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--- FROM AUTHORS TABLE
RAUTHORSUBJECTWORKSDOBBIRTHPLACEBCQ#QUOTE
001Sri AurobindoIntegral Yoga, Hinduism, Philosophy, Poetry, PsychologySavitri, The Synthesis Of Yoga, The Life Divine, Collected Works 1872-1950India, West Bengal, Kolkata106But still the invisible Magnet drew his soul ~ Savitri, The World-Stair
002The MotherIntegral Yoga, Occultism, BuddhismThe Mothers Agenda, WOTM, Q+A1878-1973France, PariscntThe Divine Consciousness must be our only guide. ~ Words Of The Mother II
003Sri RamakrishnaHinduism, Philosophy, MysticismThe Gospel of Sri Ramakrishna1836-1886India, West BengalMany are the names of God and infinite are the forms through which He may be approached. In whatever name and form you worship Him, through them you will realise Him.
004Ken WilberIntegral Theory, PhilosophySex Ecology Spirituality1949-United States, Oklahoma, Oklahoma CitycntGrowth is hard, regression is easy /// An integral approach acknowledges that all views have a degree of truth. /// The subject of one stage becomes the object of the subject of the next stage.
005Sri Ramana MaharshiHinduismWho am I?1879-1950India, Tamil NaduSorrow makes one think of God. ~ Conscious Immortality /// All are seeing God always. But they do not know it.
006Aleister CrowleyOccultismLiber ABA, Poems1875-1947England036That first task of the Magician in every ceremony is therefore to render his Circle absolutely impregnable. ~ Liber ABA
007Saint Teresa of AvilaChristianityThe Interior Castle1515-1582The best thing must be to flee from all to the All.
008Jordan PetersonPsychology, Philosophy, NonfictionMaps of Meaning1962Canada, Alberta, FairviewcntYou want to have a meaningful life? Everything you do matters. That's the definition of a meaningful life. But everything you do matters. You're going to have to carry that with you.
009Jorge Luis BorgesPhilosophy, PoetryThe Library of Babel, the Garden of Forking Paths, Poems1899-1986Argentina042Ts'ui Pe must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occur that the book and the maze were one and the same thing.
010Peter J CarrollOccultism, Chaos MagickLiber Null1953-England, PatchingcntThe selfs must allow each self a shot at its goals in life, if you wish to achieve any sense of fulfillment and remain sane. ~ Psyber Magick
011Jetsun MilarepaBuddhismPoems1028-1111Tibet010Deep in the wild mountains, is a strange marketplace, where you can trade the hassle and noise of everyday life, for eternal Light.
012EpictetusPhilosophy, Stoicismw50-135 ADPhygia, HierapoliscntOnly the educated are free. /// Don't explain your philosophy. Embody it. /// First say to yourself what you would be; and then do what you have to do.
013Friedrich NietzschePhilosophyThus Spoke Zarathustra1844-1900Germany080To forget one's purpose is the commonest form of stupidity.
014HeraclitusPhilosophy, Mysticismw-535 - 475 BCPersian Empire, Ionia, EphesuscntAsses prefer garbage to gold. /// What was scattered, gathers. /// A fool is excited by every word. /// The seeing have the world in common. /// The path up and down is one and the same.
015Johann Wolfgang von GoetheScience, TheologyPoems1749-1832Germany120We all walk in mysteries. We are surrounded by an atmosphere about which we still know nothing at all.
016Pierre Teilhard de ChardinChristianityThe Future of Man, The Phenomenon of Man1881-1955France, Puy-de-Dome, OrcinescntTo see more is to become more. /// The consciousness of each of us is evolution looking at itself and reflecting upon itself.
017Jalaluddin RumiSufismPoems1207-1273Afghanistan133What you seek is seeking you /// Let yourself become living poetry. /// I know you're tired but come, this is the way. /// Let's ask God to help us to self-control for one who lacks it, lacks his grace.
018Manly_P_HallOccultismThe Secret Teachings of All Ages1901-1990Canada, Ontario, PeterboroughcExperiences are the chemicals of life with which the philosopher experiments. /// I am a stranger amongst them. They cannot know my longings nor taste my sorrows. /// Critics have found fault with all the world's scriptures, but as yet they have discovered no useful substitutes.
019KabirSufism, Hinduism, SikhismSongs of Kabir1500India101All know that the drop merges into the ocean, but few know that the ocean merges into the drop.
020HafizMysticismPoems1315-1390Iran049A poet is someone Who can pour Light into a spoon Then raise it To nourish Your beautiful parched, holy mouth
021Dogen ZenjiBuddhism, ZenPoems1200-1253Japan021The whole moon and the entire sky are reflected in one dewdrop on the grass.
022Ibn ArabiSufism, Mysticism, PhilosophyPoems1165-1240Spain036How can the heart travel to God, when it is chained by its desires?
023NichirenBuddhismw1222-1282Japan, Chiba PrefecturecWinter always turns into spring. /// Faith Alone is what really matters. /// Never let life's hardships disturb you. No one can avoid problems, not even saints or sages. /// We ordinary people can see neither our own eyelashes, which are so close, nor the heavens in the distance.
024BodhidharmaBuddhism, ZenPoems500?010Externally keep yourself away from all relationships, / and internally have no pantings in your heart; / when your mind is like unto a straight-standing wall, / you may enter into the Path.
999Abu l-Husayn al-NuriSufism, Poetryw840-908 CEBaghdad
999Abu-Said Abil-KheirSufism, Poetryw967-1049B1023
999Aeschylus - an ancient Greek playwright, ... recognized as the father ... of tragedy.Playwright, SoldierAgamemnon, Prometheus Bound, Eumenides-525-456 BCGreeceWisdom comes through suffering. / Trouble, with its memories of pain, / Drips in our hearts as we try to sleep, / So men against their will / Learn to practice moderation. / Favours come to us from gods. ~ Aeschylus, Agamemnon
999Alexander PopeTranslationThe Rape of the Lock1688-1744England
999Alfred TennysonPoetry1809-1892England
999Allama Muhammad IqbalIslam, Philosophy, Politics1877-1938Punjab
999Aonghus of the Divinity
999Baba Sheikh FaridSufism, Poetryw1173-1266014His grace may fall upon us at anytime, it has no rules, you see? Some don't get it after rituals, vigils: others asleep, it hits suddenly!
999BasavaHinduism, Philosophy, Politics1200India
999BeniSikhism, Poetryw1300s?
999Bernart de VentadornMusic1135-1194France
999BoethiusChristianity0480?-0525Italy
999Buckminster FullerScience, PhilosophySynergetics - Explorations in the Geometry of Thinking1895-1983United States, Massachusetts, Milton001
999Bulleh ShahSufism, Mysticism, Philosophy1680-1757 CEPunjab021Repeating the name of the Beloved / I have become the Beloved myself. / Whom shall I call the Beloved now?
999Saint_Catherine of SienaChristianity1347-1380Siena
999Charles Baudelaire1821-1867France
999Chiao JanBuddhism, Zen730-799China
999Chone Lama Lodro GyatsoBuddhism, TibetanIn Praise of Dependent Origination1816-1900Tibet
999Choshu UedaPoetry, Haiku1853JapanThough it be broken- broken again - still it's there; the moon on the water.
999Chuang TzuTaoism, PhilosophyPoems-0369-0286 BCChina006Kung Wen Hsien saw Yo Shi and exclaimed: / What kind of person is this? / How come only one foot? / Is this ordained by Heaven, / Or caused by Man? / He then said to himself: / It is Heaven, not Man. / Heavens destiny let him be crippled. / The image of Man is given by Heaven. / Therefore we know this is the work of Heaven, not Man.
999Dadu DayalHinduism1544-1603India?
999Dante AlighieriPhilosophyThe Divine Comedy1265-1321Italy
999Saint_Dionysius the AreopagiteChristianity, Judiciary0100?-0100? ADGreece?
999Edgar Allan PoePoetry1809-1849United States077
999Edward YoungPhilosophy, Theology1683-1765England
999Eleazar ben KallirJudaism, Poetryw570-640
999Ernest Hemingway1899-1961United States
999Farid ud-Din AttarSufism1120?-1220?Iran/Persia024When you begin the Valley of the Quest / Misfortunes will deprive you of all rest, / Each moment some new trouble terrifies, / And parrots there are panic-stricken flies. / There years must vanish while you strive and grieve; / There is the heart of all you will achieve -- / Renounce the world, your power and all you own, / And in your heart's blood journey on alone. / When once your hands are empty, then your heart / Must purify itself and move apart ... ~ The Valley of the Quest
999Friedrich SchillerPoetry, Philosophy, FictionPoems1759-1805Germany165
999Fukuda Chiyo-ni1703-1775Japan012At the crescent moon the silence enters my heart.
999George EliotTranslation1819-1880England
999GorakhnathHinduism1100?India?
999Guru NanakSikhism1469-1539PakistanDiscipline is the workshop; patience, the goldsmith; the anvil, one's thinking; wisdom, the hammer; Fear, the bellows; austerities, the fire; and feeling, the vessel where the deathless liquid is poured. In such a true mint is forged the Word, and those on whom He looks do their rightful deeds. Nanak says: the One who sees, sees. He observes. ~ Discipline is the workshop
999Hakim SanaiSufismThe Walled Garden of Truth1080-1131Ghazni029Take everything away and leave me alone with You. Close every door and open the one to You. ~ Take everything away
999Hakuin EkakuBuddhism, Zen1686-1769Japan The monkey is reaching For the moon in the water. Until death overtakes him He'll never give up. If he'd let go the branch and Disappear in the deep pool, The whole world would shine With dazzling pureness.
999Han-shanBuddhism, Zen, TaoismPoems0730?-0850?China004
999Hazrat Inayat KhanSufism1882-1927IndiaGod is the answer to every question. /// To be really sorry for one's errors is like opening the door of heaven. /// The aim of the Mystic is to stretch his range of Consciousness as widely as possible, so that he may touch the highest pride and the deepest humility.
999Henry David ThoreauPhilosophy, Poetry1817-1862United States#1To affect the quality of the day, that is the highest of arts. /// Knowledge does not come to us by details, but in flashes of light from heaven.
999Henry Wadsworth LongfellowEducation1807-1882United States
999HomerMythologyThe Odyssey, The Illiad-700? BCEGreece
999HoracePoetryPoetry-065-008 BCItaly
999Hsuan Chueh of Yung ChiaBuddhism, Zen, Taoism0665-0713China070
999Hung-chih Cheng-chuehBuddhism, Zen, Poetryw1091-1157China, Xizhoue
999Ibn Ata IllahSufismw1259 CE - 1310 CEAlexandriacThose travelling to Him are guided by the light of turning their faces toward Him. Those who have arrived have the light of face-to-face encounter. The former belong to lights, but the lights belong to the latter because they belong to Allah, and are His alone. "Say: 'Allah' then leave them plunging in their games.
999IkkyuBuddhism, Zen1394-1481Japan0131). inside the koan clear mind gashes the great darkness -- 2.) Only one koan matters you
999Isaac of StellaChristianity, Philosophy1100-1170England
999Izumi ShikibuPoetry976?JapanAlthough the wind / blows terribly here, / the moonlight also leaks / between the roof planks / of this ruined house.
999Jacopone da TodiChristianity1230-1306Umbria010
999Jakushitsu GenkoBuddhism, Zen, Rinzai1290-1367JapanTo the branch's edge and the leaf's under surface be most attentive / Its pervasive aroma envelopes people far away / The realms of form and function can't contain it / Spring leaks profusely through the basket
999James JoyceFiction1882-1941Ireland... a darkness shining in brightness which brightness could not comprehend. ~ Ulysses
999JayadevaHinduism1170-1245India, East
999John KeatsPoetryHyperion, Poems1795-1821England163It appears to me that almost any man may like the spider spin from his own inwards his own airy citadel.
999John MiltonPoetryParadise Lost1608-1674EnglandBut hail, thou Goddess, sage and holy, Hail, divinest melancholy, Whose saintly visage is too bright To hit the Sense of human sight.
999Judah HaleviJudaism, Philosophy, Physician1075-1141Toledo
999Jusammi ChikakoBuddhism, Zen, Chanw1400?JapanOn this summer night All the household lies asleep, And in the doorway, For once open after dark, Stands the moon, brilliant, cloudless.
999Kahlil GibranMysticismThe Prophet1883-1931Lebanon
999Karma Trinley RinpocheBuddhism, Tibetanw1931-Tibet, Nangchen
999Kelsang GyatsoBuddhism, Tibetan1931-Tibet?
999Khwaja Abdullah AnsariSufism, Poetryw1006-1088Ghaznavid Empire, Khorasan, Herat
999Kobayashi IssaPoetry, Haiku1763-1828Japan027On a branch / floating downriver / a cricket, singing.
999Kuan Han-ChingPlaywright1241?-1320?China?
999LallaMathematician, Astronomy, Astrology720-790India038Dance, Lalla, with nothing on but air: Sing, Lalla, wearing the sky. Look at this glowing day! What clothes could be so beautiful, or more sacred?
999Levi Yitzchak of BerditchovJudaism, Poetryw1740-1809pob
999Lewis CarrollMathematics, Fiction, Education1832-1898England#1If a man finds himself haunted by evil desires and unholy images, which will generally be at periodical hours, let him commit to memory passages of Scripture, or passages from the best writers in verse or prose. Let him store his mind with these, as safeguards to repeat when he lies awake in some restless night, or when despairing imaginations, or gloomy, suicidal thoughts, beset him. Let these be to him the sword, turning everywhere to keep the way of the Garden of Life from the intrusion of profaner footsteps.
999Li BaiPoetryPoems0701-0762China127
999Longchen RabjampaBuddhism, Tibetan1308-1364Tibet
999Lord ByronPolitics1788-1824England
999LucretiusPhilosophyOf The Nature Of Things-099-055 BCGreece033
999Lu Tung PinTaoism755-805ChinaMy heart is the clear water in the stony pond. Right now it is invaded by the peach-blossom shadows. As soon as I arrive at heaven's palaces I shall settle down with my seven-stringed lute. ~ My heart is the clear water in the stony pond
999Mansur al-HallajSufism, Mysticism, EducationPoems858-922Iran/Persia013
999Marpa LotsawaBuddhism, Tibetan1012-1097Tibet
999Mizuta MasahidePoetry, Haiku, Samurai, Medicine1657-1723JapanSince my house burned down / I now own a better view / of the rising moon
999Masaoka ShikiPoetry, Haiku1867-1902Japan
999Matsuo BashoBuddhism, ZenPoems1644-1694Japan066How I long to see among dawn flowers, the face of God.
999Mechthild of MagdeburgChristianity, Mysticism1207-1282?009
999Michael MaierAlchemist, Physician1568-1622Germany
999Miguel de CervantesFiction1547-1616Spanish
999MirabaiHinduism1498-1573India020
999Moses de LeonJudaism, Kabbalah1240-1305Spain
999Muso SosekiBuddhism, Zen, Rinzai1275-1351Japan012Year after year I dug in the earth looking for the blue of heaven only to feel the pile of dirt choking me until once in the dead of night I tripped on a broken brick and kicked it into the air and saw that without a thought I had smashed the bones of the empty sky ~ Toki-no-Ge
999NachmanidesJudaism, Kabbalah, Philosophy, Physician1194-1270Girona
999Naftali BacharachJudaism, Luranic Kabbalah, Poetryw1700?Germany, Frankfurt
999NamdevHinduism, Sikhism1270-1350India
999Norbert WienerCybernetics, Philosophy, MathematicsCybernetics, or Control and Communication in the Animal and the Machine1894-1964United StatesTo live effectively is to live with adequate information.
999Nozawa BonchoPoetry, Haiku1640-1714JapanLove. / So many different ways / to have been in love. / The maidservants / Trying to take a peep / Knock down the screen!
999NukataBuddhismw638?-710?JapancWhile I wait for you, My lord, lost in this longing, Suddenly there comes A stirring of my window blind: The autumn wind is blowing.
999Omar KhayyamPolymath, Mathematician, Astronomer, Philosophy1048-1131Iran081
999OvidPoetryPoetry, Mythology-043-017 ADItaly014
999Pablo NerudaPoetry, Politics1904-1973Chile
999Percy Bysshe ShelleyFictionOzymandias, Prometheus Unbound, Poems1792-1822England335And on the pedestal these words appear / "My name is Ozymandias, king of kings: / Look on my works, ye mighty, and despair!" / Nothing beside remains. Round the decay / Of that collossal wreck, boundless and bare / The lone and level sands stretch far away ~ Ozymandias
999PindarHistory-0518-0438 BCGreeceFor lawless joys a bitter ending waits.
999PipaSikhism, Poetryw1425India, Malwa region
999Po Chu-iPoltics0772-0846Chinamy lute set aside on the little table lazily I meditate on cherishing feelings the reason I don't bother to strum and pluck? there's a breeze over the strings and it plays itself
999Rabbi Abraham AbulafiaPhilosophy, PoetryLight of the Intellect1240-1291Spain, Zaragoza
999Rabbi Abraham Joshua HeschelJudaismw1907-1972Poland#1Self-respect is the fruit of discipline; the sense of dignity grows with the ability to say no to oneself.
999Rabindranath TagoreMysticism, Philosophy1861-1941India251I seem to have loved you in numberless forms, numberless times, in life after life, in age after age forever.
999Rainer Maria RilkePoetryPoems1875-1926Austria-Hungary117
999Ralph Waldo EmersonPhilosophyPoems1803-1882United States117 Everything in creation has its appointed painter or poet and remains in bondage like the princess in the fairytale 'til its appropriate liberator comes to set it free.
999RamanandaHinduism1300?-1400?India
999RamprasadHinduism, Shaktismw1718? - 1775India, Bengal021q
999RavidasHinduism1450-1520India, Varanasi
999Robert BrowningPoetryPoems1812-1889England099
999RyuzanBuddhism, Zen1274-1358Japan
999SaadiSufism, Mysticism, Logic, Ethics1210-1291ShirazRoam abroad in the world, and take thy fill of its enjoyments before the day shall come when thou must quit it for good.
999SaigyoPoetry1118-1190Japan, KyotoI'd like to divide myself in order to see, among these mountains, each and every flower of every cherry tree.
999Saint Clare of AssisiChristianityw1194-1253Italy, Assisi
999Saint Francis of AssisiChristianity, Poetryw1181-1226Holy Roman Empire, Ducy of Spoleto, Assisi010
999Saint Hildegard von BingenChristianityw1098-1179Holy Roman Empire, County Palatine of the Rhine, Bermersheim vor der Hohe014
999Saint John of the CrossChristianityworks1542-1591
999Saint Therese of Lisieux - The Little Flower of JesusChristianityw1873-1897France, Orne, Alencon
999Saisei MuroLiterature1889-1962Japan, IshikawaBorn into the womb ::: Born into the womb of a HIPPU (a woman in a very low social position who is considered stupid and worthless) on a summer's day
999Santoka TanedaPoetry1882-1940JapanI have no home / autumn deepens
999SapphoPoetry-0630?-0570? BCGreece You are, I think, an evening star, the fairest of all the stars.
999SarahaBuddhism, Tibetan0800?India?, East?
999SarmadSufism?-1659Iran012Along the road, you were my companion Seeking the path, you were my guide No matter to whom I spoke, it was you who answered When Sun called Moon to Sky, it was you who shined In the Night of aloneness, you were my comforter When I laughed, you were the smile on my lips When I cried, you were the tears on my face When I wrote, you were the verse When I sang, you were the song Rarely did my heart desire another lover Then when it did, you came to me in the other. ~ Companion
999Saul WilliamsMusic1972-United States
999ShankaraHinduism, Advaita Vedantaw700 CEIndia, Kochicq
999Shih-teBuddhism0900?China?
999ShiwuBuddhism, Zen1272-1352China?
999Solomon ibn GabirolJudaism, PhilosophyFons Vitae1021-1070Malaga016
999Sophocles - was an ancient Greek tragedy playwright. ...Playwright, TragedyOedipus Rex, Anitgone-496-406 BCGreeceHe has the thousand-yard stare.
999Sun BuerTaoism, Poetryw1119-1182 CEChina
999SurdasHinduism1478?-1579?
999Swami VivekanandaHinduismKarma Yoga, Bhakti Yoga, Jnana Yoga1863-1902India, West Bengal, KolkataWe all have the right to ask for Grace /// My Child, What I want is Muscles of Iron and Nerves of Steel, inside which Dwells a Mind of the same Material as that of which the Thunderbolt is Made.
999Symeon the New TheologianChristianity, Catholism0949-1022Galatia011
999Taigu RyokanBuddhism, ZenPoems1758-1831Japan046A magnificent temple towers to heaven by the Eternal Bridge. / Priests rival in its halls the sermons of rocks and streams. / I, for one, would gladly sacrifice my brows for my brethren, /But I fear I might aggravate the war, already rank as weeds.
999Tao ChienBuddhism, Taoism0365-0427China
999Theophan the RecluseChristianity1815-1894Russia
999Thomas CarlyleMathematician, Philosophy1795-1881Scotland
999Thomas MertonChristianity, Mysticism, Theology1915-1968France013
999T S EliotPlaywright1888-1965United States
999ValmikiHinduismRamayana-500 BCEIndia
999Victor HugoNovelist, Theatre, Philosophy1802-1885France
999Vidyapati1352-1448India
999VirgilMysticism, Philosophy1683-1765Roman
999VoltairePhilosophy1694-1778France
999VyasaHinduismVedas, Mahabharata, Puranas??
999Walt WhitmanEssay, Journalist1819-1892United States, New York386
999Wang WeiPolitics, Music, Paint0699-0759China090A traveler's thoughts in the night / Wander in a thousand miles of dreams.
999William BlakeMysticism, Philosophyw1757-1827England010If the doors of perception were cleansed everything would appear to man as it is, infinite. /// I was walking among the fires of Hell, delighted with the enjoyments of Genius; which to Angels look like torment and insanity.
999William Butler YeatsMysticism, Fiction, LiteraturePoems1865-1939Ireland379
999William ShakespearePlaywright, ActorHamlet, King Lear, Romeo and Juliet, Macbeth1564-1616England
999William WordsworthPoetryworks1770-1850England376
999Wumen HuikaiBuddhism, ZenThe Blue Clif Records, The Gateless Gate1183-1260China005The Great Way has no gate, / A thousand roads enter it. / When one passes through this gateless gate, / He freely walks between heaven and earth.
999Sakai YameiPoetryw1662?-1713Japan
999YannaiJudaism, Poetryw600?Palestine
999Yeshe TsogyalBuddhism, Tibetan0800?TibetThe Supreme Being is the Dakini Queen of the Lake of Awareness! I have vanished into fields of lotus-light, the plenum of dynamic space, To be born in the inner sanctum of an immaculate lotus; Do not despair, have faith! When you have withdrawn attachment to this rocky defile, This barbaric Tibet, full of war and strife, Abandon unnecessary activity and rely on solitude. Practice energy control, purify your psychic nerves and seed-essence, And cultivate mahamudra and Dsokchen. ... ~ The Supreme Being is the Dakini Queen of the Lake of Awareness!
999Yosa BusonPoetry, Paintingw1716-1784Japan012In a bitter wind a solitary monk bends to words cut in stone
999Yose ben YoseJudaism0500?Israel/Palestine
999Yuan MeiPainting1716-1798China, HangzhouA month alone behind closed doors forgotten books, remembered, clear again. Poems come, like water to the pool Welling, up and out, from perfect silence
999Abraham MaslowPsychologyW11908-1970B1#1The test of a man is: does he bear apples? Does he bear fruit? /// Become aware of internal, subjective, subverbal experiences, so that these experiences can be brought into the world of abstraction, of conversation, of naming, etc. with the consequence that it immediately becomes possible for a certain amount of control to be exerted over these hitherto unconscious and uncontrollable processes.
999Alan PerlisComputer ScienceW11922-1990United States, Pennsylvania, Pittsburgh#1We toast the Lisp programmer who pens his thoughts within nests of parentheses. /// A year spent in artificial intelligence is enough to make one believe in God
999Albert BanduraPsychologyW11925-B1#1Q1
999Albert_CamusPhilosophy, ExistentialismW11913-1960B1#1The need to be right - the sign of a vulgar mind. /// Charm is getting the answer yes without asking a clear question.
999Alfred KorzybskiLinguisticsW11879-1950B1#1The map is not the territory
999Alfred North WhiteheadPhilosophy, MathematicsW11861-1947B1#1Knowledge shrinks as wisdom grows. /// here are no whole truths, all truths are half-truths. It is trying to treat them as whole truths that plays the devil.
999Carl JungPsychology, Mysticism, MythologyW11875-1961B1#1Called or not, God is always there. /// The image of God throws a shadow that is just as great as itself.
999Fyodor DostoevskyPhilosophy, ExistentialismCrime and Punishment, The Brothers Karamazov1821-?B1#1Your worst sin is that you have destroyed and betrayed yourself for nothing. /// Nothing is easier than to denounce the evildoer; nothing is more difficult than to understand him.
999Guru RinpocheBuddhism, TibetanW1D1B1#1Q1
999Meister EckhartChristianity, MysticismW11260-1328B1#1God is greater than God. /// God is all and all is God. /// God is at home. We are in the far country.
999PlatoPhilosophyW1-428-348B1#1Q1
999PythagorasPhilosophy, Mathematics, MysticismW1-570-495 BCB1#1No one is free that has not obtained the empire of their self. /// You will be an immortal God, deathless, no longer mortal.
999Rabbi Isaac Luria - ARIZaL "the Lion"Judaism, Kabbalah, LuranicW11534-1572Jerusalem#1Q1
999Rabbi Moses CordoveroJudaism, KabbalahW11522-1570B1#1Q1
999Rabbi Moses Luzzatto - RaMCHaLJudaism, KabbalahW11707-1746B1#1This world is like the shore and the World to Come like the ocean
999Tsongkhapa - the Man from Onion ValleyBuddhism, TibetanW11357-1419B1#1Q1
999Zhuangzi / Zhuang ZhouS1W1-369-286 BCB1#1Q1
999Isaac NewtonScience, Mathematics, Physics, AstronomyW11642-1726B1#1
999PtolemyScience, Mathematics, Astro, GeoW1100-170 ADB1#1Q1
999EuclidScience, MathematicsW1-435-365 BCB1#1Q1
999Leonardo da VinciScience, ArtW11452-1519Republic of Florence, Vinci#1Q1
999ArchimedesScience, Math, Phy, Eng, Inv, AstroW1-287-212 BCB1#1Q1
999ParacelsusAlchemist, PhysicianW11493-1541B1#1Q1
999AristotlePhilosophy, ScienceW1-384-322 BCB1#1Q1
999PlotinusPhilosophy, ChristianityW1204-270B1#1Never did eye see the sun unless it had first become sunlike /// Never stop working on your statue until the divine glory of virtue shines out on you, until you see self-mastery enthroned upon its holy seat.
999Saint Thomas AquinasChristianity, PhilosophyW11225-1274B1#1Q1
999Johannes KeplerScience, Mathematics, Astronomy, AstrologyW11571-1630B1#1When ships to sail the void between the stars have been built, there will step forth men to sail these ships. /// I too play with symbols... but I play in such a way that I do not forget that I am playing. For nothing is proved by symbols... unless by sure reasons it can be demonstrated that they are not merely symbolic but are descriptions of the ways in which the two things are connected and of the causes of this connection.
999SocratesPhilosophyW1-470-399 BCB1#1Q1
999EpicurusPhilosophy, MysticismW1-341-270 BCB1#1The man least dependent upon the morrow goes to meet the morrow most cheerfully.
999Alan TuringComputer Science, Math, Log, Cryptanalysis, Philosophy, BiologyW11912-1954B1#1Q1
999Soren KierkegaardPhilosophy, Theology, Poetry, Social CriticW11813-1855B1#1It is so hard to believe because it is so hard to obey. /// There's nothing more fragrant, more sparkling, more intoxicating than the infinity of possibilities
999DemocritusPhilosophyW1-460-370 BCB1#1Q1
999HypatiaPhilosophy, Astro, MathW1350?-450B1#1Q1
999MaimonidesJudaism, Sephardic, PhilosophyW1D1B1#1In accordance with the divine wisdom, genesis can only take place through destruction. /// God is identical with His attributes, so that it may be said that He is the knowledge, the knower, and the known.
999Lao TzuS1W1-600? BCB1#1A good traveler has no fixed plans and is not intent on arriving. /// We shape clay into a pot, but it is the emptiness inside that holds whatever we want.




--- FAVORITES








Sri Ramakrishna (1836-1886)
Sri Aurobindo (1872-1950)
Sri Ramana Maharshi (1879-1950)
The Mother (1878-1973)
Ken Wilber
Aleister Crowley
Jorge Luis Borges
Jordan Peterson



Wikipedia - List of philosophers born in the centuries BC
Wikipedia - List of philosophers born in the 1st through 10th centuries
Wikipedia - List of philosophers born in the 11th through 14th centuries
Wikipedia - List of philosophers born in the 15th and 16th centuries

Wikipedia - List of ancient Indian writers - (author/major works)
Wikipedia - List of Indian philosophers - (Name/Life/School/Notes)

Wikipedia - List of ancient Greek writers - (author/subject)
Wikipedia - List of ancient Greek philosophers - (Name/Life/School/Notes)


- add lists for: Saints, gurus, sages, etc?


--- FOOTER
class:Being
see also ::: subjects, authors table,
object:Authors
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see also ::: authors_table, subjects

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [1] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO

authors_table
subjects

AUTH
Aaidh_ibn_Abdullah_al-Qarni
Abdullah_ibn_Alawi_al-Haddad
Abdul_Qadir_Gilani
A_B_Purani
Abraham_ibn_Ezra
Abraham_Maslow
Abu_l-Husayn_al-Nuri
Abu_Madyan
Abu_Sufyan_ibn_Harb
Aeschylus
Aesop
Agathon
Ajahn_Chah
Ajahn_Jayasaro
Alan_Perlis
Albert_Bandura
Albert_Camus
Albert_Einstein
Aldous_Huxley
Aleister_Crowley
Alexander_Pope
Alfred_Adler
Alfred_Korzybski
Alfred_North_Whitehead
Alfred_Tennyson
Algernon_Charles_Swinburne
Al-Ghazali
Alice_Bailey
Allama_Muhammad_Iqbal
Alok_Pandey
Al-Tughrai
Amil_Kiran
Amir_Khusrau
Anacreon
Anandajoti_Bhikkhu
Anaxagoras
Angelus_Silesius
Anonymous
Anthony_Robbins
Aonghus_of_the_Divinity
Archilochus
Archimedes
Aristotle
Arthur_C_Clarke
Arthur_Koestler
Arthur_Schopenhauer
A_S_Dalal
Attar_of_Nishapur
Austin_Osman_Spare
authors_table
authors_table
Averroes
Avicenna
Baba_Sheikh_Farid
Baha_u_llah
Bankei
Barrett_Chapman_Brown
Baruch_Spinoza
Basava
Beni
Benjamin_Disraeli
Bernart_de_Ventadorn
Bertrand_Russell
Bill_Hicks
Blaise_Pascal
Bodhidharma
Boduan_Zhang
Boethius
Bokar_Rinpoche
Bruce_Lee
Buddha
Bulleh_Shah
Burton_Watson
Carl_Jung
Carl_Rogers
Carl_Sagan
Carol_Gilligan
Catullus
Chamtrul_Rinpoche
Charles_Baudelaire
Charles_Darwin
Charles_Dickens
Charles_F_Haanel
Charles_Webster_Leadbeater
Cheng_Kuan
Chiao_Jan
Chogyal_Namkhai_Norbu_Rinpoche
Chogyam_Trungpa_Rinpoche
Chokyi_Nyima_Rinpoche
Chone_Lama_Lodro_Gyatso
Chong_Go
Choshu_Ueda
Chuang_Tzu
Cicero
Claudio_Naranjo
Confucius
C._S._Lewis
Dadu_Dayal
Daisetsu_Teitaro_Suzuki
Dai_Zhen
Dante_Alighieri
David_Hume
Democritus
Demosthenes
Denis_Diderot
Desiderius_Erasmus
Dilgo_Khyentse_Rinpoche
Diogenes
Dion_Fortune
Dionysius
D_N_Narayana_Reddy
Dogen
Dudjom_Rinpoche
Dzogchen_Ponlop_Rinpoche
Dzongsar_Jamyang_Khyentse_Rinpoche
Edgar_Allan_Poe
Edward_Haskell
Edward_Young
Ejo
Eleazar_ben_Kallir
Eliphas_Levi
Emanuel_Swedenborg
Empedocles
Epictetus
Eratosthenes
Erich_Jantsch
Eric_S_Raymond
Erik_Erikson
Erik_Pema_Kunsang
Ernest_Becker
Ernest_Hemingway
Euclid
Farid_ud-Din_Attar
Francis_Bacon
Francis_Thompson
Frank_Herbert
Franz_Bardon
Franz_Kafka
Friedrich_Nietzsche
Friedrich_Schiller
Fukuda_Chiyo-ni
Fyodor_Dostoevsky
Gabor_Mate
Gary_Gygax
Genpo_Roshi
Georg_C_Lichtenberg
George_Bernard_Shaw
George_Carlin
George_Eliot
George_MacDonald
George_Orwell
George_Van_Vrekhem
Georg_Wilhelm_Friedrich_Hegel
Geshe_Kelsang_Gyatso
Giordano_Bruno
G_K_Chesterton
Gorakhnath
Gottfried_Wilhelm_Leibniz
Gudo_Wafu_Nishijima
Guenther
Guru_Nanak
Guru_Rinpoche
Gyatrul_Rinpoche
Hafiz
Hakim_Sanai
Hakuin
Hakuin_Ekaku
Han_Feizi
Han-shan
Haruki_Murakami
Hasdai_ibn_Shaprut
Hazrat_Inayat_Khan
Heinrich_Cornelius_Agrippa
Hemachandra
Henri_Bergson
Henri_Poincare
Henry_David_Thoreau
Henry_T._Laurency
Henry_Wadsworth_Longfellow
Heraclitus
Hermann_Hesse
H_G_Wells
Hippocrates
Homer
Horace
Howard_Gardner
H_P_Blavatsky
H_P_Lovecraft
Hsuan_Chueh_of_Yung_Chia
Hsuan_Hua
Huang_Po
Huineng
Hung-chih_Cheng-chueh
Hu-Shih
Iamblichus
Ibn_al-Nadim
Ibn_Arabi
Ibn_Ata_Illah
Ibn_Battuta
Ibn_Hazm
Ibn_Khaldun
Ibn_Majah
Ibn_Qayyim_Al_Jawziyya
Ibn_Rushd
Ibn_Taymiyyah
Ikkyu
Immanuel_Kant
Isaac_Newton
Isaac_of_Stella
Ishikara_Rikizan
Israel_Regardie
Italo_Calvino
Izumi_Shikibu
Jabir_ibn_Hayyan
Jacopone_da_Todi
Jacques_Ellul
Jakushitsu
Jalaluddin_Rumi
James_Allen
James_Clerk_Maxwell
James_George_Frazer
James_Joyce
James_S_A_Corey
Jamgon_Kongtrul_Lodro_Thaye
Jamgon_Mipham_Rinpoche
Jaron_Lanier
Jayadeva
Jean_Baudrillard
Jean_Gebser
Jean-Paul_Sartre
Jean_Piaget
Jetsun_Milarepa
Jiang_Wu
Jianzhi_Sengcan
Jiddu_Krishnamurti
Jigdral_Yeshe_Dorje
Jigme_Lingpa
Johannes_Kepler
Johann_Wolfgang_von_Goethe
John_Daido_Loori
John_Dee
John_Donne
John_Keats
John_von_Neumann
Jordan_Peterson
Jorge_Luis_Borges
Joseph_Campbell
Joshu_Sasaki_Roshi
J_R_R_Tolkien
Judah_Halevi
Jugal_Kishore_Mukherjee
Julio_Cortazar
Jurgen_Habermas
Jusammi_Chikako
Kabir
Kahlil_Gibran
Kalidasa
Kalu_Rinpoche
Karma_Trinley_Rinpoche
Katsuki_Sekida
Kelsang_Gyatso
Kenneth_Grant
Ken_Wilber
Khalid_ibn_al-Walid
Khandro_Rinpoche
Khenchen_Palden_Sherab_Rinpoche
Khenchen_Thrangu_Rinpoche
Khenpo_Kunpal
Khwaja_Abdullah_Ansari
Kobayashi_Issa
Kodo_Sawaki
Kosho_Uchiyama
Kuan_Han-Ching
Lalla
Lana_and_Lilly_Wachowski
Lao_Tzu
Leonardo_da_Vinci
Leo_Tolstoy
Levi_Yitzchak_of_Berditchov
Lewis_Carroll
Li_Bai
Linji_Yixuan
list_of_authors_from_BC
list_of_authors_from_BC
Liu_Yiming
Livy
Longchenpa
Longchen_Rabjampa
Lord_Byron
Lucius_Accius
Lucretius
Ludwig_von_Bertalanffy
Ludwig_Wittgenstein
Lu_Tung_Pin
Madhumati_M_Kulkarni
Mahatma_Gandhi
Maimonides
M_Alan_Kazlev
Malik_ibn_Anas
Manly_P_Hall
Mansur_al-Hallaj
Marcus_Aurelius
Marijn_Haverbeke
Mark_Twain
Marpa_Lotsawa
Marshall_McLuhan
Martin_Heidegger
Mary_Shelley
Masahide
Masao_Abe
Matsuo_Basho
Mechthild_of_Magdeburg
Mehmet_Murat_ildan
Meister_Eckhart
Mencius
Michael_Ende
Michael_Maier
Michel_de_Montaigne
Michel_Mohr
Michio_Kaku
Miguel_de_Cervantes
Minling_Trichen_Rinpoche
Mirabai
Miriam_L._Levering
Mona_Sarkar
Montesquieu
Morihei_Ueshiba
Mortimer_J_Adler
Moses_de_Leon
Mozi
M_P_Pandit
Muhammad_ibn_Isa_at-Tirmidhi
Muso_Soseki
Nachmanides
Naftali_Bacharach
Nagarjuna
Nakamura_Hajime
Namdev
Narad
Naropa
Neil_Gaiman
Nichiren
Niels_Bohr
Nikola_Tesla
Nirodbaran
Nishida_Kitaro
Nolini_Kanta_Gupta
Norbert_Wiener
Novalis
Nozawa_Boncho
Nukata
Omar_Khayyam
Orson_Scott_Card
Oscar_Wilde
Osho
Ovid
Pablo_Neruda
Padmasambhava
Paracelsus
Patanjali
Patrul_Rinpoche
Paul_Dirac
P_D_Ouspensky
Pema_Chodron
Percy_Bysshe_Shelley
Peter_J_Carroll
Peter_Sloterdijk
Phil_Hine
Philo_of_Alexandria
Pierre_Teilhard_de_Chardin
Pindar
Pipa
Plato
Plotinus
Po_Chu-i
Porphyry
Proclus
Ptolemy
Publilius_Syrus
Pythagoras
Quintus_Ennius
Rabbi_Abraham_Abulafia
Rabbi_Abraham_Joshua_Hesche
Rabbi_Abraham_Joshua_Heschel
Rabbi_Isaac_Luria
Rabbi_Moses_Cordovero
Rabbi_Moses_Luzzatto
Rabbi_Tzvi_Freeman
Rabindranath_Tagore
Rainer_Maria_Rilke
Ralph_Waldo_Emerson
Ramananda
Ramprasad
Rand_Hicks
Ravidas
R_Buckminster_Fuller
Red_Pine
Rene_Guenon
Richard_Hartz
Richard_P_Feynman
Richard_Swinburne
Ringu_Tulku_Rinpoche
Robert_Anton_Wilson
Robert_Browning
Robert_Burns
Robert_Burton
Roger_Bacon
Rudolf_Steiner
RY_Deshpande
Ryuzan
Saadi
Saigyo
Saint_Aldhelm
Saint_Alphonsus_Liguori
Saint_Ambrose_of_Milan
Saint_Athanasius_of_Alexandria
Saint_Augustine_of_Hippo
Saint_Basil
Saint_Benedict_of_Nursia
Saint_Bernard_of_Clairvaux
Saint_Catherine_of_Siena
Saint_Cecilia
Saint_Clare_of_Assisi
Saint_Dionysius_the_Areopagite
Saint_Dominic
Saint_Ephrem_the_Syrian
Saint_Francis_of_Assisi
Saint_Germain
Saint_Hildegard_von_Bingen
Saint_Ignatus_of_Loyola
Saint_Isaac_of_Nineveh
Saint_Jerome
Saint_Joan_of_Arc
Saint_John_Bosco
Saint_John_Chrysostom
Saint_John_Henry_Newman
Saint_John_of_the_Cross
Saint_John_Perse
Saint_Josemaria_Escriva
Saint_Maximus_the_Confessor
Saint_Padre_Pio
Saint_Patrick
Saint_Paul
Saint_Peter
Saint_Seraphim_of_Sarov
Saint_Stephen
Saint_Teresa_of_Avila
Saint_Teresia_Benedicta_a_Cruce
Saint_Therese_of_Lisieux
Saint_Thomas_Aquinas
Saisei_Muro
Sakai_Yamei
Samael_Aun_Weor
Samuel_ibn_Naghrillah
Santoka_Taneda
Sappho
Saraha
Sarmad
Satprem
Saul_Williams
Seneca
Shams_Tabrizi
Shankara
Shih-te
Shiwu
Shraddhavan
Shunryu_Suzuki
Sigmund_Freud
Simone_de_Beauvoir
Sir_Roger_Penrose
Slavoj_Zizek
Sogyal_Rinpoche
Solomon_ibn_Gabirol
Sophocles
Soren_Kierkegaard
Sri_Aurobindo
Sri_Chinmoy
Sri_Nisargadatta_Maharaj
Sri_Ramakrishna
Sri_Ramana_Maharshi
Stephen_Covey
Stephen_King
Steven_Heine
Sun_Buer
Sun_Tzu
Surdas
Susan_Sontag
Swami_Krishnananda
Swami_Nikhilananda
Swami_Sivananda_Saraswati
Swami_Vivekananda
Symeon_the_New_Theologian
Taigu_Ryokan
Taisen_Deshimaru
Takahashi
Tao_Chien
Tarthang_Tulku
Tenzin_Palmo
Tenzin_Wangyal_Rinpoche
Terence_McKenna
Thanissaro_Bhikkhu
The_Mother
Theophan_the_Recluse
Thich_Nhat_Hanh
Thomas_A_Kempis
Thomas_Carlyle
Thomas_Cleary
Thomas_Jefferson
Thomas_Keating
Thomas_Merton
Thubten_Yeshe
Tilopa
Timothy_Snyder
Tom_Butler-Bowdon
T_S_Eliot
Tsogdruk_Rinpoche
Tsoknyi_Rinpoche
Tsongkhapa
Tulku_Urgyen_Rinpoche
Ursula_K_Le_Guin
Valmiki
V_Ananda_Reddy
Victor_Hugo
Vidyapati
Viktor_Frankl
Vincent_van_Gogh
Virgil
Vladimir_Antonov
V_Madhusudan_Reddy
Voltaire
Vyasa
Walt_Whitman
Wangsong_Xingxiu
Wang_Wei
Wang_Yangming
Wang_Zhenyi
Wei_Wu_Wei
Wendi_Leigh_Adamek
Werner_Heisenberg
Willard_Van_Orman_Quine
Willard_Van_Orman_Quine
William_Blake
William_Butler_Yeats
William_Faulkner
William_Gibson
William_James
William_S_Burroughs
William_S_Burroughs
William_Shakespeare
William_Wordsworth
Wumen_Huikai
Xunzi
Yajnavalkya
Yangthang_Rinpoche
Yannai
Yeshe_Tsogyal
Yong_Zhi
Yosa_Buson
Yose_ben_Yose
Yoshida_Kenko
Yuan_Mei
Yuanwu_Keqin
Yuval_Noah_Harari
Zhechen_Gyaltsab_Padma_Gyurmed_Namgyal
Zhuangzi

BOOKS
8_Secrets_of_Tao_Te_Ching
A_Book_of_Five_Rings_-_The_Classic_Guide_to_Strategy
A_Brief_History_of_Everything
Achieving_Oneness_With_The_Higher_Soul___Meditations_for_Soul_Realization
Advanced_Pranic_Healing
A_Garden_of_Pomegranates_-_An_Outline_of_the_Qabalah
Agenda_Vol_02
Agenda_Vol_03
Agenda_Vol_04
Agenda_Vol_05
Agenda_Vol_06
Agenda_Vol_07
Agenda_Vol_08
Agenda_Vol_09
Agenda_Vol_10
Agenda_Vol_11
Agenda_Vol_12
Agenda_Vol_13
A_Guide_to_the_Words_of_My_Perfect_Teacher
A_History_of_Western_Philosophy
Aion
Al-Fihrist
Al-Ghazali_on_the_Ninety-nine_Beautiful_Names_of_God
Alice_in_Wonderland
A_Manual_Of_Abhidhamma
Amrita_Gita
Analects
Analysis_of_Mind
Anam_Cara__A_Book_of_Celtic_Wisdom
Anarchy
An_Arrow_to_the_Heart__A_Commentary_on_the_Heart_Sutra
An_Outline_of_Occult_Science
Apokryphen
Arabi_-_Poems
A_Room_of_One's_Own
As_It_Is_-_Volume_I_-_Essential_Teachings_from_the_Dzogchen_Perspective
As_It_Is_-_Volume_II
Aspects_of_Evocation
A_Study_Of_Dogen_His_Philosophy_and_Religion
A_Theory_of_Justice
A_Thousand_Plateaus__Capitalism_and_Schizophrenia
Atma_Bodha
A_Trackless_Path
A_Treatise_on_Cosmic_Fire
Auguries_of_Innocence
Basho_-_Poems
Beaten_Down__Silently_Suffering_Trauma
Becoming_the_Compassion_Buddha__Tantric_Mahamudra_for_Everyday_Life
Be_Here_Now
Being_and_Nothingness
Being_and_Time
Being_Peace
Beowulf
Beyond_Good_and_Evil
Bhakti-Yoga
Blazing_the_Trail_from_Infancy_to_Enlightenment
Bodhidharma_-_Poems
Bodhinyana__a_collection_of_Dhamma_talks
Book_of_Imaginary_Beings
Borges_-_Poems
Branching_Streams_flow_in_the_darkness
Browning_-_Poems
Buddhahood_in_This_Life__The_Great_Commentary_by_Vimalamitra
Buddhahood_Without_Meditation__A_Visionary_Account_Known_as_Refining_One's_Perception
Choiceless_Awareness__A_Selection_of_Passages_for_the_Study_of_the_Teachings_of_J._Krishnamurti
Choosing_Simplicity__A_Commentary_On_The_Bhikshuni_Pratimoksha
City_of_God
Civilization_and_Its_Discontents
Cold_Mountain
Collected_Fictions
Collected_Poems
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_01
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_02
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_03
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_04
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_05
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_06
Collected_Works_of_Nolini_Kanta_Gupta_-_Vol_07
Common_Sense
Compassionate_Action
Confusion_Arises_as_Wisdom__Gampopa's_Heart_Advice_on_the_Path_of_Mahamudra
Conscious_Immortality
Contemplation_and_Action
Contingency
Conversations_of_Socrates
Conversations_With_God__An_Uncommon_Dialogue
Creative_Evolution
Crime_and_Punishment
Crisis_of_European_Sciences_and_Transcendental_Phenomenology
Critique_of_Practical_Reason
Critique_of_Pure_Reason
Crowley_-_Poems
Crow_With_No_Mouth__Ikkyu
Cultivating_the_Empty_Field__The_Silent_Illumination_of_Zen_Master_Hongzhi
Cybernetics,_or_Control_and_Communication_in_the_Animal_and_the_Machine
Dark_Night_of_the_Soul
Das_Kapital
Day_by_Day
De_Anima
Deep_Meditation
Demian
Democracy_in_America
Depth_Psychology__Meditations_in_the_Field
Discipline_and_Punish__The_Birth_of_the_Prison
Discourse_on_Method
Do_Androids_Dream_of_Electric_Sheep?
Dogen_-_Poems
Don_Quixote
Don't_Take_Your_Life_Personally
Dragonsfoot
Dune
Ecce_Homo
Economy_of_Truth__Practical_Maxims_and_Reflections
Education_As_a_Force_for_Social_Change
Education_in_the_New_Age
Eloquent_Javascript
Emerson_-_Poems
Enchiridion
Enchiridion_text
Enlightened_Courage__A_Commentary_on_the_Seven_Point_Mind_Training
Ennead_VI
Entrance_To_The_Great_Perfection__A_Guide_To_The_Dzogchen_Preliminary_Practices
Epigrams_from_Savitri
Esoteric_Orders_and_Their_Work_and_The_Training_and_Work_of_the_Initiate
Essays_Divine_And_Human
Essays_in_Idleness_-_The_Tsurezuregusa_of_Kenko
Essays_In_Philosophy_And_Yoga
Essays_of_Schopenhauer
Essays_On_The_Gita
Ethics_(Spinoza)
Evolution_II
Experience_and_Nature
Face_to_Face
Falling_Into_Grace__Insights_on_the_End_of_Suffering
Fathoming_the_Mind__Inquiry_and_Insight_in_Dudjom_Lingpa's_Vajra_Essence
Faust
Fearless_Simplicity__The_Dzogchen_Way_of_Living_Freely_in_a_Complex_World
Finnegans_Wake
Five_Dialogues__Euthyphro
Flower_Adornment_Sutra_(Avatamsaka_Sutra)_Prologue
Flow_-_The_Psychology_of_Optimal_Experience
Foxe's_Book_of_Martyrs
Fragments
Free_thought_and_Official_Propaganda
Full_Circle
Fury
Gandhi__An_autobiography
General_Principles_of_Kabbalah
General_System_Theory
Generating_the_Deity
God_Emptiness_and_the_True_Self
God_Exists
Goethe_-_Poems
Gone_with_the_Wind
Great_Bodhi_Mind
Great_Disciples_of_the_Buddha__Their_Lives,_Their_Works,_Their_Legacy
Guided_Buddhist_Meditations__Essential_Practices_on_the_Stages_of_the_Path
Gullivers_Travels
Guru_Bhakti_Yoga
Guru_Granth_Sahib
Guru_Yoga_(book)
Hamlet
Heart_of_Matter
Hidden_Messages_in_Water
Hojoki__Visions_of_a_Torn_World
Holy_Bible__King_James_Version
Holy_Bible__New_International_Version
Hopscotch
How_to_Free_Your_Mind_-_Tara_the_Liberator
How_to_think_like_Leonardo_Da_Vinci
Human_Knowledge
Hundred_Thousand_Songs_of_Milarepa
Hymn_of_the_Universe
Hymns_to_the_Mystic_Fire
Hyperion
I_Am_That__Talks_with_Sri_Nisargadatta_Maharaj
Infinite_Library
In_His_Steps__What_Would_Jesus_Do?
Initiates_of_Flame
Initiation_Into_Hermetics
Inner_Teachings_of_Hinduism_Revealed
Integral_Life_Practice_(book)
Integral_Psychology
Integral_Spirituality
Intelligent_Life__Buddhist_Psychology_of_Self-Transformation
Into_the_Heart_of_Life
Introduction_To_The_Middle_Way__Chandrakirti's_Madhyamakavatara_with_Commentary_by_Dzongsar_Jamyang_Khyentse_Rinpoche
Introduction_Zen_Buddhism
Intuitive_Thinking
Invisible_Cities
Japanese_Spirituality
Journey_to_the_East
Journey_to_the_Lord_of_Power_-_A_Sufi_Manual_on_Retreat
Karmayogin
Keats_-_Poems
Kena_and_Other_Upanishads
Ken_Wilber_-_Thought_as_Passion
Kindness
Knowledge_of_the_Higher_Worlds
Know_Yourself
Kosmic_Consciousness
Labyrinths
Lamp_of_Mahamudra__The_Immaculate_Lamp_that_Perfectly_and_Fully_Illuminates_the_Meaning_of_Mahamudra,_the_Essence_of_all_Phenomena
Laughter__An_Essay_on_the_Meaning_of_the_Comic
Leaning_Toward_the_Poet__Eavesdropping_on_the_Poetry_of_Everyday_Life
Leaves_of_Grass
Let_Me_Explain
Letters_from_a_Stoic
Letters_On_Himself_And_The_Ashram
Letters_on_Occult_Meditation
Letters_On_Poetry_And_Art
Letters_On_Yoga_I
Letters_On_Yoga_II
Letters_On_Yoga_III
Letters_On_Yoga_IV
Let_There_Be_Light!_Scapegoat_of_a_Narcissistic_Mother_"My_Story"
Levels_Of_Knowing_And_Existence__Studies_In_General_Semantics
Leviathan
Leviathan_Wakes
Liao_Fan's_Four_Lessons
Li_Bai_-_Poems
Liber_157_-_The_Tao_Teh_King
Liber_ABA
Liber_Kaos
Liber_Null
Life_without_Death
Living_Buddha
Living_Dhamma
Logical_Investigations
Logic_and_Ontology
Longchenpa's_Advice_From_The_Heart
Lord_of_the_Flies
Love_and_Compassion_Is_My_Religion__A_Beginner's_Book_Into_Spirituality
Lysis_-_Symposium_-_Gorgias
Machik's_Complete_Explanation__Clarifying_the_Meaning_of_Chod
Magic_-_A_Treatise_on_Esoteric_Ethics
Magick_Without_Tears
Maharshis_Gospel
Mahayana-Uttaratantra-Shastra
Manhood_of_Humanity
Mans_Search_for_Meaning
Mansur_al-Hallaj_-_Poems
Mantras_Of_The_Mother
Manual_of_Zen_Buddhism
Maps_of_Meaning
Marriage_of_Sense_and_Soul
Martin_Luther's_Ninety-Five_Theses
Mastery
Meditation__Advice_to_Beginners
Meditations
Meditation__The_First_and_Last_Freedom
Mere_Christianity
Metamorphoses
Metaphysics
Milarepa_-_Poems
Mind_at_Ease__Self-Liberation_through_Mahamudra_Meditation
Mindfulness_Of_Breathing
Mind_-_Its_Mysteries_and_Control
Mind_Training__The_Great_Collection
Mining_for_Wisdom_Within_Delusion__Maitreya's_Distinction_Between_Phenomena_and_the_Nature_of_Phenomena_and_Its_Indian_and_Tibetan_Commentaries
Miracles_Through_Pranic_Healing
Mixed_Collection
Modern_Man_in_Search_of_a_Soul
More_Answers_From_The_Mother
Mother_or_The_Divine_Materialism
My_Burning_Heart
Mysterium_Coniunctionis
Mysticism_and_Logic
Mysticism_at_the_Dawn_of_the_Modern_Age
Mysticism_Christian_and_Buddhist
Narcissus_and_Goldmund
Nausea
Neuromancer
New_Science
New_World_Translation_of_the_Holy_Scriptures
No_Boundary
Notebooks_of_Lazarus_Long
Notes_from_the_Underground
Oedipus_Aegyptiacus
of_Society
Of_The_Nature_Of_Things
old_bookshelf
Olympian_Odes
On_Belief
On_Education
One_Taste
On_Interpretation
On_Liberty
On_Prayer
On_Savitri_(book)
On_the_Free_Choice_of_the_Will
On_the_Shortness_of_Life
On_the_Universe
On_the_Way_to_Supermanhood
On_Thoughts_And_Aphorisms
Opening_the_Hand_of_Thought__Foundations_of_Zen_Buddhist_Practice
Orthodoxy
Our_Knowledge_of_the_External_World
Out_of_Syllabus__Poems
Pantheisticon__A_Modern_English_Translation
Paracelsus_as_a_Spiritual_Phenomenon
Paradise_Lost
Parting_From_The_Four_Attachments__A_Commentary_On_Jetsun_Drakpa_Gyaltsen's_Song_Of_Experience_On_Mind_Training_And_The_View
Patanjali_Yoga_Sutras
Path_to_Peace__A_Guide_to_Managing_Life_After_Losing_a_Loved_One
Peace_Is_Every_Step__The_Path_of_Mindfulness_in_Everyday_Life
Pedagogy_of_the_Oppressed
Penses
Persian_Letters
Phenomenology_of_Perception
Phenomenology_of_Spirit
Philosophy_of_Dreams
Plotinus_-_Complete_Works_Vol_01
Plotinus_-_Complete_Works_Vol_02
Plotinus_-_Complete_Works_Vol_03
Plotinus_-_Complete_Works_Vol_04
Poems_of_Fernando_Pessoa
Poetics
Practical_Advice_to_Teachers
Practical_Ethics_and_Profound_Emptiness__A_Commentary_on_Nagarjuna's_Precious_Garland
Practice_And_All_Is_Coming__Abuse,_Cult_Dynamics,_And_Healing_In_Yoga_And_Beyond
Praise_of_Folly
Pranic_Psychotherapy
Prayers_And_Meditations
Preparing_for_the_Miraculous
Primordial_Purity__Oral_Instructions_on_the_Three_Words_That_Strike_the_Vital_Point
Principles_of_Morals
Process_and_Reality
Progressive_Stages_of_Meditation_on_Emptiness
Psychological_Assessment_of_Adult_Posttraumatic_States__Phenomenology,_Diagnosis,_and_Measurement
Questions_And_Answers_1929-1931
Questions_And_Answers_1950-1951
Questions_And_Answers_1953
Questions_And_Answers_1954
Questions_And_Answers_1955
Questions_And_Answers_1956
Questions_And_Answers_1957-1958
Quotology
Raja-Yoga
Ramayana
Record_of_Yoga
Reflections_on_Silver_River
Religion_and_Science
Revelations_of_Divine_Love
Revolt_Against_the_Modern_World
Rice_Eyes_Enlightenment_in_Dogens_Kitchen
Ride_the_Tiger__A_Survival_Manual_for_the_Aristocrats_of_the_Soul
Rilke_-_Poems
Role_of_the_Intellectual_in_the_Modern_World
Rubaiyat
Rumi_-_Poems
Ryokan_-_Poems
Satipahna__The_Direct_Path_to_Realization
Savitri
Sayings_of_Sri_Ramakrishna
Sayings_of_Sri_Ramakrishna_(toc)
Schiller_-_Poems
Science_and_Sanity
Secrets_of_Heaven
Sefer_Yetzirah__The_Book_of_Creation__In_Theory_and_Practice
Self-Enquiry
Self_Knowledge
Self-Liberation_Through_Seeing_with_Naked_Awareness
Sermons
Sex_and_the_Narcissist
Sex_Ecology_Spirituality
Shelley_-_Poems
Shentong_&_Rangtong__Two_Views_of_Emptiness
Siddhartha
Sivananda_Companion_to_Yoga__Sivananda_Companion_to_Yoga
Skeletons
Sky_Above
Snow_Crash
Society
Some_Answers_From_The_Mother
Songs_of_Kabir
Sparks
Spiral_Dynamics
Spirituality
Sri_Aurobindo_or_the_Adventure_of_Consciousness
Stages_Of_Faith
Starship_Troopers
Stillness_Flowing__The_Life_and_Teachings_of_Ajahn_Chah
Straight_From_The_Heart__Buddhist_Pith_Instructions
Structure_and_Interpretation_of_Computer_Programs
Studies_in_the_Lankavatara
Success
Summa_Theologica
Surprised_by_Joy__The_Shape_of_My_Early_Life
Swampl_and_Flowers__The_Letters_and_Lectures_of_Zen_Master_Ta_Hui
Sweet_Mother
Sylvie_and_Bruno
Symposium
Synergetics_-_Explorations_in_the_Geometry_of_Thinking
Tablets_of_Baha_u_llah
Tagore_-_Poems
Talks
Tao_Te_Ching
The_5_Dharma_Types
The_7_Habits_of_Highly_Effective_People
The_Abolition_of_Man
The_Act_of_Creation
The_Alchemy_of_Happiness
The_Analects
The_Anatomy_of_Melancholy
The_Ancient_Wisdom_of_the_Chinese_Tonic_Herbs
The_Archetypes_and_the_Collective_Unconscious
The_Art_and_Thought_of_Heraclitus
The_Art_of_Computer_Programming
The_Art_of_Happiness
The_Art_of_Literature
The_Art_of_Living__The_Classical_Manual_on_Virtue
The_Art_of_War
The_Atman_Project
The_Autobiography_of_Malcolm_X
The_Beyond_Mind_Papers__Vol_1_Transpersonal_and_Metatranspersonal_Theory
The_Beyond_Mind_Papers__Vol_2_Steps_to_a_Metatranspersonal_Philosophy_and_Psychology
The_Beyond_Mind_Papers__Vol_3_Further_Steps_to_a_Metatranspersonal_Philosophy_and_Psychology
The_Beyond_Mind_Papers__Vol_4_Further_Steps_to_a_Metatranspersonal_Philosophy_and_Psychology
The_Bhagavad_Gita
The_Bible
The_Birth_of_Tragedy
The_Black_Hole_War_-_My_Battle_with_Stephen_Hawking_to_Make_the_World_Safe_for_Quantum_Mechanics
The_Blue_Cliff_Records
The_Book_of_Certitude
The_Book_of_Chuang_Tzu
The_Book_of_Equanimity
The_Book_of_Gates
The_Book_of_Joy__Lasting_Happiness_in_a_Changing_World
The_Book_of_Lies
The_Book_of_Mormon__Another_Testament_of_Jesus_Christ
The_Book_of_Secrets__Keys_to_Love_and_Meditation
The_Book_on_the_Taboo_Against_Knowing_Who_You_Are
The_Buddhist_Revival_in_China
The_Castle_of_Crossed_Destinies
The_Categories
The_Celestine_Prophecy
The_Choice__Embrace_the_Possible
The_Cloud_of_Unknowing_and_Other_Works
The_Coming_Race
The_Communist_Manifesto
The_Compass_of_Zen
The_Complete_Dead_Sea_Scrolls_in_English
The_Complete_Essays
The_Confessions_of_Saint_Augustine
The_Connected_Discourses_of_the_Buddha__A_Translation_of_the_Samyutta_Nikaya
The_Consolation_of_Philosophy
The_Conspiracy_Against_the_Human_Race
The_Creative_Mind
The_Crisis_Of_The_Modern_World
The_Decline_of_the_West
The_Deepest_Well__Healing_the_Long-Term_Effects_of_Childhood_Adversity
The_Dhammapada
The_Diamond_Sutra
The_Diamond_Sutra_and_The_Sutra_of_Hui-Neng
The_Divine_Comedy
The_Divine_Companion
The_Divine_Milieu
The_Divinization_of_Matter__Lurianic_Kabbalah,_Physics,_and_the_Supramental_Transformation
The_Doors_of_Perception_+_Heaven_and_Hell
The_Enneads
The_Epic_of_Gilgamesh
The_Essence_of_the_Heart_Sutra__The_Dalai_Lama's_Heart_of_Wisdom_Teachings
The_Essence_of_Truth
The_Essential_Epicurus
The_Essential_Rumi
The_Essentials_of_Buddhist_Meditation
The_Essential_Songs_of_Milarepa
The_Essential_Writings
The_Ever-Present_Origin
The_Everyday_I_Ching
The_Externalization_of_the_Hierarchy
The_Eye_Of_Spirit
The_Fall
The_Federalist_Papers
The_Foundation_of_Buddhist_Practice_(The_Library_of_Wisdom_and_Compassion_Book_2)
The_Fountainhead
The_Four_Loves
The_Fundamental_Wisdom_of_the_Middle_Way__Ngrjuna's_Mlamadhyamakakrik
The_Future_of_Man
The_Future_Poetry
The_Gateless_Gate
The_Gay_Science
The_Genius_of_Language
The_Gift
The_Golden_Bough
The_Gospel_of_Sri_Ramakrishna
The_Great_Exposition_of_Secret_Mantra
The_Great_Gate_for_Accomplishing_Supreme_Enlightenment
The_Great_Secret_of_Mind__Special_Instructions_on_the_Nonduality_of_Dzogchen
The_Guide_for_the_Perplexed
The_Handbook
The_Healthy_Mind_Interviews_VOL_III
The_Heart_Is_Noble__Changing_the_World_from_the_Inside_Out
The_Heart_of_Compassion__The_Thirty-seven_Verses_on_the_Practice_of_a_Bodhisattva
The_Heart_of_the_Buddha's_Teaching__Transforming_Suffering_into_Peace
The_Heart_of_the_Path__Seeing_the_Guru_as_Buddha
The_Heart_Treasure_of_the_Enlightened_Ones__The_Practice_of_View,_Meditation,_and_Action__A_Discourse_Virtuous_in_the_Beginning,_Middle,_and_End
The_Heros_Journey
The_Hero_with_a_Thousand_Faces
The_Hidden_Words
The_Hiding_Place__The_Triumphant_True_Story_of_Corrie_Ten_Boom
The_Hitchhikers_Guide_to_the_Galaxy
The_Holy_Teaching_of_Vimalakirti__A_Mahayana_Scripture
The_Hound_of_Heaven
The_Human_Cycle
The_Human_Use_of_Human_Beings
The_Hundred_Verses_of_Advice__Tibetan_Buddhist_Teachings_on_What_Matters_Most
The_I_Ching_or_Book_of_Changes
The_Imitation_of_Christ
The_Instructions_of_Gampopa__A_Precious_Garland_of_the_Supreme_Path
The_Integral_Yoga
The_Interior_Castle_or_The_Mansions
The_Interpretation_of_Dreams
The_Jack_of_Too_Many
The_Jewel_Ornament_of_Liberation__The_Wish-Fulfilling_Gem_of_the_Noble_Teachings
The_Journals_of_Kierkegaard
The_Key_to_the_True_Kabbalah
The_Ladder_of_Divine_Ascent
The_Left_Hand_of_Darkness
The_Life_Divine
The_Life_of_Shabkar__Autobiography_of_a_Tibetan_Yogin
The_Little_Prince
The_Logic_of_Scientific_Discovery
The_Lotus_Sutra
The_Love_Poems_of_Rumi
The_Master_Key_System
The_Middle_Length_Discourses_of_the_Buddha__A_Translation_of_the_Majjhima_Nikaya
The_Middle_Way__Faith_Grounded_in_Reason
The_Mirror__Advice_On_The_Presence_Of_Awareness
The_Most_Holy_Book
The_Mothers_Agenda
The_Mother_With_Letters_On_The_Mother
The_Mystical_Teachings_of_Jesus
The_Nag_Hammadi_Library
The_Narcissistic_Abuse_Recovery_Bible__Spiritual_Recovery_from_Narcissistic_and_Emotional_Abuse
The_Nature_of_Consciousness__Essays_on_the_Unity_of_Mind_and_Matter
The_Nectar_of_Manjushri's_Speech__A_Detailed_Commentary_on_Shantideva's_Way_of_the_Bodhisattva
The_Neverending_Story
The_New_Organon
The_Nicomachean_Ethics
The_Nine_Billion_Names_of_God
The_Numerical_Discourses_of_the_Buddha__A_Complete_Translation_of_the_Anguttara_Nikaya
The_Octavo
The_Odyssey
The_Oresteia__Agamemnon
The_Origin_Of_Modern_Pranic_Healing_And_Arhatic_Yoga
The_Origin_of_Species
Theosophy
The_Path_Is_Everywhere__Uncovering_the_Jewels_Hidden_Within_You
The_Path_Of_Serenity_And_Insight__An_Explanation_Of_Buddhist_Jhanas
The_Path_to_Enlightenment
The_Perennial_Philosophy
The_Phenomenon_of_Man
The_Philosophy_of_History
The_Places_That_Scare_You_-_A_Guide_to_Fearlessness_in_Difficult_Times
The_Plague
The_Power_of_Myth
The_Practice_of_Magical_Evocation
The_Practice_of_Psycho_therapy
The_Precious_Treasury_Of_The_Way_Of_Abiding
The_Prince_(book)
The_Principia__Mathematical_Principles_of_Natural_Philosophy
The_Principles_of_Mathematics
The_Problem_of_China
The_Problems_of_Philosophy
The_Prophet
The_Recognition_Sutras__Illuminating_a_1,000-Year-Old_Spiritual_Masterpiece
The_Red_Book_-_Liber_Novus
The_Republic
The_Revolt_of_the_Masses
The_Road_to_Serfdom
The_Science_of_Knowing
The_Seals_of_Wisdom
The_Seat_of_the_Soul
The_Second_Sex
The_Secret_Doctrine
The_Secret_of_the_Golden_Flower
The_Secret_Of_The_Veda
The_Self-Organizing_Universe
The_Seven_Valleys_and_the_Four_Valleys
The_Shack
The_Shorter_Science_and_Civilisation_in_China
The_Sickness_Unto_Death
The_Six_Dharma_Gates_to_the_Sublime
The_Social_Contract
The_Spirit_of_the_Laws
The_Spiritual_Exercises
The_Stranger
The_Structure_of_Scientific_Revolutions
The_Study_and_Practice_of_Yoga
The_Sutta-Nipata
The_Suttanipata__An_Ancient_Collection_of_the_Buddha's_Discourses_Together_with_its_Commentaries
The_Sweet_Dews_of_Chan_Zen
The_Synthesis_Of_Yoga
The_Tao_of_Pooh
The_Tarot_of_Paul_Christian
The_Teachings_of_Don_Juan__A_Yaqui_Way_of_Knowledge
The_Tempest
The_Three_Pillars_of_Zen
The_Tibetan_Book_of_Living_and_Dying
The_Tibetan_Book_of_the_Dead
The_Tibetan_Yogas_of_Dream_and_Sleep
The_Time_Machine
The_Torch_of_Certainty
The_Training_of_the_Zen_Buddhist_Monk
The_Trial_and_Death_of_Socrates
The_Trouble_with_Being_Born
The_Twelve_Caesars
The_Unbearable_Lightness_of_Being
The_Universe_in_a_Single_Atom__The_Convergence_of_Science_and_Spirituality
The_Upanishads
The_Use_and_Abuse_of_History
The_Varieties_of_Religious_Experience
The_Wave_in_the_Mind_-_Talks_and_Essays_on_the_Writer
The_Way_(book)
The_Way_of_a_Pilgrim_and_the_Pilgrim_Continues_His_Way
The_Way_Of_Kabbalah
The_Way_of_Perfection
The_Way_of_the_Realized_Old_Dogs,_Advice_That_Points_Out_the_Essence_of_Mind,_Called_a_Lamp_That_Dispels_Darkness
The_Way_Things_are
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_Words_of_My_Perfect_Teacher
The_World_of_Tibetan_Buddhism__An_Overview_of_Its_Philosophy_and_Practice
The_Yoga_Sutras
The_Zen_Koan_as_a_means_of_Attaining_Enlightenment
The_Zen_Teaching_of_Bodhidharma
This_is_It_&_Other_Essays_on_Zen_&_Spiritual_Experience
Thought_Power
Three_Books_on_Occult_Philosophy
Thus_Awakens_Swami_Sivananda
Thus_Spoke_Zarathustra
Tibetan_Yoga__Principles_and_Practices
Tilopa's_Mahamudra_Upadesha__The_Gangama_Instructions_with_Commentary
Timaeus_-_Critias
To_See_a_World
Total_Freedom__The_Essential_Krishnamurti
Toward_the_Future
Tractatus_Logico-Philosophicus
Transcendental_Magic
Treasure_Island
Treasure_Trove_of_Scriptural_Transmission__A_Commentary_on_the_Precious_Treasury_of_the_Basic_Space_of_Phenomena
Treasury_of_the_True_Dharma_Eye__Zen_Master_Dogens_Shobo_Genzo
Truth_and_Method
Turning_Confusion_into_Clarity__A_Guide_to_the_Foundation_Practices_of_Tibetan_Buddhism
Twelfth_Night
Twelve_Years_With_Sri_Aurobindo
Twilight_of_the_Idols
Unborn__The_Life_and_Teachings_of_Zen_Master_Bankei
Understanding_Mezcal
Understanding_the_Mind__An_Explanation_of_the_Nature_and_Functions_of_the_Mind
Unfathomable_Depths__Drawing_Wisdom_for_Today_from_a_Classical_Zen_Poem
Universal_Love__The_Yoga_Method_of_Buddha_Maitreya
Up_From_Eden
Utopia
Vedic_and_Philological_Studies
Vishnu_Purana
Walden,_and_On_The_Duty_Of_Civil_Disobedience
Way_of_the_Realized_Old_Dogs
What_the_Ancient_Wisdom_Expects_of_Its_Disciples
What_the_Buddha_Taught
Wherever_You_Go
White_Roses
Who_are_you?
Wild_Ivy__A_Spiritual_Autobiography_of_Zen_Master_Hakuin
Words_Of_Long_Ago
Words_of_the_Mother
Words_Of_The_Mother_I
Words_Of_The_Mother_II
Words_Of_The_Mother_III
Writings_In_Bengali_and_Sanskrit
Yeats_-_Poems
You_Are_the_Eyes_of_the_World
Zen_Letters__Teachings_of_Yuanwu
Zen_Mind,_Beginners_Mind

IN CHAPTERS TITLE
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.02_-_Meeting_the_Master_-_Authors_second_meeting,_March_1921
1.61_-_Power_and_Authority
1951-02-10_-_Liberty_and_license_-_surrender_makes_you_free_-_Men_in_authority_as_representatives_of_the_divine_Truth_-_Work_as_offering_-_total_surrender_needs_time_-_Effort_and_inspiration_-_will_and_patience
1.jwvg_-_Authors
1.lovecraft_-_An_Epistle_To_Rheinhart_Kleiner,_Esq.,_Poet-Laureate,_And_Author_Of_Another_Endless_Day
1.rt_-_Authorship
1.ww_-_Composed_While_The_Author_Was_Engaged_In_Writing_A_Tract_Occasioned_By_The_Convention_Of_Cintra
1.ww_-_Lines_Written_On_A_Blank_Leaf_In_A_Copy_Of_The_Authors_Poem_The_Excursion,
2.2.2.01_-_The_Author_of_the_Bhagavad_Gita
authors_(code)

