point in the space of her being). Yes, because I have a sore, a sore in a rather awkward place, and it hurts2 (Mother laughs). So I felt the pain: it was the sign of individuality coming back. Other than that, there was nothing any moreno body, no individual, no limits. But its strange, I have made a strange discovery3: I used to think it was the individual (Mother touches her body) who experienced pain and disabilities and all the misfortunes of human life; well, I perceived that what experiences misfortunes is not the individual not my body, but that each misfortune, each pain, each disability has its own individuality as it were, and each one represents a battle.
  --
   I would prefer a word other than descent, because there was no sensation or notion of descentnone at all. It could be called the process of materialization or individualizationtransformation of consciousness would be more exact. It is the process of changing from the true Consciousness to the distorted consciousness thats it exactly.
   You say it yourself: the transition from the true Consciousness to ordinary consciousness.

0 1962-05-18, #Agenda Vol 03, #The Mother, #Integral Yoga
   It has gradually come back, in the sense that actively. No, I cant even say thatits not true. What has come back is the increasingly precise memory of how I had organized the life of this body, the whole formation I had made, down to the smallest details for the things I was using, how I was making use of them, how I had organized all the objects around the body, all that. What has come back is the memoryis it memory? The awareness of all that has returned, as if I were putting the two back into contact. And so, instead of the body being left totally in the hands of those around me, the formation I had made is coming back, with certain changes, certain improvements and simplifications (but mind you, I had neither the intention nor the will to change anythingthose things are simply coming back into the consciousness like that, with certain changes made). In short, its a kind of conscious formation recrystallizing around this body.
   And I have the perception a sensation, really, the sensation of something not at all me, but entrusted to me. More and more now, there is the feeling of something being entrusted to me in the universal organization for a definite purpose. Thats really the sensation I have now (the mind is very calm, so its difficult to express I dont think all these things, they are more like perceptions). And its not the usual kind of sensation: the ONLY (I insist on this), the ONLY sensation that remains in the old way is physical pain. And really, those points of pain they seem like the SYMBOLIC POINTS of what remains of the old consciousness.
   Pain is the one thing I sense the way I used to. Food, for instance, taste, smell, vision, hearingall thats completely changed. They belong to another rhythm. And this condition has come progressively, like a crystallization of something behind the senses that doesnt come from herein taste, smell, vision, hearing, touch. Except this one point. Even the sense of touch is different now but PAIN.
   Pain is the old world.
  --
   If that state remained, I would truly be free of the world as it is. Nonetheless, people can still hear me, cant they? And I can still see, but in a peculiar waya very peculiar way. At times I see with greater precision than ever before (generally, as I told you the other day, I seem to see from behind a veil; thats constant). I hear things that way too. Certain sounds. On one occasion I noticed a sound, a seemingly imperceptible sound, coming from about a hundred yards away, and it seemed to be right here. All this has changed I mean the whole way the organs function. Have the organs themselves changed, or is it their functioning? I dont know. But they all obey another lawabsolutely.
   And I have the definite impression that that so-called illness was the external and ILLUSORY form of an indispensable process of transformation; without that so-called illness there could be no transformationit is not an illness, I KNOW it: when people speak of illness, something in me laughs and says, What a bunch of geese!
  --
   What is coming back is the way objects the whole mass of material substance making up this bodys environmenthad been organized; thats what is coming back, with some small changes (none of this comes through the head; the head has nothing to do with it). It is a sort of formation reconcretizing itself for lifes outer organization.
   The old way of relating no longer exists at all.

0 1962-05-24, #Agenda Vol 03, #The Mother, #Integral Yoga
   I dont think any single individual on earth (as it is now) no matter how great he may be, no matter how eternal his consciousness and origin, can all by himself change and realize. change the world, change the creation as it is, and realize that higher Truth, the Truth that will be a new worlda truer, if not absolutely true, world. A certain number of individuals (until now they seem to have come in succession, in time, but they might also come as a collectivity, in space) would seem indispensable for this Truth to be concretized and realized.
   On a practical level, I am sure of it.
  --
   I would like to ask you in what way your vision has changed since the experience of April 13what exactly is the difference?
   I repeat.
  --
   In what way has your vision of the PHYSICAL world changed since that experience [of April 13]?
   I cant give you more than an approximation of that awareness.
  --
   Mother later changed her opinion about this.
   ***

0 1962-05-27, #Agenda Vol 03, #The Mother, #Integral Yoga
   When will it change into something else? I dont know.
   You cant, you just cant try! You cant make an effort, you cant try to find out, because intellectual activity immediately comes in, and that has nothing to do with it.
  --
   (The subject here is a letter, no longer extant, in which Satprem expresses his desire to go write his new book1 in the Himalayas, far from present circumstances. These circumstances included poor health, but mainly, lurking behind, was the violent and almost physical inner wound caused by his break with X. The idea was to go away for a change of air.)
   (With an ironic smile) On the meandering path of the world, this trip doesnt look too bad! For you personally, its an experience that yes, that would give you a concrete sense of the vanity of a number of things that still. You see, throughout all ones lives and all of lifes circumstances, theres one thing after another, one thing after another, one thing after another (zigzag gesture) to remove the scales from your eyes.
  --
   You know, I am absolutely convinced that when I have found what I seek [the third position] everything will change for you instantly, like this (gesture of turning upside-down): snap! You wont have to make the slightest effortit will be done just like that, in a flash. But meanwhile. Meanwhile I want you to be healthy. If going to the mountains for a few months does you a lot of good. Notice I say if I am not sure of it.
   I am sure that the only thing that would really do you good is precisely what you call the unblockingyour problems would be over.
  --
   A link is missing. There (gesture above) one knows, here (gesture into Matter) one doesnt know, and theres always the feeling that a change of place or a change of physical conditions is going to establish the contact. It happenstrue, it does happen: suddenly, flash! But it happens under ANY circumstances. It doesnt depend on outer changes. I know very well that nothing in either the climate or the living conditions here is absolutely intolerableits only our ideas about it, our mental reactions (mental and vital). But if there were just that joy, the joy of total opening, all the rest would be all right.
   Yet it may also be that up there in the mountains, all alone with the mountains, it would suddenly come. It is possibleeverything is possible. There is nothing that doesnt hold a possibility of truth.

0 1962-05-29, #Agenda Vol 03, #The Mother, #Integral Yoga
   I feel theres been a change since X left.
   Ah!
  --
   Yes, I sensed its very subtle, but I sensed a change for the better.
   For my taste (do I still have tastes? I certainly have no preferences, but some things do come more spontaneously than others) my spontaneous movement, you know, would be this (all-embracing gesture, open to all horizons)and then just let go.

0 1962-05-31, #Agenda Vol 03, #The Mother, #Integral Yoga
   The only thing to do is not torment yourself and to say to the Lord (in all sincerity, of course), Its up to You. Rid me of this. And it is very effective. Very effective. At times I have had old things like that dissolved in a flash; certain inveterate little habitsso stupid, but so ingrained you cant get rid of them. Then, while doing japa or walking or meditating or whatever, suddenly the flame flares up and (you have really had enough of it; it disgusts you, you want it to change, you really want the change) and you say to the Lord, I cant do it on my own. (You very sincerely know you cant do it; you have tried and tried and tried and have achieved exactly nothingyou cant do it.) Well then, I offer it to YouYou do it. Just like that. And all at once you see the thing fading away. It is simply wonderful. You know how Sri Aurobindo used to take away someones pain? Its exactly the same. Certain habits bound up with the bodys formation.
   One day I will certainly use the same method on those room changes, but for that it will have to become very clear and distinct, well defined in the consciousness. Because that change of room (intellectually you would call it a change of consciousness, but that means nothing at all; were dealing here with something very, very material) I have sometimes gone through it without experiencing ANY chaNGE OF EFFECT, which probably means I was centered not in the material consciousness but in a higher consciousness dwelling and looking on from elsewherea witness consciousness and I was in a state where everything flows flows like a river of tranquil peace. Truly, its marvelousall creation, all life, all movements, all things, and everything like a single mass, with the body in the midst of it all, blending homogeneously with the whole and it all flows on like a river of peace, peaceful and smiling, on to infinity. And then oops! You trip (gesture of inversion2) and once again find yourself SITUATEDyou ARE somewhere, at some specific moment of time; and then theres a pain here, a pain there, a pain. And sometimes I have seen, I have witnessed the change from the one to the other WITHOUT feeling the pains or experiencing the thing concretely, which means that I wasnt at all in the body, I wasnt BOUND to the body I was seeing, only seeing, just like a witness. And its always accompanied by the kind of observation an indulgent (but not blind) friend might make: But why? Why that again? Thats how it comes. Whats the use of that? And I cant catch hold of what makes it happen.
   It will come.
  --
   Several times (because I am almost never alone in my room, though there may be many other reasons), I have noticed a slight change, a small movement in the consciousness of the person or persons in the room. But I always hesitate to throw the responsibility onto something external, because that takes three-quarters of the possibility of control away from you.
   If only the me chanism could be found!
  --
   Something done with a very light touch, with no importance attached to it, but coming from a new worldoh, nowadays I constantly make a distinction between (what shall I say?) the straight-line, right-angle life and the undulating life. One life I might describe like this (Mother makes chopping gestures, showing crisscrossing lines): everything is sharp-edged, hard, angular, and youre constantly bumping into things; and then theres an undulating life, very sweet, with a great charmVERY charming but not not too stable. Strange, its a completely different kind of life. Well, my story belonged to that world. There was nothing here (Mother touches her forehead), and not even anything here (above the head); it was something like like waves. And it was very joyous, very joyous and carefree.
   (silence)
  --
   And its the same thing: whats needed is the path of vastness, widening, relaxation, ease, of BLOSSOMING in the vitalnot so much a censorial vital as as gentleness, a certain sweetness. The vital blossoming into beauty: sweetness and beauty. I dont want to speak of sentiments because oh, that lands us right in a quagmire! No, but a sweetness and charm and beauty but not there (in the head): here. And then restnot a stiff and stony and stagnant rest, a rest within the undulation. You let yourself float.3
   (silence)
  --
   Voil, mon petit. Nowadays I have nothing to say I chatter away quite uselessly. But I like to see you. And I think its worthwhile.
   Good.

0 1962-06-02, #Agenda Vol 03, #The Mother, #Integral Yoga
   Then someone came. There are symbolic people in these dreams; they seem to be made up of various parts of the beings of those around me, people who have a particular relationship with me and bring a particular help to the Work. They are symbolic characters and always the same: one of them is tall and thin, some are small, there are young ones, old ones. I cant say its this person or that person, but rather that something IN this or that person is represented in these characters. And one of them is like a big brotherhe helps out in certain circumstances; if theres a boat, for instance, the big brother steers it. So he came up to me and said, Yes, I know the method, and began to try. Stop, for heavens sake! I said. Youll spoil everything; to make it work I have to say: I WANT TO GO THERE. When he began trying to bring me across with his own methods, the water grew muddy again and I started to sink! No no no! I protested. Dont do that, thats notit at all! THAT has to (although I wasnt formulating it to myself, what I meant was the sense of a certain higher Will) THAT has to say: I WANT TO GO THERE; then it works.
   After that, the experience changed, other things happened. But what I have just related is certainly part and parcel of that experience the other day [the two rooms, one inside the other], because the two were coexistent.1
   And the water was so real! The experience was so real that I could feel the coolness of the water; I had the pleasant sensation of sitting on something very soft and cool and swift, carrying me along.
  --
   It was delightful (it happened around 1:30 in the afternoon): sitting on the water the way you would sit on a chair! And the water was so clear, crystal clear, transparent, rippled with tiny waves; the depths were dark blue, but the surface was perfectly clear, transparent, almost colorless. Then when the big brother came, boasting that he knew how to do it too, and would take me across, the water began to get muddy, as river water always isa dirty grayish yellow.
   It must be the continuation of that experience the other day. I was beginning to find the key.
  --
   Last night I spent almost all my time in such a building. And all the people who help the work were symbolized there but its always a material help, either work or money or. I remember being particularly struck by one character last night. (Again, there were a lot of aggravations, but someone or something was always on the scene when I arrived and it all sorted itself outit was the exact opposite of the dreams I was talking about the other day: all the difficulties sorted themselves out when I arrived.) Then I came to a rather difficult place to cross (you had to flounder about on slippery scaffoldings) and suddenly, facing me, there was a man (of course, it was probably a symbol rather than a man, but it might really be someone physical). He was one of the workers, a master mason (when I woke up this morning, I thought of the symbolism of Freemasonry and wondered if it might give a clue to the experience). Nearby, people were coming to supervise, observe, direct, people who thought themselves highly superior but they were never any help in solving practical problems! They were creating more problems than they were helping to solve. Anyway, this master mason appeared to be around fifty, with a beautiful facea workers face, beautiful and concentrated. There was a difficult place to cross, and he had worked the thing out very efficiently, with a lot of care. Then, when it was all done and I was able to go on my way, I felt a great surge of love go out to him, with neither gesture nor word and he received it, he felt and received it. His face lit up and he implored me, with wonderful humility, Never let me forget this moment, the most beautiful moment of my life. (I dont know what language he used because it didnt come to me in words.) It was such an intense experience. His humility, his receptivity, his response were all so beautiful and pure that when I woke upwhen I came out of the experience, at any rate I was left with a most delightful impression.
   What he represents might be partly manifested by somebody here. A beautiful face a man around fifty. Or it may be symbolic: such characters are sometimes put together with features from several people, to make it very clear that they represent a state of consciousness and not an individual. Its far more often a state of consciousness than an individual.
   But this experience left me with a true sense of satisfaction, of fullness: his work had been perfect and his response to the divine Force, to the Grace that came to him, was magnificent. It may be several people,3 it may be one particular person I dont know. It happened just last night.
  --
   The afternoon experience was very intriguing; I was busy working (organizing things for one of the departments, I no longer remember which) and then I said to the person I was with, Now I am going to my cousins place! When I was very young I had a cousin, the eldest son of one of my fathers brothers (he had a large family, such as you seldom see in France). This cousin became some kind of engineera civil engineer, maybe, or a me chanical engineer (he was an outstanding chemist). Anyway, this boy was very attracted to me. He went off to the war as an officer and caught some disease (I forget what) and died around 1915, at the time I returned to France. Well, in my experience yesterday afternoon, a certain family living HERE gave me exactly the same sensation I had had towards those people when I was young. And especially for this cousin (for the rest of the family it was more vague, like a background to the experience). I am going to their place, I said. They have a lovely estate here, just as they had a lovely estate in France before (they had Madame de Sevignes chateau at Sucy, near Parisa beautiful property). And it was all so concrete! It wasnt coming through the head; it wasnt a thought but a sensation. I have to go see him now, I said. And even as I was having my vision I was telling myself, You must be going crazy! Can they really be here in Pondicherry? This uncle with whom I had only rather distant relations and this cousin I never saw much of, but whom I knew to be very nice and very loyalAre they really here?! The sensation was most strange (the head wasnt functioning at all; it was a SENSATION). So off I went to see this cousin, and it was on the way to see him that I had the experience of crossing the river. And on the way back, after the discussion with the spiritual brother (whom I really told off: Get out of here! I dont need you!), after that, when I found myself back on the bank, I started collecting my consciousness again, telling myself, Look here now! Lets try to see clearly. And then I realized that the cousin who died prematurely during the war had reincarnated in someone here. How strange, I thought. And the dates coincided.
   But that is a singular state: there is no mental intervention at all; you live things POSITIVELY, just as you experience them physically, in the same way that this (Mother knocks on the table next to her) is physically a table. Its that kind of perception something positive. I positively said, I am going to my cousins place, and the relationship had an absolutely positive vibrationit wasnt at all something thought or even remembered: theres no remembering anything, its simply there, alive. A strange state. I have had it on several occasions, and when I have it I am aware that this must be the state people who know what is happening and make predictions are inin this state there is no possibility of doubt. No thoughts intervenenone at all, not one. Absolutely nothing intellectual: simply certain vital-physical vibrations, and then you know. And you dont even wonder how you know; its not that kind of thingits self-evident. And since I was in that state when I saw the reincarnation of the cousin, I am perfectly sure of what I saw. And god knows (Mother laughs), when I came out of it and began to look at it all with my usual consciousness, I said to myself, My word! I would never have thought of such a thing! It was millions of miles from any thought of mine. Besides, I never used to think of that cousin; he was a fine boy but I never paid much attention to him, he had no place in my active consciousness.
  --
   I.e., the crystalline river and the muddy river, the room of pain and the true room. Mother later clarified: "At a given moment, the water was either one way or the other; I wasn't changing place, the STATE was changing."
   Mother reemphasized: "Those who use the mind to seek knowledge cannot enter the true room that is quite clear."

0 1962-06-06, #Agenda Vol 03, #The Mother, #Integral Yoga
   Oh, yesits clear, very clear, very luminous a bit hard. But everything seems hard to me now! If you only knew. It has come to the point where as soon as I change states I get the feeling that the body is sitting on jagged chunks of wood and yet it is very comfortably ensconced on feather cushions!
   (silence)
   I dont know, but I had the impression it ought to be a POWER rather than a state of consciousnessa power able to chaNGE things. Rather than changing ones attitude, there should be a power that could change Matter, make it more.1
   Everything is a power, mon petit! Life is a powerno power, no life.
   Yes, but I mean rather than being something subjective, some thing you experience, it should be a power that, for instance, could change this material hardness into a softness.
   I havent changed.
   I havent changed, thats the thing I havent changed. Because were it changed, it wouldnt come back; but they coexist. They coexist.2
   If matter were changeable, it would have changed LONG ago.
   (silence)
   I remember reading something by Sri Aurobindo, I think, about certain philosophical or spiritual theories which held that there was only one Soul, or one Purusha (I dont remember what he called it); this Soul had the entire experience of the distortion of the universe, and this same Soul was also experiencing the Return. And it was pointed out with indisputable logic that if there really is but ONE Soul, then from the moment mastery is attainedregardless of whether it is by an individual or a world, a god or an ant the moment the power to change the distortion into the Truth exists, its all over and done with! The change automatically comes into force.
   But then it was noted that some people did accomplish this Returnsince they lived it and described it but all the same, everything else continues to exist, to coexist. Therefore.
  --
   Because everything changes, but nothing disappears. You know, thinking the way we commonly do, it seems to us that the present state of the world will change and be replaced by something else. And on the other hand, we know from experience that whatever exists, exists eternally. So then what?
   (long silence)
  --
   I am (how shall I put it?) under way, on the border. But we would need some proof, wouldnt we? Some evidence. For ONESELF, things are unquestionably changing; I have had two or three or four FLASHES of objective changea change not only for my consciousness, but perceptible to other consciousnesses too. But its like a flash: Ah! And it vanishes in the time it takes to say Ah! So its nothing you can talk about.
   Events can be changed: wherever the state of consciousness comes into play, you can change events. I have had hundreds and hundreds and hundreds of examples of that, as I have had the experience of changing a persons state of consciousness3 and the resulting circumstances of that state of consciousness. All that belongs to the realm of psychological life; but what I am speaking of is this (Mother vigorously strikes the table).
   There is indeed the case of Madame Thons sandals, which came and put themselves on her feet instead of her feet going and putting themselves in the sandals, but that that belongs to yet another realm. It wasnt what you would call a natural phenomenon: she was applying her will and her action, and the substance of the sandals was becoming receptive. But does that mean the world will be that way? I dont know.
   Two or three times, like a flash, I have seen something manifest, change place. But it was over in less time than it takes to tell, so it might be entirely subjective. To make sure, I would have to check it with someone else, wouldnt I?
   We will see. Patience.
  --
   So, mon petit, what are you up to? Its all chatter and no work for you today.
   But this is interesting!

0 1962-06-09, #Agenda Vol 03, #The Mother, #Integral Yoga
   (In the course of the preceding conversation, Satprem had thought that rather than a subjective change, a change in one's attitude towards things, there should be an objective change, a power capable of changing the very substance of things: their property of hardness, for instance. Here Mother elucidates her previous statement that "if matter were changeable, it would have changed long ago," a statement that, at first glance, seemed to shatter all hope of transformation.)
   There is nothing to change! Only the relations between things change.
   As an analogy, look at what science has discovered about the so-called composition of matter at the atomic leveltheres nothing to change. Nothing to change! The constituent element doesnt change, the relations between things are what change.
   Everything has one and the same constituent element, you see; and everything lies IN the interrelations.1 Well, its exactly the same for the transformation.
  --
   The notion of subjective and objective STILL belongs to the old world and to the three, or at most four, dimensions. It is one and the same Power that changes the interrelations within one and the same element; to put things simply, the Power that gives the subjective experience AND the objective realization is the same; it is only a matter of a greater or lesser totality of experience, as it were. And if the experience were total it would be the experience of the Supreme, and it would be universal.
   Does what I am saying make any sense?
  --
   Yes, but when you say that what changes is only the relations between things, its still a matter of subjectivity (I use the word for lack of a better one). But when we come down to the brass tacks of transformationphysical immortality in the body, for instancedoesnt it involve more than a simple inner change of relations? Doesnt MATTER itself have to be transformed? So there has to be a power over matter. Not merely a change of relations no?
   No; you cant grasp what I mean by the word relation unless you take it scientifically. Your body, and my body, this table, this carpet, are all made up of atoms; and these atoms are constituted of the SAME thing. The differences we seedifferent bodies, different formsare due to the movements or the interrelations within this same thing.
   Yes, so then its the interrelations that have to change.
   But this has to be very concretely grasped. Well, I say that the power must change this intra-atomic movement. Then, instead of disintegrating, your bodily substance will obey the movement of Transformation, you follow? But its all the SAME thing! What must change are the relations among things.
   And so it becomes EVIDENT that immortality can be achieved! Things get destroyed simply because of their own rigidity and even then, its only a semblance of destruction; the essential element stays the same, everywhere, in everything, in decay just as much as in life.
  --
   Ultimately, its all the constructing Will. This constructing Will is eternal, immortal and infiniteits obviousso if it is left to this Will, theres no reason why Its creation shouldnt partake of immortality and infinitythings dont necessarily have to go through the semblance of disintegration to change form, its not indispensable. It has come to be that way for some reason or other (which is probably none of our business), but its not indispensable, it could be different.
   (silence)

0 1962-06-12, #Agenda Vol 03, #The Mother, #Integral Yoga
   Naturally he says he has kept all he felt and saw for me. He had said he wanted to remove his yantram2 from the Ashram, but in the end he left it. He writes to Z telling him he is working on his arm. He had a visit from A. and from that fellow M.that was comical! M., of course, had come to the Ashram to stay, but anyway hes looking for some kind of power, I sense that well enough. He had been frequenting some character who had power but wasnt putting it to very good use, and he felt something similar with Xhe is instinctively in search of power. When he went down to see X, he may have felt a power coming into himso hes going away! I dont think he has any kind of attachment either to India or the Ashram: hes looking for power.
   Thats how things stand.
  --
   If within that immobility I had a vision of the Mother, for instancea vision of the Motherif She were here well, yes, as though She knew me, was near me, was aware of my existence! A relationship, something. Well, that would change everything! If I could say to myself: close your eyes and you will see Herlike Ramakrishna, for example, he had that kind of relationship. I dont know, my whole life would be changed, I would feel linked to SOMETHING. It wouldnt just be silence, silence, silence.
   But all that belongs to a lower stage.

0 1962-06-16, #Agenda Vol 03, #The Mother, #Integral Yoga
   When I look ahead, I see no radical change (that is, a change of organization, of life and so forth) before a VERY long time, a very long time. We have to have a lot of patience.
   No, its not a matter of patienceits like this (Mother holds her hands above her head, open to the Eternal).

0 1962-06-20, #Agenda Vol 03, #The Mother, #Integral Yoga
   Pavitra was telling me the other day that, according to the latest scientific discoveries, matter in its present state can be immortal. Theres no reason that it couldnt change (for it changes all the time) enough to avoid decay. Nothing in matters composition stands in the way of its immortalityimmortality of form, I mean. If science simply follows its own course (and does not suddenly find itself confronted with something beyond its grasp), theres no reason it should not provide people who dont have a mystical or occult turn of mind with a way to use the present substance in imperishable forms, without recourse to anything from other realms.
   This is a great support for practical-minded people.

0 1962-06-23, #Agenda Vol 03, #The Mother, #Integral Yoga
   If you like, Ill read what she noted down: I am in Pavitras office, standing on the carpet next to his table. I raise my eyes and look down the corridor. It is empty. Then suddenly, all the way at the other end, next to her bathroom, I see Mother appear. She is so tiny, my dear little Mother! She starts towards the office where I am. She leaves the boudoir behind on her right, keeps coming forward, passes by the big window with the birds and the pink vases on her left. And she is growing. With each step she grows taller. One after the other, she goes by her chair, the door to the stairway, my lab, and Mother continues to grow. Then the door to Pavitras room, the door to the terrace, and Mother comes to the office. She crosses the threshold: her head almost touches the top of the door. Mother comes in. She is so tall! Her head now touches the ceiling.2 Standing, I barely come to her knees! Something in me is staggered before that sublime height. I prostrate myself.
   (After a silence) I see her quite frequently at night.
  --
   Satprem had not "seen" anything, but during his japa he suddenly had the "impression" of a tall warrior standing next to him; as it was only an "impression " he attached no importance to it. What he wanted was to see, just as one sees a table or a chair.
   About 15 feet high.

0 1962-06-27, #Agenda Vol 03, #The Mother, #Integral Yoga
   Previously, when I had an experience, I took great care to keep everything quiet and still so that it wouldnt be interrupted; but afterwards it was always made use of by the mind in its typical way (not exactly typical, but typical to the mind), and this appeared to be inevitable. But now it doesnt work in the same way: its limited to a few inevitable interventions; I mean people speak to me or I to them (I keep as silent as I can, but they still chatter away about every possible subject and I am obliged to answer), and its limited to that. But as it is, even that as soon as I am a bit concentrated, even that seems so not wrong or distorted, not that, but INADEQUATE. It expresses absolutely nothing, thats all I can say.
   The TRUE thing escapes completely.
  --
   Logically, of course, I should stay invisible until the day I appear in my new form. But it doesnt seem to be going quickly. For the moment, its not changing except for a kind of sensation of force entering the bodya sensation as if the new thing were PUSHING.8 Something very concrete.
   Well see! We have to be patient.

0 1962-06-30, #Agenda Vol 03, #The Mother, #Integral Yoga
   Twice I knew that it wasnt just images but something that had happened to ME, but it took another form. Once (when I was older, around twenty) it happened at Versailles. I had been invited to dinner by a cousin who, with no warning, served me dry champagne during dinner and I drank it unsuspectingly (I who never drank at all, neither wine nor liquor!). When I had to get up and cross the crowded room, oh, how very difficult it became, so difficult! Then we went to a place near the chateau, with a view of the whole park. And I was staring at the park, when I saw I saw the park filling up with lights (the electric lights had vanished), with all kinds of lights, torches, lanterns and then crowds of people walking about in Louis XIV dress! I was staring at this with my eyes wide open, holding on to the balustrade to keep from falling down (I wasnt too sure of myself!). I was seeing it all, then I saw myself there, engrossed in conversation with some people (I dont remember now, but there were certain corrections here too). I mean I was a certain person (I dont remember who) and there were those two brothers who were sculptors (Mother vainly tries to recollect the names3) anyhow, all kinds of people were there and I saw myself talking, chatting. And I seem to have been sufficiently in control of myself, because when I related all that I had seen, there were some quite interesting details and corrections. That was one time.
   There was another time at Blois. They make Anjou wine at Blois. It was the same story: I never drank anything but water or herb tea, but there was a luncheon and they served us sparkling Anjou wine it seemed so light! Afterwards (I was with an artist friend, we were all artists) we went to see the museum, and it appears I was sparkling with wit! And I suddenly halted in front of a painting by now lets see, who was it? Cou? No, Clouet! Clouet: the princess one of the princesses.4 And I started making a few remarks out loud (it took me a little while to notice that people were listening). Look at this! I was saying. Just look at this! Look what this fellow has done to me! See what hes done to meit wasnt at all like that! It was actually a beautiful painting, but I was quite unhappy about it: Look what hes done to me! Lookhe made this like that, but thats not at all how it was, it was LIKE THIS! Details. And then I became aware (I wasnt too conscious physically) I realized that people were standing around listening, so I got a grip on myself, and left without a word. But I told my friends, Listen, it was definitely me! It was MY portrait, it was ME!
  --
   But with this present incarnation of the Mahashakti. She is the Supremes first manifestation, creations first stride, and it was She who first gave form to all those beings. Now, since her incarnation in the physical world, and through the position She has taken here in relation to the Supreme by incarnating in a human body, all the other worlds have been influenced, and influenced in an extremely interesting way.8 I have been in contact with all those gods, all those great beings, and for the most part their attitude has changed. And even with those who didnt want to change, it has nonetheless influenced their way of being.
   Human experience, with this direct incarnation of the Supreme,9 is ultimately a UNIQUE experience, which has given a new orientation to universal history. Sri Aurobindo speaks of thishe speaks of the difference between the Vedic era, the Vedic way of relating to the Supreme, and the advent of Vedanta (I think its Vedanta): devotion, adoration, bhakti, the God within.10 Well, this aspect of rapport with the Supreme could exist ONLY WITH MAN, because man is a special being in universal History the divine Presence is in him. And several of those great gods have taken human bodies JUST TO HAVE THAT.11 But not many of themthey were so fully aware of their own perfect independence and their almightiness that they didnt NEED anything (unlike man, you see, struggling to escape his slavery): they were absolutely free.
  --
   Somewhat in the manner of Tantric yantrams, but using words charged with force instead of geometric symbols. Mother once told Satprem that from time to time she would "re charge" these little scraps of paper by looking at them or simply keeping them on the table next to her.
   Of whom Clement Marot said: "Body of a woman, heart of a man, and face of an angel."

0 1962-07-04, #Agenda Vol 03, #The Mother, #Integral Yoga
   Once again it made me realize that this last experience [of April 13] may in reality have come to free me from ALL past knowledge, and that to live the Truth none of it is needed. I need neither all this terminology nor Sri Aurobindos terminology nor, of course, anyone elses; I dont need all these classifications, I dont need all sorts of experiences I need ONE experience, the one I have. And I have it in all things and in all circumstances: the experience of eternal, infinite, absolute Oneness manifesting in the finite, the relative and the temporal. And the process of change I am pursuing seems less and less of a problem; after looking like the ultimate problem, it doesnt seem to be one any more, because but that that cant be utteredit pleases Him to be that way, so He is that way.
   And the secret is simply to be in this It pleases Him.

0 1962-07-07, #Agenda Vol 03, #The Mother, #Integral Yoga
   But this chapter ends here, doesnt it?
   Its simply to give some background. Still, I cant avoid saying whats new in what Sri Aurobindo brings, precisely because it has nothing to do with spiritual India. We cant avoid telling them this one way or another, can we?
  --
   But after this prologue, I intend to tackle the problem practically, to speak of the moment when people reach the limits of the mind, when they start going round in circles and find nothing; then I will tell them of zones beyond the mind, and of what can be discovered when one goes within: mental silence. Ill talk about a practical discipline. That was my idea. My idea isnt to give an abstract explanation but to take up yoga from a practical angle: try to do this, and heres what you may expectmental transformation, change in the vital, dreams, etc. All practical things. Id like to explore the psychological aspect.
   Thats good. From the standpoint of the Work, of what you create, of course its very good, very interesting; it needs to be said, it MUST be said. But is the gentleman who wrote you that letter capable of understanding anything of it? Thats where I put a question mark.
  --
   Ill say it, but later on, towards the end. After exploring these changes of consciousness, which after all are the very basis of the work, Ill show how they translate practically. But if i start with this right away, without explaining why its like that.
   Oh, that wont trouble them!

0 1962-07-11, #Agenda Vol 03, #The Mother, #Integral Yoga
   I havent had the chance (laughing) to ask them what happened to them!
   Probably they were not immediately aware of it, but its sure to have an effect.
   This has never happened before, its brand-new. Before, there was always that Power transmitted through the higher mind (what Sri Aurobindo calls the Overmind); it was up there, dissolving, dispersing, changing, doing a whole lot of work, without any difficulty, effortlessly (gesture above the head showing the tranquil, irresistible flowing of a stream), nothing to it. That was my constant, second-to-second action, everywhere, all the time, for everything that came to me. But THIS is completely, completely new. Its a sort of imposition, almost like an imposition on the PHYSICAL brain (I presume it must be for changing the brain cells). And I am allowed to do only one thing (Mother grips the mental construction presented to her); its right in front of me like this and wont leave me, it clings like a leech, stock-still. So I have to bring in the supreme, divine Vibration, the Vibration I experienced the other day [April 13], and hold it steadily (sometimes it takes quite a while) until all is hushed in a divine silence.
   (silence)

0 1962-07-14, #Agenda Vol 03, #The Mother, #Integral Yoga
   And simultaneously there is an automatic perception of timeclock timewhich is rather curious (everything is regulated by the comings and goings of the people around me, you see: such a thing at this time, such a thing at that time), I dont need to hear the clock I am warned just before it strikes. I repeat one part of the japa in a particular way while lying down, because the Power is greater (these arent meditations, they are actions), and another part while walking. So I stay stretched out for a certain time, I walk for a certain time, and at a fixed hour this one goes, another comes, and so on. But none of them are people; I dont tell them so, but theyre not people: they are movements of the Lord. And its extremely interestingone of the Lords movements will have this particular character, another movement will have a different type of vibration, and they all harmonize very nicely into a whole. But I know what time it is just before the clock strikes: six oclock, 6:30, 7:00, 7:30, like that. Not with the words six, seven, but: its time, its time, its time. And along with thisthis clockwork precision I have that other notion of time which is quite different, its. Although its a very rigid convention, our time is a living formation with its own living power here in the world of action. The other time is the rhythm of consciousness. So according to the intensity of the Presence (theres a concentration and an expansion, I mean), according to this pulsationwhich can vary, its not regular and me chanicalwalking around the room takes either no time at all, or else an ENORMOUS amount of time. But this doesnt interfere with the other time, theres no contradiction. Our time is on a different plane, something far more external; but it has its usefulness and its own law, and the one doesnt hinder the other.4
   And its gradually becoming foreseeable that.5
  --
   Very childlike. But its charming. charming.
   (silence)
   All this is for the next hundred years. There are going to be some changes.
   (silence)
  --
   When one goes out of the body (and probably at death), there is always the impression of moving "upwards," or "inwards," which means into a deeper plane (either way, it is simply the expression of a change of dimension). What is striking about Mother's experience is this LEVEL movement, indicating that she had not left the physical world. We are faced with a strange enigma: a physical world WITHIN the physical worldano ther world, or the same one lived differently? A physical world where death no longer exists: one has died unto death. The world to come?...
   Mother's japa.
   Ever since Einstein's Theory of Relativity, we have known that such an experience of time's relative nature is "physically" feasible. We need only consider the example of time aboard a spaceship approaching the speed of light: time "slows down," and the same event will take less time aboard the spaceship than on earth. In this instance, speed is what makes time slow down. In Mother's experience (which is every bit as "physical"), the "intensity of the Presence" seems to be the origin of time change. In other words, consciousness is what makes time slow down. Thus we are witnessing two experiences with identical physical results, but formulated in different languages. In one, we speak of "speed," in the other of "consciousness." But what is speed, after all?... (Moreover, the implications of this "language" difference are quite colossal, for it would indeed be simpler to press on a "consciousness button" than on an accelerator that had to take us to the speed of light.) Speed is a question of distance. Distance is a question of two legs or two wings: it implies a limited phenomenon or a limited being. When we say "at the speed of light," we imagine our two legs or our two wings moving very, very fast. And all the phenomena of the universe are seen and conceived of in relation to these two legs, these two wings or this rocketship they are creations of our present-day biped biology. But for a being (a supramental being, of the future biology) containing everything within himself, who is immediately everywhere, without distance, where is "speed"? ... The only "speed of light" is biped. Speed increases and time slows down, they say. The future biology says: consciousness intensifies and time slows down or ceases to existdistances are abolished, the body doesn't age. And the world's whole physical cage collapses. "Time is a rhythm of consciousness," says Mother. We change rhythm and the physical world changes. Might this be the whole problem of transformation?
   Asked later about this unfinished sentence, Mother said, "I stopped because it was an impression and not a certainty. We'll talk about it again later." Was Mother hinting at a stage when she would live in both times simultaneously?...

0 1962-07-18, #Agenda Vol 03, #The Mother, #Integral Yoga
   Its like an image. You see, the body is stretched out here on the chaise longue. You know how it is when experiments are done on animals? Its something like that the body is there as the subject of an experiment. Then theres my consciousness, the part focused on the earthly experience and the present transformation (its what I mean when I say I). And then the Lord. I say the Lord Ive adopted that because its the best way of putting it and the easiest for me, but I never, NEVER think of a being. For me, its a simultaneous contact with the Eternal, the Infinite, the Vast, the Totality of everything the totality of everything: all that is, all that has been, all that will be, everything. Words spoil it, but its like thatautomaticallywith consciousness, sweetness and SOLICITUDE. With all the qualities a perfect Personality can offer (I dont know if you follow me, but thats the way it is). And That (I use all these words to say it, and three-fourths is left out) is a spontaneous, constant, immediate experience. So the I I spoke of asks that the body may have the experience, or at least an initial taste, even a shadow of the experience of this Love. And each time its asked for, it comes INSTANTLY. Then I see the three together1in my consciousness and perception the three are together and I see that this Love is dosed out and maintained in exact proportion to what the body can bear.
   The body is aware of this and is a little sad about it. But immediately comes something soothing, calming, making it vast. The body instantly senses the immensity and regains its calm.
   This experience I am describing is exactly what happened yesterday (it happens every day, but yesterday it was especially clear). And its still here I am seeing it as I saw it, its still here. Actually, it is always herealways herethough its more striking when the body is stretched out, motionless in the Yoga. The experience is slightly different when walking because that involves action. When the body walks, it acts on behalf of everything thats related to it, hence the action is vaster and more powerful. But when it is stretched out and asks the Lord to take possession of it, it really asks with all its aspiration. And the very intensity of the aspiration brings in the possibility of a slight emotional vibration. But it is immediately drowned in the immobile immensity of matter, which senses the Divine Descent like a leaven that makes dough rise thats it exactly, the terrestrial immensity of matter and the leavening action of the Divine Descent. The intensity of these vibrations is above and beyond anything we are used to feeling the vital seems dull and flat in comparison. And what a Wisdom! It knows how to make use of time that is, it actually changes itself into timeso as to minimize the possibilities of damage.
   Its plain to see that, left to itself in its full power of transformation and progress, this flame of aspiration, this flame of Agni would have scant consideration for the result of the process the result of the process is that fire burns. And there could be mishaps in the functioning of the organs. All the organs must undergo a transformation, but were it too rapid and too sudden, well, everything would go out of whack. The machine would simply explode. But this Wisdom doesnt come from the universal consciousness (which I dont really think is so wise!), its infinitely higher: the Supreme Wisdom. Something so wonderful! It foresees things the universal forces in their universal play would overlooka wonder!
  --
   Oh, such humorous things happen. The other day I saw T. Her old mother lives in Moscow; shes very old and on her deathbed, and has asked T. to come see her. So T. is going to go there. Its a risky adventure. She wrote to ask if she could see me before leaving (I dont see anyone and I had no intention of receiving her, but it was decided in spite of me and I let her come). She had been told not to speak, but thats impossible for such a chatterbox! So she began by lamenting (probably thinking it was the thing to do) over my serious illness and god knows what else I didnt listen. I simply told her, No, its not that, its the yoga. Then, with the effervescence of an ignorant child: Yoga! But you shouldnt be doing yoga! You shouldnt be. Just then, the Lords face came (the Lords face often takes on Sri Aurobindos appearancean idealized Sri Aurobindo, not exactly as he was physically), and it came here (right up against Mothers face), and it was blue. Then It made my finger touch her cheek, like this (Mother seems to tap T.s cheek), and It told that child, Little children dont know what theyre talking about. And it was so thoroughly Him! He was speaking and I saw only Him, his appearance: Little children dont know what theyre talking about.
   I dont know how I looked (I was enjoying myself enormously), but she must have felt something (she didnt say a word), she must at least have felt something strange because a shudder went through her being. And I was told that when she left, she said, I may come back before I leave, but I wont ask to see Mother! (Mother laughs.)

0 1962-07-21, #Agenda Vol 03, #The Mother, #Integral Yoga
   First, about your yoga. You wish to give me the charge of your yoga and I am willing to take it, but that means to give its charge to Him who is moving by His divine Shakti [Energy], whether secretly or openly, both you and me. But you must know that the necessary result of this will be that you will have to walk in the special path which He has given to me, the path which I call the path of the Integral Yoga. What I began with, what Lele1 gave me, was a seeking for the path, a circling in many directionsa first touch, a taking up, a handling and scrutiny of this or that in all the old partial yogas, some sort of complete experience of one and then the pursuit of another.
   Afterwards, when I came to Pondicherry, this unsteady condition came to an end. The Guru of the world who is within us then gave me complete directions for my pathits complete theory, the ten limbs of the body of this Yoga. These past ten years He has been making me develop it in experience, and this is not yet finished. It may take another two years, and as long as it is not finished I doubt if I shall be able to return to Bengal. Pondicherry is the appointed place for my yoga siddhi [realization], except indeed one part of it, and that is action. The centre of my work is Bengal, although I hope that its circumference will be all India and the whole earth.
  --
   This is no easy change to make. After these fifteen years I am only now rising into the lowest of the three levels of the Supermind and trying to draw up into it all the lower activities. But when this siddhi will be complete, then I am absolutely certain that through me God will give to others the siddhi of the Supermind with less effort. Then my real work will begin. I am not impatient for success in the work. What is to happen will happen in Gods appointed time. I have no hasty or disorderly impulse to rush into the field of work in the strength of the little ego. Even if I did not succeed in my work I would not be shaken. This work is not mine but Gods. I will listen to no other call; when God moves me then I will move.
   I know very well that Bengal is not really ready. The spiritual flood which has come is for the most part a new form of the old. It is not the real transformation. However this too was needed. Bengal has been awakening in itself the old yogas and exhausting their samskaras [old habitual tendencies], extracting their essence and with it fertilizing the soil. At first it was the time of VedantaAdwaita, Sannyasa, Shankaras Maya and the rest. It is now the turn of Vaishnava DharmaLila, love, the intoxication of emotional experience. All this is very old, unfitted for the new age and will not endure for such excitement has no capacity to last. But the merit of the Vaishnava Bhava [emotional enthusiasm] is that it keeps a connexion between God and the world and gives a meaning to life; but since it is a partial bhava the whole connexion, the full meaning is not there. The tendency to create sects which you have noticed was inevitable. The nature of the mind is to take a part and call it the whole and exclude all other parts. The Siddha [illuminated being] who brings the bhava, although he leans on its partial aspect, yet keeps some knowledge of the integral whole, even though he may not be able to give it form. But his disciples do not get that knowledge precisely because it is not in a form. They are tying up their little bundles, let them. The bundles will open of themselves when God manifests himself fully. These things are the signs of incompleteness and immaturity. I am not disturbed by them. Let the force of spirituality play in the country in whatever way and in as many sects as may be. Afterwards we shall see. This is the infancy or the embryonic condition of the new age. It is a first hint, not even the beginning.
  --
   What I am aiming at is not a society like the present rooted in division. What I have in view is a Samgha [community] founded in the spirit and in the image of its oneness. It is with this idea that the name Deva Samgha has been given the commune of those who want the divine life is the Deva Samgha. Such a Samgha will have to be established in one place at first and then spread all over the country. But if any shadow of egoism falls over this endeavor, then the Samgha will change into a sect. The idea may very naturally creep in that such and such a body is the one true Samgha of the future, the one and only centre, that all else must be its circumference, and that those outside its limits are not of the fold or even if they are, have gone astray, because they think differently.
   You may say, what need is there of a Samgha? Let me be free and live in every vessel; let all become one without form and let whatever must be happen in the midst of that vast formlessness. There is a truth there, but only one side of the truth. Our business is not with the formless Spirit alone; we have also to direct the movement of life. And there can be no effective movement of life without form. It is the Formless that has taken form and that assumption of name and form is not a caprice of Maya. Form is there because it is indispensable. We do not want to rule out any activity of the world as beyond our province. Politics, industry, society, poetry, literature, art will all remain, but we must give them a new soul and a new form.

0 1962-07-25, #Agenda Vol 03, #The Mother, #Integral Yoga
   Is this the end of the chapter?
   What about the next one?
  --
   Then conscious yoga made a sudden entry into the picture when I met Thon; I must have been about twenty-one. Lifes orientation changed, a whole series of experiences took place, with the development of the vital giving interesting occult results.
   Then, a period of intensive mental development, mental development of the most complete type: a study of all the philosophies, all the conceptual juggling, in minute detaildelving into systems, getting a grasp on them. Ten years of intensive mental studies leading me to Sri Aurobindo.
  --
   So, when youre told become conscious of your psychic being, its for the being formed by external Nature to contact the divine Presence through the psychic being. Then the psychic takes charge of the whole being; in fact, it is the inner Guide. Well, when I was a little child, this person (which wasnt a person, but an expression of a certain consciousness and will) was actually the psychic presence; there was something else behind, but thats a rather special case. And what happened to me happens to everyone whose psychic being has deliberately incarnated: the psychic being guides your life, and if you let it act freely, it arranges ALL circumstancesits truly wonderful! I have seennot only for myself but for so many people who also had conscious psychic beings that everything is arranged with a view to not at all your personal egoistic satisfaction, but your ultimate progress and realization. And all circumstances of life, even those you call disastrous, are there to lead you where you have to go as swiftly as possible.
   Yours is more than a psychic being. As I have told you, your psychic being is accompanied by something which has come for a special purpose, with a particular intellectual powera luminous, conscious powerwhich has come from regions higher than the mind, regions Sri Aurobindo calls the Overmind, to do a special work. It is here (gesture enveloping the chest and head) and, along with the psychic, its trying to organize everything. This, in your psychic, is what you are feeling. It must have great power. Dont you feel a kind of luminous force?
  --
   Thats all I had told him (not in great detail, in a few words). Then I sat down near him and he began talking with Ri chard, about the world, yoga, the futureall kinds of thingswhat was going to happen (he already knew the war would break out; this was 1914, war broke out in August, and he knew it towards the end of March or early April). So the two of them talked and talked and talkedgreat speculations. It didnt interest me in the least, I didnt listen. All these things belonged to the past, I had seen it all (I too had had my visions and revelations). I was simply sitting beside him on the floor (he was sitting in a chair with Ri chard facing him across a table, and they were talking). I was just sitting there, not listening. I dont know how long they went on, but all at once I felt a great Force come into mea peace, a silence, something massive! It came, did this (Mother sweeps her hand across her forehead), descended and stopped here (gesture at the chest).4 When they finished talking, I got up and left. And then I noticed that not a thought remained I no longer knew anything or understood anything, I was absolutely BLANK. So I gave thanks to the Lord and thanked Sri Aurobindo in my heart.
   And I was very careful not to disturb it; I held it like that for I dont know how long, eight or ten days. Nothingnot one idea, not one thought, nothinga complete BLANK. In other words, from the outside, it must have looked like total idiocy.

0 1962-08-04, #Agenda Vol 03, #The Mother, #Integral Yoga
   And each one is beginning to reveal its own particular nature. There are those stemming from peoples thoughts (I sense them in my body, not in the mind: the material consequence of peoples psychological state, and even their state of health). Some things are general and last a bit longer; others are momentary, lasting only a few seconds. The first step is to study the different vibrational qualitiesyou could practically draw diagrams: if we had a machine sensitive enough to record these things, it would produce all kinds of zigs and zags.2 Certain vibrations immediately stop or change or are dissolved or repelled. Others are adopted, as it were, and transformed. The majority are simply pushed back and worked on from a distancequite a distance! I keep them at a fair distance (Mother laughs). Very few are let in. But some are let in for the sake of the experience, to see how much they upset the body. Theres also the effect of peoples permanent auras: I know a certain person is arriving by his auras effect on the body; because (laughing) each vibration has its particular effect on the bodyperfectly prosaic things, maybe, but by studying them you realize that each thing has its own law.
   The inter change of vibrations among people is something tremendous, and were swimming in it all, all, all the timeeven when were alone! Because these things travel: for instance, its enough for someones thought to come and strike against yours, and for you to think of him (which means responding)there is an immediate effect in the body. So to imagine that solitude would make yoga any easier is sheer childishness.
   The only possible solution is so perfect a union with the supreme Vibration that everything is automatically put under His influence; and in that case it is easier to feel wider, higher, vaster than the world (to take just the earth: the terrestrial world) than an individual.3 For it is easier to do this (embracing gesture), to take everything in, to embrace and change it from outside, than to change it from inside. At present, the two movements are simultaneous, and staying inside was4 the result of all those years of experience in drawing the Supreme Presence down into the most material world for that, you have to accept (how can I put it?) corporeal oneness.
   Formerly (I mean before last April 13), the process was different; now it has totally changed. This body is nothing but a field of experience, its no longer an individualitynot at all, at all, at all. But its a very willing field of experience. And the experience is going on in a particular realm by day and in another by nightits beginning to clarify the whole subconscient. From this angle, there is a very rapid progress.
   So theres a countless series of experiences coming one after the other, one after the other, like that; but theres no coordination between them, no unified whole. I dont even know if that is possible5at any rate, it will be for much later on.
  --
   The nature of my nights is changing, the nature of my days is changing.
   And then theres a first small beginning, quite small, indicating how the Power will function. But its (Mother gestures into the far distance) its merely a slight tinge.
  --
   Well, Ive been chattering away again. That means more work for you!
   No, its not work!

0 1962-08-08, #Agenda Vol 03, #The Mother, #Integral Yoga
   Superficially, it [the bodys characteristic of attracting ordeals] could be called a sort of karma, but thats not what it is. Its actually like one of the pivotsnot a central one, but one of the pivots of the bodys invisible action, of its consciousness. And it is expressed by attracting certain circumstances. A whole range of things having to do with the physical body has thus become very clear and precise to meand thats what the body was made for: to go full speed ahead.
   Intellectually, I dont at all believe in taking others misfortunes upon oneself thats childish. But certain vibrations in the world must be accepted, exhausted and transformed. Inwardly, thats the work I have been doing all my lifeconsciously, gloriously. But now its on a purely physical level, independent of all the realities of other worlds: its in the body, you see. And this has given me a key, one of the necessary keys to the Work.
  --
   Ive had this great formative power ever since my earliest childhood, but I had channeled it and stopped it because I considered it useless. But it came back recently, along with the sure sign that it was coming from the very highest origin: This is it, this is how things will be. But thats for later, of course. To our external reason, those things seem totally unrealizable, but they will be realizable in perhaps a few hundred years, I dont knowits the future being prepared. And indeed, that vision has a tremendous power of creation and realization, and it is always felt physically (the rest is very still), its always physical. But it triggered a kind of very rapid movement of the physical consciousness (within the most material substance), and caused a dislocation. And so2 the day before yesterday, that old formation suddenly returned and made me understand one aspect of the bodys nature, the way the body is CONSTRUCTED and the usefulness of that construction. So now things are all right. It has been one more step.
   But when you receive those bad vibrations affecting your body,3 are they exhausted by your accepting them?
  --
   To change a karma, to stop a karma, to withdraw a certain number of vibrations from circulation, as it were, requires yet another movement, another movement altogether and that Power isnt yet at hand. Thats what will yield visible, tangible results. The other movement has very tangible and concrete results, but theyre invisible (to human observation, that is, which is much too limited and superficial). But it obviously does have results. That vision of terror clearly diverted the course of events that nations were being pushed into. But only someone with inner vision can see it.
   (silence)

0 1962-08-11, #Agenda Vol 03, #The Mother, #Integral Yoga
   (Satprem asks for an explanation of this sentence from August 4: "... it is easier to feel wider, higher, vaster than the world, THAN AN INDIVIDUAL. For it is easier to take everything in, to embrace and change it from outside, than to change it from inside.")
   Yes, it is easier (for a Being or a Force or a Consciousness) to feel vaster than the earth than an individual.1

0 1962-08-14, #Agenda Vol 03, #The Mother, #Integral Yoga
   The feeling is rather one of vibrations gathered together and coagulated somewhere and even at that, theres a very supple inner play, for it spreads out like this (Mother makes a gesture of diffusion or expansion all around her) through a sort of subtilization or etherization. And its limitlesshow could it have any limits! It goes like this (same radiating gesture)these same vibrations are everywhere, in all bodies and all things. What people call this body is merely the result of a willed concentration organized in a specific way; thats how it spontaneously feels, all the time (not that its observing itself, but if something forces it to observe itself, thats what it spontaneously feels). And the delimitation that exists in all beings, and which WAS in this body (was it this body? Havent the cells changed? I dont know), which once existed in what people call this body, has completely disappeared. Before (thirty years or so ago), it used to feel like something separate moving among other separate things thats all gone.
   I have tried several times, telling myself, Ah, lets have a good lookis there anything, anywhere, that feels that separation? (I am looking at the body from above.) Theres nothingtruly? Are you one hundred percent spontaneously sincere? Nothing at all? Its impossible to find a thing. Impossible.
  --
   Perhaps there once was a jiva. I dont know, I dont remember; all I remember now is ultimately, an evolving universe, with a special concentration on the affairs of the earth, because the Lord has decided that the time has come to to change something. Thats all. To change something.
   (silence)

0 1962-08-28, #Agenda Vol 03, #The Mother, #Integral Yoga
   I have already explained this to you on several occasions: instead of SHIFTING from one to the other, its as if one were permeated by the other, like this (Mother slips the fingers of her right hand in between the fingers of her left hand), and you can almost feel both simultaneously. Its one of the results of whats going on these days. A very slight concentration, for example, is all it takes to feel both at the same time, which leads me to a near conviction that true change in the physical results from a kind of PENETRATION. The most material physical substance no longer has that unreceptive sort of density, a density that resists penetration: it is becoming porous, and thus can be penetrated. Several times, in fact, Ive had the experience of one vibration quite naturally changing the quality of the other the subtle physical vibration was bringing about a sort of almost a transformation, or in any case a noticeable change in the purely physical vibration.
   That seems to be the process, or at least one of the most important processes.
  --
   You see, the subtle physical seems to DOSE OUT its power and light and capacity of consciousness according to the amount of receptivity in the purely physical vibration. Thats why the effects stretch over a long period of time. Its being done very, very gradually. But its an almost continuous work. Only when theres some bodily activity and the consciousness must turn outwards (not in the same way as before, thats impossible, but still in a way that seems like a continuation of the old consciousness), then, if the work continues at all, its invisible and maybe it doesnt continue. I dont know. But as soon as all activity stops and the body is concentrated or immobileperhaps no more than simply passive that penetration is perceptible: its visible. Visible. And its not like something more subtle penetrating something less subtle without altering it; the essential point is that this penetration actually changes the composition. Its not merely a degree of subtlety, its a change in the internal composition. Ultimately, this action probably has an effect on the atomic level. And thats how the practical possibility of transformation can be accounted for.
   Its an experience I have all the time.
  --
   And at each step, its as though you had to take great care that nothing gets thrown off balance. The new combinations of vibrations, especially, are difficult for the body it must be very, very quiet, well under control, very peaceful, or else it panics. Because its used to vibrations whose effects follow a regular pattern, so if the pattern changes theres a kind of frightened jolt. That must be avoided, the body has to be very gently kept under control.
   What the mind thinks, what it expects to see, looks so childish in comparison, like yes, like theatrics, really. Its the difference between some grand extravaganza and the very modest life of each minute. Exactly that.

0 1962-08-31, #Agenda Vol 03, #The Mother, #Integral Yoga
   Its not sleep, its a kind of peace that descends. It can begin as drowsiness, but it changes into a sort of inner immobilityimmobility of the Spirit. The body too becomes quiet, quiet, quiet, very still; and from there, if nothing disturbs you, you flow into a sense of eternity. Its a wonderful experience. The real sense of Eternity: everything stops, and then NOTHING. And if you have the gift of vision (its not necessary, but if you do), you see it all grow white and luminousall white. But that may well not happen because its its something youre born with.
   All the cells open up and become conscious of their eternity.
  --
   Because the other end is the new creation, so its clear that. How MANY steps will it take, how many incomplete or imperfect things, approximations, attemptshow many MINUSCULE realizations for you to simply acknowledge, Yes, indeed, were on the way? For how many oh, you could practically say centuries will it be like this before the glorious body of a supramental being appears? Something came yesterday evening (it seemed like mere excitation to me); it was a power of creative imagination attempting to visualize supramental forms, beings that live in other worlds, and all sorts of things like that. I saw many things. But it seemed so like champagne bubbles! Thats all very nice, I said, for widening my power of imagination so I can present these forms to the Lord. But its not necessary! (Mother laughs) It really seemed so. There was a time when I considered it a great creative power (and many things that I saw in those moments of super-creativity, super-imagination, were actually realized years later on earth), and this time it came again (perhaps to give me a little fun, a little spectacle along the way), it came and I looked at it; I could see all its power, I could see it was something trying to materialize in the future, and I said, What histrionics! Why go through all these theatrics? Jugglers.
   And it was supramental light, it originated in supramental light. How beings from other worlds would relate with the future beings, and all sorts of similar thingsbedtime stories.
  --
   It can be, its possible. Its possible, I dont say it isnt; it is possible, it can happen, but more and more, the life allotted to this body is to do things without knowing it, to change the world without seeing it, and to to ignore all that, to be absolutely unconcerned with the results. And (to be perfectly explicit) I have a feeling that to have access to the highest and purest Power, the very notion of result must disappear completely the Supreme Power has no sense of result AT ALL. The sense of result is yet another rift between the essential, supreme Power, and the consciousness. In other words, its because the consciousness begins to separate slightly [from its identity with the Supreme Power], that the sense of result is created, but otherwise it doesnt exist.
   Its as if everything had to be to be the Action, the eternal Action at each second of the Manifestation THE thing. At each pulsationwhich corresponds to time in the ManifestationTHAT alone is THE thing. And the idea of something having a result is already a distortion.
  --
   Its a kind of liberation I dont mean from worry or preoccupation, theres no question of that but from the very IDEA of a consequence: its this way because thats the way it is; it has to be this way, so it is. Thats all. And at each second its this way because it has to be, and so it is. And That repeats itself eternally, and it is this eternal Pulsation which is expressed in time by those gusts I feel this very strongly, very strongly. Its a constant, spontaneous and very natural experience for me. The idea of something behind or ahead in time and so on is a Truth changing from immutable Eternity into Eternity of manifestation. And it changes like this (Mother makes a pulsating gesture), exactly like gustspuff, puff, puff.
   Irresponsible gusts, like a childs soap bubbles, you might say. No sense of consequencesnone, none whatsoever: puff, puff, puff like that.

0 1962-09-05, #Agenda Vol 03, #The Mother, #Integral Yoga
   I was lying on my chaise longue in concentration when all at once I found myself in my friend Zs house. He and several others were playing music. I could see everything very clearly, even more clearly than in the physical, and I moved around very quickly, unimpeded. I stayed there watching for a while, and even tried to attract their attention, but they were unaware of me. Then suddenly something pulled me, a sort of instinct: I must go back. I felt pain in my throat. I remember that to get out of their room, which was all closed except for one small opening high up, my form seemed to vaporize (because I still had a form, though unlike our material onemore luminous, less opaque), and I went out like smoke through the open window. Then I found myself back in my room, next to my body, and I saw that my head was twisted and rigid against the cushion, and I was having trouble breathing. I wanted to get into my body: impossible. So I became afraid. I entered through the legs, and when I reached the knees I seemed to bounce back out; two, three times like that: the consciousness rose and then bounced back out like a spring. If I could only tip over this stool, I thought (there was a small stool under my feet), the noise would wake me up! But nothing doing. And I was breathing more and more heavily. I was terribly afraid. Suddenly I remembered Mother and cried out, Mother! Mother! and found myself back in my body, awake, with a stiff neck.
   (Mother laughs and laughs.)
  --
   And I am sure thats how the work is done, slowly, imperceptibly, like a chick being formed in the egg: you see the shell, you see only the shell, you dont know whats inside, whether its just an egg or a chick (normally, I meanof course, you could see through with special instruments) and then the beak goes peck-peck! And then cheep! Out comes the chick, just like that. Its the same thing exactly for the contact with the psychic being. For months on end, sometimes years, you may be sitting before a closed door, push, push, pushing, and feeling, feeling the pressure (it hurts!), and theres nothing, no results. Then all at once, you dont know why or how, you sit down and poof! Everything bursts wide open, everything is ready, everything is doneits over, you emerge into a full psychic consciousness and become intimate with your psychic being. Then everything changeseverything changesyour life completely changes, its a total reversal of your whole existence.
   In the end, its best not to worry, not to get agitated or depressed (thats the worst of all), not to get worked up or impatient or disgustedjust be calm and say, It will come when it comes, but with an unyielding stubbornness. Do what you feel has to be done, and keep on with it, keep on even if it seems utterly futile.

0 1962-09-08, #Agenda Vol 03, #The Mother, #Integral Yoga
   Its a strange sensation, a bizarre perception of both the true functioning and the functioning distorted by the sense of being an individual body. Theyre not even you cant even say theyre superimposed, theyre almost simultaneous, and thats why it is so hard to explain. A number of things are malfunctioning in the body; I dont know if they can be called illnesses (maybe the doctors would call them illnesses), but in any case, theyre malfunctionings in the bodys organs: the heart, the stomach, the intestines, the lungs and so on. And at the same time theres (it cant be called a functioning) the true state. And thus certain disorders appear only when the consciousness as if the consciousness were pulled or pushed or poised in a certain way, and then, those malfunctionings INSTANTLY appearnot as a consequence: I mean the consciousness becomes aware of their existence. And if the consciousness stays in that position long enough, there are what we conventionally call consequences: the malfunctioning has its consequences (tiny things, such as physical discomforts, for instance). And if through (is it yogic discipline, is it the Lords intervention? Call it what you will) but if the consciousness regains its true position, the consequences cease IMMEDIATELY. Sometimes, though, its like this (Mother makes a gesture of an overlapping or interpenetration by interlacing the fingers of her two hands), in other words, this way, then that, this way, then that (Mother slips the fingers of her right hand back and forth through the fingers of her left to show the consciousness alternating between two states), this position, then that position, this one, then that one. This movement takes only a few seconds, so I can almost perceive the two functionings simultaneously. Thats what gave me the knowledge of the process, otherwise I wouldnt understand; I would simply think I am falling from one state into another. Thats not it, its just. The substance, the vibrations, everything is probably following its normal course, you see, and all that is really changing is the way consciousness perceives things.
   So pushing this knowledge to its limit that is, applying it generallylife (what we usually call life, the physical life of the body) and death are THE SAME THING, simultaneous its just that the consciousness moves back and forth, back and forth (same gesture). I dont know if I am making myself clear. But its fantastic.
  --
   Although perhaps it means we are drawing closer to the knowledge of the thingby knowledge I mean the power to change it, of course. If you have power over something, its because you know it; knowing a thing means being able to create it, or change it, to make it last or cease to bein other words it is Power. Thats what knowing means. All the rest is explanations the mind gives to itself. And I can feel that something (something! Well, what Sri Aurobindo calls the Lord of Yoga: the part of the Supreme concerned with terrestrial evolution) is leading me towards the discovery of that Power that Knowledgenaturally by the only possible means: experience. And with great care, for I can feel that.
   Its going as fast as it possibly can.

0 1962-09-18, #Agenda Vol 03, #The Mother, #Integral Yoga
   I am not doing it to show it to people or to have anyone read it, but to remain in Savitris atmosphere, for I love that atmosphere. It will give me an hour of concentration, and Ill see if by chance. I have no gift for poetry, but Ill see if it comes! (It surely wont come from a mentality developed in this present existence theres no poetic gift!) So its interesting, Ill see if anything comes. I am going to give it a try.
   I know that light. I am immediately plunged into it each time I read Savitri. It is a very, very beautiful light.
  --
   First of all, Ill concentrate on it just as Sri Aurobindo said it in English, using French words. Then Ill see if something comes WITHOUT changing anything that is, if the same inspiration he had comes in French. It will be an interesting thing to do. If I can do one, two, three lines a day, thats all I need; I will spend one hour every day like that.
   I dont have anything in mind. All I know is that being in that light above gives me great joy. For it is a supramental lighta supramental light of aesthetic beauty, and very, very harmonious.

0 1962-09-26, #Agenda Vol 03, #The Mother, #Integral Yoga
   I am unfamiliar with the purely Hindu traditions, but the gods are the beings the Vedas and people of Vedic times were in touch wi that least I think so. I learned what I know about the gods before coming here, through the other tradition, the chaldean. But Thon used to say that this tradition and the Vedic (which he knew well) were outgrowths of a more ancient tradition common to both. The story goes, according to him, that the first Emanations, who were perfectly independent, separated themselves from the Supreme in their action, creating all the disorder thats what caused the creations disorder. Afterwards the gods were emanated, to repair the evil that had been wrought and to organize the world according to the supreme Will. Of course, this is a childlike way of putting it, but its comprehensible. So all these gods work in harmony and order. Thats what the ancient tradition says.
   As far as Ive understood, the Indian tradition has embraced everything that came from the first Emanations, since all the gods of destruction, of unconsciousness and of suffering are included in its pantheon.
   In the end, I think its up to each one to name what he wants the way he wants. Thats how I have always felt. Even in Hindu tradition it is written: Man is chattel for the gods; beware of the gods.
   All this is merely a question of language to mewords to suit each one according to his nature.
  --
   This is just what I am observing these days. To me, the overmental consciousness is a magnified consciousness: far lovelier, far loftier, far more powerful, far happier, far with lots of far mores to it. But. I can tell you one thing: the gods dont have the sense of Oneness. For instance, in their own way they quarrel among themselves, which shows they have no sense of Oneness, no sense of all being one, of all being various expressions of the Divine the unique Divine. So they are still on this side, but with magnified forms, and powers beyond our comprehension: the power to change form at will, for example, or to be in many places at the same timeall sorts of things that poor human beings can only dream of having. The gods have it all. They live a divine life! But its not supramental.
   The Supermind is knowledgePure Knowledge. Yes, it is knowingknowing what is to be known.

0 1962-09-29, #Agenda Vol 03, #The Mother, #Integral Yoga
   This change, this abrupt transformation of the universal element, will most certainly bring about a kind of chaos in the perceptions, from which a new knowledge will emerge. That, in the most general terms, is the result of the new Manifestation.
   Its not a question of new things, as if they didnt exist before, but they were unmanifested in the universe. Nothing can exist which doesnt already exist in the Supreme from all eternity. But it is new in the Manifestation. The element isnt new, but it is newly manifest, newly emerged from the Nonmanifest. Something new what does that mean? It makes no sense! It is new FOR us, in the manifestation, thats all.

0 1962-10-06, #Agenda Vol 03, #The Mother, #Integral Yoga
   Actually, when people speak of transformation, theyre mainly thinking of a picturesque transformation, arent they? A beautiful appearanceluminous, supple, plastic, changing at will. But they dont give much thought to this other thing, this rather anesthetic transformation of the organs! And yet its certainly whats going to happen first, long before the appearance is transformed.
   Sri Aurobindo spoke of the working of the chakras1 replacing the organs.
   Yes300 years, he said! (Mother laughs.)
  --
   Take the gods raiment, for example. Their raiment, which they change at will in the same way they change their forms, is made not of physical but of overmental substance, and that substance contains its own light. Its like that with everything, its all. Theres no sun casting light and shadows: the substance is self-luminous.
   And beyond, in the Supramental?
  --
   Its the same when I look at people: I dont see them as they see themselves, I see them with the vibration of all the forces that are in them and pass through them, and quite frequently with the supreme Vibration of the Presence. And thats why my physical sight is not exactly failing, but changing in character, for the physical precision that normal physical sight gives is its false for me. Instinctively (not because I think of it that way), thats how it Is. So I no longer have the precision of a vision designed to see just the superficial crust of things.
   But this doesnt keep me from seeing physicallyalthough, yes, it does at times make me unsure of whos in front of me, because I see a vibration that is sometimes very similar, almost identical, in three or four people (who arent all necessarily present, but anyway). So theres a slight external difference theres a very great external difference in the way the form looks, of course, but in the combination of vibrations theres only a slight external difference. And so sometimes I am not sure, I dont know whether its this person or that one; thats why I often ask, Whos there? Its not that I dont see anything, but I dont see in the same way.
  --
   chakras: centers of consciousness.
   In fact, Satprem was ever pursuing the same question: How far does the shift to the other vision change the vision of Matterwhat does true Matter look like?
   ***

0 1962-10-12, #Agenda Vol 03, #The Mother, #Integral Yoga
   One does sometimes wonder why, why is this life so tragic? But in the first place, if it were a perpetual en chantment we wouldnt even appreciate it, because it would be completely natural thats mainly it: we wouldnt appreciate it because it would just be completely natural. And nothing says we wouldnt long for a little hullabaloo for a change! We just might.
   This may be what the story of the earthly paradise is all about. People in that paradise had a spontaneous knowledge: they lived with the same sort of consciousness animals have, just enough of it to get a little joy out of life, to feel the joy of life. But then they started wanting to know the why and the how and where they were going and what they were supposed to do and so forth and so all their worries began they got tired of being peacefully happy.
  --
   Theres a person I wont name who has read Sri Aurobindos books and thought he understood them. He has been following a yogic discipline (anyway, he thought he was doing yoga) and he pulled down the Force. The Force responded (Mother laughs). He wound up with a headache! He got frightened and wrote to me in these exact words: This Force is the Lords Force (which is true, quite true), and it has turned into fear. So (Mother laughs) fear is the Lords principal perversion. There you have it. He read in books that the Lord is behind everything, that there is nothing that isnt the Lord; so its the Lord who has become perverted in His manifestation, naturally. The Force of the Lord came to help him and was changed into fear, so the Lords principal perversion is fear!
   If you read that, youd say he was going off his rocker.
  --
   Yes, out of habit it all tries to start up again. But all you need to say is, Look, Lord; see, see how it is. Thats all. Look at this, Lord, look at that, look at this idiot here and its over. Immediately. And the change comes automatically, mon petit, without the slightest effort. Simply simply be sincere, in other words, TRULY want the right thing. One is quite conscious of being powerless, utterly incompetent: more and more, I feel that this amalgam of matter, of cells and all the rest, is just pitiful! Pitiful. I dont know, under certain conditions people may feel powerful, wonderful, luminous, competent but as far as I am concerned, thats because they have no idea what theyre really like! When you really see what youre made of its nothing, really nothing. But its capable of anything, provided provided you let the Lord do it. The trouble is that something always wants to do things on its own. If it werent like that.
   People come, letters arrive, various circumstances and problems arise (its over now, but at the timeeven a year ago that kind of thing was sometimes a problem for me). Well, right away, I (Mother opens her hands in front of her forehead, palms upwards, as though presenting the problem to the Lord): Here, Lord, look at this. All I am good for is (same gesture): I am presenting it to You, Lord. And then I keep still, I just keep still: I wont move unless You move me, I wont speak unless You make me speak. And then you stop thinking about it. You think about it just for a second, long enough to do this (same gesture). It comes in like this, then up it goes (gesture showing a problem coming to Mother from one side and being sent above). And later, you suddenly realize youre speaking or acting or making a decision or writing a letter or and He has done it all.

0 1962-10-27, #Agenda Vol 03, #The Mother, #Integral Yoga
   There used to be a bad attitude in the body, which always hampered my playing, and now that it has gone, I would like to see what happens. It was something in the subconscient standing in the way: everything you learn when you study music, that you cant play this note with that note and so forth and so on. I would tune in above and listen there, but those old subconscious habits kept interfering. That has all changed now and I would like to see what happensit may yield only cacophony!
   But what I play isnt music, I dont try to play music: its simply a sort of meditation with sound.

0 1962-10-30, #Agenda Vol 03, #The Mother, #Integral Yoga
   H.S.1 has written to me, and there was a sentence in his letter that brought a certain problem to my attention. He said, I have done so many hours of translationits a me chanical task. I wondered what he meant by me chanical task because, as far as I am concerned, you cant translate unless you have the experienceif you start translating word for word, it no longer means anything at all. Unless you have the experience of what you translate, you cant translate it. Then I suddenly realized that the Chinese cant translate the way we do! In Chinese, each character represents an idea rather than a separate word; the basis is ideas, not words and their meanings, so translation must be a completely different kind of work for them. So I started identifying with H.S., to understand how he is translating Sri Aurobindos Synthesis of Yoga into Chinese charactershes had to find new characters! It was very interesting. He must have invented characters. Chinese characters are made up of root-signs, and the meaning changes according to the positions of the root-signs. Each root-sign can be simplified, depending on where its placed in combination with other root-signsat the top of the character, at the bottom, or to one side or the other. And so, finding the right combination for new ideas must be a fascinating task! (I dont know how many root-signs can be put in one character, but some characters are quite large and must contain a lot of them; as a matter of fact, I have been shown characters expressing new scientific discoveries, and they were very big.) But how interesting it must be to work with new ideas that way! And H.S. calls it a me chanical task.
   The mans a genius!
  --
   Its another story when it comes to doing yoga. Although that must depend entirely on the individual. The Chinese dont have the same spiritual intensity you find rooted in the Indian characterits something completely different. Here, spiritual life is real, concrete, tangibletotally real. For the Chinese it all happens at the top of the head.
   Theyre not going to come here, are they?
  --
   Its like that famous Nirvanayou can find it behind everything. Theres a psychic nirvana, a mental nirvana, even a vital nirvana. I think I already told you about the experience I had with Tagore in Japan. Tagore always used to say that as soon as he started meditating he entered Nirvana, and he asked me to meditate with him. We sat together in meditation. I was expecting to make a very steep ascent, but he simply went into his MIND, and there (what I do, you see, is tune in to the person I am meditating with, identify with him thats how I know what happens). Well, he started meditating, and everything quite rapidly came to a halt, became absolutely immobile (this he did very well), and from there he sort of fell backwards, and it was Nothingness. And he could remain in that state indefinitely! We did in fact stay like that for a rather long time; I dont remember how long, three quarters of an hour or an hour, but anyway it was long enough. I was keeping alert the whole time to see if, by chance, he would go on into something else, but there he stayedhe stayed there nice and calm, without stirring. Then he came back, his mind started up again, and that was that.
   I said nothing to him.

0 1962-11-03, #Agenda Vol 03, #The Mother, #Integral Yoga
   Its more a sort of weariness. I spend terrible nights in the subconscient. Over the past six months theres been a really abrupt change in my dreams. Previously I would remember something once in a while; now I remember nothing except the subconscient, and what a subconscient! Im lucky when its not hellish.
   Mon petit, from that point of view my nights are abominable toothey cant really be abominable because I live in beatitude, but what I see, what I am forced to see each night is horrible. Just horrible. It seems like an attempt to make me thoroughly disgusted with my work. The subconscient is really a mass of horrors. And its been going on like this for at least six months.
  --
   We mustnt see these things as inescapable, but rather take them as indications of whats being changed.
   But it seems endless.
  --
   Thats how it seems, bottomless and limitless, combined in ever new and equally horrible ways. But its not true: it does change. It does change.
   And what inventionssheer horror! Really, the people who are in contact with that world and express it on earth, its appalling the inventions they can make. Oh, the tortures men have invented, the things theyve doneyou cant believe its real. And it all comes from that subconscient world, which means it is indispensable to clean it out.

0 1962-11-07, #Agenda Vol 03, #The Mother, #Integral Yoga
   "It's a change of state WITHOUT a change of place.
   "This state is clearly outside time and space, that's certain. So you go from the state in time and space to the state where you're outside time and space, and NOT by a change of place ... something! It's something that happens inside, instantaneously. It's not a long passage like the long and gradual movement you experience in meditation, for instance; the passage into Sat isn't a gradual transition from one state to another: it is sudden, like an immediate reversal. But as I just said, there are no words for it; 'reversal' is infinitely too violent for expressing it."
   ***

0 1962-11-10, #Agenda Vol 03, #The Mother, #Integral Yoga
   (Mother listens to Satprem read a chapter from his manuscript entitled "Under the Sign of the Gods," in which he speaks of the overmind's inadequacy for attaining the plenitude of evolution, Afterwards, Mother tells what she saw while he was reading.)
   Theres a kind of cadence.

0 1962-11-14, #Agenda Vol 03, #The Mother, #Integral Yoga
   My method is essentially very simple: for each thing that comes, I say, Here, Lord, its for You; change it, transform it. A work of offering and dedication (gesture of presenting something to the Light). And this morning there was a sort of replynot exactly to a question, but as though I were wondering How do I do it? (because the Lord tells me I am here for His work), How do I do His work? Whats the new way of doing the Work? We know all the old ways, but whats the new way? And the reply came, very concrete, without words: By bringing the two extremes together. Everything you see, everything that comes to you or that you discover is automatically put in the presence of the Most High, of the Supreme. You join the two extremes. Your whole work is to make the junction.
   And now you read me all this! Its as if you were explaining itdont you find that interesting! (Mother laughs) I find it VERY interesting.

0 1962-11-17, #Agenda Vol 03, #The Mother, #Integral Yoga
   And with the consciousness here, I looked (of course I was asked how he could write or think such things), and I said that each realm has its own determinism, and if you see only that determinism, things seem absolutely decreed. Xs vision, I said, belongs to the vital-physical determinism of the earth (Life and Matter), in which the catastrophe seems inevitable; but there are higher realms whose intervention can change everything.
   But one must see and live in those higher regions.

0 1962-11-23, #Agenda Vol 03, #The Mother, #Integral Yoga
   But your book shouldnt give the impression that its always that way that the Light cant be established on earth until all the Shadow is transformed. In fact, the very work of transformation is to change all this shadow into its aspect of light.1
   Not to reject it: to transform it.

0 1962-11-27, #Agenda Vol 03, #The Mother, #Integral Yoga
   And the charm, the charm of the substance enveloping the cube was inexpressible! Something I cant describe. There were no contrasts, no the whole thing was in total harmony. Of course, to say it resembled tulle is a crude comparisona very, very fine tulle, and gray. Do you know that little wild grass Ive named Humility?4
   Yes, its silver, silver-gray.
  --
   Somewhere in the active consciousness something KNOWS, constantly, that all the complications and miseries and misfortunes (I mean all the things we call lifes misfortunes) are a bad habit, nothing more. And its hard for us to change our habits. Yet THE TIME HAS COME to change habits.
   Its just a bad habit.

0 1962-12-04, #Agenda Vol 03, #The Mother, #Integral Yoga
   And its not what one might imagine, its not one form entering anotherit doesnt keep him from being wherever he wants to be and doing whatever he wants to do, appearing as he wants to appear and being involved with everything happening on earth: it doesnt change any of that. And its not just a part of him [that is in Mother, but his totality]. And thats how I know he was manifesting the Absolute, he was a manifestation of the Absolute. Of course, afterwards he revealed himself as what I had called the Master of Yoga; that was the reason he came on earth (what people here in India call an Avatar). But thats still a way of seeing things SEPARATELY: its not the thingTHE thing.
   Well see tomorrow [December 5].

0 1962-12-15, #Agenda Vol 03, #The Mother, #Integral Yoga
   There is but one law, the law of charity, and it is one with Justice.
   There is but one disequilibrium: the violation of this law.
  --
   But to me this seems to come from his Jewish background. Because Thon was Jewish, even though he never mentioned the fact (the Tlemcen officials made it known: when he arrived he had to tell them who he was). He never spoke of it and he had changed his name. They said he was of Jewish origin, but they could never say whether he was Polish or Russian. At least the person who told me never knew. But for the Jews its the Unthinkable, whose name must not be uttered (it is uttered only once a year, on the Day of Atonement; I think thats what its called). Its the word Yahveh, and it must not be uttered. But the prayers speak of the Elohim, and the Hebrew word Elohim is plural, meaning the invisible lords. So there was no one and only God for Thon, only the unthinkable Formless; and all the invisible beings who claimed to be one and only gods were Asuras.
   He used to call Christ That young man! (Laughter) It was very funny.

0 1962-12-19, #Agenda Vol 03, #The Mother, #Integral Yoga
   I have to admit that it always ends well, in that the Power always gets the upper hand, but its so (whats the word?) so repetitious, many-sided and coexistent that, you know, it feels a bit like charging along at a gallop for hours on end.
   But I had an interesting experience the other day, when this new room was inaugurated. Those rascals set up a balcony! And there was such a crowdin all the streets, on the rooftops that I had no choice but to go out on the balcony. And I realized that there has been a complete break between my life before and now, with that famous experience1 as the dividing line: I have to make the same movement I make to summon up the memory of a past life! It was so concrete, I was flabbergasted. The same movement of consciousness as when you summon up a past life: it was as though I had to recall what I used to do on the balcony in my former life! I was teaching the body as if it had no idea what to do. I was calling back what had to be done from the depths of a subconscious memory. But it was not the same thing, since the doors were not the same, the setup was different, so it was a little bit complicated. But when I found myself at the edge of the balcony, I suddenly drew on something, and this came: Heres how it was, heres what I used to do; and once again the Presence was there. And the whole time I was standing on the balcony it was it was better than before, much clearermuch clearer the experiences are much simpler and much more absolute (when I know something, I know it better than before).
  --
   It was difficult and it attracts a lot of. Its like another type of exercise, as if my body were now being taught other kinds of things, another way of being, you understand, another way. And its trying to find a harmony, the equilibrium of a constant harmony. But its very, very, very difficult. Its not at all the usual condition: in ordinary life, the cells are accustomed to a very restless and unexpected life, with ups and downs, peaks of intense sensation, now sorrow, now pleasure, now acute pain, now something very pleasantall of this jumbled up in a sort of chaos. And I have realized that for the people here, even those near me, its even worse than that! This doesnt make sense to me any more. On its own the body is naturally in a sort of gently undulating movement, a very harmonious, very peaceful, very quiet movement. And when its not forced into outer activity theres such a wonderful sense of the divine Presence everywhere, everywherein it, around it, over it, in everything, everywhere and so concrete! (Mother touches her hands, her arms, her face, as if she were bathing in the Lord.) Its really inexpressible. And well, THATS what it wants to have ALL THE TIME, in all circumstances, even when its forced to have contacts with the outside. So I cant go too quickly; things like the balcony cause a bit too much pressure, and the body starts feeling a little unsure of itself.
   Yesterday, for instance, I had to see F. and R., since they had just arrived the day before. I spent three-quarters of an hour with them, and by the time it was over they had literally EMPTIED the atmosphere of all spiritual senseit had become empty and hollow. It took me two or three minutes of concentration (which isnt so long) to bring it all back to normal.

0 1962-12-22, #Agenda Vol 03, #The Mother, #Integral Yoga
   Is it the end of the chapter?
   Oh, no, just another part.
  --
   Yes, they are. Tiny things, certain arrangements in a room, slight changes in regard to the meals, things of absolutely no importance in themselves the little things life is full of, the things one does all the time, not big events (I know theres also an action on terrestrial events and all that, but it belongs to the other type of memory).
   Youve been able to verify these changes?
   Theres no question of verification they happened!
  --
   And I found out about the immediate effects of it even before recalling it, for it all unfolded in reverse: when a certain thing was done, I thought, What on earth! This person is wonderful. And then I suddenly realized, But I told him to do that! I told him. Then the image came the image I dont mean the sort of memory one has of a vision, but the memory of something one has DONE. With that kind of image, its not that you look: it just enters into you quite naturally. It has a particular quality. Thats how I became aware of these changes. I noticed them on my own.
   And they are facts. Theres nothing to discuss: they are facts. And yet materially, according to physical appearances, that is, I didnt stir from here.

0 1962-12-25, #Agenda Vol 03, #The Mother, #Integral Yoga
   The seeker of transformation must thus face all the difficulties, even death, not to vanquish but to change themone cannot change things without taking them upon oneself. Thou shalt bear all things, says Savitri, that all things may change. Sri Aurobindo succumbed to this work
   Cant you just put thats why, without giving any explanation? Thats why Sri Aurobindo left his body. Thats much more powerful. You said even death, so just put: Thats why Sri Aurobindo left his body.

0 1962-12-28, #Agenda Vol 03, #The Mother, #Integral Yoga
   This cleansing of the middle ground is the whole story of Sri Aurobindo and the Mother I had been dredging, dredging, dredging the mire of the subconscious. The supramental light was coming down before November,2 but afterwards all the mud arose and it stopped.3 Once again Sri Aurobindo verified, not individually this time but collectively, that if one pulls down too strong a light, the violated darkness below is made to moan. It is noteworthy that each time Sri Aurobindo and the Mother had some new experience marking a progress in the transformation, this progress automatically materialized in the consciousness of the disciples, without their even knowing anything about it, as a period of increased difficulties, sometimes even revolts or illnesses, as though everything were grating and grinding. But then, one begins to understand the me chanism. If a pygmy were abruptly subjected to the simple mental light of a cultivated man, we would probably see the poor fellow traumatized and driven mad by the subterranean revolutions within him. There is still too much jungle beneath the surface. The world is still full of jungle, thats the crux of the matter in a word; our mental colonization is a minuscule crust plastered over a barely dry quaternary. And the battle seems endless; one digs and digs, said the Rishis, and the deeper one digs, the more the bottom seems to recede: I have been digging, digging. Many autumns have I been toiling night and day, the dawns aging me. Age is diminishing the glory of our bodies. Thus, thousands of years ago, lamented Lopamudra, wife of Rishi Agastya, who was also seeking transformation. But Agastya doesnt lose heart, and his reply is magnificently characteristic of the conquerors the Rishis were: Not in vain is the labor which the gods protect. Let us relish all the contesting forces, let us conquer indeed even here, let us run this battle race of a hundred leadings.
   (Rig-Veda I.179)

0 1963-01-09, #Agenda Vol 04, #The Mother, #Integral Yoga
   But its very hard for the body to change. Because it lives only from its habit of living. And every time something of the true way of living filters in, then without thinking, without reasoning or anything like an idea, practically without sensation, almost automatically, the cells panic at the newness of it. So, you understand, EVERYTHING has to be changed. Its no longer the heart that has to pump blood and receive the Force, no longer the stomach that has to digest, its not any of that any moreit all functions in another way. The base must be shifted, the functioning completely changed but then all those cells are so anxious to see that everything goes ACCORDING TO HABIT.
   (silence)
  --
   If the inner being the true beingis the ruler, the power of the true being makes the body act automatically; but then it doesnt grow conscious of its own change, it doesnt collaborate in its change, so for the change to happen it would take maybe millennia. The true being has to be like this (gesture to the background, standing back) and the body has to do everything BY ITSELF, in other words, contain the Lord, receive the Lord, give itself to the Lord, BE the Lord. It does aspireoh, its intense, aflame thats very good. But the Lord (smiling) doesnt conform to the ordinary habit! So all the habits, the minute He just tries to take possession of one function or another, even partially (not totally), all the interrelationships, all the movements are changed instantlypanic. Panic at the particular spot. And the result: you faint, or you are just about to faint, or you have an excruciating pain, or anyway something APPARENTLY breaks down completely. So whats to be done? Wait patiently until that small number or large number of cells, that little spot of consciousness, has learned its lesson. It takes one day, two days, three days, then the chaotic, upsetting big event calms down, is explained, and those particular cells say to themselves (or begin saying to themselves), God, how dumb we are! It takes a little while, then they understand.
   But there are thousands and thousands and thousands of them!
  --
   Some panic. Some have already had a few experiences, they know better and see clearer, they work to adapt to the new vibration. But others have yet to understand, and they feel so stupid, so stupid! And from above, something watches it all and finds it both (both at once) very funny, because really its exceedingly ridiculous, and at the same time so sad! Its so sad to see that EVERYTHING is like this: the WHOLE earth, the WHOLE earth! That this body is the object of a special concentration, a special effort, a special chaRGE, a special concern, a special carethis minuscule fragment, minuscule and theres the whole earth, the whole earth. And they all think themselves so wonderful, so smart!
   I could keep talking for hours.

0 1963-01-12, #Agenda Vol 04, #The Mother, #Integral Yoga
   You understand, there are only 365 days in a year, and we are including the visitors who come specially for their birthdays, nearly 1,300 people. Most people I dont see, but some I have to: people like Nolini, Amrita, Pavitra, champaklal,2 I cant but give them a moment. Then there are people who come from Africa, from Europe, and who ask to see me before leaving, so
   So I am listening to you now.
  --
   For instance, two or three nights ago (I dont remember), I was with Sri Aurobindo, we were doing a certain work (it was in a mental zone with certain vital reactions mixed in), well, a general work. I was with Sri Aurobindo and we were doing the work together. He wanted to explain to me how a particular movement is turned into a distorted movement; he was explaining this to me (but theres nothing mental or intellectual about it, nothing to do with theories). And without even (how can I put it?) without even a thought or an explanation to forewarn you, a true movement is changed into a movement that is not false but distorted. I was speaking to Sri Aurobindo and he was answering, then I turn my head away like this (not physicallyall this is an inner life, naturally), I turned my head as if to see the [vibratory] effect. Then I turn back and send Sri Aurobindo the movement necessary to carry on with the experience, and I receive a reply which surprises me because of the quality of its vibration (it was a reply of ignorance and weakness). So I turn my attention back again, and as a matter of fact in Sri Aurobindos place I saw the doctor. Then I understood! Superficially, one may say, So, Sri Aurobindo and the doctor are the same! (To people who would see such a thing it would occur that they are the sameof course its all, all the same! All is one, people just dont understand this complete oneness.) Naturally it didnt surprise me for the thousandth of a second, there wasnt any surprise, but oh, I understood! This way (Mother slightly tilts her hand to the left), its Sri Aurobindo, and that way (slightly to the right), its the doctor. This way its the Lord, and that way its a man!!
   Really interesting.5
  --
   And I realize You see, I need physical help to relieve the body of all effort thats not strictly indispensable. But I cant make their [the attendants] life completely chaotic in appearance: there has to be some schedule. And a schedule means terrible limitations. I cant help it. I cant help it, because for the time being, simply the will expressing itself isnt enough to make matter respond. Once it is like that, time wont matter any more, butBUT.
   We mustnt be impatient.
  --
   You see, Sri Aurobindo was explaining something to me, but the explanation wasn't like a theory: it's immediately translated into movements of matter, that is, movements of forms and forces. So I was listening (I was listening to him, we were talking), and I turned my head away to follow the demonstration of forces, of what he said; naturally it led to another movement which was the consequence, and then I described what I was seeing. When I began describing the consequence, I received a reply (it was a sort of dialogue between us, but without different voices and all the things we know physically), but the quality of the vibration was different, it had become ... instead of being supramental, if you like, it had become sattvic [moral], the reply was sattvic. In other words, a diminution, a limitation. I was surprised so I turned back again, and instead of finding Sri Aurobindo, I saw the doctor, with his hair very neatoh, a super-doctor, you know! But it was he, I mean at his best. So immediately I thought, "Here we are! Here is how things get more and more diminishedyes, diminished, altered, altering also physical appearanceshere is how the Lord changes all His physical appearances." Oh, it was really funny, because it was a practical and precise little illustration. But then there was immediately the feeling that everything, the whole universe is like this! That's how all forms are changed.
   So now you see!

0 1963-01-14, #Agenda Vol 04, #The Mother, #Integral Yoga
   And I very well see (because I told Him several times, You know, it would be great fun if I had plenty of money to play with), so I see that He laughs, but He doesnt answer! He teaches me to be able to laugh at this difficulty, to see the cashier send me his book in which the figures are growing astronomical ([laughing] its by 50,000, 60,000, 80,000, 90,000), while the drawer is nearly empty! And He wants me to learn to laugh at it. The day when I can really laughlaugh, enjoy myselfSINCERELY (not through effortyou can do anything you want through effort), when it makes me laugh spontaneously, I think it will change. Because otherwise its impossible. You see, we have fun with all sorts of things, theres no reason we couldnt have fun with more money than we need and do things in style! It will surely happen one day, but we shouldwe shouldnt be overwhelmed by the amount, and for that we shouldnt take money seriously.
   We shouldnt take money seriously.

0 1963-01-18, #Agenda Vol 04, #The Mother, #Integral Yoga
   Its charming, though.
   I dont think it would be wise to put this in the Bulletin.
  --
   I think few people are able to make the distinction. They have rather an impression that its their dream way of seeing things; I mean they say, Oh, its just a dream. In most cases its like that. The subtle physical has the character of a realm where things are more fluid and harmonious than physical things, but with the same concrete quality; its nature is not like that of vital things, which have vibrations of power but again not that very concrete and objective quality characteristic of material things. In the subtle physical, things are very concrete. For instance, if someone stands in your way, you have to push him aside: he doesnt just vanish, you cant walk through him. If you see an object thats not in its place, you have to move it. Voil.
   The muladhara, at the base of the spine.