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.00_-_Publishers_Note
00.00_-_Publishers_Note_A
00.00_-_Publishers_Note_B
00.01_-_The_Approach_to_Mysticism
00.01_-_The_Mother_on_Savitri
00.02_-_Mystic_Symbolism
00.03_-_Upanishadic_Symbolism
00.04_-_The_Beautiful_in_the_Upanishads
00.05_-_A_Vedic_Conception_of_the_Poet
0.00a_-_Participants_in_the_Evening_Talks
000_-_Humans_in_Universe
0.00_-_INTRODUCTION
0.00_-_Publishers_Note_C
0.00_-_The_Book_of_Lies_Text
0.00_-_THE_GOSPEL_PREFACE
0.00_-_The_Wellspring_of_Reality
0.00_-_To_the_Reader
0.01f_-_FOREWARD
0.01_-_I_-_Sri_Aurobindos_personality,_his_outer_retirement_-_outside_contacts_after_1910_-_spiritual_personalities-_Vibhutis_and_Avatars_-__transformtion_of_human_personality
0.01_-_Letters_from_the_Mother_to_Her_Son
0.01_-_Life_and_Yoga
0.02_-_II_-_The_Home_of_the_Guru
0.02_-_Letters_to_a_Sadhak
0.02_-_The_Three_Steps_of_Nature
0.03_-_III_-_The_Evening_Sittings
0.03_-_Letters_to_My_little_smile
0.03_-_The_Threefold_Life
0.04_-_Letters_to_a_Sadhak
0.04_-_The_Systems_of_Yoga
0.05_-_Letters_to_a_Child
0.05_-_The_Synthesis_of_the_Systems
0.06_-_INTRODUCTION
0.06_-_Letters_to_a_Young_Sadhak
0.07_-_Letters_to_a_Sadhak
0.08_-_Letters_to_a_Young_Captain
0.09_-_Letters_to_a_Young_Teacher
01.01_-_A_Yoga_of_the_Art_of_Life
01.01_-_Sri_Aurobindo_-_The_Age_of_Sri_Aurobindo
01.01_-_The_New_Humanity
01.01_-_The_Symbol_Dawn
01.02_-_Natures_Own_Yoga
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Creative_Soul
01.02_-_The_Issue
01.03_-_Mystic_Poetry
01.03_-_Rationalism
01.03_-_Sri_Aurobindo_and_his_School
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.04_-_Sri_Aurobindos_Gita
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
01.05_-_The_Nietzschean_Antichrist
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.06_-_On_Communism
01.06_-_Vivekananda
01.07_-_Blaise_Pascal_(1623-1662)
01.07_-_The_Bases_of_Social_Reconstruction
01.08_-_A_Theory_of_Yoga
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
01.09_-_The_Parting_of_the_Way
01.09_-_William_Blake:_The_Marriage_of_Heaven_and_Hell
0.10_-_Letters_to_a_Young_Captain
01.10_-_Nicholas_Berdyaev:_God_Made_Human
01.10_-_Principle_and_Personality
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.11_-_The_Basis_of_Unity
01.12_-_Goethe
01.12_-_Three_Degrees_of_Social_Organisation
01.13_-_T._S._Eliot:_Four_Quartets
01.14_-_Nicholas_Roerich
0.11_-_Letters_to_a_Sadhak
0.12_-_Letters_to_a_Student
0.13_-_Letters_to_a_Student
0.14_-_Letters_to_a_Sadhak
0_1951-09-21
0_1952-08-02
0_1954-08-25_-_what_is_this_personality?_and_when_will_she_come?
0_1955-03-26
0_1955-04-04
0_1955-06-09
0_1955-09-03
0_1955-09-15
0_1955-10-19
0_1956-02-29_-_First_Supramental_Manifestation_-_The_Golden_Hammer
0_1956-03-19
0_1956-03-20
0_1956-03-21
0_1956-04-04
0_1956-04-20
0_1956-04-23
0_1956-04-24
0_1956-05-02
0_1956-07-29
0_1956-08-10
0_1956-09-12
0_1956-09-14
0_1956-10-07
0_1956-10-08
0_1956-10-28
0_1956-11-22
0_1956-12-12
0_1956-12-26
0_1957-01-01
0_1957-01-18
0_1957-03-03
0_1957-04-09
0_1957-04-22
0_1957-07-03
0_1957-07-18
0_1957-09-27
0_1957-10-08
0_1957-10-17
0_1957-10-18
0_1957-11-12
0_1957-11-13
0_1957-12-13
0_1957-12-21
0_1958-01-01
0_1958-01-22
0_1958-01-25
0_1958-02-03a
0_1958-02-03b_-_The_Supramental_Ship
0_1958-02-15
0_1958-02-25
0_1958-03-07
0_1958-04-03
0_1958-05-01
0_1958-05-10
0_1958-05-11_-_the_ship_that_said_OM
0_1958-05-17
0_1958-05-30
0_1958-06-06_-_Supramental_Ship
0_1958-06-22
0_1958-07-02
0_1958-07-05
0_1958-07-06
0_1958-07-19
0_1958-07-21
0_1958-07-23
0_1958-07-25a
0_1958-07-25b
0_1958-08-07
0_1958-08-08
0_1958-08-09
0_1958-08-12
0_1958-08-29
0_1958-08-30
0_1958-09-16_-_OM_NAMO_BHAGAVATEH
0_1958-09-19
0_1958-10-01
0_1958-10-04
0_1958-10-06
0_1958-10-10
0_1958-10-17
0_1958-10-25_-_to_go_out_of_your_body
0_1958-11-02
0_1958-11-04_-_Myths_are_True_and_Gods_exist_-_mental_formation_and_occult_faculties_-_exteriorization_-_work_in_dreams
0_1958-11-08
0_1958-11-11
0_1958-11-14
0_1958-11-15
0_1958-11-20
0_1958-11-22
0_1958-11-26
0_1958-11-27_-_Intermediaries_and_Immediacy
0_1958-11-28
0_1958-11-30
0_1958-12-04
0_1958-12-15_-_tantric_mantra_-_125,000
0_1958-12-24
0_1958-12-28
0_1958_12_-_Floor_1,_young_girl,_we_shall_kill_the_young_princess_-_black_tent
0_1959-01-06
0_1959-01-14
0_1959-01-21
0_1959-01-27
0_1959-01-31
0_1959-03-10_-_vital_dagger,_vital_mass
0_1959-03-26_-_Lord_of_Death,_Lord_of_Falsehood
0_1959-04-07
0_1959-04-13
0_1959-04-21
0_1959-04-23
0_1959-04-24
0_1959-05-19_-_Ascending_and_Descending_paths
0_1959-05-25
0_1959-05-28
0_1959-06-03
0_1959-06-04
0_1959-06-07
0_1959-06-08
0_1959-06-09
0_1959-06-11
0_1959-06-13a
0_1959-06-13b
0_1959-06-17
0_1959-06-25
0_1959-07-09
0_1959-07-10
0_1959-07-14
0_1959-08-11
0_1959-08-15
0_1959-10-06_-_Sri_Aurobindos_abode
0_1959-10-15
0_1959-11-25
0_1960-01-28
0_1960-01-31
0_1960-03-03
0_1960-03-07
0_1960-04-07
0_1960-04-13
0_1960-04-14
0_1960-04-20
0_1960-04-24
0_1960-04-26
0_1960-05-06
0_1960-05-16
0_1960-05-21_-_true_purity_-_you_have_to_be_the_Divine_to_overcome_hostile_forces
0_1960-05-24_-_supramental_flood
0_1960-05-28_-_death_of_K_-_the_death_process-_the_subtle_physical
0_1960-06-03
0_1960-06-04
0_1960-06-07
0_1960-06-11
0_1960-06-Undated
0_1960-07-12_-_Mothers_Vision_-_the_Voice,_the_ashram_a_tiny_part_of_myself,_the_Mothers_Force,_sparkling_white_light_compressed_-_enormous_formation_of_negative_vibrations_-_light_in_evil
0_1960-07-15
0_1960-07-18_-_triple_time_vision,_Questions_and_Answers_is_like_circling_around_the_Garden
0_1960-07-23_-_The_Flood_and_the_race_-_turning_back_to_guide_and_save_amongst_the_torrents_-_sadhana_vs_tamas_and_destruction_-_power_of_giving_and_offering_-_Japa,_7_lakhs,_140000_per_day,_1_crore_takes_20_years
0_1960-07-26_-_Mothers_vision_-_looking_up_words_in_the_subconscient
0_1960-08-10_-_questions_from_center_of_Education_-_reading_Sri_Aurobindo
0_1960-08-16
0_1960-08-20
0_1960-08-27
0_1960-09-02
0_1960-09-20
0_1960-09-24
0_1960-10-02a
0_1960-10-02b
0_1960-10-08
0_1960-10-11
0_1960-10-15
0_1960-10-19
0_1960-10-22
0_1960-10-25
0_1960-10-30
0_1960-11-05
0_1960-11-08
0_1960-11-12
0_1960-11-15
0_1960-11-26
0_1960-12-02
0_1960-12-13
0_1960-12-17
0_1960-12-20
0_1960-12-23
0_1960-12-25
0_1960-12-31
0_1961-01-07
0_1961-01-10
0_1961-01-12
0_1961-01-17
0_1961-01-19
0_1961-01-22
0_1961-01-24
0_1961-01-27
0_1961-01-29
0_1961-01-31
0_1961-01-Undated
0_1961-02-04
0_1961-02-05
0_1961-02-07
0_1961-02-11
0_1961-02-14
0_1961-02-18
0_1961-02-25
0_1961-02-28
0_1961-03-04
0_1961-03-07
0_1961-03-11
0_1961-03-14
0_1961-03-17
0_1961-03-21
0_1961-03-25
0_1961-03-27
0_1961-04-07
0_1961-04-08
0_1961-04-12
0_1961-04-15
0_1961-04-18
0_1961-04-22
0_1961-04-25
0_1961-04-29
0_1961-05-02
0_1961-05-12
0_1961-05-19
0_1961-05-23
0_1961-05-30
0_1961-06-02
0_1961-06-06
0_1961-06-17
0_1961-06-20
0_1961-06-24
0_1961-06-27
0_1961-07-04
0_1961-07-07
0_1961-07-12
0_1961-07-15
0_1961-07-18
0_1961-07-26
0_1961-07-28
0_1961-08-02
0_1961-08-05
0_1961-08-08
0_1961-08-11
0_1961-08-18
0_1961-08-25
0_1961-09-03
0_1961-09-10
0_1961-09-16
0_1961-09-23
0_1961-09-28
0_1961-09-30
0_1961-10-02
0_1961-10-15
0_1961-10-30
0_1961-11-05
0_1961-11-06
0_1961-11-07
0_1961-11-12
0_1961-11-16a
0_1961-11-16b
0_1961-11-23
0_1961-12-16
0_1961-12-18
0_1961-12-20
0_1961-12-23
0_1962-01-09
0_1962-01-12
0_1962-01-12_-_supramental_ship
0_1962-01-15
0_1962-01-21
0_1962-01-24
0_1962-01-27
0_1962-02-03
0_1962-02-06
0_1962-02-09
0_1962-02-13
0_1962-02-17
0_1962-02-24
0_1962-02-27
0_1962-03-03
0_1962-03-06
0_1962-03-11
0_1962-03-13
0_1962-04-03
0_1962-04-13
0_1962-04-20
0_1962-04-28
0_1962-05-08
0_1962-05-13
0_1962-05-15
0_1962-05-18
0_1962-05-22
0_1962-05-24
0_1962-05-27
0_1962-05-29
0_1962-05-31
0_1962-06-02
0_1962-06-06
0_1962-06-09
0_1962-06-12
0_1962-06-16
0_1962-06-20
0_1962-06-23
0_1962-06-27
0_1962-06-30
0_1962-07-04
0_1962-07-07
0_1962-07-11
0_1962-07-14
0_1962-07-18
0_1962-07-21
0_1962-07-25
0_1962-07-28
0_1962-07-31
0_1962-08-04
0_1962-08-08
0_1962-08-11
0_1962-08-14
0_1962-08-18
0_1962-08-25
0_1962-08-28
0_1962-08-31
0_1962-09-05
0_1962-09-08
0_1962-09-15
0_1962-09-18
0_1962-09-22
0_1962-09-26
0_1962-09-29
0_1962-10-03
0_1962-10-06
0_1962-10-12
0_1962-10-16
0_1962-10-20
0_1962-10-24
0_1962-10-27
0_1962-10-30
0_1962-11-03
0_1962-11-07
0_1962-11-10
0_1962-11-14
0_1962-11-17
0_1962-11-20
0_1962-11-23
0_1962-11-27
0_1962-11-30
0_1962-12-04
0_1962-12-08
0_1962-12-12
0_1962-12-15
0_1962-12-19
0_1962-12-22
0_1962-12-25
0_1962-12-28
0_1963-01-02
0_1963-01-09
0_1963-01-12
0_1963-01-14
0_1963-01-18
0_1963-01-30
0_1963-02-15
0_1963-02-19
0_1963-02-21
0_1963-02-23
0_1963-03-06
0_1963-03-09
0_1963-03-13
0_1963-03-16
0_1963-03-19
0_1963-03-23
0_1963-03-27
0_1963-03-30
0_1963-04-06
0_1963-04-16
0_1963-04-20
0_1963-04-22
0_1963-04-25
0_1963-04-29
0_1963-05-03
0_1963-05-11
0_1963-05-15
0_1963-05-18
0_1963-05-22
0_1963-05-25
0_1963-05-29
0_1963-06-03
0_1963-06-08
0_1963-06-12
0_1963-06-15
0_1963-06-19
0_1963-06-22
0_1963-06-26a
0_1963-06-26b
0_1963-06-29
0_1963-07-03
0_1963-07-06
0_1963-07-10
0_1963-07-13
0_1963-07-17
0_1963-07-20
0_1963-07-24
0_1963-07-27
0_1963-07-31
0_1963-08-03
0_1963-08-07
0_1963-08-10
0_1963-08-13a
0_1963-08-13b
0_1963-08-17
0_1963-08-21
0_1963-08-24
0_1963-08-28
0_1963-08-31
0_1963-09-04
0_1963-09-07
0_1963-09-18
0_1963-09-21
0_1963-09-25
0_1963-09-28
0_1963-10-03
0_1963-10-05
0_1963-10-16
0_1963-10-19
0_1963-10-26
0_1963-10-30
0_1963-11-04
0_1963-11-13
0_1963-11-20
0_1963-11-23
0_1963-11-27
0_1963-11-30
0_1963-12-03
0_1963-12-07_-_supramental_ship
0_1963-12-11
0_1963-12-14
0_1963-12-18
0_1963-12-21
0_1963-12-25
0_1963-12-29
0_1963-12-31
0_1964-01-04
0_1964-01-08
0_1964-01-15
0_1964-01-18
0_1964-01-22
0_1964-01-25
0_1964-01-28
0_1964-01-29
0_1964-01-31
0_1964-02-05
0_1964-02-13
0_1964-02-15
0_1964-02-22
0_1964-02-26
0_1964-03-04
0_1964-03-07
0_1964-03-11
0_1964-03-14
0_1964-03-18
0_1964-03-21
0_1964-03-25
0_1964-03-28
0_1964-03-29
0_1964-03-31
0_1964-04-04
0_1964-04-08
0_1964-04-14
0_1964-04-19
0_1964-04-23
0_1964-04-25
0_1964-04-29
0_1964-05-02
0_1964-05-14
0_1964-05-15
0_1964-05-17
0_1964-05-21
0_1964-05-28
0_1964-06-04
0_1964-06-27
0_1964-06-28
0_1964-07-04
0_1964-07-13
0_1964-07-15
0_1964-07-18
0_1964-07-22
0_1964-07-25
0_1964-07-28
0_1964-07-31
0_1964-08-05
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0_1964-08-11
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0_1964-08-15
0_1964-08-19
0_1964-08-22
0_1964-08-26
0_1964-08-29
0_1964-09-02
0_1964-09-12
0_1964-09-16
0_1964-09-18
0_1964-09-23
0_1964-09-26
0_1964-09-30
0_1964-10-07
0_1964-10-10
0_1964-10-14
0_1964-10-17
0_1964-10-24a
0_1964-10-24b
0_1964-10-28
0_1964-10-30
0_1964-11-04
0_1964-11-07
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0_1964-11-28
0_1964-12-02
0_1964-12-07
0_1964-12-10
0_1964-12-23
0_1965-01-06
0_1965-01-09
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0_1965-05-29
0_1965-06-02
0_1965-06-05
0_1965-06-09
0_1965-06-12
0_1965-06-14
0_1965-06-18_-_supramental_ship
0_1965-06-23
0_1965-06-26
0_1965-06-30
0_1965-07-03
0_1965-07-07
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0_1965-09-15a
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0_1967-11-Prayers_of_the_Consciousness_of_the_Cells
0_1967-12-02
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0_1968-02-07
0_1968-02-10
0_1968-02-14
0_1968-02-17
0_1968-02-20
0_1968-02-28
0_1968-03-02
0_1968-03-09
0_1968-03-13
0_1968-03-16
0_1968-03-20
0_1968-03-23
0_1968-03-27
0_1968-03-30
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0_1968-04-06
0_1968-04-10
0_1968-04-13
0_1968-04-17
0_1968-04-20
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0_1968-04-24
0_1968-04-27
0_1968-05-02
0_1968-05-04
0_1968-05-08
0_1968-05-11
0_1968-05-15
0_1968-05-18
0_1968-05-22
0_1968-05-25
0_1968-05-29
0_1968-06-03
0_1968-06-05
0_1968-06-08
0_1968-06-12
0_1968-06-15
0_1968-06-18
0_1968-06-22
0_1968-06-26
0_1968-06-29
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0_1968-07-06
0_1968-07-10
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0_1968-07-17
0_1968-07-20
0_1968-07-24
0_1968-07-27
0_1968-07-31
0_1968-08-03
0_1968-08-07
0_1968-08-10
0_1968-08-22
0_1968-08-28
0_1968-08-30
0_1968-09-04
0_1968-09-07
0_1968-09-11
0_1968-09-14
0_1968-09-21
0_1968-09-25
0_1968-09-28
0_1968-10-05
0_1968-10-09
0_1968-10-11
0_1968-10-16
0_1968-10-19
0_1968-10-23
0_1968-10-26
0_1968-10-30
0_1968-11-02
0_1968-11-06
0_1968-11-09
0_1968-11-13
0_1968-11-16
0_1968-11-20
0_1968-11-23
0_1968-11-27
0_1968-11-30
0_1968-12-04
0_1968-12-11
0_1968-12-14
0_1968-12-18
0_1968-12-21
0_1968-12-25
0_1968-12-28
0_1969-01-01
0_1969-01-04
0_1969-01-08
0_1969-01-15
0_1969-01-18
0_1969-01-22
0_1969-01-25
0_1969-01-29
0_1969-02-01
0_1969-02-05
0_1969-02-08
0_1969-02-12
0_1969-02-15
0_1969-02-19
0_1969-02-22
0_1969-02-26
0_1969-03-01
0_1969-03-08
0_1969-03-12
0_1969-03-15
0_1969-03-19
0_1969-03-22
0_1969-03-26
0_1969-03-29
0_1969-04-02
0_1969-04-05
0_1969-04-09
0_1969-04-12
0_1969-04-16
0_1969-04-19
0_1969-04-23
0_1969-04-26
0_1969-04-30
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0_1969-05-07
0_1969-05-10
0_1969-05-14
0_1969-05-17
0_1969-05-21
0_1969-05-24
0_1969-05-28
0_1969-05-31
0_1969-06-04
0_1969-06-11
0_1969-06-25
0_1969-06-28
0_1969-07-02
0_1969-07-05
0_1969-07-12
0_1969-07-19
0_1969-07-23
0_1969-07-26
0_1969-07-30
0_1969-08-02
0_1969-08-06
0_1969-08-09
0_1969-08-16
0_1969-08-20
0_1969-08-23
0_1969-08-27
0_1969-08-30
0_1969-09-03
0_1969-09-06
0_1969-09-10
0_1969-09-13
0_1969-09-17
0_1969-09-20
0_1969-09-24
0_1969-09-27
0_1969-10-01
0_1969-10-08
0_1969-10-11
0_1969-10-12
0_1969-10-15
0_1969-10-18
0_1969-10-22
0_1969-10-25
0_1969-10-29
0_1969-11-01
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0_1969-11-08
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0_1969-11-19
0_1969-11-22
0_1969-11-26
0_1969-11-29
0_1969-12-03
0_1969-12-06
0_1969-12-10
0_1969-12-13
0_1969-12-17
0_1969-12-20
0_1969-12-24
0_1969-12-27
0_1969-12-31
0_1970-01-01
0_1970-01-03
0_1970-01-07
0_1970-01-10
0_1970-01-14
0_1970-01-17
0_1970-01-21
0_1970-01-28
0_1970-01-31
0_1970-02-04
0_1970-02-07
0_1970-02-11
0_1970-02-18
0_1970-02-21
0_1970-02-25
0_1970-02-28
0_1970-03-04
0_1970-03-07
0_1970-03-13
0_1970-03-14
0_1970-03-18
0_1970-03-21
0_1970-03-25
0_1970-03-28
0_1970-04-01
0_1970-04-04
0_1970-04-08
0_1970-04-11
0_1970-04-15
0_1970-04-18
0_1970-04-22
0_1970-04-29
0_1970-05-02
0_1970-05-06
0_1970-05-09
0_1970-05-13
0_1970-05-16
0_1970-05-20
0_1970-05-23
0_1970-05-27
0_1970-05-30
0_1970-06-03
0_1970-06-06
0_1970-06-10
0_1970-06-13
0_1970-06-17
0_1970-06-20
0_1970-06-27
0_1970-07-01
0_1970-07-04
0_1970-07-08
0_1970-07-11
0_1970-07-18
0_1970-07-22
0_1970-07-25
0_1970-07-29
0_1970-08-01
0_1970-08-05
0_1970-08-12
0_1970-08-22
0_1970-09-02
0_1970-09-05
0_1970-09-06
0_1970-09-09
0_1970-09-12
0_1970-09-16
0_1970-09-19
0_1970-09-23
0_1970-09-26
0_1970-09-30
0_1970-10-03
0_1970-10-07
0_1970-10-10
0_1970-10-14
0_1970-10-17
0_1970-10-21
0_1970-10-24
0_1970-10-28
0_1970-10-31
0_1970-11-04
0_1970-11-05
0_1970-11-07
0_1970-11-11
0_1970-11-14
0_1970-11-18
0_1970-11-21
0_1970-11-25
0_1970-11-28
0_1970-12-02
0_1970-12-03
0_1971-01-01
0_1971-01-11
0_1971-01-16
0_1971-01-17
0_1971-01-23
0_1971-01-27
0_1971-01-30
0_1971-02-03
0_1971-02-06
0_1971-02-10
0_1971-02-13
0_1971-02-17
0_1971-02-20
0_1971-02-21
0_1971-02-24
0_1971-02-25
0_1971-02-27
0_1971-03-01
0_1971-03-02
0_1971-03-03
0_1971-03-04
0_1971-03-05
0_1971-03-06
0_1971-03-10
0_1971-03-13
0_1971-03-17
0_1971-03-24
0_1971-03-27
0_1971-03-31
0_1971-04-01
0_1971-04-03
0_1971-04-07
0_1971-04-10
0_1971-04-11
0_1971-04-14
0_1971-04-17
0_1971-04-21
0_1971-04-28
0_1971-04-29
0_1971-04-Undated
0_1971-05-01
0_1971-05-05
0_1971-05-08
0_1971-05-12
0_1971-05-15
0_1971-05-19
0_1971-05-22
0_1971-05-25
0_1971-05-26
0_1971-05-27
0_1971-05-29
0_1971-05-30
0_1971-06-02
0_1971-06-03
0_1971-06-05
0_1971-06-09
0_1971-06-12
0_1971-06-16
0_1971-06-23
0_1971-06-26
0_1971-06-30
0_1971-07-03
0_1971-07-10
0_1971-07-14
0_1971-07-17
0_1971-07-21
0_1971-07-24
0_1971-07-28
0_1971-07-31
0_1971-08-04
0_1971-08-07
0_1971-08-11
0_1971-08-14
0_1971-08-18
0_1971-08-21
0_1971-08-25
0_1971-08-28
0_1971-08-Undated
0_1971-09-01
0_1971-09-04
0_1971-09-08
0_1971-09-11
0_1971-09-14
0_1971-09-15
0_1971-09-18
0_1971-09-22
0_1971-09-29
0_1971-10-02
0_1971-10-06
0_1971-10-09
0_1971-10-13
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0_1971-10-20
0_1971-10-23
0_1971-10-27
0_1971-10-30
0_1971-11-10
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0_1971-11-17
0_1971-11-20
0_1971-11-24
0_1971-11-27
0_1971-12-01
0_1971-12-04
0_1971-12-08
0_1971-12-11
0_1971-12-13
0_1971-12-15
0_1971-12-18
0_1971-12-22
0_1971-12-25
0_1971-12-27
0_1971-12-29a
0_1971-12-29b
0_1972-01-01
0_1972-01-02
0_1972-01-05
0_1972-01-08
0_1972-01-12
0_1972-01-15
0_1972-01-19
0_1972-01-22
0_1972-01-26
0_1972-01-29
0_1972-01-30
0_1972-02-01
0_1972-02-02
0_1972-02-05
0_1972-02-07
0_1972-02-08
0_1972-02-09
0_1972-02-10
0_1972-02-11
0_1972-02-12
0_1972-02-16
0_1972-02-19
0_1972-02-22
0_1972-02-23
0_1972-02-26
0_1972-03-01
0_1972-03-04
0_1972-03-08
0_1972-03-10
0_1972-03-11
0_1972-03-15
0_1972-03-17
0_1972-03-18
0_1972-03-19
0_1972-03-22
0_1972-03-24
0_1972-03-25
0_1972-03-29a
0_1972-03-29b
0_1972-03-30
0_1972-04-02a
0_1972-04-02b
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0_1972-05-24
0_1972-05-26
0_1972-05-27
0_1972-05-29
0_1972-05-31
0_1972-06-03
0_1972-06-04
0_1972-06-07
0_1972-06-10
0_1972-06-14
0_1972-06-17
0_1972-06-18
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0_1972-06-23
0_1972-06-24
0_1972-06-28
0_1972-07-01
0_1972-07-05
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0_1972-09-20
0_1972-09-30
0_1972-10-07
0_1972-10-11
0_1972-10-14
0_1972-10-18
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0_1972-10-25
0_1972-10-28
0_1972-10-30
0_1972-11-02
0_1972-11-04
0_1972-11-08
0_1972-11-11
0_1972-11-15
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0_1972-11-22
0_1972-11-25
0_1972-11-26
0_1972-12-02
0_1972-12-06
0_1972-12-09
0_1972-12-10
0_1972-12-13
0_1972-12-16
0_1972-12-20
0_1972-12-23
0_1972-12-26
0_1972-12-27
0_1972-12-30
0_1973-01-01
0_1973-01-03
0_1973-01-10
0_1973-01-13
0_1973-01-17
0_1973-01-20
0_1973-01-24
0_1973-01-31
0_1973-02-03
0_1973-02-07
0_1973-02-08
0_1973-02-14
0_1973-02-17
0_1973-02-18
0_1973-02-21
0_1973-02-28
0_1973-03-03
0_1973-03-07
0_1973-03-10
0_1973-03-14
0_1973-03-17
0_1973-03-19
0_1973-03-21
0_1973-03-24
0_1973-03-26
0_1973-03-28
0_1973-03-30
0_1973-03-31
0_1973-04-07
0_1973-04-08
0_1973-04-10
0_1973-04-11
0_1973-04-14
0_1973-04-18
0_1973-04-25
0_1973-04-29
0_1973-04-30
0_1973-05-05
0_1973-05-09
0_1973-05-14
0_1973-05-15
02.01_-_A_Vedic_Story
02.01_-_Metaphysical_Thought_and_the_Supreme_Truth
02.01_-_Our_Ideal
02.01_-_The_World-Stair
02.01_-_The_World_War
02.02_-_Lines_of_the_Descent_of_Consciousness
02.02_-_Rishi_Dirghatama
02.02_-_The_Kingdom_of_Subtle_Matter
02.02_-_The_Message_of_the_Atomic_Bomb
02.03_-_An_Aspect_of_Emergent_Evolution
02.03_-_National_and_International
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.04_-_The_Right_of_Absolute_Freedom
02.04_-_Two_Sonnets_of_Shakespeare
02.05_-_Federated_Humanity
02.05_-_Robert_Graves
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_Boris_Pasternak
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.06_-_Vansittartism
02.07_-_George_Seftris
02.07_-_India_One_and_Indivisable
02.07_-_The_Descent_into_Night
02.08_-_Jules_Supervielle
02.08_-_The_Basic_Unity
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_The_Way_to_Unity
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_Independence_and_its_Sanction
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
02.11_-_Hymn_to_Darkness
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_Mysticism_in_Bengali_Poetry
02.12_-_The_Heavens_of_the_Ideal
02.12_-_The_Ideals_of_Human_Unity
02.13_-_In_the_Self_of_Mind
02.13_-_On_Social_Reconstruction
02.13_-_Rabindranath_and_Sri_Aurobindo
02.14_-_Appendix
02.14_-_Panacea_of_Isms
02.14_-_The_World-Soul
02.15_-_The_Kingdoms_of_the_Greater_Knowledge
03.01_-_Humanism_and_Humanism
03.01_-_The_Malady_of_the_Century
03.01_-_The_New_Year_Initiation
03.01_-_The_Pursuit_of_the_Unknowable
03.02_-_Aspects_of_Modernism
03.02_-_The_Adoration_of_the_Divine_Mother
03.02_-_The_Philosopher_as_an_Artist_and_Philosophy_as_an_Art
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_Arjuna_or_the_Ideal_Disciple
03.03_-_A_Stainless_Steel_Frame
03.03_-_Modernism_-_An_Oriental_Interpretation
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.04_-_The_Body_Human
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_The_Vision_and_the_Boon
03.04_-_Towardsa_New_Ideology
03.05_-_Some_Conceptions_and_Misconceptions
03.05_-_The_Spiritual_Genius_of_India
03.05_-_The_World_is_One
03.06_-_Divine_Humanism
03.06_-_Here_or_Otherwhere
03.06_-_The_Pact_and_its_Sanction
03.07_-_Brahmacharya
03.07_-_Some_Thoughts_on_the_Unthinkable
03.07_-_The_Sunlit_Path
03.08_-_The_Democracy_of_Tomorrow
03.08_-_The_Spiritual_Outlook
03.08_-_The_Standpoint_of_Indian_Art
03.09_-_Art_and_Katharsis
03.09_-_Buddhism_and_Hinduism
03.09_-_Sectarianism_or_Loyalty
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.10_-_Sincerity
03.10_-_The_Mission_of_Buddhism
03.11_-_Modernist_Poetry
03.11_-_The_Language_Problem_and_India
03.11_-_True_Humility
03.12_-_Communism:_What_does_it_Mean?
03.12_-_TagorePoet_and_Seer
03.12_-_The_Spirit_of_Tapasya
03.13_-_Dynamic_Fatalism
03.13_-_Human_Destiny
03.14_-_From_the_Known_to_the_Unknown?
03.14_-_Mater_Dolorosa
03.15_-_Origin_and_Nature_of_Suffering
03.15_-_Towards_the_Future
03.16_-_The_Tragic_Spirit_in_Nature
03.17_-_The_Souls_Odyssey
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.01_-_The_Divine_Man
04.01_-_The_March_of_Civilisation
04.01_-_To_the_Heights_I
04.02_-_A_Chapter_of_Human_Evolution
04.02_-_Human_Progress
04.02_-_The_Growth_of_the_Flame
04.02_-_To_the_Heights_II
04.03_-_Consciousness_as_Energy
04.03_-_The_Call_to_the_Quest
04.03_-_The_Eternal_East_and_West
04.03_-_To_the_Heights_III
04.04_-_A_Global_Humanity
04.04_-_Evolution_of_the_Spiritual_Consciousness
04.04_-_The_Quest
04.04_-_To_the_Heights_IV
04.05_-_The_Freedom_and_the_Force_of_the_Spirit
04.05_-_The_Immortal_Nation
04.05_-_To_the_Heights_V
04.06_-_Evolution_of_the_Spiritual_Consciousness
04.06_-_To_Be_or_Not_to_Be
04.06_-_To_the_Heights_VI_(Maheshwari)
04.07_-_Matter_Aspires
04.07_-_Readings_in_Savitri
04.07_-_To_the_Heights_VII_(Mahakali)
04.08_-_An_Evolutionary_Problem
04.08_-_To_the_Heights_VIII_(Mahalakshmi)
04.09_-_To_the_Heights-I_(Mahasarswati)
04.09_-_Values_Higher_and_Lower
04.10_-_To_the_Heights-X
04.11_-_To_the_Heights-XI
04.12_-_To_the_Heights-XII
04.13_-_To_the_HeightsXIII
04.14_-_To_the_Heights-XXIV
04.15_-_To_the_Heights-XV_(God_the_Supreme_Mystery)
04.16_-_To_the_Heights-XVI
04.17_-_To_the_Heights-XVII
04.18_-_To_the_Heights-XVIII
04.19_-_To_the_Heights-XIX_(The_March_into_the_Night)
04.20_-_To_the_Heights-XX
04.21_-_To_the_HeightsXXI
04.22_-_To_the_Heights-XXII
04.23_-_To_the_Heights-XXIII
04.24_-_To_the_Heights-XXIV
04.25_-_To_the_Heights-XXV
04.26_-_To_the_Heights-XXVI
04.27_-_To_the_Heights-XXVII
04.28_-_To_the_Heights-XXVIII
04.29_-_To_the_Heights-XXIX
04.30_-_To_the_HeightsXXX
04.31_-_To_the_Heights-XXXI
04.32_-_To_the_Heights-XXXII
04.33_-_To_the_Heights-XXXIII
04.34_-_To_the_Heights-XXXIV
04.35_-_To_the_Heights-XXXV
04.36_-_To_the_Heights-XXXVI
04.37_-_To_the_Heights-XXXVII
04.38_-_To_the_Heights-XXXVIII
04.39_-_To_the_Heights-XXXIX
04.40_-_To_the_Heights-XL
04.41_-_To_the_Heights-XLI
04.42_-_To_the_Heights-XLII
04.43_-_To_the_Heights-XLIII
04.44_-_To_the_Heights-XLIV
04.45_-_To_the_Heights-XLV
04.46_-_To_the_Heights-XLVI
04.47_-_To_the_Heights-XLVII
05.01_-_At_the_Origin_of_Ignorance
05.01_-_Man_and_the_Gods
05.01_-_Of_Love_and_Aspiration
05.01_-_The_Destined_Meeting-Place
05.02_-_Gods_Labour
05.02_-_Of_the_Divine_and_its_Help
05.02_-_Physician,_Heal_Thyself
05.02_-_Satyavan
05.03_-_Bypaths_of_Souls_Journey
05.03_-_Of_Desire_and_Atonement
05.03_-_Satyavan_and_Savitri
05.03_-_The_Body_Natural
05.04_-_Of_Beauty_and_Ananda
05.04_-_The_Immortal_Person
05.04_-_The_Measure_of_Time
05.05_-_In_Quest_of_Reality
05.05_-_Man_the_Prototype
05.05_-_Of_Some_Supreme_Mysteries
05.06_-_Physics_or_philosophy
05.06_-_The_Birth_of_Maya
05.06_-_The_Role_of_Evil
05.07_-_Man_and_Superman
05.07_-_The_Observer_and_the_Observed
05.08_-_An_Age_of_Revolution
05.08_-_True_Charity
05.09_-_The_Changed_Scientific_Outlook
05.09_-_Varieties_of_Religious_Experience
05.10_-_Children_and_Child_Mentality
05.10_-_Knowledge_by_Identity
05.11_-_The_Place_of_Reason
05.11_-_The_Soul_of_a_Nation
05.12_-_The_Revealer_and_the_Revelation
05.12_-_The_Soul_and_its_Journey
05.13_-_Darshana_and_Philosophy
05.14_-_The_Sanctity_of_the_Individual
05.15_-_Sartrian_Freedom
05.16_-_A_Modernist_Mentality
05.17_-_Evolution_or_Special_Creation
05.18_-_Man_to_be_Surpassed
05.19_-_Lone_to_the_Lone
05.20_-_The_Urge_for_Progression
05.21_-_Being_or_Becoming_and_Having
05.22_-_Success_and_its_Conditions
05.23_-_The_Base_of_Sincerity
05.24_-_Process_of_Purification
05.25_-_Sweet_Adversity
05.26_-_The_Soul_in_Anguish
05.27_-_The_Nature_of_Perfection
05.28_-_God_Protects
05.29_-_Vengeance_is_Mine
05.30_-_Theres_a_Divinity
05.31_-_Divine_Intervention
05.32_-_Yoga_as_Pragmatic_Power
05.33_-_Caesar_versus_the_Divine
05.34_-_Light,_more_Light
06.01_-_The_End_of_a_Civilisation
06.01_-_The_Word_of_Fate
06.02_-_Darkness_to_Light
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.03_-_Types_of_Meditation
06.04_-_The_Conscious_Being
06.05_-_The_Story_of_Creation
06.06_-_Earth_a_Symbol
06.07_-_Total_Transformation_Demands_Total_Rejection
06.08_-_The_Individual_and_the_Collective
06.09_-_How_to_Wait
06.10_-_Fatigue_and_Work
06.11_-_The_Steps_of_the_Soul
06.12_-_The_Expanding_Body-Consciousness
06.13_-_Body,_the_Occult_Agent
06.14_-_The_Integral_Realisation
06.15_-_Ever_Green
06.16_-_A_Page_of_Occult_History
06.17_-_Directed_Change
06.18_-_Value_of_Gymnastics,_Mental_or_Other
06.19_-_Mental_Silence
06.20_-_Mind,_Origin_of_Separative_Consciousness
06.21_-_The_Personal_and_the_Impersonal
06.22_-_I_Have_Nothing,_I_Am_Nothing
06.23_-_Here_or_Elsewhere
06.24_-_When_Imperfection_is_Greater_Than_Perfection
06.25_-_Individual_and_Collective_Soul
06.26_-_The_Wonder_of_It_All
06.27_-_To_Learn_and_to_Understand
06.28_-_The_Coming_of_Superman
06.29_-_Towards_Redemption
06.30_-_Sweet_Holy_Tears
06.31_-_Identification_of_Consciousness
06.32_-_The_Central_Consciousness
06.33_-_The_Constants_of_the_Spirit
06.34_-_Selfless_Worker
06.35_-_Second_Sight
06.36_-_The_Mother_on_Herself
07.01_-_Realisation,_Past_and_Future
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.02_-_The_Spiral_Universe
07.03_-_The_Entry_into_the_Inner_Countries
07.03_-_This_Expanding_Universe
07.04_-_The_Triple_Soul-Forces
07.04_-_The_World_Serpent
07.05_-_The_Finding_of_the_Soul
07.05_-_This_Mystery_of_Existence
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.06_-_Record_of_World-History
07.07_-_Freedom_and_Destiny
07.07_-_The_Discovery_of_the_Cosmic_Spirit_and_the_Cosmic_Consciousness
07.08_-_The_Divine_Truth_Its_Name_and_Form
07.09_-_The_Symbolic_Ignorance
07.10_-_Diseases_and_Accidents
07.11_-_The_Problem_of_Evil
07.12_-_This_Ugliness_in_the_World
07.13_-_Divine_Justice
07.14_-_The_Divine_Suffering
07.15_-_Divine_Disgust
07.16_-_Things_Significant_and_Insignificant
07.17_-_Why_Do_We_Forget_Things?
07.18_-_How_to_get_rid_of_Troublesome_Thoughts
07.19_-_Bad_Thought-Formation
07.20_-_Why_are_Dreams_Forgotten?
07.21_-_On_Occultism
07.22_-_Mysticism_and_Occultism
07.23_-_Meditation_and_Some_Questions
07.24_-_Meditation_and_Meditation
07.25_-_Prayer_and_Aspiration
07.26_-_Offering_and_Surrender
07.27_-_Equality_of_the_Body,_Equality_of_the_Soul
07.28_-_Personal_Effort_and_Will
07.29_-_How_to_Feel_that_we_Belong_to_the_Divine
07.30_-_Sincerity_is_Victory
07.31_-_Images_of_Gods_and_Goddesses
07.32_-_The_Yogic_Centres
07.33_-_The_Inner_and_the_Outer
07.34_-_And_this_Agile_Reason
07.35_-_The_Force_of_Body-Consciousness
07.36_-_The_Body_and_the_Psychic
07.37_-_The_Psychic_Being,_Some_Mysteries
07.38_-_Past_Lives_and_the_Psychic_Being
07.39_-_The_Homogeneous_Being
07.40_-_Service_Human_and_Divine
07.41_-_The_Divine_Family
07.42_-_The_Nature_and_Destiny_of_Art
07.43_-_Music_Its_Origin_and_Nature
07.44_-_Music_Indian_and_European
07.45_-_Specialisation
08.01_-_Choosing_To_Do_Yoga
08.02_-_Order_and_Discipline
08.03_-_Death_in_the_Forest
08.03_-_Organise_Your_Life
08.04_-_Doing_for_Her_Sake
08.05_-_Will_and_Desire
08.06_-_A_Sign_and_a_Symbol
08.07_-_Sleep_and_Pain
08.08_-_The_Mind_s_Bazaar
08.09_-_Spirits_in_Trees
08.10_-_Are_Not_Dogs_More_Faithful_Than_Men?
08.11_-_The_Work_Here
08.12_-_Thought_the_Creator
08.13_-_Thought_and_Imagination
08.14_-_Poetry_and_Poetic_Inspiration
08.15_-_Divine_Living
08.16_-_Perfection_and_Progress
08.17_-_Psychological_Perfection
08.18_-_The_Origin_of_Desire
08.19_-_Asceticism
08.20_-_Are_Not_The_Ascetic_Means_Helpful_At_Times?
08.21_-_Human_Birth
08.22_-_Regarding_the_Body
08.23_-_Sadhana_Must_be_Done_in_the_Body
08.24_-_On_Food
08.25_-_Meat-Eating
08.26_-_Faith_and_Progress
08.27_-_Value_of_Religious_Exercises
08.28_-_Prayer_and_Aspiration
08.29_-_Meditation_and_Wakefulness
08.30_-_Dealing_with_a_Wrong_Movement
08.31_-_Personal_Effort_and_Surrender
08.32_-_The_Surrender_of_an_Inner_Warrior
08.33_-_Opening_to_the_Divine
08.34_-_To_Melt_into_the_Divine
08.35_-_Love_Divine
08.36_-_Buddha_and_Shankara
08.37_-_The_Significance_of_Dates
08.38_-_The_Value_of_Money
09.01_-_Prayer_and_Aspiration
09.01_-_Towards_the_Black_Void
09.02_-_Meditation
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.03_-_The_Psychic_Being
09.04_-_The_Divine_Grace
09.05_-_The_Story_of_Love
09.06_-_How_Can_Time_Be_a_Friend?
09.07_-_How_to_Become_Indifferent_to_Criticism?
09.08_-_The_Modern_Taste
09.09_-_The_Origin
09.10_-_The_Supramental_Vision
09.11_-_The_Supramental_Manifestation_and_World_Change
09.12_-_The_True_Teaching
09.13_-_On_Teachers_and_Teaching
09.14_-_Education_of_Girls
09.15_-_How_to_Listen
09.16_-_Goal_of_Evolution
09.17_-_Health_in_the_Ashram
09.18_-_The_Mother_on_Herself
100.00_-_Synergy
10.01_-_A_Dream
10.01_-_Cycles_of_Creation
1.001_-_The_Aim_of_Yoga
10.01_-_The_Dream_Twilight_of_the_Ideal
1.001_-_The_Opening
10.02_-_Beyond_Vedanta
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
1.002_-_The_Heifer
1.003_-_Family_of_Imran
10.03_-_Life_in_and_Through_Death
10.03_-_The_Debate_of_Love_and_Death
10.04_-_Lord_of_Time
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.04_-_Transfiguration
1.004_-_Women
10.05_-_Mind_and_the_Mental_World
1.005_-_The_Table
10.06_-_Beyond_the_Dualities
1.006_-_Livestock
10.06_-_Looking_around_with_Craziness
1.007_-_Initial_Steps_in_Yoga_Practice
10.07_-_The_Demon
1.007_-_The_Elevations
10.07_-_The_World_is_One
10.08_-_Consciousness_as_Freedom
1.008_-_The_Principle_of_Self-Affirmation
1.008_-_The_Spoils
10.09_-_Education_as_the_Growth_of_Consciousness
1.009_-_Perception_and_Reality
1.009_-_Repentance
1.00a_-_DIVISION_A_-_THE_INTERNAL_FIRES_OF_THE_SHEATHS.
1.00a_-_Foreword
1.00a_-_Introduction
1.00b_-_DIVISION_B_-_THE_PERSONALITY_RAY_AND_FIRE_BY_FRICTION
1.00b_-_INTRODUCTION
1.00b_-_Introduction
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00c_-_INTRODUCTION
1.00d_-_DIVISION_D_-_KUNDALINI_AND_THE_SPINE
1.00d_-_Introduction
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00f_-_DIVISION_F_-_THE_LAW_OF_ECONOMY
1.00g_-_Foreword
1.00h_-_Foreword
1.00_-_INTRODUCTION
1.00_-_Introduction_to_Alchemy_of_Happiness
1.00_-_INTRODUCTORY_REMARKS
1.00_-_Main
1.00_-_PREFACE
1.00_-_Preface
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.00_-_Preliminary_Remarks
1.00_-_PRELUDE_AT_THE_THEATRE
1.00_-_PROLOGUE_IN_HEAVEN
1.00_-_The_Constitution_of_the_Human_Being
10.10_-_A_Poem
10.10_-_Education_is_Organisation
1.010_-_Jonah
1.010_-_Self-Control_-_The_Alpha_and_Omega_of_Yoga
10.11_-_Beyond_Love_and_Hate
1.011_-_Hud
10.11_-_Savitri
10.12_-_Awake_Mother
1.012_-_Joseph
1.012_-_Sublimation_-_A_Way_to_Reshuffle_Thought
10.12_-_The_Divine_Grace_and_Love
1.013_-_Defence_Mechanisms_of_the_Mind
10.13_-_Go_Through
1.013_-_Thunder
1.014_-_Abraham
10.14_-_Night_and_Day
10.15_-_The_Evolution_of_Language
1.015_-_The_Rock
1.016_-_The_Bee
10.16_-_The_Relative_Best
10.17_-_Miracles:_Their_True_Significance
1.017_-_The_Night_Journey
10.18_-_Short_Notes_-_1-_The_Sense_of_Earthly_Evolution
1.018_-_The_Cave
1.019_-_Mary
10.19_-_Short_Notes_-_2-_God_Above_and_God_Within
1.01_-_About_the_Elements
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_An_Accomplished_Westerner
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Asana
1.01_-_BOOK_THE_FIRST
1.01_-_Description_of_the_Castle
1.01_-_DOWN_THE_RABBIT-HOLE
1.01_-_Economy
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Hatha_Yoga
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_'Imitation'_the_common_principle_of_the_Arts_of_Poetry.
1.01_-_Introduction
1.01_-_Isha_Upanishad
1.01_-_Maitreya_inquires_of_his_teacher_(Parashara)
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MASTER_AND_DISCIPLE
1.01_-_MAXIMS_AND_MISSILES
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_Newtonian_and_Bergsonian_Time
1.01_-_NIGHT
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_On_renunciation_of_the_world
1.01_-_ON_THE_THREE_METAMORPHOSES
1.01_-_Our_Demand_and_Need_from_the_Gita
1.01_-_Prayer
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_Proem
1.01_-_SAMADHI_PADA
1.01_-_Seeing
1.01_-_Sri_Aurobindo
1.01_-_Tara_the_Divine
1.01_-_THAT_ARE_THOU
1.01_-_the_Call_to_Adventure
1.01_-_The_Corporeal_Being_of_Man
1.01_-_The_Cycle_of_Society
1.01_-_The_Dark_Forest._The_Hill_of_Difficulty._The_Panther,_the_Lion,_and_the_Wolf._Virgil.
1.01_-_The_Ego
1.01_-_The_First_Steps
1.01_-_The_Four_Aids
1.01_-_The_Ideal_of_the_Karmayogin
1.01_-_The_King_of_the_Wood
1.01_-_The_Mental_Fortress
1.01_-_The_Offering
1.01_-_THE_OPPOSITES
1.01_-_The_Path_of_Later_On
1.01_-_The_Rape_of_the_Lock
1.01_-_The_Science_of_Living
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_The_Unexpected
1.01_-_Two_Powers_Alone
1.01_-_What_is_Magick?
1.01_-_Who_is_Tara
10.20_-_Short_Notes_-_3-_Emptying_and_Replenishment
1.020_-_Ta-Ha
1.020_-_The_World_and_Our_World
10.21_-_Short_Notes_-_4-_Ego
1.02.1_-_The_Inhabiting_Godhead_-_Life_and_Action
1.021_-_The_Prophets
1.02.2.1_-_Brahman_-_Oneness_of_God_and_the_World
1.02.2.2_-_Self-Realisation
10.22_-_Short_Notes_-_5-_Consciousness_and_Dimensions_of_View
1.022_-_The_Pilgrimage
1.02.3.1_-_The_Lord
1.02.3.2_-_Knowledge_and_Ignorance
1.02.3.3_-_Birth_and_Non-Birth
10.23_-_Prayers_and_Meditations_of_the_Mother
1.023_-_The_Believers
1.02.4.1_-_The_Worlds_-_Surya
1.02.4.2_-_Action_and_the_Divine_Will
1.024_-_Affiliation_With_Larger_Wholes
10.24_-_Savitri
1.024_-_The_Light
10.25_-_How_to_Read_Sri_Aurobindo_and_the_Mother
1.025_-_Sadhana_-_Intensifying_a_Lighted_Flame
1.025_-_The_Criterion
10.26_-_A_True_Professor
1.026_-_The_Poets
10.27_-_Consciousness
1.027_-_The_Ant
1.028_-_Bringing_About_Whole-Souled_Dedication
1.028_-_History
10.28_-_Love_and_Love
1.02.9_-_Conclusion_and_Summary
10.29_-_Gods_Debt
1.029_-_The_Spider
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_BOOK_THE_SECOND
1.02_-_Education
1.02_-_Fire_over_the_Earth
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_In_the_Beginning
1.02_-_IN_THE_COMPANY_OF_DEVOTEES
1.02_-_Isha_Analysis
1.02_-_Karma_Yoga
1.02_-_Karmayoga
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_Meeting_the_Master_-_Authors_second_meeting,_March_1921
1.02_-_On_detachment
1.02_-_On_the_Knowledge_of_God.
1.02_-_ON_THE_TEACHERS_OF_VIRTUE
1.02_-_Prana
1.02_-_Pranayama,_Mantrayoga
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_Priestly_Kings
1.02_-_SADHANA_PADA
1.02_-_Self-Consecration
1.02_-_Shakti_and_Personal_Effort
1.02_-_SOCIAL_HEREDITY_AND_PROGRESS
1.02_-_Substance_Is_Eternal
1.02_-_Taras_Tantra
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Child_as_growing_being_and_the_childs_experience_of_encountering_the_teacher.
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Teacher
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_The_Great_Process
1.02_-_The_Human_Soul
1.02_-_The_Magic_Circle
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Necessity_of_Magick_for_All
1.02_-_The_Objects_of_Imitation.
1.02_-_The_Philosophy_of_Ishvara
1.02_-_The_Pit
1.02_-_THE_POOL_OF_TEARS
1.02_-_The_Principle_of_Fire
1.02_-_THE_PROBLEM_OF_SOCRATES
1.02_-_THE_QUATERNIO_AND_THE_MEDIATING_ROLE_OF_MERCURIUS
1.02_-_The_Recovery
1.02_-_The_Refusal_of_the_Call
1.02_-_The_Shadow
1.02_-_The_Soul_Being_of_Man
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_The_Virtues
1.02_-_The_Vision_of_the_Past
1.02_-_THE_WITHIN_OF_THINGS
1.02_-_What_is_Psycho_therapy?
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.03_-_
10.30_-_India,_the_World_and_the_Ashram
1.030_-_The_Romans
1.031_-_Intense_Aspiration
1.031_-_Luqman
10.31_-_The_Mystery_of_The_Five_Senses
1.032_-_Our_Concept_of_God
1.032_-_Prostration
10.32_-_The_Mystery_of_the_Five_Elements
10.33_-_On_Discipline
1.033_-_The_Confederates
10.34_-_Effort_and_Grace
1.034_-_Sheba
1.035_-_Originator
10.35_-_The_Moral_and_the_Spiritual
1.035_-_The_Recitation_of_Mantra
10.36_-_Cling_to_Truth
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
1.036_-_Ya-Seen
1.037_-_Preventing_the_Fall_in_Yoga
1.037_-_The_Aligners
10.37_-_The_Golden_Bridge
1.038_-_Impediments_in_Concentration_and_Meditation
1.038_-_Saad
1.039_-_Throngs
1.03_-_A_CAUCUS-RACE_AND_A_LONG_TALE
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_A_Sapphire_Tale
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Eternal_Presence
1.03_-_Fire_in_the_Earth
1.03_-_Hieroglypics__Life_and_Language_Necessarily_Symbolic
1.03_-_Hymns_of_Gritsamada
1.03_-_Invocation_of_Tara
1.03_-_Japa_Yoga
1.03_-_Man_-_Slave_or_Free?
1.03_-_Measure_of_time,_Moments_of_Kashthas,_etc.
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_On_exile_or_pilgrimage
1.03_-_On_Knowledge_of_the_World.
1.03_-_ON_THE_AFTERWORLDLY
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Reading
1.03_-_.REASON._IN_PHILOSOPHY
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.03_-_Some_Practical_Aspects
1.03_-_Spiritual_Realisation,_The_aim_of_Bhakti-Yoga
1.03_-_Supernatural_Aid
1.03_-_Sympathetic_Magic
1.03_-_Tara,_Liberator_from_the_Eight_Dangers
1.03_-_The_Armour_of_Grace
1.03_-_The_Coming_of_the_Subjective_Age
1.03_-_THE_EARTH_IN_ITS_EARLY_STAGES
1.03_-_The_End_of_the_Intellect
1.03_-_THE_GRAND_OPTION
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_The_Manner_of_Imitation.
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Phenomenon_of_Man
1.03_-_The_Principle_of_Water
1.03_-_The_Psychic_Prana
1.03_-_The_Sephiros
1.03_-_The_Spiritual_Being_of_Man
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_The_Sunlit_Path
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_The_Two_Negations_2_-_The_Refusal_of_the_Ascetic
1.03_-_The_Uncreated
1.03_-_The_Void
1.03_-_Time_Series,_Information,_and_Communication
1.03_-_To_Layman_Ishii
1.03_-_VISIT_TO_VIDYASAGAR
1.03_-_Yama_and_Niyama
1.03_-_YIBHOOTI_PADA
1.04_-_
1.040_-_Forgiver
1.040_-_Re-Educating_the_Mind
1.041_-_Detailed
1.042_-_Consultation
1.043_-_Decorations
1.044_-_Smoke
1.045_-_Kneeling
1.045_-_Piercing_the_Structure_of_the_Object
1.046_-_The_Dunes
1.047_-_Muhammad
1.048_-_Victory
1.049_-_The_Chambers
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_ALCHEMY_AND_MANICHAEISM
1.04_-_A_Leader
1.04_-_Body,_Soul_and_Spirit
1.04_-_BOOK_THE_FOURTH
1.04_-_Communion
1.04_-_Descent_into_Future_Hell
1.04_-_Feedback_and_Oscillation
1.04_-_GOD_IN_THE_WORLD
1.04_-_Homage_to_the_Twenty-one_Taras
1.04_-_HOW_THE_.TRUE_WORLD._ULTIMATELY_BECAME_A_FABLE
1.04_-_Hymns_of_Bharadwaja
1.04_-_KAI_VALYA_PADA
1.04_-_Magic_and_Religion
1.04_-_Money
1.04_-_Nada_Yoga
1.04_-_Narayana_appearance,_in_the_beginning_of_the_Kalpa,_as_the_Varaha_(boar)
1.04_-_Nothing_Exists_Per_Se_Except_Atoms_And_The_Void
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_On_Knowledge_of_the_Future_World.
1.04_-_ON_THE_DESPISERS_OF_THE_BODY
1.04_-_Pratyahara
1.04_-_Reality_Omnipresent
1.04_-_SOME_REFLECTIONS_ON_PROGRESS
1.04_-_Sounds
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Control_of_Psychic_Prana
1.04_-_The_Core_of_the_Teaching
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Discovery_of_the_Nation-Soul
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_First_Circle,_Limbo__Virtuous_Pagans_and_the_Unbaptized._The_Four_Poets,_Homer,_Horace,_Ovid,_and_Lucan._The_Noble_Castle_of_Philosophy.
1.04_-_The_Fork_in_the_Road
1.04_-_The_Future_of_Man
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Need_of_Guru
1.04_-_The_Origin_and_Development_of_Poetry.
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Principle_of_Air
1.04_-_The_Qabalah__The_Best_Training_for_Memory
1.04_-_THE_RABBIT_SENDS_IN_A_LITTLE_BILL
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Self
1.04_-_The_Silent_Mind
1.04_-_THE_STUDY_(The_Compact)
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.04_-_Wherefore_of_World?
1.04_-_Yoga_and_Human_Evolution
1.05_-_
1.050_-_Qaf
1.051_-_The_Spreaders
1.05_-_2010_and_1956_-_Doomsday?
1.052_-_The_Mount
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.053_-_A_Very_Important_Sadhana
1.053_-_The_Star
1.054_-_The_Moon
1.055_-_The_Compassionate
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.056_-_The_Inevitable
1.057_-_Iron
1.057_-_The_Four_Manifestations_of_Ignorance
1.058_-_The_Argument
1.059_-_The_Mobilization
1.05_-_ADVICE_FROM_A_CATERPILLAR
1.05_-_AUERBACHS_CELLAR
1.05_-_Bhakti_Yoga
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_Character_Of_The_Atoms
1.05_-_CHARITY
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Consciousness
1.05_-_Definition_of_the_Ludicrous,_and_a_brief_sketch_of_the_rise_of_Comedy.
1.05_-_Dharana
1.05_-_Hymns_of_Bharadwaja
1.05_-_Mental_Education
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_ON_ENJOYING_AND_SUFFERING_THE_PASSIONS
1.05_-_On_painstaking_and_true_repentance_which_constitute_the_life_of_the_holy_convicts;_and_about_the_prison.
1.05_-_On_the_Love_of_God.
1.05_-_Pratyahara_and_Dharana
1.05_-_Prayer
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Qualifications_of_the_Aspirant_and_the_Teacher
1.05_-_Ritam
1.05_-_Solitude
1.05_-_Some_Results_of_Initiation
1.05_-_The_Activation_of_Human_Energy
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_The_Belly_of_the_Whale
1.05_-_The_Creative_Principle
1.05_-_The_Destiny_of_the_Individual
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.05_-_The_New_Consciousness
1.05_-_THE_NEW_SPIRIT
1.05_-_The_Principle_of_Earth
1.05_-_The_True_Doer_of_Works
1.05_-_The_Universe__The_0_=_2_Equation
1.05_-_True_and_False_Subjectivism
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.05_-_Work_and_Teaching
1.05_-_Yoga_and_Hypnotism
1.060_-_The_Woman_Tested
1.060_-_Tracing_the_Ultimate_Cause_of_Any_Experience
1.061_-_Column
1.062_-_Friday
1.063_-_The_Hypocrites
1.064_-_Gathering
1.065_-_Divorce
1.066_-_Prohibition
1.067_-_Sovereignty
1.068_-_The_Pen
1.069_-_The_Reality
1.06_-_Agni_and_the_Truth
1.06_-_A_Summary_of_my_Phenomenological_View_of_the_World
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Definition_of_Tragedy.
1.06_-_Dhyana
1.06_-_Dhyana_and_Samadhi
1.06_-_Five_Dreams
1.06_-_Gestalt_and_Universals
1.06_-_Hymns_of_Parashara
1.06_-_Iconography
1.06_-_Incarnate_Teachers_and_Incarnation
1.06_-_LIFE_AND_THE_PLANETS
1.06_-_Magicians_as_Kings
1.06_-_Man_in_the_Universe
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_On_remembrance_of_death.
1.06_-_ON_THE_PALE_CRIMINAL
1.06_-_On_Thought
1.06_-_On_Work
1.06_-_Origin_of_the_four_castes
1.06_-_PIG_AND_PEPPER
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_Quieting_the_Vital
1.06_-_Raja_Yoga
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_The_Desire_to_be
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Four_Powers_of_the_Mother
1.06_-_The_Greatness_of_the_Individual
1.06_-_The_Light
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Three_Schools_of_Magick_1
1.06_-_The_Transformation_of_Dream_Life
1.06_-_Wealth_and_Government
1.06_-_WITCHES_KITCHEN
1.070_-_The_Seven_Stages_of_Perfection
1.070_-_Ways_of_Ascent
1.071_-_Noah
1.072_-_The_Jinn
1.073_-_The_Enwrapped
1.074_-_The_Enrobed
1.075_-_Resurrection
1.075_-_Self-Control,_Study_and_Devotion_to_God
1.076_-_Man
1.077_-_The_Unleashed
1.078_-_Kumbhaka_and_Concentration_of_Mind
1.078_-_The_Event
1.079_-_The_Snatchers
1.07_-_Akasa_or_the_Ethereal_Principle
1.07_-_A_MAD_TEA-PARTY
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_A_STREET
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Hymn_of_Paruchchhepa
1.07_-_Incarnate_Human_Gods
1.07_-_Jnana_Yoga
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_On_Dreams
1.07_-_On_mourning_which_causes_joy.
1.07_-_ON_READING_AND_WRITING
1.07_-_Production_of_the_mind-born_sons_of_Brahma
1.07_-_Raja-Yoga_in_Brief
1.07_-_Samadhi
1.07_-_Savitri
1.07_-_Sri_Aurobindo_and_The_Mother
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Continuity_of_Consciousness
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Fire_of_the_New_World
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.07_-_The_Ideal_Law_of_Social_Development
1.07_-_THE_.IMPROVERS._OF_MANKIND
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Literal_Qabalah_(continued)
1.07_-_The_Magic_Wand
1.07_-_The_Mantra_-_OM_-_Word_and_Wisdom
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Plot_must_be_a_Whole.
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Process_of_Evolution
1.07_-_The_Prophecies_of_Nostradamus
1.07_-_The_Psychic_Center
1.07_-_The_Three_Schools_of_Magick_2
1.07_-_TRUTH
1.080_-_He_Frowned
1.080_-_Pratyahara_-_The_Return_of_Energy
1.081_-_The_Application_of_Pratyahara
1.081_-_The_Rolling
1.082_-_The_Shattering
1.083_-_Choosing_an_Object_for_Concentration
1.083_-_The_Defrauders
1.084_-_The_Rupture
1.085_-_The_Constellations
1.086_-_The_Nightly_Visitor
1.087_-_The_Most_High
1.088_-_The_Overwhelming
1.089_-_The_Dawn
1.089_-_The_Levels_of_Concentration
1.08_-_Adhyatma_Yoga
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Civilisation_and_Barbarism
1.08_-_Departmental_Kings_of_Nature
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_Independence_from_the_Physical
1.08_-_Information,_Language,_and_Society
1.08_-_Introduction_to_Patanjalis_Yoga_Aphorisms
1.08_-_Karma,_the_Law_of_Cause_and_Effect
1.08_-_On_freedom_from_anger_and_on_meekness.
1.08_-_ON_THE_TREE_ON_THE_MOUNTAINSIDE
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Psycho_therapy_Today
1.08_-_RELIGION_AND_TEMPERAMENT
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_Stead_and_the_Spirits
1.08_-_Summary
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Magic_Sword,_Dagger_and_Trident
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_The_Plot_must_be_a_Unity.
1.08_-_THE_QUEEN'S_CROQUET_GROUND
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Discovery
1.08_-_The_Supreme_Will
1.08_-_The_Synthesis_of_Movement
1.08_-_The_Three_Schools_of_Magick_3
1.08_-_THINGS_THE_GERMANS_LACK
1.08_-_Worship_of_Substitutes_and_Images
1.090_-_The_Land
1.091_-_The_Sun
1.092_-_The_Night
1.093_-_Morning_Light
1.094_-_The_Soothing
1.094_-_Understanding_the_Structure_of_Things
1.095_-_The_Fig
1.096_-_Clot
1.096_-_Powers_that_Accrue_in_the_Practice
1.097_-_Decree
1.097_-_Sublimation_of_Object-Consciousness
1.098_-_Clear_Evidence
1.098_-_The_Transformation_from_Human_to_Divine
1.099_-_The_Entry_of_the_Eternal_into_the_Individual
1.099_-_The_Quake
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_A_System_of_Vedic_Psychology
1.09_-_BOOK_THE_NINTH
1.09_-_Civilisation_and_Culture
1.09_-_Concentration_-_Its_Spiritual_Uses
1.09_-_Equality_and_the_Annihilation_of_Ego
1.09_-_FAITH_IN_PEACE
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Kundalini_Yoga
1.09_-_Legend_of_Lakshmi
1.09_-_Man_-_About_the_Body
1.09_-_On_remembrance_of_wrongs.
1.09_-_ON_THE_PREACHERS_OF_DEATH
1.09_-_(Plot_continued.)_Dramatic_Unity.
1.09_-_PROMENADE
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SELF-KNOWLEDGE
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Stead_and_Maskelyne
1.09_-_Talks
1.09_-_Taras_Ultimate_Nature
1.09_-_The_Absolute_Manifestation
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.09_-_The_Chosen_Ideal
1.09_-_The_Crown,_Cap,_Magus-Band
1.09_-_The_Greater_Self
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Pure_Existent
1.09_-_The_Secret_Chiefs
1.09_-_The_Worship_of_Trees
1.09_-_To_the_Students,_Young_and_Old
1.09_-_WHO_STOLE_THE_TARTS?
1.100_-_The_Racers
1.1.01_-_Certitudes
1.1.01_-_Seeking_the_Divine
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
11.01_-_The_Opening_Scene_of_Savitri
1.101_-_The_Shocker
1.102_-_Abundance
1.1.02_-_Sachchidananda
1.1.02_-_The_Aim_of_the_Integral_Yoga
11.02_-_The_Golden_Life-line
1.1.03_-_Brahman
11.03_-_Cosmonautics
1.1.03_-_Man
1.103_-_Time
1.1.04_-_Philosophy
1.104_-_The_Backbiter
1.1.04_-_The_Self_or_Atman
11.04_-_The_Triple_Cord
1.105_-_The_Elephant
11.05_-_The_Ladder_of_Unconsciousness
1.1.05_-_The_Siddhis
1.106_-_Quraish
11.06_-_The_Mounting_Fire
1.107_-_Assistance
1.107_-_The_Bestowal_of_a_Divine_Gift
11.07_-_The_Labours_of_the_Gods:_The_five_Purifications
11.08_-_Body-Energy
1.108_-_Plenty
1.109_-_The_Disbelievers
11.09_-_Towards_the_Immortal_Body
1.10_-_Aesthetic_and_Ethical_Culture
1.10_-_ALICE'S_EVIDENCE
1.10_-_BOOK_THE_TENTH
1.10_-_Concentration_-_Its_Practice
1.10_-_Conscious_Force
1.10_-_Fate_and_Free-Will
1.10_-_Foresight
1.10_-_GRACE_AND_FREE_WILL
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Life_and_Death._The_Greater_Guardian_of_the_Threshold
1.10_-_Mantra_Yoga
1.10_-_On_slander_or_calumny.
1.10_-_ON_WAR_AND_WARRIORS
1.10_-_(Plot_continued.)_Definitions_of_Simple_and_Complex_Plots.
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Absolute_of_the_Being
1.10_-_The_descendants_of_the_daughters_of_Daksa_married_to_the_Rsis
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Magical_Garment
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.10_-_The_Methods_and_the_Means
1.10_-_THE_NEIGHBORS_HOUSE
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Revolutionary_Yogi
1.10_-_The_Roughly_Material_Plane_or_the_Material_World
1.10_-_The_Scolex_School
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
1.10_-_The_Yoga_of_the_Intelligent_Will
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
1.1.1.01_-_Three_Elements_of_Poetic_Creation
1.1.1.02_-_Creation_by_the_Word
1.1.1.03_-_Creative_Power_and_the_Human_Instrument
1.1.1.04_-_Joy_of_Poetic_Creation
1.1.1.05_-_Essence_of_Inspiration
1.1.1.06_-_Inspiration_and_Effort
1.1.1.07_-_Aspiration,_Opening,_Recognition
1.1.1.08_-_Self-criticism
1.1.1.09_-_Correction_by_Second_Inspiration
11.10_-_The_Test_of_Truth
1.110_-_Victory
11.11_-_The_Ideal_Centre
1.111_-_Thorns
1.112_-_Monotheism
11.12_-_Two_Equations
1.113_-_Daybreak
11.13_-_In_these_Fateful_Days
1.114_-_Mankind
11.14_-_Our_Finest_Hour
11.15_-_Sri_Aurobindo
1.11_-_A_STREET
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Correspondence_and_Interviews
1.11_-_Delight_of_Existence_-_The_Problem
1.11_-_FAITH_IN_MAN
1.11_-_GOOD_AND_EVIL
1.11_-_Higher_Laws
1.11_-_Legend_of_Dhruva,_the_son_of_Uttanapada
1.11_-_Oneness
1.11_-_On_talkativeness_and_silence.
1.11_-_ON_THE_NEW_IDOL
1.11_-_(Plot_continued.)_Reversal_of_the_Situation,_Recognition,_and_Tragic_or_disastrous_Incident_defined_and_explained.
1.11_-_Powers
1.11_-_The_Change_of_Power
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Magical_Belt
1.11_-_The_Master_of_the_Work
1.1.1_-_The_Mind_and_Other_Levels_of_Being
1.11_-_The_Reason_as_Governor_of_Life
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.11_-_The_Three_Purushas
1.11_-_Transformation
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.11_-_Woolly_Pomposities_of_the_Pious_Teacher
1.11_-_Works_and_Sacrifice
1.1.2.01_-_Sources_of_Inspiration_and_Variety
1.1.2.02_-_Poetry_of_the_Material_or_Physical_Consciousness
1.12_-_BOOK_THE_TWELFTH
1.12_-_Brute_Neighbors
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_Dhruva_commences_a_course_of_religious_austerities
1.12_-_Further_Magical_Aids
1.12_-_GARDEN
1.12_-_God_Departs
1.12_-_Independence
1.1.2_-_Intellect_and_the_Intellectual
1.12_-_Love_The_Creator
1.12_-_On_lying.
1.12_-_ON_THE_FLIES_OF_THE_MARKETPLACE
1.12_-_SOME_REFLECTIONS_ON_THE_RIGHTS_OF_MAN
1.12_-_The_Astral_Plane
1.12_-_The_Divine_Work
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Left-Hand_Path_-_The_Black_Brothers
1.12_-_The_Office_and_Limitations_of_the_Reason
1.12_-_The_'quantitative_parts'_of_Tragedy_defined.
1.12_-_The_Sacred_Marriage
1.12_-_The_Significance_of_Sacrifice
1.12_-_The_Sociology_of_Superman
1.12_-_The_Strength_of_Stillness
1.12_-_The_Superconscient
1.12_-_TIME_AND_ETERNITY
1.13_-_A_Dream
1.13_-_A_GARDEN-ARBOR
1.13_-_And_Then?
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Conclusion_-_He_is_here
1.13_-_Dawn_and_the_Truth
1.13_-_Gnostic_Symbols_of_the_Self
1.1.3_-_Mental_Difficulties_and_the_Need_of_Quietude
1.13_-_ON_CHASTITY
1.13_-_On_despondency.
1.13_-_(Plot_continued.)_What_constitutes_Tragic_Action.
1.13_-_Posterity_of_Dhruva
1.13_-_Reason_and_Religion
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_System_of_the_O.T.O.
1.13_-_The_Divine_Maya
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_The_Lord_of_the_Sacrifice
1.13_-_THE_MASTER_AND_M.
1.13_-_The_Pentacle,_Lamen_or_Seal
1.13_-_The_Spirit
1.13_-_The_Supermind_and_the_Yoga_of_Works
1.13_-_Under_the_Auspices_of_the_Gods
1.14_-_Bibliography
1.14_-_BOOK_THE_FOURTEENTH
1.14_-_Descendants_of_Prithu
1.14_-_FOREST_AND_CAVERN
1.14_-_IMMORTALITY_AND_SURVIVAL
1.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
1.14_-_Noise
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_ON_THE_FRIEND
1.14_-_(Plot_continued.)_The_tragic_emotions_of_pity_and_fear_should_spring_out_of_the_Plot_itself.
1.14_-_Postscript
1.14_-_The_Book_of_Magic_Formulae
1.14_-_The_Mental_Plane
1.1.4_-_The_Physical_Mind_and_Sadhana
1.14_-_The_Principle_of_Divine_Works
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Succesion_to_the_Kingdom_in_Ancient_Latium
1.14_-_The_Supermind_as_Creator
1.14_-_The_Suprarational_Beauty
1.14_-_The_Victory_Over_Death
1.14_-_TURMOIL_OR_GENESIS?
1.15_-_Conclusion
1.15_-_Index
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_LAST_VISIT_TO_KESHAB
1.15_-_MARGARETS_ROOM
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_ON_THE_THOUSAND_AND_ONE_GOALS
1.15_-_Sex_Morality
1.15_-_SILENCE
1.15_-_THE_DIRECTIONS_AND_CONDITIONS_OF_THE_FUTURE
1.15_-_The_element_of_Character_in_Tragedy.
1.15_-_The_Possibility_and_Purpose_of_Avatarhood
1.15_-_The_Supramental_Consciousness
1.15_-_The_Suprarational_Good
1.15_-_The_Supreme_Truth-Consciousness
1.15_-_The_Transformed_Being
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.15_-_The_Worship_of_the_Oak
1.1.5_-_Thought_and_Knowledge
1.15_-_Truth
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_Inquiries_of_Maitreya_respecting_the_history_of_Prahlada
1.16_-_Man,_A_Transitional_Being
1.16_-_MARTHAS_GARDEN
1.16_-_On_Concentration
1.16_-_On_love_of_money_or_avarice.
1.16_-_ON_LOVE_OF_THE_NEIGHBOUR
1.16_-_(Plot_continued.)_Recognition__its_various_kinds,_with_examples
1.16_-_PRAYER
1.16_-_Religion
1.16_-_THE_ESSENCE_OF_THE_DEMOCRATIC_IDEA
1.16_-_The_Process_of_Avatarhood
1.16_-_The_Season_of_Truth
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_The_Triple_Status_of_Supermind
1.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
1.17_-_Astral_Journey__Example,_How_to_do_it,_How_to_Verify_your_Experience
1.17_-_AT_THE_FOUNTAIN
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_God
1.17_-_Legend_of_Prahlada
1.17_-_M._AT_DAKSHINEWAR
1.17_-_On_poverty_(that_hastens_heavenwards).
1.17_-_ON_THE_WAY_OF_THE_CREATOR
1.17_-_Practical_rules_for_the_Tragic_Poet.
1.17_-_Religion_as_the_Law_of_Life
1.17_-_SUFFERING
1.17_-_The_Burden_of_Royalty
1.17_-_The_Divine_Birth_and_Divine_Works
1.17_-_The_Divine_Soul
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Spiritus_Familiaris_or_Serving_Spirits
1.17_-_The_Transformation
1.18_-_Asceticism
1.18_-_DONJON
1.18_-_Evocation
1.18_-_FAITH
1.18_-_Further_rules_for_the_Tragic_Poet.
1.18_-_Hiranyakasipu's_reiterated_attempts_to_destroy_his_son
1.18_-_M._AT_DAKSHINESWAR
1.18_-_Mind_and_Supermind
1.18_-_On_insensibility,_that_is,_deadening_of_the_soul_and_the_death_of_the_mind_before_the_death_of_the_body.
1.18_-_ON_LITTLE_OLD_AND_YOUNG_WOMEN
1.18_-_The_Divine_Worker
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Human_Fathers
1.18_-_The_Importance_of_our_Conventional_Greetings,_etc.
1.18_-_The_Infrarational_Age_of_the_Cycle
1.18_-_The_Perils_of_the_Soul
1.19_-_Dialogue_between_Prahlada_and_his_father
1.19_-_Equality
1.19_-_GOD_IS_NOT_MOCKED
1.19_-_Life
1.19_-_NIGHT
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.19_-_ON_THE_ADDERS_BITE
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.19_-_Tabooed_Acts
1.19_-_The_Act_of_Truth
1.19_-_The_Curve_of_the_Rational_Age
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.19_-_The_Practice_of_Magical_Evocation
1.19_-_The_Victory_of_the_Fathers
1.19_-_Thought,_or_the_Intellectual_element,_and_Diction_in_Tragedy.
1.201_-_Socrates
1.2.01_-_The_Call_and_the_Capacity
12.01_-_The_Return_to_Earth
1.2.01_-_The_Upanishadic_and_Purancic_Systems
12.01_-_This_Great_Earth_Our_Mother
1.2.02_-_Qualities_Needed_for_Sadhana
12.02_-_The_Stress_of_the_Spirit
1.2.03_-_Purity
1.2.03_-_The_Interpretation_of_Scripture
12.03_-_The_Sorrows_of_God
12.04_-_Love_and_Death
1.2.04_-_Sincerity
1.2.05_-_Aspiration
12.05_-_The_World_Tragedy
1.2.06_-_Rejection
12.06_-_The_Hero_and_the_Nymph
1.2.07_-_Surrender
12.07_-_The_Double_Trinity
1.2.08_-_Faith
12.08_-_Notes_on_Freedom
1.2.09_-_Consecration_and_Offering
12.09_-_The_Story_of_Dr._Faustus_Retold
1.20_-_CATHEDRAL
1.20_-_Death,_Desire_and_Incapacity
1.20_-_Diction,_or_Language_in_general.
1.20_-_Equality_and_Knowledge
1.20_-_HOW_MAY_WE_CONCEIVE_AND_HOPE_THAT_HUMAN_UNANIMIZATION_WILL_BE_REALIZED_ON_EARTH?
1.20_-_On_bodily_vigil_and_how_to_use_it_to_attain_spiritual_vigil_and_how_to_practise_it.
1.20_-_ON_CHILD_AND_MARRIAGE
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_Talismans_-_The_Lamen_-_The_Pantacle
1.20_-_TANTUM_RELIGIO_POTUIT_SUADERE_MALORUM
1.20_-_The_End_of_the_Curve_of_Reason
1.20_-_The_Hound_of_Heaven
1.20_-_Visnu_appears_to_Prahlada
1.2.1.03_-_Psychic_and_Esoteric_Poetry
1.2.1.04_-_Mystic_Poetry
1.2.1.06_-_Symbolism_and_Allegory
1.2.10_-_Opening
12.10_-_The_Sunlit_Path
1.2.1.11_-_Mystic_Poetry_and_Spiritual_Poetry
1.2.1.12_-_Spiritual_Poetry
1.2.11_-_Patience_and_Perseverance
1.2.12_-_Vigilance
1.21_-_A_DAY_AT_DAKSHINESWAR
1.21_-_Families_of_the_Daityas
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_IDOLATRY
1.2.1_-_Mental_Development_and_Sadhana
1.21_-_My_Theory_of_Astrology
1.21_-_ON_FREE_DEATH
1.21_-_On_unmanly_and_puerile_cowardice.
1.21__-_Poetic_Diction.
1.21_-_Tabooed_Things
1.21_-_The_Ascent_of_Life
1.21_-_The_Spiritual_Aim_and_Life
1.21_-_WALPURGIS-NIGHT
1.2.2.01_-_The_Poet,_the_Yogi_and_the_Rishi
1.2.2.06_-_Genius
1.22_-_ADVICE_TO_AN_ACTOR
1.22__-_Dominion_over_different_provinces_of_creation_assigned_to_different_beings
1.22_-_EMOTIONALISM
1.22_-_How_to_Learn_the_Practice_of_Astrology
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_On_the_many_forms_of_vainglory.
1.22_-_(Poetic_Diction_continued.)_How_Poetry_combines_elevation_of_language_with_perspicuity.
1.22_-_Tabooed_Words
1.22_-_THE_END_OF_THE_SPECIES
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.2.2_-_The_Place_of_Study_in_Sadhana
1.22_-_The_Problem_of_Life
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_DREARY_DAY
1.23_-_Epic_Poetry.
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.23_-_Improvising_a_Temple
1.23_-_On_mad_price,_and,_in_the_same_Step,_on_unclean_and_blasphemous_thoughts.
1.23_-_Our_Debt_to_the_Savage
1.23_-_The_Double_Soul_in_Man
1.23_-_THE_MIRACULOUS
1.2.3_-_The_Power_of_Expression_and_Yoga
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_Describes_how_vocal_prayer_may_be_practised_with_perfection_and_how_closely_allied_it_is_to_mental_prayer
1.24_-_(Epic_Poetry_continued.)_Further_points_of_agreement_with_Tragedy.
1.24_-_Matter
1.24_-_Necromancy_and_Spiritism
1.24_-_NIGHT
1.24_-_On_Beauty
1.24_-_On_meekness,_simplicity,_guilelessness_which_come_not_from_nature_but_from_habit,_and_about_malice.
1.24_-_PUNDIT_SHASHADHAR
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.2.4_-_Speech_and_Yoga
1.24_-_The_Advent_and_Progress_of_the_Spiritual_Age
1.24_-_The_Killing_of_the_Divine_King
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_Critical_Objections_brought_against_Poetry,_and_the_principles_on_which_they_are_to_be_answered.
1.25_-_Describes_the_great_gain_which_comes_to_a_soul_when_it_practises_vocal_prayer_perfectly._Shows_how_God_may_raise_it_thence_to_things_supernatural.
1.25_-_DUNGEON
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_SPIRITUAL_EXERCISES
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.26_-_Continues_the_description_of_a_method_for_recollecting_the_thoughts._Describes_means_of_doing_this._This_chapter_is_very_profitable_for_those_who_are_beginning_prayer.
1.26_-_FESTIVAL_AT_ADHARS_HOUSE
1.26_-_Mental_Processes_-_Two_Only_are_Possible
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_PERSEVERANCE_AND_REGULARITY
1.26_-_Sacrifice_of_the_Kings_Son
1.26_-_The_Ascending_Series_of_Substance
1.27_-_AT_DAKSHINESWAR
1.27_-_CONTEMPLATION,_ACTION_AND_SOCIAL_UTILITY
1.27_-_Describes_the_great_love_shown_us_by_the_Lord_in_the_first_words_of_the_Paternoster_and_the_great_importance_of_our_making_no_account_of_good_birth_if_we_truly_desire_to_be_the_daughters_of_God.
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_Structure_of_Mind_Based_on_that_of_Body
1.27_-_Succession_to_the_Soul
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Describes_the_nature_of_the_Prayer_of_Recollection_and_sets_down_some_of_the_means_by_which_we_can_make_it_a_habit.
1.28_-_Need_to_Define_God,_Self,_etc.
1.28_-_On_holy_and_blessed_prayer,_mother_of_virtues,_and_on_the_attitude_of_mind_and_body_in_prayer.
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.29_-_Concerning_heaven_on_earth,_or_godlike_dispassion_and_perfection,_and_the_resurrection_of_the_soul_before_the_general_resurrection.
1.29_-_Continues_to_describe_methods_for_achieving_this_Prayer_of_Recollection._Says_what_little_account_we_should_make_of_being_favoured_by_our_superiors.
1.29_-_The_Myth_of_Adonis
1.29_-_What_is_Certainty?
1.300_-_1.400_Talks
13.01_-_A_Centurys_Salutation_to_Sri_Aurobindo_The_Greatness_of_the_Great
1.3.01_-_Peace__The_Basis_of_the_Sadhana
13.02_-_A_Review_of_Sri_Aurobindos_Life
1.3.02_-_Equality__The_Chief_Support
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.3.03_-_Quiet_and_Calm
13.04_-_A_Note_on_Supermind
1.3.04_-_Peace
13.05_-_A_Dream_Of_Surreal_Science
1.3.05_-_Silence
13.06_-_The_Passing_of_Satyavan
13.07_-_The_Inter-Zone
13.08_-_The_Return
1.30_-_Adonis_in_Syria
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.30_-_Describes_the_importance_of_understanding_what_we_ask_for_in_prayer._Treats_of_these_words_in_the_Paternoster:_Sanctificetur_nomen_tuum,_adveniat_regnum_tuum._Applies_them_to_the_Prayer_of_Quiet,_and_begins_the_explanation_of_them.
1.30_-_Do_you_Believe_in_God?
1.3.1.02_-_The_Object_of_Our_Yoga
1.31_-_Adonis_in_Cyprus
1.31_-_Continues_the_same_subject._Explains_what_is_meant_by_the_Prayer_of_Quiet._Gives_several_counsels_to_those_who_experience_it._This_chapter_is_very_noteworthy.
1.31_-_Is_Thelema_a_New_Religion?
1.3.2.01_-_I._The_Entire_Purpose_of_Yoga
1.32_-_Expounds_these_words_of_the_Paternoster__Fiat_voluntas_tua_sicut_in_coelo_et_in_terra._Describes_how_much_is_accomplished_by_those_who_repeat_these_words_with_full_resolution_and_how_well
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.32_-_The_Ritual_of_Adonis
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.33_-_Treats_of_our_great_need_that_the_Lord_should_give_us_what_we_ask_in_these_words_of_the_Paternoster__Panem_nostrum_quotidianum_da_nobis_hodie.
1.3.4.01_-_The_Beginning_and_the_End
1.3.4.02_-_The_Hour_of_God
1.3.4.04_-_The_Divine_Superman
1.34_-_Continues_the_same_subject._This_is_very_suitable_for_reading_after_the_reception_of_the_Most_Holy_Sacrament.
1.34_-_The_Myth_and_Ritual_of_Attis
1.34_-_The_Tao_1
1.3.5.01_-_The_Law_of_the_Way
1.3.5.02_-_Man_and_the_Supermind
1.3.5.03_-_The_Involved_and_Evolving_Godhead
1.3.5.04_-_The_Evolution_of_Consciousness
1.3.5.05_-_The_Path
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_Describes_the_recollection_which_should_be_practised_after_Communion._Concludes_this_subject_with_an_exclamatory_prayer_to_the_Eternal_Father.
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.36_-_Quo_Stet_Olympus_-_Where_the_Gods,_Angels,_etc._Live
1.36_-_Treats_of_these_words_in_the_Paternoster__Dimitte_nobis_debita_nostra.
1.37_-_Death_-_Fear_-_Magical_Memory
1.37_-_Describes_the_excellence_of_this_prayer_called_the_Paternoster,_and_the_many_ways_in_which_we_shall_find_consolation_in_it.
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.38_-_Treats_of_the_great_need_which_we_have_to_beseech_the_Eternal_Father_to_grant_us_what_we_ask_in_these_words:_Et_ne_nos_inducas_in_tentationem,_sed_libera_nos_a_malo._Explains_certain_temptations._This_chapter_is_noteworthy.
1.38_-_Woman_-_Her_Magical_Formula
1.39_-_Continues_the_same_subject_and_gives_counsels_concerning_different_kinds_of_temptation._Suggests_two_remedies_by_which_we_may_be_freed_from_temptations.135
1.39_-_Prophecy
1.39_-_The_Ritual_of_Osiris
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
14.01_-_To_Read_Sri_Aurobindo
14.02_-_Occult_Experiences
1.4.02_-_The_Divine_Force
14.03_-_Janaka_and_Yajnavalkya
1.4.03_-_The_Guru
14.04_-_More_of_Yajnavalkya
14.05_-_The_Golden_Rule
14.06_-_Liberty,_Self-Control_and_Friendship
14.07_-_A_Review_of_Our_Ashram_Life
14.08_-_A_Parable_of_Sea-Gulls
1.40_-_Coincidence
1.40_-_Describes_how,_by_striving_always_to_walk_in_the_love_and_fear_of_God,_we_shall_travel_safely_amid_all_these_temptations.
1.40_-_The_Nature_of_Osiris
1.41_-_Are_we_Reincarnations_of_the_Ancient_Egyptians?
1.41_-_Isis
1.41_-_Speaks_of_the_fear_of_God_and_of_how_we_must_keep_ourselves_from_venial_sins.
1.4.2.02_-_The_English_Bible
1.42_-_Osiris_and_the_Sun
1.42_-_This_Self_Introversion
1.42_-_Treats_of_these_last_words_of_the_Paternoster__Sed_libera_nos_a_malo._Amen._But_deliver_us_from_evil._Amen.
1.439
1.43_-_Dionysus
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.44_-_Demeter_and_Persephone
1.44_-_Serious_Style_of_A.C.,_or_the_Apparent_Frivolity_of_Some_of_my_Remarks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.45_-_Unserious_Conduct_of_a_Pupil
1.46_-_Selfishness
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.47_-_Reincarnation
1.48_-_Morals_of_AL_-_Hard_to_Accept,_and_Why_nevertheless_we_Must_Concur
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
1.49_-_Thelemic_Morality
15.01_-_The_Mother,_Human_and_Divine
15.02_-_1973-02-17
15.03_-_A_Canadian_Question
15.04_-_The_Mother_Abides
15.05_-_Twin_Prayers
15.06_-_Words,_Words,_Words...
15.07_-_Souls_Freedom
15.08_-_Ashram_-_Inner_and_Outer
15.09_-_One_Day_More
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.50_-_Eating_the_God
1.51_-_Homeopathic_Magic_of_a_Flesh_Diet
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_Mother-Love
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_On_Meanness
1.54_-_Types_of_Animal_Sacrament
1.550_-_1.600_Talks
1.55_-_Money
1.55_-_The_Transference_of_Evil
1.56_-_Marriage_-_Property_-_War_-_Politics
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Beings_I_have_Seen_with_my_Physical_Eye
1.57_-_Public_Scapegoats
1.58_-_Do_Angels_Ever_Cut_Themselves_Shaving?
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Geomancy
1.59_-_Killing_the_God_in_Mexico
16.01_-_
16.02_-_Mater_Dolorosa
16.03_-_Mater_Gloriosa
16.04_-_Maximes
16.05_-_Distiques
1.60_-_Between_Heaven_and_Earth
1.60_-_Knack
1.61_-_Power_and_Authority
1.61_-_The_Myth_of_Balder
1.62_-_The_Elastic_Mind
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_Magical_Power
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.65_-_Man
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_Faith
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_God-Letters
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
1.69_-_Original_Sin
17.00_-_Translations
17.01_-_Hymn_to_Dawn
17.02_-_Hymn_to_the_Sun
17.03_-_Agni_and_the_Gods
17.04_-_Hymn_to_the_Purusha
17.05_-_Hymn_to_Hiranyagarbha
17.06_-_Hymn_of_the_Supreme_Goddess
17.07_-_Ode_to_Darkness
17.08_-_Last_Hymn
17.09_-_Victory_to_the_World_Master
1.70_-_Morality_1
17.10_-_A_Hymn
17.11_-_A_Prayer
1.71_-_Morality_2
1.72_-_Education
1.73_-_Monsters,_Niggers,_Jews,_etc.
1.74_-_Obstacles_on_the_Path
1.75_-_The_AA_and_the_Planet
1.76_-_The_Gods_-_How_and_Why_they_Overlap
1.77_-_Work_Worthwhile_-_Why?
1.78_-_Sore_Spots
1.79_-_Progress
18.01_-_Padavali
18.02_-_Ramprasad
18.03_-_Tagore
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1.80_-_Life_a_Gamble
1.81_-_Method_of_Training
1.82_-_Epistola_Penultima_-_The_Two_Ways_to_Reality
1.83_-_Epistola_Ultima
19.01_-_The_Twins
19.02_-_Vigilance
19.03_-_The_Mind
19.04_-_The_Flowers
19.05_-_The_Fool
19.06_-_The_Wise
19.07_-_The_Adept
19.08_-_Thousands
19.09_-_On_Evil
19.10_-_Punishment
19.11_-_Old_Age
1912_11_02p
1912_11_03p
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1912_12_05p
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19.12_-_Of_The_Self
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19.13_-_Of_the_World
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19.14_-_The_Awakened
1915_01_02p
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19.15_-_On_Happiness
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19.16_-_Of_the_Pleasant
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19.17_-_On_Anger
1918_07_12p
1918_10_10p
19.18_-_On_Impurity
1919_09_03p
19.19_-_Of_the_Just
1920_06_22p
19.20_-_The_Path
19.21_-_Miscellany
19.22_-_Of_Hell
19.23_-_Of_the_Elephant
19.24_-_The_Canto_of_Desire
19.25_-_The_Bhikkhu
19.26_-_The_Brahmin
1927_05_06p
1928_12_28p
1929-04-07_-_Yoga,_for_the_sake_of_the_Divine_-_Concentration_-_Preparations_for_Yoga,_to_be_conscious_-_Yoga_and_humanity_-_We_have_all_met_in_previous_lives
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1929-04-21_-_Visions,_seeing_and_interpretation_-_Dreams_and_dreaml_and_-_Dreamless_sleep_-_Visions_and_formulation_-_Surrender,_passive_and_of_the_will_-_Meditation_and_progress_-_Entering_the_spiritual_life,_a_plunge_into_the_Divine
1929-04-28_-_Offering,_general_and_detailed_-_Integral_Yoga_-_Remembrance_of_the_Divine_-_Reading_and_Yoga_-_Necessity,_predetermination_-_Freedom_-_Miracles_-_Aim_of_creation
1929-05-05_-_Intellect,_true_and_wrong_movement_-_Attacks_from_adverse_forces_-_Faith,_integral_and_absolute_-_Death,_not_a_necessity_-_Descent_of_Divine_Consciousness_-_Inner_progress_-_Memory_of_former_lives
1929-05-12_-_Beings_of_vital_world_(vampires)_-_Money_power_and_vital_beings_-_Capacity_for_manifestation_of_will_-_Entry_into_vital_world_-_Body,_a_protection_-_Individuality_and_the_vital_world
1929-05-19_-_Mind_and_its_workings,_thought-forms_-_Adverse_conditions_and_Yoga_-_Mental_constructions_-_Illness_and_Yoga
1929-05-26_-_Individual,_illusion_of_separateness_-_Hostile_forces_and_the_mental_plane_-_Psychic_world,_psychic_being_-_Spiritual_and_psychic_-_Words,_understanding_speech_and_reading_-_Hostile_forces,_their_utility_-_Illusion_of_action,_true_action
1929-06-02_-__Divine_love_and_its_manifestation_-_Part_of_the_vital_being_in_Divine_love
1929-06-09_-_Nature_of_religion_-_Religion_and_the_spiritual_life_-_Descent_of_Divine_Truth_and_Force_-_To_be_sure_of_your_religion,_country,_family-choose_your_own_-_Religion_and_numbers
1929-06-16_-_Illness_and_Yoga_-_Subtle_body_(nervous_envelope)_-_Fear_and_illness
1929-06-23_-_Knowledge_of_the_Yogi_-_Knowledge_and_the_Supermind_-_Methods_of_changing_the_condition_of_the_body_-_Meditation,_aspiration,_sincerity
1929-06-30_-_Repulsion_felt_towards_certain_animals,_etc_-_Source_of_evil,_Formateurs_-_Material_world
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1929-08-04_-_Surrender_and_sacrifice_-_Personality_and_surrender_-_Desire_and_passion_-_Spirituality_and_morality
1931_11_24p
1933_12_23p
1935_01_04p
1936_08_21p
1937_10_23p
1938_08_17p
1950-12-21_-_The_Mother_of_Dreams
1950-12-23_-_Concentration_and_energy
1950-12-25_-_Christmas_-_festival_of_Light_-_Energy_and_mental_growth_-_Meditation_and_concentration_-_The_Mother_of_Dreams_-_Playing_a_game_well,_and_energy
1950-12-28_-_Correct_judgment.
1950-12-30_-_Perfect_and_progress._Dynamic_equilibrium._True_sincerity.
1951-01-04_-_Transformation_and_reversal_of_consciousness.
1951-01-08_-_True_vision_and_understanding_of_the_world._Progress,_equilibrium._Inner_reality_-_the_psychic._Animals_and_the_psychic.
1951-01-11_-_Modesty_and_vanity_-_Generosity
1951-01-13_-_Aim_of_life_-_effort_and_joy._Science_of_living,_becoming_conscious._Forces_and_influences.
1951-01-15_-_Sincerity_-_inner_discernment_-_inner_light._Evil_and_imbalance._Consciousness_and_instruments.
1951-01-20_-_Developing_the_mind._Misfortunes,_suffering;_developed_reason._Knowledge_and_pure_ideas.
1951-01-25_-_Needs_and_desires._Collaboration_of_the_vital,_mind_an_accomplice._Progress_and_sincerity_-_recognising_faults._Organising_the_body_-_illness_-_new_harmony_-_physical_beauty.
1951-01-27_-_Sleep_-_desires_-_repression_-_the_subconscient._Dreams_-_the_super-conscient_-_solving_problems._Ladder_of_being_-_samadhi._Phases_of_sleep_-_silence,_true_rest._Vital_body_and_illness.
1951-02-03_-_What_is_Yoga?_for_what?_-_Aspiration,_seeking_the_Divine._-_Process_of_yoga,_renouncing_the_ego.
1951-02-05_-_Surrender_and_tapasya_-_Dealing_with_difficulties,_sincerity,_spiritual_discipline_-_Narrating_experiences_-_Vital_impulse_and_will_for_progress
1951-02-08_-_Unifying_the_being_-_ideas_of_good_and_bad_-_Miracles_-_determinism_-_Supreme_Will_-_Distinguishing_the_voice_of_the_Divine
1951-02-10_-_Liberty_and_license_-_surrender_makes_you_free_-_Men_in_authority_as_representatives_of_the_divine_Truth_-_Work_as_offering_-_total_surrender_needs_time_-_Effort_and_inspiration_-_will_and_patience
1951-02-12_-_Divine_force_-_Signs_indicating_readiness_-_Weakness_in_mind,_vital_-_concentration_-_Divine_perception,_human_notion_of_good,_bad_-_Conversion,_consecration_-_progress_-_Signs_of_entering_the_path_-_kinds_of_meditation_-_aspiration
1951-02-15_-_Dreams,_symbolic_-_true_repose_-_False_visions_-_Earth-memory_and_history
1951-02-17_-_False_visions_-_Offering_ones_will_-_Equilibrium_-_progress_-_maturity_-_Ardent_self-giving-_perfecting_the_instrument_-_Difficulties,_a_help_in_total_realisation_-_paradoxes_-_Sincerity_-_spontaneous_meditation
1951-02-19_-_Exteriorisation-_clairvoyance,_fainting,_etc_-_Somnambulism_-_Tartini_-_childrens_dreams_-_Nightmares_-_gurus_protection_-_Mind_and_vital_roam_during_sleep
1951-02-22_-_Surrender,_offering,_consecration_-_Experiences_and_sincerity_-_Aspiration_and_desire_-_Vedic_hymns_-_Concentration_and_time
1951-02-24_-_Psychic_being_and_entity_-_dimensions_-_in_the_atom_-_Death_-_exteriorisation_-_unconsciousness_-_Past_lives_-_progress_upon_earth_-_choice_of_birth_-_Consecration_to_divine_Work_-_psychic_memories_-_Individualisation_-_progress
1951-02-26_-_On_reading_books_-_gossip_-_Discipline_and_realisation_-_Imaginary_stories-_value_of_-_Private_lives_of_big_men_-_relaxation_-_Understanding_others_-_gnostic_consciousness
1951-03-01_-_Universe_and_the_Divine_-_Freedom_and_determinism_-_Grace_-_Time_and_Creation-_in_the_Supermind_-_Work_and_its_results_-_The_psychic_being_-_beauty_and_love_-_Flowers-_beauty_and_significance_-_Choice_of_reincarnating_psychic_being
1951-03-03_-_Hostile_forces_-_difficulties_-_Individuality_and_form_-_creation
1951-03-05_-_Disasters-_the_forces_of_Nature_-_Story_of_the_charity_Bazar_-_Liberation_and_law_-_Dealing_with_the_mind_and_vital-_methods
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-10_-_Fairy_Tales-_serpent_guarding_treasure_-_Vital_beings-_their_incarnations_-_The_vital_being_after_death_-_Nightmares-_vital_and_mental_-_Mind_and_vital_after_death_-_The_spirit_of_the_form-_Egyptian_mummies
1951-03-12_-_Mental_forms_-_learning_difficult_subjects_-_Mental_fortress_-_thought_-_Training_the_mind_-_Helping_the_vital_being_after_death_-_ceremonies_-_Human_stupidities
1951-03-14_-_Plasticity_-_Conditions_for_knowing_the_Divine_Will_-_Illness_-_microbes_-_Fear_-_body-reflexes_-_The_best_possible_happens_-_Theories_of_Creation_-_True_knowledge_-_a_work_to_do_-_the_Ashram
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-03-22_-_Relativity-_time_-_Consciousness_-_psychic_Witness_-_The_twelve_senses_-_water-divining_-_Instinct_in_animals_-_story_of_Mothers_cat
1951-03-24_-_Descent_of_Divine_Love,_of_Consciousness_-_Earth-_a_symbolic_formation_-_the_Divine_Presence_-_The_psychic_being_and_other_worlds_-_Divine_Love_and_Grace_-_Becoming_consaious_of_Divine_Love_-_Finding_ones_psychic_being_-_Responsibility
1951-03-26_-_Losing_all_to_gain_all_-_psychic_being_-_Transforming_the_vital_-_physical_habits_-_the_subconscient_-_Overcoming_difficulties_-_weakness,_an_insincerity_-_to_change_the_world_-_Psychic_source,_flash_of_experience_-_preparation_for_yoga
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-03-31_-_Physical_ailment_and_mental_disorder_-_Curing_an_illness_spiritually_-_Receptivity_of_the_body_-_The_subtle-physical-_illness_accidents_-_Curing_sunstroke_and_other_disorders
1951-04-02_-_Causes_of_accidents_-_Little_entities,_helpful_or_mischievous-_incidents
1951-04-05_-_Illusion_and_interest_in_action_-_The_action_of_the_divine_Grace_and_the_ego_-_Concentration,_aspiration,_will,_inner_silence_-_Value_of_a_story_or_a_language_-_Truth_-_diversity_in_the_world
1951-04-07_-_Origin_of_Evil_-_Misery-_its_cause
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-12_-_Japan,_its_art,_landscapes,_life,_etc_-_Fairy-lore_of_Japan_-_Culture-_its_spiral_movement_-_Indian_and_European-_the_spiritual_life_-_Art_and_Truth
1951-04-14_-_Surrender_and_sacrifice_-_Idea_of_sacrifice_-_Bahaism_-_martyrdom_-_Sleep-_forgetfulness,_exteriorisation,_etc_-_Dreams_and_visions-_explanations_-_Exteriorisation-_incidents_about_cats
1951-04-17_-_Unity,_diversity_-_Protective_envelope_-_desires_-_consciousness,_true_defence_-_Perfection_of_physical_-_cinema_-_Choice,_constant_and_conscious_-_law_of_ones_being_-_the_One,_the_Multiplicity_-_Civilization-_preparing_an_instrument
1951-04-19_-_Demands_and_needs_-_human_nature_-_Abolishing_the_ego_-_Food-_tamas,_consecration_-_Changing_the_nature-_the_vital_and_the_mind_-_The_yoga_of_the_body__-_cellular_consciousness
1951-04-21_-_Sri_Aurobindos_letter_on_conditions_for_doing_yoga_-_Aspiration,_tapasya,_surrender_-_The_lower_vital_-_old_habits_-_obsession_-_Sri_Aurobindo_on_choice_and_the_double_life_-_The_old_fiasco_-_inner_realisation_and_outer_change
1951-04-23_-_The_goal_and_the_way_-_Learning_how_to_sleep_-_relaxation_-_Adverse_forces-_test_of_sincerity_-_Attitude_to_suffering_and_death
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-04-28_-_Personal_effort_-_tamas,_laziness_-_Static_and_dynamic_power_-_Stupidity_-_psychic_and_intelligence_-_Philosophies-_different_languages_-_Theories_of_Creation_-_Surrender_of_ones_being_and_ones_work
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-05_-_Needs_and_desires_-_Discernment_-_sincerity_and_true_perception_-_Mantra_and_its_effects_-_Object_in_action-_to_serve_-_relying_only_on_the_Divine
1951-05-07_-_A_Hierarchy_-_Transcendent,_universal,_individual_Divine_-_The_Supreme_Shakti_and_Creation_-_Inadequacy_of_words,_language
1951-05-11_-_Mahakali_and_Kali_-_Avatar_and_Vibhuti_-_Sachchidananda_behind_all_states_of_being_-_The_power_of_will_-_receiving_the_Divine_Will
1951-05-12_-_Mahalakshmi_and_beauty_in_life_-_Mahasaraswati_-_conscious_hand_-_Riches_and_poverty
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1953-03-18
1953-03-25
1953-04-01
1953-04-08
1953-04-15
1953-04-22
1953-04-29
1953-05-06
1953-05-13
1953-05-20
1953-05-27
1953-06-03
1953-06-10
1953-06-17
1953-06-24
1953-07-01
1953-07-08
1953-07-15
1953-07-22
1953-07-29
1953-08-05
1953-08-12
1953-08-19
1953-08-26
1953-09-02
1953-09-09
1953-09-16
1953-09-23
1953-09-30
1953-10-07
1953-10-14
1953-10-21
1953-10-28
1953-11-04
1953-11-11
1953-11-18
1953-11-25
1953-12-09
1953-12-16
1953-12-23
1953-12-30
1954-02-03_-_The_senses_and_super-sense_-_Children_can_be_moulded_-_Keeping_things_in_order_-_The_shadow
1954-02-10_-_Study_a_variety_of_subjects_-_Memory_-Memory_of_past_lives_-_Getting_rid_of_unpleasant_thoughts
1954-02-17_-_Experience_expressed_in_different_ways_-_Origin_of_the_psychic_being_-_Progress_in_sports_-Everything_is_not_for_the_best
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-03-24_-_Dreams_and_the_condition_of_the_stomach_-_Tobacco_and_alcohol_-_Nervousness_-_The_centres_and_the_Kundalini_-_Control_of_the_senses
1954-04-07_-_Communication_without_words_-_Uneven_progress_-_Words_and_the_Word
1954-04-14_-_Love_-_Can_a_person_love_another_truly?_-_Parental_love
1954-04-28_-_Aspiration_and_receptivity_-_Resistance_-_Purusha_and_Prakriti,_not_masculine_and_feminine
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-05-12_-_The_Purusha_-_Surrender_-_Distinguishing_between_influences_-_Perfect_sincerity
1954-05-19_-_Affection_and_love_-_Psychic_vision_Divine_-_Love_and_receptivity_-_Get_out_of_the_ego
1954-05-26_-_Symbolic_dreams_-_Psychic_sorrow_-_Dreams,_one_is_rarely_conscious
1954-06-02_-_Learning_how_to_live_-_Work,_studies_and_sadhana_-_Waste_of_the_Energy_and_Consciousness
1954-06-16_-_Influences,_Divine_and_other_-_Adverse_forces_-_The_four_great_Asuras_-_Aspiration_arranges_circumstances_-_Wanting_only_the_Divine
1954-06-23_-_Meat-eating_-_Story_of_Mothers_vegetable_garden_-_Faithfulness_-_Conscious_sleep
1954-06-30_-_Occultism_-_Religion_and_vital_beings_-_Mothers_knowledge_of_what_happens_in_the_Ashram_-_Asking_questions_to_Mother_-_Drawing_on_Mother
1954-07-07_-_The_inner_warrior_-_Grace_and_the_Falsehood_-_Opening_from_below_-_Surrender_and_inertia_-_Exclusive_receptivity_-_Grace_and_receptivity
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-07-21_-_Mistakes_-_Success_-_Asuras_-_Mental_arrogance_-_Difficulty_turned_into_opportunity_-_Mothers_use_of_flowers_-_Conversion_of_men_governed_by_adverse_forces
1954-07-28_-_Money_-_Ego_and_individuality_-_The_shadow
1954-08-04_-_Servant_and_worker_-_Justification_of_weakness_-_Play_of_the_Divine_-_Why_are_you_here_in_the_Ashram?
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-08-25_-_Ananda_aspect_of_the_Mother_-_Changing_conditions_in_the_Ashram_-_Ascetic_discipline_-_Mothers_body
1954-09-08_-_Hostile_forces_-_Substance_-_Concentration_-_Changing_the_centre_of_thought_-_Peace
1954-09-15_-_Parts_of_the_being_-_Thoughts_and_impulses_-_The_subconscient_-_Precise_vocabulary_-_The_Grace_and_difficulties
1954-09-22_-_The_supramental_creation_-_Rajasic_eagerness_-_Silence_from_above_-_Aspiration_and_rejection_-_Effort,_individuality_and_ego_-_Aspiration_and_desire
1954-09-29_-_The_right_spirit_-_The_Divine_comes_first_-_Finding_the_Divine_-_Mistakes_-_Rejecting_impulses_-_Making_the_consciousness_vast_-_Firm_resolution
1954-10-06_-_What_happens_is_for_the_best_-_Blaming_oneself_-Experiences_-_The_vital_desire-soul_-Creating_a_spiritual_atmosphere_-Thought_and_Truth
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1954-11-03_-_Body_opening_to_the_Divine_-_Concentration_in_the_heart_-_The_army_of_the_Divine_-_The_knot_of_the_ego_-Streng_thening_ones_will
1954-11-10_-_Inner_experience,_the_basis_of_action_-_Keeping_open_to_the_Force_-_Faith_through_aspiration_-_The_Mothers_symbol_-_The_mind_and_vital_seize_experience_-_Degrees_of_sincerity_-Becoming_conscious_of_the_Divine_Force
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1954-12-08_-_Cosmic_consciousness_-_Clutching_-_The_central_will_of_the_being_-_Knowledge_by_identity
1954-12-15_-_Many_witnesses_inside_oneself_-_Children_in_the_Ashram_-_Trance_and_the_waking_consciousness_-_Ascetic_methods_-_Education,_spontaneous_effort_-_Spiritual_experience
1954-12-22_-_Possession_by_hostile_forces_-_Purity_and_morality_-_Faith_in_the_final_success_-Drawing_back_from_the_path
1954-12-29_-_Difficulties_and_the_world_-_The_experience_the_psychic_being_wants_-_After_death_-Ignorance
1955-02-09_-_Desire_is_contagious_-_Primitive_form_of_love_-_the_artists_delight_-_Psychic_need,_mind_as_an_instrument_-_How_the_psychic_being_expresses_itself_-_Distinguishing_the_parts_of_ones_being_-_The_psychic_guides_-_Illness_-_Mothers_vision
1955-02-16_-_Losing_something_given_by_Mother_-_Using_things_well_-_Sadhak_collecting_soap-pieces_-_What_things_are_truly_indispensable_-_Natures_harmonious_arrangement_-_Riches_a_curse,_philanthropy_-_Misuse_of_things_creates_misery
1955-02-23_-_On_the_sense_of_taste,_educating_the_senses_-_Fasting_produces_a_state_of_receptivity,_drawing_energy_-_The_body_and_food
1955-03-02_-_Right_spirit,_aspiration_and_desire_-_Sleep_and_yogic_repose,_how_to_sleep_-_Remembering_dreams_-_Concentration_and_outer_activity_-_Mother_opens_the_door_inside_everyone_-_Sleep,_a_school_for_inner_knowledge_-_Source_of_energy
1955-03-09_-_Psychic_directly_contacted_through_the_physical_-_Transforming_egoistic_movements_-_Work_of_the_psychic_being_-_Contacting_the_psychic_and_the_Divine_-_Experiences_of_different_kinds_-_Attacks_of_adverse_forces
1955-03-23_-_Procedure_for_rejection_and_transformation_-_Learning_by_heart,_true_understanding_-_Vibrations,_movements_of_the_species_-_A_cat_and_a_Russian_peasant_woman_-_A_cat_doing_yoga
1955-03-30_-_Yoga-shakti_-_Energies_of_the_earth,_higher_and_lower_-_Illness,_curing_by_yogic_means_-_The_true_self_and_the_psychic_-_Solving_difficulties_by_different_methods
1955-04-06_-_Freuds_psychoanalysis,_the_subliminal_being_-_The_psychic_and_the_subliminal_-_True_psychology_-_Changing_the_lower_nature_-_Faith_in_different_parts_of_the_being_-_Psychic_contact_established_in_all_in_the_Ashram
1955-04-13_-_Psychoanalysts_-_The_underground_super-ego,_dreams,_sleep,_control_-_Archetypes,_Overmind_and_higher_-_Dream_of_someone_dying_-_Integral_repose,_entering_Sachchidananda_-_Organising_ones_life,_concentration,_repose
1955-04-27_-_Symbolic_dreams_and_visions_-_Curing_pain_by_various_methods_-_Different_states_of_consciousness_-_Seeing_oneself_dead_in_a_dream_-_Exteriorisation
1955-05-04_-_Drawing_on_the_universal_vital_forces_-_The_inner_physical_-_Receptivity_to_different_kinds_of_forces_-_Progress_and_receptivity
1955-05-18_-_The_Problem_of_Woman_-_Men_and_women_-_The_Supreme_Mother,_the_new_creation_-_Gods_and_goddesses_-_A_story_of_Creation,_earth_-_Psychic_being_only_on_earth,_beings_everywhere_-_Going_to_other_worlds_by_occult_means
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-01_-_The_aesthetic_conscience_-_Beauty_and_form_-_The_roots_of_our_life_-_The_sense_of_beauty_-_Educating_the_aesthetic_sense,_taste_-_Mental_constructions_based_on_a_revelation_-_Changing_the_world_and_humanity
1955-06-08_-_Working_for_the_Divine_-_ideal_attitude_-_Divine_manifesting_-_reversal_of_consciousness,_knowing_oneself_-_Integral_progress,_outer,_inner,_facing_difficulties_-_People_in_Ashram_-_doing_Yoga_-_Children_given_freedom,_choosing_yoga
1955-06-15_-_Dynamic_realisation,_transformation_-_The_negative_and_positive_side_of_experience_-_The_image_of_the_dry_coconut_fruit_-_Purusha,_Prakriti,_the_Divine_Mother_-_The_Truth-Creation_-_Pralaya_-_We_are_in_a_transitional_period
1955-06-22_-_Awakening_the_Yoga-shakti_-_The_thousand-petalled_lotus-_Reading,_how_far_a_help_for_yoga_-_Simple_and_complicated_combinations_in_men
1955-06-29_-_The_true_vital_and_true_physical_-_Time_and_Space_-_The_psychics_memory_of_former_lives_-_The_psychic_organises_ones_life_-_The_psychics_knowledge_and_direction
1955-07-06_-_The_psychic_and_the_central_being_or_jivatman_-_Unity_and_multiplicity_in_the_Divine_-_Having_experiences_and_the_ego_-_Mental,_vital_and_physical_exteriorisation_-_Imagination_has_a_formative_power_-_The_function_of_the_imagination
1955-07-13_-_Cosmic_spirit_and_cosmic_consciousness_-_The_wall_of_ignorance,_unity_and_separation_-_Aspiration_to_understand,_to_know,_to_be_-_The_Divine_is_in_the_essence_of_ones_being_-_Realising_desires_through_the_imaginaton
1955-07-20_-_The_Impersonal_Divine_-_Surrender_to_the_Divine_brings_perfect_freedom_-_The_Divine_gives_Himself_-_The_principle_of_the_inner_dimensions_-_The_paths_of_aspiration_and_surrender_-_Linear_and_spherical_paths_and_realisations
1955-08-03_-_Nothing_is_impossible_in_principle_-_Psychic_contact_and_psychic_influence_-_Occult_powers,_adverse_influences;_magic_-_Magic,_occultism_and_Yogic_powers_-Hypnotism_and_its_effects
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1955-10-05_-_Science_and_Ignorance_-_Knowledge,_science_and_the_Buddha_-_Knowing_by_identification_-_Discipline_in_science_and_in_Buddhism_-_Progress_in_the_mental_field_and_beyond_it
1955-10-12_-_The_problem_of_transformation_-_Evolution,_man_and_superman_-_Awakening_need_of_a_higher_good_-_Sri_Aurobindo_and_earths_history_-_Setting_foot_on_the_new_path_-_The_true_reality_of_the_universe_-_the_new_race_-_...
1955-10-19_-_The_rhythms_of_time_-_The_lotus_of_knowledge_and_perfection_-_Potential_knowledge_-_The_teguments_of_the_soul_-_Shastra_and_the_Gurus_direct_teaching_-_He_who_chooses_the_Infinite...
1955-10-26_-_The_Divine_and_the_universal_Teacher_-_The_power_of_the_Word_-_The_Creative_Word,_the_mantra_-_Sound,_music_in_other_worlds_-_The_domains_of_pure_form,_colour_and_ideas
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-11-09_-_Personal_effort,_egoistic_mind_-_Man_is_like_a_public_square_-_Natures_work_-_Ego_needed_for_formation_of_individual_-_Adverse_forces_needed_to_make_man_sincere_-_Determinisms_of_different_planes,_miracles
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1955-11-23_-_One_reality,_multiple_manifestations_-_Integral_Yoga,_approach_by_all_paths_-_The_supreme_man_and_the_divine_man_-_Miracles_and_the_logic_of_events
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1955-12-14_-_Rejection_of_life_as_illusion_in_the_old_Yogas_-_Fighting_the_adverse_forces_-_Universal_and_individual_being_-_Three_stages_in_Integral_Yoga_-_How_to_feel_the_Divine_Presence_constantly
1955-12-28_-_Aspiration_in_different_parts_of_the_being_-_Enthusiasm_and_gratitude_-_Aspiration_is_in_all_beings_-_Unlimited_power_of_good,_evil_has_a_limit_-_Progress_in_the_parts_of_the_being_-_Significance_of_a_dream
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-01-11_-_Desire_and_self-deception_-_Giving_all_one_is_and_has_-_Sincerity,_more_powerful_than_will_-_Joy_of_progress_Definition_of_youth
1956-01-18_-_Two_sides_of_individual_work_-_Cheerfulness_-_chosen_vessel_of_the_Divine_-_Aspiration,_consciousness,_of_plants,_of_children_-_Being_chosen_by_the_Divine_-_True_hierarchy_-_Perfect_relation_with_the_Divine_-_India_free_in_1915
1956-01-25_-_The_divine_way_of_life_-_Divine,_Overmind,_Supermind_-_Material_body__for_discovery_of_the_Divine_-_Five_psychological_perfections
1956-02-01_-_Path_of_knowledge_-_Finding_the_Divine_in_life_-_Capacity_for_contact_with_the_Divine_-_Partial_and_total_identification_with_the_Divine_-_Manifestation_and_hierarchy
1956-02-08_-_Forces_of_Nature_expressing_a_higher_Will_-_Illusion_of_separate_personality_-_One_dynamic_force_which_moves_all_things_-_Linear_and_spherical_thinking_-_Common_ideal_of_life,_microscopic
1956-02-15_-_Nature_and_the_Master_of_Nature_-_Conscious_intelligence_-_Theory_of_the_Gita,_not_the_whole_truth_-_Surrender_to_the_Lord_-_Change_of_nature
1956-02-22_-_Strong_immobility_of_an_immortal_spirit_-_Equality_of_soul_-_Is_all_an_expression_of_the_divine_Will?_-_Loosening_the_knot_of_action_-_Using_experience_as_a_cloak_to_cover_excesses_-_Sincerity,_a_rare_virtue
1956-02-29_-_Sacrifice,_self-giving_-_Divine_Presence_in_the_heart_of_Matter_-_Divine_Oneness_-_Divine_Consciousness_-_All_is_One_-_Divine_in_the_inconscient_aspires_for_the_Divine
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-03-14_-_Dynamic_meditation_-_Do_all_as_an_offering_to_the_Divine_-_Significance_of_23.4.56._-_If_twelve_men_of_goodwill_call_the_Divine
1956-03-21_-_Identify_with_the_Divine_-_The_Divine,_the_most_important_thing_in_life
1956-03-28_-_The_starting-point_of_spiritual_experience_-_The_boundless_finite_-_The_Timeless_and_Time_-_Mental_explanation_not_enough_-_Changing_knowledge_into_experience_-_Sat-Chit-Tapas-Ananda
1956-04-04_-_The_witness_soul_-_A_Gita_enthusiast_-_Propagandist_spirit,_Tolstoys_son
1956-04-11_-_Self-creator_-_Manifestation_of_Time_and_Space_-_Brahman-Maya_and_Ishwara-Shakti_-_Personal_and_Impersonal
1956-04-18_-_Ishwara_and_Shakti,_seeing_both_aspects_-_The_Impersonal_and_the_divine_Person_-_Soul,_the_presence_of_the_divine_Person_-_Going_to_other_worlds,_exteriorisation,_dreams_-_Telling_stories_to_oneself
1956-04-25_-_God,_human_conception_and_the_true_Divine_-_Earthly_existence,_to_realise_the_Divine_-_Ananda,_divine_pleasure_-_Relations_with_the_divine_Presence_-_Asking_the_Divine_for_what_one_needs_-_Allowing_the_Divine_to_lead_one
1956-05-02_-_Threefold_union_-_Manifestation_of_the_Supramental_-_Profiting_from_the_Divine_-_Recognition_of_the_Supramental_Force_-_Ascent,_descent,_manifestation
1956-05-09_-_Beginning_of_the_true_spiritual_life_-_Spirit_gives_value_to_all_things_-_To_be_helped_by_the_supramental_Force
1956-05-16_-_Needs_of_the_body,_not_true_in_themselves_-_Spiritual_and_supramental_law_-_Aestheticised_Paganism_-_Morality,_checks_true_spiritual_effort_-_Effect_of_supramental_descent_-_Half-lights_and_false_lights
1956-05-23_-_Yoga_and_religion_-_Story_of_two_clergymen_on_a_boat_-_The_Buddha_and_the_Supramental_-_Hieroglyphs_and_phonetic_alphabets_-_A_vision_of_ancient_Egypt_-_Memory_for_sounds
1956-05-30_-_Forms_as_symbols_of_the_Force_behind_-_Art_as_expression_of_contact_with_the_Divine_-_Supramental_psychological_perfection_-_Division_of_works_-_The_Ashram,_idle_stupidities
1956-06-06_-_Sign_or_indication_from_books_of_revelation_-_Spiritualised_mind_-_Stages_of_sadhana_-_Reversal_of_consciousness_-_Organisation_around_central_Presence_-_Boredom,_most_common_human_malady
1956-06-13_-_Effects_of_the_Supramental_action_-_Education_and_the_Supermind_-_Right_to_remain_ignorant_-_Concentration_of_mind_-_Reason,_not_supreme_capacity_-_Physical_education_and_studies_-_inner_discipline_-_True_usefulness_of_teachers
1956-06-20_-_Hearts_mystic_light,_intuition_-_Psychic_being,_contact_-_Secular_ethics_-_True_role_of_mind_-_Realise_the_Divine_by_love_-_Depression,_pleasure,_joy_-_Heart_mixture_-_To_follow_the_soul_-_Physical_process_-_remember_the_Mother
1956-06-27_-_Birth,_entry_of_soul_into_body_-_Formation_of_the_supramental_world_-_Aspiration_for_progress_-_Bad_thoughts_-_Cerebral_filter_-_Progress_and_resistance
1956-07-04_-_Aspiration_when_one_sees_a_shooting_star_-_Preparing_the_bodyn_making_it_understand_-_Getting_rid_of_pain_and_suffering_-_Psychic_light
1956-07-11_-_Beauty_restored_to_its_priesthood_-_Occult_worlds,_occult_beings_-_Difficulties_and_the_supramental_force
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-07-25_-_A_complete_act_of_divine_love_-_How_to_listen_-_Sports_programme_same_for_boys_and_girls_-_How_to_profit_by_stay_at_Ashram_-_To_Women_about_Their_Body
1956-08-01_-_Value_of_worship_-_Spiritual_realisation_and_the_integral_yoga_-_Symbols,_translation_of_experience_into_form_-_Sincerity,_fundamental_virtue_-_Intensity_of_aspiration,_with_anguish_or_joy_-_The_divine_Grace
1956-08-08_-_How_to_light_the_psychic_fire,_will_for_progress_-_Helping_from_a_distance,_mental_formations_-_Prayer_and_the_divine_-_Grace_Grace_at_work_everywhere
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1956-08-22_-_The_heaven_of_the_liberated_mind_-_Trance_or_samadhi_-_Occult_discipline_for_leaving_consecutive_bodies_-_To_be_greater_than_ones_experience_-_Total_self-giving_to_the_Grace_-_The_truth_of_the_being_-_Unique_relation_with_the_Supreme
1956-08-29_-_To_live_spontaneously_-_Mental_formations_Absolute_sincerity_-_Balance_is_indispensable,_the_middle_path_-_When_in_difficulty,_widen_the_consciousness_-_Easiest_way_of_forgetting_oneself
1956-09-05_-_Material_life,_seeing_in_the_right_way_-_Effect_of_the_Supermind_on_the_earth_-_Emergence_of_the_Supermind_-_Falling_back_into_the_same_mistaken_ways
1956-09-12_-_Questions,_practice_and_progress
1956-09-19_-_Power,_predominant_quality_of_vital_being_-_The_Divine,_the_psychic_being,_the_Supermind_-_How_to_come_out_of_the_physical_consciousness_-_Look_life_in_the_face_-_Ordinary_love_and_Divine_love
1956-09-26_-_Soul_of_desire_-_Openness,_harmony_with_Nature_-_Communion_with_divine_Presence_-_Individuality,_difficulties,_soul_of_desire_-_personal_contact_with_the_Mother_-_Inner_receptivity_-_Bad_thoughts_before_the_Mother
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-10-17_-_Delight,_the_highest_state_-_Delight_and_detachment_-_To_be_calm_-_Quietude,_mental_and_vital_-_Calm_and_strength_-_Experience_and_expression_of_experience
1956-10-24_-_Taking_a_new_body_-_Different_cases_of_incarnation_-_Departure_of_soul_from_body
1956-10-31_-_Manifestation_of_divine_love_-_Deformation_of_Love_by_human_consciousness_-_Experience_and_expression_of_experience
1956-11-07_-_Thoughts_created_by_forces_of_universal_-_Mind_Our_own_thought_hardly_exists_-_Idea,_origin_higher_than_mind_-_The_Synthesis_of_Yoga,_effect_of_reading
1956-11-14_-_Conquering_the_desire_to_appear_good_-_Self-control_and_control_of_the_life_around_-_Power_of_mastery_-_Be_a_great_yogi_to_be_a_good_teacher_-_Organisation_of_the_Ashram_school_-_Elementary_discipline_of_regularity
1956-11-21_-_Knowings_and_Knowledge_-_Reason,_summit_of_mans_mental_activities_-_Willings_and_the_true_will_-_Personal_effort_-_First_step_to_have_knowledge_-_Relativity_of_medical_knowledge_-_Mental_gymnastics_make_the_mind_supple
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-05_-_Even_and_objectless_ecstasy_-_Transform_the_animal_-_Individual_personality_and_world-personality_-_Characteristic_features_of_a_world-personality_-_Expressing_a_universal_state_of_consciousness_-_Food_and_sleep_-_Ordered_intuition
1956-12-12_-_paradoxes_-_Nothing_impossible_-_unfolding_universe,_the_Eternal_-_Attention,_concentration,_effort_-_growth_capacity_almost_unlimited_-_Why_things_are_not_the_same_-_will_and_willings_-_Suggestions,_formations_-_vital_world
1956-12-19_-_Preconceived_mental_ideas_-_Process_of_creation_-_Destructive_power_of_bad_thoughts_-_To_be_perfectly_sincere
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-02_-_Can_one_go_out_of_time_and_space?_-_Not_a_crucified_but_a_glorified_body_-_Individual_effort_and_the_new_force
1957-01-09_-_God_is_essentially_Delight_-_God_and_Nature_play_at_hide-and-seek_-__Why,_and_when,_are_you_grave?
1957-01-16_-_Seeking_something_without_knowing_it_-_Why_are_we_here?
1957-01-23_-_How_should_we_understand_pure_delight?_-_The_drop_of_honey_-_Action_of_the_Divine_Will_in_the_world
1957-01-30_-_Artistry_is_just_contrast_-_How_to_perceive_the_Divine_Guidance?
1957-02-06_-_Death,_need_of_progress_-_Changing_Natures_methods
1957-02-07_-_Individual_and_collective_meditation
1957-02-13_-_Suffering,_pain_and_pleasure_-_Illness_and_its_cure
1957-02-20_-_Limitations_of_the_body_and_individuality
1957-03-06_-_Freedom,_servitude_and_love
1957-03-08_-_A_Buddhist_story
1957-03-13_-_Our_best_friend
1957-03-15_-_Reminiscences_of_Tlemcen
1957-03-20_-_Never_sit_down,_true_repose
1957-03-22_-_A_story_of_initiation,_knowledge_and_practice
1957-03-27_-_If_only_humanity_consented_to_be_spiritualised
1957-04-03_-_Different_religions_and_spirituality
1957-04-10_-_Sports_and_yoga_-_Organising_ones_life
1957-04-17_-_Transformation_of_the_body
1957-04-24_-_Perfection,_lower_and_higher
1957-05-01_-_Sports_competitions,_their_value
1957-05-08_-_Vital_excitement,_reason,_instinct
1957-05-15_-_Differentiation_of_the_sexes_-_Transformation_from_above_downwards
1957-05-29_-_Progressive_transformation
1957-06-05_-_Questions_and_silence_-_Methods_of_meditation
1957-06-12_-_Fasting_and_spiritual_progress
1957-06-19_-_Causes_of_illness_Fear_and_illness_-_Minds_working,_faith_and_illness
1957-06-26_-_Birth_through_direct_transmutation_-_Man_and_woman_-_Judging_others_-_divine_Presence_in_all_-_New_birth
1957-07-03_-_Collective_yoga,_vision_of_a_huge_hotel
1957-07-09_-_Incontinence_of_speech
1957-07-10_-_A_new_world_is_born_-_Overmind_creation_dissolved
1957-07-17_-_Power_of_conscious_will_over_matter
1957-07-24_-_The_involved_supermind_-_The_new_world_and_the_old_-_Will_for_progress_indispensable
1957-07-31_-_Awakening_aspiration_in_the_body
1957-08-07_-_The_resistances,_politics_and_money_-_Aspiration_to_realise_the_supramental_life
1957-08-14_-_Meditation_on_Sri_Aurobindo
1957-08-21_-_The_Ashram_and_true_communal_life_-_Level_of_consciousness_in_the_Ashram
1957-08-28_-_Freedom_and_Divine_Will
1957-09-04_-_Sri_Aurobindo,_an_eternal_birth
1957-09-11_-_Vital_chemistry,_attraction_and_repulsion
1957-09-18_-_Occultism_and_supramental_life
1957-09-25_-_Preparation_of_the_intermediate_being
1957-10-02_-_The_Mind_of_Light_-_Statues_of_the_Buddha_-_Burden_of_the_past
1957-10-09_-_As_many_universes_as_individuals_-_Passage_to_the_higher_hemisphere
1957-10-16_-_Story_of_successive_involutions
1957-10-23_-_The_central_motive_of_terrestrial_existence_-_Evolution
1957-10-30_-_Double_movement_of_evolution_-_Disappearance_of_a_species
1957-11-13_-_Superiority_of_man_over_animal_-_Consciousness_precedes_form
1957-11-27_-_Sri_Aurobindos_method_in_The_Life_Divine_-_Individual_and_cosmic_evolution
1957-12-04_-_The_method_of_The_Life_Divine_-_Problem_of_emergence_of_a_new_species
1957-12-11_-_Appearance_of_the_first_men
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1958-01-01_-_The_collaboration_of_material_Nature_-_Miracles_visible_to_a_deep_vision_of_things_-_Explanation_of_New_Year_Message
1958-01-08_-_Sri_Aurobindos_method_of_exposition_-_The_mind_as_a_public_place_-_Mental_control_-_Sri_Aurobindos_subtle_hand
1958-01-15_-_The_only_unshakable_point_of_support
1958-01-22_-_Intellectual_theories_-_Expressing_a_living_and_real_Truth
1958-01-29_-_The_plan_of_the_universe_-_Self-awareness
1958-02-05_-_The_great_voyage_of_the_Supreme_-_Freedom_and_determinism
1958-02-12_-_Psychic_progress_from_life_to_life_-_The_earth,_the_place_of_progress
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-02-26_-_The_moon_and_the_stars_-_Horoscopes_and_yoga
1958-03-05_-_Vibrations_and_words_-_Power_of_thought,_the_gift_of_tongues
1958-03-12_-_The_key_of_past_transformations
1958-03-19_-_General_tension_in_humanity_-_Peace_and_progress_-_Perversion_and_vision_of_transformation
1958-03-26_-_Mental_anxiety_and_trust_in_spiritual_power
1958-04-02_-_Correcting_a_mistake
1958-04-09_-_The_eyes_of_the_soul_-_Perceiving_the_soul
1958-04-16_-_The_superman_-_New_realisation
1958-04-23_-_Progress_and_bargaining
1958-04-30_-_Mental_constructions_and_experience
1958-05-07_-_The_secret_of_Nature
1958-05-14_-_Intellectual_activity_and_subtle_knowing_-_Understanding_with_the_body
1958-05-21_-_Mental_honesty
1958-05-28_-_The_Avatar
1958-06-04_-_New_birth
1958-06-11_-_Is_there_a_spiritual_being_in_everybody?
1958-06-18_-_Philosophy,_religion,_occultism,_spirituality
1958-06-25_-_Sadhana_in_the_body
1958-07-09_-_Faith_and_personal_effort
1958-07-16_-_Is_religion_a_necessity?
1958-07-23_-_How_to_develop_intuition_-_Concentration
1958-07-30_-_The_planchette_-_automatic_writing_-_Proofs_and_knowledge
1958-08-06_-_Collective_prayer_-_the_ideal_collectivity
1958-08-13_-_Profit_by_staying_in_the_Ashram_-_What_Sri_Aurobindo_has_come_to_tell_us_-_Finding_the_Divine
1958-08-15_-_Our_relation_with_the_Gods
1958-08-27_-_Meditation_and_imagination_-_From_thought_to_idea,_from_idea_to_principle
1958-09-03_-_How_to_discipline_the_imagination_-_Mental_formations
1958-09-10_-_Magic,_occultism,_physical_science
1958_09_12
1958-09-17_-_Power_of_formulating_experience_-_Usefulness_of_mental_development
1958_09_19
1958-09-24_-_Living_the_truth_-_Words_and_experience
1958_09_26
1958-10-01_-_The_ideal_of_moral_perfection
1958_10_03
1958-10-08_-_Stages_between_man_and_superman
1958_10_10
1958_10_17
1958-10-22_-_Spiritual_life_-_reversal_of_consciousness_-_Helping_others
1958_10_24
1958-10-29_-_Mental_self-sufficiency_-_Grace
1958-11-05_-_Knowing_how_to_be_silent
1958_11_07
1958-11-12_-_The_aim_of_the_Supreme_-_Trust_in_the_Grace
1958_11_14
1958_11_21
1958-11-26_-_The_role_of_the_Spirit_-_New_birth
1958_11_28
1958_12_05
1960_01_05
1960_01_12
1960_01_20
1960_01_27
1960_02_03
1960_02_10
1960_02_17
1960_02_24
1960_03_02
1960_03_09
1960_03_16
1960_03_23
1960_03_30
1960_04_06
1960_04_07?_-_28
1960_04_20
1960_04_27
1960_05_04
1960_05_11
1960_05_18
1960_05_25
1960_06_03
1960_06_08
1960_06_16
1960_06_22
1960_06_29
1960_07_06
1960_07_13
1960_07_19
1960_08_24
1960_08_27
1960_10_24
1960_11_10
1960_11_11?_-_48
1960_11_12?_-_49
1960_11_13?_-_50
1960_11_14?_-_51
1961_01_18
1961_01_28
1961_02_02
1961_03_11_-_58
1961_03_17_-_56
1961_03_17_-_57
1961_04_26_-_59
1961_05_04_-_60
1961_05_20
1961_05_21?_-_62
1961_05_22?
1961_07_18
1961_07_27
1962_01_12
1962_01_21
1962_02_03
1962_02_27
1962_02_28?_-_73
1962_05_24
1962_10_06
1962_10_12
1963_01_14
1963_03_06
1963_05_15
1963_08_10
1963_08_11?_-_94
1963_11_04
1963_11_05?_-_96
1963_11_06?_-_97
1964_02_05
1964_02_05_-_98
1964_02_06?_-_99
1964_03_25
1964_09_16
1965_01_12
1965_03_03
1965_05_29
1965_09_25
1965_12_25
1965_12_26?
1966_07_06
1966_09_14
1969_08_03
1969_08_05
1969_08_07
1969_08_09
1969_08_14
1969_08_15?_-_133
1969_08_19
1969_08_21
1969_08_28
1969_08_30_-_139
1969_08_30_-_140
1969_08_31_-_141
1969_09_01_-_142
1969_09_04_-_143
1969_09_07_-_145
1969_09_14
1969_09_17
1969_09_18
1969_09_22
1969_09_23
1969_09_26
1969_09_27
1969_09_29
1969_09_30
1969_09_31?_-_165
1969_10_01?_-_166
1969_10_06
1969_10_07
1969_10_10
1969_10_13
1969_10_15
1969_10_17
1969_10_18
1969_10_19
1969_10_21
1969_10_23
1969_10_24
1969_10_28
1969_10_29
1969_10_30
1969_10_31
1969_11_07
1969_11_08?
1969_11_13
1969_11_15
1969_11_16
1969_11_18
1969_11_24
1969_11_25
1969_11_26
1969_11_27?
1969_12_01
1969_12_03
1969_12_04
1969_12_05
1969_12_07
1969_12_08
1969_12_09
1969_12_11
1969_12_13
1969_12_14
1969_12_15
1969_12_17
1969_12_18
1969_12_21
1969_12_22
1969_12_23
1969_12_26
1969_12_28
1969_12_29?
1969_12_31
1970_01_01
1970_01_03
1970_01_04
1970_01_06
1970_01_07
1970_01_08
1970_01_09
1970_01_10
1970_01_12
1970_01_13?
1970_01_15
1970_01_17
1970_01_20
1970_01_21
1970_01_22
1970_01_23
1970_01_24
1970_01_25
1970_01_26
1970_01_27
1970_01_28
1970_01_29
1970_01_30
1970_02_01
1970_02_02
1970_02_04
1970_02_05
1970_02_07
1970_02_08
1970_02_09
1970_02_10
1970_02_11
1970_02_12
1970_02_13
1970_02_16
1970_02_17
1970_02_18
1970_02_19
1970_02_20
1970_02_23
1970_02_25
1970_02_26
1970_02_27?
1970_03_02
1970_03_03
1970_03_05
1970_03_06?
1970_03_09
1970_03_10
1970_03_11
1970_03_12
1970_03_13
1970_03_14
1970_03_15
1970_03_17
1970_03_18
1970_03_19?
1970_03_21
1970_03_24
1970_03_25
1970_03_27
1970_03_29
1970_03_30
1970_04_01
1970_04_02
1970_04_03
1970_04_04
1970_04_06
1970_04_07
1970_04_08
1970_04_09
1970_04_10
1970_04_11
1970_04_12
1970_04_13
1970_04_14
1970_04_15
1970_04_17
1970_04_18
1970_04_19_-_484
1970_04_20_-_485
1970_04_21_-_490
1970_04_22_-_482
1970_04_22_-_493
1970_04_23_-_495
1970_04_24_-_497
1970_04_28
1970_04_29
1970_04_30
1970_05_01
1970_05_02
1970_05_03?
1970_05_12
1970_05_13?
1970_05_15
1970_05_16
1970_05_17
1970_05_21
1970_05_22
1970_05_23
1970_05_24
1970_05_25
1970_05_28
1970_06_01
1970_06_02
1970_06_03
1970_06_04
1970_06_05
1970_06_06
1970_06_07
1970_06_08_-_538
1970_06_08_-_541
1971_12_11
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_A_Birthday
1.ac_-_Adela
1.ac_-_An_Oath
1.ac_-_At_Sea
1.ac_-_Au_Bal
1.ac_-_Colophon
1.ac_-_Happy_Dust
1.ac_-_Independence
1.ac_-_Leah_Sublime
1.ac_-_Logos
1.ac_-_Lyric_of_Love_to_Leah
1.ac_-_On_-_On_-_Poet
1.ac_-_Optimist
1.ac_-_Power
1.ac_-_Prologue_to_Rodin_in_Rime
1.ac_-_The_Atheist
1.ac_-_The_Buddhist
1.ac_-_The_Disciples
1.ac_-_The_Five_Adorations
1.ac_-_The_Four_Winds
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Hawk_and_the_Babe
1.ac_-_The_Hermit
1.ac_-_The_Interpreter
1.ac_-_The_Ladder
1.ac_-_The_Mantra-Yoga
1.ac_-_The_Neophyte
1.ac_-_The_Pentagram
1.ac_-_The_Priestess_of_Panormita
1.ac_-_The_Quest
1.ac_-_The_Rose_and_the_Cross
1.ac_-_The_Tent
1.ac_-_The_Titanic
1.ac_-_The_Twins
1.ac_-_The_Wizard_Way
1.ac_-_Ut
1.ad_-_O_Christ,_protect_me!
1.ala_-_I_had_supposed_that,_having_passed_away
1.ami_-_Bright_are_Thy_tresses,_brighten_them_even_more_(from_Baal-i-Jibreel)
1.ami_-_O_Cup-bearer!_Give_me_again_that_wine_of_love_for_Thee_(from_Baal-i-Jibreel)
1.ami_-_O_wave!_Plunge_headlong_into_the_dark_seas_(from_Baal-i-Jibreel)
1.ami_-_Selfhood_can_demolish_the_magic_of_this_world_(from_Baal-i-Jibreel)
1.ami_-_The_secret_divine_my_ecstasy_has_taught_(from_Baal-i-Jibreel)
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_A_drum_beats
1.anon_-_But_little_better
1.anon_-_Eightfold_Fence.
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_If_this_were_a_world
1.anon_-_Less_profitable
1.anon_-_My_body,_in_its_withering
1.anon_-_Others_have_told_me
1.anon_-_Plucking_the_Rushes
1.anon_-_Song_of_Creation
1.anon_-_The_Epic_of_Gilgamesh_Tablet_II
1.anon_-_The_Epic_of_Gilgamesh_Tablet_III
1.anon_-_The_Epic_of_Gilgamesh_Tablet_IV
1.anon_-_The_Epic_of_Gilgamesh_TabletIX
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VIII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_X
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1.anon_-_The_Poem_of_Antar
1.anon_-_The_Poem_of_Imru-Ul-Quais
1.anon_-_The_Seven_Evil_Spirits
1.anon_-_The_Song_of_Songs
1.ap_-_The_Universal_Prayer
1.asak_-_A_pious_one_with_a_hundred_beads_on_your_rosary
1.asak_-_Beg_for_Love
1.asak_-_Detached_You_are,_even_from_your_being
1.asak_-_If_you_do_not_give_up_the_crowds
1.asak_-_If_you_keep_seeking_the_jewel_of_understanding
1.asak_-_In_my_heart_Thou_dwellest--else_with_blood_Ill_drench_it
1.asak_-_In_the_school_of_mind_you
1.asak_-_Love_came
1.asak_-_Love_came_and_emptied_me_of_self
1.asak_-_Mansoor,_that_whale_of_the_Oceans_of_Love
1.asak_-_My_Beloved-_dont_be_heartless_with_me
1.asak_-_My_Beloved-_this_torture_and_pain
1.asak_-_Nothing_but_burning_sobs_and_tears_tonight
1.asak_-_On_Unitys_Way
1.asak_-_Piousness_and_the_path_of_love
1.asak_-_Rise_early_at_dawn,_when_our_storytelling_begins
1.asak_-_Sorrow_looted_this_heart
1.asak_-_The_day_Love_was_illumined
1.asak_-_The_sum_total_of_our_life_is_a_breath
1.asak_-_This_is_My_Face,_said_the_Beloved
1.asak_-_Though_burning_has_become_an_old_habit_for_this_heart
1.asak_-_Whatever_road_we_take_to_You,_Joy
1.asak_-_When_the_desire_for_the_Friend_became_real
1.at_-_And_Galahad_fled_along_them_bridge_by_bridge_(from_The_Holy_Grail)
1.at_-_Crossing_the_Bar
1.at_-_Flower_in_the_crannied_wall
1.at_-_If_thou_wouldst_hear_the_Nameless_(from_The_Ancient_Sage)
1.at_-_St._Agnes_Eve
1.at_-_The_Higher_Pantheism
1.at_-_The_Human_Cry
1.bd_-_A_deluded_Mind
1.bd_-_Endless_Ages
1.bd_-_The_Greatest_Gift
1.bd_-_You_may_enter
1.bni_-_Raga_Ramkali
1.bs_-_Bulleh_has_no_identity
1.bs_-_Bulleh!_to_me,_I_am_not_known
1.bs_-_Chanting,_chanting_the_Beloveds_name
1.bsf_-_Do_not_speak_a_hurtful_word
1.bsf_-_Fathom_the_ocean
1.bsf_-_For_evil_give_good
1.bsf_-_His_grace_may_fall_upon_us_at_anytime
1.bsf_-_I_thought_I_was_alone_who_suffered
1.bsf_-_Like_a_deep_sea
1.bsf_-_On_the_bank_of_a_pool_in_the_moor
1.bsf_-_Raga_Asa
1.bsf_-_The_lanes_are_muddy_and_far_is_the_house
1.bsf_-_Turn_cheek
1.bsf_-_Wear_whatever_clothes_you_must
1.bsf_-_Why_do_you_roam_the_jungles?
1.bsf_-_You_are_my_protection_O_Lord
1.bsf_-_You_must_fathom_the_ocean
1.bs_-_He_Who_is_Stricken_by_Love
1.bs_-_If_the_divine_is_found_through_ablutions
1.bs_-_I_have_been_pierced_by_the_arrow_of_love,_what_shall_I_do?
1.bs_-_I_have_got_lost_in_the_city_of_love
1.bs_-_Look_into_Yourself
1.bs_-_Love_Springs_Eternal
1.bs_-_One_Point_Contains_All
1.bs_-_One_Thread_Only
1.bs_-_Remove_duality_and_do_away_with_all_disputes
1.bs_-_Seek_the_spirit,_forget_the_form
1.bs_-_The_moment_I_bowed_down
1.bs_-_The_preacher_and_the_torch_bearer
1.bs_-_The_soil_is_in_ferment,_O_friend
1.bs_-_this_love_--_O_Bulleh_--_tormenting,_unique
1.bsv_-_Dont_make_me_hear_all_day
1.bsv_-_Make_of_my_body_the_beam_of_a_lute
1.bsv_-_The_eating_bowl_is_not_one_bronze
1.bsv_-_The_pot_is_a_God
1.bsv_-_The_Temple_and_the_Body
1.bsv_-_The_waters_of_joy
1.bsv_-_Where_they_feed_the_fire
1.bs_-_What_a_carefree_game_He_plays!
1.bs_-_You_alone_exist-_I_do_not,_O_Beloved!
1.bs_-_Your_love_has_made_me_dance_all_over
1.bs_-_Your_passion_stirs_me
1.bts_-_Invocation
1.bts_-_Love_is_Lord_of_All
1.bts_-_The_Bent_of_Nature
1.bts_-_The_Mists_Dispelled
1.bts_-_The_Souls_Flight
1.bv_-_When_I_see_the_lark_beating
1.cj_-_Inscribed_on_the_Wall_of_the_Hut_by_the_Lake
1.cj_-_To_Be_Shown_to_the_Monks_at_a_Certain_Temple
1.cllg_-_A_Dance_of_Unwavering_Devotion
1.cs_-_Consumed_in_Grace
1.cs_-_We_were_enclosed_(from_Prayer_20)
1.ct_-_Creation_and_Destruction
1.ct_-_Distinguishing_Ego_from_Self
1.ct_-_Goods_and_Possessions
1.ct_-_Letting_go_of_thoughts
1.ct_-_One_Legged_Man
1.ct_-_Surrendering
1.da_-_All_Being_within_this_order,_by_the_laws_(from_The_Paradiso,_Canto_I)
1.da_-_And_as_a_ray_descending_from_the_sky_(from_The_Paradiso,_Canto_I)
1.da_-_Lead_us_up_beyond_light
1.da_-_The_glory_of_Him_who_moves_all_things_rays_forth_(from_The_Paradiso,_Canto_I)
1.da_-_The_love_of_God,_unutterable_and_perfect
1.dd_-_As_many_as_are_the_waves_of_the_sea
1.dd_-_So_priceless_is_the_birth,_O_brother
1.dd_-_The_Creator_Plays_His_Cosmic_Instrument_In_Perfect_Harmony
1.dz_-_A_Zen_monk_asked_for_a_verse_-
1.dz_-_Ching-chings_raindrop_sound
1.dz_-_Coming_or_Going
1.dz_-_Enlightenment_is_like_the_moon
1.dz_-_Impermanence
1.dz_-_In_the_stream
1.dz_-_I_wont_even_stop
1.dz_-_Joyful_in_this_mountain_retreat
1.dz_-_Like_tangled_hair
1.dz_-_One_of_fifteen_verses_on_Dogens_mountain_retreat
1.dz_-_One_of_six_verses_composed_in_Anyoin_Temple_in_Fukakusa,_1230
1.dz_-_On_Non-Dependence_of_Mind
1.dz_-_The_track_of_the_swan_through_the_sky
1.dz_-_The_Western_Patriarchs_doctrine_is_transplanted!
1.dz_-_The_whirlwind_of_birth_and_death
1.dz_-_Treading_along_in_this_dreamlike,_illusory_realm
1.dz_-_True_person_manifest_throughout_the_ten_quarters_of_the_world
1.dz_-_Viewing_Peach_Blossoms_and_Realizing_the_Way
1.dz_-_Wonderous_nirvana-mind
1.dz_-_Worship
1.dz_-_Zazen
1.ey_-_Socrates
1.fcn_-_a_dandelion
1.fcn_-_Airing_out_kimonos
1.fcn_-_cool_clear_water
1.fcn_-_From_the_mind
1.fcn_-_hands_drop
1.fcn_-_loneliness
1.fcn_-_on_the_road
1.fcn_-_skylark_in_the_heavens
1.fcn_-_spring_rain
1.fcn_-_To_the_one_breaking_it
1.fcn_-_whatever_I_pick_up
1.fcn_-_without_a_voice
1f.lovecraft_-_A_Reminiscence_of_Dr._Samuel_Johnson
1f.lovecraft_-_Ashes
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Azathoth
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Celephais
1f.lovecraft_-_Collapsing_Cosmoses
1f.lovecraft_-_Cool_Air
1f.lovecraft_-_Dagon
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Discarded_Draft_of
1f.lovecraft_-_Ex_Oblivione
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_From_Beyond
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_H.P._Lovecrafts
1f.lovecraft_-_Hypnos
1f.lovecraft_-_Ibid
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Memory
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Old_Bugs
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Polaris
1f.lovecraft_-_Sweet_Ermengarde
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Battle_that_Ended_the_Century
1f.lovecraft_-_The_Beast_in_the_Cave
1f.lovecraft_-_The_Book
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Cats_of_Ulthar
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Descendant
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Evil_Clergyman
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Ghost-Eater
1f.lovecraft_-_The_Green_Meadow
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Martins_Beach
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Little_Glass_Bottle
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Music_of_Erich_Zann
1f.lovecraft_-_The_Mysterious_Ship
1f.lovecraft_-_The_Mystery_of_the_Grave-Yard
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Slaying_of_the_Monster
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Terrible_Old_Man
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Tomb
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Tree_on_the_Hill
1f.lovecraft_-_The_Unnamable
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Two_Black_Bottles
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_What_the_Moon_Brings
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Amalia
1.fs_-_A_Peculiar_Ideal
1.fs_-_A_Problem
1.fs_-_Archimedes
1.fs_-_Astronomical_Writings
1.fs_-_Beauteous_Individuality
1.fs_-_Breadth_And_Depth
1.fs_-_Carthage
1.fs_-_Cassandra
1.fs_-_Columbus
1.fs_-_Count_Eberhard,_The_Groaner_Of_Wurtembert._A_War_Song
1.fs_-_Dangerous_Consequences
1.fs_-_Difference_Of_Station
1.fs_-_Different_Destinies
1.fs_-_Dithyramb
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_Elysium
1.fs_-_Evening
1.fs_-_Fame_And_Duty
1.fs_-_Fantasie_--_To_Laura
1.fs_-_Feast_Of_Victory
1.fs_-_Female_Judgment
1.fs_-_Fortune_And_Wisdom
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Friend_And_Foe
1.fs_-_Friendship
1.fs_-_Geniality
1.fs_-_Genius
1.fs_-_German_Faith
1.fs_-_Germany_And_Her_Princes
1.fs_-_Greekism
1.fs_-_Group_From_Tartarus
1.fs_-_Hero_And_Leander
1.fs_-_Honors
1.fs_-_Honor_To_Woman
1.fs_-_Hope
1.fs_-_Human_Knowledge
1.fs_-_Hymn_To_Joy
1.fs_-_Inside_And_Outside
1.fs_-_Jove_To_Hercules
1.fs_-_Light_And_Warmth
1.fs_-_Longing
1.fs_-_Love_And_Desire
1.fs_-_Majestas_Populi
1.fs_-_Melancholy_--_To_Laura
1.fs_-_My_Antipathy
1.fs_-_My_Faith
1.fs_-_Nadowessian_Death-Lament
1.fs_-_Naenia
1.fs_-_Ode_an_die_Freude
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_Odysseus
1.fs_-_Parables_And_Riddles
1.fs_-_Participation
1.fs_-_Political_Precept
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Punch_Song
1.fs_-_Punch_Song_(To_be_sung_in_the_Northern_Countries)
1.fs_-_Rapture_--_To_Laura
1.fs_-_Resignation
1.fs_-_Rousseau
1.fs_-_Shakespeare's_Ghost_-_A_Parody
1.fs_-_The_Agreement
1.fs_-_The_Alpine_Hunter
1.fs_-_The_Animating_Principle
1.fs_-_The_Antiques_At_Paris
1.fs_-_The_Antique_To_The_Northern_Wanderer
1.fs_-_The_Artists
1.fs_-_The_Assignation
1.fs_-_The_Bards_Of_Olden_Time
1.fs_-_The_Battle
1.fs_-_The_Best_State
1.fs_-_The_Best_State_Constitution
1.fs_-_The_Celebrated_Woman_-_An_Epistle_By_A_Married_Man
1.fs_-_The_Circle_Of_Nature
1.fs_-_The_Complaint_Of_Ceres
1.fs_-_The_Conflict
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Dance
1.fs_-_The_Difficult_Union
1.fs_-_The_Division_Of_The_Earth
1.fs_-_The_Driver
1.fs_-_The_Duty_Of_All
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fairest_Apparition
1.fs_-_The_Favor_Of_The_Moment
1.fs_-_The_Fight_With_The_Dragon
1.fs_-_The_Flowers
1.fs_-_The_Fortune-Favored
1.fs_-_The_Forum_Of_Woman
1.fs_-_The_Four_Ages_Of_The_World
1.fs_-_The_Fugitive
1.fs_-_The_Genius_With_The_Inverted_Torch
1.fs_-_The_German_Art
1.fs_-_The_Glove_-_A_Tale
1.fs_-_The_Gods_Of_Greece
1.fs_-_The_Greatness_Of_The_World
1.fs_-_The_Honorable
1.fs_-_The_Hostage
1.fs_-_The_Ideal_And_The_Actual_Life
1.fs_-_The_Ideals
1.fs_-_The_Iliad
1.fs_-_The_Imitator
1.fs_-_The_Immutable
1.fs_-_The_Infanticide
1.fs_-_The_Invincible_Armada
1.fs_-_The_Key
1.fs_-_Thekla_-_A_Spirit_Voice
1.fs_-_The_Knight_Of_Toggenburg
1.fs_-_The_Knights_Of_St._John
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Lay_Of_The_Mountain
1.fs_-_The_Learned_Workman
1.fs_-_The_Maiden_From_Afar
1.fs_-_The_Maiden's_Lament
1.fs_-_The_Maid_Of_Orleans
1.fs_-_The_Meeting
1.fs_-_The_Merchant
1.fs_-_The_Moral_Force
1.fs_-_The_Observer
1.fs_-_The_Philosophical_Egotist
1.fs_-_The_Pilgrim
1.fs_-_The_Playing_Infant
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Power_Of_Song
1.fs_-_The_Power_Of_Woman
1.fs_-_The_Present_Generation
1.fs_-_The_Proverbs_Of_Confucius
1.fs_-_The_Ring_Of_Polycrates_-_A_Ballad
1.fs_-_The_Secret
1.fs_-_The_Sexes
1.fs_-_The_Sower
1.fs_-_The_Triumph_Of_Love
1.fs_-_The_Two_Guides_Of_Life_-_The_Sublime_And_The_Beautiful
1.fs_-_The_Two_Paths_Of_Virtue
1.fs_-_The_Veiled_Statue_At_Sais
1.fs_-_The_Virtue_Of_Woman
1.fs_-_The_Walk
1.fs_-_The_Words_Of_Belief
1.fs_-_The_Words_Of_Error
1.fs_-_The_Youth_By_The_Brook
1.fs_-_To_A_Moralist
1.fs_-_To_Astronomers
1.fs_-_To_A_World-Reformer
1.fs_-_To_Emma
1.fs_-_To_Laura_At_The_Harpsichord
1.fs_-_To_Laura_(Mystery_Of_Reminiscence)
1.fs_-_To_Minna
1.fs_-_To_My_Friends
1.fs_-_To_Mystics
1.fs_-_To_Proselytizers
1.fs_-_To_The_Muse
1.fs_-_To_The_Spring
1.fs_-_Two_Descriptions_Of_Action
1.fs_-_Untitled_01
1.fs_-_Untitled_02
1.fs_-_Untitled_03
1.fs_-_Variety
1.fs_-_Votive_Tablets
1.fs_-_Wisdom_And_Prudence
1.fs_-_Worth_And_The_Worthy
1.fs_-_Written_In_A_Young_Lady's_Album
1.fua_-_A_dervish_in_ecstasy
1.fua_-_All_who,_reflecting_as_reflected_see
1.fua_-_A_slaves_freedom
1.fua_-_God_Speaks_to_David
1.fua_-_God_Speaks_to_Moses
1.fua_-_How_long_then_will_you_seek_for_beauty_here?
1.fua_-_Invocation
1.fua_-_I_shall_grasp_the_souls_skirt_with_my_hand
1.fua_-_Look_--_I_do_nothing-_He_performs_all_deeds
1.fua_-_Looking_for_your_own_face
1.fua_-_Mysticism
1.fua_-_The_angels_have_bowed_down_to_you_and_drowned
1.fua_-_The_Birds_Find_Their_King
1.fua_-_The_Dullard_Sage
1.fua_-_The_Eternal_Mirror
1.fua_-_The_Hawk
1.fua_-_The_Lover
1.fua_-_The_moths_and_the_flame
1.fua_-_The_Nightingale
1.fua_-_The_peacocks_excuse
1.fua_-_The_pilgrim_sees_no_form_but_His_and_knows
1.fua_-_The_Pupil_asks-_the_Master_answers
1.fua_-_The_Simurgh
1.fua_-_The_Valley_of_the_Quest
1.gmh_-_The_Alchemist_In_The_City
1.gnk_-_Ek_Omkar
1.gnk_-_Japji_15_-_If_you_ponder_it
1.gnk_-_Japji_38_-_Discipline_is_the_workshop
1.gnk_-_Japji_8_-_From_listening
1.gnk_-_Siri_ragu_9.3_-_The_guru_is_the_stepping_stone
1.grh_-_Gorakh_Bani
1.hccc_-_Silently_and_serenely_one_forgets_all_words
1.hcyc_-_10_-_The_rays_shining_from_this_perfect_Mani-jewel_(from_The_Shodoka)
1.hcyc_-_11_-_Always_working_alone,_always_walking_alone_(from_The_Shodoka)
1.hcyc_-_12_-_We_know_that_Shakyas_sons_and_daughters_(from_The_Shodoka)
1.hcyc_-_13_-_This_jewel_of_no_price_can_never_be_used_up_(from_The_Shodoka)
1.hcyc_-_14_-_The_best_student_goes_directly_to_the_ultimate_(from_The_Shodoka)
1.hcyc_-_15_-_Some_may_slander,_some_may_abuse_(from_The_Shodoka)
1.hcyc_-_16_-_When_I_consider_the_virtue_of_abusive_words_(from_The_Shodoka)
1.hcyc_-_17_-_The_incomparable_lion-roar_of_doctrine_(from_The_Shodoka)
1.hcyc_-_18_-_I_wandered_over_rivers_and_seas,_crossing_mountains_and_streams_(from_The_Shodoka)
1.hcyc_-_19_-_Walking_is_Zen,_sitting_is_Zen_(from_The_Shodoka)
1.hcyc_-_1_-_There_is_the_leisurely_one_(from_The_Shodoka)
1.hcyc_-_20_-_Our_teacher,_Shakyamuni,_met_Dipankara_Buddha_(from_The_Shodoka)
1.hcyc_-_21_-_Since_I_abruptly_realized_the_unborn_(from_The_Shodoka)
1.hcyc_-_22_-_I_have_entered_the_deep_mountains_to_silence_and_beauty_(from_The_Shodoka)
1.hcyc_-_23_-_When_you_truly_awaken_(from_The_Shodoka)
1.hcyc_-_24_-_Why_should_this_be_better_(from_The_Shodoka)
1.hcyc_-_25_-_Just_take_hold_of_the_source_(from_The_Shodoka)
1.hcyc_-_26_-_The_moon_shines_on_the_river_(from_The_Shodoka)
1.hcyc_-_27_-_A_bowl_once_calmed_dragons_(from_The_Shodoka)
1.hcyc_-_28_-_The_awakened_one_does_not_seek_truth_(from_The_Shodoka)
1.hcyc_-_29_-_The_mind-mirror_is_clear,_so_there_are_no_obstacles_(from_The_Shodoka)
1.hcyc_-_2_-_When_the_Dharma_body_awakens_completely_(from_The_Shodoka)
1.hcyc_-_30_-_To_live_in_nothingness_is_to_ignore_cause_and_effect_(from_The_Shodoka)
1.hcyc_-_31_-_Holding_truth_and_rejecting_delusion_(from_The_Shodoka)
1.hcyc_-_32_-_They_miss_the_Dharma-treasure_(from_The_Shodoka)
1.hcyc_-_33_-_Students_of_vigorous_will_hold_the_sword_of_wisdom_(from_The_Shodoka)
1.hcyc_-_34_-_They_roar_with_Dharma-thunder_(from_The_Shodoka)
1.hcyc_-_35_-_High_in_the_Himalayas,_only_fei-ni_grass_grows_(from_The_Shodoka)
1.hcyc_-_36_-_One_moon_is_reflected_in_many_waters_(from_The_Shodoka)
1.hcyc_-_37_-_One_level_completely_contains_all_levels_(from_The_Shodoka)
1.hcyc_-_38_-_All_categories_are_no_category_(from_The_Shodoka)
1.hcyc_-_39_-_Right_here_it_is_eternally_full_and_serene_(from_The_Shodoka)
1.hcyc_-_3_-_When_we_realize_actuality_(from_The_Shodoka)
1.hcyc_-_40_-_It_speaks_in_silence_(from_The_Shodoka)
1.hcyc_-_41_-_People_say_it_is_positive_(from_The_Shodoka)
1.hcyc_-_42_-_I_raise_the_Dharma-banner_and_set_forth_our_teaching_(from_The_Shodoka)
1.hcyc_-_43_-_The_truth_is_not_set_forth_(from_The_Shodoka)
1.hcyc_-_44_-_Mind_is_the_base,_phenomena_are_dust_(from_The_Shodoka)
1.hcyc_-_45_-_Ah,_the_degenerate_materialistic_world!_(from_The_Shodoka)
1.hcyc_-_46_-_People_hear_the_Buddhas_doctrine_of_immediacy_(from_The_Shodoka)
1.hcyc_-_47_-_Your_mind_is_the_source_of_action_(from_The_Shodoka)
1.hcyc_-_48_-_In_the_sandalwood_forest,_there_is_no_other_tree_(from_The_Shodoka)
1.hcyc_-_49_-_Just_baby_lions_follow_the_parent_(from_The_Shodoka)
1.hcyc_-_4_-_Once_we_awaken_to_the_Tathagata-Zen_(from_The_Shodoka)
1.hcyc_-_50_-_The_Buddhas_doctrine_of_directness_(from_The_Shodoka)
1.hcyc_-_51_-_Being_is_not_being-_non-being_is_not_non-being_(from_The_Shodoka)
1.hcyc_-_52_-_From_my_youth_I_piled_studies_upon_studies_(from_The_Shodoka)
1.hcyc_-_53_-_If_the_seed-nature_is_wrong,_misunderstandings_arise_(from_The_Shodoka)
1.hcyc_-_54_-_Stupid_ones,_childish_ones_(from_The_Shodoka)
1.hcyc_-_55_-_When_all_is_finally_seen_as_it_is,_(from_The_Shodoka)
1.hcyc_-_56_-_The_hungry_are_served_a_kings_repast_(from_The_Shodoka)
1.hcyc_-_57_-_Pradhanashura_broke_the_gravest_precepts_(from_The_Shodoka)
1.hcyc_-_58_-_The_incomparable_lion_roar_of_the_doctrine!_(from_The_Shodoka)
1.hcyc_-_59_-_Two_monks_were_guilty_of_murder_and_carnality_(from_The_Shodoka)
1.hcyc_-_5_-_No_bad_fortune,_no_good_fortune,_no_loss,_no_gain_(from_The_Shodoka)
1.hcyc_-_60_-_The_remarkable_power_of_emancipation_(from_The_Shodoka)
1.hcyc_-_61_-_The_King_of_the_Dharma_deserves_our_highest_respect_(from_The_Shodoka)
1.hcyc_-_62_-_When_we_see_truly,_there_is_nothing_at_all_(from_The_Shodoka)
1.hcyc_-_63_-_However_the_burning_iron_ring_revolves_around_my_head_(from_The_Shodoka)
1.hcyc_-_64_-_The_great_elephant_does_not_loiter_on_the_rabbits_path_(from_The_Shodoka)
1.hcyc_-_6_-_Who_has_no-thought?_Who_is_not-born?_(from_The_Shodoka)
1.hcyc_-_7_-_Release_your_hold_on_earth,_water,_fire,_wind_(from_The_Shodoka)
1.hcyc_-_8_-_Transience,_emptiness_and_enlightenment_(from_The_Shodoka)
1.hcyc_-_9_-_People_do_not_recognize_the_Mani-jewel_(from_The_Shodoka)
1.hcyc_-_In_my_early_years,_I_set_out_to_acquire_learning_(from_The_Song_of_Enlightenment)
1.hcyc_-_It_is_clearly_seen_(from_The_Song_of_Enlightenment)
1.hcyc_-_Let_others_slander_me_(from_The_Song_of_Enlightenment)
1.hcyc_-_Roll_the_Dharma_thunder_(from_The_Song_of_Enlightenment)
1.hcyc_-_Who_is_without_thought?_(from_The_Song_of_Enlightenment)
1.hcyc_-_With_Sudden_enlightened_understanding_(from_The_Song_of_Enlightenment)
1.he_-_Hakuins_Song_of_Zazen
1.he_-_Past,_present,_future-_unattainable
1.he_-_The_Form_of_the_Formless_(from_Hakuins_Song_of_Zazen)
1.he_-_The_monkey_is_reaching
1.he_-_You_no_sooner_attain_the_great_void
1.hs_-_A_Golden_Compass
1.hs_-_And_if,_my_friend,_you_ask_me_the_way
1.hs_-_A_New_World
1.hs_-_Arise_And_Fill_A_Golden_Goblet
1.hs_-_At_his_door,_what_is_the_difference
1.hs_-_Beauty_Radiated_in_Eternity
1.hs_-_Belief_and_unbelief
1.hs_-_Belief_brings_me_close_to_You
1.hs_-_Bloom_Like_a_Rose
1.hs_-_Bold_Souls
1.hs_-_Bring_all_of_yourself_to_his_door
1.hs_-_Bring_Perfumes_Sweet_To_Me
1.hs_-_Cupbearer,_it_is_morning,_fill_my_cup_with_wine
1.hs_-_Cypress_And_Tulip
1.hs_-_Hair_disheveled,_smiling_lips,_sweating_and_tipsy
1.hs_-_Heres_A_Message_for_the_Faithful
1.hs_-_If_life_remains,_I_shall_go_back_to_the_tavern
1.hs_-_I_Know_The_Way_You_Can_Get
1.hs_-_I_settled_at_Cold_Mountain_long_ago,
1.hs_-_It_Is_Time_to_Wake_Up!
1.hs_-_Its_your_own_self
1.hs_-_Lady_That_Hast_My_Heart
1.hs_-_Lifes_Mighty_Flood
1.hs_-_Loves_conqueror_is_he
1.hs_-_Meditation
1.hs_-_Melt_yourself_down_in_this_search
1.hs_-_My_Brilliant_Image
1.hs_-_My_friend,_everything_existing
1.hs_-_Mystic_Chat
1.hs_-_Naked_in_the_Bee-House
1.hs_-_No_tongue_can_tell_Your_secret
1.hs_-_Not_Worth_The_Toil!
1.hs_-_O_Cup_Bearer
1.hs_-_O_Saghi,_pass_around_that_cup_of_wine,_then_bring_it_to_me
1.hs_-_Rubys_Heart
1.hs_-_Several_Times_In_The_Last_Week
1.hs_-_Silence
1.hs_-_Slaves_Of_Thy_Shining_Eyes
1.hs_-_Someone_Should_Start_Laughing
1.hs_-_Spring_and_all_its_flowers
1.hs_-_Stop_Being_So_Religious
1.hs_-_Stop_weaving_a_net_about_yourself
1.hs_-_Streaming
1.hs_-_Sun_Rays
1.hs_-_Sweet_Melody
1.hs_-_Take_everything_away
1.hs_-_The_Beloved
1.hs_-_The_Bird_Of_Gardens
1.hs_-_The_Day_Of_Hope
1.hs_-_The_Essence_of_Grace
1.hs_-_The_Garden
1.hs_-_The_Glow_of_Your_Presence
1.hs_-_The_Good_Darkness
1.hs_-_The_Great_Secret
1.hs_-_The_Lute_Will_Beg
1.hs_-_The_Margin_Of_A_Stream
1.hs_-_Then_through_that_dim_murkiness
1.hs_-_The_Only_One
1.hs_-_The_path_consists_of_neither_words_nor_deeds
1.hs_-_The_Pearl_on_the_Ocean_Floor
1.hs_-_There_is_no_place_for_place!
1.hs_-_The_Road_To_Cold_Mountain
1.hs_-_The_Rose_Has_Flushed_Red
1.hs_-_The_Rose_Is_Not_Fair
1.hs_-_The_Secret_Draught_Of_Wine
1.hs_-_The_Tulip
1.hs_-_The_way_is_not_far
1.hs_-_The_Way_of_the_Holy_Ones
1.hs_-_The_way_to_You
1.hs_-_The_Wild_Rose_of_Praise
1.hs_-_Tidings_Of_Union
1.hs_-_To_Linger_In_A_Garden_Fair
1.hs_-_True_Love
1.hs_-_Until_you_are_complete
1.hs_-_We_tried_reasoning
1.hs_-_When_he_admits_you_to_his_presence
1.hs_-_Where_Is_My_Ruined_Life?
1.hs_-_Why_Carry?
1.hs_-_Will_Beat_You_Up
1.hs_-_With_Madness_Like_To_Mine
1.hs_-_Your_intellect_is_just_a_hotch-potch
1.ia_-_A_Garden_Among_The_Flames
1.ia_-_Allah
1.ia_-_An_Ocean_Without_Shore
1.ia_-_Approach_The_Dwellings_Of_The_Dear_Ones
1.ia_-_As_Night_Let_its_Curtains_Down_in_Folds
1.ia_-_At_Night_Lets_Its_Curtains_Down_In_Folds
1.ia_-_Fire
1.ia_-_He_Saw_The_Lightning_In_The_East
1.iai_-_A_feeling_of_discouragement_when_you_slip_up
1.ia_-_If_What_She_Says_Is_True
1.ia_-_If_what_she_says_is_true
1.iai_-_How_can_you_imagine_that_something_else_veils_Him
1.ia_-_I_Laid_My_Little_Daughter_To_Rest
1.ia_-_In_Memory_Of_Those
1.ia_-_In_Memory_of_Those_Who_Melt_the_Soul_Forever
1.ia_-_In_The_Mirror_Of_A_Man
1.ia_-_In_the_Mirror_of_a_Man
1.iai_-_The_best_you_can_seek_from_Him
1.iai_-_The_light_of_the_inner_eye_lets_you_see_His_nearness_to_you
1.iai_-_Those_travelling_to_Him
1.ia_-_Listen,_O_Dearly_Beloved
1.ia_-_Modification_Of_The_R_Poem
1.ia_-_My_Heart_Has_Become_Able
1.ia_-_My_heart_wears_all_forms
1.ia_-_My_Journey
1.ia_-_Oh-_Her_Beauty-_The_Tender_Maid!
1.ia_-_Reality
1.ia_-_Silence
1.ia_-_The_Hand_Of_Trial
1.ia_-_The_Invitation
1.ia_-_True_Knowledge
1.ia_-_Turmoil_In_Your_Hearts
1.ia_-_When_My_Beloved_Appears
1.ia_-_When_my_Beloved_appears
1.ia_-_When_The_Suns_Eye_Rules_My_Sight
1.ia_-_When_We_Came_Together
1.ia_-_When_we_came_together
1.ia_-_While_the_suns_eye_rules_my_sight
1.ia_-_Wild_Is_She,_None_Can_Make_Her_His_Friend
1.ia_-_With_My_Very_Own_Hands
1.ia_-_Wonder
1.is_-_A_Fisherman
1.is_-_Although_I_Try
1.is_-_Although_The_Wind
1.is_-_a_well_nobody_dug_filled_with_no_water
1.is_-_Every_day,_priests_minutely_examine_the_Law
1.is_-_Form_in_Void
1.is_-_If_The_One_Ive_Waited_For
1.is_-_I_Hate_Incense
1.is_-_Ikkyu_this_body_isnt_yours_I_say_to_myself
1.is_-_inside_the_koan_clear_mind
1.is_-_Like_vanishing_dew
1.is_-_Love
1.is_-_Many_paths_lead_from_the_foot_of_the_mountain,
1.is_-_only_one_koan_matters
1.is_-_plum_blossom
1.is_-_sick_of_it_whatever_its_called_sick_of_the_names
1.is_-_The_vast_flood
1.is_-_To_write_something_and_leave_it_behind_us
1.is_-_Watching_The_Moon
1.jc_-_On_this_summer_night
1.jda_-_My_heart_values_his_vulgar_ways_(from_The_Gitagovinda)
1.jda_-_Raga_Gujri
1.jda_-_Raga_Maru
1.jda_-_When_he_quickens_all_things_(from_The_Gitagovinda)
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jda_-_You_rest_on_the_circle_of_Sris_breast_(from_The_Gitagovinda)
1.jh_-_Lord,_Where_Shall_I_Find_You?
1.jh_-_O_My_Lord,_Your_dwelling_places_are_lovely
1.jk_-_Acrostic__-_Georgiana_Augusta_Keats
1.jk_-_A_Draught_Of_Sunshine
1.jk_-_A_Galloway_Song
1.jk_-_An_Extempore
1.jk_-_Answer_To_A_Sonnet_By_J.H.Reynolds
1.jk_-_A_Party_Of_Lovers
1.jk_-_Apollo_And_The_Graces
1.jk_-_A_Prophecy_-_To_George_Keats_In_America
1.jk_-_Asleep!_O_Sleep_A_Little_While,_White_Pearl!
1.jk_-_A_Song_About_Myself
1.jk_-_A_Thing_Of_Beauty_(Endymion)
1.jk_-_Ben_Nevis_-_A_Dialogue
1.jk_-_Bright_Star
1.jk_-_Calidore_-_A_Fragment
1.jk_-_Character_Of_Charles_Brown
1.jk_-_Daisys_Song
1.jk_-_Dawlish_Fair
1.jk_-_Dedication_To_Leigh_Hunt,_Esq.
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Extracts_From_An_Opera
1.jk_-_Faery_Songs
1.jk_-_Fancy
1.jk_-_Fill_For_Me_A_Brimming_Bowl
1.jk_-_Fragment_-_Modern_Love
1.jk_-_Fragment_Of_An_Ode_To_Maia._Written_On_May_Day_1818
1.jk_-_Fragment_Of_The_Castle_Builder
1.jk_-_Fragment._Welcome_Joy,_And_Welcome_Sorrow
1.jk_-_Fragment._Wheres_The_Poet?
1.jk_-_Give_Me_Women,_Wine,_And_Snuff
1.jk_-_Hither,_Hither,_Love
1.jkhu_-_A_Visit_to_Hattoji_Temple
1.jkhu_-_Gathering_Tea
1.jkhu_-_Living_in_the_Mountains
1.jkhu_-_Rain_in_Autumn
1.jkhu_-_Sitting_in_the_Mountains
1.jk_-_Hymn_To_Apollo
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Hyperion._Book_III
1.jk_-_Imitation_Of_Spenser
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_King_Stephen
1.jk_-_La_Belle_Dame_Sans_Merci
1.jk_-_La_Belle_Dame_Sans_Merci_(Original_version_)
1.jk_-_Lamia._Part_I
1.jk_-_Lamia._Part_II
1.jk_-_Lines
1.jk_-_Lines_On_Seeing_A_Lock_Of_Miltons_Hair
1.jk_-_Lines_On_The_Mermaid_Tavern
1.jk_-_Lines_Rhymed_In_A_Letter_From_Oxford
1.jk_-_Lines_To_Fanny
1.jk_-_Lines_Written_In_The_Highlands_After_A_Visit_To_Burnss_Country
1.jk_-_Meg_Merrilies
1.jk_-_Ode_On_A_Grecian_Urn
1.jk_-_Ode_On_Indolence
1.jk_-_Ode_On_Melancholy
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Apollo
1.jk_-_Ode_To_Autumn
1.jk_-_Ode_To_Fanny
1.jk_-_Ode_To_Psyche
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_On_A_Dream
1.jk_-_On_Death
1.jk_-_On_Hearing_The_Bag-Pipe_And_Seeing_The_Stranger_Played_At_Inverary
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_On_Receiving_A_Laurel_Crown_From_Leigh_Hunt
1.jk_-_On_Seeing_The_Elgin_Marbles_For_The_First_Time
1.jk_-_On_Visiting_The_Tomb_Of_Burns
1.jk_-_Otho_The_Great_-_Act_I
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Otho_The_Great_-_Act_III
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_Robin_Hood
1.jk_-_Sharing_Eves_Apple
1.jk_-_Sleep_And_Poetry
1.jk_-_Song._Hush,_Hush!_Tread_Softly!
1.jk_-_Song._I_Had_A_Dove
1.jk_-_Song_Of_Four_Faries
1.jk_-_Song_Of_The_Indian_Maid,_From_Endymion
1.jk_-_Song._Written_On_A_Blank_Page_In_Beaumont_And_Fletchers_Works
1.jk_-_Sonnet._A_Dream,_After_Reading_Dantes_Episode_Of_Paulo_And_Francesca
1.jk_-_Sonnet_-_After_Dark_Vapors_Have_Oppressd_Our_Plains
1.jk_-_Sonnet_-_As_From_The_Darkening_Gloom_A_Silver_Dove
1.jk_-_Sonnet_-_Before_He_Went
1.jk_-_Sonnet._If_By_Dull_Rhymes_Our_English_Must_Be_Chaind
1.jk_-_Sonnet_III._Written_On_The_Day_That_Mr._Leigh_Hunt_Left_Prison
1.jk_-_Sonnet_II._To_.........
1.jk_-_Sonnet_I._To_My_Brother_George
1.jk_-_Sonnet_IV._How_Many_Bards_Gild_The_Lapses_Of_Time!
1.jk_-_Sonnet_IX._Keen,_Fitful_Gusts_Are
1.jk_-_Sonnet_-_Oh!_How_I_Love,_On_A_Fair_Summers_Eve
1.jk_-_Sonnet._On_A_Picture_Of_Leander
1.jk_-_Sonnet._On_Leigh_Hunts_Poem_The_Story_of_Rimini
1.jk_-_Sonnet._On_Peace
1.jk_-_Sonnet_On_Sitting_Down_To_Read_King_Lear_Once_Again
1.jk_-_Sonnet._On_The_Sea
1.jk_-_Sonnet._The_Day_Is_Gone
1.jk_-_Sonnet._The_Human_Seasons
1.jk_-_Sonnet._To_A_Lady_Seen_For_A_Few_Moments_At_Vauxhall
1.jk_-_Sonnet._To_A_Young_Lady_Who_Sent_Me_A_Laurel_Crown
1.jk_-_Sonnet_To_Byron
1.jk_-_Sonnet_To_Chatterton
1.jk_-_Sonnet_To_George_Keats_-_Written_In_Sickness
1.jk_-_Sonnet_To_Homer
1.jk_-_Sonnet_To_John_Hamilton_Reynolds
1.jk_-_Sonnet_To_Mrs._Reynoldss_Cat
1.jk_-_Sonnet_To_Sleep
1.jk_-_Sonnet_To_Spenser
1.jk_-_Sonnet_To_The_Nile
1.jk_-_Sonnet_VIII._To_My_Brothers
1.jk_-_Sonnet_VII._To_Solitude
1.jk_-_Sonnet_VI._To_G._A._W.
1.jk_-_Sonnet_V._To_A_Friend_Who_Sent_Me_Some_Roses
1.jk_-_Sonnet_-_When_I_Have_Fears_That_I_May_Cease_To_Be
1.jk_-_Sonnet._Why_Did_I_Laugh_Tonight?
1.jk_-_Sonnet._Written_Before_Re-Read_King_Lear
1.jk_-_Sonnet._Written_In_Answer_To_A_Sonnet_By_J._H._Reynolds
1.jk_-_Sonnet._Written_In_Disgust_Of_Vulgar_Superstition
1.jk_-_Sonnet._Written_On_A_Blank_Page_In_Shakespeares_Poems,_Facing_A_Lovers_Complaint
1.jk_-_Sonnet._Written_On_A_Blank_Space_At_The_End_Of_Chaucers_Tale_Of_The_Floure_And_The_Lefe
1.jk_-_Sonnet._Written_Upon_The_Top_Of_Ben_Nevis
1.jk_-_Sonnet_XIII._Addressed_To_Haydon
1.jk_-_Sonnet_XII._On_Leaving_Some_Friends_At_An_Early_Hour
1.jk_-_Sonnet_XI._On_First_Looking_Into_Chapmans_Homer
1.jk_-_Sonnet_XIV._Addressed_To_The_Same_(Haydon)
1.jk_-_Sonnet_X._To_One_Who_Has_Been_Long_In_City_Pent
1.jk_-_Sonnet_XVII._Happy_Is_England
1.jk_-_Sonnet_XVI._To_Kosciusko
1.jk_-_Sonnet_XV._On_The_Grasshopper_And_Cricket
1.jk_-_Specimen_Of_An_Induction_To_A_Poem
1.jk_-_Spenserian_Stanzas_On_Charles_Armitage_Brown
1.jk_-_Spenserian_Stanza._Written_At_The_Close_Of_Canto_II,_Book_V,_Of_The_Faerie_Queene
1.jk_-_Staffa
1.jk_-_Stanzas._In_A_Drear-Nighted_December
1.jk_-_Stanzas_To_Miss_Wylie
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Devon_Maid_-_Stanzas_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Eve_Of_Saint_Mark._A_Fragment
1.jk_-_The_Eve_Of_St._Agnes
1.jk_-_The_Gadfly
1.jk_-_This_Living_Hand
1.jk_-_To_......
1.jk_-_To_.......
1.jk_-_To_Ailsa_Rock
1.jk_-_To_Charles_Cowden_Clarke
1.jk_-_To_Fanny
1.jk_-_To_George_Felton_Mathew
1.jk_-_To_Hope
1.jk_-_To_Some_Ladies
1.jk_-_To_The_Ladies_Who_Saw_Me_Crowned
1.jk_-_Translated_From_A_Sonnet_Of_Ronsard
1.jk_-_Two_Or_Three
1.jk_-_Two_Sonnets_On_Fame
1.jk_-_Two_Sonnets._To_Haydon,_With_A_Sonnet_Written_On_Seeing_The_Elgin_Marbles
1.jk_-_What_The_Thrush_Said._Lines_From_A_Letter_To_John_Hamilton_Reynolds
1.jk_-_Woman!_When_I_Behold_Thee_Flippant,_Vain
1.jk_-_Written_In_The_Cottage_Where_Burns_Was_Born
1.jk_-_You_Say_You_Love
1.jlb_-_Adam_Cast_Forth
1.jlb_-_Afterglow
1.jlb_-_At_the_Butchers
1.jlb_-_Browning_Decides_To_Be_A_Poet
1.jlb_-_Chess
1.jlb_-_Cosmogonia_(&_translation)
1.jlb_-_Daybreak
1.jlb_-_Elegy
1.jlb_-_Emanuel_Swedenborg
1.jlb_-_Emerson
1.jlb_-_Empty_Drawing_Room
1.jlb_-_Everness
1.jlb_-_Everness_(&_interpretation)
1.jlb_-_History_Of_The_Night
1.jlb_-_Inscription_on_any_Tomb
1.jlb_-_Instants
1.jlb_-_Limits
1.jlb_-_Oedipus_and_the_Riddle
1.jlb_-_Parting
1.jlb_-_Patio
1.jlb_-_Plainness
1.jlb_-_Remorse_for_any_Death
1.jlb_-_Rosas
1.jlb_-_Sepulchral_Inscription
1.jlb_-_Shinto
1.jlb_-_Simplicity
1.jlb_-_Spinoza
1.jlb_-_Susana_Soca
1.jlb_-_That_One
1.jlb_-_The_Art_Of_Poetry
1.jlb_-_The_Cyclical_Night
1.jlb_-_The_Enigmas
1.jlb_-_The_Golem
1.jlb_-_The_instant
1.jlb_-_The_Labyrinth
1.jlb_-_The_Other_Tiger
1.jlb_-_The_Recoleta
1.jlb_-_The_suicide
1.jlb_-_To_a_Cat
1.jlb_-_Unknown_Street
1.jlb_-_We_Are_The_Time._We_Are_The_Famous
1.jlb_-_When_sorrow_lays_us_low
1.jm_-_I_Have_forgotten
1.jm_-_Response_to_a_Logician
1.jm_-_Song_to_the_Rock_Demoness
1.jm_-_The_Profound_Definitive_Meaning
1.jm_-_The_Song_of_Food_and_Dwelling
1.jm_-_The_Song_of_Perfect_Assurance_(to_the_Demons)
1.jm_-_The_Song_of_the_Twelve_Deceptions
1.jm_-_The_Song_of_View,_Practice,_and_Action
1.jm_-_The_Song_on_Reaching_the_Mountain_Peak
1.jm_-_Upon_this_earth,_the_land_of_the_Victorious_Ones
1.jr_-_Ah,_what_was_there_in_that_light-giving_candle_that_it_set_fire_to_the_heart,_and_snatched_the_heart_away?
1.jr_-_All_Through_Eternity
1.jr_-_A_Moment_Of_Happiness
1.jr_-_Any_Lifetime
1.jr_-_Any_Soul_That_Drank_The_Nectar
1.jr_-_At_night_we_fall_into_each_other_with_such_grace
1.jr_-_A_World_with_No_Boundaries_(Ghazal_363)
1.jr_-_Because_I_Cannot_Sleep
1.jr_-_Birdsong
1.jr_-_Body_of_earth,_dont_talk_of_earth
1.jr_-_Book_1_-_Prologue
1.jr_-_Bring_Wine
1.jr_-_By_the_God_who_was_in_pre-eternity_living_and_moving_and_omnipotent,_everlasting
1.jr_-_come
1.jr_-_Come,_Come,_Whoever_You_Are
1.jr_-_Description_Of_Love
1.jr_-_Did_I_Not_Say_To_You
1.jr_-_During_the_day_I_was_singing_with_you
1.jr_-_Every_day_I_Bear_A_Burden
1.jr_-_Fasting
1.jr_-_Ghazal_Of_Rumi
1.jr_-_God_is_what_is_nearer_to_you_than_your_neck-vein,
1.jr_-_How_Long
1.jr_-_How_long_will_you_say,_I_will_conquer_the_whole_world
1.jr_-_I_Am_A_Sculptor,_A_Molder_Of_Form
1.jr_-_I_Am_Only_The_House_Of_Your_Beloved
1.jr_-_I_Closed_My_Eyes_To_Creation
1.jr_-_I_drink_streamwater_and_the_air
1.jr_-_If_continually_you_keep_your_hope
1.jr_-_If_I_Weep
1.jr_-_If_You_Show_Patience
1.jr_-_If_You_Want_What_Visable_Reality
1.jr_-_I_Have_A_Fire_For_You_In_My_Mouth
1.jr_-_I_Have_Been_Tricked_By_Flying_Too_Close
1.jr_-_I_Have_Fallen_Into_Unconsciousness
1.jr_-_I_lost_my_world,_my_fame,_my_mind
1.jr_-_Im_neither_beautiful_nor_ugly
1.jr_-_In_Love
1.jr_-_Inner_Wakefulness
1.jr_-_In_The_Arc_Of_Your_Mallet
1.jr_-_In_The_End
1.jr_-_In_The_Waters_Of_Purity
1.jr_-_I_regard_not_the_outside_and_the_words
1.jr_-_I_See_So_Deeply_Within_Myself
1.jr_-_I_smile_like_a_flower_not_only_with_my_lips
1.jr_-_I_Swear
1.jr_-_I_Will_Beguile_Him_With_The_Tongue
1.jr_-_Keep_on_knocking
1.jr_-_Laila_And_The_Khalifa
1.jr_-_Last_Night_My_Soul_Cried_O_Exalted_Sphere_Of_Heaven
1.jr_-_Last_Night_You_Left_Me_And_Slept
1.jr_-_Late,_By_Myself
1.jr_-_Let_Go_Of_Your_Worries
1.jr_-_Like_This
1.jr_-_look_at_love
1.jr_-_Lord,_What_A_Beloved_Is_Mine!
1.jr_-_Love_Has_Nothing_To_Do_With_The_Five_Senses
1.jr_-_Love_is_Here
1.jr_-_Love_Is_Reckless
1.jr_-_Love_Is_The_Water_Of_Life
1.jr_-_Lovers
1.jr_-_Moving_Water
1.jr_-_My_Mother_Was_Fortune,_My_Father_Generosity_And_Bounty
1.jr_-_No_end_to_the_journey
1.jr_-_No_One_Here_but_Him
1.jr_-_Not_Here
1.jr_-_Now_comes_the_final_merging
1.jr_-_On_Love
1.jr_-_Only_Breath
1.jr_-_On_the_Night_of_Creation_I_was_awake
1.jr_-_Out_Beyond_Ideas
1.jr_-_Reason,_leave_now!_Youll_not_find_wisdom_here!
1.jr_-_Rise,_Lovers
1.jr_-_Sacrifice_your_intellect_in_love_for_the_Friend
1.jr_-_Secret_Language
1.jr_-_Secretly_we_spoke
1.jr_-_Seeking_the_Source
1.jr_-_Seizing_my_life_in_your_hands,_you_thrashed_me_clean
1.jr_-_Shadow_And_Light_Source_Both
1.jr_-_Shall_I_tell_you_our_secret?
1.jr_-_Suddenly,_in_the_sky_at_dawn,_a_moon_appeared
1.jr_-_That_moon_which_the_sky_never_saw
1.jr_-_The_Absolute_works_with_nothing
1.jr_-_The_Beauty_Of_The_Heart
1.jr_-_The_Breeze_At_Dawn
1.jr_-_The_glow_of_the_light_of_daybreak_is_in_your_emerald_vault,_the_goblet_of_the_blood_of_twilight_is_your_blood-measuring_bowl
1.jr_-_The_grapes_of_my_body_can_only_become_wine
1.jr_-_The_Guest_House
1.jr_-_The_Intellectual_Is_Always_Showing_Off
1.jr_-_The_minute_I_heard_my_first_love_story
1.jr_-_The_minute_Im_disappointed,_I_feel_encouraged
1.jr_-_The_Ravings_Which_My_Enemy_Uttered_I_Heard_Within_My_Heart
1.jr_-_The_real_work_belongs_to_someone_who_desires_God
1.jr_-_There_Are_A_Hundred_Kinds_Of_Prayer
1.jr_-_There_Is_A_Candle
1.jr_-_There_Is_A_Community_Of_Spirit
1.jr_-_There_Is_A_Life-Force_Within_Your_Soul
1.jr_-_There_Is_A_Way
1.jr_-_There_is_some_kiss_we_want
1.jr_-_The_Seed_Market
1.jr_-_The_Self_We_Share
1.jr_-_The_Springtime_Of_Lovers_Has_Come
1.jr_-_The_Sun_Must_Come
1.jr_-_The_Taste_Of_Morning
1.jr_-_The_Thirsty
1.jr_-_The_Time_Has_Come_For_Us_To_Become_Madmen_In_Your_Chain
1.jr_-_This_Aloneness
1.jr_-_This_Is_Love
1.jr_-_This_love_sacrifices_all_souls,_however_wise,_however_awakened
1.jr_-_This_moment
1.jr_-_This_We_Have_Now
1.jr_-_Today_Im_out_wandering,_turning_my_skull
1.jr_-_Today,_like_every_other_day,_we_wake_up_empty
1.jr_-_Two_Friends
1.jr_-_Two_Kinds_Of_Intelligence
1.jr_-_Until_You've_Found_Pain
1.jr_-_We_are_the_mirror_as_well_as_the_face_in_it
1.jr_-_Weary_Not_Of_Us,_For_We_Are_Very_Beautiful
1.jr_-_What_can_I_do,_Muslims?_I_do_not_know_myself
1.jr_-_What_Hidden_Sweetness_Is_There
1.jr_-_What_I_want_is_to_see_your_face
1.jr_-_When_I_Am_Asleep_And_Crumbling_In_The_Tomb
1.jr_-_Whoever_finds_love
1.jr_-_Who_Is_At_My_Door?
1.jr_-_Who_makes_these_changes?
1.jr_-_Who_Says_Words_With_My_Mouth?
1.jr_-_With_Us
1.jr_-_You_and_I_have_spoken_all_these_words
1.jr_-_You_are_closer_to_me_than_myself_(Ghazal_2798)
1.jr_-_You_have_fallen_in_love_my_dear_heart
1.jr_-_You_only_need_smell_the_wine
1.jr_-_You_Personify_Gods_Message
1.jr_-_Zero_Circle
1.jt_-_As_air_carries_light_poured_out_by_the_rising_sun
1.jt_-_At_the_cross_her_station_keeping_(from_Stabat_Mater_Dolorosa)
1.jt_-_How_the_Soul_Through_the_Senses_Finds_God_in_All_Creatures
1.jt_-_In_losing_all,_the_soul_has_risen_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love_beyond_all_telling_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_Love-_infusing_with_light_all_who_share_Your_splendor_(from_In_Praise_of_Divine_Love)
1.jt_-_Love-_where_did_You_enter_the_heart_unseen?_(from_In_Praise_of_Divine_Love)
1.jt_-_Now,_a_new_creature
1.jt_-_Oh,_the_futility_of_seeking_to_convey_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jt_-_When_you_no_longer_love_yourself_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jwvg_-_Admonition
1.jwvg_-_After_Sensations
1.jwvg_-_A_Legacy
1.jwvg_-_Anacreons_Grave
1.jwvg_-_Anniversary_Song
1.jwvg_-_Another
1.jwvg_-_Answers_In_A_Game_Of_Questions
1.jwvg_-_A_Parable
1.jwvg_-_A_Plan_the_Muses_Entertained
1.jwvg_-_Apparent_Death
1.jwvg_-_April
1.jwvg_-_As_Broad_As_Its_Long
1.jwvg_-_A_Symbol
1.jwvg_-_At_Midnight
1.jwvg_-_Authors
1.jwvg_-_Autumn_Feel
1.jwvg_-_Book_Of_Proverbs
1.jwvg_-_By_The_River
1.jwvg_-_Calm_At_Sea
1.jwvg_-_Departure
1.jwvg_-_Epiphanias
1.jwvg_-_Epitaph
1.jwvg_-_Ever_And_Everywhere
1.jwvg_-_Faithful_Eckhart
1.jwvg_-_For_ever
1.jwvg_-_Found
1.jwvg_-_From
1.jwvg_-_From_The_Mountain
1.jwvg_-_Ganymede
1.jwvg_-_General_Confession
1.jwvg_-_Gipsy_Song
1.jwvg_-_Growth
1.jwvg_-_Happiness_And_Vision
1.jwvg_-_Human_Feelings
1.jwvg_-_In_A_Word
1.jwvg_-_In_Summer
1.jwvg_-_It_Is_Good
1.jwvg_-_Joy
1.jwvg_-_Joy_And_Sorrow
1.jwvg_-_June
1.jwvg_-_Legend
1.jwvg_-_Like_And_Like
1.jwvg_-_Living_Remembrance
1.jwvg_-_Longing
1.jwvg_-_Lover_In_All_Shapes
1.jwvg_-_Mahomets_Song
1.jwvg_-_Measure_Of_Time
1.jwvg_-_My_Goddess
1.jwvg_-_Nemesis
1.jwvg_-_Night_Thoughts
1.jwvg_-_Playing_At_Priests
1.jwvg_-_Presence
1.jwvg_-_Prometheus
1.jwvg_-_Proximity_Of_The_Beloved_One
1.jwvg_-_Reciprocal_Invitation_To_The_Dance
1.jwvg_-_Royal_Prayer
1.jwvg_-_Self-Deceit
1.jwvg_-_Solitude
1.jwvg_-_Symbols
1.jwvg_-_The_Beautiful_Night
1.jwvg_-_The_Best
1.jwvg_-_The_Bliss_Of_Absence
1.jwvg_-_The_Bliss_Of_Sorrow
1.jwvg_-_The_Bridegroom
1.jwvg_-_The_Buyers
1.jwvg_-_The_Drops_Of_Nectar
1.jwvg_-_The_Exchange
1.jwvg_-_The_Faithless_Boy
1.jwvg_-_The_Friendly_Meeting
1.jwvg_-_The_Godlike
1.jwvg_-_The_Instructors
1.jwvg_-_The_Mountain_Village
1.jwvg_-_The_Muses_Mirror
1.jwvg_-_The_Muses_Son
1.jwvg_-_The_Prosperous_Voyage
1.jwvg_-_The_Pupil_In_Magic
1.jwvg_-_The_Reckoning
1.jwvg_-_The_Remembrance_Of_The_Good
1.jwvg_-_The_Rule_Of_Life
1.jwvg_-_The_Sea-Voyage
1.jwvg_-_The_Treasure_Digger
1.jwvg_-_The_Visit
1.jwvg_-_The_Wanderer
1.jwvg_-_The_Warning
1.jwvg_-_The_Way_To_Behave
1.jwvg_-_To_My_Friend_-_Ode_I
1.jwvg_-_To_The_Chosen_One
1.jwvg_-_To_The_Distant_One
1.jwvg_-_To_The_Kind_Reader
1.jwvg_-_True_Enjoyment
1.jwvg_-_Welcome_And_Farewell
1.jwvg_-_Wholl_Buy_Gods_Of_Love
1.jwvg_-_Wont_And_Done
1.kaa_-_A_Path_of_Devotion
1.kaa_-_Devotion_for_Thee
1.kaa_-_Empty_Me_of_Everything_But_Your_Love
1.kaa_-_Give_Me
1.kaa_-_I_Came
1.kaa_-_In_Each_Breath
1.kaa_-_The_Beauty_of_Oneness
1.kaa_-_The_Friend_Beside_Me
1.kaa_-_The_one_You_kill
1.kbr_-_Abode_Of_The_Beloved
1.kbr_-_Are_you_looking_for_me?
1.kbr_-_Between_the_conscious_and_the_unconscious,_the_mind_has_put_up_a_swing
1.kbr_-_Between_the_Poles_of_the_Conscious
1.kbr_-_Brother,_I've_Seen_Some
1.kbr_-_Chewing_Slowly
1.kbr_-_Dohas_(Couplets)_I_(with_translation)
1.kbr_-_Dohas_II_(with_translation)
1.kbr_-_Do_Not_Go_To_The_Garden_Of_Flowers
1.kbr_-_Do_not_go_to_the_garden_of_flowers!
1.kbr_-_Friend,_Wake_Up!_Why_Do_You_Go_On_Sleeping?
1.kbr_-_Hang_Up_The_Swing_Of_Love_Today!
1.kbr_-_Hang_up_the_swing_of_love_today!
1.kbr_-_Having_Crossed_The_River
1.kbr_-_Having_crossed_the_river
1.kbr_-_He's_That_Rascally_Kind_Of_Yogi
1.kbr_-_Hes_that_rascally_kind_of_yogi
1.kbr_-_Hey_Brother,_Why_Do_You_Want_Me_To_Talk?
1.kbr_-_Hey_brother,_why_do_you_want_me_to_talk?
1.kbr_-_Hiding_In_This_Cage
1.kbr_-_hiding_in_this_cage
1.kbr_-_His_Death_In_Benares
1.kbr_-_Hope_For_Him
1.kbr_-_How_Do_You
1.kbr_-_How_Humble_Is_God
1.kbr_-_I_Burst_Into_Laughter
1.kbr_-_I_burst_into_laughter
1.kbr_-_I_Have_Attained_The_Eternal_Bliss
1.kbr_-_I_have_attained_the_Eternal_Bliss
1.kbr_-_I_have_been_thinking
1.kbr_-_I_Laugh_When_I_Hear_That_The_Fish_In_The_Water_Is_Thirsty
1.kbr_-_Illusion_and_Reality
1.kbr_-_I_Said_To_The_Wanting-Creature_Inside_Me
1.kbr_-_I_Talk_To_My_Inner_Lover,_And_I_Say,_Why_Such_Rush?
1.kbr_-_It_Is_Needless_To_Ask_Of_A_Saint
1.kbr_-_Ive_Burned_My_Own_House_Down
1.kbr_-_Ive_burned_my_own_house_down
1.kbr_-_I_Wont_Come
1.kbr_-_Knowing_Nothing_Shuts_The_Iron_Gates
1.kbr_-_Lift_The_Veil
1.kbr_-_lift_the_veil
1.kbr_-_Looking_At_The_Grinding_Stones_-_Dohas_(Couplets)_I
1.kbr_-_maddh_akas_ap_jahan_baithe
1.kbr_-_Many_Hoped
1.kbr_-_Many_hoped
1.kbr_-_My_Body_And_My_Mind
1.kbr_-_My_Body_Is_Flooded
1.kbr_-_My_body_is_flooded
1.kbr_-_My_Swan,_Let_Us_Fly
1.kbr_-_O_Friend
1.kbr_-_Oh_Friend,_I_Love_You,_Think_This_Over
1.kbr_-_O_how_may_I_ever_express_that_secret_word?
1.kbr_-_O_Servant_Where_Dost_Thou_Seek_Me
1.kbr_-_O_Slave,_liberate_yourself
1.kbr_-_Plucking_Your_Eyebrows
1.kbr_-_Poem_13
1.kbr_-_Poem_14
1.kbr_-_Poem_15
1.kbr_-_Poem_2
1.kbr_-_Poem_3
1.kbr_-_Poem_4
1.kbr_-_Poem_5
1.kbr_-_Poem_6
1.kbr_-_Poem_7
1.kbr_-_Poem_8
1.kbr_-_Poem_9
1.kbr_-_still_the_body
1.kbr_-_Tell_me_Brother
1.kbr_-_Tell_me,_O_Swan,_your_ancient_tale
1.kbr_-_Tentacles_of_Time
1.kbr_-_The_bhakti_path...
1.kbr_-_The_bhakti_path_winds_in_a_delicate_way
1.kbr_-_The_Bride-Soul
1.kbr_-_The_Drop_and_the_Sea
1.kbr_-_The_Dropp_And_The_Sea
1.kbr_-_The_Guest_Is_Inside_You,_And_Also_Inside_Me
1.kbr_-_The_Guest_is_inside_you,_and_also_inside_me
1.kbr_-_The_Impossible_Pass
1.kbr_-_The_impossible_pass
1.kbr_-_The_Light_of_the_Sun
1.kbr_-_The_light_of_the_sun,_the_moon,_and_the_stars_shines_bright
1.kbr_-_The_Lord_Is_In_Me
1.kbr_-_The_Lord_is_in_Me
1.kbr_-_The_moon_shines_in_my_body
1.kbr_-_Theres_A_Moon_Inside_My_Body
1.kbr_-_The_Self_Forgets_Itself
1.kbr_-_The_self_forgets_itself
1.kbr_-_The_Spiritual_Athlete_Often_Changes_The_Color_Of_His_Clothes
1.kbr_-_The_Swan_flies_away
1.kbr_-_The_Time_Before_Death
1.kbr_-_The_Word
1.kbr_-_To_Thee_Thou_Hast_Drawn_My_Love
1.kbr_-_What_Kind_Of_God?
1.kbr_-_When_I_Found_The_Boundless_Knowledge
1.kbr_-_When_I_found_the_boundless_knowledge
1.kbr_-_When_The_Day_Came
1.kbr_-_When_the_Day_Came
1.kbr_-_When_You_Were_Born_In_This_World_-_Dohas_Ii
1.kbr_-_Where_dost_thou_seem_me?
1.kbr_-_Where_do_you_search_me
1.kbr_-_Within_this_earthen_vessel
1.kg_-_Little_Tiger
1.khc_-_Idle_Wandering
1.khc_-_this_autumn_scenes_worth_words_paint
1.ki_-_Autumn_wind
1.ki_-_blown_to_the_big_river
1.ki_-_Buddha_Law
1.ki_-_Buddhas_body
1.ki_-_by_the_light_of_graveside_lanterns
1.ki_-_does_the_woodpecker
1.ki_-_Dont_weep,_insects
1.ki_-_even_poorly_planted
1.ki_-_First_firefly
1.ki_-_From_burweed
1.ki_-_In_my_hut
1.ki_-_into_morning-glories
1.ki_-_Just_by_being
1.ki_-_mountain_temple
1.ki_-_Never_forget
1.ki_-_now_begins
1.ki_-_Reflected
1.ki_-_rice_seedlings
1.ki_-_serene_and_still
1.ki_-_spring_begins
1.ki_-_spring_day
1.ki_-_stillness
1.ki_-_swatting_a_fly
1.ki_-_the_distant_mountains
1.ki_-_the_dragonflys_tail,_too
1.ki_-_Where_there_are_humans
1.ki_-_without_seeing_sunlight
1.kt_-_A_Song_on_the_View_of_Voidness
1.lb_-_A_Farewell_To_Secretary_Shuyun_At_The_Xietiao_Villa_In_Xuanzhou
1.lb_-_Alone_And_Drinking_Under_The_Moon
1.lb_-_Alone_and_Drinking_Under_the_Moon
1.lb_-_Alone_Looking_At_The_Mountain
1.lb_-_Alone_Looking_at_the_Mountain
1.lb_-_Amidst_the_Flowers_a_Jug_of_Wine
1.lb_-_A_Mountain_Revelry
1.lb_-_Amusing_Myself
1.lb_-_Ancient_Air_(39)
1.lb_-_A_Song_Of_An_Autumn_Midnight
1.lb_-_A_Song_Of_Changgan
1.lb_-_Atop_Green_Mountains_by_Li_Po
1.lb_-_Autumn_Air
1.lb_-_Autumn_Air_by_Li_Po
1.lb_-_Autumn_River_Song
1.lb_-_A_Vindication
1.lb_-_Ballads_Of_Four_Seasons:_Spring
1.lb_-_Ballads_Of_Four_Seasons:_Winter
1.lb_-_Bathed_And_Washed
1.lb_-_Bathed_and_Washed
1.lb_-_Before_The_Cask_of_Wine
1.lb_-_Bitter_Love_by_Li_Po
1.lb_-_Bringing_in_the_Wine
1.lb_-_Changgan_Memories
1.lb_-_Chiang_Chin_Chiu
1.lb_-_Ch'ing_P'ing_Tiao
1.lb_-_Chuang_Tzu_And_The_Butterfly
1.lb_-_Clearing_At_Dawn
1.lb_-_Clearing_at_Dawn
1.lb_-_Climbing_West_Of_Lotus_Flower_Peak
1.lb_-_Climbing_West_of_Lotus_Flower_Peak
1.lb_-_Confessional
1.lb_-_Crows_Calling_At_Night
1.lb_-_Down_From_The_Mountain
1.lb_-_Down_Zhongnan_Mountain
1.lb_-_Drinking_Alone_in_the_Moonlight
1.lb_-_Drinking_in_the_Mountains
1.lb_-_Drinking_With_Someone_In_The_Mountains
1.lb_-_Endless_Yearning_by_Li_Po
1.lb_-_Exile's_Letter
1.lb_-_[Facing]_Wine
1.lb_-_Facing_Wine
1.lb_-_Farewell
1.lb_-_Farewell_to_Meng_Hao-jan
1.lb_-_Farewell_to_Meng_Hao-jan_at_Yellow_Crane_Tower_by_Li_Po
1.lb_-_Farewell_to_Secretary_Shu-yun_at_the_Hsieh_Tiao_Villa_in_Hsuan-Chou
1.lb_-_For_Wang_Lun
1.lb_-_For_Wang_Lun_by_Li_Po
1.lb_-_Gazing_At_The_Cascade_On_Lu_Mountain
1.lb_-_Going_Up_Yoyang_Tower
1.lb_-_Gold_painted_jars_-_wines_worth_a_thousand
1.lb_-_Green_Mountain
1.lb_-_Hard_Is_The_Journey
1.lb_-_Hard_Journey
1.lb_-_Hearing_A_Flute_On_A_Spring_Night_In_Luoyang
1.lb_-_His_Dream_Of_Skyland
1.lb_-_Ho_Chih-chang
1.lb_-_In_Spring
1.lb_-_I_say_drinking
1.lb_-_Jade_Stairs_Grievance
1.lb_-_Lament_for_Mr_Tai
1.lb_-_Lament_of_the_Frontier_Guard
1.lb_-_Lament_On_an_Autumn_Night
1.lb_-_Leave-Taking_Near_Shoku
1.lb_-_Leaving_White_King_City
1.lb_-_Lines_For_A_Taoist_Adept
1.lb_-_Listening_to_a_Flute_in_Yellow_Crane_Pavillion
1.lb_-_Looking_For_A_Monk_And_Not_Finding_Him
1.lb_-_Lu_Mountain,_Kiangsi
1.lb_-_Marble_Stairs_Grievance
1.lb_-_Mng_Hao-jan
1.lb_-_Moon_at_the_Fortified_Pass_by_Li_Po
1.lb_-_Moon_Over_Mountain_Pass
1.lb_-_Mountain_Drinking_Song
1.lb_-_Nefarious_War
1.lb_-_Old_Poem
1.lb_-_On_A_Picture_Screen
1.lb_-_On_Climbing_In_Nan-King_To_The_Terrace_Of_Phoenixes
1.lb_-_On_Dragon_Hill
1.lb_-_On_Kusu_Terrace
1.lb_-_Poem_by_The_Bridge_at_Ten-Shin
1.lb_-_Question_And_Answer_On_The_Mountain
1.lb_-_Quiet_Night_Thoughts
1.lb_-_Reaching_the_Hermitage
1.lb_-_Remembering_the_Springs_at_Chih-chou
1.lb_-_Resentment_Near_the_Jade_Stairs
1.lb_-_Seeing_Off_Meng_Haoran_For_Guangling_At_Yellow_Crane_Tower
1.lb_-_Self-Abandonment
1.lb_-_She_Spins_Silk
1.lb_-_Sitting_Alone_On_Jingting_Mountain_by_Li_Po
1.lb_-_Song_of_an_Autumn_Midnight_by_Li_Po
1.lb_-_Song_of_the_Forge
1.lb_-_Song_Of_The_Jade_Cup
1.lb_-_South-Folk_in_Cold_Country
1.lb_-_Spring_Night_In_Lo-Yang_Hearing_A_Flute
1.lb_-_Staying_The_Night_At_A_Mountain_Temple
1.lb_-_Summer_Day_in_the_Mountains
1.lb_-_Summer_in_the_Mountains
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po_Tr._by_Ezra_Pound
1.lb_-_Talk_in_the_Mountains_[Question_&_Answer_on_the_Mountain]
1.lb_-_The_Ching-Ting_Mountain
1.lb_-_The_City_of_Choan
1.lb_-_The_Cold_Clear_Spring_At_Nanyang
1.lb_-_The_Moon_At_The_Fortified_Pass
1.lb_-_The_Old_Dust
1.lb_-_The_River-Captains_Wife__A_Letter
1.lb_-_The_River-Merchant's_Wife:_A_Letter
1.lb_-_The_River_Song
1.lb_-_The_Roosting_Crows
1.lb_-_The_Solitude_Of_Night
1.lb_-_Thoughts_In_A_Tranquil_Night
1.lb_-_Thoughts_On_a_Quiet_Night_by_Li_Po
1.lb_-_Thoughts_On_A_Still_Night
1.lb_-_Three_Poems_on_Wine
1.lb_-_Through_The_Yangzi_Gorges
1.lb_-_To_His_Two_Children
1.lb_-_To_My_Wife_on_Lu-shan_Mountain
1.lb_-_To_Tan-Ch'iu
1.lb_-_To_Tu_Fu_from_Shantung
1.lb_-_Viewing_Heaven's_Gate_Mountains
1.lb_-_Visiting_a_Taoist_Master_on_Tai-T'ien_Mountain_by_Li_Po
1.lb_-_Visiting_A_Taoist_On_Tiatien_Mountain
1.lb_-_Waking_from_Drunken_Sleep_on_a_Spring_Day_by_Li_Po
1.lb_-_We_Fought_for_-_South_of_the_Walls
1.lb_-_Yearning
1.lb_-_Ziyi_Song
1.lc_-_Jabberwocky
1.lla_-_A_thousand_times_I_asked_my_guru
1.lla_-_At_the_end_of_a_crazy-moon_night
1.lla_-_Coursing_in_emptiness
1.lla_-_Dance,_Lalla,_with_nothing_on
1.lla_-_Day_will_be_erased_in_night
1.lla_-_Dont_flail_about_like_a_man_wearing_a_blindfold
1.lla_-_Drifter,_on_your_feet,_get_moving!
1.lla_-_Dying_and_giving_birth_go_on
1.lla_-_Fool,_you_wont_find_your_way_out_by_praying_from_a_book
1.lla_-_Forgetful_one,_get_up!
1.lla_-_If_youve_melted_your_desires
1.lla_-_I_hacked_my_way_through_six_forests
1.lla_-_I,_Lalla,_willingly_entered_through_the_garden-gate
1.lla_-_I_made_pilgrimages,_looking_for_God
1.lla_-_Intense_cold_makes_water_ice
1.lla_-_I_searched_for_my_Self
1.lla_-_I_trapped_my_breath_in_the_bellows_of_my_throat
1.lla_-_I_traveled_a_long_way_seeking_God
1.lla_-_Its_so_much_easier_to_study_than_act
1.lla_-_I_wore_myself_out,_looking_for_myself
1.lla_-_Just_for_a_moment,_flowers_appear
1.lla_-_Learning_the_scriptures_is_easy
1.lla_-_Meditate_within_eternity
1.lla_-_Neither_You_nor_I,_neither_object_nor_meditation
1.lla_-_New_mind,_new_moon
1.lla_-_O_infinite_Consciousness
1.lla_-_One_shrine_to_the_next,_the_hermit_cant_stop_for_breath
1.lla_-_Playfully,_you_hid_from_me
1.lla_-_There_is_neither_you,_nor_I
1.lla_-_The_soul,_like_the_moon
1.lla_-_The_way_is_difficult_and_very_intricate
1.lla_-_To_learn_the_scriptures_is_easy
1.lla_-_Wear_the_robe_of_wisdom
1.lla_-_What_is_worship?_Who_are_this_man
1.lla_-_When_my_mind_was_cleansed_of_impurities
1.lla_-_When_Siddhanath_applied_lotion_to_my_eyes
1.lla_-_Word,_Thought,_Kula_and_Akula_cease_to_be_there!
1.lla_-_Your_way_of_knowing_is_a_private_herb_garden
1.lovecraft_-_An_American_To_Mother_England
1.lovecraft_-_An_Epistle_To_Rheinhart_Kleiner,_Esq.,_Poet-Laureate,_And_Author_Of_Another_Endless_Day
1.lovecraft_-_Arcadia
1.lovecraft_-_Astrophobos
1.lovecraft_-_Christmas_Blessings
1.lovecraft_-_Christmas_Snows
1.lovecraft_-_Christmastide
1.lovecraft_-_Despair
1.lovecraft_-_Egyptian_Christmas
1.lovecraft_-_Ex_Oblivione
1.lovecraft_-_Fact_And_Fancy
1.lovecraft_-_Festival
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Good_Saint_Nick
1.lovecraft_-_Halcyon_Days
1.lovecraft_-_Halloween_In_A_Suburb
1.lovecraft_-_Laeta-_A_Lament
1.lovecraft_-_Lifes_Mystery
1.lovecraft_-_Lines_On_General_Robert_Edward_Lee
1.lovecraft_-_Little_Tiger
1.lovecraft_-_March
1.lovecraft_-_Nathicana
1.lovecraft_-_Nemesis
1.lovecraft_-_Ode_For_July_Fourth,_1917
1.lovecraft_-_On_Reading_Lord_Dunsanys_Book_Of_Wonder
1.lovecraft_-_On_Receiving_A_Picture_Of_Swans
1.lovecraft_-_Pacifist_War_Song_-_1917
1.lovecraft_-_Poemata_Minora-_Volume_II
1.lovecraft_-_Providence
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_Revelation
1.lovecraft_-_St._John
1.lovecraft_-_Sunset
1.lovecraft_-_The_Ancient_Track
1.lovecraft_-_The_Bride_Of_The_Sea
1.lovecraft_-_The_Cats
1.lovecraft_-_The_City
1.lovecraft_-_The_Conscript
1.lovecraft_-_The_Garden
1.lovecraft_-_The_House
1.lovecraft_-_The_Messenger
1.lovecraft_-_Theodore_Roosevelt
1.lovecraft_-_The_Outpost
1.lovecraft_-_The_Peace_Advocate
1.lovecraft_-_The_Poe-ets_Nightmare
1.lovecraft_-_The_Rose_Of_England
1.lovecraft_-_The_Teutons_Battle-Song
1.lovecraft_-_The_Wood
1.lovecraft_-_To_Alan_Seeger-
1.lovecraft_-_To_Edward_John_Moreton_Drax_Plunkelt,
1.lovecraft_-_Tosh_Bosh
1.lovecraft_-_Waste_Paper-_A_Poem_Of_Profound_Insignificance
1.lovecraft_-_Where_Once_Poe_Walked
1.lr_-_An_Adamantine_Song_on_the_Ever-Present
1.ltp_-_My_heart_is_the_clear_water_in_the_stony_pond
1.ltp_-_People_may_sit_till_the_cushion_is_worn_through
1.ltp_-_Sojourning_in_Ta-yu_mountains
1.ltp_-_The_Hundred_Character_Tablet_(Bai_Zi_Bei)
1.ltp_-_What_is_Tao?
1.ltp_-_When_the_moon_is_high_Ill_take_my_cane_for_a_walk
1.lyb_-_Where_I_wander_--_You!
1.mah_-_I_am_the_One_Whom_I_Love
1.mah_-_I_am_the_One_whom_I_love
1.mah_-_If_They_Only_Knew
1.mah_-_I_Witnessed_My_Maker
1.mah_-_Kill_me-_my_faithful_friends
1.mah_-_My_One_and_Only,_only_You_can_make_me
1.mah_-_Seeking_Truth,_I_studied_religion
1.mah_-_Stillness
1.mah_-_To_Reach_God
1.mah_-_You_glide_between_the_heart_and_its_casing
1.mah_-_You_live_inside_my_heart-_in_there_are_secrets_about_You
1.mah_-_Your_spirit_is_mingled_with_mine
1.mah_-_You_Went_Away_but_Remained_in_Me
1.mb_-_a_bee
1.mb_-_a_caterpillar
1.mb_-_a_cicada_shell
1.mb_-_a_cold_rain_starting
1.mb_-_a_field_of_cotton
1.mb_-_All_I_Was_Doing_Was_Breathing
1.mb_-_all_the_day_long
1.mb_-_a_monk_sips_morning_tea
1.mb_-_a_snowy_morning
1.mb_-_as_they_begin_to_rise_again
1.mb_-_a_strange_flower
1.mb_-_autumn_moonlight
1.mb_-_awake_at_night
1.mb_-_Bitter-tasting_ice_-
1.mb_-_blowing_stones
1.mb_-_by_the_old_temple
1.mb_-_Clouds
1.mb_-_cold_night_-_the_wild_duck
1.mb_-_Collection_of_Six_Haiku
1.mb_-_coolness_of_the_melons
1.mb_-_Dark_Friend,_what_can_I_say?
1.mb_-_dont_imitate_me
1.mb_-_first_day_of_spring
1.mb_-_first_snow
1.mb_-_Fleas,_lice
1.mb_-_four_haiku
1.mb_-_Friend,_without_that_Dark_raptor
1.mb_-_from_time_to_time
1.mb_-_heat_waves_shimmering
1.mb_-_how_admirable
1.mb_-_how_wild_the_sea_is
1.mb_-_I_am_pale_with_longing_for_my_beloved
1.mb_-_I_am_true_to_my_Lord
1.mb_-_I_have_heard_that_today_Hari_will_come
1.mb_-_im_a_wanderer
1.mb_-_In_this_world_of_ours,
1.mb_-_it_is_with_awe
1.mb_-_Its_True_I_Went_to_the_Market
1.mb_-_long_conversations
1.mb_-_midfield
1.mb_-_Mira_is_Steadfast
1.mb_-_moonlight_slanting
1.mb_-_morning_and_evening
1.mbn_-_From_the_beginning,_before_the_world_ever_was_(from_Before_the_World_Ever_Was)
1.mb_-_None_is_travelling
1.mb_-_No_one_knows_my_invisible_life
1.mb_-_now_the_swinging_bridge
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mbn_-_The_Soul_Speaks_(from_Hymn_on_the_Fate_of_the_Soul)
1.mb_-_O_I_saw_witchcraft_tonight
1.mb_-_old_pond
1.mb_-_O_my_friends
1.mb_-_on_buddhas_deathbed
1.mb_-_on_the_white_poppy
1.mb_-_on_this_road
1.mb_-_Out_in_a_downpour
1.mb_-_passing_through_the_world
1.mb_-_souls_festival
1.mb_-_spring_rain
1.mb_-_staying_at_an_inn
1.mb_-_stillness
1.mb_-_taking_a_nap
1.mb_-_temple_bells_die_out
1.mb_-_The_Beloved_Comes_Home
1.mb_-_the_butterfly
1.mb_-_the_clouds_come_and_go
1.mb_-_The_Dagger
1.mb_-_The_Five-Coloured_Garment
1.mb_-_The_Heat_of_Midnight_Tears
1.mb_-_the_morning_glory_also
1.mb_-_The_Music
1.mb_-_The_Narrow_Road_to_the_Deep_North_-_Prologue
1.mb_-_the_oak_tree
1.mb_-_the_passing_spring
1.mb_-_the_petals_tremble
1.mb_-_the_squid_sellers_call
1.mb_-_the_winter_storm
1.mb_-_this_old_village
1.mb_-_Unbreakable,_O_Lord
1.mb_-_under_my_tree-roof
1.mb_-_ungraciously
1.mb_-_what_fish_feel
1.mb_-_when_the_winter_chysanthemums_go
1.mb_-_Why_Mira_Cant_Come_Back_to_Her_Old_House
1.mb_-_winter_garden
1.mb_-_with_every_gust_of_wind
1.mb_-_wont_you_come_and_see
1.mb_-_wrapping_the_rice_cakes
1.mb_-_you_make_the_fire
1.mdl_-_Inside_the_hidden_nexus_(from_Jacobs_Journey)
1.mdl_-_The_Creation_of_Elohim
1.mdl_-_The_Gates_(from_Openings)
1.ml_-_Realisation_of_Dreams_and_Mind
1.mm_-_A_fish_cannot_drown_in_water
1.mm_-_Effortlessly
1.mm_-_If_BOREAS_can_in_his_own_Wind_conceive_(from_Atalanta_Fugiens)
1.mm_-_In_pride_I_so_easily_lost_Thee
1.mm_-_Of_the_voices_of_the_Godhead
1.mm_-_Set_Me_on_Fire
1.mm_-_The_devil_also_offers_his_spirit
1.mm_-_Then_shall_I_leap_into_love
1.mm_-_The_Stone_that_is_Mercury,_is_cast_upon_the_(from_Atalanta_Fugiens)
1.mm_-_Three_Golden_Apples_from_the_Hesperian_grove_(from_Atalanta_Fugiens)
1.mm_-_Wouldst_thou_know_my_meaning?
1.mm_-_Yea!_I_shall_drink_from_Thee
1.ms_-_At_the_Nachi_Kannon_Hall
1.ms_-_Beyond_the_World
1.ms_-_Buddhas_Satori
1.ms_-_Clear_Valley
1.msd_-_Barns_burnt_down
1.msd_-_Masahides_Death_Poem
1.msd_-_When_bird_passes_on
1.ms_-_Hui-nengs_Pond
1.ms_-_Incomparable_Verse_Valley
1.ms_-_No_End_Point
1.ms_-_Old_Creek
1.ms_-_Snow_Garden
1.ms_-_Temple_of_Eternal_Light
1.ms_-_The_Gate_of_Universal_Light
1.ms_-_Toki-no-Ge_(Satori_Poem)
1.nb_-_A_Poem_for_the_Sefirot_as_a_Wheel_of_Light
1.nkt_-_Autumn_Wind
1.nkt_-_Lets_Get_to_Rowing
1.nmdv_-_He_is_the_One_in_many
1.nmdv_-_Laughing_and_playing,_I_came_to_Your_Temple,_O_Lord
1.nmdv_-_The_drum_with_no_drumhead_beats
1.nmdv_-_The_thundering_resonance_of_the_Word
1.nmdv_-_Thou_art_the_Creator,_Thou_alone_art_my_friend
1.nmdv_-_When_I_see_His_ways,_I_sing
1.nrpa_-_Advice_to_Marpa_Lotsawa
1.nrpa_-_The_Summary_of_Mahamudra
1.nrpa_-_The_Viewm_Concisely_Put
1.okym_-_10_-_With_me_along_the_strip_of_Herbage_strown
1.okym_-_11_-_Here_with_a_Loaf_of_Bread_beneath_the_Bough
1.okym_-_12_-_How_sweet_is_mortal_Sovranty!_--_think_some
1.okym_-_13_-_Look_to_the_Rose_that_blows_about_us_--_Lo
1.okym_-_14_-_The_Worldly_Hope_men_set_their_Hearts_upon
1.okym_-_15_-_And_those_who_husbanded_the_Golden_Grain
1.okym_-_16_-_Think,_in_this_batterd_Caravanserai
1.okym_-_17_-_They_say_the_Lion_and_the_Lizard_keep
1.okym_-_18_-_I_sometimes_think_that_never_blows_so_red
1.okym_-_19_-_And_this_delightful_Herb_whose_tender_Green
1.okym_-_1_-_AWAKE!_for_Morning_in_the_Bowl_of_Night
1.okym_-_20_-_Ah,_my_Beloved,_fill_the_Cup_that_clears
1.okym_-_21_-_Lo!_some_we_loved,_the_loveliest_and_best
1.okym_-_22_-_And_we,_that_now_make_merry_in_the_Room
1.okym_-_23_-_Ah,_make_the_most_of_what_we_may_yet_spend
1.okym_-_24_-_Alike_for_those_who_for_To-day_prepare
1.okym_-_25_-_Why,_all_the_Saints_and_Sages_who_discussd
1.okym_-_26_-_Oh,_come_with_old_Khayyam,_and_leave_the_Wise
1.okym_-_27_-_Myself_when_young_did_eagerly_frequent
1.okym_-_28_-_With_them_the_Seed_of_Wisdom_did_I_sow
1.okym_-_29_-_Into_this_Universe,_and_Why_not_knowing
1.okym_-_2_-_Dreaming_when_Dawns_Left_Hand_was_in_the_Sky
1.okym_-_30_-_What,_without_asking,_hither_hurried_whence?
1.okym_-_31_-_Up_from_Earths_Centre_through_the_Seventh_Gate
1.okym_-_32_-_There_was_a_Door_to_which_I_found_no_Key
1.okym_-_33_-_Then_to_the_rolling_Heavn_itself_I_cried
1.okym_-_34_-_Then_to_this_earthen_Bowl_did_I_adjourn
1.okym_-_35_-_I_think_the_Vessel,_that_with_fugitive
1.okym_-_36_-_For_in_the_Market-place,_one_Dusk_of_Day
1.okym_-_37_-_Ah,_fill_the_Cup-_--_what_boots_it_to_repeat
1.okym_-_38_-_One_Moment_in_Annihilations_Waste
1.okym_-_39_-_How_long,_how_long,_in_infinite_Pursuit
1.okym_-_3_-_And,_as_the_Cock_crew,_those_who_stood_before
1.okym_-_40_-_You_know,_my_Friends,_how_long_since_in_my_House
1.okym_-_41_-_For_Is_and_Is-not_though_with_Rule_and_Line
1.okym_-_41_-_later_edition_-_Perplext_no_more_with_Human_or_Divine_Perplext_no_more_with_Human_or_Divine
1.okym_-_42_-_And_lately,_by_the_Tavern_Door_agape
1.okym_-_42_-_later_edition_-_Waste_not_your_Hour,_nor_in_the_vain_pursuit_Waste_not_your_Hour,_nor_in_the_vain_pursuit
1.okym_-_43_-_The_Grape_that_can_with_Logic_absolute
1.okym_-_44_-_The_mighty_Mahmud,_the_victorious_Lord
1.okym_-_45_-_But_leave_the_Wise_to_wrangle,_and_with_me
1.okym_-_46_-_For_in_and_out,_above,_about,_below
1.okym_-_46_-_later_edition_-_Why,_be_this_Juice_the_growth_of_God,_who_dare_Why,_be_this_Juice_the_growth_of_God,_who_dare
1.okym_-_47_-_And_if_the_Wine_you_drink,_the_Lip_you_press
1.okym_-_48_-_While_the_Rose_blows_along_the_River_Brink
1.okym_-_49_-_Tis_all_a_Chequer-board_of_Nights_and_Days
1.okym_-_4_-_Now_the_New_Year_reviving_old_Desires
1.okym_-_50_-_The_Ball_no_Question_makes_of_Ayes_and_Noes
1.okym_-_51_-_later_edition_-_Why,_if_the_Soul_can_fling_the_Dust_aside
1.okym_-_51_-_The_Moving_Finger_writes-_and,_having_writ
1.okym_-_52_-_And_that_inverted_Bowl_we_call_The_Sky
1.okym_-_52_-_later_edition_-_But_that_is_but_a_Tent_wherein_may_rest
1.okym_-_53_-_later_edition_-_I_sent_my_Soul_through_the_Invisible
1.okym_-_53_-_With_Earths_first_Clay_They_did_the_Last_Man_knead
1.okym_-_54_-_I_tell_Thee_this_--_When,_starting_from_the_Goal
1.okym_-_55_-_The_Vine_has_struck_a_fiber-_which_about
1.okym_-_56_-_And_this_I_know-_whether_the_one_True_Light
1.okym_-_57_-_Oh_Thou,_who_didst_with_Pitfall_and_with_gin
1.okym_-_58_-_Oh,_Thou,_who_Man_of_baser_Earth_didst_make
1.okym_-_59_-_Listen_again
1.okym_-_5_-_Iram_indeed_is_gone_with_all_its_Rose
1.okym_-_60_-_And,_strange_to_tell,_among_that_Earthen_Lot
1.okym_-_61_-_Then_said_another_--_Surely_not_in_vain
1.okym_-_62_-_Another_said_--_Why,_neer_a_peevish_Boy
1.okym_-_63_-_None_answerd_this-_but_after_Silence_spake
1.okym_-_64_-_Said_one_--_Folks_of_a_surly_Tapster_tell
1.okym_-_65_-_Then_said_another_with_a_long-drawn_Sigh
1.okym_-_66_-_So_while_the_Vessels_one_by_one_were_speaking
1.okym_-_67_-_Ah,_with_the_Grape_my_fading_Life_provide
1.okym_-_68_-_That_evn_my_buried_Ashes_such_a_Snare
1.okym_-_69_-_Indeed_the_Idols_I_have_loved_so_long
1.okym_-_6_-_And_Davids_Lips_are_lockt-_but_in_divine
1.okym_-_70_-_Indeed,_indeed,_Repentance_oft_before
1.okym_-_71_-_And_much_as_Wine_has_playd_the_Infidel
1.okym_-_72_-_Alas,_that_Spring_should_vanish_with_the_Rose!
1.okym_-_73_-_Ah_Love!_could_thou_and_I_with_Fate_conspire
1.okym_-_74_-_Ah,_Moon_of_my_Delight_who_knowst_no_wane
1.okym_-_75_-_And_when_Thyself_with_shining_Foot_shall_pass
1.okym_-_7_-_Come,_fill_the_Cup,_and_in_the_Fire_of_Spring
1.okym_-_8_-_And_look_--_a_thousand_Blossoms_with_the_Day
1.okym_-_9_-_But_come_with_old_Khayyam,_and_leave_the_Lot
1.pbs_-_A_Bridal_Song
1.pbs_-_A_Dialogue
1.pbs_-_A_Dirge
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_A_Fragment_-_To_Music
1.pbs_-_A_Hate-Song
1.pbs_-_A_Lament
1.pbs_-_Alas!_This_Is_Not_What_I_Thought_Life_Was
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_An_Allegory
1.pbs_-_And_like_a_Dying_Lady,_Lean_and_Pale
1.pbs_-_And_That_I_Walk_Thus_Proudly_Crowned_Withal
1.pbs_-_A_New_National_Anthem
1.pbs_-_An_Exhortation
1.pbs_-_An_Ode,_Written_October,_1819,_Before_The_Spaniards_Had_Recovered_Their_Liberty
1.pbs_-_Another_Fragment_to_Music
1.pbs_-_Archys_Song_From_Charles_The_First_(A_Widow_Bird_Sate_Mourning_For_Her_Love)
1.pbs_-_Arethusa
1.pbs_-_A_Romans_Chamber
1.pbs_-_Art_Thou_Pale_For_Weariness
1.pbs_-_A_Serpent-Face
1.pbs_-_Asia_-_From_Prometheus_Unbound
1.pbs_-_A_Summer_Evening_Churchyard_-_Lechlade,_Gloucestershire
1.pbs_-_A_Tale_Of_Society_As_It_Is_-_From_Facts,_1811
1.pbs_-_Autumn_-_A_Dirge
1.pbs_-_A_Vision_Of_The_Sea
1.pbs_-_A_Widow_Bird_Sate_Mourning_For_Her_Love
1.pbs_-_Beautys_Halo
1.pbs_-_Bereavement
1.pbs_-_Bigotrys_Victim
1.pbs_-_Catalan
1.pbs_-_Charles_The_First
1.pbs_-_Chorus_from_Hellas
1.pbs_-_Dark_Spirit_of_the_Desart_Rude
1.pbs_-_Death
1.pbs_-_Death_In_Life
1.pbs_-_Death_Is_Here_And_Death_Is_There
1.pbs_-_Despair
1.pbs_-_Dirge_For_The_Year
1.pbs_-_English_translationItalian
1.pbs_-_Epigram_III_-_Spirit_of_Plato
1.pbs_-_Epigram_II_-_Kissing_Helena
1.pbs_-_Epigram_I_-_To_Stella
1.pbs_-_Epigram_IV_-_Circumstance
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Epitaph
1.pbs_-_Epithalamium
1.pbs_-_Epithalamium_-_Another_Version
1.pbs_-_Evening_-_Ponte_Al_Mare,_Pisa
1.pbs_-_Evening._To_Harriet
1.pbs_-_Eyes_-_A_Fragment
1.pbs_-_Faint_With_Love,_The_Lady_Of_The_South
1.pbs_-_Feelings_Of_A_Republican_On_The_Fall_Of_Bonaparte
1.pbs_-_Fiordispina
1.pbs_-_Fragment_-_A_Gentle_Story_Of_Two_Lovers_Young
1.pbs_-_Fragment_-_"Amor_Aeternus"
1.pbs_-_Fragment_-_Apostrophe_To_Silence
1.pbs_-_Fragment_-_A_Wanderer
1.pbs_-_Fragment_-_Follow_To_The_Deep_Woods_Weeds
1.pbs_-_Fragment_From_The_Wandering_Jew
1.pbs_-_Fragment_-_Great_Spirit
1.pbs_-_Fragment_-_Home
1.pbs_-_Fragment_-_"Igniculus_Desiderii"
1.pbs_-_Fragment_-_Is_It_That_In_Some_Brighter_Sphere
1.pbs_-_Fragment_-_Love_The_Universe_To-Day
1.pbs_-_Fragment_-_Miltons_Spirit
1.pbs_-_Fragment_-_My_Head_Is_Wild_With_Weeping
1.pbs_-_Fragment_Of_A_Ghost_Story
1.pbs_-_Fragment_Of_A_Satire_On_Satire
1.pbs_-_Fragment_Of_A_Sonnet._Farewell_To_North_Devon
1.pbs_-_Fragment_Of_A_Sonnet_-_To_Harriet
1.pbs_-_Fragment_Of_The_Elegy_On_The_Death_Of_Adonis
1.pbs_-_Fragment_Of_The_Elegy_On_The_Death_Of_Bion
1.pbs_-_Fragment_-_Omens
1.pbs_-_Fragment,_Or_The_Triumph_Of_Conscience
1.pbs_-_Fragment_-_Rain
1.pbs_-_Fragment_-_Satan_Broken_Loose
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragments_Supposed_To_Be_Parts_Of_Otho
1.pbs_-_Fragment_-_Such_Hope,_As_Is_The_Sick_Despair_Of_Good
1.pbs_-_Fragment_-_Sufficient_Unto_The_Day
1.pbs_-_Fragment_-_Supposed_To_Be_An_Epithalamium_Of_Francis_Ravaillac_And_Charlotte_Corday
1.pbs_-_Fragments_Written_For_Hellas
1.pbs_-_Fragment_-_The_Lakes_Margin
1.pbs_-_Fragment_-_There_Is_A_Warm_And_Gentle_Atmosphere
1.pbs_-_Fragment_-_The_Vine-Shroud
1.pbs_-_Fragment_-_Thoughts_Come_And_Go_In_Solitude
1.pbs_-_Fragment_-_To_A_Friend_Released_From_Prison
1.pbs_-_Fragment_-_To_Byron
1.pbs_-_Fragment_-_To_One_Singing
1.pbs_-_Fragment_-_To_The_Moon
1.pbs_-_Fragment_-_To_The_People_Of_England
1.pbs_-_Fragment_-_Wedded_Souls
1.pbs_-_Fragment_-_What_Mary_Is_When_She_A_Little_Smiles
1.pbs_-_Fragment_-_What_Men_Gain_Fairly
1.pbs_-_Fragment_-_Ye_Gentle_Visitations_Of_Calm_Thought
1.pbs_-_Fragment_-_Yes!_All_Is_Past
1.pbs_-_From
1.pbs_-_From_The_Arabic_-_An_Imitation
1.pbs_-_From_the_Arabic,_an_Imitation
1.pbs_-_From_The_Greek_Of_Moschus
1.pbs_-_From_The_Greek_Of_Moschus_-_Pan_Loved_His_Neighbour_Echo
1.pbs_-_From_The_Original_Draft_Of_The_Poem_To_William_Shelley
1.pbs_-_From_Vergils_Fourth_Georgic
1.pbs_-_From_Vergils_Tenth_Eclogue
1.pbs_-_Ghasta_Or,_The_Avenging_Demon!!!
1.pbs_-_Ginevra
1.pbs_-_Good-Night
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_HERE_I_sit_with_my_paper
1.pbs_-_Homers_Hymn_To_Castor_And_Pollux
1.pbs_-_Homers_Hymn_To_Minerva
1.pbs_-_Homers_Hymn_To_The_Earth_-_Mother_Of_All
1.pbs_-_Homers_Hymn_To_The_Moon
1.pbs_-_Homers_Hymn_To_The_Sun
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Hymn_of_Apollo
1.pbs_-_Hymn_of_Pan
1.pbs_-_Hymn_to_Intellectual_Beauty
1.pbs_-_Hymn_To_Mercury
1.pbs_-_I_Arise_from_Dreams_of_Thee
1.pbs_-_I_Faint,_I_Perish_With_My_Love!
1.pbs_-_Invocation
1.pbs_-_Invocation_To_Misery
1.pbs_-_I_Stood_Upon_A_Heaven-cleaving_Turret
1.pbs_-_I_Would_Not_Be_A_King
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Liberty
1.pbs_-_Life_Rounded_With_Sleep
1.pbs_-_Lines_--_Far,_Far_Away,_O_Ye
1.pbs_-_Lines_-_That_time_is_dead_for_ever,_child!
1.pbs_-_Lines_-_The_cold_earth_slept_below
1.pbs_-_Lines_To_A_Critic
1.pbs_-_Lines_To_A_Reviewer
1.pbs_-_Lines_-_We_Meet_Not_As_We_Parted
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Lines_Written_During_The_Castlereagh_Administration
1.pbs_-_Lines_Written_in_the_Bay_of_Lerici
1.pbs_-_Lines_Written_On_Hearing_The_News_Of_The_Death_Of_Napoleon
1.pbs_-_Love
1.pbs_-_Love-_Hope,_Desire,_And_Fear
1.pbs_-_Loves_Philosophy
1.pbs_-_Loves_Rose
1.pbs_-_Marenghi
1.pbs_-_Mariannes_Dream
1.pbs_-_Matilda_Gathering_Flowers
1.pbs_-_May_The_Limner
1.pbs_-_Melody_To_A_Scene_Of_Former_Times
1.pbs_-_Methought_I_Was_A_Billow_In_The_Crowd
1.pbs_-_Mighty_Eagle
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_Music
1.pbs_-_Music(2)
1.pbs_-_Music_And_Sweet_Poetry
1.pbs_-_Mutability
1.pbs_-_Mutability_-_II.
1.pbs_-_Ode_To_Heaven
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Ode_to_the_West_Wind
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_On_A_Faded_Violet
1.pbs_-_On_A_Fete_At_Carlton_House_-_Fragment
1.pbs_-_On_An_Icicle_That_Clung_To_The_Grass_Of_A_Grave
1.pbs_-_On_Death
1.pbs_-_One_sung_of_thee_who_left_the_tale_untold
1.pbs_-_On_Fanny_Godwin
1.pbs_-_On_Keats,_Who_Desired_That_On_His_Tomb_Should_Be_Inscribed--
1.pbs_-_On_Leaving_London_For_Wales
1.pbs_-_On_Robert_Emmets_Grave
1.pbs_-_On_The_Dark_Height_of_Jura
1.pbs_-_On_The_Medusa_Of_Leonardo_da_Vinci_In_The_Florentine_Gallery
1.pbs_-_Orpheus
1.pbs_-_O_That_A_Chariot_Of_Cloud_Were_Mine!
1.pbs_-_Otho
1.pbs_-_O_Thou_Immortal_Deity
1.pbs_-_Ozymandias
1.pbs_-_Passage_Of_The_Apennines
1.pbs_-_Pater_Omnipotens
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Poetical_Essay
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_I.
1.pbs_-_Queen_Mab_-_Part_II.
1.pbs_-_Queen_Mab_-_Part_III.
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_IX.
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_Vi_(Excerpts)
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Queen_Mab_-_Part_VIII.
1.pbs_-_Remembrance
1.pbs_-_Revenge
1.pbs_-_Rome_And_Nature
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Saint_Edmonds_Eve
1.pbs_-_Scene_From_Tasso
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Similes_For_Two_Political_Characters_of_1819
1.pbs_-_Sister_Rosa_-_A_Ballad
1.pbs_-_Song
1.pbs_-_Song._Cold,_Cold_Is_The_Blast_When_December_Is_Howling
1.pbs_-_Song._Come_Harriet!_Sweet_Is_The_Hour
1.pbs_-_Song._Despair
1.pbs_-_Song._--_Fierce_Roars_The_Midnight_Storm
1.pbs_-_Song_For_Tasso
1.pbs_-_Song_From_The_Wandering_Jew
1.pbs_-_Song._Hope
1.pbs_-_Song_Of_Proserpine_While_Gathering_Flowers_On_The_Plain_Of_Enna
1.pbs_-_Song._Sorrow
1.pbs_-_Song._To_--_[Harriet]
1.pbs_-_Song._To_[Harriet]
1.pbs_-_Song_To_The_Men_Of_England
1.pbs_-_Song._Translated_From_The_German
1.pbs_-_Song._Translated_From_The_Italian
1.pbs_-_Sonnet_-_England_in_1819
1.pbs_-_Sonnet_-_From_The_Italian_Of_Cavalcanti
1.pbs_-_Sonnet_-_From_The_Italian_Of_Dante
1.pbs_-_Sonnet_-_Lift_Not_The_Painted_Veil_Which_Those_Who_Live
1.pbs_-_Sonnet_-_On_Launching_Some_Bottles_Filled_With_Knowledge_Into_The_Bristol_Channel
1.pbs_-_Sonnet_-_Political_Greatness
1.pbs_-_Sonnet_-_To_A_Balloon_Laden_With_Knowledge
1.pbs_-_Sonnet_To_Byron
1.pbs_-_Sonnet_--_Ye_Hasten_To_The_Grave!
1.pbs_-_Stanza
1.pbs_-_Stanza_From_A_Translation_Of_The_Marseillaise_Hymn
1.pbs_-_Stanzas._--_April,_1814
1.pbs_-_Stanzas_From_Calderons_Cisma_De_Inglaterra
1.pbs_-_Stanzas_Written_in_Dejection,_Near_Naples
1.pbs_-_Stanza-_Written_At_Bracknell
1.pbs_-_St._Irvynes_Tower
1.pbs_-_Summer_And_Winter
1.pbs_-_The_Aziola
1.pbs_-_The_Birth_Place_of_Pleasure
1.pbs_-_The_Boat_On_The_Serchio
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cloud
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Death_Knell_Is_Ringing
1.pbs_-_The_Deserts_Of_Dim_Sleep
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Drowned_Lover
1.pbs_-_The_False_Laurel_And_The_True
1.pbs_-_The_First_Canzone_Of_The_Convito
1.pbs_-_The_Fitful_Alternations_of_the_Rain
1.pbs_-_The_Fugitives
1.pbs_-_The_Indian_Serenade
1.pbs_-_The_Irishmans_Song
1.pbs_-_The_Isle
1.pbs_-_The_Magnetic_Lady_To_Her_Patient
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Past
1.pbs_-_The_Pine_Forest_Of_The_Cascine_Near_Pisa
1.pbs_-_The_Question
1.pbs_-_The_Retrospect_-_CWM_Elan,_1812
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Rude_Wind_Is_Singing
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Sepulchre_Of_Memory
1.pbs_-_The_Solitary
1.pbs_-_The_Spectral_Horseman
1.pbs_-_The_Sunset
1.pbs_-_The_Tower_Of_Famine
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Two_Spirits_-_An_Allegory
1.pbs_-_The_Viewless_And_Invisible_Consequence
1.pbs_-_The_Wandering_Jews_Soliloquy
1.pbs_-_The_Waning_Moon
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_The_Woodman_And_The_Nightingale
1.pbs_-_The_Worlds_Wanderers
1.pbs_-_The_Zucca
1.pbs_-_Time
1.pbs_-_Time_Long_Past
1.pbs_-_To--
1.pbs_-_To_A_Skylark
1.pbs_-_To_A_Star
1.pbs_-_To_Coleridge
1.pbs_-_To_Constantia
1.pbs_-_To_Constantia-_Singing
1.pbs_-_To_Death
1.pbs_-_To_Edward_Williams
1.pbs_-_To_Emilia_Viviani
1.pbs_-_To_Harriet
1.pbs_-_To_Harriet_--_It_Is_Not_Blasphemy_To_Hope_That_Heaven
1.pbs_-_To_Ianthe
1.pbs_-_To--_I_Fear_Thy_Kisses,_Gentle_Maiden
1.pbs_-_To_Ireland
1.pbs_-_To_Italy
1.pbs_-_To_Jane_-_The_Invitation
1.pbs_-_To_Jane_-_The_Keen_Stars_Were_Twinkling
1.pbs_-_To_Jane_-_The_Recollection
1.pbs_-_To_Mary_-
1.pbs_-_To_Mary_Shelley
1.pbs_-_To_Mary_Shelley_(2)
1.pbs_-_To_Mary_Who_Died_In_This_Opinion
1.pbs_-_To_Mary_Wollstonecraft_Godwin
1.pbs_-_To-morrow
1.pbs_-_To--_Music,_when_soft_voices_die
1.pbs_-_To_Night
1.pbs_-_To--_Oh!_there_are_spirits_of_the_air
1.pbs_-_To--_One_word_is_too_often_profaned
1.pbs_-_To_Sophia_(Miss_Stacey)
1.pbs_-_To_The_Lord_Chancellor
1.pbs_-_To_The_Men_Of_England
1.pbs_-_To_The_Mind_Of_Man
1.pbs_-_To_the_Moon
1.pbs_-_To_The_Moonbeam
1.pbs_-_To_The_Nile
1.pbs_-_To_The_Queen_Of_My_Heart
1.pbs_-_To_The_Republicans_Of_North_America
1.pbs_-_To_William_Shelley
1.pbs_-_To_William_Shelley.
1.pbs_-_To_William_Shelley._Thy_Little_Footsteps_On_The_Sands
1.pbs_-_To_Wordsworth
1.pbs_-_To--_Yet_look_on_me
1.pbs_-_Ugolino
1.pbs_-_Unrisen_Splendour_Of_The_Brightest_Sun
1.pbs_-_Verses_On_A_Cat
1.pbs_-_Wake_The_Serpent_Not
1.pbs_-_War
1.pbs_-_When_A_Lover_Clasps_His_Fairest
1.pbs_-_When_Soft_Winds_And_Sunny_Skies
1.pbs_-_When_The_Lamp_Is_Shattered
1.pbs_-_Wine_Of_The_Fairies
1.pbs_-_With_A_Guitar,_To_Jane
1.pbs_-_Written_At_Bracknell
1.pbs_-_Zephyrus_The_Awakener
1.pc_-_Autumns_Cold
1.pc_-_Lute
1.pc_-_Staying_at_Bamboo_Lodge
1.poe_-_A_Dream
1.poe_-_A_Dream_Within_A_Dream
1.poe_-_Al_Aaraaf-_Part_1
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Alone
1.poe_-_An_Acrostic
1.poe_-_An_Enigma
1.poe_-_Annabel_Lee
1.poe_-_A_Paean
1.poe_-_A_Valentine
1.poe_-_Dreamland
1.poe_-_Dreams
1.poe_-_Eldorado
1.poe_-_Elizabeth
1.poe_-_Enigma
1.poe_-_Epigram_For_Wall_Street
1.poe_-_Eulalie
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Evening_Star
1.poe_-_Fairy-Land
1.poe_-_For_Annie
1.poe_-_Hymn
1.poe_-_Hymn_To_Aristogeiton_And_Harmodius
1.poe_-_Imitation
1.poe_-_Impromptu_-_To_Kate_Carol
1.poe_-_In_Youth_I_have_Known_One
1.poe_-_Israfel
1.poe_-_Lenore
1.poe_-_Romance
1.poe_-_Sancta_Maria
1.poe_-_Serenade
1.poe_-_Song
1.poe_-_Sonnet-_Silence
1.poe_-_Sonnet_-_To_Science
1.poe_-_Sonnet-_To_Zante
1.poe_-_Spirits_Of_The_Dead
1.poe_-_Tamerlane
1.poe_-_The_Bells
1.poe_-_The_Bells_-_A_collaboration
1.poe_-_The_Bridal_Ballad
1.poe_-_The_City_In_The_Sea
1.poe_-_The_City_Of_Sin
1.poe_-_The_Coliseum
1.poe_-_The_Conqueror_Worm
1.poe_-_The_Conversation_Of_Eiros_And_Charmion
1.poe_-_The_Divine_Right_Of_Kings
1.poe_-_The_Forest_Reverie
1.poe_-_The_Happiest_Day-The_Happiest_Hour
1.poe_-_The_Haunted_Palace
1.poe_-_The_Power_Of_Words_Oinos.
1.poe_-_The_Raven
1.poe_-_The_Sleeper
1.poe_-_The_Valley_Of_Unrest
1.poe_-_The_Village_Street
1.poe_-_To_--
1.poe_-_To_--_(2)
1.poe_-_To_--_(3)
1.poe_-_To_F--
1.poe_-_To_Frances_S._Osgood
1.poe_-_To_Helen_-_1831
1.poe_-_To_Helen_-_1848
1.poe_-_To_Isadore
1.poe_-_To_M--
1.poe_-_To_Marie_Louise_(Shew)
1.poe_-_To_My_Mother
1.poe_-_To_One_Departed
1.poe_-_To_One_In_Paradise
1.poe_-_To_The_Lake
1.poe_-_To_The_River
1.poe_-_Ulalume
1.pp_-_Raga_Dhanashri
1.raa_-_A_Holy_Tabernacle_in_the_Heart_(from_Life_of_the_Future_World)
1.raa_-_And_the_letter_is_longing
1.raa_-_And_YHVH_spoke_to_me_when_I_saw_His_name
1.raa_-_Circles_1_(from_Life_of_the_Future_World)
1.raa_-_Circles_2_(from_Life_of_the_Future_World)
1.raa_-_Circles_3_(from_Life_of_the_Future_World)
1.raa_-_Circles_4_(from_Life_of_the_Future_World)
1.raa_-_Their_mystery_is_(from_Life_of_the_Future_World)
1.rajh_-_God_Pursues_Me_Everywhere
1.rajh_-_Intimate_Hymn
1.rajh_-_The_Word_Most_Precious
1.rb_-_Abt_Vogler
1.rb_-_A_Cavalier_Song
1.rb_-_After
1.rb_-_A_Grammarian's_Funeral_Shortly_After_The_Revival_Of_Learning
1.rb_-_Aix_In_Provence
1.rb_-_A_Light_Woman
1.rb_-_A_Lovers_Quarrel
1.rb_-_Among_The_Rocks
1.rb_-_Andrea_del_Sarto
1.rb_-_An_Epistle_Containing_the_Strange_Medical_Experience_of_Kar
1.rb_-_Another_Way_Of_Love
1.rb_-_Any_Wife_To_Any_Husband
1.rb_-_A_Pretty_Woman
1.rb_-_A_Serenade_At_The_Villa
1.rb_-_A_Toccata_Of_Galuppi's
1.rb_-_A_Womans_Last_Word
1.rb_-_Before
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Bishop_Orders_His_Tomb_at_Saint_Praxed's_Church,_Rome,_The
1.rb_-_By_The_Fire-Side
1.rb_-_Caliban_upon_Setebos_or,_Natural_Theology_in_the_Island
1.rb_-_Childe_Roland_To_The_Dark_Tower_Came
1.rb_-_Cleon
1.rb_-_Confessions
1.rb_-_Cristina
1.rb_-_De_Gustibus
1.rb_-_Earth's_Immortalities
1.rb_-_Evelyn_Hope
1.rb_-_Fra_Lippo_Lippi
1.rb_-_Garden_Francies
1.rb_-_Holy-Cross_Day
1.rb_-_Home_Thoughts,_from_the_Sea
1.rb_-_How_They_Brought_The_Good_News_From_Ghent_To_Aix
1.rb_-_In_A_Gondola
1.rb_-_In_A_Year
1.rb_-_Incident_Of_The_French_Camp
1.rb_-_In_Three_Days
1.rb_-_Introduction:_Pippa_Passes
1.rbk_-_Epithalamium
1.rbk_-_He_Shall_be_King!
1.rb_-_Life_In_A_Love
1.rb_-_Love_Among_The_Ruins
1.rb_-_Love_In_A_Life
1.rb_-_Master_Hugues_Of_Saxe-Gotha
1.rb_-_Meeting_At_Night
1.rb_-_Memorabilia
1.rb_-_Mesmerism
1.rb_-_My_Last_Duchess
1.rb_-_My_Star
1.rb_-_Nationality_In_Drinks
1.rb_-_Never_the_Time_and_the_Place
1.rb_-_Now!
1.rb_-_Old_Pictures_In_Florence
1.rb_-_O_Lyric_Love
1.rb_-_One_Way_Of_Love
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Parting_At_Morning
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_III_-_Evening
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Pippa_Passes_-_Part_I_-_Morning
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Pippas_Song
1.rb_-_Popularity
1.rb_-_Porphyrias_Lover
1.rb_-_Prospice
1.rb_-_Protus
1.rb_-_Rabbi_Ben_Ezra
1.rb_-_Respectability
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Soliloquy_Of_The_Spanish_Cloister
1.rb_-_Song
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Boy_And_the_Angel
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Guardian-Angel
1.rb_-_The_Italian_In_England
1.rb_-_The_Laboratory-Ancien_Rgime
1.rb_-_The_Last_Ride_Together
1.rb_-_The_Lost_Leader
1.rb_-_The_Lost_Mistress
1.rb_-_The_Patriot
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rb_-_The_Twins
1.rb_-_Times_Revenges
1.rb_-_Two_In_The_Campagna
1.rb_-_Waring
1.rb_-_Why_I_Am_a_Liberal
1.rb_-_Women_And_Roses
1.rb_-_Youll_Love_Me_Yet
1.rmd_-_Raga_Basant
1.rmpsd_-_Come,_let_us_go_for_a_walk,_O_mind
1.rmpsd_-_Conquer_Death_with_the_drumbeat_Ma!_Ma!_Ma!
1.rmpsd_-_I_drink_no_ordinary_wine
1.rmpsd_-_In_the_worlds_busy_market-place,_O_Shyama
1.rmpsd_-_Its_value_beyond_assessment_by_the_mind
1.rmpsd_-_Kulakundalini,_Goddess_Full_of_Brahman,_Tara
1.rmpsd_-_Love_Her,_Mind
1.rmpsd_-_Ma,_Youre_inside_me
1.rmpsd_-_Meditate_on_Kali!_Why_be_anxious?
1.rmpsd_-_Mother,_am_I_Thine_eight-months_child?
1.rmpsd_-_Mother_this_is_the_grief_that_sorely_grieves_my_heart
1.rmpsd_-_O_Death!_Get_away-_what_canst_thou_do?
1.rmpsd_-_Of_what_use_is_my_going_to_Kasi_any_more?
1.rmpsd_-_O_Mother,_who_really
1.rmpsd_-_Once_for_all,_this_time
1.rmpsd_-_So_I_say-_Mind,_dont_you_sleep
1.rmpsd_-_Tell_me,_brother,_what_happens_after_death?
1.rmpsd_-_This_time_I_shall_devour_Thee_utterly,_Mother_Kali!
1.rmpsd_-_Who_in_this_world
1.rmpsd_-_Who_is_that_Syama_woman
1.rmpsd_-_Why_disappear_into_formless_trance?
1.rmr_-_Abishag
1.rmr_-_Adam
1.rmr_-_Again_and_Again
1.rmr_-_Along_the_Sun-Drenched_Roadside
1.rmr_-_As_Once_the_Winged_Energy_of_Delight
1.rmr_-_A_Sybil
1.rmr_-_Autumn
1.rmr_-_Autumn_Day
1.rmr_-_A_Walk
1.rmr_-_Before_Summer_Rain
1.rmr_-_Black_Cat_(Schwarze_Katze)
1.rmr_-_Blank_Joy
1.rmr_-_Buddha_in_Glory
1.rmr_-_Childhood
1.rmr_-_Child_In_Red
1.rmr_-_Death
1.rmr_-_Dedication
1.rmr_-_Dedication_To_M...
1.rmr_-_Early_Spring
1.rmr_-_Elegy_I
1.rmr_-_Elegy_IV
1.rmr_-_Elegy_X
1.rmr_-_Encounter_In_The_Chestnut_Avenue
1.rmr_-_English_translationGerman
1.rmr_-_Eve
1.rmr_-_Evening
1.rmr_-_Evening_Love_Song
1.rmr_-_Exposed_on_the_cliffs_of_the_heart
1.rmr_-_Extinguish_Thou_My_Eyes
1.rmr_-_Falconry
1.rmr_-_Falling_Stars
1.rmr_-_Fear_of_the_Inexplicable
1.rmr_-_Fire's_Reflection
1.rmr_-_For_Hans_Carossa
1.rmr_-_Girl_in_Love
1.rmr_-_Girl's_Lament
1.rmr_-_God_Speaks_To_Each_Of_Us
1.rmr_-_Going_Blind
1.rmr_-_Greek_Love-Talk
1.rmr_-_Growing_Old
1.rmr_-_Heartbeat
1.rmr_-_Ignorant_Before_The_Heavens_Of_My_Life
1.rmr_-_Interior_Portrait
1.rmr_-_In_The_Beginning
1.rmr_-_Lady_At_A_Mirror
1.rmr_-_Lady_On_A_Balcony
1.rmr_-_Lament
1.rmr_-_Lament_(O_how_all_things_are_far_removed)
1.rmr_-_Lament_(Whom_will_you_cry_to,_heart?)
1.rmr_-_Little_Tear-Vase
1.rmr_-_Loneliness
1.rmr_-_Losing
1.rmr_-_Love_Song
1.rmr_-_Moving_Forward
1.rmr_-_Music
1.rmr_-_My_Life
1.rmr_-_Narcissus
1.rmr_-_Night_(O_you_whose_countenance)
1.rmr_-_Night_(This_night,_agitated_by_the_growing_storm)
1.rmr_-_On_Hearing_Of_A_Death
1.rmr_-_Palm
1.rmr_-_Parting
1.rmr_-_Portrait_of_my_Father_as_a_Young_Man
1.rmr_-_Put_Out_My_Eyes
1.rmr_-_Rememberance
1.rmr_-_Sacrifice
1.rmr_-_Self-Portrait
1.rmr_-_Sense_Of_Something_Coming
1.rmr_-_Slumber_Song
1.rmr_-_Solemn_Hour
1.rmr_-_Song
1.rmr_-_Song_Of_The_Orphan
1.rmr_-_Song_Of_The_Sea
1.rmr_-_Song_Of_The_Women_To_The_Poet
1.rmr_-_Spanish_Dancer
1.rmr_-_Sunset
1.rmr_-_Telling_You_All
1.rmr_-_The_Alchemist
1.rmr_-_The_Apple_Orchard
1.rmr_-_The_Future
1.rmr_-_The_Grown-Up
1.rmr_-_The_Last_Evening
1.rmr_-_The_Lovers
1.rmr_-_The_Neighbor
1.rmr_-_The_Panther
1.rmr_-_The_Poet
1.rmr_-_The_Sisters
1.rmr_-_The_Song_Of_The_Beggar
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_I
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_VI
1.rmr_-_The_Sonnets_To_Orpheus_-_Book_2_-_XIII
1.rmr_-_The_Sonnets_To_Orpheus_-_I
1.rmr_-_The_Sonnets_To_Orpheus_-_IV
1.rmr_-_The_Sonnets_To_Orpheus_-_X
1.rmr_-_The_Sonnets_To_Orpheus_-_XIX
1.rmr_-_The_Sonnets_To_Orpheus_-_XXV
1.rmr_-_The_Spanish_Dancer
1.rmr_-_The_Swan
1.rmr_-_The_Unicorn
1.rmr_-_The_Voices
1.rmr_-_The_Wait
1.rmr_-_Time_and_Again
1.rmr_-_To_Lou_Andreas-Salome
1.rmr_-_To_Music
1.rmr_-_Torso_of_an_Archaic_Apollo
1.rmr_-_To_Say_Before_Going_to_Sleep
1.rmr_-_Venetian_Morning
1.rmr_-_Water_Lily
1.rmr_-_What_Birds_Plunge_Through_Is_Not_The_Intimate_Space
1.rmr_-_What_Fields_Are_As_Fragrant_As_Your_Hands?
1.rmr_-_What_Survives
1.rmr_-_Woman_in_Love
1.rmr_-_World_Was_In_The_Face_Of_The_Beloved
1.rmr_-_You_Must_Not_Understand_This_Life_(with_original_German)
1.rmr_-_You_Who_Never_Arrived
1.rmr_-_You,_you_only,_exist
1.rt_-_(101)_Ever_in_my_life_have_I_sought_thee_with_my_songs_(from_Gitanjali)
1.rt_-_(103)_In_one_salutation_to_thee,_my_God_(from_Gitanjali)
1.rt_-_(1)_Thou_hast_made_me_endless_(from_Gitanjali)
1.rt_-_(38)_I_want_thee,_only_thee_(from_Gitanjali)
1.rt_-_(75)_Thy_gifts_to_us_mortals_fulfil_all_our_needs_(from_Gitanjali)
1.rt_-_(80)_I_am_like_a_remnant_of_a_cloud_of_autumn_(from_Gitanjali)
1.rt_-_Accept_me,_my_lord,_accept_me_for_this_while
1.rt_-_A_Dream
1.rt_-_A_Hundred_Years_Hence
1.rt_-_Akash_Bhara_Surya_Tara_Biswabhara_Pran_(Translation)
1.rt_-_All_These_I_Loved
1.rt_-_Along_The_Way
1.rt_-_And_In_Wonder_And_Amazement_I_Sing
1.rt_-_At_The_End_Of_The_Day
1.rt_-_At_The_Last_Watch
1.rt_-_Authorship
1.rt_-_Babys_Way
1.rt_-_Babys_World
1.rt_-_Beggarly_Heart
1.rt_-_Benediction
1.rt_-_Birth_Story
1.rt_-_Brahm,_Viu,_iva
1.rt_-_Brink_Of_Eternity
1.rt_-_Broken_Song
1.rt_-_Chain_Of_Pearls
1.rt_-_Closed_Path
1.rt_-_Clouds_And_Waves
1.rt_-_Colored_Toys
1.rt_-_Compensation
1.rt_-_Cruel_Kindness
1.rt_-_Death
1.rt_-_Defamation
1.rt_-_Distant_Time
1.rt_-_Dream_Girl
1.rt_-_Dungeon
1.rt_-_Endless_Time
1.rt_-_Face_To_Face
1.rt_-_Fairyland
1.rt_-_Farewell
1.rt_-_Fireflies
1.rt_-_Flower
1.rt_-_Fool
1.rt_-_Freedom
1.rt_-_Friend
1.rt_-_From_Afar
1.rt_-_Gift_Of_The_Great
1.rt_-_Gitanjali
1.rt_-_Give_Me_Strength
1.rt_-_Hard_Times
1.rt_-_Hes_there_among_the_scented_trees_(from_The_Lover_of_God)
1.rt_-_I
1.rt_-_I_Am_Restless
1.rt_-_I_Cast_My_Net_Into_The_Sea
1.rt_-_I_Found_A_Few_Old_Letters
1.rt_-_Innermost_One
1.rt_-_In_The_Country
1.rt_-_In_The_Dusky_Path_Of_A_Dream
1.rt_-_I_touch_God_in_my_song
1.rt_-_Journey_Home
1.rt_-_Keep_Me_Fully_Glad
1.rt_-_Kinu_Goalas_Alley
1.rt_-_Krishnakali
1.rt_-_Lamp_Of_Love
1.rt_-_Last_Curtain
1.rt_-_Leave_This
1.rt_-_Let_Me_Not_Forget
1.rt_-_Light
1.rt_-_Listen,_can_you_hear_it?_(from_The_Lover_of_God)
1.rt_-_Little_Flute
1.rt_-_Little_Of_Me
1.rt_-_Lord_Of_My_Life
1.rt_-_Lost_Star
1.rt_-_Lost_Time
1.rt_-_Lotus
1.rt_-_Lovers_Gifts_II_-_Come_To_My_Garden_Walk
1.rt_-_Lovers_Gifts_IV_-_She_Is_Near_To_My_Heart
1.rt_-_Lovers_Gifts_LII_-_Tired_Of_Waiting
1.rt_-_Lovers_Gifts_LIV_-_In_The_Beginning_Of_Time
1.rt_-_Lovers_Gifts_LVIII_-_Things_Throng_And_Laugh
1.rt_-_Lovers_Gifts_LVI_-_The_Evening_Was_Lonely
1.rt_-_Lovers_Gifts_LXX_-_Take_Back_Your_Coins
1.rt_-_Lovers_Gifts_VIII_-_There_Is_Room_For_You
1.rt_-_Lovers_Gifts_V_-_I_Would_Ask_For_Still_More
1.rt_-_Lovers_Gifts_XIII_-_Last_Night_In_The_Garden
1.rt_-_Lovers_Gifts_XIX_-_It_Is_Written_In_The_Book
1.rt_-_Lovers_Gifts_XL_-_A_Message_Came
1.rt_-_Lovers_Gifts_XLII_-_Are_You_A_Mere_Picture
1.rt_-_Lovers_Gifts_XLIII_-_Dying,_You_Have_Left_Behind
1.rt_-_Lovers_Gifts_XLIV_-_Where_Is_Heaven
1.rt_-_Lovers_Gifts_XLVIII_-_I_Travelled_The_Old_Road
1.rt_-_Lovers_Gifts_XLVII_-_The_Road_Is
1.rt_-_Lovers_Gifts_XVIII_-_Your_Days
1.rt_-_Lovers_Gifts_XVI_-_She_Dwelt_Here_By_The_Pool
1.rt_-_Lovers_Gifts_XXII_-_I_Shall_Gladly_Suffer
1.rt_-_Lovers_Gifts_XXVIII_-_I_Dreamt
1.rt_-_Lovers_Gifts_XXXIX_-_There_Is_A_Looker-On
1.rt_-_Maran-Milan_(Death-Wedding)
1.rt_-_Maya
1.rt_-_Meeting
1.rt_-_Moments_Indulgence
1.rt_-_My_Dependence
1.rt_-_My_Friend,_Come_In_These_Rains
1.rt_-_My_Polar_Star
1.rt_-_My_Pole_Star
1.rt_-_My_Present
1.rt_-_My_Song
1.rt_-_Ocean_Of_Forms
1.rt_-_Old_And_New
1.rt_-_Old_Letters_
1.rt_-_One_Day_In_Spring....
1.rt_-_Only_Thee
1.rt_-_On_many_an_idle_day_have_I_grieved_over_lost_time_(from_Gitanjali)
1.rt_-_On_The_Nature_Of_Love
1.rt_-_On_The_Seashore
1.rt_-_Our_Meeting
1.rt_-_Palm_Tree
1.rt_-_Paper_Boats
1.rt_-_Parting_Words
1.rt_-_Passing_Breeze
1.rt_-_Patience
1.rt_-_Playthings
1.rt_-_Poems_On_Beauty
1.rt_-_Poems_On_Life
1.rt_-_Poems_On_Man
1.rt_-_Poems_On_Time
1.rt_-_Prisoner
1.rt_-_Purity
1.rt_-_Rare
1.rt_-_Religious_Obsession_--_translation_from_Dharmamoha
1.rt_-_Roaming_Cloud
1.rt_-_Sail_Away
1.rt_-_Salutation
1.rt_-_Senses
1.rt_-_She
1.rt_-_Shyama
1.rt_-_Signet_Of_Eternity
1.rt_-_Silent_Steps
1.rt_-_Sit_Smiling
1.rt_-_Sleep
1.rt_-_Sleep-Stealer
1.rt_-_Song_Unsung
1.rt_-_Still_Heart
1.rt_-_Stray_Birds_01_-_10
1.rt_-_Stray_Birds_11-_20
1.rt_-_Stray_Birds_21_-_30
1.rt_-_Stray_Birds_31_-_40
1.rt_-_Stray_Birds_51_-_60
1.rt_-_Stray_Birds_61_-_70
1.rt_-_Stray_Birds_71_-_80
1.rt_-_Stray_Birds_81_-_90
1.rt_-_Stream_Of_Life
1.rt_-_Strong_Mercy
1.rt_-_Superior
1.rt_-_Sympathy
1.rt_-_The_Astronomer
1.rt_-_The_Banyan_Tree
1.rt_-_The_Beginning
1.rt_-_The_Boat
1.rt_-_The_Call_Of_The_Far
1.rt_-_The_Champa_Flower
1.rt_-_The_Child-Angel
1.rt_-_The_End
1.rt_-_The_First_Jasmines
1.rt_-_The_Flower-School
1.rt_-_The_Further_Bank
1.rt_-_The_Gardener_IV_-_Ah_Me
1.rt_-_The_Gardener_IX_-_When_I_Go_Alone_At_Night
1.rt_-_The_Gardener_LI_-_Then_Finish_The_Last_Song
1.rt_-_The_Gardener_LIX_-_O_Woman
1.rt_-_The_Gardener_LVII_-_I_Plucked_Your_Flower
1.rt_-_The_Gardener_LV_-_It_Was_Mid-Day
1.rt_-_The_Gardener_LXI_-_Peace,_My_Heart
1.rt_-_The_Gardener_LXIV_-_I_Spent_My_Day
1.rt_-_The_Gardener_LXIX_-_I_Hunt_For_The_Golden_Stag
1.rt_-_The_Gardener_LXVIII_-_None_Lives_For_Ever,_Brother
1.rt_-_The_Gardener_LXXIX_-_I_Often_Wonder
1.rt_-_The_Gardener_LXXV_-_At_Midnight
1.rt_-_The_Gardener_LXXXIII_-_She_Dwelt_On_The_Hillside
1.rt_-_The_Gardener_LXXXIV_-_Over_The_Green
1.rt_-_The_Gardener_LXXXI_-_Why_Do_You_Whisper_So_Faintly
1.rt_-_The_Gardener_XI_-_Come_As_You_Are
1.rt_-_The_Gardener_XIII_-_I_Asked_Nothing
1.rt_-_The_Gardener_XIV_-_I_Was_Walking_By_The_Road
1.rt_-_The_Gardener_XIX_-_You_Walked
1.rt_-_The_Gardener_XL_-_An_Unbelieving_Smile
1.rt_-_The_Gardener_X_-_Let_Your_Work_Be,_Bride
1.rt_-_The_Gardener_XLIII_-_No,_My_Friends
1.rt_-_The_Gardener_XLII_-_O_Mad,_Superbly_Drunk
1.rt_-_The_Gardener_XLIV_-_Reverend_Sir,_Forgive
1.rt_-_The_Gardener_XLVIII_-_Free_Me
1.rt_-_The_Gardener_XLVI_-_You_Left_Me
1.rt_-_The_Gardener_XLV_-_To_The_Guests
1.rt_-_The_Gardener_XVI_-_Hands_Cling_To_Eyes
1.rt_-_The_Gardener_XVIII_-_When_Two_Sisters
1.rt_-_The_Gardener_XX_-_Day_After_Day_He_Comes
1.rt_-_The_Gardener_XXII_-_When_She_Passed_By_Me
1.rt_-_The_Gardener_XXIV_-_Do_Not_Keep_To_Yourself
1.rt_-_The_Gardener_XXI_-_Why_Did_He_Choose
1.rt_-_The_Gardener_XXIX_-_Speak_To_Me_My_Love
1.rt_-_The_Gardener_XXVIII_-_Your_Questioning_Eyes
1.rt_-_The_Gardener_XXVII_-_Trust_Love
1.rt_-_The_Gardener_XXVI_-_What_Comes_From_Your_Willing_Hands
1.rt_-_The_Gardener_XXXIV_-_Do_Not_Go,_My_Love
1.rt_-_The_Gardener_XXXVIII_-_My_Love,_Once_Upon_A_Time
1.rt_-_The_Gift
1.rt_-_The_Golden_Boat
1.rt_-_The_Hero
1.rt_-_The_Hero(2)
1.rt_-_The_Home
1.rt_-_The_Homecoming
1.rt_-_The_Journey
1.rt_-_The_Judge
1.rt_-_The_Kiss
1.rt_-_The_Kiss(2)
1.rt_-_The_Land_Of_The_Exile
1.rt_-_The_Last_Bargain
1.rt_-_The_Little_Big_Man
1.rt_-_The_Lost_Star
1.rt_-_The_Merchant
1.rt_-_The_Music_Of_The_Rains
1.rt_-_The_Portrait
1.rt_-_The_Rainy_Day
1.rt_-_The_Recall
1.rt_-_The_Sailor
1.rt_-_The_Source
1.rt_-_The_Sun_Of_The_First_Day
1.rt_-_The_Tame_Bird_Was_In_A_Cage
1.rt_-_The_Unheeded_Pageant
1.rt_-_The_Wicked_Postman
1.rt_-_This_Dog
1.rt_-_Threshold
1.rt_-_Tumi_Sandhyar_Meghamala_-_You_Are_A_Cluster_Of_Clouds_-_Translation
1.rt_-_Twelve_OClock
1.rt_-_Unending_Love
1.rt_-_Ungrateful_Sorrow
1.rt_-_Untimely_Leave
1.rt_-_Unyielding
1.rt_-_Urvashi
1.rt_-_Vocation
1.rt_-_Waiting
1.rt_-_Waiting_For_The_Beloved
1.rt_-_We_Are_To_Play_The_Game_Of_Death
1.rt_-_When_And_Why
1.rt_-_When_Day_Is_Done
1.rt_-_When_I_Go_Alone_At_Night
1.rt_-_When_the_Two_Sister_Go_To_Fetch_Water
1.rt_-_Where_Shadow_Chases_Light
1.rt_-_Where_The_Mind_Is_Without_Fear
1.rt_-_Who_are_You,_who_keeps_my_heart_awake?_(from_The_Lover_of_God)
1.rt_-_Who_Is_This?
1.rt_-_Your_flute_plays_the_exact_notes_of_my_pain._(from_The_Lover_of_God)
1.rvd_-_How_to_Escape?
1.rvd_-_If_You_are_a_mountain
1.rvd_-_The_Name_alone_is_the_Truth
1.rvd_-_Upon_seeing_poverty
1.rvd_-_When_I_existed
1.rvd_-_You_are_me,_and_I_am_You
1.rwe_-_Alphonso_Of_Castile
1.rwe_-_A_Nations_Strength
1.rwe_-_Art
1.rwe_-_Astrae
1.rwe_-_Bacchus
1.rwe_-_Beauty
1.rwe_-_Berrying
1.rwe_-_Blight
1.rwe_-_Boston
1.rwe_-_Boston_Hymn
1.rwe_-_Brahma
1.rwe_-_Celestial_Love
1.rwe_-_Character
1.rwe_-_Compensation
1.rwe_-_Concord_Hymn
1.rwe_-_Culture
1.rwe_-_Days
1.rwe_-_Dirge
1.rwe_-_Dmonic_Love
1.rwe_-_Each_And_All
1.rwe_-_Eros
1.rwe_-_Etienne_de_la_Boce
1.rwe_-_Experience
1.rwe_-_Fable
1.rwe_-_Fate
1.rwe_-_Flower_Chorus
1.rwe_-_Forebearance
1.rwe_-_Forerunners
1.rwe_-_Freedom
1.rwe_-_Friendship
1.rwe_-_From_the_Persian_of_Hafiz_I
1.rwe_-_From_the_Persian_of_Hafiz_II
1.rwe_-_Gnothi_Seauton
1.rwe_-_Good-bye
1.rwe_-_Grace
1.rwe_-_Guy
1.rwe_-_Hamatreya
1.rwe_-_Heroism
1.rwe_-_Initial_Love
1.rwe_-_In_Memoriam
1.rwe_-_Letters
1.rwe_-_Life_Is_Great
1.rwe_-_Loss_And_Gain
1.rwe_-_Love_And_Thought
1.rwe_-_Lover's_Petition
1.rwe_-_Manners
1.rwe_-_May-Day
1.rwe_-_Merlin_I
1.rwe_-_Merlin_II
1.rwe_-_Merlin's_Song
1.rwe_-_Merops
1.rwe_-_Mithridates
1.rwe_-_Monadnoc
1.rwe_-_Musketaquid
1.rwe_-_My_Garden
1.rwe_-_Nature
1.rwe_-_Nemesis
1.rwe_-_Ode_-_Inscribed_to_W.H._Channing
1.rwe_-_Ode_To_Beauty
1.rwe_-_Poems
1.rwe_-_Politics
1.rwe_-_Quatrains
1.rwe_-_Rubies
1.rwe_-_Saadi
1.rwe_-_Seashore
1.rwe_-_Self_Reliance
1.rwe_-_Solution
1.rwe_-_Song_of_Nature
1.rwe_-_Spiritual_Laws
1.rwe_-_Sursum_Corda
1.rwe_-_Suum_Cuique
1.rwe_-_Tact
1.rwe_-_Teach_Me_I_Am_Forgotten_By_The_Dead
1.rwe_-_Terminus
1.rwe_-_The_Adirondacs
1.rwe_-_The_Amulet
1.rwe_-_The_Apology
1.rwe_-_The_Bell
1.rwe_-_The_Chartist's_Complaint
1.rwe_-_The_Cumberland
1.rwe_-_The_Days_Ration
1.rwe_-_The_Enchanter
1.rwe_-_The_Forerunners
1.rwe_-_The_Gods_Walk_In_The_Breath_Of_The_Woods
1.rwe_-_The_Humble_Bee
1.rwe_-_The_Lords_of_Life
1.rwe_-_The_Park
1.rwe_-_The_Past
1.rwe_-_The_Poet
1.rwe_-_The_Problem
1.rwe_-_The_Rhodora_-_On_Being_Asked,_Whence_Is_The_Flower?
1.rwe_-_The_River_Note
1.rwe_-_The_Romany_Girl
1.rwe_-_The_Snowstorm
1.rwe_-_The_Sphinx
1.rwe_-_The_Test
1.rwe_-_The_Titmouse
1.rwe_-_The_Visit
1.rwe_-_The_World-Soul
1.rwe_-_Threnody
1.rwe_-_To-day
1.rwe_-_To_Ellen,_At_The_South
1.rwe_-_To_Eva
1.rwe_-_To_J.W.
1.rwe_-_To_Laugh_Often_And_Much
1.rwe_-_To_Rhea
1.rwe_-_Two_Rivers
1.rwe_-_Una
1.rwe_-_Unity
1.rwe_-_Uriel
1.rwe_-_Voluntaries
1.rwe_-_Wakdeubsankeit
1.rwe_-_Water
1.rwe_-_Waves
1.rwe_-_Wealth
1.rwe_-_Woodnotes
1.rwe_-_Worship
1.ryz_-_Clear_in_the_blue,_the_moon!
1.sb_-_Cut_brambles_long_enough
1.sb_-_Gathering_the_Mind
1.sb_-_Precious_Treatise_on_Preservation_of_Unity_on_the_Great_Way
1.sb_-_Refining_the_Spirit
1.sb_-_Spirit_and_energy_should_be_clear_as_the_night_air
1.sb_-_The_beginning_of_the_sustenance_of_life
1.sca_-_Draw_me_after_You!
1.sca_-_Happy,_indeed,_is_she_whom_it_is_given_to_share_this_sacred_banquet
1.sca_-_O_blessed_poverty
1.sca_-_Place_your_mind_before_the_mirror_of_eternity!
1.sca_-_What_a_great_laudable_exchange
1.sca_-_What_you_hold,_may_you_always_hold
1.sca_-_When_You_have_loved,_You_shall_be_chaste
1.sdi_-_All_Adams_offspring_form_one_family_tree
1.sdi_-_Have_no_doubts_because_of_trouble_nor_be_thou_discomfited
1.sdi_-_How_could_I_ever_thank_my_Friend?
1.sdi_-_If_one_His_praise_of_me_would_learn
1.sdi_-_In_Love
1.sdi_-_The_man_of_God_with_half_his_loaf_content
1.sdi_-_The_world,_my_brother!_will_abide_with_none
1.sdi_-_To_the_wall_of_the_faithful_what_sorrow,_when_pillared_securely_on_thee?
1.sfa_-_Exhortation_to_St._Clare_and_Her_Sisters
1.sfa_-_How_Virtue_Drives_Out_Vice
1.sfa_-_Let_the_whole_of_mankind_tremble
1.sfa_-_Let_us_desire_nothing_else
1.sfa_-_Prayer_from_A_Letter_to_the_Entire_Order
1.sfa_-_Prayer_Inspired_by_the_Our_Father
1.sfa_-_The_Canticle_of_Brother_Sun
1.sfa_-_The_Praises_of_God
1.sfa_-_The_Prayer_Before_the_Crucifix
1.sfa_-_The_Salutation_of_the_Virtues
1.shvb_-_Ave_generosa_-_Hymn_to_the_Virgin
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_De_Spiritu_Sancto_-_To_the_Holy_Spirit
1.shvb_-_Laus_Trinitati_-_Antiphon_for_the_Trinity
1.shvb_-_O_Euchari_in_leta_via_-_Sequence_for_Saint_Eucharius
1.shvb_-_O_ignee_Spiritus_-_Hymn_to_the_Holy_Spirit
1.shvb_-_O_ignis_Spiritus_Paracliti
1.shvb_-_O_magne_Pater_-_Antiphon_for_God_the_Father
1.shvb_-_O_mirum_admirandum_-_Antiphon_for_Saint_Disibod
1.shvb_-_O_most_noble_Greenness,_rooted_in_the_sun
1.shvb_-_O_nobilissima_viriditas
1.shvb_-_O_spectabiles_viri_-_Antiphon_for_Patriarchs_and_Prophets
1.shvb_-_O_virga_mediatrix_-_Alleluia-verse_for_the_Virgin
1.shvb_-_O_Virtus_Sapientiae_-_O_Moving_Force_of_Wisdom
1.sig_-_Before_I_was,_Thy_mercy_came_to_me
1.sig_-_Come_to_me_at_dawn,_my_beloved,_and_go_with_me
1.sig_-_Ecstasy
1.sig_-_Humble_of_Spirit
1.sig_-_I_look_for_you_early
1.sig_-_I_Sought_Thee_Daily
1.sig_-_Lord_of_the_World
1.sig_-_Rise_and_open_the_door_that_is_shut
1.sig_-_The_Sun
1.sig_-_Thou_art_One
1.sig_-_Thou_art_the_Supreme_Light
1.sig_-_Thou_Livest
1.sig_-_Where_Will_I_Find_You
1.sig_-_Who_can_do_as_Thy_deeds
1.sig_-_Who_could_accomplish_what_youve_accomplished
1.sig_-_You_are_wise_(from_From_Kingdoms_Crown)
1.sjc_-_Dark_Night
1.sjc_-_Full_of_Hope_I_Climbed_the_Day
1.sjc_-_I_Entered_the_Unknown
1.sjc_-_I_Live_Yet_Do_Not_Live_in_Me
1.sjc_-_Loves_Living_Flame
1.sjc_-_Not_for_All_the_Beauty
1.sjc_-_On_the_Communion_of_the_Three_Persons_(from_Romance_on_the_Gospel)
1.sjc_-_Song_of_the_Soul_That_Delights_in_Knowing_God_by_Faith
1.sjc_-_The_Fountain
1.sjc_-_The_Sum_of_Perfection
1.sjc_-_Without_a_Place_and_With_a_Place
1.sk_-_Is_there_anyone_in_the_universe
1.snk_-_Endless_is_my_Wealth
1.snk_-_In_Praise_of_the_Goddess
1.snk_-_Nirvana_Shatakam
1.snk_-_The_Shattering_of_Illusion_(Moha_Mudgaram_from_The_Crest_Jewel_of_Discrimination)
1.snk_-_You_are_my_true_self,_O_Lord
1.snt_-_As_soon_as_your_mind_has_experienced
1.snt_-_By_what_boundless_mercy,_my_Savior
1.snt_-_How_are_You_at_once_the_source_of_fire
1.snt_-_How_is_it_I_can_love_You
1.snt_-_In_the_midst_of_that_night,_in_my_darkness
1.snt_-_O_totally_strange_and_inexpressible_marvel!
1.snt_-_The_fire_rises_in_me
1.snt_-_The_Light_of_Your_Way
1.snt_-_We_awaken_in_Christs_body
1.snt_-_What_is_this_awesome_mystery
1.snt_-_You,_oh_Christ,_are_the_Kingdom_of_Heaven
1.srd_-_Krishna_Awakes
1.srd_-_Shes_found_him,_she_has,_but_Radha_disbelieves
1.srh_-_The_Royal_Song_of_Saraha_(Dohakosa)
1.srmd_-_Companion
1.srmd_-_Every_man_who_knows_his_secret
1.srmd_-_He_and_I_are_one
1.srmd_-_He_dwells_not_only_in_temples_and_mosques
1.srmd_-_He_is_happy_on_account_of_my_humble_self
1.srmd_-_Hundreds_of_my_friends_became_enemies
1.srm_-_Disrobe,_show_Your_beauty_(from_The_Marital_Garland_of_Letters)
1.srmd_-_My_friend,_engage_your_heart_in_his_embrace
1.srmd_-_My_heart_searched_for_your_fragrance
1.srmd_-_Once_I_was_bathed_in_the_Light_of_Truth_within
1.srmd_-_The_ocean_of_his_generosity_has_no_shore
1.srmd_-_The_universe
1.srmd_-_To_the_dignified_station_of_love_I_was_raised
1.srm_-_The_Marital_Garland_of_Letters
1.srm_-_The_Necklet_of_Nine_Gems
1.srm_-_The_Song_of_the_Poppadum
1.ss_-_Its_something_no_on_can_force
1.ss_-_Most_of_the_time_I_smile
1.ss_-_Outside_the_door_I_made_but_dont_close
1.ss_-_Paper_windows_bamboo_walls_hedge_of_hibiscus
1.ss_-_This_bodys_lifetime_is_like_a_bubbles
1.ss_-_To_glorify_the_Way_what_should_people_turn_to
1.ss_-_Trying_to_become_a_Buddha_is_easy
1.stav_-_I_Live_Without_Living_In_Me
1.stav_-_In_the_Hands_of_God
1.stav_-_Let_nothing_disturb_thee
1.stav_-_My_Beloved_One_is_Mine
1.stav_-_Oh_Exceeding_Beauty
1.stav_-_On_Those_Words_I_am_for_My_Beloved
1.stav_-_You_are_Christs_Hands
1.st_-_Behold_the_glow_of_the_moon
1.st_-_Doesnt_anyone_see
1.st_-_I_live_in_a_place_without_limits
1.stl_-_My_Song_for_Today
1.stl_-_The_Atom_of_Jesus-Host
1.stl_-_The_Divine_Dew
1.sv_-_In_dense_darkness,_O_Mother
1.sv_-_Kali_the_Mother
1.sv_-_Song_of_the_Sanyasin
1.tc_-_After_Liu_Chai-Sangs_Poem
1.tc_-_Around_my_door_and_yard_no_dust_or_noise
1.tc_-_Autumn_chrysanthemums_have_beautiful_color
1.tc_-_I_built_my_hut_within_where_others_live
1.tc_-_In_youth_I_could_not_do_what_everyone_else_did
1.tc_-_Success_and_failure?_No_known_address
1.tc_-_Unsettled,_a_bird_lost_from_the_flock
1.tm_-_A_Messenger_from_the_Horizon
1.tm_-_A_Practical_Program_for_Monks
1.tm_-_A_Psalm
1.tm_-_Aubade_--_The_City
1.tm_-_Follow_my_ways_and_I_will_lead_you
1.tm_-_In_Silence
1.tm_-_Night-Flowering_Cactus
1.tm_-_O_Sweet_Irrational_Worship
1.tm_-_Song_for_Nobody
1.tm_-_Stranger
1.tm_-_The_Fall
1.tm_-_The_Sowing_of_Meanings
1.tm_-_When_in_the_soul_of_the_serene_disciple
1.tr_-_At_Dusk
1.tr_-_At_Master_Do's_Country_House
1.tr_-_Begging
1.tr_-_Blending_With_The_Wind
1.tr_-_Descend_from_your_head_into_your_heart
1.tr_-_Down_In_The_Village
1.tr_-_Dreams
1.tr_-_First_Days_Of_Spring_-_The_sky
1.tr_-_For_Children_Killed_In_A_Smallpox_Epidemic
1.tr_-_Have_You_Forgotten_Me
1.tr_-_How_Can_I_Possibly_Sleep
1.tr_-_Images,_however_sacred
1.tr_-_In_A_Dilapidated_Three-Room_Hut
1.tr_-_In_My_Youth_I_Put_Aside_My_Studies
1.tr_-_In_The_Morning
1.tr_-_I_Watch_People_In_The_World
1.tr_-_Like_The_Little_Stream
1.tr_-_Midsummer
1.tr_-_My_Cracked_Wooden_Bowl
1.tr_-_My_legacy
1.tr_-_No_Luck_Today_On_My_Mendicant_Rounds
1.tr_-_No_Mind
1.tr_-_Orchid
1.tr_-_Reply_To_A_Friend
1.tr_-_Returning_To_My_Native_Village
1.tr_-_Rise_Above
1.tr_-_Slopes_Of_Mount_Kugami
1.tr_-_Stretched_Out
1.tr_-_Teishin
1.tr_-_The_Lotus
1.tr_-_The_Plants_And_Flowers
1.tr_-_The_Thief_Left_It_Behind
1.tr_-_The_Way_Of_The_Holy_Fool
1.tr_-_The_Wind_Has_Settled
1.tr_-_The_Winds_Have_Died
1.tr_-_This_World
1.tr_-_Though_Frosts_come_down
1.tr_-_Three_Thousand_Worlds
1.tr_-_To_Kindle_A_Fire
1.tr_-_To_My_Teacher
1.tr_-_Too_Lazy_To_Be_Ambitious
1.tr_-_When_All_Thoughts
1.tr_-_When_I_Was_A_Lad
1.tr_-_White_Hair
1.tr_-_Wild_Roses
1.tr_-_Yes,_Im_Truly_A_Dunce
1.tr_-_You_Do_Not_Need_Many_Things
1.tr_-_You_Stop_To_Point_At_The_Moon_In_The_Sky
1.vpt_-_All_my_inhibition_left_me_in_a_flash
1.vpt_-_As_the_mirror_to_my_hand
1.vpt_-_He_promised_hed_return_tomorrow
1.vpt_-_My_friend,_I_cannot_answer_when_you_ask_me_to_explain
1.vpt_-_The_moon_has_shone_upon_me
1.wb_-_Auguries_of_Innocence
1.wb_-_Awake!_awake_O_sleeper_of_the_land_of_shadows
1.wb_-_Eternity
1.wb_-_Hear_the_voice_of_the_Bard!
1.wb_-_Of_the_Sleep_of_Ulro!_and_of_the_passage_through
1.wb_-_Reader!_of_books!_of_heaven
1.wb_-_The_Divine_Image
1.wb_-_The_Errors_of_Sacred_Codes_(from_The_Marriage_of_Heaven_and_Hell)
1.wb_-_To_see_a_world_in_a_grain_of_sand_(from_Auguries_of_Innocence)
1.wb_-_Trembling_I_sit_day_and_night
1.wby_-_A_Bronze_Head
1.wby_-_A_Coat
1.wby_-_A_Cradle_Song
1.wby_-_A_Crazed_Girl
1.wby_-_Adams_Curse
1.wby_-_A_Deep_Sworn_Vow
1.wby_-_A_Dialogue_Of_Self_And_Soul
1.wby_-_A_Dramatic_Poem
1.wby_-_A_Dream_Of_A_Blessed_Spirit
1.wby_-_A_Dream_Of_Death
1.wby_-_A_Drinking_Song
1.wby_-_A_Drunken_Mans_Praise_Of_Sobriety
1.wby_-_Aedh_Wishes_For_The_Cloths_Of_Heaven
1.wby_-_A_Faery_Song
1.wby_-_A_First_Confession
1.wby_-_A_Friends_Illness
1.wby_-_After_Long_Silence
1.wby_-_Against_Unworthy_Praise
1.wby_-_A_Last_Confession
1.wby_-_All_Souls_Night
1.wby_-_A_Lovers_Quarrel_Among_the_Fairies
1.wby_-_Alternative_Song_For_The_Severed_Head_In_The_King_Of_The_Great_Clock_Tower
1.wby_-_A_Man_Young_And_Old_-_Complete
1.wby_-_A_Man_Young_And_Old_-_I._First_Love
1.wby_-_A_Man_Young_And_Old_-_II._Human_Dignity
1.wby_-_A_Man_Young_And_Old_-_III._The_Mermaid
1.wby_-_A_Man_Young_And_Old_-_IV._The_Death_Of_The_Hare
1.wby_-_A_Man_Young_And_Old_-_IX._The_Secrets_Of_The_Old
1.wby_-_A_Man_Young_And_Old_-_VI._His_Memories
1.wby_-_A_Man_Young_And_Old_-_VIII._Summer_And_Spring
1.wby_-_A_Man_Young_And_Old_-_VII._The_Friends_Of_His_Youth
1.wby_-_A_Man_Young_And_Old_-_V._The_Empty_Cup
1.wby_-_A_Man_Young_And_Old_-_X._His_Wildness
1.wby_-_A_Man_Young_And_Old_-_XI._From_Oedipus_At_Colonus
1.wby_-_A_Meditation_in_Time_of_War
1.wby_-_A_Memory_Of_Youth
1.wby_-_A_Model_For_The_Laureate
1.wby_-_Among_School_Children
1.wby_-_An_Acre_Of_Grass
1.wby_-_An_Appointment
1.wby_-_Anashuya_And_Vijaya
1.wby_-_A_Nativity
1.wby_-_An_Image_From_A_Past_Life
1.wby_-_An_Irish_Airman_Foresees_His_Death
1.wby_-_Another_Song_Of_A_Fool
1.wby_-_Another_Song_of_a_Fool
1.wby_-_A_Poet_To_His_Beloved
1.wby_-_A_Prayer_For_My_Daughter
1.wby_-_A_Prayer_For_My_Son
1.wby_-_A_Prayer_For_Old_Age
1.wby_-_A_Prayer_On_Going_Into_My_House
1.wby_-_Are_You_Content?
1.wby_-_A_Song
1.wby_-_A_Song_From_The_Player_Queen
1.wby_-_A_Stick_Of_Incense
1.wby_-_At_Algeciras_-_A_Meditaton_Upon_Death
1.wby_-_At_Galway_Races
1.wby_-_A_Thought_From_Propertius
1.wby_-_At_The_Abbey_Theatre
1.wby_-_A_Woman_Homer_Sung
1.wby_-_A_Woman_Young_And_Old
1.wby_-_Baile_And_Aillinn
1.wby_-_Beautiful_Lofty_Things
1.wby_-_Before_The_World_Was_Made
1.wby_-_Beggar_To_Beggar_Cried
1.wby_-_Blood_And_The_Moon
1.wby_-_Broken_Dreams
1.wby_-_Brown_Penny
1.wby_-_Byzantium
1.wby_-_Colonel_Martin
1.wby_-_Colonus_Praise
1.wby_-_Come_Gather_Round_Me,_Parnellites
1.wby_-_Consolation
1.wby_-_Coole_Park_1929
1.wby_-_Coole_Park_And_Ballylee,_1931
1.wby_-_Crazy_Jane_And_Jack_The_Journeyman
1.wby_-_Crazy_Jane_And_The_Bishop
1.wby_-_Crazy_Jane_Grown_Old_Looks_At_The_Dancers
1.wby_-_Crazy_Jane_On_God
1.wby_-_Crazy_Jane_On_The_Day_Of_Judgment
1.wby_-_Crazy_Jane_On_The_Mountain
1.wby_-_Crazy_Jane_Reproved
1.wby_-_Crazy_Jane_Talks_With_The_Bishop
1.wby_-_Cuchulains_Fight_With_The_Sea
1.wby_-_Death
1.wby_-_Demon_And_Beast
1.wby_-_Do_Not_Love_Too_Long
1.wby_-_Down_By_The_Salley_Gardens
1.wby_-_Easter_1916
1.wby_-_Ego_Dominus_Tuus
1.wby_-_Ephemera
1.wby_-_Fallen_Majesty
1.wby_-_Father_And_Child
1.wby_-_Fergus_And_The_Druid
1.wby_-_Fiddler_Of_Dooney
1.wby_-_For_Anne_Gregory
1.wby_-_Fragments
1.wby_-_Friends
1.wby_-_From_A_Full_Moon_In_March
1.wby_-_From_The_Antigone
1.wby_-_Girls_Song
1.wby_-_Gratitude_To_The_Unknown_Instructors
1.wby_-_He_Bids_His_Beloved_Be_At_Peace
1.wby_-_He_Gives_His_Beloved_Certain_Rhymes
1.wby_-_He_Hears_The_Cry_Of_The_Sedge
1.wby_-_He_Mourns_For_The_Change_That_Has_Come_Upon_Him_And_His_Beloved,_And_Longs_For_The_End_Of_The_World
1.wby_-_Her_Anxiety
1.wby_-_Her_Dream
1.wby_-_He_Remembers_Forgotten_Beauty
1.wby_-_He_Reproves_The_Curlew
1.wby_-_Her_Praise
1.wby_-_Her_Triumph
1.wby_-_Her_Vision_In_The_Wood
1.wby_-_He_Tells_Of_A_Valley_Full_Of_Lovers
1.wby_-_He_Tells_Of_The_Perfect_Beauty
1.wby_-_He_Thinks_Of_His_Past_Greatness_When_A_Part_Of_The_Constellations_Of_Heaven
1.wby_-_He_Thinks_Of_Those_Who_Have_Spoken_Evil_Of_His_Beloved
1.wby_-_He_Wishes_His_Beloved_Were_Dead
1.wby_-_High_Talk
1.wby_-_His_Bargain
1.wby_-_His_Confidence
1.wby_-_His_Dream
1.wby_-_Hound_Voice
1.wby_-_I_Am_Of_Ireland
1.wby_-_Imitated_From_The_Japanese
1.wby_-_In_Memory_Of_Alfred_Pollexfen
1.wby_-_In_Memory_Of_Eva_Gore-Booth_And_Con_Markiewicz
1.wby_-_In_Memory_Of_Major_Robert_Gregory
1.wby_-_In_Taras_Halls
1.wby_-_In_The_Seven_Woods
1.wby_-_Into_The_Twilight
1.wby_-_John_Kinsellas_Lament_For_Mr._Mary_Moore
1.wby_-_King_And_No_King
1.wby_-_Lapis_Lazuli
1.wby_-_Leda_And_The_Swan
1.wby_-_Lines_Written_In_Dejection
1.wby_-_Long-Legged_Fly
1.wby_-_Loves_Loneliness
1.wby_-_Love_Song
1.wby_-_Lullaby
1.wby_-_Mad_As_The_Mist_And_Snow
1.wby_-_Maid_Quiet
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_Meeting
1.wby_-_Memory
1.wby_-_Men_Improve_With_The_Years
1.wby_-_Meru
1.wby_-_Michael_Robartes_And_The_Dancer
1.wby_-_Mohini_Chatterjee
1.wby_-_Never_Give_All_The_Heart
1.wby_-_News_For_The_Delphic_Oracle
1.wby_-_Nineteen_Hundred_And_Nineteen
1.wby_-_No_Second_Troy
1.wby_-_Now_as_at_all_times
1.wby_-_Oil_And_Blood
1.wby_-_Old_Memory
1.wby_-_Old_Tom_Again
1.wby_-_On_A_Picture_Of_A_Black_Centaur_By_Edmund_Dulac
1.wby_-_On_A_Political_Prisoner
1.wby_-_On_Being_Asked_For_A_War_Poem
1.wby_-_On_Hearing_That_The_Students_Of_Our_New_University_Have_Joined_The_Agitation_Against_Immoral_Literat
1.wby_-_On_Those_That_Hated_The_Playboy_Of_The_Western_World,_1907
1.wby_-_On_Woman
1.wby_-_Owen_Aherne_And_His_Dancers
1.wby_-_Parnell
1.wby_-_Parnells_Funeral
1.wby_-_Parting
1.wby_-_Paudeen
1.wby_-_Peace
1.wby_-_Politics
1.wby_-_Presences
1.wby_-_Quarrel_In_Old_Age
1.wby_-_Reconciliation
1.wby_-_Red_Hanrahans_Song_About_Ireland
1.wby_-_Remorse_For_Intemperate_Speech
1.wby_-_Responsibilities_-_Closing
1.wby_-_Responsibilities_-_Introduction
1.wby_-_Roger_Casement
1.wby_-_Running_To_Paradise
1.wby_-_Sailing_to_Byzantium
1.wby_-_September_1913
1.wby_-_Shepherd_And_Goatherd
1.wby_-_Sixteen_Dead_Men
1.wby_-_Slim_adolescence_that_a_nymph_has_stripped,
1.wby_-_Solomon_And_The_Witch
1.wby_-_Solomon_To_Sheba
1.wby_-_Spilt_Milk
1.wby_-_Statistics
1.wby_-_Stream_And_Sun_At_Glendalough
1.wby_-_Supernatural_Songs
1.wby_-_Sweet_Dancer
1.wby_-_Swifts_Epitaph
1.wby_-_Symbols
1.wby_-_That_The_Night_Come
1.wby_-_The_Apparitions
1.wby_-_The_Arrow
1.wby_-_The_Attack_On_the_Playboy_Of_The_Western_World,_1907
1.wby_-_The_Ballad_Of_Father_Gilligan
1.wby_-_The_Ballad_Of_Father_OHart
1.wby_-_The_Ballad_Of_Moll_Magee
1.wby_-_The_Ballad_Of_The_Foxhunter
1.wby_-_The_Balloon_Of_The_Mind
1.wby_-_The_Black_Tower
1.wby_-_The_Blessed
1.wby_-_The_Cap_And_Bells
1.wby_-_The_Cat_And_The_Moon
1.wby_-_The_Chambermaids_First_Song
1.wby_-_The_Chambermaids_Second_Song
1.wby_-_The_Choice
1.wby_-_The_Chosen
1.wby_-_The_Circus_Animals_Desertion
1.wby_-_The_Cloak,_The_Boat_And_The_Shoes
1.wby_-_The_Cold_Heaven
1.wby_-_The_Collar-Bone_Of_A_Hare
1.wby_-_The_Coming_Of_Wisdom_With_Time
1.wby_-_The_Countess_Cathleen_In_Paradise
1.wby_-_The_Crazed_Moon
1.wby_-_The_Curse_Of_Cromwell
1.wby_-_The_Dancer_At_Cruachan_And_Cro-Patrick
1.wby_-_The_Dawn
1.wby_-_The_Death_of_Cuchulain
1.wby_-_The_Dedication_To_A_Book_Of_Stories_Selected_From_The_Irish_Novelists
1.wby_-_The_Delphic_Oracle_Upon_Plotinus
1.wby_-_The_Dolls
1.wby_-_The_Double_Vision_Of_Michael_Robartes
1.wby_-_The_Everlasting_Voices
1.wby_-_The_Fairy_Pendant
1.wby_-_The_Falling_Of_The_Leaves
1.wby_-_The_Fascination_Of_Whats_Difficult
1.wby_-_The_Fish
1.wby_-_The_Fisherman
1.wby_-_The_Folly_Of_Being_Comforted
1.wby_-_The_Fool_By_The_Roadside
1.wby_-_The_Ghost_Of_Roger_Casement
1.wby_-_The_Gift_Of_Harun_Al-Rashid
1.wby_-_The_Great_Day
1.wby_-_The_Grey_Rock
1.wby_-_The_Gyres
1.wby_-_The_Happy_Townland
1.wby_-_The_Hawk
1.wby_-_The_Heart_Of_The_Woman
1.wby_-_The_Hosting_Of_The_Sidhe
1.wby_-_The_Host_Of_The_Air
1.wby_-_The_Hour_Before_Dawn
1.wby_-_The_Indian_To_His_Love
1.wby_-_The_Indian_Upon_God
1.wby_-_The_Ladys_First_Song
1.wby_-_The_Ladys_Second_Song
1.wby_-_The_Ladys_Third_Song
1.wby_-_The_Lake_Isle_Of_Innisfree
1.wby_-_The_Lamentation_Of_The_Old_Pensioner
1.wby_-_The_Leaders_Of_The_Crowd
1.wby_-_The_Living_Beauty
1.wby_-_The_Lover_Asks_Forgiveness_Because_Of_His_Many_Moods
1.wby_-_The_Lover_Mourns_For_The_Loss_Of_Love
1.wby_-_The_Lover_Pleads_With_His_Friend_For_Old_Friends
1.wby_-_The_Lover_Speaks_To_The_Hearers_Of_His_Songs_In_Coming_Days
1.wby_-_The_Lovers_Song
1.wby_-_The_Lover_Tells_Of_The_Rose_In_His_Heart
1.wby_-_The_Madness_Of_King_Goll
1.wby_-_The_Magi
1.wby_-_The_Man_And_The_Echo
1.wby_-_The_Man_Who_Dreamed_Of_Faeryland
1.wby_-_The_Mask
1.wby_-_The_Meditation_Of_The_Old_Fisherman
1.wby_-_The_Moods
1.wby_-_The_Mother_Of_God
1.wby_-_The_Mountain_Tomb
1.wby_-_The_Municipal_Gallery_Revisited
1.wby_-_The_New_Faces
1.wby_-_The_Nineteenth_Century_And_After
1.wby_-_The_Old_Age_Of_Queen_Maeve
1.wby_-_The_Old_Men_Admiring_Themselves_In_The_Water
1.wby_-_The_Old_Pensioner.
1.wby_-_The_Old_Stone_Cross
1.wby_-_The_ORahilly
1.wby_-_The_Peacock
1.wby_-_The_People
1.wby_-_The_Phases_Of_The_Moon
1.wby_-_The_Pilgrim
1.wby_-_The_Pity_Of_Love
1.wby_-_The_Players_Ask_For_A_Blessing_On_The_Psalteries_And_On_Themselves
1.wby_-_The_Poet_Pleads_With_The_Elemental_Powers
1.wby_-_The_Ragged_Wood
1.wby_-_The_Realists
1.wby_-_The_Results_Of_Thought
1.wby_-_The_Rose_In_The_Deeps_Of_His_Heart
1.wby_-_The_Rose_Of_Battle
1.wby_-_The_Rose_Of_Peace
1.wby_-_The_Rose_Of_The_World
1.wby_-_The_Rose_Tree
1.wby_-_The_Sad_Shepherd
1.wby_-_The_Saint_And_The_Hunchback
1.wby_-_The_Scholars
1.wby_-_These_Are_The_Clouds
1.wby_-_The_Second_Coming
1.wby_-_The_Secret_Rose
1.wby_-_The_Seven_Sages
1.wby_-_The_Shadowy_Waters_-_Introduction
1.wby_-_The_Shadowy_Waters_-_The_Harp_Of_Aengus
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Song_Of_The_Happy_Shepherd
1.wby_-_The_Song_Of_The_Old_Mother
1.wby_-_The_Song_Of_Wandering_Aengus
1.wby_-_The_Sorrow_Of_Love
1.wby_-_The_Spirit_Medium
1.wby_-_The_Spur
1.wby_-_The_Statesmans_Holiday
1.wby_-_The_Statues
1.wby_-_The_Stolen_Child
1.wby_-_The_Three_Beggars
1.wby_-_The_Three_Bushes
1.wby_-_The_Three_Hermits
1.wby_-_The_Three_Monuments
1.wby_-_The_Tower
1.wby_-_The_Travail_Of_Passion
1.wby_-_The_Two_Kings
1.wby_-_The_Two_Trees
1.wby_-_The_Unappeasable_Host
1.wby_-_The_Valley_Of_The_Black_Pig
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.wby_-_The_Wheel
1.wby_-_The_White_Birds
1.wby_-_The_Wild_Old_Wicked_Man
1.wby_-_The_Wild_Swans_At_Coole
1.wby_-_The_Winding_Stair
1.wby_-_The_Witch
1.wby_-_The_Withering_Of_The_Boughs
1.wby_-_Those_Dancing_Days_Are_Gone
1.wby_-_Those_Images
1.wby_-_Three_Marching_Songs
1.wby_-_Three_Movements
1.wby_-_Three_Songs_To_The_One_Burden
1.wby_-_Three_Songs_To_The_Same_Tune
1.wby_-_Three_Things
1.wby_-_To_A_Child_Dancing_In_The_Wind
1.wby_-_To_A_Friend_Whose_Work_Has_Come_To_Nothing
1.wby_-_To_An_Isle_In_The_Water
1.wby_-_To_A_Poet,_Who_Would_Have_Me_Praise_Certain_Bad_Poets,_Imitators_Of_His_And_Mine
1.wby_-_To_A_Shade
1.wby_-_To_A_Squirrel_At_Kyle-Na-No
1.wby_-_To_A_Wealthy_Man_Who_Promised_A_Second_Subscription_To_The_Dublin_Municipal_Gallery_If_It_Were_Prove
1.wby_-_To_A_Young_Beauty
1.wby_-_To_A_Young_Girl
1.wby_-_To_Be_Carved_On_A_Stone_At_Thoor_Ballylee
1.wby_-_To_Dorothy_Wellesley
1.wby_-_To_His_Heart,_Bidding_It_Have_No_Fear
1.wby_-_To_Ireland_In_The_Coming_Times
1.wby_-_Tom_At_Cruachan
1.wby_-_Tom_ORoughley
1.wby_-_Tom_The_Lunatic
1.wby_-_To_Some_I_Have_Talked_With_By_The_Fire
1.wby_-_To_The_Rose_Upon_The_Rood_Of_Time
1.wby_-_Towards_Break_Of_Day
1.wby_-_Two_Songs_From_A_Play
1.wby_-_Two_Songs_Of_A_Fool
1.wby_-_Two_Songs_Rewritten_For_The_Tunes_Sake
1.wby_-_Two_Years_Later
1.wby_-_Under_Ben_Bulben
1.wby_-_Under_Saturn
1.wby_-_Under_The_Moon
1.wby_-_Under_The_Round_Tower
1.wby_-_Upon_A_Dying_Lady
1.wby_-_Upon_A_House_Shaken_By_The_Land_Agitation
1.wby_-_Vacillation
1.wby_-_Veronicas_Napkin
1.wby_-_What_Then?
1.wby_-_What_Was_Lost
1.wby_-_When_Helen_Lived
1.wby_-_When_You_Are_Old
1.wby_-_Where_My_Books_go
1.wby_-_Who_Goes_With_Fergus?
1.wby_-_Why_Should_Not_Old_Men_Be_Mad?
1.wby_-_Wisdom
1.wby_-_Words
1.wby_-_Young_Mans_Song
1.wby_-_Youth_And_Age
1.whitman_-_1861
1.whitman_-_Aboard_At_A_Ships_Helm
1.whitman_-_A_Boston_Ballad
1.whitman_-_A_Broadway_Pageant
1.whitman_-_A_Carol_Of_Harvest_For_1867
1.whitman_-_A_child_said,_What_is_the_grass?
1.whitman_-_A_Childs_Amaze
1.whitman_-_A_Clear_Midnight
1.whitman_-_Adieu_To_A_Solider
1.whitman_-_A_Farm-Picture
1.whitman_-_After_an_Interval
1.whitman_-_After_The_Sea-Ship
1.whitman_-_Ages_And_Ages,_Returning_At_Intervals
1.whitman_-_A_Glimpse
1.whitman_-_A_Hand-Mirror
1.whitman_-_Ah_Poverties,_Wincings_Sulky_Retreats
1.whitman_-_A_Leaf_For_Hand_In_Hand
1.whitman_-_All_Is_Truth
1.whitman_-_A_March_In_The_Ranks,_Hard-prest
1.whitman_-_American_Feuillage
1.whitman_-_Among_The_Multitude
1.whitman_-_An_Army_Corps_On_The_March
1.whitman_-_A_Noiseless_Patient_Spider
1.whitman_-_A_Paumanok_Picture
1.whitman_-_Apostroph
1.whitman_-_A_Promise_To_California
1.whitman_-_Are_You_The_New_Person,_Drawn_Toward_Me?
1.whitman_-_A_Riddle_Song
1.whitman_-_As_Adam,_Early_In_The_Morning
1.whitman_-_As_A_Strong_Bird_On_Pinious_Free
1.whitman_-_As_At_Thy_Portals_Also_Death
1.whitman_-_As_Consequent,_Etc.
1.whitman_-_Ashes_Of_Soldiers
1.whitman_-_As_I_Ebbd_With_the_Ocean_of_Life
1.whitman_-_As_If_A_Phantom_Caressd_Me
1.whitman_-_A_Sight_in_Camp_in_the_Daybreak_Gray_and_Dim
1.whitman_-_As_I_Lay_With_My_Head_in_Your_Lap,_Camerado
1.whitman_-_As_I_Ponderd_In_Silence
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_As_I_Walk_These_Broad,_Majestic_Days
1.whitman_-_As_I_Watched_The_Ploughman_Ploughing
1.whitman_-_A_Song
1.whitman_-_Assurances
1.whitman_-_As_The_Time_Draws_Nigh
1.whitman_-_As_Toilsome_I_Wanderd
1.whitman_-_A_Woman_Waits_For_Me
1.whitman_-_Bathed_In_Wars_Perfume
1.whitman_-_Beat!_Beat!_Drums!
1.whitman_-_Beautiful_Women
1.whitman_-_Beginners
1.whitman_-_Beginning_My_Studies
1.whitman_-_Behavior
1.whitman_-_Behold_This_Swarthy_Face
1.whitman_-_Bivouac_On_A_Mountain_Side
1.whitman_-_Broadway
1.whitman_-_Brother_Of_All,_With_Generous_Hand
1.whitman_-_By_Broad_Potomacs_Shore
1.whitman_-_By_The_Bivouacs_Fitful_Flame
1.whitman_-_Camps_Of_Green
1.whitman_-_Carol_Of_Occupations
1.whitman_-_Carol_Of_Words
1.whitman_-_Cavalry_Crossing_A_Ford
1.whitman_-_Chanting_The_Square_Deific
1.whitman_-_City_Of_Orgies
1.whitman_-_City_Of_Ships
1.whitman_-_Come,_Said_My_Soul
1.whitman_-_Come_Up_From_The_Fields,_Father
1.whitman_-_Crossing_Brooklyn_Ferry
1.whitman_-_Darest_Thou_Now_O_Soul
1.whitman_-_Debris
1.whitman_-_Delicate_Cluster
1.whitman_-_Despairing_Cries
1.whitman_-_Dirge_For_Two_Veterans
1.whitman_-_Drum-Taps
1.whitman_-_Earth!_my_Likeness!
1.whitman_-_Eidolons
1.whitman_-_Election_Day,_November_1884
1.whitman_-_Elemental_Drifts
1.whitman_-_Ethiopia_Saluting_The_Colors
1.whitman_-_Europe,_The_72d_And_73d_Years_Of_These_States
1.whitman_-_Excelsior
1.whitman_-_Faces
1.whitman_-_Facing_West_From_Californias_Shores
1.whitman_-_Fast_Anchord,_Eternal,_O_Love
1.whitman_-_For_Him_I_Sing
1.whitman_-_For_You,_O_Democracy
1.whitman_-_France,_The_18th_Year_Of_These_States
1.whitman_-_From_Far_Dakotas_Canons
1.whitman_-_From_My_Last_Years
1.whitman_-_From_Paumanok_Starting
1.whitman_-_From_Pent-up_Aching_Rivers
1.whitman_-_Full_Of_Life,_Now
1.whitman_-_Germs
1.whitman_-_Give_Me_The_Splendid,_Silent_Sun
1.whitman_-_Gliding_Over_All
1.whitman_-_God
1.whitman_-_Good-Bye_My_Fancy!
1.whitman_-_Great_Are_The_Myths
1.whitman_-_Had_I_the_Choice
1.whitman_-_Hast_Never_Come_To_Thee_An_Hour
1.whitman_-_Here,_Sailor
1.whitman_-_Here_The_Frailest_Leaves_Of_Me
1.whitman_-_Hours_Continuing_Long
1.whitman_-_How_Solemn_As_One_By_One
1.whitman_-_Hushd_Be_the_Camps_Today
1.whitman_-_I_Am_He_That_Aches_With_Love
1.whitman_-_I_Dreamd_In_A_Dream
1.whitman_-_I_Hear_America_Singing
1.whitman_-_I_Heard_You,_Solemn-sweep_Pipes_Of_The_Organ
1.whitman_-_I_Hear_It_Was_Charged_Against_Me
1.whitman_-_In_Cabind_Ships_At_Sea
1.whitman_-_In_Former_Songs
1.whitman_-_In_Midnight_Sleep
1.whitman_-_In_Paths_Untrodden
1.whitman_-_Inscription
1.whitman_-_In_The_New_Garden_In_All_The_Parts
1.whitman_-_I_Saw_In_Louisiana_A_Live_Oak_Growing
1.whitman_-_I_Saw_Old_General_At_Bay
1.whitman_-_I_Sing_The_Body_Electric
1.whitman_-_I_Sit_And_Look_Out
1.whitman_-_Italian_Music_In_Dakota
1.whitman_-_I_Thought_I_Was_Not_Alone
1.whitman_-_I_Was_Looking_A_Long_While
1.whitman_-_I_Will_Take_An_Egg_Out_Of_The_Robins_Nest
1.whitman_-_Joy,_Shipmate,_Joy!
1.whitman_-_Kosmos
1.whitman_-_Laws_For_Creations
1.whitman_-_Lessons
1.whitman_-_Locations_And_Times
1.whitman_-_Longings_For_Home
1.whitman_-_Long_I_Thought_That_Knowledge
1.whitman_-_Long,_Too_Long_America
1.whitman_-_Look_Down,_Fair_Moon
1.whitman_-_Lo!_Victress_On_The_Peaks
1.whitman_-_Manhattan_Streets_I_Saunterd,_Pondering
1.whitman_-_Mannahatta
1.whitman_-_Mediums
1.whitman_-_Me_Imperturbe
1.whitman_-_Miracles
1.whitman_-_Mother_And_Babe
1.whitman_-_My_Picture-Gallery
1.whitman_-_Myself_And_Mine
1.whitman_-_Native_Moments
1.whitman_-_Night_On_The_Prairies
1.whitman_-_No_Labor-Saving_Machine
1.whitman_-_Not_Heat_Flames_Up_And_Consumes
1.whitman_-_Not_Heaving_From_My_Ribbd_Breast_Only
1.whitman_-_Not_My_Enemies_Ever_Invade_Me
1.whitman_-_Not_The_Pilot
1.whitman_-_Not_Youth_Pertains_To_Me
1.whitman_-_Now_Finale_To_The_Shore
1.whitman_-_Now_List_To_My_Mornings_Romanza
1.whitman_-_O_Bitter_Sprig!_Confession_Sprig!
1.whitman_-_O_Captain!_My_Captain!
1.whitman_-_Offerings
1.whitman_-_Of_Him_I_Love_Day_And_Night
1.whitman_-_Of_The_Terrible_Doubt_Of_Apperarances
1.whitman_-_Of_The_Visage_Of_Things
1.whitman_-_O_Hymen!_O_Hymenee!
1.whitman_-_Old_Ireland
1.whitman_-_O_Living_Always--Always_Dying
1.whitman_-_O_Me!_O_Life!
1.whitman_-_Once_I_Passd_Through_A_Populous_City
1.whitman_-_One_Hour_To_Madness_And_Joy
1.whitman_-_One_Song,_America,_Before_I_Go
1.whitman_-_Ones_Self_I_Sing
1.whitman_-_One_Sweeps_By
1.whitman_-_On_Journeys_Through_The_States
1.whitman_-_On_Old_Mans_Thought_Of_School
1.whitman_-_On_The_Beach_At_Night
1.whitman_-_Or_From_That_Sea_Of_Time
1.whitman_-_O_Star_Of_France
1.whitman_-_O_Sun_Of_Real_Peace
1.whitman_-_O_Tan-faced_Prairie_Boy
1.whitman_-_Other_May_Praise_What_They_Like
1.whitman_-_Out_From_Behind_His_Mask
1.whitman_-_Out_of_the_Cradle_Endlessly_Rocking
1.whitman_-_Out_of_the_Rolling_Ocean,_The_Crowd
1.whitman_-_Over_The_Carnage
1.whitman_-_O_You_Whom_I_Often_And_Silently_Come
1.whitman_-_Passage_To_India
1.whitman_-_Patroling_Barnegat
1.whitman_-_Pensive_And_Faltering
1.whitman_-_Pensive_On_Her_Dead_Gazing,_I_Heard_The_Mother_Of_All
1.whitman_-_Perfections
1.whitman_-_Pioneers!_O_Pioneers!
1.whitman_-_Poem_Of_Remembrance_For_A_Girl_Or_A_Boy
1.whitman_-_Poems_Of_Joys
1.whitman_-_Poets_to_Come
1.whitman_-_Portals
1.whitman_-_Prayer_Of_Columbus
1.whitman_-_Primeval_My_Love_For_The_Woman_I_Love
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_Quicksand_Years
1.whitman_-_Race_Of_Veterans
1.whitman_-_Reconciliation
1.whitman_-_Recorders_Ages_Hence
1.whitman_-_Red_Jacket_(From_Aloft)
1.whitman_-_Respondez!
1.whitman_-_Rise,_O_Days
1.whitman_-_Roaming_In_Thought
1.whitman_-_Roots_And_Leaves_Themselves_Alone
1.whitman_-_Salut_Au_Monde
1.whitman_-_Savantism
1.whitman_-_Says
1.whitman_-_Scented_Herbage_Of_My_Breast
1.whitman_-_Sea-Shore_Memories
1.whitman_-_Self-Contained
1.whitman_-_Shut_Not_Your_Doors
1.whitman_-_Sing_Of_The_Banner_At_Day-Break
1.whitman_-_So_Far_And_So_Far,_And_On_Toward_The_End
1.whitman_-_Solid,_Ironical,_Rolling_Orb
1.whitman_-_So_Long
1.whitman_-_Sometimes_With_One_I_Love
1.whitman_-_Song_At_Sunset
1.whitman_-_Song_For_All_Seas,_All_Ships
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_II
1.whitman_-_Song_Of_Myself-_III
1.whitman_-_Song_Of_Myself-_IV
1.whitman_-_Song_Of_Myself-_IX
1.whitman_-_Song_Of_Myself-_L
1.whitman_-_Song_Of_Myself-_LI
1.whitman_-_Song_Of_Myself-_LII
1.whitman_-_Song_Of_Myself-_V
1.whitman_-_Song_Of_Myself-_VII
1.whitman_-_Song_Of_Myself-_VIII
1.whitman_-_Song_Of_Myself-_X
1.whitman_-_Song_Of_Myself-_XI
1.whitman_-_Song_Of_Myself-_XII
1.whitman_-_Song_Of_Myself-_XIII
1.whitman_-_Song_Of_Myself-_XIV
1.whitman_-_Song_Of_Myself-_XIX
1.whitman_-_Song_Of_Myself-_XL
1.whitman_-_Song_Of_Myself-_XLI
1.whitman_-_Song_Of_Myself-_XLII
1.whitman_-_Song_Of_Myself-_XLIII
1.whitman_-_Song_Of_Myself-_XLIV
1.whitman_-_Song_Of_Myself-_XLIX
1.whitman_-_Song_Of_Myself-_XLV
1.whitman_-_Song_Of_Myself-_XLVI
1.whitman_-_Song_Of_Myself-_XLVII
1.whitman_-_Song_Of_Myself-_XLVIII
1.whitman_-_Song_Of_Myself-_XV
1.whitman_-_Song_Of_Myself-_XVI
1.whitman_-_Song_Of_Myself-_XVII
1.whitman_-_Song_Of_Myself-_XVIII
1.whitman_-_Song_Of_Myself-_XX
1.whitman_-_Song_Of_Myself-_XXI
1.whitman_-_Song_Of_Myself-_XXII
1.whitman_-_Song_Of_Myself-_XXIII
1.whitman_-_Song_Of_Myself-_XXIV
1.whitman_-_Song_Of_Myself-_XXIX
1.whitman_-_Song_Of_Myself-_XXV
1.whitman_-_Song_Of_Myself-_XXVI
1.whitman_-_Song_Of_Myself-_XXVII
1.whitman_-_Song_Of_Myself-_XXVIII
1.whitman_-_Song_Of_Myself-_XXX
1.whitman_-_Song_Of_Myself-_XXXI
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_Myself-_XXXIV
1.whitman_-_Song_Of_Myself-_XXXIX
1.whitman_-_Song_Of_Myself-_XXXV
1.whitman_-_Song_Of_Myself-_XXXVI
1.whitman_-_Song_Of_Myself-_XXXVII
1.whitman_-_Song_Of_Myself-_XXXVIII
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Open_Road
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Song_Of_The_Universal
1.whitman_-_Souvenirs_Of_Democracy
1.whitman_-_Spain_1873-74
1.whitman_-_Sparkles_From_The_Wheel
1.whitman_-_Spirit_That_Formd_This_Scene
1.whitman_-_Spirit_Whose_Work_Is_Done
1.whitman_-_Spontaneous_Me
1.whitman_-_Starting_From_Paumanok
1.whitman_-_States!
1.whitman_-_Still,_Though_The_One_I_Sing
1.whitman_-_Tears
1.whitman_-_Tests
1.whitman_-_That_Last_Invocation
1.whitman_-_That_Music_Always_Round_Me
1.whitman_-_That_Shadow,_My_Likeness
1.whitman_-_The_Artillerymans_Vision
1.whitman_-_The_Base_Of_All_Metaphysics
1.whitman_-_The_Centerarians_Story
1.whitman_-_The_City_Dead-House
1.whitman_-_The_Dalliance_Of_The_Eagles
1.whitman_-_The_Death_And_Burial_Of_McDonald_Clarke-_A_Parody
1.whitman_-_The_Great_City
1.whitman_-_The_Indications
1.whitman_-_The_Last_Invocation
1.whitman_-_The_Mystic_Trumpeter
1.whitman_-_The_Ox_tamer
1.whitman_-_The_Prairie-Grass_Dividing
1.whitman_-_The_Prairie_States
1.whitman_-_There_Was_A_Child_Went_Forth
1.whitman_-_The_Runner
1.whitman_-_These_Carols
1.whitman_-_These,_I,_Singing_In_Spring
1.whitman_-_The_Ship_Starting
1.whitman_-_The_Singer_In_The_Prison
1.whitman_-_The_Sleepers
1.whitman_-_The_Sobbing_Of_The_Bells
1.whitman_-_The_Torch
1.whitman_-_The_Unexpressed
1.whitman_-_The_Untold_Want
1.whitman_-_The_Voice_of_the_Rain
1.whitman_-_The_World_Below_The_Brine
1.whitman_-_The_Wound_Dresser
1.whitman_-_Thick-Sprinkled_Bunting
1.whitman_-_Think_Of_The_Soul
1.whitman_-_This_Compost
1.whitman_-_This_Day,_O_Soul
1.whitman_-_This_Dust_Was_Once_The_Man
1.whitman_-_This_Moment,_Yearning_And_Thoughtful
1.whitman_-_Thought
1.whitman_-_Thoughts
1.whitman_-_Thoughts_(2)
1.whitman_-_Thou_Orb_Aloft_Full-Dazzling
1.whitman_-_Thou_Reader
1.whitman_-_To_A_Certain_Cantatrice
1.whitman_-_To_A_Certain_Civilian
1.whitman_-_To_A_Common_Prostitute
1.whitman_-_To_A_Foild_European_Revolutionaire
1.whitman_-_To_A_Historian
1.whitman_-_To_A_Locomotive_In_Winter
1.whitman_-_To_A_President
1.whitman_-_To_A_Pupil
1.whitman_-_To_A_Stranger
1.whitman_-_To_A_Western_Boy
1.whitman_-_To_Foreign_Lands
1.whitman_-_To_Him_That_Was_Crucified
1.whitman_-_To_Old_Age
1.whitman_-_To_One_Shortly_To_Die
1.whitman_-_To_Oratists
1.whitman_-_To_Rich_Givers
1.whitman_-_To_The_East_And_To_The_West
1.whitman_-_To_Thee,_Old_Cause!
1.whitman_-_To_The_Garden_The_World
1.whitman_-_To_The_Leavend_Soil_They_Trod
1.whitman_-_To_The_Man-of-War-Bird
1.whitman_-_To_The_Reader_At_Parting
1.whitman_-_To_The_States
1.whitman_-_To_Think_Of_Time
1.whitman_-_To_You
1.whitman_-_Trickle,_Drops
1.whitman_-_Turn,_O_Libertad
1.whitman_-_Two_Rivulets
1.whitman_-_Unfolded_Out_Of_The_Folds
1.whitman_-_Unnamed_Lands
1.whitman_-_Vigil_Strange_I_Kept_on_the_Field_one_Night
1.whitman_-_Virginia--The_West
1.whitman_-_Visord
1.whitman_-_Voices
1.whitman_-_Walt_Whitmans_Caution
1.whitman_-_Wandering_At_Morn
1.whitman_-_Warble_Of_Lilac-Time
1.whitman_-_Washingtons_Monument,_February,_1885
1.whitman_-_Weave_In,_Weave_In,_My_Hardy_Life
1.whitman_-_We_Two_Boys_Together_Clinging
1.whitman_-_We_Two-How_Long_We_Were_Foold
1.whitman_-_What_Am_I_After_All
1.whitman_-_What_Best_I_See_In_Thee
1.whitman_-_What_General_Has_A_Good_Army
1.whitman_-_What_Place_Is_Besieged?
1.whitman_-_What_Think_You_I_Take_My_Pen_In_Hand?
1.whitman_-_What_Weeping_Face
1.whitman_-_When_I_Heard_At_The_Close_Of_The_Day
1.whitman_-_When_I_Heard_the_Learnd_Astronomer
1.whitman_-_When_I_Peruse_The_Conquerd_Fame
1.whitman_-_When_I_Read_The_Book
1.whitman_-_When_Lilacs_Last_in_the_Dooryard_Bloomd
1.whitman_-_Whispers_Of_Heavenly_Death
1.whitman_-_Whoever_You_Are,_Holding_Me_Now_In_Hand
1.whitman_-_Who_Is_Now_Reading_This?
1.whitman_-_Who_Learns_My_Lesson_Complete?
1.whitman_-_With_All_Thy_Gifts
1.whitman_-_With_Antecedents
1.whitman_-_World,_Take_Good_Notice
1.whitman_-_Year_Of_Meteors,_1859_60
1.whitman_-_Years_Of_The_Modern
1.whitman_-_Year_That_Trembled
1.whitman_-_Yet,_Yet,_Ye_Downcast_Hours
1.wh_-_Moon_and_clouds_are_the_same
1.wh_-_One_instant_is_eternity
1.wh_-_Ten_thousand_flowers_in_spring,_the_moon_in_autumn
1.wh_-_The_Great_Way_has_no_gate
1.ww_-_0-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons_-_Dedication
1.ww_-_10_-_Alone_far_in_the_wilds_and_mountains_I_hunt
1.ww_-_17_-_These_are_really_the_thoughts_of_all_men_in_all_ages_and_lands,_they_are_not_original_with_me
1.ww_-_18_-_With_music_strong_I_come,_with_my_cornets_and_my_drums
1.ww_-_1_-_I_celebrate_myself,_and_sing_myself
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_20_-_Who_goes_there?_hankering,_gross,_mystical,_nude
1.ww_-_24_-_Walt_Whitman,_a_cosmos,_of_Manhattan_the_son
1.ww_-_2_-_Houses_and_rooms_are_full_of_perfumes,_the_shelves_are_crowded_with_perfumes
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3_-_I_have_heard_what_the_talkers_were_talking,_the_talk_of_the_beginning_and_the_end
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_44_-_It_is_time_to_explain_myself_--_let_us_stand_up
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4_-_Trippers_and_askers_surround_me
1.ww_-_5_-_I_believe_in_you_my_soul,_the_other_I_am_must_not_abase_itself_to_you
1.ww_-_5-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_6_-_A_child_said_What_is_the_grass?_fetching_it_to_me_with_full_hands
1.ww_-_6-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_7_-_Has_anyone_supposed_it_lucky_to_be_born?
1.ww_-_7-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_8_-_The_little_one_sleeps_in_its_cradle
1.ww_-_9_-_The_big_doors_of_the_country_barn_stand_open_and_ready
1.ww_-_A_Character
1.ww_-_A_Complaint
1.ww_-_Address_To_A_Child_During_A_Boisterous_Winter_By_My_Sister
1.ww_-_Address_To_Kilchurn_Castle,_Upon_Loch_Awe
1.ww_-_Address_To_My_Infant_Daughter
1.ww_-_Address_To_The_Scholars_Of_The_Village_School_Of_---
1.ww_-_Admonition
1.ww_-_Advance__Come_Forth_From_Thy_Tyrolean_Ground
1.ww_-_A_Fact,_And_An_Imagination,_Or,_Canute_And_Alfred,_On_The_Seashore
1.ww_-_A_Farewell
1.ww_-_A_Flower_Garden_At_Coleorton_Hall,_Leicestershire.
1.ww_-_After-Thought
1.ww_-_A_Gravestone_Upon_The_Floor_In_The_Cloisters_Of_Worcester_Cathedral
1.ww_-_Ah!_Where_Is_Palafox?_Nor_Tongue_Nor_Pen
1.ww_-_A_Jewish_Family_In_A_Small_Valley_Opposite_St._Goar,_Upon_The_Rhine
1.ww_-_Alas!_What_Boots_The_Long_Laborious_Quest
1.ww_-_Alice_Fell,_Or_Poverty
1.ww_-_Among_All_Lovely_Things_My_Love_Had_Been
1.ww_-_A_Morning_Exercise
1.ww_-_A_Narrow_Girdle_Of_Rough_Stones_And_Crags,
1.ww_-_And_Is_It_Among_Rude_Untutored_Dales
1.ww_-_Andrew_Jones
1.ww_-_Anecdote_For_Fathers
1.ww_-_An_Evening_Walk
1.ww_-_A_Night-Piece
1.ww_-_A_Night_Thought
1.ww_-_Animal_Tranquility_And_Decay
1.ww_-_A_noiseless_patient_spider
1.ww_-_Anticipation,_October_1803
1.ww_-_A_Parsonage_In_Oxfordshire
1.ww_-_A_Poet!_He_Hath_Put_His_Heart_To_School
1.ww_-_A_Poet's_Epitaph
1.ww_-_A_Prophecy._February_1807
1.ww_-_Argument_For_Suicide
1.ww_-_Artegal_And_Elidure
1.ww_-_As_faith_thus_sanctified_the_warrior's_crest
1.ww_-_A_Sketch
1.ww_-_A_Slumber_did_my_Spirit_Seal
1.ww_-_At_Applewaite,_Near_Keswick_1804
1.ww_-_Avaunt_All_Specious_Pliancy_Of_Mind
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_A_Wren's_Nest
1.ww_-_Bamboo_Cottage
1.ww_-_Beggars
1.ww_-_Behold_Vale!_I_Said,_When_I_Shall_Con
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Fourteenth_[conclusion]
1.ww_-_Book_Fourth_[Summer_Vacation]
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_Bothwell_Castle
1.ww_-_Brave_Schill!_By_Death_Delivered
1.ww_-_British_Freedom
1.ww_-_Brook!_Whose_Society_The_Poet_Seeks
1.ww_-_By_Moscow_Self-Devoted_To_A_Blaze
1.ww_-_By_The_Seaside
1.ww_-_By_The_Side_Of_The_Grave_Some_Years_After
1.ww_-_Calais-_August_15,_1802
1.ww_-_Calais-_August_1802
1.ww_-_Call_Not_The_Royal_Swede_Unfortunate
1.ww_-_Calm_is_all_Nature_as_a_Resting_Wheel.
1.ww_-_Characteristics_Of_A_Child_Three_Years_Old
1.ww_-_Character_Of_The_Happy_Warrior
1.ww_-_Composed_After_A_Journey_Across_The_Hambleton_Hills,_Yorkshire
1.ww_-_Composed_At_The_Same_Time_And_On_The_Same_Occasion
1.ww_-_Composed_By_The_Sea-Side,_Near_Calais,_August_1802
1.ww_-_Composed_By_The_Side_Of_Grasmere_Lake_1806
1.ww_-_Composed_During_A_Storm
1.ww_-_Composed_In_The_Valley_Near_Dover,_On_The_Day_Of_Landing
1.ww_-_Composed_Near_Calais,_On_The_Road_Leading_To_Ardres,_August_7,_1802
1.ww_-_Composed_on_The_Eve_Of_The_Marriage_Of_A_Friend_In_The_Vale_Of_Grasmere
1.ww_-_Composed_Upon_Westminster_Bridge,_September_3,_1802
1.ww_-_Composed_While_The_Author_Was_Engaged_In_Writing_A_Tract_Occasioned_By_The_Convention_Of_Cintra
1.ww_-_Cooling_Off
1.ww_-_Crusaders
1.ww_-_Daffodils
1.ww_-_Deer_Fence
1.ww_-_Dion_[See_Plutarch]
1.ww_-_Drifting_on_the_Lake
1.ww_-_Elegiac_Stanzas_In_Memory_Of_My_Brother,_John_Commander_Of_The_E._I._Companys_Ship_The_Earl_Of_Aber
1.ww_-_Elegiac_Stanzas_Suggested_By_A_Picture_Of_Peele_Castle
1.ww_-_Ellen_Irwin_Or_The_Braes_Of_Kirtle
1.ww_-_Emperors_And_Kings,_How_Oft_Have_Temples_Rung
1.ww_-_England!_The_Time_Is_Come_When_Thou_Shouldst_Wean
1.ww_-_Epitaphs_Translated_From_Chiabrera
1.ww_-_Even_As_A_Dragons_Eye_That_Feels_The_Stress
1.ww_-_Expostulation_and_Reply
1.ww_-_Extempore_Effusion_upon_the_Death_of_James_Hogg
1.ww_-_Extract_From_The_Conclusion_Of_A_Poem_Composed_In_Anticipation_Of_Leaving_School
1.ww_-_Feelings_of_A_French_Royalist,_On_The_Disinterment_Of_The_Remains_Of_The_Duke_DEnghien
1.ww_-_Feelings_Of_A_Noble_Biscayan_At_One_Of_Those_Funerals
1.ww_-_Feelings_Of_The_Tyrolese
1.ww_-_Fidelity
1.ww_-_Fields_and_Gardens_by_the_River_Qi
1.ww_-_Foresight
1.ww_-_For_The_Spot_Where_The_Hermitage_Stood_On_St._Herbert's_Island,_Derwentwater.
1.ww_-_From_The_Cuckoo_And_The_Nightingale
1.ww_-_From_The_Dark_Chambers_Of_Dejection_Freed
1.ww_-_From_The_Italian_Of_Michael_Angelo
1.ww_-_George_and_Sarah_Green
1.ww_-_Gipsies
1.ww_-_Goody_Blake_And_Harry_Gill
1.ww_-_Grand_is_the_Seen
1.ww_-_Great_Men_Have_Been_Among_Us
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hail-_Twilight,_Sovereign_Of_One_Peaceful_Hour
1.ww_-_Hail-_Zaragoza!_If_With_Unwet_eye
1.ww_-_Hart-Leap_Well
1.ww_-_Here_Pause-_The_Poet_Claims_At_Least_This_Praise
1.ww_-_Her_Eyes_Are_Wild
1.ww_-_Hint_From_The_Mountains_For_Certain_Political_Pretenders
1.ww_-_Hoffer
1.ww_-_How_Sweet_It_Is,_When_Mother_Fancy_Rocks
1.ww_-_I_Grieved_For_Buonaparte
1.ww_-_I_Know_an_Aged_Man_Constrained_to_Dwell
1.ww_-_Incident_Characteristic_Of_A_Favorite_Dog
1.ww_-_Indignation_Of_A_High-Minded_Spaniard
1.ww_-_In_Due_Observance_Of_An_Ancient_Rite
1.ww_-_Influence_of_Natural_Objects
1.ww_-_Inscriptions_For_A_Seat_In_The_Groves_Of_Coleorton
1.ww_-_Inscriptions_In_The_Ground_Of_Coleorton,_The_Seat_Of_Sir_George_Beaumont,_Bart.,_Leicestershire
1.ww_-_Inscriptions_Written_with_a_Slate_Pencil_upon_a_Stone
1.ww_-_Inside_of_King's_College_Chapel,_Cambridge
1.ww_-_In_The_Pass_Of_Killicranky
1.ww_-_Invocation_To_The_Earth,_February_1816
1.ww_-_Is_There_A_Power_That_Can_Sustain_And_Cheer
1.ww_-_I_think_I_could_turn_and_live_with_animals
1.ww_-_It_Is_a_Beauteous_Evening
1.ww_-_It_Is_No_Spirit_Who_From_Heaven_Hath_Flown
1.ww_-_I_Travelled_among_Unknown_Men
1.ww_-_It_was_an_April_morning-_fresh_and_clear
1.ww_-_Lament_Of_Mary_Queen_Of_Scots
1.ww_-_Laodamia
1.ww_-_Lines_Composed_a_Few_Miles_above_Tintern_Abbey
1.ww_-_Lines_Left_Upon_The_Seat_Of_A_Yew-Tree,
1.ww_-_Lines_On_The_Expected_Invasion,_1803
1.ww_-_Lines_Written_As_A_School_Exercise_At_Hawkshead,_Anno_Aetatis_14
1.ww_-_Lines_Written_In_Early_Spring
1.ww_-_Lines_Written_On_A_Blank_Leaf_In_A_Copy_Of_The_Authors_Poem_The_Excursion,
1.ww_-_Living_in_the_Mountain_on_an_Autumn_Night
1.ww_-_London,_1802
1.ww_-_Look_Now_On_That_Adventurer_Who_Hath_Paid
1.ww_-_Louisa-_After_Accompanying_Her_On_A_Mountain_Excursion
1.ww_-_Lucy
1.ww_-_Lucy_Gray_[or_Solitude]
1.ww_-_Mark_The_Concentrated_Hazels_That_Enclose
1.ww_-_Maternal_Grief
1.ww_-_Matthew
1.ww_-_Memorials_Of_A_Tour_In_Scotland
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803
1.ww_-_Memorials_of_A_Tour_In_Scotland-_1803_I._Departure_From_The_Vale_Of_Grasmere,_August_1803
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Sonnet_Composed_At_----_Castle
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Yarrow_Unvisited
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XIV._Fly,_Some_Kind_Haringer,_To_Grasmere-Dale
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_X._Rob_Roys_Grave
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1814_I._Suggested_By_A_Beautiful_Ruin_Upon_One_Of_The_Islands_Of_Lo
1.ww_-_Memorials_Of_A_Tour_Of_Scotland-_1803_VI._Glen-Almain,_Or,_The_Narrow_Glen
1.ww_-_Memory
1.ww_-_Methought_I_Saw_The_Footsteps_Of_A_Throne
1.ww_-_Michael_Angelo_In_Reply_To_The_Passage_Upon_His_Staute_Of_Sleeping_Night
1.ww_-_Michael-_A_Pastoral_Poem
1.ww_-_Minstrels
1.ww_-_Most_Sweet_it_is
1.ww_-_Mutability
1.ww_-_My_Cottage_at_Deep_South_Mountain
1.ww_-_November,_1806
1.ww_-_November_1813
1.ww_-_Nuns_Fret_Not_at_Their_Convent's_Narrow_Room
1.ww_-_Nutting
1.ww_-_O_Captain!_my_Captain!
1.ww_-_Occasioned_By_The_Battle_Of_Waterloo_February_1816
1.ww_-_October,_1803
1.ww_-_October_1803
1.ww_-_Ode
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ode_to_Duty
1.ww_-_Ode_To_Lycoris._May_1817
1.ww_-_Oer_The_Wide_Earth,_On_Mountain_And_On_Plain
1.ww_-_Oerweening_Statesmen_Have_Full_Long_Relied
1.ww_-_O_Me!_O_life!
1.ww_-_On_A_Celebrated_Event_In_Ancient_History
1.ww_-_O_Nightingale!_Thou_Surely_Art
1.ww_-_On_the_Departure_of_Sir_Walter_Scott_from_Abbotsford
1.ww_-_On_the_Extinction_of_the_Venetian_Republic
1.ww_-_On_The_Final_Submission_Of_The_Tyrolese
1.ww_-_On_The_Same_Occasion
1.ww_-_Personal_Talk
1.ww_-_Picture_of_Daniel_in_the_Lion's_Den_at_Hamilton_Palace
1.ww_-_Power_Of_Music
1.ww_-_Remembrance_Of_Collins
1.ww_-_Repentance
1.ww_-_Resolution_And_Independence
1.ww_-_Rural_Architecture
1.ww_-_Ruth
1.ww_-_Say,_What_Is_Honour?--Tis_The_Finest_Sense
1.ww_-_Scorn_Not_The_Sonnet
1.ww_-_September_1,_1802
1.ww_-_September_1815
1.ww_-_September,_1819
1.ww_-_She_Was_A_Phantom_Of_Delight
1.ww_-_Siege_Of_Vienna_Raised_By_Jihn_Sobieski
1.ww_-_Simon_Lee-_The_Old_Huntsman
1.ww_-_Song_at_the_Feast_of_Brougham_Castle
1.ww_-_Song_Of_The_Spinning_Wheel
1.ww_-_Song_Of_The_Wandering_Jew
1.ww_-_Sonnet-_It_is_not_to_be_thought_of
1.ww_-_Sonnet-_On_seeing_Miss_Helen_Maria_Williams_weep_at_a_tale_of_distress
1.ww_-_Spanish_Guerillas
1.ww_-_Stanzas
1.ww_-_Stanzas_Written_In_My_Pocket_Copy_Of_Thomsons_Castle_Of_Indolence
1.ww_-_Star-Gazers
1.ww_-_Stepping_Westward
1.ww_-_Stone_Gate_Temple_in_the_Blue_Field_Mountains
1.ww_-_Strange_Fits_of_Passion_Have_I_Known
1.ww_-_Stray_Pleasures
1.ww_-_Surprised_By_Joy
1.ww_-_Sweet_Was_The_Walk
1.ww_-_Temple_Tree_Path
1.ww_-_The_Affliction_Of_Margaret
1.ww_-_The_Birth_Of_Love
1.ww_-_The_Brothers
1.ww_-_The_Childless_Father
1.ww_-_The_Complaint_Of_A_Forsaken_Indian_Woman
1.ww_-_The_Cottager_To_Her_Infant
1.ww_-_The_Danish_Boy
1.ww_-_The_Eagle_and_the_Dove
1.ww_-_The_Emigrant_Mother
1.ww_-_The_Excursion-_I-_Dedication-_To_the_Right_Hon.William,_Earl_of_Lonsdalee,_K.G.
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Fairest,_Brightest,_Hues_Of_Ether_Fade
1.ww_-_The_Farmer_Of_Tilsbury_Vale
1.ww_-_The_Fary_Chasm
1.ww_-_The_Force_Of_Prayer,_Or,_The_Founding_Of_Bolton,_A_Tradition
1.ww_-_The_Forsaken
1.ww_-_The_Fountain
1.ww_-_The_French_And_the_Spanish_Guerillas
1.ww_-_The_French_Army_In_Russia,_1812-13
1.ww_-_The_French_Revolution_as_it_appeared_to_Enthusiasts
1.ww_-_The_Germans_On_The_Heighs_Of_Hochheim
1.ww_-_The_Green_Linnet
1.ww_-_The_Happy_Warrior
1.ww_-_The_Highland_Broach
1.ww_-_The_Horn_Of_Egremont_Castle
1.ww_-_The_Idiot_Boy
1.ww_-_The_Idle_Shepherd_Boys
1.ww_-_The_King_Of_Sweden
1.ww_-_The_Kitten_And_Falling_Leaves
1.ww_-_The_Last_Of_The_Flock
1.ww_-_The_Last_Supper,_by_Leonardo_da_Vinci,_in_the_Refectory_of_the_Convent_of_Maria_della_GraziaMilan
1.ww_-_The_Longest_Day
1.ww_-_The_Martial_Courage_Of_A_Day_Is_Vain
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_The_Mother's_Return
1.ww_-_The_Oak_And_The_Broom
1.ww_-_The_Oak_Of_Guernica_Supposed_Address_To_The_Same
1.ww_-_The_Old_Cumberland_Beggar
1.ww_-_The_Passing_of_the_Elder_Bards
1.ww_-_The_Pet-Lamb
1.ww_-_The_Power_of_Armies_is_a_Visible_Thing
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
1.ww_-_The_Primrose_of_the_Rock
1.ww_-_The_Prioresss_Tale_[from_Chaucer]
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Redbreast_Chasing_The_Butterfly
1.ww_-_There_Is_A_Bondage_Worse,_Far_Worse,_To_Bear
1.ww_-_There_is_an_Eminence,--of_these_our_hills
1.ww_-_The_Reverie_of_Poor_Susan
1.ww_-_There_Was_A_Boy
1.ww_-_The_Sailor's_Mother
1.ww_-_The_Seven_Sisters
1.ww_-_The_Shepherd,_Looking_Eastward,_Softly_Said
1.ww_-_The_Simplon_Pass
1.ww_-_The_Solitary_Reaper
1.ww_-_The_Sonnet_Ii
1.ww_-_The_Sparrow's_Nest
1.ww_-_The_Stars_Are_Mansions_Built_By_Nature's_Hand
1.ww_-_The_Sun_Has_Long_Been_Set
1.ww_-_The_Tables_Turned
1.ww_-_The_Thorn
1.ww_-_The_Trosachs
1.ww_-_The_Two_April_Mornings
1.ww_-_The_Two_Thieves-_Or,_The_Last_Stage_Of_Avarice
1.ww_-_The_Vaudois
1.ww_-_The_Virgin
1.ww_-_The_Waggoner_-_Canto_First
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_The_Waggoner_-_Canto_Second
1.ww_-_The_Waggoner_-_Canto_Third
1.ww_-_The_Waterfall_And_The_Eglantine
1.ww_-_The_Wishing_Gate_Destroyed
1.ww_-_The_World_Is_Too_Much_With_Us
1.ww_-_Those_Words_Were_Uttered_As_In_Pensive_Mood
1.ww_-_Though_Narrow_Be_That_Old_Mans_Cares_.
1.ww_-_Thought_Of_A_Briton_On_The_Subjugation_Of_Switzerland
1.ww_-_Three_Years_She_Grew_in_Sun_and_Shower
1.ww_-_To_A_Butterfly
1.ww_-_To_A_Butterfly_(2)
1.ww_-_To_A_Distant_Friend
1.ww_-_To_a_Highland_Girl_(At_Inversneyde,_upon_Loch_Lomond)
1.ww_-_To_A_Sexton
1.ww_-_To_a_Sky-Lark
1.ww_-_To_a_Skylark
1.ww_-_To_A_Young_Lady_Who_Had_Been_Reproached_For_Taking_Long_Walks_In_The_Country
1.ww_-_To_B._R._Haydon
1.ww_-_To_Dora
1.ww_-_To_H._C.
1.ww_-_To_Joanna
1.ww_-_To_Lady_Beaumont
1.ww_-_To_Lady_Eleanor_Butler_and_the_Honourable_Miss_Ponsonby,
1.ww_-_To_Mary
1.ww_-_To_May
1.ww_-_To_M.H.
1.ww_-_To_My_Sister
1.ww_-_To--_On_Her_First_Ascent_To_The_Summit_Of_Helvellyn
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_To_Sleep
1.ww_-_To_The_Cuckoo
1.ww_-_To_The_Daisy
1.ww_-_To_The_Daisy_(2)
1.ww_-_To_The_Daisy_(Fourth_Poem)
1.ww_-_To_The_Daisy_(Third_Poem)
1.ww_-_To_The_Memory_Of_Raisley_Calvert
1.ww_-_To_The_Men_Of_Kent
1.ww_-_To_The_Poet,_John_Dyer
1.ww_-_To_The_Same_Flower
1.ww_-_To_The_Same_Flower_(Second_Poem)
1.ww_-_To_The_Same_(John_Dyer)
1.ww_-_To_The_Small_Celandine
1.ww_-_To_The_Spade_Of_A_Friend_(An_Agriculturist)
1.ww_-_To_The_Supreme_Being_From_The_Italian_Of_Michael_Angelo
1.ww_-_To_Thomas_Clarkson
1.ww_-_To_Toussaint_LOuverture
1.ww_-_Translation_Of_Part_Of_The_First_Book_Of_The_Aeneid
1.ww_-_Tribute_To_The_Memory_Of_The_Same_Dog
1.ww_-_Troilus_And_Cresida
1.ww_-_Upon_Perusing_The_Forgoing_Epistle_Thirty_Years_After_Its_Composition
1.ww_-_Upon_The_Punishment_Of_Death
1.ww_-_Upon_The_Same_Event
1.ww_-_Upon_The_Sight_Of_A_Beautiful_Picture_Painted_By_Sir_G._H._Beaumont,_Bart
1.ww_-_Vaudracour_And_Julia
1.ww_-_Vernal_Ode
1.ww_-_View_From_The_Top_Of_Black_Comb
1.ww_-_Waldenses
1.ww_-_Water-Fowl_Observed_Frequently_Over_The_Lakes_Of_Rydal_And_Grasmere
1.ww_-_Weak_Is_The_Will_Of_Man,_His_Judgement_Blind
1.ww_-_We_Are_Seven
1.ww_-_When_I_Have_Borne_In_Memory
1.ww_-_When_To_The_Attractions_Of_The_Busy_World
1.ww_-_Where_Lies_The_Land_To_Which_Yon_Ship_Must_Go?
1.ww_-_Who_Fancied_What_A_Pretty_Sight
1.ww_-_With_How_Sad_Steps,_O_Moon,_Thou_Climb'st_the_Sky
1.ww_-_With_Ships_the_Sea_was_Sprinkled_Far_and_Nigh
1.ww_-_Written_In_A_Blank_Leaf_Of_Macpherson's_Ossian
1.ww_-_Written_In_Germany_On_One_Of_The_Coldest_Days_Of_The_Century
1.ww_-_Written_in_London._September,_1802
1.ww_-_Written_in_March
1.ww_-_Written_In_Very_Early_Youth
1.ww_-_Written_Upon_A_Blank_Leaf_In_The_Complete_Angler.
1.ww_-_Written_With_A_Pencil_Upon_A_Stone_In_The_Wall_Of_The_House,_On_The_Island_At_Grasmere
1.ww_-_Written_With_A_Slate_Pencil_On_A_Stone,_On_The_Side_Of_The_Mountain_Of_Black_Comb
1.ww_-_Yarrow_Revisited
1.ww_-_Yarrow_Unvisited
1.ww_-_Yarrow_Visited
1.ww_-_Yes,_It_Was_The_Mountain_Echo
1.ww_-_Yes!_Thou_Art_Fair,_Yet_Be_Not_Moved
1.ww_-_Yew-Trees
1.ww_-_Young_England--What_Is_Then_Become_Of_Old
1.yb_-_a_moment
1.yb_-_Clinging_to_the_bell
1.yb_-_In_a_bitter_wind
1.yb_-_Miles_of_frost
1.yb_-_Mountains_of_Yoshino
1.yb_-_On_these_southern_roads
1.yb_-_Short_nap
1.yb_-_spring_rain
1.yb_-_The_late_evening_crow
1.yb_-_This_cold_winter_night
1.yb_-_white_lotus
1.yb_-_winter_moon
1.yby_-_In_Praise_of_God_(from_Avoda)
1.ym_-_Climbing_the_Mountain
1.ym_-_Gone_Again_to_Gaze_on_the_Cascade
1.ymi_-_at_the_end_of_the_smoke
1.ymi_-_Swallowing
1.ym_-_Just_Done
1.ym_-_Mad_Words
1.ym_-_Motto
1.ym_-_Nearing_Hao-pa
1.ym_-_Pu-to_Temple
1.ym_-_Wrapped,_surrounded_by_ten_thousand_mountains
1.yni_-_Hymn_from_the_Heavens
1.yni_-_The_Celestial_Fire
1.yt_-_Now_until_the_dualistic_identity_mind_melts_and_dissolves
1.yt_-_The_Supreme_Being_is_the_Dakini_Queen_of_the_Lake_of_Awareness!
1.yt_-_This_self-sufficient_black_lady_has_shaken_things_up
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.02_-_The_Golden_Journey
20.03_-_Act_I:The_Descent
20.04_-_Act_II:_The_Play_on_Earth
20.05_-_Act_III:_The_Return
20.06_-_Translations_in_French
2.00_-_BIBLIOGRAPHY
2.01_-_AT_THE_STAR_THEATRE
2.01_-_Isha_Upanishad__All_that_is_world_in_the_Universe
2.01_-_Mandala_One
2.01_-_On_Books
2.01_-_On_the_Concept_of_the_Archetype
2.01_-_Proem
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_THE_ARCANE_SUBSTANCE_AND_THE_POINT
2.01_-_The_Attributes_of_Omega_Point_-_a_Transcendent_God
2.01_-_THE_CHILD_WITH_THE_MIRROR
2.01_-_The_Mother
2.01_-_The_Object_of_Knowledge
2.01_-_The_Ordinary_Life_and_the_True_Soul
2.01_-_The_Picture
2.01_-_The_Preparatory_Renunciation
2.01_-_The_Road_of_Trials
2.01_-_The_Sefirot
2.01_-_The_Temple
2.01_-_The_Therapeutic_value_of_Abreaction
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.01_-_War.
2.02_-_Atomic_Motions
2.02_-_Evolutionary_Creation_and_the_Expectation_of_a_Revelation
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_Meeting_With_the_Goddess
2.02_-_On_Letters
2.02_-_Surrender,_Self-Offering_and_Consecration
2.02_-_The_Bhakta.s_Renunciation_results_from_Love
2.02_-_The_Circle
2.02_-_THE_DURGA_PUJA_FESTIVAL
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Monstrance
2.02_-_The_Mother_Archetype
2.02_-_THE_SCINTILLA
2.02_-_The_Status_of_Knowledge
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.02_-_UPON_THE_BLESSED_ISLES
2.02_-_Zimzum
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_ON_THE_PITYING
2.03_-_Renunciation
2.03_-_The_Altar
2.03_-_The_Christian_Phenomenon_and_Faith_in_the_Incarnation
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_THE_MASTER_IN_VARIOUS_MOODS
2.03_-_The_Mother-Complex
2.03_-_The_Naturalness_of_Bhakti-Yoga_and_its_Central_Secret
2.03_-_The_Purified_Understanding
2.03_-_The_Pyx
2.03_-_The_Supreme_Divine
2.03_-_The_Worlds
2.04_-_Absence_Of_Secondary_Qualities
2.04_-_ADVICE_TO_ISHAN
2.04_-_Agni,_the_Illumined_Will
2.04_-_Concentration
2.04_-_On_Art
2.04_-_ON_PRIESTS
2.04_-_Place
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Forms_of_Love-Manifestation
2.04_-_The_Living_Church_and_Christ-Omega
2.04_-_The_Scourge,_the_Dagger_and_the_Chain
2.04_-_The_Secret_of_Secrets
2.05_-_Apotheosis
2.05_-_Blessings
2.05_-_Infinite_Worlds
2.05_-_On_Poetry
2.05_-_ON_THE_VIRTUOUS
2.05_-_Renunciation
2.05_-_The_Divine_Truth_and_Way
2.05_-_The_Holy_Oil
2.05_-_The_Line_of_Light_and_The_Impression
2.05_-_The_Religion_of_Tomorrow
2.05_-_Universal_Love_and_how_it_leads_to_Self-Surrender
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.06_-_On_Beauty
2.06_-_ON_THE_RABBLE
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_Revelation_and_the_Christian_Phenomenon
2.06_-_The_Higher_Knowledge_and_the_Higher_Love_are_one_to_the_true_Lover
2.06_-_The_Infinite_Light
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.06_-_The_Wand
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.06_-_WITH_VARIOUS_DEVOTEES
2.06_-_Works_Devotion_and_Knowledge
2.07_-_BANKIM_CHANDRA
2.07_-_I_Also_Try_to_Tell_My_Tale
2.07_-_On_Congress_and_Politics
2.07_-_ON_THE_TARANTULAS
2.07_-_Ten_Internal_and_Ten_External_Sefirot
2.07_-_The_Cup
2.07_-_The_Release_from_Subjection_to_the_Body
2.07_-_The_Supreme_Word_of_the_Gita
2.07_-_The_Triangle_of_Love
2.07_-_The_Upanishad_in_Aphorism
2.08_-_ALICE_IN_WONDERLAND
2.08_-_AT_THE_STAR_THEATRE_(II)
2.08_-_God_in_Power_of_Becoming
2.08_-_On_Non-Violence
2.08_-_ON_THE_FAMOUS_WISE_MEN
2.08_-_The_Branches_of_The_Archetypal_Man
2.08_-_The_God_of_Love_is_his_own_proof
2.08_-_The_Release_from_the_Heart_and_the_Mind
2.08_-_The_Sword
2.08_-_Three_Tales_of_Madness_and_Destruction
2.08_-_Victory_over_Falsehood
2.09_-_Human_representations_of_the_Divine_Ideal_of_Love
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.09_-_THE_MASTERS_BIRTHDAY
2.09_-_THE_NIGHT_SONG
2.09_-_The_Pantacle
2.09_-_The_Release_from_the_Ego
2.09_-_The_World_of_Points
2.0_-_Reincarnation_and_Karma
2.0_-_THE_ANTICHRIST
2.1.01_-_God_The_One_Reality
2.1.01_-_The_Central_Process_of_the_Sadhana
21.01_-_The_Mother_The_Nature_of_Her_Work
2.1.01_-_The_Parts_of_the_Being
2.1.02_-_Classification_of_the_Parts_of_the_Being
2.1.02_-_Combining_Work,_Meditation_and_Bhakti
21.02_-_Gods_and_Men
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
21.03_-_The_Double_Ladder
2.10_-_Conclusion
2.10_-_On_Vedic_Interpretation
2.10_-_THE_DANCING_SONG
2.10_-_The_Lamp
2.10_-_THE_MASTER_AND_NARENDRA
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Realisation_of_the_Cosmic_Self
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.1.1.04_-_Reading,_Yogic_Force_and_the_Development_of_Style
2.11_-_On_Education
2.11_-_The_Crown
2.11_-_The_Modes_of_the_Self
2.1.1_-_The_Nature_of_the_Vital
2.11_-_The_Shattering_And_Fall_of_The_Primordial_Kings
2.11_-_THE_TOMB_SONG
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.11_-_WITH_THE_DEVOTEES_IN_CALCUTTA
2.12_-_On_Miracles
2.12_-_ON_SELF-OVERCOMING
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Position_of_The_Sefirot
2.12_-_The_Realisation_of_Sachchidananda
2.12_-_The_Robe
2.1.2_-_The_Vital_and_Other_Levels_of_Being
2.12_-_The_Way_and_the_Bhakta
2.1.3.1_-_Students
2.1.3.2_-_Study
2.1.3.3_-_Reading
2.1.3.4_-_Conduct
2.13_-_Kingdom-The_Seventh_Sefira
2.13_-_On_Psychology
2.13_-_ON_THOSE_WHO_ARE_SUBLIME
2.13_-_Psychic_Presence_and_Psychic_Being_-_Real_Origin_of_Race_Superiority
2.13_-_The_Book
2.13_-_The_Difficulties_of_the_Mental_Being
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.1.3_-_Wrong_Movements_of_the_Vital
2.1.4.1_-_Teachers
2.1.4.2_-_Teaching
2.1.4.3_-_Discipline
2.1.4.4_-_Homework
2.1.4.5_-_Tests
2.14_-_AT_RAMS_HOUSE
2.14_-_Faith
2.14_-_On_Movements
2.14_-_ON_THE_LAND_OF_EDUCATION
2.14_-_The_Bell
2.1.4_-_The_Lower_Vital_Being
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Passive_and_the_Active_Brahman
2.14_-_The_Two_Hundred_and_Eighty-Eight_Sparks
2.14_-_The_Unpacking_of_God
2.1.5.1_-_Study_of_Works_of_Sri_Aurobindo_and_the_Mother
2.1.5.2_-_Languages
2.1.5.4_-_Arts
2.1.5.5_-_Other_Subjects
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
2.15_-_ON_IMMACULATE_PERCEPTION
2.15_-_On_the_Gods_and_Asuras
2.15_-_Power_of_Right_Attitude
2.15_-_Reality_and_the_Integral_Knowledge
2.15_-_Selection_of_Sparks_Made_for_The_Purpose_of_The_Emendation
2.15_-_The_Cosmic_Consciousness
2.15_-_The_Lamen
2.16_-_Fashioning_of_The_Vessel_
2.16_-_Oneness
2.16_-_ON_SCHOLARS
2.16_-_Power_of_Imagination
2.16_-_The_15th_of_August
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.16_-_The_Magick_Fire
2.16_-_VISIT_TO_NANDA_BOSES_HOUSE
2.1.7.05_-_On_the_Inspiration_and_Writing_of_the_Poem
2.1.7.06_-_On_the_Characters_of_the_Poem
2.1.7.07_-_On_the_Verse_and_Structure_of_the_Poem
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_ON_POETS
2.17_-_The_Masculine_Feminine_World
2.17_-_THE_MASTER_ON_HIMSELF_AND_HIS_EXPERIENCES
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_Maeroprosopus_and_Maeroprosopvis
2.18_-_ON_GREAT_EVENTS
2.18_-_SRI_RAMAKRISHNA_AT_SYAMPUKUR
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.18_-_The_Soul_and_Its_Liberation
2.19_-_Feb-May_1939
2.19_-_Knowledge_of_the_Scientist_and_the_Yogi
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_MASTER_AND_DR._SARKAR
2.19_-_The_Planes_of_Our_Existence
2.19_-_THE_SOOTHSAYER
2.19_-_Union,_Gestation,_Birth
2.2.01_-_The_Outer_Being_and_the_Inner_Being
2.2.01_-_The_Problem_of_Consciousness
2.2.01_-_Work_and_Yoga
2.2.02_-_Becoming_Conscious_in_Work
2.2.02_-_Consciousness_and_the_Inconscient
2.2.02_-_The_True_Being_and_the_True_Consciousness
2.2.03_-_The_Divine_Force_in_Work
2.2.03_-_The_Psychic_Being
2.2.03_-_The_Science_of_Consciousness
22.04_-_On_The_Brink(I)
2.2.04_-_Practical_Concerns_in_Work
2.2.05_-_Creative_Activity
22.05_-_On_The_Brink(2)
22.06_-_On_The_Brink(3)
22.07_-_The_Ashram,_the_World_and_The_Individual[^4]
22.08_-_The_Golden_Chain
2.20_-_Chance
2.20_-_Nov-Dec_1939
2.20_-_ON_REDEMPTION
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_The_Lower_Triple_Purusha
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.20_-_The_Philosophy_of_Rebirth
2.2.1.01_-_The_World's_Greatest_Poets
2.21_-_1940
2.2.1_-_Cheerfulness_and_Happiness
2.21_-_IN_THE_COMPANY_OF_DEVOTEES_AT_SYAMPUKUR
2.21_-_ON_HUMAN_PRUDENCE
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.21_-_The_Three_Heads,_The_Beard_and_The_Mazela
2.21_-_Towards_the_Supreme_Secret
2.2.2.01_-_The_Author_of_the_Bhagavad_Gita
2.2.2.03_-_Virgil
2.22_-_1941-1943
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.2.2_-_Sorrow_and_Suffering
2.22_-_The_Feminine_Polarity_of_ZO
2.22_-_THE_MASTER_AT_COSSIPORE
2.22_-_THE_STILLEST_HOUR
2.22_-_The_Supreme_Secret
2.22_-_Vijnana_or_Gnosis
2.23_-_A_Virtuous_Woman_is_a_Crown_to_Her_Husband
2.2.3_-_Depression_and_Despondency
2.23_-_Life_Sketch_of_A._B._Purani
2.23_-_Man_and_the_Evolution
2.23_-_Supermind_and_Overmind
2.23_-_The_Conditions_of_Attainment_to_the_Gnosis
2.23_-_The_Core_of_the_Gita.s_Meaning
2.23_-_THE_MASTER_AND_BUDDHA
2.24_-_Back_to_Back__Face_to_Face__and_The_Process_of_Sawing_Through
2.24_-_Gnosis_and_Ananda
2.24_-_Note_on_the_Text
2.2.4_-_Sentimentalism,_Sensitiveness,_Instability,_Laxity
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_THE_MASTERS_LOVE_FOR_HIS_DEVOTEES
2.24_-_The_Message_of_the_Gita
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_List_of_Topics_in_Each_Talk
2.25_-_Mercies_and_Judgements_of_Knowledge
2.25_-_The_Higher_and_the_Lower_Knowledge
2.25_-_The_Triple_Transformation
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.26_-_The_First_and_Second_Unions
2.26_-_The_Supramental_Descent
2.2.7.01_-_Some_General_Remarks
2.27_-_Hathayoga
2.27_-_The_Gnostic_Being
2.27_-_The_Two_Types_of_Unions
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.28_-_The_Two_Feminine_Polarities__Leah_and_Rachel
2.2.9.02_-_Plato
2.2.9.03_-_Aristotle
2.2.9.04_-_Plotinus
2.29_-_The_Worlds_of_Creation,_Formation_and_Action
2.3.01_-_Concentration_and_Meditation
2.3.01_-_The_Planes_or_Worlds_of_Consciousness
2.3.02_-_Mantra_and_Japa
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_Integral_Yoga
2.3.03_-_The_Overmind
2.3.04_-_The_Higher_Planes_of_Mind
2.3.05_-_Sadhana_through_Work_for_the_Mother
2.3.05_-_The_Lower_Nature_or_Lower_Hemisphere
2.3.06_-_The_Mind
2.3.07_-_The_Vital_Being_and_Vital_Consciousness
2.3.08_-_I_have_a_hundred_lives
2.3.08_-_The_Physical_Consciousness
23.09_-_Observations_I
2.30_-_The_Uniting_of_the_Names_45_and_52
2.3.1.01_-_Three_Essentials_for_Writing_Poetry
2.3.1.06_-_Opening_to_the_Force
2.3.1.08_-_The_Necessity_and_Nature_of_Inspiration
2.3.1.09_-_Inspiration_and_Understanding
23.10_-_Observations_II
2.3.10_-_The_Subconscient_and_the_Inconscient
2.3.1.10_-_Inspiration_and_Effort
2.3.1.13_-_Inspiration_during_Sleep
2.3.1.15_-_Writing_and_Concentration
23.11_-_Observations_III
2.3.1.20_-_Aspiration
23.12_-_A_Note_On_The_Mother_of_Dreams
2.3.1.52_-_The_Ode
2.3.1.54_-_An_Epic_Line
2.3.1_-_Ego_and_Its_Forms
2.31_-_The_Elevation_Attained_Through_Sabbath
2.3.2_-_Desire
2.32_-_Prophetic_Visions
2.3.3_-_Anger_and_Violence
2.3.4_-_Fear
2.4.01_-_Divine_Love,_Psychic_Love_and_Human_Love
24.01_-_Narads_Visit_to_King_Aswapathy
2.4.02.08_-_Contact_with_the_Divine
2.4.02.09_-_Contact_and_Union_with_the_Divine
2.4.02_-_Bhakti,_Devotion,_Worship
24.02_-_Notes_on_Savitri_I
24.03_-_Notes_on_Savitri_II
24.04_-_Notes_on_Savitri_III
24.05_-_Vision_of_Dante
2.4.1_-_Human_Relations_and_the_Spiritual_Life
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
2.4.3_-_Problems_in_Human_Relations
25.01_-_An_Italian_Stanza
25.02_-_HYMN_TO_DAWN
25.03_-_Songs_of_Ramprasad
25.04_-_In_Love_with_Darkness
25.05_-_HYMN_TO_DARKNESS
25.06_-_FORWARD
25.07_-_TEARS_OF_GRIEF
25.08_-_THY_GRACE
25.09_-_CHILDRENS_SONG
25.10_-_WHEREFORE_THIS_HURRY?
25.11_-_EGO
25.12_-_AGNI
26.01_-_Vedic_Hymns
26.02_-_Other_Hymns_and_Prayers
26.03_-_Ramprasad
26.04_-_Rabindranath_Tagore
26.05_-_Modern_Poets
26.06_-_Ashram_Poets
26.07_-_Dhammapada
26.08_-_Charyapda
26.09_-_Le_Periple_d_Or_(Pome_dans_par_Yvonne_Artaud)
27.01_-_The_Golden_Harvest
27.02_-_The_Human_Touch_Divine
27.03_-_The_Great_Holocaust_-_Chhinnamasta
27.04_-_A_Vision
27.05_-_In_Her_Company
28.01_-_Observations
28.02_-_An_Impression
29.03_-_In_Her_Company
29.04_-_Mothers_Playground
29.05_-_The_Bride_of_Brahman
29.06_-_There_is_also_another,_similar_or_parallel_story_in_the_Veda_about_the_God_Agni,_about_the_disappearance_of_this
29.07_-_A_Small_Talk
29.08_-_The_Iron_Chain
29.09_-_Some_Dates
2_-_Other_Hymns_to_Agni
3.00.1_-_Foreword
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.03_-_Spirituality_in_Art
30.04_-_Intuition_and_Inspiration_in_Art
30.05_-_Rhythm_in_Poetry
30.06_-_The_Poet_and_The_Seer
30.07_-_The_Poet_and_the_Yogi
30.08_-_Poetry_and_Mantra
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Hymn_To_Pan
3.00_-_Introduction
3.00_-_The_Magical_Theory_of_the_Universe
30.10_-_The_Greatness_of_Poetry
30.11_-_Modern_Poetry
30.12_-_The_Obscene_and_the_Ugly_-_Form_and_Essence
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.15_-_The_Language_of_Rabindranath
30.16_-_Tagore_the_Unique
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_Fear_of_God
3.01_-_Forms_of_Rebirth
3.01_-_Hymn_to_Matter
3.01_-_INTRODUCTION
3.01_-_Love_and_the_Triple_Path
3.01_-_Natural_Morality
3.01_-_Proem
3.01_-_THE_BIRTH_OF_THOUGHT
3.01_-_The_Mercurial_Fountain
3.01_-_The_Principles_of_Ritual
3.01_-_The_Soul_World
3.01_-_THE_WANDERER
3.02_-_Aridity_in_Prayer
3.02_-_King_and_Queen
3.02_-_Mysticism
3.02_-_Nature_And_Composition_Of_The_Mind
3.02_-_ON_THE_VISION_AND_THE_RIDDLE
3.02_-_SOL
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Formulae_of_the_Elemental_Weapons
3.02_-_The_Great_Secret
3.02_-_The_Motives_of_Devotion
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.02_-_The_Soul_in_the_Soul_World_after_Death
3.03_-_ON_INVOLUNTARY_BLISS
3.03_-_SULPHUR
3.03_-_The_Consummation_of_Mysticism
3.03_-_The_Formula_of_Tetragrammaton
3.03_-_The_Godward_Emotions
3.03_-_The_Mind_
3.03_-_THE_MODERN_EARTH
3.03_-_The_Naked_Truth
3.03_-_The_Soul_Is_Mortal
3.03_-_The_Spirit_Land
3.04_-_BEFORE_SUNRISE
3.04_-_Folly_Of_The_Fear_Of_Death
3.04_-_Immersion_in_the_Bath
3.04_-_LUNA
3.04_-_The_Crossing_of_the_Return_Threshold
3.04_-_The_Flowers
3.04_-_The_Formula_of_ALHIM
3.04_-_The_Spirit_in_Spirit-Land_after_Death
3.04_-_The_Way_of_Devotion
3.05_-_Cerberus_And_Furies,_And_That_Lack_Of_Light
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.05_-_The_Conjunction
3.05_-_The_Divine_Personality
3.05_-_The_Fool
3.05_-_The_Formula_of_I.A.O.
3.05_-_The_Physical_World_and_its_Connection_with_the_Soul_and_Spirit-Lands
3.06_-_Charity
3.06_-_Death
3.06_-_The_Delight_of_the_Divine
3.06_-_The_Formula_of_The_Neophyte
3.06_-_The_Sage
3.06_-_Thought-Forms_and_the_Human_Aura
3.06_-_UPON_THE_MOUNT_OF_OLIVES
3.07_-_ON_PASSING_BY
3.07_-_The_Adept
3.07_-_The_Ananda_Brahman
3.07_-_The_Ascent_of_the_Soul
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_ON_APOSTATES
3.08_-_Purification
3.08_-_The_Mystery_of_Love
3.08_-_The_Thousands
3.09_-_Evil
3.09_-_Of_Silence_and_Secrecy
3.09_-_THE_RETURN_HOME
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
3.1.01_-_Distinctive_Features_of_the_Integral_Yoga
3.1.01_-_Invitation
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Marbles_of_Time
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Asceticism_and_the_Integral_Yoga
3.1.02_-_A_Theory_of_the_Human_Being
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.02_-_The_Mother-_Worship_of_the_Bengalis
3.1.02_-_Who
3.1.03_-_A_Realistic_Adwaita
3.1.03_-_Miracles
31.03_-_The_Trinity_of_Bengal
3.1.04_-_Reminiscence
31.04_-_Sri_Ramakrishna
3.1.04_-_Transformation_in_the_Integral_Yoga
3.1.05_-_A_Vision_of_Science
31.05_-_Vivekananda
3.1.06_-_Immortal_Love
31.06_-_Jagadish_Chandra_Bose
3.1.07_-_A_Tree
31.07_-_Shyamakanta
31.08_-_The_Unity_of_India
3.1.08_-_To_the_Sea
3.1.09_-_Revelation
31.09_-_The_Cause_of_Indias_Decline
3.10_-_Of_the_Gestures
3.10_-_ON_THE_THREE_EVILS
3.10_-_Punishment
3.10_-_The_New_Birth
31.10_-_East_and_West
3.1.10_-_Karma
3.1.11_-_Appeal
3.1.12_-_A_Child.s_Imagination
3.1.13_-_The_Sea_at_Night
3.1.14_-_Vedantin.s_Prayer
3.1.15_-_Rebirth
3.1.16_-_The_Triumph-Song_of_Trishuncou
3.1.17_-_Life_and_Death
3.1.18_-_Evening
3.1.19_-_Parabrahman
3.11_-_Epilogue
3.11_-_Of_Our_Lady_Babalon
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.1.1_-_The_Transformation_of_the_Physical
3.1.20_-_God
3.1.23_-_The_Rishi
3.1.24_-_In_the_Moonlight
3.1.2_-_Levels_of_the_Physical_Being
3.12_-_Of_the_Bloody_Sacrifice
3.12_-_ON_OLD_AND_NEW_TABLETS
3.1.3_-_Difficulties_of_the_Physical_Being
3.13_-_Of_the_Banishings
3.13_-_THE_CONVALESCENT
3.14_-_Of_the_Consecrations
3.14_-_ON_THE_GREAT_LONGING
3.15_-_Of_the_Invocation
3.15_-_THE_OTHER_DANCING_SONG
3.16.1_-_Of_the_Oath
3.16.2_-_Of_the_Charge_of_the_Spirit
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.19_-_Of_Dramatic_Rituals
31_Hymns_to_the_Star_Goddess
3.2.01_-_On_Ideals
3.2.01_-_The_Newness_of_the_Integral_Yoga
32.01_-_Where_is_God?
32.02_-_Reason_and_Yoga
3.2.02_-_The_Veda_and_the_Upanishads
3.2.02_-_Yoga_and_Skill_in_Works
3.2.03_-_Conservation_and_Progress
32.03_-_In_This_Crisis
3.2.03_-_Jainism_and_Buddhism
3.2.03_-_To_the_Ganges
3.2.04_-_Sankhya_and_Yoga
3.2.04_-_Suddenly_out_from_the_wonderful_East
3.2.04_-_The_Conservative_Mind_and_Eastern_Progress
32.04_-_The_Human_Body
3.2.05_-_Our_Ideal
32.05_-_The_Culture_of_the_Body
3.2.05_-_The_Yoga_of_the_Bhagavad_Gita
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
3.2.07_-_Tantra
32.07_-_The_God_of_the_Scientist
3.2.08_-_Bhakti_Yoga_and_Vaishnavism
32.08_-_Fit_and_Unfit_(A_Letter)
32.09_-_On_Karmayoga_(A_Letter)
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
3.20_-_Of_the_Eucharist
32.10_-_A_Letter
3.2.10_-_Christianity_and_Theosophy
32.11_-_Life_and_Self-Control_(A_Letter)
32.12_-_The_Evolutionary_Imperative
3.2.1_-_Food
3.21_-_Of_Black_Magic
3.2.2_-_Sleep
3.2.3_-_Dreams
3.2.4_-_Sex
33.01_-_The_Initiation_of_Swadeshi
3.3.01_-_The_Superman
3.3.02_-_All-Will_and_Free-Will
33.02_-_Subhash,_Oaten:_atlas,_Russell
33.03_-_Muraripukur_-_I
3.3.03_-_The_Delight_of_Works
33.04_-_Deoghar
33.05_-_Muraripukur_-_II
33.06_-_Alipore_Court
33.07_-_Alipore_Jail
33.08_-_I_Tried_Sannyas
33.09_-_Shyampukur
33.10_-_Pondicherry_I
33.11_-_Pondicherry_II
33.12_-_Pondicherry_Cyclone
33.13_-_My_Professors
33.14_-_I_Played_Football
33.15_-_My_Athletics
33.16_-_Soviet_Gymnasts
33.17_-_Two_Great_Wars
33.18_-_I_Bow_to_the_Mother
3.3.1_-_Agni,_the_Divine_Will-Force
3.3.1_-_Illness_and_Health
3.3.2_-_Doctors_and_Medicines
3.3.3_-_Specific_Illnesses,_Ailments_and_Other_Physical_Problems
3.4.01_-_Evolution
34.01_-_Hymn_To_Indra
34.02_-_Hymn_To_All-Gods
3.4.02_-_The_Inconscient
34.03_-_Hymn_To_Dawn
3.4.03_-_Materialism
34.04_-_Hymn_of_Aspiration
34.05_-_Hymn_to_the_Mental_Being
34.06_-_Hymn_to_Sindhu
34.07_-_The_Bride_of_Brahman
34.08_-_Hymn_To_Forest-Range
34.09_-_Hymn_to_the_Pillar
3.4.1.01_-_Poetry_and_Sadhana
3.4.1.05_-_Fiction-Writing_and_Sadhana
3.4.1.06_-_Reading_and_Sadhana
3.4.1.07_-_Reading_and_Real_Knowledge
3.4.1.08_-_Novel-Reading_and_Sadhana
34.10_-_Hymn_To_Earth
3.4.1.11_-_Language-Study_and_Yoga
34.11_-_Hymn_to_Peace_and_Power
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.4.2.04_-_Dance_and_Sadhana
3.4.2_-_The_Inconscient_and_the_Integral_Yoga
3.5.01_-_Aphorisms
35.01_-_Hymn_To_The_Sweet_Lord
3.5.01_-_Science
35.02_-_Hymn_to_Hara-Gauri
3.5.02_-_Religion
3.5.02_-_Thoughts_and_Glimpses
35.03_-_Hymn_To_Bhavani
3.5.03_-_Reason_and_Society
35.04_-_Hymn_To_Surya
3.5.04_-_Justice
35.05_-_Hymn_To_Saraswati
35.06_-_Who_Seeks_Holy_Places?
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
36.08_-_A_Commentary_on_the_First_Six_Suktas_of_Rigveda
36.09_-_THE_SIT_SUKTA
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.02_-_The_Story_of_Jabala-Satyakama
37.03_-_Satyakama_And_Upakoshala
37.04_-_The_Story_Of_Rishi_Yajnavalkya
37.05_-_Narada_-_Sanatkumara_(Chhandogya_Upanishad)
37.06_-_Indra_-_Virochana_and_Prajapati
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.02_-_The_Reincarnating_Soul
3.7.1.03_-_Rebirth,_Evolution,_Heredity
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.06_-_The_Ascending_Unity
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.10_-_Karma,_Will_and_Consequence
3.7.1.11_-_Rebirth_and_Karma
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.02_-_The_Terrestial_Law
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
3.7.2.06_-_Appendix_II_-_A_Clarification
38.01_-_Asceticism_and_Renunciation
38.02_-_Hymns_and_Prayers
38.03_-_Mute
38.04_-_Great_Time
38.05_-_Living_Matter
38.06_-_Ravana_Vanquished
38.07_-_A_Poem
3.8.1.01_-_The_Needed_Synthesis
3.8.1.02_-_Arya_-_Its_Significance
3.8.1.03_-_Meditation
3.8.1.04_-_Different_Methods_of_Writing
3.8.1.05_-_Occult_Knowledge_and_the_Hindu_Scriptures
3.8.1.06_-_The_Universal_Consciousness
39.08_-_Release
39.09_-_Just_Be_There_Where_You_Are
39.10_-_O,_Wake_Up_from_Vain_Slumber
39.11_-_A_Prayer
3_-_Commentaries_and_Annotated_Translations
40.01_-_November_24,_1926
40.02_-_The_Two_Chains_Of_The_Mother
4.01_-_Conclusion_-_My_intellectual_position
4.01_-_INTRODUCTION
4.01_-_Introduction
4.01_-_Prayers_and_Meditations
4.01_-_Proem
4.01_-_Sweetness_in_Prayer
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_THE_HONEY_SACRIFICE
4.01_-_The_Presence_of_God_in_the_World
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_Autobiographical_Evidence
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_Divine_Consolations.
4.02_-_Existence_And_Character_Of_The_Images
4.02_-_GOLD_AND_SPIRIT
4.02_-_Humanity_in_Progress
4.02_-_THE_CRY_OF_DISTRESS
4.02_-_The_Integral_Perfection
4.02_-_The_Psychology_of_the_Child_Archetype
4.03_-_CONVERSATION_WITH_THE_KINGS
4.03_-_Prayer_of_Quiet
4.03_-_Prayer_to_the_Ever-greater_Christ
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.03_-_THE_ULTIMATE_EARTH
4.04_-_Conclusion
4.04_-_In_the_Total_Christ
4.04_-_Some_Vital_Functions
4.04_-_THE_LEECH
4.04_-_The_Perfection_of_the_Mental_Being
4.04_-_THE_REGENERATION_OF_THE_KING
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Instruments_of_the_Spirit
4.05_-_THE_MAGICIAN
4.05_-_The_Passion_Of_Love
4.06_-_Purification-the_Lower_Mentality
4.06_-_RETIRED
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_Purification-Intelligence_and_Will
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.07_-_THE_UGLIEST_MAN
4.08_-_The_Liberation_of_the_Spirit
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.08_-_THE_VOLUNTARY_BEGGAR
4.09_-_REGINA
4.09_-_The_Liberation_of_the_Nature
4.09_-_THE_SHADOW
4.0_-_NOTES_TO_ZARATHUSTRA
4.0_-_The_Path_of_Knowledge
4.1.01_-_The_Intellect_and_Yoga
41.01_-_Vedic_Hymns
41.02_-_Other_Hymns_and_Prayers
41.03_-_Bengali_Poems_of_Sri_Aurobindo
41.04_-_Modern_Bengali_Poems
4.10_-_AT_NOON
4.10_-_The_Elements_of_Perfection
4.1.1.01_-_The_Fundamental_Realisations
4.1.1.02_-_Four_Bases_of_Realisation
4.1.1.03_-_Three_Realisations_for_the_Soul
4.1.1.04_-_Foundations_of_the_Sadhana
4.1.1.05_-_The_Central_Process_of_the_Yoga
4.1.1_-_The_Difficulties_of_Yoga
4.11_-_The_Perfection_of_Equality
4.11_-_THE_WELCOME
4.1.2.01_-_Realisation_and_Transformation
4.1.2.02_-_The_Three_Transformations
4.1.2.03_-_Preparation_for_the_Supramental_Change
4.1.2_-_The_Difficulties_of_Human_Nature
4.12_-_THE_LAST_SUPPER
4.12_-_The_Way_of_Equality
4.1.3_-_Imperfections_and_Periods_of_Arrest
4.13_-_ON_THE_HIGHER_MAN
4.13_-_The_Action_of_Equality
4.1.4_-_Resistances,_Sufferings_and_Falls
4.14_-_The_Power_of_the_Instruments
4.14_-_THE_SONG_OF_MELANCHOLY
4.15_-_ON_SCIENCE
4.15_-_Soul-Force_and_the_Fourfold_Personality
4.16_-_AMONG_DAUGHTERS_OF_THE_WILDERNESS
4.16_-_The_Divine_Shakti
4.17_-_The_Action_of_the_Divine_Shakti
4.17_-_THE_AWAKENING
4.18_-_Faith_and_shakti
4.18_-_THE_ASS_FESTIVAL
4.19_-_THE_DRUNKEN_SONG
4.19_-_The_Nature_of_the_supermind
4.1_-_Jnana
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.2.03_-_The_Birth_of_Sin
4.2.04_-_Epiphany
4.20_-_The_Intuitive_Mind
4.20_-_THE_SIGN
4.2.1.01_-_The_Importance_of_the_Psychic_Change
4.2.1.02_-_The_Role_of_the_Psychic_in_Sadhana
4.2.1.03_-_The_Psychic_Deep_Within
4.2.1.04_-_The_Psychic_and_the_Mental,_Vital_and_Physical_Nature
4.2.1.05_-_The_Psychic_Awakening
4.2.1.06_-_Living_in_the_Psychic
4.21_-_The_Gradations_of_the_supermind
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.2.2.01_-_The_Meaning_of_Psychic_Opening
4.2.2.02_-_Conditions_for_the_Psychic_Opening
4.2.2.03_-_An_Experience_of_Psychic_Opening
4.2.2.04_-_The_Psychic_Opening_and_the_Inner_Centres
4.2.2.05_-_Opening_and_Coming_in_Front
4.2.2_-_Steps_towards_Overcoming_Difficulties
4.22_-_The_supramental_Thought_and_Knowledge
4.2.3.01_-_The_Meaning_of_Coming_to_the_Front
4.2.3.02_-_Signs_of_the_Psychic's_Coming_Forward
4.2.3.03_-_The_Psychic_and_the_Relation_with_the_Divine
4.2.3.04_-_Means_of_Bringing_Forward_the_Psychic
4.2.3.05_-_Obstacles_to_the_Psychic's_Emergence
4.23_-_The_supramental_Instruments_--_Thought-process
4.2.3_-_Vigilance,_Resolution,_Will_and_the_Divine_Help
4.2.4.01_-_The_Psychic_Touch_or_Influence
4.2.4.02_-_The_Psychic_Condition
4.2.4.03_-_The_Psychic_Fire
4.2.4.04_-_The_Psychic_Fire_and_Some_Inner_Visions
4.2.4.05_-_Agni
4.2.4.06_-_Agni_and_the_Psychic_Fire
4.2.4.07_-_Psychic_Joy
4.2.4.08_-_Psychic_Sorrow
4.2.4.09_-_Psychic_Tears_or_Weeping
4.2.4.10_-_Psychic_Yearning
4.2.4.11_-_Psychic_Intensity
4.2.4.12_-_The_Psychic_and_Uneasiness
4.24_-_The_supramental_Sense
4.2.4_-_Time_and_CHange_of_the_Nature
4.2.5.01_-_Psychisation_and_Spiritualisation
4.2.5.02_-_The_Psychic_and_the_Higher_Consciousness
4.2.5.03_-_The_Psychic_and_Spiritual_Movements
4.2.5.04_-_The_Psychic_Consciousness_and_the_Descent_from_Above
4.2.5.05_-_The_Psychic_and_the_Supermind
4.2.5_-_Dealing_with_Depression_and_Despondency
4.25_-_Towards_the_supramental_Time_Vision
4.26_-_The_Supramental_Time_Consciousness
4.2_-_Karma
4.3.1.01_-_Peace,_Calm,_Silence_and_the_Self
4.3.1.02_-_The_True_Self_Within
4.3.1.03_-_The_Self_and_the_Sense_of_Individuality
4.3.1.04_-_The_Disappearance_of_the_I_Sense
4.3.1.05_-_The_Self_and_the_Cosmic_Consciousness
4.3.1.06_-_A_Vision_of_the_Universal_Self
4.3.1.07_-_The_Self_Experienced_on_Various_Planes
4.3.1.08_-_The_Self_and_Time
4.3.1.09_-_The_Self_and_Life
4.3.1.10_-_Experiences_of_Infinity,_Oneness,_Unity
4.3.1.11_-_Living_in_the_Divine
4.3.1_-_The_Hostile_Forces_and_the_Difficulties_of_Yoga
4.3.2.01_-_The_Higher_or_Spiritual_Consciousness
4.3.2.02_-_Breaking_into_the_Spiritual_Consciousness
4.3.2.03_-_Wideness_and_the_Higher_Consciousness
4.3.2.04_-_Degrees_in_the_Higher_Consciousness
4.3.2.05_-_The_Higher_Planes_and_the_Supermind
4.3.2.06_-_Levels_of_the_Higher_Mind
4.3.2.07_-_An_Illumined_Mind_Experience
4.3.2.08_-_Overmind_Experiences
4.3.2.09_-_Overmind_Experiences_and_the_Supermind
4.3.2.10_-_Reflected_Experience_of_the_Higher_Planes
4.3.2.11_-_Trance_and_the_Higher_Planes
4.3.2.12_-_Living_in_a_Higher_Plane
4.3.2_-_Attacks_by_the_Hostile_Forces
4.3.3_-_Dealing_with_Hostile_Attacks
4.3.4_-_Accidents,_Possession,_Madness
4.3_-_Bhakti
4.4.1.01_-_The_Meaning_of_Spiritual_Transformation
4.4.1.02_-_A_Double_Movement_in_the_Sadhana
4.4.1.03_-_Both_Ascent_and_Descent_Necessary
4.4.1.04_-_The_Order_of_Ascent_and_Descent
4.4.1.05_-_Ascent_and_Descent_of_the_Kundalini_Shakti
4.4.1.06_-_Ascent_and_Descent_and_Problems_of_the_Lower_Nature
4.4.1.07_-_Experiences_of_Ascent_and_Descent
4.4.2.01_-_Contact_with_the_Above
4.4.2.02_-_Ascension_or_Rising_above_the_Head
4.4.2.03_-_Ascent_and_Return_to_the_Ordinary_Consciousness
4.4.2.04_-_Ascent_and_Dissolution
4.4.2.05_-_Ascent_and_the_Psychic_Being
4.4.2.06_-_Ascent_and_the_Body
4.4.2.07_-_Ascent_and_Going_out_of_the_Body
4.4.2.08_-_Fixing_the_Consciousness_Above
4.4.2.09_-_Ascent_and_Change_of_the_Lower_Nature
4.4.3.01_-_The_Purpose_of_the_Descent
4.4.3.02_-_Calling_in_the_Higher_Consciousness
4.4.3.03_-_Preparatory_Experiences_and_Descent
4.4.3.04_-_The_Order_of_Descent_into_the_Being
4.4.3.05_-_The_Effect_of_Descent_into_the_Lower_Planes
4.4.4.01_-_The_Descent_of_Peace,_Force,_Light,_Ananda
4.4.4.02_-_Peace,_Calm,_Quiet_as_a_Basis_for_the_Descent
4.4.4.03_-_The_Descent_of_Peace
4.4.4.04_-_The_Descent_of_Silence
4.4.4.05_-_The_Descent_of_Force_or_Power
4.4.4.06_-_The_Descent_of_Fire
4.4.4.07_-_The_Descent_of_Light
4.4.4.08_-_The_Descent_of_Knowledge
4.4.4.09_-_The_Descent_of_Wideness
4.4.4.10_-_The_Descent_of_Ananda
4.4.4.11_-_The_Flow_of_Amrita
4.4.5.01_-_Descent_and_Experiences_of_the_Inner_Being
4.4.5.02_-_Descent_and_Psychic_Experiences
4.4.5.03_-_Descent_and_Other_Experiences
4.4.6.01_-_Sensations_in_the_Inner_Centres
4.4_-_Additional_Aphorisms
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.01_-_EPILOGUE
5.01_-_Message
5.01_-_Proem
5.02_-_Against_Teleological_Concept
5.02_-_Perfection_of_the_Body
5.02_-_THE_STATUE
5.02_-_Two_Parallel_Movements
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.03_-_The_Divine_Body
5.03_-_The_World_Is_Not_Eternal
5.03_-_Towars_the_Supreme_Light
5.04_-_Formation_Of_The_World
5.04_-_Supermind_and_the_Life_Divine
5.04_-_THE_POLARITY_OF_ADAM
5.04_-_Three_Dreams
5.05_-_Origins_Of_Vegetable_And_Animal_Life
5.05_-_Supermind_and_Humanity
5.05_-_THE_OLD_ADAM
5.05_-_The_War
5.06_-_Origins_And_Savage_Period_Of_Mankind
5.06_-_Supermind_in_the_Evolution
5.06_-_THE_TRANSFORMATION
5.07_-_Beginnings_Of_Civilization
5.07_-_Mind_of_Light
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.08_-_Supermind_and_Mind_of_Light
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.01.9_-_Book_IX
5.1.01_-_Ilion
5.1.01_-_Terminology
5.1.02_-_Ahana
5.1.02_-_The_Gods
5.1.03_-_The_Hostile_Forces_and_Hostile_Beings
5.2.01_-_The_Descent_of_Ahana
5.2.01_-_Word-Formation
5.2.02_-_Aryan_Origins_-_The_Elementary_Roots_of_Language
5.2.02_-_The_Meditations_of_Mandavya
5.2.03_-_The_An_Family
5.3.04_-_Roots_in_M
5.3.05_-_The_Root_Mal_in_Greek
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5.4.02_-_Occult_Powers_or_Siddhis
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_Proem
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_Great_Meteorological_Phenomena,_Etc
6.02_-_STAGES_OF_THE_CONJUNCTION
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.04_-_The_Plague_Athens
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_Remembrances
6.06_-_SELF-KNOWLEDGE
6.07_-_Myself_and_My_Creed
6.07_-_THE_MONOCOLUS
6.08_-_Intellectual_Visions
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_Imaginary_Visions
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
6.0_-_Conscious,_Unconscious,_and_Individuation
6.1.07_-_Life
6.1.08_-_One_Day
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.06_-_The_Simple_Life
7.07_-_Prudence
7.08_-_Sincerity
7.10_-_Order
7.11_-_Building_and_Destroying
7.2.03_-_The_Other_Earths
7.2.04_-_Thought_the_Paraclete
7.2.05_-_Moon_of_Two_Hemispheres
7.2.06_-_Rose_of_God
7.3.10_-_The_Lost_Boat
7.3.13_-_Ascent
7.3.14_-_The_Tiger_and_the_Deer
7.4.01_-_Man_the_Enigma
7.4.02_-_The_Infinitismal_Infinite
7.4.03_-_The_Cosmic_Dance
7.5.20_-_The_Hidden_Plan
7.5.21_-_The_Pilgrim_of_the_Night
7.5.26_-_The_Golden_Light
7.5.27_-_The_Infinite_Adventure
7.5.28_-_The_Greater_Plan
7.5.29_-_The_Universal_Incarnation
7.5.30_-_The_Godhead
7.5.31_-_The_Stone_Goddess
7.5.32_-_Krishna
7.5.33_-_Shiva
7.5.37_-_Lila
7.5.51_-_Light
7.5.52_-_The_Unseen_Infinite
7.5.56_-_Omnipresence
7.5.59_-_The_Hill-top_Temple
7.5.60_-_Divine_Hearing
7.5.61_-_Because_Thou_Art
7.5.62_-_Divine_Sight
7.5.63_-_Divine_Sense
7.5.64_-_The_Iron_Dictators
7.5.65_-_Form
7.5.66_-_Immortality
7.5.69_-_The_Inner_Fields
7.6.01_-_Symbol_Moon
7.6.02_-_The_World_Game
7.6.03_-_Who_art_thou_that_camest
7.6.04_-_One
7.6.09_-_Despair_on_the_Staircase
7.6.12_-_The_Mother_of_God
7.6.13_-_The_End?
7.9.20_-_Soul,_my_soul
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
A_God's_Labour
Apology
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
A_Secret_Miracle
authors_(code)
Avatars_of_the_Tortoise
Averroes_Search
Bhagavad_Gita
Big_Mind_(non-dual)
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
BOOK_I._-_Augustine_censures_the_pagans,_who_attributed_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
BOOK_IX._-_Of_those_who_allege_a_distinction_among_demons,_some_being_good_and_others_evil
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
Book_of_Psalms
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
Chapter_III_-_WHEREIN_IS_RELATED_THE_DROLL_WAY_IN_WHICH_DON_QUIXOTE_HAD_HIMSELF_DUBBED_A_KNIGHT
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
City_of_God_-_BOOK_I
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_III
COSA_-_BOOK_IV
COSA_-_BOOK_IX
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_VIII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
Deutsches_Requiem
DM_2_-_How_to_Meditate
Emma_Zunz
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.02_-_Concerning_Virtue.
ENNEAD_01.02_-_Of_Virtues.
ENNEAD_01.03_-_Of_Dialectic,_or_the_Means_of_Raising_the_Soul_to_the_Intelligible_World.
ENNEAD_01.04_-_Whether_Animals_May_Be_Termed_Happy.
ENNEAD_01.05_-_Does_Happiness_Increase_With_Time?
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_01.07_-_Of_the_First_Good,_and_of_the_Other_Goods.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_01.09a_-_Of_Suicide.
ENNEAD_01.09b_-_Of_Suicide.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.02_-_About_the_Movement_of_the_Heavens.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.04b_-_Of_Matter.
ENNEAD_02.05_-_Of_the_Aristotelian_Distinction_Between_Actuality_and_Potentiality.
ENNEAD_02.06_-_Of_Essence_and_Being.
ENNEAD_02.07_-_About_Mixture_to_the_Point_of_Total_Penetration.
ENNEAD_02.08_-_Of_Sight,_or_of_Why_Distant_Objects_Seem_Small.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.01_-_Concerning_Fate.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.03_-_Continuation_of_That_on_Providence.
ENNEAD_03.04_-_Of_Our_Individual_Guardian.
ENNEAD_03.05_-_Of_Love,_or_Eros.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Entities_(Soul_and_and_Matter).
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Things.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08a_-_Of_Nature,_Contemplation,_and_of_the_One.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_03.09_-_Fragments_About_the_Soul,_the_Intelligence,_and_the_Good.
ENNEAD_04.01_-_Of_the_Being_of_the_Soul.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.02_-_Of_the_Nature_of_the_Soul.
ENNEAD_04.03_-_Problems_About_the_Soul.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.06a_-_Of_Sensation_and_Memory.
ENNEAD_04.06b_-_Of_Sensation_and_Memory.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_04.08_-_Of_the_Descent_of_the_Soul_Into_the_Body.
ENNEAD_04.09_-_Whether_All_Souls_Form_a_Single_One?
ENNEAD_05.01_-_The_Three_Principal_Hypostases,_or_Forms_of_Existence.
ENNEAD_05.02_-_Of_Generation_and_of_the_Order_of_Things_that_Follow_the_First.
ENNEAD_05.02_-_Of_Generation,_and_of_the_Order_of_things_that_Rank_Next_After_the_First.
ENNEAD_05.03_-_Of_the_Hypostases_that_Mediate_Knowledge,_and_of_the_Superior_Principle.
ENNEAD_05.03_-_The_Self-Consciousnesses,_and_What_is_Above_Them.
ENNEAD_05.04_-_How_What_is_After_the_First_Proceeds_Therefrom;_of_the_One.
ENNEAD_05.05_-_That_Intelligible_Entities_Are_Not_External_to_the_Intelligence_of_the_Good.
ENNEAD_05.06_-_The_Superessential_Principle_Does_Not_Think_-_Which_is_the_First_Thinking_Principle,_and_Which_is_the_Second?
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.04_-_The_One_and_Identical_Being_Is_Everywhere_Present_As_a_Whole.
ENNEAD_06.04_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.05_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Epistle_to_the_Romans
Euthyphro
Evening_Talks_With_Sri_Aurobindo
Ex_Oblivione
First_Epistle_of_Paul_to_the_Thessalonians
For_a_Breath_I_Tarry
Gods_Script
Gorgias
Guru_Granth_Sahib_first_part
Ion
Isha_Upanishads
Jaap_Sahib_Text_(Guru_Gobind_Singh)
Kafka_and_His_Precursors
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
Liber_MMM
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.03_-_INVOCATION
LUX.04_-_LIBERATION
LUX.05_-_AUGOEIDES
LUX.06_-_DIVINATION
LUX.07_-_ENCHANTMENT
Maps_of_Meaning_text
Medea_-_A_Vergillian_Cento
Meno
MMM.01_-_MIND_CONTROL
MMM.02_-_MAGIC
MMM.03_-_DREAMING
P.11_-_MAGICAL_WEAPONS
Partial_Magic_in_the_Quixote
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
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r1914_12_15
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r1914_12_17
r1914_12_18
r1914_12_19
r1914_12_20
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r1914_12_22
r1914_12_23
r1914_12_24
r1914_12_29
r1914_12_30
r1914_12_31
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r1915_01_02
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r1915_08_03
r1915_08_04
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r1915_08_06
r1915_08_07
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r1915_08_09
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r1916_02_19
r1916_02_20
r1916_02_22
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r1916_03_02
r1916_03_03
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r1916_03_08
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r1917_08_24
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r1917_08_26
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r1917_08_28
r1917_08_29
r1917_08_30
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r1917_09_03
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r1917_09_17
r1917_09_20
r1917_09_21
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r1917_09_23
r1917_09_24
r1917_09_28
r1918_02_14
r1918_02_15
r1918_02_16
r1918_02_17
r1918_02_18
r1918_02_19
r1918_02_20
r1918_02_21
r1918_02_22
r1918_02_23
r1918_02_24
r1918_02_25
r1918_02_26
r1918_02_27
r1918_02_28
r1918_03_03
r1918_03_04
r1918_03_05
r1918_03_07
r1918_03_11
r1918_03_15
r1918_03_25
r1918_03_27
r1918_04_20
r1918_04_21
r1918_04_22
r1918_04_25
r1918_04_30
r1918_05_04
r1918_05_05
r1918_05_06
r1918_05_07
r1918_05_08
r1918_05_09
r1918_05_10
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r1918_05_12
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r1918_05_14
r1918_05_15
r1918_05_17
r1918_05_18
r1918_05_19
r1918_05_20
r1918_05_21
r1918_05_22
r1918_05_23
r1918_05_24
r1918_05_25
r1918_05_26
r1918_06_01
r1918_06_03
r1918_06_14
r1918_07_01
r1919_06_24
r1919_06_25
r1919_06_27
r1919_06_28
r1919_06_29
r1919_06_30
r1919_07_01
r1919_07_02
r1919_07_03
r1919_07_06
r1919_07_07
r1919_07_08
r1919_07_09
r1919_07_10
r1919_07_11
r1919_07_13
r1919_07_14
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r1919_07_19
r1919_07_20
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r1919_07_25
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r1919_07_27
r1919_07_28
r1919_07_29
r1919_07_30
r1919_07_31
r1919_08_01
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r1919_08_07
r1919_08_10
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r1919_08_13
r1919_08_14
r1919_08_15
r1919_08_18
r1919_08_19
r1919_08_20
r1919_08_21
r1919_08_25
r1919_08_26
r1919_08_27
r1919_08_28
r1919_08_29
r1919_08_30
r1919_08_31
r1919_09_01
r1919_09_02
r1919_09_24
r1920_02_01
r1920_02_04
r1920_02_06
r1920_02_07a
r1920_02_07b
r1920_02_08
r1920_02_09
r1920_02_10
r1920_02_14
r1920_02_19
r1920_02_20
r1920_02_21
r1920_02_22
r1920_02_23
r1920_02_24
r1920_02_25
r1920_02_26
r1920_02_27
r1920_02_28
r1920_02_29
r1920_03_01
r1920_03_02
r1920_03_03
r1920_03_04
r1920_03_05
r1920_03_06
r1920_03_07
r1920_03_08
r1920_03_13
r1920_03_14
r1920_03_15
r1920_03_16
r1920_03_17
r1920_03_28
r1920_04_01
r1920_06_07
r1920_06_08
r1920_06_09
r1920_06_10
r1920_06_11
r1920_06_12
r1920_06_13
r1920_06_16
r1920_06_17
r1920_06_18
r1920_06_19
r1920_06_20
r1920_06_21
r1920_06_22
r1920_06_26
r1920_10_17
r1920_10_18
r1920_10_19
r1927_01_03
r1927_01_04
r1927_01_05
r1927_01_06
r1927_01_07
r1927_01_08
r1927_01_09
r1927_01_10
r1927_01_11
r1927_01_12
r1927_01_13
r1927_01_14
r1927_01_15
r1927_01_16
r1927_01_17
r1927_01_18
r1927_01_19
r1927_01_20
r1927_01_21
r1927_01_22
r1927_01_23
r1927_01_24
r1927_01_25
r1927_01_26
r1927_01_27
r1927_01_28
r1927_01_29
r1927_01_30
r1927_01_31
r1927_02_01
r1927_04_07
r1927_04_08
r1927_04_09a
r1927_04_09b
r1927_04_10
r1927_04_12
r1927_04_13
r1927_04_14
r1927_04_15
r1927_04_16
r1927_04_17
r1927_04_18
r1927_04_22
r1927_07_30_-_Record_of_Drishti
r1927_10_24
r1927_10_25
r1927_10_27
r1927_10_29
r1927_10_30
r1927_10_31
Ragnarok
Sayings_of_Sri_Ramakrishna_(text)
Sophist
Story_of_the_Warrior_and_the_Captive
Symposium_translated_by_B_Jowett
Tablets_of_Baha_u_llah_text
Talks_001-025
Talks_026-050
Talks_051-075
Talks_076-099
Talks_125-150
Talks_176-200
Talks_500-550
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Joshua
The_Book_of_Sand
The_Book_of_the_Prophet_Isaiah
The_Book_of_the_Prophet_Micah
The_Book_of_Wisdom
The_Book_(short_story)
The_Circular_Ruins
The_Coming_Race_Contents
The_Divine_Names_Text_(Dionysis)
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
The_Egg
The_Epistle_of_James
The_Epistle_of_Paul_to_the_Ephesians
The_Epistle_of_Paul_to_the_Philippians
The_Essentials_of_Education
the_Eternal_Wisdom
The_Fearful_Sphere_of_Pascal
The_First_Epistle_of_Paul_to_the_Corinthians
The_First_Epistle_of_Paul_to_Timothy
The_First_Epistle_of_Peter
The_First_Letter_of_John
The_Garden_of_Forking_Paths_1
The_Garden_of_Forking_Paths_2
The_Gold_Bug
The_Golden_Verses_of_Pythagoras
The_Gospel_According_to_John
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Hidden_Words_text
The_House_of_Asterion
The_Immortal
The_Last_Question
The_Letter_to_the_Hebrews
The_Library_of_Babel
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Lottery_in_Babylon
The_Mirror_of_Enigmas
The_Monadology
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Revelation_of_Jesus_Christ_or_the_Apocalypse
The_Riddle_of_this_World
The_Second_Epistle_of_John
The_Second_Epistle_of_Paul_to_Timothy
The_Second_Epistle_of_Peter
The_Shadow_Out_Of_Time
The_Theologians
The_Third_Letter_of_John
The_Waiting
The_Wall_and_the_BOoks
The_Witness
The_Zahir
Thus_Spoke_Zarathustra_text
Timaeus
Ultima_Thule_-_Dedication_to_G._W._G.
Valery_as_Symbol
Verses_of_Vemana