0 1963-02-15, #Agenda Vol 04, #The Mother, #Integral Yoga
   Its an explanation of why the world is as it is. At the start he says, He worships her (here again, there are no words in French: Il lui rend un culte, but that makes a whole sentence). He worships her as something far greater than Himself. And then you are almost a spectator of the Supreme projecting Himself to take on this creative aspect (necessarily, otherwise it couldnt be done!), the Witness watching His own work of creation and falling in love with this power of manifestationyou see it all. And oh, He wants to give Her her fullest chance and see, watch all that is going to happen, all that can happen with this divine Power thrust free into the world. And Sri Aurobindo expresses it as though he had absolutely fallen in love with Her: whatever She wants, whatever She does, whatever She thinks, whatever She wills, all of itits all wonderful! All is wonderful. Its so lovely!
   And, I must say, I was observing this because, originally, the first time I heard of it, this conception shocked me, in the sense that (I dont know, it wasnt an idea, it was a feeling), as though it meant lending reality to something which in my consciousness, for a very long time (at least millennia perhaps, I dont know), had been the Falsehood to be conquered. The Falsehood that must cease to exist. Its the aspect of Truth that must manifest itself, its not all that: doing anything whatsoever just for the fun of it, simply because you have the full power. You have the power to do everything, so you do everything, and knowing that there is a Truth behind, you dont give a damn about consequences. That was something something which, as far back as I can remember, I have fought against. I have known it, but it seems to me it was such a long, long time ago and I rejected it so strongly, saying, No, no! and implored the Lord so intensely that things may be otherwise, beseeched Him that his all-powerful Truth, his all-powerful Purity and his all-powerful Beauty may manifest and put an end to all that mess. And at first I was shocked when Sri Aurobindo told me that; previously, in this life, it hadnt even crossed my mind. In that sense Theons explanation had been much more (what should I say?) useful to me from the standpoint of action: the origin of disorder being the separation of the primal Powers but thats not it! HE is there, blissfully worshipping all this confusion!
  --
   Of course, it [this vision or conception] isnt allowed into action, because when you start accepting everything and loving everything and seeing Glory everywherewhy change!? This is why the Force that had been in me for so long for the world to progress further made me reject precisely all that legitimized things as they are by putting you into contact with the inner joy of livingas he puts it, His Joy is there, everywhere, so nobody wants to leave the world.
   In short, I was able to see the situation from above, a little higher than the creative Forcefrom the other side.
  --
   Yes, but there have been changes. I tell you, I am being assassinated with people.
   Well

0 1963-02-19, #Agenda Vol 04, #The Mother, #Integral Yoga
   I dont know how to explain it. Putting it like this implies an arbitrary fiat, but theres no such thing: it isnt a gentleman who decides to withdraw certain things he no longer likes! Its not that way. They are things which, owing to their own propensity (what we might call their essential truth), had at a given moment their place in the Manifestation, and which, once they have lost their purpose, quite naturally leave the Manifestation I could put it in fifty different ways just as poorly, I cant see how to explain it properly. But the fact was evident. It was part of such a wonderfully complete and harmonious Whole that Harmony is beyond us, we cannot understand it, caught as we are in the sensation of opposites. But there, opposites do not exist, there are only things that Like the fact of the Supreme seemingly dominated by His creation, wholly obedient to His creationas though He had no power, no knowledge, no vision, so things follow their course in the chaos we know. Well, when we put it like this, there is something unbelievable and shocking about it, yet it was so very natural, so very true, and part of such a perfect whole!
   Only, you cannot see it unless you see the whole. At the time, everything was preexistent, although unfolding in time for the Manifestation. But it was preexistent. Not preexistent as we understand it, not everything at a given moment. Oh, how impossible! Its impossible to express it. I still feel what I could call the warmth of the experience the reality, the life, the warmth of the experience are there. You know, I have lived in a Light! A Light which isnt our light, which has nothing to do with what we call light, a Light so warm and powerful! A creative Light. So powerful! Everything was so perfectly harmonious: everything, everything without exception, even the things that appear to be the very negation of divinity. And a rhythm! (gesture as of great waves) A harmony, so wonderful a TOTALITY, where the sense of sequence Sequence doesnt mean things being like this (chopping gesture), one being abolished by the next, it is At the time I might have been able to find or invent the words, I dont know, now now, its only the memory of it. The memory, not the presence itself.
  --
   Last night or the night before, I was in Sri Aurobindos house and he was telling me, Some things are going wrong. And he showed me around his house. There were some pipesbig pipes that had burst. You see, he told me, people have been careless. In some places they had taken away all the furniture and were cleaning up in a stupid way: See, he said, they dont do things the proper way. Then I understood it was the reflection of the way things happen here. And he was (not angry, he is never angry), but people gave him a lot of bother, they were preventing him from doing his work: I would come in a room and try to arrange a corner because he wanted to write, but it was impossible, the whole setup made it impossible for him to have even a decent corner where he could write then at other times, it would be quite fine. Because it changes continuously. The layout of rooms has an inner meaningit MEANS somethingso it always stays the same as if the setting stayed un changed (because its not a house built from an architects plan! Its his own house, which he has arranged according to his taste, so it stays that way). But people seem to have unrestricted entry there, and everyone wants to do something, to make himself useful, (laughing) so its terrible! This is what erased my experience or pushed it back into the realm of memories. As though he were saying, Dont be too concerned with universal things, because over here (laughing) things arent too smooth!
   ***
  --
   So the conclusion is that I shall have to start again. I had stopped long ago taking care of everythinglong before I came upstairs, I told people, See to your business yourselves. And what chaos it has become! That, too, made worse by the fact that they stopped seeing me physically. The physical presence was simply keeping a rein on them.
   Its unthinkable now.
  --
   I have made some experiments with French too. I wrote something: Pour chacun, le plus important est de savoir si on appartient au passe qui se perpetue, au present qui sepuise, lavenir qui veut natre. [The most important point for everyone is to know whether he belongs to the past perpetuating itself, to the present exhausting itself, or to the future trying to be born.] I gave it to Zhe didnt understand. So I told him, It doesnt mean our past, our present or our future. I wrote this when I was in that state [the experience Mother told at the beginning of this conversation], and it was in connection with a very sweet old lady who has just left her body. This is what I said to her. Everybody had been expecting her departure for more than a month or two, but I said, You will see, she is going to last; she will last for at least another month or two. Because she knows how to live within, outside her body, and the body lives on out of habit, without jerks and jolts. That was her condition, and it could last a very long time. They had announced she would leave within two days, but I said, Its not true. I know her well, in the sense that she had come out of her body and there was a link with me. And I said to her, What do you care! (though she wasnt at all worried, she was staying peacefully with me), The whole point is to know whether one belongs to the past perpetuating itself, to the present exhausting itself, or to the future trying to be born. Sometimes what WE call the past is right here, its the future trying to be born; sometimes what WE call the present is something in advance, something that came ahead of time; but sometimes also its something that came late, that is still part of all that is to disappear I saw it all: people, things, circumstances, everything through that perception, the vibration that would go on transforming itself, the vibration that would exhaust itself and disappear, the vibration that, though manifested for a long time, would be entitled to continue, to persist that changes all notions! It was so interesting! So I wrote it down as it waswithout any explanations (you dont feel much like explaining in such a case, the thing is so self-evident!). Poor Z, he stared at meall at sea! So I told him, Dont try to understand. I am not speaking of the past, present and future as we know them, its something else. (Mother laughs)
   But its amusing because I had never paid much attention to that [the questions of language], the experience is novel, almost the discovery of the truth behind expression. Before, my concern was to be as clear, exact and precise as possible; to say exactly what I meant and put each word in its proper place. But thats not it! Each word has its own life! Some are drawn together by affinity, others repel each other its very funny!

0 1963-02-21, #Agenda Vol 04, #The Mother, #Integral Yoga
   The boon that we have asked from the Supreme is the greatest that the Earth can ask from the Highest, the change that is most difficult to realise, the most exacting in its conditions. It is nothing less than the descent of the supreme Truth and Power into Matter, the supramental established in the material plane and consciousness and the material world and an integral transformation down to the very principle of Matter. Only a supreme Grace can effect this miracle.
   The supreme Power has descended into the most material consciousness but it has stood there behind the density of the physical veil, demanding before manifestation, before its great open workings can begin, that the conditions of the supreme Grace shall be there, real and effective.

0 1963-02-23, #Agenda Vol 04, #The Mother, #Integral Yoga
   I think this body has become another person, its not the same any more. Its no longer what it used to be. Yet the memory of its earthly existence hasnt gone, it isnt another body. Yet it is another person. I am referring here only to the material consciousness (Mother touches her body). The other thing up there (gesture above) is all very easy to explain, the work was done long ago, thats not what I meanno, its here. The change is HERE. Its odd. There, petit.
   ***
  --
   Sometimes I do, I tell them, Ah, enough! Good-bye, and I push back my chair. I get up and push back my chair. But thats only in case of absolute necessity.5 All in all, I am rarely nasty! (Laughter)
   Though it does happen. It happened this morning. Some people had left their daughter here; she has been here for the last four or five years, and all the while they didnt bother about her at all. She was in Mls dormitoryM. has been a real mother to her, she looked after her dresses and everything, her parents did nothing (I think they were sending their hundred rupees regularly, that was all, they didnt have a thought for their daughter). This little girls home was here. Then her parents came for the Darshan, they found their daughter not warm enough, not loving enough, that she far too much loved being hereconclusion: theyre taking her away. I found that so shameful! Shameful, so stupidly selfish.
  --
   But then, they had brought a four-year-old with them. Today was his birthday. They sent me some money for the child and asked for a card of blessings. I refused to give the card and threw the money back at themquite bluntly. I said, Tell these people that they are selfish and stupid, and I want nothing from them. And I banged on the table. Oh, oh! Everyone was petrified. (Mother laughs) The doctor was there, and Nolini, champaklal, Amrita. Something in me was laughing a lot! Oh, they thought I was in a terrible fit: Theyll see what will happen to them! And you know, those vibrations are familiar to metheyre terrifying, mon petit. Not human. When it comes, its fearsome, people are in a cold sweat. And I watch it all like a spectator!
   Fairly often, its Sri Aurobindo. But this time it was entirely impersonal. It was something that WILL NO LONGER tolerate in the world a certain kind of selfish stupidityto trample this childs finer feelings just because she isnt stupidly attached to her family (who didnt even give her a single thought all the time she was here, she didnt exist for them).
  --
   The balcony is quite interesting. Because it suddenly made me notice a change I was unaware of. Like a rapid rise I had been completely unaware of. My only awareness is that at EVERY moment, if I stop talking or listening or working, at every moment, its like great beatific wings, as vast as the world, beating slowly, like that.
   A feeling of immense wingsnot two: all around and stretching out everywhere.

0 1963-03-06, #Agenda Vol 04, #The Mother, #Integral Yoga
   First, one may ask: What is a miracle? Because Sri Aurobindo often says that there is no such thing as a miracle, but at the same time, in Savitri, for example, he says, Alls miracle here and can by miracle change.1
   It depends which way you look at it: from this side or from the other side.
  --
   So looking at it that way, for a given universe, a miracle would mean the sudden appearance of something from another universe. And for the earth (which brings the problem down to a manageable size), a miracle means the sudden appearance of something that doesnt belong to the earth and this entry of a principle that doesnt belong to the earth as a finite world causes a radical and instant change.
   But then again, as the saying goes, the ENTIRE whole is found in principle at the very core of each part; so even this miracle isnt possible.

0 1963-03-09, #Agenda Vol 04, #The Mother, #Integral Yoga
   There was another occurrence (less striking), once in a room as long as this one and wider,5 the salon in my familys house. Some little friends had come and we were playing. I told them, Ill show you how one should dance. I went to a corner of the room to get the longest distance to another corner, and I told them, One single step in the middle. And I did it! (Mother laughs) I sprang (I didnt even feel I was jumping, it was like dancing, you know, like when they dance on point), landed on the tips of my toes, bounced up and reached the other corneryou cant do that alone, even champions cannot. The length of the jump went beyond records, because afterwards I asked here, when we started physical exercises at the Ashram, I asked what the longest jump wasmine was longer! And they take a run up, you see, they run and then jump. But I didnt run: I was standing in the corner, and hop! up I went (I said hop! to myself, soundlessly), and frrrt! I landed on the tips of my toes, bounced and landed the other sidequite evidently I was carried.
   All this took place before the age of thirteen or fourteen (from eight to thirteen or fourteen). Many things of the kind, all of which seemed to me perfectly naturalit didnt feel as though I was doing something miraculous. Perfectly natural.
   I remember also, once, there were iron hoops (I dont know if they still exist) bordering the lawns in the Bois de Boulogne and I used to take a walk on them! It was a challenge I threw to my brother (there was a difference of sixteen months between us, he was older and much better behaved too!). I told him, Can you walk on these? Leave me alone, he answered, its not interesting. Just watch! I told him. And I started walking on them, with such ease! As if I had done it all my life. It was the same phenomenon: I felt weightless.
   Always the feeling of being carried: something holding me up, carrying me. And now if I compare the movement or the sensation its the same as that vast movement of wings the same vibration.
  --
   That admiration of a toad filled me with joy! It was charming.
   (silence)
   Also when I was eleven or twelve, my mother rented a cottage at the edge of a forest: we didnt have to go through the town. I used to go and sit in the forest all alone. I would sit lost in reverie. One day (it happened often), one day some squirrels had come, several birds, and also (Mother opens her eyes wide), deer, looking on. How lovely it was! When I opened my eyes and saw them, I found it charming they scampered away.
   The memory of all these things returned AFTERWARDS, when I met Thonlong afterwards, when I was more than twenty, that is, more than ten years later. I met Thon and got the explanation of these things, I understood. Then I remembered all that had happened to me, and I thought, Well! Because Madame Thon said to me (I told her all my childhood stories), she said to me, Oh, but I know, you are THAT, the stamp of THAT is on you. I thought over what she had said, and I saw it was indeed true. All those experiences I had were very clear indications that there were certainly people in the invisible looking after me! (Mother laughs)
  --
   It was suggested to me in the form of a vision: I was sitting on a somewhat high chair downstairs, on the ground floor (in the meditation hall where I went in 1960), while people filed past me. But then there should be some sort of distribution, and I am more in favor of something printed than a material object. A material object I am much too poor, in the first place. Something printed.
   Its vaguenot vague but incomplete. The details are precise, what I see is precise, but everything isnt there. Only certain points here and there its incomplete.
  --
   Later, Mother repeated the same remark: "I am not much concerned with this field, I see it from the OTHER angle What I refer to here is seen from below upward, while I see it the other way (gesture from above downward), so it assumes a very different character. We'll talk about it again later."
   In the following conversation, Mother gave a very recent example of someone cured by the supramental force acting in the material mind: "After three warnings which he didn't heed, A. [a Paris disciple], one morning, found himself half-paralyzed. And the next day, it started spreading to the other side, the left side. At that point, he gave a callit struck him to see one side completely paralyzed and the other following suit, he saw himself going down, so he gave a call. And he says that inside a few minutes, a stupendous Force came into him and that Force said, "No!" And almost automatically, everything came to a stop. Nothing came over the left side, and the right side started to improve. And when I received the first telegram informing me that A. had to take to his bed because of an 'attack' (a 'heart attack,' they said, but it wasn't the heart, it was an embolism in the brain), with the telegram in my hands, I saw, written OVER the telegram's words: 'It's nothing, no need to worry'! So I said coolly, 'Oh' it's nothing, no need to worry.' (Mother laughs) Then the letter came with all the details: thrombosis, and so on. But he says he feels a Force [near Mother] that's not in his ordinary little life over there, he finds it makes all the differenceit's something which gives a LIFE that's not in his ordinary little life in France. Anyhow, this is something like a miracle."

0 1963-03-13, #Agenda Vol 04, #The Mother, #Integral Yoga
   (Mother opens "Savitri." She intended to translate "The Debate of Love and Death." The book opens "by chance" on the last lines of Death's defeat, which Mother reads aloud:)
   And [Death] left crumbling the shape that he had worn,
  --
   There was no change nor any hope of change.
   In this black dream which was a house of Void,
  --
   But I had a feeling he hadnt completed his revision. When I read this, I felt it wasnt the end, just as when I read the last chapter of the Yoga of Self-Perfection,2 I felt it was unfinished. He left it unfinished. And he said so. He said, No, I will not go down to this mental level any more.
   But in Savitris case (I didnt look after it, you know), he had around him Purani, that Chinmayi, and (whats his name?) Nirodthey all swarmed around him. So I didnt look after Savitri. I read Savitri two years ago, I had never read it before. And I am so glad! Because I read it at the time I could understand itand I realized that none of those people had understood ONE BIT of it. Both things at the same time.
  --
   Thought dead, its changeless force abode and grew.
   I cant see clearly any more. But I know what this is about: its when the King3 makes his last surrender to the universal Motherhe annuls himself before the universal Mother, and She gives him the mission he must fulfill.
  --
   Thought dead, its changeless force abode and grew.
   Armed with the intuition of a bliss
  --
   The last chapter of the Synthesis of Yoga: "Towards the Supramental Time Vision."
   In Savitri, the King represents the human aspiration to discover the Earth's secret beyond all already explored spiritual knowledge.

0 1963-03-16, #Agenda Vol 04, #The Mother, #Integral Yoga
   Those things are strange. You dont remember actively, that is, you cant find any thought whatsoever to express the experience; even the active sensation of the experience fades away. And yet you are no longer the same person thats the remarkable thing! I experienced this phenomenon several times (I dont remember clearly enough to tell you exactly how many times), several times in my life, it was always the same thing: no longer the same person, youve become someone else. All the relationships with life, with consciousness, with movementeverything changes. Yet the central thing is just a vague impression. At the moment of the experience, for a second, its so clear, so precisea thunderbolt. But then probably the cerebral and nervous system is incapable of preserving it. But all the relationships are changed, you are another person.
   Ive seen this phenomenon very often. For example, the impression people have in ordinary life (few are conscious of it, but everyone has the impression, I know that) of a Destiny or a Fate or a will hanging over them, a set of circumstances (it doesnt matter what you call it), something that weighs you down and tries to manifest through you. But weighing you down. That was the first of my experiences: emerging above (very long ago, at the beginning of the century). And it was that kind of experience: one second, but suddenly, oh, you find yourself above it all. I remember because at the time I told the people I knew (maybe I was already looking after the Cosmic Review, it was the beginning, or maybe just before), I told them: There is a state in which you are free to decide what you will do; when you say, I want this, it means it will happen. That was the impression I lived with. Instead of thinking Id like to do this, Id like that to happen, with the sense of the decision being left to Fate, the impression that you are above and you make the decision: things WILL BE like that, things WILL BE like that.
  --
   I didnt have it long (laughing), it went away! But my position changed. Its one more thing I see from above; I rose above, my position is above.
   I have always observed very carefully every time somebody died here in the Ashram, and well (one or two persons have died since that experience, in particular the old doctors sister), well, since then it has been ABSOLUTELY DIFFERENT. It was something I saw from above. There was no longer any mystery. But if you ask me to explain That I cantwords, the mind, no. But the POSITION of the consciousness was different the position of the consciousness. Altogether different.
  --
   Its a sort of change in the cells functioning,3 or in their organization. When I say all this now, I try to pull back a deep-buried memory. But thats the point. Once you have understood that (all that you understand, you can do), once youve understood that, you can do it. Then its very simple: you can easily stop the thing from going this way or that way; you can go like that or like this or like that (Mother seems to handle forces or shift the position of the consciousness). Then it almost becomes childs play to make someone die or make someone live! But that is better left unsaid.
   But it will surely come! In how many years, I dont know, but the thing has become plain. And to me (as I said the other day), to me it seemed quite a central secretnot the most central of all, no, but fairly central with regard to life on earth.
  --
   Later, Mother added: "That is to say, an extremely powerful experience but which doesn't stay, except in its effect: becoming another person, changing position. I wouldn't be able to describe the experience, but my position changed. That's what happened every time. It's very different from the other experiences: they stay, you understand them fully, they don't fade away but they don't have the power to change your person. They are two types of experience, both very useful, but very different from each other. The experiences of the very powerful but very brief type are those that, afterwards, are expressed in the form of the other type. The other experiences are those that ESTABLISH in a certain domain of consciousness that first experience which had come only as a shocka compelling but transient shock. And sometimes it may take longformerly it took years between the first experience and the resulting ones; now the interval seems a bit shorter, though it still takes some time. And it follows the same course every time: something comes, has the necessary effect, and then the consciousness seems to go to sleep on that point, as if a silent incubation period were neededyou stop dealing actively with the subjectand it reemerges at the end of a long curve, but as if it had been digested, assimilated, and you were now ready for the full experience."
   With a sort of incomprehensible comprehension, we are reminded of the words of the Vedic Rishis: "He uncovered the two worlds, eternal and in ONE nest."

0 1963-03-23, #Agenda Vol 04, #The Mother, #Integral Yoga
   Nothing spectacular whatsoeverspectacular, you know, thats what people enjoy. Nothing of the sort. For instance, there are two things that give you (and others too) a sense that youre making progress: one is the direct knowledge of whats happening in a given place; the other is the foreknowledge of coming events. Well, ever since the beginning of my Yoga, the two possibilities or capacities have been there, with all the admixture (as Sri Aurobindo says) of the movements of the mind, which befuddles everything. Already around 1910, not only was the capacity there (it would come off and on), but along with it, a discernment which showed me the mixture, and thus left me without any certainty. In this regard, therefore, I cant even say there has been a big change the change is in the proportion, its just a question of proportion: proportion in the certainty, proportion in the accuracy, proportion in the mixture. The mixture keeps decreasing, the certainty keeps increasing but thats all. With, now and then (but that has always happened), now and then, a clear, precise, definite indicationbang! Its a bit more frequent. Thats all. So? Sixty-three years. Sixty-three years of methodical effort, of constant will, of opportunities for the workpeople who want quick results, they make me laugh, you know!
   This body isnt even one that is unprepared. It had capabilities, it was born with certain capabilities and was prepared for all kinds of experiences. There was also the sort of intuitive discernment Sri Aurobindo refers to, it had been there since my earliest childhoodveiled, mixed, no doubt, but present all the same, it was there. Afterwards, it was purified, developed, streng thened, the mixture lessened and the body was somewhat (laughing) to perfect itself it went through quite a great deal of friction of all types. Its certainly more apt today than it was fifty years ago, there isnt a shadow of doubt about it! But you understand, theres nothing to boast about!
  --
   Only one thing (which is not even absolute): a sort of equality that has come into the bodynot an equality of soul (laughing): an equality in the cells! It has come into the body. There is no longer that clash of joy and painalways and for everything, every minute, every reaction, You, Lord, to You, Lord. As though the cells were chanting, To You Lord, to You Lord, to You Lord. And well, thats how it is.
   There are enough physical miseries to experience what people call physical painquite enough (!) Yet, materially, everything is organized to give every possible joy! For example (ever since the age of five it has been like that), whenever the body felt, Oh, if I had this. Oh, it would be nice to have that, the thing would come in no time. Fantastic! It has always been that way, only it has become more conscious. Before, it would happen without my noticing it, quite naturally. Now, of course, the body has changed, its no longer a baby, it no longer has a childs fancies. But when that kind of Rhythm comes, when something says, Oh, this is fine! mon petit, it comes in TORRENTS from all sides without my saying a word. Just like that. There was a time when the body enjoyed it, it was delighted by it, made very happy by it (even two years ago, a little more perhaps), very happy, it found that amusingit was lovely, you see. But now: To You Lord. Only this, a sort of quiet, constant joy: To You Lord, to You Lord, to You Lord. And on both accounts: for physical pain as well. In that regard, the body is making progress. Although to tell the truth, its life is made so easy! So easy that it would have to be quite hard to please not be satisfied the Lord is full of infinite grace.
   No, in spite of everything, the body doesnt have that sort of eternal stability, the sense of its immortality (immortality isnt the right word), of its permanence. Not that it has a sense of impermanence, far from it, the cells feel eternal that much is there. But a certain something that would be sheltered from all attacks. It still feels the attacks. It feels an instability, it doesnt have a sense of absolute security, it hasnt yet reached a state of absolute security thats it: the sense of security. There are still vibrations of insecurity. Yet that seems so mean, so silly! It still lives in insecurity. Security, the sense of security only comes through union with the Supremenothing in life as it is, nothing in the world as it is, can offer the sense of security, its impossible. But to feel the Supremes presence so constantly, to be able to pass everything on to Him, To You, to You, to You, and yet not to have a sense of security! A shock or a blow comes (not necessarily personally, but in life), and theres still a particular vibration: the vibration of insecurityit still exists. The body finds that disquieting, painful: Why? Not that it complains, but it complains about itself, it finds itself not up to the mark.

0 1963-03-27, #Agenda Vol 04, #The Mother, #Integral Yoga
   Then I looked, wondering, And what was Christs path? Basically, he always said, Love thy neighbor, in other words brotherhood (but thats a modern translation). For him, the idea was compassion, charity (the Christians say its the law of Love, but were not yet there that will come much later). So I wrote:
   Jesus preached Compassion.

0 1963-03-30, #Agenda Vol 04, #The Mother, #Integral Yoga
   But its so dull! So dull, so lackluster, so un changing, souninteresting, really dull that the slightest light shines like a bright star! The smallest, slightest, tiniest progress seems like an extraordinary thing. Like, for example, the attitude in certain cells towards a physical disorder which, naturally, like all physical disorders, tends to recur. The attitude in the cells changesnot the disorder (!), the disorder changes only because of the cells reaction, thats what makes it change; but it recurs with clockwork regularity thats its job. It is the way its received by the cells, their reaction to it, that brings about the change. And there is now a difference in the cells reaction. The result of my observation (an impersonal, general observation) is that there are two types of change (I cant call it progress), two types of change in the reaction: a change that goes on improving, in the sense that the reaction grows less sharp, the cells are less affected and become not only more conscious but more IN COMMAND of the reaction (something people are not generally conscious of, but which is what brings about the cure). And, on the other hand, deterioration: under the unrelenting attack, the cells panic, become more and more affected and afraid, and it eventually results in a terrible mess and a catastrophe. Well, the whole thing is observed, studied, experienced; but (laughing) in ordinary medicine its explained away in two words! You see, what I see now is the process they dont know the process, only the result. And, well, I notice that as the consciousness grows, the cells panic less and less and a sort of mastery develops. Of course, its a pleasing observation, if I may say so, but it doesnt even make me happy! It seems rather obvious. Also the proportion is such that to get a really telling result, it would take years and years and years! Oh, how many years! How slow things are.
   So I dont feel impelled to talk about it. Id rather concern myself with something else I do the work, but thats all.

0 1963-04-06, #Agenda Vol 04, #The Mother, #Integral Yoga
   It lasted only a second, but it was like a new chapter suddenly opening up.
   Mon petit, you are the only person to whom I can say all thisthere is not one, not one! Not one able to simply understand. Which makes things more difficult, because I am constantly weighed down by the stupidity of peoples thoughts (stupidity in the sense of incomprehension), the thoughts of all those around me, who think I am (I, what they call I, you know, me), who think I am ill and I cant tell them a thing! If I hadnt spoken to you today, it would be gone. I would never have said anything. Well, thats the way it is.

0 1963-04-25, #Agenda Vol 04, #The Mother, #Integral Yoga
   I received your card of the 23rd yesterday, and it coincided with an improvement in the atmosphere and even a physical improvement. I have rarely felt your Force and your Presence so concretely, continuously and powerfully as since I arrived here. To say that it is the only reality is almost superfluousThat alone really LIVES. All the rest is a false show. I am anxious to leave this place, but X said he wants to make certain changes in my japa, so I have to wait for the right moment. It is difficult to hurry X, as you know. I will wire you as soon as the time comes. Otherwise, I am experiencing Xs power of mental stillness, which is quite remarkable. All the rest I find rather poor.
   More and more I feel, live and see that That alone is real. It is a very engrossing experience.
  --
   I am waiting for X to make certain changes in my japa, as he said he would, and will then come back without further delay. These last two days my health has been better. I am no longer constantly tired as I was before. In the evening I take a walk alone in the vast dunes near Rameshwaram, it feels like Arabia, and no loudspeakers! You rest in a sort of tranquil infinity.
   The monkeys stole my mirror while I was taking my bath, and after marveling at themselves in it at length, they broke it. Then they threw my toothpaste into the well. They were kind enough, however, to leave me my razor, for fear I would end up looking like them, probably!

0 1963-04-29, #Agenda Vol 04, #The Mother, #Integral Yoga
   On Friday X gave me a new mantra, then the next day he told me that during his puja he received an order to the effect that this mantra was not suitable and he should give me another one. I am supposed to receive the new mantra tomorrow, Tuesday. X said this mantra would be final and with effect. I do hope so, for I would really like to be through with all these changes and preparations and delays, to have the Word, as the Rishis said, and fix myself on it. I would like not to return to Rameshwaram any more and to be through with these dillydallyings. Anyway, Ill have to wait for another three days after receiving the new mantra, so that X can see whether it has the desired effect. So I cannot leave until Thursday.
   I hope this time it will be final and everything will settle into the true Rhythm.

0 1963-05-03, #Agenda Vol 04, #The Mother, #Integral Yoga
   When I lie down, I go from one state to the other with extraordinary speed. And Ive noticed (the thing is just at its beginning, so I cant really say), Ive noticed that in that state, the Movement2 exceeds the force or power that concentrates the cells into an individual form. And that state seems to be all-powerful, although devoid of conscious will or vision (for the moment). Its a state (how can I explain this?) whose characteristics exceed the power that concentrates the cells into an individual body. The effect is automatic (not willed): as soon as something takes the form of a physical pain, it disappears INSTANTLY. But then, and this is most interesting, the second the body reverts to a certain stateits ordinary state, which isnt the ordinary human state, of course, but its ordinary, habitual stateit recaptures the MEMORY of its pain, and along with the memory comes the possibility of reverting to it if a certain number of conditions are not automatically fulfilled. I dont know if what I am saying makes any sense, but thats how the experience is. It is probably the passage from the true thing to the thing no longer truenot what is meant by Falsehood here on earth (thats something else altogether), but a first alteration compared to the pure Vibration. It gives the impression of a wrong habit, what remains is merely a question of a wrong habit. Its not the principle of distortion that works here, but the wrong habit due to the effect of ANOTHER principle. And something is to be found to checkcheck, eliminate, prevent that effect from recurring automatically.
   Because it happens CONSTANTLY. Its a constant phenomenon: passing from this to that, this to that, this to that, to such a pointits so strong that a second comes, or a minute, or anyway a certain interval of time (I dont know), when you are neither this nor that; then you have a feeling of nothingness. It lasts just an instant; if it lasted longer, it would probably result in fainting or something, I cant say what. But it happens all the time: this, that (oscillating gesture). And between this and that, there is a passage.
  --
   But from a much more external viewpoint, the night that followed your arrival there3 was dreadful, in the sense that the consciousness was put in contact with all the most negative and destructive things: like an entire world, yes, of denial, of refusal too, of opposition, of battle, of ill will the visual appearance was chalk-white, you know, the soulless white of chalk, everything was like that, even black was chalk-white (!). Something absolutely stripped of all soul life. Horrible. I dont know, I would have to go back years and years and years to find anything like it in my memory. And I was right in it, it was forced on me; it was as if I were made to stay there and watch it all.
   I forgot: immediately afterwards I swept everything clean. Except for what Ive just said, I dont remember what it was I dont remember what it was because I did NOT want it to exist. But it was horrible. And in the morning, there was such a painful impression! So I thought something was wrong over there, and when I received your letter, I understood. But it isnt limited to one person or another, one place or another: it seems to evoke a universal way of being, thats what troubles me. As if an entire way of being which Ive been resisting for for, well, more than seventy years at any rate, which Ive been keeping at arms length so it may no longer exist in a real way, as if it were all forced on me. Like a thing from a past that no longer has the right to exist.
  --
   Thats exactly what made a sharp division in the whole spiritual thought or spiritual will of mankind. The point doesnt seem to have been understood. Some, like Buddha and that whole line, have declared that the world is incorrigible, that the only thing to do is to get out of it, and that it can never be otherwiseit changes, but really remains the same. The result is a certain attitude of perfect acceptance. So, for them, the goal is to get out that is, you escape: you leave the world as it is and escape. Then there are the others, who sense a perfection towards which men strive indefinitely and which is realized progressively. And I see more and more that the two movements complement each other, and not only complement each other but are almost indispensable to each other.
   In other words, the change that arises from a refusal to accept the world as it is has no force, no power: what is needed is an acceptance not only total but comprehensive, joyousto find supreme joy in things in order to have (its not a question of right or power) in order to make it possible for things to change.
   Putting it differently, you must become the Supreme in order to help in His action, in the changing of the world; you must have the supreme Vibration in order to participate in that Movement, which I am now beginning to feel in the bodys cellsa Movement which is a sort of eternal Vibration, without beginning or end. It has no beginning (the earth has a beginning, so that makes it easy; with the earths beginning, we have the beginning of the earths history, but thats not the case here), it has no beginning, it is something existing from all eternity, for all eternity, and without any division of time: its only when it is projected onto a screen that it begins to assume the division of time. But you cant say a second, or an instant. Its hard to explain. No sooner do you begin to feel it than its gone: something boundless, without beginning or end, a Movement so totaltotal and constant, constant that it is perceived as total immobility.
   Absolutely indescribable. Yet it is the Origin and Support of the whole terrestrial evolution.

0 1963-05-11, #Agenda Vol 04, #The Mother, #Integral Yoga
   About this big [approximately four inches]. And the paper should be very smooth. You understand, it should be written with chandanam [sandal paste] and a stick! And assuming each diagram takes me three or four minutes for seventy-two that means itll be a good four hours! So the paper should be smooth enough and a good amount: seventy-two sheets every day.
   Seventy-two sheets. Where can we find that?
  --
   The water would soak into it! Because I have to write with chandanam mixed in water, you understand, and with a twig of Divine Love! [pomegranate]
   Without a piece of cotton or anything?
  --
   But tell me, couldnt you be allowed to do that sitting on a chair, at a table?
   I dont know.
  --
   There, mon petit. Now I would advise you to take a comfortable chair, a table on which you can write comfortably, put it before you and get on with it!
   Its a pity we cant note the music down.

0 1963-05-18, #Agenda Vol 04, #The Mother, #Integral Yoga
   They are still in infancy, with the kind of dogmatic certainties characteristic of infancy.
   On the other hand, the others, those who know the inside of things, dont have the experienceno one has transformed his body so far! No one can tell you, Well, its done this way and it happened that way; this is what I did and thats what happenedno one. Thats why it is so difficult.

0 1963-06-03, #Agenda Vol 04, #The Mother, #Integral Yoga
   Then champaklal (who had brought the baby) didnt want him to go without having touched my feet (I thought it was going to cause a disaster): champaklal put him on the floor, bent his head forwardas soon as the baby saw my feet, he caught them with his two hands, one hand on each foot!
   Seven months old!
  --
   He had never seen champaklal before; champaklal took him, he didnt say anything, didnt protest: he was upright, sitting upright on champaklals arm.
   His eyes! Eyes that look within already. When I looked into his eyes, there was an immediate responsea response I have rarely seen in peoples eyes here.

0 1963-06-08, #Agenda Vol 04, #The Mother, #Integral Yoga
   But I am not supposed to know, evidently. Probably I am too much of a chatterbox (!), I always tell you all my stories, which probably isnt necessary, so I am not told. But, you know, people are so fond of putting labels on things: This is what it is, that is what it is. We dont want that! It sounds so smart, you know, like newspapers headlines: The latest development. (Mother sketches big, sensational headlines) We dont want that.
   You may have an experience for an hour, two hours sometimes, but here there was an impression that all of a sudden I was made aware. And that I participated: this (the body) was allowed to participate, because for some reason that I dont know (maybe because of the work going on in the body, I dont know, that must be why), it seemed necessary that I should participate. But the impression is that something stupendous is happening right now.

0 1963-06-15, #Agenda Vol 04, #The Mother, #Integral Yoga
   Well, yes! Its part of the character. Its the Kshatrya1 element, its part of the character: being an adventurer.
   But this one is terribly well-mannered! (Laughing) Excellent manners, a refined man perhaps. An intellectual.
  --
   And all at once, it came so clearly, as though the Lord Himself were arranging something, and it was translated into, Give him a bath of the Lord. You understand, to make an atmosphere (no need to speak, no need for words), an atmosphere that is a bath of the Lord. So that all those who enter the atmosphere automatically enter the bath of the Lord. It was so lovely! And so simple, so smiling, nothing showy, no big words: something very simple and natural. So, early in the morning, I went to the room over there; I had many people to see beforehand, a host of people who came to see me in the morning, but nevertheless early in the morning I had already started preparing my bath of the Lord! I was finished seeing people about an hour before Nehrus arrival, so I stayed in the room, preparing the bath. It was very charming.
   He may have felt something they are very thick-skinned, you know, necessarily so: overworked, full of self-conceit, naturally, and convinced that they know everything and can do everything (and unfortunately they can do a lot), so the whole of life is organized so as to BLOCK all inner receptivity.
  --
   I didnt say anything. Somebody who was there spoke. And towards the end, I could see (I had given him a comfortable arm chair), I could see he wanted to get out of his arm chair, as if to say, Now I must go. So I simply told him, You need a little restyou should have seen the mans face: immediately everything relaxed. All the while, his fingers were fidgety like this (Mother drums her fingers on the chairs armrests), two fingers of his hand moving nonstop, even though I kept putting Peace and Quietness on him, but still his fingers were moving, because he was always active inside. And when I told him that, something relaxed in his face and the fingers stopped. But it was very late and everybody was waiting, so after a little while I let him go. It was very interesting: I simply told him, You need a little resteverything stopped.
   But mentally, you know (Mother makes a gesture: completely obtuse). There is a prince of Kashmir who came here once, a young man3; he went to England, and there he wrote a thesis on Sri Aurobindos political life, Sri Aurobindo, Prophet of Indian Nationalism, with a preface by Jawaharlal Nehru. I read the preface, but afterwards, the day after I saw Nehruits awful! Understands nothing, he understands nothing, nothing, nothing, absolutely obtuse. Its very kind, but written by someone who understands nothing. I will tell you the thing: between my first and second visits here, while I was away in Japan and Gandhi was starting his campaign,4 he sent a telegram, then a messenger, to Sri Aurobindo here, asking him to be president of the Congressto which Sri Aurobindo answered No.

0 1963-06-19, #Agenda Vol 04, #The Mother, #Integral Yoga
   I was saying to myself, But whats the way to get out of here? I concentrated, became conscious again of the divine Presence, but there was something telling me, Nothing is responding, its not working. It was horrible. Nothing is responding, its not working; its not working, it cant change, nothing is responding; nothing is responding, its not working. I was there like that, with two or three people. I sat down (some rooms were higher than others and it made a difference in level between the terraces), I sat down on a ledge, questioning intensely within, What can I do? What can I do? Whats the way? What can I do? Wheres the lever? I was trying to find the lever for changing it all. But I was unable to find it. Suddenly, from the room at the end a little old man came out, very old, who gave the impression of an attachment to old things; just the same (he was all blue), just the same when he arrived (it must be the symbol of an old method or an old discipline), I told him, Ah, now that you are here, can you tell me the way out of this place? Whats the way to get free, the way out? That started him laughing: No, no! Theres no way, no way out, you must be content with what you have. Then he looked at that poor light above, which really didnt give much light at all, and he said (in a high-sounding tone): But in the first place, I came to tell you that you must put out that sun! I dont want that dazzling sun here. Ah! I thought, Thats what he calls a sun! I was so disgusted that finally I woke up. Something pulled me out abruptly. But with such a strong impressionso strong that I was gripped by anguish: What can be done to change that? The WAY, you see, the way was inadequateinadequate. That was the anguish: My own experience is inadequate, it has no effect THERE, so whats to be done? Whats to be done? What can be done? So thats how I was for hours this morning: Whats the way? Whats the way? Whats the way to change that darkness into light?
   It wasnt very cheering.
  --
   I thought, Why? Why am I not happy and quiet here, too? And something answered, Because I want to change that. If I accepted it, I wouldnt even notice it; its because I want to change that darkness. So then then there will be joy only when we have FOUND the wayand how to find it? All the methods I use for the yoga and for transformation, all were useless, useless, useless, no action, no action, no effect, no effect. Ive never seen a place so unreceptive! No effect, none at all. And everybody VERY content with what he knew!
   It is evidently a mental domain. A mental subconscient. But its horrible. Horrible.
  --
   So you get the feeling it will take centuriescenturies to change! Or else a catastrophe.
   Though even a catastrophe (Mother shakes her head negatively) it shakes it all up, then everything sinks back to the bottom.
  --
   Its perfectly obvious that people can live, that men can exist and live BECAUSE they are unconscious. If they were conscious, really conscious of the state they live in, it would be intolerable. And I can see that there is a very difficult period when you go from that unconsciousness (unconsciousness of the habit of living in that state) to a conscious vision of the state you live in. When you become totally conscious of things as they areof what you are, of your condition and when you do not yet have the power to get out, like last night, its almost intolerable. And there was a very clear awareness, very precise, that it isnt a question of life or death: it doesnt depend on that sort of thing, which ultimately changes nothing but a wholly superficial appearance thats not it! You know, people who are unhappy think, Ah, a day will come when Ill die, and all my difficulties will be overtheyre simpletons! It wont be over at all, it will go on. It will go on until the time when they get out for good, that is, when they emerge from Ignorance into Knowledge. Its the only way out: to emerge from Ignorance into Knowledge. And you can die a thousand times, it wont get you out, its perfectly uselessit just goes on. Sometimes, on the contrary, it drags you even further down.
   Thats the thing.
  --
   Im not speaking of things of the higher mind, because there the key to the way out was found long ago, a long time ago: I mean down below, in the material world the material world. Thats why all those people, like the old man last night, go somewhere elseits all the same to them, why should they bother! Why do you want to change that? And dont try to give light here, its no use and in addition its a nuisance. Leave this Ignorance in peace.
   It is very clearly symbolic. But its a frightful anguish, hard to bear.

0 1963-06-22, #Agenda Vol 04, #The Mother, #Integral Yoga
   All the means of getting out have been found and practiced. But only for getting out individually, or abovenobody has ever found the key to the change, the way to make that thing cease to exist.
   Because it can cease only in order to become SOMETHING ELSE.

0 1963-06-29, #Agenda Vol 04, #The Mother, #Integral Yoga
   (Mother glances through a collection of Playground Talks and chances on the following question, which she answers immediately:)
   Why isnt the universe a place of perfect bliss?1
  --
   It was not chance that she was woken upit wasnt chance: she was HELPED.
   Quite likely, someone other than she wouldnt have seen the spots.

0 1963-07-03, #Agenda Vol 04, #The Mother, #Integral Yoga
   (Mother looks at the Time magazine photo again:) With these photos its very interesting, I have intriguing experiences: all at once Ill see crystal clear (much clearer than I see physically), Ill see the individual very clearlyhe comes alive, the eyes speak to meand Ill say, Oh, hes like this and like that. Everybody brings me photos, because I am used to reading peoples characters in their photos, thats very easy for me, elementary; but sometimes when I am given a photo, suddenly I see somebody and I say, Oh, but its such and such person, hes like this and like that. But if I am shown the SAME photo a few days afterwards, its just a photo and I see nothing. Its a method thats used to let me know certain things, and once I know them, its finished. For instance, the first time I saw this photo of the Pope, when they brought it to me, I saw the man (I know him, you see) JUST AS I see him over there. But if I look at it nowit doesnt evoke anything in me any more, only the kind of things you see in a photo: a mouth thats not good, far from it. Certainly, that he chose this photo means he LIKES authorityhe wants to be seen in his aspect of authority.
   The odd thing is that he is seated [in the photo], while all the time I see him standing. He is seated with his hand on the armrest, but I keep seeing him standingholding his head high, facing life, standing. He must be fairly tall: the man I know is fairly tall, he looks very much like this one. Its unmistakable, I mean, when I saw the photo I saw the man I knew.
  --
   If, out of the need to enlarge, the Pope accepts, for instance, all the different sects (theyve already started to accept the Protestants), if he accepts all those sects, (laughing) little by little they will either break apart or be drowned! You follow, if we look at it from above Lets even assume its an Asuric powerit isnt (Mother hesitates) it isnt clearly and distinctly an Asuric power, because by his very position, the Pope is OBLIGED to recognize a god higher than himself; that god may, of course, be an Asura, but I have a sort of memory the memory of a very ancient story no one ever told me in which the first Asura challenged the supreme Lord and told him, I am as great as You! And the answer was, I wish you would become greater than I, because then there will be no more Asura.
   This memory is very living, somewhere. If you become the Whole, its finishedyou see, the Asuras ambition is to be greater than the supreme Lord: Become greater than I, then there will be no more Asura.
  --
   Under the cloak of charity and total benevolence: a hypocrisy. Yes, those are the things that always made me get up in arms.
   And in a way, it pains me to see that what little I can do, this book on Sri Aurobindo, for instance, isnt understood. There is a wall in Francea refusal, I cant get in there, its blocked. It pains me. With the people I know there its the same thing; everywhere I meet with a wall of incomprehensionits absolutely and completely closed.3
  --
   Things have changed much since then.
   ***

0 1963-07-06, #Agenda Vol 04, #The Mother, #Integral Yoga
   You know, the next day, I saw Sri Aurobindo againit was Sri Aurobindo, he was with me, but a bit taller than the previous time, a bit slimmer, with his skin almost white, almost like mine (not the white of northern people but a kind of golden white). So I looked at him and smiled (because it had changed, you see!), I didnt say anything, but (laughing) he told me: Yes, to meet all tastes! I found that admirable!
   That day, he was very busy with the external organization; he asked me for some information and made remarks about everything. Then there was an incident (I dont yet know what it means), and he said, Oh, there (but I cant remember which country that waswe were dealing with countries and governments), oh, there, all is all right, isnt it? And I answered him, Yes, certainly, all is all right since all the people in the government are our people. And he seemed to be showing me (at night, Europe is always to my left, and America is always to my right, as if I were always facing north), he was showing me the left side and I too was pointing to the left, and it was there, all the people were ours: Everything is quite smooth. But I cant remember (probably on purpose); the name of the country or place or whatever has been wiped out I could not remember it.
  --
   It happened once and then it was over: quite naturally the atmosphere gave protection. This time it had the same character, in the sense that twisted faces, very base instincts, very ugly things come and ENTER, which means there must be some work going on on that level, and for it to be done some contact is necessary (naturally when I have my white atmosphere around me, try as they may, they cannot touch it), but this time they entered. Well, I peered at the thing (laughing), not without some curiosity. (The first times, I was surprised, I thought, Why am I starting to see such ugly things! But then I soon understood it was because a work had to be done.) I peer at the thing with some curiosity, and I see I just have to do this (gesture like the flick of a feather duster), simply a little effortless movement and prrt! off it runs with fantastic speed.
   But some of the faces I saw had come with the intention of making certain suggestions I saw that (I dont know what their suggestions were, it didnt interest me and I kept sweeping it all away, so it went away). I didnt attach any importance to it, except that I kept answering in the same way (the feather duster), and I thought, This must be putting order somewhere! But today, N. read me a letter and told me the story of a boy who was herea very nice boy who worked well and who suddenly was overcome by disquiet and fear and got so ill at ease that finally he said, My family is calling me, they want me, I must go. Then (I dont know when it happened, it was a while ago), he wrote that some time after he came back home (I dont recall the details), he came to know that a magician was regularly doing black magic against him (he was seeing ugly faces, incense burning, all kinds of odd little gestureshe tells the whole story in his letter and it affected him very much), and that the magician (who I believe was more or less connected with the family!) was doing that regularly to make him leave the Ashram. Then he went to see the magician, or rather someone went to see the magician and told him, The boy is back now, you need not continue, he is here, so there is no more reason to And from that moment on, everything immediately disappeared: his feeling of disquiet and all his visions. Anyway, it was clear proof that the magicians work had put him in that state, and that as soon as the magician stopped his work, everything ceased.
   Well, I have lived many years, and we know those things to exist, but I didnt attach any importance to them because to me they seemed powerless. Indeed, they have never affected me (a few Tantrics did do some magic and succeeded in making me ill, but that had quite another character; this boys story is in the lowest, most material vital domain, you see), and only lately did I notice those little games. They didnt affect me in the leastit was like images shown on a cinema screen, unsightly images, and I just thought, Whats the point? Still, I did my cleanup, out of habit. But then, when I heard that story, I thought, Well, I must be teaching a good lesson or two to all those people who do dirty magic!
   In other words, one domain after another, one difficulty after another, one kind of obstacle after another (obstacles that are either subconscious or in the most material consciousness or the lower vital), it all comes for an ACTION. An action which is very sustained and varied; even when some other thing (some other difficulty or problem) is in the foreground, predominant in the consciousness, everything is there [in the surrounding atmosphere], and all the time there is that Light (Mother makes a gesture of cleaning in the atmosphere) which has always been with meof which I became totally conscious with Madame Thon, who told me what it wasa Light I have always kept with me, a white Light, absolutely pure, so dazzlingly white that eyes cannot look at it, a Light which is

0 1963-07-10, #Agenda Vol 04, #The Mother, #Integral Yoga
   Whats impossible to translate is the musical rhythm of the sentence thats impossible. Because the English rhythm and the French rhythm are very different in character, and if you translate literally something that has a poetic rhythm in English, it may not come out poetic at all in French. So a translation is a translation, we have to settle for it. But there will still be quite enough ideas left to do people some good!
   Yes, but sometimes it becomes quite jerky. The French has a staccato, powerful rhythm, so in English it gives an impression of small bits cut and pasted together. But anyway, I think she is doing as well as can be done.
  --
   Thats when you have no power of your own, naturally! If, for example, just anybody comes to me and asks me for a mantra, I wont tell him he should find his own mantra inside. What I said there applies to those who are in contact with their soul. But those who have no conscious contact with their soul cannot find their mantra their head will search for words, but thats nothing. I said the mantra must well up from within but for them, nothing will well up! They wont find it. They wont find it, not a chance! So in that case, the guru passes on his own power.
   Yes, but when you read a mantra in a book, for instance, it is said theres no force in ithow is that, since the vibration is there?
  --
   And events would NOT be changed.
   (silence)
  --
   And the Power I would have to tell a mountain of experiences. For years and years and years, the Power was like this (gesture above the head): the Consciousness is there and the Power acts from there (same gesture). But it takes a long time to materialize (it depends on the person, but anyway, it always takes some time to materialize), and it gets distorted on the way, so that whats left is a rather ineffective residue. And I was wondering within me, But for all that to change, a DIRECT power is needed! A power that would make itself felt directly, in other words, that would pass from cell to cell: vibrations of the same quality. Its beginning to come. But I was also wondering why it didnt come faster. Although I know very well: its because we distort everything; we are so accustomed to living in a MENTALIZED consciousness that we distort everything, and naturally the Power cannot come just to get distorted. So now, the lesson is this: the Power comes for a specific action, for instance, to act on someone the Power is here, it actsand at the same time, I am given the opportunity to observe, really to VISUALIZE the (how should I put it?) Sri Aurobindo uses the word accretion (outgrowth isnt the word, it gives the feeling of something growing from within out thats not it, its something that comes from outside and is added on). I visualize how deformation sets in and is automatically added on to the Powerwhich spoils everything. So the Power stops short, everything reverts to its place and it starts all over again.
   It takes a very sharp, attentive, and above all impersonal observation (impersonal in the sense of objective, without any reaction) to see those things.
  --
   Sri Aurobindo said somewhere that miraculous realizations do not last (they do occur, but they dont last), and that transformation alone will effect a lasting changenow I understand! Because some people happen, for some reason or other (a moment or a flash, or for a particular purpose), to receive the Force: all at once the Force comes, goes through them and acts, producing a fantastic result, but it doesnt recur. It cannot recur, because its like a combination of circumstances, nothing else. Its only when a modest work of this kind, a work of local transformation, so to speak, is completed and when there is the FULL consciousness with the FULL mastery of how to use the Force without anything interfering, that it will be like a chemistry experiment you have learned to perform correctly: you can repeat it at will every time its necessary.
   Thats the period of work under way. Very interesting.

0 1963-07-20, #Agenda Vol 04, #The Mother, #Integral Yoga
   Simply what they think. Otherwise, his arrival, his stay, his meditations, his departure: absolutely neutral. In other words, I noticed neither increased difficulties nor improved conditions. Things carry on in their own sweet way without any difference. The two atmospheres mingle without anything changing.
   I had decided I would study the thing very carefully, absolutely objectively, in order to be surebecause I had around me all the waves of all the impressions, well-disposed as well as ill-disposed, and I found all that whirl ridiculous. I conducted my observation in a most scientific and objective way: the whole, entire effect is purely mental. The whole whirlmental.
  --
   Without anything changing. I have no sense of progress.
   Its because the action, the power of progress now acts in the thick of Matter. And down there, theres a long, long way to goa long way, oh!
  --
   All the habitual rhythms of the material world have changed.
   The body had based its sort of sense of good health on a certain number of vibrations, and whenever those vibrations were present, it felt in good health; when something came and disturbed them, it felt that it was about to fall ill or that it was ill, depending on the intensity. All that has changed now: those basic vibrations have simply been removed, they no longer exist; the vibrations on which the body based its sense of good or ill healthremoved. They are replaced by something else, and something else of such a nature that good health and illness have lost all meaning! Now, there is the sense of an established harmony among the cells, increasingly established among the cells, which represents the right functioning, whatever that may be: its no longer a question of a stomach or a heart or this or that. And the slightest thing that comes and disturbs that harmony is VERY painful, but at the same time there is the knowledge of what to do to reestablish the harmony instantly; and if the harmony is reestablished, the functioning isnt affected. But if out of curiosity, for instance (its a mental illness in humans), you start asking yourself, Whats that? What effect will it have? Whats going to happen? (what the body calls the desire to learn), if you are unlucky enough to be that way, you can be sure (laughing) that youll have something very unpleasant which, according to the doctor (according to ignoramuses), becomes an illness or disrupts the bodys functioning. While if you dont have that unhealthy curiosity and, on the contrary, will the harmony not to be disrupted, you only have to, we could say poetically, bring one drop of the Lord on the troubled spot for everything to be fine again.
   The body is unable to know things in the way it did formerly.
  --
   Thats too mu chagitation is too much, its rather a lack of rest. Not agitation really, but something that lacks the rest of certainty. I constantly catch my cells being like that. Naturally I react, but for them its a very normal state: always straining after the next moment, never the quietude of the present moment. The result (the words I use give a very concrete character to something rather fluid), the result is the feeling that you have to bear or endure, and the haste to get out of that enduring, along with the hope (a very faint and flimsy hope) that the next moment will be better. Thats how it is from moment to moment, from moment to moment, from moment to moment. As soon as the Consciousness comes (gesture of descent) and concentrates, as soon as I bring the Consciousness into the present moment, everything becomes quiet, immobile, eternal. But if I am not CONSTANTLY attentive, the other condition [of restlessness] comes almost as a subconsciousness: its always there. And VERY tiringit must be one of the most important sources of fatigue in mankind. Especially here (Mother touches her forehead and temples), its very tiring. Only when you can live in the eternity of the present minute does it all stopeverything becomes white, immobile, calm, everything is fine.
   But it means constant vigilanceconstant. Its infinitely more difficult than when one worked even in the vital; in the vital, its nothing, its childs play in comparison. But here, phew! Because, you see, in the mind or the vital, its all movements of organization, of action, of choice, of decisionits very easy to decide, to rule! But that cellular tension is there EVERY SECOND: its the activity inherent in material existence. Its only when you go into samadhi that it stops. That is, when outwardly you are in trance. Then it stops.
  --
   I console myself with the thought that the ways of the Lord are unknown to us, and that the day it pleases Him to declare, Here, now its all changed, (Mother laughs) all well have to do is contemplate!
   But when? I dont know.

0 1963-07-24, #Agenda Vol 04, #The Mother, #Integral Yoga
   About the present civilisation, it is not this which has to be saved; it is the world that has to be saved and that will surely be done, though it may not be so easily or so soon as some wish or imagine or in the way that they imagine. The present must surely change, but whether by a destruction or a new construction on the basis of a greater Truth, is the issue. The Mother has left (Mother laughs) this question hanging and I can only do the same.
   (September 1945)
  --
   And yet, for some time now and increasingly, there has been an extremely concrete Response to a kind of aspiration (a call or prayer) in which I say to the Lord, Supreme Lord, manifest Your Love. (It comes at the end of a long invocation in which I ask Him to manifest all His aspects one after another, one after another, and it ends like that.) But then, remarkably enough, at that moment there comes a Response which is growing clearer and clearer, stronger and stronger. But Sri Aurobindo says that Truth should be established first, and that what he calls the Supramental is the supreme Truth, the Divine Truth. It corresponds to what I noticed while translating that last chapter on the perfection of the being in the Yoga of Self-Perfection: I kept thinking, But thats only the aspect of Truth; all that he expresses is the aspect of Truth; always and everywhere, its the angle of Truth; and his supramental action is an action of Truth.
   I didnt know he had said it, but its written clearly here:

0 1963-07-27, #Agenda Vol 04, #The Mother, #Integral Yoga
   A little before his death he had asked me for a new name. He had nearly died twice, but he was saved (the doctors were sure he would die), he was saved by his faith; he had such faith, such an irresistible faith that twice it pulled him through: he was paralyzed, couldnt see any more, it was terrible. And twice all his faculties came back (his eyes werent too good, but anyway he could talk and move around). The third time, he wanted to get completely cured, because he was a businessman and had made a resolve to earn ten lakhs1 of rupees for me (he had already given me four lakhs in the past, but he wanted to give me ten). So he absolutely wanted to live, but as he found himself not too well (he was quite deteriorated!), he called for one of those kaviraj (you know, those self-styled doctors), who finished him off: he couldnt eat or sleep any more. And the doctor went on telling him, Youre much better! While the poor man was sitting up all night in a chair. Finally, he was rushed to the hospital and died there. And the day of his death, about an hour later, I was informed that his son (hes not a child, hes a man) absolutely HAD to see me immediately. It was the time when I dont see people, but I said all right (I felt there was something to it), I said all right and went to receive him. It was 11:00 A.M. (I think he died at 9:30 A.M.). I go there (I dont remember if it was in the morning or early in the afternoon, anyhow it was very soon after his death), I sit down, the son is ushered in, and along with him comes a small boy, no taller than this (gesture), all golden, joyous, alive, happy! And he rushed to me. He stayed like that, leaning against me, quite still. And how he laughed! How happy he was!
   It was M., his psychic being.
  --
   I told you the story of the other one who came to be operated on and died2 (that makes two in a row, among our best workers). The other one had an important government position and did us some incredible services (he was a very intelligent man and had been chief justice for a very long time), he was very helpful and full of faith and devotion. This one [M.] had even promised to lend some money, but he died just beforea few days before he was due to give it!3 But the first one was a conscious, highly mentalized being, with a very well-formed mental being; he knew a lot and he told me, I am very conscious and now I know that I am fully alive and fully conscious, so I dont want an impotent body that constantly requires someone to nurse it or move it around. I prefer to change. He asked me to find him a good one (!) This one didnt ask to take a new body, but the last thing he said (afterwards, he was paralyzed) was: I must live, because I want to give ten lakhs of rupees to the Mother. And he left with thatso an appropriate body has to be found.
   But this one [M.] knew very little, he wasnt an intellectual, he was a man of action, very psychicvery much so! Lovely, oh, lovely! He was like a little child, naked, of course, a baby this big, with small arms, small legsdancing about, he was glad, laughing and laughing, he was happy. And all luminous. I immediately told his son (he did a pranam and rose with his eyes full of tears), I told him, Dont weep, he is now where he wants to be and perfectly at rest. I didnt tell him the storyhe wouldnt have understood a thing!
  --
   What the supramental will do the mind cannot foresee or lay down. The mind is ignorance seeking for the Truth, the supramental by its very definition is the Truth-Consciousness, Truth in possession of itself and fulfilling itself by its own power. In a supramental world imperfection and disharmony are bound to disappear. But what we propose just now is not to make the earth a supramental world but to bring down the supramental as a power and established consciousness in the midst of the restto let it work there and fulfill itself as Mind descended into Life and Matter and has worked as a Power there to fulfill itself in the midst of the rest. This will be enough to change the world and to change Nature by breaking down her present limits. But what, how, by what degrees it will do it, is a thing that ought not to be said nowwhen the Light is there, the Light will itself do its workwhen the supramental Will stands on earth, that Will will decide. It will establish a perfection, a harmony, a Truth-creation for the rest, well, it will be the rest that is all.
   (XXII.13)
  --
   It is not advisable to discuss too much what it [the supermind] will do and how it will do it, because these are things the supermind itself will fix, acting out of the Divine Truth in it, and the mind must not try to fix for it grooves in which it will run. Naturally, the release from subconscient ignorance and from disease, duration of life at will, and a change in the functionings of the body must be among the ULTIMATE (Mother repeats) elements of a supramental change; but the details of these things must be left for the supramental Energy to work out according to the Truth of its own nature.
   (XXII.8)
  --
   If we follow that (Mother draws a great curve towards the future), he foresaw that one day the earth would be a supramental creation the entire earth entirely changed. That means a long, long way ahead. In other words, later, among the supramental race, they will say, Thats all very well, but its only the beginning. Now, the entire earth has to become a supramental manifestation. Just as from mental man the supramental being was born, so also from the supramental being will be born the powers that will transform the earth.
   Do you see it?! Its interesting.
  --
   It isnt final, mind you, only a first contact: the experience recurs on another occasion and for another reason (they arent mental reasons, they are occasions), it recurs, but there is already a beginning of collaboration: the cells have LEARNED that with That, the state changed (very interestingly, they remember), so they begin to collaborate, and the Action is even more rapid. Then a third time, a few hours away, it recurs once again; but then THE CELLS THEMSELVES call and ask for the divine Action, because they remember. And then That comes in, gloriously, like something established.
   Now Ive got it Ive got the knack! Its for training the cells, you understand! Its not just like a sick person who has to be cured once and for all: no, its a training of the cells, to teach them to live.

0 1963-07-31, #Agenda Vol 04, #The Mother, #Integral Yoga
   A few days later, Mother added: "There is also something I left unsaid: an urgent need to cease all material activity in order to enable the body to receive fullyas fully as possible the divine Force that will replace what has been removed. There is something absolute about that need: to stay totally still, quiet, letting the Force descendpermeate the body, rather. All physical activity must be suspended in some way, and if the material organization, or the habit, tends to make it continue, a kind of material impossibility, an excessive fatigue or discomfort, comes to oblige the body to keep still. Because simply to remove or change what shouldn't be there won't do; it must also be replaced by what SHOULD be there. Otherwise, there would be a dwindling or gradual reduction of substance resulting in dissolution. What has been sublimated or removed has to be replaced by something which is the true Vibration, the one that comes straight from the Supreme."
   Mother did not eat anything this morning.

WORDNET












--- Grep of noun cha
carancha
cha-cha
cha-cha-cha
chabad
chabad-lubavitch
chabad hasidism
chabasite
chabazite
chablis
chachalaca
chachka
chacma
chacma baboon
chad
chadar
chaddar
chadian
chadian franc
chadic
chadic language
chadlock
chador
chaenactis
chaenomeles
chaenomeles japonica
chaenomeles speciosa
chaenopsis
chaenopsis ocellata
chaeronea
chaeta
chaetodipterus
chaetodipterus faber
chaetodon
chaetodontidae
chaetognath
chaetognatha
chafe
chafeweed
chaff
chaffinch
chaffweed
chafing
chafing dish
chafing gear
chaga
chagall
chagatai
chagga
chagrin
chahta
chaim azriel weizmann
chaim soutine
chaim weizmann
chain
chain-smoker
chain armor
chain armour
chain fern
chain gang
chain letter
chain lightning
chain mail
chain of mountains
chain pickerel
chain pike
chain printer
chain reaction
chain reactor
chain saw
chain stitch
chain store
chain tongs
chain wrench
chainlink fence
chains
chainsaw
chair
chair car
chair lift
chair of state
chairlift
chairman
chairman of the board
chairmanship
chairperson
chairwoman
chaise
chaise longue
chait
chaja
chalaza
chalazion
chalcanthite
chalcedon
chalcedony
chalcid
chalcid fly
chalcid wasp
chalcidae
chalcidfly
chalcididae
chalcis
chalcis fly
chalcocite
chalcopyrite
chalcostigma
chaldaea
chaldaean
chaldea
chaldean
chaldee
chaldron
chalet
chalice
chalice vine
chalk
chalk dust
chalk line
chalk pit
chalk talk
chalkboard
chalkpit
chalkstone
challah
challenge
challenger
challis
chalons
chalons-sur-marne
chalybite
chamaea
chamaea fasciata
chamaecrista
chamaecrista fasciculata
chamaecyparis
chamaecyparis lawsoniana
chamaecyparis nootkatensis
chamaecyparis thyoides
chamaecytisus
chamaecytisus palmensis
chamaedaphne
chamaedaphne calyculata
chamaeleo
chamaeleo chamaeleon
chamaeleo oweni
chamaeleon
chamaeleonidae
chamaeleontidae
chamaemelum
chamaemelum nobilis
chamber
chamber music
chamber of commerce
chamber orchestra
chambered nautilus
chamberlain
chambermaid
chamberpot
chambers
chambray
chameleon
chameleon tree frog
chamfer
chamfer bit
chamfer plane
chamfron
chammy
chammy leather
chamois
chamois cloth
chamois cress
chamois leather
chamomile
chamosite
champ
champagne
champagne-ardenne
champagne cup
champagne flute
champaign
champerty
champion
champion lode
championship
champlain
champollion
champs elysees
chanal
chanar
chance
chance-half correlation
chance-medley
chance event
chance variable
chancel
chancellery
chancellor
chancellor of the exchequer
chancellorship
chancellorsville
chancery
chancre
chancroid
chandelier
chandelle
chandi
chandler
chandlery
chanfron
chang
chang jiang
chang kuo
chang kuo-lao
changan
change
change-of-pace
change-of-pace ball
change-up
change of color
change of course
change of direction
change of integrity
change of life
change of location
change of magnitude
change of mind
change of shape
change of state
change ringing
changeability
changeableness
changefulness
changelessness
changeling
changeover
changer
changjiang
changtzu
channel
channel bass
channel capacity
channel cat
channel catfish
channel island
channel islands national park
channel tunnel
channelisation
channelization
channels
channidae
channukah
channukkah
chanoyu
chanson de geste
chant
chantarelle
chanter
chanterelle
chantey
chanting
chantry
chanty
chanukah
chanukkah
chao phraya
chaos
chaotic attractor
chap
chaparral
chaparral broom
chaparral cock
chaparral mallow
chaparral pea
chaparral sage
chapati
chapatti
chapeau
chapel
chapel hill
chapel service
chapelgoer
chaperon
chaperone
chapiter
chaplain
chaplaincy
chaplainship
chaplet
chaplin
chapman
chapter
chapterhouse
chapultepec
char
chara
charabanc
characeae
characid
characidae
characin
characin fish
characinidae
character
character-at-a-time printer
character actor
character assassination
character printer
character reference
character set
character witness
characterisation
characterisic function
characteristic
characteristic curve
characteristic root of a square matrix
characterization
charade
charades
charadrii
charadriidae
charadriiformes
charadrius
charadrius melodus
charadrius morinellus
charadrius vociferus
charales
charcoal
charcoal burner
charcoal gray
charcoal grey
charcot
charcot-marie-tooth disease
charcuterie
chard
chard plant
chardonnay
chardonnay grape
charge
charge-exchange accelerator
charge account
charge account credit
charge card
charge d'affaires
charge of quarters
charge per unit
charge plate
charge sheet
charge unit
chargeman
charger
chari
chari-nile
chari river
charina
charina bottae
chariness
chariot
chariot race
charioteer
charisma
charitable trust
charitableness
charity
charity case
charity shot
charity throw
charity toss
charivari
charlatan
charlatanism
charlemagne
charleroi
charles
charles's law
charles's wain
charles a. lindbergh
charles andre joseph marie de gaulle
charles augustin de coulomb
charles augustus lindbergh
charles baudelaire
charles bullfinch
charles camille saint-saens
charles christopher parker
charles cornwallis
charles dana gibson
charles darwin
charles de gaulle
charles dickens
charles digby harrod
charles dillon stengel
charles dodgson
charles dudley warner
charles eames
charles edouard jeanneret
charles edward berry
charles edward ives
charles evans hughes
charles farrar browne
charles follen mckim
charles fourier
charles francis hall
charles francois gounod
charles franklin kettering
charles frederick menninger
charles frederick worth
charles goodyear
charles grey
charles hard townes
charles hardin holley
charles henry harrod
charles herbert best
charles i
charles ii
charles ix
charles james fox
charles john huffam dickens
charles joseph clark
charles kay ogden
charles kettering
charles l'enfant
charles lamb
charles laughton
charles lindbergh
charles liston
charles louis de secondat
charles louis napoleon bonaparte
charles lutwidge dodgson
charles m. schulz
charles martin hall
charles maurice de talleyrand
charles menninger
charles munroe schulz
charles peirce
charles percy snow
charles pierre baudelaire
charles proteus steinmetz
charles ringling
charles river
charles robert darwin
charles robert redford
charles sanders peirce
charles schulz
charles stewart parnell
charles stuart
charles taze russell
charles the bald
charles the great
charles thomson rees wilson
charles townes
charles vii
charles watson-wentworth
charles wesley
charles wilkes
charles william post
charleston
charlestown
charlestown navy yard
charley-horse
charley horse
charlie chaplin
charlie parker
charlock
charlotte
charlotte anna perkins gilman
charlotte bronte
charlotte corday
charlotte russe
charlottetown
charm
charm campaign
charm quark
charmer
charnel
charnel house
charolais
charon
charophyceae
charr
charred pancake cup
charronia
charronia flavigula
chart
charter
charter member
charter school
chartered accountant
charterhouse
chartism
chartist
chartres
chartres cathedral
chartreuse
charwoman
charybdis
chase
chased
chaser
chasid
chasidim
chasidism
chasm
chasse
chassid
chassidim
chassidism
chassis
chasteness
chastening
chastisement
chastity
chasuble
chat
chat room
chat show
chateau
chateau-thierry
chateaubriand
chatelaine
chateura
chateura pelagica
chatroom
chattahoochee
chattahoochee river
chattanooga
chattel
chattel mortgage
chatter
chatter mark
chatterbox
chatterer
chattering
chaucer
chauffeur
chauffeuse
chaulmoogra
chaulmoogra oil
chaulmoogra tree
chaulmugra
chauna
chauna torquata
chauvinism
chauvinist
chavez
chaw
chawbacon
chicha
concha
dacha
genus taricha
gutta-percha
halacha
kwacha
malawi kwacha
mishpocha
mocha
mountain viscacha
nasal concha
nucha
oncorhynchus tshawytscha
pacha
panocha
pascha
poecilogale albinucha
taricha
viscacha
zambian kwacha



IN WEBGEN [10000/201665]