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DEFINITIONS


TERMS STARTING WITH

authorship credited to Eleazor of Worms. In

authorship, in part, of Isaiah 24:16. In The Zohar

authorship ::: n. --> The quality or state of being an author; function or dignity of an author.
Source; origin; origination; as, the authorship of a book or review, or of an act, or state of affairs.


authors or advocates of anarchy; leaders of revolt.


TERMS ANYWHERE

abramelin ::: Abra Melin (Abramelin the Mage) Abra Melin was known as Abramelin the Mage, a wandering Eastern sage whose magick is supposedly enshrined in the 14th century book, The Sacred Magick of Abramelin the Mage. Probably the most practically used of old grimoires, it contains a detailed and precise system of Ritual Magick, its authorship being attributed to Abraham the Jew. Oil of Abramelin (so named by Aleister Crowley who adapted his own recipe from that found in The Sacred Magick of Abramelin the Mage) is used in Thelemic and other rituals.

Ada Core Technologies ::: (company) (ACT) The company that maintains GNAT.Ada Core Technologies was founded in 1994 by the original authors of the GNAT compiler. ACT provides software for Ada 95 development. .(2000-10-28)

Ada Core Technologies "company" (ACT) The company that maintains {GNAT}. Ada Core Technologies was founded in 1994 by the original authors of the GNAT compiler. ACT provides software for {Ada 95} development. {(http://gnat.com/)}. (2000-10-28)

AGM Theory for Belief Revision "artificial intelligence" (After the initials of the authors who established the field - Alchourron, Makinson and Gardenfors). A method of {belief revision} giving minimal properties a revision process should have. [Reference?] (1995-03-20)

AGM Theory for Belief Revision ::: (artificial intelligence) (After the initials of the authors who established the field - Alchourron, Makinson and Gardenfors). A method of belief revision giving minimal properties a revision process should have.[Reference?] (1995-03-20)

AkutobhayA. (T. Ga las 'jigs med). In Sanskrit, "Fearless," the abbreviated title of the Mulamadhyamakavṛtti-akutobhayA, a commentary on NAGARJUNA's MuLAMADHYAMAKAKARIKA. In Tibet, the work has traditionally been attributed to NAgArjuna himself, but scholars doubt that he is the author of this commentary on his own work, in part because the commentary cites the CATUḤsATAKA of ARYADEVA, who was NAgArjuna's disciple. In places, the work is identical to the commentary of BUDDHAPALITA. Regardless of the authorship, the work is an important commentary on NAgArjuna's most famous work. In China, the commentary of Qingmu (*Pingala?), an influential work in the SAN LUN ZONG, is closely related to the AkutobhayA.

allusion: A casual reference to any aspect of another piece of literature, art, music, person or life in general. Authors suppose that the reader will identify the original source and relate the meaning to the new context. An example of allusion is TS. Eliot's The Waste Land. See intertextuality.

Among its members W. Dubislav (1937), K. Grelling, O. Helmer, C. G. Hempel, A. Herzberg, K.. Korsch, H. Reichenbach (q.v.), M. Strauss. Many members of the following groups may be regarded as adherents of Scientific Empiricism: the Berlin Society for Scientific Philosophy, the W arsaw School, the Cambridge School for Analytic Philosophy (q.v.), further, in U. S. A., some of the representatives of contemporary Pragmatism (q.v.), especially C. W. Morris, of Neo-Realism (q.v.), and of Operationalism (q.v.).   Among the individual adherents not belonging to the groups mentioned: E. Kaila (Finland), J. Jörgensen (Denmark), A. Ness (Norway); A. J. Ayer, J. H. Woodger (England); M. Boll (France); K. Popper (now New Zealand); E. Brunswik, H. Gomperz, Felix Kaufmann, R. V. Mises, L. Rougier, E. Zilsel (now in U. S. A.); E. Nagel, W. V. Quine, and many others (in U.S.A.). The general attitude and the views of Scientific Empiricism are in esential agreement with those of Logical Empiricism (see above, 1). Here, the unity of science is especially emphasized, in various respects   There is a logical unity of the language of science; the concepts of different branches of science are not of fundamentally different kinds but belong to one coherent system. The unity of science in this sense is closely connected with the thesis of Physicahsm (q.v.).   There is a practical task in the present stage of development, to come to a better mutual adaptation of terminologies in different branches of science.   There is today no unity of the laws of science. It is an aim of the future development of science to come, if possible, to a simple set of connected, fundamental laws from which the special laws in the different branches of science, including the social sciences, can be deduced. Here also, the analysis of language is regarded as one of the chief methods of the science of science. While logical positivism stressed chiefly the logical side of this analysis, it is here carried out from various directions, including an analysis of the biological and sociological sides of the activities of language and knowledge, as they have been emphasized earlier by Pragmatism (q.v.), especially C. S. Peirce and G. H. Mead. Thus the development leads now to a comprehensive general theory of signs or semiotic (q.v.) as a basis for philosophy The following publications and meetings may be regarded as organs of this movement.   The periodical "Erkenntnis", since 1930, now continued as "Journal of Unified Science"   The "Encyclopedia of Unified Science", its first part ("Foundations of the Unity of Science", 2 vols.) consisting of twenty monographs (eight appeared by 1940). Here, the foundations of various fields of science are discussed, especially from the point of view of the unity of science and scientific procedure, and the relations between the fields. Thus, the work intends to serve as an introduction to the science of science (q.v.).   A series of International Congresses for the Unity of Science was started by a preliminary conference in Prague 1934 (see report, Erkenntnis 5, 1935). The congresses took place at Pans in 1935 ("Actes", Pans 1936; Erkenntnis 5, 1936); at Copenhagen in 1936 (Erkenntnis 6, 1937); at Paris in 1937; at Cambridge, England, in 1938 (Erkenntnis 7, 1938); at Cambridge, Mass., in 1939 (J. Unif. Sc. 9, 1941); at Chicago in 1941.   Concerning the development and the aims of this movement, see O. Neurath and C. W. Morris (for both, see above, I D), further H. Reichenbach, Ziele and Wege der heutigen Naturphilosophie, 1931; S. S. Stevens, "Psychology and the Science of Science", Psych. Bull. 36, 1939 (with bibliography). Bibliographies in "Erkenntnis": 1, 1931, p. 315, p. 335 (Polish authors); 2, 1931, p. 151, p. 189; 5, 1935, p. 185, p. 195 (American authors), p. 199 (Polish authors), p. 409, larger bibliography: in Encycl. Unif. Science, vol. II, No. 10 (to ippetr in 1942). -- R.C.

Anarchs ::: Authors or advocates of anarchy; leaders of revolt.

ancient ::: a. --> Old; that happened or existed in former times, usually at a great distance of time; belonging to times long past; specifically applied to the times before the fall of the Roman empire; -- opposed to modern; as, ancient authors, literature, history; ancient days.
Old; that has been of long duration; of long standing; of great age; as, an ancient forest; an ancient castle.
Known for a long time, or from early times; -- opposed to recent or new; as, the ancient continent.


and writings (where the authors of Isaiah and Eze¬

annotation ::: 1. (programming, compiler) Extra information associated with a particular point in a document or program. Annotations may be added either by a compiler or by the programmer. They are not usually essential to the correct function of the program but give hints to improve performance.2. (hypertext) A new commentary node linked to an existing node. If readers, as well as authors, can annotate nodes, then they can immediately provide feedback if the information is misleading, out of date or plain wrong. (1995-11-26)

annotation 1. "programming, compiler" Extra information associated with a particular point in a document or program. Annotations may be added either by a {compiler} or by the programmer. They are not usually essential to the correct function of the program but give hints to improve performance. 2. "hypertext" A new commentary {node} linked to an existing node. If readers, as well as authors, can annotate nodes, then they can immediately provide feedback if the information is misleading, out of date or plain wrong. (1995-11-26)

annotation ::: n. --> A note, added by way of comment, or explanation; -- usually in the plural; as, annotations on ancient authors, or on a word or a passage.

anonymous ::: a. --> Nameless; of unknown name; also, of unknown or unavowed authorship; as, an anonymous benefactor; an anonymous pamphlet or letter.

anthological ::: a. --> Pertaining to anthology; consisting of beautiful extracts from different authors, especially the poets.

anthology ::: n. --> A discourse on flowers.
A collection of flowers; a garland.
A collection of flowers of literature, that is, beautiful passages from authors; a collection of poems or epigrams; -- particularly applied to a collection of ancient Greek epigrams.
A service book containing a selection of pieces for the festival services.


anthropomorphism ::: A form of personification involving the attribution of human characteristics and qualities to non-human beings, objects, or natural phenomena. Animals, forces of nature, and unseen or unknown authors of chance are frequent subjects of anthropomorphosis. Two examples are the attribution of a human body or of human qualities generally to God (or the gods), and creating imaginary persons who are the embodiment of an abstraction such as Death, Lust, War, or the Four Horsemen of the Apocalypse. Anthropomorphism is similar to prosopopoeia (adopting the persona of another person).[4]

apauruseya ::: [of divine origin, not of the authorship of man].

Apis (Greek) Hap (Egyptian) Ḥap. The sacred bull of Memphis into which Osiris was thought to incarnate. Classical Greek authors all mention the veneration with which the Egyptians regarded the bull, Manetho stating that it was under Ka-kau (2nd dynasty) that Apis was appointed a god. The Egyptians believed that after the death of a sacred animal, on reaching 28 years (the age Osiris was killed by Typhon), the soul of Apis joined Osiris, forming the dual god Asar-Hapi (Osiris-Apis), which the Greeks in the Ptolemaic period renamed Serapis. “As in the exoteric interpretation of the Egyptian rites the soul of every defunct person — from the Hierophant down to the sacred bull Apis — became an Osiris, was Osirified . . .” (SD 1:135).

apocrypha ::: n. pl. --> Something, as a writing, that is of doubtful authorship or authority; -- formerly used also adjectively.
Specif.: Certain writings which are received by some Christians as an authentic part of the Holy Scriptures, but are rejected by others.


aptychus ::: n. --> A shelly plate found in the terminal chambers of ammonite shells. Some authors consider them to be jaws; others, opercula.

Arnold, Edwin. (1832-1904). Sir Edwin Arnold was educated at Oxford and served as principal of a government college in Pune, India, from 1856 to 1861, during which time he studied Indian languages and published translations from the Sanskrit. He eventually returned to England, due primarily to the death of a child and his wife's illness. Upon his return, he became a writer for The Daily Telegraph newspaper, where he was appointed chief editor in 1873. He wrote his most famous work, The Light of Asia, during this period. After leaving his editorial position, he traveled widely in Asia, especially in Japan, and published popular accounts of his travels. Although largely forgotten today, The Light of Asia was in its own time a foundational text for anyone in the English-speaking world interested in Buddhism. First published in 1879, The Light of Asia was a poetic rendering of the life of the Buddha. Arnold used as his chief source a French translation of the LALITAVISTARA, one of the more ornate and belletristic Indian biographies of the Buddha. Arnold, however, added his own embellishments and deployed important scenes from the life of the Buddha differently than had previous authors in order to intensify the narrative. Despite the animosity it aroused in many Christian pulpits, the book was a favorite of Queen Victoria, who subsequently knighted Arnold. Although it has long been rendered obsolete, The Light of Asia played a seminal role in introducing the history and belief systems of Buddhism to the West. Arnold also played an important role in rallying support worldwide for the restoration of the important Buddhist pilgrimage site of BODHGAYA, the place where the Buddha achieved enlightenment. He and Reverend SUMAnGALA sent a petition to the Queen of England requesting permission to buy the land and the temple from the Hindus and restore the neglected site. Although unsuccessful, his efforts eventually came to fruition after Indian independence in 1949, when the Indian government returned control of BodhgayA to the Buddhists.

Association: (Lat. ad + socius, companion) The psychological phenomenon of connection or union between different items in consciousness. The term has been applied to two distinct types of connection: (a) the natural or original connection between sensations which together constitute a single perception and (b) the acquired connection whereby one sensation or idea tends to reinstate another idea. The first type of connection has sometimes been called simultaneous association and the second type successive association, but this terminology is misleading since successively apprehended sensations are often conjoined into the unity of a perception, e.g. the bell which I saw a moment ago and the sound which I now hear, while, on the other hand, an idea may in certain cases be contemporaneous with the sensation or idea by which it is revived. The dual application of the term association to both natural and acquired association was made by J. Locke: "Some of our ideas," says Locke "have a natural correspondence or connection with one another . . . Besides this there is another connection of ideas wholly owing to chance or custom." Essay Concerning Human Understanding (1690) Bk. II, ch. 33. The usage of later authors, however, tends to restrict the term association to acquired connection ((b) above) and to adopt some other expression such as cohesion, correlation (see Correlation, Sensory) or combination (see Combination) to designate natural connections ((a) above).

audience ::: a. --> The act of hearing; attention to sounds.
Admittance to a hearing; a formal interview, esp. with a sovereign or the head of a government, for conference or the transaction of business.
An auditory; an assembly of hearers. Also applied by authors to their readers.


Aufklärung: In general, this German word and its English equivalent Enlightenment denote the self-emancipation of man from mere authority, prejudice, convention and tradition, with an insistence on freer thinking about problems uncritically referred to these other agencies. According to Kant's famous definition "Enlightenment is the liberation of man from his self-caused state of minority, which is the incapacity of using one's understanding without the direction of another. This state of minority is caused when its source lies not in the lack of understanding, but in the lack of determination and courage to use it without the assistance of another" (Was ist Aufklärung? 1784). In its historical perspective, the Aufklärung refers to the cultural atmosphere and contrlbutions of the 18th century, especially in Germany, France and England [which affected also American thought with B. Franklin, T. Paine and the leaders of the Revolution]. It crystallized tendencies emphasized by the Renaissance, and quickened by modern scepticism and empiricism, and by the great scientific discoveries of the 17th century. This movement, which was represented by men of varying tendencies, gave an impetus to general learning, a more popular philosophy, empirical science, scriptural criticism, social and political thought. More especially, the word Aufklärung is applied to the German contributions to 18th century culture. In philosophy, its principal representatives are G. E. Lessing (1729-81) who believed in free speech and in a methodical criticism of religion, without being a free-thinker; H. S. Reimarus (1694-1768) who expounded a naturalistic philosophy and denied the supernatural origin of Christianity; Moses Mendelssohn (1729-86) who endeavoured to mitigate prejudices and developed a popular common-sense philosophy; Chr. Wolff (1679-1754), J. A. Eberhard (1739-1809) who followed the Leibnizian rationalism and criticized unsuccessfully Kant and Fichte; and J. G. Herder (1744-1803) who was best as an interpreter of others, but whose intuitional suggestions have borne fruit in the organic correlation of the sciences, and in questions of language in relation to human nature and to national character. The works of Kant and Goethe mark the culmination of the German Enlightenment. Cf. J. G. Hibben, Philosophy of the Enlightenment, 1910. --T.G. Augustinianism: The thought of St. Augustine of Hippo, and of his followers. Born in 354 at Tagaste in N. Africa, A. studied rhetoric in Carthage, taught that subject there and in Rome and Milan. Attracted successively to Manicheanism, Scepticism, and Neo-Platontsm, A. eventually found intellectual and moral peace with his conversion to Christianity in his thirty-fourth year. Returning to Africa, he established numerous monasteries, became a priest in 391, Bishop of Hippo in 395. Augustine wrote much: On Free Choice, Confessions, Literal Commentary on Genesis, On the Trinity, and City of God, are his most noted works. He died in 430.   St. Augustine's characteristic method, an inward empiricism which has little in common with later variants, starts from things without, proceeds within to the self, and moves upwards to God. These three poles of the Augustinian dialectic are polarized by his doctrine of moderate illuminism. An ontological illumination is required to explain the metaphysical structure of things. The truth of judgment demands a noetic illumination. A moral illumination is necessary in the order of willing; and so, too, an lllumination of art in the aesthetic order. Other illuminations which transcend the natural order do not come within the scope of philosophy; they provide the wisdoms of theology and mysticism. Every being is illuminated ontologically by number, form, unity and its derivatives, and order. A thing is what it is, in so far as it is more or less flooded by the light of these ontological constituents.   Sensation is necessary in order to know material substances. There is certainly an action of the external object on the body and a corresponding passion of the body, but, as the soul is superior to the body and can suffer nothing from its inferior, sensation must be an action, not a passion, of the soul. Sensation takes place only when the observing soul, dynamically on guard throughout the body, is vitally attentive to the changes suffered by the body. However, an adequate basis for the knowledge of intellectual truth is not found in sensation alone. In order to know, for example, that a body is multiple, the idea of unity must be present already, otherwise its multiplicity could not be recognized. If numbers are not drawn in by the bodily senses which perceive only the contingent and passing, is the mind the source of the unchanging and necessary truth of numbers? The mind of man is also contingent and mutable, and cannot give what it does not possess. As ideas are not innate, nor remembered from a previous existence of the soul, they can be accounted for only by an immutable source higher than the soul. In so far as man is endowed with an intellect, he is a being naturally illuminated by God, Who may be compared to an intelligible sun. The human intellect does not create the laws of thought; it finds them and submits to them. The immediate intuition of these normative rules does not carry any content, thus any trace of ontologism is avoided.   Things have forms because they have numbers, and they have being in so far as they possess form. The sufficient explanation of all formable, and hence changeable, things is an immutable and eternal form which is unrestricted in time and space. The forms or ideas of all things actually existing in the world are in the things themselves (as rationes seminales) and in the Divine Mind (as rationes aeternae). Nothing could exist without unity, for to be is no other than to be one. There is a unity proper to each level of being, a unity of the material individual and species, of the soul, and of that union of souls in the love of the same good, which union constitutes the city. Order, also, is ontologically imbibed by all beings. To tend to being is to tend to order; order secures being, disorder leads to non-being. Order is the distribution which allots things equal and unequal each to its own place and integrates an ensemble of parts in accordance with an end. Hence, peace is defined as the tranquillity of order. Just as things have their being from their forms, the order of parts, and their numerical relations, so too their beauty is not something superadded, but the shining out of all their intelligible co-ingredients.   S. Aurelii Augustini, Opera Omnia, Migne, PL 32-47; (a critical edition of some works will be found in the Corpus Scriptorum Ecclesiasticorum Latinorum, Vienna). Gilson, E., Introd. a l'etude de s. Augustin, (Paris, 1931) contains very good bibliography up to 1927, pp. 309-331. Pope, H., St. Augustine of Hippo, (London, 1937). Chapman, E., St. Augustine's Philos. of Beauty, (N. Y., 1939). Figgis, J. N., The Political Aspects of St. Augustine's "City of God", (London, 1921). --E.C. Authenticity: In a general sense, genuineness, truth according to its title. It involves sometimes a direct and personal characteristic (Whitehead speaks of "authentic feelings").   This word also refers to problems of fundamental criticism involving title, tradition, authorship and evidence. These problems are vital in theology, and basic in scholarship with regard to the interpretation of texts and doctrines. --T.G. Authoritarianism: That theory of knowledge which maintains that the truth of any proposition is determined by the fact of its having been asserted by a certain esteemed individual or group of individuals. Cf. H. Newman, Grammar of Assent; C. S. Peirce, "Fixation of Belief," in Chance, Love and Logic, ed. M. R. Cohen. --A.C.B. Autistic thinking: Absorption in fanciful or wishful thinking without proper control by objective or factual material; day dreaming; undisciplined imagination. --A.C.B. Automaton Theory: Theory that a living organism may be considered a mere machine. See Automatism. Automatism: (Gr. automatos, self-moving) (a) In metaphysics: Theory that animal and human organisms are automata, that is to say, are machines governed by the laws of physics and mechanics. Automatism, as propounded by Descartes, considered the lower animals to be pure automata (Letter to Henry More, 1649) and man a machine controlled by a rational soul (Treatise on Man). Pure automatism for man as well as animals is advocated by La Mettrie (Man, a Machine, 1748). During the Nineteenth century, automatism, combined with epiphenomenalism, was advanced by Hodgson, Huxley and Clifford. (Cf. W. James, The Principles of Psychology, Vol. I, ch. V.) Behaviorism, of the extreme sort, is the most recent version of automatism (See Behaviorism).   (b) In psychology: Psychological automatism is the performance of apparently purposeful actions, like automatic writing without the superintendence of the conscious mind. L. C. Rosenfield, From Beast Machine to Man Machine, N. Y., 1941. --L.W. Automatism, Conscious: The automatism of Hodgson, Huxley, and Clifford which considers man a machine to which mind or consciousness is superadded; the mind of man is, however, causally ineffectual. See Automatism; Epiphenomenalism. --L.W. Autonomy: (Gr. autonomia, independence) Freedom consisting in self-determination and independence of all external constraint. See Freedom. Kant defines autonomy of the will as subjection of the will to its own law, the categorical imperative, in contrast to heteronomy, its subjection to a law or end outside the rational will. (Fundamental Principles of the Metaphysics of Morals, § 2.) --L.W. Autonomy of ethics: A doctrine, usually propounded by intuitionists, that ethics is not a part of, and cannot be derived from, either metaphysics or any of the natural or social sciences. See Intuitionism, Metaphysical ethics, Naturalistic ethics. --W.K.F. Autonomy of the will: (in Kant's ethics) The freedom of the rational will to legislate to itself, which constitutes the basis for the autonomy of the moral law. --P.A.S. Autonymy: In the terminology introduced by Carnap, a word (phrase, symbol, expression) is autonymous if it is used as a name for itself --for the geometric shape, sound, etc. which it exemplifies, or for the word as a historical and grammatical unit. Autonymy is thus the same as the Scholastic suppositio matertalis (q. v.), although the viewpoint is different. --A.C. Autotelic: (from Gr. autos, self, and telos, end) Said of any absorbing activity engaged in for its own sake (cf. German Selbstzweck), such as higher mathematics, chess, etc. In aesthetics, applied to creative art and play which lack any conscious reference to the accomplishment of something useful. In the view of some, it may constitute something beneficent in itself of which the person following his art impulse (q.v.) or playing is unaware, thus approaching a heterotelic (q.v.) conception. --K.F.L. Avenarius, Richard: (1843-1896) German philosopher who expressed his thought in an elaborate and novel terminology in the hope of constructing a symbolic language for philosophy, like that of mathematics --the consequence of his Spinoza studies. As the most influential apostle of pure experience, the posltivistic motive reaches in him an extreme position. Insisting on the biologic and economic function of thought, he thought the true method of science is to cure speculative excesses by a return to pure experience devoid of all assumptions. Philosophy is the scientific effort to exclude from knowledge all ideas not included in the given. Its task is to expel all extraneous elements in the given. His uncritical use of the category of the given and the nominalistic view that logical relations are created rather than discovered by thought, leads him to banish not only animism but also all of the categories, substance, causality, etc., as inventions of the mind. Explaining the evolution and devolution of the problematization and deproblematization of numerous ideas, and aiming to give the natural history of problems, Avenarius sought to show physiologically, psychologically and historically under what conditions they emerge, are challenged and are solved. He hypothesized a System C, a bodily and central nervous system upon which consciousness depends. R-values are the stimuli received from the world of objects. E-values are the statements of experience. The brain changes that continually oscillate about an ideal point of balance are termed Vitalerhaltungsmaximum. The E-values are differentiated into elements, to which the sense-perceptions or the content of experience belong, and characters, to which belongs everything which psychology describes as feelings and attitudes. Avenarius describes in symbolic form a series of states from balance to balance, termed vital series, all describing a series of changes in System C. Inequalities in the vital balance give rise to vital differences. According to his theory there are two vital series. It assumes a series of brain changes because parallel series of conscious states can be observed. The independent vital series are physical, and the dependent vital series are psychological. The two together are practically covariants. In the case of a process as a dependent vital series three stages can be noted: first, the appearance of the problem, expressed as strain, restlessness, desire, fear, doubt, pain, repentance, delusion; the second, the continued effort and struggle to solve the problem; and finally, the appearance of the solution, characterized by abating anxiety, a feeling of triumph and enjoyment.   Corresponding to these three stages of the dependent series are three stages of the independent series: the appearance of the vital difference and a departure from balance in the System C, the continuance with an approximate vital difference, and lastly, the reduction of the vital difference to zero, the return to stability. By making room for dependent and independent experiences, he showed that physics regards experience as independent of the experiencing indlvidual, and psychology views experience as dependent upon the individual. He greatly influenced Mach and James (q.v.). See Avenarius, Empirio-criticism, Experience, pure. Main works: Kritik der reinen Erfahrung; Der menschliche Weltbegriff. --H.H. Averroes: (Mohammed ibn Roshd) Known to the Scholastics as The Commentator, and mentioned as the author of il gran commento by Dante (Inf. IV. 68) he was born 1126 at Cordova (Spain), studied theology, law, medicine, mathematics, and philosophy, became after having been judge in Sevilla and Cordova, physician to the khalifah Jaqub Jusuf, and charged with writing a commentary on the works of Aristotle. Al-mansur, Jusuf's successor, deprived him of his place because of accusations of unorthodoxy. He died 1198 in Morocco. Averroes is not so much an original philosopher as the author of a minute commentary on the whole works of Aristotle. His procedure was imitated later by Aquinas. In his interpretation of Aristotelian metaphysics Averroes teaches the coeternity of a universe created ex nihilo. This doctrine formed together with the notion of a numerical unity of the active intellect became one of the controversial points in the discussions between the followers of Albert-Thomas and the Latin Averroists. Averroes assumed that man possesses only a disposition for receiving the intellect coming from without; he identifies this disposition with the possible intellect which thus is not truly intellectual by nature. The notion of one intellect common to all men does away with the doctrine of personal immortality. Another doctrine which probably was emphasized more by the Latin Averroists (and by the adversaries among Averroes' contemporaries) is the famous statement about "two-fold truth", viz. that a proposition may be theologically true and philosophically false and vice versa. Averroes taught that religion expresses the (higher) philosophical truth by means of religious imagery; the "two-truth notion" came apparently into the Latin text through a misinterpretation on the part of the translators. The works of Averroes were one of the main sources of medieval Aristotelianlsm, before and even after the original texts had been translated. The interpretation the Latin Averroists found in their texts of the "Commentator" spread in spite of opposition and condemnation. See Averroism, Latin. Averroes, Opera, Venetiis, 1553. M. Horten, Die Metaphysik des Averroes, 1912. P. Mandonnet, Siger de Brabant et l'Averroisme Latin, 2d ed., Louvain, 1911. --R.A. Averroism, Latin: The commentaries on Aristotle written by Averroes (Ibn Roshd) in the 12th century became known to the Western scholars in translations by Michael Scottus, Hermannus Alemannus, and others at the beginning of the 13th century. Many works of Aristotle were also known first by such translations from Arabian texts, though there existed translations from the Greek originals at the same time (Grabmann). The Averroistic interpretation of Aristotle was held to be the true one by many; but already Albert the Great pointed out several notions which he felt to be incompatible with the principles of Christian philosophy, although he relied for the rest on the "Commentator" and apparently hardly used any other text. Aquinas, basing his studies mostly on a translation from the Greek texts, procured for him by William of Moerbecke, criticized the Averroistic interpretation in many points. But the teachings of the Commentator became the foundation for a whole school of philosophers, represented first by the Faculty of Arts at Paris. The most prominent of these scholars was Siger of Brabant. The philosophy of these men was condemned on March 7th, 1277 by Stephen Tempier, Bishop of Paris, after a first condemnation of Aristotelianism in 1210 had gradually come to be neglected. The 219 theses condemned in 1277, however, contain also some of Aquinas which later were generally recognized an orthodox. The Averroistic propositions which aroused the criticism of the ecclesiastic authorities and which had been opposed with great energy by Albert and Thomas refer mostly to the following points: The co-eternity of the created word; the numerical identity of the intellect in all men, the so-called two-fold-truth theory stating that a proposition may be philosophically true although theologically false. Regarding the first point Thomas argued that there is no philosophical proof, either for the co-eternity or against it; creation is an article of faith. The unity of intellect was rejected as incompatible with the true notion of person and with personal immortality. It is doubtful whether Averroes himself held the two-truths theory; it was, however, taught by the Latin Averroists who, notwithstanding the opposition of the Church and the Thomistic philosophers, gained a great influence and soon dominated many universities, especially in Italy. Thomas and his followers were convinced that they interpreted Aristotle correctly and that the Averroists were wrong; one has, however, to admit that certain passages in Aristotle allow for the Averroistic interpretation, especially in regard to the theory of intellect.   Lit.: P. Mandonnet, Siger de Brabant et l'Averroisme Latin au XIIIe Siecle, 2d. ed. Louvain, 1911; M. Grabmann, Forschungen über die lateinischen Aristotelesübersetzungen des XIII. Jahrhunderts, Münster 1916 (Beitr. z. Gesch. Phil. d. MA. Vol. 17, H. 5-6). --R.A. Avesta: See Zendavesta. Avicehron: (or Avencebrol, Salomon ibn Gabirol) The first Jewish philosopher in Spain, born in Malaga 1020, died about 1070, poet, philosopher, and moralist. His main work, Fons vitae, became influential and was much quoted by the Scholastics. It has been preserved only in the Latin translation by Gundissalinus. His doctrine of a spiritual substance individualizing also the pure spirits or separate forms was opposed by Aquinas already in his first treatise De ente, but found favor with the medieval Augustinians also later in the 13th century. He also teaches the necessity of a mediator between God and the created world; such a mediator he finds in the Divine Will proceeding from God and creating, conserving, and moving the world. His cosmogony shows a definitely Neo-Platonic shade and assumes a series of emanations. Cl. Baeumker, Avencebrolis Fons vitae. Beitr. z. Gesch. d. Philos. d. MA. 1892-1895, Vol. I. Joh. Wittman, Die Stellung des hl. Thomas von Aquino zu Avencebrol, ibid. 1900. Vol. III. --R.A. Avicenna: (Abu Ali al Hosain ibn Abdallah ibn Sina) Born 980 in the country of Bocchara, began to write in young years, left more than 100 works, taught in Ispahan, was physician to several Persian princes, and died at Hamadan in 1037. His fame as physician survived his influence as philosopher in the Occident. His medical works were printed still in the 17th century. His philosophy is contained in 18 vols. of a comprehensive encyclopedia, following the tradition of Al Kindi and Al Farabi. Logic, Physics, Mathematics and Metaphysics form the parts of this work. His philosophy is Aristotelian with noticeable Neo-Platonic influences. His doctrine of the universal existing ante res in God, in rebus as the universal nature of the particulars, and post res in the human mind by way of abstraction became a fundamental thesis of medieval Aristotelianism. He sharply distinguished between the logical and the ontological universal, denying to the latter the true nature of form in the composite. The principle of individuation is matter, eternally existent. Latin translations attributed to Avicenna the notion that existence is an accident to essence (see e.g. Guilelmus Parisiensis, De Universo). The process adopted by Avicenna was one of paraphrasis of the Aristotelian texts with many original thoughts interspersed. His works were translated into Latin by Dominicus Gundissalinus (Gondisalvi) with the assistance of Avendeath ibn Daud. This translation started, when it became more generally known, the "revival of Aristotle" at the end of the 12th and the beginning of the 13th century. Albert the Great and Aquinas professed, notwithstanding their critical attitude, a great admiration for Avicenna whom the Arabs used to call the "third Aristotle". But in the Orient, Avicenna's influence declined soon, overcome by the opposition of the orthodox theologians. Avicenna, Opera, Venetiis, 1495; l508; 1546. M. Horten, Das Buch der Genesung der Seele, eine philosophische Enzyklopaedie Avicenna's; XIII. Teil: Die Metaphysik. Halle a. S. 1907-1909. R. de Vaux, Notes et textes sur l'Avicennisme Latin, Bibl. Thomiste XX, Paris, 1934. --R.A. Avidya: (Skr.) Nescience; ignorance; the state of mind unaware of true reality; an equivalent of maya (q.v.); also a condition of pure awareness prior to the universal process of evolution through gradual differentiation into the elements and factors of knowledge. --K.F.L. Avyakta: (Skr.) "Unmanifest", descriptive of or standing for brahman (q.v.) in one of its or "his" aspects, symbolizing the superabundance of the creative principle, or designating the condition of the universe not yet become phenomenal (aja, unborn). --K.F.L. Awareness: Consciousness considered in its aspect of act; an act of attentive awareness such as the sensing of a color patch or the feeling of pain is distinguished from the content attended to, the sensed color patch, the felt pain. The psychologlcal theory of intentional act was advanced by F. Brentano (Psychologie vom empirischen Standpunkte) and received its epistemological development by Meinong, Husserl, Moore, Laird and Broad. See Intentionalism. --L.W. Axiological: (Ger. axiologisch) In Husserl: Of or pertaining to value or theory of value (the latter term understood as including disvalue and value-indifference). --D.C. Axiological ethics: Any ethics which makes the theory of obligation entirely dependent on the theory of value, by making the determination of the rightness of an action wholly dependent on a consideration of the value or goodness of something, e.g. the action itself, its motive, or its consequences, actual or probable. Opposed to deontological ethics. See also teleological ethics. --W.K.F. Axiologic Realism: In metaphysics, theory that value as well as logic, qualities as well as relations, have their being and exist external to the mind and independently of it. Applicable to the philosophy of many though not all realists in the history of philosophy, from Plato to G. E. Moore, A. N. Whitehead, and N, Hartmann. --J.K.F. Axiology: (Gr. axios, of like value, worthy, and logos, account, reason, theory). Modern term for theory of value (the desired, preferred, good), investigation of its nature, criteria, and metaphysical status. Had its rise in Plato's theory of Forms or Ideas (Idea of the Good); was developed in Aristotle's Organon, Ethics, Poetics, and Metaphysics (Book Lambda). Stoics and Epicureans investigated the summum bonum. Christian philosophy (St. Thomas) built on Aristotle's identification of highest value with final cause in God as "a living being, eternal, most good."   In modern thought, apart from scholasticism and the system of Spinoza (Ethica, 1677), in which values are metaphysically grounded, the various values were investigated in separate sciences, until Kant's Critiques, in which the relations of knowledge to moral, aesthetic, and religious values were examined. In Hegel's idealism, morality, art, religion, and philosophy were made the capstone of his dialectic. R. H. Lotze "sought in that which should be the ground of that which is" (Metaphysik, 1879). Nineteenth century evolutionary theory, anthropology, sociology, psychology, and economics subjected value experience to empirical analysis, and stress was again laid on the diversity and relativity of value phenomena rather than on their unity and metaphysical nature. F. Nietzsche's Also Sprach Zarathustra (1883-1885) and Zur Genealogie der Moral (1887) aroused new interest in the nature of value. F. Brentano, Vom Ursprung sittlicher Erkenntnis (1889), identified value with love.   In the twentieth century the term axiology was apparently first applied by Paul Lapie (Logique de la volonte, 1902) and E. von Hartmann (Grundriss der Axiologie, 1908). Stimulated by Ehrenfels (System der Werttheorie, 1897), Meinong (Psychologisch-ethische Untersuchungen zur Werttheorie, 1894-1899), and Simmel (Philosophie des Geldes, 1900). W. M. Urban wrote the first systematic treatment of axiology in English (Valuation, 1909), phenomenological in method under J. M. Baldwin's influence. Meanwhile H. Münsterberg wrote a neo-Fichtean system of values (The Eternal Values, 1909).   Among important recent contributions are: B. Bosanquet, The Principle of Individuality and Value (1912), a free reinterpretation of Hegelianism; W. R. Sorley, Moral Values and the Idea of God (1918, 1921), defending a metaphysical theism; S. Alexander, Space, Time, and Deity (1920), realistic and naturalistic; N. Hartmann, Ethik (1926), detailed analysis of types and laws of value; R. B. Perry's magnum opus, General Theory of Value (1926), "its meaning and basic principles construed in terms of interest"; and J. Laird, The Idea of Value (1929), noteworthy for historical exposition. A naturalistic theory has been developed by J. Dewey (Theory of Valuation, 1939), for which "not only is science itself a value . . . but it is the supreme means of the valid determination of all valuations." A. J. Ayer, Language, Truth and Logic (1936) expounds the view of logical positivism that value is "nonsense." J. Hessen, Wertphilosophie (1937), provides an account of recent German axiology from a neo-scholastic standpoint.   The problems of axiology fall into four main groups, namely, those concerning (1) the nature of value, (2) the types of value, (3) the criterion of value, and (4) the metaphysical status of value.   (1) The nature of value experience. Is valuation fulfillment of desire (voluntarism: Spinoza, Ehrenfels), pleasure (hedonism: Epicurus, Bentham, Meinong), interest (Perry), preference (Martineau), pure rational will (formalism: Stoics, Kant, Royce), apprehension of tertiary qualities (Santayana), synoptic experience of the unity of personality (personalism: T. H. Green, Bowne), any experience that contributes to enhanced life (evolutionism: Nietzsche), or "the relation of things as means to the end or consequence actually reached" (pragmatism, instrumentalism: Dewey).   (2) The types of value. Most axiologists distinguish between intrinsic (consummatory) values (ends), prized for their own sake, and instrumental (contributory) values (means), which are causes (whether as economic goods or as natural events) of intrinsic values. Most intrinsic values are also instrumental to further value experience; some instrumental values are neutral or even disvaluable intrinsically. Commonly recognized as intrinsic values are the (morally) good, the true, the beautiful, and the holy. Values of play, of work, of association, and of bodily well-being are also acknowledged. Some (with Montague) question whether the true is properly to be regarded as a value, since some truth is disvaluable, some neutral; but love of truth, regardless of consequences, seems to establish the value of truth. There is disagreement about whether the holy (religious value) is a unique type (Schleiermacher, Otto), or an attitude toward other values (Kant, Höffding), or a combination of the two (Hocking). There is also disagreement about whether the variety of values is irreducible (pluralism) or whether all values are rationally related in a hierarchy or system (Plato, Hegel, Sorley), in which values interpenetrate or coalesce into a total experience.   (3) The criterion of value. The standard for testing values is influenced by both psychological and logical theory. Hedonists find the standard in the quantity of pleasure derived by the individual (Aristippus) or society (Bentham). Intuitionists appeal to an ultimate insight into preference (Martineau, Brentano). Some idealists recognize an objective system of rational norms or ideals as criterion (Plato, Windelband), while others lay more stress on rational wholeness and coherence (Hegel, Bosanquet, Paton) or inclusiveness (T. H. Green). Naturalists find biological survival or adjustment (Dewey) to be the standard. Despite differences, there is much in common in the results of the application of these criteria.   (4) The metaphysical status of value. What is the relation of values to the facts investigated by natural science (Koehler), of Sein to Sollen (Lotze, Rickert), of human experience of value to reality independent of man (Hegel, Pringle-Pattlson, Spaulding)? There are three main answers:   subjectivism (value is entirely dependent on and relative to human experience of it: so most hedonists, naturalists, positivists);   logical objectivism (values are logical essences or subsistences, independent of their being known, yet with no existential status or action in reality);   metaphysical objectivism (values   --or norms or ideals   --are integral, objective, and active constituents of the metaphysically real: so theists, absolutists, and certain realists and naturalists like S. Alexander and Wieman). --E.S.B. Axiom: See Mathematics. Axiomatic method: That method of constructing a deductive system consisting of deducing by specified rules all statements of the system save a given few from those given few, which are regarded as axioms or postulates of the system. See Mathematics. --C.A.B. Ayam atma brahma: (Skr.) "This self is brahman", famous quotation from Brhadaranyaka Upanishad 2.5.19, one of many alluding to the central theme of the Upanishads, i.e., the identity of the human and divine or cosmic. --K.F.L.

author ::: 1. An originator or creator, one who originates or gives existence to anything. 2. He who gives rise to or causes an action, event, circumstance, state, or condition of things. 3. The composer or writer of a treatise, play, poem, book, etc. authors.

authorism ::: n. --> Authorship.

avīci. (T. mnar med; C. abi diyu/wujian diyu; J. abijigoku/mukenjigoku; K. abi chiok/mugan chiok 阿鼻地獄/無間地獄). In Sanskrit and PAli, "interminable," "relentless," "incessant"; referring to the deepest, largest, and most tortuous of the eight great, or eight hot, hells (see NARAKA). (The Chinese use either a transcription corresponding to the first two syllables of the Sanskrit avīci or else the translation "interminable," combined with their own cultural translation of "hell" as a "subterranean prison.") This hell is said to be located twenty thousand YOJANAs below the continent of JAMBUDVĪPA and is the destination of beings whose "wholesome faculties are eradicated" (SAMUCCHINNAKUsALAMuLA) or who have committed the most heinous of acts, which, after death, result in immediate rebirth in the avīcı hell: patricide, matricide, killing an ARHAT, wounding a buddha, and causing schism in the SAMGHA (see ANANTARYAKARMAN). Because beings reborn in this hell are being constantly burned alive in hot flames, with no respite in their torture, the agony they experience is said to be "Interminable." (Editors' note: According to one esoteric lineage, there is a special level of the avīci hell reserved especially for compilers of dictionaries, where, no matter how many terms the authors have defined, an interminable list remains.) Another seven levels of the hot hells are either situated above, or in other interpretations, at the same level as avīci. The ABHIDHARMAKOsABHAsYA lists a corresponding series of bitterly cold hells beginning with the arbuda hell. Avīci and its seven companion hells each have sixteen (four in each direction) neighboring hells (PRATYEKANARAKA) or subhells (utsada), where supplementary tortures are meted out to the unfortunate inhabitants, such as plains of ash that burn their feet; swamps of excrement and corpses in which maggots eat their flesh; roads and forests of razor blades that slice off their flesh; and rivers of boiling water in which they are plunged. Like all levels of hell, however, avīci is ultimately impermanent and, once the previous unwholesome actions of the inhabitant are expiated after many eons, that being will be reborn elsewhere according to his KARMAN.

avijNaptirupa. (T. rnam par rig byed ma yin pa'i gzugs; C. wubiaose; J. muhyojiki; K. mup'yosaek 無表色). In Sanskrit, "unmanifest material force," or "hidden imprints"; a special type of materiality (RuPA) recognized in the SARVASTIVADA school of ABHIDHARMA, especially. The SarvAstivAda school notably makes recourse to this unique type of materiality as one way of reconciling the apparent contradiction in Buddhism between advocating the efficacy of moral cause and effect and rejecting any notion of an underlying substratum of being (ANATMAN), as well as issues raised by the teaching of momentariness (KsAnIKAVADA). When a person forms the intention (CETANA) to perform an action (KARMAN), whether wholesome (KUsALA) or unwholesome (AKUsALA), that intention creates an "unmanifest" type of materiality that imprints itself on the person as either bodily or verbal information, until such time as the action is actually performed via body or speech. Unmanifest materiality is thus the "glue" that connects the intention that initiates action with the physical act itself. Unmanifest material force can be a product of both wholesome and unwholesome intentions, but it is most commonly associated in SarvAstivAda literature with three types of restraint (SAMVARA) against the unwholesome specifically: (1) the restraint proffered to a monk or nun when he or she accepts the disciplinary rules of the order (PRATIMOKsASAMVARA); (2) the restraint that is produced through mental absorption (dhyAnajasaMvara); and (3) the restraint that derives from being free from the contaminants (anAsravasaMvara). In all three cases, the unmanifest material force creates an invisible and impalpable force field that helps to protect the monk or nun from unwholesome action. PrAtimoksasaMvara, for example, creates a special kind of force that dissuades people from unwholesome activity, even when they are not consciously aware they are following the precepts or when they are asleep. This specific type of restraint is what makes a man a monk, since just wearing robes or following an ascetic way of life would not itself be enough to instill in him the protective power offered by the PRATIMOKsA. Meditation was also thought to confer on the monk protective power against physical harm while he was absorbed in DHYANA: the literature abounds with stories of monks who saw tiger tracks all around them after withdrawing from dhyAna, thus suggesting that dhyAna itself provided a protective shield against accident or injury. Finally, anAsravasaMvara is the restraint that precludes someone who has achieved the extinction of the outflows (ASRAVA)-that is, enlightenment-from committing any action (KARMAN) that would produce a karmic result (VIPAKA), thus ensuring that their remaining actions in this life do not lead to any additional rebirths. Because avijNaptirupa sounds as much like a force as a type of matter, later authors, such as HARIVARMAN in his TATTVASIDDHI, instead listed it among the "conditioned forces dissociated from thought" (CITTAVIPRAYUKTASAMSKARA).

awk 1. "tool, language" (Named from the authors' initials) An interpreted language included with many versions of {Unix} for massaging text data, developed by Alfred Aho, Peter Weinberger, and Brian Kernighan in 1978. It is characterised by {C}-like syntax, declaration-free variables, {associative arrays}, and field-oriented text processing. There is a {GNU} version called {gawk} and other varients including {bawk}, {mawk}, {nawk}, {tawk}. {Perl} was inspired in part by awk but is much more powerful. {Unix manual page}: awk(1). {netlib WWW (http://plan9.att.com/netlib/research/index.html)}. {netlib FTP (ftp://netlib.att.com/netlib/research/)}. ["The AWK Programming Language" A. Aho, B. Kernighan, P. Weinberger, A-W 1988]. 2. "jargon" An expression which is awkward to manipulate through normal {regexp} facilities, for example, one containing a {newline}. [{Jargon File}] (1995-10-06)

awk ::: 1. (tool, language) (Named from the authors' initials) An interpreted language included with many versions of Unix for massaging text data, developed characterised by C-like syntax, declaration-free variables, associative arrays, and field-oriented text processing.There is a GNU version called gawk and other varients including bawk, mawk, nawk, tawk. Perl was inspired in part by awk but is much more powerful.Unix manual page: awk(1). netlib FTP .[The AWK Programming Language A. Aho, B. Kernighan, P. Weinberger, A-W 1988].2. (jargon) An expression which is awkward to manipulate through normal regexp facilities, for example, one containing a newline.[Jargon File] (1995-10-06)

Ayur Veda (Sanskrit) Āyurveda [from āyus life, health, vital power + veda knowledge] One of the minor Vedas, generally considered a supplement to the Atharva-Veda, one of the four principal Vedas. It treats of the science of health and medicine, and is divided into eight departments: 1) salya, surgery; 2) salakya, the science and cure of diseases of the head and its organs; 3) kaya-chikitsa, the cure of diseases affecting the whole body, or general medical treatment; 4) bhuta-vidya, the treatment of mental — and consequent physical — diseases supposed to be produced by bhutas (demons); 5) kaumara-bhritya, the medical treatment of children; 6) agada-tantra, the doctrine of antidotes; 7) rasayana-tantra, the doctrine of elixirs; and 8) vajikarana-tantra, the doctrine of aphrodisiacs. Medicine was regarded as one of the sacred sciences by all ancient peoples and in archaic ages was one of the knowledges or sciences belonging to the priesthood; and this list of subjects shows that the field covered by its practitioners was extensive. Its authorship is attributed by some to Dhanvantari, sometimes called the physician of the gods, who was produced by the mystical churning of the ocean and appeared holding a cup of amrita (immortality) in his hands.

batrachomyomachy ::: n. --> The battle between the frogs and mice; -- a Greek parody on the Iliad, of uncertain authorship.

authorship credited to Eleazor of Worms. In

authorship, in part, of Isaiah 24:16. In The Zohar

authorship ::: n. --> The quality or state of being an author; function or dignity of an author.
Source; origin; origination; as, the authorship of a book or review, or of an act, or state of affairs.


authors or advocates of anarchy; leaders of revolt.

been ::: p. p. --> of Be ::: --> The past participle of Be. In old authors it is also the pr. tense plural of Be. See 1st Bee.

BhavasaMkrAnti. (T. Srid pa 'pho ba). In Sanskrit, "Transference of Existence," a brief work ascribed to NAGARJUNA; also known as MadhyamakabhavasaMkrAnti. The title seems to suggest that it deals with the practice of transferring one's consciousness from one body to another, but this topic is actually not covered in the text. It discusses instead standard MADHYAMAKA topics such as the function of VIKALPA as the source of the world, the ultimate nonexistence of all phenomena, the six perfections (PARAMITA), UPAYA and PRAJNA, and the two truths (SATYADVAYA). NAgArjuna's major commentators (BHAVAVIVEKA, CANDRAKĪRTI et al.) do not cite the work, which raises questions about its authorship.

binary tree ::: A tree data structure in which each node has at most two children, which are referred to as the left child and the right child. A recursive definition using just set theory notions is that a (non-empty) binary tree is a tuple (L, S, R), where L and R are binary trees or the empty set and S is a singleton set.[62] Some authors allow the binary tree to be the empty set as well.[63]

blind ::: a. --> Destitute of the sense of seeing, either by natural defect or by deprivation; without sight.
Not having the faculty of discernment; destitute of intellectual light; unable or unwilling to understand or judge; as, authors are blind to their own defects.
Undiscerning; undiscriminating; inconsiderate.
Having such a state or condition as a thing would have to a person who is blind; not well marked or easily discernible; hidden;


bodhicitta. (T. byang chub kyi sems; C. putixin; J. bodaishin; K. porisim 菩提心). In Sanskrit, "thought of enlightenment" or "aspiration to enlightenment"; the intention to reach the complete, perfect enlightenment (ANUTTARASAMYAKSAMBODHI) of the buddhas, in order to liberate all sentient beings in the universe from suffering. As the generative cause that leads to the eventual achievement of buddhahood and all that it represents, bodhicitta is one of the most crucial terms in MAHAYANA Buddhism. The achievement of bodhicitta marks the beginning of the BODHISATTVA path: bodhicitta refers to the aspiration that inspires the bodhisattva, the being who seeks buddhahood. In some schools of MahAyAna Buddhism, bodhicitta is conceived as being latent in all sentient beings as the "innately pure mind" (prakṛtiparisuddhacitta), as, for example, in the MAHAVAIROCANABHISAMBODHISuTRA: "Knowing one's own mind according to reality is BODHI, and bodhicitta is the innately pure mind that is originally existent." In this sense, bodhicitta was conceived as a universal principle, related to such terms as DHARMAKAYA, TATHAGATA, or TATHATA. However, not all schools of the MahAyAna (e.g., some strands of YOGACARA) hold that all beings are destined for buddhahood and, thus, not all beings are endowed with bodhicitta. Regardless of whether or not bodhicitta is regarded as somehow innate, however, bodhicitta is also a quality of mind that must be developed, hence the important term BODHICITTOTPADA, "generation of the aspiration to enlightenment." Both the BODHISATTVABHuMI and the MAHAYANASuTRALAMKARA provide a detailed explanation of bodhicitta. In late Indian MahAyAna treatises by such important authors as sANTIDEVA, KAMALAsĪLA, and ATIsA DĪPAMKARAsRĪJNANA, techniques are set forth for cultivating bodhicitta. The development of bodhicitta also figures heavily in MahAyAna liturgies, especially in those where one receives the bodhisattva precepts (BODHISATTVASAMVARA). In this literature, two types of bodhicitta are enumerated. First, the "conventional bodhicitta" (SAMVṚTIBODHICITTA) refers to a bodhisattva's mental aspiration to achieve enlightenment, as described above. Second, the "ultimate bodhicitta" (PARAMARTHABODHICITTA) refers to the mind that directly realizes either emptiness (suNYATA) or the enlightenment inherent in the mind. This "conventional bodhicitta" is further subdivided between PRAnIDHICITTOTPADA, literally, "aspirational creation of the attitude" (where "attitude," CITTA, refers to bodhicitta), where one makes public one's vow (PRAnIDHANA) to attain buddhahood; and PRASTHANACITTOTPADA, literally "creation of the attitude of setting out," where one actually sets out to practice the path to buddhahood. In discussing this latter pair, sAntideva in his BODHICARYAVATARA compares the first type to the decision to undertake a journey and the second type to actually setting out on the journey; in the case of the bodhisattva path, then, the first therefore refers to the process of developing the aspiration to buddhahood for the sake of others, while the second refers to undertaking the various practices of the bodhisattva path, such as the six perfections (PARAMITA). The AVATAMSAKASuTRA describes three types of bodhicitta, those like a herder, a ferryman, and a king. In the first case the bodhisattva first delivers all others into enlightenment before entering enlightenment himself, just as a herder takes his flock into the pen before entering the pen himself; in the second case, they all enter enlightenment together, just as a ferryman and his passengers arrive together at the further shore; and in the third, the bodhisattva first reaches enlightenment and then helps others to reach the goal, just as a king first ascends to the throne and then benefits his subjects. A standard definition of bodhicitta is found at the beginning of the ABHISAMAYALAMKARA, where it is defined as an intention or wish that has two aims: buddhahood, and the welfare of those beings whom that buddhahood will benefit; the text also gives a list of twenty-two types of bodhicitta, with examples for each. Later writers like Arya VIMUKTISENA and HARIBHADRA locate the AbhisamayAlaMkAra's twenty-two types of bodhicitta at different stages of the bodhisattva path and at enlightenment. At the beginning of his MADHYAMAKAVATARA, CANDRAKĪRTI compares compassion (KARUnA) to a seed, water, and crops and says it is important at the start (where compassion begins the bodhisattva's path), in the middle (where it sustains the bodhisattva and prevents a fall into the limited NIRVAnA of the ARHAT), and at the end when buddhahood is attained (where it explains the unending, spontaneous actions for the sake of others that derive from enlightenment). KarunA is taken to be a cause of bodhicitta because bodhicitta initially arises and ultimately will persist, only if MAHAKARUnA ("great empathy for others' suffering") is strong. In part because of its connotation as a generative force, in ANUTTARAYOGATANTRA, bodhicitta comes also to refer to semen, especially in the practice of sexual yoga, where the physical seed (BĪJA) of awakening (representing UPAYA) is placed in the lotus of wisdom (PRAJNA).

Bodhidharma. (C. Putidamo; J. Bodaidaruma; K. Poridalma 菩提達磨) (c. late-fourth to early-fifth centuries). Indian monk who is the putative "founder" of the school of CHAN (K. SoN, J. ZEN, V. THIỀN). The story of a little-known Indian (or perhaps Central Asian) emigré monk grew over the centuries into an elaborate legend of Bodhidharma, the first patriarch of the Chan school. The earliest accounts of a person known as Bodhidharma appear in the Luoyang qielan ji and XU GAOSENG ZHUAN, but the more familiar and developed image of this figure can be found in such later sources as the BAOLIN ZHUAN, LENGQIE SHIZI JI, LIDAI FABAO JI, ZUTANG JI, JINGDE CHUANDENG LU, and other "transmission of the lamplight" (CHUANDENG LU) histories. According to these sources, Bodhidharma was born as the third prince of a South Indian kingdom. Little is known about his youth, but he is believed to have arrived in China sometime during the late fourth or early fifth century, taking the southern maritime route according to some sources, the northern overland route according to others. In an episode appearing in the Lidai fabao ji and BIYAN LU, after arriving in southern China, Bodhidharma is said to have engaged in an enigmatic exchange with the devout Buddhist emperor Wu (464-549, r. 502-549) of the Liang dynasty (502-557) on the subject of the Buddha's teachings and merit-making. To the emperor's questions about what dharma Bodhidharma was transmitting and how much merit (PUnYA) he, Wudi, had made by his munificent donations to construct monasteries and ordain monks, Bodhidharma replied that the Buddha's teachings were empty (hence there was nothing to transmit) and that the emperor's generous donations had brought him no merit at all. The emperor seems not to have been impressed with these answers, and Bodhidharma, perhaps disgruntled by the emperor's failure to understand the profundity of his teachings, left for northern China, taking the Yangtze river crossing (riding a reed across the river, in a scene frequently depicted in East Asian painting). Bodhidharma's journey north eventually brought him to a cave at the monastery of SHAOLINSI on SONGSHAN, where he sat in meditation for nine years while facing a wall (MIANBI), in so-called "wall contemplation" (BIGUAN). During his stay on Songshan, the Chinese monk HUIKE is said to have become Bodhidharma's disciple, allegedly after cutting off his left arm to show his dedication. This legend of Bodhidharma's arrival in China is eventually condensed into the famous Chan case (GONG'AN), "Why did Bodhidharma come from the West?" (see XILAI YI). Bodhidharma's place within the lineage of Indian patriarchs vary according to text and tradition (some list him as the twenty-eighth patriarch), but he is considered the first patriarch of Chan in China. Bodhidharma's name therefore soon became synonymous with Chan and subsequently with Son, Zen, and Thièn. Bodhidharma, however, has often been confused with other figures such as BODHIRUCI, the translator of the LAnKAVATARASuTRA, and the Kashmiri monk DHARMATRATA, to whom the DHYANA manual DAMODUOLUO CHAN JING is attributed. The Lidai fabao ji, for instance, simply fused the names of Bodhidharma and DharmatrAta and spoke of a BodhidharmatrAta whose legend traveled with the Lidai fabao ji to Tibet. Bodhidharma was even identified as the apostle Saint Thomas by Jesuit missionaries to China, such as Matteo Ricci. Several texts, a number of which were uncovered in the DUNHUANG manuscript cache in Central Asia, have been attributed to Bodhidharma, but their authorship remains uncertain. The ERRU SIXING LUN seems to be the only of these texts that can be traced with some certainty back to Bodhidharma or his immediate disciples. The legend of Bodhidharma in the Lengqie shizi ji also associates him with the transmission of the LankAvatArasutra in China. In Japan, Bodhidharma is often depicted in the form of a round-shaped, slightly grotesque-looking doll, known as the "Daruma doll." Like much of the rest of the legends surrounding Bodhidharma, there is finally no credible evidence connecting Bodhidharma to the Chinese martial arts traditions (see SHAOLINSI).

bookcraft ::: n. --> Authorship; literary skill.

Book of Changes, The: A Chinese collection of propositions and explanations used in divination, written by various authors of different periods up to the latter part of the third century B.C. (Chinese title: I Ching, also known as Yi King.)

'Bras spungs. (Drepung). In Tibetan, literally "Rice Heap"; one of the three monastic seats (GDAN SA GSUM) of the DGE LUGS sect of Tibetan Buddhism; located eight kilometers west of the Tibetan capital of LHA SA. The monastery is named after the Dhanyakataka stupa in AMARAVATĪ in southern India, where the Buddha is said to have first taught the KALACAKRATANTRA. It was founded in 1416 by 'JAM DBYANGS CHOS RJE BKRA SHIS DPAL LDAN, one of TSONG KHA PA's leading disciples, and after only a few years in operation already housed over 2,000 monks. In the early sixteenth century, the second DALAI LAMA Dge 'dun rgya mtsho (Gendün Gyatso, 1475-1542) became the monastery's abbot; in 1530, he established a residence and political institution there called the DGA' LDAN PHO BRANG or "Palace of TUsITA." Following him, Bsod nams grags pa (Sonam Drakpa, 1478-1554) became the abbot. Thereafter, until the ascendancy of the Dalai Lamas, the most powerful religious dignitaries in the monastery were the Dalai Lamas and the reincarnations of Bsod nams grags pa. In the seventeenth century, under the direction of the fifth Dalai Lama NGAG DBANG BLO BZANG RGYA MTSHO, the Dga' ldan pho brang (also known as the gzims khang 'og ma or "lower chambers" to distinguish it from the "upper chambers," gzims khang gong ma, where the incarnations of Bsod nams grags pa resided), was moved to the PO TA LA palace. There it functioned as the seat of the Tibetan government until the Chinese occupation of Tibet in 1959. The monastery is an enormous complex of assembly halls, temples, chapels, living quarters and mountain hermitages. At the time of the fifth Dalai Lama, 'Bras spungs housed over 10,000 monks divided into seven (and later four) colleges (grwa tshang), more than fifty regional dormitories (khams tshan), and occupied an area of some 180,000 square feet, easily forming the largest monastery in Tibet. At the height of its florescence, 'Bras spungs drew applicants from all quarters of the Tibetan cultural world including the far east and northeast in A mdo, as well as Mongolia, Kalmykia, and Buryatia. The monastery was large enough to accommodate individuals of a wide range of capacities and interests. A large percentage of its monks engaged in little formal intellectual study, instead choosing to work for the institution as laborers, cooks, and ritual assistants. Even so, 'Bras spungs's numerous monastic colleges also attracted some of Tibet's most talented and gifted scholars, producing a line of elite academicians and authors. The complex was sacked a number of times, first by the King of Gtsang (Tsang) during a civil war in 1618, then by the Mongol army in 1635, and again by Lha bzang Khan in 1706. It was most recently plundered by the People's Liberation Army during the Chinese Cultural Revolution but opened again in 1980 with five hundred monks.

B. = term used by Alice A. Bailey
f = and the following paragraph
ff = and the following paragraphs

Gr. = Greek

Lat. = Latin

Skt = Sanskrit

T. = term used by theosophical authors

Tib. = Tibetan


BuddhapAlita. (T. Sangs rgyas bskyang) (c. 470-540). An Indian Buddhist scholar of the MADHYAMAKA school, who is regarded in Tibet as a key figure of what was dubbed the *PRASAnGIKA school of Madhyamaka. Little is known about the life of BuddhapAlita. He is best known for his commentary on NAGARJUNA's MuLAMADHYAMAKAKARIKA, a commentary that was thought to survive only in Tibetan translation, until the recent rediscovery of a Sanskrit manuscript. BuddhapAlita's commentary bears a close relation in some chapters to the AKUTOBHAYA, another commentary on NAgArjuna's MulamadhyamakakArikA of uncertain authorship, which is sometimes attributed to NAgArjuna himself. In his commentary, BuddhapAlita does not adopt some of the assumptions of the Buddhist logical tradition of the day, including the need to state one's position in the form of an autonomous inference (SVATANTRANUMANA). Instead, BuddhapAlita merely states an absurd consequence (PRASAnGA) that follows from the opponent's position. In his own commentary on the first chapter of NAgArjuna's text, BHAVAVIVEKA criticizes BuddhapAlita's method, arguing for the need for the Madhyamaka adept to state his own position after refuting the position of the opponent. In his commentary on the same chapter, CANDRAKĪRTI in turn defended the approach of BuddhapAlita and criticized BhAvaviveka. It was on the basis of these three commentaries that later Tibetan exegetes identified two schools within Madhyamaka, the SVATANTRIKA, in which they included BhAvaviveka, and the PrAsangika, in which they included BuddhapAlita and Candrakīrti.

buddhavacana. (T. sangs rgyas kyi bka'; C. foyu; J. butsugo; K. puro 佛語). In Sanskrit and PAli, "word of the Buddha"; those teachings accepted as having been either spoken by the Buddha or spoken with his sanction. Much traditional scholastic literature is devoted to the question of what does and does not qualify as the word of the Buddha. The SuTRAPItAKA and the VINAYAPItAKA of the Buddhist canon (TRIPItAKA), which are claimed to have been initially redacted at the first Buddhist council (see COUNCIL, FIRST), held in RAJAGṚHA soon after the Buddha's death, is considered by the tradition-along with the ABHIDHARMAPItAKA, which was added later-to be the authentic word of the Buddha; this judgment is made despite the fact that the canon included texts that were spoken, or elaborated upon, by his direct disciples (e.g., separate versions of the BHADDEKARATTASUTTA, which offer exegeses by various disciples of an enigmatic verse the Buddha had taught) or that included material that clearly postdated the Buddha's death (such as the MAHAPARINIRVAnASuTRA, which tells of the events leading up to, and immediately following, the Buddha's demise, or the NAradasutta, which refers to kings who lived long after the Buddha's time). Such material could still be considered buddhavacana, however, by resort to the four references to authority (MAHAPADEsA; CATURMAHAPADEsA). These four types of authority are found listed in various SuTRAs, including the eponymous PAli MahApadesasutta, and provide an explicit set of criteria through which to evaluate whether a teaching is the authentic buddhavacana. Teachings could be accepted as authentic if they were heard from four authorities: (1) the mouth of the Buddha himself; (2) a SAMGHA of wise elders; (3) a group of monks who were specialists in either the dharma (dharmadhara), vinaya (vinayadhara), or the proto-abhidharma (mAtṛkAdhara); or (4) a single monk who was widely learned in such specializations. The teaching should then be compared side by side with the authentic SuTRA and VINAYA; if found to be compatible with these two strata of the canon and not in contradiction with reality (DHARMATA), it would then be accepted as the buddhavacana and thus marked by the characteristics of the Buddha's words (buddhavacanalaksana). Because of this dispensation, the canons of all schools of Buddhism were never really closed, but could continue to be reinvigorated with new expressions of the Buddha's insights. In addition, completely new texts that purported to be from the mouths of the buddha(s) and/or BODHISATTVAs, such as found in the MAHAYANA or VAJRAYANA traditions, could also begin to circulate and be accepted as the authentic buddhavacana since they too conformed with the reality (dharmatA) that is great enlightenment (MAHABODHI). For example, a MahAyAna sutra, the AdhyAsayasaNcodanasutra, declares, "All which is well-spoken, Maitreya, is spoken by the Buddha." The sutra qualifies the meaning of "well spoken" (subhAsita), explaining that all inspired speech should be known to be the word of the Buddha if it is meaningful and not meaningless, if it is principled and not unprincipled, if it brings about the extinction and not the increase of the afflictions (KLEsA), and if it sets forth the qualities and benefits of NIRVAnA and not the qualities and benefits of SAMSARA. However, the authenticity of the MahAyAna sutras (and later the tantras) was a topic of great contention between the proponents of the MahAyAna and mainstream schools throughout the history of Indian Buddhism and beyond. Defenses of the MahAyAna as buddhavacana appear in the MahAyAna sutras themselves, with predictions of the terrible fates that will befall those who deny their authenticity; and arguments for the authenticity of the MahAyAna sutras were a stock element in writings by MahAyAna authors as early as NAGARJUNA and extending over the next millennium. Related, and probably earlier, terms for buddhavacana are the "teaching of the master" (S. sAstuḥ sAsanam) and the "dispensation of the Buddha" (buddhAnusAsanam). See also APOCRYPHA, DAZANGJING, GTER MA.

CakrasaMvaratantra. (T. 'Khor lo bde mchog gi rgyud). In Sanskrit, the "Binding of the Wheel Tantra" an important Buddhist tantra, often known simply as the CakrasaMvara (T. 'Khor lo bde mchog). The text is extant in Sanskrit and in a Tibetan translation in seven hundred stanzas, which is subdivided into fifty-one sections; it is also known by the name srīherukAbhidhAna (a name appearing at the end of each section), and commonly known in Tibet as the CakrasaMvara Laghutantra ("short tantra" or "light tantra") or Mulatantra ("root tantra") because, according to legend, there was once a longer text of one hundred thousand stanzas. The main deity of the tantra is HERUKA (also known as CakrasaMvara) and his consort is VAJRAVARAHĪ. Historically, the tantra originated as part of a literature that focused on a class of female divinities called YOGINĪ or dAKINĪ. It and its sister tantra, the HEVAJRATANTRA, probably appeared toward the end of the eighth century, and both show the influence of the Sarvabuddhasamayoga-dAkinījAlasaMvaratantra (referred to by Amoghavajra after his return from India to China in 746 CE). All are classed as yoginītantras. The use of skulls, the presence of the KHATVAnGA staff, and the references to sites holy to saivite KApAlikas (those who use skulls) point to a very close relationship between the saiva KApAlika literature and the early yoginītantras, such that some scholars have suggested an actual appropriation of the saiva literature by Buddhists outside mainstream Buddhist practice. Other scholars suggest this class of tantric literature originates from a SIDDHA tradition, i.e., from individual charismatic yogins and yoginīs with magical powers unaffiliated with particular religions or sects. Among the four classes of tantras-KRIYATANTRA, CARYATANTRA, YOGATANTRA, and ANUTTARAYOGATANTRA-the CakrasaMvaratantra is included in the last category; between the father tantras (PITṚTANTRA) and mother tantra (MATṚTANTRA) categories of anuttarayogatantras, it is classified in the latter category. The siddhas Luipa and SARAHA are prominent in accounts of its origin and transmission, and the siddha NAROPA is of particular importance in the text's transmission in India and from there to Tibet. Like many root tantras, the text contains very little that might be termed doctrine or theology, focusing instead on ritual matters, especially the use of MANTRA for the achievement of various powers (SIDDHI), especially the mundane (LAUKIKA) powers, such as the ability to fly, become invisible, etc. The instructions are generally not presented in a systematic way, although it is unclear whether this is the result of the development of the text over time or the intention of the authors to keep practices secret from the uninitiated. Later commentators found references in the text to elements of both the stage of generation (UTPATTIKRAMA) and stage of completion (NIsPANNAKRAMA). The DAkArnavatantra is included within the larger category of tantras related to the CakrasaMvara cycle, as is the Abhidhanottara and the SaMvarodayatantra. The tantra describes, in greater and less detail, a MAndALA with goddesses in sacred places in India (see PĪtHA) and the process of ABHIsEKA. The practice of the MAYADEHA (T. sgyu lus, "illusory body") and CAndALĪ (T. gtum mo, often translated as "psychic heat") are closely associated with this tantra. It was translated twice into Tibetan and is important in all three new-translation (GSAR MA) Tibetan sects, i.e., the SA SKYA, BKA' BRGYUD, and DGE LUGS. Iconographically, the CakrasaMvara mandala, starting from the outside, has first eight cremation grounds (sMAsANA), then a ring of fire, then VAJRAs, then lotus petals. Inside that is the palace with five concentric placement rings going in toward the center. In the center is the main deity Heruka with his consort VajravArAhī trampling on BHAIRAVA and his consort KAlarAtri (deities associated with saivism). There are a number of different representations. One has Heruka (or CakrasaMvara) dark blue in color with four faces and twelve arms, and VArAhī with a single face and two hands, red and naked except for bone ornaments. In the next circles are twenty-four vīras (heroes) with their consorts (related with the twenty-four pītha), with the remaining deities in the mandala placed in different directions in the outer circles.

Candrakīrti. (T. Zla ba grags pa) (c. 600-650). An important MADHYAMAKA master and commentator on the works of NAGARJUNA and ARYADEVA, associated especially with what would later be known as the PRASAnGIKA branch of Madhyamaka. Very little is known about his life; according to Tibetan sources, he was from south India and a student of Kamalabuddhi. He may have been a monk of NALANDA. He wrote commentaries on NAgArjuna's YUKTIsAstIKA and suNYATASAPTATI as well as Aryadeva's CATUḤsATAKA. His two most famous and influential works, however, are his PRASANNAPADA ("Clear Words"), which is a commentary on NAgArjuna's MuLAMADHYAMAKAKARIKA, and his MADHYAMAKAVATARA ("Entrance to the Middle Way"). In the first chapter of the PrasannapadA, he defends the approach of BUDDHAPALITA against the criticism of BHAVAVIVEKA in their own commentaries on the MulamadhyamakakArikA. Candrakīrti argues that it is inappropriate for the Madhyamaka to use what is called an autonomous syllogism (SVATANTRAPRAYOGA) in debating with an opponent and that the Madhyamaka should instead use a consequence (PRASAnGA). It is largely based on Candrakīrti's discussion that Tibetan scholars retrospectively identified two subschools of Madhyamaka, the SVATANTRIKA (in which they placed BhAvaviveka) and the PrAsangika (in which they placed BuddhapAlita and Candrakīrti). Candrakīrti's other important work is the MadhyamakAvatAra, written in verse with an autocommentary. It is intended as a general introduction to the MulamadhyamakakArikA, and provides what Candrakīrti regards as the soteriological context for NAgArjuna's work. It sets forth the BODHISATTVA path, under the rubric of the ten bodhisattva stages (BHuMI; DAsABHuMI) and the ten perfections (PARAMITA). By far the longest and most influential chapter of the text is the sixth, dealing with the perfection of wisdom (PRAJNAPARAMITA), where Candrakīrti discusses the two truths (SATYADVAYA), offers a critique of CITTAMATRA, and sets forth the reasoning for proving the selflessness of phenomena (DHARMANAIRATMYA) and the selflessness of the person (PUDGALANAIRATMYA), using his famous sevenfold analysis of a chariot as an example. Candrakīrti seems to have had little influence in the first centuries after his death, perhaps accounting for the fact that his works were not translated into Chinese (until the 1940s). There appears to have been a revival of interest in his works in India, especially in Kashmir, in the eleventh and twelfth centuries, at the time of the later dissemination (PHYI DAR) of Buddhism to Tibet. Over the next few centuries, Candrakīrti's works became increasingly important in Tibet, such that eventually the MadhyamakAvatAra became the locus classicus for the study of Madhyamaka in Tibet, studied and commented upon by scholars of all sects and serving as one of the "five texts" (GZHUNG LNGA) of the DGE LUGS curriculum. ¶ There appear to be later Indian authors who were called, or called themselves, Candrakīrti. These include the authors of the Trisaranasaptati and the MadhyamakAvatAraprajNA, neither of which appears to have been written by the author described above. Of particular importance is yet another Candrakīrti, or CandrakīrtipAda, the author of the Pradīpoddyotana, an influential commentary on the GUHYASAMAJATANTRA. Scholars often refer to this author as Candrakīrti II or "the tantric Candrakīrti."

CaryAgītikosa. (T. Spyod pa'i glu'i mdzod). In Sanskrit, "Anthology of Songs on Practice"; a collection of fifty songs, dating from the eighth through the twelfth centuries, that represent some of the oldest examples of specifically tantric literature written in an Indian vernacular language (see APABHRAMsA). The manuscript was discovered in Nepal in 1907 and published in 1916, and contained four sections. The first section in the collection, CaryAcaryAbhiniscaya, was written in the Bengali vernacular, while the three other sections were written in Eastern ApabhraMsa, a late Middle Indic dialect from the Bengal region. The original manuscript of the CaryAgītikosa contained sixty-nine folios, which included the fifty songs, with exegeses in Sanskrit. By the time of the text's rediscovery, however, five folios were lost, leaving sixty-four folios containing the text of forty-six full songs and the first six lines of another ten-lined song. The names of twenty-three different authors are ascribed to the songs themselves; the authorship of the Sanskrit commentary to the Bengali songs is attributed to Munidatta. The songs were handed down orally before they were committed to writing, and even today they are sung in the Buddhist communities of Nepal, Tibet, and other neighboring areas of the HimAlayas. Most of the songs deal with gaining release from the bondage of the illusory world and enjoying the great bliss of enlightenment, by employing worldly similes drawn from marriage and such daily activities as fermenting wine and rowing a boat.

cento ::: n. --> A literary or a musical composition formed by selections from different authors disposed in a new order.

Cheng weishi lun. (S. *VijNaptimAtratAsiddhi; J. Joyui-shikiron; K. Song yusik non 成唯識論). In Chinese, "Demonstration of Consciousness-Only"; a magnum opus of Sino-Indian YOGACARA Buddhism and the foundational text of the Chinese WEISHI, or FAXIANG, school. The text is often cited by its reconstructed Sanskrit title *VIJNAPTIMATRATASIDDHI, and its authorship attributed to DHARMAPALA (530-561), but the text as we have it in Chinese translation has no precise analogue in Sanskrit and was never used within the Indian or Tibetan traditions. Its Chinese translator XUANZANG (600/602-664), one of the most important figures in the history of Chinese Buddhist scholasticism, traveled to India in the seventh century, where he specialized in YogAcAra doctrine at NALANDA monastic university under one of DharmapAla's disciples, sĪLABHADRA (529-645). At NAlandA, Xuanzang studied VASUBANDHU's TRIMsIKA (TriMsikAvijNaptimAtratA[siddhi]kArikA), the famous "Thirty Verses on Consciousness-Only," along with ten prose commentaries on the verses by the prominent YogAcAra scholiasts DharmapAla, STHIRAMATI, Nanda, CitrabhAnu, Gunamati, Jinamitra, JNAnamitra, JNAnacandra, Bandhusrī, suddhacandra, and Jinaputra. After his return to China in 645, Xuanzang set to work translating this massive amount of new material into Chinese. Rather than translate in their entirety all ten commentaries, however, on the advice of his translation team Xuanzang chose to focus on DharmapAla's exegesis, which he considered orthodox, rather than muddy the waters in China with the divergent interpretations of the other teachers. As a foil for DharmapAla's interpretation, Xuanzang uses the commentaries by Sthiramati, Nanda, and occasionally CitrabhAnu, but he typically concludes any discussion with DharmapAla's definitive view. This decision to rely heavily on DharmapAla's interpretation probably comes from the fact that Xuanzang's own Indian teacher, sīlabhadra, was himself a pupil of DharmapAla. ¶ The Cheng weishi lun is principally concerned with the origination and removal of ignorance (AVIDYA), by clarifying the processes by which erroneous perception arises and enlightened understanding is produced. Unlike the writings of STHIRAMATI, which understood the bifurcation of consciousness into subject and object to be wholly imaginary, the Cheng weishi lun proposed instead that consciousness in fact always appears in both subjective and objective aspects, viz., a "seeing part" (darsanabhAga) and a "seen part" (nimittabhAga). The apparent dichotomy between inner self and external images is a supposition of mentality (MANAS), which in turn leads to the various afflictions (KLEsA), as the mind clings to those images it likes and rejects those it dislikes; thus, suffering (DUḤKHA) is created and the cycle of rebirth (SAMSARA) sustained. Both the perceiving self and the perceived images are therefore both simply projections of the mind and thus mere-representation (VIJNAPTIMATRA) or, as Xuanzang translated the term, consciousness-only (WEISHI). This clarification of the perceptual process produces an enlightened understanding that catalyzes a transmutation of the basis (AsRAYAPARAVṚTTI), so that the root consciousness (MuLAVIJNANA), or ALAYAVIJNANA, no longer serves as the storehouse of either wholesome or unwholesome seeds (BĪJA), thus bringing an end to the subject-object bifurcation. In the course of its discussion, the Cheng weishi lun offers an extensive treatment of the YogAcAra theory of the eight consciousnesses (VIJNANA) and especially the storehouse consciousness (AlayavijNAna) that stores the seeds, or potentialities, of these representational images. The text also offers an overview of the three-nature (TRISVABHAVA) theory of vijNaptimAtra as imaginary (PARIKALPITA), dependent (PARATANTRA), and perfected (PARINIsPANNA). Finally, the Cheng weishi lun provides such exhaustive detail on the hundred dharmas (BAIFA) taxonomical system of the YogAcAra that it has been used within the tradition as a primer of YogAcAra dharma theory.

Ch'onch'aek. (天頙) (1206-?). The fourth patriarch of the Korean White Lotus Society (PAENGNYoN KYoLSA) during the middle of the Koryo dynasty; also known as State Preceptor Chinjong ("True Calmness" or "True Purity," using homophonous Sinographs). Ch'onch'aek was a descendent of a Koryo merit official, who devoted himself to Confucian studies from a young age and passed the civil-service examinations at the age of twenty. At twenty-three, he became a monk under the tutelage of State Preceptor WoNMYO YOSE (1163-1245), the founder of the White Lotus Society (cf. BAILIAN SHE) at Mount Mandok in T'amjin county (present-day Kangjin in South Cholla province), and subsequently assisted his teacher Yose in the Society's campaign. In 1244, Ch'onch'aek traveled to Mimyonsa on Mount Kongdok in Sangju county (present-day Mun'gyong in North Kyongsang province) to open and lead the society there at the request of the renowned magistrate of Sangju, Ch'oe Cha (1188-1260). The Kongdoksan branch of the society was called the East White Lotus; the Mandoksan branch was by contrast called the South White Lotus. In the late 1250s or early 1260s, Ch'onch'aek returned to Mandoksan to become the fourth patriarch of the White Lotus Society. He later retired to Yonghyoram (Dragon Cavity Hermitage) on Mount Tongnyong, south of Mandoksan, where he continued an active correspondence with literati. Indeed, Ch'onch'aek maintained close associations with several of the famous literati of his time and invited them to participate in the activities of the White Lotus Society. Ch'onch'aek's thought reflects the historical realities of Korea during the Mongol invasion. In his letters to civil and military officials, Ch'onch'aek opined that killing the invading Mongol army would be an appropriate act for a BODHISATTVA, because it would stop the invaders from performing evil actions that would lead them to endless suffering in the hells. His Haedongjon hongnok ("Extended Record of the Transmission [of Buddhism] in Korea"), a four-roll collection of miracle tales related to worship of the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra") , sought to popularize that scripture also in order to help bring peace to the Korean peninsula. Ch'onch'aek's literary talent was so renowned that the famous Choson literatus Chong Yagyong (1762-1836) counted him among the three greatest writers of the Silla and Koryo dynasties. Ch'onch'aek's works, none of which are extant in full, include the Haedongjon hongnok and his literary collection, the Hosan nok ("Record of Lakes and Mountains"). Authorship of the SoNMUN POJANGNOK is attributed to Ch'onch'aek, although this attribution is still in question.

classically ::: adv. --> In a classical manner; according to the manner of classical authors.
In the manner of classes; according to a regular order of classes or sets.


classical ::: n. --> Of or relating to the first class or rank, especially in literature or art.
Of or pertaining to the ancient Greeks and Romans, esp. to Greek or Roman authors of the highest rank, or of the period when their best literature was produced; of or pertaining to places inhabited by the ancient Greeks and Romans, or rendered famous by their deeds.
Conforming to the best authority in literature and art;


classic ::: n. --> Alt. of Classical
A work of acknowledged excellence and authority, or its author; -- originally used of Greek and Latin works or authors, but now applied to authors and works of a like character in any language.
One learned in the literature of Greece and Rome, or a student of classical literature.


CLP(R) ::: Constraint Logic Programming (Real).A constraint logic programming language with real arithmetic constraints developed by Joxan Jaffar of IBM TJWRC and S. Michaylov of Monash University in 1986.The implementation contains a byte-code compiler and a built-in constraint solver which deals with linear arithmetic and contains a mechanism for delaying language. There are also powerful facilities for meta programming with constraints.Significant CLP(R) applications have been published in diverse areas such as molecular biology, finance and physical modelling.Version 1.2 for Unix, MS-DOS and OS/2 is available from the authors. It is free for academic and research purposes.E-mail: Roland Yap .[The CLP(R) Language and System, J. Jaffar et al, IBM RR RC16292 (

CLP(R) "language" Constraint Logic Programming (Real) A {constraint logic programming} language with {real} arithmetic {constraints} developed by Joxan Jaffar "joxan@watson.ibm.com" of {IBM} {TJWRC} and S. Michaylov of {Monash University} in 1986. The implementation contains a {byte-code compiler} and a built-in {constraint} solver which deals with {linear arithmetic} and contains a mechanism for delaying {nonlinear} constraints until they become linear. Since CLP(R) is a superset of {PROLOG}, the system is also usable as a general-purpose {logic programming} language. There are also powerful facilities for {meta programming} with constraints. Significant CLP(R) applications have been published in diverse areas such as molecular biology, finance and physical modelling. Version 1.2 for {Unix}, {MS-DOS} and {OS/2} is available from the authors. It is free for academic and research purposes. E-mail: Roland Yap "roland@bruce.cs.monash.edu.au". ["The CLP(R) Language and System", J. Jaffar et al, IBM RR RC16292 (

collectanea ::: v. t. --> Passages selected from various authors, usually for purposes of instruction; miscellany; anthology.

Communications Decency Act ::: (legal) (CDA) An amendment to the U.S. 1996 Telecommunications Bill that went into effect on 08 February 1996, outraging thousands of Internet users who it punishable by fines of up to $250,000 to post indecent language on the Internet anywhere that a minor could read it.The Electronic Frontier Foundation created public domain blue ribbon icons that many web authors downloaded and displayed on their web pages.On 12 June 1996, a three-judge panel in Philadelphia ruled the CDA unconstitutional and issued an injunction against the United States Justice to their web pages, courtesy of the Voters Telecommunications Watch. The Justice Department has appealed the decision to the U.S. Supreme Court. (1996-11-03)

complete lattice ::: A lattice is a partial ordering of a set under a relation where all finite subsets have a least upper bound and a greatest lower bound. A complete lattice also has these for infinite subsets. Every finite lattice is complete. Some authors drop the requirement for greatest lower bounds. (1994-12-02)

complete lattice A {lattice} is a {partial ordering} of a set under a relation where all finite subsets have a {least upper bound} and a {greatest lower bound}. A complete lattice also has these for infinite subsets. Every finite lattice is complete. Some authors drop the requirement for {greatest lower bounds}. (1994-12-02)

Copyright - Protection given by law to authors of literary, musical, artistic, and similar works. The copyright holder enjoys the following exclusive rights: (1) to print, reprint, and copy the work; (2) to sell, assign, or distribute copies; and (3) to perform the work. A copyright is recorded at its acquisition price. The legal life of a copyright is the life of the author plus 70 years. Rarely will the economic life of a copyright exceed its legal life. For example, some textbooks become obsolete in five years. As other limited life intangible assets, copyrights are amortized over the period benefited.

Core War ::: (games) (Or more recently, Core Wars) A game played between assembly code programs running in the core of a simulated machine (and vicariously by their authors). The objective is to kill your opponents' programs by overwriting them.The programs are written using an instruction set called Redcode and run on a virtual machine called MARS (Memory Array Redcode Simulator).Core War was devised by Victor Vyssotsky, Robert Morris Sr., and Dennis Ritchie in the early 1960s (their original game was called Darwin and ran on a PDP-1 1984 by D. G. Jones and A. K. Dewdney of the Department of Computer Science at The University of Western Ontario (Canada).Dewdney wrote several Computer Recreations articles in Scientific American which discussed Core War, starting with the May 1984 article. Those articles are the most readable introduction to Core War, even though the Redcode dialect described in there is no longer current.The International Core War Society (ICWS) creates and maintains Core War standards and the runs Core War tournaments. There have been six annual tournaments and two standards (ICWS'86 and ICWS'88).[The Armchair Universe: An Exploration of Computer Worlds, A. K. Dewdney, W. H. Freeman, New York, 1988, ISBN 0-7167-1939-8, LCCN QA76.6 .D517 1988][The Magic Machine: A Handbook of Computer Sorcery, A. K. Dewdney, W. H. Freeman, New York, 1990, ISBN 0-7167-2125-2 (Hardcover), 0-7167-2144-9 (Paperback), LCCN QA76.6 .D5173 1990]. (1998-10-30)

Core War "games" (Or more recently, "Core Wars") A game played between {assembly code} programs running in the {core} of a simulated machine (and vicariously by their authors). The objective is to kill your opponents' programs by overwriting them. The programs are written using an {instruction set} called "{Redcode}" and run on a {virtual machine} called "{MARS}" (Memory Array Redcode Simulator). Core War was devised by Victor Vyssotsky, Robert Morris Sr., and {Dennis Ritchie} in the early 1960s (their original game was called "{Darwin}" and ran on a {PDP-1} at {Bell Labs}). It was first described in the "Core War Guidelines" of March, 1984 by D. G. Jones and A. K. Dewdney of the Department of Computer Science at The University of Western Ontario (Canada). Dewdney wrote several "Computer Recreations" articles in "Scientific American" which discussed Core War, starting with the May 1984 article. Those articles are contained in the two anthologies cited below. A.K. Dewdney's articles are still the most readable introduction to Core War, even though the {Redcode} dialect described in there is no longer current. The International Core War Society (ICWS) creates and maintains Core War standards and the runs Core War tournaments. There have been six annual tournaments and two standards (ICWS'86 and ICWS'88). ["The Armchair Universe: An Exploration of Computer Worlds", A. K. Dewdney, W. H. Freeman, New York, 1988, ISBN 0-7167-1939-8, LCCN QA76.6 .D517 1988] ["The Magic Machine: A Handbook of Computer Sorcery", A. K. Dewdney, W. H. Freeman, New York, 1990, ISBN 0-7167-2125-2 (Hardcover), 0-7167-2144-9 (Paperback), LCCN QA76.6 .D5173 1990]. (1998-10-30)

credited with the authorship of Psalms 37:25

CulavaMsa. In PAli, "The Shorter Chronicle"; a historical chronicle of Sri Lanka and a continuation of the MAHAVAMSA. Written in segments by several authors beginning in the thirteenth century and continuing through the eighteenth century, the text offers a synopsis of the history of the island and its religion from the reign of Sirimeghavanna (362-390 CE) to that of SirivikkamarAjasīha (1798-1815 CE).

dazangjing. (J. daizokyo; K. taejanggyong 大藏經). In Chinese, "scriptures of the great repository"; the term the Chinese settled upon to describe their Buddhist canon, supplanting the Indian term TRIPItAKA ("three baskets"). The myriad texts of different Indian and Central Asian Buddhist schools were transmitted to China over a millennium, from about the second through the twelfth centuries CE, where they were translated with alacrity into Chinese. Chinese Buddhists texts therefore came to include not only the tripitakas of several independent schools of Indian Buddhism, but also different recensions of various MAHĀYĀNA scriptures and Buddhist TANTRAs, sometimes in multiple translations. As the East Asian tradition developed its own scholarly traditions, indigenous writings by native East Asian authors, composed in literary Chinese, also came to be included in the canon. These materials included scriptural commentaries, doctrinal treatises, biographical and hagiographical collections, edited transcriptions of oral lectures, Chinese-Sanskrit dictionaries, scriptural catalogues (JINGLU), and so on. Because the scope of the Buddhist canon in China was therefore substantially broader than the traditional tripartite structure of an Indian tripitaka, the Chinese coined alternative terms to refer to their collection of Buddhist materials, including "all the books" (yiqie jing), until eventually settling on the term dazangjing. The term dazangjing seems to derive from a Northern Song-dynasty term for an officially commissioned "great library" (dazang) that was intended to serve as a repository for "books" (jing) sanctioned by the court. Buddhist monasteries were the first places outside the imperial palaces that such officially sanctioned libraries were established. These collections of the official canonical books of Chinese Buddhism were arranged not by the VINAYA, SuTRA, ABHIDHARMA, and sĀSTRA categories of India, but in shelf lists that were more beholden to the categorizations used in court libraries. The earliest complete Buddhist canons in China date from the fifth century; by the eighth century, these manuscript collections included over one thousand individual texts in more than five thousand rolls. By the tenth century, woodblock printing techniques had become sophisticated enough that complete printed Buddhist canons began to be published, first during the Song dynasty, and thence throughout East Asia. The second xylographic canon of the Korean Koryo dynasty, the KORYo TAEJANGGYoNG, was especially renowned for its scholarly accuracy; it included some 1,514 texts, in 6,815 rolls, carved on 81,258 individual woodblocks, which are still housed today in the scriptural repository at the monastery of HAEINSA. The second Koryo canon is arranged with pride of place given to texts from the Mahāyāna tradition:

decreasing function: A function where x < y implies and is implied by f(x) > f(y). Depending on the author, the second inequality may be ≥ so that a decreasing function is allowed to "level" as well as decrease. In which case, most authors are likely to call the first type strictly decreasing functions. Note that monotonic(-ally) decreasing functions do not mean that the inquality signs are strict but that the decreass is uninterrupted (without exceptions).

Despite the best efforts of the king of Tibet more than a thousand years ago, it has always been difficult for scholars of Buddhism to agree on translations. That difficulty persists in the present work for a variety of reasons, including the different ways that Buddhist scholiasts chose to translate technical terms into their various languages over the centuries, the preferences of the many modern scholars whose works we consulted, and the relative stubbornness of the authors. As a result, there will inevitably be some variation in the renderings of specific Buddhist terminology in the pages that follow. In our main entries, however, we have tried to guide users to the range of possible English translations that have been used to render a term. In addition, a significant effort has been made to provide the original language equivalencies in parentheses so that specialists in those languages can draw their own conclusions as to the appropriate rendering.

Dhammapāla. (d.u.). A celebrated Pāli commentator and author, Dhammapāla is known to have flourished sometime after the time of BUDDHAGHOSA (fl. fifth century CE), though his precise dates are uncertain. Numerous works are attributed to him, although the accuracy of these attributions is sometimes suspect because of the many Pāli authors who have the same name. The SĀSANAVAMSA states that Dhammapāla lived at Badaratittha in southern India. In several of his works, Dhammapāla records that he is a native of KaNcipuram and that he studied at the MAHĀVIHĀRA in the Sinhalese capital of ANURĀDHAPURA. THERAVĀDA congregations affiliated with the Mahāvihāra existed among the Tamils in South India, and it appears that he was familiar with their commentarial traditions. According to one legend, Dhammapāla was so renowned for his intelligence that the local king of KaNcipuram offered him his daughter in marriage. Being interested instead in a life of renunciation and scholarship, Dhammapāla prayed for his release before an image of the Buddha, whereupon the gods carried him away to a place where he could be ordained as a Buddhist monk. Seven of Dhammapāla's commentaries (AttHAKATHĀ) are devoted to the KHUDDAKANIKĀYA division of the SUTTAPItAKA; these include the PARAMATTHADĪPANĪ (a commentary on the UDĀNA, ITIVUTTAKA, VIMĀNAVATTHU, PETAVATTHU, THERAGĀTHĀ, and THERĪGĀTHĀ), as well as exegeses of the Vimānavatthu, Petavatthu, Itivuttaka, and CARIYĀPItAKA. He also wrote commentaries to the NETTIPPAKARAnA and the VISUDDHIMAGGA, the latter of which is titled the PARAMATTHAMANJuSĀ. Dhammapāla also wrote several subcommentaries (tīkā) on Buddhaghosa's exegeses of the Pāli canon, including the Līnatthavannanā on the suttapitaka, and subcommentaries on the JĀTAKA, the BUDDHAVAMSA, and the ABHIDHAMMAPItAKA.

Dharmadhātustava. [alt. Dharmadhātustotra] (T. Chos dbyings bstod pa; C. Zan fajie song; J. San hokkaiju; K. Ch'an popkye song 讚法界頌). In Sanskrit, "Praise of the DHARMADHĀTU," a hymn in 101 stanzas attributed to NĀGĀRJUNA. It is cited by BHĀVAVIVEKA as a work by Nāgārjuna, but its authorship has been questioned by scholars because its substantialist elements seem at odds with the doctrine of emptiness (suNYATĀ), as espoused by Nāgārjuna in works such as the MuLAMADHYAMAKAKĀRIKĀ. The text is also not counted among the "four hymns" (CATUḤSTAVA), which can be more confidently ascribed to Nāgārjuna. However, in the Tibetan tradition, it is regarded as his work and is counted among his "devotional corpus" (STAVAKĀYA). Apart from a few stanzas quoted in extant Sanskrit works, the text is lost in the original Sanskrit and is preserved in Tibetan and Chinese (translated by DĀNAPĀLA). The Dharmadhātustava describes the nature of the realm of reality (dharmadhātu) as being pure in its essence but is hidden by the afflictions (KLEsA); when those taints are removed, the nature of reality is made manifest. Many of the metaphors in the text are similar to those found in the TATHĀGATAGARBHA literature. However, the dharmadhātu is also described in ontological terms as the cause of SAMSĀRA, uncreated, immovable, certain, pure, the seed, etc., descriptions that seem at odds with Nāgārjuna's more famous views. In Tibet, this apparent contradiction figured prominently in the so-called RANG STONG GZHAN STONG debates, where the proponents of the rang stong position, especially the DGE LUGS, saw Nāgārjuna's exposition of emptiness to be his definitive position and explained the dharmadhātu as emptiness. The proponents of the gzhan stong position, most famously the JO NANG, argued for a more substantialist reality that is not empty of its own nature (SVABHĀVA) but is devoid of adventitious defilements. They found support for this position in the Dharmadhātustava.

Dhātukāya[pādasāstra]. (T. Khams kyi tshogs; C. Jieshen lun; J. Kaishinron; K. Kyesin non 界身論). In Sanskrit, "Collection of Elements"; traditionally placed as the fifth of the six "feet" (pāda) of the JNĀNAPRASTHĀNA, the central treatise in the SARVĀSTIVĀDA ABHIDHARMAPItAKA. The text, which is attributed to either VASUMITRA or PuRnA, probably dates from the middle stratum of Sarvāstivāda abhidharma materials, together with the VIJNĀNAKĀYA, and probably the PRAJNAPTIBHĀsYA and PRAKARAnAPĀDA as well; the first century BCE is the terminus ad quem for its composition. As its title suggests, the Dhātukāya is a collection of various schemata for organizing the diverse mental concominants (CAITTA) that had been listed in previous ABHIDHARMA materials. The text is in two major sections, the first of which, the *mulavastuvarga, provides a roster of ninety-one different types of mentality (CITTA) and mental concomintants (caitta) in fourteen different lists of factors (DHARMA). The second major section, the *vibhajyavarga, provides a series of analyses that details the intricate interrelationships among the various factors included in these dharma lists. The text concludes with an analysis of each individual factor in terms of its association with, or dissociation from, the eighteen elements (DHĀTU), twelve sense-fields (ĀYATANA), and five aggregates (SKANDHA). The idiosyncratic lists of dharmas found in the Dhātukāya are ultimately standardized in the later Prakaranapāda. Because the Dhātukāya's preliminary rosters are ultimately superseded by the more developed and comprehensive treatment of dharmas found in the Prakaranapāda, the Dhātukāya is less commonly read and consulted within the later Sarvāstivāda tradition and is, in fact, never cited in the ABHIDHARMAMAHĀVIBHĀsĀ, the Sarvāstivāda's encyclopedic treatment of doctrine. The fact that the Chinese tradition ascribes authorship of both of these texts to Vasumitra suggests that the Prakaranapāda may have been intended to be the definitive and complete systematization of dharmas that are outlined only tentatively, and incompletely, in the Dhātukāya. The Dhātukāya is reminiscent in style and exegetical approach to the Pāli PAttHĀNA and especially the DHĀTUKATHĀ (both of which may derive from a common urtext), although there are few similarities in their respective contents. The Dhātukāya does not survive in an Indic language and is only extant in a Chinese translation made by XUANZANG's translation team in 663 CE. The text is said to have been composed originally in six thousand slokas, although the recension Xuanzang translated apparently derived from an abbreviated edition in 830 slokas.

diatom ::: n. --> One of the Diatomaceae, a family of minute unicellular Algae having a siliceous covering of great delicacy, each individual multiplying by spontaneous division. By some authors diatoms are called Bacillariae, but this word is not in general use.
A particle or atom endowed with the vital principle.


dolerite ::: n. --> A dark-colored, basic, igneous rock, composed essentially of pyroxene and a triclinic feldspar with magnetic iron. By many authors it is considered equivalent to a coarse-grained basalt.

Emotional body: A synonym used by many occult authors for the astral body (q.v.).

Eric S. Raymond ::: (person) One of the authors of the Hacker's Jargon File. Eric was involved in the JOLT project and GNU Emacs as well as maintaining several FAQ lists. He is a keen advocate of open source. .E-mail: (1998-10-20)

Eric S. Raymond "person" One of the authors of the Hacker's {Jargon File}. Eric was involved in the {JOLT} project and {GNU Emacs} as well as maintaining several {FAQ} lists. He is a keen advocate of {open source}. {(http://ccil.org/~esr)}. E-mail: "esr@snark.thyrsus.com" (1998-10-20)

Erinyes (Greek) [cf Latin Furae furies] Also Dirae. Furies, avenging goddesses; sometimes legion, sometimes three in number, according to the point of view of the ancient writers, named by Alexandrian authors, copying Euripides: Tisiphone (avenger of the slain), Megaera (the jealous), and Alecto (unceasing hatred). Their mission was to follow and reform evil doers, which has popularly been misunderstood to be persecution. Aeschylus speaks of them as being daughters of Night, Sophocles as being born of Darkness and Earth, and Hesiod as having sprung from the blood of the injured Uranus. They dwell in the underworld, whence they issue to pursue the wicked towards reformation and the reestablishment of all broken natural equilibrium; upon the expiation of crime in Aeschylus they transform themselves into gracious and beneficent deities called the Eumenides. In Athens they were known as Semnae (the venerable ones).

essential discontinuity: A discontinuity where the left-hand limit or the right-hand limit doesn't exist (or neither exists). Some authors consider a jump discontinuity to be an essential discontinuity, which makes the definition of essential discontinuity any discontinuity that is not a removable discontinuity.

exercise, left as an ::: Used to complete a proof in technical books when one doesn't mind a handwave, or to avoid one entirely. The complete phrase is: The proof [or the rest] is attached to unsolved research problems by authors possessed of either an evil sense of humour or a vast faith in the capabilities of their audiences.[Jargon File] (1995-02-20)

exercise, left as an Used to complete a proof in technical books when one doesn't mind a {handwave}, or to avoid one entirely. The complete phrase is: "The proof [or "the rest"] is left as an exercise for the reader." This comment *has* occasionally been attached to unsolved research problems by authors possessed of either an evil sense of humour or a vast faith in the capabilities of their audiences. [{Jargon File}] (1995-02-20)

Fahua zhuan[ji]. (J. Hokke den[ki]; K. Pophwa chon['gi] 法華傳[]). In Chinese, "Compendium of the 'Lotus Sutra,'" also known as the Hongzan fahua zhuan[ji], was composed by Huixiang during the Tang dynasty. This work included much information regarding the translation, circulation, commentaries, epigraphy, illustrations, magical lore, and other aspects of the SADDHARMAPUndARĪKASuTRA. Several other comparable compendia devoted exclusively to the Saddharmapundarīkasutra are still extant (by authors from China, Korea, and Japan), testifying to the scripture's popularity throughout East Asia.

florideae ::: n. pl. --> A subclass of algae including all the red or purplish seaweeds; the Rhodospermeae of many authors; -- so called from the rosy or florid color of most of the species.

flourish ::: v. i. --> To grow luxuriantly; to increase and enlarge, as a healthy growing plant; a thrive.
To be prosperous; to increase in wealth, honor, comfort, happiness, or whatever is desirable; to thrive; to be prominent and influental; specifically, of authors, painters, etc., to be in a state of activity or production.
To use florid language; to indulge in rhetorical figures and lofty expressions; to be flowery.


Foxing lun. (J. Busshoron; K. Pulsong non 佛性論). In Chinese, "Treatise on the Buddha-Nature," an important exposition of the MAHĀLĀNA theories of buddha-nature (FOXING) and storehouse, womb, or matrix of the tathāgatas (TATHĀGATAGARBHA). Authorship of the treatise is traditionally attributed to the Indian scholiast VASUBANDHU (fl. c. mid-fourth to mid-fifth centuries CE), with the Chinese translation made by the Indian YOGĀLĀRA exegete PARAMĀRTHA (499-569). Scholars now generally accept, however, that the text at the very least displays the heavy editorial hand of Paramārtha and may in fact have been written by him. The text offers a tripartite account of the buddha-nature as "dwelling in itself," "emergent," and "attained" (see discussion in FOXING, s.v.). It is also well known for its outline of three aspects of the tathāgatagarbha, as (1) the contained, (2) the concealed or hidden, and (3) the container. The "contained" means the "embryo" of enlightenment that is contained within the womb of the tathāgatas. "Concealment" denotes both the tathāgata as (a) an active agent of liberation, secreting himself inside the minds of ordinary sentient beings in order to motivate them toward enlightenment, and (b) a passive factor that is covered over and hidden by the afflictions (KLEsA). As the "container," the tathāgatagarbha is the fulfillment of the infinite numbers of meritorious qualities perfected by the buddhas. See also RATNAGOTRAVIBHĀGA.

Free Software Foundation ::: (body) (FSF) An organisation devoted to the creation and dissemination of free software, i.e. software that is free from licensing fees or restrictions on Richard Stallman (RMS), partly to proselytise for his position that information is community property and all software source should be shared.The GNU project has developed the GNU Emacs editor and a C compiler, gcc, replacements for many Unix utilities and many other tools. A complete Unix-like operating system (HURD) is in the works (April 1994).Software is distributed under the terms of the GNU General Public License, which also provides a good summary of the Foundation's goals and principles. The Free available (e.g. by FTP - see below) users are encouraged to support the work of the FSF by paying for their distribution service or by making donations.One of the slogans of the FSF is Help stamp out software hoarding! This remains controversial because authors want to own, assign and sell the results cooperated to produce large amounts of high-quality software for free redistribution under the Free Software Foundation's imprimatur.See copyleft, General Public Virus, GNU archive site. .Unofficial WWW pages: .E-mail: .Address: Free Software Foundation, Inc., 675 Massachusetts Avenue, Cambridge, MA 02139, USA.Telephone: +1 (617) 876 3296. (1995-12-10)

Free Software Foundation "body" (FSF) An organisation devoted to the creation and dissemination of {free software}, i.e. software that is free from licensing fees or restrictions on use. The Foundation's main work is supporting the {GNU} project, started by {Richard Stallman} (RMS), partly to proselytise for his position that information is community property and all software source should be shared. The GNU project has developed the GNU {Emacs} editor and a {C} compiler, {gcc}, replacements for many Unix utilities and many other tools. A complete {Unix}-like operating system ({HURD}) is in the works (April 1994). Software is distributed under the terms of the {GNU General Public License}, which also provides a good summary of the Foundation's goals and principles. The Free Software Foundation raises most of its funds from distributing its software, although it is a charity rather than a company. Although the software is freely available (e.g. by {FTP} - see below) users are encouraged to support the work of the FSF by paying for their distribution service or by making donations. One of the slogans of the FSF is "Help stamp out software hoarding!" This remains controversial because authors want to own, assign and sell the results of their labour. However, many hackers who disagree with RMS have nevertheless cooperated to produce large amounts of high-quality software for free redistribution under the Free Software Foundation's imprimatur. See {copyleft}, {General Public Virus}, {GNU archive site}. {(ftp://ftp.gnu.ai.mit.edu)}. Unofficial WWW pages: {PDX (http://cs.pdx.edu/~trent/gnu/)}, {DeLorie (http://delorie.com/gnu/)}. E-mail: "gnu@gnu.org". Address: Free Software Foundation, Inc., 675 Massachusetts Avenue, Cambridge, MA 02139, USA. Telephone: +1 (617) 876 3296. (1995-12-10)

GandhavaMsa. In Pāli, "History of Books," a traditional history of Pāli literature, written in Burma by a forest-dwelling monk named NandapaNNā. The text, which is in mixed prose and verse, is dated to the seventeenth century by some scholars and to the nineteenth century by others. The text discusses the arrangement of the tipitaka (S. TRIPItAKA) and the authorship of the commentaries, subcommentaries, and numerous extracanonical treatises on various topics, ranging from grammar to doctrine. While exceedingly short (the original manuscript consisted of only twelve palm leaves), the GandhavaMsa has proven invaluable for the historical understanding of the development of Pāli literature.

General Public License "legal" (GPL, note US spelling) The licence applied to most {software} from the {Free Software Foundation} and the {GNU} project and other authors who choose to use it. The licences for most software are designed to prevent users from sharing or changing it. By contrast, the GNU General Public License is intended to guarantee the freedom to share and change {free software} - to make sure the software is free for all its users. The GPL is designed to make sure that anyone can distribute copies of free software (and charge for this service if they wish); that they receive source code or can get it if they want; that they can change the software or use pieces of it in new free programs; and that they know they can do these things. The GPL forbids anyone to deny others these rights or to ask them to surrender the rights. These restrictions translate to certain responsibilities for those who distribute copies of the software or modify it. See also {General Public Virus}. (1994-10-27)

General Public License ::: (legal) (GPL, note US spelling) The licence applied to most software from the Free Software Foundation and the GNU project and other authors who choose to use it.The licences for most software are designed to prevent users from sharing or changing it. By contrast, the GNU General Public License is intended to to ask them to surrender the rights. These restrictions translate to certain responsibilities for those who distribute copies of the software or modify it.See also General Public Virus. (1994-10-27)

GNU Free Documentation License "legal" (GFDL) The {Free Software Foundation}'s license designed to ensure the same freedoms for {documentation} that the {GPL} gives to {software}. This dictionary is distributed under the GFDL, see the copyright notice in the {Free On-line Dictionary of Computing} section (at the start of the source file). The full text follows. Version 1.1, March 2000 Copyright 2000 Free Software Foundation, Inc. 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. 0. PREAMBLE The purpose of this License is to make a manual, textbook, or other written document "free" in the sense of freedom: to assure everyone the effective freedom to copy and redistribute it, with or without modifying it, either commercially or noncommercially. Secondarily, this License preserves for the author and publisher a way to get credit for their work, while not being considered responsible for modifications made by others. This License is a kind of "copyleft", which means that derivative works of the document must themselves be free in the same sense. It complements the GNU General Public License, which is a copyleft license designed for free software. We have designed this License in order to use it for manuals for free software, because free software needs free documentation: a free program should come with manuals providing the same freedoms that the software does. But this License is not limited to software manuals; it can be used for any textual work, regardless of subject matter or whether it is published as a printed book. We recommend this License principally for works whose purpose is instruction or reference. 1. APPLICABILITY AND DEFINITIONS This License applies to any manual or other work that contains a notice placed by the copyright holder saying it can be distributed under the terms of this License. The "Document", below, refers to any such manual or work. Any member of the public is a licensee, and is addressed as "you". A "Modified Version" of the Document means any work containing the Document or a portion of it, either copied verbatim, or with modifications and/or translated into another language. A "Secondary Section" is a named appendix or a front-matter section of the Document that deals exclusively with the relationship of the publishers or authors of the Document to the Document's overall subject (or to related matters) and contains nothing that could fall directly within that overall subject. (For example, if the Document is in part a textbook of mathematics, a Secondary Section may not explain any mathematics.) The relationship could be a matter of historical connection with the subject or with related matters, or of legal, commercial, philosophical, ethical or political position regarding them. The "Invariant Sections" are certain Secondary Sections whose titles are designated, as being those of Invariant Sections, in the notice that says that the Document is released under this License. The "Cover Texts" are certain short passages of text that are listed, as Front-Cover Texts or Back-Cover Texts, in the notice that says that the Document is released under this License. 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VERBATIM COPYING You may copy and distribute the Document in any medium, either commercially or noncommercially, provided that this License, the copyright notices, and the license notice saying this License applies to the Document are reproduced in all copies, and that you add no other conditions whatsoever to those of this License. You may not use technical measures to obstruct or control the reading or further copying of the copies you make or distribute. However, you may accept compensation in exchange for copies. If you distribute a large enough number of copies you must also follow the conditions in section 3. You may also lend copies, under the same conditions stated above, and you may publicly display copies. 3. 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If you publish or distribute Opaque copies of the Document numbering more than 100, you must either include a machine-readable Transparent copy along with each Opaque copy, or state in or with each Opaque copy a publicly-accessible computer-network location containing a complete Transparent copy of the Document, free of added material, which the general network-using public has access to download anonymously at no charge using public-standard network protocols. If you use the latter option, you must take reasonably prudent steps, when you begin distribution of Opaque copies in quantity, to ensure that this Transparent copy will remain thus accessible at the stated location until at least one year after the last time you distribute an Opaque copy (directly or through your agents or retailers) of that edition to the public. It is requested, but not required, that you contact the authors of the Document well before redistributing any large number of copies, to give them a chance to provide you with an updated version of the Document. 4. MODIFICATIONS You may copy and distribute a Modified Version of the Document under the conditions of sections 2 and 3 above, provided that you release the Modified Version under precisely this License, with the Modified Version filling the role of the Document, thus licensing distribution and modification of the Modified Version to whoever possesses a copy of it. In addition, you must do these things in the Modified Version: A. Use in the Title Page (and on the covers, if any) a title distinct from that of the Document, and from those of previous versions (which should, if there were any, be listed in the History section of the Document). You may use the same title as a previous version if the original publisher of that version gives permission. B. List on the Title Page, as authors, one or more persons or entities responsible for authorship of the modifications in the Modified Version, together with at least five of the principal authors of the Document (all of its principal authors, if it has less than five). C. State on the Title page the name of the publisher of the Modified Version, as the publisher. D. Preserve all the copyright notices of the Document. E. Add an appropriate copyright notice for your modifications adjacent to the other copyright notices. F. Include, immediately after the copyright notices, a license notice giving the public permission to use the Modified Version under the terms of this License, in the form shown in the Addendum below. G. Preserve in that license notice the full lists of Invariant Sections and required Cover Texts given in the Document's license notice. H. Include an unaltered copy of this License. I. Preserve the section entitled "History", and its title, and add to it an item stating at least the title, year, new authors, and publisher of the Modified Version as given on the Title Page. If there is no section entitled "History" in the Document, create one stating the title, year, authors, and publisher of the Document as given on its Title Page, then add an item describing the Modified Version as stated in the previous sentence. J. Preserve the network location, if any, given in the Document for public access to a Transparent copy of the Document, and likewise the network locations given in the Document for previous versions it was based on. These may be placed in the "History" section. You may omit a network location for a work that was published at least four years before the Document itself, or if the original publisher of the version it refers to gives permission. K. In any section entitled "Acknowledgements" or "Dedications", preserve the section's title, and preserve in the section all the substance and tone of each of the contributor acknowledgements and/or dedications given therein. L. Preserve all the Invariant Sections of the Document, unaltered in their text and in their titles. Section numbers or the equivalent are not considered part of the section titles. M. Delete any section entitled "Endorsements". Such a section may not be included in the Modified Version. N. Do not retitle any existing section as "Endorsements" or to conflict in title with any Invariant Section. If the Modified Version includes new front-matter sections or appendices that qualify as Secondary Sections and contain no material copied from the Document, you may at your option designate some or all of these sections as invariant. To do this, add their titles to the list of Invariant Sections in the Modified Version's license notice. These titles must be distinct from any other section titles. You may add a section entitled "Endorsements", provided it contains nothing but endorsements of your Modified Version by various parties--for example, statements of peer review or that the text has been approved by an organization as the authoritative definition of a standard. You may add a passage of up to five words as a Front-Cover Text, and a passage of up to 25 words as a Back-Cover Text, to the end of the list of Cover Texts in the Modified Version. Only one passage of Front-Cover Text and one of Back-Cover Text may be added by (or through arrangements made by) any one entity. If the Document already includes a cover text for the same cover, previously added by you or by arrangement made by the same entity you are acting on behalf of, you may not add another; but you may replace the old one, on explicit permission from the previous publisher that added the old one. The author(s) and publisher(s) of the Document do not by this License give permission to use their names for publicity for or to assert or imply endorsement of any Modified Version. 5. COMBINING DOCUMENTS You may combine the Document with other documents released under this License, under the terms defined in section 4 above for modified versions, provided that you include in the combination all of the Invariant Sections of all of the original documents, unmodified, and list them all as Invariant Sections of your combined work in its license notice. The combined work need only contain one copy of this License, and multiple identical Invariant Sections may be replaced with a single copy. If there are multiple Invariant Sections with the same name but different contents, make the title of each such section unique by adding at the end of it, in parentheses, the name of the original author or publisher of that section if known, or else a unique number. Make the same adjustment to the section titles in the list of Invariant Sections in the license notice of the combined work. In the combination, you must combine any sections entitled "History" in the various original documents, forming one section entitled "History"; likewise combine any sections entitled "Acknowledgements", and any sections entitled "Dedications". You must delete all sections entitled "Endorsements." 6. COLLECTIONS OF DOCUMENTS You may make a collection consisting of the Document and other documents released under this License, and replace the individual copies of this License in the various documents with a single copy that is included in the collection, provided that you follow the rules of this License for verbatim copying of each of the documents in all other respects. You may extract a single document from such a collection, and distribute it individually under this License, provided you insert a copy of this License into the extracted document, and follow this License in all other respects regarding verbatim copying of that document. 7. AGGREGATION WITH INDEPENDENT WORKS A compilation of the Document or its derivatives with other separate and independent documents or works, in or on a volume of a storage or distribution medium, does not as a whole count as a Modified Version of the Document, provided no compilation copyright is claimed for the compilation. Such a compilation is called an "aggregate", and this License does not apply to the other self-contained works thus compiled with the Document, on account of their being thus compiled, if they are not themselves derivative works of the Document. If the Cover Text requirement of section 3 is applicable to these copies of the Document, then if the Document is less than one quarter of the entire aggregate, the Document's Cover Texts may be placed on covers that surround only the Document within the aggregate. Otherwise they must appear on covers around the whole aggregate. 8. TRANSLATION Translation is considered a kind of modification, so you may distribute translations of the Document under the terms of section 4. Replacing Invariant Sections with translations requires special permission from their copyright holders, but you may include translations of some or all Invariant Sections in addition to the original versions of these Invariant Sections. You may include a translation of this License provided that you also include the original English version of this License. In case of a disagreement between the translation and the original English version of this License, the original English version will prevail. 9. TERMINATION You may not copy, modify, sublicense, or distribute the Document except as expressly provided for under this License. Any other attempt to copy, modify, sublicense or distribute the Document is void, and will automatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance. 10. FUTURE REVISIONS OF THIS LICENSE The Free Software Foundation may publish new, revised versions of the GNU Free Documentation License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. See {here (http://gnu.org/copyleft/)}. Each version of the License is given a distinguishing version number. If the Document specifies that a particular numbered version of this License "or any later version" applies to it, you have the option of following the terms and conditions either of that specified version or of any later version that has been published (not as a draft) by the Free Software Foundation. If the Document does not specify a version number of this License, you may choose any version ever published (not as a draft) by the Free Software Foundation. End of full text of GFDL. (2002-03-09)

GNU Free Documentation License ::: (legal) (GFDL) The Free Software Foundation's license designed to ensure the same freedoms for documentation that the GPL gives to software.This dictionary is distributed under the GFDL, see the copyright notice in the Free On-line Dictionary of Computing section (at the start of the source file). The full text follows.Version 1.1, March 2000Copyright (C) 2000 Free Software Foundation, Inc.59 Temple Place, Suite 330, Boston, MA 02111-1307 USAEveryone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.0. PREAMBLEThe purpose of this License is to make a manual, textbook, or other written document free in the sense of freedom: to assure everyone the effective author and publisher a way to get credit for their work, while not being considered responsible for modifications made by others.This License is a kind of copyleft, which means that derivative works of the document must themselves be free in the same sense. It complements the GNU General Public License, which is a copyleft license designed for free software.We have designed this License in order to use it for manuals for free software, because free software needs free documentation: a free program should come with of subject matter or whether it is published as a printed book. We recommend this License principally for works whose purpose is instruction or reference.1. APPLICABILITY AND DEFINITIONSThis License applies to any manual or other work that contains a notice placed by the copyright holder saying it can be distributed under the terms of this License. The Document, below, refers to any such manual or work. Any member of the public is a licensee, and is addressed as you.A Modified Version of the Document means any work containing the Document or a portion of it, either copied verbatim, or with modifications and/or translated into another language.A Secondary Section is a named appendix or a front-matter section of the Document that deals exclusively with the relationship of the publishers or matter of historical connection with the subject or with related matters, or of legal, commercial, philosophical, ethical or political position regarding them.The Invariant Sections are certain Secondary Sections whose titles are designated, as being those of Invariant Sections, in the notice that says that the Document is released under this License.The Cover Texts are certain short passages of text that are listed, as Front-Cover Texts or Back-Cover Texts, in the notice that says that the Document is released under this License.A Transparent copy of the Document means a machine-readable copy, represented in a format whose specification is available to the general public, whose modification by readers is not Transparent. A copy that is not Transparent is called Opaque.Examples of suitable formats for Transparent copies include plain ASCII without markup, Texinfo input format, LaTeX input format, SGML or XML using a publicly machine-generated HTML produced by some word processors for output purposes only.The Title Page means, for a printed book, the title page itself, plus such following pages as are needed to hold, legibly, the material this License title page as such, Title Page means the text near the most prominent appearance of the work's title, preceding the beginning of the body of the text.2. VERBATIM COPYINGYou may copy and distribute the Document in any medium, either commercially or noncommercially, provided that this License, the copyright notices, and the compensation in exchange for copies. If you distribute a large enough number of copies you must also follow the conditions in section 3.You may also lend copies, under the same conditions stated above, and you may publicly display copies.3. COPYING IN QUANTITYIf you publish printed copies of the Document numbering more than 100, and the Document's license notice requires Cover Texts, you must enclose the copies in of the Document and satisfy these conditions, can be treated as verbatim copying in other respects.If the required texts for either cover are too voluminous to fit legibly, you should put the first ones listed (as many as fit reasonably) on the actual cover, and continue the rest onto adjacent pages.If you publish or distribute Opaque copies of the Document numbering more than 100, you must either include a machine-readable Transparent copy along with each least one year after the last time you distribute an Opaque copy (directly or through your agents or retailers) of that edition to the public.It is requested, but not required, that you contact the authors of the Document well before redistributing any large number of copies, to give them a chance to provide you with an updated version of the Document.4. MODIFICATIONSYou may copy and distribute a Modified Version of the Document under the conditions of sections 2 and 3 above, provided that you release the Modified Version to whoever possesses a copy of it. In addition, you must do these things in the Modified Version:A. Use in the Title Page (and on the covers, if any) a title distinct from that of the Document, and from those of previous versions (which should, if there same title as a previous version if the original publisher of that version gives permission.B. List on the Title Page, as authors, one or more persons or entities responsible for authorship of the modifications in the Modified Version, together with at least five of the principal authors of the Document (all of its principal authors, if it has less than five).C. State on the Title page the name of the publisher of the Modified Version, as the publisher.D. Preserve all the copyright notices of the Document.E. Add an appropriate copyright notice for your modifications adjacent to the other copyright notices.F. Include, immediately after the copyright notices, a license notice giving the public permission to use the Modified Version under the terms of this License, in the form shown in the Addendum below.G. Preserve in that license notice the full lists of Invariant Sections and required Cover Texts given in the Document's license notice.H. Include an unaltered copy of this License.I. Preserve the section entitled History, and its title, and add to it an item stating at least the title, year, new authors, and publisher of the Modified Document as given on its Title Page, then add an item describing the Modified Version as stated in the previous sentence.J. Preserve the network location, if any, given in the Document for public access to a Transparent copy of the Document, and likewise the network locations published at least four years before the Document itself, or if the original publisher of the version it refers to gives permission.K. In any section entitled Acknowledgements or Dedications, preserve the section's title, and preserve in the section all the substance and tone of each of the contributor acknowledgements and/or dedications given therein.L. Preserve all the Invariant Sections of the Document, unaltered in their text and in their titles. Section numbers or the equivalent are not considered part of the section titles.M. Delete any section entitled Endorsements. Such a section may not be included in the Modified Version.N. Do not retitle any existing section as Endorsements or to conflict in title with any Invariant Section. If the Modified Version includes new front-matter Invariant Sections in the Modified Version's license notice. These titles must be distinct from any other section titles.You may add a section entitled Endorsements, provided it contains nothing but endorsements of your Modified Version by various parties--for example, statements of peer review or that the text has been approved by an organization as the authoritative definition of a standard.You may add a passage of up to five words as a Front-Cover Text, and a passage of up to 25 words as a Back-Cover Text, to the end of the list of Cover Texts in may not add another; but you may replace the old one, on explicit permission from the previous publisher that added the old one.The author(s) and publisher(s) of the Document do not by this License give permission to use their names for publicity for or to assert or imply endorsement of any Modified Version.5. COMBINING DOCUMENTSYou may combine the Document with other documents released under this License, under the terms defined in section 4 above for modified versions, provided that original documents, unmodified, and list them all as Invariant Sections of your combined work in its license notice.The combined work need only contain one copy of this License, and multiple identical Invariant Sections may be replaced with a single copy. If there are unique number. Make the same adjustment to the section titles in the list of Invariant Sections in the license notice of the combined work.In the combination, you must combine any sections entitled History in the various original documents, forming one section entitled History; likewise combine any sections entitled Acknowledgements, and any sections entitled Dedications. You must delete all sections entitled Endorsements.6. COLLECTIONS OF DOCUMENTSYou may make a collection consisting of the Document and other documents released under this License, and replace the individual copies of this License provided that you follow the rules of this License for verbatim copying of each of the documents in all other respects.You may extract a single document from such a collection, and distribute it individually under this License, provided you insert a copy of this License into the extracted document, and follow this License in all other respects regarding verbatim copying of that document.7. AGGREGATION WITH INDEPENDENT WORKSA compilation of the Document or its derivatives with other separate and independent documents or works, in or on a volume of a storage or distribution being thus compiled, if they are not themselves derivative works of the Document.If the Cover Text requirement of section 3 is applicable to these copies of the Document, then if the Document is less than one quarter of the entire aggregate, Document within the aggregate. Otherwise they must appear on covers around the whole aggregate.8. TRANSLATIONTranslation is considered a kind of modification, so you may distribute translations of the Document under the terms of section 4. Replacing Invariant the original English version of this License, the original English version will prevail.9. TERMINATIONYou may not copy, modify, sublicense, or distribute the Document except as expressly provided for under this License. Any other attempt to copy, modify, rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance.10. FUTURE REVISIONS OF THIS LICENSEThe Free Software Foundation may publish new, revised versions of the GNU Free Documentation License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. See .Each version of the License is given a distinguishing version number. If the Document specifies that a particular numbered version of this License or any does not specify a version number of this License, you may choose any version ever published (not as a draft) by the Free Software Foundation.End of full text of GFDL.(2002-03-09)

GNUS "tool, networking" GNU news. A {GNU} {Emacs} subsystem for reading and sending {Usenet} {news}, written by Masanobu Umeda "umerin@mse.kyutech.ac.jp". You can use GNUS to browse through news groups, look at summaries of articles in a specific group, and read articles of interest. You can respond to authors or write articles or replies to all the readers of a news group. GNUS can be configured to use the {NNTP} {protocol} to get news from a remove {server} or it can read it from local news {spool} files. {Usenet} newsgorup: {news:gnu.emacs.gnus}. (1995-05-04)

GNUS ::: (tool, networking) GNU news.A GNU Emacs subsystem for reading and sending Usenet news, written by Masanobu Umeda . You can use GNUS to browse through articles of interest. You can respond to authors or write articles or replies to all the readers of a news group.GNUS can be configured to use the NNTP protocol to get news from a remove server or it can read it from local news spool files.Usenet newsgorup: gnu.emacs.gnus. (1995-05-04)

Greek and Roman authors all make much of the Druidic belief in reincarnation. One of them relates that you could always borrow money to be repaid in such and such a future life on earth — showing that it was reincarnation, the coming back as a human being, and not transmigration, the coming back as an animal, that was taught. The likeness between Druidism and Pythagoreanism is often mentioned, which perhaps suggested the legend that Pythagoras studied not only under Eastern but also under Western or Druidic teachers; and that other belief, that philosophy came to Greece not only from the East, but also from the Druids.

HAKMEM "publication" /hak'mem/ MIT AI Memo 239 (February 1972). A legendary collection of neat mathematical and programming hacks contributed by many people at MIT and elsewhere. (The title of the memo really is "HAKMEM", which is a 6-letterism for "hacks memo".) Some of them are very useful techniques, powerful theorems, or interesting unsolved problems, but most fall into the category of mathematical and computer trivia. Here is a sampling of the entries (with authors), slightly paraphrased: Item 41 (Gene Salamin): There are exactly 23,000 prime numbers less than 2^18. Item 46 (Rich Schroeppel): The most *probable* suit distribution in bridge hands is 4-4-3-2, as compared to 4-3-3-3, which is the most *evenly* distributed. This is because the world likes to have unequal numbers: a thermodynamic effect saying things will not be in the state of lowest energy, but in the state of lowest disordered energy. Item 81 (Rich Schroeppel): Count the magic squares of order 5 (that is, all the 5-by-5 arrangements of the numbers from 1 to 25 such that all rows, columns, and diagonals add up to the same number). There are about 320 million, not counting those that differ only by rotation and reflection. Item 154 (Bill Gosper): The myth that any given programming language is machine independent is easily exploded by computing the sum of powers of 2. If the result loops with period = 1 with sign +, you are on a sign-magnitude machine. If the result loops with period = 1 at -1, you are on a twos-complement machine. If the result loops with period greater than 1, including the beginning, you are on a ones-complement machine. If the result loops with period greater than 1, not including the beginning, your machine isn't binary - the pattern should tell you the base. If you run out of memory, you are on a string or bignum system. If arithmetic overflow is a fatal error, some fascist pig with a read-only mind is trying to enforce machine independence. But the very ability to trap overflow is machine dependent. By this strategy, consider the universe, or, more precisely, algebra: Let X = the sum of many powers of 2 = ...111111 (base 2). Now add X to itself: X + X = ...111110. Thus, 2X = X - 1, so X = -1. Therefore algebra is run on a machine (the universe) that is two's-complement. Item 174 (Bill Gosper and Stuart Nelson): 21963283741 is the only number such that if you represent it on the {PDP-10} as both an integer and a {floating-point} number, the bit patterns of the two representations are identical. Item 176 (Gosper): The "banana phenomenon" was encountered when processing a character string by taking the last 3 letters typed out, searching for a random occurrence of that sequence in the text, taking the letter following that occurrence, typing it out, and iterating. This ensures that every 4-letter string output occurs in the original. The program typed BANANANANANANANA.... We note an ambiguity in the phrase, "the Nth occurrence of." In one sense, there are five 00's in 0000000000; in another, there are nine. The editing program TECO finds five. Thus it finds only the first ANA in BANANA, and is thus obligated to type N next. By Murphy's Law, there is but one NAN, thus forcing A, and thus a loop. An option to find overlapped instances would be useful, although it would require backing up N - 1 characters before seeking the next N-character string. Note: This last item refers to a {Dissociated Press} implementation. See also {banana problem}. HAKMEM also contains some rather more complicated mathematical and technical items, but these examples show some of its fun flavour. HAKMEM is available from MIT Publications as a {TIFF} file. {(ftp://ftp.netcom.com/pub/hb/hbaker)}. (1996-01-19)

HAKMEM ::: (publication) /hak'mem/ MIT AI Memo 239 (February 1972). A legendary collection of neat mathematical and programming hacks contributed by many people mathematical and computer trivia. Here is a sampling of the entries (with authors), slightly paraphrased:Item 41 (Gene Salamin): There are exactly 23,000 prime numbers less than 2^18.Item 46 (Rich Schroeppel): The most *probable* suit distribution in bridge hands is 4-4-3-2, as compared to 4-3-3-3, which is the most *evenly* distributed. This saying things will not be in the state of lowest energy, but in the state of lowest disordered energy.Item 81 (Rich Schroeppel): Count the magic squares of order 5 (that is, all the 5-by-5 arrangements of the numbers from 1 to 25 such that all rows, columns, and diagonals add up to the same number). There are about 320 million, not counting those that differ only by rotation and reflection.Item 154 (Bill Gosper): The myth that any given programming language is machine independent is easily exploded by computing the sum of powers of 2. If the itself: X + X = ...111110. Thus, 2X = X - 1, so X = -1. Therefore algebra is run on a machine (the universe) that is two's-complement.Item 174 (Bill Gosper and Stuart Nelson): 21963283741 is the only number such that if you represent it on the PDP-10 as both an integer and a floating-point number, the bit patterns of the two representations are identical.Item 176 (Gosper): The banana phenomenon was encountered when processing a character string by taking the last 3 letters typed out, searching for a random although it would require backing up N - 1 characters before seeking the next N-character string.Note: This last item refers to a Dissociated Press implementation. See also banana problem.HAKMEM also contains some rather more complicated mathematical and technical items, but these examples show some of its fun flavour.HAKMEM is available from MIT Publications as a TIFF file. . (1996-01-19)

harmonist ::: n. --> One who shows the agreement or harmony of corresponding passages of different authors, as of the four evangelists.
One who understands the principles of harmony or is skillful in applying them in composition; a musical composer.
Alt. of Harmonite


H. B. Curry, Consistency and completeness of the theory of combinators, ibid , pp. 54-61. Comedy: In Aristotle (Poetics), a play in which chief characters behave worse than men do in daily life, as contrasted with tragedy, where the main characters act more nobly. In Plato's Symposium, Socrates argues at the end that a writer of good comedies is able to write good tragedies. See Comic. Metaphysically, comedy in Hegel consists of regarding reality as exhausted in a single category. Cf. Bergson, Le rire (Laughter). Commentator, The: Name usually used for Averroes by the medieval authors of the 13th century and later. In the writings of the grammarians (modistae, dealing with modis significandi) often used for Petrus Heliae. -- R.A.

Hermas The Pastor of Hermas or The Shepherd of Hermas is an early Christian book, attributed to Hermas because that name occurs several times in it, though the authorship is doubtful. It was widely known in the East and regarded as inspired, receiving a respect approximating that paid to the canonical New Testament. It had wide vogue as early as the 2nd century. Irenaeus, Clement of Alexandria, and Origen quote it as scripture; and Origen identifies the author with the Hermas mentioned in Romans. Though it is impossible to assign to it a definite date of composition, conjecture points to the time of Hadrian and Antoninus Pius (117-161 AD). Full of legends and allegories, it presents in suggestive forms the gospel of love, but the name of Jesus Christ does not occur. It was thought by some to be Jewish in origin and contains passages from the Zohar. It has come down to us in several Latin translations, but only fragments of the Greek manuscript have yet come to hand.

hymnology ::: n. --> The hymns or sacred lyrics composed by authors of a particular country or period; as, the hymnology of the eighteenth century; also, the collective body of hymns used by any particular church or religious body; as, the Anglican hymnology.
A knowledge of hymns; a treatise on hymns.


i ::: --> In our old authors, I was often used for ay (or aye), yes, which is pronounced nearly like it.
As a numeral, I stands for 1, II for 2, etc. ::: object. --> The nominative case of the pronoun of the first person; the word with which a speaker or writer denotes himself.


increasing function A function where x > y implies and is implied by f(x) > f(y). Depending on the author, the second inequality may be ≥ so that a increasing function is allowed to "level" as well as increase. In which case, most authors are likely to call the first type strictly increasing functions. Note that monotonic(-ally) increasing functions do not mean that the inquality signs are strict but that the increase is uninterrupted (without exceptions)

INTERCAL "language, humour" /in't*r-kal/ (Said by the authors to stand for "Compiler Language With No Pronounceable Acronym"). Possibly the most elaborate and long-lived joke in the history of programming languages. It was designed on 1972-05-26 by Don Woods and Jim Lyons at Princeton University. INTERCAL is purposely different from all other computer languages in all ways but one; it is purely a written language, being totally unspeakable. The INTERCAL Reference Manual, describing features of horrifying uniqueness, became an underground classic. An excerpt will make the style of the language clear: It is a well-known and oft-demonstrated fact that a person whose work is incomprehensible is held in high esteem. For example, if one were to state that the simplest way to store a value of 65536 in a 32-bit INTERCAL variable is:   DO :1 "-

INTERCAL ::: (language, humour) /in't*r-kal/ (Said by the authors to stand for Compiler Language With No Pronounceable Acronym).Possibly the most elaborate and long-lived joke in the history of programming languages. It was designed on 1972-05-26 by Don Woods and Jim Lyons at Princeton University.INTERCAL is purposely different from all other computer languages in all ways but one; it is purely a written language, being totally unspeakable. The INTERCAL Reference Manual, describing features of horrifying uniqueness, became an underground classic. An excerpt will make the style of the language clear:It is a well-known and oft-demonstrated fact that a person whose work is incomprehensible is held in high esteem. For example, if one were to state that the simplest way to store a value of 65536 in a 32-bit INTERCAL variable is: DO :1 -

In The Secret Doctrine Blavatsky credits the theory’s authors with a great intuitional perception of certain cosmogonical facts, and to a certain extent approves the theory in its broad outline but not in its details. Any theory which attempts to explain the universe on purely mechanical principles can be no more than one of a number of possible systems of graphic representation. The attempt to abstract the physical universe from the universe in general, while useful for special practical purposes, does not conduct us to the truth; and this is preeminently the case with such a subject as the origin of the solar system and the motions of its parts. Yet the nebular hypothesis in certain of its main elements is in accord with theosophic teachings, insofar, for instance, as it glimpses the gradual condensation of matter from a tenuous condition, in its segregation around centers, and in the essentially circular character of motion.

  “It is one of the ‘Books of Hermes,’ and it is referred to and quotations are made from it in the works of a number of ancient and mediaeval philosophical authors. Among these authorities are Arnoldo di Villanova’s ‘Rosarium philosoph.’; Francesco Arnolphim’s ‘Lucensis opus de lapide,’ Hermes Trismegistus’ ‘Tractatus de transmutatione metallorum,’ ‘Tabula smaragdina,’ and above all in the treatise of Raymond Lulli, ‘Ab angelis opus divinum de quinta essentia’ ” (IU 1:254n).

its curse on these rituals, although the authorship of one of the most diabolic of them was

Jātakatthakathā. [alt. Jātakatthavannanā]. In Pāli, "Commentary on the JĀTAKA," is a prose exegesis of the verses included in the Jātaka collection. Authorship is traditionally attributed to BUDDHAGHOSA, although the prose is a Pāli translation of a commentary written originally in Sinhalese. The commentary on each jātaka tale includes an introduction relating how the story came to be told and an epilogue correlating the major characters in the tale with the Buddha's current contemporaries. The commentary is preceded by a lengthy introduction, the NIDĀNAKATHĀ, which recounts the buddha's previous birth as SUMEDHA and his last life as Siddhattha (S. SIDDHĀRTHA) from the time of his birth, through his enlightenment and early teaching, ending with the donation of JETAVANA by Anāthapindika (S. ANĀTHAPIndADA). The Jātakatthakathā appears in the Pali Text Society's English translation series as Stories of the Buddha's Former Births; the Nidānakathā appears separately as The Story of Gotama Buddha.

JFCL /jif'kl/, /jaf'kl/, /j*-fi'kl/ (obsolete) To cancel or annul something. "Why don't you jfcl that out?" The fastest do-nothing instruction on older models of the {PDP-10} happened to be JFCL, which stands for "Jump if Flag set and then CLear the flag"; this does something useful, but is a very fast no-operation if no flag is specified. Geoff Goodfellow, one of the jargon-1 co-authors, had JFCL on the licence plate of his BMW for years. Usage: rare except among old-time PDP-10 hackers. [{Jargon File}] (1994-11-22)

Jingtu ruiying zhuan. (J. Jodo zuioden; K. Chongt'o soŭng chon 浄土瑞應傳). In Chinese, "Legends of Auspicious Resonance in the PURE LAND"; attributed to the monks Wenshen (fl. c. nine CE) and Shaokang (d. 805), although their authorship remains a matter of debate. The Jingtu ruiying zhuan is a collection of forty-eight testimonials of rebirth in the pure land of SUKHĀVATĪ, offering proof that the prospect of rebirth there is a viable reason for faith in the salvific grace of AMITĀBHA Buddha. This text is one of the earliest examples of a genre of Buddhist literature called rebirth testimonials (wangsheng zhuan), which is unique to East Asia. The Jingtu ruiying zhuan also served as a prototype for later collections, such as the Jingtu wangsheng zhuan, attributed to Jiezhu (985-1077).

Kala: (Skr.) Art-creation, authorship, e.g., as one of the aspects of Shiva's progressive world creation. See Kancuka. -- K.F.L.

Kamalasīla. (T. Ka ma la shī la) (c. 740-795). One of the most important Madhyamaka authors of late Indian Buddhism, a major representative of the Yogācāra-Madhyamaka synthesis, and a participant in the famous BSAM YAS DEBATE. According to Tibetan doxographies, he was a proponent of the YOGĀCĀRA-SVĀTANTRIKA-MADHYAMAKA. Although little is known about his life, according to Tibetan sources he was a monk and teacher at NĀLANDĀ. Tibetan sources also count him as one of three (together with sĀNTARAKsITA and JNĀNAGARBHA) "Eastern Svātantrikas" (RANG RGYUD SHAR GSUM), suggesting that he was from Bengal. He was clearly a direct disciple of sāntaraksita, composing important commentaries on his teacher's two major works, the MADHYAMAKĀLAMKĀRA and the TATTVASAMGRAHA. The latter commentary, which is extant in Sanskrit, is an important source for both Hindu and Buddhist philosophical positions in the eighth century. sāntaraksita had gone to Tibet at the invitation of the Tibetan king KHRI SRONG LDE BTSAN, where, with the assistance of PADMASAMBHAVA, he founded BSAM YAS, the first Buddhist monastery in Tibet. According to tradition, at the time of his death sāntaraksita warned that a mistaken philosophical view would become established in Tibet and advised the king to invite Kamalasīla to come to Tibet in order to dispel it. This mistaken view was apparently that of Heshang MOHEYAN, a Northern CHAN (BEI ZONG) monk who had developed a following at the Tibetan court. Kamalasīla was invited, and a debate was held between the Indian monk and his Chinese counterpart, with the king serving as judge. It is unclear whether a face-to-face debate took place or rather an exchange of documents. According to Tibetan sources, the king declared Kamalasīla the winner, named MADHYAMAKA as the official philosophical school of his realm, and banished the Chinese contingent. (Chinese records describe a different outcome.) This event, variously known as the BSAM YAS DEBATE, the Council of Bsam yas, and the Council of Lhasa, is regarded as one of the key moments in the history of Tibetan Buddhism. Three of Kamalasīla's most important works appear to have been composed in response to the issues raised in the debate, although whether all three were composed in Tibet is not established with certainty. These texts, each entitled BHĀVANĀKRAMA or "Stages of Meditation," set forth the process for the potential BODHISATTVA to cultivate BODHICITTA and then develop sAMATHA and VIPAsYANĀ and progress through the bodhisattva stages (BHuMI) to buddhahood. The cultivation of vipasyanā requires the use of both scripture (ĀGAMA) and reasoning (YUKTI) to understand emptiness (suNYATĀ); in the first Bhāvanākrama, he sets forth the three forms of wisdom (PRAJNĀ): the wisdom derived from hearing or learning (sRUTAMAYĪPRAJNĀ), the wisdom derived from thinking and reflection (CINTĀMAYĪPRAJNĀ), and the wisdom derived from meditation (BHĀVANĀMAYĪPRAJNĀ). This "gradual" approach, very different from what was advocated in the Chinese CHAN ZONG, is set forth in all three of the Bhāvanākrama, which, according to Tibetan tradition, were composed in Tibet after the Bsam yas debate, at the request of the king. However, only the third, and the briefest, directly considers, and refutes, the view of "no mental activity" (amanasikāra), which is associated with Moheyan. It was also during his time in Tibet that Kamalasīla composed his most important independent (i.e., noncommentarial) philosophical work, the MADHYAMAKĀLOKA, or "Illumination of the Middle Way," a wide-ranging exposition of the Yogācāra-Madhyamaka synthesis. It deals with a number of central epistemological and logical issues to articulate what is regarded as the defining tenet of the Yogācāra-Svātantrika-Madhyamaka school: that major YOGĀCĀRA doctrines, such as "mind-only" (CITTAMĀTRA), and the three natures (TRISVABHĀVA) are important in initially overcoming misconceptions, but they are in fact only provisional (NEYĀRTHA) teachings for those who have not yet understood the Madhyamaka view. The Madhyamakāloka is also important for its exploration of such central MAHĀYĀNA doctrines as the TATHĀGATAGARBHA and the question of the EKAYĀNA. On this latter point, Kamalasīla argues against the Yogācāra position that there are three final vehicles (for the sRĀVAKA, PRATYEKABUDDHA, and BODHISATTVA, with some beings excluded from any path to liberation) in favor of the position that there is a single vehicle to buddhahood (BUDDHAYĀNA) for all beings. Kamalasīla is said to have been murdered in Tibet by partisans of the Chinese position, who caused his death by squeezing his kidneys.

Kātyāyanīputra. (T. Kā ta'i bu mo'i bu; C. Jiaduoyannizi; J. Kataennishi; K. Kadayonnija 迦多衍尼子) (c. second to first century BCE). Important scholiast in the SARVĀSTIVĀDA school to whom the tradition attributes authorship of the JNĀNAPRASTHĀNA, the central text of the Sarvāstivāda ABHIDHARMA.

Kempen, Thomas Hemerken van: (1380-1471) Also called Thomas a Kempis, was born at Kempen in Holland, received his early education and instruction in music at the monastery of the Brethren of the Common Life, at Deventer. He attended no university but attained a high degree of spiritual development. His Imitation of Christ is one of the most famous, and most used, books of Catholic spiritual meditation; it has been printed in nearly all languages and is found in innumerable editions. There seems to be no valid reason for questioning his authorship of the work. -- V.J.B.

Ketuvim, the books of Ezra and Nehemiah are considered one book, as are the two books of Chronicles). The Bible is therefore known in Hebrew as the Tanach, the abbreviation formed by the first letters of the names of these three sections.All the books of the Bible are authored by G-d, though transmitted through prophecy via the souls of the various prophets, who are known as the &

krishna. :::dark; dark-blue; symbol for infinite space; supreme being; the consciousness without form, rules and regulations; central figure of hinduism and is traditionally attributed the authorship of the Bhagavad Gita; a historical individual who participated in the events of the Mahabharata

Kṛsnācārya. [alt. Kṛsnā[cārya]-pāda/Kṛsnacārin/Kānha] (T. Nag po pa/Nag po spyod pa). Sanskrit proper name of one of the eighty-four MAHĀSIDDHAs. A number of tantric works by an author or authors whose name is usually rendered in Tibetan as Nag po pa (the dark-skinned one) are extant in Tibetan translation.

Kuan Tzu (Chinese) The most voluminous Taoist work that has come down to our day. It treats of the ethical and political philosophy of tao with regard to the universe and man. Its authorship is assigned to Kuan tzu (also Kaun Chung or Kwan-twu, Kwan-tsze, Kwan-tse, etc.) of the 7th century BC. He is regarded as one of the three patriarchs of Tao — the other two being Lao tzu and Chuang Tzu. The work bears evidence of having been added to by other and later authors.

Lapis exilis: The magical stone which enables the phoenix to regain its youth. Some authors hold the view that lapis exilis was a synonym for the Holy Grail (q.v.).

Larry Wall ::: (person) A demigod, the author of Perl, patch, and rn.In the Perl README, he says, I want you to know that I create nice things like this because it pleases the Author of my story. If this bothers you, then your notion of Authorship needs some revision. But you can use Perl anyway.E-mail: Larry Wall . (1996-06-04)

Larry Wall "person" A {demigod}, the author of {Perl}, {patch}, and {rn}. In the Perl {README}, he says, "I want you to know that I create nice things like this because it pleases the Author of my story. If this bothers you, then your notion of Authorship needs some revision. But you can use Perl anyway." E-mail: Larry Wall "lwall@sems.com". (1996-06-04)

laurus ::: n. --> A genus of trees including, according to modern authors, only the true laurel (Laurus nobilis), and the larger L. Canariensis of Madeira and the Canary Islands. Formerly the sassafras, the camphor tree, the cinnamon tree, and several other aromatic trees and shrubs, were also referred to the genus Laurus.

Lidai sanbao ji. (J. Rekidai sanboki; K. Yoktae sambo ki 歴代三寶紀). In Chinese, "Record of the Three Jewels throughout Successive Dynasties," a private scriptural catalogue (JINGLU) composed by Fei Changfang (d.u.) in 597. The Lidai sanbao ji professes to be a history of the dissemination of the three jewels (RATNATRAYA) in China and provides lists of translated scriptures, indigenous works, or APOCRYPHA, and discussion of the circumstances of their compilation. The catalogue is in fifteen rolls, covering 2,268 texts in a total of 6,417 rolls. The first three rolls of the catalogue provide a chronology of the major events in the history of Buddhism from the Zhou through the Han dynasties. Rolls four through twelve detail the different translations of Buddhist scriptures made in China during different dynastic periods and present them in chronological order. Rolls thirteen and fourteen present a roster of the complete MAHĀYĀNA and HĪNAYĀNA TRIPItAKAs. Finally, the fifteenth roll provides an afterword, a table of contents of the Lidai sanbao ji, and a list of other scriptural catalogues that Fei consulted in the course of compiling his own catalogue. Fei's organizational principle is unique among the Chinese cataloguers and serves to legitimize specific scriptural translations by associating them with the Chinese dynastic succession. Fei's record is particularly important for its attention to scriptures translated in northern China and its attempt to authenticate the translation and authorship of certain apocryphal texts. Fei was especially concerned in his catalogue to reduce the number of scriptures that previously had been listed as anonymous, in order to quash potential questions about the reliability of the Buddhist textual transmission (a concern that Daoists at the Chinese court were then exploiting in their competition for imperial patronage). Fei thus blatantly fabricated scores of attributions for translations that previously had been listed as anonymous. These attributions were later adopted by the state-authorized Da Zhou lu, compiled in 695, which ensured that these scriptures would subsequently enter the mainstream of the Buddhist textual transmission. Fei's translator fabrications resulted in substantial numbers of Chinese Buddhist scriptures that were apocryphal and yet accepted as canonical; this list includes many of the most influential scriptures and commentaries in East Asian Buddhism, including the YUANJUE JING, RENWANG JING, and DASHENG QIXIN LUN.

Mahāyāna. (T. theg pa chen po; C. dasheng; J. daijo; K. taesŭng 大乘). In Sanskrit, "great vehicle"; a term, originally of self-appellation, which is used historically to refer to a movement that began some four centuries after the Buddha's death, marked by the composition of texts that purported to be his words (BUDDHAVACANA). Although ranging widely in content, these texts generally set forth the bodhisattva path to buddhahood as the ideal to which all should aspire and described BODHISATTVAs and buddhas as objects of devotion. The key doctrines of the Mahāyāna include the perfection of wisdom (PRAJNĀPĀRAMITĀ), the skillful methods (UPĀYAKAUsALYA) of a buddha, the three bodies (TRIKĀYA) of a buddha, the inherency of buddha-nature (BUDDHADHĀTU; TATHĀGATAGARBHA), and PURE LANDs or buddha-fields (BUDDHAKsETRA). The term Mahāyāna is also appended to two of the leading schools of Indian Buddhism, the YOGĀCĀRA and the MADHYAMAKA, because they accepted the Mahāyāna sutras as the word of the Buddha. However, the tenets of these schools were not restricted to expositions of the philosophy and practice of the bodhisattva but sought to set forth the nature of wisdom and the constituents of the path for the ARHAT as well. The term Mahāyāna often appears in contrast to HĪNAYĀNA, the "lesser vehicle," a pejorative term used to refer to those who do not accept the Mahāyāna sutras as the word of the Buddha. Mahāyāna became the dominant form of Buddhism in China, Korea, Japan, Tibet, and Mongolia, and therefore is sometimes referred to as "Northern Buddhism," especially in nineteenth-century sources. Because of the predominance of the Mahāyāna in East Asia and Tibet, it is sometimes assumed that the Mahāyāna displaced earlier forms of Buddhism (sometimes referred to by scholars as "Nikāya Buddhism" or "MAINSTREAM BUDDHIST SCHOOLS") in India, but the testimony of Chinese pilgrims, such as XUANZANG and YIJING, suggests that the Mahāyāna remained a minority movement in India. These pilgrims report that Mahāyāna and "hīnayāna" monks lived together in the same monasteries and followed the same VINAYA. The supremacy of the Mahāyāna is also sometimes assumed because of the large corpus of Mahāyāna literature in India. However, scholars have begun to speculate that the size of this corpus may not be a sign of the Mahāyāna's dominance but rather of its secondary status, with more and more works composed but few gaining adherents. Scholars find it significant that the first mention of the term "Mahāyāna" in a stone inscription does not appear in India until some five centuries after the first Mahāyāna sutras were presumably composed, perhaps reflecting its minority, or even marginal, status on the Indian subcontinent. The origins of the Mahāyāna remain the subject of scholarly debate. Earlier theories that saw the Mahāyāna as largely a lay movement against entrenched conservative monastics have given way to views of the Mahāyāna as beginning as disconnected cults (of monastic and sometimes lay members) centered around an individual sutra, in some instances proclaimed by charismatic teachers called DHARMABHĀnAKA. The teachings contained in these sutras varied widely, with some extolling a particular buddha or bodhisattva above all others, some saying that the text itself functioned as a STuPA. Each of these sutras sought to represent itself as the authentic word of sĀKYAMUNI Buddha, which was more or less independent from other sutras; hence, the trope in so many Mahāyāna sutras in which the Buddha proclaims the supremacy of that particular text and describes the benefits that will accrue to those who recite, copy, and worship it. The late appearance of these texts had to be accounted for, and various arguments were set forth, most making some appeal to UPĀYA, the Buddha's skillful methods whereby he teaches what is most appropriate for a given person or audience. Thus, in the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), the Buddha famously proclaims that the three vehicles (TRIYĀNA) that he had previously set forth were in fact expedient stratagems to reach different audiences and that there is in fact only one vehicle (EKAYĀNA), revealed in the Saddharmapundarīkasutra, the BUDDHAYĀNA, which had been taught many times in the past by previous buddhas. These early Mahāyāna sutras seem to have been deemed complete unto themselves, each representing its own world. This relatively disconnected assemblage of various cults of the book would eventually become a self-conscious scholastic entity that thought of itself as the Mahāyāna; this exegetical endeavor devoted a good deal of energy to surveying what was by then a large corpus of such books and then attempting to craft the myriad doctrines contained therein into coherent philosophical and religious systems, such as Yogācāra and Madhyamaka. The authority of the Mahāyāna sutras as the word of the Buddha seems to have remained a sensitive issue throughout the history of the Mahāyāna in India, since many of the most important authors, from the second to the twelfth century, often offered a defense of these sutras' authenticity. Another influential strand of early Mahāyāna was that associated with the RĀstRAPĀLAPARIPṚCCHĀ, KĀsYAPAPARIVARTA, and UGRAPARIPṚCCHĀ, which viewed the large urban monasteries as being ill-suited to serious spiritual cultivation and instead advocated forest dwelling (see ARANNAVĀSI) away from the cities, following a rigorous asceticism (S. dhutaguna; P. DHUTAnGA) that was thought to characterize the early SAMGHA. This conscious estrangement from the monks of the city, where the great majority of monks would have resided, again suggests the Mahāyāna's minority status in India. Although one often reads in Western sources of the three vehicles of Buddhism-the hīnayāna, Mahāyāna, and VAJRAYĀNA-the distinction of the Mahāyāna from the vajrayāna is less clear, at least polemically speaking, than the distinction between the Mahāyāna and the hīnayāna, with followers of the vajrayāna considering themselves as following the path to buddhahood set forth in the Mahāyāna sutras, although via a shorter route. Thus, in some expositions, the Mahāyāna is said to subsume two vehicles, the PĀRAMITĀYĀNA, that is, the path to buddhahood by following the six perfections (PĀRAMITĀ) as set forth in the Mahāyāna sutras, and the MANTRAYĀNA or vajrayāna, that is, the path to buddhahood set forth in the tantras.

mainstream: In a literary sense, this term refers to texts and authors which abide by conventional writing structures and techniques. These are generally aimed at the everyday, dominant reader.

Maitreyanātha. (T. Byams mgon; C. Cizun; J. Jison; K. Chajon 慈尊). In Sanskrit, the "Protector Maitreya"; an epithet of MAITREYA, the future buddha. The Sanskrit compound can also be read as "Protected by Maitreya," and scholars have presumed that this is the name of an Indian scholar and contemporary of ASAnGA (fourth century CE), whom they credit with the authorship of some or all of the "five books of Maitreya," the ABHISAMAYĀLAMKĀRA, the MAHĀYĀNASuTRĀLAMKĀRA, the RATNAGOTRAVIBHĀGA, the MADHYĀNTAVIBHĀGA, and the DHARMADHARMATĀVIBHĀGA; all of which, according to tradition, were presented to Asanga in the TUsITA heaven by the BODHISATTVA Maitreya.

manu ::: n. --> One of a series of progenitors of human beings, and authors of human wisdom.

Marxist criticism: This discourse stems from the cultural theories of Karl Marx andFriedrich Engels. In relation to literature Marxism is interested in the positionauthors write from, and the representation of class struggles. See deconstructionand post-modernism.

masoretical ::: a. --> Of or relating to the Masora, or to its authors.

...Mehiel, protects professors, orators, and authors [18 7]

Microware Corporation ::: Authors of OS-9.Address: Des Moines, Iowa, USA. (1995-02-02)

Microware Corporation Authors of {OS-9}. Address: Des Moines, Iowa, USA. (1995-02-02)

modern ::: a. --> Of or pertaining to the present time, or time not long past; late; not ancient or remote in past time; of recent period; as, modern days, ages, or time; modern authors; modern fashions; modern taste; modern practice.
New and common; trite; commonplace. ::: n.


Netrek ::: (games) A 16-player graphical real-time battle simulation with a Star Trek theme. The game is divided into two teams of eight (or less), who dogfight client to connect to one of several Netrek servers on the Internet. There is a metaserver which distributes details of games in progress on other servers.See also ogg.[Dates? Versions? Authors? Addresses?] (1998-02-01)

Netrek "games" A 16-player graphical {real-time} battle simulation with a Star Trek theme. The game is divided into two teams of eight (or less), who dogfight each other and attempt to conquer each other's planets. There are several different types of ships, from fast, fragile scouts up to big, slow battleships; this allows a great deal of variance in play styles. Netrek is played using a {client} to connect to one of several Netrek {servers} on the {Internet}. There is a metaserver which distributes details of games in progress on other servers. See also {ogg}. [Dates? Versions? Authors? Addresses?] (1998-02-01)

Nilakantha (Sanskrit) Nīlakaṇṭha The blue-necked, a name for a peacock, also for Siva because his throat turned bluish-black from swallowing the poison produced at the churning of the ocean, in order to save humanity. The name of many authors in India.

Niraupamyastava. (T. Dpe med par bstod pa). In Sanskrit, "Hymn to the Peerless One"; one of the four hymns (CATUḤSTAVA) of NĀGĀRJUNA. The other three hymns are the LOKĀTĪTASTAVA, the ACINTYASTAVA, and the PARAMĀRTHASTAVA. All four hymns are preserved in Sanskrit and are cited by a wide range of Indian commentators, leaving little doubt about their authorship. The Niraupamyastava consists of twenty-four stanzas (plus a dedication of merit) in praise of the "Peerless One," i.e., the Buddha. The praise falls roughly into three categories: the first section is devoted to the qualities of the Buddha's mind, the second section is devoted to the qualities of the Buddha's body, and the concluding section explains the relationship between the Buddha's true body and the practice of the three vehicles (TRIYĀNA). Nāgārjuna explains that the Buddha has two bodies. The first is the DHARMAKĀYA, which is the Buddha's true body and which is not visible to the world. The second is his physical body (RuPAKĀYA), which is perfect, without orifices, flesh, blood, or bones and free from hunger, thirst, and any form of impurity. However, in order to conform to the ways of the world, the Buddha displays these physical aspects and engages in worldly activities with this body. With regard to the three vehicles, Nāgārjuna explains that because the DHARMADHĀTU is undifferentiated, there are not different vehicles; however, the Buddha teaches three vehicles in order to prompt beings to enter the path.

Nolini: (The authors gave as an example the word”Vision”). When it is the supreme vision it is capitalized. Nolini also said: “When it is the personality of the thing, not only the quality of it. There is no set rule on capitalization.”

Nymph; nympha: In occultism, little, graceful, gay female nature-spirits, usually friendly; they are generally regarded as water-spirits (see naiad, nereid, oceanid), but some authors place the dryads and hamadryads (q.v.) in this class, too. Nymphs are regarded as long-lived, but not immortal, and possessing certain magical abilities.

ordovician ::: a. --> Of or pertaining to a division of the Silurian formation, corresponding in general to the Lower Silurian of most authors, exclusive of the Cambrian. ::: n. --> The Ordovician formation.

PaNNāsajātaka. In Pāli, "Fifty Birth Stories," and sometimes referred to in Western scholarship as the "Apocryphal Jātakas"; a collection of fifty JĀTAKA stories that are not included in the canonical jātaka collection of the Pāli TRIPItAKA. There are Thai, Cambodian, and Burmese recensions of these stories, the first two of which are quite similar in structure, the last of which differs in the selection and order of the stories. This Burmese (Myanmar) recension of this collection, called the ZIMMÈ PANNĀSA, literally means the "Chiangmai Fifty," suggesting that the provenance for many of these stories may be in the northwest of Thailand near the city of Chiangmai. The dating and authorship are unknown, but the terminus ad quem for the collection is around the fifteenth century. Some of the fifty stories show clear connections to the Pāli jātaka collection; others are more similar to Sanskrit texts. Still other stories seem to have no connection to the available Pāli and Sanskrit literature and may derive from folk traditions; indeed, the grammar and syntax of the stories also seems to suggest local influences.

Pantheism, medieval: True pantheistic ideas are rare in medieval literature. The accusation raised against Scotus Eriugena seems unfounded and was caused more by his writings being quoted as authorities by the followers of Amalric of Bene (1206-7) whose views were condemned in 1210. His writings are lost, he apparently taught the identity of Creator and creature and called God the essence of all beings A contemporary was David of Dinant of whom still less is known, he identified, as it seems, God with prime matter. Master Eckhardt too has been accused of pantheism and some modern authors have believed to find confirmation in his writings. A more thorough study of them, especially of the Latin texts, shows this to be a misinterpretation. -- R.A.

Paramārthastava. (T. Don dam par bstod pa). In Sanskrit, "Praise of the Ultimate One"; one of the four hymns (CATUḤSTAVA) of NĀGĀRJUNA, along with the LOKĀTĪTASTAVA, ACINTYASTAVA, and NIRAUPAMYASTAVA. All four hymns are preserved in Sanskrit and are cited by Indian commentators, leaving little doubt about their authorship. There is somewhat greater doubt in the case of this text, however, since the Indian commentators, such as ATIsA DĪPAMKARAsRĪJNĀNA, are from a later period. However, it is very similar in style and content to the Niraupamyastava, which is cited by BHĀVAVIVEKA and other early commentators. The Paramārthastava is a brief work in eleven stanzas. It is a hymn of praise to the Buddha from the perspective of the ultimate, acknowledging the dilemma of using worldly conventions to praise the Buddha, who transcends linguistic expression and comparison; the Buddha is described as being without intrinsic nature (NIḤSVABHĀVA), duality, color, measure, or location. Thus, Nāgārjuna writes, "Thus praised, and praised again, what, indeed, has been praised? All dharmas are empty; who has been praised, and by whom has he been praised?"

paternity ::: n. --> The relation of a father to his child; fathership; fatherhood; family headship; as, the divine paternity.
Derivation or descent from a father; male parentage; as, the paternity of a child.
Origin; authorship.


PDC Prolog ::: Prolog Development Centre Prolog. A Prolog evolved from Turbo Prolog by the original authors.

PDC Prolog Prolog Development Centre Prolog. A {Prolog} evolved from {Turbo Prolog} by the original authors.

PDL ::: 1. Page Description Language.2. Program Design Language.3. Push Down List.4. Dave Lebling, one of the co-authors of Zork. His network address on the ITS machines was at one time .5. Propositional Dynamic Logic.[Jargon File]

PDL 1. {Page Description Language}. 2. {Program Design Language}. 3. {Push Down List}. 4. Dave Lebling, one of the co-authors of {Zork}. His {network address} on the {ITS} machines was at one time "pdl@dms". 5. {Propositional Dynamic Logic}. [{Jargon File}]

pencraft ::: n. --> Penmanship; skill in writing; chirography.
The art of composing or writing; authorship.


pension ::: n. --> A payment; a tribute; something paid or given.
A stated allowance to a person in consideration of past services; payment made to one retired from service, on account of age, disability, or other cause; especially, a regular stipend paid by a government to retired public officers, disabled soldiers, the families of soldiers killed in service, or to meritorious authors, or the like.
A certain sum of money paid to a clergyman in lieu of tithes.


Perhaps this would be a good place to make general acknowledgment to editors, authors, pub¬

Petakopadesa. In Pāli, "Pitaka-Disclosure"; a paracanonical Pāli text dedicated to the interpretation of canonical texts, which is included in the longer Burmese edition of the KHUDDAKANIKĀYA. The work is traditionally ascribed to the Buddha's disciple Kaccāna (S. KĀTYĀYANA; MAHĀKĀTYĀYANA), but was likely composed in India as early as the second century BCE. A work in eight chapters, it is meant to assist those who are already versed in the dharma in the proper exegesis and explanation of specific passages, allowing them to rephrase a passage in such a way that it remains consistent in meaning with the teaching as a whole. In this way it offers an early guide to authors of commentaries. In the Pāli tradition, it was superseded by a somewhat later and similar text, the NETTIPPAKARAnA. Both the Netti and the Petakopadesa develop an elaborate hermeneutical theory based on the broad rubrics of "interpretation" or "guidance" (P. netti; cf. S. netri) regarding "sense" (vyaNjana) and interpretation regarding "meaning" (P. attha; S. ARTHA). See also SANFEN KEJING; VYĀKHYĀYUKTI.

Philosopher, The: Generally used name for Aristotle by medieval authors after the "reception of Aristotle" from the early 13th century onwards. In earlier writers the name may refer to any head of a school, e.g. to Abelard in the writings of his pupils. -- R.A.

pointed out that the authors of the books of the

Political Philosophy: That branch of philosophy which deals with political life, especially with the essence, origin and value of the state. In ancient philosophy politics also embraced what we call ethics. The first and most important ancient works on Political Philosophy were Plato's Politeia (Republic) and Aristotle's Politics. The Politeia outlines the structure and functions of the ideal state. It became the pattern for all the Utopias (see Utopia) of later times. Aristotle, who considers man fundamentally a social creature i.e. a political animal, created the basis for modern theories of government, especially by his distinction of the different forms of government. Early Christianity had a rather negative attitude towards the state which found expression in St. Augustine's De Civitate Dei. The influence of this work, in which the earthly state was declared to be civitas diaboli, a state of the devil, was predominant throughout the Middle Ages. In the discussion of the relation between church and empire, the main topic of medieval political philosophy, certain authors foreshadowed modern political theories. Thomas Aquinas stressed the popular origin of royal power and the right of the people to restrict or abolish that power in case of abuse; William of Ockham and Marsiglio of Padua held similar views. Dante Alighieri was one of the first to recognize the intrinsic value of the state; he considered the world monarchy to be the only means whereby peace, justice and liberty could be secured. But it was not until the Renaissance that, due to the rediscovery of the individual and his rights and to the formation of territorial states, political philosophy began to play a major role. Niccolo Machiavelli and Jean Bodin laid the foundation for the new theories of the state by stressing its independence from any external power and its indivisible sovereignty. The theory of popular rights and of the right of resistance against tyranny was especially advocated by the "Monarchomachi" (Huguenots, such as Beza, Hotman, Languet, Danaeus, Catholics such as Boucher, Rossaeus, Mariana). Most of them used the theory of an original contract (see Social Contract) to justify limitations of monarchical power. Later, the idea of a Natural Law, independent from divine revelation (Hugo Grotius and his followers), served as an argument for liberal -- sometimes revolutionary -- tendencies. With the exception of Hobbes, who used the contract theory in his plea for absolutism, almost all the publicists of the 16th and 17th century built their liberal theories upon the idea of an original covenant by which individuals joined together and by mutual consent formed a state and placed a fiduciary trust in the supreme power (Roger Williams and John Locke). It was this contract which the Pilgrim Fathers translated into actual facts, after their arrival in America, in November, 1620, long before John Locke had developed his theorv. In the course of the 17th century in England the contract theory was generally substituted for the theory of the divine rights of kings. It was supported by the assumption of an original "State of Nature" in which all men enjoyed equal reciprocal rights. The most ardent defender of the social contract theory in the 18th century was J. J. Rousseau who deeply influenced the philosophy of the French revolution. In Rousseau's conception the idea of the sovereignty of the people took on a more democratic aspect than in 17th century English political philosophy which had been almost exclusively aristocratic in its spirit. This tendency found expression in his concept of the "general will" in the moulding of which each individual has his share. Immanuel Kant who made these concepts the basis of his political philosophy, recognized more clearly than Rousseau the fictitious character of the social contract and treated it as a "regulative idea", meant to serve as a criterion in the evaluation of any act of the state. For Hegel the state is an end in itself, the supreme realization of reason and morality. In marked opposition to this point of view, Marx and Engels, though strongly influenced by Hegel, visualized a society in which the state would gradually fade away. Most of the 19th century publicists, however, upheld the juristic theory of the state. To them the state was the only source of law and at the same time invested with absolute sovereignty: there are no limits to the legal omnipotence of the state except those which are self imposed. In opposition to this doctrine of unified state authority, a pluralistic theory of sovereignty has been advanced recently by certain authors, laying emphasis upon corporate personalities and professional groups (Duguit, Krabbe, Laski). Outspoken anti-stateism was advocated by anarchists such as Kropotkin, etc., by syndicalists and Guild socialists. -- W.E.

polyanthus ::: n. --> The oxlip. So called because the peduncle bears a many-flowered umbel. See Oxlip. (b) A bulbous flowering plant of the genus Narcissus (N. Tazetta, or N. polyanthus of some authors). See Illust. of Narcissus.

polygraph ::: n. --> An instrument for multiplying copies of a writing; a manifold writer; a copying machine.
In bibliography, a collection of different works, either by one or several authors.
An instrument for detecting deceptive statements by a subject, by measuring several physiological states of the subject, such as pulse, heartbeat, and sweating. The instrument records these parameters on a strip of paper while the subject is asked questions


post-modernism: A general name which refers to the philosophical, artistic, andliterary changes and tendencies after the 1940s and 1950s up to the present day. Primarily, the tendencies of post-modernism include a rejection of traditional authority and a doubt over established discourses. Post-modernist authors include Carter and Rushdie.

PrajNaptibhāsya[pādasāstra]. [alt. PrajNaptisāstra] (T. Gdags pa'i gtsug lag bstan bcos; C. Shishe lun; J. Sesetsuron; K. Sisol non 施設論). In Sanskrit, "Treatise on Designations," one of the earliest books of the SARVĀSTIVĀDA ABHIDHARMAPItAKA; it is traditionally listed as the fourth of the six ancillary texts, or "feet" (pāda), of the JNĀNAPRASTHĀNA, which is the central treatise or body (sarīra) of the Sarvāstivāda abhidharma canon. The PrajNaptibhāsya derives from the earliest stratum of Sarvāstivāda abhidharma literature, along with the DHARMASKANDHA and the SAMGĪTIPARYĀYA. YAsOMITRA and BU STON attribute authorship of the PrajNaptibhāsya to MAHĀMAUDGALYĀYANA. Unlike the rest of the canonical abhidharma texts of the Sarvāstivāda school, there is not a complete translation of this text in Chinese; the entire text survives only in a Tibetan translation ascribed to PrajNāsena. Portions of the second section of the text are, however, extant in a late Chinese translation by Dharmaraksa et al. made during the eleventh century. The Tibetan text is in three parts: (1) lokaprajNapti, which deals with the cosmogonic speculations similar to such mainstream Buddhist texts as the AGGANNASUTTA; (2) kāranaprajNapti, which deals with the causes governing the various stereotypical episodes in a bodhisattva's career (see BAXIANG), from entering the womb for his final birth to entering PARINIRVĀnA; and (3) karmaprajNapti, a general discourse on the theory of moral cause and effect (KARMAN).

Pretty Good Privacy ::: (tool, cryptography) (PGP) A high security RSA public-key encryption application for MS-DOS, Unix, VAX/VMS, and other computers. It was written by a cast of thousands, especially including Hal Finney, Branko Lankester, and Peter Gutmann.PGP was distributed as guerrilla freeware. The authors don't mind if it is distributed widely, just don't ask Philip Zimmermann to send you a copy. PGP Key Partners, and you may be infringing this patent if you use PGP in the USA. This is explained in the PGP User's Guide, Volume II.PGP allows people to exchange files or messages with privacy and authentication. Privacy and authentication are provided without managing the keys associated exchange keys between users, which makes PGP much easier to use. This is because PGP is based on public-key cryptography.PGP encrypts data using the International Data Encryption Algorithm with a random session key, and uses the RSA algorithm to encrypt the session key.In December 1994 Philip Zimmermann faced prosecution for exporting PGP out of the United States but in January 1996 the US Goverment dropped the case. A US information on the global network, as well as on everyone's privacy from government snooping. . . . .[Protect Your Privacy: A Guide for PGP Users, William Stallings, Prentice-Hall, ISBN 0-13-185596-4]. (1996-04-07)

Pretty Good Privacy "tool, cryptography" (PGP) A high security {RSA} {public-key encryption} application for {MS-DOS}, {Unix}, {VAX/VMS}, and other computers. It was written by {Philip R. Zimmermann} "pkz@acm.org" of Phil's Pretty Good(tm) Software and later augmented by a cast of thousands, especially including Hal Finney, Branko Lankester, and Peter Gutmann. PGP was distributed as "{guerrilla freeware}". The authors don't mind if it is distributed widely, just don't ask Philip Zimmermann to send you a copy. PGP uses a {public-key encryption} {algorithm} claimed by US patent

psalmist ::: n. --> A writer or composer of sacred songs; -- a title particularly applied to David and the other authors of the Scriptural psalms.
A clerk, precentor, singer, or leader of music, in the church.


pseudepigraphy ::: n. --> The ascription of false names of authors to works.

pseudonumity ::: n. --> The using of fictitious names, as by authors.

Purvasaila. (P. Pubbaseliya; T. Shar gyi ri bo; C. Dongshan; J. Tozan; K. Tongsan 東山). In Sanskrit, "Eastern Hill," the name of one of the offshoots of the MAHĀSĀMGHIKA, associated particularly with the CAITYA school centered in the Andhra region of southern India. The name of the school seems to derive from the location of its chief VIHĀRA on a hill to the east of the city of Dhānyakataka; one finds reference to both schools called Uttarasaila ("Northern Hill") and Aparasaila ("Western Hill"). Like other branches of the Caitya, the school seems to have held the building and veneration of reliquaries (CAITYA) to be particularly efficacious forms of creating merit (PUnYA). Like other branches of the MahāsāMghika, they also held that the enlightenment of a buddha was superior to that of an ARHAT. Much of what is known about their doctrinal positions derives from the reports of authors from other schools, such as BUDDHAGHOSA in his commentary to the KATHĀVATTHU, where it is claimed that they asserted the existence of forces dissociated from thought (CITTAVIPRAYUKTASAMSKĀRA) and of an intermediate state (ANTARĀBHAVA) between death and rebirth.

Pusa yingluo benye jing. (J. Bosatsu yoraku hongokyo; K. Posal yongnak ponop kyong 菩薩瓔珞本業經). In Chinese, "Book of the Original Acts that Adorn the Bodhisattva," in two rolls, translation attributed to ZHU FONIAN (fl. c. 390); a Chinese indigenous sutra (see APOCRYPHA) often known by its abbreviated title of Yingluo jing. The Yingluo jing was particularly influential in the writings of CHAN and TIANTAI exegetes, including such seminal scholastic figures as TIANTAI ZHIYI, who cited the sutra especially in conjunction with discussions of the BODHISATTVA MĀRGA and Mahāyāna VINAYA. The Yingluo jing is perhaps best known for its attempt to synthesize the variant schemata of the Buddhist path (mārga) into a comprehensive regimen of fifty-two BODHISATTVA stages: the ten faiths, the ten abidings, the ten practices, the ten transferences, and the ten grounds (see C. DAsABHuMI; BHuMI); these then culminate in the two stages of buddhahood, virtual or equal enlightenment (dengjue) and sublime enlightenment (miaojue), which the Yingluo jing calls respectively the immaculate stage (wugou di, S. *amalabhumi) and the sublime-training stage (miaoxue di). The Yingluo jing is one of the first texts formally to include the ten faiths in its prescribed mārga schema, as a preliminary level prior to the initiation onto the bodhisattva path proper, which is said to occur at the time of the first arousal of the thought of enlightenment (BODHICITTOTPĀDA) on the first level of the ten abidings. The text therefore adds an additional ten steps to the forty-two named stages of the path outlined in the AVATAMSAKASuTRA (C. Huayan jing), providing a complete fifty-two-stage path, one of the most comprehensive accounts of the mārga to be found in East Asian Buddhist literature. The Yingluo jing also offers one of the most widely cited descriptions of the threefold classification of Buddhist morality (C. sanju jingji; S. sĪLATRAYA), a categorization of precepts found typically in YOGĀCĀRA-oriented materials. The Yingluo jing describes these as (1) the moral code that maintains both the discipline and the deportments (= S. SAMVARAsĪLA) through the ten perfections (PĀRAMITĀ); (2) the moral code that accumulates wholesome dharmas (= S. kusaladharmasaMgrāhaka) through the eighty-four thousand teachings; and (3) the moral code that aids all sentient beings (= S. SATTVĀRTHAKRIYĀ), through exercising loving-kindness, compassion, sympathetic joy, and equanimity (viz. the four BRAHMAVIHĀRA). The Yingluo jing specifies that these three categories of precepts are the foundation of morality for all bodhisattvas. The provenance and authorship of the Pusa yingluo benye jing have long been matters of controversy. In the fifth-century Buddhist catalogue CHU SANZANG JI JI, the compiler Sengyou lists the Pusa yingluo benye jing among miscellaneous works by anonymous translators. In the 594 scriptural catalogue Zhongjing mulu, the scripture is ascribed to Zhu Fonian, while the LIDAI SANBAO JI instead claims that the text was translated by the dhyāna master Zhiyan in 427. Later cataloguers generally accept the attribution to Zhu Fonian, though some note that the translation style differs markedly from that found in other of his renderings. The attribution to Zhu Fonian is also suspect because it includes passages and doctrines that seem to derive from other indigenous Chinese sutras, such as the RENWANG JING, FANWANG JING, etc., as well as passages that appear in earlier Chinese translations of the AVATAMSAKASuTRA, PUSA BENYE JING, SHENGMAN JING, Pusa dichi jing, and DA ZHIDU LUN. Both internal and external evidence therefore suggests that the Yingluo jing is a Chinese apocryphon from the fifth century. ¶ The Pusa yingluo benye jing should be distinguished from the Pusa benye jing ("Basic Endeavors of the Bodhisattvas"), translated by ZHI QIAN (fl. c. 220-252), an authentic translation that offers one of the earliest accounts of the ten stages (S. dasavihāra, DAsABHuMI) translated into Chinese. (It is usually known by its abbreviated title of Benye jing.) This text seems to combine the accounts of the ten bodhisattva stages found in the GAndAVYuHA (viz., AvataMsakasutra) and the MAHĀVASTU and may have been the inspiration for the composition of this indigenous Chinese sutra. (Zhu Fonian also translated a Pusa yingluo jing, which may be how his name became associated with this apocryphal Pusa yingluo benye jing.)

rang rgyud shar gsum. (rang gyu shar sum). In Tibetan, "the three [texts] of the eastern Svātantrikas," a term used to refer to three important works of the SVĀTANTRIKA MADHYAMAKA school of Indian Buddhism (although the appellation "*Svātantrika" was not used in India and was applied retrospectively by Tibetan doxographers) composed by authors from eastern India. The three works are the MADHYAMAKĀLAMKĀRA by sĀNTARAKsITA, the MADHYAMAKĀLOKA by KAMALAsĪLA, and the SATYADVAYAVIBHAnGA by JNĀNAGARBHA.

rang stong gzhan stong. (rang dong shen dong). In Tibetan, lit. "self-emptiness, other-emptiness," an important and persistent philosophical debate in Tibetan Buddhism, dating to the fifteenth century. The opposing factions are the DGE LUGS sect on one side and the JO NANG sect on the other, with support from certain BKA' BRGYUD and RNYING MA authors. The debate concerns issues fundamental to their understanding of what constituted enlightenment and the path to its achievement. For the Dge lugs, the most profound of all Buddhist doctrines is that all phenomena in the universe are empty of an intrinsic nature (SVABHĀVA), that the constituents of experience are not naturally endowed with a defining characteristic. Emptiness (suNYATĀ) for the Dge lugs is the fact that phenomena do not exist in and of themselves; emptiness is instead the lack of intrinsic existence. The Dge lugs then, are proponents of "self-emptiness," and argue that the hypostatized factor that an object in reality lacks (i.e., is empty of) is wrongly believed by the unenlightened to be intrinsic to the object itself. Everything, from physical forms to the omniscient mind of the Buddha, is thus equally empty. This emptiness is described by the Dge lugs as a non-affirming or simple negation (PRASAJYAPRATIsEDHA), an absence with nothing else implied in its place. From this perspective, the Dge lugs judge the sutras of the second of the three turnings of the wheel of the dharma as described in the SAMDHINIRMOCANASuTRA, "the dharma wheel of signlessness" (ALAKsAnADHARMACAKRA), to contain the definitive expression of the Buddha's most profound intention. By contrast, the Jo nang look for inspiration to the third turning of the wheel, "the dharma wheel for ascertaining the ultimate" (PARAMĀRTHAVINIsCAYADHARMACAKRA; see also *SUVIBHAKTADHARMACAKRA), especially to those statements that describe the nonduality of subject and object to be the consummate nature (PARINIsPANNA) and the understanding of that nonduality to be the highest wisdom. They describe this wisdom in substantialist terms, calling it eternal, self-arisen, and truly established. This wisdom consciousness exists autonomously and is thus not empty in the way that emptiness is understood by the Dge lugs. Instead, this wisdom consciousness is empty in the sense that it is devoid of all afflictions and conventional factors, which are extraneous to its true nature. Hence, the Jo nang speak of the "emptiness of the other," the absence of extrinsic and extraneous qualities. The Dge lugs cannot deny the presence of statements in the MAHĀYĀNA canon that speak of the TATHĀGATAGARBHA as permanent, pure, blissful, and endowed with self. But they argue that such statements are provisional, another example of the Buddha's expedient means of attracting to the faith those who find such a description appealing. The true tathāgatagarbha, they claim, is the emptiness of the mind; it is this factor, present in all sentient beings, that offers the possibility of transformation into an enlightened buddha. This is the view of CANDRAKĪRTI, they say, whom they regard as the supreme interpreter of the doctrine of emptiness. The Jo nang do not deny that this is Candrakīrti's view, but they deny Candrakīrti the rank of premier expositor of NĀGĀRJUNA's thought. For them, Candrakīrti teaches an emptiness which is a mere negation of true existence, which they equate with nihilism, or else a preliminary stage of negation that precedes an understanding of the highest wisdom. Nor do they deny that such an exposition is also to be found in Nāgārjuna's philosophical corpus (YUKTIKĀYA). But those texts, they claim, do not represent Nāgārjuna's final view, which is expressed instead in his devotional corpus (STAVAKĀYA), notably the DHARMADHĀTUSTAVA ("Praise of the Sphere of Reality"), with its more positive exposition of the nature of reality. Those who would deny its ultimate existence, such as Candrakīrti, they classify as "one-sided Madhyamakas" (phyogs gcig pa'i dbu ma pa) as opposed to the "great Madhyamakas" (DBU MA PA CHEN PO), among whom they would include the Nāgārjuna of the four hymns and ĀRYADEVA, as well as thinkers whom the Dge lugs classify as YOGĀCĀRA or SVĀTANTRIKA-MADHYAMAKA: e.g., ASAnGA, VASUBANDHU, MAITREYANĀTHA, and sĀNTARAKsITA. The Dge lugs attempt to demonstrate that the nature of reality praised by Nāgārjuna in his hymns is the same emptiness that he describes in his philosophical writings.

Referend: The vehicle or instrument of an act of reference. Thus a percept functions as a referend in relation to the perceptual object (the referent). There still exists some confusion in the terminology of reference, and the term referend is used by some authors to denote the "object" instead of the "instrument" of the referential act. This usage, though it has some etymological justification does not seem likely to prevail. See Reference, Referent. -- L.W.

repeating group "database" Any {attribute} that can have multiple values associated with a single instance of some {entity}. For example, a book might have multiple authors. Such a "-to-many" relationship might be represented in an unnormalised {relational database} as multiple author columns in the book table or a single author(s) column containing a string which was a list of authors. Converting this to "first normal form" is the first step in {database normalisation}. Each author of the book would appear in a separate {row} along with the book's {primary key}. Later nomalisation stages would move the book-author relationship into a separate table to avoid repeating other book attibutes (e.g. title, publisher) for each author. (2005-07-28)

repeating group ::: (database) Any attribute that can have multiple values associated with a single instance of some entity. For example, a book might have multiple authors.Such a -to-many relationship might be represented in an unnormalised relational database as multiple author columns in the book table or a single separate table to avoid repeating other book attibutes (e.g. title, publisher) for each author.(2005-07-28)

Revelation of John or Apocalypse The last book in the New Testament, a specimen of apocalyptic literature, which in Christianity consists of Jewish Christian mystical books of unknown authorship, attributed among others to Enoch, Ezra, and various apostles. John’s Apocalypse is in part based on the Book of Enoch, and is the work of a Jewish Qabbalist who adapted it to Judaean Christianity, and who had a hereditary aversion to the Greek Mysteries. Like apocalyptic literature in general, it takes the form of visions supposed to be seen by the alleged author, and its burden is the struggle between righteousness and evil, ending in the overthrow of the latter and the establishment of the kingdom of Christ. It marks a stage in the gradual adaption of the original esoteric Christianity to the demands of a creedal and worldly religion.

RSA "cryptography, company" (The initials of the authors) 1. {RSA Data Security, Inc.} 2. Their {cryptography} systems, especially {RSA encryption}. The RSA {algorithm} was first described in the paper: [R. Rivest, A. Shamir, L. Adleman, "A Method for Obtaining Digital Signatures and Public-key Cryptosystems". CACM 21,2; 1978] (1995-03-21)

RSA ::: (cryptography, company) (The initials of the authors)1. RSA Data Security, Inc.2. Their cryptography systems, especially RSA encryption.The RSA algorithm was first described in the paper:[R. Rivest, A. Shamir, L. Adleman, A Method for Obtaining Digital Signatures and Public-key Cryptosystems. CACM 21,2; 1978] (1995-03-21)

sahaja. (T. lhan skyes; C. jushengqi; J. kushoki; K. kusaenggi 生起). A polysemous Sanskrit term, variously translated as "coemergence," "connate," "simultaneously arisen," and "the innate." This term is used frequently in the tantric Buddhist verses composed by the SIDDHAs of medieval north India such as SARAHA, Kānha, and TILOPA; these include collections of DOHĀ recorded in APABHRAMsA and Bengali compilations of caryāgīti (see CARYĀGĪTIKOsA). In these contexts, sahaja refers most generally to the ultimate and innermost true nature, as well as to its realization through the spontaneous and uninhibited lifestyle and practice associated with tantric adepts. The term may be used as a noun for the ultimate state itself, or as an adjective describing a state or condition as natural and uncontrived. In the context of the YOGINĪ tantras such as the HEVAJRATANTRA, the term sahaja is used to refer to the highest of four states of ecstasy-innate ecstasy (sahajānanda)-which can be gained through the visualized or actual practice of sexual yoga, and through which one comes to realize the mind's luminosity and natural purity. Early twentieth-century authors-beginning with the Bengali scholars and translators who first published studies on the collections of tantric verses-described what they called the sahajayāna ("path of sahaja") and the sahajiyās who followed it, although neither term is found in traditional Indian Buddhist literature. The Tibetan form, lhan skyes (short for lhan cig tu skyes pa) appears widely in the subsequent literature of MAHĀMUDRĀ.

sālistambasutra. (T. Sā lu ljang pa'i mdo; C. Daogan jing; J. Tokangyo; K. Togan kyong 稻稈經). In Sanskrit, the "Rice Seedling Sutra," a MAHĀYĀNA SuTRA noted for its detailed presentation of the doctrine of dependent origination (PRATĪTYASAMUTPĀDA). The sutra begins with the Buddha gazing at a rice seedling and then declaring, "Monks, he who sees dependent origination sees the dharma. He who sees the dharma sees the Buddha." sĀRIPUTRA asks MAITREYA what this statement means, and the majority of the sutra is devoted to his answer. This sutra provides one of the most detailed treatments of the doctrine of dependent origination found anywhere in the scriptural literature. The doctrine had been set forth in various ways in previous sutras, and the sālistambasutra appears to be something of a digest of these various presentations. The sutra is widely quoted by Indian commentators in their own expositions of dependent origination, including MADHYAMAKA authors, although the sutra does not connect dependent origination with emptiness (suNYATĀ). Indeed, the text is so widely quoted that, although the sutra is lost in the original Sanskrit, approximately ninety percent of the Sanskrit text can be recovered from citations of it in various Indian treatises.

saMkarasvāmin. (T. Bde byed bdag po; C. Shangjieluozhu; J. Shokarashu; K. Sanggallaju 商羯羅主) (c. sixth century CE). Sanskrit proper name of an Indian philosopher and logician, who was a student of the Indian logician DIGNĀGA. saMkarasvāmin is credited with the authorship of the Nyāyapravesa, or "Primer on Logic," which became an important work in many Asian schools. Some have argued, based on the Tibetan tradition, that the Nyāyapravesa was actually written by saMkarasvāmin's teacher Dignāga, and that the recension translated into Chinese is a version that saMkarasvāmin later edited. The Nyāyapravesa provides an introduction to the logical system of Dignāga, covering such subjects as valid and invalid methods of proof, methods of refutation, perception, erroneous perception, inference, and erroneous inference. Although saMkarasvāmin's work was not as extensive, detailed, or original as Dignāga's, it proved to be popular within the tradition, as attested by its extensive commentarial literature, including exegeses by non-Buddhists. Large parts of the work survive in the original Sanskrit. See NYĀYAPRAVEsA.

sāntaraksita. (T. Zhi ba 'tsho) (725-788). Eighth-century Indian Mahāyāna master who played an important role in the introduction of Buddhism into Tibet. According to traditional accounts, he was born into a royal family in Zahor in Bengal and was ordained at NĀLANDĀ monastery, where he became a renowned scholar. He is best known for two works. The first is the TATTVASAMGRAHA, or "Compendium of Principles," a critical survey and analysis of the various non-Buddhist and Buddhist schools of Indian philosophy, set forth in 3,646 verses in twenty-six chapters. This work, which is preserved in Sanskrit, along with its commentary by his disciple KAMALAsĪLA, remains an important source on the philosophical systems of India during this period. His other famous work is the MADHYAMAKĀLAMKĀRA, or "Ornament of the Middle Way," which sets forth his own philosophical position, identified by later Tibetan doxographers as YOGĀCĀRA-*SVĀTANTRIKA-MADHYAMAKA, so called because it asserts, as in YOGĀCĀRA, that external objects do not exist, i.e., that sense objects are of the nature of consciousness; however, it also asserts, unlike Yogācāra and like MADHYAMAKA, that consciousness lacks ultimate existence. It further asserts that conventional truths (SAMVṚTISATYA) possess their own character (SVALAKsAnA) and in this regard differs from the other branch of Madhyamaka, the *PRĀSAnGIKA. The Yogacāra-Madhyamaka synthesis, of which sāntaraksita is the major proponent, was the most important philosophical development of late Indian Buddhism, and the MadhyamakālaMkāra is its locus classicus. This work, together with the MADHYAMAKĀLOKA of sāntaraksita's disciple Kamalasīla and the SATYADVAYAVIBHAnGA of JNĀNAGARBHA, are known in Tibet as the "three works of the eastern *Svātantrikas" (rang rgyud shar gsum) because the three authors were from Bengal. sāntaraksita's renown as a scholar was such that he was invited to Tibet by King KHRI SRONG LDE BTSAN. When a series of natural disasters indicated that the local deities were not positively disposed to the introduction of Buddhism, he left Tibet for Nepal and advised the king to invite the Indian tantric master PADMASAMBHAVA, who subdued the local deities. With this accomplished, sāntaraksita returned, the first Buddhist monastery of BSAM YAS was founded, and sāntaraksita invited twelve MuLASARVĀSTIVĀDA monks to Tibet to ordain the first seven Tibetan monks. sāntaraksita lived and taught at Bsam yas from its founding (c. 775) until his death (c. 788) in an equestrian accident. Tibetans refer to him as the "bodhisattva abbot." The founding of Bsam yas and the ordination of the first monks were pivotal moments in Tibetan Buddhist history, and the relationship of sāntaraksita, Padmasambhava, and Khri srong lde btsan figures in many Tibetan legends, most famously as brothers in a previous life. Prior to his death, sāntaraksita predicted that a doctrinal dispute would arise in Tibet, in which case his disciple Kamalasīla should be invited from India. Such a conflict arose between the Indian and Chinese factions, and Kamalasīla came to Tibet to debate with the Chan monk Moheyan in what is referred to as the BSAM YAS DEBATE, or the "Council of Lhasa."

Sather "language" /Say-ther/ (Named after the Sather Tower at {UCB}, as opposed to the Eiffel Tower). An interactive {object-oriented} language designed by Steve M. Omohundro at {ICSI} in 1991. Sather has simple {syntax}, similar to {Eiffel}, but it is non-proprietary and faster. Sather 0.2 was nearly a subset of Eiffel 2.0, but Sather 1.0 adds many distinctive features: parameterised {class}es, {multiple inheritance}, statically-checked {strong typing}, {garbage collection}. The compiler generates {C} as an {intermediate language}. There are versions for most {workstations}. Sather attempts to retain much of {Eiffel}'s theoretical cleanliness and simplicity while achieving the efficiency of {C++}. The compiler generates efficient and portable C code which is easily integrated with existing code. A variety of development tools including a debugger and {browser} based on {gdb} and a {GNU Emacs} development environment have also been written. There is also a {class library} with several hundred classes that implement a variety of basic data structures and numerical, geometric, connectionist, statistical, and graphical abstractions. The authors would like to encourage contributions to the library and hope to build a large collection of efficient, well-written, well-tested classes in a variety of areas of computer science. Sather runs on {Sun-4}, {HP9000}/300, {Decstation} 5000, {MIPS}, {Sony News} 3000, {Sequent}/{Dynix}, {SCO} {SysV}R3.2, {NeXT}, {Linux}. See also {dpSather}, {pSather}, {Sather-K}. {(ftp://ftp.icsi.berkeley.edu/pub/sather)}. E-mail: "sather-admin@icsi.berkeley.edu". Mailing list: sather-request@icsi.berkeley.edu. (1995-04-26)

Satyadvayavibhanga. (T. Bden pa gnyis rnam par 'byed pa). In Sanskrit, "Distinction Between the Two Truths," a work by the eighth-century MADHYAMAKA master JNĀNAGARBHA. According to Tibetan classification, the work belongs to the SVĀTANTRIKA-MADHYAMAKA, and within that, the SAUTRĀNTIKA-SVĀTANTRIKA-MADHYAMAKA. This work, together with the MADHYAMAKĀLAMKĀRA by sĀNTARAKsITA and the MADHYAMAKĀLOKA of KAMALAsĪLA are known in Tibet as the "three works of the eastern *SVĀTANTRIKAs" (rang rgyud shar gsum) because the three authors were from Bengal. The Satyadvayavibhanga is composed in verses (kārikā) and includes a prose autocommentary (vṛtti) by the author. There is also a commentary (paNjikā) by sāntaraksita, who is said to have been a student of JNānagarbha. The text presumably takes its title from Nāgārjuna's statement in his MuLAMADHYAMAKAKĀRIKĀ: "Those who do not comprehend the distinction between these two truths do not know the nature of the profound doctrine of the Buddha." The ultimate truth (PARAMĀRTHASATYA) is nondeceptive; its nature accords not with appearance, but with valid knowledge gained through reasoning (nyāya). It is also free from discursive thought (NIRVIKALPA). The conventional truth (SAMVṚTISATYA) includes ordinary appearances, or as the text says, "whatever appears even to cowherds and women." Within the category of the conventional, there are true and false conventions, which are distinguished based on their ability to perform a function (ARTHAKRIYĀ) in accordance with their appearance; thus water is a true convention and a mirage is a false convention. The work ends with a discussion of the three bodies (TRIKĀYA) of a buddha.

scholiast ::: one of the ancient commentators who annotated or wrote explanatory notes on classical authors. (Sri Aurobindo employs the word as an adjective.)

Sde srid Sangs rgyas rgya mtsho. (Desi Sangye Gyatso) (1653-1705). The third and final regent of the fifth DALAI LAMA NGAG DBANG BLO BZANG RGYA MTSHO, serving as regent of Tibet from 1679 until his death. He successfully concealed the death of the fifth Dalai Lama in 1682 for some fifteen years, in part to allow for the completion of the PO TA LA Palace. During this time, he served as ruler of Tibet, overseeing (and keeping secret) the discovery of the sixth Dalai Lama, TSHANGS DBYANGS RGYA MTSHO. In addition to being a skilled politician, Sangs rgyas rgya mtsho was one of the most learned and prolific authors in the history of Tibet, composing important treatises on all manner of subjects, including statecraft, ritual, astrology and calendrics, poetics, architecture, and court etiquette. He had a special interest in medicine, composing his famous treatise entitled BAIduRYA SNGON PO and founding a medical college on Lcag po ri near the Po ta la. His largest literary project was his seven-thousand page work on the life of the fifth Dalai Lama and his previous incarnations. More than any other author, he was responsible for solidifying the mythic identity of the Dalai Lama as an incarnation of the bodhisattva AVALOKITEsVARA and establishing the line of incarnations over the centuries in India and Tibet, which culminated in the person of the fifth Dalai Lama. He was a staunch supporter and active promoter of the DGE LUGS sect, greatly increasing the number of its monasteries and the size of its monastic population. After the Mongol chieftain Lha bzang Khan claimed rulership over Tibet in 1700, Sangs rgyas rgya mtsho agreed to share power with him, but was soon deposed. Armed conflict occurred between the factions despite a series of truces. Sde srid Sangs rgyas rgya mtsho was captured and beheaded by Mongol troops in 1705.

See, apart from the works of the authors named, George Trumbull Ladd, The Philosophy of Religion; Edwin A. Burtt, Types of Religious Philosophy, Edgar S. Brightman, A Philosophy of Religion. -- K.F.L.

select ::: a. --> Taken from a number by preferance; picked out as more valuable or exellent than others; of special value or exellence; nicely chosen; selected; choice. ::: v. t. --> To choose and take from a number; to take by preference from among others; to pick out; to cull; as, to select the best authors

Shi'ermen lun. (S. *Dvādasamukhasāstra, J. Junimonron; K. Sibimun non 十二門論). In Chinese, lit., "Twelve Gate Treatise," a Chinese translation of the *Dvādasamukhasāstra, made by KUMĀRAJĪVA in 409. As one of the "three treatises" of the SAN LUN ZONG, the Chinese counterpart of the MADHYAMAKA school of Indian Buddhist philosophy, along with the BAI LUN (S. *sATAsĀSTRA; "The Hundred Treatise") and the Zhong lun ("Middle Treatise"), the Shi'ermen lun is purportedly an introductory manual to NĀGĀRJUNA's MuLAMADHYAMAKAKĀRIKĀ (C. Zhong lun), which was also translated by KUMĀRAJĪVA in the same year (409) as this text. No Sanskrit or Tibetan recensions of the Shi'ermun lun are known to have existed and the Sanskrit title is a tentative reconstruction. In this text, the putative author Nāgārjuna provides an interpretation of emptiness (suNYATĀ) in twelve chapters. Each chapter begins with an introductory verse, supplemented in some cases with additional exegetical verses; the text is thus composed of twenty-six verses in total. Prose exegeses follow, explaining each of the verses. All verses except the seven opening ones are quoted from the Mulamadhyamakakārikā (seventeen verses) or the sunyatāsaptatikārikā (C. Kong qishi lun) (two verses), which is also attributed to Nāgārjuna. The authorship of this text has been questioned even within the tradition. The San lun exegete JIZANG (549-623), in his commentary to the text, the Shi'ermun lun shu, attributes the verses to Nāgārjuna and the prose part to Pingala (d.u.), the sixth patriarch of the Madhyamaka school.

Shotoku Taishi. (聖德太子) (572-622). Japanese statesman of the Asuka period (593-710) and second son of Emperor Yomei (r. 585-587), who is traditionally assumed to have played an important role in the early dissemination of Buddhism in Japan. He is also known as Umayado no Miko (Prince Stable Door), but by the eighth century, he became known as Shotoku Taishi (lit. Prince Sagacious Virtue). Given that the earliest significant writings on the life of Shotoku Taishi come from two early histories, the Kojiki (712) and Nihon shoki (720), which are both written nearly a century after his death, little can be said definitively about his biography. According to the traditional accounts in these two texts, Suiko (554-628), the aunt of Prince Shotoku and the Japanese monarch, appointed her nephew regent in 593, giving him broad political powers. Thanks to his enlightened leadership, Prince Shotoku is credited with numerous historical achievements. These include the promotion of Buddhism within the court under an edict he issued in 594; promulgation of the Seventeen-Article Constitution in 604, which stresses the importance of the monarchy and lays out basic Buddhist and Confucian principles; sponsorship of trade missions to China; construction of the monasteries of HoRYuJI and SHITENNoJI; authorship of two chronological histories (Tennoko and Kokki); and composition of three of the earliest Buddhist commentaries in Japan, on the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), VIMALAKĪRTINIRDEsA, and sRĪMĀLĀDEVĪSIMHANĀDASuTRA ("Lion's Roar of Queen srīmālā"), which demonstrate his deep familiarity with Mahāyāna Buddhist doctrine. The credibility of Prince Shotoku's achievements as described in the Kojiki and Nihon Shoki is undermined by fact that both texts were commissioned by the newly empowered monarchy in an attempt to strengthen its political standing. Some scholars have thus argued that because the new royal family wanted to identify itself with the powerful instrument of the new religion, they selected the person of Prince Shotoku, who shared their lineage, to serve as the first political patron of Buddhism in Japan. This historical narrative focused on Prince Shotoku thus denigrated the importance of the defeated SOGA clan's extensive patronage of Buddhism. As early as the Nara period (710-794), Prince Shotoku began taking on legendary, even mythical status, and was eventually transformed into one of Japan's greatest historical figures, representing the quintessence of Buddhist religious virtue and benevolent political leadership. Priests often dedicated temples to him or transferred the merit of religious enterprises to Shotoku. Both SHINRAN (1173-1263) and NICHIREN (1222-82) dedicated written works to his name. Throughout the Heian (794-1185) and Kamakura (1185-1333) periods, what is now referred to as the cult of Shotoku Taishi was widely popular and members of the aristocracy regularly venerated him (a practice referred to as Taishi shinko, lit. devotion to the Prince).

siddhānta. (T. grub mtha'; C. zong; J. shu; K. chong 宗). In Sanskrit, "conclusion" or "tenet," the term is used to refer to the various schools of Indian philosophy (both Buddhist and non-Buddhist), to their particular positions, and to texts that set out those positions in a systematic fashion. The most important examples of Buddhist siddhānta texts in India are BHĀVAVIVEKA's [alt. Bhavya] autocommentary (called TARKAJVĀLĀ) on his MADHYAMAKAHṚDAYAKĀRIKĀ and sĀNTARAKsITA's TATTVASAMGRAHA; both set forth the positions of non-Buddhist and Buddhist philosophies in order to demonstrate the superiority of their respective MADHYAMAKA positions. They are paralleled in Indian non-Buddhist literature by sankarācārya's Brahmasutrabhāsya, for example, that sets forth the views of nāstika (heterodox) and āstika (orthodox) schools and shows the weaknesses and strengths in each as a strategy to demonstrate the superiority of sankara's own Advaita Vedānta philosophy. None of these Indian works were written simply as informative textbooks about the tenets of different Indian schools of thought. They instead have clear polemical agendas: namely, demonstrating the superiority of their own position, and showing how the lesser philosophies are either a hindrance or a stepping stone to their own philosophy, as revealed by the Buddha in the case of Buddhist siddhānta, and by the Vedas in the case of non-Buddhists. The SarvadarsanasaMgraha, a medieval work written from the perspective of a later Advaita school based on sankara's model, was important during the early reception of Buddhism in Europe and America in the nineteenth century because it cites the works of different schools of philosophy, including YOGĀCĀRA and Madhyamaka writers that were otherwise unknown at the time. As a literary genre, siddhānta reaches its full development in Tibet, where ever more detailed classifications of Indian and later Chinese, Tibetan, and Mongolian schools of Buddhism are found. Of particular importance are works known by the names of their authors: Dbu pa blo gsal (Upa Losel) (fl, fourteenth century), the first 'JAM DBYANGS BZHAD PA (1648-1721), and Lcang skya Rol pa'i rdo rje (1717-1786). Customarily Tibetan Buddhist siddhāntas employ the following structure: under the rubric of non-Buddhist (T. phyi pa) philosophies, they discuss the positions of the six schools that include Nyāya, Vaisesika, JAINA, SāMkhya, Yoga, and MīmāMsā. They are all dismissed as inferior, based on their assertion of the existence of a self (ĀTMAN) and a creator deity (īsvara), both positions that are refuted in Buddhism. The Buddhist schools are set forth in ascending order, starting with the HĪNAYĀNA schools of VAIBHĀsIKA and SAUTRĀNTIKA, followed by the Mahāyāna schools of Yogācāra and Madhyamaka. A typical structure for the presentation of each school was a tripartite division into the basis (gzhi), which set forth matters of epistemology and ontology; the path (lam), which set forth the structure of the path according to the particular school; and the fruition ('bras bu), which set forth the school's understanding of the enlightenment of ARHATs and buddhas. In Tibet, the genre of siddhānta was later expanded to include works that set forth the various sects and schools of Tibetan Buddhism and Chinese Buddhism. Cf. JIAOXIANG PANSHI.

siksāsamuccaya. (T. Bslab pa kun las btus pa; C. Dasheng ji pusa xue lun; J. Daijoju bosatsugakuron; K. Taesŭng chip posal hak non 大乘集菩薩學論). In Sanskrit, "Compendium of Training," a work by the eighth-century Indian MAHĀYĀNA master sĀNTIDEVA. It consists of twenty-seven stanzas on the motivation and practice of the BODHISATTVA, including BODHICITTA, the six perfections (PĀRAMITĀ), the worship of buddhas and bodhisattvas, the benefits of renunciation, and the peace derived from the knowledge of emptiness (suNYATĀ). The topic of each of the stanzas receives elaboration in the form of a prose commentary by the author as well as in illustrative passages, often quite extensive, drawn from a wide variety of Mahāyāna SuTRAs. Some ninety-seven texts are cited in all, many of which have been lost in their original Sanskrit, making the siksāsamuccaya an especially important source for the textual history of Indian Buddhism. These citations also offer a window into which sutras were known to a Mahāyāna author in eighth-century India. The digest of passages that sāntideva provides was repeatedly drawn upon by Tibetan authors in their citations of sutras. Although sāntideva's BODHICARYĀVATĀRA and siksāsamuccaya both deal with similar topics, the precise relation between the two texts is unclear. Several of the author's verses appear in both texts and some of the sutra passages from the siksāsamuccaya also appear in the Bodhicaryāvatāra. One passage in the Bodhicaryāvatāra also refers readers to the siksāsamuccaya, but this line does not occur in the DUNHUANG manuscript of the text and may be a later interpolation.

Sisyphus The crafty; in Greek mythology, a son of Aeolus (the keeper of the winds), the most cunning of all men. He was punished in the underworld by being compelled to roll a heavy stone block up a hill, only upon reaching the summit to have it roll down again, where upon he repeats the processes endlessly. Some ancient authors say he had betrayed the Mysteries of the gods; so that one intent of the legend was to point out to the masses that betrayal of the secrets of initiation brings inevitable retribution. It also may illustrate the vanity of human ambitions, which flourish hopefully right up to the point of expected attainment, only to meet with disappointment; again it may refer to certain experiences of the disembodied relics of our personality, doomed to repeat vain acts until the energy which prompted them is worn out.

Sonmun ch'waryo. (禪門撮要). In Korean, "Selected Essentials from the Gate of Son"; a Korean anthology of the essential canon of the Korean SoN (CHAN) school, in two rolls. Although the Sonmun ch'waryo is often attributed to the late-Choson-period Son master KYoNGHo SoNGU (1849-1912), its authorship remains a matter of debate. The text uses as its primary source material the Pophae pobol ("Precious Raft on the Ocean of Dharma"), which was compiled in 1883 at Kamnosa. The Sonmun ch'waryo contains texts that are foundational to the Korean Son tradition. The first roll consists of the writings of the Chinese Chan patriarchs and teachers: the Xuemo lun ("Treatise of the Blood Lineage"), the Guanxin lun ("Treatise of Contemplating the Mind," sometimes otherwise attributed to SHENXIU [606?-706]), and the ERRU SIXING LUN ("Treatise on the Two Accesses and Four Practices"), all attributed to the first Chan patriarch, BODHIDHARMA; the Xiuxin yao lun ("Treatise on the Essentials of Cultivating the Mind"), attributed to the fifth patriarch HONGREN (600-674); the Wanleng lu ("Wanleng Record") and the CHUANXIN FAYAO ("Essential Teachings on Transmitting the Mind"), attributed to HUANGBO XIYUN (d. 850); the Mengshan fayu ("Mengshan's Dharma Discourses") composed of eleven dharma-talks by five masters including Mengshan Deyi (1231-1308) and NAONG HYEGŬN (1320-1376); and an excerpt from the Canchan jingyu ("Words of Admonition on Investigating Chan") attributed to Boshan Wuyi (1575-1630). The second roll consists of the writings of eminent Korean Son monks from the Koryo and Choson periods: POJO CHINUL's (1158-1210) SUSIM KYoL ("Secrets on Cultivating the Mind"), Chinsim chiksol ("Straight Talk on the True Mind"), Kwonsu Chonghye kyolsa mun ("Encouragement to Practice: The Compact of the Samādhi and PrajNā Community"), and KANHWA KYoRŬI NON ("Resolving Doubts About Observing the Hwadu"); the SoNMUN POJANG NOK ("Record of the Treasure Trove of the Son Tradition") and the Sonmun kangyo ("Essentials of the Son Gate"), both attributed to CH'oNCH'AEK (b. 1206); and the Son'gyo sok ("Explication of Son and Kyo") attributed to CH'oNGHo HYUJoNG (1520-1604). The first roll of the Sonmun ch'waryo was published in 1907 at the monastery of Unmunsa and the second in 1908 at PoMoSA. Among the 118 total xylographs of the book, the seventy-eighth and 118th xylographs list the names of people involved in the publication of the text, such as proofreaders, transcribers, and engravers, as well the donors, government officials, and landed gentry who contributed to the cost of the publication.

Sonmun pojang nok. (禪門寶藏). In Korean, "Record of the Treasure Trove of the Son Tradition"; an anthology, in three rolls, of stories excerpted from various Chinese CHAN and Korean SoN texts. Although the preface of the Sonmun pojangnok was written in 1293 by the Koryo CH'oNTAE (Ch. TIANTAI) monk CH'oNCH'AEK (1206-?) to whom it is attributed, the exact authorship of the anthology is still a matter of some debate. The epilogue to the text was written in 1294 by the Koryo lay Buddhist literatus Yi Hon (1252-1312). The first roll, "The Gate That Compares Son and Kyo" (Son'gyo taebyon mun) advocates that Son is distinct from, and surpasses, KYO (Doctrinal Teachings) because, unlike Kyo, Son directly reveals Buddhist truth without relying on verbal explanation. The second roll, "The Gate through which all Kyo Lecturers Return and Yield" (Chegang kwibok mun) illustrates this superiority of Son over Kyo by citing several examples in which Kyo monks were embarrassed, or guided to an authentic awakening, by Chan or Son monks. The third roll, "The Gate Revered and Trusted by Kings and Vassals" (Kunsin sungsin mun) includes stories of kings and government officials respecting and honoring Chan and Son monks. One of the most interesting stories collected in the Sonmun pojang nok relates to the otherwise-unknown Patriarch Chin'gwi (Chin'gwi chosa). The story is recited twice in the first roll and once in the third, excerpted respectively from the Talma millok ("Secret Record of Bodhidharma"), the Haedong ch'iltae nok ("Record of the Seven Generations of the Patriarchs of Haedong [Korea]"), and the Wimyongje somun chegyong p'yon ("Section on the Emperor Ming of Wei Inquires about the Sutras"), none of which are extant. The story is extremely controversial, because it states that because sĀKYAMUNI Buddha's awakening under the BODHI TREE was still imperfect, he continued to wander looking for guidance, until he met a Chan patriarch in the Snowy Mountains (Himālaya) who was finally able to lead him to true awakening. Later, the renowned Choson monk SoNSAN HYUJoNG also included the same story in his Son'gyo sok ("Exposition of Son and Kyo"), but cited it instead from the Pomil kuksa chip ("Collected Works of the State Preceptor Pomil"), which is also not extant. However, since neither the story itself nor even the titles of any of the three texts cited in the Sonmun pojang nok are found in any Chinese Buddhist sources, it is presumed that the story itself was fabricated in Korea sometime between the times of PoMIL (810-889) and Ch'onch'aek. The Sonmun pojang nok is now embedded in the SoNMUN CH'WARYO and is also published in volume six of the Han'guk Pulgyo chonso ("Collected Works of Korean Buddhism").

Suarezianism is systematic, orderly, easy to teach, it has become the framework of many Catholic text-books in philosophy, particularly of those by Jesuit authors. Schopenhauer, Spinoza, Leibniz and Descartes mention their reading of the Disputations. See: Grab-mann, M., "Die Disp. Metaph. F. Suarez in ihrer methodischen Eigenart und Fortwirkung," in Franz Suarez, S.J., (Innsbruck, 1917). (Pedro Descoqs, S. J., is an outstanding contemporary Suarezian).

sunyatā. (T. stong pa nyid; C. kong; J. ku; K. kong 空). In Sanskrit, "emptiness"; the term has a number of denotations, but is most commonly associated with the perfection of wisdom (PRAJNĀPĀRAMITĀ) sutras and the MADHYAMAKA school of Mahāyāna philosophy. In its earlier usage, "emptiness" (as sunya) is the third of the four aspects of the truth of suffering (DUḤKHASATYA), the first of the FOUR NOBLE TRUTHS: viz., the aggregates (SKANDHA) are (1) impermanent, (2) associated with the contaminants, (3) empty of cleanliness, and (4) nonself. There are a number of explanations of emptiness in this early usage, but most suggest the absence of cleanliness or attractiveness in the body that would lead to grasping at the body as "mine" (S. ātmīya, mama). This misapprehension is counteracted by the application of mindfulness with regard to the body (KĀYĀNUPAsYANĀ), which demonstrates the absence or emptiness of an independent, perduring soul (ĀTMAN) inherent in the skandhas. In its developed usage in the Madhyamaka school, as set forth by NĀGĀRJUNA and his commentators, emptiness becomes an application of the classical doctrine of no-self (ANĀTMAN) beyond the person (PUDGALA) and the skandhas to subsume all phenomena (DHARMA) in the universe. Emptiness is the lack or absence of intrinsic nature (SVABHĀVA) in any and all phenomena, the final nature of all things (DHARMATĀ), and the ultimate truth (PARAMĀRTHASATYA). Despite its various interpretations among the various Madhyamaka authors, emptiness is clearly neither nothingness nor the absence of existence, but rather the absence of a falsely imagined type of existence, identified as svabhāva. Because all phenomena are dependently arisen, they lack, or are empty of, an intrinsic nature characterized by independence and autonomy. Nāgārjuna thus equates sunyatā and the notion of conditionality (PRATĪTYASAMUTPĀDA). The YOGĀCĀRA school introduces the concept of the "three natures" (TRISVABHĀVA) to give individual meanings to the lack of intrinsic existence (NIḤSVABHĀVA) in the imaginary nature (PARIKALPITASVABHĀVA), the dependent nature (PARATANTRASVABHĀVA), and the consummate nature (PARINIsPANNASVABHĀVA). Parinispanna in this Yogācāra interpretation is emptiness in the sense of the absence of a difference of entity between object and subject; it is the emptiness of the parikalpitasvabhāva or imagined nature in a paratantra or dependent nature. In Tibet, the question of the true meaning of emptiness led to the RANG STONG GZHAN STONG debate.

te deum ::: --> An ancient and celebrated Christian hymn, of uncertain authorship, but often ascribed to St. Ambrose; -- so called from the first words "Te Deum laudamus." It forms part of the daily matins of the Roman Catholic breviary, and is sung on all occasions of thanksgiving. In its English form, commencing with words, "We praise thee, O God," it forms a part of the regular morning service of the Church of England and the Protestant Episcopal Church in America.
A religious service in which the singing of the hymn forms a


Tetragrammaton [from Greek tetra four + gramma letter] Used by Qabbalists to designate the four Hebrew characters Hebrew characters — variously rendered in Roman letters YHVH, IHVH, JHVH, etc. — forming the word Jehovah (Yehovah). Present-day scholars regard this rendition of the four letters as erroneous, and some suggest that the proper reading should be Yahveh or Yahweh — depending on another manner of applying the vowel-points to the consonants. The Jews themselves, however, never pronounced the name when reading their sacred scriptures, but utter ’Adonai (the Lord) in its place. Nevertheless, the Qabbalists (more particularly medieval and modern authors) have attached special importance and significance to this four-lettered word, particularly to the Hebrew equivalent for Tetragrammaton, Shem-ham-Mephorash, sometimes called the mirific name.

The attention of the students is called to the fact that one and the same entry sometimes is explained twice, as a Laurency term and as a theosophical and/or
Bailey term. MONAD and TRIAD are two such instances where the same terms have different meanings in different authors. Esoteric students who study both Laurency and theosophy/Bailey will appreciate the necessity of making such distinctions.


(The authors also gave the example of Centaur). When such words are capitalised it refers to a divinity representing the species. Also with the word ‘Circean’ Nolini said: “Not merely a mythological story but a being representing universal forces.

The editor takes great pleasure in expressing grateful acknowledgment and thanks to the following authors and publishers for their permission to use copyrighted material in the preparation of this volume:

The importance of Arab philosophy has to be evaluated both in regard to the Oriental and the Western world. The latter was influenced, naturally, not by the originals but by the translations which do not always render exactly the spirit of the authors. In the East, theology remained victorious, but incorporated in its own teachings much of the philosophies it condemned. M. Horten, in Ueberweg-Heinze, Geschichte der Philosophie, 3d ed., Berlin, 1928, pp. 287-342. Geschichte der Arabischen Litteratur, Vol. I, II, Weimar, 1898-1902, Vol. III-VI, Leiden, 1936-1941. The Encyclopedia of Islam, Leiden, 1913-1918. -- R.A.

THEOSOPHY Theosophy is a summary of facts that used to be imparted in the esoteric knowledge orders. The term of theosophy came into being when the term of gnostics has changed because the quasi-gnosticians of the third century A.D. had begun falsely putting their quasi forward as being esoteric gnostics.

These are the facts that constitute theosophy. Beyond them, the views of the various theosophical authors are not theosophy.

The best summary of the facts of theosophy was made by A. E. Powell in five volumes.

The original task of the Theosophical Society was to proclaim universal brotherhood.
Mankind, however, in not yet ripe to realize the principles of tolerance, freedom of opinion and expression, The Society has split up into several sects, all disputing about what they believe to be theosophy and which facts are hypotheses or facts from the hierarchy. Their dependence on authority shows that they have not understood, just believed that they understand.

The esoteric facts that have been given out after 1920 have not been communicated through the Theosophical Society. K 6.3.16f,15,18f


Therīgāthā. In Pāli, "Verses of the [Female] Elders"; the ninth book of the KHUDDAKANIKĀYA of the Pāli SUTTAPItAKA. It contains 522 verses in seventy-three poems, organized according to the number of verses in each poem, composed by approximately one hundred female elders (although one poem is said to have been uttered by thirty therīs, another by five hundred). It said to have been composed by enlightened therīs, or elder nuns, during the lifetime of the Buddha, including many of his most famous female disciples, such as his stepmother MAHĀPRAJĀPATĪ. According to tradition, the collection was recited at the first Buddhist council (SAMGĪTI; see COUNCIL, FIRST) held shortly after the death of the Buddha, although some verses are clearly added later. In any case, it represents one of, if not the earliest record of women's religious experience. It corresponds to the THERAGĀTHĀ in content. The precise date and authorship of the verses is difficult to determine, although many of the poems are written from the women's points of view, describing the sufferings of childbirth, marriage, and the loss of a child, a husband, and physical beauty, experiences that lead the author to enter the SAMGHA. The spontaneous ecstatic utterances that are said to have accompanied these women's experiences of enlightenment belie the common Western scholarly portrayal of the ARHAT as apathetic, cool, and aloof.

The third generation consisted of the disciples of R. Ishmael and R. Akiba: R. Meir, Simeon b. Johal to whom the authorship of the Zohar is ascribed.

This new dictionary seeks to address the needs of this present age. For the great majority of scholars of Buddhism, who do not command all of the major Buddhist languages, this reference book provides a repository of many of the most important terms used across the traditions, and their rendering in several Buddhist languages. For the college professor who teaches "Introduction to Buddhism" every year, requiring one to venture beyond one's particular area of geographical and doctrinal expertise, it provides descriptions of many of the important figures and texts in the major traditions. For the student of Buddhism, whether inside or outside the classroom, it offers information on many fundamental doctrines and practices of the various traditions of the religion. This dictionary is based primarily on six Buddhist languages and their traditions: Sanskrit, PAli, Tibetan, Chinese, Japanese, and Korean. Also included, although appearing much less frequently, are terms and proper names in vernacular Burmese, Lao, Mongolian, Sinhalese, Thai, and Vietnamese. The majority of entries fall into three categories: the terminology of Buddhist doctrine and practice, the texts in which those teachings are set forth, and the persons (both human and divine) who wrote those texts or appear in their pages. In addition, there are entries on important places-including monasteries and sacred mountains-as well as on the major schools and sects of the various Buddhist traditions. The vast majority of the main entries are in their original language, although cross-references are sometimes provided to a common English rendering. Unlike many terminological dictionaries, which merely provide a brief listing of meanings with perhaps some of the equivalencies in various Buddhist languages, this work seeks to function as an encyclopedic dictionary. The main entries offer a short essay on the extended meaning and significance of the terms covered, typically in the range of two hundred to six hundred words, but sometimes substantially longer. To offer further assistance in understanding a term or tracing related concepts, an extensive set of internal cross-references (marked in small capital letters) guides the reader to related entries throughout the dictionary. But even with over a million words and five thousand entries, we constantly had to make difficult choices about what to include and how much to say. Given the long history and vast geographical scope of the Buddhist traditions, it is difficult to imagine any dictionary ever being truly comprehensive. Authors also write about what they know (or would like to know); so inevitably the dictionary reflects our own areas of scholarly expertise, academic interests, and judgments about what readers need to learn about the various Buddhist traditions.

Thông Biẹn. (通辦) (d. 1134). The first Vietnamese Buddhist author to write a history of Vietnamese Buddhism based on the model of the "transmission of the lamplight" (CHUANDENG) histories of the Chinese CHAN school. He was a native of Đan Phượng (which is now in Hà Tay province, North Vietnam). His family name was Ngô and he was born into a Buddhist family. He was respected by the Lý court and was bestowed the title quềc sư (state preceptor; C. GUOSHI). The THIỀN UYỂN TẬP ANH relates that in a lecture in 1096 he interpreted Vietnamese Buddhist history as the continuation of the transmission of both the scriptural school and the mind (or Chan) school of Chinese Buddhism. According to Thông Biẹn, the Scriptural School began with Mou Bo and Kang Senghui, and the Chan school was transmitted by BODHIDHARMA. He further claimed that Chan came to Vietnam through two streams, represented, respectively, by VINĪTARUCI (d. 594) and VÔ NGÔN THÔNG (d. 826). Vinītaruci and Vô Ngôn Thông thus were the ancestral teachers of the two streams of Chan that produced numerous side branches in Vietnam. Later in his life, Thông Biẹn founded a great teaching center and taught the SADDHARMAPUndARĪKASuTRA. His contemporaries referred to him as Ngộ Phap Hoa (Awakened to the Lotus). Thông Biẹn's model of Vietnamese Buddhist history was subsequently adopted by Buddhist authors of later generations and thus exercised lasting influence on the traditional understanding of Vietnamese Buddhist history. Many modern Vietnamese Buddhist leaders still accept Thông Biẹn's views about the history of Buddhism in Vietnam.

Three senses of "Ockhamism" may be distinguished: Logical, indicating usage of the terminology and technique of logical analysis developed by Ockham in his Summa totius logicae; in particular, use of the concept of supposition (suppositio) in the significative analysis of terms. Epistemological, indicating the thesis that universality is attributable only to terms and propositions, and not to things as existing apart from discourse. Theological, indicating the thesis that no tneological doctrines, such as those of God's existence or of the immortality of the soul, are evident or demonstrable philosophically, so that religious doctrine rests solely on faith, without metaphysical or scientific support. It is in this sense that Luther is often called an Ockhamist.   Bibliography:   B. Geyer,   Ueberwegs Grundriss d. Gesch. d. Phil., Bd. II (11th ed., Berlin 1928), pp. 571-612 and 781-786; N. Abbagnano,   Guglielmo di Ockham (Lanciano, Italy, 1931); E. A. Moody,   The Logic of William of Ockham (N. Y. & London, 1935); F. Ehrle,   Peter von Candia (Muenster, 1925); G. Ritter,   Studien zur Spaetscholastik, I-II (Heidelberg, 1921-1922).     --E.A.M. Om, aum: (Skr.) Mystic, holy syllable as a symbol for the indefinable Absolute. See Aksara, Vac, Sabda. --K.F.L. Omniscience: In philosophy and theology it means the complete and perfect knowledge of God, of Himself and of all other beings, past, present, and future, or merely possible, as well as all their activities, real or possible, including the future free actions of human beings. --J.J.R. One: Philosophically, not a number but equivalent to unit, unity, individuality, in contradistinction from multiplicity and the mani-foldness of sensory experience. In metaphysics, the Supreme Idea (Plato), the absolute first principle (Neo-platonism), the universe (Parmenides), Being as such and divine in nature (Plotinus), God (Nicolaus Cusanus), the soul (Lotze). Religious philosophy and mysticism, beginning with Indian philosophy (s.v.), has favored the designation of the One for the metaphysical world-ground, the ultimate icility, the world-soul, the principle of the world conceived as reason, nous, or more personally. The One may be conceived as an independent whole or as a sum, as analytic or synthetic, as principle or ontologically. Except by mysticism, it is rarely declared a fact of sensory experience, while its transcendent or transcendental, abstract nature is stressed, e.g., in epistemology where the "I" or self is considered the unitary background of personal experience, the identity of self-consciousness, or the unity of consciousness in the synthesis of the manifoldness of ideas (Kant). --K.F.L. One-one: A relation R is one-many if for every y in the converse domain there is a unique x such that xRy. A relation R is many-one if for every x in the domain there is a unique y such that xRy. (See the article relation.) A relation is one-one, or one-to-one, if it is at the same time one-many and many-one. A one-one relation is said to be, or to determine, a one-to-one correspondence between its domain and its converse domain. --A.C. On-handedness: (Ger. Vorhandenheit) Things exist in the mode of thereness, lying- passively in a neutral space. A "deficient" form of a more basic relationship, termed at-handedness (Zuhandenheit). (Heidegger.) --H.H. Ontological argument: Name by which later authors, especially Kant, designate the alleged proof for God's existence devised by Anselm of Canterbury. Under the name of God, so the argument runs, everyone understands that greater than which nothing can be thought. Since anything being the greatest and lacking existence is less then the greatest having also existence, the former is not really the greater. The greatest, therefore, has to exist. Anselm has been reproached, already by his contemporary Gaunilo, for unduly passing from the field of logical to the field of ontological or existential reasoning. This criticism has been repeated by many authors, among them Aquinas. The argument has, however, been used, if in a somewhat modified form, by Duns Scotus, Descartes, and Leibniz. --R.A. Ontological Object: (Gr. onta, existing things + logos, science) The real or existing object of an act of knowledge as distinguished from the epistemological object. See Epistemological Object. --L.W. Ontologism: (Gr. on, being) In contrast to psychologism, is called any speculative system which starts philosophizing by positing absolute being, or deriving the existence of entities independently of experience merely on the basis of their being thought, or assuming that we have immediate and certain knowledge of the ground of being or God. Generally speaking any rationalistic, a priori metaphysical doctrine, specifically the philosophies of Rosmini-Serbati and Vincenzo Gioberti. As a philosophic method censored by skeptics and criticists alike, as a scholastic doctrine formerly strongly supported, revived in Italy and Belgium in the 19th century, but no longer countenanced. --K.F.L. Ontology: (Gr. on, being + logos, logic) The theory of being qua being. For Aristotle, the First Philosophy, the science of the essence of things. Introduced as a term into philosophy by Wolff. The science of fundamental principles, the doctrine of the categories. Ultimate philosophy; rational cosmology. Syn. with metaphysics. See Cosmology, First Principles, Metaphysics, Theology. --J.K.F. Operation: "(Lit. operari, to work) Any act, mental or physical, constituting a phase of the reflective process, and performed with a view to acquiring1 knowledge or information about a certain subject-nntter. --A.C.B.   In logic, see Operationism.   In philosophy of science, see Pragmatism, Scientific Empiricism. Operationism: The doctrine that the meaning of a concept is given by a set of operations.   1. The operational meaning of a term (word or symbol) is given by a semantical rule relating the term to some concrete process, object or event, or to a class of such processes, objectj or events.   2. Sentences formed by combining operationally defined terms into propositions are operationally meaningful when the assertions are testable by means of performable operations. Thus, under operational rules, terms have semantical significance, propositions have empirical significance.   Operationism makes explicit the distinction between formal (q.v.) and empirical sentences. Formal propositions are signs arranged according to syntactical rules but lacking operational reference. Such propositions, common in mathematics, logic and syntax, derive their sanction from convention, whereas an empirical proposition is acceptable (1) when its structure obeys syntactical rules and (2) when there exists a concrete procedure (a set of operations) for determining its truth or falsity (cf. Verification). Propositions purporting to be empirical are sometimes amenable to no operational test because they contain terms obeying no definite semantical rules. These sentences are sometimes called pseudo-propositions and are said to be operationally meaningless. They may, however, be 'meaningful" in other ways, e.g. emotionally or aesthetically (cf. Meaning).   Unlike a formal statement, the "truth" of an empirical sentence is never absolute and its operational confirmation serves only to increase the degree of its validity. Similarly, the semantical rule comprising the operational definition of a term has never absolute precision. Ordinarily a term denotes a class of operations and the precision of its definition depends upon how definite are the rules governing inclusion in the class.   The difference between Operationism and Logical Positivism (q.v.) is one of emphasis. Operationism's stress of empirical matters derives from the fact that it was first employed to purge physics of such concepts as absolute space and absolute time, when the theory of relativity had forced upon physicists the view that space and time are most profitably defined in terms of the operations by which they are measured. Although different methods of measuring length at first give rise to different concepts of length, wherever the equivalence of certain of these measures can be established by other operations, the concepts may legitimately be combined.   In psychology the operational criterion of meaningfulness is commonly associated with a behavioristic point of view. See Behaviorism. Since only those propositions which are testable by public and repeatable operations are admissible in science, the definition of such concepti as mind and sensation must rest upon observable aspects of the organism or its behavior. Operational psychology deals with experience only as it is indicated by the operation of differential behavior, including verbal report. Discriminations, or the concrete differential reactions of organisms to internal or external environmental states, are by some authors regarded as the most basic of all operations.   For a discussion of the role of operational definition in phvsics. see P. W. Bridgman, The Logic of Modern Physics, (New York, 1928) and The Nature of Physical Theory (Princeton, 1936). "The extension of operationism to psychology is discussed by C. C. Pratt in The Logic of Modem Psychology (New York. 1939.)   For a discussion and annotated bibliography relating to Operationism and Logical Positivism, see S. S. Stevens, Psychology and the Science of Science, Psychol. Bull., 36, 1939, 221-263. --S.S.S. Ophelimity: Noun derived from the Greek, ophelimos useful, employed by Vilfredo Pareto (1848-1923) in economics as the equivalent of utility, or the capacity to provide satisfaction. --J.J.R. Opinion: (Lat. opinio, from opinor, to think) An hypothesis or proposition entertained on rational grounds but concerning which doubt can reasonably exist. A belief. See Hypothesis, Certainty, Knowledge. --J.K.F- Opposition: (Lat. oppositus, pp. of oppono, to oppose) Positive actual contradiction. One of Aristotle's Post-predicaments. In logic any contrariety or contradiction, illustrated by the "Square of Opposition". Syn. with: conflict. See Logic, formal, § 4. --J.K.F. Optimism: (Lat. optimus, the best) The view inspired by wishful thinking, success, faith, or philosophic reflection, that the world as it exists is not so bad or even the best possible, life is good, and man's destiny is bright. Philosophically most persuasively propounded by Leibniz in his Theodicee, according to which God in his wisdom would have created a better world had he known or willed such a one to exist. Not even he could remove moral wrong and evil unless he destroyed the power of self-determination and hence the basis of morality. All systems of ethics that recognize a supreme good (Plato and many idealists), subscribe to the doctrines of progressivism (Turgot, Herder, Comte, and others), regard evil as a fragmentary view (Josiah Royce et al.) or illusory, or believe in indemnification (Henry David Thoreau) or melioration (Emerson), are inclined optimistically. Practically all theologies advocating a plan of creation and salvation, are optimistic though they make the good or the better dependent on moral effort, right thinking, or belief, promising it in a future existence. Metaphysical speculation is optimistic if it provides for perfection, evolution to something higher, more valuable, or makes room for harmonies or a teleology. See Pessimism. --K.F.L. Order: A class is said to be partially ordered by a dyadic relation R if it coincides with the field of R, and R is transitive and reflexive, and xRy and yRx never both hold when x and y are different. If in addition R is connected, the class is said to be ordered (or simply ordered) by R, and R is called an ordering relation.   Whitehcid and Russell apply the term serial relation to relations which are transitive, irreflexive, and connected (and, in consequence, also asymmetric). However, the use of serial relations in this sense, instead ordering relations as just defined, is awkward in connection with the notion of order for unit classes.   Examples: The relation not greater than among leal numbers is an ordering relation. The relation less than among real numbers is a serial relation. The real numbers are simply ordered by the former relation. In the algebra of classes (logic formal, § 7), the classes are partially ordered by the relation of class inclusion.   For explanation of the terminology used in making the above definitions, see the articles connexity, reflexivity, relation, symmetry, transitivity. --A.C. Order type: See relation-number. Ordinal number: A class b is well-ordered by a dyadic relation R if it is ordered by R (see order) and, for every class a such that a ⊂ b, there is a member x of a, such that xRy holds for every member y of a; and R is then called a well-ordering relation. The ordinal number of a class b well-ordered by a relation R, or of a well-ordering relation R, is defined to be the relation-number (q. v.) of R.   The ordinal numbers of finite classes (well-ordered by appropriate relations) are called finite ordinal numbers. These are 0, 1, 2, ... (to be distinguished, of course, from the finite cardinal numbers 0, 1, 2, . . .).   The first non-finite (transfinite or infinite) ordinal number is the ordinal number of the class of finite ordinal numbers, well-ordered in their natural order, 0, 1, 2, . . .; it is usually denoted by the small Greek letter omega. --A.C.   G. Cantor, Contributions to the Founding of the Theory of Transfinite Numbers, translated and with an introduction by P. E. B. Jourdain, Chicago and London, 1915. (new ed. 1941); Whitehead and Russell, Princtpia Mathematica. vol. 3. Orexis: (Gr. orexis) Striving; desire; the conative aspect of mind, as distinguished from the cognitive and emotional (Aristotle). --G.R.M.. Organicism: A theory of biology that life consists in the organization or dynamic system of the organism. Opposed to mechanism and vitalism. --J.K.F. Organism: An individual animal or plant, biologically interpreted. A. N. Whitehead uses the term to include also physical bodies and to signify anything material spreading through space and enduring in time. --R.B.W. Organismic Psychology: (Lat. organum, from Gr. organon, an instrument) A system of theoretical psychology which construes the structure of the mind in organic rather than atomistic terms. See Gestalt Psychology; Psychological Atomism. --L.W. Organization: (Lat. organum, from Gr. organon, work) A structured whole. The systematic unity of parts in a purposive whole. A dynamic system. Order in something actual. --J.K.F. Organon: (Gr. organon) The title traditionally given to the body of Aristotle's logical treatises. The designation appears to have originated among the Peripatetics after Aristotle's time, and expresses their view that logic is not a part of philosophy (as the Stoics maintained) but rather the instrument (organon) of philosophical inquiry. See Aristotelianism. --G.R.M.   In Kant. A system of principles by which pure knowledge may be acquired and established.   Cf. Fr. Bacon's Novum Organum. --O.F.K. Oriental Philosophy: A general designation used loosely to cover philosophic tradition exclusive of that grown on Greek soil and including the beginnings of philosophical speculation in Egypt, Arabia, Iran, India, and China, the elaborate systems of India, Greater India, China, and Japan, and sometimes also the religion-bound thought of all these countries with that of the complex cultures of Asia Minor, extending far into antiquity. Oriental philosophy, though by no means presenting a homogeneous picture, nevertheless shares one characteristic, i.e., the practical outlook on life (ethics linked with metaphysics) and the absence of clear-cut distinctions between pure speculation and religious motivation, and on lower levels between folklore, folk-etymology, practical wisdom, pre-scientiiic speculation, even magic, and flashes of philosophic insight. Bonds with Western, particularly Greek philosophy have no doubt existed even in ancient times. Mutual influences have often been conjectured on the basis of striking similarities, but their scientific establishment is often difficult or even impossible. Comparative philosophy (see especially the work of Masson-Oursel) provides a useful method. Yet a thorough treatment of Oriental Philosophy is possible only when the many languages in which it is deposited have been more thoroughly studied, the psychological and historical elements involved in the various cultures better investigated, and translations of the relevant documents prepared not merely from a philological point of view or out of missionary zeal, but by competent philosophers who also have some linguistic training. Much has been accomplished in this direction in Indian and Chinese Philosophy (q.v.). A great deal remains to be done however before a definitive history of Oriental Philosophy may be written. See also Arabian, and Persian Philosophy. --K.F.L. Origen: (185-254) The principal founder of Christian theology who tried to enrich the ecclesiastic thought of his day by reconciling it with the treasures of Greek philosophy. Cf. Migne PL. --R.B.W. Ormazd: (New Persian) Same as Ahura Mazdah (q.v.), the good principle in Zoroastrianism, and opposed to Ahriman (q.v.). --K.F.L. Orphic Literature: The mystic writings, extant only in fragments, of a Greek religious-philosophical movement of the 6th century B.C., allegedly started by the mythical Orpheus. In their mysteries, in which mythology and rational thinking mingled, the Orphics concerned themselves with cosmogony, theogony, man's original creation and his destiny after death which they sought to influence to the better by pure living and austerity. They taught a symbolism in which, e.g., the relationship of the One to the many was clearly enunciated, and believed in the soul as involved in reincarnation. Pythagoras, Empedocles, and Plato were influenced by them. --K.F.L. Ortega y Gasset, Jose: Born in Madrid, May 9, 1883. At present in Buenos Aires, Argentine. Son of Ortega y Munillo, the famous Spanish journalist. Studied at the College of Jesuits in Miraflores and at the Central University of Madrid. In the latter he presented his Doctor's dissertation, El Milenario, in 1904, thereby obtaining his Ph.D. degree. After studies in Leipzig, Berlin, Marburg, under the special influence of Hermann Cohen, the great exponent of Kant, who taught him the love for the scientific method and awoke in him the interest in educational philosophy, Ortega came to Spain where, after the death of Nicolas Salmeron, he occupied the professorship of metaphysics at the Central University of Madrid. The following may be considered the most important works of Ortega y Gasset:     Meditaciones del Quijote, 1914;   El Espectador, I-VIII, 1916-1935;   El Tema de Nuestro Tiempo, 1921;   España Invertebrada, 1922;   Kant, 1924;   La Deshumanizacion del Arte, 1925;   Espiritu de la Letra, 1927;   La Rebelion de las Masas, 1929;   Goethe desde Adentio, 1934;   Estudios sobre el Amor, 1939;   Ensimismamiento y Alteracion, 1939;   El Libro de las Misiones, 1940;   Ideas y Creencias, 1940;     and others.   Although brought up in the Marburg school of thought, Ortega is not exactly a neo-Kantian. At the basis of his Weltanschauung one finds a denial of the fundamental presuppositions which characterized European Rationalism. It is life and not thought which is primary. Things have a sense and a value which must be affirmed independently. Things, however, are to be conceived as the totality of situations which constitute the circumstances of a man's life. Hence, Ortega's first philosophical principle: "I am myself plus my circumstances". Life as a problem, however, is but one of the poles of his formula. Reason is the other. The two together function, not by dialectical opposition, but by necessary coexistence. Life, according to Ortega, does not consist in being, but rather, in coming to be, and as such it is of the nature of direction, program building, purpose to be achieved, value to be realized. In this sense the future as a time dimension acquires new dignity, and even the present and the past become articulate and meaning-full only in relation to the future. Even History demands a new point of departure and becomes militant with new visions. --J.A.F. Orthodoxy: Beliefs which are declared by a group to be true and normative. Heresy is a departure from and relative to a given orthodoxy. --V.S. Orthos Logos: See Right Reason. Ostensible Object: (Lat. ostendere, to show) The object envisaged by cognitive act irrespective of its actual existence. See Epistemological Object. --L.W. Ostensive: (Lat. ostendere, to show) Property of a concept or predicate by virtue of which it refers to and is clarified by reference to its instances. --A.C.B. Ostwald, Wilhelm: (1853-1932) German chemist. Winner of the Nobel prize for chemistry in 1909. In Die Uberwindung des wissenschaftlichen Materialistmus and in Naturphilosophie, his two best known works in the field of philosophy, he advocates a dynamic theory in opposition to materialism and mechanism. All properties of matter, and the psychic as well, are special forms of energy. --L.E.D. Oupnekhat: Anquetil Duperron's Latin translation of the Persian translation of 50 Upanishads (q.v.), a work praised by Schopenhauer as giving him complete consolation. --K.F.L. Outness: A term employed by Berkeley to express the experience of externality, that is the ideas of space and things placed at a distance. Hume used it in the sense of distance Hamilton understood it as the state of being outside of consciousness in a really existing world of material things. --J.J.R. Overindividual: Term used by H. Münsterberg to translate the German überindividuell. The term is applied to any cognitive or value object which transcends the individual subject. --L.W. P

to be bodiless and, hence, sexless. 29 But the authors of our sacred texts were not logicians or

topic map "information science" A collection of "topics", their relationships, and information sources. A topic map captures the subjects of which information sources speak, and the relationships between them, in a way that is implementation independent. A topic is a symbol within the computer that represents something in the world such as the play Hamlet, the playwright William Shakespeare, or the "authorship" relationship. Topics can have names. They can also have occurrences, that is, information resources that are considered to be relevant in some way to their subject. Topics can play roles in relationships. Thus, topics have three kinds of characteristics: names, sources, and roles played in relationships. The assignment of such characteristics is considered to be valid within a certain scope, or context. Topic maps can be merged. Merging can take place at the discretion of the user or application (at runtime), or may be indicated by the topic map's author at the time of its creation. (2003-07-19)

topic map ::: (semantics) A collection of topics, their relationships, and information sources. A topic map captures the subjects of which information sources speak, and the relationships between them, in a way that is implementation independent.A topic is a symbol within the computer that represents something in the world such as the play Hamlet, the playwright William Shakespeare, or the authorship relationship.Topics can have names. They can also have occurrences, that is, information resources that are considered to be relevant in some way to their subject. Topics can play roles in relationships.Thus, topics have three kinds of characteristics: names, sources, and roles played in relationships. The assignment of such characteristics is considered to be valid within a certain scope, or context.Topic maps can be merged. Merging can take place at the discretion of the user or application (at runtime), or may be indicated by the topic map's author at the time of its creation.(2003-07-19)

Ugraparipṛcchā. (T. Drag shul can gyis zhus pa; C. Yuqie zhangzhe hui; J. Ikuga chojae; K. Ukka changja hoe 郁伽長者會). In Sanskrit, "The Inquiry of Ugra," an influential MAHĀYĀNA SuTRA, dating perhaps from the first century BCE, making it one of the earliest Mahāyāna sutras. The text has not survived in any Indic-language version, but has been preserved in five translated versions: three in Chinese, one in Tibetan, and one in Mongolian. The sutra is structured as a dialogue, mainly between the Buddha and the lay BODHISATTVA UGRA, whose inquiry prompts the Buddha to launch into a protracted discourse on the bodhisattva path (MĀRGA). Ugra is labeled a GṚHAPATI, a term that literally means "lord of the house" but that comes to refer to men belonging to the upper stratum of what would later be labeled as the vaisya (often rendered as "merchant") caste. The sutra is divided into two parts, one directed toward the lay bodhisattva and the other toward renunciants. In the oldest version of the sutra, Ugra and his friends, after hearing the Buddha's discourse, ask for and receive ordination as monks; in later translations, this event takes place in the middle of the sutra. In all versions, however, the overall message is that, although a lay practitioner may be capable of performing at least preliminary parts of the bodhisattva path, to attain the final goal of buddhahood he must become a monk. The Buddha declares, "For no bodhisattva who lives at home has ever attained supreme perfect enlightenment." Accordingly, the sutra urges the lay bodhisattva to break the ties of affection that bind him to his family and, above all, to his wife; the condemnation of marriage and family life is striking. Moreover, he is urged to emulate the conduct of the monks in his local monastery even while he still lives at home-involving, among other things, complete celibacy. This sort of practice is congruent with what was required of the UPĀSAKA, the lay adherent who has taken the three refuges and the five or eight precepts and dresses in white as a sign of his semirenunciant status. The lay bodhisattva described in the Ugraparipṛcchā is repeatedly urged to seek ordination as soon as he possibly can. If the lay bodhisattva is portrayed as the best of all possible laymen, the renunciant bodhisattva is portrayed as the best of all possible monks. Not only does he follow the standard requirements of the monastic life, but he goes beyond them, spending large periods of time (ideally, his whole lifetime) performing strict ascetic practices in the wilderness. This is a reenactment of the biography of sĀKYAMUNI Buddha; it appears that aspiring bodhisattvas, both lay and monastic, took the stories of the Buddha's life-including his previous lives, described in the JĀTAKA stories-as prescriptive for those who wished to become buddhas themselves. The Ugraparipṛcchā never portrays any actual female practitioner, whether lay or monastic, as a bodhisattva. Apart from a formulaic reference to "sons and daughters of good lineage," which appears at the beginning and the end of the sutra (and may have been added long after its initial composition), there is no indication that the authors of the sutra believed that women were capable of embarking upon the bodhisattva path. The Ugraparipṛcchā was a highly influential sutra in both India and East Asia, where it was widely quoted and commented upon and is regarded by scholars as an important and influential work in the formative period of Mahāyāna Buddhism.

undercraft ::: n. --> A sly trick or device; as, an undercraft of authors.

Unfortunately, Occidental authors almost invariably designate any Tibetan monk a Lama, due largely perhaps to the improper assumption of the title by Tibetans themselves who have no right to use it, though they may belong to the lower ranks of the ecclesiastical hierarchy in Tibet. Hence the religion is commonly called Lamaism by European writers.

university professors, orators, and authors. His

Unix "operating system" /yoo'niks/ (Or "UNIX", in the authors' words, "A weak pun on Multics") Plural "Unices". An interactive {time-sharing} {operating system} invented in 1969 by {Ken Thompson} after {Bell Labs} left the {Multics} project, originally so he could play games on his scavenged {PDP-7}. {Dennis Ritchie}, the inventor of {C}, is considered a co-author of the system. The turning point in Unix's history came when it was reimplemented almost entirely in C during 1972 - 1974, making it the first {source-portable} OS. Unix subsequently underwent mutations and expansions at the hands of many different people, resulting in a uniquely flexible and {developer}-friendly environment. By 1991, Unix had become the most widely used {multi-user} general-purpose operating system in the world. Many people consider this the most important victory yet of hackerdom over industry opposition (but see {Unix weenie} and {Unix conspiracy} for an opposing point of view). Unix is now offered by many manufacturers and is the subject of an international standardisation effort [called?]. Unix-like operating systems include {AIX}, {A/UX}, {BSD}, {Debian}, {FreeBSD}, {GNU}, {HP-UX}, {Linux}, {NetBSD}, {NEXTSTEP}, {OpenBSD}, {OPENSTEP}, {OSF}, {POSIX}, {RISCiX}, {Solaris}, {SunOS}, {System V}, {Ultrix}, {USG Unix}, {Version 7}, {Xenix}. "Unix" or "UNIX"? Both seem roughly equally popular, perhaps with a historical bias toward the latter. "UNIX" is a registered trademark of {The Open Group}, however, since it is a name and not an acronym, "Unix" has been adopted in this dictionary except where a larger name includes it in upper case. Since the OS is {case-sensitive} and exists in many different versions, it is fitting that its name should reflect this. {The UNIX Reference Desk (http://geek-girl.com/unix.html)}. {Spanish fire extinguisher (ftp://linux.mathematik.tu-darmstadt.de/pub/linux/people/okir/unix_flame.gif)}. [{Jargon File}] (2001-05-14)

Unix ::: (operating system) /yoo'niks/ (Or UNIX, in the authors' words, A weak pun on Multics) Plural Unices. An interactive time-sharing operating system originally so he could play games on his scavenged PDP-7. Dennis Ritchie, the inventor of C, is considered a co-author of the system.The turning point in Unix's history came when it was reimplemented almost entirely in C during 1972 - 1974, making it the first source-portable OS. Unix subsequently underwent mutations and expansions at the hands of many different people, resulting in a uniquely flexible and developer-friendly environment.By 1991, Unix had become the most widely used multi-user general-purpose operating system in the world. Many people consider this the most important victory yet of hackerdom over industry opposition (but see Unix weenie and Unix conspiracy for an opposing point of view).Unix is now offered by many manufacturers and is the subject of an international standardisation effort [called?]. Unix-like operating systems include AIX, A/UX, OSF, POSIX, RISCiX, Solaris, SunOS, System V, Ultrix, USG Unix, Version 7, Xenix.Unix or UNIX? Both seem roughly equally popular, perhaps with a historical bias toward the latter. UNIX is a registered trademark of The Open Group, case-sensitive and exists in many different versions, it is fitting that its name should reflect this. . .[Jargon File](2001-05-14)

Vasubandhu. (T. Dbyig gnyen; C. Shiqin; J. Seshin; K. Sech'in 世親) (fl. c. fourth or fifth centuries CE). One of the most influential authors in the history of Buddhism, and the only major figure to make significant contributions to both the MAINSTREAM BUDDHIST SCHOOLS and MAHĀYĀNA. In Tibetan Buddhism, Vasubandhu is counted as one of the "six ornaments" (T. rgyan drug), along with NĀGĀRJUNA, ĀRYADEVA, ASAnGA, DIGNĀGA, and DHARMAKĪRTI. There has been considerable speculation about his dates, so much so that ERICH FRAUWALLNER proposed that there were two different Vasubandhus. This theory has been rejected, but there is still no consensus on his dates, with most scholars placing him in the fourth or fifth century CE. Vasubandhu is said to have been born in Purusapura in GANDHĀRA (identified with Peshawar in modern Pakistan), as the brother or half brother (with the same mother) of Asanga. He was ordained as a monk in a SARVĀSTIVĀDA school and studied VAIBHĀsIKA ABHIDHARMA philosophy in KASHMIR-GANDHĀRA, as well as the tenets of the rival SAUTRĀNTIKA school. At the conclusion of his studies, he composed his first and what would be his most famous work, the Abhidharmakosa, or "Treasury of the Abhidharma." In over six hundred stanzas in nine chapters, he set forth the major points of the Vaibhāsika system. He then composed a prose autocommentary, the ABHIDHARMAKOsABHĀsYA, in which he critiqued from a Sautrāntika perspective some of the Vaibhāsika positions that he had outlined in the verses. These two texts would become two of the most influential texts on the abhidharma in the later history of Buddhism on the subcontinent and beyond, serving, for example, as the root texts for abhidharma studies in Tibet and as the foundational text for the Kusha (Kosa) school of early Japanese Buddhism. At some point after his composition of the Kosa, he encountered his half brother Asanga, author of at least some of the texts collected in the YOGĀCĀRABHuMI, who "converted" him to the Mahāyāna. After his conversion, Vasubandhu became a prolific author on Mahāyāna materials, helping especially to frame the philosophy of the Yogācāra school. Major works attributed to him include the VIMsATIKĀ, or "Twenty [Stanzas]" and the TRIMsIKĀ, or "Thirty [Stanzas]," two works that set forth succinctly the basic philosophical positions of the Yogācāra. The TriMsikā was, together with DHARMAPĀLA's commentary to the text, the basis of XUANZANG's massive commentary, the CHENG WEISHI LUN (*VijNaptimātratāsiddhi), which was the foundational text for the FAXIANG ZONG of East Asian Yogācāra. In his TRISVABHĀVANIRDEsA, Vasubandhu also set forth the central doctrine of the Yogācāra, the "three natures" (TRISVABHĀVA), of imaginary (PARIKALPITA), dependent (PARATANTRA), and consummate (PARINIsPANNA). His VYĀKHYĀYUKTI set forth principles for the exegesis of passages from the sutras. He is also credited with commentaries on a number of Mahāyāna sutras, including the AKsAYAMATINIRDEsA, the SADDHARMAPUndARĪKASuTRA, and the DAsABHuMIKASuTRA (with his commentary serving as the basis of the DI LUN ZONG in China), as well as commentaries on three of the five treatises of MAITREYA, the MAHĀYĀNASuTRĀLAMKĀRA, the MADHYĀNTAVIBHĀGA, and the DHARMADHARMATĀVIBHĀGA. He also wrote a commentary on Asanga's MAHĀYĀNASAMGRAHA. His KARMASIDDHIPRAKARAnA, or "Investigation Establishing [the Correct Understanding] of KARMAN," examines the theory of action in light of the Yogācāra doctrine of the ĀLAYAVIJNĀNA. The PANCASKANDHAPRAKARAnA, or "Explanation of the Five Aggregates," presents a somewhat different view of the five aggregates (SKANDHA) than that found in his Abhidharmakosabhāsya and thus probably dates from his Mahāyāna period; it is a reworking of the presentation of the five aggregates found in Asanga's ABHIDHARMASAMUCCAYA. In addition to the Abhidharmakosabhāsya and the ViMsatikā, a third text of his was highly influential in East Asia. It is a commentary on the larger SUKHĀVATĪVYuHA, whose Sanskrit title might be reconstructed as the *Sukhāvatīvyuhopadesa. However, the work is known only in Chinese, as the JINGTU LUN, and its attribution to Vasubandhu has been called into question. Nonetheless, based on this traditional attribution, Vasubandhu is counted as an Indian patriarch of the PURE LAND schools of East Asia. ¶ In Tibet, a bṛhattīkā commentary on the sATASĀHASRIKĀPRAJNĀPĀRAMITĀ and a paddhati on three PRAJNĀPĀRAMITĀ sutras (T. Yum gsum gnod 'joms) are attributed to Vasubandhu, although his authorship is disputed.

Veda (Sanskrit) Veda [from the verbal root vid to know] Knowledge; the most ancient and sacred Sanskrit works of the Hindus. Almost every hymn or division of a Veda is ascribed to various authors. It is generally believed that these subdivisions were revealed orally to the rishis or sages whose respective names they bear; hence the body of the Veda is known as sruti (what was heard) or divine revelation. The very names of these Vedic sages, such as Vasishtha, Visvamitra, and Narada, all of which belong to men born in far distant ages, shows that millennia must have elapsed between the different dates of their composition. Krishna Sastri Godbole proves by astronomical data and mathematics that the Vedas must have been taught at least 25,000 years ago (cf Theosophist 2:238). Hindus claim that the Veda was taught orally for thousands of years, and then finally compiled by Veda-Vyasa 3,200 years ago, on the shores of the sacred lake Manasa-sarovara beyond the Himalayas in what is now Tibet (TG 362). Though compiled at that date their previous antiquity is sufficiently proved by the fact that they are written in an ancient form of Sanskrit, different from the Sanskrit of known later writings.

Veda(s)(Sanskrit) ::: From a verbal root vid signifying "to know." These are the most ancient and the most sacredliterary and religious works of the Hindus. Veda as a word may be described as "divine knowledge." TheVedas are four in number: the Rig-Veda, the Yajur-Veda, the Sama-Veda, and the Atharva-Veda, thislast being commonly supposed to be of later date than the former three.Manu in his Work on Law always speaks of the three Vedas, which he calls "the ancient triple Brahman"-- sanatanam trayam brahma." Connected with the Vedas is a large body of other works of variouskinds, liturgical, ritualistic, exegetical, and mystical, the Veda itself being commonly divided into twogreat portions, outward and inner: the former called the karma-kanda, the "Section of Works," and thelatter called jnana-kanda or "Section of Wisdom."The authorship of the Veda is not unitary, but almost every hymn or division of a Veda is ascribed to adifferent author or rather to various authors; but they are supposed to have been compiled in their presentform by Veda-Vyasa. There is no question in the minds of learned students of theosophy that the Vedasrun back in their origins to enormous antiquity, thousands of years before the beginning of what is knownin the Occident as the Christian era, whatever Occidental scholars may have to say in objection to thisstatement. Hindu pandits themselves claim that the Veda was taught orally for thousands of years, andthen finally compiled on the shores of the sacred lake Manasa-Sarovara, beyond the Himalayas in adistrict of what is now Tibet.

VijNānakāya[pādasāstra]. (T. Rnam shes kyi tshogs; C. Shishen zu lun; J. Shikishinsokuron; K. Siksin chok non 識身足論). In Sanskrit, "Collection on Consciousness"; a book from the middle stratum of the SARVĀSTIVĀDA ABHIDHARMAPItAKA, which is traditionally listed as the second of the six ancillary texts, or "feet" (pāda), of the JNĀNAPRASTHĀNA, the central treatise or body (sarīra) of the Sarvāstivāda abhidharmapitaka. Authorship of the text is attributed to Devasarman, and it is presumed to have been composed during the latter half of the first century CE. It is extant only in a complete translation into Chinese made by XUANZANG and his translation team at DACI'ENSI in 649. The VijNānakāya is the only one of the six pādasāstras that provides an elaborate proof of the veracity of the eponymous Sarvāstivāda position that dharmas exist in the past, present, and future, and its treatments are the foundation for the refinements of this position in later VAIBHĀsIKA materials. The VijNānakāya is also the only canonical Sarvāstivāda treatise that critiques the mistaken belief in a person (PUDGALA). The extensive refutation of the PUDGALAVĀDA position found in the appendix (chapter nine) to VASUBANDHU's ABHIDHARMAKOsABHĀsYA relies heavily on the VijNānakāya's content and approach. The VijNānakāya also offers an elaborate analysis of fourteen types of causes (HETU); in addition, it provides the first listing of the four types of conditions (PRATYAYA), especially in connection with the arising of sensory consciousness. By bringing causation theory to the forefront of abhidharma philosophy, the VijNānakāya occupies a crucial place in the evolution of the Sarvāstivāda abhidharma. The VijNānakāya's closest analogue in the Pāli ABHIDHAMMA literature is the DHĀTUKATHĀ.

Visvamitra (Sanskrit) Viśvāmitra Friend of all; a celebrated rishi (sage), famed for his contests with the sage Vasishtha. By birth a Kshattriya of the lineage of Pururavas of the lunar dynasty, he was employed at the court of Raja Sudas of the Tritsus, as was Vasishtha. Visvamitra was constantly worsted in his struggles for supremacy over the great Brahmin Vasishtha, and determined to elevate himself to the rank of a Brahmin, which he succeeded in doing after many strenuous austerities. Many verses of the Rig-Veda are said to have been written by him, and he is also credited with authorship of a law book.

While most writers on language agree us to the value of making some such distinctions, there is little agreement as to the number and kinds of functions which may usefully be recognised. There is even less agreement about nomenclature. The account given follows that of Kretschmer (Sprache, 61 ff. in Gercke and Norden, Einleitung in die Altertumszvissenschaft, I) and Bühlcr (Sprachtheorie, passim). Ogden and Richards distinguish five functions (Meaning of Meaning, 357 fF.). The broad distinction between "referential" and "emotive" uses of language, due to the same authors, has been widely accepted. -- M.B.

wiki "web" Any collaborative {website} that users can easily modify via the web, often without restriction. A wiki allows anyone, using a {web browser}, to create, edit or delete content that has been placed on the site, including the work of other authors. Text is entered using some simple {mark-up language} which is then rendered as {HTML}. A feature common to many of the different implementations is that any word in mixed case LikeThis (a "wikiword") is rendered as a link to a page of that name, which may or may not exist. Wikis work surprisingly well. The most famous example, {Wikipedia} (referred to as "wiki" by some), is one of the most visited sites on the web. Contributors tend to be more numerous and more persistent than vandals, and old versions of pages are always available. Like many simple concepts, open editing has profound effects on usage. Allowing everyday users to create and edit any page encourages democratic use of the web and promotes content composition by nontechnical users. In contrast, a {web log}, typically authored by an individual, does not allow visitors to change the original posted material, only add comments. Wiki wiki means "quick" in Hawaiian. The first wiki was created by {Ward Cunningham} in 1995. {wiki.org (http://wiki.org/)}. (2014-10-12)

WILL (T.B.) Originally, the will was the symbolic term for the motion aspect (the will aspect).

Will meant the ability of consciousness to let dynamis act through it. The higher the kind of consciousness, the greater the possibility of dynamis. The highest consciousness is also the highest &


wu. (J. satori; K. o 悟) In Chinese, "awakening," "enlightenment"; one of the common Chinese translations for the Sanskrit term BODHI (awakening); often seen in English through its indigenous Japanese pronunciation of SATORI. The precise content of this awakening differs according to the various schools of Buddhism. In the East Asian tradition, wu could typically involve a gradual awakening (JIANWU), but it is more commonly associated with "sudden awakening" (DUNWU), especially in the CHAN ZONG (J. ZEN; K. SoN). Sudden awakening refers to the view that the mind is inherently enlightened (cf. "buddha-nature," or FOXING) and thus does not need to be purified of its afflictions (KLEsA) in order for that buddha-nature to be realized. Gradual awakening, by contrast, refers to the view that enlightenment is the result of a process of purifying the mind of its afflictions over a series of stages, which may take several lifetimes to complete. The Chan scholiasts GUIFENG ZONGMI and POJO CHINUL, following earlier taxonomies of awakening in the HUAYAN ZONG, distinguish between two kinds of awakening: an initial sudden understanding-awakening (JIEWU), i.e., the instant when one first comes to know that one is innately a buddha; and, following a lengthy period of gradual cultivation (jianxiu), a final realization-awakening (ZHENGWU), when one is able fully to act on the potential inherent in one's initial awakening and not only be a buddha but also act like one. This description of the soteriological process is called sudden awakening followed by gradual cultivation (see DUNWU JIANXIU). Chan authors discuss many other possible permutations in this awakening and cultivation binary, including gradual cultivation/gradual enlightenment, sudden awakening/sudden cultivation, etc. Although the SUDDEN-GRADUAL ISSUE is most commonly associated with the CHAN school, there are precedents in Indian Buddhism. The so-called BSAM YAS DEBATE, or Council of Lha sa, that took place in Tibet at the end of the eighth century is said to have pitted the Indian monk KAMALAsĪLA against the Chan monk Heshang MOHEYAN in a debate over the issue of whether enlightenment occurs gradually or suddenly.

Yesod: The Archetypal World of the Jewish Kabalistic mystic philosophers, in which the true or spirit forms of all things created exist. Many authors consider this Archetypal World to be the same as the astral world or astral plane of contemporary esoteric philosophy.

Yogabhāvanāmārga. [alt. Bhāvanāyogamārga; Yogabhāvanāpatha] (T. Rnal 'byor bsgom pa'i lam). In Sanskrit, "Path of Yogic Cultivation"; a work on the BODHISATTVA path usually attributed to the eighth-century Indian master JNānagarbha, who is known as the teacher of sĀNTARAKsITA (c. 725-788) and a disciple of srīgupta. It is presumed that the Yogabhāvanāmārga is an example of the later MADHYAMAKA school's attention to the theme of the stages of meditative cultivation (BHĀVANĀ), as best exemplified by KAMALAsĪLA's three BHĀVANĀKRAMAs. There are two JNānagarbhas known to the tradition, one from the early ninth century and the other from the eleventh century. Some scholars suggest that the commentary to the Maitreya chapter of the SAMDHINIRMOCANASuTRA should be attributed to the first JNānagarbha, while authorship of the Yogabhāvanāmārga should be ascribed to the second. The Yogabhāvanāmārga, along with JNānagarbha's two other works, the Satyadvayavibhanga ("Analysis of the Two Truths") and its autocommentary Satyadvayavibhangavṛtti ("Commentary on Analysis of the Two Truths"), are only extant in Tibetan translation.

Yogācārabhumisāstra. [alt. Yogācārabhumi] (T. Rnal 'byor spyod pa'i sa'i bstan bcos; C. Yuqieshidi lun; J. Yugashijiron; K. Yugasaji non 瑜伽師地論). In Sanskrit, "Treatise on the Stages of Yogic Practice"; an encyclopedic work that is the major treatise (sĀSTRA) of the YOGĀCĀRA school of Indian Buddhism. It was widely influential in East Asia and Tibet, being translated into Chinese by XUANZANG between 646 and 648 and into Tibetan circa 800. Authorship is traditionally ascribed to ASAnGA (or, in China, to MAITREYA), but the size and scope of the text suggest that it is the compilation of the work of a number of scholars (possibly including Asanga) during the fourth century CE. The work is divided into five major sections. The first and longest, comprising approximately half the text, is called the "Multiple Stages" (Bahubhumika or Bhumivastu) and sets forth the stages of the path to buddhahood in seventeen sections. The two most famous of these sections (both of which are preserved in Sanskrit and which circulated as independent works) are the sRĀVAKABHuMI and the BODHISATTVABHuMI, the latter providing one of the most detailed discussions of the bodhisattva path (MĀRGA) in Indian literature. In this section, many of the central doctrines of the Yogācāra school are discussed, including the eight consciousnesses, the ĀLAYAVIJNĀNA, and the three natures (TRISVABHĀVA). The structures and practices of the paths of the sRĀVAKA, PRATYEKABUDDHA, and BODHISATTVA are presented here in the form that would eventually become normative among MAHĀYĀNA scholasts in general (not just adherents of Yogācāra). The second section, "Compendium of Resolving [Questions]" (ViniscayasaMgrahanī), considers controversial points that arise in the previous section. The third section, "Compendium of Interpretation" (VyākhyānasaMgrahanī), examines these points in light of relevant passages from the sutras; it is interesting to note that the majority of the texts cited in this section are Sanskrit ĀGAMAs rather than Mahāyāna sutras. The fourth, called "Compendium of Synonyms" (ParyāyasaMgraha) considers the terms mentioned in the sutras. The fifth and final section, "Compendium of Topics" (VastusaMgraha), considers central points of Buddhist doctrine, including PRATĪTYASAMUTPĀDA and BODHI. This section also contains a discussion of VINAYA and (in the Chinese version) ABHIDHARMA.

Yogācāra. (T. Rnal 'byor spyod pa; C. Yuqiexing pai; J. Yugagyoha; K. Yugahaeng p'a 瑜伽行派). In Sanskrit, "Practice of YOGA"; one of the two major MAHĀYĀNA philosophical schools (along with MADHYAMAKA) in India, known especially for its doctrines of "mind-only" (CITTAMĀTRA) or "representation-only" (VIJNAPTIMĀTRATĀ), the TRISVABHĀVA, and the ĀLAYAVIJNĀNA. In addition, much of the exposition of the structure of the Mahāyāna path (MĀRGA) and of the Mahāyāna ABHIDHARMA derives from this school. The texts of the school were widely influential in Tibet and East Asia. Although several of the terms associated with the school occur in such important Mahāyāna sutras as the DAsABHuMIKASuTRA, the LAnKĀVATĀRASuTRA, and especially the SAMDHINIRMOCANASuTRA, the exposition of the key doctrines was largely the work of two Indian scholastics of the fourth to fifth centuries CE, the half brothers ASAnGA and VASUBANDHU and their commentators, especially STHIRAMATI and DHARMAPĀLA. Asanga's major works include the central parts of the YOGĀCĀRABHuMI, the MAHĀYĀNASAMGRAHA, and the ABHIDHARMASAMUCCAYA. Vasubandhu's most famous Yogācāra works are the VIMsATIKĀ and the TRIMsIKĀ (his most famous work of all, the ABHIDHARMAKOsABHĀsYA, is said to have been composed prior to his conversion to the Mahāyāna). Among the "five books of MAITREYA" (see BYAMS CHOS SDE LNGA), three are particularly significant in Yogācāra: the MADHYĀNTAVIBHĀGA, the DHARMADHARMATĀVIBHĀGA, and the MAHĀYĀNASuTRĀLAMKĀRA. Important contributions to Yogācāra thought were also made by the logicians DIGNĀGA and DHARMAKĪRTI. Although Yogācāra and Madhyamaka engaged in polemics, in the latter phases of Buddhism in India, a synthesis of Yogācāra and Madhyamaka took place in the works of such authors as sĀNTARAKsITA and KAMALAsĪLA; Tibetan doxographers dubbed this synthesis YOGĀCĀRA-SVĀTANTRIKA-MADHYAMAKA. ¶ Yogācāra authors offered detailed presentations and analyses of virtually all of the important topics in Buddhist thought and practice, built upon an edifice deriving from meditative experience. The school is perhaps most famous for the doctrines of "mind-only" (cittamātra) and "representation-only" (vijNaptimātra), according to which the conception of the objects of experience as existing external to and independent of the consciousness perceiving them was regarded as the fundamental ignorance and the cause of suffering. Instead of the standard six consciousnesses (VIJNĀNA) posited by other Buddhist schools (the five sensory consciousnesses and the mental consciousness), some Yogācāra texts described eight forms of consciousness: these six, plus the seventh "afflicted mind" (KLIstAMANAS), which mistakenly generates the false notion of a perduing self (ĀTMAN), and the eighth foundational, or "storehouse," consciousness (ālayavijNāna). This foundational consciousness is the repository of seeds (BĪJA) or imprints (VĀSANĀ) produced by past actions (KARMAN) that fructify as experience, producing simultaneously consciousness and the objects of consciousness. The afflicted mind mistakenly regards the foundational consciousness as a permanent and independent self. The doctrine of the three natures (trisvabhāva), although variously interpreted, is also often explained in light of the doctrine of representation-only. The imaginary nature (PARIKALPITA) refers to misconceptions, such as the belief in self and in the existence of objects that exist apart from consciousness. The dependent nature (PARATANTRA) encompasses impermanent phenomena, which are products of causes and conditions. The consummate nature (PARINIsPANNA) is reality, classically defined as the absence of the imaginary nature in the dependent nature. By removing these latent predispositions from the ālayavijNāna and overcoming the mistaken bifurcation of experience between a perceiving subject and perceived objects (GRĀHYAGRĀHAKAVIKALPA), a transformation of consciousness (ĀsRAYAPARĀVṚTTI) occurs which turns the deluded mind of the sentient being into the enlightenment cognition of the buddhas (BUDDHAJNĀNA), with the ālayavijNāna being transformed into the mirrorlike wisdom (ĀDARsAJNĀNA). In the realm of soteriology, much of what would become the standard Mahāyāna elaboration of the five paths (PANCAMĀRGA) and the bodies (KĀYA, e.g., TRIKĀYA) of a buddha is found in works by Yogācāra authors, although there are important differences between Yogācāra and Madhyamaka on a number of key soteriological questions, including whether there is one vehicle (EKAYĀNA) or three final vehicles (TRIYĀNA), that is, whether all beings are destined for buddhahood, or whether some, such as the ARHATs of the mainstream Buddhist schools, are stuck in a soteriological dead end. ¶ Not all the scholastics regarded as Yogācāra exegetes adhered to all of the most famous doctrines of the school. The most common division of the school is into those who do and do not assert the existence of eight consciousnesses (and hence the ālayavijNāna). The former, who include Asanga and Vasubandhu, are called "followers of scripture" (āgamānusārin), and the latter, who include the famous logicians DIGNĀGA and DHARMAKĪRTI, are called "followers of reasoning" (nyāyānusārin). Yogācāra strands of Buddhism were extremely influential in the development of indigenous East Asian schools of Buddhism, including the mature schools of HUAYAN and even CHAN. For specifically East Asian analogues of Yogācāra, see FAXIANG ZONG, XIANG ZONG, DI LUN ZONG, and SHE LUN ZONG.

Yu sim allak to. (C. Youxin anledao; J. Yushin anrakudo 遊心安樂道). In Korean, "Wandering the Path to Mental Peace and Bliss"; traditionally attributed to the Korean monk WoNHYO, its authorship remains a matter of debate. No early references to this text are found in Korean canonical catalogues, and the earliest extant version was found in the library of the Raigoin in Kyoto, Japan. The prevailing scholarly view is that the text was composed in tenth-century Japan, perhaps by an adherent of the TENDAISHu, with the first half of the work taken virtually verbatim from Wonhyo's Muryangsugyong chongyo ("Doctrinal Essentials of the SUKHĀVATĪVYuHASuTRA"). The Yu sim allak to was influential in Japan, especially during the Kamakura period, when it was quoted in such texts as the Komyo shingon dosha kanjinki by MYoE KoBEN, An'yoshu by Minamoto Takakuni (1004-1077), Ketsujo ojoshu by Chinkai (1087-1165), and the SENCHAKU HONGAN NENBUTSUSHu by HoNEN. The Yu sim allak to consists of seven sections: (1) the central tenet (i.e., the benefits of rebirth), (2) the whereabouts of the land of peace and happiness (ANLEGUO, viz., SUKHĀVATĪ), (3) clarification of doubts and concerns, (4) the various causes and conditions of rebirth in the PURE LAND, (5) the nine grades (JIUPIN) of rebirth, (6) the ease and difficulty of rebirth in the different buddha-fields (BUDDHAKsETRA), (7) and the rebirth of women, those with dull faculties, and sinners. The last section also contains a MANTRA from the Amoghapāsakalparājāsutra and an empowerment (ADHIstHĀNA) ritual.

Yu-Sok chirŭi non. (儒釋質疑論). In Korean, "Treatise on Queries and Doubts concerning Yu (C. Ru, viz., Confucius) and Sok (C. Shi, sĀKYAMUNI)"; a Buddhist "defense of the faith" against Neo-Confucian criticisms, written during the early Choson period. Although the authorship of this text remains a mystery, the style and content of the treatise resemble the HYoNJoNG NON by KIHWA (1376-1433), and it is clear that its Buddhist author was well versed in both Confucian and Daoist thought. The Yu-Sok chirŭi non is written in catechetic style and consists of nineteen questions and answers, which largely address misleading views that Confucian scholars hold regarding Buddhism. Following a syncretic approach that seeks to reconcile the teaching of Confucianism, Buddhism, and Daoism, this work generally argues that these three teachings each have their own distinctive roles to play in people's lives and need not be in conflict. Buddhism, Confucianism, and Daoism are explained as corresponding, respectively, to (1) nature (K. song, C. XING), mind (K. sim, C. XIN), and pneuma (K. ki, C. qi); (2) truth (K. chin, C. zhen), its traces (K. chok, C. ji), and the connection between them; and so on. The treatise claims that these three teachings are ultimately in accord with one another because of their identical basis in the mind. The text also treats such traditional aspects of Chinese thought as yin-yang cosmology and the five phases (K. ohaeng, C. wuxing) (viz., the five traditional Chinese elements), as well as astrological and cosmological issues.

Z+: The set of all positive integers. This is also known as the natural number, although some authors prefer this due to the ambiguity of the natural numbers. (i.e. the two definitions of the natural numbers.)



QUOTES [8 / 8 - 1500 / 1652]


KEYS (10k)

   1 Robert Burton
   1 Jordan Peterson
   1 James A Michener
   1 Frank Visser
   1 The Mother
   1 Sri Aurobindo
   1 Aleister Crowley
   1 Abraham Maslow

NEW FULL DB (2.4M)

   37 Anonymous
   18 Neil Gaiman
   17 Samuel Johnson
   16 Kailin Gow
   11 Alexander Pope
   10 Jonathan Swift
   9 Michel de Montaigne
   9 Arthur Schopenhauer
   8 Ray Bradbury
   8 Plato
   7 Washington Irving
   7 Richard Dawkins
   7 Nassim Nicholas Taleb
   7 Alain de Botton
   6 Leonardo da Vinci
   6 Johann Wolfgang von Goethe
   6 James W Loewen
   6 Francis Bacon
   6 Elena Ferrante
   6 Daniel Kahneman

1:A large library is apt to distract rather than to instruct the learner. It is much better to confine to a few authors than to wander at random over many. ~ James A Michener, Iberia, [T5],
2:Authors of earth's high change, to you it is given
To cross the dangerous spaces of the soul ~ Sri Aurobindo, Savitri, The Call to the Quest,
3:It looks as if there were a single ultimate goal for mankind, a far goal toward which all persons strive. This is called variously by different authors self-actualization, self-realization, integration, psychological health, individuation, autonomy, creativity, productivity, but they all agree that this amounts to realizing the potentialities of the person, that is to say, becoming fully human, everything that person can be. ~ Abraham Maslow,
4:so you distill these stories great authors distill stories and we have soties that are very very very old they are usually religious stories they could be fairy tales because some people ahve traced fairy tales back 10 000 years ... a story that has been told for 10000 years is a funny kind of story its like people have remembered it and obviously modified it, like a game of telephone that has gone on for generations and all that is left is what people remember and maybe they remember whats important, because you tend to remember what's important and its not necessarily the case that you know what the hell it means ... and you dont genereally know what a book that you read means not if its profound it means more than you can understand because otherwise why read it? ~ Jordan Peterson, Maps of Meaning 2017 - 1,
5:[E]very man hath liberty to write, but few ability. Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers, that either write for vain-glory, need, to get money, or as Parasites to flatter and collogue with some great men, they put out trifles, rubbish and trash. Among so many thousand Authors you shall scarce find one by reading of whom you shall be any whit better, but rather much worse; by which he is rather infected than any way perfected...
   What a catalogue of new books this year, all his age (I say) have our Frankfurt Marts, our domestic Marts, brought out. Twice a year we stretch out wits out and set them to sale; after great toil we attain nothing...What a glut of books! Who can read them? As already, we shall have a vast Chaos and confusion of Books, we are oppressed with them, our eyes ache with reading, our fingers with turning. For my part I am one of the number-one of the many-I do not deny it... ~ Robert Burton, The Anatomy of Melancholy,
6:Integral Psychology presents a very complex picture of the individual. As he did previously in The Atman Project, at the back of the book Wilber has included numerous charts showing how his model relates to the work of a hundred or so different authors from East and West.57

57. Wilber compares the models of Huston Smith, Plotinus, Buddhism, Stan Grof, John Battista, kundalini yoga, the Great Chain of Being, James Mark Baldwin, Aurobindo, the Kabbalah, Vedanta, William Tiller, Leadbeater, Adi Da, Piaget, Commons and Richards, Kurt Fisher, Alexander, Pascual-Leone, Herb Koplowitz, Patricia Arlin, Gisela Labouvie-Vief, Jan Sinnot, Michael Basseches, Jane Loevinger, John Broughton, Sullivan, Grant and Grant, Jenny Wade, Michael Washburn, Erik Erikson, Neumann, Scheler, Karl Jaspers, Rudolf Steiner, Don Beck, Suzanne Cook-Greuter, Clare Graves, Robert Kegan, Kohlberg, Torbert, Blanchard-Fields, Kitchener and King, Deirdre Kramer, William Perry, Turner and Powell, Cheryl Armon, Peck, Howe, Rawls, Piaget, Selman, Gilligan, Hazrat Inayat Khan, mahamudra meditation, Fowler, Underhill, Helminiak, Funk, Daniel Brown, Muhyddin Ibn 'Arabi, St. Palamas, classical yoga, highest tantra yoga, St Teresa, Chirban, St Dionysius, Patanjali, St Gregory of Nyssa, transcendental meditation, Fortune, Maslow, Chinen, Benack, Gardner, Melvin Miller, Habermas, Jean Houston, G. Heard, Lenski, Jean Gebser, A. Taylor, Jay Early, Robert Bellah, and Duane Elgin. ~ Frank Visser, Ken Wilber Thought as Passion,
7:PRATYAHARA

PRATYAHARA is the first process in the mental part of our task. The previous practices, Asana, Pranayama, Yama, and Niyama, are all acts of the body, while mantra is connected with speech: Pratyahara is purely mental.

   And what is Pratyahara? This word is used by different authors in different senses. The same word is employed to designate both the practice and the result. It means for our present purpose a process rather strategical than practical; it is introspection, a sort of general examination of the contents of the mind which we wish to control: Asana having been mastered, all immediate exciting causes have been removed, and we are free to think what we are thinking about.

   A very similar experience to that of Asana is in store for us. At first we shall very likely flatter ourselves that our minds are pretty calm; this is a defect of observation. Just as the European standing for the first time on the edge of the desert will see nothing there, while his Arab can tell him the family history of each of the fifty persons in view, because he has learnt how to look, so with practice the thoughts will become more numerous and more insistent.

   As soon as the body was accurately observed it was found to be terribly restless and painful; now that we observe the mind it is seen to be more restless and painful still. (See diagram opposite.)

   A similar curve might be plotted for the real and apparent painfulness of Asana. Conscious of this fact, we begin to try to control it: "Not quite so many thoughts, please!" "Don't think quite so fast, please!" "No more of that kind of thought, please!" It is only then that we discover that what we thought was a school of playful porpoises is really the convolutions of the sea-serpent. The attempt to repress has the effect of exciting.

   When the unsuspecting pupil first approaches his holy but wily Guru, and demands magical powers, that Wise One replies that he will confer them, points out with much caution and secrecy some particular spot on the pupil's body which has never previously attracted his attention, and says: "In order to obtain this magical power which you seek, all that is necessary is to wash seven times in the Ganges during seven days, being particularly careful to avoid thinking of that one spot." Of course the unhappy youth spends a disgusted week in thinking of little else.

   It is positively amazing with what persistence a thought, even a whole train of thoughts, returns again and again to the charge. It becomes a positive nightmare. It is intensely annoying, too, to find that one does not become conscious that one has got on to the forbidden subject until one has gone right through with it. However, one continues day after day investigating thoughts and trying to check them; and sooner or later one proceeds to the next stage, Dharana, the attempt to restrain the mind to a single object.

   Before we go on to this, however, we must consider what is meant by success in Pratyahara. This is a very extensive subject, and different authors take widely divergent views. One writer means an analysis so acute that every thought is resolved into a number of elements (see "The Psychology of Hashish," Section V, in Equinox II).

   Others take the view that success in the practice is something like the experience which Sir Humphrey Davy had as a result of taking nitrous oxide, in which he exclaimed: "The universe is composed exclusively of ideas."

   Others say that it gives Hamlet's feeling: "There's nothing good or bad but thinking makes it so," interpreted as literally as was done by Mrs. Eddy.

   However, the main point is to acquire some sort of inhibitory power over the thoughts. Fortunately there is an unfailing method of acquiring this power. It is given in Liber III. If Sections 1 and 2 are practised (if necessary with the assistance of another person to aid your vigilance) you will soon be able to master the final section. ~ Aleister Crowley, Liber ABA,
8:
   In the lower planes can't one say what will happen at a particular moment?

That depends. On certain planes there are consciousnesses that form, that make formations and try to send them down to earth and manifest them. These are planes where the great forces are at play, forces struggling with each other to organise things in one way or another. On these planes all the possibilities are there, all the possibilities that present themselves but have not yet come to a decision as to which will come down.... Suppose a plane full of the imaginations of people who want certain things to be realised upon earth - they invent a novel, narrate stories, produce all kinds of phenomena; it amuses them very much. It is a plane of form-makers and they are there imagining all kinds of circumstances and events; they play with the forces; they are like the authors of a drama and they prepare everything there and see what is going to happen. All these formations are facing each other; and it is those which are the strongest, the most successful or the most persistent or those that have the advantage of a favourable set of circumstances which dominate. They meet and out of the conflict yet another thing results: you lose one thing and take up another, you make a new combination; and then all of a sudden, you find, pluff! it is coming down. Now, if it comes down with a sufficient force, it sets moving the earth atmosphere and things combine; as for instance, when with your fist you thump the saw-dust, you know surely what happens, don't you? You lift your hand, give a formidable blow: all the dust gets organised around your fist. Well, it is like that. These formations come down into matter with that force, and everything organises itself automatically, mechanically as around the striking fist. And there's your wished object about to be realised, sometimes with small deformations because of the resistance, but it will be realised finally, even as the person narrating the story up above wanted it more or less to be realised. If then you are for some reason or other in the secret of the person who has constructed the story and if you follow the way in which he creates his path to reach down to the earth and if you see how a blow with the fist acts on earthly matter, then you are able to tell what is going to happen, because you have seen it in the world above, and as it takes some time to make the whole journey, you see in advance. And the higher you rise, the more you foresee in advance what is going to happen. And if you pass far beyond, go still farther, then everything is possible.
   It is an unfolding that follows a wide road which is for you unknowable; for all will be unfolded in the universe, but in what order and in what way? There are decisions that are taken up there which escape our ordinary consciousness, and so it is very difficult to foresee. But there also, if you enter consciously and if you can be present up there... How shall I explain that to you? All is there, absolute, static, eternal: but all that will be unfolded in the material world, naturally more or less one thing after another; for in the static existence all can be there, but in the becoming all becomes in time, that is, one thing after another. Well, what path will the unfolding follow? Up there is the domain of absolute freedom.... Who says that a sufficiently sincere aspiration, a sufficiently intense prayer is not capable of changing the path of the unfolding?
   This means that all is possible.
   Now, one must have a sufficient aspiration and a prayer that's sufficiently intense. But that has been given to human nature. It is one of the marvellous gifts of grace given to human nature; only, one does not know how to make use of it. This comes to saying that in spite of the most absolute determinisms in the horizontal line, if one knows how to cross all these horizontal lines and reach the highest Point of consciousness, one is able to make things change, things apparently absolutely determined. So you may call it by any name you like, but it is a kind of combination of an absolute determinism with an absolute freedom. You may pull yourself out of it in any way you like, but it is like that.
   I forgot to say in that book (perhaps I did not forget but just felt that it was useless to say it) that all these theories are only theories, that is, mental conceptions which are merely more or less imaged representations of the reality; but it is not the reality at all. When you say "determinism" and when you say "freedom", you say only words and all that is only a very incomplete, very approximate and very weak description of what is in reality within you, around you and everywhere; and to be able to begin to understand what the universe is, you must come out of your mental formulas, otherwise you will never understand anything.
   To tell the truth, if you live only a moment, just a tiny moment, of this absolutely sincere aspiration or this sufficiently intense prayer, you will know more things than by meditating for hours.

~ The Mother, Questions And Answers 1953,

*** WISDOM TROVE ***

1:All authors to their own defects are blind. ~ john-dryden, @wisdomtrove
2:The authors of great evils know best how to remove them. ~ plutarch, @wisdomtrove
3:I'm thoroughly convinced that editors don't help authors. ~ h-l-mencken, @wisdomtrove
4:The chief glory of every people arises from its authors. ~ samuel-johnson, @wisdomtrove
5:The great authors share their souls with us- "literally. ~ ursula-k-le-guin, @wisdomtrove
6:Dickens is one of those authors who are well worth stealing. ~ george-orwell, @wisdomtrove
7:Let us welcome controversial books and controversial authors. ~ john-f-kennedy, @wisdomtrove
8:There are no authors in my genre. No one is doing what I do. ~ nicholas-sparks, @wisdomtrove
9:Those authors are to be read at schools that supply most axioms of prudence. ~ samuel-johnson, @wisdomtrove
10:Authors and actors and artists and such - Never know nothing, and never know much. ~ dorothy-parker, @wisdomtrove
11:Authors: John F. Kennedy John F. Kennedy Jr. Topics: Quotes about John F. Kennedy   ~ john-f-kennedy, @wisdomtrove
12:Truth is never to be expected from authors whose understanding is warped with enthusiasm. ~ john-dryden, @wisdomtrove
13:Old wood best to burn, old wine to drink, old friends to trust, and old authors to read. ~ francis-bacon, @wisdomtrove
14:Those authors who would find many readers, must endeavour to please while they instruct. ~ samuel-johnson, @wisdomtrove
15:Authors and lovers always suffer some infatuation, from which only absence can set them free. ~ samuel-johnson, @wisdomtrove
16:He invades authors like a monarch; and what would be theft in other poets is only victory in him. ~ john-dryden, @wisdomtrove
17:When authors and critics talk of the sublime, they see not how nearly it borders on the ridiculous. ~ thomas-paine, @wisdomtrove
18:A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest. ~ t-s-eliot, @wisdomtrove
19:We who have been true readers all our life fully realize the enormous of our being which we owe to authors. ~ c-s-lewis, @wisdomtrove
20:Authors must not, like Chinese soldiers, expect to win victories by turning somersets in the air. ~ henry-wadsworth-longfellow, @wisdomtrove
21:Those authors who appear sometimes to forget they are writers, and remember they are men, will be our favorites. ~ benjamin-disraeli, @wisdomtrove
22:Ultimately, I think that the growth and sustainability of the e-book movement depends on authors and end-users (readers). ~ tom-peters, @wisdomtrove
23:When I hear artists or authors making fun of businessmen, I think of a regiment in which the band makes fun of the cooks. ~ h-l-mencken, @wisdomtrove
24:Writing books is certainly a most unpleasant occupation. It is lonesome, unsanitary, and maddening. Many authors go crazy. ~ h-l-mencken, @wisdomtrove
25:Age appears to be best in four things; old wood best to burn, old wine to drink, old friends to trust, and old authors to read. ~ francis-bacon, @wisdomtrove
26:One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and>metaphor. ~ ogden-nash, @wisdomtrove
27:Though the Bible was written over sixteen centuries by at least forty authors, it has one central theme-salvation through faith in Christ. ~ max-lucado, @wisdomtrove
28:Despite the best efforts of critics and the hopes of authors, our tastes in books are probably as inherent & unbudgeable as those in food. ~ alain-de-botton, @wisdomtrove
29:Focus in on the genre you want to write, and read books in that genre. A LOT of books by a variety of authors. And read with questions in your mind. ~ nicholas-sparks, @wisdomtrove
30:I have chosen to parody the writing styles of Carlos Castaneda, James Redfield, Richard Bach, Lynn Andrews, and several other best-selling new age authors. ~ frederick-lenz, @wisdomtrove
31:Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn't find anyone to talk to. ~ alain-de-botton, @wisdomtrove
32:Authors by the hundreds can tell you stories by the thousands of those rejection slips before they found a publisher who was willing to &
33:He who is well acquainted with the text of scripture, is a distinguished theologian. For a Bible passage or text is of more value than the comments of four authors. ~ martin-luther, @wisdomtrove
34:There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine. ~ ursula-k-le-guin, @wisdomtrove
35:There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature. ~ washington-irving, @wisdomtrove
36:What a blessed thing it is, that Nature, when she invented, manufactured, and patented her authors, contrived to make critics out of the chips that were left! ~ oliver-wendell-holmes-sr, @wisdomtrove
37:The Bible is actually a library of books-some long, some short- written over hundreds of years by many authors. Behind each one, however, was [the] Author: the Spirit of God. ~ billy-graham, @wisdomtrove
38:A list of authors who have made themselves most beloved and therefore, most comfortable financially, shows that it is our national joy to mistake for the first-rate, the fecund rate. ~ dorothy-parker, @wisdomtrove
39:Authors of all races, be they Greeks, Romans, Teutons, or Celts, Can't seem just to say anything is the thing it is but have to go out of their way to say that it is like something else. ~ ogden-nash, @wisdomtrove
40:Authors are the vanguard in the march of mind, the intellectual backwoodsmen, reclaiming from the idle wilderness new territories for the thought and activity of their happier brethren. ~ thomas-carlyle, @wisdomtrove
41:I should have no objection to go over the same life from its beginning to the end: requesting only the advantage authors have, of correcting in a second edition the faults of the first. ~ benjamin-franklin, @wisdomtrove
42:People take England on trust, and repeat that Shakespeare is the greatest of all authors. I have read him: there is nothing that compares Racine or Corneille: his plays are unreadable, pitiful. ~ napoleon-bonaparte, @wisdomtrove
43:Why were so many Americans treated by their government as though their lives were as disposable as facial tissues? Because that was the way authors customarily treated bit-part players in their made-up tales. ~ kurt-vonnegut, @wisdomtrove
44:I was sorry to have my name mentioned as one of the great authors, because they have a sad habit of dying off. Chaucer is dead, Spencer is dead, so is Milton, so is Shakespeare, and I’m not feeling so well myself. ~ mark-twain, @wisdomtrove
45:By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas. ~ nicholas-sparks, @wisdomtrove
46:There are many great authors of the past who have survived centuries of oblivion and neglect, but it is still an open question whether they will be able to survive an entertaining version of what they have to say. ~ hannah-arendt, @wisdomtrove
47:The inspiration of a single book has made preachers, poets, philosophers, authors, and statesmen. On the other hand, the demoralization of a single book has sometimes made infidels, profligates, and criminals. ~ orison-swett-marden, @wisdomtrove
48:I enjoy the writings of all of these authors and they have been very inspirational for me. But I think that it is important as writers of metaphysical, New Age, occult fiction and nonfiction to not  take ourselves too seriously. ~ frederick-lenz, @wisdomtrove
49:The reading of all good books is indeed like a conversation with the noblest men of past centuries who were the authors of them, nay a carefully studied conversation, in which they reveal to us none but the best of their thoughts. ~ rene-descartes, @wisdomtrove
50:Criticism is now become mere hangman's work, and meddles only with the faults of authors ; nay, the critic is disgusted less with their absurdities than excellence ; and you cannot displease him more than in leaving him little room for his malice. ~ john-dryden, @wisdomtrove
51:We want to believe. Young students try to believe in older authors, constituents try to believe in their Congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical ill-considered criticism. ~ f-scott-fitzgerald, @wisdomtrove
52:Over against the devil and his missionaries, the authors of false doctrines and sects, we ought to be like the Apostle, impatient, and rigorously condemnatory, as parents are with the dog that bites their little one, but the weeping child itself they soothe. ~ martin-luther, @wisdomtrove
53:Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, &
54:Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. ~ washington-irving, @wisdomtrove
55:I have preferred to teach my students not English literature but my love for certain authors, or, even better, certain pages, or even better than that, certain lines. One falls in love with a line, then with a page, then with an author. Well, why not? It is a beautiful process. ~ jorge-luis-borges, @wisdomtrove
56:I feel a kind of reverence for the first books of young authors. There is so much aspiration in them, so much audacious hope and trembling fear, so much of the heart's history, that all errors and shortcomings are for a while lost sight of in the amiable self assertion of youth. ~ henry-wadsworth-longfellow, @wisdomtrove
57:Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature. ~ washington-irving, @wisdomtrove
58:The motives and purposes of authors are not always so pure and high, as, in the enthusiasm of youth, we sometimes imagine. To many the trumpet of fame is nothing but a tin horn to call them home, like laborers from, the field, at dinner-time, and they think themselves lucky to get the dinner. ~ henry-wadsworth-longfellow, @wisdomtrove
59:There are some authors who contend that meanings and values are "nothing but defense mechanisms, reaction formations and sublimations." But as for myself, I would not be willing to live merely for the sake of my "defense mechanisms," nor would I be ready to die merely for the sake of my "reaction formations. ~ viktor-frankl, @wisdomtrove
60:Surrogate fathers and other male figures stepped in to give guidance after my dad died. Businessmen taught me to honor my commitments; others gave me opportunities beyond my wildest imaginations. Authors and speakers set good, solid examples of high standards and lofty goals for me; mature, committed Christians nurtured and instructed me. ~ zig-ziglar, @wisdomtrove
61:Truth is not only stranger than fiction, it is more telling. To know that a thing actually happened gives it a poignancy, touches a chord, which a piece of acknowledged fiction misses. It is to touch this chord that some authors have done everything they could to give you the impression that they are telling the plain truth. ~ william-somerset-maugham, @wisdomtrove
62:Authors of so-called &
63:Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author. ~ henry-wadsworth-longfellow, @wisdomtrove
64:The great British Library -an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought. ~ washington-irving, @wisdomtrove
65:The biggest takeaway for anyone seeking to write is this: don't go looking for the way other authors do their work. You won't find many who are consistent enough to copy, and there are enough variations in approach that it's obvious that it's not like hitting home runs or swinging a golf club. There isn't a standard approach, there's only what works for you (and what doesn't). ~ seth-godin, @wisdomtrove
66:It is the fate of most men who mingle with the world, and attain even the prime of life, to make many real friends, and lose them in the course of nature. It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides. ~ charles-dickens, @wisdomtrove
67:It was just as the 1914 War burst on me that I made the discovery that &
68:And for the citation of so many authors, 'tis the easiest thing in nature. Find out one of these books with an alphabetical index, and without any farther ceremony, remove it verbatim into your own... there are fools enough to be thus drawn into an opinion of the work; at least, such a flourishing train of attendants will give your book a fashionable air, and recommend it for sale. ~ miguel-de-cervantes, @wisdomtrove
69:[My approach to the Bible, history does really matter.] Everything matters. But I have priorities. For instance, for me to know whether there were two Isaiahs or one is less important than the text itself. Of course I read the arguments for and against. But it's not my task in life to say there were two or three authors of Isaiah's book, or how many authors there were of Deuteronomy. This is not what I'm doing. ~ elie-wiesel, @wisdomtrove
70:Thousands of volumes have been written about aviation, but we do not automatically have thousands of true and special friends in their authors. That rare writer who comes alive on a page does it by giving of himself, by writing of meanings, and not just of fact or of things that have happened to him. The writers of flight who have done this are usually found together in a special section on private bookshelves. ~ richard-bach, @wisdomtrove
71:It looks as if there were a single ultimate goal for mankind, a far goal toward which all persons strive. This is called variously by different authors self-actualization, self-realization, integration, psychological health, individuation, autonomy, creativity, productivity, but they all agree that this amount to realizing the potentialities of the person, that is to say, becoming fully human, everything that person can be. ~ abraham-maslow, @wisdomtrove
72:Authors and publishers want fair compensation and a means of protecting content through digital rights management. Vendors and technology companies want new markets for e-book reading devices and other hardware. End-users most of all want a wide range and generous amount of high-quality content for free or at reasonable costs. Like end-users, libraries want quality, quantity, economy, and variety as well as flexible business models. ~ tom-peters, @wisdomtrove
73:What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we're truly the authors of our own ambitions. Because it's bad enough not getting what you want, but it's even worse to have an idea of what it is you want and find out at the end of the journey that it isn't, in fact, what you wanted all along. ~ alain-de-botton, @wisdomtrove
74:If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries. These libraries should be open to all except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors. For the Bill of Rights is the guardian of our security as well as our liberty. ~ john-f-kennedy, @wisdomtrove
75:If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries. These libraries should be open to all—except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors. For the Bill of Rights is the guardian of our security as well as our liberty. ~ john-f-kennedy, @wisdomtrove
76:Exasperation with the threefold frustration of action - the unpredictability of its outcome, the irreversibility of the process, and the anonymity of its authors - is almost as old as recorded history. It has always been a great temptation, for men of action no less than for men of thought, to find a substitute for action in the hope that the realm of human affairs may escape the haphazardness and moral irresponsibility inherent in a plurality of agents. ~ hannah-arendt, @wisdomtrove
77:I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior FBI-men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school. ... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering. ~ ernest-hemingway, @wisdomtrove
78:One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest. ~ t-s-eliot, @wisdomtrove
79:There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature. They are like gigantic trees that we sometimes see on the banks of a stream; which, by their vast and deep roots, penetrating through the mere surface, and laying hold on the very foundations of the earth, preserve the soil around them from being swept away by the ever-flowing current, and hold up many a neighboring plant, and perhaps worthless weed, to perpetuity. ~ washington-irving, @wisdomtrove
80:Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen. ~ f-scott-fitzgerald, @wisdomtrove
81:Whenever the Eastern mystics express their knowledge in words - be it with the help of myths, symbols, poetic images or paradoxical statements-they are well aware of the limitations imposed by language and &
82:MANIFESTO OF THE BRAVE AND BROKENHEARTED There is no greater threat to the critics and cynics and fearmongers Than those of us who are willing to fall Because we have learned how to rise With skinned knees and bruised hearts; We choose owning our stories of struggle, Over hiding, over hustling, over pretending. When we deny our stories, they define us. When we run from struggle, we are never free. So we turn toward truth and look it in the eye. We will not be characters in our stories. Not villains, not victims, not even heroes. We are the authors of our lives. We write our own daring endings. We craft love from heartbreak, Compassion from shame, Grace from disappointment, Courage from failure. Showing up is our power. Story is our way home. Truth is our song. We are the brave and brokenhearted. We are rising strong. ~ brene-brown, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:Authors are sick people. ~ Sarah M Eden,
2:Books exceed authors' lifespan. ~ Toba Beta,
3:Time is the author of authors. ~ Francis Bacon,
4:Living authors don’t have any merit. ~ Anonymous,
5:All great authors are seers. ~ George Henry Lewes,
6:Authors are partial to their wit ~ Alexander Pope,
7:Authors do not own books, readers do ~ John Green,
8:Paper is patient; authors never are.) ~ Nina George,
9:The authors of all our misfortune. ~ Jefferson Davis,
10:Authors write, readers read, money talks. ~ Toba Beta,
11:Paper is patient; authors never are.) At ~ Nina George,
12:Like most authors, I also love to read. ~ Aprilynne Pike,
13:Most authors steal their works, or buy. ~ Alexander Pope,
14:Nothing is impossible to gods and authors. ~ Will Durant,
15:We need to be the authors of our own life. ~ Peter Senge,
16:All authors to their own defects are blind. ~ John Dryden,
17:He's a liar for a living, all authors are. ~ Karina Halle,
18:No burglar wastes his time burgling authors. ~ P G Wodehouse,
19:Authors, he thought. Even the sane ones are nuts. ~ Dan Brown,
20:So many authors, so many Urs, so little time. A ~ Stephen King,
21:Whoever authors your story authorizes your actions. ~ Sam Keen,
22:my books only know the minds of their authors. ~ Gary Shteyngart,
23:Authors, like coins, grow dear as they grow old. ~ Alexander Pope,
24:Good authors copy, great artists steal"-Picassco ~ Walter Isaacson,
25:My favourite authors include Trollope and Dickens. ~ Kevin McCloud,
26:Obscurity is a greater threat to authors than piracy ~ Joanna Penn,
27:Wine grapes are as sensitive to assaults as authors. ~ Adam Gopnik,
28:Many contemporary authors drink more than they write. ~ Maxim Gorky,
29:The authors of great evils know best how to remove them. ~ Plutarch,
30:A play has two authors, the playwright and the actor. ~ Eric Bentley,
31:Too many books by too many authors can be confusing, ~ Graham Greene,
32:Obscurity is a bigger problem for authors than piracy. ~ Tim O Reilly,
33:authors and 2 amazing bakeries, the only question is, what ~ Anonymous,
34:Critics are to authors what dogs are to lamp-posts. ~ Jeffrey Robinson,
35:I'm thoroughly convinced that editors don't help authors. ~ H L Mencken,
36:You name drop authors like other girls drop boy bands. ~ Danielle Paige,
37:Authors, full of evil thoughts, lock up your typewriters. ~ Ray Bradbury,
38:Book publishing would be so much easier without the authors. ~ Dan Brown,
39:Writing is hard, even for authors who do it all the time. ~ Roger Angell,
40:Book authors are born where credentials meet platform. ~ Chuck Sambuchino,
41:The chief glory of every people arises from its authors. ~ Samuel Johnson,
42:People should be interested in books, not their authors. ~ Agatha Christie,
43:Everything is a story, and we are the authors of our own lives. ~ Tim Green,
44:The great authors share their souls with us- "literally. ~ Ursula K Le Guin,
45:Dickens is one of those authors who are well worth stealing. ~ George Orwell,
46:Jane Austen is the pinnacle to which all other authors aspire. ~ J K Rowling,
47:The wittiest authors evoke a barely perceptible smile. ~ Friedrich Nietzsche,
48:My favourite authors are Milan Kundera and Jeanette Winterson. ~ Paloma Faith,
49:There are so many good authors; there's no shortage of them. ~ Jeanne Calment,
50:Writer's Block: making authors miserable since the Stone Age. ~ Max Hawthorne,
51:At one point, all authors are unknown until the day they are not. ~ J D Barker,
52:Few authors feel sufficiently themselves to make others ''feel ~ Marie Corelli,
53:Let us welcome controversial books and controversial authors. ~ John F Kennedy,
54:None save great men have been the authors of great heresies. ~ Saint Augustine,
55:There are no authors in my genre. No one is doing what I do. ~ Nicholas Sparks,
56:The wittiest authors raise the very slightest of smiles. ~ Friedrich Nietzsche,
57:We are the authors of our lives. We write our own daring endings. ~ Bren Brown,
58:Young authors give their brains much exercise and little food. ~ Joseph Joubert,
59:Authors do not choose a story to write, the story chooses us. ~ Richard P Denney,
60:Authors have the power to bore people long after we are dead. – ~ Sinclair Lewis,
61:This book had two authors, and they were both the same person. ~ Terry Pratchett,
62:Authors always take rejection badly. They equate it with infanticide. ~ P D James,
63:Most people know that Ray Bradbury is one of my favorite authors. ~ Alice Hoffman,
64:The consumer status, the authors concluded "did not unite; it divided. ~ Anonymous,
65:Try to meet as many authors, agents, and editors as you can. ~ Walter Jon Williams,
66:Authors know their subject. Editors specialize in knowing the audience. ~ Anonymous,
67:Closure’s a sham invented by talk-show hosts and self-help authors. ~ Gregg Hurwitz,
68:Stealing from one author is plagiarism; from many authors, research. ~ Walter Moers,
69:Strength is not energy; some authors have more muscles than talent. ~ Joseph Joubert,
70:All is a-swarm with commentaries: of authors there is a dearth. ~ Michel de Montaigne,
71:All is a-swarm with commentaries; of authors there is a dearth. ~ Michel de Montaigne,
72:Great novels are always a little more intelligent than their authors. ~ Milan Kundera,
73:They (the poets) are to us in a manner the fathers and authors of the wisdom. ~ Plato,
74:Most authors have one idea per book. Shakespeare had two per sentence. ~ Lauren Hutton,
75:There is bad in all good authors: what a pity the converse isn't true! ~ Philip Larkin,
76:Authors today wrote so much to a pattern that their public expected it. ~ Josephine Tey,
77:Pride deludes us into thinking that we are the authors of our own lives. ~ David Brooks,
78:Authors and uncaptured criminals are the only people free from routine. ~ Vachel Lindsay,
79:all I want to do is get home and never see any of you authors ever again, ~ Michael Chabon,
80:Authors today need a publisher as much as they need a tapeworm in their guts. ~ Rayne Hall,
81:The connection between authors, printers, and booksellers must be kept up. ~ James Boswell,
82:People play differently when they’re keeping score,” the 4DX authors explain. ~ Cal Newport,
83:And after all, authors' heroines are almost as good as authoress's heroes. ~ Charlotte Bront,
84:I believe that books, once they are written, have no need of their authors. ~ Elena Ferrante,
85:It seems a very specific bid: I´ll take Famous Authors for five hundred. ~ Suzanne Finnamore,
86:of the authors’ imagination and used fictitiously. Emerald Green Desiree Holt ~ Desiree Holt,
87:Authors in general don’t have a lot of money, and lawsuits are expensive. ~ James D Macdonald,
88:It can happen that a book, unlike its authors, grows younger as the years pass. ~ John Berger,
89:My hours of leisure I spent in reading the best authors, ancient and modern, ~ Jonathan Swift,
90:Obscurity is a far greater threat to authors and creative artists than piracy. ~ Tim O Reilly,
91:The contemporary authors I most admire are Nick Hornby and Jonathan Tropper. ~ Mike Greenberg,
92:Those authors are to be read at schools that supply most axioms of prudence. ~ Samuel Johnson,
93:Every place swarms with commentaries; of authors there is great scarcity. ~ Michel de Montaigne,
94:Orientalism is after all a system for citing works and authors .  Orientalism ~ Edward W Said,
95:preliterate authors, such as Homer, who cannot be grammatically constrained, ~ Giacomo Leopardi,
96:True art must be evidence of happiness, contentment and purity of its authors. ~ Mahatma Gandhi,
97:What is it about us lady authors and our fascination for the exclamation mark? ~ E A Bucchianeri,
98:Books are written so their authors can be heard, not so that they remain silent. ~ Elena Ferrante,
99:Do you look like the photograph on your book jackets? Authors, I find, seldom do. ~ Hilary Mantel,
100:I think authors can get into trouble viewing the subject matter as their turf ~ Laura Hillenbrand,
101:No one should be judged for what they read, nor should authors by what they write. ~ Karina Halle,
102:Grave authors say, and witty poets sing, That honest wedlock is a glorious thing. ~ Alexander Pope,
103:The world is crawling with authors touring now. They're like performance artists. ~ Kazuo Ishiguro,
104:When male authors write love stories, the heroine tends to end up dead. ~ Susan Elizabeth Phillips,
105:Authors and actors and artists and such - Never know nothing, and never know much. ~ Dorothy Parker,
106:Why must ancients, and provided the same talent, be better than modern authors? ~ Franz Grillparzer,
107:How many authors are there among writers? Author means originator. ~ Karl Wilhelm Friedrich Schlegel,
108:I've always been a huge fan of apologetics. C.S. Lewis is one of my favorite authors. ~ Shane Harper,
109:Read the books you love, tell people about authors you like, and don’t worry about it. ~ Neil Gaiman,
110:Twitter, Facebook, Google + are the trifecta of marketing for authors (and bloggers). ~ Guy Kawasaki,
111:I consider that women who are authors, lawyers, and politicians are monsters. ~ Pierre Auguste Renoir,
112:The faults of great authors are generally excellences carried to an excess. ~ Samuel Taylor Coleridge,
113:After all, it is a common weakness of young authors to put too much into their papers. ~ Ronald Fisher,
114:Classic authors should be older than I am, and wiser, and on-top of all their deadlines. ~ Neil Gaiman,
115:I love to read books! There are so many authors that I think are really fun to read. ~ Tom Angleberger,
116:Let us now peruse our ancient authors, for out of the old fields must come the new corn. ~ Edward Coke,
117:we are never more (and sometimes less) than the co-authors of our own narratives. ~ Alasdair MacIntyre,
118:We are the authors of our own fate-we write it each day with every one of our actions. ~ F lix J Palma,
119:Authors, reviews are not for you. They are not for you. Authors, reviews are not for you. ~ Stacia Kane,
120:How many crimes are permitted simply because their authors could not endure being wrong. ~ Albert Camus,
121:My religion is very simple. My religion is kindness. ~ Dalai Lama #quote quoteoasis.com/authors/l/dala…,
122:No one is free who has not obtained the empire of himself. ~ Pythagoras quoteoasis.com/authors/p/pyth…,
123:Truth is never to be expected from authors whose understanding is warped with enthusiasm. ~ John Dryden,
124:Old wood best to burn, old wine to drink, old friends to trust, and old authors to read. ~ Francis Bacon,
125:Authors are partial to their wit, 'tis true, But are not critics to their judgment, too? ~ Alexander Pope,
126:Most couples have songs they call their own. We had books. Authors. Artists. Silent movies. ~ Paul Beatty,
127:Those authors who would find many readers, must endeavour to please while they instruct. ~ Samuel Johnson,
128:Anyone who invokes authors in discussion is not using his intelligence but his memory. ~ Leonardo da Vinci,
129:Authors go on writing books, and so we go on reading them. It is a sad state of affairs. ~ Elizabeth Aston,
130:It was considered very bad form to wish authors on their birthdays 'many happy returns. ~ Olivia Goldsmith,
131:Mostly what ends up inspiring me and affecting my work are books by authors that I love. ~ Christine Sneed,
132:There are directors, and there are authors. I think I am more of an author than a director. ~ Sergio Leone,
133:Those who say they would write a book if only they had time will never become authors. ~ Catherine Cookson,
134:Amazon isn’t happening to the book business,” he likes to say to authors and journalists. “The ~ Brad Stone,
135:I read a lot when I'm away. I love courtroom dramas and I'm always looking for new authors. ~ Bruce Forsyth,
136:The fanciful imagination of authors, a class done away with for all the trouble they inspired. ~ Hugh Howey,
137:The OT authors had a true understanding of what they wrote but not an exhaustive understanding. ~ G K Beale,
138:The reciprocal civility of authors is one of the most risible scenes in the farce of life. ~ Samuel Johnson,
139:Authors are partial to their wit, 'tis true,
But are not critics to their judgment, too? ~ Alexander Pope,
140:Let authors write for glory and reward. The truth is well paid when she is sung and heard. ~ James J Corbett,
141:The greatest kindness we can show some of the authors of our youth is not to reread them. ~ Fran ois Mauriac,
142:There are two kinds of authors - subjective and objective. Introverts are more inward looking. ~ Ruskin Bond,
143:Authors do not supply imaginations, they expect their readers to have their own, and to use it ~ Nella Larsen,
144:Before publishers' blurbs were invented, authors had to make their reputations by writing. ~ Laurence J Peter,
145:Different authors have different points of view. You can't just say, 'I believe in the Bible. ~ Bart D Ehrman,
146:Few sensible authors are happy discussing the creative process--it is, after all, black magic. ~ Edward Albee,
147:We are authors, all of us, concerned with beginning, with making, with sources and substance. ~ Diane Wakoski,
148:Authors and lovers always suffer some infatuation, from which only absence can set them free. ~ Samuel Johnson,
149:Books choose their authors; the act of creation is not entirely a rational and conscious one. ~ Salman Rushdie,
150:God will finish what He authors, but He is not obligated to finish what He has not authored. ~ Edwin Louis Cole,
151:He invades authors like a monarch; and what would be theft in other poets is only victory in him. ~ John Dryden,
152:The Internet offers authors and their readers a new diversity of opportunities and freedom. ~ Frederick Forsyth,
153:As many have noted, the peril for authors is that our work space is too easily our play space. ~ Guy Gavriel Kay,
154:Roman emperor Marcus Aurelius (one of the doer-Stoic authors), “fire feeds on obstacles. ~ Nassim Nicholas Taleb,
155:He agreed with Francis Bacon: Old friends to trust, old wood to burn, old authors to read. ~ Lilian Jackson Braun,
156:We also sold books, creating several best sellers and helping to put unknown authors on the map. ~ Howard Schultz,
157:Authors are sometimes like tomcats: They distrust all the other toms but they are kind to kittens ~ Malcolm Cowley,
158:Some judge of authors' names, not works, and then Nor praise nor blame the writings, but the men. ~ Alexander Pope,
159:Some judge of authors' names, not works, and then nor praise nor blame the writings, but the men. ~ Alexander Pope,
160:Well, great authors are great people - but I believe that they are best seen at a distance. ~ Mary Russell Mitford,
161:When authors and critics talk of the sublime, they see not how nearly it borders on the ridiculous. ~ Thomas Paine,
162:Mary Henry ought to write romance novels. She has a way of embellishing that most authors would envy. ~ Sandy James,
163:There seems to be a strange affectation in authors of appearing to have done everything by chance. ~ Samuel Johnson,
164:Autographs: The original texts of the biblical books as they issued from the hands of the human authors. ~ Anonymous,
165:(Less than 3% of newly published authors make enough in royalties and advances to be happy to live on.) ~ Seth Godin,
166:My mother teases my father, saying he can only create people, while authors can create entire worlds. ~ Jay Kristoff,
167:Even monarchs have need of authors, and fear their pens more than ugly women the painter's pencil. ~ Baltasar Gracian,
168:Even monarchs have need of authors, and fear their pens more than ugly women the painter's pencil. ~ Baltasar Graci n,
169:If I can't be remembered as one of the greatest authors, why not be remembered as the sexiest writer... ~ Hans Lindor,
170:I was sorry to have my name mentioned among the great authors because they have a sad habit of dying off ~ Mark Twain,
171:Karma is not a sentence already printed. It is a series of words that authors can arrange as she chooses. ~ Sara Gran,
172:Let us hope that good authors who are bad Christians will find salvation through the books they write. ~ Julien Green,
173:Ride, authors. Write a ride. Figure out what yours is, and then pimp the ever-living shit out of it. ~ Heidi Cullinan,
174:The great authors were great readers, and one way to understand them is to read the books they read. ~ Mortimer Adler,
175:A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest. ~ T S Eliot,
176:God authors desires in your heart, then fulfills His Will by enabling you to realize those desires. ~ Edwin Louis Cole,
177:I'm not a stranger," I said, and pointed to his book. "I'm someone who reads the same authors you do. ~ Daniel Handler,
178:it does not matter what one reads—favorite authors, particular themes—as long as we read something. It ~ Helen Simonson,
179:I think that China has many outstanding authors, and their great works should also be recognised by the world. ~ Mo Yan,
180:Let's make sure our ideas of success are our own, that we are truly the authors of our own ambitions. ~ Alain de Botton,
181:Sometimes I look around cable news and it's like you wonder whether you're looking at anchors or authors. ~ Megyn Kelly,
182:The great authors were great readers, and one way to understand them is to read the books they read. ~ Mortimer J Adler,
183:The raising of ghosts or devils was a promise liberally accorded by my favourite authors, ~ Mary Wollstonecraft Shelley,
184:To find the best authors,” he boasted, “is like being able to tell good wine without the labels. ~ Doris Kearns Goodwin,
185:We ourselve are the authors of almost all our woes and griefs, of which we so unreasonably complain. ~ Giacomo Casanova,
186:We who have been true readers all our life fully realize the enormous of our being which we owe to authors. ~ C S Lewis,
187:(He introduced me to a ton of books and authors. I never returned his copy of The Mysteries of Pittsburgh.) ~ Val Emmich,
188:It is well known that, when two authors meet, they at once start talking about money-like everyone else. ~ V S Pritchett,
189:We are free to be the authors of our own lives, but we don't know what kind of lives we want to 'write. ~ Barry Schwartz,
190:We are the authors of our own destiny; and being the authors, we are ultimately, perhaps frighteningly, free. ~ ntideva,
191:All novels tell you something about their authors, no matter how cleverly they try to conceal themselves. ~ Sascha Arango,
192:Being self-published makes me no less "published" than the authors who are with publishing companies. ~ Adrienne Thompson,
193:Great editors do not discover nor produce great authors; great authors create and produce great publishers. ~ John Farrar,
194:Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes. ~ Cole Porter,
195:It is instead a collection of books from multiple authors who articulate a multitude of opposing perspectives. ~ Anonymous,
196:It's heartbreaking when you love a book that fails. And it always
seems to happen to the nicest authors. ~ Emily Giffin,
197:Books choose their authors; the act of creation is not entirely a rational and conscious one." ―Salman Rushdie ~ Jim Denney,
198:Of the Greek authors who at the Renaissance brought a new life into the world Plato has had the greatest influence. ~ Plato,
199:There are more than 21 eBook channels already. Authors can’t possibly get to these and do what they do best. ~ Tim O Reilly,
200:What kind of authors do you like?” I asked, speaking in respectful tones to this man two years my senior. ~ Haruki Murakami,
201:As opposed to being on the Internet, there's something really nice about reading a book or talking to authors. ~ Hans Zimmer,
202:If ever you've been down in the dumps, hear these iconic authors share with you more than their writing wisdom. ~ Mark Twain,
203:Teen readers can see aspects of themselves in the teen authors, which in a way, validates their experiences. ~ Deborah Reber,
204:There are scores of books offering 'solutions' to sprawl. Their authors would do well to read this book. ~ Witold Rybczynski,
205:There are two classes of authors: the one write the history of their times, the other their biography. ~ Henry David Thoreau,
206:You can sell a lot more books if you work with other authors than if you try to do everything all by yourself. ~ John Kremer,
207:Authors who moan with praise for their editors always seem to reek slightly of the Stockholm syndrome. ~ Christopher Hitchens,
208:As I've gotten older I've become a devotee of 19th-century authors, such as Charles Dickens and George Eliot. ~ David Duchovny,
209:Authors must not, like Chinese soldiers, expect to win victories by turning somersets in the air. ~ Henry Wadsworth Longfellow,
210:I'm afraid that surprise, shock, and regret is the fate of authors when they finally see themselves on the page. ~ Julia Child,
211:Before I came to England, my favorite authors were P. G. Wodehouse and Agatha Christie. I used to devour both. ~ Salman Rushdie,
212:I think the authors of that notable instrument [the Declaration of Independence] intended to include all men. ~ Abraham Lincoln,
213:It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. ~ Charles Dickens,
214:Take away from English authors their copyrights, and you would very soon take away from England her authors. ~ Anthony Trollope,
215:For authors, the shortest distance between two points is a straight line only if you are writing the letter I. ~ Michael A Arnzen,
216:Originality is something that is easily exaggerated, especially by authors contemplating their own work. ~ John Kenneth Galbraith,
217:You can fire your secretary, divorce your spouse, abandon your children. But they remain your co-authors forever. ~ Ellen Goodman,
218:As authors, we all expect criticism from time to time, and we all have our ways of coping with unfriendly reviews. ~ Joanne Harris,
219:The number of authors in the Old Testament suggests that it is a community document, almost like a Wikipedia article. ~ Tripp York,
220:Age appears best in four things: old wood to burn, old wine to drink, old friends to trust and old authors to read. ~ Francis Bacon,
221:All schools of philosophy, and almost all authors, are rather to be frequented for exercise than for weight. ~ Walter Savage Landor,
222:For such kind of borrowing as this, if it be not bettered by the borrowers, among good authors is accounted Plagiarè. ~ John Milton,
223:My opinion is that more authors could use podcasts to differentiate themselves in a crowded text-based marketplace. ~ Nathan Lowell,
224:romance authors like Catherine Coulter, Brenda Joyce, Candice Proctor, Bertrice Small, Diana Gabaldon, and Jade Lee. ~ Ellery Adams,
225:The latest authors, like the most ancient, strove to subordinate the phenomena of nature to the laws of mathematics. ~ Isaac Newton,
226:We’re the authors of our own story, Butterfly. At the end, we’ll make sure to write our best happily ever after. ~ Claudia Y Burgoa,
227:Whatever the limits and travails we face, we want to retain the autonomy—the freedom—to be the authors of our lives. ~ Atul Gawande,
228:No one becomes a bestseller by tossing every other potential blockbuster on a bonfire and assassinating other authors. ~ Damon Suede,
229:Those authors who appear sometimes to forget they are writers, and remember they are men, will be our favorites. ~ Benjamin Disraeli,
230:Why 100? If I were wrong, one would have been enough. [In response to the book "Hundred Authors Against Einstein"] ~ Albert Einstein,
231:Boys Will Be Boys: Gender, Overconfidence, and Common Stock Investment.” The authors, Brad Barber and Terrance Odean, ~ Michael Lewis,
232:Different authors write different ways, have different relationships with their audiences, and those are all legitimate. ~ John Green,
233:Plays, gentlemen, are to their authors what children are to women: they cost more pain than they give pleasure. ~ Pierre Beaumarchais,
234:Stupid people had a few authors in common: Sidney Sheldon, Judith Krantz, Danielle Steel. What nonsense. Such dreck. ~ Victor LaValle,
235:Authors are like cattle going to a fair: those of the same field can never move on without butting one another. ~ Walter Savage Landor,
236:Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons. ~ Robertson Davies,
237:I have no patience with up-themselves authors who complain about having to trail round a few bookshops signing stock. ~ Nicholas Royle,
238:I like reading history, and actually most authors enjoy the research part because it is, after all, easier than writing. ~ Ken Follett,
239:Me: "I read because it is relaxing."
*screams, throws book, cries, curses authors name to the wind*
Me: "So relaxing ~ Unknown,
240:Ultimately, I think that the growth and sustainability of the e-book movement depends on authors and end-users (readers). ~ Tom Peters,
241:Authors produce the books. Readers consume the books.  Everyone else is in the middle.  And therefore, very, very nervous.  ~ Bob Mayer,
242:Monarchs ought to put to death the authors and instigators of war, as their sworn enemies and as dangers to their states. ~ Elizabeth I,
243:When I hear artists or authors making fun of businessmen, I think of a regiment in which the band makes fun of the cooks. ~ H L Mencken,
244:When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read. ~ Sinclair Lewis,
245:Writing books is certainly a most unpleasant occupation. It is lonesome, unsanitary, and maddening. Many authors go crazy. ~ H L Mencken,
246:I've often gotten the feeling that the only people who have learned from computer assisted instruction are the authors. ~ Ben Shneiderman,
247:It is not permissible that the authors of devastation should be innocent. It is the innocence which constitutes the crime. ~ James Baldwin,
248:The affectation of some late authors to introduce and multiply cant words is the most ruinous corruption in any language. ~ Jonathan Swift,
249:Authors are known to have fiendishly clever minds, and the authors of children’s books are more fiendishly clever than most. ~ Alan Bradley,
250:Authors from whom others steal should not complain, but rejoice. Where there is no game there are no poachers. ~ Marie von Ebner Eschenbach,
251:How different from the cosy world of Rüya's detective novels, where authors never vexed a hero with more signs than he needed. ~ Orhan Pamuk,
252:If you can find collaborators whose strengths compliment your own, the result can be more than the sum of its authors. ~ Walter Jon Williams,
253:In quoting of books, quote such authors as are usually read; others you may read for your own satisfaction, but not name them. ~ John Selden,
254:Read. Read. Read. Just don't read one type of book. Read different books by various authors so that you develop different style. ~ R L Stine,
255:I have my favorite authors, but in reality, my mother did. Though she's never written a book, she paved the way for me to. ~ Franny Armstrong,
256:I'm such a fangirl when it comes to other writers. I read 250 books a year, and I'm always talking up books by other authors. ~ Jen Lancaster,
257:In the degree that we remember and retell our stories and create new ones we become the authors, the authorities, of our own lives. ~ Sam Keen,
258:Out of all artists, authors are the least trained for the spotlight. Wanting attention isn't a requisite part of the package. ~ Sloane Crosley,
259:The authors of book reviews would consider themselves dishonored were they to mention, as they should, the subject of the book. ~ Louis Aragon,
260:The reason authors almost always put a dedication on a book is, because their selfishness even horrifies themselves in the end. ~ Stephen King,
261:What a sense of security in an old book which  Time has criticised for us! ~ James Russell Lowell, My Study Windows, Library of Old Authors.,
262:Why aren't more gems from our great authors scattered over the country? Great books aren't within everybody's reach. ~ Samuel Taylor Coleridge,
263:Age appears to be best in four things; old wood best to burn, old wine to drink, old friends to trust, and old authors to read. ~ Francis Bacon,
264:Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked. ~ Judy Holliday,
265:Authors of earth’s high change, to you it is given
To cross the dangerous spaces of the soul ~ Sri Aurobindo, Savitri, The Call to the Quest,
266:The truth is not that we need the critics in order to enjoy the authors, but that we need the authors in order to enjoy the critics. ~ C S Lewis,
267:The authors who affect contempt for a name in the world put their names to the books which they invite the world to read. ~ Marcus Tullius Cicero,
268:The wisdom of hindsight, so useful to historians and indeed to authors of memoirs, is sadly denied to practicing politicians. ~ Margaret Thatcher,
269:Everything, in retrospect, is obvious. But if everything were obvious, authors of histories of financial folly would be rich . . . ~ Michael Lewis,
270:I am deaf, I love to read the ebook and regular books. But I am not picky any kind of books. I love all books are best authors. ~ Charlaine Harris,
271:Invariably it turns out to be who you've been reading in the last couple of weeks, and two hours or two days [on favourite authors ~ Robert Asprin,
272:The praise of ancient authors proceeds not from the reverence of the dead, but from the competition and mutual envy of the living. ~ Thomas Hobbes,
273:When a book was published entitled 100 Authors Against Einstein, he retorted, “If I were wrong, then one would have been enough! ~ Stephen Hawking,
274:As a reader, I'm often put off by authors and story-lines without families or children and all of the angst and joy they bring with them. ~ C J Box,
275:I have heard that nothing gives an Author so great Pleasure, as to find his works respectfully quoted by other learned authors. ~ Benjamin Franklin,
276:Some authors regard morality in the same light as we regard modern architecture. Convenience is the first thing to be looked for. ~ Luc de Clapiers,
277:The authors emphasize that the recommendations are based more on the biological plausibility of transmitting infection through clothing ~ Anonymous,
278:Few authors understand themselves, and a proper reader must not only understand his author but also be able to see beyond him. ~ Johann Georg Hamann,
279:Im not one of those authors who claims to hear voices in my head or let the characters speak through me, whatever that might mean. ~ Robin Wasserman,
280:I never read prefaces, and it is not much good writing things just for people to skip. I wonder other authors have never thought of this. ~ E Nesbit,
281:I think Judy Blume, Stephen King, and Dean Koontz are the three authors responsible for my being where I am today. I owe them a lot. ~ James Dashner,
282:There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ~ Arthur Schopenhauer,
283:There is a hunger in this digital age to hear authors together, to participate in programs, to just be in a place, a community space. ~ Carla Hayden,
284:Authors have odd relationships with their creations They owe their fame and fortune to their characters but feel enslaved by them. ~ Anthony Horowitz,
285:Western civilization is essentially an amalgam of intellectual constructs which were designed to further the interests of their authors. ~ Ian Morris,
286:Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature. ~ O Henry,
287:It is one of the strongest bonds, I think, that can spring up between people: sharing a passion for certain books and their authors. ~ Alice Steinbach,
288:One of the things that all authors of fiction must learn to judge is whether - and in what detail - to describe the face of a character. ~ Lynne Truss,
289:The little honesty that exists among authors is discernible in the unconscionable way they misquote from the writings of others. ~ Arthur Schopenhauer,
290:Though I may not . . . be able to quote other authors, I shall rely on that which is much greater and more worthy - on experience. ~ Leonardo da Vinci,
291:Amazon isn’t happening to the book business,” he likes to say to authors and journalists. “The future is happening to the book business.”) ~ Brad Stone,
292:But it is not permissible that the authors of devastation should also be innocent. It is the innocence which
constitutes the crime. ~ James Baldwin,
293:Though the Bible was written over sixteen centuries by at least forty authors, it has one central theme-salvation through faith in Christ. ~ Max Lucado,
294:Authors were shy, unsociable creatures, atoning for their lack of social aptitude by inventing their own companions and conversations. ~ Agatha Christie,
295:Goodnight world. While I sleep, I hope you'll all continue to do whatever it is you do. Unless you murder sleeping authors. Don't do that. ~ Neil Gaiman,
296:I do love the weird, and I realize that I write much in that tradition, so I'm happy to be counted in among some of my favorite authors. ~ Karin Tidbeck,
297:I’ve met so many authors who had professional covers, top-notch editing, and robust author platforms, but still weren’t selling any books. ~ Emlyn Chand,
298:Nature, when she invented, manufactured, and patented her authors, contrived to make critics out of the chips that were left. ~ Oliver Wendell Holmes Sr,
299:I researched fiction writing for months before I taught my first class, much of it looking for strong techniques from bestselling authors. ~ James Thayer,
300:I've heard of translators collaborating closely with their authors, sometimes even living with them for a while, but that's not me. ~ Andre Naffis Sahely,
301:A study in the Washington Post says that women have better verbal skills than men. I just want to say to the authors of that study: 'Duh.' ~ Conan O Brien,
302:Great authors are admirable in this respect: in every generation they make for disagreement. Through them we become aware of our differences. ~ Andre Gide,
303:It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books. ~ Italo Calvino,
304:Most authors would be the first to admit the best of their writing is beyond even them. It comes from someplace outside the conscious realm. ~ K M Weiland,
305:There is a difference between writing and being an author. Authors talk. I'm standing here talking now. This has nothing to do with writing. ~ T R Pearson,
306:And the books with the faded colored pages? The fanciful imagination of authors, a class done away with for all the trouble they inspired. But ~ Hugh Howey,
307:As many authors have said, if the writer is not surprised by events, then chances are that the reader will not be either, and grow bored. ~ Paul Di Filippo,
308:Levi is one of the best authors I've ever read. It's hard not to have an immediate personal response to his work. He has such a quiet tone. ~ John Turturro,
309:There was a price to be paid for being interested in fiction and in writing, pushing my family away. Books and authors became my family. ~ Garrison Keillor,
310:What a sense of security in an old book which Time has criticised for us! ~ James Russell Lowell, My Study Windows 1871, chapter "Library of Old Authors'".,
311:Publishing should be a collaboration between authors and their smartest readers - and at some point the distinction should become meaningless. ~ Nick Denton,
312:The authors challenge that the marriage in which one cannot express disappointment has become an idol – The Thing that Cannot Be Questioned. ~ John Eldredge,
313:The first pork-barrel bill that crosses my desk, I'm going to veto it and make the authors of those pork-barrel items famous all over America. ~ John McCain,
314:The more I know about God, I am convinced He likes to read books and authors are His librarians. Every soul is a story waiting to be read. ~ Shannon L Alder,
315:Authors communicate with the people by some special extrinsic mark; I am the first to do so by my entire being, as Michel de Montaigne. ~ Michel de Montaigne,
316:The deceitful misquoting of scientists to suit an anti-scientific agenda ranks among the many unchristian habits of fundamentalist authors. ~ Richard Dawkins,
317:Without explaining why, and, most of all, without naming other authors or books, I can only say my novels are influenced by love and death. ~ Alice McDermott,
318:Rousseau exerts himself to prove that all was right originally: a crowd of authors that all is now right: and I, that all will be right. ~ Mary Wollstonecraft,
319:The goal of Bible translation is: be transparent to the original text - to see as clearly as possible what the biblical authors actually wrote. ~ Leland Ryken,
320:We authors, who trade in fictions for a living, are a continuum of all that we have seen and heard, and most importantly, all that we have read. ~ Neil Gaiman,
321:Books, like men their authors, have no more than one wayofcoming intothe world, but there areten thousand to go out of it, and return no more. ~ Jonathan Swift,
322:I'm seeing more and more books by celebrity authors, and I'm not happy to see them. I'd rather see publishing budgets devoted to genuine talents. ~ Jabari Asim,
323:A study in the Washington Post says that women have
better verbal skills than men. I just want to say to the
authors of that study: 'Duh. ~ Conan O Brien,
324:Authors frequently say things they are unaware of; only after they have gotten the reactions of their readers do they discover what they have said ~ Umberto Eco,
325:Despite the best efforts of critics and the hopes of authors, our tastes in books are probably as inherent & unbudgeable as those in food. ~ Alain de Botton,
326:Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better. ~ Leslie Fiedler,
327:One of the notebooks was for musings and pep talks. ... The other notebooks were for writing out the novel the way authors had done for centuries. ~ Gail Godwin,
328:The Society of Authors, as the Literary Representative of the Estate of John Masefield, granted permission to quote from The Box of Delights. ~ Kate Mascarenhas,
329:Ursula K. Le Guin urges authors to remember why they do what they do. Her argument is that writing is an form of art rather than a commodity. ~ Ursula K Le Guin,
330:We believe that innovative authors are more likely to come from people who are independent and won’t work in a software ‘factory’ or ‘bureaucracy. ~ Steven Levy,
331:Why do people always expect authors to answer questions? I am an author because I want to ask questions. If I had answers, I'd be a politician. ~ Eugene Ionesco,
332:Why do people always expect authors to answer questions? I am an author because I want to ask questions. If I had answers, I'd be a politician. ~ Eug ne Ionesco,
333:A good number of works owe their success to the mediocrity of their authors' ideas, which match the mediocrity of those of the general public. ~ Nicolas Chamfort,
334:Books, like men their authors, have no more than one way of coming into the world, but there are ten thousand to go out of it and return no more. ~ Jonathan Swift,
335:One of my favorite authors, Ken Auletta, was drilling the former prime minister about how much Pakistan knew about Osama Bin Laden’s whereabouts. ~ James Altucher,
336:[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it! ~ Terry Pratchett,
337:The authors of the gospels were unlettered and ignorant men and the teachings of Jesus have come to us mutilated, misstated and unintelligible. ~ Thomas Jefferson,
338:Andrew Davies has said he prefers his authors dead, and I can see there is only a limited usefulness in a live one when it comes to adaptation. ~ Alan Hollinghurst,
339:Booksellers are the most valuable destination for the lonely, given the numbers of books written because authors couldn't find anyone to talk to. ~ Alain de Botton,
340:Books, like men their authors, have no more than one way of coming into the world, but there are ten thousand to go out of it, and return no more. ~ Jonathan Swift,
341:For a man to write well, there are required three necessaries—to read the best authors, observe the best speakers, and much exercise of his own style. ~ Ben Jonson,
342:Meg Gardiner is one of my favorite authors. She always delivers a terrific read. Phantom Instinct should go to the top of your 'to-be-read' pile. ~ Karin Slaughter,
343:For a man to write well, there are required three necessaries: to read the best authors, observe the best speakers, and much exercise of his own style. ~ Ben Jonson,
344:...it is a sneaking piece of cowardice for authors to put feigned names to their works, as if, like bastards of their brain, they were afraid to own them. ~ Erasmus,
345:Successful salesmen, authors, executives and workmen of every sort need patience. The great liability of youth is not inexperience but impatience. ~ William Feather,
346:It has long been a theory of mine and I am known, if I do say so, for my long theories that authors, generally speaking, are rotten letter writers. ~ Cleveland Amory,
347:Phrase books seem to be a universal and eternal source of hilarity and I think I know why. Their authors go mad in the course of compiling them. ~ Alice Thomas Ellis,
348:Quit smoking in the hope of growing old. It takes a long time to write. People go to books for wisdom and older authors tend to have more of it. ~ Barbara Kingsolver,
349:You don’t read books by living people?” “Living authors don’t have any merit.” “Why’s that?” “Dead authors, as a rule, seem more trusting than live ones. ~ Anonymous,
350:Focus in on the genre you want to write, and read books in that genre. A LOT of books by a variety of authors. And read with questions in your mind. ~ Nicholas Sparks,
351:he took a survey of personal finance authors who recommend that people keep budgets, and he found that none of them actually kept budgets themselves. ~ James Altucher,
352:I don't think it's any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win. ~ Kazuo Ishiguro,
353:The rest of their authors were thrown out there, much like shit flung at a wall, while the publisher waited to see who “stuck,” or so it seemed to Kendall. ~ Wendy Wax,
354:Good authors mature over time: it does take awhile. Travel abroad and learn to live in other cultures. That's one of the things about teaching abroad. ~ Richard K Morgan,
355:Walking along the avenues, we had one of the so-called intellectual conversations, which consist a great deal in quoting names of books and authors. ~ Henryk Sienkiewicz,
356:Your ideal authors ought to pull you from the foundering of your previous existence, not smilingly guide you into a friendly and peaceable harbor. ~ Christopher Hitchens,
357:I can't imagine why everybody is always so keen for authors to talk about writing. I should have thought it was an author's business to write, not talk. ~ Agatha Christie,
358:My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying. ~ Anton Chekhov,
359:more on this in chapters 7 and 8.) Getting Value from Entrepreneurial Talent We three authors come from a business environment where the employment alliance ~ Reid Hoffman,
360:Whatever the limits and travails we face, we want to retain the autonomy—the freedom—to be the authors of our lives. This is the very marrow of being human. ~ Atul Gawande,
361:When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again. ~ Richard Russo,
362:Nothing is more painful to me than the disdain with which people treat second-rate authors, as if there were room only for the first-raters. ~ Charles Augustin Sainte Beuve,
363:Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn't find anyone to talk to. ~ Alain de Botton,
364:Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn’t find anyone to talk to. ~ Alain de Botton,
365:I can't speak for the other authors, but what I hoped to achieve was to illuminate certain corners of the Lucas universe that hadn't yet been explored. ~ Walter Jon Williams,
366:I have chosen to parody the writing styles of Carlos Castaneda, James Redfield, Richard Bach, Lynn Andrews, and several other best-selling new age authors. ~ Frederick Lenz,
367:I tell myself it does not matter what one reads-favorite authors, particular themes-as long as we read something. It is not even important to own the books. ~ Helen Simonson,
368:Liberals see the Constitution itself as 'living' and 'evolving' that is, gradually turning into something that would have been unrecognizable to its authors. ~ Joseph Sobran,
369:The novel is very much alive, indeed. In Toronto at the Sixth Annual International Festival of Authors (October 1985) I listened to novelists by the dozen. ~ William Golding,
370:When you write books for a living, you come to realize that while not all people who write to authors are strange, all people who are strange write to authors. ~ Bill Bryson,
371:Many first-time authors are not concerned about the advance or royalties, they want the notoriety. They get smarter on their second book and look for the money. ~ Dan Poynter,
372:My advice to would-be young authors is to read a lot, write a lot, and not worry about creating a finished product. Keeping a journal is not a bad idea either. ~ Kevin Henkes,
373:Thousands of books reduced to ashes because their authors are Jews, or Communist, or nihilists, but in truth because the power of ideas poses a threat to Hitler. ~ Ay e Kulin,
374:While growing up, I always had to depend on foreign authors for page-turners. I think of myself as a commercial writer, and my job is simple to entertain you. ~ Ashwin Sanghi,
375:...it is a sneaking piece of cowardice for authors to put feigned names to their works, as if, like bastards of their brain, they were afraid to own them. ~ Desiderius Erasmus,
376:The period up to 2040 “will be a time of transition,” noted the authors of the study, with the understatement so characteristic of the British civil service. ~ Peter Frankopan,
377:I scanned the bookshelves: my favourite fantasy and horror authors from when I was younger – Stephen King, Darren Shan, Neal Shusterman, Michael Grant, Joe Hill; ~ Rick Riordan,
378:It's the misfortune of German authors that not a single one of them dares to expose his true character. Everyone thinks that he has to be better than he is. ~ Franz Grillparzer,
379:I was once a blank piece of parchment too, waiting to be inscribed. I learned about things and people from stories, and I learned about other authors from stories. ~ Neil Gaiman,
380:A large library is apt to distract rather than to instruct the learner; it is much better to be confined to a few authors than to wander at random over many. ~ Seneca the Younger,
381:...I tell myself it does not matter what one reads--favorite authors, particular themes--as long as we read something. It is not even important to own the books. ~ Helen Simonson,
382:It's interesting, editing can be so immersive for me that I've noticed that the authors I edit have a pretty profound effect on how I hear language for a while. ~ Danielle Dutton,
383:Jane Austen did not become one of the most renowned authors in the English language by having her characters dye their armpit hair and join a lesbian commune. ~ Milo Yiannopoulos,
384:Kant says that we may regard ourselves as legislator of the moral law, and consider ourselves as its author, but not that we are legislators or authors of the law. ~ Allen W Wood,
385:Some authors, when starting a novel, imagine a place first. Others, a character starts taking shape in their head. I start with a hook, a situation, a 'what if. ~ Linwood Barclay,
386:The books, the authors who matter the most are those who speak to me and speak for me all those things about life I most need to hear as the confession of myself ~ Aidan Chambers,
387:There are a lot of authors in the world, so it's difficult to find a unique niche to present your take on things. That is always a challenge for any author. ~ Kareem Abdul Jabbar,
388:There is something laughable about the sight of authors who enjoy the rustling folds of long and involved sentences: they are trying to cover up their feet. ~ Friedrich Nietzsche,
389:He even made sure not to shelve authors who did not get on next to each other. So he would never put Céline next to Sartre, or Houellebecq next to Robbe-Grillet. ~ Antoine Laurain,
390:In literature, the best authors help us see and appreciate love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control (Gal. 5:22–23). ~ Tony Reinke,
391:The most original authors are not so because they advance what is new, but because they put what they have to say as if it had never been said before. ~ Johann Wolfgang von Goethe,
392:He who is well acquainted with the text of scripture, is a distinguished theologian. For a Bible passage or text is of more value than the comments of four authors. ~ Martin Luther,
393:I find that most books that I don't like are those in which the authors have indulged themselves. I can almost sense when they're writing something for themselves. ~ Robert Cormier,
394:You have a very open relationship with your fans." "Yes. We have an open relationship. Obviously they can see other authors if they want, and I can see other readers. ~ Neil Gaiman,
395:A large library is apt to distract rather than to instruct the learner. It is much better to confine yourself to a few authors than to wander at random over many. ~ James A Michener,
396:Authors, she soon decided, were probably best met within the pages of their novels, and as much creatures of the readers imagination as the characters in their books. ~ Alan Bennett,
397:Indeed, upon learning of a 1931 book entitled One Hundred Authors Against Einstein,†† he responded that if he were wrong, then only one would have been enough. ~ Neil deGrasse Tyson,
398:Most of authors seek fame, but I seek for justice - a holier impulse than ever entered into the ambitious struggles of the votaries of that fickle, flirting goddess. ~ Davy Crockett,
399:I'll just say right here that whoever thought up the idea of paying dead white authors by the word should have a special place in hell with the rest of the sadists. ~ Heather W Petty,
400:There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine. ~ Ursula K Le Guin,
401:We are each the authors of our own lives, Emma. We live in what we have created. There is no way to shift the blame and no one else to accept the accolades. ~ Barbara Taylor Bradford,
402:Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists. ~ Walter Moers,
403:If you have one strong idea, you can't help repeating it and embroidering it. Sometimes I think that authors should write one novel and then be put in a gas chamber. ~ John P Marquand,
404:The two authors she brought with her from that period of reading were Whitman and Thoreau—but then, she had been reading them for years, as some people read the Bible. ~ Doris Lessing,
405:Authors we are in danger of accepting as gospel, whereas founders of discursivity provide permeable ideas that we can elaborate upon in a tradition of constructive dialogue. ~ Paul Fry,
406:If the authors and custodians of history turn out to have an attractive image, it is only reasonable to look beyond and ask whether the image they construct is accurate. ~ Noam Chomsky,
407:More than anything, being an English major made me more appreciative of authors and what an incredible feat it is to just finish a novel, let alone a really brilliant one. ~ Dan Mangan,
408:Most books, like their authors, are born to die; of only a few books can it be said that death has no dominion over them; they live, and their influence lives forever. ~ William Styron,
409:TIL when Einstein was told of the publication of a book entitled, '100 Authors Against Einstein', he replied: "Why one hundred? If I were wrong, one would have been enough. ~ Anonymous,
410:All authors know that any book is a casting of runes, a reading of cards, a map of the palm and heart. We make up the ocean - then fall in. But we also write the life raft. ~ Erica Jong,
411:Grub Street could be a graveyard for ambition, a pit of quicksand that swallowed authors whole, pulling names and the works attached to them into a well of anonymity. ~ Hallie Rubenhold,
412:I have turned my entire attention to Greek. The first thing I shall do, as soon as the money arrives, is to buy some Greek authors; after that, I shall buy clothes. ~ Desiderius Erasmus,
413:The key factor is whether the agent is a member of the Association of Authors' Representatives, which screens its members and requires them to uphold a Canon of Ethics. ~ Richard Curtis,
414:There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature. ~ Washington Irving,
415:This gave me an early taste for humorous authors, of which there were—and are—far too few (though there are lots who labor under the misapprehension that they're funny.) ~ Connie Willis,
416:What a blessed thing it is, that Nature, when she invented, manufactured, and patented her authors, contrived to make critics out of the chips that were left! ~ Oliver Wendell Holmes Sr,
417:Authors can only soft sell the environment. Create a wonderful story around the environment involving the characters that leaves a lasting impression on the reader's mind. ~ Wilbur Smith,
418:Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy – on experience, the mistress of their Masters ~ Leonardo da Vinci,
419:A large library is apt to distract rather than to instruct the learner. It is much better to confine to a few authors than to wander at random over many. ~ James A Michener, Iberia, [T5],
420:Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy – on experience, the mistress of their Masters. ~ Leonardo da Vinci,
421:What a signal convenience is fame. Do we read all authors to grope our way to the best? No, but the world selects for us the best, and we select from these our best. ~ Ralph Waldo Emerson,
422:Writing is storytelling and all of us are authors, not just of words but of reality. You are the author of your life, so go out and live! Then never quit writing about it! ~ Ben Mikaelsen,
423:You have a very open relationship with your fans."

"Yes. We have an open relationship. Obviously they can see other authors if they want, and I can see other readers. ~ Neil Gaiman,
424:I'd like the reader to decide if he is willing to pay minute sums for content. I'd like the economics of web to be controlled between authors and readers, not advertiser. ~ Robert Cailliau,
425:It used to be fashionable for authors to have their pictures taken with dogs, but the dogs always looked like models hired from an advertising agency, and probably were. ~ Robertson Davies,
426:The most original of authors are not so because they advance what is new, but more because they know how to say something, as if it had never been said before. ~ Johann Wolfgang von Goethe,
427:When we read, we are spying on someone else’s imagination and inhabiting it; the authors and their characters are momentarily our friends, even if they betray us, or we them. ~ Pamela Paul,
428:My own overall judgment is that NT authors display varying degrees of awareness of literary contexts, as well as perhaps historical contexts, although the former is predominant. ~ G K Beale,
429:Some presentation authors justify this by saying, “The photographer already knew it was going to be an uncredited effort and it really isn’t that hard to take a good photograph. ~ Neal Ford,
430:The Bible is actually a library of books-some long, some short- written over hundreds of years by many authors. Behind each one, however, was [the] Author: the Spirit of God. ~ Billy Graham,
431:Life is sometimes novel-shaped, mocking the efforts of those authors who, in an effort to make their novels life-shaped, spurn the easy symmetry and cheap resonance of reality. ~ Stephen Fry,
432:The kids who leave their favorite authors behind do not in fact leave us utterly abandoned, but in due time drive children of their own to the bookstore and the post office. ~ Jerry Spinelli,
433:Once the initial excitement wears off and it's time to sit down to write, the authors are usually still very eager, but the reality of doing the work can be a little daunting. ~ Deborah Reber,
434:A lot of powerful people in Washington may think it's a crazy-leftist-fringe position to think the intellectual authors of a torture regime should be investigated and prosecuted. ~ John Cusack,
435:Authors always feel in danger of being abandoned by loved ones. This is a potent fear. Yet it's as inevitable as writer's cramp when we presume to write words for others to read. ~ Ralph Keyes,
436:If we take a survey of the greatest actions...in the world...we shall find the authors of them all to have been persons whose Brains had been shaken out of their natural position. ~ John Adams,
437:Many of the books tossed into the flames in Berlin that night by the joyous students under the approving eye of Dr. Goebbels had been written by authors of world reputation. ~ William L Shirer,
438:Nordie's at Noon is an honest and inspiring testament to [these authors'] experiences which, I am completely confident... will inspire thousands of women as it inspired me. ~ Elizabeth Edwards,
439:probably the biggest complaint authors have in this brave new world is not sales (or the lack thereof) but the constant promotion that eats so much into precious writing time. ~ David Gaughran,
440:Theology made no provision for evolution. The biblical authors had missed the most important revelation of all! Could it be that they were not really privy to the thoughts of God? ~ E O Wilson,
441:The world an author creates and the characters that inhabit it may come from her imagination alone, but few authors can wrestle the story that emerges into shape without help. ~ Tammara Webber,
442:To the question: How do the authors of sketches, stories and novels get along in life, the following answer can or must be given: They are stragglers and they are down at heel. ~ Robert Walser,
443:In old days the public didn't really mind much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws. ~ Agatha Christie,
444:I tend to go back and forth between old favourites and "new" stuff, some of which could easily be by authors I've hitherto heard about but haven't had the chance to catch up with. ~ Gemma Files,
445:Now it is quite clear to me that there are no solid spheres in the heavens, and those that have been devised by the authors to save the appearances, exist only in the imagination. ~ Tycho Brahe,
446:Because people would have to remember books, if other people burn them or forget them. We will commit them to memory. We will become them. We become authors. We become their books. ~ Neil Gaiman,
447:Neither nature, experience, nor probability informs these lists of 'entitlements', which are subject to no constraints except those of the mind and appetite of their authors. ~ Jeane Kirkpatrick,
448:When I was a ten-year old bookworm and used to kiss the dust jacket pictures of authors as if they were icons, it used to amaze me that these remote people could provoke me to love. ~ Erica Jong,
449:A hundred years ago, an average teenager knew countless authors, and, a sex position or two. Today, an average teenager knows countless sex positions, and, an author or two. ~ Mokokoma Mokhonoana,
450:The world, it seems, is full of people like this. Closet artists and aspiring authors—people longing to do meaningful, inspiring work. There’s just one problem: They’re not doing it. ~ Jeff Goins,
451:We are free when we are not the slave of our impulses, but rather their master. Taking inward distance, we thus become the authors of our own dramas rather than characters in them. ~ Huston Smith,
452:You will also find authors who do not know the difference between theory and practice, just as there are novelists who do not know the difference between fiction and sociology. ~ Mortimer J Adler,
453:Although, honestly, watching authors fistfight is like watching geese play Jeopardy. There’s a lot of honking and squawking but no one ever gets to what they’re supposed to be doing. ~ John Scalzi,
454:I should have no objection to a repetition of the same life from its beginning, only asking the advantages authors have in a second edition to correct some faults of the first. ~ Benjamin Franklin,
455:It is true that all authors have tried to make propaganda. The great ones are those who failed, who have gained access, consciously or not, to a deeper and more universal reality. ~ Eug ne Ionesco,
456:The human authors and editors of the Old Testament brought their own experiences and presuppositions to the task of writing. We don’t often think about this when we read the Bible. ~ Adam Hamilton,
457:I think it's more difficult now to write a spy thriller with the collapse of the Soviet Union. Many authors have tried, but few have succeeded in capturing the interest of readers. ~ Nelson DeMille,
458:Movie people think things are movies, and authors think things should be movies because, up until recently, movies have been the jewel in the crown. But, that seems to be changing. ~ Chris Albrecht,
459:A list of authors who have made themselves most beloved and therefore, most comfortable financially, shows that it is our national joy to mistake for the first-rate, the fecund rate. ~ Dorothy Parker,
460:Authors of all races, be they Greeks, Romans, Teutons, or Celts, Can't seem just to say anything is the thing it is but have to go out of their way to say that it is like something else. ~ Ogden Nash,
461:The issue is that my book, and so many others, are not available for pre-order from Amazon. I hadn't realized how much that mattered for new authors. And how much Amazon is hurting us. ~ Edan Lepucki,
462:I try to be a lot of things for the authors I work with - a careful reader, a helpful friend who also happens to be an experienced writer, a thoughtful editor, and a creative midwife. ~ Kevin Sampsell,
463:We put authors on such a pedestal, and it's a moment that humanizes the whole thing, and lends an absurdity to what otherwise is a "please sit with your hands on your lap" kind of event. ~ Mac Barnett,
464:Authors are the vanguard in the march of mind, the intellectual backwoodsmen, reclaiming from the idle wilderness new territories for the thought and activity of their happier brethren. ~ Thomas Carlyle,
465:I mention this only to shew that the citations of the most judicious authors frequently deceive us, and consequently that prudence obliges us to examine quotations, by whomsoever alleged. ~ Pierre Bayle,
466:It is not likely that the insects were attracted by any beer in the bottle because, as the authors remind us, no Australian would ever throw away a bottle that still has beer in it. ~ Menno Schilthuizen,
467:One of my ambitions has been to go back to what those great authors were doing then ... to bridge that sensibility of old Victorian Gothic tales and reconstruct them in a modern way. ~ Carlos Ruiz Zafon,
468:The minister said, "Music in stone," and truly this phrase, bandied about by authors of art books, described Prague well. The city was, indeed, steeped in music and brought into harmony by it. ~ Ji Weil,
469:There were speeches made in Congress in the very last session before the outbreak of the Rebellion, so ferocious as to show that their authors were under the influence of a real frenzy. ~ Edward Everett,
470:Loving kindness practice helps us move out of the terrain of our default narratives if they tend to be based on fear or disconnection. We become authors of brand-new stories about love. ~ Sharon Salzberg,
471:She really needed to stop reading romantic suspense because now horror stories from authors like Shiloh Walker were on her mind and a little too vivid for what she needed at the moment. ~ Carrie Ann Ryan,
472:The minister said, "Music in stone," and truly this phrase, bandied about by authors of art books, described Prague well. The city was, indeed, steeped in music and brought into harmony by it. ~ Ji Weil,
473:For me, books have always been a way to feel less alone while being alone. Perhaps if I was depressed and isolated, just communicating with these authors through their sentences helped me. ~ Jonathan Ames,
474:Critics all have this idea that authors inhabit another dimensional realm, right up to their first smack in the mouth - which feels to them quite miraculous, being their sex-dream come true. ~ Don Paterson,
475:If you write books, you become a person of authority. Live it nobly. With authority comes the responsibility of leading. Lead wisely. - Strong by Kailin Gow on Authors Must Be Good Role Models ~ Kailin Gow,
476:I should have no objection to go over the same life from its beginning to the end: requesting only the advantage authors have, of correcting in a second edition the faults of the first. ~ Benjamin Franklin,
477:Musicians are at the bottom of the creative pyramid and authors are at the top, and many people think it's unacceptable for someone to attempt to jump from the bottom to the top of the pyramid. ~ Nick Cave,
478:Authors are now marketed like promising movie starlets and must rattle around the nation's television stations to try to assert a salable identity different from that of the other starlets. ~ Alistair Cooke,
479:There's a unique bond of trust between readers and authors that I don't believe exists in any other art form; as a reader, I trust a novelist to give me his or her best effort, however flawed. ~ Dan Simmons,
480:Your book may be a masterpiece but do not suggest that to the publisher because many of the most hopeless manuscripts that have come his way have probably been so described by their authors. ~ Stanley Unwin,
481:Fantasy stories will always be popular, as there are always readers who are willing to escape, freely, to the worlds that the authors create, and spend time with the characters we give life to. ~ Jason Ellis,
482:We are all the authors of our own fates; but we have gotten so lost in the technicalities of forming letters and stringing words together that we've forgotten what it really means to write. ~ Cristen Rodgers,
483:What should be brought explicitly to the forefront here is the manner in which God speaks truth, namely, through the idioms, attitudes, assumptions, and general worldviews of the ancient authors. ~ Anonymous,
484:Alternative Lifestyles, the emotional fly-drive packages of our times, come equipped with a set of clothes, a choice of authors, a limited menu of sports and a discount coupon book of clichés. ~ Ellen Goodman,
485:I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do. ~ Charlie Kaufman,
486:Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes. ~ Richard Russo,
487:every precaution has been taken in the preparation of this book, the publisher and authors assume no responsibility for errors or omissions, or for damages resulting from the use of the information ~ Anonymous,
488:In comparing various authors with one another, I have discovered that some of the gravest and latest writers have transcribed, word for word, from former works, without making acknowledgment. ~ Pliny the Elder,
489:Mixing Genres So by now you may have selected three genres and a style. We need to whittle that down. While novice authors tend to think blending genres makes them stand out, it does the opposite. ~ Emlyn Chand,
490:Most critics write critiques which are by the authors they write critiques about. That would not be so bad, but then most authorswrite works which are by the critics who write critiques about them. ~ Karl Kraus,
491:Occasionally projects just take off unexpectedly, sometimes you can work away at sketches and ideas for years before they are published. There are a number of authors I would be eager to illustrate. ~ John Howe,
492:Quotations (such as have point and lack triteness) from the great old authors are an act of reverence on the part of the quoter, and a blessing to a public grown superficial and external. ~ Louise Imogen Guiney,
493:There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. The first kind have had thoughts or experiences which seem to ~ Arthur Schopenhauer,
494:Writing is a difficult trade which must be learned slowly by reading great authors; by trying at the outset to imitate them; by daring then to be original; by destroying one's first productions. ~ Andre Maurois,
495:I'm often asked which author I am most inspired by, but I'm inspired by all authors. It takes a great deal of courage to pour your onto paper and watch silently as the world judges it loudly. ~ Charity Parkerson,
496:Politicians are much like aging authors and older women. The dangerous phase in their lives is when they are no longer content with the respect of friends but demand the adulation of an audience. ~ Michael Dobbs,
497:The ancient Greeks, poets, authors and philosophers all puzzled over the question but nobody really knows what love is - including me. Longing for another person is an exciting mental experience. ~ Nicole Kidman,
498:As 99 per cent of English authors and 100 per cent of American ones [authors] are just such imbeciles, managers and publishers make a practice of asking for every right the author possesses. ~ George Bernard Shaw,
499:Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists. ~ Sara Sheridan,
500:I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author." ~ James W Loewen,
501:Like many authors, I caught the writing bug during my teenage years. I don't remember the exact day or year, but I remember that reading S.E. Hinton's 'The Outsiders' sparked my interest in writing. ~ Ally Carter,
502:Too many American authors have a servile streak where their backbone should be. Where's our latest Nobel laureate? More than likely you'll find him in the Rose Garden kissing the First Lady's foot. ~ Edward Abbey,
503:Agassiz does recommend authors to eat fish, because the phosphorus in it makes brains. But I cannot help you to a decision about the amount you need to eat. Perhaps a couple of whales would be enough. ~ Mark Twain,
504:Albert's uncle says I ought to have put this in the preface, but I never read prefaces, and it is not much good writing things just for people to skip. I wonder other authors have never thought of this. ~ E Nesbit,
505:Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible. ~ C S Lewis,
506:The only authors whom I acknowledge as American are the journalists. They, indeed, are not great writers, but they speak the language of their countrymen, and make themselves heard by them. ~ Alexis de Tocqueville,
507:You get a good review, and it’s like crack. You need another hit. And another. And another. I know authors are like Tinkerbell and generally need applause to survive, but it’s a slippery slope. ~ Alexandra Bracken,
508:He who would speak of unknown authors, buried beneath the rubble of centuries, inevitably lays himself open, at least to begin with, to the suspicion of being a crotchety sort with very queer tastes. ~ Arno Schmidt,
509:I think many people are terribly afraid of being demoted by the Darwinian scheme from the role of authors and creators in their own right into being just places where things happen in the universe. ~ Daniel Dennett,
510:People take England on trust, and repeat that Shakespeare is the greatest of all authors. I have read him: there is nothing that compares Racine or Corneille: his plays are unreadable, pitiful. ~ Napoleon Bonaparte,
511:We do not know what we intend to do until the intention itself arises. To understand this is to realize that we are not the authors of our thoughts and actions in the way that people generally suppose. ~ Sam Harris,
512:Collectively the media; the meat, oil, and dairy industries; most prominent chefs and cookbook authors; and our own government are not presenting accurate advice about the healthiest way to eat. ~ Caldwell Esselstyn,
513:Editors and their authors seldom form deep friendships for the same reason that psychiatrists and their patients keep their distance: The relationship requires candor that mixes poorly with intimacy. ~ Jason Epstein,
514:I always thought it would be really, really cool to play Edgar Allan Poe, because when I was a kid, he was one of the authors who really blew my mind open to all sorts of weird dark and twisted places. ~ Ezra Miller,
515:In fact, over the last twenty years, authors have offered up over nine thousand different systems, languages, principles, and paradigms to help explain the mysteries of management and leadership. ~ Marcus Buckingham,
516:Musicians become professionals by playing a hundred live shows. Likewise, writers become authors by publishing a lot of bad work (until it’s no longer bad). In fact, this is true for any creative art. A ~ Jeff Goins,
517:I'm a believer in the benefits of translation. It's a necessity and a privilege - it would be awful to be limited to reading authors who's work was composed in the languages I happen to have learned. ~ Daniel Alarcon,
518:Many people knew that Hamilton, Madison, and Jay were the authors, but the trio proclaimed their authorship to only a chosen few and then mostly after the first bound volume was published in March 1788. ~ Ron Chernow,
519:Petrarch sometimes wrote letters to long-dead authors. He was also a dedicated hunter of classic manuscripts. Once, after discovering some previously unknown works of Cicero, he wrote Cicero the news. ~ David Markson,
520:There is always the danger in scientific work that some word or phrase will be used by different authors to express so many ideas and surmises that, unless redefined, it loses all real significance. ~ Gilbert N Lewis,
521:Certain authors, speaking of their works, say: "My book," "My commentary," "My history," etc. They resemble middle-class people who have a house of their own and always have "My house" on their tongue. ~ Blaise Pascal,
522:First and foremost, this novel would not have come to fruition if not for the work of Darby Penney and Peter Stastny, authors of The Lives They Left Behind: Suitcases from a State Hospital Attic. ~ Ellen Marie Wiseman,
523:I take time with each person and try to remember them, especially if they're a repeater from another event. I know a lot of authors just sign a book and keep their heads down, but I'm not like that. ~ Sherrilyn Kenyon,
524:that I have read many books, but to little purpose, for want of good method; I have confusedly tumbled over divers authors in our libraries, with small profit, for want of art, order, memory, judgment. ~ Robert Burton,
525:My three key pieces of advice to aspiring authors are: 1) Read as much as you can, 2) write as much as you can, and 3) become a keen observer of life. And once you've done that, finish the @#$% book. ~ Tera Lynn Childs,
526:And I like those authors best whose scenes describe my own situation in life-- and the friends who are about me whose stories touch me with interest, from resembling my own homely existence. ~ Johann Wolfgang von Goethe,
527:Congress shall have Power . . . to promote the Progress of Science and useful Arts, by securing for limited Time to Authors and Inventors the exclusive Right to their respective Writings and Discoveries. ~ James Madison,
528:I write to get myself writing. That and read Wallace Stevens' "An Ordinary Evening in New Haven" for the umpteenth time. Certain authors for me, certain books, just by reading a phrase I feel I can write. ~ Dan Chiasson,
529:The meanest authors have at least this similarity with the great author of heaven and earth, that they usually say after a completed day of work: "And behold, what he had done was good. ~ Karl Wilhelm Friedrich Schlegel,
530:I believe that everything is political, and as such it should concern all of us. Authors who claim they don't deal with politics in their work are being naive, because even that is a political stance. ~ Elena Poniatowska,
531:Northwestern's alumni list is truly impressive. This university has graduated best-selling authors, Olympians, presidential candidates, Grammy winners, Peabody winners, Emmy winners, and that's just me! ~ Stephen Colbert,
532:The inspiration of the Bible refers then to the divine superintendence of Scripture, preserving it from the intrusion of human error. It refers to God’s preserving his Word through the words of human authors. ~ R C Sproul,
533:There was also a daughter, very short, very plump, very gay, an amazing production for the Gregorievitches. It was as if two very serious authors had set out to collaborate and then had published a limerick. ~ Rebecca West,
534:Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel. ~ Patrick Rothfuss,
535:Ultimately, it doesn't matter if the author intended a symbol to be there, because the job of reading is not to understand the authors intend. The job of reading is to see into other people as we see ourselves. ~ John Green,
536:Don't read newspapers for the news (just for the gossip and, of course, profiles of authors). The best filter to know if the news matters is if you hear it in cafes, restaurants... or (again) parties. ~ Nassim Nicholas Taleb,
537:Authors can only allow readers to learn so much about their characters. As much as they try to build someone three dimensionally on a page, words are still limited and subject to imagination and interpretation ~ Heather Lyons,
538:There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives. ~ David Brin,
539:If the new movies do contradict my books in some way, I can probably come up with some hand-waving story that will explain the apparent discrepancy. If there’s one thing we authors are good at, it’s hand-waving. ~ Timothy Zahn,
540:I was sorry to have my name mentioned as one of the great authors, because they have a sad habit of dying off. Chaucer is dead, Spencer is dead, so is Milton, so is Shakespeare, and I’m not feeling so well myself. ~ Mark Twain,
541:My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author. ~ Tom Robinson,
542:Bradbury virtually lived in the public libraries. of his time and came see the shelves as populations of living authors: to burn the book is to burn the author, and to burn the author is to deny our own humanity. ~ Ray Bradbury,
543:During freedom struggle, It were authors and artists who made the Nation stand with their pen, and now their pen can create an environment of renaissance when Independent India is on the path of Good Governance. ~ Narendra Modi,
544:It is the fate of all authors to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides.” And ~ Paulette Jiles,
545:Many great authors of the 19th century wrote under conditions of strict censorship. The great thing about the art of writing a novel, is that you can write about anything. All you have to say is that it's fiction. ~ Orhan Pamuk,
546:The left's obsession with the high incomes of corporate executives never seems to extend to equally high - or higher - incomes of professional athletes, entertainers, or best-selling authors like Danielle Steel. ~ Thomas Sowell,
547:There are a few of the authors that I think have made a great big impact on my life. The way I used to do things when I was younger was more about being outrageous, and there was a lot of ego involved in that. ~ Sandra Cisneros,
548:By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas. ~ Nicholas Sparks,
549:My broad sense of this is that authors like Smil really paint the clear picture, and once you see that, it's kind of Oh, of course. That's such a primal thing to all these physical services that we take for granted. ~ Bill Gates,
550:Readers, protect yourselves. Authors are selling you something - even I am. Use your heads, not your heart. If we weren't good at convincing people of emotions, spinning believable yarns, we wouldn't be writers. ~ Ann Somerville,
551:The names of all fine authors are fictitious ones, far more so than that of Junius,--simply standing, as they do, for the mystical, ever-eluding Spirit of all Beauty, which ubiquitously possesses men of genius. ~ Herman Melville,
552:A witty and informative professor posits that more authors do not choose titles borrowed from Shakespeare's sonnets and plays for the reason some people claim not to have partners: "All the good ones are taken." ~ Thomas C Foster,
553:There are many great authors of the past who have survived centuries of oblivion and neglect, but it is still an open question whether they will be able to survive an entertaining version of what they have to say. ~ Hannah Arendt,
554:We found that people, when engaged in a mental sprint, may become effectively blind. The authors of The Invisible Gorilla had made the gorilla “invisible” by keeping the observers intensely busy counting passes. ~ Daniel Kahneman,
555:At lunchtime and in the evening he read aloud to Cuneo while the latter prepared the meals. Cuneo would often request stories by women authors. “Women tell you more about the world. Men only tell you about themselves. ~ Nina George,
556:Some of the more sought-after signers are, in no particular order, presidents, military heroes, sports icons, actors, singers, artists, religious and social leaders, scientists, astronauts, authors, and Kardashians. ~ Carrie Fisher,
557:The inspiration of a single book has made preachers, poets, philosophers, authors, and statesmen. On the other hand, the demoralization of a single book has sometimes made infidels, profligates, and criminals. ~ Orison Swett Marden,
558:If my public existence does anything worthwhile, hopefully it at least demystifies the author a bit, because I know when I was younger I felt like authors were like wizards or something. Turns out they're total muggles. ~ John Green,
559:The one thing all famous authors, world class athletes, business tycoons, singers, actors, and celebrated achievers in any field have in common is that they all began their journeys when they were none of these things. ~ Mike Dooley,
560:unfortunately, with the paper’s extensive criticisms of IPCC, there was no realistic chance of publishing it in a regular scientific journal—most of the likely referees for the paper were contributing authors of IPCC. ~ James Hansen,
561:I don't use names or captions for my many portraits of politicians and authors for newspapers. The drawing has to be self-explanatory, so I spend a lot of time sketching to find an idea and an angle that is clear. ~ Siegfried Woldhek,
562:The window on the right featured contemporary bestselling authors like Brad Meltzer, James Patterson, David Baldacci, Nelson DeMille, and others who make more money writing about what I do than I make doing what I do. ~ Nelson DeMille,
563:It is a sad paradox that when male authors impersonate women ... they are said to be dealing with 'cosmic, major concerns' - but when we impersonate ourselves we are said to be writing 'women's fiction' or 'women's poetry. ~ Erica Jong,
564:The little honesty existing among authors is to be seen in the outrageous way in which they misquote from the writings of others. ~ Arthur Schopenhauer, On Authorship; in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 653-54.,
565:*When Queen Elizabeth I (1533–1603) found out who had published a nasty pamphlet about her, she had the authors’ right hands cut off. Now there’s an idea! (Or not.) For the moment, let’s say that a Mean Girl is treating you ~ Bart King,
566:I suspect that most authors don't really want criticism, not even constructive criticism. They want straight-out, unabashed, unashamed, fulsome, informed, naked praise, arriving by the shipload every fifteen minutes or so. ~ Neil Gaiman,
567:No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. ~ Amy Poehler,
568:Some books and authors are best sellers, but most aren't. It may be easier to self-publish than it is to traditionally publish, but in all honesty, it's harder to be a best seller self-publishing than it is with a house. ~ Amanda Hocking,
569:Unfortunately, a lot of fantasy is chock full of sexism and racism. A lot of authors don't even realize they're doing it, and a lot of readers don't know they're reading it. That's what makes it so scary in some cases. ~ Patrick Rothfuss,
570:Ah". Tzimisces smiled. "Let me guess. Flowery periphrases, back-to-back literary allusions and quotations from thousand-year-old authors. A marked reluctance to use one word when twelve can be jammed in if you sit on the lid. ~ K J Parker,
571:Millions of people are provided with their thoughts as with their clothes; authors, printers, booksellers, and newsmen stand, in relation to their minds, simply as shoemakers and tailors stand to their bodies. ~ George Augustus Henry Sala,
572:An avid reader, I never missed a book by Judy Blume or Agatha Christie. They both remain two of my favorite authors. If I could have combined these ladies into one person, that's who I would have wanted to be when I grew up. ~ Kambri Crews,
573:From childhood on, I found many of my angels in favorite authors, writers who created books that enabled me to understand life with greater complexity. These works opened my heart to compassion, forgiveness, and understanding. ~ bell hooks,
574:The richness and endless variety of human relationships ... that's what authors, even the finest and greatest, only succeed in hinting at. It's a hopeless business, like trying to dip up the ocean with a tea-spoon. ~ Dorothy Canfield Fisher,
575:The makers of fortunes have a second love of money as a creation of their own, resembling the affection of authors for their own poems, or of parents for their children, besides that natural love of it for the sake of use and profit. ~ Plato,
576:Abstracts, abridgments, summaries, etc., have the same use with burning-glasses,--to collect the diffused light rays of wit and learning in authors, and make them point with warmth and quickness upon the reader's imagination. ~ Jonathan Swift,
577:Authors were, at heart, no matter how much they blustered or how suavely they carried themselves, insecure creatures with sensitive egos, as delicate in the constitution as movie stars, only much poorer and less glamorous. ~ Viet Thanh Nguyen,
578:It is generally argued that our experience of free will presents a compelling mystery: On the one hand, we can't make sense of it in scientific terms; on the other, we feel that we are the authors of our own thoughts and actions. ~ Sam Harris,
579:Of the authors writing in English, I'd mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I'm afraid; however, I just happen to like these enormous, swinging, great creatures. ~ William Golding,
580:Such a big majority of book critics and authors have begun to teach, whether they really believe it or not, that no book is TRUE TO LIFE unless it is true to the WORST IN LIFE, that the idea has infected even the women. ~ Gene Stratton Porter,
581:The authors of a 2012 Cochrane review (the medical profession’s gold standard analysis) on home versus hospital births blamed the higher complication rate in hospital on “impatience and easy access to many medical procedures.”13 ~ Jo Marchant,
582:there’s reason to believe neither account reflects the facts. But the authors of both gospels—whoever those authors really were—believed Jesus was the Savior, so He must’ve been born in Bethlehem, as the Old Testament predicts. ~ Ian Caldwell,
583:Your parents are weirdos, in the best possible way. They do not celebrate birthdays; never in your life have you received a present on the tenth of December. Instead, you are given books on the days that their authors were born. ~ Robin Sloan,
584:I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet. ~ Siegfried Woldhek,
585:Several recent authors have written of “the imposter phenomenon,” describing the feeling of many apparently successful people that their success is undeserved and that one day people will unmask them for the frauds they are. ~ Harold S Kushner,
586:Authors," he murmured with a grin. "You all think your work is flawless, and anyone who tries to change a single word is an idiot."