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Wikipedia - 100 Girls -- 2000 comedy film directed by Michael Davis
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Wikipedia - 10199 Chariklo
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Wikipedia - 10 HD -- Australian TV channel
Wikipedia - 10 Kislev -- Chabad holiday
Wikipedia - 10 Peach -- Australian TV channel
Wikipedia - 10 Rillington Place -- 1971 film by Richard Fleischer
Wikipedia - 10 Shake -- Australian free-to-air digital television channel
Wikipedia - 10TV -- Telugu news channel
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Wikipedia - 11 Nissan -- Chabad holiday
Wikipedia - 11th Carabinieri Mechanized Brigade -- Italian military brigade
Wikipedia - 1+1 (TV channel) -- National Ukrainian-language TV channel
Wikipedia - 12-13 Tammuz -- Chabad holiday
Wikipedia - 12 and Holding -- 2005 film by Michael Cuesta
Wikipedia - 12 Characters in Search of an Apocalypse: On the Road -- Performance
Wikipedia - 12 Hours -- 2001 film by Raul Marchand Sanchez
Wikipedia - 13 Hours: The Secret Soldiers of Benghazi -- 2016 film directed by Michael Bay
Wikipedia - 1491: New Revelations of the Americas Before Columbus -- Book by Charles C. Mann
Wikipedia - 14th CMAS Underwater Photography World Championship
Wikipedia - 1663 Charlevoix earthquake -- Magnitude 7 earthquake (February 5, 1663) affecting New France (now Quebec, Canada)
Wikipedia - 1732 in archaeology
Wikipedia - 1812 Overture -- Concert overture written in 1880 by composer Pyotr Ilyich Tchaikovsky
Wikipedia - 1896 County Championship
Wikipedia - 1901 in archaeology -- Wikipedia list article
Wikipedia - 1902 M-EM-^Ltani expedition -- Archaeological expedition
Wikipedia - 190th Mechanized Infantry Brigade -- 190th Mechanized Infantry Brigade
Wikipedia - 1911 (film) -- 2011 Chinese film by Jackie Chan
Wikipedia - 1918 Romanian typographers' strike -- Labor strike in Bucharest, Romania
Wikipedia - 1918 Stanley Cup Finals -- Series of ice hockey games to determine seasonal champion
Wikipedia - 1921 NFL Championship controversy
Wikipedia - 1924 Winter Olympics -- 1st edition of Winter Olympics, held in Chamonix (France)
Wikipedia - 1938 Changsha fire -- Fire during the Sino-Japanese War
Wikipedia - 1949 Queen Charlotte Islands earthquake -- Magnitude 8.1 Earthquake affecting Queen Charlotte Islands and Canadian Pacific Northwest (1949)
Wikipedia - 1958 Channel Airways de Havilland DH.104 Dove crash -- 1958 aviation accident
Wikipedia - 1959 Air Charter Turkey crash -- 1959 aviation accident
Wikipedia - 1960 Los Angeles Chargers season -- Inaugural season for the franchise in Los Angeles
Wikipedia - 1965 Chase -- Steeplechase horse race in Britain
Wikipedia - 1974 FIVB Volleyball Men's World Championship
Wikipedia - 1975 New York Telephone exchange fire -- 1975 fire in New York City
Wikipedia - 1977 Atocha massacre -- far-right massacre of five people in Madrid in 1977
Wikipedia - 1984 (1956 film) -- 1956 film by Michael Anderson
Wikipedia - 1985 World Snooker Championship final
Wikipedia - 1990 Channel 10 Challenge Cup -- Pre-season rugby league competition in the New South Wales Rugby League
Wikipedia - 1990 IIHF Women's World Championship
Wikipedia - 1992 Indian stock market scam -- Scam on the Bombay Stock Exchange
Wikipedia - 1993 child sexual abuse accusations against Michael Jackson -- Evan Chandler's accusations of Michael Jackson sexually abusing Jordan Chandler
Wikipedia - 1996 Chadian constitutional referendum -- Referendum held in Chad on 31 March 1996
Wikipedia - 1996 Charkhi Dadri mid-air collision -- November 1996 mid-air plane collision in northern India
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Wikipedia - 1 Kislev -- Chabad holiday
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Wikipedia - 1st Mechanized Corps (Soviet Union)
Wikipedia - 1 Thessalonians 1 -- First Epistle to the Thessalonians, chapter 1
Wikipedia - 1 Thessalonians 2 -- First Epistle to the Thessalonians, chapter 2
Wikipedia - 1 Thessalonians 3 -- First Epistle to the Thessalonians, chapter 3
Wikipedia - 1 Thessalonians 4 -- Chapter in the Christian Bible
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Wikipedia - 2009 United Nations Climate Change Conference -- International climate change conference in 2009
Wikipedia - 2010 Kyalami Superbike World Championship round
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Wikipedia - 2013 FIVB Volleyball Women's World Grand Champions Cup -- International Volleyball Event held in 2013
Wikipedia - 2014-15 Top League Challenge Series -- Japanese rugby union season
Wikipedia - 2014 FIVB Volleyball Men's World Championship
Wikipedia - 2014 Singapore Charity Shield
Wikipedia - 2014 Trophee des Champions -- French supercup
Wikipedia - 2015-2016 New Zealand flag referendums -- Public votes on proposed changes to the flag of New Zealand
Wikipedia - 2015 CopperWynd Pro Women's Challenge - Singles -- 2015 CopperWynd Pro Women's Challenge
Wikipedia - 2015 Sao Paulo Challenger de TM-CM-*nis - Singles -- Singles tennis competition held in Brazil
Wikipedia - 2015 United Nations Climate Change Conference
Wikipedia - 2016-17 UEFA Women's Champions League qualifying round -- Women's Champions League
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Wikipedia - 2018 FIVB Volleyball Men's World Championship
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Wikipedia - 2019-2023 structural changes to local government in England -- Planned changes to local government authorities in England
Wikipedia - 2019 Blancpain GT World Challenge America -- Racing season
Wikipedia - 2019 Changan Ford International Curling Elite -- World Curling Tour event
Wikipedia - 2019 IAAF World Challenge -- Track and field events
Wikipedia - 2019 in archaeology -- Wikimedia list article
Wikipedia - 2019 in climate change
Wikipedia - 2019 Lebanese Challenge Cup -- 2019 edition of the Lebanese Challenge Cup
Wikipedia - 2019 Maya Awards -- Awarding ceremony given by Maya Channel Magazine
Wikipedia - 2019 Mini Challenge UK -- Eighteenth season of the Mini Challenge UK
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Wikipedia - 2 Thessalonians 1 -- Second Epistle to the Thessalonians, chapter 1
Wikipedia - 2 Thessalonians 2 -- Second Epistle to the Thessalonians, chapter 2
Wikipedia - 2 Thessalonians 3 -- Second Epistle to the Thessalonians, chapter 3
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Wikipedia - Abydos boats -- Archaeological site in Egypt
Wikipedia - Abyssal channel -- Channels in the sea floor formed by fast-flowing turbidity currents
Wikipedia - Acacia elachantha -- Species of plant
Wikipedia - Academica (charter school) -- American charter school service and support organization
Wikipedia - Academy Charter High School -- Charter school in Monmouth County, New Jersey, United States
Wikipedia - Academy for Urban Leadership Charter High School -- Place in Mercer County, New Jersey, United States
Wikipedia - Academy of climate change education and research
Wikipedia - Academy of St Martin in the Fields -- English chamber orchestra
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Wikipedia - Accelerating change -- Perceived increase in the rate of technological change throughout history
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Wikipedia - ACC Network -- American subscription television channel
Wikipedia - According to Matthew -- 2018 English film directed by Chandran Rutnam
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Wikipedia - Acer saccharum -- Species of flowering plant in the family Sapindaceae
Wikipedia - Acestrocephalus -- Genus of characin
Wikipedia - Ace the Bat-Hound -- DC Comics character
Wikipedia - ACE TV -- Former community TV channel in Adelaide, South Australia
Wikipedia - Achabeti fortress -- Historic fortress in country of Georgia
Wikipedia - Achachi Qala (Quiabaya) -- Mountain in Bolivia
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Wikipedia - Achadas da Cruz -- civil parish in Porto Moniz
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Wikipedia - Achaea, Dreams of Divine Lands
Wikipedia - Achaean Leaders -- Wikimedia list article
Wikipedia - Achaean League -- Hellenistic-era confederation of Greek city states
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Wikipedia - Achaean War -- War in 146 BC between Rome and the Achaean League
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Wikipedia - Achaetocephala -- Genus of beetles
Wikipedia - Achaeus of Syracuse -- 4th-century BC Greek playwright
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Wikipedia - Achates
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Wikipedia - Acta Archaeologica -- Peer-reviewed academic journal
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Wikipedia - Acts 24 -- Acts of the Apostles, chapter 24
Wikipedia - Acts 3 -- Acts of the Apostles, chapter 3
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Wikipedia - Admiralty station (MTR) -- MTR interchange station on Hong Kong Island
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Wikipedia - African Diaspora Archaeology Newsletter -- Scholarly newsletter
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Wikipedia - Ann Merchant Boesgaard -- Astronomer at the University of Hawaii
Wikipedia - Ann Olga Koloski-Ostrow -- American archaeologist
Wikipedia - Annowre -- fictional character in Thomas Malory's Le Morte d' Arthur
Wikipedia - Annoyance -- An unpleasant mental state that is characterized by irritation and distraction
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Wikipedia - Anschar
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Wikipedia - Anthocharis cethura -- Species of butterfly
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Wikipedia - Anthocharis sara -- Species of butterfly
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Wikipedia - Arboretum de la Cude -- Private arboretum near Mailleroncourt-Charette, Haute-Saone, Franche-Comte, France
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Wikipedia - Archaeoastronomy and Stonehenge -- Stonehenge's use in tracking seasons
Wikipedia - Archaeoastronomy -- Interdisciplinary study of astronomies in cultures
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Wikipedia - Archaeogaleus -- -- Archaeogaleus --
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Wikipedia - Archaeogenetics -- Application of the techniques of molecular population genetics to the study of the human past
Wikipedia - Archaeognatha
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Wikipedia - Archaeologia Polona -- Academic journal
Wikipedia - Archaeological culture -- Recurring assemblage of artifacts from a specific time and place that may constitute the material culture remains of a particular past human society
Wikipedia - Archaeological ethics -- Branch of archaeological philosophy
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Wikipedia - Archaeological record -- Body of physical (i.e. not written) evidence about the past
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Wikipedia - Archaeological
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Wikipedia - Archaeopsyllini -- Tribe of fleas
Wikipedia - Archaeopteris -- Extinct genus of Devonian vascular plants
Wikipedia - Archaeopteryx -- Genus of early bird-like dinosaur
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Wikipedia - Archaeothyris -- Genus of reptiles (fossil)
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Wikipedia - Archaeplastida
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Wikipedia - Archaic globalization
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Wikipedia - Archaic Greek alphabets -- Local variants of the ancient Greek alphabet
Wikipedia - Archaic Greek
Wikipedia - Archaic human admixture with modern humans
Wikipedia - Archaic humans -- Extinct relatives of modern humans
Wikipedia - Archaic Period (Americas) -- Prehistoric period in the Americas
Wikipedia - Archaic period in Greece
Wikipedia - Archaic period (North America) -- 8000 - 1000 BCE: 2nd period of human occupation in the Americas
Wikipedia - Archaic Triad -- The triad of Jupiter, Mars, and Quirinus
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Wikipedia - Azeddine Nouiri -- Moroccan wheelchair athlete
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Wikipedia - Bad Boys II -- 2003 American action comedy film directed by Michael Bay
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Wikipedia - Bad (tour) -- First solo concert tour by American singer Michael Jackson
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Wikipedia - Brunello (character)
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Wikipedia - Brunner syndrome -- X-linked recessive disorder characterised by impulsive behaviour
Wikipedia - Bruno and Luisa di Marco -- Fictional characters from the BBC soap opera EastEnders
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Wikipedia - Bruno von Schauenburg -- Bishop of Olomouc
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Wikipedia - Brute (Reed Richards)
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Wikipedia - Bucculatrix callistricha -- Species of moth in genus Bucculatrix
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Wikipedia - Buchanan High School (Clovis, California)
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Wikipedia - Buckminster Fuller Challenge
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Wikipedia - Buffy Summers -- Lead character of Buffy the Vampire Slayer
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Wikipedia - Bulkington (character Moby-Dick) {{DISPLAYTITLE:Bulkington (character ''Moby-Dick'') -- Bulkington (character Moby-Dick) {{DISPLAYTITLE:Bulkington (character ''Moby-Dick'')
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Wikipedia - Burger King -- Global chain of hamburger fast food restaurants headquartered in Florida
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Wikipedia - Butterflyfish -- Tropical marine fish of the family Chaetodontidae
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Wikipedia - Byte order mark -- Unicode character
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Wikipedia - BYU TV -- American television channel
Wikipedia - Byzas -- Greek mythical character, founder of Byzantium
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Wikipedia - C11orf42 -- Uncharacterized human protein
Wikipedia - C-3PO -- Robot character from the Star Wars universe
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Wikipedia - Cachaca -- distilled beverage
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Wikipedia - Cadambathur Tiruvenkatacharlu Rajagopal -- Indian mathematician
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Wikipedia - Cades Pond culture -- Archaeological culture in Florida, US
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Wikipedia - Cafe mocha -- Cafe mocha
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Wikipedia - Caffe mocha -- A chocolate-flavored variant of a caffe latte
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Wikipedia - CA Harvest Software Change Manager
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Wikipedia - Cai Chang
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Wikipedia - Cairbre Lifechair
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Wikipedia - Calceology -- Study of footwear, especially historical footwear whether as archaeology, shoe fashion history
Wikipedia - Calchas
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Wikipedia - Calcium channel blocker -- Group of medications that disrupt movement of calcium through calcium channels
Wikipedia - Calcium channel, voltage-dependent, L type, alpha 1C subunit
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Wikipedia - Calgary Internet Exchange
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Wikipedia - California State University Channel Islands -- Public university in California, United States
Wikipedia - California thrasher -- Species of passerine bird found in chaparral habitats
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Wikipedia - Callopanchax occidentalis -- Species of fish
Wikipedia - Callose -- a plant cell wall polysaccharide
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Wikipedia - Cambridge University Catholic Chaplaincy
Wikipedia - Cambyses II -- Second King of Kings of the Achaemenid Empire
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Wikipedia - Cameron Mitchell (Stargate) -- Stargate character
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Wikipedia - Cameron (Terminator) -- Fictional character in the Terminator franchise
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Wikipedia - Canadian allocations changes under NARBA -- Changes in radio station allotments in Canada resulting from the North American Regional Broadcasting Agreement
Wikipedia - Canadian Archaeological Association -- Primary archaeological association of Canada
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Wikipedia - Canadian Charter of Rights and Freedoms -- 1982 Canadian constitutional legislation
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Wikipedia - Canal 10 (Nicaragua) -- Nicaraguan television channel
Wikipedia - Canal 12 (Nicaragua) -- Television channel in Nicaragua
Wikipedia - Canal 13 (Chilean TV channel) -- Chilean media network
Wikipedia - Canal 15 (Nicaraguan TV channel) -- Nicaraguan cable V channel
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Wikipedia - Canal 4 (Nicaragua) -- National TV channel in Nicaragua
Wikipedia - Canal 4 (Uruguay) -- Television channel in Uruguay
Wikipedia - Canal 5 Creative Campus -- Tourist attraction in Changzhou, China
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Wikipedia - Canal 9 (Danish TV channel) -- Danish TV channel
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Wikipedia - Canal Clasico -- Spanish television channel
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Wikipedia - Canal+ Family -- French television channel
Wikipedia - Canal Hollywood -- Television channel in Spain and Portugal
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Wikipedia - Canal J -- French television channel
Wikipedia - Canal+ (Myanmar) -- Burmese multichannel television service
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Wikipedia - Canal+ Series -- French pay television channel
Wikipedia - Canal+ Sport (French TV channel) -- French sports television channel
Wikipedia - Canal Sur 2 -- Public television channel of Andalucia, Spain
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Wikipedia - Cancel character -- Either of two control codes used to delete or rescind preceding data or characters
Wikipedia - Cancer Research UK -- Cancer research and awareness charity
Wikipedia - Cancer stem cell -- Possess characteristics associated with normal stem cells, specifically the ability to give rise to all cell types found in a particular cancer sample. C
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Wikipedia - Candlestick chart -- Type of financial chart
Wikipedia - Candyman (character) -- Fictional character in the Candyman film series
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Wikipedia - Caning (furniture) -- Craft of weaving seats for chairs and other wood-framed furniture from rattan or similar materials
Wikipedia - Caning of Charles Sumner -- Attack of US Senator by a Representative
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Wikipedia - Canucha curvaria -- Species of hook-tip moth
Wikipedia - Canucha duplexa -- Species of hook-tip moth
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Wikipedia - Canucha specularis -- Species of hook-tip moth
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Wikipedia - Caparra Archaeological Site -- Archaeological site in Guaynabo municipality, Puerto Rico
Wikipedia - Capcom's Gold Medal Challenge '92 -- 1992 video game
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Wikipedia - Captain America (Ultimate Marvel character)
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Wikipedia - Captain Atlas -- Fictional character
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Wikipedia - Captcha
Wikipedia - CAPTCHA -- Computer test to discriminate human users from spambots
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Wikipedia - Cardinal characteristics of the continuum
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Wikipedia - Carmichaelia curta -- Species of plant
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Wikipedia - Carmichael's totient function
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Wikipedia - Cartesian Linguistics: A Chapter in the History of Rationalist Thought
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Wikipedia - Cartoon Network (Southeast Asian TV channel) -- Southeast Asian pay television cartoon channel
Wikipedia - Cartoon Network -- American pay television channel
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Wikipedia - Casey Novak -- Fictional character on Law & Order: Special Victims Unit
Wikipedia - Casey Ryback -- Fictional character
Wikipedia - Casey's -- Chain of convenience stores in the Midwestern United States
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Wikipedia - Castes in India: Their Mechanism, Genesis and Development
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Wikipedia - Cat Chat
Wikipedia - Categorical quantum mechanics
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Wikipedia - C character classification
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Wikipedia - CHADS2 score
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Wikipedia - Chaetodactyla -- Genus of beetles
Wikipedia - Chaetodera -- Genus of beetles
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Wikipedia - Chaetodontoplus meridithii -- Species of fish
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Wikipedia - Chaetogenys -- Genus of beetles
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Wikipedia - Chaetophora (beetle) -- Genus of beetles
Wikipedia - Chaetopsis aenea -- Species of insect
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Wikipedia - Changan Ford International Curling Elite -- World Curling Tour event
Wikipedia - Changan Ford Mazda -- Chinese automotive manufacturing company
Wikipedia - Changan Joice -- Chinese automobile
Wikipedia - Chang'anlu station -- Shenyang Metro station
Wikipedia - Chang'an Oushang Honor -- Chinese automobile
Wikipedia - Changan Ruixing M80 -- Chinese automobile
Wikipedia - Changan Ruixing M90 -- Chinese automobile
Wikipedia - Changan Ruixing S50 -- Chinese automobile
Wikipedia - Chang'an -- Ancient capital and city of China
Wikipedia - Changate -- village in Botswana
Wikipedia - Changbai Mountains -- Mountain range in China/North Korea
Wikipedia - Changbainan station -- Shenyang Metro station
Wikipedia - Changban station -- Guangzhou Metro station
Wikipedia - Chang Chanchiu -- Chinese racewalker
Wikipedia - Chang Chao-chun -- Taiwanese gymnast
Wikipedia - Changcheng System -- geological formation
Wikipedia - Chang Chenmo River -- River in China and India
Wikipedia - Chang Chen -- Taiwanese actor
Wikipedia - Chang Chiu-hua -- Taiwanese politician
Wikipedia - Chang Chi-yun
Wikipedia - Changchub Dorje, 12th Karmapa Lama
Wikipedia - Changchub Dorje
Wikipedia - Changchun-Baicheng railway -- Railroad line in Jilin, China
Wikipedia - Chang Chung-huei -- Taiwanese judoka
Wikipedia - Changchun Institute of Optics, Fine Mechanics and Physics -- Facility in Changchun, China
Wikipedia - Changchunjie station -- Beijing Subway station
Wikipedia - Changchunqiao station -- Beijing Subway station
Wikipedia - Chang (creature) -- Chinese legend
Wikipedia - Changdao
Wikipedia - Changdeokgung -- Palace in Seoul
Wikipedia - Changdev, Jalgaon -- Village in Maharashtra
Wikipedia - Chang Do-yong -- South Korean politician
Wikipedia - Chang'e 1
Wikipedia - Change 21 -- Political group in Peru
Wikipedia - Chang'e 4 -- Chinese lunar lander
Wikipedia - Chang'e 5 -- Chinese lunar exploration mission
Wikipedia - Chang'e 6
Wikipedia - Changeable hawk-eagle -- Crested hawk-eagle (Nisaetus cirrhatus) from South and Southeast Asia
Wikipedia - Change and continuity
Wikipedia - Change and Development Party -- Political party in Egypt
Wikipedia - Change (band) -- Italian-American post-disco group
Wikipedia - Change blindness
Wikipedia - Change Britain -- Political organisation
Wikipedia - Change Charagua -- Political party in Bolivia
Wikipedia - Change control board
Wikipedia - Change detection and notification
Wikipedia - Change detection -- Statistical analysis
Wikipedia - Changed the Way You Kiss Me -- 2011 single by Example
Wikipedia - Change Healthcare -- American healthcare company
Wikipedia - Change in personality over a lifetime
Wikipedia - Change (In the House of Flies) -- 2000 single by Deftones
Wikipedia - Change (Killing Joke song) -- Song by Killing Joke
Wikipedia - Changeland -- Film directed by Seth Green
Wikipedia - Changeling (film) -- 2008 film directed by Clint Eastwood
Wikipedia - Changeling: The Autobiography of Mike Oldfield -- 2007 autobiography by Mike Oldfield
Wikipedia - Changeling -- Creature in European folklore
Wikipedia - Change (Lisa Stansfield song) -- 1991 single by Lisa Stansfield
Wikipedia - Changelog -- Log or record of all notable changes made to a project
Wikipedia - Change management
Wikipedia - Changement
Wikipedia - Change Me (Ruben Studdard song) -- 2006 single by Ruben Studdard
Wikipedia - Change (Miwa song) -- 2010 song by miwa
Wikipedia - Change Nothing (song) -- 2012 single by Jessica Sanchez
Wikipedia - Change of basis -- Change of coordinates for a vector space
Wikipedia - Change of Habit -- 1969 film by William A. Graham
Wikipedia - Change of Heart (1928 film) -- 1928 film
Wikipedia - Change of Heart (1934 film) -- 1934 film by John G. Blystone
Wikipedia - Change of Heart (1938 film) -- 1938 film by James Tinling
Wikipedia - Change of position -- Defense of unjust enrichment
Wikipedia - Change of Season -- 1990 studio album by Hall & Oates
Wikipedia - Change.org -- Petition website
Wikipedia - Changeover
Wikipedia - Change Party -- Political party in Mali
Wikipedia - Change (philosophy)
Wikipedia - Change Research -- American polling firm
Wikipedia - Changes (Black Sabbath song) -- 1972 song by Black Sabbath
Wikipedia - Changes (David Bowie song) -- Song by David Bowie
Wikipedia - Changeset
Wikipedia - Changes in Star Wars re-releases -- Wikipedia list article
Wikipedia - Changes in the Land -- Book by William Cronon
Wikipedia - Changes (Justin Bieber album) -- 2020 studio album by Justin Bieber
Wikipedia - Changes to the Mosaic Law throughout history -- Changes made to the Law of Moses by Jews
Wikipedia - Change (Sugababes song) -- 2007 single by Sugababes
Wikipedia - Change (Taylor Swift song) -- 2008 single by Taylor Swift
Wikipedia - Change the Game -- 2001 single by Jay-Z, Memphis Bleek, Beanie Sigel, Static Major
Wikipedia - Change the World (V6 song) -- 2000 single by V6
Wikipedia - Change the World
Wikipedia - Change to Win Federation -- American coalition of labor unions
Wikipedia - Chang Eun-kyung -- South Korean Olympic judoka
Wikipedia - Change Up the Groove -- album by Roy Ayers Ubiquity
Wikipedia - Change wdir
Wikipedia - Chang'e
Wikipedia - Chang Fee Ming -- Malaysian artist
Wikipedia - Chang Feng -- Chinese actor based in Taiwan
Wikipedia - Changfujie station -- Nanjing Metro station
Wikipedia - Changgang Road station -- Wuhan Metro station
Wikipedia - Changgang station -- Guangzhou Metro interchange station
Wikipedia - Changgeuk -- Genre of Korean opera
Wikipedia - Changguangxi station -- Wuxi Metro station
Wikipedia - Chang-Gu World Trade Center -- Skyscraper in Kaohsiung, Taiwan
Wikipedia - Changgyeonggung
Wikipedia - Chang Hao (windsurfer) -- Taiwanese windsurfer
Wikipedia - Changha -- Commune in Ou Chrov District, Banteay Meanchey, Cambodia
Wikipedia - Changhe A6 -- Chinese compact sedan
Wikipedia - Changhe Beidouxing -- Chinese mini MPV
Wikipedia - Changhe Freedom M70 -- Chinese MPV
Wikipedia - Changhe Q35 -- Chinese compact CUV
Wikipedia - Changhe Q7 -- Chinese CUV
Wikipedia - Changhe station (Chongqing Rail Transit) -- Rail station in Chongqing, China
Wikipedia - Changhe station (Hangzhou Metro) -- Metro station in China
Wikipedia - Chang Ho-chirl -- South Korean singer
Wikipedia - Changhong -- Chinese electronics company
Wikipedia - Changhong Zhu -- Chinese official
Wikipedia - Chang Hsiao-yen -- Taiwanese television host and actress
Wikipedia - Chang Hsueh-ch'eng
Wikipedia - Chang Hsueh-liang -- Ruler of Manchuria
Wikipedia - Changhua County
Wikipedia - Changhua railway station -- Railway station located in Changhua, Taiwan.
Wikipedia - Chang Hung-lu -- Taiwanese politician
Wikipedia - Changi Airport MRT station -- MRT station in Singapore
Wikipedia - Changi Airport Skytrain -- Automated people mover system in Singapore Changi Airport
Wikipedia - Changi Airport -- International airport in Singapore
Wikipedia - Changi City Point -- Shopping mall in Singapore
Wikipedia - Changi Murals -- A series of five WWII paintings by Stanley Warren
Wikipedia - Changing Form -- Steel sculpture in Seattle, Washington
Wikipedia - Changing Husbands -- 1924 film
Wikipedia - Changing Lanes -- 2002 American drama thriller film
Wikipedia - Changing Our Minds: The Story of Dr. Evelyn Hooker -- 1992 film
Wikipedia - Changing Rooms -- British reality television series
Wikipedia - Changing (Sigma song) -- 2014 single by Sigma
Wikipedia - Changing the Game (film) -- 2012 film directed by Rel Dowdell
Wikipedia - Chang Jen-chih -- Taiwanese sailor
Wikipedia - Chang Jen-hu -- Taiwanese scientist
Wikipedia - Changjiangjie station -- Shenyang Metro station
Wikipedia - Changjiang Road station (Ningbo Rail Transit) -- Ningbo Metro station
Wikipedia - Chang Jin -- Chinese astronomer
Wikipedia - Changjo -- South Korean singer and actor
Wikipedia - Chang Jung-lin -- Taiwanese pool player, 2012 8-Ball world champion, born May 1985
Wikipedia - Chang Kai -- Chinese physicist
Wikipedia - Chang Kang-myoung -- South Korean writer
Wikipedia - Changkat Jering (state constituency) -- Political subdivision in Malaysia
Wikipedia - Changkat Jong (state constituency) -- Political subdivision in Malaysia
Wikipedia - Chang Keun Choi -- South Korean martial artist
Wikipedia - Chang Ko-hsin -- Taiwanese pole vaulter
Wikipedia - ChangKong-2 -- 1990s Chinese aircraft
Wikipedia - Changkya Khutukhtu
Wikipedia - Changkya Rolpai Dorje
Wikipedia - Changla -- Mountain in Nepal/China
Wikipedia - Chang Lih Kang -- Malaysian politician
Wikipedia - Changling Rinpoche XV
Wikipedia - Chang-Lin Tien -- Chinese-American academic
Wikipedia - Chang Liyi -- Chinese control systems engineer and professor
Wikipedia - Chang Lo -- Indian ceremonial dance
Wikipedia - Chang Mau-san -- Taiwanese bobsledder
Wikipedia - Changmiania -- Genus of reptiles (fossil)
Wikipedia - Chang Mi-hee -- South Korean actress
Wikipedia - Chang Ming-chung -- Taiwanese weightlifter
Wikipedia - Chang Ming-huang -- Taiwanese athlete
Wikipedia - Chang Min-jung -- Taiwanese bobsledder
Wikipedia - Chang Min Tat -- Malaysian judge
Wikipedia - Chang Moo Kwan -- Taekwondo schools or kwan teaching
Wikipedia - Chang Myon -- South Korean politician (1899-1966)
Wikipedia - Chang Myung-sam -- Korean taekwondo practitioner
Wikipedia - Chang Myung-su -- South Korean figure skater
Wikipedia - Chang Naga -- Indian tribe
Wikipedia - Changos de Naranjito -- Professional volleyball team based in Naranjito, Puerto Rico
Wikipedia - Changpa
Wikipedia - Changping Dongguan station -- Beijing Subway station
Wikipedia - Chang Ping-ho -- Taiwanese judoka
Wikipedia - Changping Road station -- Shanghai Metro station
Wikipedia - Changping station (Beijing Subway) -- Beijing Subway station
Wikipedia - Changping station (Guangzhou Metro) -- Guangzhou Metro station
Wikipedia - Chang Ping -- Chinese writer and journalist (born 1968)
Wikipedia - Changping Xishankou station -- Beijing Subway station
Wikipedia - Chang Po-ya -- Taiwanese politician
Wikipedia - Changqingcheng station -- Metro station in Wuhan, China
Wikipedia - Changqing Huayuan station -- Wuhan Metro station
Wikipedia - Changqingnanjie station -- Shenyang Metro interchange station
Wikipedia - Changqingqiao station -- Shenyang Metro station
Wikipedia - Changqing Road station -- Shanghai Metro station
Wikipedia - Changquan
Wikipedia - Chang Qu -- Chinese historian
Wikipedia - Changsha Huanghua International Airport
Wikipedia - Changsha Kingdom -- kingdom within the Han Empire located in present-day Hunan and surrounding areas
Wikipedia - Changsha Maglev Express
Wikipedia - Changsha Maglev
Wikipedia - Changshan Commandery -- Historical commandery of China located in present-day southern Hebei province
Wikipedia - Changsha Road station -- Qingdao Metro station
Wikipedia - Changsha South Railway Station
Wikipedia - Changsha
Wikipedia - Chang Shou-chung -- Taiwanese judoka
Wikipedia - Changshou Lu station -- Guangzhou Metro station
Wikipedia - Changshou Road station -- Shanghai Metro interchange station
Wikipedia - Chang Shun-chien -- Taiwanese weightlifter
Wikipedia - Changshu Road station -- Shanghai Metro interchange station
Wikipedia - Chang Singchow -- Chinese decathlete
Wikipedia - Chang Sisi -- Chinese singer
Wikipedia - Chang Sung-hwan -- South Korean general, government minister and diplomat
Wikipedia - Chang Sung Kim -- Korean-Argentine actor
Wikipedia - Chang Tang Nature Reserve
Wikipedia - Changtang
Wikipedia - Changte Lalremsaga -- Indian archer
Wikipedia - Changthangi -- Goat breed
Wikipedia - Changthang Wildlife Sanctuary -- Protected area in Jammu and Kashmir
Wikipedia - Chang Tsai
Wikipedia - Changtse -- Mountain
Wikipedia - Chang Tung Lo -- Chinese chess player
Wikipedia - Changuena -- district in Buenos Aires canton, Puntarenas province, Costa Rica
Wikipedia - Chang Wan-chen -- Taiwanese taekwondo practitioner
Wikipedia - Chang Wea -- Taiwanese politician
Wikipedia - Chang Won-ku -- Taiwanese judoka
Wikipedia - Changwon -- Specific city in South Gyeongsang, South Korea
Wikipedia - Chang Xiaobing -- Chinese former business executive
Wikipedia - Changyang station -- Beijing Subway station
Wikipedia - Chang Yani -- Chinese diver
Wikipedia - Chang Yi (director) -- Taiwanese director
Wikipedia - Changying station -- Beijing Subway station
Wikipedia - Chang Yi-ning -- Taiwanese sports shooter
Wikipedia - Chang Yi Wang -- Taiwanese immunologist
Wikipedia - Chang Yong-suk -- South Korean esports player
Wikipedia - Chang Young-hee -- South Korean writer
Wikipedia - Chang Yu-lung -- Taiwanese pool player
Wikipedia - Changzhong Road station -- Shanghai Metro station
Wikipedia - Chan Heung -- Chinese martial artist
Wikipedia - Chan Hiang Leng Colin v Public Prosecutor -- 1994 High Court judgement on constitutionality of Government orders to deregister and ban Jehovah's Witnesses
Wikipedia - Chanh muM-aM-;M-^Qi -- A salt-pickled lime in Vietnamese cuisine
Wikipedia - Chan Hoi-yan -- Hong Kong politician
Wikipedia - Chan Ho-tin -- Hong Kong politician
Wikipedia - Chanhsouk Bounpachit -- Laotian politician
Wikipedia - Chanhthuem Latmany -- Laotian politician
Wikipedia - Chanhudaro
Wikipedia - Chan-Hyo Bae -- Korean photographer
Wikipedia - Chaniat
Wikipedia - Chania -- City in Western Crete, Greece
Wikipedia - Chanice Chase-Taylor -- Canadian hurdler
Wikipedia - Chanita Hughes-Halbert -- American psychologist and medical researcher
Wikipedia - Chan-Jin Chung -- Computer science professor (born 1959)
Wikipedia - Chan Joseph -- Singaporean sailor
Wikipedia - Chan Kai Shek
Wikipedia - Chan Ka Man -- Hong Kong karateka
Wikipedia - Chan King Yin -- Hong Kong windsurfer
Wikipedia - Chankonabe -- Japanese hot pot dish
Wikipedia - Chan Kooi Chye -- Malaysian sports shooter
Wikipedia - Chan Koonchung -- Chinese science-fiction writer
Wikipedia - Chanmina -- Japanese singer
Wikipedia - Chan Ming Kai -- Malaysian politician
Wikipedia - Chan Mou -- Chinese comic artist from Hong Kong
Wikipedia - Chanmyay Sayadaw
Wikipedia - Channa andrao -- Species of fish
Wikipedia - Channa (Buddhist)
Wikipedia - Channa Divouvi -- Gabonese beauty pageant titleholder
Wikipedia - Channa Jayasumana -- Sri Lankan politician
Wikipedia - Channa Mereya (film) -- 2018 film by Pankaj Batra
Wikipedia - Channa Mereya -- Song performed by Pritam
Wikipedia - Channa Perera -- Sri Lankan actor and director
Wikipedia - Channel 103 -- Independent Local Radio station for Jersey
Wikipedia - Channel 10 (Cordoba, Argentina) -- TV station in Cordoba, Argentina
Wikipedia - Channel 10 (Indian TV channel) -- Indian television network
Wikipedia - Channel 10 (Israeli TV channel) -- Former Israeli television channel
Wikipedia - Channel 10 (Junin, Argentina) -- TV station in Junin, Argentina
Wikipedia - Channel 10 (Mar del Plata, Argentina) -- TV station in Mar del Plata, Argentina
Wikipedia - Channel 10 (Rio Negro, Argentina) -- TV station in Rio Negro, Argentina
Wikipedia - Channel 10 (Tucuman, Argentina) -- TV station in Tucuman, Argentina
Wikipedia - Channel 10 virtual TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 11 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 12 (El Salvador) -- TV channel in El Salvador
Wikipedia - Channel 12 (Israel) -- Israeli television channel
Wikipedia - Channel 12 (Misiones, Argentina) -- TV station in Posadas, Misiones Province, Argentina
Wikipedia - Channel 12 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 12 virtual TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 13 (Israel) -- Israeli television network
Wikipedia - Channel 14 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 15 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 16 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 17 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 18 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 19 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 1 (Bangladesh) -- Bangladeshi pay television channel
Wikipedia - Channel 1 (Israel) -- Former Israeli television channel
Wikipedia - Channel 20 (Israel) -- Israeli television channel
Wikipedia - Channel 20 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 21 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 22 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 23 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 24 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 25 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 26 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 26 virtual TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 27 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 28 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 29 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 29 virtual TV stations in the United States -- Wikipedia list article
Wikipedia - Channel 30 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 31 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 32 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 33 (Israel) -- Former Israeli television channel
Wikipedia - Channel 33 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 34 digital TV stations in the United States -- Wikimedia list article
Wikipedia - Channel 34 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 35 low-power TV stations in the United States -- Wikipedia list article
Wikipedia - Channel 35 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 36 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 38 virtual TV stations in the United States -- Wikimedia list article
Wikipedia - Channel 3 digital TV stations in the United States -- Wikipedia list article
Wikipedia - Channel 3 (Rosario, Argentina) -- TV station in Rosario, Santa Fe, Argentina
Wikipedia - Channel 4 News -- British broadcaster ITN's main news programme
Wikipedia - Channel 4 virtual TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 4 -- British free-to-air television channel
Wikipedia - Channel 5 (British TV channel) -- British free-to-air TV channel
Wikipedia - Channel 5 (Pakistan) -- Pakistani Urdu-language television channel
Wikipedia - Channel 5 (Thailand) -- Thai television network
Wikipedia - Channel 6 (Bariloche, Argentina) -- Television station in San Carlos de Bariloche, Argentina
Wikipedia - Channel 7 digital TV stations in the United States -- Wikipedia list article
Wikipedia - Channel 7 (Mendoza, Argentina) -- TV station in Las Heras, Mendoza, Argentina
Wikipedia - Channel 7 (Punta del Este, Uruguay) -- Television station in Punta del Este, Maldonado, Uruguay
Wikipedia - Channel 7 (Santiago del Estero, Argentina) -- TV station in Santiago del Estero, Argentina
Wikipedia - Channel 7 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 7 virtual TV stations in the United States -- Wikipedia list article
Wikipedia - Channel 83 -- North American television channel number
Wikipedia - Channel 854 -- Satellite television sports and gambling channel
Wikipedia - Channel 8 (San Juan, Argentina) -- TV station in San Juan, Argentina
Wikipedia - Channel 8 (Thailand)
Wikipedia - Channel 8 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 8 virtual TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 9 (discussion forum)
Wikipedia - Channel 9 (La Rioja, Argentina) -- TV station in La Rioja, Argentina
Wikipedia - Channel 9 (Microsoft)
Wikipedia - Channel 9 TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel 9 virtual TV stations in Mexico -- Wikipedia list article
Wikipedia - Channel access method -- means for more than two terminals to communicate over one medium
Wikipedia - Channel America -- American television network
Wikipedia - Channel A (TV channel) -- South Korean television channel
Wikipedia - Channel Awesome -- American online media production company
Wikipedia - Channel-billed cuckoo -- Species of bird
Wikipedia - Channel, California -- Human settlement in United States of America
Wikipedia - Channel capacity
Wikipedia - Channel catfish -- Species of fish
Wikipedia - Channel code
Wikipedia - Channel coding
Wikipedia - Channel (communications)
Wikipedia - Channel Court Shopping Centre -- shopping center in Tasmania, Australia
Wikipedia - Channel Dash -- German naval operation during the Second World War
Wikipedia - Channel (digital image)
Wikipedia - Channel Dinraat -- Indian Bengali-language television channel
Wikipedia - Channeled scablands
Wikipedia - Channeled Scablands -- Landscape in eastern Washington, USA scoured by cataclysmic floods during the Pleistocene epoch
Wikipedia - Channel expansion theory -- A theory of communication media perceptions
Wikipedia - Channel Eye -- Sri Lankan television channel
Wikipedia - Channel Four Television Corporation -- British media company headquartered in London
Wikipedia - Channel (geography) -- A type of landform in which part of a body of water is confined to a relatively narrow but long region
Wikipedia - Channeling (as a medium)
Wikipedia - Channel I/O
Wikipedia - Channel Island English
Wikipedia - Channel Islands (California) -- island chain in the Pacific Ocean off the coast of southern California along the Santa Barbara Channel
Wikipedia - Channel Islands National Park -- National park of the United States
Wikipedia - Channel Islands -- Archipelago in the English Channel
Wikipedia - Channel K (TV Channel) -- Television station in Myanmar
Wikipedia - Channelling (mediumistic)
Wikipedia - Channel modulator
Wikipedia - Channel M (radio station) -- South Korean digital radio station
Wikipedia - Channel NewsAsia
Wikipedia - Channel One (British and Irish TV channel) -- Former television channel
Wikipedia - Channel One Russia -- Russian public TV channel
Wikipedia - Channelopathy -- Diseases caused by disturbed function of ion channel subunits or the proteins that regulate them
Wikipedia - Channel Orange
Wikipedia - Channel pattern -- Characteristic geometry of a channel system
Wikipedia - Channel (programming)
Wikipedia - Channel Q -- American LGBT lifestyle talk and EDM top 40 radio network
Wikipedia - Channelrhodopsin
Wikipedia - Channel service unit -- Telecommunications equipment
Wikipedia - Channels TV -- 24-hour overseas news channel from Nigeria
Wikipedia - Channel surfing
Wikipedia - Channel system (computer science) -- Finite-state machine with fifo buffers for memory
Wikipedia - Channel Tunnel -- Undersea rail tunnel linking France and England
Wikipedia - Channel UFX -- Indian music television channel
Wikipedia - Channel Umptee-3 -- Television series
Wikipedia - Channel V Australia -- Former Australian subscription television music channel
Wikipedia - Channelview Independent School District
Wikipedia - Channel V India -- Indian television channel
Wikipedia - Channel V Philippines -- Music-entertainment television network
Wikipedia - Channel V Thailand Music Video Awards 2009: Thaipradit -- 6th Channel [V] Thailand Music Video Awards
Wikipedia - Channel V Thailand Music Video Awards -- Music video awards show
Wikipedia - Channel V Thailand -- Music television channel
Wikipedia - Channel V -- Asian music television channel
Wikipedia - Channel wing -- Aircraft wing design
Wikipedia - Channel W -- Malaysian television channel
Wikipedia - Channel X Radio -- Network of radio stations in Aroostook County, Maine
Wikipedia - Channel Z (song) -- 1989 single by The B-52's
Wikipedia - Channes -- Commune in Grand Est, France
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Wikipedia - Channichthyidae -- Family of fishes
Wikipedia - Channichthys panticapaei -- Species of fish
Wikipedia - Channing Heggie Tobias
Wikipedia - Channing of the Northwest -- 1922 film by Ralph Ince
Wikipedia - Channing Robertson -- American chemical engineer
Wikipedia - Channing Tatum -- American actor
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Wikipedia - Chano Dominguez -- Spanish jazz musician
Wikipedia - Chanoir -- French-Colombian painter
Wikipedia - Chanon Keanchan -- Thai hurdler
Wikipedia - Chano Pozo -- Cuban musician
Wikipedia - Chanoz-ChM-CM-"tenay -- Commune in Auvergne-Rhone-Alpes, France
Wikipedia - Chan Pak Lum -- Malaysian weightlifter
Wikipedia - Chan Pancharut -- Thai sports shooter
Wikipedia - Chan Peng Kong -- Singaporean chess player
Wikipedia - Chan Pui Yin -- Singaporean film producer
Wikipedia - ChanpurM-EM-+ -- Japanese dish
Wikipedia - Chan Santa Cruz -- Former indigenous Maya state on the Yucatan Peninsula
Wikipedia - Chan Santokhi -- President of Suriname (2020-present)
Wikipedia - Chan Sau Chung
Wikipedia - Chan Sek Keong -- Singaporean former judge
Wikipedia - Chan Shih-chang -- Taiwanese professional golfer
Wikipedia - Chan Siu Yuk -- Hong Kong archer
Wikipedia - Chans (Kent song) -- 2000 single by Kent
Wikipedia - Chanson (band) -- American disco band
Wikipedia - Chanson de geste -- Medieval narrative in poetic form
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Wikipedia - Chansons de geste
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Wikipedia - Chan Suet Ying -- Hong Kong speed skater
Wikipedia - Chan Sung Jung -- South Korean mixed martial artist
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Wikipedia - Chantae McMillan -- American heptathlete
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Wikipedia - Chanting
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Wikipedia - Chant -- Rhythmic speaking or singing of words or sounds
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Wikipedia - Chan Wai Kei -- Hong Kong windsurfer
Wikipedia - Chan Yenkhae -- Thai singer
Wikipedia - Chan Yih-shin -- Taiwanese professional golfer
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Wikipedia - Chan Zuckerberg Initiative
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Wikipedia - Chao Cheng-hsueng -- Taiwanese weightlifter
Wikipedia - Chaochuan Formation -- Geologic formation in Zhejiang, China
Wikipedia - Chao Cuo
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Wikipedia - chaos magic
Wikipedia - Chaos magic -- Belief system
Wikipedia - Chaos: Making a New Science -- Nonfiction book by James Gleick
Wikipedia - Chaos model
Wikipedia - Chaos (mythology)
Wikipedia - Chaosnet
Wikipedia - Chao (Sonic the Hedgehog) -- fictional life forms in the Sonic the Hedgehog video game series
Wikipedia - Chaos (professional wrestling) -- Professional wrestling stable
Wikipedia - Chaos Project -- Japanese animation studio
Wikipedia - Chaos Rings III -- 2014 role-playing video game
Wikipedia - Chaos Rings -- Role playing video game
Wikipedia - Chaos terrain -- Distinctive area of broken or jumbled terrain
Wikipedia - Chaos theory in organizational development
Wikipedia - Chaos theory -- Field of mathematics
Wikipedia - Chaos Walking (film) -- Upcoming film directed by Doug Liman
Wikipedia - Chaotian Temple -- Temple to the Chinese sea-goddess Mazu
Wikipedia - Chaotica (software)
Wikipedia - Chaotic inflation theory
Wikipedia - Chaotic inflation
Wikipedia - Chaotic
Wikipedia - Chaource -- Commune in Grand Est, France
Wikipedia - Chaourse Treasure -- Roman hoard found in France
Wikipedia - Chaowa Pawa (1959 film) -- 1959 film
Wikipedia - Chaoyangmen station (Beijing Subway) -- Beijing subway interchange station
Wikipedia - Chaoyang Park station -- Beijing Subway station
Wikipedia - Chao Yao-tung -- Taiwanese politician
Wikipedia - Chao Yuen Ren
Wikipedia - Chao Yuyen -- Chinese racewalker
Wikipedia - Chaozz -- Czech hip hop group
Wikipedia - Chapacris -- Genus of grasshoppers
Wikipedia - Chapada das Mesas National Park -- National Park in Brazil
Wikipedia - Chapada Diamantina National Park -- A national park in the Chapada Diamantina, Brazil
Wikipedia - Chapada Diamantina -- A mountain region of Bahia state in the northeast of Brazil
Wikipedia - Chapada mine -- Gold mine in Brazil
Wikipedia - Chapai Nawabganj-1 -- Constituency of Bangladesh's Jatiya Sangsad
Wikipedia - Chapai Nawabganj-2 -- Constituency of Bangladesh's Jatiya Sangsad
Wikipedia - Chapai Nawabganj-3 -- Constituency of Bangladesh's Jatiya Sangsad
Wikipedia - Chapali Height 2 -- 2016 Nepali film directed by Dipendra K Khanal
Wikipedia - Chapalmalania -- Extinct genus of procyonid mammals from South America
Wikipedia - Chapareia -- Genus of beetles
Wikipedia - Chapare mammarenavirus -- Species of the virus family Arenaviridae that causes Chapare hemorrhagic fever
Wikipedia - Chaparral High School (Arizona) -- American public high school
Wikipedia - Chaparral -- Shrubland plant community in western North America
Wikipedia - Chapati -- Unleavened wheat flatbread most frequently eaten in South Asia, and East Africa
Wikipedia - Chapbook -- Short, inexpensive booklet
Wikipedia - Chapeaugraphy -- panhandling trick
Wikipedia - Chapeau -- French hat
Wikipedia - Chapel Allerton (ward) -- Electoral ward in Leeds, England
Wikipedia - Chapel Branch (Lewes Creek tributary) -- Stream in Delaware, USA
Wikipedia - Chapel Down -- English winemaker
Wikipedia - Chapel-en-le-Frith Central railway station -- Former railway station in Derbyshire, England
Wikipedia - Chapel-en-le-Frith railway station -- Railway station in Derbyshire, England
Wikipedia - Chapel-en-le-Frith
Wikipedia - Chapel Field Road drill hall, Norwich -- Former military installation in Norwich, England
Wikipedia - Chapel Hill, North Carolina -- town in Orange County, North Carolina, United States
Wikipedia - Chapel House, Twickenham
Wikipedia - Chapelizod -- Northside village suburb of Dublin city, Ireland
Wikipedia - Chapelle du Saint-Marie du Rosaire
Wikipedia - Chapelle Jaffe -- Canadian actress
Wikipedia - Chapelle-Vallon -- Commune in Grand Est, France
Wikipedia - Chapelle-Voland -- Commune in Bourgogne-Franche-Comte, France
Wikipedia - Chapel of Brasenose College, Oxford
Wikipedia - Chapel of Mercy, Monaco-Ville -- Church in Monaco
Wikipedia - Chapel of Notre-Dame de Posat -- chapel in the canton of Fribourg, Switzerland
Wikipedia - Chapel of Notre-Dame des Marches -- chapel in the canton of Fribourg, Switzerland
Wikipedia - Chapel of Our Lady of the Miraculous Medal
Wikipedia - Chapel of Our Lady of Victory -- Church in Sao Francisco do Conde
Wikipedia - Chapel of Saint Casimir
Wikipedia - Chapel of Santissimo Salvatore, Alcamo -- Church building in Alcamo, Italy
Wikipedia - Chapel of St. Catherine -- UNESCO world heritage site in India