"And editors consider themselves the most intelligent people they know," Amanda shot back. ~ Lisa Kleypas,
587:I sense that, without sensitivity to physical pain and pleasure, man would not have known self-interest, and consequently know just or unjust acts. Thus, physical sensitivity and self-interest are the authors of all justice. ~ Jonathan Balcombe,
588:I think horror can and should be classy. I enjoy seeing it raised up not lowered down to the lowest common denominator.
There's prejudice against the horror genre and I think sometimes that's the fault of the authors involved. ~ Carole Gill,
589:Authors may be divided into falling stars, planets, and fixed stars: the first have a momentary effect; the second have a much longer duration; but the third are unchangeable, possess their own light, and work for all time. ~ Arthur Schopenhauer,
590:Genius borrows nobly. When Shakespeare is charged with debts to his authors, Landor replies: "Yet he was more original than his originals. He breathed upon dead bodies and brought them into life". ~ Ralph Waldo Emerson, Quotation and Originality,
591:In the timeless and universal manner of authors conversing in public places, he did not fail to mention its title, “Volume III of Principia Mathematica entitled, The System of the World, available shortly, where books are sold. ~ Neal Stephenson,
592:She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature. ~ James Scott Bell,
593:But Heraclitus’ most significant contribution to the thought of subsequent authors of mystical philosophy was his establishment of the word, “Logos,” as a term for the immanent presence of God in the world of man’s experience. ~ Swami Abhayananda,
594:I enjoy the writings of all of these authors and they have been very inspirational for me. But I think that it is important as writers of metaphysical, New Age, occult fiction and nonfiction to not take ourselves too seriously. ~ Frederick Lenz,
595:In his earliest youth, he had drawn inspiration from really bad authors, as you may have seen from his style; as he grew older, he lost his taste for them, but the excellent authors just didn’t fill him with the same enthusiasm ~ Gustave Flaubert,
596:Many sci-fi authors, we know, are as clever and tricky as so many Coyotes. Ms. Le Guin, though, has matured from the vividness and imagination she had from the beginning into wisdom and a clearsightedness that reaches past sympathy. ~ Tom Shippey,
597:The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part. ~ Richard Stallman,
598:Armchair poverty tourism has been around as long as authors have written about class. As an author, I have struggled myself with the nuances of writing about poverty without reducing any community to a catalog of its difficulties. ~ Leslie Jamison,
599:Jewish authors would never have invented either that style nor that morality; and the Gospel has marks of truth so great, so striking, so utterly inimitable, that the invention of it would be more astonishing than the hero. ~ Jean Jacques Rousseau,
600:The reading of all good books is indeed like a conversation with the noblest men of past centuries who were the authors of them, nay a carefully studied conversation, in which they reveal to us none but the best of their thoughts. ~ Rene Descartes,
601:What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true! ~ David Eagleman,
602:If our previous analyses are correct, they all point to the same conclusion, that metaphysical adventures are doomed to fail when their authors substitute the fundamental concepts of any particular science for those of metaphysics. ~ Etienne Gilson,
603:Popular authors do not and apparently cannot appreciate the fact that true art is obtainable only by rejecting normality and conventionality in toto, and approaching a theme purged utterly of any usual or preconceived point of view. ~ H P Lovecraft,
604:the Nazis burned books in public. Liberals suppress opinions that differ from their own through influences they want kept secret. The right wing destroyed books. The left destroys authors. —William Wilde Curringer, Unfinished Memoirs ~ L Neil Smith,
605:What a heartbreaking job it is trying to combine authors for their own protection... the first lesson I learned was that when you take the field for the authors you will be safer without a breastplate than without a backplate. ~ George Bernard Shaw,
606:In the present age, alas! our pens are ravished by unlettered authors and unmannered critics, that make a havoc rather than a building, a wilderness rather than a garden. But, a lack! what boots it to drop tears upon the preterit? ~ Aubrey Beardsley,
607:Normally I would not recommend a book that tells you how to make money in the stock market. Most of these books are aimed at gullible folk, and they usually make much more money for their authors than they do for the investing public. ~ Gavyn Davies,
608:One of my favorite authors, Garbrielle Zevin, she did a book called 'Elsewhere,' that is one of my favorites, and I think they're making that into a movie too. I really want to be in that one just because the story is so beautiful. ~ Isabelle Fuhrman,
609:Because I know what it's like to pour your heart and soul into a book, day after day after day, when it comes to the work of other authors, I either give them five stars -- or say nothing! I simply can't bring myself to do anything else. ~ Claire Cook,
610:My fears are the obvious ones: that marketplace-minded publishers - all four of them - will shy further away from literary fiction, international authors, poetry, and the other marginal but hugely important regions of the book world. ~ David Edelstein,
611:So Matilda’s strong young mind continued to grow, nurtured by the voices of all those authors who had sent their books out into the world like ships on the sea. These books gave Matilda a hopeful and comforting message: You are not alone. ~ Roald Dahl,
612:But there is a common opinion among all authors in the church that the Antichrist, whom they take to be the viper, will come from the tribe of Dan; and this opinion has been received and approved by all as an important article of faith. ~ Martin Luther,
613:People really want to set up these rivalries because there's a lot of vampire books out there. People want to believe we're all fierce rivals, and really there's just so much camaraderie with authors. Everyone kind of boosts each other. ~ Richelle Mead,
614:The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlors, nor even in its newspapers or inventors, but always most in the common people. ~ Walt Whitman,
615:The Internet is a big boon to academic research. Gone are the days spent in dusty library stacks digging for journal articles. Many articles are available free to the public in open-access journal or as preprints on the authors' website. ~ Nick Bostrom,
616:This is a work of fiction. Names, characters, places, and incidents are products of the authors’ imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or to events or locales, is entirely coincidental. ~ Lori Copeland,
617:Mr Murray was sorry to find that his two authors could not agree better, but he reflected that it probably could not be helped since both men were famous for quarrelling: Strange with Norrell, and Byron with practically everybody.3 When ~ Susanna Clarke,
618:[ Mrs. James, my fifth-grade teacher] introduced us to these authors early on and taught us that their literature is important. Langston Hughes - we read his poetry. We studied who W.E.B DuBois was. And so she whetted our appetites. ~ Michael Eric Dyson,
619:No one will write books once they reach heaven, but there is an excellent library, containing all the books written up to date, including all the lost books and the ones that the authors burned when they came back from the last publisher. ~ Evelyn Waugh,
620:There is this presumption, in those who feel destined for art and above all literature: we act as if we had received an investiture, but in fact no one has invested us with anything, it is we who have authorized ourselves to be authors. ~ Elena Ferrante,
621:Different views of the same truths are seldom disagreeable to men of taste, and are equally useful to beginners with the writings of different authors upon the same subject. ~ Robert Smith, Preface, A Compleat System of Opticks in Four Books (1738) p. ii.,
622:One thing you know when you're ten is that no matter what, there's gonna be a happy ending. They can sweat all they want, the authors, but back of it all you know, you just have no doubt, that in the long run justice is going to win out. ~ William Goldman,
623:those who have inherited their fortunes than of those who have acquired them; the makers of fortunes have a second love of money as a creation of their own, resembling the affection of authors for their own poems, or of parents for their children, ~ Plato,
624:I think I can safely call 2012 average. Overall, it was a stronger year for nonfiction than fiction - a situation that would've surprised me back in January, when I was looking forward to big new novels from several authors I really love. ~ David Edelstein,
625:Only the most formulaic authors always knew when they began a story what the fate of their lead would be. When writing organically, allowing characters their free will, the author could be surprised by who died and who lived in the final act. ~ Dean Koontz,
626:there is no check or limit on the NSA’s bulk collection of metadata, thanks to the government’s interpretation of the Patriot Act—an interpretation so broad that even the law’s original authors were shocked to learn how it was being used. ~ Glenn Greenwald,
627:I think the more avenues that open up when people want to publish, the better. Some of the authors that want to jump ship from the traditional houses and go on their own, you know what? Good luck. It's going to be a lot tougher than you think. ~ Vince Flynn,
628:There are certain original and distinguished authors in whom the least ‘freedom of speech’ is thought revolting because they have not begun by flattering the public taste, and serving up to it the commonplace expressions to which it is used; ~ Marcel Proust,
629:The critics often invent authors; they select two dissimilar works - the Tao Te Ching and the 1001 Nights, say - attribute them to the same writer and then determine most scrupulously the psychology of this interesting homme de lettres... ~ Jorge Luis Borges,
630:Translating Candide into tweets has really deepened my appreciation of his writing - it wouldn't work so well with nineteenth-century authors. Every single sentence in Voltaire seems to advance the story, and yet stand alone as a sound-bite. ~ Mark Ravenhill,
631:Well, I don’t know about you, but I’d rather die than let cute dogs named after my favourite comedians slash authors slash Golden Globes hosts perish,’ replies a shredded firefighter who looks like a genetic mash-up of Idris Elba and danger. ~ Caitlin Kunkel,
632:When I get into the moment of actually feeling like I want to write, to finish something, I do what I've always read authors do, and park myself at a desk and bang things out for three hours. And if I have to throw it all away, I throw it all away. ~ Ted Leo,
633:After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging. ~ Andrew Lam,
634:As a past president of the Writers Guild, I think women shouldn't write for free. Maybe you have to do it for a time, to make a reputation, but I think the idea of giving your work away is the beginning of authors not being able to make a living. ~ Erica Jong,
635:Great authors, when they write about causes, adduce not only those they think are true but also those they do not believe in, provided they have some originality and beauty. They speak truly and usefully enough if they speak ingeniously. ~ Michel de Montaigne,
636:Buddhify has over 80 custom guided audio meditation tracks on various topics. Omvana, with dozens of guided meditations by very famous authors, teachers, and spiritual celebrities. Headspace has a series of 10-minute guided exercises for your mind. ~ S J Scott,
637:Criticism is now become mere hangman's work, and meddles only with the faults of authors ; nay, the critic is disgusted less with their absurdities than excellence ; and you cannot displease him more than in leaving him little room for his malice. ~ John Dryden,
638:Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels". ~ Otto Penzler,
639:365 Days of Happiness: Inspirational Quotes to Live By (Various Authors;Keefe, M.G.) - Your Highlight on page 11 | Location 214-215 | Added on Monday, December 30, 2013 12:48:28 AM You can’t be brave if you’ve only had wonderful things happen to you. ~ Anonymous,
640:Favourite directors change, like favorite authors. I had a passion for Gide and Stein and Faulkner. But now they're no use to me anymore. I've assimilated them - so, enough, they are a closed chapter. This also applies to film directors. ~ Michelangelo Antonioni,
641:Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography. ~ David Biespiel,
642:I just love the way those old-time authors like Mr. Dickens or George Eliot (who was actually a woman, in case you didn’t know) stop smack-dab in the middle of the story and say stuff like, “patient reader,” and then give some little side comment. ~ Kathryn Lasky,
643:Many Spirit-filled authors have exhausted the thesaurus in order to describe God with the glory He deserves. His perfect holiness, by definition, assures us that our words can't contain Him. Isn't it a comfort to worship a God we cannot exaggerate? ~ Francis Chan,
644:The poet John Keats noted that whereas great authors are ‘capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason’, the rest of us are ‘incapable of remaining content with half-knowledge’.39 ~ Daniel Todd Gilbert,
645:Ebonics – describes the type of “black English” spoken by (some) black children and adults. Note that no “word” has been created to describe the speech patterns and mispronounciations of English by poor or uneducated whites (to the authors’ knowledge). ~ Anonymous,
646:Harvard Business Review that he said reminded him of me. The article—“Parables of Leadership” by W. Chan Kim and Renée A. Mauborgne—was composed of a series of ancient parables that focused on what the authors called “the unseen space of leadership. ~ Phil Jackson,
647:I want to offer a word of encouragement to authors: You have to feel called to the message of your book enough that you want people to get that message. When you get to that place, your passion goes through the roof, and then the other stuff happens. ~ Jud Wilhite,
648:Social media is the democratization of information, transforming people from content readers into publishers. It is the shift from a broadcast mechanism, one-to-many, to a many-to-many model, rooted in conversations between authors, people and peers. ~ Brian Solis,
649:I believe that authors don't have a responsibility to include "messages" in their work, but they do have a responsibility to write a world that seems true and real, never more than when expecting readers to believe in magic and angels and fairies. ~ Cassandra Clare,
650:Authors always carry a means for scribbling and an excuse for pausing, often inopportunely, to record those fleeting sparks of creative fancy that might otherwise vanish like a wisp in the wind if ignored.  Writing is a jealous and needy lover. ~ Richelle E Goodrich,
651:by allowance" and "loving with personal love." This distinction applies to books as well as to men and women; and in the case of the not very numerous authors who are the objects of the personal affection, it brings a curious consequence with it. There ~ Jane Austen,
652:I don't remember titles of books or authors from when I was young. I remember the title of only one book, which was 'The Timber Toes.' I remember it was a family of little wooden people who lived in the woods, and for some reason that stayed with me. ~ Sharon Creech,
653:There is more ado to interpret interpretations than to interpret things, and more books upon books than upon any other subject; we do nothing but comment upon one another. Every place swarms with commentaries; of authors there is great scarcity. ~ Michel de Montaigne,
654:Circumstances don’t shape us, so much as they reveal us. As the masters of our thoughts, we are the authors of our environments. As the sole gardener of your own mind, you have more power than any other force in shaping your environment and your destiny. ~ James Allen,
655:The authors that in any nation last from age to age are very few, because there are very few that have any other claim to notice than that they catch hold on present curiosity, and gratify some accidental desire, or produce some temporary conveniency. ~ Samuel Johnson,
656:There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature. ~ Washington Irving, The Sketch Book of Geoffrey Crayon, "The Mutabilities of Literature" (1819–1820).,
657:Writers, naturally, dream of becoming authors. Authors dream of writing a bestseller. Bestselling authors want to write more bestsellers. And everyone hopes for big prizes. Why? Because we believe in magic." Publisher's Weekly magazine, Dec. 12, 2011 ~ Amy Hill Hearth,
658:Creationist ‘logic’ is always the same. Some natural phenomenon is too statistically improbable, too complex, too beautiful, too awe-inspiring to have come into existence by chance. Design is the only alternative to chance that the authors can imagine. ~ Richard Dawkins,
659:I always encourage authors (especially new authors) to be as generous as we are blessed. For one thing, it is a way to help people. For another, it is a seed one is planting for the life of the book. Someone gave it to someone who gave it to someone else. ~ Andy Andrews,
660:Inspiration: The process by which God worked through the human authors of the Bible to communicate His revelation. The term derives from the Greek theopneustos, meaning “God-breathed” (2 Tim. 3:16), and refers to God as the ultimate source of the Scriptures. ~ Anonymous,
661:The foundational truth imparted by the authors is that the adult’s first task is to attend to his or her own emotional state, since it’s only in the adult’s calm, competent, and reassuring presence that children find the space to resolve their tensions. ~ Peter A Levine,
662:The ones that landed near the bathroom are Bad Tolkien imitations or transcripts of a D&D adventure; bad Herbert, Heinlein, and Asimov are below the television; and these on the bed are the ones whose authors I want to hunt down personally and slap. ~ Sharyn McCrumb,
663:The place he’s most associated with is therefore not Samos but Croton, a city in southern Italy (§§269–70). In fact ancient authors liked to give him credit for founding a distinctive philosophical tradition, the so-called “Italian school” of philosophy. ~ Peter Adamson,
664:Women's studies needed a syllabus and so invented a canon overnight. It puffed up clunky, mundane contemporary women authors into Oz-like, skywriting dirigibles. Our best women students are being force-fed an appalling diet of cant, drivel and malarkey. ~ Camille Paglia,
665:You realize you are not alone when you write, and you start to write for the person who will read your words. I think that's a bad thing, but I'm not sure, because I do think of being an author someday, and authors have to commune with their readers. ~ Laura Amy Schlitz,
666:A shout out to Stacey Blake for formatting my book and making it look pretty and clean. I can’t forget my community of Indie Authors who supports me daily. There are far too many of you to list, but you all know who you are and how important you are to me. ~ Raine Thomas,
667:Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free. ~ Criss Jami,
668:I do identify the escape hatch through which Foucault eludes the charge that he himself is an author/authority, hence a tyrant. He establishes the category of "founder of discursivity" for the authors he likes. Slippery, perhaps, but you can see what he means. ~ Paul Fry,
669:I had a lot of time on my hands and so I fell into the world of books. I read and read and read some more. I read every single thing that I could lay my hands on - even if authors were not well known or famous. I began seeing the world through their eyes. ~ Preeti Shenoy,
670:The Marquesa would even have been astonished to learn that her letters were very good, for such authors live always in the noble weather of their own minds and those productions which seem remarkable to us are little better than a day's routine to them. ~ Thornton Wilder,
671:And that we, far from being its authors, or its operators, or even its slaves (for slaves are agents who can harbour hopes, however faint, that one day a Moses or a Spartacus will set them free), were no more than actions and commands within its key-chains. ~ Tom McCarthy,
672:We want to believe. Young students try to believe in older authors, constituents try to believe in their Congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical ill-considered criticism. ~ F Scott Fitzgerald,
673:Amazon has included me in an opportunity to provide top-shelf television-style programming live on the world's computer screens. To hold forth with the industry's very best actors, directors, musicians, authors - I'm thrilled to be on the cutting edge of this. ~ Bill Maher,
674:I keep in touch with my fans by keeping a blog online and I try to answer questions every day. I also have a twitter and a facebook. I think that social networking gives authors a unique insight in the minds of their fans and for me that is very valuable. ~ Cassandra Clare,
675:My stories may 'lack' the overall sparkly finish, but I enjoy writing them and publishing them. Not every book is perfect not even from the top authors!!!
And this is for children who are sick and in need, so I am having a good time writing this year!!x ~ Laurie Bowler,
676:He walked slowly up and down the rows, glancing at titles and authors, hoping to find something useful. He was so intent in his search that he failed to notice the dark, hooded figure that entered the archives and stood silently in the doorway, watching him ~ Drew Karpyshyn,
677:Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about. ~ David Levithan,
678:Over against the devil and his missionaries, the authors of false doctrines and sects, we ought to be like the Apostle, impatient, and rigorously condemnatory, as parents are with the dog that bites their little one, but the weeping child itself they soothe. ~ Martin Luther,
679:There seemed to be a mystifying universal conspiracy among textbook authors to make certain the material they dealt with never strayed too near the realm of the mildly interesting and was always at least a long-distance phone call from the frankly interesting. ~ Bill Bryson,
680:Donegan Bane and Gracious O'Callahan - the Monster Hunters. Adventurers, inventors, authors of Monster Hunting for Beginners and it's sequels, Monster Hunting for Beginners is Probably Inadvisable and Seriously, Dude, Stop Monster Hunting. ~ Derek Landy,
681:The more “compassionate love”—warmth, affection, and connection—employees feel at work, the better they do their jobs, say two authors who present new research tying caring work environments to higher employee satisfaction and attendance and also client outcomes. ~ Anonymous,
682:We read that when Arulenus Rusticus published the praises of Paetus Thrasea, and Herennius Senecio those of Priscus Helvidius, it was construed into a capital crime; [3] and the rage of tyranny was let loose not only against the authors, but against their writings; ~ Tacitus,
683:Writing is not a serious business. It’s a joy and a celebration. You should be having fun with it. Ignore the authors who say ‘Oh, my God, what word? Oh, Jesus Christ…’, you know. Now, to hell with that. It’s not work. If it’s work, stop and do something else. ~ Ray Bradbury,
684:Although these early Christian authors subordinated science and the study of nature to the needs of religion, they often indicated an interest in nature, as did Basil, that transcended the mere ancillary status that the study of nature was customarily accorded. ~ Edward Grant,
685:Book writing is not a get-rich-quick scheme. Anyone who decides to write a book must expect to invest a lot of time and effort without any guarantee of success. Books do not write themselves and they do not sell themselves. Authors write and promote their books. ~ Dan Poynter,
686:Here's the thing: Authors live or die by recommendations. [That's one of the reason I review so many books on Goodreads.] Giving books you love good reviews is one of the nicest things you can do for an author. What's more it's good for the entire community. ~ Patrick Rothfuss,
687:I realized the other day that about the only author I genuinely read for pure pleasure is one of the worst authors in the world, a guy called Harry Stephen Keeler, a long dead American mystery writer. He was probably the greatest bad writer America ever produced. ~ Neil Gaiman,
688:The one thing all famous authors, world class athletes, business tycoons, singers, actors, and celebrated achievers in any field have in common is that they all began their journeys when they were none of these things.

Yet still, they began their journeys. ~ Mike Dooley,
689:All these lies, whether their authors know it or not, harbor an element of violence; organized lying always tends to destroy whatever it has decided to negate, although only totalitarian governments have consciously adopted lying as a first step to murder.[42] ~ Stanley Hauerwas,
690:If any preposterous bill were brought forward, for giving poor grubbing devils of authors a right to their own property I should like to say, that I for one would never consent to opposing an insurmountable bar to the diffusion of literature among the people... ~ Charles Dickens,
691:There are certain authors out there whose books I'll read no matter what they're about. More often than not I don't even need to read the blurb to know that I'll love it. It's that kind of confidence in my work that I hope to earn from my readers someday. ~ Shawn Kirsten Maravel,
692:To be liberated from the stigma of blackness by embracing it is to cease, forever, one's interior argument and collaboration with the authors of one's degradation. It abruptly reduces the white enemy to a contest merely physical, which he can win only physically. ~ James Baldwin,
693:After the Saudi plutocrat Khalid bin Mahfouz used English law to attack books that American houses had not even published in England, President Obama signed a law that stated that the US courts should not enforce the orders of English judges against American authors. ~ Nick Cohen,
694:What is the difference between an author and a writer? A writer, as we know, writes; an author has written. What does an author do? Auth? Authorize? An author authors. But never in the present tense. No one says, when asked what he or she is doing, “I’m authoring. ~ Roy Blount Jr,
695:Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done. ~ Ayn Rand,
696:In schools—even in good schools, like Exeter—they tend to teach the shorter books by the great authors; at least they begin with those. Thus it was Billy Budd, Sailor that introduced me to Melville, which led me to the library, where I discovered Moby Dick on my own. ~ John Irving,
697:It’s about contradictions between us and inside us, between individuals and society, between dream and reality. Sometimes these contradictions express themselves in violence, such as racial conflict. And this mirror of crime can take us back to the Greek authors. ~ Henning Mankell,
698:Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. ~ Washington Irving,
699:On the Left, on the Right, in the Middle; Authors, statesmen, thieves; so-called humanists and self-declared fascists; the adventurous and the contemplative, in every realm of male expression and action, violence is experienced and articulated as love and freedom. ~ Andrea Dworkin,
700:Literary fiction causes a lot of confusion for readers and writers alike. As far as misbranding goes, literary fiction bears the brunt of it. In fact, I see so many authors misclassify their beautiful literary novels, that one day I got fed up and went on a blog rant. ~ Emlyn Chand,
701:The trouble when people stop believing in God is not that they thereafter believe in nothing; it is that they thereafter believe in anything. In this century, 'anything' has included Hitler, Stalin and Mao, authors of the great genocidal madnesses of our time. ~ Charles Krauthammer,
702:Those authors into whose hands nature has placed a magic wand, with which they no sooner touch us than we forget the unhappiness in life, than the darkness leaves our soul, and we are reconciled to existence, should be placed among the benefactors of the human race. ~ Denis Diderot,
703:I hated school so intensely. It interfered with my freedom. I avoided the discipline by an elaborate technique of being absent-minded during classes. ~ Sigrid Undset, 1928 Nobel Prize in literature; quoted in Twentieth Century Authors, Kunitz and Haycraft, editors (1942), page 1432.,
704:Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books. ~ Jackie Collins,
705:In old age the consolation of hope is reserved for the tenderness of parents, who commence a new life in their children, the faith of enthusiasts, who sing hallelujahs above the clouds; and the vanity of authors, who presume the immortality of their name and writings. ~ Edward Gibbon,
706:I sometimes read about authors who say they require a perfectly silent room maintained at precisely 68 degrees, with trash bags taped over the windows and a white-noise machine in the corner to write, and I think, 'Who are these people, and do any of them have kids? ~ Jennifer Weiner,
707:Authors of published papers and editors of scientific journals can, unfortunately, be slow to come to terms with criticism, and it's good that we can use blogs to express specific criticisms of published articles and to use social media to disseminate these criticisms. ~ Andrew Gelman,
708:In my view most authors do not write to reflect reality but to invent a second world with a complicated set of rules - the more complicated the better. Though this second world is derived from the first, it is somehow more meaningful, more satisfying than the real world. ~ Orhan Pamuk,
709:I was at the table with three Europeans, and we were having lunch. And they were talking about their role as lead authors. And they were talking about how they were trying to make the report so dramatic that the United States would just have to sign that Kyoto Protocol. ~ John Christy,
710:Just as authors are told not to read the criticisms; — but I never would believe any author who told me that he didn’t read what was said about him. I wonder when the man found out that I was good-natured. He wouldn’t find me good-natured if I could get hold of him. ~ Anthony Trollope,
711:Great old books of the great old authors are not in everybody's reach; and though it is better to know them thoroughly than to know them only here and there, yet it is a good work to give a little to those who have neither time nor means to get his own belief. ~ Samuel Taylor Coleridge,
712:The burning point of paper was the moment where I knew that I would have to remember this. Because people would have to remember books, if other people burn them or forget them. We will commit them to memory. We will be come them. We become authors. We become their books. ~ Neil Gaiman,
713:...the differential element of non-Euclidean spaces is Euclidean. This fact, however, is analogous to the relations between a straight line and a curve, and cannot lead to an epistemological priority of Euclidean geometry, in contrast to the views of certain authors. ~ Hans Reichenbach,
714:Whether you like the label 'Anthropocene' or not, whether you find the prospect of what it signifies inevitable or appalling (or both), the time has come to address its implications, as these thoughtful, battle-tested authors attempt to do. The time has long since come. ~ David Quammen,
715:I think there are so many books out there written on relationships and romance that women are the authors of. How can women know exactly how men think? And there are so many guys out there with relationship books who are just not telling the truth. They have shaded parts. ~ Steve Harvey,
716:I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself. ~ Richard Lewis,
717:New York Times columnist Paul Krugman told one of the authors in Seoul, South Korea, a de cade ago that he has always followed one piece of advice that his MIT professors had given him: “Never touch the money system.” Krugman was awarded the Nobel Prize for Economics in 2008. ~ Anonymous,
718:There is no practice more vexing than that of authors describing coach travel for the edification of people who have already travelled in coaches. As I must adhere to form, however, I will simply list a series of phrases for the unlikely reader who has never gone anywhere: ~ Lyndsay Faye,
719:There is ... scarcely any species of writing of which we can tell what is its essence, and what are its constituents; every new genius produces some innovation, which, when invented and approved, subverts the rules which the practice of foregoing authors had established. ~ Samuel Johnson,
720:I don't know what will happen to the physical book and what it will mean for authors. I worry whether it will mean people can still make their careers this way. Will whatever comes next allow people to be able to own their ideas and be able to take time to develop them? ~ Edwidge Danticat,
721:I liked reading and working out my ideas in the midst of that endless crowd walking in and out of the (library) looking for something. I, too, was seeking fame and fortune by sitting at the end of a long golden table next to the sets of American authors on the open shelves. ~ Alfred Kazin,
722:Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else. ~ Albert Einstein,
723:The beauty of science fiction was that its authors never had to work out the logistics of how we would arrive in the future. The future was presented as a fait accompli, and the difficult work by which a society accepted new social configurations did not have to be explained. ~ Emily Witt,
724:Being president means leaving one's name in the history book of which few men are authors. It is my fortune to be blessed with a proud name, one that parents will employ for generations to instill the values of honesty, independence, and above all, courage in their sons. ~ Grover Cleveland,
725:I think that sometimes people [who overreact or lash out] will hang on to their point just because they're so embarrassed that they made it. They won't set it down because they are the authors of these [disproportionate responses] and they have a lot to be embarrassed about. ~ Margaret Cho,
726:Living loved, we relax our expectations, our efforts, our strivings, our rules, our spine, our breath, our plans, our job descriptions and checklists; we step off the treadmill of the world and the treadmill of religious performance. We are not the authors of our redemption. ~ Sarah Bessey,
727:When New Testament authors stress that salvation is not arrived at by works, as first-century Jews, these authors are referring to works of the law. They are saying that God’s righteousness does not come by external obedience to the law, as some Jews of their day supposed. ~ Gregory A Boyd,
728:It is possible to be a meta-physician without believing in a transcendent reality; for we shall see that many metaphysical utterances are due to the commission of logical errors, rather than to a conscious desire on the part of their authors to go beyond the limits of experience. ~ A J Ayer,
729:The Weirdest People in the World?”2 The authors pointed out that nearly all research in psychology is conducted on a very small subset of the human population: people from cultures that are Western, educated, industrialized, rich, and democratic (forming the acronym WEIRD). ~ Jonathan Haidt,
730:Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don't even care if anyone reads this book. I just want to finish it. ~ Amy Poehler,
731:Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don’t even care if anyone reads this book. I just want to finish it. ~ Amy Poehler,
732:And when I read, and really I do not read so much, only a few authors, - a few men that I discovered by accident - I do this because they look at things in a broader, milder and more affectionate way than I do, and because they know life better, so that I can learn from them. ~ Vincent Van Gogh,
733:... It is possible to be a meta-physician without believing in a transcendent reality; for we shall see that many metaphysical utterances are due to the commission of logical errors, rather than to a conscious desire on the part of their authors to go beyond the limits of experience. ~ A J Ayer,
734:Such fundamental and flagrant contradictions rarely occur in second-rate writers, in whom they can be discounted. In the work of great authors they lead into the very center of their work and are the most important clue to a true understanding of their problems and new insights. ~ Hannah Arendt,
735:Zbigniew Brzezinski, you know, who was one of the authors of U.S. dominance, he's changed his mind, you know, and he's saying now we've got to learn to cooperate with other world powers. We are not the bully in the schoolyard here.We've got to deal with them. And that's my feeling. ~ Jill Stein,
736:If I had my way books would not be written in English but in an exceedingly difficult secret language.... This plan would have the advantage of scaring off all amateur authors, retired politicians, country doctors...who would not have the patience to learn the secret language. ~ Robertson Davies,
737:A good style simply doesn't form unless you absorb half a dozen top flight authors every year. Or rather it forms but, instead of being a subconscious amalgam of all that you have admired, it is simply a reflection of the last writer you have read, a watered-down journaleese. ~ F Scott Fitzgerald,
738:among the values of classical learning I estimate the Luxury of reading the Greek & Roman authors in all the beauties of their originals ... I think myself more indebted to my father for this, than for all the other luxuries his cares and affections have placed within my reach. ~ Thomas Jefferson,
739:I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way. ~ Kevin Sampsell,
740:I have preferred to teach my students not English literature but my love for certain authors, or, even better, certain pages, or even better than that, certain lines. One falls in love with a line, then with a page, then with an author. Well, why not? It is a beautiful process. ~ Jorge Luis Borges,
741:One of the most incredible secrets of science fiction (although one not too closely guarded) is the fact that 99 percent of its authors do not know even the titles and authors of today's learned works, but still they want to top these scholars with their knowledge of the year 6000. ~ Stanis aw Lem,
742:Whitman, for example, self-published (and typeset!) Leaves of Grass. Self-publishing could change from stigma to bragging point—maybe we could change the term to “artisanal publishing” and foster the image of authors lovingly crafting their books with total control over the process. ~ Guy Kawasaki,
743:It doesn’t do to read too much,’ Widmerpool said. ‘You get to look at life with a false perspective. By all means have some familiarity with the standard authors. I should never raise any objection to that. But it is no good clogging your mind with a lot of trash from modern novels. ~ Anthony Powell,
744:Anyone who fears, as I do, that today's public schools are dangerously close to being irrelevant must read this book. The authors provide a road map-and a lifeline-showing how schools can prosper under the most difficult conditions. It is a welcome departure from all the school bashing. ~ John Merrow,
745:As an arts journalist in London, working mainly for the BBC, I interviewed hundreds if not thousands of authors. From them I gleaned a great deal of passing instruction in writing and I observed one fascinating detail: no two writers approach their work - physically - in the same way. ~ Frank Delaney,
746:How had all this magic gone unnoticed? She loved to read urban fantasy and paranormal romance, were those books fact or fiction? She was starting to think they might be more real than she ever imagined. Maybe those authors were all secretly the werewolves and vampires they wrote about. ~ Michelle Fox,
747:Before you can become a writer, you have to be a reader, and a reader of everything, at that. To the best of my recollection, I became a reader at the age of 10 and have never stopped. Like many authors, I read all sorts of books all the time, and it is amazing how the mind fills up. ~ Terry Pratchett,
748:My family and I have always supported Asian and Asian Americans, especially our fellow authors and artists. I just found out my Crazy Rich Asian cousin bought out some theaters to support the Crazy Rich Asians film. Talk about crazy! - The Asian American Experience Anthology by Kailin Gow ~ Kailin Gow,
749:On Seeing The Ladies Crux-Easton Walk In The
Woods By The Grotto.
Authors the world and their dull brains have traced
To fix the ground where Paradise was placed;
Mind not their learned whims and idle talk;
Here, here's the place where these bright angels walk.
~ Alexander Pope,
750:While passion may induce some people to exaggerate, it may drive others to be all the more meticulous and accurate so as not to compromise the credibility of the message they wish to communicate. As you’ll see, we think the authors of the Bible took this meticulous and accurate road. ~ Norman L Geisler,
751:I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery. ~ Patrick Rothfuss,
752:It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more. ~ Winston Churchill,
753:I would not be like those Authors, who forgive themselves some particular lines for the sake of a whole Poem, and vice versa a whole Poem for the sake of some particular lines. I believe no one qualification is so likely to make a good writer, as the power of rejecting his own thoughts. ~ Alexander Pope,
754:We think we have some kind of privileged access to our own motives and intentions. In fact we have no clear insight into what moves us to live as we do. The stories we tell ourselves are like the messages that appear on Ouija boards. If we are authors of our lives, it is only in retrospect. ~ John N Gray,
755:Authors, artists, and even philosophers are much better off having a very small number of fanatics behind them than a large number of people who appreciate their work. The number of persons who dislike the work don’t count—there is no such thing as the opposite of buying your book, ~ Nassim Nicholas Taleb,
756:I like Catch-22, Gravity’s Rainbow and Zen and the Art of Motorcycle Maintenance, for instance, because the authors of those three surrealistic novels—Joseph Heller, Thomas Pynchon and Robert Pirsig—invented their own rules, knowing that the old ones wouldn’t do the job they had in mind. ~ William Zinsser,
757:Thanks to the Internet, there is even a new variety of continuously updated on-line memoir sometimes called the blog (from Web-log). Thousands of authors simply write their diaries directly onto Web pages for the rest of the world to read. Why do people want to recount their lives? What ~ Alice W Flaherty,
758:Writers used to be treated (except for the few brand name authors) as the bottom rung of the food chain.  We were interchangeable parts.  We’re not any more.  All those people between us and our readers (agents, editors, publishers, book reps, bookstores) are the ones whose jobs are in danger. ~ Bob Mayer,
759:Our superhero foreign policy draws rivers of taxpayer dollars toward the center, empowering Washington at the expense of local governments. It also empowers the president at the expense of Congress in ways that upset the balance that the authors of the Constitution took great pains to design. ~ Ian Bremmer,
760:The diplomatic thing for me to say is that if publishers are dressing up other authors as Terry Pratchett clones then they are doing a disservice to those authors. If they didn't dress them as clones but did something different, then those authors could be pioneering in a different sense. ~ Terry Pratchett,
761:Yes, she’s fine. She’s rereading one of your books. There’s not many authors she likes, so if there’s nothing new, she just rereads yours. The funny thing is, she forgets how they end, so she enjoys it just as much as the first time. I swear the woman could plan her own surprise party. ~ Richard Paul Evans,
762:I feel a kind of reverence for the first books of young authors. There is so much aspiration in them, so much audacious hope and trembling fear, so much of the heart's history, that all errors and shortcomings are for a while lost sight of in the amiable self assertion of youth. ~ Henry Wadsworth Longfellow,
763:I find it very disturbing to be advertised, as I have noticed that it is the advertised authors that stink. I am pretty sure I am going to stink from now on, and it might just as well be in Harpers as anywhere else, I suppose. A writer is like a beanplant-he has his day and then he gets stringy. ~ E B White,
764:Or as Chesterton put it, “The trouble when people stop believing in God is not that they thereafter believe in nothing; it is that they thereafter believe in anything.” In this century, “anything” has included Hitler, Stalin and Mao, authors of the great genocidal madnesses of our time. ~ Charles Krauthammer,
765:Such is the relationship between scientists and engineers and science fiction authors—we feed each other inspiration, the scientists and engineers use this to go and build the world, while the authors use this to tell the world what’s coming and to inspire a new generation of world-builders. ~ David Gatewood,
766:The phrase 'academic freedom' is often used carelessly: here is a work that will allow a more careful conversation about those many crucial issues facing the academy, in which a well-worked out understanding of conceptions of academic freedom is, as its authors show, an essential tool. ~ Kwame Anthony Appiah,
767:All books are hyggelig, but classics written by authors such as Jane Austen, Charlotte Bronte, Leo Tolstoy, and Charles Dickens have a special place on the bookshelf. At the right age, your kids may also love to cuddle up with you in the hyggekrog and have you read to them. Probably not Tolstoy. ~ Meik Wiking,
768:As with men, it has always seemed to me that books have their own peculiar destinies. They go towards the people who are waiting for them and reach them at the right moment. They are made of living material and continue to cast light through the darkness long after the death of their authors. ~ Miguel Serrano,
769:Children read books, not reviews,” he wrote. “They don’t give a hoot about the critics.” And: “When a book is boring, they yawn openly, without any shame or fear of authority.” Best of all—and to the relief of authors everywhere—children “don’t expect their beloved writer to redeem humanity. ~ Steven D Levitt,
770:Creationist ‘logic’ is always the same. Some natural phenomenon is too statistically improbable, too complex, too beautiful, too awe-inspiring to have come into existence by chance. Design is the only alternative to chance that the authors can imagine. Therefore a designer must have done it. ~ Richard Dawkins,
771:Also, I've spent an entire week without reading any books or talking about them too loudly. I'm learning to work my apparat's screen, the colourful pulsating mosaic of it, the fact that it knows every last stinking detail about the world, whereas my books only know the minds of their authors. ~ Gary Shteyngart,
772:In the absence of any concrete evidence. I plump for Leonard Stock as the murderer. First, because he's the most unlikely person, and as anyone who has ever read a murder story knows, it's always the most unlikely person who turns out to have done the deed--and fifty thousand authors can't be wrong. ~ M M Kaye,
773:As the moon, though darkened with spots, gives us a much greater light than the stars that sewn all-luminous, so do the Scriptures afford more light than the brightest human authors. In them the ignorant may learn all requisite knowledge, and the most knowing may learn to discern their ignorance. ~ Robert Boyle,
774:Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel. ~ Emma Donoghue,
775:according to the authors of Sex in America: A Definitive Survey, “Twice as many women who went to college have given or received oral sex as compared to those who did not finish high school and twice as many of those better-educated women had or received oral sex the last time they had sex.” Whereas ~ Ian Kerner,
776:You’re totally wrong!” Rakoff cried. He explained that the rule against split infinitives was just a bizarre invention by some pedants in the late nineteenth century to have English mimic Latin, in which infinitives are one word. All the great authors—Shakespeare! Faulkner!—split the infinitive. ~ Jesse Eisinger,
777:Facebook users have higher levels of total narcissism, exhibitionism, and leadership than Facebook nonusers,” the study’s authors wrote. “In fact, it could be argued that Facebook specifically gratifies the narcissistic individual’s need to engage in self-promoting and superficial behavior. ~ Siddhartha Mukherjee,
778:Then she says, You don't read women authors do ya? At least that's what I think I hear her say. Well, I said, how would you know and what would it matter anyway. Well, she says you just don't seem like you do. I said you're way wrong. She says which ones have you read then. I say I've read Erica Jong. ~ Bob Dylan,
779:Don't let western authors and evangelists fool you, Europeans were NOT killing witches; they were killing WOMEN. If the criminal act was allegedly that of sorcery/witchery, we would have seen similar accounts and charges against men to justify these narratives! They were indeed killing the WOMEN. ~ Ibrahim Ibrahim,
780:I think a reason why TV is exciting and getting so much better is because we [authors] get to play off of an actor's strengths and challenge them on their weaknesses. On a feature [film], you don't necessarily get to do that. You hope that they cast the right guy, who comes in and plays your part. ~ Michael Brandt,
781:Its Seventh Commandment, italicized by the authors, stated: “Battles are beyond everything else struggles of morale. Defeat is inevitable as soon as the hope of conquering ceases to exist. Success comes not to him who has suffered the least but to him whose will is firmest and morale strongest. ~ Barbara W Tuchman,
782:Business is war! Its leaders are strategic commanders, who boldly snatch victory from the jaws of defeat - and who perform other acts of derring-do. This kind of talk sounds great in the boardroom, and, for that matter, in the bookstore, where dozens of authors counsel would-be corporate warriors. ~ Nathan Myhrvold,
783:Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature. ~ Washington Irving,
784:These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb. ~ Colson Whitehead,
785:And I remembered. I would not be the person I am without the authors who made me what I am- the special ones, the wise ones, sometimes just the ones who got there first. It's not irrelevant, those moments of connection, those places where fiction saves your life. It's the most important thing there is. ~ Neil Gaiman,
786:Every day, hundreds of books and thousands of articles go into print. And here’s the truth: Some of them aren’t very good. What’s the difference between published authors and you? What do they have that you don’t? Maybe nothing. Except they know how to get published, which is actually quite significant. ~ Jeff Goins,
787:Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable. ~ Jane Smiley,
788:Everyone’s life is an evolution of emotions, spirit and beliefs. The storyline changes, plots thicken, main characters mature and new spiritual journeys begin. This is true of inspirational authors. Their books represent only the stages of their life. New triumphs of the soul have yet to be written! ~ Shannon L Alder,
789:In a best-selling book, 100,000,000 Guinea Pigs (reprinted nine times by 1935), a pair of consumer-advocate authors complained that American citizens had become test animals for chemical industries that were indifferent to their customers' well-being. The government, they added bitterly, was complicit. ~ Deborah Blum,
790:It is significant that in most languages there is a single word for the essential virtue regarding both of these two relationships, which are the only two relationships where we cannot pay all that is owed. The word is “piety” (pietas). It means honor to both ancestors and God, the authors of our life. ~ Peter Kreeft,
791:The Avalanche," peacemaker Rachel recites, "is very important. It's a privilege to sing it. It's a celebration of our past." Everybody around the table smiles at her.
"Yeah? Well, I've seen how easily the past can get rewritten." I glare at Mr. Oamaru. "Lyrics change. New authors come along. ~ Karen Russell,
792:What’s the point of having countless books and libraries, whose titles could hardly be read through in a lifetime. The learner is not taught, but burdened by the sheer volume, and it’s better to plant the seeds of a few authors than to be scattered about by many.” —SENECA, ON TRANQUILITY OF MIND, 9.4 T ~ Ryan Holiday,
793:Parental teaching is a natural duty--who so fit to look to the child's well being as those who are the authors of his actual being? To neglect the instruction of our offspring is worse than brutish. Family religion is necessary for the nation, for the family itself, and for the church of God. ~ Charles Haddon Spurgeon,
794:Hopefully we are emerging from an era of fantasy explanations for real phenomena. The authors certainly have to face a community of therapists who are obsessionally committed to explanations for disease and for therapy unsupported by a scrap of evidence except for their claimed therapeutic success. ~ Patrick David Wall,
795:I'm getting very sorry for the Devil and his disciples such as the good Le Chiffre. The devil has a rotten time and I always like to be on the side of the underdog. We don't give the poor chap a chance...the Devil had no prophets to write his Ten Commandments and no team of authors to write his biography. ~ Ian Fleming,
796:Oh, that is pathetic,” said Mallory to Jessi.

“Look at them. They’re going to think the only thing that matters in their lives is beauty and poise. They’ll grow up believing they can only be pretty faces, not doctors or lawyers or authors.”

“I am so glad Becca has stage fright,” said Jessi. ~ Ann M Martin,
797:Today, in front of a slew of white authors, during a fellowship, with a drink in my hand, I said that I was untouchable. There was a gasp, and maybe it was a hundred years of work for my name to arrive here, where I can name my pain so well that people are afraid of the consequences and the power. ~ Terese Marie Mailhot,
798:How is it possible to defeat not the authors but the functions of the author, the idea that behind each book there is someone who guarantees a truth in that world of ghosts and inventions by the mere fact of having invested in it his own truth, of having identified himself with that construction of words? ~ Italo Calvino,
799:My hours of leisure I spent in reading the best authors, ancient and modern, being always provided with a good number of books; and when I was ashore, in observing the manners and dispositions of the people, as well as learning their language; wherein I had a great facility, by the strength of my memory. ~ Jonathan Swift,
800:The motives and purposes of authors are not always so pure and high, as, in the enthusiasm of youth, we sometimes imagine. To many the trumpet of fame is nothing but a tin horn to call them home, like laborers from, the field, at dinner-time, and they think themselves lucky to get the dinner. ~ Henry Wadsworth Longfellow,
801:I feel a kind of reverence for the first books of young authors.
There is so much aspiration in them,
so much audacious hope and trembling fear,
so much of the heart's history, that all errors
and shortcomings are for a while lost sight of
in the amiable self assertion of youth. ~ Henry Wadsworth Longfellow,
802:Isn't it funny that what the Japanese authors consider their first page is our happily-ever-after last one? When you think about it, it's not a bad way to approach life. What appears to be an ending--heartbreaking wounds that you can and cannot see--may just be a beginning, a start of a brand-new adventure. ~ Justina Chen,
803:Professors will lecture with more inspiration if they occasionally alternate the classroom with the beach: authors will write better when, as Macaulay used to do, they write for two hours, then pitch quoits, and then go back to their writing. But certainly more than the mere mechanical alternation is involved. ~ Rollo May,
804:The National Book Festival is a great way for families and friends to share the creative works of some of America's most-loved authors, .. Readers of all ages can listen to favorite writers speaking about their books, have books autographed, meet many storybook characters and enjoy a day on the National Mall. ~ Laura Bush,
805:Whatever the poets pretend, it is plain they give immortality to none but themselves; it is Homer and Virgil we reverence and admire, not Achilles or Aeneas. With historians it is quite the contrary; our thoughts are taken up with the actions, persons, and events we read, and we little regard the authors. ~ Jonathan Swift,
806:...with a few sentences, the authors attempt to counteract the unscrupulous messages endemic to the title, content, and imagery of their book. This attempt fails, but speaks strongly to the character of our culture that even a book that earnestly wants to be about saving animals must resort to destroying women. ~ Kim Socha,
807:Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them. ~ Alan Bennett,
808:but you are very well aware that I belong to that remarkable class of authors who, when they are bearing anything about in their minds in the manner I have just described, feel as if everybody who comes near them, and also the whole world to boot, were asking, “Oh! what is it? Oh! do tell us, my good sir? ~ Leslie S Klinger,
809:Humans are storytellers. It is our nature to make up stories, to interpret everything we perceive. Without awareness, we give our personal power to the story and the story writes itself. With awareness, we recover the control of our story. We see we are the authors and if we don't like our story, we change it. ~ Miguel Ruiz,
810:To write well you have to punch above your weight, reading authors far more skilled than you will ever be.

Quality will out and I hope by osmosis some of it will seep through into my own prose.

If I ever stop reading for pleasure, escape or instruction, that will be the time to quit writing too. ~ Leah Fleming,
811:Authors, she soon decided, were probably best met with in the pages of their novels, and were as much creatures of the reader’s imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them. ~ Alan Bennett,
812:The funding of research projects, laboratories, and entire academic centers by the food and pharmaceutical industries is now a fact of life in modern medical research, which is why many journals require that their authors declare potential conflicts of interest. But it raises important questions, just the same. ~ Gary Taubes,
813:There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say. ~ Arthur Schopenhauer,
814:In an aptly titled article ‘Two Rights Don’t Make Up for a Wrong’, the authors found that ‘the overall goodness of a person is determined mostly by his worst bad deed.’35 Decades of devoted work for public causes can be obliterated in an instant with an extramarital affair, financial scandal or criminal act. ~ Michael Shermer,
815:There are some authors who contend that meanings and values are "nothing but defense mechanisms, reaction formations and sublimations." But as for myself, I would not be willing to live merely for the sake of my "defense mechanisms," nor would I be ready to die merely for the sake of my "reaction formations. ~ Viktor E Frankl,
816:There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. [...] The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say. ~ Arthur Schopenhauer,
817:You have these authors like Byron who make physical familiarity out to be some amazing, soul-consuming, meaning of life, like an end-of-the-world thing, and it’s not like that. It’s…” I waved my free hand in the air, trying to find the right words. “It’s like having someone else pick your nose or floss your teeth. ~ Penny Reid,
818:Because I don't think I have a handle on how to write for grown-ups. The grown-up publishing world is so fraught with one-upsmanship, scorn and snobbery. I did write an adult novel. Thank goodness it went out of print. I think we kids' authors still start out with hope every morning. We honor our audience. ~ Virginia Euwer Wolff,
819:Edited by mostly unknown scholars in A.D. 367, compiled from documents written 30 to 110 years after the Christ event by no one who was present at the events, and composed for the most part by unknown authors in the Greek language that Jesus never spoke, it is held up as the only true record of the Christ story. ~ Leonard Shlain,
820:Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works. ~ Lev Grossman,
821:This great Mughal Emperor [Akbar] was illiterate; he could neither read nor write. However, that had not stopped Akbar from cultivating the acquaintance of the most learned and cultured poets, authors, musicians, and architects of the time - relying solely on his remarkable memory during conversations with them. ~ Indu Sundaresan,
822:Errors in the initial budget are not always innocent. The authors of unrealistic plans are often driven by the desire to get the plan approved—whether by their superiors or by a client—supported by the knowledge that projects are rarely abandoned unfinished merely because of overruns in costs or completion times. ~ Daniel Kahneman,
823:People often ask authors where their ideas come from, and often authors say they don't know. But I do know about this one. Once upon a time, my wife and I had three small children -- two boys and a girl, just like in the story. And when they were young, we used to tell them a story very like YOU'RE ALL MY FAVORITES. ~ Sam McBratney,
824:Authors of light pieces have, nobody knows why, a genius for getting into minor difficulties: they walk into the wrong apartments, they drink furniture polish for stomach bitters, they drive their cars into the prize tulip beds of haughty neighbors, they playfully slap gangsters, mistaking them for old school friends. ~ James Thurber,
825:Einstein had, in effect, built what looks on the outside like a house of cards, with only two or three simple postulates holding up the entire structure. Indeed, upon learning of a 1931 book entitled One Hundred Authors Against Einstein,†† he responded that if he were wrong, then only one would have been enough. ~ Neil deGrasse Tyson,
826:Errors in the initial budget are not always innocent. The authors of unrealistic plans are often driven by the desire to get the plan approved—whether by their superiors or by a client—supported by the knowledge that projects are rarely abandoned unfinished merely because of overruns in costs or completion times. In ~ Daniel Kahneman,
827:The unique book, which contains the whole, could only be the sacred text, the total word revealed. But I do not believe totality can be contained in language; my problem is what remains outside, the unwritten, the unwritable. The only way left me is that of writing all books, writing the books of all possible authors. ~ Italo Calvino,
828:Among the multitude of scholars and authors, we feel no hallowing presence; we are sensible of a knack and skill rather than of inspiration; they have a light, and know not whence it comes, and call it their own; their talent is some exaggerated faculty, some overgrown member, so that their strength is a disease. ~ Ralph Waldo Emerson,
829:Creative individuals, including artists, authors, playwrights, are sensitive to these changing realities. They do not merely depict but express a viewpoint in their choice of subject matter; the powerful animal (30,000 years ago) or the complex social situation of today, and embed it in a style that shapes our experiences. ~ Anonymous,
830:When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel." ~ Nicholas Meyer,
831:Aspiring authors, get this through your head. Cover art serves one purpose, and one purpose only, to get potential customers interested long enough to pick up the book to read the back cover blurb. In the internet age that means the thumb nail image needs to be interesting enough to click on. That’s what covers are for. ~ Larry Correia,
832:If the federal government has the exclusive right to judge the extent of its own powers, warned the Kentucky and Virginia resolutions' authors (James Madison and Thomas Jefferson, respectively), it will continue to grow - regardless of elections, the separation of powers, and other much-touted limits on government power. ~ Thomas Woods,
833:I myself discovered many authors through school reading lists and through school anthologies. The positives are: young readers can find the world opening up to them through books they study. The negatives may include bad experiences kids have - if they don't like the book or the teacher, or the way the book is taught. ~ Margaret Atwood,
834:Maybe just as many women writers as male writers could be billed as the next great American writer by their publisher. Maybe book criticism sections could review an equal amount of female and male writers. Maybe Oprah could start putting some books by women authors in her book club, since most of her audience is women. ~ Jami Attenberg,
835:authors had analyzed fifty cases of purported “Islamic terrorist plots” against the United States, only to conclude that “virtually all of the perpetrators were ‘incompetent, ineffective, unintelligent, idiotic, ignorant, unorganized, misguided, muddled, amateurish, dopey, unrealistic, moronic, irrational, and foolish. ~ Glenn Greenwald,
836:Do not write to impress others. Authors who write to impress people have difficulty remaining true to themselves. A better path is to write what pleases you and pray that there are others like you. Your first and most important reader is you. If you write a book that pleases you, at least you know one person will like it. ~ Guy Kawasaki,
837:I would say that most of my books are contemporary realistic fiction... a couple, maybe three, fall into the 'historic fiction' category. Science fiction is not a favorite genre of mine, though I have greatly enjoyed some of the work of Ursula LeGuin. I haven't read much science fiction so I don't know other sci-fi authors. ~ Lois Lowry,
838:There is also a widespread assumption that the Bible is supposed to provide us with role models and give us precise moral teaching, but this was not the intention of the biblical authors. The Eden story is certainly not a morality tale; like any paradise myth, it is an imaginary account of the infancy of the human race. ~ Karen Armstrong,
839:IBM estimates that 90 percent of the world’s data was created in the last two years. As co-authors Rick Smolan and Jennifer Erwitt stated in their exquisite photo book, The Human Face of Big Data, “Now, in the first day of a baby’s life today, the world creates 70 times the data contained in the entire Library of Congress. ~ Robert Scoble,
840:In truth, Kipling's politics are not mine. But then, it would be a poor sort of world if one were only able to read authors who expressed points of view that one agreed with entirely. It would be a bland sort of world if we could not spend time with people who thought differently, and who saw the world from a different place. ~ Neil Gaiman,
841:Look like chick books.”
“And you’re a chick, so what’s the problem?”
She laughs. “Well, you've got beans and franks, or so I assume.”
“Hey,” he says, suddenly all serious. “Reading books by female authors does not limit my macho vibe. Plus, bitches write the best characters, man. It’s like they get people, you know? ~ Chuck Wendig,
842:Do you care for any contemporary authors?” Matthew inquired. “I adore Jane Austen.” Matthew nodded. “I find her portrait of British society so accurate and yet so dreadful.” “I agree. It must be awful to be so bound by what society expects,” Lisbeth answered. “I am so glad to have been born in America, where one has freedom. ~ Laila Ibrahim,
843:Entertainment must be a satisfying emotional experience, a stirring of the heart. We need all kinds of young men and women. Those people with an artist's eye and an executive's brain that we term directors. Those wrestlers with their souls and typewriters known as authors. The beggars on horseback called actors and actresses. ~ Hedda Hopper,
844:In her twenties she developed a deep affection for romance, especially enjoying the works of Nora Roberts, Mary Balogh and, most recently, Rose Gordon, Courtney Milan, Lauren Royal, Danelle Harmon, and Diane Farr. You can thank those authors for leading a sci-fi tomboy into writing historical romances set in the Regency period. ~ Sue London,
845:Let the Bible be the Bible. It's not about science. It's not accurate history. It is a grab bag of religious fantasies written by many authors. Some of its myths, like the Star of Bethlehem, are very beautiful. Others are dull and ugly. Some express lofty ideals, such as the parables of Jesus. Others are morally disgusting. ~ Martin Gardner,
846:The interpretation of quantum mechanics has been dealt with by many authors, and I do not want to discuss it here. I want to deal with more fundamental things. ~ Paul Dirac, P. A. M. Dirac, The inadequacies of quantum field theory, in Paul Adrien Maurice Dirac, B. N. Kursunoglu and E. P. Wigner (Cambridge University, Cambridge, 1987) p. 194,
847:The terror and hurt in my story happened because when I was young I thought others were the authors of my fortune or misfortune; I did not know that a person could hold up a wall made of imaginary bricks and mortar against the horrors and cruel, dark tricks of time that assail us, and be the author therefore of themselves. ~ Sebastian Barry,
848:Under true peer-review...a panel of reviewers must accept a study before it can be published in a scientific journal. If the reviewers have objections the author must answer them or change the article to take reviewers' objections into account. Under the IPCC review process, the authors are at liberty to ignore criticisms. ~ Richard Lindzen,
849:Jesus' death by crucifixion under Pontius Pilate is as sure as anything historical can ever be. For if no follower of Jesus had written anything for one hundred years after his crucifixition, we would still know about him from two authors not among his supporters. Their names are Flavius Josephus and Cornelius Tacitus. ~ John Dominic Crossan,
850:Lady Gough’s Book of Etiquette, published in 1863, established some of the social commandments of the times: one must avoid, for example, the intolerable proximity of male and female authors on library shelves. Books could only stand together if the authors were married, such as in the case of Robert and Elizabeth Browning. ~ Eduardo Galeano,
851:Paper is cheap, and authors need not now erase one book before they write another. Instead of cultivating the earth for wheat andpotatoes, they cultivate literature, and fill a place in the Republic of Letters. Or they would fain write for fame merely, as others actually raise crops of grain to be distilled into brandy. ~ Henry David Thoreau,
852:I wanted nothing more out of life than I did to keep my family together and make sure they were safe. The memory of those days reminds me of how exhausted I had been, but my siblings gave my life purpose, they were my bridge from pain to healing, from past to future. They are as much the authors of my survival as I am of theirs. ~ Ruth Wariner,
853:I wanted to be an artist after all, and my teachers told me these were the best authors the 20th century had to offer. But these books sucked. They were so boring and sloppy and plotless. And Bob Dylan's lyrics seemed nonsensical to me - almost like he had just gotten high and written down whatever random thoughts occurred to him. ~ Simon Rich,
854:Thus, then, stands the case. It is good, that authors should be remunerated; and the least exceptionable way of remunerating them is by a monopoly. Yet monopoly is an evil. For the sake of the good we must submit to the evil; but the evil ought not to last a day longer than is necessary for the purpose of securing the good. ~ Thomas B Macaulay,
855:In contrast to the notion that any publicity is good publicity, negative reviews hurt sales for some books. But for books by new or relatively unknown authors, negative reviews increased sales by 45%.... Even a bad review or negative word of mouth can increase sales if it informs or reminds people that the product or idea exists. ~ Jonah Berger,
856:Little, Brown and Company Hachette Book Group 237 Park Avenue, New York, NY 10017 littlebrown.com twitter.com/ littlebrown facebook.com/ littlebrownandcompany First ebook edition: November 2008 The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com ~ Malcolm Gladwell,
857:Some authors have argued that a direct historical line can be drawn to Nazism from the French Revolution of 1789, the Jacobin ‘Reign of Terror’ in 1793-4, and the implicit idea of a popular dictatorship in Rousseau’s theory of the ‘General Will’, decided initially by the people but brooking no opposition once resolved upon.139 ~ Richard J Evans,
858:So stark were the results that the authors do something rare in academic papers: They offer specific, practical advice. “[A]n important takeaway from our study for corporate executives is that communications with investors, and probably other critical managerial decisions and negotiations, should be conducted earlier in the day. ~ Daniel H Pink,
859:The laws keep up their credit, not by being just, but because they are laws; 'tis the mystic foundation of their authority; they have no other, and it well answers their purpose. They are often made by fools; still oftener by men who, out of hatred to equality, fail in equity; but always by men, vain and irresolute authors. ~ Michel de Montaigne,
860:Truth is not only stranger than fiction, it is more telling. To know that a thing actually happened gives it a poignancy, touches a chord, which a piece of acknowledged fiction misses. It is to touch this chord that some authors have done everything they could to give you the impression that they are telling the plain truth. ~ W Somerset Maugham,
861:All the authors I studied, all the historical figures, with the exception of George Washington Carver, and all those figures I looked upon as having importance were white men. I didn't mind that they were men, or even white men. What I did mind was that being white seemed to play so important a part in the assigning of values. ~ Walter Dean Myers,
862:It’s hard to reconstruct how much of a role these libels played in creating the crisis of legitimacy before the revolution – though some of their authors were among the revolutionary leadership – but they undoubtedly spread the image of a monarchy in decay, where the body of the king, the source of law, was rotted from the inside out. ~ Anonymous,
863:The advice to "kill your darlings" has been attributed to various authors across the various galaxies... and Mister Heist hated them all.
Why teach young writers to edit out whatever it is they feel most passionate about?
Better to kill everything in their writing they DON'T love as much.
Until only the darlings remain. ~ Brian K Vaughan,
864:But 'I worked hard on this' doesn’t exempt you from criticism. Those harsh reviews aren’t about anyone being out to get me. It’s not an Authors vs. Reviewers thing. It’s people taking the time to express their opinions because they care about this stuff."

[Us vs. Them vs. Grow the Hell Up (Blog post, September 1, 2013)] ~ Jim C Hines,
865:This picture of a hot early stage of the universe was first put forward by the scientist George Gamow in a famous paper written in 1948 with a student of his, Ralph Alpher. Gamow had quite a sense of humor—he persuaded the nuclear scientist Hans Bethe to add his name to the paper to make the list of authors “Alpher, Bethe, Gamow, ~ Stephen Hawking,
866:Books have always been living things to me. Some of my encounters with new authors have changed my life a little. When I have been perplexed, looking for something I could not define to myself, a certain book has turned up, approached me as a friend would. And between it's cover carried the questions and the answers I was looking for. ~ Liv Ullmann,
867:Like most authors, I'm a raging egomaniac. I know that about myself. And I know that, if I had internet access, I would waste countless hours looking up things about myself, writing fake posts about how great I am and arguing with people who don't like my work. It saves me a lot of time and frustration to just stay out of the loop. ~ Bentley Little,
868:[I began to unload] the pyramid of honors, civic and literary, which had been heaped on me by the headlong process of rewarding a popular success. One day, I sat down and wrote a wholesale lot of letters of resignation. When I finished, I didn't belong to a single authors club or patriotic society. I was myself again, whatever that was. ~ Mary Antin,
869:The direction in which the culture of an age develops is, humanly speaking, chosen by a few exceptionally intelligent men. The popular authors then pick up some of the main ideas, usually distorting and diluting them considerably, and finally fifty years or a century later the general viewpoint has seeped down to the whole populace. ~ Gordon H Clark,
870:I think the judging process is full of integrity, compared to some other prizes around the world. The fact that they change the panel of judges every year keeps it from becoming corrupt. I think it's very difficult if you've got judges for life; obviously relationships are cultivated between judges and authors, and publishing houses. ~ Kazuo Ishiguro,
871:As for the multiple editions, in the case of a truly great writer - Shakespeare, Emily Dickinson, Proust, someone with a canon - there is often a "variorum" edition of the work that presents its variants. I think publishing most other writing that way would be impossible, economically, for publishers, and very ill-advised for authors. ~ Judith Thurman,
872:If your goal is to write a book for publication, rule number one is that no one ever finished a book without sitting down and getting started. Few authors get published without engaging in the daily discipline of writing, even if some days that means staring down a blank notebook or computer screen and drooling into your bag of pork rinds. ~ Sam Barry,
873:My sole inspiration is a telephone call from a director. ... (when asked who wrote 'Some Enchanted Evening') Rodgers and Hammerstein, if you can imagine it taking two men to write one song. ... Good authors, too, who once knew better words now use only four-letter words writing prose. ... Brush up your Shakespeare and they'll all kowtow. ~ Cole Porter,
874:The authors first replicated this effect, showing that watching a short film clip of something physically disgusting made subjects more morally judgmental—unless they had washed their hands after watching the film. Another study suggests that the washing decreases emotional arousal, as it decreased the diameter of subjects’ pupils. ~ Robert M Sapolsky,
875:I studied English Literature. I wasn’t a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well. ~ Christopher Nolan,
876:One of the study's authors, Dr. Lee Berk, is actually a humor researcher because, when you get right down to it, laughter is serious business. He noted that laughter decreases cortisol levels and blood pressure while boosting the immune system. So even though it's easier said than done, "don't worry, be happy" is a valuable piece of advice. ~ Anonymous,
877:Mary Frances Berry, the former head of the U.S. Commission on Civil Rights, addressed the Politics and Prose Black Authors Race Panel discussion on January 15, 2018, saying that the Twitter platform is powerful, but not that powerful. “Some people think social media is a substitute for action. It’s not. You have to get out and do something. ~ April Ryan,
878:My feeling,” he explained, “is that a publisher’s first allegiance is to talent. And if we aren’t going to publish a talent like this, it is a very serious thing.” He contended that the ambitious Fitzgerald would be able to find another publisher for this novel and young authors would follow him: “Then we might as well go out of business. ~ A Scott Berg,
879:NEFARIOUS means utterly, completely wicked. The character in The Wizard of Oz could have been called the Nefarious Witch of the West but authors like to use the same beginning consonant, often. Perhaps L. Frank Baum crossed out nefarious after wicked came to his mind. Thank goodness, because Nefarious would be a terrible name for a musical. ~ Lois Lowry,
880:It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more. ~ Winston Churchill, Roving Commission: My Early Life (1930) Chapter 9.,
881:Currently, the disciplines of biology, physics, cosmology, and all their sub-branches are generally practiced by those with little knowledge of the others. It may take a multidisciplinary approach to achieve tangible results that incorporate biocentrism. The authors are optimistic that this will happen in time. And what, after all, is time? ~ Robert Lanza,
882:Every man should keep minutes of whatever he reads. Every circumstance of his studies should be recorded; what books he has consulted; how much of them he has read; at what times; how often the same authors; and what opinions he formed of them, at different periods of his life. Such an account would much illustrate the history of his mind. ~ James Boswell,
883:Few of those who fill the world with books, have any pretensions to the hope either of pleasing or instructing. They have often no other task than to lay two books before them, out of which they compile a third, without any new material of their own, and with very little application of judgment to those which former authors have supplied. ~ Samuel Johnson,
884:In societies that worship money and success, the losers become objects of scorn. Those who work the hardest for the least are called lazy. Those forced to live in substandard housing are thought to be the authors of substandard lives. Those who do not finish high school or cannot afford to go to college are considered deficient or inept. ~ Michael Parenti,
885:To understand the works of celebrated authors, to comprehend their systems, and retain their reasonings, is a task more than equal to common intellects; and he is by no means to be accounted useless or idle, who has stored his mind with acquired knowledge, and can detail it occasionally to others who have less leisure or weaker abilities. ~ Samuel Johnson,
886:The proper education of the young does not consist in stuffing their heads with a mass of words, sentences, and ideas dragged together out of various authors, but in opening up their understanding to the outer world, so that a living stream may flow from their own minds, just as leaves, flowers, and fruit spring from the bud on a tree. ~ John Amos Comenius,
887:...I studied English Literature. I wasn't a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well. ~ Christopher J Nolan,
888:There is little disagreement on our planet that the lives of most human beings could be improved immensely. Words pour out of lecturers, articles pour out of magazines, and books pour out of authors, all seeking to help us understand how we can have more peace, security, health, opportunity, happiness, fulfillment, abundance, and love. ~ Neale Donald Walsch,
889:All the authors who've ultimately published Louder Than Words memoirs have been very happy to be chosen and excited about the possibility of having their memoir published. Even though these books deal with serious, often painful, issues, in all cases the authors felt as though writing their story would be an empowering and healing experience. ~ Deborah Reber,
890:Shifters In Love brings you another great collection of full-length shifter romance stories from USA Today and NYT bestselling authors, Hot Summer Love. Scorching hot passion jumps from the pages in these shifter stories featuring lions, bears, wolves, panthers and cougars. Fall in love with alpha men that strong heroines can’t wait to tame. ~ Harmony Raines,
891:Some authors state that the last stage in this chain of measurements involves "consciousness," or the "intellectual inner life" of the observer, by virtue of the "principle of psycho-physical parallelism." Other authors introduce a wave function for the entire universe. In this book, I shall refrain from using concepts that I do not understand. ~ Asher Peres,
892:Every time I put a collection together I'd scrap it because there was no "meaning," until I wrote about the two black men - friends - in the beginning of the book. So much of their experience was ABOUT trying to find friends in the authors/artists I wrote about - subjects that were/are a source of comfort, somehow, since none of them "fit," either ~ Hilton Als,
893:If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic....Authors arrive at text and subtext in thousands of ways, learning each time they begin anew how to recognize a valuable idea and how to reader the texture that accompanies, reveals or displays it to its best advantage. ~ Toni Morrison,
894:What most of these authors don’t seem to have realized is that if you can travel faster than light, the theory of relativity implies you can also travel back in time, as the following limerick says: There was a young lady of Wight Who travelled much faster than light. She departed one day, In a relative way, And arrived on the previous night. ~ Stephen Hawking,
895:But the three hundred and sixty-five authors who try to write new fairy tales are very tiresome. They always begin with a little boy or girl who goes out and meets the fairies of polyanthuses and gardenias and apple blossoms: 'Flowers and fruits, and other winged things.' These fairies try to be funny, and fail; or they try to preach, and succeed. ~ Andrew Lang,
896:Why I Write for Children,” he explained the appeal. “Children read books, not reviews,” he wrote. “They don’t give a hoot about the critics.” And: “When a book is boring, they yawn openly, without any shame or fear of authority.” Best of all—and to the relief of authors everywhere—children “don’t expect their beloved writer to redeem humanity. ~ Steven D Levitt,
897:This book reminds me of James Gleick's Chaos. The ideas and stories in Loving and Hating Mathematics are timely, interesting, and sometimes even profound. The authors, writing for nonspecialists, take pains to explain technical ideas in nontechnical language, and the book should interest general readers as well as a large mathematical audience. ~ Steven G Krantz,
898:Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel. ~ Dean Koontz,
899:eighteenth-century British authors who argued against Hobbes and Mandeville that the very possibility of morality requires that we be capable of genuinely benevolent emotions. For this reason, distinctions between self-directed and other-directed emotions and between anti-social and sociable emotions were a common point of organization and contention. ~ Anonymous,
900:hear this a lot but reviews are so massively important to authors. If you’ve enjoyed ‘Safe with Me’ and could spare just a few minutes on Amazon or Goodreads to say so, I would so appreciate that. You can also connect with me via my website, on Facebook or Twitter. If you’ve enjoyed this, my debut novel, you might be interested to know that I’ve been ~ K L Slater,
901:The Discordian Society, we repeat again, is not a complicated joke disguised as a new religion but really a new religion disguised as a complicated joke. ~ Robert Anton Wilson, Cosmic Trigger: Final Secret of the Illuminati (1977), p. 103; paraphrases of this are sometimes attributed to Greg Hill (Malaclypse the Younger), one of the authors of Principia Discordia,
902:A Path Appears is an insightful book focused on how individuals can contribute to positive change and the remarkable people behind the organizations that make it happen. The authors' desire to motivate people to support good causes, learn about the situation in other countries, and find the best way to help their fellow men and women is inspiring. ~ Angelina Jolie,
903:I've probably read maybe by now fifteen, twenty books on Matthew. I'd say the authors I like best are an English fellow named Michael Goulder, who taught at the University of Birmingham in England, and he writes about the Jewish background in Matthew's gospel, which is part of what I was just talking about, which is just really thrilling to me. ~ John Shelby Spong,
904:to entrust their city! O too, too piteous mistake! And they are enraged at us when we speak thus about their gods, though, so far from being enraged at their own writers, they part with money to learn what they say; and, indeed, the very teachers of these authors are reckoned worthy of a salary from the public purse, and of other honors. ~ Saint Augustine of Hippo,
905:Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life. ~ Willa Cather,
906:No man's thoughts are new, but the style of their expression is the never-failing novelty which cheers and refreshes men. If we were to answer the question, whether the mass of men, as we know them, talk as the standard authors and reviewers write, or rather as this man writes, we should say that he alone begins to write their language at all. ~ Henry David Thoreau,
907:To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question. ~ Kingsley Amis,
908:To be fair, much of the Bible is not systematically evil but just plain weird, as you would expect of a chaotically cobbled-together anthology of disjointed documents, composed, revised, translated, distorted and 'improved' by hundreds of anonymous authors, editors and copyists, unknown to us and mostly unknown to each other, spanning nine centuries ~ Richard Dawkins,
909:About the Author Terry Pratchett is one of the most popular living authors in the world. His first story was published when he was thirteen, and his first full-length book when he was twenty. He worked as a journalist to support the writing habit, but gave up the day job when the success of his books meant that it was costing him money to go to work. ~ Terry Pratchett,
910:To be fair, much of the Bible is not systematically evil but just plain weird, as you would expect of a chaotically cobbled-together anthology of disjointed documents, composed, revised, translated, distorted and ‘improved’ by hundreds of anonymous authors, editors and copyists, unknown to us and mostly unknown to each other, spanning nine centuries. ~ Richard Dawkins,
911:With many countries on the verge of redefining a basic social institution, What Is Marriage? issues an urgent call for full deliberation of what is at stake. The authors make a compelling secular case for marriage as a partnership between a man and a woman, whose special status is based on society's interest in the nurture and education of children. ~ Mary Ann Glendon,
912:An emphasis on reading individual texts with a view to understanding the ideological visions of the world that underlie them has also had a dramatic impact. This type of interpretation requires historians to treat ancient authors, not as sources of fact, but rather like second-hand-car salesmen whom they would do well to approach with a healthy caution. ~ Peter Heather,
913:For almost a quarter of a century, Teen Ink has been encouraging young people to write - and then has published those pieces. These heartfelt essays and poems explore the issues faced by teenagers today. I applaud their efforts because they not only help young people deal with their own lives but also encourage the budding authors of the next generation. ~ Anita Silvey,
914:Spike Lee made such a difference in terms of black filmmakers, the subtleties - those authors, those writers who write from love, and those who write from that lofty position of superiority.I felt he took aspects of the black experience in America and held it up for us to see. He tried to put it in perspective. He did put it in perspective in his unique way. ~ Ruby Dee,
915:Although Outlander authors kill, maim, disfigure and eviscerate bookpeople on a regular basis, no author has ever been held to account, although lawyers are working on a test case to deal with serial offenders. The mechanism for transfictional jurisdiction has yet to be finalized, but when it is, some authors may have cause to regret their worst excesses. ~ Jasper Fforde,
916:Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author. ~ Henry Wadsworth Longfellow,
917:So is America a “land of opportunity”? The answer is neither yes nor no. The answer is: some parts are, and some parts aren’t. As the authors write, “The U.S. is better described as a collection of societies, some of which are ‘lands of opportunity’ with high rates of mobility across generations, and others in which few children escape poverty. ~ Seth Stephens Davidowitz,
918:the makers of fortunes have a second love of money as a creation of their own, resembling the affection of authors for their own poems, or of parents for their children, besides that natural love of it for the sake of use and profit which is common to them and all men. And hence they are very bad company, for they can talk about nothing but the praises of wealth. ~ Plato,
919:What these critics forget is that printing presses in themselves provide no guarantee of an enlightened outcome. People, not machines, made the Renaissance. The printing that takes place in North Korea today, for instance, is nothing more than propaganda for a personality cult. What is important about printing presses is not the mechanism, but the authors. ~ Jaron Lanier,
920:If it were a rainy day, a drunken vigil, a fit of the spleen, a course of physic, sleepy Sunday, an ill run at dice, a long tailor's bill, a beggar's purse, a factious head, a hot sun, costive diet, want of books, and a just contempt for learning - but for these. . .the number of authors and of writing would dwindle away to a degree most woeful to behold. ~ Jonathan Swift,
921:If there is any indication of how an author and her books can affect change, look at the proof of her works on society. And ignore the critics and the trolls. -Strong by Kailin Gow on How Her Indie Success helped motivate and inspired others to become authors and how her books with strong women leads helped the film industry to portray more strong women leads ~ Kailin Gow,
922:Its authors meant it to be... a stumbling block to those who in after times might seek to turn a free people back into the hateful paths of despotism. They knew the proneness of prosperity to breed tyrants, and they meant when such should re-appear in this fair land and commence their vocation they should find left for them at least one hard nut to crack. ~ Abraham Lincoln,
923:Some authors have conceptualized depression as a "depletion syndrome" because of the prominence of fatigability; they postulate that the patient exhausts his available energy during the period prior to the onset of the depression and that the depressed state represents a kind of hibernation, during which the patient gradually builds up a new story of energy. ~ Aaron T Beck,
924:A book is an attempt to make through permanent and to contribute to the great conversation conducted by authors of the past. […] The telegraph is suited only to the flashing of messages, each to be quickly replaced by a more up-to-date message. Facts push other facts into and then out of consciousness at speeds that neither permit nor require evaluation. (70) ~ Neil Postman,
925:My hours of leisure I spent in reading the best authors, ancient and modern, being always provided with a good number of books; and when I was ashore, in observing the manners and dispositions of the people, as well as learning their language; wherein I had a great facility, by the strength of my memory. The last of these voyages not proving very fortunate, ~ Jonathan Swift,
926:Above all, every relation must be considered as suspicious, which depends in any degree upon religion, as the prodigies of Livy: And no less so, everything that is to be found in the writers of natural magic or alchemy, or such authors, who seem, all of them, to have an unconquerable appetite for falsehood and fable. ~ Francis Bacon, Novum Organum, Book II, Aphorism 29 (1620),
927:We identified several features of Internet usage that correlated with depression,” wrote Sriram Chellappan, one of the study’s authors.7 “For example, participants with depressive symptoms tended to engage in very high e-mail usage . . . Other characteristic features of depressive Internet behavior included increased amounts of video watching, gaming, and chatting. ~ Nir Eyal,
928:Quotation, Sir, is a good thing; there is a community of mind in it : classical quotation is the parole of literary men all over the world. ~ Samuel Johnson, Remark to Wilkes (1781); quoted in: Tryon Edwards (1853) The World's Laconics: Or, The Best Thoughts of the Best Authors. p. 232; Highlighted section als in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 653-54.,
929:In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing. ~ Evelyn Lau,
930:NEW YORK -The weather kills at least 2,000 Americans each year, and nearly two-thirds of the deaths are from the cold, according to a new government report. That may surprise some people, the researchers acknowledged. Hurricanes, tornadoes and heat waves 'get more publicity, for some reason, than cold-related deaths,' said Deborah Ingram, one of the report's authors. ~ Anonymous,
931:The great British Library --an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought. ~ Washington Irving,
932:Be patient. Be bold. Be humble. Be confident. Don’t give in to the speed and surface banality of the culture. Don’t give in to jealousy, commerce, or fear. Do charity work, or coach kids, or be a Big Brother or Sister, or something. Whatever it takes to get out of your own head and avoid authorial narcissism. And whatever you do, don’t ever take advice from authors. ~ Jess Walter,
933:It is a telling commentary on how authors control what they write, but not what is read. Poe regarded his tales of ratiocination as something of a distraction; his great loves were poetry and his “prose poem,” Eureka. “The Raven” was indeed Poe’s most famous work during his lifetime, and time has not lessened its charms—but as art it is distinctly backward-looking. ~ Paul Collins,
934:It was just as the 1914 War burst on me that I made the discovery that 'legends' depend on the language to which they belong; but a living language depends equally on the 'legends' which it conveys by tradition. ... Volapuk, Esperanto, Ido, Novial, &c &c are dead, far deader than ancient unused languages, because their authors never invented any Esperanto legends. ~ J R R Tolkien,
935:The majority of scientific papers are published by a very small group of scientists. A tiny proportion of musicians produces almost all the recorded commercial music. Just a handful of authors sell all the books. A million and a half separately titled books (!) sell each year in the US. However, only five hundred of these sell more than a hundred thousand copies. ~ Jordan Peterson,
936:The situation is even more lopsided with book sales. If I told you that two authors sold a total of a million copies of their books, the most likely combination is 993,000 copies sold for one and 7,000 for the other. This is far more likely than that the books each sold 500,000 copies. For any large total, the breakdown will be more and more asymmetric. Why ~ Nassim Nicholas Taleb,
937:He had started out the way nearly all writers do, and I'd seen it a hundred times--amateurs transformed into gibbering wrecks by actually being published; what once they'd done for fun ruined forever by the burden of expectation, the hope of sales and good reviews and riches, hobbyists turned authors made bitter by the knowledge that they'd missed their main chance. ~ Colin Bateman,
938:In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives. ~ Bryan Fuller,
939:The best place to begin is with the Library of America’s two-volume collection, Crime Novels: American Noir of the 1930s & 40s and Crime Novels: American Noir of the 1950s. Together they include all the major writers as well as bring some lesser-known authors to a wider audience. In general chronological order, here are some depths to which you can lower yourself: ~ Nancy Pearl,
940:the Negro and the Indian. These two unhappy races have nothing in common; neither birth, nor features, nor language, nor habits. Their only resemblance lies in their misfortunes. Both of them occupy an inferior rank in the country they inhabit; both suffer from tyranny; and if their wrongs are not the same, they originate, at any rate, with the same authors. ~ Alexis de Tocqueville,
941:The world and all its wisdom is but a booby, blundering school-boy that needs management and could be managed, if men and women would be human beings instead of just business men, or plumbers, or army officers, or commuters, or educators, or authors, or clubwomen, or traveling salesmen, or Socialists, or Republicans, or Salvation Army leaders, or wearers of cloths. ~ Sinclair Lewis,
942:As an educator, I’ve sometimes found the rate of change in Python and its libraries to be a negative, and have on occasion lamented its growth over the years. This is partly because trainers and book authors live on the front lines of such things — it’s been my job to teach the language despite its constant change, a task at times akin to chronicling the herding of cats! ~ Mark Lutz,
943:I was drawn to authors and others who were explicitly outside of the Christian tradition . . . Such as Joseph Campbell (The Power of Myth), Robert Bly (Iron John), Don Miguel Ruiz (The Four Agreements), and Sam Keen (Fire in the Belly). I also re-read Viktor Frankl’s classic Man’s Search for Meaning (which my daughter Lizz and my wife Sue also read while Lizz was away). ~ Peter Enns,
944:Montalbano sat outside reading a good detective novel by two Swedish authors, husband and wife, in which there wasn't a page without a ferocious and justified attack on social democracy and the government. In his mind, Montalbano dedicated the book to all those who did not deign to read mystery novels because, in their opinion, they were only entertaining puzzles. ~ Andrea Camilleri,
945:The majority of scientific papers are published by a very small group of scientists. A tiny proportion of musicians produces almost all the recorded commercial music. Just a handful of authors sell all the books. A million and a half separately titled books (!) sell each year in the US. However, only five hundred of these sell more than a hundred thousand copies. ~ Jordan B Peterson,
946:Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this. ~ Janet Fitch,
947:That first day I asked my students what they thought fiction should accomplish, why one should bother to read fiction at all. It was an odd way to start, but I did succeed in getting their attention. I explained that we would in the course of the semester read and discuss many different authors, but that one thing these authors all had in common was their subversiveness. ~ Azar Nafisi,
948:A membership or community website that allows bullying of authors and their members to bring in traffic, is appalling and should be held accountable for hate speech, libel, and slander. It breaks down the community, condones bullying, and sets a tone for their teen members and members of any age to become bullies themselves. - Kailin Gow, October is Bully Awareness Speech. ~ Kailin Gow,
949:We rarely quote nowadays to appeal to authority... though we quote sometimes to display our sapience and erudition. Some authors we quote against. Some we quote not at all, offering them our scrupulous avoidance, and so make them part of our "white mythology." Other authors we constantly invoke, chanting their names in cerebral rituals of propitiation or ancestor worship. ~ Ihab Hassan,
950:But I read so seldom, that I prefer books suited exactly to my taste. And I like those authors best whose scenes describe my own situation in life, - and the friends who are about me, whose stories touch me with interest, from resembling my own homely existence,- which, without being absolutely paradise, is, on the whole, a source of indescribable happiness. ~ Johann Wolfgang von Goethe,
951:But anyone can write, right?'" Conner asked. "I mean, that's why authors get judged so harshly, isn't it? Because technically everyone could do it if they wanted to." "Just because anyone can do something doesn't mean everyone should," Mrs. Peters said. "Besides, anyone with an Internet connection feels they have the credentials to critique or belittle anything these days. ~ Chris Colfer,
952:Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect. ~ Pat Mora,
953:Until recently the great majority of naturalists believed that species were immutable productions, and had been separately created. This view has been ably maintained by many authors. Some few naturalists, on the other hand have believed that species undergo modification and that the existing forms of life are the the descendants by true generation of pre-existing forms. ~ Charles Darwin,
954:At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year. ~ W H Auden,
955:The biggest takeaway for anyone seeking to write is this: don't go looking for the way other authors do their work. You won't find many who are consistent enough to copy, and there are enough variations in approach that it's obvious that it's not like hitting home runs or swinging a golf club. There isn't a standard approach, there's only what works for you (and what doesn't). ~ Seth Godin,
956:But anyone can write, right?'" Conner asked. "I mean, that's why authors get judged so harshly, isn't it? Because technically everyone could do it if they wanted to."
"Just because anyone can do something doesn't mean everyone should," Mrs. Peters said. "Besides, anyone with an Internet connection feels they have the credentials to critique or belittle anything these days. ~ Chris Colfer,
957:It is the fate of most men who mingle with the world, and attain even the prime of life, to make many real friends, and lose them in the course of nature. It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides. ~ Charles Dickens,
958:Fifty years ago, when the human population was about 3 billion, we were using about 70 percent of the Earth’s annual capacity each year. That broke 100 percent by 1980 and stands at about 150 percent now, meaning that we need one and one-half Earths to regenerate what we use in a year. As the authors of this now annual study note, we have a total of just one Earth available. ~ Sean B Carroll,
959:The reason why so few good books are written is, that so few people that can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum. ~ Walter Bagehot,
960:Am I in love? Absolutely. I'm in love with ancient philosophers, foreign painters, classic authors, and musicians who have died long ago. I'm a passionate lover. I fawn over these people. I have given them my heart and my soul. The trouble is, I'm unable to love anyone tangible. I have sacrificed a physical bond, for a metaphysical relationship. I am the ultimate idealistic lover. ~ James Dean,
961:Emperor,” I said, “if a character has run its course, then it’s run its course. What do you want me to do? Go and talk the author out of it?” “Would you?” replied Zhark, opening his eyes wide. “Would you really do that?” “No. You can’t have characters trying to tell their authors what to write in their books. Besides, within your books you are truly evil and need to be punished. ~ Jasper Fforde,
962:In addition to the human suffering that comes with the current way of working, the opportunity cost of the value that we could be creating is staggering—the authors believe that we are missing out on approximately $2.6 trillion of value creation per year, which is, at the time of this writing, equivalent to the annual economic output of France, the sixth-largest economy in the world. ~ Gene Kim,
963:Other texts indicate that their authors had wondered to whom a single, masculine God proposed, “Let us make man [adam] in our image, after our likeness” (Genesis 1:26). Since the Genesis account goes on to say that humanity was created “male and female” (1:27), some concluded that the God in whose image we are made must also be both masculine and feminine—both Father and Mother. ~ Elaine Pagels,
964:Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. ~ Amy Poehler,
965:In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need. ~ Walter Moers,
966:People who make snide comments to authors like "anyone can write a book" or "well, you did it, so obviously I can/it can't be that hard" or poke at a book because it's "romance" or "genre fiction" and act like that somehow makes it substandard because they don't read it... well, ok, go ahead. Write a bestseller. Don't forget to go through the correct edit process. We'll wait. ~ Michelle M Pillow,
967:At the end of the day, some authors will endure and most, including some very good ones, will not. Why do I think reading is important? It is such an effective medium between mind and mind. We think largely in words. A medium made only of words doesn't impose the barrier of any other medium. It is naked and unprotected communication. That's how you get pregnant. May you always be so. ~ Roger Ebert,
968:Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story. ~ Aldous Huxley,
969:I don't think that children, if left to themselves, feel that there is an author behind a book, a somebody who wrote it. Grown-ups have fostered this quotient of identity, particularly teachers. Write a letter to your favorite author and so forth. When I was a child I never realized that there were authors behind books. Books were there as living things, with identities of their own. ~ P L Travers,
970:My brother was one of the bigger influences in my life, in as much as he told me I didn't have to read the choice of books that I as recommended at school, and that I could go out to the library and go and choose my own, and sort of introduced me to authors that I wouldn't have read.probably. You know, the usual things like the Jack Kerouacs, the Ginsbergs, the ee Cummings and stuff. ~ David Bowie,
971:Why do you think movies and fiction authors invent vampires, lottery winners, and soulmates? I'll tell you why: because watching someone brush their teeth, shop for sandwich meat, and change the toilet paper roll is as mind-numbing for the observer as it is for the observed. Problem is, we live the toilet paper life, not the vampire life.'

....'But we expect the vampires. ~ Ann Wertz Garvin,
972:Authors also create lovable, friendly characters, then proceed to do terrible things to them, like throw them in unsightly librarian-controlled dungeons. This makes readers feel hurt and worried for the characters. The simple truth is that authors like making people squirm. If this weren't the case, all novels would be filled completely with cute bunnies having birthday parties. ~ Brandon Sanderson,
973:If you want a symbol of Roman power and strength look no further than the Praetorian or Imperial Guard. We could take this one step further. It was this world of Roman power into which Christ came, in which the Apostles ministered, in which the New Testament authors wrote, and in which Christianity came into being. And to all of those things, Rome stood opposed, violently opposed. ~ Stephen Nichols,
974:Never underestimate a person who is kind and sweet. They may have friends in high places or some other superpower. I have written a large company about some improvements and glitches they have which affected my and other authors'/partners' sales. They did very little. Now they are being looked at by people in high places. - Strong by Kailin Gow about the Strength of Being an Influencer ~ Kailin Gow,
975:New Testament authors all may have been premillennialists, they may all have been amillennialists, or some may not have had a particular worked-out conviction. But all were oriented to the idea of fulfillment in Christ and then in his people, in both his first and his second comings. This central motif rather than the Millennium as such dominated teaching about the future. ~ Vern Sheridan Poythress,
976:Organic inspiration: The process by which God guided the human authors of Scripture, working in and through their particular styles and life experiences, so that what they produced was exactly what He wanted them to produce. The text is truly the work of the human authors—God did not typically dictate to them as to a stenographer—and yet the Lord stands behind it as the ultimate source. ~ Anonymous,
977:the Institute of Applied Economic and Social Research at the University of Melbourne published the results of an extensive study of international money laundering.9 The authors compared the banking systems of two hundred countries. The Vatican ranked in the top ten money laundering havens, behind Luxembourg, Switzerland, the Cayman Islands, and Liechtenstein, but ahead of Singapore. ~ Gerald Posner,
978:As far as my experience goes, men of genius are fairly gifted with the social qualities; and in this age, there appears to be a fellow-feeling among them, which had not heretofore been developed. As men, they ask nothing better than to be on equal terms with their fellow-men; and as authors, they have thrown aside their proverbial jealousy, and acknowledge a generous brotherhood. ~ Nathaniel Hawthorne,
979:A praise from an author to a reader is so important. When an author calls and treats her readers "minions" and expects them to carry out her bullying tactics to anyone she wants to bring down, it is a disrespectful and disgusting use of her authority. Publishers and agents who allow their authors to treat her teen readers in that manner are equally as culpable. - Kailin Gow, Authors Voices ~ Kailin Gow,
980:My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story. ~ Anton Chekhov,
981:The four most dangerous words in finance are 'this time is different.' Thanks to this masterpiece by Carmen Reinhart at the University of Maryland and Kenneth Rogoff of Harvard, no one can doubt this again. . . . The authors have put an immense amount of work into collecting the data financial institutions needed if they were to have any chance of making quantitative risk management work. ~ Martin Wolf,
982:And for the citation of so many authors, 'tis the easiest thing in nature. Find out one of these books with an alphabetical index, and without any farther ceremony, remove it verbatim into your own... there are fools enough to be thus drawn into an opinion of the work; at least, such a flourishing train of attendants will give your book a fashionable air, and recommend it for sale. ~ Miguel de Cervantes,
983:More erudite authors who advocate an irrationalist point of view, such as the pragmatist philosophers, are not to be caught out so easily. They maintain that there is no such thing as objective fact to which our opinions must conform if they are to be true. For them opinions are merely weapons in the struggle for existence, and those which help a man to survive are to be called “true. ~ Bertrand Russell,
984:The young man left his uncle's office, eyes filled with tears; yet he braced himself against dispair. 'I have no more than a single day of freedom,' he mused, 'at least I shall spend it as I please; I have a little money, and it I shall spend on books beginning with the great poets and illustrious authors of the last century. Each evening they will console me for the vexations of each day. ~ Jules Verne,
985:I have seen authors saying their agents have told them to change their genre to another. For instances, YA genre is re-classified as historical romance or Contemporary Romance is now Women's Fiction to fit market trends. It's important for authors to be flexible, but they should keep writing what they love to write. Writing is a profession, I understand, but it is also an art. Be true to it. ~ Kailin Gow,
986:I just finished reading Pearl Cleage 'What looks like Crazy on an ordinary day' and Ernessa T. Carter '32 Candles'; they were both fantastic. I had almost giving up hope of finding anything I'd like to read. They contained relatable topics and wrote in vernacular that made me feel at ease with the whole process. I think I'm rediscovering my love of books from these two amazing authors. ~ Ernessa T Carter,
987:Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric. ~ Philip Kitcher,
988:We're authors, too," Donegan said, "and we've been trying to get into the picture-book market. We have this idea for a Where's Wally type thing, except in ours, you'd have to find the one living person hiding in among all the dismembered corpses while the chainsaw-wielding killer hunts him down. You know, for kids."
"We're going to call is Save the Survivor," Gracious said. ~ Derek Landy,
989:Even for studies, where expenditure is most honorable, it is justifiable only so long as it is kept within bounds. What is the use of having countless books and libraries, whose titles their owners can scarcely read through in a whole lifetime? The learner is, not instructed, but burdened by the mass of them, and it is much better to surrender yourself to a few authors than to wander through many. ~ Seneca,
990:In a nutshell, Blue Ocean Strategy is about creating completely new industries through fundamental differentiation as opposed to competing in existing industries by tweaking established models. Rather than outdoing competitors in terms of traditional performance metrics, Kim and Mauborgne advocate creating new, uncontested market space through what the authors call value innovation. ~ Alexander Osterwalder,
991:Several recent books would have us believe that all we have to do is follow certain steps and God will give us whatever we ask. The authors say, in effect, "Follow this procedure or use these specific words and know for certain that God will give in to your requests." That's not prayer; that's magic. That's not faith but superstition. These are gimmicks intended to manipulate the sovereign God. ~ R C Sproul,
992:Some of my colleagues are surprised by how little personal interaction I've had with "my" authors, but I don't translate to go fishing for friends. Part of me suspects that they wouldn't like me, or that I wouldn't like them, which would inevitably get in the way of the mission. None of the theory built around translation matters to me anyway: much of the process, I find, is intuitive. ~ Andre Naffis Sahely,
993:picked one book out of dozens based on reader reviews and the fact that the authors had actually done what I wanted to do. If the task is how-to in nature, I only read accounts that are “how I did it” and autobiographical. No speculators or wannabes are worth the time. 2. Using the book to generate intelligent and specific questions, I contacted 10 of the top authors and agents in the world ~ Timothy Ferriss,
994:Quotation is the highest compliment you can pay to an author. Perhaps the next highest is, when a writer of any kind is so considerable that you go to the labor and pains of endeavoring to refute him before the public, the very doing of which is an incidental admission of his talent and power. ~ Anonymous, quoted in: Tryon Edwards (1853) The World's Laconics: Or, The Best Thoughts of the Best Authors. p. 232.,
995:Reading is a pleasure of the mind, which means that it is a little like a sport: your eagerness and knowledge and quickness count for something. The fun of reading is not that something is told to you, but that you stretch your mind. Your own imagination works along with the authors, or even goes beyond his, yields the same or different conclusions, and your ideas develop as you understand his. ~ Bennett Cerf,
996:Regardless of whether the authors I've translated have been "dead and canonized," or "living and established," or even simply "emerging," I must put myself to the same, old test: "can I do their texts justice?" I've translated twenty-one books, and except for three commissions, I "hand-picked" all my authors on the basis of whether my own peculiar idiosyncrasies would complement their own. ~ Andre Naffis Sahely,
997:But I must hope that books possess a life of a more varied kind than their authors' myopia concedes to them. A book is a kind of of machine which the reader can freely use as a generator of intellectual stimulation. It is enough that the book should be truly a machine for thinking, that it should generate a variety of possible conclusions without its author's ordaining and limiting them in advance. ~ Umberto Eco,
998:There are some works which the authors must consign unpublished to posterity, however uncertain be the event, however hopeless be the trust. He that writes the history of his own times, if he adhere steadily to truth, will write that which his own times will not easily endure. He must be content to reposite his book till all private passions shall cease, and love and hatred give way to curiosity. ~ Samuel Johnson,
999:Being Fair and Consistent is the Hallmark of Effective and Non-discriminating Policies. If you are going to set up rules that all have to abide by, then you have to enforce it to all. Or it becomes targeting and discriminating. For consumer brands, it means you lose your integrity as a brand. You lose your effectiveness to keep the loyalty of your vendors, authors, and partners. - Strong by Kailin Gow ~ Kailin Gow,
1000:It was never for you, Annie, or all the other people out there who sign their letters “Your number-one fan.” The minute you start to write all those people are at the other end of the galaxy, or something. It was never for my ex-wives, or my mother, or for my father. The reason authors almost always put a dedication on a book, Annie, is because their selfishness even horrifies themselves in the end. ~ Stephen King,
1001:The Poor Man whom everyone speaks of, the Poor Man whom everyone pities, one of the repulsive Poor from whom charitable souls keep their distance, he has still said nothing. Or, rather, he has spoken through the voice of Victor Hugo, Zola, Richepin. At least, they said so. And these shameful impostures fed their authors. Cruel irony, the Poor Man tormented with hunger feeds those who plead his case. ~ Albert Camus,
1002:It's one of my biggest memories of my father reading. I had pneumonia, remember, but I was a little better now, and madly caught up in the book, and one thing you know when you're ten is that, no matter what, there's gonna be a happy ending. They can sweat all they want to scare you, the authors, but back of it all you know, you just have no doubt, that in the long run justice is going to win out. ~ William Goldman,
1003:The man whose book is filled with quotations, has been said to creep along the shore of authors, as if he were afraid to trust himself to the free compass of reasoning. I would rather defend such authors by a different allusion, and ask whether honey is the worse for being gathered from many flowers. ~ Anonymous, quoted in: Tryon Edwards (1853) The World's Laconics: Or, The Best Thoughts of the Best Authors. p. 232.,
1004:But after the war, when editors like Martin Durk came to prominence by trumpeting the timely death of the novel, Parish opted for a reflective silence. He stopped taking on projects and watched with quiet reserve as his authors died off one by one--at peace with the notion that he would join them soon enough in that circle of Elysium reserved for plot and substance and the judicious use of the semicolon. ~ Amor Towles,
1005:It was never for you, Annie, or all the other people out there who sign their letters “Your number-one fan.” The minute you start to write all those people are at the other end of the galaxy, or something. It was never for my ex-wives, or my mother, or for my father. The reason authors almost always put a dedication on a book, Annie, is because their selfishness even horrifies themselves in the end. But ~ Stephen King,
1006:I've noticed that most authors who are pastors or speakers write books whose message is derived from a sermon series they did at their church. I guess my process is similar except that instead of a sermon, the genesis of the idea is found in the form of a three-minute song. And many of my songs have been inspired by the true stories and testimonies of people who've written to me from all over the world. ~ Matthew West,
1007:So this is your library, huh, Lucien? It's a big place What's so special about it, then?"

"Oh, it's a very unusual library, Matthew. Somewhere in here is every story that has every been dreamed. "

"They're just books."

"Oh yes. But unusual books. You'll find none of them on Earth. In this section, for example, are novels their authors never wrote, or never finished, except in dreams. ~ Neil Gaiman,
1008:Too many poets are insufficiently interested in story. Their poems could be improved if they gave in more to the strictures of fiction: the establishment of a clear dramatic situation, and a greater awareness that first-person narrators are also characters and must be treated as such by their authors. The true lyric poet, of course, is exempt from this. But many poets wrongly think they are lyric poets. ~ Stephen Dunn,
1009:Atheism being a proposition as unnatural as monstrous, difficult also and hard to establish in the human understanding, how arrogant soever, there are men enough seen, out of vanity and pride, to be the authors of extraordinary and reforming opinions, and outwardly to affect the profession of them; who, if they are such fools, have, nevertheless, not the power to plant them in their own conscience. ~ Michel de Montaigne,
1010:The gentle wisdom of Ram as he goes into exile is what transforms him from an ordinary hero into a divine being. He does not see himself as the victim. It is significant, however, that when Sita is later banished into the forest, the authors of the epic do not grant her the same gentle wisdom. They prefer visualizing her as victim, not sage. The gender bias continues even in the most modern writings. ~ Devdutt Pattanaik,
1011:A book itself is a little machine; what is the relation (also measurable) of this literary machine to a war machine, love machine, revolutionary machine, etc.—and an abstract machine that sweeps them along? We have been criticized for overquoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into, must be plugged into in order to work. ~ Gilles Deleuze,
1012:Bible consists of sixty-six books written by some forty different authors over a period of about 1,500 years. The authors came from every imaginable background—“kings, peasants, philosophers, fishermen, poets, statesmen and scholars. It was written on at least three different continents in three different languages—Hebrew, Aramaic, and Greek—yet, there is a thread of continuity from Genesis to Revelation. ~ David Limbaugh,
1013:The Plagiarism of orators is the art, or an ingenious and easy mode, which some adroitly employ to change, or disguise, all sorts of speeches of their own composition, or that of other authors, for their pleasure, or their utility; in such a manner that it becomes impossible even for the author himself to recognise his own work, his own genius, and his own style, so skilfully shall the whole be disguised. ~ Isaac D Israeli,
1014:They [intellectuals] coined most of the slogans that guided the butcheries of Bolshevism, Fascism, and Nazism. Intellectuals extolling the delights of murder, writers advocating censorship, philosophers judging the merits of thinkers and authors, not according to the value of their contributions but according to their achievements on battlefields, are the spiritual leaders of our age of perpetual strife. ~ Ludwig von Mises,
1015:This room had long served as a retreat from the disharmony and sadness of the first floor, and it was here I had fallen in love with these books and authors in a way that only lifelong readers know and understand. A good movie had never once affected me in the same life-changing way a good book could. Books had the power to alter my view of the world forever. A good movie could change my perceptions for a day. ~ Pat Conroy,
1016:Burmese authors and artists can play the role that artists everywhere play. They help to mold the outlook of a society - not the whole outlook and they are not the only ones to mold the outlook of society, but they have an important role to play there. And I think if they take up this role seriously and link it to the kind of changes were wish to bring about in our country they could be a tremendous help. ~ Aung San Suu Kyi,
1017:I started to read James Baldwin very early on in my life. At a time, as a young adult in the Sixties, when there were not that many authors in whom I could recognize myself, he was an important guide and mentor to me as he was to many others. He helped me understand who I was and decipher the world around me. He gave me the words to defend myself and the argumentative rhetoric to master discussions with others. ~ Raoul Peck,
1018:Authors are far closer to the truths enfolded in mystery than ordinary people, because of that very audacity of imagination which irritates their plodding critics. As only those who dare to make mistakes succeed greatly, only those who shake free the wings of their imagination brush, once in a way, the secrets of the great pale world. If such writers go wrong, it is not for the mere brains to tell them so ~ Gertrude Atherton,
1019:[My approach to the Bible, history does really matter.] Everything matters. But I have priorities. For instance, for me to know whether there were two Isaiahs or one is less important than the text itself. Of course I read the arguments for and against. But it's not my task in life to say there were two or three authors of Isaiah's book, or how many authors there were of Deuteronomy. This is not what I'm doing. ~ Elie Wiesel,
1020:Thousands of volumes have been written about aviation, but we do not automatically have thousands of true and special friends in their authors. That rare writer who comes alive on a page does it by giving of himself, by writing of meanings, and not just of fact or of things that have happened to him. The writers of flight who have done this are usually found together in a special section on private bookshelves. ~ Richard Bach,
1021:For years, I'd say yes to almost everything, trying to be nice and generous. Feeling obliged to be of service to the world. Maybe also a fear of being forgotten if I don't. But I paid the ultimate price in doing that, because for all those years, I got almost no work done! Some famous authors have written about this: that if they said yes to every request, then they'd never have time to write another book again. ~ Derek Sivers,
1022:A masterly analysis of how political interests, economic circumstances, development strategies, and local history have shaped what are surprisingly different versions of the welfare state across the developing world. The authors combine fine-grained country analyses with intelligent use of data, and explain and extend the theory and literature on the modern welfare state. The book is both scholarly and readable. ~ Nancy Birdsall,
1023:Scripture is the foundation for all we believe and the fountain from which we daily drink. It was the heart of the sixteenth-century Reformation, and it holds the message of eternal life for ourselves, our children, and our neighbors. It is the sacred Word of God given to us by human authors through the superintendence of the Holy Spirit, and it is our only inerrant and infallible authority for all of faith and life. ~ Anonymous,
1024:I'm a reader. I like - I'm a great reader. I keep going back, though, to certain authors, just like I love film, but I keep going back to just five or six certain filmmakers. In literature I like Chekhov, for example; I think he's my favorite. And Flaubert - you know, that kind of concision. But I also like Tolstoy; I love those romances that, you know, weigh 500 pounds and take months and months and months to read. ~ David Small,
1025:It is attributed to Henry IV of France, a man of enlarged and benevolent heart, that he proposed, about the year 1610, a plan for abolishing war in Europe. The plan consisted in constituting an European Congress, or as the French authors style it, a Pacific republic; by appointing delegates from the several nations who were to act as a court of arbitration in any disputes that might arise between nation and nation. ~ Thomas Paine,
1026:Several authors have attempted to prove that Isis, Osiris, Typhon, Nephthys, and Aroueris (Thoth, or Mercury) were grandchildren of the great Jewish patriarch Noah by his son Ham. But as the story of Noah and his ark is a cosmic allegory concerning the repopulation of planets at the beginning of each world period, this only makes it less likely that they were historical personages. ~ Manly P Hall, The Secret Teachings of all Ages,
1027:The military is Pakistan’s only institution inherited from the British Raj that has proved resilient and effective. ‘As the history of law, democracy, administration and education in Pakistan demonstrates, other British institutions in what is now Pakistan (and to a lesser extent India as well) failed to take root, failed to work, or have been transformed in ways that their authors would scarcely have recognized. ~ Husain Haqqani,
1028:Such do not always understand the authors whose names adorn their barren pages, and which are taken, too, from the third or the thirtieth hand. Those who trust to such false quoters will often learn how contrary this transmission is to the sense and application of the original. Every transplantation has altered the fruit of the tree; every new channel, the quality of the stream in its remove from the spring-head. ~ Isaac D Israeli,
1029:A 2005 survey of 12,000 adolescents found that those who had pledged to remain abstinent until marriage were more likely to have oral and anal sex than other teens, less likely to use condoms, and just as likely to contract sexually transmitted diseases as their unapologetically non-abstinent peers. The study’s authors found that 88 percent of those who pledged abstinence admitted to failing to keep their pledge. ~ Christopher Ryan,
1030:It is illuminating to note, here, how the daily rituals and working routines of prolific authors and artists - people who really do get a lot done - very rarely include techniques for 'getting motivated' or 'feeling inspired'. Quite the opposite: they tend to emphasise the mechanics of the working process, focusing not on generating the right mood, but on accomplishing certain physical actions, regardless of mood. ~ Oliver Burkeman,
1031:To exact of every man who writes that he should say something new, would be to reduce authors to a small number; to oblige the most fertile genius to say only what is new, would be to contract his volumes to a few pages. Yet, surely, there ought to be some bounds to repetition; libraries ought no more to be heaped for ever with the same thoughts differently expressed, than with the same books differently decorated. ~ Samuel Johnson,
1032:After a lifetime of hounding authors for advice, I've heard three truths from every mouth: (1) Writing is painful -- it's 'fun' only for novices, the very young, and hacks; (2) other than a few instances of luck, good work only comes through revision; (3) the best revisers often have reading habits that stretch back before the current age, which lends them a sense of history and raises their standards for quality. ~ Mary Karr,
1033:I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night. ~ Khaled Hosseini,
1034:That the system of morals propounded in the New Testament contained no maxim which had not been previously enunciated, and that some of the most beautiful passages in the apostolic writings are quotations from Pagan authors, is well known to every scholar... To assert that Christianity communicated to man moral truths previously unknown, argues on the part of the asserted either gross ignorance or wilful fraud. ~ Henry Thomas Buckle,
1035:The chief advantage which these fictions have over real life is, that their authors are at liberty, though not to invent, yet to select objects, and to cull from the mass of mankind, those individuals upon which the attention ought most to be employed; as a diamond, though it cannot be made, may be polished by art, and placed in such a situation, as to display that luster which before was buried among common stones. ~ Samuel Johnson,
1036:A lot of authors see their book being banned or challenged as a badge of honor. But for me, it's nothing but frustrating and upsetting. I hear from readers that my work encouraged them to ask for help or reach out to someone about the situation they're in. When you hear stories like that on a daily basis and then hear adults call for your work to be banned, it's proof of why the stigma around these issues is so dangerous. ~ Jay Asher,
1037:HANNAH: ....English landscape was invented by gardeners imitating foreign painters who were evoking classical authors. The whole thing was brought home in the luggage from the Grand Tour. Here, look -- Capability Brown doing Claude, who was doing Virgil. Arcadia! And here, superimposed by Richard Noakes, untamed nature in the style of Salvator Rosa. It's the Gothic novel expressed in landscape. Everything but vampires. ~ Tom Stoppard,
1038:In summary, most scientists and sci-fi authors considering cosmic settlement have in my opinion been overly pessimistic in ignoring the possibility of superintelligence: by limiting attention to human travelers, they’ve overestimated the difficulty of intergalactic travel, and by limiting attention to technology invented by humans, they’ve overestimated the time needed to approach the physical limits of what’s possible. ~ Max Tegmark,
1039:I am happy for Amazon.com's success. As one of the first indie Authors who published on Amazon and was featured as their Author Success Story, I should think so! So should Amazon be happy for the successes of their Author Success Stories for their continued successes reflect on Amazon's continued nurturance and support for Indie Authors and the very ones who helped them win the standards battle over other ebook retailers. ~ Kailin Gow,
1040:I had some very, very fond memories of the people I worked with and the authors I worked with - and I won't mention any names - but as I have been traveling through rural Maine over the past few weeks, one of my favorite things to do is to go into bookstores on the side of rural routes and paw through the old copies of Tom Clancy and Trevanian books they have in there for weird old 1970s thrillers that I haven't read yet. ~ John Hodgman,
1041:I, too, am deeply concerned with an overarching idea that dramaturgs are now authors . . .. I am not taking the position that all dramaturgs own copyright, deserve special billing credit, or should receive remuneration akin to that of the playwright. I know from my ears at the Dramatists Guild that almost everyone a writer encounters has suggestions of how to write and rewrite the play or musical to make it work. ~ Dana Rosemary Scallon,
1042:Without the book business it would be difficult or impossible for true books to find their true readers and without that solitary (and potentially subversive) alone with a book the whole razzmatazz of prizes, banquets, television spectaculars, bestseller lists, even literature courses, editors and authors, are all worthless. Unless a book finds lovers among those solitary readers, it will not live . . . or live for long. ~ John McGahern,
1043:Beyond Words is an exceptionally useful and inspiring digest of Dzogchen (Great Perfection) teachings and the teachers associated with them. The ancient prediction that Dzogchen would benefit many during these degenerate times, makes this comprehensive introduction especially relevant. The authors have made these profound teachings accessible and Beyond Words will be useful to both inexperienced and seasoned readers. ~ Tsultrim Allione,
1044:The sentiments and opinions these authors express are frequently not acceptable to present-day readers, who have to be often saying to themselves: “This is not true, or not correct, or not in accordance with our beliefs.” It is, however, precisely this encounter with the mental states of other generations which enlarges the outlook and sympathies of the cultivated man, and persuades him of the upward tendency of the human race. ~ Various,
1045:If there is a lesson here it has to do with humility. For all our vaunted intelligence and complexity, we are not the sole authors of our destinies or of anything else. You may exercise diligently, eat a medically fashionable diet, and still die of a sting from an irritated bee. You may be a slim, toned paragon of wellness, and still a macrophage within your body may decide to throw in its lot with an incipient tumor. ~ Barbara Ehrenreich,
1046:It looks as if there were a single ultimate goal for mankind, a far goal toward which all persons strive. This is called variously by different authors self-actualization, self-realization, integration, psychological health, individuation, autonomy, creativity, productivity, but they all agree that this amounts to realizing the potentialities of the person, that is to say, becoming fully human, everything that person can be. ~ Abraham Maslow,
1047:When Christians speak of the authority of Scripture, because Christians believe that this word, even though it's mediated through many different human authors, nevertheless is God breathed and is revealed by God and is utterly reliable and all that it says, with all of its different literary genres, it's trustworthy and without mistake or distortion. It is trustworthy and therefore, because it is from God it has God's authority. ~ D A Carson,
1048:It looks as if there were a single ultimate goal for mankind, a far goal toward which all persons strive. This is called variously by different authors self-actualization, self-realization, integration, psychological health, individuation, autonomy, creativity, productivity, but they all agree that this amounts to realizing the potentialities of the person, that is to say, becoming fully human, everything that person can be. ~ Abraham Maslow,
1049:It looks as if there were a single ultimate goal for mankind, a far goal toward which all persons strive. This is called variously by different authors self-actualization, self-realization, integration, psychological health, individuation, autonomy, creativity, productivity, but they all agree that this amounts to realizing the potentialities of the person, that is to say, becoming fully human, everything that person can be. ~ Abraham H Maslow,
1050:The primary objective of copyright is not to reward the labor of authors, but ‘[t]o promote the Progress of Science and useful Arts.' To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. This result is neither unfair nor unfortunate. It is the means by which copyright advances the progress of science and art. ~ Sandra Day O Connor,
1051:Authors and publishers want fair compensation and a means of protecting content through digital rights management. Vendors and technology companies want new markets for e-book reading devices and other hardware. End-users most of all want a wide range and generous amount of high-quality content for free or at reasonable costs. Like end-users, libraries want quality, quantity, economy, and variety as well as flexible business models. ~ Tom Peters,
1052:But it’s never just been the journals that have made the difference, I don’t think. It’s also the way the students are with one another . . . the way they talk about books and authors and themselves. Not just their problems, but their passions too. The way they form a little society and discuss whatever matters to them. Books light the fire—whether it’s a book that’s already written, or an empty journal that needs to be filled in. ~ Meg Wolitzer,
1053:A recent study documented a 52 percent decline in sperm concentration and a 59 percent decline in total sperm count in men over a nearly forty-year period ending in 2011 (Levine et al. 2017). A decline in sperm count and concentration leads to a decreased probability of conception. The authors of the study speculated that increased exposure to endocrine disrupting chemicals in the environment may be partly to blame for this trend. ~ Chris Kresser,
1054:Artistic prejudices are always the most difficult to root out. Critics - whose duty should be to see beyond the pretensions of artists and the public’s passing fancies - often allow themselves to be persuaded by the way authors present their work, by what they say they have achieved, or else are guided by whatever has been a wild success - usually in order to take the opposing view - and which had been damningly labelled ‘popular. ~ Javier Mar as,
1055:As a writer, you must truly possess a love for words."
"Yes, that's right," I agreed.
"I've noticed that some authors favor particular words, making frequent use of them. Do you have a favorite?"
I nodded assuredly and shared my answer. "BECAUSE."
My interviewer looked surprised, as though he'd expected an impressive adjective or some rare verb. "That's your favorite word? Why?"
I tried not to smirk. "Because. ~ Richelle E Goodrich,
1056:Missoula has a culture uniquely its own, however, thanks to the fusion of its gritty frontier heritage with the university’s myriad impacts. UM has nationally distinguished programs in biology and ecology and is perhaps even more renowned for its literary bona fides. The faculty of the university’s Creative Writing Program, founded in 1920, has included such influential authors as Richard Hugo, James Crumley, and William Kittredge. ~ Jon Krakauer,
1057:In fiction, I searched for my favorite authors, women I have trusted to reassure me than not all teenage guys are total ditwads, that the archetype of the noble cute hero who devotes himself to the girl he loves has not gone the way of the rotary phone. That all I had to do was be myself (smart, hardworking, funny) and be patient and kind and he and I would find each other.

As Bea would say, this why they call it fiction. ~ Sarah Strohmeyer,
1058:Ships series is available in e-book, softcover print, and audiobook versions. Please visit my website, http:// scottjucha.com, for publication locations. You may also register at my website to receive email notification about the publish dates of my novels. If you’ve been enjoying this series, please consider posting a review on Amazon, even a short one. Reviews attract other readers and help indie authors, such as me. Alex and friends ~ S H Jucha,
1059:I have often thought that if the people who write books for children knew a little more it would be better. I shall not tell you anything about us except what I should like to know about if I was reading the story and you were writing it. Albert's uncle says I ought to have put this in the preface, but I never read prefaces, and it is not much good writing things just for people to skip. I wonder other authors have never thought of this. ~ E Nesbit,
1060:There are three distinct kind of judges upon all new authors or productions; the first are those who know no rules, but pronounce entirely from their natural taste and feelings; the second are those who know and judge by rules; and the third are those who know, but are above the rules. These last are those you should wish to satisfy. Next to them rate the natural judges; but ever despise those opinions that are formed by the rules. ~ Samuel Johnson,
1061:Moreover, the question at hand concerns modes of operation or schemata of action, and not directly the subjects (or persons) who are their authors or vehicles. It concerns an operational logic whose models may go as far back as the age-old ruses of fishes and insects that disguise or transform themselves in order to survive, and which has in any case been concealed by the form of rationality currently dominant in Western culture. ~ Michel de Certeau,
1062:Only a few short years ago, the average stay-at-home mom spent her relaxation time reading Jackie Collins and staring at the pool boy. Now, half of them are outselling Jackie Collins writing porn about the pool boy.

The other half are writing reviews of them."

[Surviving in the Amazon Jungle – How authors and reviewers can co-exist in a hostile environment (and run to court if they don’t), Blog post, March 20, 2014] ~ Pete Morin,
1063:Somebody who reads only newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else. And what a person thinks on his own without being stimulated by the thoughts and experiences of other people is even in the best case rather paltry and monotonous. ~ Albert Einstein,
1064:There are two generic and invariable features that characterize utopias. One is the content: the authors of utopias paint what they consider to be ideal societies; translating this into the language of mathematics, we might say that utopias bear a + sign. The other feature, organically growing out of the content, is to be found in the form: a utopia is always static; it is always descriptive and has no, of almost no, plot dynamics. ~ Yevgeny Zamyatin,
1065:There is no practice more vexing than that of authors describing coach travel for the edification of people who have already travelled in coaches. As I must adhere to form, however, I will simply list a series of phrases for the unlikely reader who has never gone anywhere: thin eggshell dawn-soaked curtains stained with materials unknown to science; rattling fit to grind bones to powder; the ripe stench of horse and driver and bog. Now ~ Lyndsay Faye,
1066:Who were my mentors in poetry and literature? This is a matter of opinion. Some see in my books the influences of authors whose names, in my ignorance, I have not even heard, while others see the influences of poets whose names I have heard but whose writings I have not read. And what is my opinion? From whom did I receive nurture? Not every man remembers the name of the cow which supplied him with each drop of milk he has drunk. ~ Shmuel Yosef Agnon,
1067:Beware of books. They are more than innocent assemblages of paper and ink and string and glue. If they are any good, they have the spirit of the author within. Authors are rogues and ruffians and easy lays. They are gluttons for sweets and savories. They devour life and always want more. They have sap, spirit, sex. Books are panderers. The Jews are not wrong to worship books. A real book has pheromones and sprouts grass through its cover. ~ Erica Jong,
1068:Blessed," he says, "are the peacemakers, for they shall be called the children of God" (Mt 5:9). Consider carefully that it is not the people who call for peace but those who make peace who are commended. For there are those who talk but do nothing (Mt 23:3). For just as it is not the hearers of the law but the doers who are righteous (Rom 2:13), so it is not those who preach peace but the authors of peace who are blessed. ~ Saint Bernard of Clairvaux,
1069:Personally, I always wondered about authors and celebrities who loudly declared there was no God. It was usually when they were healthy and popular and being listened to by crowds. What happens, I wondered, in the quiet moments before death? By then, they have lost the stage, the world has moved on. If suddenly, in their last gasping moments, through fear, a vision, a late enlightenment, they change their minds about God, who would know? ~ Mitch Albom,
1070:Several authors and editors I respect counseled me not to write the book as quickly as I did; they urged me to wait two or three years and put some distance between me and the expedition in order to gain some crucial perspective. Their advice was sound, but in the end I ignored it - mostly because what happened on the mountain was gnawing my guts out. I thought that writing the book might purge Everest from my life. It hasn't, of course. ~ Jon Krakauer,
1071:the relationship that Jane Goodall has with the chimpanzees of Gombe—and that Dian Fossey had with the mountain gorillas she studied, and Biruté Galdikas has with the wild orangutans of Tanjung Puting—is different. There is a trust between human and animal, a privileged trust unlike any other. The contract for that trust is not written by the human: the animals are the authors of the agreement. The relationship is on the animals’ terms. ~ Sy Montgomery,
1072:All of the principal authors of the New Testament writings — Matthew, Mark, Luke, John, Paul, Peter, and the unnamed author of Hebrews — attest to the divine claims, nature, and prerogatives of Jesus. These men wrote from thirty to sixty years after Jesus’ death; all of them except Luke were Jewish men who spent part of their lives in Judea and Galilee. They all either knew Jesus personally or knew people who had known Jesus personally. ~ Nabeel Qureshi,
1073:I loathe popular pulp, I loathe go-go gangs, I loathe jungle music, I loathe science fiction with its gals and goons, suspense and suspensories. I especially loathe vulgar movies—cripples raping nuns under tables, or naked-girl breasts squeezing against the tanned torsos of repulsive young males. And, really, I don't think I mock popular trash more often than do other authors who believe with me that a good laugh is the best pesticide. ~ Vladimir Nabokov,
1074:The images of stick-thin prepubescent girls never should have had power over me. I should’ve had my sights set on successful businesswomen and successful female artists, authors, and politicians to emulate. Instead I stupidly and pointlessly just wanted to be considered pretty. I squandered my brain and my talent to squeeze into a size 2 dress while my male counterparts went to work on making money, making policy, making a difference. I ~ Portia de Rossi,
1075:I suppose as long as novels last, and authors aim at interesting their public, there must always be in the story a virtuous and gallant hero; a wicked monster, his opposite; and a pretty girl, who finds a champion. Bravery and virtue conquer beauty; and vice, after seeming to triumph through a certain number of pages, is sure to be discomfited in the last volume, when justice overtakes him, and honest folks come by their own. ~ William Makepeace Thackeray,
1076:I would proclaim that the vast majority of what [say, Scientific American] is true-yet my ability to defend such a claim is weaker than I would like. And most likely the readers, authors, and editors of that magazine would be equally hard pressed to come up with cogent, non-technical arguments convincing a skeptic of this point, especially if pitted against a clever lawyer arguing the contrary. How come Truth is such a slippery beast? ~ Douglas Hofstadter,
1077:...most men have bound their eyes with one or another handkerchief, and attached themselves to some one of these communities of opinion. This conformity makes them not false in a few particulars, authors of a few lies, but false in all particulars. Their every truth is not quite true. Their two is not the real two, their four not the real four; so that every word they say chagrins us, and we know not where to begin to set them right. ~ Ralph Waldo Emerson,
1078:On the pilgrim's path each man must become Moses, going on a vision quest to some mountaintop and returning with the ten or twenty commandments that he holds sacred. So long as we obey or break the rules that have been set up for us by the Giants - Parents and other Authorities - we remain good or bad children. Growing into the fullness of our humanity means that we become co-authors of the rules by which we will agree to have our lives judged. ~ Sam Keen,
1079:In TIME June 7, 2010
On the sustainability of the publishing industry, in the Chicago Tribune:
"I think that book publishing is about to slide into the sea. We live in a literate time, and our children are writing up a storm, often combining letters and numbers.... The future of publishing: 18 million authors in America, each with an average of 14 readers, eight of whom are blood relatives. Average annual earnings: $175." - 5/26/10 ~ Garrison Keillor,
1080:Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly. ~ Robertson Davies,
1081:Probably the most startling story I've heard was about a freelance copy editor for a women's magazine who discovered that a writer-a famous "domestic diva"-had plagiarized a recipe. The poor freelancer mysteriously died the very same night she invited the writer to a dinner party at her house ...
But I don't mean to worry you. Statistically speaking, I believe that the number of copy editors murdered by their authors is fairly low. ~ Carol Fisher Saller,
1082:Authors, artists, and even philosophers are much better off having a very small number of fanatics behind them than a large number of people who appreciate their work. The number of persons who dislike the work don’t count—there is no such thing as the opposite of buying your book, or the equivalent of losing points in a soccer game, and this absence of negative domain for book sales provides the author with a measure of optionality. ~ Nassim Nicholas Taleb,
1083:Fiction may be about lying – on the surface, anyway – but fiction is about hiding the truth behind those lies. It's about using those lies to say something true and real. It's about showing the reader something. It's about making them feel.

And how we do that as authors is to put ourselves into our work, and make it mean something to us, so that it will mean something to the reader. That's what we should do. That's our job. ~ Stacia Kane,
1084:The latest news . . . . discoveries, inventions, societies . . . . authors old and new, My dinner, dress, associates, looks, business, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks . . . . or of myself . . . . or ill-doing . . . . or loss or lack of money . . . . or depressions or exaltations, They come to me days and nights and go from me again, But they are not the Me myself. ~ Walt Whitman,
1085:The exaltation of the automatic phenomena springs generally from a diminution in the power of the voluntary activity which at every instant of our life reunites the present phenomena. It is the ensemble of these conceptions that we have designated by the name of jnental disintegration, and it seems yet, according to the preceding analyses, that this idea might furnish the means of summarising a great number of hysterical phenomena. Several authors ~ Anonymous,
1086:The authors propose “a New Deal for globalization—one thatlinks engagement with the world economy to a substantial redistribution of income.” Remember, this isn’t hippy talk. These are the capitalists who see angry workers with pitchforks loitering outside the gates of a very profitable factory, and they are making a very pragmatic calculation: Throw these people some food (and maybe some movie tickets and beer) before we all end up worse off ~ Charles Wheelan,
1087:The city keeps reinventing itself. And each generation thinks, as they enter it, that they've missed the best of it, and then they become the authors of the next "best." And so it goes on and on and on. And New York keeps redefining itself and reinventing itself, and then you look at it and it's pretty much the way it was back in the 1920's., or in the 1930's. Something stylistically different in some ways, but it's still got the same vitality. ~ Jules Feiffer,
1088:What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we're truly the authors of our own ambitions. Because it's bad enough not getting what you want, but it's even worse to have an idea of what it is you want and find out at the end of the journey that it isn't, in fact, what you wanted all along. ~ Alain de Botton,
1089:Indeed, people tend to fool themselves with their self-narrative of “national identity,” which, in a breakthrough paper in Science by sixty-five authors, was shown to be a total fiction. (“National traits” might be great for movies, they might help a lot with war, but they are Platonic notions that carry no empirical validity—yet, for example, both the English and the non-English erroneously believe in an English “national temperament.”) ~ Nassim Nicholas Taleb,
1090:Once you get past the grand normative claims made in the West for literature, especially the novel, in the post-Christian era - that it is a secular substitute for religion, hallmark of modern civilization, a priori liberal and cosmopolitan, with authors appearing to implicitly embody such pious ideals - you encounter a less agreeable reality: parochialism, blinkered views, even racial prejudices of the kind the bourgeoisie have held everywhere. ~ Pankaj Mishra,
1091:The best advice I can give on this is, once it's done, to put it away until you can read it with new eyes. When you're ready, pick it up and read it, as if you've never read it before. If there are things you aren't satisfied with as a reader, go in and fix them as a writer: that's revision."

[FAQ - Advice to Authors on Gaiman's website, http://www.neilgaiman.com] ~ Neil Gaiman,
1092:The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway. ~ Arthur Miller,
1093:I don’t typically read books that appeal to women who saw The Notebook, wear things from the Victoria’s Secret PINK collection, or happen to be my mother-in-law. I like depressed German authors who write stories about people whose lives start out bad and then get worse. The most pop I’ve ever delved into was that whole Dragon Tattoo book, and even then, I had to chew off the cover for fear that people in book clubs would start trying to recruit me. ~ Jenny Mollen,
1094:When we say the Bible is infallible in its origin, we are merely ascribing its origin to a God who is infallible. This is not to say that the biblical writers were intrinsically or in themselves infallible. They were human beings who, like other humans, proved the axiom Errare humanum est, “To err is human.” It is precisely because humans are given to error that, for the Bible to be the Word of God, its human authors required assistance in their task. ~ R C Sproul,
1095:The story of Jonah reads more like a parable than history, employing fanciful literary conventions and language, so why impose literalism on a text when the genre doesn’t seem to demand it? And yet the epistles of Paul and the accounts of Luke, whether you believe them or not, purport a different purpose and employ a different literary style than Jonah, so it seems just as disingenuous to impose metaphor where those authors likely presumed fact. ~ Rachel Held Evans,
1096:It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again. ~ Tim Waterstone,
1097:Can a one judge sitting somewhere in a trial court issue an order that says nobody in the world is allowed to have, to use, to improve or to develop software for playing multimedia content without the permission of the manufacturers of the content themselves? .. This is an astonishing development in the course of our understanding of what we call the copyright bargain, the relationship between authors' rights, publishers' leverages and consumers' needs. ~ Eben Moglen,
1098:There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices. ~ Gabriel Ba,
1099:We are each living a story. What many of us are too afraid to admit is that we are the authors of our story. You are living the life you chose for yourself. You are living the result of each and every one of your choices. If you are letting others make decisions for you, you are allowing them to write your story. Do they have your best interests at heart? If you are unhappy, whose fault is that? Don’t like your life, go write yourself a better one. ~ Michael R Fletcher,
1100:By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry. ~ Brandon Sanderson,
1101:Those people who live in an Independent nation should know how important it is to support independence not only in the government but also in arts, literature, films, newspapers, and business. Innovation, growth, and self-motivation comes from independent artists, journalists, authors, and inventors; not from the Big What which has held 90% of the market since the 1900s. Encourage innovation by supporting the Indies. That's where new opportunities are found! ~ Kailin Gow,
1102:Exasperation with the threefold frustration of action -- the unpredictability of its outcome, the irreversibility of the process, and the anonymity of its authors -- is almost as old as recorded history. It has always been a great temptation, for men of action no less than for men of thought, to find a substitute for action in the hope that the realm of human affairs may escape the haphazardness and moral irresponsibility inherent in a plurality of agents. ~ Hannah Arendt,
1103:By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry... ~ Brandon Sanderson,
1104:In most crime novels the violent act, usually the murder, is the engine. Take that away and there is little left to drive the story along. So I do get a little cross with authors who aren’t precise about the violence they’re using to create tension because I feel they’re being dishonest with their readers. If people don’t like the blood and violence in my books, fine, they can always close the cover and put it aside and maybe read a romance instead. – Mo Hayder ~ Mo Hayder,
1105:The task of literature, it seems, is precisely to present, as people worthy of respect and pity, all those who in life are commonly despised. Thus authors adopt a rather lofty position in relation to the rest of the world, taking upon themselves the role of sole defenders of the aforesaid despised, assuming the role of judges, defence, and prosecution rolled into one, and undertaking the hard task of educating the masses and purveying great ideas. ~ Ludmilla Petrushevskaya,
1106:Bohemia
Authors and actors and artists and such
Never know nothing, and never know much.
Sculptors and singers and those of their kidney
Tell their affairs from Seattle to Sydney.
Playwrights and poets and such horses' necks
Start off from anywhere, end up at sex.
Diarists, critics, and similar roe
Never say nothing, and never say no.
People Who Do Things exceed my endurance;
God, for a man that solicits insurance!
~ Dorothy Parker,
1107:Introduction Shifters In Love brings you another great collection of full-length shifter romance stories from USA Today and NYT bestselling authors, Hot Summer Love. Scorching hot passion jumps from the pages in these shifter stories featuring lions, bears, wolves, panthers and cougars. Fall in love with alpha men that strong heroines can’t wait to tame. Want to keep up with the latest from Shifters in Love? Sign up for our newsletter. Like our Facebook Page. ~ Harmony Raines,
1108:There’s a reason that some of our oldest and most important stories start with “Once upon a time . . .” Tucked among the fantastical characters and magical other-worlds are profound truths. Lloyd Alexander, author of the beloved Chronicles of Prydain, said, “Fantasy is hardly an escape from reality. It’s a way of understanding it.” With that, we present to you this collection of wise and beautiful quotes from some of the greatest authors in the fantasy genre. ~ Anne McCaffrey,
1109:we have not been impressed with any attribute of the Senate other than its appearance and manners. We have heard the best speakers: they all fire off speeches which deal with the entire subject in general terms and which do not attempt to debate, to answer opponents' arguments or offer new points for discussion. And the speeches are constantly degenerating into empty rhetoric; they abound in quotations from well-known authors or from their own former speeches. ~ Beatrice Webb,
1110:the inerrancy of the Bible relates to the authors’ original intent, not necessarily to our interpretation of a passage. Moreover, the inerrancy of an author’s writing must be understood in accordance with the genre of literature the author was using and the culture the author was writing within. For example, we cannot say that an ancient author was incorrect in what he said just because he did not employ the same standard of precision we employ in our culture. ~ Gregory A Boyd,
1111:a quote on page 6 by a fellow named Charles Long, with whom the authors of The Pacific Crest Trail, Volume 1: California heartily agreed, that said, “How can a book describe the psychological factors a person must prepare for … the despair, the alienation, the anxiety and especially the pain, both physical and mental, which slices to the very heart of the hiker’s volition, which are the real things that must be planned for? No words can transmit those factors … ~ Cheryl Strayed,
1112:Books are the treasured wealth of the world and the fit inheritance of generations and nations. Books, the oldest and the best, stand naturally and rightfully on the shelves of every cottage. They have no cause of their own to plead, but while they enlighten and sustain the reader his common sense will not refuse them. Their authors are a natural and irresistible aristocracy in every society, and, more than kings or emperors, exert an influence on mankind. ~ Henry David Thoreau,
1113:I have learned patience, for sure. Pre-publication is a long waiting game, especially for authors of picture books. We write the manuscript, sign the contract, and wait. It takes a while for the art director to find an illustrator and then the illustrator works on the sketches, and depending on those first round of sketches, it could be a few more months before you see a final illustration. I was surprised at how long it takes for all the pieces to come together. ~ Renee Watson,
1114:In a paper he wrote in the spring of 1907, he began by exuding a joyful self-assurance about having neither the library nor the inclination to know what other theorists had written on the topic. “Other authors might have already clarified part of what I am going to say,” he wrote. “I felt I could dispense with doing a literature search (which would have been very troublesome for me), especially since there is good reason to hope that others will fill this gap. ~ Walter Isaacson,
1115:I was new and didn’t realize that brand new writers are treated like light bulbs; when one burns out, you can always buy more, screw the next one in, and it lights up just as bright. No, I am not being too harsh about how publishing treats new writers. If anything I’m toning it down. Sorry, for all you aspiring authors out there, but truth is truth, it is a hard business. Shine up the armor around your ego, harden your heart, keep your head down, and write. ~ Laurell K Hamilton,
1116:Read what is good, cram your imagination with nuanced characters and truth-telling authors, and you will know how to handle books that have questionable content. If you read Goudge and Tolkien and Chaim Potok and Chesterton, you will be equipped to evaluate a just-released novel that deals with more common modern discussions of sex or an ambiguous worldview. Because the soil of your imagination is rich in what is good, you will know how to deal with what isn’t. ~ Sarah Clarkson,
1117:Sometimes the fresh load of guests would turn up before we had got rid of the previous group, and the chaos was indescribable; the house and garden would be dotted with poets, authors, artists, and playwrights arguing, painting, drinking, typing, and composing. Far from being the ordinary, charming people that Larry had promised, they all turned out to be the most extraordinary eccentrics who were so highbrow that they had difficulty in understanding one another. ~ Gerald Durrell,
1118:The true history of the world must always be the history of the few; and as we measure the Himalaya by the height of Mount Everest, we must take the true measure of India from the poets of the Veda, the sages of the Upanishads, the founders of the Vedanta and Sankhya philosophies, and the authors of the oldest law-books, and not from the millions who are born and die in their villages, and who have never for one moment been roused out of their drowsy dream of life. ~ F Max M ller,
1119:Accordingly, since you cannot read all the books which you may possess, it is enough to possess only as many books as you can read. 4. "But," you reply, "I wish to dip first into one book and then into another." I tell you that it is the sign of an overnice appetite to toy with many dishes; for when they are manifold and varied, they cloy but do not nourish. So you should always read standard authors; and when you crave a change, fall back upon those whom you read before. ~ Seneca,
1120:Because of the earth’s roundness, Genghis Khan, in the fever of possession and destruction, hastened his own overthrow by invading lands that he had already razed and conquered. Not only is it impossible to know from where we come, but also from whom we come: nothing in common, in any case, with those who pass for being the “authors of our days” – which days? Better to invent a genealogy based on pure whim and the leanings of our hearts, but what if they don’t agree? ~ Andr Breton,
1121:Fear, anxiety, the terror of mortality—it must be a drag being right-wing. But despite that, in a multinational study, rightists were happier than leftists.42 Why? Perhaps it’s having simpler answers, unburdened by motivated correction. Or, as favored by the authors, because system justification allows conservatives to rationalize and be less discomfited by inequality. And as economic inequality rises, the happiness gap between the Right and the Left increases. ~ Robert M Sapolsky,
1122:If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries. These libraries should be open to all — except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors. For the Bill of Rights is the guardian of our security as well as our liberty. ~ John F Kennedy,
1123:I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me. ~ Guy Maddin,
1124:Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. The author is grateful for permission to use the following copyrighted material: American Prometheus, by Kai Bird and Martin J. Sherwin, 2005 Kai Bird and Martin J. Sherwin. Used by permission of Alfred A. Knopf, a division of Random House, Inc.; Unequal Childhoods: Class, Race, and Family Life, by Annette Lareau, ~ Malcolm Gladwell,
1125:No one wants to carry someone when they’re heavy from life. I read a book about that once. A bunch of drivel about two people who kept coming back to each other. The lead male says that to the girl he keeps letting get away. I had to put the book down. No one wants to carry someone when they’re heavy from life. It’s a concept smart authors feed to their readers. It’s slow poison; you make them believe it’s real, and it keeps them coming back for more. Love is cocaine. ~ Tarryn Fisher,
1126:His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything. ~ Hilary Mantel,
1127:One study of gynecology textbooks published between 1943 and 1972 bears this out. The authors found that many textbooks asserted that women could not experience orgasm during intercourse. One textbook writer observed, “sexual pleasure is entirely secondary or even absent” in women; another described women’s “almost universal frigidity.” Given such assumptions, it’s not surprising that women were counseled to fake orgasm; after all, they weren’t capable of real ones. ~ Michael S Kimmel,
1128:When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them. ~ Robin McKinley,
1129:Dictionaries, manuals, grammars, study guides and topic notes, classical authors and the entire book trade in de Viris, Quintus-Curtius, Sallust, and Livy peacefully crumbled to dust on the shelves of the old Hachette publishing house; but introductions to mathematics, textbooks on civil engineering, mechanics, physics, chemistry, astronomy, courses in commerce, finance, industrial arts- whatever concerned the market tendencies of the day - sold by the millions of copies. ~ Jules Verne,
1130:For instance, in a book entitled Mathematics and the Imagination (published in 1940) the authors, Edward Kasner and James Newman, introduced a number called the "googol," which is good and large and which was promptly taken up by writers of books and articles on popular mathematics.
Personally, I think it is an awful name, but the young child of one of the authors invented it, and what could a proud father do? Thus, we are afflicted forever with that baby-talk number. ~ Isaac Asimov,
1131:Always support younger writers, and do all you can to nourish that spirit of creativity, and original risk. The unique manner of literary innovation that younger writers may engage in, ultimately is priceless. Writers, poets and authors are the spokespersons for ours and the next generations. Support them, mentor them, protect them from the viciousness of popular opinion, which is generally nothing more than censorship wearing the cloak of righteous indignation. ~ Theresa Griffin Kennedy,
1132:Christian socialism”). This is a difficult concept for modern liberals to grasp because they are used to thinking of the progressives as the people who cleaned up the food supply, pushed through the eight hour workday, and ended child labor. But liberals often forget that the progressives were imperialists, at home and abroad. They were the authors of Prohibition, the Palmer Raids, eugenics, loyalty oaths, and, in its modern incarnation, what many call “state capitalism. ~ Jonah Goldberg,
1133:Rigorous extrapolation, a gosh-wow love of gadgets, and mystical adventures in strange and mysterious places; every major stream in speculative fiction today can be traced back to authors who were writing before the publishing categories existed. From among the readers in the twenties and thirties who loved any or all of these authors arose the first generation of "science fiction writers", who knew themselves to be continuing in a trail that had been blazed by giants. ~ Orson Scott Card,
1134:If you’re looking for other authors who’ll grab your attention and keep it, I’m happy to recommend the following: Blake Crouch’s Wayward Pines Series Robert Dugoni’s Tracy Crosswhite Series Kendra Elliot’s Bone Secrets Series Marcus Sakey’s Brilliance Trilogy T.R. Ragan’s Lizzy Gardner Series Barry Eisler’s John Rain Series Sean Chercover’s The Game Trilogy Alan Russell’s Gideon and Sirius Series And newly discovered Matthew FitzSimmons—I gave Matt a well-deserved blurb. ~ Andrew Peterson,
1135:When I became thoroughly acquainted with the Greek and Roman authors, I thought it incumbent upon me to do something towards the honor of the place of my nativity, and to vindicate the rhetoric of this ancient forum of our Metropolis from the aspersions of the illiterate by composing A Treatise of the Alercation of the Ancients; wherein I have demonstrated that the purity, sincerity, and simplicity of their diction is nowhere so well preserved as amongst my neighbourhood. ~ John Arbuthnot,
1136:Tis my humor as much to regard the form as the substance, and the advocate as much as the cause, as Alcibiades ordered we should: and every day pass away my time in reading authors without any consideration of their learning; their manner is what I look after, not their subject. And just so do I hunt after the conversation of any eminent wit, not that he may teach me, but that I may know him, and that knowing him, if I think him worthy of imitation, I may imitate him. ~ Michel de Montaigne,
1137:We may observe in humorous authors that the faults they chiefly ridicule have often a likeness in themselves. Cervantes had much of the knight-errant in him; Sir George Etherege was unconsciously the Fopling Flutter of his own satire; Goldsmith was the same hero to chambermaids, and coward to ladies that he has immortalized in his charming comedy; and the antiquarian frivolities of Jonathan Oldbuck had their resemblance in Jonathan Oldbuck's creator. ~ Edward Bulwer Lytton 1st Baron Lytton,
1138:We ought never to be afraid to repeat an ancient truth, when we feel that we can make it more striking by a neater turn, or bring it alongside of another truth, which may make it clearer, and thereby accumulate evidence. It belongs to the inventive faculty to see clearly the relative state of things, and to be able to place them in connection; but the discoveries of ages gone by belong less to their first authors than to those who make them practically useful to the world. ~ Luc de Clapiers,
1139:Isaac Bashevis Singer, who won the Nobel Prize in Literature, wrote across many genres, including children’s books. In an essay called “Why I Write for Children,” he explained the appeal. “Children read books, not reviews,” he wrote. “They don’t give a hoot about the critics.” And: “When a book is boring, they yawn openly, without any shame or fear of authority.” Best of all—and to the relief of authors everywhere—children “don’t expect their beloved writer to redeem humanity. ~ Steven D Levitt,
1140:It is particularly distressing that so many recent books on love continue to insist that definitions of love are unnecessary and meaningless. Or worse, the authors suggest love should mean something different to men than it does to women - that the sexes should respect and adapt to our inability to communicate since we do not share the same language. This type of literature is popular because it does not demand a change in fixed ways of thinking about gender roles, culture or love. ~ bell hooks,
1141:Oh, I cannot understand these points — absolutely I cannot. And the strangest, most unintelligible fact of all is that authors actually can select such occurrences for their subject! I confess this too to pass my comprehension, to -But no; I will say just that I do not understand it. In the first place, a course of the sort never benefits the country. And in the second place — in the second place, a course of the sort never benefits anything at all. I cannot divine the use of it. ~ Nikolai Gogol,
1142:Therefore, in reading profane authors, the admirable light of truth displayed in them should remind us, that the human mind, however much fallen and perverted from its original integrity, is still adorned and invested with admirable gifts from its Creator. If we reflect that the Spirit of God is the only fountain of truth, we will be careful, as we would avoid offering insult to him, not to reject or condemn truth wherever it appears. In
despising the gifts, we insult the Giver. ~ John Calvin,
1143:They will say that I, having no literary skill, cannot properly express that which I desire to treat of, but they do not know that my subjects are to be dealt with by experience rather than by words. And [experience] has been the mistress of those who wrote well. And so, as mistress, I will cite her in all cases. Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy: on experience, the mistress of their masters. ~ Leonardo da Vinci,
1144:A CEO of a very successful company told him that in the corporate world, to get the kind of high level expertise that was being given at Maui (Terry Brooks, Elizabeth George, John Saul, Dorothy Allison, Robin Cook, Frank McCourt, Dan Millman, etc. etc.) one would expect to pay tens of thousands of dollars.  And all these best-selling authors were getting was a plane ticket and a hotel room for their collective experiences and expertise. We believe writers should value their expertise.  ~ Bob Mayer,
1145:Well, writing novels is incredibly simple: an author sits down…and writes.

Granted, most writers I know are a bit strange.

Some, downright weird.

But then again, you’d have to be.

To spend hundreds and hundreds of hours sitting in front of a computer screen staring at lines of information is pretty tedious. More like a computer programmer. And no matter how cool the Matrix made looking at code seem, computer programmers are even weirder than authors. ~ Christopher Hopper,
1146:I have dear friends in South Carolina, folks who made my life there wonderful and meaningful. Two of my children were born there. South Carolina's governor awarded me the highest award for the arts in the state. I was inducted into the South Carolina Academy of Authors. I have lived and worked among the folks in Sumter, South Carolina, for so many years. South Carolina has been home, and to be honest, it was easier for me to define myself as a South Carolinian than even as an American. ~ Kwame Dawes,
1147:Did no one, any more, no one in all this wide world, change their record now and then? Was everyone nowadays thirled to a formula? Authors wrote so much to a pattern that their public expected it. The public talked about "a new Silas Weekly" or "a new Lavinia Fitch" exactly as they talked about "a new brick" or "a new hairbrush." They never said "a new book by" whoever it might be. Their interest was not in the book but in its newness. They knew quite well what the book would be like. ~ Josephine Tey,
1148:Reading Plutarch, he lost awareness of the gap in time that divided them—much bigger than the gap between Montaigne and us. It does not matter, he wrote, whether a person one loves has been dead for fifteen hundred years or, like his own father at the time, eighteen years. Both are equally remote; both are equally close. Montaigne’s merging of favorite authors with his own father says a lot about how he read: he took up books as if they were people, and welcomed them into his family. ~ Sarah Bakewell,
1149:Even allowing for the existence of discrimination in the criminal justice system, the higher rates of crime among black Americans cannot be denied,” wrote James Q. Wilson and Richard Herrnstein in their classic 1985 study, Crime and Human Nature. “Every study of crime using official data shows blacks to be overrepresented among persons arrested, convicted, and imprisoned for street crimes.” This was true decades before the authors put it to paper, and it remains the case decades later. ~ Jason L Riley,
1150:She rose from her bed full of new resolutions. ‘We must get out and about more,’ she told her startled mother. ‘We must try different things. We are getting groovy.’ She drew up a list of events and activities: concerts, day trips, public meetings. She went in a fit through her address book, writing letters to old friends. She borrowed novels from the library by authors who had never interested her before. She began to teach herself Esperanto, reciting phrases as she polished and swept. ~ Sarah Waters,
1151:Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities. ~ Lauren Willig,
1152:I confess to your Charity that I have learned to yield this respect and honour only to the canonical books of Scripture: of these alone do I most firmly believe that the authors were completely free from error. And if in these writings I am perplexed by anything which appears to me opposed to truth, I do not hesitate to suppose that either the manuscript is faulty, or the translator has not caught the meaning of what was said, or I myself have failed to understand it (Ibid., 82.1.3). ~ Norman L Geisler,
1153:I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior FBI-men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school. ... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering. ~ Ernest Hemingway,
1154:(Kate) had found multiple titles by individual authors scattered willy-nilly through the collection. It made her want to pull her hair out. Obviously!- an individual author's body of work all belonged on one shelf, the works arranged, in turn, by whatever system was most suitable: by volume number, alphabetically by title, or by the year of publication, or, in case of playwrights, works grouped by genre- tragedies with tragedies, comedies with comedies, histories with histories, and so on. ~ Gaelen Foley,
1155:The trajectory of Parker’s critical acceptance has often been charted far below that of her popular acclaim, a curious reversal of the situation of many other mid-twentieth-century writers, who are so often pushed to the front of the group by their very own personal critics, the authors looking a great deal like reluctant children, aware of their limitations, who are shoved onto the stage by aggressively solicitous parents eager for them to perform so that their own talents can be validated. ~ Dorothy Parker,
1156:Independent bookstore are a valuable asset to any city, town or village. They offer us the latest literary releases, a meeting point where authors share their work and meet new readers and fans. They offer us a rich ‘bookish’ environment in which to browse before we buy. I love to sip coffee and leaf through my new purchase. I can be sure that independent booksellers know their stock, they suggest new authors and broaden my reading. Along with public libraries they are key to our communities. ~ Lesley Thomson,
1157:In literary practices the idea of a single subject is also all-powerful. It is uncommon for books to be signed. The concept of plagiarism does not exist: it has been established that all works are the creation of one author, who is atemporal and anonymous. The critics often invent authors: they select two dissimilar works - the Tao Te Ching and the 1001 Nights, say - attribute them to the same writer and then determine most scrupulously the psychology of this interesting homme de lettres... ~ Jorge Luis Borges,
1158:I mean, what can you say about how you write books? What I mean is, first you’ve got to think of something, and when you’ve thought of it you’ve got to force yourself to sit down and write it. That’s all. It would have taken me just three minutes to explain that, and then the Talk would have been ended and everyone would have been very fed up. I can’t imagine why everybody is always so keen for authors to talk about writing. I should have thought it was an author’s business to write, not talk. ~ Agatha Christie,
1159:If you read no other work of what’s known as “cyberpunk” (which looks at the ever-thinner line between humans and machines), at least read the novel that began it all: William Gibson’s Neuromancer, which won every major science fiction award (the Nebula, the Hugo, and the Philip K. Dick award) in 1984, the year it was published. Gibson introduced words (including “cyberpunk” itself), themes, and a dystopic vision of the future that have been liberally reworked in the writings of many other authors. ~ Nancy Pearl,
1160:With a perversity of judgement, which must be attributed to his not having by Nature a very strong head, the Graces, the Spirit, the Sagacity, and the Perseverance, of the Villain of the Story outweighed all his absurdities and all his Atrocities with Sir Edward. With him, such Conduct was Genius, Fire and Feeling. It interested and inflamed him; and he was always more anxious for its Success and mourned over its Discomfitures with more Tenderness than could ever have been contemplated by the Authors. ~ Jane Austen,
1161:Of course, when you shut off your brain from rational analysis, any book is dangerous. Taking literally ancient parables from thousands of years ago is much more dangerous than playing with a loaded gun. Ancient scrawls, written by different authors in different centuries with different agendas--yeah, let's get mad literal about that.

The literalness problem is compounded in religion by the circular logic of not being allowed to question anything, or else you're lacking faith. ~ Bill Maher,
1162:The 1947 best-seller Modern Woman: The Lost Sex urged that spinsters be barred from teaching children on the grounds of “emotional incompetence.” It was the ultimate example of the pendulum swinging—instead of prohibiting the employment of married women as teachers, society now wanted marriage to be mandatory. “A great many children have unquestionably been damaged psychologically by the spinster teacher who cannot be an adequate model of a complete woman either for boys or girls,” the authors argued. ~ Gail Collins,
1163:automatic functions of System 1, but they depend on the allocation of some attention to the relevant stimulus. The authors note that the most remarkable observation of their study is that people find its results very surprising. Indeed, the viewers who fail to see the gorilla are initially sure that it was not there—they cannot imagine missing such a striking event. The gorilla study illustrates two important facts about our minds: we can be blind to the obvious, and we are also blind to our blindness. ~ Daniel Kahneman,
1164:Preserve the core, and let the rest flux. In their wonderful bestseller Built to Last, authors James Collins and Jerry Porras make a convincing argument that long-lived companies are able to thrive 50 years or more by retaining a very small heart of unchanging values, and then stimulating progress in everything else. At times "everything" includes changing the business the company operates in, migrating, say, from mining to insurance. Outside the core of values, nothing should be exempt from flux. Nothing. ~ Kevin Kelly,
1165:The term “evangelist” is based on the Greek word for “gospel,” which means “news.” As evangelists, the authors of the gospels proclaimed the “news” about Jesus in and for their time and place. The word “news” suggests updating. They proclaimed Jesus for their “now” by updating the story of Jesus “then.” They combined proclamation of Jesus for their now with their memory of Jesus then. In this, they did what any good Christian preacher, teacher, or theologian does—tells us what Jesus then means for us now. ~ Marcus J Borg,
1166:What I find most mystifying in the arguments of the authors I have mentioned, and of others like them, is the strange presupposition that a truly secular society would of its nature be more tolerant and less prone to violence than any society shaped by any form of faith. Given that the modern age of secular governance has been the most savagely and sublimely violent period in human history, by a factor (or body count) of incalculable magnitude, it is hard to identify the grounds for their confidence. ~ David Bentley Hart,
1167:Schemes to lower the planet’s temperature and dodge devastating effects of climate change are still too immature, risky and costly to try now, the studies assert. But scientists should keep working on those plans, the authors say. The two main plans are to suck planet-warming carbon dioxide out of the air and — the dicier option — to shield the globe from sunlight by reflecting it back into space. Each plan is reviewed in a separate report by the National Research Council, which advises the federal government. ~ Anonymous,
1168:To what extent are we the authors, the creators of our own experiences? How much are these predetermined by the brains or senses we are born with, and to what extent do we shape our brains through experience? The effects of a profound perceptual deprivation such as blindness may cast an unexpected light on these questions. Going blind, especially later in life, presents one with a huge, potentially overwhelming challenge: to find a new way of living, of ordering one's world, when the old has been destroyed. ~ Oliver Sacks,
1169:All of us are writers reading other people's writing, turning pages or clicking to the next screen with pleasure and admiration. All of us absorb other people's words, feeling like we have gotten to know the authors personally in our own ways, even if just a tiny bit. True, we may also harbor jealousy or resentment, disbelief or disappointment. We may wish we had written those words ourselves or berate ourselves for knowing we never could or sigh with relief that we didn't, but thank goodness someone else has. ~ Pamela Paul,
1170:I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. . . . I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. . . . True miracles are the ones whose makers will never be known. . . . ~ Elena Ferrante,
1171:NINETEENTH-CENTURY AUTHORS TENDED TO INTERPRET history as a progression from savagery to civilization. Key hallmarks of this transition included the development of agriculture, metallurgy, complex technology, centralized government, and writing. Of these, writing was traditionally the one most restricted geographically: until the expansions of Islam and of colonial Europeans, it was absent from Australia, Pacific islands, subequatorial Africa, and the whole New World except for a small part of Mesoamerica. As ~ Jared Diamond,
1172:I see that you are indifferent about money, which is a characteristic rather of those who have inherited their fortunes than of those who have acquired them; the makers of fortunes have a second love of money as a creation of their own, resembling the affection of authors for their own poems, or of parents for their children, besides that natural love of it for the sake of use and profit which is common to them and all men. And hence they are very bad company, for they can talk about nothing but the praises of wealth. ~ Plato,
1173:The authors, academics from Northeastern University, Harvard University, and the University of Houston, concluded that Google Flu Trends had wildly overestimated the number of flu cases in the United States for more than two years. The article, “The Parable of Google Flu: Traps in Big Data Analysis,” concluded that the errors were, at least in part, due to the decisions made by GFT engineers about what to include in their models—mistakes the academics dubbed “algorithmic dynamics” and “big data hubris. ~ Clayton M Christensen,
1174:The freedoms we have in Russia are just leftovers. Freedom of travel, which was completely nonexistent in the Soviet Union; artistic freedom - so far, that's doing fine too, virtually everything can be published. Although with some books that are too edgy politically, or are especially undesirable, the authors are already running into difficulties. Theaters that produce provocative plays, or clubs that host undesirable events often find themselves on the receiving end of fire safety inspections and fines. ~ Vladimir Voinovich,
1175:But Christian illiteracy is only the first part of the crisis. Even more seriously, even for those who think they speak “Christian” fluently, the faith itself is often misunderstood and distorted by many to whom it is seemingly very familiar. They think they are speaking the language as it has always been understood, but what they mean by the words and concepts is so different from what these things have meant historically, that they would have trouble communicating with the very authors of the past they honor. ~ Marcus J Borg,
1176:Whatever we may say against collections, which present authors in a disjointed form, they nevertheless bring about many excellent results. We are not always so composed, so full of wisdom, that we are able to take in at once the whole scope of a work according to its merits. Do we not mark in a book passages which seem to have a direct reference to ourselves? Young people especially, who have failed in acquiring a complete cultivation of mind, are roused in a praiseworthy way by brilliant passages. ~ Johann Wolfgang von Goethe,
1177:I wish that one would be persuaded that psychological experiments, especially those on the complex functions, are not improved [by large studies]; the statistical method gives only mediocre results; some recent examples demonstrate that. The American authors, who love to do things big, often publish experiments that have been conducted on hundreds and thousands of people; they instinctively obey the prejudice that the persuasiveness of a work is proportional to the number of observations. This is only an illusion. ~ Alfred Binet,
1178:Unlike the authors of such warrior classics as The Art of War and The Book of the Five Rings, which accept the inevitability of war and emphasize cunning strategy as a means to victory, Morihei understood that continued fighting-with others, with ourselves, and with the environment-will ruin the earth. “The world will continue to change dramatically, but fighting and war can destroy us utterly. What we need now are techniques of harmony, not those of contention. The Art of Peace is required, not the Art of War. ~ Morihei Ueshiba,
1179:I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles. ~ Deborah Reber,
1180:I come from a nation where fantastic fiction has a very low status, unless it fits into some very specific categories or is written by already established authors. I don't by any means try to hide what I write, but the way people think in categories here is pretty extreme: it blots out discussing the actual work on its own terms. That's made me loath to talk about my own work in terms of genre, because once you get a label, it sticks and poof go a slew of potential readers and reviewers because eww, fantasy cooties. ~ Karin Tidbeck,
1181:I wish to put together an imaginary nation. It is my belief that no other nation is possible, or rather, I believe that authors who count take responsibility for a map which is addressed to travellers of the earth, the world, and the spirit. Each issue is composed as a map of this land and this glory, images of our cities and of our politics must join our poetry. I want a nation in which discourse is active and scholarship is understood as it should be, the mode of our understanding and the ground of our derivations. ~ Robin Blaser,
1182:The relation between the provocative idea and the accident may be more or less direct, but it exists always. We should, however, establish the fact that the patient often, in his normal state, knows nothing of this provocative idea, which is not clearly found again except during the periods, natural or provoked, of the second state, and it is precisely to their isolation that these ideas owe their power. The patient is cured, say these authors, when he succeeds in finding again the clear consciousness of his fixed idea. ~ Anonymous,
1183:Any subsidiary vaults and structural extensions assume the shape of a cross, the ultimate symbol of reconciliation and transfiguration (especially from the sixth-century reign of Justinian). The same iconographic pattern is extended and applies to the Evangelists, or authors of the four Gospels, who are depicted above the four columns supporting the church’s dome, as well as to Saint John the Baptist, or Forerunner, who is portrayed on the icon screen, always turned toward and pointing to Jesus. THE ~ Bartholomew I of Constantinople,
1184:What the Latins have done in this text (1 John v, 7) the Greeks have done to Paul (1 Tim. iii, 16). They now read, "Great is the mystery of godliness; God manifest in the flesh"; whereas all the churches for the first four or five hundred years, and the authors of all the ancient versions, Jerome as well as the rest, read, "Great is the mystery of godliness, which was manifest in the flesh." Our English version makes it yet a little stronger. It reads, "Great is the mystery of godliness: God was manifest in the flesh." ~ Isaac Newton,
1185:When I was thinking about How Poetry Saved My Life entering the “big literary world” I more so viewed it as sub genre or an underdog book because there are still comparatively so few books about sex work, especially from authors who once worked street, like I have. Disclosing to working street-level sex work still feels risky to me. Apart from Runaway by Evelyn Lau (published in 1989) I have yet to read a first person memoir about street work. More of these stories must be out there—perhaps I just haven’t found them yet. ~ Amber Dawn,
1186:From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words. ~ Lewis H Lapham,
1187:I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author. ~ Steven Tyler,
1188:I am not one of those churlish authors, who do so enwrap their works in the mystic fogs of scientific jargon, that a man must be as wise as themselves to understand their writings; on the contrary, my pages, though abounding with sound wisdom and profound erudition, shall be written with such pleasant and urbane perspicuity, that there shall not even be found a country justice, an outward alderman, or a member of congress, provided he can read with tolerable fluency, but shall both understand and profit by my labours. ~ Washington Irving,
1189:I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally. ~ Rachel Kushner,
1190:So I took up those poems with which they seemed to have taken most trouble and asked them what they meant, in order that I might at the same time learn something from them. I am ashamed to tell you the truth, gentlemen, but I must. Almost all the bystanders might have explained the poems better than their authors could. I soon realized that poets do not compose their poems with knowledge, but by some inborn talent and by inspiration, like seers and prophets who also say many fine things without any understanding of what they say. ~ Plato,
1191:It has been said that all the stories have already been told, that there is nothing left to say. At best, a writer’s job is to pour new wine in old bottles, to retell in a new way the same emotional predicaments that humans have felt since the beginnings of time. Yet many authors find this a worthwhile challenge; they think of themselves as gardeners whose task is to cultivate perennial ideas generation after generation. The same flowers will bloom each spring, but if the gardener slacks off, weeds will take over. ~ Mihaly Csikszentmihalyi,
1192:There are three great taboos in textbook publishing,” an editor at one of the biggest houses told me, “sex, religion, and social class.” While I had been able to guess the first two, the third floored me. Sociologists know the importance of social class, after all. Reviewing American history textbooks convinced me that this editor was right, however. The notion that opportunity might be unequal in America, that not everyone has “the power to rise in the world,” is anathema to textbook authors, and to many teachers as well. ~ James W Loewen,
1193:Instead, these findings suggest that the amygdala injects implicit distrust and vigilance into social decision making.23 All thanks to learning. In the words of the authors of the study, “The generosity in the trust game of our BLA-damaged subjects might be considered pathological altruism, in the sense that inborn altruistic behaviors have not, due to BLA damage, been un-learned through negative social experience.” In other words, the default state is to trust, and what the amygdala does is learn vigilance and distrust. ~ Robert M Sapolsky,
1194:I understand now that all those antique essays and stories with which I was to compare my own work were not magnificent for their datedness or foreignness, but for saying precisely what their authors meant them to say. My teachers wished me to write accurately, always selecting the most effective words, and relating the words to one another unambiguously, rigidly, like parts of a machine. The teachers did not want to turn me into an Englishman after all. They hoped that I would become understandable—and therefore understood. ~ Kurt Vonnegut,
1195:Taking ideas seriously does not fit with the rhetorical style of textbooks, which presents events so as to make them seem foreordained along a line of constant progress. Including ideas would make history contingent: things could go either way, and have on occasion. The 'right' people, armed with the 'right' ideas, have not always won. When they didn't, the authors would be in the embarrassing position of having to disapprove of an outcome in the past. Including ideas would introduce uncertainty. This is not textbook style. ~ James W Loewen,
1196:For them (the peoples of the Soviet Union) We cherish the warmest paternal affection. We are well aware that not a few of them groan beneath the yoke imposed on them by men who in very large part are strangers to the real interests of the country. We recognize that many others were deceived by fallacious hopes. We blame only the system with its authors and abettors who considered Russia the best field for experimenting with a plan elaborated years ago, and who from there continue to spread it from one of the world to the other. ~ Pope Pius XI,
1197:I'm grateful to my readers. Readers who buy and support authors, especially career authors, are the patrons who fund art, genius, innovation, and creativity. Out of all the books published, there will emerge the next Plato, Socrates, Einstein, Da Vinci, Shakespeare, Benjamin Franklin, Edison, Churchill, Tolstoy, and Tolkien. My readers help with my creative process because they help create the positive and supportive environment that allows me to keep writing the books and series my readers love. Thank You!" - Kailin Gow, Strong. ~ Kailin Gow,
1198:A bad review – or several— is, of course, one of the unavoidable pitfalls of being published.Some authors cry. Others get drunk. Most get mad. A few take it in stride, or at least, pretend to. After all, it’s our book someone just skewered...In the end even a bad review is still a review. It means someone cared enough to take the time to say: Hey, this sucks... Buy a DVD instead...So, how did I deal with bad reviews? How else? I cry. I get mad. I pretend not to care. Then I pour myself a glass of wine and call a friend to complain. ~ C W Gortner,
1199:So long as the mental and moral instruction of man is left solely in the hands of hired servants of the public--let them be teachers of religion, professors of colleges, authors of books, or editors of journals or periodical publications, dependent upon their literary incomes for their daily bread, so long shall we hear but half the truth; and well if we hear so much. Our teachers, political, scientific, moral, or religious; our writers, grave or gay, are compelled to administer to our prejudices and to perpetuate our ignorance. ~ Frances Wright,
1200:...I is another. If the brass wakes the trumpet, it’s not its fault. That’s obvious to me: I witness the unfolding of my own thought: I watch it, I hear it: I make a stroke with the bow: the symphony begins in the depths, or springs with a bound onto the stage. If the old imbeciles hadn’t discovered only the false significance of Self, we wouldn’t have to now sweep away those millions of skeletons which have been piling up the products of their one-eyed intellect since time immemorial, and claiming themselves to be their authors! ~ Arthur Rimbaud,
1201:One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest. ~ T S Eliot,
1202:There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature. They are like gigantic trees that we sometimes see on the banks of a stream; which, by their vast and deep roots, penetrating through the mere surface, and laying hold on the very foundations of the earth, preserve the soil around them from being swept away by the ever-flowing current, and hold up many a neighboring plant, and perhaps worthless weed, to perpetuity. ~ Washington Irving,
1203:Going by Dr. Marriott's description, Zoe imagined it to be small and elegant as she peered into dozens of shelves, rummaging through the contents. There were globes and charts and atlases, pocket watches and hand-painted Indian silk, gold-plated cutlery, litter coffers of spice, inlaid combs, silver fasteners, trinket boxes, blown-glass figurines, turn-of-the-century postcards with foreign stamps, and portraits of Victorian authors in elaborate frames. But nowhere did she discover a stone of any kind, with or without runes. ~ Christine Brodien Jones,
1204:The U.S. Conference of Catholic Bishops had authorized the study.92 It concluded that 95 percent of American dioceses had at least one complaint of a sexual assault by a priest against a minor (the authors did not count incidents before 1950).93 During the five-plus decades, 4,392 priests had been accused of abusing 10,667 children, a figure that in some years was as high as 10 percent of all priests.94 At least 143 were serial molesters who carried out their attacks in multiple dioceses.95 Four out of five victims were minor boys.96 ~ Gerald Posner,
1205:I is another. If the brass wakes the trumpet, it’s not its fault. That’s obvious to me: I witness the unfolding of my own thought: I watch it, I hear it: I make a stroke with the bow: the symphony begins in the depths, or springs with a bound onto the stage.

If the old imbeciles hadn’t discovered only the false significance of Self, we wouldn’t have to now sweep away those millions of skeletons which have been piling up the products of their one-eyed intellect since time immemorial, and claiming themselves to be their authors! ~ Arthur Rimbaud,
1206:What kind of authors do you like?" I asked, speaking in respectful tones to this man two years my senior. "Balzac, Dante, Joseph Conrad, Dickens," he answered without hesitation. "Not exactly fashionable."
"That's why I read them. If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that. Haven't you noticed, Watanabe? You and I are the only real ones in this dorm. The other guys are crap. ~ Haruki Murakami,
1207:The theme of willful self-creation is especially strong in the writings of Black women.80 The fiction of authors such as Zora Neale Hurston, Toni Morrison, and Alice Walker revolves around Black female characters who learn to invent themselves after breaking out of the confines of racist and sexist expectations. Black women’s autobiographical accounts also describe the process of self-creation, exemplified by Patricia Williams’s statement, “I am brown by my own invention.… One day I will give birth to myself, lonely but possessed.”81 ~ Dorothy Roberts,
1208:What does the name of an author on the jacket matter? Let us move forward in thought to three thousand years from now. Who knows which books from our period will be saved, and who knows which authors’ names will be remembered? Some books will remain famous but will be considered anonymous works, as for us the epic of Gilgamesh; other authors’ names will still be well know, but none of their works will survive, as was the case with Socrates; or perhaps all the surviving books will be attributed to a single, mysterious author, like Homer. ~ Italo Calvino,
1209:God had to accommodate his self-revelation to the spiritual state and cultural conditioning of his people in the ages leading up to Christ. Only gradually could God change people’s hearts and minds so that they could receive more and more truth about his true character and about his ideal will for them. And whenever God’s people have come to understand more about his true character and will, they have always been able to look back and find divinely intended meanings in earlier writings that the original authors could not have perceived. ~ Gregory A Boyd,
1210:Be careful, however, lest this reading of many authors and books of every sort may tend to make you discursive and unsteady. You must linger among a limited number of master thinkers, and digest their works, if you would derive ideas which shall win firm hold in your mind. Everywhere means nowhere. When a person spends all his time in foreign travel, he ends by having many acquaintances, but no friends. And the same thing must hold true of men who seek intimate acquaintance with no single author, but visit them all in a hasty and hurried manner. ~ Seneca,
1211:If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries. These libraries should be open to all—except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors. For the Bill of Rights is the guardian of our security as well as our liberty.

[Response to questionnaire in Saturday Review, October 29 1960] ~ John F Kennedy,
1212:Many accepted authors simply do not exist for me. Their names are engraved on empty graves, their books are dummies, they are complete nonentities insofar as my taste in reading is concerned. Brecht, Faulkner, Camus, many others, mean absolutely nothing to me, and I must fight a suspicion of conspiracy against my brain when I see blandly accepted as “great literature” by critics and fellow authors Lady Chatterley's copulations or the pretentious nonsense of Mr. Pound, that total fake. I note he has replaced Dr. Schweitzer in some homes. ~ Vladimir Nabokov,
1213:Others have questions about how it is that God and human beings can both be speaking through the one document such that you can see and read the personalities of the human authors with their individual vocabularies and literary genres, and yet this is nevertheless the word of God. How can that be? This is quite a contrast with Islam, for example, which holds that the Koran has been dictated in Arabic by God and as a result Mohammed is nothing more than the one who memorizes the word so as to pass it on. There is nothing of human contribution. ~ D A Carson,
1214:much of the Bible is not systematically evil but just plain weird, as you would expect of a chaotically cobbled-together anthology of disjointed documents, composed, revised, translated, distorted and ‘improved’ by hundreds of anonymous authors, editors and copyists, unknown to us and mostly unknown to each other, spanning nine centuries.90 This may explain some of the sheer strangeness of the Bible. But unfortunately it is this same weird volume that religious zealots hold up to us as the inerrant source of our morals and rules for living. ~ Richard Dawkins,
1215:The grand-scale battle, with tens of thousands of soldiers fighting, cursing, trembling, falling, screaming in agony, dying, all in a spectacle covering an amphitheater-like field -- this dramatic epitome of war is the chief source of the enduring fascination of military history. The thirst to experience vicariously the intense emotions of battle goes far to explain why books of military history are written and read, however much their authors and readers may profess higher concerns about removing or at least palliating the scourge of war. ~ Russell F Weigley,
1216:The great writers have always been great readers, but that does not mean that they read all the books that, in their day, were listed as the indispensable ones. In many cases, they read fewer books than are now required in most of our colleges, but what they did read, they read well. Because they had mastered these books, they became peers with their authors. They were entitled to become authorities in their own right. In the natural course of events, a good student frequently becomes a teacher, and so, too, a good reader becomes an author. ~ Mortimer J Adler,
1217:This was the sort of situation that she read about in the novels she favored, by authors such as Miss Jane Austen, whom Margaret was sure she’d met long ago at the Assembly Rooms the first time we visited Lyme. One of Miss Austen’s books had even featured Lyme Regis, but I did not read fiction and could not be persuaded to try it. Life itself was far messier and didn’t end so tidily with the heroine making the right match. We Philpot sisters were the very embodiment of that frayed life. I did not need novels to remind me of what I had missed. ~ Tracy Chevalier,
1218:you need to be designing your own writing improvement program. One way to do that is with a Writing Improvement Notebook. Here are the sections I have in mine: 1. EXEMPLARS Start with the authors you admire, the ones whose novels do the most for you. Find several paragraphs or pages in their books that really sing. Make copies of these outstanding pages, and put them in this section. Every now and again turn to one of these examples and write it out, word for word. Next, read the words out loud. The idea is not to try to become an exact copy ~ James Scott Bell,
1219:37. 'But more potent forces motivated these subsequent authors as well. Across cultures and eras, the two greatest powers behind the production and dissemination of knowledge - which is to say, its CONTROL - have been RELIGIOUS AUTHORITIES and THE STATE, and one or the other typically provided both the financial means and the ideological ends for compendium projects'. Against the backdrop of this quote, why is it important to devise your own opinion on every subject, having previously conducted your own private investigation? Discuss at length. ~ Kathryn Schulz,
1220:Economists at Standard & Poor’s Ratings Services are the authors of the straightforwardly titled “How Increasing Inequality is Dampening U.S. Economic Growth, and Possible Ways to Change the Tide.” The fact that S.&P., an apolitical organization that aims to produce reliable research for bond investors and others, is raising alarms about the risks that emerge from income inequality is a small but important sign of how a debate that has been largely confined to the academic world and left-of-center political circles is becoming more mainstream. ~ Anonymous,
1221:Like everyone else, I have my black list of unfavorite authors and critics, and among intimate friends I sometimes say exactly what I think of them, but I have the feeling that to express my opinions publicly would be in bad taste, that, to people whom one does not know personally, one should speak only of the authors and critics one is fond of. I find reading savage reviews like reading pornography; though I often enjoy them, I feel a bit ashamed of myself for doing so. Still, I must admit that I find Nietzsche's list of his "impracticals" great fun. ~ W H Auden,
1222:The biblical authors wrote of God's sovereignty over His world, and of man's experiences within that world, using such modes of speech about the natural order and human experience as were current in their days, and in a language that was common to themselves and their contemporaries. This is saying no more than that they wrote to be understood. Their picture of the world and things in it is not put forward as normative for later science, andy more than their use of Hebrew and Greek is put forward as a perfect model for composition in these languages. ~ J I Packer,
1223:Calvin is the founder of modern grammatico-historical exegesis. He affirmed and carried out the sound and fundamental hermeneutical principle that the biblical authors, like all sensible writers, wished to convey to their readers one definite thought in words which they could understand. A passage may have a literal or a figurative sense, but cannot have two senses at once. The word of God is inexhaustible and applicable to all times; but there is a difference between explanation and application, and application must be consistent with explanation. ~ Philip Schaff,
1224:Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen. ~ F Scott Fitzgerald,
1225:Charity is Equal Opportunity. Anyone who wishes to give should be allowed to give. I once came upon an author hosting a charitable event who wouldn't allowed certain authors to participate in the event. Only the authors she wished to be associated with so she can ride on their coattails were allowed to participate. This is not charity. It builds resentment towards the charity she was supposedly representing. She became a NY Times bestselling author because of that association, but is it worth the deceit to get there? - Strong by Kailin Gow on Charities ~ Kailin Gow,
1226:It is this urge that resonates in Toni Morrison’s Song of Solomon and Beloved, and in Walker’s depiction of Hurston as our prime symbol of “racial health”—a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature.” In a tradition in which male authors have ardently denied black literary paternity, this is a major development, one that heralds the refinement of our notion of tradition: Zora and her daughters are a tradition-within-the-tradition, a black woman’s voice. ~ Zora Neale Hurston,
1227:A lot of attention has been paid in Latin America to the new generation of nonfiction writers, authors like Julio Villanueva Chang, Diego Osorno, Cristóbal Peña, Gabriela Wiener, Leila Guerriero, Cristian Alarcón, among others. These are writers doing important, groundbreaking work. So the talent is there, as is the habit of radio listenership, and what we propose to do is unite the two. We want to have these immensely gifted journalists - men and women who've already revitalized the long-form narrative - we want them to tell their stories in sound. ~ Daniel Alarcon,
1228:The damage caused by overconfident CEOs is compounded when the business press anoints them as celebrities; the evidence indicates that prestigious press awards to the CEO are costly to stockholders. The authors write, “We find that firms with award-winning CEOs subsequently underperform, in terms both of stock and of operating performance. At the same time, CEO compensation increases, CEOs spend more time on activities outside the company such as writing books and sitting on outside boards, and they are more likely to engage in earnings management. ~ Daniel Kahneman,
1229:Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.

Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen. ~ F Scott Fitzgerald,
1230:One of the most commonly used American history textbooks is The Americans: Reconstruction to the 21st Century. A thousand-page volume, published by Holt McDougal, a division of the publishing giant Houghton Mifflin Harcourt, it lists several well-respected professors as authors and editors. The 2012 edition has this to say about residential segregation in the North: “African Americans found themselves forced into segregated neighborhoods.” That’s it. One passive voice sentence. No suggestion of who might have done the forcing or how it was implemented. ~ Richard Rothstein,
1231:I liked my students, who were often so eager, bright, and enthusiastic that it took me years to notice how much trouble they had in reading a fairly simple short story. Almost simultaneously, I was struck by how little attention they had been taught to pay to the language, to the actual words and sentences that a writer had used. Instead, they had been encouraged to form strong, critical, and often negative opinions of geniuses who had been read with delight for centuries before they were born. They had been instructed to prosecute or defend these authors, ~ Francine Prose,
1232:"Spirituality" in business sounds lofty. How practical is it? The answer is "very." There's a fundamental way in which Spirit and consciousness contribute to worldly success-and it has long been ignored. [. . .] As experts, authors and gurus often note, the game of business is to influence the external world. But here's the point: How can you control your environment if you can't even manage your own thoughts and emotions? In other words, how do you rule the world without first mastering yourself? The cornerstone of effective leadership is self-mastery. ~ Patricia Aburdene,
1233:I think they call it a reader convention. From what I can tell, a couple hundred sex-starved women get together with a lot of alcohol and chocolate and authors sell them books about more sex-starved women as sad-sack, obviously gay men walk around in very little clothing. No straight man would dress up in chaps when he isn’t working on a ranch. Really, it’s disturbing.”
Ian grinned. “I’m sending him in as a cover model to the convention Serena is scheduled to appear at next month. God, I hope this case is still going by then.”
“I’ll die first,” Liam vowed. ~ Lexi Blake,
1234:From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words."
- from Harper's Notebook, November 2010 ~ Lewis H Lapham,
1235:I have noticed that in books this sort of stalemate never seems to occur; the authors are so anxious to move their stories forward (however wooden they may be, advancing like market carts with squeaking wheels that are never still, though they go only to dusty villages where the charm of the country is lost and the pleasures of the city will never be found) that there are no such misunderstandings, no refusals to negotiate. The assassin who holds a dagger to his victim's neck is eager to discuss the whole matter, and at any length the victim or the author may wish. ~ Gene Wolfe,
1236:Book burning is a charming old custom, hallowed by antiquity. It has been practiced for centuries by fascists, communists, atheists, school children, rival authors, and tired librarians. Like everything of importance since the invention of the cloak and the shroud, its origins are cloaked in mystery and shrouded in secrecy. Some scholars believe that the first instance of book burning occurred in the Middle Ages, when a monk was trying to illuminate a manuscript. All agree that book burning was almost non-existent during the period when books were made of stone. ~ Richard Armour,
1237:They’re still there,” Salon said. “Not in Agarttha, but in tunnels. Perhaps beneath us, right here. Milan, too, has a metro. Who decided on it? Who directed the excavations?” “Expert engineers, I’d say.” “Yes, cover your eyes with your hands. And meanwhile, in that firm of yours, you publish such books ... How many Jews are there among your authors?” “We don’t ask our authors to fill out racial forms,” I replied stiffly. “You mustn’t think me an anti-Semite. No, some of my best friends ... I have in mind a certain kind of Jew....” “What kind?” “I know what kind.... ~ Umberto Eco,
1238:The economists Ulrike Malmendier and Geoffrey Tate identified optimistic CEOs by the amount of company stock that they owned personally and observed that highly optimistic leaders took excessive risks. They assumed debt rather than issue equity and were more likely than others to “overpay for target companies and undertake value-destroying mergers.” Remarkably, the stock of the acquiring company suffered substantially more in mergers if the CEO was overly optimistic by the authors’ measure. The stock market is apparently able to identify overconfident CEOs. This ~ Daniel Kahneman,
1239:The thing that helps me do a good job is that I don't feel the need to explain everything about the world to my reader. I'm not writing a history text on the Four Corners. I'm telling a story that's set there. The setting belongs in the background for the most part, and it's easy for fantasy authors to forget that. That's one of the unfortunate parts of Tolkien's legacy, in my opinion. Read the first hundred pages of the Fellowship of the Ring and you start to get pissed, "Shut up about the Shire's museums! Isn't the world supposed to be in peril or something?" ~ Patrick Rothfuss,
1240:Writing is a habit, an addiction, as powerful and overmastering an urge as putting a bottle to your lips or a spike in your arm. Call it the impulse to make something out of nothing, call it an obsessive-compulsive disorder, call it logorrhea. Have you been in a bookstore lately? Have you seen what these authors are doing, the mountainous piles of the flakes of themselves they're leaving behind, like the neatly labeled jars of shit, piss, and toenail clippings one of John Barth's characters bequeathed to his wife, the ultimate expression of his deepest self? ~ T Coraghessan Boyle,
1241:For the first time in her life, she read voraciously. Anything that was on Joe's bookshelves she considered to have a worthy seal of approval. She tried authors she'd never heard of and authors she'd always meant to read. Every now and then she read passages twice, three times even, enjoying the wordcraft, the drama - but imagining that Joe had liked the book and wondering when he might be back and if there would be dinners they could share to discuss books they'd both read. [...] Tess was well aware it was escapiscm but what a way to pass another evening on her own. ~ Freya North,
1242:In examining the income gap between black and white adults—it is well established that blacks earn significantly less—scholars have found that the gap is virtually eradicated if the blacks’ lower eighth-grade test scores are taken into account. In other words, the black-white income gap is largely a product of a black-white education gap that could have been observed many years earlier. “Reducing the black-white test score gap,” wrote the authors of one study, “would do more to promote racial equality than any other strategy that commands broad political support. ~ Steven D Levitt,
1243:Learning the craft as an actor in Los Angeles is a very hard thing to do, in my opinion. We all come from a certain world and when you start learning the craft, you need material to read/study that you can relate to. We do not have too many Latino writers on the West Coast that I was able to relate to (or at least, I didn't know at the time). I came from the streets, so the most published authors had no relation to my world. As soon as I picked up Pinero & Guirgis, it was all over. It was my world, just in a different location. They cracked me open inside and out. ~ Richard Cabral,
1244:The ordinary writer has an unmistakable preference for this style, because it causes the reader to spend time and trouble in understanding that which he would have understood in a moment without it; and this makes it look as though the writer had more depth and intelligence than the reader. This is, indeed, one of those artifices referred to above, by means of which mediocre authors unconsciously, and as it were by instinct, strive to conceal their poverty of thought and give an appearance of the opposite. their ingenuity in this respect is really astounding. ~ Arthur Schopenhauer,
1245:A lot of the time our ideas about what it would mean to live successfully are not our own. They’re sucked in from other people. And we also suck in messages from everything from the television to advertising to marketing. . . . We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions. Because it’s bad enough not getting what you want, but it’s even worse to have an idea of what it is you want and find out at the end of the journey that it isn’t, in fact, what you wanted all along. —Alain de Botton philosopher ~ Kathryn Petras,
1246:In 1970 he was hailed on a Time magazine cover as the "Paul Revere of ecology." A year later he published The Closing Circle, an impassioned book that warned of the dangers of environmental pollution. In 1972 the Club of Rome, a loose association of scientists, technocrats, and politicians, produced The Limits to Growth. Employing computers to test economic models, the authors concluded that the world would self-destruct by the end of the century unless planners figured out ways to limit population and industrial growth and to expand supplies of food and energy. ~ James T Patterson,
1247:I was an aspiring writer 15 years ago (I was a zygote. Honest). Since then, the business has changed so dramatically that I hesitate to give advice. But one thing remains constant: the importance of developing your own strong and unique voice. A fresh new voice can electrify readers! Also, I'd do a gut check at the outset of your journey, because this is a tough gig. If you decide to forge ahead, cultivate friendships with other authors who can empathize with the unique ups and downs of this occupation. I don't know what I would have done without my friends' support. ~ Kresley Cole,
1248:The novel constitutes the milieu of perversion, par excellence, of all sensibility; it detaches the soul from all that is immediate and natural in feeling and leafs it into an imaginary world of sentiments violent in proportion to their unreality, and less controlled by the gentle laws of nature; 'The existence of so many authors has produced a host of readers, and continued reading generates every nervous complaint; perhaps of all the causes that have harmed women's health, the principal one has been the infinite multiplication of novels in the last hundred years. ~ Michel Foucalt,
1249:Everything is interconnected. My readings of classical authors, who never speaks of sunsets, have made many sunsets intelligible to me, in all their colors. There is a relationship between syntactical competence, by which we distinguish the values of beings, sounds and shapes, and the capacity to perceive when the blue of the sky is actually green, and how much yellow is in the blue green of the sky. It comes down to the same thing - the capacity to distinguish and to discriminate. There is no enduring emotion without syntax. Immortality depends of the grammarians. ~ Fernando Pessoa,
1250:How can we be “free” as conscious agents if everything that we consciously intend is caused by events in our brain that we do not intend and of which we are entirely unaware? We can’t. To say that “my brain” decided to think or act in a particular way, whether consciously or not, and that this is the basis for my freedom, is to ignore the very source of our belief in free will: the feeling of conscious agency. People feel that they are the authors of their thoughts and actions, and this is the only reason why there seems to be a problem of free will worth talking about. ~ Sam Harris,
1251:The Bible became the book of books, but it is not one document. It is a mystical library of interwoven texts by unknown authors who wrote and edited at different times with widely divergent aims. This sacred work of so many epochs and so many hands contains some facts of provable history, some stories of unprovable myth, some poetry of soaring beauty, and many passages of unintelligible, perhaps coded, perhaps simply mistranslated, mystery. Most of it is written not to recount events but to promote a higher truth—the relationship of one people and their God. ~ Simon Sebag Montefiore,
1252:Walter Isaacson, the CEO of the Aspen Institute, has been the chairman of CNN and the managing editor of Time magazine. He is the author of Einstein: His Life and Universe, Benjamin Franklin: An American Life, and Kissinger: A Biography, and is the coauthor, with Evan Thomas, of The Wise Men: Six Friends and the World They Made. He and his wife live in Washington, D.C. MEET THE AUTHORS, WATCH VIDEOS AND MORE AT SimonandSchuster.com • THE SOURCE FOR READING GROUPS • JACKET PHOTOGRAPHS: FRONT BY ALBERT WATSON; BACK BY NORMAN SEEFF COPYRIGHT © 2011 SIMON & SCHUSTER ~ Walter Isaacson,
1253:The single genetic variant identified that most powerfully predicted height explained all of 0.4 percent—four tenths of one percent—of the variation in height, and all those hundreds of variants put together explained only about 10 percent of the variation. Meanwhile, an equally acclaimed study did a GWAS regarding body mass index (BMI). Similar amazingness—almost a quarter million genomes examined, even more authors than the height study. And in this case the single most explanatory genetic variant identified accounted for only 0.3 percent of the variation in BMI. ~ Robert M Sapolsky,
1254:Exploring Ecclesiology is true to its subtitle, being both vibrantly evangelical and admirably ecumenical; it is commendable for its depth, breadth, and erudition. Harper and Metzger's sympathetic engagement with Catholic ecclesiology is challenging and reciprocal. I especially appreciate how the authors emphasize and explore the vital connection between ecclesiology and eschatology, something very beneficial to readers seeking to better appreciate how living the Faith in community today relates to the hope of entering fully into Trinitarian communion in the life to come. ~ Carl E Olson,
1255:More rich people in a city means the poor there live longer. Poor people in New York City, for example, live a lot longer than poor people in Detroit. Why is the presence of rich people such a powerful predictor of poor people’s life expectancy? One hypothesis—and this is speculative—was put forth by David Cutler, one of the authors of the study and one of my advisors. Contagious behavior may be driving some of this. There is a large amount of research showing that habits are contagious. So poor people living near rich people may pick up a lot of their habits. ~ Seth Stephens Davidowitz,
1256:We choose owning our stories of struggle, Over hiding, over hustling, over pretending. When we deny our stories, they define us. When we run from struggle, we are never free. So we turn toward truth and look it in the eye. We will not be characters in our stories. Not villains, not victims, not even heroes. We are the authors of our lives. We write our own daring endings. We craft love from heartbreak, Compassion from shame, Grace from disappointment, Courage from failure. Showing up is our power. Story is our way home. Truth is our song. We are the brave and brokenhearted. ~ Bren Brown,
1257:academic literature. Major influences on my thinking include Douglass North, who won the Nobel Prize for Economics for his work on institutions; the pre-eminent economist of modern Africa, Paul Collier, author of The Bottom Billion and Plundered Planet; Hernando de Soto, the Peruvian economist and author of The Mystery of Capital; Andrei Shleifer and his numerous co-authors, who have pioneered an economic approach to the comparative study of legal systems; and Jim Robinson and Daron Acemoglu, whose book Why Nations Fail asks similar questions to the ones that interest me. ~ Niall Ferguson,
1258:All I wanted was some assurance that they wouldn’t become an obstacle by being recalcitrant and holding back book production and deliveries because I was flying outside of the flight pattern that they had filed for their authors. I had an inner conviction about what I intended to do. I knew that I could not simply stand by and allow all of my dreams to be wiped away because others, who were more experienced, felt that they knew better—knew the way. I asked them to please stand out of my light and let me be guided by my own vision. I also used another of my all-time favorite ~ Wayne W Dyer,
1259:It has been long known by scholars that the letter of Jude not only quotes a verse from the non-canonical book of 1 Enoch (v. 14 with 1 Enoch 1:9),[39] but that Jude 6-7 and 2 Peter 2:4-10 both paraphrase content from 1 Enoch, thus supporting the notion that the inspired authors intended an Enochian interpretation of “angels” called the Watchers (sons of God) having sexual intercourse with humans. 1 Enoch extrapolates the Nephilim pre-flood story from the Bible as speaking of angels violating their supernatural separation and having sex with humans who bear them giants.[40] ~ Brian Godawa,
1260:It was Cesare Emiliani who first drew serious attention to the possibility of post-glacial superfloods. In a paper published in Science magazine in 1975, he and a group of colleagues presented startling evidence from deep-sea cores from the north-eastern part of the Gulf of Mexico. The evidence revealed 'a 2.4 per cent isotopic anomaly between 12,000 and 11,000 years ago', which the authors correctly interpreted as having been caused by 'the occurrence of major flooding of ice meltwater into the Gulf of Mexico ... centring at about 11,600 years before the present'. ~ Graham Hancock,
1261:Rows and rows of books lined the shelves and I let my eyes linger on the sturdy spines, thinking how human books were, so full of ideas and images, worlds imagined, worlds perceived; full of fingerprints and sudden laughter and the sighs of readers, too. It was humbling to consider all these authors, struggling with this word or that phrase, recording their thoughts for people they'd never meet. In that same way, the detritus of the boxes was humbling - receipts, jotted notes, photos with no inscriptions, all of it once held together by the fabric of lives now finished, gone. ~ Kim Edwards,
1262:Several recent authors have written of “the imposter phenomenon,” describing the feeling of many apparently successful people that their success is undeserved and that one day people will unmask them for the frauds they are. For all the outward trappings of success, they feel hollow inside. They can never rest and enjoy their accomplishments. They need one new success after another. They need constant reassurance from the people around them to still the voice inside them that keeps saying, If other people knew you the way I know you, they would know what a phony you are. ~ Harold S Kushner,
1263:By the consultation of books, whether of dead or living authors, many temptations to petulance and opposition, which occur in oral conferences, are avoided. An author cannot obtrude his service unasked, nor can be often suspected of any malignant intention to insult his readers with his knowledge or his wit. Yet so prevalent is the habit of comparing ourselves with others, while they remain within the reach of our passions, that books are seldom read with complete impartiality, but by those from whom the writer is placed at such a distance that his life or death is indifferent. ~ Samuel Johnson,
1264:Many people have been protesting against what they describe as censorship on Goodreads. I disagree. In fact, I would like to say that I welcome the efforts that Goodreads management is making to improve the deplorably low quality of reviewing on this site.

Please, though, just give me clearer guidelines. I want to know how to use my writing to optimize Amazon sales, especially those of sensitive self-published authors. This is a matter of vital importance to me, and outweighs any possible considerations of making my reviews interesting, truthful, creative or entertaining. ~ Manny Rayner,
1265:I early formed the habit of buying books, and, thank God, I have never lost it. Authors living and dead — dead, for the most part — afford me my greatest enjoyment, and it is my pleasure to buy more books than I can read. Who was it who said, "I hold the buying of more books than one can peradventure read, as nothing less than the soul's reaching towards infinity; which is the only thing that raises us above the beasts that perish"? Whoever it was, I agree with him (...) ~ A. Edward Newton, "What About the Bookshop?", in: A Magnificent Farce and Other Diversions of a Book-Collector (1921), p. 78.,
1266:If anyone ever wonders why there's nothing coming from me, it's not my fault. I'm doing the work. No, I haven't deteriorated or gone insane. Suddenly, I just can't get anything into print. And apparently I'm not alone in this. There are people of very high standing, authors who are having problems. So I have been told. In my own case, the more disturbing element is the editor-in-chief who said to me, "I think this book is terrific. It ought to be in print. I can't publish it -- I've been told I mustn't." The indication is that I'm not writing what people want to read, but I never did. ~ Tanith Lee,
1267:Challenges to President Obama’s legitimacy, which had begun with fringe conservative authors, talk-radio personalities, TV talking heads, and bloggers, was soon embodied in a mass political movement: the Tea Party, which started to organize just weeks after President Obama’s inauguration. Although the Tea Party framed its mission in terms of such traditional conservative ideas as limited government, low taxes, and resistance to health care reform, its opposition to Obama was far more pernicious. The difference? The Tea Party questioned President Obama’s very right to be president. ~ Steven Levitsky,
1268:People play differently when they’re keeping score,” the 4DX authors explain. They then elaborate that when attempting to drive your team’s engagement toward your organization’s wildly important goal, it’s important that they have a public place to record and track their lead measures. This scoreboard creates a sense of competition that drives them to focus on these measures, even when other demands vie for their attention. It also provides a reinforcing source of motivation. Once the team notices their success with a lead measure, they become invested in perpetuating this performance. ~ Cal Newport,
1269:The best reason to be assigned, in this case, for not having made the Constitution more free from a charge of uncertainty in its meaning, is believed to be, that it was not suspected that any such charge would ever take place; and it appears that no such charge did take place, during the early period of the Constitution, when the meaning of its authors could be best ascertained, nor until many of the contemporary lights had in the lapse of time been extinguished. How often does it happen, that a notoriety of intention diminishes the caution against its being misunderstood or doubted! ~ James Madison,
1270:There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet? ~ Charles Stross,
1271:if you suppose any of the things not in our own control to be either good or evil, when you are disappointed of what you wish, or incur what you would avoid, you must necessarily find fault with and blame the authors. For every animal is naturally formed to fly and abhor things that appear hurtful, and the causes of them; and to pursue and admire those which appear beneficial, and the causes of them. It is impractical, then, that one who supposes himself to be hurt should be happy about the person who, he thinks, hurts him, just as it is impossible to be happy about the hurt itself. Hence, ~ Epictetus,
1272:I had long ago determined that I would devote my life to literary scholarship. Not, let me emphasise, the dry-as-dust scholarship of academe, the crushing orthodoxy to be found in universities, but rather the recondite scholarship that is a journey into the unknown. I refer, chiefly, to those dead authors whose works savour of the uncanny and the marvellous, authors whose unique perspectives are beyond the self-stultifying purview of the modern critical mania for so-called realism. For my part I chose the mysteries, and the hierophant of mystery was an obscure author called Arthur Machen. ~ Mark Samuels,
1273:My duty to you, first and foremost, is make sure you have a career, a prosperous one. I know authors always want to pander to their more artistic leanings, but this is a business after all. You have to do something to pay the bills so you can keep on writing. If you wanted to be an author just for the sake of expressing your thoughts, you could have done that by staying self-published, am I correct? but that's not what you wanted. That's not why you penned Killing Jesus. You wanted to get out there and swim in a bigger pond, didn't you? Well, here you are. Welcome to the blooming ocean. ~ Henry Mosquera,
1274:The best advice I have that is worth anything, is to do your research. Research everything—your book, marketing, promo, your genre—and think about the long-term goals, not just instant career gratification. That’s what separates career authors from hobbyists. Writing as a hobby is fine, if that’s what you want to do. If you want to be a professional, you just have to spend the time and study up. There is no magic formula or secret handshake. I so wish there was. (Well, there is coffee. That’s kind of magical.) You just have to put in the hours and do the work. Knowledge really is power. ~ Michelle M Pillow,
1275:Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. ~ Amy Poehler,
1276:Jesus (as well as the authors of the gospels) would have known about Rome’s policy of sending reinforcements to the city at Passover. His decision to enter the city as he did was what we would call a planned political demonstration, a counterdemonstration. The juxtaposition of these two processions embodies the central conflict of Jesus’s last week: the kingdom of God or the kingdom of imperial domination. What Christians have often spoken of as Jesus’s triumphal entry was really an anti-imperial entry. What we call Palm Sunday featured a choice of two kingdoms, two visions of life on earth. ~ Marcus J Borg,
1277:Treatment Plans and Interventions for Depression and Anxiety Disorders provides clinicians with essential guidelines to treat patients in the era of managed care. Seven psychiatric disorders are described and conceptualized in cognitive-behavioral terms. The authors then provided an unusually clear, reader-friendly description of how to assess and treat each disorder with illustrative case examples, and patient forms and handouts. It should prove very useful for clinicians or clinicians-in-training who want to learn how to conduct short-term treatment through an empirically validated approach. ~ Judith S Beck,
1278:Trippers and askers surround me,
People I meet.... the effect upon me of my early life.....
of the ward and city I live in....of the nation,
The latest news....discoveries, inventions, societies....
authors old and new,
My dinner, dress, associates, looks, business, compliments,
dues,
The real or fancified indifference of some man or woman
I love,
The sickness of one of my folks- or of myself....or
ill-doing....or loss or lack of money....or
depressions or exaltations,
They come to me days and nights and go from me again,
But they are not the Me myself. ~ Walt Whitman,
1279:Logotherapy, or, as it has been called by some authors, “The Third Viennese School of Psychotherapy,” focuses on the meaning of human existence as well as on man’s search for such a meaning. According to logotherapy, this striving to find a meaning in one’s life is the primary motivational force in man. That is why I speak of a will to meaning in contrast to the pleasure principle (or, as we could also term it, the will to pleasure) on which Freudian psychoanalysis is centered, as well as in contrast to the will to power on which Adlerian psychology, using the term “striving for superiority,” is focused. ~ Anonymous,
1280:There was nothing holy or particular in my skin; I was black because of history and heritage. There was no nobility in falling, in being bound, in living oppressed, and there was no inherent meaning in black blood. Black blood wasn't black; black skin wasn't even black. And now I looked back on my need for a trophy case, on the desire to live by the standards of Saul Bellow, and I felt that this need was not an escape but fear again - fear that "they," the alleged authors and heirs of the universe, were right. And this fear ran so deep that we accepted their standards of civilization and humanity. ~ Ta Nehisi Coates,
1281:This does not happen overnight, of course. It takes years of reflection. It requires disciplined prayer, Bible study and reading, innumerable conversations with friends, and dynamic congregational worship. But unlike learning other thinkers or authors, Jesus’s Spirit can come and live within you and spiritually illuminate your heart, so that his gospel becomes glorious in your sight. Then the gospel “dwells in your hearts richly” (Colossians 3:16), and we find the power to serve, to give and take criticism well, to not expect our spouse or our marriage to meet all our needs and heal all our hurts. ~ Timothy J Keller,
1282:There’s a Good Book about goodness and how to be good and so forth, but there’s no Evil Book about evil and how to be bad. The Devil has no prophets to write his Ten Commandments and no team of authors to write his biography. His case has gone completely by default. We know nothing about him but a lot of fairy stories from our parents and schoolmasters. He has no book from which we can learn the nature of evil in all its forms, with parables about evil people, proverbs about evil people, folk-lore about evil people. All we have is the living example of the people who are least good, or our own intuition. ~ Ian Fleming,
1283:When authors write best, or at least, when they write most fluently, an influence seems to waken in them which becomes their master, which will have its own way, putting out of view all behests but its own, dictating certain words, and insisting on their being used, whether vehement or measured in their nature; new moulding characters, giving unthought-of turns to incidents, rejecting carefully elaborated old ideas, and suddenly creating and adopting new ones. Is it not so? And should we try to counteract this influence? Can we indeed counteract it?

from a letter to G.H. Lewes, 12 January 1848 ~ Charlotte Bront,
1284:In studying elementary law, I found the old authors frequently quoting the Scriptures, and referring especially to the Mosaic Institutes, as authority for many of the great principles of common law. This excited my curiosity so much that I went and purchased a Bible, the first I had ever owned; and whenever I found a reference by the law authors to the Bible, I turned to the passage and consulted it in its connection. This soon led to my taking a new interest in the Bible, and I read and meditated on it much more than I had ever done before in my life. However, much of it I did not understand. ~ Charles Grandison Finney,
1285:Traditional publishers spend hundreds of thousands of dollars marketing and promoting a single book. With that kind of budget, as opposed to the budget of indie publishers, every single traditionally published book should be a #1 bestseller on all lists. Every traditionally published author should be millionaires with that kind of marketing budget. But they're not, so...it isn't how much you spend on marketing the book that determines the success of the book, it is how really good it is, and what is loved by the people as a whole, not by the editors. - Kailin Gow on Economy of Book Publishing, Authors Voice ~ Kailin Gow,
1286:In 2002, a Cochrane Collaboration review of the evidence concluded that low-fat diets induced no more weight loss than calorie-restricted diets, and in both cases the weight loss achieved “was so small as to be clinically insignificant.” A similar analysis was published in 2001 by the U.S. Department of Agriculture. In this case, the authors identified twenty-eight relevant trials of low-fat diets, of which at least twenty were also calorie-restricted. The overweight subjects consumed, on average, less than seventeen hundred calories a day for an average weight loss of not quite nine pounds over six months. ~ Gary Taubes,
1287:In my generation the child learned to identify completely with the parents’ perspective and never to question it. In the works of all the authors I know, I have observed that, despite occasional rebellion, they end up defending their parents against their own accusations. Accusations against parents are often associated with mortal fears, not only because of real threats but because a small child feels he is in deadly danger if he loses the love of the person closest to him. Thus the old repressed fear is preserved in the adult, and the danger signals stored so long ago can remain effective for a lifetime. ~ Alice Miller,
1288:Back in the 1800's, Ormsby Island was one of South Carolina's crown jewels. The island was owned by Maxwell Ormsby, a very wealthy man who liked to entertain everyone from heads of state to artists and authors and anyone who knew how to make money in business. An invitation to the island was a declaration that you were someone on the move. Once a year, Ormsby opened the island up to the public and hosted a huge fair. It was the social event of the year in these parts. My family still talks about the days when my great grandmother would take the family out to enjoy the festivities. It must have been some party. ~ Hunter Shea,
1289:Freedom is the ultimate concern most central to many existential thinkers. In my understanding, it refers to the idea that, since we all live in a universe without inherent design, we must be the authors of our own lives, choices, and actions. Such freedom generates so much anxiety that many of us embrace gods or dictators to remove the burden. If we are, in Sartre’s terms, “the uncontested author” of everything that we have experienced, then our most cherished ideas, our most noble truths, the very bedrock of our convictions, are all undermined by the awareness that everything in the universe is contingent. ~ Irvin D Yalom,
1290:There's a Good Book about goodness and how to be good and so forth, but there's no Evil Book about how to be evil and how to be bad. The Devil had no prophets to write his Ten Commandments, and no team of authors to write his biography. His case has gone completely by default. We know nothing about him but a lot of fairy stories from our parents and schoolmasters. He has no book from which we can learn the nature of evil in all its forms, with parables about evil people, proverbs about evil people, folklore about evil people. All we have is the living example of people who are least good, or our own intuition. ~ Ian Fleming,
1291:The antidote to feel-good history is not feel-bad history but honest and inclusive history. If textbook authors feel compelled to give good moral instruction, the way origin myths have always done, they could accomplish this aim by allowing students to learn both the "good" and the "bad" sides of the Pilgrim tale. Conflict would then become part of the story, and students might discover that the knowledge they gain has implication for their lives today. Correctly taught, the issues of the era of the first Thanksgiving could help Americans grow more thoughtful and more tolerant, rather than more ethnocentric. ~ James W Loewen,
1292:This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. ~ Susan Sontag,
1293:I don’t think there is such a thing as a bad book for children. Every now and again it becomes fashionable among some adults to point at a subset of children’s books, a genre, perhaps, or an author, and to declare them bad books, books that children should be stopped from reading. I’ve seen it happen over and over; Enid Blyton was declared a bad author, so was R. L. Stine, so were dozens of others. Comics have been decried as fostering illiteracy. It’s tosh. It’s snobbery and it’s foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different. ~ Neil Gaiman,
1294:Texts, books, and discourses really began to have authors (other than mythical, “sacralized” and “sacralizing” figures) to the extent that authors became subject to punishment, that is, to the extent that discourses could be transgressive. In our culture (and doubtless in many others), discourse was not originally a product, a thing, a kind of goods; it was essentially an act an act placed in the bipolar field of the sacred and the profane, the licit and the illicit, the religious and the blasphemous. Historically, it was a gesture fraught with risks before becoming goods caught up in a circuit of ownership. ~ Michel Foucault,
1295:Lemat's agent says to him: y duty to you, first and foremost, is make sure you have a career, a prosperous one. I know authors always want to pander to their more artistic leanings, but this is a business after all. You have to do something to pay the bills so you can keep on writing. If you wanted to be an author just for the sake of expressing your thoughts, you could have done that by staying self-published, am I correct? but that's not what you wanted. That's not why you penned Killing Jesus. You wanted to get out there and swim in a bigger pond, didn't you? Well, here you are. Welcome to the blooming ocean. ~ Henry Mosquera,
1296:For those still stuck in the trap of scientific skepticism, I recommend the book Irreducible Mind: Toward a Psychology for the 21st Century, published in 2007. The evidence for out-of-body consciousness is well presented in this rigorous scientific analysis. Irreducible Mind is a landmark opus from a highly reputable group, the Division of Perceptual Studies, based at the University of Virginia. The authors provide an exhaustive review of the relevant data, and the conclusion is inescapable: these phenomena are real, and we must try to understand their nature if we want to comprehend the reality of our existence. ~ Eben Alexander,
1297:Parents - be aware of the books your teens are reading, and the authors they follow. If an author manipulates their teen readers to attack another author through social media or Goodreads or other sites; that author is endorsing bullying and hate. An author who publishes for teens and children, no matter who publishes them, especially one who represents a big publisher, should be held to a higher standard of conduct. But parents should be aware of what books teens are reading, what they are teaching, and the author's standing in the community. - Kailin Gow, Parent Teacher Advisory Boardmember, PTA organizer and founder ~ Kailin Gow,
1298:Why were so many Americans treated by their government as though their lives were as disposable as paper tissues? Because that was the way authors customarily treated bit-part players in their made-up tales... Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done. ~ Kurt Vonnegut,
1299:This is the actual answer to Auschwitz. We are told insistently to remember the Holocaust. Eloquent, horrifying books describe the facts to us in every detail. The truth about a monstrous, historic evil virtually screams out from hundreds of thousands of pages. But few, including the authors, seem to hear the scream. The commentators do not say that the camps are the final, perfect embodiment of all the fundamental ideas which made Hitler possible, and that the way to avenge the victims is to fight those ideas. Most commentators do not know the category of issues necessary to reach or even consider such a conclusion. ~ Leonard Peikoff,
1300:But consider a paper published in Science in 2008.1 The authors examined the relationship between math scores and sexual equality in forty countries (based on economic, educational, and political indices of gender equality; the worst was Turkey, the United States was middling, and, naturally, the Scandinavians were tops). Lo and behold, the more gender equal the country, the less of a discrepancy in math scores. By the time you get to the Scandinavian countries, it’s statistically insignificant. And by the time you examine the most gender-equal country on earth at the time, Iceland, girls are better at math than boys. ~ Robert M Sapolsky,
1301:Crash films…shot between 1948 and 1950, before Colombia. As the Web authors explained, this was a series of nineteen films whose sole aim was to display things never before attempted in the medium, a kind of artistic exploit on celluloid. Lacombe didn’t care about the point of a film, only about the public’s reactions: its passivity toward images, its relationship to plot and story line, its voyeuristic tendencies, its fascination with intimacy, and also its tolerance for conceptual cinema. He challenged people’s watching habits and turned filmmaking conventions on their heads. Always a need to innovate, disturb, shock… ~ Franck Thilliez,
1302:Weird fiction is a strange beast, an eclectic genre (or subgenre). It originated in the late nineteenth and early twentieth century through the works of authors including Edgar Allan Poe, Arthur Machen, and M. R. James, and has since developed over the course of the last hundred years to encompass new writers such as China Miéville, M. John Harrison and others. Weird fiction is notable for its generic uncertainty; it exists at the boundary between science fiction and horror—perhaps—or between literary fiction and horror—perhaps—or between Lovecraft and whatever happens to be floating close to hand at any given moment—perhaps! ~ Helen Marshall,
1303:Sometimes authors do know better. As previously mentioned, in After the Fact, a book aimed at college history majors, James Davidson and Mark Lytle do a splendid job telling of the Indian plagues, demonstrating that they understand their geopolitical significance, their devastating impact on Indian culture and religion, and their effect on estimates of the precontact Indian population. In After the Fact, looking down from the Olympian heights of academe, Davidson and Lytle even write, “Textbooks have finally begun to take note of these large-scale epidemics.” Meanwhile, their own high school history textbooks leave them out.57 ~ James W Loewen,
1304:Bill knows about my writing. He knows about the pages of poetry stuffed into my car’s glove box; he knows about the many nextstory.doc files on my hard drive; he knows how I like to sift through the thesaurus for hours; he knows that nothing feels better to me than finding exactly the right word that stabs cleanly at the heart of what you are trying to say. He knows that I read most books twice or more and write long letters to their authors, and that sometimes I even get an answer. He knows how much I need to write. But he had never given me permission to write about us until that day. I nodded and inwardly vowed to do my best. I ~ Hope Jahren,
1305:Jury trials are really nothing more than poorly written stage plays. You’ve got two authors writing opposing narratives and a director who is paid not to care about either outcome. Hired actors sit on either end of the stage, while unwitting audience members strive to remain quiet. No applause should be rendered, no gasps of glory. Witnesses sit agape with fury as they stumble across their rehearsed lines. If only they had practiced just once more. If only they had more time or a dress rehearsal, then they would recite their packaged words with such eloquent delivery that the critics in the jury box would believe only them. ~ Elizabeth L Silver,
1306:It seems therefore that we have a conflict between two antithetical models, morality of conscience and morality of authority. The freedom of the Christian is safeguarded by the primal proposition of the moral tradition, that the conscience is the highest norm and that one must follow it even against authority. When authority—in this case the Church’s magisterium—speaks on matters of morality, it supplies material that helps the conscience form its own judgment, but ultimately it is only conscience that has the last word. Some authors express this ultimately decisive authority of conscience by saying that conscience is infallible.1 ~ Benedict XVI,
1307:ABOUT THE AUTHORS Photograph by Bob Lampert Charlotte Elkins wrote her first novel while working at the MH de Young Museum in San Francisco. Published under the pseudonym Emily Spenser, it was the first of her five romance novels that have sold in twenty countries. She switched to writing mysteries when she realized how much fun it was to collaborate with her husband, Aaron. Their first novel, A Wicked Slice, was published in 1989; since then, they have co-written four more novels starring a golf-pro-turned-sleuth and several short stories, one of which, “Nice Gorilla,” won the Agatha Award for Best Short Story of the year.   Aaron ~ Aaron Elkins,
1308:Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan—punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish. ~ Terri Windling,
1309:[Lord Horror] was so unique and radical, I expected to go to prison for it. I always thought that if you wrote a truly dangerous book -- something dangerous would happen to you. Which is one reason there are so few really dangerous books around. Publishers play at promoting dangerous books, whether they're Serpent's Tail or Penguin. All you get is a book vetted by committee, never anything radically imaginative or offensive that will take your fucking head off. Ironically, I think it would do other authors a power of good if they had to account for their books by going to prison -- there are far too many bad books being published! ~ David Britton,
1310:Now let’s take up the minorities in our civilization, shall we? Bigger the population, the more minorities. Don’t step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that! All the minor minor minorities with their navels to be kept clean. Authors, ~ Ray Bradbury,
1311:Truth is mighty and must prevail, and if any body of men believe that they have discovered a valuable truth, it is not merely their privilege but their duty to disseminate that truth. If they realize, as they quickly must, that this spreading of truth can be done upon a large scale and effectively only by organized effort, they will make use of the press and the platform as the best means to give it wide circulation. Propaganda becomes vicious and reprehensive only when its authors consciously and deliberately disseminate what they know to be lies, or when they aim at effects which they know to be prejudicial to the common good. ~ Edward L Bernays,
1312:During this time, I proved to myself that I was as good as other authors who had achieved the same stature. But I quickly learned that my outer accomplishments were not the issue and never had been. This journey into uncharted waters wasn’t about financial gain, accolades, or any other type of outer acceptance—although I achieved all of those too. I thought I was manifesting a different reality, one that was more authentic to who I was or wanted to be. But the more I settled into my new situation, the more my spirit became restless. My small self wasn’t any more certain or safe. Something had to change, and that something was me. ~ Colette Baron Reid,
1313:The authors pointed out that nearly all research in psychology is conducted on a very small subset of the human population: people from cultures that are Western, educated, industrialized, rich, and democratic (forming the acronym WEIRD). They then reviewed dozens of studies showing that WEIRD people are statistical outliers; they are the least typical, least representative people you could study if you want to make generalizations about human nature. Even within the West, Americans are more extreme outliers than Europeans, and within the United States, the educated upper middle class (like my Penn sample) is the most unusual of all. ~ Jonathan Haidt,
1314:Grew up reading books where vampires were scary. This novel is an attempt to make them scary again. When I thought of the premise that became DRACULAS, I knew it needed to be a group project. Take four well-known horror authors, let them each create their own unique characters, and have them fight for their lives during a vampire outbreak at a secluded, rural hospital. This is NOT a collection of short stories. It’s a single, complete novel. And it’s going to freak you out. If you’re easily disturbed, have a weak stomach, or are prone to nightmares, stop reading right now. There are no sexy teen heartthrobs herein. You have been warned. ~ Blake Crouch,
1315:Many Christians base the belief of a soul and God upon the Bible. Strictly speaking, there is no such book. To make the Bible, sixty-six books are bound into one volume. These books are written by many people at different times, and no one knows the time or the identity of any author. Some of the books were written by several authors at various times. These books contain all sorts of contradictory concepts of life and morals and the origin of things. Between the first and the last nearly a thousand years intervened, a longer time than has passed since the discovery of America by Columbus. ~ Clarence Darrow, Why I Am An Agnostic (1929) Full text online,
1316:We continue to need exhortations to be sympathetic and just, even if we do not believe that there is a God who has a hand in wishing to make us so. We no longer have to be brought into line by the threat of hell or the promise of paradise; we merely have to be reminded that it is we ourselves -- that is, the most mature and reasonable parts of us (seldom present in the midst of our crises and obsessions) -- who want to lead the sort of life which we once imagined supernatural beings demanded of us. An adequate evolution of morality from superstition to reason should mean recognizing ourselves as the authors of our own moral commandments. ~ Alain de Botton,
1317:“If the Puranic genealogies from the time of the Buddha onward are almost faultless, the presumption naturally is that the earlier genealogies too are not mere figments of the imagination. (…) In the first place a large number of these names occur in the Vedic literature which is quite independent of the Purāṇas. Secondly, even those names which do not occur in the Vedic literature are so archaic that they could not have been coined by the authors of the present Purāṇas in whose time the style of names had completely changed.” ~ (Bhargava 1998:3-4) , quoted in Elst, Koenraad (2018). Still no trace of an Aryan invasion: A collection on Indo-European origins.,
1318:thoughtful exploration of love and loss … This is Parks at the top of her consistently excellent game and is one of those rare books you won’t stop thinking about until long after you turn the final page’ Daily Mail ‘A wonderful exploration of love’ Katie Fforde ‘We can’t think of many authors who create more flawed and loveable characters’ Glamour ‘Adele Parks is a deft observer of human nature’ Kathleen Tessaro ‘Will captivate you from the first page’ Closer ‘A riveting read full of truths and tender moments’ Good Housekeeping ‘She is a particularly acute observer of relationship ups and downs, and her stories are always as insightful as they are ~ Adele Parks,
1319:Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy — on experience, the mistress of their Masters. They go about puffed up and pompous, dressed and decorated with [the fruits], not of their own labours, but of those of others. And they will not allow me my own. They will scorn me as an inventor; but how much more might they — who are not inventors but vaunters and declaimers of the works of others — be blamed. ~ Leonardo da Vinci, The Notebooks of Leonardo da Vinci (1883) From the published edition of Jean Paul Richter (1883), as translated into English by Mrs. R. C. Bell and Edward John Poynter ,
1320:I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. . . . I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. . . . True miracles are the ones whose makers will never be known. . . . Besides, isn’t it true that promotion is expensive? I will be the least expensive author of the publishing house. I’ll spare you even my presence. ~ Elena Ferrante,
1321:Most modern authors dealing with Erzsébet's life and crimes have produced works of fiction, including Jozo Niznansky's The Lady of Čachtice (1932); Kálmán Vándor's Báthory Erzsébet (1940); La Comtesse sanglante, by Valentine Penrose (1962), Alejandra Pizarnik's Acerca's de la Contessa sangrienta (1968); Comtesse de Sang, by Maurice Périsset (1975); Andrei Codrescu's The Blood Countess (1995); Ella, Drácula, by Javier García Sanchez (2002); Alisa Libby's The Blood Confession (2006); Alexandre Heredia's O Legado de Báthory (2007); The Countess, by Rebecca Johns (2010); Maria Szabó's Én, Báthory Erzsébet (2010); and The Blood Countess by Tara Moss (2012). ~ Peter Vronsky,
1322:The auteur theory suggests that, throughout an author's body of work one can find consistent themes -- and, studying a number of authors, you'll find this to be true. (Look no further than James Joyce in this respect, where he courts themes exploring the everyday heroism of the common man competing against the paralysis of the same.) In this way theme is sometimes an obsession, the author compelled to explore certain aspects and arguments without ever really meaning to -- theme then needn't be decided upon, nor must it be constrained to a single narrative. Theme is bigger, bolder, madder than all that. Sometimes theme is who we really are as writers. 14. ~ Chuck Wendig,
1323:Richard put away the Narnia books, convinced, sadly, that they were an allegory; that an author (whom he had trusted) had been attempting to slip something past him. He had had the same disgust with the Professor Challenger stories, when the bull-necked old professor became a convert to Spiritualistm; it was not that Richard had any problems believing in ghosts - Richard believed, with no problems or contradictions, in everything - but Conan Doyle was preaching, and it showed through the words. Richard was young, and innoncent in his fashion, and believed that authors should be trusted, and that there should be nothing hidden beneath the surface of a story. ~ Neil Gaiman,
1324:By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste. ~ Alexis de Tocqueville,
1325:I love so many books and authors that it's hard to name just a few, but I'm always particularly excited when new books by Alice Hoffman, John Crowley, Joanne Harris, Elizabeth Knox, and Patricia McKillip come out. (And, of course, books by Ellen [Kushner], and Holly [Black], and the rest of the Bordertown crew!) I'm impatiently looking forward to Susanna Clarke's next book too.

Aside from writing and reading, my favorite things to do are paint, walk in the countryside with my dog, and listen to music -- especially when it's live and it's played by friends. Fortunately there's a lot of live music where I live. ~ Terri Windling,
1326:Figurines of Apkallus were buried in boxes in the foundation deposits in Mesopotamian buildings in order to avert evil ... The term massare, Watchers, is used of these sets. Likewise the Apkallus were said to have taught antediluvian sciences to humanity and so, too, were the Watchers. As one scholar concludes, however: 'The Jewish authors often inverted the Mesopotamian intellectual traditions with the intention of showing the superiority of their own cultural foundations. [Thus] ... the antediluvian sages, the Mesopotamian Apkallus, were demonised as the 'sons of God' and ... appear as the Watchers ... illegitimate teachers of humankind before the flood. ~ Graham Hancock,
1327:Why are not more gems from our early prose writers scattered over the country by the periodicals?…But Great old books of the great old authors are not in everybody's reach; and though it is better to know them thoroughly than to know them only here and there, yet it is a good work to give a little to those who have neither time nor means to get more. Let every book-worm, when in any fragrant, scarce old tome, he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it the widest circulation that newspapers and magazines, penny and halfpenny, can afford. ~ Hartley Coleridge, Samuel Taylor Coleridge, Lives of Northern Worthies, (1836) "Roger Ascham".,
1328:The Weirdest People in the World?”2 The authors pointed out that nearly all research in psychology is conducted on a very small subset of the human population: people from cultures that are Western, educated, industrialized, rich, and democratic (forming the acronym WEIRD). They then reviewed dozens of studies showing that WEIRD people are statistical outliers; they are the least typical, least representative people you could study if you want to make generalizations about human nature. Even within the West, Americans are more extreme outliers than Europeans, and within the United States, the educated upper middle class (like my Penn sample) is the most unusual of all. ~ Jonathan Haidt,
1329:About the Author Native San Franciscan Erika Lenkert fled the dot-community to find respite and great food and wine in Napa Valley. When she’s not writing about food, wine, and travel for the likes of Four Seasons Magazine or InStyle, or promoting her book The Last-Minute Party Girl: Fashionable, Fearless, and Foolishly Simple Entertaining, she’s in search of Wine Country pleasures to share with Frommer’s readers. She also remains subservient to her owners—two Siamese cats and most recently, her new daughter Viva. In addition to this guide, Erika authors and co-authors a number of other Frommer’s guides to California, including Frommer’s California and Frommer’s San Francisco ~ Anonymous,
1330:Finding himself now attacked on all hands with naked poniards, he wrapped the toga 96 about his head, and at the same moment drew the skirt round his legs with his left hand, that he might fall more decently with the lower part of his body covered. He was stabbed with three and twenty wounds, uttering a groan only, but no cry, at the first wound; although some authors relate, that when Marcus Brutus fell upon him, he exclaimed, "What! art thou, too, one of them? Thou, my son!" 97 The whole assembly instantly (52) dispersing, he lay for some time after he expired, until three of his slaves laid the body on a litter, and carried it home, with one arm hanging down over the side. ~ Suetonius,
1331:The whole ideological assembly line that Richard Fink and Charles Koch had envisioned decades earlier, including the entire conservative media sphere, was enlisted in the fight. Fox Television and conservative talk radio hosts gave saturation coverage to the issue, portraying climate scientists as swindlers pushing a radical, partisan, and anti-American agenda. Allied think tanks pumped out books and position papers, whose authors testified in Congress and appeared on a whirlwind tour of talk shows. “Climate denial got disseminated deliberately and rapidly from think tank tomes to the daily media fare of about thirty to forty percent of the U.S. populace,” Skocpol estimates. ~ Jane Mayer,
1332:The truth seems to be, however, that, when he casts his leaves forth upon the wind, the author addresses, not the many who will fling aside his volume, or never take it up, but the few who will understand him, better than most of his schoolmates and lifemates. Some authors, indeed, do far more than this, and indulge themselves in such confidential depths of revelation as could fittingly be addressed, only and exclusively, to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer's own nature, and complete his circle of existence by bringing him into communion with it. ~ Nathaniel Hawthorne,
1333:In 1999, authors Joshua Piven and David Borgenicht released The Worst-Case Scenario Survival Handbook. Providing humorous but real-life instructions for what to do in unusually dire circumstances, the book advertised itself as “the essential companion for a perilous age.” Both frightening and funny, it offered pithy chapters on how to perform a tracheotomy, identify a bomb, land a plane, survive if your parachute fails to open, deal with a charging bull, jump from a building into a dumpster and escape from killer bees, among other things. Someone gave me a copy of The Worst-Case Scenario Survival Handbook when it came out. I shrugged and said, “Meh.” It sold ten million copies. ~ Ian Morgan Cron,
1334:Why do the greatest miracle stories seem to come from mission fields, either overseas or among the destitute here at home (the Teen Challenge outreach to drug addicts, for example)? Because the need is there. Christians are taking their sound doctrine and extending it to lives in chaos, which is what God has called us all to do. Without this extension of compassion it is all too easy for Bible teachers and authors to grow haughty. We become proud of what we know. We are so impressed with our doctrinal orderliness that we become intellectually arrogant. We have the rules and theories all figured out while the rest of the world is befuddled and confused about God’s truth … poor souls. ~ Jim Cymbala,
1335:Man’s search for meaning is the primary motivation in his life and not a “secondary rationalization” of instinctual drives. This meaning is unique and specific in that it must and can be fulfilled by him alone; only then does it achieve a significance which will satisfy his own will to meaning. There are some authors who contend that meanings and values are "nothing but defense mechanisms, reaction formations and sublimations." But as for myself, I would not be willing to live merely for the sake of my "defense mechanisms," nor would I be ready to die merely for the sake of my "reaction formations." Man, however, is able to live and even die for the sake of his ideals and values! ~ Viktor E Frankl,
1336:Table 5.2 Retiring before 70 Means Much Lower Benefits “Net” Replacement Rate for Medium Worker by Retirement Age, 1980–2030 Note: Year is date retiree reaches age 65. Replacement rate is net of Part B and D premiums, as well as taxation of benefits. Part B SMI deduction for 2030 assumes SMI continues to cover 26 percent of plan costs and uses Trustees’ Report enrollment and cost growth assumptions. The assumptions are that the beneficiary has enough other income to have benefits taxed (about $10,000 in 2030) and that the tax rate is 12.5 percent. Sources: Authors’ calculations based on Centers for Medicare and Medicaid Services (2013); and Social Security Administration (2013b). ~ Charles D Ellis,
1337:That’s a simple example, you say, but what if you need to learn to do something your friends haven’t done? Like, say, sell a book to the world’s largest publisher as a first-time author? Funny you should ask. There are two approaches I used: 1. I picked one book out of dozens based on reader reviews and the fact that the authors had actually done what I wanted to do. If the task is how-to in nature, I only read accounts that are “how I did it” and autobiographical. No speculators or wannabes are worth the time. 2. Using the book to generate intelligent and specific questions, I contacted 10 of the top authors and agents in the world via e-mail and phone, with a response rate of 80%. ~ Timothy Ferriss,
1338:Responding to Wright’s critique, Hurston claimed that she had wanted at long last to write a black novel, and “not a treatise on sociology.” It is this urge that resonates in Toni Morrison’s Song of Solomon and Beloved, and in Walker’s depiction of Hurston as our prime symbol of “racial health—a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature.” In a tradition in which male authors have ardently denied black literary paternity, this is a major development, one that heralds the refinement of our notion of tradition: Zora and her daughters are a tradition-within-the-tradition, a black woman’s voice. ~ Zora Neale Hurston,
1339:about runaway trolleys!” This is an example of what Kant would call heteronomous determination —doing something for the sake of something else, for the sake of something else, and so on. When we act heteronomously, we act for the sake of ends given outside us. We are instruments, not authors, of the purposes we pursue. Kant’s notion of autonomy stands in stark contrast to this. When we act autonomously , according to a law we give ourselves, we do something for its own sake, as an end in itself. We cease to be instruments of purposes given outside us. This capacity to act autonomously is what gives human life its special dignity. It marks out the difference between persons and things. ~ Michael J Sandel,
1340:I Missed His Book, But I Read His Name"

Though authors are a dreadful clan
To be avoided if you can,
I'd like to meet the Indian,
M. Anantanarayanan.

I picture him as short and tan.
We'd meet, perhaps, in Hindustan.
I'd say, with admirable elan ,
"Ah, Anantanarayanan --

I've heard of you. The Times once ran
A notice on your novel, an
Unusual tale of God and Man."
And Anantanarayanan

Would seat me on a lush divan
And read his name -- that sumptuous span
Of 'a's and 'n's more lovely than
"In Xanadu did Kubla Khan" --

Aloud to me all day. I plan
Henceforth to be an ardent fan
of Anantanarayanan --
M. Anantanarayanan. ~ John Updike,
1341:The focus on one sector of Trump voters—the white working class—is puzzling, given the breadth of his white coalition. Indeed, there is a kind of theater at work in which Trump is pawned off as a product of the white working class as opposed to a product of an entire whiteness that includes the very authors doing the pawning. The motive is clear: escapism. To accept that even now, some five decades after Martin Luther King Jr. was gunned down on a Memphis balcony, the bloody heirloom remains potent—even after a black president, and, in fact, strengthened by the fact of the black president—is to accept that racism remains, as it has since 1776, at the heart of the country’s political life. ~ Ta Nehisi Coates,
1342:Credulity in arts and opinions... is likewise of two kinds viz., when men give too much belief to arts themselves, or to certain authors in any art. The sciences that sway the imagination more than the reason are principally three viz., astrology, natural magic, and alchemy... Alchemy may be compared to the man who told his sons that he had left them gold, buried somewhere in his vineyard; while they by digging found no gold, but by turning up the mould about the roots of the vines procured a plentiful vintage. So the search and endeavours to make gold have brought many useful inventions to light. ~ Francis Bacon, De Augmentis Scientiarum (1623) as quoted by Edward Thorpe, History of Chemistry, Vol. 1, p. 43.,
1343:Are you committed to a life of continual counseling, growth, and education? Are you committed to a life of consistently receiving truth, of renewing your mind? From what sources do you receive your counseling? Are you reading books by authors who speak wisdom? Are you listening to music and watching movies that have redemptive and edifying themes? Are you involved in a small group or community of people that can offer you support, guidance, and encouragement, and in which you give back that which you have been given? Do you know of professional counselors you can see when needed? Are you asking God for wisdom about life on a regular basis? (He says if you will ask, He will provide [see James 1:5–8].) ~ Zig Ziglar,
1344:Well, bingo, his name popped up in the database on this crime ring’s computer as one of their own. Sloane, Wilma, KazuKen, Celi-hag, BunnyMuff, were all part of the illegal and criminal cyber-bullying ring that used blackmail to extort celebrities and famous authors, musicians, schools like Aunt Sookie Acting Academy for money or they will post lies, false rumors, photo shopped fake photos, and accusations of fake awards, fake credentials on the internet. They did that to Summer and tried to do that with Aunt Sookie, apparently. But as seemingly innocent as they seem, using young girls’ photos as their supposed fake identities, they really were part of a larger crime ring.”, Loving Summer by Kailin Gow ~ Kailin Gow,
1345:The British Library’s series of Crime Classics concentrates on stories associated with “the Golden Age of murder” , during which the formation of the Detection Club marked a valiant attempt to raise the standards of crime writing. Membership of the Club was by election, and confined to those authors whose work was regarded by their peers as exemplary. Edgar Wallace was among those not deemed eligible to join, because of his focus on writing thrillers rather than carefully plotted whodunnits. In terms of literary merit, his work was often slapdash, but neither Wallace nor his stories were ever lacking in energy or exuberance, and he is represented here by a tale written with his characteristic verve. ~ Martin Edwards,
1346:Authors can be divided into meteors, planets and fixed stars. The meteors produce a loud momentary effect; we look up, shout 'see there!' and then they are gone for ever. The planets and comets last for a much longer time....The fixed stars alone are constant and unalterable; their position in the firmament is fixed; they have their own light and are at all times active, because they do not alter their appearance through a change in our standpoint, for they have no parallax. Unlike the others, they do not belong to one system (nation) alone, but to the world. But just because they are situated so high, their light usually requires many years before it becomes visible to the inhabitatns of earth. ~ Arthur Schopenhauer,
1347:Couplets On Wit
But our Great Turks in wit must reign alone
And ill can bear a Brother on the Throne.
II
Wit is like faith by such warm Fools profest
Who to be saved by one, must damn the rest.
III
Some who grow dull religious strait commence
And gain in morals what they lose in sence.
IV
Wits starve as useless to a Common weal
While Fools have places purely for their Zea.
Now wits gain praise by copying other wits
As one Hog lives on what another sh---.
VI
Wou'd you your writings to some Palates fit
Purged all you verses from the sin of wit
For authors now are so conceited grown
They praise no works but what are like their own.
~ Alexander Pope,
1348:Only too often the works of such authors have been deliberately neglected or suppressed. A case in point is the work by D. Dewar called the Transformist Illusion, Murfreesboro, 1957, which has assembled a vast amount of palaeontological and biological evidence against evolution. The author who was an evolutionist in his youth wrote many monographs which exist in the libraries of comparative zoology and biology everywhere. But his last work, The Transformist Illusion , had to be published in Murfreesboro, Tennessee(!) and is not easy to find even in libraries that have all his earlier works. There is hardly any other field of science where such obscurantist practices are prevalent.
(note 21, p140) ~ Seyyed Hossein Nasr,
1349:Writing this book was primarily, I suppose, as most books are for their authors, a matter of self-education; more particularly, of the long re-education I had to undertake after seven Trotskyist years. I was grateful to these Machiavellians, and perhaps I gave them rather more than their due. Having come to know something of the gigantic ideology of Bolshevism, I knew that I was not going to be able to settle for the pygmy ideologies of Liberalism, social democracy, refurbished laissez-faire or the inverted, cut-rate Bolshevism called "fascism". Through the Machiavellians I began to understand more thoroughly what I had long felt: that only by renouncing all ideology can we begin to see the world and man. ~ James Burnham,
1350:Genesis 1 is not exceptional. Though it may strike modern historically minded people as odd, biblical authors frequently emphasized thematic unity over historical exactitude. For example, it is a well-known fact that some Gospel authors grouped Jesus’ sayings and deeds by theme rather than by the order in which they occurred historically. As a result, the order of events in the Gospels differs considerably, just as the order of events in Genesis 1 and Genesis 2 differs significantly. This would be of concern only if the authors intended to provide an exact account of how things happened historically. If their concern was more thematic, as we suggest, then the contradictions are inconsequential. Supporting ~ Gregory A Boyd,
1351:As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave to so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books.

Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their made-up tales. ~ Kurt Vonnegut,
1352:Novels can bring their authors to the brink of madness. Novels can shelter their authors, too.

As a writer, I protected the characters in The God of Small Things, because they were vulnerable. Many of the characters in The Ministry of Utmost Happiness are, for the most part, even more vulnerable. But they protect me. Especially Anjum, who was born as Aftab, who ends up as the proprietor and Manager of the Jannat Guest House, located in a derelict Muslim graveyard just outside the walls of Old Delhi. Anjum softens the borders between men and women, between animals and humans and between life and death. I go to her when I need shelter from the tyranny of hard borders in this increasingly hardening world. ~ Arundhati Roy,
1353:While some mainstream medical professionals continue to insist that NCGS doesn’t exist, scientists have validated it as a distinct clinical condition. In one major study, researchers reviewed the charts of 276 patients with irritable bowel syndrome (IBS) who had been diagnosed with NCGS using a double-blind, placebo-controlled wheat challenge (patients were put on a gluten-free diet and then given capsules containing either wheat or an inert substance). As a whole, the NCGS group had a higher frequency of anemia, weight loss, self-reported wheat intolerance, and a history of childhood food allergies than those in the IBS without NCGS group. The authors concluded that their data “confirm the existence of non-celiac ~ Chris Kresser,
1354:In 1907, Pope Pius X declared modernism a heresy, had its exponents within the church excommunicated, and put all critical studies of the Bible on the Index of proscribed books. Authors similarly distinguished include Descartes (selected works), Montaigne (Essais), Locke (Essay on Human Understanding), Swift (Tale of a Tub), Swedenborg (Principia), Voltaire (Lettres philosophiques), Diderot (Encyclopédie), Rousseau (Du contrat social), Gibbon (The Decline and Fall of the Roman Empire), Paine (The Rights of Man), Sterne (A Sentimental Journey), Kant (Critique of Pure Reason), Flaubert (Madame Bovary), and Darwin (On the Origin of Species). As a censorious afterthought, Descartes’ Meditations was added to the Index in 1948. ~ Sam Harris,
1355:I was once invited to the circuit court as an expert; during a break, one of my fellow experts drew my attention to the prosecutor’s rude treatment of the defendants, among whom were two women of the intelligentsia. I don’t think I was exaggerating in the least when I answered my colleague that this treatment was no more rude than that displayed towards each other by the authors of serious articles. Indeed, it is such rude treatment that one cannot speak of it without pain. Either they treat each other and the authors they criticize with excessive deference, forgetting all dignity, or the reverse, they handle them with greater boldness than I use in these notes, and in my thoughts, towards my future son-in-law Gnekker. ~ Anton Chekhov,
1356:it strikes me that the writers most deeply concerned with the state of literary fiction and its biases against women could do a lot worse than trying to coin some terms of their own: to name the archetypes they wish to invert or criticise and thereby open up the discussion. If authors can be thought of as magicians in any sense, then the root of our power has always rested with words: choosing them, arranging them and – most powerfully – inventing them. Sexism won’t go away overnight, and nor will literary bias. But until then, if we’re determined to invest ourselves in bringing about those changes, it only makes sense to arm ourselves with a language that we, and not our enemies, have chosen.

May 14, 2011 Blog post ~ Foz Meadows,
1357:The authors who gathered around my magazine New Worlds shared my feelings that through literary SF we could regenerate Anglophone fiction. I am glad to say this experiment largely succeeded, so that most of our best-known literary writers employ techniques which we were responsible for developing. The latest Thomas Pynchon novel, Against the Day, as well as work by Martin Amis, Salman Rushdie, Don DeLillo, Brett Easton Ellis and many, many other writers contains methods first developed in New Worlds. We were all, of course, part of the general zeitgeist which was also influenced by non-European fiction and created what some came to call "magic realism."
--Michael Moorcock, Introduction to the Taiwan Edition of Elric ~ Michael Moorcock,
1358:Indie authors who are successful are very successful. They can do everything to conceive, write, market, and bring to fruition the life of a book. Whereas a traditionally published author relies on their publisher for most of the publishing chain. When a traditional author tries to become indie, they are not as successful as an indie. This shows the strength is in the individual author itself. An indie author can bring much more to the table because of their indie spirit. And when you combine the drive for success and survival as a business for indies who have a family to support with their book sales, an indie author who is successful and driven by their need to survive (like me), they are UNSTOPPABLE! - Strong by Kailin Gow ~ Kailin Gow,
1359:Characters should be interchangeable as between one book and another. The entire corpus of existing literature should be regarded as a limbo from which discerning authors could draw their characters as required, creating only when they failed to find a suitable existing puppet. The modern novel should be largely a work of reference. Most authors spend their time saying what has been said before – usually said much better. A wealth of references to existing works would acquaint the reader instantaneously with the nature of each character, would obviate tiresome explanations and would effectively preclude mountebanks, upstarts, thimble-riggers and persons of inferior education from an understanding of contemporary literature. ~ Flann O Brien,
1360:Given this lack of evidence, why has the meshing hypothesis proved so tenacious? The authors of the paper suspect that learning style theories ‘may reflect the fact that people are concerned that they, and their children, be seen and treated by educators as unique individuals’ (2008: 107). Moreover, learning styles offer unsuccessful learners (and their parents) a stick to beat their teachers with: ‘If a person or a person’s child is not succeeding or excelling in school, it may be more comfortable for the person to think that the educational system … is responsible [and] that the fault lies with instruction being inadequately tailored to one’s learning style’ (ibid.). Learning styles, in other words, are a convenient untruth. ~ Scott Thornbury,
1361:I think it was Asimov who once compared prose to windows. Some authors, he said— like Asimov himself— wrote in a style devoid of flourishes or lyricism, telling the story in a just the facts, ma’am kinda way. This is your standard clear-window prose; you don’t appreciate it, you don’t even notice it, but at least you’ve got a clear view of what’s going down on the other side. Others (Samuel Delany and China Miéville come to mind) write “stained-glass-window” prose: the words contain a kind of beauty in the way they’re put together, they draw attention to their own construction and invite whistles of admiration. The only problem with stained-glass windows is, the more ornate the pane, the tougher it is to see what’s on the other side. ~ Peter Watts,
1362:Have you ever stood before a shelf of books that stretches from the floor to the ceiling, looking at the names on the spines of the books, running your hands over them, sometimes squatting down on the floor to look carefully at the books kept on the bottom shelf, and then bringing over a step ladder or stool to climb up and see the books that have been kept high up? Finding the copies of books I was searching for, or bringing down a dusty copy of a forgotten book that no one had issued in many years and taking it away with me to read was a thrilling new experience. Till today I read all kinds of books. Many authors send me their books just to hear what I will say, and I have come across so many interesting new voices in this way. ~ A P J Abdul Kalam,
1363:Now the ground of this evil cannot be placed, as is so commonly done, in man's senses and the natural inclinations to evil (rather do they afford the occasion for what the moral disposition in its power can manifest, namely, virtue); we cannot, must not even be considered responsible for their existence since they are not implanted in us and we are not their authors. We are accountable, however, for the propensity to evil, which, as it affects the morality of the subject, is to be found in him as a free-acting being and for which it must be possible to hold him accountable as the offender--this, too, despite the fact that this propensity is so deeply rooted in the will that we are forced to say that it is to be found in man by nature. ~ Immanuel Kant,
1364:[The critic] serves up his erudition in strong doses; he pours out all the knowledge he got up the day before in some library or other, and treats in heathenish fashion people at whose feet he ought to sit, and the most ignorant of whom could give points to much wiser men than he.

Authors bear this sort of thing with a magnanimity and a patience that are really incomprehensible. For, after all, who are those critics, who with their trenchant tone, their dicta, might be supposed sons of the gods? They are simply fellows who were at college with us, and who have turned their studies to less account, since they have not produced anything, and can do no more than soil and spoil the works of others, like true stymphalid vampires. ~ Th ophile Gautier,
1365:Historically, dust jackets are a new concern for authors; you don't see them much before the 1920s. And dust jacket is a strange name for this contrivance, as if books had anything to fear from dust. If you store a book properly, standing up, then the jacket doesn't cover the one part of the book that is actually exposed to dust, which is the top of the pages. So a dust jacket is no such thing at all; it is really a sort of advertising wrapper, like the brown paper sheath on a Hershey's bar. On this wrapper goes the manufacturer's name, the ingredients--some blithering about unforgettable characters or gemlike prose or gripping narrative--and a brief summation of who does what to whom in our gripping, unforgettable, gemlike object. ~ Paul Collins,
1366:THE HE’S ARE SHE’S In 1847, three novels excite England’s readers. Wuthering Heights by Ellis Bell tells a devastating tale of passion and shame. Agnes Grey by Acton Bell strips bare the hypocrisy of the family. Jane Eyre by Currer Bell exalts the courage of an independent woman. No one knows that the authors are female. The brothers Bell are actually the sisters Brontë. These fragile girls, virgins all, Emily, Anne, Charlotte, avenge their solitude by writing poems and novels in a village lost on the Yorkshire moors. Intruders into the male world of literature, they don men’s masks so the critics will forgive them for having dared. But the critics pan their works anyway, as “rude,” “crude,” “nasty,” “savage,” “brutal,” “libertine” . . . ~ Eduardo Galeano,
1367:We should approach books not like anxious schoolboys approaching forbidding masters, or indeed like wastrels approaching a bottle of liquor, but instead like mountaineers nearing the Alps and warriors entering the arsenal, not as refugees or people jaded with life but in the way that good-hearted people would approach friends and helpers. If only things were like this and happened this way, barely more than a tenth of what is now read would be read, and we would all be ten times happier and richer. And if it led to our books no longer being bought, and if that in turn led to us authors writing ten times less, that would by no means be a bad thing for the world. For things are no better where writing is concerned than they are with reading. ~ Hermann Hesse,
1368:Orwell, like the authors of the other negative utopias, is not a prophet of disaster. He wants to warn and awaken us. He still hopes--but in contrast to the writers of the utopias in the earlier phases of Western society, his hope is a desperate one. The hope can be realized only by recognizing, so 1984 teaches us, the danger with which all men are confronted today, the danger of a society of automatons who will have lost every trace of individuality, of love, of critical thought, and yet who will not be aware of it because of "doublethink." Books like Orwell's are powerful warnings, and it would be most unfortunate if the reader smugly interpreted 1984 as another description of Stalinist barbarism, and if he does not see that it means us, too. ~ Erich Fromm,
1369:Sarah Hale was every inch a superhero. Not only did she fight for Thanksgiving, she fought for playgrounds for kids, schools for girls, and historical monuments for everyone.
She argued against spanking, pie for breakfast, dull stories, corsets and bloomers and bustles, and very serious things like slavery.
As if that weren’t enough, she raised five children; wrote poetry, children’s books, novels, and biographies; was the first female magazine editor in America; published great American authors like Henry Wadsworth Longfellow and Edgar Allan Poe; and composed “Mary Had a Little Lamb.”

How did she do all of these things?

She was bold, brave, stubborn, and smart. And Sarah Hale had a secret weapon…
a pen. ~ Laurie Halse Anderson,
1370:Few people know this, but the four Gospels of the New Testament were written anonymously and only later came to be called by the names of their reputed authors. I often hear people these days bemoaning what they see as the decline of Christianity into liberalism, by which they mean beliefs they see as unorthodox, not matching their own. Yet, if anything, the faith is becoming narrower. The diversity of early Christianity is staggering when compared with today. “What is more, the early Church knew far more Gospels than those that eventually came to be included in the New Testament. Sadly, most have not survived the centuries. But they have turned up in this part of the world with incredible regularity, particularly in the period following World War II. ~ Dan Eaton,
1371:I know what the world has done to my brother and how narrowly he has survived it. And I know, which is much worse, and this is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. One can be, indeed one must strive to become, tough and philosophical concerning destruction and death, for this is what most of mankind has been best at since we have heard of man. (But remember: most of mankind is not all of mankind.) But it is not permissible that the authors of devastation should also be innocent. It is the innocence which constitutes the crime. ~ James Baldwin,
1372:As ever, books remained a medium through which Theodore and Edith connected and interpreted the larger world. Like Edith, Theodore filled pages of his letters with talk of authors and their creations. He had carried Anna Karenina with him during this trip west and told Corinne that he “read it through with very great interest.” Although he considered Tolstoy “a great writer,” he found his work deeply unsettling. “Do you notice how he never comments on the actions of his personages? He relates what they thought or did without any remark whatever as to whether it was good or bad, as Thucydides wrote history—a fact which tends to give his work an unmoral rather than an immoral tone, together with the sadness so characteristic of Russian writers. ~ Doris Kearns Goodwin,
1373:Why do we need the things in books? The poems, the essays, the stories? Authors disagree. Authors are human and fallible and foolish. Stories are lies after all, tales of people who never existed and the things that never actually happened to them. Why should we read them? Why should we care? The teller and the tale are very different. We must not forget that. Ideas—written ideas—are special. They are the way we transmit our stories and our thoughts from one generation to the next. If we lose them, we lose our shared history. We lose much of what makes us human. And fiction gives us empathy: it puts us inside the minds of other people, gives us the gift of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over. ~ Ray Bradbury,
1374:our house is our corner of the world. As has often been said, it is our first universe, a real cosmos in every sense of the word. If we look at it intimately, the humblest dwelling has beauty. Authors of books on “the humble home” often mention this feature of the poetics of space. But this mention is much too succinct. Finding little to describe in the humble home, they spend little time there; so they describe it as it actually is, without really experiencing its primitiveness, a primitiveness which belongs to all, rich and poor alike, if they are willing to dream. But our adult life is so dispossessed of the essential benefits, its anthropocosmic ties have become so slack, that we do not feel their first attachment in the universe of the house. ~ Gaston Bachelard,
1375:inside “VIRTUE,” according to George Bernard Shaw, “is insufficient temptation.” But new research on the consumption patterns of the environmentally minded suggests that virtue and self-indulgence often go hand-in-hand. A recent paper* by Uma Karmarkar of Harvard Business School and Bryan Bollinger of Duke Fuqua School of Business finds that shoppers who bring their own bags when they buy groceries like to reward themselves for it. For two years the authors tracked transactions at a supermarket in America. Perhaps unsurprisingly, shoppers who brought their own bags bought more green products than those who used the store’s bags. But the eco-shoppers were also more likely to buy sweets, ice cream and crisps. Psychologists call this sort of behaviour “moral ~ Anonymous,
1376:Free speech is a unitary issue in which there are no possible divisions. The moral standing of the speaker has no relevance, other than in our correlated free right to judge him in turn for his actions, and it should not matter whether the person speaking is the finest man who has ever lived or the worst, nor whether or not a majority concurs with his sentiment. It must not matter whether a writer is brilliant or moronic, or a cartoonist witty or bigoted, because it is not up to power, authority, plurality or orthodoxy to make that distinction. Parliament can not be the architect of its own opposition, nor the offended the authors of their own offense. Put bluntly, the law must not distinguish between the writings of Hitler and those of Shakespeare. ~ Charles C W Cooke,
1377:Why do we need the things in books? The poems, the essays, the stories? Authors disagree. Authors are human and fallible and foolish. Stories are lies after all, tales of people who never existed and the things that never actually happened to them. Why should we read them? Why should we care?

The teller and the tale are very different. We must not forget that.

Ideas–written ideas–are special. They are the way we transmit our stories and our thoughts from one generation to the next. If we lose them, we lose our shared history. We lose much of what makes us human. And fiction gives us empathy: it puts us inside the minds of other people, gives us the gift of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over. ~ Neil Gaiman,
1378:I was by no means the only reader of books on board the Neversink. Several other sailors were diligent readers, though their studies did not lie in the way of belles-lettres. Their favourite authors were such as you may find at the book-stalls around Fulton Market; they were slightly physiological in their nature. My book experiences on board of the frigate proved an example of a fact which every book-lover must have experienced before me, namely, that though public libraries have an imposing air, and doubtless contain invaluable volumes, yet, somehow, the books that prove most agreeable, grateful, and companionable, are those we pick up by chance here and there; those which seem put into our hands by Providence; those which pretend to little, but abound in much. ~ Herman Melville,
1379:While some mainstream medical professionals continue to insist that NCGS doesn’t exist, scientists have validated it as a distinct clinical condition. In one major study, researchers reviewed the charts of 276 patients with irritable bowel syndrome (IBS) who had been diagnosed with NCGS using a double-blind, placebo-controlled wheat challenge (patients were put on a gluten-free diet and then given capsules containing either wheat or an inert substance). As a whole, the NCGS group had a higher frequency of anemia, weight loss, self-reported wheat intolerance, and a history of childhood food allergies than those in the IBS without NCGS group. The authors concluded that their data “confirm the existence of non-celiac wheat sensitivity as a distinct clinical condition. ~ Chris Kresser,
1380:NOBREZA SILENCIOSA. SILENT NOBILITY. It is a mistake to believe that the crucial moments of a life when its habitual direction changes forever must be loud and shrill dramatics, washed away by fierce internal surges. This is a kitschy fairy tale started by boozing journalists, flashbulb-seeking filmmakers and authors whose minds look like tabloids. In truth, the dramatics of a life-determining experience are often unbelievably soft. It has so little akin to the bang, the flash, of the volcanic eruption that, at the moment it is made, the experience is often not even noticed. When it deploys its revolutionary effect and plunges a life into a brand-new light giving it a brand-new melody, it does that silently and in this wonderful silence resides its special nobility. ~ Pascal Mercier,
1381:Action Bias Among Elite Soccer Goalkeepers: The Case of Penalty Kicks’. Thompson reported: The academics analysed 286 penalty kicks and found that 94 per cent of the time the goalies dived to the right or the left – even though the chances of stopping the ball were highest when the goalie stayed in the centre. If that’s true, why do goalies almost always dive off to one side? Because, the academics theorised, the goalies are afraid of looking as if they’re doing nothing – and then missing the ball. Diving to one side, even if it decreases the chance of them catching the ball, makes them appear decisive. ‘They want to show that they’re doing something,’ says Michael Bar-Eli, one of the study’s authors. ‘Otherwise they look helpless, like they don’t know what to do.’16 ~ Pippa Malmgren,
1382:The bigger the population, the more minorities. Don't step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico...The bigger your market, Montag, the less you handle controversy, remember that! All the minor minorities with their navels to be kept clean. Authors, full of evil thoughts, lock up your typewriters. They did...There you have it, Montag. It didn't come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God. Today, thanks to them, you can stay happy all the time... ~ Ray Bradbury,
1383:The bigger the population, the more minorities. Don't step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico...The bigger your market, Montag, the less you handle controversy, remember that! All the minor minorities with their navels to be kept clean. Authors, full of evil thoughts, lock up your typewriters. They did...There you have it, Montag. It didn't come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God. Today, thanks to them, you can stay happy all the time,... ~ Ray Bradbury,
1384:He showed, in a few words, that it is not sufficient to throw together a few incidents that are to be met with in every romance, and that to dazzle the spectator the thought should be new, without being farfetched; frequently sublime, but always natural; the author should have a thorough knowledge of the human heart and make it speak properly; he should be a complete poet, without showing an affectation of it in any of the characters of his piece; he should be a perfect master of his language, speak it with all its pruity and with the utmost harmony, and yet so as not to make the sense a slave to the rhyme. Whoever, added he, neglects any one of these rules, though he may write two or three tragedies with tolerable success, will never be reckoned in the number of good authors. ~ Voltaire,
1385:PROFITS AT THE BOTTOM OF THE PYRAMID | Idea in Brief 105 words THE PROBLEM Multinational firms’ socially beneficial ventures in low-income markets need to earn profits if they’re to command corporate resources, but operating in the black is harder than it looks. THE SOLUTION Companies can use the authors’ “opportunity map” to design and undertake ventures at the bottom of the pyramid that match their capabilities and financial expectations. THE DETAILS The map sorts ventures according to cost and complexity by analyzing two key challenges in selling to the poor: changing consumers’ behavior and changing the way products are made and delivered. The map can encourage companies to forgo overly ambitious, unsustainable projects and start with smaller ones that generate steady profits. ~ Anonymous,
1386:There are as many Africas as there are books about Africa -- and as many books about it as you could read in a leisurely lifetime. Whoever writes a new one can afford a certain complacency in the knowledge that his is a new picture agreeing with no one else's, but likely to be haugthily disagreed with by all those who believed in some other Africa. ... Being thus all things to all authors, it follows, I suppose, that Africa must be all things to all readers.

Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home. ~ Beryl Markham,
1387:Encouraged by this to a further examination of his opinions, she proceeded to question him on the subject of books; her favourite authors were brought forward and dwelt upon with so rapturous a delight, that any young man of five-and-twenty must have been insensible indeed, not to become an immediate convert to the excellence of such works, however disregarded before. Their taste was strikingly alike. The same books, the same passages were idolized by each -- or, if any difference appeared, any objection arose, it lasted no longer than till the force of her arguments and the brightness of her eyes could be displayed. He acquiesced in all her decisions, caught all her enthusiasm, and long before his visit concluded, they conversed with the familiarity of a long-established acquaintance. ~ Jane Austen,
1388:Had the truth been known, there was not one of the 'faithful' who was not infinitely more malicious than Swann; but the others would all take the precaution of tempering their malice with obvious pleasantries, with little sparks of emotion and cordiality; while the least indication of reserve on Swann's part, undraped in any such conventional formula as 'Of course, I don't want to say anything--' to which he would have scorned to descend, appeared to them a deliberate act of treachery. There are certain original and distinguished authors in whom the least 'freedom of speech' is thought revolting because they have not begun by flattering the public taste, and serving up to it the commonplace expressions to which it is is used; it was by the same process that Swann infuriated M. Verdurin. ~ Marcel Proust,
1389:You’re right,” he said. “Books are company. They contain the thoughts and voices of other people who live or have lived in this world. All these authors have in common the fact that they’re buried here, opposite us. Even though you can’t hear them yet, they speak to us all the time. Not just them, the ones who never wrote a thing, too. You’d hear them if you didn’t have the radio on. If you start reading them, they’ll seem familiar to you, you’ll see.” (I thought of all the people I had seen arguing out loud with themselves on the streets.) He paused. I suppose he must have realized that once again I had begun to doubt his sanity. “Let me suggest something: go and stand in front of the bookshelf and choose a book you don’t know, any one you like. You can take it, I’ll lend it to you. ~ Guadalupe Nettel,
1390:Adiyogi’s yogic mastery allowed him the pleasure of being internally drunk and completely aware, fully stoned and fully conscious, at every moment of his life. This, he reminds us, is possible for each one of us. We can generate our own peace and joy internally, without any external stimulus. The path of yoga makes us the masters of our own chemistry, the authors of our own bliss. Once we find access to our own inner intoxication without losing our stability, our lives become an exuberant expression of our joy, rather than a pursuit of happiness. Intoxicated and alert; dynamic and still; superbly formed and yet in tune with lunar mysteries where things lose all shape and definition; larger-than-life and yet covered with the ash of death – Adiyogi embodied many contradictions all at once. When ~ Sadhguru,
1391:It's a dreadfully long monster of a book, and I certainly won't have time to read it, but I'm giving it a thorough skimming. The authors are utterly incompetent - no sense of style or structure at all. It starts out as a detective story, switches to science-fiction, then goes off into the supernatural, and is full of the most detailed information of dozens of ghastly boring subjects. And the time sequence is all out of order in a very pretentious imitation of Faulkner and Joyce. Worst yet, it has the most raunchy sex scenes, thrown in just to make it sell, I'm sure, and the authors - whom I've never heard of - have the supreme bad taste to introduce real political figures into this mishmash and pretend to be exposing a real conspiracy. You can be sure I won't waste time reading such rubbish. ~ Robert Shea,
1392:You hold in your hands a very special book. It contains one hundred carnival rides of terror. You must remember: horror can come from any direction. It can be as subtle as a spider web's caress, or as vicious as the drop of an axe blade. It can be grim as the reaper, or as sardonic as, well, Sardonicous. It can wear the garments of science or superstition; can be dressed in the trappings of fantasy or the fancy-free. But always it will terrify. And one of the bluntest of its instruments is the short-short story, one of the most difficult of literary devices to master. Not only must each word be perfect-but each comma and period. Nothing can be wasted. In the hands of master executioners, like the authors who fill this book-it can be deadly. So... Die-and die again- one hundred times... ~ Martin H Greenberg,
1393:so you distill these stories great authors distill stories and we have soties that are very very very old they are usually religious stories they could be fairy tales because some people ahve traced fairy tales back 10 000 years ... a story that has been told for 10000 years is a funny kind of story its like people have remembered it and obviously modified it, like a game of telephone that has gone on for generations and all that is left is what people remember and maybe they remember whats important, because you tend to remember what's important and its not necessarily the case that you know what the hell it means ... and you dont genereally know what a book that you read means not if its profound it means more than you can understand because otherwise why read it? ~ Jordan Peterson, Maps of Meaning 2017 - 1,
1394:The authors determined the completeness of a mystical experience using two questionnaires, including the Pahnke-Richards Mystical Experience Questionnaire, which is based in part on William James’s writing in “The Varieties of Religious Experience.” The questionnaire measures feelings of unity, sacredness, ineffability, peace and joy, as well as the impression of having transcended space and time and the “noetic sense” that the experience has disclosed some objective truth about reality. A “complete” mystical experience is one that exhibits all six characteristics. Griffiths believes that the long-term effectiveness of the drug is due to its ability to occasion such a transformative experience, but not by changing the brain’s long-term chemistry, as a conventional psychiatric drug like Prozac does. ~ Anonymous,
1395:The value of experience, real or imagined, is that is shows us how to - or how NOT to - live. In reading about different characters and the consequences of their choices, I was finding myself changed. I was discovering new and distinct ways of undergoing life's sorrows and joys ...

and all the great books I was reading - were about the complexity and entirety of the human experience. About the things we wish to forget and those we want more and more of. About how we react and how we wish we could react. Books ARE experience, the words of authors proving the solace of love, the fulfillment of family, the torment of war, and the wisdom of memory. Joy and tears, pleasure and pain: everything came to me while I read in my purple chair. i had never sat so still, and yet experienced so much. ~ Nina Sankovitch,
1396:Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I ~ Amy Poehler,
1397:This is McDonough and Braungart’s argument that “Waste = Food,” that is, that we must consider waste as an integral part of any natural system and that “effectiveness” is more critical to the success of an ecosystem than “efficiency.” Like Bataille, the authors privilege useless abundance and profligacy over means­to­an­end instrumentalism. And in this way, their argument is closer to Bataille’s in that they recognize that there is a human need for things that surpass utility or efficiency, such as beauty, creativity, fantasy, and enjoyment. They write, Imagine a fully efficient world…Mozart would hit the piano with a two­by­four. Van Gogh would use one color…And what about efficient sex? An efficient world is not one we envision as delightful. In contrast to nature, it is downright parsimonious (65) ~ Anonymous,
1398:people in hunter-gatherer communities shared about 25 percent, while people in societies who regularly engage in trade gave away about 45 percent. Although religion was a modest factor in making people more generous, the strongest predictor was “market integration,” defined as “the percentage of a household’s total calories that were purchased from the market, as opposed to homegrown, hunted, or fished.” Why? Because, the authors conclude, trust and cooperation with strangers lowers transaction costs and generates greater prosperity for all involved, and thus market fairness norms “evolved as part of an overall process of societal evolution to sustain mutually beneficial exchanges in contexts where established social relationships (for example, kin, reciprocity, and status) were insufficient.”57 ~ Michael Shermer,
1399:Years ago I conducted a course in fiction writing at the Brooklyn Institute of Arts and Sciences, and we wanted such distinguished and busy authors as Kathleen Norris, Fannie Hurst, Ida Tarbell, Albert Payson Terhune and Rupert Hughes to come to Brooklyn and give us the benefit of their experiences. So we wrote them, saying we admired their work and were deeply interested in getting their advice and learning the secrets of their success. Each of these letters was signed by about a hundred and fifty students. We said we realized that these authors were busy—too busy to prepare a lecture. So we enclosed a list of questions for them to answer about themselves and their methods of work. They liked that. Who wouldn’t like it? So they left their homes and traveled to Brooklyn to give us a helping hand. By ~ Dale Carnegie,
1400:I'm getting very sorry for the Devil and his disciples such as the good LeChiffre. The Devil has a rotten time and I always like to be on the side of the underdog. We don't give the poor chap a chance. There's a Good Book about goodness and how to be good and so forth, but there's no Evil Book about evil and how to be bad. The Devil has no prophets to write his Ten Commandments and no team of authors to write his biography. His case has gone completely by default. We know nothing about him but a lot of fairy stories from our parents and schoolmasters. He has no book from which we can learn the nature of evil in all its forms, with parables about evil people, proverbs about evil people, folk-lore about evil people. All we have is the living example of the people who are least good, or our own intuition. ~ Ian Fleming,
1401:When history textbooks leave out the Arawaks, they offend Native Americans. When they omit the possibility of African and Phoenician precursors to Columbus, they offend African Americans. When they glamorize explorers such as de Soto just because they were white, our histories offend all people of color. When they leave out Las Casas, they omit an interesting idealist with whom we all might identify. When they glorify Columbus, our textbooks prod us toward identifying with the oppressor. When textbook authors omit the causes and process of European world domination, they offer us a history whose purpose must be to keep us unaware of the important questions. Perhaps worst of all, when textbooks paint simplistic portraits of a pious, heroic Columbus, they provide feel-good history that bores everyone. ~ James W Loewen,
1402:OVER the meadows, and down the stream,

And through the garden-walks straying,
He plucks the flowers that fairest seem;

His throbbing heart brooks no delaying.
His maiden then comes--oh, what ecstasy!
Thy flowers thou giv'st for one glance of her eye!

The gard'ner next door o'er the hedge sees the youth:
"I'm not such a fool as that, in good truth;
My pleasure is ever to cherish each flower,
And see that no birds my fruit e'er devour.
But when 'tis ripe, your money, good neighbour!
'Twas not for nothing I took all this labour!"
And such, methinks, are the author-tribe.

The one his pleasures around him strews,

That his friends, the public, may reap, if they choose;
The other would fain make them all subscribe.
~ Johann Wolfgang von Goethe, Authors
,
1403:We've inherited many ideas about writing that emerged in the eighteenth century, especially an interest in literature as both an expression and an exploration of the self. This development — part of what distinguishes the "modern" from the "early modern" — has shaped the work of many of our most celebrated authors, whose personal experiences indelibly and visibly mark their writing. It's fair to say that the fiction and poetry of many of the finest writers of the past century or so — and I'm thinking here of Conrad, Proust, Lawrence, Joyce, Woolf, Kafka, Plath, Ellison, Lowell, Sexton, Roth, and Coetzee, to name but a few — have been deeply autobiographical. The link between the life and the work is one of the things we're curious about and look for when we pick up the latest book by a favorite author. ~ James Shapiro,
1404:I know very well you can't help me," he said. "But I tell you, because unsuccessful and superfluous people like me find their salvation in talking. I have to generalise about everything I do. I'm bound to look for an explanation and justification of my absurd existence in somebody else's theories, in literary types—in the idea that we, upper-class Russians, are degenerating, for instance, and so on. Last night, for example, I comforted myself by thinking all the time: 'Ah, how true Tolstoy is, how mercilessly true!' And that did me good. Yes, really, brother, he is a great writer, say what you like!" Samoylenko, who had never read Tolstoy and was intending to do so every day of his life, was a little embarrassed, and said: "Yes, all other authors write from imagination, but he writes straight from nature. ~ Anton Chekhov,
1405:Just as a state's police swear to prevent and punish murder, so the signers of the Genocide Convention [in 1948] swore to police a brave new world order. The rhetoric of moral utopia is a peculiar response to genocide. But those were heady days, just after the trials at Nuremberg, when the full scale of the Nazi extermination of Jews all over Europe had been recognized as a fact of which nobody could any longer claim ignorance. The authors and signers of the Genocide Convention knew perfectly well that they had not fought World War II to stop the Holocaust but rather--and often, as in the case of the United States, reluctantly--to contain fascist aggression. What made those victorious powers, which dominated the UN then even more than they do now, imagine that they would act differently in the future? ~ Philip Gourevitch,
1406:Historically, noted James Manyika, one of the authors of the McKinsey report, companies kept their eyes on competitors “who looked like them, were in their sector and in their geography.” Not anymore. Google started as a search engine and is now also becoming a car company and a home energy management system. Apple is a computer manufacturer that is now the biggest music seller and is also going into the car business, but in the meantime, with Apple Pay, it’s also becoming a bank. Amazon, a retailer, came out of nowhere to steal a march on both IBM and HP in cloud computing. Ten years ago neither company would have listed Amazon as a competitor. But Amazon needed more cloud computing power to run its own business and then decided that cloud computing was a business! And now Amazon is also a Hollywood studio. ~ Thomas L Friedman,
1407:I’m always astonished when readers suggest that I must write my novels while high on pot or (God forbid!) LSD. Apparently, there are people who confuse the powers of imagination with the effects of intoxication. Not one word of my oeuvre, not one, has been written while in an artificially altered state. Unlike many authors, I don’t even drink coffee when I write. No coffee, no cola, no cigarettes. There was a time when I smoked big Havana cigars while writing, not for the nicotine (I didn’t inhale) but as an anchor, something to hold on to, I told myself, to keep from falling over the edge of the earth. Eventually, I began to wonder what it would be like to take that fall. So one day I threw out the cigars and just let go. Falling, I must say, has been exhilarating -- though I may change my mind when I hit bottom. ~ Tom Robbins,
1408:But since anxiety attacks the foundation (core, essence) of the personality, the individual cannot 'stand outside' the threat, cannot objectify it. Thereby, one is powerless to take steps to confront it. One cannot fight what one does not know. In common parlance, one feels caught, or if the anxiety is severe, overwhelmed; one is afraid but uncertain of what one is afraid. The fact that anxiety is a threat to the essential, rather than to the peripheral, security of the person has led some authors like Freud and Sullivan to describe it as a 'cosmic' experience. It is 'cosmic' in that it invades us totally, penetrating our whole subjective universe. We cannot stand outside it to objectify it. We cannot see it separately from ourselves, for the very perception with which we look will also be invaded by anxiety. ~ Rollo May,
1409:MANIFESTO OF THE BRAVE AND BROKENHEARTED There is no greater threat to the critics and cynics and fearmongers Than those of us who are willing to fall Because we have learned how to rise With skinned knees and bruised hearts; We choose owning our stories of struggle, Over hiding, over hustling, over pretending. When we deny our stories, they define us. When we run from struggle, we are never free. So we turn toward truth and look it in the eye. We will not be characters in our stories. Not villains, not victims, not even heroes. We are the authors of our lives. We write our own daring endings. We craft love from heartbreak, Compassion from shame, Grace from disappointment, Courage from failure. Showing up is our power. Story is our way home. Truth is our song. We are the brave and brokenhearted. We are rising strong. ~ Bren Brown,
1410:All things considered, I’ve learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy -- it’s tough being creative in a materialistic society -- but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don’t feel so acutely the weight of language. ~ Tom Robbins,
1411:All things considered, I’ve learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy -- it’s tough being creative in a materialistic society -- but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don’t feel so acutely the weight of language. The ~ Tom Robbins,
1412:Ah!' said Michel, tempted, 'you have modern poems?'
'Of course. For instance, Martillac's 'Electric Harmonies,' which won a prize last year from the Academic of Sciences, and Monsieur de Pulfasse's 'Meditations on Oxygen;' and we have the 'Poetic Parallelogram,' and even the 'Decarbonated Odes. . .'
Michel couldn't bear hearing another word and found himself outside again, stupefied and overcome. Not even this tiny amount of art had escaped the pernicious influence of the age! Science, Chemistry, Mechanics had invaded the realm of poetry! 'And such things are read,' he murmured as he hurried through the streets, ' perhaps even bought! And signed by the authors and placed on the shelves marked 'Literature.' But not one copy of Balzac, not one work by Victor Hugo! Where can I find such things-where, if not the Library... ~ Jules Verne,
1413:BERLIN, October 29 I’ve been looking into what Germans are reading these dark days. Among novels the three best-sellers are: (1) Gone with the Wind, translated as Vom Winde Verweht—literally “From the Wind Blown About”; (2) Cronin’s Citadel; (3) Beyond Sing the Woods, by Trygve Gulbranssen, a young Norwegian author. Note that all three novels are by foreign authors, one by an Englishman. Most sought-after non-fiction books are: (1) The Coloured Front, an anonymous study of the white-versus-Negro problem; (2) Look Up the Subject of England, a propaganda book about England; (3) Der totale Krieg, Ludendorff’s famous book about the Total War—very timely now; (4) Fifty Years of Germany, by Sven Hedin, the Swedish explorer and friend of Hitler; (5) So This is Poland, by von Oertzen, data on Poland, first published in 1928. Three ~ William L Shirer,
1414:Those of us who have been true readers all our life seldom fully realise the enormous extension of our being which we owe to authors. We realise it best when we talk with an unliterary friend. He may be full of goodness and good sense but he inhabits a tiny world. In it, we should be suffocated. The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented…. In reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do. ~ C S Lewis,
1415:That same brutal principle of unequal distribution applies outside the financial domain— indeed, anywhere that creative production is required. The majority of scientific papers are published by a very small group of scientists. A tiny proportion of musicians produces almost all the recorded commercial music. Just a handful of authors sell all the books. A million and a half separately titled books (!) sell each year in the US. However, only five hundred of these sell more than a hundred thousand copies. 12 Similarly, just four classical composers (Bach, Beethoven, Mozart, and Tchaikovsky) wrote almost all the music played by modern orchestras. Bach, for his part, composed so prolifically that it would take decades of work merely to hand- copy his scores, yet only a small fraction of this prodigious output is commonly performed. ~ Jordan Peterson,
1416:That same brutal principle of unequal distribution applies outside the financial domain— indeed, anywhere that creative production is required. The majority of scientific papers are published by a very small group of scientists. A tiny proportion of musicians produces almost all the recorded commercial music. Just a handful of authors sell all the books. A million and a half separately titled books (!) sell each year in the US. However, only five hundred of these sell more than a hundred thousand copies. 12 Similarly, just four classical composers (Bach, Beethoven, Mozart, and Tchaikovsky) wrote almost all the music played by modern orchestras. Bach, for his part, composed so prolifically that it would take decades of work merely to hand- copy his scores, yet only a small fraction of this prodigious output is commonly performed. ~ Jordan B Peterson,
1417:Sentences spoken by writers, unless they have been written out first, rarely say what writers wish to say. Writers are unlucky speakers, by and large, which accounts for their being in a profession which encourages them to stay at their desks for years, if necessary, pondering what to say next and how best to say it. Interviewers propose to speed up this process
by trepaning writers, so to speak, and fishing around in their brains for unused ideas which otherwise might never get out of there. Not a single idea has ever been discovered by means of this brutal method--and still the trepaning of authors goes on every day.

I now refuse all those who wish to take the top off my skull yet again. The only way to get anything out of a writer's brains is to leave him or her alone until he or she is damn well ready to write it down. ~ Kurt Vonnegut,
1418:The Puranic tradition, even if not in written form, existed already “in the Upaniṣadic period if not earlier” (Siddhantashastree 1977) and was mentioned in the Mahābhārata (18.6.97, “eighteen Purāṇas”) and in the Chāndogya Upaniṣad (7:1:2-4).... These distortions are common fare in any appropriation of ancient history by later writers, and only corroborate that we are dealing with authors really trying to do history, though it was an embellished and ideologically streamlined history. So, we have to treat would-be historical information from the Purāṇas with care; but with that caveat, we dare provisionally to draw upon at least the Puranic genealogies. These are the hard core of their pretended narrative of the past. ~ Elst, Koenraad (2018). Still no trace of an Aryan invasion: A collection on Indo-European origins. quoting (Siddhantashastree 1977:8),
1419:When I started reading the literature of molecular biology, I was stunned by certain descriptions. Admittedly, I was on the lookout for anything unusual, as my investigation had led me to consider that DNA and its cellular machinery truly were an extremely sophisticated technology of cosmic origin. But as I pored over thousands of pages of biological texts, I discovered a world of science fiction that seemed to confirm my hypothesis. Proteins and enzymes were described as 'miniature robots,' ribosomes were 'molecular computers,' cells were 'factories,' DNA itself was a 'text,' a 'program,' a 'language,' or 'data.' One only had to do a literal reading of contemporary biology to reach shattering conclusions; yet most authors display a total lack of astonishment and seem to consider that life is merely 'a normal physiochemical phenomenon. ~ Jeremy Narby,
1420:I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. There are plenty of examples. I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. I went to bed in great excitement and in the morning I woke up and the gifts were there, but no one had seen the Befana. True miracles are the ones whose makers will never be known; they are the very small miracles of the secret spirits of the home or the great miracles that leave us truly astonished. I still have this childish wish for marvels, large or small, I still believe in them. ~ Elena Ferrante,
1421:The bigger the population, the more minorities. Don't step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico...The bigger your market, Montag, the less you handle controversy, remember that! All the minor minorities with their navels to be kept clean. Authors, full of evil thoughts, lock up your typewriters. They did...There you have it Montag. It didn't come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God. Today, thanks to them, you can stay happy all the time, you are allowed to read comics, the good old confessions, or trade journals. ~ Ray Bradbury,
1422:Again, how will we keep them loyal? What measures can ensure our machines stay true to us? Once artificial intelligence matches our own, won’t they then design even better ai minds? Then better still, with accelerating pace? At worst, might they decide (as in many cheap dramas), to eliminate their irksome masters? At best, won’t we suffer the shame of being nostalgically tolerated? Like senile grandparents or beloved childhood pets? Solutions? Asimov proposed Laws of Robotics embedded at the level of computer DNA, weaving devotion toward humanity into the very stuff all synthetic minds are built from, so deep it can never be pulled out. But what happens to well-meant laws? Don’t clever lawyers construe them however they want? Authors like Asimov and Williamson foresaw supersmart mechanicals becoming all-dominant, despite deep programming to “serve man. ~ David Brin,
1423:These reasonings will furnish us with an adequate definition of a true critic: that he is a discoverer and collector of writers’ faults. Which may be farther put beyond dispute by the following demonstration: that whoever will examine the writings in all kinds, wherewith this ancient sect has honoured the world, shall immediately find, from the whole thread and tenor of them, that the ideas of the authors have been altogether conversant and taken up with the faults and blemishes, and oversights, and mistakes of other writers; and let the subject treated on be whatever it will, their imaginations are so entirely possessed and replete with the defects of other pens, that the very quintessence of what is bad does of necessity distil into their own, by which means the whole appears to be nothing else but an abstract of the criticisms themselves have made. ~ Jonathan Swift,
1424:Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts—eighteenth-century Reader’s Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for “delicious morsels,” one that spits out “every thing which is plain.” Good books, in contrast, require good readers: “In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them. ~ Karen Swallow Prior,
1425:Lester Dent died thinking his name and works belonged to a pulp past destined to be forgotten. Just a year before his passing, he scoffed at the mention of his old Doc Savage novels, saying, “They would be so outdated today that they would undoubtedly be funny. Hell, when I wrote them, an airplane that could fly 200 miles per hour was science fiction. They would be of no interest any more.” Five years after his death, Bantam Books released three Doc novels to test a market in which pulp reprints of Edgar Rice Burroughs’ Tarzan of the Apes were selling briskly. Thanks in part to James Bama’s powerful monochromatic covers, Doc Savage sales surged and surged until millions of copies were sold, making “Kenneth Robeson” one of the best-selling authors of the 1960s—a posthumous vindication which, for all his imaginative powers, Lester Dent himself never envisioned. ~ Kenneth Robeson,
1426:My idea is not to try and charm you with subtle psychological observations. I have no desire to draw applause from you with my finesse and my humour. There are some authors who employ their talent in the delicate description of varying states of soul, character traits, etc. I shall not be counted among these. All that accumulation of realistic detail, with clearly differentiated characters hogging the limelight, has always seemed pure bullshit to me, I’m sorry to say. Daniel who is Hervé’s friend, but who feels a certain reticence about Gérard. Paul’s fantasy as embodied in Virginie, my cousin’s trip to Venice … One could spend hours on this. Might as well watch lobsters marching up the side of an aquarium (it suffices, for that, to go to a fish restaurant). Added to which, I associate very little with other human beings. To reach the otherwise philosophical ~ Michel Houellebecq,
1427:He tells Heath that reading was never modeled for him, that he couldn’t remember either of his parents ever reading a book, except aloud, and to him. “Without missing a beat Heath replied: ‘Yes, but there’s a second kind of reader. There’s the social isolate—the child who from an early age felt very different from everyone around him.… What happens is you take that sense of being different into an imaginary world. But in that world, then, is a world you can’t share with the people around you—because it’s imaginary. And so the important dialogue in your life is with the authors of the books you read. Though they aren’t present, they become your community” (77). Franzen sees himself as this second kind of reader, especially when Heath tells him that readers of the social-isolate variety are much more likely to become writers than those of the modeled habit variety. ~ James C Collins,
1428:I don’t even know what the big deal is. If you ask me, society really does make way too much out of it. It’s like we want to glorify the process of procreation. You have these authors like Byron who make physical familiarity out to be some amazing, soul-consuming, meaning of life, like an end-of-the-world thing, and it’s not like that. It’s…” I waved my free hand in the air, trying to find the right words. “It’s like having someone else pick your nose or floss your teeth. It requires a lot of coordination and planning. For instance, you can’t do it unless you’ve had a shower within so many hours ahead of time. If you fall out of that time window, then you have to stop reading comics or whatever you’re currently doing, go take a shower, dry off, get dressed, blah blah blah. What a hassle. I think bacteria have the right idea; humans should procreate via binary fission. ~ Penny Reid,
1429:Many authors also attacked the widespread corruption among lawyers. In general, justice was recognized as being so unjust that, as Montaigne complained, ordinary people avoided it rather than seeking it out. He cited a local incident in which a group of peasants found a man lying stabbed and bleeding on a path. He begged them to give him water and help him to his feet, but they ran off, not daring to touch him in case they were held responsible for the attack. Montaigne had the job of talking to them after they were tracked down. “What could I say to them?” he wrote. They were right to be afraid. In another case he mentions, a gang of killers confessed to a murder for which someone had already been tried and was about to be executed. Surely this ought to mean a stay of execution? No, decided the court: that would set a dangerous precedent for overturning judgments. ~ Sarah Bakewell,
1430:By starving myself into society’s beauty ideal, I had compromised my success, my independence, and my quality of life. Being overweight was really no different. It was just the “f— you” response to the same pressure. I was still responding to the pressure to comply to the fashion industry’s standards of beauty, just in the negative sense. I was still answering to their demands when really I shouldn’t have been listening to them at all. The images of stick-thin prepubescent girls never should have had power over me. I should’ve had my sights set on successful businesswomen and successful female artists, authors, and politicians to emulate. Instead I stupidly and pointlessly just wanted to be considered pretty. I squandered my brain and my talent to squeeze into a size 2 dress while my male counterparts went to work on making money, making policy, making a difference. ~ Portia de Rossi,
1431:Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works that selected the brightest passages but left out deeper contexts—eighteenth-century versions of Reader’s Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for “delicious morsels,” one that spits out “every thing which is plain.” Good books, in contrast, require good readers: “In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them.”24 ~ Karen Swallow Prior,
1432:Generalizations in biology are almost invariably of a probabilistic nature. As one wit has formulated it, there is only one universal law in biology: 'All biological laws have exceptions.' This probabilistic conceptualization contrasts strikingly with the view during the early period of the scientific revolution that causation in nature is regulated by laws that can be stated in mathematical terms. Actually, this idea occurred apparently first to Pythagoras. It has remained a dominant idea, particularly in the physical sciences, up to the present day. Again and again it was made the basis of some comprehensive philosophy, but taking very different forms in the hands of various authors. With Plato it gave rise to essentialism, with Galileo to a mechanistic world picture, and with Descartes to the deductive method. All three philosophies had a fundamental impact on biology. ~ Ernst W Mayr,
1433:What a need we humans have for confession. To a priest, to a friend, to a psychoanalyst, to a relative, to an enemy, even to a torturer when there is no one else, it doesn't matter so long as we speak out what moves within us. Even the most secretive of us do it, if no more than writing in a private diary. And I have often thought as I read stories and novels and poems, especially poems, that they are no more than authors' confessions transformed by their art into something that confesses for us all. Indeed, looking back on my life-long passion for reading, the one activity that has kept me going and given me the most and only lasting pleasure, I think this is the reason that explains why it means so much to me. The books, the authors who matter the most are those who speak to me and speak for me all those things about life I most need to hear as the confession of myself. ~ Aidan Chambers,
1434:One of the most bizarre and intriguing findings is that people with brain damage may be particularly good investors. Why? Because damage to certain parts of the brain can impair the emotional responses that cause the rest of us to do foolish things. A team of researchers from Carnegie Mellon, Stanford, and the University of Iowa conducted an experiment that compared the investment decisions made by fifteen patients with damage to the areas of the brain that control emotions (but with intact logic and cognitive functions) to the investment decisions made by a control group. The brain-damaged investors finished the game with 13 percent more money than the control group, largely, the authors believe, because they do not experience fear and anxiety. The impaired investors took more risks when there were high potential payoffs and got less emotional when they made losses.7 This ~ Charles Wheelan,
1435:At pier four there is a 34-foot yawl-rigged yacht with two of the three hundred and twenty-four Esthonians who are sailing around in different parts of the world, in boats between 28 and 36 feet long and sending back articles to the Esthonian newspapers. These articles are very popular in Esthonia and bring their authors between a dollar and a dollar and thirty cents a column. They take the place occupied by the baseball or football news in American newspapers and are run under the heading of Sagas of Our Intrepid Voyagers. No well-run yacht basin in Southern waters is complete without at least two sunburned, salt bleached-headed Esthonians who are waiting for a check from their last article. When it comes they will sail to another yacht basin and write another saga. They are very happy too. Almost as happy as the people on the Alzira III. It’s great to be an Intrepid Voyager. ~ Ernest Hemingway,
1436:No matter what I study, I can see patterns. I see the gestalt, the melody within the notes, in everything: mathematics and science, art and music, psychology and sociology. As I read the texts, I can think only that the authors are plodding along from one point to the next, groping for connections that they can’t see. They’re like a crowd of people unable to read music, peering at the score for a Bach sonata, trying to explain how one note leads to another. As glorious as these patterns are, they also whet my appetite for more. There are other patterns waiting to be discovered, gestalts of another scale entirely. With respect to those, I’m blind myself; all my sonatas are just isolated data points by comparison. I have no idea what form such gestalts might assume, but that’ll come in time. I want to find them, and comprehend them. I want this more than anything I’ve ever wanted before. ~ Ted Chiang,
1437:Our main difference from chimps and gorillas is that over the last 3 million years or so, we have been shaped less and less by nature, and more and more by culture. We have become experimental creatures of our own making. This experiment has never been tried before. And we, its unwitting authors, have never controlled it. The experiment is now moving very quickly and on a colossal scale. Since the early 1900s, the world’s population has multiplied by four and its economy — a rough measure of the human load on nature — by more than forty. We have reached a stage where we must bring the experiment under rational control, and guard against present and potential dangers. It’s entirely up to us. If we fail — if we blow up or degrade the biosphere so it can no longer sustain us — nature will merely shrug and conclude that letting apes run the laboratory was fun for a while but in the end a bad idea. ~ Ronald Wright,
1438:ImaginoTransferenceRecordingDevice: A machine used to write books in the Well, the ITRD resembles a large horn (typically eight feet across and made of brass) attached to a polished mahogany mixing board a little like a church organ but with many more stops and levers. As the story is enacted in front of the collecting horn, the actions, dialogue, humor, pathos, etc., are collected, mixed and transmitted as raw data to Text Grand Central, where the wordsmiths hammer it into readable storycode. Once done, it is beamed direct to the author’s pen or typewriter, and from there through a live footnoterphone link back to the Well as plain text. The page is read, and if all is well, it is added to the manuscript and the characters move on. The beauty of the system is that authors never suspect a thing—they think they do all the work. COMMANDER TRAFFORD BRADSHAW, CBE
Bradshaw’s Guide to the BookWorld ~ Jasper Fforde,
1439:My God, my God, thou art a direct God, may I not say a literal God, a God that wouldst be understood literally and according to the plain sense of all thou sayest, but thou art also (Lord, I intend it to thy glory, and let no profane misinterpreter abuse it to thy dimunition), thou art a figurative, a metaphorical God too, a God in whose words there is such a height of figures, such voyages, such peregrinations to fetch remote and precious metaphors, such extensions, such spreadings, such curtains of allegories, such third heavens of hyperboles, so harmonious elocutions, so retired and so reserved expressions, so commanding persuasions, so persuading commandments, such sinews even in thy milk, and such things in thy words, as all profane authors seem of the seed of the serpent that creeps, thou art the Dove that flies.

(Donne, Devotions 1624, as quoted in Fish, How to Write a Sentence p 142) ~ Stanley Fish,
1440:How anybody can compose a story by word of mouth face to face with a bored-looking secretary with a notebook is more than I can imagine. Yet many authors think nothing of saying, 'Ready, Miss Spelvin? Take dictation. Quote no comma Sir Jasper Murgatroyd comma close quotes comma said no better make it hissed Evangeline comma quote I would not marry you if you were the last person on earth period close quotes Quote well comma I'm not so the point does not arise comma close quotes replied Sir Jasper twirling his moustache cynically period And so the long day wore on period End of chapter.'

If I had to do that sort of thing I should be feeling all the time that the girl was saying to herself as she took it down, 'Well comma this beats me period How comma with homes for the feebleminded touting for custom on every side comma has a man like this succeeded in remaining at large mark of interrogation. ~ P G Wodehouse,
1441:She is walking several feet ahead, pretending I don't exist, but that's okay, I'm used to it, and what she doesn't know is that is doesn't faze me. People either see me or they don't. I wonder what it's like to walk down the street, safe and easy in your skin, and just blend right in. No one turning away, no one starring, no one waiting and expecting, wondering what stupid, crazy thing you'll do next
Then I can't hold back anymore, and I take off running, and it feels good to break free from the slow, regular pace of everyone else. I break free from my mind, which is, for some reason, picturing myself as dead as the authors of the books she has collected, asleep for good this time, buried deep in the ground under layers and layers of dirt and cornfields. I can almost feel the earth closing in, the air going stale and damp, the dark pressing down on top of me, and I have to open my mouth to breath. ~ Jennifer Niven,
1442:We want to believe. Young students try to believe in older authors, constituents try to believe in their congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical, ill-considered criticism. It's worse in the case of newspapers. Any rich, unprogressive old party with that particularly grasping, acquisitive form of mentality known as financial genius can own a paper that is the intellectual meat and drink of thousands of tired, hurried men, men too involved in the business of modern living to swallow anything but predigested food. For two cents the voter buys his politics, prejudices and philosophy. A year later there is a new political ring or a change in the paper's ownership, consequence: more confusion, more contradiction, a sudden inrush of new ideas, their tempering, their distillation, the reaction against them - ~ F Scott Fitzgerald,
1443:Now, let’s imagine that we have been condemned for life to making, year in year out a burdensome and nearly impossible decision to which the world increasingly and inexplicably ascribes a crazy importance. How do we go about it? We look for some simple, rapid, and broadly acceptable criteria that will help us get this pain out of the way. And since, as Borges himself noted, aesthetics are difficult and require a special sensibility and long reflection while political affiliations are easier and quickly grasped, we begin to identify those areas of the world that have grabbed public attention, perhaps because of political turmoil or abuses of human rights; we find those authors who have already won a huge level of respect and possibly major prizes in the literary communities of these countries and who are outspokenly committed to the right side of whatever political divide we’re talking about, and we select them. ~ Tim Parks,
1444:For every bad man and woman I have ever known, I have met . . . an overwhelming number of thoroughly clean and decent people who still believe in God and cherish high ideals, and it is upon the lives of these people that I base what I write. To contend that this does not produce a picture true to life is idiocy. It does. It produces a picture true to ideal life; to the best that good men and good women can do at level best.

I care very little for the . . . critics who proclaim that there is no such thing as a moral man, and that my pictures of life are sentimental and idealized. They are! And I glory in them! They are straight, living pictures from the lives of men and women of morals, honor, and loving kindness. . . .

Such a big majority of book critics and authors have begun to teach, whether they really believe it or not, that no book is true to life unless it is true to the worst in life. ~ Gene Stratton Porter,
1445:Over my entire career in editing, I don't think I've encountered more than half a dozen difficult authors. By "difficult," I mean a writer who simply does not want changes made to his manuscript and is not even prepared to discuss them. We know the stereotypes: The hotshot journalist jealous of every comma. The poet who claims that his misspellings and eccentric punctuation are inspired. Assistant professors writing a first book for tenure are notorious for their inflexibility, and understandably so: their futures are at stake. They take editing personally; red marks on their manuscripts are like little stab wounds. And then there are vain authors who quarrel when we lowercase their job titles, who want their photos plastered all over the piece or their
names in larger type. And don't get me started on writers who don't know what they're talking about, writers who are your boss, writers who are former high school English teachers. ~ Carol Fisher Saller,
1446:This Does Not Imply Dictation From God as the Sole Means of Communication. The entire preceding part of this chapter has argued that all the words of the Bible are God’s words. At this point a word of caution is necessary. The fact that all the words of Scripture are God’s words should not lead us to think that God dictated every word of Scripture to the human authors. When we say that all the words of the Bible are God’s words, we are talking about the result of the process of bringing Scripture into existence. To raise the question of dictation is to ask about the process that led to that result or the manner by which God acted in order to ensure the result that he intended.10 It must be emphasized that the Bible does not speak of only one type of process or one manner by which God communicated to the biblical authors what he wanted to be said. In fact, there is indication of a wide variety of processes God used to bring about the desired result. ~ Wayne Grudem,
1447:One day I found him amid large packages from which spilled attractive, glossy paperbacks with mythical covers. He had tried to use, as a "generator of ideas" — for we were running out of them — those works of fantastic literature, that popular genre (especially in the States), called, by a persistent misconception, "science fiction." He had not read such books before; he was annoyed — indignant, even — expecting variety, finding monotony. "They have everything except fantasy," he said. Indeed, a mistake. The authors of these pseudo-scientific fairy tales supply the public with what it wants: truisms, clichés, stereotypes, all sufficiently costumed and made "wonderful" so that the reader may sink into a safe state of surprise and at the same time not be jostled out of his philosophy of life. If there is progress in a culture, the progress is above all conceptual, but literature, the science-fiction variety in particular, has nothing to do with that. ~ Stanis aw Lem,
1448:Given the great human longing for power—our dry-throated thirst for control, our teeth-baring fury to protect even the feeblest charge over the most limited domain—I have always been baffled by the effort people devote to getting out of jury service. For many of those summoned to the courthouse, it is not an exaggeration to say that being impaneled is the greatest authority they will wield in their entire lives. Not only do jurors get to decide guilt or innocence, to command the resources of the state to change the direction of a person’s life, but they also enjoy the seemingly supernatural ability to determine history after it has already occurred. Serving on a jury means getting to decide what happened. Jurors are the authors of the facts. And you, who just last night got in a heated argument with your wife over who got to manage the volume on the television remote, gave it all up by lying to a judge, no less, about your “very serious” back pain. ~ Adam Benforado,
1449:I'm not saying that French books are talented, and intelligent, and noble. They don't satisfy me either. But they're less boring than the Russian ones, and not seldom one finds in them the main element of creative work––a sense of personal freedom, which Russian authors don't have. I can't remember a single new book in which the author doesn't do his best, from the very first page, to entangle himself in all possible conventions and private deals with his conscience. One is afraid to speak of the naked body, another is bound hand and foot by psychological analysis, a third must have "a warm attitude towards humanity," a fourth purposely wallows for whole pages in descriptions of nature, lest he be suspected of tendentiousness... One insists on being a bourgeois in his work, another an aristocrat, etc. Contrivance, caution, keeping one's own counsel, but no freedom nor courage to write as one wishes, and therefore no creativity.

- A Boring Story ~ Anton Chekhov,
1450:STRETCH towards the moonless midnight of the trees,
As though that hand could reach to where they stand,
And they but famous old upholsteries
Delightful to the touch; tighten that hand
As though to draw them closer yet.
Rammed full
Of that most sensuous silence of the night
(For since the horizon's bought strange dogs are still)
Climb to your chamber full of books and wait,
No books upon the knee, and no one there
But a Great Dane that cannot bay the moon
And now lies sunk in sleep.
What climbs the stair?
Nothing that common women ponder on
If you are worth my hope! Neither Content
Nor satisfied Conscience, but that great family
Some ancient famous authors misrepresent,
The proud Furies each with her torch on high.
Yeats considered Dorothy Wellesley a superior poet to himself!
Check her work for yourself.
http://oldpoetry.com/oauthor/show/dorothy_violet_wellesley
~ William Butler Yeats, To Dorothy Wellesley
,
1451:There is a belief advanced today, and in some cases by conservative black authors, that poor children and particularly black children should not be allowed to hear too much about these matters. If they learn how much less they are getting than rich children, we are told, this knowledge may induce them to regard themselves as "victims," and such "victim-thinking," it is argued, may then undermine their capacity to profit from whatever opportunities may actually exist. But this is a matter of psychology-or strategy-and not reality. The matter, in any case, is academic since most adolescents in the poorest neighborhoods learn very soon that they are getting less than children in the wealthier school districts. They see suburban schools on television and they see them when they travel for athletic competitions. It is a waste of time to worry whether we should tell them something they could tell to us. About injustice, most poor children in American cannot be fooled. ~ Jonathan Kozol,
1452:Despite the great wealth of words which European languages possess, the thinker finds himself often at a loss for an expression exactly suited to his conception, for want of which he is unable to make himself intelligible either to others or to himself. To coin new words is a pretension to legislation in language which is seldom successful; and, before recourse is taken to so desperate an expedient, it is advisable to examine the dead and learned languages, with the hope and the probability that we may there meet with some adequate expression of the notion we have in our minds. In this case, even if the original meaning of the word has become somewhat uncertain, from carelessness or want of caution on the part of the authors of it, it is always better to adhere to and confirm its proper meaning– even although it may be doubtful whether it was formerly used in exactly this sense– than to make our labour vain by want of sufficient care to render ourselves intelligible. ~ Immanuel Kant,
1453:Gregory is a good boy, though all the Latin he has learned, all the sonorous periods of the great authors, have rolled through his head and out again, like stones. Still, you think of Thomas More’s boy: offspring of a scholar all Europe admired, and poor young John can barely stumble through his Pater Noster. Gregory is a fine archer, a fine horseman, a shining star in the tilt yard, and his manners cannot be faulted. He speaks reverently to his superiors, not scuffling his feet or standing on one leg, and he is mild and polite with those below him. He knows how to bow to foreign diplomats in the manner of their own countries, sits at table without fidgeting or feeding spaniels, can neatly carve and joint any fowl if requested to serve his elders. He doesn’t slouch around with his jacket off one shoulder, or look in windows to admire himself, or stare around in church, or interrupt old men, or finish their stories for them. If anyone sneezes, he says, ‘Christ help you! ~ Hilary Mantel,
1454:Hesse the autodidact, who had acquired all his learning from books that he had chosen himself (in this, he was in good company with other important authors, such as Thomas Mann), knew that anyone who motivates themselves to read, reads differently than someone who is simply working their way through a program of compulsory reading. The self-starting readers seeks answers for his life in all the books he reads, and he expects every new volume he embarks on to open up fresh horizons. Books to him are the food of life, one might even say an essential means of survival. Yet alongside this function they also have an intrinsic value as beautiful objects with which he likes to surround himself. He recommends certain books, at the very least identifying favorite books that he will read over and over, and will have rebound several times - or, should he possess an aptitude for handicraft (as Hesse did), rebinding them himself. In this way, the book collector becomes a co-creator. ~ Hermann Hesse,
1455:If you read many of my Middle Grade and YA book series, you would notice the common theme of how the main characters always choose to be good. That's because when you write for YA, as an author, you automatically become a person of authority. Be a good role model yourself as a YA author. Help teens grow up into responsible and good adults.

YA Authors - Don't get accused of sexual harassment (like some authors) or of encouraging your teen readers to gang up on and bully /harass an author. I've been the receiving end of that kind of behavior, and it is cyberbullying and harassment. Authors and anyone in a position of authority who encourage teens and kids to cyberbully another human being is not a good role model.

Parents and Teachers should help their kids choose books and role models. When a teen has committed cyberbullying as a minor, but grows it, they can still be held accountable for that. In many states, cyberbullying is a crime. - Strong by Kailin Gow ~ Kailin Gow,
1456:[E]very man hath liberty to write, but few ability. Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers, that either write for vain-glory, need, to get money, or as Parasites to flatter and collogue with some great men, they put out trifles, rubbish and trash. Among so many thousand Authors you shall scarce find one by reading of whom you shall be any whit better, but rather much worse; by which he is rather infected than any way perfected…

What a catalogue of new books this year, all his age (I say) have our Frankfurt Marts, our domestic Marts, brought out. Twice a year we stretch out wits out and set them to sale; after great toil we attain nothing…What a glut of books! Who can read them? As already, we shall have a vast Chaos and confusion of Books, we are oppressed with them, our eyes ache with reading, our fingers with turning. For my part I am one of the number—one of the many—I do not deny it... ~ Robert Burton,
1457:The truth of mimetic theory is unacceptable to the majority of human beings, because it involves Christ. The Christian cannot help but think about the world as it is, and see its extreme fragility. I think that religious faith is the only way to live with this fragility. Otherwise all we're left with is Pascalian diversion and the negation of reality. I've gotten interested in Pascal again, by the way. His notion of diversion, or distraction, is so powerful! But it's clear there was something missing in his life: he never had any trouble getting along with people. And even though his youthful brilliance aroused jealousy, he never experienced rivalry, even in science. As a scientist, he understood the importance of diversion, of distraction. But he never knew rivalry in love, as Shakespeare and Cervantes did, for example; he had no way of seeing, as Racine did, the negation of desire in the very functioning of desire. Bizarrely, this is characteristic of the great French authors of the Renaissance. ~ Ren Girard,
1458:A quote has an even more powerful effect if we presume not just a particular author behind it, but God, nature, the unconscious, labor, or difference. These are strong fetishes, each conjuring the powerful submedial in a particular way. Yet all of them must nonetheless be exchanged in a certain rhythm according to the laws of the medial economy. In order to create such fetishes, one does not have to use brilliant quotes by famous authors but can use anonymous quotes that stem from the author- less realm of the everyday, lowly, foreign, vulgar, aggressive, or stupid. Precisely such quotes produce the effect of medial sincerity, that is, the revelation of a deeply submerged, hidden, medial plane on the familiar medial surface. It then appears as if this surface had been blasted open from the inside and that the respective quotes had sprung forth from the submedial interior—like aliens. All of this, of course, refers to the economy of the quote as a gift that can be offered, accepted, and reciprocated. ~ Boris Groys,
1459:Serving officers dare not criticize diversity for fear it will kill their careers. Only after he retired did Army Green Beret Major Andy Messing say that Special Forces units should be homogeneous because this promotes cohesion. He said differences of race or religion add to the tensions of a grinding training regimen and perilous combat missions.
A recent book-length study of cohesion in Civil War units found that soldiers were less likely to desert if they were fighting alongside men who resembled them in ethnicity, religion, and occupation, and who came from the same part of the country. Authors Dora Costa and Matthew Kahn concluded that men were most likely to risk their lives for men who were most like themselves. They also found that Union veterans’ health was worse in old age if they had seen a lot of combat but were surprised to discover that this effect disappeared for soldiers who had fought in very homogeneous units. Fighting alongside close comrades immunized them against battle trauma. ~ Jared Taylor,
1460:STAGE 1—shared by most street gangs and characterized by despair, hostility, and the collective belief that “life sucks.” STAGE 2—filled primarily with apathetic people who perceive themselves as victims and who are passively antagonistic, with the mind-set that “my life sucks.” Think The Office on TV or the Dilbert comic strip. STAGE 3—focused primarily on individual achievement and driven by the motto “I’m great (and you’re not).” According to the authors, people in organizations at this stage “have to win, and for them winning is personal. They’ll outwork and outthink their competitors on an individual basis. The mood that results is a collection of ‘lone warriors.’” STAGE 4—dedicated to tribal pride and the overriding conviction that “we’re great (and they’re not).” This kind of team requires a strong adversary, and the bigger the foe, the more powerful the tribe. STAGE 5—a rare stage characterized by a sense of innocent wonder and the strong belief that “life is great.” (See Bulls, Chicago, 1995–98.) ~ Phil Jackson,
1461:[E]very man hath liberty to write, but few ability. Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers, that either write for vain-glory, need, to get money, or as Parasites to flatter and collogue with some great men, they put out trifles, rubbish and trash. Among so many thousand Authors you shall scarce find one by reading of whom you shall be any whit better, but rather much worse; by which he is rather infected than any way perfected...
   What a catalogue of new books this year, all his age (I say) have our Frankfurt Marts, our domestic Marts, brought out. Twice a year we stretch out wits out and set them to sale; after great toil we attain nothing...What a glut of books! Who can read them? As already, we shall have a vast Chaos and confusion of Books, we are oppressed with them, our eyes ache with reading, our fingers with turning. For my part I am one of the number-one of the many-I do not deny it... ~ Robert Burton, The Anatomy of Melancholy,
1462:The general exhaustion of the cerebral functions has been pointed out by many authors. " Hystericals," said M. Fere, " are in a permanent state of psychical fatigue, which is shown by a weakening of sensibility, of motion, of the will." ' " The fundamental factor of hysteria," says M. Oppenheim, *' is irritable feebleness, an abnormal excitability accompanied with exhaustion. These characteristics are especially established in the sphere of the affective phenomena." ' M. Jolly, taking up again M. Oppenheim's conception, speaks also of an extreme nervous feebleness, which allows the exaggeration of the affective phenomena, but he adds that this formula lacks precision and does not sum up particular facts.' We think, as does this author, that it is necessary to define this cerebral weakness with more precision and explain what is meant by it. As the essential functions of the brain are psychological functions, we must show, by the analysis of the moral phenomena, wherein this psychological insufficiency consists. ~ Anonymous,
1463:The use of French in the ME period had introduced what Brown and Gilman (1960) refer to as a ‘non-reciprocal power semantic’ and a ‘solidarity semantic’ into the use of the English pronouns. In essence this meant that, as in the T/V (tu/vous) distinction of the Romance languages, the thou/thee forms came to be used as a term of address to social inferiors and (ye)/you to social superiors (the non-reciprocal power semantic). At the same time, equals of the upper classes exchanged mutual V and equals of the lower classes exchanged T (Brown and Gilman, 1960: 256). Eventually and, according to the authors, very gradually, a distinction developed between the ‘T of intimacy and the V of formality’: a manifestation of use on the dimension of solidarity (ibid.: 257). Thus, those who felt socially, emotionally and/or intellectually equal (regardless of class boundaries) would address each other as thou, whereas those who did not, but who wanted to maintain a respectful but distant relationship, would use reciprocal you. ~ Anonymous,
1464:After Bailey came Samuel Johnson, His Cantankerousness. Son of a London bookseller, a university dropout, afflicted with depression and what modern doctors think was likely Tourette’s—“a man of bizarre appearance, uncouth habits, and minimal qualifications”—Johnson was bewilderingly chosen by a group of English booksellers and authors to write the authoritative dictionary of English. Because of the seriousness of the charge, and because Johnson was scholarly but not a proper scholar, he began work on his dictionary the way that all of us now do: he read. He focused on the great works of English literature—Shakespeare, Milton, Dryden, Locke, Pope—but also took in more mundane, less elevated works. Among the books that crossed his desk were research on fossils, medical texts, treatises on education, poetry, legal writing, sermons, periodicals, collections of personal letters, scientific explorations of color, books debunking common myths and superstitions of the day, abridged histories of the world, and other dictionaries. ~ Kory Stamper,
1465:Johnson came among them the solitary specimen of a past age, the last survivor of the genuine race of Grub Street hacks; the last of that generation of authors whose abject misery and whose dissolute manners had furnished inexhaustible matter to the satirical genius of Pope. From nature he had received an uncouth figure, a diseased constitution, and an irritable temper. The manner in which the earlier years of his manhood had been passed had given to his demeanour, and even to his moral character, some peculiarities appalling to the civilised beings who were the companions of his old age. The perverse irregularity of his hours, the slovenliness of his person, his fits of strenuous exertion, interrupted by long intervals of sluggishness, his strange abstinence, and his equally strange voracity, his active benevolence, contrasted with the constant rudeness and the occasional ferocity of his manners in society, made him, in the opinion of those with whom he lived during the last twenty years of his life, a complete original. ~ Samuel Johnson,
1466:celebration. Textbook authors present our nation as getting ever better in all areas, from race relations to transportation. The traditional portrayal of Reconstruction as a period of Yankee usurpation and Negro debauchery fits with the upward curve of progress, for if relations were bad in Reconstruction, perhaps not as bad as in slavery but surely worse than what came later, then we can imagine that race relations have gradually been getting better. However, the facts about Reconstruction compel us to acknowledge that in many ways race relations in this country have yet to return to the point reached in, say, 1870. In that year, to take a small but symbolic example, A. T. Morgan, a white state senator from Hinds County, Mississippi, married Carrie Highgate, a black woman from New York, and was reelected.48 Today this probably could not happen, not in Hinds County, Mississippi, or in many counties throughout the United States. Nonetheless, the archetype of progress prompts many white Americans to conclude that black Americans ~ James W Loewen,
1467:Above all, he alerted his students to topics rarely discussed in university, such as the simple fact that all the ancients, from Buddha to the biblical authors, knew what every slightly worn-out adult knows, that life is suffering. If you are suffering, or someone close to you is, that’s sad. But alas, it’s not particularly special. We don’t suffer only because “politicians are dimwitted,” or “the system is corrupt,” or because you and I, like almost everyone else, can legitimately describe ourselves, in some way, as a victim of something or someone. It is because we are born human that we are guaranteed a good dose of suffering. And chances are, if you or someone you love is not suffering now, they will be within five years, unless you are freakishly lucky. Rearing kids is hard, work is hard, aging, sickness and death are hard, and Jordan emphasized that doing all that totally on your own, without the benefit of a loving relationship, or wisdom, or the psychological insights of the greatest psychologists, only makes it harder. ~ Jordan Peterson,
1468:Above all, he alerted his students to topics rarely discussed in university, such as the simple fact that all the ancients, from Buddha to the biblical authors, knew what every slightly worn-out adult knows, that life is suffering. If you are suffering, or someone close to you is, that’s sad. But alas, it’s not particularly special. We don’t suffer only because “politicians are dimwitted,” or “the system is corrupt,” or because you and I, like almost everyone else, can legitimately describe ourselves, in some way, as a victim of something or someone. It is because we are born human that we are guaranteed a good dose of suffering. And chances are, if you or someone you love is not suffering now, they will be within five years, unless you are freakishly lucky. Rearing kids is hard, work is hard, aging, sickness and death are hard, and Jordan emphasized that doing all that totally on your own, without the benefit of a loving relationship, or wisdom, or the psychological insights of the greatest psychologists, only makes it harder. ~ Jordan B Peterson,
1469:The ancient Greeks were right. The ideal of the chosen life does not square with how we live. We are not authors of our lives; we are not even part-authors of the events that mark us most deeply. Nearly everything that is most important in our lives is unchosen. The time and place we are born, our parents, the first language we speak - these are chance, not choice. It is the casual drift of things that shapes our most fateful relationships. The life of each of us is a chapter of accident.

Personal autonomy is the work of our imagination, not the way we live. Yet we have been thrown into a time in which everything is provisional. New technologies alter our lives daily. The traditions of the past cannot be retrieved. At the same time we have little idea of what the future will bring. We are forced to live as if we were free.

The cult of choice reflects the fact that we must improvise our lives. That we cannot do otherwise is a mark of our unfreedom. Choice has become a fetish; but the mark of a fetish is that it is unchosen. ~ John Gray,
1470:From the very start, the Prophet did not conceive the content of his message as the expression of pure otherness versus what the Arabs or the other societies of his time were producing. Islam does not establish a closed universe of reference but rather relies on a set of universal principles that can coincide with the fundamentals and values of other beliefs and religious traditions (even those produced by a polytheistic society such as that of Mecca at the time). Islam is a message of justice that entails resisting oppression and protecting the dignity of the oppressed and the poor, and Muslims must recognize the moral value of a law or contract stipulating this requirement, whoever its authors and whatever the society, Muslim or not. Far from building an allegiance to Islam in which recognition and loyalty are exclusive to the community of faith, the Prophet strove to develop the believer’s conscience through adherence to principles transcending closed allegiances in the name of a primary loyalty to universal principles themselves. ~ Tariq Ramadan,
1471:If then the power of speech is as great as any that can be named,—if the origin of language is by many philosophers considered nothing short of divine—if by means of words the secrets of the heart are brought to light, pain of soul is relieved, hidden grief is carried off, sympathy conveyed, experience recorded, and wisdom perpetuated,—if by great authors the many are drawn up into unity, national character is fixed, a people speaks, the past and the future, the East and the West are brought into communication with each other,—if such men are, in a word, the spokesmen and the prophets of the human family—it will not answer to make light of Literature or to neglect its study: rather we may be sure that, in proportion as we master it in whatever language, and imbibe its spirit, we shall ourselves become in our own measure the ministers of like benefits to others—be they many or few, be they in the obscurer or the more distinguished walks of life—who are united to us by social ties, and are within the sphere of our personal influence. ~ John Henry Newman,
1472:The more intimate the setting, the greater the challenges of diversity. Adopted children, for example, often report they never felt they fit in. In a British study of adults who were adopted as children, 46 percent of whites adopted by whites said they felt a sense of not belonging. For non-whites adopted by whites, the figure rose to close to 75 percent. Researchers reported that their constant refrain was, “Love is not enough.”
There can be worse: The authors of a 2005 study on domestic violence in the United States reached the sobering conclusion that “the incidence of spousal homicide is 7.7 times higher in interracial marriages compared to intraracial marriages.”
One study for the period 1979 to 1981 found that white men who married black women were 21.4 times more likely to be killed by their spouses than white men who married white women. A white woman increased her risk of being killed 12.4 times by marrying a black man. Marrying a white did not appreciably change a black person’s risk of being killed by his or her spouse. ~ Jared Taylor,
1473:Some authors have argued that a direct historical line can be drawn to Nazism from the French Revolution of 1789, the Jacobin 'Reign of Terror' in 1793-4, and the implicit idea of a popular dictatorship in Rousseau's theory of the 'General Will,' decided initially by the people but brooking no opposition once resolved upon. The French Revolution was indeed remarkable for its rehersal of many of the major ideologies that bestrode the historical stage of Europe in the following two centuries, from communism and anarchism to liberalism and conservatism. But National Socialism was not among them. The Nazis, indeed thought of themselves as undoing all the work of the French Revolution and rolling back the clock, in a political sense at least, much further to the early Middle Ages. Their concept of the people was racial rather than civic. All the ideologies to which the French Revolution had given birth were to be destroyed. The Nazi Revolution was to be the world-historical negation of its French predecessor, not its historical fufillment. ~ Richard J Evans,
1474:To understand this is to realize that we are not the authors of our thoughts and actions in the way that people generally suppose. Of course, this insight does not make social and political freedom any less important. The freedom to do what one intends, and not to do otherwise, is no less valuable than it ever was. Having a gun to your head is still a problem worth rectifying, wherever intentions come from. But the idea that we, as conscious beings, are deeply responsible for the character of our mental lives and subsequent behavior is simply impossible to map onto reality. Consider what it would take to actually have free will. You would need to be aware of all the factors that determine your thoughts and actions, and you would need to have complete control over those factors. But there is a paradox here that vitiates the very notion of freedom—for what would influence the influences? More influences? None of these adventitious mental states are the real you. You are not controlling the storm, and you are not lost in it. You are the storm. ~ Sam Harris,
1475:If then the power of speech is as great as any that can be named,—if the origin of language is by many philosophers considered nothing short of divine—if by means of words the secrets of the heart are brought to light, pain of soul is relieved, hidden grief is carried off, sympathy conveyed, experience recorded, and wisdom perpetuated,—if by great authors the many are drawn up into unity, national character is fixed, a people speaks, the past and the future, the East and the West are brought into communication with each other,—if such men are, in a word, the spokesmen and the prophets of the human family—it will not answer to make light of Literature or to neglect its study: rather we may be sure that, in proportion as we master it in whatever language, and imbibe its spirit, we shall ourselves become in our own measure the ministers of like benefits to others—be they many or few, be they in the obscurer or the more distinguished walks of life—who are united to us by social ties, and are within the sphere of our personal influence. ~ Saint John Henry Newman,
1476:Since discovering my own truth I know that a similar fate has befallen countless others even though they may not—or not yet—remember the facts. Some clearly can, as is evident from the proliferating reports of child abuse from all over the world. Their authors do occasionally receive positive responses from people who, though they themselves may not have dared till then to look back, having been dissuaded at every turn, now feel encouraged by such revelations to face history of their own childhood. Frequently, however, they run up against a wall of almost unimaginable ignorance. This wall is especially impenetrable in intellectual circles, whose members have armed themselves with all kinds of theories against the return of the repressed and barricaded themselves behind them. All kinds of superannuated, though as yet unexposed, theories are stylized into intellectual systems and pedagogic models. And so long as students meekly and uncritically tolerate the eradication of the truth, these theories will continue to be taught at our universities. ~ Alice Miller,
1477:The post-war turmoil experienced in Britain after the Armistice was succeeded by the misery of an economic slump, and then by the growing threat posed from overseas by Nazism and Fascism. It is no coincidence that the Twenties and the Thirties became the ‘Golden Age of Murder’, when novelists such as Agatha Christie, Dorothy L. Sayers and Anthony Berkeley crafted complex and original puzzles of whodunit, howdunit, and whydunit that tested readers’ wits and earned their authors fame and fortune. There was something unashamedly escapist about much detective fiction written during the Golden Age, but it is also true to say that the better books reveal far more about the society of the time than critics have acknowledged. That escapism regularly took engaging but wildly unlikely forms, with impossible crimes taking place within locked rooms, vital clues being hidden by way of complex cryptograms, and mysterious ‘dying messages’ uttered by murder victims who could never bring themselves to take the more obvious step of simply naming their killers. ~ Martin Edwards,
1478:Recently a newly revised and expanded edition of my Revolt against the Modern World appeared and I think it was mentioned in it your Treatise on the History of Religions [not true]. But about this, and I say it a little tongue in cheek, one should employ some Vergeltungen [revenge]. The fact is striking that your works are so overly concerned to not mention any author who does not strictly belong to the official university literature; in your works, e.g., that lovable good man Pettazzoni [Italian professor of religion] is abundantly cited, while not a single word is found about Guenon, and not even other authors whose ideas are much closer to those that permit you to certainly orient yourself in the material that you write about. It stands to reason that this is something that concerns only you, but it would be the chance to ask yourself if, all things considered, if imposing these “academic” limitations is a game that is worth the candle. I hope that you will not resent these friendly observations.
Letters from Evola to Eliade (II) - 15 Dec 1951 ~ Julius Evola,
1479:But, when I was growing up, the one thing that did help me not to feel so isolated and crazy was reading - especially books by authors who fearlessly examined and exposed their highly imperfect inner lives. Books like "Confessions of a Mask" by Yukio Mishima; "Tropic of Cancer" by Henry Miller; "Try" by Dennis Cooper; and, of course, the works of authors like Bukowski, Salinger, Hesse, Bataille, Iceberg Slim, and Murakami. These writers revealed the things that existed beneath most humans' seemingly secure and confident exteriors. I suddenly realized, after reading their work, that I wasn't unique - that my doubts and fears and insecurities were more universal that I could've ever imagined. Their words gave me strength. They have me permission to start trying to accept my flaws, my darkness, my insanity. They let me know that it was okay not to fit in with everyone else - to be a sensitive person - and that others struggled just like I did. It was such a relief when I finally began to understand this. It was like I could breathe - maybe for the first time. ~ Nic Sheff,
1480:Why not admit that my dissatisfaction reveals an excessive ambition, perhaps a megalomaniac delirium? For the writer who wants to annul himself in order to give voice to what is outside him, two paths open: either write a book that could be the unique book, that exhausts the whole in its pages; or write all books, to pursue the whole through its partial images. The unique book, which contains the whole, could only be the sacred text, the total world revealed. But I do not believe totality can be contained in language; my problem is what remains outside, the unwritten, the unwritable. The only way left me is that writing of all books, writing the books of all possible authors.

If I think I must write one book, all the problems of how this book should be and how it should not be block me and keep me from going forward. If, on the contrary, I think that I am writing a whole library, I feel suddenly lightened: I know that whatever I write will be integrated, contradicted, balanced, amplified, buried by the hundreds of volumes that remain for me to write. ~ Italo Calvino,
1481:Folks who are hell bent on having an angry God have difficulty swallowing the idea that God doesn’t want to destroy sinners. Another proof text for them would be Romans 5:9, “Having now been justified by His blood, we will be saved through Him from the wrath. …” “But that still does not mean that Christ’s death propitiated God,” continue the authors. “For Paul the wrath of God is God’s judgment which destroys all unholiness and sin. In the light of the threatening wrath of God, the need of sinners can be said not to be the transformation of God’s attitude toward them but the transformation of their sinful existence before God.” This accurate understanding that God’s wrath is against sinfulness and not sinners, helps us to get a clearer picture of what is going on. It is more like a doctor fighting a patient’s disease, or a freedom fighter liberating slaves from bondage. That God’s wrath is redemptively aimed against sinfulness itself finds solid Biblical support. “The wrath of God is revealed from Heaven against all ungodliness and unrighteousness” (Rom. 1:18). ~ John Crowder,
1482:The remoter poetry in particular was replete with effects, an effect being something hypnotic we cannot quite understand, whiteness of moon and wave related to the setting of Time in a manner "too subtle for the intellect." And all over Europe, by the late 19th century, poets had decided that effects were intrinsic to poetry, and were aiming at them by deliberate process. By the end of the century, in France, whole poems have been made "too subtle for the intellect," held together, as effects are, by the extra-semantic affinities of their words. Picking up a name that was once thrown around as their authors, we have learned to call them "Symbolist" poems. In the Symbolist poem the Romantic effect has become a structural principle, and we may say that Symbolism is scientific Romanticism, thus an effort to anticipate the work of time by aiming directly at the kind of existence a poem may have when a thousand years have deprived it of its dandelions and its mythologies, an existence purely linguistic, determined by the molecular bonds of half-understood words. ~ Hugh Kenner,
1483:But once we shut ourselves away, we soon discover that we are not as alone as we thought. We are in the company of the words of those who came before us, of other people's stories, other people's books, other people's words, the thing we call tradition. I believe literature to be the most valuable hoard that humanity has gathered in its quest to understand itself. Societies, tribes, and peoples grow more intelligent, richer, and more advanced as they pay attention to the troubled words of their authors, and, as we all know, the burning of books and the denigration of writers are both signals that dark and improvident times are upon us. But literature is never just a national concern. The writer who shuts himself up in a room and first goes on a journey inside himself will, over the years, discover literature's eternal rule: he must have the artistry to tell his own stories as if they were other people's stories, and to tell other people's stories as if they were his own, for this is what literature is. But we must first travel through other people's stories and books. ~ Orhan Pamuk,
1484:I stood by and spoke out for Amazon when Amazon was attacked by Hatchett and other traditional publishers in the early days. I also represented Amazon as an author spokesperson to the media during the Press Conference launch in Santa Monica for Kindle Family as well as at Book Expo America. Today, authors don't have that kind of loyalty to a distributor of their books. They don't have that kind of loyalty to the publishers of their books and jump around to find the best deal for each book and going back and forth between publishing with a big publisher and self-publishing. Publishing like any industry is built on relationships. When an author is published by multiple publishers and jumps around, it signals to her publishers her lack of commitment to them. It is only human to see this lack of trust. So, my advice to authors who jump around...find a good publisher to land with if you decide to go with a traditional publisher. Be committed to them or it will seem like a betrayal when you are published with another publisher in the same genre. - Advice to Authors by Kailin Gow ~ Kailin Gow,
1485:There is a distinction between voluntary and involuntary actions, of course, but it does nothing to support the common idea of free will (nor does it depend upon it). A voluntary action is accompanied by the felt intention to carry it out, whereas an involuntary action isn’t. Needless to say, this difference is reflected at the level of the brain. And what a person consciously intends to do says a lot about him. It makes sense to treat a man who enjoys murdering children differently from one who accidentally hit and killed a child with his car—because the conscious intentions of the former give us a lot of information about how he is likely to behave in the future. But where intentions themselves come from, and what determines their character in every instance, remains perfectly mysterious in subjective terms. Our sense of free will results from a failure to appreciate this: We do not know what we intend to do until the intention itself arises. To understand this is to realize that we are not the authors of our thoughts and actions in the way that people generally suppose. ~ Sam Harris,
1486:To me, the single biggest mark of the amateur writer is a sense of hurry.

Hurry to finish a manuscript, hurry to edit it, hurry to publish it. It’s definitely possible to write a book in a month, leave it unedited, and watch it go off into the world and be declared a masterpiece. It happens every fifty years or so.

For the rest of us, the single greatest ally we have is time. There’s no page of prose in existence that its author can’t improve after it’s been in a drawer for a week. The same is true on the macro level – every time I finish a story or a book, I try to put it away and forget it for as long as I can. When I return, its problems are often so obvious and easy to fix that I’m amazed I ever struggled with them.

Amateur writers are usually desperate to be published, as soon as possible. And I understand that feeling – you just want it to start, your career, your next book, whatever. But I wonder how many self-published novels might have had a chance at getting bought, and finding more readers, if their authors had a bit more patience with them? ~ Charles Finch,
1487:returned to this paper regularly over a period of two weeks. When I was done, I had probably experienced fifteen hours total of deliberate practice–style strain, but due to its intensity it felt like much more. Fortunately, this effort led to immediate benefits. Among other things, it allowed me to understand whole swaths of related work that had previously been mysterious. The researchers who wrote this paper had enjoyed a near monopoly on solving this style of problem—now I could join them. Leveraging this new understanding, I went on to prove a new result, which I published at a top conference in my field. This is now a new research direction open for me to explore as I see fit. Perhaps even more indicative of this strategy’s value is that I actually ended up finding a pair of mistakes in the paper. When I told the authors, it turned out I was only the second person to notice them, and they hadn’t yet published a correction. To help calibrate the magnitude of this omission, bear in mind that according to Google Scholar the paper had already been cited close to sixty times. More ~ Cal Newport,
1488:Here is good CS Lewis quote about reading and literature generally:

"Literature enlarges our being by admitting us to experiences not our own. They may be beautiful, terrible, awe-inspiring, exhilarating, pathetic, comic, or merely piquant. Literature give the entree to them all. Those of us who have been true readers all our life seldom realize the enormous extension of our being that we owe to authors. We realize it best when we talk with an unliterary friend. he may be full of goodness and good sense but he inhabits a tiny world. In it, we should be suffocated. My own eyes are not enough for me. Even the eyes of all humanity are not enough. Very gladly would I learn what face things present to a mouse or a bee. (…) In reading great literature I become a thousand men and yet remain myself. Like the night sky in a Greek poem, I see with a thousand eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself: and am never more myself than when I do."
C. S. Lewis An Experiment in Criticism. 1961 pp. 140-141 Cambridge U. Press ~ C S Lewis,
1489:Here is good CS Lewis quote about reading and litterature generally:

"Literature enlarges our being by admitting us to experiences not our own. They may be beautiful, terrible, awe-inspiring, exhilarating, pathetic, comic, or merely piquant. Literature give the entree to them all. Those of us who have been true readers all our life seldom realize the enormous extension of our being that we owe to authors. We realize it best when we talk with an unliterary friend. he may be full of goodness and good sense but he inhabits a tiny world. In it, we should be suffocated. My own eyes are not enough for me. Even the eyes of all humanity are not enough. Very gladly would I learn what face things present to a mouse or a bee. (…) In reading great literature I become a thousand men and yet remain myself. Like the night sky in a Greek poem, I see with a thousand eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself: and am never more myself than when I do."
C. S. Lewis An Experiment in Criticism. 1961 pp. 140-141 Cambridge U. Press ~ C S Lewis,
1490:But even in such works where the author is ideally unobtrusive, he remains diffused through the book so that his very absence becomes a kind of radiant presence. As the French say, il brille par son absence — "he shines by his absence." In connection with Bleak House we are concerned with one of those authors who are so to speak not supreme deities, diffuse and aloof, but puttering, amiable, sympathetic demigods, who descend into their books under various disguises or send therein various middlemen, representatives, agents, minions, spies, and stooges. [...]

Roughly speaking, there are three types of such representatives. Let us inspect them.

First, the narrator insofar as he speaks in the first person, the capital I of the story, its moving pillar. [...] Second, a type of author's representative, what I call the sifting agent. [...] The third type is the so-called perry, possibly derived from periscope, despite the double r, or perhaps from parry in vague connection with foil as in fencing. But this does not matter much since anyway I invented the term myself many years ago. ~ Vladimir Nabokov,
1491:IMPORTANT NOTE FROM THE AUTHOR Are you aware that if you borrow a book from Kindle Unlimited and read in Page Flip mode the author doesn’t get paid? Amazon has recently confirmed this to authors, and there is no indication as to whether they intend to fix this or not. I hate mentioning this, but as my page reads continue to decline (despite the fact I have way more books enrolled in Kindle Unlimited), I may need to revisit my participation in the program going forward. I would never ask any reader to stop reading in Page Flip mode, as reading is highly personal, but I do want to ensure every reader is fully aware of all the facts, so they can make their own informed decision. Thanks for your attention. P.S. I did include this note at the front of the book, but Amazon continually keeps setting my books to start on Chapter One despite the fact I usually have a note at the front of each book to explain something important, and set the book to open on the title page. So, I’m copying this note here, not to be an annoying so and so but to ensure my readers have read this important notification. Thank you ~ Siobhan Davis,
1492:Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait. ~ Walt Whitman,
1493:Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I wrote this book after my kids went to sleep. I wrote this book on subways and on airplanes and in between setups while I shot a television show. I wrote this book from scribbled thoughts I kept in the Notes app on my iPhone and conversations I had with myself in my own head before I went to sleep. I wrote it ugly and in pieces. ~ Amy Poehler,
1494:Quantum theory has unfortunately become a catch-all phrase for trying to prove various kinds of New Age nonsense. It’s unlikely that the authors of the many books making wacky claims of time travel or mind control, and who use quantum theory as “proof ” have the slightest knowledge of physics or could explain even the rudiments of quantum theory. The popular 2004 film, What the Bleep Do We Know? is a good case in point. The movie starts out claiming quantum theory has revolutionized our thinking—which is true enough—but then, without explanation or elaboration, goes on to say that it proves people can travel into the past or “choose which reality you want.” Quantum theory says no such thing. Quantum theory deals with probabilities, and the likely places particles may appear, and likely actions they will take. And while, as we shall see, bits of light and matter do indeed change behavior depending on whether they are being observed, and measured particles do indeed amazingly appear to influence the past behavior of other particles, this does not in any way mean that humans can travel into their past or influence their own history. ~ Robert Lanza,
1495:In the past few years, more and more passionate debates about the nature of SFF and YA have bubbled to the surface. Conversations about race, imperialism, gender, sexuality, romance, bias, originality, feminism and cultural appropriation are getting louder and louder and, consequently, harder to ignore. Similarly, this current tension about negative reviews is just another fissure in the same bedrock: the consequence of built-up pressure beneath. Literary authors feud with each other, and famously; yet genre authors do not, because we fear being cast as turncoats. For decades, literary writers have also worked publicly as literary reviewers; yet SFF and YA authors fear to do the same, lest it be seen as backstabbing when they dislike a book. (Small wonder, then, that so few SFF and YA titles are reviewed by mainstream journals.) Just as a culture of sexual repression leads to feelings of guilt and outbursts of sexual moralising by those most afflicted, so have we, by denying and decrying all criticism that doesn’t suit our purposes, turned those selfsame critical impulses towards censorship.

Blog post: Criticism in SFF and YA ~ Foz Meadows,
1496:The most widely cited figure for the number of women suffering from Female Sexual Dysfunction comes from 1999: according to this, some 43 per cent of all women have a medical problem around their sex drive.27 This survey was published in the Journal of the American Medical Association (JAMA), one of the most influential journals in the world. It looked at questionnaire data asking about things like lack of desire for sex, poor lubrication, anxiety over sexual performance, and so on. If you answered ‘yes’ to any one of these questions, you were labelled as having Female Sexual Dysfunction. For the avoidance of any doubt about the influence of this paper, it has – as of a sunny evening in March 2012 – been cited 1,691 times. That is a spectacular number of citations. At the time, no financial interest was declared by the study’s authors. Six months later, after criticism in the New York Times, two of the three authors declared consulting and advisory work for Pfizer.28 The company was gearing up to launch Viagra for the female market at this time, and had lots to gain from more women being labelled as having a medical sexual problem. ~ Ben Goldacre,
1497:I came to view the world as a word puzzle and, with no special aptitude I can name, fixed on the whys and wherefores of language from my earliest days. Song lyrics. Signs. The stories read in first and second grades. My parents almost always read to us at bedtime. Poems by Whittier. Scenes from Oliver Twist. Kidnapped. Treasure Island. The names alone intrigued me. Dr. Livesey, Squire Trelawney. The name Balfour sounded the knell of the romantic. Robinson Crusoe. I loved to hear read the exploits of Natty Bumppo. Authors had an aura of the godlike to me. The Latin prayers fascinated me as an altar boy. I can still recall carved names on buildings I saw from the MTA train when I was a youngster. Who can explain why? Words were magic to me. I once inadvisably glued my finger and thumb together at the Magoun Library in fourth grade trying to amuse a pretty little girl on whom I had a crush, and when the librarian came over angrily to inquire what the problem was and I pointed with a shrug and replied, “Mucilage”—a word that always made me laugh—she very coldly stated, “You are more to be pitied than censured. ~ Alexander Theroux,
1498:Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership. ~ L Frank Baum,
1499:We have never solved the mystery of ice ages in the tropics, nor the equally strange mystery of the growth of corals and warm-climate flora in the polar zones.
[...]
It became obvious to me, as I reviewed these problems, and went back over the controversies that had marked their consideration, that a sort of common denominator was present. [...] [S]omebody usually tried to explain the particular problem in terms of changes in the position of the poles. This, I found, was the common denominator. The authors of such theories, unfortunately, were never able to prove their assumptions. The opponents of the notion of polar change always managed to point out fallacies that seemed decisive. At the same time, no one was able to reconcile all the evidence in the different fields with the idea that the poles have always been situated where they are now on the earth's surface.
The theory here presented would solve these problems by supposing changes in the positions of the poles. Campbell has suggested that the changes have occurred not by reason of changes in the position of the earth's axis, but simply through a sliding of its crust. ~ Charles H Hapgood,
1500:Nevertheless a certain class of dishonesty, dishonesty magnificent in its proportions, and climbing into high places, has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace with pictures on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and can give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishonest after such a fashion is not a low scoundrel. Instigated, I say, by some such reflections as these, I sat down in my new house to write The Way We Live Now. And as I had ventured to take the whip of the satirist into my hand, I went beyond the iniquities of the great speculator who robs everybody, and made an onslaught also on other vices;--on the intrigues of girls who want to get married, on the luxury of young men who prefer to remain single, and on the puffing propensities of authors who desire to cheat the public into buying their volumes. ~ Anthony Trollope,

IN CHAPTERS [300/777]



  658 Integral Yoga
   24 Occultism
   23 Christianity
   20 Philosophy
   15 Poetry
   12 Psychology
   5 Fiction
   4 Yoga
   2 Mythology
   2 Mysticism
   2 Hinduism
   2 Education
   1 Thelema
   1 Science
   1 Philsophy
   1 Islam
   1 Integral Theory
   1 Cybernetics
   1 Baha i Faith
   1 Alchemy


  648 Nolini Kanta Gupta
   14 Carl Jung
   13 Saint Augustine of Hippo
   9 Aleister Crowley
   7 Plotinus
   6 Sri Aurobindo
   6 Aldous Huxley
   5 The Mother
   5 H P Lovecraft
   4 Walt Whitman
   3 William Wordsworth
   3 Plato
   3 George Van Vrekhem
   3 Franz Bardon
   3 A B Purani
   2 Swami Vivekananda
   2 Robert Browning
   2 Pierre Teilhard de Chardin
   2 Ovid
   2 Jorge Luis Borges
   2 Aristotle


  124 Collected Works of Nolini Kanta Gupta - Vol 03
  119 Collected Works of Nolini Kanta Gupta - Vol 04
  102 Collected Works of Nolini Kanta Gupta - Vol 02
   80 Collected Works of Nolini Kanta Gupta - Vol 05
   69 Collected Works of Nolini Kanta Gupta - Vol 01
   65 Collected Works of Nolini Kanta Gupta - Vol 07
   45 Collected Works of Nolini Kanta Gupta - Vol 06
   44 Collected Works of Nolini Kanta Gupta - Vol 08
   11 City of God
   8 Mysterium Coniunctionis
   8 Liber ABA
   6 The Perennial Philosophy
   5 The Secret Doctrine
   5 Lovecraft - Poems
   3 Wordsworth - Poems
   3 Whitman - Poems
   3 The Confessions of Saint Augustine
   3 The Archetypes and the Collective Unconscious
   3 Preparing for the Miraculous
   3 Plotinus - Complete Works Vol 02
   3 Evening Talks With Sri Aurobindo
   3 Aion
   2 Poetics
   2 Plotinus - Complete Works Vol 04
   2 Plotinus - Complete Works Vol 01
   2 On Education
   2 Metamorphoses
   2 Initiation Into Hermetics
   2 Browning - Poems


00.00 - Publishers Note A, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Publishers Note
   Publishers Note

00.00 - Publishers Note B, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Publishers Note
   Publishers Note

00.00 - Publishers Note, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Publishers Note
   Publishers Note

00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Approach to Mysticism
   The Approach to Mysticism

00.02 - Mystic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Mystic Symbolism
   Mystic Symbolism

00.03 - Upanishadic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Upanishadic Symbolism
   Upanishadic Symbolism

00.04 - The Beautiful in the Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Beautiful in the Upanishads
   The Beautiful in the Upanishads

00.05 - A Vedic Conception of the Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta A Vedic Conception of the Poet
   A Vedic Conception of the Poet

0.00 - Publishers Note C, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Publishers Note
   Publishers Note

0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
     The title is the name of one of the authors of the affair
    of the Haymarket, in Chicago. See Frank Harris,

01.01 - A Yoga of the Art of Life, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part OneA Yoga of the Art of Life
   A Yoga of the Art of Life

01.01 - Sri Aurobindo - The Age of Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsSri Aurobindo: The Age of Sri Aurobindo
   Sri Aurobindo: The Age of Sri Aurobindo

01.02 - Natures Own Yoga, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part OneNatures Own Yoga
   Natures Own Yoga

01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsSri Aurobindo: Ahana and Other Poems
   Sri Aurobindo: Ahana and Other Poems

01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsMystic Poetry
   Mystic Poetry

01.03 - Sri Aurobindo and his School, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part OneSri Aurobindo and his School
   Sri Aurobindo and his School

01.04 - Sri Aurobindos Gita, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part OneSri Aurobindos Gita
   Sri Aurobindos Gita

01.04 - The Poetry in the Making, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and Mystics The Poetry in the Making
   The Poetry in the Making

01.05 - Rabindranath Tagore: A Great Poet, a Great Man, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsRabindranath Tagore: A Great Poet, a Great Man
   Rabindranath Tagore: A Great Poet, a Great Man

01.06 - Vivekananda, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsVivekananda
   Vivekananda

01.07 - Blaise Pascal (1623-1662), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsBlaise Pascal (1623-1662)
   Blaise Pascal (1623-1662)

01.08 - Walter Hilton: The Scale of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsWalter Hilton: The Scale of Perfection
   Walter Hilton: The Scale of Perfection

01.09 - William Blake: The Marriage of Heaven and Hell, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsWilliam Blake: The Marriage of Heaven and Hell
   William Blake: The Marriage of Heaven and Hell

01.10 - Nicholas Berdyaev: God Made Human, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsNicholas Berdyaev: God Made Human
   Nicholas Berdyaev: God Made Human

01.11 - Aldous Huxley: The Perennial Philosophy, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsAldous Huxley: The Perennial Philosophy
   Aldous Huxley: The Perennial Philosophy

01.12 - Goethe, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsGoe the
   Goethe

01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsT. S. Eliot: Four Quartets
   T. S. Eliot: Four Quartets

01.14 - Nicholas Roerich, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Poets and MysticsNicholas Roerich
   Nicholas Roerich

0 1964-02-05, #Agenda Vol 05, #The Mother, #Integral Yoga
   G. brought back from Paris a book, an albuman album of photographs. On one side of the book there is a photograph, and on the other a facsimile of the handwriting probably of well-known authors, poets, writers, and so on I didnt read that. A facsimile and a photograph. They call it Dream Paris! (Mother raises her eyes heavenwards)
   The photos attempt to be very artistic. They are taken from quite unusual angles and some are very fine. On the whole, a little vulgar: too many people kissing, socks hanging in the sunthey confuse the artistic with the uncommon, the unconventional. To be unconventional is very good, but still it could be directed towards the Beautiful rather than Anyway. I was looking at the book, turning the pages, and while looking I thought, Well, really, someone who doesnt know Paris at all would get a queer idea of it! There isnt one single picture that makes you say, Oh, thats beautiful, except a view of the Seine and also a few trees, which could as well be in the countryside. And I kept turning and turning the pages. Suddenly I saw (I had my magnifying glass to see better) a view of the banks of the Seine with the boxes of those what are they called?
  --
   Ill have to find the way to organize this new type of experience and make use of it but I need to know how it comes about! Because when I was looking at those pictures, I wasnt at all in a special state, I was looking at them somewhat superficially I was finding them hm! I saw their effort to be artistic and I found the perspectives from which the photos were taken interesting, but thats all. The subjects except for the angler (there were more than four anglers in the book, mon petit!) and people sleeping in the street, things of that sort. And then people kissing everywhere: on chairs, on the banks of the Seine, on benches, in swings in amusement parks. And rather vulgar. But the photos, the patches of light and shadewell taken. I didnt want to tire my eyes reading those peoples literature, but it must be very modern probably there were some authors signatures! The signature alone was the portrait of the individual: pretentious, affected.
   The atmosphere of Paris is unbreathable. When I returned to France, first I fell sick, and then that atmosphere

02.01 - A Vedic Story, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsA Vedic Story
   A Vedic Story

02.01 - Our Ideal, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part TwoOur Ideal
   Our Ideal

02.01 - The World War, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society The World War
   The World War

02.02 - Lines of the Descent of Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part TwoLines of the Descent of Consciousness
   Lines of the Descent of Consciousness

02.02 - Rishi Dirghatama, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsRishi Dirghatama
   Rishi Dirghatama

02.02 - The Message of the Atomic Bomb, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society The Message of the Atomic Bomb
   The Message of the Atomic Bomb

02.03 - An Aspect of Emergent Evolution, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part TwoAn Aspect of Emergent Evolution
   An Aspect of Emergent Evolution

02.03 - National and International, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New SocietyNational and International
   National and International

02.03 - The Shakespearean Word, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsThe Shakespearean Word
   The Shakespearean Word

02.04 - The Right of Absolute Freedom, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society The Right of Absolute Freedom
   The Right of Absolute Freedom

02.04 - Two Sonnets of Shakespeare, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsTwo Sonnets of Shakespeare
   Two Sonnets of Shakespeare

02.05 - Federated Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New SocietyFederated Humanity
   Federated Humanity

02.05 - Robert Graves, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsRobert Graves
   Robert Graves

02.06 - Boris Pasternak, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsBoris Pasternak
   Boris Pasternak

02.06 - Vansittartism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New SocietyVansittartism
   Vansittartism

02.07 - George Seftris, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsGeorge Seftris
   George Seftris

02.07 - India One and Indivisable, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society India One and Indivisible
   India One and Indivisible

02.07 - The Descent into Night, #Savitri, #Sri Aurobindo, #Integral Yoga
    For none could see the authors of their fall.
    Aware of some dark wisdom still withheld

02.08 - Jules Supervielle, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsJules Supervielle
   Jules Supervielle

02.08 - The Basic Unity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society The Basic Unity
   The Basic Unity

02.09 - The Way to Unity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society The Way to Unity
   The Way to Unity

02.09 - Two Mystic Poems in Modern French, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsTwo Mystic Poems in Modern French
   Two Mystic Poems in Modern French

02.10 - Independence and its Sanction, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society Independence and its Sanction
   Independence and its Sanction

02.10 - Two Mystic Poems in Modern Bengali, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsTwo Mystic Poems in Modern Bengali
   Two Mystic Poems in Modern Bengali

02.11 - Hymn to Darkness, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsHymn to Darkness
   Hymn to Darkness

02.11 - New World-Conditions, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New SocietyNew World-Conditions
   New World-Conditions

02.12 - Mysticism in Bengali Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsMysticism in Bengali Poetry
   Mysticism in Bengali Poetry

02.12 - The Ideals of Human Unity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New Society The Ideals of Human Unity
   The Ideals of Human Unity

02.13 - On Social Reconstruction, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New SocietyOn Social Reconstruction
   On Social Reconstruction

02.13 - Rabindranath and Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsRabindranath and Sri Aurobindo
   Rabindranath and Sri Aurobindo

02.14 - Appendix, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Seer PoetsAppendix
   Appendix

02.14 - Panacea of Isms, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards a New SocietyPanacea of Isms
   Panacea of Isms

03.01 - Humanism and Humanism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineHumanism and Humanism
   Humanism and Humanism

03.01 - The Malady of the Century, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the Century The Malady of the Century
   The Malady of the Century

03.01 - The New Year Initiation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe New Year Initiation
   The New Year Initiation

03.02 - Aspects of Modernism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyAspects of Modernism
   Aspects of Modernism

03.02 - The Philosopher as an Artist and Philosophy as an Art, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and Divine The Philosopher as an Artist and Philosophy as an Art
   The Philosopher as an Artist and Philosophy as an Art

03.02 - Yogic Initiation and Aptitude, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeYogic Initiation and Aptitude
   Yogic Initiation and Aptitude

03.03 - Arjuna or the Ideal Disciple, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeArjuna or the Ideal Disciple
   Arjuna or the Ideal Disciple

03.03 - A Stainless Steel Frame, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineA Stainless Steel Frame
   A Stainless Steel Frame

03.03 - Modernism - An Oriental Interpretation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyModernism: An Oriental Interpretation
   Modernism: An Oriental Interpretation

03.04 - The Body Human, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe Body Human
   The Body Human

03.04 - The Other Aspect of European Culture, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the Century The Other Aspect of European Culture
   The Other Aspect of European Culture

03.04 - Towardsa New Ideology, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineTowardsa New Ideology
   Towardsa New Ideology

03.05 - Some Conceptions and Misconceptions, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeSome Conceptions and Misconceptions
   Some Conceptions and Misconceptions

03.05 - The Spiritual Genius of India, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the Century The Spiritual Genius of India
   The Spiritual Genius of India

03.05 - The World is One, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and Divine The World is One
   The World is One

03.06 - Divine Humanism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyDivine Humanism
   Divine Humanism

03.06 - Here or Otherwhere, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeHere or Otherwhere
   Here or Otherwhere

03.06 - The Pact and its Sanction, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and Divine The Pact and its Sanction
   The Pact and its Sanction

03.07 - Brahmacharya, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineBrahmacharya
   Brahmacharya

03.07 - Some Thoughts on the Unthinkable, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturySome Thoughts on the Unthinkable
   Some Thoughts on the Unthinkable

03.07 - The Sunlit Path, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe Sunlit Path
   The Sunlit Path

03.08 - The Democracy of Tomorrow, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and Divine The Democracy of Tomorrow
   The Democracy of Tomorrow

03.08 - The Spiritual Outlook, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe Spiritual Outlook
   The Spiritual Outlook

03.08 - The Standpoint of Indian Art, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the Century The Standpoint of Indian Art
   The Standpoint of Indian Art

03.09 - Art and Katharsis, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyArt and Katharsis
   Art and Katharsis

03.09 - Buddhism and Hinduism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineBuddhism and Hinduism
   Buddhism and Hinduism

03.09 - Sectarianism or Loyalty, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeSectarianism or Loyalty
   Sectarianism or Loyalty

03.10 - Hamlet: A Crisis of the Evolving Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyHamlet: A Crisis of the Evolving Soul
   Hamlet: A Crisis of the Evolving Soul

03.10 - Sincerity, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeSincerity
   Sincerity

03.10 - The Mission of Buddhism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and Divine The Mission of Buddhism
   The Mission of Buddhism

03.11 - Modernist Poetry, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyModernist Poetry
   Modernist Poetry

03.11 - The Language Problem and India, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and Divine The Language Problem and India
   The Language Problem and India

03.11 - True Humility, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeTrue Humility
   True Humility

03.12 - Communism: What does it Mean?, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineCommunism: What does it Mean?
   Communism: What does it Mean?

03.12 - TagorePoet and Seer, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Malady of the CenturyTagorePoet and Seer
   TagorePoet and Seer

03.12 - The Spirit of Tapasya, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe Spirit of Tapasya
   The Spirit of Tapasya

03.13 - Dynamic Fatalism, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeDynamic Fatalism
   Dynamic Fatalism

03.13 - Human Destiny, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineHuman Destiny
   Human Destiny

03.14 - From the Known to the Unknown?, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineFrom the Known to the Unknown?
   From the Known to the Unknown?

03.14 - Mater Dolorosa, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeMater Dolorosa
   Mater Dolorosa

03.15 - Origin and Nature of Suffering, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeOrigin and Nature of Suffering
   Origin and Nature of Suffering

03.15 - Towards the Future, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Man, Human and DivineTowards the Future
   Towards the Future

03.16 - The Tragic Spirit in Nature, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe Tragic Spirit in Nature
   The Tragic Spirit in Nature

03.17 - The Souls Odyssey, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part ThreeThe Souls Odyssey
   The Souls Odyssey

04.01 - The Divine Man, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourThe Divine Man
   The Divine Man

04.01 - The March of Civilisation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of Civilisation The March of Civilisation
   The March of Civilisation

04.01 - To the Heights I, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights I
   To the Heights I

04.02 - A Chapter of Human Evolution, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of CivilisationA Chapter of Human Evolution
   A Chapter of Human Evolution

04.02 - Human Progress, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourHuman Progress
   Human Progress

04.02 - To the Heights II, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights II
   To the Heights II

04.03 - Consciousness as Energy, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourConsciousness as Energy
   Consciousness as Energy

04.03 - The Eternal East and West, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of Civilisation The Eternal East and West
   The Eternal East and West

04.03 - To the Heights III, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights III
   To the Heights III

04.04 - A Global Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of CivilisationA Global Humanity
   A Global Humanity

04.04 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourEvolution of the Spiritual Consciousness
   Evolution of the Spiritual Consciousness

04.04 - To the Heights IV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights IV
   To the Heights IV

04.05 - The Freedom and the Force of the Spirit, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourThe Freedom and the Force of the Spirit
   The Freedom and the Force of the Spirit

04.05 - The Immortal Nation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of Civilisation The Immortal Nation
   The Immortal Nation

04.05 - To the Heights V, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the HeightsV
   To the HeightsV

04.06 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of CivilisationEvolution of the Spiritual Consciousness
   Evolution of the Spiritual Consciousness

04.06 - To Be or Not to Be, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourTo Be or Not to Be
   To Be or Not to Be

04.06 - To the Heights VI (Maheshwari), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the HeightsVI (Maheshwari)
   To the HeightsVI (Maheshwari)

04.07 - Matter Aspires, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of CivilisationMatter Aspires
   Matter Aspires

04.07 - Readings in Savitri, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FourReadings in Savitri
   Readings in Savitri

04.07 - To the Heights VII (Mahakali), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the HeightsVII (Mahakali)
   To the HeightsVII (Mahakali)

04.08 - An Evolutionary Problem, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of CivilisationAn Evolutionary Problem
   An Evolutionary Problem

04.08 - To the Heights VIII (Mahalakshmi), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the HeightsVIII (Mahalakshmi)
   To the HeightsVIII (Mahalakshmi)

04.09 - To the Heights-I (Mahasarswati), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-IX (Mahasaraswati)
   To the Heights-IX (Mahasaraswati)

04.09 - Values Higher and Lower, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The March of CivilisationValues Higher and Lower
   Values Higher and Lower

04.10 - To the Heights-X, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-X
   To the Heights-X

04.11 - To the Heights-XI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XI
   To the Heights-XI

04.12 - To the Heights-XII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XII
   To the Heights-XII

04.13 - To the HeightsXIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XIII
   To the Heights-XIII

04.14 - To the Heights-XXIV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXIV
   To the Heights-XXIV

04.15 - To the Heights-XV (God the Supreme Mystery), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XV (God the Supreme Mystery)
   To the Heights-XV (God the Supreme Mystery)

04.16 - To the Heights-XVI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XVI
   To the Heights-XVI

04.17 - To the Heights-XVII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XVII
   To the Heights-XVII

04.18 - To the Heights-XVIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XVIII
   To the Heights-XVIII

04.19 - To the Heights-XIX (The March into the Night), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XIX (The March into the Night)
   To the Heights-XIX (The March into the Night)

04.20 - To the Heights-XX, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XX
   To the Heights-XX

04.21 - To the HeightsXXI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXI
   To the Heights-XXI

04.22 - To the Heights-XXII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXII
   To the Heights-XXII

04.23 - To the Heights-XXIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXIII
   To the Heights-XXIII

04.24 - To the Heights-XXIV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXIV
   To the Heights-XXIV

04.25 - To the Heights-XXV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXV
   To the Heights-XXV

04.26 - To the Heights-XXVI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXVI
   To the Heights-XXVI

04.27 - To the Heights-XXVII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXVII
   To the Heights-XXVII

04.28 - To the Heights-XXVIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXVIII
   To the Heights-XXVIII

04.29 - To the Heights-XXIX, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXIX
   To the Heights-XXIX

04.30 - To the HeightsXXX, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXX
   To the Heights-XXX

04.31 - To the Heights-XXXI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXI
   To the Heights-XXXI

04.32 - To the Heights-XXXII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXII
   To the Heights-XXXII

04.33 - To the Heights-XXXIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXIII
   To the Heights-XXXIII

04.34 - To the Heights-XXXIV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXIV
   To the Heights-XXXIV

04.35 - To the Heights-XXXV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXV
   To the Heights-XXXV

04.36 - To the Heights-XXXVI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXVI
   To the Heights-XXXVI

04.37 - To the Heights-XXXVII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXVII
   To the Heights-XXXVII

04.38 - To the Heights-XXXVIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXVIII
   To the Heights-XXXVIII

04.39 - To the Heights-XXXIX, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XXXIX
   To the Heights-XXXIX

04.40 - To the Heights-XL, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XL
   To the Heights-XL

04.41 - To the Heights-XLI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLI
   To the Heights-XLI

04.42 - To the Heights-XLII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLII
   To the Heights-XLII

04.43 - To the Heights-XLIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLIII
   To the Heights-XLIII

04.44 - To the Heights-XLIV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLIV
   To the Heights-XLIV

04.45 - To the Heights-XLV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLV
   To the Heights-XLV

04.46 - To the Heights-XLVI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLVI
   To the Heights-XLVI

04.47 - To the Heights-XLVII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta To the HeightsTo the Heights-XLVII
   To the Heights-XLVII

05.01 - At the Origin of Ignorance, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveAt the Origin of Ignorance
   At the Origin of Ignorance

05.01 - Man and the Gods, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalMan and the Gods
   Man and the Gods

05.01 - Of Love and Aspiration, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards The LightOf Love and Aspiration
   Of Love and Aspiration

05.02 - Gods Labour, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalGods Labour
   Gods Labour

05.02 - Of the Divine and its Help, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards The LightOf the Divine and its Help
   Of the Divine and its Help

05.02 - Physician, Heal Thyself, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FivePhysician, Heal Thyself
   Physician, Heal Thyself

05.03 - Bypaths of Souls Journey, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalBypaths of Souls Journey
   Bypaths of Souls Journey

05.03 - Of Desire and Atonement, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards The Lightof Desire and Atonement
   of Desire and Atonement

05.03 - The Body Natural, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveThe Body Natural
   The Body Natural

05.04 - Of Beauty and Ananda, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards The LightOf Beauty and Ananda
   Of Beauty and Ananda

05.04 - The Immortal Person, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Immortal Person
   The Immortal Person

05.04 - The Measure of Time, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveThe Measure of Time
   The Measure of Time

05.05 - In Quest of Reality, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the Goal In Quest of Reality
   In Quest of Reality

05.05 - Man the Prototype, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveMan the Prototype
   Man the Prototype

05.05 - Of Some Supreme Mysteries, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards The LightOf Some Supreme Mysteries
   Of Some Supreme Mysteries

05.06 - Physics or philosophy, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalPhysics or philosophy
   Physics or philosophy

05.06 - The Birth of Maya, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Towards The LightThe Birth of Maya
   The Birth of Maya

05.06 - The Role of Evil, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveThe Role of Evil
   The Role of Evil

05.07 - Man and Superman, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveMan and Superman
   Man and Superman

05.07 - The Observer and the Observed, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Observer and the Observed
   The Observer and the Observed

05.08 - An Age of Revolution, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalAn Age of Revolution
   An Age of Revolution

05.08 - True Charity, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveTrue Charity
   True Charity

05.09 - The Changed Scientific Outlook, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Changed Scientific Outlook
   The Changed Scientific Outlook

05.09 - Varieties of Religious Experience, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveVarieties of Religious Experience
   Varieties of Religious Experience

05.10 - Children and Child Mentality, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveChildren and Child Mentality
   Children and Child Mentality

05.10 - Knowledge by Identity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalKnowledge by Identity
   Knowledge by Identity

05.11 - The Place of Reason, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Place of Reason
   The Place of Reason

05.11 - The Soul of a Nation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveThe Soul of a Nation
   The Soul of a Nation

05.12 - The Revealer and the Revelation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Revealer and the Revelation
   The Revealer and the Revelation

05.12 - The Soul and its Journey, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part FiveThe Soul and its Journey
   The Soul and its Journey

05.13 - Darshana and Philosophy, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalDarshana and Philosophy
   Darshana and Philosophy

05.14 - The Sanctity of the Individual, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Sanctity of the Individual
   The Sanctity of the Individual

05.15 - Sartrian Freedom, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalSartrian Freedom
   Sartrian Freedom

05.16 - A Modernist Mentality, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalA Modernist Mentality
   A Modernist Mentality

05.17 - Evolution or Special Creation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalEvolution or Special Creation
   Evolution or Special Creation

05.18 - Man to be Surpassed, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalMan to be Surpassed
   Man to be Surpassed

05.19 - Lone to the Lone, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalLone to the Lone
   Lone to the Lone

05.20 - The Urge for Progression, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Urge for Progression
   The Urge for Progression

05.21 - Being or Becoming and Having, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalBeing or Becoming and Having
   Being or Becoming and Having

05.22 - Success and its Conditions, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalSuccess and its Conditions
   Success and its Conditions

05.23 - The Base of Sincerity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Base of Sincerity
   The Base of Sincerity

05.24 - Process of Purification, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalProcess of Purification
   Process of Purification

05.25 - Sweet Adversity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalSweet Adversity
   Sweet Adversity

05.26 - The Soul in Anguish, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Soul in Anguish
   The Soul in Anguish

05.27 - The Nature of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalThe Nature of Perfection
   The Nature of Perfection

05.28 - God Protects, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalGod Protects
   God Protects

05.29 - Vengeance is Mine, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalVengeance is Mine
   Vengeance is Mine

05.30 - Theres a Divinity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalTheres a Divinity
   Theres a Divinity

05.31 - Divine Intervention, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalDivine Intervention
   Divine Intervention

05.32 - Yoga as Pragmatic Power, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalYoga as Pragmatic Power
   Yoga as Pragmatic Power

05.33 - Caesar versus the Divine, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalCaesar versus the Divine
   Caesar versus the Divine

05.34 - Light, more Light, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta The Quest and the GoalLight, more Light
   Light, more Light

06.01 - The End of a Civilisation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe End of a Civilisation
   The End of a Civilisation

06.02 - Darkness to Light, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixDarkness to Light
   Darkness to Light

06.03 - Types of Meditation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixTypes of Meditation
   Types of Meditation

06.04 - The Conscious Being, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Conscious Being
   The Conscious Being

06.05 - The Story of Creation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Story of Creation
   The Story of Creation

06.06 - Earth a Symbol, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixEarth a Symbol
   Earth a Symbol

06.07 - Total Transformation Demands Total Rejection, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixTotal Transformation Demands Total Rejection
   Total Transformation Demands Total Rejection

06.08 - The Individual and the Collective, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Individual and the Collective
   The Individual and the Collective

06.09 - How to Wait, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixHow to Wait
   How to Wait

06.10 - Fatigue and Work, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixFatigue and Work
   Fatigue and Work

06.11 - The Steps of the Soul, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Steps of the Soul
   The Steps of the Soul

06.12 - The Expanding Body-Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Expanding Body-Consciousness
   The Expanding Body-Consciousness

06.13 - Body, the Occult Agent, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixBody, the Occult Agent
   Body, the Occult Agent

06.14 - The Integral Realisation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Integral Realisation
   The Integral Realisation

06.15 - Ever Green, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixEver Green
   Ever Green

06.16 - A Page of Occult History, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixA Page of Occult History
   A Page of Occult History

06.17 - Directed Change, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixDirected Change
   Directed Change

06.18 - Value of Gymnastics, Mental or Other, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixValue of GymnasticsMental or Other
   Value of GymnasticsMental or Other

06.19 - Mental Silence, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixMental Silence
   Mental Silence

06.20 - Mind, Origin of Separative Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixMind, Origin of Separative Consciousness
   Mind, Origin of Separative Consciousness

06.21 - The Personal and the Impersonal, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Personal and the Impersonal
   The Personal and the Impersonal

06.22 - I Have Nothing, I Am Nothing, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part Six I Have Nothing, I Am Nothing
   I Have Nothing, I Am Nothing

06.23 - Here or Elsewhere, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixHere or Elsewhere
   Here or Elsewhere

06.24 - When Imperfection is Greater Than Perfection, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixWhen Imperfection is Greater Than Perfection
   When Imperfection is Greater Than Perfection

06.25 - Individual and Collective Soul, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part Six Individual and Collective Soul
   Individual and Collective Soul

06.26 - The Wonder of It All, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Wonder of It All
   The Wonder of It All

06.27 - To Learn and to Understand, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixTo Learn and to Understand
   To Learn and to Understand

06.28 - The Coming of Superman, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Coming of Superman
   The Coming of Superman

06.29 - Towards Redemption, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixTowards Redemption
   Towards Redemption

06.30 - Sweet Holy Tears, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixSweet Holy Tears
   Sweet Holy Tears

06.31 - Identification of Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part Six Identification of Consciousness
   Identification of Consciousness

06.32 - The Central Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Central Consciousness
   The Central Consciousness

06.33 - The Constants of the Spirit, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Constants of the Spirit
   The Constants of the Spirit

06.34 - Selfless Worker, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixSelfless Worker
   Selfless Worker

06.35 - Second Sight, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixSecond Sight
   Second Sight

06.36 - The Mother on Herself, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SixThe Mother on Herself
   The Mother on Herself

07.01 - Realisation, Past and Future, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenRealisation, Past and Future
   Realisation, Past and Future

07.02 - The Spiral Universe, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Spiral Universe
   The Spiral Universe

07.03 - This Expanding Universe, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThis Expanding Universe
   This Expanding Universe

07.04 - The World Serpent, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe World Serpent
   The World Serpent

07.05 - This Mystery of Existence, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThis Mystery of Existence
   This Mystery of Existence

07.06 - Record of World-History, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenRecord of World-History
   Record of World-History

07.07 - Freedom and Destiny, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenFreedom and Destiny
   Freedom and Destiny

07.08 - The Divine Truth Its Name and Form, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Divine Truth Its Name and Form
   The Divine Truth Its Name and Form

07.09 - The Symbolic Ignorance, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Symbolic Ignorance
   The Symbolic Ignorance

07.10 - Diseases and Accidents, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenDiseases and Accidents
   Diseases and Accidents

07.11 - The Problem of Evil, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Problem of Evil
   The Problem of Evil

07.12 - This Ugliness in the World, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThis Ugliness in the World
   This Ugliness in the World

07.13 - Divine Justice, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenDivine Justice
   Divine Justice

07.14 - The Divine Suffering, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Divine Suffering
   The Divine Suffering

07.15 - Divine Disgust, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenDivine Disgust
   Divine Disgust

07.16 - Things Significant and Insignificant, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThings Significant and Insignificant
   Things Significant and Insignificant

07.17 - Why Do We Forget Things?, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenWhy Do We Forget Things?
   Why Do We Forget Things?

07.18 - How to get rid of Troublesome Thoughts, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenHow to get rid of Troublesome Thoughts
   How to get rid of Troublesome Thoughts

07.19 - Bad Thought-Formation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenBad Thought-Formation
   Bad Thought-Formation

07.20 - Why are Dreams Forgotten?, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenWhy are Dreams Forgotten?
   Why are Dreams Forgotten?

07.21 - On Occultism, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenOn Occultism
   On Occultism

07.22 - Mysticism and Occultism, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenMysticism and Occultism
   Mysticism and Occultism

07.24 - Meditation and Meditation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenMeditation and Meditation
   Meditation and Meditation

07.25 - Prayer and Aspiration, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenPrayer and Aspiration
   Prayer and Aspiration

07.26 - Offering and Surrender, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenOffering and Surrender
   Offering and Surrender

07.27 - Equality of the Body, Equality of the Soul, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenEquality of the BodyEquality of the Soul
   Equality of the BodyEquality of the Soul

07.28 - Personal Effort and Will, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenPersonal Effort and Will
   Personal Effort and Will

07.29 - How to Feel that we Belong to the Divine, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenHow to Feel that we Belong to the Divine
   How to Feel that we Belong to the Divine

07.30 - Sincerity is Victory, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenSincerity is Victory
   Sincerity is Victory

07.31 - Images of Gods and Goddesses, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part Seven Images of Gods and Goddesses
   Images of Gods and Goddesses

07.32 - The Yogic Centres, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Yogic Centres
   The Yogic Centres

07.33 - The Inner and the Outer, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
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07.34 - And this Agile Reason, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenAnd this Agile Reason
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07.35 - The Force of Body-Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Force of Body-Consciousness
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07.36 - The Body and the Psychic, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Body and the Psychic
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07.37 - The Psychic Being, Some Mysteries, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenThe Psychic BeingSome Mysteries
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07.38 - Past Lives and the Psychic Being, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenPast Lives and the Psychic Being
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07.39 - The Homogeneous Being, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
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07.40 - Service Human and Divine, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
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07.41 - The Divine Family, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
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07.42 - The Nature and Destiny of Art, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
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07.43 - Music Its Origin and Nature, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenMusic Its Origin and Nature
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07.44 - Music Indian and European, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
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07.45 - Specialisation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Other authors Nolini Kanta Gupta Part SevenSpecialisation
   Specialisation

WORDNET



--- Overview of noun author

The noun author has 2 senses (first 2 from tagged texts)
                    
1. (38) writer, author ::: (writes (books or stories or articles or the like) professionally (for pay))
2. (6) generator, source, author ::: (someone who originates or causes or initiates something; "he was the generator of several complaints")

--- Overview of verb author

The verb author has 1 sense (no senses from tagged texts)
                    
1. author ::: (be the author of; "She authored this play")


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun author

2 senses of author                          

Sense 1
writer, author
   => communicator
     => person, individual, someone, somebody, mortal, soul
       => organism, being
         => living thing, animate thing
           => whole, unit
             => object, physical object
               => physical entity
                 => entity
       => causal agent, cause, causal agency
         => physical entity
           => entity

Sense 2
generator, source, author
   => maker, shaper
     => creator
       => person, individual, someone, somebody, mortal, soul
         => organism, being
           => living thing, animate thing
             => whole, unit
               => object, physical object
                 => physical entity
                   => entity
         => causal agent, cause, causal agency
           => physical entity
             => entity


--- Hyponyms of noun author

2 senses of author                          

Sense 1
writer, author
   => abstractor, abstracter
   => alliterator
   => authoress
   => biographer
   => coauthor, joint author
   => commentator, reviewer
   => compiler
   => contributor
   => cyberpunk
   => drafter
   => dramatist, playwright
   => essayist, litterateur
   => folk writer
   => framer
   => gagman, gagster, gagwriter
   => ghostwriter, ghost
   => Gothic romancer
   => hack, hack writer, literary hack
   => journalist
   => librettist
   => lyricist, lyrist
   => novelist
   => pamphleteer
   => paragrapher
   => poet
   => polemicist, polemist, polemic
   => rhymer, rhymester, versifier, poetizer, poetiser
   => scenarist
   => scriptwriter
   => space writer
   => speechwriter
   => tragedian
   => wordmonger
   => word-painter
   => wordsmith
   HAS INSTANCE=> Aiken, Conrad Aiken, Conrad Potter Aiken
   HAS INSTANCE=> Alger, Horatio Alger
   HAS INSTANCE=> Algren, Nelson Algren
   HAS INSTANCE=> Andersen, Hans Christian Andersen
   HAS INSTANCE=> Anderson, Sherwood Anderson
   HAS INSTANCE=> Aragon, Louis Aragon
   HAS INSTANCE=> Asch, Sholem Asch, Shalom Asch, Sholom Asch
   HAS INSTANCE=> Asimov, Isaac Asimov
   HAS INSTANCE=> Auchincloss, Louis Auchincloss, Louis Stanton Auchincloss
   HAS INSTANCE=> Austen, Jane Austen
   HAS INSTANCE=> Baldwin, James Baldwin, James Arthur Baldwin
   HAS INSTANCE=> Baraka, Imamu Amiri Baraka, LeRoi Jones
   HAS INSTANCE=> Barth, John Barth, John Simmons Barth
   HAS INSTANCE=> Barthelme, Donald Barthelme
   HAS INSTANCE=> Baum, Frank Baum, Lyman Frank Brown
   HAS INSTANCE=> Beauvoir, Simone de Beauvoir
   HAS INSTANCE=> Beckett, Samuel Beckett
   HAS INSTANCE=> Beerbohm, Max Beerbohm, Sir Henry Maxmilian Beerbohm
   HAS INSTANCE=> Belloc, Hilaire Belloc, Joseph Hilaire Peter Belloc
   HAS INSTANCE=> Bellow, Saul Bellow, Solomon Bellow
   HAS INSTANCE=> Benchley, Robert Benchley, Robert Charles Benchley
   HAS INSTANCE=> Benet, William Rose Benet
   HAS INSTANCE=> Bierce, Ambrose Bierce, Ambrose Gwinett Bierce
   HAS INSTANCE=> Boell, Heinrich Boell, Heinrich Theodor Boell
   HAS INSTANCE=> Bontemps, Arna Wendell Bontemps
   HAS INSTANCE=> Borges, Jorge Borges, Jorge Luis Borges
   HAS INSTANCE=> Boswell, James Boswell
   HAS INSTANCE=> Boyle, Kay Boyle
   HAS INSTANCE=> Bradbury, Ray Bradbury, Ray Douglas Bradbury
   HAS INSTANCE=> Bronte, Charlotte Bronte
   HAS INSTANCE=> Bronte, Emily Bronte, Emily Jane Bronte, Currer Bell
   HAS INSTANCE=> Bronte, Anne Bronte
   HAS INSTANCE=> Browne, Charles Farrar Browne, Artemus Ward
   HAS INSTANCE=> Buck, Pearl Buck, Pearl Sydenstricker Buck
   HAS INSTANCE=> Bunyan, John Bunyan
   HAS INSTANCE=> Burgess, Anthony Burgess
   HAS INSTANCE=> Burnett, Frances Hodgson Burnett, Frances Eliza Hodgson Burnett
   HAS INSTANCE=> Burroughs, Edgar Rice Burroughs
   HAS INSTANCE=> Burroughs, William Burroughs, William S. Burroughs, William Seward Burroughs
   HAS INSTANCE=> Butler, Samuel Butler
   HAS INSTANCE=> Cabell, James Branch Cabell
   HAS INSTANCE=> Caldwell, Erskine Caldwell, Erskine Preston Caldwell
   HAS INSTANCE=> Calvino, Italo Calvino
   HAS INSTANCE=> Camus, Albert Camus
   HAS INSTANCE=> Canetti, Elias Canetti
   HAS INSTANCE=> Capek, Karel Capek
   HAS INSTANCE=> Carroll, Lewis Carroll, Dodgson, Reverend Dodgson, Charles Dodgson, Charles Lutwidge Dodgson
   HAS INSTANCE=> Cather, Willa Cather, Willa Sibert Cather
   HAS INSTANCE=> Cervantes, Miguel de Cervantes, Cervantes Saavedra, Miguel de Cervantes Saavedra
   HAS INSTANCE=> Chandler, Raymond Chandler, Raymond Thornton Chandler
   HAS INSTANCE=> Chateaubriand, Francois Rene Chateaubriand, Vicomte de Chateaubriand
   HAS INSTANCE=> Cheever, John Cheever
   HAS INSTANCE=> Chesterton, G. K. Chesterton, Gilbert Keith Chesterton
   HAS INSTANCE=> Chopin, Kate Chopin, Kate O'Flaherty Chopin
   HAS INSTANCE=> Christie, Agatha Christie, Dame Agatha Mary Clarissa Christie
   HAS INSTANCE=> Churchill, Winston Churchill, Winston S. Churchill, Sir Winston Leonard Spenser Churchill
   HAS INSTANCE=> Clemens, Samuel Langhorne Clemens, Mark Twain
   HAS INSTANCE=> Cocteau, Jean Cocteau
   HAS INSTANCE=> Colette, Sidonie-Gabrielle Colette, Sidonie-Gabrielle Claudine Colette
   HAS INSTANCE=> Collins, Wilkie Collins, William Wilkie Collins
   HAS INSTANCE=> Conan Doyle, A. Conan Doyle, Arthur Conan Doyle, Sir Arthur Conan Doyle
   HAS INSTANCE=> Conrad, Joseph Conrad, Teodor Josef Konrad Korzeniowski
   HAS INSTANCE=> Cooper, James Fenimore Cooper
   HAS INSTANCE=> Crane, Stephen Crane
   HAS INSTANCE=> cummings, e. e. cummings, Edward Estlin Cummings
   HAS INSTANCE=> Day, Clarence Day, Clarence Shepard Day Jr.
   HAS INSTANCE=> Defoe, Daniel Defoe
   HAS INSTANCE=> De Quincey, Thomas De Quincey
   HAS INSTANCE=> Dickens, Charles Dickens, Charles John Huffam Dickens
   HAS INSTANCE=> Didion, Joan Didion
   HAS INSTANCE=> Dinesen, Isak Dinesen, Blixen, Karen Blixen, Baroness Karen Blixen
   HAS INSTANCE=> Doctorow, E. L. Doctorow, Edgard Lawrence Doctorow
   HAS INSTANCE=> Dos Passos, John Dos Passos, John Roderigo Dos Passos
   HAS INSTANCE=> Dostoyevsky, Dostoevski, Dostoevsky, Feodor Dostoyevsky, Fyodor Dostoyevsky, Feodor Dostoevski, Fyodor Dostoevski, Feodor Dostoevsky, Fyodor Dostoevsky, Feodor Mikhailovich Dostoyevsky, Fyodor Mikhailovich Dostoyevsky, Feodor Mikhailovich Dostoevski, Fyodor Mikhailovich Dostoevski, Feodor Mikhailovich Dostoevsky, Fyodor Mikhailovich Dostoevsky
   HAS INSTANCE=> Dreiser, Theodore Dreiser, Theodore Herman Albert Dreiser
   HAS INSTANCE=> Dumas, Alexandre Dumas
   HAS INSTANCE=> du Maurier, George du Maurier, George Louis Palmella Busson du Maurier
   HAS INSTANCE=> du Maurier, Daphne du Maurier, Dame Daphne du Maurier
   HAS INSTANCE=> Durrell, Lawrence Durrell, Lawrence George Durrell
   HAS INSTANCE=> Ehrenberg, Ilya Ehrenberg, Ilya Grigorievich Ehrenberg
   HAS INSTANCE=> Eliot, George Eliot, Mary Ann Evans
   HAS INSTANCE=> Ellison, Ralph Ellison, Ralph Waldo Ellison
   HAS INSTANCE=> Emerson, Ralph Waldo Emerson
   HAS INSTANCE=> Farrell, James Thomas Farrell
   HAS INSTANCE=> Ferber, Edna Ferber
   HAS INSTANCE=> Fielding, Henry Fielding
   HAS INSTANCE=> Fitzgerald, F. Scott Fitzgerald, Francis Scott Key Fitzgerald
   HAS INSTANCE=> Flaubert, Gustave Flaubert
   HAS INSTANCE=> Fleming, Ian Fleming, Ian Lancaster Fleming
   HAS INSTANCE=> Ford, Ford Madox Ford, Ford Hermann Hueffer
   HAS INSTANCE=> Forester, C. S. Forester, Cecil Scott Forester
   HAS INSTANCE=> France, Anatole France, Jacques Anatole Francois Thibault
   HAS INSTANCE=> Franklin, Benjamin Franklin
   HAS INSTANCE=> Fuentes, Carlos Fuentes
   HAS INSTANCE=> Gaboriau, Emile Gaboriau
   HAS INSTANCE=> Galsworthy, John Galsworthy
   HAS INSTANCE=> Gardner, Erle Stanley Gardner
   HAS INSTANCE=> Gaskell, Elizabeth Gaskell, Elizabeth Cleghorn Stevenson Gaskell
   HAS INSTANCE=> Geisel, Theodor Seuss Geisel, Dr. Seuss
   HAS INSTANCE=> Gibran, Kahlil Gibran
   HAS INSTANCE=> Gide, Andre Gide, Andre Paul Guillaume Gide
   HAS INSTANCE=> Gjellerup, Karl Gjellerup
   HAS INSTANCE=> Gogol, Nikolai Vasilievich Gogol
   HAS INSTANCE=> Golding, William Golding, Sir William Gerald Golding
   HAS INSTANCE=> Goldsmith, Oliver Goldsmith
   HAS INSTANCE=> Gombrowicz, Witold Gombrowicz
   HAS INSTANCE=> Goncourt, Edmond de Goncourt, Edmond Louis Antoine Huot de Goncourt
   HAS INSTANCE=> Goncourt, Jules de Goncourt, Jules Alfred Huot de Goncourt
   HAS INSTANCE=> Gordimer, Nadine Gordimer
   HAS INSTANCE=> Gorky, Maksim Gorky, Gorki, Maxim Gorki, Aleksey Maksimovich Peshkov, Aleksey Maximovich Peshkov
   HAS INSTANCE=> Grahame, Kenneth Grahame
   HAS INSTANCE=> Grass, Gunter Grass, Gunter Wilhelm Grass
   HAS INSTANCE=> Graves, Robert Graves, Robert Ranke Graves
   HAS INSTANCE=> Greene, Graham Greene, Henry Graham Greene
   HAS INSTANCE=> Grey, Zane Grey
   HAS INSTANCE=> Grimm, Jakob Grimm, Jakob Ludwig Karl Grimm
   HAS INSTANCE=> Grimm, Wilhelm Grimm, Wilhelm Karl Grimm
   HAS INSTANCE=> Haggard, Rider Haggard, Sir Henry Rider Haggard
   HAS INSTANCE=> Haldane, Elizabeth Haldane, Elizabeth Sanderson Haldane
   HAS INSTANCE=> Hale, Edward Everett Hale
   HAS INSTANCE=> Haley, Alex Haley
   HAS INSTANCE=> Hall, Radclyffe Hall, Marguerite Radclyffe Hall
   HAS INSTANCE=> Hammett, Dashiell Hammett, Samuel Dashiell Hammett
   HAS INSTANCE=> Hamsun, Knut Hamsun, Knut Pedersen
   HAS INSTANCE=> Hardy, Thomas Hardy
   HAS INSTANCE=> Harris, Frank Harris, James Thomas Harris
   HAS INSTANCE=> Harris, Joel Harris, Joel Chandler Harris
   HAS INSTANCE=> Harte, Bret Harte
   HAS INSTANCE=> Hasek, Jaroslav Hasek
   HAS INSTANCE=> Hawthorne, Nathaniel Hawthorne
   HAS INSTANCE=> Hecht, Ben Hecht
   HAS INSTANCE=> Heinlein, Robert A. Heinlein, Robert Anson Heinlein
   HAS INSTANCE=> Heller, Joseph Heller
   HAS INSTANCE=> Hemingway, Ernest Hemingway
   HAS INSTANCE=> Hesse, Hermann Hesse
   HAS INSTANCE=> Heyse, Paul Heyse, Paul Johann Ludwig von Heyse
   HAS INSTANCE=> Heyward, DuBois Heyward, Edwin DuBois Hayward
   HAS INSTANCE=> Higginson, Thomas Higginson, Thomas Wentworth Storrow Higginson
   HAS INSTANCE=> Hoffmann, E. T. A. Hoffmann, Ernst Theodor Amadeus Hoffmann, Ernst Theodor Wilhelm Hoffmann
   HAS INSTANCE=> Holmes, Oliver Wendell Holmes
   HAS INSTANCE=> Howells, William Dean Howells
   HAS INSTANCE=> Hoyle, Edmond Hoyle
   HAS INSTANCE=> Hubbard, L. Ron Hubbard
   HAS INSTANCE=> Hughes, Langston Hughes, James Langston Hughes
   HAS INSTANCE=> Hunt, Leigh Hunt, James Henry Leigh Hunt
   HAS INSTANCE=> Huxley, Aldous Huxley, Aldous Leonard Huxley
   HAS INSTANCE=> Irving, John Irving
   HAS INSTANCE=> Irving, Washington Irving
   HAS INSTANCE=> Isherwood, Christopher Isherwood, Christopher William Bradshaw Isherwood
   HAS INSTANCE=> Jackson, Helen Hunt Jackson, Helen Maria Fiske Hunt Jackson
   HAS INSTANCE=> Jacobs, Jane Jacobs
   HAS INSTANCE=> Jacobs, W. W. Jacobs, William Wymark Jacobs
   HAS INSTANCE=> James, Henry James
   HAS INSTANCE=> Jensen, Johannes Vilhelm Jensen
   HAS INSTANCE=> Johnson, Samuel Johnson, Dr. Johnson
   HAS INSTANCE=> Jong, Erica Jong
   HAS INSTANCE=> Joyce, James Joyce, James Augustine Aloysius Joyce
   HAS INSTANCE=> Kafka, Franz Kafka
   HAS INSTANCE=> Keller, Helen Keller, Helen Adams Keller
   HAS INSTANCE=> Kerouac, Jack Kerouac, Jean-Louis Lebris de Kerouac
   HAS INSTANCE=> Kesey, Ken Kesey, Ken Elton Kesey
   HAS INSTANCE=> Kipling, Rudyard Kipling, Joseph Rudyard Kipling
   HAS INSTANCE=> Koestler, Arthur Koestler
   HAS INSTANCE=> La Fontaine, Jean de La Fontaine
   HAS INSTANCE=> Lardner, Ring Lardner, Ringgold Wilmer Lardner
   HAS INSTANCE=> La Rochefoucauld, Francois de La Rochefoucauld
   HAS INSTANCE=> Lawrence, D. H. Lawrence, David Herbert Lawrence
   HAS INSTANCE=> Lawrence, T. E. Lawrence, Thomas Edward Lawrence, Lawrence of Arabia
   HAS INSTANCE=> le Carre, John le Carre, David John Moore Cornwell
   HAS INSTANCE=> Leonard, Elmore Leonard, Elmore John Leonard, Dutch Leonard
   HAS INSTANCE=> Lermontov, Mikhail Yurievich Lermontov
   HAS INSTANCE=> Lessing, Doris Lessing, Doris May Lessing
   HAS INSTANCE=> Lewis, C. S. Lewis, Clive Staples Lewis
   HAS INSTANCE=> Lewis, Sinclair Lewis, Harry Sinclair Lewis
   HAS INSTANCE=> London, Jack London, John Griffith Chaney
   HAS INSTANCE=> Lowry, Malcolm Lowry, Clarence Malcolm Lowry
   HAS INSTANCE=> Lyly, John Lyly
   HAS INSTANCE=> Lytton, First Baron Lytton, Bulwer-Lytton, Edward George Earle Bulwer-Lytton
   HAS INSTANCE=> Mailer, Norman Mailer
   HAS INSTANCE=> Malamud, Bernard Malamud
   HAS INSTANCE=> Malory, Thomas Malory, Sir Thomas Malory
   HAS INSTANCE=> Malraux, Andre Malraux
   HAS INSTANCE=> Mann, Thomas Mann
   HAS INSTANCE=> Mansfield, Katherine Mansfield, Kathleen Mansfield Beauchamp
   HAS INSTANCE=> Manzoni, Alessandro Manzoni
   HAS INSTANCE=> Marquand, John Marquand, John Philip Marquand
   HAS INSTANCE=> Marsh, Ngaio Marsh
   HAS INSTANCE=> Mason, A. E. W. Mason, Alfred Edward Woodley Mason
   HAS INSTANCE=> Maugham, Somerset Maugham, W. Somerset Maugham, William Somerset Maugham
   HAS INSTANCE=> Maupassant, Guy de Maupassant, Henri Rene Albert Guy de Maupassant
   HAS INSTANCE=> Mauriac, Francois Mauriac, Francois Charles Mauriac
   HAS INSTANCE=> Maurois, Andre Maurois, Emile Herzog
   HAS INSTANCE=> McCarthy, Mary McCarthy, Mary Therese McCarthy
   HAS INSTANCE=> McCullers, Carson McCullers, Carson Smith McCullers
   HAS INSTANCE=> McLuhan, Marshall McLuhan, Herbert Marshall McLuhan
   HAS INSTANCE=> Melville, Herman Melville
   HAS INSTANCE=> Merton, Thomas Merton
   HAS INSTANCE=> Michener, James Michener, James Albert Michener
   HAS INSTANCE=> Miller, Henry Miller, Henry Valentine Miller
   HAS INSTANCE=> Milne, A. A. Milne, Alan Alexander Milne
   HAS INSTANCE=> Mitchell, Margaret Mitchell, Margaret Munnerlyn Mitchell
   HAS INSTANCE=> Mitford, Nancy Mitford, Nancy Freeman Mitford
   HAS INSTANCE=> Mitford, Jessica Mitford, Jessica Lucy Mitford
   HAS INSTANCE=> Montaigne, Michel Montaigne, Michel Eyquem Montaigne
   HAS INSTANCE=> Montgomery, L. M. Montgomery, Lucy Maud Montgomery
   HAS INSTANCE=> More, Thomas More, Sir Thomas More
   HAS INSTANCE=> Morrison, Toni Morrison, Chloe Anthony Wofford
   HAS INSTANCE=> Munro, H. H. Munro, Hector Hugh Munro, Saki
   HAS INSTANCE=> Murdoch, Iris Murdoch, Dame Jean Iris Murdoch
   HAS INSTANCE=> Musset, Alfred de Musset, Louis Charles Alfred de Musset
   HAS INSTANCE=> Nabokov, Vladimir Nabokov, Vladimir vladimirovich Nabokov
   HAS INSTANCE=> Nash, Ogden Nash
   HAS INSTANCE=> Nicolson, Harold Nicolson, Sir Harold George Nicolson
   HAS INSTANCE=> Norris, Frank Norris, Benjamin Franklin Norris Jr.
   HAS INSTANCE=> Oates, Joyce Carol Oates
   HAS INSTANCE=> O'Brien, Edna O'Brien
   HAS INSTANCE=> O'Connor, Flannery O'Connor, Mary Flannery O'Connor
   HAS INSTANCE=> O'Flaherty, Liam O'Flaherty
   HAS INSTANCE=> O'Hara, John Henry O'Hara
   HAS INSTANCE=> Ondaatje, Michael Ondaatje, Philip Michael Ondaatje
   HAS INSTANCE=> Orczy, Baroness Emmusca Orczy
   HAS INSTANCE=> Orwell, George Orwell, Eric Blair, Eric Arthur Blair
   HAS INSTANCE=> Page, Thomas Nelson Page
   HAS INSTANCE=> Parker, Dorothy Parker, Dorothy Rothschild Parker
   HAS INSTANCE=> Pasternak, Boris Pasternak, Boris Leonidovich Pasternak
   HAS INSTANCE=> Paton, Alan Paton, Alan Stewart Paton
   HAS INSTANCE=> Percy, Walker Percy
   HAS INSTANCE=> Petronius, Gaius Petronius, Petronius Arbiter
   HAS INSTANCE=> Plath, Sylvia Plath
   HAS INSTANCE=> Pliny, Pliny the Elder, Gaius Plinius Secundus
   HAS INSTANCE=> Pliny, Pliny the Younger, Gaius Plinius Caecilius Secundus
   HAS INSTANCE=> Poe, Edgar Allan Poe
   HAS INSTANCE=> Porter, William Sydney Porter, O. Henry
   HAS INSTANCE=> Porter, Katherine Anne Porter
   HAS INSTANCE=> Post, Emily Post, Emily Price Post
   HAS INSTANCE=> Pound, Ezra Pound, Ezra Loomis Pound
   HAS INSTANCE=> Powys, John Cowper Powys
   HAS INSTANCE=> Powys, Theodore Francis Powys
   HAS INSTANCE=> Powys, Llewelyn Powys
   HAS INSTANCE=> Pyle, Howard Pyle
   HAS INSTANCE=> Pynchon, Thomas Pynchon
   HAS INSTANCE=> Rand, Ayn Rand
   HAS INSTANCE=> Richler, Mordecai Richler
   HAS INSTANCE=> Roberts, Kenneth Roberts
   HAS INSTANCE=> Roosevelt, Eleanor Roosevelt, Anna Eleanor Roosevelt
   HAS INSTANCE=> Roth, Philip Roth, Philip Milton Roth
   HAS INSTANCE=> Rousseau, Jean-Jacques Rousseau
   HAS INSTANCE=> Runyon, Damon Runyon, Alfred Damon Runyon
   HAS INSTANCE=> Rushdie, Salman Rushdie, Ahmed Salman Rushdie
   HAS INSTANCE=> Russell, George William Russell, A.E.
   HAS INSTANCE=> Sade, de Sade, Comte Donatien Alphonse Francois de Sade, Marquis de Sade
   HAS INSTANCE=> Salinger, J. D. Salinger, Jerome David Salinger
   HAS INSTANCE=> Sand, George Sand, Amandine Aurore Lucie Dupin, Baroness Dudevant
   HAS INSTANCE=> Sandburg, Carl Sandburg
   HAS INSTANCE=> Saroyan, William Saroyan
   HAS INSTANCE=> Sayers, Dorothy Sayers, Dorothy L. Sayers, Dorothy Leigh Sayers
   HAS INSTANCE=> Schiller, Johann Christoph Friedrich von Schiller
   HAS INSTANCE=> Scott, Walter Scott, Sir Walter Scott
   HAS INSTANCE=> Service, Robert William Service
   HAS INSTANCE=> Shaw, G. B. Shaw, George Bernard Shaw
   HAS INSTANCE=> Shelley, Mary Shelley, Mary Wollstonecraft Shelley, Mary Godwin Wollstonecraft Shelley
   HAS INSTANCE=> Shute, Nevil Shute, Nevil Shute Norway
   HAS INSTANCE=> Simenon, Georges Simenon, Georges Joseph Christian Simenon
   HAS INSTANCE=> Sinclair, Upton Sinclair, Upton Beall Sinclair
   HAS INSTANCE=> Singer, Isaac Bashevis Singer
   HAS INSTANCE=> Smollett, Tobias Smollett, Tobias George Smollett
   HAS INSTANCE=> Snow, C. P. Snow, Charles Percy Snow, Baron Snow of Leicester
   HAS INSTANCE=> Solzhenitsyn, Alexander Isayevich Solzhenitsyn, Aleksandr Solzhenitsyn, Aleksandr I. Solzhenitsyn
   HAS INSTANCE=> Sontag, Susan Sontag
   HAS INSTANCE=> Spark, Muriel Spark, Dame Muriel Spark, Muriel Sarah Spark
   HAS INSTANCE=> Spillane, Mickey Spillane, Frank Morrison Spillane
   HAS INSTANCE=> Stael, Madame de Stael, Baronne Anne Louise Germaine Necker de Steal-Holstein
   HAS INSTANCE=> Steele, Sir Richrd Steele
   HAS INSTANCE=> Stein, Gertrude Stein
   HAS INSTANCE=> Steinbeck, John Steinbeck, John Ernst Steinbeck
   HAS INSTANCE=> Stendhal, Marie Henri Beyle
   HAS INSTANCE=> Stephen, Sir Leslie Stephen
   HAS INSTANCE=> Sterne, Laurence Sterne
   HAS INSTANCE=> Stevenson, Robert Louis Stevenson, Robert Louis Balfour Stevenson
   HAS INSTANCE=> Stockton, Frank Stockton, Francis Richard Stockton
   HAS INSTANCE=> Stoker, Bram Stoker, Abraham Stoker
   HAS INSTANCE=> Stowe, Harriet Beecher Stowe, Harriet Elizabeth Beecher Stowe
   HAS INSTANCE=> Styron, William Styron
   HAS INSTANCE=> Sue, Eugene Sue
   HAS INSTANCE=> Symonds, John Addington Symonds
   HAS INSTANCE=> Tagore, Rabindranath Tagore, Sir Rabindranath Tagore
   HAS INSTANCE=> Tarbell, Ida Tarbell, Ida M. Tarbell, Ida Minerva Tarbell
   HAS INSTANCE=> Thackeray, William Makepeace Thackeray
   HAS INSTANCE=> Thoreau, Henry David Thoreau
   HAS INSTANCE=> Tocqueville, Alexis de Tocqueville, Alexis Charles Henri Maurice de Tocqueville
   HAS INSTANCE=> Toklas, Alice B. Toklas
   HAS INSTANCE=> Tolkien, J.R.R. Tolkien, John Ronald Reuel Tolkien
   HAS INSTANCE=> Tolstoy, Leo Tolstoy, Count Lev Nikolayevitch Tolstoy
   HAS INSTANCE=> Trollope, Anthony Trollope
   HAS INSTANCE=> Turgenev, Ivan Turgenev, Ivan Sergeevich Turgenev
   HAS INSTANCE=> Undset, Sigrid Undset
   HAS INSTANCE=> Untermeyer, Louis Untermeyer
   HAS INSTANCE=> Updike, John Updike, John Hoyer Updike
   HAS INSTANCE=> Van Doren, Carl Van Doren, Carl Clinton Van Doren
   HAS INSTANCE=> Vargas Llosa, Mario Vargas Llosa, Jorge Mario Pedro Vargas Llosa
   HAS INSTANCE=> Verne, Jules Verne
   HAS INSTANCE=> Vidal, Gore Vidal, Eugene Luther Vidal
   HAS INSTANCE=> Voltaire, Arouet, Francois-Marie Arouet
   HAS INSTANCE=> Vonnegut, Kurt Vonnegut
   HAS INSTANCE=> Wain, John Wain, John Barrington Wain
   HAS INSTANCE=> Walker, Alice Walker, Alice Malsenior Walker
   HAS INSTANCE=> Wallace, Edgar Wallace, Richard Horatio Edgar Wallace
   HAS INSTANCE=> Walpole, Horace Walpole, Horatio Walpole, Fourth Earl of Orford
   HAS INSTANCE=> Walton, Izaak Walton
   HAS INSTANCE=> Ward, Mrs. Humphrey Ward, Mary Augusta Arnold Ward
   HAS INSTANCE=> Warren, Robert Penn Warren
   HAS INSTANCE=> Waugh, Evelyn Waugh, Evelyn Arthur Saint John Waugh
   HAS INSTANCE=> Webb, Beatrice Webb, Martha Beatrice Potter Webb
   HAS INSTANCE=> Wells, H. G. Wells, Herbert George Wells
   HAS INSTANCE=> Welty, Eudora Welty
   HAS INSTANCE=> Werfel, Franz Werfel
   HAS INSTANCE=> West, Rebecca West, Dame Rebecca West, Cicily Isabel Fairfield
   HAS INSTANCE=> Wharton, Edith Wharton, Edith Newbold Jones Wharton
   HAS INSTANCE=> White, E. B. White, Elwyn Brooks White
   HAS INSTANCE=> White, Patrick White, Patrick Victor Martindale White
   HAS INSTANCE=> Wiesel, Elie Wiesel, Eliezer Wiesel
   HAS INSTANCE=> Wilde, Oscar Wilde, Oscar Fingal O'Flahertie Wills Wilde
   HAS INSTANCE=> Wilder, Thornton Wilder, Thornton Niven Wilder
   HAS INSTANCE=> Wilson, Sir Angus Wilson, Angus Frank Johnstone Wilson
   HAS INSTANCE=> Wilson, Harriet Wilson
   HAS INSTANCE=> Wister, Owen Wister
   HAS INSTANCE=> Wodehouse, P. G. Wodehouse, Pelham Grenville Wodehouse
   HAS INSTANCE=> Wolfe, Thomas Wolfe, Thomas Clayton Wolfe
   HAS INSTANCE=> Wolfe, Tom Wolfe, Thomas Wolfe, Thomas Kennerly Wolfe Jr.
   HAS INSTANCE=> Wollstonecraft, Mary Wollstonecraft, Mary Wollstonecraft Godwin
   HAS INSTANCE=> Wood, Mrs. Henry Wood, Ellen Price Wood
   HAS INSTANCE=> Woolf, Virginia Woolf, Adeline Virginia Stephen Woolf
   HAS INSTANCE=> Wouk, Herman Wouk
   HAS INSTANCE=> Wright, Richard Wright
   HAS INSTANCE=> Wright, Willard Huntington Wright, S. S. Van Dine
   HAS INSTANCE=> Zangwill, Israel Zangwill
   HAS INSTANCE=> Zweig, Stefan Zweig

Sense 2
generator, source, author
   => coiner


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun author

2 senses of author                          

Sense 1
writer, author
   => communicator

Sense 2
generator, source, author
   => maker, shaper




--- Coordinate Terms (sisters) of noun author

2 senses of author                          

Sense 1
writer, author
  -> communicator
   => alarmist
   => allegorizer, allegoriser
   => announcer
   => articulator
   => asserter, declarer, affirmer, asseverator, avower
   => avower
   => broadcaster
   => conferee
   => conferrer
   => confessor
   => correspondent, letter writer
   => gossip, gossiper, gossipmonger, rumormonger, rumourmonger, newsmonger
   => hisser
   => informant, source
   => laudator, lauder, extoller
   => negotiator, negotiant, treater
   => persuader, inducer
   => popularizer, populariser, vulgarizer, vulgariser
   => presenter
   => promisee
   => promiser, promisor
   => propagandist
   => propagator, disseminator
   => publicist, publicizer, publiciser
   => quoter
   => rambler
   => reporter, newsman, newsperson
   => respondent, responder, answerer
   => roarer, bawler, bellower, screamer, screecher, shouter, yeller
   => sender, transmitter
   => signaler, signaller
   => signer
   => swearer
   => sympathizer, sympathiser, comforter
   => telepathist, thought-reader, mental telepathist, mind reader
   => twaddler
   => waffler
   => warner
   => waver
   => wirer
   => writer, author

Sense 2
generator, source, author
  -> maker, shaper
   => basketweaver, basketmaker
   => belt maker
   => bookmaker
   => brewer, beer maker
   => chandler
   => cobbler, shoemaker
   => confectioner, candymaker
   => generator, source, author
   => glassmaker
   => hatmaker, hatter, milliner, modiste
   => ironworker
   => jewelry maker, jeweler, jeweller
   => maltster, maltman
   => manufacturer, producer
   => needleworker
   => patternmaker
   => perfumer
   => piano maker
   => saddler
   => sailmaker
   => shirtmaker
   => spinner, spinster, thread maker
   => steelmaker, steelworker, steelman
   => tentmaker
   => toolmaker
   => vintner, winemaker, wine maker
   => violin maker
   => watchmaker, horologist, horologer
   => wigmaker
   HAS INSTANCE=> Sax, Adolphe Sax




--- Grep of noun authors
authorship

Grep of noun author
author
author's name
authoress
authoring language
authorisation
authoriser
authoritarian
authoritarian regime
authoritarian state
authoritarianism
authorities
authority
authority figure
authorization
authorized shares
authorized stock
authorized version
authorizer
authorship
coauthor
joint author