Wikipedia - Chapel of St. Francis Xavier
Wikipedia - Chapel of St. Ludmila
Wikipedia - Chapel of St Peter-on-the-Wall -- Grade I listed chapel in the United Kingdom
Wikipedia - Chapel of the Apparitions
Wikipedia - Chapel of the Blessed Virgin of Lujan, Antarctica -- Roman Catholic chapel on Seymour-Marambio Island, Antarctica
Wikipedia - Chapel of the Congregation of Monte dei Poveri -- Building in Naples, Italy
Wikipedia - Chapel of the Resurrection (New York City)
Wikipedia - Chapel of the Snows -- American church at McMurdo Station
Wikipedia - Chapel (programming language)
Wikipedia - Chapel Royal, Dublin -- Church within Dublin Castle, Ireland
Wikipedia - Chapel Royal
Wikipedia - Chapel royal
Wikipedia - Chapelton railway station -- Railway station in Devon, England
Wikipedia - Chapeltown railway station -- Railway station in South Yorkshire, England
Wikipedia - Chapel -- Religious place of fellowship attached to a larger institution
Wikipedia - Chapeng station -- Beijing Subway light rail station
Wikipedia - Chaperone (clinical)
Wikipedia - Chaperon (headgear) -- Type of head cover
Wikipedia - Chaperonins
Wikipedia - Chapingo Autonomous University -- Agricultural college in Texcoco, Mexico
Wikipedia - Chapin High School -- High school in Chapin, South Carolina
Wikipedia - ChapiquiM-CM-1a Power Plant -- Hydroelectric power station in Chile
Wikipedia - Chaplain-Medic massacre -- War crime during the Korean War
Wikipedia - Chaplain of His Holiness -- Ecclesiastical title in the Roman Catholic Church
Wikipedia - Chaplain of the United States Marine Corps
Wikipedia - Chaplain Tappman -- Fictional character
Wikipedia - Chaplain -- Provider of pastoral care, often a minister of a religious tradition, attached to an institution
Wikipedia - Chapleau station -- Railway station in Ontario, Canada
Wikipedia - Chaplet (headgear) -- Type of headdress
Wikipedia - Chaplet of Divine Mercy
Wikipedia - Chaplet of Saint Michael
Wikipedia - Chaplet of the Divine Mercy
Wikipedia - Chaplet (prayer)
Wikipedia - Chaplin & Co -- French--British animated TV series
Wikipedia - Chaplin (film) -- 1992 film by Richard Attenborough
Wikipedia - Chaplin.js
Wikipedia - Chaplygin gas
Wikipedia - Chaplygin's equation
Wikipedia - Chaplyne -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Chaplynka Raion -- Former subdivision of Kherson Oblast, Ukraine
Wikipedia - Chaplynka -- Urban locality in Kherson Oblast, Ukraine
Wikipedia - Chapman and Hall
Wikipedia - Chapman Branch Library -- public library branch in Salt Lake City, Utah, United States
Wikipedia - Chapman code -- 3-letter codes used in genealogy
Wikipedia - Chapman-Enskog theory -- Framework allowing the equations of hydrodynamics for a gas to be derived from the Boltzmann equation
Wikipedia - Chapman Grant -- American zoologist, historian and publisher (1887-1983)
Wikipedia - Chapman > Hall
Wikipedia - Chapman Hall -- Building at the University of Oregon, USA
Wikipedia - Chapman Hill, Western Australia -- place in Western Australia
Wikipedia - Chapmannia gracilis -- Species of plant
Wikipedia - Chapman, Pennsylvania -- Borough in Pennsylvania, United States
Wikipedia - Chapman School of Seamanship -- Non-profit school for sailors and recreational boaters in Stuart, Florida (USA)
Wikipedia - Chapman's Peak -- Mountain on the Cape Peninsula, South Africa
Wikipedia - Chapman Square -- 2012 studio album by Lawson
Wikipedia - Chapman's swift -- Species of bird
Wikipedia - Chapman Stick -- Stringed instrument of the guitar family
Wikipedia - Chapman To -- Hong Kong actor
Wikipedia - Chapman University School of Law -- Private, non-profit law school located in Orange, California
Wikipedia - Chapman University -- American private university in Orange County, California
Wikipedia - Chapois, Belgium -- Village in Ciney, Belgium
Wikipedia - Chapois, Jura -- Commune in Bourgogne-Franche-Comte, France
Wikipedia - Chapora Fort -- Fort in Goa, India
Wikipedia - Chapo Trap House -- Comedic American podcast about politics
Wikipedia - Chappad Phaad Ke -- 2019 Indian comedy film
Wikipedia - Chappaqua, New York
Wikipedia - Chappaquiddick (film) -- 2017 film by John Curran
Wikipedia - Chappaquiddick incident -- Automobile accident in 1969 on Chappaquiddick Island involving Sen. Ted Kennedy
Wikipedia - Chappaquiddick Island -- Small island at the eastern end of Martha's Vineyard, MA, USA
Wikipedia - Chappell Batchelor -- English cricketer and organist
Wikipedia - Chappelle's Show -- Comedy television program
Wikipedia - Chappes, Aube -- Commune in Grand Est, France
Wikipedia - Chappie Angulo -- American-Mexican painter and illustrator
Wikipedia - Chappie (film) -- 2015 film directed by Neill Blomkamp
Wikipedia - CHAPPiE
Wikipedia - Chappy-That's All -- 1924 film
Wikipedia - Chapramari Wildlife Sanctuary -- Wildlife reserve in northern West Bengal, India
Wikipedia - Cha Preta -- Municipality in Alagoas, Brazil
Wikipedia - Chapssal doughnut -- Korean sweet glutinous rice doughnuts
Wikipedia - Chaptalization -- Process in wine production
Wikipedia - Chaptelat
Wikipedia - Chapter 11, Title 11, United States Code -- Section of the United States Bankruptcy Code
Wikipedia - Chapter 12: The Siege -- fourth episode of the second season of ''The Mandalorian''
Wikipedia - Chapter 27 -- 2007 film
Wikipedia - Chapter 4 (g.o.d album) -- Album by g.o.d.
Wikipedia - Chapter 6 (band) -- A cappella vocal ensemble
Wikipedia - Chapter 7, Title 11, United States Code -- Section of United States federal statute
Wikipedia - Chapter 9, Title 11, United States Code -- Chapter of the United States Bankruptcy Code
Wikipedia - Chapter and Conventual Mass
Wikipedia - Chapterhouse Comics -- Canadian comic book publisher
Wikipedia - Chapterhouse: Dune -- Novel by Frank Herbert
Wikipedia - Chapter house (Navajo Nation) -- Administrative department
Wikipedia - Chapter house
Wikipedia - Chapter-house
Wikipedia - Chapter (Navajo Nation) -- Political unit of the Navajo Nation
Wikipedia - Chapter of Toledo -- 16th century religious meeting
Wikipedia - Chapter One (restaurant) -- At the Dublin Writers Museum, Ireland
Wikipedia - Chapter (religion)
Wikipedia - Chapters and verses of the Bible -- Divisions of books of the Bible
Wikipedia - Chapters (bookstore) -- Canadian big box bookstore brand
Wikipedia - Chapters
Wikipedia - Chapter XVIII of the United Nations Charter -- UN charter chapter
Wikipedia - Chaptewadi kanas -- Village in Maharashtra
Wikipedia - Chapulines -- Mexican dish of grasshoppers
Wikipedia - Chapultepec metro station -- Mexico City metro station
Wikipedia - Chaque jour a son secret -- 1958 film
Wikipedia - Chaquen -- God of sports and fertility in the Muisca religion of South America
Wikipedia - Chara (alga) -- Genus of green algae in the family Characeae
Wikipedia - Chara Bachir -- Algerian politician
Wikipedia - Charabanc
Wikipedia - Character actor -- Actor who predominantly plays unusual or eccentric characters
Wikipedia - Character Analysis
Wikipedia - Character and description of Kingia -- Botanical article by Robert Brown
Wikipedia - Character arc
Wikipedia - Character (arts) -- fictional person in a narrative work
Wikipedia - Character class (Dungeons > Dragons)
Wikipedia - Character class
Wikipedia - Character comedy
Wikipedia - Character (computer)
Wikipedia - Character (computing)
Wikipedia - Character computing -- Field of research
Wikipedia - Character creation -- Process of defining a game character
Wikipedia - Character dance
Wikipedia - Character devices
Wikipedia - Character education
Wikipedia - Character encodings in HTML -- Use of encoding systems for international characters in HTML
Wikipedia - Character encoding -- System using a prescribed set of digital values to represent textual characters
Wikipedia - Character entity reference
Wikipedia - Character flaw
Wikipedia - Character generator
Wikipedia - Characterisation
Wikipedia - Characteristic (algebra) -- In a field of a ring, the smallest positive integer, if any, such that the sum of n ones equals 0; zero otherwise
Wikipedia - Characteristica universalis
Wikipedia - Characteristic classes
Wikipedia - Characteristic equation (calculus) -- Algebraic equation on which the solution of a differential equation depends
Wikipedia - Characteristic function (probability theory)
Wikipedia - Characteristic impedance -- Ratio of the amplitudes of voltage and current of a single wave propagating along a transmission line
Wikipedia - Characteristic polynomial -- Polynomial whose roots are the eigenvalues of a matrix
Wikipedia - Characteristic state function -- Particular relationship between the partition function of an ensemble
Wikipedia - Characterization (materials science)
Wikipedia - Characterization (mathematics)
Wikipedia - Characterization of nanoparticles -- Measurement of physical and chemical properties of nanoparticles
Wikipedia - Characterization
Wikipedia - Character Map (Windows)
Wikipedia - Character mask -- A prescribed social role that conceals the contradictions of a social relation or order
Wikipedia - Character of the Happy Warrior
Wikipedia - Character orientation
Wikipedia - Character piece
Wikipedia - Character point
Wikipedia - Character recognition
Wikipedia - Character Role Playing -- 1981 fantasy role-playing game supplement
Wikipedia - Characters and Observations
Wikipedia - Character sets
Wikipedia - Character set
Wikipedia - Characters in As You Like It -- list of characters in As You Like It
Wikipedia - Characters in Hamlet {{DISPLAYTITLE:Characters in ''Hamlet'' -- Characters in Hamlet {{DISPLAYTITLE:Characters in ''Hamlet''
Wikipedia - Characters in Hamlet
Wikipedia - Characters in Romeo and Juliet -- none
Wikipedia - Characters in the Mahabharata
Wikipedia - Characters in the Mario franchise -- Wikimedia list article
Wikipedia - Characters in the Metroid series -- Wikimedia list article
Wikipedia - Characters in the Ramayana
Wikipedia - Characters of Carnivale -- List of characters in 2003-2005 HBO series
Wikipedia - Characters of Final Fantasy VIII -- List of video game characters
Wikipedia - Characters of Kingdom Hearts -- Wikipedia list article
Wikipedia - Characters of Overwatch -- Wikimedia list article
Wikipedia - Characters of Peter Pan
Wikipedia - Characters of Shakespear's Plays -- book by William Hazlitt
Wikipedia - Characters of The Legend of Zelda -- Wikimedia list article
Wikipedia - Characters of the Marvel Cinematic Universe -- Wikimedia list article
Wikipedia - Characters per line
Wikipedia - Character Strengths and Virtues (book)
Wikipedia - Character Strengths and Virtues -- 2004 book by Christopher Peterson and Martin Seligman
Wikipedia - Character string
Wikipedia - Character structure
Wikipedia - Character
Wikipedia - Charactron
Wikipedia - Charade (1954 film) -- 1953 film by Roy Kellino
Wikipedia - Charade (1963 film) -- 1963 film directed by Stanley Donen
Wikipedia - Charade (1984 film) -- 1984 film directed by Jon Minnis
Wikipedia - Charades (film) -- 1998 film by Stephen Eckelberry
Wikipedia - Charades
Wikipedia - Char Adhyay
Wikipedia - Charadra deridens -- Species of moth
Wikipedia - Charadriidae -- Family of birds
Wikipedia - Charadriiformes -- Order of birds
Wikipedia - Charadrius -- Genus of birds
Wikipedia - Charaka Samhita
Wikipedia - Charaka
Wikipedia - Charalambides -- American musical group
Wikipedia - Charalambos Avgerinos -- Greek politician
Wikipedia - Charalambos D. Aliprantis -- Greek-American mathematician
Wikipedia - Charalambos Sfakianakis -- Greek weightlifter
Wikipedia - Charalampos Papaioannou -- Greek judoka
Wikipedia - Charalampus
Wikipedia - Charales -- Order of green algae in the division Charophyta
Wikipedia - Charanam -- Usually the end section of a composition in Carnatic music
Wikipedia - Charandas Chor -- 1975 film
Wikipedia - Charan Das Mahant -- Indian politician
Wikipedia - Charandas -- 1977 film directed by B.S. Thapa
Wikipedia - Charandeep -- Indian actor
Wikipedia - Charanjit Singh Atwal -- Indian politician
Wikipedia - Charan Raj (composer) -- Indian composer
Wikipedia - Charan Raj -- Indian filmmaker, actor
Wikipedia - Charan Singh (Sant)
Wikipedia - Charan Singh -- Fifth Prime Minister of India
Wikipedia - Charanyca trigrammica -- Species of moth
Wikipedia - Charaphloeus -- Genus of beetles
Wikipedia - Charar-e-Sharief shrine -- Sufi muslim shrine in Budgam district
Wikipedia - Chararic (Suebian king)
Wikipedia - Charas (2004 film) -- 2004 Indian Hindi-language action thriller film
Wikipedia - Charassognathus -- Genus of basal cynodonts
Wikipedia - Charas -- Hindi name for marijuana resin
Wikipedia - Chara virgata -- Species of green alga
Wikipedia - Charax, Crimea
Wikipedia - Charaxes latona -- Species of Emperor butterfly
Wikipedia - Charaxes usambarae -- Species of butterfly
Wikipedia - Charbagh -- Four-part Islamic paradise garden layout
Wikipedia - Charbakh (Yerevan Metro) -- Yerevan Metro Station
Wikipedia - Charbel Chrabie -- Lebanese judoka
Wikipedia - Charbelicaris maronites
Wikipedia - Charbel Makhlouf -- 19th-century Lebanese Maronite monk and saint
Wikipedia - Charbel Makhluf
Wikipedia - Charbel (martyr)
Wikipedia - Charbel Nahas -- Lebanese academic and politician (born 1954)
Wikipedia - Charbel Rouhana -- Lebanese musician
Wikipedia - Charbonnages de France
Wikipedia - Charcas, Quebradillas, Puerto Rico -- Barrio of Puerto Rico
Wikipedia - Charchilla -- Commune in Bourgogne-Franche-Comte, France
Wikipedia - Charcier -- Commune in Bourgogne-Franche-Comte, France
Wikipedia - Charcoal-burning suicide
Wikipedia - Charcoal lighter fluid -- Aliphatic petroleum solvent used in lighting charcoal in a barbecue grill
Wikipedia - Charcoal -- Lightweight black carbon residue, after pyrolysis of animal or vegetable substances
Wikipedia - Charco Azul Group -- Geologic formation group in Costa Rica and Panama
Wikipedia - Charcot disease (disambiguation)
Wikipedia - Charcot Island
Wikipedia - Charcot joint
Wikipedia - Charcot-Marie-Tooth disease -- Neuromuscular disease that is characterized by a slowly progressive degeneration of the muscles of the foot, lower leg, hand and forearm
Wikipedia - Charcot Plate -- A fragment of the Phoenix tectonic plate fused to the Antarctic Peninsula
Wikipedia - Charcot's neurologic triad -- Triad of clinical signs associated with multiple sclerosis
Wikipedia - Charcot's triad 1
Wikipedia - Charcot's triad
Wikipedia - Charcuterie -- Branch of cooking of prepared meat products, primarily from pork
Wikipedia - Chardale Murray -- American politician
Wikipedia - Char Davies -- Canadian contemporary artist
Wikipedia - Chard, Creuse -- Commune in Nouvelle-Aquitaine, France
Wikipedia - Char de depannage DNG/DCL -- French armored recovery vehicle
Wikipedia - Char Dervesh -- 1964 film by Homi Wadia
Wikipedia - Char Dham Highway
Wikipedia - Char Dham Railway
Wikipedia - Char Dham -- Four major Hindu pilgrimage sites in India
Wikipedia - Char Dil Char Rahen -- 1959 film
Wikipedia - Charding Nullah -- Small river on the border between China and India
Wikipedia - Char Divas Sasuche (TV series) -- Indian television series
Wikipedia - Chard Museum -- museum in Chard, Somerset, England
Wikipedia - Chardon, California -- Human settlement in United States of America
Wikipedia - Chardon Lagache (Paris Metro) -- Paris Metro station
Wikipedia - Chardonnay -- green-skinned grape variety used in wine production
Wikipedia - Chardonne -- municipality in the canton of Vaud, Switzerland
Wikipedia - Chardri -- Anglo-Norman poet
Wikipedia - Chard -- green leafy vegetable
Wikipedia - Charee Pineda -- Filipino actress
Wikipedia - Chareidi
Wikipedia - Charency -- Commune in Bourgogne-Franche-Comte, France
Wikipedia - Charens -- Commune in France
Wikipedia - Charente-Maritime -- Department of France
Wikipedia - Charente-Maritime Women Cycling -- French cycling team
Wikipedia - Charente -- Department of France
Wikipedia - Charenza -- Castle
Wikipedia - Chares of Athens -- Athenian general
Wikipedia - Charezier -- Commune in Bourgogne-Franche-Comte, France
Wikipedia - Charfasson Govt. College -- A Government college in Bangladesh
Wikipedia - Char G1 -- French medium tank project of the 1930s.
Wikipedia - Chargaff's rules
Wikipedia - Chargan Ridge -- Region in Antarctica
Wikipedia - Charge at Krojanty -- WWII Polish invasion battle
Wikipedia - Chargeback
Wikipedia - Charge card -- A card that enables the cardholder to make purchases
Wikipedia - Charge carrier -- Particle free to move, carrying an electric charge, especially the particles that carry electric charges in electrical conductors
Wikipedia - Charge Conjugation
Wikipedia - Charge conservation
Wikipedia - Charge-coupled device -- Device for the movement of electrical charge
Wikipedia - Charge d'affaires -- Head of diplomatic mission when no higher official exists
Wikipedia - Charged black hole
Wikipedia - Charge density
Wikipedia - Charged Particle Lunar Environment Experiment
Wikipedia - Charged particle
Wikipedia - Charge (heraldry) -- Heraldic motif; an ordinary, common charge or symbol
Wikipedia - Charge It to Me -- 1919 American Comedy film directed by Roy William Neill
Wikipedia - Charge It -- 1921 film
Wikipedia - Charge of the Black Lancers -- 1962 film
Wikipedia - Charge of the Goddess
Wikipedia - Charge of the Lancers -- 1954 film by William Castle
Wikipedia - Charge of the Light Brigade -- Failed cavalry charge led by Lord Cardigan
Wikipedia - Charge of the Model T's -- 1977 film by Jim McCullough Sr.
Wikipedia - Charge of the Savoia Cavalleria at Izbushensky -- Cavalry charge in World War II
Wikipedia - Charge (physics) -- Generalization of electric charge (EM) adding color charge (QCD), mass-energy (gravitation), etc.; sometimes considered same as its charge quantum number
Wikipedia - Charge pump
Wikipedia - Charge quantization
Wikipedia - Charge qubit
Wikipedia - Charger-class destroyer -- Subclass of the A-class destroyers
Wikipedia - Charger (song) -- 2017 song by Gorillaz and Grace Jones
Wikipedia - Charge transfer coefficient -- Two related parameters used in description of the kinetics of electrochemical reactions
Wikipedia - Charge trap flash
Wikipedia - Charge (warfare)
Wikipedia - Charging station -- Infrastructure that supplies electricity for the recharging of electric vehicles
Wikipedia - Charhdi Kala -- Sikh term for aspiring to maintain a mental state of eternal optimism
Wikipedia - Charhi railway station -- Railway station in Jharkhand
Wikipedia - Charholi Budruk -- Village in Maharashtra
Wikipedia - Chariaspilates -- Genus of moths
Wikipedia - Chari-Baguirmi (region) -- Region of Chad
Wikipedia - Charibert II
Wikipedia - Charibert I
Wikipedia - Charibert of Hesbaye -- European noble
Wikipedia - Chari Budruk -- Village in Maharashtra
Wikipedia - Chari Department -- Department of Chad
Wikipedia - Charidotella -- Genus of beetles
Wikipedia - Chariea -- Genus of beetles
Wikipedia - Chariergodes -- Genus of beetles
Wikipedia - Chariergus -- Genus of beetles
Wikipedia - Chariessa -- Genus of beetle
Wikipedia - Chariesthes -- Genus of beetles
Wikipedia - Chariesthoides bicornuta -- Genus of beetles
Wikipedia - Chari Formation -- Geologic formation in India
Wikipedia - Chari Hawkins -- American heptathlete
Wikipedia - Chari Jazz -- Cameroonian and Congolese musicians,
Wikipedia - Charikleia Kastritsi -- Greek weightlifter
Wikipedia - Charikleia Pantazi -- Greek rhythmic gymnast
Wikipedia - Chariklia Baxevanos -- Swiss actress
Wikipedia - Chari Kshetra -- Four holy regions in Odisha
Wikipedia - Charilaos Mitrelias -- Greek jurist and politician
Wikipedia - Charimaya Tamang -- Nepalese activist
Wikipedia - Charing Cross, Euston and Hampstead Railway -- Underground railway company in London
Wikipedia - Charing Cross Hospital
Wikipedia - Charing Cross roof collapse -- Roof collapse of railway station in London
Wikipedia - Charing Cross Theatre -- Theatre in London, England
Wikipedia - Charing Cross tube station -- London Underground station
Wikipedia - Charing Cross -- The point from which distances from London are measured
Wikipedia - Charing
Wikipedia - Charinotes -- Genus of beetles
Wikipedia - Chariot Allegory
Wikipedia - Chariot burial -- Tombs where deceased are buried with their chariot
Wikipedia - Chariot racing -- Ancient Greek, Roman, and Byzantine sport
Wikipedia - Chariots of Fire -- 1981 film by Hugh Hudson
Wikipedia - Chariots of the Gods (film) -- 1970 film
Wikipedia - Chariots
Wikipedia - Chariot -- Carriage using animals to provide rapid motive power
Wikipedia - Chariovalda -- 1st century Batavian chieftain
Wikipedia - Charisalia -- Genus of beetles
Wikipedia - Charise Matthaei -- German ice dancer
Wikipedia - Charis Eng -- Singapore-born physician and geneticist
Wikipedia - Charis Kubrin -- American criminologist and academic
Wikipedia - Charisma Amoe-Tarrant -- Nauruan weightlifter
Wikipedia - Charismatic authority
Wikipedia - Charismatic Christianity
Wikipedia - Charismatic Episcopal Church
Wikipedia - Charismatic megafauna -- Large animal species with popular appeal
Wikipedia - Charismatic Movement
Wikipedia - Charismatic (movement)
Wikipedia - Charismatic movement -- Trend of historically mainstream congregations adopting beliefs and practices similar to Pentecostalism
Wikipedia - Charisma -- Charm that can inspire devotion in others
Wikipedia - Charis Mullen -- Australian politician
Wikipedia - Charism
Wikipedia - Charis (mythology) -- Greek goddess
Wikipedia - Charissa glaucinaria -- Species of moth
Wikipedia - Charissa obscurata -- Species of moth
Wikipedia - Charissa pullata -- Species of moth
Wikipedia - Charissa variegata -- Species of moth
Wikipedia - Charis SIL
Wikipedia - Charis Wilson -- American model (1914-2009)
Wikipedia - Charitable gift annuity -- Charitable investment instrument
Wikipedia - Charitable organization
Wikipedia - Charitable trusts in English law -- Express trusts dedicated to charitable goals in English law
Wikipedia - Chari Tarf Jamshet -- Village in Maharashtra
Wikipedia - Chari Tarf Kotebi -- Village in Maharashtra
Wikipedia - Charite at War -- 2019 German-language television mini-series
Wikipedia - Charite -- University hospital in Berlin
Wikipedia - Charitha Priyadarshani -- Sri Lankan songstress
Wikipedia - Charities Act 1994 -- Statute of the Parliament of Singapore
Wikipedia - Charities in Scotland
Wikipedia - Charities
Wikipedia - Charitimides -- Athenian Admiral
Wikipedia - Charitina of Amisus
Wikipedia - Charitina of Lithuania
Wikipedia - Charito de Leon -- Filipino film actress
Wikipedia - Chariton of Constantinople
Wikipedia - Chariton River -- river in the United States of America
Wikipedia - Chariton the Confessor
Wikipedia - Charitraheen (film) -- 1975 film
Wikipedia - Charity assessment -- Analysis of goodness of non-profit organizations in financial terms
Wikipedia - Charity auction -- Fundraising event
Wikipedia - Charity Basaza Mulenga -- Ugandan electric engineer
Wikipedia - Charity Bick -- RAF servicewoman and George Medal recipient
Wikipedia - Charity Cannon Willard -- American scholar
Wikipedia - Charity Commission for England and Wales -- Charity regulator in England and Wales
Wikipedia - Charity Commission for Northern Ireland -- Independent regulator of Northern Ireland charities
Wikipedia - Charity Daw -- American Singer/Songwriter
Wikipedia - Charity Dingle -- fictional character from the ITV soap opera Emmerdale
Wikipedia - Charity Engine -- Citizen science project
Wikipedia - Charity Folks -- American slave (1757-1834)
Wikipedia - Charity Gaye Finnestad -- American author
Wikipedia - Charity Hospital (New Orleans) -- Hospital in New Orleans, Louisiana
Wikipedia - Charity International
Wikipedia - Charity Kathambi Chepkwony -- Kenyan politician
Wikipedia - Charity Lamb -- First woman convicted of murder in Oregon Territory
Wikipedia - Charity Navigator -- Charity assessment organization that evaluates charitable organizations in the U.S.
Wikipedia - Charity (novel) -- 1996 novel by Len Deighton
Wikipedia - Charity (Piero del Pollaiolo) -- Painting by Piero del Pollaiuolo
Wikipedia - Charity (practice)
Wikipedia - Charity record -- Release of a song for a specific charitable cause
Wikipedia - Charity (Reni, New York) -- Painting by Guido Reni (Metropolitan Museum of Art)
Wikipedia - Charity school -- School supported as charity
Wikipedia - Charity Scott -- American legal scholar
Wikipedia - Charity shop -- Retail establishment run by a charitable organization to raise money
Wikipedia - Charity Sunshine Tillemann-Dick -- American operatic soprano and presenter
Wikipedia - Charity supergroup
Wikipedia - Charity (virtue) -- Theological virtue
Wikipedia - Charity Waciuma -- Kenyan writer
Wikipedia - Charity Wakefield -- British actress
Wikipedia - Charity Wayua -- Kenyan scientist and researcher
Wikipedia - Charity Wright Cook -- American Quaker minister (1745-1822)
Wikipedia - Charix -- Commune in Auvergne-Rhone-Alpes, France
Wikipedia - Charizard -- Pokemon species
Wikipedia - Chariz Solomon -- Filipino actress
Wikipedia - Charki Draiss -- Moroccan civil servant and politician
Wikipedia - Char Kolmi Union -- A Union of Bhola District
Wikipedia - Charkot Bugt Formation -- Geologic formation in Greenland
Wikipedia - Char kway teow -- popular noodle dish in Malaysia, Indonesia, Singapore, Brunei and Thailand
Wikipedia - Charlaine Harris -- American mystery writer
Wikipedia - Charlamagne tha God -- American radio personality
Wikipedia - Charland River -- Watercourse in Portneuf, Quebec, Canada
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Wikipedia - Charlatanism
Wikipedia - Charlatan
Wikipedia - Charlbury Museum
Wikipedia - Charlbury
Wikipedia - Charl Cilliers (writer) -- South African author and poet
Wikipedia - Charl du Plessis (pianist) -- South African pianist Charl du Plessis
Wikipedia - Charle Cournoyer -- Canadian short track speed skater
Wikipedia - Charlee Fraser -- Australian fashion model
Wikipedia - Charlee Johnson -- American musician and songwriter
Wikipedia - Charlee Minkin -- American judoka
Wikipedia - Charleen -- 1978 film by Ross McElwee
Wikipedia - Charlemae Hill Rollins -- American librarian
Wikipedia - Charlemagne Anyamah -- French athlete
Wikipedia - Charlemagne Prize
Wikipedia - Charlemagne's Palace in Aachen
Wikipedia - Charlemagne -- King of the Franks, King of Italy, and Holy Roman Emperor
Wikipedia - Charlemont Clinic -- Former private medical facility in Dublin, Ireland
Wikipedia - Charlemont, Victoria
Wikipedia - Charlene Drew Jarvis -- American politician
Wikipedia - Charlene Fernandez -- American politician
Wikipedia - Charlene Fernetz -- Canadian former actress
Wikipedia - Charlene Fite -- American politician
Wikipedia - Charlene Gonzales -- Binibining Pilipinas 1994, Top 6 at Miss Universe 1994
Wikipedia - Charlene Guignard -- French-Italian ice dancer
Wikipedia - Charlene James -- British playwright
Wikipedia - Charlene J. Sato -- American linguist
Wikipedia - Charlene Le Corvaisier -- French canoeist
Wikipedia - Charlene Lipsey -- American athlete
Wikipedia - Charlene Polio -- American linguist
Wikipedia - Charlene Rendina -- Australian athlete
Wikipedia - Charlene Richard
Wikipedia - Charlene Robinson -- Fictional character from the soap opera Neighbours
Wikipedia - Charlene Strong -- American civil rights activist
Wikipedia - Charlene Tilton -- American actress
Wikipedia - Charleroi-Thuin (Chamber of Representatives constituency) -- Belgian political subdivision
Wikipedia - Charleroi
Wikipedia - Charles A. Allen (Los Angeles politician) -- American architect
Wikipedia - Charles A. Alluaud
Wikipedia - Charles A. Bachman -- American actor
Wikipedia - Charles A. Baird -- American athletic director
Wikipedia - Charles Abani -- United Nations official
Wikipedia - Charles A. Barlow -- American businessman and politician
Wikipedia - Charles A. Baylis -- American philosopher
Wikipedia - Charles Abbot, 1st Baron Colchester
Wikipedia - Charles Abbot (botanist) -- British clergyman, botanist and entomologist (1761-1817)
Wikipedia - Charles Abbott Miner -- American industrialist and politician
Wikipedia - Charles A. Beard
Wikipedia - Charles A. Beggs -- American politician from Wisconsin
Wikipedia - Charles Abel Buffum -- American politician and businessman
Wikipedia - Charles Abel -- Papua New Guinea politician
Wikipedia - Charles A. Berry -- Director at National Aeronautics and Space Administration
Wikipedia - Charles Abiathar White
Wikipedia - Charles A. Blanchard (lawyer) -- United States lawyer
Wikipedia - Charles Abomeli -- English actor
Wikipedia - Charles A. Boutelle -- American politician
Wikipedia - Charles Abrahams -- Danish architect
Wikipedia - Charles A. Brown High School -- Charles A. Brown High School was a high school open from 1962 to 1982 in United States.
Wikipedia - Charles A. Burney -- British archaeologist
Wikipedia - Charles A. Chickering -- American politician
Wikipedia - Charles A. Clough -- Sixth Bishop of Springfield
Wikipedia - Charles A. Cofield -- American architect
Wikipedia - Charles A. Corbett -- American businessman and politician
Wikipedia - Charles A. Coulombe
Wikipedia - Charles Adams (1770-1800) -- Son of John Adams
Wikipedia - Charles Adams (seismologist) -- University lecturer, surveyor, astronomer, seismologist
Wikipedia - Charles Addams -- American cartoonist
Wikipedia - Charles Adermann -- Australian politician
Wikipedia - Charles Adler Jr. -- American engineer (1899-1980)
Wikipedia - Charles Adolphe Albert Fauvel
Wikipedia - Charles Adolphe Wurtz
Wikipedia - Charles-Adolphe Wurtz
Wikipedia - Charles A. Doswell III
Wikipedia - Charles Adu Boahen -- Ghanaian politician and public servant
Wikipedia - Charles A. Eldredge -- American politician, 1820-1896
Wikipedia - Charles A. Ellwood
Wikipedia - Charles A. Finn -- American priest
Wikipedia - Charles A. Foster
Wikipedia - Charles A. Goodrich -- American author and Congregational minister
Wikipedia - Charles A. Gunn -- American architect
Wikipedia - Charles Agyin-Asare -- Ghanaian pastor
Wikipedia - Charles A. Halbert Public Library -- Library in Saint Kitts and Nevis
Wikipedia - Charles A. Hausler -- American architect
Wikipedia - Charles Ahiadzro Adzofia -- Ghanaian politician
Wikipedia - Charles A. Holt
Wikipedia - Charles A. Hunter -- American Civil War Medal of Honor recipient
Wikipedia - Charles Aidman -- American actor
Wikipedia - Charles A. Kraus -- American chemist
Wikipedia - Charles Albert Gobat -- Swiss politician, lawyer and educational administratior
Wikipedia - Charles Albert Noble -- American mathematician
Wikipedia - Charles Albert Tindley -- American minister and composer (1851-1933)
Wikipedia - Charles Albright -- American killer from Dallas, Texas
Wikipedia - Charles Alderton
Wikipedia - Charles Alexander Johns -- English schoolmaster and botanist (1811-1874)
Wikipedia - Charles Alexandre de Calonne
Wikipedia - Charles-Alexandre de Maurville de Langle -- Naval officer
Wikipedia - Charles Alexandre Lesueur
Wikipedia - Charles Alfred Barber -- Botanist (1860-1933)
Wikipedia - Charles Alfred Bartlett -- British merchant seaman and navy officer
Wikipedia - Charles Alfred Bell -- British civil servant
Wikipedia - Charles Alfred Chastel de Boinville -- Anglo-French architect
Wikipedia - Charles Alfred Drury -- Canadian politician
Wikipedia - Charles Alfred Matley
Wikipedia - Charles Algernon Parsons -- Inventor of the steam turbine
Wikipedia - Charles Algernon Whitmore -- English politician
Wikipedia - Charles Allan Gilbert
Wikipedia - Charles Allberry -- British egyptologist
Wikipedia - Charles Allen (D.C. politician) -- American politician from Washington, D.C.
Wikipedia - Charles Allen (hurdler) -- Canadian track and field athlete
Wikipedia - Charles Allen Moser -- |American physician and sexologist
Wikipedia - Charles Allen (Stroud MP) -- British politician
Wikipedia - Charles Allen Thomas
Wikipedia - Charles Allen (writer) -- British freelance writer
Wikipedia - Charles Almanzo Babcock -- Educator and founder of Bird Day (1847-1922)
Wikipedia - Charles A. Logue -- American screenwriter
Wikipedia - Charles Aloysius Hedekin -- United States Army officer (1865-1944)
Wikipedia - Charles Alphonse du Fresnoy -- 17th-century French painter
Wikipedia - Charles Altamont Doyle
Wikipedia - Charles Alverson -- American screenwriter
Wikipedia - Charles A. Martin -- Scouting commissioner and leader
Wikipedia - Charles A. May -- United States Army officer (1818-1864)
Wikipedia - Charles A. McCullough II -- American politician and civil rights activist
Wikipedia - Charles A. Messenger -- Australian rower (1853-1905)
Wikipedia - Charles Amirkhanian -- American composer
Wikipedia - Charles Ammi Cutter
Wikipedia - Charles A. Moore
Wikipedia - Charles & Co. -- American interior design firm
Wikipedia - Charles & Eddie -- American soul music duo
Wikipedia - Charles & Keith -- Singaporean fashion company
Wikipedia - Charles A. Murphy -- Massachusetts politician
Wikipedia - Charles and Augustus Storrs -- American brothers who co-founded the University of Connecticut
Wikipedia - Charles and Diana: Unhappily Ever After -- 1992 US-Canadian film made in England directed by John Power
Wikipedia - Charles Anderson (equestrian) -- American equestrian
Wikipedia - Charles Anderson (mineralogist)
Wikipedia - Charles Anderson-Pelham, 1st Baron Yarborough -- British politician
Wikipedia - Charles Anderson-Pelham, 1st Earl of Yarborough
Wikipedia - Charles Anderson (Texas politician) -- Texas veterinarian and state legislator
Wikipedia - Charles Andes -- American businessman
Wikipedia - Charles and Lee-Lee Chan -- Parents of Jackie Chan
Wikipedia - Charles Andrew Williams -- American murderer
Wikipedia - Charles Angas Hurst
Wikipedia - Charles Ansbacher
Wikipedia - Charles Anthony Deane -- Pioneering diving engineer and inventor of a surface supplied diving helmet
Wikipedia - Charles Anthony Schott
Wikipedia - Charles-Antoine Clevenbergh -- Flemish painter
Wikipedia - Charles Antoine Lemaire -- French botanist
Wikipedia - Charles Antoine Manhes -- French general
Wikipedia - Charles A. Platt -- American landscape architect
Wikipedia - Charles A. Prince -- American musician
Wikipedia - Charles, Archbishop of Mayence
Wikipedia - Charles Archer -- British politician
Wikipedia - Charles Ardai -- American writer
Wikipedia - Charles Arentz -- Norwegian sailor
Wikipedia - Charles A. Richard -- US Navy admiral
Wikipedia - Charles A. Rich -- American architect
Wikipedia - Charles Arizechukwu Igwe -- a Nigerian professor of soil sciences
Wikipedia - Charles Arling -- Canadian actor
Wikipedia - Charles Armitage Brown
Wikipedia - Charles Arnt -- American actor
Wikipedia - Charles Arthur Anderson -- American politician
Wikipedia - Charles Arthur Bowsher -- American businessman and politician
Wikipedia - Charles Arthur Broadwater -- American banker
Wikipedia - Charles Arthur Mercier
Wikipedia - Charles Arthur Willard
Wikipedia - Charles A. S. Hall
Wikipedia - Charles A.S. Hall
Wikipedia - Charles Ash Windham -- British Army officer and Conservative Party politician
Wikipedia - Charles A. Smith (architect) -- American architect
Wikipedia - Charles A. Snyder -- American politician
Wikipedia - Charles A. Spencer
Wikipedia - Charles A. Spring -- American merchant and religious leader
Wikipedia - Charles Assemekang -- Congolese politician
Wikipedia - Charles Aston Key -- English surgeon
Wikipedia - Charles A. Strong
Wikipedia - Charles Atangana -- Paramount chief of the Ewondo and Bane ethnic groups
Wikipedia - Charles Atger -- French pilot
Wikipedia - Charles Athanase Walckenaer
Wikipedia - Charles A. Thomas
Wikipedia - Charles Atkins (politician) -- Australian politician
Wikipedia - Charles Attenborough -- British weightlifter
Wikipedia - Charles Aubras -- French archer
Wikipedia - Charles Audran -- French engraver
Wikipedia - Charles Aufderheide -- American technician
Wikipedia - Charles Auguste Desire Filon -- French historian
Wikipedia - Charles-Augustin de Coulomb -- French physicist
Wikipedia - Charles Augustin Sainte-Beuve
Wikipedia - Charles-Augustin Vandermonde -- French physician
Wikipedia - Charles Augustus Howell -- English art dealer
Wikipedia - Charles Augustus Strong
Wikipedia - Charles Augustus Young
Wikipedia - Charles' Aunt -- 1959 film
Wikipedia - Charles Austen-Leigh -- English cricketer, painter and art collector
Wikipedia - Charles Austen -- Royal Navy admiral
Wikipedia - Charles Austin -- American athlete
Wikipedia - Charles Avison -- English composer (1709-70)
Wikipedia - Charles Awdry -- English cricketer and British Army officer
Wikipedia - Charles A. Wight -- American university president
Wikipedia - Charles Awotwi Pratt -- Ghanaian Methodist minister
Wikipedia - Charles Awurum -- Nigerian actor and comedian
Wikipedia - Charles Aylmer -- Irish Jesuit priest
Wikipedia - Charles Babalola -- British actor
Wikipedia - Charles Babbage Institute
Wikipedia - Charles Babbage Premium
Wikipedia - Charles Babbage -- English mathematician, philosopher, and engineer (1791-1871)
Wikipedia - Charles Bachman -- American computer scientist
Wikipedia - Charles Bach -- American magician
Wikipedia - Charles Bacon -- American athlete
Wikipedia - Charles Bailey (medium) -- Australian apport medium
Wikipedia - Charles Baillie-Hamilton (Aylesbury MP) -- British Conservative Party politician
Wikipedia - Charles Bain -- Cricket umpire
Wikipedia - Charles Baker (actor) -- American actor, writer, and director
Wikipedia - Charles Baker Adams
Wikipedia - Charles Baldwin House -- Historic house
Wikipedia - Charles Balfour -- British politician
Wikipedia - Charles Ballantyne -- Canadian politician
Wikipedia - Charles Ballard (politician) -- American politician and dentist
Wikipedia - Charles Balloun -- American politician
Wikipedia - Charles Bally
Wikipedia - Charles Balthazar Julien Fevret de Saint-Memin -- French engraver
Wikipedia - Charles Band -- American film director
Wikipedia - Charles Bangham
Wikipedia - Charles Barber (author) -- American author
Wikipedia - Charles Barber (brigadier) -- Australian Army officer
Wikipedia - Charles Barbier
Wikipedia - Charles Bargue
Wikipedia - Charles Barham (priest) -- Anglican archdeacon
Wikipedia - Charles Baring
Wikipedia - Charles Barrington (mountaineer) -- Irish mountain climber
Wikipedia - Charles Barrois
Wikipedia - Charles Barron -- American activist and politician
Wikipedia - Charles Barry
Wikipedia - Charles Barter -- Scottish botanist
Wikipedia - Charles Bartley
Wikipedia - Charles Barton (cricketer) -- English cricketer and British Army officer
Wikipedia - Charles Barton (director) -- Film director, actor
Wikipedia - Charles Baskerville -- American chemist
Wikipedia - Charles Bass -- American politician
Wikipedia - Charles Bastienne -- Seychellois politician
Wikipedia - Charles Bateman (actor) -- American actor
Wikipedia - Charles Bathurst, 1st Viscount Bledisloe -- British Conservative politician and colonial governor
Wikipedia - Charles Batteux
Wikipedia - Charles B. Atwood -- American architect
Wikipedia - Charles Baudelaire -- 19th century French poet, essayist and art critic,
Wikipedia - Charles Baxter (author) -- American novelist, essayist, and poet
Wikipedia - Charles Bazerman -- American educator and scholar
Wikipedia - Charles B. Bolton -- American Dentist
Wikipedia - Charles B. Cluskey -- Irish-born American architect
Wikipedia - Charles B. Cory -- American ornithologist and golfer
Wikipedia - Charles B. DeWitt -- Former NIJ Director
Wikipedia - Charles Bean -- 20th-century Australian journalist and historian
Wikipedia - Charles Beard (priest) -- Dean of Glasgow and Galloway
Wikipedia - Charles Beauclerk (author) -- British aristocrat
Wikipedia - Charles Beaumont Phipps -- British Army officer and courtier
Wikipedia - Charles Beaumont
Wikipedia - Charles Beckett (politician) -- American politician
Wikipedia - Charles Beckwith (athlete) -- British shot putter
Wikipedia - Charles Beecher -- United States clergyman and writer
Wikipedia - Charles Beeson (director) -- Television director
Wikipedia - Charles Behm -- Luxembourgian artistic gymnast
Wikipedia - Charles Beh -- Liberian businessman
Wikipedia - Charles Beigbeder -- French businessman
Wikipedia - Charles Beirne -- American academic administrator
Wikipedia - Charles Beitz
Wikipedia - Charles Belcher (actor) -- American actor
Wikipedia - Charles Belec -- Canadian politician
Wikipedia - Charles Bell
Wikipedia - Charles Bemies -- American sports coach
Wikipedia - Charles Bendire
Wikipedia - Charles Benedict Calvert -- American politician (1808-1864)
Wikipedia - Charles Benedict Davenport
Wikipedia - Charles Benedict (sport shooter) -- Sport shooter and Olympian
Wikipedia - Charles Benenson -- American businessman (1913-2004)
Wikipedia - Charles Benham
Wikipedia - Charles Bennett (athlete) -- British athlete
Wikipedia - Charles Bennett (Australian politician) -- Australian politician
Wikipedia - Charles Bennett (cricketer) -- English cricketer for Somerset
Wikipedia - Charles Bennett (fighter) -- American mixed martial arts fighter
Wikipedia - Charles Bennett (screenwriter) -- English screenwriter
Wikipedia - Charles Benoit Livernois -- Canadian politician
Wikipedia - Charles Benstead -- English cricketer, Royal Navy officer, and author
Wikipedia - Charles Benton -- American businessman
Wikipedia - Charles Bere -- English cricketer and clergyman
Wikipedia - Charles Bergonzi -- Monegasque sports shooter
Wikipedia - Charles Berkeley (bobsleigh) -- American bobsledder
Wikipedia - Charles Berling -- French actor, director and screenwriter
Wikipedia - Charles Berlitz -- American polyglot
Wikipedia - Charles Bernard (figure skater) -- American pair skater
Wikipedia - Charles Bernard Renouvier
Wikipedia - Charles Berner
Wikipedia - Charles Berninghaus -- American painter
Wikipedia - Charles Bernstein (composer) -- American composer
Wikipedia - Charles Bernstein -- American writer
Wikipedia - Charles Berthezenne -- French politician
Wikipedia - Charles Bertin Gaston Chapuis de Tourville -- French general
Wikipedia - Charles Bertin -- Belgian poet
Wikipedia - Charles Bertrand (politician) -- Canadian politician
Wikipedia - Charles Best (businessman) -- American philanthropist and entrepreneur
Wikipedia - Charles Best (politician) -- Australian politician
Wikipedia - Charles B. Gentry -- Acting President of the University of Connecticut (1928-1929, 1935)
Wikipedia - Charles B. Hensley
Wikipedia - Charles B. Huggins
Wikipedia - Charles Bickel -- American architect
Wikipedia - Charles Bickford -- Actor
Wikipedia - Charles Biderman -- American businessman and investor
Wikipedia - Charles Bigelow (politician) -- A mayor of Houston
Wikipedia - Charles Billich
Wikipedia - Charles Billingslea -- U.S. Army Major General
Wikipedia - Charles Bill -- British politician
Wikipedia - Charles Binet
Wikipedia - Charles Bingham Penrose -- American gynecologist known for inventing the Penrose drain
Wikipedia - Charles Binipom Bintin -- Ghanaian politician
Wikipedia - Charles Birch
Wikipedia - Charles Biro -- American comic book creator and cartoonist
Wikipedia - Charles Bixler Heiser -- American botanist
Wikipedia - Charles B. Johnson -- American billionaire businessman
Wikipedia - Charles Blacker Vignoles -- British railway engineer
Wikipedia - Charles Blackman -- Australian artist
Wikipedia - Charles Blackwell (engineer) -- English civil engineer
Wikipedia - Charles Blagden
Wikipedia - Charles Blair Birkett -- Canadian former diplomat
Wikipedia - Charles Blair Leighton -- English painter
Wikipedia - Charles Blanc -- French art critic
Wikipedia - Charles Bland Radcliffe -- English physician
Wikipedia - Charles Blavette -- French actor
Wikipedia - Charles Blomfield (artist) -- British born New Zealand decorator, artist and music teacher (1848-1926)
Wikipedia - Charles Blount, 8th Baron Mountjoy -- English statesman
Wikipedia - Charles Blount (deist)
Wikipedia - Charles Bluestone -- American physician
Wikipedia - Charles Bluhdorn -- industrialist
Wikipedia - Charles B. McVay III -- United States Navy officer
Wikipedia - Charles B. McVay Jr. -- United States Navy admiral
Wikipedia - Charles B. Morrey Jr. -- American mathematician
Wikipedia - Charles Boardman Hawes -- American maritime writer (1989-1923)
Wikipedia - Charles Bochus -- Upper Canada politician
Wikipedia - Charles Bock -- American writer
Wikipedia - Charles Bodinier -- French theater manager
Wikipedia - Charles Boileau -- French ecclesiastic and preacher
Wikipedia - Charles Bonar Sirait -- Indonesian television presenter
Wikipedia - Charles Bonifacio -- Canadian animator
Wikipedia - Charles Bonnet syndrome
Wikipedia - Charles Bonnet
Wikipedia - Charles Booker (American politician) -- American politician
Wikipedia - Charles Booth (bishop)
Wikipedia - Charles Booth (philanthropist)
Wikipedia - Charles Borrett -- English Anglican archdeacon
Wikipedia - Charles Borromeo
Wikipedia - Charles Boscawen -- English politician
Wikipedia - Charles Botot Dangeville -- French actor
Wikipedia - Charles Bouguenon -- South African actor
Wikipedia - Charles Bouillaud -- French actor
Wikipedia - Charles Bourseul
Wikipedia - Charles Bouvet -- French pole vaulter
Wikipedia - Charles Bowen, Baron Bowen -- English judge
Wikipedia - Charles Bowen (New Zealand politician) -- New Zealand politician
Wikipedia - Charles Bowle-Evans -- British Indian Army general
Wikipedia - Charles Bowman (accountant) -- British accountant
Wikipedia - Charles Boyce -- American cartoonist
Wikipedia - Charles Boycott -- English land agent who operated in Lough Mask
Wikipedia - Charles Boyer -- French-American actor
Wikipedia - Charles Boyle, 2nd Earl of Burlington -- English politician and Anglo-Irish peer
Wikipedia - Charles Boyle (poet) -- British poet
Wikipedia - Charles Boyle Roberts -- American politician (1842-1899)
Wikipedia - Charles Boynton Knapp -- American academic
Wikipedia - Charles Brabin -- American film director
Wikipedia - Charles Bradford Isham -- American historian
Wikipedia - Charles Bradlaugh -- British politician and atheist
Wikipedia - Charles Bradley (singer) -- American singer
Wikipedia - Charles Brahm -- Belgian canoeist
Wikipedia - Charles Branas -- Gun violence researcher
Wikipedia - Charles Brandon, 1st Duke of Suffolk -- English diplomat (1484-1545)
Wikipedia - Charles Brandon (died 1551) -- English politician
Wikipedia - Charles Brandt -- American former investigator and writer
Wikipedia - Charles Brantley Aycock -- American politician
Wikipedia - Charles Brasch -- New Zealand poet, literary editor and arts patron
Wikipedia - Charles Breese (politician) -- British politician
Wikipedia - Charles Brenner (mathematician) -- American mathematician
Wikipedia - Charles Brenner (psychiatrist)
Wikipedia - Charles Brenner
Wikipedia - Charles Brenton Huggins
Wikipedia - Charles Brent
Wikipedia - Charles Bressler -- American tenor
Wikipedia - Charles Brewer (businessman) -- American entrepreneur
Wikipedia - Charles Bridges (politician) -- Australian politician
Wikipedia - Charles Bridge
Wikipedia - Charles Bridgford -- Australian politician
Wikipedia - Charles Brinkman -- American figure skater
Wikipedia - Charles Brink -- German-British classical scholar
Wikipedia - Charles Brinley -- American actor
Wikipedia - Charles Broadbeck -- Swiss gymnast
Wikipedia - Charles Brockden Brown -- American novelist, historian and editor
Wikipedia - Charles Broke Vere -- British Army general
Wikipedia - Charles Bronson (prisoner) -- English criminal
Wikipedia - Charles Bronson -- American actor
Wikipedia - Charles Brooke (Jesuit) -- British priest
Wikipedia - Charles Brook, Newfoundland and Labrador -- Settlement in Newfoundland and Labrador, Canada
Wikipedia - Charles Brown (actor) -- American actor
Wikipedia - Charles Brown (boxer) -- American boxer, born 1939
Wikipedia - Charles Browne Fleet -- American pharmacist, inventor
Wikipedia - Charles Brown (musician) -- American blues singer and pianist
Wikipedia - Charles Brown (New Zealand politician, born 1820) -- New Zealand politician from the Taranaki area
Wikipedia - Charles Brown (roque player) -- American roque player, born 1867
Wikipedia - Charles Bruce Stephenson -- American astronomer
Wikipedia - Charles Brudenell-Bruce, 1st Marquess of Ailesbury -- British peer and politician
Wikipedia - Charles Bruffy -- American choral conductor
Wikipedia - Charles Brumskine -- Liberian politician
Wikipedia - Charles Brun (Denmark) -- Danish politician
Wikipedia - Charles Brune (politician) -- French politician
Wikipedia - Charles Brun (France) -- French politician
Wikipedia - Charles Bruton -- English colonial administrator
Wikipedia - Charles B. Thomsen -- American architect and construction manager
Wikipedia - Charles Buckles Falls -- American artist and writer
Wikipedia - Charles Buck (minister) -- British minister and writer
Wikipedia - Charles Buell Anderson -- Founder of the Endeavor Academy
Wikipedia - Charles Bukowski -- German-American writer
Wikipedia - Charles Bulkeley Bulkeley-Johnson -- British soldier
Wikipedia - Charles Bulkeley -- 16th-century English politician
Wikipedia - Charles Buller -- British politician
Wikipedia - Charles Bull (politician) -- Australian politician
Wikipedia - Charles Bulpett -- English cricketer, hunter, and barrister
Wikipedia - Charles Burguet -- French director
Wikipedia - Charles Burke Elbrick -- American diplomat
Wikipedia - Charles Burleigh Galbreath -- American author, historian, librarian
Wikipedia - Charles Burnett (director) -- American film director
Wikipedia - Charles Burney -- 18th/19th-century English music historian
Wikipedia - Charles Burnham (geneticist) -- American plant geneticist
Wikipedia - Charles Burnham (musician) -- American violinist and composer
Wikipedia - Charles Burns (cartoonist) -- American cartoonist and illustrator
Wikipedia - Charles Burt Sumner -- Founding trustee of Pomona College
Wikipedia - Charles Busby -- English architect
Wikipedia - Charles Butler, 1st Earl of Arran
Wikipedia - Charles Butler (cricketer) -- Tasmanian-Australian cricket player
Wikipedia - Charles Butterworth (philosopher)
Wikipedia - Charles Butts (paleontologist)
Wikipedia - Charles Butt -- American heir and billionaire
Wikipedia - Charles B. Wang Community Health Center -- Health clinic in Flushing, NY
Wikipedia - Charles B. Wessler -- American film producer
Wikipedia - Charles B. Winstead -- agent of the US Federal Bureau of Investigation
Wikipedia - Charles B. Woram -- United States Medal of Honor recipient
Wikipedia - Charles Byrd (fighter) -- American mixed martial arts fighter
Wikipedia - Charles Byrne (giant) -- Irish entertainer
Wikipedia - Charles Calderon -- American politician
Wikipedia - Charles Caldwell (politician) -- American politician (1830-1875)
Wikipedia - Charles Calhoun Jr. -- American politician
Wikipedia - Charles Calvert, 3rd Baron Baltimore
Wikipedia - Charles Calvert (director) -- British director of silent films
Wikipedia - Charles Camarda -- American engineer and a NASA astronaut
Wikipedia - Charles Camille Chazal -- French painter (1825-1875)
Wikipedia - Charles Campbell (sailor) -- British sailor
Wikipedia - Charles Campion -- British food critic
Wikipedia - Charles Canning, 1st Earl Canning -- English statesman and Governor-General of India
Wikipedia - Charles Cantlay -- English cricketer and businessman
Wikipedia - Charles Cantor -- American molecular geneticist
Wikipedia - Charles Capper -- American historian
Wikipedia - Charles Cardell
Wikipedia - Charles Cardinal de Bourbon
Wikipedia - Charles Carnan Ridgely -- American politician (1760-1829)
Wikipedia - Charles Carnegie, 4th Earl of Southesk -- Scottish nobleman
Wikipedia - Charles Carney (Jacobite) -- Irish soldier
Wikipedia - Charles Carreon -- American trial attorney
Wikipedia - Charles Carrere -- French-Senegalese poet
Wikipedia - Charles Carrington -- British publisher of erotica
Wikipedia - Charles Carroll (barrister) -- American politician (1723-1783)
Wikipedia - Charles Carroll Colby -- Canadian lawyer, businessman and politician
Wikipedia - Charles Carroll of Carrollton -- American planter and signatory of the Declaration of Independence
Wikipedia - Charles Carroll the Settler -- American lawyer and planter
Wikipedia - Charles Carson (painter) -- Canadian painter
Wikipedia - Charles Carter (New Zealand politician) -- New Zealand contractor, politician and philanthropist
Wikipedia - Charles Cary Rumsey -- American sculptor
Wikipedia - Charles Castleman (solicitor) -- English lawyer & businessman