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Wikipedia - Anti-authoritarianism -- opposition to authoritarianism
Wikipedia - Anti-authoritarian
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Wikipedia - Authority
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Wikipedia - Authors' rights
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Wikipedia - Bantu Authorities Act, 1951
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Wikipedia - Bibliographic database -- Database providing an authoritative source of bibliographic information
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Wikipedia - Canon law -- Set of ordinances and regulations made by ecclesiastical authority
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Wikipedia - Cara Black (author) -- American writer
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Wikipedia - Carina Axelsson -- American author
Wikipedia - Carina Bergfeldt -- Swedish reporter, columnist and author
Wikipedia - Carissa Phelps -- American author, attorney, and advocate
Wikipedia - Carl Abbott (urban historian) -- American historian of modern age and author
Wikipedia - Carl Adolf Martienssen -- German pianist, author, musicologist and music educator
Wikipedia - Carl Begai -- Canadian music journalist, and author
Wikipedia - Carleton Beals -- American journalist, author, and crusader
Wikipedia - Carl Malamud -- Technologist, author, and public domain advocate
Wikipedia - Carlos A. Ball -- American law professor and author
Wikipedia - Carlos D. Cidon -- Spanish chef and author
Wikipedia - Carlos G. Valles -- Spanish-Indian Jesuit priest and author
Wikipedia - Carlotta Gall -- British journalist and author
Wikipedia - Carl Sagan -- American astrophysicist, cosmologist, author, and science educator
Wikipedia - Carl Weber (American author) -- American author and publisher
Wikipedia - Carly Simon -- American singer-songwriter, musician and author
Wikipedia - Carmel McConnell -- British author and campaigner
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Wikipedia - Carmen Garcia Rosado -- Puerto Rican educator, author and activist
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Wikipedia - Carola Dibbell -- American music journalist and author
Wikipedia - Carol Delaney -- American anthropologist and author
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Wikipedia - Carol Grace -- American actress and author
Wikipedia - Carol Higgins Clark -- American mystery author and actress
Wikipedia - Caroline Bird (American author) -- American author
Wikipedia - Caroline Bird -- British poet, playwright and author
Wikipedia - Caroline Bond Day -- American physical anthropologist, author and educator
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Wikipedia - Category:Animal taxa by author
Wikipedia - Category:Artist authors
Wikipedia - Category:Authors of Kabbalistic works
Wikipedia - Category:Botanical taxa by author
Wikipedia - Category:Creative Commons-licensed authors
Wikipedia - Category:CS1 maint: extra text: authors list
Wikipedia - Category:CS1 maint: multiple names: authors list
Wikipedia - Category:CS1 maint: numeric names: authors list
Wikipedia - Category:CS1 maint: uses authors parameter
Wikipedia - Category:Israel Antiquities Authority
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Wikipedia - Category:Pages using authority control with parameters
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Wikipedia - Category:Taxa by author
Wikipedia - Category:Taxon authorities
Wikipedia - Category:Wikipedia articles with Semantic Scholar author identifiers
Wikipedia - Category:Wikipedia articles with suppressed authority control identifiers
Wikipedia - Catharine Arnold -- British author, journalist and academic
Wikipedia - Catharine Merrill -- American educator, author, Civil War nurse
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Wikipedia - Catherine Banner -- British author
Wikipedia - Catherine (Benzoni novel) -- A series of French historical romance novels by the author Juliette Benzoni
Wikipedia - Catherine Cole -- Australian author and academic
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Wikipedia - Catherine Tobin -- Author and translator
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Wikipedia - Cecil Dawkins -- American author
Wikipedia - Cecilia R. Aragon -- American computer scientist, author, and aerobatic pilot
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Wikipedia - Central Bank of Sri Lanka -- Monetary authority of Sri Lanka and the regulator of all licensed commercial and specialized banks of Sri Lanka
Wikipedia - Central Committee of the Communist Party of Vietnam -- Highest authority within the Communist Party of Vietnam
Wikipedia - Centralized government -- Type of government in whichM-BM- powerM-BM- orM-BM- legal authorityM-BM- is exerted or coordinated by aM-BM- de factoM-BM- political executive to whichM-BM- federal states,M-BM- local authorities, and smaller units are considered subject
Wikipedia - Ceremonial weapon -- Object used for ceremonial purposes to display power or authority.
Wikipedia - Cerridwen Fallingstar -- American Wiccan Priestess and author
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Wikipedia - Certificate authority -- An entity that issues digital certificates
Wikipedia - Certificate of occupancy -- Document issued by a government authority, usually from the local government, certifying that a property is fit for a specific use in accordance with the applicable regulations.
Wikipedia - Certificate signing request -- Message from an applicant to a certificate authority to apply for a digital identity certificate; lists the public key the certificate should be issued for, identifying information (e.g. domain name) and integrity protection (e.g. digital signature)
Wikipedia - Certificate Transparency -- Internet security standard for auditing digital certificates by creating public logs recording certificates issued by publicly trusted certificate authorities
Wikipedia - Cesare Bermani -- Italian author and historian
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Wikipedia - Charismatic authority
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Wikipedia - Charles A. Goodrich -- American author and Congregational minister
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Wikipedia - Charles Baxter (author) -- American novelist, essayist, and poet
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Wikipedia - Charles Benstead -- English cricketer, Royal Navy officer, and author
Wikipedia - Charles Burleigh Galbreath -- American author, historian, librarian
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Wikipedia - Charles Dantzig -- French author
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Wikipedia - Charles Dickinson (author) -- American writer
Wikipedia - Charles Drummond -- Canadian businessman and author
Wikipedia - Charles Durrett -- American architect and author
Wikipedia - Charles Edge (computer scientist) -- American computer scientist and author
Wikipedia - Charles Edward Smith -- American Baptist author
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Wikipedia - Charles Finch -- American author and literary critic
Wikipedia - Charles Fleming (author) -- American author
Wikipedia - Charles Hertan -- American FIDE Chess Master and author
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Wikipedia - Charles Lindbergh -- American aviator, author, inventor, explorer, and right wing activist
Wikipedia - Charles Mackay (author) -- Scottish writer
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Wikipedia - Charles Platt (author)
Wikipedia - Charles Platt (science-fiction author)
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Wikipedia - Charles W. Akers -- American historian, author, and educator
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Wikipedia - Charley Lippincott -- Author, promoter and jazz fan.
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Wikipedia - Charlotta Falkman -- Swedish-Finnish author
Wikipedia - Charlotte Auerbach -- Geneticist, author
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Wikipedia - Chicago Housing Authority -- Municipal corporation that oversees public housing in Chicago, Illinois, United States
Wikipedia - Chicago Transit Authority -- Operator of mass transit
Wikipedia - Chiefly About War Matters -- 1862 essay by American author Nathaniel Hawthorne
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Wikipedia - Christiane F. -- German author
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Wikipedia - Christian Topography -- One of the earliest essays in scientific geography written by a Christian author
Wikipedia - Christie Barlow -- British author of women's fiction
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Wikipedia - Christina Lamb -- British journalist and author
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Wikipedia - Christopher Dow (author) -- American writer
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Wikipedia - Christopher Emery -- US government official and author
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Wikipedia - Chuck Klosterman -- American author and columnist
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Wikipedia - Cindy Crabb -- American author, musician, and feminist (born 1970)
Wikipedia - Civil Aviation Authority of Singapore -- National aviation authority of Singapore
Wikipedia - Civil Aviation Safety Authority -- Australia's national civil aviation authority
Wikipedia - C. J. Cherryh -- American science fiction and fantasy author
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Wikipedia - Clayton Emery -- Author
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Wikipedia - Cloud Atlas (novel) -- 2004 novel by British author David Mitchell
Wikipedia - C. L. Polk -- Canadian author of fantasy fiction
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Wikipedia - Coalition Provisional Authority Order 17 -- Order made by the Coalition Provisional Authority in Iraq
Wikipedia - Coalition Provisional Authority Order 1 -- Order made by the Coalition Provisional Authority in Iraq
Wikipedia - Coalition Provisional Authority Order 2 -- Order made by the Coalition Provisional Authority in Iraq
Wikipedia - Co-authored
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Wikipedia - Committee of Advertising Practice -- Advertising regulation authority in the United Kingdom
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Wikipedia - Competition and Markets Authority -- UK government non-ministerial department
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Wikipedia - Composite Gazetteer of Antarctica -- The authoritative international gazetteer containing all the Antarctic toponyms
Wikipedia - Concentration Camps Inspectorate -- Central SS administrative and managerial authority for the concentration camps of the Third Reich
Wikipedia - Conciliarity -- Support for authority of church councils
Wikipedia - Con Coughlin -- British journalist and author
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Wikipedia - Connie Glynn -- British voice actor, YouTuber, author
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Wikipedia - Conservation status -- Indication of the chance of a species' extinction, regardless of authority used
Wikipedia - Consortium imperii -- The sharing of Roman imperial authority by two or more emperors.
Wikipedia - Constitutional Convention of Puerto Rico -- US approved Public Law 600, authorizing Puerto Rico to draft its own constitution in 1951
Wikipedia - Constitutionalism -- Belief that government authority derives from fundamental law
Wikipedia - Contemporary Authors Online
Wikipedia - Contemporary Authors -- Biographical reference work published by Gale Cengage
Wikipedia - Contumacy -- Stubborn refusal to obey authority
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Wikipedia - Cordelia Edvardson -- German-born Swedish journalist, author and Holocaust survivor
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Wikipedia - Count Yogi -- American golfer and author
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Wikipedia - Courtney Sina Meredith -- New Zealand poet, playwright, and author
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Wikipedia - Crollalanza theory of Shakespeare authorship
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Wikipedia - Cyril Alington -- Educationalist, scholar, cleric and author
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Wikipedia - Cyrus Field Adams -- American Republican civil rights activist and author
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Wikipedia - Cy Schneider -- American advertising executive and author
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Wikipedia - Dan Brown -- American author
Wikipedia - Dan Buettner -- American explorer, author and film producer
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Wikipedia - Daniel Blythe -- British author
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Wikipedia - Daniele Del Giudice -- Italian author and lecturer
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Wikipedia - Daniel Yergin -- American author, speaker, and economic historian
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Wikipedia - Danny Ellis -- Irish singer-songwriter and author
Wikipedia - Dan Smith (British author) -- Author and peace researcher
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Wikipedia - Dan Wickenden -- American author (1913-1989)
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Wikipedia - Darfur Regional Authority -- 2007-16 interim governing body for the Darfur region of Sudan
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Wikipedia - Dave Rich -- British author
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Wikipedia - David Bell (author)
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Wikipedia - David Bullard -- (1952-) South African columnist and author
Wikipedia - David Burnham -- American investigative journalist and author in Washington, D.C.
Wikipedia - David Callahan -- American author
Wikipedia - David Cannadine -- British author and historian
Wikipedia - David Carr (journalist) -- American columnist, and author
Wikipedia - David C. Fisher -- American author, professor, and a pastor
Wikipedia - David Conway (author) -- Irish author and alternative rock musician
Wikipedia - David Conyers -- Australian author
Wikipedia - David Coombs -- British author, historian, and teacher
Wikipedia - David Coventry -- New Zealand author and musician
Wikipedia - David Craig (author) -- British author
Wikipedia - David Daniell (author) -- British writer (1929-2016)
Wikipedia - David Deida -- American author
Wikipedia - David Devadas -- Indian journalist and author
Wikipedia - David Dinkins -- American politician, lawyer, and author (1927-2020)
Wikipedia - David Doubilet -- Underwater photographer and author
Wikipedia - David Drake (actor) -- American playwright, stage director, actor and author
Wikipedia - David Drake -- American author of science fiction and fantasy literature
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Wikipedia - David Elkind -- American child psychologist and author
Wikipedia - David Ellerman -- American philosopher and author
Wikipedia - David Elliot Cohen -- American author and editor
Wikipedia - David Evanier -- American author
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Wikipedia - David G. Compton -- British author
Wikipedia - David George Campbell -- American ecologist, environmentalist, and author
Wikipedia - David Gillespie (author) -- Australian Lawyer, Author
Wikipedia - David Grossman -- Israeli author
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Wikipedia - David Harris (protester) -- American journalist and author
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Wikipedia - David Hill (author) -- New Zealand author
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Wikipedia - David Irving -- British author and Holocaust denier
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Wikipedia - David Katz (author) -- American journalist and author
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Wikipedia - David Lodge (author)
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Wikipedia - David Ritz -- American author
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Wikipedia - David Vogel (author)
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Wikipedia - David W. Brown -- American author
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Wikipedia - D. B. Weiss -- American author and producer
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Wikipedia - Declaration of Boulogne -- Declaration about the nature and purpose of the Esperanto movement and the Fundamento as a basis for the Esperanto language; authored by L. L. Zamenhof and approved at the First World Esperanto Congress, Boulogne-sur-Mer, 1905
Wikipedia - Decommissioned highway -- Road which is no longer in use, or route no longer officially authorized or maintained
Wikipedia - Dede Wilson (baker) -- American baker and cookbook author
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Wikipedia - Deep Storm -- 2007 novel by American author Lincoln Child
Wikipedia - Defence Housing Authority cricket team -- Cricket team
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Wikipedia - Delhi Development Authority -- Government Authority Delhi
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Wikipedia - Demetri Porphyrios -- Greek architect and author
Wikipedia - Demetrius Fordham -- American portrait photographer and author
Wikipedia - Demi (author)
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Wikipedia - Demond Wilson -- American actor and author
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Wikipedia - Derbyite theory of Shakespeare authorship
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Wikipedia - Determinatio -- Authoritative determination by the legislator concerning the application of practical principles
Wikipedia - Detroit Land Bank Authority -- Public authority in Detroit, Michigan, United States
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Wikipedia - Diana de Vere Beauclerk -- English author
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Wikipedia - Dianne Crampton -- American businesswoman and author
Wikipedia - Dictatorship -- Authoritarian form of government
Wikipedia - Didier Ottinger -- French museum curator, art critic and author
Wikipedia - Diego Jimenez Torres Airport -- Airport owned by the Puerto Rico Ports Authority
Wikipedia - Die Harzreise -- travel report by German poet and author Heinrich Heine on a journey to the Harz mountains
Wikipedia - Dieter Nuhr -- German cabaret artist, TV host, author
Wikipedia - Dietmar Dath -- German author, journalist and translator
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Wikipedia - Digital Author Identifier -- A unique number to all academic authors in the Netherlands as a form of authority control
Wikipedia - Digital rights management -- Technology to control access to copyrighted works and prevent unauthorized copying
Wikipedia - Dike Chukwumerije -- Nigerian author, spoken word and performance poet
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Wikipedia - D. J. Butler -- American speculative fiction author
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Wikipedia - Doctor Dolittle and the Secret Lake -- The tenth work of Doctor Dolittle Books, the author was Hugh Lofting
Wikipedia - Doctor Dolittle in the Moon -- The eighth work of Doctor Dolittle Books, the author was Hugh Lofting
Wikipedia - Doctor Dolittle's Caravan -- The sixth work of Doctor Dolittle Books, the author was Hugh Lofting
Wikipedia - Doctor Dolittle's Circus -- The fourth work of Doctor Dolittle Books, the author was Hugh Lofting
Wikipedia - Doctor Dolittle's Garden -- The seventh work of Doctor Dolittle Books, the author was Hugh Lofting
Wikipedia - Doctor Dolittle's Post Office -- The third work of Doctor Dolittle Books, the author was Hugh Lofting
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Wikipedia - Dolly Alderton -- British journalist, author and podcaster
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Wikipedia - Dominic Frisby -- British author, comedian and voice actor
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Wikipedia - Donald H. Graves -- American author and educator.
Wikipedia - Donald K. Ross (author) -- American attorney and political activist
Wikipedia - Donald Ogden Stewart -- American author and screenwriter
Wikipedia - Donald Prothero -- American paleontologist, geologist, and author
Wikipedia - Don Aslett -- American entrepreneur and author
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Wikipedia - Don Burke -- Australian television presenter, author, and horticulturist
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Wikipedia - Don Failla -- American author
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Wikipedia - Edward Bellamy -- American author
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Wikipedia - Edward Everett Hale -- American author, historian and Unitarian minister (1822-1909)
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Wikipedia - Edward L. Beach Sr. -- Author and United States Naval officer
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Wikipedia - Elizabeth Seeger -- American children's author and educator
Wikipedia - Elizabeth Shaw (artist) -- Irish artist, illustrator and children's book author
Wikipedia - Elizabeth Tikvah Sarah -- British rabbi and author
Wikipedia - Elizabeth Wong (author) -- Fiction writer and retired official
Wikipedia - Elizabeth Yates (author) -- American writer
Wikipedia - Elizabeth Young (journalist) -- English literary critic and author
Wikipedia - Elizabeth Zimmermann -- Knitting designer and author
Wikipedia - Eliza Clark (author) -- Canadian writer
Wikipedia - Eliza Dorothea Cobbe, Lady Tuite -- Irish author and poet
Wikipedia - Eliza Jane Ashley -- Cook and author
Wikipedia - Eliza Jane Cate -- American author
Wikipedia - Elizebeth Smith Friedman -- American cryptanalyst and author
Wikipedia - Elke Erb -- German author-poet based in Berlin
Wikipedia - Elke Heidenreich -- German author and journalist
Wikipedia - Ella Cara Deloria -- Yankton Dakota Author
Wikipedia - Ella Loraine Dorsey -- American author, journalist, translator
Wikipedia - Ella May Walker -- Canadian-American artist, author, and composer
Wikipedia - Ella Wheeler Wilcox -- American author and poet
Wikipedia - Ellen Auster -- Canadian professor and author
Wikipedia - Ellen Creathorne Clayton -- Anglo-Irish author and artist
Wikipedia - Ellen Oh -- American author
Wikipedia - Ellen Torelle Nagler -- American biologist, author, lecturer (1870-1965)
Wikipedia - Ellinor Davenport Adams -- British journalist and author.
Wikipedia - Elliot Ackerman -- American author
Wikipedia - Elliot Engel -- American author and scholar
Wikipedia - Elliott Roosevelt -- Army officer and author (1910-1990)
Wikipedia - Elliott West -- American historian and author
Wikipedia - El Llano en llamas -- Collection of short stories by Mexican author Juan Rulfo
Wikipedia - Elmar TheveM-CM-^_en -- German journalist and author
Wikipedia - ElM-EM- -- Polish writer and children's author (1791-1832)
Wikipedia - Elsebeth Egholm -- Danish journalist and author
Wikipedia - Else Holmelund Minarik -- American author of children's books
Wikipedia - Else Roesdahl -- Danish medievalist, archaeologist, author and educator
Wikipedia - Elsie Augustave -- Haitian-American author
Wikipedia - Elspeth Sandys -- New Zealand author
Wikipedia - Email hacking -- Unauthorized access to, or manipulation of, an email account or email correspondence
Wikipedia - Emanuela Barasch Rubinstein -- Israeli author and scholar
Wikipedia - Emerald Fennell -- English actress, author, screenwriter, and director
Wikipedia - Emilie Boon -- Dutch-American children's author and illustrator
Wikipedia - Emilie du ChM-CM-"telet -- French mathematician, physicist, and author
Wikipedia - Emilie Johnson -- Swedish-American author and movie producer (1867-1941)
Wikipedia - Emilie Richards -- American author
Wikipedia - Emilio Ghione -- Italian actor, film director, and author
Wikipedia - Emily Benedek -- American journalist and author
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Wikipedia - Emily Gould -- American author
Wikipedia - Emily Jane Fox -- American reporter and author
Wikipedia - Emily Morse -- American sex therapist, author, and media personality
Wikipedia - Emily O'Reilly -- Irish author and journalist, national and EU Ombudsman
Wikipedia - Emily Perkins (novelist) -- New Zealand author
Wikipedia - Emily Smith (author) -- British children's writer
Wikipedia - Emily Woof -- English actor, author
Wikipedia - Emma Blackery -- British musician, YouTuber, and author
Wikipedia - Emma Estabrook -- US author and academic
Wikipedia - Emma Farrell (freediver) -- British freediving instructor and author
Wikipedia - Emma G. Cummings -- American naturalist, ornithologist and author
Wikipedia - Emma Jane -- Australian author and academic
Wikipedia - Emma Jones (naturalist) -- New Zealand author, naturalist and painter
Wikipedia - Emma Mills -- American author and YouTuber
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Wikipedia - Emma Osterman Elmer -- American librarian and author
Wikipedia - Emma Roberts (author)
Wikipedia - Emma Smith (scholar) -- English academic, author, and Shakespeare scholar
Wikipedia - Emma Walton Hamilton -- Author, editor, educator and arts and literacy advocate
Wikipedia - EmM-EM-^Qke Lipcsey -- Hungarian author
Wikipedia - Emmett Dunn Angell -- American physician, author, and inventor
Wikipedia - Emmy Abrahamson -- Swedish actress turned author
Wikipedia - Emmy Braun -- German cookbook author
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Wikipedia - Empire -- Multiple states under one central authority
Wikipedia - Emre Tetikel -- Turkish actor, author and teacher
Wikipedia - Emuna Elon -- Israeli author, journalist, and women's rights activist
Wikipedia - Enduring power of attorney -- Authorisation under English law to act on someone else's behalf
Wikipedia - Enid Blyton -- English author (1897 - 1968)
Wikipedia - Enid Mary Cotton -- Botanist and author
Wikipedia - Enos (Book of Mormon prophet) -- Son of Jacob, a Nephite prophet and author of the Book of Enos
Wikipedia - Enzo Matsunaga -- Japanese author
Wikipedia - Eoin Colfer -- Irish author of children's books
Wikipedia - Eoin Macken -- Irish actor, model, author and director
Wikipedia - E. O. Wilson -- American biologist and author (born 1929)
Wikipedia - Erenora Puketapu-Hetet -- New Zealand artist, weaver and author
Wikipedia - Eric Ambler -- Author of thrillers, in particular spy novels, who introduced a new realism to the genre
Wikipedia - Eric A. Meyer -- Web design consultant and author
Wikipedia - Erica Wagner -- American author and critic
Wikipedia - Eric Barbour -- Australian cricketer, physician, and author
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Wikipedia - Eric Chase Anderson -- American author, illustrator and actor
Wikipedia - Eric Clark (author) -- British writer (b. 1937, d. 2018)
Wikipedia - Eric Dregni -- American author
Wikipedia - Eric Flint -- American author, editor, and e-publisher
Wikipedia - Eric Jay Dolin -- American author
Wikipedia - Eric Maddox -- American author and motivational speaker
Wikipedia - Eric Partridge -- 20th-century New Zealand-born lexicographer, editor, and author
Wikipedia - Eric Schlosser -- American journalist and author
Wikipedia - Eric S. Raymond -- American computer programmer, author, and advocate for the open source movement
Wikipedia - Erik Larson (author) -- American author and journalist
Wikipedia - Erik Liberman -- American actor and author
Wikipedia - Erik Moller -- German freelance journalist, software developer, author and former Deputy Director of the Wikimedia Foundation
Wikipedia - Erin Barrett -- Author, trivia writer, and life coach
Wikipedia - Erin Bow -- American author
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Wikipedia - Erna Woll -- German composer, church musician and author
Wikipedia - Ernest Hemingway -- American author and journalist
Wikipedia - Ernestine Gilbreth Carey -- American author
Wikipedia - Ernest J. Gaines -- American author (born 1933)
Wikipedia - Ernest K. Gann -- American author
Wikipedia - Ernest Mathijs -- Canadian professor and author
Wikipedia - Ernesto Sirolli -- Italian author and public speaker
Wikipedia - Ernest Pascal -- American author, screenwriter
Wikipedia - Ernst Junger -- German soldier and author
Wikipedia - Ernst Weiss -- Austrian author
Wikipedia - Ernst Wilhelm Eschmann -- German author, sociologist, and playwright
Wikipedia - Ervin Lazar -- Hungarian author
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Wikipedia - Esparbec -- French pornographic author
Wikipedia - Essay -- Written work often reflecting the author's personal point of view
Wikipedia - Estado Novo (Portugal) -- 1933-1974 authoritarian regime in Portugal
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Wikipedia - Esther Earl -- American author and online personality
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Wikipedia - Esther MacCallum-Stewart -- British author and academic
Wikipedia - Esther Perel -- Belgian Psychotherapist and Author
Wikipedia - E. T. A. Hoffmann -- German Romantic author
Wikipedia - Ethan Canin -- American author, educator, and physician
Wikipedia - Ethel Armes -- American author, journalist, and historian
Wikipedia - Ethel Barrett -- American Christian author and storyteller
Wikipedia - Ethel Black Kealing -- American author
Wikipedia - Ethel Grodzins Romm -- American author, journalist and engineer
Wikipedia - Eugene Linden (author)
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Wikipedia - Eugenia Wheeler Goff -- American historian and author, 1844-1922
Wikipedia - Eugen von Hippel -- German ophthalmologist and author
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Wikipedia - European Food Safety Authority
Wikipedia - Eva Bexell -- Swedish author of children's books
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Wikipedia - Eva Dillner -- Swedish author
Wikipedia - Eva Ekvall -- Venezuelan TV news anchor, author, breast cancer advocate, fashion model, and former Miss Venezuela
Wikipedia - Evangeline Barongo -- Ugandan author of children's literature
Wikipedia - Evangelos Averoff -- Greek politician and author
Wikipedia - Eve Babitz -- American artist and author
Wikipedia - Evelyn Fox Keller -- American physicist, author and feminist
Wikipedia - Evelyn Greenleaf Sutherland -- American journalist, author, playwright
Wikipedia - Evelyn Magruder DeJarnette -- American author
Wikipedia - Evie Christie -- Canadian poet and author
Wikipedia - Executive (government) -- Part of government that has sole authority and responsibility for the daily administration of the state
Wikipedia - Exit control lock -- Device to prevent unauthorized exit
Wikipedia - Eyre Chatterton -- Irish-born Anglican bishop and author
Wikipedia - Eyres Monsell -- Electoral ward of the unitary authority of Leicester
Wikipedia - Fabio Lanzoni -- Italian model, actor, and author
Wikipedia - Factorum ac dictorum memorabilium libri IX -- Collection of short stories written by Roman author Valerius Maximus during the reign of Tiberius
Wikipedia - Faith Compton Mackenzie -- British author
Wikipedia - Faith Jaques -- British children's book author and illustrator
Wikipedia - Family Violence Prevention and Services Act -- United States law first authorized in 1984
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Wikipedia - Fantasy author
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Wikipedia - Fareed Zakaria -- Indian-American journalist and author
Wikipedia - Farhad Manjoo -- American journalist and author
Wikipedia - Fascism -- Form of far-right, authoritarian ultranationalism
Wikipedia - Fathollah Mojtabaei -- An Iranian author and historian
Wikipedia - Fatima Dhiab -- Palestinian Author
Wikipedia - Fauna Hodel -- American author
Wikipedia - Fay Weldon -- English author, essayist and playwright
Wikipedia - F. D. C. Willard -- Cat cited as an author in scientific journals
Wikipedia - Federal Authority for Audiovisual Communication Services -- Former broadcasting regulator of Argentina
Wikipedia - Federal Civil Defense Authority -- Defunct civil defense agency
Wikipedia - Federal Customs Service of Russia -- Authority agency of Russian, customs services
Wikipedia - Federal government of Brazil -- Executive authority of Brazil
Wikipedia - Federal Land Development Authority -- Malaysian government agency
Wikipedia - Federal World Authority
Wikipedia - F. E. Halliday -- 20th-century English academic and author
Wikipedia - F. E. Higgins -- Irish children's author
Wikipedia - Feiko Bouman -- Dutch Australian architect and author
Wikipedia - Felix Cheong -- Singaporean author and poet
Wikipedia - F. Enzio Busche -- German general authority
Wikipedia - Ferdowsi -- Persian poet, author of Shahnameh
Wikipedia - Ferenc Chalupetzky -- Hungarian chess player and author
Wikipedia - Fermanagh and Omagh District Council -- Local authority in Northern Ireland
Wikipedia - Fernando de Rojas -- Spanish author and playwright
Wikipedia - Ferner Nuhn -- American author, literary critic and artist
Wikipedia - Fiasco (novel) -- A science fiction novel by Polish author Stanislaw Lem
Wikipedia - Filibuster (military) -- Leader of an unauthorized foreign military expedition
Wikipedia - Financial Conduct Authority -- British regulator
Wikipedia - Financial Industry Regulatory Authority -- American financial self-regulatory organizarion
Wikipedia - Financial Information Authority (Vatican City)
Wikipedia - Financial Services Authority -- Former quasi-judicial body in the UK
Wikipedia - Financial Supervision Authority (Poland)
Wikipedia - Finesse Mitchell -- American actor, author and comedian
Wikipedia - Finnish Competition and Consumer Authority -- Finnish consumer rights protection agency
Wikipedia - Fiona McFarlane -- Australian author
Wikipedia - Fiona Wood (writer) -- Australian young adult author
Wikipedia - First day of issue -- Postage stamp on a cover, postal card or stamped envelope franked on the first day the issue is authorized for use
Wikipedia - First Responder Network Authority -- American public safety broadband network operator
Wikipedia - Flag state -- Jurisdiction a merchant vessel is registered under; has authority/responsibility to regulate vessels registered under its flag, e.g. inspection, certification, issuing safety/pollution prevention documents
Wikipedia - Flavius Mallius Theodorus -- 4th century Roman consul, scholar and author
Wikipedia - Fleda Brown -- American poet and author
Wikipedia - Flemming Quist Moller -- Danish director, cartoonist, author, actor
Wikipedia - Flora Thompson -- English author
Wikipedia - Florence Morse Kingsley -- American fiction author (1859-1937)
Wikipedia - Florence Page Jaques -- American author (1890-1972)
Wikipedia - Florence "Frankie" Adams -- American educator, social worker, and author (1902-1979)
Wikipedia - Florence Trail -- American educator, author (1854-1944)
Wikipedia - Florence Williams -- Journalist and author
Wikipedia - Florian Coulmas -- German linguist and author
Wikipedia - Fonda Lee -- Canadian-American author of speculative fiction
Wikipedia - Food Safety and Standards Authority of India -- Government body in India
Wikipedia - Fort Bend County Toll Road Authority -- Toll road authority in Texas
Wikipedia - Fouad Ajami -- university professor and author
Wikipedia - Foul papers -- specialist term for an author's working drafts
Wikipedia - Foundation's Friends -- 1989 book written in honor of science fiction author Isaac Asimov
Wikipedia - Fran Balkwill -- English scientist and author of children's books (born 1952)
Wikipedia - France Daigle -- Canadian author of Acadian ethnicity
Wikipedia - Frances Garnet Wolseley, 2nd Viscountess Wolseley -- Gardener and author (1872-1936)
Wikipedia - Frances Hodgson Burnett -- English-American children's author
Wikipedia - Frances Kinne -- American author
Wikipedia - Frances Marion -- American screenwriter, journalist, author, and film director
Wikipedia - Frances Spatz Leighton -- American author
Wikipedia - Francis Alexander Durivage -- American author
Wikipedia - Francis Barrow Pearce -- British imperial administrator and author (1866-1926)
Wikipedia - Francis Clifford (author) -- British author
Wikipedia - Francis Esmond Reynolds -- British pathologist and author
Wikipedia - Francis Fukuyama -- American political scientist, political economist, and author
Wikipedia - Francis Jeremiah Connell -- Redemptorist priest, professor, author, and Catholic American theologian
Wikipedia - Francis Lynde -- American author
Wikipedia - Francis MacManus -- Author, broadcaster
Wikipedia - Francis Meres -- 16th/17th-century English churchman and author
Wikipedia - Francis Payne (author) -- Australian writer
Wikipedia - Francis Spufford -- English author and teacher
Wikipedia - Francis Warner (author) -- English poet and playwright
Wikipedia - Francois de La Rochefoucauld (writer) -- French author of maxims and memoirs
Wikipedia - Francoise-Albine Benoist -- 18th-century French author
Wikipedia - Francois Pithou -- French lawyer and author
Wikipedia - Francois Sudre -- French author and musician
Wikipedia - Frank Barnard (author) -- British novelist
Wikipedia - Frank Braynard -- American author
Wikipedia - Frank Buytendijk -- Dutch author of management books
Wikipedia - Frank Chadwick -- American game designer and author
Wikipedia - Frank Chin -- American author and playwright
Wikipedia - Frank Collin -- Former leader of the National Socialist Party of America and New Age author
Wikipedia - Frank Eliason -- American corporate executive and author
Wikipedia - Frankenstein authorship question
Wikipedia - Frank G. Menke -- American newspaper reporter, author, and sports historian
Wikipedia - Frank Hammond -- Author of Christian related books
Wikipedia - Frank J. Coppa -- American historian, author, and educator
Wikipedia - Frank John William Goldsmith -- English author and survivor of the Titanic
Wikipedia - Frank Kane (author) -- American writer
Wikipedia - Franklin Burroughs (author) -- American author of nonfiction
Wikipedia - Frank L. Kluckhohn -- American author and journalist
Wikipedia - Frank N. Westcott -- American author
Wikipedia - Frank Paparelli -- American jazz pianist, composer and author
Wikipedia - Frank Ripploh -- German actor, director and author
Wikipedia - Frank Stagg (theologian) -- American theologian, author and pastor (1911-2001)
Wikipedia - Frank Turek -- Christian author
Wikipedia - Frank Zarnowski -- Author and sports announcer (b. 1943)
Wikipedia - Fran Lebowitz -- American author and public speaker
Wikipedia - Fran Van Cleave -- American author
Wikipedia - Franz Kurowski -- German author
Wikipedia - Frederick Augustus Voigt -- British journalist and author
Wikipedia - Frederick Hackwood -- British author and teacher
Wikipedia - Frederick Vettese -- Canadian author (born 1953)
Wikipedia - Frederick W. Allsopp -- British-US-American author, newspaperman, book collector, and bookstore owner
Wikipedia - Frederic Passy -- French economist, author, and statesman
Wikipedia - Frederika Menezes -- Goan author, poet and artist
Wikipedia - Frederike Geerdink -- Dutch journalist and author
Wikipedia - Fred H. Colvin -- American machinist, technical journalist, author, and editor
Wikipedia - Fred Kaplan (journalist) -- American author and journalist (born 1954)
Wikipedia - Fred Rhodes (writer) -- Australian master mariner, journalist, author and cotton farming lobbyist
Wikipedia - Fredric Dannen -- American journalist and author
Wikipedia - Freeman Wills Crofts -- Irish mystery author, later based in England
Wikipedia - Frida Boisen -- Swedish journalist and author
Wikipedia - Frieda Friedman -- American author
Wikipedia - Friedo Lampe -- German author
Wikipedia - Friedrich Alefeld -- German botanist, author, and medical practitioner (1820-1872)
Wikipedia - Friedrich Durrenmatt -- Swiss author and dramatist (1921-1990)
Wikipedia - Friedrich Georg Junger -- German lawyer and author
Wikipedia - Friedrich von Bodenstedt -- 19th-century German author
Wikipedia - Friedrich von der Trenck -- Prussian army officer, adventurer, and author (1726-1794)
Wikipedia - Fritz Polking -- German nature photographer,author and book publisher
Wikipedia - Fritz Springmeier -- American author
Wikipedia - Fritz Steuben -- German author
Wikipedia - Fuhrerprinzip -- principle of political authority in the Third Reich
Wikipedia - Fujino M-EM-^Lmori -- Japanese light novel author
Wikipedia - Fulcanelli -- French alchemist and esoteric author
Wikipedia - Fumiko Hayashi (author))
Wikipedia - Fumiko Hayashi (author) -- Japanese novelist and poet
Wikipedia - Fundamento de Esperanto -- 1905 book by L. L. Zamenhof, describing the basic grammar and vocabulary of Esperanto; the only obligatory authority over the language, according to the Declaration of Boulogne
Wikipedia - Futabatei Shimei -- Japanese author, translator and literary critic
Wikipedia - Futaro Yamada -- Japanese author
Wikipedia - Future history -- Postulated history of the future and is used by authors in the subgenre of speculative fiction
Wikipedia - F.X. Toole -- Boxing trainer, author
Wikipedia - Fyodor Dostoevsky -- Russian author
Wikipedia - Gabbie Hanna -- American Internet personality, author, singer-songwriter and actress
Wikipedia - Gabiden Mustafin -- Kazakh author and senior official in the Communist Party of Kazakhstan
Wikipedia - Gabriele Eckart -- German author
Wikipedia - Gabriel Harvey -- English author
Wikipedia - Gabriella Battaini-Dragoni -- Italian author, educator and politician
Wikipedia - Gabrielle Hamilton (chef) -- American chef and author
Wikipedia - Gabrielle McMullin -- Australian vascular surgeon, author and gender quality advocate
Wikipedia - Gabrielle Union -- American actress, activist, and author
Wikipedia - Gabriel Rivera-Barraza -- Mexican-American author
Wikipedia - Gad Beck -- Holocaust survivor, author
Wikipedia - Gaelen Foley -- American author
Wikipedia - Gae Polisner -- American author
Wikipedia - Gail Hareven -- Israeli author
Wikipedia - Gamaliel -- First century leading authority on Jewish law in the Sanhedrin
Wikipedia - Ganggang Hu Guidice -- Chinese-American author and artist
Wikipedia - Garcelle Beauvais -- American actress, television personality, author, and former fashion model
Wikipedia - Gareth Miles -- Welsh author
Wikipedia - Garrard Conley -- American author and LGBTQ activist
Wikipedia - Garrett Epps -- American author and legal scholar
Wikipedia - Garrison Keillor -- American author, storyteller, humorist, voice actor, and radio personality
Wikipedia - Garth Von Buchholz -- Canadian author
Wikipedia - Gary Alan Fine -- American sociologist and author
Wikipedia - Gary Bernstein -- American photographer and author
Wikipedia - Gary Blackwood (author) -- American author
Wikipedia - Gary Catona -- American author and voice coach
Wikipedia - Gary Gentile -- American author and pioneering technical diver
Wikipedia - Gary Jennings -- American author
Wikipedia - Gary Kinder (author) -- American writer
Wikipedia - Gary Kreps -- Communication scholar, professor, author
Wikipedia - Gary Null -- American talk radio host and author who advocates for alternative medicine
Wikipedia - Gavin Menzies -- British naval officer and author of pseudohistory
Wikipedia - Gavino Gulia -- Maltese botanist and author
Wikipedia - Gayle Laakmann McDowell -- Founder, consultant, coder, author and speaker
Wikipedia - Gayle Tzemach Lemmon -- American author
Wikipedia - Gedalia Dov Schwartz -- American-born Orthodox rabbi, author, legal jurist
Wikipedia - Ged Maybury -- New Zealand children's book author
Wikipedia - G. Edward Griffin -- American conspiracy theorist, film producer, author, and political lecturer
Wikipedia - Ge Fei (author) -- Chinese novelist
Wikipedia - Gelett Burgess -- US artist, art critic, poet, author and humorist
Wikipedia - Genan Wakil -- Author
Wikipedia - Gene D. Phillips -- American author, educator, and Catholic priest
Wikipedia - Gene Edward Veith -- American Lutheran author, scholar, and professor
Wikipedia - General Authority of Meteorology and Environmental Protection -- Government agency in Saudi Arabia
Wikipedia - General authority
Wikipedia - Gene Wilder -- American actor, filmmaker, singer-songwriter, comedian and author (1933-2016)
Wikipedia - Genni Batterham -- Australian artist, author, disability rights activist and filmmaker
Wikipedia - Geoff Chapple (writer) -- New Zealand author and journalist
Wikipedia - Geoff Hill (Northern Ireland journalist) -- Author, journalist and long-distance motorcycle rider
Wikipedia - Geoffrey Cain -- American journalist, author, and writer
Wikipedia - Geoffrey Chaucer -- 14th century English poet and author
Wikipedia - Geoffrey Notkin -- American actor, author, and entrepreneur.
Wikipedia - Geoffrey Prout -- English boatbuilder and author
Wikipedia - George Alec Effinger -- American science fiction author
Wikipedia - George Antheil -- American avant-garde composer, pianist, author and inventor
Wikipedia - George Arliss -- English actor, author, playwright, and filmmaker
Wikipedia - George Foreman -- American professional boxer, ordained Baptist minister, author and entrepreneur
Wikipedia - George Forrest (author) -- American musical theatre composer (1915-1999)
Wikipedia - George Gilfillan -- Scottish author and poet
Wikipedia - George Hamilton Teed -- Canadian author
Wikipedia - George Howe Colt -- American journalist and author
Wikipedia - George Kelson -- English cricketer, fisherman, and author
Wikipedia - George Levy -- American motorsports author
Wikipedia - George Lewis Becke -- Australian author
Wikipedia - George MacDonald Fraser -- English-born author of Scottish descent
Wikipedia - George MacDonald -- Scottish author, poet and Christian minister
Wikipedia - George McKay Brown -- Scottish poet, author and dramatist
Wikipedia - George Megalogenis -- Australian journalist and author
Wikipedia - George Moir -- Scottish advocate and author
Wikipedia - George Muhoho -- Former director general of the Kenya Airports Authority
Wikipedia - George Orwell -- English author and journalist (1903 - 1950)
Wikipedia - George Pelecanos -- American author
Wikipedia - George Racey Jordan -- American military officer, businessman, lecturer, activist, and author.
Wikipedia - George R. Dekle Sr. -- American lawyer, professor, and author
Wikipedia - George Rodwell -- English composer, musical director, and author
Wikipedia - George Samuel Clason -- American author
Wikipedia - George Samuel Dougherty -- American detective and author
Wikipedia - Georges Anglade -- Haitian-Canadian geographer, author and politician (1944-2010)
Wikipedia - George Stephens (playwright) -- English author and dramatist
Wikipedia - George Valavanis -- Pontic Greek journalist and author
Wikipedia - George Weigel -- Conservative Catholic American author
Wikipedia - George Wolfe (CPA) -- Chair of the Coalition Provisional Authority
Wikipedia - George Wyatt Proctor -- Author, journalist and lecturer
Wikipedia - Georgiann Makropoulos -- American wrestling historian and author
Wikipedia - Georgina Harding -- English author
Wikipedia - Gerald A. Browne -- American author and editor
Wikipedia - Gerald Clarke (author) -- American writer
Wikipedia - Gerald Gardner (scriptwriter) -- American author
Wikipedia - Gerald Hausman -- American author
Wikipedia - Gerald Huther -- German neurobiologist and author
Wikipedia - Gerald M. Best -- Railroad historian, author, photographer
Wikipedia - Gerald Walpin -- American lawyer and author
Wikipedia - Gerald Willoughby-Meade -- British author
Wikipedia - Gerald W. Smith -- American engineer and author
Wikipedia - Gerald W. Thomas -- American academic, author, and veteran
Wikipedia - Gerald Zaltman -- American academic, author, and editor
Wikipedia - Gerard Beirne -- Irish author
Wikipedia - Gerard Jones -- American author and comic book writer (born 1957)
Wikipedia - Gerard K. O'Neill -- Physicist, author, and inventor
Wikipedia - Gerhard Delling -- German journalist and author
Wikipedia - Gerhard Hirschfeld -- German historian and author
Wikipedia - Geri Halliwell -- English singer-songwriter, author and actress
Wikipedia - Germaine de StaM-CM-+l -- Swiss author
Wikipedia - German military administration in occupied France during World War II -- Interim occupation authority established by Nazi Germany during World War II
Wikipedia - Gerrit Berveling -- Dutch Esperanto author
Wikipedia - Gertrude Stein -- American author (1874-1946)
Wikipedia - Gertrude Torkornoo -- Ghanaian judge and author
Wikipedia - Ghana Revenue Authority -- Tax Company
Wikipedia - Ghana Tourism Authority -- Ghanaian tourism parastatal
Wikipedia - Ghost word -- Word created by error in a dictionary or other authoritative work
Wikipedia - Ghostwriter -- Writer who writes for the credited author
Wikipedia - Ghulam Mustafa Tabassum -- Pakistani poet and author
Wikipedia - Ghulam Nabi Gowhar -- Kashmiri author, novelist, poet
Wikipedia - Gibraltar Port Authority -- Agency in Gibraltar Port
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Wikipedia - Gideon Levy -- Israeli journalist and author
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Wikipedia - Gilbert Henry Collins -- British author
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Wikipedia - Gillian Baverstock -- British author and elder daughter of English novelist Enid Blyton
Wikipedia - Gillian Chan -- Canadian children's author
Wikipedia - Gillian Cross -- British author of children's books
Wikipedia - Gil Scott-Heron -- American musician, poet and author
Wikipedia - Gina Calanni -- American politician and author
Wikipedia - Gina Cascone -- American author and screenwriter
Wikipedia - Gina Loudon -- American conservative author, anchor, columnist, show host, and news commentator
Wikipedia - Gina Smith (author)
Wikipedia - Gioconda Belli -- Nicaraguan author, novelist and poet
Wikipedia - Giovanni Boccaccio -- Italian author and poet
Wikipedia - Girl Authority -- American cover pop girl group
Wikipedia - Gisella Perl -- Gynecologist and author
Wikipedia - Giulia Enders -- German author
Wikipedia - Giuseppe Cederna -- Italian actor and author
Wikipedia - Gladys Knight -- American singer, songwriter, actress, businesswoman, and author
Wikipedia - Gladys Peto -- British author and fashion designer
Wikipedia - Gladys Skelton -- Australian poet, playwright and author
Wikipedia - Glen Duncan -- British author
Wikipedia - Glenn Adamson -- American curator, author, and historian
Wikipedia - Glennon Doyle -- American author
Wikipedia - Glen Rounds -- American author and illustrator
Wikipedia - Globus cruciger -- Globular object sometimes topped with a cross; Christian symbol of authority
Wikipedia - G. N. Georgano -- British author
Wikipedia - Godfrey Barker -- British journalist and author
Wikipedia - Godman Akinlabi -- Nigerian pastor and author
Wikipedia - Goldie Taylor -- American author and opinion writer
Wikipedia - Gorch Fock (author) -- German writer
Wikipedia - Gordon Anderson (author) -- American philosopher
Wikipedia - Gordon Aylward -- Australian chemical author
Wikipedia - Gordon Cheng -- Australian Christian author and writer
Wikipedia - Gordon Claridge -- British psychologist and author
Wikipedia - Gordon Daugherty -- American computer scientist and author
Wikipedia - Gordon Eklund -- American science fiction author
Wikipedia - Gordon Moore -- American businessman, co-founder of Intel and author
Wikipedia - Gordon Pape -- Author and newsletter publisher
Wikipedia - Gordon Scurfield -- English biologist and author
Wikipedia - Gosta M-CM-^Egren -- Finnish author
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Wikipedia - Government of Haryana -- Governing authority of the Indian state of Haryana
Wikipedia - Government of Ireland -- Ministerial cabinet exercising executive authority in the country of the Republic of Ireland
Wikipedia - Government of Madhya Pradesh -- Indian governing authority
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Wikipedia - Grace Dent -- English columnist, broadcaster and author
Wikipedia - Grace Greylock Niles -- American botanist, author, and artist
Wikipedia - Grace Lee Boggs -- American social activist, philosopher, feminist, and author
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Wikipedia - Graeme Macrae Burnet -- Scottish author and Booker Prize winner
Wikipedia - Graham Masterton -- British horror author
Wikipedia - Greatrex Newman -- English author, song-writer and screenwriter
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Wikipedia - Greg Behrendt -- American comedian and author
Wikipedia - Gregg Braden -- American author
Wikipedia - Greg King (author) -- American author
Wikipedia - Gretel Killeen -- Australian television host, author and comedian
Wikipedia - Grosvenor Clarkson -- American author and publicist
Wikipedia - G. R. S. Mead -- English author, editor, translator, and theosophist
Wikipedia - Grzegorz BM-DM-^Ybnik -- Polish historian and author
Wikipedia - G. S. Lassey -- Ghanaian judge and author
Wikipedia - Gub Gub's Book -- The spin-off of Doctor Dolittle Books, the author was Hugh Lofting
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Wikipedia - Gulzar -- Urdu author
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Wikipedia - Gunnar Gunnarsson -- Icelandic author
Wikipedia - Gunnar Sandelin -- Swedish social worker, author, lecturer and journalist
Wikipedia - Gunnar Tjomlid -- Norwegian blogger, author and sceptic (born 1974)
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Wikipedia - Gurcharan Das -- Indian author
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Wikipedia - Guy A. Sims -- African American comic book author
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Wikipedia - Guy Clapperton -- British journalist, speaker and author
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Wikipedia - Hailey Abbott -- American author
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Wikipedia - Hal Elrod -- American author
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Wikipedia - Harriet Rohmer -- American author, editor, and publisher
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Wikipedia - Help:Authority control -- Wikipedia help page about authority control
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Wikipedia - Housing authority -- Type of ministry or government agency
Wikipedia - Houston Housing Authority -- Public housing authority in Houston, Texas, United States
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Wikipedia - Howard Kurtz -- American journalist and author
Wikipedia - Howard Pyle -- 19th and 20th-century American illustrator and author
Wikipedia - Howard Stern -- American radio and television personality, producer, author, actor, and photographer
Wikipedia - Howie Schneider -- American cartoonist, sculptor, and author, 1930-2007
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Wikipedia - Ibn Manzur -- Maghrebi Arab lexicographer of the Arabic language and author of a large Arabian dictionary (c.1233-c.1312)
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Wikipedia - Jacksonville Expressway Authority -- Former Florida road and tolls and bridge authority
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Wikipedia - Janice Harayda -- American author
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Wikipedia - Japanese author
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Wikipedia - Jared Taylor -- American white supremacist author
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Wikipedia - Jarrett J. Krosoczka -- American author and illustrator
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Wikipedia - Jarrod Jablonski -- Pioneer American cave diver, author and previous cave diving record holder
Wikipedia - Jashar Rexhepagiq -- Yugoslavian scholar and author
Wikipedia - Jason Colavito -- American author
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Wikipedia - Jason Herbison -- Australian writer and author
Wikipedia - Jason Kander -- American attorney, author, veteran, and politician
Wikipedia - Jason Reynolds -- Author of young adult novels
Wikipedia - Jason Richwine -- American political commentator and author
Wikipedia - Jason Stanley -- American philosopher, professor, author
Wikipedia - Jason Tougaw -- Author and professor of English
Wikipedia - Jatavallabhula Purushottam -- Indian poet, author, and activist (1906-?)
Wikipedia - Java Ho! -- 1924 juvenile fiction novel by Dutch author Johan Fabricius
Wikipedia - Javier Moro -- Spanish author
Wikipedia - Jay Abraham -- American business executive, conference speaker, and author
Wikipedia - Jayant Khatri -- Gujarati author
Wikipedia - Jay Bahadur -- Canadian journalist and author
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Wikipedia - Jay E. Adams -- American, Reformed Christian author
Wikipedia - Jayge Carr -- American NASA nuclear physicist and science fiction and fantasy author (1940-2006)
Wikipedia - Jayne Meadows -- Chinese born-American actress and author (1919-2015)
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Wikipedia - J. C. Hall (author) -- Canadian writer
Wikipedia - J. C. Hallman -- American author
Wikipedia - J. D. Vance -- American author and venture capitalist
Wikipedia - Jean Anderson (cookbook author) -- American cookbook author
Wikipedia - Jean Blashfield Black -- American game designer and author
Wikipedia - Jean Bolinder -- Swedish author
Wikipedia - Jean Chardin -- French jeweller, traveller and author (1643-1713)
Wikipedia - Jean Daniel -- French journalist and author
Wikipedia - Jean-Dominique Bauby -- French journalist, author and editor
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Wikipedia - Jean Giraud -- French comics author
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Wikipedia - Jean-Henri Fabre -- French naturalist, entomologist and author
Wikipedia - Jeanine Cummins -- American author
Wikipedia - Jeanine Pirro -- American television host and author
Wikipedia - Jean-Marie Robine -- French demographer, gerontologist and author
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Wikipedia - Jeanne Darst -- American author
Wikipedia - Jeanne Munn Bracken -- American author and a retired librarian
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Wikipedia - Jeannie Morris -- American sports journalist and author
Wikipedia - Jeannine Parvati Baker -- American yoga teacher, midwife and author
Wikipedia - Jean-Pierre Autheman -- French comic book author
Wikipedia - Jean-Pierre Moumon -- French author
Wikipedia - Jean Rae Baxter -- Canadian author
Wikipedia - Jean Rhodes -- American psychologist and author
Wikipedia - Jean Ure -- English children's author
Wikipedia - Jedediah Bila -- American television host and author
Wikipedia - Jeff Atwood -- American software developer/author/blogger/entrepreneur
Wikipedia - Jeff Bauman -- American author
Wikipedia - Jeffery Paul Chan -- American author and scholar
Wikipedia - Jeff Forshaw -- British particle physicist and author
Wikipedia - Jeff Foxworthy -- American stand-up comedian, actor, writer, producer, television personality, radio personality and author
Wikipedia - Jeff Katz -- American film producer and comic book author
Wikipedia - Jeff Kelley -- American art critic, author, and curator
Wikipedia - Jeff Kinney -- American author and cartoonist
Wikipedia - Jeffrey Archer -- English author and former politician
Wikipedia - Jeffrey Daniels (author)
Wikipedia - Jeffrey Ehrlich -- American lawyer and author
Wikipedia - Jeffrey Toobin -- American lawyer and author
Wikipedia - Jeffrey Vance -- American film historian and author
Wikipedia - Jeff Warren -- Canadian author and meditation teacher (b. 1971)
Wikipedia - Jeff Wise -- American author and television journalist
Wikipedia - Jelani Cobb -- American writer, author and educator
Wikipedia - Jemima von Tautphoeus -- Irish author
Wikipedia - Jen Gunter -- Canadian-American gynecologist, columnist, and author
Wikipedia - Jen Hatmaker -- American Christian author (born 1974)
Wikipedia - Jenifer Fox -- American educator, author, and speaker
Wikipedia - Jeni Mawter -- Australian children's author
Wikipedia - Jenna Bush Hager -- American journalist, author, and television personality
Wikipedia - Jenn Bennett -- American author of novels for young adults
Wikipedia - Jennie Maria Arms Sheldon -- American author, scientist and researcher
Wikipedia - Jennifer Aaker -- American psychologist, author, and professor
Wikipedia - Jennifer Allison -- American author of mystery novels
Wikipedia - Jennifer Armintrout -- American author
Wikipedia - Jennifer Clement -- American-Mexican author
Wikipedia - Jennifer Croft -- American author, critic and translator
Wikipedia - Jennifer E. Smith -- American young adult author
Wikipedia - Jennifer Fallon -- Author
Wikipedia - Jennifer Finney Boylan -- American author
Wikipedia - Jennifer L. Holm -- American author of children's books (born 1968)
Wikipedia - Jennifer Roberson -- American author of fantasy and historical literature
Wikipedia - Jennifer Thorpe-Moscon -- American psychologist and author
Wikipedia - Jenny Dearborn -- Author and business executive
Wikipedia - Jenny McCarthy -- American actress, model, television host, author, anti-vaccine activist and screenwriter
Wikipedia - Jenny Slate -- American actress, comedian, and author
Wikipedia - Jens Bjerre (adventurer) -- Danish author, filmmaker and adventurer
Wikipedia - Jeph Jacques -- Comic author and illustrator
Wikipedia - Jeremy Bates (author) -- Canadian/Australian author
Wikipedia - Jeremy Cameron (author) -- British author
Wikipedia - Jeremy Chambers -- Australian author
Wikipedia - Jeremy Wade -- British television presenter and author
Wikipedia - Jerome Alley -- Irish priest, poet and author
Wikipedia - Jerome Charyn -- American author
Wikipedia - Jerome Corsi -- American conservative author
Wikipedia - Jerrold Kessel -- Israeli journalist, sports journalist, author and foreign correspondent
Wikipedia - Jerry Agada -- Nigerian educationist and author
Wikipedia - Jerry Bledsoe -- American author and journalist
Wikipedia - Jerry Capeci -- American journalist and author
Wikipedia - Jerry Clower -- American comedian and author
Wikipedia - Jerry Reitman -- American author and businessman
Wikipedia - Jerusalem (Moore novel) -- Novel by British author Alan Moore
Wikipedia - Jerzy Konikowski -- Polish-German chess player, problemist, and author
Wikipedia - Jessamyn Stanley -- American yoga teacher and author
Wikipedia - Jessamyn West (writer) -- American author
Wikipedia - Jesse Eisenberg -- American actor, author, and playwright
Wikipedia - Jesse Eisinger -- American journalist and author
Wikipedia - Jesse J. Holland -- American journalist, author
Wikipedia - Jess French -- British television personality, veterinarian and author
Wikipedia - Jessica Anthony -- American author
Wikipedia - Jessica Dettmann -- Australian author and performer
Wikipedia - Jessica James (author) -- American author
Wikipedia - Jessica J. Lee -- Canadian author
Wikipedia - Jessica Love -- American actress, author and illustrator
Wikipedia - Jessica McKellar -- American software developer, engineering manager, and author
Wikipedia - Jessica Taylor (author) -- British forensic psychology graduate and author
Wikipedia - Jessica Valenti -- US feminist author and blogger
Wikipedia - Jessie Burton -- British author and actress
Wikipedia - Jessie Greengrass -- British author
Wikipedia - Jessie Mothersole -- Archaeologist, artist, author
Wikipedia - Jess Nevins -- American author
Wikipedia - Jess Stearn -- American journalist and author (1914-2002)
Wikipedia - J. Gabriel Gates -- American author, screenwriter, and actor
Wikipedia - J. H. B. Peel -- British journalist, author and poet
Wikipedia - Jhinabhai Desai -- Gujarati language author from India
Wikipedia - Jhumpa Lahiri -- American author of Indian origin
Wikipedia - Jill Purce -- British voice teacher, therapist, and author
Wikipedia - Jill Trevelyan -- NZ art curator, reviewer, and author
Wikipedia - Jilly Cooper -- English author
Wikipedia - Jim Al-Khalili -- British theoretical physicist, author and broadcaster
Wikipedia - Jim Burke (author) -- American author
Wikipedia - Jim Butcher -- American fantasy author
Wikipedia - Jim Clash -- American author and participatory journalist
Wikipedia - Jim Clemente -- American author, FBI profiler
Wikipedia - Jim Cramer -- American stockbroker, television personality, author
Wikipedia - Jim DeMint -- American political advocate, businessman, author, and retired politician
Wikipedia - Jim Dent (author) -- American author and sportswriter
Wikipedia - Jim Fergus -- American author
Wikipedia - Jim Ferraro -- American litigation attorney and author
Wikipedia - Jim Harmon -- American author and popular culture historian
Wikipedia - Jim Lynch (writer) -- American author
Wikipedia - Jim Merkel -- American author and engineer
Wikipedia - Jimmy Perry -- English writer, scriptwriter, producer, author and actor
Wikipedia - Jim Norton (comedian) -- American comedian, radio personality, actor, author, and podcast host
Wikipedia - Jim Webb -- American politician, military officer and author
Wikipedia - J. I. Rodale -- publisher and author
Wikipedia - J. J. Bittenbinder -- Member of the Chicago Police Department, public speaker, author, and former TV host
Wikipedia - J.John -- British evangelist and author (born 1958)
Wikipedia - J. J. van der Leeuw -- Dutch theosophist and author (1893-1934)
Wikipedia - J. Michael Yates -- Canadian author (1938-2019)
Wikipedia - Joakim Lundell -- Swedish reality contestant, musician and author
Wikipedia - Joan Alcover -- Spanish author
Wikipedia - Joan Bennett Kennedy -- First wife of Ted Kennedy; American socialite, musician, author, and former model
Wikipedia - Joan Bernott -- American author of short science fiction
Wikipedia - Joan Cambridge -- Guyanese author and journalist
Wikipedia - Joan Collins -- British actress, author and columnist
Wikipedia - Joan Gould -- American author and journalist
Wikipedia - Joan Grant -- English author
Wikipedia - Joanie Holzer Schirm -- Author, entrepreneur, and community activist
Wikipedia - Joan Kent -- English author
Wikipedia - Joanna Cannan -- British author
Wikipedia - Joanna Cole (author) -- American writer of childrenM-bM-^@M-^Ys books
Wikipedia - Joanna Handerek -- Polish philosopher of culture, academic, author, and professor
Wikipedia - Joanne Caras -- US television presenter & author
Wikipedia - Joanne Fedler -- Australian author
Wikipedia - Joanne Lipman -- American journalist, editor, and author
Wikipedia - Joan Walsh Anglund -- American poet and children's book author
Wikipedia - Joao Emanuel Carneiro -- Brazilian screenwriter, film director, and telenovela author
Wikipedia - Joao Mario Grilo -- Portuguese film director, author, and professor
Wikipedia - Joao M. P. Lemos -- Portuguese illustrator and comic book author
Wikipedia - Joao Soares de Albergaria de Sousa -- Portuguese politician, property owner, and author
Wikipedia - Jodi Carmichael -- Canadian author
Wikipedia - Jodi Picoult -- American author
Wikipedia - Jody Rosen -- American journalist and author
Wikipedia - Joe Andoe -- American artist, painter, and author
Wikipedia - Joe Clifford Faust -- American author
Wikipedia - Joe Clifford -- American author and editor
Wikipedia - Joe Conason -- Journalist, author and political commentator (born 1954)
Wikipedia - Joe Dabney -- American author
Wikipedia - Joe Esposito (author) -- American writer
Wikipedia - Joe Eszterhas -- Hungarian-American screenwriter and author
Wikipedia - Joe Fig -- American artist and author
Wikipedia - Joe Fiorito -- Canadian journalist and author
Wikipedia - Joe Fugate -- Author and game designer
Wikipedia - Joe Hyams -- author
Wikipedia - Joe Kelly (parenting writer) -- American author
Wikipedia - Joel Comm -- American author and Internet marketer
Wikipedia - Joel Osteen -- American televangelist and author
Wikipedia - Joel Rosenberg (science fiction author) -- Canadian American science fiction and fantasy writer
Wikipedia - Joel Zoss -- American singer, songwriter and author
Wikipedia - Joe Orton -- English playwright and author
Wikipedia - Joe Ovelman -- American artist and author (born 1970)
Wikipedia - Joe Scarborough -- American cable news and talk radio host, lawyer, author, and former politician
Wikipedia - Joe Wicks (coach) -- British fitness coach, TV presenter and author
Wikipedia - Joey Adams -- comedian and author
Wikipedia - Jogindranath Sarkar -- Bengali author
Wikipedia - Johan Bojer -- Norwegian author
Wikipedia - Johan Daisne -- Flemish author
Wikipedia - Johann Christian Carl Gunther -- German botanist, pharmacist, batologist, and author (1769-1833)
Wikipedia - Johannes Anyuru -- Swedish poet and author
Wikipedia - Johannes Balzli -- Austrian/German author, newspaper editor
Wikipedia - Johannes de Thurocz -- Hungarian historian and author
Wikipedia - Johann Goercke -- Prussian army surgeon and author
Wikipedia - Johann Lafer -- Austrian chef, television chef, entrepreneur and non-fiction author
Wikipedia - John Abramson -- American physician and author
Wikipedia - John A. Farrell -- American author
Wikipedia - John Alcock (behavioral ecologist) -- American behavioral ecologist and author
Wikipedia - John Aldrich (political scientist) -- American political scientist and author
Wikipedia - John Allen Paulos -- American mathematician and author
Wikipedia - John Altman (author) -- American thriller writer
Wikipedia - John Anster -- Irish lawyer, academic and author
Wikipedia - John Anthony West -- American author and amateur egyptologist
Wikipedia - John Arlott -- English journalist, author, and cricket commentator
Wikipedia - John Ashworth (preacher) -- 19th-century British preacher, manufacturer, and author
Wikipedia - John Azor Kellogg -- American Civil War officer, author, Republican politician, and public administrator
Wikipedia - John Baker (author) -- British author
Wikipedia - John Barnes (author) -- American science fiction author
Wikipedia - John Bellairs -- American author
Wikipedia - John Berendt -- American author
Wikipedia - John Birmingham -- British-born Australian author
Wikipedia - John Bollinger -- American author and financial analyst
Wikipedia - John Bowe (author) -- American author
Wikipedia - John Boyd (author)
Wikipedia - John Boyne -- Irish novelist, author of children's and youth fiction
Wikipedia - John Bradshaw (author)
Wikipedia - John Brady (author) -- British writer
Wikipedia - John Browne (anatomist) -- English anatomist, surgeon, and author
Wikipedia - John Brown (fugitive slave) -- African-American slave and author
Wikipedia - John Brunner (novelist) -- British author of science fiction novels and stories
Wikipedia - John Buchan -- British politician and author
Wikipedia - John Byrne (comics) -- Author and artist of comic books
Wikipedia - John Campbell (author) -- Scottish author
Wikipedia - John Carlin (journalist) -- British journalist and author
Wikipedia - John Carreyrou -- American journalist and author
Wikipedia - John Carter Cash -- American singer, author, songwriter and producer
Wikipedia - John Casey (climate change author) -- American writer on climate change
Wikipedia - John Cecil Masterman -- English academic, author and WW2 spymaster
Wikipedia - John Chippendall Montesquieu Bellew -- English clergyman and author
Wikipedia - John Christopher Fine -- American marine biologist, wreck diver and author
Wikipedia - John Clive -- Actor, author
Wikipedia - John C. Maher -- Irish-British author and academic
Wikipedia - John C. Maxwell -- American author, speaker and pastor
Wikipedia - John Connolly (author) -- Irish author, primarily of detective fiction
Wikipedia - John Cornwell (writer) -- British journalist, author, and academic
Wikipedia - John Crowley (author) -- American writer
Wikipedia - John Cushnie -- British landscape designer, author, journalist, and broadcaster
Wikipedia - John C. Wright (author)
Wikipedia - John Dalton (author) -- American author
Wikipedia - John Darlington (academic) -- British academic and author
Wikipedia - John David Jackson (physicist) -- American theoretical physicist and textbook author
Wikipedia - John Davison (theologian) -- British theologian and author
Wikipedia - John Dean -- American author, Watergate figure
Wikipedia - John Debra Sapong -- Ghanaian judge and author
Wikipedia - John Dickie (historian) -- British author, historian and academic
Wikipedia - John Dowling (pastor) -- American Baptist minister and author
Wikipedia - John Fair Stoddard -- American educator and author
Wikipedia - John Flanagan (author) -- Australian fantasy author
Wikipedia - John F. MacArthur -- American pastor and author
Wikipedia - John Gabriel Stedman -- military officer and author
Wikipedia - John G. Bennett -- British mathematician and author
Wikipedia - John Gell (Manx language activist) -- Manx speaker, teacher, and author
Wikipedia - John Gilstrap -- Author
Wikipedia - John Gloag -- English soldier and author
Wikipedia - John Grant (author) -- Scottish writer
Wikipedia - John Graves (author) -- American writer
Wikipedia - John Green (author) -- American author, vlogger and philanthropist
Wikipedia - John Grisham -- American author
Wikipedia - John Gunn (Australian writer) -- Australian author
Wikipedia - John Hadfield -- British author and publisher
Wikipedia - John Harvey (author) -- British author of crime fiction
Wikipedia - John Henry Jowett -- British Protestant preacher and author
Wikipedia - John Hodgman -- American author and humorist
Wikipedia - John Holt (author) -- English author (1743-1801)
Wikipedia - John Howard (author) -- English author
Wikipedia - John Howkins -- Author and speaker of Creative Industries
Wikipedia - John Humphrys -- British broadcaster, journalist and author
Wikipedia - John Jeshua Kettler -- Author
Wikipedia - John J. McNamara (author) -- American sailor
Wikipedia - John J. Miller (journalist) -- American author, journalist and educator
Wikipedia - John Kendrick Bangs -- American author, editor and satirist
Wikipedia - John Kerr (author)
Wikipedia - John Knowles (author) -- English biographer and naval author
Wikipedia - John Kotter -- Author of books about leadership
Wikipedia - John Lewin (Manx author) -- Manx author
Wikipedia - John Lithgow -- American actor, musician, and author
Wikipedia - John Locke (author) -- American writer
Wikipedia - John Lockman -- English author
Wikipedia - John Loftus (author) -- American writer and radio personality
Wikipedia - John Maddox Roberts -- American author
Wikipedia - John Man (author)
Wikipedia - John Mariani -- American author and food critic
Wikipedia - John Mattera -- American wreck diver and author
Wikipedia - John Meiklejohn -- Scottish academic, journalist, and author
Wikipedia - John Money -- Psychologist, sexologist and author
Wikipedia - John Montgomery (art historian) -- American art historian, illustrator, and author
Wikipedia - John Moore (American author) -- American engineer and writer
Wikipedia - John Muir -- Scottish-born American naturalist and author
Wikipedia - John Munro (author) -- British engineer, professor and writer
Wikipedia - John Newhouse -- American journalist and author
Wikipedia - John N. H. Brennan -- Irish author and solicitor
Wikipedia - John Nichols (printer) -- English printer, author and antiquarian
Wikipedia - John Nyren -- English cricketer and author
Wikipedia - John Odam -- American lawyer, author, and politician
Wikipedia - John of Patmos -- Author of the Book of Revelation
Wikipedia - John O'Hurley -- American actor, comedian, singer, author, game show host and television personality
Wikipedia - John Parish Robertson -- Scottish merchant and author
Wikipedia - John Pavlovitz -- American pastor and author
Wikipedia - John Pearson (author) -- English biographer and novelist
Wikipedia - John Percy Groves -- British author, soldier, and librarian
Wikipedia - John Philip Sousa Baton -- traditional symbol of the authority of the directorate of the United States Marine Band "The President's Own"
Wikipedia - John Phillips (author) -- English author
Wikipedia - John Powers (journalist) -- American journalist and author
Wikipedia - John Putnam Demos -- American author and historian
Wikipedia - John R. Clarke -- American scientist and underwater breathing apparatus authority
Wikipedia - John R. Levine -- American Internet author and consultant
Wikipedia - John Robinson (bishop of Woolwich) -- British biblical scholar, author and Anglican bishop (1919-1983)
Wikipedia - John S. Durham (ambassador) -- African-American journalist and author
Wikipedia - John Seymour Chaloner -- British author and publisher
Wikipedia - John Shirley (scribe) -- Author, translator, and scribe
Wikipedia - John Skipp -- American horror and fantasy author
Wikipedia - John Sladek -- American science fiction author (1937-2000)
Wikipedia - John Sterling (author) -- Scottish author
Wikipedia - John Stossel -- American reporter, investigative journalist, author, and libertarian columnist
Wikipedia - John Strelecky -- American author, philosopher, and speaker (born 1696)
Wikipedia - John Taylor Gatto -- American author and school teacher
Wikipedia - John Todd (author) -- American minister and author
Wikipedia - John Toland (author)
Wikipedia - John Townsend Trowbridge -- American author
Wikipedia - John Varley (author) -- American science fiction author
Wikipedia - John V. Pavlik -- American academic and author
Wikipedia - John Whitbourn -- English author
Wikipedia - John White (Christian author) -- British Christian author in Canada
Wikipedia - John William Cunliffe -- American author
Wikipedia - John Williams (author) -- Welsh writer
Wikipedia - John Wilson (Scottish writer) -- Scottish advocate, literary critic, and author (1785-1854)
Wikipedia - John W. Loftus -- American atheist author
Wikipedia - John Zogby -- American public opinion pollster, author, and public speaker
Wikipedia - Joko Beck -- American Zen teacher and author
Wikipedia - Jolan Foldes -- Hungarian author
Wikipedia - Jon Amtrup -- Norwegian author, journalist and sailor
Wikipedia - Jonas Bonnier -- Swedish author
Wikipedia - Jonathan Addleton -- American diplomat and author
Wikipedia - Jonathan Adler -- American potter, interior decorater, and author
Wikipedia - Jonathan Ames -- American author
Wikipedia - Jonathan Bardon -- Irish historian and author
Wikipedia - Jonathan ben Uzziel -- Talmudic rabbi, author of Targum Jonathan
Wikipedia - Jonathan Black -- British author
Wikipedia - Jonathan Brent -- American academic, author, and publisher
Wikipedia - Jonathan Fast -- American author and social work teacher
Wikipedia - Jonathan Ingram -- British inventor, businessman, author (born 1961)
Wikipedia - Jonathan Metzl -- American psychiatrist and author
Wikipedia - Jonathan Mitchell (writer) -- American author and autistic blogger
Wikipedia - Jonathan Nolan -- British-American screenwriter, television producer, director and author
Wikipedia - Jonathan O. Ndagi -- Nigerian professor and author
Wikipedia - Jonathan Rosen -- American author
Wikipedia - Jonathan Sacks -- British Orthodox rabbi, philosopher, theologian, author, and politician (1948-2020)
Wikipedia - Jonathan Schneer -- American historian and author
Wikipedia - Jonathan Strong -- American author
Wikipedia - Jonathan Twingley -- American artist, illustrator and author
Wikipedia - Jon Berkeley -- Irish illustrator and author
Wikipedia - Jon Burr -- American double bass player and author
Wikipedia - Jon Levy (behaviorist) -- American behaviorist and author
Wikipedia - Jon Taffer -- Bar consultant, television personality, and author
Wikipedia - Jon Wynne-Tyson -- English author and publisher
Wikipedia - Jordan Anderson -- Author of the 1865 ''Letter from a Freedman to His Old Master''
Wikipedia - Jordan Belfort -- American fraudster, author, motivational speaker, and former stockbroker
Wikipedia - Jorge Huerta -- Chicano scholar, author, and theatre director
Wikipedia - Jorge Ramos (news anchor) -- Mexican-born American journalist and author
Wikipedia - Jorg M. Fegert -- German psychotherapist and author (b. 1956)
Wikipedia - Jose Agustin Catala -- Venezuelan journalist and author
Wikipedia - Jose Arguelles -- American author and artist
Wikipedia - Jose Asuncion Silva -- Colombian author
Wikipedia - Jose Cadalso -- Colonel of the Royal Spanish Army, author, poet, playwright and essayist
Wikipedia - Josef Centeno -- American chef, restaurateur, and cookbook author
Wikipedia - Josefina Villamil Tinajero -- Mexican-American author
Wikipedia - Josef Pfundheller -- Austrian author
Wikipedia - Josef Velek -- Czech journalist, author and environmentalist
Wikipedia - Jose Hamilton Ribeiro -- Brazilian journalist and author
Wikipedia - Jose Maria Salaverria -- Spanish author
Wikipedia - Jose Olivarez -- American author and poet
Wikipedia - Jose Pablo Iriarte -- American author
Wikipedia - Josepha Laroche -- Professor and author
Wikipedia - Joseph Ames (author)
Wikipedia - Joseph Berger (author) -- American journalist, author, and speaker
Wikipedia - Joseph B. MacInnis -- Canadian physician, author, poet and aquanaut
Wikipedia - Joseph Bottum (author) -- American author
Wikipedia - Joseph Canteloube -- French composer, musicologist, and author
Wikipedia - Joseph C. Evans -- British author
Wikipedia - Joseph Delaney -- British author
Wikipedia - Joseph Erskine Agnew -- Music publisher and author
Wikipedia - Joseph F. Hair, Jr. -- American author and professor
Wikipedia - Josephine Cunnington Edwards -- Seventh-day Adventist author and teacher
Wikipedia - Josephine Feeney -- British children's author
Wikipedia - Josephine Mason Milligan -- American botanist, social activist and author
Wikipedia - Joseph Jefferson -- 19th-century American actor and author
Wikipedia - Joseph Karo -- Author of the last great codification of the jewish law, the Shulchan Aruch
Wikipedia - Joseph Murphy (author)
Wikipedia - Joseph S. Clark Jr. -- American politician, lawyer, and author
Wikipedia - Joseph Spence (author) -- 18th-century English historian
Wikipedia - Joseph Weismann -- French holocaust survivor and author
Wikipedia - Josh Karp -- American journalist and author
Wikipedia - Josh Spero -- British journalist and author
Wikipedia - Joshua Bryant -- American actor, director, author, and speaker
Wikipedia - Joshua Clark -- American author, editor and publisher
Wikipedia - Joshua Claybourn -- American attorney, author, and historian
Wikipedia - Joshua Corin -- American author and screenwriter
Wikipedia - Joshua Ferris -- American author
Wikipedia - Joshua Francis Fisher -- American author and philanthropist (1807-1873)
Wikipedia - Joshua Lyon -- American journalist and author
Wikipedia - Joshua Ronen -- American author, academic, accountant
Wikipedia - Josiah Bancroft -- Fantasy writer, author of "Senlin Ascends"
Wikipedia - Josiah Conder (editor and author) -- British writer
Wikipedia - Jostein Gaarder -- Norwegian author
Wikipedia - Jovan MuM-EM-!katirovic -- Serbian author, lawyer and educator
Wikipedia - Joy Adamson -- 20th-century naturalist naturalist, artist and author
Wikipedia - Joyce Carol Oates -- American author
Wikipedia - Joyce Cavalccante -- Brazilian journalist and author
Wikipedia - Joyce de Guatemala -- Mexican sculptor and author
Wikipedia - Joy Chambers -- Actress and author
Wikipedia - Joy James -- American political philosopher, academic and author
Wikipedia - Joy McCullough -- American author of young adult fiction
Wikipedia - Jozsef M-CM-^Acs (author) -- Hungarian writer
Wikipedia - J. R. Eccles -- English schoolmaster and author
Wikipedia - J. R. R. Tolkien -- British philologist and author, creator of classic fantasy works
Wikipedia - J. Scott Burgeson -- American author (born 1967)
Wikipedia - JT McCormick -- American author
Wikipedia - Juan Ignacio Gonzalez del Castillo -- Spanish author of comic theatre
Wikipedia - Juanita Tamayo Lott -- Filipina-American statistician, demographer, policy analyst and author
Wikipedia - Juan Luis Arsuaga -- Spanish paleoanthropologist and author
Wikipedia - Juan Miguel Aguilera -- Spanish science fiction author
Wikipedia - Jude Brewer -- American author, screenwriter and producer
Wikipedia - Jude Deveraux -- American author of historical romances
Wikipedia - Jude Milhon -- American hacker & author
Wikipedia - Judi Barrett -- American children's author
Wikipedia - Judith and Garfield Reeves-Stevens -- Canadian wife-and-husband science fiction writer duo, William Shatner co-authors
Wikipedia - Judith D. Zuk -- American horticulturist, author and conservationist
Wikipedia - Judith Holofernes -- German singer, guitarist, songwriter and author
Wikipedia - Judith McCoy Miller -- American author
Wikipedia - Judith Newman -- American journalist and author
Wikipedia - Judith Reisman -- American conservative author
Wikipedia - Judson A. Brewer -- American psychiatrist, neuroscientist and author
Wikipedia - Judy Ann Santos -- Filipino film and television actress, reality television host, recording artist, film producer,chef and author
Wikipedia - Judy Balaban -- American actress and author
Wikipedia - Judy Dlamini -- South African businesswoman and author
Wikipedia - Judy Fong Bates -- Chinese-Canadian author
Wikipedia - Judy Nunn -- Actress and author
Wikipedia - Judy Sheindlin -- American lawyer, judge, television personality, television producer, and author
Wikipedia - Jukka Mallinen -- Finnish translator, author and interpreter
Wikipedia - Jule Selbo -- American screenwriter, playwright, author, producer and professor
Wikipedia - Jules Feiffer -- North-American cartoonist and author
Wikipedia - Jules Valles -- French journalist and author
Wikipedia - Julia Baird -- British retired teacher and author
Wikipedia - Julia Carter Aldrich -- American author, editor
Wikipedia - Julia Child -- American cooking teacher, author, and television personality (1912-2004)
Wikipedia - Julia Esquivel -- Guatemalan author and activist
Wikipedia - Julia McNair Wright -- American author
Wikipedia - Julia Morton -- American author and botanist
Wikipedia - Juliana Berners -- English prioress and author
Wikipedia - Juliana Hatfield -- American guitarist/singer-songwriter and author
Wikipedia - Julian Baggini -- English philosopher, author and journalist
Wikipedia - Julian Cope -- English musician and author
Wikipedia - Julian Davies (author) -- Australian author
Wikipedia - Julian Huxley -- British evolutionary biologist, philosopher, author
Wikipedia - Julianne Malveaux -- American journalist, economist, author, commentator
Wikipedia - Julia Quinn -- American historical romance author
Wikipedia - Julia R. Burdge -- American chemist and author
Wikipedia - Julia Wightman -- Temperance activist and author
Wikipedia - Julie Carpenter -- American Researcher, Educator, Author, Speaker, Human-Robot Interaction Specialist
Wikipedia - Julie Cross -- American author of young adult fiction
Wikipedia - Julie Ellis -- Fiction Author
Wikipedia - Julie Holland -- Author, psychiatrist and psychoparmacologist
Wikipedia - Julie Iromuanya -- American author and academic
Wikipedia - Julie Klassen -- American author
Wikipedia - Julie Nixon Eisenhower -- American author
Wikipedia - Julie Walters -- English actress and author
Wikipedia - Julius and Agnes Zancig -- Stage magicians and authors on occultism
Wikipedia - Julius Lester -- American author, photographer and educator.
Wikipedia - Junauda Petrus -- US author, filmmaker, performance artist, and pleasure activist
Wikipedia - Juran Hisao -- Japanese author
Wikipedia - Jurek Becker -- German writer, film-author and GDR dissident
Wikipedia - Jurgen Elsner -- German music ethnologist and author
Wikipedia - Jurgen Holtz -- German actor, artist and author
Wikipedia - Jurisdiction -- Practical authority granted to a formally constituted legal body or to a political leader to deal with legal matters
Wikipedia - Justina Blakeney -- American designer and author
Wikipedia - Justin Cronin -- American author
Wikipedia - Justine Ettler -- Australian author
Wikipedia - Justin Fleming -- Australian playwright and author
Wikipedia - Jutta Richter -- German author
Wikipedia - Kaari Utrio -- Finnish author
Wikipedia - Kacen Callender -- Saint Thomian author
Wikipedia - Kadir Nelson -- American painter, illustrator, and author
Wikipedia - Kai Bird -- American author and columnist
Wikipedia - Kaira Rouda -- American author
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Wikipedia - Larry Duberstein -- American author
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Wikipedia - Larry Taunton -- Author of The Grace Effect and Executive Director of Fixed Point Foundation
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Wikipedia - Lee Dunne -- Irish author
Wikipedia - Lee Edwards -- American historian and author
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Wikipedia - Lee Israel -- American author and forger
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Wikipedia - Leema Dhar -- Indian author
Wikipedia - Leena Krohn -- Finnish author
Wikipedia - Lee Smith (fiction author)
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Wikipedia - Leon de Villiers -- South African author
Wikipedia - Leonora Jeffrey Rintoul -- Scottish ornithologist and author
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Wikipedia - Lesley Arfin -- American comedy writer and author
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Wikipedia - Leslie Brody -- American author
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Wikipedia - List of authors banned in Nazi Germany -- Wikipedia list article
Wikipedia - List of authors by name: A -- Wikimedia list article
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Wikipedia - List of authors
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Wikipedia - List of botanists by author abbreviation (B) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (C) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (D) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (E-F) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (G) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (H) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (I-J) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (K-L) -- Wikimedia list article
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Wikipedia - List of botanists by author abbreviation (N-O) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (P) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation (Q-R) -- Wikimedia list article
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Wikipedia - List of botanists by author abbreviation (T-V) -- Wikipedia list article
Wikipedia - List of botanists by author abbreviation
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Wikipedia - List of Catholic authors -- Wikipedia list article
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Wikipedia - List of children's literature authors
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Wikipedia - List of early Christian texts of disputed authorship -- Wikimedia list article
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Wikipedia - List of former territorial authorities in New Zealand
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Wikipedia - List of French-language authors -- Wikimedia list article
Wikipedia - List of general authorities of The Church of Jesus Christ of Latter-day Saints -- Wikipedia list article
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Wikipedia - List of Kurdish poets and authors -- Wikipedia list article
Wikipedia - List of Lithuanian-language authors -- Wikipedia list article
Wikipedia - List of Malayalam-language authors by category -- Wikipedia list article
Wikipedia - List of Malayalam-language authors -- Wikipedia list article
Wikipedia - List of Marathi-language authors -- Wikipedia list article
Wikipedia - List of marketing and advertising authors -- Wikipedia list article
Wikipedia - List of Metropolitan Transit Authority of Harris County bus routes -- Wikipedia list article
Wikipedia - List of military science fiction works and authors -- Wikipedia list article
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Wikipedia - List of navigation authorities in the United Kingdom -- Wikipedia list article
Wikipedia - List of Nepali-language authors -- Wikipedia list article
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Wikipedia - List of NHS regional health authorities (before 1996) -- Wikipedia list article
Wikipedia - List of Odia-language authors -- Wikipedia list article
Wikipedia - List of optical disc authoring software -- Wikipedia list article
Wikipedia - List of Orange County Transportation Authority bus routes -- Wikipedia list article
Wikipedia - List of Persian poets and authors -- Wikimedia list article
Wikipedia - List of police complaints authorities -- Wikipedia list article
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Wikipedia - List of power stations operated by the Tennessee Valley Authority -- Wikipedia list article
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Wikipedia - List of Punjabi authors -- Wikipedia list article
Wikipedia - List of school authorities in Alberta -- Wikipedia list article
Wikipedia - List of science-fiction authors
Wikipedia - List of science fiction authors -- Wikipedia list article
Wikipedia - List of Shakespeare authorship candidates
Wikipedia - List of short-story authors -- Wikipedia list article
Wikipedia - List of Spanish-language authors -- Wikipedia list article
Wikipedia - List of Spokane Transit Authority bus routes -- Wikipedia list article
Wikipedia - List of taxonomic authorities by name -- Wikipedia list article
Wikipedia - List of taxonomic authorities named Smith -- Wikimedia list article
Wikipedia - List of Transit Authority of River City bus routes -- Wikipedia list article
Wikipedia - List of unpublished books by notable authors
Wikipedia - List of Water and Power Development Authority cricketers -- Wikimedia list article
Wikipedia - List of Welsh-language authors -- Wikipedia list article
Wikipedia - List of Western fiction authors -- Wikipedia list article
Wikipedia - List of winners and shortlisted authors of the Booker Prize for Fiction
Wikipedia - List of winners and shortlisted authors of the Booker Prize -- Wikipedia list article
Wikipedia - List of zoologists by author abbreviation
Wikipedia - Lists of biologists by author abbreviation -- Wikipedia list article
Wikipedia - Lists of Slovak authors
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Wikipedia - Literary forgery -- Literary work which is either deliberately misattributed to a historical or invented author
Wikipedia - Liu Zaifu -- Chinese author, poet, and professor
Wikipedia - Liz Weir -- Irish author
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Wikipedia - Lizzie Doron -- Israeli author
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Wikipedia - L. J. Smith (author) -- American author
Wikipedia - L. K. Doraiswamy -- Indian chemical engineer, author and academic (1927-2012)
Wikipedia - Lloyd Bradley -- British music journalist and author
Wikipedia - Lloyd Jones (New Zealand author) -- New Zealand writer
Wikipedia - LM-CM-)lia Wanick Salgado -- Brazilian author, film producer, and environmentalist
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Wikipedia - Local education authority -- Local councils in England and Wales that are responsible for education within their jurisdiction
Wikipedia - Local Security Authority Subsystem Service
Wikipedia - Lodro Rinzler -- American author
Wikipedia - Lois Dwight Cole -- American editor and children's author
Wikipedia - Lois McMaster Bujold -- American speculative fiction author
Wikipedia - Lois Wille -- American journalist and author
Wikipedia - Lois Wright -- American artist, author, palmist
Wikipedia - Lola Akande -- Academic and author (b. 1965)
Wikipedia - Lorenzo Albacete -- Puerto Rican theologian, Roman Catholic priest, scientist and author
Wikipedia - Lorenzo Alessandro Zaccagni -- Italian librarian and Patristic scholar and author
Wikipedia - Lori Alvord -- American surgeon and author
Wikipedia - Lori Copeland -- American author of over 95 novels
Wikipedia - Lori Toye -- American author
Wikipedia - Lorna Byrne -- Irish author and peace ambassador
Wikipedia - Lorna Hill -- English author
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Wikipedia - Lotte Strauss (author) -- German author
Wikipedia - Lottie Moggach -- English journalist and author
Wikipedia - Lou Antonelli -- American speculative fiction author
Wikipedia - Louie Anderson -- American stand-up comedian, actor, author and game show host
Wikipedia - Louisa Boyd Yeomans King -- American gardener, author, and advocate of gardening and horticulture
Wikipedia - Louis Adamic -- Slovene-American author and translator
Wikipedia - Louisa Lane Clarke -- British biologist, author, and illustrator
Wikipedia - Louisa Thomas -- American journalist and author
Wikipedia - Louis Bayard -- American author
Wikipedia - Louis Bromfield -- American author and conservationist (1896-1956)
Wikipedia - Louis Burnier -- Swiss pastor and author
Wikipedia - Louise Beebe Wilder -- American author and horticulturalist
Wikipedia - Louis-Edmond Hamelin -- Canadian geographer, professor, and author
Wikipedia - Louise Epstein -- Swedish journalist and author
Wikipedia - Louise Erdrich -- American author
Wikipedia - Louise Pentland -- English YouTuber, blogger and author
Wikipedia - Louise Rankin -- American children's author
Wikipedia - Louise Reed Stowell -- American scientist, author, editor
Wikipedia - Louisette Bertholle -- French chef and author
Wikipedia - Louise Zarmati -- Australian archaeologist, educator, and author
Wikipedia - Louis Theroux -- British-American documentary filmmaker, journalist, broadcaster, and author
Wikipedia - Louis Wilkinson -- British author
Wikipedia - Lou Sullivan -- American author and activist known for his work on behalf of trans men
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Wikipedia - Lowell Regional Transit Authority -- Massachusetts, US non-profit public transportation organization
Wikipedia - Lower Colorado River Authority -- Public utility in Texas that manages the lower Colorado River
Wikipedia - L. Ron Hubbard -- American science fiction author and the founder of the Church of Scientology
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Wikipedia - Lucy Christopher -- British/Australian author
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Wikipedia - Lucy Madox Brown -- British artist, author and model
Wikipedia - Lucy Thompson -- Yurok author, b. 1853
Wikipedia - Ludwig Eiber -- German historian and author
Wikipedia - Luis Coloma -- Spanish author
Wikipedia - Luke Arnold -- Australian actor and author
Wikipedia - Luke Brown (author) -- British author, editor and critic
Wikipedia - Luke Jennings -- English author
Wikipedia - Luke the Evangelist -- One of the four traditionally ascribed authors of the canonical gospels
Wikipedia - Luke Williams (author) -- Scottish author
Wikipedia - Luvvie Ajayi -- Author
Wikipedia - Lyder Sagen -- Norwegian educator and author
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Wikipedia - Lyle Koehler -- American historian and author
Wikipedia - Lyman Abbott -- Theologian, editor, author
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Wikipedia - Lyndsay Faye -- American author
Wikipedia - Lynley Dodd -- NZ children's book author and illustrator
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Wikipedia - Mabel Ellery Adams -- Author on education for children with special needs
Wikipedia - Mabel O'Donnell -- Children's book author
Wikipedia - Mac Barnett -- American children's books author
Wikipedia - Macromedia Authorware
Wikipedia - Madeleine A. Polland -- Irish author
Wikipedia - Madeleine Marie Slavick -- Author and photographer
Wikipedia - Madhusree Dutta -- Indian filmmaker, author and curator
Wikipedia - Madhu Vasudevan -- Indian author, lyricist, music critic
Wikipedia - Madison Smartt Bell -- American author
Wikipedia - Magdalena Moujan -- Mathematician and author
Wikipedia - Maggi Dawn -- British musician, author and theologian
Wikipedia - Magie Dominic -- Canadian poet, author, and artist
Wikipedia - Magnus Ketilsson -- Icelandic publisher and author
Wikipedia - Mahathir Mohamad -- Malaysian statesman, author and doctor
Wikipedia - Maik Hamburger -- German author
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Wikipedia - Maive Stokes -- 19th century author
Wikipedia - Majeda Awawdeh -- Australian Educator and Author
Wikipedia - Majella Cullinane -- Irish/NZ author
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Wikipedia - Makhmoor Saeedi -- Urdu author
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Wikipedia - Malcolm Muggeridge -- English journalist, author, media personality, and satirist
Wikipedia - Malin Alegria -- American author of Youth literature
Wikipedia - Malka Older -- Author and humanitarian worker
Wikipedia - Malladi Subbamma -- Malladi Subbamma: An feminist, rationalist, social worker, and author from Andhra Pradesh
Wikipedia - Malory Towers -- Series of novels by children's author Enid Blyton
Wikipedia - Mamta Kalia -- Indian author, teacher and poet
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Wikipedia - Manuel Bonnet -- French author and an award-winning actor
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Wikipedia - Marcelo Birmajer -- Argentine Jewish author
Wikipedia - Marcia Clark -- American prosecutor, author, television correspondent, and producer
Wikipedia - Marco Antonio Flores -- Guatemalan author, poet, essayist, and journalist
Wikipedia - Marco Antonio Guarini -- Italian historian and scholar, nephew of Giovanni Battista Guarini and author of the Compendio Historico and Famiglie illustri della citta di Ferrara
Wikipedia - Marcus Antistius Labeo -- 1st century BC/AD Roman jurist and author
Wikipedia - Marcus Luttrell -- Naval Special Warfare Operator US Navy Seal Retired, Author
Wikipedia - Marcy Darnovsky -- American policy advocate and author
Wikipedia - Marcy Dermansky -- American author and editor
Wikipedia - Marele Day -- Australian author of mystery novels
Wikipedia - Maren Elisabeth Bang -- 19th-century Norwegian author of cookbooks and housekeeping guides
Wikipedia - Margaret Atwood Judson -- American historian and author
Wikipedia - Margaret Beames -- Children's book author
Wikipedia - Margaret Busby -- Publisher, writer and author (born 1944)
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Wikipedia - Margaret Dilloway -- Japanese American author
Wikipedia - Margaret Higonnet -- American author and historian (b. 1941)
Wikipedia - Margaret Jepson -- English author
Wikipedia - Margaret Maxfield -- American mathematician and maths book author
Wikipedia - Margaret Mayo (children's author) -- British writer, mostly of children's books, born 1935
Wikipedia - Margaret Mayo (novelist) -- British author of romance novels, born 1936
Wikipedia - Margaret Mitchell -- American author and journalist
Wikipedia - Margaret Moore -- Canadian author of romance novels.
Wikipedia - Margaret Neilson Armstrong -- American designer, illustrator, and author.
Wikipedia - Margaret Ogola -- Kenyan author
Wikipedia - Margaret Orbell -- New Zealand author, editor and academic (1935-2006)
Wikipedia - Margaret Prescod -- Barbadian activist, author and journalist
Wikipedia - Margaret Roscoe -- English botanical illustrator and author
Wikipedia - Margaret Sarfo -- Ghanaian author and journalist
Wikipedia - Margaret Scott (Australian author) -- Australian poet
Wikipedia - Margaret Scott (New Zealand author) -- New Zealand author and Katherine Mansfield scholar (1928-2014)
Wikipedia - Margaret Simons -- Australian academic, journalist and author
Wikipedia - Margaret Smith (author)
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Wikipedia - Margery Sharp -- English author
Wikipedia - Margherita Oggero -- Italian screenwriter and author
Wikipedia - Margie Warrell -- Australian author
Wikipedia - Margit Auer -- German author
Wikipedia - Margot Asquith -- Anglo-Scottish socialite, author and wit
Wikipedia - Margret Helgadottir -- Norwegian-Icelandic author and editor (born 1971)
Wikipedia - Margret Rasfeld -- German author and activist
Wikipedia - Marguerite de Launay, baronne de Staal -- French author and lady-in-waiting
Wikipedia - Marguerite Wildenhain -- American ceramic artist, educator and author
Wikipedia - Maria Antonieta Collins -- Mexican journalist and author
Wikipedia - Maria Bartiromo -- American television personality, author
Wikipedia - Maria Beig -- German author
Wikipedia - Maria Celestina Fernandes -- Angolan children's author
Wikipedia - Maria de Sousa -- Portuguese scientist,immunologist, author and poet
Wikipedia - Maria Elise Turner Lauder -- Canadian author
Wikipedia - Maria Elizabetha Jacson -- Early 19thC English botanist and author
Wikipedia - Marian Cannon Schlesinger -- American artist and author
Wikipedia - Marianne Clementine HM-CM-%heim -- Norwegian author
Wikipedia - Marianne Curley -- Australian author
Wikipedia - Marianne Williamson -- American author, politician, and activist
Wikipedia - Mariarosa Dalla Costa -- Italian author
Wikipedia - Maria Rundell -- 19th-century British author of cookery books
Wikipedia - Maria Shriver -- Journalist and author from the United States
Wikipedia - Maria Turtschaninoff -- Finnish author
Wikipedia - Mari Bastashevski -- Danish artist, researcher, and author
Wikipedia - Mari Carmen Ramirez -- Author, curator, art historian
Wikipedia - Marie Battiste -- North American author and educator
Wikipedia - Marie Brennan -- American fantasy author
Wikipedia - Marie Calloway -- American author
Wikipedia - Marie-Christine LM-CM-)vesque -- Canadian author
Wikipedia - Marie Conway Oemler -- American author (1879-1932)
Wikipedia - Marieke Nijkamp -- Dutch author
Wikipedia - Marie Kondo -- Japanese organizing consultant, author, and television show host
Wikipedia - Marie Louise Burgess-Ware -- African American author
Wikipedia - Marieluise FleiM-CM-^_er -- German author and playwright
Wikipedia - Marie Marguerite Bouvet -- American author
Wikipedia - Marie Muracciole -- French art curator, art critic and author
Wikipedia - Marie Wann -- American statistician and author
Wikipedia - Marilyn Brown (author) -- American novelist
Wikipedia - Marilyn vos Savant -- American columnist, author and lecturer
Wikipedia - Marilyn Wann -- American author and activist
Wikipedia - Marilyn Yalom -- American feminist author and historian
Wikipedia - Marina Wheeler -- British lawyer, author and columnist
Wikipedia - Mari Ness -- American poet and author
Wikipedia - Mario Acevedo (author) -- American novelist and artist
Wikipedia - Marion Dane Bauer -- American children's author
Wikipedia - Marion Deuchars -- British illustrator and author
Wikipedia - Marion Elza Dodd -- American bookseller and author
Wikipedia - Marion Hartog -- English poet, author, and educator
Wikipedia - Marion Maddox -- Australian author, academic and political commentator
Wikipedia - Mario Puzo -- American author, screenwriter, and journalist
Wikipedia - Mario Scaccia -- Italian actor and author
Wikipedia - Marita Crawley -- British songwriter and author
Wikipedia - Marjane Satrapi -- Iranian-French graphic novelist, cartoonist, illustrator, film director, and children's book author
Wikipedia - Mark Aarons -- Australian journalist and author
Wikipedia - Mark Anderson (writer) -- American journalist and book author
Wikipedia - Mark Anthony (writer) -- American author
Wikipedia - Markar Esayan -- Armenian author, journalist and politician
Wikipedia - Mark Batterson -- American pastor and author
Wikipedia - Mark Beech (writer) -- British author
Wikipedia - Mark Biltz -- American Christian pastor and author
Wikipedia - Mark Buchanan -- American physicist and author
Wikipedia - Mark Burnett -- British television and film producer and author
Wikipedia - Mark Cahill -- American author, speaker, and evangelist
Wikipedia - Mark Canter -- American journalist and author
Wikipedia - Mark Clapham -- British author
Wikipedia - Mark Clemens -- Australian photographer and author
Wikipedia - Mark Crick -- British photographer and author
Wikipedia - Mark Curtis (British author) -- British historian and journalist
Wikipedia - Mark Dawidziak -- American author and critic
Wikipedia - Mark Dodgson -- Australian academic and author
Wikipedia - Mark Dunn -- American author and playwright
Wikipedia - Mark Edward -- Mentalist, magician, author & skeptic
Wikipedia - Mark Ellis (American author) -- American novelist and comic-book writer
Wikipedia - Mark Eshbaugh -- American artist, author and musician
Wikipedia - Mark Felton -- British author, historian, and Youtuber
Wikipedia - Mark Forster (author) -- British author
Wikipedia - Mark Galli -- American author and editor
Wikipedia - Mark Immelman -- South African sportcaster, coach, author
Wikipedia - Mark Judge (writer) -- American journalist and author
Wikipedia - Mark Lane (author) -- American lawyer, politician and writer
Wikipedia - Mark Lewisohn -- English author and historian
Wikipedia - Mark Leyner -- American postmodernist author
Wikipedia - Mark Manson -- American author and blogger
Wikipedia - Marko Kutlic -- Marko Kutlic is Croatian singer, songwriter and author.
Wikipedia - Mark Olshaker -- American author
Wikipedia - Mark P. Witton -- British palaeontologist, author and palaeoartist
Wikipedia - Mark Ryan (actor) -- English actor, author, action director and voice actor
Wikipedia - Mark Satin -- American political theorist, author, and newsletter publisher
Wikipedia - Mark Schilling -- American film critic, journalist, translator, and author
Wikipedia - Mark Schlabach -- American sports journalist, author, columnist, and reporter
Wikipedia - Mark S. Geston -- American science fiction and fantasy author
Wikipedia - Mark Stein (author) -- Author
Wikipedia - Mark Tercek -- Author and president of The Nature Conservancy
Wikipedia - Mark the Evangelist -- Author of the Gospel of Mark and Christian saint; traditionally identified with John Mark
Wikipedia - Mark Twain -- American author and humorist
Wikipedia - Mark Vanhoenacker -- Belgian American Pilot and Author
Wikipedia - Mark Williams (radio host) -- American conservative activist, radio talk show host and author
Wikipedia - Mark Wilson (magician) -- American magician and author
Wikipedia - Marla Alupoaicei -- American Christian author and speaker
Wikipedia - Marlee Matlin -- American actress, author and activist
Wikipedia - Marlovian theory of Shakespeare authorship -- fringe theory that Cristopher Marlowe was the real author of William Shakespeare's works
Wikipedia - Marriage license -- document authorizing a couple to marry
Wikipedia - Marricke Kofi Gane -- Ghanaian author, businessman, and politician
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Wikipedia - Marshall Vian Summers -- American author and spiritual teacher
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Wikipedia - Martha Ackmann -- American author and journalist
Wikipedia - Martha Isabel FandiM-CM-1o Pinilla -- Colombian and Italian mathematician and author
Wikipedia - Martha J. Lamb -- American author
Wikipedia - Martha Mitchell (author) -- American librarian and archivist
Wikipedia - Martha Stone Hubbell -- American author
Wikipedia - Marthe Cohn -- French spy during the Second World War, author and Holocaust survivor
Wikipedia - Martial law in the Philippines -- Authorized military government in the Philippines
Wikipedia - Martina Deuchler -- Swiss academic and author
Wikipedia - Martina Haag -- Swedish actress and author
Wikipedia - Martin Bayerle -- American treasure hunter and author
Wikipedia - Martin Behrmann -- German author and choral conductor
Wikipedia - Martin Caidin -- American author specializing in aeronautics and aviation
Wikipedia - Martin Dannecker -- German sexologist and author
Wikipedia - Martin Davies (writer) -- British author
Wikipedia - Martin Edwards (author) -- British crime novelist, critic and solicitor
Wikipedia - Martin E. Marty -- American historian of religion, educator, author, and theologian
Wikipedia - Martin Fackler (journalist) -- American journalist and author
Wikipedia - Martin Flanagan (journalist) -- Australian journalist and author
Wikipedia - Martin Ford (author)
Wikipedia - Martin Fowler (software engineer) -- American software developer, author and international public speaker on software development
Wikipedia - Martin H. Wiggers -- German economist, editor, author and businessman
Wikipedia - Martin Kevan -- actor and author
Wikipedia - Martin Luther King Jr. authorship issues -- Disputes over authorship of works by Martin Luther King Jr.
Wikipedia - Martin Malone (author) -- Irish novelist and short story writer
Wikipedia - Martin Montague -- Entrepreneur and author
Wikipedia - Martin Newell (musician) -- English singer-songwriter, poet, columnist, and author
Wikipedia - Martin Stephen -- British author (born 1949)
Wikipedia - Martin Wehrle -- German journalist and author
Wikipedia - Marty Chan -- Chinese-Canadian author/playwright
Wikipedia - Marty Feldman -- British author, actor, comedian and director (1934-1982)
Wikipedia - Marvin Dana -- American author and journalist
Wikipedia - Mary Alice Jones -- American children's author
Wikipedia - Mary Anne Barker -- Author (1831-1911)
Wikipedia - Mary Ansell (actress) -- British actor and author
Wikipedia - Mary Berg (chef) -- Canadian television host, author and chef
Wikipedia - Mary Cunningham Agee -- American business executive and author
Wikipedia - Mary Dearborn -- American biographer and author
Wikipedia - Mary de Bunsen -- British Air Transport Auxiliary pilot and author.
Wikipedia - Mary Elizabeth Braddon -- English author
Wikipedia - Mary Elizabeth Parsons -- American botanist and author (1859-1947)
Wikipedia - Mary Ellen Bamford -- American author
Wikipedia - Mary Ellen Bromfield -- American actress, dancer, and author
Wikipedia - Mary Ellen Chase -- American educator, scholar, and author
Wikipedia - Mary E. Sweeney -- Educator, author, Home Economics professional
Wikipedia - Mary Everest Boole -- Author of didactic works on mathematics
Wikipedia - Mary Gentle -- British science fiction and fantasy author
Wikipedia - Mary Hanford Ford -- American lecturer, author, art, literature critic and suffragette
Wikipedia - Mary Howitt -- English poet, and author, editor
Wikipedia - Mary Ingalls -- Elder sister of author Laura Ingalls Wilder
Wikipedia - Mary Jo Buttafuoco -- American author and motivational speaker
Wikipedia - Maryland Transportation Authority -- Maryland state government agency
Wikipedia - Mary Lane -- Non-fiction author specializing in Western European art and history
Wikipedia - Mary L. Gray -- American anthropologist and author
Wikipedia - Mary Lou Belli -- American television director and author
Wikipedia - Mary Louisa Armitt -- American librarian and author
Wikipedia - Mary-Louise O'Callaghan -- Australian journalist and author
Wikipedia - Mary Margaret Francis -- Author, wife of Dick Francis
Wikipedia - Mary Martha Sherwood -- British children's author, editor
Wikipedia - Mary McCallum -- New Zealand author and journalist
Wikipedia - Mary McCarthy (author) -- American writer
Wikipedia - Mary Miller (writer) -- American author
Wikipedia - Mary M. Talbot -- British academic and author
Wikipedia - Mary Quayle Innis -- Canadian author and historian
Wikipedia - Mary Roberts Coolidge -- American sociologist and author
Wikipedia - Mary Rodgers -- American composer, author and screenwriter
Wikipedia - Mary Rogers Miller -- American author and educator
Wikipedia - Mary-Russell Ferrell Colton -- American artist, author, educator
Wikipedia - Mary Russell Mitford -- English author and dramatist (1787-1855)
Wikipedia - Mary Schenck Woolman -- American educator and author
Wikipedia - Maryse CondM-CM-) -- Guadeloupean, French-language author
Wikipedia - Mary Sophia Bentham -- British botanist and author
Wikipedia - Mary T. Reynolds -- American authority on the Irish writer James Joyce
Wikipedia - Mary Virginia Terhune -- American author
Wikipedia - Masiela Lusha -- Albanian-American actress, author, producer and humanitarian
Wikipedia - Masoretic Text -- Authoritative text of the Tanakh for Rabbinic Judaism
Wikipedia - Massachusetts Bay Transportation Authority -- Public transport agency in Greater Boston, Massachusetts, United States
Wikipedia - Master/slave (BDSM) -- consensual authority-exchange structured sexual relationship
Wikipedia - Matilde Zimmermann -- American author and professor
Wikipedia - Mats Traat -- Estonian poet and author
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Wikipedia - Matt Brennan (academic) -- Canadian author, musician, and academic
Wikipedia - Matt Carson -- American author
Wikipedia - Matt Chandler (writer) -- American author
Wikipedia - Matt Gaffney -- American crossword constructor and author
Wikipedia - Matthew Branton -- British novelist and author
Wikipedia - Matthew Fox (author) -- Canadian author and magazine editor
Wikipedia - Matthew Fraser (journalist) -- Canadian academic, author and journalist
Wikipedia - Matthew Richardson (author) -- Canadian writer
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Wikipedia - Matthias McDonnell Bodkin -- Irish lawyer, journalist, nationalist politician and author
Wikipedia - Matthias von Schoenberg -- German Catholic author
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Wikipedia - Matt Redman -- English worship leader, singer, songwriter and author
Wikipedia - Matt Ruff -- American author
Wikipedia - Matt Taibbi -- American author and journalist
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Wikipedia - Maude Kegg -- Ojibwe traditionalist, bead artist, and author from Minnesota
Wikipedia - Maung Wuntha -- Burmese journalist and author
Wikipedia - Maura McHugh (writer) -- US-born Irish horror and fantasy author, in prose, comic books, plays and screenplays
Wikipedia - Maureen Johnson -- American author of young adult fiction
Wikipedia - Maureen McCormick -- American actress, singer and author
Wikipedia - Maureen McTeer -- Canadian author and lawyer
Wikipedia - Maurice Burton -- British zoologist and author
Wikipedia - Maurice Frankenhuis -- 1=Jewish Dutch Holocaust survivor and Author
Wikipedia - Maurice Nicoll -- Scottish psychiatrist, author
Wikipedia - Maurice Wiggin -- English author and journalist
Wikipedia - Maurie D. McInnis -- American historian and author (born 1966)
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Wikipedia - Mavis Tsai -- Psychologist and author
Wikipedia - Max Barry -- Australian author
Wikipedia - Max Brod -- Author, composer, and journalist
Wikipedia - Max Brooks -- American actor and author
Wikipedia - Max Dimont -- Finnish-born American historian and author (1912-1992)
Wikipedia - Max Henry Ferrars -- British colonial officer, author and photographer, active in colonial Burma
Wikipedia - Maximilian Joseph Franz of Oer -- German author and baron
Wikipedia - Maxine Kumin -- American poet and author
Wikipedia - Max Kennedy -- American lawyer and author
Wikipedia - Max Liebster -- Holocaust survivor, author
Wikipedia - Max Schrems -- Austrian author and privacy activist
Wikipedia - Maxwell Maltz -- American plastic surgeon, self-help author
Wikipedia - Max Wirestone -- American author and librarian
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Wikipedia - Maya Dusenbery -- American journalist and author
Wikipedia - Maya Kaathryn Bohnhoff -- American sci-fi and fantasy author
Wikipedia - Mayim Bialik -- American actress and author
Wikipedia - May Lorna O'Brien -- Australian educator and author
Wikipedia - McKinney Avenue Transit Authority -- Trolley line in Dallas, Texas
Wikipedia - MC Lyte -- Hip hop artist, actor, author, activist
Wikipedia - M-CM-^Alvaro Enrigue -- Mexican author
Wikipedia - M-CM-^Esne Seierstad -- Norwegian journalist and author (born 1970)
Wikipedia - M-CM-^Meda Herman -- Icelandic author and adventurer
Wikipedia - M-CM-^Xystein Alme -- Norwegian author
Wikipedia - Medea Benjamin -- American political activist and author
Wikipedia - Media Development Authority -- Statutory board in Singapore
Wikipedia - Meena Harris -- American attorney and author
Wikipedia - Meera Syal -- English author and actress
Wikipedia - Megan's Law -- United States law requiring law enforcement authorities to make information available to the public regarding registered sex offenders
Wikipedia - Meg Elison -- American author and feminist essayist
Wikipedia - Meghan Daum -- American author, essayist, and journalist
Wikipedia - Mehrdad Izady -- Kurdish author and scholar
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Wikipedia - Melanie Marquez -- Filipino personality development coach, actress, film producer, author and celebrity endorser
Wikipedia - Melany Neilson -- American author
Wikipedia - Melbourne and Metropolitan Tramways Board -- Government-owned authority in Victoria, Australia
Wikipedia - Meline Toumani -- American author and journalist
Wikipedia - Melissa Albert -- American author
Wikipedia - Melissa Anelli -- American author and webmistress
Wikipedia - Melissa Bank -- American author
Wikipedia - Melissa Clark -- American food writer and cookbook author
Wikipedia - Melissa Coleman -- American author, columnist, and writer
Wikipedia - Melissa Cookston -- American chef and author
Wikipedia - Melissa Gorga -- American reality television personality, author, singer
Wikipedia - Meljean Brook -- American author
Wikipedia - Melvil Poupaud -- French actor, author and filmmaker
Wikipedia - Mel White -- American clergyman and author
Wikipedia - Memoirs of the Author of A Vindication of the Rights of Woman
Wikipedia - Sruti -- Authoritative scripture of Hinduism, created by Rishis (sages), after inspired creativity
Wikipedia - Mercer Mayer -- American children's author and illustrator
Wikipedia - Meredith Badger -- Australian children's book author
Wikipedia - Meredith L. Patterson -- American technologist, science fiction author, and journalist
Wikipedia - Meredith Russo -- 21st-century American author
Wikipedia - Merle Armitage -- American author and book designer
Wikipedia - Merle Shain -- Canadian author and journalist
Wikipedia - Merle Thornton -- Australian feminist activist, author, and academic (b. 1930)
Wikipedia - Mervinia Masterman -- Australian author, naturalist, and illustrator (b. 1901, d. 1998)
Wikipedia - Meshel Laurie -- Australian podcaster and author
Wikipedia - Mesirah -- One Jew reporting the conduct of another Jew to a non-rabbinic authority
Wikipedia - Metrodora -- Ancient Greek female physician and author
Wikipedia - Metropolitan Atlanta Rapid Transit Authority -- Public transit operator in Metro Atlanta, Georgia
Wikipedia - Metropolitan Regional Planning Authority -- Metropolitan Regional Planning Authority
Wikipedia - Metropolitan Transportation Authority -- Public transportation organization in New York
Wikipedia - Metropolitan Washington Airports Authority -- Airport authority in Washington D.C.
Wikipedia - Mfon Ekpo -- Nigerian entrepreneur and author
Wikipedia - Mhlobo Jadezweni -- South African academic and author
Wikipedia - Michael Anthony (author) -- Caribbean author/historian
Wikipedia - Michael A. Stackpole -- Science fiction author
Wikipedia - Michael Beer (poet) -- German Jewish poet, author and playwright
Wikipedia - Michael Behe -- American biochemist, author, and intelligent design advocate
Wikipedia - Michael Beschloss -- American historian and author
Wikipedia - Michael Bird (author) -- British author and art historian
Wikipedia - Michael Birkner -- American academic, author
Wikipedia - Michael Bishop (author) -- American writer
Wikipedia - Michael Bond -- English author
Wikipedia - Michael Buckley (author) -- American writer
Wikipedia - Michael Butterworth (author) -- British author, publisher and campaigner
Wikipedia - Michael Capuzzo -- American journalist and author
Wikipedia - Michael Carroll (author) -- Irish writer of fiction and comics, and of romantic fiction as Jaye Carroll
Wikipedia - Michael Chabon -- American author and Pulitzer Prize winner
Wikipedia - Michael Cimino -- American film director, screenwriter, producer and author
Wikipedia - Michael Clifford (journalist) -- Irish author and investigative journalist
Wikipedia - Michael Collins (American author) -- American writer
Wikipedia - Michael Connelly -- American author of detective novels
Wikipedia - Michael Crichton -- American author, screenwriter, film director
Wikipedia - Michael Cusack (cyclist) -- Irish cyclist and author
Wikipedia - Michael De Medeiros -- American author and editor
Wikipedia - Michael Dobbs (journalist) -- Anglo-American non-fiction author and journalist
Wikipedia - Michael Dobbs -- British conservative politician and best-selling author
Wikipedia - Michael Dreyer -- German artist, author, and director
Wikipedia - Michael Drosnin -- American journalist and author
Wikipedia - Michael Falch -- Danish singer, guitarist, author, actor
Wikipedia - Michael Farber -- American author and sports journalist
Wikipedia - Michael Field (author)
Wikipedia - Michael Findlay (art expert) -- Art dealer and author residing in New York City
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Wikipedia - Robert B. Downs -- author and librarian
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Wikipedia - Robert Brasillach -- French author and journalist (1909-1945)
Wikipedia - Robert Bringhurst -- Canadian poet, typographer and author
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Wikipedia - Robert C. O'Brien (author)
Wikipedia - Robert Collier (author)
Wikipedia - Robert Crais -- American author of detective fiction
Wikipedia - Robert Dover (Cotswold Games) -- English attorney, author and wit
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Wikipedia - Robert E. Howard -- American author
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Wikipedia - Robert Mountsier -- Author, journalist, and literary agent
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Wikipedia - Rooney Prize for Irish Literature -- Irish literary award for Irish authors of under 40 years
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Wikipedia - R. v. North and East Devon Health Authority, ex parte Coughlan -- Case of the Court of Appeal of England and Wales
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Wikipedia - S2AuthorId (identifier)
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Wikipedia - Sam Harris (author)
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Wikipedia - SAML 2.0 -- XML-based protocol for exchanging authentication and authorization identities between security domains
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Wikipedia - Sarban (author)
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Wikipedia - Scottish Qualifications Authority
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Wikipedia - Security Assertion Markup Language -- XML-based format and protocol for exchanging authentication and authorization data between parties
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Wikipedia - Shared historical authority
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Wikipedia - Stephen Benatar -- English author
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Wikipedia - Stephen Clarke (writer) -- British author
Wikipedia - Stephen Cosgrove (writer) -- American author and toy designer
Wikipedia - Stephen Covey -- American educator, author, businessman and motivational speaker
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Wikipedia - Stephen Gately -- Irish singer, songwriter, actor, dancer, musician, and author
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Wikipedia - Stephen Hawking -- English theoretical physicist, cosmologist, and author
Wikipedia - Stephenie Meyer -- American author
Wikipedia - Stephen King -- American author
Wikipedia - Stephen Levine (author)
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Wikipedia - Steve Brown (author) -- American Christian author, radio broadcaster, and a seminary professor
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Wikipedia - Steve Guttenberg -- American actor, author, businessman, producer, and director
Wikipedia - Steve Inskeep -- American gournalist, author, radiio host (born 1968)
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Wikipedia - Swiss Federal Nuclear Safety Inspectorate -- Nuclear safety authority in Switzerland
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Wikipedia - Tabitha King -- American author
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Wikipedia - Template talk:Authority control files
Wikipedia - Template talk:Shakespeare authorship question
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Paul Merton ::: Born: July 9, 1957; Occupation: Writer;
Thomas Merton ::: Born: January 31, 1915; Died: December 10, 1968; Occupation: Writer;
Barbara Mertz ::: Born: September 29, 1927; Died: August 8, 2013; Occupation: Author;
W. S. Merwin ::: Born: September 30, 1927; Occupation: Poet;
Lionel Messi ::: Born: June 24, 1987; Occupation: Soccer player;
Olivier Messiaen ::: Born: December 10, 1908; Died: April 27, 1992; Occupation: Composer;
Debra Messing ::: Born: August 15, 1968; Occupation: Actress;
Claire Messud ::: Born: October 8, 1966; Occupation: Novelist;
Joe Barton ::: Born: September 15, 1949; Occupation: U.S. Representative;
Pat Metheny ::: Born: August 12, 1954; Occupation: Guitarist;
Tom Metzger ::: Born: April 9, 1938; Occupation: White supremacist;
Joyce Meyer ::: Born: June 4, 1943; Occupation: Author;
Stephenie Meyer ::: Born: December 24, 1973; Occupation: Writer;
Jonathan Rhys Meyers ::: Born: July 27, 1977; Occupation: Actor;
John Mica ::: Born: January 27, 1943; Occupation: U.S. Representative;
George Michael ::: Born: June 25, 1963; Died: December 25, 2016; Occupation: Musician;
Anne Michaels ::: Born: April 15, 1958; Occupation: Poet;
Bret Michaels ::: Born: March 15, 1963; Occupation: Singer;
Aly Michalka ::: Born: March 25, 1989; Occupation: Actress;
Duane Michals ::: Born: February 18, 1932; Occupation: Photographer;
Michelangelo ::: Born: March 6, 1475; Died: February 18, 1564; Occupation: Sculptor;
Chrisette Michele ::: Born: December 8, 1982; Occupation: Singer-songwriter;
Lea Michele ::: Born: August 29, 1986; Occupation: Actress;
Michael Michele ::: Born: August 30, 1966; Occupation: Film actress;
James A. Michener ::: Born: February 3, 1907; Died: October 16, 1997; Occupation: Author;
Kate Middleton ::: Born: January 9, 1982;
Bette Midler ::: Born: December 1, 1945; Occupation: Singer-songwriter;
China Mieville ::: Born: September 6, 1972; Occupation: Author;
Bernard Baruch ::: Born: August 19, 1870; Died: June 20, 1965; Occupation: Financier;
Barbara Mikulski ::: Born: July 20, 1936; Occupation: United States Senator;
Alyssa Milano ::: Born: December 19, 1972; Occupation: Actress;
Nelson A. Miles ::: Born: August 8, 1839; Died: May 15, 1925; Occupation: Soldier;
Stanley Milgram ::: Born: August 15, 1933; Died: December 20, 1984; Occupation: Psychologist;
Christina Milian ::: Born: September 26, 1981; Occupation: Actress;
David Miliband ::: Born: July 15, 1965; Occupation: British Politician;
Ed Miliband ::: Born: December 24, 1969; Occupation: British Politician;
John Milius ::: Born: April 11, 1944; Occupation: Screenwriter;
Harvey Milk ::: Born: May 22, 1930; Died: November 27, 1978; Occupation: Former San Francisco Supervisor;
John Stuart Mill ::: Born: May 20, 1806; Died: May 8, 1873; Occupation: Philosopher;
Cesar Millan ::: Born: August 27, 1969; Occupation: Dog trainer;
Mark Millar ::: Born: December 24, 1969; Occupation: Comic Book Writer;
Mikhail Baryshnikov ::: Born: January 27, 1948; Occupation: Choreographer;
Edna St. Vincent Millay ::: Born: February 22, 1892; Died: October 19, 1950; Occupation: Poet;
Agnes de Mille ::: Born: September 18, 1905; Died: October 7, 1993; Occupation: Choreographer;
Alice Miller ::: Born: January 12, 1923; Died: April 12, 2010; Occupation: Psychologist;
Arthur Miller ::: Born: October 17, 1915; Died: February 10, 2005; Occupation: Playwright;
Candice S. Miller ::: Born: May 7, 1954; Occupation: U.S. Representative;
Dennis Miller ::: Born: November 3, 1953; Occupation: Comedian;
Donald Miller ::: Born: August 12, 1971; Occupation: Author;
Ezra Miller ::: Born: September 30, 1992; Occupation: Actor;
Frank Miller ::: Born: January 27, 1957; Occupation: Writer;
Gary Miller ::: Born: October 16, 1948; Occupation: U.S. Representative;
Henry Miller ::: Born: December 26, 1891; Died: June 7, 1980; Occupation: Writer;
Jacques Barzun ::: Born: November 30, 1907; Died: October 25, 2012; Occupation: Historian;
Jeff Miller ::: Born: June 27, 1959; Occupation: U.S. Representative;
Judith Miller ::: Born: January 2, 1948; Occupation: Journalist;
Kelly Miller ::: Born: July 23, 1863; Died: December 29, 1939; Occupation: Mathematician;
Kenneth R. Miller ::: Born: July 14, 1948; Occupation: Biologist;
Mac Miller ::: Born: January 19, 1992; Occupation: Rapper;
Marisa Miller ::: Born: August 6, 1978; Occupation: Model;
Roger Miller ::: Born: January 2, 1936; Died: October 25, 1992; Occupation: Singer-songwriter;
Sienna Miller ::: Born: December 28, 1981; Occupation: Actress;
Walter M. Miller, Jr. ::: Born: January 23, 1923; Died: January 9, 1996; Occupation: Author;
Wentworth Miller ::: Born: June 2, 1972; Occupation: Actor;
Kate Millett ::: Born: September 14, 1934; Occupation: Writer;
Spike Milligan ::: Born: April 16, 1918; Died: February 27, 2002; Occupation: Comedian;
Dan Millman ::: Born: February 22, 1946; Occupation: Author;
C. Wright Mills ::: Born: August 28, 1916; Died: March 20, 1962; Occupation: Sociologist;
Donna Mills ::: Born: December 11, 1940; Occupation: Actress;
Heather Mills ::: Born: January 12, 1968; Occupation: Model;
Mike Mills ::: Born: December 17, 1958; Occupation: Composer;
A. A. Milne ::: Born: January 18, 1882; Died: January 31, 1956; Occupation: Author;
Yuri Milner ::: Born: November 11, 1961; Occupation: Entrepreneur;
Andy Milonakis ::: Born: January 30, 1976; Occupation: Actor;
Czeslaw Milosz ::: Born: June 30, 1911; Died: August 14, 2004; Occupation: Poet;
John Milton ::: Born: December 9, 1608; Died: November 8, 1674; Occupation: Poet;
Denise Mina ::: Born: 1966; Occupation: Crime writer;
Nicki Minaj ::: Born: December 8, 1982; Occupation: Rapper;
Matsuo Basho ::: Born: 1644; Died: November 28, 1694; Occupation: Poet;
Anthony Minghella ::: Born: January 6, 1954; Died: March 18, 2008; Occupation: Film director;
Charles Mingus ::: Born: April 22, 1922; Died: January 5, 1979; Occupation: Bassist;
Ho Chi Minh ::: Born: May 19, 1890; Died: September 2, 1969; Occupation: Political leader;
Liza Minnelli ::: Born: March 12, 1946; Occupation: Actress;
Count Basie ::: Born: August 21, 1904; Died: April 26, 1984; Occupation: Jazz Pianist;
Kylie Minogue ::: Born: May 28, 1968; Occupation: Singer;
Henry Mintzberg ::: Born: September 2, 1939; Occupation: Author;
Giovanni Pico della Mirandola ::: Born: February 24, 1463; Died: November 17, 1494; Occupation: Philosopher;
Octave Mirbeau ::: Born: February 16, 1848; Died: February 16, 1917; Occupation: Journalist;
Joan Miro ::: Born: April 20, 1893; Died: December 25, 1983; Occupation: Painter;
Helen Mirren ::: Born: July 26, 1945; Occupation: Actor;
Saint Basil ::: Born: 330; Died: January 1, 379; Occupation: Saint;
Ludwig von Mises ::: Born: September 29, 1881; Died: October 10, 1973; Occupation: Philosopher;
Yukio Mishima ::: Born: January 14, 1925; Died: November 25, 1970; Occupation: Author;
Gabriela Mistral ::: Born: April 7, 1889; Died: January 10, 1957; Occupation: Poet;
Rohinton Mistry ::: Born: July 3, 1952; Occupation: Writer;
Beverley Mitchell ::: Born: January 22, 1981; Occupation: Actress;
David Mitchell ::: Born: January 12, 1969; Occupation: Novelist;
Kim Basinger ::: Born: December 8, 1953; Occupation: Actress;
Scott Adams ::: Born: June 8, 1957; Occupation: Comic Strip Creator;
John N. Mitchell ::: Born: September 15, 1913; Died: November 9, 1988; Occupation: Attorney;
Joni Mitchell ::: Born: November 7, 1943; Occupation: Musician;
Joseph Mitchell ::: Born: July 27, 1908; Died: May 24, 1996; Occupation: Writer;
Margaret Mitchell ::: Born: November 8, 1900; Died: August 16, 1949; Occupation: Author;
Radha Mitchell ::: Born: November 12, 1973; Occupation: Actress;
Shay Mitchell ::: Born: April 10, 1987; Occupation: Actress;
Robert Mitchum ::: Born: August 6, 1917; Died: July 1, 1997; Occupation: Film actor;
Jessica Mitford ::: Born: September 11, 1917; Died: July 22, 1996; Occupation: Author;
Nancy Mitford ::: Born: November 28, 1904; Died: June 30, 1973; Occupation: Novelist;
Kevin Mitnick ::: Born: August 6, 1963; Occupation: Consultant;
Jean-Michel Basquiat ::: Born: December 22, 1960; Died: August 12, 1988; Occupation: Artist;
David Mixner ::: Born: August 16, 1946; Died: 2012; Occupation: Author;
Issey Miyake ::: Born: April 22, 1938; Occupation: Fashion designer;
Hayao Miyazaki ::: Born: January 5, 1941; Occupation: Film director;
Isaac Mizrahi ::: Born: October 14, 1961; Occupation: Fashion designer;
Leonard Mlodinow ::: Born: 1954; Occupation: Physicist;
Moby ::: Born: September 11, 1965; Occupation: Singer-songwriter;
Colin Mochrie ::: Born: November 30, 1957; Occupation: Actor;
Art Modell ::: Born: June 23, 1925; Died: September 6, 2012; Occupation: Businessman;
Matthew Modine ::: Born: March 22, 1959; Occupation: Film actor;
Steven Moffat ::: Born: November 18, 1961; Occupation: Television writer;
Moliere ::: Born: January 15, 1622; Died: February 17, 1673; Occupation: Playwright;
Alfred Molina ::: Born: May 24, 1953; Occupation: Actor;
Brian Molko ::: Born: December 10, 1972; Occupation: Musician;
Ellen Bass ::: Born: 1947; Occupation: Poet;
N. Scott Momaday ::: Born: February 27, 1934; Occupation: Author;
Taylor Momsen ::: Born: July 26, 1993; Occupation: Actress;
Janelle Monae ::: Born: December 1, 1985; Occupation: Musician;
Dominic Monaghan ::: Born: December 8, 1976; Occupation: Actor;
Eleanor Mondale ::: Born: January 19, 1960; Died: September 17, 2011; Occupation: Radio personality;
Walter F. Mondale ::: Born: January 5, 1928; Occupation: Former Vice President of the United States;
Claude Monet ::: Born: November 14, 1840; Died: December 5, 1926; Occupation: Painter;
Maria Monk ::: Born: June 27, 1816; Died: 1849; Occupation: Writer;
Meredith Monk ::: Born: November 20, 1942; Occupation: Composer;
Lance Bass ::: Born: May 4, 1979; Occupation: Singer;
Bill Monroe ::: Born: September 13, 1911; Died: September 9, 1996; Occupation: Singer;
James Monroe ::: Born: April 28, 1758; Died: July 4, 1831; Occupation: 5th U.S. President;
Marilyn Monroe ::: Born: June 1, 1926; Died: August 5, 1962; Occupation: Actress;
Thomas S. Monson ::: Born: August 21, 1927; Occupation: Author;
Luc Montagnier ::: Born: August 18, 1932; Occupation: Researcher;
Rick Bass ::: Born: March 7, 1958; Occupation: Writer;
Ashley Montagu ::: Born: June 28, 1905; Died: November 26, 1999; Occupation: Anthropologist;
Elizabeth Montagu ::: Born: October 2, 1718; Died: August 25, 1800; Occupation: Writer;
Mary Wortley Montagu ::: Born: May 15, 1689; Died: August 21, 1762; Occupation: Writer;
Michel de Montaigne ::: Born: February 28, 1533; Died: September 13, 1592; Occupation: Writer;
Ricardo Montalban ::: Born: November 25, 1920; Died: January 14, 2009; Occupation: Film actor;
Eugenio Montale ::: Born: October 12, 1896; Died: September 12, 1981; Occupation: Poet;
Joe Montana ::: Born: June 11, 1956; Occupation: Football player;
Cory Monteith ::: Born: May 11, 1982; Died: July 13, 2013; Occupation: Actor;
Angela Bassett ::: Born: August 16, 1958; Occupation: Actress;
Baron de Montesquieu ::: Born: January 18, 1689; Died: February 10, 1755; Occupation: Author;
Maria Montessori ::: Born: August 31, 1870; Died: May 6, 1952; Occupation: Physician;
Bernard Law Montgomery ::: Born: November 17, 1887; Died: March 24, 1976;
Lucy Maud Montgomery ::: Born: November 30, 1874; Died: April 24, 1942; Occupation: Author;
Mario Monti ::: Born: March 19, 1943; Occupation: Former Prime Minister of Italy;
Shirley Bassey ::: Born: January 8, 1937; Occupation: Singer;
Susanna Moodie ::: Born: December 6, 1803; Died: April 8, 1885; Occupation: Author;
Dwight L. Moody ::: Born: February 5, 1837; Died: December 22, 1899; Occupation: Evangelist;
Rick Moody ::: Born: October 18, 1961; Occupation: Novelist;
Robert Moog ::: Born: May 23, 1934; Died: August 21, 2005; Occupation: Inventor;
Elizabeth Moon ::: Born: March 7, 1945; Occupation: Writer;
Keith Moon ::: Born: August 23, 1946; Died: September 7, 1978; Occupation: Musician;
Sun Myung Moon ::: Born: February 25, 1920; Died: September 3, 2012; Occupation: Religious Leader;
William Least Heat-Moon ::: Born: August 27, 1939; Occupation: Writer;
Alan Moore ::: Born: November 18, 1953; Occupation: Writer;
Frederic Bastiat ::: Born: June 30, 1801; Died: December 24, 1850; Occupation: Economist;
Beth Moore ::: Born: June 16, 1957; Occupation: Evangelist;
Christopher Moore ::: Born: 1957; Occupation: Writer;
Demi Moore ::: Born: November 11, 1962; Occupation: Actress;
Dudley Moore ::: Born: April 19, 1935; Died: March 27, 2002; Occupation: Actor;
Augusto Roa Bastos ::: Born: June 13, 1917; Died: April 26, 2005; Occupation: Novelist;
George A. Moore ::: Born: February 24, 1852; Died: January 21, 1933; Occupation: Novelist;
George Edward Moore ::: Born: November 4, 1873; Died: October 24, 1958; Occupation: Philosopher;
Gwen Moore ::: Born: April 18, 1951; Occupation: U.S. Representative;
Henry Moore ::: Born: July 30, 1898; Died: August 31, 1986; Occupation: Sculptor;
Lorrie Moore ::: Born: January 13, 1957; Occupation: Writer;
Mandy Moore ::: Born: April 10, 1984; Occupation: Singer-songwriter;
Georges Bataille ::: Born: September 10, 1897; Died: July 9, 1962; Occupation: Author;
Marianne Moore ::: Born: November 15, 1887; Died: February 5, 1972; Occupation: Poet;
Mary Tyler Moore ::: Born: December 29, 1936; Died: January 25, 2017; Occupation: Actress;
Michael Moore ::: Born: April 23, 1954; Occupation: Filmmaker;
Roger Moore ::: Born: October 14, 1927; Died: May 23, 2017; Occupation: Actor;
Roy Moore ::: Born: February 11, 1947; Occupation: Jurist;
Shemar Moore ::: Born: April 20, 1970; Occupation: Actor;
Thomas Moore ::: Born: May 28, 1779; Died: February 25, 1852; Occupation: Poet;
Mario Batali ::: Born: September 19, 1960; Occupation: Chef;
Evo Morales ::: Born: October 26, 1959; Occupation: President of Bolivia;
Jerry Moran ::: Born: May 29, 1954; Occupation: United States Senator;
Jason Bateman ::: Born: January 14, 1969; Occupation: Actor;
Alberto Moravia ::: Born: November 28, 1907; Died: September 26, 1990; Occupation: Novelist;
Hannah More ::: Born: February 2, 1745; Died: September 7, 1833; Occupation: Writer;
Thomas More ::: Born: February 7, 1478; Died: July 6, 1535; Occupation: Saint;
Jeanne Moreau ::: Born: January 23, 1928; Occupation: Actress;
Eric Morecambe ::: Born: May 14, 1926; Died: May 28, 1984; Occupation: Comedian;
Tom Morello ::: Born: May 30, 1964; Occupation: Guitarist;
Chloe Grace Moretz ::: Born: February 10, 1997; Occupation: Film actress;
Daniel Morgan ::: Born: July 6, 1736; Died: July 6, 1802; Occupation: Former United States Representative;
Edwin Morgan ::: Born: April 27, 1920; Died: August 17, 2010; Occupation: Poet;
J. P. Morgan ::: Born: April 17, 1837; Died: March 31, 1913; Occupation: Financier;
Richard K. Morgan ::: Born: 1965; Occupation: Author;
Robin Morgan ::: Born: January 29, 1941; Occupation: Poet;
Erin Morgenstern ::: Born: July 8, 1978; Occupation: Writer;
Marc Morial ::: Born: January 3, 1958; Occupation: American Political leader;
Masaharu Morimoto ::: Born: May 26, 1955; Occupation: Chef;
Alanis Morissette ::: Born: June 1, 1974; Occupation: Singer-songwriter;
Pat Morita ::: Born: June 28, 1932; Died: November 24, 2005; Occupation: Film actor;
Christopher Morley ::: Born: May 5, 1890; Died: March 28, 1957; Occupation: Journalist;
Gregory Bateson ::: Born: May 9, 1904; Died: July 4, 1980; Occupation: Anthropologist;
Giorgio Moroder ::: Born: April 26, 1940; Occupation: Record producer;
Michael Morpurgo ::: Born: October 5, 1943; Occupation: Author;
Desmond Morris ::: Born: January 24, 1928; Occupation: Zoologist;
Errol Morris ::: Born: February 5, 1948; Occupation: Film director;
Mary Catherine Bateson ::: Born: December 8, 1939; Occupation: Writer;
Gouverneur Morris ::: Born: January 31, 1752; Died: November 6, 1816; Occupation: Founding Father of the United States;
Heather Morris ::: Born: February 1, 1987; Occupation: Actress;
Mark Morris ::: Born: August 29, 1956; Occupation: Dancer;
William Morris ::: Born: March 24, 1834; Died: October 3, 1896; Occupation: Artist;
Grant Morrison ::: Born: January 31, 1960; Occupation: Comic Book Writer;
Jennifer Morrison ::: Born: April 12, 1979; Occupation: Actress;
Jim Morrison ::: Born: December 8, 1943; Died: July 3, 1971; Occupation: Singer;
Matthew Morrison ::: Born: October 30, 1978; Occupation: Actor;
Shelley Morrison ::: Born: October 26, 1936; Occupation: Actress;
Toni Morrison ::: Born: February 18, 1931; Occupation: Novelist;
Van Morrison ::: Born: August 31, 1945; Occupation: Singer-songwriter;
Steven Morrissey ::: Born: May 22, 1959; Occupation: Singer;
Mohammed Morsi ::: Born: August 8, 1951; Occupation: Former President of Egypt;
Viggo Mortensen ::: Born: October 20, 1958; Occupation: Actor;
Emily Mortimer ::: Born: December 1, 1971; Occupation: Actress;
Orlando Aloysius Battista ::: Born: June 20, 1917; Died: October 3, 1995; Occupation: Chemist;
Kate Morton ::: Born: 1976; Occupation: Author;
Samantha Morton ::: Born: May 13, 1977; Occupation: Actress;
Kathleen Battle ::: Born: August 13, 1948; Occupation: Opera singer;
Oswald Mosley ::: Born: November 16, 1896; Died: December 3, 1980; Occupation: British Politician;
Walter Mosley ::: Born: January 12, 1952; Occupation: Novelist;
Carrie-Anne Moss ::: Born: August 21, 1967; Occupation: Actress;
Kate Moss ::: Born: January 16, 1974; Occupation: Fashion model;
Kate Mosse ::: Born: October 20, 1961; Occupation: Novelist;
Johann Most ::: Born: February 5, 1846; Died: March 17, 1906; Occupation: Politician;
Josefina Vazquez Mota ::: Born: January 20, 1961; Occupation: Politician;
Robert Motherwell ::: Born: January 24, 1915; Died: July 16, 1991; Occupation: Painter;
Andrew Motion ::: Born: October 26, 1952; Occupation: Poet;
Constance Baker Motley ::: Born: September 14, 1921; Died: September 28, 2005; Occupation: Former New York State Senator;
John Lothrop Motley ::: Born: April 15, 1814; Died: May 29, 1877; Occupation: Historian;
Charles Baudelaire ::: Born: April 9, 1821; Died: August 31, 1867; Occupation: Poet;
John Motson ::: Born: July 10, 1945; Occupation: Commentator;
Tommy Mottola ::: Born: July 14, 1949; Occupation: Music executive;
Lord Mountbatten ::: Born: June 25, 1900; Died: August 27, 1979; Occupation: Former Viceroy of India;
Jean Baudrillard ::: Born: July 27, 1929; Died: March 6, 2007; Occupation: Philosopher;
Jane Addams ::: Born: September 6, 1860; Died: May 21, 1935; Occupation: Sociologist;
Jose Mourinho ::: Born: January 26, 1963; Occupation: Football team manager;
Nana Mouskouri ::: Born: October 13, 1934; Occupation: Singer;
Farley Mowat ::: Born: May 12, 1921; Died: May 6, 2014; Occupation: Author;
Tia Mowry ::: Born: July 6, 1978; Occupation: Actress;
Stephen Moyer ::: Born: October 11, 1969; Occupation: Film actor;
Bill Moyers ::: Born: June 5, 1934; Occupation: Former White House Press Secretary;
Bridget Moynahan ::: Born: April 28, 1970; Occupation: Model;
Daniel Patrick Moynihan ::: Born: March 16, 1927; Died: March 26, 2003; Occupation: Former United States Senator;
Wolfgang Amadeus Mozart ::: Born: January 27, 1756; Died: December 5, 1791; Occupation: Composer;
Jason Mraz ::: Born: June 23, 1977; Occupation: Singer-songwriter;
Hosni Mubarak ::: Born: May 4, 1928; Occupation: Former President of Egypt;
Robert Mueller ::: Born: August 7, 1944;
Gary Bauer ::: Born: May 4, 1946; Occupation: Activist;
Robert Mugabe ::: Born: February 21, 1924; Occupation: President of Zimbabwe;
Malcolm Muggeridge ::: Born: March 24, 1903; Died: November 14, 1990; Occupation: Journalist;
John Muir ::: Born: April 21, 1838; Died: December 24, 1914; Occupation: Author;
Bharati Mukherjee ::: Born: July 27, 1940; Died: January 28, 2017; Occupation: Writer;
Siddhartha Mukherjee ::: Born: 1970; Occupation: Physician;
Paul Muldoon ::: Born: June 20, 1951; Occupation: Poet;
L. Frank Baum ::: Born: May 15, 1856; Died: May 6, 1919; Occupation: Author;
Martin Mull ::: Born: August 18, 1943; Occupation: Actor;
Megan Mullally ::: Born: November 12, 1958; Occupation: Actress;
Peter Mullan ::: Born: November 2, 1959; Occupation: Actor;
Matt Mullenweg ::: Born: January 11, 1984; Occupation: Entrepreneur;
George Muller ::: Born: September 27, 1805; Died: March 10, 1898; Occupation: Evangelist;
Max Muller ::: Born: December 6, 1823; Died: October 28, 1900; Occupation: Philologist;
Carey Mulligan ::: Born: May 28, 1985; Occupation: Actress;
Gerry Mulligan ::: Born: April 6, 1927; Died: January 20, 1996; Occupation: Saxophonist;
Aimee Mullins ::: Born: July 20, 1976; Occupation: Athlete;
Kary Mullis ::: Born: December 28, 1944; Occupation: Author;
Brian Mulroney ::: Born: March 20, 1939; Occupation: Former Prime Minister of Canada;
Samantha Mumba ::: Born: January 18, 1983; Occupation: Singer;
Zygmunt Bauman ::: Born: November 19, 1925; Died: January 9, 2017; Occupation: Sociologist;
Lewis Mumford ::: Born: October 19, 1895; Died: January 26, 1990; Occupation: Historian;
Edvard Munch ::: Born: December 12, 1863; Died: January 23, 1944; Occupation: Painter;
Olivia Munn ::: Born: July 3, 1980; Occupation: Actress;
Alice Munro ::: Born: July 10, 1931; Occupation: Author;
Hector Hugh Munro ::: Born: December 18, 1870; Died: November 13, 1916; Occupation: Writer;
Haruki Murakami ::: Born: January 12, 1949; Occupation: Writer;
Walter Murch ::: Born: July 12, 1943; Occupation: Film Editor;
Iris Murdoch ::: Born: July 15, 1919; Died: February 8, 1999; Occupation: Author;
Rupert Murdoch ::: Born: March 11, 1931; Occupation: Business person;
Mike Murdock ::: Born: April 18, 1946; Occupation: Televangelist;
Audie Murphy ::: Born: June 20, 1925; Died: May 28, 1971; Occupation: Soldier;
Brittany Murphy ::: Born: November 10, 1977; Died: December 20, 2009; Occupation: Film actress;
Eddie Murphy ::: Born: April 3, 1961; Occupation: Stand-up comedian;
Ryan Murphy ::: Born: November 30, 1965; Occupation: Screenwriter;
Andy Murray ::: Born: May 15, 1987; Occupation: Tennis player;
Bill Murray ::: Born: September 21, 1950; Occupation: Actor;
Chad Michael Murray ::: Born: August 24, 1981; Occupation: Actor;
Gilbert Murray ::: Born: January 2, 1866; Died: May 20, 1957; Occupation: Author;
Joseph Addison ::: Born: May 1, 1672; Died: June 17, 1719; Occupation: Essayist;
Patty Murray ::: Born: October 11, 1950; Occupation: United States Senator;
Edward R. Murrow ::: Born: April 25, 1908; Died: April 27, 1965; Occupation: Journalist;
Miyamoto Musashi ::: Born: 1584; Died: June 13, 1645; Occupation: Author;
Inga Muscio ::: Born: 1966; Occupation: Writer;
Pervez Musharraf ::: Born: August 11, 1943; Occupation: Former President of Pakistan;
Robert Musil ::: Born: November 6, 1880; Died: April 15, 1942; Occupation: Writer;
Elon Musk ::: Born: June 28, 1971; Occupation: Investor;
Alfred de Musset ::: Born: December 11, 1810; Died: May 2, 1857; Occupation: Dramatist;
Benito Mussolini ::: Born: July 29, 1883; Died: April 28, 1945; Occupation: Former Duce;
Dave Mustaine ::: Born: September 13, 1961; Occupation: Musician;
Michael Musto ::: Born: December 3, 1955; Occupation: Journalist;
Dee Dee Myers ::: Born: September 1, 1961; Occupation: Former White House Press Secretary;
Mike Myers ::: Born: May 25, 1963; Occupation: Actor;
Walter Dean Myers ::: Born: August 12, 1937; Died: July 1, 2014; Occupation: Writer;
Lauren Myracle ::: Born: May 15, 1969; Occupation: Writer;
Lee Myung-bak ::: Born: December 19, 1941; Occupation: Former President of South Korea;
Roh Moo-hyun ::: Born: August 6, 1946; Died: May 23, 2009; Occupation: South Korean Politician;
Youssou N'Dour ::: Born: October 1, 1959; Occupation: Singer;
Li Na ::: Born: February 26, 1982; Occupation: Tennis player;
Vladimir Nabokov ::: Born: April 22, 1899; Died: July 2, 1977; Occupation: Novelist;
James Nachtwey ::: Born: March 14, 1948; Occupation: Photojournalist;
Rafael Nadal ::: Born: June 3, 1986; Occupation: Tennis player;
Ralph Nader ::: Born: February 27, 1934; Occupation: Activist;
Azar Nafisi ::: Born: December 1, 1955; Occupation: Writer;
Thomas Nagel ::: Born: July 4, 1937; Occupation: Philosopher;
Anne Baxter ::: Born: May 7, 1923; Died: December 12, 1985; Occupation: Actress;
Ajay Naidu ::: Born: February 12, 1972; Occupation: Actor;
Sarojini Naidu ::: Born: February 13, 1879; Died: March 2, 1949; Occupation: Poet;
V. S. Naipaul ::: Born: August 17, 1932; Occupation: Writer;
Mira Nair ::: Born: October 15, 1957; Occupation: Film director;
John Naisbitt ::: Born: January 15, 1929; Occupation: Author;
Kathy Najimy ::: Born: February 6, 1957; Occupation: Actress;
Joe Namath ::: Born: May 31, 1943; Occupation: Football player;
Guru Nanak ::: Born: April 15, 1469; Died: September 22, 1539; Occupation: Sikh guru;
Fridtjof Nansen ::: Born: October 10, 1861; Died: May 13, 1930; Occupation: Explorer;
Janet Napolitano ::: Born: November 29, 1957; Occupation: Former United States Secretary of Homeland Security;
Nas ::: Born: September 14, 1973; Occupation: Rapper;
Graham Nash ::: Born: February 2, 1942; Occupation: Singer-songwriter;
John Forbes Nash ::: Born: June 13, 1928; Died: May 23, 2015; Occupation: Mathematician;
Richard Baxter ::: Born: November 12, 1615; Died: December 8, 1691; Occupation: Poet;
Taslima Nasrin ::: Born: August 25, 1962; Occupation: Author;
Gamal Abdel Nasser ::: Born: January 15, 1918; Died: September 28, 1970; Occupation: Former President of Egypt;
George Jean Nathan ::: Born: March 14, 1882; Died: April 8, 1958; Occupation: Critic;
Daniel Nathans ::: Born: October 30, 1928; Died: November 16, 1999;
Bruce Nauman ::: Born: December 6, 1941; Occupation: Artist;
Alexei Navalny ::: Born: June 4, 1976; Occupation: Lawyer;
Michael Bay ::: Born: February 17, 1965; Occupation: Film director;
Dave Navarro ::: Born: June 7, 1967; Occupation: Guitarist;
Gloria Naylor ::: Born: January 25, 1950; Died: September 28, 2016; Occupation: Novelist;
Nursultan Nazarbayev ::: Born: July 6, 1940; Occupation: President of Kazakhstan;
Meshell Ndegeocello ::: Born: August 29, 1968; Occupation: Singer-songwriter;
Anna Neagle ::: Born: October 20, 1904; Died: June 3, 1986; Occupation: Film actress;
Patricia Neal ::: Born: January 20, 1926; Died: August 8, 2010; Occupation: Actress;
Mark Addy ::: Born: January 14, 1964; Occupation: Actor;
Kevin Nealon ::: Born: November 18, 1953; Occupation: Actor;
Holly Near ::: Born: June 6, 1949; Occupation: Singer-songwriter;
Liam Neeson ::: Born: June 7, 1952; Occupation: Actor;
Navid Negahban ::: Born: June 2, 1968; Occupation: Actor;
Nicholas Negroponte ::: Born: December 1, 1943; Occupation: Author;
Jawaharlal Nehru ::: Born: November 14, 1889; Died: May 27, 1964; Occupation: Former Prime Minister of India;
Craig T. Nelson ::: Born: April 4, 1944; Occupation: Actor;
Horatio Nelson ::: Born: September 29, 1758; Died: October 21, 1805; Occupation: Military Commander;
Birch Bayh ::: Born: January 22, 1928; Occupation: Former United States Senator;
Ricky Nelson ::: Born: May 8, 1940; Died: December 31, 1985; Occupation: Actor;
Russell M. Nelson ::: Born: September 9, 1924; Occupation: Surgeon;
Ted Nelson ::: Born: June 17, 1937; Occupation: Philosopher;
Willie Nelson ::: Born: April 29, 1933; Occupation: Singer-songwriter;
Petra Nemcova ::: Born: June 24, 1979; Occupation: Model;
Corin Nemec ::: Born: November 5, 1971; Occupation: Actor;
Howard Nemerov ::: Born: February 29, 1920; Died: July 5, 1991; Occupation: Poet;
Pablo Neruda ::: Born: July 12, 1904; Died: September 23, 1973; Occupation: Senator of Chile;
Gerard De Nerval ::: Born: May 22, 1808; Died: January 26, 1855; Occupation: Writer;
Jo Nesbo ::: Born: March 29, 1960; Occupation: Author;
Michael Nesmith ::: Born: December 30, 1942; Occupation: Musician;
Benjamin Netanyahu ::: Born: October 21, 1949; Occupation: Prime Minister of Israel;
Pierre Bayle ::: Born: November 18, 1647; Died: December 28, 1706; Occupation: Philosopher;
Randy Neugebauer ::: Born: December 24, 1949; Occupation: U.S. Representative;
Richard John Neuhaus ::: Born: May 14, 1936; Died: January 8, 2009; Occupation: Writer;
John von Neumann ::: Born: December 28, 1903; Died: February 8, 1957; Occupation: Mathematician;
Bebe Neuwirth ::: Born: December 31, 1958; Occupation: Actress;
Louise Berliawsky Nevelson ::: Born: September 23, 1899; Died: April 17, 1988; Occupation: Artist;
Aaron Neville ::: Born: January 24, 1941; Occupation: Singer;
Gary Neville ::: Born: February 18, 1975; Occupation: Soccer player;
Simon Newcomb ::: Born: March 12, 1835; Died: July 11, 1909; Occupation: Astronomer;
Bob Newhart ::: Born: September 5, 1929; Occupation: Stand-up comedian;
Ingrid Newkirk ::: Born: June 11, 1949; Occupation: Activist;
John Henry Newman ::: Born: February 21, 1801; Died: August 11, 1890; Occupation: Priest;
Paul Newman ::: Born: January 26, 1925; Died: September 26, 2008; Occupation: Actor;
Gavin Newsom ::: Born: October 10, 1967; Occupation: Lieutenant Governor of California;
Joanna Newsom ::: Born: January 18, 1982; Occupation: Pianist;
Marc Newson ::: Born: October 20, 1963; Occupation: Industrial designer;
Jason Newsted ::: Born: March 4, 1963; Occupation: Musician;
Helmut Newton ::: Born: October 31, 1920; Died: January 23, 2004; Occupation: Photographer;
Huey Newton ::: Born: February 17, 1942; Died: August 22, 1989; Occupation: Political Activist;
Isaac Newton ::: Born: January 4, 1643; Died: March 31, 1727; Occupation: Physicist;
John Newton ::: Born: July 24, 1725; Died: December 21, 1807; Occupation: Writer;
Thandie Newton ::: Born: November 6, 1972; Occupation: Actress;
Wayne Newton ::: Born: April 3, 1942; Occupation: Singer;
Olivia Newton-John ::: Born: September 26, 1948; Occupation: Singer;
Bob Ney ::: Born: July 5, 1954; Occupation: Ohio State Senator;
David Nicholls ::: Born: November 30, 1966; Occupation: Novelist;
Dudley Nichols ::: Born: April 6, 1895; Died: January 4, 1960; Occupation: Screenwriter;
Joe Nichols ::: Born: November 26, 1976; Occupation: Musical Artist;
Mike Nichols ::: Born: November 6, 1931; Died: November 19, 2014; Occupation: Film director;
George Ade ::: Born: February 9, 1866; Died: May 16, 1944; Occupation: Writer;
Rachel Nichols ::: Born: January 8, 1980; Occupation: Actress;
Vincent Nichols ::: Born: November 8, 1945;
Ben Nicholson ::: Born: April 12, 1894; Died: February 6, 1982; Occupation: Artist;
Jack Nicholson ::: Born: April 22, 1937; Occupation: Actor;
William Nicholson ::: Born: January 12, 1948; Occupation: Screenwriter;
Stevie Nicks ::: Born: May 26, 1948; Occupation: Singer;
Ishmael Beah ::: Born: November 23, 1980; Occupation: Soldier;
Harold Nicolson ::: Born: November 21, 1886; Died: May 1, 1968; Occupation: Diplomat;
Reinhold Niebuhr ::: Born: June 21, 1892; Died: June 1, 1971; Occupation: Theologian;
Brigitte Nielsen ::: Born: July 15, 1963; Occupation: Actress;
Leslie Nielsen ::: Born: February 11, 1926; Died: November 28, 2010; Occupation: Actor;
Oscar Niemeyer ::: Born: December 15, 1907; Died: December 5, 2012; Occupation: Architect;
Friedrich Nietzsche ::: Born: October 15, 1844; Died: August 25, 1900; Occupation: Philologist;
Earl Nightingale ::: Born: December 3, 1921; Died: March 25, 1989; Occupation: Author;
Florence Nightingale ::: Born: May 12, 1820; Died: August 13, 1910; Occupation: Statistician;
Bill Nighy ::: Born: December 12, 1949; Occupation: Actor;
Harry Nilsson ::: Born: June 15, 1941; Died: January 15, 1994; Occupation: Singer-songwriter;
Chester W. Nimitz ::: Born: February 24, 1885; Died: February 20, 1966; Occupation: Author;
Leonard Nimoy ::: Born: March 26, 1931; Died: February 27, 2015; Occupation: Actor;
Anais Nin ::: Born: February 21, 1903; Died: January 14, 1977; Occupation: Author;
Robert De Niro ::: Born: August 17, 1943; Occupation: Actor;
David Niven ::: Born: March 1, 1910; Died: July 29, 1983; Occupation: Actor;
Larry Niven ::: Born: April 30, 1938; Occupation: Author;
Cynthia Nixon ::: Born: April 9, 1966; Occupation: Actress;
Richard M. Nixon ::: Born: January 9, 1913; Died: April 22, 1994; Occupation: 37th U.S. President;
Kwame Nkrumah ::: Born: September 21, 1909; Died: April 27, 1972; Occupation: Former President for Life;
Yannick Noah ::: Born: May 18, 1960; Occupation: Tennis player;
Alfred Nobel ::: Born: October 21, 1833; Died: December 10, 1896; Occupation: Chemist;
John Noble ::: Born: August 20, 1948; Occupation: Film actor;
Albert J. Nock ::: Born: October 13, 1870; Died: August 19, 1945; Occupation: Author;
Yoshihiko Noda ::: Born: May 20, 1957; Occupation: Former Prime Minister of Japan;
Lyn Nofziger ::: Born: June 8, 1924; Died: March 27, 2006; Occupation: Journalist;
Christopher Nolan ::: Born: July 30, 1970; Occupation: Film director;
Kenneth Noland ::: Born: April 10, 1924; Died: January 5, 2010; Occupation: Painter;
Amaury Nolasco ::: Born: December 24, 1970; Occupation: Actor;
Chuck Noll ::: Born: January 5, 1932; Died: June 13, 2014; Occupation: Football player;
Peggy Noonan ::: Born: September 7, 1950; Occupation: Author;
Indra Nooyi ::: Born: October 28, 1955; Occupation: Business person;
Marsha Norman ::: Born: September 21, 1947; Occupation: Playwright;
Grover Norquist ::: Born: October 19, 1956;
Chuck Norris ::: Born: March 10, 1940; Occupation: Martial Artist;
Oliver North ::: Born: October 7, 1943; Occupation: Host;
Andre Norton ::: Born: February 17, 1912; Died: March 17, 2005; Occupation: Writer;
Edward Norton ::: Born: August 18, 1969; Occupation: Actor;
Standing Bear ::: Born: 1839;
Graham Norton ::: Born: April 4, 1963; Occupation: Presenter;
Deborah Norville ::: Born: August 8, 1958; Occupation: Journalist;
Brandy Norwood ::: Born: February 11, 1979; Occupation: Entertainer;
Chris Noth ::: Born: November 13, 1954; Occupation: Actor;
Amelie Nothomb ::: Born: August 13, 1967; Occupation: Writer;
Henri Nouwen ::: Born: January 24, 1932; Died: September 21, 1996; Occupation: Priest;
Kim Novak ::: Born: February 13, 1933; Occupation: Actress;
Michael Novak ::: Born: September 9, 1933; Died: February 17, 2017; Occupation: Philosopher;
Charles A. Beard ::: Born: November 27, 1874; Died: September 1, 1948; Occupation: Historian;
Novalis ::: Born: May 2, 1772; Died: March 25, 1801; Occupation: Poet;
Ivor Novello ::: Born: January 15, 1893; Died: March 6, 1951; Occupation: Film Score Composer;
Krist Novoselic ::: Born: May 16, 1965; Occupation: Musician;
Alden Nowlan ::: Born: January 25, 1933; Died: June 27, 1983; Occupation: Poet;
Phillip Noyce ::: Born: April 29, 1950; Occupation: Film director;
Alfred Noyes ::: Born: September 16, 1880; Died: June 28, 1958; Occupation: Poet;
Robert Nozick ::: Born: November 16, 1938; Died: January 23, 2002; Occupation: Philosopher;
James Beard ::: Born: May 5, 1903; Died: January 21, 1985; Occupation: Chef;
Ted Nugent ::: Born: December 13, 1948; Occupation: Musician;
Gary Numan ::: Born: March 8, 1958; Occupation: Singer;
Rudolf Nureyev ::: Born: March 17, 1938; Died: January 6, 1993; Occupation: Ballet Dancer;
Paul Nurse ::: Born: January 25, 1949;
Said Nursi ::: Born: March 12, 1878; Died: March 23, 1960;
Bill Nye ::: Born: November 27, 1955; Occupation: Educator;
Naomi Shihab Nye ::: Born: March 12, 1952; Occupation: Poet;
Karen O ::: Born: November 22, 1978; Occupation: Singer;
Conan O'Brien ::: Born: April 18, 1963; Occupation: Talk show host;
Emmanuelle Beart ::: Born: August 14, 1963; Occupation: Film actress;
Dylan O'Brien ::: Born: August 26, 1991; Occupation: Actor;
Ed O'Brien ::: Born: April 15, 1968; Died: October 13, 2015; Occupation: Musician;
Edna O'Brien ::: Born: December 15, 1930; Occupation: Novelist;
Flann O'Brien ::: Born: October 5, 1911; Died: April 1, 1966; Occupation: Novelist;
Keith O'Brien ::: Born: March 17, 1938; Occupation: Cardinal;
Cecil Beaton ::: Born: January 14, 1904; Died: January 18, 1980; Occupation: Photographer;
Tim O'Brien ::: Born: October 1, 1946; Occupation: Novelist;
Sean O'Casey ::: Born: March 30, 1880; Died: September 18, 1964; Occupation: Dramatist;
Carroll O'Connor ::: Born: August 2, 1924; Died: June 21, 2001; Occupation: Actor;
Donald O'Connor ::: Born: August 28, 1925; Died: September 27, 2003; Occupation: Dancer;
Flannery O'Connor ::: Born: March 25, 1925; Died: August 3, 1964; Occupation: Writer;
Sandra Day O'Connor ::: Born: March 26, 1930; Occupation: Former Associate Justice of the Supreme Court of the United States;
Ann Beattie ::: Born: September 8, 1947; Occupation: Writer;
Sinead O'Connor ::: Born: December 8, 1966; Occupation: Singer-songwriter;
Aubrey O'Day ::: Born: February 11, 1984; Occupation: Singer-songwriter;
Chris O'Donnell ::: Born: June 26, 1970; Occupation: Actor;
Rosie O'Donnell ::: Born: March 21, 1962; Occupation: Comedian;
Chris O'Dowd ::: Born: October 9, 1979; Occupation: Actor;
Frances O'Grady ::: Born: November 9, 1959;
Paul O'Grady ::: Born: June 14, 1955; Occupation: Comedian;
Andrew O'Hagan ::: Born: 1968; Occupation: Novelist;
Madalyn Murray O'Hair ::: Born: April 13, 1919; Died: September 29, 1995;
Catherine O'Hara ::: Born: March 4, 1954; Occupation: Actress;
Frank O'Hara ::: Born: March 27, 1926; Died: July 25, 1966; Occupation: Writer;
John O'Hara ::: Born: January 31, 1905; Died: April 11, 1970; Occupation: Writer;
Maureen O'Hara ::: Born: August 17, 1920; Died: October 24, 2015; Occupation: Film actress;
Melody Beattie ::: Born: 1948; Occupation: Author;
Denis O'Hare ::: Born: January 16, 1962; Occupation: Actor;
Georgia O'Keeffe ::: Born: November 15, 1887; Died: March 6, 1986; Occupation: Artist;
Kevin O'Leary ::: Born: July 9, 1954; Occupation: Television personality;
Stewart O'Nan ::: Born: February 4, 1961; Occupation: Novelist;
Patrice O'Neal ::: Born: December 7, 1969; Died: November 29, 2011; Occupation: Stand-up comedian;
Shaquille O'Neal ::: Born: March 6, 1972; Occupation: Basketball player;
Tatum O'Neal ::: Born: November 5, 1963; Occupation: Actress;
Ed O'Neill ::: Born: April 12, 1946; Occupation: Actor;
Eugene O'Neill ::: Born: October 16, 1888; Died: November 27, 1953; Occupation: Playwright;
Warren Beatty ::: Born: March 30, 1937; Occupation: Actor;
Edward Abbey ::: Born: January 29, 1927; Died: March 14, 1989; Occupation: Author;
Jennifer O'Neill ::: Born: February 20, 1948; Occupation: Actress;
Bill O'Reilly ::: Born: September 10, 1949; Occupation: Host;
Tim O'Reilly ::: Born: June 6, 1954;
Meghan O'Rourke ::: Born: 1976; Occupation: Poet;
P. J. O'Rourke ::: Born: November 14, 1947; Occupation: Satirist;
Peter O'Toole ::: Born: August 2, 1932; Died: December 14, 2013; Occupation: Film actor;
John Oates ::: Born: April 7, 1949; Occupation: Guitarist;
Joyce Carol Oates ::: Born: June 16, 1938; Occupation: Author;
Barack Obama ::: Born: August 4, 1961; Occupation: 44th U.S. President;
Michelle Obama ::: Born: January 17, 1964; Occupation: Former First Lady of the United States;
Olusegun Obasanjo ::: Born: March 5, 1937; Occupation: Former President of Nigeria;
Conor Oberst ::: Born: February 15, 1980; Occupation: Singer-songwriter;
Pierre Beaumarchais ::: Born: January 24, 1732; Died: May 18, 1799; Occupation: Playwright;
Andres Manuel Lopez Obrador ::: Born: November 13, 1953; Occupation: Head of Government of the Federal District;
Tea Obreht ::: Born: September 30, 1985; Occupation: Novelist;
Ric Ocasek ::: Born: March 23, 1949; Occupation: Musician;
Frank Ocean ::: Born: October 28, 1987; Occupation: Singer;
Ellen Ochoa ::: Born: May 10, 1958; Occupation: Astronaut;
Phil Ochs ::: Born: December 19, 1940; Died: April 9, 1976; Occupation: Singer-songwriter;
Francis Beaumont ::: Born: 1584; Died: March 6, 1616; Occupation: Dramatist;
Kenzaburo Oe ::: Born: January 31, 1935; Occupation: Author;
Nick Offerman ::: Born: June 26, 1970; Occupation: Actor;
David Ogilvy ::: Born: June 23, 1911; Died: July 21, 1999; Occupation: Businessman;
Sandra Oh ::: Born: July 20, 1971; Occupation: Actress;
Ben Okri ::: Born: March 15, 1959; Occupation: Poet;
Simone de Beauvoir ::: Born: January 9, 1908; Died: April 14, 1986; Occupation: Writer;
Hakeem Olajuwon ::: Born: January 21, 1963; Occupation: Basketball player;
Marvin Olasky ::: Born: June 12, 1950; Occupation: Editor;
Will Oldham ::: Born: January 15, 1970; Occupation: Singer-songwriter;
Gary Oldman ::: Born: March 21, 1958; Occupation: Actor;
Sharon Olds ::: Born: November 19, 1942; Occupation: Poet;
Xavier Becerra ::: Born: January 26, 1958; Occupation: United States Representative;
Jamie Oliver ::: Born: May 27, 1975; Occupation: Chef;
Alison Bechdel ::: Born: September 10, 1960; Occupation: Cartoonist;
Lauren Oliver ::: Born: 1982; Occupation: Author;
Mary Oliver ::: Born: September 10, 1935; Occupation: Poet;
Laurence Olivier ::: Born: May 22, 1907; Died: July 11, 1989; Occupation: Actor;
Ehud Olmert ::: Born: September 30, 1945; Occupation: Former Prime Minister of Israel;
Edward James Olmos ::: Born: February 24, 1947; Occupation: Actor;
Frederick Law Olmsted ::: Born: April 26, 1822; Died: August 28, 1903; Occupation: Landscape architect;
Ashley Olsen ::: Born: June 13, 1986; Occupation: Actress;
Beck ::: Born: July 8, 1970; Occupation: Musician;
Elizabeth Olsen ::: Born: February 16, 1989; Occupation: Actress;
Mary-Kate Olsen ::: Born: June 13, 1986; Occupation: Actress;
Merlin Olsen ::: Born: September 15, 1940; Died: March 11, 2010; Occupation: Football player;
Tillie Olsen ::: Born: January 14, 1912; Died: January 1, 2007; Occupation: Writer;
Charles Olson ::: Born: December 27, 1910; Died: January 10, 1970; Occupation: Poet;
Glenn Beck ::: Born: February 10, 1964; Occupation: Radio host;
Adele ::: Born: May 5, 1988; Occupation: Singer-songwriter;
Ted Olson ::: Born: September 11, 1940; Occupation: Former United States Solicitor General;
Renee Olstead ::: Born: June 18, 1989; Occupation: Actress;
Timothy Olyphant ::: Born: May 20, 1968; Occupation: Actor;
Aristotle Onassis ::: Born: January 20, 1906; Died: March 15, 1975; Occupation: Business magnate;
Michael Ondaatje ::: Born: September 12, 1943; Occupation: Novelist;
Michel Onfray ::: Born: January 1, 1959; Occupation: Philosopher;
Yoko Ono ::: Born: February 18, 1933; Occupation: Artist;
Kenneth Oppel ::: Born: August 31, 1967; Occupation: Writer;
J. Robert Oppenheimer ::: Born: April 22, 1904; Died: February 18, 1967; Occupation: Theoretical Physicist;
Joko Beck ::: Born: March 27, 1917; Died: June 15, 2011; Occupation: Author;
Susie Orbach ::: Born: November 6, 1946; Occupation: Psychotherapist;
Roy Orbison ::: Born: April 23, 1936; Died: December 6, 1988; Occupation: Singer;
Baroness Orczy ::: Born: September 23, 1865; Died: November 12, 1947; Occupation: Novelist;
Susan Orlean ::: Born: October 31, 1955; Occupation: Journalist;
Suze Orman ::: Born: June 5, 1951; Occupation: Author;
Martha Beck ::: Born: November 29, 1962; Occupation: Author;
Bobby Orr ::: Born: March 20, 1948; Occupation: Ice hockey player;
John Boyd Orr ::: Born: September 23, 1880; Died: June 25, 1971; Occupation: Doctor;
John Ortberg ::: Born: May 5, 1957; Occupation: Author;
Ulrich Beck ::: Born: 1944; Died: January 1, 2015; Occupation: Sociologist;
David Ortiz ::: Born: November 18, 1975; Occupation: Baseball player;
Victor Ortiz ::: Born: January 31, 1987; Occupation: Boxer;
Joe Orton ::: Born: January 1, 1933; Died: August 9, 1967; Occupation: Playwright;
George Orwell ::: Born: June 25, 1903; Died: January 21, 1950; Occupation: Novelist;
George Osborne ::: Born: May 23, 1971; Occupation: British Politician;
Kelly Osbourne ::: Born: October 27, 1984; Occupation: Singer;
Ozzy Osbourne ::: Born: December 3, 1948; Occupation: Vocalist;
Sharon Osbourne ::: Born: October 9, 1952; Occupation: Host;
Charles Osgood ::: Born: January 8, 1933; Occupation: Television Writer;
Boris Becker ::: Born: November 22, 1967; Occupation: Tennis player;
William Osler ::: Born: July 12, 1849; Died: December 29, 1919; Occupation: Physician;
Haley Joel Osment ::: Born: April 10, 1988; Occupation: Actor;
Donny Osmond ::: Born: December 9, 1957; Occupation: Singer;
Marie Osmond ::: Born: October 13, 1959; Occupation: Singer;
Joel Osteen ::: Born: March 5, 1963; Occupation: Preacher;
Gary Becker ::: Born: December 2, 1930; Died: May 3, 2014; Occupation: Economist;
Wilhelm Ostwald ::: Born: September 2, 1853; Died: April 4, 1932; Occupation: Chemist;
Patton Oswalt ::: Born: January 27, 1969; Occupation: Comedian;
James Otis ::: Born: February 5, 1725; Died: May 23, 1783; Occupation: Lawyer;
Ouida ::: Born: January 1, 1839; Died: January 25, 1908; Occupation: Novelist;
Denise Van Outen ::: Born: May 27, 1974; Occupation: Actress;
Samuel Beckett ::: Born: April 13, 1906; Died: December 22, 1989; Occupation: Novelist;
Clive Owen ::: Born: October 3, 1964; Occupation: Actor;
John Owen ::: Born: 1616; Died: August 24, 1683; Occupation: Author;
Michael Owen ::: Born: December 14, 1979; Occupation: Soccer player;
Richard Owen ::: Born: July 20, 1804; Died: December 18, 1892;
David Beckham ::: Born: May 2, 1975; Occupation: Soccer player;
Wilfred Owen ::: Born: March 18, 1893; Died: November 4, 1918; Occupation: Poet;
Buck Owens ::: Born: August 12, 1929; Died: March 25, 2006; Occupation: Musician;
Jesse Owens ::: Born: September 12, 1913; Died: March 31, 1980; Occupation: Olympic athlete;
Major Owens ::: Born: June 28, 1936; Died: October 21, 2013; Occupation: New York State Senator;
Terrell Owens ::: Born: December 7, 1973; Occupation: Football player;
Michael Oxley ::: Born: February 11, 1944; Died: January 1, 2016; Occupation: Former U.S. Representative;
David Oyelowo ::: Born: April 1, 1976; Occupation: Actor;
Victoria Beckham ::: Born: April 17, 1974; Occupation: Businesswoman;
Amos Oz ::: Born: May 4, 1939; Occupation: Writer;
Mehmet Oz ::: Born: June 11, 1960; Occupation: Surgeon;
Cynthia Ozick ::: Born: April 17, 1928; Occupation: Writer;
Kamla Persad-Bissessar ::: Born: April 22, 1952; Occupation: Former Leader of the Opposition;
Miguel ::: Born: October 23, 1985; Occupation: Songwriter;
Master P ::: Born: April 29, 1970; Occupation: Rapper;
PSY ::: Born: December 31, 1977; Occupation: Singer-songwriter;
Kate Beckinsale ::: Born: July 26, 1973; Occupation: Actress;
Jack Paar ::: Born: May 1, 1918; Died: January 27, 2004; Occupation: Author;
Peter Pace ::: Born: November 5, 1945;
Adnan Pachachi ::: Born: May 14, 1922; Occupation: Former Prime Minister of Iraq;
Al Pacino ::: Born: April 25, 1940; Occupation: Film actor;
Manny Pacquiao ::: Born: December 17, 1978; Occupation: Professional Boxer;
Jared Padalecki ::: Born: July 19, 1982; Occupation: Actor;
Ellen Page ::: Born: February 21, 1987; Occupation: Actress;
Jimmy Page ::: Born: January 9, 1944; Occupation: Musician;
Larry Page ::: Born: March 26, 1973; Occupation: Business magnate;
Max Beckmann ::: Born: February 12, 1884; Died: December 28, 1950; Occupation: Writer;
Camille Paglia ::: Born: April 2, 1947; Occupation: Teacher;
Mohammed Reza Pahlavi ::: Born: October 26, 1919; Died: July 27, 1980; Occupation: Monarch;
Satchel Paige ::: Born: July 7, 1906; Died: June 8, 1982; Occupation: Baseball player;
Thomas Paine ::: Born: February 9, 1737; Died: June 8, 1809; Occupation: Author;
Venerable Bede ::: Born: 672; Died: May 25, 735; Occupation: Saint;
Brad Paisley ::: Born: October 28, 1972; Occupation: Singer-songwriter;
Chuck Palahniuk ::: Born: February 21, 1962; Occupation: Novelist;
Luis Palau ::: Born: November 27, 1934; Occupation: Evangelist;
Grace Paley ::: Born: December 11, 1922; Died: August 22, 2007; Occupation: Writer;
William S. Paley ::: Born: September 28, 1901; Died: October 26, 1990; Occupation: Executive;
Kabir Bedi ::: Born: January 16, 1946; Occupation: Film actor;
Michael Palin ::: Born: May 5, 1943; Occupation: Comedian;
Sarah Palin ::: Born: February 11, 1964; Occupation: Former Governor of Alaska;
Brian De Palma ::: Born: September 11, 1940; Occupation: Film director;
Amanda Palmer ::: Born: April 30, 1976; Occupation: Singer;
Teresa Palmer ::: Born: February 26, 1986; Occupation: Actress;
Samantha Bee ::: Born: October 25, 1969; Occupation: Actress;
Gwyneth Paltrow ::: Born: September 27, 1972; Occupation: Actress;
Orhan Pamuk ::: Born: June 7, 1952; Occupation: Novelist;
Leon Panetta ::: Born: June 28, 1938; Occupation: Former Director of the Central Intelligence Agency;
Hayden Panettiere ::: Born: August 21, 1989; Occupation: Actress;
Archie Panjabi ::: Born: May 31, 1972; Occupation: Actress;
Emmeline Pankhurst ::: Born: July 15, 1858; Died: June 14, 1928; Occupation: Activist;
Joe Pantoliano ::: Born: September 12, 1951; Occupation: Film actor;
Christopher Paolini ::: Born: November 17, 1983; Occupation: Author;
Thomas Beecham ::: Born: April 29, 1879; Died: March 8, 1961; Occupation: Conductor;
Lucas Papademos ::: Born: October 11, 1947; Occupation: Former Prime Minister of Greece;
George Papandreou ::: Born: June 16, 1952; Occupation: Former Prime Minister of Greece;
Anna Paquin ::: Born: July 24, 1982; Occupation: Actress;
Paracelsus ::: Born: December 17, 1493; Died: September 24, 1541; Occupation: Physician;
Vanessa Paradis ::: Born: December 22, 1972; Occupation: Singer;
Jessica Pare ::: Born: December 5, 1980; Occupation: Film actress;
Catharine Beecher ::: Born: September 6, 1800; Died: May 12, 1878;
Konrad Adenauer ::: Born: January 5, 1876; Died: April 19, 1967; Occupation: Former Chancellor of Germany;
Sara Paretsky ::: Born: June 8, 1947; Occupation: Author;
Anne Parillaud ::: Born: May 6, 1960; Occupation: Actress;
Sister Parish ::: Born: July 15, 1910; Died: 1994;
Linda Sue Park ::: Born: March 25, 1960; Occupation: Author;
Henry Ward Beecher ::: Born: June 24, 1813; Died: March 8, 1887; Occupation: Minister;
Charlie Parker ::: Born: August 29, 1920; Died: March 12, 1955; Occupation: Saxophonist;
Gilbert Parker ::: Born: November 23, 1862; Died: September 6, 1932; Occupation: Novelist;
James Van Der Beek ::: Born: March 8, 1977; Occupation: Film actor;
Mary-Louise Parker ::: Born: August 2, 1964; Occupation: Actress;
Molly Parker ::: Born: June 14, 1972; Occupation: Actress;
Robert B. Parker ::: Born: September 17, 1932; Died: January 18, 2010; Occupation: Crime writer;
Sarah Jessica Parker ::: Born: March 25, 1965; Occupation: Actress;
Sean Parker ::: Born: December 3, 1979; Occupation: Entrepreneur;
Theodore Parker ::: Born: August 24, 1810; Died: May 10, 1860;
C. Northcote Parkinson ::: Born: July 30, 1909; Died: March 9, 1993; Occupation: Naval historian;
Norman Parkinson ::: Born: April 21, 1913; Died: February 15, 1990; Occupation: Photographer;
Francis Parkman ::: Born: September 16, 1823; Died: November 8, 1893; Occupation: Historian;
Gordon Parks ::: Born: November 30, 1912; Died: March 7, 2006; Occupation: Photographer;
Rosa Parks ::: Born: February 4, 1913; Died: October 24, 2005; Occupation: Activist;
Max Beerbohm ::: Born: August 24, 1872; Died: May 20, 1956; Occupation: Essayist;
Lana Parrilla ::: Born: July 15, 1977; Occupation: Actress;
Estelle Parsons ::: Born: November 20, 1927; Occupation: Theatre actress;
Jim Parsons ::: Born: March 24, 1973; Occupation: Actor;
Talcott Parsons ::: Born: December 13, 1902; Died: May 8, 1979; Occupation: Sociologist;
Tony Parsons ::: Born: November 6, 1953; Occupation: British journalist;
Dolly Parton ::: Born: January 19, 1946; Occupation: Singer-songwriter;
Andy Partridge ::: Born: November 11, 1953; Occupation: Singer;
Ludwig van Beethoven ::: Born: 1770; Died: March 26, 1827; Occupation: Composer;
Blaise Pascal ::: Born: June 19, 1623; Died: August 19, 1662; Occupation: Mathematician;
Bill Pascrell ::: Born: January 25, 1937; Occupation: U.S. Representative;
John Dos Passos ::: Born: January 14, 1896; Died: September 28, 1970; Occupation: Novelist;
Boris Pasternak ::: Born: February 10, 1890; Died: May 30, 1960; Occupation: Poet;
Louis Pasteur ::: Born: December 27, 1822; Died: September 28, 1895; Occupation: Chemist;
George Pataki ::: Born: June 24, 1945; Occupation: Former Governor of New York;
Ann Patchett ::: Born: December 2, 1963; Occupation: Author;
Walter Pater ::: Born: August 4, 1839; Died: July 30, 1894; Occupation: Critic;
Katherine Paterson ::: Born: October 31, 1932; Occupation: Author;
Pratibha Patil ::: Born: December 19, 1934; Occupation: Former President of India;
Paul Begala ::: Born: May 12, 1961; Occupation: Consultant;
Michel Patini ::: Born: June 21, 1955; Occupation: Soccer player;
Mandy Patinkin ::: Born: November 30, 1952; Occupation: Actor;
Alan Paton ::: Born: January 11, 1903; Died: April 12, 1988; Occupation: Author;
Saint Patrick ::: Born: 387; Died: March 17, 461; Occupation: Missionary;
Ed Begley, Jr. ::: Born: September 16, 1949; Occupation: Actor;
Dick Van Patten ::: Born: December 9, 1928; Died: June 23, 2015; Occupation: Actor;
James Patterson ::: Born: March 22, 1947; Occupation: Author;
Chimamanda Ngozi Adichie ::: Born: September 15, 1977; Occupation: Writer;
Robert Pattinson ::: Born: May 13, 1986; Occupation: Actor;
George S. Patton ::: Born: November 11, 1885; Died: December 21, 1945; Occupation: Military Commander;
Alexandra Paul ::: Born: July 29, 1963; Occupation: Actress;
Alice Paul ::: Born: January 11, 1885; Died: July 9, 1977; Occupation: Activist;
Brendan Behan ::: Born: February 9, 1923; Died: March 20, 1964; Occupation: Poet;
Chris Paul ::: Born: May 6, 1985; Occupation: Basketball player;
Jean Paul ::: Born: March 21, 1763; Died: November 14, 1825; Occupation: Writer;
Les Paul ::: Born: June 9, 1915; Died: August 13, 2009; Occupation: Guitarist;
Pope John Paul II ::: Born: May 18, 1920; Died: April 2, 2005; Occupation: Priest;
Pope Paul VI ::: Born: September 26, 1897; Died: August 6, 1978;
Rand Paul ::: Born: January 7, 1963; Occupation: United States Senator;
Ron Paul ::: Born: August 20, 1935; Occupation: Former U.S. Representative;
Sean Paul ::: Born: January 9, 1973; Occupation: Musical Artist;
Jane Pauley ::: Born: October 31, 1950; Occupation: Journalist;
Joy Behar ::: Born: October 7, 1942; Occupation: Comedian;
Linus Pauling ::: Born: February 28, 1901; Died: August 19, 1994; Occupation: Chemist;
Gary Paulsen ::: Born: May 17, 1939; Occupation: Writer;
Pat Paulsen ::: Born: July 6, 1927; Died: April 24, 1997; Occupation: Comedian;
Henry Paulson ::: Born: March 28, 1946; Occupation: Former United States Secretary of the Treasury;
Sarah Paulson ::: Born: December 17, 1975; Occupation: Film actress;
Luciano Pavarotti ::: Born: October 12, 1935; Died: September 6, 2007; Occupation: Performer;
Cesare Pavese ::: Born: September 9, 1908; Died: August 27, 1950; Occupation: Poet;
Ivan Pavlov ::: Born: September 26, 1849; Died: February 27, 1936; Occupation: Physiologist;
Anna Pavlova ::: Born: February 12, 1881; Died: January 23, 1931; Occupation: Ballerina;
Sharad Pawar ::: Born: December 12, 1940; Occupation: Political figure;
Tim Pawlenty ::: Born: November 27, 1960; Occupation: Former Governor of Minnesota;
Sara Paxton ::: Born: April 25, 1988; Occupation: Actress;
Michael Behe ::: Born: January 18, 1952; Occupation: Biochemist;
Alexander Payne ::: Born: February 10, 1961; Occupation: Film director;
Octavio Paz ::: Born: March 31, 1914; Died: April 19, 1998; Occupation: Poet;
Thomas Love Peacock ::: Born: October 18, 1785; Died: January 23, 1866; Occupation: Novelist;
Mervyn Peake ::: Born: July 9, 1911; Died: November 17, 1968; Occupation: Writer;
Norman Vincent Peale ::: Born: May 31, 1898; Died: December 24, 1993; Occupation: Author;
Guy Pearce ::: Born: October 5, 1967; Occupation: Actor;
Russell Pearce ::: Born: June 23, 1947; Occupation: American Politician;
Nancy Pearcey ::: Born: 1952; Occupation: Author;
Minnie Pearl ::: Born: October 25, 1912; Died: March 4, 1996; Occupation: Comedian;
Hesketh Pearson ::: Born: February 20, 1887; Died: April 9, 1964; Occupation: Actor;
Lester B. Pearson ::: Born: April 23, 1897; Died: December 27, 1972; Occupation: Former Prime Minister of Canada;
Ridley Pearson ::: Born: March 13, 1953; Occupation: Author;
Aphra Behn ::: Born: July 10, 1640; Died: April 16, 1689; Occupation: Dramatist;
Neil Peart ::: Born: September 12, 1952; Occupation: Musician;
Gregory Peck ::: Born: April 5, 1916; Died: June 12, 2003; Occupation: Actor;
M. Scott Peck ::: Born: May 23, 1936; Died: September 25, 2005; Occupation: Psychiatrist;
Sam Peckinpah ::: Born: February 21, 1925; Died: December 28, 1984; Occupation: Film director;
Robert Peel ::: Born: February 5, 1788; Died: July 2, 1850; Occupation: Former Prime Minister of the United Kingdom;
Amanda Peet ::: Born: January 11, 1972; Occupation: Actress;
Simon Pegg ::: Born: February 14, 1970; Occupation: Actor;
Charles Peguy ::: Born: January 7, 1873; Died: September 5, 1914; Occupation: Poet;
Leonard Peikoff ::: Born: October 15, 1933; Occupation: Philosopher;
Charles Sanders Peirce ::: Born: September 10, 1839; Died: April 19, 1914; Occupation: Philosopher;
Harvey Pekar ::: Born: October 8, 1939; Died: July 12, 2010; Occupation: Film writer;
Pele ::: Born: October 23, 1940; Occupation: Soccer player;
Christine Pelosi ::: Born: 1966; Occupation: Author;
Nancy Pelosi ::: Born: March 26, 1940; Occupation: Minority Leader of the United States House of Representatives;
Leonard Peltier ::: Born: September 12, 1944; Occupation: Activist;
Dave Pelzer ::: Born: December 29, 1960; Occupation: Author;
Jean-Marie Le Pen ::: Born: June 20, 1928; Occupation: French Politician;
Mike Pence ::: Born: June 7, 1959; Occupation: Governor of Indiana;
Sean Penn ::: Born: August 17, 1960; Occupation: Actor;
William Penn ::: Born: October 14, 1644; Died: July 30, 1718; Occupation: Author;
Daniel Pennac ::: Born: December 1, 1944; Occupation: Writer;
Louise Penny ::: Born: July 1, 1958; Occupation: Author;
Jacques Pepin ::: Born: December 18, 1935; Occupation: Chef;
Samuel Pepys ::: Born: February 23, 1633; Died: May 26, 1703; Occupation: Member of Parliament;
Piper Perabo ::: Born: October 31, 1976; Occupation: Film actress;
Walker Percy ::: Born: May 28, 1916; Died: May 10, 1990; Occupation: Author;
Shimon Peres ::: Born: August 2, 1923; Died: September 28, 2016; Occupation: President of Israel;
Rosie Perez ::: Born: September 6, 1964; Occupation: Actress;
Carl Perkins ::: Born: April 9, 1932; Died: January 19, 1998; Occupation: Musician;
Frances Perkins ::: Born: April 10, 1880; Died: May 14, 1965; Occupation: Former United States Secretary of Labor;
Harry Belafonte ::: Born: March 1, 1927; Occupation: Singer;
Richard Perle ::: Born: September 16, 1941; Occupation: Political scientist;
Elliot Perlman ::: Born: May 7, 1964; Occupation: Author;
Itzhak Perlman ::: Born: August 31, 1945; Occupation: Violinist;
Ron Perlman ::: Born: April 13, 1950; Occupation: Voice Actor;
Evita Peron ::: Born: May 7, 1919; Died: July 26, 1952; Occupation: Film actress;
Ross Perot ::: Born: June 27, 1930; Occupation: Businessman;
Charles Perrault ::: Born: January 12, 1628; Died: May 16, 1703; Occupation: Author;
Christina Perri ::: Born: August 19, 1986; Occupation: Singer-songwriter;
Anne Perry ::: Born: October 28, 1938; Occupation: Author;
Joe Perry ::: Born: September 10, 1950; Occupation: Guitarist;
Katy Perry ::: Born: October 25, 1984; Occupation: Recording Artist;
Matthew Perry ::: Born: August 19, 1969; Occupation: Actor;
Rick Perry ::: Born: March 4, 1950; Occupation: Governor of Texas;
Steve Perry ::: Born: January 22, 1949; Occupation: Singer-songwriter;
Tyler Perry ::: Born: September 13, 1969; Occupation: Actor;
Marek Belka ::: Born: January 9, 1952; Occupation: Former Prime Minister of Poland;
Fernando Pessoa ::: Born: June 13, 1888; Died: November 30, 1935; Occupation: Poet;
Laurence J. Peter ::: Born: September 16, 1919; Died: January 12, 1990;
Bernadette Peters ::: Born: February 28, 1948; Occupation: Actress;
Alexander Graham Bell ::: Born: March 3, 1847; Died: August 2, 1922; Occupation: Scientist;
Ellis Peters ::: Born: September 28, 1913; Died: October 14, 1995; Occupation: Author;
Evan Peters ::: Born: January 20, 1987; Occupation: Actor;
Ralph Peters ::: Born: April 19, 1952; Occupation: Author;
Tom Peters ::: Born: November 7, 1942; Occupation: Writer;
William Petersen ::: Born: February 21, 1953; Occupation: Actor;
Eugene H. Peterson ::: Born: November 6, 1932; Occupation: Author;
Roger Tory Peterson ::: Born: August 28, 1908; Died: July 28, 1996; Occupation: Artist;
David Petraeus ::: Born: November 7, 1952; Occupation: Former Director of the Central Intelligence Agency;
Petrarch ::: Born: July 20, 1304; Died: July 19, 1374; Occupation: Poet;
Catherine Bell ::: Born: August 14, 1968; Occupation: Actress;
Tom Petty ::: Born: October 20, 1950; Occupation: Musician;
William Petty ::: Born: May 26, 1623; Died: December 16, 1687; Occupation: Economist;
Alex Pettyfer ::: Born: April 10, 1990; Occupation: Actor;
Michelle Pfeiffer ::: Born: April 29, 1958; Occupation: Actress;
Aravind Adiga ::: Born: October 23, 1974; Occupation: Writer;
Liz Phair ::: Born: April 17, 1967; Occupation: Singer-songwriter;
Jay Pharoah ::: Born: October 14, 1987; Occupation: Actor;
Michael Phelps ::: Born: June 30, 1985; Occupation: Swimmer;
Regis Philbin ::: Born: August 25, 1931; Occupation: Actor;
Nathaniel Philbrick ::: Born: June 11, 1956; Occupation: Author;
Prince Philip ::: Born: June 10, 1921; Occupation: Royal Knight of the Garter;
Busy Philipps ::: Born: June 25, 1979; Occupation: Actress;
Emo Philips ::: Born: February 7, 1956; Occupation: Entertainer;
Arthur Phillips ::: Born: April 23, 1969; Occupation: Novelist;
Chynna Phillips ::: Born: February 12, 1968; Occupation: Singer;
Jeanne Phillips ::: Born: 1942; Occupation: Columnist;
John L. Phillips ::: Born: April 15, 1951; Occupation: Astronaut;
Clive Bell ::: Born: September 16, 1881; Died: September 18, 1964; Occupation: Art critic;
Todd Phillips ::: Born: December 20, 1970; Occupation: Film director;
Wendell Phillips ::: Born: November 29, 1811; Died: February 2, 1884; Occupation: Lawyer;
Eden Phillpotts ::: Born: November 4, 1862; Died: December 29, 1960; Occupation: Author;
Joaquin Phoenix ::: Born: October 28, 1974; Occupation: Actor;
River Phoenix ::: Born: August 23, 1970; Died: October 31, 1993; Occupation: Actor;
Edith Piaf ::: Born: December 19, 1915; Died: October 10, 1963; Occupation: Singer;
Jean Piaget ::: Born: August 9, 1896; Died: September 16, 1980; Occupation: Psychologist;
Renzo Piano ::: Born: September 14, 1937; Occupation: Architect;
Mike Piazza ::: Born: September 4, 1968; Occupation: Baseball player;
Francis Picabia ::: Born: January 22, 1879; Died: November 30, 1953; Occupation: Painter;
Derrick Bell ::: Born: November 6, 1930; Died: October 5, 2011; Occupation: Law professor;
Pablo Picasso ::: Born: October 25, 1881; Died: April 8, 1973; Occupation: Painter;
T. Boone Pickens ::: Born: May 22, 1928; Occupation: Financier;
Mary Pickford ::: Born: April 8, 1892; Died: May 29, 1979; Occupation: Actress;
Jodi Picoult ::: Born: May 19, 1966; Occupation: Author;
David Hyde Pierce ::: Born: April 3, 1959; Occupation: Actor;
Franklin Pierce ::: Born: November 23, 1804; Died: October 8, 1869; Occupation: 14th U.S. President;
Tamora Pierce ::: Born: December 13, 1953; Occupation: Writer;
Marge Piercy ::: Born: March 31, 1936; Occupation: Poet;
Abbe Pierre ::: Born: August 5, 1912; Died: 2007; Occupation: Priest;
Kevin Pietersen ::: Born: June 27, 1980; Occupation: Cricketer;
Albert Pike ::: Born: December 29, 1809; Died: April 2, 1891; Occupation: Attorney;
Emma Bell ::: Born: December 17, 1986; Occupation: Actress;
John Pilger ::: Born: October 9, 1939; Occupation: Journalist;
Karl Pilkington ::: Born: September 23, 1972; Occupation: Television personality;
Chris Pine ::: Born: August 26, 1980; Occupation: Actor;
Pink ::: Born: September 8, 1979; Occupation: Singer-songwriter;
Steven Pinker ::: Born: September 18, 1954; Occupation: Psychologist;
Jamie Bell ::: Born: March 14, 1986; Occupation: Actor;
Augusto Pinochet ::: Born: November 25, 1915; Died: December 10, 2006; Occupation: Former President of Chile;
Harold Pinter ::: Born: October 10, 1930; Died: December 24, 2008; Occupation: Playwright;
Freida Pinto ::: Born: October 18, 1984; Occupation: Actress;
Billie Piper ::: Born: September 22, 1982; Occupation: Singer;
John Piper ::: Born: January 11, 1946; Occupation: Author;
Daniel Pipes ::: Born: September 9, 1949; Occupation: Historian;
Mary Pipher ::: Born: October 21, 1947; Occupation: Psychologist;
Nelson Piquet ::: Born: August 17, 1952; Occupation: Businessman;
Luigi Pirandello ::: Born: June 28, 1867; Died: December 10, 1936; Occupation: Dramatist;
Joshua Bell ::: Born: December 9, 1967; Occupation: Violinist;
Isabelle Adjani ::: Born: June 27, 1955; Occupation: Film actress;
Robert M. Pirsig ::: Born: September 6, 1928; Died: April 24, 2017; Occupation: Writer;
Camille Pissarro ::: Born: July 10, 1830; Died: November 13, 1903; Occupation: Painter;
Oscar Pistorius ::: Born: November 22, 1986; Occupation: Athlete;
Pitbull ::: Born: January 15, 1981; Occupation: Rapper;
Brad Pitt ::: Born: December 18, 1963; Occupation: Actor;
Michael Pitt ::: Born: April 10, 1981; Occupation: Actor;
William Pitt ::: Born: May 28, 1759; Died: January 23, 1806; Occupation: Former Chancellor of the Exchequer;
Kristen Bell ::: Born: July 18, 1980; Occupation: Actress;
Max Planck ::: Born: April 23, 1858; Died: October 4, 1947; Occupation: Physicist;
Robert Plant ::: Born: August 20, 1948; Occupation: Musician;
Sylvia Plath ::: Born: October 27, 1932; Died: February 11, 1963; Occupation: Poet;
Dana Plato ::: Born: November 7, 1964; Died: May 8, 1999; Occupation: Actress;
Lake Bell ::: Born: March 24, 1979; Occupation: Actress;
Andrei Platonov ::: Born: August 28, 1899; Died: January 5, 1951; Occupation: Author;
Plautus ::: Born: 254 BC; Died: 184 BC; Occupation: Playwright;
Aubrey Plaza ::: Born: June 26, 1984; Occupation: Actress;
Donald Pleasence ::: Born: October 5, 1919; Died: February 2, 1995; Occupation: Film actor;
George Plimpton ::: Born: March 18, 1927; Died: September 25, 2003; Occupation: Journalist;
Rob Bell ::: Born: August 23, 1970; Occupation: Author;
Martha Plimpton ::: Born: November 16, 1970; Occupation: Film actress;
David Plouffe ::: Born: May 27, 1967; Occupation: Political strategist;
Plutarch ::: Born: 45; Died: 120; Occupation: Biographer;
John Podhoretz ::: Born: April 18, 1961; Occupation: Writer;
Edgar Allan Poe ::: Born: January 19, 1809; Died: October 7, 1849; Occupation: Author;
Amy Poehler ::: Born: September 16, 1971; Occupation: Actress;
Frederik Pohl ::: Born: November 26, 1919; Died: September 2, 2013; Occupation: Writer;
Henri Poincare ::: Born: April 29, 1854; Died: July 17, 1912; Occupation: Mathematician;
Sidney Poitier ::: Born: February 20, 1927; Occupation: Actor;
Roman Polanski ::: Born: August 18, 1933; Occupation: Film director;
John Charles Polanyi ::: Born: January 23, 1929; Occupation: Chemist;
Michael Polanyi ::: Born: March 11, 1891; Died: February 22, 1976; Occupation: Economic Consultant;
Nicole Polizzi ::: Born: November 23, 1987; Occupation: Television Personality;
James K. Polk ::: Born: November 2, 1795; Died: June 15, 1849; Occupation: 11th U.S. President;
John Polkinghorne ::: Born: October 16, 1930; Occupation: Physicist;
Sydney Pollack ::: Born: July 1, 1934; Died: May 26, 2008; Occupation: Film director;
Ahmed Ben Bella ::: Born: December 25, 1918; Died: April 11, 2012; Occupation: Soldier;
Jackson Pollock ::: Born: January 28, 1912; Died: August 11, 1956; Occupation: Artist;
Ellen Pompeo ::: Born: November 10, 1969; Occupation: Actress;
Georges Pompidou ::: Born: July 5, 1911; Died: April 2, 1974; Occupation: Former Prime Minister of France;
Iggy Pop ::: Born: April 21, 1947; Occupation: Singer;
Alexander Pope ::: Born: May 21, 1688; Died: May 30, 1744; Occupation: Poet;
Karl Popper ::: Born: July 28, 1902; Died: September 17, 1994; Occupation: Philosopher;
Antonio Porchia ::: Born: November 13, 1885; Died: November 9, 1968; Occupation: Poet;
Cole Porter ::: Born: June 9, 1891; Died: October 15, 1964; Occupation: Composer;
Eleanor Porter ::: Born: December 19, 1868; Died: May 21, 1920; Occupation: Novelist;
Katherine Anne Porter ::: Born: May 15, 1890; Died: September 18, 1980; Occupation: Journalist;
Michael Porter ::: Born: May 23, 1947; Occupation: Professor;
Natalie Portman ::: Born: June 9, 1981; Occupation: Actress;
Rob Portman ::: Born: December 19, 1955; Occupation: United States Senator;
Neil Postman ::: Born: March 8, 1931; Died: October 5, 2003; Occupation: Author;
Franka Potente ::: Born: July 22, 1974; Occupation: Film actress;
Chaim Potok ::: Born: February 17, 1929; Died: July 23, 2002; Occupation: Author;
Beatrix Potter ::: Born: July 28, 1866; Died: December 22, 1943; Occupation: Author;
Ezra Pound ::: Born: October 30, 1885; Died: November 1, 1972; Occupation: Poet;
Paula Poundstone ::: Born: December 29, 1959; Occupation: Comedian;
Anthony Powell ::: Born: December 21, 1905; Died: March 28, 2000; Occupation: Novelist;
Colin Powell ::: Born: April 5, 1937; Occupation: Former United States Secretary of State;
Dawn Powell ::: Born: November 28, 1896; Died: November 14, 1965; Occupation: Writer;
Enoch Powell ::: Born: June 16, 1912; Died: February 8, 1998; Occupation: Former Financial Secretary to the Treasury;
Michael K. Powell ::: Born: March 23, 1963; Occupation: Politician;
Robert Powell ::: Born: June 1, 1944; Occupation: Film actor;
William Powell ::: Born: July 29, 1892; Died: March 5, 1984; Occupation: Actor;
Samantha Power ::: Born: September 21, 1970; Occupation: Director for Multilateral Affairs;
Kevin Powers ::: Born: July 11, 1980; Occupation: Writer;
Richard Powers ::: Born: June 18, 1957; Occupation: Novelist;
Stefanie Powers ::: Born: November 2, 1942; Occupation: Film actress;
Hilaire Belloc ::: Born: July 27, 1870; Died: July 16, 1953; Occupation: Writer;
Miuccia Prada ::: Born: May 10, 1949; Occupation: Fashion designer;
Dennis Prager ::: Born: August 2, 1948; Occupation: Radio host;
Terry Pratchett ::: Born: April 28, 1948; Died: March 12, 2015; Occupation: Author;
Hugh Prather ::: Born: January 23, 1938; Died: November 15, 2010; Occupation: Writer;
Chris Pratt ::: Born: June 21, 1979; Occupation: Actor;
Orson Pratt ::: Born: September 19, 1811; Died: October 3, 1881; Occupation: Apostle;
Saul Bellow ::: Born: June 10, 1915; Died: April 5, 2005; Occupation: Writer;
Helen Prejean ::: Born: April 21, 1939;
Jack Prelutsky ::: Born: September 8, 1940; Occupation: Writer;
Munshi Premchand ::: Born: July 31, 1880; Died: October 8, 1936; Occupation: Writer;
Azim Premji ::: Born: July 24, 1945; Occupation: Business person;
Laura Prepon ::: Born: March 7, 1980; Occupation: Actress;
John Prescott ::: Born: May 31, 1938; Occupation: British Politician;
Elvis Presley ::: Born: January 8, 1935; Died: August 16, 1977; Occupation: Singer;
Monica Bellucci ::: Born: September 30, 1964; Occupation: Actress;
Lisa Marie Presley ::: Born: February 1, 1968; Occupation: Singer-songwriter;
Priscilla Presley ::: Born: May 24, 1945; Occupation: Actress;
Steven Pressfield ::: Born: 1943; Occupation: Author;
Douglas Preston ::: Born: May 26, 1956; Occupation: Author;
Kelly Preston ::: Born: October 13, 1962; Occupation: Actress;
Jacques Prevert ::: Born: February 4, 1900; Died: April 11, 1977; Occupation: Poet;
James Belushi ::: Born: June 15, 1954; Occupation: Actor;
Alan Price ::: Born: April 19, 1942; Occupation: Musician;
David Price ::: Born: August 17, 1940; Occupation: U.S. Representative;
Katie Price ::: Born: May 22, 1978; Occupation: TV Personality;
Reynolds Price ::: Born: February 1, 1933; Died: January 20, 2011; Occupation: Poet;
Vincent Price ::: Born: May 27, 1911; Died: October 25, 1993; Occupation: Actor;
John Belushi ::: Born: January 24, 1949; Died: March 5, 1982; Occupation: Comedian;
Charley Pride ::: Born: March 18, 1938; Occupation: Singer;
J. B. Priestley ::: Born: September 13, 1894; Died: August 14, 1984; Occupation: Novelist;
Ilya Prigogine ::: Born: January 25, 1917; Died: May 28, 2003; Occupation: Chemist;
Louis Prima ::: Born: December 7, 1910; Died: August 24, 1978; Occupation: Singer;
Harold Prince ::: Born: January 30, 1928; Occupation: Theatrical producer;
Joseph Prince ::: Born: May 15, 1963; Occupation: Pastor;
Prince ::: Born: June 7, 1958; Died: April 21, 2016; Occupation: Singer-songwriter;
Victoria Principal ::: Born: January 3, 1950; Occupation: Actress;
Matthew Prior ::: Born: July 21, 1664; Died: September 18, 1721; Occupation: Poet;
Emily Procter ::: Born: October 8, 1968; Occupation: Actress;
Francine Prose ::: Born: April 1, 1947; Occupation: Writer;
Alain Prost ::: Born: February 24, 1955; Occupation: Race car driver;
Pierre-Joseph Proudhon ::: Born: January 15, 1809; Died: January 19, 1865; Occupation: Author;
Annie Proulx ::: Born: August 22, 1935; Occupation: Journalist;
Marcel Proust ::: Born: July 10, 1871; Died: November 18, 1922; Occupation: Novelist;
Pat Benatar ::: Born: January 10, 1953; Occupation: Singer-songwriter;
Richard Pryor ::: Born: December 1, 1940; Died: December 10, 2005; Occupation: Comedian;
Wolfgang Puck ::: Born: July 8, 1949; Occupation: Chef;
Manuel Puig ::: Born: December 28, 1932; Died: July 22, 1990; Occupation: Author;
Joseph Pulitzer ::: Born: April 10, 1847; Died: October 29, 1911; Occupation: Publisher;
Philip Pullman ::: Born: October 19, 1946; Occupation: Film writer;
Richie Benaud ::: Born: October 6, 1930; Died: April 10, 2015; Occupation: Cricketer;
Alexander Pushkin ::: Born: June 6, 1799; Died: February 10, 1837; Occupation: Author;
Vladimir Putin ::: Born: October 7, 1952; Occupation: President of Russia;
David Puttnam ::: Born: February 25, 1941; Occupation: Film Producer;
Mario Puzo ::: Born: October 15, 1920; Died: July 2, 1999; Occupation: Author;
Barbara Pym ::: Born: June 2, 1913; Died: January 11, 1980; Occupation: Novelist;
Thomas Pynchon ::: Born: May 8, 1937; Occupation: Novelist;
Pythagoras ::: Born: 571 BC; Died: 495 BC; Occupation: Philosopher;
Robin Wright ::: Born: April 8, 1966; Occupation: Actress;
Pliny the Elder ::: Born: 23; Died: August 25, 79; Occupation: Author;
Quentin Bryce ::: Born: December 23, 1942; Occupation: Governor-General of Australia;
Maggie Q ::: Born: May 22, 1979; Occupation: Actress;
Nizar Qabbani ::: Born: March 21, 1923; Died: April 30, 1998; Occupation: Diplomat;
Hesham Qandil ::: Born: September 17, 1962; Occupation: Former Prime Minister of Egypt;
Dennis Quaid ::: Born: April 9, 1954; Occupation: Actor;
Robert Benchley ::: Born: September 15, 1889; Died: November 21, 1945; Occupation: Humorist;
Mary Quant ::: Born: February 11, 1934; Occupation: Fashion designer;
Salvatore Quasimodo ::: Born: August 20, 1901; Died: June 14, 1968; Occupation: Author;
Suzi Quatro ::: Born: June 3, 1950; Occupation: Singer-songwriter;
Ben Quayle ::: Born: November 5, 1976; Occupation: Former U.S. Representative;
Dan Quayle ::: Born: February 4, 1947; Occupation: Former Vice President of the United States;
Raymond Queneau ::: Born: February 21, 1903; Died: October 25, 1976; Occupation: Novelist;
Questlove ::: Born: January 20, 1971; Occupation: Drummer;
Ludwig Quidde ::: Born: March 23, 1858; Died: March 4, 1941; Occupation: German Politician;
Carroll Quigley ::: Born: November 9, 1910; Died: January 3, 1977; Occupation: Historian;
Thomas de Quincey ::: Born: August 15, 1785; Died: December 8, 1859; Occupation: Essayist;
Anna Quindlen ::: Born: July 8, 1952; Occupation: Author;
Willard Van Orman Quine ::: Born: June 25, 1908; Died: December 25, 2000; Occupation: Philosopher;
Kathleen Quinlan ::: Born: November 19, 1954; Occupation: Actress;
Aidan Quinn ::: Born: March 8, 1959; Occupation: Actor;
Anthony Quinn ::: Born: April 21, 1915; Died: June 3, 2001; Occupation: Actor;
Colin Quinn ::: Born: June 6, 1959; Occupation: Stand-up comedian;
Jane Bryant Quinn ::: Born: February 5, 1939; Occupation: Journalist;
Julia Quinn ::: Born: 1970; Occupation: Author;
Lawrence Bender ::: Born: October 17, 1957; Occupation: Film Producer;
Quintilian ::: Born: 35; Died: 100;
Zachary Quinto ::: Born: June 2, 1977; Occupation: Actor;
Robin Quivers ::: Born: August 8, 1952; Occupation: Radio personality;
Aishwarya Rai Bachchan ::: Born: November 1, 1973; Occupation: Film actress;
Queen Rania of Jordan ::: Born: August 31, 1970; Occupation: Queen Consort of Jordan;
Alfred Adler ::: Born: February 7, 1870; Died: May 28, 1937; Occupation: Psychotherapist;
Lynn Abbey ::: Born: September 18, 1948; Occupation: Author;
Sun Ra ::: Born: May 22, 1914; Died: May 30, 1993; Occupation: Composer;
Jonathan Raban ::: Born: June 14, 1942; Occupation: Travel writer;
Lily Rabe ::: Born: June 29, 1982; Occupation: Actress;
Francois Rabelais ::: Born: February 4, 1494; Died: April 9, 1553; Occupation: Writer;
Yitzhak Rabin ::: Born: March 1, 1922; Died: November 4, 1995; Occupation: Former Prime Minister of Israel;
Jean Racine ::: Born: December 22, 1639; Died: April 21, 1699; Occupation: Dramatist;
Daniel Radcliffe ::: Born: July 23, 1989; Occupation: Actor;
Dirk Benedict ::: Born: March 1, 1945; Occupation: Actor;
Timothy Radcliffe ::: Born: 1945; Occupation: Priest;
Karl Radek ::: Born: October 31, 1885; Died: May 19, 1939; Occupation: Political leader;
Gilda Radner ::: Born: June 28, 1946; Died: May 20, 1989; Occupation: Comedian;
Josh Radnor ::: Born: July 29, 1974; Occupation: Actor;
Henrique Capriles Radonski ::: Born: July 11, 1972; Occupation: Venezuelan Politician;
Agnieszka Radwanska ::: Born: March 6, 1989; Occupation: Tennis player;
Pope Benedict XVI ::: Born: April 16, 1927;
Raekwon ::: Born: January 12, 1970; Occupation: Rapper;
Jean-Pierre Raffarin ::: Born: August 3, 1948; Occupation: Former Prime Minister of France;
Ruth Benedict ::: Born: June 5, 1887; Died: September 17, 1948; Occupation: Anthropologist;
Nick Rahall ::: Born: May 20, 1949; Occupation: U.S. Representative;
Karl Rahner ::: Born: March 5, 1904; Died: March 30, 1984; Occupation: Theologian;
Sam Raimi ::: Born: October 23, 1959; Occupation: Film director;
Bonnie Raitt ::: Born: November 8, 1949; Occupation: Singer-songwriter;
David Rakoff ::: Born: November 27, 1964; Died: August 9, 2012; Occupation: Writer;
Stephen Vincent Benet ::: Born: July 22, 1898; Died: March 13, 1943; Occupation: Author;
Ted Rall ::: Born: August 26, 1963; Occupation: Cartoonist;
Aron Ralston ::: Born: October 27, 1975; Occupation: Engineer;
Vilayanur S. Ramachandran ::: Born: 1951; Occupation: Neuroscientist;
Tariq Ramadan ::: Born: August 26, 1962; Occupation: Writer;
Ramakrishna ::: Born: February 18, 1836; Died: August 16, 1886;
Sara Ramirez ::: Born: August 31, 1975; Occupation: Singer;
Harold Ramis ::: Born: November 21, 1944; Died: February 24, 2014; Occupation: Actor;
Joey Ramone ::: Born: May 19, 1951; Died: April 15, 2001; Occupation: Musician;
Gordon Ramsay ::: Born: November 8, 1966; Occupation: Chef;
Roberto Benigni ::: Born: October 27, 1952; Occupation: Actor;
Dave Ramsey ::: Born: September 3, 1960; Occupation: Author;
Jim Ramstad ::: Born: May 6, 1946; Occupation: Former United States Representative;
Bill Rancic ::: Born: May 16, 1971; Occupation: Entrepreneur;
Giuliana Rancic ::: Born: August 17, 1974; Occupation: Television Personality;
Ayn Rand ::: Born: February 2, 1905; Died: March 6, 1982; Occupation: Novelist;
Tony Randall ::: Born: February 26, 1920; Died: May 17, 2004; Occupation: Actor;
James Randi ::: Born: August 7, 1928; Occupation: Magician;
A. Philip Randolph ::: Born: April 15, 1889; Died: May 16, 1979; Occupation: American Political leader;
Annette Bening ::: Born: May 29, 1958; Occupation: Actress;
Charles Rangel ::: Born: June 11, 1930; Occupation: U.S. Representative;
Otto Rank ::: Born: April 22, 1884; Died: October 31, 1939; Occupation: Psychoanalyst;
Ian Rankin ::: Born: April 28, 1960; Occupation: Crime writer;
David Benioff ::: Born: September 25, 1970; Occupation: Novelist;
Arthur Ransome ::: Born: January 18, 1884; Died: June 3, 1967; Occupation: Author;
Michael Rapaport ::: Born: March 20, 1970; Occupation: Actor;
Anthony Rapp ::: Born: October 26, 1971; Occupation: Film actor;
Phylicia Rashad ::: Born: June 19, 1948; Occupation: Actress;
Jef Raskin ::: Born: March 9, 1943; Died: February 26, 2005; Occupation: Computer Scientist;
Anders Fogh Rasmussen ::: Born: January 26, 1953; Occupation: Former Prime Minister of Denmark;
Basil Rathbone ::: Born: June 13, 1892; Died: July 21, 1967; Occupation: Actor;
Felix Adler ::: Born: August 13, 1851; Died: April 24, 1933; Occupation: Professor;
Dan Rather ::: Born: October 31, 1931; Occupation: Journalist;
Brett Ratner ::: Born: March 28, 1969; Occupation: Film director;
John Ratzenberger ::: Born: April 6, 1947; Occupation: Actor;
Dan Benishek ::: Born: April 20, 1952; Occupation: U.S. Representative;
Feisal Abdul Rauf ::: Born: 1948; Occupation: Imam;
Robert Rauschenberg ::: Born: October 22, 1925; Died: May 12, 2008; Occupation: Painter;
Marjorie Kinnan Rawlings ::: Born: August 8, 1896; Died: December 14, 1953; Occupation: Author;
John Rawls ::: Born: February 21, 1921; Died: November 24, 2002; Occupation: Philosopher;
Andre Benjamin ::: Born: May 27, 1975; Occupation: Rapper;
Lou Rawls ::: Born: December 1, 1933; Died: January 6, 2006; Occupation: Voice artist;
John Ray ::: Born: November 29, 1627; Died: January 17, 1705; Occupation: Botanist;
Man Ray ::: Born: August 27, 1890; Died: November 18, 1976; Occupation: Artist;
Rachael Ray ::: Born: August 25, 1968; Occupation: Television Personality;
Satyajit Ray ::: Born: May 2, 1921; Died: April 23, 1992; Occupation: Filmmaker;
Walter Benjamin ::: Born: July 15, 1892; Died: September 26, 1940; Occupation: Literary critic;
Stephen Rea ::: Born: October 31, 1946; Occupation: Film actor;
Herbert Read ::: Born: December 4, 1893; Died: June 12, 1968; Occupation: Poet;
Michael Reagan ::: Born: March 18, 1945; Occupation: Radio host;
Nancy Reagan ::: Born: July 6, 1921; Died: March 6, 2016; Occupation: Former First Lady of the United States;
Ron Reagan ::: Born: May 20, 1958; Occupation: Radio host;
Tony Benn ::: Born: April 3, 1925; Died: March 14, 2014; Occupation: Former Member of the European Parliament;
Ronald Reagan ::: Born: February 6, 1911; Died: June 5, 2004; Occupation: 40th U.S. President;
Bernice Johnson Reagon ::: Born: October 4, 1942; Occupation: Singer;
Harry Reasoner ::: Born: April 17, 1923; Died: August 6, 1991; Occupation: Journalist;
Leon Redbone ::: Born: August 26, 1949; Occupation: Singer;
Lance Reddick ::: Born: June 7, 1962; Occupation: Theater Actor;
Helen Reddy ::: Born: October 25, 1941; Occupation: Singer;
James Redfield ::: Born: March 19, 1950; Occupation: Author;
Alan Bennett ::: Born: May 9, 1934; Occupation: Playwright;
Robert Redford ::: Born: August 18, 1936; Occupation: Actor;
Lynn Redgrave ::: Born: March 8, 1943; Died: May 2, 2010; Occupation: Actress;
Jamie Redknapp ::: Born: June 25, 1973; Occupation: Soccer player;
Eddie Redmayne ::: Born: January 6, 1982; Occupation: Actor;
Sumner Redstone ::: Born: May 27, 1923; Occupation: Magnate;
Arnold Bennett ::: Born: May 27, 1867; Died: March 27, 1931; Occupation: Film writer;
Ishmael Reed ::: Born: February 22, 1938; Occupation: Poet;
Lou Reed ::: Born: March 2, 1942; Died: October 27, 2013; Occupation: Musician;
Oliver Reed ::: Born: February 13, 1938; Died: May 2, 1999; Occupation: Actor;
Norman Reedus ::: Born: January 6, 1969; Occupation: Actor;
Nigel Rees ::: Born: June 5, 1944; Occupation: Writer;
Della Reese ::: Born: July 6, 1931; Occupation: Actress;
Christopher Reeve ::: Born: September 25, 1952; Died: October 10, 2004; Occupation: Actor;
Keanu Reeves ::: Born: September 2, 1964; Occupation: Actor;
Donald T. Regan ::: Born: December 21, 1918; Died: June 10, 2003; Occupation: Former United States Secretary of the Treasury;
Godfrey Reggio ::: Born: March 29, 1940; Occupation: Film director;
Robert Reich ::: Born: June 24, 1946; Occupation: Former United States Secretary of Labor;
Wilhelm Reich ::: Born: March 24, 1897; Died: November 3, 1957; Occupation: Psychoanalyst;
Kathy Reichs ::: Born: 1950; Occupation: Crime writer;
Harry Reid ::: Born: December 2, 1939; Occupation: United States Senator;
Tara Reid ::: Born: November 8, 1975; Occupation: Model;
Thomas Reid ::: Born: April 26, 1710; Died: October 7, 1796; Occupation: Philosopher;
Theodor Reik ::: Born: May 12, 1888; Died: December 31, 1969;
John C. Reilly ::: Born: May 24, 1965; Occupation: Actor;
Kelly Reilly ::: Born: July 18, 1977; Occupation: Actress;
Carl Reiner ::: Born: March 20, 1922; Occupation: Comedian;
Rob Reiner ::: Born: March 6, 1947; Occupation: Actor;
Frederick Reines ::: Born: March 16, 1918; Died: August 26, 1998; Occupation: Physicist;
Ad Reinhardt ::: Born: December 24, 1913; Died: August 30, 1967; Occupation: Artist;
Ivan Reitman ::: Born: October 27, 1946; Occupation: Film Producer;
Jason Reitman ::: Born: October 19, 1977; Occupation: Film director;
Jodi Rell ::: Born: June 16, 1946; Occupation: Former Governor of Connecticut;
Erich Maria Remarque ::: Born: June 22, 1898; Died: September 25, 1970; Occupation: Author;
David Remnick ::: Born: October 29, 1958; Occupation: Journalist;
Ernest Renan ::: Born: February 28, 1823; Died: October 12, 1892; Occupation: Philosopher;
Jules Renard ::: Born: January 22, 1864; Died: May 22, 1910; Occupation: Author;
Mary Renault ::: Born: September 4, 1905; Died: December 13, 1983; Occupation: Writer;
Ruth Rendell ::: Born: February 17, 1930; Died: May 2, 2015; Occupation: Baroness Rendell of Babergh;
Jeremy Renner ::: Born: January 7, 1971; Occupation: Actor;
Louise Rennison ::: Born: 1951; Died: February 29, 2016; Occupation: Author;
Janet Reno ::: Born: July 21, 1938; Died: November 7, 2016; Occupation: United States Attorney General;
Oscar de la Renta ::: Born: July 22, 1932; Died: October 20, 2014; Occupation: Fashion designer;
Rick Renzi ::: Born: June 11, 1958; Occupation: Former United States Representative;
Mary Lou Retton ::: Born: January 24, 1968; Occupation: Gymnast;
Gloria Reuben ::: Born: June 9, 1964; Occupation: Singer;
Kenneth Rexroth ::: Born: December 22, 1905; Died: June 6, 1982; Occupation: Poet;
Burt Reynolds ::: Born: February 11, 1936; Occupation: Actor;
Joshua Reynolds ::: Born: July 16, 1723; Died: February 23, 1792; Occupation: Painter;
Ryan Reynolds ::: Born: October 23, 1976; Occupation: Film actor;
Robert Foster Bennett ::: Born: September 18, 1933; Died: May 4, 2016; Occupation: Former United States Senator;
Caroline Rhea ::: Born: April 13, 1964; Occupation: Comedian;
Shonda Rhimes ::: Born: January 13, 1970; Occupation: Screenwriter;
Cecil Rhodes ::: Born: July 5, 1853; Died: March 26, 1902; Occupation: Businessman;
Busta Rhymes ::: Born: May 20, 1972; Occupation: Rapper;
Jean Rhys ::: Born: August 24, 1890; Died: May 14, 1979; Occupation: Novelist;
Matthew Rhys ::: Born: November 8, 1974; Occupation: Actor;
Giovanni Ribisi ::: Born: December 17, 1974; Occupation: Actor;
David Ricardo ::: Born: April 18, 1772; Died: September 11, 1823; Occupation: Economist;
Christina Ricci ::: Born: February 12, 1980; Occupation: Actress;
Anne Rice ::: Born: October 4, 1941; Occupation: Author;
Boyd Rice ::: Born: December 16, 1956; Occupation: Musician;
Condoleezza Rice ::: Born: November 14, 1954; Occupation: Former United States Secretary of State;
Grantland Rice ::: Born: November 1, 1880; Died: July 13, 1954; Occupation: Writer;
Susan Rice ::: Born: November 17, 1964; Occupation: United States Ambassador to the United Nations;
Adrienne Rich ::: Born: May 16, 1929; Died: March 27, 2012; Occupation: Poet;
Tony Bennett ::: Born: August 3, 1926; Occupation: Painter;
Buddy Rich ::: Born: September 30, 1917; Died: April 2, 1987; Occupation: Drummer;
Cliff Richard ::: Born: October 14, 1940; Occupation: Singer;
Little Richard ::: Born: December 5, 1932; Died: March 24, 2017; Occupation: Singer-songwriter;
Mortimer Adler ::: Born: December 28, 1902; Died: June 28, 2001; Occupation: Philosopher;
Ann Richards ::: Born: September 1, 1933; Died: September 13, 2006; Occupation: Former Governor of Texas;
Denise Richards ::: Born: February 17, 1971; Occupation: Actress;
Keith Richards ::: Born: December 18, 1943; Occupation: Musician;
William Bennett ::: Born: July 31, 1943; Occupation: Former United States Secretary of Education;
Bill Richardson ::: Born: November 15, 1947; Occupation: Former Governor of New Mexico;
Joely Richardson ::: Born: January 9, 1965; Occupation: Actress;
Miranda Richardson ::: Born: March 3, 1958; Occupation: Film actress;
Chester Bennington ::: Born: March 20, 1976; Occupation: Musician;
Samuel Richardson ::: Born: August 19, 1689; Died: July 4, 1761; Occupation: Writer;
Cardinal Richelieu ::: Born: September 9, 1585; Died: December 4, 1642;
Lionel Richie ::: Born: June 20, 1949; Occupation: Singer-songwriter;
Nicole Richie ::: Born: September 21, 1981; Occupation: Fashion designer;
Mordecai Richler ::: Born: January 27, 1931; Died: July 3, 2001; Occupation: Author;
Warren G. Bennis ::: Born: March 8, 1925; Died: July 31, 2014; Occupation: Author;
Charles Francis Richter ::: Born: April 26, 1900; Died: September 30, 1985; Occupation: Seismologist;
Gerhard Richter ::: Born: February 9, 1932; Occupation: Visual Artist;
Manfred von Richthofen ::: Born: May 2, 1892; Died: April 21, 1918; Occupation: Freiherr;
Eddie Rickenbacker ::: Born: October 8, 1890; Died: July 27, 1973; Occupation: Race car driver;
Branch Rickey ::: Born: December 20, 1881; Died: December 9, 1965; Occupation: Baseball player;
Adam Rickitt ::: Born: May 29, 1978; Occupation: Actor;
Don Rickles ::: Born: May 8, 1926; Died: April 6, 2017; Occupation: Comedian;
Alan Rickman ::: Born: February 21, 1946; Died: January 14, 2016; Occupation: Actor;
Jack Benny ::: Born: February 14, 1894; Died: December 26, 1974; Occupation: Comedian;
Paul Ricoeur ::: Born: February 27, 1913; Died: May 20, 2005; Occupation: Philosopher;
Sally Ride ::: Born: May 26, 1951; Died: July 23, 2012; Occupation: Physicist;
Tom Ridge ::: Born: August 26, 1945; Occupation: Former Governor of Pennsylvania;
Laura Riding ::: Born: January 16, 1901; Died: September 2, 1991; Occupation: Poet;
David Riesman ::: Born: September 22, 1909; Died: May 10, 2002; Occupation: Attorney;
Andre Rieu ::: Born: October 1, 1949; Occupation: Violinist;
Jeremy Rifkin ::: Born: January 26, 1945; Occupation: Writer;
Rihanna ::: Born: February 20, 1988; Occupation: Recording Artist;
Jacob August Riis ::: Born: May 3, 1849; Died: May 26, 1914; Occupation: Journalist;
James Whitcomb Riley ::: Born: October 7, 1849; Died: July 22, 1916; Occupation: Writer;
Pat Riley ::: Born: March 20, 1945; Occupation: Basketball Coach;
Terry Riley ::: Born: June 24, 1935; Occupation: Composer;
Rainer Maria Rilke ::: Born: December 4, 1875; Died: December 29, 1926; Occupation: Poet;
Arthur Rimbaud ::: Born: October 20, 1854; Died: November 10, 1891; Occupation: Poet;
LeAnn Rimes ::: Born: August 28, 1982; Occupation: Singer;
Anna Benson ::: Born: February 12, 1976; Occupation: Model;
Rick Riordan ::: Born: June 5, 1964; Occupation: Author;
Eric Ripert ::: Born: March 2, 1965; Occupation: Chef;
Alexandra Ripley ::: Born: January 8, 1934; Died: January 10, 2004; Occupation: Writer;
Dennis Ritchie ::: Born: September 9, 1941; Died: October 12, 2011; Occupation: Computer Scientist;
Guy Ritchie ::: Born: September 10, 1968; Occupation: Screenwriter;
Jason Ritter ::: Born: February 17, 1980; Occupation: Actor;
John Ritter ::: Born: September 17, 1948; Died: September 11, 2003; Occupation: Actor;
Krysten Ritter ::: Born: December 16, 1981; Occupation: Actress;
Scott Ritter ::: Born: July 15, 1961; Occupation: Critic;
Herb Ritts ::: Born: August 13, 1952; Died: December 26, 2002; Occupation: Photographer;
Antoine Rivarol ::: Born: June 26, 1753; Died: April 11, 1801; Occupation: Writer;
Chita Rivera ::: Born: January 23, 1933; Occupation: Actress;
Diego Rivera ::: Born: December 8, 1886; Died: November 24, 1957; Occupation: Painter;
Ezra Taft Benson ::: Born: August 4, 1899; Died: May 30, 1994; Occupation: Farmer;
Renata Adler ::: Born: October 19, 1938; Occupation: Author;
Geraldo Rivera ::: Born: July 4, 1943; Occupation: Attorney;
Mariano Rivera ::: Born: November 29, 1969; Occupation: Baseball player;
Naya Rivera ::: Born: January 12, 1987; Occupation: Actress;
Francine Rivers ::: Born: 1947; Occupation: Author;
Joan Rivers ::: Born: June 8, 1933; Died: September 4, 2014; Occupation: Television Personality;
George Benson ::: Born: March 22, 1943; Occupation: Musician;
Jose Rizal ::: Born: June 19, 1861; Died: December 30, 1896; Occupation: Novelist;
Mary Roach ::: Born: March 20, 1959; Occupation: Author;
Marty Robbins ::: Born: September 26, 1925; Died: December 8, 1982; Occupation: Singer;
Tim Robbins ::: Born: October 16, 1958; Occupation: Actor;
Tom Robbins ::: Born: July 22, 1936; Occupation: Author;
Tony Robbins ::: Born: February 29, 1960; Occupation: Author;
Emma Roberts ::: Born: February 10, 1991; Occupation: Actress;
Gregory David Roberts ::: Born: June 1, 1952; Occupation: Author;
Jane Roberts ::: Born: May 8, 1929; Died: September 5, 1984; Occupation: Author;
John Roberts ::: Born: January 27, 1955; Occupation: Chief Justice of the United States;
Julia Roberts ::: Born: October 28, 1967; Occupation: Actress;
Nora Roberts ::: Born: October 10, 1950; Occupation: Author;
Oral Roberts ::: Born: January 24, 1918; Died: December 15, 2009; Occupation: Televangelist;
Jeremy Bentham ::: Born: February 15, 1748; Died: June 6, 1832; Occupation: Philosopher;
Pat Robertson ::: Born: March 22, 1930; Occupation: Author;
Paul Robeson ::: Born: April 9, 1898; Died: January 23, 1976; Occupation: Singer;
Maximilien Robespierre ::: Born: May 6, 1758; Died: July 28, 1794; Occupation: Lawyer;
Bruce Robinson ::: Born: May 2, 1946; Occupation: Screenwriter;
Chris Robinson ::: Born: December 20, 1966; Occupation: Singer;
Edwin Arlington Robinson ::: Born: December 22, 1869; Died: April 6, 1935; Occupation: Poet;
Jackie Robinson ::: Born: January 31, 1919; Died: October 24, 1972; Occupation: Baseball player;
Kim Stanley Robinson ::: Born: March 23, 1952; Occupation: Writer;
Marilynne Robinson ::: Born: November 26, 1943; Occupation: Novelist;
Smokey Robinson ::: Born: February 19, 1940; Occupation: Singer-songwriter;
Sugar Ray Robinson ::: Born: May 3, 1921; Died: April 12, 1989; Occupation: Professional Boxer;
Mo Rocca ::: Born: January 28, 1969; Occupation: Journalist;
Zack de la Rocha ::: Born: January 12, 1970; Occupation: Musician;
Francois de La Rochefoucauld ::: Born: September 15, 1613; Died: March 17, 1680; Occupation: Author;
Chris Rock ::: Born: February 7, 1965; Occupation: Comedian;
Stella Adler ::: Born: February 10, 1901; Died: December 21, 1992; Occupation: Actress;
Kid Rock ::: Born: January 17, 1971; Occupation: Multi-instrumentalist;
David Rockefeller ::: Born: June 12, 1915; Died: March 20, 2017; Occupation: Banker;
John D. Rockefeller ::: Born: July 8, 1839; Died: May 23, 1937; Occupation: Business person;
Laurance Rockefeller ::: Born: May 26, 1910; Died: July 11, 2004; Occupation: Financier;
Nelson Rockefeller ::: Born: July 8, 1908; Died: January 26, 1979; Occupation: Former Vice President of the United States;