Wikipedia - Charles Castronovo -- American operatic tenor
Wikipedia - Charles Caudrelier -- French sailor
Wikipedia - Charles Causley
Wikipedia - Charles Cavendish, 1st Baron Chesham -- British politician
Wikipedia - Charles Cavendish (general) -- English general (1620-1643)
Wikipedia - Charles Cavendish (Nottingham MP) -- 17th-century English soldier, courtier, and arts patron
Wikipedia - Charles Cayzer (businessman, born 1957) -- British billionaire businessman
Wikipedia - Charles C. Bass -- American physician-scientist
Wikipedia - Charles C. Campbell (general) -- United States Army general
Wikipedia - Charles C. Carpenter (admiral) -- United States admiral
Wikipedia - Charles C. Coleman (director) -- American film director
Wikipedia - Charles C. Conley -- American mathematician
Wikipedia - Charles C. Eldredge -- American art historian
Wikipedia - Charles Chalmot de Saint-Ruhe -- 17th-century French general
Wikipedia - Charles Chamberland -- French microbiologist
Wikipedia - Charles Chamblis -- American photographer
Wikipedia - Charles Chambon -- French politician
Wikipedia - Charles Champaud -- Swiss gymnast
Wikipedia - Charles Champlin
Wikipedia - Charles Chan (businessman) -- Singaporean businessman
Wikipedia - Charles Chapel Judson -- American painter
Wikipedia - Charles Chaplin Sr. -- English music hall entertainer (1863-1901)\
Wikipedia - Charles Chapman (Connecticut politician) -- American politician (1799-1869)
Wikipedia - Charles Chapman (cricketer, born 1806) -- English cricketer and priest
Wikipedia - Charles Chapman Grafton
Wikipedia - Charles C. Hart -- American diplomat
Wikipedia - Charles C. Hascall -- American politician
Wikipedia - Charles Chauvel (politician) -- New Zealand politician and lawyer
Wikipedia - Charles Chaynes -- French composer
Wikipedia - Charles Chew -- American politician
Wikipedia - Charles Chibana -- Brazilian judoka
Wikipedia - Charles Chibwe -- Zambian judoka
Wikipedia - Charles Chihara -- American philosopher
Wikipedia - Charles C. Hill -- Canadian curator
Wikipedia - Charles Chilton (zoologist)
Wikipedia - Charles Ching -- Judge in Hong Kong
Wikipedia - Charles Chi -- Canadian businesspeople
Wikipedia - Charles Chong -- Former Singaporean politician
Wikipedia - Charles Chree -- British physicist
Wikipedia - Charles Christian Lauritsen
Wikipedia - Charles Christopher Adams
Wikipedia - Charles Christopher Mierow
Wikipedia - Charles Christopher Parry -- British-American botanist & mountain climber (1823-1890)
Wikipedia - Charles Christopher Trowbridge -- Explorer, politician, businessman and ethnographer
Wikipedia - Charles Chubb (ornithologist)
Wikipedia - Charles C. Hughes Stadium -- Sports stadium in Sacramento, California
Wikipedia - Charles Chukwuma Soludo -- Nigerian central banker
Wikipedia - Charles Chun -- American actor
Wikipedia - Charles Church (artist) -- British painter
Wikipedia - Charles Church Developments -- British housebuilding company
Wikipedia - Charles Churcher -- British sports shooter
Wikipedia - Charles Churchill (satirist) -- 18th-century English poet and satirist
Wikipedia - Charles Church, Plymouth
Wikipedia - Charles Cicchetti -- American economist
Wikipedia - Charles City (Virginia Company) -- Subdivision of the Colony of Virginia
Wikipedia - Charles C. Johnson -- far-right conspiracy theorist
Wikipedia - Charles Clagett Marbury -- American politician
Wikipedia - Charles Clagget -- Irish composer and instrument maker
Wikipedia - Charles Clark (Australian politician) -- Australian politician
Wikipedia - Charles Clarke (RAF officer) -- British Royal Air Force officer
Wikipedia - Charles Clarke -- British Labour politician
Wikipedia - Charles Clary -- American actor
Wikipedia - Charles Claude Ange Monneron -- French politician
Wikipedia - Charles Claude Guthrie
Wikipedia - Charles Clay (surgeon) -- British surgeon
Wikipedia - Charles Clayton (cricketer) -- English cricketer and clegyman
Wikipedia - Charles Clayton Grove -- American mathematician
Wikipedia - Charles Clegg -- American photographer and historian
Wikipedia - Charles Clerke -- British Royal Navy officer
Wikipedia - Charles Clinton Beatty -- American minister
Wikipedia - Charles C. Lips -- German-American manager
Wikipedia - Charles Clore Park -- Park in Tel Aviv, Israel
Wikipedia - Charles Clough (artist) -- American painter
Wikipedia - Charles C. Mann -- American journalist and author
Wikipedia - Charles C. McCracken -- 6th President of the University of Connecticut (1930-1935)
Wikipedia - Charles Coates (sportsman) -- British sportsman
Wikipedia - Charles Cobb (economist) -- American mathematician
Wikipedia - Charles Coborn -- British music hall singer
Wikipedia - Charles Coburn -- American film and theater actor
Wikipedia - Charles Coffin Jewett
Wikipedia - Charles Coffin (writer) -- French teacher, writer, Jansenist and Rector of the University of Paris (1676-1749)
Wikipedia - Charles Coiner -- American politician from Idaho
Wikipedia - Charles Coker Wilson -- American architect
Wikipedia - Charles Coleman (actor) -- American film and television actor
Wikipedia - Charles Collier Michell -- British artist
Wikipedia - Charles Collingwood (actor) -- Canadian-born British actor
Wikipedia - Charles Collingwood (journalist)
Wikipedia - Charles Collins (Queensland politician) -- Australian miner, trade union organiser and politician
Wikipedia - Charles Colson -- American attorney
Wikipedia - Charles Colston, 1st Baron Roundway -- British politician
Wikipedia - Charles Combes
Wikipedia - Charles Combe -- English physician and numismatist
Wikipedia - Charles Concordia
Wikipedia - Charles Congden Carpenter
Wikipedia - Charles Congdon -- American golfer
Wikipedia - Charles Connor -- American drummer
Wikipedia - Charles Conrad Abbott -- American archaeologist and naturalist
Wikipedia - Charles Constantine Pise -- American priest
Wikipedia - Charles Coody -- American professional golfer
Wikipedia - Charles Cooke (Grampound MP) -- Businessperson and Sheriff of London
Wikipedia - Charles Cook (New York politician) -- American politician
Wikipedia - Charles Cooley
Wikipedia - Charles Coon (bridge) -- American bridge player
Wikipedia - Charles Coquelin -- French economist
Wikipedia - Charles Coquerel
Wikipedia - Charles Cordaiy -- Australian lawn bowler
Wikipedia - Charles Corfe (headmaster) -- Cricketer and teacher
Wikipedia - Charles Corm
Wikipedia - Charles Cornelisz. de Hooch -- Dutch painter (c. 1600-1638)
Wikipedia - Charles Cornwallis, 1st Marquess Cornwallis -- British general
Wikipedia - Charles Correa
Wikipedia - Charles Correll -- American comedian
Wikipedia - Charles CorrM-CM-*a -- Brazilian canoeist
Wikipedia - Charles Corydon Hall -- American businessman, scientist, chemist, engineer and industrialist
Wikipedia - Charles Cotesworth Pinckney -- American politician (1746-1825)
Wikipedia - Charles Cottier -- Australian actor
Wikipedia - Charles Cotton (geologist)
Wikipedia - Charles Cotton
Wikipedia - Charles Coughlin -- 20th-century American Catholic priest, radio commentator
Wikipedia - Charles Coulson
Wikipedia - Charles Coulston Gillispie
Wikipedia - Charles, Count de Bethune-Scully -- French equestrian
Wikipedia - Charles, Count of Valois -- Emperor of Constantinople
Wikipedia - Charles County, Maryland -- County in Maryland, US
Wikipedia - Charles County Public Schools -- School system in Maryland, US
Wikipedia - Charles Courtois -- French gymnast
Wikipedia - Charles Cowan -- British politician
Wikipedia - Charles Cowden Clarke
Wikipedia - Charles C. Pattillo -- United States general
Wikipedia - Charles C. Pixley -- Surgeon General of the US Army
Wikipedia - Charles C. Price -- American chemist
Wikipedia - Charles Craft -- American film editor
Wikipedia - Charles Cragin -- American politician from Maine
Wikipedia - Charles C. Ragin -- American sociologist
Wikipedia - Charles Craig (actor) -- American actor
Wikipedia - Charles Craine -- Manx language speaker and activist
Wikipedia - Charles Crane -- Businessman and politician in Hawaii
Wikipedia - Charles Crichton (sailor) -- British sailor
Wikipedia - Charles Critchfield
Wikipedia - Charles Crodel -- German painter and stained glass artist
Wikipedia - Charles Croker-King -- British actor
Wikipedia - Charles Croke -- English priest & academic
Wikipedia - Charles Crombie -- Australian Second World War flying ace
Wikipedia - Charles Cross (Australian politician) -- Australian politician
Wikipedia - Charles Crosse -- English sportsman
Wikipedia - Charles Crosthwaite -- British colonial administrator
Wikipedia - Charles Croswell -- American politician
Wikipedia - Charles Cros
Wikipedia - Charles Crowe -- Canadian sport shooter
Wikipedia - Charles C. Shepard -- American microbiologist
Wikipedia - Charles Csuri
Wikipedia - Charles Cullen -- American serial killer
Wikipedia - Charles Cumming-Bruce -- British politician
Wikipedia - Charles Cumming -- British writer of spy fiction
Wikipedia - Charles Cumont -- Belgian modern pentathlete
Wikipedia - Charles Cunat -- French naval officer and historian
Wikipedia - Charles Cuprill Oppenheimer -- Puerto Rican United States Army general
Wikipedia - Charles Curme -- British Royal Navy officer
Wikipedia - Charles Currey -- British sailor
Wikipedia - Charles Curtis -- American politician, 31st Vice President of the United States
Wikipedia - Charles Cuthbert -- American architect
Wikipedia - Charles Cutler -- Australian politician
Wikipedia - Charles C. W. Cooke -- British-born American journalist
Wikipedia - Charles Cyphers -- American actor
Wikipedia - Charles Da Costa -- Australian railway architect
Wikipedia - Charles d'Agar -- French painter
Wikipedia - Charles Daggs -- American hurdler
Wikipedia - Charles Dagnall -- English cricketer and cricket commentator
Wikipedia - Charles Dale -- British actor
Wikipedia - Charles Dana Gibson -- American artist and illustrator
Wikipedia - Charles Dance -- English actor
Wikipedia - Charles Daniel Balvo
Wikipedia - Charles Daniel d'Arrac de Vignes -- Naval officer
Wikipedia - Charles Daniel Marivate -- South African physician
Wikipedia - Charles Daniel-Tyssen -- English cricketer and clergyman
Wikipedia - Charles Dantzig -- French author
Wikipedia - Charles Darling, 1st Baron Darling
Wikipedia - Charles Darrow
Wikipedia - Charles Darwin bibliography -- Wikipedia bibliography
Wikipedia - Charles Darwin's health
Wikipedia - Charles Darwin -- English naturalist and biologist
Wikipedia - Charles d'Aspremont Lynden -- Belgian politician
Wikipedia - Charles Dausabea -- Solomon Islands politician
Wikipedia - Charles Davenport
Wikipedia - Charles David Allis -- American molecular biologist
Wikipedia - Charles David Curtis -- British geologist
Wikipedia - Charles David Keeling -- American scientist (1928-2005)
Wikipedia - Charles Davidson (politician) -- Australian politician
Wikipedia - Charles Davies Sherborn
Wikipedia - Charles Davies (Tasmanian politician) -- Australian politician
Wikipedia - Charles Davis (sport shooter) -- American sport shooter
Wikipedia - Charles Dawson (billiards player) -- English world champion billiards player
Wikipedia - Charles Dawson (doctor) -- New Zealand doctor
Wikipedia - Charles Dawson -- British archaeological forger
Wikipedia - Charles Dayan (real estate developer) -- American businessman
Wikipedia - Charles D. Barger -- United States Army Medal of Honor recipient
Wikipedia - Charles D. Barrett -- US Marine Corps general
Wikipedia - Charles D. B. King -- Former President of Liberia
Wikipedia - Charles D. Brown -- American actor (1887-1948)
Wikipedia - Charles D. Cooper -- American physician, lawyer and Democratic-Republican politician (1769-1831)
Wikipedia - Charles D. Coryell
Wikipedia - Charles De Bondsridder -- Belgian sailor
Wikipedia - Charles de Bovelles
Wikipedia - Charles de Broqueville -- Belgian politician
Wikipedia - Charles de Brouckere -- Belgian politician
Wikipedia - Charles Dechamps -- French actor
Wikipedia - Charles de Charritte -- French Navy officer of the War of American Independence
Wikipedia - Charles Deckert -- French gymnast
Wikipedia - Charles de Condren
Wikipedia - Charles de Courson -- French politician
Wikipedia - Charles de CroM-CM-? -- Roman Catholic bishop
Wikipedia - Charles de Dompierre d'Hornoy -- French politician, admiral, and naval minister
Wikipedia - Charles Deenen -- Dutch composer
Wikipedia - Charles Deering Estate -- United States historic place
Wikipedia - Charles de Foucauld
Wikipedia - Charles de Gaulle Airport -- Largest airport in France, completed in 1974 in the commune of Roissy-en-France and Tremblay-en-France
Wikipedia - Charles de Gaulle (born 1948) -- French politician
Wikipedia - Charles de Gaulle (poet) -- French poet
Wikipedia - Charles de Gaulle -- 18th President of the French Republic, army officer in World War II and national hero
Wikipedia - Charles De Geer -- Swedish industrialist and entomologist
Wikipedia - Charles de Grandmaison -- French archivist and historian
Wikipedia - Charles de Jaubert -- French sport shooter
Wikipedia - Charles de Kermovan de Gouzillon -- French Navy officer of the War of American Independence
Wikipedia - Charles Dekeukeleire -- Belgian film director
Wikipedia - Charles De Koninck
Wikipedia - Charles de La Buissiere -- French actor
Wikipedia - Charles Delaney -- American actor
Wikipedia - Charles DeLano Hine -- US Army officer, civil engineer, lawyer and railway official (1867-1927)
Wikipedia - Charles de La Porte -- French nobleman and general
Wikipedia - Charles de Larcy -- French politician
Wikipedia - Charles Delbarre -- Belgian sports shooter
Wikipedia - Charles Delestraint -- French general
Wikipedia - Charles Delfosse -- Belgian sailor
Wikipedia - Charles de Ligne (speed skater) -- Belgian speed skater
Wikipedia - Charles de Lint -- Canadian fantasy author
Wikipedia - Charles DeLisi -- American geneticist
Wikipedia - Charles de Livry -- French playwright
Wikipedia - Charles Dellert -- American gymnast
Wikipedia - Charles D. Ellis -- American investment consultant
Wikipedia - Charles de Longchamps -- French playwright
Wikipedia - Charles de Medine -- French Navy officer of the War of American Independence
Wikipedia - Charles de Mengaud de la Haye -- French Navy officer of the War of American Independence
Wikipedia - Charles de Montalembert
Wikipedia - Charles de Montsaulnin, Comte de Montal -- 17th century French military officer and noble
Wikipedia - Charles Demuth
Wikipedia - Charles Dench -- English cricketer and Test match umpire
Wikipedia - Charles Denis Mee -- Data storage engineer, leader, author (b. 1927, d. -)
Wikipedia - Charles Dennison Sweet -- American politician
Wikipedia - Charles Dera -- American pornographic actor and martial artist
Wikipedia - Charles de Rochefort -- French actor
Wikipedia - Charles DeRudio -- United States Army officer and aristocrat
Wikipedia - Charles de Sainte-Marthe -- French Protestant and theologian
Wikipedia - Charles de Secondat, Baron de Montesquieu
Wikipedia - Charles de Secondat, baron de Montesquieu
Wikipedia - Charles des Jamonieres -- French sport shooter
Wikipedia - Charles Deslon
Wikipedia - Charles Desmarcheliers -- French gymnast
Wikipedia - Charles Desmarets -- 15th century French soldier
Wikipedia - Charles de Smedt
Wikipedia - Charles De Sorgher -- Belgian bobsledder
Wikipedia - Charles de Steuben
Wikipedia - Charles de Trafford -- English cricketer and aristocrat
Wikipedia - Charles Dettie Aaron -- American gastroenterologist
Wikipedia - Charles de Viel-Castel -- French politician and baron
Wikipedia - Charles de Visscher -- Belgian international law judge
Wikipedia - Charles Dewachtere -- Belgian athlete
Wikipedia - Charles Dewey Day
Wikipedia - Charles DeWitt Watts -- American surgeon and activist
Wikipedia - Charles de Worms
Wikipedia - Charles d'Hane de Steenhuyze -- Belgian politician
Wikipedia - Charles D. Hayes
Wikipedia - Charles D. Hilles -- American politician
Wikipedia - Charles Dickens bibliography -- Wikipedia bibliography
Wikipedia - Charles Dickens -- English writer and social critic (1812-1870)
Wikipedia - Charles Dickinson (author) -- American writer
Wikipedia - Charles Dickinson (historical figure) -- 19th-century American attorney and duelist
Wikipedia - Charles Dickson, Lord Dickson -- British politician
Wikipedia - Charles Dierkop -- American character actor
Wikipedia - Charles Dieupart -- French composer
Wikipedia - Charles Dillingham -- American theatre producer
Wikipedia - Charles Dillon Perrine -- American astronomer
Wikipedia - Charles Dingle -- American actor
Wikipedia - Charles Diver -- New Zealand confectioner
Wikipedia - Charles Divins -- American actor and reporter
Wikipedia - Charles Dixon (bodybuilder) -- American bodybuilder
Wikipedia - Charles Djou -- American politician
Wikipedia - Charles D. Luce -- American politician from Michigan
Wikipedia - Charles D. Metcalf -- US Air Force general
Wikipedia - Charles D. Michel -- US Coast Guard Admiral
Wikipedia - Charles D. Mize -- U.S. Marine Corps Major General
Wikipedia - Charles D. Newton -- American politician
Wikipedia - Charles Dodds
Wikipedia - Charles Dodge (composer) -- American composer
Wikipedia - Charles Dodgson (bishop)
Wikipedia - Charles Dodgson (disambiguation)
Wikipedia - Charles Dodgson (priest) -- Anglican clergyman, scholar
Wikipedia - Charles Doerner -- Luxembourgian chess player
Wikipedia - Charles Domergue
Wikipedia - Charles Domery -- Polish soldier and eater
Wikipedia - Charles Donovan
Wikipedia - Charles Don -- Australian politician
Wikipedia - Charles Doolittle Walcott Medal
Wikipedia - Charles Doolittle Walcott
Wikipedia - Charles Dorian -- Film director, actor
Wikipedia - Charles Dougherty (Georgia politician) -- American politician and lawyer
Wikipedia - Charles Doughty-Wylie -- Recipient of the Victoria Cross
Wikipedia - Charles Douglas Carpendale -- Royal Navy officer
Wikipedia - Charles Douglass Smith -- British army officer
Wikipedia - Charles Douglass -- American sound engineer
Wikipedia - Charles Downing Lay -- American architect
Wikipedia - Charles Dow Richards -- Canadian judge
Wikipedia - Charles Dowson -- British racewalker
Wikipedia - Charles Dow -- American journalist
Wikipedia - Charles Drake (actor) -- American actor
Wikipedia - Charles D. Ravenel -- American politician
Wikipedia - Charles D. Read -- New Zealand-British gynaecologist, 1902-1957
Wikipedia - Charles Drechsler -- American mycologist (1892-1986)
Wikipedia - Charles Drennan -- 21st-century Catholic bishop
Wikipedia - Charles Driver -- British architect
Wikipedia - Charles D. Robinson -- American politician & businessman
Wikipedia - Charles Drummond -- Canadian businessman and author
Wikipedia - Charles Du Cane -- British politician and colonial administrator
Wikipedia - Charles Duchesne -- Belgian colonial administrator
Wikipedia - Charles Dudley Warner
Wikipedia - Charles Dufraisse
Wikipedia - Charles du Fresne, sieur du Cange -- French philologist
Wikipedia - Charles, Duke of Lower Lorraine
Wikipedia - Charles Duke -- American engineer, retired U.S. Air Force officer, test pilot, and a former astronaut for NASA
Wikipedia - Charles Duke Yonge -- English historian, classicist, and cricketer (1812-1891)
Wikipedia - Charles Dumont de Sainte-Croix
Wikipedia - Charles Dumont (singer) -- French singer and composer
Wikipedia - Charles Dunbar Broad
Wikipedia - Charles Duncan (British Army soldier) -- Recipient of the George Cross
Wikipedia - Charles Duncan, Jr.
Wikipedia - Charles Duncan Jr. -- American governmental official
Wikipedia - Charles Duncan Michener
Wikipedia - Charles Dunnett
Wikipedia - Charles Dunstone -- British businessman
Wikipedia - Charles du Paty de Clam -- French soldier and politician
Wikipedia - Charles Dupin
Wikipedia - Charles Durkee -- 19th century American pioneer, Congressman, U.S. Senator from Wisconsin, 6th Governor of the Utah Territory.
Wikipedia - Charles Durning -- American actor
Wikipedia - Charles Durrett -- American architect and author
Wikipedia - Charles Duryea -- American automobile manufacturer
Wikipedia - Charles Dutoit -- Swiss conductor
Wikipedia - Charles DuVal Roberts -- U.S. Army Brigadier General and Medal of Honor recipient
Wikipedia - Charles Duveyrier
Wikipedia - Charles Dvorak -- American track and field athlete
Wikipedia - Charles Dwight Sigsbee -- Rear Admiral in the United States Navy
Wikipedia - Charles Dymoke -- 16th-century English politician
Wikipedia - Charles Eames -- American designer, architect and film maker
Wikipedia - Charles Earland Anderson -- Canadian politician
Wikipedia - Charles Earland -- Jazz musician
Wikipedia - Charles Earl Rickart -- American mathematician
Wikipedia - Charles Eastman -- Native American physician and scouting pioneer
Wikipedia - Charles Eaton (actor) -- American actor
Wikipedia - Charles Eaton (RAAF officer) -- RAAF officer
Wikipedia - Charles E. Barkley -- American politician
Wikipedia - Charles Ebbets -- American sports executive
Wikipedia - Charles E. Beatley -- American politician
Wikipedia - Charles E. Bell -- American architect
Wikipedia - Charles E. Bennett Memorial Bridge -- Bridge in Florida, United States of America
Wikipedia - Charles E. Bennett (politician) -- American politician
Wikipedia - Charles Eberle -- American politician from Idaho
Wikipedia - Charles E. Bishop -- American economist (1921-2012)
Wikipedia - Charles E. Brady Jr. -- American astronaut
Wikipedia - Charles E. Burchfield
Wikipedia - Charles E. Cassell -- American architect (1838-1916)
Wikipedia - Charles Ecker -- American politician (1928-2015)
Wikipedia - Charles E. Cobb Jr. -- American journalist and civil rights activist
Wikipedia - Charles E. Courtney -- rower and rowing coach
Wikipedia - Charles E. DeLong -- American politician and diplomat
Wikipedia - Charles E. de M. Sajous -- American endocrinologist and laryngologist
Wikipedia - Charles Edgar Buckeridge -- English church decorative artist
Wikipedia - Charles Edge (architect) -- British architect
Wikipedia - Charles Edge (computer scientist) -- American computer scientist and author
Wikipedia - Charles Edmund Ford
Wikipedia - Charles Edouard Armand-Dumaresq -- French painter and illustrator
Wikipedia - Charles-Edouard Campeau -- Canadian politician
Wikipedia - Charles Edouard Guillaume
Wikipedia - Charles Edson -- American composer
Wikipedia - Charles Edward Adams (politician) -- American politician
Wikipedia - Charles Edward Atchley Jr. -- American judge
Wikipedia - Charles Edward Beckett -- British Army officer
Wikipedia - Charles Edward Beevor
Wikipedia - Charles Edward Blake Sr. -- Bishop of the Church of God in Christ
Wikipedia - Charles Edward Chapel -- American writer and politician
Wikipedia - Charles Edward Coffin -- American politician (1841-1912)
Wikipedia - Charles Edward Ernest Papendiek -- English architect
Wikipedia - Charles Edward Garman
Wikipedia - Charles Edward Haughton -- New Zealand politician
Wikipedia - Charles Edward Magoon -- American lawyer and diplomat
Wikipedia - Charles Edward McDonnell
Wikipedia - Charles Edward Merriam
Wikipedia - Charles Edward Page -- American physician
Wikipedia - Charles Edwards (English actor)
Wikipedia - Charles Edwards (Labour politician) -- British politician
Wikipedia - Charles Edward Smith -- American Baptist author
Wikipedia - Charles Edward Stephens -- English composer and instrumentalist
Wikipedia - Charles Edward Stevens
Wikipedia - Charles Edward Stuart -- Pretender to the English throne
Wikipedia - Charles Edwin Stone -- Recipient of the Victoria Cross
Wikipedia - Charles E. Estabrook -- American politician
Wikipedia - Charles E. Fenner -- businessperson
Wikipedia - Charles E. Fipke
Wikipedia - Charles E. Fuller -- American minister
Wikipedia - Charles E. Gannon -- American novelist
Wikipedia - Charles Egbu -- Nigerian academic
Wikipedia - Charles Egmond d'Arcis -- Swiss alpinist
Wikipedia - Charles E. Goad -- British cartographer and engineer
Wikipedia - Charles E. Graham -- American actor
Wikipedia - Charles E. Grayson -- American archer
Wikipedia - Charles E. Henderson -- American songwriter, arranger, vocal coach and lyricist
Wikipedia - Charles Eisenstein -- American writer
Wikipedia - Charles Ejogo -- British entrepreneur
Wikipedia - Charles E. Johnson Correctional Center -- Men's prison in Oklahoma, United States
Wikipedia - Charles Elachi -- Lebanese electrical engineer, JPL director
Wikipedia - Charles Eldridge -- American actor
Wikipedia - Charles E. Leiserson
Wikipedia - Charles Eliot (diplomat) -- British diplomat, colonial administrator and botanist
Wikipedia - Charles Eliot Norton Lectures
Wikipedia - Charles Eliot Norton
Wikipedia - Charles E. Lippincott -- American physician and politician.
Wikipedia - Charles Ellet Jr. -- American civil engineer
Wikipedia - Charles Ellington
Wikipedia - Charles Elliott (New Zealand politician) -- New Zealand politician
Wikipedia - Charles Elliot -- Royal Navy admiral
Wikipedia - Charles Elmer Allen -- American botanist and cell biologist
Wikipedia - Charles Elmer Hires
Wikipedia - Charles Elmhirst -- English cricketer and British Army officer
Wikipedia - Charles Elsey -- British racehorse trainer
Wikipedia - Charles E. Merrill -- American businessman
Wikipedia - Charles Emerson Beecher -- American paleontologist
Wikipedia - Charles Emil Bendire
Wikipedia - Charles-Emile Reynaud -- French inventor
Wikipedia - Charles Emile Troisier
Wikipedia - Charles E. Miller -- American politician and businessperson (1903-1979)
Wikipedia - Charles E. Mills -- American businessman and banker (1867-1929)
Wikipedia - Charles Emmanuel I of Sardinia
Wikipedia - Charles Emmanuel I
Wikipedia - Charles Emmerson -- British-Australian historian
Wikipedia - Charles Emmett Mack -- American actor
Wikipedia - Charles E. Myers -- United States Navy officer
Wikipedia - Charles Engel -- American economist
Wikipedia - Charles Enge -- American politician
Wikipedia - Charles Engola -- Ugandan politician and retired military officer
Wikipedia - Charles Enrique Dent
Wikipedia - Charles E. Osgood
Wikipedia - Charles E. Palm
Wikipedia - Charles E. Phelps -- Union Army general
Wikipedia - Charles Epstein -- American mathematician
Wikipedia - Charles Erastus Colton -- American architect
Wikipedia - Charles E. Raven
Wikipedia - Charles Erdman Petersdorff -- British judge and legal writer
Wikipedia - Charles E. Redman -- United States diplomat
Wikipedia - Charles E. Resser
Wikipedia - Charles Eriksson -- Swedish sailor
Wikipedia - Charles Ernest Beule
Wikipedia - Charles Ernest Nicholson -- British yacht designer
Wikipedia - Charles Erwin Wilson -- 5th US Secretary of Defense
Wikipedia - Charles E. Sawyer -- American homeopath and Physician to the President
Wikipedia - Charles E. Schaefer
Wikipedia - Charles E. Schmidt College of Medicine -- Medical school in Florida, USA
Wikipedia - Charles E. Scott -- American philosopher
Wikipedia - Charles Esimone -- Nigerian academic
Wikipedia - Charles E. Smith Center -- a multipurpose arena in Washington, D.C.
Wikipedia - Charles Esten -- American actor, musician and comedian (born 1965)
Wikipedia - Charles Estoppey -- Swiss politician
Wikipedia - Charles E. Stuart (Virginia politician) -- Member of Virginia House of Delegates
Wikipedia - Charles E. Stuart -- American politician
Wikipedia - Charles E. Terry -- American murderer and suspected serial killer
Wikipedia - Charles Ethelston -- English cleric (1790-1831)
Wikipedia - Charles Etienne Brasseur de Bourbourg
Wikipedia - Charles-Etienne Jordan
Wikipedia - Charles Etienne Raymond Victor de Verninac -- French diplomat
Wikipedia - Charles E. Townsend -- American politician
Wikipedia - Charles Eugene Amable de Veauce -- French equestrian
Wikipedia - Charles Eugene Gabriel de Sombreuil -- French Royalist commander
Wikipedia - Charles Eugene Lancelot Brown -- Swiss engineer (1863-1924)
Wikipedia - Charles Eugene, Prince of Lambesc
Wikipedia - Charles-Eusebe Casgrain -- Canadian politician
Wikipedia - Charles Evans (cricketer, born 1851) -- English cricketer and British Army officer
Wikipedia - Charles Evans Hughes -- American politician and 11th Chief Justice of the United States
Wikipedia - Charles Evan-Thomas -- Welsh cricketer and Royal Navy officer
Wikipedia - Charles Evered -- American writer
Wikipedia - Charles Evers -- American civil rights activist
Wikipedia - Charles E. Warren -- American glycobiologist (1962-2005)
Wikipedia - Charles E. Weir -- American chemist and physicist
Wikipedia - Charles E. Whitsett -- American USAF and NASA engineer
Wikipedia - Charles E. Woodworth -- American entomologist
Wikipedia - Charles Exbrayat -- French writer
Wikipedia - Charles Exshaw -- Irish painter and engraver
Wikipedia - Charles E. Young Research Library
Wikipedia - Charles Eyre (cricketer) -- English cricketer and British Army officer
Wikipedia - Charles Fabry -- French physicist
Wikipedia - Charles F. Adams-class destroyer -- Class of guided missile destroyers
Wikipedia - Charles Fagan -- Irish politician
Wikipedia - Charles Fall -- American politician
Wikipedia - Charles F. Andrews
Wikipedia - Charles F. Armstrong (North Carolina politician) -- American politician and lawyer
Wikipedia - Charles Faroux -- Motorsport official, race director and french carom world champion, born 1872, died 1957
Wikipedia - Charles Farrar Browne -- American writer
Wikipedia - Charles Farrell -- American actor
Wikipedia - Charles F. Ashley -- American politician
Wikipedia - Charles Faulkner (author) -- American author
Wikipedia - Charles Favre -- Swiss sailor
Wikipedia - Charles F. Brannan -- American politician, Secretary of Agriculture 1948-1953
Wikipedia - Charles F. Brown -- American lawyer and politician
Wikipedia - Charles F. Cooper (ecologist)
Wikipedia - Charles F. Dunkl -- American mathematician
Wikipedia - Charles Fefferman -- American mathematician
Wikipedia - Charles Fehrenbach (astronomer)
Wikipedia - Charles Fellows
Wikipedia - Charles Felton Pidgin -- American author, statistician and inventor (1844-1923)
Wikipedia - Charles Fenwick -- British politician
Wikipedia - Charles-Ferdinand Nothomb -- Belgian politician
Wikipedia - Charles Ferdinand Ramuz -- Swiss writer
Wikipedia - Charles Fernandez (pentathlete) -- Guatemalan modern pentathlete
Wikipedia - Charles Ferraro -- American politician
Wikipedia - Charles Ferren Hopkins -- American Vivil War Medal of Honor recipient
Wikipedia - Charles Ferris Gettemy -- American statistician and journalist
Wikipedia - Charles Ferster
Wikipedia - Charles F. Goodeve -- Canadian chemist and pioneer in operations research
Wikipedia - Charles F. Haanel
Wikipedia - Charles F. Haglin -- American architect
Wikipedia - Charles F. Hockett -- American linguist
Wikipedia - Charles F. Humphrey Jr. -- United States Army general (1876-1968)
Wikipedia - Charles Fillmore (Unity Church)
Wikipedia - Charles Fincher -- American cartoonist and lawyer
Wikipedia - Charles Finch -- American author and literary critic
Wikipedia - Charles Finlayson (New Zealand athlete) -- New Zealand sportsman
Wikipedia - Charles F. Inston -- British photographer
Wikipedia - Charles Firth (comedian) -- Australian comedian
Wikipedia - Charles Fiterman -- French politician
Wikipedia - Charles FitzClarence -- British Army general and recipient of the Victoria Cross
Wikipedia - Charles Flaherty (alpine skier) -- Alpine skier who competed for Puerto Rico in the 2018 Winter Olympics
Wikipedia - Charles Flanagan -- Irish Fine Gael politician
Wikipedia - Charles F. Lembke -- American architect
Wikipedia - Charles Fleming (author) -- American author
Wikipedia - Charles Fleming (ornithologist)
Wikipedia - Charles Fletcher (composer) -- American composer
Wikipedia - Charles F. Lettow -- American judge
Wikipedia - Charles Fleury (trade unionist) -- Canadian trade union activist
Wikipedia - Charles Floyd (explorer) -- American explorer and member of the Lewis and Clark Expedition
Wikipedia - Charles F. Marvin
Wikipedia - Charles F. Newcombe
Wikipedia - Charles Foix
Wikipedia - Charles Follen McKim -- American Beaux-Arts architect
Wikipedia - Charles Foote Gower -- English soap manufacturer
Wikipedia - Charles Foran -- Canadian writer in Toronto, Ontario
Wikipedia - Charles Forelle -- American journalist
Wikipedia - Charles Forsman -- American comics writer
Wikipedia - Charles Forster Smith -- American classical philologist
Wikipedia - Charles Fortin -- French painter
Wikipedia - Charles Fort (poet) -- American poet
Wikipedia - Charles Fort
Wikipedia - Charles Foster (attorney) -- American lawyer
Wikipedia - Charles Foster Batchelder
Wikipedia - Charles Foster Hathaway -- American businessman
Wikipedia - Charles Foster (hurdler) -- American hurdler
Wikipedia - Charles Foster Kane -- Character in the film "Citizen Kane"
Wikipedia - Charles Foster (Ohio politician) -- 35th Governor of Ohio and 40th Secretary of the Treasury
Wikipedia - Charles Foster (racewalker) -- American racewalker
Wikipedia - Charles Fouqueray -- French painter
Wikipedia - Charles Fourier
Wikipedia - Charles Fox (civil and railway engineer) -- British civil engineer and railway contractor (1810-1874)
Wikipedia - Charles Fox (composer)
Wikipedia - Charles Foxe -- 16th-century English politician
Wikipedia - Charles Fox Parham -- American preacher and evangelist
Wikipedia - Charles Francis Brittain -- American philosopher
Wikipedia - Charles Francis Colcord -- American businessman and police chief
Wikipedia - Charles Francis Hall (bishop) -- Episcopal bishop of New Hampshire
Wikipedia - Charles Francis Hall
Wikipedia - Charles Francis Laseron
Wikipedia - Charles Francis Potter
Wikipedia - Charles Francis Richter -- Seismologist and mathematician
Wikipedia - Charles Francis Summers -- Australian sculptor
Wikipedia - Charles-Francois Daubigny -- 19th-century French painter
Wikipedia - Charles-Francois d'Iberville -- French aristocrat and diplomat
Wikipedia - Charles Francois Dumouriez -- French general
Wikipedia - Charles-Francois Tarieu de La Naudiere -- Canadian officer and seigneur
Wikipedia - Charles Frankel
Wikipedia - Charles Franklin Sparrell -- American architect
Wikipedia - Charles Franklin -- Irish motorcycle designer and racer
Wikipedia - Charles Frank -- American actor
Wikipedia - Charles Frederick Barber -- Canadian former politician
Wikipedia - Charles Frederick Crisp -- Speaker of the United States House of Representatives
Wikipedia - Charles Frederick, Grand Duke of Baden
Wikipedia - Charles Frederick Hall -- British violinist
Wikipedia - Charles Frederick Hartt -- Canadian-American geologist, paleontologist and naturalist
Wikipedia - Charles Frederick Lyttelton -- English cricketer and priest
Wikipedia - Charles Frederick Mosteller
Wikipedia - Charles Fredericks -- American actor
Wikipedia - Charles Frederick Worth -- 19th-century English fashion designer
Wikipedia - Charles Frederic Petit -- French archer
Wikipedia - Charles Freer Andrews -- Christian missionary in India, close friend of Mahatma Gandhi
Wikipedia - Charles Fremantle -- British Royal Navy officer
Wikipedia - Charles French (entomologist)
Wikipedia - Charles Frias -- American businessman
Wikipedia - Charles Friderich -- Swiss politician
Wikipedia - Charles Friedel
Wikipedia - Charles Frosst -- Canadian businessman
Wikipedia - Charles Frost (naturalist)
Wikipedia - Charles Fry -- English cricketer and cricket administrator
Wikipedia - Charles F. Seabrook -- American businessman
Wikipedia - Charles F. Shaw -- American businessman and former winery owner
Wikipedia - Charles F. Tabor -- American politician
Wikipedia - Charles Fuge Lowder
Wikipedia - Charles Fuller Baker -- American entomologist
Wikipedia - Charles F. Van de Water -- American politician
Wikipedia - Charles F. Van Loan
Wikipedia - Charles F. Voegelin -- American linguist
Wikipedia - Charles F. Weaver -- American politician
Wikipedia - Charles F. Widdecke -- U.S. Marine Corps Major General
Wikipedia - Charles F. Willard -- American aviator (1883-1977
Wikipedia - Charles F. Winslow
Wikipedia - Charles Gaines (artist) -- American conceptual artist
Wikipedia - Charles Galton Darwin
Wikipedia - Charles Gandy -- French physician
Wikipedia - Charles Garabed Atamian -- French painter of Ottoman origin
Wikipedia - Charles Gardner (politician) -- American politician
Wikipedia - Charles Garland Verrinder -- English organist and composer
Wikipedia - Charles Garner (sailor) -- American sailor
Wikipedia - Charles Garnier (architect) -- French architect
Wikipedia - Charles Garnier (missionary)
Wikipedia - Charles Garrard -- New Zealand cricket umpire and educator
Wikipedia - Charles Garrett -- English cricketer and Royal Navy officer
Wikipedia - Charles Garzarella -- Australian weightlifter
Wikipedia - Charles-Gaspard de la Rive -- Swiss chemist, politician and psychiatrist
Wikipedia - Charles Gaspard Hyacinthe de Forbin La Barben -- Naval officer
Wikipedia - Charles G. Atherton -- American politician
Wikipedia - Charles Gaulthier -- French sailor
Wikipedia - Charles Gawith -- Australian politician
Wikipedia - Charles G. Bennett -- American politician from New York
Wikipedia - Charles G. Bickham -- United States Army Medal of Honor recipient
Wikipedia - Charles G. Booth -- <put desc here>
Wikipedia - Charles G. Callard -- American businessman
Wikipedia - Charles G. Case II -- American judge
Wikipedia - Charles G. Dawes
Wikipedia - Charles Geddes, Baron Geddes of Epsom -- British trade unionist
Wikipedia - Charles Geerts (businessman) -- Brothel owner
Wikipedia - Charles Gemora -- American make up artist
Wikipedia - Charles Geoffrey Vickers
Wikipedia - Charles George Drake
Wikipedia - Charles George (equestrian) -- American equestrian
Wikipedia - Charles George Gordon -- British army officer and administrator
Wikipedia - Charles George Herbermann
Wikipedia - Charles George James Arbuthnot -- British Army general
Wikipedia - Charles George Nurse -- English officer, naturalist, entomologist (1862-1933)
Wikipedia - Charles Georges Javet
Wikipedia - Charles Gerald Stewkley Shuckburgh -- English cricketer and baronet
Wikipedia - Charles-Gerard Eyschen -- Luxembourgian politician
Wikipedia - Charles Geschke
Wikipedia - Charles Gheerbrant -- French politician
Wikipedia - Charles Ghigna
Wikipedia - Charles Giblyn -- American film director
Wikipedia - Charles Gidding -- United States Medal of Honor recipient
Wikipedia - Charles Gifford (astronomer) -- New Zealand astronomer, explorer, and teacher
Wikipedia - Charles Gilbert Chaddock -- American neurologist
Wikipedia - Charles Gildon -- English writer
Wikipedia - Charles Gilmore (speed skater) -- American speed skater
Wikipedia - Charles Gilpin (politician)
Wikipedia - Charles Ginsburg -- American engineer
Wikipedia - Charles Gittens -- U.S. Secret Service agent (1928-2011)
Wikipedia - Charles Glen King
Wikipedia - Charles Glenn Wallis -- American poet
Wikipedia - Charles Gleyre -- Swiss artist
Wikipedia - Charles Glover Barkla -- English physicist
Wikipedia - Charles Gmelin -- British athlete
Wikipedia - Charles G. Myers -- New York politician and judge
Wikipedia - Charles Goddard (playwright) -- American playwright and screenwriter
Wikipedia - Charles Godfray -- British zoologist
Wikipedia - Charles Godfrey (courtier)
Wikipedia - Charles Godfrey Gunther
Wikipedia - Charles Godfrey (physician) -- Canadian politician and physician
Wikipedia - Charles Goerens -- Luxembourgish politician
Wikipedia - Charles Goldfarb -- The father of SGML and grandfather of HTML and the World Wide Web
Wikipedia - Charles Goldner -- British actor
Wikipedia - Charles Goldsborough -- American politician (1765-1834)
Wikipedia - Charles Gonnet -- French poet
Wikipedia - Charles Gonthier -- Canadian Supreme Court judge
Wikipedia - Charles Goodell -- American politician
Wikipedia - Charles Goodhart
Wikipedia - Charles Goodyear -- American inventor
Wikipedia - Charles Gordon, 10th Marquess of Huntly -- Scottish peer and politician
Wikipedia - Charles Gordon (cricketer, born 1814) -- English cricketer and gin distiller
Wikipedia - Charles Gordon Hopkins -- Politician in the Hawaiian Kingdom
Wikipedia - Charles Gordon (journalist) -- Canadian writer (born 1940)
Wikipedia - Charles Gordon (parliamentary clerk) -- an English parliamentary clerk
Wikipedia - Charles Gordon (producer) -- American film producer
Wikipedia - Charles Goren -- American bridge player and writer
Wikipedia - Charles Gore
Wikipedia - Charles Gorman (actor) -- American actor
Wikipedia - Charles Gorman (speed skater) -- Canadian speed skater
Wikipedia - Charles Gorrie Wynne -- British engineer
Wikipedia - Charles Gosse -- Australian surgeon
Wikipedia - Charles Gough Howell -- Welsh lawyer and British colonial official
Wikipedia - Charles Gounod -- French composer (1818-1893)
Wikipedia - Charles G. Overberger -- American chemist (1920-1997)
Wikipedia - Charles G. Palmer-Buckle -- 20th and 21st-century Catholic Ghanaian archbishop
Wikipedia - Charles Graddick -- Alabama lawyer and politician
Wikipedia - Charles Grafton Page
Wikipedia - Charles Graner -- American soldier and war criminal
Wikipedia - Charles Granville, 2nd Earl of Bath -- English diplomat
Wikipedia - Charles Granville -- British publisher
Wikipedia - Charles Gratiot -- United States Army officer
Wikipedia - Charles Grawemeyer -- US businessman and philanthropist
Wikipedia - Charles Gray (actor) -- English actor
Wikipedia - Charles Gray (musician) -- American musician
Wikipedia - Charles G. Reavis -- American politician from North Carolina
Wikipedia - Charles Greeley Abbot -- American astrophysicist
Wikipedia - Charles Green (astronomer)
Wikipedia - Charles Green (athlete) -- Australian hurdler
Wikipedia - Charles Green (Australian soldier) -- Australian infantry battalion commander
Wikipedia - Charles Green (bobsleigh) -- British bobsledder
Wikipedia - Charles Grenzbach -- American sound engineer
Wikipedia - Charles Grey, 2nd Earl Grey -- Prime Minister of the United Kingdom of Great Britain and Ireland
Wikipedia - Charles G. Ridgeley -- United States Navy officer
Wikipedia - Charles Griffin -- Union Army general
Wikipedia - Charles Griffith (judoka) -- Venezuelan judoka
Wikipedia - Charles Grigsby -- American singer (born 1978)
Wikipedia - Charles Grodin -- American actor
Wikipedia - Charles Grosvenor -- American film director
Wikipedia - Charles Groves Wright Anderson -- Australian Victoria Cross recipient, farmer and politician.
Wikipedia - Charles Guignon
Wikipedia - Charles Guiraist -- French sailor
Wikipedia - Charles Guiteau (song) -- Folk song about assassination of Garfield
Wikipedia - Charles Gumery -- French sculptor
Wikipedia - Charles Gunn (actor) -- American actor
Wikipedia - Charles Gunn (athlete) -- British racewalker
Wikipedia - Charles Gurassa -- British businessman
Wikipedia - Charles-Gustave Kuhn -- Swiss equestrian
Wikipedia - Charles Haden -- Charles Haden
Wikipedia - Charles Haertling -- American architect
Wikipedia - Charles Hafner -- American sculptor
Wikipedia - Charles Hallahan -- American film, television and stage actor
Wikipedia - Charles Hall (Australian politician) -- Australian politician
Wikipedia - Charles Hall (economist)
Wikipedia - Charles Hamelin -- Canadian short-track speed skater
Wikipedia - Charles Hamilton Houston -- African-American lawyer
Wikipedia - Charles Hamilton (MP)
Wikipedia - Charles Hamilton (rapper) -- American rapper, singer-songwriter, and record producer from New York
Wikipedia - Charles Hamilton Smith
Wikipedia - Charles Hamilton Teeling -- Irish journalist
Wikipedia - Charles Hamilton (writer) bibliography
Wikipedia - Charles Hamilton (writer) -- English writer of school stories (1876-1961)
Wikipedia - Charles Hammock -- American politician
Wikipedia - Charles Hamm -- American musicologist
Wikipedia - Charles Hancock (painter) -- British painter
Wikipedia - Charles Hancock -- English organist and composer
Wikipedia - Charles Hand -- Australian politician
Wikipedia - Charles Harder -- American lawyer
Wikipedia - Charles Hardie Buzacott -- Australian journalist, publisher and politician
Wikipedia - Charles Harding Firth
Wikipedia - Charles Hard Townes
Wikipedia - Charles Hardy (Australian politician) -- Australian politician
Wikipedia - Charles Harenc -- English cricketer and lawyer
Wikipedia - Charles Hare (priest) -- Anglican priest
Wikipedia - Charles Harington (British Army officer, born 1872) -- British Army general
Wikipedia - Charles Harington (chemist)
Wikipedia - Charles Harold Davis -- American landscape painter
Wikipedia - Charles Harpur
Wikipedia - Charles Harrelson -- American murderer and hitman, father of Woody Harrelson
Wikipedia - Charles Harrington Elster
Wikipedia - Charles Harris (canoeist) -- American canoeist
Wikipedia - Charles Harris (civil servant) -- Civil servant in the British War Office
Wikipedia - Charles Harris (photographer) -- American photographer
Wikipedia - Charles Hart (actor) -- 17th-century English actor
Wikipedia - Charles Hartshorne
Wikipedia - Charles Harvard Gibbs-Smith -- 20th-century British historian of aviation
Wikipedia - Charles Haskins Townsend
Wikipedia - Charles Hasse -- Film editor
Wikipedia - Charles Hastings (Canadian physician) -- Canadian obstetrician and public health pioneer
Wikipedia - Charles Hatchett
Wikipedia - Charles Haughey -- Three-times Taoiseach (Prime Minister) of Ireland
Wikipedia - Charles Hawkins (Medal of Honor) -- American Medal of Honor recipient
Wikipedia - Charles Hawksley -- Civil engineer from Nottingham, England
Wikipedia - Charles Hawtrey (actor, born 1858) -- British actor and producer
Wikipedia - Charles Hawtrey (actor, born 1914) -- English actor
Wikipedia - Charles Hayfron-Benjamin -- Supreme Court Justice
Wikipedia - Charles Hayward Izard -- New Zealand politician
Wikipedia - Charles Hazelius Sternberg
Wikipedia - Charles H. Baldwin House -- Historic house
Wikipedia - Charles H. Barbour -- American politician from Virginia
Wikipedia - Charles H. Bennett (computer scientist)
Wikipedia - Charles H. Bennett (physicist)
Wikipedia - Charles H. Bigelow -- American architect
Wikipedia - Charles H. Bronson -- American public official
Wikipedia - Charles H. Cecil Studios
Wikipedia - Charles H. Cochrane -- American law enforcement officer
Wikipedia - Charles H. Cole (banker) -- American banker
Wikipedia - Charles H. Colton
Wikipedia - Charles Hedley Strutt -- British politician
Wikipedia - Charles Hedley
Wikipedia - Charles Hellaby -- Scottish mathematician
Wikipedia - Charles Hemphill, 1st Baron Hemphill -- British politician
Wikipedia - Charles Henderson, 3rd Baron Faringdon -- British peer
Wikipedia - Charles Henderson (weightlifter) -- Australian weightlifter
Wikipedia - Charles Hennemann -- American athlete
Wikipedia - Charles Henning -- Australian politician
Wikipedia - Charles-Henri Delacroix -- French general
Wikipedia - Charles-Henri Flammarion -- French editor
Wikipedia - Charles Henry Alden -- United States Army general (1836-1906)
Wikipedia - Charles Henry Allan Bennett -- Chemist and occultist
Wikipedia - Charles Henry Ambler -- American historian, teacher, professor and civil servant
Wikipedia - Charles Henry Anderson -- British politician
Wikipedia - Charles Henry Bond -- American businessman
Wikipedia - Charles Henry Byce -- Canadian Army soldier
Wikipedia - Charles Henry Davis -- United States Navy admiral
Wikipedia - Charles Henry Gilbert
Wikipedia - Charles Henry Hartshorne
Wikipedia - Charles Henry Julia Barreras -- Puerto Rican politician
Wikipedia - Charles Henry Langston -- American abolitionist and political activist
Wikipedia - Charles Henry (librarian)
Wikipedia - Charles Henry Niehaus -- American sculptor
Wikipedia - Charles Henry Parkhurst -- United States clergyman
Wikipedia - Charles Henry Robinson
Wikipedia - Charles Henry Tilson Marshall
Wikipedia - Charles Henry Turner (zoologist)
Wikipedia - Charles Henry Tyler Townsend
Wikipedia - Charles Henry Westmorland -- British general
Wikipedia - Charles Hepworth Holland
Wikipedia - Charles Herbert Allen -- American politician
Wikipedia - Charles Herbert Best
Wikipedia - Charles Herbert Brereton -- Canadian politician
Wikipedia - Charles Herbert Garvin -- American physician
Wikipedia - Charles Herbert Joyce -- American lawyer and politician
Wikipedia - Charles Herbert Locke -- Australian company director
Wikipedia - Charles Herbert Lowe
Wikipedia - Charles Herbert (MP died 1605) -- English politician
Wikipedia - Charles Herby -- American architect
Wikipedia - Charles Hermite
Wikipedia - Charles Herrick -- American politician (1814-1886)
Wikipedia - Charles Hertan -- American FIDE Chess Master and author
Wikipedia - Charles Herty
Wikipedia - Charles Hertzberg -- Canadian Army general
Wikipedia - Charles Hesterman Merz -- British electrical engineer
Wikipedia - Charles Heywood (1803-1853) -- U.S. Navy lieutenant
Wikipedia - Charles H. Ferguson
Wikipedia - Charles H. Fernald
Wikipedia - Charles H. Fowler
Wikipedia - Charles H. Gaus -- American politician
Wikipedia - Charles H. Hart -- American Mormon leader
Wikipedia - Charles H. Hayward -- English cabinet maker
Wikipedia - Charles H. Henry
Wikipedia - Charles H. Houghton -- American Civil War Medal of Honor recipient
Wikipedia - Charles Hickley -- English cricketer and barrister
Wikipedia - Charles Hicks Bustill -- American abolitionist
Wikipedia - Charles Hicks -- American entertainer
Wikipedia - Charles Higham (biographer) -- English writer
Wikipedia - Charles Hill Mailes -- Canadian actor
Wikipedia - Charles Hines (director) -- American director
Wikipedia - Charles-Hippolyte Dubois-Davesnes -- French playwright (1800-1874)
Wikipedia - Charles Hirsch -- American forensic pathologist
Wikipedia - Charles Hirshberg -- American journalist and sportswriter
Wikipedia - Charles Hitchcock Adams
Wikipedia - Charles H. Jacoby Jr. -- US Army general
Wikipedia - Charles H. Kahn
Wikipedia - Charles H. Kline -- American politician
Wikipedia - Charles H. Kraft -- American author of Christian related books
Wikipedia - Charles H. Land -- American dentist (1847-1922)
Wikipedia - Charles H. Lindsey
Wikipedia - Charles H. Marshall (pilot boat) -- Sandy Hook Pilot boat
Wikipedia - Charles H. Marsh -- Union Army Medal of Honor recipient
Wikipedia - Charles H. Martin (North Carolina politician) -- American politician
Wikipedia - Charles H. Mason -- American politician (1830-1859)
Wikipedia - Charles H. Matchett -- American politician
Wikipedia - Charles H. Moore
Wikipedia - Charles Hobhouse -- British politician
Wikipedia - Charles Hockett
Wikipedia - Charles Hodgson Lindsey
Wikipedia - Charles Hoeflinger -- American politician
Wikipedia - Charles Holden -- English architect (1875-1960)
Wikipedia - Charles Hollenberg
Wikipedia - Charles Hollis Jones -- American artist and furniture designer
Wikipedia - Charles Holzer -- United States Virgin Islands equestrian
Wikipedia - Charles H. O'Neill -- American politician
Wikipedia - Charles Honoris -- Indonesian politician
Wikipedia - Charles Horace Mayo
Wikipedia - Charles Horter -- American sailor
Wikipedia - Charles Horton Cooley
Wikipedia - Charles Horton Peck -- U.S. mycologist (1833-1917)
Wikipedia - Charles Hose
Wikipedia - Charles Hoskinson -- American mathematician
Wikipedia - Charles Hough Jr. -- American equestrian
Wikipedia - Charles Howard, 10th Earl of Carlisle -- British soldier and Liberal Unionist politician
Wikipedia - Charles Howard, 11th Duke of Norfolk -- British nobleman, peer, and politician
Wikipedia - Charles Howard, 1st Earl of Nottingham -- English politician and noble
Wikipedia - Charles Howard, 20th Earl of Suffolk -- British Earl
Wikipedia - Charles Howard Curran
Wikipedia - Charles Howard Hinton -- British mathematician and science fiction author
Wikipedia - Charles Howorth -- New Zealand artist (1856-1945)
Wikipedia - Charles H. Patten House -- United States historic home
Wikipedia - Charles H. Paul -- American judge
Wikipedia - Charles H. Percy -- Businessman and U.S. senator
Wikipedia - Charles H. Pinkham -- American Civil War Medal of Honor recipient
Wikipedia - Charles H. Pitman -- American Hero, USMC Lieutenant General
Wikipedia - Charles H. Ramsey -- American police chief
Wikipedia - Charles H. Sharman -- American civil engineer (1841 - 1938)
Wikipedia - Charles H. Sheldon -- American politician and 2nd Governor of South Dakota
Wikipedia - Charles H. Stanley -- 22nd Comptroller of Maryland (1842-1913)
Wikipedia - Charles H. Stearns -- American businessman and politician
Wikipedia - Charles H. Stonestreet
Wikipedia - Charles H. Townes -- American physicist