   A leopard doesn't change his spots just because you bring him in from the jungle and try to housebreak him and turn him into a pet. He may learn to sheathe his claws in order to beg a few scraps off the dinner table, and you may teach him to be a beast of burden, but it doesn't pay to forget that he'll al ways be what he was born: a wild animal. -- George Lincoln Rockwell ::: Born: March 9, 1918; Died: August 25, 1967; Occupation: Political figure;
Julie Benz ::: Born: May 1, 1972; Occupation: Actress;
Norman Rockwell ::: Born: February 3, 1894; Died: November 8, 1978; Occupation: Writer;
Sam Rockwell ::: Born: November 5, 1968; Occupation: Actor;
ASAP Rocky ::: Born: October 3, 1988; Occupation: Rapper;
Gene Roddenberry ::: Born: August 19, 1921; Died: October 24, 1991; Occupation: Screenwriter;
Andy Roddick ::: Born: August 30, 1982; Occupation: Tennis player;
Cathy McMorris Rodgers ::: Born: May 22, 1969; Occupation: U.S. Representative;
Nile Rodgers ::: Born: September 19, 1952; Occupation: Musician;
Auguste Rodin ::: Born: November 12, 1840; Died: November 17, 1917; Occupation: Sculptor;
Dennis Rodman ::: Born: May 13, 1961; Occupation: Basketball player;
Alex Rodriguez ::: Born: July 27, 1975; Occupation: Baseball player;
Michelle Rodriguez ::: Born: July 12, 1978; Occupation: Actress;
Robert Rodriguez ::: Born: June 20, 1968; Occupation: Film director;
Nicolas Roeg ::: Born: August 15, 1928; Occupation: Film director;
Richard Roeper ::: Born: October 17, 1959; Occupation: Columnist;
Theodore Roethke ::: Born: May 25, 1908; Died: August 1, 1963; Occupation: Poet;
Joe Rogan ::: Born: August 11, 1967; Occupation: Stand-up comedian;
Seth Rogen ::: Born: April 15, 1982; Occupation: Comedian;
Nikolai Berdyaev ::: Born: March 18, 1874; Died: March 23, 1948; Occupation: Philosopher;
Carl Rogers ::: Born: January 8, 1902; Died: February 4, 1987; Occupation: Psychologist;
Ginger Rogers ::: Born: July 16, 1911; Died: April 25, 1995; Occupation: Actress;
Kenny Rogers ::: Born: August 21, 1938; Occupation: Singer-songwriter;
Mike Rogers ::: Born: July 16, 1958; Occupation: U.S. Representative;
Richard Rogers ::: Born: July 23, 1933; Occupation: Architect;
Roy Rogers ::: Born: November 5, 1911; Died: July 6, 1998; Occupation: Singer;
Will Rogers ::: Born: November 4, 1879; Died: August 15, 1935; Occupation: Actor;
Ludwig Mies van der Rohe ::: Born: March 27, 1886; Died: August 17, 1969; Occupation: Architect;
Elisabeth Rohm ::: Born: April 28, 1973; Occupation: Actress;
Jim Rohn ::: Born: September 17, 1930; Died: December 5, 2009; Occupation: Author;
John Berendt ::: Born: December 5, 1939; Occupation: Author;
Anne Roiphe ::: Born: December 25, 1935; Occupation: Film writer;
Al Roker ::: Born: August 20, 1954; Occupation: Actor;
Romain Rolland ::: Born: January 29, 1866; Died: December 30, 1944; Occupation: Dramatist;
Henry Rollins ::: Born: February 13, 1961; Occupation: Musician;
James Rollins ::: Born: August 20, 1961; Occupation: Veterinarian;
Ray Romano ::: Born: December 21, 1957; Occupation: Actor;
Cesar Romero ::: Born: February 15, 1907; Died: January 1, 1994; Occupation: Actor;
George A. Romero ::: Born: February 4, 1940; Occupation: Film director;
Rebecca Romijn ::: Born: November 6, 1972; Occupation: Actress;
Erwin Rommel ::: Born: November 15, 1891; Died: October 14, 1944; Occupation: Soldier;
Ann Romney ::: Born: April 16, 1949; Occupation: Author;
Mitt Romney ::: Born: March 12, 1947; Occupation: Former Governor of Massachusetts;
Cristiano Ronaldo ::: Born: February 5, 1985; Occupation: Soccer player;
Saoirse Ronan ::: Born: April 12, 1994; Occupation: Actress;
Bernard Berenson ::: Born: June 26, 1865; Died: October 6, 1959; Occupation: Art critic;
Zhu Rongji ::: Born: October 1, 1928; Occupation: Former Premier of the People's Republic of China;
Dave Van Ronk ::: Born: June 30, 1936; Died: February 10, 2002; Occupation: Singer;
Jon Ronson ::: Born: May 10, 1967; Occupation: Journalist;
Mark Ronson ::: Born: September 4, 1975; Occupation: Musician;
Linda Ronstadt ::: Born: July 15, 1946; Occupation: Singer;
Andy Rooney ::: Born: January 14, 1919; Died: November 4, 2011; Occupation: Writer;
Steven Adler ::: Born: January 22, 1965; Occupation: Musician;
Mickey Rooney ::: Born: September 23, 1920; Died: April 6, 2014; Occupation: Film actor;
Wayne Rooney ::: Born: October 24, 1985; Occupation: Soccer player;
Eleanor Roosevelt ::: Born: October 11, 1884; Died: November 7, 1962; Occupation: Former First Lady of the United States;
Franklin D. Roosevelt ::: Born: January 30, 1882; Died: April 12, 1945; Occupation: 32nd U.S. President;
Theodore Roosevelt ::: Born: October 27, 1858; Died: January 6, 1919; Occupation: 26th U.S. President;
Bruce Beresford ::: Born: August 16, 1940; Occupation: Film director;
Richard Rorty ::: Born: October 4, 1931; Died: June 8, 2007; Occupation: Philosopher;
Axl Rose ::: Born: February 6, 1962; Occupation: Singer-songwriter;
Hilary Rosen ::: Born: 1958;
Michael Rosenbaum ::: Born: July 11, 1972; Occupation: Film actor;
Paul Berg ::: Born: June 30, 1926; Occupation: Scientist;
Melissa Rosenberg ::: Born: August 28, 1962; Occupation: Screenwriter;
Roger Rosenblatt ::: Born: 1940; Occupation: Journalist;
Hans Rosling ::: Born: July 27, 1948; Died: February 7, 2017; Occupation: Professor;
Meg Rosoff ::: Born: 1956; Occupation: Writer;
Charlotte Ross ::: Born: January 21, 1968; Occupation: Actress;
Peter Berg ::: Born: March 11, 1962; Occupation: Actor;
Diana Ross ::: Born: March 26, 1944; Occupation: Singer;
Gary Ross ::: Born: November 3, 1956; Occupation: Film director;
Jeff Ross ::: Born: September 13, 1965; Occupation: Stand-up comedian;
Marion Ross ::: Born: October 25, 1928; Occupation: Actress;
Tracee Ellis Ross ::: Born: October 29, 1972; Occupation: Actress;
Gavin Rossdale ::: Born: October 30, 1965; Occupation: Musician;
Christina Rossetti ::: Born: December 5, 1830; Died: December 29, 1894; Occupation: Poet;
Dante Gabriel Rossetti ::: Born: May 12, 1828; Died: April 9, 1882; Occupation: Poet;
Portia de Rossi ::: Born: January 31, 1973; Occupation: Actress;
Theo Rossi ::: Born: June 4, 1975; Occupation: Actor;
Gioachino Rossini ::: Born: February 29, 1792; Died: November 13, 1868; Occupation: Composer;
Edmond Rostand ::: Born: April 1, 1868; Died: December 2, 1918; Occupation: Poet;
Jean Rostand ::: Born: October 30, 1894; Died: September 4, 1977; Occupation: Biologist;
Leo Rosten ::: Born: April 11, 1908; Died: February 19, 1997; Occupation: Teacher;
Mstislav Rostropovich ::: Born: March 27, 1927; Died: April 27, 2007; Occupation: Cellist;
Joseph Rotblat ::: Born: November 4, 1908; Died: August 31, 2005; Occupation: Physicist;
David Lee Roth ::: Born: October 10, 1954; Occupation: Vocalist;
Eli Roth ::: Born: April 18, 1972; Occupation: Film director;
Philip Roth ::: Born: March 19, 1933; Occupation: Novelist;
Tim Roth ::: Born: May 14, 1961; Occupation: Actor;
Veronica Roth ::: Born: August 19, 1988; Occupation: Novelist;
Murray Rothbard ::: Born: March 2, 1926; Died: January 7, 1995; Occupation: Economist;
Patrick Rothfuss ::: Born: June 6, 1973; Occupation: Writer;
Mark Rothko ::: Born: September 25, 1903; Died: February 25, 1970; Occupation: Artist;
Nathan Meyer Rothschild ::: Born: September 16, 1777; Died: July 28, 1836;
Candice Bergen ::: Born: May 9, 1946; Occupation: Actress;
Arnold Rothstein ::: Born: January 17, 1882; Died: November 4, 1928; Occupation: Businessman;
Nouriel Roubini ::: Born: March 29, 1958; Occupation: Economist;
Mike Rounds ::: Born: October 24, 1954; Occupation: Former Governor of South Dakota;
Mickey Rourke ::: Born: September 16, 1952; Occupation: Actor;
Ronda Rousey ::: Born: February 1, 1987; Occupation: Mixed Martial Artist;
Henri Rousseau ::: Born: May 21, 1844; Died: September 2, 1910; Occupation: Artist;
Jean-Jacques Rousseau ::: Born: June 28, 1712; Died: July 2, 1778; Occupation: Philosopher;
Theodor Adorno ::: Born: September 11, 1903; Died: August 6, 1969; Occupation: Sociologist;
Brandon Routh ::: Born: October 9, 1979; Occupation: Actor;
Karl Rove ::: Born: December 25, 1950; Occupation: Former White House Deputy Chief of Staff;
Mike Rowe ::: Born: March 18, 1962; Occupation: Actor;
Galen Rowell ::: Born: August 23, 1940; Died: August 11, 2002; Occupation: Photographer;
Helen Rowland ::: Born: 1875; Died: 1950; Occupation: Journalist;
Kelly Rowland ::: Born: February 11, 1981; Occupation: Singer;
J. K. Rowling ::: Born: July 31, 1965; Occupation: Novelist;
Arundhati Roy ::: Born: November 24, 1961; Occupation: Author;
Gabrielle Roy ::: Born: March 22, 1909; Died: July 13, 1983; Occupation: Author;
Rachel Roy ::: Born: January 15, 1974; Occupation: Fashion designer;
Mike Royko ::: Born: September 19, 1932; Died: April 29, 1997; Occupation: Columnist;
Erno Rubik ::: Born: July 13, 1944; Occupation: Inventor;
Rick Rubin ::: Born: March 10, 1963; Occupation: Record producer;
Arthur Rubinstein ::: Born: January 28, 1887; Died: December 20, 1982; Occupation: Pianist;
Marco Rubio ::: Born: May 28, 1971; Occupation: United States Senator;
John Berger ::: Born: November 5, 1926; Died: January 2, 2017; Occupation: Art critic;
Darius Rucker ::: Born: May 13, 1966; Occupation: Musician;
Rudy Rucker ::: Born: March 22, 1946; Occupation: Computer Scientist;
Kevin Rudd ::: Born: September 21, 1957; Occupation: Former Prime Minister of Australia;
Rita Rudner ::: Born: September 17, 1953; Occupation: Comedian;
Peter L. Berger ::: Born: March 17, 1929; Occupation: Sociologist;
Maya Rudolph ::: Born: July 27, 1972; Occupation: Actress;
Wilma Rudolph ::: Born: June 23, 1940; Died: November 12, 1994; Occupation: Athlete;
Mercedes Ruehl ::: Born: February 28, 1948; Occupation: Film actress;
Nate Ruess ::: Born: February 26, 1982; Occupation: Singer-songwriter;
Mark Ruffalo ::: Born: November 22, 1967; Occupation: Actor;
Ibrahim Rugova ::: Born: December 2, 1944; Died: January 21, 2006; Occupation: Political leader;
Miguel Angel Ruiz ::: Born: August 27, 1952; Occupation: Author;
Muriel Rukeyser ::: Born: December 15, 1913; Died: February 12, 1980; Occupation: Poet;
Ja Rule ::: Born: February 29, 1976; Occupation: Rapper;
Juan Rulfo ::: Born: May 16, 1917; Died: January 7, 1986; Occupation: Writer;
Rumi ::: Born: September 30, 1207; Died: December 17, 1273; Occupation: Poet;
Donald Rumsfeld ::: Born: July 9, 1932; Occupation: Former U.S. Secretary of Defense;
Cyrano de Bergerac ::: Born: March 6, 1619; Died: July 28, 1655; Occupation: Dramatist;
Todd Rundgren ::: Born: June 22, 1948; Occupation: Multi-instrumentalist;
Benjamin Rush ::: Born: December 24, 1745; Died: April 19, 1813; Occupation: In 1797, by appointment of President Adams, Rush was made treasurer of the U.S. Mint, a post he held;
Geoffrey Rush ::: Born: July 6, 1951; Occupation: Actor;
Ian Rush ::: Born: October 20, 1961; Occupation: Soccer player;
Salman Rushdie ::: Born: June 19, 1947; Occupation: Novelist;
John Ruskin ::: Born: February 8, 1819; Died: January 20, 1900; Occupation: Art critic;
Nicolas Berggruen ::: Born: August 10, 1961; Occupation: Investor;
Joanna Russ ::: Born: February 22, 1937; Died: April 29, 2011; Occupation: Writer;
Bertrand Russell ::: Born: May 18, 1872; Died: February 2, 1970; Occupation: Philosopher;
Bill Russell ::: Born: February 12, 1934; Died: August 9, 1992; Occupation: Basketball player;
David O. Russell ::: Born: August 20, 1958; Occupation: Film director;
Michael Bergin ::: Born: March 18, 1969; Occupation: Model;
Henry Norris Russell ::: Born: October 25, 1877; Died: February 18, 1957; Occupation: Astronomer;
Karen Russell ::: Born: July 10, 1981; Occupation: Novelist;
Keri Russell ::: Born: March 23, 1976; Occupation: Actress;
Rosalind Russell ::: Born: June 4, 1907; Died: November 28, 1976; Occupation: Actress;
Dennis Bergkamp ::: Born: May 10, 1969; Occupation: Soccer player;
Rene Russo ::: Born: February 17, 1954; Occupation: Actress;
Richard Russo ::: Born: July 15, 1949; Occupation: Novelist;
Bayard Rustin ::: Born: March 17, 1912; Died: August 24, 1987; Occupation: Activist;
Burt Rutan ::: Born: June 17, 1943; Occupation: Aerospace Engineering;
Babe Ruth ::: Born: February 6, 1895; Died: August 16, 1948; Occupation: Baseball player;
Ernest Rutherford ::: Born: August 30, 1871; Died: October 19, 1937; Occupation: Physicist;
Ingmar Bergman ::: Born: July 14, 1918; Died: July 30, 2007; Occupation: Writer;
Samuel Rutherford ::: Born: 1600; Died: 1661; Occupation: Author;
Meg Ryan ::: Born: November 19, 1961; Occupation: Actress;
Paul Ryan ::: Born: January 29, 1970; Occupation: United States Representative;
Ingrid Bergman ::: Born: August 29, 1915; Died: August 29, 1982; Occupation: Actress;
Shawn Ryan ::: Born: October 11, 1966; Occupation: Screenwriter;
Tim Ryan ::: Born: July 16, 1973; Occupation: U.S. Representative;
Winona Ryder ::: Born: October 29, 1971; Occupation: Actress;
Usher ::: Born: October 14, 1978; Occupation: Singer-songwriter;
Gil Scott-Heron ::: Born: April 1, 1949; Died: May 27, 2011; Occupation: Poet;
James St. James ::: Born: August 1, 1966; Occupation: Television Personality;
Tina St. John ::: Born: 1966; Occupation: Author;
Portia Simpson-Miller ::: Born: December 12, 1945; Occupation: Prime Minister of Jamaica;
Nawal El Saadawi ::: Born: October 27, 1931; Occupation: Writer;
Mikhail Saakashvili ::: Born: December 21, 1967; Occupation: Former President of Georgia;
Henri Bergson ::: Born: October 18, 1859; Died: January 4, 1941; Occupation: Philosopher;
Maurice Saatchi ::: Born: June 21, 1946; Occupation: British Politician;
Louis Sachar ::: Born: March 20, 1954; Occupation: Writer;
Jeffrey Sachs ::: Born: November 5, 1954; Occupation: Economist;
Nelly Sachs ::: Born: December 10, 1891; Died: May 12, 1970; Occupation: Poet;
George Berkeley ::: Born: March 12, 1685; Died: January 12, 1753; Occupation: Philosopher;
Jonathan Sacks ::: Born: March 8, 1948; Occupation: Rabbi;
Vita Sackville-West ::: Born: March 9, 1892; Died: June 2, 1962; Occupation: Author;
Anwar Sadat ::: Born: December 25, 1918; Died: October 6, 1981; Occupation: Former President of Egypt;
Marquis de Sade ::: Born: June 2, 1740; Died: December 2, 1814; Occupation: Philosopher;
Muqtada al Sadr ::: Born: August 12, 1973; Occupation: Iraqi Politician;
Elif Safak ::: Born: October 25, 1971; Occupation: Author;
Morley Safer ::: Born: November 8, 1931; Died: May 19, 2016; Occupation: TV Reporter;
Marat Safin ::: Born: January 27, 1980; Occupation: Tennis player;
William Safire ::: Born: December 17, 1929; Died: September 27, 2009; Occupation: Author;
Katey Sagal ::: Born: January 19, 1954; Occupation: Actress;
Carl Sagan ::: Born: November 9, 1934; Died: December 20, 1996; Occupation: Astronomer;
Francoise Sagan ::: Born: June 21, 1935; Died: September 24, 2004; Occupation: Playwright;
Bob Saget ::: Born: May 17, 1956; Occupation: Comedian;
Mort Sahl ::: Born: May 11, 1927; Occupation: Comedian;
Edward Said ::: Born: November 1, 1935; Died: September 24, 2003; Occupation: Professor;
Elizabeth Berkley ::: Born: July 28, 1972; Occupation: Film actress;
Antoine de Saint-Exupery ::: Born: June 29, 1900; Died: July 31, 1944; Occupation: Writer;
Ken Salazar ::: Born: March 2, 1955; Occupation: Former United States Secretary of the Interior;
Zoe Saldana ::: Born: June 19, 1978; Occupation: Actress;
Saint Francis de Sales ::: Born: August 16, 1567; Died: December 28, 1622; Occupation: Bishop of Geneva;
J. D. Salinger ::: Born: January 1, 1919; Died: January 27, 2010; Occupation: Writer;
Pierre Salinger ::: Born: June 14, 1925; Died: October 16, 2004; Occupation: Former White House Press Secretary;
Jonas Salk ::: Born: October 28, 1914; Died: June 23, 1995; Occupation: Medical researcher;
Esa-Pekka Salonen ::: Born: June 30, 1958; Occupation: Conductor;
James Salter ::: Born: June 10, 1925; Died: June 19, 2015; Occupation: Novelist;
Leverett Saltonstall ::: Born: September 1, 1892; Died: June 17, 1979; Occupation: Former Governor of Massachusetts;
Andy Samberg ::: Born: August 18, 1978; Occupation: Actor;
Pete Sampras ::: Born: August 12, 1971; Occupation: Tennis player;
Milton Berle ::: Born: July 12, 1908; Died: March 27, 2002; Occupation: Comedian;
Paul Samuelson ::: Born: May 15, 1915; Died: December 13, 2009; Occupation: Economist;
Aaron Sanchez ::: Born: February 12, 1976; Occupation: Chef;
Loretta Sanchez ::: Born: January 7, 1960; Occupation: U.S. Representative;
Roselyn Sanchez ::: Born: April 2, 1973; Occupation: Singer-songwriter;
George Sand ::: Born: July 1, 1804; Died: June 8, 1876; Occupation: Novelist;
Sheryl Sandberg ::: Born: August 28, 1969; Occupation: Businesswoman;
Carl Sandburg ::: Born: January 6, 1878; Died: July 22, 1967; Occupation: Writer;
Michael Sandel ::: Born: March 5, 1953; Occupation: Philosopher;
Jil Sander ::: Born: November 27, 1943; Occupation: Fashion designer;
Irving Berlin ::: Born: May 11, 1888; Died: September 22, 1989; Occupation: Composer;
Barry Sanders ::: Born: July 16, 1968; Occupation: Football player;
Bernie Sanders ::: Born: September 8, 1941; Occupation: United States Senator;
Colonel Sanders ::: Born: September 9, 1890; Died: December 16, 1980; Occupation: Entrepreneur;
George Sanders ::: Born: July 3, 1906; Died: April 25, 1972; Occupation: Film actor;
-- -- -- -- -- Brandon Sanderson ::: Born: December 19, 1975; Occupation: Writer;
John Sandford ::: Born: February 23, 1944; Occupation: Novelist;
Isaiah Berlin ::: Born: June 6, 1909; Died: November 5, 1997; Occupation: Philosopher;
Adam Sandler ::: Born: September 9, 1966; Occupation: Actor;
Brian Sandoval ::: Born: August 5, 1963; Occupation: Governor of Nevada;
Bobby Sands ::: Born: March 9, 1954; Died: May 5, 1981; Occupation: Political leader;
Julian Sands ::: Born: January 4, 1958; Occupation: Actor;
Frederick Sanger ::: Born: August 13, 1918; Died: November 19, 2013; Occupation: Biochemist;
Margaret Sanger ::: Born: September 14, 1879; Died: September 6, 1966; Occupation: Activist;
Hector Berlioz ::: Born: December 11, 1803; Died: March 8, 1869; Occupation: Composer;
Thomas Sankara ::: Born: December 21, 1949; Died: October 15, 1987; Occupation: Political figure;
Gus Van Sant ::: Born: July 24, 1952; Occupation: Film director;
Carlos Santana ::: Born: July 20, 1947; Occupation: Musician;
George Santayana ::: Born: December 16, 1863; Died: September 26, 1952; Occupation: Philosopher;
Rick Santelli ::: Born: January 12, 1953; Occupation: Editor;
Rick Santorum ::: Born: May 10, 1958; Occupation: Former United States Senator;
Juan Manuel Santos ::: Born: August 10, 1951; Occupation: President of Colombia;
Edward Sapir ::: Born: January 26, 1884; Died: February 4, 1939; Occupation: Anthropologist;
Howard Berman ::: Born: April 15, 1941; Occupation: Former U.S. Representative;
Jose Saramago ::: Born: November 16, 1922; Died: June 18, 2010; Occupation: Writer;
Susan Sarandon ::: Born: October 4, 1946; Occupation: Actress;
John Singer Sargent ::: Born: January 12, 1856; Died: April 14, 1925; Occupation: Artist;
Nicolas Sarkozy ::: Born: January 28, 1955; Occupation: Former President of France;
David Sarnoff ::: Born: February 27, 1891; Died: December 12, 1971; Occupation: Businessman;
Nathalie Sarraute ::: Born: July 18, 1900; Died: October 19, 1999; Occupation: Writer;
Berenice Abbott ::: Born: July 17, 1898; Died: December 9, 1991; Occupation: Photographer;
May Sarton ::: Born: May 3, 1912; Died: July 16, 1995; Occupation: Poet;
Jean-Paul Sartre ::: Born: June 21, 1905; Died: April 15, 1980; Occupation: Philosopher;
Siegfried Sassoon ::: Born: September 8, 1886; Died: September 1, 1967; Occupation: Poet;
Vidal Sassoon ::: Born: January 17, 1928; Died: May 9, 2012; Occupation: Hairdresser;
Virginia Satir ::: Born: June 26, 1916; Died: September 10, 1988; Occupation: Author;
Gael Garcia Bernal ::: Born: November 30, 1978; Occupation: Film actor;
Marjane Satrapi ::: Born: November 22, 1969; Occupation: Novelist;
Fritz Sauckel ::: Born: October 27, 1894; Died: October 16, 1946; Occupation: German Politician;
Basmah bint Saud ::: Born: 1964; Occupation: Businesswoman;
George Saunders ::: Born: December 2, 1958; Occupation: Writer;
John Desmond Bernal ::: Born: May 10, 1901; Died: September 15, 1971; Occupation: Physicist;
Jennifer Saunders ::: Born: July 6, 1958; Occupation: Comedian;
Ferdinand de Saussure ::: Born: November 26, 1857; Died: February 22, 1913;
Dan Savage ::: Born: October 7, 1964; Occupation: Author;
Ben Bernanke ::: Born: December 13, 1953; Occupation: Economist;
Marilyn vos Savant ::: Born: August 11, 1946; Occupation: Columnist;
Jean Anthelme Brillat-Savarin ::: Born: April 1, 1755; Died: February 2, 1826; Occupation: Writer;
Devon Sawa ::: Born: September 7, 1978; Occupation: Actor;
Diane Sawyer ::: Born: December 22, 1945; Occupation: News Anchor;
Georges Bernanos ::: Born: February 20, 1888; Died: July 5, 1948; Occupation: Author;
Dorothy L. Sayers ::: Born: June 13, 1893; Died: December 17, 1957; Occupation: Writer;
John Sayles ::: Born: September 28, 1950; Occupation: Film director;
Greta Scacchi ::: Born: February 18, 1960; Occupation: Actress;
Claude Bernard ::: Born: July 12, 1813; Died: February 10, 1878; Occupation: Physiologist;
Antonin Scalia ::: Born: March 11, 1936; Died: February 13, 2016; Occupation: Associate Justice of the Supreme Court of the United States;
Arthur Scargill ::: Born: January 11, 1938; Occupation: Politician;
Richard Scarry ::: Born: June 5, 1919; Died: April 30, 1994; Occupation: Author;
Hjalmar Schacht ::: Born: January 22, 1877; Died: June 3, 1970; Occupation: Economist;
Edith Schaeffer ::: Born: November 3, 1914; Died: March 30, 2013; Occupation: Author;
Francis Schaeffer ::: Born: January 30, 1912; Died: May 15, 1984; Occupation: Theologian;
Pierre Schaeffer ::: Born: August 14, 1910; Died: August 19, 1995; Occupation: Composer;
Philip Schaff ::: Born: January 1, 1819; Died: October 20, 1893;
Akiva Schaffer ::: Born: December 1, 1977; Occupation: Film writer;
Jan Schakowsky ::: Born: May 26, 1944; Occupation: U.S. Representative;
Sydney Schanberg ::: Born: January 17, 1934; Died: July 9, 2016; Occupation: Journalist;
Edward Bernays ::: Born: November 22, 1891; Died: March 9, 1995; Occupation: Public Relations Consultant;
Robert Scheer ::: Born: April 4, 1936; Occupation: Journalist;
Maximilian Schell ::: Born: December 8, 1930; Died: February 1, 2014; Occupation: Film actor;
Nicole Scherzinger ::: Born: June 29, 1978; Occupation: Recording Artist;
Elsa Schiaparelli ::: Born: September 10, 1890; Died: November 13, 1973; Occupation: Fashion designer;
Vincent Schiavelli ::: Born: November 11, 1948; Died: December 26, 2005; Occupation: Actor;
William Bernbach ::: Born: August 3, 1911; Died: October 2, 1982;
Richard Schickel ::: Born: February 10, 1933; Died: February 18, 2017; Occupation: Author;
Bob Schieffer ::: Born: February 25, 1937; Occupation: Journalist;
Egon Schiele ::: Born: June 12, 1890; Died: October 31, 1918; Occupation: Painter;
Adam Schiff ::: Born: June 22, 1960; Occupation: U.S. Representative;
Stacy Schiff ::: Born: October 26, 1961; Occupation: Author;
Claudia Schiffer ::: Born: August 25, 1970; Occupation: Model;
Friedrich Schiller ::: Born: November 10, 1759; Died: May 9, 1805; Occupation: Poet;
Eric Berne ::: Born: May 10, 1910; Died: July 15, 1970; Occupation: Author;
Curt Schilling ::: Born: November 14, 1966; Occupation: Baseball player;
Otto Schily ::: Born: July 20, 1932;
Oskar Schindler ::: Born: April 28, 1908; Died: October 9, 1974; Occupation: Industrialist;
Phyllis Schlafly ::: Born: August 15, 1924; Died: September 5, 2016; Occupation: Lawyer;

Bhumibol Adulyadej ::: Born: December 5, 1927; Died: October 13, 2016; Occupation: King of Thailand;
Arthur M. Schlesinger, Jr. ::: Born: October 15, 1917; Died: February 28, 2007; Occupation: Historian;
Laura Schlessinger ::: Born: January 16, 1947; Occupation: Radio host;
Bernhard Schlink ::: Born: July 6, 1944; Occupation: Writer;
Eric Schlosser ::: Born: August 17, 1959; Occupation: Journalist;
Thomas Bernhard ::: Born: February 9, 1931; Died: February 12, 1989; Occupation: Novelist;
Eric Schmidt ::: Born: April 27, 1955; Occupation: Software Engineer;
Sarah Bernhardt ::: Born: October 22, 1844; Died: March 26, 1923; Occupation: Film actress;
Menachem Mendel Schneerson ::: Born: April 18, 1902; Died: June 12, 1994; Occupation: Rabbi;
Rob Schneider ::: Born: October 31, 1963; Occupation: Actor;
Louis de Bernieres ::: Born: December 8, 1954; Occupation: Novelist;
Neal Schon ::: Born: February 27, 1954; Occupation: Guitarist;
Arthur Schopenhauer ::: Born: February 22, 1788; Died: September 21, 1860; Occupation: Philosopher;
Liev Schreiber ::: Born: October 4, 1967; Occupation: Actor;
Olive Schreiner ::: Born: March 24, 1855; Died: December 11, 1920; Occupation: Author;
Gerhard Schroder ::: Born: April 7, 1944; Occupation: Former Chancellor of Germany;
Erwin Schrodinger ::: Born: August 12, 1887; Died: January 4, 1961; Occupation: Physicist;
Franz Schubert ::: Born: January 31, 1797; Died: November 19, 1828; Occupation: Composer;
Robert H. Schuller ::: Born: September 16, 1926; Died: April 2, 2015; Occupation: Televangelist;
Debbie Wasserman Schultz ::: Born: September 27, 1966; Occupation: U.S. Representative;
Dwight Schultz ::: Born: November 24, 1947; Occupation: Film actor;
Howard Schultz ::: Born: July 19, 1953; Occupation: Businessman;
Bruno Schulz ::: Born: July 12, 1892; Died: November 19, 1942; Occupation: Writer;
Klaus Schulze ::: Born: August 4, 1947; Occupation: Composer;
E. F. Schumacher ::: Born: August 16, 1911; Died: September 4, 1977; Occupation: Statistician;
Michael Schumacher ::: Born: January 3, 1969; Occupation: F1 Driver;
Clara Schumann ::: Born: September 13, 1819; Died: May 20, 1896; Occupation: Musician;
Robert Schumann ::: Born: June 8, 1810; Died: July 29, 1856; Occupation: Composer;
Charles Schumer ::: Born: November 23, 1950; Occupation: United States Senator;
Joseph A. Schumpeter ::: Born: February 8, 1883; Died: January 8, 1950; Occupation: Economist;
Carl Schurz ::: Born: March 2, 1829; Died: May 14, 1906; Occupation: Former U.S. Senator;
James Schuyler ::: Born: November 9, 1923; Died: April 12, 1991; Occupation: Poet;
Carl Bernstein ::: Born: February 14, 1944; Occupation: Journalist;
Charles M. Schwab ::: Born: February 18, 1862; Died: October 18, 1939;
Delmore Schwartz ::: Born: December 8, 1913; Died: July 11, 1966; Occupation: Poet;
Morrie Schwartz ::: Born: December 20, 1916; Died: November 4, 1995; Occupation: Professor;
Jason Schwartzman ::: Born: June 26, 1980; Occupation: Actor;
Arnold Schwarzenegger ::: Born: July 30, 1947; Occupation: Former Governor of California;
Norman Schwarzkopf ::: Born: August 22, 1934; Died: December 27, 2012;
Albert Schweitzer ::: Born: January 14, 1875; Died: September 4, 1965; Occupation: Theologian;
Brian Schweitzer ::: Born: September 4, 1955; Occupation: Former Governor of Montana;
David Schwimmer ::: Born: November 2, 1966; Occupation: Actor;
Jon Scieszka ::: Born: September 8, 1954; Occupation: Author;
Leonard Bernstein ::: Born: August 25, 1918; Died: October 14, 1990; Occupation: Composer;
Aeschylus ::: Born: 525 BC; Died: 456 BC; Occupation: Dramatist;
Martin Scorsese ::: Born: November 17, 1942; Occupation: Film director;
Ashley Scott ::: Born: July 13, 1977; Occupation: Actress;
Bobby Scott ::: Born: April 30, 1947; Occupation: U.S. Representative;
Campbell Scott ::: Born: July 19, 1961; Occupation: Actor;
Jill Scott ::: Born: April 4, 1972; Occupation: Singer-songwriter;
L'Wren Scott ::: Born: April 28, 1964; Died: March 17, 2014; Occupation: Fashion designer;
Richard G. Scott ::: Born: November 7, 1928; Died: September 22, 2015;
Rick Scott ::: Born: December 1, 1952; Occupation: Governor of Florida;
Ridley Scott ::: Born: November 30, 1937; Occupation: Film director;
Robert Falcon Scott ::: Born: June 6, 1868; Died: March 29, 1912; Occupation: Explorer;
Sean William Scott ::: Born: October 3, 1976; Occupation: Actor;
Tim Scott ::: Born: September 19, 1965; Occupation: United States Senator;
Daniel Berrigan ::: Born: May 9, 1921; Died: April 30, 2016; Occupation: Priest;
Walter Scott ::: Born: August 15, 1771; Died: September 21, 1832; Occupation: Baronet Scott;
Willard Scott ::: Born: March 7, 1934; Occupation: Actor;
Lisa Scottoline ::: Born: July 1, 1955; Occupation: Author;
Brent Scowcroft ::: Born: March 19, 1925; Occupation: Former National Security Advisor;
John Sculley ::: Born: April 6, 1939; Occupation: Businessman;
Ryan Seacrest ::: Born: December 24, 1974; Occupation: Radio personality;
Steven Seagal ::: Born: April 10, 1952; Occupation: Actor;
Bobby Seale ::: Born: October 22, 1936; Occupation: Activist;
Big Sean ::: Born: March 25, 1988; Occupation: Musical Artist;
John Searle ::: Born: July 31, 1932; Occupation: Philosopher;
Chuck Berry ::: Born: October 18, 1926; Died: March 18, 2017; Occupation: Guitarist;
Chief Seattle ::: Born: 1780; Died: June 7, 1866;
W. G. Sebald ::: Born: May 18, 1944; Died: December 14, 2001; Occupation: Writer;
Halle Berry ::: Born: August 14, 1966; Occupation: Actress;
Kathleen Sebelius ::: Born: May 15, 1948; Occupation: United States Secretary of Health and Human Services;
Alice Sebold ::: Born: September 6, 1963; Occupation: Writer;
Amy Sedaris ::: Born: March 29, 1961; Occupation: Actress;
David Sedaris ::: Born: December 26, 1956; Occupation: Humorist;
Kyra Sedgwick ::: Born: August 19, 1965; Occupation: Actress;
Lisa See ::: Born: February 18, 1955; Occupation: Writer;
Pete Seeger ::: Born: May 3, 1919; Died: January 27, 2014; Occupation: Singer;
Giorgos Seferis ::: Born: March 13, 1900; Died: September 20, 1971; Occupation: Poet;
Erich Segal ::: Born: June 16, 1937; Died: January 17, 2010; Occupation: Author;
Bob Seger ::: Born: May 6, 1945; Occupation: Singer-songwriter;
Andres Segovia ::: Born: February 21, 1893; Died: June 2, 1987; Occupation: Guitarist;
Jerry Seinfeld ::: Born: April 29, 1954; Occupation: Comedian;
Haile Selassie ::: Born: July 23, 1892; Died: August 27, 1975; Occupation: Political figure;
Hubert Selby, Jr. ::: Born: July 23, 1928; Died: April 26, 2004; Occupation: Writer;
John Selden ::: Born: December 16, 1584; Died: November 30, 1654;
Aesop ::: Born: 620 BC; Died: 564 BC; Occupation: Author;
Will Self ::: Born: September 26, 1961; Occupation: Author;
Henry Selick ::: Born: November 30, 1952; Occupation: Producer;
Tom Selleck ::: Born: January 29, 1945; Occupation: Actor;
Peter Sellers ::: Born: September 8, 1925; Died: July 24, 1980; Occupation: Film actor;
Hans Selye ::: Born: January 26, 1907; Died: October 16, 1982; Occupation: Doctor;
Brian Selznick ::: Born: July 14, 1966; Occupation: Illustrator;
David O. Selznick ::: Born: May 10, 1902; Died: June 22, 1965; Occupation: Film Producer;
Amartya Sen ::: Born: November 3, 1933; Occupation: Economist;
Hun Sen ::: Born: August 5, 1952; Occupation: Prime Minister of Cambodia;
Maurice Sendak ::: Born: June 10, 1928; Died: May 8, 2012; Occupation: Illustrator;
Steve Berry ::: Born: 1955; Occupation: Author;
Ayrton Senna ::: Born: March 21, 1960; Died: May 1, 1994; Occupation: Formula 1 Driver;
Jim Sensenbrenner ::: Born: June 14, 1943; Occupation: United States Representative;
Ruta Sepetys ::: Born: November 19, 1967; Occupation: Writer;
Yahoo Serious ::: Born: July 27, 1953; Occupation: Film actor;
Wendell Berry ::: Born: August 5, 1934; Occupation: Novelist;
Andy Serkis ::: Born: April 20, 1964; Occupation: Film actor;
Rod Serling ::: Born: December 25, 1924; Died: June 28, 1975; Occupation: Screenwriter;
Frank Serpico ::: Born: April 14, 1936; Occupation: Police officer;
Jose Serrano ::: Born: October 24, 1943; Occupation: United States Representative;
Robert W. Service ::: Born: January 16, 1874; Died: September 11, 1958; Occupation: Poet;
Jeff Sessions ::: Born: December 24, 1946; Occupation: United States Senator;
Roger Sessions ::: Born: December 28, 1896; Died: March 16, 1985; Occupation: Composer;
Seth ::: Born: September 16, 1962; Occupation: Cartoonist;
Vikram Seth ::: Born: June 20, 1952; Occupation: Novelist;
Brian Setzer ::: Born: April 10, 1959; Occupation: Guitarist;
Dr. Seuss ::: Born: March 2, 1904; Died: September 24, 1991; Occupation: Writer;
John Berryman ::: Born: October 25, 1914; Died: January 7, 1972; Occupation: Poet;
Chloe Sevigny ::: Born: November 18, 1974; Occupation: Film actress;
Anna Sewell ::: Born: March 30, 1820; Died: April 25, 1878; Occupation: Novelist;
Rufus Sewell ::: Born: October 29, 1967; Occupation: Actor;
Anne Sexton ::: Born: November 9, 1928; Died: October 4, 1974; Occupation: Poet;
John Sexton ::: Born: September 29, 1942; Occupation: Professor;
Amanda Seyfried ::: Born: December 3, 1985; Occupation: Actress;
Jane Seymour ::: Born: February 15, 1951; Occupation: Actress;
Jeff Shaara ::: Born: February 21, 1952; Occupation: Novelist;
Ernest Shackleton ::: Born: February 15, 1874; Died: January 5, 1922; Occupation: Explorer;
John Shadegg ::: Born: October 22, 1949; Occupation: Former U.S. Representative;
Tom Shadyac ::: Born: December 11, 1958; Occupation: Comedian;
Idries Shah ::: Born: June 16, 1924; Died: November 23, 1996; Occupation: Author;
Sarah Shahi ::: Born: January 10, 1980; Occupation: Actress;
Valerie Bertinelli ::: Born: April 23, 1960; Occupation: Actress;
William Shakespeare ::: Born: 1564; Died: April 23, 1616; Occupation: Poet;
Shakira ::: Born: February 2, 1977; Occupation: Singer-songwriter;
Tupac Shakur ::: Born: June 16, 1971; Died: September 13, 1996; Occupation: Rapper;
Donna Shalala ::: Born: February 14, 1941;
Tom Shales ::: Born: November 3, 1944; Occupation: Critic;
Tony Shalhoub ::: Born: October 9, 1953; Occupation: Actor;
Bernardo Bertolucci ::: Born: March 16, 1940; Occupation: Film director;
Garry Shandling ::: Born: November 29, 1949; Died: March 24, 2016; Occupation: Comedian;
Ntozake Shange ::: Born: October 18, 1948; Occupation: Playwright;
Ravi Shankar ::: Born: April 7, 1920; Died: December 11, 2012; Occupation: Musician;
Bill Shankly ::: Born: September 2, 1913; Died: September 29, 1981; Occupation: Soccer player;
Michael Shannon ::: Born: August 7, 1974; Occupation: Actor;
Donald Berwick ::: Born: September 9, 1946; Occupation: M.D.;
Ben Affleck ::: Born: August 15, 1972; Occupation: Actor;
Natan Sharansky ::: Born: January 20, 1948; Occupation: Israeli Politician;
Maria Sharapova ::: Born: April 19, 1987; Occupation: Tennis player;
Moshe Sharett ::: Born: October 15, 1894; Died: July 7, 1965; Occupation: Former Prime Minister of Israel;
Annie Besant ::: Born: October 1, 1847; Died: September 20, 1933; Occupation: Member of the London School Board;
Ariel Sharon ::: Born: February 26, 1928; Died: January 11, 2014; Occupation: Former Prime Minister of Israel;
Al Sharpton ::: Born: October 3, 1954; Occupation: Minister;
William Shatner ::: Born: March 22, 1931; Occupation: Actor;
Fiona Shaw ::: Born: July 10, 1958; Occupation: Actress;
George Bernard Shaw ::: Born: July 26, 1856; Died: November 2, 1950; Occupation: Playwright;
Tommy Shaw ::: Born: September 11, 1953; Occupation: Guitarist;
Alia Shawkat ::: Born: April 18, 1989; Occupation: Actress;
Ted Shawn ::: Born: October 21, 1891; Died: January 9, 1972;
Wallace Shawn ::: Born: November 12, 1943; Occupation: Actor;
Alan Shearer ::: Born: August 13, 1970; Occupation: Soccer player;
Harry Shearer ::: Born: December 23, 1943; Occupation: Actor;
Norma Shearer ::: Born: August 10, 1902; Died: June 12, 1983; Occupation: Actress;
Ryan Sheckler ::: Born: December 30, 1989; Occupation: Skateboarder;
Billy Sheehan ::: Born: March 19, 1953; Occupation: Bassist;
Gail Sheehy ::: Born: November 15, 1937; Occupation: Author;
Charlie Sheen ::: Born: September 3, 1965; Occupation: Actor;
Fulton J. Sheen ::: Born: May 8, 1895; Died: December 9, 1979; Occupation: Televangelist;
Martin Sheen ::: Born: August 3, 1940; Occupation: Actor;
Michael Sheen ::: Born: February 5, 1969; Occupation: Actor;
Luc Besson ::: Born: March 18, 1959; Occupation: Film director;
Ed Sheeran ::: Born: February 17, 1991; Occupation: Singer;
Duncan Sheik ::: Born: November 18, 1969; Occupation: Singer-songwriter;
Sidney Sheldon ::: Born: February 11, 1917; Died: January 30, 2007; Occupation: Writer;
Rupert Sheldrake ::: Born: June 28, 1942; Occupation: Author;
Mary Wollstonecraft Shelley ::: Born: August 30, 1797; Died: February 1, 1851; Occupation: Novelist;
Percy Bysshe Shelley ::: Born: August 4, 1792; Died: July 8, 1822; Occupation: Poet;
Blake Shelton ::: Born: June 18, 1976; Occupation: Singer;
Alan Shepard ::: Born: November 18, 1923; Died: July 21, 1998; Occupation: United States Naval Aviator;
Dax Shepard ::: Born: January 2, 1975; Occupation: Actor;
Sam Shepard ::: Born: November 5, 1943; Occupation: Playwright;
Sara Shepard ::: Born: April 8, 1977; Occupation: Author;
Cybill Shepherd ::: Born: February 18, 1950; Occupation: Actress;
Sherri Shepherd ::: Born: April 22, 1967; Occupation: Comedian;
George Best ::: Born: May 22, 1946; Died: November 25, 2005; Occupation: Soccer player;
Richard Brinsley Sheridan ::: Born: October 30, 1751; Died: July 7, 1816; Occupation: Playwright;
Allan Sherman ::: Born: November 30, 1924; Died: November 20, 1973; Occupation: Writer;
Cindy Sherman ::: Born: January 19, 1954; Occupation: Photographer;
William Tecumseh Sherman ::: Born: February 8, 1820; Died: February 14, 1891; Occupation: U.S. General;
Michael Shermer ::: Born: September 8, 1954; Occupation: Writer;
Billy Sherwood ::: Born: March 14, 1965; Occupation: Musician;
Eduard Shevardnadze ::: Born: January 25, 1928; Died: July 7, 2014; Occupation: Georgian Statesman;
Alfred Bester ::: Born: December 18, 1913; Died: September 30, 1987; Occupation: Author;
Casey Affleck ::: Born: August 12, 1975; Occupation: Actor;
Brooke Shields ::: Born: May 31, 1965; Occupation: Actress;
Carol Shields ::: Born: June 2, 1935; Died: July 16, 2003; Occupation: Author;
Mark Shields ::: Born: May 25, 1937; Occupation: Columnist;
Willow Shields ::: Born: June 1, 2000; Occupation: Film actress;
Hu Shih ::: Born: December 17, 1891; Died: February 24, 1962; Occupation: Philosopher;
John Shimkus ::: Born: February 21, 1958; Occupation: U.S. Representative;
Florence Scovel Shinn ::: Born: September 24, 1871; Died: October 17, 1940; Occupation: Writer;
Mike Shinoda ::: Born: February 11, 1977; Occupation: Musician;
Amity Shlaes ::: Born: September 10, 1960; Occupation: Author;
Pauly Shore ::: Born: February 1, 1968; Occupation: Comedian;
Mary McLeod Bethune ::: Born: July 10, 1875; Died: May 18, 1955; Occupation: Educator;
Clare Short ::: Born: February 15, 1946; Occupation: British Politician;
Martin Short ::: Born: March 26, 1950; Occupation: Actor;
Nigel Short ::: Born: June 1, 1965; Occupation: Chess Player;
Frank Shorter ::: Born: October 31, 1947; Occupation: Olympic athlete;
Maria Shriver ::: Born: November 6, 1955; Occupation: Journalist;
Sargent Shriver ::: Born: November 9, 1915; Died: January 18, 2011; Occupation: American Statesman;
Gary Shteyngart ::: Born: July 5, 1972; Occupation: Writer;
Andrew Shue ::: Born: February 20, 1967; Occupation: Actor;
Elisabeth Shue ::: Born: October 6, 1963; Occupation: Actress;
George P. Shultz ::: Born: December 13, 1920; Occupation: Former United States Secretary of State;
M. Night Shyamalan ::: Born: August 6, 1970; Occupation: Screenwriter;
Jane Siberry ::: Born: October 12, 1955; Occupation: Singer-songwriter;
Navjot Singh Sidhu ::: Born: October 20, 1963; Occupation: Cricketer;
Bruno Bettelheim ::: Born: August 28, 1903; Died: March 13, 1990; Occupation: Psychologist;
Algernon Sidney ::: Born: January 15, 1623; Died: December 7, 1683; Occupation: English Politician;
Philip Sidney ::: Born: November 30, 1554; Died: October 17, 1586; Occupation: Poet;
Bill Sienkiewicz ::: Born: May 3, 1958; Occupation: Artist;
Henryk Sienkiewicz ::: Born: May 5, 1846; Died: November 15, 1916; Occupation: Journalist;
Nuno Bettencourt ::: Born: September 20, 1966; Occupation: Guitarist;
Beanie Sigel ::: Born: March 6, 1974; Occupation: Rapper;
Simone Signoret ::: Born: March 25, 1921; Died: September 30, 1985; Occupation: Actress;
Norodom Sihanouk ::: Born: October 31, 1922; Died: October 15, 2012; Occupation: Monarch;
Leslie Marmon Silko ::: Born: March 5, 1948; Occupation: Writer;
Ignazio Silone ::: Born: May 1, 1900; Died: August 22, 1978; Occupation: Author;
Daniel Silva ::: Born: 1960; Occupation: Author;
Luiz Inacio Lula da Silva ::: Born: October 27, 1945; Occupation: Former President of Brazil;
Nate Silver ::: Born: January 13, 1978; Occupation: Statistician;
Ron Silver ::: Born: July 2, 1946; Died: March 15, 2009; Occupation: Actor;
Sarah Silverman ::: Born: December 1, 1970; Occupation: Comedian;
Shel Silverstein ::: Born: September 25, 1930; Died: May 10, 1999; Occupation: Poet;
Alicia Silverstone ::: Born: October 4, 1976; Occupation: Actress;
Clifford D. Simak ::: Born: August 3, 1904; Died: April 25, 1988; Occupation: Writer;
Georges Simenon ::: Born: February 13, 1903; Died: September 4, 1989; Occupation: Writer;
Charles Simic ::: Born: May 9, 1938; Occupation: Poet;
Georg Simmel ::: Born: March 1, 1858; Died: September 28, 1918; Occupation: Philosopher;
Dan Simmons ::: Born: April 4, 1948; Occupation: Author;
Gail Simmons ::: Born: May 19, 1976; Occupation: Television personality;
Gene Simmons ::: Born: August 25, 1949; Occupation: Guitarist;
Scipio Africanus ::: Born: 236 BC; Died: 183 BC; Occupation: Statesman;
Kimora Lee Simmons ::: Born: May 4, 1975; Occupation: Model;
Richard Simmons ::: Born: July 12, 1948; Occupation: Television actor;
Russell Simmons ::: Born: October 4, 1957; Occupation: Business person;
William Gilmore Simms ::: Born: April 17, 1806; Died: June 11, 1870; Occupation: Poet;
Joseph Beuys ::: Born: May 12, 1921; Died: January 23, 1986; Occupation: Artist;
Carly Simon ::: Born: June 25, 1945; Occupation: Singer-songwriter;
David Simon ::: Born: February 9, 1960; Occupation: Author;
Herbert Simon ::: Born: June 15, 1916; Died: February 9, 2001; Occupation: Scientist;
Neil Simon ::: Born: July 4, 1927; Occupation: Playwright;
Paul Simon ::: Born: October 13, 1941; Occupation: Musician;
Aneurin Bevan ::: Born: November 15, 1897; Died: July 6, 1960; Occupation: Secretary of State for Health;
Nina Simone ::: Born: February 21, 1933; Died: April 21, 2003; Occupation: Singer;
Alan K. Simpson ::: Born: September 2, 1931; Occupation: American Politician;
Ashlee Simpson ::: Born: October 3, 1984; Occupation: Singer-songwriter;
Jessica Simpson ::: Born: July 10, 1980; Occupation: Actress;
Michael K. Simpson ::: Born: September 8, 1950; Occupation: U.S. Representative;
O. J. Simpson ::: Born: July 9, 1947; Occupation: Football player;
William Beveridge ::: Born: March 5, 1879; Died: March 16, 1963; Occupation: Economist;
Wallis Simpson ::: Born: June 19, 1896; Died: April 24, 1986; Occupation: Socialite;
Molly Sims ::: Born: May 25, 1973; Occupation: Model;
Frank Sinatra ::: Born: December 12, 1915; Died: May 14, 1998; Occupation: Singer;
Upton Sinclair ::: Born: September 20, 1878; Died: November 25, 1968; Occupation: Author;
Simon Sinek ::: Born: October 9, 1973; Occupation: Author;
Isaac Bashevis Singer ::: Born: November 21, 1902; Died: July 24, 1991; Occupation: Author;
Peter Singer ::: Born: July 6, 1946; Occupation: Philosopher;
Manmohan Singh ::: Born: September 26, 1932; Occupation: Prime Minister of India;
Douglas Sirk ::: Born: April 26, 1897; Died: January 14, 1987; Occupation: Film director;
Ellen Johnson Sirleaf ::: Born: October 29, 1938; Occupation: President of Liberia;
Gene Siskel ::: Born: January 26, 1946; Died: February 20, 1999; Occupation: Film critic;
Alfred Sisley ::: Born: October 30, 1839; Died: January 29, 1899; Occupation: Artist;
Jeremy Sisto ::: Born: October 6, 1974; Occupation: Actor;
Curtis Sittenfeld ::: Born: 1975; Occupation: Writer;
Sophie Ellis Bextor ::: Born: April 10, 1979; Occupation: Singer;
Edith Sitwell ::: Born: September 7, 1887; Died: December 9, 1964; Occupation: Poet;
Sivananda ::: Born: September 8, 1887; Died: July 14, 1963; Occupation: Author;
Nikki Sixx ::: Born: December 11, 1958; Occupation: Musician;
Tom Sizemore ::: Born: November 29, 1961; Occupation: Film actor;
Alexander Skarsgard ::: Born: August 25, 1976; Occupation: Actor;
Ike Skelton ::: Born: December 20, 1931; Died: October 28, 2013; Occupation: Former U.S. Representative;
Red Skelton ::: Born: July 18, 1913; Died: September 17, 1997; Occupation: Entertainer;
B. F. Skinner ::: Born: March 20, 1904; Died: August 18, 1990; Occupation: Psychologist;
Jeff Bezos ::: Born: January 12, 1964; Occupation: Entrepreneur;
Mark Skousen ::: Born: 1947; Occupation: Economist;
Skrillex ::: Born: January 15, 1988; Occupation: Electronic musician;
Slash ::: Born: July 23, 1965; Occupation: Musician;
Christian Slater ::: Born: August 18, 1969; Occupation: Actor;
Chetan Bhagat ::: Born: April 22, 1974; Occupation: Author;
Kelly Slater ::: Born: February 11, 1972; Occupation: Surfer;
Louise Slaughter ::: Born: August 14, 1929; Occupation: United States Representative;
Grace Slick ::: Born: October 30, 1939; Occupation: Singer-songwriter;
Hedi Slimane ::: Born: July 5, 1968; Occupation: Fashion designer;
Alfred P. Sloan ::: Born: May 23, 1875; Died: February 17, 1966; Occupation: Author;
Joshua Slocum ::: Born: February 20, 1844; Died: November 14, 1909; Occupation: Writer;
Joe Slovo ::: Born: May 23, 1926; Died: January 6, 1995; Occupation: South African Politician;
Vinoba Bhave ::: Born: September 11, 1895; Died: November 15, 1982; Occupation: Author;
Lewis B. Smedes ::: Born: 1921; Died: December 19, 2002; Occupation: Author;
Samuel Smiles ::: Born: December 23, 1812; Died: April 16, 1904; Occupation: Author;
Jane Smiley ::: Born: September 26, 1949; Occupation: Novelist;
Tavis Smiley ::: Born: September 13, 1964; Occupation: Talk show host;
Yakov Smirnoff ::: Born: January 24, 1951; Occupation: Comedian;
Adam Smith ::: Born: June 5, 1723; Died: July 17, 1790; Occupation: Philosopher;
Alexander Smith ::: Born: December 31, 1829; Died: January 5, 1867; Occupation: Poet;
Ali Smith ::: Born: 1962; Occupation: Writer;
Anna Deavere Smith ::: Born: September 18, 1950; Occupation: Actress;
Anna Nicole Smith ::: Born: November 28, 1967; Died: February 8, 2007; Occupation: Model;
Benazir Bhutto ::: Born: June 21, 1953; Died: December 27, 2007; Occupation: Former Prime Minister of Pakistan;
Arthur Smith ::: Born: November 27, 1954; Occupation: Comedian;
Barbara Smith ::: Born: December 16, 1946; Died: September 13, 2010; Occupation: Author;
Bessie Smith ::: Born: April 15, 1894; Died: September 26, 1937; Occupation: Singer;
Betty Smith ::: Born: December 15, 1896; Died: January 17, 1972; Occupation: Author;
Chad Smith ::: Born: October 25, 1961; Occupation: Musician;
Courtney Thorne Smith ::: Born: November 8, 1967; Occupation: Actress;
Delia Smith ::: Born: June 18, 1941; Occupation: Author;
Dodie Smith ::: Born: May 3, 1896; Died: November 24, 1990; Occupation: Novelist;
Elliott Smith ::: Born: August 6, 1969; Died: October 21, 2003; Occupation: Singer-songwriter;
Frederick W. Smith ::: Born: August 11, 1944;
Mayim Bialik ::: Born: December 12, 1975; Occupation: Actress;
Gerrit Smith ::: Born: March 6, 1797; Died: December 28, 1874; Occupation: American Politician;
Gordon Smith ::: Born: May 25, 1952; Occupation: Former United States Senator;
Huston Smith ::: Born: May 31, 1919; Died: December 30, 2016; Occupation: Professor;
Iain Duncan Smith ::: Born: April 9, 1954; Occupation: British Politician;
Jaclyn Smith ::: Born: October 26, 1945; Occupation: Actress;
Jada Pinkett Smith ::: Born: September 18, 1971; Occupation: Actress;
Joseph Smith, Jr. ::: Born: December 23, 1805; Died: June 27, 1844; Occupation: Translator;
Kate Smith ::: Born: May 1, 1907; Died: June 17, 1986; Occupation: Singer;
Kevin Smith ::: Born: August 2, 1970; Occupation: Screenwriter;
Kiki Smith ::: Born: January 18, 1954; Occupation: Artist;
Lamar S. Smith ::: Born: November 19, 1947; Occupation: U.S. Representative;
Logan Pearsall Smith ::: Born: October 18, 1865; Died: March 2, 1946; Occupation: Author;
Maggie Smith ::: Born: December 28, 1934; Occupation: Actress;
Margaret Chase Smith ::: Born: December 14, 1897; Died: May 29, 1995; Occupation: Former U.S. Senator;
Matt Smith ::: Born: October 28, 1982; Occupation: Actor;
Michael W. Smith ::: Born: October 7, 1957; Occupation: Musician;
Patti Smith ::: Born: December 30, 1946; Occupation: Singer-songwriter;
Elizabeth Bibesco ::: Born: February 26, 1897; Died: April 7, 1945; Occupation: Writer;
Robert Smith ::: Born: April 21, 1959; Occupation: Musician;
Stevie Smith ::: Born: September 20, 1902; Died: March 7, 1971; Occupation: Poet;
Sydney Smith ::: Born: June 3, 1771; Died: February 22, 1845; Occupation: Writer;
Vernon L. Smith ::: Born: January 1, 1927; Occupation: Professor;
W. Eugene Smith ::: Born: December 30, 1918; Died: October 15, 1978; Occupation: Photographer;
Wilbur Smith ::: Born: January 9, 1933; Occupation: Novelist;
Will Smith ::: Born: September 25, 1968; Occupation: Actor;
Yeardley Smith ::: Born: July 3, 1964; Occupation: Actress;
Zadie Smith ::: Born: October 25, 1975; Occupation: Novelist;
Robert Smithson ::: Born: January 2, 1938; Died: July 20, 1973; Occupation: Artist;
Jimmy Smits ::: Born: July 9, 1955; Occupation: Actor;
Tommy Smothers ::: Born: February 2, 1937; Occupation: Comedian;
Wesley Snipes ::: Born: July 31, 1962; Occupation: Actor;
Brittany Snow ::: Born: March 9, 1986; Occupation: Film actress;
Joe Biden ::: Born: November 20, 1942; Occupation: Vice President of the United States;
Phoebe Snow ::: Born: July 17, 1950; Died: April 26, 2011; Occupation: Singer-songwriter;
Tony Snow ::: Born: June 1, 1955; Died: July 12, 2008; Occupation: Former White House Press Secretary;
Edward Snowden ::: Born: June 21, 1983; Occupation: System Administrator;
Lisa Snowdon ::: Born: January 23, 1972; Occupation: Television personality;
Olympia Snowe ::: Born: February 21, 1947; Occupation: Former United States Senator;
Gary Snyder ::: Born: May 8, 1930; Occupation: Poet;
Justin Bieber ::: Born: March 1, 1994; Occupation: Musician;
Zack Snyder ::: Born: March 1, 1966; Occupation: Film director;
Leelee Sobieski ::: Born: June 10, 1983; Occupation: Film actress;
Joseph Sobran ::: Born: February 23, 1946; Died: September 30, 2010; Occupation: Journalist;
Frederick Soddy ::: Born: September 2, 1877; Died: September 22, 1956;
Steven Soderbergh ::: Born: January 14, 1963; Occupation: Film Producer;
Michael Biehn ::: Born: July 31, 1956; Occupation: Actor;
Rebecca Solnit ::: Born: June 11, 1961; Occupation: Writer;
Hope Solo ::: Born: July 30, 1981; Occupation: Soccer player;
Solon ::: Born: 638 BC; Died: 558 BC; Occupation: Statesman;
Todd Solondz ::: Born: October 15, 1959; Occupation: Screenwriter;
Georg Solti ::: Born: October 21, 1912; Died: September 5, 1997; Occupation: Conductor;
Aleksandr Solzhenitsyn ::: Born: December 11, 1918; Died: August 3, 2008; Occupation: Novelist;
Jessica Biel ::: Born: March 3, 1982; Occupation: Actress;
Ian Somerhalder ::: Born: December 8, 1978; Occupation: Actor;
Suzanne Somers ::: Born: October 16, 1946; Occupation: Actress;
Stephen Sondheim ::: Born: March 22, 1930; Occupation: Composer;
Barry Sonnenfeld ::: Born: April 1, 1953; Occupation: Filmmaker;
-- Susan Sontag ::: Born: January 16, 1933; Died: December 28, 2004; Occupation: Writer;
Ambrose Bierce ::: Born: June 24, 1842; Died: 1914; Occupation: Journalist;
Theodore C. Sorensen ::: Born: May 8, 1928; Died: October 31, 2010; Occupation: Former White House Counsel;
Aaron Sorkin ::: Born: June 9, 1961; Occupation: Screenwriter;
George Soros ::: Born: August 12, 1930; Occupation: Business magnate;
Abdolkarim Soroush ::: Born: December 16, 1945; Occupation: Critic;
Shannyn Sossamon ::: Born: October 3, 1978; Occupation: Actress;
Sonia Sotomayor ::: Born: June 25, 1954; Occupation: Associate Justice of the Supreme Court of the United States;
David Soul ::: Born: August 28, 1943; Occupation: Actor;
Sister Souljah ::: Born: 1964; Occupation: Author;
John Philip Sousa ::: Born: November 6, 1854; Died: March 6, 1932; Occupation: Composer;
Kathryn Bigelow ::: Born: November 27, 1951; Occupation: Film director;
Andre Agassi ::: Born: April 29, 1970; Occupation: Tennis player;
Robert Southey ::: Born: August 12, 1774; Died: March 21, 1843; Occupation: Poet;
Thomas Sowell ::: Born: June 30, 1930; Occupation: Economist;
Wole Soyinka ::: Born: July 13, 1934; Occupation: Writer;
Kevin Spacey ::: Born: July 26, 1959; Occupation: Actor;
David Spade ::: Born: July 22, 1964; Occupation: Actor;
Muriel Spark ::: Born: February 1, 1918; Died: April 13, 2006; Occupation: Novelist;
Jordin Sparks ::: Born: December 22, 1989; Occupation: Singer-songwriter;
Nicholas Sparks ::: Born: December 31, 1965; Occupation: Novelist;
Boris Spassky ::: Born: January 30, 1937; Occupation: Chess Player;
Judy Biggert ::: Born: August 15, 1937; Occupation: Former U.S. Representative;
Britney Spears ::: Born: December 2, 1981; Occupation: Artist;
Arlen Specter ::: Born: February 12, 1930; Died: October 14, 2012; Occupation: Former United States Senator;
Regina Spektor ::: Born: February 18, 1980; Occupation: Singer-songwriter;
Tori Spelling ::: Born: May 16, 1973; Occupation: Actress;
Gerry Spence ::: Born: January 8, 1929; Occupation: Lawyer;
Ronald Biggs ::: Born: August 8, 1929; Died: December 18, 2013; Occupation: Actor;
Herbert Spencer ::: Born: April 27, 1820; Died: December 8, 1903; Occupation: Philosopher;
Octavia Spencer ::: Born: May 25, 1970; Occupation: Actress;
Oswald Spengler ::: Born: May 29, 1880; Died: May 8, 1936; Occupation: Philosopher;
Edmund Spenser ::: Born: 1552; Died: January 13, 1599; Occupation: Poet;
Penelope Spheeris ::: Born: December 2, 1945; Occupation: Film director;
Theodore Bikel ::: Born: May 2, 1924; Died: July 21, 2015; Occupation: Actor;
Art Spiegelman ::: Born: February 15, 1948; Occupation: Cartoonist;
Steven Spielberg ::: Born: December 18, 1946; Occupation: Film director;
Guy Spier ::: Born: February 4, 1966; Occupation: Author;
Mickey Spillane ::: Born: March 9, 1918; Died: July 17, 2006; Occupation: Author;
Jerry Spinelli ::: Born: February 1, 1941; Occupation: Writer;
Baruch Spinoza ::: Born: November 24, 1632; Died: February 21, 1677; Occupation: Philosopher;
Norman Spinrad ::: Born: September 15, 1940; Occupation: Author;
Steven Biko ::: Born: December 18, 1946; Died: September 12, 1977; Occupation: Activist;
Mark Spitz ::: Born: February 10, 1950; Occupation: Swimmer;
Eliot Spitzer ::: Born: June 10, 1959; Occupation: Former Governor of New York;
Benjamin Spock ::: Born: May 2, 1903; Died: March 15, 1998; Occupation: Pediatrician;
John Shelby Spong ::: Born: June 16, 1931; Occupation: Author;
Lysander Spooner ::: Born: January 19, 1808; Died: May 14, 1887; Occupation: Philosopher;
Buffalo Bill ::: Born: February 26, 1846; Died: January 10, 1917; Occupation: Hunter;
Jerry Springer ::: Born: February 13, 1944; Occupation: Former Mayor of Cincinnati;
Rick Springfield ::: Born: August 23, 1949; Occupation: Musician;
Bruce Springsteen ::: Born: September 23, 1949; Occupation: Musician;
Francis Spufford ::: Born: 1964; Occupation: Author;
Charles Spurgeon ::: Born: June 19, 1834; Died: January 31, 1892; Occupation: Preacher;
Debbie Stabenow ::: Born: April 29, 1950; Occupation: United States Senator;
Robert Stack ::: Born: January 13, 1919; Died: May 14, 2003; Occupation: Actor;
Madame de Stael ::: Born: April 22, 1766; Died: July 14, 1817; Occupation: Writer;
William Stafford ::: Born: January 17, 1914; Died: August 28, 1993; Occupation: Poet;
Josh Billings ::: Born: April 21, 1818; Died: October 14, 1885; Occupation: Humorist;
Nick Stahl ::: Born: December 5, 1979; Occupation: Actor;
Layne Staley ::: Born: August 22, 1967; Died: April 5, 2002; Occupation: Musician;
Joseph Stalin ::: Born: December 18, 1878; Died: March 5, 1953; Occupation: Former Premier of the Soviet Union;
Richard Stallman ::: Born: March 16, 1953; Occupation: Activist;
Sylvester Stallone ::: Born: July 6, 1946; Occupation: Actor;
John Stamos ::: Born: August 19, 1963; Occupation: Actor;
Terence Stamp ::: Born: July 22, 1938; Occupation: Actor;
Bud Abbott ::: Born: October 2, 1895; Died: April 24, 1974; Occupation: Actor;
Leland Stanford ::: Born: March 9, 1824; Died: June 21, 1893; Occupation: Former Governor of California;
Patti Stanger ::: Born: May 31, 1961; Occupation: Television personality;
Constantin Stanislavski ::: Born: January 17, 1863; Died: August 7, 1938; Occupation: Actor;
Charles Stanley ::: Born: September 25, 1932; Occupation: Pastor;
Henry Morton Stanley ::: Born: January 28, 1841; Died: May 10, 1904; Occupation: Journalist;
Paul Stanley ::: Born: January 20, 1952; Occupation: Guitarist;
Vivian Stanshall ::: Born: March 21, 1943; Died: March 5, 1995; Occupation: Singer;
Elizabeth Cady Stanton ::: Born: November 12, 1815; Died: October 26, 1902; Occupation: Activist;
Harry Dean Stanton ::: Born: July 14, 1926; Occupation: Actor;
Scott Stapp ::: Born: August 8, 1973; Occupation: Musician;
Freya Stark ::: Born: January 31, 1893; Died: May 9, 1993; Occupation: Explorer;
Johannes Stark ::: Born: April 15, 1874; Died: June 21, 1957; Occupation: Physicist;
Pete Stark ::: Born: November 11, 1931; Occupation: Former United States Representative;
Ringo Starr ::: Born: July 7, 1940; Occupation: Musician;
Roger Staubach ::: Born: February 5, 1942; Occupation: Football player;
Imelda Staunton ::: Born: January 9, 1956; Occupation: Actress;
Ralph Steadman ::: Born: May 15, 1936; Occupation: Cartoonist;
Danielle Steel ::: Born: August 14, 1947; Occupation: Novelist;
Michael Steele ::: Born: October 19, 1958; Occupation: American Politician;

Rachel Bilson ::: Born: August 25, 1981; Occupation: Actress;
Gwen Stefani ::: Born: October 3, 1969; Occupation: Singer-songwriter;
Lincoln Steffens ::: Born: April 6, 1866; Died: August 9, 1936;
Wallace Stegner ::: Born: February 18, 1909; Died: April 13, 1993; Occupation: Historian;
Edward Steichen ::: Born: March 27, 1879; Died: March 25, 1973; Occupation: Photographer;
William Steig ::: Born: November 14, 1907; Died: October 3, 2003; Occupation: Cartoonist;
Rod Steiger ::: Born: April 14, 1925; Died: July 9, 2002; Occupation: Actor;
Ben Stein ::: Born: November 25, 1944; Occupation: Actor;
Edith Stein ::: Born: October 12, 1891; Died: August 9, 1942; Occupation: Philosopher;
Garth Stein ::: Born: December 6, 1964; Occupation: Author;
Gertrude Stein ::: Born: February 3, 1874; Died: July 27, 1946; Occupation: Writer;
John Steinbeck ::: Born: February 27, 1902; Died: December 20, 1968; Occupation: Author;
Jack Steinberger ::: Born: May 25, 1921; Occupation: Physicist;
Maeve Binchy ::: Born: May 28, 1940; Died: July 30, 2012; Occupation: Novelist;
Gloria Steinem ::: Born: March 25, 1934; Occupation: Journalist;
George Steiner ::: Born: April 23, 1929; Occupation: Literary critic;
Rudolf Steiner ::: Born: February 27, 1861; Died: March 30, 1925; Occupation: Philosopher;
Stendhal ::: Born: January 23, 1783; Died: March 23, 1842; Occupation: Writer;
James Stephens ::: Born: February 9, 1882; Died: December 26, 1950; Occupation: Novelist;
Neal Stephenson ::: Born: October 31, 1959; Occupation: Author;
Bruce Sterling ::: Born: April 14, 1954; Occupation: Author;
Andy Stern ::: Born: November 22, 1950; Occupation: Business person;
Howard Stern ::: Born: January 12, 1954; Occupation: Radio personality;
Isaac Stern ::: Born: July 21, 1920; Died: September 22, 2001; Occupation: Violinist;
Jeff Bingaman ::: Born: October 3, 1943; Occupation: Former United States Senator;
Robert Sternberg ::: Born: December 8, 1949; Occupation: Psychologist;
Laurence Sterne ::: Born: November 24, 1713; Died: March 18, 1768; Occupation: Novelist;
Cat Stevens ::: Born: July 21, 1948; Occupation: Singer-songwriter;
Connie Stevens ::: Born: August 8, 1938; Occupation: Actress;
Dan Stevens ::: Born: October 10, 1982; Occupation: Actor;
George Stevens ::: Born: December 18, 1904; Died: March 8, 1975; Occupation: Film director;
Rachel Stevens ::: Born: April 9, 1978; Occupation: Singer-songwriter;
Wallace Stevens ::: Born: October 2, 1879; Died: August 2, 1955; Occupation: Poet;
Adlai E. Stevenson ::: Born: February 5, 1900; Died: July 14, 1965; Occupation: Former Governor of Illinois;
Juliette Binoche ::: Born: March 9, 1964; Occupation: Actress;
Parker Stevenson ::: Born: June 4, 1952; Occupation: Film actor;
Robert Louis Stevenson ::: Born: November 13, 1850; Died: December 3, 1894; Occupation: Novelist;
Alana Stewart ::: Born: May 18, 1945; Occupation: Actress;
Jon Stewart ::: Born: November 28, 1962; Occupation: Satirist;
Kristen Stewart ::: Born: April 9, 1990; Occupation: Actress;
Martha Stewart ::: Born: August 3, 1941; Occupation: Writer;
Patrick Stewart ::: Born: July 13, 1940; Occupation: Film actor;
Potter Stewart ::: Born: January 23, 1915; Died: December 7, 1985; Occupation: Former Associate Justice of the Supreme Court of the United States;
Rod Stewart ::: Born: January 10, 1945; Occupation: Singer-songwriter;
Brad Bird ::: Born: September 24, 1957; Occupation: Screenwriter;
Mark Steyn ::: Born: December 8, 1959; Occupation: Writer;
Maggie Stiefvater ::: Born: November 18, 1981; Occupation: Writer;
Alfred Stieglitz ::: Born: January 1, 1864; Died: July 13, 1946; Occupation: Photographer;
David Ogden Stiers ::: Born: October 31, 1942; Occupation: Actor;
Joseph Stiglitz ::: Born: February 9, 1943; Occupation: Economist;
Julia Stiles ::: Born: March 28, 1981; Occupation: Actress;
Ryan Stiles ::: Born: April 22, 1959; Occupation: Actor;
Larry Bird ::: Born: December 7, 1956; Occupation: Basketball Coach;
Ben Stiller ::: Born: November 30, 1965; Occupation: Actor;
Jerry Stiller ::: Born: June 8, 1927; Occupation: Comedian;
Henry L. Stimson ::: Born: September 21, 1867; Died: October 20, 1950; Occupation: Former Governor-General of the Philippines;
R. L. Stine ::: Born: October 8, 1943; Occupation: Writer;
Sting ::: Born: October 2, 1951; Occupation: Musician;
Michael Stipe ::: Born: January 4, 1960; Occupation: Singer;
Max Stirner ::: Born: October 25, 1806; Died: June 26, 1856; Occupation: Philosopher;
James Stockdale ::: Born: December 23, 1923; Died: July 5, 2005;
Kathryn Stockett ::: Born: 1969; Occupation: Novelist;
Karlheinz Stockhausen ::: Born: August 22, 1928; Died: December 5, 2007; Occupation: Composer;
Bram Stoker ::: Born: November 8, 1847; Died: April 20, 1912; Occupation: Novelist;
Eric Stoltz ::: Born: September 30, 1961; Occupation: Actor;
Angie Stone ::: Born: December 19, 1961; Occupation: Singer-songwriter;
Curtis Stone ::: Born: November 4, 1975; Occupation: Chef;
Emma Stone ::: Born: November 6, 1988; Occupation: Actress;
Joss Stone ::: Born: April 11, 1987; Occupation: Singer-songwriter;
Lara Stone ::: Born: December 20, 1983; Occupation: Model;
Oliver Stone ::: Born: September 15, 1946; Occupation: Film director;
Robert Stone ::: Born: August 21, 1937; Died: January 10, 2015; Occupation: Novelist;
Roger Stone ::: Born: 1952; Occupation: Political Consultant;
Sharon Stone ::: Born: March 10, 1958; Occupation: Actress;
Augustine Birrell ::: Born: January 19, 1850; Died: November 20, 1933; Occupation: Chief Secretary to the Lord Lieutenant of Ireland;
W. Clement Stone ::: Born: May 4, 1902; Died: September 3, 2002; Occupation: Author;
Tom Stoppard ::: Born: July 3, 1937; Occupation: Playwright;
Joseph Story ::: Born: September 18, 1779; Died: September 10, 1845; Occupation: Former Associate Justice of the Supreme Court of the United States;
John Stossel ::: Born: March 6, 1947; Occupation: Reporter;
John Stott ::: Born: April 27, 1921; Died: July 27, 2011; Occupation: Author;
Rex Stout ::: Born: December 1, 1886; Died: October 27, 1975; Occupation: Writer;
Harriet Beecher Stowe ::: Born: June 14, 1811; Died: July 1, 1896; Occupation: Author;
Madeleine Stowe ::: Born: August 18, 1958; Occupation: Actress;
Gordon Strachan ::: Born: February 9, 1957; Occupation: Soccer player;
Elizabeth Bishop ::: Born: February 8, 1911; Died: October 6, 1979; Occupation: Poet;
Lytton Strachey ::: Born: March 1, 1880; Died: January 21, 1932; Occupation: Writer;
J. Michael Straczynski ::: Born: July 17, 1954; Occupation: Writer;
George Strait ::: Born: May 18, 1952; Occupation: Singer;
Mark Strand ::: Born: April 11, 1934; Died: November 29, 2014; Occupation: Poet;
Lee Strasberg ::: Born: November 17, 1901; Died: February 17, 1982; Occupation: Film actor;
Dorothy Stratten ::: Born: February 28, 1960; Died: August 14, 1980; Occupation: Playmate;
Peter Straub ::: Born: March 2, 1943; Occupation: Author;
David Friedrich Strauss ::: Born: January 27, 1808; Died: February 8, 1874; Occupation: Writer;
Julie Bishop ::: Born: July 17, 1956; Occupation: Member of the Australian House of Representatives;
Igor Stravinsky ::: Born: June 17, 1882; Died: April 6, 1971; Occupation: Composer;
Cheryl Strayed ::: Born: September 17, 1968; Occupation: Novelist;
Billy Strayhorn ::: Born: November 29, 1915; Died: May 31, 1967; Occupation: Composer;
Meryl Streep ::: Born: June 22, 1949; Occupation: Actress;
Barbra Streisand ::: Born: April 24, 1942; Occupation: Singer-songwriter;
Gustav Stresemann ::: Born: May 10, 1878; Died: October 3, 1929; Occupation: German Politician;
August Strindberg ::: Born: January 22, 1849; Died: May 14, 1912; Occupation: Playwright;
Elaine Stritch ::: Born: February 2, 1925; Died: July 17, 2014; Occupation: Actress;
Lee Strobel ::: Born: January 25, 1952; Occupation: Author;
Danny Strong ::: Born: June 6, 1974; Occupation: Actor;
Mark Strong ::: Born: August 5, 1963; Died: 1946; Occupation: Film actor;
Maurice Strong ::: Born: April 29, 1929; Died: November 27, 2015;
Tara Strong ::: Born: February 12, 1973; Occupation: Actress;
Jonathan Stroud ::: Born: October 27, 1970; Occupation: Writer;
Bjarne Stroustrup ::: Born: December 30, 1950; Occupation: Scientist;
Elizabeth Strout ::: Born: January 6, 1956; Occupation: Author;
Joe Strummer ::: Born: August 21, 1952; Died: December 22, 2002; Occupation: Musician;
William Strunk, Jr. ::: Born: July 1, 1869; Died: September 26, 1946; Occupation: Professor;
Gloria Stuart ::: Born: July 4, 1910; Died: September 26, 2010; Occupation: Actress;
Otto von Bismarck ::: Born: April 1, 1815; Died: July 30, 1898; Occupation: Statesman;
Ruben Studdard ::: Born: September 12, 1978; Occupation: Singer;
Michael Stuhlbarg ::: Born: July 5, 1968; Occupation: Film actor;
Theodore Sturgeon ::: Born: February 26, 1918; Died: May 8, 1985; Occupation: Writer;
Peter Stuyvesant ::: Born: 1612; Occupation: Political figure;
Harry Styles ::: Born: February 1, 1994; Occupation: Singer;
William Styron ::: Born: June 11, 1925; Died: November 1, 2006; Occupation: Novelist;
Alan Sugar ::: Born: March 24, 1947; Occupation: Business person;
Anna Sui ::: Born: August 4, 1964; Occupation: Fashion designer;
Andrew Sullivan ::: Born: August 10, 1963; Occupation: Author;
Jacqueline Bisset ::: Born: September 13, 1944; Occupation: Actress;
Harry Stack Sullivan ::: Born: February 21, 1892; Died: January 14, 1949; Occupation: Psychiatrist;
J. Courtney Sullivan ::: Born: 1982; Occupation: Novelist;
Arthur Hays Sulzberger ::: Born: September 12, 1891; Died: December 11, 1968; Occupation: Newspaper publisher;
Donna Summer ::: Born: December 31, 1948; Died: May 17, 2012; Occupation: Singer-songwriter;
Andy Summers ::: Born: December 31, 1942; Occupation: Guitarist;
Lawrence Summers ::: Born: November 30, 1954; Occupation: Former Undersecretary for International Affairs;
William Graham Sumner ::: Born: October 30, 1840; Died: April 12, 1910; Occupation: Political scientist;
Jeremy Sumpter ::: Born: February 5, 1989; Occupation: Actor;
Billy Sunday ::: Born: November 19, 1862; Died: November 6, 1935; Occupation: Evangelist;
Cass Sunstein ::: Born: September 21, 1954; Occupation: Legal Scholar;
James Surowiecki ::: Born: 1967; Occupation: Journalist;
Jacqueline Susann ::: Born: August 20, 1918; Died: September 21, 1974; Occupation: Novelist;
Mark Bittman ::: Born: 1950; Occupation: Journalist;
Kiefer Sutherland ::: Born: December 21, 1966; Occupation: Actor;
Mena Suvari ::: Born: February 13, 1979; Occupation: Actress;
David Suzuki ::: Born: March 24, 1936; Occupation: Professor;
Shunryu Suzuki ::: Born: May 18, 1904; Died: December 4, 1971;
Italo Svevo ::: Born: December 19, 1861; Died: September 13, 1928; Occupation: Writer;
Jimmy Swaggart ::: Born: March 15, 1935; Occupation: Televangelist;
Radhanath Swami ::: Born: December 7, 1950; Occupation: Author;
Candice Swanepoel ::: Born: October 20, 1988; Occupation: Model;
Hilary Swank ::: Born: July 30, 1974; Occupation: Actress;
Gloria Swanson ::: Born: March 27, 1899; Died: April 4, 1983; Occupation: Actress;
Patrick Swayze ::: Born: August 18, 1952; Died: September 14, 2009; Occupation: Actor;
Keith Sweat ::: Born: July 22, 1961; Occupation: Singer-songwriter;
Emanuel Swedenborg ::: Born: January 29, 1688; Died: March 29, 1772; Occupation: Scientist;
Alison Sweeney ::: Born: September 19, 1976; Occupation: Actress;
Bjork ::: Born: November 21, 1965; Occupation: Singer-songwriter;
John J. Sweeney ::: Born: May 5, 1934; Occupation: Labor leader;
Julia Sweeney ::: Born: October 10, 1959; Occupation: Actress;
Jodi Sweetin ::: Born: January 19, 1982; Occupation: Actress;
Graham Swift ::: Born: May 4, 1949; Occupation: Film writer;
Jonathan Swift ::: Born: November 30, 1667; Died: October 19, 1745; Occupation: Pamphleteer;
Taylor Swift ::: Born: December 13, 1989; Occupation: Singer-songwriter;
Algernon Charles Swinburne ::: Born: April 5, 1837; Died: April 10, 1909; Occupation: Poet;
Charles R. Swindoll ::: Born: October 18, 1934; Occupation: Pastor;
Sheryl Swoopes ::: Born: March 25, 1971; Occupation: Basketball player;
Herbert Bayard Swope ::: Born: January 5, 1882; Died: June 20, 1958; Occupation: Journalist;
Thomas Sydenham ::: Born: September 10, 1624; Died: December 29, 1689; Occupation: Physician;
Max von Sydow ::: Born: April 10, 1929; Occupation: Actor;
Wanda Sykes ::: Born: March 7, 1964; Occupation: Comedian;
Michael Symon ::: Born: September 19, 1969; Occupation: Chef;
John Millington Synge ::: Born: April 16, 1871; Died: March 24, 1909; Occupation: Playwright;
Thomas Szasz ::: Born: April 15, 1920; Died: September 8, 2012; Occupation: Psychiatrist;
Leo Szilard ::: Born: February 11, 1898; Died: May 30, 1964; Occupation: Physicist;
Jessica Szohr ::: Born: March 31, 1985; Occupation: Actress;
Wislawa Szymborska ::: Born: July 2, 1923; Died: February 1, 2012; Occupation: Poet;
Kim Il-sung ::: Born: April 15, 1912; Died: July 8, 1994; Occupation: Former President of North Korea;
Claudia Black ::: Born: October 11, 1972; Occupation: Actress;
James Agee ::: Born: November 27, 1909; Died: May 16, 1955; Occupation: Author;
Henri de Toulouse-Lautrec ::: Born: November 24, 1864; Died: September 9, 1901; Occupation: Painter;
T-Pain ::: Born: September 30, 1985; Occupation: Singer-songwriter;
Ice T ::: Born: February 16, 1958; Occupation: Rapper;
Alex Tabarrok ::: Born: 1966; Occupation: Economist;
Antonio Tabucchi ::: Born: September 24, 1943; Died: March 25, 2012; Occupation: Writer;
Tacitus ::: Born: 56; Died: 117; Occupation: Historian;
Joni Eareckson Tada ::: Born: October 15, 1949; Occupation: Author;
Bob Taft ::: Born: January 8, 1942; Occupation: Politician;
William Howard Taft ::: Born: September 15, 1857; Died: March 8, 1930; Occupation: 27th U.S. President;
Rabindranath Tagore ::: Born: May 7, 1861; Died: August 7, 1941; Occupation: Author;
George Takei ::: Born: April 20, 1937; Occupation: Actor;
Jalal Talabani ::: Born: November 12, 1933; Occupation: President of Iraq;
Al-Waleed bin Talal ::: Born: March 7, 1955; Occupation: Businessman;
Jim Talent ::: Born: October 18, 1956; Occupation: Former U.S. Senator;
Gay Talese ::: Born: February 7, 1932; Occupation: Author;
Andre Leon Talley ::: Born: October 16, 1949; Occupation: Editor;
Charles Maurice de Talleyrand ::: Born: February 2, 1754; Died: May 17, 1838; Occupation: Former Minister of Foreign Affairs;
Amber Tamblyn ::: Born: May 14, 1983; Occupation: Actress;
Oliver Tambo ::: Born: October 27, 1917; Died: April 24, 1993; Occupation: South African Politician;
Daniel Tammet ::: Born: January 31, 1979; Occupation: Writer;
Amy Tan ::: Born: February 19, 1952; Occupation: Film writer;
Yves Tanguy ::: Born: January 5, 1900; Died: January 15, 1955;
Yoshio Taniguchi ::: Born: 1937; Occupation: Architect;
Junichiro Tanizaki ::: Born: July 24, 1886; Died: July 30, 1965; Occupation: Author;
Serj Tankian ::: Born: August 21, 1967; Occupation: Singer-songwriter;
Quentin Tarantino ::: Born: March 27, 1963; Occupation: Film director;
Booth Tarkington ::: Born: July 29, 1869; Died: May 19, 1946; Occupation: Novelist;
Donna Tartt ::: Born: December 23, 1963; Occupation: Writer;
Torquato Tasso ::: Born: March 11, 1544; Died: April 25, 1595; Occupation: Poet;
Ratan Tata ::: Born: December 28, 1937; Occupation: Businessman;
Allen Tate ::: Born: November 19, 1899; Died: February 9, 1979; Occupation: Poet;
Hugo Black ::: Born: February 27, 1886; Died: September 25, 1971; Occupation: Former Associate Justice of the Supreme Court of the United States;
Sharon Tate ::: Born: January 24, 1943; Died: August 9, 1969; Occupation: Actress;
Johannes Tauler ::: Born: 1300; Died: June 15, 1361; Occupation: Preacher;
Audrey Tautou ::: Born: August 9, 1976; Occupation: Actress;
Jack Black ::: Born: August 28, 1969; Occupation: Actor;
A. J. P. Taylor ::: Born: March 25, 1906; Died: September 7, 1990; Occupation: Historian;
Christine Taylor ::: Born: July 30, 1971; Occupation: Actress;
Elizabeth Taylor ::: Born: February 27, 1932; Died: March 23, 2011; Occupation: Actress;
James Taylor ::: Born: March 12, 1948; Occupation: Singer-songwriter;
Laini Taylor ::: Born: December 11, 1971; Occupation: Author;
Lili Taylor ::: Born: February 20, 1967; Occupation: Actress;
Mick Taylor ::: Born: January 17, 1949; Occupation: Musician;
Paul Taylor ::: Born: July 29, 1930; Occupation: Ballet choreographer;
Rachael Taylor ::: Born: July 11, 1984; Occupation: Actress;
Rod Taylor ::: Born: January 11, 1930; Died: January 7, 2015; Occupation: Actor;
Susan L. Taylor ::: Born: January 23, 1946; Occupation: Editor;
Michelle Tea ::: Born: 1971; Occupation: Author;
Edwin Way Teale ::: Born: June 2, 1899; Died: October 18, 1980; Occupation: Naturalist;
Sara Teasdale ::: Born: August 8, 1884; Died: January 29, 1933; Occupation: Poet;
Tim Tebow ::: Born: August 14, 1987; Occupation: Football player;

Aimee Teegarden ::: Born: October 10, 1989; Occupation: Actress;
Edward Teller ::: Born: January 15, 1908; Died: September 9, 2003; Occupation: Physicist;
Lewis Black ::: Born: August 30, 1948; Occupation: Comedian;
Miles Teller ::: Born: February 20, 1987; Occupation: Film actor;
Tinie Tempah ::: Born: November 7, 1988; Occupation: Rapper;
Juno Temple ::: Born: July 21, 1989; Occupation: Actress;
Shirley Temple ::: Born: April 23, 1928; Died: February 10, 2014; Occupation: Film actress;
John Templeton ::: Born: November 29, 1912; Died: July 8, 2008; Occupation: Investor;
Sachin Tendulkar ::: Born: April 24, 1973; Occupation: Cricketer;
Neil Tennant ::: Born: July 10, 1954; Occupation: Musician;
Alfred Lord Tennyson ::: Born: August 5, 1809; Died: October 6, 1892; Occupation: Poet;
Sheri S. Tepper ::: Born: July 16, 1929; Died: October 22, 2016; Occupation: Author;
Michael Ian Black ::: Born: August 12, 1971; Occupation: Comedian;
Mother Teresa ::: Born: August 26, 1910; Died: September 5, 1997; Occupation: Saint;
Valentina Tereshkova ::: Born: March 6, 1937; Occupation: Cosmonaut;
Lee Tergesen ::: Born: July 8, 1965; Occupation: Actor;
Studs Terkel ::: Born: May 16, 1912; Died: October 31, 2008; Occupation: Author;
Randall Terry ::: Born: 1959;
Sonny Terry ::: Born: October 24, 1911; Died: March 11, 1986; Occupation: Musician;
Tertullian ::: Born: 160; Died: 220; Occupation: Author;
John Tesh ::: Born: July 9, 1952; Occupation: Pianist;
Nikola Tesla ::: Born: July 10, 1856; Died: January 7, 1943; Occupation: Inventor;
William Makepeace Thackeray ::: Born: July 18, 1811; Died: December 24, 1863; Occupation: Novelist;
U Thant ::: Born: January 22, 1909; Died: November 25, 1974; Occupation: Diplomat;
Twyla Tharp ::: Born: July 1, 1941; Occupation: Dancer;
Margaret Thatcher ::: Born: October 13, 1925; Died: April 8, 2013; Occupation: Former Prime Minister of the United Kingdom;
Charlize Theron ::: Born: August 7, 1975; Occupation: Actress;
Alexander Theroux ::: Born: August 17, 1939; Occupation: Novelist;
Paul Theroux ::: Born: April 10, 1941; Occupation: Film writer;
David Thewlis ::: Born: March 20, 1963; Occupation: Actor;
Alan Thicke ::: Born: March 1, 1947; Died: December 13, 2016; Occupation: Actor;
Olivia Thirlby ::: Born: October 6, 1986; Occupation: Actress;
Cal Thomas ::: Born: 1942; Occupation: Columnist;
Clarence Thomas ::: Born: June 23, 1948; Occupation: Associate Justice of the Supreme Court of the United States;
Dylan Thomas ::: Born: October 27, 1914; Died: November 9, 1953; Occupation: Poet;
Helen Thomas ::: Born: August 4, 1920; Died: July 20, 2013; Occupation: Author;
Ritchie Blackmore ::: Born: April 14, 1945; Occupation: Guitarist;
Kristin Scott Thomas ::: Born: May 24, 1960; Occupation: Actress;
Lewis Thomas ::: Born: November 25, 1913; Died: December 3, 1993; Occupation: Physician;
Marlo Thomas ::: Born: November 21, 1937; Occupation: Actress;
Michael Tilson Thomas ::: Born: December 21, 1944; Occupation: Conductor;
Norman Thomas ::: Born: November 20, 1884; Died: December 19, 1968;
Sean Patrick Thomas ::: Born: December 17, 1970; Occupation: Actor;
Andrea Thompson ::: Born: May 22, 1959; Occupation: Actress;
Harry A. Blackmun ::: Born: November 12, 1908; Died: March 4, 1999; Occupation: Former Associate Justice of the Supreme Court of the United States;
Dorothy Thompson ::: Born: July 9, 1893; Died: January 30, 1961; Occupation: Journalist;
Emma Thompson ::: Born: April 15, 1959; Occupation: Actress;
Francis Thompson ::: Born: December 16, 1859; Died: November 13, 1907; Occupation: Poet;
Fred Thompson ::: Born: August 19, 1942; Died: November 1, 2015; Occupation: Former United States Senator;
Hunter S. Thompson ::: Born: July 18, 1937; Died: February 20, 2005; Occupation: Journalist;
Kay Thompson ::: Born: November 9, 1909; Died: July 2, 1998; Occupation: Author;
William Blackstone ::: Born: July 10, 1723; Died: February 14, 1780; Occupation: Jurist;
Ken Thompson ::: Born: February 4, 1943; Occupation: Computer Designer;
Lea Thompson ::: Born: May 31, 1961; Occupation: Actress;
Mike Thompson ::: Born: January 24, 1951; Occupation: U.S. Representative;
Richard Thompson ::: Born: April 3, 1949; Died: 1908; Occupation: Songwriter;
William Irwin Thompson ::: Born: July 16, 1938; Occupation: Critic;
Virgil Thomson ::: Born: November 25, 1896; Died: September 30, 1989; Occupation: Composer;
Brad Thor ::: Born: 1969; Occupation: Novelist;
Henry David Thoreau ::: Born: July 12, 1817; Died: May 6, 1862; Occupation: Author;
Mac Thornberry ::: Born: July 15, 1958; Occupation: U.S. Representative;
Dick Thornburgh ::: Born: July 16, 1932; Occupation: Former Governor of Pennsylvania;
Edward Thorndike ::: Born: August 31, 1874; Died: August 9, 1949; Occupation: Psychologist;
Kerry Thornley ::: Born: April 17, 1938; Died: November 28, 1998; Occupation: Author;
Billy Bob Thornton ::: Born: August 4, 1955; Occupation: Actor;
George Thorogood ::: Born: February 24, 1950; Occupation: Vocalist;
Ian Thorpe ::: Born: October 13, 1982; Occupation: Swimmer;
Johnny Thunders ::: Born: July 15, 1952; Died: April 23, 1991; Occupation: Guitarist;
John Thune ::: Born: January 7, 1961; Occupation: United States Senator;
Elizabeth Blackwell ::: Born: February 3, 1821; Died: May 31, 1910; Occupation: Medical Doctor;
James Thurber ::: Born: December 8, 1894; Died: November 2, 1961; Occupation: Cartoonist;
Howard Thurman ::: Born: 1899; Died: April 10, 1981; Occupation: Author;
Uma Thurman ::: Born: April 29, 1970; Occupation: Actress;
Strom Thurmond ::: Born: December 5, 1902; Died: June 26, 2003; Occupation: Former United States Senator;
Todd Tiahrt ::: Born: June 15, 1951; Occupation: Former U.S. Representative;
Cheryl Tiegs ::: Born: September 25, 1947; Occupation: Model;
Gene Tierney ::: Born: November 19, 1920; Died: November 6, 1991; Occupation: Film actress;
Paul Tillich ::: Born: August 20, 1886; Died: October 22, 1965; Occupation: Philosopher;

Justin Timberlake ::: Born: January 31, 1981; Occupation: Singer-songwriter;
Michael Tippett ::: Born: January 2, 1905; Died: January 8, 1998; Occupation: Composer;
Ashley Tisdale ::: Born: July 2, 1985; Occupation: Actress;
TobyMac ::: Born: October 22, 1964; Occupation: Recording Artist;
Alexis de Tocqueville ::: Born: July 29, 1805; Died: April 16, 1859; Occupation: Historian;
Alvin Toffler ::: Born: October 4, 1928; Died: June 27, 2016; Occupation: Writer;
Spiro T. Agnew ::: Born: November 9, 1918; Died: September 17, 1996; Occupation: Former Vice President of the United States;
Ieyasu Tokugawa ::: Born: January 31, 1543; Died: June 1, 1616;
J. R. R. Tolkien ::: Born: January 3, 1892; Died: September 2, 1973; Occupation: Writer;
Eckhart Tolle ::: Born: February 16, 1948; Occupation: Author;
Leo Tolstoy ::: Born: September 9, 1828; Died: November 20, 1910; Occupation: Writer;
Clyde Tombaugh ::: Born: February 4, 1906; Died: January 17, 1997; Occupation: Astronomer;
Marisa Tomei ::: Born: December 4, 1964; Occupation: Film actress;
Lily Tomlin ::: Born: September 1, 1939; Occupation: Actress;
Louis Tomlinson ::: Born: December 24, 1991; Occupation: Singer-songwriter;
Rod Blagojevich ::: Born: December 10, 1956; Occupation: Former Governor of Illinois;
Robert Toombs ::: Born: July 2, 1810; Died: December 15, 1885; Occupation: Former U.S. Senator;
Jean Toomer ::: Born: December 26, 1894; Died: March 30, 1967; Occupation: Poet;
Carrot Top ::: Born: February 25, 1965; Occupation: Comedian;
Peter Tork ::: Born: February 13, 1942; Occupation: Musician;
Mel Torme ::: Born: September 13, 1925; Died: June 5, 1999; Occupation: Musician;
Rip Torn ::: Born: February 6, 1931; Occupation: Actor;
Benicio Del Toro ::: Born: February 19, 1967; Occupation: Actor;
Manolo Blahnik ::: Born: November 28, 1942; Occupation: Fashion designer;
Guillermo del Toro ::: Born: October 9, 1964; Occupation: Film director;
Anna Torv ::: Born: June 7, 1979; Occupation: Actress;
Linus Torvalds ::: Born: December 28, 1969; Occupation: Software Engineer;
Arturo Toscanini ::: Born: March 25, 1867; Died: January 16, 1957; Occupation: Conductor;
Daniel Tosh ::: Born: May 29, 1975; Occupation: Comedian;
Peter Tosh ::: Born: October 19, 1944; Died: September 11, 1987; Occupation: Musician;
Pete Townshend ::: Born: May 19, 1945; Occupation: Musician;
Arnold J. Toynbee ::: Born: April 14, 1889; Died: October 22, 1975; Occupation: Historian;
Polly Toynbee ::: Born: December 27, 1946; Occupation: Journalist;
Aiden Wilson Tozer ::: Born: April 21, 1897; Died: May 12, 1963; Occupation: Author;
Michelle Trachtenberg ::: Born: October 11, 1985; Occupation: Actress;
Spencer Tracy ::: Born: April 5, 1900; Died: June 10, 1967; Occupation: Actor;
Georg Trakl ::: Born: February 3, 1887; Died: November 3, 1914; Occupation: Poet;
Dennis C. Blair ::: Born: February 4, 1947;
Tomas Transtromer ::: Born: April 15, 1931; Died: March 26, 2015; Occupation: Poet;
P. L. Travers ::: Born: August 9, 1899; Died: April 23, 1996; Occupation: Novelist;
Randy Travis ::: Born: May 4, 1959; Occupation: Singer-songwriter;
John Travolta ::: Born: February 18, 1954; Occupation: Actor;
Luke Treadaway ::: Born: September 10, 1984; Occupation: Film actor;
Alex Trebek ::: Born: July 22, 1940; Occupation: Television personality;
Herbert Beerbohm Tree ::: Born: December 17, 1852; Died: July 2, 1917; Occupation: Actor;
Rose Tremain ::: Born: August 2, 1943; Occupation: Author;
Charles Trevelyan ::: Born: April 2, 1807; Died: June 19, 1886;
G. M. Trevelyan ::: Born: February 16, 1876; Died: July 21, 1962; Occupation: Historian;
William Trevor ::: Born: May 24, 1928; Died: November 21, 2016; Occupation: Novelist;
Obie Trice ::: Born: November 14, 1977; Occupation: Rapper;
Jayson Blair ::: Born: March 23, 1976; Occupation: Journalist;
Lars von Trier ::: Born: April 30, 1956; Occupation: Film director;
Calvin Trillin ::: Born: December 5, 1935; Occupation: Journalist;
Lionel Trilling ::: Born: July 4, 1905; Died: November 5, 1975; Occupation: Literary critic;
Linda Tripp ::: Born: November 24, 1949; Occupation: Lawsuit;
Travis Tritt ::: Born: February 9, 1963; Occupation: Singer;
Anthony Trollope ::: Born: April 24, 1815; Died: December 6, 1882; Occupation: Novelist;
Leon Trotsky ::: Born: November 7, 1879; Died: August 21, 1940; Occupation: Revolutionary;
Mike Trout ::: Born: August 7, 1991; Occupation: Baseball Player;
Verne Troyer ::: Born: January 1, 1969; Occupation: Actor;
Linda Blair ::: Born: January 22, 1959; Occupation: Actress;
Garry Trudeau ::: Born: July 21, 1948; Occupation: Cartoonist;
Pierre Trudeau ::: Born: October 18, 1919; Died: September 28, 2000; Occupation: Former Prime Minister of Canada;
Francois Truffaut ::: Born: February 6, 1932; Died: October 21, 1984; Occupation: Film director;
Bess Truman ::: Born: February 13, 1885; Died: October 18, 1982; Occupation: Former First Lady of the United States;
Harry S. Truman ::: Born: May 8, 1884; Died: December 26, 1972; Occupation: 33rd U.S. President;
Dalton Trumbo ::: Born: December 9, 1905; Died: September 10, 1976; Occupation: Screenwriter;
Richard Trumka ::: Born: July 24, 1949;
Donald Trump ::: Born: June 14, 1946; Occupation: 45th President of the United States;
Ivana Trump ::: Born: February 20, 1949; Occupation: Athlete;
Ivanka Trump ::: Born: October 30, 1981; Occupation: Businesswoman;
Chogyam Trungpa ::: Born: February 28, 1939; Died: April 4, 1987; Occupation: Teacher;

Selma Blair ::: Born: June 23, 1972; Occupation: Film actress;
Paul Tsongas ::: Born: February 14, 1941; Died: January 18, 1997; Occupation: Former United States Senator;
Yamamoto Tsunetomo ::: Born: June 11, 1659; Died: November 30, 1719;
Marina Tsvetaeva ::: Born: October 8, 1892; Died: August 31, 1941; Occupation: Poet;

Stanley Tucci ::: Born: November 11, 1960; Occupation: Actor;
Barbara Tuchman ::: Born: January 30, 1912; Died: February 6, 1989; Occupation: Historian;
Benjamin Tucker ::: Born: April 17, 1854; Died: June 22, 1939;
Chris Tucker ::: Born: August 31, 1971; Occupation: Actor;
Tony Blair ::: Born: May 6, 1953; Occupation: Former Prime Minister of the United Kingdom;
Sophie Tucker ::: Born: January 13, 1887; Died: February 9, 1966; Occupation: Singer;
Tanya Tucker ::: Born: October 10, 1958; Occupation: Musical Artist;
Edward Tufte ::: Born: March 14, 1942; Occupation: Statistician;
John Tukey ::: Born: June 16, 1915; Died: July 26, 2000; Occupation: Statistician;
Gene Tunney ::: Born: May 25, 1897; Died: November 7, 1978; Occupation: Professional Boxer;
Ivan Turgenev ::: Born: November 9, 1818; Died: September 3, 1883; Occupation: Novelist;
Alan Turing ::: Born: June 23, 1912; Died: June 7, 1954; Occupation: Mathematician;
Christy Turlington ::: Born: January 2, 1969; Occupation: Fashion model;
Malcolm Turnbull ::: Born: October 24, 1954; Occupation: Member of the Australian Parliament;
Ike Turner ::: Born: November 5, 1931; Died: December 12, 2007; Occupation: Musician;
Josh Turner ::: Born: November 20, 1977; Occupation: Singer;
Kathleen Turner ::: Born: June 19, 1954; Occupation: Film actress;
Lana Turner ::: Born: February 8, 1921; Died: June 29, 1995; Occupation: Film actress;
Nat Turner ::: Born: October 2, 1800; Died: November 11, 1831;
Ted Turner ::: Born: November 19, 1938; Occupation: Businessman;
Tina Turner ::: Born: November 26, 1939; Occupation: Singer;
Scott Turow ::: Born: April 12, 1949; Occupation: Author;
Aida Turturro ::: Born: September 25, 1962; Occupation: Actress;
Donald Tusk ::: Born: April 22, 1957; Occupation: Prime Minister of Poland;
Desmond Tutu ::: Born: October 7, 1931; Occupation: Activist;
Mark Twain ::: Born: November 30, 1835; Died: April 21, 1910; Occupation: Author;
Shania Twain ::: Born: August 28, 1965; Occupation: Singer-songwriter;
Boss Tweed ::: Born: April 3, 1823; Died: April 12, 1878; Occupation: New York State Senator;
Aisha Tyler ::: Born: September 18, 1970; Occupation: Actress;
Anne Tyler ::: Born: October 25, 1941; Occupation: Novelist;
John Tyler ::: Born: March 29, 1790; Died: January 18, 1862; Occupation: 10th U.S. President;
Liv Tyler ::: Born: July 1, 1977; Occupation: Actress;
Steven Tyler ::: Born: March 26, 1948; Occupation: Singer-songwriter;
Edward Burnett Tylor ::: Born: October 2, 1832; Died: January 2, 1917; Occupation: Anthropologist;
Yulia Tymoshenko ::: Born: November 27, 1960; Occupation: Former Prime Minister of Ukraine;
William Tyndale ::: Born: 1494; Died: October 6, 1536;
Cicely Tyson ::: Born: December 19, 1933; Occupation: Actress;
Mike Tyson ::: Born: June 30, 1966; Occupation: Professional Boxer;
Neil deGrasse Tyson ::: Born: October 5, 1958; Occupation: Astrophysicist;
Tristan Tzara ::: Born: April 16, 1896; Died: December 25, 1963; Occupation: Poet;
Sam Taylor-Wood ::: Born: March 4, 1967; Occupation: Filmmaker;
William Blake ::: Born: November 28, 1757; Died: August 12, 1827; Occupation: Poet;
Mark Udall ::: Born: July 18, 1950; Occupation: United States Senator;
Tom Udall ::: Born: May 18, 1948; Occupation: United States Senator;
Morihei Ueshiba ::: Born: December 14, 1883; Died: April 26, 1969; Occupation: Martial Artist;
Walter Ulbricht ::: Born: June 30, 1893; Died: August 1, 1973; Occupation: German Politician;
Tracey Ullman ::: Born: December 30, 1959; Occupation: Actress;
Lars Ulrich ::: Born: December 26, 1963; Occupation: Drummer;
Skeet Ulrich ::: Born: January 20, 1970; Occupation: Actor;
Miguel de Unamuno ::: Born: September 29, 1864; Died: December 31, 1936; Occupation: Novelist;
Evelyn Underhill ::: Born: December 6, 1875; Died: June 15, 1941; Occupation: Writer;
Blair Underwood ::: Born: August 25, 1964; Occupation: Film actor;
Carrie Underwood ::: Born: March 10, 1983; Occupation: Singer-songwriter;
Sigrid Undset ::: Born: May 20, 1882; Died: June 10, 1949; Occupation: Novelist;
Roberto Unger ::: Born: March 24, 1947; Occupation: Philosopher;
Gabrielle Union ::: Born: October 29, 1972; Occupation: Actress;
John Updike ::: Born: March 18, 1932; Died: January 27, 2009; Occupation: Novelist;
Fred Upton ::: Born: April 23, 1953; Occupation: U.S. Representative;
Karl Urban ::: Born: June 7, 1972; Occupation: Actor;
Keith Urban ::: Born: October 26, 1967; Occupation: Singer-songwriter;
Alvaro Uribe ::: Born: July 4, 1952; Occupation: Former President of Colombia;
Robert Urich ::: Born: December 19, 1946; Died: April 16, 2002; Occupation: Film actor;
Leon Uris ::: Born: August 3, 1924; Died: June 21, 2003; Occupation: Novelist;
Jenna Ushkowitz ::: Born: April 28, 1986; Occupation: Actress;
Peter Ustinov ::: Born: April 16, 1921; Died: March 28, 2004; Occupation: Actor;
Bernard DeVoto ::: Born: January 11, 1897; Died: November 13, 1955; Occupation: Historian;
Sharon Van Etten ::: Born: February 26, 1981; Occupation: Singer-songwriter;
Art Blakey ::: Born: October 11, 1919; Died: October 16, 1990; Occupation: Jazz Drummer;
Steve Vai ::: Born: June 6, 1960; Occupation: Guitarist;
Atal Bihari Vajpayee ::: Born: December 25, 1924; Occupation: Former Prime Minister of India;
Holly Valance ::: Born: May 11, 1983; Occupation: Actress;
Jolene Blalock ::: Born: March 5, 1975; Occupation: Film actress;
Buddy Valastro ::: Born: March 3, 1977; Occupation: Television personality;
Kathy Valentine ::: Born: January 7, 1959; Occupation: Bass guitarist;
Rudolph Valentino ::: Born: May 6, 1895; Died: August 23, 1926; Occupation: Actor;
Eamon de Valera ::: Born: October 14, 1882; Died: August 29, 1975; Occupation: Former President of Ireland;
Paul Valery ::: Born: October 30, 1871; Died: July 20, 1945; Occupation: Poet;
Diego Della Valle ::: Born: December 30, 1953;
Ken Blanchard ::: Born: May 6, 1939; Occupation: Author;
Ville Valo ::: Born: November 22, 1976; Occupation: Singer-songwriter;
Ninette de Valois ::: Born: June 6, 1898; Died: March 8, 2001; Occupation: Ballet choreographer;
Emily VanCamp ::: Born: May 12, 1986; Occupation: Actress;
Jack Vance ::: Born: August 28, 1916; Died: May 26, 2013; Occupation: Writer;
Rachel Blanchard ::: Born: March 19, 1976; Occupation: Actress;
Cornelius Vanderbilt ::: Born: May 27, 1794; Died: January 4, 1877; Occupation: Businessman;
Gloria Vanderbilt ::: Born: February 20, 1924; Occupation: Artist;
Raoul Vaneigem ::: Born: 1934; Occupation: Writer;
Jean Vanier ::: Born: September 10, 1928; Occupation: Philosopher;
Cate Blanchett ::: Born: May 14, 1969; Occupation: Actress;
Diane Abbott ::: Born: September 27, 1953; Occupation: British Politician;
Iyanla Vanzant ::: Born: September 13, 1953; Occupation: Spiritual teacher;
Nia Vardalos ::: Born: September 24, 1962; Occupation: Actress;
Edgard Varese ::: Born: December 22, 1883; Died: November 6, 1965; Occupation: Composer;
Maurice Blanchot ::: Born: September 22, 1907; Died: February 20, 2003; Occupation: Writer;
Bill Vaughan ::: Born: October 8, 1915; Died: February 25, 1977; Occupation: Author;
Stevie Ray Vaughan ::: Born: October 3, 1954; Died: August 27, 1990; Occupation: Guitarist;
Matthew Vaughn ::: Born: March 7, 1971; Occupation: Film Producer;
Robert Vaughn ::: Born: November 22, 1932; Died: November 11, 2016; Occupation: Actor;
Vince Vaughn ::: Born: March 28, 1970; Occupation: Film actor;
Gary Vaynerchuk ::: Born: November 14, 1975; Occupation: Author;
Thorstein Veblen ::: Born: July 30, 1857; Died: August 3, 1929; Occupation: Economist;
Eddie Vedder ::: Born: December 23, 1964; Occupation: Musician;
Alexa Vega ::: Born: August 27, 1988;
Lope de Vega ::: Born: November 25, 1562; Died: August 27, 1635; Occupation: Playwright;
Paz Vega ::: Born: January 2, 1976; Occupation: Actress;
Suzanne Vega ::: Born: July 11, 1959; Occupation: Singer-songwriter;
Simone Veil ::: Born: July 13, 1927; Occupation: Lawyer;
Patricia Velasquez ::: Born: January 31, 1971; Occupation: Actress;
Nadine Velazquez ::: Born: November 20, 1978; Occupation: Actress;
Milo Ventimiglia ::: Born: July 8, 1977; Occupation: Actor;
Jesse Ventura ::: Born: July 15, 1951; Occupation: Politician;
Gwen Verdon ::: Born: January 13, 1925; Died: October 18, 2000; Occupation: Actress;
Ben Vereen ::: Born: October 10, 1946; Occupation: Actor;
Sofia Vergara ::: Born: July 10, 1972; Occupation: Actress;
Jacques Verges ::: Born: March 5, 1925; Died: August 15, 2013; Occupation: Lawyer;
Abraham Verghese ::: Born: 1955; Occupation: Physician;
Paul Verlaine ::: Born: March 30, 1844; Died: January 8, 1896; Occupation: Poet;
Jules Verne ::: Born: February 8, 1828; Died: March 24, 1905; Occupation: Novelist;
Donatella Versace ::: Born: May 2, 1955; Occupation: Fashion designer;
Gianni Versace ::: Born: December 2, 1946; Died: July 15, 1997; Occupation: Fashion designer;
Sebastian Vettel ::: Born: July 3, 1987; Occupation: F1 Driver;
Sid Vicious ::: Born: May 10, 1957; Died: February 2, 1979; Occupation: Bass guitarist;
Giambattista Vico ::: Born: June 23, 1668; Died: January 21, 1744; Occupation: Philosopher;
Queen Victoria ::: Born: May 24, 1819; Died: January 22, 1901; Occupation: Former Queen regnant;
Gore Vidal ::: Born: October 3, 1925; Died: July 31, 2012; Occupation: Writer;
Mark Viduka ::: Born: October 9, 1975; Occupation: Soccer player;
Meredith Vieira ::: Born: December 30, 1953; Occupation: Journalist;
Alfred de Vigny ::: Born: March 27, 1797; Died: September 17, 1863; Occupation: Poet;
Pancho Villa ::: Born: June 5, 1878; Died: July 20, 1923; Occupation: Soldier;
Antonio Villaraigosa ::: Born: January 23, 1953; Occupation: Former Mayor of Los Angeles;
William Peter Blatty ::: Born: January 7, 1928; Died: January 12, 2017; Occupation: Writer;
Tom Vilsack ::: Born: December 13, 1950; Occupation: United States Secretary of Agriculture;
St. Vincent ::: Born: September 28, 1982; Occupation: Singer-songwriter;
H. P. Blavatsky ::: Born: August 12, 1831; Died: May 8, 1891; Occupation: Author;
Leonardo da Vinci ::: Born: April 15, 1452; Died: May 2, 1519; Occupation: Painter;
Tim Vine ::: Born: March 4, 1967; Occupation: Writer;
Vernor Vinge ::: Born: October 2, 1944; Occupation: Computer Scientist;
Bobby Vinton ::: Born: April 16, 1935; Occupation: Singer;
Judith Viorst ::: Born: February 2, 1931; Occupation: Author;
Alan Bleasdale ::: Born: March 23, 1946; Occupation: Writer;
Swami Vivekananda ::: Born: January 12, 1863; Died: July 4, 1902; Occupation: Author;
Stephen Vizinczey ::: Born: May 12, 1933; Occupation: Author;
Ned Vizzini ::: Born: April 4, 1981; Died: December 19, 2013; Occupation: Writer;
Don Van Vliet ::: Born: January 15, 1941; Died: December 17, 2010; Occupation: Musician;
Natalia Vodianova ::: Born: February 28, 1982; Occupation: Model;
Alexis Bledel ::: Born: September 16, 1981; Occupation: Actress;
Jon Voight ::: Born: December 29, 1938; Occupation: Actor;
Miroslav Volf ::: Born: September 25, 1956; Occupation: Theologian;
Voltaire ::: Born: November 21, 1694; Died: May 30, 1778; Occupation: Writer;
Kurt Vonnegut ::: Born: November 11, 1922; Died: April 11, 2007; Occupation: Writer;
Carol Vorderman ::: Born: December 24, 1960; Occupation: Host;
Sarah Vowell ::: Born: December 27, 1969; Occupation: Author;
Diana Vreeland ::: Born: September 29, 1903; Died: August 22, 1989; Occupation: Editor;
Steven Van Zandt ::: Born: November 22, 1950; Occupation: Musician;
Dwyane Wade ::: Born: January 17, 1982; Occupation: Basketball player;
Brenda Blethyn ::: Born: February 20, 1946; Occupation: Actress;
Jane Wagner ::: Born: February 26, 1935; Occupation: Writer;
Lindsay Wagner ::: Born: June 22, 1949; Occupation: Actress;
Richard Wagner ::: Born: May 22, 1813; Died: February 13, 1883; Occupation: Composer;
Robert Wagner ::: Born: February 10, 1930; Occupation: Actor;
Abdurrahman Wahid ::: Born: September 7, 1940; Died: December 30, 2009; Occupation: Former President of Indonesia;
Donnie Wahlberg ::: Born: August 17, 1969; Occupation: Singer;
Mark Wahlberg ::: Born: June 5, 1971; Occupation: Actor;
Corbin Bleu ::: Born: February 21, 1989; Occupation: Actor;
Rufus Wainwright ::: Born: July 22, 1973; Occupation: Singer;
Terry Waite ::: Born: May 31, 1939; Occupation: Author;
Tom Waits ::: Born: December 7, 1949; Occupation: Singer-songwriter;
Andrzej Wajda ::: Born: March 6, 1926; Died: October 9, 2016; Occupation: Film director;
Rick Wakeman ::: Born: May 18, 1949; Occupation: Keyboard Player;
Derek Walcott ::: Born: January 23, 1930; Died: March 17, 2017; Occupation: Poet;
George Wald ::: Born: November 18, 1906; Died: April 12, 1997; Occupation: Scientist;
Greg Walden ::: Born: January 10, 1957; Occupation: U.S. Representative;
Amy Waldman ::: Born: May 21, 1969; Occupation: Author;
Ayelet Waldman ::: Born: December 11, 1964; Occupation: Novelist;
Mary J. Blige ::: Born: January 11, 1971; Occupation: Singer-songwriter;
Jimmy Wales ::: Born: August 7, 1966; Occupation: Internet Entrepreneur;
Lech Walesa ::: Born: September 29, 1943; Occupation: Former President of Poland;
Christopher Walken ::: Born: March 31, 1943; Occupation: Actor;
Alice Walker ::: Born: February 9, 1944; Occupation: Author;
Benjamin Walker ::: Born: June 21, 1982; Occupation: Actor;
Dianna Agron ::: Born: April 30, 1986; Occupation: Actress;
Margaret Walker ::: Born: July 6, 1915; Died: November 30, 1998; Occupation: Poet;
Paul Walker ::: Born: September 12, 1973; Died: November 30, 2013; Occupation: Actor;
Scott Walker ::: Born: November 2, 1967; Occupation: Governor of Wisconsin;
Alfred Russel Wallace ::: Born: January 8, 1823; Died: November 7, 1913; Occupation: Naturalist;
David Foster Wallace ::: Born: February 21, 1962; Died: September 12, 2008; Occupation: Novelist;
George C. Wallace ::: Born: August 25, 1919; Died: September 13, 1998; Occupation: Former Governor of Alabama;
Henry A. Wallace ::: Born: October 7, 1888; Died: November 18, 1965; Occupation: Former Vice President of the United States;
Lew Wallace ::: Born: April 10, 1827; Died: February 15, 1905; Occupation: American Statesman;
Marcia Wallace ::: Born: November 1, 1942; Died: October 25, 2013; Occupation: Actress;
Mike Wallace ::: Born: May 9, 1918; Died: April 7, 2012; Occupation: Journalist;
Eli Wallach ::: Born: December 7, 1915; Died: June 24, 2014; Occupation: Film actor;
Nik Wallenda ::: Born: January 24, 1979; Occupation: Acrobat;
Robert James Waller ::: Born: August 1, 1939; Died: March 10, 2017; Occupation: Author;
David Walliams ::: Born: August 20, 1971; Occupation: Comedian;
Jim Wallis ::: Born: June 4, 1948; Occupation: Writer;
Malcolm Wallop ::: Born: February 27, 1933; Died: September 14, 2011; Occupation: Politician;
Jeannette Walls ::: Born: April 21, 1960; Occupation: Writer;
Horace Walpole ::: Born: September 24, 1717; Died: March 2, 1797; Occupation: Politician;
Hugh Walpole ::: Born: March 13, 1884; Died: June 1, 1941; Occupation: Novelist;
Robert Walpole ::: Born: August 26, 1676; Died: March 18, 1745; Occupation: Former Great Britain. Prime Minister.;
Neale Donald Walsch ::: Born: September 10, 1943; Occupation: Author;
Arthur Bloch ::: Born: 1948; Occupation: Writer;
Kate Walsh ::: Born: October 13, 1967; Occupation: Film actress;
M. Emmet Walsh ::: Born: March 22, 1935; Occupation: Actor;
Jess Walter ::: Born: July 20, 1965; Occupation: Author;
Barbara Walters ::: Born: September 25, 1929; Occupation: Journalist;
Julie Walters ::: Born: February 22, 1950; Occupation: Actress;
Sam Walton ::: Born: March 29, 1918; Died: April 5, 1992; Occupation: Businessman;
Robert Bloch ::: Born: April 5, 1917; Died: September 23, 1994; Occupation: Writer;
Christoph Waltz ::: Born: October 4, 1956; Occupation: Actor;
Alexander Wang ::: Born: December 26, 1983; Occupation: Fashion designer;
Vera Wang ::: Born: June 27, 1949; Occupation: Fashion designer;
Patrick Warburton ::: Born: November 14, 1964; Occupation: Actor;
Lalla Ward ::: Born: June 28, 1951; Occupation: Actress;
M. Ward ::: Born: October 4, 1973; Occupation: Singer-songwriter;
Sela Ward ::: Born: July 11, 1956; Occupation: Actress;
Francesca Lia Block ::: Born: December 3, 1962; Occupation: Writer;
William Arthur Ward ::: Born: 1921; Died: March 30, 1994; Occupation: Author;
Chris Ware ::: Born: December 28, 1967; Occupation: Artist;
Jessie Ware ::: Born: October 15, 1984; Occupation: Singer-songwriter;
Andy Warhol ::: Born: August 6, 1928; Died: February 22, 1987; Occupation: Artist;
Shane Warne ::: Born: September 13, 1969; Occupation: Cricketer;
Charles Dudley Warner ::: Born: September 12, 1829; Died: October 20, 1900; Occupation: Novelist;
Lawrence Block ::: Born: June 24, 1938; Occupation: Writer;
Christina Aguilera ::: Born: December 18, 1980; Occupation: Singer;
Marina Warner ::: Born: November 9, 1946; Occupation: Novelist;
Earl Warren ::: Born: March 19, 1891; Died: July 9, 1974; Occupation: Former Chief Justice of the United States;
Elizabeth Warren ::: Born: June 22, 1949; Occupation: United States Senator;
Josiah Warren ::: Born: 1798; Died: April 14, 1874; Occupation: Author;
Mercy Otis Warren ::: Born: September 14, 1728; Died: October 19, 1814; Occupation: Writer;
Rick Warren ::: Born: January 28, 1954; Occupation: Pastor;
Robert Penn Warren ::: Born: April 24, 1905; Died: September 15, 1989; Occupation: Poet;
Dionne Warwick ::: Born: December 12, 1940; Occupation: Singer;
Booker T. Washington ::: Born: April 5, 1856; Died: November 14, 1915; Occupation: Educator;
Denzel Washington ::: Born: December 28, 1954; Occupation: Actor;
George Washington ::: Born: February 22, 1732; Died: December 14, 1799; Occupation: 1st U.S. President;
Harold Washington ::: Born: April 15, 1922; Died: November 25, 1987; Occupation: Former Mayor of Chicago;
Kerry Washington ::: Born: January 31, 1977; Occupation: Actress;
Martha Washington ::: Born: June 2, 1731; Died: May 22, 1802; Occupation: Former First Lady of the United States;
Mia Wasikowska ::: Born: October 14, 1989; Occupation: Actress;
Allan Bloom ::: Born: September 14, 1930; Died: October 7, 1992; Occupation: Philosopher;
Wendy Wasserstein ::: Born: October 18, 1950; Died: January 30, 2006; Occupation: Playwright;
Crystal Waters ::: Born: October 10, 1964; Occupation: Singer;
Ethel Waters ::: Born: October 31, 1896; Died: September 1, 1977; Occupation: Vocalist;
John Waters ::: Born: April 22, 1946; Occupation: Film director;
Muddy Waters ::: Born: April 4, 1913; Died: April 30, 1983; Occupation: Musician;
Roger Waters ::: Born: September 6, 1943; Occupation: Musician;
Jody Watley ::: Born: January 30, 1959; Occupation: Singer;
Emily Watson ::: Born: January 14, 1967; Occupation: Actress;
Harold Bloom ::: Born: July 11, 1930; Occupation: Literary critic;
Emma Watson ::: Born: April 15, 1990; Occupation: Actress;
James D. Watson ::: Born: April 6, 1928; Occupation: Molecular Biologist;
Lyall Watson ::: Born: April 12, 1939; Died: June 25, 2008; Occupation: Author;
Thomas J. Watson ::: Born: February 17, 1874; Died: June 19, 1956; Occupation: Business person;
Tom Watson ::: Born: September 4, 1949; Occupation: Golfer;
Orlando Bloom ::: Born: January 13, 1977; Occupation: Actor;
Alan Watts ::: Born: January 6, 1915; Died: November 16, 1973; Occupation: Philosopher;
Charlie Watts ::: Born: June 2, 1941; Occupation: Drummer;
Isaac Watts ::: Born: July 17, 1674; Died: November 25, 1748; Occupation: Writer;
J. C. Watts ::: Born: November 18, 1957; Occupation: Former U.S. Representative;
Naomi Watts ::: Born: September 28, 1968; Occupation: Actress;
Paul Watzlawick ::: Born: July 25, 1921; Died: March 31, 2007; Occupation: Psychologist;
Michael Bloomberg ::: Born: February 14, 1942; Occupation: Former Mayor of New York City;
Evelyn Waugh ::: Born: October 28, 1903; Died: April 10, 1966; Occupation: Writer;
Steve Waugh ::: Born: June 2, 1965; Occupation: Cricketer;
Keenen Ivory Wayans ::: Born: June 8, 1958; Occupation: Actor;
Marlon Wayans ::: Born: July 23, 1972; Occupation: Actor;
Anthony Wayne ::: Born: January 1, 1745; Died: December 15, 1796; Occupation: Former United States Representative;
John Wayne ::: Born: May 26, 1907; Died: June 11, 1979; Occupation: Film actor;
Lil Wayne ::: Born: September 27, 1982; Occupation: Rapper;
George Weah ::: Born: October 1, 1966; Occupation: Liberian Politician;
Michael Weatherly ::: Born: July 8, 1968; Occupation: Actor;
Dennis Weaver ::: Born: June 4, 1924; Died: February 24, 2006; Occupation: Actor;
Jacki Weaver ::: Born: May 25, 1947; Occupation: Theatre actress;
Sigourney Weaver ::: Born: October 8, 1949; Occupation: Actress;
Roy Blount, Jr. ::: Born: October 4, 1941; Occupation: Writer;
Hugo Weaving ::: Born: April 4, 1960; Occupation: Film actor;
Mary Webb ::: Born: March 25, 1881; Died: October 8, 1927; Occupation: Novelist;
Andrew Lloyd Webber ::: Born: March 22, 1948; Occupation: Composer;
Kurtis Blow ::: Born: August 9, 1959; Occupation: Rapper;
Mark Webber ::: Born: August 27, 1976; Occupation: F1 Driver;
David Weber ::: Born: October 24, 1952; Occupation: Author;
Eberhard Weber ::: Born: January 22, 1940; Occupation: Bassist;
Max Weber ::: Born: April 21, 1864; Died: June 14, 1920; Occupation: Sociologist;
Steven Weber ::: Born: March 4, 1961; Occupation: Actor;
Daniel Webster ::: Born: January 18, 1782; Died: October 24, 1852; Occupation: Former United States Senator;
John Webster ::: Born: 1580; Died: 1634; Occupation: Dramatist;
Noah Webster ::: Born: October 16, 1758; Died: May 28, 1843; Occupation: Lexicographer;
Frank Wedekind ::: Born: July 24, 1864; Died: March 9, 1918; Occupation: Playwright;
Andre Weil ::: Born: May 6, 1906; Died: August 6, 1998; Occupation: Mathematician;
Andrew Weil ::: Born: June 8, 1942; Occupation: Medical Doctor;
Cynthia Weil ::: Born: October 18, 1940; Occupation: Songwriter;
Simone Weil ::: Born: February 3, 1909; Died: August 24, 1943; Occupation: Philosopher;
Scott Weiland ::: Born: October 27, 1967; Died: December 3, 2015; Occupation: Musician;
Len Wein ::: Born: June 12, 1948; Occupation: Writer;
Steven Weinberg ::: Born: May 3, 1933; Occupation: Theoretical Physicist;
Anthony Weiner ::: Born: September 4, 1964; Occupation: Former U.S. Representative;
Jennifer Weiner ::: Born: March 28, 1970; Occupation: Writer;
Harvey Weinstein ::: Born: March 19, 1952; Occupation: Film Producer;
Johnny Weir ::: Born: July 2, 1984; Occupation: Figure Skater;
Peter Weir ::: Born: August 21, 1944; Occupation: Film director;
Adam Weishaupt ::: Born: February 6, 1748; Died: November 18, 1830; Occupation: Philosopher;
Brian Weiss ::: Born: November 6, 1944; Occupation: Author;
Peter Weiss ::: Born: November 8, 1916; Died: May 10, 1982; Occupation: Writer;
William Blum ::: Born: 1933; Occupation: Author;
Rachel Weisz ::: Born: March 7, 1970; Occupation: Theatre actress;
Ai Weiwei ::: Born: August 28, 1957; Occupation: Contemporary artist;
Richard von Weizsaecker ::: Born: April 15, 1920; Died: January 31, 2015; Occupation: Former President of Germany;
Judy Blume ::: Born: February 12, 1938; Occupation: Film writer;
Jack Welch ::: Born: November 19, 1935; Occupation: Author;
Earl Blumenauer ::: Born: August 16, 1948; Occupation: U.S. Representative;
Fay Weldon ::: Born: September 22, 1931; Occupation: Author;
Lawrence Welk ::: Born: March 11, 1903; Died: May 17, 1992; Occupation: Musician;
Paul Weller ::: Born: May 25, 1958; Occupation: Musician;
Orson Welles ::: Born: May 6, 1915; Died: October 10, 1985; Occupation: Actor;
Heston Blumenthal ::: Born: May 27, 1966; Occupation: Chef;
Tom Welling ::: Born: April 26, 1977; Occupation: Actor;
Duke of Wellington ::: Born: May 1, 1769; Died: September 14, 1852; Occupation: Former First Lord of the Treasury;
H. G. Wells ::: Born: September 21, 1866; Died: August 13, 1946; Occupation: Writer;
Ida B. Wells ::: Born: July 16, 1862; Died: March 25, 1931; Occupation: Journalist;
Paul Wellstone ::: Born: July 21, 1944; Died: October 25, 2002; Occupation: Former United States Senator;
Irvine Welsh ::: Born: September 27, 1958; Occupation: Novelist;
Eudora Welty ::: Born: April 13, 1909; Died: July 23, 2001; Occupation: Author;
Wim Wenders ::: Born: August 14, 1945; Occupation: Filmmaker;
Arsene Wenger ::: Born: October 22, 1949; Occupation: Football team manager;
Sidney Blumenthal ::: Born: November 6, 1948; Occupation: Journalist;
Daria Werbowy ::: Born: November 19, 1983; Occupation: Model;
Charles Wesley ::: Born: December 18, 1707; Died: March 29, 1788; Occupation: Poet;
John Wesley ::: Born: June 17, 1703; Died: March 2, 1791; Occupation: Theologian;
Mary Wesley ::: Born: June 24, 1912; Died: December 30, 2002; Occupation: Novelist;
Paul Wesley ::: Born: July 23, 1982; Occupation: Actor;
Allen West ::: Born: February 7, 1961; Occupation: Former United States Representative;
Cornel West ::: Born: June 2, 1953; Occupation: Philosopher;
Jerry West ::: Born: May 28, 1938; Occupation: Basketball player;
Kanye West ::: Born: June 8, 1977; Died: June 4, 2015; Occupation: Songwriter;
Mae West ::: Born: August 17, 1893; Died: November 22, 1980; Occupation: Actress;
Morris West ::: Born: April 26, 1916; Died: October 9, 1999; Occupation: Novelist;
Emily Blunt ::: Born: February 23, 1983; Occupation: Actress;
Nathanael West ::: Born: October 17, 1903; Died: December 22, 1940; Occupation: Author;
Rebecca West ::: Born: December 21, 1892; Died: March 15, 1983; Occupation: Author;
Scott Westerfeld ::: Born: May 5, 1963; Occupation: Writer;
James Blunt ::: Born: February 22, 1974; Occupation: Singer-songwriter;
Donald E. Westlake ::: Born: July 12, 1933; Died: December 31, 2008; Occupation: Writer;
William Westmoreland ::: Born: March 26, 1914; Died: July 18, 2005; Occupation: Military Commander;
Edward Weston ::: Born: March 24, 1886; Died: January 1, 1958; Occupation: Photographer;
Ed Westwick ::: Born: June 27, 1987; Occupation: Actor;
Vivienne Westwood ::: Born: April 8, 1941; Occupation: Fashion designer;
Tina Weymouth ::: Born: November 22, 1950; Occupation: Musician;
Paul Weyrich ::: Born: October 7, 1942; Died: December 18, 2008; Occupation: Protodeacon;
Edith Wharton ::: Born: January 24, 1862; Died: August 11, 1937; Occupation: Novelist;
Kevin Whately ::: Born: February 6, 1951; Occupation: Actor;
Wil Wheaton ::: Born: July 29, 1972; Occupation: Actor;
Joss Whedon ::: Born: June 23, 1964; Occupation: Screenwriter;
John Archibald Wheeler ::: Born: July 9, 1911; Died: April 13, 2008; Occupation: Physicist;
William Whewell ::: Born: May 24, 1794; Died: March 6, 1866; Occupation: Polymath;
Ben Whishaw ::: Born: October 14, 1980; Occupation: Actor;
James Whistler ::: Born: July 10, 1834; Died: July 17, 1903; Occupation: Artist;
Barry White ::: Born: September 12, 1944; Died: July 4, 2003; Occupation: Composer;
Betty White ::: Born: January 17, 1922; Occupation: Actress;
E. B. White ::: Born: July 11, 1899; Died: October 1, 1985; Occupation: Writer;
Edmund White ::: Born: January 13, 1940; Occupation: Novelist;
Ellen G. White ::: Born: November 26, 1827; Died: July 16, 1915; Occupation: Author;
Nellie Bly ::: Born: May 5, 1864; Died: January 27, 1922; Occupation: Journalist;
Minor White ::: Born: July 9, 1908; Died: June 24, 1976; Occupation: Photographer;
Patrick White ::: Born: May 28, 1912; Died: September 30, 1990; Occupation: Writer;
Robert Bly ::: Born: December 23, 1926; Occupation: Poet;
Ron White ::: Born: December 18, 1956; Occupation: Stand-up comedian;
Ryan White ::: Born: December 6, 1971; Died: April 8, 1990;
T. H. White ::: Born: May 29, 1906; Died: January 17, 1964; Occupation: Author;
Theodore White ::: Born: May 6, 1915; Died: May 15, 1986; Occupation: Journalist;
Vanna White ::: Born: February 18, 1957; Occupation: Television personality;
William Allen White ::: Born: February 10, 1868; Died: January 29, 1944; Occupation: Editor;
George Whitefield ::: Born: December 16, 1714; Died: September 30, 1770; Occupation: Preacher;
Alfred North Whitehead ::: Born: February 15, 1861; Died: December 30, 1947; Occupation: Mathematician;
Katharine Whitehorn ::: Born: 1928; Occupation: Journalist;
Sheldon Whitehouse ::: Born: October 20, 1955; Occupation: United States Senator;
Enid Blyton ::: Born: August 11, 1897; Died: November 28, 1968; Occupation: Writer;
Cecelia Ahern ::: Born: September 30, 1981; Occupation: Novelist;
Bradley Whitford ::: Born: October 10, 1959; Occupation: Film actor;
Meg Whitman ::: Born: August 4, 1956; Occupation: Business person;
Walt Whitman ::: Born: May 31, 1819; Died: March 26, 1892; Occupation: Poet;
Eli Whitney ::: Born: December 8, 1765; Died: January 8, 1825; Occupation: Inventor;
John Greenleaf Whittier ::: Born: December 17, 1807; Died: September 7, 1892; Occupation: Poet;
Franz Boas ::: Born: July 9, 1858; Died: December 21, 1942; Occupation: Anthropologist;
Jane Wiedlin ::: Born: May 20, 1958; Occupation: Musician;
Norbert Wiener ::: Born: November 26, 1894; Died: March 18, 1964; Occupation: Mathematician;
Elie Wiesel ::: Born: September 30, 1928; Died: July 2, 2016; Occupation: Professor;
Simon Wiesenthal ::: Born: December 31, 1908; Died: September 20, 2005; Occupation: Nazi hunter;
Marianne Wiggins ::: Born: September 8, 1947; Occupation: Author;
Kristen Wiig ::: Born: August 22, 1973; Occupation: Actress;
Ken Wilber ::: Born: January 31, 1949; Occupation: Writer;
William Wilberforce ::: Born: August 24, 1759; Died: July 29, 1833; Occupation: British Politician;
Richard Wilbur ::: Born: March 1, 1921; Occupation: Poet;
Ella Wheeler Wilcox ::: Born: November 5, 1850; Died: October 30, 1919; Occupation: Author;
Larry Wilcox ::: Born: August 8, 1947; Occupation: Actor;
Giovanni Boccaccio ::: Born: June 16, 1313; Died: December 21, 1375; Occupation: Author;
Kim Wilde ::: Born: November 18, 1960; Occupation: Singer;
Olivia Wilde ::: Born: March 10, 1984; Occupation: Actress;
Oscar Wilde ::: Born: October 16, 1854; Died: November 30, 1900; Occupation: Writer;
Billy Wilder ::: Born: June 22, 1906; Died: March 27, 2002; Occupation: Filmmaker;
Gene Wilder ::: Born: June 11, 1933; Died: August 29, 2016; Occupation: Actor;
Laura Ingalls Wilder ::: Born: February 7, 1867; Died: February 10, 1957; Occupation: Writer;
Andrea Bocelli ::: Born: September 22, 1958; Occupation: Tenor;
Thornton Wilder ::: Born: April 17, 1897; Died: December 7, 1975; Occupation: Playwright;
Andrew Wiles ::: Born: April 11, 1953; Occupation: Mathematician;
David Wilkerson ::: Born: May 19, 1931; Died: April 27, 2011; Occupation: Pastor;
Howard Wilkinson ::: Born: November 13, 1943; Occupation: Soccer player;
George Will ::: Born: May 4, 1941; Occupation: Columnist;
Dallas Willard ::: Born: September 4, 1935; Died: May 8, 2013; Occupation: Philosopher;
Frances E. Willard ::: Born: September 28, 1839; Died: February 17, 1898; Occupation: Suffragist;
Prince William ::: Born: June 21, 1982; Occupation: Lieutenant;
Armstrong Williams ::: Born: February 5, 1959; Occupation: Author;
Barry Williams ::: Born: September 30, 1954; Occupation: Actor;
Bernard Williams ::: Born: September 21, 1929; Died: June 10, 2003; Occupation: Philosopher;
Bert Williams ::: Born: November 12, 1874; Died: March 4, 1922; Occupation: Comedian;
Tom Bodett ::: Born: February 23, 1955; Occupation: Author;
Charles Williams ::: Born: September 20, 1886; Died: May 15, 1945; Occupation: Poet;
Esther Williams ::: Born: August 8, 1921; Died: June 6, 2013; Occupation: Swimmer;
George C. Williams ::: Born: May 12, 1926; Died: September 8, 2010;
John Towner Williams ::: Born: February 8, 1932; Occupation: Film Score Composer;
Juan Williams ::: Born: April 10, 1954; Occupation: Journalist;
Lucinda Williams ::: Born: January 26, 1953; Occupation: Singer-songwriter;
Michelle Williams ::: Born: September 9, 1980; Occupation: Actress;
Montel Williams ::: Born: July 3, 1956; Occupation: Television Personality;
Otis Williams ::: Born: October 30, 1941; Occupation: Singer;
John Boehner ::: Born: November 17, 1949; Occupation: Speaker of the United States House of Representatives;
Pharrell Williams ::: Born: April 5, 1973; Occupation: Singer-songwriter;
Robbie Williams ::: Born: February 13, 1974; Occupation: Singer-songwriter;
Robin Williams ::: Born: July 21, 1951; Died: August 11, 2014; Occupation: Actor;
Rowan Williams ::: Born: June 14, 1950; Occupation: Poet;
Saul Williams ::: Born: February 29, 1972; Occupation: Singer;
Serena Williams ::: Born: September 26, 1981; Occupation: Tennis player;
Tad Williams ::: Born: March 14, 1957; Occupation: Author;
Ted Williams ::: Born: August 30, 1918; Died: July 5, 2002; Occupation: Baseball player;
Tennessee Williams ::: Born: March 26, 1911; Died: February 25, 1983; Occupation: Playwright;
Terry Tempest Williams ::: Born: September 8, 1955; Occupation: Author;
Boethius ::: Born: 480; Died: 524; Occupation: Philosopher;
Venus Williams ::: Born: June 17, 1980; Occupation: Tennis player;
Walter Jon Williams ::: Born: October 15, 1953; Occupation: Writer;
Kevin Williamson ::: Born: March 14, 1965; Occupation: Screenwriter;
Marianne Williamson ::: Born: July 8, 1952; Occupation: Author;
Bruce Willis ::: Born: March 19, 1955; Occupation: Actor;
Connie Willis ::: Born: December 31, 1945; Occupation: Writer;
Nathaniel Parker Willis ::: Born: January 20, 1806; Died: January 20, 1867; Occupation: Author;
Rumer Willis ::: Born: August 16, 1988; Occupation: Actress;
Wendell Willkie ::: Born: February 18, 1892; Died: October 8, 1944; Occupation: Lawyer;
Louise Bogan ::: Born: August 11, 1897; Died: February 4, 1970; Occupation: Poet;
John Wilmot ::: Born: April 1, 1647; Died: July 26, 1680; Occupation: Poet;
A. N. Wilson ::: Born: October 27, 1950; Occupation: Writer;
Ann Wilson ::: Born: June 19, 1950; Occupation: Musician;
August Wilson ::: Born: April 27, 1945; Died: October 2, 2005; Occupation: Playwright;
Brian Wilson ::: Born: June 20, 1942; Occupation: Singer-songwriter;
Carnie Wilson ::: Born: April 29, 1968; Occupation: Singer;
Cassandra Wilson ::: Born: December 4, 1955; Occupation: Musician;
Colin Wilson ::: Born: June 26, 1931; Died: December 5, 2013; Occupation: Writer;
Dennis Wilson ::: Born: December 4, 1944; Died: December 28, 1983; Occupation: Drummer;
Humphrey Bogart ::: Born: December 25, 1899; Died: January 14, 1957; Occupation: Actor;
E. O. Wilson ::: Born: June 10, 1929; Occupation: Biologist;
Edmund Wilson ::: Born: May 8, 1895; Died: June 12, 1972; Occupation: Writer;
Flip Wilson ::: Born: December 8, 1933; Died: November 25, 1998; Occupation: Comedian;
Harold Wilson ::: Born: March 11, 1916; Died: May 24, 1995; Occupation: Former Prime Minister of the United Kingdom;
Heather Wilson ::: Born: December 30, 1960; Occupation: U.S. Congressperson;
Patrick Wilson ::: Born: July 3, 1973; Occupation: Actor;
Rainn Wilson ::: Born: January 20, 1966; Occupation: Actor;
Rebel Wilson ::: Born: February 3, 1986; Occupation: Actress;
Rita Wilson ::: Born: October 26, 1956; Occupation: Actress;
Robert Anton Wilson ::: Born: January 18, 1932; Died: January 11, 2007; Occupation: Author;
Mahmoud Ahmadinejad ::: Born: October 28, 1956; Occupation: Former President of Iran;
Teddy Wilson ::: Born: November 24, 1912; Died: July 31, 1986; Occupation: Jazz Pianist;
William Julius Wilson ::: Born: December 20, 1935; Died: 1801; Occupation: Sociologist;
Woodrow Wilson ::: Born: December 28, 1856; Died: February 3, 1924; Occupation: 28th U.S. President;
Walter Winchell ::: Born: April 7, 1897; Died: February 20, 1972; Occupation: Commentator;
Amy Winehouse ::: Born: September 14, 1983; Died: July 23, 2011; Occupation: Singer-songwriter;
Oprah Winfrey ::: Born: January 29, 1954; Occupation: Media proprietor;
Debra Winger ::: Born: May 16, 1955; Occupation: Actress;
Kip Winger ::: Born: June 21, 1961; Occupation: Musician;
Henry Winkler ::: Born: October 30, 1945; Occupation: Actor;
Kate Winslet ::: Born: October 5, 1975; Occupation: Actress;
Don Winslow ::: Born: October 31, 1953; Occupation: Author;
Kathleen Winsor ::: Born: October 16, 1919; Died: May 26, 2003; Occupation: Author;
Mary Elizabeth Winstead ::: Born: November 28, 1984; Occupation: Actress;
Robert Winston ::: Born: July 15, 1940; Occupation: Professor;
Ray Winstone ::: Born: February 19, 1957; Occupation: Film actor;
Alex Winter ::: Born: July 17, 1965; Occupation: Actor;
Edgar Winter ::: Born: December 28, 1946; Occupation: Musician;
Jonathan Winters ::: Born: November 11, 1925; Died: April 11, 2013; Occupation: Comedian;
Shelley Winters ::: Born: August 18, 1920; Died: January 14, 2006; Occupation: Actress;
Jeanette Winterson ::: Born: August 27, 1959; Occupation: Writer;
Anna Wintour ::: Born: November 3, 1949; Occupation: Magazine editor;
David Bohm ::: Born: December 20, 1917; Died: October 27, 1992; Occupation: Physicist;
Norman Wisdom ::: Born: February 4, 1915; Died: October 4, 2010; Occupation: Actor;
Tim Wise ::: Born: October 4, 1968; Occupation: Activist;
Owen Wister ::: Born: July 14, 1860; Died: July 21, 1938; Occupation: Writer;
Reese Witherspoon ::: Born: March 22, 1976; Occupation: Actress;
Katarina Witt ::: Born: December 3, 1965; Occupation: Figure Skater;
Edward Witten ::: Born: August 26, 1951; Occupation: Physicist;
Ludwig Wittgenstein ::: Born: April 26, 1889; Died: April 29, 1951; Occupation: Philosopher;
Niels Bohr ::: Born: October 7, 1885; Died: November 18, 1962; Occupation: Physicist;
Samuel Witwer ::: Born: October 20, 1977; Occupation: Actor;
P. G. Wodehouse ::: Born: October 15, 1881; Died: February 14, 1975; Occupation: Writer;
Susan Wojcicki ::: Born: July 5, 1968; Occupation: Businesswoman;
James Wolcott ::: Born: December 10, 1952; Occupation: Journalist;
Dick Wolf ::: Born: December 20, 1946; Occupation: Producer;
Frank R. Wolf ::: Born: January 30, 1939; Occupation: United States Representative;
Naomi Wolf ::: Born: November 12, 1962; Occupation: Author;
Big Boi ::: Born: February 1, 1975; Occupation: Rapper;
Gene Wolfe ::: Born: May 7, 1931; Occupation: Writer;
Thomas Wolfe ::: Born: October 3, 1900; Died: September 15, 1938; Occupation: Novelist;
Tom Wolfe ::: Born: March 2, 1931; Occupation: Author;
Tobias Wolff ::: Born: June 19, 1945; Occupation: Author;
David Boies ::: Born: March 11, 1941; Occupation: Lawyer;
Paul Wolfowitz ::: Born: December 22, 1943; Occupation: Ambassador;
Meg Wolitzer ::: Born: May 28, 1959; Occupation: Writer;
Mary Wollstonecraft ::: Born: April 27, 1759; Died: September 10, 1797; Occupation: Writer;
Lee Ann Womack ::: Born: August 19, 1966; Occupation: Singer-songwriter;
Stevie Wonder ::: Born: May 13, 1950; Occupation: Musician;
Beatrice Wood ::: Born: March 3, 1893; Died: March 12, 1998; Occupation: Artist;
Ed Wood ::: Born: October 10, 1924; Died: December 10, 1978; Occupation: Screenwriter;
W. E. B. Du Bois ::: Born: February 23, 1868; Died: August 27, 1963; Occupation: Historian;
Elijah Wood ::: Born: January 28, 1981; Occupation: Actor;
Evan Rachel Wood ::: Born: September 7, 1987; Occupation: Actress;
Natalie Wood ::: Born: July 20, 1938; Died: November 29, 1981; Occupation: Film actress;
Victoria Wood ::: Born: May 19, 1953; Died: April 20, 2016; Occupation: Comedian;
Alfre Woodard ::: Born: November 8, 1952; Occupation: Film actress;
George Edward Woodberry ::: Born: May 12, 1855; Died: January 2, 1930; Occupation: Literary critic;
Victoria Woodhull ::: Born: September 23, 1838; Died: June 9, 1927; Occupation: Political leader;
Shailene Woodley ::: Born: November 15, 1991; Occupation: Actress;
James Woods ::: Born: April 18, 1947; Occupation: Film actor;
Carter G. Woodson ::: Born: December 19, 1875; Died: April 3, 1950; Occupation: Historian;
Bob Woodward ::: Born: March 26, 1943; Occupation: Journalist;
Joanne Woodward ::: Born: February 27, 1930; Occupation: Actress;
Virginia Woolf ::: Born: January 25, 1882; Died: March 28, 1941; Occupation: Writer;
Alexander Woollcott ::: Born: January 19, 1887; Died: January 23, 1943; Occupation: Critic;
Derek Bok ::: Born: March 22, 1930; Occupation: Lawyer;
John Woolman ::: Born: October 19, 1720; Died: October 7, 1772; Occupation: Merchant;
William Wordsworth ::: Born: April 7, 1770; Died: April 23, 1850; Occupation: Poet;
Kenny Wormald ::: Born: July 27, 1984; Occupation: Dancer;
Herman Wouk ::: Born: May 27, 1915; Occupation: Author;
Caroline Wozniacki ::: Born: July 11, 1990; Occupation: Tennis player;
Steve Wozniak ::: Born: August 11, 1950; Occupation: Inventor;
Fay Wray ::: Born: September 15, 1907; Died: August 8, 2004; Occupation: Actress;
Sissela Bok ::: Born: December 2, 1934; Occupation: Philosopher;
Frances Wright ::: Born: September 6, 1795; Died: December 13, 1852; Occupation: Writer;
Frank Lloyd Wright ::: Born: June 8, 1867; Died: April 9, 1959; Occupation: Architect;
Jeremiah Wright ::: Born: September 22, 1941; Occupation: Pastor;
Joe Wright ::: Born: August 25, 1972; Occupation: Film director;
Judith Wright ::: Born: May 31, 1915; Died: June 26, 2000; Occupation: Poet;
N. T. Wright ::: Born: December 1, 1948; Occupation: Bishop of Durham;
Richard Wright ::: Born: September 4, 1908; Died: November 28, 1960; Occupation: Author;
Rick Wright ::: Born: July 28, 1943; Died: September 15, 2008; Occupation: Musician;
Steven Wright ::: Born: December 6, 1955; Occupation: Comedian;
Marc Bolan ::: Born: September 30, 1947; Died: September 16, 1977; Occupation: Singer-songwriter;
Wilhelm Wundt ::: Born: August 16, 1832; Died: August 31, 1920; Occupation: Psychologist;
Elizabeth Wurtzel ::: Born: July 31, 1967; Occupation: Writer;
Robert Wyatt ::: Born: January 28, 1945; Occupation: Musician;
William Wycherley ::: Born: 1640; Died: December 31, 1715; Occupation: Dramatist;
John Wycliffe ::: Born: 1320; Died: December 30, 1384; Occupation: Philosopher;
Ron Wyden ::: Born: May 3, 1949; Occupation: United States Senator;
Roberto Bolano ::: Born: April 28, 1953; Died: July 15, 2003; Occupation: Writer;
Andrew Wyeth ::: Born: July 12, 1917; Died: January 16, 2009; Occupation: Visual Artist;
Zakk Wylde ::: Born: January 14, 1967; Occupation: Musician;
Elinor Wylie ::: Born: September 7, 1885; Died: December 16, 1928; Occupation: Poet;
Jane Wyman ::: Born: January 5, 1917; Died: September 10, 2007; Occupation: Singer;
Lois Wyse ::: Born: October 30, 1926; Died: July 6, 2007; Occupation: Author;
will.i.am ::: Born: March 15, 1975; Occupation: Rapper;
Liu Xiaobo ::: Born: December 28, 1955; Occupation: Literary critic;
Deng Xiaoping ::: Born: August 22, 1904; Died: February 19, 1997; Occupation: Politician;
Gao Xingjian ::: Born: January 4, 1940; Occupation: Novelist;
Lu Xun ::: Born: September 25, 1881; Died: October 19, 1936; Occupation: Novelist;
Lalu Prasad Yadav ::: Born: June 11, 1947; Occupation: Politician;
Kristi Yamaguchi ::: Born: July 12, 1971; Occupation: Figure Skater;
Isoroku Yamamoto ::: Born: April 4, 1884; Died: April 18, 1943; Occupation: Military Commander;
Anne Boleyn ::: Born: 1501; Died: May 19, 1536; Occupation: Marquess of Pembroke;
Minoru Yamasaki ::: Born: December 1, 1912; Died: February 6, 1986; Occupation: Architect;
Martin Yan ::: Born: December 22, 1948; Occupation: Chef;
Philip Yancey ::: Born: 1949; Occupation: Author;
Jim Bolger ::: Born: May 31, 1935; Occupation: Former Prime Minister of New Zealand;
Yanni ::: Born: November 14, 1954; Occupation: Pianist;
Ahmed Yassin ::: Born: January 1, 1937; Died: March 22, 2004; Occupation: Palestinian Political leader;
Paula Yates ::: Born: April 24, 1959; Died: September 17, 2000; Occupation: Presenter;
Adam Yauch ::: Born: August 5, 1964; Died: May 4, 2012; Occupation: Rapper;
Chuck Yeager ::: Born: February 13, 1923; Occupation: Test pilot;
Trisha Yearwood ::: Born: September 19, 1964; Occupation: Singer;
William Butler Yeats ::: Born: June 13, 1865; Died: January 28, 1939; Occupation: Poet;
A. B. Yehoshua ::: Born: December 19, 1936; Occupation: Novelist;
Yelawolf ::: Born: December 30, 1979; Occupation: Rapper;
Anton Yelchin ::: Born: March 11, 1989; Died: June 19, 2016; Occupation: Film actor;
Janet Yellen ::: Born: August 13, 1946; Occupation: Economist;
Henry Bolingbroke ::: Born: April 3, 1366; Died: March 20, 1413; Occupation: King of England;
Boris Yeltsin ::: Born: February 1, 1931; Died: April 23, 2007; Occupation: Former Russian President;
Donnie Yen ::: Born: July 27, 1963; Occupation: Actor;
Daniel Yergin ::: Born: February 6, 1947; Occupation: Author;
Steven Yeun ::: Born: December 21, 1983; Occupation: Actor;
Yevgeny Yevtushenko ::: Born: July 18, 1932; Died: April 1, 2017; Occupation: Poet;
Zhang Yimou ::: Born: November 14, 1951; Occupation: Film director;
Dwight Yoakam ::: Born: October 23, 1956; Occupation: Singer-songwriter;
Francis Parker Yockey ::: Born: September 18, 1917; Died: June 16, 1960; Occupation: Philosopher;
Paramahansa Yogananda ::: Born: January 5, 1893; Died: March 7, 1952; Occupation: Guru;
Maharishi Mahesh Yogi ::: Born: January 12, 1918; Died: February 5, 2008; Occupation: Guru;
John Yoo ::: Born: July 10, 1967; Occupation: Attorney;
Michael York ::: Born: March 27, 1942; Occupation: Actor;
Susannah York ::: Born: January 9, 1939; Died: January 15, 2011; Occupation: Film actress;
Thom Yorke ::: Born: October 7, 1968; Occupation: Musician;
Tina Yothers ::: Born: May 5, 1973; Occupation: Actress;
Andrew Young ::: Born: March 12, 1932; Occupation: Former Mayor of Atlanta;
Angus Young ::: Born: March 31, 1955; Occupation: Guitarist;
Brigham Young ::: Born: June 1, 1801; Died: August 29, 1877; Occupation: Founding Figure;
Uwe Boll ::: Born: June 22, 1965; Occupation: Film producer;
Don Young ::: Born: June 9, 1933; Occupation: U.S. Representative;
Loretta Young ::: Born: January 6, 1913; Died: August 12, 2000; Occupation: Actress;
Neil Young ::: Born: November 12, 1945; Occupation: Songwriter;
Sean Young ::: Born: November 20, 1959; Occupation: Actress;
Richard Nelson Bolles ::: Born: March 19, 1927; Died: March 31, 2017; Occupation: Author;
Toby Young ::: Born: October 17, 1963; Occupation: Journalist;
Whitney M. Young ::: Born: July 31, 1921; Died: March 11, 1971;
William P. Young ::: Born: May 11, 1955; Occupation: Author;
Jack Youngblood ::: Born: January 26, 1950; Occupation: Football player;
Henny Youngman ::: Born: March 16, 1906; Died: February 24, 1998; Occupation: Comedian;
Marguerite Yourcenar ::: Born: June 8, 1903; Died: December 17, 1987; Occupation: Novelist;
Muhammad Yunus ::: Born: June 28, 1940; Occupation: Entrepreneur;
Lin Yutang ::: Born: October 10, 1895; Died: March 26, 1976; Occupation: Writer;
Ravi Zacharias ::: Born: 1946; Occupation: Author;
Robert Bolt ::: Born: August 15, 1924; Died: February 21, 1995; Occupation: Playwright;
Pia Zadora ::: Born: May 4, 1954; Occupation: Actress;
Carlos Ruiz Zafon ::: Born: September 25, 1964; Occupation: Novelist;
Fareed Zakaria ::: Born: January 20, 1964; Occupation: Journalist;
Usain Bolt ::: Born: August 21, 1986; Occupation: Olympic athlete;
Yevgeny Zamyatin ::: Born: February 1, 1884; Died: March 10, 1937; Occupation: Author;
Israel Zangwill ::: Born: January 21, 1864; Died: August 1, 1926; Occupation: Humorist;
Emiliano Zapata ::: Born: August 8, 1879; Died: April 10, 1919; Occupation: Mexican Political figure;
John Bolton ::: Born: November 20, 1948; Occupation: Lawyer;
Dweezil Zappa ::: Born: September 5, 1969; Occupation: Guitarist;
Frank Zappa ::: Born: December 21, 1940; Died: December 4, 1993; Occupation: Musician;
Moon Unit Zappa ::: Born: September 28, 1967; Occupation: Actress;
Bilawal Bhutto Zardari ::: Born: September 21, 1988; Occupation: Political figure;
Sara Zarr ::: Born: October 3, 1970; Occupation: Writer;
Michael Zaslow ::: Born: November 1, 1942; Died: December 6, 1998; Occupation: Actor;
Emil Zatopek ::: Born: September 19, 1922; Died: November 22, 2000; Occupation: Olympic athlete;
Michael Bolton ::: Born: February 26, 1953; Occupation: Singer-songwriter;
Mao Zedong ::: Born: December 26, 1893; Died: September 9, 1976; Occupation: Former Chairman of the Communist Party of China;
Roger Zelazny ::: Born: May 13, 1937; Died: June 14, 1995; Occupation: Writer;
Niklas Zennstrom ::: Born: February 16, 1966; Occupation: Entrepreneur;
Catherine Zeta-Jones ::: Born: September 25, 1969; Occupation: Actress;
Clara Zetkin ::: Born: July 5, 1857; Died: June 20, 1933; Occupation: Activist;
Erma Bombeck ::: Born: February 21, 1927; Died: April 22, 1996; Occupation: Column Author;

   They should tell you when you’re born: have a suitcase heart, be ready to travel. -- --> 9 Copy quote -- Gabrielle Zevin ::: Born: October 24, 1977; Occupation: Author;
Warren Zevon ::: Born: January 24, 1947; Died: September 7, 2003; Occupation: Singer-songwriter;
Vladimir Zhirinovsky ::: Born: April 25, 1946; Occupation: Russian Politician;
Zinedine Zidane ::: Born: June 23, 1972; Occupation: Soccer player;
Cecily von Ziegesar ::: Born: June 27, 1970; Occupation: Author;
Matt Bomer ::: Born: October 11, 1977; Occupation: Actor;
Florenz Ziegfeld ::: Born: March 21, 1867; Died: July 22, 1932; Occupation: Impresario;
Ron Ziegler ::: Born: May 12, 1939; Died: February 10, 2003; Occupation: Former White House Press Secretary;
Zig Ziglar ::: Born: November 6, 1926; Died: November 28, 2012; Occupation: Author;
Philip Zimbardo ::: Born: March 23, 1933; Occupation: Psychologist;
Simon Le Bon ::: Born: October 27, 1958; Occupation: Musician;
Howard Zinn ::: Born: August 24, 1922; Died: January 27, 2010; Occupation: Historian;
Zhang Ziyi ::: Born: February 9, 1979; Occupation: Film actress;
Rachel Zoe ::: Born: September 1, 1971; Occupation: Designer;
Emile Zola ::: Born: April 2, 1840; Died: September 29, 1902; Occupation: Writer;
Rob Zombie ::: Born: January 12, 1965; Occupation: Musician;
John Zorn ::: Born: September 2, 1953; Occupation: Composer;
David Zucker ::: Born: October 16, 1947; Occupation: Film director;
Jeff Zucker ::: Born: April 9, 1965; Occupation: Business person;
Mark Zuckerberg ::: Born: May 14, 1984; Occupation: Programmer;
Gary Zukav ::: Born: October 17, 1942; Occupation: Author;
Jacob Zuma ::: Born: April 12, 1942; Occupation: President of South Africa;
Daphne Zuniga ::: Born: October 28, 1962; Occupation: Actress;
Markus Zusak ::: Born: June 23, 1975; Occupation: Writer;
Stefan Zweig ::: Born: November 28, 1881; Died: February 22, 1942; Occupation: Novelist;
Napoleon Bonaparte ::: Born: August 15, 1769; Died: May 5, 1821; Occupation: Military Commander;
Edward Zwick ::: Born: October 8, 1952; Occupation: Filmmaker;
Chris Zylka ::: Born: May 9, 1985; Occupation: Actor;
Christopher Bond ::: Born: March 6, 1939; Occupation: Former United States Senator;
Sal Albanese ::: Born: August 29, 1949; Occupation: Politician;
Edward Bond ::: Born: July 18, 1934; Occupation: Playwright;
Randy Alcorn ::: Born: June 23, 1954; Occupation: Author;
Eva Amurri ::: Born: March 15, 1985; Occupation: Actress;
Viswanathan Anand ::: Born: December 11, 1969; Occupation: Chess Player;
David Archuleta ::: Born: December 28, 1990; Occupation: Singer-songwriter;
Julian Bond ::: Born: January 14, 1940; Died: August 15, 2015; Occupation: American Politician;
Reza Aslan ::: Born: May 3, 1972; Occupation: Writer;
Mustafa Kemal Ataturk ::: Born: May 19, 1881; Died: November 10, 1938; Occupation: Former President of Turkey;
James Avery ::: Born: November 27, 1945; Died: December 31, 2013; Occupation: Actor;
George Ayittey ::: Born: 1945; Occupation: Economist;
The Notorious B.I.G. ::: Born: May 21, 1972; Died: March 9, 1997;
Kjell Magne Bondevik ::: Born: September 3, 1947; Occupation: Norwegian Politician;
Jamie Bamber ::: Born: April 3, 1973; Occupation: Actor;
Pat Barker ::: Born: May 8, 1943; Occupation: Writer;
Clay Aiken ::: Born: November 30, 1978; Occupation: Singer-songwriter;
Kevin Barry ::: Born: 1969; Died: November 1, 1920; Occupation: Writer;
Bryan Batt ::: Born: March 1, 1963; Occupation: Actor;

David A. Bednar ::: Born: June 15, 1952;
Barry Bonds ::: Born: July 24, 1964; Occupation: Baseball player;
Harsha Bhogle ::: Born: July 19, 1961; Occupation: Commentator;
Lisa Bonet ::: Born: November 16, 1967; Occupation: Actress;
Neill Blomkamp ::: Born: September 17, 1979; Occupation: Film director;
Diego Boneta ::: Born: November 29, 1990; Occupation: Singer;
Devon Bostick ::: Born: November 13, 1991; Occupation: Actor;
Omar Bongo ::: Born: December 30, 1935; Died: June 8, 2009; Occupation: Gabonese Politician;
John Bonham ::: Born: May 31, 1948; Died: September 25, 1980; Occupation: Musician;
Dietrich Bonhoeffer ::: Born: February 4, 1906; Died: April 9, 1945; Occupation: Pastor;
Bill Burr ::: Born: June 10, 1968; Occupation: Comedian;
Conrad Aiken ::: Born: August 5, 1889; Died: August 17, 1973; Occupation: Novelist;
D. A. Carson ::: Born: December 21, 1946;
Emma Bonino ::: Born: March 9, 1948; Occupation: Politician;
Mithun Chakraborty ::: Born: July 16, 1952; Occupation: Film actor;
Tracy Chevalier ::: Born: October 19, 1962; Occupation: Novelist;
Pierre Bonnard ::: Born: October 3, 1867; Died: January 23, 1947; Occupation: Artist;
Noel Clarke ::: Born: December 6, 1975; Occupation: Actor;
Ernest Cline ::: Born: 1972; Occupation: Novelist;
Jo Bonner ::: Born: November 19, 1959; Occupation: Former U.S. Representative;
Francis Collins ::: Born: April 14, 1950; Occupation: Physician;
Hugh Bonneville ::: Born: November 10, 1963; Occupation: Film actor;
Douglas Coupland ::: Born: December 30, 1961; Occupation: Novelist;
Bono ::: Born: May 10, 1960; Occupation: Singer;
Chaz Bono ::: Born: March 4, 1969; Occupation: Writer;
Larry the Cable Guy ::: Born: February 17, 1963; Occupation: Comedian;
Matt Dallas ::: Born: October 21, 1982; Occupation: Actor;
Mary Bono ::: Born: October 24, 1961; Occupation: Former U.S. Representative;
Felicia Day ::: Born: June 28, 1979; Occupation: Actress;
Sonny Bono ::: Born: February 16, 1935; Died: January 5, 1998; Occupation: Record producer;
Noureen DeWulf ::: Born: February 28, 1984; Occupation: Actress;
Kevin DeYoung ::: Born: 1977; Occupation: Author;
Jenny Downham ::: Born: 1964; Occupation: Novelist;
Rahul Dravid ::: Born: January 11, 1973; Occupation: Cricketer;
Arna Bontemps ::: Born: October 13, 1902; Died: June 4, 1973; Occupation: Poet;
Michael Eric Dyson ::: Born: October 23, 1958; Occupation: Author;
Katherine Boo ::: Born: August 12, 1964; Occupation: Journalist;
Frans de Waal ::: Born: October 29, 1948; Occupation: Primatologist;
Tamsin Egerton ::: Born: November 26, 1988; Occupation: Actress;
Alber Elbaz ::: Born: 1961; Occupation: Fashion designer;
Kimberly Elise ::: Born: April 17, 1967; Occupation: Film actress;
Cory Booker ::: Born: April 27, 1969; Occupation: United States Senator;
Henry B. Eyring ::: Born: May 31, 1933; Occupation: Author;
George Boole ::: Born: November 2, 1815; Died: December 8, 1864; Occupation: Mathematician;
Corrie Ten Boom ::: Born: April 15, 1892; Died: April 15, 1983; Occupation: Author;
Howard Aiken ::: Born: March 8, 1900; Died: March 14, 1973; Occupation: Designer;
Daniel Boone ::: Born: October 22, 1734; Died: September 26, 1820; Occupation: Author;
Laura Fraser ::: Born: July 24, 1976; Occupation: Actress;
Debby Boone ::: Born: September 22, 1956; Occupation: Singer;
Nick Frost ::: Born: March 28, 1972; Occupation: Actor;
Athol Fugard ::: Born: June 11, 1932; Occupation: Playwright;
Pat Boone ::: Born: June 1, 1934; Occupation: Singer;
Jostein Gaarder ::: Born: August 8, 1952; Occupation: Author;
Romola Garai ::: Born: August 6, 1982; Occupation: Actress;
John Boorman ::: Born: January 18, 1933; Occupation: Filmmaker;
Erle Stanley Gardner ::: Born: July 17, 1889; Died: March 11, 1970; Occupation: Lawyer;
Mark Gatiss ::: Born: October 17, 1966; Occupation: Actor;
Daniel J. Boorstin ::: Born: October 1, 1914; Died: February 28, 2004; Occupation: Historian;
Leymah Gbowee ::: Born: February 1, 1972; Occupation: Peace activist;
Neal Boortz ::: Born: April 6, 1945; Occupation: Author;
Elayne Boosler ::: Born: August 18, 1952; Occupation: Comedian;
Arne Glimcher ::: Born: March 12, 1938; Occupation: Art dealer;
Edwin Booth ::: Born: November 13, 1833; Died: June 7, 1893; Occupation: Actor;
LZ Granderson ::: Born: March 11, 1972; Occupation: Journalist;
Jonathan Groff ::: Born: March 26, 1985; Occupation: Actor;
Jonathan Haidt ::: Born: October 19, 1963; Occupation: Psychologist;
William Booth ::: Born: April 10, 1829; Died: August 20, 1912; Occupation: Preacher;
Suheir Hammad ::: Born: October 25, 1973; Occupation: Poet;
Chris Hardwick ::: Born: November 23, 1971; Occupation: Comedian;
Keeley Hawes ::: Born: February 10, 1976; Occupation: Actress;
David Boreanaz ::: Born: May 16, 1969; Occupation: Actor;
Catherine Hicks ::: Born: August 6, 1951; Occupation: Film actress;
Ellen Hopkins ::: Born: March 26, 1955; Occupation: Novelist;
Jack Horner ::: Born: June 15, 1946; Occupation: Paleontologist;
Bjorn Borg ::: Born: June 6, 1956; Occupation: Tennis player;
Immaculee Ilibagiza ::: Born: 1972; Occupation: Author;
Boman Irani ::: Born: December 2, 1959; Occupation: Film actor;
Emmanuel Jal ::: Born: 1980; Occupation: Musician;
Charles Jencks ::: Born: June 21, 1939; Occupation: Landscape architect;
Ashley Jensen ::: Born: August 11, 1969; Occupation: Actress;
Karan Johar ::: Born: May 25, 1972; Occupation: Film director;
Jorge Luis Borges ::: Born: August 24, 1899; Died: June 14, 1986; Occupation: Writer;
Vinnie Jones ::: Born: January 5, 1965; Occupation: Actor;
Ernst Junger ::: Born: March 29, 1895; Died: February 17, 1998; Occupation: Writer;
Ernest Borgnine ::: Born: January 24, 1917; Died: July 8, 2012; Occupation: Film actor;
Karisma Kapoor ::: Born: June 25, 1974; Occupation: Actress;
Anurag Kashyap ::: Born: September 10, 1972; Occupation: Film director;
Robert Bork ::: Born: March 1, 1927; Died: December 19, 2012; Occupation: Former United States Solicitor General;
Hal Borland ::: Born: May 14, 1900; Died: February 22, 1978; Occupation: Author;
Kailash Kher ::: Born: July 7, 1973; Occupation: Singer;
Norman Borlaug ::: Born: March 25, 1914; Died: September 12, 2009; Occupation: Agricultural Scientist;
Stephen Lang ::: Born: July 11, 1952; Occupation: Actor;
Natasha Leggero ::: Born: March 26, 1974; Occupation: Actress;
--> 81 Copy quote -- --> 81 Copy quote -- --> 47 Copy quote -- --> 42 Copy quote -- --> 53 Copy quote -- --> 35 Copy quote -- --> 29 Copy quote -- --> 28 Copy quote -- --> 29 Copy quote -- --> 20 Copy quote -- --> 13 Copy quote -- --> 28 Copy quote -- --> The deeper we penetrate, the...@@" data-id="712132" data-place="13"> 16 Copy quote -- --> 20 Copy quote -- --> 17 Copy quote -- --> 20 Copy quote -- --> 3 Copy quote -- --> 16 Copy quote -- --> 23 Copy quote -- --> 5 Copy quote -- --> 17 Copy quote -- --> 12 Copy quote -- --> 14 Copy quote -- --> 11 Copy quote -- --> 15 Copy quote -- Max Born ::: Born: December 11, 1882; Died: January 5, 1970; Occupation: Physicist;
Ludwig Borne ::: Born: May 6, 1786; Died: February 12, 1837; Occupation: Writer;
Tracy Letts ::: Born: July 4, 1965; Occupation: Playwright;
Steven Levitt ::: Born: May 29, 1967; Occupation: Economist;
Joe Lhota ::: Born: October 7, 1954; Occupation: American Politician;
Lisa Ling ::: Born: August 30, 1973; Occupation: Journalist;
Anne Graham Lotz ::: Born: May 21, 1948; Occupation: Evangelist;
Cherie Lunghi ::: Born: April 4, 1952; Occupation: Theatre actress;
Gregory Maguire ::: Born: June 9, 1954; Occupation: Novelist;
Alvin Ailey ::: Born: January 5, 1931; Died: December 1, 1989; Occupation: Choreographer;
Helen McCrory ::: Born: August 17, 1968; Occupation: Actress;
Kate Bosworth ::: Born: January 2, 1983; Occupation: Actress;
Sugata Mitra ::: Born: February 12, 1952; Occupation: Professor;
Deborah Moggach ::: Born: June 28, 1948; Occupation: Film writer;
Ian Botham ::: Born: November 24, 1955; Occupation: Cricketer;
Caitlin Moran ::: Born: April 5, 1975; Occupation: Columnist;
Evgeny Morozov ::: Born: 1984; Occupation: Writer;
Walther Bothe ::: Born: January 8, 1891; Died: February 8, 1957; Occupation: Physicist;
Herta Muller ::: Born: August 17, 1953; Occupation: Novelist;
Phyllis Bottome ::: Born: May 31, 1884; Died: August 22, 1963; Occupation: Novelist;
Niecy Nash ::: Born: February 23, 1970; Occupation: Comedian;
Saina Nehwal ::: Born: March 17, 1990; Occupation: Olympic athlete;
Alain de Botton ::: Born: December 20, 1969; Occupation: Writer;
Anouk Aimee ::: Born: April 27, 1932; Occupation: Film actress;
Sonu Nigam ::: Born: July 30, 1973; Occupation: Singer;
Michael O'Brien ::: Born: 1948; Died: May 6, 2015; Occupation: Author;
John Oliver ::: Born: April 23, 1977; Occupation: Comedian;
Dean Ornish ::: Born: July 16, 1953; Occupation: Physician;
J. I. Packer ::: Born: July 22, 1926; Occupation: Christian Theologian;
Deepika Padukone ::: Born: January 5, 1986; Occupation: Film actress;
Anatoli Boukreev ::: Born: January 16, 1958; Died: December 25, 1997; Occupation: Mountaineer;
Randy Pausch ::: Born: October 23, 1960; Died: July 25, 2008; Occupation: Professor;
Holly Robinson Peete ::: Born: September 18, 1964; Occupation: Actress;
Nadia Boulanger ::: Born: September 16, 1887; Died: October 22, 1979; Occupation: Composer;
Charlie Pierce ::: Born: December 28, 1953;
Anthony Bourdain ::: Born: June 25, 1956; Occupation: Chef;
Pierre Bourdieu ::: Born: August 1, 1930; Died: January 23, 2002; Occupation: Sociologist;
Matthew Bourne ::: Born: January 13, 1960; Occupation: Choreographer;
Christine Quinn ::: Born: July 25, 1966; Occupation: American Politician;
Suresh Raina ::: Born: November 27, 1986; Occupation: Cricket Player;
Rajneesh ::: Born: December 11, 1931; Died: January 19, 1990; Occupation: Guru;
Arjun Rampal ::: Born: November 26, 1972; Occupation: Film actor;
Callum Keith Rennie ::: Born: September 14, 1960; Occupation: Film actor;
Lynda Resnick ::: Born: 1944;
Jim Bouton ::: Born: March 8, 1939; Occupation: Baseball player;
Howard Rheingold ::: Born: July 7, 1947; Occupation: Writer;
James Bovard ::: Born: 1956; Occupation: Author;
Matt Ridley ::: Born: February 7, 1958; Occupation: Journalist;
Cal Ripken, Jr. ::: Born: August 24, 1960; Occupation: Baseball player;
Christian Nestell Bovee ::: Born: February 22, 1820; Died: 1904;
Phil Robertson ::: Born: April 24, 1946; Occupation: Television personality;
Hanna Rosin ::: Born: 1970; Occupation: Author;
Douglas Rushkoff ::: Born: February 18, 1961; Occupation: Writer;
J. C. Ryle ::: Born: May 10, 1816; Died: June 10, 1900; Occupation: Bishop of Liverpool;
Katee Sackhoff ::: Born: April 8, 1980; Occupation: Actress;
Oliver Sacks ::: Born: July 9, 1933; Died: August 30, 2015; Occupation: Neurologist;
Moshe Safdie ::: Born: July 14, 1938; Occupation: Architect;
Ashwin Sanghi ::: Born: January 25, 1969; Occupation: Author;
Elizabeth Bowen ::: Born: June 7, 1899; Died: February 22, 1973; Occupation: Novelist;
Julie Bowen ::: Born: March 3, 1970; Occupation: Actress;
Jake Shimabukuro ::: Born: November 3, 1976; Occupation: Composer;
Nevil Shute ::: Born: January 17, 1899; Died: January 12, 1960; Occupation: Novelist;
David Bowie ::: Born: January 8, 1947; Died: January 10, 2016; Occupation: Musician;
Sheridan Smith ::: Born: June 25, 1981; Occupation: Actress;
Rich Sommer ::: Born: February 2, 1978; Occupation: Actor;
R. C. Sproul ::: Born: February 13, 1939; Occupation: Author;
Paul Stamets ::: Born: July 17, 1955; Occupation: Author;
Doug Stanhope ::: Born: March 25, 1967; Occupation: Stand-up comedian;
Andy Stanley ::: Born: May 16, 1958; Occupation: Pastor;
Erskine Bowles ::: Born: August 8, 1945; Occupation: Former White House Chief of Staff;
Paul Bowles ::: Born: December 30, 1910; Died: November 18, 1999; Occupation: Composer;
Charles Studd ::: Born: December 2, 1860; Died: 1931; Occupation: Missionary;
Therese of Lisieux ::: Born: January 2, 1873; Died: September 30, 1897; Occupation: Saint;
Hudson Taylor ::: Born: May 21, 1832; Died: June 3, 1905; Occupation: Missionary;
Tullian Tchividjian ::: Born: July 13, 1972; Occupation: Pastor;
T. J. Thyne ::: Born: March 7, 1975; Occupation: Film actor;
Colm Toibin ::: Born: May 30, 1955; Occupation: Novelist;
Barbara Boxer ::: Born: November 11, 1940; Occupation: United States Senator;
Geoffrey Boycott ::: Born: October 21, 1940; Occupation: Cricketer;
Ralph Waite ::: Born: June 22, 1928; Died: February 13, 2014; Occupation: Actor;
Erin Wasson ::: Born: January 20, 1982; Occupation: Model;
Lauren Weisberger ::: Born: March 28, 1977; Occupation: Novelist;
Belle Boyd ::: Born: May 13, 1843; Died: June 11, 1900; Occupation: Actress;
Willard Wigan ::: Born: 1957; Occupation: Artist;
Billy Boyd ::: Born: August 28, 1968; Occupation: Actor;
Nathan Wolfe ::: Born: August 24, 1970;
Sheryl WuDunn ::: Born: November 16, 1959; Occupation: Writer;
Malala Yousafzai ::: Born: July 12, 1997; Occupation: Journalist;
Eva Zeisel ::: Born: November 13, 1906; Died: December 30, 2011; Occupation: Industrial designer;
Malin Akerman ::: Born: May 12, 1978; Occupation: Actress;
Gosho Aoyama ::: Born: June 21, 1963; Occupation: Artist;
Abigail Van Buren ::: Born: July 4, 1918; Died: January 16, 2013; Occupation: Columnist;
François-René de Chateaubriand ::: Born: September 4, 1768; Died: July 4, 1848; Occupation: Writer;
Mark Andrus ::: Born: December 13, 1955; Occupation: Screenwriter;
William Faulkner ::: Born: September 25, 1897; Died: July 6, 1962; Occupation: Writer;
Paul D. Boyer ::: Born: July 31, 1918; Occupation: Chemist;
Darren Shan ::: Born: July 2, 1972; Occupation: Author;
Sarah Rees Brennan ::: Born: September 21, 1983; Occupation: Writer;
Alasdair Gray ::: Born: December 28, 1934; Occupation: Writer;
Nellie L. McClung ::: Born: October 20, 1873; Died: September 1, 1951; Occupation: Canadian Politician;
John Dufresne ::: Born: January 30, 1948; Occupation: Author;
Alister E. McGrath ::: Born: January 23, 1953; Occupation: Theologian;
Leopold von Sacher-Masoch ::: Born: January 27, 1836; Died: March 9, 1895; Occupation: Writer;
Jane Hamilton ::: Born: July 13, 1957; Occupation: Novelist;
Katie MacAlister ::: Born: 1964; Occupation: Author;
Derek Landy ::: Born: October 23, 1974; Occupation: Author;
John Swartzwelder ::: Born: November 16, 1950; Occupation: Writer;
William Carlos Williams ::: Born: September 17, 1883; Died: March 4, 1963; Occupation: Poet;
Lucy Grealy ::: Born: June 3, 1963; Died: December 18, 2002; Occupation: Poet;
Max Brooks ::: Born: May 22, 1972; Occupation: Author;
Kelly Link ::: Born: July 19, 1969; Occupation: Editor;
Diane Setterfield ::: Born: August 22, 1964; Occupation: Author;
Danny Boyle ::: Born: October 20, 1956; Occupation: Film director;
Steven Millhauser ::: Born: August 3, 1943; Occupation: Novelist;
Dorothy Parker ::: Born: August 22, 1893; Died: June 7, 1967; Occupation: Poet;
Arturo Pérez-Reverte ::: Born: November 25, 1951; Occupation: Novelist;
Virginia Euwer Wolff ::: Born: August 25, 1937; Occupation: Author;
Anton Szandor LaVey ::: Born: April 11, 1930; Died: October 29, 1997; Occupation: Author;
Luce Irigaray ::: Born: May 3, 1930; Occupation: Philosopher;
Donna J. Haraway ::: Born: September 6, 1944; Occupation: Professor;
Gary Soto ::: Born: April 12, 1952; Occupation: Author;
Audrey Niffenegger ::: Born: June 13, 1963; Occupation: Writer;
Jane Kenyon ::: Born: May 23, 1947; Died: April 22, 1995; Occupation: Poet;
Thomas Ligotti ::: Born: July 9, 1953; Occupation: Author;
John Fante ::: Born: April 8, 1909; Died: May 8, 1983; Occupation: Novelist;
Rachel Carson ::: Born: May 27, 1907; Died: April 14, 1964; Occupation: Marine biologist;
John Kennedy Toole ::: Born: December 17, 1937; Died: March 26, 1969; Occupation: Novelist;
Stella Gibbons ::: Born: January 5, 1902; Died: December 19, 1989; Occupation: Author;
Walter Kirn ::: Born: 1962; Occupation: Novelist;
Lara Flynn Boyle ::: Born: March 24, 1970; Occupation: Actress;
Sri Nisargadatta Maharaj ::: Born: April 17, 1897; Died: September 8, 1981; Occupation: Philosopher;
Charles Baxter ::: Born: May 13, 1947; Occupation: Author;
Pam Houston ::: Born: January 9, 1962; Occupation: Author;
Amy Carmichael ::: Born: December 16, 1867; Died: January 18, 1951;
Spencer W. Kimball ::: Born: March 28, 1895; Died: November 5, 1985;
Hakim Bey ::: Born: 1945; Occupation: Author;
Lloyd Jones ::: Born: March 23, 1955; Occupation: New Zealand author;
Os Guinness ::: Born: September 30, 1941; Occupation: Author;
Beryl Markham ::: Born: October 26, 1902; Died: August 3, 1986; Occupation: Author;
Forrest Carter ::: Born: September 4, 1925; Died: June 7, 1979; Occupation: Writer;
André Aciman ::: Born: January 2, 1951; Occupation: Writer;
Kobayashi Issa ::: Born: June 15, 1763; Died: January 5, 1828; Occupation: Poet;
Craig Clevenger ::: Born: 1964; Occupation: Author;
Fritjof Capra ::: Born: February 1, 1939; Occupation: Physicist;
Susan Boyle ::: Born: April 1, 1961; Occupation: Singer;
Laurie R. King ::: Born: September 19, 1952; Occupation: Author;
Nick Drake ::: Born: June 19, 1948; Died: November 25, 1974; Occupation: Singer-songwriter;
Arnold Lobel ::: Born: May 22, 1933; Died: December 4, 1987; Occupation: Author;
Sri Sri Ravi Shankar ::: Born: May 13, 1956; Occupation: Spiritual leader;
Ajahn Chah ::: Born: June 17, 1918; Died: January 16, 1992;
Oliver James ::: Born: 1953; Occupation: Clinical psychologist;
Edith Södergran ::: Born: April 4, 1892; Died: June 24, 1923; Occupation: Poet;
Michel Faber ::: Born: April 13, 1960; Occupation: Writer;
John Boyne ::: Born: April 30, 1971; Occupation: Novelist;
Stephen Schwartz ::: Born: March 6, 1948; Occupation: Lyricist;
Betty MacDonald ::: Born: March 26, 1908; Died: February 7, 1958; Occupation: Author;
Maud Hart Lovelace ::: Born: April 25, 1892; Died: March 11, 1980; Occupation: Author;
James K. Morrow ::: Born: March 17, 1947; Occupation: Author;
A.C. Grayling ::: Born: April 3, 1949; Occupation: Philosopher;
Richard Peck ::: Born: April 10, 1934; Occupation: Novelist;
Howard Pyle ::: Born: March 5, 1853; Died: November 9, 1911; Occupation: Illustrator;
Robert Walser ::: Born: April 15, 1878; Died: December 25, 1956; Occupation: Writer;
Peter Kreeft ::: Born: 1937; Occupation: Professor;
Peter Cameron ::: Born: November 29, 1959; Occupation: Novelist;
Sakyong Mipham ::: Born: 1962;
Julian of Norwich ::: Born: November 8, 1342; Died: 1416;
Robert M. Sapolsky ::: Born: 1957; Occupation: Neuroendocrinologist;
Andrei Codrescu ::: Born: December 20, 1946; Occupation: Poet;
Tara Brach ::: Born: May 17, 1953; Occupation: Psychologist;

Eloisa James ::: Born: 1962; Occupation: Professor;
Sarah Weeks ::: Born: March 18, 1955; Occupation: Writer;
Mark Doty ::: Born: August 10, 1953; Occupation: Poet;
Julius Lester ::: Born: January 27, 1939; Occupation: Author;
B.K.S. Iyengar ::: Born: December 14, 1918; Died: August 20, 2014; Occupation: Teacher;
Patrick O'Brian ::: Born: December 12, 1914; Died: January 2, 2000; Occupation: Novelist;
Jack Spicer ::: Born: January 30, 1925; Died: August 17, 1965; Occupation: Poet;
Louise Glück ::: Born: April 22, 1943; Occupation: Poet;
Emily Saliers ::: Born: July 22, 1963; Occupation: Singer-songwriter;
Jeffrey McDaniel ::: Born: 1967; Occupation: Poet;
Margery Williams ::: Born: July 22, 1881; Died: September 4, 1944; Occupation: Author;
Joan Bauer ::: Born: July 12, 1951; Occupation: Writer;
Helen Steiner Rice ::: Born: May 19, 1900; Died: April 23, 1981; Occupation: Writer;
Jeff Smith ::: Born: February 27, 1960; Occupation: Cartoonist;
Kathleen Norris ::: Born: July 27, 1947; Occupation: Poet;
C.P. Snow ::: Born: October 15, 1905; Died: July 1, 1980; Occupation: Chemist;
Lou Andreas-Salomé ::: Born: February 12, 1861; Died: February 5, 1937; Occupation: Author;
Jim Carroll ::: Born: August 1, 1949; Died: September 11, 2009; Occupation: Author;
Georges Perec ::: Born: March 7, 1936; Died: March 3, 1982; Occupation: Novelist;
Terence ::: Born: 186 BC; Died: 159 BC; Occupation: Playwright;
Gloria E. Anzaldúa ::: Born: September 26, 1942; Died: May 15, 2004; Occupation: Scholar;
J. Oswald Sanders ::: Born: October 17, 1902; Died: October 24, 1992; Occupation: Author;
Nuala O'Faolain ::: Born: March 1, 1940; Died: May 9, 2008; Occupation: Journalist;
T.C. Boyle ::: Born: December 2, 1948; Occupation: Novelist;
Jane Hirshfield ::: Born: February 24, 1953; Occupation: Poet;
David Lubar ::: Born: March 16, 1954; Occupation: Author;
Andrew Sean Greer ::: Born: 1970; Occupation: Novelist;
Bill McKibben ::: Born: December 8, 1960; Occupation: Environmentalist;
Larry Wall ::: Born: September 27, 1954; Occupation: Programmer;
Malcolm Bradbury ::: Born: September 7, 1932; Died: November 27, 2000; Occupation: Author;
Alain Robbe-Grillet ::: Born: August 18, 1922; Died: February 18, 2008; Occupation: Writer;
William T. Vollmann ::: Born: July 28, 1959; Occupation: Novelist;
Robert Wright ::: Born: 1957; Occupation: Journalist;
Carl Schmitt ::: Born: July 11, 1888; Died: April 7, 1985; Occupation: Philosopher;
James Tiptree Jr. ::: Born: August 24, 1915; Died: May 19, 1987; Occupation: Author;
Joris-Karl Huysmans ::: Born: February 5, 1848; Died: May 12, 1907; Occupation: Novelist;
Natasha Trethewey ::: Born: April 26, 1966; Occupation: Poet;
Lionel Shriver ::: Born: May 18, 1957; Occupation: Journalist;
Julia Kristeva ::: Born: June 24, 1941; Occupation: Philosopher;
Ray Bradbury ::: Born: August 22, 1920; Died: June 5, 2012; Occupation: Writer;
Osip Mandelstam ::: Born: January 15, 1891; Died: December 27, 1938; Occupation: Poet;
Zbigniew Herbert ::: Born: October 29, 1924; Died: July 28, 1998; Occupation: Poet;
Sarah Dunant ::: Born: August 8, 1950; Occupation: Writer;
Sharon G. Flake ::: Born: December 24, 1955; Occupation: Author;
Myla Goldberg ::: Born: November 19, 1971; Occupation: Novelist;
Patrick Lencioni ::: Born: 1965; Occupation: Writer;
Beverly Lewis ::: Born: 1949; Occupation: Novelist;
Barbara Taylor Bradford ::: Born: May 10, 1933; Occupation: Novelist;
Stephen Elliott ::: Born: December 3, 1971; Occupation: Author;
Mo Willems ::: Born: February 11, 1968; Occupation: Writer;
Richard Carlson ::: Born: May 16, 1961; Died: December 13, 2006; Occupation: Author;

P.D. Ouspensky ::: Born: March 17, 1878; Died: October 2, 1947;
Donald Hall ::: Born: September 20, 1928; Occupation: Poet;
Franz Wright ::: Born: March 18, 1953; Died: May 14, 2015; Occupation: Poet;
Charles Bradlaugh ::: Born: September 26, 1833; Died: January 30, 1891; Occupation: Political figure;
Karen Joy Fowler ::: Born: February 7, 1950; Occupation: Author;
Julia Glass ::: Born: March 23, 1956; Occupation: Novelist;
Laurel Thatcher Ulrich ::: Born: July 11, 1938; Occupation: Historian;
Jim Butcher ::: Born: October 26, 1971; Occupation: Author;
Banksy ::: Born: 1974; Occupation: Artist;
Joanna Macy ::: Born: May 2, 1929; Occupation: Author;
Gene Luen Yang ::: Born: August 9, 1973; Occupation: Writer;
Michael Pollan ::: Born: February 6, 1955; Occupation: Author;
Brad Warner ::: Born: March 5, 1964; Occupation: Author;
Daphne Gottlieb ::: Born: 1968; Occupation: Poet;
David Wojnarowicz ::: Born: September 14, 1954; Died: July 22, 1992; Occupation: Writer;
Steve Almond ::: Born: October 27, 1966; Occupation: Writer;
Susan Cooper ::: Born: May 23, 1935; Occupation: Author;
Saigyō ::: Born: 1118; Died: 1190; Occupation: Poet;
Andreï Makine ::: Born: September 10, 1957; Occupation: Author;
Vandana Shiva ::: Born: November 5, 1952; Occupation: Author;
David Drake ::: Born: September 24, 1945; Occupation: Author;
Susan Kay ::: Born: 1952; Occupation: Writer;
Anna Akhmatova ::: Born: June 23, 1889; Died: March 5, 1966; Occupation: Poet;
Sonya Hartnett ::: Born: February 23, 1968; Occupation: Author;
Pete Wentz ::: Born: June 5, 1979; Occupation: Musician;
Tite Kubo ::: Born: June 26, 1977; Occupation: Artist;
Ford Madox Ford ::: Born: December 17, 1873; Died: June 26, 1939; Occupation: Novelist;
Glen Cook ::: Born: July 9, 1944; Occupation: Author;
Max Barry ::: Born: March 18, 1973; Occupation: Author;
Cathy Hopkins ::: Born: January 23, 1953; Occupation: Novelist;
Mike Mignola ::: Born: September 16, 1960; Occupation: Artist;
Utah Phillips ::: Born: May 15, 1935; Died: May 23, 2008; Occupation: Singer;
Bill Bradley ::: Born: July 28, 1943; Occupation: Former U.S. Senator;
Charles Wright ::: Born: August 25, 1935; Occupation: Poet;
R. Scott Bakker ::: Born: February 2, 1967; Occupation: Author;
Abdu'l-Bahá ::: Born: May 23, 1844; Died: November 28, 1921;
Frederica Mathewes-Green ::: Born: 1952; Occupation: Author;
Gay Hendricks ::: Born: 1945; Occupation: Writer;
Rumiko Takahashi ::: Born: October 10, 1957; Occupation: Artist;
Tiffanie DeBartolo ::: Born: November 27, 1970; Occupation: Novelist;
Gaston Leroux ::: Born: May 6, 1868; Died: April 15, 1927; Occupation: Journalist;
Ed Bradley ::: Born: June 22, 1941; Died: November 9, 2006; Occupation: Journalist;
Louis Bromfield ::: Born: December 27, 1896; Died: March 18, 1956; Occupation: Author;
Sharon Shinn ::: Born: 1957; Occupation: Novelist;
Torey L. Hayden ::: Born: May 21, 1951; Occupation: Writer;
Ann Rinaldi ::: Born: August 27, 1934; Occupation: Author;
Rodman Philbrick ::: Born: 1951; Occupation: Writer;
F. H. Bradley ::: Born: January 30, 1846; Died: September 18, 1924; Occupation: Philosopher;
Aimee Bender ::: Born: June 28, 1969; Occupation: Novelist;
Herman E. Daly ::: Born: 1938; Occupation: Economist;
Shannon Hale ::: Born: January 26, 1974; Occupation: Author;
Geoffrey Wolff ::: Born: 1937; Occupation: Novelist;
Susanna Clarke ::: Born: November 1, 1959; Occupation: Author;
Gordon Korman ::: Born: October 23, 1963; Occupation: Author;
Daniel Quinn ::: Born: October 11, 1935; Occupation: Novelist;

Hiromu Arakawa ::: Born: May 8, 1973; Occupation: Artist;
Nancy Farmer ::: Born: July 7, 1941; Occupation: Author;
Lisa McMann ::: Born: February 27, 1968; Occupation: Author;
Jim Thompson ::: Born: September 27, 1906; Died: April 7, 1977; Occupation: Author;
Sapphire ::: Born: August 4, 1950; Occupation: Author;
Charles F. Haanel ::: Born: May 22, 1866; Died: November 27, 1949; Occupation: Author;
Gail Carson Levine ::: Born: September 17, 1947; Occupation: Author;
U.G. Krishnamurti ::: Born: July 9, 1918; Died: March 22, 2007; Occupation: Writer;
Marion Zimmer Bradley ::: Born: June 3, 1930; Died: September 25, 1999; Occupation: Author;
-- -- J.R. Ward ::: Born: 1969; Occupation: Novelist;
Cheri Huber ::: Born: 1944; Occupation: Author;
Li-Young Lee ::: Born: August 19, 1957; Occupation: Poet;
Lynne Truss ::: Born: 1955; Occupation: Writer;
Lisa St. Aubin de Terán ::: Born: October 2, 1953; Occupation: Novelist;
James Crumley ::: Born: October 12, 1939; Died: September 17, 2008; Occupation: Author;
C.D. Wright ::: Born: January 6, 1949; Died: January 12, 2016; Occupation: Poet;
Andrew Harvey ::: Born: 1952; Occupation: Author;
Thomas McGuane ::: Born: December 11, 1939; Occupation: Author;
Hugh Nibley ::: Born: March 27, 1910; Died: February 24, 2005; Occupation: Author;
Rachel Naomi Remen ::: Born: February 8, 1938; Occupation: Author;
Martha Grimes ::: Born: May 2, 1931; Occupation: Author;
James Wright ::: Born: December 13, 1927; Died: March 25, 1980; Occupation: Poet;
Omar N. Bradley ::: Born: February 12, 1893; Died: April 8, 1981; Occupation: Soldier;
Banana Yoshimoto ::: Born: July 24, 1964; Occupation: Writer;
Patricia A. McKillip ::: Born: February 29, 1948; Occupation: Author;
Alan Weisman ::: Born: March 24, 1947; Occupation: Author;
Hélder Câmara ::: Born: 1909; Died: 1999;
Susanna Kaysen ::: Born: November 11, 1948; Occupation: Author;
Jeaniene Frost ::: Born: June 13, 1974; Occupation: Author;
Syed Muhammad Naquib al-Attas ::: Born: September 5, 1931; Occupation: Author;
John Bradshaw ::: Born: June 29, 1933; Died: May 8, 2016; Occupation: Educator;
Laura Moriarty ::: Born: December 24, 1970; Occupation: Novelist;
St. Catherine of Siena ::: Born: March 17, 1347; Died: April 29, 1380; Occupation: Saint;
Elizabeth Berg ::: Born: December 2, 1948; Occupation: Writer;
Clarence Jordan ::: Born: July 29, 1912; Died: October 29, 1969; Occupation: Farmer;
Stephen Batchelor ::: Born: April 7, 1953; Occupation: Author;
Sarah Addison Allen ::: Born: 1971; Occupation: Author;
Adam Rex ::: Born: May 16, 1973; Occupation: Illustrator;
Patrick Carman ::: Born: February 27, 1966; Occupation: Writer;
Terry Bradshaw ::: Born: September 2, 1948; Occupation: Football player;
Starhawk ::: Born: June 17, 1951; Occupation: Writer;
Mirza Asadullah Khan Ghalib ::: Born: December 27, 1797; Died: February 15, 1869;
Alexander von Humboldt ::: Born: September 14, 1769; Died: May 6, 1859; Occupation: Naturalist;
Leslie Feinberg ::: Born: September 1, 1949; Died: November 15, 2014; Occupation: Activist;
Joel Fuhrman ::: Born: December 2, 1953; Occupation: M.D.;
Per Petterson ::: Born: July 18, 1952; Occupation: Novelist;
Joseph Fielding Smith ::: Born: July 19, 1876; Died: July 2, 1972; Occupation: Writer;
Edward Bloor ::: Born: October 12, 1950; Occupation: Writer;
Anne Bradstreet ::: Born: March 20, 1612; Died: September 16, 1672; Occupation: Poet;
Xiaolu Guo ::: Born: 1973; Occupation: Novelist;
Neil Strauss ::: Born: October 13, 1973; Occupation: Author;
Mem Fox ::: Born: March 5, 1946; Occupation: Writer;
Robin Hobb ::: Born: March 5, 1952; Occupation: Novelist;
Sandra Boynton ::: Born: April 3, 1953; Occupation: Songwriter;
Richard Yates ::: Born: February 3, 1926; Died: November 7, 1992; Occupation: Novelist;
Sabrina Ward Harrison ::: Born: 1975; Occupation: Author;
Ellen Kushner ::: Born: October 6, 1955; Occupation: Writer;
James Brady ::: Born: August 29, 1940; Died: August 4, 2014; Occupation: Former White House Press Secretary;
Lauren Slater ::: Born: March 21, 1963; Occupation: Psychologist;
Lydia Millet ::: Born: December 5, 1968; Occupation: Novelist;
Marilyn Ferguson ::: Born: April 5, 1938; Died: October 19, 2008; Occupation: Author;

Ann M. Martin ::: Born: August 12, 1955; Occupation: Author;
John Andreas Widtsoe ::: Born: January 31, 1872; Died: November 29, 1952; Occupation: Author;
Gretel Ehrlich ::: Born: January 21, 1946; Occupation: Writer;
Halldór Laxness ::: Born: April 23, 1902; Died: February 8, 1998; Occupation: Writer;
Patricia Marx ::: Born: 1975; Occupation: Writer;
Mary Gaitskill ::: Born: November 11, 1954; Occupation: Author;
Wendy Mass ::: Born: April 22, 1967; Occupation: Author;
Jim Crace ::: Born: March 1, 1946; Occupation: Writer;
Sharon Salzberg ::: Born: 1952; Occupation: Author;
Matt Taibbi ::: Born: March 2, 1970; Occupation: Author;
Garth Nix ::: Born: July 19, 1963; Occupation: Writer;
John Derbyshire ::: Born: June 3, 1945; Occupation: Writer;
Linda Howard ::: Born: August 3, 1950; Occupation: Author;

Bohumil Hrabal ::: Born: March 28, 1914; Died: February 3, 1997; Occupation: Writer;
Lauren F. Winner ::: Born: October 13, 1976; Occupation: Author;
Anchee Min ::: Born: January 14, 1957; Occupation: Author;
Tadeusz Borowski ::: Born: November 12, 1922; Died: July 3, 1951; Occupation: Writer;
Ruskin Bond ::: Born: May 19, 1934; Occupation: Author;
Elisabeth Elliot ::: Born: December 21, 1926; Died: June 15, 2015; Occupation: Author;
A.L. Kennedy ::: Born: October 22, 1965; Occupation: Writer;
RuPaul ::: Born: November 17, 1960; Occupation: Actor;
Susan Elizabeth Phillips ::: Born: December 11, 1948; Occupation: Writer;
Dallin H. Oaks ::: Born: August 12, 1932; Occupation: Author;
Janette Oke ::: Born: February 18, 1935; Occupation: Author;
Philip Reeve ::: Born: February 28, 1966; Occupation: Author;
John H. McWhorter ::: Born: 1965; Occupation: Linguist;
Jane Yolen ::: Born: February 11, 1939; Occupation: Writer;
William Bradford ::: Born: March 19, 1590; Died: May 9, 1657; Occupation: Political leader;
Herbie Brennan ::: Born: July 5, 1940; Occupation: Author;
Margaret J. Wheatley ::: Born: August 17, 1944; Occupation: Writer;
Richard Fortey ::: Born: 1946; Occupation: Writer;
A. Lee Martinez ::: Born: January 12, 1973; Occupation: Author;
Sandra Gulland ::: Born: November 3, 1944; Occupation: Novelist;
Matthew Scully ::: Born: March 20, 1959; Occupation: Author;

Lisa Jewell ::: Born: July 19, 1968; Occupation: Author;
Stanley Hauerwas ::: Born: July 24, 1940; Occupation: Theologian;
Denise Levertov ::: Born: October 24, 1923; Died: December 20, 1997; Occupation: Poet;
Tom Brady ::: Born: August 3, 1977; Occupation: Football player;
Pindar ::: Born: 522 BC; Died: 443 BC; Occupation: Poet;
Leif Enger ::: Born: 1961; Occupation: Author;
Peter F. Hamilton ::: Born: March 2, 1960; Occupation: Author;
Ken Keyes Jr. ::: Born: January 19, 1921; Died: December 20, 1995; Occupation: Author;
Jeffrey R. Holland ::: Born: December 3, 1940; Occupation: Educator;
Jennifer Crusie ::: Born: 1949; Occupation: Author;
Billie Letts ::: Born: May 30, 1938; Died: August 2, 2014; Occupation: Novelist;
Wayne Brady ::: Born: June 2, 1972; Occupation: Actor;
Karen Hesse ::: Born: August 29, 1952; Occupation: Author;
Ian Caldwell ::: Born: 1976; Occupation: Novelist;
Anita Shreve ::: Born: October 7, 1946; Occupation: Writer;
M. John Harrison ::: Born: July 26, 1945; Occupation: Author;
Anna Maxted ::: Born: 1969; Occupation: Author;
Juana Inés de la Cruz ::: Born: November 12, 1651; Died: April 17, 1695; Occupation: Poet;
Nancy Pearl ::: Born: January 12, 1945; Occupation: Librarian;
Stephen R. Lawhead ::: Born: July 2, 1950; Occupation: Writer;
J. Maarten Troost ::: Born: 1969; Occupation: Writer;
Apsley Cherry-Garrard ::: Born: January 2, 1886; Died: May 18, 1959;
Selma Lagerlöf ::: Born: November 20, 1858; Died: March 16, 1940; Occupation: Author;

Pyotr Ilyich Tchaikovsky ::: Born: May 7, 1840; Died: November 6, 1893; Occupation: Composer;
Zach Braff ::: Born: April 6, 1975; Occupation: Actor;
Todd Akin ::: Born: July 5, 1947; Occupation: Former U.S. Representative;
Pascal Mercier ::: Born: June 23, 1944; Occupation: Writer;
Greg Mortenson ::: Born: December 27, 1957; Occupation: Humanitarian;
Joe Meno ::: Born: 1974; Occupation: Novelist;
Monique Wittig ::: Born: July 13, 1935; Died: January 3, 2003; Occupation: Author;
Robin Jones Gunn ::: Born: April 18, 1955; Occupation: Author;
Boyd K. Packer ::: Born: September 10, 1924; Died: July 3, 2015; Occupation: Author;
Zane ::: Born: 1967; Occupation: Author;
Javier Marías ::: Born: September 20, 1951; Occupation: Novelist;
Dara Horn ::: Born: 1977; Occupation: Novelist;
Gary D. Schmidt ::: Born: 1957; Occupation: Writer;
Tony Hoagland ::: Born: November 19, 1953; Occupation: Poet;
Daniel Keyes ::: Born: August 9, 1927; Died: June 15, 2014; Occupation: Author;
Holly Black ::: Born: November 10, 1971; Occupation: Writer;
Nella Larsen ::: Born: April 13, 1891; Died: March 30, 1964; Occupation: Novelist;
Billy Bragg ::: Born: December 20, 1957; Occupation: Singer-songwriter;
Plotinus ::: Born: 204; Died: 270; Occupation: Philosopher;
Maria von Trapp ::: Born: January 26, 1905; Died: March 28, 1987; Occupation: Singer;
Jeffrey Moussaieff Masson ::: Born: March 28, 1941; Occupation: Author;
Harold S. Kushner ::: Born: 1935; Occupation: Rabbi;
Douglas Malloch ::: Born: May 5, 1877; Died: July 2, 1938; Occupation: Poet;
Rick Bragg ::: Born: July 26, 1959; Occupation: Journalist;
Andrew Peterson ::: Born: June 4, 1974; Occupation: Singer-songwriter;
Robert Munsch ::: Born: June 11, 1945; Occupation: Author;
Neal Shusterman ::: Born: November 12, 1962; Occupation: Author;
Farrah Gray ::: Born: September 9, 1984; Occupation: Businessman;
Ammon Hennacy ::: Born: July 24, 1893; Died: January 14, 1970; Occupation: Activist;
Eric Weiner ::: Born: 1963; Occupation: Author;
David Deida ::: Born: March 18, 1958; Occupation: Author;
Arthur W. Pink ::: Born: April 1, 1886; Died: July 15, 1952;
Rachel Caine ::: Born: April 27, 1962; Occupation: Writer;
Mary Ruefle ::: Born: April 16, 1952; Occupation: Poet;
Dieter F. Uchtdorf ::: Born: November 6, 1940; Occupation: Aviator;
Frank Peretti ::: Born: January 13, 1951; Occupation: Author;
Ian Stewart ::: Born: September 24, 1945; Died: December 12, 1985; Occupation: Professor;
Angela Johnson ::: Born: June 18, 1961; Occupation: Poet;
T.A. Barron ::: Born: March 26, 1952; Occupation: Writer;
Lakhdar Brahimi ::: Born: January 1, 1934; Occupation: Political leader;
Joel Salatin ::: Born: February 24, 1957; Occupation: American farmer;
Jean-Dominique Bauby ::: Born: April 23, 1952; Died: March 9, 1997; Occupation: Journalist;
Thomas Watson ::: Born: 1620; Died: 1686; Occupation: Author;
Lilian Jackson Braun ::: Born: June 20, 1913; Died: June 4, 2011; Occupation: Writer;
Anne Stuart ::: Born: May 2, 1948; Occupation: Novelist;
Catherynne M. Valente ::: Born: May 5, 1979; Occupation: Novelist;
Milorad Pavić ::: Born: October 15, 1929; Died: November 30, 2009; Occupation: Novelist;
Stefan Molyneux ::: Born: September 24, 1966; Occupation: Author;
Johannes Brahms ::: Born: May 7, 1833; Died: April 3, 1897; Occupation: Composer;
Sherwood Smith ::: Born: 1951; Occupation: Author;
Roméo Dallaire ::: Born: June 25, 1946; Occupation: Canadian Senator;
Zlata Filipović ::: Born: December 3, 1980; Occupation: Writer;
Sheldon B. Kopp ::: Born: March 29, 1929; Died: March 29, 1999; Occupation: Author;
Craig Thompson ::: Born: September 21, 1975; Occupation: Novelist;
Judith McNaught ::: Born: May 10, 1944; Occupation: Author;
Tao Lin ::: Born: July 2, 1983; Occupation: Novelist;
Jack Zipes ::: Born: June 7, 1937;
David Brainerd ::: Born: April 20, 1718; Died: October 9, 1747; Occupation: Missionary;
Maureen Corrigan ::: Born: July 30, 1955; Occupation: Journalist;
Jillian Michaels ::: Born: February 18, 1974; Occupation: Personal trainer;
David Markson ::: Born: December 20, 1927; Died: June 4, 2010; Occupation: Novelist;
Francis Chan ::: Born: August 31, 1967; Occupation: Pastor;
Anne Bishop ::: Born: 1955; Occupation: Writer;
Gena Showalter ::: Born: 1975; Occupation: Author;
Rachel Vincent ::: Born: 1978; Occupation: Author;
Jeanne Marie Laskas ::: Born: 1958; Occupation: Writer;
Sarah Waters ::: Born: July 21, 1966; Occupation: Novelist;
Michael Marshall Smith ::: Born: May 3, 1965; Occupation: Novelist;
Trinh T. Minh-ha ::: Born: 1952; Occupation: Filmmaking;
Amy Bloom ::: Born: 1953; Occupation: Writer;
Mark Epstein ::: Born: 1953; Occupation: Author;
Tom Spanbauer ::: Born: 1946; Occupation: Writer;
Mark Vonnegut ::: Born: May 11, 1947; Occupation: Memoirist;
Eric Foner ::: Born: February 7, 1943; Occupation: Historian;
Brandon Mull ::: Born: November 8, 1974; Occupation: Writer;
Nobuhiro Watsuki ::: Born: May 26, 1970; Occupation: Artist;
Kenneth Branagh ::: Born: December 10, 1960; Occupation: Actor;
Jennifer Baumgardner ::: Born: 1970; Occupation: Writer;
Kevin Brockmeier ::: Born: December 6, 1972; Occupation: Writer;
Kurt Gödel ::: Born: April 28, 1906; Died: January 14, 1978; Occupation: Logician;
Pierre Choderlos de Laclos ::: Born: October 18, 1741; Died: September 5, 1803; Occupation: Novelist;
Jennifer Donnelly ::: Born: August 16, 1963; Occupation: Writer;
Timothy Keller ::: Born: 1950; Occupation: Author;
Kevin Brooks ::: Born: March 30, 1959; Occupation: Author;
Susanna Tamaro ::: Born: December 12, 1957; Occupation: Novelist;
Michelle Branch ::: Born: July 2, 1983; Occupation: Singer-songwriter;
E. Lockhart ::: Born: September 13, 1967; Occupation: Writer;
Barry Lyga ::: Born: September 11, 1971; Occupation: Novelist;
Terri Windling ::: Born: 1958; Occupation: Editor;
Ludwig Feuerbach ::: Born: July 28, 1804; Died: September 13, 1872; Occupation: Philosopher;
Nicholas A. Basbanes ::: Born: May 25, 1943; Occupation: Author;
Koren Zailckas ::: Born: 1980; Occupation: Writer;
Marcus Buckingham ::: Born: January 11, 1966; Occupation: Author;
George S. Clason ::: Born: November 7, 1874; Died: April 7, 1957; Occupation: Writer;
Parker J. Palmer ::: Born: 1939; Occupation: Author;
David Morrell ::: Born: April 24, 1943; Occupation: Novelist;
Pam Muñoz Ryan ::: Born: December 11, 1951; Occupation: Writer;
Keri Smith ::: Born: 1973; Occupation: Author;

Constantin Brancusi ::: Born: February 19, 1876; Died: March 16, 1957; Occupation: Sculptor;
Ann Radcliffe ::: Born: July 9, 1764; Died: February 7, 1823; Occupation: Author;
Bruce Chatwin ::: Born: May 13, 1940; Died: January 18, 1989; Occupation: Novelist;
Yasmina Khadra ::: Born: January 10, 1955; Occupation: Author;
Diane di Prima ::: Born: August 6, 1934; Occupation: Poet;
Alan Hollinghurst ::: Born: May 26, 1954; Occupation: Novelist;
Sebastian Barry ::: Born: July 5, 1955; Occupation: Playwright;

Frederick Salomon Perls ::: Born: July 8, 1893; Died: March 14, 1970; Occupation: Psychiatrist;
Jo Brand ::: Born: July 23, 1957; Occupation: Actress;
Dan Gutman ::: Born: October 19, 1955; Occupation: Author;
Esther Hicks ::: Born: March 5, 1948; Occupation: Author;
David Steindl-Rast ::: Born: July 12, 1926;
Avi ::: Born: December 23, 1937; Occupation: Author;
Geraldine McCaughrean ::: Born: June 6, 1951; Occupation: Novelist;
Peter Høeg ::: Born: May 17, 1957; Occupation: Writer;
Peter Høeg ::: Born: May 17, 1957; Occupation: Writer;
Ruth Reichl ::: Born: January 16, 1948; Occupation: Writer;
Russell Brand ::: Born: June 4, 1975; Occupation: Comedian;
Megan Whalen Turner ::: Born: 1965; Occupation: Writer;
Hilari Bell ::: Born: 1958; Occupation: Author;
Katherine Applegate ::: Born: July 19, 1956; Occupation: Writer;
Jeff Kinney ::: Born: February 19, 1971; Occupation: Game designer;
Angie Sage ::: Born: June 19, 1952; Occupation: Author;
Osamu Dazai ::: Born: June 19, 1909; Died: June 13, 1948; Occupation: Author;
Lynn Austin ::: Born: 1949; Occupation: Author;
Benjamin Constant ::: Born: October 25, 1767; Died: December 8, 1830; Occupation: Politician;
Edward Eager ::: Born: June 20, 1911; Died: October 23, 1964; Occupation: Dramatist;
Isobelle Carmody ::: Born: June 16, 1958; Occupation: Writer;
Linda Hogan ::: Born: July 16, 1947; Occupation: Poet;
Elizabeth McCracken ::: Born: September 16, 1966; Occupation: Author;
Ruth Ozeki ::: Born: March 12, 1956; Occupation: Novelist;
Percival Everett ::: Born: 1956; Occupation: Writer;
Thomas Moore ::: Born: October 8, 1940; Occupation: Writer;
Daniil Kharms ::: Born: December 30, 1905; Died: February 2, 1942; Occupation: Poet;
Eavan Boland ::: Born: September 24, 1944; Occupation: Poet;
Kate Klise ::: Born: 1963; Occupation: Author;
Dorothea Brande ::: Born: 1893; Died: 1948; Occupation: Writer;
John Taylor ::: Born: June 20, 1960; Occupation: Musician;
Mark Nepo ::: Born: February 23, 1951; Occupation: Poet;
William Boyd ::: Born: March 7, 1952; Died: September 12, 1972; Occupation: Novelist;
Alessandro Baricco ::: Born: January 25, 1958; Occupation: Writer;
Andrew Klavan ::: Born: July 13, 1954; Occupation: Writer;
Sam Lipsyte ::: Born: 1968; Occupation: Novelist;
Mother Angelica ::: Born: April 20, 1923; Died: March 27, 2016; Occupation: Nun;
Jeanne Birdsall ::: Born: 1951; Occupation: Writer;



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