Wikipedia - Charles Hubbard (archer) -- American archer
Wikipedia - Charles Hubbard Judd
Wikipedia - Charles Hubbard (politician) -- Canadian politician
Wikipedia - Charles Hubert Boulby Blount -- English cricketer and airman
Wikipedia - Charles Hubert Millevoye -- French poet
Wikipedia - Charles Hubert Roberts -- British surgeon
Wikipedia - Charles Hubert Sisson
Wikipedia - Charles Hucker -- American historian
Wikipedia - Charles Hugh Alison -- British golf course architect
Wikipedia - Charles Hugo (sailor) -- French sailor
Wikipedia - Charles Hugo (writer) -- Charles Hugo (writer)
Wikipedia - Charles Hulbert (mayor) -- New Zealand mayor
Wikipedia - Charles Hulett -- British actor
Wikipedia - Charles Hulme
Wikipedia - Charles Humphrey Atherton -- American politician
Wikipedia - Charles Hunter (composer) -- American ragtime composer
Wikipedia - Charles Hutchison -- American actor
Wikipedia - Charles H. Weisse -- American politician
Wikipedia - Charles H. Wright Museum of African American History -- Non-profit organization in the USA
Wikipedia - Charles Hyde -- British sports shooter
Wikipedia - Charles H. Zeanah
Wikipedia - Charles Ian Howarth -- British psychologist
Wikipedia - Charles Ibingira -- Ugandan academic
Wikipedia - Charles I, Count of Flanders
Wikipedia - Charles I, Duke of Brittany
Wikipedia - Charles II de Cosse, Duke of Brissac -- Marshal of France
Wikipedia - Charles II, Grand Duke of Mecklenburg-Strelitz
Wikipedia - Charles III, Duke of Bourbon -- 16th-century French general and nobleman
Wikipedia - Charles III of Naples
Wikipedia - Charles III of Spain
Wikipedia - Charles III's Departure for Spain, Seen from the Land -- Painting by Antonio Joli in the National Museum of Capodimonte, Naples
Wikipedia - Charles III's Departure for Spain, Seen from the Sea -- Painting by Antonio Joli in the National Museum of Capodimonte, Naples
Wikipedia - Charles I Insulted by Cromwell's Soldiers -- 1836 painting by Paul Delaroche
Wikipedia - Charles II of England -- 17th-century monarch of England, Scotland and Ireland
Wikipedia - Charles II of Hungary
Wikipedia - Charles II of Naples -- King of Naples (1254-1309
Wikipedia - Charles II of Spain -- King of Spain; last Habsburg ruler of the Spanish Empire
Wikipedia - Charles I Louis, Elector Palatine -- Elector palatine of the Rhine
Wikipedia - Charles Immanuel Forsyth Major
Wikipedia - Charles I. Murray -- U.S. Marine Corps Brigadier General
Wikipedia - Charles in a Striped Jersey -- Painting of Henri Evenepoel
Wikipedia - Charles in Charge -- American comedy television series
Wikipedia - Charles Ingalls -- Father of Laura Ingalls Wilder
Wikipedia - Charles Inglis (engineer) -- British civil engineer
Wikipedia - Charles Inglis (Royal Navy officer, died 1791) -- Royal Navy admiral
Wikipedia - Charles Ingram -- English novelist, computer repairman, army major, and fraudster
Wikipedia - Charles Inojie -- Nigerian actor and comedian
Wikipedia - Charles Insco Williams -- American architect
Wikipedia - Charles Inslee -- American actor
Wikipedia - Charles I of Albret
Wikipedia - Charles I of Anjou
Wikipedia - Charles I of Austria -- Emperor of Austria and King of Hungary as Charles IV
Wikipedia - Charles I of England -- 17th-century monarch of England, Scotland and Ireland
Wikipedia - Charles I of Hungary
Wikipedia - Charles I of Naples
Wikipedia - Charles I of Sicily
Wikipedia - Charles Irby
Wikipedia - Charles Irving Jones III -- American Episcopal bishop
Wikipedia - Charles Irving Thornton -- United States historic place
Wikipedia - Charles Isabelle -- French architect
Wikipedia - Charles Island -- Tidal island off the coast of Milford, Connecticut, in Long Island Sound
Wikipedia - Charles Ives
Wikipedia - Charles IV, Holy Roman Emperor -- 14th century Holy Roman Emperor of the House of Luxembourg
Wikipedia - Charles IV of France -- Last King of France who was directly a member of the House of Capet
Wikipedia - Charles IV of Spain and His Family -- Oil painting by Francisco Goya
Wikipedia - Charles IV of Spain -- King of Spain and the Spanish Empire from 1788 to 1808
Wikipedia - Charles IX of France
Wikipedia - Charles Jackson (serial killer) -- American rapist and serial killer
Wikipedia - Charles James Barnett -- English cricketer and politician
Wikipedia - Charles James Beverley -- British naval surgeon and naturalist
Wikipedia - Charles James Blasius Williams -- English doctor
Wikipedia - Charles James Blomfield (Indian Army officer) -- General in the Indian army
Wikipedia - Charles James Blomfield
Wikipedia - Charles James Faulkner -- American politician
Wikipedia - Charles James Fox -- British politician (1749-1806)
Wikipedia - Charles James Furey -- Canadian politician
Wikipedia - Charles James Martin (scientist)
Wikipedia - Charles James McDonnell -- Catholic bishop
Wikipedia - Charles James Murray -- British politician
Wikipedia - Charles James Napier -- Major General, Governor of Sindh, and Commander-in-Chief in British India (1782-1853)
Wikipedia - Charles James Sprague -- American botanist
Wikipedia - Charles Janet
Wikipedia - Charles Janeway -- immunologist
Wikipedia - Charles Janssens -- Belgian actor
Wikipedia - Charles Januarius Acton -- English Catholic cardinal
Wikipedia - Charles Jarman -- British trade union leader
Wikipedia - Charles Jarrott -- British film and television director
Wikipedia - Charles Jarvis (businessman) -- American businessman
Wikipedia - Charles J. A. Wilson -- 20th-century American marine artist, painter, etcher, and illustrator
Wikipedia - Charles J. Bell (businessman) -- Irish-born American and Canadian businessman, co-founder of the National Geographic Society
Wikipedia - Charles J. Bell -- American politician
Wikipedia - Charles J. Bensco -- Hungarian-born American painter
Wikipedia - Charles J. Bouchard -- Member of the Wisconsin State Assembly
Wikipedia - Charles J. Burstone -- American orthodontist
Wikipedia - Charles J. Cazeau -- American geologist and writer
Wikipedia - Charles J. Chaput -- American prelate of the Catholic Church
Wikipedia - Charles J. Conrad -- American politician
Wikipedia - Charles J. Davis -- American politician
Wikipedia - Charles Jean-Baptiste Amyot
Wikipedia - Charles Jeanneret (politician) -- Australian steamboat owner and politician
Wikipedia - Charles Jeanne -- Leader of the Parisian June Rebellion
Wikipedia - Charles Jeantaud -- French engineer
Wikipedia - Charles Jeffers -- American sports shooter
Wikipedia - Charles Jeffreys -- South African sport shooter
Wikipedia - Charles Jencks -- American architect
Wikipedia - Charles Jennens
Wikipedia - Charles Jennings (journalist) -- Canadian journalist
Wikipedia - Charles Jenny -- Swiss bobsledder
Wikipedia - Charles Jensen (gymnast) -- Danish gymnast
Wikipedia - Charles J. Epstein
Wikipedia - Charles Jermann -- Swiss sports shooter
Wikipedia - Charles Jervas -- Irish painter and translator
Wikipedia - Charles Jewtraw -- American speed skater
Wikipedia - Charles J. Fillmore
Wikipedia - Charles J. Guiteau -- American assassin, writer and lawyer
Wikipedia - Charles J. Hewitt -- New York politician
Wikipedia - Charles J. Hite -- American film producer
Wikipedia - Charles J. Hunt -- American film editor and director
Wikipedia - Charles J. Kinsolving III -- Bishop of the Episcopal Diocese of Rio Grande
Wikipedia - Charles J. McCormack -- New York City politician
Wikipedia - Charles J. Nelson -- American diplomat
Wikipedia - Charles John Brown
Wikipedia - Charles John Crowle -- Former British politician
Wikipedia - Charles John Frederick Lampe -- English composer and organist (1739-1767)
Wikipedia - Charles Johns (golfer) -- English golfer
Wikipedia - Charles Johnson (diver) -- British diver
Wikipedia - Charles Johnson (Royal Navy officer) -- British admiral
Wikipedia - Charles Johnson Woodbury
Wikipedia - Charles Johnson (writer) -- 17th/18th-century English playwright and tavern keeper
Wikipedia - Charles Johnston Badger -- U.S. Navy admiral (1853-1932)
Wikipedia - Charles Johnstone (athlete) -- British athlete
Wikipedia - Charles Johnston (Theosophist)
Wikipedia - Charles John Taylor -- New Zealand politician
Wikipedia - Charles Jones (composer) -- Canadian-born music educator and composer
Wikipedia - Charles Jones (engineer) -- English civil engineer
Wikipedia - Charles Jones (photographer) -- English gardener and photographer
Wikipedia - Charles Jones (Upper Canada politician) -- Upper Canada politician
Wikipedia - Charles Jonnart -- French politician
Wikipedia - Charles Joseph Bonaparte -- American lawyer (1851-1921)
Wikipedia - Charles-Joseph Bouchard
Wikipedia - Charles Joseph de Villers
Wikipedia - Charles-Joseph-Eugene de Mazenod
Wikipedia - Charles Joseph Fay -- Irish politician
Wikipedia - Charles Joseph Gahan
Wikipedia - Charles Joseph Gravier -- French zoologist
Wikipedia - Charles Joseph Marty-Laveaux -- French literary scholar
Wikipedia - Charles Joseph Minard
Wikipedia - Charles-Joseph, Prince of Ligne -- Habsburg Austrian Field Marshal, writer and intellectual (1735-1814)
Wikipedia - Charles Joughin -- English chef and survivor of the Titanic
Wikipedia - Charles Jourdain -- Canadian mixed martial arts fighter
Wikipedia - Charles Jourdan -- French fashion designer
Wikipedia - Charles Journet
Wikipedia - Charles J. Pedersen -- American organic chemist
Wikipedia - Charles J. Solomon -- American bridge expert
Wikipedia - Charles J. Stine -- American actor
Wikipedia - Charles Judels -- American actor
Wikipedia - Charles Julien Fanneau de Lahorie -- French sailor
Wikipedia - Charles J. Urstadt -- American real estate executive
Wikipedia - Charles J. Vopicka -- American diplomat
Wikipedia - Charles Kalme -- Latvian-American chess player
Wikipedia - Charles Kamalam Job -- Indian surgeon
Wikipedia - Charles Kaman -- American businessman, engineer and inventor
Wikipedia - Charles Karsner Mills -- American physician and neurologist
Wikipedia - Charles Katz -- American computer programmer
Wikipedia - Charles Kay Ogden
Wikipedia - Charles Kean -- 19th-century English actor
Wikipedia - Charles Kearns Deane Tanner -- Irish surgeon and politician
Wikipedia - Charles Keating -- American businessman
Wikipedia - Charles Keck -- American sculptor
Wikipedia - Charles K. Edmunds -- President of Pomona College
Wikipedia - Charles Keeble -- Australian figure skater
Wikipedia - Charles Keeler
Wikipedia - Charles Keeling
Wikipedia - Charles Keene (archer) -- British archer
Wikipedia - Charles Kegan Paul -- British publisher and author
Wikipedia - Charles Kekumano
Wikipedia - Charles Kelland -- English politician
Wikipedia - Charles Kelley
Wikipedia - Charles Kelly (historian) -- American historian
Wikipedia - Charles Kelman -- American ophthalmologist and entertainer
Wikipedia - Charles Kemble -- 18th/19th-century English actor
Wikipedia - Charles Kemeys-Tynte (1800-1882) -- British politician
Wikipedia - Charles Kendall Adams -- American educator and historian
Wikipedia - Charles Kennedy -- Former Leader of the Liberal Democrats
Wikipedia - Charles Kenny McClatchy -- American journalist
Wikipedia - Charles Kent (actor) -- Actor
Wikipedia - Charles Kenyon -- American screenwriter
Wikipedia - Charles Kerremans
Wikipedia - Charles Kerr (screenwriter) -- American filmmaker
Wikipedia - Charles Kettle -- New Zealand politician
Wikipedia - Charles K. Feldman -- American attorney, film producer and talent agent
Wikipedia - Charles K. Field -- Poet and journalist from California
Wikipedia - Charles K. French -- American actor
Wikipedia - Charles K. Gerrard -- Irish actor
Wikipedia - Charles Kiffer-Porte -- French painter
Wikipedia - Charles Kimberlin Brain
Wikipedia - Charles Kindersley -- English cricketer and British Army officer
Wikipedia - Charles King (character actor) -- American film actor
Wikipedia - Charles King (English cricketer) -- English cricketer and cleric
Wikipedia - Charles King (musical actor) -- Vaudeville and Broadway actor
Wikipedia - Charles Kingsford Smith -- Australian aviator
Wikipedia - Charles Kingsley Meek -- British anthropologist
Wikipedia - Charles Kingsley -- English clergyman, historian and novelist
Wikipedia - Charles Kingstone -- New Zealand sportsman
Wikipedia - Charles Kittel -- American Physicist
Wikipedia - Charles Kjerulf -- Danish composer and music critic
Wikipedia - Charles K. Kao -- Physicist, Nobel Prize Laureate
Wikipedia - Charles Klauder -- American architect
Wikipedia - Charles Kleinsmith -- United States Navy sailor
Wikipedia - Charles Knight (cardiologist) -- Professor of cardiology and hospital CEO
Wikipedia - Charles Knight (publisher) -- 18th/19th-century English publisher, editor, and author
Wikipedia - Charles Knowlton -- American physician, atheist, writer and birth control advocate
Wikipedia - Charles Knox -- American composer, educator and trombonist
Wikipedia - Charles Koch -- American billionaire and businessman
Wikipedia - Charles Koechlin
Wikipedia - Charles Koffi Diby -- Ivorian politician
Wikipedia - Charles Kofi Agbenaza -- Ghanaian politician
Wikipedia - Charles Kohl -- Luxembourgian sculptor
Wikipedia - Charles Kolstad -- American economist
Wikipedia - Charles Kondi Agba -- Togolese politician
Wikipedia - Charles Konig
Wikipedia - Charles Krause (gymnast) -- American Olympic gymnast
Wikipedia - Charles Krauthammer -- American journalist
Wikipedia - Charles Krebs -- Canadian ecologist
Wikipedia - Charles Krug -- American winemaker
Wikipedia - Charles Kuenstle -- American actor and writer
Wikipedia - Charles Kupperman -- former United States government official
Wikipedia - Charles Kurzman
Wikipedia - Charles Kuta
Wikipedia - Charles Kuwasseg -- French painter
Wikipedia - Charles L. Aarons -- Milwaukee County Circuit Court judge
Wikipedia - Charles Laban Abernethy -- American politician
Wikipedia - Charles Labouchere -- Dutch equestrian
Wikipedia - Charles Lacey -- English golfer
Wikipedia - Charles L. Adair -- United States Navy rear admiral (1902-1993)
Wikipedia - Charles Lakes -- American gymnast
Wikipedia - Charles Lalemant
Wikipedia - Charles Lallemant
Wikipedia - Charles Lalo
Wikipedia - Charles Lambert Manneback
Wikipedia - Charles Lamberton
Wikipedia - Charles Lamb (painter) -- Irish painter
Wikipedia - Charles Lamb -- English essayist, poet, antiquarian
Wikipedia - Charles Lamb (writer)
Wikipedia - Charles Lamont -- American filmmaker (1895-1993)
Wikipedia - Charles Lamy -- French actor
Wikipedia - Charles Landon Knight -- American newspaper publisher and politician
Wikipedia - Charles Lane (transcendentalist) -- English-American transcendentalist, abolitionist and voluntaryist
Wikipedia - Charles Lannie -- Belgian gymnast
Wikipedia - Charles Lapworth
Wikipedia - Charles Larmore
Wikipedia - Charles Latham (photographer) -- English photographer
Wikipedia - Charles Lathrop Parsons -- American chemist
Wikipedia - Charles La Trobe -- English-born Australian colonial administrator
Wikipedia - Charles Laughlin
Wikipedia - Charles Laughton -- English-born American stage and film actor and director
Wikipedia - Charles Lauritsen
Wikipedia - Charles Lawes-Wittewronge
Wikipedia - Charles Lawrence (British Army officer) -- British Army officer
Wikipedia - Charles Lawrence (mathematician) -- American mathematician
Wikipedia - Charles Lawrie (British Army officer) -- British Army officer
Wikipedia - Charles L. Banks -- American Marine Corps Navy Cross recipient
Wikipedia - Charles L. Beach -- 4th President of the University of Connecticut (1908-1928)
Wikipedia - Charles L. Bennett -- American astronomer
Wikipedia - Charles L. Bouton -- American mathematician
Wikipedia - Charles L. Briggs
Wikipedia - Charles L. Calhoun -- 1st Master Chief Petty Officer of the Coast Guard
Wikipedia - Charles L. Carson -- American architect (1847-1891)
Wikipedia - Charles L. Christ -- American geochemist and mineralogist
Wikipedia - Charles L. Craig -- New York City Comptroller
Wikipedia - Charles L. Drake -- American academic
Wikipedia - Charles Leaf -- British sailor
Wikipedia - Charles Leale -- American surgeon
Wikipedia - Charles Lebegue -- Belgian sports shooter
Wikipedia - Charles Le Brun -- 17th-century French painter and art theorist
Wikipedia - Charles Leclerc de Landremont -- French general, born 1739
Wikipedia - Charles Leclerc (general, born 1772) -- French general
Wikipedia - Charles Lecocq -- 19th and 20th-century French musical composer
Wikipedia - Charles Lederer -- American film director and screenwriter
Wikipedia - Charles Lee (Attorney General) -- American lawyer and Attorney General
Wikipedia - Charles Lee (general) -- British military diplomat and general of the Continental Army during the American War of Independence
Wikipedia - Charles Lee Harrison -- USMC POW in WWII & Korea
Wikipedia - Charles Lee Reese
Wikipedia - Charles Lees (colonial administrator) -- British colonial administrator
Wikipedia - Charles Lees (painter) -- Scottish painter
Wikipedia - Charles Legge -- Canadian engineer and patent solicitor
Wikipedia - Charles Legh Naylor -- British composer
Wikipedia - Charles Leickert -- Belgian painter
Wikipedia - Charles Leiserson
Wikipedia - Charles Lemontier -- French actor
Wikipedia - Charles Lemon
Wikipedia - Charles Le Moyne (actor) -- American actor
Wikipedia - Charles Lennox, 3rd Duke of Richmond -- British politician and army officer
Wikipedia - Charles Lennox, 4th Duke of Richmond -- Scottish politician
Wikipedia - Charles Lenormant -- French archaeologist
Wikipedia - Charles Leonard Hamblin
Wikipedia - Charles Leonard Huskins
Wikipedia - Charles Leonard -- American pentathlete and US Army general (1913-2006)
Wikipedia - Charles Leon Tamayo -- Cuban artistic gymnast
Wikipedia - Charles L'Eplattenier -- Swiss painter and architect
Wikipedia - Charles Leslie Stevenson
Wikipedia - Charles Lester Marlatt
Wikipedia - Charles Leveille -- American speed skater
Wikipedia - Charles Lever -- Irish novelist and raconteur
Wikipedia - Charles Levin (actor) -- American actor
Wikipedia - Charles Lewis Camp
Wikipedia - Charles Lewis Gazin
Wikipedia - Charles Lewis Gruneisen -- English journalist and music critic
Wikipedia - Charles Lewis Jr. -- American businessman
Wikipedia - Charles Lewis Slattery -- 20th-century American Episcopal bishop
Wikipedia - Charles L. Hill -- American politician
Wikipedia - Charles Lightoller -- British sailor
Wikipedia - Charles Lim -- Singaporean sailor
Wikipedia - Charles Lincoln Edwards -- American zoologist
Wikipedia - Charles Lindbergh -- American aviator, author, inventor, explorer, and right wing activist
Wikipedia - Charles Lindsay Orr-Ewing -- British politician
Wikipedia - Charles Lindsay -- British politician
Wikipedia - Charles Linn -- Finnish-American banker and seacaptain
Wikipedia - Charles Lisle Carr
Wikipedia - Charles Lister Ryan -- British Civil servant
Wikipedia - Charles Liu -- Astrophysicist
Wikipedia - Charles Lively -- British athlete
Wikipedia - Charles L. Livingston -- American politician
Wikipedia - Charles L. Lootens -- American sound engineer
Wikipedia - Charles Lloyd (jazz musician) -- American jazz musician
Wikipedia - Charles L. Moore Jr. -- U.S. Cyber Command deputy commander
Wikipedia - Charles Loch -- Scottish cricketer and clergyman
Wikipedia - Charles Lockhart (musician) -- English organist and composer
Wikipedia - Charles Lock -- British consul-general in Naples
Wikipedia - Charles Lodwik
Wikipedia - Charles Loewner -- American mathematician
Wikipedia - Charles Logan (24) -- Character from the television series 24
Wikipedia - Charles Lollar -- American politician
Wikipedia - Charles Lomberg -- Swedish decathlete
Wikipedia - Charles Longley
Wikipedia - Charles Long (priest) -- British archdeacon
Wikipedia - Charles Loomis Dana
Wikipedia - Charles Lord
Wikipedia - Charles Loring Brace
Wikipedia - Charles Louis Alphonse Laveran
Wikipedia - Charles Louis Constant Pauquy -- French botanist
Wikipedia - Charles Louis du Chilleau de La Roche -- French Navy officer of the War of American Independence
Wikipedia - Charles-Louis Hanon -- French musician
Wikipedia - Charles Louis, Hereditary Prince of Baden
Wikipedia - Charles-Louis-Joseph Hanssens -- Belgian conductor and composer
Wikipedia - Charles Louis Joseph Vandame
Wikipedia - Charles Lowder
Wikipedia - Charles Lowman -- American orthopedic surgeon
Wikipedia - Charles L. Richards -- American politician
Wikipedia - Charles L. Sallee Jr -- American artist
Wikipedia - Charles L. Thompson and associates -- American architectural group
Wikipedia - Charles Lucas (sport shooter) -- British sports shooter
Wikipedia - Charles Lucien Bonaparte
Wikipedia - Charles Lucien Jules Laurent Bonaparte
Wikipedia - Charles Ludlam -- American actor, writer, and director
Wikipedia - Charles Luers Nordsiek -- US Navy sailor and Medal of Honor recipient (1896-1937)
Wikipedia - Charles Lundgren -- American male curler
Wikipedia - Charles Lundmark -- American canoeist
Wikipedia - Charles Lutaaya -- Ugandan military officer
Wikipedia - Charles Lwanga -- 19th-century Ugandan catechist and martyr
Wikipedia - Charles L. Webster and Company -- Publishing house
Wikipedia - Charles Lyell -- British geologist
Wikipedia - Charles Lyman Haynes -- American architect
Wikipedia - Charles Lyon Chandler -- American diplomat and historian
Wikipedia - Charles MacArthur -- American writer
Wikipedia - Charles Macaskie -- English barrister and judge
Wikipedia - Charles Mace
Wikipedia - Charles Macfarlane
Wikipedia - Charles Macfaull -- Australian newspaper publisher
Wikipedia - Charles Mackay (author) -- Scottish writer
Wikipedia - Charles Mackie (sport shooter) -- British sports shooter
Wikipedia - Charles Mackinnon Douglas -- Scottish philosopher
Wikipedia - Charles Macklin -- 18th-century Irish actor
Wikipedia - Charles Maclay (anatomist) -- Scottish anatomist and surgeon
Wikipedia - Charles Madge -- English poet, journalist, and sociologist
Wikipedia - Charles Madic
Wikipedia - Charles Maerschalck -- Belgian gymnast
Wikipedia - Charles Magnette -- Belgian lawyer and politician
Wikipedia - Charles Magnusson -- Swedish film producer
Wikipedia - Charles Maigne -- American screenwriter
Wikipedia - Charles Maingon -- Canadian Judoka
Wikipedia - Charles Malapert
Wikipedia - Charles Malherbe -- French musicologist and composer
Wikipedia - Charles Malik Whitfield -- American actor
Wikipedia - Charles Malik -- Lebanese politician (1906-1987)
Wikipedia - Charles Mallam -- English cricketer and educator
Wikipedia - Charles Manatt -- American diplomat
Wikipedia - Charles Manby -- Engineer
Wikipedia - Charles Mangua -- Kenyan writer
Wikipedia - Charles Manners-Sutton, 1st Viscount Canterbury
Wikipedia - Charles Manners-Sutton
Wikipedia - Charles Manning Child -- zoologist
Wikipedia - Charles Manski
Wikipedia - Charles Manson -- American criminal and cult leader
Wikipedia - Charles Mantoux -- French physician
Wikipedia - Charles Marcil -- Canadian politician
Wikipedia - Charles-Marie Conde -- French soldier
Wikipedia - Charles-Marie de Feletz -- French churchman, journalist and literary critic
Wikipedia - Charles Marie de La Condamine
Wikipedia - Charles-Marie de La Grandiere -- French Navy officer of the War of American Independence
Wikipedia - Charles-Marie Widor -- French organist and composer (1844-1937)
Wikipedia - Charles Marion -- French equestrian
Wikipedia - Charles Marquette -- American Civil War Medal of Honor recipient
Wikipedia - Charles Marriot Culver
Wikipedia - Charles Marriott (cricketer, born 1848) -- English cricketer and barrister
Wikipedia - Charles Marsh (barrister) -- British politician and barrister
Wikipedia - Charles Martel of Anjou
Wikipedia - Charles Martel -- Frankish military and political leader
Wikipedia - Charles Martin (author) -- American writer
Wikipedia - Charles Martin (boxer) -- American boxer, born 1986
Wikipedia - Charles Martin Castleman -- American violinist
Wikipedia - Charles Martinet -- American actor
Wikipedia - Charles Martin Hall -- 19th and 20th-century American chemist
Wikipedia - Charles Martin-Sauvaigo -- French painter
Wikipedia - Charles Martin Smith -- American actor
Wikipedia - Charles Martin Wamika -- Ugandan priest
Wikipedia - Charles Mason
Wikipedia - Charles Masson -- British East India Company soldier and explorer
Wikipedia - Charles Masterman
Wikipedia - Charles Mathias -- American politician from Maryland
Wikipedia - Charles Mathiesen -- Norwegian speed skater
Wikipedia - Charles Maturin
Wikipedia - Charles Maurian -- American chess player
Wikipedia - Charles Maurice Cabart-Danneville -- French politician
Wikipedia - Charles Maurice de Talleyrand-Perigord -- French diplomat
Wikipedia - Charles Maurras -- French author and poet
Wikipedia - Charles Maximilien de Lalaing -- Belgian diplomat
Wikipedia - Charles Mayiga -- Ugandan lawyer and author
Wikipedia - Charles Mayne Young -- English actor
Wikipedia - Charles Mbire -- Ugandan entrepreneur
Wikipedia - Charles M. Blow -- American journalist
Wikipedia - Charles McAnally -- American Civil War Medal of Honor recipient
Wikipedia - Charles M. Carrillo -- American artist
Wikipedia - Charles McArther Emmanuel -- Liberian-American warlord
Wikipedia - Charles McArthur -- British politician
Wikipedia - Charles McBurney (archaeologist)
Wikipedia - Charles McCallon Alexander -- American gospel singer
Wikipedia - Charles McCann
Wikipedia - Charles McCarthy (fighter) -- American mixed martial arts fighter
Wikipedia - Charles McClelland -- American police chief
Wikipedia - Charles McCorrie -- Recipient of the Victoria Cross
Wikipedia - Charles McCullough -- Northern Irish politician
Wikipedia - Charles McDonald (Australian politician) -- Australian politician
Wikipedia - Charles McDuffie Wilder -- American politician
Wikipedia - Charles McEwen Hyde
Wikipedia - Charles McGee (Tuskegee Airman) -- US Air Force officer
Wikipedia - Charles McGinnis -- American pole vaulter
Wikipedia - Charles McGrath -- Australian politician
Wikipedia - Charles McGraw -- American actor
Wikipedia - Charles McIlvenny -- English golfer
Wikipedia - Charles McKay
Wikipedia - Charles McKee -- American sailor
Wikipedia - Charles McKinley Saltzman -- United States Army general (1871-1942)
Wikipedia - Charles McLaren, 1st Baron Aberconway -- Scottish lawyer, politician, and industrialist
Wikipedia - Charles McLean Andrews -- American historian
Wikipedia - Charles McNider -- DC comics fictional superhero
Wikipedia - Charles M. Courboin -- Belgian musician
Wikipedia - Charles M. Dale -- 66th Governor of New Hampshire
Wikipedia - Charles M. Dickinson -- American lawyer, editor, and diplomat
Wikipedia - Charles Mears -- American businessman
Wikipedia - Charles Melton (actor) -- American Actor
Wikipedia - Charles Menart -- Belgian architect
Wikipedia - Charles Mengin
Wikipedia - Charles Mennegand -- Eminent French luthier and a distinguished repairer of violins, violas, and cellos
Wikipedia - Charles Mensah -- Gabonese filmmaker
Wikipedia - Charles Meray -- French mathematician
Wikipedia - Charles Meredith (actor) -- American actor (1894-1964)
Wikipedia - Charles Merivale -- English historian and churchman (1808-1893)
Wikipedia - Charles Merriam
Wikipedia - Charles Meryon -- French artist
Wikipedia - Charles Messier -- 18th- and 19th-century French astronomer
Wikipedia - Charles Metz (Australian politician) -- Australian politician
Wikipedia - Charles Meynier -- Late 18th and early 19th century French painter
Wikipedia - Charles M. Fassett -- mayor of Spokane, Washington
Wikipedia - Charles/MGH station -- Boston, Massachusetts subway station
Wikipedia - Charles M. Herzfeld
Wikipedia - Charles M. Higgins -- American ink manufacturer
Wikipedia - Charles M. Holton -- American Civil War Medal of Honor recipient
Wikipedia - Charles Michael Davis -- American actor, model, producer, and director
Wikipedia - Charles Michael Jarrell -- 20th and 21st-century American Catholic bishop
Wikipedia - Charles-Michel Billard -- French physician
Wikipedia - Charles Michel -- President of the European Council
Wikipedia - Charles Middleton (actor) -- American actor
Wikipedia - Charles Miles -- Australian Army officer
Wikipedia - Charles Miller (American politician) -- American politician from North Carolina
Wikipedia - Charles Miller (director) -- American actor and director
Wikipedia - Charles Miller Leslie -- American medical anthropologist
Wikipedia - Charles Mills (Medal of Honor) -- American Medal of Honor recipient
Wikipedia - Charles Mills (Royal Navy officer) -- Royal Navy officer and politician
Wikipedia - Charles Mingus -- American jazz double bassist, composer and bandleader
Wikipedia - Charles Minor -- American academic (1835-1903)
Wikipedia - Charles Minot Dole -- Founder of the American National Ski Patrol
Wikipedia - Charles Minsky -- American cinematographer
Wikipedia - Charles Minton Baker -- 19th century American lawyer.
Wikipedia - Charles Miossec -- French politician
Wikipedia - Charles Mitchell (academic) -- English legal academic
Wikipedia - Charles Mitchell (colonial administrator) -- Colonial Administrator
Wikipedia - Charles Mitchill Bogert
Wikipedia - Charles M. Lieber -- American chemist
Wikipedia - Charles Moerdler -- French-American lawyer (b. 1934)
Wikipedia - Charles Mohr (botanist)
Wikipedia - Charles Mohr (journalist) -- American writer (1929-1989)
Wikipedia - Charles Molnar
Wikipedia - Charles-MoM-CM-/se Briquet -- Swiss filigranologist
Wikipedia - Charles Momsen -- American pioneer in submarine rescue for the United States Navy
Wikipedia - Charles Monson (MP) -- British politician
Wikipedia - Charles Monson -- English cricketer and British Army officer
Wikipedia - Charles Montagu, 1st Earl of Halifax -- English politician and noble
Wikipedia - Charles Montagu Doughty
Wikipedia - Charles Montague Bakewell -- American politician
Wikipedia - Charles Montague Cooke Jr
Wikipedia - Charles Montecatini -- 17th-century Italian Catholic bishop
Wikipedia - Charles Monteith -- British literary editor
Wikipedia - Charles Montier -- Racing driver, engineer, and entrepreneur
Wikipedia - Charles Moore, 2nd Viscount Moore of Drogheda -- Irish soldier
Wikipedia - Charles Moore (athlete) -- American athlete
Wikipedia - Charles Moore (disambiguation)
Wikipedia - Charles Moorman -- American businessman and railroader
Wikipedia - Charles Moose -- American police officer and writer
Wikipedia - Charles Mopsik -- French author
Wikipedia - Charles Moran (American politician) -- American politician
Wikipedia - Charles Moravia -- Haitian poet
Wikipedia - Charles Morgan (businessman) -- American railroad and shipping magnate
Wikipedia - Charles Morgan Jr. -- American civil rights attorney from Alabama
Wikipedia - Charles Morgan Kingston -- Canadian politician
Wikipedia - Charles Morgan Lemann -- English botanist
Wikipedia - Charles Morley (Liberal politician) -- British politician
Wikipedia - Charles Morris (athlete) -- British racewalker
Wikipedia - Charles Morris, Baron Morris of Grasmere
Wikipedia - Charles Morris (boxer) -- British boxer (20th century)
Wikipedia - Charles Morris Young -- American painter
Wikipedia - Charles Morton (actor) -- American actor
Wikipedia - Charles Mortram Sternberg
Wikipedia - Charles Moseley -- American politician from Indiana
Wikipedia - Charles Moureu
Wikipedia - Charles M. Rice -- American virologist
Wikipedia - Charles M. Rick -- American scientist (1915-2002)
Wikipedia - Charles M. Robinson (video director) -- American music video director
Wikipedia - Charles M. Rockefeller -- American Civil War Medal of Honor recipient
Wikipedia - Charles M. Schulz -- American cartoonist
Wikipedia - Charles M. Seay -- American film director
Wikipedia - Charles M. Steinberg
Wikipedia - Charles M. Sternberg
Wikipedia - Charles M. Swift -- American businessman
Wikipedia - Charles Muller
Wikipedia - Charles Mullins -- Recipient of the Victoria Cross
Wikipedia - Charles Murphy (Australian politician) -- Australian politician
Wikipedia - Charles Murray (American actor) -- American actor
Wikipedia - Charles Murray (political scientist)
Wikipedia - Charles Muscatine -- American academic
Wikipedia - Charles Muss
Wikipedia - Charles Mve Ellah -- Gabonese politician
Wikipedia - Charles M. Vest
Wikipedia - Charles M. Webb -- American lawyer, judge, and politician
Wikipedia - Charles M. Wheatley
Wikipedia - Charles N. Agree -- American architect
Wikipedia - Charles Nam -- American sociologist
Wikipedia - Charles Napier (actor) -- American actor (1936-2011)
Wikipedia - Charles Napier (cricketer) -- English cricketer and clergyman
Wikipedia - Charles Napier (Royal Navy officer) -- Royal Navy admiral
Wikipedia - Charles Napoleon Moore -- American mathematician
Wikipedia - Charles N. Brown
Wikipedia - Charles N. Darrah -- Applied anthropologist
Wikipedia - Charles Neaves, Lord Neaves -- Scottish theologian, jurist and writer
Wikipedia - Charles Negre -- French photographer
Wikipedia - Charles Nelson Reilly -- American comedian and actor
Wikipedia - Charles Nelson (writer) -- American writer
Wikipedia - Charles Nerinckx
Wikipedia - Charles Newcombe -- English sportsman
Wikipedia - Charles Newton (actor) -- American actor
Wikipedia - Charles Newton Little -- American mathematician
Wikipedia - Charles N. F. Brisout
Wikipedia - Charles Ng -- Hong Kong serial killer on death row in the U.S.
Wikipedia - Charles N. Haskell -- American politician and 1st Governor of Oklahoma
Wikipedia - Charles Nicholas Hales
Wikipedia - Charles Nicholson Jewel Oliver -- Australian cricketer and public servant
Wikipedia - Charles-Nicolas Cochin -- 18th-century French artist
Wikipedia - Charles-Nicolas-Sigisbert Sonnini de Manoncourt
Wikipedia - Charles Nicoletti -- American mobster
Wikipedia - Charles Nicolle
Wikipedia - Charles Nieman -- American pastor
Wikipedia - Charles Nix -- British sport shooter
Wikipedia - Charles N. Lowrie -- American landscape architect
Wikipedia - Charles N. Millican -- American academic
Wikipedia - Charles Nodier
Wikipedia - Charles Nogues -- French general
Wikipedia - Charles Nordhoff (journalist)
Wikipedia - Charles Nordhoff -- American novelist
Wikipedia - Charles Nordmann -- French astronomer
Wikipedia - Charles Norman Shay -- American writer
Wikipedia - Charles Norris Cochrane
Wikipedia - Charles Northcott -- Irish Anglican priest
Wikipedia - Charles Noski
Wikipedia - Charles N. Poncy -- American politician
Wikipedia - Charles Nungesser -- 20th-century French fighter ace and adventurer
Wikipedia - Charles Nuttall -- Australian artist
Wikipedia - Charles Nuville -- French flying ace
Wikipedia - Charles Nyamiti -- Tanzanian Catholic theologian
Wikipedia - Charles Oatley -- British physicist and electrical engineer
Wikipedia - Charles Oberthr
Wikipedia - Charles Oberthur (composer) -- German-born harp player and composer
Wikipedia - Charles Oberthur -- French entomologist
Wikipedia - Charles Oboth Ofumbi -- Ugandan politician
Wikipedia - Charles O'Connor (judge) -- Irish judge
Wikipedia - Charles Odamtten Easmon -- Ghanaian surgeon and academic
Wikipedia - Charles of Anjou
Wikipedia - Charles of Mount Argus
Wikipedia - Charles of Sezze -- Christian saint
Wikipedia - Charles of Valois
Wikipedia - Charles Ogilvie (sailor) -- Jamaican sailor
Wikipedia - Charles Ogle (politician) -- American politician
Wikipedia - Charles O'Hara Booth -- Commandant-in-chief of Port Arthur penal colony
Wikipedia - Charles Okidi -- Ugandan general
Wikipedia - Charles Okpaleke -- Nigerian businessman and film producer
Wikipedia - Charles Oldaker -- British gymnast
Wikipedia - Charles Oliveira -- Brazilian mixed martial arts fighter (born 1989)
Wikipedia - Charles Oliver (actor) -- British actor
Wikipedia - Charles Ollier
Wikipedia - Charles Olson
Wikipedia - Charles Oluka -- Ugandan military officer
Wikipedia - Charles Oman -- 19th/20th-century British military historian
Wikipedia - Charles O'Neill (Pennsylvania politician) -- American politician
Wikipedia - Charles O'Rear -- American photographer
Wikipedia - Charles Orin Cunningham -- Canadian politician
Wikipedia - Charles Orlando, Dauphin of France -- French noble
Wikipedia - Charles Orman -- English cricketer and soldier
Wikipedia - Charles Orme -- British film producer (1918-2007)
Wikipedia - Charles Ormston Eaton -- English cricketer and banker
Wikipedia - Charles Ortega -- American politician
Wikipedia - Charles Orton -- English cricketer and British Army officer
Wikipedia - Charles Osei Asibey -- Ghanaian journalist
Wikipedia - Charles Osgood
Wikipedia - Charles Osmond Frederick -- British engineer
Wikipedia - Charles Otzenberger-Detaille -- French wine merchant
Wikipedia - Charles Oula -- Monegasque bobsledder
Wikipedia - Charles Owens -- American golfer
Wikipedia - Charles Owsley -- English-born American architect
Wikipedia - Charles Oxenden (cricketer, born 1826) -- English cricketer and soldier
Wikipedia - Charles Page -- American philanthropist
Wikipedia - Charles Pahud de Mortanges -- Dutch equestrian
Wikipedia - Charles Palache
Wikipedia - Charles Paliard -- French ice dancer
Wikipedia - Charles Palmer (judoka) -- British martial artist
Wikipedia - Charles Palmer (sport shooter) -- English sport shooter
Wikipedia - Charles Parker (detective) -- Fictional character created by Dorothy L. Sayers
Wikipedia - Charles Parker (VC) -- Recipient of the Victoria Cross
Wikipedia - Charles Parkin
Wikipedia - Charles Parnther -- English cricketer and civil servant
Wikipedia - Charles Parsons (British Army officer) -- British Army officer in South Africa
Wikipedia - Charles Parsons (philosopher)
Wikipedia - Charles Pasley (engineer) -- Anglo-Australian engineer and politician
Wikipedia - Charles Pasquale Greco
Wikipedia - Charles Pathe -- French businessman
Wikipedia - Charles Paton -- English actor
Wikipedia - Charles Patrick Smith -- Australian journalist
Wikipedia - Charles Patterson (author) -- American author and historian
Wikipedia - Charles Paul Alexander -- American entomologist
Wikipedia - Charles Paul Conn -- American university president
Wikipedia - Charles Paul de Cumont -- Belgian military officer
Wikipedia - Charles Paumier du Verger -- Belgian sports shooter
Wikipedia - Charles P. Austin -- American painter
Wikipedia - Charles P. Bailey -- American cardiac surgeon
Wikipedia - Charles P. Cary -- American educator (1856-1943)
Wikipedia - Charles P. de Saint-Aignan
Wikipedia - Charles Peake -- British diplomat
Wikipedia - Charles Pearce (calligrapher) -- British calligrapher and painter
Wikipedia - Charles Pearce Coady -- American politician (1868-1934)
Wikipedia - Charles Pears -- British artist
Wikipedia - Charles Pedersen
Wikipedia - Charles Peguy
Wikipedia - Charles Pellat
Wikipedia - Charles Pellegrini -- French Argentine engineer and artist
Wikipedia - Charles Pellew, 7th Viscount Exmouth -- British viscount and chemist
Wikipedia - Charles Pelot Summerall -- 12th Chief of Staff of the United States Army
Wikipedia - Charles Penaud -- French naval officer
Wikipedia - Charles Pence Slichter
Wikipedia - Charles Perin -- Belgian economist
Wikipedia - Charles Perry (food writer) -- American food historian
Wikipedia - Charles Peter McColough -- American businessman and politician
Wikipedia - Charles Peterson (photographer) -- American photographer (born 1964)
Wikipedia - Charles Petter -- Swiss firearms designer
Wikipedia - Charles Petty-Fitzmaurice, 7th Marquess of Lansdowne -- British nobleman
Wikipedia - Charles Petzold -- American computer programmer
Wikipedia - Charles Phelps (politician) -- American attorney, politician, and first state attorney general of Connecticut
Wikipedia - Charles-Philbert de CouM-CM-+t de Lorry -- French equestrian
Wikipedia - Charles Philibert de Lasteyrie -- French agronomist, lithographer, and philanthropist
Wikipedia - Charles Philip Bassett -- Canadian former diplomat
Wikipedia - Charles Philipon -- French journalist and artist
Wikipedia - Charles-Philippe Beaubien -- Canadian politician
Wikipedia - Charles Philippe Leblond
Wikipedia - Charles-Philippe Ronsin
Wikipedia - Charles Phillips (figure skater) -- American ice dancer
Wikipedia - Charles Piazzi Smyth
Wikipedia - Charles Pickering (naturalist)
Wikipedia - Charles Picque -- Belgian politician
Wikipedia - Charles Pierce (female impersonator) -- American impersonator
Wikipedia - Charles Pierre Claret de Fleurieu
Wikipedia - Charles-Pierre Denonvilliers -- French surgeon
Wikipedia - Charles Pigeon -- French engineer
Wikipedia - Charles Piguet -- Swiss diplomat
Wikipedia - Charles Pilkington (cricketer, born 1837) -- English cricketer and clergyman
Wikipedia - Charles Pimlott -- English cricketer and barrister
Wikipedia - Charles Pinckney (governor) -- American politician (1757-1824)
Wikipedia - Charles Pinsky -- American television director and producer
Wikipedia - Charles Piper Smith -- American botanist
Wikipedia - Charles Pirie -- Scottish chess player
Wikipedia - Charles Pitman (game warden)
Wikipedia - Charles Pitts (broadcaster) -- American radio personality and activist (1941-2015)
Wikipedia - Charles Plamondon -- Canadian biathlete
Wikipedia - Charles Platt (author)
Wikipedia - Charles Platt (science-fiction author)
Wikipedia - Charles Plimpton -- English inventor and businessman
Wikipedia - Charles Plisnier -- Belgian writer
Wikipedia - Charles Plumb (cartoonist) -- Cartoonist
Wikipedia - Charles Plumb -- Scottish bishop
Wikipedia - Charles Plumier -- French botanist (1646-1704)
Wikipedia - Charles Plummer -- British historian
Wikipedia - Charles Plumptre -- 18th-century English Anglican priest and academic
Wikipedia - Charles P. Neill
Wikipedia - Charles P. O'Brien -- American research scientist, medical educator (born 1939)
Wikipedia - Charles Poletti -- American judge and governor
Wikipedia - Charles Polk Jr. -- American politician
Wikipedia - Charles Pomeroy Otis -- American educator and author
Wikipedia - Charles Ponsonby -- British Conservative politician
Wikipedia - Charles Ponzi -- Italian businessman and con artist
Wikipedia - Charles Poots -- Unionist politician in Northern Ireland
Wikipedia - Charles Porterfield Krauth
Wikipedia - Charles Portis -- American writer
Wikipedia - Charles Poser
Wikipedia - Charles Postles Jr. -- American politician from Delaware
Wikipedia - Charles Poswick -- Belgian politician
Wikipedia - Charles Poulett Thomson, 1st Baron Sydenham -- British politician and Governor General of the Province of Canada
Wikipedia - Charles Pourtales Golightly
Wikipedia - Charles Powlett -- English cricket patron and administrator
Wikipedia - Charles Poyen
Wikipedia - Charles Praeger -- American architect
Wikipedia - Charles Pratt, 1st Earl Camden -- 18th-century English lawyer, judge, and politician
Wikipedia - Charles Pratt Jr. -- American television writer, producer and director
Wikipedia - Charles Pratt -- American businessman and philanthropist
Wikipedia - Charles Prestwood Lucas -- British historian and civil servant
Wikipedia - Charles Previte-Orton -- British medieval historian and Cambridge Professor of Medieval History (1877-1947)
Wikipedia - Charles Price (Welsh politician) -- Welsh politician
Wikipedia - Charles Priestley (meteorologist)
Wikipedia - Charles Prince Airport -- Airport in Zimbabwe
Wikipedia - Charles, Prince of Wales -- member of British royal family
Wikipedia - Charles Pritchard
Wikipedia - Charles Proteus Steinmetz -- 19th and 20th-century mathematician and electrical engineer
Wikipedia - Charles Proxy -- Proxy server application
Wikipedia - Charles P. Steinmetz Lecture
Wikipedia - Charles P. Thacker
Wikipedia - Charles Puffy -- Hungarian actor
Wikipedia - Charles Pullin -- English cricket umpire
Wikipedia - Charles Purdom -- British author, drama critic, town planner, and economist
Wikipedia - Charles Pye -- English soldier
Wikipedia - Charles Pym (Conservative politician) -- British politician
Wikipedia - Charles Q. Brown Jr. -- U.S. Air Force general
Wikipedia - Charles Q. Tirrell -- American politician
Wikipedia - Charles Quaino -- Luxembourgian gymnast
Wikipedia - Charles Quervel -- French archer
Wikipedia - Charles Quette -- French World War I flying ace
Wikipedia - Charles "Bobo" Shaw -- American musician
Wikipedia - Charles "Buddy" Rogers -- American actor and jazz musician
Wikipedia - Charles "Charlie" White -- American entertainer
Wikipedia - Charles "Chaz" Bojorquez -- American painter
Wikipedia - Charles "Chic" Sale -- American actor and entertainer
Wikipedia - Charles "Hungry" Williams -- American musician
Wikipedia - Charles "Red" Donley -- American sports broadcaster
Wikipedia - Charles Rackoff
Wikipedia - Charles R. Acland -- Canadian academic (born 1963)
Wikipedia - Charles Radin -- American mathematician
Wikipedia - Charles R. Adrian -- American political science professor
Wikipedia - Charles Ragon de Bange -- French Army officer
Wikipedia - Charles R. Alcock -- British New Zealander astronomer
Wikipedia - Charles Randell -- Senior executive in UK quasi-government financial overview organisations
Wikipedia - Charles Randolph Grean -- American composer
Wikipedia - Charles Rangel -- Former congressman from Harlem, New York, U.S.
Wikipedia - Charles Ranlett Flint -- American businessman
Wikipedia - Charles Raulerson -- American golfer
Wikipedia - Charles Ray (actor) -- American actor, director, producer and screenwriter
Wikipedia - Charles Ray (admiral) -- US Coast Guard admiral
Wikipedia - Charles Ray (artist) -- American sculptor
Wikipedia - Charles R. Burton
Wikipedia - Charles R. Chamberlain -- American political leader
Wikipedia - Charles R. Clason -- American politician, attorney, and educator
Wikipedia - Charles R. Conn -- CEO, Investor, Author
Wikipedia - Charles R. DeFreest -- New York politician (1852-1901)
Wikipedia - Charles R. Doering -- American mathematician
Wikipedia - Charles R. Drew University of Medicine and Science -- Historically black graduate school in California
Wikipedia - Charles R. Drew
Wikipedia - Charles Redheffer -- American inventor who claimed to have invented a perpetual motion machine
Wikipedia - Charles Reginald Dodwell
Wikipedia - Charles Regis de Coriolis d'Espinouse -- French Navy officer of the War of American Independence
Wikipedia - Charles Regnier -- German actor
Wikipedia - Charles Reid (snowboarder) -- Canadian snowboarder
Wikipedia - Charles Reiffel -- American painter
Wikipedia - Charles Reinhardt -- British physician and writer
Wikipedia - Charles Reis Felix -- American writer
Wikipedia - Charles Reisner -- American film director and actor
Wikipedia - Charles R. Ellet -- American soldier, Union Army colonel (1843-1863)
Wikipedia - Charles-Rene de Gras-Preville -- French Navy officer of the War of American Independence
Wikipedia - Charles Renouvier
Wikipedia - Charles Renshaw -- British politician
Wikipedia - Charles Repenning
Wikipedia - Charles R. Eskridge III -- U.S. federal judge
Wikipedia - Charles Rettig -- Commissioner of US Internal Revenue Service
Wikipedia - Charles Reynolds (cleric) -- Irish Catholic cleric
Wikipedia - Charles Reynolds (sailor) -- British sailor
Wikipedia - Charles Rezk -- American mathematician
Wikipedia - Charles Reznikoff
Wikipedia - Charles R. Forbes -- American politician
Wikipedia - Charles R. Gill -- 19th century American politician, 9th Attorney General of Wisconsin, Civil War Union officer, Member of the Wisconsin Senate
Wikipedia - Charles R. Greco -- American architect
Wikipedia - Charles R. Hale -- American coadjutor bishop
Wikipedia - Charles R. Hicks -- Cherokee leader
Wikipedia - Charles Rice (sound engineer) -- American sound engineer
Wikipedia - Charles Richard Alsop -- American politician
Wikipedia - Charles Richard Elrington
Wikipedia - Charles-Richard Lambert -- American musician, conductor, and music educator
Wikipedia - Charles Richardson (lexicographer)
Wikipedia - Charles Richardson (umpire) -- English cricketer and umpire
Wikipedia - Charles Richardson (Upper Canada politician) -- Upper Canada lawyer and politician
Wikipedia - Charles Richards (pentathlete) -- American modern pentathlete
Wikipedia - Charles Richard Swayne -- British Colonial Service administrator
Wikipedia - Charles Richard Teape -- Scottish Episcopalian priest and historian
Wikipedia - Charles Richard Whitfield -- Northern Irish obstetrician and gynaecologist
Wikipedia - Charles Richard Wilton -- South Australia newspaper editor
Wikipedia - Charles Richet
Wikipedia - Charles Richman (actor) -- American actor
Wikipedia - Charles Richter
Wikipedia - Charles Ricketts
Wikipedia - Charles Ridgeway
Wikipedia - Charles Ridgway -- American composer
Wikipedia - Charles Rieseck Krauthoff -- American Brigadier General
Wikipedia - Charles Rigoulot -- French weightlifter
Wikipedia - Charles Riley (priest) -- Canadian Anglican priest
Wikipedia - Charles R. Imbrecht -- American politician from southern California
Wikipedia - Charles Riotteau -- French sports shooter
Wikipedia - Charles Ritchie, 1st Baron Ritchie of Dundee -- British politician
Wikipedia - Charles River Broadcasting -- Former American radio broadcast company
Wikipedia - Charles River Dam Bridge -- Bridge in Boston, Massachusetts
Wikipedia - Charles River Laboratories, Inc.
Wikipedia - Charles River Laboratories
Wikipedia - Charles River Natural Valley Storage Area -- Protected area in Massachusetts
Wikipedia - Charles River Peninsula -- Nature preserve in Needham, Massachusetts, U.S.
Wikipedia - Charles River Reservation Parkways -- Historic district in the United States
Wikipedia - Charles River -- river in Massachusetts, United States
Wikipedia - Charles Riviere-Herard -- President of Haiti
Wikipedia - Charles Rivkin -- American businessman, diplomat
Wikipedia - Charles R. Johnson -- American writer
Wikipedia - Charles R. Lyons -- American professor of drama and comparative literature
Wikipedia - Charles R. Magel
Wikipedia - Charles Roach -- Canadian civil rights lawyer and activist
Wikipedia - Charles Robartes, 2nd Earl of Radnor -- English politician
Wikipedia - Charles-Robert Ageron -- French historian
Wikipedia - Charles Robert Ashbee
Wikipedia - Charles Robert Bree -- British physician
Wikipedia - Charles Robert Carner -- American TV and film director and writer
Wikipedia - Charles Robert Cockerell -- English architect, archaeologist
Wikipedia - Charles Robert Jenkins -- American defector to North Korea
Wikipedia - Charles Robertson-Adams -- British hurdler
Wikipedia - Charles Robin Britt -- American politician from North Carolina
Wikipedia - Charles Robinson Rockwood -- American surveyor and engineer
Wikipedia - Charles Robins -- English cricketer and insurance executive
Wikipedia - Charles Rocket -- American actor and comedian
Wikipedia - Charles Rockwell Lanman -- American linguist
Wikipedia - Charles Roe -- English businessman
Wikipedia - Charles Rogers (New York politician) -- U.S. Representative from New York
Wikipedia - Charles Rogers (sailor) -- American sailor
Wikipedia - Charles Rogier Square -- Square in Brussels, Belgium
Wikipedia - Charles Rogier -- Belgian journalist, statesman
Wikipedia - Charles Rohault de Fleury -- French architect
Wikipedia - Charles Rohlfs
Wikipedia - Charles Roland Berry -- American composer
Wikipedia - Charles Rollin Keyes
Wikipedia - Charles Rollinson Lamb -- American architect
Wikipedia - Charles Rolls (Fever-Tree) -- British businessman
Wikipedia - Charles Rolls -- English motoring and aviation pioneer, co-founder of Rolls-Royce
Wikipedia - Charles Romeyn Dake -- American writer and physician
Wikipedia - Charles Roome -- American soldier, engineer, and businessman
Wikipedia - Charles Rosa -- American mixed martial artist
Wikipedia - Charles Rosen (scientist)
Wikipedia - Charles Ross (historian) -- 20th-century British historian of the Middle Ages
Wikipedia - Charles Ross Lyall -- English cricketer and soldier
Wikipedia - Charles Rothschild -- English entomologist and member of the prominent Rothschild family
Wikipedia - Charles Rotimi -- Nigerian geneticist
Wikipedia - Charles Rowley (academic) -- Australian public servant and academic
Wikipedia - Charles Rowley (cricketer) -- English cricketer and army officer
Wikipedia - Charles Royal Johnson -- American mathematician
Wikipedia - Charles Roy Henderson
Wikipedia - Charles R. Rogers filmography -- Filmography of American film producer Charles R. Rogers
Wikipedia - Charles R. Rogers -- American film producer
Wikipedia - Charles R. Saunders -- American writer
Wikipedia - Charles R. Stelck
Wikipedia - Charles R. Train -- Union Army officer
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Wikipedia - Charles Spearman (baseball)
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